{"meta":{"query_hash":"aef3ad8f9819","filters":{"topic":"Historical and Literary Analyses"},"cohort_total":1346,"direct_labels_cover":2,"predictions_cover":1346,"exported":1346,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/aef3ad8f9819","api":"https://metacan.xera.ac/api/v1/cohort?topic=Historical+and+Literary+Analyses"},"results":[{"id":"W1022468791","doi":"","title":"Le théâtre du monde dans une nouvelle / Mavis Gallant, Vers le rivage, nouvelles traduites de l’anglais par Nicole Côté, Québec, L’instant même, 2002, 298 p., 27,95 $. / Jeanne-Mance Delisle, Et l’or tomba dans le quartz du Nord, tome I, Montréal, La pleine lune, 2002, 126 p., 17,95 $. / Julien Fortin, Chien levé en beau fusil, Montréal, Triptyque, 2002, 152 p., 18 $.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.007852524570412538,"score_gpt":0.16724275501159389,"score_spread":0.15939023044118134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1022468791","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15084495,0.52575225,0.001268713,0.08925748,0.0011054991,0.0020204885,0.0043109916,0.0010353274,0.22440435],"genre_scores_gemma":[0.08428107,0.17567396,0.00086321187,0.0012928254,0.0010240199,0.000121856516,0.00033980055,0.00037391766,0.7360293],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99167186,0.00090442493,0.0018011916,0.0019061826,0.0011419067,0.0025744345],"domain_scores_gemma":[0.9946255,0.00093371567,0.0011696,0.0015460512,0.00043569432,0.0012894291],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0007592969,0.0018495813,0.002183944,0.0006298672,0.005525651,0.00050684094,0.0018769898,0.0008612142,0.007915501],"category_scores_gemma":[0.00016973184,0.0018955851,0.0012949303,0.0012959336,0.0012804931,0.0022706343,0.0006509769,0.0012725972,0.0007586551],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010870472,0.003373052,0.0006399507,0.00033510773,0.0010677887,0.005741745,0.037745185,0.0055544386,0.00068979786,0.03170727,0.90973115,0.0023274934],"study_design_scores_gemma":[0.0058364565,0.0009428415,0.00066470756,0.0004057275,0.00091636693,0.0006871806,0.027163813,0.015440596,0.00030045785,0.00012107257,0.9453442,0.0021765663],"about_ca_topic_score_codex":0.71522146,"about_ca_topic_score_gemma":0.8869943,"teacher_disagreement_score":0.511625,"about_ca_system_score_codex":0.0040635136,"about_ca_system_score_gemma":0.0009010893,"threshold_uncertainty_score":0.99975973},"labels":[],"label_agreement":null},{"id":"W108847700","doi":"","title":"Des Français en Amérique : L’adaptation des premiers colons","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Political science","score_opus":0.010746831478495552,"score_gpt":0.16100583213988312,"score_spread":0.15025900066138756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W108847700","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5083508,0.29512006,0.0049166456,0.022754755,0.0010270091,0.00039261763,0.00035226438,0.00027057747,0.16681528],"genre_scores_gemma":[0.58233666,0.008900033,0.0013025377,0.0002022903,0.00043716477,0.0000066929565,0.000043816763,0.000032662596,0.40673816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873006,0.00012230981,0.00019782122,0.00029663448,0.00018461036,0.00046856893],"domain_scores_gemma":[0.9992044,0.000104580155,0.000103265746,0.00018906633,0.0001321489,0.00026651323],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012117367,0.00025367076,0.00026674478,0.000167677,0.0023037498,0.00006498514,0.00021920676,0.0001799789,0.00135492],"category_scores_gemma":[0.000025602092,0.00027956377,0.00024050842,0.00017929582,0.00073578855,0.0006732537,0.000083135485,0.00024257491,0.00035572884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019527761,0.00037356775,0.00036229886,0.00021874746,0.0003352765,0.0015832352,0.29448506,0.0037840505,0.00015533513,0.62141615,0.032821335,0.04426964],"study_design_scores_gemma":[0.0006577943,0.00025491865,0.0005666266,0.00016355728,0.0002420406,0.0000881945,0.011623651,0.00022884215,0.00008967526,0.011075872,0.9746836,0.0003252216],"about_ca_topic_score_codex":0.14361611,"about_ca_topic_score_gemma":0.48433074,"teacher_disagreement_score":0.9418623,"about_ca_system_score_codex":0.008290221,"about_ca_system_score_gemma":0.000074216056,"threshold_uncertainty_score":0.99996567},"labels":[],"label_agreement":null},{"id":"W110312616","doi":"","title":"Un chant du cygne","year":2007,"lang":"fr","type":"article","venue":"Nouvelles études francophones/Nouvelles etudes francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013088452291649,"score_gpt":0.2195447655274264,"score_spread":0.2064563132357774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W110312616","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45677844,0.28256375,0.0041617057,0.008642514,0.12295827,0.0025935436,0.0016113665,0.0016670456,0.119023375],"genre_scores_gemma":[0.8528753,0.016116485,0.002654897,0.0026771775,0.021223418,0.00013018139,0.00022439404,0.00050155376,0.1035966],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9871489,0.0008032127,0.003577985,0.002647074,0.0021156934,0.0037071807],"domain_scores_gemma":[0.9918998,0.0024388377,0.001221439,0.001841139,0.0010293237,0.0015694745],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0030901332,0.0027566226,0.00295067,0.0012431684,0.005788087,0.00081422646,0.0021947713,0.0015068005,0.0616408],"category_scores_gemma":[0.00034506863,0.002618602,0.0019417639,0.0018837284,0.0030258922,0.0014006735,0.0007049808,0.0028119416,0.01165503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036693206,0.012128907,0.004237634,0.00463068,0.004543705,0.0047117667,0.36741152,0.00035360278,0.005038539,0.23024923,0.22401729,0.1390078],"study_design_scores_gemma":[0.0030943605,0.0009619166,0.0033836553,0.00081615895,0.00049578154,0.00020351706,0.051732134,0.00023333055,0.0033443845,0.0008502458,0.9317624,0.003122087],"about_ca_topic_score_codex":0.011877736,"about_ca_topic_score_gemma":0.012400617,"teacher_disagreement_score":0.70774513,"about_ca_system_score_codex":0.00072613097,"about_ca_system_score_gemma":0.00093121344,"threshold_uncertainty_score":0.9997895},"labels":[],"label_agreement":null},{"id":"W113139869","doi":"","title":"Le prime relazioni di viaggio sul Canada nell'opera di Ramusio (Giovanni da Verrazzano, Pierre Crignon, Jacques Cartier)","year":2011,"lang":"it","type":"article","venue":"Rivista di letterature moderne e comparate","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03525368218119335,"score_gpt":0.2144251494074929,"score_spread":0.17917146722629956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W113139869","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64489615,0.04946626,0.0037673167,0.011460466,0.012217066,0.0022826598,0.00216038,0.00093294133,0.27281678],"genre_scores_gemma":[0.8972619,0.00012094184,0.0000650216,0.005347668,0.0024691452,0.000061981475,0.0006700513,0.000171646,0.09383164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933601,0.0005733077,0.001585413,0.0017118677,0.0010555716,0.0017137491],"domain_scores_gemma":[0.99617434,0.00016869495,0.00062930945,0.0016905406,0.00055044703,0.00078669464],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00027484633,0.0015109527,0.0018325207,0.0002662749,0.0024728817,0.001936771,0.0013751208,0.00040575914,0.0024734014],"category_scores_gemma":[0.000034927838,0.0013501417,0.000653009,0.00036942412,0.00076153345,0.001359102,0.0003837338,0.0019171479,0.00030699495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007622606,0.001375638,0.001620481,0.00036925328,0.00114402,0.0018384991,0.059836585,0.00068077527,0.0012177173,0.13339297,0.7972855,0.00047628305],"study_design_scores_gemma":[0.0011479578,0.0002898458,0.002602248,0.00040470765,0.0004217127,0.000033191605,0.00037728524,0.0041819564,0.0008148404,0.0006946841,0.987121,0.0019105773],"about_ca_topic_score_codex":0.32357904,"about_ca_topic_score_gemma":0.15280016,"teacher_disagreement_score":0.25236577,"about_ca_system_score_codex":0.00050766807,"about_ca_system_score_gemma":0.0012351336,"threshold_uncertainty_score":0.99976397},"labels":[],"label_agreement":null},{"id":"W1139073113","doi":"","title":"Le défi de la critique / David Lonergan, Tintamarre, chroniques littéraires, Les Éditions Prise de parole, Sudbury, 2008, 365 pages","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.008869241293895578,"score_gpt":0.1814265617063127,"score_spread":0.17255732041241711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1139073113","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08716129,0.5039528,0.0023403056,0.13231897,0.0007608417,0.00049408677,0.0012637426,0.00072616374,0.2709818],"genre_scores_gemma":[0.18628705,0.08874847,0.0006969189,0.0007492371,0.0015578404,0.000024117322,0.00019101052,0.00007466151,0.7216707],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974589,0.0006333315,0.00034212103,0.00048576662,0.00025717847,0.0008227134],"domain_scores_gemma":[0.9984044,0.0003711672,0.00017905857,0.0003969918,0.00017206349,0.00047630866],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002705169,0.00042710832,0.00047868377,0.00023997593,0.0040638642,0.00010773982,0.00041595675,0.0003810951,0.00215278],"category_scores_gemma":[0.00004986828,0.00045417305,0.00040681203,0.0001885537,0.0012656613,0.00066037,0.00014852331,0.00061175716,0.00012016114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088162844,0.00054379704,0.0005315808,0.00012761129,0.00020222209,0.0055076755,0.0076831053,0.00010458492,0.00015751115,0.25300264,0.72666633,0.005384796],"study_design_scores_gemma":[0.00060086005,0.0001959837,0.0009783738,0.00019302135,0.00027157294,0.0007637861,0.0013520723,0.00023100172,0.00049103354,0.0036211207,0.9907305,0.0005706468],"about_ca_topic_score_codex":0.14946112,"about_ca_topic_score_gemma":0.088092156,"teacher_disagreement_score":0.45068893,"about_ca_system_score_codex":0.0039552157,"about_ca_system_score_gemma":0.00042960187,"threshold_uncertainty_score":0.99986845},"labels":[],"label_agreement":null},{"id":"W1140830592","doi":"10.71781/22472","title":"L'histoire littéraire en récits : manuels scolaires et interprétation du corpus québécois (1918-1996)","year":2007,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.006202683084977117,"score_gpt":0.18485168521679088,"score_spread":0.17864900213181376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1140830592","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5094023,0.10760162,0.0004206675,0.0014883649,0.0073323725,0.00066202774,0.00042122026,0.00032315194,0.3723483],"genre_scores_gemma":[0.5874032,0.0007755455,0.00010015405,0.00035429586,0.001119319,0.000025996113,0.0011979628,0.000051257226,0.40897232],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99663305,0.0003360812,0.00081570854,0.00085979153,0.00075948524,0.00059585413],"domain_scores_gemma":[0.99759597,0.00034889727,0.0006754121,0.0003932896,0.00053916976,0.00044724348],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003132932,0.00076631136,0.0007053237,0.0006745395,0.014838891,0.00023299585,0.0005636562,0.0005912831,0.0003762145],"category_scores_gemma":[0.000077817545,0.00082192355,0.0006952148,0.000267471,0.00062893535,0.0011015608,0.00014204583,0.0007955409,0.0002400024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013563609,0.0005449144,0.003192935,0.00057434157,0.0006913753,0.0031870485,0.5424399,0.0006460943,0.0015860831,0.413182,0.002197214,0.030401736],"study_design_scores_gemma":[0.0007868618,0.00028690486,0.011726709,0.0010355002,0.0005964144,0.00040382732,0.09738047,0.00071210135,0.0010531264,0.0005056647,0.88450116,0.0010112909],"about_ca_topic_score_codex":0.5436771,"about_ca_topic_score_gemma":0.39083877,"teacher_disagreement_score":0.8823039,"about_ca_system_score_codex":0.00855683,"about_ca_system_score_gemma":0.0016542942,"threshold_uncertainty_score":0.99942315},"labels":[],"label_agreement":null},{"id":"W1143533769","doi":"","title":"Croxignoles et autres friandises. Festival interculturel du conte du Québec, 8e édition, du 21 au 30 octobre 2005 Festival interculturel du conte du Québec, 8e édition, du 21 au 30 octobre 2005","year":2006,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01993930908367766,"score_gpt":0.23418521253471763,"score_spread":0.21424590345103997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1143533769","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45577323,0.040942375,0.0007392123,0.35108155,0.013346619,0.0020735145,0.0044065253,0.0013727541,0.13026422],"genre_scores_gemma":[0.8480932,0.00086291175,0.00009255329,0.009471745,0.024547875,0.00021007554,0.00068280904,0.00014314333,0.115895666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902273,0.0008468911,0.0025236278,0.002353853,0.0015710768,0.0024772773],"domain_scores_gemma":[0.994649,0.0009915993,0.0013333613,0.00085069035,0.0012378359,0.00093753386],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0013594443,0.0019834174,0.0018935173,0.00073720305,0.010167539,0.0029233354,0.002008779,0.0005415547,0.025671478],"category_scores_gemma":[0.0009713239,0.0015465155,0.0013034303,0.00056356896,0.010482599,0.004633984,0.0005787392,0.0010866795,0.0013262279],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019554146,0.0016112442,0.025318304,0.00027598374,0.0003145888,0.0005797936,0.023736387,0.00071265054,0.0003117483,0.07668281,0.86963856,0.00062240777],"study_design_scores_gemma":[0.0020953815,0.0007576721,0.010360341,0.0013319651,0.00042386947,0.00030517002,0.006972699,0.0006702077,0.00016184263,0.0018466132,0.9729807,0.0020935824],"about_ca_topic_score_codex":0.36048248,"about_ca_topic_score_gemma":0.6816138,"teacher_disagreement_score":0.39231998,"about_ca_system_score_codex":0.0015583683,"about_ca_system_score_gemma":0.0021517947,"threshold_uncertainty_score":0.99945134},"labels":[],"label_agreement":null},{"id":"W1151959454","doi":"10.4000/caliban.870","title":"Une réécriture amérindienne du théâtre de Shakespeare : Hamlet-le-Malécite","year":2011,"lang":"en","type":"article","venue":"Anglophonia Caliban/Sigma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HAMLET (protein complex); Art; Humanities; Philosophy; Literature","score_opus":0.026255763492779586,"score_gpt":0.18631797535997435,"score_spread":0.16006221186719477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1151959454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36016318,0.0023977135,0.00034511735,0.0042453026,0.0017574526,0.0003648455,0.000250836,0.0009970905,0.62947845],"genre_scores_gemma":[0.9222611,0.00005272347,0.00021302953,0.002002846,0.0012423025,0.000031303553,0.000051179548,0.000075013835,0.07407046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810773,0.000112022375,0.00041159734,0.0004778062,0.00024749196,0.0006433372],"domain_scores_gemma":[0.9989363,0.0000702119,0.00012116047,0.00044260468,0.00013482294,0.00029491802],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017563421,0.00035972946,0.00039955293,0.0001433333,0.00068916526,0.00017302019,0.00043468762,0.00014638664,0.00545652],"category_scores_gemma":[0.000040413717,0.0002982303,0.00030380557,0.00023481574,0.00032197198,0.0004687556,0.00008772746,0.00034273698,0.00056297163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031094113,0.0009731955,0.0064891162,0.00017960512,0.00033896038,0.0014175695,0.21193407,0.000009695582,0.00032438658,0.52811915,0.24501644,0.004886878],"study_design_scores_gemma":[0.00043493672,0.00016949032,0.0033847974,0.00005730474,0.00007287163,0.000025147305,0.003070896,0.00006345894,0.0002793276,0.0047585536,0.9872057,0.00047753876],"about_ca_topic_score_codex":0.0096284645,"about_ca_topic_score_gemma":0.0060051554,"teacher_disagreement_score":0.7421892,"about_ca_system_score_codex":0.00008056877,"about_ca_system_score_gemma":0.00009376622,"threshold_uncertainty_score":0.999947},"labels":[],"label_agreement":null},{"id":"W1185887482","doi":"10.4000/caliban.562","title":"L'île mouvante de Caliban : île théâtrale et île autochtone, deux mises en scène de La Tempête par Robert Lepage","year":2014,"lang":"fr","type":"article","venue":"Caliban","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tempest; Art; Humanities; Opera; Art history","score_opus":0.014911491303105852,"score_gpt":0.2524321969008879,"score_spread":0.23752070559778207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1185887482","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3275151,0.020929791,0.0040627364,0.014896386,0.0022381744,0.0006536689,0.0009276156,0.0007551469,0.6280214],"genre_scores_gemma":[0.5785728,0.0003959349,0.00058403856,0.0024240327,0.0020168275,0.00004637804,0.00009623034,0.000098881384,0.41576487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960353,0.0013301617,0.00064130005,0.0006152678,0.00033223818,0.0010457808],"domain_scores_gemma":[0.9977156,0.0008280931,0.00018828752,0.00058629434,0.00009413403,0.0005876219],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009948842,0.00054594537,0.0007002812,0.00015837276,0.00092612073,0.00053728954,0.0005437425,0.0003667946,0.0037139864],"category_scores_gemma":[0.0002599259,0.00050331507,0.00046440816,0.00015029655,0.0007848321,0.0006036951,0.00012968473,0.0007040049,0.00039313422],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011898661,0.0011185926,0.004135774,0.00066512875,0.0003493751,0.00030855936,0.055974618,0.00038989642,0.001953857,0.39833215,0.5310198,0.0056332885],"study_design_scores_gemma":[0.0005544401,0.00023606488,0.0010455321,0.00028594726,0.00027958374,0.000053937205,0.0006253977,0.003313016,0.0011124958,0.004505981,0.98730314,0.0006844417],"about_ca_topic_score_codex":0.008939034,"about_ca_topic_score_gemma":0.0014736617,"teacher_disagreement_score":0.4562834,"about_ca_system_score_codex":0.00026914425,"about_ca_system_score_gemma":0.0002417289,"threshold_uncertainty_score":0.99974185},"labels":[],"label_agreement":null},{"id":"W1196131307","doi":"","title":"Jean-Paul Riopelle : Les années dionysiaques Jean-Paul Riopelle, catalogue raisonné, tome 2, 1954-1959, Acatos/Hibou éditeurs, 2004, 495 p. Jean-Paul Riopelle, catalogue raisonné, tome 2, 1954-1959, Acatos/Hibou éditeurs, 2004, 495 p.","year":2004,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.03360688935927068,"score_gpt":0.2524745972118574,"score_spread":0.21886770785258672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1196131307","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1132873,0.7652247,0.001798366,0.030531328,0.016489927,0.005316754,0.034202054,0.0028504007,0.030299192],"genre_scores_gemma":[0.54079944,0.072135516,0.0015467278,0.004094626,0.017336786,0.0007069792,0.028151099,0.0015039878,0.33372483],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9783948,0.001567312,0.005449191,0.005264733,0.0031084607,0.006215479],"domain_scores_gemma":[0.98616076,0.0025591613,0.0022787414,0.004306435,0.0013994758,0.0032954176],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0021873745,0.004963398,0.0052066064,0.0024424456,0.009085944,0.0033564973,0.0042865667,0.0021948982,0.013214323],"category_scores_gemma":[0.0014594076,0.004848239,0.0032046223,0.0029316917,0.0064388886,0.006095272,0.0016510771,0.0040737144,0.011143496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016453101,0.010522537,0.0020911214,0.00420014,0.0036159207,0.0077400845,0.04683851,0.005874326,0.0011985326,0.03634948,0.8281105,0.051813547],"study_design_scores_gemma":[0.00489824,0.0017600029,0.00033786675,0.002881483,0.0017533238,0.00057504245,0.0033559843,0.00032604506,0.002746213,0.0049845534,0.97059685,0.0057843756],"about_ca_topic_score_codex":0.053089622,"about_ca_topic_score_gemma":0.06450266,"teacher_disagreement_score":0.6930892,"about_ca_system_score_codex":0.0017820327,"about_ca_system_score_gemma":0.0010902397,"threshold_uncertainty_score":0.99910045},"labels":[],"label_agreement":null},{"id":"W1201642125","doi":"","title":"L’univers entier. Bill Vazan, Ombres cosmologiques, Musée du Québec, Québec. 27 septembre 2001 - 6 janvier 2002Bill Vazan, Ombres cosmologiques, Musée du Québec, Québec. 27 septembre 2001 - 6 janvier 2002","year":2002,"lang":"fr","type":"article","venue":"ETC","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.028028907763184348,"score_gpt":0.21507345173707074,"score_spread":0.1870445439738864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1201642125","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014148487,0.40300086,0.00012945902,0.09374994,0.009018917,0.002167271,0.0020402004,0.00076211017,0.47498277],"genre_scores_gemma":[0.033072844,0.024803685,0.00028838337,0.008452606,0.0052590067,0.00020447718,0.00033356255,0.00043253822,0.9271529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9855523,0.0025505892,0.0032577666,0.0030918308,0.0015581343,0.0039893882],"domain_scores_gemma":[0.9904177,0.0021572115,0.0016257773,0.0024554387,0.0012981854,0.0020456747],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0014712722,0.0030021924,0.0033220765,0.0011355877,0.0032921813,0.0010113276,0.002640241,0.0017971399,0.45092982],"category_scores_gemma":[0.001062302,0.0025289573,0.0023461,0.0009739477,0.004648609,0.002797148,0.0008317711,0.0029298158,0.033471443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035976025,0.0032981148,0.006372412,0.00040016187,0.0014977094,0.00185827,0.014312182,0.00017168367,0.000038444192,0.0025008428,0.95192915,0.017261254],"study_design_scores_gemma":[0.0025220055,0.0015430216,0.00068808574,0.00062347954,0.0014441749,0.00036285914,0.002592059,0.00097343134,0.000071419796,0.0003527869,0.98538965,0.0034370283],"about_ca_topic_score_codex":0.94727874,"about_ca_topic_score_gemma":0.9568384,"teacher_disagreement_score":0.45217013,"about_ca_system_score_codex":0.004116836,"about_ca_system_score_gemma":0.005227978,"threshold_uncertainty_score":0.9997062},"labels":[],"label_agreement":null},{"id":"W121075706","doi":"","title":"Le conte aujourd’hui","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Geography","score_opus":0.007724390327666087,"score_gpt":0.1488724992458599,"score_spread":0.14114810891819382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W121075706","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056712728,0.22522642,0.000028850987,0.083826564,0.0006551028,0.00012375896,0.00023133014,0.00012584354,0.6330694],"genre_scores_gemma":[0.09192516,0.0082830675,0.000039572704,0.00076290587,0.0008114976,0.0000018209778,0.000031528834,0.000025239422,0.8981192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986817,0.00011333629,0.00020922553,0.00031517845,0.00019059361,0.00048995134],"domain_scores_gemma":[0.999219,0.00006915392,0.00008295605,0.00027668648,0.00006590133,0.00028630617],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008793033,0.00024817567,0.00032803768,0.000105166866,0.0019241237,0.00006980383,0.00027270976,0.00013971081,0.029375838],"category_scores_gemma":[0.0000040532864,0.00027751733,0.0003124493,0.00011109424,0.00032498222,0.00047563852,0.000063002844,0.00025137453,0.002893324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012245936,0.00017722366,0.000017443122,0.000030900956,0.00015353171,0.0015758286,0.007323977,0.000060930477,0.000015563544,0.52390856,0.39299348,0.073620066],"study_design_scores_gemma":[0.0006919962,0.00013815028,0.0000370761,0.000060619514,0.0001922542,0.00012735906,0.001447349,0.00022176957,0.000019089981,0.0015024951,0.9952162,0.00034563517],"about_ca_topic_score_codex":0.08099924,"about_ca_topic_score_gemma":0.07868207,"teacher_disagreement_score":0.60222274,"about_ca_system_score_codex":0.002140256,"about_ca_system_score_gemma":0.00006685238,"threshold_uncertainty_score":0.9999677},"labels":[],"label_agreement":null},{"id":"W1228782902","doi":"","title":"Ventre noué et coeurs brisés. La Belle Personne de Christophe Honoré La Belle Personne de Christophe Honoré","year":2009,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Honor; Art; Humanities","score_opus":0.011313571614861507,"score_gpt":0.23944259137957774,"score_spread":0.22812901976471622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1228782902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47745442,0.31393906,0.00013931544,0.024947757,0.0013208068,0.0003750024,0.0004896951,0.0002941778,0.18103974],"genre_scores_gemma":[0.64281124,0.007828896,0.0004811835,0.0028732924,0.0029864246,0.000024709396,0.00012681092,0.00009005471,0.3427774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963512,0.00069713854,0.00061972794,0.0007854773,0.00039019703,0.0011563023],"domain_scores_gemma":[0.99792534,0.00054430217,0.0002753507,0.0005504822,0.0001451914,0.00055934023],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006219947,0.0007061424,0.0008359881,0.00021715379,0.003572129,0.00036209935,0.0005836057,0.0004349839,0.006976387],"category_scores_gemma":[0.00013185889,0.00070023537,0.0006870349,0.0002068659,0.00083013374,0.00036369043,0.00018635775,0.0009621988,0.00050811126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023987769,0.0018125202,0.00082205486,0.00036304272,0.0002943512,0.0012832991,0.29382122,0.00025746293,0.00032286384,0.08567123,0.608965,0.006147102],"study_design_scores_gemma":[0.0010103299,0.0004836706,0.0009375553,0.00038521274,0.00037713806,0.00021924269,0.014171982,0.00036997537,0.00009352254,0.001023749,0.9800895,0.0008381298],"about_ca_topic_score_codex":0.009308471,"about_ca_topic_score_gemma":0.0007229064,"teacher_disagreement_score":0.3711245,"about_ca_system_score_codex":0.00036410926,"about_ca_system_score_gemma":0.00033185986,"threshold_uncertainty_score":0.99954486},"labels":[],"label_agreement":null},{"id":"W128132374","doi":"10.7202/1064060ar","title":"L'appel des Syrts","year":2010,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.036932952677362116,"score_gpt":0.23098396654036316,"score_spread":0.19405101386300105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W128132374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25791198,0.011112781,0.000021895685,0.023225402,0.008708374,0.000105455,0.00017800699,0.0001673062,0.6985688],"genre_scores_gemma":[0.5020957,0.00005953044,0.00013177052,0.00040583246,0.0040957932,0.0000030278622,0.000026726368,0.000018438137,0.49316317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987548,0.00006726455,0.00024741216,0.00025571446,0.000174158,0.00050065306],"domain_scores_gemma":[0.9990881,0.00008290069,0.00006423698,0.00029902862,0.00018520864,0.00028051142],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001591391,0.00019470189,0.00020595874,0.00013558715,0.0009334687,0.0006045307,0.00019103895,0.00012972664,0.029484093],"category_scores_gemma":[0.00009736355,0.00017053368,0.00016392046,0.00010983006,0.0010080129,0.00069006666,0.000053376996,0.0004648194,0.0023172975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034761376,0.00024681792,0.00037838993,0.00007915521,0.00006188629,0.000046075904,0.00790084,2.3856492e-7,0.00020773262,0.805063,0.14286898,0.043143377],"study_design_scores_gemma":[0.000107483866,0.000055512282,0.00029347057,0.000021574506,0.00004211113,0.000028055298,0.0004529865,0.000058011454,0.00003237175,0.007948193,0.990724,0.0002361938],"about_ca_topic_score_codex":0.0016364711,"about_ca_topic_score_gemma":0.0043699513,"teacher_disagreement_score":0.8478551,"about_ca_system_score_codex":0.000040012423,"about_ca_system_score_gemma":0.00007137253,"threshold_uncertainty_score":0.9984595},"labels":[],"label_agreement":null},{"id":"W129851808","doi":"","title":"L’Île au trésor : Aventure maritime et récit de formation","year":2008,"lang":"fr","type":"article","venue":"Québec français/Québec-français","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Business","score_opus":0.02135160658359677,"score_gpt":0.2113060059575548,"score_spread":0.18995439937395803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W129851808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21817103,0.3378876,0.002954789,0.06685858,0.004940174,0.0015547865,0.0015863432,0.0011459314,0.3649008],"genre_scores_gemma":[0.6951307,0.00087787985,0.00019671053,0.004290711,0.0026654655,0.00011976414,0.00017875059,0.00015089018,0.2963891],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99435675,0.000454764,0.00160992,0.0009861614,0.00091618265,0.0016762415],"domain_scores_gemma":[0.9966951,0.00063046045,0.00046421602,0.0009798782,0.00041625756,0.00081406813],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005548324,0.0011442505,0.0013093806,0.0004731784,0.0036183838,0.00036992694,0.00090861693,0.0006572341,0.038950153],"category_scores_gemma":[0.00022744887,0.00109452,0.0012005272,0.00040717074,0.0015459055,0.0024083357,0.00019792198,0.0013468923,0.008212734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033863322,0.0013850143,0.00872662,0.00090931554,0.00047962987,0.00044361275,0.5292849,0.00012445783,0.00012232082,0.01548448,0.42800876,0.014692245],"study_design_scores_gemma":[0.0016718582,0.00050322665,0.008041006,0.00038955777,0.00048312815,0.00023690458,0.0011952374,0.0014464303,0.00018588173,0.00025587447,0.98426294,0.001327934],"about_ca_topic_score_codex":0.98545414,"about_ca_topic_score_gemma":0.9540746,"teacher_disagreement_score":0.5562542,"about_ca_system_score_codex":0.0015894906,"about_ca_system_score_gemma":0.0031257595,"threshold_uncertainty_score":0.9991505},"labels":[],"label_agreement":null},{"id":"W130354763","doi":"","title":"Representations recentes des Sept branches de la riviere Ota et d'Elseneur de Robert Lepage","year":2016,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0276190896097084,"score_gpt":0.2825690436089188,"score_spread":0.25494995399921044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W130354763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05424357,0.01870821,0.0071230764,0.021489406,0.0005819328,0.00014240196,0.00023323006,0.00019634917,0.8972818],"genre_scores_gemma":[0.24296735,0.003688313,0.0014104384,0.0009870339,0.00067102985,0.000017715523,0.0000110075935,0.000028239358,0.75021887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981571,0.0006377032,0.0003133976,0.00032227702,0.00013245504,0.0004370629],"domain_scores_gemma":[0.9982445,0.0011085063,0.00007327565,0.00028337806,0.000083973326,0.00020634798],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003856293,0.00021204253,0.00022765779,0.00008178197,0.00062377844,0.00029601762,0.00020913644,0.00010601415,0.019967834],"category_scores_gemma":[0.0002538809,0.0001431175,0.00022595287,0.00008121223,0.0008791685,0.0006943039,0.00006443203,0.00016124689,0.00032232574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029742196,0.00047666757,0.013048944,0.00012811949,0.0001779764,0.00007148192,0.033638768,0.000010756551,0.0014714596,0.6989279,0.17606895,0.07594924],"study_design_scores_gemma":[0.00026394843,0.00005908058,0.0020176184,0.00022481826,0.00009746051,0.000030057305,0.0009117009,0.00005218771,0.0007509024,0.028882291,0.96647024,0.00023969072],"about_ca_topic_score_codex":0.0047789947,"about_ca_topic_score_gemma":0.0024397585,"teacher_disagreement_score":0.7904013,"about_ca_system_score_codex":0.00014845662,"about_ca_system_score_gemma":0.0000972781,"threshold_uncertainty_score":0.98092806},"labels":[],"label_agreement":null},{"id":"W137736973","doi":"10.13130/2037-2426/422","title":"Nuove prospettive della storia della retorica","year":2009,"lang":"it","type":"article","venue":"Riviste UNIMI (Università degli studi di Milano)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.022035179635457272,"score_gpt":0.21487800969192306,"score_spread":0.1928428300564658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W137736973","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08231174,0.0129248025,0.00029136118,0.0037150148,0.0042442284,0.0012408022,0.0006292614,0.0005097266,0.8941331],"genre_scores_gemma":[0.6748689,0.00087769155,0.00011302498,0.000670704,0.0017920686,0.000003587786,0.00010982025,0.000056286837,0.32150793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954545,0.0003622713,0.0007153815,0.0013094816,0.00092178164,0.0012366027],"domain_scores_gemma":[0.99704796,0.0002688138,0.00052349,0.0009211112,0.0006345617,0.00060406275],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026456063,0.0009822989,0.0012593911,0.0005363746,0.0029642044,0.00039750824,0.0009910758,0.00033096617,0.0023113603],"category_scores_gemma":[0.000052316365,0.0009738775,0.00073583634,0.00074025814,0.00059267733,0.0008814104,0.00029355468,0.00084243726,0.00093257456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010029337,0.0025567526,0.0025612363,0.00022039637,0.002122779,0.0019916818,0.13476385,0.000104231054,0.00025828727,0.49769017,0.34724927,0.009478418],"study_design_scores_gemma":[0.0015886055,0.0015101806,0.0027491008,0.00023638715,0.0010885538,0.000013610382,0.008893101,0.0003189702,0.00002734158,0.0011732291,0.98108035,0.0013205701],"about_ca_topic_score_codex":0.00059227704,"about_ca_topic_score_gemma":0.00022127797,"teacher_disagreement_score":0.6338311,"about_ca_system_score_codex":0.0011446038,"about_ca_system_score_gemma":0.00020298504,"threshold_uncertainty_score":0.9998453},"labels":[],"label_agreement":null},{"id":"W1465619210","doi":"10.71781/22549","title":"Portraits d'artistes : l'absolu mythique dans l'oeuvre d'Honoré de Balzac","year":2007,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Honor; Humanities; Art history; Computer science","score_opus":0.007676315332716249,"score_gpt":0.18375747583489552,"score_spread":0.17608116050217926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1465619210","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4118869,0.040035732,0.0004736656,0.00046334733,0.0026728434,0.0003681122,0.00035705708,0.00021441624,0.5435279],"genre_scores_gemma":[0.4156816,0.00051366445,0.0003760225,0.00030454076,0.001189141,0.00002121283,0.0009542866,0.000052337175,0.5809072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965412,0.00022013824,0.0007985995,0.0008315247,0.00072544627,0.0008831141],"domain_scores_gemma":[0.99769104,0.00021355436,0.0005627536,0.0004221685,0.0004224137,0.00068809546],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030887633,0.00074306375,0.0006806116,0.00047044535,0.015273498,0.00020647154,0.00056708435,0.00072170224,0.000956867],"category_scores_gemma":[0.000047395344,0.00082895654,0.00074930885,0.00024997166,0.0007603466,0.00069626415,0.0001095441,0.00087995164,0.00022382214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008543973,0.00066547305,0.009691364,0.0005172468,0.00081538514,0.007245526,0.37301314,0.0007855502,0.0049370676,0.5924443,0.005502891,0.0035276513],"study_design_scores_gemma":[0.0006098623,0.00021279501,0.021617994,0.0004768688,0.0008015357,0.0006481443,0.06506159,0.00040255015,0.0029117086,0.00062682224,0.9056151,0.0010150577],"about_ca_topic_score_codex":0.16667654,"about_ca_topic_score_gemma":0.070763424,"teacher_disagreement_score":0.90011215,"about_ca_system_score_codex":0.007824671,"about_ca_system_score_gemma":0.0018587109,"threshold_uncertainty_score":0.99995637},"labels":[],"label_agreement":null},{"id":"W1481910505","doi":"10.4000/ahrf.12393","title":"Antoine Casanova, La Corse du jeune Bonaparte, manuscrits de jeunesse","year":2012,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art; Humanities","score_opus":0.02093633926880869,"score_gpt":0.24369282204542714,"score_spread":0.22275648277661844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1481910505","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1081142,0.73893875,0.0011199876,0.0042850114,0.004133472,0.00025231365,0.0003293718,0.00038495456,0.14244193],"genre_scores_gemma":[0.58914083,0.008129576,0.00040618857,0.0008008613,0.006606944,0.000054973756,0.000111908535,0.00008254664,0.39466614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99611855,0.0010877706,0.00072881195,0.000458857,0.00039344226,0.0012125701],"domain_scores_gemma":[0.9976938,0.000506598,0.00028721523,0.00045437468,0.0003270819,0.0007309528],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011961579,0.00058401516,0.0006333407,0.0003089077,0.0011317268,0.00019290773,0.00034848237,0.0005130268,0.0034508526],"category_scores_gemma":[0.0002018186,0.000616471,0.00046121224,0.00023292536,0.0014884922,0.0015260892,0.00008534184,0.0007233232,0.0005649272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015550519,0.0014658615,0.005466006,0.0003790972,0.00013050053,0.00031209333,0.06909178,0.000012667799,0.00017208772,0.08254084,0.83718616,0.0030874226],"study_design_scores_gemma":[0.00053426164,0.00015853858,0.0016761787,0.00024433451,0.00030241747,0.000348785,0.0005889188,0.00034762974,0.00007435053,0.0007880094,0.9942039,0.000732679],"about_ca_topic_score_codex":0.01225565,"about_ca_topic_score_gemma":0.0014169199,"teacher_disagreement_score":0.7308092,"about_ca_system_score_codex":0.0011175321,"about_ca_system_score_gemma":0.00020746764,"threshold_uncertainty_score":0.99962866},"labels":[],"label_agreement":null},{"id":"W1482738664","doi":"","title":"What Casanova Told Me","year":2006,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03294512672594715,"score_gpt":0.22533215674295962,"score_spread":0.19238703001701246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1482738664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61164045,0.012946501,5.5517813e-7,0.0019656648,0.0037201855,0.00014130921,0.000079722275,0.000107729626,0.36939785],"genre_scores_gemma":[0.73828864,0.00006125239,0.000004714935,0.001815847,0.0011546101,0.000034448472,0.000011145931,0.00001136182,0.258618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990512,0.000020724474,0.00018313655,0.00018901235,0.000105735664,0.00045019784],"domain_scores_gemma":[0.99949443,0.000044537053,0.00003418016,0.00013883048,0.00010327585,0.00018472628],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006524894,0.00014841689,0.00024060739,0.00016582575,0.00065930636,0.0002215226,0.0001084141,0.000023614055,0.0028261505],"category_scores_gemma":[0.00001583295,0.00012094784,0.000060857765,0.00006916028,0.00022512734,0.0004328272,0.000018084791,0.00007546117,0.0003108797],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066135703,0.0000382153,0.00023135182,0.00005723984,0.00025257064,0.00019571441,0.1436692,0.000004471566,0.00000964399,0.62393063,0.23059744,0.001006908],"study_design_scores_gemma":[0.000074696,0.000033804787,0.00001666059,0.000018068447,0.000014655362,0.0000014513446,0.06965835,0.0000016332339,0.000004428511,0.010451154,0.91955674,0.00016834402],"about_ca_topic_score_codex":0.014353803,"about_ca_topic_score_gemma":0.27979264,"teacher_disagreement_score":0.6889593,"about_ca_system_score_codex":0.0004524032,"about_ca_system_score_gemma":0.00007044891,"threshold_uncertainty_score":0.9980854},"labels":[],"label_agreement":null},{"id":"W1484664635","doi":"10.3138/tric.24.1.76","title":"Catachresis in Antonnie Maillet's La Sagouine and the Luis de Céspedes Translation","year":2003,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Philosophy","score_opus":0.06390992872869423,"score_gpt":0.29801463529526545,"score_spread":0.23410470656657123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484664635","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09440821,0.15278625,0.0000047186304,0.035064124,0.0002404392,0.00040052983,0.00013353108,0.00000698134,0.71695524],"genre_scores_gemma":[0.987068,0.0051670442,0.000021749176,0.0001230109,0.0001833686,0.000025682868,0.000006420218,0.00001398114,0.0073907506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963689,0.0021243806,0.0002783803,0.0002171604,0.00041777783,0.0005934031],"domain_scores_gemma":[0.99757534,0.002035599,0.000023014994,0.00018772081,0.000036380552,0.0001419154],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022490495,0.00013514751,0.0002496072,0.00018489921,0.00038924947,0.0001222045,0.0001630877,0.000056604837,0.0011022196],"category_scores_gemma":[0.000030383433,0.00009618334,0.000039355848,0.00029077628,0.0009382013,0.0001516071,0.00001955612,0.00057577866,0.000004893948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007058382,0.00031142792,0.01081498,0.0008201012,0.00013413258,0.0012540628,0.06440884,0.00031717317,0.000029039506,0.48216033,0.04265289,0.3963912],"study_design_scores_gemma":[0.0008382016,0.000030049667,0.00026620628,0.00013370377,0.0000131546785,0.000012422183,0.0060483087,0.00055547344,0.000017920262,0.010159292,0.9818047,0.00012055706],"about_ca_topic_score_codex":0.9947338,"about_ca_topic_score_gemma":0.9966195,"teacher_disagreement_score":0.9391518,"about_ca_system_score_codex":0.00086533814,"about_ca_system_score_gemma":0.0015408695,"threshold_uncertainty_score":0.99981093},"labels":[],"label_agreement":null},{"id":"W1485099828","doi":"","title":"Le passé compliqué. Mommy, texte d’Olivier Choinière, mise en scène d’Olivier Choinière et d’Alexia Bürger, présenté aux Écuries du 19 février au 15 mars 2013Mommy, texte d’Olivier Choinière, mise en scène d’Olivier Choinière et d’Alexia Bürger, présenté aux Écuries du 19 février au 15 mars 2013","year":2013,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.01652500137711123,"score_gpt":0.25498670809698865,"score_spread":0.23846170671987743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485099828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18844289,0.111882806,0.00039249906,0.21826117,0.031680886,0.014363899,0.011839345,0.0030574428,0.42007908],"genre_scores_gemma":[0.13792707,0.020764884,0.0016078097,0.023548977,0.019094437,0.002874745,0.0040195095,0.0019673188,0.78819525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9671902,0.005811995,0.007637695,0.006309475,0.0045737647,0.008476874],"domain_scores_gemma":[0.9766538,0.0051753554,0.0036006991,0.005943087,0.002671077,0.005955987],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.00422858,0.0069863484,0.007466401,0.0026829906,0.007598867,0.005139487,0.005346385,0.0033670834,0.0694584],"category_scores_gemma":[0.0019609823,0.006578168,0.004658154,0.0023961067,0.0076639852,0.011162484,0.0036158257,0.0064799646,0.015343227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012010295,0.006619808,0.011743053,0.0033259469,0.0037988024,0.00061099534,0.059005212,0.0005739018,0.00013921053,0.06831846,0.8322505,0.012413121],"study_design_scores_gemma":[0.0069654034,0.0013991307,0.0163389,0.0039422065,0.002244356,0.00043042327,0.0044292365,0.0021081406,0.000100023375,0.0071925228,0.94715375,0.007695898],"about_ca_topic_score_codex":0.09836769,"about_ca_topic_score_gemma":0.031465743,"teacher_disagreement_score":0.36811617,"about_ca_system_score_codex":0.002055173,"about_ca_system_score_gemma":0.006722815,"threshold_uncertainty_score":0.99890816},"labels":[],"label_agreement":null},{"id":"W1485981749","doi":"10.7202/1025941ar","title":"Aragon, roman","year":2014,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Subversion; Art; Philosophy; Political science; Politics","score_opus":0.021932509663708976,"score_gpt":0.22544037600544653,"score_spread":0.20350786634173756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485981749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026160304,0.03879877,0.000111494555,0.017137485,0.003931505,0.0001394236,0.00014738855,0.00023260758,0.91334105],"genre_scores_gemma":[0.5508784,0.00015123583,0.00011019351,0.0013108909,0.0060731773,0.0000112892185,0.000029043633,0.00003026486,0.44140548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982625,0.0001901512,0.00041632028,0.00038714366,0.00026038423,0.0004834468],"domain_scores_gemma":[0.9990167,0.0001932367,0.000109348344,0.00037247353,0.00008634133,0.00022189847],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022625051,0.00030323068,0.00037534873,0.00010721686,0.000692597,0.00031449343,0.00031231059,0.00012120204,0.007828842],"category_scores_gemma":[0.000075300064,0.0002643561,0.00027761506,0.00008944709,0.00056361686,0.00041960843,0.0000732177,0.00024387449,0.0011490608],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015198653,0.00022892594,0.00011239593,0.00015521425,0.00008589574,0.000014994772,0.005035953,0.000008573343,0.000013323839,0.8626257,0.1005573,0.031146483],"study_design_scores_gemma":[0.00018769111,0.0002745869,0.00057746685,0.00014540933,0.00010872272,0.000007649077,0.00027942326,0.00028081564,0.0000250445,0.009816536,0.9879294,0.0003672276],"about_ca_topic_score_codex":0.0027786144,"about_ca_topic_score_gemma":0.0011144187,"teacher_disagreement_score":0.88737214,"about_ca_system_score_codex":0.00008049281,"about_ca_system_score_gemma":0.000038130114,"threshold_uncertainty_score":0.99998087},"labels":[],"label_agreement":null},{"id":"W1486539917","doi":"10.7202/1013962ar","title":"Forsyth, Louise H., dir. (2010) : Anthology of Québec Women’s Plays in English Translation. Volume III (1997-2009). Toronto : Playwrights Canada Press, 510 p.","year":2012,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Volume (thermodynamics); Humanities; Art; Physics; Thermodynamics","score_opus":0.029324514096436882,"score_gpt":0.220473554052653,"score_spread":0.19114903995621613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486539917","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18524651,0.80320996,0.00013520056,0.0007124956,0.006406487,0.00018898021,0.0005755945,0.000021808235,0.0035029498],"genre_scores_gemma":[0.7817378,0.043608967,0.0004216906,0.0002664816,0.0064540706,0.00005686176,0.000051795003,0.000103221355,0.16729909],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99598587,0.0006226974,0.001365768,0.00032686922,0.000524515,0.0011742838],"domain_scores_gemma":[0.9979683,0.00028876963,0.0004855306,0.00030538873,0.0002844331,0.0006675879],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079220743,0.0005112245,0.0011934608,0.00014566151,0.00066390424,0.00014710857,0.00044088386,0.00018241092,0.015965857],"category_scores_gemma":[0.00009101057,0.0004123997,0.0004259028,0.00011427201,0.0007065362,0.0024199004,0.000024870475,0.000712127,0.000009320963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012757541,0.004053147,0.008813456,0.0011553845,0.0061381045,0.00059415883,0.47010568,0.0005243386,0.00015866835,0.040129498,0.38526288,0.081788935],"study_design_scores_gemma":[0.0008184136,0.00026254126,0.0020446943,0.00008000906,0.0009806644,0.00014553418,0.0015954641,0.00003195563,0.000058490703,0.00060727476,0.9929095,0.00046546114],"about_ca_topic_score_codex":0.90031785,"about_ca_topic_score_gemma":0.97030395,"teacher_disagreement_score":0.759601,"about_ca_system_score_codex":0.0013754595,"about_ca_system_score_gemma":0.00069520116,"threshold_uncertainty_score":0.9998328},"labels":[],"label_agreement":null},{"id":"W1486878526","doi":"10.7202/1009313ar","title":"CHÉNETIER-ALEV, Marion, L’oralité dans le théâtre contemporain : Herbert Achternbusch, Pierre Guyotat, Valère Novarina, Jon Fosse, Daniel Danis, Sarah Kane, Saarbrücken, Allemagne, Éditions universitaires européennes, 2010, 576 p.","year":2011,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Mathematics","score_opus":0.035573679389574564,"score_gpt":0.21266746888336596,"score_spread":0.1770937894937914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486878526","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03618238,0.01754841,0.00028151544,0.050599534,0.0054546455,0.002202015,0.0051599406,0.0012132835,0.88135827],"genre_scores_gemma":[0.1978557,0.004089826,0.0010629547,0.0010309869,0.0020092586,0.00012854749,0.0014003876,0.00039104788,0.7920313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99016416,0.0012793852,0.0025282542,0.0024675282,0.0010698793,0.0024907854],"domain_scores_gemma":[0.9938235,0.0004932865,0.0012582447,0.0022142737,0.00084451516,0.0013661538],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0008109648,0.0023509476,0.002344442,0.0007418221,0.0036694075,0.0007455438,0.002590823,0.0012253262,0.0045421105],"category_scores_gemma":[0.00016296732,0.002429085,0.0018331233,0.0008420915,0.0032502762,0.003653567,0.00062220695,0.0023306634,0.0005115443],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005585113,0.0026415836,0.0007332921,0.0011785192,0.001089821,0.001845711,0.02740644,0.000044736014,0.0003334877,0.5900562,0.37230664,0.0018050873],"study_design_scores_gemma":[0.0009954156,0.0014808318,0.0041554603,0.0017764275,0.0014084524,0.0003883661,0.007415522,0.00016105606,0.00016805434,0.0026285565,0.97665006,0.0027717974],"about_ca_topic_score_codex":0.06623492,"about_ca_topic_score_gemma":0.1538724,"teacher_disagreement_score":0.6043434,"about_ca_system_score_codex":0.00068894884,"about_ca_system_score_gemma":0.0009915897,"threshold_uncertainty_score":0.999971},"labels":[],"label_agreement":null},{"id":"W1487023211","doi":"10.1093/fs/knr238","title":"Le Drôle de roman: l'œuvre du rire chez Marcel Aymé, Albert Cohen et Raymond Queneau <i>Le Drôle de roman: l'œuvre du rire chez Marcel Aymé, Albert Cohen et Raymond Queneau</i> . By M <scp>athieu</scp> B <scp>élisle</scp> . (Espace littéraire). Montréal: Presses de l'Université de Montréal, 2010. 314 pp. Pb CAD $34.95; €31.46.","year":2011,"lang":"fr","type":"article","venue":"French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Art; Comedy; Literature; Art history; Performance art; HERO; Poetics; Humanities; Poetry","score_opus":0.012025755433536869,"score_gpt":0.19181414469026092,"score_spread":0.17978838925672405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1487023211","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29992062,0.5341441,0.00024470623,0.020353692,0.0018129644,0.0016970442,0.002495714,0.0007643823,0.13856678],"genre_scores_gemma":[0.11594978,0.15955478,0.0023276361,0.004211756,0.0025589745,0.0006557483,0.00103811,0.0005362751,0.71316695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9889618,0.0018382167,0.0018583963,0.0024445287,0.0012239316,0.003673081],"domain_scores_gemma":[0.99154603,0.0028864343,0.001333751,0.0017867348,0.0008773082,0.0015697666],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001783251,0.0025289496,0.0029657204,0.00041382728,0.0051675634,0.0007159026,0.0021839435,0.0012589927,0.00054682186],"category_scores_gemma":[0.0011455847,0.0025022277,0.001340003,0.0007024965,0.002721866,0.0020773353,0.0017957789,0.0015133288,0.00038404175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010879852,0.0021399867,0.009322178,0.0008502929,0.0027767043,0.0006998542,0.21341676,0.00017214018,0.0020184563,0.008713233,0.75936794,0.0004136676],"study_design_scores_gemma":[0.0032894888,0.00078313774,0.007211601,0.00080732093,0.0017645847,0.00023358472,0.037930798,0.0008288608,0.003328648,0.0019040582,0.9407675,0.0011504178],"about_ca_topic_score_codex":0.46477765,"about_ca_topic_score_gemma":0.17269732,"teacher_disagreement_score":0.57460016,"about_ca_system_score_codex":0.0024553847,"about_ca_system_score_gemma":0.0016156129,"threshold_uncertainty_score":0.99999213},"labels":[],"label_agreement":null},{"id":"W1487984383","doi":"10.26522/vp.v11i2.957","title":"L'invraisemblable de la narration omnisciente","year":2014,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; Narrative; Literature","score_opus":0.012578046848011143,"score_gpt":0.22806397888787736,"score_spread":0.2154859320398662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1487984383","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0709237,0.016860152,0.0022496139,0.03702414,0.0032781698,0.00015226247,0.000123149,0.00016588265,0.86922294],"genre_scores_gemma":[0.2581541,0.00024794447,0.00025376416,0.00069971965,0.0027373545,0.000009071242,0.000021962273,0.00002074946,0.7378554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862117,0.00034993206,0.0002496219,0.00025159153,0.00018139773,0.0003462742],"domain_scores_gemma":[0.99918664,0.00031465833,0.00008155033,0.00020086975,0.00006532741,0.00015093369],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047424535,0.00018047461,0.00017256409,0.00009437286,0.0008994232,0.00040578592,0.0001686869,0.00012811703,0.0040695034],"category_scores_gemma":[0.00010700664,0.00016287786,0.00014209212,0.000086693675,0.0005849219,0.0003455797,0.000037971848,0.00020762357,0.0007553874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014316685,0.00015585948,0.00009183189,0.00006448518,0.000030133897,0.0000073915844,0.035309598,0.0000997029,0.00016121818,0.7658296,0.19467601,0.0035598238],"study_design_scores_gemma":[0.00019043703,0.00011473765,0.00004174688,0.00008163796,0.000058375226,0.000006459107,0.000622639,0.003185557,0.00028484286,0.009607659,0.9855904,0.00021549837],"about_ca_topic_score_codex":0.0023046809,"about_ca_topic_score_gemma":0.00023458566,"teacher_disagreement_score":0.7909144,"about_ca_system_score_codex":0.000057267247,"about_ca_system_score_gemma":0.00006387064,"threshold_uncertainty_score":0.9968409},"labels":[],"label_agreement":null},{"id":"W1488382189","doi":"10.7202/1007692ar","title":"Routisseau, M.-H. (2008). Des romans pour la jeunesse ? Décryptage. Paris, France : Éditions Belin","year":2011,"lang":"fr","type":"article","venue":"Revue des sciences de l éducation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.24414123316633357,"score_gpt":0.33355365152399746,"score_spread":0.08941241835766389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1488382189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.387337,0.09213937,0.010733884,0.008341873,0.0046132896,0.00038409798,0.0002621439,0.00021447468,0.49597386],"genre_scores_gemma":[0.69189847,0.0028939545,0.011086805,0.00021976339,0.0013321391,0.0000564118,0.000034917197,0.000022000611,0.29245552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981613,0.00033956143,0.00038598373,0.00041872018,0.0001840235,0.0005103911],"domain_scores_gemma":[0.99896914,0.0001937428,0.00017998554,0.00023693313,0.00021777103,0.00020242999],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006869018,0.0002177927,0.00023033225,0.00017393232,0.0030842957,0.00034407887,0.00038541536,0.00011214441,0.005287268],"category_scores_gemma":[0.000143841,0.00021077697,0.00014644787,0.00039398755,0.003618585,0.0012956212,0.00003494603,0.00020603299,0.00052054983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005876887,0.0006667809,0.002712293,0.0002948102,0.000029567385,0.000022992888,0.36981267,0.0000618161,0.000078773475,0.6013017,0.01771782,0.007294854],"study_design_scores_gemma":[0.0001077594,0.00017940064,0.008381767,0.0005085039,0.00013668126,0.00008776164,0.012674256,0.0013808459,0.000110961024,0.09074099,0.8853037,0.00038737687],"about_ca_topic_score_codex":0.009631116,"about_ca_topic_score_gemma":0.0021915764,"teacher_disagreement_score":0.8675859,"about_ca_system_score_codex":0.00039699307,"about_ca_system_score_gemma":0.00046779955,"threshold_uncertainty_score":0.999093},"labels":[],"label_agreement":null},{"id":"W1492497539","doi":"10.7202/011919ar","title":"Maurice Lagueux, Actualité de la philosophie de l’histoire. Québec, Presses de l’Université Laval, 2001, 229 p., bibliogr.","year":2005,"lang":"fr","type":"article","venue":"Anthropologie et Sociétés","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.09683494194512016,"score_gpt":0.41612864614409867,"score_spread":0.3192937041989785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492497539","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01126565,0.16075021,0.00023732091,0.36051294,0.0024143418,0.00021574978,0.00038022696,0.00047387573,0.46374968],"genre_scores_gemma":[0.37309402,0.39044222,0.001181905,0.0069911918,0.004255244,0.000032075237,0.000093811985,0.000122028025,0.22378752],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99647886,0.0010456808,0.0004813034,0.00052462023,0.00030804778,0.0011614907],"domain_scores_gemma":[0.9974348,0.0014126077,0.00019104882,0.00044590345,0.0001317515,0.00038389445],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007070435,0.0005079067,0.00061091187,0.00052750495,0.0020445555,0.00029940737,0.00066920224,0.00051867566,0.117808856],"category_scores_gemma":[0.0002596363,0.0004961545,0.00048605577,0.00044985197,0.0034354483,0.0009268664,0.00021393025,0.00080215046,0.0003556775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009194028,0.0011099328,0.00085730833,0.0001854944,0.00030327943,0.0003170722,0.01779145,0.00010760618,0.00027499834,0.044472672,0.92237765,0.012110575],"study_design_scores_gemma":[0.00056777487,0.0002334822,0.00030966895,0.00010192569,0.00043664858,0.00006826336,0.0083142845,0.00013804722,0.0006706679,0.007438702,0.9811217,0.0005987917],"about_ca_topic_score_codex":0.16166748,"about_ca_topic_score_gemma":0.008052887,"teacher_disagreement_score":0.36182836,"about_ca_system_score_codex":0.0011454695,"about_ca_system_score_gemma":0.00070682727,"threshold_uncertainty_score":0.999749},"labels":[],"label_agreement":null},{"id":"W1496339714","doi":"10.4000/ahrf.1180","title":"Antoine CASANOVA, Napoléon et la pensée de son temps : une histoire intellectuelle singulière, Paris, La Boutique de l'histoire, 2000, 324 p.","year":2001,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Philosophy; Art; Humanities","score_opus":0.014280668715276836,"score_gpt":0.24924208174257506,"score_spread":0.23496141302729823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496339714","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026528655,0.61630666,0.004332938,0.00625272,0.0016034206,0.00031798144,0.00021715534,0.0005310882,0.3439094],"genre_scores_gemma":[0.47169492,0.025617838,0.00072972884,0.0012482412,0.0014623671,0.000063242966,0.00017347503,0.00015367358,0.4988565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935094,0.0026355549,0.001109739,0.00090118014,0.00051417,0.001329923],"domain_scores_gemma":[0.99674267,0.0010333713,0.0004961447,0.000649736,0.00040675132,0.00067132374],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016833412,0.0009047922,0.0009747572,0.00053516007,0.002636611,0.00036922062,0.00054808665,0.0009720329,0.0029673385],"category_scores_gemma":[0.00033645175,0.0009937097,0.0006975888,0.00052461895,0.003662431,0.0008687079,0.0001233626,0.00162514,0.00020973907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055748346,0.0016292894,0.0014329674,0.0004448497,0.00020048344,0.0019540065,0.0946598,0.00017477853,0.0003797184,0.05398857,0.82306165,0.021516412],"study_design_scores_gemma":[0.0007787118,0.00036750964,0.0004554274,0.00060088164,0.0003230849,0.0010726078,0.00077530905,0.001372679,0.00006743507,0.003444665,0.9896442,0.0010974619],"about_ca_topic_score_codex":0.08230817,"about_ca_topic_score_gemma":0.013745455,"teacher_disagreement_score":0.5906888,"about_ca_system_score_codex":0.0045610867,"about_ca_system_score_gemma":0.0012051266,"threshold_uncertainty_score":0.99926025},"labels":[],"label_agreement":null},{"id":"W1502481911","doi":"10.26522/vp.v11i1.948","title":"Léveillé, J. R. Sūtra","year":2014,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.016874719572837187,"score_gpt":0.21509587657235651,"score_spread":0.19822115699951934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1502481911","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025957987,0.046184424,0.0006694526,0.085727006,0.007574705,0.00018596696,0.00030001072,0.0002452034,0.8331553],"genre_scores_gemma":[0.15990937,0.00049977156,0.00015326621,0.0011197686,0.005645475,0.000007912284,0.000028282995,0.000032460957,0.8326037],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985061,0.00016350327,0.0003618669,0.00032759897,0.00021565879,0.0004252614],"domain_scores_gemma":[0.99906355,0.0002535382,0.00009265894,0.00031097414,0.000080177306,0.00019908196],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019045359,0.00026550514,0.0002774393,0.000097012045,0.0007361519,0.00024822072,0.0002355261,0.00013216544,0.0132054975],"category_scores_gemma":[0.00006445015,0.00023118332,0.0002509897,0.000078399964,0.0005338577,0.00030511714,0.000052948697,0.000250468,0.0031991717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015221235,0.00017527293,0.00005048409,0.00009213712,0.00006426269,0.00001185671,0.01929841,0.000016069342,0.000013050737,0.78034186,0.17993222,0.01998916],"study_design_scores_gemma":[0.00020362835,0.00018126135,0.000042449377,0.00008571573,0.0000950717,0.000005101191,0.00039437696,0.00060334295,0.00006510347,0.007615292,0.9903712,0.00033742574],"about_ca_topic_score_codex":0.002296175,"about_ca_topic_score_gemma":0.0003454902,"teacher_disagreement_score":0.810439,"about_ca_system_score_codex":0.00004122257,"about_ca_system_score_gemma":0.000031101074,"threshold_uncertainty_score":0.99757695},"labels":[],"label_agreement":null},{"id":"W1504368990","doi":"","title":"Pierre Nora — Realms of Memory: The Construction of the French Past, vol. III, Symbols","year":2000,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Art history; Cognitive science; Archaeology; Psychology","score_opus":0.014381043720684555,"score_gpt":0.19516165867737525,"score_spread":0.1807806149566907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504368990","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23032251,0.0017505299,0.000003804733,0.0013345821,0.0022020063,0.00019837517,0.00009583336,0.000038040373,0.7640543],"genre_scores_gemma":[0.7638341,0.000014677221,0.000012008801,0.000111728215,0.00082909595,0.000007899307,0.000006758803,0.000007222118,0.23517647],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992371,0.00007656765,0.000268571,0.00011102972,0.00019483326,0.00011188753],"domain_scores_gemma":[0.9994077,0.000048347756,0.00016292612,0.00021842461,0.00014057221,0.000022006747],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008532491,0.000091913855,0.00020650252,0.000022668504,0.0008583723,0.000015652371,0.00020576893,0.00004334899,0.008020469],"category_scores_gemma":[0.000014618738,0.000053265056,0.00019125923,0.000087871995,0.0012953437,0.00009271164,0.00001697332,0.000118262855,0.000015499143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004953718,0.00030611182,0.00068746466,0.00010619169,0.00017079661,0.0000022160568,0.16544496,0.00001270959,0.00026732686,0.15651478,0.45476213,0.22167577],"study_design_scores_gemma":[0.0001411642,0.000027206743,0.0003322332,0.00002548073,0.00006425419,6.5162266e-7,0.0022463347,0.000007697092,0.00006748588,0.0023468859,0.9946614,0.000079208454],"about_ca_topic_score_codex":0.003105296,"about_ca_topic_score_gemma":0.00072304445,"teacher_disagreement_score":0.5398993,"about_ca_system_score_codex":0.00005457984,"about_ca_system_score_gemma":0.00005450276,"threshold_uncertainty_score":0.99288636},"labels":[],"label_agreement":null},{"id":"W1505108344","doi":"10.21083/synergies.v0i2.1308","title":"Les Documents authentiques en didactique et en littérature","year":2010,"lang":"fr","type":"article","venue":"Synergies Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Art","score_opus":0.006770118414246581,"score_gpt":0.2302397797586051,"score_spread":0.22346966134435853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505108344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39078787,0.023879306,0.000013326169,0.04048307,0.016967887,0.00027803832,0.0012679121,0.00016848938,0.5261541],"genre_scores_gemma":[0.53699875,0.00044436243,0.00007820473,0.00077559537,0.0016216948,0.000013874783,0.00007296861,0.000027039123,0.4599675],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982456,0.00029266096,0.00034415146,0.00033415647,0.00034202824,0.00044139064],"domain_scores_gemma":[0.99888587,0.00034534602,0.00011704988,0.00033391107,0.00010081691,0.00021702556],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018650989,0.0003345199,0.00033044338,0.00007200417,0.00057561527,0.00035526877,0.00036337646,0.00023529318,0.009254009],"category_scores_gemma":[0.0000952891,0.0002865182,0.00014410145,0.00008083418,0.00022689877,0.00053135975,0.00009130201,0.0010254125,0.0000299771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014322157,0.00007402322,0.00020197593,0.00014107661,0.00017060671,0.00015224,0.023476472,0.000007419656,0.00020678616,0.7241758,0.24445152,0.0069277617],"study_design_scores_gemma":[0.00010546992,0.000045909044,0.0005658965,0.00008232742,0.0000767068,0.000011805095,0.0024591133,0.000015227709,0.00022082018,0.0019566522,0.99409026,0.00036981903],"about_ca_topic_score_codex":0.9552769,"about_ca_topic_score_gemma":0.9850825,"teacher_disagreement_score":0.74963874,"about_ca_system_score_codex":0.00027728206,"about_ca_system_score_gemma":0.00067551533,"threshold_uncertainty_score":0.9999587},"labels":[],"label_agreement":null},{"id":"W1505879632","doi":"","title":"Hiver forcé. Après la neige de Paul Barbeau Québec, 2012, 74 minAprès la neige de Paul Barbeau Québec, 2012, 74 min","year":2013,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.018597138301383338,"score_gpt":0.2158214168294924,"score_spread":0.19722427852810906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505879632","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057872087,0.5194357,0.00042958552,0.042068947,0.0021324542,0.0009497084,0.00080204464,0.00040329757,0.37590617],"genre_scores_gemma":[0.09632285,0.0035424556,0.0006141413,0.0030649113,0.0035490878,0.00019758541,0.00013729205,0.00018198391,0.8923897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99495447,0.0007974368,0.0010744841,0.0009616627,0.0005154104,0.0016965359],"domain_scores_gemma":[0.9960933,0.001418024,0.0003898651,0.00089137204,0.0002571121,0.00095036684],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005651692,0.001024798,0.0010660257,0.0003098752,0.0012946603,0.0011110749,0.0008952717,0.00064585166,0.082587056],"category_scores_gemma":[0.0001848142,0.0009199072,0.0008317655,0.0001509394,0.0013177791,0.0015165486,0.000275248,0.0009884803,0.00710952],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009101974,0.00077398826,0.0010024242,0.00038070313,0.00038678313,0.0003023502,0.016175175,0.000014014495,0.0002998362,0.029445596,0.94437045,0.0067576366],"study_design_scores_gemma":[0.0009269758,0.00026386353,0.001503572,0.000350902,0.00054305955,0.00010415168,0.0027418474,0.0002413066,0.00015113267,0.0024683662,0.9895038,0.0012010477],"about_ca_topic_score_codex":0.48465544,"about_ca_topic_score_gemma":0.15838651,"teacher_disagreement_score":0.51648355,"about_ca_system_score_codex":0.00064430706,"about_ca_system_score_gemma":0.0010239502,"threshold_uncertainty_score":0.99992585},"labels":[],"label_agreement":null},{"id":"W1505892659","doi":"10.33137/q.i..v29i2.8453","title":"Modalità metamorfiche nella figura e funzione del maggior satiro ferrarese del tardo Cinquecento","year":2008,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.07504073221010601,"score_gpt":0.2629943094082575,"score_spread":0.1879535771981515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505892659","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071494356,0.05160183,0.002490313,0.0077180797,0.0057586227,0.001940335,0.0054607033,0.0010260731,0.8525097],"genre_scores_gemma":[0.6802064,0.0009267471,0.0003484276,0.001379757,0.002228224,0.00005399605,0.00048138987,0.00012764448,0.3142474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940774,0.00049563876,0.0015575204,0.0013104697,0.0011750372,0.0013839495],"domain_scores_gemma":[0.9966496,0.00043558728,0.0004469539,0.0011468405,0.0004268046,0.0008941719],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000329489,0.0010780956,0.0013469154,0.00032279507,0.0024633745,0.0005761207,0.00088262017,0.00039267028,0.09804683],"category_scores_gemma":[0.00030159042,0.0009620831,0.000839996,0.00033329357,0.0012792157,0.0006868683,0.00020457189,0.00084897305,0.01116115],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00054360775,0.0025731483,0.0010466978,0.00065273006,0.0013770019,0.0022748988,0.039376352,0.0000594777,0.0005322328,0.2750167,0.6748914,0.0016557572],"study_design_scores_gemma":[0.0007176848,0.0005459921,0.0010073149,0.0001464955,0.0007508986,0.00009297037,0.0025736275,0.0015971516,0.000075884695,0.00209147,0.9890416,0.0013588825],"about_ca_topic_score_codex":0.0035464035,"about_ca_topic_score_gemma":0.0001886509,"teacher_disagreement_score":0.6087121,"about_ca_system_score_codex":0.00038250466,"about_ca_system_score_gemma":0.0002520399,"threshold_uncertainty_score":0.99928296},"labels":[],"label_agreement":null},{"id":"W1506024062","doi":"","title":"Braun-Vega, maître de l'interpicturalité","year":2007,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vega; Geography; Humanities; Art; Physics","score_opus":0.03069811988322725,"score_gpt":0.24887595054516326,"score_spread":0.21817783066193602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506024062","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09647499,0.024561074,0.00033971082,0.0263724,0.0036305324,0.00012209428,0.00014274228,0.0001724345,0.848184],"genre_scores_gemma":[0.5141775,0.000048684353,0.00009250219,0.0015622089,0.003055631,0.0000011719869,0.000030434208,0.000019150804,0.4810127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811345,0.000109505185,0.0004073411,0.0002985643,0.0002183628,0.000852789],"domain_scores_gemma":[0.99891967,0.00017107994,0.00010243142,0.00028655995,0.00013989229,0.00038037577],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040665115,0.0002535607,0.0002582582,0.00020419883,0.000577318,0.00048122474,0.00023696918,0.00015464744,0.013511652],"category_scores_gemma":[0.000050511208,0.00022523529,0.0002522834,0.00014226284,0.00035852107,0.00055754307,0.00006205129,0.0003701207,0.0012518604],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027897795,0.0003725535,0.00084495684,0.00019668706,0.00012353243,0.00033195846,0.027485589,0.0000013841163,0.0000849829,0.6833966,0.23933573,0.04779817],"study_design_scores_gemma":[0.0001907449,0.000097209966,0.00065285247,0.00005135557,0.000058248614,0.000043202654,0.00204188,0.00006181834,0.000097805336,0.0019538568,0.9944528,0.00029827846],"about_ca_topic_score_codex":0.0031642613,"about_ca_topic_score_gemma":0.0020259258,"teacher_disagreement_score":0.755117,"about_ca_system_score_codex":0.00023390676,"about_ca_system_score_gemma":0.00007939295,"threshold_uncertainty_score":0.9995258},"labels":[],"label_agreement":null},{"id":"W1507694142","doi":"10.7202/1028021ar","title":"L’infléchissement parabolique dans Le chant du Dire-Dire de Daniel Danis","year":2015,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.025160905183635195,"score_gpt":0.2496898760271538,"score_spread":0.2245289708435186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507694142","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08495147,0.0941332,0.004819305,0.18089712,0.0056153745,0.0007547479,0.0043376517,0.00061689585,0.62387425],"genre_scores_gemma":[0.13124031,0.0019196441,0.0005510167,0.0020203877,0.0026357234,0.000056957535,0.000083660474,0.00006434019,0.86142796],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978617,0.0003779928,0.00044238786,0.00041035312,0.00030844635,0.0005991615],"domain_scores_gemma":[0.99876493,0.00011236065,0.00015075153,0.00037094642,0.00017270088,0.00042829633],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005622079,0.00037547402,0.0004138977,0.00010513498,0.0007004894,0.00039707456,0.00033782,0.00015561891,0.0007796046],"category_scores_gemma":[0.00009591956,0.000333965,0.00021987982,0.00009218208,0.00050032,0.00071706146,0.0001383489,0.0004063151,0.00034911238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048016416,0.000824059,0.00041820237,0.00014148909,0.00016226694,0.00029787,0.09922967,0.00006880906,0.00094866677,0.41444248,0.48130664,0.0021118126],"study_design_scores_gemma":[0.00046522758,0.00022493755,0.00036693772,0.00013269021,0.00013478733,0.000035639154,0.0041119736,0.00026301213,0.0020478843,0.0029225391,0.98884034,0.000454044],"about_ca_topic_score_codex":0.020633558,"about_ca_topic_score_gemma":0.0016902015,"teacher_disagreement_score":0.50753367,"about_ca_system_score_codex":0.00020382307,"about_ca_system_score_gemma":0.0002963429,"threshold_uncertainty_score":0.99991125},"labels":[],"label_agreement":null},{"id":"W1509889708","doi":"","title":"Hubert Baysson — I'idée d'étranger chez les philosophes des Lumières","year":2004,"lang":"fr","type":"article","venue":"Histoire sociale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Art","score_opus":0.035664477194947676,"score_gpt":0.22470058272237922,"score_spread":0.18903610552743155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1509889708","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059689973,0.23806791,0.00009604962,0.031358372,0.005530263,0.00027615408,0.000345774,0.00031455435,0.66432095],"genre_scores_gemma":[0.46850115,0.00073694036,0.0002190638,0.00053704804,0.005978975,0.000025123865,0.00005260033,0.00006371854,0.52388537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796635,0.00013981057,0.00048715333,0.00045567902,0.0003424469,0.0006085449],"domain_scores_gemma":[0.9991046,0.00008218957,0.00016573141,0.0002461477,0.00018471682,0.00021657473],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00016143628,0.00041538206,0.00052665867,0.00012131352,0.004469285,0.0002196255,0.00028470895,0.00027784635,0.008702393],"category_scores_gemma":[0.000052557803,0.0004176857,0.0005323638,0.00014754072,0.0039870925,0.0006184598,0.0000470791,0.00039742148,0.0007177055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050536502,0.00094668457,0.00022487686,0.00042785532,0.0002134724,0.000106252664,0.10390306,0.000018923818,0.00022085739,0.78580815,0.048182875,0.059896432],"study_design_scores_gemma":[0.00050212425,0.00014315725,0.00027351727,0.00023782828,0.00022262636,0.0000065588256,0.0015811526,0.0000025597064,0.0001064873,0.05279577,0.94361407,0.00051416556],"about_ca_topic_score_codex":0.020999147,"about_ca_topic_score_gemma":0.0062819407,"teacher_disagreement_score":0.89543116,"about_ca_system_score_codex":0.0009881582,"about_ca_system_score_gemma":0.00017961785,"threshold_uncertainty_score":0.9998275},"labels":[],"label_agreement":null},{"id":"W1509920331","doi":"","title":"Debary, Octave et Laurier Turgeon (collectif sous la dir. de.) 2007. Objets et Mémoires","year":2008,"lang":"fr","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.018009701893135024,"score_gpt":0.2513368098472847,"score_spread":0.23332710795414965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1509920331","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016289675,0.47636518,0.0000686471,0.006251061,0.0025080636,0.0008079952,0.0009634214,0.00024469424,0.511162],"genre_scores_gemma":[0.018330863,0.33408818,0.0016373303,0.010804322,0.0066031013,0.00024263363,0.0008491966,0.00014822769,0.62729615],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944549,0.0024503737,0.001022279,0.00077340566,0.00038954173,0.0009094512],"domain_scores_gemma":[0.9980758,0.00019577394,0.00044081648,0.00056480797,0.00027289637,0.00044994018],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001032165,0.0009131425,0.0014713621,0.00007871291,0.0012451975,0.0007017327,0.0005296643,0.0007790169,0.014835761],"category_scores_gemma":[0.00031621652,0.0006828749,0.00079542166,0.00029779426,0.0006486284,0.0005643014,0.00018641033,0.0010391074,0.00047233957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010361131,0.00043235882,0.0000335456,0.0060146917,0.00023066031,0.0013226304,0.04512593,0.000014347919,0.00047105912,0.11199063,0.8337154,0.0005451621],"study_design_scores_gemma":[0.00042931567,0.00019205187,0.00012748683,0.0052345768,0.00057947886,0.0026894747,0.00041313015,0.000012106309,0.00020084917,0.0009818447,0.98822665,0.0009130053],"about_ca_topic_score_codex":0.003779624,"about_ca_topic_score_gemma":0.00042723172,"teacher_disagreement_score":0.1545113,"about_ca_system_score_codex":0.00034284845,"about_ca_system_score_gemma":0.00030852415,"threshold_uncertainty_score":0.99956226},"labels":[],"label_agreement":null},{"id":"W1510610248","doi":"","title":"Résurgences mélancoliques. Triptyque de Robert Lepage et Pedro Pires, Québec, 2013, 90 minTriptyque de Robert Lepage et Pedro Pires, Québec, 2013, 90 min","year":2014,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.015107194032220182,"score_gpt":0.24924635443507082,"score_spread":0.23413916040285063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1510610248","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0427505,0.67294216,0.0015879662,0.15601732,0.0045043766,0.001223361,0.00085153437,0.000721634,0.119401164],"genre_scores_gemma":[0.13915724,0.03251654,0.0009894655,0.008762292,0.005331643,0.00025186458,0.0002797519,0.00026409538,0.81244713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992002,0.0020690553,0.0017509835,0.0014376539,0.0007644718,0.0019758437],"domain_scores_gemma":[0.9949277,0.0017568449,0.00072971045,0.0011623909,0.00037639766,0.0010469584],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0020325545,0.0013636331,0.0017776066,0.00052197976,0.0015887794,0.0008744188,0.001263629,0.00072492013,0.02329239],"category_scores_gemma":[0.00063300645,0.001249185,0.0010648547,0.00029130984,0.0012168749,0.0010352858,0.0003162095,0.0013828726,0.0013235594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025988973,0.0009985553,0.0015113452,0.00057912647,0.00036093028,0.00033543212,0.023795227,0.00020531907,0.00026438513,0.049463294,0.9178225,0.004404017],"study_design_scores_gemma":[0.0010051684,0.00041972718,0.00053364027,0.00066653383,0.0004899042,0.00013090733,0.0012885985,0.0010697352,0.00027751026,0.0021328907,0.99037606,0.0016093482],"about_ca_topic_score_codex":0.88528264,"about_ca_topic_score_gemma":0.8834998,"teacher_disagreement_score":0.693046,"about_ca_system_score_codex":0.00091651006,"about_ca_system_score_gemma":0.0023946962,"threshold_uncertainty_score":0.9999114},"labels":[],"label_agreement":null},{"id":"W1512460204","doi":"10.7202/045280ar","title":"Jeu, revue de théâtre, n 131, « Conte et conteurs ». Montréal, Cahiers de théâtre Jeu, juin 2009, 176 p. ISSN 0382-0335","year":2010,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Royal Military College Saint-Jean","funders":"","keywords":"Art; Humanities","score_opus":0.021069008952450976,"score_gpt":0.2419994094620238,"score_spread":0.22093040050957283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512460204","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16210382,0.13999288,0.0016342337,0.461575,0.007891287,0.0018301518,0.0023459063,0.0023394246,0.2202873],"genre_scores_gemma":[0.18323319,0.011473147,0.0011918546,0.009706155,0.0035733054,0.0002891852,0.00017574258,0.0003234059,0.790034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932488,0.0011016796,0.001470976,0.0014102927,0.00038000022,0.0023882238],"domain_scores_gemma":[0.9945734,0.0015824423,0.0007017981,0.0016397549,0.00049429387,0.0010082962],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0017836182,0.001270997,0.0016892203,0.00055384124,0.0011758865,0.00052522577,0.0014727662,0.0022441405,0.0019061177],"category_scores_gemma":[0.0018995847,0.0012850054,0.0011261419,0.000465436,0.0024488508,0.0010399326,0.0002274877,0.0058595636,0.00050584006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004962689,0.0009512798,0.002152681,0.0007747059,0.00044173293,0.0027169231,0.041953698,0.0003744917,0.0025151544,0.19323133,0.7466623,0.007729439],"study_design_scores_gemma":[0.0014494176,0.0005702858,0.00048417712,0.0008905801,0.00037644486,0.0003705844,0.0063796216,0.0014240497,0.000986001,0.003034823,0.98254585,0.0014881721],"about_ca_topic_score_codex":0.057798848,"about_ca_topic_score_gemma":0.1704316,"teacher_disagreement_score":0.56974673,"about_ca_system_score_codex":0.0005955191,"about_ca_system_score_gemma":0.0005729723,"threshold_uncertainty_score":0.99905115},"labels":[],"label_agreement":null},{"id":"W1512599060","doi":"10.4000/lisa.377","title":"« Base Phrygian Turk! »  Injures et « espèces de… » : analyse microscopique d’un étrange spécimen shakespearien","year":2008,"lang":"fr","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hatch (Canada)","funders":"","keywords":"Interpretation (philosophy); Meaning (existential); Insult; Literature; Windsor; Representation (politics); History; Art; Philosophy; Linguistics; Epistemology; Law","score_opus":0.03923616800276127,"score_gpt":0.25530714059976056,"score_spread":0.21607097259699928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512599060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6970443,0.111544676,0.0005697292,0.03664784,0.006133925,0.00050431205,0.00085157854,0.00016980268,0.1465338],"genre_scores_gemma":[0.48054805,0.019450603,0.00425832,0.0066610803,0.023196863,0.000029375227,0.00011845688,0.00020455784,0.4655327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954414,0.0010761342,0.0012856575,0.0005683036,0.00051146554,0.0011170697],"domain_scores_gemma":[0.9970996,0.0004301271,0.000657282,0.0004789327,0.0003712003,0.0009628605],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012064818,0.00068286626,0.0009469801,0.0005063502,0.0027826317,0.0013200353,0.0007850704,0.0003632385,0.0468583],"category_scores_gemma":[0.0002538995,0.0006140501,0.00095324643,0.00032917244,0.00079925806,0.0017305277,0.0001161221,0.002086132,0.00040855588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056215713,0.0026535382,0.0072730663,0.0007193,0.002132133,0.011598355,0.3622682,0.00016469836,0.0025477128,0.05460789,0.5442615,0.011211394],"study_design_scores_gemma":[0.00075082853,0.000490506,0.0005716374,0.0006647649,0.00048187096,0.0042084376,0.0022882111,0.00013072444,0.00074958615,0.0019408199,0.98693806,0.0007845656],"about_ca_topic_score_codex":0.001002555,"about_ca_topic_score_gemma":0.00023026441,"teacher_disagreement_score":0.4426765,"about_ca_system_score_codex":0.0004613808,"about_ca_system_score_gemma":0.00046417885,"threshold_uncertainty_score":0.9997167},"labels":[],"label_agreement":null},{"id":"W1513556186","doi":"","title":"Pourquoi l'intertextualité ?","year":2007,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.043135785791255925,"score_gpt":0.2553555252795451,"score_spread":0.21221973948828915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1513556186","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027683513,0.029748404,0.00040618508,0.04530254,0.0054609054,0.0001137073,0.00013066152,0.00016908701,0.890985],"genre_scores_gemma":[0.3897576,0.00005540554,0.00008178598,0.0016499094,0.004551583,0.00000103868,0.000033433193,0.000021261334,0.603848],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981817,0.00009008998,0.00045386775,0.00029952938,0.00025111262,0.000723711],"domain_scores_gemma":[0.99881625,0.00027472305,0.000100191326,0.00029189626,0.00017810838,0.00033884682],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046767207,0.0002312594,0.0002619294,0.00023071852,0.0005394263,0.00041980902,0.00021447074,0.00012487697,0.022257159],"category_scores_gemma":[0.00010647544,0.00020824987,0.00023182371,0.00014682417,0.00043072551,0.00053561485,0.000059682538,0.00030479804,0.0033909935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010738218,0.00023757014,0.00016421026,0.000043506338,0.00008690357,0.00012379837,0.007147064,1.6281736e-7,0.000021652379,0.73973775,0.21283562,0.039591044],"study_design_scores_gemma":[0.00016452139,0.000100324316,0.00016181257,0.000037777027,0.000048171725,0.000033140117,0.0020896266,0.000034923283,0.000025646552,0.0032717932,0.9937503,0.000281997],"about_ca_topic_score_codex":0.0015664529,"about_ca_topic_score_gemma":0.0013859506,"teacher_disagreement_score":0.78091466,"about_ca_system_score_codex":0.00012044375,"about_ca_system_score_gemma":0.00005498953,"threshold_uncertainty_score":0.99738497},"labels":[],"label_agreement":null},{"id":"W1514294131","doi":"10.4000/ilcea.1698","title":"Comment mettre fin au servage ? L’Histoire de Dmitri de Louis Viardot (1857)","year":2013,"lang":"fr","type":"article","venue":"ILCEA","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française; Musée de la Civilisation","funders":"","keywords":"Humanities; Fin; Art; Philosophy; Materials science","score_opus":0.02206623827766798,"score_gpt":0.21882846776645234,"score_spread":0.19676222948878436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1514294131","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12776469,0.06473748,0.00081418944,0.2642904,0.0065640113,0.00080602086,0.000735891,0.00034492803,0.5339424],"genre_scores_gemma":[0.3549756,0.00018581524,0.000487871,0.012420359,0.0025346477,0.00006186909,0.000060034967,0.000048246242,0.62922555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979461,0.00028176984,0.0004356921,0.0003241628,0.00023500701,0.00077730446],"domain_scores_gemma":[0.9987823,0.00020217567,0.00012841405,0.0003737476,0.00011252738,0.00040087744],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023312637,0.00032667085,0.00041438185,0.000101689846,0.0011723913,0.00033197334,0.0003334644,0.0001668477,0.020935368],"category_scores_gemma":[0.00004282129,0.00029903403,0.00032070745,0.00009464518,0.00041141707,0.000414261,0.00008744737,0.00038108174,0.0024001957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019265526,0.00053680077,0.0012800661,0.00026343972,0.00018463074,0.00010933549,0.036493495,0.000018501034,0.000098048324,0.15464701,0.7875327,0.01881673],"study_design_scores_gemma":[0.00029715852,0.00015627871,0.00042400937,0.00014009075,0.00018244113,0.000013332049,0.0012086671,0.0006321477,0.000095498115,0.004025193,0.99243915,0.0003860336],"about_ca_topic_score_codex":0.054397296,"about_ca_topic_score_gemma":0.0012326345,"teacher_disagreement_score":0.25187004,"about_ca_system_score_codex":0.0010214336,"about_ca_system_score_gemma":0.00016610142,"threshold_uncertainty_score":0.9999462},"labels":[],"label_agreement":null},{"id":"W1515771534","doi":"10.5007/%x","title":"(Re)traduction(s), (Re)présentation(s): première et dernière sortie du Quijote en français.","year":2003,"lang":"fr","type":"article","venue":"Americanae (AECID Library)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Philosophy","score_opus":0.013295990376507728,"score_gpt":0.22270097062580127,"score_spread":0.20940498024929355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515771534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14691947,0.04778327,0.0018753725,0.07978971,0.014002135,0.00095409836,0.0008117661,0.0009235054,0.70694065],"genre_scores_gemma":[0.6743212,0.003383895,0.0015897462,0.006974537,0.0042394553,0.00007555811,0.00031084073,0.00017866988,0.30892614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958963,0.00087433984,0.0009505762,0.00087969087,0.0005549514,0.0008441589],"domain_scores_gemma":[0.99791217,0.00045794126,0.00039640962,0.0006317666,0.00009477515,0.0005069578],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000192864,0.0006875064,0.00077903597,0.00032476045,0.0010101795,0.00031042084,0.0005033554,0.00020781087,0.07869986],"category_scores_gemma":[0.00011899971,0.0006746599,0.0005447765,0.0005590765,0.0010411586,0.0036655515,0.00009214279,0.00067243027,0.001532557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059053025,0.00064209074,0.035889708,0.00014685541,0.0004525905,0.00016681649,0.027830986,0.00024054127,0.00001635435,0.29383242,0.62696993,0.013752638],"study_design_scores_gemma":[0.0005151286,0.00033966007,0.007110534,0.000095157484,0.00027102904,0.000016790133,0.007111947,0.00012279661,0.0002328777,0.0019883027,0.98132753,0.0008682464],"about_ca_topic_score_codex":0.040789343,"about_ca_topic_score_gemma":0.0006834401,"teacher_disagreement_score":0.5274017,"about_ca_system_score_codex":0.00010577856,"about_ca_system_score_gemma":0.00028218818,"threshold_uncertainty_score":0.9995705},"labels":[],"label_agreement":null},{"id":"W1516748823","doi":"","title":"Fragments pour une histoire. Anticoste de Richard Baillargeon. Anticoste de Richard Baillargeon","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Art","score_opus":0.02020371552305953,"score_gpt":0.2286533755242482,"score_spread":0.20844966000118867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1516748823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009696329,0.07354713,0.0053489003,0.0025912141,0.005122958,0.0013155149,0.0007293203,0.0005097359,0.9011389],"genre_scores_gemma":[0.013993133,0.005642474,0.006317288,0.032567684,0.0026267094,0.00024236205,0.00041953454,0.00018078616,0.93801004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99402624,0.0005752706,0.0011833858,0.0012737887,0.00073089724,0.002210425],"domain_scores_gemma":[0.9962622,0.00023748876,0.00056851644,0.0011933304,0.00062029867,0.001118169],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006128659,0.0011528922,0.0012896629,0.00029518595,0.0023351863,0.0012475083,0.0012553552,0.00088802946,0.123394296],"category_scores_gemma":[0.00022157193,0.0010593167,0.00068256387,0.0006489788,0.0004534811,0.0018550408,0.0003346502,0.001284203,0.0040366417],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034234967,0.0010629919,0.0009235556,0.0005592409,0.0005453918,0.00017586033,0.0033754604,0.00010611617,0.0052123303,0.088768035,0.89809716,0.0011396274],"study_design_scores_gemma":[0.0013580229,0.0002567357,0.00030823002,0.0005017993,0.00052711926,0.00009588762,0.0009960721,0.002960885,0.00070180837,0.004703051,0.9862359,0.0013544535],"about_ca_topic_score_codex":0.0040735733,"about_ca_topic_score_gemma":0.000016822261,"teacher_disagreement_score":0.11935765,"about_ca_system_score_codex":0.0009544275,"about_ca_system_score_gemma":0.00043697428,"threshold_uncertainty_score":0.9997893},"labels":[],"label_agreement":null},{"id":"W1517999966","doi":"10.4000/ahrf.11041","title":"Matthew S. Buckley, Tragedy Walks the Streets ; Susan Maslan, Revolutionary Acts. Theater, Democracy and the French Revolution","year":2008,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Tragedy (event); Democracy; Democratic revolution; Art; Art history; Literature; Political science; Law; Politics","score_opus":0.017031164041621798,"score_gpt":0.22455583490769715,"score_spread":0.20752467086607534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1517999966","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03483667,0.86310476,0.0005613076,0.028788216,0.0018579876,0.0006442285,0.000260581,0.00023463085,0.0697116],"genre_scores_gemma":[0.6652047,0.07242025,0.0001696565,0.0010203696,0.0024434503,0.00008536865,0.000087415465,0.0000580301,0.25851077],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99512064,0.0020742328,0.00085970236,0.00062434055,0.0005483664,0.000772685],"domain_scores_gemma":[0.9972638,0.001038187,0.0003921459,0.0007161878,0.00031445184,0.00027522637],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001283767,0.00059852446,0.0006383133,0.00019235839,0.00546054,0.00013091136,0.0005781333,0.0003947838,0.0014998005],"category_scores_gemma":[0.00016068893,0.0003956144,0.00051387283,0.000247356,0.0061021564,0.00086459075,0.00013136181,0.0010952164,0.00015112919],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029399808,0.00032922553,0.0009093725,0.00018782109,0.00016883286,0.00012472227,0.054727297,0.000028040417,0.00002640041,0.061848093,0.878793,0.002563193],"study_design_scores_gemma":[0.0010560523,0.00015460725,0.0052096695,0.00023804909,0.00032216424,0.00047254495,0.0005153824,0.00093772076,0.000007812725,0.010148137,0.98043454,0.00050332764],"about_ca_topic_score_codex":0.016941879,"about_ca_topic_score_gemma":0.0018101814,"teacher_disagreement_score":0.7906845,"about_ca_system_score_codex":0.00072962395,"about_ca_system_score_gemma":0.00024924095,"threshold_uncertainty_score":0.99984956},"labels":[],"label_agreement":null},{"id":"W1522332798","doi":"10.7202/000581ar","title":"Francisco Lafarga and Antonio Dominquez (ed.), Los clásicos franceses en el España del siglo XX. Estudios de traducción y recepción, Promociones y Publicaciones Universitarias, Barcelona, 2001, 277 p.","year":2001,"lang":"es","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art","score_opus":0.03597180068227607,"score_gpt":0.2737254677207995,"score_spread":0.2377536670385234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522332798","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9663821,0.013819936,0.0012987406,0.0112992,0.0029997085,0.00092919084,0.00019004062,0.0007211412,0.0023599567],"genre_scores_gemma":[0.9552836,0.031366557,0.00037232944,0.00027758203,0.0033073027,0.00009739263,0.00016735459,0.00007988339,0.009048006],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99581045,0.00060686795,0.0008981673,0.001166402,0.0005102717,0.0010078315],"domain_scores_gemma":[0.99794674,0.00035271884,0.00052258937,0.0005319928,0.00029502084,0.00035095],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049304974,0.00080469414,0.0009310218,0.0007011483,0.0018362921,0.00056535547,0.00042726076,0.0005830292,0.002049031],"category_scores_gemma":[0.00018283357,0.00074743346,0.00031578355,0.0003699058,0.00071580976,0.0026882382,0.00009035371,0.0009032452,0.00013287338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004971016,0.008454356,0.099509224,0.0026285038,0.0031610571,0.00123116,0.070907585,0.00033429125,0.022572301,0.105846554,0.18053862,0.49984533],"study_design_scores_gemma":[0.0015699363,0.0009180409,0.03490461,0.00024076234,0.00064381986,0.00049845607,0.004996402,0.00043262274,0.0012415933,0.0016578251,0.9517457,0.0011502112],"about_ca_topic_score_codex":0.0013403158,"about_ca_topic_score_gemma":0.00020359515,"teacher_disagreement_score":0.7712071,"about_ca_system_score_codex":0.0006639488,"about_ca_system_score_gemma":0.00019384279,"threshold_uncertainty_score":0.99949765},"labels":[],"label_agreement":null},{"id":"W1524122681","doi":"10.7202/018546ar","title":"Pierre Vadeboncoeur, Essais sur la croyance et l’incroyance. Saint-Laurent, Éditions Bellarmin, 2005, 166 p.","year":2008,"lang":"fr","type":"article","venue":"Laval théologique et philosophique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Cegep de Matane","funders":"","keywords":"Philosophy; Humanities","score_opus":0.04418197599157035,"score_gpt":0.2681857857678016,"score_spread":0.22400380977623124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524122681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072560765,0.08072787,0.0012374283,0.24163976,0.0056028916,0.0014006534,0.003771767,0.0011781702,0.5918807],"genre_scores_gemma":[0.49947476,0.098760985,0.00068688736,0.011784331,0.005564136,0.00023289793,0.00053446565,0.00018092713,0.38278058],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99377334,0.0023435617,0.0011228506,0.0011065498,0.0005292015,0.0011245101],"domain_scores_gemma":[0.99611485,0.0016230703,0.0005052567,0.0008463053,0.0004011202,0.00050941564],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010934247,0.0009467729,0.0011161452,0.0002616656,0.0015276815,0.0002565967,0.0007685163,0.0008702288,0.0062636486],"category_scores_gemma":[0.00045307682,0.000893262,0.0007274977,0.00023407346,0.0023568824,0.001177526,0.00026368804,0.0023888042,0.0006233586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011729514,0.0011993084,0.00053779973,0.0001833025,0.00019945028,0.001116524,0.0037088348,0.00017644343,0.000061250576,0.5781869,0.41415462,0.0003582563],"study_design_scores_gemma":[0.0007857001,0.0004168702,0.00076314836,0.00038392545,0.00015115981,0.00038587055,0.000088892426,0.00008647532,0.00016220937,0.042279426,0.95348,0.0010162995],"about_ca_topic_score_codex":0.0039546504,"about_ca_topic_score_gemma":0.002338387,"teacher_disagreement_score":0.5393254,"about_ca_system_score_codex":0.00040470005,"about_ca_system_score_gemma":0.0006644049,"threshold_uncertainty_score":0.99991274},"labels":[],"label_agreement":null},{"id":"W1526180891","doi":"10.2307/4135200","title":"Empedocle: Les pommes de la Discorde","year":2004,"lang":"fr","type":"article","venue":"Phoenix","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.01956955986857122,"score_gpt":0.2571618734634808,"score_spread":0.23759231359490957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526180891","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32509482,0.06354825,0.00047788987,0.0120793,0.001788002,0.00011814213,0.00024041026,0.00015149554,0.5965017],"genre_scores_gemma":[0.8100514,0.00064475375,0.000206817,0.00050366507,0.0018533428,0.000008329995,0.000015516673,0.000022054379,0.18669413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898016,0.00012385662,0.00021718616,0.0002024169,0.00012673753,0.00034964122],"domain_scores_gemma":[0.9994688,0.00013778901,0.000055654924,0.00016548872,0.000031200423,0.00014105315],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012377356,0.0001872115,0.00020419894,0.000059788366,0.00062692736,0.00025013433,0.00016803814,0.0000834712,0.006179196],"category_scores_gemma":[0.000037746016,0.0001640411,0.00018109562,0.00005732208,0.00061430916,0.00028045799,0.00004134376,0.00026765064,0.0003673541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029068218,0.00052626303,0.00047701638,0.00011334085,0.00009154254,0.00016542278,0.07105725,0.000091745685,0.00013034442,0.86469364,0.03288387,0.029740518],"study_design_scores_gemma":[0.00031204658,0.00009169489,0.00031238535,0.00009995809,0.00008811647,0.00002527335,0.0010585703,0.000008498682,0.0002530712,0.023061354,0.97446364,0.00022541278],"about_ca_topic_score_codex":0.014031171,"about_ca_topic_score_gemma":0.0005629204,"teacher_disagreement_score":0.94157976,"about_ca_system_score_codex":0.000147027,"about_ca_system_score_gemma":0.00008486884,"threshold_uncertainty_score":0.9947293},"labels":[],"label_agreement":null},{"id":"W1526715817","doi":"","title":"J’ai jeté mon coeur. Jeune et Jolie de François Ozon, France, 2013, 94 minJeune et Jolie de François Ozon, France, 2013, 94 min","year":2014,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.01219617073024924,"score_gpt":0.23984019510611035,"score_spread":0.22764402437586112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526715817","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09492051,0.70047426,0.0062131747,0.106056295,0.007878111,0.0012530553,0.0020598092,0.0007231985,0.08042158],"genre_scores_gemma":[0.13429095,0.02263705,0.0010321024,0.026143426,0.006905202,0.00019337762,0.0004183374,0.00032257038,0.808057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928209,0.0010974644,0.0016486376,0.0014187942,0.0009094174,0.002104744],"domain_scores_gemma":[0.9955912,0.0009375039,0.00063440565,0.0012994241,0.00054274604,0.0009946746],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0013416884,0.0013632887,0.0018253446,0.000537672,0.0016209816,0.0006803884,0.001137767,0.0008774531,0.012316602],"category_scores_gemma":[0.0002404961,0.0013049971,0.00094898907,0.00044353565,0.0014314976,0.0009987319,0.00016779956,0.0017072768,0.003282463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015818907,0.001092575,0.0031228813,0.00069298694,0.00039115327,0.00012536978,0.016884532,0.00048517928,0.00044559414,0.051959686,0.9208311,0.0038107936],"study_design_scores_gemma":[0.0019264411,0.0005969697,0.0025585562,0.0007975885,0.00048957334,0.000044854416,0.0007338698,0.001222581,0.00058708707,0.0059897033,0.9834542,0.0015985703],"about_ca_topic_score_codex":0.03874086,"about_ca_topic_score_gemma":0.0096957125,"teacher_disagreement_score":0.7276354,"about_ca_system_score_codex":0.0001929629,"about_ca_system_score_gemma":0.00029774866,"threshold_uncertainty_score":0.9999118},"labels":[],"label_agreement":null},{"id":"W1527718099","doi":"","title":"La sagesse. Miraculum de Podz, Québec, 2014, 104 minMiraculum de Podz, Québec, 2014, 104 min","year":2014,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.00985159768146727,"score_gpt":0.21908631044281532,"score_spread":0.20923471276134806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527718099","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11030094,0.59441954,0.0007584723,0.07705237,0.0036560795,0.0005970806,0.00060564815,0.0005686241,0.21204126],"genre_scores_gemma":[0.18625954,0.004807932,0.0006520146,0.003842368,0.0057302127,0.000089106914,0.00012921118,0.00018213807,0.7983075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995276,0.0009608601,0.0009680098,0.00091335445,0.00048256954,0.0013992516],"domain_scores_gemma":[0.99672425,0.0010483483,0.0003993198,0.0008491143,0.00024876284,0.00073019136],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009223397,0.000847994,0.0010150229,0.00029173828,0.001413303,0.0005930855,0.00083992333,0.0005473864,0.03181635],"category_scores_gemma":[0.0003447792,0.000789506,0.0007476136,0.00012859626,0.0012379623,0.00048712504,0.0001954699,0.00090144534,0.005137754],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008853627,0.00078419567,0.0018952935,0.00047756475,0.00029980514,0.00017188476,0.019975265,0.000031560772,0.00025209473,0.024631351,0.9431886,0.008203851],"study_design_scores_gemma":[0.00072620314,0.00031637007,0.0010068911,0.00038928533,0.000535146,0.000097583696,0.0026575136,0.0003586078,0.00021347878,0.0010633474,0.99160826,0.0010272821],"about_ca_topic_score_codex":0.57001466,"about_ca_topic_score_gemma":0.29326037,"teacher_disagreement_score":0.5896116,"about_ca_system_score_codex":0.0005094823,"about_ca_system_score_gemma":0.0009774045,"threshold_uncertainty_score":0.9998867},"labels":[],"label_agreement":null},{"id":"W1529510652","doi":"","title":"Bibelot d’inanité. Coma, texte de Pierre Guyotat, mise en scène de Thierry Thieû Niang, avec Patrice Chéreau, présenté au TNM du 30 oct. au 4 nov. 2012Coma, texte de Pierre Guyotat, mise en scène de Thierry Thieû Niang, avec Patrice Chéreau, présenté au TNM du 30 oct. au 4 nov. 2012","year":2013,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009367158879446917,"score_gpt":0.2238274484705191,"score_spread":0.2144602895910722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529510652","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6578689,0.062270112,0.0020962202,0.037572995,0.014435986,0.0069342176,0.0039481823,0.0022486176,0.21262474],"genre_scores_gemma":[0.39176604,0.005966307,0.003105107,0.008636762,0.02982984,0.0011207015,0.0009611958,0.0011544904,0.55745953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97798115,0.0037509522,0.0041242368,0.0034883965,0.0025336612,0.008121628],"domain_scores_gemma":[0.9853654,0.0035277542,0.0022523205,0.0031252906,0.0012269585,0.004502287],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0040246695,0.0039901184,0.003688425,0.001983413,0.005665247,0.0019765478,0.0041848724,0.0026937784,0.01784615],"category_scores_gemma":[0.001143648,0.0037158332,0.0024137804,0.0020817202,0.0027085952,0.004974817,0.0015659942,0.0048360126,0.007951592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0011727329,0.007372512,0.039565906,0.003561703,0.0027877716,0.003524087,0.41083407,0.00026679333,0.000955533,0.019736685,0.47684154,0.033380657],"study_design_scores_gemma":[0.005046461,0.0015644581,0.061551016,0.001632492,0.0030821192,0.0015252354,0.0061943145,0.005600539,0.0002473098,0.0038758223,0.904934,0.0047462676],"about_ca_topic_score_codex":0.17402586,"about_ca_topic_score_gemma":0.011943766,"teacher_disagreement_score":0.42809242,"about_ca_system_score_codex":0.008051511,"about_ca_system_score_gemma":0.005986888,"threshold_uncertainty_score":0.9996483},"labels":[],"label_agreement":null},{"id":"W1530224719","doi":"","title":"Le théâtre de la nouvelle : de la Renaissance aux Lumières. Tangence, no. 96, 2011","year":2011,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.030638202238565546,"score_gpt":0.2390513509336073,"score_spread":0.20841314869504174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1530224719","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016547155,0.03268299,0.00028498046,0.000575236,0.0009972291,0.0001230344,0.00013469692,0.00011539446,0.94853926],"genre_scores_gemma":[0.4045461,0.0019416861,0.0011736886,0.00044325777,0.0013163197,0.00003284619,0.000007477877,0.000038171005,0.5905005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791443,0.00046324075,0.00034158313,0.00042072023,0.00021950447,0.00064049516],"domain_scores_gemma":[0.99873936,0.0002759938,0.00014588791,0.00040679678,0.00014969661,0.0002822831],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049427524,0.00030710542,0.00032017787,0.00008777021,0.00088741264,0.00014664796,0.00054663443,0.00023744648,0.02051913],"category_scores_gemma":[0.00009415816,0.00029804654,0.00019740209,0.00011385072,0.0017757975,0.00046800915,0.00010076327,0.00044057702,0.0020556552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005742127,0.0005080897,0.0013773941,0.00015063495,0.00007849392,0.00031269173,0.04822692,0.000004401385,0.00030352644,0.6945388,0.25098765,0.0034539879],"study_design_scores_gemma":[0.00016720188,0.0001301931,0.0010593317,0.00014128661,0.00009546644,0.000032676387,0.0011796954,0.00017003187,0.0005184751,0.0035658749,0.9925309,0.0004088822],"about_ca_topic_score_codex":0.02287658,"about_ca_topic_score_gemma":0.00085700303,"teacher_disagreement_score":0.74154323,"about_ca_system_score_codex":0.0001067864,"about_ca_system_score_gemma":0.00044778766,"threshold_uncertainty_score":0.9999472},"labels":[],"label_agreement":null},{"id":"W1533483322","doi":"","title":"Croire à la magie. Ésimésac de Luc Picard, Québec, 2012, 100 minÉsimésac de Luc Picard, Québec, 2012, 100 min","year":2013,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.014544717556459476,"score_gpt":0.22441940517368242,"score_spread":0.20987468761722294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533483322","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058748007,0.63117224,0.00025469597,0.07936535,0.0026787054,0.0008949095,0.00053500466,0.0004868501,0.22586423],"genre_scores_gemma":[0.07708377,0.004693217,0.00078068103,0.0030609462,0.0047551747,0.0001888732,0.00006349929,0.0001755051,0.90919834],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474823,0.00071328296,0.0011666626,0.0010437293,0.00058034743,0.0017477317],"domain_scores_gemma":[0.99581146,0.0013458842,0.00038410453,0.0010675837,0.000379758,0.0010112283],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047856077,0.0010183234,0.0012178018,0.00034841071,0.0015561187,0.0009294012,0.0010005597,0.00059883646,0.078114614],"category_scores_gemma":[0.00030949464,0.0009331605,0.0009668479,0.00021495012,0.001716169,0.0012601052,0.00026892466,0.0010074775,0.007982336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086458414,0.0007619825,0.001535212,0.0003778903,0.00046675766,0.00019920534,0.015909962,0.00003699245,0.0002366421,0.011467107,0.95451975,0.014402028],"study_design_scores_gemma":[0.00081305194,0.00025785746,0.0016845587,0.00036205037,0.0006241642,0.00009246771,0.0029446522,0.00020477203,0.00015081844,0.0016801675,0.99000525,0.001180183],"about_ca_topic_score_codex":0.5511613,"about_ca_topic_score_gemma":0.16404407,"teacher_disagreement_score":0.6833341,"about_ca_system_score_codex":0.00074866397,"about_ca_system_score_gemma":0.0013797338,"threshold_uncertainty_score":0.9997437},"labels":[],"label_agreement":null},{"id":"W1536415984","doi":"","title":"Horizon incertain du théâtre québécois : Présentation","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.005796191481088941,"score_gpt":0.15165445712422754,"score_spread":0.14585826564313858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1536415984","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4328378,0.1376341,0.00023510834,0.22624436,0.0032195605,0.0006012289,0.00020403687,0.00025065945,0.19877313],"genre_scores_gemma":[0.17269486,0.00431713,0.000085019296,0.0004554999,0.0017300533,0.000011493811,0.00008735135,0.000029035291,0.82058954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870956,0.0001321475,0.00021719215,0.00031297142,0.00021606025,0.00041209182],"domain_scores_gemma":[0.9991286,0.00010194051,0.00014788445,0.00022985227,0.00015139655,0.00024035304],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000070217226,0.0002552298,0.00026861043,0.00015809016,0.001348863,0.00010142823,0.00022105599,0.00013869489,0.010292983],"category_scores_gemma":[0.000010871409,0.0002605893,0.00022514533,0.00013681523,0.00020481457,0.00082136557,0.000108611704,0.00019834026,0.0019278132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038127688,0.00015088574,0.00025093058,0.00006130415,0.0001294951,0.0003797636,0.012066127,0.000037281403,0.00006548567,0.39459446,0.5363635,0.055862643],"study_design_scores_gemma":[0.0003817193,0.00025150937,0.0003263471,0.000047117326,0.00019572477,0.000048825255,0.0063086087,0.0008601565,0.000021866716,0.0016436117,0.98959506,0.00031943189],"about_ca_topic_score_codex":0.59447366,"about_ca_topic_score_gemma":0.37366444,"teacher_disagreement_score":0.6218164,"about_ca_system_score_codex":0.0043157004,"about_ca_system_score_gemma":0.000045861594,"threshold_uncertainty_score":0.9999846},"labels":[],"label_agreement":null},{"id":"W1537087603","doi":"","title":"Classe des maîtres. Monsieur Lazhar — Canada [Québec] 2011, 94 minutesMonsieur Lazhar — Canada [Québec] 2011, 94 minutes","year":2011,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.025412032668492856,"score_gpt":0.1998294583525849,"score_spread":0.17441742568409205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537087603","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0685975,0.64604616,0.00001525217,0.12066674,0.005096884,0.000662111,0.0023996348,0.00021960329,0.15629609],"genre_scores_gemma":[0.10306549,0.0013210216,0.00049095345,0.0020602008,0.0019259186,0.0000864509,0.000092989845,0.000119759374,0.8908372],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99461675,0.00062951463,0.0012758395,0.0011351634,0.000660521,0.0016822438],"domain_scores_gemma":[0.99596405,0.00095473713,0.00055502885,0.00096652046,0.00049409724,0.0010655464],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004174943,0.0010269543,0.0011585556,0.00022769498,0.0015104625,0.00024447995,0.001245231,0.00036861497,0.023462268],"category_scores_gemma":[0.0002409314,0.0009833938,0.0004123414,0.00023321116,0.0015114564,0.00085292314,0.00019848229,0.0009446558,0.00038015298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009479209,0.0002621387,0.014483204,0.00062012393,0.00039781493,0.0030322603,0.012193153,0.00002346009,0.0000539194,0.006931624,0.9588633,0.0030441994],"study_design_scores_gemma":[0.00040277693,0.00020981833,0.005481265,0.00039938928,0.00040109747,0.00026731088,0.0014827242,0.00017243292,0.00030603603,0.0010875838,0.98854405,0.0012455151],"about_ca_topic_score_codex":0.9999539,"about_ca_topic_score_gemma":0.99998736,"teacher_disagreement_score":0.7345411,"about_ca_system_score_codex":0.0019549788,"about_ca_system_score_gemma":0.009306676,"threshold_uncertainty_score":0.9997894},"labels":[],"label_agreement":null},{"id":"W1537191186","doi":"10.1353/ren.2008.0615","title":": <i> <i>A Rhetoric of the</i> Decameron </i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Rhetoric; Index (typography); Media studies; Humanities; Sociology; Art; Theology; Philosophy","score_opus":0.017291322935374834,"score_gpt":0.21554402458039187,"score_spread":0.19825270164501704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537191186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2946273,0.005921739,0.00012155435,0.0034418942,0.0018460737,0.0002505825,0.00005013853,0.00016259102,0.6935781],"genre_scores_gemma":[0.9759714,0.0000052848245,0.000046999096,0.00033890485,0.00081715704,0.0000067282067,0.0000015912899,0.000008989039,0.022802942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924976,0.000038713526,0.00024274808,0.00013692307,0.00017245323,0.00015939177],"domain_scores_gemma":[0.9994928,0.000032922453,0.000111175665,0.00026913884,0.000052098763,0.000041851785],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000057053003,0.00010213534,0.00015834188,0.00002942785,0.00019165262,0.000029560948,0.00023072216,0.000022838303,0.0009133022],"category_scores_gemma":[0.0000040694426,0.00006458023,0.00014061118,0.00007078411,0.00019777173,0.00023842462,0.000007258508,0.00009061091,0.0001361343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056318866,0.00045832564,0.00066201435,0.00009743173,0.000082612394,0.000002996726,0.111077175,0.000022262433,0.0026858728,0.42303613,0.27700588,0.18481296],"study_design_scores_gemma":[0.00011400913,0.00011809973,0.00010910393,0.000029568784,0.00001682088,0.0000012653643,0.00024432165,0.000021434671,0.0005029221,0.0005442387,0.99820185,0.000096391545],"about_ca_topic_score_codex":0.00008808134,"about_ca_topic_score_gemma":0.0002658494,"teacher_disagreement_score":0.72119594,"about_ca_system_score_codex":0.000024021518,"about_ca_system_score_gemma":0.000015561105,"threshold_uncertainty_score":1},"labels":[],"label_agreement":null},{"id":"W1537936184","doi":"10.29173/cf257","title":"Carlo Collodi, traducteur des contes de fées","year":2015,"lang":"fr","type":"article","venue":"Convergences francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05591190362310814,"score_gpt":0.2477900544778353,"score_spread":0.19187815085472718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537936184","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4546274,0.39789507,0.00030101242,0.002996757,0.08146336,0.000318383,0.00038330277,0.00022944664,0.061785273],"genre_scores_gemma":[0.595659,0.003460687,0.00027499333,0.00041242945,0.0040895366,0.000033189783,0.000012579234,0.000032346055,0.3960252],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977058,0.00035361192,0.00053165323,0.0004171213,0.0003319879,0.00065980526],"domain_scores_gemma":[0.99844205,0.00024728285,0.00014329133,0.00025879414,0.00036201673,0.00054658344],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042079279,0.00038738563,0.00054665323,0.00011972057,0.00090273155,0.00024815433,0.0003909751,0.00016414977,0.025941627],"category_scores_gemma":[0.0001889673,0.00034521573,0.00028066276,0.000261858,0.0019284223,0.00074841117,0.000047326692,0.0002893179,0.00384926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020596568,0.0005458175,0.018657016,0.0006862332,0.00036543043,0.00024000152,0.2900075,0.000106971565,0.0001990163,0.060355794,0.6073341,0.021296205],"study_design_scores_gemma":[0.00048162526,0.0003284707,0.0004160174,0.0001749614,0.00011764372,0.00002399288,0.018756775,0.00027226444,0.00030045077,0.0077248984,0.97092277,0.0004801154],"about_ca_topic_score_codex":0.01941716,"about_ca_topic_score_gemma":0.0033475587,"teacher_disagreement_score":0.3944344,"about_ca_system_score_codex":0.00016492917,"about_ca_system_score_gemma":0.00034486002,"threshold_uncertainty_score":0.9999},"labels":[],"label_agreement":null},{"id":"W1538665933","doi":"10.7202/014690ar","title":"René Audet et Andrée Mercier (dirs), La littérature et ses enjeux narratifs, Sainte-Foy, Les Presses de l’Université Laval, 2004, 314 p.","year":2006,"lang":"fr","type":"article","venue":"Recherches sociographiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Biology","score_opus":0.052154037266627734,"score_gpt":0.2845613091251497,"score_spread":0.23240727185852197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538665933","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034801506,0.74605143,0.00033749087,0.0652472,0.00054539647,0.00041968623,0.00085490267,0.0006829864,0.15105937],"genre_scores_gemma":[0.20521742,0.38579014,0.004127976,0.0023523462,0.0030478404,0.00006824126,0.00085835566,0.00021450987,0.39832318],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99447185,0.0031529963,0.00057112443,0.00067138625,0.00038088707,0.0007517458],"domain_scores_gemma":[0.99737734,0.001260524,0.0002817148,0.0004285915,0.00041347888,0.00023833182],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014725596,0.00068078283,0.0007160283,0.0004160201,0.00092000247,0.0007496232,0.00049913523,0.0010662372,0.002108174],"category_scores_gemma":[0.00018341394,0.0006275508,0.0008855266,0.0005012567,0.001110531,0.0009453051,0.0001261015,0.0016384338,0.000030617146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010026143,0.00075685245,0.0053740065,0.00050237303,0.0004887666,0.00010935506,0.07682972,0.000035797788,0.0005673502,0.09415292,0.81626725,0.0048153615],"study_design_scores_gemma":[0.00032630228,0.00023839132,0.003063409,0.0006321067,0.00039261262,0.000024456045,0.0037057516,0.000020157548,0.000613122,0.036264073,0.9539778,0.00074176776],"about_ca_topic_score_codex":0.14006214,"about_ca_topic_score_gemma":0.03723569,"teacher_disagreement_score":0.36026132,"about_ca_system_score_codex":0.0008912928,"about_ca_system_score_gemma":0.00032361387,"threshold_uncertainty_score":0.9996176},"labels":[],"label_agreement":null},{"id":"W1540311511","doi":"10.7202/030130ar","title":"La mort d’une illusion?","year":2006,"lang":"fr","type":"article","venue":"Santé mentale au Québec","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Psychology","score_opus":0.01213519967813541,"score_gpt":0.25149501860893775,"score_spread":0.23935981893080233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540311511","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41785526,0.018315567,0.000012047053,0.00304906,0.0012313479,0.00010163731,0.00014911983,0.00006428429,0.5592217],"genre_scores_gemma":[0.6130756,0.00006444188,0.00001914321,0.00027307172,0.0020041945,0.000008938905,0.000049652444,0.000019535823,0.3844854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849665,0.00013329231,0.00040093448,0.00030679512,0.00025616208,0.00040615874],"domain_scores_gemma":[0.9993847,0.00012975872,0.00010264132,0.00023324606,0.0000349125,0.00011476195],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013405971,0.00026104588,0.00028826416,0.000080978585,0.0010447947,0.00011974279,0.00017875126,0.00009662503,0.014963275],"category_scores_gemma":[0.000006387836,0.00023053383,0.00023969219,0.00009424951,0.00081108,0.00032336556,0.00007765424,0.00020928736,0.0014524708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107604734,0.0030791536,0.008099044,0.0004365212,0.00031129652,0.0008702523,0.09150336,0.00003856677,0.00089453004,0.42501485,0.3324428,0.13720201],"study_design_scores_gemma":[0.00031239647,0.00009916808,0.0028931138,0.000096237614,0.00012720405,0.000028127039,0.0029443766,0.000041481515,0.00009404484,0.0007843884,0.99226797,0.00031149285],"about_ca_topic_score_codex":0.81735986,"about_ca_topic_score_gemma":0.39196807,"teacher_disagreement_score":0.65982515,"about_ca_system_score_codex":0.0007128802,"about_ca_system_score_gemma":0.00028991676,"threshold_uncertainty_score":0.99932504},"labels":[],"label_agreement":null},{"id":"W1540498989","doi":"10.7202/1028020ar","title":"Aux origines du théâtre de Daniel Danis","year":2015,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04797350725732405,"score_gpt":0.2798507782460352,"score_spread":0.23187727098871116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540498989","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03167551,0.04604493,0.0008369202,0.17202821,0.0062920377,0.00024724536,0.002796841,0.00039865743,0.73967963],"genre_scores_gemma":[0.013879572,0.0008221663,0.00049509306,0.0016541772,0.0035687115,0.000011126199,0.00004393033,0.000035377285,0.97948986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986067,0.00018811002,0.0002821837,0.00028105645,0.00022819481,0.00041377256],"domain_scores_gemma":[0.9989888,0.00014191624,0.00008682893,0.000257168,0.0002259163,0.00029934314],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029918345,0.00026934058,0.0002915402,0.000091271846,0.00039594175,0.00044553305,0.00025673918,0.00012678382,0.0021779444],"category_scores_gemma":[0.00013138476,0.00022522066,0.00016750614,0.00008777612,0.0004072231,0.00079820235,0.000082254126,0.00033001314,0.00085631636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001721858,0.00018287254,0.0002592317,0.000059874874,0.00005709395,0.00012461773,0.013164445,0.000014505318,0.000045786543,0.36863798,0.61619335,0.001243013],"study_design_scores_gemma":[0.00028370242,0.00016029042,0.00006717352,0.00007344245,0.00013378783,0.00003564682,0.0010827908,0.00015746236,0.00014609094,0.0038651715,0.99367976,0.00031467658],"about_ca_topic_score_codex":0.0097268615,"about_ca_topic_score_gemma":0.00041500235,"teacher_disagreement_score":0.37748638,"about_ca_system_score_codex":0.0000982968,"about_ca_system_score_gemma":0.0003022806,"threshold_uncertainty_score":0.9999216},"labels":[],"label_agreement":null},{"id":"W1540866798","doi":"","title":"Ici et ailleurs. Bà Nôi de Khoa Lê, Québec, 2013, 85 minBà Nôi de Khoa Lê, Québec, 2013, 85 min","year":2014,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.017435373066223125,"score_gpt":0.2286902754484552,"score_spread":0.21125490238223207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540866798","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03961286,0.57086104,0.0005698944,0.18433751,0.003648027,0.00058716413,0.0004390039,0.00045519034,0.19948931],"genre_scores_gemma":[0.09786477,0.008529444,0.00049338536,0.0067166104,0.0048152944,0.0000790766,0.0001225741,0.00016157467,0.88121724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953372,0.00069940713,0.0010615864,0.0009501016,0.00051100325,0.0014407365],"domain_scores_gemma":[0.99685675,0.00078608707,0.0004086939,0.00092043844,0.0002659018,0.0007621149],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007018771,0.000894169,0.0011002008,0.00032065826,0.0013865511,0.0005036213,0.00085521484,0.000448048,0.021528784],"category_scores_gemma":[0.0002689972,0.00081104157,0.00073983445,0.00016398112,0.0014179077,0.00053827197,0.00021722743,0.000844266,0.0044453726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011076951,0.0006601192,0.00078285806,0.00032745823,0.00027114977,0.00009504345,0.023707202,0.00010759989,0.00013749627,0.056489225,0.9124672,0.004843888],"study_design_scores_gemma":[0.00082907017,0.00038808322,0.0005132846,0.00038311913,0.0004656085,0.00005279917,0.0021422096,0.00059350126,0.0001584181,0.0016680921,0.99173915,0.0010666308],"about_ca_topic_score_codex":0.67038906,"about_ca_topic_score_gemma":0.6326868,"teacher_disagreement_score":0.68172795,"about_ca_system_score_codex":0.0005321855,"about_ca_system_score_gemma":0.000793547,"threshold_uncertainty_score":0.9999135},"labels":[],"label_agreement":null},{"id":"W1541708392","doi":"10.7202/1017214ar","title":"Études sur la perception auditive de Gérard Pelé, Paris, L’Harmattan, collection « Arts et Sciences de l’art », 2012, 198 pages","year":2013,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; The arts; Visual arts","score_opus":0.076389317158751,"score_gpt":0.29080749972019115,"score_spread":0.21441818256144016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1541708392","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056359094,0.012961556,0.001244521,0.025140591,0.0015610697,0.0007985613,0.00016649214,0.00037954925,0.9013886],"genre_scores_gemma":[0.66388583,0.0032836834,0.000121924255,0.0023360641,0.0014730884,0.00016017756,0.00007434325,0.00004118079,0.32862368],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965088,0.0011657343,0.0006589834,0.0006006878,0.00036299785,0.00070284033],"domain_scores_gemma":[0.9977813,0.0008474285,0.00035572852,0.00022912638,0.00049444335,0.00029201162],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012935335,0.0004770923,0.0005679097,0.00029957874,0.0013485037,0.0012196181,0.00030245955,0.00025268283,0.007440632],"category_scores_gemma":[0.00025362914,0.00040508807,0.00032292955,0.0002469996,0.0015019197,0.0029647846,0.00006412276,0.0004281807,0.00047571494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020074875,0.00036745466,0.0020329116,0.00025304308,0.00014795177,0.000045621902,0.060871463,0.0000105039635,0.0011029282,0.20513728,0.72676307,0.0032477025],"study_design_scores_gemma":[0.00033193306,0.00029972303,0.005474678,0.00043712856,0.00011394553,0.00004686438,0.005340795,0.00038581347,0.00009450734,0.021980688,0.9649204,0.00057353615],"about_ca_topic_score_codex":0.0068209385,"about_ca_topic_score_gemma":0.0013342747,"teacher_disagreement_score":0.6075268,"about_ca_system_score_codex":0.0003773501,"about_ca_system_score_gemma":0.0004001308,"threshold_uncertainty_score":0.9999516},"labels":[],"label_agreement":null},{"id":"W1541937150","doi":"10.7202/044934ar","title":"Leonardo Bruni. De interpretatione recta. De la traduction parfaite. Traduction du latin, introduction et notes de Charles Le Blanc. Ottawa, Les Presses de l’Université d’Ottawa, 2008, 132 p.","year":2010,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.021572178459726327,"score_gpt":0.2423498227727723,"score_spread":0.22077764431304597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1541937150","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8930188,0.0064935493,0.033029143,0.05221729,0.008143931,0.00059040205,0.00015283687,0.0011278668,0.0052262135],"genre_scores_gemma":[0.9581585,0.012138029,0.002828417,0.0001647985,0.011306344,0.00009965451,0.0003314366,0.00010973313,0.014863097],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99523467,0.0016770168,0.00086973,0.00093923195,0.00035699288,0.00092234585],"domain_scores_gemma":[0.99764365,0.00058855047,0.00068787584,0.00048690956,0.0003048587,0.00028816564],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015349446,0.00066008366,0.0005889031,0.00065136823,0.0018581349,0.00059110107,0.00035093087,0.0008612148,0.0029383267],"category_scores_gemma":[0.0007276979,0.00073821726,0.00041722663,0.00033817947,0.0011471806,0.0026460753,0.000036671056,0.0017824328,0.00007798847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085946335,0.002595861,0.0066417353,0.00071794854,0.0006769193,0.00009349373,0.057941616,0.0043706773,0.23294981,0.06012785,0.122410335,0.5106143],"study_design_scores_gemma":[0.0009808626,0.00049020513,0.025590483,0.00014158762,0.00064638146,0.0017106086,0.006514151,0.0034691303,0.030465517,0.0052036284,0.9238881,0.00089935696],"about_ca_topic_score_codex":0.012651365,"about_ca_topic_score_gemma":0.0018088104,"teacher_disagreement_score":0.80147773,"about_ca_system_score_codex":0.0013077512,"about_ca_system_score_gemma":0.00045098635,"threshold_uncertainty_score":0.9995069},"labels":[],"label_agreement":null},{"id":"W1543444668","doi":"","title":"Raymond Federman. The Voice in the Closet / La Voix dans le cabinet de débarras","year":2005,"lang":"fr","type":"article","venue":"International fiction review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Closet; Cabinet (room); Art; Humanities; History; Visual arts; Archaeology","score_opus":0.02160060366167663,"score_gpt":0.27710231334113566,"score_spread":0.255501709679459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1543444668","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002135881,0.2961336,0.0002287414,0.3290349,0.0015514841,0.0003363139,0.00021825571,0.00002876299,0.37033206],"genre_scores_gemma":[0.18312642,0.1672579,0.00005905632,0.034213006,0.006580803,0.00017946449,0.0002308147,0.000029116936,0.6083234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842376,0.00053820555,0.0004312344,0.00016945096,0.0002741856,0.00016314178],"domain_scores_gemma":[0.99928284,0.00029111456,0.00012914938,0.00017753844,0.00008362178,0.000035759873],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007527952,0.00014809713,0.00016944857,0.000045841585,0.00044750655,0.0002208319,0.0004446666,0.000049406528,0.0029346065],"category_scores_gemma":[0.000076219956,0.00008986889,0.00019547639,0.000091429654,0.00018479711,0.00034174923,0.000030668158,0.00034313079,0.00044554897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075011603,0.00025966615,0.00012876405,0.0002336865,0.00007316063,0.000017663067,0.010890662,0.00012876627,0.0000049370547,0.29864892,0.6691951,0.020411167],"study_design_scores_gemma":[0.00012344838,0.000017749619,0.0006423752,0.0007797067,0.00007151038,0.000077665645,0.0004467486,0.0005797204,0.0000027391002,0.00039417594,0.9967553,0.0001088576],"about_ca_topic_score_codex":0.0030919793,"about_ca_topic_score_gemma":0.0015186095,"teacher_disagreement_score":0.3275602,"about_ca_system_score_codex":0.00017718607,"about_ca_system_score_gemma":0.000058009704,"threshold_uncertainty_score":0.99797684},"labels":[],"label_agreement":null},{"id":"W1544518298","doi":"","title":"Les meilleurs contes fantastiques québécois du XIXe siècle","year":2001,"lang":"fr","type":"book","venue":"Fides eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.04340466348723611,"score_gpt":0.23770551369184642,"score_spread":0.1943008502046103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544518298","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029459067,0.010884074,0.00005402687,0.0005807056,0.0012958708,0.00032436734,0.0007716473,0.0002839112,0.9828595],"genre_scores_gemma":[0.08325923,0.0004670084,0.00007212451,0.00087628217,0.005294573,0.00005337543,0.00027170317,0.00011771266,0.909588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970175,0.0002440591,0.000933463,0.00071587396,0.0004142763,0.00067480485],"domain_scores_gemma":[0.9978417,0.000658421,0.00041984353,0.0004786054,0.00029826906,0.00030314093],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018537631,0.0008668701,0.0010957597,0.00027039796,0.0019311506,0.00039347154,0.00054803694,0.0006093371,0.009982132],"category_scores_gemma":[0.000078641344,0.0007513957,0.0007691363,0.000024141862,0.0018082962,0.00020848039,0.00014143281,0.0010260199,0.00070001517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007875654,0.00012912089,0.00025925445,0.00036581684,0.00046258332,0.00035578499,0.019341819,0.0000033132198,0.000020473151,0.8152763,0.11481421,0.048892558],"study_design_scores_gemma":[0.00029409424,0.000376641,0.000081105296,0.00072049844,0.00040208176,0.00004145617,0.0008736601,0.00003053499,0.00006349497,0.0068644304,0.9893277,0.00092427054],"about_ca_topic_score_codex":0.101888515,"about_ca_topic_score_gemma":0.02967081,"teacher_disagreement_score":0.8745135,"about_ca_system_score_codex":0.000402324,"about_ca_system_score_gemma":0.00029635613,"threshold_uncertainty_score":0.9994937},"labels":[],"label_agreement":null},{"id":"W1544769591","doi":"10.15210/interfaces.v9i1.7064","title":"MAILLET, Antonine. Le mystérieux voyage de Rien. Arles: Actes Sud; Montréal: Leméac, 2008.","year":2012,"lang":"fr","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Ancient history; History","score_opus":0.023613049036465463,"score_gpt":0.22895547390982704,"score_spread":0.20534242487336157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544769591","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08638669,0.13769671,0.0043049105,0.07021929,0.009899137,0.0012146779,0.0015454205,0.0011692098,0.68756396],"genre_scores_gemma":[0.93311715,0.002790296,0.0014323007,0.00055418053,0.006583585,0.00018317079,0.00034786615,0.00013689735,0.054854564],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99351335,0.0010663825,0.0013344251,0.0009743527,0.00096152606,0.002149945],"domain_scores_gemma":[0.9955823,0.0006098498,0.0007804835,0.0009115185,0.0006133082,0.001502557],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012278963,0.0009842893,0.0010138911,0.000574888,0.0033214497,0.00088014087,0.0008991062,0.0008272614,0.001006085],"category_scores_gemma":[0.0006434739,0.00094956177,0.0007360197,0.000553185,0.00018976419,0.0024414153,0.00033034655,0.0014194684,0.00021930513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002266263,0.0020524175,0.0012881741,0.0002624869,0.000469746,0.00023328867,0.019748168,0.00008173088,0.00030828014,0.9210159,0.051543184,0.0027699987],"study_design_scores_gemma":[0.0011297711,0.00014376813,0.0023197678,0.0002932249,0.0003995293,0.00088500284,0.0033822053,0.00034945595,0.0003795757,0.00063859444,0.9889651,0.0011140157],"about_ca_topic_score_codex":0.0003159149,"about_ca_topic_score_gemma":0.0018541628,"teacher_disagreement_score":0.9374219,"about_ca_system_score_codex":0.0013025557,"about_ca_system_score_gemma":0.0008386218,"threshold_uncertainty_score":0.99990714},"labels":[],"label_agreement":null},{"id":"W1544954996","doi":"10.1007/s12109-014-9368-1","title":"Keri Yousif: Balzac, Grandville and the Rise of Book Illustration","year":2014,"lang":"en","type":"article","venue":"Publishing Research Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Art; Art history","score_opus":0.05810776948747169,"score_gpt":0.27542838901592814,"score_spread":0.21732061952845644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544954996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1707231,0.0068730027,0.00040072374,0.032645505,0.0007169484,0.0007497536,0.00006160424,0.00014454738,0.7876848],"genre_scores_gemma":[0.97929716,0.000021715628,0.00001643657,0.00015560421,0.00071699795,0.000025713616,0.000011333933,0.0000088767965,0.019746177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980877,0.00063495955,0.00026631547,0.00019175101,0.0005452521,0.0002740364],"domain_scores_gemma":[0.99844444,0.00076756824,0.00006959097,0.00024666137,0.0003739665,0.000097753866],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0030583167,0.00008702063,0.0001895384,0.00016368508,0.0006804559,0.0018417932,0.00030401457,0.000041727028,0.0008077235],"category_scores_gemma":[0.0004635853,0.000051559346,0.00007081233,0.0001040514,0.0010189817,0.002212292,0.000029894334,0.00037055364,0.000022193137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015334158,0.00006296946,0.00007686958,0.00006343661,0.00003314917,0.0000013248077,0.102853686,6.8893365e-7,0.00004027077,0.74138874,0.11916082,0.03616473],"study_design_scores_gemma":[0.0006730297,0.00031519684,0.00011091518,0.00002335589,0.000010881665,0.0000010546815,0.004087812,0.00085435866,0.000008061698,0.017521914,0.976317,0.00007642609],"about_ca_topic_score_codex":0.0029395802,"about_ca_topic_score_gemma":0.000618048,"teacher_disagreement_score":0.85715616,"about_ca_system_score_codex":0.000018952856,"about_ca_system_score_gemma":0.000029222047,"threshold_uncertainty_score":0.9991944},"labels":[],"label_agreement":null},{"id":"W1546573560","doi":"10.4000/ahrf.10615","title":"Christophe Cave et Suzanne Cornand (dir.), Mémoires secrets pour servir à l’histoire de la République des Lettres en France, depuis 1762 jusqu’à nos jours","year":2009,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art; Humanities","score_opus":0.010713862549374967,"score_gpt":0.24116006131899945,"score_spread":0.23044619876962447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546573560","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06882954,0.78160226,0.0018519623,0.007536036,0.0015347931,0.00033026285,0.0003959858,0.00047753856,0.13744162],"genre_scores_gemma":[0.57478505,0.023352,0.0012230582,0.003722451,0.0030467762,0.0000616358,0.00016497061,0.00011935746,0.3935247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939093,0.0024733879,0.0010053779,0.0008535479,0.0005623669,0.0011960131],"domain_scores_gemma":[0.996636,0.0010118617,0.00050512323,0.0006110976,0.00053852657,0.00069740706],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001370539,0.0009045833,0.0009656353,0.000510925,0.0022216912,0.0005219215,0.0007019613,0.0008955985,0.001532299],"category_scores_gemma":[0.00040432444,0.00093802786,0.0007474297,0.00035081027,0.0023108097,0.001489633,0.00008031016,0.0014384984,0.00013348271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003380716,0.0012613419,0.0021008607,0.00047301568,0.0001909442,0.00078847224,0.061816845,0.0003260891,0.0007341873,0.0643926,0.84857684,0.019000713],"study_design_scores_gemma":[0.00090919144,0.00044824393,0.009180584,0.00091998506,0.00029397474,0.00023900365,0.0005225178,0.00060453336,0.00013355321,0.006255956,0.9794457,0.0010467599],"about_ca_topic_score_codex":0.029121714,"about_ca_topic_score_gemma":0.004496042,"teacher_disagreement_score":0.75825024,"about_ca_system_score_codex":0.0022499377,"about_ca_system_score_gemma":0.00078271003,"threshold_uncertainty_score":0.9993804},"labels":[],"label_agreement":null},{"id":"W1546803111","doi":"10.18192/analyses.v2i1.481","title":"Francis Gingras (dir.). &lt;em&gt;Une étrange constance. Les motifs merveilleux dans les littératures d’expression française du Moyen Âge à nos jours&lt;/em&gt;","year":2007,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.017952308432586064,"score_gpt":0.2412371160368261,"score_spread":0.22328480760424002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546803111","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27740806,0.4070505,0.0021829938,0.0049110516,0.0054488555,0.0012154352,0.003371846,0.0005950177,0.29781625],"genre_scores_gemma":[0.92812973,0.0072652274,0.00077114743,0.0023855001,0.008944506,0.0001233702,0.00068006845,0.000368341,0.051332116],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888483,0.0011205027,0.0029018426,0.002401851,0.0013732889,0.003354202],"domain_scores_gemma":[0.99155813,0.0015629047,0.0013926603,0.00199175,0.0012852525,0.0022093041],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0017953664,0.0023794281,0.0029091085,0.0016145218,0.003833583,0.001248929,0.0019431172,0.0017673941,0.0037427696],"category_scores_gemma":[0.0007131728,0.0021830094,0.0025279294,0.0022373523,0.002066926,0.0017125213,0.00024870186,0.002966238,0.00010782882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016457215,0.0028264194,0.0063424823,0.0034379545,0.0036341522,0.009620014,0.23503609,0.0029377951,0.017813722,0.47341686,0.18956189,0.053726897],"study_design_scores_gemma":[0.0015583574,0.00049771025,0.0055350037,0.0019398404,0.001668147,0.00030605568,0.009357436,0.0009773674,0.0012423729,0.0013025604,0.9730591,0.0025560067],"about_ca_topic_score_codex":0.18946639,"about_ca_topic_score_gemma":0.9619182,"teacher_disagreement_score":0.7834973,"about_ca_system_score_codex":0.00087440904,"about_ca_system_score_gemma":0.00059061276,"threshold_uncertainty_score":0.99978787},"labels":[],"label_agreement":null},{"id":"W1547226626","doi":"","title":"Géographie (Emmanuel Kant). La question Kantienne un lieu ou le passage d’une Géographie à l’autre","year":2015,"lang":"fr","type":"article","venue":"J-Reading Journal of research and didactics in geography/J-ReADInG, Journal of research and didactics in geography","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy; The Renaissance; Art; Art history","score_opus":0.06657874026270472,"score_gpt":0.350839390789308,"score_spread":0.28426065052660326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1547226626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8102274,0.15393639,0.00018686839,0.012122538,0.00229409,0.00075828604,0.000111004265,0.00004069287,0.02032272],"genre_scores_gemma":[0.8683756,0.12609453,0.0016359382,0.00007378621,0.0018985723,0.000018702203,0.000017962338,0.0001218767,0.0017630529],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9830176,0.004344529,0.0035764235,0.001001739,0.004908331,0.003151353],"domain_scores_gemma":[0.98016196,0.0070683416,0.0020842198,0.0007524339,0.0068209083,0.0031121196],"candidate_categories":["metaresearch","metaepi_narrow","bibliometrics","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.03144346,0.0010370965,0.0021746687,0.02434891,0.0019902405,0.0028266597,0.0015792211,0.00091638695,0.00007830122],"category_scores_gemma":[0.003898738,0.0009125627,0.0012029287,0.008907283,0.012243888,0.0038611651,0.0005423593,0.009981592,0.0000076971955],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006595593,0.009184099,0.63242984,0.0017098481,0.002357221,0.010917178,0.013854663,0.00008352651,0.00028791316,0.27544808,0.021788739,0.025343306],"study_design_scores_gemma":[0.011704253,0.01574737,0.06463347,0.01070827,0.0005818155,0.0040283655,0.03845081,0.00015092458,0.00036422655,0.37497872,0.47677708,0.0018747182],"about_ca_topic_score_codex":0.006180092,"about_ca_topic_score_gemma":0.0009081956,"teacher_disagreement_score":0.56779635,"about_ca_system_score_codex":0.00030274448,"about_ca_system_score_gemma":0.0008952971,"threshold_uncertainty_score":0.9993325},"labels":[],"label_agreement":null},{"id":"W1549628968","doi":"","title":"\"Dave, come on\": Indigenous Identities and Language Play in Yves Sioui Durand’s Hamlet-le-Malécite","year":2010,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HAMLET (protein complex); Indigenous; Foregrounding; Politics; Alien; Power (physics); Irony; Art; Sociology; Literature; Humanities; History; Aesthetics; Law; Political science","score_opus":0.013152963203325752,"score_gpt":0.24741491253022824,"score_spread":0.23426194932690247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549628968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9229572,0.024758058,3.594191e-8,0.0009892284,0.0013119254,0.00018439406,0.00036598474,0.000038065577,0.049395148],"genre_scores_gemma":[0.9757427,0.00024248291,0.000014605679,0.0017507626,0.00057815015,0.000027277685,0.00003644507,0.000020823256,0.021586727],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987864,0.00005572787,0.00027434222,0.00028705754,0.00013068701,0.00046581164],"domain_scores_gemma":[0.99938136,0.00013515551,0.000044870052,0.00019313225,0.000058145157,0.00018730454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017130098,0.00022555454,0.0003458769,0.0006064127,0.00045625574,0.00029485233,0.00016291818,0.0000930928,0.0002112565],"category_scores_gemma":[0.00009688525,0.0001828766,0.00005498156,0.00017062754,0.00039807137,0.00032812325,0.000034053908,0.0006411113,0.000018018938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030138868,0.000052421656,0.008639244,0.00016429997,0.00008104091,0.0013449407,0.88699496,0.0000022801828,0.000030641684,0.08596404,0.015977332,0.00071864616],"study_design_scores_gemma":[0.00063037337,0.00009647013,0.0066267834,0.00034834188,0.000014224409,0.0000224544,0.020609803,0.000004742293,0.000010868924,0.003979884,0.9672133,0.00044277532],"about_ca_topic_score_codex":0.12032538,"about_ca_topic_score_gemma":0.9381049,"teacher_disagreement_score":0.95123595,"about_ca_system_score_codex":0.00010758968,"about_ca_system_score_gemma":0.00010702531,"threshold_uncertainty_score":0.88553244},"labels":[],"label_agreement":null},{"id":"W1552990945","doi":"10.33137/q.i..v25i2.9163","title":"Il « principio, mezzo e fine » del poema eroico: un problema di poetica cinquecentesca","year":2004,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03194438685100947,"score_gpt":0.24230163095252297,"score_spread":0.2103572441015135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552990945","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05264119,0.0076583703,0.0057968087,0.025733687,0.0050457204,0.002743423,0.004565775,0.0013692973,0.8944457],"genre_scores_gemma":[0.8640717,0.00020797594,0.0012575669,0.0010879684,0.0023204822,0.000078370154,0.00037250062,0.00017648052,0.13042696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99427396,0.0002354363,0.0015543393,0.0012877143,0.0010140544,0.001634478],"domain_scores_gemma":[0.9969519,0.00026049698,0.0004441014,0.0010328491,0.00040049935,0.0009101737],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035715994,0.0010526493,0.0011678042,0.00026108613,0.0017026617,0.00087813917,0.0008952124,0.0003642881,0.050797407],"category_scores_gemma":[0.00033647905,0.0009345433,0.0006425121,0.00030960835,0.0010370758,0.0005554963,0.00027599657,0.00085123064,0.011870922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024581942,0.0034147701,0.00033494277,0.0008285554,0.0007726647,0.0008058947,0.017393928,0.00011616774,0.00041942042,0.9463686,0.02688432,0.002414912],"study_design_scores_gemma":[0.0012594354,0.0012039306,0.00039539736,0.00059282454,0.0007735552,0.000070412214,0.0010883067,0.00039507684,0.0003594059,0.016335055,0.9761139,0.0014126576],"about_ca_topic_score_codex":0.001266401,"about_ca_topic_score_gemma":0.00033659735,"teacher_disagreement_score":0.9492296,"about_ca_system_score_codex":0.00050349964,"about_ca_system_score_gemma":0.00035843888,"threshold_uncertainty_score":0.999597},"labels":[],"label_agreement":null},{"id":"W1554955457","doi":"10.7202/801243ar","title":"Harry Potter au collège. Frédéric Julien, Lettre à mes étudiants; apprendre à lire et donner à voir, Longueuil, Les Presses Philosophiques, 2002.","year":2003,"lang":"fr","type":"article","venue":"Horizons philosophiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.07696074920384735,"score_gpt":0.2812100580269242,"score_spread":0.20424930882307687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554955457","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010340572,0.3244391,0.00021220706,0.1286616,0.0052363155,0.0012512053,0.0027140155,0.0009195002,0.5262255],"genre_scores_gemma":[0.8506739,0.018328177,0.00085697137,0.006264117,0.021678718,0.00035614127,0.00058038125,0.00040589218,0.100855686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99232525,0.0015780039,0.0016293197,0.0017695786,0.0009530869,0.0017447849],"domain_scores_gemma":[0.99584997,0.0006113153,0.0006504247,0.0013771375,0.00067118666,0.0008399729],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006762025,0.0016668733,0.0016861075,0.0007091774,0.0023715082,0.00089609605,0.0010045487,0.00085910666,0.014610965],"category_scores_gemma":[0.0003519056,0.0015290852,0.0010046955,0.0005169135,0.0020305333,0.002650922,0.00026825996,0.0016174457,0.0014006058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010265354,0.0016436108,0.0008640713,0.0006553439,0.0006741734,0.00045181403,0.0071739103,0.000026985726,0.00011126622,0.5227996,0.46392527,0.0015712468],"study_design_scores_gemma":[0.00086552126,0.0009031883,0.00015127199,0.00092633674,0.000706607,0.00008372777,0.0006681312,0.000022085605,0.0004472956,0.062234085,0.93119407,0.0017976693],"about_ca_topic_score_codex":0.0030311663,"about_ca_topic_score_gemma":0.0015578766,"teacher_disagreement_score":0.84033334,"about_ca_system_score_codex":0.00059662934,"about_ca_system_score_gemma":0.00048896525,"threshold_uncertainty_score":0.9996078},"labels":[],"label_agreement":null},{"id":"W1556093946","doi":"10.7202/018570ar","title":"Le Premier livre de Gaspar de Saillans : correspondance familière, livre de famille ou bréviaire ?","year":2008,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.027835421083616866,"score_gpt":0.23048102484022345,"score_spread":0.2026456037566066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556093946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5018568,0.12526357,0.0013367372,0.0041931826,0.0017048296,0.00034402538,0.00050862745,0.0002754358,0.36451682],"genre_scores_gemma":[0.58638823,0.004882274,0.0005685309,0.0009061786,0.0012941008,0.000030132218,0.000014757064,0.000039311442,0.40587652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975313,0.00026555965,0.00041491253,0.0004991432,0.00030349052,0.0009855732],"domain_scores_gemma":[0.9986593,0.00019982966,0.00014386358,0.00046141332,0.00013221362,0.00040334565],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025851902,0.00036882746,0.00041011238,0.000097493124,0.0014924313,0.000097530676,0.00050901744,0.0002110957,0.002269505],"category_scores_gemma":[0.000107772765,0.0003773936,0.00025178143,0.00019935658,0.0007511047,0.0003858836,0.00008281734,0.00045523923,0.000587109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036484306,0.0014759331,0.026203753,0.0005944121,0.00025378115,0.0021444838,0.22513396,0.00065701694,0.0015717774,0.30840337,0.41859153,0.01460514],"study_design_scores_gemma":[0.00023405203,0.00023981009,0.004405424,0.00025942613,0.00007521732,0.00020504849,0.0016352256,0.000895721,0.00027854118,0.0010621655,0.9902104,0.0004989571],"about_ca_topic_score_codex":0.00876403,"about_ca_topic_score_gemma":0.0012932856,"teacher_disagreement_score":0.5716189,"about_ca_system_score_codex":0.00045322836,"about_ca_system_score_gemma":0.0006561597,"threshold_uncertainty_score":0.9998678},"labels":[],"label_agreement":null},{"id":"W1556147287","doi":"","title":"Newfoundland grotesque. Du ventre de la baleine de Michael Crummey, traduit de l’anglais par Lori Saint-Martin et Paul Gagné, Éditions du Boréal, 448 p.Du ventre de la baleine de Michael Crummey, traduit de l’anglais par Lori Saint-Martin et Paul Gagné, Éditions du Boréal, 448 p.","year":2014,"lang":"fr","type":"article","venue":"Spirale : arts • lettres • sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.017118847985650387,"score_gpt":0.25437768710910014,"score_spread":0.23725883912344975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556147287","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7430038,0.012514196,0.0038958269,0.20554757,0.0015194342,0.0010660612,0.0028221488,0.0006709938,0.028959995],"genre_scores_gemma":[0.9621443,0.0030471866,0.0019580426,0.013643569,0.008878037,0.00042314694,0.0007779655,0.00022140898,0.0089063225],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9875722,0.003217158,0.0019524179,0.0018969668,0.0011963276,0.004164908],"domain_scores_gemma":[0.99237466,0.003248592,0.0009835269,0.0010778045,0.00042278628,0.0018926109],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0061505223,0.0016385496,0.0015843956,0.00097506325,0.0074584503,0.0028726952,0.0018472509,0.00071575824,0.0058064014],"category_scores_gemma":[0.002242308,0.0015834185,0.0012389304,0.0011152031,0.0067094946,0.0020876504,0.00037427046,0.0015420555,0.00022550403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019897224,0.002665983,0.16645011,0.00047434913,0.00034290133,0.0016276157,0.01252634,0.0015805123,0.0014544284,0.2164818,0.59548163,0.0007153327],"study_design_scores_gemma":[0.0021946651,0.0012181678,0.014435817,0.0009301083,0.00078588567,0.0009013304,0.0021814122,0.0069856457,0.00035061094,0.03150602,0.9367037,0.0018066594],"about_ca_topic_score_codex":0.04468605,"about_ca_topic_score_gemma":0.032330886,"teacher_disagreement_score":0.34122202,"about_ca_system_score_codex":0.0024489868,"about_ca_system_score_gemma":0.0016093461,"threshold_uncertainty_score":0.9996362},"labels":[],"label_agreement":null},{"id":"W1556582338","doi":"10.25071/0843-4182.28867","title":"Les avatars de la figure paternelle: cinq romans franco-antillais récents","year":2004,"lang":"fr","type":"article","venue":"LittéRéalité","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art; Humanities","score_opus":0.018885938888747577,"score_gpt":0.2445919135135308,"score_spread":0.22570597462478323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556582338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6088587,0.055473533,0.00026389546,0.0052504917,0.0029475424,0.00024492136,0.0009909056,0.00023447716,0.32573554],"genre_scores_gemma":[0.74399817,0.0009255039,0.00014835701,0.00079214433,0.00231744,0.00001462458,0.00008608555,0.000050348935,0.2516673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976025,0.00029899002,0.0005557175,0.0004968712,0.00033149528,0.00071442727],"domain_scores_gemma":[0.9988928,0.0001511001,0.00014407905,0.0004265817,0.000084439205,0.00030100805],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027263223,0.00043047188,0.00047241632,0.000115672425,0.000827374,0.00035244707,0.00038234837,0.00033637643,0.010682635],"category_scores_gemma":[0.000042489195,0.00038679523,0.0003881172,0.0001459442,0.00064967154,0.00039256626,0.00007718564,0.0005308722,0.0009069646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008750023,0.0011540782,0.007674551,0.00065167085,0.0004064448,0.00072545506,0.11406313,0.00024421207,0.000086156106,0.8208278,0.034264136,0.01981488],"study_design_scores_gemma":[0.00072444417,0.00015138397,0.0035057678,0.0003908177,0.00016225001,0.000030245226,0.0012588778,0.000025176827,0.00020975796,0.013912209,0.9791424,0.00048664358],"about_ca_topic_score_codex":0.050919443,"about_ca_topic_score_gemma":0.00073683227,"teacher_disagreement_score":0.9448783,"about_ca_system_score_codex":0.000274368,"about_ca_system_score_gemma":0.000098535995,"threshold_uncertainty_score":0.99987096},"labels":[],"label_agreement":null},{"id":"W1556772073","doi":"10.7202/1011519ar","title":"L’instant cosmogonique et le récit philosophique","year":2012,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.04831972958831407,"score_gpt":0.2614168831168134,"score_spread":0.2130971535284993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556772073","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012787974,0.12261315,0.000057274734,0.053275518,0.002283625,0.00026667828,0.00047655732,0.0002236645,0.8080156],"genre_scores_gemma":[0.83439034,0.0012620039,0.00015228466,0.004522462,0.0051273326,0.000042722695,0.00006395912,0.00005796399,0.15438093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977098,0.00030396323,0.00054010446,0.00034601864,0.00030526787,0.0007948416],"domain_scores_gemma":[0.99874717,0.00021275236,0.00016146523,0.00038037455,0.00011400414,0.0003842473],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043513963,0.00041973608,0.0004758823,0.00013634504,0.000726928,0.0002527655,0.00030630984,0.0001978603,0.0035864376],"category_scores_gemma":[0.000057866393,0.00037368454,0.00034948546,0.00011628646,0.00063491485,0.001423605,0.00012200769,0.00046669002,0.00047186232],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039323197,0.00114619,0.00025033506,0.00021307141,0.0001766548,0.000029099421,0.011281742,0.000004468799,0.00005649779,0.94382346,0.04072307,0.0022560712],"study_design_scores_gemma":[0.000280274,0.00016586004,0.00046079705,0.00020767184,0.00010047121,0.000024130984,0.00076125865,0.000014938532,0.00013841607,0.01680492,0.9805397,0.00050156156],"about_ca_topic_score_codex":0.0041971565,"about_ca_topic_score_gemma":0.00069343497,"teacher_disagreement_score":0.93981665,"about_ca_system_score_codex":0.0001769897,"about_ca_system_score_gemma":0.00016903815,"threshold_uncertainty_score":0.9998715},"labels":[],"label_agreement":null},{"id":"W1558683209","doi":"","title":"De la réflexion à l’oeuvre : une analyse des dossiers scénarique et scriptique du Passager de Gilbert La Rocque","year":2002,"lang":"fr","type":"article","venue":"Studies in Canadian Literature","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Humanities; Philosophy","score_opus":0.023925992913890092,"score_gpt":0.2745867715170374,"score_spread":0.25066077860314734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558683209","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02207104,0.48621488,0.000032050702,0.052529346,0.0016799059,0.00030465258,0.00087609916,0.000078663,0.43621337],"genre_scores_gemma":[0.7271858,0.013510715,0.00053644495,0.0074410713,0.0016909976,0.00006506199,0.0000639939,0.00006329228,0.24944265],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99624354,0.0013963145,0.00049103895,0.000518748,0.00017942197,0.0011709422],"domain_scores_gemma":[0.99809915,0.00051344134,0.00010891397,0.00032168205,0.00022402697,0.000732784],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00094808405,0.0005203211,0.0006040136,0.00059379207,0.0011265675,0.00089958956,0.0003048728,0.00054358295,0.0012120239],"category_scores_gemma":[0.00038190233,0.0004797609,0.0002816929,0.00072399655,0.0017885742,0.00073188,0.00005626518,0.001368497,0.000032538846],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026359085,0.00014566082,0.004551444,0.0005224725,0.0004391899,0.0034489036,0.48695752,0.00017652755,0.0000067490946,0.21512912,0.28509042,0.003505645],"study_design_scores_gemma":[0.00032263322,0.00009356818,0.00095818966,0.0015714491,0.00013266904,0.00014532542,0.0059244144,0.0004497878,0.0000041419416,0.011400362,0.9784707,0.00052677275],"about_ca_topic_score_codex":0.5105264,"about_ca_topic_score_gemma":0.8232357,"teacher_disagreement_score":0.7051147,"about_ca_system_score_codex":0.00310933,"about_ca_system_score_gemma":0.00048251642,"threshold_uncertainty_score":0.9997654},"labels":[],"label_agreement":null},{"id":"W1560319248","doi":"10.4000/ceroart.3445","title":"Exposition et conservation de Tolstoï et les poules, une œuvre d’Oleg Kulik","year":2013,"lang":"fr","type":"article","venue":"CeROArt","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy","score_opus":0.032940971036372085,"score_gpt":0.2441063390852694,"score_spread":0.21116536804889732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560319248","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37567663,0.012699257,0.001087812,0.21344417,0.001980171,0.00044724697,0.00025023436,0.00019699115,0.3942175],"genre_scores_gemma":[0.6340742,0.0003260391,0.0004245334,0.012102357,0.001047995,0.000103762715,0.00035339035,0.000033381464,0.3515343],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874747,0.00026644592,0.00030776203,0.00023528324,0.00015282206,0.00029020832],"domain_scores_gemma":[0.99929714,0.00013268704,0.00010986104,0.00018869055,0.00014159919,0.00013004444],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017497959,0.00019938267,0.00021526015,0.000069854614,0.0004838525,0.00032630397,0.00011608916,0.0001457648,0.009161793],"category_scores_gemma":[0.000026801139,0.00019055711,0.00013227826,0.00007700874,0.00025040764,0.00084053166,0.000029590674,0.00022545764,0.0011476531],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012698876,0.00018931259,0.00046228955,0.00008140728,0.000038568218,0.000008646537,0.013912486,0.000012393065,0.0003808214,0.602317,0.3765116,0.0060728043],"study_design_scores_gemma":[0.00021872472,0.00014108137,0.0031800133,0.00015482417,0.000067823334,0.000010099431,0.0017365186,0.0004338392,0.000088523004,0.009730016,0.983997,0.00024152653],"about_ca_topic_score_codex":0.024800438,"about_ca_topic_score_gemma":0.0011810272,"teacher_disagreement_score":0.6074854,"about_ca_system_score_codex":0.00011798421,"about_ca_system_score_gemma":0.00007898739,"threshold_uncertainty_score":0.9996301},"labels":[],"label_agreement":null},{"id":"W1560362955","doi":"10.7202/1024945ar","title":"DUNN, Katherine, Un amour de monstres. Paris, F1RST, 1990","year":2013,"lang":"fr","type":"article","venue":"Frontières","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.010763206429449957,"score_gpt":0.19699136349798374,"score_spread":0.1862281570685338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560362955","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1340426,0.24796812,0.0006173842,0.016512696,0.005566264,0.00053694384,0.0005118988,0.00032528787,0.5939188],"genre_scores_gemma":[0.3981715,0.001686541,0.001065565,0.0008028928,0.0043406463,0.000061801395,0.000054059863,0.00005101327,0.593766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982576,0.00014915246,0.00041469416,0.00034137155,0.00020818216,0.00062904035],"domain_scores_gemma":[0.99909097,0.00008998676,0.0001214907,0.00032647987,0.0000960798,0.0002749827],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009833925,0.00032377968,0.00039022265,0.000093590505,0.00060641667,0.00043075852,0.0002696182,0.00015113084,0.047969487],"category_scores_gemma":[0.00002700484,0.0002795924,0.00027162718,0.00006975674,0.00043877558,0.00059017865,0.000077316254,0.00031021546,0.0034070208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014135548,0.00036078267,0.005008442,0.00009784467,0.00020835019,0.000047928843,0.011781548,0.000021273509,0.00003929079,0.09715,0.86025757,0.025012847],"study_design_scores_gemma":[0.00022996817,0.00009980698,0.00473291,0.00008190297,0.00012422587,0.0000075330904,0.00086411904,0.0006086372,0.00007444597,0.0054110526,0.9873905,0.00037490594],"about_ca_topic_score_codex":0.047958445,"about_ca_topic_score_gemma":0.0010995814,"teacher_disagreement_score":0.26412892,"about_ca_system_score_codex":0.00010478255,"about_ca_system_score_gemma":0.000047230533,"threshold_uncertainty_score":0.9999656},"labels":[],"label_agreement":null},{"id":"W1562210563","doi":"","title":"Where Do Stories Begin and End? the Example of Marc Petit","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Adventure; HERO; Enlightenment; Literature; Art; History; Art history; Philosophy; Theology","score_opus":0.0462546332784149,"score_gpt":0.26680281301935355,"score_spread":0.22054817974093865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562210563","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024190783,0.4099035,0.00013172084,0.0092294505,0.0021788857,0.0002515584,0.00007691606,0.00003931535,0.5757696],"genre_scores_gemma":[0.6329153,0.17917651,0.00013264499,0.0017282121,0.0010131266,0.000071980554,0.00004361589,0.000019421088,0.18489918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949354,0.000055648117,0.00017881657,0.000087040644,0.0001412014,0.000043775097],"domain_scores_gemma":[0.9996477,0.00007187583,0.0000762347,0.00008121151,0.00010627291,0.000016740676],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001549305,0.00005584657,0.0001045806,0.000023853769,0.000104742685,0.000039315368,0.00007710208,0.000009297857,0.013709391],"category_scores_gemma":[0.00004798595,0.000034424636,0.000057533816,0.00002515849,0.000082395505,0.00012522306,0.000010481048,0.000053751657,0.000024414023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024922942,0.000023618977,0.00021344473,0.00023248213,0.00003958079,6.5975524e-7,0.0016563432,6.631096e-7,0.0000049997857,0.9105653,0.08226678,0.0049936026],"study_design_scores_gemma":[0.00003667804,0.000014721562,0.00006380938,0.00031721577,0.000023292429,0.000004471489,0.000108681954,0.000002960408,0.0000046428386,0.0005300453,0.99885327,0.000040193332],"about_ca_topic_score_codex":0.0003386279,"about_ca_topic_score_gemma":0.000087246925,"teacher_disagreement_score":0.9165865,"about_ca_system_score_codex":0.000016500206,"about_ca_system_score_gemma":0.000008838752,"threshold_uncertainty_score":0.9871922},"labels":[],"label_agreement":null},{"id":"W1566527359","doi":"","title":"Vernay's Panorama du Roman Australien","year":2010,"lang":"de","type":"article","venue":"Postcolonial text","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Panorama; Geology; Art; Visual arts","score_opus":0.016306943812383907,"score_gpt":0.23777576590086844,"score_spread":0.22146882208848453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566527359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87433046,0.0013527138,0.0000027590056,0.008871572,0.014162678,0.00031431997,0.0003133775,0.00018057533,0.10047156],"genre_scores_gemma":[0.8854719,0.00005474086,0.000051464245,0.0007999131,0.013278349,0.000015404428,0.0000779827,0.000040309522,0.10020995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979373,0.00010090834,0.0005039396,0.0004900777,0.00035089022,0.000616842],"domain_scores_gemma":[0.9987588,0.00014442853,0.00018846565,0.00043847383,0.0001428552,0.00032697045],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001868855,0.00038570762,0.0004676294,0.000122739,0.0010404877,0.0006598459,0.00050703256,0.00025593114,0.038050544],"category_scores_gemma":[0.00009223858,0.00033606362,0.00033436983,0.0001078008,0.00049637514,0.00040037467,0.00012822945,0.0007939101,0.011618701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003714653,0.0014022171,0.0060883756,0.00014010821,0.0005976386,0.00050974154,0.05515517,0.000003741173,0.0025498169,0.60415846,0.31921053,0.009812729],"study_design_scores_gemma":[0.00046740918,0.0003978412,0.0029874637,0.00002532095,0.00027978153,0.000007781841,0.0001537656,0.000050071958,0.00009267408,0.00083962915,0.99422675,0.0004715035],"about_ca_topic_score_codex":0.0035255917,"about_ca_topic_score_gemma":0.0014296594,"teacher_disagreement_score":0.6750162,"about_ca_system_score_codex":0.00006327935,"about_ca_system_score_gemma":0.00008943082,"threshold_uncertainty_score":0.99990916},"labels":[],"label_agreement":null},{"id":"W1570156865","doi":"","title":"Carlotta sous les projecteurs","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy","score_opus":0.022318564814320863,"score_gpt":0.17238947868901067,"score_spread":0.1500709138746898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570156865","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07904137,0.5228132,0.00011214475,0.048433486,0.0021744429,0.00026495516,0.00032317484,0.00024488193,0.34659234],"genre_scores_gemma":[0.0616483,0.0033225862,0.000112169386,0.00026077923,0.0012233176,0.000003696673,0.00004217115,0.000034843168,0.9333521],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856704,0.00015133648,0.00019035647,0.0003296598,0.0002809482,0.00048063762],"domain_scores_gemma":[0.998949,0.000059111087,0.00012017756,0.0002790337,0.00018236015,0.00041032225],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014320301,0.00026666588,0.00031430973,0.00016372632,0.0010996846,0.000071618895,0.00028722244,0.00015915402,0.0011831219],"category_scores_gemma":[0.000020615682,0.00027418096,0.0002268757,0.00014101095,0.00032952812,0.00037567315,0.00016354985,0.0002574347,0.00068275677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108495944,0.0001676122,0.00025546743,0.000054963468,0.00014946001,0.0019024854,0.020044932,0.00007033914,0.000009769222,0.2892009,0.66173244,0.026303135],"study_design_scores_gemma":[0.00056862336,0.00025060022,0.000032089105,0.000049661096,0.00027111184,0.00015613469,0.0066699698,0.00025545797,0.000013734272,0.00093267276,0.9904504,0.00034958322],"about_ca_topic_score_codex":0.12690434,"about_ca_topic_score_gemma":0.10161617,"teacher_disagreement_score":0.5867598,"about_ca_system_score_codex":0.005183245,"about_ca_system_score_gemma":0.00009123169,"threshold_uncertainty_score":0.99997103},"labels":[],"label_agreement":null},{"id":"W1571292861","doi":"","title":"Comédie dramatique sur fond de glace. La guerre des tuques, texte et mise en scène de Fabien Cloutier, présenté au mnbaq du 7 févr. au 3 mars 2013La guerre des tuques, texte et mise en scène de Fabien Cloutier, présenté au mnbaq du 7 févr. au 3 mars 2013","year":2013,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013099647152793362,"score_gpt":0.24416209704379366,"score_spread":0.2310624498910003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571292861","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7855125,0.02594677,0.0012610407,0.022941872,0.0051135384,0.0036769328,0.0021125556,0.0010748482,0.15235992],"genre_scores_gemma":[0.5193305,0.0055307252,0.005673553,0.004287141,0.006486751,0.0007951859,0.0009677307,0.00065657945,0.45627186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98424834,0.005297275,0.0025946335,0.0020483977,0.0012331501,0.0045782225],"domain_scores_gemma":[0.9905999,0.003175986,0.0010704627,0.001816475,0.00081135955,0.002525833],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003476775,0.0024049657,0.002418166,0.0007342691,0.0031645864,0.001854143,0.0022559976,0.0015345498,0.0052009677],"category_scores_gemma":[0.0011561478,0.002248292,0.0014238345,0.0006643537,0.0035377003,0.0037286903,0.0010814035,0.002360848,0.0013418351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009917092,0.0041573523,0.06691917,0.0032209018,0.0018978161,0.0009133424,0.36792743,0.00063186366,0.00065712695,0.07357871,0.437114,0.04199057],"study_design_scores_gemma":[0.0031598385,0.00093409227,0.021611603,0.0022537264,0.0009920608,0.0004995555,0.008453059,0.003380105,0.0002672662,0.023107082,0.93251675,0.0028248483],"about_ca_topic_score_codex":0.29640284,"about_ca_topic_score_gemma":0.053876866,"teacher_disagreement_score":0.49540275,"about_ca_system_score_codex":0.005648014,"about_ca_system_score_gemma":0.004237415,"threshold_uncertainty_score":0.99994075},"labels":[],"label_agreement":null},{"id":"W1573922047","doi":"10.3138/tric.31.1.93","title":"Louise Forsyth, ed. <i>Anthology of Quebec Women’s Plays in English Translation Volume 1(1966-1986)</i><i>Anthology of Quebec Women’s Plays in English Translation Volume II (1987-2003)</i>%","year":2010,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Volume (thermodynamics); Translation (biology); History; Gerontology; Medicine; Physics; Chemistry; Thermodynamics","score_opus":0.02956820444891582,"score_gpt":0.2611792700121811,"score_spread":0.2316110655632653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1573922047","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97448736,0.00088576705,0.000007613299,0.00067547365,0.0010473569,0.00064017903,0.0005013993,0.00003681527,0.021718027],"genre_scores_gemma":[0.9950575,0.00011299649,0.00006500315,0.00008321801,0.0005562629,0.00026449346,0.0001336989,0.000047846148,0.003678945],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947164,0.0009459841,0.001372038,0.0006508458,0.0008888138,0.0014258905],"domain_scores_gemma":[0.9977767,0.00061607873,0.00020921009,0.00055358093,0.0005427243,0.0003017056],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023863725,0.00037466403,0.0010109253,0.0012501627,0.00025370443,0.000051095543,0.0006135804,0.00030659826,0.0031406593],"category_scores_gemma":[0.00015183415,0.00036675966,0.0001013624,0.00090699445,0.0008532603,0.0006509623,0.000070721966,0.0016089334,0.0000064739756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025651772,0.0016207937,0.039843198,0.001117002,0.00014720485,0.0004010931,0.83641964,0.00091955747,0.003923914,0.008037133,0.020717839,0.08428743],"study_design_scores_gemma":[0.0026835569,0.0006575757,0.0022019518,0.00018764457,0.000019572972,0.000005808066,0.031321555,0.0011443789,0.00035268243,0.001301974,0.9594925,0.0006307934],"about_ca_topic_score_codex":0.9766128,"about_ca_topic_score_gemma":0.9991909,"teacher_disagreement_score":0.93877465,"about_ca_system_score_codex":0.0021063976,"about_ca_system_score_gemma":0.0033529468,"threshold_uncertainty_score":0.9998784},"labels":[],"label_agreement":null},{"id":"W1573963281","doi":"10.7202/041550ar","title":"MAURIN, Frédéric (dir.), Peter Sellars, CNRS Éditions, Paris, 2003, 450 p. (Coll. « Arts du spectacle / Les voies de la création théâtrale »)","year":2003,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Spectacle; Humanities; Political science","score_opus":0.01560156445842043,"score_gpt":0.2279899178780434,"score_spread":0.21238835341962298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1573963281","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07148648,0.07506225,0.0004937059,0.022741525,0.0042746477,0.0018814189,0.0017661903,0.0011167137,0.82117707],"genre_scores_gemma":[0.49300537,0.027305854,0.0015785138,0.0009586918,0.0034726637,0.00025525969,0.000404868,0.00030406588,0.47271472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925584,0.0015633848,0.0017269708,0.0014618904,0.0007789468,0.0019104093],"domain_scores_gemma":[0.99580085,0.00096471555,0.0006997255,0.001053181,0.0006382079,0.00084334536],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0010836134,0.0014748886,0.0014526169,0.000576648,0.0032933154,0.0011773758,0.00084814505,0.00084602495,0.0077263294],"category_scores_gemma":[0.00059134327,0.0015023975,0.0010572316,0.00080319657,0.0022958962,0.0018788059,0.00011303254,0.001449885,0.00051059073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012519052,0.001478059,0.0013085118,0.00083631725,0.00047213808,0.0005033635,0.010185206,0.00044226955,0.00014458115,0.51328546,0.47016242,0.0010564871],"study_design_scores_gemma":[0.0004829397,0.00046871565,0.0016722011,0.00094243174,0.0009245527,0.0004442735,0.0014343712,0.00022121532,0.00042995773,0.0037786372,0.9874343,0.0017663577],"about_ca_topic_score_codex":0.0037587676,"about_ca_topic_score_gemma":0.013794619,"teacher_disagreement_score":0.51727194,"about_ca_system_score_codex":0.00078999676,"about_ca_system_score_gemma":0.00077882526,"threshold_uncertainty_score":0.9998595},"labels":[],"label_agreement":null},{"id":"W1575900540","doi":"10.4000/ahrf.8083","title":"Lumières et Illustración en Espagne sous les règnes de Charles III et de Charles IV (1759-1808) ; La crise de l’Ancien Régime et l’avènement du libéralisme en Espagne (1808-1833)","year":2006,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art; Humanities","score_opus":0.01322613284430925,"score_gpt":0.2482691523260124,"score_spread":0.23504301948170314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575900540","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36198676,0.49085993,0.0070384103,0.030920502,0.0017496968,0.0009091008,0.0016794964,0.0012340111,0.10362209],"genre_scores_gemma":[0.83629346,0.03511447,0.0021118463,0.002712572,0.0042975866,0.00026118523,0.00044886325,0.00019883957,0.11856118],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99168175,0.0036728191,0.0012697735,0.001014069,0.00072269444,0.0016389112],"domain_scores_gemma":[0.9962975,0.0014132329,0.00059855176,0.0006393211,0.00042919265,0.00062224275],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032186143,0.0010797101,0.0010850733,0.000595745,0.0014790193,0.00065623707,0.00081857556,0.0009281861,0.0018369401],"category_scores_gemma":[0.00035408555,0.0011282682,0.0007872319,0.00027303933,0.0015216585,0.0014202612,0.00022335503,0.0013419227,0.00014103527],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047176224,0.002102865,0.0047800047,0.0006409244,0.00027689457,0.0006669937,0.1504472,0.0014725815,0.001596257,0.28084818,0.55379295,0.0029034],"study_design_scores_gemma":[0.0011398705,0.00040796452,0.0066549657,0.00050721335,0.000467891,0.00020052721,0.0013924242,0.0013477411,0.00026253657,0.004904342,0.98146385,0.0012506944],"about_ca_topic_score_codex":0.062877566,"about_ca_topic_score_gemma":0.018751388,"teacher_disagreement_score":0.4743067,"about_ca_system_score_codex":0.0021984403,"about_ca_system_score_gemma":0.000907833,"threshold_uncertainty_score":0.99982095},"labels":[],"label_agreement":null},{"id":"W1576636091","doi":"10.7202/009606ar","title":"LA FONTAINE, Louis-Hippolyte, Correspondance générale, Tome II : Au Nom de la loi : Lettres de Louis-Hippolyte La Fontaine à divers correspondants, 1829-1847 (Montréal, Les Éditions Varia, coll. « Documents et Biographies », 2003), 466 p.","year":2004,"lang":"fr","type":"article","venue":"Revue d histoire de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0078032222591365025,"score_gpt":0.2179286736117469,"score_spread":0.2101254513526104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1576636091","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21081726,0.42846757,0.010130783,0.043655444,0.009040439,0.0031174817,0.014861273,0.0016300255,0.27827972],"genre_scores_gemma":[0.5433226,0.011204309,0.0015276275,0.0016380405,0.0017946056,0.00037523918,0.00060647825,0.00025519225,0.4392759],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927491,0.0021467574,0.0013648014,0.0012429605,0.0006229454,0.0018734446],"domain_scores_gemma":[0.995295,0.0014536185,0.0007320939,0.0010043805,0.00050425006,0.0010106431],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001468292,0.0012500797,0.0014434143,0.0013404222,0.0052886973,0.0008645613,0.0010816657,0.0009867074,0.0020104204],"category_scores_gemma":[0.00072438485,0.0014255882,0.00093517615,0.0015083962,0.0039774827,0.0012989518,0.00033160736,0.001883465,0.00015857273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023270138,0.004186223,0.007202987,0.0013131049,0.0008320862,0.0077534295,0.1296434,0.002499978,0.0007991966,0.24362959,0.5862369,0.013576103],"study_design_scores_gemma":[0.002821861,0.0007064184,0.0035637591,0.0018337243,0.00060554524,0.00064370735,0.0024652143,0.00026454366,0.00005265101,0.0029858933,0.9825174,0.0015392384],"about_ca_topic_score_codex":0.20453319,"about_ca_topic_score_gemma":0.091789365,"teacher_disagreement_score":0.41726327,"about_ca_system_score_codex":0.0027042292,"about_ca_system_score_gemma":0.001775004,"threshold_uncertainty_score":0.9989019},"labels":[],"label_agreement":null},{"id":"W1578061505","doi":"10.7202/1015111ar","title":"Décrire les « Sauvages » : réflexion sur les manières de désigner les autochtones dans le latin des Relations 1","year":2013,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.06408059521129335,"score_gpt":0.24316663327919208,"score_spread":0.17908603806789875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578061505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62404215,0.090303674,0.0050322227,0.010212561,0.0006473806,0.00045752045,0.00023483367,0.00035678514,0.26871288],"genre_scores_gemma":[0.63754094,0.00062310597,0.0008412865,0.00006814505,0.0005879999,0.00005784735,0.000024797135,0.00002900102,0.36022687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981769,0.00028556958,0.00043501286,0.00037026787,0.000230587,0.0005017118],"domain_scores_gemma":[0.9988643,0.00031695937,0.00014871237,0.0002757069,0.00022500305,0.00016934467],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016239383,0.00032215263,0.00029811444,0.00011813788,0.0026709537,0.00032902215,0.00030433224,0.00018317813,0.014623306],"category_scores_gemma":[0.00010679207,0.0002840388,0.00018965986,0.00013528265,0.0012398085,0.0010250926,0.00007505026,0.00029777313,0.0006033028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018532111,0.00038958786,0.0148051055,0.00032849814,0.00012866678,0.00003948186,0.064073786,0.00033651246,0.0029858558,0.7961689,0.03986253,0.08086251],"study_design_scores_gemma":[0.00016329993,0.00016009634,0.033192303,0.000431269,0.00016454319,0.000012746738,0.009552334,0.001618032,0.0005997233,0.021055117,0.93247604,0.0005744639],"about_ca_topic_score_codex":0.15335542,"about_ca_topic_score_gemma":0.0137308305,"teacher_disagreement_score":0.89261353,"about_ca_system_score_codex":0.00019484649,"about_ca_system_score_gemma":0.00011146418,"threshold_uncertainty_score":0.9999612},"labels":[],"label_agreement":null},{"id":"W1578587866","doi":"","title":"Éloge du voyage. Journal de France de Claudine Nougaret et Raymond Depardon, France, 2012, 100 minJournal de France de Claudine Nougaret et Raymond Depardon, France, 2012, 100 min","year":2013,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.011193588115158165,"score_gpt":0.2366660241842318,"score_spread":0.22547243606907363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578587866","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42341787,0.50580233,0.008021026,0.035126626,0.0043592933,0.00094949047,0.0013045196,0.00027904075,0.020739846],"genre_scores_gemma":[0.24056943,0.04816703,0.008229656,0.020687569,0.015755745,0.00033313828,0.00027095122,0.00047605773,0.6655104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898507,0.0015380003,0.0024833458,0.0014004441,0.0012404915,0.0034869893],"domain_scores_gemma":[0.9934021,0.0008813203,0.0014807791,0.0011272348,0.0011337851,0.0019747468],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.002491925,0.0017489082,0.0022488553,0.00069045136,0.0030526654,0.0015699835,0.0018173193,0.0011535829,0.03126838],"category_scores_gemma":[0.00047667153,0.001640477,0.0013608551,0.0006159562,0.00155291,0.002823073,0.00028680422,0.003776918,0.0012592293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003181264,0.0013378323,0.057203546,0.0005329076,0.00085772685,0.001108889,0.018576095,0.0010907905,0.0009749497,0.0039681774,0.9079325,0.006098424],"study_design_scores_gemma":[0.0033334426,0.0006453491,0.028362991,0.0013105555,0.0005780467,0.0014789116,0.00089919835,0.001616493,0.0004514157,0.0024598078,0.9569715,0.0018922851],"about_ca_topic_score_codex":0.00449327,"about_ca_topic_score_gemma":0.0012407252,"teacher_disagreement_score":0.64477056,"about_ca_system_score_codex":0.0005724885,"about_ca_system_score_gemma":0.0012021466,"threshold_uncertainty_score":0.99952567},"labels":[],"label_agreement":null},{"id":"W1578730933","doi":"10.7202/045382ar","title":"Études théâtrales, n 43, 2008 ; n 44-55, 2009 Jeu : revue de théâtre, n 130 à 132, 2009 Revue d’histoire du théâtre, n 1 à 3, 2009 Théâtre/Public, n 192 à 194, 2009","year":2009,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.02386432337709861,"score_gpt":0.22294599752282457,"score_spread":0.19908167414572597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578730933","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019526023,0.08535543,0.00018216227,0.27625975,0.008973861,0.0043808892,0.009781876,0.0033564516,0.5921836],"genre_scores_gemma":[0.20827898,0.024290314,0.0016803772,0.00865541,0.016444096,0.00044315666,0.0021506655,0.0009423192,0.73711467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97394866,0.0022846048,0.006851791,0.005928828,0.002647841,0.008338302],"domain_scores_gemma":[0.983335,0.0016929626,0.0034192526,0.0050627813,0.0019477957,0.004542199],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0027815567,0.0062204567,0.006641247,0.0027969626,0.0065524806,0.0031093517,0.0063535534,0.003299813,0.006909833],"category_scores_gemma":[0.001134497,0.0064934394,0.0053049624,0.0030976064,0.004048871,0.006857232,0.0007498096,0.0058111246,0.002215017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008872515,0.004763995,0.0004882093,0.0017397073,0.0011149116,0.0038638674,0.0051933243,0.00056682166,0.00035594887,0.46380502,0.5078754,0.0093455855],"study_design_scores_gemma":[0.0017982596,0.002864675,0.001946005,0.005766488,0.002877263,0.002632864,0.0012936953,0.0010004542,0.0002346041,0.0038028834,0.968586,0.00719678],"about_ca_topic_score_codex":0.008126032,"about_ca_topic_score_gemma":0.06873361,"teacher_disagreement_score":0.46071067,"about_ca_system_score_codex":0.0030416076,"about_ca_system_score_gemma":0.002813454,"threshold_uncertainty_score":0.99902254},"labels":[],"label_agreement":null},{"id":"W1579853957","doi":"10.3138/tric.34.1.136","title":"Normand Chaurette <i>Comment tuer Shakespeare</i>","year":2013,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.07363657583001917,"score_gpt":0.27411907654064954,"score_spread":0.20048250071063037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579853957","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04548084,0.00093030906,5.096331e-7,0.03404279,0.00027881077,0.0002810034,0.0000375068,0.000018448958,0.91892976],"genre_scores_gemma":[0.988372,0.000027181728,0.0000051378884,0.0023207995,0.00045252172,0.00005888562,0.000012357892,0.0000120385785,0.008739051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984065,0.00015248405,0.00019244272,0.00017490609,0.00056470494,0.0005089136],"domain_scores_gemma":[0.99931425,0.00018934217,0.000016041462,0.00022131982,0.00007922663,0.00017980539],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027797706,0.00009881527,0.00014926404,0.00012175102,0.00029073245,0.00011924355,0.00025164362,0.000017450828,0.013110285],"category_scores_gemma":[0.0000025379163,0.00007295886,0.000030756943,0.00011726329,0.00012737446,0.0002067434,0.00006227672,0.00036056005,0.00030186315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015095672,0.000059302183,0.0012396781,0.000048195194,0.000024421537,0.00008472061,0.0060919523,0.0000074952777,0.000023760369,0.0047380095,0.9344971,0.05317028],"study_design_scores_gemma":[0.00012289523,0.000032348376,0.00008268259,0.000028217542,0.0000017241351,9.821001e-7,0.0018706715,0.00010653078,0.000022441534,0.0009906302,0.99664074,0.00010015528],"about_ca_topic_score_codex":0.9923938,"about_ca_topic_score_gemma":0.98020166,"teacher_disagreement_score":0.9428912,"about_ca_system_score_codex":0.00060195173,"about_ca_system_score_gemma":0.00043969598,"threshold_uncertainty_score":0.9877919},"labels":[],"label_agreement":null},{"id":"W1584350803","doi":"10.21083/irss.v12i0.644","title":"Alexander Crawford (1785 - 1828)","year":2008,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.10426348459012649,"score_gpt":0.3262701937298128,"score_spread":0.22200670913968631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1584350803","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006435711,0.51041687,0.000018554905,0.0038570843,0.0026571257,0.00016476486,0.00006786446,0.000050425057,0.47633162],"genre_scores_gemma":[0.35650107,0.44340155,0.00019527586,0.005045359,0.0014669532,0.000049670285,0.00004325313,0.00001586228,0.19328101],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999017,0.000025399118,0.00040354498,0.00014136353,0.00031657304,0.00009609342],"domain_scores_gemma":[0.9991609,0.00009844563,0.00014685995,0.00010034155,0.00046464175,0.000028798499],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010957791,0.00010768417,0.00033470333,0.000059293343,0.00016900372,0.000011111477,0.00019698314,0.000011116806,0.0051884605],"category_scores_gemma":[0.00021740499,0.00007785855,0.0001698721,0.000039552117,0.00033029186,0.00023726752,0.00006235378,0.00006449128,0.00012033631],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000100772,0.000116981646,0.00089677476,0.0016698949,0.0006039489,0.000030388584,0.005663812,5.0980475e-7,0.00000887762,0.055332728,0.9285989,0.0070671276],"study_design_scores_gemma":[0.00008858644,0.00003347233,0.00025578038,0.0023149052,0.000037729656,0.000010608866,0.00020846073,0.0000017696831,0.000013540211,0.00060150033,0.99634045,0.00009319987],"about_ca_topic_score_codex":0.00007200614,"about_ca_topic_score_gemma":0.000030381636,"teacher_disagreement_score":0.35006535,"about_ca_system_score_codex":0.00003532494,"about_ca_system_score_gemma":0.000017733766,"threshold_uncertainty_score":0.9957209},"labels":[],"label_agreement":null},{"id":"W1589595202","doi":"10.26522/vp.v10i2.863","title":"Les Don Juan français contemporains : de la crise du héros à celle de l’écriture","year":2013,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014863365780227926,"score_gpt":0.22426881509920876,"score_spread":0.20940544931898084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589595202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37544858,0.06919794,0.0004533927,0.06548153,0.0014787061,0.00053008524,0.0006181888,0.00027782455,0.48651376],"genre_scores_gemma":[0.6982208,0.0010355787,0.00021072997,0.0010143426,0.0021619748,0.00004755308,0.000031165215,0.000044784563,0.29723307],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791455,0.00044392585,0.000433533,0.00036992837,0.0002144118,0.00062364904],"domain_scores_gemma":[0.99854225,0.00054025714,0.000121293655,0.00030404126,0.00014587633,0.0003462679],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028477493,0.0003868953,0.0003752486,0.0001209571,0.0012536633,0.00056606636,0.00032045264,0.0003506556,0.01861138],"category_scores_gemma":[0.00009625786,0.00033587025,0.0003348504,0.000087839544,0.00086411077,0.00045740206,0.000079592675,0.00054771546,0.0007342978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003702824,0.00059672137,0.0023907395,0.00024374909,0.00015476154,0.00014847006,0.22878323,0.000028724322,0.00033058377,0.28359455,0.478467,0.005224433],"study_design_scores_gemma":[0.00042536462,0.00013891576,0.00055377395,0.00015406398,0.00013003843,0.000018572317,0.0075160135,0.0005408965,0.00027334312,0.00493636,0.9848744,0.0004382235],"about_ca_topic_score_codex":0.10899724,"about_ca_topic_score_gemma":0.001392012,"teacher_disagreement_score":0.50640744,"about_ca_system_score_codex":0.00010437,"about_ca_system_score_gemma":0.00011578576,"threshold_uncertainty_score":0.99990934},"labels":[],"label_agreement":null},{"id":"W1592136464","doi":"10.3138/tric.32.1.144","title":"Irène Roy (dir., avec la collaboration de Caroline Garand et Christine borello). <i>Figures du monologue théâtral ou Seul en scène</i>","year":2011,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.047834395618648475,"score_gpt":0.29102795072095394,"score_spread":0.24319355510230548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592136464","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16711375,0.061188456,0.000020552057,0.032577284,0.0011173647,0.0007161675,0.0018492893,0.000060656377,0.73535645],"genre_scores_gemma":[0.9663035,0.0040613804,0.00008775559,0.0003643001,0.0012002001,0.000052089737,0.00012729663,0.000043699543,0.027759776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953303,0.0020219549,0.00051253696,0.00042690808,0.0006916037,0.0010167321],"domain_scores_gemma":[0.9980756,0.00082011375,0.000078148005,0.00037048163,0.00026301085,0.00039261646],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018371836,0.0003025431,0.00044844527,0.00026945324,0.00051579345,0.0001692914,0.00043902308,0.00017177564,0.0020929805],"category_scores_gemma":[0.00005745722,0.00026743714,0.00008333674,0.00041886198,0.00053652585,0.00031971175,0.000096621865,0.001082145,0.000033887216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015056797,0.0011252086,0.010320613,0.0010588072,0.00041731884,0.00561602,0.08061708,0.00068315095,0.00022460685,0.09429821,0.7620771,0.04205621],"study_design_scores_gemma":[0.0005918344,0.0002509954,0.0005759375,0.00022446636,0.000040179635,0.000033044264,0.0027623978,0.0011441213,0.00026977292,0.002149319,0.99165857,0.0002993778],"about_ca_topic_score_codex":0.98704475,"about_ca_topic_score_gemma":0.9925893,"teacher_disagreement_score":0.79918975,"about_ca_system_score_codex":0.0014546677,"about_ca_system_score_gemma":0.004289957,"threshold_uncertainty_score":0.99997777},"labels":[],"label_agreement":null},{"id":"W1592392443","doi":"10.7202/011245ar","title":"Quand la biographie se « dramatise »","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Art; Humanities","score_opus":0.036840169387365805,"score_gpt":0.267939316654148,"score_spread":0.23109914726678218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592392443","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04905793,0.15101571,0.00033730018,0.11764266,0.0022827208,0.00028822143,0.0050881524,0.00035599727,0.6739313],"genre_scores_gemma":[0.13636442,0.0035887938,0.00078642496,0.0011881914,0.0017785367,0.000011473654,0.000043316897,0.000032428445,0.8562064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867654,0.0002289394,0.00031831575,0.00026501104,0.00018216598,0.0003290371],"domain_scores_gemma":[0.9992559,0.00019621642,0.00009003391,0.00023235948,0.000071131515,0.00015433595],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022290807,0.00024636474,0.00026144536,0.00021928159,0.00044375868,0.00051578484,0.00016914171,0.000096993615,0.008693032],"category_scores_gemma":[0.000030397114,0.00021209572,0.0002576838,0.0001387984,0.0007023486,0.0008522759,0.000046022196,0.00027193356,0.0013197954],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024053179,0.00061258295,0.00019667833,0.00016668798,0.00015797473,0.000088508845,0.029249439,0.000013895009,0.00013225384,0.28739792,0.6052205,0.07673952],"study_design_scores_gemma":[0.00025856472,0.00008076657,0.0003768785,0.00011068942,0.00012265382,0.000014014168,0.00033599156,0.000069666996,0.00013948836,0.0016440917,0.99654615,0.00030101708],"about_ca_topic_score_codex":0.0043015066,"about_ca_topic_score_gemma":0.0006249761,"teacher_disagreement_score":0.39132568,"about_ca_system_score_codex":0.000029160514,"about_ca_system_score_gemma":0.000028963223,"threshold_uncertainty_score":0.9994578},"labels":[],"label_agreement":null},{"id":"W1592690958","doi":"","title":"Ombre de Nelligan, masques de Dantin. Yvette Francoli, Le naufragé du vaisseau d’or/Les vies secrètes de Louis Dantin, Del Busso Éditeur, 2013, 448 pagesYvette Francoli, Le naufragé du vaisseau d’or/Les vies secrètes de Louis Dantin, Del Busso Éditeur, 2013, 448 pages","year":2014,"lang":"fr","type":"article","venue":"Les cahiers de lecture de l'Action nationale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège Montmorency","funders":"","keywords":"Art","score_opus":0.014448993872629818,"score_gpt":0.22512369873165577,"score_spread":0.21067470485902595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592690958","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5295309,0.17028955,0.19042632,0.08165801,0.0049858326,0.0024292106,0.0019368328,0.0021612656,0.016582098],"genre_scores_gemma":[0.72437245,0.049911007,0.013879398,0.013533493,0.014687909,0.0006506786,0.0013403042,0.00073196687,0.18089281],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.988253,0.0024641792,0.002212441,0.001982924,0.0015494017,0.0035380342],"domain_scores_gemma":[0.9899472,0.0043788664,0.0015545092,0.0010999119,0.0016652723,0.0013542146],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.00308676,0.002122647,0.0020301358,0.0014174654,0.006808306,0.002111098,0.0016504284,0.0021721444,0.0043629473],"category_scores_gemma":[0.002573251,0.0019871432,0.0013023701,0.0012972765,0.0024374072,0.0022140655,0.00028317477,0.003303241,0.00025619767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015766813,0.0027854189,0.04016077,0.0031594217,0.002550784,0.00074835715,0.04946547,0.0151321115,0.013173037,0.038402643,0.80836564,0.024479635],"study_design_scores_gemma":[0.0020934907,0.0004962937,0.009331439,0.00093870924,0.0009110103,0.00078543386,0.005081133,0.0152836945,0.008587329,0.010871126,0.94325423,0.0023660844],"about_ca_topic_score_codex":0.022320349,"about_ca_topic_score_gemma":0.02733634,"teacher_disagreement_score":0.19484156,"about_ca_system_score_codex":0.0017292834,"about_ca_system_score_gemma":0.0021015482,"threshold_uncertainty_score":0.99915147},"labels":[],"label_agreement":null},{"id":"W1592731693","doi":"","title":"Élégant, mais coincé. Tirez la langue, mademoiselle d’Axelle Ropert, France, 2013, 102 minTirez la langue, mademoiselle d’Axelle Ropert, France, 2013, 102 min","year":2014,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.010064120403354228,"score_gpt":0.20830740432388586,"score_spread":0.19824328392053164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592731693","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019319719,0.2729914,0.00021787162,0.01039138,0.003979962,0.00078323775,0.0010201284,0.0004770531,0.69081926],"genre_scores_gemma":[0.059216335,0.01562979,0.0006412825,0.0022830144,0.0054632034,0.000117933,0.000349533,0.00030470378,0.9159942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99261326,0.0012773634,0.001601972,0.0017104116,0.00097652967,0.0018204463],"domain_scores_gemma":[0.9955624,0.0011680737,0.0005890149,0.0014689855,0.00038555494,0.0008259852],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009850021,0.0015035784,0.0019226412,0.0005078528,0.001999862,0.00064149505,0.001415596,0.0009991108,0.042350218],"category_scores_gemma":[0.00016613898,0.0012848641,0.0009913169,0.0005251827,0.001773693,0.00075684406,0.00045744792,0.0014620131,0.012531651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001390835,0.001155941,0.0006461683,0.0006982148,0.00039862932,0.00027214567,0.007121297,0.00008993379,0.0004518501,0.02387176,0.95144844,0.0137065295],"study_design_scores_gemma":[0.002046438,0.00038643027,0.0006321711,0.00082960457,0.00046581542,0.00009698149,0.0018153765,0.0017723354,0.00028841314,0.0003984908,0.98943686,0.0018310553],"about_ca_topic_score_codex":0.028352665,"about_ca_topic_score_gemma":0.002853639,"teacher_disagreement_score":0.2573616,"about_ca_system_score_codex":0.000112952635,"about_ca_system_score_gemma":0.0001671549,"threshold_uncertainty_score":0.9997713},"labels":[],"label_agreement":null},{"id":"W1593565775","doi":"10.4000/ahrf.1217","title":"André BELLEMENT, La déroute de l'armée de Cobourg, ou les environs de Charleroi, introduction et notes d'André Tissier, avec la collaboration de Ling-Ling Sheu, Genève, Droz, 2001, 175 p.","year":2002,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Art","score_opus":0.024936964054960535,"score_gpt":0.25638530188621955,"score_spread":0.231448337831259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593565775","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17889248,0.68781406,0.07207178,0.021285249,0.0022943576,0.00074241037,0.00078678195,0.00072860694,0.035384264],"genre_scores_gemma":[0.69906086,0.085894726,0.0063564517,0.0012002051,0.008421946,0.00016029246,0.00037548324,0.0001799137,0.19835013],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952646,0.001836479,0.00079384464,0.00066243287,0.0003721131,0.0010705526],"domain_scores_gemma":[0.99777716,0.0006077458,0.00042919104,0.00039937103,0.00027643912,0.00051011686],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018274536,0.0005811198,0.000568759,0.00037821676,0.001723808,0.00047715346,0.00031158584,0.0006546002,0.002691638],"category_scores_gemma":[0.00037800398,0.00067125267,0.00033666822,0.0002861054,0.0008903848,0.0009894081,0.00006726971,0.0009557655,0.00010256032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021414009,0.0012844368,0.004144375,0.00041217837,0.0002854136,0.00019307596,0.18472461,0.0031868508,0.0029306682,0.016697528,0.77399886,0.011927894],"study_design_scores_gemma":[0.0007436297,0.0002280855,0.0006899231,0.00025647887,0.00033381075,0.00015749846,0.0007262405,0.012419686,0.0005167155,0.00082448655,0.9824088,0.0006946199],"about_ca_topic_score_codex":0.005150691,"about_ca_topic_score_gemma":0.0036995315,"teacher_disagreement_score":0.60191935,"about_ca_system_score_codex":0.0024019268,"about_ca_system_score_gemma":0.00040908964,"threshold_uncertainty_score":0.9995758},"labels":[],"label_agreement":null},{"id":"W1594587483","doi":"10.32316/hse/rhe.v19i2.452","title":"L'image, moyen de lutte contre l'analphabétisme: la presse illustrée au XIXe siècle et l'éducation populaire","year":2008,"lang":"en","type":"article","venue":"Historical Studies in Education / Revue d histoire de l éducation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Terminology; Literacy; Art; Humanities; Sociology; Philosophy; Linguistics; Pedagogy","score_opus":0.08940620902438774,"score_gpt":0.31772560295912233,"score_spread":0.2283193939347346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594587483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60368466,0.042746957,0.00055731455,0.06571662,0.05405954,0.0012740302,0.00006150253,0.0006279705,0.23127139],"genre_scores_gemma":[0.82625586,0.00076644344,0.00082175666,0.0008816702,0.0019650399,0.00044596163,0.00014769511,0.000050767907,0.1686648],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741435,0.0005083208,0.00076518295,0.00056228996,0.0002792574,0.0004705953],"domain_scores_gemma":[0.9981709,0.0003119875,0.00038901344,0.00043972977,0.0004740708,0.00021426032],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00053371425,0.00034343827,0.00052096904,0.00036214755,0.0015478577,0.0000594554,0.0003079214,0.0001494299,0.0002875766],"category_scores_gemma":[0.0009959912,0.0003588412,0.00018868862,0.0003122624,0.0005773051,0.0006545929,0.000052353207,0.00042623086,0.00007436591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036538197,0.0013923291,0.0016889188,0.00026178383,0.00005343009,0.000022233722,0.39091128,0.000028858201,0.00006494933,0.020835675,0.5794935,0.005210487],"study_design_scores_gemma":[0.00027554168,0.00006597272,0.005401299,0.00015820505,0.0000934276,0.000085507585,0.016136728,0.00009067698,0.0000073404576,0.0026975493,0.97456473,0.00042304277],"about_ca_topic_score_codex":0.016405046,"about_ca_topic_score_gemma":0.0064398227,"teacher_disagreement_score":0.39507118,"about_ca_system_score_codex":0.027189616,"about_ca_system_score_gemma":0.0012048306,"threshold_uncertainty_score":0.99988633},"labels":[],"label_agreement":null},{"id":"W1595735194","doi":"","title":"Stratégie et P.M.E. (éditorial – vol. 23, nos 3-4)","year":2010,"lang":"fr","type":"article","venue":"Revue internationale P M E Économie et gestion de la petite et moyenne entreprise","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Computer science","score_opus":0.01788941812584418,"score_gpt":0.25001704626815485,"score_spread":0.23212762814231067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595735194","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5581592,0.0033600638,0.0017519238,0.225466,0.055311587,0.00070222287,0.0016885232,0.00040758224,0.15315291],"genre_scores_gemma":[0.062084287,0.015754264,0.0051601073,0.0021460329,0.03602924,0.000121569996,0.0007601758,0.000109410415,0.8778349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973389,0.00056251854,0.0007604695,0.0006788075,0.00024588415,0.0004134315],"domain_scores_gemma":[0.99165595,0.006658391,0.0004191735,0.00047183826,0.0004752088,0.00031946038],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010454926,0.00042302607,0.00041926876,0.0002672867,0.00027677047,0.0009611592,0.00046929278,0.00039193057,0.013728225],"category_scores_gemma":[0.0037586207,0.00047263323,0.00040756428,0.000070118396,0.00043742367,0.0011924705,0.00014871033,0.0015190342,0.0018168178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119877535,0.00080985273,0.0023887234,0.000111003035,0.00021536632,0.000109224165,0.0033080836,0.001755057,0.0003611395,0.7410776,0.23104055,0.018703545],"study_design_scores_gemma":[0.0008347768,0.00009078026,0.002068936,0.00028658693,0.00011443548,0.000073115734,0.00009490837,0.0021621804,0.0000890885,0.021385467,0.972313,0.00048675775],"about_ca_topic_score_codex":0.0018825089,"about_ca_topic_score_gemma":0.0018990814,"teacher_disagreement_score":0.7412724,"about_ca_system_score_codex":0.00039148907,"about_ca_system_score_gemma":0.00036109582,"threshold_uncertainty_score":0.99977255},"labels":[],"label_agreement":null},{"id":"W1596221754","doi":"10.1017/cbo9780511708831","title":"The Voyage of François Pyrard of Laval to the East Indies, the Maldives, the Moluccas and Brazil","year":2010,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portuguese; China; History; SAINT; Geography; Ancient history; West indies; Flora (microbiology); Archaeology; Ethnology; Art history","score_opus":0.016757483295682746,"score_gpt":0.17927107917880863,"score_spread":0.1625135958831259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596221754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026398392,0.0019976948,0.000006787008,0.0006652268,0.00043657146,0.0004759626,0.0010290623,0.000022288345,0.99272656],"genre_scores_gemma":[0.010406582,0.00012609297,0.0000023610671,0.00023173647,0.00046852505,0.0000021942776,0.000018402307,0.000017928178,0.9887262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988349,0.00016297457,0.00023791152,0.00023647593,0.00031483948,0.00021289148],"domain_scores_gemma":[0.99833655,0.00044063912,0.00028341962,0.00068766804,0.0001795522,0.000072183626],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002706811,0.0002492791,0.00033363843,0.00006007859,0.0014967337,0.00011343525,0.0011814147,0.00012412426,0.000024645224],"category_scores_gemma":[0.000025142243,0.00011258829,0.00023332902,0.000014918606,0.0020695273,0.00006917866,0.00050707365,0.0006697814,0.0000050285616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009277518,0.000011186185,0.0000040542473,0.000051918792,0.0002151244,0.000009964242,0.016300233,8.4946464e-7,0.000011769675,0.56727415,0.41487452,0.00115348],"study_design_scores_gemma":[0.00013846008,0.0000636617,0.00006952571,0.000054592747,0.0002844089,0.0000030631966,0.001685446,0.000005702542,0.000042119224,0.00003425637,0.9974699,0.00014887715],"about_ca_topic_score_codex":0.002622594,"about_ca_topic_score_gemma":0.00087364035,"teacher_disagreement_score":0.58259535,"about_ca_system_score_codex":0.000034113753,"about_ca_system_score_gemma":0.00012384394,"threshold_uncertainty_score":0.9998032},"labels":[],"label_agreement":null},{"id":"W1596440230","doi":"","title":"Sens et enjeux de la mémoire dans la société moderne : de la Renaissance au seuil du siècle classique. Tangence, no. 87, 2008","year":2008,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; The Renaissance; Art; Philosophy; Art history","score_opus":0.03242640286298268,"score_gpt":0.27609748801418,"score_spread":0.24367108515119731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596440230","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10943798,0.02351629,0.0024169986,0.0021462347,0.0007337434,0.00018288699,0.00039917245,0.00019867177,0.860968],"genre_scores_gemma":[0.8070258,0.0053678984,0.0016393551,0.0010481314,0.0023716413,0.00003301441,0.000019620118,0.00006571021,0.18242882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966081,0.0012535861,0.00044470018,0.0005328653,0.00037176604,0.000789006],"domain_scores_gemma":[0.99787587,0.0009456849,0.00020152389,0.0004252656,0.00019909722,0.00035255004],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006793586,0.00043384498,0.0004651892,0.000087375556,0.0014705223,0.00016551273,0.00046473148,0.00036535377,0.0017612607],"category_scores_gemma":[0.00022646302,0.00042498033,0.00027190213,0.00018063384,0.0034820705,0.00056157383,0.00011465134,0.00069112907,0.0002884197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014056508,0.0011957232,0.007245749,0.00045028664,0.00026726077,0.0033433991,0.13677104,0.0014825944,0.0035813435,0.5571374,0.28496274,0.0034218754],"study_design_scores_gemma":[0.00029993276,0.000107598775,0.0025141288,0.00024367908,0.00012692972,0.0005002979,0.00091045495,0.007870939,0.00024179702,0.0025826416,0.98404545,0.0005561671],"about_ca_topic_score_codex":0.006061911,"about_ca_topic_score_gemma":0.00057359267,"teacher_disagreement_score":0.6990827,"about_ca_system_score_codex":0.00074688304,"about_ca_system_score_gemma":0.00094082375,"threshold_uncertainty_score":0.9998294},"labels":[],"label_agreement":null},{"id":"W1597851439","doi":"10.7202/1025938ar","title":"Mesure et démesure du roman","year":2014,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.019126157808674073,"score_gpt":0.23574269166719752,"score_spread":0.21661653385852345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1597851439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041021835,0.046317983,0.00012123211,0.06449623,0.0041509136,0.00022384094,0.0003377163,0.00034432116,0.8429859],"genre_scores_gemma":[0.7537682,0.0003512517,0.000111169094,0.0028901342,0.0053742374,0.000013727467,0.000060697323,0.00004354993,0.23738703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976288,0.00056219805,0.00047452966,0.00046747286,0.00035825526,0.0005087602],"domain_scores_gemma":[0.9987293,0.0003355973,0.00014477046,0.00042141063,0.0001325705,0.00023639214],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006539021,0.00039784773,0.00049474754,0.00011710826,0.00072905223,0.00042983872,0.00037639,0.00018032097,0.006668742],"category_scores_gemma":[0.00013921097,0.00033506114,0.00037209145,0.00010987548,0.00049223716,0.00058598106,0.000102533464,0.00037179497,0.00059203693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023586483,0.0002889552,0.0005588154,0.00018760336,0.00015173072,0.000026996899,0.0139485095,0.000018571727,0.000010999678,0.82268524,0.15378666,0.008312332],"study_design_scores_gemma":[0.0002973343,0.0003134964,0.0039615454,0.00019668063,0.00016393076,0.000013154253,0.00037889846,0.00023482356,0.0000103301,0.0077346233,0.9862455,0.000449659],"about_ca_topic_score_codex":0.0026333714,"about_ca_topic_score_gemma":0.0022341807,"teacher_disagreement_score":0.83245885,"about_ca_system_score_codex":0.00007681031,"about_ca_system_score_gemma":0.00006838498,"threshold_uncertainty_score":0.9999101},"labels":[],"label_agreement":null},{"id":"W1603832987","doi":"10.7202/011214ar","title":"L’auteur en lecteur de soi-même","year":2005,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02313805195701192,"score_gpt":0.23878212004376698,"score_spread":0.21564406808675507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603832987","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05726117,0.16321565,0.0010479423,0.024148665,0.0026286913,0.00018689025,0.00024927754,0.0002329964,0.7510287],"genre_scores_gemma":[0.22270036,0.0010239643,0.0007070681,0.0013246976,0.004760024,0.00000899034,0.000009956414,0.000019957093,0.769445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987754,0.00014923658,0.00023648592,0.00023914539,0.00016442663,0.00043530812],"domain_scores_gemma":[0.9994212,0.000106926214,0.000057902507,0.00020058942,0.000050155646,0.00016324496],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018466449,0.00017718704,0.00018549542,0.000056549863,0.0003932015,0.00012753252,0.0002501824,0.00008396134,0.021167677],"category_scores_gemma":[0.000036527344,0.00016798796,0.0001281536,0.0000803858,0.0002274599,0.0004174059,0.00004218859,0.0002372404,0.0034522703],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024966856,0.0003532022,0.0004202126,0.00014873032,0.00007879932,0.00011178779,0.0491591,0.0001004372,0.00027763334,0.5795255,0.22097497,0.14882468],"study_design_scores_gemma":[0.00008332937,0.00007546806,0.0002322776,0.0000600744,0.000064225795,0.000017654133,0.00021041688,0.00060367514,0.00012948379,0.00087557774,0.99741876,0.00022908273],"about_ca_topic_score_codex":0.0014483226,"about_ca_topic_score_gemma":0.0005184561,"teacher_disagreement_score":0.7764438,"about_ca_system_score_codex":0.0001725672,"about_ca_system_score_gemma":0.00006909165,"threshold_uncertainty_score":0.99732363},"labels":[],"label_agreement":null},{"id":"W1603924054","doi":"10.3138/flor.18.006","title":"Chercher une fille, une épouse. Sexualités déviantes et parcours de rédemption","year":2001,"lang":"fr","type":"article","venue":"Florilegium","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Humanities; Art","score_opus":0.06623827610047216,"score_gpt":0.303257643143747,"score_spread":0.2370193670432748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603924054","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03333328,0.044881973,0.00603605,0.12316532,0.22133596,0.00060176617,0.00079191517,0.0006641541,0.5691896],"genre_scores_gemma":[0.029188862,0.0016928324,0.00044952633,0.0028847922,0.10097344,0.000041063224,0.00019133303,0.000079099715,0.86449903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997456,0.000516086,0.0004954521,0.0004649848,0.00032827686,0.00073920126],"domain_scores_gemma":[0.99880105,0.00022716033,0.00015106892,0.00037973767,0.00015059968,0.00029036612],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00059312757,0.00040283028,0.00044252258,0.00012761436,0.00057111616,0.0002815351,0.00026495435,0.00026431243,0.01110566],"category_scores_gemma":[0.00007289366,0.00037660496,0.00026898857,0.000335785,0.00040656622,0.00073371857,0.000057268404,0.0005580297,0.0011839833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009893263,0.0004503587,0.000500167,0.00013012686,0.00014921556,0.0001224152,0.031816937,0.00012269836,0.000021342401,0.193997,0.77029616,0.0022946543],"study_design_scores_gemma":[0.0004620958,0.00021632152,0.0005024857,0.0001435945,0.00016960037,0.000023917044,0.0031854918,0.0006800506,0.0000052889955,0.009136627,0.9849787,0.0004958433],"about_ca_topic_score_codex":0.019361125,"about_ca_topic_score_gemma":0.0035301691,"teacher_disagreement_score":0.29530945,"about_ca_system_score_codex":0.0002628559,"about_ca_system_score_gemma":0.00012082227,"threshold_uncertainty_score":0.9998686},"labels":[],"label_agreement":null},{"id":"W1604030422","doi":"10.4000/ahrf.11395","title":"Philippe Bourdin et Jean-Luc Chappey (dir.), Réseaux et sociabilité littéraires en Révolution","year":2008,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art; Philosophy","score_opus":0.020964581833931194,"score_gpt":0.2595236116797089,"score_spread":0.2385590298457777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1604030422","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046022378,0.83409655,0.0014820801,0.02510703,0.0029772185,0.0005204808,0.00069345254,0.0007516065,0.0883492],"genre_scores_gemma":[0.45031253,0.05922819,0.00045543502,0.0027761648,0.0040818374,0.00010944953,0.00027345066,0.00012866064,0.4826343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936355,0.0026122772,0.0010377005,0.00094867276,0.0007110864,0.0010548134],"domain_scores_gemma":[0.9968285,0.0012107717,0.00042068167,0.00061578106,0.00041028816,0.00051397335],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013986464,0.00077630486,0.0008594464,0.00043763893,0.0020016017,0.0001862969,0.00050934457,0.00071660633,0.0028957014],"category_scores_gemma":[0.00065736816,0.00083036703,0.0008830916,0.00031340556,0.0023533087,0.0016524637,0.00014142426,0.0012305345,0.0005464466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001935875,0.0011759752,0.00050966296,0.00028237829,0.00014205129,0.00020188569,0.10434311,0.00015980874,0.00029511802,0.13053297,0.7571887,0.0049747583],"study_design_scores_gemma":[0.000647771,0.00035455183,0.0010931988,0.00027088015,0.0001616211,0.00010280681,0.00041753717,0.0007774764,0.0000740668,0.007303746,0.98787236,0.0009239813],"about_ca_topic_score_codex":0.020555343,"about_ca_topic_score_gemma":0.0049384134,"teacher_disagreement_score":0.77486837,"about_ca_system_score_codex":0.0020304157,"about_ca_system_score_gemma":0.00066504464,"threshold_uncertainty_score":0.99941474},"labels":[],"label_agreement":null},{"id":"W1604396950","doi":"10.18192/analyses.v1i1.432","title":"Le héros dans &lt;em&gt;La Bataille littéraire&lt;/em&gt; après la Grande Guerre : une représentation au service d’une littérature nationale belge","year":2006,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Humanities; Art; Incarnation; Spanish Civil War; Philosophy; Political science; Literature; Theology; Law","score_opus":0.019190073769229002,"score_gpt":0.24210161265791263,"score_spread":0.22291153888868365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1604396950","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10681022,0.05177158,0.00040841877,0.024837222,0.0031202533,0.0010034192,0.0031956653,0.00044333845,0.80840987],"genre_scores_gemma":[0.7997915,0.0013084142,0.00042214163,0.0028976384,0.008503501,0.0002071321,0.0035061457,0.00024132631,0.18312219],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917733,0.0014898317,0.0019839392,0.001890401,0.000988423,0.0018740958],"domain_scores_gemma":[0.99426866,0.0011244674,0.0010144854,0.0014715989,0.0011889047,0.0009318685],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0010655634,0.0014933962,0.0017218768,0.00094065396,0.0025562246,0.0012460629,0.0011706786,0.0012054656,0.0005993125],"category_scores_gemma":[0.00029388344,0.0015081508,0.0013859146,0.0036706142,0.00090784446,0.0018478115,0.00018135877,0.001690323,0.00015629898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003177712,0.0012331633,0.0004798473,0.0013469033,0.0009955718,0.0012541076,0.08180169,0.0043087592,0.001696366,0.8593733,0.0405205,0.0066720694],"study_design_scores_gemma":[0.0015594901,0.00020850956,0.0061353412,0.0008282198,0.0012792478,0.00034318038,0.008681052,0.0016623635,0.00012621768,0.013850673,0.96363395,0.001691771],"about_ca_topic_score_codex":0.5175929,"about_ca_topic_score_gemma":0.9821992,"teacher_disagreement_score":0.9231134,"about_ca_system_score_codex":0.0008124243,"about_ca_system_score_gemma":0.0014244431,"threshold_uncertainty_score":0.9997907},"labels":[],"label_agreement":null},{"id":"W1608133018","doi":"","title":"\"Don Quichotte\" en Sudbury. Observaciones sobre una representación teatral en una comunidad franco-ontariana","year":2007,"lang":"es","type":"book-chapter","venue":"Ediciones de la Universidad de Castilla-La Mancha eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geography","score_opus":0.020329498572339903,"score_gpt":0.26322613994548916,"score_spread":0.24289664137314926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1608133018","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039223835,0.003060047,0.00059763965,0.0007281253,0.0019610047,0.000785941,0.0004701249,0.00048938446,0.9526839],"genre_scores_gemma":[0.5361752,0.0012469372,0.00028401482,0.0009017386,0.007771731,0.000016266851,0.00025551804,0.00028712716,0.45306146],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99356943,0.00094390236,0.0013399466,0.0015196191,0.0011003457,0.0015267482],"domain_scores_gemma":[0.9939699,0.0025784937,0.0008213581,0.0013048281,0.0003937733,0.00093161553],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0012221192,0.0017004923,0.0018545167,0.0017259968,0.0016451217,0.0006823042,0.001328628,0.002037861,0.0041265762],"category_scores_gemma":[0.00011584918,0.001714622,0.0012672495,0.00011435082,0.0019173304,0.00053950853,0.000517992,0.0028686519,0.0002645837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010072564,0.00019601829,0.0010278762,0.00078540936,0.0012535497,0.0079281395,0.090203784,0.0000736309,0.00020406402,0.87778395,0.008446346,0.011089972],"study_design_scores_gemma":[0.0017992352,0.00047956273,0.0004971427,0.002366782,0.0011705678,0.0005081508,0.009402111,0.00020202651,0.00005357932,0.009747372,0.97198087,0.0017925961],"about_ca_topic_score_codex":0.006792645,"about_ca_topic_score_gemma":0.0012980938,"teacher_disagreement_score":0.96353453,"about_ca_system_score_codex":0.00135141,"about_ca_system_score_gemma":0.00048262908,"threshold_uncertainty_score":0.9998212},"labels":[],"label_agreement":null},{"id":"W1618689913","doi":"","title":"Cinq livres de littérature jeunesse","year":2008,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.029573459952523896,"score_gpt":0.22074295774831526,"score_spread":0.19116949779579137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1618689913","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030513395,0.14206642,0.00014307257,0.011924008,0.0014499107,0.00006914793,0.00007344201,0.0001354329,0.81362516],"genre_scores_gemma":[0.12962973,0.0027931943,0.0002515459,0.0014589211,0.003648779,0.000003502225,0.0000129176315,0.000016495522,0.86218494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900395,0.00007577148,0.00021972327,0.00020596366,0.00013709288,0.00035752027],"domain_scores_gemma":[0.99948144,0.000068728616,0.00004308156,0.00014793324,0.00007599249,0.00018282961],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005906774,0.00018331388,0.00021889899,0.0000615108,0.0009530172,0.00009976316,0.00015036711,0.00012724577,0.032308962],"category_scores_gemma":[0.000019818097,0.0001453408,0.00018768026,0.00008814157,0.00034402037,0.00033009157,0.000030527135,0.00025591298,0.0010740489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016809892,0.00029738585,0.00014527584,0.00007181047,0.00005408079,0.00027004784,0.03604813,0.0000064201154,0.000023539802,0.52923685,0.43114355,0.0026860908],"study_design_scores_gemma":[0.00011726366,0.000109179025,0.00017559435,0.000046174235,0.00004873768,0.000086998465,0.001206327,0.0000786916,0.000055397,0.001646696,0.99620366,0.0002252968],"about_ca_topic_score_codex":0.0028560876,"about_ca_topic_score_gemma":0.0004012533,"teacher_disagreement_score":0.5650601,"about_ca_system_score_codex":0.00005709095,"about_ca_system_score_gemma":0.000055870507,"threshold_uncertainty_score":0.9997037},"labels":[],"label_agreement":null},{"id":"W162951648","doi":"","title":"Le théâtre national","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cégep Limoilou","funders":"","keywords":"Geography","score_opus":0.012028361052198528,"score_gpt":0.14951564046355925,"score_spread":0.1374872794113607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W162951648","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029875312,0.1487209,0.00006567513,0.07797834,0.0008050836,0.000091014896,0.00028616126,0.000102858394,0.74207467],"genre_scores_gemma":[0.10306896,0.0043120356,0.00007758915,0.00053413556,0.00085232186,0.0000015239007,0.00004673365,0.000015780177,0.8910909],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989745,0.000065156586,0.00014375821,0.0002325961,0.00028293926,0.00030104112],"domain_scores_gemma":[0.9993983,0.000070088725,0.0000821842,0.00013259822,0.00014636878,0.00017047038],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006167822,0.00016952258,0.00020064943,0.00012825972,0.0025256446,0.000020952803,0.0001853881,0.00010178862,0.0032703588],"category_scores_gemma":[0.00000894679,0.00019241267,0.00022214488,0.00010437692,0.00034902792,0.0003916368,0.000088863264,0.00017457781,0.0008837358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026454227,0.000115995164,0.000041658615,0.000013935828,0.00007071936,0.0010366017,0.0026216828,0.00004274564,0.000009229358,0.56069404,0.43430012,0.0010268232],"study_design_scores_gemma":[0.0003927965,0.00006527615,0.00013384153,0.00002328238,0.00005952772,0.00035848617,0.0005809536,0.00018791696,0.0000146972125,0.0019539392,0.99599457,0.00023468735],"about_ca_topic_score_codex":0.03132539,"about_ca_topic_score_gemma":0.03466121,"teacher_disagreement_score":0.56169444,"about_ca_system_score_codex":0.0028361059,"about_ca_system_score_gemma":0.00015411543,"threshold_uncertainty_score":0.9998942},"labels":[],"label_agreement":null},{"id":"W1644961138","doi":"10.18800/arete.200901.003","title":"Algunas reflexiones sobre la noción griega temprana de inspiración poética","year":2009,"lang":"es","type":"article","venue":"Areté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02235771393225465,"score_gpt":0.2714869572516971,"score_spread":0.24912924331944242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1644961138","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12059108,0.0044883993,0.00007527937,0.008870452,0.00060064485,0.000209891,0.00015997743,0.00030360348,0.8647007],"genre_scores_gemma":[0.9632239,0.0003288236,0.00010874119,0.005493031,0.0016757653,0.0000073097376,0.000042123418,0.000028200979,0.029092135],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810684,0.00020802923,0.00046936353,0.00040432072,0.00029671655,0.00051471806],"domain_scores_gemma":[0.9989257,0.00018885436,0.00014707881,0.00038441253,0.00011198588,0.00024197261],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022383014,0.00034945234,0.000439993,0.0001587872,0.0008093866,0.00067095156,0.0003238697,0.0001915012,0.0017726643],"category_scores_gemma":[0.00007042428,0.00029325407,0.00029387046,0.000116302326,0.00027715124,0.00047371347,0.000042952503,0.0003938763,0.0006130563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010784125,0.00035907532,0.0004196103,0.000092265,0.0001086168,0.00017808788,0.018595073,0.0000040479836,0.00015438625,0.9128927,0.032706764,0.034381535],"study_design_scores_gemma":[0.00030569013,0.00043038803,0.0012942526,0.00015985098,0.00015311645,0.000016347476,0.0005336482,0.000053477364,0.000088435416,0.020886162,0.9756593,0.00041932426],"about_ca_topic_score_codex":0.0003625375,"about_ca_topic_score_gemma":0.00003615742,"teacher_disagreement_score":0.9429525,"about_ca_system_score_codex":0.000090587186,"about_ca_system_score_gemma":0.00009359572,"threshold_uncertainty_score":0.99995196},"labels":[],"label_agreement":null},{"id":"W1649020624","doi":"","title":"Se percevoir étranger/étrangère dans le monde des Belles-Lettres: devenir écrivain(e) au Québec au XIXe siècle","year":2013,"lang":"fr","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014846405885915015,"score_gpt":0.21579458096865506,"score_spread":0.20094817508274004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1649020624","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64681035,0.0047348244,0.0005199648,0.010582087,0.000545677,0.0002945488,0.00030747597,0.00016373895,0.33604133],"genre_scores_gemma":[0.6971415,0.00022175767,0.00021397356,0.00034398562,0.0011520911,0.000017448707,0.000089058354,0.000067523164,0.3007526],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996751,0.0006334866,0.00040898027,0.0006215038,0.00035804627,0.0012269814],"domain_scores_gemma":[0.9979672,0.0005693703,0.00016256604,0.00049834506,0.0001698611,0.0006326527],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030332874,0.00056698156,0.00061455835,0.00031973046,0.0037497506,0.00040276904,0.0006553484,0.00037566925,0.008447017],"category_scores_gemma":[0.000053754753,0.00059982465,0.0005811015,0.0003080069,0.0026177748,0.001507762,0.00014589322,0.00060026185,0.0012098297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012512987,0.001137848,0.009937653,0.00051872554,0.0006417503,0.00066330715,0.55233824,0.00020567191,0.00064983027,0.29813132,0.08931223,0.04633827],"study_design_scores_gemma":[0.0009750081,0.00021724914,0.025780471,0.00019378147,0.0003439288,0.000036110476,0.037746146,0.00074538076,0.000080333164,0.0041587353,0.9288836,0.00083922554],"about_ca_topic_score_codex":0.84118724,"about_ca_topic_score_gemma":0.4892373,"teacher_disagreement_score":0.8395714,"about_ca_system_score_codex":0.0024949724,"about_ca_system_score_gemma":0.0014541582,"threshold_uncertainty_score":0.9996453},"labels":[],"label_agreement":null},{"id":"W1649967053","doi":"","title":"Le conte québécois : quelques voyagements","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science; Environmental science","score_opus":0.007713165027215259,"score_gpt":0.15703113476151473,"score_spread":0.14931796973429948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1649967053","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023879027,0.3031967,0.00012361602,0.11376106,0.0007295987,0.00018556145,0.00016697815,0.00017700253,0.55778044],"genre_scores_gemma":[0.21525721,0.006230267,0.00006664738,0.0023745988,0.0005693416,0.0000013978641,0.000035051973,0.000016681714,0.7754488],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866074,0.00010732753,0.00022401634,0.00032961246,0.00020922162,0.00046907365],"domain_scores_gemma":[0.99919844,0.000047111313,0.00013509458,0.00027648936,0.00009941769,0.0002434421],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009232567,0.00026474384,0.0003358634,0.00015345018,0.0015474121,0.00007990826,0.00028427996,0.00012062632,0.0017427319],"category_scores_gemma":[0.000008014477,0.00029562463,0.00028346298,0.000108415734,0.00019838286,0.00055437256,0.000080296646,0.00020607362,0.0005071439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007423265,0.00023762738,0.000022745056,0.000024181165,0.00012875356,0.0010287951,0.006707682,0.00001196891,0.00005267066,0.6869777,0.26260388,0.042129785],"study_design_scores_gemma":[0.0006146944,0.00028081395,0.00020683212,0.00007541715,0.00020207882,0.000035514415,0.0020209844,0.00009703622,0.00004426663,0.0041511003,0.991925,0.00034628014],"about_ca_topic_score_codex":0.27447724,"about_ca_topic_score_gemma":0.35492703,"teacher_disagreement_score":0.72932106,"about_ca_system_score_codex":0.0027540047,"about_ca_system_score_gemma":0.00008183436,"threshold_uncertainty_score":0.9999496},"labels":[],"label_agreement":null},{"id":"W1653698872","doi":"10.21083/synergies.v0i1.990","title":"Le texte dramatique dans un cours de théâtre francophone contemporain : pourquoi et comment l’enseigner?","year":2009,"lang":"fr","type":"article","venue":"Synergies Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"French; Humanities; Humanism; Drama; Hermeneutics; Philosophy; Art; Literature; Theology","score_opus":0.00673213219706222,"score_gpt":0.19509986095974652,"score_spread":0.1883677287626843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1653698872","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07736948,0.027611846,0.00045963738,0.48089543,0.003155489,0.0003865052,0.0013438431,0.00015130735,0.40862644],"genre_scores_gemma":[0.74929506,0.0001921332,0.00012118919,0.028785048,0.0005686465,0.000013438491,0.000107474145,0.000030148187,0.22088684],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997717,0.0003573605,0.0005390529,0.00035202093,0.00037957603,0.00065495225],"domain_scores_gemma":[0.9987037,0.00026966818,0.00019871551,0.00038254552,0.00010699697,0.00033833706],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023992512,0.00040231211,0.00053619454,0.00007009688,0.001018128,0.00020798606,0.0003427942,0.00012741303,0.0012724433],"category_scores_gemma":[0.00004299834,0.00039058033,0.00018088339,0.00013892454,0.0002975643,0.00029134873,0.00004021315,0.0004247036,0.0000142671925],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024306737,0.0001729243,0.000031300366,0.000047964244,0.000106483436,0.00039548427,0.016122226,0.0002669569,0.00007225297,0.42518374,0.555216,0.0023603346],"study_design_scores_gemma":[0.00045920955,0.00017980383,0.00035862278,0.0001766627,0.000051950163,0.000022833754,0.016540334,0.00020097155,0.00025254107,0.0053099557,0.97595745,0.0004896866],"about_ca_topic_score_codex":0.9250585,"about_ca_topic_score_gemma":0.89273125,"teacher_disagreement_score":0.6719256,"about_ca_system_score_codex":0.00051062764,"about_ca_system_score_gemma":0.0025657336,"threshold_uncertainty_score":0.9998546},"labels":[],"label_agreement":null},{"id":"W1660229874","doi":"","title":"L’appétit sexuel : Vampirisme et cannibalisme passionnés dans la littérature","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.010957632990271906,"score_gpt":0.1646558651226957,"score_spread":0.15369823213242378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1660229874","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011437617,0.3033632,0.0001551541,0.15355828,0.0011947092,0.00018602422,0.00075728964,0.00021217155,0.5291355],"genre_scores_gemma":[0.055858035,0.013763129,0.00011161914,0.0013912903,0.0009701918,0.000005440868,0.00007596615,0.000049086426,0.92777526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979161,0.00034888368,0.0002736164,0.00049168454,0.00034739744,0.00062231655],"domain_scores_gemma":[0.9986962,0.00016060413,0.00017156283,0.00042939547,0.0001096688,0.000432533],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015762412,0.00041740036,0.0004299184,0.00018449816,0.0016446592,0.00015006724,0.000398412,0.0003628812,0.008411748],"category_scores_gemma":[0.000015784228,0.00041419946,0.000371979,0.00027405247,0.00041389285,0.0005856715,0.00019696676,0.0006330159,0.0007459989],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029367588,0.00024115255,0.00007434379,0.00006235272,0.00014385158,0.003080734,0.023773992,0.000063515596,0.000040295196,0.4276591,0.53579456,0.009036731],"study_design_scores_gemma":[0.0005574896,0.00014261076,0.00012672714,0.0001269043,0.0003115253,0.0002954526,0.0046425574,0.0010500399,0.000009809279,0.0012323409,0.99098724,0.0005172874],"about_ca_topic_score_codex":0.01898328,"about_ca_topic_score_gemma":0.060881168,"teacher_disagreement_score":0.4551927,"about_ca_system_score_codex":0.003494325,"about_ca_system_score_gemma":0.000037411806,"threshold_uncertainty_score":0.99983096},"labels":[],"label_agreement":null},{"id":"W1660824897","doi":"10.4000/ahrf.11032","title":"Dmitri Bovykine, Революция окончена ? Итоги Термидора [La Révolution est-elle faite ? Le bilan de Thermidor]","year":2008,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Philosophy","score_opus":0.021747090217715197,"score_gpt":0.23456762142606283,"score_spread":0.21282053120834762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1660824897","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0716625,0.61694884,0.003410355,0.0033118883,0.002203656,0.0004491954,0.0003523359,0.00070436095,0.30095688],"genre_scores_gemma":[0.49258885,0.017872963,0.0007319649,0.0008744885,0.0037408776,0.00008586136,0.00016694683,0.000132112,0.48380592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99477243,0.0014738486,0.0010374609,0.00088415394,0.0006050712,0.0012270234],"domain_scores_gemma":[0.9971593,0.00058475276,0.00046978748,0.0007116483,0.00043681593,0.00063771126],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091172615,0.00080828153,0.0008518831,0.0005324366,0.0026034971,0.00021303963,0.0005955156,0.0007806286,0.0022495578],"category_scores_gemma":[0.00021778786,0.0008529049,0.0008580114,0.00041415496,0.0025124718,0.0013025148,0.0001138178,0.0011050499,0.0005403756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025758625,0.0013829864,0.0014983377,0.00032470823,0.00020014419,0.0005070124,0.06468206,0.00026124774,0.0005269638,0.04888366,0.8777342,0.0037410853],"study_design_scores_gemma":[0.00092139,0.00031780158,0.0014292543,0.00028897985,0.00022795834,0.00037840454,0.0005192731,0.0018756544,0.00012481688,0.0023879884,0.9905268,0.0010016664],"about_ca_topic_score_codex":0.026721455,"about_ca_topic_score_gemma":0.0030195655,"teacher_disagreement_score":0.59907585,"about_ca_system_score_codex":0.0016916053,"about_ca_system_score_gemma":0.0009144571,"threshold_uncertainty_score":0.99939215},"labels":[],"label_agreement":null},{"id":"W1676621823","doi":"10.7202/017587ar","title":"Noir Miroir","year":2008,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08642519361965849,"score_gpt":0.2401280706728793,"score_spread":0.15370287705322083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1676621823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037905533,0.064906724,0.00013314668,0.00576496,0.0036264563,0.0002888846,0.00023301331,0.0002847056,0.88685656],"genre_scores_gemma":[0.4824539,0.0005946709,0.000020891113,0.0014233829,0.0038041766,0.000023333349,0.000060385766,0.000040293326,0.511579],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760944,0.00022495959,0.0007307977,0.0005482071,0.00031930683,0.0005673162],"domain_scores_gemma":[0.998423,0.00021456473,0.00023659554,0.00046657133,0.00035678604,0.00030253094],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019811226,0.00047251,0.0006639448,0.00020547322,0.0012472037,0.0001689383,0.00036294397,0.00020556874,0.0067826672],"category_scores_gemma":[0.000100998375,0.00044739677,0.00046701773,0.00015274798,0.0015879833,0.0008267618,0.000060621893,0.0003511281,0.000964064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023247483,0.00040114822,0.0007698857,0.00023430628,0.00016802632,0.0007548381,0.09818944,7.0679545e-7,0.00007338937,0.7139788,0.18206222,0.003343937],"study_design_scores_gemma":[0.00036935075,0.00018378011,0.00024954672,0.00019142649,0.00006778048,0.00011822904,0.0007237308,0.000028760682,0.000053763855,0.01924737,0.9781838,0.0005824643],"about_ca_topic_score_codex":0.003822396,"about_ca_topic_score_gemma":0.00022688018,"teacher_disagreement_score":0.79612154,"about_ca_system_score_codex":0.0001380474,"about_ca_system_score_gemma":0.00017671724,"threshold_uncertainty_score":0.9998138},"labels":[],"label_agreement":null},{"id":"W168938585","doi":"","title":"Autour d’une imagerie humaniste. Le Gamin au vélo de Jean-Pierre et Luc Dardenne, Belgique, 2011, 87 minLe Gamin au vélo de Jean-Pierre et Luc Dardenne, Belgique, 2011, 87 min","year":2012,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.022033510080543432,"score_gpt":0.2613723124036636,"score_spread":0.23933880232312016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W168938585","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058890007,0.40135282,0.0020105848,0.028390558,0.007407674,0.0017603941,0.003876721,0.0010214314,0.4952898],"genre_scores_gemma":[0.16131757,0.007737967,0.0028552,0.002381006,0.006367929,0.00025185823,0.0009917609,0.00041719564,0.8176795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9899356,0.0016482511,0.0020602238,0.0016933709,0.0010607562,0.0036018335],"domain_scores_gemma":[0.9935556,0.0015910139,0.0009769289,0.0017733033,0.00048663648,0.0016165217],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.002607343,0.0018782986,0.0020278485,0.00065998186,0.0029592789,0.0009446208,0.0015906664,0.0010861927,0.044950753],"category_scores_gemma":[0.00052913313,0.0019010843,0.0012703461,0.00031892475,0.0017982539,0.0019349396,0.0006849474,0.0019858438,0.0032148347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029566805,0.0022216253,0.0022665136,0.0008923267,0.0006766677,0.0004404251,0.041012313,0.00009515877,0.0006446721,0.11621218,0.83165556,0.003586887],"study_design_scores_gemma":[0.0018469207,0.0006209551,0.0063311267,0.0006895328,0.00087252515,0.00012709906,0.01178566,0.0002101109,0.0009829088,0.0021996493,0.97205013,0.0022833853],"about_ca_topic_score_codex":0.04126268,"about_ca_topic_score_gemma":0.038536754,"teacher_disagreement_score":0.39361486,"about_ca_system_score_codex":0.001267188,"about_ca_system_score_gemma":0.0016441426,"threshold_uncertainty_score":0.99939615},"labels":[],"label_agreement":null},{"id":"W1701867432","doi":"10.4000/ahrf.12730","title":"Jean-Michel Minovez, L’industrie invisible. Les draperies du Midi XVIIe-XXe siècles","year":2013,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"Région Normandie; Vlaamse regering","keywords":"Art; MIDI; Humanities; Computer science","score_opus":0.02083801380372129,"score_gpt":0.22536910375942645,"score_spread":0.20453108995570515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1701867432","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08362885,0.78368104,0.0005452237,0.017442606,0.0029517259,0.0005196217,0.00033570957,0.00053664844,0.11035861],"genre_scores_gemma":[0.4061656,0.015020474,0.00050710794,0.0016852192,0.0053697955,0.00016772134,0.0001784147,0.00012633033,0.5707793],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960645,0.0007117138,0.0009957175,0.0007465956,0.0004992772,0.00098219],"domain_scores_gemma":[0.99706674,0.00078660646,0.00040224142,0.00056973234,0.00063232635,0.0005423472],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00045334105,0.00076633226,0.00077004766,0.00040823844,0.0021457614,0.00062137074,0.00056259887,0.0007782395,0.01484982],"category_scores_gemma":[0.000338245,0.00077812944,0.00060082565,0.00028664825,0.0030382187,0.0019017801,0.00012659532,0.0009565559,0.0013664956],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007060906,0.0007018858,0.0014245292,0.00030619474,0.00018667195,0.00008162479,0.031794377,0.000044121665,0.00025117607,0.05471635,0.8922628,0.01815965],"study_design_scores_gemma":[0.00044518587,0.00027910495,0.00073293905,0.00030197256,0.00022926358,0.000032316242,0.0014863149,0.00049589755,0.0001516644,0.0027033286,0.9922215,0.0009205249],"about_ca_topic_score_codex":0.050543863,"about_ca_topic_score_gemma":0.002379542,"teacher_disagreement_score":0.76866055,"about_ca_system_score_codex":0.0008743491,"about_ca_system_score_gemma":0.000264607,"threshold_uncertainty_score":0.9996749},"labels":[],"label_agreement":null},{"id":"W1709222180","doi":"10.4000/ahrf.1251","title":"Jean Mascart, La vie et les travaux du chevalier Jean-Charles de Borda (1733-1799). Épisodes de la vie scientifique au XVIIIe siècle. Avant-propos de Denis Lieppe et d'Etienne Taillemite.","year":2002,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02007751024176362,"score_gpt":0.24081696353268536,"score_spread":0.22073945329092173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1709222180","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18267389,0.5928808,0.007001798,0.017512443,0.0024641012,0.0008131058,0.0010548868,0.0009687074,0.19463028],"genre_scores_gemma":[0.67246866,0.052804872,0.0019428891,0.0017163551,0.0020107806,0.00015063558,0.00014587413,0.00020567974,0.26855424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912831,0.004351506,0.0010710915,0.001039955,0.0006483796,0.0016059661],"domain_scores_gemma":[0.99540925,0.0020816016,0.00048974087,0.00069033273,0.00047436013,0.00085472735],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0037177876,0.0009413153,0.00090960105,0.0005654608,0.0028623757,0.00073482544,0.0007532632,0.00094898354,0.00516128],"category_scores_gemma":[0.00087239675,0.0009757593,0.000864892,0.00030412868,0.004418119,0.001229358,0.00016026583,0.0014688087,0.00038565384],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024434834,0.0020410966,0.0072612255,0.0008351805,0.00032294597,0.0006440082,0.15823089,0.0005669156,0.002093896,0.08645888,0.727703,0.013597637],"study_design_scores_gemma":[0.0008267643,0.00025817432,0.0009514765,0.0007228106,0.00040819714,0.00018427496,0.0011301952,0.0034500589,0.0005839908,0.0016254804,0.98874116,0.0011174232],"about_ca_topic_score_codex":0.01798365,"about_ca_topic_score_gemma":0.015008515,"teacher_disagreement_score":0.5400759,"about_ca_system_score_codex":0.0021963702,"about_ca_system_score_gemma":0.00069576834,"threshold_uncertainty_score":0.9992693},"labels":[],"label_agreement":null},{"id":"W17284931","doi":"10.1159/000099240","title":"Le problème du doute et de l’immortalité. Raconter et mourir. Aux sources de l’imaginaire occidental, de Thierry Hentsch, Presses de l’Université de Montréal, 431 p. Raconter et mourir. Aux sources de l’imaginaire occidental, de Thierry Hentsch, Presses de l’Université de Montréal, 431 p.","year":2003,"lang":"en","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"National Eye Institute","keywords":"Humanities; Art","score_opus":0.01511042532665108,"score_gpt":0.23119802014275592,"score_spread":0.21608759481610484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W17284931","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92075795,0.03031864,0.00081436953,0.016508605,0.000277121,0.00068279466,0.000212146,0.0005370959,0.029891295],"genre_scores_gemma":[0.96025884,0.0058510997,0.001599972,0.012010006,0.0006957745,0.00012339973,0.00009482224,0.00015323059,0.019212829],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99223816,0.001368857,0.0009845123,0.0014746698,0.0010416047,0.0028921939],"domain_scores_gemma":[0.9965403,0.00050648284,0.00076717994,0.0008080737,0.0003010954,0.0010768357],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022498923,0.0011972034,0.0010851423,0.0007048654,0.005876679,0.001972576,0.0021364558,0.00036428365,0.0019968275],"category_scores_gemma":[0.00041782318,0.0011281745,0.00080550025,0.00042598217,0.002596911,0.003833155,0.00083452545,0.00096265046,0.000062712614],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004639982,0.0011581023,0.39212412,0.00034783978,0.00053965155,0.001895256,0.13109513,0.0059721903,0.008810226,0.017125541,0.4402334,0.00023454911],"study_design_scores_gemma":[0.003037974,0.000613083,0.044120092,0.00071833417,0.00084398326,0.0011745299,0.031086152,0.0024705548,0.006450571,0.008666052,0.898548,0.002270691],"about_ca_topic_score_codex":0.07865216,"about_ca_topic_score_gemma":0.05743009,"teacher_disagreement_score":0.4583146,"about_ca_system_score_codex":0.0017501247,"about_ca_system_score_gemma":0.0017371126,"threshold_uncertainty_score":0.99911684},"labels":[],"label_agreement":null},{"id":"W174534846","doi":"10.7202/1062846ar","title":"Le naufrage du Costa Concordia, entre accessibilité des informations, héros et boucs émissaires","year":2012,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03065861708488504,"score_gpt":0.24684072684812022,"score_spread":0.21618210976323518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W174534846","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3015173,0.037595946,0.00015113318,0.029385306,0.0030924163,0.00033729125,0.000642552,0.00025007135,0.627028],"genre_scores_gemma":[0.88608414,0.00036646385,0.000088395005,0.0018012448,0.0019070493,0.000014505407,0.00025688813,0.00002501558,0.10945629],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793404,0.00027153123,0.00056704134,0.00020759428,0.00027416038,0.00074561714],"domain_scores_gemma":[0.998489,0.00026476468,0.00019746214,0.00034430387,0.00025708918,0.0004473551],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004450537,0.00028673315,0.00032896773,0.00018894325,0.0014094096,0.0010997136,0.00026645456,0.00013922837,0.007888498],"category_scores_gemma":[0.00024903266,0.00025984645,0.00021248934,0.00018498611,0.0007476863,0.0053398674,0.0001357438,0.0003172073,0.000695216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010452144,0.0004796698,0.009983722,0.00018724774,0.00010566883,0.000007793648,0.052013956,0.0000029624282,0.000008471599,0.7895822,0.1333693,0.014248554],"study_design_scores_gemma":[0.0003255458,0.00005620927,0.0028168082,0.00004952114,0.000060724928,0.000019423002,0.006614624,0.00009439223,0.000027233522,0.0017230756,0.9878754,0.0003370617],"about_ca_topic_score_codex":0.00460246,"about_ca_topic_score_gemma":0.0020292767,"teacher_disagreement_score":0.8545061,"about_ca_system_score_codex":0.00014221005,"about_ca_system_score_gemma":0.00030332673,"threshold_uncertainty_score":0.9999854},"labels":[],"label_agreement":null},{"id":"W1747141943","doi":"10.7202/008227ar","title":"L’Orient voilé de Raphaël dans Gil Blas","year":2001,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.027598473776215826,"score_gpt":0.23416958410883207,"score_spread":0.20657111033261624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1747141943","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11205842,0.05223745,0.0010447418,0.0030595327,0.002771786,0.000114918075,0.000117600204,0.00010379901,0.82849175],"genre_scores_gemma":[0.34013057,0.0018298738,0.00012122758,0.0007124192,0.0021069397,0.000012426867,0.000009872168,0.000016447291,0.65506023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870056,0.000091873786,0.0002575918,0.0002708771,0.000205964,0.00047311457],"domain_scores_gemma":[0.9993298,0.00006820968,0.000070635615,0.00024946197,0.00006967354,0.00021223717],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001415472,0.00019253326,0.00019779881,0.000060217222,0.00059084373,0.00011515928,0.00024300048,0.00007546066,0.014509712],"category_scores_gemma":[0.00002423034,0.00017782624,0.00015636857,0.00014190494,0.00045964215,0.00029766522,0.00004032605,0.00019062166,0.001086263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061552746,0.00064228283,0.0034414453,0.00011536194,0.00012226915,0.0007675071,0.092332564,0.000057641333,0.00033259392,0.76513785,0.10957824,0.027410675],"study_design_scores_gemma":[0.000111455,0.0001334448,0.00037058952,0.000070094895,0.00008846076,0.000036353966,0.0013295824,0.00029413297,0.00013082905,0.0018186762,0.9953729,0.00024350871],"about_ca_topic_score_codex":0.003562875,"about_ca_topic_score_gemma":0.0008270335,"teacher_disagreement_score":0.88579464,"about_ca_system_score_codex":0.00016296982,"about_ca_system_score_gemma":0.00005466211,"threshold_uncertainty_score":0.9996915},"labels":[],"label_agreement":null},{"id":"W1770075837","doi":"","title":"Le lecteur impuni 1. Pars sans te retourner. François Moreau, La bohème, Montréal, Triptyque, 2009, 189 p. François Moreau, Les taupes, pièce publiée dans Écrits du Canada français, no 6, 1960.François Moreau, La bohème, Montréal, Triptyque, 2009, 189 p.François Moreau, Les taupes, pièce publiée dans Écrits du Canada français, no 6, 1960.","year":2009,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.00535967910728917,"score_gpt":0.17523315819886062,"score_spread":0.16987347909157147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1770075837","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069165066,0.5443904,0.0006394333,0.0603583,0.011958594,0.005514295,0.033271596,0.002326509,0.27237585],"genre_scores_gemma":[0.3394571,0.07463757,0.0012665131,0.017535746,0.011827463,0.0011974915,0.009007799,0.0019710409,0.5430993],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.96942693,0.0038768041,0.007431431,0.0059514116,0.005758804,0.007554618],"domain_scores_gemma":[0.98039526,0.002996508,0.002656834,0.0050738417,0.003743254,0.0051343204],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0025255075,0.006639991,0.0072199637,0.002053585,0.0101461215,0.0040454855,0.0061714286,0.0033434364,0.008701488],"category_scores_gemma":[0.002340601,0.0066465433,0.0030233194,0.0044541657,0.0031722058,0.0060247527,0.0009555597,0.0071093068,0.0004469436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013111208,0.0037775452,0.0034750397,0.0009856033,0.0023124444,0.0063510765,0.027513765,0.00067192334,0.00056119316,0.021320919,0.9171736,0.014545728],"study_design_scores_gemma":[0.007839331,0.0012414964,0.008228426,0.0013465735,0.0023501532,0.00114001,0.0056636417,0.0031681363,0.0005036797,0.00079515594,0.9604778,0.007245576],"about_ca_topic_score_codex":0.9986814,"about_ca_topic_score_gemma":0.9973355,"teacher_disagreement_score":0.4697528,"about_ca_system_score_codex":0.0027819849,"about_ca_system_score_gemma":0.010336339,"threshold_uncertainty_score":0.99954057},"labels":[],"label_agreement":null},{"id":"W1770915137","doi":"","title":"Bernard Andrès, Histoires littéraires des Canadiens au XVIIIe siècle, Québec, PUL, 2012, 330 pagesBernard Andrès, Histoires littéraires des Canadiens au XVIIIe siècle, Québec, PUL, 2012, 330 pages","year":2013,"lang":"fr","type":"article","venue":"Les cahiers de lecture de l'Action nationale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018517962544570443,"score_gpt":0.2147842496253522,"score_spread":0.19626628708078175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1770915137","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5438848,0.28131622,0.0033879261,0.10164128,0.007299495,0.0023775625,0.003269517,0.001175217,0.055647973],"genre_scores_gemma":[0.44457695,0.005085647,0.0008850909,0.0027387764,0.005086444,0.000307703,0.0006234754,0.00027211948,0.5404238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919324,0.0009260691,0.0016034471,0.0015314968,0.00122367,0.002782904],"domain_scores_gemma":[0.993464,0.0015706297,0.0009360018,0.00086815783,0.0013342496,0.0018269703],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00072169007,0.0015141063,0.001339001,0.0011887004,0.01365101,0.00092694646,0.0010169856,0.0011732687,0.010366252],"category_scores_gemma":[0.0010644898,0.0014859003,0.0009545327,0.0007217544,0.008551592,0.003049348,0.0001353849,0.0019667977,0.00045084875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00028364718,0.00079946156,0.01504605,0.0008946079,0.001275259,0.0002911258,0.060716778,0.0014115797,0.00076292735,0.0125527885,0.8101915,0.09577428],"study_design_scores_gemma":[0.00094660884,0.00041610168,0.03540476,0.00039505376,0.00068064977,0.00030375706,0.0021673099,0.00047292223,0.00027270723,0.0074869934,0.94979686,0.0016562713],"about_ca_topic_score_codex":0.9574403,"about_ca_topic_score_gemma":0.9935845,"teacher_disagreement_score":0.4847758,"about_ca_system_score_codex":0.022771798,"about_ca_system_score_gemma":0.005825917,"threshold_uncertainty_score":0.9998101},"labels":[],"label_agreement":null},{"id":"W1785986601","doi":"","title":"Un théâtre à la recherche d'auteurs","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.049171447538524635,"score_gpt":0.2069749287371065,"score_spread":0.15780348119858184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1785986601","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013990875,0.25051388,0.00012949586,0.17434533,0.0006911125,0.00012574584,0.0001295596,0.00017958178,0.55989444],"genre_scores_gemma":[0.018118,0.015325019,0.00063100643,0.0012167414,0.0006986615,0.0000010611966,0.00003263183,0.000021719055,0.96395516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829674,0.0005327899,0.00018996024,0.00033155477,0.0001960836,0.00045284678],"domain_scores_gemma":[0.99885577,0.00039639507,0.00011073476,0.00029600714,0.00007708442,0.00026398106],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033739072,0.0002751557,0.0003077216,0.00013949587,0.001073604,0.000074918054,0.0003118167,0.00034889625,0.0036184946],"category_scores_gemma":[0.00003738086,0.00028596263,0.0003027133,0.00018959393,0.0001994941,0.00038232072,0.000072677765,0.0005922772,0.000521642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006091236,0.00018358362,0.00001189836,0.000017388993,0.00008665289,0.0015675038,0.0059682867,0.000015779,0.000033483167,0.56269044,0.3084228,0.12094125],"study_design_scores_gemma":[0.00041561876,0.00021685836,0.00016323403,0.000068600915,0.00027054452,0.00015657145,0.0011812712,0.00013603826,0.000033908458,0.01270276,0.98431003,0.00034455504],"about_ca_topic_score_codex":0.0069279047,"about_ca_topic_score_gemma":0.007213359,"teacher_disagreement_score":0.6758872,"about_ca_system_score_codex":0.0044181366,"about_ca_system_score_gemma":0.000045917786,"threshold_uncertainty_score":0.99995923},"labels":[],"label_agreement":null},{"id":"W1787082624","doi":"","title":"Un don en images","year":2007,"lang":"fr","type":"article","venue":"Continuité","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"National Museum of Fine Arts of Quebec","funders":"","keywords":"Computer science; Computer vision","score_opus":0.011763719456117615,"score_gpt":0.22466510417058824,"score_spread":0.21290138471447062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1787082624","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026067259,0.088712856,0.00051950774,0.0031827362,0.0028825807,0.000110412904,0.00008607247,0.00009758093,0.878341],"genre_scores_gemma":[0.26865762,0.00021730855,0.00011500471,0.00042261413,0.0036804301,0.000001944178,0.000010679471,0.000016238499,0.72687817],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988117,0.00007314512,0.00034000163,0.00022850274,0.00013562552,0.00041097938],"domain_scores_gemma":[0.99922085,0.0003008397,0.00008250779,0.00019336898,0.000058675,0.00014376194],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003046944,0.00018746269,0.00024849255,0.000086394444,0.00034272214,0.00015782876,0.00017868735,0.00010152362,0.016486142],"category_scores_gemma":[0.000042885753,0.00016767536,0.00019423841,0.0000611914,0.00031502848,0.00025530453,0.00004609623,0.00022867086,0.00070686394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041985706,0.00020695824,0.000498049,0.00007487014,0.00009378591,0.0002463185,0.026268786,2.939941e-7,0.00031800757,0.38288164,0.05946369,0.5299056],"study_design_scores_gemma":[0.00023281484,0.00008357082,0.0010207843,0.0000711512,0.000094842006,0.000008159034,0.0009452646,0.0000057488896,0.0010126798,0.0020795218,0.9942087,0.00023676817],"about_ca_topic_score_codex":0.000935919,"about_ca_topic_score_gemma":0.0002888288,"teacher_disagreement_score":0.934745,"about_ca_system_score_codex":0.000043921667,"about_ca_system_score_gemma":0.000015199831,"threshold_uncertainty_score":0.9844129},"labels":[],"label_agreement":null},{"id":"W1800326854","doi":"10.35499/tl.v0i5.180","title":"Instant, durée longue, narrativité et rejet de la rencontre dans les Amériques","year":2012,"lang":"fr","type":"article","venue":"Americanae (AECID Library)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Political science; Philosophy; Art","score_opus":0.014773439520918428,"score_gpt":0.24422610751573115,"score_spread":0.22945266799481273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1800326854","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23742777,0.04376985,0.00035902855,0.012063389,0.0009645114,0.000195533,0.0004688676,0.00035418378,0.70439684],"genre_scores_gemma":[0.7371052,0.0024530205,0.00095094414,0.002602379,0.0019071288,0.00003061126,0.000115044124,0.00008736216,0.25474834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655056,0.0012625287,0.0005694334,0.0004289775,0.000282418,0.00090606516],"domain_scores_gemma":[0.9980243,0.0006120113,0.00031060245,0.00046458904,0.000037806883,0.00055071403],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027232364,0.0005098054,0.000642323,0.00020780937,0.000696065,0.00025937505,0.00043360074,0.00019699968,0.011470837],"category_scores_gemma":[0.00007814772,0.00045818856,0.00034218258,0.0003337879,0.0017516223,0.0038083938,0.00014529332,0.0006274697,0.00018048234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006590266,0.0006714451,0.12765725,0.000087625565,0.00023585328,0.00016278795,0.10080721,0.000008241132,0.00010706938,0.42411736,0.33275825,0.013320983],"study_design_scores_gemma":[0.00023780635,0.0002660915,0.028866075,0.00015370654,0.000104768886,0.0000288005,0.009376821,0.000037331858,0.00023456625,0.001357429,0.9587241,0.0006125233],"about_ca_topic_score_codex":0.109279625,"about_ca_topic_score_gemma":0.0011444009,"teacher_disagreement_score":0.62596583,"about_ca_system_score_codex":0.00012629679,"about_ca_system_score_gemma":0.00021595176,"threshold_uncertainty_score":0.999787},"labels":[],"label_agreement":null},{"id":"W180383152","doi":"","title":"La lecture, première chaîne du tissage d’un résumé","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval; Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art","score_opus":0.007606187252862964,"score_gpt":0.14161594355795903,"score_spread":0.13400975630509607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W180383152","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022121353,0.39589527,0.00018896132,0.04840465,0.00088995456,0.0001713595,0.0002410055,0.00017631474,0.53191113],"genre_scores_gemma":[0.2586752,0.018651702,0.00008090182,0.0003790543,0.0011484771,0.0000032777825,0.000029836441,0.000038133243,0.72099346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842256,0.00020523132,0.0002150806,0.00039143616,0.000249408,0.0005162614],"domain_scores_gemma":[0.9990184,0.00016180638,0.00013060954,0.00032387732,0.000074577896,0.0002907578],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011117296,0.00033583102,0.00036855627,0.00015957074,0.0016479219,0.00008242095,0.00031976931,0.0002513115,0.02881563],"category_scores_gemma":[0.000015055718,0.00034885024,0.00031457003,0.00016745592,0.00032427852,0.00039298675,0.00015379566,0.0004000401,0.0013869519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005566317,0.00039503202,0.00015626173,0.00010131005,0.0002955886,0.005316477,0.015692348,0.000054458545,0.000034484587,0.28550234,0.5792959,0.113100156],"study_design_scores_gemma":[0.00060042593,0.00014536228,0.000053862517,0.0000789337,0.0003240727,0.0003801758,0.0007321916,0.0011511006,0.000036452213,0.0009477421,0.99513084,0.00041882278],"about_ca_topic_score_codex":0.007370662,"about_ca_topic_score_gemma":0.014995873,"teacher_disagreement_score":0.415835,"about_ca_system_score_codex":0.002414753,"about_ca_system_score_gemma":0.000010567456,"threshold_uncertainty_score":0.99989635},"labels":[],"label_agreement":null},{"id":"W1804123008","doi":"","title":"Xavier Dolan. Laurence Anyways — Canada [Québec] / France 2012, 159 minutesLaurence Anyways — Canada [Québec] / France 2012, 159 minutes","year":2012,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.012481492227590003,"score_gpt":0.19984469716459746,"score_spread":0.18736320493700745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1804123008","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022536373,0.7850834,0.00010646724,0.13212717,0.008883903,0.00059597194,0.0023530314,0.00014733734,0.048166312],"genre_scores_gemma":[0.21257903,0.0020386758,0.00046411468,0.0042157294,0.0058472524,0.00012688155,0.00009911739,0.00010021865,0.774529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935428,0.0005428747,0.0013461636,0.0011588401,0.0010083686,0.002400939],"domain_scores_gemma":[0.99518526,0.0012137479,0.0007198296,0.0011098469,0.0004718399,0.0012994591],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006602034,0.0011539888,0.0013295831,0.0001698972,0.0016152406,0.00030984005,0.001575547,0.00043287527,0.01216988],"category_scores_gemma":[0.0003073235,0.0011039342,0.00036182743,0.00056519895,0.0011935475,0.0023071098,0.00017404309,0.0013193734,0.00022918056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037463917,0.00026747037,0.03645314,0.0007945888,0.00021650178,0.00045342764,0.009217708,0.000101442834,0.00011548374,0.009121805,0.9363713,0.006849661],"study_design_scores_gemma":[0.00037026958,0.00012388032,0.013330964,0.0009382941,0.00026855952,0.00017139308,0.00089870824,0.00021327092,0.00013843026,0.00016303945,0.9819152,0.0014680248],"about_ca_topic_score_codex":0.9994765,"about_ca_topic_score_gemma":0.9998397,"teacher_disagreement_score":0.78304476,"about_ca_system_score_codex":0.0011494514,"about_ca_system_score_gemma":0.006314586,"threshold_uncertainty_score":0.9996845},"labels":[],"label_agreement":null},{"id":"W1814469066","doi":"10.7202/1025939ar","title":"La Mise à mort ou les Mémoires d’un fou","year":2014,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.027763039691328293,"score_gpt":0.24560105416445974,"score_spread":0.21783801447313145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1814469066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08640531,0.058662217,0.00009957983,0.012147369,0.002058776,0.00020237971,0.00023919645,0.0003145353,0.83987063],"genre_scores_gemma":[0.67301536,0.00048138836,0.00022643879,0.00060646265,0.0038606403,0.000024768187,0.000034556087,0.000048968195,0.32170144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750024,0.00045083492,0.0005655653,0.000519631,0.0003827085,0.00058099866],"domain_scores_gemma":[0.99842584,0.00055390387,0.00016143895,0.0004616163,0.0001202193,0.0002769763],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040096763,0.00045262103,0.0005246267,0.00014369936,0.0010567639,0.0004301583,0.00044227068,0.00023883839,0.006141863],"category_scores_gemma":[0.0001410265,0.00038658324,0.00042501302,0.000106722415,0.0010243811,0.00045283476,0.00012130189,0.00041540508,0.00041151862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035106594,0.0004042706,0.0004969819,0.00028430793,0.00019634831,0.000058431728,0.0075265216,0.000016543283,0.000021030515,0.7879178,0.035932515,0.16711015],"study_design_scores_gemma":[0.00032547844,0.0002360453,0.0012875097,0.00025051582,0.0002191259,0.000019991257,0.00088522397,0.00021568198,0.00005817889,0.008981515,0.9870043,0.00051646313],"about_ca_topic_score_codex":0.0044177356,"about_ca_topic_score_gemma":0.0013233686,"teacher_disagreement_score":0.95107174,"about_ca_system_score_codex":0.00009604568,"about_ca_system_score_gemma":0.00006251365,"threshold_uncertainty_score":0.9998586},"labels":[],"label_agreement":null},{"id":"W1814600596","doi":"","title":"Les trajectoires désemparées. Hamlet est mort : gravité zéro, texte d’Ewald Palmetshofer, mise en scène de Gaétan Paré, production La Pacotille, présenté aux Écuries, du 16 oct. au 3 nov. 2012Hamlet est mort : gravité zéro, texte d’Ewald Palmetshofer, mise en scène de Gaétan Paré, production La Pacotille, présenté aux Écuries, du 16 oct. au 3 nov. 2012","year":2013,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; HAMLET (protein complex); Philosophy; Physics; Literature","score_opus":0.015158898452421377,"score_gpt":0.25893935211010344,"score_spread":0.24378045365768206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1814600596","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76943535,0.060781214,0.00030468305,0.05581341,0.020906623,0.00922424,0.0025954258,0.0024055948,0.078533486],"genre_scores_gemma":[0.5558523,0.009492942,0.00080237724,0.0010465074,0.018537205,0.0014599027,0.0021318211,0.00075691304,0.40992004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97953063,0.003926883,0.0042723427,0.004443654,0.0025792588,0.0052472195],"domain_scores_gemma":[0.98851675,0.0016627915,0.0021609215,0.0033321956,0.0016377748,0.002689582],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003813793,0.0038984364,0.0037004582,0.0015839391,0.005427409,0.0020598292,0.0021577198,0.002018142,0.007335422],"category_scores_gemma":[0.0018599128,0.0035888853,0.0018556493,0.001849531,0.0042999387,0.0051363125,0.0007305352,0.003569187,0.00090069266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002776729,0.012736723,0.044793915,0.0045264303,0.0037843976,0.0010237894,0.092043936,0.00073215715,0.003689502,0.047084976,0.6918775,0.09492998],"study_design_scores_gemma":[0.0027387533,0.0014609675,0.016457718,0.0017210454,0.0025896884,0.0011365064,0.0056805704,0.00031016438,0.0024529628,0.004972332,0.95628935,0.004189928],"about_ca_topic_score_codex":0.121506386,"about_ca_topic_score_gemma":0.06346852,"teacher_disagreement_score":0.33138657,"about_ca_system_score_codex":0.0029154646,"about_ca_system_score_gemma":0.00312392,"threshold_uncertainty_score":0.9998772},"labels":[],"label_agreement":null},{"id":"W1814830496","doi":"","title":"Regard sur le court métrage au Saguenay : La grande messe","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Geography; Art","score_opus":0.016970855616617028,"score_gpt":0.15251497198463326,"score_spread":0.13554411636801622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1814830496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.119281605,0.09490716,0.00025855374,0.02475599,0.0013823895,0.00021840943,0.00021727674,0.00023407671,0.75874454],"genre_scores_gemma":[0.29578456,0.002975454,0.00008367169,0.00018080082,0.00044709764,0.0000028286806,0.00002528468,0.00003211229,0.7004682],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983448,0.00021791969,0.00024444942,0.00038515768,0.00023348526,0.00057418214],"domain_scores_gemma":[0.99889886,0.0001251611,0.0001548509,0.00036485615,0.00011544258,0.00034081034],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022168027,0.00032258153,0.00041392993,0.00017106713,0.0015173135,0.00005234669,0.00035786701,0.00020537818,0.0035495271],"category_scores_gemma":[0.000012988972,0.00033452883,0.000380438,0.00012736025,0.00045737295,0.00059141766,0.000138438,0.00032863,0.00045021466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002673515,0.00052517664,0.0003573627,0.00011050742,0.0003320606,0.004799107,0.044597346,0.000010266092,0.000042922158,0.5527168,0.3866206,0.009620522],"study_design_scores_gemma":[0.00096663676,0.00014772694,0.00050666434,0.0000939712,0.00035552296,0.0001498843,0.0021266816,0.00008899523,0.00008893913,0.0022709135,0.9927749,0.0004291602],"about_ca_topic_score_codex":0.2342185,"about_ca_topic_score_gemma":0.26860213,"teacher_disagreement_score":0.60615426,"about_ca_system_score_codex":0.0023471776,"about_ca_system_score_gemma":0.00012459882,"threshold_uncertainty_score":0.99991065},"labels":[],"label_agreement":null},{"id":"W181780081","doi":"","title":"2003, Yannick Pouliot, Le Courtisan : Une oeuvre qui sait courtiser","year":2007,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Art","score_opus":0.011998386335221498,"score_gpt":0.23448149191550777,"score_spread":0.22248310558028628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W181780081","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009797865,0.14461976,0.0018746047,0.08620663,0.0095427465,0.000512388,0.0004386581,0.00031734016,0.74669],"genre_scores_gemma":[0.17074755,0.00042810984,0.00036041162,0.0024931754,0.005329178,0.000005370009,0.00008812822,0.00007517531,0.8204729],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970094,0.00019205449,0.0005768574,0.0006172465,0.00056180486,0.0010426564],"domain_scores_gemma":[0.99817127,0.00010781904,0.0002381963,0.0005507039,0.00040519342,0.0005268019],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00061123003,0.0005430792,0.0005748947,0.00019669236,0.0011395671,0.0003671501,0.0004110679,0.00044247202,0.017865775],"category_scores_gemma":[0.000099184945,0.0004975944,0.00038134764,0.0006232914,0.0006917647,0.00068370695,0.00008886342,0.0009088097,0.0023029072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107338674,0.00039044023,0.00024748096,0.000115749644,0.0002023359,0.00027550143,0.04132032,0.000048580663,0.000057585687,0.3408624,0.61234087,0.0040314314],"study_design_scores_gemma":[0.00062640663,0.0001844355,0.00094724004,0.00021786967,0.00023188666,0.000030063416,0.009162638,0.000077445555,0.000099644225,0.0005377679,0.9871998,0.00068483246],"about_ca_topic_score_codex":0.009500354,"about_ca_topic_score_gemma":0.011429839,"teacher_disagreement_score":0.37485892,"about_ca_system_score_codex":0.0002022866,"about_ca_system_score_gemma":0.00023457511,"threshold_uncertainty_score":0.9997476},"labels":[],"label_agreement":null},{"id":"W1824493568","doi":"10.7202/041644ar","title":"Safty, Essam, La mort tragique : idéologie et mort dans la tragédie baroque en France, Paris, L’Harmattan, 2005, 421 p.","year":2006,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Baroque; Art; Humanities; Art history","score_opus":0.012615844770021223,"score_gpt":0.2641760970982049,"score_spread":0.2515602523281837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1824493568","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034953672,0.015706526,0.00035131216,0.05578191,0.0020677093,0.0011377479,0.0024797756,0.000951996,0.8865694],"genre_scores_gemma":[0.5324892,0.011259089,0.00048181295,0.00125306,0.003120066,0.00026922024,0.0005488485,0.00027508714,0.4503036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9910165,0.0019217837,0.002256553,0.0017452918,0.00086747203,0.0021923957],"domain_scores_gemma":[0.9954087,0.0016464271,0.0006941376,0.0012128239,0.0002883436,0.0007495287],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015248897,0.0018287709,0.0021001957,0.00047340378,0.001211542,0.00088640134,0.0015143284,0.0012202451,0.0024672383],"category_scores_gemma":[0.00013374195,0.0017540161,0.0015881234,0.0004412088,0.0024137413,0.002013595,0.00022073036,0.002443736,0.0003105336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017719808,0.0019871069,0.0012683636,0.0011341415,0.0005238997,0.0020304366,0.011342684,0.0015025302,0.0003064567,0.73018116,0.24848577,0.0010602676],"study_design_scores_gemma":[0.0005590988,0.0003518369,0.00417286,0.0011945256,0.0009210421,0.00048829266,0.0010933891,0.00027550405,0.00025450732,0.0037493624,0.9848796,0.0020599724],"about_ca_topic_score_codex":0.014696073,"about_ca_topic_score_gemma":0.082774304,"teacher_disagreement_score":0.7363938,"about_ca_system_score_codex":0.00056031335,"about_ca_system_score_gemma":0.0008950677,"threshold_uncertainty_score":0.99985766},"labels":[],"label_agreement":null},{"id":"W1827181366","doi":"10.4000/edso.1431","title":"Réflexions sur l’étonnement et l’enseignement de la philosophie au pré-universitaire","year":2015,"lang":"fr","type":"article","venue":"Éducation et socialisation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Philosophy; Humanities","score_opus":0.10428233479869473,"score_gpt":0.32644393709394404,"score_spread":0.2221616022952493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1827181366","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048453845,0.001641608,0.0009535959,0.30395332,0.0038974134,0.00037061932,0.00016937527,0.00011970917,0.6404405],"genre_scores_gemma":[0.9486118,0.00013113058,0.00014098948,0.0025962263,0.0024182238,0.00002898291,0.0004816973,0.00002115759,0.045569774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979184,0.000964848,0.00030095654,0.00023160032,0.0003343777,0.0002497747],"domain_scores_gemma":[0.99893034,0.00019416849,0.00021390588,0.00015601388,0.0003162043,0.00018939316],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001080498,0.00018137562,0.00017539601,0.00012170122,0.0008184309,0.0001902728,0.00011573895,0.00013835543,0.0015920707],"category_scores_gemma":[0.00016450814,0.00020310395,0.00012910075,0.00011261634,0.0003130711,0.00085543055,0.000032621203,0.00019379065,0.00017702745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012339694,0.0004104205,0.00007551548,0.000032513988,0.00005217958,0.000002088799,0.27245507,0.00010427971,0.000006271155,0.6374996,0.08851995,0.0008297674],"study_design_scores_gemma":[0.00043817793,0.00012474236,0.0007116807,0.00005811069,0.00016112845,0.0000018374324,0.033671707,0.000114803195,0.000010262612,0.10130099,0.8631857,0.00022085391],"about_ca_topic_score_codex":0.010556211,"about_ca_topic_score_gemma":0.00188275,"teacher_disagreement_score":0.900158,"about_ca_system_score_codex":0.0030920368,"about_ca_system_score_gemma":0.0017968024,"threshold_uncertainty_score":0.9993206},"labels":[],"label_agreement":null},{"id":"W1829001156","doi":"10.26522/vp.v2i2.535","title":"Quelques paysages rêvés du moyen âge : Enfer, Paradis et Cocagne","year":2005,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02019643144996529,"score_gpt":0.24294088535943154,"score_spread":0.22274445390946623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1829001156","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.065562434,0.1980114,0.00018086465,0.29127976,0.0036029466,0.00042308116,0.0013641472,0.00049512245,0.43908027],"genre_scores_gemma":[0.3719406,0.012555821,0.00034117216,0.0039852005,0.0064546205,0.000034693057,0.00011369487,0.0000645143,0.60450965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976575,0.0002938321,0.00061635807,0.0005016035,0.00032980356,0.00060093415],"domain_scores_gemma":[0.9987024,0.00033354416,0.00016744461,0.0003964298,0.0001213538,0.00027880268],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027491327,0.00047317962,0.0004789506,0.00015218966,0.0008277042,0.00044664124,0.00034270014,0.00020281502,0.014423233],"category_scores_gemma":[0.000070960785,0.00040607204,0.00036275978,0.0001110449,0.00063842884,0.00089124957,0.00010006445,0.0004043906,0.0016059907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004430914,0.0005592901,0.0001922026,0.000102073056,0.00018126352,0.00009505677,0.059955668,0.000072374314,0.000019379859,0.69770145,0.22523884,0.015838068],"study_design_scores_gemma":[0.0003526565,0.0002283652,0.00018211956,0.00015777104,0.00019154178,0.000014538111,0.001103049,0.00050206797,0.00014783583,0.0033415803,0.9932102,0.00056830136],"about_ca_topic_score_codex":0.007200867,"about_ca_topic_score_gemma":0.004953641,"teacher_disagreement_score":0.76797134,"about_ca_system_score_codex":0.00010878516,"about_ca_system_score_gemma":0.000093747265,"threshold_uncertainty_score":0.9998391},"labels":[],"label_agreement":null},{"id":"W183402744","doi":"","title":"Le roman historique comme instrument didactique","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.012532980268838192,"score_gpt":0.16281113850035983,"score_spread":0.15027815823152163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W183402744","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04698303,0.15649313,0.0002246798,0.3144532,0.0015205999,0.00025823267,0.00015058131,0.00021869087,0.47969782],"genre_scores_gemma":[0.3534322,0.0033716608,0.000106473315,0.0016077409,0.0007659287,0.0000020992784,0.00004481357,0.000020148043,0.6406489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985485,0.00014360152,0.00025113273,0.0003511294,0.00021023088,0.00049538433],"domain_scores_gemma":[0.99904126,0.000057108442,0.00016371327,0.00034691123,0.00007351133,0.00031749095],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010558171,0.00030393942,0.00037733142,0.00016956808,0.0017809569,0.00006429599,0.00031661015,0.00018628252,0.0014460819],"category_scores_gemma":[0.0000066350567,0.00034958316,0.0003031007,0.000116773546,0.00019208252,0.00054198253,0.000089060886,0.0003562928,0.0002640925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007465434,0.00033566155,0.000018507311,0.000024469262,0.00008002208,0.0009490159,0.008481193,0.00001841965,0.00005635875,0.6833909,0.28896958,0.017601244],"study_design_scores_gemma":[0.00058870815,0.00039955683,0.00015972141,0.000070731694,0.00013714525,0.000113523754,0.000989186,0.00010167546,0.000056153734,0.0045806975,0.99239403,0.0004088464],"about_ca_topic_score_codex":0.051777165,"about_ca_topic_score_gemma":0.0604098,"teacher_disagreement_score":0.7034245,"about_ca_system_score_codex":0.009154878,"about_ca_system_score_gemma":0.00008810964,"threshold_uncertainty_score":0.99989563},"labels":[],"label_agreement":null},{"id":"W183955848","doi":"","title":"Au pays du sourire obligatoire. Le Couperet de Constantin Costa-Gavras Le Couperet de Constantin Costa-Gavras","year":2006,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.012806777355904594,"score_gpt":0.20208233337021023,"score_spread":0.18927555601430562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W183955848","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4816035,0.15239586,0.00083385187,0.021032887,0.0020542508,0.0007382429,0.0031854925,0.00047794834,0.33767796],"genre_scores_gemma":[0.8841248,0.0022002358,0.00030103052,0.001778962,0.0028183423,0.00005009795,0.0003429564,0.00013631831,0.108247235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99477124,0.0005626083,0.0013304708,0.00096064416,0.0005917334,0.0017833301],"domain_scores_gemma":[0.9969368,0.00086350186,0.0004548966,0.0006886448,0.0004466657,0.00060947635],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00089551276,0.00092378247,0.0012475266,0.00027737417,0.0031017973,0.00081121956,0.00063893065,0.0005010242,0.005529355],"category_scores_gemma":[0.00020693126,0.0009122804,0.00062039244,0.00028436203,0.0035339077,0.00055702945,0.00016834006,0.0008058074,0.000588201],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014540464,0.00086456,0.01608797,0.00025566414,0.0002258838,0.0005504128,0.006457606,0.00007495564,0.00066812313,0.52435464,0.44952196,0.00079281686],"study_design_scores_gemma":[0.0018599805,0.00022591306,0.0009740207,0.00054398715,0.000339789,0.00014757163,0.010992834,0.0006756959,0.0012556122,0.0041770656,0.9776251,0.0011824338],"about_ca_topic_score_codex":0.06598169,"about_ca_topic_score_gemma":0.012468855,"teacher_disagreement_score":0.5281031,"about_ca_system_score_codex":0.0006286872,"about_ca_system_score_gemma":0.00223781,"threshold_uncertainty_score":0.9993328},"labels":[],"label_agreement":null},{"id":"W1855974827","doi":"","title":"Soir de théâtre","year":2012,"lang":"fr","type":"article","venue":"XYZ. La revue de la nouvelle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.015211435462838381,"score_gpt":0.2263300500116064,"score_spread":0.211118614548768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1855974827","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047989417,0.026553942,0.0001770893,0.007817312,0.0015064103,0.00010239198,0.00012360024,0.000093820956,0.915636],"genre_scores_gemma":[0.28980657,0.00068254257,0.00033269776,0.0007681245,0.005186925,0.000015293745,0.000018739665,0.000034329143,0.7031548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843925,0.00031945144,0.0002719557,0.00019954772,0.00011089973,0.00065890123],"domain_scores_gemma":[0.99881995,0.00048048026,0.00008956279,0.00025060403,0.000039833078,0.0003196004],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049361587,0.00023267198,0.00029193296,0.00007188095,0.00052506203,0.00016884717,0.00020687225,0.00024120016,0.020963142],"category_scores_gemma":[0.00006104227,0.00022018356,0.00025050636,0.000079636,0.00035771378,0.00034407424,0.00006792342,0.00041425115,0.0008885208],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002440731,0.00061370514,0.0025232052,0.0002969169,0.00009886298,0.00009520937,0.058576457,0.00003588745,0.00005067584,0.6250143,0.30669364,0.0059767165],"study_design_scores_gemma":[0.00018931857,0.000049200924,0.00077576464,0.00013622735,0.00014676759,0.0000914285,0.0017403245,0.00032380392,0.000054582924,0.001064844,0.9951264,0.0003013322],"about_ca_topic_score_codex":0.0012467555,"about_ca_topic_score_gemma":0.00012912294,"teacher_disagreement_score":0.68843275,"about_ca_system_score_codex":0.00016241288,"about_ca_system_score_gemma":0.000084545565,"threshold_uncertainty_score":0.9998894},"labels":[],"label_agreement":null},{"id":"W1856667976","doi":"","title":"Ma tante Aline : La vie est un cabaret Ma tante Aline Canada [Québec] 2007, 107 minutes Ma tante Aline Canada [Québec] 2007, 107 minutes","year":2007,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011549582933247251,"score_gpt":0.2100480609289662,"score_spread":0.19849847799571893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1856667976","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074631184,0.41709167,0.00035437805,0.31928697,0.011965111,0.00165649,0.0149485115,0.00044285945,0.15962282],"genre_scores_gemma":[0.24321331,0.0036402878,0.0009378657,0.0061932816,0.0085697565,0.00006965756,0.00087620015,0.00024564698,0.736254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9910713,0.0007020265,0.0026989954,0.0016465521,0.0012673949,0.0026137226],"domain_scores_gemma":[0.9931485,0.0022369227,0.0010783304,0.0012064236,0.00087799795,0.001451799],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015234625,0.0016517992,0.002033357,0.0004081917,0.0015806351,0.00043389096,0.0015877904,0.0005870946,0.017893838],"category_scores_gemma":[0.00065300154,0.0015478471,0.00060463895,0.0007921211,0.0014939589,0.00076686504,0.00026652985,0.0014032191,0.00013206337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046433098,0.0005701094,0.0061045364,0.0012146971,0.0010474084,0.016717622,0.0059477324,0.0003135036,0.00047347133,0.010228647,0.9469799,0.009938068],"study_design_scores_gemma":[0.0010570674,0.0003609291,0.0010234631,0.001393611,0.00078774575,0.0010280482,0.0026886761,0.0012215087,0.0007500415,0.00023706743,0.98752785,0.0019239899],"about_ca_topic_score_codex":0.99917763,"about_ca_topic_score_gemma":0.9998987,"teacher_disagreement_score":0.5766312,"about_ca_system_score_codex":0.0023214568,"about_ca_system_score_gemma":0.0067766104,"threshold_uncertainty_score":0.99971914},"labels":[],"label_agreement":null},{"id":"W1858850441","doi":"10.4000/ahrf.2913","title":"MONVEL, Théâtre, discours politiques et réflexions diverses, édités et annotés par Roselyne Laplace, Paris, Honoré Champion, 2001, 383 p.","year":2002,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Champion; Humanities; Philosophy; Art; Political science; Law","score_opus":0.04550269745420181,"score_gpt":0.28502750632116547,"score_spread":0.23952480886696365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1858850441","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010610472,0.7192934,0.0009092367,0.05714919,0.0034206347,0.0005267612,0.0027295721,0.0008077551,0.20455298],"genre_scores_gemma":[0.29328585,0.12266956,0.00055563595,0.0046129087,0.0029652156,0.0001184765,0.0006342601,0.00014329114,0.5750148],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99431473,0.0018530658,0.0010108266,0.00091729587,0.00061858003,0.0012855212],"domain_scores_gemma":[0.99701685,0.00051826774,0.00048847584,0.00071796734,0.0004995476,0.00075891596],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009390398,0.00087928236,0.0009010883,0.00047921142,0.0017859988,0.00045247725,0.0005316432,0.00063763367,0.0085360175],"category_scores_gemma":[0.00018195665,0.00089861563,0.00070393656,0.00033325524,0.0018190142,0.0021956638,0.0001568886,0.0012241583,0.00066837686],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008538381,0.0011869448,0.0008458905,0.00015339379,0.00016682643,0.00013744736,0.046327446,0.000071691575,0.00002226987,0.20621602,0.74425864,0.0005280095],"study_design_scores_gemma":[0.00061576214,0.00034677485,0.00062488,0.00037279984,0.00029257787,0.000058950376,0.0010880438,0.0006870056,0.000025455545,0.005364571,0.9894568,0.0010663837],"about_ca_topic_score_codex":0.040697053,"about_ca_topic_score_gemma":0.006098926,"teacher_disagreement_score":0.59662384,"about_ca_system_score_codex":0.0010828602,"about_ca_system_score_gemma":0.00023335883,"threshold_uncertainty_score":0.99951357},"labels":[],"label_agreement":null},{"id":"W1865438240","doi":"10.7202/1018467ar","title":"Contre une littérature de l’épuisement","year":2013,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.017015690988223676,"score_gpt":0.22334589566166807,"score_spread":0.2063302046734444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1865438240","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034851894,0.22638644,0.000039440794,0.11196352,0.0029016328,0.00072757446,0.00043589447,0.00031402623,0.6223796],"genre_scores_gemma":[0.39113772,0.0011573958,0.0001944275,0.0031918644,0.0047349758,0.00009724051,0.000058359856,0.000044238375,0.5993838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977292,0.00018017476,0.0005289982,0.000439782,0.00032479494,0.0007970624],"domain_scores_gemma":[0.9986983,0.00016152384,0.00014453992,0.00039200365,0.00021971411,0.00038390313],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015326441,0.0004243251,0.0004666667,0.000106006555,0.0007278502,0.0006624001,0.00036670093,0.00022658658,0.01948886],"category_scores_gemma":[0.000049062495,0.00035304792,0.00034889855,0.00023074428,0.0005870618,0.00066537113,0.00009388452,0.00043731782,0.0014865674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017373655,0.00040754344,0.00026748673,0.00022169172,0.00022477408,0.00004939025,0.0116920965,0.000010833638,0.00008754679,0.689784,0.269796,0.02744127],"study_design_scores_gemma":[0.00034324676,0.00023192074,0.0012788952,0.0002628235,0.00015791731,0.000011042301,0.0028193495,0.00017197168,0.000048128797,0.011203618,0.9830175,0.00045359496],"about_ca_topic_score_codex":0.023237515,"about_ca_topic_score_gemma":0.0022629825,"teacher_disagreement_score":0.7132215,"about_ca_system_score_codex":0.0002547479,"about_ca_system_score_gemma":0.00012621748,"threshold_uncertainty_score":0.9998922},"labels":[],"label_agreement":null},{"id":"W1887243976","doi":"10.7202/004926ar","title":". Jean-Pierre Belna, Cantor , Paris, Les Belles Lettres, (Coll. Figures du savoir) 2000, 238 p.","year":2001,"lang":"fr","type":"article","venue":"Philosophiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.13398526417768586,"score_gpt":0.2875136302616869,"score_spread":0.15352836608400106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1887243976","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035930702,0.5801032,0.000025713953,0.1522617,0.0018122949,0.00032021792,0.00095758063,0.000313997,0.26061222],"genre_scores_gemma":[0.18290159,0.13953818,0.00013283733,0.0051237317,0.0412133,0.00009106556,0.00041985058,0.00014779961,0.63043165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656326,0.00039457536,0.00087832706,0.0007684182,0.0005120198,0.0008833835],"domain_scores_gemma":[0.9978642,0.0005641836,0.00030176967,0.0005621712,0.00028573838,0.000421927],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025823808,0.00074145105,0.00083578576,0.00028026005,0.0021086934,0.00043891775,0.0005724426,0.00034110667,0.02920863],"category_scores_gemma":[0.00016495111,0.00066961494,0.0005222064,0.0001636814,0.0010088036,0.0008529383,0.00015619236,0.00066655787,0.00077331736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011824291,0.0006308432,0.0014508519,0.00021657786,0.00028858872,0.0004201251,0.0049966257,0.000024458695,0.000010319859,0.2518337,0.73026055,0.009749102],"study_design_scores_gemma":[0.00036768583,0.0003410003,0.00011365017,0.00040261997,0.00030511443,0.000025287958,0.00038260184,0.00022317935,0.0000556464,0.024550518,0.97239345,0.00083923567],"about_ca_topic_score_codex":0.04829965,"about_ca_topic_score_gemma":0.009487262,"teacher_disagreement_score":0.44056502,"about_ca_system_score_codex":0.00055964204,"about_ca_system_score_gemma":0.00016229521,"threshold_uncertainty_score":0.9995755},"labels":[],"label_agreement":null},{"id":"W1887298660","doi":"10.25115/eea.v32i1.3205","title":"Las pasiones y los intereses: La educación sentimental de Gustave Flaubert","year":2020,"lang":"es","type":"article","venue":"Studies of Applied Economics","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.04054956386630194,"score_gpt":0.26514427868195867,"score_spread":0.22459471481565674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1887298660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77948976,0.005741408,0.00000584167,0.0033773493,0.00059304823,0.00030137008,0.0004539148,0.000055086217,0.20998223],"genre_scores_gemma":[0.99195683,0.0029015918,0.00011196682,0.00104962,0.0012245445,0.000020433996,0.000027405278,0.000032102773,0.002675486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986884,0.000031728192,0.0005704304,0.00035750802,0.00006350216,0.0002884104],"domain_scores_gemma":[0.9991723,0.00022647543,0.00024127531,0.00016940254,0.000050516377,0.00014006015],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010315933,0.0002921953,0.000672039,0.00006711919,0.00031080018,0.00014626069,0.000241583,0.000073725285,0.0008659882],"category_scores_gemma":[0.000022272652,0.000269199,0.00023348839,0.00003273403,0.00058671477,0.00014070384,0.0003049742,0.0001854272,0.0001945208],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047395876,0.00034529992,0.00037582914,0.000974412,0.0022976578,0.000007739773,0.143452,0.00022417362,0.00018335352,0.7646347,0.084629185,0.0024016376],"study_design_scores_gemma":[0.00043605154,0.00016682566,0.00003924999,0.00007681078,0.000236903,0.0000012034399,0.055834077,0.0001377048,0.00087667303,0.0035484936,0.93830615,0.0003398489],"about_ca_topic_score_codex":0.000056354078,"about_ca_topic_score_gemma":0.000042113556,"teacher_disagreement_score":0.853677,"about_ca_system_score_codex":0.00011865859,"about_ca_system_score_gemma":0.000057456124,"threshold_uncertainty_score":0.99997604},"labels":[],"label_agreement":null},{"id":"W1894470041","doi":"","title":"Lire ou regarder, c’est toujours faire : de quelques effets de la ligne claire sur le lecteur/spectateur","year":2006,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012715479355503706,"score_gpt":0.2260151235050334,"score_spread":0.21329964414952968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1894470041","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38473696,0.07669122,0.00017024667,0.020367563,0.0022698566,0.00040398905,0.00029104977,0.0005701305,0.514499],"genre_scores_gemma":[0.57889825,0.00029703788,0.00020887954,0.00044482114,0.0029073702,0.000023413899,0.000055194767,0.000065147375,0.4170999],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970737,0.00061650976,0.0005634735,0.00053333765,0.00029884354,0.0009141184],"domain_scores_gemma":[0.9985705,0.00039622874,0.00019396597,0.00038656426,0.00016956325,0.00028317884],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044379343,0.00049113395,0.0005447128,0.00016551053,0.001200387,0.00059526495,0.0003751884,0.00030424006,0.0016047672],"category_scores_gemma":[0.00010949122,0.00047506366,0.00041693443,0.00016801701,0.00071153487,0.00053413014,0.00007165717,0.0006169288,0.0002996893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010197326,0.0017339328,0.0029530588,0.00044393938,0.0001455886,0.0010855013,0.014172336,0.00006267105,0.00077582354,0.50272024,0.46383205,0.011972866],"study_design_scores_gemma":[0.0008128737,0.00023359123,0.004191924,0.00022588618,0.00018991115,0.00013679008,0.0008259582,0.00019976437,0.00069382286,0.01342237,0.9784398,0.0006272892],"about_ca_topic_score_codex":0.044694386,"about_ca_topic_score_gemma":0.018210864,"teacher_disagreement_score":0.5146078,"about_ca_system_score_codex":0.0002575347,"about_ca_system_score_gemma":0.0004879178,"threshold_uncertainty_score":0.9997701},"labels":[],"label_agreement":null},{"id":"W1897204143","doi":"10.7202/041431ar","title":"Dictionnaire du théâtre, Paris, Encyclopaedia Universalis/Albin Michel, 1998","year":2000,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Encyclopedia; Art; Humanities; Philosophy; Linguistics","score_opus":0.012095173643645186,"score_gpt":0.203460840040244,"score_spread":0.19136566639659883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1897204143","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054092173,0.025574608,0.000029167379,0.056357816,0.0050209207,0.0010640933,0.0016900012,0.0010916687,0.85507953],"genre_scores_gemma":[0.32498166,0.017212003,0.00015970749,0.0014006053,0.005583946,0.000080678044,0.0004581473,0.00020833025,0.6499149],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931481,0.00064831437,0.0017693081,0.0016954642,0.0008241757,0.0019146645],"domain_scores_gemma":[0.99640673,0.00050065335,0.00052143587,0.0012506626,0.00027458053,0.0010459486],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00045676733,0.0016046154,0.0016161066,0.00046098226,0.0022949283,0.00068946823,0.0013464311,0.00077551696,0.012516922],"category_scores_gemma":[0.00008088651,0.0016036652,0.0015539284,0.0006315127,0.0019657793,0.0025022211,0.0001426003,0.0014213646,0.0026856225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048727766,0.0017889579,0.0006937501,0.00077663484,0.00077291275,0.00078505167,0.026151447,0.00034150144,0.000032836448,0.476108,0.47356176,0.018499868],"study_design_scores_gemma":[0.0005460657,0.000750481,0.00063014735,0.0013843874,0.001124682,0.00020266432,0.001096949,0.00038312146,0.000033107175,0.0010399324,0.9909451,0.0018633716],"about_ca_topic_score_codex":0.011270616,"about_ca_topic_score_gemma":0.034638193,"teacher_disagreement_score":0.51738334,"about_ca_system_score_codex":0.00073228223,"about_ca_system_score_gemma":0.00050663267,"threshold_uncertainty_score":0.99967015},"labels":[],"label_agreement":null},{"id":"W1897756012","doi":"","title":"로빈슨 크루소의 구원","year":2000,"lang":"ko","type":"article","venue":"한국프랑스학논집","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.024635201055419893,"score_gpt":0.21641847036081485,"score_spread":0.19178326930539497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1897756012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09590372,0.005696514,0.0000039129645,0.0015428966,0.001013847,0.00011763857,0.00014671101,0.00013385146,0.89544094],"genre_scores_gemma":[0.4340249,0.00026172842,0.000017328959,0.0012147331,0.002136819,0.0000057880766,0.000030112928,0.00002013618,0.56228846],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984538,0.00009339692,0.00039326717,0.00036348862,0.00026016575,0.00043587064],"domain_scores_gemma":[0.99926704,0.00006821332,0.000060979597,0.00035634995,0.000053381365,0.00019401744],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010133108,0.00027194136,0.000344799,0.00007924634,0.00071076996,0.00030846157,0.00027021018,0.000102851445,0.32792392],"category_scores_gemma":[0.000010160573,0.00022850464,0.00027641293,0.00009663009,0.00023840717,0.0003573152,0.000026515636,0.00026536538,0.016982606],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015471001,0.0007915243,0.00044284202,0.00015561232,0.00027763148,0.00021920857,0.057094645,0.000021451233,0.000032835862,0.19342682,0.5708424,0.17654033],"study_design_scores_gemma":[0.00024261857,0.00015338682,0.00023052526,0.000055259185,0.00009927695,0.000005149065,0.00033626417,0.00008532878,0.00001701107,0.001539691,0.99689466,0.0003408251],"about_ca_topic_score_codex":0.0009769305,"about_ca_topic_score_gemma":0.00011866396,"teacher_disagreement_score":0.42605227,"about_ca_system_score_codex":0.000053440723,"about_ca_system_score_gemma":0.000037816655,"threshold_uncertainty_score":0.98378277},"labels":[],"label_agreement":null},{"id":"W1898643247","doi":"10.7202/1025940ar","title":"La leçon de Reine. Roman et romanesque dans Les Voyageurs de l’impériale","year":2014,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02329884323651252,"score_gpt":0.24424458941352423,"score_spread":0.2209457461770117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1898643247","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33058655,0.012668285,0.0007158707,0.009530142,0.0010528144,0.00019346872,0.00021378005,0.00032906918,0.64471],"genre_scores_gemma":[0.85411704,0.00039601963,0.00039433638,0.00096447894,0.0032342726,0.000027695305,0.00006261078,0.0000644073,0.14073917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970411,0.0010795385,0.0004769958,0.00044973663,0.00026560546,0.00068699586],"domain_scores_gemma":[0.9984863,0.00058786076,0.00015640886,0.0004062443,0.000064636486,0.00029859613],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008408827,0.0004075755,0.00045543755,0.00012704462,0.00075278594,0.00044399902,0.0004347869,0.00027771152,0.001576082],"category_scores_gemma":[0.00020087576,0.00037299396,0.00030099097,0.00009438632,0.0006794633,0.0004252729,0.00010406549,0.0005041395,0.00011663571],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048655314,0.00037305552,0.0012581118,0.000303644,0.00012881221,0.00009999789,0.03952032,0.00015458903,0.00066062127,0.9179594,0.031028742,0.008464068],"study_design_scores_gemma":[0.0003353291,0.00034076587,0.0037589425,0.00027142366,0.00018284662,0.000060741393,0.0015594455,0.0007778251,0.00015738199,0.006120618,0.9859669,0.00046778138],"about_ca_topic_score_codex":0.024611734,"about_ca_topic_score_gemma":0.013572824,"teacher_disagreement_score":0.9549382,"about_ca_system_score_codex":0.0002822507,"about_ca_system_score_gemma":0.00015979278,"threshold_uncertainty_score":0.9998722},"labels":[],"label_agreement":null},{"id":"W1912387824","doi":"","title":"Le dévoilement des filles d’Ève : le nu littéraire comme pratique illicite et érotique","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","score_opus":0.01693560539657948,"score_gpt":0.18508680607062253,"score_spread":0.16815120067404304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1912387824","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10334637,0.1956395,0.0016236308,0.3279559,0.0006921756,0.0005634511,0.00058840803,0.0002843977,0.36930618],"genre_scores_gemma":[0.20280524,0.022236554,0.000368097,0.002464617,0.000724543,0.000016673868,0.00015237724,0.00005452215,0.77117735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794644,0.00040615804,0.00033971446,0.000434084,0.00024015162,0.0006334532],"domain_scores_gemma":[0.99873185,0.00017945588,0.00020317153,0.00037316134,0.00018354648,0.0003288333],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024625356,0.00038980425,0.0004497893,0.00018526823,0.002644809,0.00012666902,0.0003545391,0.00020944375,0.001814987],"category_scores_gemma":[0.000019521967,0.00042297223,0.0003493639,0.00020329352,0.0005071789,0.0008006257,0.00023211306,0.00040061734,0.0002115931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010310531,0.00049140514,0.00025222407,0.00009874017,0.0002380346,0.0013908567,0.027082497,0.00013152002,0.00004634785,0.7760766,0.18008177,0.014006903],"study_design_scores_gemma":[0.00079572387,0.0002621274,0.00027287356,0.00019791507,0.00013540515,0.0001717512,0.009573341,0.0003207084,0.00005768372,0.0056702634,0.9820417,0.00050049555],"about_ca_topic_score_codex":0.15836218,"about_ca_topic_score_gemma":0.44321054,"teacher_disagreement_score":0.80195993,"about_ca_system_score_codex":0.0027567951,"about_ca_system_score_gemma":0.00021655556,"threshold_uncertainty_score":0.9998222},"labels":[],"label_agreement":null},{"id":"W19216423","doi":"10.4000/pallas.6573","title":"L’Apollodore de James George Frazer","year":2009,"lang":"fr","type":"article","venue":"Pallas","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.021141524925036247,"score_gpt":0.23909867444466215,"score_spread":0.21795714951962591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W19216423","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026068408,0.06478737,0.00006946714,0.022934373,0.0016033424,0.000090862384,0.000094191746,0.00010485515,0.8842471],"genre_scores_gemma":[0.36862946,0.00048016812,0.00013063787,0.0038433466,0.0029703937,0.000002627481,0.000015328416,0.0000124185635,0.6239156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988333,0.00007919997,0.00024736463,0.00022440594,0.00015828866,0.00045745054],"domain_scores_gemma":[0.9994292,0.00007166953,0.000060224946,0.00019637204,0.00005166836,0.00019083197],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011236141,0.00020022182,0.00024322592,0.000068125846,0.0004547642,0.00018287906,0.00016812995,0.00010953105,0.01865878],"category_scores_gemma":[0.000030905427,0.00017723636,0.00021195739,0.00006095619,0.00018363429,0.00020487231,0.000017474498,0.00022289305,0.0014399207],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022003258,0.00024059396,0.0003952918,0.000042276617,0.00005681582,0.000086996486,0.017734598,0.000008757065,0.000034022964,0.6335145,0.32491985,0.022944245],"study_design_scores_gemma":[0.00017139585,0.00016685874,0.0007840469,0.000073507996,0.00008300314,0.000006992238,0.0004400237,0.00010000785,0.000040182407,0.013515866,0.9843727,0.00024542288],"about_ca_topic_score_codex":0.0012927646,"about_ca_topic_score_gemma":0.00012998973,"teacher_disagreement_score":0.65945286,"about_ca_system_score_codex":0.000095432784,"about_ca_system_score_gemma":0.00004663257,"threshold_uncertainty_score":0.99933755},"labels":[],"label_agreement":null},{"id":"W1921852427","doi":"","title":"L’odeur de Rose","year":2000,"lang":"fr","type":"article","venue":"XYZ. La revue de la nouvelle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rose (mathematics); Mathematics","score_opus":0.011176517453343316,"score_gpt":0.21436480442012817,"score_spread":0.20318828696678487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1921852427","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06644814,0.011197014,0.00005767782,0.00426892,0.00054429704,0.00008972428,0.00013948626,0.00009339682,0.91716135],"genre_scores_gemma":[0.12419495,0.0022797869,0.00039134038,0.0008534141,0.0029504423,0.000015604055,0.000022283153,0.000038167324,0.869254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983418,0.00041876233,0.00031608457,0.00029825297,0.00011718179,0.0005079051],"domain_scores_gemma":[0.99900806,0.00037476054,0.000061857696,0.00028067135,0.000037375634,0.00023724574],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034063437,0.00024324413,0.00031141055,0.0000631223,0.0005522283,0.00025602177,0.0002482987,0.00023274623,0.09187776],"category_scores_gemma":[0.00003538682,0.00024177962,0.0002576112,0.000097976415,0.00037730942,0.00022085576,0.000032686574,0.00043153987,0.0016270317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010867089,0.0010824914,0.0006178669,0.00046046183,0.00016396442,0.0010061713,0.103075705,0.00037246558,0.000089855705,0.47220093,0.29838315,0.12243829],"study_design_scores_gemma":[0.00029477268,0.000090665184,0.00031072524,0.00014156486,0.00011362571,0.00011432348,0.0006322618,0.00088559726,0.000033590277,0.002732439,0.99433213,0.00031831278],"about_ca_topic_score_codex":0.0022318203,"about_ca_topic_score_gemma":0.00023926186,"teacher_disagreement_score":0.69594896,"about_ca_system_score_codex":0.00014409148,"about_ca_system_score_gemma":0.000097721546,"threshold_uncertainty_score":0.99915034},"labels":[],"label_agreement":null},{"id":"W1924903695","doi":"10.3917/afcul.099.0406","title":"Pleins feux sur la création théâtrale contemporaine guadeloupéenne au Festival d’Avignon 2014","year":2015,"lang":"fr","type":"article","venue":"Africultures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","score_opus":0.0422974284001732,"score_gpt":0.24069896808148003,"score_spread":0.19840153968130683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1924903695","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11191508,0.04967665,0.000128566,0.02166777,0.0048330487,0.00048838614,0.0006393468,0.000283914,0.8103672],"genre_scores_gemma":[0.49135965,0.00011738009,0.0000537092,0.00019840265,0.0029892174,0.000016804011,0.00021164281,0.000020282763,0.5050329],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979675,0.00032066816,0.0004633991,0.00038912476,0.00039473604,0.00046457833],"domain_scores_gemma":[0.9985646,0.000259044,0.0002026459,0.00023321813,0.0003800903,0.00036039655],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037715922,0.00036919667,0.00042312,0.00008062027,0.0005404021,0.00033934374,0.00024904404,0.0002187615,0.0014585579],"category_scores_gemma":[0.0002161303,0.00026845906,0.00023466583,0.00011522185,0.00039441566,0.000834896,0.00005976849,0.00032277044,0.00062127766],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049627317,0.00042920146,0.00032266552,0.00006636499,0.00010901108,0.00011234427,0.049833354,0.00006040947,0.000083164785,0.16319382,0.78482527,0.00091474707],"study_design_scores_gemma":[0.0006130104,0.0003095679,0.00051686465,0.00011609148,0.00014970613,0.000030476567,0.0040460285,0.000073394745,0.000076203665,0.0016764051,0.9919665,0.00042575708],"about_ca_topic_score_codex":0.011930761,"about_ca_topic_score_gemma":0.0022271671,"teacher_disagreement_score":0.37944457,"about_ca_system_score_codex":0.00021158818,"about_ca_system_score_gemma":0.0001695395,"threshold_uncertainty_score":0.99997675},"labels":[],"label_agreement":null},{"id":"W1936482133","doi":"10.4000/ashp.1157","title":"Langue et littérature néo-latines","year":2011,"lang":"fr","type":"article","venue":"École pratique des hautes études Section des sciences historiques et philologiques Livret-Annuaire","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08081154263519735,"score_gpt":0.28766639762606033,"score_spread":0.20685485499086298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1936482133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02976526,0.031831715,0.0018864587,0.008320577,0.0049520014,0.00081802654,0.0002732576,0.0013020472,0.92085063],"genre_scores_gemma":[0.17992555,0.010521173,0.021492304,0.00993076,0.0040171975,0.0002837552,0.00013766046,0.00014827315,0.7735433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933249,0.002131862,0.0012541012,0.0014578073,0.00069094566,0.0011403972],"domain_scores_gemma":[0.9965898,0.0005123783,0.000792897,0.00063706253,0.0010216744,0.00044619746],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0021602642,0.0010623144,0.0009894794,0.0006297858,0.003501503,0.0008672999,0.0010896709,0.00086656405,0.0027353063],"category_scores_gemma":[0.0005339436,0.00093065284,0.00058139995,0.00096586277,0.008218684,0.0051395968,0.00028185386,0.0014795384,0.00010525747],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011974181,0.0010508287,0.0020160095,0.00048066673,0.0001668236,0.00010560548,0.06302915,0.00008478036,0.00019118209,0.9131444,0.017002527,0.0026083],"study_design_scores_gemma":[0.00022119436,0.0044361535,0.0013122975,0.0007742718,0.00017240038,0.0001441565,0.0022661241,0.00040018643,0.00053020875,0.032654632,0.95587933,0.001209014],"about_ca_topic_score_codex":0.015430859,"about_ca_topic_score_gemma":0.021702472,"teacher_disagreement_score":0.9388768,"about_ca_system_score_codex":0.0016196205,"about_ca_system_score_gemma":0.00086351176,"threshold_uncertainty_score":0.9993144},"labels":[],"label_agreement":null},{"id":"W193944026","doi":"","title":"Frédéric Charbonneau — Les silences de l'histoire. Les mémoires français du XVIIe siècle","year":2004,"lang":"fr","type":"article","venue":"Histoire sociale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018869142255671052,"score_gpt":0.20796136499890286,"score_spread":0.1890922227432318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W193944026","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08285175,0.41689572,0.00036198905,0.027227934,0.0073891324,0.0003613729,0.0004668503,0.0005157406,0.4639295],"genre_scores_gemma":[0.748675,0.0012267202,0.0002375306,0.0006414921,0.0045050164,0.00004933182,0.00004655031,0.00007895823,0.24453942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695694,0.0002291361,0.00072516425,0.0006585509,0.00051247556,0.0009177488],"domain_scores_gemma":[0.99857724,0.00020303232,0.00033028907,0.00034760078,0.00021661627,0.00032523376],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00026086083,0.00058227655,0.0007366113,0.00021113538,0.010432854,0.00026634146,0.00053626596,0.0004274763,0.0066982103],"category_scores_gemma":[0.00012926462,0.00059953815,0.0006726118,0.00025035397,0.004545113,0.0006232264,0.00009299163,0.0006020832,0.0006188106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073360556,0.0015975747,0.0013777344,0.0005436784,0.00025220533,0.00030390848,0.095457174,0.00016001404,0.00029267848,0.6752257,0.083683334,0.14103265],"study_design_scores_gemma":[0.00063052145,0.00021875674,0.0011094855,0.00027454138,0.00026019034,0.000014194823,0.004658679,0.00004099963,0.00006370296,0.014082487,0.97788155,0.0007648801],"about_ca_topic_score_codex":0.11323989,"about_ca_topic_score_gemma":0.008180889,"teacher_disagreement_score":0.89419824,"about_ca_system_score_codex":0.0015803012,"about_ca_system_score_gemma":0.00046715143,"threshold_uncertainty_score":0.9996456},"labels":[],"label_agreement":null},{"id":"W194124966","doi":"10.4000/estampe.1166","title":"Les Corneille","year":2011,"lang":"fr","type":"article","venue":"Nouvelles de l estampe","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Museum of Fine Arts of Quebec","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.07053932953127257,"score_gpt":0.2372544890536825,"score_spread":0.16671515952240992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W194124966","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06392049,0.025642822,0.00024951177,0.00059859065,0.0019113271,0.00010050081,0.00013411383,0.00010913604,0.9073335],"genre_scores_gemma":[0.48916355,0.0009463805,0.00086173543,0.00043807522,0.0012345145,0.000009706319,0.0000162268,0.000033026503,0.5072968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867535,0.000112892005,0.00031297005,0.00027638304,0.00014462433,0.00047777692],"domain_scores_gemma":[0.9992594,0.00008789348,0.00009445249,0.0002538131,0.000091874834,0.00021257844],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012644318,0.0002454682,0.0002629471,0.00008584521,0.00063029496,0.000096495045,0.0002543654,0.00016344112,0.059999708],"category_scores_gemma":[0.000026830534,0.00022443227,0.00021429948,0.000069684196,0.0005381361,0.00022158782,0.00005849535,0.00028058694,0.0013891513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005751623,0.0005046524,0.00080168946,0.00013342054,0.00009386688,0.00013090456,0.14452048,0.0000020856003,0.000015596333,0.74903107,0.06739388,0.037314855],"study_design_scores_gemma":[0.00017398375,0.00021581474,0.0004963244,0.00008399245,0.00010225074,0.000016138247,0.0059752464,0.00010529985,0.000091044625,0.0029104052,0.9895182,0.00031127906],"about_ca_topic_score_codex":0.019499736,"about_ca_topic_score_gemma":0.0010813127,"teacher_disagreement_score":0.9221243,"about_ca_system_score_codex":0.00012643347,"about_ca_system_score_gemma":0.00010273592,"threshold_uncertainty_score":0.9993884},"labels":[],"label_agreement":null},{"id":"W1942152788","doi":"10.26522/vp.v5i1.473","title":"Quand l’écriture c’est un tableau : La maison imaginaire chiriquienne","year":2008,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020903452434676093,"score_gpt":0.21682940885824184,"score_spread":0.19592595642356575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1942152788","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19894421,0.2279406,0.00016856655,0.112726234,0.0038028012,0.0003963089,0.0011733831,0.0003693572,0.45447853],"genre_scores_gemma":[0.37215948,0.005384508,0.00018662108,0.000602761,0.0024978148,0.000015908077,0.000081998594,0.000056226483,0.6190147],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99783635,0.0002123499,0.0004761597,0.0005153419,0.00030580076,0.00065399916],"domain_scores_gemma":[0.9988114,0.00024098708,0.00013771006,0.0003901851,0.00013142104,0.00028826058],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015341117,0.00046247477,0.00045253817,0.00014954936,0.0017629423,0.00022991087,0.0003191422,0.00024095553,0.0070591033],"category_scores_gemma":[0.000047698413,0.0004038555,0.0003172772,0.00017864426,0.0013667953,0.00063731504,0.000093119226,0.0005810091,0.000967276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011625799,0.0009446808,0.00048540355,0.00024655776,0.00022425134,0.001187362,0.1296335,0.00003101716,0.000045056546,0.52828044,0.32725865,0.0115468465],"study_design_scores_gemma":[0.0004918034,0.0001930141,0.00025376142,0.00017182792,0.00014841725,0.00019378675,0.0017362713,0.00017025504,0.0001183748,0.0023320408,0.9936409,0.0005495346],"about_ca_topic_score_codex":0.0054511265,"about_ca_topic_score_gemma":0.00058446237,"teacher_disagreement_score":0.66638225,"about_ca_system_score_codex":0.0000639553,"about_ca_system_score_gemma":0.00011545663,"threshold_uncertainty_score":0.99984133},"labels":[],"label_agreement":null},{"id":"W1943131550","doi":"10.7202/1090085ar","title":"« Avec le sourire de l’amitié » : représentations d’apprivoisement et démonstrations d’amitié pour l’enfant sauvage au 18e siècle","year":2022,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Philosophy; Physics; Art","score_opus":0.026100281037561048,"score_gpt":0.282673397998881,"score_spread":0.25657311696131996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1943131550","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44470796,0.007393834,0.0014640916,0.05014944,0.0036779365,0.00075703027,0.0017314295,0.0005206796,0.4895976],"genre_scores_gemma":[0.87171316,0.00020663247,0.0010118897,0.0011284272,0.0017135679,0.0002483187,0.00025281252,0.000053104704,0.12367207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967215,0.00080503005,0.0006705103,0.00061524013,0.0004448015,0.0007429073],"domain_scores_gemma":[0.9984829,0.00035024266,0.0002559244,0.0005071078,0.00013402285,0.00026983305],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005696624,0.00041534746,0.00044047835,0.00018688667,0.0036518888,0.0003438384,0.00040895317,0.00009762646,0.0043360037],"category_scores_gemma":[0.00007899278,0.0004489535,0.00038893745,0.0001907801,0.0004788594,0.00069420866,0.00028346275,0.00055676035,0.00006839393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023251034,0.0009694021,0.0016125967,0.00010451214,0.0001872161,0.00014982758,0.06797753,0.00020866349,0.0002551181,0.9189923,0.0082380865,0.0012815156],"study_design_scores_gemma":[0.00037938295,0.00029769237,0.0019372024,0.000070384085,0.0001945108,0.0000530315,0.025854666,0.00044094265,0.00027519753,0.02092257,0.94899863,0.0005757962],"about_ca_topic_score_codex":0.016331717,"about_ca_topic_score_gemma":0.0058414997,"teacher_disagreement_score":0.94076055,"about_ca_system_score_codex":0.0009792994,"about_ca_system_score_gemma":0.0011019056,"threshold_uncertainty_score":0.9997962},"labels":[],"label_agreement":null},{"id":"W1953305529","doi":"10.26522/ti.v4i1.1158","title":"Catalogue de l'exposition / Exhibition Catalogue","year":2015,"lang":"fr","type":"article","venue":"ti<","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Brock University","keywords":"Exhibition; Exposition (narrative); Art; Art history; Literature","score_opus":0.05154811735237009,"score_gpt":0.24513521695411616,"score_spread":0.19358709960174608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1953305529","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20129038,0.088099666,0.002725813,0.026148677,0.014416752,0.0005980579,0.0059167794,0.00054687855,0.660257],"genre_scores_gemma":[0.73853755,0.00009389566,0.00014344358,0.0011336975,0.00443932,0.000020128873,0.0040122527,0.00002612258,0.2515936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989685,0.00011994955,0.00023631424,0.00020213502,0.00016405291,0.00030904263],"domain_scores_gemma":[0.9993406,0.00003819041,0.00006982776,0.00017808858,0.00011364623,0.0002596519],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020159221,0.00015957627,0.00017739633,0.00007580334,0.00031501806,0.00013971508,0.000106511696,0.00010619259,0.0015785003],"category_scores_gemma":[0.000028965222,0.00015604908,0.000104015155,0.00006164446,0.00024902547,0.0005157926,0.000030150284,0.00017352242,0.0024507274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004590537,0.00032869313,0.000063447136,0.000097888886,0.00004403555,0.00012093028,0.039571878,0.000031045238,0.00008158352,0.3013894,0.6539416,0.004283605],"study_design_scores_gemma":[0.00026133837,0.00020914503,0.000050626753,0.00008044094,0.00008960957,0.000041131134,0.0008925902,0.00017822252,0.00022576845,0.007238653,0.9905178,0.00021466028],"about_ca_topic_score_codex":0.018790698,"about_ca_topic_score_gemma":0.0016777471,"teacher_disagreement_score":0.5372472,"about_ca_system_score_codex":0.00030382324,"about_ca_system_score_gemma":0.000101301615,"threshold_uncertainty_score":0.9993342},"labels":[],"label_agreement":null},{"id":"W1964149385","doi":"10.3828/ajfs.43.2.195","title":"Être de langage, être de désir: fantasme, parole et identité dans <i>Gouttes d'eau sur pierres brûlantes</i> de François Ozon","year":2006,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi; Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.03092770749169699,"score_gpt":0.280425109408694,"score_spread":0.24949740191699699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964149385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8053817,0.16330019,0.00012703279,0.009172001,0.0016076528,0.0001291679,0.0005535189,0.00005787502,0.019670872],"genre_scores_gemma":[0.744503,0.006140178,0.00044567385,0.0004983462,0.0030556873,0.0000054072266,0.000020024263,0.000036415426,0.24529526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968166,0.0005148344,0.0010456974,0.0002824337,0.000443301,0.0008971399],"domain_scores_gemma":[0.9980801,0.00044281082,0.000612397,0.00021522622,0.00037715802,0.00027235036],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00088830333,0.00048429446,0.0008827988,0.00023221356,0.00081361353,0.00033008307,0.00044005646,0.00016473845,0.0007179336],"category_scores_gemma":[0.0001557703,0.00039753676,0.0006061843,0.00017276226,0.000692821,0.00077582913,0.000056590998,0.0008728463,0.000045487428],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038254682,0.0006295559,0.13498463,0.00039728265,0.0015507323,0.0022118462,0.043771107,0.00036434285,0.001095651,0.0087178545,0.80512136,0.0011174015],"study_design_scores_gemma":[0.00081451447,0.0005294791,0.04523667,0.0010935264,0.0011720291,0.0006588567,0.010325787,0.000020486581,0.0010354029,0.0063738823,0.93218297,0.00055642845],"about_ca_topic_score_codex":0.029112581,"about_ca_topic_score_gemma":0.011747535,"teacher_disagreement_score":0.22562438,"about_ca_system_score_codex":0.00032392936,"about_ca_system_score_gemma":0.00022967643,"threshold_uncertainty_score":0.99984765},"labels":[],"label_agreement":null},{"id":"W1964850272","doi":"10.1093/fs/55.3.382","title":"L'Imaginaire pastoral du XVIIe siecle: 1600-1650. By Jean-Pierre van Elslande. Paris, PUF, 1999. 214 pp. Pb 158 F.","year":2001,"lang":"en","type":"article","venue":"French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Art; Humanities; Art history; History","score_opus":0.02547445253817795,"score_gpt":0.24428927980547155,"score_spread":0.2188148272672936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964850272","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025243992,0.5961086,0.00018674425,0.011627525,0.005241283,0.00053601555,0.00047542556,0.00085541874,0.359725],"genre_scores_gemma":[0.68530184,0.023351984,0.000089369074,0.0012239257,0.0043323142,0.00007813581,0.00022912609,0.00005647638,0.28533682],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799997,0.00008935411,0.00046630265,0.0004967116,0.00037393352,0.00057371275],"domain_scores_gemma":[0.9989661,0.0001935778,0.00015529207,0.0003362888,0.00019139869,0.00015736793],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014249177,0.00042741033,0.0006287879,0.000090341055,0.0011052307,0.00018045415,0.00029830515,0.00006813866,0.0036227372],"category_scores_gemma":[0.0000791808,0.00031882292,0.0002280128,0.0001415659,0.00054185226,0.00048112648,0.00014504218,0.0002863373,0.00048456364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001370833,0.00021449919,0.0052265995,0.00004998137,0.0003166627,0.00008033116,0.018031973,0.0000042764145,0.000012346519,0.002975149,0.967293,0.005781464],"study_design_scores_gemma":[0.00039027177,0.00018861755,0.0003601989,0.00005575242,0.00014128583,0.0000054259513,0.0019538165,0.00003974334,0.000010640188,0.0017898912,0.9946121,0.0004522764],"about_ca_topic_score_codex":0.002188978,"about_ca_topic_score_gemma":0.0013849798,"teacher_disagreement_score":0.66005784,"about_ca_system_score_codex":0.00011216522,"about_ca_system_score_gemma":0.000024197694,"threshold_uncertainty_score":0.9999264},"labels":[],"label_agreement":null},{"id":"W1966849823","doi":"10.1177/000842980503400323","title":"Comptes rendus / Reviews of books: Introduction à Origène. Suivie d'une Anthologie","year":2005,"lang":"fr","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.14944986734753463,"score_gpt":0.3727173001407802,"score_spread":0.22326743279324557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966849823","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015081354,0.9053474,0.000011522829,0.023668587,0.005989901,0.00040600175,0.000044617198,0.00008231667,0.04936829],"genre_scores_gemma":[0.048524767,0.91348207,0.0015236124,0.00068238477,0.005031365,0.00006489854,0.000009436459,0.000024059722,0.030657386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99552315,0.00044182944,0.0017867908,0.0009024771,0.0005615695,0.00078419433],"domain_scores_gemma":[0.9976896,0.00064485223,0.0007032479,0.00053175585,0.0003240485,0.000106479296],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014914898,0.00052383525,0.0013819368,0.0005006099,0.0010270603,0.000114205024,0.00069623097,0.00015027712,0.00092806615],"category_scores_gemma":[0.0011079476,0.0003969441,0.0003656475,0.000936773,0.0067659887,0.0008332207,0.00029073234,0.00042671183,0.0004741365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037099122,0.0003484953,0.00078310794,0.0005290823,0.00009158174,0.000020629534,0.008973122,0.00028645282,0.00006893513,0.08289273,0.9005913,0.0053774253],"study_design_scores_gemma":[0.00021095727,0.00062228617,0.000060449376,0.0008199695,0.00014202506,0.000020543279,0.004430776,0.000022466624,0.00035658383,0.0043572667,0.98850477,0.00045188257],"about_ca_topic_score_codex":0.0040636878,"about_ca_topic_score_gemma":0.0015169352,"teacher_disagreement_score":0.08791346,"about_ca_system_score_codex":0.00029732808,"about_ca_system_score_gemma":0.00019865896,"threshold_uncertainty_score":0.9999852},"labels":[],"label_agreement":null},{"id":"W1968381346","doi":"10.7202/1027011ar","title":"La chaleur est mémoire : tradition est innovation1","year":2014,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02602155974256674,"score_gpt":0.22985137744461542,"score_spread":0.2038298177020487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968381346","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06863445,0.002574366,0.00021662409,0.04799936,0.0030779622,0.00062566233,0.00079642463,0.00061520765,0.87545997],"genre_scores_gemma":[0.76436895,0.00059834856,0.00028264127,0.001036926,0.00484252,0.00010010491,0.0004713781,0.00015220618,0.22814694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948009,0.00076618866,0.0014949965,0.0011736598,0.0006248285,0.0011393894],"domain_scores_gemma":[0.9967507,0.0007757913,0.0006130138,0.00090295426,0.00041696744,0.0005405857],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00081960415,0.0010969378,0.0012077902,0.00049976225,0.0014455576,0.0006953168,0.0008601287,0.0006070134,0.0015209444],"category_scores_gemma":[0.00027360587,0.0010934024,0.0007911861,0.0005621821,0.0015326358,0.0018133351,0.00009765841,0.001231117,0.00067860814],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011532544,0.0009906272,0.00009527263,0.0011977518,0.0002596993,0.00015660257,0.01544226,0.00014961061,0.00011561606,0.91619444,0.041547757,0.023735028],"study_design_scores_gemma":[0.00034711888,0.0006548567,0.0008272376,0.0012966971,0.00047133962,0.00018225086,0.00087727397,0.0008304801,0.00006258661,0.0042721354,0.9888817,0.0012963116],"about_ca_topic_score_codex":0.002430351,"about_ca_topic_score_gemma":0.017762873,"teacher_disagreement_score":0.94733393,"about_ca_system_score_codex":0.00046087516,"about_ca_system_score_gemma":0.00038365318,"threshold_uncertainty_score":0.99985445},"labels":[],"label_agreement":null},{"id":"W1968576037","doi":"10.3828/qs.54.1.47","title":"La théâtralité dans <i>Les Pédagogues</i> (1961) de Gérard Bessette","year":2012,"lang":"fr","type":"article","venue":"Quebec Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.0690325851731858,"score_gpt":0.30019831236827293,"score_spread":0.23116572719508713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968576037","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15800318,0.52676475,0.00012395122,0.016672038,0.0049769836,0.0002386987,0.00045355436,0.00023811164,0.29252875],"genre_scores_gemma":[0.36290556,0.005146714,0.000100384255,0.0008149385,0.004194241,0.00004907647,0.000021192607,0.000037667985,0.6267302],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780905,0.00043075666,0.000437279,0.0002752915,0.00023195444,0.0008156782],"domain_scores_gemma":[0.9987281,0.00055083283,0.0001300059,0.00025767027,0.000116639545,0.00021675127],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004239943,0.00039211358,0.00054899586,0.000080484206,0.0011753741,0.00015103833,0.00021350986,0.00015122,0.0010747528],"category_scores_gemma":[0.00009317998,0.00032187157,0.0003120359,0.00008731877,0.0012683341,0.00066061795,0.00012456816,0.00037416167,0.0003899778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020633495,0.0003997204,0.006719346,0.0005349706,0.0008155655,0.000044220928,0.36120784,0.0000044269946,0.00003556452,0.3372813,0.28355306,0.009383319],"study_design_scores_gemma":[0.00015792802,0.00006110781,0.0016959212,0.00022762542,0.0004405993,0.000015560501,0.035161935,0.000004284632,0.000106219835,0.0007952702,0.9609237,0.00040985874],"about_ca_topic_score_codex":0.033745367,"about_ca_topic_score_gemma":0.031392008,"teacher_disagreement_score":0.6773706,"about_ca_system_score_codex":0.0003495707,"about_ca_system_score_gemma":0.00006936665,"threshold_uncertainty_score":0.99992335},"labels":[],"label_agreement":null},{"id":"W1969426536","doi":"10.3138/md.0517","title":"Things That No One Can Say: The Unspeakable Act in Artaud’s <i>Les Cenci</i>","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cruelty; Personhood; Ideal (ethics); TRACE (psycholinguistics); Aesthetics; Reading (process); Expression (computer science); Literature; Psychoanalysis; Sociology; Art; Philosophy; Epistemology; Psychology; Criminology; Linguistics","score_opus":0.03306092869802637,"score_gpt":0.20044981820887298,"score_spread":0.1673888895108466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969426536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33360776,0.0011024134,0.00010193421,0.013640274,0.00046812106,0.0003761833,0.000029464843,0.00014405689,0.6505298],"genre_scores_gemma":[0.8716613,0.000018102315,0.00003381933,0.0033878505,0.00037949168,0.000032143114,0.000013921193,0.0000149727675,0.1244584],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990201,0.00006380935,0.00019090727,0.00021129187,0.00021339022,0.00030051582],"domain_scores_gemma":[0.999457,0.000088938905,0.00006062298,0.00025835718,0.00006716218,0.000067910536],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010639216,0.00015279686,0.00019668086,0.000054288896,0.0003997588,0.00032374056,0.00026991163,0.000046018587,0.0058623585],"category_scores_gemma":[0.000018364763,0.00009570976,0.000089408044,0.000041006664,0.00014098718,0.0005071212,0.000048381753,0.0002422293,0.00082147133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006872901,0.0008656833,0.0049347496,0.00014552468,0.00020394151,0.00004070469,0.51566046,0.00015653744,0.0013137906,0.18157256,0.24481817,0.05021914],"study_design_scores_gemma":[0.00018589219,0.00004090679,0.0005177716,0.000039798695,0.00001828444,9.185116e-7,0.0010749929,0.0023993766,0.00009966721,0.016517073,0.97888917,0.00021615597],"about_ca_topic_score_codex":0.02237573,"about_ca_topic_score_gemma":0.0039487975,"teacher_disagreement_score":0.734071,"about_ca_system_score_codex":0.000059070193,"about_ca_system_score_gemma":0.000023455439,"threshold_uncertainty_score":0.9999565},"labels":[],"label_agreement":null},{"id":"W1969525327","doi":"10.7202/018331ar","title":"La fin de Don Giovanni","year":2008,"lang":"fr","type":"article","venue":"Frontières","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02554852145677334,"score_gpt":0.22123039484482218,"score_spread":0.19568187338804885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969525327","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13773288,0.16202313,0.0003502162,0.004941834,0.004348384,0.00009890023,0.00019426591,0.00012993306,0.6901805],"genre_scores_gemma":[0.29400417,0.0014539626,0.00038752306,0.0004284963,0.0039733094,0.0000075707476,0.000018724375,0.000020391264,0.69970584],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892753,0.00017150996,0.00021921899,0.00020016804,0.00014494204,0.00033660646],"domain_scores_gemma":[0.99949706,0.00010994417,0.000053120784,0.0001731567,0.00004129357,0.00012541458],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001042051,0.00017191784,0.00023648825,0.00006981058,0.0006179383,0.00008409245,0.00016192379,0.00011645821,0.00929263],"category_scores_gemma":[0.000030993266,0.00015509926,0.00020089994,0.00004284286,0.00054995855,0.000274376,0.000032840573,0.00023320026,0.0007089244],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026159201,0.0002235321,0.0011919637,0.00006416014,0.00007991299,0.00041580075,0.06394619,0.000015557474,0.000010892415,0.10878947,0.81881243,0.0064239143],"study_design_scores_gemma":[0.00017622198,0.00007826401,0.0011926651,0.00006241666,0.000059069225,0.000051852698,0.0004606382,0.00010402234,0.000033984794,0.0012156981,0.9963528,0.00021239795],"about_ca_topic_score_codex":0.0059432015,"about_ca_topic_score_gemma":0.0006010509,"teacher_disagreement_score":0.17754032,"about_ca_system_score_codex":0.000080819686,"about_ca_system_score_gemma":0.00006675905,"threshold_uncertainty_score":0.99161303},"labels":[],"label_agreement":null},{"id":"W1973614850","doi":"10.4000/memini.72","title":"Du faiseur de miracles au bonimenteur : formes du surnaturel et poétique des genres aux XIIe et XIIIe siècles","year":2007,"lang":"fr","type":"article","venue":"Memini","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Philosophy","score_opus":0.03066126553213499,"score_gpt":0.2808731325209828,"score_spread":0.2502118669888478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973614850","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7646766,0.030854918,0.00027861854,0.009541195,0.0014111664,0.00019416442,0.00023121737,0.0001497446,0.19266239],"genre_scores_gemma":[0.8886967,0.002655534,0.0005414658,0.003140665,0.002335545,0.000014745232,0.00007126062,0.00006437515,0.10247974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731046,0.0002755071,0.0006683185,0.0004459012,0.00035249494,0.0009473231],"domain_scores_gemma":[0.9980926,0.0008232677,0.00022272089,0.00029646026,0.00019790871,0.00036704197],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013991174,0.0004766973,0.00049263326,0.00021635534,0.0012951843,0.0004240929,0.0003941613,0.0002673923,0.0023545814],"category_scores_gemma":[0.00027918204,0.00041294235,0.00040575417,0.0001287613,0.0008083296,0.00087475654,0.00013809116,0.0005775592,0.00018341975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024389624,0.0009592716,0.022328483,0.00037475434,0.00033071885,0.0005632901,0.10742801,0.000014500577,0.0006362398,0.75067574,0.095105246,0.021339852],"study_design_scores_gemma":[0.0004421263,0.00025217616,0.019825969,0.00025596024,0.00016468072,0.000074726675,0.0061568716,0.0000743097,0.0008898648,0.006655352,0.96469307,0.0005148951],"about_ca_topic_score_codex":0.011052325,"about_ca_topic_score_gemma":0.015172829,"teacher_disagreement_score":0.86958784,"about_ca_system_score_codex":0.0003178624,"about_ca_system_score_gemma":0.00025787854,"threshold_uncertainty_score":0.9998322},"labels":[],"label_agreement":null},{"id":"W1975862541","doi":"10.7202/1005458ar","title":"Des diables au seuil de la conscience moderne","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Conscience; Philosophy; Art","score_opus":0.051917994684262496,"score_gpt":0.28826036723002235,"score_spread":0.23634237254575985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975862541","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10168153,0.02009488,0.010747751,0.0006630243,0.0010355026,0.00045793256,0.00042482995,0.0011920149,0.86370254],"genre_scores_gemma":[0.78592795,0.0025547324,0.017698098,0.0016517054,0.00073392125,0.00023118386,0.000045471817,0.00016632375,0.19099063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943804,0.0013882854,0.00114904,0.001037602,0.0005029954,0.0015416724],"domain_scores_gemma":[0.99667025,0.00092933845,0.00041420053,0.00084250676,0.0005444221,0.00059929356],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017757008,0.0010029462,0.00096915656,0.00052308495,0.003279499,0.0009498287,0.0011562052,0.00047707016,0.002379166],"category_scores_gemma":[0.0005771414,0.00094491686,0.00067206594,0.00032286134,0.022574097,0.0027329654,0.00039379983,0.00092273386,0.00007159688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021428533,0.001141928,0.0032370342,0.0009197372,0.00022155905,0.0006641045,0.14240497,0.000005669989,0.0013327665,0.6268103,0.012290492,0.21075714],"study_design_scores_gemma":[0.0002207456,0.0007216591,0.000589376,0.0019891069,0.00025424527,0.0002650026,0.0014642525,0.000076877084,0.007482518,0.16586666,0.8199973,0.001072227],"about_ca_topic_score_codex":0.037201885,"about_ca_topic_score_gemma":0.00743849,"teacher_disagreement_score":0.80770683,"about_ca_system_score_codex":0.002081395,"about_ca_system_score_gemma":0.00048553868,"threshold_uncertainty_score":0.9993001},"labels":[],"label_agreement":null},{"id":"W1976135534","doi":"10.7202/501029ar","title":"Le Nom du corps. Lecture du manque et savoir de son sexe dans la Vagabonde","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.016223408889751285,"score_gpt":0.2143394228672741,"score_spread":0.1981160139775228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1976135534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14601159,0.03229399,0.0007172168,0.07385993,0.0012609707,0.00030527133,0.00046885788,0.00035376515,0.7447284],"genre_scores_gemma":[0.8879827,0.0008545541,0.0003898973,0.0040220977,0.0053183953,0.000026054924,0.00007393888,0.00006137531,0.101270944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776286,0.00040572396,0.00046624293,0.00047413213,0.0002735113,0.0006175323],"domain_scores_gemma":[0.9987372,0.0004211352,0.00014922184,0.00033764966,0.00009424107,0.00026055466],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033699148,0.00044179597,0.00046635917,0.000119096985,0.00094560423,0.00045129837,0.00039162784,0.00025982267,0.0023645435],"category_scores_gemma":[0.00008679334,0.00040172352,0.00034797942,0.00010970567,0.0006776291,0.00065076357,0.000108007574,0.00051555916,0.00023875225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005516866,0.00072989316,0.00075293204,0.00015112464,0.00018589712,0.00021064444,0.052062895,0.00063085195,0.00012884775,0.8813102,0.056217633,0.0075638657],"study_design_scores_gemma":[0.00042812512,0.00016876904,0.0017741005,0.00016040221,0.00014574395,0.00012620444,0.0013327352,0.0005637005,0.00017864036,0.0045950487,0.9900194,0.00050714007],"about_ca_topic_score_codex":0.008781099,"about_ca_topic_score_gemma":0.030306019,"teacher_disagreement_score":0.9338018,"about_ca_system_score_codex":0.000349064,"about_ca_system_score_gemma":0.00044843543,"threshold_uncertainty_score":0.9998435},"labels":[],"label_agreement":null},{"id":"W1976723281","doi":"10.7202/500913ar","title":"\"Il faut devenir contemporain de Corneille\"","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.030385928294908295,"score_gpt":0.24221172965795337,"score_spread":0.21182580136304507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1976723281","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05973392,0.10062293,0.00011474776,0.049242634,0.0018532143,0.0003193541,0.00091421406,0.00034448746,0.7868545],"genre_scores_gemma":[0.5427335,0.00033957697,0.00039604577,0.002386839,0.0048046997,0.000021308926,0.000039711245,0.00003627836,0.44924203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977457,0.00022122166,0.00060764205,0.00043162098,0.00029182393,0.0007020102],"domain_scores_gemma":[0.9988073,0.00023830567,0.00016407794,0.00033480485,0.00012541523,0.00033006055],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034276638,0.0003902404,0.00047512815,0.00012630789,0.0007028219,0.00033379573,0.00037324763,0.00018456265,0.00745901],"category_scores_gemma":[0.00009410614,0.00035524654,0.0003528518,0.00011145371,0.0006591748,0.00064689975,0.00008661435,0.00035719608,0.00085992046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049476843,0.00044734895,0.00025635047,0.00013344959,0.00018089174,0.00007192956,0.016586704,0.000032594235,0.00003764751,0.7735863,0.16675349,0.041863844],"study_design_scores_gemma":[0.00038958245,0.00019567324,0.0002923015,0.00018005315,0.00010257291,0.000025351621,0.0011200447,0.00042361638,0.0000676549,0.002660123,0.9940672,0.00047580464],"about_ca_topic_score_codex":0.0043512527,"about_ca_topic_score_gemma":0.005058172,"teacher_disagreement_score":0.8273137,"about_ca_system_score_codex":0.00038134682,"about_ca_system_score_gemma":0.0002510551,"threshold_uncertainty_score":0.99991804},"labels":[],"label_agreement":null},{"id":"W1977288236","doi":"10.7202/500983ar","title":"Dire la beauté de Dieu : rhétorique et poétique dans le latin médiéval","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.018849305618944552,"score_gpt":0.24521632216576314,"score_spread":0.2263670165468186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977288236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10980293,0.03670876,0.00031494867,0.05913205,0.00084910233,0.00025542287,0.00048641543,0.00036293574,0.79208744],"genre_scores_gemma":[0.6219758,0.00059711724,0.000590314,0.0013876316,0.0035786768,0.000032899497,0.00004360502,0.000051270672,0.3717427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752414,0.00059854664,0.0005294628,0.00044793426,0.00027736285,0.0006225678],"domain_scores_gemma":[0.9987497,0.00041245922,0.00014329849,0.0003410251,0.00007357473,0.00027999067],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047871197,0.00041336712,0.00044923543,0.00011262072,0.000783152,0.0004138672,0.00035994366,0.0002526043,0.0015838798],"category_scores_gemma":[0.000082647035,0.00038302375,0.0003600408,0.0001118522,0.0006296741,0.0007537641,0.00011617466,0.0005496223,0.00014150608],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004051583,0.0006638245,0.0006947848,0.00015563329,0.00012236,0.00009072354,0.047131497,0.00015018311,0.0001624221,0.91416615,0.026044466,0.010577427],"study_design_scores_gemma":[0.00033916754,0.00014720611,0.0027405566,0.00023554123,0.00008772697,0.000024905876,0.0013151708,0.00033066294,0.00023253499,0.0044425656,0.98962015,0.00048381326],"about_ca_topic_score_codex":0.012781098,"about_ca_topic_score_gemma":0.017523978,"teacher_disagreement_score":0.96357566,"about_ca_system_score_codex":0.00029259388,"about_ca_system_score_gemma":0.0003382527,"threshold_uncertainty_score":0.9998622},"labels":[],"label_agreement":null},{"id":"W1977633169","doi":"10.7202/1026834ar","title":"Centre franco-ontarien de folklore","year":2014,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; History; Art; Literature","score_opus":0.020078851238842396,"score_gpt":0.22564580379577667,"score_spread":0.20556695255693427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977633169","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0778988,0.0690293,0.0071494146,0.19767447,0.007743499,0.00085105427,0.0006026665,0.0012895564,0.63776124],"genre_scores_gemma":[0.46856946,0.000876805,0.0012608086,0.0021044887,0.0043303347,0.000051428597,0.00008976349,0.0000936963,0.52262324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963255,0.00057012134,0.0007064406,0.0007632991,0.00023041258,0.001404237],"domain_scores_gemma":[0.9976015,0.0006343142,0.00026157533,0.0008269245,0.00020334615,0.00047233212],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00069250225,0.0006090752,0.0008216599,0.00022905997,0.00087357283,0.00024700645,0.00076346926,0.0008143031,0.00423051],"category_scores_gemma":[0.0006607135,0.00060574437,0.0005944805,0.00022668419,0.00089878164,0.00048748395,0.00015839841,0.0014301128,0.0010763902],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002401103,0.000919144,0.012553044,0.0013769487,0.00030164473,0.0006845986,0.13966422,0.000481818,0.00016296402,0.34997156,0.43242496,0.061218984],"study_design_scores_gemma":[0.0006644787,0.00032049697,0.00041683344,0.00049278414,0.0001626143,0.000045319783,0.0037210654,0.0024938656,0.0002367783,0.0066178697,0.98408675,0.00074114586],"about_ca_topic_score_codex":0.019277649,"about_ca_topic_score_gemma":0.05693601,"teacher_disagreement_score":0.5516618,"about_ca_system_score_codex":0.000421068,"about_ca_system_score_gemma":0.00018457577,"threshold_uncertainty_score":0.9997014},"labels":[],"label_agreement":null},{"id":"W1980473386","doi":"10.3828/qs.29.1.74","title":"Le Vocabulaire francisé dans l'ôuvre de Jacques Ferron: le cas du \"Farouest\"","year":2000,"lang":"fr","type":"article","venue":"Quebec Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02004088708851424,"score_gpt":0.24542742163814657,"score_spread":0.22538653454963234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1980473386","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22666918,0.37171963,0.000042604537,0.029603885,0.001975077,0.00022774955,0.00016301591,0.00025633132,0.36934254],"genre_scores_gemma":[0.43900937,0.0058166375,0.000054118096,0.0007165089,0.0023218826,0.000036957663,0.000016002568,0.000034227003,0.55199426],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792963,0.00021447407,0.00051046687,0.00046732082,0.00023295789,0.0006451581],"domain_scores_gemma":[0.9990845,0.00017274638,0.00009803508,0.00032255996,0.00016021366,0.00016195484],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018152544,0.00043553617,0.0006857095,0.00007624248,0.002583537,0.00020378426,0.00026486683,0.0001349242,0.004545344],"category_scores_gemma":[0.000042851956,0.00039711685,0.0003382628,0.00011168143,0.0013344438,0.000602807,0.000070819195,0.0002863267,0.0007175688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070536946,0.000642967,0.0010569501,0.00040948117,0.0008131786,0.00037803286,0.3548147,0.00008747063,0.000010326142,0.34662172,0.2555737,0.03952094],"study_design_scores_gemma":[0.0003767874,0.00016935111,0.0020152556,0.00023305556,0.00018894831,0.000026380483,0.026478885,0.00006764668,0.00005049287,0.0032775686,0.9666189,0.00049671676],"about_ca_topic_score_codex":0.35616663,"about_ca_topic_score_gemma":0.39975458,"teacher_disagreement_score":0.7110452,"about_ca_system_score_codex":0.00040405768,"about_ca_system_score_gemma":0.00029270217,"threshold_uncertainty_score":0.99984807},"labels":[],"label_agreement":null},{"id":"W1981125512","doi":"10.7202/041633ar","title":"Un genre à part. Le théâtre dans les manuels d’histoire de la littérature québécoise, ou l’histoire d’un revirement spectaculaire","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.013065028495866786,"score_gpt":0.2172465169372032,"score_spread":0.2041814884413364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981125512","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077634715,0.048179574,0.00005863073,0.06676798,0.006250293,0.0014251254,0.0020110654,0.0010653121,0.7966073],"genre_scores_gemma":[0.48092794,0.005652156,0.00094173366,0.0010237816,0.0055928747,0.00025833864,0.0004697194,0.00040985,0.5047236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99033403,0.001271144,0.0023532275,0.002350912,0.001143406,0.00254726],"domain_scores_gemma":[0.9939668,0.0006521651,0.0011392623,0.0022483126,0.0005317815,0.0014616797],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0011186871,0.0023544866,0.0022321746,0.0005114245,0.0065117795,0.0010910974,0.0022953723,0.0017138367,0.0029010864],"category_scores_gemma":[0.00030410566,0.002304075,0.0022671896,0.0007275672,0.0049021784,0.001585554,0.0003622235,0.0040943786,0.00024979192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031988384,0.0025700456,0.0010253994,0.0019694192,0.00092749874,0.0021862343,0.023741618,0.00008065047,0.0027236775,0.86263233,0.060109194,0.04171405],"study_design_scores_gemma":[0.00070341706,0.0004586756,0.002216958,0.0018523145,0.0014369237,0.00077001046,0.0030108292,0.00012546597,0.0007763637,0.003078896,0.982949,0.0026211154],"about_ca_topic_score_codex":0.015050744,"about_ca_topic_score_gemma":0.15342468,"teacher_disagreement_score":0.9228398,"about_ca_system_score_codex":0.0009613723,"about_ca_system_score_gemma":0.0012334653,"threshold_uncertainty_score":0.9999459},"labels":[],"label_agreement":null},{"id":"W1981235655","doi":"10.7202/014105ar","title":"La tragédie de la conquête du Mexique selon Louis d’Ussieux1","year":2007,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01473954003784064,"score_gpt":0.24505287803669332,"score_spread":0.23031333799885267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981235655","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20399529,0.044870608,0.00032837334,0.0052661537,0.0012704218,0.00021094976,0.00020977618,0.00029264292,0.7435558],"genre_scores_gemma":[0.88309807,0.0010117919,0.00021184448,0.0011895326,0.0039282115,0.000013155233,0.000023814977,0.000054606673,0.11046897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751115,0.0004501285,0.0005844768,0.00042032983,0.0003014019,0.00073253823],"domain_scores_gemma":[0.99786985,0.0012224162,0.00015569263,0.00029183348,0.00011095275,0.0003492304],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013805773,0.00041140773,0.000464447,0.00016919443,0.00079832703,0.00047371653,0.00034504323,0.00037178694,0.00357629],"category_scores_gemma":[0.000120490346,0.00036317698,0.0003527999,0.00014239024,0.0013689252,0.00039270142,0.00007239373,0.000596742,0.00018324415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014508679,0.0006188904,0.0015361093,0.00028901035,0.00024183764,0.0008687326,0.035978165,0.0000121721,0.00010926601,0.91232926,0.025008073,0.022863388],"study_design_scores_gemma":[0.00040993877,0.0002597657,0.00298212,0.000226921,0.00017538073,0.000110394074,0.0021140205,0.00007363693,0.00020521974,0.00441638,0.98855215,0.00047406834],"about_ca_topic_score_codex":0.0038705338,"about_ca_topic_score_gemma":0.0019143505,"teacher_disagreement_score":0.9635441,"about_ca_system_score_codex":0.00027639593,"about_ca_system_score_gemma":0.00016550162,"threshold_uncertainty_score":0.99988204},"labels":[],"label_agreement":null},{"id":"W1982355884","doi":"10.1353/ecf.2005.0020","title":"Libertinage et folie dans le roman du XVIII e siècle (review)","year":2005,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.011983623482374323,"score_gpt":0.21663334614445875,"score_spread":0.20464972266208442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982355884","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045337356,0.44162297,0.00018643674,0.014856574,0.003531668,0.0003450733,0.00014274941,0.00019868326,0.53458214],"genre_scores_gemma":[0.35969514,0.40165222,0.00023391336,0.005073854,0.008307622,0.00007579553,0.0005779713,0.00010195304,0.22428152],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975116,0.0003498201,0.00071891845,0.0005281019,0.00036238812,0.0005291494],"domain_scores_gemma":[0.99891865,0.00008202513,0.00026396912,0.000399886,0.0001023199,0.00023312823],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030997183,0.00041353644,0.00045974585,0.000120192075,0.001424892,0.00017601125,0.00026049666,0.0001510309,0.008284727],"category_scores_gemma":[0.000025739848,0.00038726124,0.0004647176,0.00015686387,0.00028955872,0.0013138523,0.00008090508,0.0004129868,0.0015632791],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000290033,0.0011530177,0.00005226297,0.00038599022,0.000099433535,0.000022477867,0.004614808,0.00002310887,0.0000568481,0.43853512,0.53802574,0.017002173],"study_design_scores_gemma":[0.00047434182,0.00018629745,0.00056451926,0.0007231952,0.00029742878,0.000021618836,0.0003013937,0.0003750245,0.00008700486,0.00008810628,0.9964209,0.00046016552],"about_ca_topic_score_codex":0.0012129976,"about_ca_topic_score_gemma":0.00023912283,"teacher_disagreement_score":0.45839515,"about_ca_system_score_codex":0.00029259833,"about_ca_system_score_gemma":0.00005813433,"threshold_uncertainty_score":0.9998751},"labels":[],"label_agreement":null},{"id":"W1983754795","doi":"10.1353/ecf.2012.0009","title":"L'Assiette des fictions: Enquêtes sur l'autoréflexivité romanesque (review)","year":2012,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.028530789522575643,"score_gpt":0.24502940117216038,"score_spread":0.21649861164958473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983754795","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005217082,0.8849419,0.00014629317,0.002263488,0.014783533,0.0005188492,0.00025635705,0.00030287003,0.09156966],"genre_scores_gemma":[0.13561434,0.68737394,0.00023627968,0.0016290554,0.01406034,0.0002043693,0.0005661599,0.00011380009,0.1602017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967003,0.00042942312,0.0008714716,0.0005044137,0.00048490704,0.0010095265],"domain_scores_gemma":[0.99826497,0.00021811295,0.000344507,0.0004830224,0.00024503717,0.00044433036],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045564587,0.0005774592,0.0005986539,0.0002104882,0.001700122,0.00019701326,0.00024983232,0.00024858612,0.02352805],"category_scores_gemma":[0.000089072055,0.000468552,0.0005925042,0.00029677924,0.00051915116,0.0025982617,0.00007511079,0.0005440636,0.0019594142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041499927,0.0020088733,0.0013059688,0.0017841058,0.0002927637,0.00001450281,0.005389832,0.000006712287,0.00007194074,0.11311003,0.84903944,0.02693431],"study_design_scores_gemma":[0.0002939305,0.00017045873,0.0020008897,0.0017675383,0.0006547868,0.00004588214,0.00026796607,0.000096302116,0.00008041164,0.00012397446,0.9938812,0.0006166348],"about_ca_topic_score_codex":0.001983296,"about_ca_topic_score_gemma":0.00006959054,"teacher_disagreement_score":0.19756791,"about_ca_system_score_codex":0.0005787654,"about_ca_system_score_gemma":0.000057284768,"threshold_uncertainty_score":0.9997766},"labels":[],"label_agreement":null},{"id":"W1984249922","doi":"10.7202/501057ar","title":"Le Picaresque dans la construction du roman hispano-américain. Le Cas du Periquillo","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.010343968610467855,"score_gpt":0.207404974176291,"score_spread":0.19706100556582315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984249922","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24060999,0.016542085,0.00027014053,0.0585594,0.0016990236,0.00027937436,0.00030641796,0.00035098963,0.6813826],"genre_scores_gemma":[0.93710935,0.0006009366,0.0005198976,0.0006317418,0.005876208,0.000033688884,0.000056880228,0.000054614895,0.055116672],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976987,0.00032906237,0.0005991866,0.0005408323,0.00030420566,0.00052798074],"domain_scores_gemma":[0.99880475,0.00021372717,0.0001854098,0.00037693128,0.00016160216,0.00025760042],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019994323,0.0004212628,0.00049590337,0.00015199115,0.0015206182,0.00045699798,0.00035390662,0.00022048269,0.0014454653],"category_scores_gemma":[0.00007574638,0.000406256,0.00037908534,0.00014234657,0.0015943586,0.000982681,0.000119238095,0.00035029172,0.00018846944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042678763,0.00058184797,0.0006684272,0.000104711566,0.00017061073,0.00011869583,0.038069967,0.000101071826,0.00016256582,0.9269634,0.024411557,0.008604504],"study_design_scores_gemma":[0.00046742786,0.00019278759,0.0012826803,0.000104595434,0.00011192881,0.00020627618,0.008976005,0.00038129202,0.0001658662,0.0017219967,0.98587877,0.00051039667],"about_ca_topic_score_codex":0.019039413,"about_ca_topic_score_gemma":0.022152299,"teacher_disagreement_score":0.9614672,"about_ca_system_score_codex":0.0003567466,"about_ca_system_score_gemma":0.0003754052,"threshold_uncertainty_score":0.99983895},"labels":[],"label_agreement":null},{"id":"W1984477417","doi":"10.7202/016135ar","title":"Sympathy in Translation: Paul et Virginie on the London Stage1","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sympathy; Opera; Comics; Art; Colonialism; Creole language; Media studies; Sociology; History; Aesthetics; Humanities; Literature; Philosophy; Psychology; Linguistics","score_opus":0.04944858867066725,"score_gpt":0.25103884209266236,"score_spread":0.2015902534219951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984477417","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66766614,0.00039818932,0.000043289445,0.01554539,0.00045722307,0.00025194327,0.0000233499,0.000060578004,0.3155539],"genre_scores_gemma":[0.9852196,0.000020893627,0.00000469498,0.0054816836,0.00034874753,0.0000066140615,0.0000104529445,0.00001202486,0.008895305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990477,0.00013476236,0.00022984903,0.00015169269,0.00022860638,0.00020738677],"domain_scores_gemma":[0.9988409,0.00081735116,0.000052989497,0.00024082516,0.000015403102,0.00003252099],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006155776,0.00013098177,0.00013768852,0.00007356167,0.00026975755,0.000089567664,0.0001992786,0.000033503708,0.0016227359],"category_scores_gemma":[0.0000195515,0.0000641283,0.000085094995,0.00007422819,0.000094564944,0.000089799796,0.000010262413,0.00026271865,0.00021692399],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098712255,0.00018479097,0.000046357323,0.000007107001,0.000022956063,0.000048910184,0.034315016,0.00003870293,0.000070259346,0.94557023,0.016830333,0.0027666357],"study_design_scores_gemma":[0.00021378418,0.00020596736,0.00076542253,0.000053960986,0.000017101216,0.0000010439688,0.0010990807,0.00021175832,0.00018800933,0.0057341657,0.99137455,0.00013513204],"about_ca_topic_score_codex":0.00013303048,"about_ca_topic_score_gemma":0.0004649448,"teacher_disagreement_score":0.9745442,"about_ca_system_score_codex":0.000020487598,"about_ca_system_score_gemma":0.000008215799,"threshold_uncertainty_score":0.99928993},"labels":[],"label_agreement":null},{"id":"W1986794874","doi":"10.7202/037258ar","title":"Les Projets d’« illustration » de la langue vernaculaire et leurs héritages littéraires","year":2007,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.15043819544929254,"score_gpt":0.33506818854973036,"score_spread":0.18462999310043782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986794874","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87068397,0.008956533,0.00340648,0.008844909,0.0050553526,0.0003777195,0.0000817542,0.000774091,0.10181919],"genre_scores_gemma":[0.89101523,0.0012212003,0.00024319724,0.00015051945,0.0029139179,0.000018866265,0.000096823824,0.0000337261,0.10430649],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979621,0.00041209586,0.000478165,0.00041543582,0.0002548451,0.0004773411],"domain_scores_gemma":[0.9990729,0.00024312375,0.0002436649,0.0002193375,0.00010266576,0.00011828369],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006916041,0.00031451698,0.00026854506,0.00026323507,0.0007850652,0.00025958352,0.0001453131,0.00040728552,0.0006981322],"category_scores_gemma":[0.00010373489,0.0003010858,0.00021858043,0.0001281213,0.00065535604,0.0010532215,0.000019601464,0.0006248881,0.000084765925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021267716,0.0008911582,0.0014438744,0.0003623088,0.00018091679,0.0002500148,0.030178642,0.00013201957,0.0038985445,0.1941837,0.016546283,0.75171983],"study_design_scores_gemma":[0.00034564504,0.00032936633,0.033426475,0.00013360562,0.00016358602,0.00028775274,0.00548521,0.00009394854,0.002828262,0.0020990372,0.9544088,0.0003982845],"about_ca_topic_score_codex":0.0105472095,"about_ca_topic_score_gemma":0.0012118864,"teacher_disagreement_score":0.9378625,"about_ca_system_score_codex":0.00071553583,"about_ca_system_score_gemma":0.00008751718,"threshold_uncertainty_score":0.99994415},"labels":[],"label_agreement":null},{"id":"W1987297911","doi":"10.1353/hph.2007.0043","title":"René Descartes: Tutte le lettere, 1619-1650 (review)","year":2007,"lang":"it","type":"article","venue":"Journal of the history of philosophy","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Confusion; Art; Art history; Psychology; Psychoanalysis","score_opus":0.0490297622568504,"score_gpt":0.23032062897835043,"score_spread":0.18129086672150002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987297911","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034656264,0.6815795,0.00007604835,0.025475062,0.01684384,0.00027340473,0.000044954904,0.000019417821,0.2722222],"genre_scores_gemma":[0.6632288,0.012128645,0.00029130964,0.026842337,0.01842218,0.0000030232807,0.000006223915,0.00012502048,0.27895242],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655056,0.0002863221,0.0018043043,0.00021360887,0.00080279703,0.0003424246],"domain_scores_gemma":[0.9962491,0.00020045621,0.0023042357,0.0005399572,0.0004916731,0.00021460383],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001357505,0.00034673617,0.0009833999,0.00029189896,0.00034660072,0.000019490451,0.0009787782,0.000110085995,0.0019364253],"category_scores_gemma":[0.00012831482,0.00023555808,0.0014913447,0.00013250414,0.00088828086,0.0004885603,0.000091611364,0.00081600033,0.00006609402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017995673,0.0005705293,0.00005216201,0.0011156916,0.00037315293,0.000093855604,0.007446849,0.000006521871,0.0007502814,0.026640661,0.9613643,0.0014060268],"study_design_scores_gemma":[0.0004778305,0.0003482608,0.00010585922,0.0029567447,0.00060199434,0.000065185275,0.0000835001,0.0000024825044,0.000056271176,0.006111913,0.988929,0.00026097894],"about_ca_topic_score_codex":0.000111327034,"about_ca_topic_score_gemma":0.000015035306,"teacher_disagreement_score":0.6694508,"about_ca_system_score_codex":0.00080793694,"about_ca_system_score_gemma":0.00038310667,"threshold_uncertainty_score":0.99897593},"labels":[],"label_agreement":null},{"id":"W1987895032","doi":"10.7202/501319ar","title":"Le voyage mystique","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Aesthetics","score_opus":0.02078354068929786,"score_gpt":0.22988198048797798,"score_spread":0.20909843979868012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987895032","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008958751,0.099596426,0.000065475244,0.0475895,0.0013434745,0.00015253243,0.0003198951,0.00020510764,0.84176886],"genre_scores_gemma":[0.48582694,0.00039791342,0.00024408898,0.0014860628,0.006336187,0.000014172456,0.000029149785,0.000028549173,0.50563693],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983693,0.00012191343,0.00044053677,0.00036164338,0.00022915255,0.00047745876],"domain_scores_gemma":[0.9991755,0.00012456228,0.00009939693,0.00030494938,0.000089727306,0.00020588169],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015530914,0.00028932668,0.00034001935,0.00010395307,0.000777701,0.00029109226,0.00029582452,0.00013646233,0.0072183777],"category_scores_gemma":[0.00003805015,0.00027225312,0.00028186862,0.00008661858,0.000539971,0.0007454982,0.00007722689,0.0002910779,0.0016032466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018650218,0.00042262895,0.000027845057,0.00012015988,0.00009827155,0.000034011788,0.0082228845,0.000041755968,0.000029766103,0.86258,0.09954938,0.02885465],"study_design_scores_gemma":[0.00022435337,0.00012095009,0.00011937537,0.00012673005,0.000070589165,0.000011065104,0.00063397107,0.0001690185,0.000089599715,0.0018437754,0.99622416,0.00036643413],"about_ca_topic_score_codex":0.0054349145,"about_ca_topic_score_gemma":0.0062832264,"teacher_disagreement_score":0.89667475,"about_ca_system_score_codex":0.00011975135,"about_ca_system_score_gemma":0.00020398422,"threshold_uncertainty_score":0.99997294},"labels":[],"label_agreement":null},{"id":"W1989772058","doi":"10.7202/006605ar","title":"Vitalités romanesques ou les traditions réinventées","year":2003,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Philosophy; Political science","score_opus":0.05877529822363378,"score_gpt":0.27377928225015086,"score_spread":0.21500398402651708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989772058","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044391103,0.10101816,0.00048793756,0.03919772,0.00398478,0.00030948708,0.007111255,0.00035502517,0.8031445],"genre_scores_gemma":[0.24746326,0.0016512335,0.00044699592,0.00075511343,0.0009505535,0.00002917857,0.000107834116,0.000041103147,0.7485547],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828774,0.00039150994,0.000379392,0.0003333014,0.00021173012,0.00039635264],"domain_scores_gemma":[0.9991605,0.00021970215,0.00009744559,0.0002601595,0.00009542482,0.00016671162],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002091021,0.0003040921,0.00030943792,0.00013844283,0.0008975649,0.0004398044,0.00016434475,0.00010287705,0.0134861665],"category_scores_gemma":[0.0000648661,0.00027446682,0.00031038924,0.00009699169,0.00062991644,0.0008539236,0.00001353583,0.00028800563,0.00067023124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046972204,0.0004522269,0.00010371657,0.000116300376,0.0001294526,0.0000725797,0.01021293,0.0000057088287,0.000081227394,0.81540775,0.17145288,0.0019605279],"study_design_scores_gemma":[0.0001716581,0.0001393644,0.00023029002,0.00012288375,0.00020488698,0.000029066026,0.0012815932,0.000009650525,0.0005022346,0.020825716,0.9761185,0.00036415333],"about_ca_topic_score_codex":0.0037731507,"about_ca_topic_score_gemma":0.00044640925,"teacher_disagreement_score":0.8046656,"about_ca_system_score_codex":0.000061193045,"about_ca_system_score_gemma":0.00004597386,"threshold_uncertainty_score":0.99997073},"labels":[],"label_agreement":null},{"id":"W1992337933","doi":"10.4000/entrelacs.428","title":"Gester avec Godard. Fictions de l’histoire et vies de l’image","year":2013,"lang":"fr","type":"article","venue":"Entrelacs","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.011635117229478511,"score_gpt":0.2166269464286435,"score_spread":0.20499182919916498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992337933","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025408195,0.023888659,0.0006172389,0.04874312,0.0022599036,0.00020960883,0.00017626453,0.0001730475,0.898524],"genre_scores_gemma":[0.12701267,0.0008028028,0.0004656152,0.0021628677,0.0011233924,0.000037788013,0.00003609518,0.000031075306,0.8683277],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986458,0.00019643524,0.00029091243,0.00023102378,0.00014628423,0.00048953836],"domain_scores_gemma":[0.9992333,0.00016014787,0.00007877597,0.00023095807,0.00007928286,0.00021755953],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000112998285,0.00022600335,0.00022801134,0.0000818383,0.0008868914,0.0004115048,0.00015647388,0.00012484039,0.048683014],"category_scores_gemma":[0.0000460218,0.00020793076,0.0002262122,0.00005848561,0.0004616413,0.0007096123,0.000048678103,0.00037303878,0.0042793113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007824819,0.0003315198,0.00037452413,0.00009268116,0.00010060365,0.000056745557,0.059179265,0.000025976016,0.00009836929,0.29556477,0.6376643,0.0065033785],"study_design_scores_gemma":[0.00017438091,0.0000699757,0.0008819601,0.00009322336,0.00013149912,0.000025487976,0.00141655,0.00028172348,0.00003481739,0.004019767,0.9926141,0.00025655344],"about_ca_topic_score_codex":0.0034368006,"about_ca_topic_score_gemma":0.00035755808,"teacher_disagreement_score":0.3549497,"about_ca_system_score_codex":0.0002867776,"about_ca_system_score_gemma":0.000078758,"threshold_uncertainty_score":0.99649596},"labels":[],"label_agreement":null},{"id":"W1993073293","doi":"10.4000/rgi.1002","title":"Les Incas sont-ils un peuple bon à penser ? Moïse, Platon, Rome et l’exotique apprivoisé","year":2004,"lang":"fr","type":"article","venue":"Revue germanique internationale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04725501552690144,"score_gpt":0.2691571619415069,"score_spread":0.22190214641460548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993073293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5826482,0.023080112,0.004356526,0.03781697,0.0039224797,0.0008173898,0.0011363893,0.00036594883,0.34585598],"genre_scores_gemma":[0.6880957,0.0009128459,0.0006393953,0.0012842154,0.002272617,0.00006538767,0.00026983995,0.00006386653,0.30639616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975519,0.0001764785,0.0007425228,0.0005349948,0.00035701765,0.0006370494],"domain_scores_gemma":[0.9985294,0.00020883862,0.00031283303,0.00034228244,0.000336376,0.0002703091],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043245775,0.00041711665,0.00045845952,0.00024636314,0.00048149418,0.00033645774,0.00047186323,0.00023870284,0.008270142],"category_scores_gemma":[0.00007988322,0.00043472377,0.00038310234,0.00010657029,0.00024070297,0.00086297124,0.00014774431,0.00063217373,0.0009271679],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000334888,0.00055559544,0.00030919566,0.0002365149,0.00023047236,0.0003458224,0.028613018,0.0005305349,0.00015707215,0.96013236,0.007165599,0.0016903274],"study_design_scores_gemma":[0.00054318004,0.00013789147,0.0013090433,0.0005865245,0.000091669965,0.00027977626,0.0004289728,0.00033549705,0.0006584996,0.024724012,0.9703669,0.00053802365],"about_ca_topic_score_codex":0.019837862,"about_ca_topic_score_gemma":0.0083976,"teacher_disagreement_score":0.9632013,"about_ca_system_score_codex":0.0007948814,"about_ca_system_score_gemma":0.00018441695,"threshold_uncertainty_score":0.99985075},"labels":[],"label_agreement":null},{"id":"W1993849968","doi":"10.1007/s10835-005-3310-1","title":"The death of Abramo of Montecosaro","year":2005,"lang":"en","type":"article","venue":"Jewish History","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Judaism; Law; State (computer science); Pseudonym; History; Economic Justice; Prison; Bankruptcy; Political science; Genealogy; Archaeology","score_opus":0.035781275543782784,"score_gpt":0.2078121101314796,"score_spread":0.1720308345876968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993849968","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02635407,0.056899656,0.000012987111,0.0002977239,0.00076201145,0.000067127,0.000017855666,0.000035845507,0.91555274],"genre_scores_gemma":[0.86524767,0.000049438066,0.000045084158,0.00013920778,0.0003712942,0.000004029989,0.0000021730048,0.0000064014575,0.1341347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994258,0.000026281661,0.0002463922,0.000079454665,0.0001271141,0.000094935494],"domain_scores_gemma":[0.9995213,0.00007825252,0.00012123223,0.00017934154,0.00007061306,0.000029251669],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000093991875,0.00006430962,0.00014129071,0.000040480616,0.00010631673,0.000005449161,0.00015432455,0.00002033106,0.001327052],"category_scores_gemma":[0.000019659186,0.000042553333,0.000116513984,0.000011344102,0.00023653843,0.000115915645,0.000014922974,0.00006842578,0.00003229137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026371667,0.00018700023,0.00029946887,0.00004084432,0.000059737657,0.0000016279131,0.022693561,0.000005352366,0.00019631677,0.57811725,0.35735816,0.0410143],"study_design_scores_gemma":[0.000070851456,0.0000417831,0.00016926051,0.000008557664,0.00001864986,2.8876116e-7,0.00008897192,0.000029990471,0.00007141806,0.0008967422,0.9985498,0.000053666467],"about_ca_topic_score_codex":0.0005192527,"about_ca_topic_score_gemma":0.00045484432,"teacher_disagreement_score":0.8388936,"about_ca_system_score_codex":0.00012068004,"about_ca_system_score_gemma":0.000030776475,"threshold_uncertainty_score":0.99958587},"labels":[],"label_agreement":null},{"id":"W1995306632","doi":"10.7202/030591ar","title":"Du silence dans les structures : sur quelques écritures dramatiques contemporaines","year":2005,"lang":"fr","type":"article","venue":"Protée","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Silence; Humanities; Aesthetics","score_opus":0.025471066632899716,"score_gpt":0.24360003586357237,"score_spread":0.21812896923067265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995306632","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2825134,0.24878286,0.00058345887,0.04743598,0.0025946312,0.0016277357,0.00080163917,0.0007426353,0.41491765],"genre_scores_gemma":[0.80236626,0.00084983936,0.0005672099,0.00094127626,0.005391699,0.00008632565,0.000042686424,0.0000366832,0.189718],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810773,0.00024307802,0.0005528169,0.00040115436,0.0002805421,0.00041465275],"domain_scores_gemma":[0.99893534,0.00018083469,0.00018648338,0.00027185114,0.00026605322,0.00015941271],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017906916,0.00039401656,0.00043497034,0.00010150108,0.0008845028,0.00045148187,0.00034400192,0.00015946354,0.005118024],"category_scores_gemma":[0.0001356846,0.00031341257,0.00023142301,0.00006323363,0.0006976592,0.0009806757,0.00007009224,0.0003281094,0.00010578028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056722798,0.000302229,0.0017509579,0.00054434186,0.00013054683,0.00004412117,0.18448132,0.00002703634,0.00029838446,0.7186709,0.06048998,0.03320346],"study_design_scores_gemma":[0.00020120457,0.00015736796,0.000483109,0.00024342483,0.000072444636,0.000014325267,0.004145603,0.0002993158,0.0013295392,0.012855335,0.9797669,0.00043144848],"about_ca_topic_score_codex":0.0094300825,"about_ca_topic_score_gemma":0.0033580894,"teacher_disagreement_score":0.9192769,"about_ca_system_score_codex":0.00010261935,"about_ca_system_score_gemma":0.000078178564,"threshold_uncertainty_score":0.9999318},"labels":[],"label_agreement":null},{"id":"W1995608234","doi":"10.7202/1018526ar","title":"Une « balade » inattendue dans l’oeuvre de Conrad Laforte. Mais qui donc s’y intéresse ? De Surmont, Jean-Nicolas [dir.] avec la collaboration de Serge Gauthier. « M’amie, faites-moi un bouquet... ». Mélanges posthumes autour de l’oeuvre de Conrad Laforte. Québec, Presses de l’Université Laval, « Les Archives de folklore » 30, Éditions Charlevoix, 2011, ix-331 p. ISBN 978-2-7637-9527-0","year":2013,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.011389688794152463,"score_gpt":0.21381848466659817,"score_spread":0.2024287958724457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995608234","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7018152,0.09163216,0.0084295655,0.1708482,0.00063637894,0.0020347338,0.0050715813,0.0016050996,0.017927065],"genre_scores_gemma":[0.82162625,0.053253565,0.0048634373,0.0019028995,0.0017034098,0.00093627686,0.0009538563,0.00038669977,0.114373624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9914672,0.002444682,0.0013307221,0.0013159543,0.00043489915,0.0030065586],"domain_scores_gemma":[0.99347895,0.0027728465,0.00088371005,0.0011603656,0.0004960926,0.0012080424],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0012492152,0.0014234683,0.0015606367,0.00071414665,0.0025158762,0.0008109928,0.0016792835,0.0020356653,0.0044485596],"category_scores_gemma":[0.0012130217,0.0015041052,0.00081531395,0.00059594697,0.002170565,0.0013205718,0.00035688354,0.003097927,0.00017019492],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006675206,0.002431132,0.098834515,0.002574697,0.0016943694,0.004184693,0.3310303,0.004036173,0.014636873,0.031718303,0.5003012,0.007890244],"study_design_scores_gemma":[0.00237265,0.00089467777,0.040598184,0.001630248,0.0012052726,0.0008017709,0.046364732,0.01159009,0.0065183844,0.010370231,0.8753891,0.0022646794],"about_ca_topic_score_codex":0.31116304,"about_ca_topic_score_gemma":0.41659397,"teacher_disagreement_score":0.37508792,"about_ca_system_score_codex":0.0020469907,"about_ca_system_score_gemma":0.0029876947,"threshold_uncertainty_score":0.9998515},"labels":[],"label_agreement":null},{"id":"W1995748827","doi":"10.1353/ecf.2002.0011","title":"Femmes en toutes lettres: les épistolières du XVIII e siècle (review)","year":2002,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Empire; Political science; Law","score_opus":0.028206760281384212,"score_gpt":0.22357884920419008,"score_spread":0.19537208892280586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995748827","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022395526,0.75842255,0.000034174573,0.012462621,0.0053576883,0.00031101238,0.00023868385,0.00019528068,0.22073843],"genre_scores_gemma":[0.14511539,0.6812184,0.000059230595,0.0012502171,0.006815735,0.000052617743,0.00019980936,0.00005891619,0.16522972],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720484,0.00041244054,0.00076220615,0.00058675016,0.0004495259,0.00058424304],"domain_scores_gemma":[0.9986965,0.00026021714,0.0002723359,0.00039795812,0.00015138248,0.0002215738],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002048259,0.00050138275,0.00057795015,0.00017820575,0.0016664463,0.00020923777,0.00031346906,0.00020906623,0.036924444],"category_scores_gemma":[0.00007682231,0.0004435411,0.0005309539,0.00017893643,0.00042918295,0.00084302,0.00007703112,0.00045207574,0.0019824707],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020230847,0.00089040486,0.00028306944,0.0008972904,0.00015970843,0.000044304503,0.0041693593,0.000008001225,0.000017316412,0.11040807,0.83196443,0.051137794],"study_design_scores_gemma":[0.00034921203,0.00021559332,0.00036295413,0.0011695029,0.000404865,0.000022271739,0.00049983594,0.000387551,0.0000319847,0.000051870553,0.9959726,0.00053180294],"about_ca_topic_score_codex":0.0019315509,"about_ca_topic_score_gemma":0.000100664925,"teacher_disagreement_score":0.1640081,"about_ca_system_score_codex":0.0002829729,"about_ca_system_score_gemma":0.000015837499,"threshold_uncertainty_score":0.99980164},"labels":[],"label_agreement":null},{"id":"W1996032178","doi":"10.4000/belphegor.445","title":"Faune diabolique et flore divine dans la légende fantastique espagnole « La azucena silvestre » (1845), de José de Zorrilla","year":2014,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011182735355427357,"score_gpt":0.24170011075741152,"score_spread":0.23051737540198416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996032178","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35129005,0.011783725,0.008304604,0.012168137,0.001942708,0.00046598114,0.0012577635,0.0004444104,0.6123426],"genre_scores_gemma":[0.8129325,0.0007859316,0.0007015755,0.0018689751,0.0028771977,0.000060027553,0.00012388556,0.00009454451,0.18055539],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99649704,0.0012247247,0.0005386543,0.00054854073,0.00028274665,0.00090831704],"domain_scores_gemma":[0.99786615,0.00087685545,0.00018069585,0.0004706218,0.000106968444,0.0004987193],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00080577953,0.0005338863,0.00060745643,0.00015337409,0.00066191354,0.00039514923,0.00044452882,0.00038320667,0.0021894],"category_scores_gemma":[0.00027176976,0.0004892296,0.0003667939,0.00015094376,0.0006889761,0.00040227306,0.0001524096,0.00072173995,0.00026227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007805463,0.000731323,0.0042973002,0.00042089054,0.00019272431,0.00029988092,0.064992264,0.0003202007,0.00133198,0.86704516,0.051072966,0.009217263],"study_design_scores_gemma":[0.0005396508,0.00023277695,0.004949336,0.00026240203,0.00022281964,0.00011203477,0.0012773867,0.0012579066,0.0005141426,0.0062718987,0.98372704,0.0006326001],"about_ca_topic_score_codex":0.0051634046,"about_ca_topic_score_gemma":0.0032444252,"teacher_disagreement_score":0.9326541,"about_ca_system_score_codex":0.00022168935,"about_ca_system_score_gemma":0.00028560092,"threshold_uncertainty_score":0.9997559},"labels":[],"label_agreement":null},{"id":"W1996113438","doi":"10.3406/reg.2009.7944","title":"Usages rhétoriques et poétiques des clausules accentuelles dans le roman de Xénophon d’Éphèse","year":2009,"lang":"en","type":"article","venue":"Revue des Études Grecques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Rhythm; Poetry; Rhetoric; Period (music); Opposition (politics); Art; Linguistics; Literature; Humanities; Philosophy; Political science; Aesthetics","score_opus":0.05953816317394614,"score_gpt":0.280520770716095,"score_spread":0.22098260754214885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996113438","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7438499,0.010728386,0.00044884087,0.0012338058,0.0002474046,0.00023708468,0.000059643382,0.0008224764,0.2423725],"genre_scores_gemma":[0.9739598,0.0024228543,0.0027975894,0.00071209366,0.0011763579,0.000022667704,0.000055724762,0.000041893287,0.018811012],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805975,0.00032346806,0.0004631807,0.00043462717,0.0001901555,0.0005288473],"domain_scores_gemma":[0.9990068,0.00014718794,0.00015023512,0.00033021346,0.00016002366,0.00020554569],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00035474592,0.0003847927,0.00047017905,0.00018387812,0.00087025174,0.0005713387,0.0004384833,0.000114834715,0.0004895024],"category_scores_gemma":[0.000087993336,0.00033217244,0.00027291593,0.00011490004,0.0005625696,0.0012364952,0.000058803886,0.0002458758,0.000039396782],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007688033,0.0005845737,0.0014389774,0.0002432411,0.00012750608,0.00012260953,0.11732799,0.000014880006,0.0053063845,0.84626263,0.0066254456,0.02186889],"study_design_scores_gemma":[0.00028654048,0.00078958605,0.0069942283,0.00061279465,0.000114172864,0.000050812694,0.004828672,0.00009414272,0.007066579,0.08512584,0.89319974,0.0008369141],"about_ca_topic_score_codex":0.0021405623,"about_ca_topic_score_gemma":0.0038712928,"teacher_disagreement_score":0.88657427,"about_ca_system_score_codex":0.00024546712,"about_ca_system_score_gemma":0.000074826996,"threshold_uncertainty_score":0.99991304},"labels":[],"label_agreement":null},{"id":"W1997398444","doi":"10.4000/belphegor.442","title":"La narrazione fantastica e il mondo naturale – Introduzione","year":2014,"lang":"it","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business; Computer science","score_opus":0.015163165669645031,"score_gpt":0.22165037775328714,"score_spread":0.2064872120836421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1997398444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16313305,0.015299778,0.0009608733,0.014621652,0.00898037,0.0007723608,0.0009096752,0.0007234065,0.7945988],"genre_scores_gemma":[0.8269187,0.000100425656,0.0001408954,0.0007160342,0.0038903086,0.00001661283,0.000097609816,0.000041506777,0.16807789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761885,0.00034631172,0.00054984307,0.000544225,0.00040628703,0.0005344671],"domain_scores_gemma":[0.998489,0.00045382747,0.0001726583,0.00047052212,0.00015109834,0.00026286618],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035725944,0.00039611702,0.0005597518,0.000176419,0.0008937326,0.00036134903,0.0003681632,0.00020080908,0.011194497],"category_scores_gemma":[0.00020720737,0.00032360916,0.00028910013,0.0001507095,0.00046945259,0.0003579148,0.00012278357,0.00059918285,0.0025067315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002454195,0.0010904043,0.0001053275,0.00030851326,0.00029289557,0.000078611076,0.030203804,0.000019187737,0.0011630203,0.5795086,0.35092732,0.036056906],"study_design_scores_gemma":[0.000637159,0.00031413566,0.00022307226,0.00008504697,0.0001991467,0.00001623511,0.00075469486,0.00065888907,0.00008093953,0.0012546994,0.99529886,0.00047712788],"about_ca_topic_score_codex":0.00028944574,"about_ca_topic_score_gemma":0.000069029,"teacher_disagreement_score":0.6637857,"about_ca_system_score_codex":0.000071303526,"about_ca_system_score_gemma":0.000042971158,"threshold_uncertainty_score":0.9999216},"labels":[],"label_agreement":null},{"id":"W1999307274","doi":"10.7202/500982ar","title":"Tous les hommes sont mortels, ou, du Locus à l'Elocutio. A propos d'une ode d'Horace","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.025926010130305228,"score_gpt":0.23836558285983747,"score_spread":0.21243957272953223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999307274","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2316444,0.37172902,0.00027573475,0.18212415,0.0038303873,0.0012105297,0.00083206134,0.0009649593,0.20738874],"genre_scores_gemma":[0.66152656,0.0013530785,0.00037375858,0.0009498961,0.0071548354,0.00006228039,0.000051578376,0.00007115404,0.32845682],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964822,0.00022812918,0.00089292694,0.000754326,0.00057972316,0.0010626826],"domain_scores_gemma":[0.9983107,0.00018346409,0.00027021917,0.0005717732,0.0002544117,0.00040946205],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029332878,0.0006907594,0.00075905415,0.0001980425,0.0014677335,0.0005860582,0.00057496823,0.00026830728,0.005347332],"category_scores_gemma":[0.00008687723,0.00058421417,0.0005212424,0.00026670212,0.0010183912,0.0009422007,0.00017762961,0.0005475709,0.0009035573],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018557115,0.001736993,0.00095738296,0.0004046002,0.0004946626,0.0002648542,0.028096538,0.00026486756,0.000037978658,0.5018303,0.21439,0.2513363],"study_design_scores_gemma":[0.00046732672,0.00036664543,0.0006519346,0.00030643595,0.00031789741,0.00004196572,0.002244635,0.0002930916,0.00015321153,0.0010260555,0.9933192,0.0008115709],"about_ca_topic_score_codex":0.013758637,"about_ca_topic_score_gemma":0.011057842,"teacher_disagreement_score":0.77892923,"about_ca_system_score_codex":0.0004095128,"about_ca_system_score_gemma":0.0001949996,"threshold_uncertainty_score":0.99987435},"labels":[],"label_agreement":null},{"id":"W2000584142","doi":"10.7202/501052ar","title":"Récits et romans picaresques en Angleterre (1576-1723)","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Vlaamse regering","keywords":"Art; Humanities; Biography; Art history","score_opus":0.02514837786116993,"score_gpt":0.25410749148336886,"score_spread":0.22895911362219892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000584142","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107501544,0.11758109,0.00006350515,0.07074482,0.0025686608,0.00039311362,0.0010030947,0.00054437615,0.6995998],"genre_scores_gemma":[0.6401423,0.00094405847,0.00037098335,0.0036094496,0.006807283,0.000030394549,0.00009046547,0.00005451416,0.3479505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973935,0.00036009224,0.0006154917,0.0005614059,0.00041089195,0.00065862626],"domain_scores_gemma":[0.99870795,0.00029988558,0.00014426619,0.00044176652,0.00013049213,0.0002756349],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025373447,0.00048549206,0.00052277895,0.00017581423,0.00062563136,0.0005256655,0.00047588325,0.00021985336,0.0067400103],"category_scores_gemma":[0.00007177536,0.00042667481,0.00040995452,0.00012888723,0.0004843007,0.0011934052,0.0001473639,0.00046832408,0.0007458808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038395265,0.00054355926,0.00023001956,0.00016901577,0.00022064667,0.000077788725,0.042515226,0.000040642793,0.000049827933,0.8363803,0.088058434,0.03167616],"study_design_scores_gemma":[0.00028233917,0.00032918542,0.0008770656,0.0002963082,0.00015867027,0.000018357221,0.0013105408,0.00016750427,0.00007597646,0.00134785,0.99457765,0.000558535],"about_ca_topic_score_codex":0.0037280477,"about_ca_topic_score_gemma":0.0093230335,"teacher_disagreement_score":0.90651923,"about_ca_system_score_codex":0.00025315807,"about_ca_system_score_gemma":0.0001072913,"threshold_uncertainty_score":0.9998185},"labels":[],"label_agreement":null},{"id":"W2001334045","doi":"10.4000/trans.251","title":"L’Histoire, ce chaos à écrire","year":2008,"lang":"fr","type":"article","venue":"TRANS-","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Humanities; Art; Conscience; Philosophy","score_opus":0.03994764992681932,"score_gpt":0.2114195775323506,"score_spread":0.1714719276055313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001334045","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009801852,0.094360605,0.00023191319,0.0079434775,0.0032705925,0.00012057033,0.00020661703,0.00012662805,0.8839377],"genre_scores_gemma":[0.35140046,0.0013093586,0.000036065816,0.0005448452,0.0015064403,0.000006293905,0.000018235114,0.000019465935,0.6451588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988319,0.00006674176,0.000293666,0.0002530758,0.00019682702,0.0003577838],"domain_scores_gemma":[0.9994901,0.00004813945,0.000041478743,0.00020335657,0.000054640954,0.00016230128],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004847744,0.00021631559,0.00028564193,0.00006875799,0.0014117316,0.000037045585,0.00016877247,0.00009379935,0.023531536],"category_scores_gemma":[0.000004191174,0.00020041973,0.00026777305,0.000073715346,0.0008946594,0.00031308038,0.0000069537723,0.00023390444,0.001016617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007646732,0.0007895997,0.000095012176,0.00035506656,0.00015680562,0.00067501166,0.14968623,0.000012765004,0.000082244725,0.5754498,0.2337805,0.038840443],"study_design_scores_gemma":[0.00027473585,0.00012687064,0.000110195455,0.000066486966,0.00008956314,0.000037537062,0.00029162996,0.00004201309,0.00003729677,0.00068027305,0.9979625,0.0002809461],"about_ca_topic_score_codex":0.0022440783,"about_ca_topic_score_gemma":0.00016491694,"teacher_disagreement_score":0.764182,"about_ca_system_score_codex":0.000064034626,"about_ca_system_score_gemma":0.00004460021,"threshold_uncertainty_score":0.9998883},"labels":[],"label_agreement":null},{"id":"W2003132477","doi":"10.7202/201411ar","title":"Embrayage et modalisation dans l’incipit de la fiction fantastique brève","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010392206716781184,"score_gpt":0.2519176412838594,"score_spread":0.24152543456707823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003132477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15842488,0.007571683,0.015908247,0.015981035,0.0014802992,0.0002587648,0.0039258986,0.00030985716,0.7961393],"genre_scores_gemma":[0.6253416,0.0004489771,0.0003600775,0.00049815053,0.0012785819,0.00001776317,0.0002434888,0.000029566852,0.37178177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983207,0.00063207553,0.00031195392,0.0002644604,0.00017789123,0.00029292374],"domain_scores_gemma":[0.99931514,0.00024978592,0.00011730738,0.00017076619,0.00007470825,0.00007228147],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046136533,0.00022691027,0.00020219253,0.000114780385,0.0004621046,0.0004755938,0.00011657646,0.0001375227,0.0015651187],"category_scores_gemma":[0.000044602664,0.0002156249,0.00015965,0.00007546561,0.00037521846,0.00087060843,0.000032149324,0.00032820296,0.00013085415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030106346,0.00048721198,0.00063354947,0.00015086934,0.00005537224,0.00009076219,0.028833838,0.0011223187,0.00379911,0.77361476,0.18934184,0.001840235],"study_design_scores_gemma":[0.0002268243,0.00008051851,0.005329624,0.00008572548,0.000106746455,0.000026338332,0.00070343463,0.0009313693,0.0010455884,0.007861223,0.9833269,0.0002757121],"about_ca_topic_score_codex":0.026926834,"about_ca_topic_score_gemma":0.0010803157,"teacher_disagreement_score":0.79398507,"about_ca_system_score_codex":0.00016145287,"about_ca_system_score_gemma":0.00007377999,"threshold_uncertainty_score":0.99934757},"labels":[],"label_agreement":null},{"id":"W2003262048","doi":"10.7202/1005358ar","title":"Le théâtre franco-ontarien – Une identité en évolution","year":2004,"lang":"fr","type":"article","venue":"Francophonies d Amérique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.007532940558938911,"score_gpt":0.20250361868258746,"score_spread":0.19497067812364854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003262048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28969455,0.07491827,0.0047491617,0.026383407,0.027783038,0.00079693116,0.00066669745,0.0005446347,0.5744633],"genre_scores_gemma":[0.721588,0.00077547826,0.00022956564,0.00064012484,0.004792217,0.000045871482,0.000085215084,0.00005608532,0.2717874],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762094,0.00016010851,0.0006436109,0.0005569698,0.0003606206,0.0006577497],"domain_scores_gemma":[0.9988304,0.00012415959,0.00019507184,0.00044758047,0.00017254363,0.00023024005],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001912092,0.00046675923,0.000580958,0.00019069086,0.0013302126,0.0003405037,0.00039366866,0.00033347344,0.0023732567],"category_scores_gemma":[0.000052739368,0.00047241928,0.00045068498,0.00034405736,0.0008055848,0.001208168,0.00009232613,0.00064440025,0.0021180194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008351204,0.0006682624,0.00023096577,0.0003400297,0.00020913364,0.00023214164,0.09749484,0.001116658,0.00020166446,0.8636515,0.03351762,0.0022536442],"study_design_scores_gemma":[0.0009519044,0.00026417937,0.0007907775,0.00032343212,0.000054773125,0.000031186104,0.0076178503,0.00002807633,0.000342346,0.023908526,0.9651118,0.0005751346],"about_ca_topic_score_codex":0.3927041,"about_ca_topic_score_gemma":0.29946366,"teacher_disagreement_score":0.9315942,"about_ca_system_score_codex":0.0004227292,"about_ca_system_score_gemma":0.00047398423,"threshold_uncertainty_score":0.9999699},"labels":[],"label_agreement":null},{"id":"W2007006456","doi":"10.7202/041703ar","title":"Ubu et Cyrano","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Art; Humanities; Political science; Law","score_opus":0.02246165174831326,"score_gpt":0.24699564225002762,"score_spread":0.22453399050171435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007006456","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06770238,0.004378021,0.000026080334,0.089882314,0.009237801,0.0006916467,0.0012274466,0.00062508316,0.8262292],"genre_scores_gemma":[0.47253937,0.0010576731,0.0005162707,0.0020522696,0.0044936757,0.00007545359,0.00018586114,0.00016532722,0.5189141],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947406,0.00038934703,0.0013831339,0.0012825655,0.00064871146,0.0015556143],"domain_scores_gemma":[0.9964103,0.0006033212,0.00048258304,0.00124873,0.00038152828,0.0008735063],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006840099,0.0012092326,0.0013115925,0.00039086968,0.0013335684,0.00084680977,0.001239451,0.00069477776,0.008981585],"category_scores_gemma":[0.00024190675,0.0011557495,0.0012492627,0.000338477,0.00179721,0.0018976041,0.0001906605,0.0023812673,0.0014044279],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014883633,0.0010188032,0.00016482938,0.000730114,0.00034441357,0.0003697132,0.02372234,0.0000332506,0.0010670538,0.8485303,0.11902428,0.0048460853],"study_design_scores_gemma":[0.0002839683,0.00046075674,0.0004969229,0.0006271212,0.00054920587,0.00019491964,0.00047249062,0.00012140631,0.0001963816,0.0030246144,0.99212235,0.0014498442],"about_ca_topic_score_codex":0.0059840158,"about_ca_topic_score_gemma":0.1362426,"teacher_disagreement_score":0.8730981,"about_ca_system_score_codex":0.00017754866,"about_ca_system_score_gemma":0.00050471036,"threshold_uncertainty_score":0.99996656},"labels":[],"label_agreement":null},{"id":"W2007800404","doi":"10.7202/027038ar","title":"Mimèsis et catharsis : de la représentation à la dénégation du réel chez Aristote, Artaud et Brecht","year":2007,"lang":"fr","type":"article","venue":"Philosophiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Catharsis; Art; Literature","score_opus":0.10332720811126772,"score_gpt":0.3566526420088334,"score_spread":0.2533254338975657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007800404","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.108667485,0.017309437,0.002810659,0.13558093,0.0013780971,0.0003343199,0.00022796323,0.00040457645,0.73328656],"genre_scores_gemma":[0.97020674,0.0024121345,0.00078749657,0.0069620158,0.004911792,0.0000193573,0.00019483072,0.000048963993,0.014456674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975401,0.00091875234,0.00053029804,0.00039552408,0.0002710285,0.00034430219],"domain_scores_gemma":[0.9982529,0.00090916135,0.00024330999,0.0002494766,0.00017045235,0.00017467706],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0019992427,0.00029737188,0.00031559655,0.0002277383,0.00042978217,0.00032104435,0.00016483055,0.00026198872,0.0009004145],"category_scores_gemma":[0.00022386556,0.00029990062,0.00025230955,0.00011336063,0.0005225487,0.0008453065,0.000043941964,0.00049205683,0.00012295366],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009810253,0.00066924497,0.0026398886,0.00016507976,0.00014985933,0.00013420495,0.092858925,0.00002287457,0.00028985876,0.85530066,0.043341815,0.004329465],"study_design_scores_gemma":[0.00023780721,0.00010900555,0.0031616408,0.0001483101,0.00017552894,0.00003301416,0.0005684948,0.00009575829,0.00048438803,0.19647823,0.7981772,0.000330624],"about_ca_topic_score_codex":0.009511433,"about_ca_topic_score_gemma":0.0006553972,"teacher_disagreement_score":0.86153924,"about_ca_system_score_codex":0.000267223,"about_ca_system_score_gemma":0.00008833169,"threshold_uncertainty_score":0.9999453},"labels":[],"label_agreement":null},{"id":"W2010252433","doi":"10.4000/trans.171","title":"Sous la rature, la littérature. L’expérience de la philologie italienne au service de la littérature comparée","year":2006,"lang":"fr","type":"article","venue":"TRANS-","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.021428075348798353,"score_gpt":0.2493958475600253,"score_spread":0.22796777221122697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010252433","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07465345,0.13108172,0.00054866704,0.01033878,0.0008650748,0.00027912753,0.00068148714,0.00037481057,0.78117687],"genre_scores_gemma":[0.9232407,0.0019681,0.00048652053,0.0017096278,0.0030876612,0.000032149554,0.0001438232,0.00006424897,0.06926714],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961891,0.0015688551,0.00044939778,0.0005561177,0.00030636022,0.0009301292],"domain_scores_gemma":[0.9978795,0.001179375,0.00013111663,0.00039348972,0.00012596318,0.0002905243],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008150579,0.0005536321,0.0005901417,0.00010952355,0.00082310004,0.0007058639,0.00058222143,0.0008643177,0.0005855463],"category_scores_gemma":[0.000036047913,0.00048453148,0.00037115678,0.00046621816,0.0015012103,0.0004272928,0.00003745192,0.0015528679,0.00008180742],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021119449,0.0013444993,0.0004849714,0.0007035313,0.00015789781,0.0012364286,0.07043251,0.00060730474,0.0010165749,0.86371285,0.05781149,0.0022807673],"study_design_scores_gemma":[0.00071281963,0.00012039578,0.0018689653,0.00027262236,0.00027554957,0.00024140088,0.0012378183,0.00020771031,0.00018906298,0.016255883,0.97801703,0.000600738],"about_ca_topic_score_codex":0.0032195258,"about_ca_topic_score_gemma":0.0016496854,"teacher_disagreement_score":0.92020553,"about_ca_system_score_codex":0.00020721198,"about_ca_system_score_gemma":0.0002981882,"threshold_uncertainty_score":0.9997606},"labels":[],"label_agreement":null},{"id":"W2011965103","doi":"10.1353/ecf.2000.0065","title":"L'Invention du boudoir (review)","year":2000,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01465376021448043,"score_gpt":0.20615196085124943,"score_spread":0.191498200636769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011965103","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014632744,0.09517983,0.000022725098,0.0009673017,0.002276216,0.00029532396,0.000036334404,0.00030856518,0.88628095],"genre_scores_gemma":[0.59627014,0.2920544,0.00004545781,0.0029319325,0.0053001,0.00008325811,0.000645278,0.00004440887,0.102625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899334,0.00007345804,0.00030217227,0.00023293048,0.0002073405,0.00019078748],"domain_scores_gemma":[0.9996062,0.000016460115,0.00006931293,0.00017486983,0.00005425176,0.00007888724],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010055496,0.0001484328,0.0001777668,0.00006192157,0.00043265274,0.00006093944,0.000102750215,0.000037279005,0.09523867],"category_scores_gemma":[0.0000064660076,0.00012042843,0.00019849741,0.000073061725,0.00006421861,0.0004278655,0.000009192217,0.00011896635,0.0020153222],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003341347,0.00032480585,0.0000686731,0.00014377227,0.000042071202,0.000007658366,0.0017172941,0.0000028626619,0.000018983987,0.05263782,0.89763695,0.04736571],"study_design_scores_gemma":[0.00016480824,0.00006449322,0.00012697416,0.00015385753,0.000070311704,0.00000388775,0.000048498194,0.00007041996,0.000010804123,0.00013945426,0.9989906,0.00015589967],"about_ca_topic_score_codex":0.000106126565,"about_ca_topic_score_gemma":0.000014393058,"teacher_disagreement_score":0.78365594,"about_ca_system_score_codex":0.00006376607,"about_ca_system_score_gemma":0.000008945339,"threshold_uncertainty_score":0.9987617},"labels":[],"label_agreement":null},{"id":"W2012601535","doi":"10.1051/refdp/201332038","title":"Pierre Bouguer (Le Croisic, 10 février 1698 – Paris, 15 août 1758)","year":2013,"lang":"fr","type":"article","venue":"Reflets de la physique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Humanities; Bouguer anomaly; Art; Physics; Optics","score_opus":0.011137289545290932,"score_gpt":0.24320026773364012,"score_spread":0.2320629781883492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012601535","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023511767,0.034150258,0.00015676889,0.012299767,0.000998971,0.00033721887,0.00011059538,0.0001824729,0.92825216],"genre_scores_gemma":[0.27595764,0.0009410166,0.00020509558,0.0023347237,0.0030085878,0.00008033362,0.00006999785,0.000065478605,0.71733713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976035,0.00048978644,0.00045840914,0.00047939355,0.00025641412,0.0007124938],"domain_scores_gemma":[0.99852157,0.00027401865,0.00016936302,0.00050175976,0.00019701871,0.0003362542],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021209684,0.00042831514,0.00052120123,0.00009120988,0.000686416,0.00061966275,0.00033027818,0.00030761573,0.025939202],"category_scores_gemma":[0.000035065103,0.0003814922,0.0003879019,0.00012029183,0.0007383206,0.0009284644,0.00010406168,0.00063570857,0.0049852077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002233555,0.0005583971,0.00006381782,0.00018267527,0.00017421656,0.00006530048,0.007999692,0.00001754621,0.0006787462,0.30785927,0.66463786,0.017740127],"study_design_scores_gemma":[0.0003120992,0.00011343672,0.0006927732,0.000115685056,0.00009428038,0.000014274228,0.00037966494,0.00014714373,0.00040405366,0.016300887,0.98091686,0.0005088701],"about_ca_topic_score_codex":0.010685223,"about_ca_topic_score_gemma":0.00024530003,"teacher_disagreement_score":0.31627896,"about_ca_system_score_codex":0.00017445082,"about_ca_system_score_gemma":0.00016318388,"threshold_uncertainty_score":0.9998637},"labels":[],"label_agreement":null},{"id":"W2013121888","doi":"10.4000/narratologie.6779","title":"Entrecroisements d’humour et modernité dans la seconde moitié du XIXe siècle : le cas Dossi","year":2013,"lang":"fr","type":"article","venue":"Cahiers de narratologie","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Agriculture and Agri-Food Canada","funders":"","keywords":"Humanities; Art","score_opus":0.01511890770859761,"score_gpt":0.2263632594116049,"score_spread":0.2112443517030073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013121888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60437036,0.006891448,0.0006685159,0.010641993,0.0013775877,0.00030609834,0.00019337384,0.00017847221,0.37537214],"genre_scores_gemma":[0.77158797,0.00031471258,0.00016472572,0.0020832184,0.00041697014,0.00007577293,0.000056871213,0.000040748382,0.22525904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973196,0.0005981163,0.00051023724,0.00051096204,0.00023104435,0.00083003135],"domain_scores_gemma":[0.99853987,0.0003614656,0.00017779761,0.00037058303,0.00016052183,0.00038975183],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031137574,0.00042613476,0.0005075481,0.00013554706,0.0013207291,0.0005518277,0.00044464547,0.00046355987,0.0061872443],"category_scores_gemma":[0.0001706312,0.00040058253,0.0003091505,0.000111209556,0.001723778,0.0008390589,0.00008780689,0.000844131,0.0008554596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000562219,0.0009719215,0.004059151,0.00026410708,0.00050199585,0.0009769342,0.20597328,0.00037017444,0.0009831164,0.43511602,0.3444867,0.006240342],"study_design_scores_gemma":[0.0007444527,0.0001446458,0.00096303824,0.00007030103,0.00012240215,0.00010521329,0.027224869,0.0016128483,0.0005957802,0.01833674,0.94948864,0.00059104373],"about_ca_topic_score_codex":0.006198313,"about_ca_topic_score_gemma":0.0005947721,"teacher_disagreement_score":0.6050019,"about_ca_system_score_codex":0.0005284463,"about_ca_system_score_gemma":0.00030199235,"threshold_uncertainty_score":0.99997944},"labels":[],"label_agreement":null},{"id":"W2014312888","doi":"10.7202/012580ar","title":"Poésie, philosophie et mystique","year":2006,"lang":"fr","type":"article","venue":"Laval théologique et philosophique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.03801693065324994,"score_gpt":0.2690136569753343,"score_spread":0.23099672632208437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014312888","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016659781,0.014278533,0.00051545544,0.21493837,0.0028534154,0.00061928306,0.0006048921,0.00057366694,0.7489566],"genre_scores_gemma":[0.80814314,0.0049453964,0.00080676883,0.016386332,0.014978193,0.00014098063,0.0004226386,0.00015960152,0.15401694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943074,0.0019271752,0.001201155,0.0010613153,0.00049194455,0.0010110186],"domain_scores_gemma":[0.99730074,0.00083171175,0.00046021768,0.000761608,0.00033162476,0.0003140908],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012281307,0.00095716864,0.0010262601,0.00031951533,0.00063154096,0.0004187929,0.0006869218,0.0008677989,0.0034767645],"category_scores_gemma":[0.00019438498,0.0008805225,0.000708107,0.00024488068,0.0012543302,0.0011520938,0.00023999195,0.0019563388,0.00084931275],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012228852,0.00104632,0.00014770935,0.00023767591,0.00013393068,0.00059040805,0.0017026659,0.00021252508,0.00019015653,0.91847837,0.07689095,0.00024696888],"study_design_scores_gemma":[0.00037541962,0.0003894947,0.00014770466,0.0001833089,0.00009799773,0.00007590217,0.00004498207,0.000029500636,0.0001779293,0.44178048,0.5560745,0.0006227978],"about_ca_topic_score_codex":0.005722245,"about_ca_topic_score_gemma":0.0014539687,"teacher_disagreement_score":0.79148334,"about_ca_system_score_codex":0.0002941422,"about_ca_system_score_gemma":0.00039760576,"threshold_uncertainty_score":0.99992865},"labels":[],"label_agreement":null},{"id":"W2014642819","doi":"10.1353/ecf.2004.0008","title":"La Poésie philosophique de Voltaire in SVEC 2003:05, and: Voltaire and the Temple of Bad Taste: A Study of \"La Pucelle d'Orléans\" in SVEC 2003:05 (review)","year":2004,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Poetry; Art; Philosophy; EPIC; Literature","score_opus":0.018307437713438846,"score_gpt":0.23954909828925197,"score_spread":0.22124166057581313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014642819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8671988,0.10900758,0.000022981658,0.0007668219,0.00048473652,0.0015524711,0.00008464185,0.000050095514,0.020831866],"genre_scores_gemma":[0.978726,0.02019596,0.00002689526,0.00017578599,0.00013837349,0.00007463737,0.00002921727,0.000018234272,0.0006148491],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981507,0.00042725806,0.000648349,0.00030497933,0.00023626059,0.00023242059],"domain_scores_gemma":[0.99922293,0.000113250695,0.00022617364,0.00022712443,0.00014233738,0.00006818472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000579482,0.00023041322,0.0005177056,0.0001885453,0.0001889584,0.00003098206,0.00014013628,0.000091619826,0.00017650296],"category_scores_gemma":[0.00008691436,0.00016198009,0.0000725928,0.00035090442,0.00030723365,0.00028342236,0.000058545742,0.0003190984,0.0000029537457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002700499,0.017151205,0.039854784,0.004802173,0.0007590875,0.00039500228,0.34118053,0.00029441318,0.00072001974,0.44651595,0.109652765,0.035973556],"study_design_scores_gemma":[0.010637617,0.0012214796,0.013092012,0.002081266,0.00039028167,0.00005085128,0.0135407355,0.00032196785,0.00014290644,0.0022125694,0.9556342,0.0006741134],"about_ca_topic_score_codex":0.004472205,"about_ca_topic_score_gemma":0.001757869,"teacher_disagreement_score":0.8459814,"about_ca_system_score_codex":0.000099339166,"about_ca_system_score_gemma":0.000071515016,"threshold_uncertainty_score":0.6760666},"labels":[],"label_agreement":null},{"id":"W2014686421","doi":"10.7202/009888ar","title":"Travestissement littéraire et trajectoire intellectuelle d’Henri-Raymond Casgrain","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.022357117294099803,"score_gpt":0.2592166124266227,"score_spread":0.23685949513252288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014686421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030101597,0.17640972,0.0012658553,0.27414644,0.0031894238,0.00075342896,0.0047377525,0.0004764417,0.50891936],"genre_scores_gemma":[0.15571176,0.0021935813,0.0008183472,0.0030493815,0.002330391,0.000029465,0.00009515927,0.00006313264,0.8357088],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737084,0.0004371492,0.0006323561,0.0005583078,0.00035713444,0.0006442073],"domain_scores_gemma":[0.9987137,0.00035119287,0.00014653242,0.00037981733,0.00012832577,0.0002804695],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044065574,0.00050417194,0.00049520255,0.0002084377,0.00080706185,0.00055247004,0.00032016967,0.0001492843,0.016852587],"category_scores_gemma":[0.00010823536,0.00045129465,0.0003737076,0.00016868932,0.0006704711,0.0008638398,0.000089224,0.0006013589,0.0011874748],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052785817,0.0010143183,0.00003420973,0.00024777974,0.00024110886,0.00014818997,0.089978494,0.000118707045,0.0004143885,0.119130544,0.6249714,0.16364805],"study_design_scores_gemma":[0.00039157688,0.00035311555,0.00018782042,0.0002399959,0.00016670859,0.000038459657,0.0017531627,0.0002951321,0.00068049855,0.0011530047,0.99416214,0.0005784093],"about_ca_topic_score_codex":0.0029009636,"about_ca_topic_score_gemma":0.0024715303,"teacher_disagreement_score":0.3691907,"about_ca_system_score_codex":0.00018162957,"about_ca_system_score_gemma":0.00012949524,"threshold_uncertainty_score":0.9997939},"labels":[],"label_agreement":null},{"id":"W2014986150","doi":"10.7202/007039ar","title":"La motivation des styles chez Marguerite Duras : cris et silence dans Moderato cantabile et La douleur","year":2003,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Humanities; Art; Philosophy","score_opus":0.02748029116670503,"score_gpt":0.25065488775470013,"score_spread":0.2231745965879951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014986150","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4642175,0.010953735,0.0005016975,0.00039418176,0.00026640756,0.00017538873,0.0003211009,0.00012326983,0.52304673],"genre_scores_gemma":[0.969501,0.0015857471,0.00040692135,0.00069386733,0.00023342736,0.00005292677,0.000052194348,0.000056484037,0.027417423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726504,0.000932009,0.0005118017,0.0004897477,0.000339038,0.00046237156],"domain_scores_gemma":[0.9982807,0.00090428727,0.00014333692,0.0002996638,0.00018218352,0.00018985105],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005675001,0.00044393877,0.00044128575,0.00013269219,0.0009944884,0.0005479999,0.0002349889,0.00019628063,0.0044864407],"category_scores_gemma":[0.00026014142,0.00040004158,0.00023289303,0.00017294491,0.0011744549,0.0011850987,0.000052519816,0.00044756877,0.00010303992],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038109694,0.00063402875,0.0071197464,0.00041971833,0.000119051954,0.000083273066,0.07414476,0.0003347034,0.00068048533,0.9130772,0.0020238992,0.001325037],"study_design_scores_gemma":[0.00038767542,0.00013905583,0.0056426427,0.00047050213,0.00013616194,0.000035150664,0.0099599445,0.000118068914,0.0008538723,0.0024723718,0.9792317,0.00055282743],"about_ca_topic_score_codex":0.008043021,"about_ca_topic_score_gemma":0.0042054066,"teacher_disagreement_score":0.97720784,"about_ca_system_score_codex":0.00009974123,"about_ca_system_score_gemma":0.00018033094,"threshold_uncertainty_score":0.99984515},"labels":[],"label_agreement":null},{"id":"W2015056249","doi":"10.7202/024962ar","title":"Heureux comme Dieu en exégèse?","year":2007,"lang":"fr","type":"article","venue":"Théologiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.058987504650935586,"score_gpt":0.2880879030756451,"score_spread":0.2291003984247095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015056249","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11434261,0.048983667,0.0007849224,0.0119737005,0.0035731692,0.00019626894,0.0001259486,0.0004112237,0.8196085],"genre_scores_gemma":[0.55304295,0.0017946798,0.00044110656,0.0022336764,0.003946628,0.0000052724017,0.000035153804,0.000024982928,0.43847555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825776,0.000306118,0.0004374399,0.00027985347,0.0001672787,0.0005515326],"domain_scores_gemma":[0.998657,0.0006990649,0.00010861042,0.0002770357,0.00009312247,0.0001651652],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00085851556,0.00026635596,0.00036338865,0.00011108733,0.0004626913,0.00012616282,0.00030030104,0.00023808173,0.006731178],"category_scores_gemma":[0.00009820152,0.00021907336,0.00020455521,0.00006750901,0.00058712467,0.00032317085,0.00009416872,0.00047432518,0.0008081086],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007928419,0.00037915,0.0010570438,0.0001011208,0.00010403488,0.00024944454,0.045680992,0.0000012029654,0.000045817724,0.78979295,0.13981597,0.022692999],"study_design_scores_gemma":[0.00012336395,0.0004299442,0.0010116345,0.00006830019,0.00007201453,0.000014543705,0.0024798,0.000007950215,0.00025361354,0.009774164,0.9854628,0.00030190242],"about_ca_topic_score_codex":0.0029546097,"about_ca_topic_score_gemma":0.0012604821,"teacher_disagreement_score":0.8456468,"about_ca_system_score_codex":0.000113593094,"about_ca_system_score_gemma":0.00003414752,"threshold_uncertainty_score":0.9999699},"labels":[],"label_agreement":null},{"id":"W2017314980","doi":"10.7202/006744ar","title":"Vers une critique comparatiste de la voix au théâtre","year":2003,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020923870938823096,"score_gpt":0.2621521023653846,"score_spread":0.24122823142656152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017314980","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03364778,0.022259671,0.00018451047,0.0022683514,0.0012635994,0.0001303229,0.0002074147,0.000098448036,0.9399399],"genre_scores_gemma":[0.81349236,0.00035649294,0.00024858027,0.0006997182,0.0007243593,0.000017469758,0.000016582851,0.000030197816,0.18441424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981534,0.00041340408,0.0003728805,0.0003204138,0.00021470743,0.0005252045],"domain_scores_gemma":[0.99875796,0.00057706446,0.00008308329,0.00025579974,0.000087413886,0.00023868776],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026138316,0.0003276234,0.00041524903,0.00009169688,0.0011215684,0.00028166882,0.00021165743,0.0001690789,0.0075210114],"category_scores_gemma":[0.00008903304,0.00030851798,0.00025516353,0.00013589385,0.0013052908,0.00039335928,0.000021491414,0.00035740697,0.00046763296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026028785,0.0004310579,0.0011975332,0.00021023549,0.00013545364,0.00014193164,0.020906808,0.00006989988,0.000034128552,0.929345,0.046778902,0.00072299974],"study_design_scores_gemma":[0.00036757567,0.00014321083,0.00041308696,0.00017510391,0.00018267691,0.000030129702,0.0017170204,0.0000417383,0.00015838737,0.0026315395,0.99374896,0.0003905657],"about_ca_topic_score_codex":0.031802777,"about_ca_topic_score_gemma":0.008574715,"teacher_disagreement_score":0.94697005,"about_ca_system_score_codex":0.00023045376,"about_ca_system_score_gemma":0.00034197865,"threshold_uncertainty_score":0.9999367},"labels":[],"label_agreement":null},{"id":"W2018580626","doi":"10.7202/041458ar","title":"Les manuscrits de la mise en scène","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021628997443344435,"score_gpt":0.2555668841528292,"score_spread":0.23393788670948476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018580626","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1778406,0.004529208,0.000023830415,0.038948707,0.0031794696,0.0005143901,0.000714974,0.0004991038,0.7737497],"genre_scores_gemma":[0.5689242,0.0010700619,0.0007829462,0.0005761192,0.0043834215,0.00007057624,0.00008508373,0.0001436588,0.42396393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949534,0.00083245145,0.0011264688,0.0010682964,0.00051345583,0.001505925],"domain_scores_gemma":[0.9962673,0.0012886706,0.00035769877,0.00095846073,0.0002612583,0.0008665708],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009850899,0.0010749752,0.0011047984,0.00037102395,0.001441992,0.00080547755,0.001227456,0.0009456531,0.0054076156],"category_scores_gemma":[0.00036385062,0.0010517152,0.001027737,0.0002578355,0.0022528158,0.0011354386,0.0001746573,0.0024525153,0.00045371396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017118636,0.0011637065,0.00046672145,0.001113454,0.0003478485,0.00074881926,0.030485338,0.00003558454,0.0018013018,0.8699014,0.07726383,0.016500799],"study_design_scores_gemma":[0.0003035196,0.0003223504,0.0013068235,0.0007499197,0.0006175163,0.0003713529,0.0008956941,0.00015235317,0.00030427868,0.0032216338,0.99048746,0.0012670988],"about_ca_topic_score_codex":0.012726775,"about_ca_topic_score_gemma":0.0706708,"teacher_disagreement_score":0.9132236,"about_ca_system_score_codex":0.0003327919,"about_ca_system_score_gemma":0.00043107133,"threshold_uncertainty_score":0.999858},"labels":[],"label_agreement":null},{"id":"W2019909958","doi":"10.3828/qs.54.1.3","title":"\" <i>Un Remedde Contre Toutes Maladies</i> \": Travel Writing and the Scurvy Incident in Cartier's Second Voyage","year":2012,"lang":"en","type":"article","venue":"Quebec Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Scurvy; History; Humanities; Medicine; Art; Internal medicine; Vitamin C","score_opus":0.027831386262682,"score_gpt":0.23700774152588722,"score_spread":0.20917635526320522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2019909958","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8218787,0.10048024,0.000002119335,0.0025244644,0.0007241206,0.0002586089,0.000034620964,0.00004424442,0.07405292],"genre_scores_gemma":[0.95410174,0.00030243583,0.000011565975,0.00081730227,0.00076670194,0.000047723657,0.00000305084,0.000009923641,0.04393953],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988848,0.00016399992,0.00034525842,0.00015957272,0.00012532153,0.0003210392],"domain_scores_gemma":[0.9990621,0.0006090089,0.00008688506,0.0001217712,0.00006335206,0.00005683895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005304657,0.00017012595,0.0003968008,0.000058394766,0.00061276427,0.00009568477,0.000092213006,0.000027212636,0.0006348388],"category_scores_gemma":[0.00014555884,0.00010113588,0.00008204198,0.00004022323,0.00060496246,0.00035819298,0.000087989625,0.00018372391,0.000021427562],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008736865,0.00011957019,0.02229604,0.00019528663,0.00039923456,0.00001822028,0.6141781,6.815067e-7,0.000027404589,0.32993346,0.027322056,0.0054225684],"study_design_scores_gemma":[0.0021200904,0.000065005894,0.02990753,0.00019307893,0.00019651919,0.000008535342,0.21070324,0.000023859993,0.00016188428,0.0047687055,0.7513292,0.000522372],"about_ca_topic_score_codex":0.0067244535,"about_ca_topic_score_gemma":0.10485106,"teacher_disagreement_score":0.7240071,"about_ca_system_score_codex":0.00005714432,"about_ca_system_score_gemma":0.000009594938,"threshold_uncertainty_score":0.99988985},"labels":[],"label_agreement":null},{"id":"W2020008851","doi":"10.1086/652619","title":": <i>Aux frontières de l'humain: Figures du cannibalisme dans le théâtre anglais de la Renaissance</i>","year":2010,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"The Renaissance; Art; Champion; Humanities; Honor; Art history; History","score_opus":0.00848438209217576,"score_gpt":0.2263138853368133,"score_spread":0.21782950324463754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020008851","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47225273,0.04412578,0.0009910305,0.01711089,0.004389834,0.00041162764,0.00086069596,0.00048005875,0.45937735],"genre_scores_gemma":[0.8185302,0.00029443117,0.00052979274,0.0007422783,0.0056822556,0.00007304476,0.00006160868,0.00009572592,0.17399065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99644524,0.0005932319,0.00066570274,0.0007308926,0.00038375726,0.0011811538],"domain_scores_gemma":[0.9978679,0.00037080175,0.00029074503,0.0007543435,0.00018342465,0.0005327877],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064117066,0.00063225656,0.00068792317,0.0001478459,0.0019992418,0.00078563363,0.00076571305,0.00046107065,0.0029816553],"category_scores_gemma":[0.00008146371,0.0006093978,0.0004720674,0.00018727912,0.0025161554,0.0009819887,0.000032679916,0.0011529794,0.00019332988],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007862397,0.00048158047,0.0025085101,0.00023218043,0.00014195546,0.0003927833,0.07214406,0.000016130443,0.0034360518,0.43158028,0.4830009,0.0059869583],"study_design_scores_gemma":[0.00066721416,0.00048346858,0.0022996473,0.0003186663,0.00016251036,0.00014240744,0.003124162,0.0002965112,0.0005528326,0.010043499,0.9811311,0.0007780284],"about_ca_topic_score_codex":0.03330035,"about_ca_topic_score_gemma":0.01565328,"teacher_disagreement_score":0.49813017,"about_ca_system_score_codex":0.00018546023,"about_ca_system_score_gemma":0.0005159218,"threshold_uncertainty_score":0.99963576},"labels":[],"label_agreement":null},{"id":"W2021339396","doi":"10.7202/006902ar","title":"Vers une critique comparatiste de la voix au théâtre (nouvelle version avec extraits vidéos)","year":2003,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015594023725799332,"score_gpt":0.24725331476297938,"score_spread":0.23165929103718005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021339396","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10275808,0.016887333,0.00031422818,0.0021277852,0.0017588884,0.00021992635,0.00037704484,0.00013524009,0.87542146],"genre_scores_gemma":[0.8251855,0.00043654355,0.00033971583,0.00056134415,0.00063913537,0.000015499205,0.00003571536,0.00003825103,0.17274834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977241,0.00045986194,0.00044471782,0.0004362688,0.0003109315,0.0006241213],"domain_scores_gemma":[0.9985465,0.00062947546,0.00011353941,0.00028529105,0.00011882972,0.00030640356],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003043664,0.00041806317,0.00048814487,0.00012991976,0.0015409293,0.00027077176,0.00027241773,0.00024057398,0.011537276],"category_scores_gemma":[0.00009063123,0.00040100096,0.00031315425,0.00017541675,0.0011744717,0.00051963446,0.00003821063,0.0004288524,0.0006854708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073697534,0.0006546556,0.00067143,0.00029357805,0.00015590114,0.00019970861,0.046542026,0.00013857677,0.00014790254,0.8725541,0.077464305,0.0011040732],"study_design_scores_gemma":[0.0006403039,0.00022731171,0.0004817382,0.00028041628,0.00022017056,0.000034712903,0.0033790832,0.00013547209,0.00037438123,0.0009893831,0.99274087,0.00049614],"about_ca_topic_score_codex":0.016262129,"about_ca_topic_score_gemma":0.0058622416,"teacher_disagreement_score":0.9152766,"about_ca_system_score_codex":0.0003231962,"about_ca_system_score_gemma":0.00043303595,"threshold_uncertainty_score":0.9998442},"labels":[],"label_agreement":null},{"id":"W2021448341","doi":"10.7202/501114ar","title":"Henri Mitterand, l’Illusion réaliste – De Balzac à Aragon","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Illusion; Art; Philosophy; Humanities; Psychology; Cognitive psychology","score_opus":0.020890328164755303,"score_gpt":0.2361971426606127,"score_spread":0.2153068144958574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021448341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19201185,0.2225673,0.00017738984,0.08450056,0.0037173445,0.000439655,0.000672706,0.0004153356,0.49549785],"genre_scores_gemma":[0.6151427,0.0014615898,0.00045668057,0.0040503712,0.0094947675,0.000020940835,0.000060252612,0.000049269594,0.3692634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975981,0.00021237003,0.0005969338,0.00048284448,0.00036046188,0.00074927916],"domain_scores_gemma":[0.9988634,0.00017176682,0.00015010398,0.0003875116,0.00010466337,0.00032255877],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027220664,0.00042453234,0.00046552886,0.000151847,0.0009875085,0.0003943229,0.00036229598,0.00019729625,0.008893815],"category_scores_gemma":[0.000043287517,0.00037507844,0.00042412838,0.00011911133,0.0004956428,0.0007592914,0.000116425814,0.00035923615,0.0007925701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014353925,0.0007924458,0.0002779176,0.00033884333,0.00021108452,0.0001221741,0.031243252,0.00012590892,0.00025351567,0.75102234,0.11865903,0.09680995],"study_design_scores_gemma":[0.00046438884,0.00019470915,0.00050292455,0.00028662462,0.0001707848,0.000035250065,0.0005604446,0.00059387507,0.00012570963,0.0014854535,0.9950799,0.00049995066],"about_ca_topic_score_codex":0.0037951926,"about_ca_topic_score_gemma":0.0029062005,"teacher_disagreement_score":0.87642086,"about_ca_system_score_codex":0.00035839537,"about_ca_system_score_gemma":0.000103600025,"threshold_uncertainty_score":0.99998546},"labels":[],"label_agreement":null},{"id":"W2022714982","doi":"10.7202/1001054ar","title":"Du film, du texte et du rêve, en tant qu’objets et activités symboliques","year":2011,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.038874928734145504,"score_gpt":0.2467517891300708,"score_spread":0.2078768603959253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022714982","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23787357,0.024334826,0.0005268805,0.029651426,0.0036881536,0.001140203,0.00066556945,0.0012907968,0.70082855],"genre_scores_gemma":[0.9459116,0.030086577,0.0007453379,0.0037325819,0.0029468192,0.00015572358,0.00017917597,0.0002179715,0.016024208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939379,0.0018455418,0.0013119294,0.0012646005,0.00048781047,0.0011522302],"domain_scores_gemma":[0.9962845,0.0008749533,0.00066523405,0.0010082627,0.00055185193,0.0006151864],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014637528,0.0012353844,0.0015545083,0.00090354413,0.0011568053,0.000585806,0.0009823658,0.00058244495,0.0052862293],"category_scores_gemma":[0.00029353076,0.0011517999,0.0012112147,0.0005425505,0.0011426592,0.002309376,0.0003664859,0.001348128,0.0002946046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001750529,0.0016516125,0.008887073,0.00071037305,0.00072468666,0.0008614661,0.07659247,0.000005834406,0.00011455672,0.8757376,0.032939773,0.0015994809],"study_design_scores_gemma":[0.0005170692,0.00088097044,0.010079579,0.0011194098,0.0005436269,0.00035274748,0.0024460603,0.00015897506,0.00054138596,0.0046445597,0.9772825,0.0014331179],"about_ca_topic_score_codex":0.006162951,"about_ca_topic_score_gemma":0.0033786756,"teacher_disagreement_score":0.94434273,"about_ca_system_score_codex":0.0001797536,"about_ca_system_score_gemma":0.00019911198,"threshold_uncertainty_score":0.9990932},"labels":[],"label_agreement":null},{"id":"W2024676538","doi":"10.7202/1005507ar","title":"Un théâtre d’acteurs vidéographiques : Les aveugles de Denis Marleau","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.05131460621644924,"score_gpt":0.27430581606413224,"score_spread":0.222991209847683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024676538","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07490242,0.048007574,0.004864754,0.0036277582,0.0016630844,0.0008318213,0.0007973599,0.0026875325,0.8626177],"genre_scores_gemma":[0.6788401,0.011880037,0.02229183,0.003485252,0.0016025773,0.000443741,0.00018367654,0.0004213853,0.28085142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934879,0.0014780296,0.0015580984,0.0012514063,0.00057929213,0.0016452516],"domain_scores_gemma":[0.9962908,0.0006205668,0.000616863,0.0010796043,0.0007445882,0.0006475512],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011396749,0.0014218253,0.0012656939,0.00092933874,0.0031019938,0.00093279127,0.0013108604,0.0007062223,0.0043644733],"category_scores_gemma":[0.00034115868,0.0013541752,0.0013007808,0.00041277398,0.009756538,0.002471285,0.00041988018,0.0013270555,0.00008068477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033345842,0.0011317817,0.0032995755,0.0007271911,0.0004903676,0.00086888776,0.05476945,4.450704e-7,0.0006222795,0.52031827,0.022613095,0.3948252],"study_design_scores_gemma":[0.00025316537,0.0011146793,0.0010311207,0.002303669,0.0005173937,0.00026506686,0.0017809351,0.000009406246,0.00730109,0.088219695,0.89573485,0.0014689285],"about_ca_topic_score_codex":0.032128766,"about_ca_topic_score_gemma":0.010312205,"teacher_disagreement_score":0.87312174,"about_ca_system_score_codex":0.0011505637,"about_ca_system_score_gemma":0.00019168423,"threshold_uncertainty_score":0.9998532},"labels":[],"label_agreement":null},{"id":"W2024746260","doi":"10.3828/qs.53.1.91","title":"La Franco-Amérique dans <i>Les taches solaires</i> de Jean-François Chassay: du carnavalesque à l'effet Forrest Gump","year":2012,"lang":"fr","type":"article","venue":"Quebec Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.03475167626110796,"score_gpt":0.2599343640495225,"score_spread":0.22518268778841458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024746260","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17579442,0.6835833,0.00057824433,0.021392552,0.006715657,0.00051827985,0.0008893575,0.0003602696,0.11016789],"genre_scores_gemma":[0.6551831,0.012854951,0.0000844716,0.0006558026,0.006648899,0.00009192896,0.00004294397,0.00007852088,0.32435945],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99685717,0.00062356115,0.00066010345,0.00043605486,0.00032334094,0.0010997572],"domain_scores_gemma":[0.99736524,0.0014836063,0.00023956814,0.00038703805,0.00019889697,0.00032567637],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007431281,0.0006530916,0.000899844,0.00014208551,0.0019617036,0.00020875265,0.00034296507,0.00029724423,0.00068723346],"category_scores_gemma":[0.0003281371,0.0005468509,0.00050314126,0.00013168766,0.0016593147,0.0009008937,0.00020603473,0.0006003768,0.00032306655],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006286894,0.00077486486,0.045029342,0.0011250146,0.0011938191,0.00012340062,0.5410724,0.000044680888,0.00005902498,0.1376479,0.2613192,0.011547485],"study_design_scores_gemma":[0.0004003915,0.00012196381,0.002793487,0.0004631352,0.00037864628,0.000026522921,0.034690216,0.00006121964,0.00016942491,0.0005303596,0.95970875,0.00065590336],"about_ca_topic_score_codex":0.14675209,"about_ca_topic_score_gemma":0.35819322,"teacher_disagreement_score":0.69838953,"about_ca_system_score_codex":0.0006249677,"about_ca_system_score_gemma":0.00012597255,"threshold_uncertainty_score":0.9996983},"labels":[],"label_agreement":null},{"id":"W2025730226","doi":"10.3917/rhlf.113.0695","title":"La littérature française contemporaine à l'épreuve du fichier central des thèses","year":2011,"lang":"fr","type":"article","venue":"Revue d histoire littéraire de la France","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art","score_opus":0.020345209173400165,"score_gpt":0.20223369879142056,"score_spread":0.1818884896180204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025730226","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017142981,0.4983617,0.00025357667,0.002306953,0.0026941684,0.00035217064,0.00066363666,0.00029049884,0.4779343],"genre_scores_gemma":[0.43110776,0.0038320033,0.00069264113,0.00089133275,0.0045815776,0.000066093424,0.00006885033,0.0001180344,0.5586417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961379,0.0009656984,0.0008273858,0.00076533086,0.00027025156,0.0010334039],"domain_scores_gemma":[0.9977288,0.00045940667,0.00035792514,0.00069292786,0.0002307118,0.0005301948],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00050478854,0.0007103666,0.00097428565,0.00015719645,0.0018592628,0.000255702,0.00065818743,0.0008007768,0.0034437543],"category_scores_gemma":[0.0002769588,0.0006884291,0.0007002916,0.0003219144,0.004416321,0.00080195063,0.000089001376,0.0014088202,0.0001933266],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031482868,0.0018080774,0.0059820283,0.0056556533,0.00040198673,0.0025670286,0.361818,0.000011111531,0.000043667125,0.51199484,0.060898203,0.04850458],"study_design_scores_gemma":[0.00066030223,0.00020466914,0.003193644,0.0026421382,0.0003443552,0.00023258817,0.0010720592,0.00010982106,0.000029814866,0.0030910776,0.98760146,0.00081806065],"about_ca_topic_score_codex":0.0047228066,"about_ca_topic_score_gemma":0.0010667046,"teacher_disagreement_score":0.9267033,"about_ca_system_score_codex":0.0003432475,"about_ca_system_score_gemma":0.00016276843,"threshold_uncertainty_score":0.99955666},"labels":[],"label_agreement":null},{"id":"W2028092174","doi":"10.1017/s0307883300013158","title":"Mise en Scène et jeu de l’acteur: Tome I, L’Espace du texte; Tome 2, Le Corps en Scène","year":2000,"lang":"fr","type":"article","venue":"Theatre Research International","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04650705752735064,"score_gpt":0.3301570315722085,"score_spread":0.28364997404485787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2028092174","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076962434,0.0054145954,0.00005304258,0.09552681,0.0008673315,0.0002622857,0.0008308003,0.00009789355,0.8199848],"genre_scores_gemma":[0.46661124,0.0021869838,0.00007348459,0.00037435704,0.0038803176,0.000027605342,0.00014109432,0.00003665677,0.52666825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957566,0.001142948,0.000457263,0.0005089986,0.0012619465,0.0008722083],"domain_scores_gemma":[0.99742407,0.0013282893,0.00006602002,0.0003605012,0.0003966932,0.00042441778],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020029878,0.00030328913,0.00033980733,0.00046718627,0.00075450237,0.0008361345,0.0009675388,0.00017586102,0.080956005],"category_scores_gemma":[0.00015242335,0.00027733983,0.00027483216,0.00022629039,0.0007514109,0.0010259624,0.00021446992,0.001099595,0.004092529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010384164,0.002086148,0.0010509036,0.00014548682,0.0006190098,0.0006524234,0.043088324,0.00020691175,0.00042983462,0.57357395,0.21705134,0.16005725],"study_design_scores_gemma":[0.0006913851,0.00025672364,0.0004687983,0.00022076603,0.00002462205,0.00008996165,0.0013509436,0.0010623526,0.00008139919,0.0061418233,0.9893132,0.00029802916],"about_ca_topic_score_codex":0.007817209,"about_ca_topic_score_gemma":0.0004385045,"teacher_disagreement_score":0.77226186,"about_ca_system_score_codex":0.000711679,"about_ca_system_score_gemma":0.0004111851,"threshold_uncertainty_score":0.9999679},"labels":[],"label_agreement":null},{"id":"W2029069774","doi":"10.7202/1007718ar","title":"La Lettre à d’Alembert sur les spectacles, ou l’inscription européenne du républicanisme","year":2011,"lang":"fr","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05179443317289778,"score_gpt":0.21662301613467752,"score_spread":0.16482858296177974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029069774","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21705732,0.577813,0.0000179824,0.05292579,0.0075566974,0.0027632404,0.0067881118,0.00068362005,0.13439418],"genre_scores_gemma":[0.83222264,0.08380773,0.0010795178,0.005017106,0.010045918,0.00043925882,0.00090089464,0.00031595633,0.06617095],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964372,0.0001258916,0.0007438818,0.0009006718,0.000439355,0.0013529783],"domain_scores_gemma":[0.99655926,0.0004297345,0.00040738535,0.00024723922,0.0017928408,0.0005635528],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005879229,0.00078058214,0.00078687485,0.00011714983,0.0050463295,0.00068731315,0.00074785633,0.00039792547,0.001607948],"category_scores_gemma":[0.0002843415,0.0006217264,0.0008903807,0.0005779144,0.0015047323,0.0009495961,0.00012955915,0.0008337736,0.00006838729],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000678057,0.00018650219,0.0027005451,0.00021476224,0.0026530619,0.000008771071,0.12139531,7.150375e-8,0.000052202322,0.16432546,0.7061577,0.0022377917],"study_design_scores_gemma":[0.0007163337,0.00025155838,0.00253035,0.00025043517,0.0009942697,0.000011028935,0.031427145,0.000067617104,0.00004593218,0.0014046149,0.9615436,0.000757112],"about_ca_topic_score_codex":0.2816215,"about_ca_topic_score_gemma":0.22635381,"teacher_disagreement_score":0.61516535,"about_ca_system_score_codex":0.001366337,"about_ca_system_score_gemma":0.00041730044,"threshold_uncertainty_score":0.9996234},"labels":[],"label_agreement":null},{"id":"W2031008648","doi":"10.1353/utq.2007.0262","title":"Épigone, histoire du siècle futur (1659) (review)","year":2007,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; History","score_opus":0.009863930784467926,"score_gpt":0.1890452051295647,"score_spread":0.17918127434509676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031008648","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059702215,0.42650527,0.00043637506,0.0028403392,0.002430279,0.00019511746,0.00016807571,0.00006976408,0.56138456],"genre_scores_gemma":[0.15218613,0.015464609,0.00047491325,0.000632456,0.0018675415,1.8700521e-7,0.00006977412,0.00002932849,0.8292751],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867,0.00009597454,0.00031946175,0.00029769182,0.0002520771,0.00036479736],"domain_scores_gemma":[0.99894494,0.00008812442,0.0002264397,0.00030663869,0.00020580071,0.00022807602],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025410746,0.00022963501,0.0004538848,0.00004038647,0.0008981757,0.000018595354,0.00035752918,0.00011424836,0.027684554],"category_scores_gemma":[0.000005118178,0.00026218136,0.00038696246,0.000033893928,0.00068391673,0.00083662313,0.000025598521,0.00014034122,0.00028748583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017000381,0.00084019103,0.000054965378,0.0012819675,0.00020514132,0.00036444698,0.056938816,5.108695e-7,0.00003561858,0.17919937,0.49607217,0.26483682],"study_design_scores_gemma":[0.00037620397,0.00085550547,0.0008342383,0.00051104015,0.00029989367,0.000008894775,0.015094047,0.000017718849,0.0000019879385,0.00007840193,0.9816273,0.00029480472],"about_ca_topic_score_codex":0.13294128,"about_ca_topic_score_gemma":0.062370338,"teacher_disagreement_score":0.4855551,"about_ca_system_score_codex":0.00055123883,"about_ca_system_score_gemma":0.000035058867,"threshold_uncertainty_score":0.999983},"labels":[],"label_agreement":null},{"id":"W2031046943","doi":"10.3917/commu.083.0141","title":"Théâtre et intermédialité : des œuvres scéniques protéiformes","year":2008,"lang":"fr","type":"article","venue":"Communications","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.14950001625723316,"score_gpt":0.322185912720382,"score_spread":0.17268589646314883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031046943","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010858377,0.106986426,0.00023167429,0.023691038,0.00041431282,0.0003208,0.000265426,0.0001966557,0.8570353],"genre_scores_gemma":[0.44176313,0.026284978,0.0040201945,0.0010771878,0.0004224404,0.00016532208,0.00018455213,0.000031549815,0.5260506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867046,0.00040949843,0.0003865238,0.00016943087,0.000114944814,0.0002491621],"domain_scores_gemma":[0.9979896,0.0003096546,0.000114212286,0.0012702406,0.00020161155,0.00011471028],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00016118947,0.00019154881,0.00023627642,0.00010530027,0.0025543526,0.0001550004,0.00093155564,0.00007762451,0.0023459247],"category_scores_gemma":[0.00008016365,0.00017339502,0.00019696102,0.00010545002,0.0028113057,0.0007241058,0.00034356423,0.00036821008,0.00040866106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008325307,0.0005650925,0.00069346884,0.00007523668,0.00008402212,0.0000051148195,0.07693032,0.0000013463095,0.000009704247,0.83394897,0.07760112,0.010077254],"study_design_scores_gemma":[0.00009044663,0.000091425994,0.00073172327,0.0002226448,0.000056041867,0.000022343796,0.0012248192,0.00010406986,0.000028914497,0.0118262535,0.98538584,0.0002154566],"about_ca_topic_score_codex":0.004637281,"about_ca_topic_score_gemma":0.0022370429,"teacher_disagreement_score":0.90778476,"about_ca_system_score_codex":0.000090422254,"about_ca_system_score_gemma":0.000113961236,"threshold_uncertainty_score":0.9999025},"labels":[],"label_agreement":null},{"id":"W2031999891","doi":"10.7202/012924ar","title":"Entre balbutiement et radotage","year":2006,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.016282409324663377,"score_gpt":0.22167452872192156,"score_spread":0.20539211939725818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031999891","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0106753,0.061663173,0.000086706445,0.00600785,0.0020686095,0.00017938287,0.00036147403,0.00013392093,0.9188236],"genre_scores_gemma":[0.6778108,0.0003135483,0.000103026934,0.0010203606,0.0020330376,0.000014243316,0.00008781595,0.000025921428,0.31859124],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828595,0.00009678201,0.00046351654,0.000358744,0.00032654603,0.0004684618],"domain_scores_gemma":[0.99928755,0.00014550895,0.000109037515,0.00025663243,0.000083411236,0.00011789252],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013398158,0.0003339968,0.00035728954,0.00009968903,0.0007113274,0.0003044046,0.00021965701,0.000096892385,0.038284957],"category_scores_gemma":[0.000012401811,0.00029611163,0.00029931133,0.000085269494,0.00047859582,0.00045924884,0.000065720116,0.00022544544,0.0012020292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020156018,0.00072034536,0.0005171648,0.00014301408,0.00008324005,0.000078446945,0.0037668706,0.000054845194,0.000043298736,0.8674325,0.124976315,0.0021638167],"study_design_scores_gemma":[0.00035523062,0.00013130128,0.0004905201,0.00012900514,0.00015805439,0.0000045888883,0.0005763698,0.00004639378,0.00010110281,0.0016319167,0.99599385,0.0003816822],"about_ca_topic_score_codex":0.01458603,"about_ca_topic_score_gemma":0.0041802344,"teacher_disagreement_score":0.8710175,"about_ca_system_score_codex":0.000099327546,"about_ca_system_score_gemma":0.00006562102,"threshold_uncertainty_score":0.9999491},"labels":[],"label_agreement":null},{"id":"W2034529835","doi":"10.4000/belphegor.447","title":"Lorsque peinture, littérature et musique suivent la piste des sirènes. L’imaginaire océanique dans De Profundis, album interactif de Miguelanxo Prado","year":2014,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014380112059873195,"score_gpt":0.2532474602540161,"score_spread":0.23886734819414293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034529835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113811836,0.07629671,0.027861388,0.06642285,0.0063503757,0.0020973939,0.0011585706,0.0009571805,0.7050437],"genre_scores_gemma":[0.6985179,0.0012479628,0.001744493,0.004077281,0.0029741465,0.00013936777,0.00018889262,0.00013511094,0.2909748],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961374,0.0013751725,0.000596223,0.00065207545,0.00028077813,0.00095834077],"domain_scores_gemma":[0.9980405,0.00044994275,0.00028773744,0.0005137863,0.00023143887,0.0004765777],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008717816,0.00061930914,0.0005934986,0.00017003082,0.0008440737,0.00065272895,0.00050573406,0.00041230267,0.0012088376],"category_scores_gemma":[0.000294352,0.00054804195,0.00044834538,0.00018824388,0.0009513398,0.0008956199,0.00014840876,0.0012801923,0.0001709077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018209989,0.0014056613,0.0029271787,0.0018586024,0.00028181152,0.00044964434,0.11305584,0.00003505209,0.00089542713,0.7218857,0.1446354,0.012387624],"study_design_scores_gemma":[0.0004094787,0.00037738783,0.0026254149,0.0007805113,0.00024842622,0.00026449614,0.0016357568,0.00035705874,0.00048206912,0.016187504,0.97595245,0.0006794736],"about_ca_topic_score_codex":0.0066374354,"about_ca_topic_score_gemma":0.012496436,"teacher_disagreement_score":0.831317,"about_ca_system_score_codex":0.0005428936,"about_ca_system_score_gemma":0.00036297896,"threshold_uncertainty_score":0.99997747},"labels":[],"label_agreement":null},{"id":"W2034577703","doi":"10.7202/1005756ar","title":"La migration de l’aura ou comment explorer un original par le biais de ses fac-similés","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Aura; Philosophy","score_opus":0.06554061544098871,"score_gpt":0.2879264257188981,"score_spread":0.22238581027790938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034577703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16276444,0.02050257,0.024557425,0.017649552,0.0016712422,0.0010729933,0.0009390016,0.0023287062,0.76851404],"genre_scores_gemma":[0.91477334,0.003793644,0.022173312,0.0059017106,0.0007402258,0.00045735808,0.0001549553,0.00020207834,0.051803373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951912,0.0013573883,0.0011047807,0.00079411565,0.00040747412,0.0011450421],"domain_scores_gemma":[0.9975762,0.00047450865,0.0004162923,0.00068624894,0.00040121196,0.00044554312],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011387159,0.0009118706,0.00081768114,0.000452397,0.0021000023,0.0006967753,0.00073978194,0.00044576798,0.0022817054],"category_scores_gemma":[0.00018830007,0.0008760947,0.0006470836,0.00021472946,0.004350818,0.0019343158,0.00021581435,0.00089833187,0.000060378614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003485502,0.0015228045,0.0020652588,0.00059152866,0.00036816354,0.00071715476,0.13786006,0.0000038218714,0.0007862494,0.59080267,0.067833714,0.19710006],"study_design_scores_gemma":[0.0002941049,0.000806528,0.00032924477,0.0012639205,0.00024831778,0.00019021938,0.0025777398,0.0000426782,0.01624075,0.049365092,0.9276784,0.0009630112],"about_ca_topic_score_codex":0.024900023,"about_ca_topic_score_gemma":0.0056546545,"teacher_disagreement_score":0.8598447,"about_ca_system_score_codex":0.0014029179,"about_ca_system_score_gemma":0.00028970183,"threshold_uncertainty_score":0.99936897},"labels":[],"label_agreement":null},{"id":"W2036103727","doi":"10.1353/crc.2014.0023","title":"Une nouvelle Weltanschauung : Manifestation de l’esprit moderne dans l’art dramatique","year":2014,"lang":"fr","type":"article","venue":"Canadian review of comparative literature","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.017086386732150204,"score_gpt":0.2539711321371654,"score_spread":0.23688474540501517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036103727","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025355078,0.556632,0.0010200936,0.019261084,0.000736155,0.00058137596,0.0013036478,0.00002749259,0.41790268],"genre_scores_gemma":[0.3353944,0.044997536,0.0011569422,0.013440415,0.0021175104,0.0000965209,0.001671596,0.00007126569,0.6010538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974911,0.0006718987,0.00074339064,0.00035670647,0.00022729133,0.00050957775],"domain_scores_gemma":[0.9980296,0.00017092099,0.0003060687,0.00038291886,0.0005115062,0.0005989953],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041263486,0.00040000412,0.0009014687,0.00018820171,0.00045097276,0.0002149462,0.00032403835,0.00017728629,0.0024953603],"category_scores_gemma":[0.000051867275,0.0003640621,0.00030880087,0.00036572697,0.00033933416,0.0005146728,0.000016457301,0.00053255324,0.00021013773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001455303,0.0000692511,0.000027828495,0.009370547,0.00010334032,0.00003852852,0.07588838,0.000028471142,0.000025163916,0.6829539,0.22983842,0.001641628],"study_design_scores_gemma":[0.00015624618,0.00021278467,0.000097538265,0.019885775,0.0001828567,0.000025825932,0.0005964856,0.0016143889,0.000040172847,0.0028049399,0.97401184,0.00037112177],"about_ca_topic_score_codex":0.022232605,"about_ca_topic_score_gemma":0.10779743,"teacher_disagreement_score":0.74417347,"about_ca_system_score_codex":0.000350501,"about_ca_system_score_gemma":0.00042176852,"threshold_uncertainty_score":0.99988115},"labels":[],"label_agreement":null},{"id":"W2036120154","doi":"10.7202/044417ar","title":"Quand le théâtre s’écoute","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04157719086313976,"score_gpt":0.2821994887233874,"score_spread":0.24062229786024764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036120154","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051300514,0.015388763,0.0023631973,0.010837318,0.005025184,0.0007029449,0.00081750395,0.0017327984,0.9118318],"genre_scores_gemma":[0.38171402,0.0010520144,0.005703849,0.002555119,0.0018695877,0.00019276855,0.0001644501,0.00021282864,0.6065354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950392,0.00061189785,0.001365779,0.0011410475,0.00057342905,0.0012686463],"domain_scores_gemma":[0.9965152,0.000596169,0.00048560754,0.0011558759,0.00070029765,0.0005468496],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010191485,0.0011402627,0.0011202858,0.0005406693,0.0031978681,0.0013887852,0.0010617966,0.0006097264,0.0031166591],"category_scores_gemma":[0.00039324752,0.0010825369,0.000939008,0.00028012143,0.008481307,0.0026850072,0.00035979573,0.0018460645,0.00017319998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015132288,0.0008115394,0.0003165894,0.0005828042,0.00021816605,0.00039650535,0.016685564,0.00000114096,0.003224911,0.73195493,0.070345275,0.17531127],"study_design_scores_gemma":[0.000311941,0.00061004836,0.00012382444,0.0010780864,0.00022914552,0.00019898334,0.00073645153,0.000026661997,0.00402695,0.06296061,0.9284785,0.0012188044],"about_ca_topic_score_codex":0.01959803,"about_ca_topic_score_gemma":0.020629896,"teacher_disagreement_score":0.8581332,"about_ca_system_score_codex":0.0005578376,"about_ca_system_score_gemma":0.00031879114,"threshold_uncertainty_score":0.99964786},"labels":[],"label_agreement":null},{"id":"W2036352987","doi":"10.4000/labyrinthe.1198","title":"L’opéra postmoderne la quête de l’Unitas multiplex","year":2001,"lang":"fr","type":"article","venue":"Labyrinthe","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.023768377699256243,"score_gpt":0.24330433042375926,"score_spread":0.21953595272450302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036352987","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10324298,0.019772394,0.00023774971,0.009507025,0.0013365563,0.0001522825,0.00020150204,0.00015749926,0.865392],"genre_scores_gemma":[0.39546457,0.0010856254,0.00019550015,0.0010352461,0.0019328834,0.000011382105,0.0000218171,0.000033610795,0.60021937],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983636,0.00028731633,0.0003151,0.00029733422,0.00019140172,0.0005452598],"domain_scores_gemma":[0.9989449,0.00030290385,0.000088729605,0.00035205658,0.0000908924,0.0002205342],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025312565,0.0002687,0.00028637578,0.00006352012,0.0005708534,0.00027513976,0.00030425363,0.00015162982,0.022913247],"category_scores_gemma":[0.000070630565,0.00023409167,0.00022689732,0.00009994648,0.00046929184,0.0003233396,0.000076960336,0.0003976671,0.0017838834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012701967,0.00082295714,0.0017004053,0.00012044821,0.00023909043,0.0006039425,0.03559214,0.0000934798,0.00017312882,0.84802353,0.07152748,0.040976368],"study_design_scores_gemma":[0.00031354922,0.00010409768,0.0006703641,0.00009193941,0.00012366666,0.00008204471,0.0007607777,0.0014188604,0.00003715094,0.0048919567,0.9911823,0.00032326984],"about_ca_topic_score_codex":0.0072061755,"about_ca_topic_score_gemma":0.0009439387,"teacher_disagreement_score":0.91965485,"about_ca_system_score_codex":0.00010568863,"about_ca_system_score_gemma":0.000054683693,"threshold_uncertainty_score":0.9994049},"labels":[],"label_agreement":null},{"id":"W2036865417","doi":"10.1017/s0307883300019751","title":"Le Jeu théâtral, ses marges, ses frontières","year":2000,"lang":"fr","type":"article","venue":"Theatre Research International","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Champion; Honor; Humanities; Art; History; Computer science; Archaeology; Operating system","score_opus":0.06517241979150021,"score_gpt":0.3283162415732661,"score_spread":0.2631438217817659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036865417","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011553041,0.017201308,0.0000080161335,0.052472707,0.0014724579,0.00015358246,0.00070415693,0.00006826956,0.91636646],"genre_scores_gemma":[0.27361372,0.003464881,0.00007724623,0.00026693224,0.0053621195,0.000025825952,0.0001403434,0.000027574895,0.71702135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969162,0.00049840636,0.0003946606,0.00042358568,0.0010828152,0.0006843804],"domain_scores_gemma":[0.9986919,0.00041464725,0.00004116391,0.00028493776,0.00032145498,0.00024585583],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006308463,0.00022981653,0.00026284394,0.0003140022,0.0010860419,0.0006446609,0.00073966413,0.00011657691,0.1703124],"category_scores_gemma":[0.00004357555,0.00020445707,0.00022411172,0.00013420936,0.0010784285,0.0008060736,0.00011091027,0.0006762453,0.0038917721],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015998934,0.00057140825,0.000101362144,0.000046753303,0.00019958268,0.00007780271,0.003421817,0.000030160163,0.000021309677,0.43463114,0.48488355,0.07585511],"study_design_scores_gemma":[0.0002951464,0.00016336453,0.00007578394,0.00017175455,0.000019933108,0.000016867878,0.00059473165,0.00029265872,0.00007631687,0.013229119,0.9848368,0.00022747784],"about_ca_topic_score_codex":0.015889738,"about_ca_topic_score_gemma":0.0013526839,"teacher_disagreement_score":0.4999533,"about_ca_system_score_codex":0.00018382953,"about_ca_system_score_gemma":0.00030333197,"threshold_uncertainty_score":0.9968838},"labels":[],"label_agreement":null},{"id":"W2037446361","doi":"10.7202/1012657ar","title":"Face à l’idée de synchronisme. Notes d’un preneur de son sur le théâtre et le cinéma","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03507324258262171,"score_gpt":0.2720094806332549,"score_spread":0.2369362380506332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037446361","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16569783,0.08614905,0.047697768,0.036926758,0.0028386074,0.001464354,0.0012192072,0.0032596362,0.6547468],"genre_scores_gemma":[0.821408,0.0022349095,0.007965624,0.004299487,0.0014214411,0.00027378777,0.0001534641,0.00025722937,0.16198607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99382013,0.0015402376,0.0012116341,0.0009210174,0.0005169814,0.001989972],"domain_scores_gemma":[0.99638635,0.0010540949,0.00051099824,0.0009434689,0.00041150532,0.0006936046],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016183628,0.0011797139,0.0011269078,0.00044139253,0.002609808,0.00096560613,0.0009493466,0.000591986,0.00092315715],"category_scores_gemma":[0.00056472805,0.0011816496,0.0008741211,0.00025291287,0.0036629105,0.0034888743,0.00041766866,0.001226501,0.000064981155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021890218,0.0023660234,0.0018615349,0.0011808249,0.0003922644,0.00030298255,0.067759566,0.000041764357,0.0038116314,0.7223405,0.035700098,0.16402386],"study_design_scores_gemma":[0.00043746518,0.0006196444,0.0006006395,0.0016063032,0.00029512637,0.00025742128,0.0012497404,0.00011796334,0.025517263,0.020647667,0.9473138,0.0013369798],"about_ca_topic_score_codex":0.02428716,"about_ca_topic_score_gemma":0.005280887,"teacher_disagreement_score":0.9116137,"about_ca_system_score_codex":0.0014163036,"about_ca_system_score_gemma":0.0006003467,"threshold_uncertainty_score":0.9999901},"labels":[],"label_agreement":null},{"id":"W2038709731","doi":"10.1093/fs/knt026","title":"Tours et détours: le mythe de Babel dans la littérature contemporaine <i>Tours et détours: le mythe de Babel dans la littérature contemporaine</i> . Par C <scp>atherine</scp> K <scp>hordoc</scp> . Ottawa: Presses de l'Université d'Ottawa, 2012. x + 272 pp.","year":2013,"lang":"fr","type":"article","venue":"French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012901624722426931,"score_gpt":0.22527506391698102,"score_spread":0.2123734391945541,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038709731","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051953148,0.5423013,0.00090205896,0.036958277,0.001530428,0.0015399216,0.0028229323,0.0006504762,0.36134145],"genre_scores_gemma":[0.15941094,0.07732985,0.0031380067,0.0065479046,0.0054743243,0.00069110445,0.0009028693,0.0004960007,0.746009],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9908806,0.0027925568,0.0014134157,0.0015766774,0.00091003784,0.002426692],"domain_scores_gemma":[0.99141467,0.00418729,0.0010805299,0.001241407,0.0010725169,0.0010035719],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.002120256,0.0018998234,0.002270624,0.0003240475,0.0025927408,0.0012988504,0.0016060084,0.0012599347,0.00020903679],"category_scores_gemma":[0.0015598292,0.0016275904,0.0010877898,0.00076084037,0.0030480714,0.002344787,0.0006143943,0.0029077283,0.00013439023],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015392023,0.0014234706,0.0032292185,0.00055856927,0.0022650044,0.0006373073,0.180792,0.00022050945,0.0009805318,0.050587755,0.7588324,0.00045786003],"study_design_scores_gemma":[0.0021320388,0.0006150344,0.002175612,0.0011003797,0.00078651484,0.0001684482,0.13085139,0.0001575009,0.00047669298,0.0053556906,0.8555701,0.00061064743],"about_ca_topic_score_codex":0.0129669,"about_ca_topic_score_gemma":0.009436692,"teacher_disagreement_score":0.46497145,"about_ca_system_score_codex":0.0005496951,"about_ca_system_score_gemma":0.0012511801,"threshold_uncertainty_score":0.9997379},"labels":[],"label_agreement":null},{"id":"W2039610040","doi":"10.7202/500834ar","title":"Yves Thériault et la fiction brève (Quatre remarques préléminaires à la réception des contes et nouvelles d'Yves Thériault comme objets d'étude)","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03747014228044123,"score_gpt":0.2843367295055396,"score_spread":0.24686658722509838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039610040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42533743,0.10696056,0.00020860828,0.037911627,0.002050051,0.0010467191,0.0012313391,0.0010793692,0.42417428],"genre_scores_gemma":[0.8972219,0.013220592,0.0011148165,0.001839786,0.0034062422,0.000107594984,0.00041951984,0.00012338324,0.08254617],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942194,0.001931533,0.0012453439,0.0009617664,0.00073388306,0.00090804463],"domain_scores_gemma":[0.99640584,0.0016967745,0.00051401387,0.0006086746,0.0004212564,0.00035346334],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011786305,0.0009879695,0.001005287,0.0003602847,0.001491309,0.0015357595,0.0006044026,0.0005506906,0.0019757317],"category_scores_gemma":[0.00038769993,0.0008496629,0.00070967904,0.00024259576,0.0019578163,0.0027271488,0.00024044285,0.0009194911,0.00018942886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038323234,0.002268957,0.0014664269,0.00078036846,0.00072390644,0.000093847004,0.17369442,0.00025973064,0.00046702515,0.61940724,0.12487839,0.075576454],"study_design_scores_gemma":[0.0009750189,0.0005609583,0.007891408,0.0014981698,0.0003748494,0.00007142068,0.010464982,0.00042017637,0.00024233489,0.003728733,0.97273576,0.0010361909],"about_ca_topic_score_codex":0.0068369796,"about_ca_topic_score_gemma":0.022915281,"teacher_disagreement_score":0.84785736,"about_ca_system_score_codex":0.00029048146,"about_ca_system_score_gemma":0.0002759555,"threshold_uncertainty_score":0.9998086},"labels":[],"label_agreement":null},{"id":"W203961798","doi":"","title":"Adario : Le Sauvage philosophe de Lahontan","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Geography","score_opus":0.006947223348461355,"score_gpt":0.14201880912371087,"score_spread":0.13507158577524953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W203961798","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036841597,0.20828037,0.00018132884,0.08518178,0.0006763237,0.00014171039,0.00029758553,0.00015696113,0.66824234],"genre_scores_gemma":[0.1689483,0.0010557381,0.00014990027,0.0004896058,0.0018166085,0.0000022592403,0.000062318286,0.000030811625,0.82744443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853903,0.00011949417,0.00022447205,0.0003335237,0.00020863337,0.00057482335],"domain_scores_gemma":[0.99922484,0.00007355305,0.00012721057,0.00028394043,0.000071786315,0.00021866913],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111408866,0.0002792016,0.00031871867,0.00014179455,0.0018600646,0.000075701486,0.00028131081,0.00016817464,0.0027783425],"category_scores_gemma":[0.00000423831,0.00031503677,0.0003126081,0.00012839398,0.0002936666,0.00039737046,0.00012699082,0.00028098325,0.00046749358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065928434,0.0002458452,0.00010564629,0.000049101076,0.00008316746,0.0024168987,0.0026877548,0.00006190527,0.00010214754,0.70802116,0.2814164,0.004744027],"study_design_scores_gemma":[0.0005968024,0.000108905835,0.0001548536,0.000052867934,0.00022940028,0.0001411896,0.0010148826,0.00024146288,0.000051133808,0.016369933,0.9806664,0.00037218034],"about_ca_topic_score_codex":0.4732769,"about_ca_topic_score_gemma":0.43468872,"teacher_disagreement_score":0.69925,"about_ca_system_score_codex":0.0066061253,"about_ca_system_score_gemma":0.00010314951,"threshold_uncertainty_score":0.99993014},"labels":[],"label_agreement":null},{"id":"W2039744798","doi":"10.1353/ecf.2001.0008","title":"La Réhabilitation du roman français: souvenirs et conjectures","year":2001,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Habilitation; Humanities","score_opus":0.011608491674048803,"score_gpt":0.22406902314739552,"score_spread":0.2124605314733467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039744798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29718262,0.17327864,0.00080568134,0.00919569,0.01336421,0.0005992524,0.00027122448,0.00045688747,0.5048458],"genre_scores_gemma":[0.9601484,0.017241511,0.000075077565,0.00055187265,0.0027276569,0.000035430978,0.00027397356,0.00004467026,0.018901419],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997622,0.0005939304,0.00054379826,0.0004801218,0.00035699643,0.00040316477],"domain_scores_gemma":[0.9988984,0.00032610275,0.0001882322,0.0002759755,0.00014287807,0.0001684344],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035399356,0.00036450982,0.0003366762,0.00020649921,0.00093140715,0.00032998508,0.00016137211,0.0002634517,0.010730783],"category_scores_gemma":[0.00006187959,0.00033344686,0.00034703666,0.00017033555,0.00039488435,0.0009233756,0.00003620402,0.00046513844,0.0005735313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023447072,0.0013331654,0.0019351298,0.00019306215,0.00022251996,0.000087894725,0.07535152,0.00020309028,0.000058903577,0.58613294,0.3201374,0.014109919],"study_design_scores_gemma":[0.0005772429,0.00029238898,0.0032373755,0.00014034031,0.00019503795,0.000039003957,0.002456368,0.0005411324,0.000013789142,0.0006596019,0.9914622,0.0003855315],"about_ca_topic_score_codex":0.0025967658,"about_ca_topic_score_gemma":0.0003459855,"teacher_disagreement_score":0.6713248,"about_ca_system_score_codex":0.00021351333,"about_ca_system_score_gemma":0.000046320223,"threshold_uncertainty_score":0.9999118},"labels":[],"label_agreement":null},{"id":"W2039889136","doi":"10.7202/041488ar","title":"Performance indigène et esthétique du théâtre « alternatif » en Afrique francophone","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010197232292147631,"score_gpt":0.22103994574869354,"score_spread":0.2108427134565459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039889136","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5805528,0.0015337092,0.000025296993,0.07479942,0.007621142,0.00082271034,0.00079970603,0.0005257365,0.33331946],"genre_scores_gemma":[0.7115749,0.004337582,0.00055360905,0.0013074004,0.0062985476,0.00015933582,0.0002199457,0.0002193251,0.27532938],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99362665,0.00061104953,0.0017103073,0.0015134725,0.00080855883,0.0017299752],"domain_scores_gemma":[0.99571633,0.00083408284,0.00072048535,0.0013580711,0.00047626114,0.000894773],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0010751288,0.0015566619,0.0016047305,0.00054598873,0.0014233778,0.0007349187,0.0017237352,0.0009754882,0.0052250605],"category_scores_gemma":[0.00027736096,0.0014875063,0.001072213,0.0005093605,0.0014647269,0.002658833,0.00029090472,0.0033196781,0.0009401956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000374283,0.0018610246,0.002126552,0.0018801475,0.0006238986,0.00081793254,0.06330216,0.0002813573,0.0016097722,0.8517314,0.06288786,0.012503589],"study_design_scores_gemma":[0.00046235448,0.0007327082,0.0041514398,0.0011403173,0.00029633156,0.00042988412,0.0006464101,0.0007884771,0.0005783384,0.00089383597,0.9880927,0.0017872074],"about_ca_topic_score_codex":0.0054517724,"about_ca_topic_score_gemma":0.10245232,"teacher_disagreement_score":0.9252048,"about_ca_system_score_codex":0.00031592275,"about_ca_system_score_gemma":0.0007795016,"threshold_uncertainty_score":0.9998766},"labels":[],"label_agreement":null},{"id":"W2040048507","doi":"10.7202/008641ar","title":"La part du jeu","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.025870952494710282,"score_gpt":0.22765563335758313,"score_spread":0.20178468086287285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040048507","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040766433,0.06385293,0.00003549245,0.027845373,0.0034410823,0.0001578839,0.00031218407,0.00023975607,0.86334884],"genre_scores_gemma":[0.6884752,0.0013043666,0.00011746298,0.0013452893,0.0073901787,0.000021954347,0.00003788112,0.000040052655,0.30126762],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984881,0.00013309013,0.00038130148,0.00033277532,0.00024812753,0.00041655108],"domain_scores_gemma":[0.9992223,0.00015367879,0.00008873857,0.00026140243,0.000077968674,0.0001959176],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019055077,0.00028329433,0.00031656655,0.00008292828,0.00062494527,0.000304214,0.00025207511,0.00014473051,0.0058304733],"category_scores_gemma":[0.00005695742,0.000245368,0.00028257485,0.00009349451,0.0007711443,0.00047171826,0.00007160894,0.0002834495,0.0008857303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002077707,0.0004971719,0.00009110163,0.00014312107,0.00012441371,0.00019626341,0.015797932,0.00004962126,0.00000546111,0.9366311,0.03614869,0.010294372],"study_design_scores_gemma":[0.00036202258,0.00017412913,0.00018142349,0.0002781688,0.00010919558,0.000027932989,0.0010298588,0.0000064682467,0.000026814096,0.011416301,0.98605865,0.0003290093],"about_ca_topic_score_codex":0.0043231198,"about_ca_topic_score_gemma":0.0015688726,"teacher_disagreement_score":0.94991,"about_ca_system_score_codex":0.00017068653,"about_ca_system_score_gemma":0.000116091025,"threshold_uncertainty_score":0.9999999},"labels":[],"label_agreement":null},{"id":"W2040474651","doi":"10.1017/s0012217313000140","title":"Parier sur le temps. La quête héroïque d’immortalité dans l’épopée homériqueCatherine CollobertParis, Les Belles Lettres, 2011, 303 p.","year":2013,"lang":"fr","type":"article","venue":"Dialogue","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.021508885754536505,"score_gpt":0.20760102193951568,"score_spread":0.1860921361849792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040474651","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16844787,0.14071049,0.0002795702,0.02108248,0.004056411,0.0011509053,0.002690389,0.00039410384,0.66118777],"genre_scores_gemma":[0.42815328,0.003217882,0.000086956956,0.00050052756,0.0023872298,0.00018068319,0.00079924625,0.00009946748,0.5645747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969088,0.00054763287,0.0008040505,0.00064383884,0.00032647295,0.00076924276],"domain_scores_gemma":[0.99814475,0.0004267365,0.00025842685,0.0006090498,0.00021299269,0.00034806482],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029001516,0.0006009196,0.00077986886,0.00014100691,0.0012788678,0.000567055,0.000496485,0.00039303524,0.011155672],"category_scores_gemma":[0.00007381113,0.0005351632,0.00045076796,0.00011321413,0.0011241449,0.00083816017,0.00015829515,0.0005426549,0.0020754056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027157526,0.0010342783,0.0046867323,0.00019228645,0.00034515106,0.00012366539,0.014649139,0.000026070711,0.00012928735,0.40629968,0.56653327,0.005953267],"study_design_scores_gemma":[0.00053380296,0.00013754859,0.0024857926,0.00011642215,0.00013733176,0.000013799714,0.0017790915,0.00017708541,0.00014808786,0.0017802899,0.991972,0.0007187311],"about_ca_topic_score_codex":0.45198327,"about_ca_topic_score_gemma":0.10600073,"teacher_disagreement_score":0.42543873,"about_ca_system_score_codex":0.00015080637,"about_ca_system_score_gemma":0.00019414694,"threshold_uncertainty_score":0.99970996},"labels":[],"label_agreement":null},{"id":"W2040627515","doi":"10.7202/041559ar","title":"Jean-Pierre Ronfard, el Autor","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.019684039268100546,"score_gpt":0.24344896153683787,"score_spread":0.22376492226873732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040627515","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04769124,0.01361034,0.00003498385,0.08056679,0.016992364,0.0010670349,0.0019465216,0.0010735021,0.83701724],"genre_scores_gemma":[0.33385587,0.0015378452,0.0004944877,0.0010681965,0.008670912,0.00010554797,0.00023600998,0.00022097188,0.65381014],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938056,0.00031396828,0.0016274394,0.0015443166,0.0007786368,0.0019300431],"domain_scores_gemma":[0.99563575,0.00069623586,0.00059966336,0.0015250568,0.0004364775,0.0011068456],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0005722021,0.0014476817,0.001547194,0.00045451935,0.0018313443,0.0008766354,0.0015513905,0.000868775,0.016053252],"category_scores_gemma":[0.00037652845,0.0013922036,0.0015114634,0.0003879911,0.0019918985,0.001883761,0.00023369044,0.0025379064,0.0017941161],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017228944,0.0010860794,0.00015111722,0.00086462696,0.00046451465,0.00043570568,0.01353828,0.000067973204,0.0007537132,0.8023691,0.1667921,0.013304492],"study_design_scores_gemma":[0.00033003523,0.00052515714,0.00039230622,0.00065480097,0.0007467933,0.00014326954,0.00055114937,0.00041912004,0.00016153198,0.0021218227,0.9922014,0.0017526034],"about_ca_topic_score_codex":0.0061192517,"about_ca_topic_score_gemma":0.10904048,"teacher_disagreement_score":0.8254093,"about_ca_system_score_codex":0.00027035532,"about_ca_system_score_gemma":0.0005424261,"threshold_uncertainty_score":0.99982727},"labels":[],"label_agreement":null},{"id":"W2040748697","doi":"10.1177/000842980403300320","title":"Comptes rendus / Reviews of books: Entretiens avec Thérèse de Lisieux Jacques Gauthier Ville Mont-Royal, Novalis, 2001. 144 p","year":2004,"lang":"fr","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"History; Art","score_opus":0.0912612646208744,"score_gpt":0.339571639754918,"score_spread":0.24831037513404358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040748697","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03909951,0.8501224,0.000016583248,0.0044214046,0.0031676046,0.0005438508,0.00013738648,0.00009961889,0.10239164],"genre_scores_gemma":[0.077345096,0.88400865,0.0018200977,0.0014639967,0.0011421107,0.00010160331,0.000014365604,0.00004759363,0.034056515],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943815,0.0004569411,0.0019908387,0.001014634,0.0008275031,0.001328598],"domain_scores_gemma":[0.99708265,0.00075737754,0.0007973046,0.0006540114,0.00044869172,0.00025999142],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001481137,0.00075515005,0.0016879737,0.0005511526,0.0012641205,0.00022805418,0.0010275278,0.00024191197,0.0011366988],"category_scores_gemma":[0.001170143,0.0005892167,0.00059319584,0.00075467734,0.0063810865,0.0005593592,0.00044313865,0.0005629969,0.0002664248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005558209,0.0005934381,0.0010940309,0.0007575484,0.00019163123,0.00013504758,0.058093175,0.00084281934,0.000038386555,0.07679797,0.8610708,0.00032953735],"study_design_scores_gemma":[0.00051445403,0.00083013537,0.000048344373,0.0032227428,0.00022798197,0.00002670116,0.009837134,0.000032522672,0.0003569597,0.013368522,0.9708333,0.000701218],"about_ca_topic_score_codex":0.029353535,"about_ca_topic_score_gemma":0.0040648635,"teacher_disagreement_score":0.10976245,"about_ca_system_score_codex":0.0005567176,"about_ca_system_score_gemma":0.0005567835,"threshold_uncertainty_score":0.9997764},"labels":[],"label_agreement":null},{"id":"W2041273724","doi":"10.7202/1017321ar","title":"Voies multiples de la dramaturgie jeunesse en Amérique francophone","year":2011,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"French; Art; Humanities","score_opus":0.02270113175962793,"score_gpt":0.23170247545656633,"score_spread":0.2090013436969384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041273724","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15127754,0.026069848,0.00014411719,0.016593752,0.004844652,0.0009867088,0.0011058102,0.001023875,0.79795367],"genre_scores_gemma":[0.7719803,0.0073768194,0.00142325,0.0006596032,0.0034769676,0.00015848156,0.00009936583,0.0002170778,0.21460816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99420077,0.0011733256,0.0013619622,0.0011457701,0.00048570696,0.0016324893],"domain_scores_gemma":[0.99608576,0.0013624182,0.00050889346,0.0009840637,0.00028724468,0.00077159767],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008402696,0.0012720275,0.0014325385,0.00031948063,0.0011770242,0.00050837005,0.001240235,0.00091792445,0.0033719325],"category_scores_gemma":[0.00035279736,0.0012192304,0.0011482592,0.00040054027,0.0023748649,0.0015646317,0.00020912576,0.0018370744,0.00053708104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005314208,0.0019397085,0.0008295296,0.0015776539,0.0006660484,0.0013687091,0.25667992,0.00008212323,0.00041784695,0.6866345,0.043403268,0.00586927],"study_design_scores_gemma":[0.00038836917,0.00044525054,0.0019678967,0.001741616,0.00032089223,0.00024052511,0.0065046786,0.00016454255,0.0007270721,0.0035241863,0.9824904,0.0014845491],"about_ca_topic_score_codex":0.018419364,"about_ca_topic_score_gemma":0.05954619,"teacher_disagreement_score":0.93908715,"about_ca_system_score_codex":0.00042090088,"about_ca_system_score_gemma":0.0005312096,"threshold_uncertainty_score":0.99902576},"labels":[],"label_agreement":null},{"id":"W2041886038","doi":"10.17742/image.inaugural.1-1.6","title":"The Vanished Child: An inquiry into figures and their modes of appearance","year":2010,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychology; Sociology; Political science; Mathematics education","score_opus":0.036092599616260115,"score_gpt":0.3673938173419169,"score_spread":0.3313012177256568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041886038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9450559,0.022647338,0.000053745403,0.004464821,0.0009111935,0.00008879445,0.000021186714,0.000021108754,0.026735887],"genre_scores_gemma":[0.9970477,0.000583056,0.0003805405,0.00007241605,0.00072619965,0.000003482458,0.000001663098,0.000006794237,0.0011781405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914145,0.000048557362,0.00041577555,0.000103436,0.00015949206,0.00013127393],"domain_scores_gemma":[0.9947942,0.00012248775,0.00030122386,0.00012162797,0.0046092034,0.00005126856],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00026658684,0.00014231527,0.00026214684,0.00006625664,0.0014800123,0.001213793,0.000239049,0.000017828625,0.000035506804],"category_scores_gemma":[0.0005343878,0.000066738314,0.000116692456,0.00005624423,0.006985348,0.0062163416,0.000050044382,0.00028435787,0.0000017900768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011252436,0.00026593404,0.0007866345,0.00014590165,0.0006436052,0.000011727003,0.41164687,0.000016933955,0.039958786,0.5167728,0.0073453165,0.022292932],"study_design_scores_gemma":[0.0009276738,0.00035396064,0.004489738,0.00017723828,0.0001347096,0.00011513104,0.064701,0.00012807804,0.008289693,0.102143146,0.8181426,0.00039706528],"about_ca_topic_score_codex":0.000032549102,"about_ca_topic_score_gemma":0.0001813932,"teacher_disagreement_score":0.8107973,"about_ca_system_score_codex":0.000012988838,"about_ca_system_score_gemma":0.000015146824,"threshold_uncertainty_score":0.99982303},"labels":[],"label_agreement":null},{"id":"W2049936000","doi":"10.1353/ecf.0.0159","title":"Les Mille et une nuits, entre Orient et Occident (review)","year":2010,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01750305481063643,"score_gpt":0.2619201689429849,"score_spread":0.24441711413234848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049936000","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01120922,0.5901773,0.00010640447,0.017199464,0.022255028,0.00063868484,0.0004673995,0.00020936193,0.35773712],"genre_scores_gemma":[0.22990908,0.6166331,0.00019415528,0.0037131,0.004645348,0.00008883809,0.0011776784,0.000088032655,0.14355062],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732184,0.00032657298,0.00074449764,0.00058460026,0.0005176289,0.00050486467],"domain_scores_gemma":[0.99861676,0.00012427405,0.000311286,0.00045542492,0.00022059974,0.00027167142],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003963235,0.00046219604,0.00048728602,0.00014164908,0.0008607569,0.00020242958,0.00025494985,0.00022225255,0.033048138],"category_scores_gemma":[0.000048613558,0.00039748466,0.0004606817,0.00020366425,0.0002504815,0.0006906964,0.00008821584,0.00096847507,0.0009509525],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030505556,0.0008338999,0.00014941054,0.00046655,0.00010374788,0.000025959811,0.0059001255,0.0000049926953,0.000109924214,0.4013321,0.5742118,0.016831],"study_design_scores_gemma":[0.00038912447,0.00017127607,0.0005879705,0.00082051696,0.00033681633,0.000021404441,0.0005892285,0.000057447356,0.00005303611,0.00014974334,0.99636006,0.0004633802],"about_ca_topic_score_codex":0.0041537522,"about_ca_topic_score_gemma":0.0013244353,"teacher_disagreement_score":0.4221483,"about_ca_system_score_codex":0.00018665187,"about_ca_system_score_gemma":0.000075015334,"threshold_uncertainty_score":0.9998477},"labels":[],"label_agreement":null},{"id":"W2050060358","doi":"10.1353/ecf.2002.0014","title":"L'Erreur des désirs: romans sensibles au XVIII e siècle , and: La Religieuse , and: Histoire du chevalier Des Grieux et de Manon Lescaut (review)","year":2002,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Physics; Art","score_opus":0.021091854086899557,"score_gpt":0.22894055242863726,"score_spread":0.2078486983417377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050060358","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1251257,0.7109472,0.000055295615,0.0022004189,0.0011758602,0.00029780678,0.0001117225,0.00018786134,0.1598981],"genre_scores_gemma":[0.33791223,0.6241657,0.00021507833,0.0006142561,0.0010253886,0.00002529758,0.00007968335,0.0000587051,0.03590367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973942,0.0005835248,0.00058393774,0.0005705761,0.0002889445,0.0005788149],"domain_scores_gemma":[0.9988487,0.0001854327,0.00021302994,0.00031438007,0.00012574712,0.0003127306],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004476755,0.00047477163,0.00050920574,0.00017023332,0.0023616625,0.00023053534,0.00013815619,0.00022370636,0.0014162867],"category_scores_gemma":[0.0000704764,0.0004358447,0.00023773818,0.00014543557,0.0013712882,0.0009397155,0.00009688892,0.00040413463,0.00008597218],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009418177,0.0017527036,0.0048547727,0.005015181,0.00035062668,0.00026306338,0.050741274,0.000016317803,0.00041628245,0.26832083,0.59708977,0.071084976],"study_design_scores_gemma":[0.00051264645,0.0002540455,0.0050062886,0.0019697018,0.00051135384,0.00015201056,0.0005918794,0.00029600383,0.000039106617,0.00045214643,0.98970824,0.0005065654],"about_ca_topic_score_codex":0.0036201559,"about_ca_topic_score_gemma":0.00059856847,"teacher_disagreement_score":0.39261848,"about_ca_system_score_codex":0.00049015274,"about_ca_system_score_gemma":0.00004258202,"threshold_uncertainty_score":0.9998093},"labels":[],"label_agreement":null},{"id":"W2050239744","doi":"10.7202/037606ar","title":"Talent, inspiration et autres miracles","year":2008,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04802416608430777,"score_gpt":0.25383945939628483,"score_spread":0.20581529331197707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050239744","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36621803,0.12081389,0.00006134126,0.023130171,0.003297418,0.00035351628,0.0006658046,0.00041290864,0.48504692],"genre_scores_gemma":[0.63463396,0.0018911416,0.00013360221,0.0015580533,0.0021882595,0.000021291493,0.00008434424,0.000030453855,0.35945892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824065,0.00019473534,0.00047850676,0.00037420655,0.0003233376,0.0003885502],"domain_scores_gemma":[0.99915045,0.00015264774,0.00014716046,0.00027242876,0.00011606621,0.00016126741],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013261476,0.00031319223,0.00033745525,0.00014505787,0.0010694985,0.00019096815,0.00022830126,0.00012877525,0.0063218386],"category_scores_gemma":[0.000056639754,0.00027949436,0.00027174823,0.00011313278,0.0008025284,0.0010024839,0.00007127139,0.0002617264,0.00049182615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035557485,0.0005927871,0.0008330922,0.0001685988,0.000126145,0.00013839891,0.02549089,0.000030745694,0.00007256621,0.8683856,0.09391503,0.010210604],"study_design_scores_gemma":[0.000233772,0.0002567247,0.0030374834,0.00015141247,0.000070659145,0.000031600775,0.0005133127,0.00008747762,0.00009637545,0.0017175766,0.9934428,0.00036083075],"about_ca_topic_score_codex":0.0040015597,"about_ca_topic_score_gemma":0.0020642509,"teacher_disagreement_score":0.8995277,"about_ca_system_score_codex":0.000104780775,"about_ca_system_score_gemma":0.000119922464,"threshold_uncertainty_score":0.9999657},"labels":[],"label_agreement":null},{"id":"W2050257059","doi":"10.7202/501152ar","title":"Clément Moisan, le Phénomène de la littérature","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Chemistry","score_opus":0.01526855654449407,"score_gpt":0.23805335951875345,"score_spread":0.22278480297425937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050257059","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02109749,0.2850322,0.000059491667,0.044475365,0.0010170459,0.00021472145,0.00030164176,0.00023843475,0.6475636],"genre_scores_gemma":[0.5386042,0.0025449232,0.0008230647,0.002473948,0.010296694,0.000033725213,0.000043504322,0.000052989304,0.44512695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770325,0.00036262974,0.0004958996,0.0004520755,0.0003093222,0.0006768007],"domain_scores_gemma":[0.99884677,0.000246685,0.00013112884,0.0003755113,0.00009101517,0.00030891976],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038362478,0.00040797936,0.00042305043,0.0001199745,0.00082121405,0.0005235299,0.0003744978,0.00028354672,0.0037999114],"category_scores_gemma":[0.000049318216,0.00036883669,0.00036826706,0.00014934482,0.00084468425,0.00061629555,0.00010382932,0.0005573934,0.00037091481],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043117612,0.0009059019,0.000095161944,0.00015427235,0.00018186781,0.00006352884,0.013069523,0.00009632958,0.00008941606,0.80965745,0.12686229,0.04878116],"study_design_scores_gemma":[0.00041940247,0.00015128474,0.0003465471,0.00019403941,0.00012984687,0.00003221709,0.0012675283,0.00023400145,0.00022111266,0.0039257603,0.99261755,0.00046072796],"about_ca_topic_score_codex":0.0028117823,"about_ca_topic_score_gemma":0.0013295314,"teacher_disagreement_score":0.86575526,"about_ca_system_score_codex":0.00035573123,"about_ca_system_score_gemma":0.00026150735,"threshold_uncertainty_score":0.9998764},"labels":[],"label_agreement":null},{"id":"W2052244979","doi":"10.4000/belphegor.384","title":"J.M. Barrie : Les masques de Jacobus Hook Partie I/II : Le Capitaine Hook à Eton ou Le Solitaire","year":2011,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hook; Humanities; Art; Medicine","score_opus":0.05358168445722938,"score_gpt":0.22838466418471298,"score_spread":0.1748029797274836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052244979","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12642337,0.15038832,0.0005680066,0.018864796,0.002635039,0.00057594094,0.00049458403,0.0004977601,0.6995522],"genre_scores_gemma":[0.603639,0.00033166358,0.00028211018,0.0004684316,0.0015077799,0.000048458867,0.000037724076,0.000051366995,0.39363346],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730045,0.0002652593,0.000637393,0.0005620107,0.00027449388,0.0009603909],"domain_scores_gemma":[0.99858373,0.000090511574,0.00019232425,0.00049663545,0.00018615033,0.0004506399],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032623348,0.0004895918,0.0005691117,0.00015064103,0.0024287242,0.00017045549,0.0004254732,0.00025866265,0.010858696],"category_scores_gemma":[0.00006756108,0.0004607306,0.0004138804,0.00009907407,0.00087278197,0.0007780242,0.00017523194,0.00043835276,0.0004748439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010922469,0.0010664616,0.00041749733,0.0002680346,0.00021462896,0.00020729292,0.079667315,0.000005492535,0.00011233711,0.74333245,0.16253506,0.012064214],"study_design_scores_gemma":[0.0005146048,0.0006115994,0.00048263057,0.00014001798,0.00021500385,0.000017026348,0.007068502,0.00013125771,0.0009273219,0.017955637,0.9713053,0.0006310658],"about_ca_topic_score_codex":0.029631982,"about_ca_topic_score_gemma":0.0032039087,"teacher_disagreement_score":0.8087703,"about_ca_system_score_codex":0.00017480605,"about_ca_system_score_gemma":0.00044493427,"threshold_uncertainty_score":0.99978447},"labels":[],"label_agreement":null},{"id":"W2053478184","doi":"10.7202/500838ar","title":"La vitesse et le fortuit","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.026715081980712686,"score_gpt":0.2500915497781113,"score_spread":0.22337646779739864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053478184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016304888,0.07879681,0.000046457208,0.051707465,0.0007118173,0.00012783297,0.0002508335,0.00017822756,0.85187566],"genre_scores_gemma":[0.6395234,0.00049283204,0.00022755384,0.0019411973,0.0025323315,0.000015542764,0.000030486028,0.000029439976,0.35520726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984566,0.00020337965,0.00038584342,0.00032458527,0.00022995271,0.00039965656],"domain_scores_gemma":[0.9991064,0.00028307815,0.00009655265,0.00026857844,0.000072810195,0.00017255319],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027093655,0.0002769663,0.00031401042,0.00010121059,0.00049723854,0.00036237497,0.0002553624,0.0001401202,0.0047723646],"category_scores_gemma":[0.000044645403,0.0002488679,0.00027325508,0.00008258023,0.00049157534,0.000895048,0.000083622705,0.0003230589,0.0005243377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020117159,0.0005864768,0.000058925405,0.000115408126,0.000101902086,0.0000401489,0.010555275,0.000034209606,0.000020657506,0.8635824,0.05418205,0.070702456],"study_design_scores_gemma":[0.00029055224,0.0001034423,0.00023574688,0.00014234021,0.000075599215,0.000017109629,0.0010556271,0.00013873383,0.000049654605,0.0022873392,0.99527043,0.0003334185],"about_ca_topic_score_codex":0.0024465981,"about_ca_topic_score_gemma":0.0035977503,"teacher_disagreement_score":0.9410884,"about_ca_system_score_codex":0.00009095997,"about_ca_system_score_gemma":0.00013832597,"threshold_uncertainty_score":0.99999636},"labels":[],"label_agreement":null},{"id":"W2053521381","doi":"10.7202/030551ar","title":"Intertextualité et déconstruction","year":2005,"lang":"fr","type":"article","venue":"Protée","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Champion; Geography; Archaeology","score_opus":0.03127177980836086,"score_gpt":0.2640874811389085,"score_spread":0.23281570133054766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053521381","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016690386,0.028103573,0.00045623688,0.050752632,0.0031476663,0.00038475852,0.00010872681,0.00015073626,0.90020525],"genre_scores_gemma":[0.31187373,0.0001683437,0.00053092145,0.0019032019,0.0039234613,0.00003912701,0.000017835488,0.000016166849,0.6815272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999124,0.000108162356,0.0002650846,0.00018752251,0.0001097427,0.0002055089],"domain_scores_gemma":[0.9996269,0.00003728706,0.00006655288,0.00013090142,0.00005714339,0.000081234],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013097975,0.00013799632,0.00015621039,0.00006310029,0.0002620961,0.00015881013,0.0000948759,0.000060412007,0.016215662],"category_scores_gemma":[0.000017388507,0.0001223192,0.0001226159,0.000039161947,0.00025486707,0.0005941432,0.000029969253,0.00020402104,0.0019694623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014440537,0.00013402209,0.000040039075,0.0000643561,0.000038576873,0.000003823213,0.016559713,0.000003766923,0.00001572148,0.7386904,0.034258667,0.21017651],"study_design_scores_gemma":[0.00014318744,0.00007782964,0.000020918162,0.00006898871,0.000040424235,0.0000184697,0.00057087635,0.0003074499,0.00008063375,0.0039653894,0.99453837,0.0001674691],"about_ca_topic_score_codex":0.00063092494,"about_ca_topic_score_gemma":0.0003239977,"teacher_disagreement_score":0.9602797,"about_ca_system_score_codex":0.000075373166,"about_ca_system_score_gemma":0.000028513969,"threshold_uncertainty_score":0.9988076},"labels":[],"label_agreement":null},{"id":"W2054110231","doi":"10.1177/000842980403300347","title":"Comptes rendus / Reviews of books: Raison philosophique et christianisme à l'aube du IIIe millénaire Philippe Capelle et Jean Greisch, directeurs Paris, Cerf, 2004. 391 p","year":2004,"lang":"fr","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Sudbury","funders":"","keywords":"Mill; Humanities; Art; Philosophy; History; Archaeology","score_opus":0.10446799443529027,"score_gpt":0.3471439584815744,"score_spread":0.24267596404628416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054110231","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013482268,0.8851368,0.00002498307,0.028217025,0.0036667835,0.0008000273,0.00018638314,0.00014421942,0.06834154],"genre_scores_gemma":[0.20837113,0.78128296,0.00051001686,0.0028906416,0.00095129356,0.00009873381,0.000027895063,0.000055083798,0.005812251],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934895,0.0009326855,0.0022625066,0.0013332004,0.0009173313,0.0010647747],"domain_scores_gemma":[0.9963184,0.001205307,0.00104917,0.00073165173,0.00043982142,0.00025564712],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0017907772,0.0009850822,0.0021098875,0.000574231,0.0015481367,0.00022415076,0.0010877823,0.00026483706,0.00053251034],"category_scores_gemma":[0.0013837386,0.00078158,0.0006588411,0.0008900251,0.0059046396,0.00091998675,0.0005304704,0.000825191,0.0002842497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009730308,0.00094166095,0.0024601368,0.0012971745,0.0002957717,0.00019368558,0.028093344,0.0016039264,0.000059454032,0.23594746,0.72843415,0.0005759547],"study_design_scores_gemma":[0.0007349465,0.0010626966,0.00013068932,0.0038978576,0.0002325485,0.000029553543,0.003035759,0.0000124640865,0.00023858258,0.0234696,0.96622705,0.00092823425],"about_ca_topic_score_codex":0.027844662,"about_ca_topic_score_gemma":0.0075758286,"teacher_disagreement_score":0.23779294,"about_ca_system_score_codex":0.00039455987,"about_ca_system_score_gemma":0.00058967073,"threshold_uncertainty_score":0.9997517},"labels":[],"label_agreement":null},{"id":"W2056566124","doi":"10.7202/201479ar","title":"Langue et idéologie dans les textes de Gabrielle Roy publiés pour les enfants","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Philosophy","score_opus":0.03517353515686793,"score_gpt":0.27643076879378137,"score_spread":0.24125723363691343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056566124","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08049893,0.036902864,0.0014683622,0.056661237,0.00082129444,0.00017881073,0.0035519227,0.00033545948,0.8195811],"genre_scores_gemma":[0.33034086,0.00069526746,0.00068225304,0.0005643761,0.0013687555,0.000014817537,0.00012918672,0.000036234356,0.6661682],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980557,0.00039252965,0.00038561423,0.00038220864,0.00020936334,0.00057458074],"domain_scores_gemma":[0.9988901,0.00047725174,0.00013627192,0.00027133682,0.00011233933,0.00011271986],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003591104,0.00033992188,0.00034537175,0.00014392452,0.000699319,0.0005374935,0.00032068283,0.00016636896,0.008467817],"category_scores_gemma":[0.00013834878,0.00028747265,0.00024336777,0.00009413234,0.00053211505,0.0006641433,0.00010721067,0.00040351754,0.00034691635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002087958,0.0005673528,0.00867141,0.00013325062,0.000087802306,0.00017890793,0.011019954,0.000097082935,0.0017172279,0.34878975,0.62014467,0.00857169],"study_design_scores_gemma":[0.00023951365,0.00008950062,0.007948079,0.00010375487,0.00010260272,0.000020659063,0.0026250824,0.00009342431,0.0013202758,0.006879662,0.98018837,0.00038907107],"about_ca_topic_score_codex":0.091793165,"about_ca_topic_score_gemma":0.009072492,"teacher_disagreement_score":0.36004367,"about_ca_system_score_codex":0.00008767394,"about_ca_system_score_gemma":0.00012651396,"threshold_uncertainty_score":0.99995774},"labels":[],"label_agreement":null},{"id":"W2057785028","doi":"10.7202/201325ar","title":"Les technologies de la voix : espace culturel et hybridation dans Le mal de Vienne de Rober Racine","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009935903701161677,"score_gpt":0.2500186340688244,"score_spread":0.24008273036766273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2057785028","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5120345,0.05956523,0.058911357,0.15963449,0.0006081759,0.00043802612,0.0026556468,0.0014440151,0.20470856],"genre_scores_gemma":[0.4946601,0.0009789235,0.0049043507,0.00028915124,0.0004580464,0.00002846453,0.00010190768,0.000034692435,0.49854434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842054,0.0004082834,0.00027089068,0.000288323,0.00013588014,0.0004760787],"domain_scores_gemma":[0.9992777,0.00023877353,0.00012520424,0.00021522476,0.00008306724,0.00006004683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000499884,0.00027337228,0.00025437368,0.00012750355,0.00060814264,0.00041438112,0.00022161758,0.00018883529,0.00036300183],"category_scores_gemma":[0.000113357964,0.00023640048,0.00015645211,0.00011240023,0.0007122384,0.0006313819,0.00007776081,0.00046176263,0.000054093187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004843958,0.00068946707,0.0022940515,0.00020044792,0.0000868919,0.00018249964,0.022902926,0.000990768,0.017983694,0.7826116,0.16351905,0.008490141],"study_design_scores_gemma":[0.00029873595,0.0000810517,0.0037810195,0.00011690053,0.00011832515,0.00007491917,0.0035702398,0.00022665336,0.0115950415,0.01016113,0.96966285,0.00031311996],"about_ca_topic_score_codex":0.032221,"about_ca_topic_score_gemma":0.0033292598,"teacher_disagreement_score":0.8061438,"about_ca_system_score_codex":0.00021228725,"about_ca_system_score_gemma":0.0000987917,"threshold_uncertainty_score":0.9742235},"labels":[],"label_agreement":null},{"id":"W2060715256","doi":"10.7202/900470ar","title":"Expression dramatique et pédagogie. Essai comparatif France-Québec-Canada","year":2009,"lang":"fr","type":"article","venue":"Revue des sciences de l éducation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.23231853150920093,"score_gpt":0.3638398816037849,"score_spread":0.13152135009458396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060715256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59233963,0.052012518,0.002536036,0.07293049,0.004854066,0.0003644718,0.00007680304,0.00010507749,0.27478093],"genre_scores_gemma":[0.8445054,0.0003260856,0.0015204437,0.0029165319,0.0008631865,0.000011252511,0.000025425406,0.000006784632,0.14982487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844015,0.00029468944,0.00034947708,0.00032168734,0.00024675357,0.00034725506],"domain_scores_gemma":[0.999191,0.00016928204,0.00018296961,0.00019085563,0.00012007671,0.00014580907],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048135527,0.0001781469,0.00022502021,0.00007940983,0.0016080089,0.0003968564,0.00032444095,0.00006361868,0.0013907031],"category_scores_gemma":[0.000087183755,0.0001590836,0.00007478762,0.0002130641,0.0007669206,0.0009224252,0.000016692546,0.00019023781,0.000056149376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014486102,0.0006299173,0.0008005298,0.00036906765,0.000017029612,0.000017518845,0.2913014,0.002297086,0.00090836716,0.43910998,0.24057305,0.023961581],"study_design_scores_gemma":[0.00007768082,0.00016648459,0.0014561479,0.00042552888,0.000023496596,0.000015973896,0.003691639,0.0032802008,0.00029015122,0.011007614,0.9793199,0.00024518717],"about_ca_topic_score_codex":0.5373894,"about_ca_topic_score_gemma":0.56975865,"teacher_disagreement_score":0.7387468,"about_ca_system_score_codex":0.0008086141,"about_ca_system_score_gemma":0.0014648818,"threshold_uncertainty_score":0.9996918},"labels":[],"label_agreement":null},{"id":"W2061821862","doi":"10.7202/501292ar","title":"Le petit prince de Saint-Exupéry : du conte au mythe","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.017847976125115624,"score_gpt":0.22146534847495578,"score_spread":0.20361737234984015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061821862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1433066,0.060589194,0.00017086089,0.13294096,0.0016848828,0.00031866354,0.00028564368,0.00031184978,0.66039133],"genre_scores_gemma":[0.6668171,0.00040247283,0.00023135745,0.0019673076,0.006880102,0.00001953161,0.000014786276,0.00003201393,0.32363528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979759,0.00019241574,0.00048618362,0.00040271488,0.0002569716,0.0006858355],"domain_scores_gemma":[0.99891186,0.00021143645,0.0001381077,0.0003485249,0.00011340743,0.00027664477],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003083682,0.0003336077,0.00039641757,0.000095781936,0.0010368773,0.00028248664,0.00039813668,0.00013215159,0.0029991597],"category_scores_gemma":[0.00009001863,0.00030359422,0.0003194369,0.00007858439,0.0007531489,0.0006173144,0.00011537939,0.00031697485,0.00062208204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005127572,0.0005488305,0.0013088731,0.00015772304,0.00015638117,0.0000632289,0.021730516,0.00007177346,0.00004160155,0.92737955,0.023788791,0.024701469],"study_design_scores_gemma":[0.00035624977,0.00015155556,0.0016599359,0.00019428384,0.00009470143,0.00002525534,0.0011483593,0.00024937594,0.00008052264,0.0012427502,0.9943958,0.00040120556],"about_ca_topic_score_codex":0.017819466,"about_ca_topic_score_gemma":0.024062963,"teacher_disagreement_score":0.97060704,"about_ca_system_score_codex":0.0005851804,"about_ca_system_score_gemma":0.00049167307,"threshold_uncertainty_score":0.9999416},"labels":[],"label_agreement":null},{"id":"W2061941297","doi":"10.3138/md.43.4.529","title":"Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Modernity; Naturalism; Art; Gaze; Literature; Theatre director; Tribute; Aesthetics; Visual arts; Art history; History; Philosophy; Epistemology; Psychology; Psychoanalysis","score_opus":0.033052087363341795,"score_gpt":0.2475314733067223,"score_spread":0.2144793859433805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061941297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83277303,0.006839076,0.0000067104893,0.002707983,0.00019379483,0.00014355648,0.000028379949,0.000036112593,0.15727134],"genre_scores_gemma":[0.888137,0.00002901558,0.0000043889304,0.0006981131,0.00019038406,0.00000765546,0.0000030904498,0.000005303246,0.110925056],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939764,0.00007371026,0.00015302723,0.00012962315,0.00014293341,0.00010305825],"domain_scores_gemma":[0.9996129,0.00008778501,0.00004742569,0.00021211144,0.000020024107,0.000019742156],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006092066,0.000098877885,0.00017776266,0.000013604211,0.00032599206,0.00003905604,0.00020447314,0.000021979558,0.0033234921],"category_scores_gemma":[0.000011688917,0.000040462644,0.00007788286,0.000020056654,0.0011044882,0.000116714014,0.000039179948,0.000102833634,0.000009312574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055360247,0.00018734069,0.000056639128,0.00006918363,0.00014963314,0.0000042352754,0.63205457,0.00022833311,0.0038265435,0.31303507,0.029305963,0.020528877],"study_design_scores_gemma":[0.0019741575,0.00011750918,0.00034135443,0.00008562175,0.00006973768,0.0000029348528,0.006227205,0.017016111,0.0010558564,0.05576683,0.9170526,0.0002900332],"about_ca_topic_score_codex":0.00094592385,"about_ca_topic_score_gemma":0.000055340068,"teacher_disagreement_score":0.8877467,"about_ca_system_score_codex":0.000010752351,"about_ca_system_score_gemma":0.00000551172,"threshold_uncertainty_score":0.9975876},"labels":[],"label_agreement":null},{"id":"W2062456241","doi":"10.3917/vst.105.0123","title":"Traces vivantes de Tosquelles et de quelques autres","year":2010,"lang":"fr","type":"article","venue":"Cairn.info","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Art","score_opus":0.014309396738514888,"score_gpt":0.2607397177490547,"score_spread":0.2464303210105398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2062456241","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2514183,0.017219067,0.000084769315,0.0084956195,0.0021809472,0.00011085665,0.00019119098,0.00018024886,0.720119],"genre_scores_gemma":[0.34642228,0.0010244856,0.0008594054,0.0019240758,0.002708786,0.000017438215,0.00002107323,0.00003137251,0.6469911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844295,0.00014005249,0.00037701806,0.00028179036,0.0001854559,0.00057275454],"domain_scores_gemma":[0.9988328,0.0003710667,0.00011999335,0.00027707883,0.00010837484,0.00029068725],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003476871,0.00030396428,0.0003396373,0.00011297835,0.00062327454,0.0004930387,0.00032087736,0.00020619432,0.030158019],"category_scores_gemma":[0.00017942859,0.00026604958,0.00027619555,0.00005948369,0.00066495885,0.00069755636,0.000055119355,0.0005692097,0.0004234968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028782917,0.00022174642,0.0013988119,0.00016496367,0.00008702748,0.000080097765,0.08086283,0.0000121975045,0.0014480824,0.8143475,0.09670664,0.004641292],"study_design_scores_gemma":[0.00017325598,0.0001415058,0.00085347623,0.00012137176,0.00010829096,0.00003183527,0.0015675548,0.00021184837,0.0012444778,0.011056584,0.9841228,0.00036698047],"about_ca_topic_score_codex":0.025183527,"about_ca_topic_score_gemma":0.016686218,"teacher_disagreement_score":0.8874162,"about_ca_system_score_codex":0.0002592515,"about_ca_system_score_gemma":0.00023163359,"threshold_uncertainty_score":0.9999792},"labels":[],"label_agreement":null},{"id":"W2063420255","doi":"10.7202/013053ar","title":"Avec ou sans voix : la femme défaite","year":2006,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02325227592413547,"score_gpt":0.23525323404228407,"score_spread":0.2120009581181486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063420255","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03988226,0.050378833,0.00027499045,0.018627698,0.0023863793,0.0005527907,0.0006169913,0.0007505211,0.88652956],"genre_scores_gemma":[0.6942982,0.0031474275,0.0005449366,0.00092087756,0.005628273,0.000088218985,0.00025852345,0.00015494665,0.2949586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956202,0.0005290149,0.0013153711,0.0010009515,0.0004277159,0.0011067438],"domain_scores_gemma":[0.99755377,0.000463196,0.0004451705,0.0008208582,0.00034054206,0.00037648092],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049458194,0.0009211822,0.0010795217,0.0007943421,0.0010092747,0.0008289907,0.000664477,0.0004974837,0.0029721907],"category_scores_gemma":[0.00004583612,0.0009122228,0.0011359861,0.0006313233,0.0014584082,0.0009948122,0.00014881803,0.000829566,0.00038787365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004716752,0.0008711783,0.0028335736,0.00079934177,0.00028526233,0.00039391185,0.005979691,0.00002889928,0.00007492004,0.89011717,0.09614292,0.0024259875],"study_design_scores_gemma":[0.0004581375,0.00026482402,0.0027253614,0.00088529894,0.00046434646,0.00013078692,0.00042890763,0.00014808138,0.00013129797,0.008149417,0.98510164,0.0011119087],"about_ca_topic_score_codex":0.0060844766,"about_ca_topic_score_gemma":0.005165653,"teacher_disagreement_score":0.8889587,"about_ca_system_score_codex":0.00014656958,"about_ca_system_score_gemma":0.00008512487,"threshold_uncertainty_score":0.99933285},"labels":[],"label_agreement":null},{"id":"W2064144965","doi":"10.7202/1007157ar","title":"Réécrire l’origine poétique au XXe siècle : l’expérience du Bestiaire ou cortège d’Orphée de Guillaume Apollinaire","year":2011,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0329490403825156,"score_gpt":0.23429532568667708,"score_spread":0.2013462853041615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064144965","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40518197,0.038472414,0.0003014758,0.018108884,0.0052620433,0.00070324447,0.00075715734,0.00076464855,0.53044814],"genre_scores_gemma":[0.88242763,0.0006545959,0.0005349803,0.0012177274,0.004341697,0.000065357875,0.00004737502,0.00009207434,0.110618584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960349,0.00027040034,0.00095005106,0.00088976684,0.00050297286,0.0013518938],"domain_scores_gemma":[0.9976984,0.00019008912,0.00032596933,0.0007866981,0.000302657,0.0006961449],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003986808,0.00077412656,0.0007884959,0.00020627136,0.0018367596,0.00028492938,0.0009479173,0.00034940062,0.0056324233],"category_scores_gemma":[0.00017088527,0.0006985596,0.00054843444,0.00029966747,0.0018245658,0.0010798167,0.00024758407,0.00058276264,0.000553058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001534387,0.0012023614,0.00949204,0.0005020236,0.00027059577,0.0008922075,0.0967864,0.00001813822,0.000040866737,0.84109676,0.028282156,0.021262998],"study_design_scores_gemma":[0.00036961806,0.000756921,0.010678585,0.0005542012,0.00029213252,0.0001475138,0.0026892577,0.00041084577,0.00022542229,0.0064898357,0.97640604,0.0009796551],"about_ca_topic_score_codex":0.049211934,"about_ca_topic_score_gemma":0.009318978,"teacher_disagreement_score":0.9481239,"about_ca_system_score_codex":0.00058829616,"about_ca_system_score_gemma":0.0006055191,"threshold_uncertainty_score":0.9995465},"labels":[],"label_agreement":null},{"id":"W2064159359","doi":"10.7202/1005617ar","title":"Quand le théâtre joue à se prendre pour du tourisme : les déambulatoires audioguidés d’Olivier Choinière","year":2011,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.06788393464524084,"score_gpt":0.23250984654749093,"score_spread":0.1646259119022501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064159359","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14040457,0.024393484,0.00008464751,0.04038178,0.0037252316,0.0012254412,0.0016416206,0.0008767456,0.7872665],"genre_scores_gemma":[0.48314562,0.0036588006,0.00053779763,0.00052228634,0.003953199,0.000115561765,0.00015365156,0.0002467421,0.50766635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99212027,0.00080876384,0.0021871687,0.0018716691,0.00083065673,0.0021814953],"domain_scores_gemma":[0.9953517,0.0005092026,0.00093425164,0.0015121422,0.00055117306,0.0011415305],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00064420176,0.001912664,0.0021063995,0.0007654759,0.0026922398,0.0006628342,0.0017317408,0.00093365146,0.00786093],"category_scores_gemma":[0.00022567326,0.0018085425,0.0018914049,0.0005773274,0.0019343132,0.002370018,0.00036774692,0.001568766,0.0006262868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004709711,0.0025614463,0.0019338502,0.0013120006,0.0011000015,0.0011735756,0.053744823,0.00006395895,0.00009093956,0.66149724,0.26371402,0.012337205],"study_design_scores_gemma":[0.00065138313,0.0007909745,0.0029677674,0.0018117834,0.0010405086,0.00031948474,0.0026741417,0.00021362696,0.0002817288,0.0024167213,0.98461914,0.0022127675],"about_ca_topic_score_codex":0.029635234,"about_ca_topic_score_gemma":0.1001702,"teacher_disagreement_score":0.7209051,"about_ca_system_score_codex":0.00042020832,"about_ca_system_score_gemma":0.0009366188,"threshold_uncertainty_score":0.9993617},"labels":[],"label_agreement":null},{"id":"W2064706059","doi":"10.4000/belphegor.115","title":"Fantômas - À l’ombre de la guillotine (Louis Feuillade, 1913) ou Quand le cinéma s’émancipe…","year":2013,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Spectacle; Political science","score_opus":0.02680475905943414,"score_gpt":0.23985335555276235,"score_spread":0.21304859649332822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064706059","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15177645,0.076080136,0.00023616289,0.038979467,0.0031239807,0.00064362155,0.00036609863,0.00031790748,0.72847617],"genre_scores_gemma":[0.47954196,0.0003359936,0.0002982716,0.0010064018,0.002468682,0.000051504485,0.000045090874,0.000055938857,0.5161962],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737257,0.00033041765,0.0006320904,0.0005141082,0.00031312666,0.00083766825],"domain_scores_gemma":[0.99836934,0.00034224708,0.00019473975,0.00048870745,0.00019470432,0.00041027655],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003211503,0.0004638835,0.00056569185,0.0001613023,0.0010662522,0.00066362106,0.00041060933,0.0002753238,0.016901003],"category_scores_gemma":[0.00012242657,0.00041090552,0.0003657832,0.00017194789,0.00076071057,0.00063450594,0.00013094435,0.00046217773,0.0030957973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033101893,0.0006681982,0.00092912634,0.00028864012,0.0001801555,0.00009673984,0.013719018,0.000020527876,0.00033847275,0.415307,0.5542173,0.014201778],"study_design_scores_gemma":[0.0006933173,0.0002447162,0.002632603,0.00012832471,0.00014694557,0.00003973599,0.0012443612,0.00041501728,0.00011895422,0.0032225505,0.9905384,0.00057504926],"about_ca_topic_score_codex":0.021100022,"about_ca_topic_score_gemma":0.00058139284,"teacher_disagreement_score":0.43632117,"about_ca_system_score_codex":0.00012357414,"about_ca_system_score_gemma":0.00017545666,"threshold_uncertainty_score":0.9998343},"labels":[],"label_agreement":null},{"id":"W2065088984","doi":"10.7202/1028526ar","title":"Orphée et l’orphisme dans À la recherche du temps perdu de Marcel Proust","year":2015,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.19977876495203617,"score_gpt":0.30912553457893605,"score_spread":0.10934676962689988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065088984","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043518327,0.016867343,0.0003692246,0.011790604,0.0009993081,0.00026587973,0.00021090837,0.00023845115,0.92573994],"genre_scores_gemma":[0.8104258,0.001059827,0.0015383279,0.0015759403,0.0021772122,0.000060161725,0.00005012502,0.000078834106,0.18303376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696875,0.0011284255,0.00047022998,0.00045121223,0.00039485327,0.00058652926],"domain_scores_gemma":[0.9978111,0.001034829,0.0001333913,0.000373201,0.00018810586,0.00045940944],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014546425,0.00042596276,0.00048162686,0.00012877664,0.00058041705,0.00040457654,0.0004471173,0.00040225807,0.0031105198],"category_scores_gemma":[0.0006533499,0.0003670388,0.00027378582,0.00016829623,0.0010038989,0.0006606165,0.00012803604,0.0008438559,0.00059879053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008949379,0.0008395848,0.0020124107,0.00021340443,0.00015560142,0.0002508689,0.15141836,0.000057295834,0.00018711034,0.78948456,0.05308017,0.0022111419],"study_design_scores_gemma":[0.0005177159,0.00031629752,0.0003119306,0.00019301476,0.0002192651,0.00008569099,0.00889947,0.00021348218,0.000091130445,0.003058232,0.9855944,0.0004993661],"about_ca_topic_score_codex":0.010066085,"about_ca_topic_score_gemma":0.003094252,"teacher_disagreement_score":0.93251425,"about_ca_system_score_codex":0.00037291215,"about_ca_system_score_gemma":0.0006061287,"threshold_uncertainty_score":0.99987817},"labels":[],"label_agreement":null},{"id":"W2065641753","doi":"10.4000/nuevomundo.66115","title":"Une voyageuse d’avant-garde aux Amériques : Emilia Serrano, Baronesa de Wilson, et son livre América y sus mujeres (1890)","year":2013,"lang":"fr","type":"article","venue":"Nuevo mundo mundos nuevos","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.026819622141364168,"score_gpt":0.2589777937716505,"score_spread":0.23215817163028632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065641753","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28987256,0.07843144,0.0005388979,0.05894097,0.009772926,0.0035825807,0.0015785854,0.001806535,0.55547553],"genre_scores_gemma":[0.5385444,0.005171042,0.00073903496,0.00331859,0.0033931013,0.0003258532,0.00018369677,0.000243269,0.44808102],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927624,0.0011325293,0.0016069904,0.001334581,0.0009594228,0.0022041092],"domain_scores_gemma":[0.9954137,0.00083514553,0.000576837,0.0015177896,0.0006524006,0.0010040856],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006064396,0.0013812513,0.0015539881,0.00045241907,0.0020548678,0.0016203646,0.001353956,0.000713055,0.019250963],"category_scores_gemma":[0.00034888834,0.0013082329,0.0009771684,0.00023398834,0.001386407,0.0023542994,0.00036361895,0.0017127298,0.004790047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034212574,0.002515236,0.0019890561,0.0010735169,0.0009134767,0.00041561178,0.16716184,0.00014882167,0.0019579704,0.048951562,0.75101674,0.023514021],"study_design_scores_gemma":[0.0016514524,0.0007788129,0.0023760889,0.00069465884,0.0004361641,0.00007705881,0.0052439785,0.0016622111,0.00033177584,0.007991097,0.97718054,0.001576161],"about_ca_topic_score_codex":0.14634278,"about_ca_topic_score_gemma":0.033559352,"teacher_disagreement_score":0.24867183,"about_ca_system_score_codex":0.0006951241,"about_ca_system_score_gemma":0.0005070002,"threshold_uncertainty_score":0.9998938},"labels":[],"label_agreement":null},{"id":"W2067000911","doi":"10.7202/500902ar","title":"Sauvages d'Amérique et discours hétérologique","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.024661426021578434,"score_gpt":0.25978913871114045,"score_spread":0.235127712689562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067000911","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024821999,0.102552265,0.00013776787,0.26368964,0.0017556974,0.0003103279,0.0005995955,0.0003608892,0.60577184],"genre_scores_gemma":[0.6533139,0.002203939,0.00042589701,0.0044507445,0.0051462757,0.000035979538,0.000054650092,0.00004376678,0.3343249],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975883,0.00036860903,0.0005639518,0.0005127723,0.00029853752,0.0006678712],"domain_scores_gemma":[0.99875736,0.00032493868,0.00016119628,0.00039675398,0.00010332879,0.00025642276],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039381775,0.0004479547,0.000488259,0.00014676983,0.0005892811,0.00041519033,0.0004088359,0.00023720964,0.0063649756],"category_scores_gemma":[0.000088875095,0.00037307915,0.00037050585,0.000103003265,0.00076804426,0.0010691624,0.00012372849,0.0005728007,0.0005979276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003822968,0.00053687335,0.0001844373,0.00011845183,0.0001461889,0.000053106243,0.015418797,0.0001464987,0.000028326021,0.88165903,0.077984326,0.023685757],"study_design_scores_gemma":[0.0002265264,0.00029147245,0.0005191091,0.00017901149,0.000095297364,0.000018297724,0.0015950314,0.00013970748,0.00008933675,0.005040275,0.99130875,0.00049720507],"about_ca_topic_score_codex":0.002728333,"about_ca_topic_score_gemma":0.015000137,"teacher_disagreement_score":0.9133244,"about_ca_system_score_codex":0.00018717446,"about_ca_system_score_gemma":0.00014954971,"threshold_uncertainty_score":0.9998721},"labels":[],"label_agreement":null},{"id":"W2067649797","doi":"10.1017/s0009840x14002224","title":"A FRONTO TRANSLATION - C. Davenport, J. Manley Fronto: Selected Letters. Pp. xiv + 225, map. London and New York: Bloomsbury Academic, 2014. Paper, £18.99. ISBN: 978-1-78093-442-6.","year":2014,"lang":"en","type":"article","venue":"The Classical Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"History; Classics","score_opus":0.05715975988959672,"score_gpt":0.25865539546640504,"score_spread":0.20149563557680833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067649797","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040223505,0.91325206,0.0004892253,0.068925045,0.00052259996,0.0007393357,0.0000553755,0.00020667198,0.0154074505],"genre_scores_gemma":[0.0091841975,0.63403875,0.00081395375,0.079565115,0.012643536,0.00025584974,0.0008775136,0.00024083177,0.26238027],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730706,0.0004975333,0.00077917776,0.00052204996,0.0004141366,0.00048006655],"domain_scores_gemma":[0.99846905,0.00038651796,0.00026059226,0.0005083073,0.00006268902,0.00031282508],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005638714,0.00041700804,0.00085098733,0.000038959428,0.00044977147,0.0001332796,0.0004559615,0.00014990511,0.008026627],"category_scores_gemma":[0.00010921321,0.00026060143,0.00028763723,0.00010730046,0.00031531244,0.00045083812,0.000057947593,0.000744788,0.0006200163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038047976,0.00005279011,0.0000116548945,0.00053630455,0.00007300578,0.0000062387176,0.0011167497,4.8388e-7,0.00031353868,0.010506217,0.8881542,0.09919076],"study_design_scores_gemma":[0.0004297813,0.00008233973,0.000055693326,0.001030394,0.0005115427,0.000011928244,0.000015447487,0.00021138227,0.000007785185,0.0014657974,0.99580956,0.00036836354],"about_ca_topic_score_codex":0.0003455075,"about_ca_topic_score_gemma":0.00037401475,"teacher_disagreement_score":0.27921334,"about_ca_system_score_codex":0.00006043451,"about_ca_system_score_gemma":0.000051884945,"threshold_uncertainty_score":0.9999846},"labels":[],"label_agreement":null},{"id":"W2068104679","doi":"10.4000/contextes.5365","title":"Révolution, conversion et disparition. La littérature de fiction dans la presse d’information générale.","year":2012,"lang":"fr","type":"article","venue":"Contextes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.011618957995549281,"score_gpt":0.2200291994619538,"score_spread":0.20841024146640452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068104679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03936942,0.15792559,0.006242256,0.0069701406,0.0042563747,0.00040569468,0.0008837503,0.000279558,0.7836672],"genre_scores_gemma":[0.9065563,0.0017918837,0.000075156066,0.00068682176,0.0012462928,0.000022423135,0.00033579677,0.000012136989,0.08927316],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879485,0.0003680322,0.00027550492,0.000111141046,0.00014550025,0.0003049971],"domain_scores_gemma":[0.99917996,0.00026314767,0.00012606282,0.00013913521,0.00013263404,0.00015907479],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034392625,0.00017006963,0.00016904433,0.000074243195,0.0005499936,0.00029997743,0.00009659116,0.00019827658,0.0014342639],"category_scores_gemma":[0.00009577042,0.0001638113,0.0001378687,0.00007385123,0.00034387913,0.00320554,0.000030973915,0.00028611266,0.00023683219],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045706813,0.00026255473,0.0021576358,0.00025093512,0.000054917116,0.0000028667162,0.06337373,0.000019376159,0.000083581195,0.68407,0.24739066,0.0022880412],"study_design_scores_gemma":[0.0002855313,0.000050238275,0.0064981617,0.00020910932,0.0001251991,0.000022656368,0.0037226828,0.00042919934,0.00009047769,0.0010243929,0.9873373,0.0002050857],"about_ca_topic_score_codex":0.0007296611,"about_ca_topic_score_gemma":0.000057421676,"teacher_disagreement_score":0.8671869,"about_ca_system_score_codex":0.00013397697,"about_ca_system_score_gemma":0.00004186682,"threshold_uncertainty_score":0.9994786},"labels":[],"label_agreement":null},{"id":"W2070097808","doi":"10.7202/1027645ar","title":"Les conditions de travail des artistes de la scène au Québec (1893-1914)1","year":2014,"lang":"fr","type":"article","venue":"Revue d histoire de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.015538149818109815,"score_gpt":0.22602090107724843,"score_spread":0.21048275125913862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070097808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32570282,0.10539495,0.006246872,0.012696582,0.0015645567,0.00037759254,0.00072010857,0.00047358326,0.5468229],"genre_scores_gemma":[0.70443416,0.0003253576,0.0004889887,0.00043794134,0.0018807572,0.00007750301,0.00005691523,0.000069478796,0.2922289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969456,0.00090368744,0.0006213749,0.0004756504,0.00016428228,0.0008893912],"domain_scores_gemma":[0.99768764,0.00093572156,0.00022571496,0.0004457688,0.00015496448,0.000550206],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006546017,0.0004620565,0.000622947,0.00021549572,0.0032561698,0.00023841664,0.00038065863,0.00039207292,0.0029369895],"category_scores_gemma":[0.00037520818,0.0005036475,0.0004885624,0.00014372855,0.0032784678,0.00038383462,0.000044105298,0.00069041364,0.00029847256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001136165,0.001341988,0.0267676,0.0024813684,0.0002071035,0.0004525828,0.36209255,0.0005295192,0.0012404186,0.4313147,0.08825327,0.08520528],"study_design_scores_gemma":[0.0004286711,0.00020711738,0.0038386884,0.0007337558,0.0002506461,0.00022830996,0.0013039189,0.0013518527,0.00008647384,0.0030920957,0.9878823,0.0005961835],"about_ca_topic_score_codex":0.5923132,"about_ca_topic_score_gemma":0.643604,"teacher_disagreement_score":0.899629,"about_ca_system_score_codex":0.0023703217,"about_ca_system_score_gemma":0.0006176432,"threshold_uncertainty_score":0.9997415},"labels":[],"label_agreement":null},{"id":"W2070290441","doi":"10.1086/650047","title":": <i> <i>L'introduction au traité de la conformité des merveilles anciennes avec les modernes ou, traité preparatif à l'Apologie pour Herodote</i> </i>","year":2009,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02434662757673859,"score_gpt":0.2598967987880342,"score_spread":0.2355501712112956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070290441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6024064,0.058748603,0.007199802,0.03875021,0.003126259,0.0036941536,0.00061138807,0.0010781173,0.2843851],"genre_scores_gemma":[0.8913486,0.00024007201,0.00092737464,0.00047740593,0.008470357,0.00027448605,0.00004540913,0.000052209616,0.09816407],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962734,0.0005510605,0.0008811586,0.00080585247,0.00036460892,0.0011239172],"domain_scores_gemma":[0.99829954,0.00030585853,0.00034821243,0.00049631257,0.00021601461,0.00033404012],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006191814,0.00067385763,0.0007511931,0.00015369088,0.0015263702,0.0005179692,0.00045054386,0.0003574865,0.0014314076],"category_scores_gemma":[0.00006906895,0.00059429696,0.0005074154,0.0001907457,0.0019497878,0.0013755177,0.000012202678,0.00050750875,0.00016265578],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038576568,0.0012842775,0.00017189779,0.00040957678,0.00019277098,0.0000856592,0.11670799,0.00059220503,0.0025142033,0.25597373,0.13459003,0.4870919],"study_design_scores_gemma":[0.0007920542,0.0018842408,0.0028246583,0.00020495016,0.00017341269,0.00016576883,0.004761418,0.00075095217,0.00089359074,0.026536657,0.96019757,0.0008147487],"about_ca_topic_score_codex":0.0023933004,"about_ca_topic_score_gemma":0.0017832351,"teacher_disagreement_score":0.82560754,"about_ca_system_score_codex":0.00030298418,"about_ca_system_score_gemma":0.00025300318,"threshold_uncertainty_score":0.9997735},"labels":[],"label_agreement":null},{"id":"W2070527536","doi":"10.3406/reg.2008.7891","title":"Les Erotica pathémata de Parthénios de Nicée : des esquisses de poétique accentuelle signées d'acrostiches numériques","year":2008,"lang":"en","type":"article","venue":"Revue des Études Grecques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Rhythm; Repetition (rhetorical device); Poetry; Stress (linguistics); Art; Linguistics; Sign (mathematics); Literature; Mathematics; Philosophy","score_opus":0.1216134302714406,"score_gpt":0.27706729789137824,"score_spread":0.15545386761993762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070527536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9404996,0.011042802,0.0017288852,0.0003073966,0.00013176877,0.00026609178,0.000096649834,0.0006002369,0.045326542],"genre_scores_gemma":[0.9831693,0.003962042,0.0043064733,0.00029421304,0.0009531132,0.000078856414,0.000038370632,0.00006504294,0.007132547],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977359,0.00033980332,0.0004968205,0.0004216872,0.00018199685,0.00082380057],"domain_scores_gemma":[0.99845326,0.00049702806,0.00014791102,0.0003500365,0.00023429243,0.00031747972],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035843448,0.00040184517,0.00050906424,0.00014176709,0.0015703492,0.00035476303,0.00048080058,0.0001567954,0.0017164029],"category_scores_gemma":[0.00040356402,0.000353699,0.00027931522,0.00011518534,0.001161197,0.00073159864,0.000110242654,0.00030013826,0.000054210188],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028168503,0.0014407234,0.16491166,0.002200083,0.0005018743,0.0010959848,0.4824222,0.00016428986,0.006345208,0.31050563,0.014587633,0.015543034],"study_design_scores_gemma":[0.00060893456,0.00096206577,0.013711137,0.0015431246,0.00028953532,0.00071564765,0.012524895,0.0008012948,0.0162106,0.04475222,0.90605617,0.0018243517],"about_ca_topic_score_codex":0.002022603,"about_ca_topic_score_gemma":0.0034872962,"teacher_disagreement_score":0.8914686,"about_ca_system_score_codex":0.00037522145,"about_ca_system_score_gemma":0.00018178945,"threshold_uncertainty_score":0.9998915},"labels":[],"label_agreement":null},{"id":"W2072029345","doi":"10.7202/500814ar","title":"Stanislavski : théorie et pratique de l'action. De la formation traditionnelle à la pédagogie théâtrale scientifique","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Stanislavski's system; Humanities; Art history","score_opus":0.041991676224900805,"score_gpt":0.2858137496953465,"score_spread":0.2438220734704457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072029345","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12179036,0.013085369,0.010778824,0.05701227,0.0010797789,0.00051563553,0.0008440384,0.00047000428,0.7944237],"genre_scores_gemma":[0.801561,0.0013618626,0.0016970261,0.0012195461,0.0020475595,0.000068587826,0.000091801805,0.000035422592,0.19191718],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759513,0.00090247986,0.000446155,0.0003079918,0.00027143373,0.00047678282],"domain_scores_gemma":[0.99856883,0.00072499656,0.00015855122,0.00022812298,0.00012106806,0.0001984214],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010986782,0.0002773904,0.0002500265,0.00014905723,0.00091613486,0.00082196266,0.00022443327,0.00022575626,0.0027255602],"category_scores_gemma":[0.00014083473,0.0002610579,0.00022493812,0.00013807009,0.0005872934,0.0022024661,0.000034224395,0.0004683546,0.00008169783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027291944,0.000555016,0.0000309136,0.0002494996,0.00006452853,0.000027147493,0.05409079,0.0004415986,0.00034844998,0.85696566,0.08042549,0.0067736316],"study_design_scores_gemma":[0.00025758214,0.00010088852,0.00028807606,0.00021429721,0.00008777818,0.00006968393,0.004046041,0.0013807155,0.0013842039,0.024528414,0.96733016,0.00031217007],"about_ca_topic_score_codex":0.0007261335,"about_ca_topic_score_gemma":0.0034658099,"teacher_disagreement_score":0.88690466,"about_ca_system_score_codex":0.000657327,"about_ca_system_score_gemma":0.0005485677,"threshold_uncertainty_score":0.99998415},"labels":[],"label_agreement":null},{"id":"W2072604425","doi":"10.7202/041473ar","title":"Les Muses orphelines du théâtre au cinéma : en conversation avec Robert Favreau","year":2001,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024154933129092792,"score_gpt":0.23676772598231813,"score_spread":0.21261279285322535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072604425","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25937787,0.008090187,0.00025529752,0.1699046,0.0069743004,0.0014897967,0.0011184608,0.0011370179,0.5516525],"genre_scores_gemma":[0.5779065,0.0047009503,0.00022075805,0.0008160701,0.0071837204,0.00009536252,0.00036299851,0.00018089851,0.40853277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933261,0.00075498305,0.0018627866,0.0015133593,0.0007868244,0.0017559073],"domain_scores_gemma":[0.9957761,0.0010052891,0.0007256457,0.001064069,0.00063309504,0.0007957751],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00063186674,0.001553519,0.0016308548,0.00056709093,0.0018730914,0.0006569831,0.0011980959,0.0007806276,0.0064902096],"category_scores_gemma":[0.00035654413,0.0014668975,0.001316058,0.00053330505,0.0014240559,0.002165011,0.00021523907,0.0010796366,0.0008725724],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062030606,0.0016748229,0.0056613525,0.001414025,0.0009185052,0.001146713,0.09133036,0.00053923024,0.00014779696,0.7931938,0.08042099,0.022932101],"study_design_scores_gemma":[0.0005405859,0.000655443,0.0037785666,0.0013528432,0.0009992117,0.00041071884,0.0033752883,0.0007646778,0.000068642774,0.0007730538,0.9855437,0.0017372502],"about_ca_topic_score_codex":0.043133985,"about_ca_topic_score_gemma":0.15572092,"teacher_disagreement_score":0.9051227,"about_ca_system_score_codex":0.0010389008,"about_ca_system_score_gemma":0.0005939559,"threshold_uncertainty_score":0.99990535},"labels":[],"label_agreement":null},{"id":"W2073162028","doi":"10.12681/hr.167","title":"L'histoire littéraire peut-elle être expérimentale?","year":2005,"lang":"fr","type":"article","venue":"The Historical Review/La Revue Historique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03351074097350834,"score_gpt":0.25375316603518727,"score_spread":0.22024242506167893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073162028","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020508041,0.65111244,0.00008720001,0.12002403,0.007643541,0.000615674,0.00006658811,0.00018113425,0.22024886],"genre_scores_gemma":[0.0019618499,0.16304475,0.00030833235,0.004508536,0.015861608,0.00024714804,0.000056344765,0.0001487266,0.8138627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99361366,0.0013625729,0.0019965426,0.0011723795,0.00077641103,0.0010784103],"domain_scores_gemma":[0.9957027,0.00069949025,0.00085750915,0.0017034522,0.00033840994,0.0006984694],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012437368,0.0010744189,0.0017908512,0.00020421986,0.0033775214,0.00014035823,0.0014387555,0.00045568784,0.010819719],"category_scores_gemma":[0.0003452584,0.00085728295,0.0015769905,0.0005173277,0.0012699913,0.0007827792,0.00025168346,0.0017708591,0.0034336543],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004373046,0.0008064604,0.0000046847404,0.0031611174,0.00010329803,0.00014137721,0.010209524,0.000008364288,0.00002339926,0.10426532,0.792656,0.088576734],"study_design_scores_gemma":[0.00034835612,0.00027226235,0.0000055153646,0.0048667733,0.00083300186,0.00028613844,0.00013772919,0.00007010042,0.0000070875194,0.000456007,0.9916525,0.0010645569],"about_ca_topic_score_codex":0.0042071296,"about_ca_topic_score_gemma":0.00066263275,"teacher_disagreement_score":0.5936138,"about_ca_system_score_codex":0.016024249,"about_ca_system_score_gemma":0.00028313842,"threshold_uncertainty_score":0.9993878},"labels":[],"label_agreement":null},{"id":"W2073873642","doi":"10.7202/009225ar","title":"Le vaste plan et l’incompréhension du pêcheur","year":2004,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02172963570264774,"score_gpt":0.23129925126979797,"score_spread":0.20956961556715023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073873642","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0977115,0.03767959,0.0013983563,0.32085368,0.0063363216,0.0004031143,0.0032962312,0.00047978412,0.5318414],"genre_scores_gemma":[0.6263085,0.001500646,0.00066550105,0.003946761,0.0018629022,0.000009916634,0.0001314727,0.000054309698,0.36552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860543,0.00017911087,0.0003283173,0.00032571575,0.00021654245,0.00034488147],"domain_scores_gemma":[0.9992688,0.00013516967,0.00010508313,0.00024384836,0.000100331396,0.0001468064],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021289945,0.00026620273,0.00030711992,0.00011243804,0.00066675217,0.00034319022,0.00018340642,0.000088202374,0.0013904824],"category_scores_gemma":[0.00003804528,0.00023942624,0.00020905337,0.00007272597,0.0003789298,0.0007879073,0.00008890445,0.00033477476,0.0010653685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036304104,0.0006430319,0.000069368114,0.00013120941,0.000087802226,0.0002553331,0.025178075,0.00026007407,0.0004662982,0.87850505,0.09274305,0.0016244306],"study_design_scores_gemma":[0.0005907605,0.00017444351,0.00031344712,0.00020394154,0.00006560969,0.000032216212,0.0007125768,0.000017629247,0.00045342624,0.011019828,0.9860945,0.00032165376],"about_ca_topic_score_codex":0.011415539,"about_ca_topic_score_gemma":0.000828944,"teacher_disagreement_score":0.89335144,"about_ca_system_score_codex":0.000055184915,"about_ca_system_score_gemma":0.00014972016,"threshold_uncertainty_score":0.9997124},"labels":[],"label_agreement":null},{"id":"W2074300257","doi":"10.7202/007561ar","title":"« Sçavoir la carte »","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.024533996561339956,"score_gpt":0.23530430810526187,"score_spread":0.21077031154392192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074300257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03731508,0.08011049,0.000046501696,0.023081906,0.002673016,0.00017015668,0.00034699505,0.00024020758,0.8560156],"genre_scores_gemma":[0.6643895,0.0005460267,0.00015843715,0.0009102454,0.0035826839,0.000015852222,0.000026796864,0.000036528938,0.33033398],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842393,0.00011739495,0.00037662179,0.00035519144,0.00026821546,0.0004586192],"domain_scores_gemma":[0.99918914,0.0001394963,0.000086675085,0.00029248407,0.0000823291,0.00020989239],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015160575,0.0003043913,0.00033961723,0.0001019205,0.0006451744,0.0003335982,0.00026382564,0.00014584162,0.0029828956],"category_scores_gemma":[0.000039911716,0.00026818394,0.00030632474,0.00010530689,0.00079440663,0.0004930033,0.00006844923,0.0003063792,0.00077497493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018887948,0.00038818733,0.000040172647,0.00015669822,0.00013248422,0.0001742393,0.017143734,0.00008734423,0.000022832144,0.9581957,0.014921498,0.008718215],"study_design_scores_gemma":[0.00037808146,0.00018392254,0.00023338423,0.00024099385,0.00012077062,0.000025284762,0.000820999,0.000007535294,0.000052326868,0.019449053,0.97813755,0.00035006524],"about_ca_topic_score_codex":0.0061213444,"about_ca_topic_score_gemma":0.0018818293,"teacher_disagreement_score":0.96321607,"about_ca_system_score_codex":0.0002005035,"about_ca_system_score_gemma":0.00015315074,"threshold_uncertainty_score":0.99997705},"labels":[],"label_agreement":null},{"id":"W2077278529","doi":"10.7202/1017322ar","title":"Pour une ouverture aux recherches créations en théâtre","year":2011,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian Association for Theatre Research; Université du Québec à Chicoutimi","funders":"","keywords":"Physics; Humanities; Philosophy","score_opus":0.12362364689545594,"score_gpt":0.2848499176866801,"score_spread":0.16122627079122417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077278529","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012397396,0.0068548587,0.00016674484,0.08587697,0.0031766973,0.0008466693,0.001118628,0.0007338042,0.8888282],"genre_scores_gemma":[0.28324962,0.0021826404,0.0015927078,0.001295618,0.003151332,0.00012439513,0.00019803399,0.00020312294,0.70800257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939878,0.0008986593,0.0015694591,0.0013892679,0.00058700895,0.0015678303],"domain_scores_gemma":[0.99586034,0.0010189009,0.00057030306,0.0012362391,0.0005038344,0.0008104075],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006444249,0.0013824495,0.0014306601,0.00047819578,0.0016115753,0.00040436,0.0014579176,0.0009676349,0.0067342916],"category_scores_gemma":[0.00046523398,0.001299819,0.0013482694,0.00062652776,0.0013856294,0.0018753331,0.00021562695,0.0017414113,0.0011136753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021371894,0.0014309802,0.0003066676,0.00075040216,0.0006332075,0.0003619556,0.06851962,0.000032102456,0.00008321856,0.7524603,0.16992152,0.0052862833],"study_design_scores_gemma":[0.0002997083,0.0005656802,0.0016399974,0.0011636664,0.0010529675,0.0001154015,0.003124918,0.00016641604,0.00016729816,0.015702624,0.9744347,0.0015666375],"about_ca_topic_score_codex":0.021014474,"about_ca_topic_score_gemma":0.09256885,"teacher_disagreement_score":0.80451316,"about_ca_system_score_codex":0.000788896,"about_ca_system_score_gemma":0.0010167152,"threshold_uncertainty_score":0.9998926},"labels":[],"label_agreement":null},{"id":"W2077458809","doi":"10.7202/041659ar","title":"Le procès d’Oreste de Farid Paya : pour une persistance de la mémoire","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013410923181949638,"score_gpt":0.2362876699755949,"score_spread":0.22287674679364525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077458809","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15223192,0.0047112904,0.00011463109,0.08777488,0.0016949235,0.00059140025,0.000605592,0.00051582896,0.7517595],"genre_scores_gemma":[0.66771555,0.00057683146,0.0010111529,0.0007795856,0.0025871666,0.00008904238,0.000056748657,0.00013809945,0.32704586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952446,0.0005642075,0.0009990705,0.0010623549,0.00046167552,0.0016680841],"domain_scores_gemma":[0.99680424,0.0007317941,0.00043622774,0.0009008753,0.00029779272,0.0008290455],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007657157,0.0009874443,0.0010447177,0.0002619493,0.0019327225,0.00079681387,0.0011806892,0.0007237855,0.000903156],"category_scores_gemma":[0.00030650882,0.0009968348,0.0010030089,0.00035808192,0.002307887,0.0011591441,0.00013611773,0.0020719173,0.00020480553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002181652,0.0012147712,0.000662356,0.0011021467,0.00033546955,0.0006843537,0.040579814,0.00013584834,0.0026643805,0.9046162,0.044499476,0.0032870376],"study_design_scores_gemma":[0.0003685995,0.00026479008,0.0013232805,0.0007654591,0.0004892197,0.00035873352,0.0019808274,0.00037480937,0.0003094574,0.006916676,0.9856286,0.0012195462],"about_ca_topic_score_codex":0.012267584,"about_ca_topic_score_gemma":0.14762713,"teacher_disagreement_score":0.94112915,"about_ca_system_score_codex":0.00052166864,"about_ca_system_score_gemma":0.002218727,"threshold_uncertainty_score":0.99936664},"labels":[],"label_agreement":null},{"id":"W2078440803","doi":"10.7202/1001034ar","title":"Tarkovski, cinéaste cynique","year":2011,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06215082529682899,"score_gpt":0.23307605849276325,"score_spread":0.17092523319593425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078440803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020650813,0.04349507,0.00030746945,0.002618179,0.0038323922,0.0006321214,0.00026637584,0.0006589775,0.9275386],"genre_scores_gemma":[0.751965,0.00822458,0.002575067,0.0019000154,0.0042455634,0.00016799102,0.00012001685,0.00022291526,0.23057888],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99564004,0.00044111235,0.0013346714,0.001060417,0.00035516615,0.0011686009],"domain_scores_gemma":[0.9971845,0.00018519786,0.00049833616,0.0010343138,0.0004521699,0.0006454829],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004918033,0.00094944687,0.0011535304,0.00082685833,0.00094981334,0.0003111887,0.00086975755,0.00048186534,0.015034353],"category_scores_gemma":[0.00006497855,0.000939641,0.0010812024,0.00060279324,0.0014722155,0.0012826645,0.00020441234,0.00087067205,0.0006675157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000111382906,0.0009959722,0.002514777,0.0009365841,0.00054479024,0.00037352738,0.029266251,0.0000015370805,0.00005172555,0.92377704,0.036892105,0.0045343316],"study_design_scores_gemma":[0.00035899837,0.00062933867,0.0012422575,0.0010133296,0.00048407246,0.00013720387,0.0013728963,0.000056618777,0.00047999635,0.005748294,0.98731625,0.0011607505],"about_ca_topic_score_codex":0.0052783582,"about_ca_topic_score_gemma":0.0019467338,"teacher_disagreement_score":0.95042413,"about_ca_system_score_codex":0.00013359381,"about_ca_system_score_gemma":0.00010435491,"threshold_uncertainty_score":0.9993054},"labels":[],"label_agreement":null},{"id":"W2079696806","doi":"10.7202/1005492ar","title":"Survivances du Voyage en Italie","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.048201050413345055,"score_gpt":0.27449906071395447,"score_spread":0.22629801030060942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079696806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027501876,0.021268668,0.0031043447,0.0024225279,0.003214048,0.0005765156,0.0006924049,0.0012886551,0.939931],"genre_scores_gemma":[0.58404815,0.0034633637,0.0068407613,0.0023578499,0.0019686033,0.00021312336,0.00014998863,0.00022460708,0.40073356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938194,0.0014800065,0.0016837192,0.0011658628,0.00062208145,0.0012289378],"domain_scores_gemma":[0.99642646,0.0007919,0.000597978,0.0010495279,0.000671828,0.00046228242],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016028911,0.0011869305,0.0012881568,0.0005476047,0.002220756,0.00082648767,0.0012495288,0.0004726562,0.0071064285],"category_scores_gemma":[0.0005182676,0.0010839076,0.0010008118,0.00028467958,0.00707478,0.0030384783,0.0004246491,0.0009636982,0.0002692204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025121757,0.0010795168,0.0018935854,0.0007449385,0.0003461932,0.00084493775,0.08045295,8.09916e-7,0.00023611731,0.7067652,0.0433449,0.16403969],"study_design_scores_gemma":[0.00022497895,0.0010193029,0.00056467607,0.0013839526,0.00026895615,0.00014077884,0.0016024397,0.00001137027,0.0027122146,0.054777835,0.93604726,0.0012462275],"about_ca_topic_score_codex":0.013939513,"about_ca_topic_score_gemma":0.0060870093,"teacher_disagreement_score":0.89270234,"about_ca_system_score_codex":0.0010334743,"about_ca_system_score_gemma":0.00014489405,"threshold_uncertainty_score":0.9991611},"labels":[],"label_agreement":null},{"id":"W2080284807","doi":"10.7202/201496ar","title":"Scènes d’enfants, un roman sur l’art du théâtre","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010815124730509905,"score_gpt":0.21314669200554712,"score_spread":0.2023315672750372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080284807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05420903,0.045977227,0.00010344927,0.07221882,0.0033770166,0.00024071865,0.0036496464,0.0003396664,0.8198844],"genre_scores_gemma":[0.12156226,0.00067403005,0.00014138798,0.00065182376,0.0032347273,0.000010740249,0.00016561389,0.00004198602,0.87351745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981776,0.00020555677,0.00044651062,0.00040201563,0.0002748065,0.00049351685],"domain_scores_gemma":[0.9990918,0.00020810583,0.00013529815,0.00030876207,0.00013671008,0.0001193478],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020547351,0.00036158462,0.00038926024,0.00013773477,0.00072846975,0.00053623377,0.00025433995,0.000109780005,0.014690001],"category_scores_gemma":[0.00003536898,0.0003106193,0.0002921607,0.00011423707,0.0004943402,0.0009228346,0.00007871389,0.00027032118,0.002104769],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014489346,0.00042860405,0.0008075583,0.00009923191,0.00006776231,0.0001671144,0.0017410439,0.000011690231,0.00008373633,0.2993534,0.6943525,0.0028728866],"study_design_scores_gemma":[0.0002973202,0.00010425839,0.0027395217,0.00011623249,0.00015099374,0.000024137915,0.00016791496,0.000054642835,0.00029416586,0.0041892496,0.99143,0.0004315972],"about_ca_topic_score_codex":0.012026224,"about_ca_topic_score_gemma":0.0013321763,"teacher_disagreement_score":0.29707748,"about_ca_system_score_codex":0.00005102223,"about_ca_system_score_gemma":0.00004693387,"threshold_uncertainty_score":0.9999346},"labels":[],"label_agreement":null},{"id":"W2080543262","doi":"10.1353/tj.2004.0064","title":"Festival Theatre des Ameriques (Montreal) (review)","year":2004,"lang":"fr","type":"article","venue":"Theatre Journal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Latin Americans; Event (particle physics); French; History; Art; Performance art; Art history; Humanities; Visual arts; Media studies; Political science; Sociology; Law","score_opus":0.02323354281779734,"score_gpt":0.24967448296954353,"score_spread":0.2264409401517462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080543262","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050779223,0.6268874,0.000186583,0.015744325,0.0016220468,0.00012564716,0.00008194482,0.000065837936,0.3502083],"genre_scores_gemma":[0.14980842,0.55437076,0.0014390909,0.00574967,0.023619065,0.00001701401,0.000039754792,0.00015741239,0.26479882],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773186,0.00031847824,0.0006862931,0.00025482167,0.0003712463,0.00063730334],"domain_scores_gemma":[0.9987713,0.00009894959,0.00025481833,0.00025101454,0.00017794783,0.00044597936],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040056303,0.00040960222,0.00063128874,0.00012387465,0.001573084,0.00027715534,0.00034818382,0.00009754156,0.010330924],"category_scores_gemma":[0.000019026551,0.00029326207,0.00060390827,0.00012158081,0.0009179397,0.0007787879,0.000047159618,0.00079886965,0.0006213529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009538913,0.00075030373,0.00009139691,0.00085869647,0.00039684394,0.000843781,0.022381647,0.00005976148,0.000024835208,0.019268343,0.10060836,0.85462064],"study_design_scores_gemma":[0.00046833119,0.00051065156,0.000098354765,0.005347389,0.0004885978,0.0012367298,0.001173273,0.0000044471913,0.000030198249,0.039953806,0.9503181,0.00037013617],"about_ca_topic_score_codex":0.00563456,"about_ca_topic_score_gemma":0.0010363358,"teacher_disagreement_score":0.8542505,"about_ca_system_score_codex":0.00039454395,"about_ca_system_score_gemma":0.00019742589,"threshold_uncertainty_score":0.99995196},"labels":[],"label_agreement":null},{"id":"W2080903297","doi":"10.1353/fda.2004.0012","title":"Le Reve totalitaire de dieu l'amibe (review)","year":2004,"lang":"fr","type":"article","venue":"Francophonies d Amérique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.009699048842720713,"score_gpt":0.22165024789712026,"score_spread":0.21195119905439955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080903297","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004470309,0.6613931,0.00040951514,0.034606673,0.0040840553,0.0003724122,0.0002800645,0.00016755132,0.29421628],"genre_scores_gemma":[0.3863616,0.10384281,0.00060925836,0.011783916,0.006013513,0.00016186426,0.000098242665,0.000115387615,0.4910134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977686,0.00019272542,0.0006342412,0.0004571083,0.00025127802,0.00069608085],"domain_scores_gemma":[0.9988263,0.00009978271,0.00017708032,0.0004648511,0.00015460794,0.00027735252],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002702132,0.0004267361,0.0006797428,0.000084324034,0.0008789036,0.00012379336,0.00034503994,0.0002003638,0.0031727394],"category_scores_gemma":[0.00009271312,0.0004120878,0.00050410326,0.00020166782,0.00068280345,0.00056216784,0.00008125787,0.00051698374,0.0014038706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040493964,0.00067506946,0.000031934745,0.0043365266,0.00017746861,0.00036001526,0.04559702,0.00016330423,0.000072294584,0.61093634,0.33028725,0.0073222592],"study_design_scores_gemma":[0.0005168649,0.00023785123,0.00005952289,0.0035219102,0.000067726694,0.000048551316,0.0024282867,0.000006618532,0.00016307547,0.012175707,0.980249,0.00052487163],"about_ca_topic_score_codex":0.027944705,"about_ca_topic_score_gemma":0.009323312,"teacher_disagreement_score":0.64996177,"about_ca_system_score_codex":0.00030637038,"about_ca_system_score_gemma":0.0006268921,"threshold_uncertainty_score":0.9998331},"labels":[],"label_agreement":null},{"id":"W2082254164","doi":"10.1353/ecf.0.0117","title":"Swift’s Travels: Eighteenth-Century British Satire and its Legacy (review)","year":2009,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Swift; Honour; Poetry; Art history; Art; Literature; Anecdote; History; Classics; Archaeology","score_opus":0.019141117690356976,"score_gpt":0.22156352787972286,"score_spread":0.20242241018936588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082254164","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020924686,0.78660905,0.0000198299,0.0018443768,0.002980908,0.001005643,0.00016005547,0.00044664138,0.18600883],"genre_scores_gemma":[0.6085793,0.3836938,0.000028669656,0.0019655754,0.0015940478,0.000038380662,0.00025764262,0.000029935638,0.003812657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756855,0.00013972705,0.00067725783,0.00064643356,0.00046466256,0.00050339504],"domain_scores_gemma":[0.99904066,0.000047974205,0.00022476888,0.00028279304,0.00013593464,0.00026787393],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018631149,0.0003907647,0.00052246155,0.00015384634,0.00081429083,0.00040023972,0.00022587049,0.00012042904,0.0052409694],"category_scores_gemma":[0.00003255292,0.0003730046,0.00027836283,0.00015945523,0.0001121833,0.0010572382,0.000037998565,0.00035546243,0.00021572578],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088928835,0.0010754848,0.000045124616,0.0005802293,0.00016050733,0.00012204546,0.005898912,0.0000014022214,0.00023402624,0.2907549,0.48045292,0.2205855],"study_design_scores_gemma":[0.00051404384,0.00023505972,0.0009137453,0.0006287449,0.00017866808,0.00004446626,0.0002620625,0.00008349466,0.00004211129,0.0001143439,0.99650544,0.00047781583],"about_ca_topic_score_codex":0.0001576799,"about_ca_topic_score_gemma":0.00006219549,"teacher_disagreement_score":0.5876546,"about_ca_system_score_codex":0.0001227828,"about_ca_system_score_gemma":0.00003247426,"threshold_uncertainty_score":0.9998722},"labels":[],"label_agreement":null},{"id":"W2083463243","doi":"10.4000/ahrf.2272","title":"Journée internationale d’études de Trieste","year":2000,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.020659830398178723,"score_gpt":0.2442901896891863,"score_spread":0.22363035929100758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083463243","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07142518,0.49487552,0.0003870435,0.003842028,0.0012303754,0.00013302363,0.00019486425,0.00022135476,0.4276906],"genre_scores_gemma":[0.20562717,0.015597964,0.0003873161,0.0010374835,0.003069339,0.000029692406,0.000054899494,0.000044359134,0.7741518],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761474,0.00055285083,0.00056682306,0.00036954784,0.00033151064,0.00056455395],"domain_scores_gemma":[0.9987121,0.0003196953,0.00016148823,0.00026905662,0.00021317252,0.0003244448],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00054338726,0.00035135256,0.00037474273,0.00021160042,0.00089107937,0.000256698,0.00035293808,0.00029161127,0.027062679],"category_scores_gemma":[0.000085656044,0.00037505204,0.00040052182,0.00013388674,0.0009930653,0.0008447542,0.000027264627,0.0005552187,0.0007450721],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018590782,0.0006290483,0.0003814805,0.00013838259,0.00014227773,0.00016058917,0.05088187,0.00015803437,0.000037953705,0.10586519,0.81106144,0.030357825],"study_design_scores_gemma":[0.00040176522,0.00016284292,0.00037012144,0.00022402676,0.00013373369,0.00009624268,0.00023210692,0.0006861218,0.000026164493,0.0027571095,0.9944832,0.00042661835],"about_ca_topic_score_codex":0.008383874,"about_ca_topic_score_gemma":0.0015604018,"teacher_disagreement_score":0.47927755,"about_ca_system_score_codex":0.0013531183,"about_ca_system_score_gemma":0.00029504477,"threshold_uncertainty_score":0.9998701},"labels":[],"label_agreement":null},{"id":"W2083978210","doi":"10.7202/1017496ar","title":"Étude de l’édition théâtrale pour la jeunesse (1970 à 2000)","year":2013,"lang":"fr","type":"article","venue":"Nouveaux cahiers de la recherche en éducation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Art; Humanities","score_opus":0.08321458111917765,"score_gpt":0.3268032715986899,"score_spread":0.24358869047951223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083978210","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42625347,0.0075557963,0.003663089,0.03139001,0.0017559899,0.00049886614,0.000075797056,0.00021833753,0.52858865],"genre_scores_gemma":[0.4713344,0.0017413303,0.0066613564,0.0014570422,0.0027644369,0.00022267971,0.00014358657,0.000071039394,0.51560414],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929677,0.0055269133,0.00039193302,0.00036419372,0.00021217774,0.00053706625],"domain_scores_gemma":[0.9941071,0.004906538,0.00016918805,0.0003074495,0.00023391025,0.0002757974],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0030229634,0.00031021688,0.0002858492,0.00017176945,0.0004800096,0.0004443071,0.00028240125,0.001303307,0.007631418],"category_scores_gemma":[0.0017170897,0.00031381368,0.00021126363,0.00020466892,0.0005441835,0.00084234506,0.000022111168,0.001901819,0.0012522365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024758616,0.0008895594,0.00019329593,0.00027023038,0.00014790836,0.000016409227,0.55509794,0.00007358851,0.002190229,0.22380215,0.1994336,0.017860355],"study_design_scores_gemma":[0.00028212473,0.00006621009,0.0016546417,0.00014456916,0.00019279841,0.00004348029,0.025029695,0.0007416409,0.0005634395,0.054801423,0.91606885,0.0004111235],"about_ca_topic_score_codex":0.005336506,"about_ca_topic_score_gemma":0.00029993168,"teacher_disagreement_score":0.7166353,"about_ca_system_score_codex":0.0043623443,"about_ca_system_score_gemma":0.001028908,"threshold_uncertainty_score":0.9999932},"labels":[],"label_agreement":null},{"id":"W208479540","doi":"","title":"Sérénade d’un vieux rusé. Le Violon de Francisco Varqas Le Violon de Francisco Varqas","year":2007,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Art","score_opus":0.014177922222680455,"score_gpt":0.22551042745276417,"score_spread":0.2113325052300837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W208479540","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.340501,0.37419477,0.006056895,0.008107655,0.00427582,0.0006229355,0.00035382897,0.00039841558,0.26548865],"genre_scores_gemma":[0.87225604,0.0020287596,0.0010849802,0.0027219648,0.0052817017,0.00005126618,0.00008611986,0.0001168189,0.116372325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99612147,0.0003124946,0.0009520284,0.0007500211,0.00038310647,0.0014808829],"domain_scores_gemma":[0.9978843,0.00048717918,0.00029414883,0.0006089191,0.00016762153,0.0005578368],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010238619,0.00064571615,0.00083255,0.00026913447,0.0019734325,0.00028526047,0.000604907,0.00049800175,0.0032635748],"category_scores_gemma":[0.00013397021,0.00062935526,0.00045322458,0.00022685547,0.00079283246,0.00044086913,0.00013337523,0.0008424046,0.00080778194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006174211,0.0026205168,0.0024820266,0.00076064223,0.0007401525,0.0013003676,0.05693183,0.00021437928,0.0038079747,0.47486502,0.39171875,0.063940935],"study_design_scores_gemma":[0.0008765864,0.00036287808,0.0025231186,0.00027472767,0.000206312,0.0000716573,0.0027394558,0.0001301455,0.0030786176,0.008781858,0.9801528,0.0008018696],"about_ca_topic_score_codex":0.019811956,"about_ca_topic_score_gemma":0.0019262839,"teacher_disagreement_score":0.58843404,"about_ca_system_score_codex":0.00024398357,"about_ca_system_score_gemma":0.00031518974,"threshold_uncertainty_score":0.9999702},"labels":[],"label_agreement":null},{"id":"W2085109962","doi":"10.4000/rgi.1376","title":"L’essai Sur la connaissance philologique : herméneutique et histoire","year":2013,"lang":"fr","type":"article","venue":"Revue germanique internationale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Philosophy; Humanities","score_opus":0.03354752879654051,"score_gpt":0.248001979883635,"score_spread":0.2144544510870945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085109962","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031931568,0.02378655,0.0004571759,0.060500734,0.0031675107,0.0005057692,0.00028018115,0.00020300515,0.8791675],"genre_scores_gemma":[0.37085587,0.0010034383,0.00011948902,0.0022114986,0.0012652137,0.00014424091,0.00007849979,0.000034285113,0.6242875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794656,0.0004942759,0.0005801786,0.00043581982,0.00020571149,0.00033747646],"domain_scores_gemma":[0.9981423,0.00065806304,0.0002717232,0.00029293538,0.00048072622,0.00015427948],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003238,0.00032451237,0.00037619748,0.00013789051,0.00032428652,0.00032787115,0.00042910778,0.0002346075,0.023357319],"category_scores_gemma":[0.00012078105,0.0003315412,0.00027248662,0.000062642925,0.000555631,0.0011801565,0.00010266308,0.00060847827,0.0015085952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009566512,0.0003657799,0.00022735843,0.00021289295,0.00010212398,0.000108241584,0.0048759007,0.000020643352,0.00012042109,0.82344365,0.1647043,0.005809098],"study_design_scores_gemma":[0.00023941694,0.00007119717,0.0009481834,0.0004825276,0.000034349057,0.00012391897,0.00007665956,0.00050202076,0.00010521815,0.027176544,0.9698578,0.00038216362],"about_ca_topic_score_codex":0.007979486,"about_ca_topic_score_gemma":0.00080521876,"teacher_disagreement_score":0.8051535,"about_ca_system_score_codex":0.00032495824,"about_ca_system_score_gemma":0.00010400652,"threshold_uncertainty_score":0.9999137},"labels":[],"label_agreement":null},{"id":"W2087609843","doi":"10.7202/041634ar","title":"Comment sortir du cauchemar? Le discours de l’histoire dans les tragédies des guerres de religion","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; The Renaissance; Art history","score_opus":0.017812674200081542,"score_gpt":0.2296254663752017,"score_spread":0.21181279217512017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087609843","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3648998,0.009802437,0.00028017422,0.24934094,0.0023689696,0.00072823983,0.0009203669,0.0006556234,0.37100345],"genre_scores_gemma":[0.8630157,0.0033845804,0.0011129859,0.0012175596,0.002452798,0.00015420833,0.00018288029,0.00018588499,0.12829341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950136,0.0004472331,0.0012702888,0.0010180303,0.00047743157,0.0017734454],"domain_scores_gemma":[0.9969924,0.0004996619,0.0005061611,0.00089056516,0.00026142277,0.00084975694],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0006595709,0.0011443741,0.0011796359,0.00029425794,0.0038221418,0.00055981235,0.0010956548,0.00059942063,0.000536374],"category_scores_gemma":[0.000251859,0.0010988686,0.0011232137,0.00023950994,0.004236993,0.0011788061,0.00017452023,0.0015372938,0.00005756271],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021719282,0.001534957,0.0022723076,0.0011318969,0.0003734425,0.000433626,0.075327225,0.00015524206,0.0029864688,0.82546437,0.08514978,0.0049534817],"study_design_scores_gemma":[0.00033228766,0.00043407577,0.0013055656,0.001024726,0.0006737573,0.00031454777,0.0061942865,0.00035205076,0.0011713337,0.009077186,0.97781336,0.0013068097],"about_ca_topic_score_codex":0.049325883,"about_ca_topic_score_gemma":0.38674992,"teacher_disagreement_score":0.8926636,"about_ca_system_score_codex":0.00084118557,"about_ca_system_score_gemma":0.00073210004,"threshold_uncertainty_score":0.99914616},"labels":[],"label_agreement":null},{"id":"W2087756768","doi":"10.7202/008780ar","title":"Les poètes à bras raccourcis","year":2004,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.032886056887044435,"score_gpt":0.2712382307393977,"score_spread":0.23835217385235324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087756768","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062750995,0.1619649,0.00104593,0.17995563,0.0046034004,0.00032533574,0.004222858,0.00044959204,0.58468133],"genre_scores_gemma":[0.23842995,0.001185474,0.00061164884,0.0012798895,0.00210742,0.000009830367,0.00004328219,0.00003753625,0.75629497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986955,0.00009699098,0.000314747,0.00030021757,0.00021296056,0.0003795971],"domain_scores_gemma":[0.99926555,0.00016359048,0.000097447584,0.00023332806,0.00010673529,0.00013337554],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001552896,0.000270195,0.00028961763,0.00012255507,0.0006800049,0.00046051305,0.00021404798,0.00009688236,0.010232773],"category_scores_gemma":[0.00006664632,0.00023360945,0.00024419508,0.00008550876,0.0005425195,0.00079691765,0.000060681046,0.00030687524,0.0016200289],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025744055,0.0006211392,0.00023900316,0.00020559331,0.00015190923,0.00017165017,0.028080493,0.000116331736,0.00022476629,0.78921163,0.15068308,0.030268677],"study_design_scores_gemma":[0.00032535044,0.00012758689,0.0006084789,0.00016448346,0.00011010187,0.00001492097,0.00072259747,0.0000041767626,0.0005808247,0.012571988,0.98444384,0.00032565146],"about_ca_topic_score_codex":0.021583503,"about_ca_topic_score_gemma":0.00061096624,"teacher_disagreement_score":0.83376074,"about_ca_system_score_codex":0.00009977609,"about_ca_system_score_gemma":0.000060947994,"threshold_uncertainty_score":0.9991573},"labels":[],"label_agreement":null},{"id":"W2088471255","doi":"10.1353/cat.0.0300","title":"Le pari personnaliste: Modernité et catholicisme au XX e siècle (review)","year":2009,"lang":"fr","type":"article","venue":"The Catholic historical review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04443382369890663,"score_gpt":0.27963959695206253,"score_spread":0.2352057732531559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088471255","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000028056598,0.70404273,0.00014287354,0.13779977,0.001228561,0.00066527067,0.00007182331,0.00010840795,0.15591252],"genre_scores_gemma":[0.011998914,0.604891,0.00007626871,0.072691776,0.0021430026,0.00012637526,0.000070692884,0.00006448422,0.30793747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941191,0.0013803449,0.0016369406,0.0008922167,0.00088591577,0.0010854683],"domain_scores_gemma":[0.9967751,0.00032246244,0.0006124047,0.0013580701,0.00031786395,0.00061412423],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0017664114,0.0008359395,0.0019596014,0.000114444774,0.0019615416,0.0001395145,0.0011188351,0.00021651924,0.0021152997],"category_scores_gemma":[0.00026454116,0.0006181801,0.0014723655,0.00052947324,0.0005542349,0.0005219338,0.00011982279,0.0012194283,0.0019131259],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013384086,0.00089735864,0.0000019436259,0.0074697663,0.00006679924,0.000100196135,0.011668436,0.0000031398101,0.0000071909426,0.24708644,0.57510835,0.15757698],"study_design_scores_gemma":[0.00021039088,0.00025542502,0.000033505192,0.009953475,0.0011100498,0.00013645126,0.000040890318,0.00004754295,4.5401038e-7,0.0012598374,0.9861754,0.00077655],"about_ca_topic_score_codex":0.012379027,"about_ca_topic_score_gemma":0.0008319059,"teacher_disagreement_score":0.41106707,"about_ca_system_score_codex":0.0017260498,"about_ca_system_score_gemma":0.00068379374,"threshold_uncertainty_score":0.99962693},"labels":[],"label_agreement":null},{"id":"W2088669827","doi":"10.3917/lfa.149.0055","title":"Regards sur l'enseignement de la littérature de jeunesse au Québec","year":2005,"lang":"fr","type":"article","venue":"Le Français aujourd hui","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Art","score_opus":0.010422705767823523,"score_gpt":0.2183171423672533,"score_spread":0.20789443659942977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088669827","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2842443,0.26220307,0.00058623694,0.09071199,0.001755678,0.00029305773,0.000315532,0.00026394412,0.35962617],"genre_scores_gemma":[0.583022,0.0005721195,0.00032180405,0.0020961016,0.0058075897,0.00002255655,0.000018218972,0.000048103182,0.40809152],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975618,0.00037685473,0.00051075505,0.00039749104,0.000320401,0.0008326804],"domain_scores_gemma":[0.9987045,0.00022368583,0.0001506063,0.000399559,0.00014148939,0.00038017886],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052050455,0.00039435705,0.00046408622,0.00012355609,0.0014786859,0.0003836129,0.00035007222,0.0003323689,0.0056037004],"category_scores_gemma":[0.00008195559,0.00036617837,0.0004099275,0.00013795066,0.0005881738,0.00046977322,0.00006642092,0.0007297852,0.00042278323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012209127,0.001495924,0.0029527547,0.0003545422,0.00034487608,0.00032080105,0.32157424,0.000380438,0.0001970576,0.16385671,0.44688466,0.06151592],"study_design_scores_gemma":[0.0006437896,0.00011916384,0.0017092585,0.0001921987,0.00019016344,0.00004752522,0.0026262389,0.00038113585,0.00025940305,0.0004448441,0.9929211,0.0004651562],"about_ca_topic_score_codex":0.4523785,"about_ca_topic_score_gemma":0.23941696,"teacher_disagreement_score":0.5460365,"about_ca_system_score_codex":0.0009925234,"about_ca_system_score_gemma":0.0015084733,"threshold_uncertainty_score":0.999879},"labels":[],"label_agreement":null},{"id":"W2088847997","doi":"10.7202/500993ar","title":"Un problème cornélien. La Maxime","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.020896916944371735,"score_gpt":0.2252320685810033,"score_spread":0.20433515163663157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088847997","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017846692,0.0781566,0.000046749952,0.03701533,0.0012287152,0.00026984513,0.0002755093,0.00029762796,0.8648629],"genre_scores_gemma":[0.48672363,0.00047399124,0.00061582215,0.0011941459,0.00486265,0.000025729427,0.00003310916,0.000042781405,0.5060281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979713,0.00020455793,0.0005138468,0.00043591406,0.00031503217,0.0005593382],"domain_scores_gemma":[0.9989801,0.00020954854,0.00013756486,0.00033432702,0.00010307538,0.0002353688],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023191673,0.00036810554,0.00039931884,0.00015914411,0.00067158067,0.0003915213,0.00035500518,0.00017481364,0.016626483],"category_scores_gemma":[0.000040022333,0.00032149075,0.000307194,0.00014666049,0.0007385066,0.00067302654,0.0001017084,0.00035461882,0.0017052615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030677616,0.0005890492,0.00007145797,0.00012963318,0.0001551475,0.000059032856,0.011469425,0.000023428478,0.000015590069,0.84617007,0.035878602,0.105407864],"study_design_scores_gemma":[0.000301019,0.0001749132,0.00025883006,0.00016208076,0.00014446457,0.00003138059,0.00035787467,0.00023327522,0.00006398396,0.005196595,0.9926369,0.00043867316],"about_ca_topic_score_codex":0.0007640356,"about_ca_topic_score_gemma":0.00040386984,"teacher_disagreement_score":0.9567583,"about_ca_system_score_codex":0.00015180054,"about_ca_system_score_gemma":0.00008487225,"threshold_uncertainty_score":0.9999237},"labels":[],"label_agreement":null},{"id":"W2088919420","doi":"10.4000/memini.405","title":"Un manuscrit humanistique du De finibus de Cicéron dans les Collections des Livres rares de l’UQAM","year":2011,"lang":"fr","type":"article","venue":"Memini","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.057669164300411996,"score_gpt":0.22785764835372724,"score_spread":0.17018848405331524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088919420","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23676616,0.015115799,0.0021228688,0.00074091787,0.00084065995,0.00017513518,0.00029091618,0.00019595535,0.7437516],"genre_scores_gemma":[0.547067,0.0012813743,0.0020385862,0.00032641538,0.0015170512,0.000067501096,0.000020750507,0.000042463394,0.44763887],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981915,0.00029576765,0.00038851285,0.0003157032,0.00013268417,0.0006758467],"domain_scores_gemma":[0.9990163,0.00025118454,0.00010676571,0.0002555819,0.00010612833,0.00026407928],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003087815,0.00030216956,0.00030976092,0.00014963237,0.002834727,0.00024528735,0.00032384365,0.00020318285,0.017534435],"category_scores_gemma":[0.00014452833,0.0002972568,0.00024339872,0.00014116039,0.0008834098,0.0002541208,0.0000652861,0.00034261963,0.00010604275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013733566,0.0016007277,0.01230199,0.0003983337,0.0003313605,0.0004834978,0.49443746,0.000024088606,0.00043915003,0.29630703,0.18708333,0.0064557125],"study_design_scores_gemma":[0.0002361362,0.00042782509,0.0050704335,0.00018943253,0.00030433788,0.00009545924,0.008007876,0.00017138224,0.0028042346,0.019462397,0.96282804,0.0004024409],"about_ca_topic_score_codex":0.031848755,"about_ca_topic_score_gemma":0.011247972,"teacher_disagreement_score":0.77574474,"about_ca_system_score_codex":0.00047071432,"about_ca_system_score_gemma":0.00018534216,"threshold_uncertainty_score":0.99994797},"labels":[],"label_agreement":null},{"id":"W2088936814","doi":"10.4000/trans.163","title":"Présentation \"Université invitée\" : Naples capitale du comparatisme","year":2006,"lang":"fr","type":"article","venue":"TRANS-","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Humanities; Art","score_opus":0.01666263760139259,"score_gpt":0.19715549595308424,"score_spread":0.18049285835169165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088936814","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43999177,0.045856,0.001352914,0.02806098,0.004985693,0.00032672315,0.00057513465,0.00018116095,0.47866964],"genre_scores_gemma":[0.7504191,0.00019267313,0.000060926926,0.00017653455,0.0023942916,0.0000026270145,0.00014742458,0.00001159553,0.24659482],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916506,0.00007084181,0.0002297166,0.00017850807,0.00014470486,0.0002111966],"domain_scores_gemma":[0.99969244,0.00005117006,0.000050473154,0.00009517425,0.000049074773,0.000061648665],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000039517206,0.00015779925,0.00019893155,0.00006751782,0.0005564851,0.000108295986,0.00010067683,0.000059208964,0.0082742805],"category_scores_gemma":[8.394186e-7,0.00015779138,0.0001482823,0.00005864441,0.0002862031,0.00040811877,0.0000056598533,0.00010994918,0.00032912864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003296888,0.00036311333,0.00056516123,0.000115775256,0.00005843825,0.00007275806,0.043252774,0.00014396636,0.00017548166,0.6551726,0.2981687,0.0018782825],"study_design_scores_gemma":[0.00038816122,0.00009139302,0.0018938385,0.000039691142,0.00014006776,0.0000056972162,0.0013477169,0.00023919274,0.00011320646,0.0025222115,0.9930059,0.00021292211],"about_ca_topic_score_codex":0.014051595,"about_ca_topic_score_gemma":0.005444613,"teacher_disagreement_score":0.6948372,"about_ca_system_score_codex":0.00006170156,"about_ca_system_score_gemma":0.000021021995,"threshold_uncertainty_score":0.99263227},"labels":[],"label_agreement":null},{"id":"W2089142836","doi":"10.1353/ecf.0.0011","title":"La Malédiction paternelle (1779) (review)","year":2008,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diction; Humanities; Philosophy; Art; Poetry; Literature","score_opus":0.029362199391863887,"score_gpt":0.21702295440794217,"score_spread":0.1876607550160783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089142836","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07537255,0.1415401,0.00019406612,0.0004530439,0.004754435,0.00043113442,0.000065009626,0.0005950375,0.77659464],"genre_scores_gemma":[0.84188056,0.12765567,0.000029568017,0.0006425831,0.0015215086,0.00004061245,0.0002025095,0.000025062644,0.028001953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893373,0.00011775393,0.00029150225,0.00024301863,0.00022509666,0.00018890025],"domain_scores_gemma":[0.9995492,0.000033578224,0.0000951849,0.0001744607,0.00006701169,0.000080568985],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001040501,0.00016046758,0.00019214173,0.000085105086,0.0005374441,0.00003023821,0.00009676024,0.000056034656,0.008578633],"category_scores_gemma":[0.000009417837,0.00012750775,0.00016580496,0.00006861172,0.00011641036,0.00038902662,0.00002088786,0.000177999,0.00072975125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043271313,0.00043311933,0.00048847945,0.0002108651,0.00006651799,0.000054782617,0.007867802,0.000003819559,0.00006039141,0.023164336,0.9568994,0.010707232],"study_design_scores_gemma":[0.00017407248,0.00006606566,0.00038466358,0.000118981756,0.0000489775,0.000028319746,0.0000997898,0.00007513494,0.000035821686,0.000025221196,0.99878037,0.00016260575],"about_ca_topic_score_codex":0.00014716484,"about_ca_topic_score_gemma":0.0000072634166,"teacher_disagreement_score":0.766508,"about_ca_system_score_codex":0.00006989069,"about_ca_system_score_gemma":0.000013706948,"threshold_uncertainty_score":0.9923277},"labels":[],"label_agreement":null},{"id":"W2089373049","doi":"10.1353/utq.2007.0044","title":"Miron ou la marche à l'amour. Essais (review)","year":2007,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017077159903028147,"score_gpt":0.22104575130082746,"score_spread":0.20396859139779933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089373049","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038917558,0.3120151,0.0007346565,0.002856317,0.0008472956,0.0001876603,0.00017816159,0.00004938808,0.6792397],"genre_scores_gemma":[0.118934825,0.019375023,0.0006880933,0.00036244918,0.00080184854,1.846874e-7,0.00005953818,0.000025192016,0.85975283],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987237,0.00018010815,0.00026635462,0.00025600885,0.0002393398,0.0003345304],"domain_scores_gemma":[0.99904895,0.00017462952,0.00017813985,0.00026763842,0.00013248398,0.00019817436],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042165475,0.0002006066,0.0003837023,0.00003715491,0.00034595423,0.000022029237,0.00033113468,0.0001240295,0.022352137],"category_scores_gemma":[0.0000067333553,0.00022412826,0.00033273172,0.000027896538,0.00054309866,0.00064693537,0.000025579295,0.00016948681,0.0002184882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018793138,0.0007988943,0.00012898134,0.001933691,0.0002510606,0.00039774497,0.07762596,3.7656505e-7,0.000041596715,0.14821647,0.36640233,0.40401497],"study_design_scores_gemma":[0.000340206,0.0005661707,0.0015733689,0.00060228695,0.0002856328,0.0000064304822,0.007808045,0.000010404084,0.0000028821717,0.00013183989,0.9884257,0.00024706504],"about_ca_topic_score_codex":0.11993811,"about_ca_topic_score_gemma":0.08094706,"teacher_disagreement_score":0.62202334,"about_ca_system_score_codex":0.00030020074,"about_ca_system_score_gemma":0.000042164746,"threshold_uncertainty_score":0.97854155},"labels":[],"label_agreement":null},{"id":"W2093641383","doi":"10.7202/041456ar","title":"Le temps et le rythme au théâtre","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01953821685744438,"score_gpt":0.23337813581481404,"score_spread":0.21383991895736965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2093641383","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056919217,0.002514336,0.000032654098,0.14026767,0.005721127,0.00071844005,0.0010311039,0.00061858894,0.79217684],"genre_scores_gemma":[0.58995825,0.0004947039,0.00037144654,0.0013118541,0.0038489809,0.00008763445,0.00024728294,0.00018642,0.40349343],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937266,0.00050125574,0.001604242,0.0015485602,0.0007002469,0.0019190876],"domain_scores_gemma":[0.99582195,0.0006130174,0.0006245835,0.001497213,0.00043556042,0.0010076646],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0008150057,0.0013971161,0.001563531,0.00045682042,0.002469732,0.0008896273,0.0014584105,0.00081872597,0.0022074506],"category_scores_gemma":[0.0002607699,0.00139185,0.0014098472,0.0004138971,0.002288064,0.0026104003,0.00028142624,0.0025047497,0.000773759],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015993284,0.0018001851,0.0001667056,0.00082948606,0.00041917706,0.00036801334,0.017440611,0.00007118421,0.000840636,0.8968333,0.07785901,0.0032117658],"study_design_scores_gemma":[0.0005028084,0.00044245663,0.00046498937,0.0006958738,0.00040510116,0.0002615134,0.0016538921,0.00011337799,0.00026827236,0.003424741,0.990045,0.0017219331],"about_ca_topic_score_codex":0.03836004,"about_ca_topic_score_gemma":0.48111638,"teacher_disagreement_score":0.912186,"about_ca_system_score_codex":0.00023629374,"about_ca_system_score_gemma":0.0026069197,"threshold_uncertainty_score":0.9998779},"labels":[],"label_agreement":null},{"id":"W2094038649","doi":"10.1353/utq.2010.0032","title":"Le roman vu par les romanciers , and: Les grandes disparitions. Essai sur la mémoire du roman (review)","year":2010,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Déjà vu; Humanities; Psychology","score_opus":0.00734809874728455,"score_gpt":0.1799705392955504,"score_spread":0.17262244054826587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094038649","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37810847,0.21798779,0.00022688744,0.010410798,0.0012855163,0.00046196245,0.00070129253,0.00016737221,0.3906499],"genre_scores_gemma":[0.8907728,0.009173402,0.00036288105,0.000094142975,0.0004112004,0.0000011224137,0.0000869726,0.000022339056,0.09907511],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987123,0.00022205475,0.0002584187,0.000341498,0.00018607895,0.0002796373],"domain_scores_gemma":[0.99904794,0.00015288037,0.00017761558,0.0002729055,0.00013861475,0.00021002414],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019806148,0.0002605403,0.00048406885,0.000042386906,0.0014793457,0.00007036829,0.00030643697,0.00016948632,0.005025481],"category_scores_gemma":[0.000013991467,0.00028639208,0.00028731526,0.00002606497,0.0013540211,0.0011254941,0.00003561876,0.00025857077,0.000016943946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088352244,0.0010823703,0.0009902566,0.0017376902,0.00032369536,0.00012469322,0.034663036,8.122485e-7,0.0001590709,0.6578716,0.23382564,0.069132805],"study_design_scores_gemma":[0.0006480371,0.00033940084,0.007903485,0.0005064787,0.00033711872,0.000016110804,0.0060555656,0.00004832067,0.0000022613788,0.00046045615,0.9833463,0.00033648606],"about_ca_topic_score_codex":0.22835857,"about_ca_topic_score_gemma":0.30312467,"teacher_disagreement_score":0.74952066,"about_ca_system_score_codex":0.00007316689,"about_ca_system_score_gemma":0.00007518743,"threshold_uncertainty_score":0.9999588},"labels":[],"label_agreement":null},{"id":"W2094239123","doi":"10.1353/nef.2011.0037","title":"Du Texte à la mise en scène: Présence et prégnance du théâtre tremblayen","year":2011,"lang":"fr","type":"article","venue":"Nouvelles études francophones/Nouvelles etudes francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.017633900448535043,"score_gpt":0.2233876325145687,"score_spread":0.20575373206603365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094239123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4143542,0.11619759,0.0016738623,0.009274622,0.072214596,0.0036472823,0.002295913,0.0020415212,0.3783004],"genre_scores_gemma":[0.8093616,0.033244383,0.0039149774,0.0020673207,0.0073736575,0.0003743556,0.00013380423,0.0004928051,0.1430371],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98774666,0.0025580807,0.002774866,0.0027738845,0.0016680746,0.0024784305],"domain_scores_gemma":[0.99218464,0.0027447108,0.0012170915,0.0019000947,0.0008578756,0.0010955896],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0020278376,0.0027321796,0.0028078319,0.0008009675,0.0034435636,0.00079534657,0.0026863473,0.0014460959,0.03808544],"category_scores_gemma":[0.00047191465,0.0025201063,0.0017057853,0.0013711655,0.0032101811,0.0021906705,0.00081745314,0.0027626562,0.0065970276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020806352,0.008233087,0.0051650745,0.0031748877,0.0016763045,0.0023877774,0.586529,0.00023005443,0.0012973804,0.19488226,0.17351173,0.02083179],"study_design_scores_gemma":[0.0028108684,0.0008993958,0.005313048,0.0016903274,0.0004937929,0.0002578758,0.049694028,0.00048012656,0.0010194727,0.0010851158,0.9331816,0.0030743391],"about_ca_topic_score_codex":0.020153983,"about_ca_topic_score_gemma":0.009029295,"teacher_disagreement_score":0.7596699,"about_ca_system_score_codex":0.0004767916,"about_ca_system_score_gemma":0.0015935226,"threshold_uncertainty_score":0.9998502},"labels":[],"label_agreement":null},{"id":"W2094934197","doi":"10.4000/contextes.4369","title":"L’orgie bohème","year":2009,"lang":"fr","type":"article","venue":"Contextes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Persona; Philosophy","score_opus":0.03058249703974051,"score_gpt":0.24427941440606318,"score_spread":0.21369691736632268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094934197","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006489669,0.23832983,0.000049830753,0.026627157,0.002298024,0.000094329436,0.000085634594,0.000105721454,0.7259198],"genre_scores_gemma":[0.42784572,0.00035175454,0.000026758325,0.0023446463,0.0020280948,0.0000017938627,0.0000102875765,0.000006970127,0.567384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903834,0.0000600119,0.0002575715,0.0002118105,0.00011846687,0.00031380373],"domain_scores_gemma":[0.9994224,0.00010877213,0.000061996354,0.00019021177,0.00008343987,0.00013319026],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007960432,0.00017986268,0.00025102284,0.00005789548,0.00050789467,0.00021615808,0.00016407168,0.00007141116,0.013144785],"category_scores_gemma":[0.000047525165,0.00015840578,0.00019154145,0.00005202468,0.00027348084,0.00037341542,0.000014431548,0.00017059107,0.0019173486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011275125,0.00017258193,0.000022407321,0.000017305987,0.000028536164,0.0000338507,0.0055005923,8.935365e-7,0.000038056147,0.7041388,0.16622819,0.12380752],"study_design_scores_gemma":[0.00017089958,0.0002667008,0.00032395302,0.00009431652,0.000067390276,0.0000037995037,0.00037281716,0.000047147438,0.000042764877,0.020427387,0.977964,0.00021883959],"about_ca_topic_score_codex":0.0004621504,"about_ca_topic_score_gemma":0.00006351,"teacher_disagreement_score":0.8117358,"about_ca_system_score_codex":0.00004753449,"about_ca_system_score_gemma":0.000027143991,"threshold_uncertainty_score":0.99885976},"labels":[],"label_agreement":null},{"id":"W2096564696","doi":"10.7202/013669ar","title":"Chateaubriand et le cloître du temps.","year":2006,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017405726354121093,"score_gpt":0.2153003255611806,"score_spread":0.19789459920705949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096564696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04566008,0.08487366,0.0000275849,0.04125467,0.0020096565,0.00019240553,0.000360551,0.00021567759,0.8254057],"genre_scores_gemma":[0.6502318,0.0004152713,0.00006222357,0.0008641659,0.004829132,0.000015073987,0.00009281541,0.00003402534,0.34345552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982382,0.00013180154,0.00048630795,0.00040678156,0.00026348478,0.0004734008],"domain_scores_gemma":[0.9992143,0.00014620191,0.00012852185,0.0002772375,0.000104955005,0.00012880702],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021206237,0.000340645,0.00039881835,0.00011567075,0.00081267895,0.0005464212,0.00024854657,0.00014112108,0.0029848954],"category_scores_gemma":[0.000025153313,0.00030483695,0.00029764397,0.00010654029,0.00053654396,0.0008387779,0.00007774573,0.00025340737,0.00034730448],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002599671,0.0006171804,0.0003449205,0.00014100652,0.00007613158,0.000089059045,0.003161087,0.000027681923,0.00002623076,0.86518395,0.12702115,0.003285603],"study_design_scores_gemma":[0.00043355892,0.00012954876,0.0011182103,0.00015161461,0.00008132929,0.000017008693,0.0009136361,0.00006221656,0.000047015696,0.009921011,0.9867209,0.00040390377],"about_ca_topic_score_codex":0.037201684,"about_ca_topic_score_gemma":0.009710064,"teacher_disagreement_score":0.8596998,"about_ca_system_score_codex":0.00008234721,"about_ca_system_score_gemma":0.00012482851,"threshold_uncertainty_score":0.9999404},"labels":[],"label_agreement":null},{"id":"W2097681844","doi":"10.7202/1009306ar","title":"Entretien avec Pierre Guillois, directeur du Théâtre du Peuple – Maurice Pottecher (Bussang, Vosges) de 2005 à 2011","year":2011,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.024214300186567422,"score_gpt":0.2104425506906435,"score_spread":0.18622825050407607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2097681844","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0979648,0.022113329,0.000098394434,0.057367686,0.004948026,0.0014907983,0.0017529145,0.0013419908,0.81292206],"genre_scores_gemma":[0.32239532,0.0079184985,0.0008420586,0.0015337649,0.004965769,0.00017018737,0.00026122405,0.00032554867,0.6615876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99202603,0.0007992232,0.0018414384,0.0017985923,0.00081327517,0.0027214575],"domain_scores_gemma":[0.99542314,0.00043107066,0.0007431953,0.0015301984,0.0005330966,0.0013393196],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009006184,0.0018069821,0.0017657867,0.0005726302,0.0015203097,0.00052961335,0.0020154673,0.0009149862,0.030235145],"category_scores_gemma":[0.0002573388,0.0017334236,0.0015569753,0.000383727,0.0015203289,0.0020049964,0.0003808063,0.0014462924,0.0020575186],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051878573,0.0024800184,0.0028523582,0.0010382688,0.00094695075,0.0014941511,0.11071032,0.000052547897,0.00015147979,0.45285243,0.4237942,0.003108499],"study_design_scores_gemma":[0.00047226244,0.0005663628,0.0039740717,0.0008350518,0.0012664791,0.00042222676,0.0015686961,0.00042047745,0.00019898138,0.001150412,0.98700196,0.0021230378],"about_ca_topic_score_codex":0.027857225,"about_ca_topic_score_gemma":0.08516113,"teacher_disagreement_score":0.56320775,"about_ca_system_score_codex":0.0008028935,"about_ca_system_score_gemma":0.0006177834,"threshold_uncertainty_score":0.9997796},"labels":[],"label_agreement":null},{"id":"W2097955014","doi":"10.7202/1090076ar","title":"Les amis à table : scènes de repas dans quelques romans du XVIIe siècle","year":2022,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Table (database); Humanities; Computer science; Database","score_opus":0.023537046504476102,"score_gpt":0.23501175190264498,"score_spread":0.21147470539816887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2097955014","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5678593,0.036605485,0.00010118635,0.0061616963,0.0034832705,0.00035290522,0.00064724067,0.0006919857,0.38409692],"genre_scores_gemma":[0.80819756,0.0005929442,0.0003846544,0.0006703754,0.003033136,0.00016001555,0.00009056889,0.00006869419,0.18680206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99699783,0.0005400563,0.0005729908,0.00063750864,0.00043081574,0.0008208197],"domain_scores_gemma":[0.9985821,0.00024415433,0.00022847125,0.00049350504,0.00018635354,0.00026539285],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047902527,0.0004753194,0.0005678669,0.00015446248,0.00379934,0.00036438857,0.00059200136,0.0001289495,0.010108235],"category_scores_gemma":[0.0000855728,0.00047840306,0.00034295034,0.00022162971,0.00068721786,0.0007396343,0.00036273006,0.0005135786,0.000047104204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060380877,0.0005463267,0.009557753,0.00021125274,0.00018002641,0.00025022737,0.057700165,0.000077381344,0.0001743423,0.9146866,0.014212431,0.0023431075],"study_design_scores_gemma":[0.00020779636,0.00056912116,0.0009955672,0.00007507657,0.00019189465,0.00007225481,0.010220963,0.00019452523,0.00037332994,0.009190306,0.97729045,0.00061872846],"about_ca_topic_score_codex":0.064666785,"about_ca_topic_score_gemma":0.006489619,"teacher_disagreement_score":0.963078,"about_ca_system_score_codex":0.0008601099,"about_ca_system_score_gemma":0.00020498227,"threshold_uncertainty_score":0.99976677},"labels":[],"label_agreement":null},{"id":"W2102768624","doi":"10.7202/041619ar","title":"Pour une esthétique de la représentation utopique : son, signe et langage théâtral international chez Michael Tchekhov","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017403260294856823,"score_gpt":0.2790341777699238,"score_spread":0.26163091747506695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2102768624","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31184536,0.00084147777,0.00032266474,0.1354983,0.00441216,0.0007200296,0.00089216424,0.0005993179,0.5448685],"genre_scores_gemma":[0.6361651,0.0010915044,0.0018807547,0.0017347969,0.004010295,0.00011502308,0.00044068674,0.0001577015,0.35440415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950205,0.0008316828,0.0012742158,0.0011591266,0.00056103634,0.0011534281],"domain_scores_gemma":[0.9964832,0.0010985993,0.0005975145,0.00079818827,0.0004193646,0.0006031016],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013241271,0.0010032926,0.00095438445,0.00039104352,0.0007758588,0.0008335784,0.0011360514,0.0008337084,0.002962909],"category_scores_gemma":[0.0004213397,0.0010079469,0.00083440373,0.00029902256,0.0014131506,0.0015310517,0.0001663988,0.002481211,0.00024377884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002614022,0.0015176771,0.0008882365,0.00045575952,0.0004440164,0.00070568547,0.044624623,0.00017263618,0.009041747,0.8792623,0.059903298,0.0027225667],"study_design_scores_gemma":[0.00048258167,0.00032110792,0.002090124,0.00054234784,0.00031270712,0.000487056,0.0015205562,0.00046238356,0.0013579975,0.009555101,0.9817377,0.0011303558],"about_ca_topic_score_codex":0.011399445,"about_ca_topic_score_gemma":0.0871625,"teacher_disagreement_score":0.9218344,"about_ca_system_score_codex":0.00039139262,"about_ca_system_score_gemma":0.000847702,"threshold_uncertainty_score":0.9998201},"labels":[],"label_agreement":null},{"id":"W2107752560","doi":"10.4000/ahrf.12806","title":"Zeev Sternhell, Les anti-Lumières. Une tradition du XVIIIe siècle à la guerre froide","year":2013,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art","score_opus":0.019153257419664,"score_gpt":0.22304868503621517,"score_spread":0.20389542761655116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107752560","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34448847,0.38887697,0.0013989861,0.008734841,0.0031663415,0.000579879,0.0005944537,0.0006159514,0.25154412],"genre_scores_gemma":[0.84530294,0.005504184,0.00022030406,0.00053182174,0.0034378208,0.00009223849,0.00025010272,0.00008490233,0.14457572],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965528,0.0009213312,0.0008021646,0.00061978423,0.0004302418,0.0006736796],"domain_scores_gemma":[0.9979756,0.00046753816,0.0003365379,0.0004422388,0.00036983695,0.00040826792],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044237348,0.0005761414,0.00063294097,0.00030254718,0.0019450004,0.00042741912,0.0004007602,0.00052142236,0.005391041],"category_scores_gemma":[0.00009014916,0.00059456035,0.00053327,0.00022473944,0.0024708249,0.0016897308,0.000058387857,0.00072365423,0.0010569892],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059638405,0.000945284,0.0015032608,0.00033493998,0.00015572636,0.00016279334,0.040773086,0.000072402814,0.0003895053,0.05908947,0.87763697,0.018876944],"study_design_scores_gemma":[0.0005550774,0.00020240223,0.0051347455,0.00030804318,0.00019962914,0.00006136811,0.0009453345,0.0010143475,0.000065068656,0.0029896635,0.98782265,0.00070166885],"about_ca_topic_score_codex":0.07946976,"about_ca_topic_score_gemma":0.0016760161,"teacher_disagreement_score":0.50081444,"about_ca_system_score_codex":0.000660617,"about_ca_system_score_gemma":0.00013663164,"threshold_uncertainty_score":0.9997208},"labels":[],"label_agreement":null},{"id":"W2109661715","doi":"10.7202/201805ar","title":"Centre franco-ontarien de folklore","year":2006,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; Art; Literature","score_opus":0.017644307389742982,"score_gpt":0.22008873627571499,"score_spread":0.202444428885972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109661715","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.105230816,0.13788341,0.0021449986,0.14263321,0.0054199053,0.00082168257,0.0010190016,0.0011561017,0.60369086],"genre_scores_gemma":[0.3835451,0.00066190487,0.0009933298,0.0008702087,0.0044332235,0.00004942465,0.00015559513,0.00008287127,0.60920835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964228,0.00034753824,0.000786457,0.0007488347,0.00023735901,0.0014569948],"domain_scores_gemma":[0.998124,0.0003988015,0.00026761944,0.00069954805,0.00020384371,0.00030618056],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041509778,0.00062273536,0.0007663192,0.0002469796,0.0008847881,0.00026623136,0.0006618438,0.00082026835,0.0044297487],"category_scores_gemma":[0.00020130633,0.00063089124,0.0006272979,0.00026952528,0.0009163866,0.00052443,0.00013368655,0.0013255966,0.0008174971],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019521825,0.0011436057,0.017863076,0.0009180795,0.0001889664,0.0020593766,0.050144378,0.00077224773,0.0002069766,0.2691876,0.6441645,0.013155955],"study_design_scores_gemma":[0.00065582263,0.00019316726,0.00092342607,0.0004133498,0.00016440132,0.00006230116,0.0034403973,0.0008266758,0.00035338913,0.009061139,0.9831479,0.00075799786],"about_ca_topic_score_codex":0.07720957,"about_ca_topic_score_gemma":0.14723651,"teacher_disagreement_score":0.33898342,"about_ca_system_score_codex":0.00057459535,"about_ca_system_score_gemma":0.00024365862,"threshold_uncertainty_score":0.9999605},"labels":[],"label_agreement":null},{"id":"W2110749185","doi":"10.7202/1009270ar","title":"Du viatique à l’épique","year":2012,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Auteur theory; Philosophy; Art; Art history; Movie theater","score_opus":0.025410820690420412,"score_gpt":0.2290440546502882,"score_spread":0.2036332339598678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2110749185","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054868296,0.15846239,0.00014733526,0.010943333,0.009389296,0.00042531203,0.000254956,0.00025231237,0.76525676],"genre_scores_gemma":[0.94249994,0.0026864975,0.0003128057,0.0010050603,0.012720038,0.00005278905,0.000036045778,0.000040542956,0.04064629],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974703,0.00023540818,0.0006558463,0.0004143425,0.00028801235,0.0009360457],"domain_scores_gemma":[0.9983349,0.0004123301,0.00023150291,0.00039660453,0.00016423184,0.000460448],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038176097,0.000478546,0.00057595305,0.00016561178,0.0010514582,0.0002527387,0.0004836457,0.00023519131,0.0073034735],"category_scores_gemma":[0.00015458601,0.00042876333,0.00038096693,0.0002094059,0.0010717345,0.0015997594,0.00007341959,0.00046115974,0.0009521769],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031368614,0.00089758507,0.025026895,0.00046002286,0.00015509663,0.000041389812,0.031438556,0.000011584428,0.00003688211,0.92289865,0.014408364,0.0045936266],"study_design_scores_gemma":[0.0001760623,0.00016982052,0.0054209665,0.00040490768,0.00020456806,0.00002674419,0.0011142844,0.00012248734,0.00012985438,0.0007076661,0.9909205,0.0006021683],"about_ca_topic_score_codex":0.00514761,"about_ca_topic_score_gemma":0.0010959208,"teacher_disagreement_score":0.97651213,"about_ca_system_score_codex":0.000109873945,"about_ca_system_score_gemma":0.000079725316,"threshold_uncertainty_score":0.9998257},"labels":[],"label_agreement":null},{"id":"W2111550898","doi":"","title":"Le repas dans le roman du XIXe siècle en France","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.0054672196108711425,"score_gpt":0.1322088776362725,"score_spread":0.12674165802540135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2111550898","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087231874,0.15565863,0.00023951418,0.10961948,0.0008854216,0.00015446184,0.00016377158,0.0001947828,0.645852],"genre_scores_gemma":[0.28689116,0.0032320523,0.000074870295,0.00033962706,0.0007340577,0.0000024915462,0.000016782518,0.000026903146,0.70868206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985354,0.00016151459,0.00022454935,0.0004013977,0.00021007546,0.00046706342],"domain_scores_gemma":[0.9991007,0.000096226715,0.00012932444,0.0003711396,0.00006323329,0.00023939679],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000100322584,0.00026319386,0.0003344337,0.00011745625,0.0028668046,0.000064050444,0.00035516467,0.00015475952,0.0041769035],"category_scores_gemma":[0.000012314197,0.00030696124,0.00031114643,0.00015068849,0.00038047077,0.00058982894,0.00014683243,0.0002561904,0.0011115519],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002043443,0.00030921545,0.00014269134,0.000039779905,0.00012016132,0.0015234257,0.015891578,0.00007779896,0.00007320201,0.63206637,0.34413883,0.005596522],"study_design_scores_gemma":[0.00063169433,0.00013536822,0.00039433065,0.00005022529,0.0001340363,0.0001144844,0.002246999,0.0016569069,0.000047836184,0.0008754828,0.9933335,0.00037912652],"about_ca_topic_score_codex":0.088770956,"about_ca_topic_score_gemma":0.061312743,"teacher_disagreement_score":0.64919466,"about_ca_system_score_codex":0.0016151095,"about_ca_system_score_gemma":0.000028918115,"threshold_uncertainty_score":0.99993825},"labels":[],"label_agreement":null},{"id":"W2115499828","doi":"10.7202/201067ar","title":"The Appeal of the Race. Quand l’antagonisme se fait vérité de l’être","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02074540023558567,"score_gpt":0.24352961564230285,"score_spread":0.2227842154067172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2115499828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15872836,0.14517283,0.00024024282,0.29868883,0.0051034596,0.0006406197,0.0052781883,0.00015030266,0.38599718],"genre_scores_gemma":[0.30327216,0.00060585584,0.00004192524,0.00036296554,0.0012012399,0.000008204506,0.000011766417,0.00001914649,0.6944767],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984943,0.00032285156,0.00037582123,0.00019079943,0.00023364792,0.00038253737],"domain_scores_gemma":[0.9990221,0.00031914067,0.00017634884,0.00033636412,0.00009055373,0.000055484226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003418557,0.00020627382,0.00023413674,0.000034825913,0.0011542446,0.00030715202,0.00036791892,0.00007410841,0.0007394963],"category_scores_gemma":[0.000037298774,0.00011330852,0.00028857993,0.00008690219,0.0009846129,0.00025497345,0.000091639304,0.00030411236,0.00007514382],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040419294,0.0002725134,0.0010573338,0.00013147808,0.000088319044,0.000023523291,0.011289043,0.00004964281,0.00062037347,0.41636705,0.56633687,0.0037234323],"study_design_scores_gemma":[0.00019627062,0.000057296234,0.001434497,0.00008004542,0.00011360187,0.000015993495,0.0009357652,0.00007943176,0.0009960153,0.0081184525,0.98781145,0.00016116034],"about_ca_topic_score_codex":0.01165285,"about_ca_topic_score_gemma":0.0019972806,"teacher_disagreement_score":0.4214746,"about_ca_system_score_codex":0.00004676794,"about_ca_system_score_gemma":0.00008221769,"threshold_uncertainty_score":0.99492866},"labels":[],"label_agreement":null},{"id":"W2117731688","doi":"10.7202/005028ar","title":"La question des augures à Rome : L'éthique du devenir incertain","year":2002,"lang":"fr","type":"article","venue":"Théologiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03247766950105658,"score_gpt":0.23967614002088475,"score_spread":0.20719847051982818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2117731688","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20812133,0.068553194,0.0005326495,0.008792224,0.0010253423,0.00020997015,0.00011196244,0.0005553981,0.71209794],"genre_scores_gemma":[0.81919116,0.0078005963,0.000633802,0.00066705904,0.0015002122,0.00002781766,0.000021936523,0.00002400333,0.17013341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997214,0.0015448697,0.00038100843,0.00031085158,0.00014917795,0.00040005174],"domain_scores_gemma":[0.9989076,0.00049980707,0.00012152046,0.00020301736,0.00013510148,0.00013292638],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066891086,0.00029494485,0.00034733422,0.00011897439,0.00063390605,0.00022046236,0.000239582,0.00036825333,0.010880687],"category_scores_gemma":[0.00025091908,0.00024682045,0.00017486578,0.00008768893,0.001220504,0.0005667451,0.00006522388,0.0005187335,0.0005429177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027237014,0.00042145018,0.0010191442,0.0001807235,0.000083648694,0.00018094918,0.043724526,0.00001084385,0.0000500583,0.8668654,0.04957475,0.037861247],"study_design_scores_gemma":[0.000121475954,0.00039943197,0.0012730096,0.00020700746,0.00007597508,0.000058928377,0.0011644544,0.00021243983,0.000064423184,0.037981797,0.9581038,0.00033727728],"about_ca_topic_score_codex":0.0071909856,"about_ca_topic_score_gemma":0.002100273,"teacher_disagreement_score":0.90852904,"about_ca_system_score_codex":0.00021360339,"about_ca_system_score_gemma":0.000031713847,"threshold_uncertainty_score":0.9999984},"labels":[],"label_agreement":null},{"id":"W2119055763","doi":"10.7202/041691ar","title":"Les interdits de parole : étude de cas","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Art; Humanities","score_opus":0.02397502597896184,"score_gpt":0.25472842081341074,"score_spread":0.2307533948344489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119055763","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4629589,0.0043284106,0.00010225416,0.033938345,0.0038837797,0.00055041944,0.0006912602,0.00057281787,0.4929738],"genre_scores_gemma":[0.7652991,0.000628575,0.0007239481,0.0009005034,0.004769322,0.000092998256,0.00008306614,0.00014977485,0.22735271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99503475,0.00040329658,0.0011717953,0.0010422022,0.00045538484,0.0018925801],"domain_scores_gemma":[0.996772,0.0005406489,0.00042282278,0.00096284767,0.00029224053,0.0010094385],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007021676,0.0010667855,0.0011251722,0.00033795473,0.0014563216,0.00066500704,0.0012571989,0.000749706,0.004572841],"category_scores_gemma":[0.00027573964,0.0010511318,0.0010802221,0.00025696628,0.0014520558,0.0010703776,0.00020754052,0.0022025565,0.00037800093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023179964,0.0012382191,0.002990396,0.0010614205,0.0005316952,0.0008285944,0.057495058,0.00011518885,0.002035164,0.8450796,0.070639595,0.017753301],"study_design_scores_gemma":[0.00025062254,0.00045505122,0.0032682973,0.00072354754,0.000610286,0.00042507224,0.0009586076,0.00040851024,0.0006404055,0.00229689,0.9887215,0.0012412048],"about_ca_topic_score_codex":0.022140004,"about_ca_topic_score_gemma":0.29028958,"teacher_disagreement_score":0.91808194,"about_ca_system_score_codex":0.0005277455,"about_ca_system_score_gemma":0.00054357667,"threshold_uncertainty_score":0.99984366},"labels":[],"label_agreement":null},{"id":"W2119748692","doi":"10.1093/res/hgm052","title":"Symbolic Spatial Form in The Rime of the Ancient Mariner and the problem of god","year":2007,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Blessing; Poetry; Philosophy; Paganism; Metaphysics; Literature; Focus (optics); Object (grammar); Aesthetics; Epistemology; Art; Christianity; Theology; Linguistics","score_opus":0.027425795873250593,"score_gpt":0.2622268135743846,"score_spread":0.234801017701134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119748692","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049627498,0.71424407,0.0000022756224,0.0028654444,0.00034666585,0.0011669302,0.000022914652,0.000008595794,0.2317156],"genre_scores_gemma":[0.9506413,0.04702701,0.00000917254,0.0007846794,0.0003585939,0.000028564054,8.36109e-7,0.0000046785367,0.0011452041],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989912,0.00016868373,0.0004538798,0.00007281774,0.00020357985,0.00010987509],"domain_scores_gemma":[0.9986918,0.00056720397,0.00023852022,0.00023592648,0.0002588846,0.000007662355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018400477,0.00009262192,0.0004084458,0.00001917372,0.00016981013,0.0000069973707,0.00028501177,0.0000097058355,0.000043431526],"category_scores_gemma":[0.0003087121,0.000027028671,0.0001475995,0.000103581566,0.0008731514,0.00004549986,0.00013053941,0.00010383245,4.530892e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006121263,0.00016556052,0.0006601,0.0059152385,0.00028939257,5.526937e-7,0.4884857,0.0000010006077,0.0000036612423,0.47439662,0.013000572,0.017020408],"study_design_scores_gemma":[0.00026479192,0.00005545831,0.0015514981,0.0017350664,0.00022894781,4.7527203e-7,0.008315844,0.0000016113141,0.000021502827,0.0024443546,0.9853227,0.000057728368],"about_ca_topic_score_codex":0.00042418196,"about_ca_topic_score_gemma":0.00054515747,"teacher_disagreement_score":0.97232217,"about_ca_system_score_codex":0.000009299302,"about_ca_system_score_gemma":0.000009571222,"threshold_uncertainty_score":0.32171628},"labels":[],"label_agreement":null},{"id":"W2122202668","doi":"10.7376/70347","title":"Calvinismo in America: dagli ugonotti ai puritani","year":2010,"lang":"it","type":"article","venue":"Dimensioni e problemi della ricerca storica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","score_opus":0.016312831448472023,"score_gpt":0.23633809262191469,"score_spread":0.22002526117344268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2122202668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20821498,0.027543008,0.00043960082,0.027389454,0.029150633,0.0040451116,0.0008229832,0.0013207261,0.7010735],"genre_scores_gemma":[0.91223025,0.0009485604,0.0009727133,0.002909622,0.002280776,0.00013057335,0.00013625858,0.00016675075,0.08022448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940668,0.0003403171,0.0016927416,0.001508828,0.00089779496,0.0014935214],"domain_scores_gemma":[0.99657327,0.00051593286,0.0005353832,0.0012015952,0.0004935886,0.00068021484],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00055111555,0.0010062837,0.0013620051,0.0006991567,0.001358562,0.00053526973,0.00084678334,0.0005380049,0.009636307],"category_scores_gemma":[0.00016703154,0.00089322176,0.0005233397,0.00095556857,0.00060508976,0.000794706,0.0003816917,0.0027003074,0.0021495484],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006925451,0.0063159396,0.002727103,0.00075983396,0.00072786835,0.0012157102,0.101462655,0.0005646414,0.012486382,0.34162498,0.5063778,0.02504453],"study_design_scores_gemma":[0.0008886671,0.00040958702,0.00021065409,0.00014203327,0.00023273629,0.000024925423,0.00082427834,0.0014389694,0.00010885383,0.0034027777,0.99108845,0.0012280832],"about_ca_topic_score_codex":0.005594801,"about_ca_topic_score_gemma":0.0008037288,"teacher_disagreement_score":0.7040153,"about_ca_system_score_codex":0.0005304909,"about_ca_system_score_gemma":0.00032387688,"threshold_uncertainty_score":0.9999415},"labels":[],"label_agreement":null},{"id":"W21222334","doi":"10.7202/1064018ar","title":"Le Livre à l'ombre du Journal : deux représentations de la littérature à la fin du 19e siècle","year":2010,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012510486839248002,"score_gpt":0.24188466199882566,"score_spread":0.22937417515957767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21222334","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18461187,0.010818401,0.00009935176,0.1542982,0.004923719,0.00012955975,0.00022111268,0.00015458302,0.6447432],"genre_scores_gemma":[0.81522006,0.0007746975,0.00035850008,0.0011614915,0.010619508,0.00000591106,0.0000540121,0.000039547445,0.1717663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981479,0.00051003625,0.00037536703,0.0002698289,0.00022173092,0.00047511194],"domain_scores_gemma":[0.9984775,0.0003873458,0.00016684484,0.0002948073,0.00029662953,0.00037682563],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051304436,0.00023012143,0.00024885876,0.00018225505,0.002185625,0.0018534405,0.0002781505,0.0002879523,0.0036414324],"category_scores_gemma":[0.00039355547,0.00020854754,0.00028427545,0.000212238,0.0007385765,0.0008121393,0.0000654696,0.0014296229,0.00021996637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008574889,0.00046722766,0.0007498022,0.000032398293,0.0000973986,0.00027074266,0.018647369,0.0000066878724,0.00024984143,0.67216593,0.3031742,0.004129845],"study_design_scores_gemma":[0.00035922995,0.000059028513,0.001757074,0.000037206555,0.00008073853,0.0008951485,0.0023664506,0.00016881237,0.000020719655,0.0064654513,0.9875325,0.00025763205],"about_ca_topic_score_codex":0.0008823903,"about_ca_topic_score_gemma":0.001454242,"teacher_disagreement_score":0.6843583,"about_ca_system_score_codex":0.000050344395,"about_ca_system_score_gemma":0.00057766744,"threshold_uncertainty_score":0.99918276},"labels":[],"label_agreement":null},{"id":"W212570365","doi":"","title":"De l'éloge à l'exclusion : les femmes auteurs et leurs préfaciers au XIX e siècle by Rachel Sauvé (review)","year":2001,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04097996888524488,"score_gpt":0.24325477580851074,"score_spread":0.20227480692326585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W212570365","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14554489,0.5396135,0.0015881067,0.027756521,0.0021647317,0.00060052355,0.0010197695,0.00020165263,0.28151032],"genre_scores_gemma":[0.18207774,0.04880904,0.00037104258,0.0015641974,0.0005092451,9.868985e-7,0.00022597746,0.000043522054,0.76639825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982331,0.00033998906,0.00029227615,0.00036985916,0.00027686122,0.00048792225],"domain_scores_gemma":[0.9989652,0.000106162195,0.0002386665,0.00028991525,0.0001248896,0.0002751484],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027906554,0.00029622775,0.00049348344,0.00004351813,0.00094850163,0.000045397053,0.0004301044,0.00015772397,0.011690197],"category_scores_gemma":[0.000012770569,0.00032922594,0.00038352658,0.000043688873,0.00062996545,0.0010512559,0.000048653692,0.00021043696,0.000087066284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001678278,0.00077825115,0.0009500811,0.0007921828,0.00023625742,0.00015808985,0.13715902,0.0000072482576,0.00018726474,0.019086778,0.6668112,0.17366579],"study_design_scores_gemma":[0.00048612242,0.0008313772,0.0012828792,0.0005620149,0.00032767563,0.0000118162425,0.02059745,0.00011102711,0.0000038871794,0.00014183896,0.97528785,0.00035603673],"about_ca_topic_score_codex":0.3008825,"about_ca_topic_score_gemma":0.056541905,"teacher_disagreement_score":0.49080443,"about_ca_system_score_codex":0.0008059532,"about_ca_system_score_gemma":0.00014896195,"threshold_uncertainty_score":0.99991596},"labels":[],"label_agreement":null},{"id":"W2128359968","doi":"10.4000/lisa.85","title":"Is Hopkins’ “The Windhover” about Christ? A Negative Response, with a Whimsical Postscript","year":2009,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.02605790122687345,"score_gpt":0.23258770967633655,"score_spread":0.2065298084494631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2128359968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58038527,0.008677764,0.00040616118,0.102946386,0.004449976,0.00084552285,0.00024312553,0.00028149274,0.3017643],"genre_scores_gemma":[0.85735285,0.0003494747,0.00030131818,0.011536551,0.009297757,0.000008757705,0.0000074154514,0.000043586213,0.121102266],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977617,0.00037400608,0.00056202745,0.00030288263,0.00049384224,0.0005055347],"domain_scores_gemma":[0.99838394,0.00027791178,0.00035350007,0.0003456762,0.0003242462,0.00031474832],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005525471,0.00033017943,0.00044673466,0.00022098704,0.0015215152,0.0010935159,0.00052127335,0.00008726278,0.005084813],"category_scores_gemma":[0.00017917757,0.00019292417,0.0003467552,0.00022433393,0.0003344357,0.00087389996,0.00003402713,0.001051505,0.00016577468],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0055429316,0.00064180925,0.0002969422,0.000031583306,0.00043164627,0.0011524465,0.37490445,0.000018009487,0.00014825928,0.024267748,0.57505554,0.017508635],"study_design_scores_gemma":[0.00072144635,0.0013349652,0.0012754577,0.00025370563,0.00013312286,0.0010976045,0.0023099054,0.000034285415,0.000050526723,0.0014864866,0.9909687,0.00033381864],"about_ca_topic_score_codex":0.00006864475,"about_ca_topic_score_gemma":0.000051159575,"teacher_disagreement_score":0.41591313,"about_ca_system_score_codex":0.00017283435,"about_ca_system_score_gemma":0.00015196127,"threshold_uncertainty_score":0.99994344},"labels":[],"label_agreement":null},{"id":"W2131293673","doi":"10.7202/1007841ar","title":"La présence du théâtre néo-hellénique à l’étranger","year":2012,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.023599911037870007,"score_gpt":0.2366457697773631,"score_spread":0.21304585873949308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2131293673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044921294,0.018600201,0.00008001654,0.05158992,0.0068323123,0.0009975864,0.0009635465,0.00074169796,0.8752734],"genre_scores_gemma":[0.5932085,0.003771556,0.00034734365,0.001099787,0.007253568,0.0001278326,0.00013404268,0.00019724783,0.39386016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930202,0.0010802194,0.0015506962,0.0011777448,0.00076608034,0.0024051028],"domain_scores_gemma":[0.9955594,0.0010738303,0.0005756539,0.0011411522,0.0003456339,0.001304347],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0010543267,0.0015036003,0.0015327276,0.00041979898,0.0014659374,0.00062280026,0.0012102965,0.0008629215,0.0051231673],"category_scores_gemma":[0.00022498926,0.0014022945,0.0014068849,0.00045500835,0.002052088,0.0031584543,0.00022608665,0.0016587722,0.0012493049],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018332573,0.0018440529,0.0011137144,0.001354986,0.00045303968,0.00035163178,0.034268875,0.000038340666,0.00015314808,0.797656,0.15796427,0.004618617],"study_design_scores_gemma":[0.00027454615,0.0003739775,0.0012934556,0.001310822,0.00083157397,0.00049184833,0.0010783904,0.00008011682,0.00018421754,0.0007627511,0.99157006,0.001748266],"about_ca_topic_score_codex":0.0032970773,"about_ca_topic_score_gemma":0.011065802,"teacher_disagreement_score":0.83360577,"about_ca_system_score_codex":0.00048100157,"about_ca_system_score_gemma":0.0003672663,"threshold_uncertainty_score":0.999834},"labels":[],"label_agreement":null},{"id":"W2136259189","doi":"10.7202/010638ar","title":"Le bal des voleurs de Jean Anouilh","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.02766980396402926,"score_gpt":0.23469021238175386,"score_spread":0.2070204084177246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136259189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14731187,0.16589546,0.00017899509,0.0395698,0.0013348265,0.00020396718,0.0003522097,0.00035156868,0.6448013],"genre_scores_gemma":[0.63587856,0.00067186175,0.00067076413,0.0011186737,0.0051294556,0.000011864934,0.000020895468,0.000035843375,0.3564621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981405,0.00015777517,0.00041360708,0.00036191716,0.00023311774,0.0006930777],"domain_scores_gemma":[0.9990622,0.00017297949,0.00009312987,0.00027910311,0.000099467434,0.00029311766],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020237766,0.00031344197,0.00033651738,0.00011624808,0.0011243374,0.00034349848,0.0003393994,0.00013071488,0.0055067413],"category_scores_gemma":[0.00007659022,0.00029996398,0.00030603816,0.00011097037,0.0010943239,0.00079519,0.00008057975,0.00026897094,0.00047977155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034980778,0.0005946469,0.00051495247,0.00015691564,0.00013245462,0.0000463102,0.016810352,0.00013100638,0.00006796773,0.8657044,0.046324737,0.06948128],"study_design_scores_gemma":[0.00027177215,0.00018378714,0.00066160475,0.00016068561,0.000100992685,0.000016001817,0.0013922796,0.0003987365,0.00016412888,0.0043466734,0.9919127,0.00039062236],"about_ca_topic_score_codex":0.009083408,"about_ca_topic_score_gemma":0.014766232,"teacher_disagreement_score":0.945588,"about_ca_system_score_codex":0.00023873159,"about_ca_system_score_gemma":0.000247647,"threshold_uncertainty_score":0.9999452},"labels":[],"label_agreement":null},{"id":"W2142534467","doi":"10.7202/501044ar","title":"Le Scénario américain en 1904","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02035209917831547,"score_gpt":0.23016093886855543,"score_spread":0.20980883969023997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2142534467","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068153003,0.101953834,0.000063625026,0.07634862,0.0016901862,0.00019851429,0.00023576507,0.00023723501,0.8124569],"genre_scores_gemma":[0.43241167,0.0005052296,0.00037602647,0.0015994841,0.007131792,0.000015876496,0.000030527455,0.000035483346,0.55789393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979522,0.00022335326,0.0005176878,0.00043396917,0.00030660417,0.0005661886],"domain_scores_gemma":[0.99898034,0.00022391189,0.00011561605,0.0003520897,0.00009052338,0.00023752287],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025403476,0.00033771552,0.00044471526,0.00013877676,0.0008582426,0.00034304248,0.00039400507,0.00016120708,0.0070153703],"category_scores_gemma":[0.00006585273,0.0003167622,0.00035450808,0.00012393718,0.0005609716,0.00079479616,0.00011429191,0.00036201827,0.0013965458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001644286,0.000512993,0.00005567724,0.000066332985,0.00012817534,0.000029427654,0.015411404,0.000055535576,0.000013381341,0.7824882,0.1547439,0.04647849],"study_design_scores_gemma":[0.00028318033,0.0001555668,0.00017703665,0.00014631552,0.00009070717,0.000012646769,0.0011933352,0.00020940242,0.000039165832,0.0012502555,0.99601287,0.00042950676],"about_ca_topic_score_codex":0.009959019,"about_ca_topic_score_gemma":0.00858116,"teacher_disagreement_score":0.84126896,"about_ca_system_score_codex":0.00019576258,"about_ca_system_score_gemma":0.00023323625,"threshold_uncertainty_score":0.9999285},"labels":[],"label_agreement":null},{"id":"W2145468485","doi":"10.4000/books.pup.4206","title":"La chevelure de Méduse au miroir du roman d’après une interpolation du Roman de la Rose","year":2004,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Provence eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Rose (mathematics); Biology; Horticulture","score_opus":0.0148488395389082,"score_gpt":0.19846230930364725,"score_spread":0.18361346976473905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2145468485","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035737637,0.0017018057,0.0014245078,0.0017449795,0.0003126104,0.00048319856,0.00022906893,0.00026853036,0.95809764],"genre_scores_gemma":[0.8756128,0.00020419403,0.0005255571,0.00019299424,0.0008805456,0.000013560167,0.0000724245,0.00008556888,0.12241238],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750394,0.00034575828,0.00046123573,0.00066237437,0.00032077153,0.00070591475],"domain_scores_gemma":[0.998065,0.00051972683,0.00041935107,0.00043104295,0.0001709686,0.00039392832],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003377753,0.0007034763,0.0005755778,0.0003339093,0.0013115868,0.00040906417,0.0007787065,0.0006376723,0.0013009127],"category_scores_gemma":[0.000079095655,0.0007423637,0.00045428934,0.00003719157,0.0017537826,0.0006512222,0.00032274137,0.0009487919,0.000057778274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025157622,0.00020127217,0.0009672801,0.00054793945,0.00039405134,0.0012746202,0.04706275,0.00015026412,0.000482201,0.9394797,0.0016767032,0.0075116064],"study_design_scores_gemma":[0.00071537576,0.00029984742,0.0005765095,0.0012449615,0.0007205665,0.00013466916,0.0016012157,0.0006926191,0.00018873582,0.07095684,0.9220048,0.0008638276],"about_ca_topic_score_codex":0.00992529,"about_ca_topic_score_gemma":0.0016843447,"teacher_disagreement_score":0.92032814,"about_ca_system_score_codex":0.0017331738,"about_ca_system_score_gemma":0.00087720767,"threshold_uncertainty_score":0.99998856},"labels":[],"label_agreement":null},{"id":"W2145663524","doi":"10.7202/024746ar","title":"La mort de Dante","year":2007,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.026233495810908565,"score_gpt":0.2854949790912419,"score_spread":0.2592614832803333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2145663524","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.122001894,0.03984618,0.0012838199,0.002497534,0.0017271178,0.00032364286,0.00012005273,0.00045705185,0.8317427],"genre_scores_gemma":[0.8787574,0.0046735154,0.0010697204,0.0011652122,0.0035656234,0.000026083726,0.000056692246,0.00011081127,0.11057489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99666566,0.00032529674,0.0009664778,0.0006411253,0.0002952858,0.0011061847],"domain_scores_gemma":[0.99778014,0.00056743127,0.00028964644,0.000584478,0.00023416417,0.0005441538],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015031731,0.0005913658,0.0007294513,0.00067445205,0.00070591585,0.0003631116,0.0005238589,0.00042936366,0.0019135886],"category_scores_gemma":[0.00008749196,0.0005955648,0.0007304005,0.0004736441,0.001291926,0.0006431162,0.00011216074,0.0008194006,0.00017126513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007851099,0.00058973406,0.007375009,0.0007601457,0.00034921037,0.00093800056,0.014762079,0.000005581505,0.00015475639,0.9460448,0.018362539,0.010579634],"study_design_scores_gemma":[0.00028303117,0.00023088408,0.0034601984,0.0008113282,0.00031936102,0.00027114034,0.0017831536,0.000058935435,0.0003102784,0.0022946117,0.9894619,0.00071520236],"about_ca_topic_score_codex":0.0021270425,"about_ca_topic_score_gemma":0.0021730564,"teacher_disagreement_score":0.9710993,"about_ca_system_score_codex":0.00020288903,"about_ca_system_score_gemma":0.000097938966,"threshold_uncertainty_score":0.9996496},"labels":[],"label_agreement":null},{"id":"W2154277883","doi":"10.7202/1064030ar","title":"L'avenir du saltimbanque","year":2010,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Cirque; Art; Political science; Geography","score_opus":0.020980066938039103,"score_gpt":0.21331578250811362,"score_spread":0.1923357155700745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154277883","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10809363,0.005027308,0.000027210139,0.09465818,0.014965731,0.0001351933,0.00020588533,0.00019909686,0.7766878],"genre_scores_gemma":[0.5248379,0.00006908663,0.00009851417,0.00093892013,0.009288111,0.0000045059965,0.00004506422,0.000023866825,0.464694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863213,0.00008993981,0.00030024056,0.00029296058,0.00019416212,0.000490552],"domain_scores_gemma":[0.9989625,0.00011376616,0.000086391905,0.00034895848,0.00019153708,0.00029681993],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001972513,0.000219611,0.00024716218,0.00014647617,0.0007577265,0.0005692975,0.00023174445,0.00016394013,0.034626976],"category_scores_gemma":[0.00011622433,0.00019583282,0.00019732754,0.00010714293,0.00059367437,0.0005880212,0.00005991409,0.00061470544,0.002780175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036033007,0.00022196377,0.00020551369,0.000035408713,0.000051068364,0.000053857886,0.0043273554,3.3169047e-7,0.00014572371,0.74749714,0.23766932,0.009788704],"study_design_scores_gemma":[0.00015037914,0.00006627856,0.00015305291,0.000012252192,0.00004310672,0.000039272087,0.00023354213,0.00017187219,0.000026203512,0.002984961,0.9958521,0.000266993],"about_ca_topic_score_codex":0.0020447443,"about_ca_topic_score_gemma":0.0032582583,"teacher_disagreement_score":0.75818276,"about_ca_system_score_codex":0.0000691741,"about_ca_system_score_gemma":0.00012859877,"threshold_uncertainty_score":0.9979963},"labels":[],"label_agreement":null},{"id":"W2156018256","doi":"10.7202/045129ar","title":"De la transcription — Quelques considérations sur l’édition en orature1","year":2010,"lang":"fr","type":"article","venue":"Port Acadie Revue interdisciplinaire en études acadiennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Royal Military College Saint-Jean","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.014158342966616133,"score_gpt":0.26559057069864206,"score_spread":0.25143222773202595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156018256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71126854,0.014597069,0.00041086593,0.029014187,0.009833086,0.00072887464,0.0010122212,0.0005400229,0.23259512],"genre_scores_gemma":[0.9077313,0.0009869593,0.00044412402,0.0002654486,0.0072846757,0.0001163397,0.00024900254,0.00008245415,0.08283969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99688977,0.0004847821,0.0009406746,0.000697404,0.00023568668,0.00075168774],"domain_scores_gemma":[0.99784034,0.0007731794,0.00031585488,0.00041364532,0.00026938226,0.00038760345],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010620307,0.00059636653,0.000670976,0.00032851772,0.0011408054,0.00060933654,0.00051723234,0.0008994899,0.0029949215],"category_scores_gemma":[0.0002640635,0.000573531,0.0005932209,0.00019635135,0.0010977912,0.0016744412,0.00011242025,0.0021937855,0.0001874526],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074151365,0.0004889696,0.0009422254,0.00065418147,0.00032907163,0.0002261602,0.091934904,0.000028564005,0.006932095,0.86474234,0.021924604,0.011722757],"study_design_scores_gemma":[0.000309821,0.0002367593,0.0041476972,0.00079095486,0.0005175826,0.0004103508,0.0028951939,0.00040916057,0.00064660923,0.02406592,0.96481055,0.0007593721],"about_ca_topic_score_codex":0.00090956554,"about_ca_topic_score_gemma":0.010460638,"teacher_disagreement_score":0.942886,"about_ca_system_score_codex":0.0003228763,"about_ca_system_score_gemma":0.00019205097,"threshold_uncertainty_score":0.99967164},"labels":[],"label_agreement":null},{"id":"W2157121560","doi":"10.7202/1013888ar","title":"Les volutes de la peinture : l’opium au défi des images","year":2013,"lang":"fr","type":"article","venue":"Drogues santé et société","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.02465239970536352,"score_gpt":0.3061684241257302,"score_spread":0.28151602442036666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2157121560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10503594,0.058263943,0.00019422673,0.0033083153,0.0012998426,0.00021890529,0.0002903671,0.0002214425,0.83116704],"genre_scores_gemma":[0.7166725,0.002591566,0.0005408995,0.0006908839,0.0032984011,0.0000523416,0.000076584416,0.000052457744,0.2760244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762934,0.0006534479,0.0003940216,0.00036803933,0.0002338457,0.00072127377],"domain_scores_gemma":[0.9983014,0.0008691994,0.00014132432,0.00026109657,0.00018464014,0.00024236497],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000355579,0.00040097584,0.00044619976,0.00009191976,0.0012580416,0.0007188701,0.00032592533,0.000287158,0.024105446],"category_scores_gemma":[0.0001433093,0.0003458433,0.00041874524,0.00008472733,0.0020300115,0.0009789205,0.0001099985,0.00056900585,0.0008908645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001909114,0.0006489497,0.0044735796,0.000557626,0.00038658935,0.000048786093,0.15018691,0.000011550216,0.00038100817,0.3456458,0.27052715,0.22711298],"study_design_scores_gemma":[0.000245539,0.00012711037,0.007004039,0.00017946085,0.0001781429,0.000015393043,0.0237715,0.00009480379,0.00015542704,0.039922863,0.92784625,0.00045944325],"about_ca_topic_score_codex":0.02338511,"about_ca_topic_score_gemma":0.00073718384,"teacher_disagreement_score":0.6573191,"about_ca_system_score_codex":0.00037676425,"about_ca_system_score_gemma":0.00012825095,"threshold_uncertainty_score":0.9998993},"labels":[],"label_agreement":null},{"id":"W2161766294","doi":"10.7202/1027614ar","title":"Créé dans LeVivier","year":2014,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.044043762470776404,"score_gpt":0.2330883834275743,"score_spread":0.1890446209567979,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161766294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060958806,0.02153618,0.0016370876,0.0046084416,0.003842751,0.00024388845,0.00013585441,0.00022496287,0.9616749],"genre_scores_gemma":[0.49771643,0.0001187257,0.000022849781,0.0016304273,0.0048203357,0.000023434928,0.000053235897,0.000044465218,0.4955701],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997423,0.0004444066,0.00072025595,0.0005662806,0.00029141924,0.00055463344],"domain_scores_gemma":[0.99829763,0.0003110162,0.00025201734,0.0005444926,0.00030321185,0.00029162056],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051278365,0.00047016935,0.0006761727,0.00016603552,0.000769061,0.00041645678,0.00040346585,0.00019884635,0.0052869627],"category_scores_gemma":[0.00019903026,0.00043084545,0.00043101644,0.0001230187,0.0010114635,0.00072789076,0.00006462857,0.0003233044,0.0007768598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010034395,0.00020252442,0.00050150504,0.00027414653,0.00011487766,0.00003698254,0.051126126,0.0000010095575,0.00009559119,0.87632614,0.056039736,0.015271326],"study_design_scores_gemma":[0.000297579,0.00020268343,0.00016223906,0.0002884135,0.0001149689,0.000013105435,0.0009895669,0.00013949079,0.000050822768,0.05825097,0.9389364,0.0005537469],"about_ca_topic_score_codex":0.003459321,"about_ca_topic_score_gemma":0.00053226895,"teacher_disagreement_score":0.88289666,"about_ca_system_score_codex":0.000118788135,"about_ca_system_score_gemma":0.00007687042,"threshold_uncertainty_score":0.99981433},"labels":[],"label_agreement":null},{"id":"W2162363355","doi":"10.4000/ahrf.11340","title":"Yasmine Marcil, La fureur des voyages. Les récits de voyage dans la presse périodique (1750-1789)","year":2007,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art","score_opus":0.019410198330078232,"score_gpt":0.24477977714551574,"score_spread":0.2253695788154375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162363355","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12055013,0.4679716,0.009885328,0.0007669381,0.0009757794,0.0003048334,0.00034653084,0.00048453605,0.39871433],"genre_scores_gemma":[0.39751077,0.010542901,0.0013246015,0.00040087962,0.002511487,0.000048847265,0.00010259866,0.00012109716,0.58743685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953499,0.0013475376,0.0009266201,0.0007184083,0.00048077834,0.0011768012],"domain_scores_gemma":[0.99685836,0.0011972237,0.00034782436,0.00054611376,0.0004062158,0.0006442803],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.002203523,0.00072646904,0.0006795127,0.00043600926,0.0015904437,0.0003705587,0.0005766262,0.00082712277,0.0017789567],"category_scores_gemma":[0.00035384845,0.0007588287,0.00057448837,0.00028724447,0.0034803,0.0009753119,0.00012187136,0.0011294426,0.0001659784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045699338,0.0014932001,0.0032662489,0.0010238211,0.00025827906,0.0018882386,0.18120387,0.00010646142,0.0013984661,0.10336684,0.6921831,0.0133545],"study_design_scores_gemma":[0.00056660705,0.00025782813,0.0037921919,0.0004886161,0.00028457277,0.0002516483,0.0011162077,0.00025129452,0.0004037556,0.0026026883,0.9891455,0.0008390668],"about_ca_topic_score_codex":0.017733024,"about_ca_topic_score_gemma":0.012008758,"teacher_disagreement_score":0.4574287,"about_ca_system_score_codex":0.0015690955,"about_ca_system_score_gemma":0.00033194877,"threshold_uncertainty_score":0.99970937},"labels":[],"label_agreement":null},{"id":"W2162376898","doi":"10.3917/rhs.631.0161","title":"Un successeur de Bouguer : Étienne Bézout (1730-1783), commissaire et expert pour la marine","year":2010,"lang":"fr","type":"article","venue":"Revue d histoire des sciences","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Office of the Chief Medical Examiner","funders":"","keywords":"Nomination; Humanities; Navy; Philosophy; Political science; Law","score_opus":0.03703029595787327,"score_gpt":0.2648402891245635,"score_spread":0.2278099931666902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162376898","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13718006,0.04490574,0.0001330314,0.029626237,0.004796219,0.00016399522,0.0000977437,0.00017262483,0.78292435],"genre_scores_gemma":[0.48484674,0.0007168974,0.0035839046,0.000997213,0.0018605983,0.000021726128,0.000019941315,0.000032168802,0.5079208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975819,0.00032317766,0.00047294743,0.0005910852,0.0003137827,0.00071713526],"domain_scores_gemma":[0.998487,0.00041781316,0.00020733303,0.00036820042,0.0001702631,0.00034938758],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009468555,0.00036771325,0.000438804,0.00020957315,0.004251257,0.00060274336,0.00083692896,0.00018936984,0.0099164145],"category_scores_gemma":[0.00019985465,0.00032332496,0.0002722583,0.00030690338,0.0077017862,0.00097571645,0.00018877306,0.0006141795,0.00021643813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002698394,0.00073057454,0.003381959,0.0003033943,0.000047577418,0.00022775629,0.05092673,0.000018239081,0.0010950817,0.753003,0.057858855,0.13237986],"study_design_scores_gemma":[0.00018638973,0.00015878481,0.00057850004,0.00020272243,0.000058460304,0.0001550838,0.00123528,0.00057975086,0.00008433824,0.010345211,0.9859525,0.00046296185],"about_ca_topic_score_codex":0.017704532,"about_ca_topic_score_gemma":0.013259012,"teacher_disagreement_score":0.9280937,"about_ca_system_score_codex":0.00022401472,"about_ca_system_score_gemma":0.0002754265,"threshold_uncertainty_score":0.99992186},"labels":[],"label_agreement":null},{"id":"W2163172963","doi":"10.58282/acta.1597","title":"Pour une généalogie du regard moraliste","year":2006,"lang":"fr","type":"article","venue":"Acta Fabula","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03282717222626111,"score_gpt":0.23341726653685,"score_spread":0.20059009431058888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2163172963","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041420657,0.016037004,0.00005852812,0.06911585,0.004341618,0.00014409346,0.00025244703,0.00017023715,0.8684596],"genre_scores_gemma":[0.48186374,0.00016740807,0.00007280948,0.00068086653,0.0037634864,0.0000048169322,0.000078365825,0.000021935497,0.51334655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844944,0.00010634668,0.00041310565,0.00033796727,0.00022470954,0.00046845165],"domain_scores_gemma":[0.99919796,0.000111028516,0.00012859204,0.00033312707,0.00011367229,0.000115637195],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000106132924,0.00028006683,0.00034519724,0.00008236162,0.0005938943,0.00028049934,0.0002619116,0.00012852585,0.007045689],"category_scores_gemma":[0.000031820215,0.00025100049,0.00026105024,0.000113931186,0.0003830087,0.0004174768,0.00006128672,0.00023464073,0.0011213721],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017849392,0.00024091885,0.00035222273,0.000051997813,0.000040566705,0.00015136598,0.0012456888,0.000012294416,0.000088354675,0.4129613,0.5835605,0.0012768818],"study_design_scores_gemma":[0.00030845788,0.00007732227,0.00069993443,0.00006879309,0.00013182162,0.000016403555,0.00024628744,0.00013794143,0.00004171131,0.017874453,0.9800536,0.00034325977],"about_ca_topic_score_codex":0.024898821,"about_ca_topic_score_gemma":0.0015281778,"teacher_disagreement_score":0.44044307,"about_ca_system_score_codex":0.00014328427,"about_ca_system_score_gemma":0.00005854868,"threshold_uncertainty_score":0.9999942},"labels":[],"label_agreement":null},{"id":"W2170854857","doi":"10.7202/041489ar","title":"Notes sur les pratiques théâtrales en Afrique noire : dramaturgies contemporaines et logiques festivalières","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.02521423355771839,"score_gpt":0.25564188236200297,"score_spread":0.23042764880428457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2170854857","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33572036,0.014900236,0.00013099828,0.3250584,0.0059202355,0.0021774299,0.003114593,0.0022941085,0.31068364],"genre_scores_gemma":[0.804465,0.0040098545,0.001484321,0.001118885,0.0043275645,0.00025576007,0.00044749107,0.00030605833,0.18358505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912206,0.0016719875,0.0023435408,0.0019180409,0.0009065567,0.0019392755],"domain_scores_gemma":[0.9910788,0.0043303533,0.0011097944,0.001469659,0.0011453744,0.00086600677],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0015358756,0.0022154395,0.0024074598,0.0006591163,0.0018640665,0.0018363915,0.0018063729,0.0015604959,0.0021671264],"category_scores_gemma":[0.0018874877,0.0019683328,0.0016169709,0.00041950666,0.0034124877,0.0037261164,0.00036649586,0.003514449,0.00016082691],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037425102,0.0013739348,0.0014308939,0.0022912577,0.00071113923,0.00059590756,0.0630355,0.00005535727,0.0023531571,0.87150425,0.05143666,0.0048377113],"study_design_scores_gemma":[0.0003652653,0.00089328835,0.0023796647,0.002461283,0.00058029435,0.00024101116,0.0028981601,0.00017329851,0.0014867143,0.005440436,0.9806782,0.0024023901],"about_ca_topic_score_codex":0.017286433,"about_ca_topic_score_gemma":0.3696211,"teacher_disagreement_score":0.92924154,"about_ca_system_score_codex":0.00027070206,"about_ca_system_score_gemma":0.0011108075,"threshold_uncertainty_score":0.9997357},"labels":[],"label_agreement":null},{"id":"W2180410340","doi":"10.4000/recherchestravaux.762","title":"Une part du théâtre qui s’ouvre à la recherche","year":2015,"lang":"fr","type":"article","venue":"Recherches & travaux","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.5656975137898167,"score_gpt":0.37345228985389145,"score_spread":0.19224522393592525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2180410340","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011383052,0.046489157,0.00023802675,0.045039095,0.0030941153,0.00027535355,0.00017865865,0.000297549,0.893005],"genre_scores_gemma":[0.017227923,0.0035735322,0.002237873,0.0009663769,0.005806858,0.00004267331,0.00009477811,0.000102995196,0.969947],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99322176,0.0042813634,0.0006953646,0.0006305771,0.0004378567,0.00073309755],"domain_scores_gemma":[0.9955836,0.0026900254,0.00018500943,0.00055371795,0.00034435315,0.0006432794],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0045587095,0.0005555489,0.0006908524,0.00012941021,0.00039341996,0.0003983824,0.0005128383,0.0011208559,0.0025254346],"category_scores_gemma":[0.0013695451,0.00049309124,0.00041809658,0.00041042833,0.0008644871,0.0006305449,0.0000852606,0.002000952,0.0016129286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015227823,0.0009412768,0.00015640783,0.00023666015,0.00030762565,0.0001724298,0.10969363,0.00001672806,0.00004411243,0.30154702,0.51227736,0.07445446],"study_design_scores_gemma":[0.0005486915,0.00032967987,0.000035534693,0.00026176078,0.00029826118,0.000047767375,0.009380167,0.0001610492,0.00011048935,0.031617504,0.95658743,0.0006216481],"about_ca_topic_score_codex":0.013168948,"about_ca_topic_score_gemma":0.0015961084,"teacher_disagreement_score":0.44431007,"about_ca_system_score_codex":0.0012158183,"about_ca_system_score_gemma":0.0008136128,"threshold_uncertainty_score":0.99975204},"labels":[],"label_agreement":null},{"id":"W218707232","doi":"","title":"Jacques Prud’homme, le Power Glove et le conte québécois. Épique de William S. Messier. Marchand de feuilles, 276 p.Épique de William S. Messier. Marchand de feuilles, 276 p.","year":2011,"lang":"fr","type":"article","venue":"Spirale : arts • lettres • sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.042955409490256884,"score_gpt":0.2636874514865828,"score_spread":0.2207320419963259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W218707232","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3535266,0.1153281,0.0013241051,0.025179813,0.001706816,0.0014861791,0.0009437612,0.00057118025,0.49993342],"genre_scores_gemma":[0.6887966,0.0030021833,0.00471087,0.01054188,0.002336523,0.00026718547,0.00007974356,0.00019658504,0.29006845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99178493,0.001286542,0.0013705462,0.0016402381,0.0009240369,0.0029937068],"domain_scores_gemma":[0.99619335,0.00066866324,0.0007391281,0.0008951937,0.0003972453,0.0011064472],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0031639957,0.001233029,0.0013508879,0.00065457606,0.0045183077,0.001128808,0.0018802958,0.00052951876,0.0063034454],"category_scores_gemma":[0.00048094397,0.0010917129,0.00075622497,0.0005807507,0.0091883205,0.0024209793,0.0005421333,0.0010296591,0.0001367648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038619348,0.0018979645,0.0066560516,0.00072976045,0.00046613722,0.00088441215,0.07503978,0.00019563231,0.0012282024,0.6556044,0.25159433,0.0053171227],"study_design_scores_gemma":[0.0011180964,0.0009775757,0.0024984423,0.0008308133,0.00017681194,0.0001803465,0.0049805,0.00019667947,0.0016706395,0.039635573,0.94626904,0.0014655071],"about_ca_topic_score_codex":0.12037281,"about_ca_topic_score_gemma":0.08298789,"teacher_disagreement_score":0.6946747,"about_ca_system_score_codex":0.0007386432,"about_ca_system_score_gemma":0.0030042462,"threshold_uncertainty_score":0.9999081},"labels":[],"label_agreement":null},{"id":"W2193048243","doi":"10.18192/analyses.v7i1.400","title":"Jean-Louis Cabanès, « Le Négatif. Essai sur la représentation littéraire au XIXe siècle »","year":2012,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.025994225024848012,"score_gpt":0.2682231076074718,"score_spread":0.2422288825826238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2193048243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1255763,0.12986921,0.00031905618,0.01746671,0.007179428,0.0006600297,0.001214751,0.0003304528,0.71738404],"genre_scores_gemma":[0.7622069,0.0016423728,0.00020217738,0.0023819583,0.009746303,0.00008783515,0.0004815068,0.00014966728,0.22310126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99383795,0.0013409593,0.001321117,0.0010235696,0.00047805475,0.001998362],"domain_scores_gemma":[0.99510956,0.0012929755,0.0006642328,0.0011161407,0.00046026934,0.0013568085],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011229547,0.0009839514,0.0012656909,0.0005725965,0.0016571316,0.00068248826,0.00066879176,0.0006491073,0.0015701827],"category_scores_gemma":[0.0006662821,0.00097951,0.0010934327,0.0008689719,0.0010021052,0.002380438,0.00012342117,0.0011980882,0.00027242774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015087923,0.0012674939,0.0047447383,0.0010110419,0.0010433778,0.00039480126,0.06899069,0.00074807,0.00023879428,0.855151,0.04987839,0.016380703],"study_design_scores_gemma":[0.00068952254,0.00016225666,0.0039127152,0.00052397413,0.0009672658,0.00012242644,0.003625742,0.00067456043,0.00018679595,0.0032966062,0.9846602,0.001177905],"about_ca_topic_score_codex":0.69053614,"about_ca_topic_score_gemma":0.7778258,"teacher_disagreement_score":0.93478185,"about_ca_system_score_codex":0.00074058014,"about_ca_system_score_gemma":0.00084752287,"threshold_uncertainty_score":0.99964255},"labels":[],"label_agreement":null},{"id":"W2205459637","doi":"10.4000/etudesromanes.4607","title":"La peinture de castes","year":2014,"lang":"fr","type":"article","venue":"Cahiers d études romanes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Mythology; Ethnology; Literature; History","score_opus":0.01039981186816322,"score_gpt":0.21022147967439989,"score_spread":0.19982166780623667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2205459637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20754486,0.033624075,0.0000939433,0.0036528003,0.0018415538,0.00010790997,0.000062091305,0.00014706732,0.7529257],"genre_scores_gemma":[0.6976595,0.00022124132,0.00012594683,0.0007569189,0.002188542,0.0000090695685,0.000017909802,0.000028961438,0.29899192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848586,0.00034606038,0.00025857842,0.00029684696,0.00016943886,0.00044323294],"domain_scores_gemma":[0.99896127,0.00041136364,0.0000860451,0.0002471422,0.00006905848,0.00022512669],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028761005,0.00028035714,0.00033099987,0.00009980543,0.0007256202,0.00028758365,0.0002547469,0.0002839537,0.0031671366],"category_scores_gemma":[0.0001068878,0.00024788335,0.00022840287,0.000072568444,0.0012505638,0.00028313298,0.0000319421,0.00047009057,0.00036792914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001623726,0.00012932473,0.000120689925,0.00028806942,0.000114047,0.00009235801,0.038597673,0.000023993078,0.00006602498,0.92214215,0.029315043,0.009094384],"study_design_scores_gemma":[0.00017406975,0.00017903169,0.00016059804,0.00013838233,0.00017897555,0.000062773775,0.00289123,0.00024391782,0.000053465796,0.0046244776,0.99095875,0.00033434402],"about_ca_topic_score_codex":0.00074667664,"about_ca_topic_score_gemma":0.00032295278,"teacher_disagreement_score":0.9616437,"about_ca_system_score_codex":0.00015057775,"about_ca_system_score_gemma":0.00004799283,"threshold_uncertainty_score":0.9999973},"labels":[],"label_agreement":null},{"id":"W2213152019","doi":"","title":"L’unité. La Terre et l’ombre de César AcevedoLa Terre et l’ombre de César Acevedo","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.05555785192314232,"score_gpt":0.2918465842620382,"score_spread":0.23628873233889586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2213152019","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09966079,0.16889048,0.0004224275,0.032723356,0.0035673683,0.00053816655,0.0010899019,0.0005314585,0.69257605],"genre_scores_gemma":[0.42296866,0.002375129,0.0009469307,0.0072625247,0.0036657688,0.00004081947,0.00027500975,0.00016500556,0.56230015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960396,0.0010585177,0.0006806214,0.00067304884,0.00047473793,0.0010734253],"domain_scores_gemma":[0.9975125,0.00051285623,0.00025567051,0.00065742264,0.00025984383,0.00080168166],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011280362,0.0007088442,0.0007700499,0.0002350757,0.0007260862,0.000713596,0.00070450763,0.0005008633,0.0030329372],"category_scores_gemma":[0.00029638177,0.0006431941,0.00043518702,0.00018954984,0.0007625108,0.00074573053,0.0002815265,0.0010994943,0.0008515678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012889548,0.00068684627,0.0011748747,0.00029330325,0.000259979,0.00045454575,0.07199959,0.00017989485,0.00008647915,0.1634336,0.7572789,0.0040230583],"study_design_scores_gemma":[0.0009394716,0.0003306121,0.00048201776,0.0005211299,0.00028728181,0.00016112885,0.0140344305,0.00031931448,0.00009089394,0.006074848,0.9759438,0.00081507163],"about_ca_topic_score_codex":0.005707437,"about_ca_topic_score_gemma":0.0011442773,"teacher_disagreement_score":0.32330787,"about_ca_system_score_codex":0.00030045406,"about_ca_system_score_gemma":0.000721011,"threshold_uncertainty_score":0.9999264},"labels":[],"label_agreement":null},{"id":"W2214861863","doi":"10.1017/s0959269515000368","title":"Haussalo Teija, L'article zéro au XVI<sup>e</sup> siècle: les variantes manuscrites de l'Heptaméron - Une phase de l'évolution de la langue française. (Publications romanes de l'Université de Helsinki, 7.) Helsinki: Université de Helsinki, 2014, 191 pp. 978 952 10 9755 3 (broché)","year":2015,"lang":"fr","type":"article","venue":"Journal of French Language Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.021086179806966865,"score_gpt":0.2576349792118508,"score_spread":0.23654879940488394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2214861863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7798977,0.197414,0.0013042667,0.0068873023,0.0002843181,0.00016771819,0.00033728976,0.00012536896,0.013582072],"genre_scores_gemma":[0.8653064,0.0057067433,0.0034210954,0.0005385328,0.0028481479,0.000010250406,0.000070193244,0.00007653295,0.12202211],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962132,0.000909716,0.0007425912,0.0003978342,0.0005255597,0.0012110968],"domain_scores_gemma":[0.9967316,0.0008217915,0.0005910967,0.00036716246,0.00069172564,0.0007966713],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001299102,0.00054767326,0.000790982,0.00043688566,0.0020962246,0.000254777,0.00061355345,0.00033114996,0.0024298679],"category_scores_gemma":[0.0007065658,0.0005149399,0.00048003835,0.00040380695,0.0014473986,0.0009963085,0.00026730174,0.0007171421,0.00010279935],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043066085,0.0018559126,0.021694604,0.00035633385,0.0017028133,0.002406098,0.36915982,0.0013597682,0.0068929717,0.0077584577,0.5789544,0.0074281357],"study_design_scores_gemma":[0.0040880716,0.0011557731,0.01224644,0.0006979041,0.0021053182,0.0016211678,0.08514056,0.0022908733,0.002852517,0.002405125,0.8844949,0.0009013215],"about_ca_topic_score_codex":0.03667818,"about_ca_topic_score_gemma":0.01370381,"teacher_disagreement_score":0.3055405,"about_ca_system_score_codex":0.0040276116,"about_ca_system_score_gemma":0.00091574766,"threshold_uncertainty_score":0.99979573},"labels":[],"label_agreement":null},{"id":"W2216295882","doi":"10.33137/rr.v41i4.9060","title":"'Teach Me This Pedlar's French': The Allure of Cant in &lt;i&gt;The Roaring Girl&lt;/i&gt; and Dekker's Rogue Pamphlets","year":2005,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.014222566432777509,"score_gpt":0.21276857830833854,"score_spread":0.19854601187556103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2216295882","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6548273,0.26401854,0.00010498657,0.016314875,0.0005944351,0.00048056108,0.00008881805,0.00004065522,0.06352984],"genre_scores_gemma":[0.973882,0.006077307,0.00004755383,0.00022628611,0.00069440604,0.000019131423,0.00003325106,0.00001161411,0.019008424],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985801,0.00015137304,0.00053744594,0.00019862245,0.00024125812,0.00029121366],"domain_scores_gemma":[0.99930274,0.0000795906,0.0002491892,0.00022327025,0.00007430772,0.00007088825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049061095,0.0002030877,0.00028527272,0.0000868633,0.000844792,0.00016725618,0.00016806101,0.00012226055,0.00029241727],"category_scores_gemma":[0.000024438055,0.000115452436,0.00008179983,0.00011856772,0.00050802296,0.00092834316,0.00006574751,0.0002831307,0.00001722903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001125787,0.0005508286,0.0015461381,0.0014776153,0.0003481283,0.000027692497,0.39578322,0.0013618943,0.0017754437,0.2614609,0.090196095,0.24535945],"study_design_scores_gemma":[0.00029126633,0.00007439695,0.004290879,0.000369713,0.00007113216,0.000029394301,0.00066853606,0.004792654,0.00010188057,0.0003969585,0.98872507,0.00018813032],"about_ca_topic_score_codex":0.0025907771,"about_ca_topic_score_gemma":0.011731815,"teacher_disagreement_score":0.898529,"about_ca_system_score_codex":0.000092277456,"about_ca_system_score_gemma":0.000034472876,"threshold_uncertainty_score":0.6546628},"labels":[],"label_agreement":null},{"id":"W2224127478","doi":"","title":"Le théâtre politique comme paradigme","year":2009,"lang":"fr","type":"article","venue":"ORBi (University of Liège)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université de Genève; École des Hautes Etudes en Sciences Sociales; Université du Québec à Montréal; Université de Lausanne; University of Texas at San Antonio","keywords":"Political science; Philosophy; Humanities","score_opus":0.030875279907304647,"score_gpt":0.20603971896102155,"score_spread":0.1751644390537169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2224127478","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044048112,0.006742239,0.00030316747,0.12667897,0.0005276731,0.00011939692,0.00026934667,0.000081907354,0.82122916],"genre_scores_gemma":[0.61595064,0.00038600512,0.00013034848,0.0004637561,0.00027552294,2.4783061e-8,0.000018741179,0.000005092382,0.38276988],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912786,0.000105298364,0.00013813164,0.00020392094,0.00013878396,0.0002859786],"domain_scores_gemma":[0.99935204,0.000056833876,0.000115716015,0.00022916391,0.00008092236,0.00016532507],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000754074,0.00015380862,0.00031778964,0.00010893149,0.0007276189,0.000039374932,0.0002868148,0.000113047776,0.004642651],"category_scores_gemma":[0.0000016383685,0.00019100454,0.00024486284,0.00008812514,0.0004661362,0.0005613686,0.000039256523,0.00020151885,0.00023471145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003557641,0.00036145386,0.00018547305,0.00004911405,0.000055249766,0.00010602026,0.013038551,0.0000031976258,0.000017930102,0.92981696,0.054631818,0.0016986355],"study_design_scores_gemma":[0.00032544628,0.00026519102,0.0017141484,0.000092235176,0.00009469116,0.00000720436,0.0032920744,0.000046816476,0.000010115525,0.01514386,0.9787895,0.00021869737],"about_ca_topic_score_codex":0.03569885,"about_ca_topic_score_gemma":0.0010834082,"teacher_disagreement_score":0.9241577,"about_ca_system_score_codex":0.0000635874,"about_ca_system_score_gemma":0.00010385186,"threshold_uncertainty_score":0.99626726},"labels":[],"label_agreement":null},{"id":"W2225342596","doi":"","title":"Richard Bodéüs (traduction française, introduction et notes), Porphyre,. Édition critique, Paris, Vrin, « Textes philosophiques », 2008, 485 p.","year":2010,"lang":"fr","type":"article","venue":"Philosophiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.07839136948570224,"score_gpt":0.31347709450630507,"score_spread":0.23508572502060282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225342596","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017581502,0.119741246,0.00060113793,0.7700556,0.017865214,0.0011244497,0.0013749055,0.0014793907,0.07017656],"genre_scores_gemma":[0.7797638,0.018566238,0.0013811958,0.010825109,0.16986626,0.00021442164,0.0014513646,0.0002384285,0.017693156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950237,0.000639094,0.0013452955,0.0013559945,0.00073208177,0.0009037847],"domain_scores_gemma":[0.996669,0.00036469946,0.0005772695,0.0009256291,0.0009849027,0.00047848077],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008608047,0.0010036055,0.0009769227,0.00062018784,0.001531088,0.00064865703,0.00047408466,0.0006879816,0.012067794],"category_scores_gemma":[0.000417633,0.0010072513,0.0006412309,0.0002588493,0.0014964682,0.0035300942,0.00011819986,0.002294666,0.000924761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013147127,0.0010914995,0.0001152886,0.00031639027,0.0001873421,0.000044064225,0.0037999272,0.000011600384,0.0025526562,0.60210145,0.38692817,0.0027201122],"study_design_scores_gemma":[0.00031897708,0.00044455592,0.00022808237,0.00015448744,0.000291532,0.00006200705,0.000078154386,0.000090334615,0.0018759377,0.26912448,0.7264555,0.00087595533],"about_ca_topic_score_codex":0.00503466,"about_ca_topic_score_gemma":0.000580299,"teacher_disagreement_score":0.7621823,"about_ca_system_score_codex":0.00019893263,"about_ca_system_score_gemma":0.0001239669,"threshold_uncertainty_score":0.99985313},"labels":[],"label_agreement":null},{"id":"W2234143325","doi":"","title":"Base de données du Collectif interuniversitaire d'étude du littéraire (CIEL)","year":2009,"lang":"fr","type":"article","venue":"ORBi (University of Liège)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Philosophy","score_opus":0.015388627063469619,"score_gpt":0.17693973463821697,"score_spread":0.16155110757474736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234143325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6615031,0.007841159,0.0008440047,0.08000059,0.0011710387,0.00025626188,0.00027618144,0.00019051574,0.24791718],"genre_scores_gemma":[0.79184806,0.00083970546,0.00033038098,0.00042810763,0.00063730864,5.8440545e-8,0.000014506111,0.000010018846,0.20589182],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872655,0.00015484045,0.00017525474,0.00033793398,0.00021438007,0.00039107286],"domain_scores_gemma":[0.9990055,0.000101458354,0.00016648439,0.0002583705,0.00020054,0.00026762323],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014932819,0.0002482271,0.00040932308,0.00023745057,0.0014870381,0.00008039838,0.0004825015,0.0001658965,0.009412554],"category_scores_gemma":[0.000009261762,0.00030305833,0.00038719483,0.0002521083,0.00062745425,0.0008793221,0.000110195164,0.0002717941,0.00017310778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00073603215,0.0020899686,0.00606596,0.00038652384,0.00054966856,0.0024440263,0.2094211,0.000079366546,0.00026632092,0.38498223,0.3714748,0.02150399],"study_design_scores_gemma":[0.00082246854,0.0007158424,0.004904693,0.00028492426,0.00036247764,0.000030205554,0.02312818,0.0007272866,0.000027090891,0.00095115363,0.96764344,0.00040223045],"about_ca_topic_score_codex":0.012775448,"about_ca_topic_score_gemma":0.0022190171,"teacher_disagreement_score":0.59616864,"about_ca_system_score_codex":0.0003632634,"about_ca_system_score_gemma":0.00014670538,"threshold_uncertainty_score":0.9999421},"labels":[],"label_agreement":null},{"id":"W2236411054","doi":"","title":"Le dialogue à la Renaissance","year":2011,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Humanities; Art; The Renaissance; Philosophy; Art history","score_opus":0.02879122727421559,"score_gpt":0.21512567737468627,"score_spread":0.18633445010047067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236411054","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060107736,0.00933018,0.010196218,0.011965816,0.00081396295,0.0002815663,0.00023368011,0.00023075157,0.960937],"genre_scores_gemma":[0.57804704,0.001560604,0.0045213825,0.00017284919,0.0002218753,0.00007205013,0.00060203066,0.00006286568,0.4147393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902239,0.007281377,0.00075008103,0.00090653077,0.00035124295,0.00048685895],"domain_scores_gemma":[0.9940711,0.0016141034,0.0005783835,0.0018986807,0.0015378366,0.00029984192],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003287208,0.0004856741,0.0006017259,0.00017136328,0.0014682265,0.0006763266,0.0014089122,0.00035956415,0.002628558],"category_scores_gemma":[0.0006857829,0.0005056413,0.0004727522,0.00017727273,0.0013631594,0.00034478927,0.00086820556,0.00093408505,0.0005196979],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013867056,0.0008309849,0.00014651734,0.00015282065,0.000108342,0.000013770404,0.051198915,0.000006504747,0.000117779484,0.92545253,0.011925854,0.010032103],"study_design_scores_gemma":[0.00029493507,6.05195e-7,0.0005184036,0.0014513565,0.00009389859,0.000008044094,0.00023582284,0.0003504039,0.0021589345,0.024919,0.96941525,0.0005533433],"about_ca_topic_score_codex":0.029178482,"about_ca_topic_score_gemma":0.010225478,"teacher_disagreement_score":0.9574894,"about_ca_system_score_codex":0.00010017729,"about_ca_system_score_gemma":0.00038105945,"threshold_uncertainty_score":0.99983174},"labels":[],"label_agreement":null},{"id":"W2236786584","doi":"10.25071/0843-4182.29507","title":"Littérature franco-ontarienne: État de lieux","year":2000,"lang":"fr","type":"article","venue":"LittéRéalité","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011564291369356211,"score_gpt":0.21053617502509508,"score_spread":0.19897188365573887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236786584","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08943603,0.21057244,0.000027993825,0.021785174,0.0031932609,0.00025594467,0.0008398236,0.00026444154,0.6736249],"genre_scores_gemma":[0.05460594,0.0038746533,0.00023217322,0.0044800728,0.008907511,0.000029292658,0.00012905188,0.00006046777,0.92768085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972343,0.00026537353,0.00061040744,0.0005736813,0.0003320311,0.0009842274],"domain_scores_gemma":[0.99860656,0.00015004571,0.000096257565,0.00057119445,0.00009980339,0.00047612164],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025493375,0.00048177922,0.0005370219,0.00008881358,0.0009981743,0.0004290615,0.00041751453,0.0003741539,0.09137008],"category_scores_gemma":[0.000029175524,0.00043577497,0.00047719796,0.00026137425,0.00073706167,0.00058140635,0.000039915685,0.0007834371,0.0029625031],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017332601,0.0006838715,0.00027167867,0.00031737308,0.00023194235,0.0003159059,0.08120573,0.00005649171,0.0000146583325,0.5431146,0.18539907,0.18821535],"study_design_scores_gemma":[0.00039360826,0.00022127468,0.00027242926,0.00020080885,0.00017750554,0.000043932887,0.0011338413,0.00014106224,0.000025683936,0.010611279,0.98621166,0.00056688866],"about_ca_topic_score_codex":0.007307847,"about_ca_topic_score_gemma":0.0010691844,"teacher_disagreement_score":0.8008126,"about_ca_system_score_codex":0.00023376253,"about_ca_system_score_gemma":0.00013323325,"threshold_uncertainty_score":0.9998094},"labels":[],"label_agreement":null},{"id":"W2238342638","doi":"","title":"Au coeur de toutes les renaissances, une traversée de la matière fictive : la longue histoire des genres narratifs brefs en France","year":2010,"lang":"fr","type":"article","venue":"XYZ. La revue de la nouvelle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007537598335259538,"score_gpt":0.2205765922333599,"score_spread":0.21303899389810035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2238342638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48626673,0.016671408,0.0006411458,0.0027692944,0.00089044764,0.00022219165,0.00041780353,0.00015413719,0.49196684],"genre_scores_gemma":[0.625321,0.0006879353,0.0020303843,0.00014657395,0.0019010332,0.00004715406,0.00003500157,0.000061148865,0.3697698],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970206,0.0011773908,0.00046326057,0.0004841678,0.0001918052,0.00066276966],"domain_scores_gemma":[0.996997,0.0020286238,0.00020963495,0.0003685179,0.00011183041,0.0002843956],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000750502,0.000450415,0.00054499705,0.000118231495,0.0016604966,0.00032552303,0.00047032355,0.00058630673,0.003665934],"category_scores_gemma":[0.00027828143,0.00043443378,0.00030868183,0.00017065778,0.0026373952,0.0003621865,0.000075813325,0.0011411192,0.000062614796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015179481,0.00077906245,0.008531342,0.0013304569,0.00032499197,0.00096222933,0.548461,0.00035738904,0.0028949443,0.29905078,0.06117274,0.07598322],"study_design_scores_gemma":[0.0004609279,0.00012137152,0.0065113246,0.00047183054,0.00016335204,0.00023394923,0.01031892,0.00066550786,0.00041189045,0.0026390713,0.97746617,0.0005356737],"about_ca_topic_score_codex":0.02180456,"about_ca_topic_score_gemma":0.011567228,"teacher_disagreement_score":0.91629344,"about_ca_system_score_codex":0.0003645987,"about_ca_system_score_gemma":0.00032061423,"threshold_uncertainty_score":0.99981076},"labels":[],"label_agreement":null},{"id":"W2239785231","doi":"","title":"Bo Lundè. (Re)educating the Reader: Fictional Critiques of Poststructuralism in Banville's \"Dr Copernicus\"","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Copernicus; Philosophy; Literature; Art; Physics; Astronomy","score_opus":0.04011065791534144,"score_gpt":0.3038012345568693,"score_spread":0.26369057664152784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2239785231","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042173743,0.08953128,0.000010441451,0.051416367,0.002926085,0.00052123563,0.00023102056,0.000099287834,0.81309056],"genre_scores_gemma":[0.88106495,0.038191356,0.000055233,0.005962905,0.0014771324,0.00007396103,0.00023786274,0.000017508823,0.07291907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988853,0.000100170815,0.0005010321,0.00016093002,0.00025473878,0.000097854056],"domain_scores_gemma":[0.99945265,0.00011385039,0.000111192516,0.00012585944,0.00016952663,0.000026900256],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018831175,0.00010796415,0.00019721819,0.00006511438,0.00013908844,0.00004922971,0.00022034097,0.000024341383,0.06477698],"category_scores_gemma":[0.00006390303,0.00007155885,0.00014169254,0.00006902611,0.00009569036,0.0002895842,0.000014679669,0.00015504968,0.00009731227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006243622,0.0002745869,0.001027281,0.00082659174,0.00021943793,0.000010709271,0.020321973,0.00011329038,0.00006240384,0.30103374,0.573887,0.102160595],"study_design_scores_gemma":[0.00006857233,0.000018952032,0.00072275137,0.00086174643,0.000021625734,0.000013483996,0.00027820555,0.0000936211,0.000010119335,0.00041270236,0.9974135,0.000084690684],"about_ca_topic_score_codex":0.0008847345,"about_ca_topic_score_gemma":0.00014776006,"teacher_disagreement_score":0.8388912,"about_ca_system_score_codex":0.00007308699,"about_ca_system_score_gemma":0.000024557,"threshold_uncertainty_score":0.93607795},"labels":[],"label_agreement":null},{"id":"W2241304333","doi":"","title":"Quelques aspects de la question de l'âme des bêtes au XVIIe siècle : Descartes et Gassendi","year":2009,"lang":"fr","type":"article","venue":"Open Repository and Bibliography (University of Liège)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Philosophy; Humanities","score_opus":0.016995143276113726,"score_gpt":0.24595002475708522,"score_spread":0.22895488148097148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2241304333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6916184,0.01903631,0.00023670869,0.0016477987,0.00017499809,0.00016363373,0.00004736417,0.000060807783,0.287014],"genre_scores_gemma":[0.97903395,0.0074221515,0.001632908,0.00016812683,0.00020147864,4.1501104e-7,0.000010227826,0.000008808772,0.011521911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99808246,0.0009320877,0.00018248883,0.00031193663,0.00015602939,0.00033500855],"domain_scores_gemma":[0.9990538,0.00020711236,0.00018103333,0.00018156087,0.00013526058,0.0002412688],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00074172014,0.00021185324,0.0003319816,0.0022694236,0.001824394,0.00060556596,0.0003483325,0.00016624245,0.00015429799],"category_scores_gemma":[0.0000012841429,0.0002336944,0.00024401219,0.0016076003,0.001406294,0.0018358285,0.000097969874,0.00023066756,0.000003825402],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003728027,0.0013436587,0.37381917,0.00035179436,0.00043731066,0.000646069,0.025945352,0.000018152474,0.0065878225,0.5629377,0.02450555,0.0030346417],"study_design_scores_gemma":[0.0008120385,0.0014764817,0.8151443,0.0010645626,0.00071863027,0.0001813429,0.00645641,0.00006601298,0.0015620826,0.043901898,0.12795421,0.000661994],"about_ca_topic_score_codex":0.07249192,"about_ca_topic_score_gemma":0.0005507541,"teacher_disagreement_score":0.51903576,"about_ca_system_score_codex":0.000055449047,"about_ca_system_score_gemma":0.00011692336,"threshold_uncertainty_score":0.9994751},"labels":[],"label_agreement":null},{"id":"W2241652208","doi":"","title":"Novela y sociedad en Quebec","year":2001,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.01312909245690146,"score_gpt":0.22815906033593547,"score_spread":0.215029967879034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2241652208","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38211897,0.0018522459,0.0001859921,0.0025682445,0.0005891131,0.00014323379,0.00014387508,0.00017131066,0.612227],"genre_scores_gemma":[0.7265083,0.0005330401,0.00007851057,0.0006642915,0.001567628,0.0000029415744,0.00005914386,0.000033936947,0.27055222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981262,0.00037987274,0.00024364173,0.0004052403,0.00029464395,0.0005503957],"domain_scores_gemma":[0.99867576,0.0005203537,0.0001442892,0.00031533747,0.00008297854,0.00026125344],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026982304,0.00033379762,0.0004173083,0.00027041868,0.00079992344,0.00075953855,0.00043308258,0.00030007545,0.011136348],"category_scores_gemma":[0.00004019322,0.0003416857,0.00038766788,0.00019133023,0.00054664497,0.00068091776,0.00011116246,0.00047341612,0.0009383843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011763302,0.0003685966,0.0022438965,0.00007312092,0.00027773328,0.00069518754,0.06468405,0.000022536473,0.00017159365,0.83634174,0.08125024,0.013753698],"study_design_scores_gemma":[0.0006594139,0.00009517506,0.0047974912,0.00006886434,0.0002179545,0.000017965865,0.004967868,0.00020432302,0.000008963649,0.0013955332,0.9871026,0.0004638051],"about_ca_topic_score_codex":0.022381403,"about_ca_topic_score_gemma":0.00352479,"teacher_disagreement_score":0.9058524,"about_ca_system_score_codex":0.00041043153,"about_ca_system_score_gemma":0.000216575,"threshold_uncertainty_score":0.9999035},"labels":[],"label_agreement":null},{"id":"W2250033483","doi":"","title":"Empreinte carbone chez tarkett inc.","year":2010,"lang":"fr","type":"article","venue":"Knowledge UdeS (Institutional Deposit of the University of Sherbrooke)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.012095413239061157,"score_gpt":0.18945515462120543,"score_spread":0.17735974138214428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2250033483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5016698,0.040081386,0.0014755751,0.0012376587,0.0062931553,0.0002968505,0.00016976324,0.000050714585,0.44872504],"genre_scores_gemma":[0.85874134,0.00041041386,0.00050551817,0.000026996144,0.0005399395,2.3996415e-7,0.000012924168,0.000010023725,0.13975258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987217,0.00012420553,0.0003265755,0.00027561816,0.00029864986,0.0002532027],"domain_scores_gemma":[0.9989905,0.00008152565,0.00014017464,0.00037011155,0.00027652766,0.00014118523],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001847652,0.00024162297,0.00038646083,0.0001318466,0.0011213702,0.00002885349,0.00076378003,0.00019549925,0.0021756494],"category_scores_gemma":[0.00004212249,0.00021703079,0.00045870955,0.00015420407,0.0033854,0.00037747322,0.00029848944,0.00051592436,0.00014182934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041694823,0.0022317546,0.002632768,0.006096014,0.0009643283,0.000062868356,0.07961299,0.0020889502,0.054740753,0.8058064,0.038496427,0.0068497905],"study_design_scores_gemma":[0.0004770391,0.00008798909,0.0043564416,0.001309303,0.00038972328,0.000019099338,0.00029941698,0.003157683,0.0056049516,0.00047387654,0.98356736,0.00025713007],"about_ca_topic_score_codex":0.01480818,"about_ca_topic_score_gemma":0.045867663,"teacher_disagreement_score":0.9450709,"about_ca_system_score_codex":0.00036947906,"about_ca_system_score_gemma":0.00019070423,"threshold_uncertainty_score":0.9993268},"labels":[],"label_agreement":null},{"id":"W2262187296","doi":"10.71781/9158","title":"L'Autoportrait de 1879 par William Bouguereau (1825-1905) : la représentation d'un artiste académique","year":2015,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009194626337485239,"score_gpt":0.19704917070874045,"score_spread":0.1878545443712552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262187296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.501917,0.03150629,0.00025747938,0.00065856206,0.0026949798,0.0004849745,0.00036601382,0.00026672738,0.461848],"genre_scores_gemma":[0.57972646,0.00085339573,0.00042763446,0.00022190812,0.0011725704,0.000048263573,0.0018323252,0.000058030524,0.41565943],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963978,0.00046802528,0.00080243166,0.00085716136,0.00081151986,0.0006630431],"domain_scores_gemma":[0.997438,0.00018407377,0.0007085288,0.00044872548,0.00054725877,0.0006733969],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00043435246,0.0006761194,0.0006708691,0.0003577187,0.010036269,0.000255119,0.0004599553,0.0007118534,0.00056540204],"category_scores_gemma":[0.0000789322,0.0007500965,0.000591718,0.00023214432,0.00072514114,0.0009148853,0.000104801555,0.0008375304,0.00020262253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014509015,0.0010950207,0.008165077,0.0006071827,0.0012982865,0.008514605,0.43626976,0.0014990271,0.004150596,0.50738305,0.018383868,0.011182658],"study_design_scores_gemma":[0.00093938265,0.00019632716,0.013342539,0.00040135157,0.0009419754,0.00076394615,0.034317695,0.0004787332,0.002295415,0.004096103,0.9413044,0.0009221221],"about_ca_topic_score_codex":0.0892412,"about_ca_topic_score_gemma":0.013115744,"teacher_disagreement_score":0.9229205,"about_ca_system_score_codex":0.0054526585,"about_ca_system_score_gemma":0.002254845,"threshold_uncertainty_score":0.999495},"labels":[],"label_agreement":null},{"id":"W2263792323","doi":"10.14288/1.0098719","title":"De l'ancien et du nouveau dans le roman quebecois : une etude comparative entre le roman de la terre et deux romans contemporains : Terre du roi Christian de Sylvain Trudel et De l'amour dans la ferraille de Roch Carrier","year":2010,"lang":"fr","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007789685114671866,"score_gpt":0.20073805741896972,"score_spread":0.19294837230429784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263792323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.874344,0.0004920605,0.0031587693,0.0032282704,0.00018726657,0.00029761417,0.0021032726,0.0001363549,0.116052374],"genre_scores_gemma":[0.97463423,0.00011701704,0.0008401385,0.00064339646,0.00023038905,0.0000074134073,0.00028931946,0.00006321354,0.023174895],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99592763,0.0016609083,0.00039568046,0.00072445365,0.00033254162,0.00095879124],"domain_scores_gemma":[0.997922,0.0003875274,0.000338392,0.00044403283,0.00019596046,0.00071206194],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0012915562,0.00029383248,0.0008186983,0.00013196639,0.0018233724,0.00080703583,0.0008840972,0.0004795083,0.00047989123],"category_scores_gemma":[0.000103709324,0.0007029282,0.00049116195,0.00024814502,0.001855617,0.0010601552,0.00021130835,0.001091783,0.0000118259695],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011361005,0.0027634243,0.11008057,0.00033572075,0.0006713671,0.004139785,0.7331176,0.0004570991,0.0029620696,0.026155531,0.11655594,0.002647306],"study_design_scores_gemma":[0.0019137163,0.0002169443,0.5753227,0.0003604521,0.00025615102,0.00065430586,0.141346,0.0026245553,0.000009492301,0.0011226545,0.2754949,0.0006781072],"about_ca_topic_score_codex":0.9283584,"about_ca_topic_score_gemma":0.98475564,"teacher_disagreement_score":0.5917716,"about_ca_system_score_codex":0.00090012787,"about_ca_system_score_gemma":0.0024343268,"threshold_uncertainty_score":0.9995422},"labels":[],"label_agreement":null},{"id":"W2268086691","doi":"","title":"Des nouvelles du futur aux lecteurs du présent / Élisabeth Vonarburg, La musique du soleil, Québec, Alire, coll. « Science-fiction », 2013, 282 p.","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.00733845746815683,"score_gpt":0.16405143517848086,"score_spread":0.15671297771032403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2268086691","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47893158,0.13314496,0.0018056423,0.18918277,0.0057285405,0.00068449025,0.0001969912,0.0005430597,0.18978195],"genre_scores_gemma":[0.5520099,0.04136429,0.00024066579,0.0011712492,0.0040137093,0.000015311034,0.000054496708,0.00007872274,0.40105167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973595,0.00036176914,0.0003549719,0.0006655624,0.0004939916,0.0007641934],"domain_scores_gemma":[0.9980972,0.0002996473,0.00025941624,0.00038718316,0.00047702948,0.00047955863],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005487831,0.00045860437,0.00049020385,0.000382092,0.005776854,0.0002363286,0.0005654453,0.00022159683,0.0020576695],"category_scores_gemma":[0.00008434913,0.0004543225,0.0003503904,0.00041490706,0.0021745376,0.001311926,0.00030403808,0.0003443409,0.00023870509],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014934345,0.0004917738,0.0010052808,0.00010023208,0.00015826405,0.00036601996,0.029876817,0.0003178461,0.00018910649,0.23729892,0.7146363,0.015410059],"study_design_scores_gemma":[0.0007042538,0.00029208025,0.0007421219,0.000110606976,0.00030079947,0.00015692823,0.0049725785,0.0045067435,0.0000949225,0.0008538354,0.9867101,0.0005550433],"about_ca_topic_score_codex":0.3593274,"about_ca_topic_score_gemma":0.41035923,"teacher_disagreement_score":0.27207375,"about_ca_system_score_codex":0.005435696,"about_ca_system_score_gemma":0.00044426386,"threshold_uncertainty_score":0.99979085},"labels":[],"label_agreement":null},{"id":"W2269080683","doi":"10.17118/11143/8344","title":"La parole de l’eau : symboles marins et répression sexuelle dans Les fous de Bassan","year":2015,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.025622117199977628,"score_gpt":0.2447824834070717,"score_spread":0.2191603662070941,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2269080683","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39147997,0.026965072,0.0026028065,0.0049522505,0.0009360497,0.00017539597,0.00024507966,0.00018570632,0.5724577],"genre_scores_gemma":[0.57731915,0.0004970336,0.0007150114,0.00075754453,0.0007582463,0.000021501966,0.0000765442,0.000053452204,0.41980153],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758005,0.0006850351,0.00037636445,0.00040208505,0.00028440246,0.0006720418],"domain_scores_gemma":[0.9986443,0.00027217364,0.00013098857,0.00032825168,0.000096693206,0.00052757096],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005598916,0.00037370867,0.0004146041,0.00012149672,0.0009537359,0.00028999642,0.0003226453,0.0004147111,0.0008664613],"category_scores_gemma":[0.00010393674,0.00033103873,0.00024882788,0.00009883629,0.0009181247,0.0003806802,0.00009676167,0.0007551734,0.00009339802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018941186,0.0008811706,0.011599135,0.00030502072,0.00025265806,0.00054592633,0.3127311,0.0009093537,0.00037382462,0.38617027,0.2520064,0.03403575],"study_design_scores_gemma":[0.00043540754,0.00022047933,0.00069484906,0.00020458971,0.00017100852,0.000053308413,0.020708913,0.0019893874,0.00016868197,0.0056954073,0.96921563,0.00044232982],"about_ca_topic_score_codex":0.03755042,"about_ca_topic_score_gemma":0.0051655495,"teacher_disagreement_score":0.7172092,"about_ca_system_score_codex":0.0005323495,"about_ca_system_score_gemma":0.00021602053,"threshold_uncertainty_score":0.99991417},"labels":[],"label_agreement":null},{"id":"W2269625738","doi":"10.3917/r2050.059.0021","title":"L’Image fantôme ou l’écriture au miroir du cliché","year":2015,"lang":"fr","type":"article","venue":"Roman 20-50","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bruyère","funders":"","keywords":"Art","score_opus":0.03689134317830274,"score_gpt":0.24506230060515957,"score_spread":0.20817095742685682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2269625738","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038815495,0.04559736,0.000116253184,0.033330545,0.0068204426,0.00027587495,0.00069373753,0.0002361815,0.8741141],"genre_scores_gemma":[0.16287714,0.00029028647,0.00039452701,0.0022900354,0.012392917,0.00001855632,0.00022496503,0.000075374286,0.8214362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779093,0.00019127884,0.0004909743,0.00046837403,0.00038664337,0.0006718077],"domain_scores_gemma":[0.99861926,0.00008807479,0.00013974527,0.00044557842,0.0001685648,0.00053878827],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026003277,0.00040656966,0.00050082634,0.00012986119,0.0007408198,0.00035253336,0.00037736245,0.00021594846,0.0056311525],"category_scores_gemma":[0.00006168349,0.00035427825,0.00032947055,0.000098908844,0.00049326813,0.0006860327,0.00011701927,0.00043634474,0.0043778867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065097774,0.00048588566,0.00032240374,0.000169101,0.00012240047,0.0002435692,0.032823257,0.0000034836703,0.00007981119,0.18204843,0.7818217,0.0018148537],"study_design_scores_gemma":[0.00051678397,0.0003501391,0.00028293245,0.00012150616,0.00018839721,0.000031425345,0.0017115534,0.00024626617,0.000018190738,0.002647254,0.993385,0.0005005468],"about_ca_topic_score_codex":0.0052827597,"about_ca_topic_score_gemma":0.0017691377,"teacher_disagreement_score":0.21156329,"about_ca_system_score_codex":0.00024926692,"about_ca_system_score_gemma":0.00014052719,"threshold_uncertainty_score":0.9998909},"labels":[],"label_agreement":null},{"id":"W2272595233","doi":"","title":"Jeu : revue de théâtre - No 135 Subversion","year":2010,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subversion; Art; Humanities; Art history","score_opus":0.015338798991558818,"score_gpt":0.20472955907517834,"score_spread":0.18939076008361952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2272595233","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033407412,0.0012821602,0.000025035128,0.023858344,0.0047141467,0.00005925549,0.00003927648,0.00006968499,0.93654466],"genre_scores_gemma":[0.06695701,0.00010652352,0.00024395804,0.0013776155,0.0053214408,0.0000024609856,0.00001804387,0.000012935368,0.92596],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991773,0.000040768453,0.00019067165,0.00020065375,0.00009345881,0.00029719935],"domain_scores_gemma":[0.9993756,0.000089063666,0.000046232442,0.00021569818,0.00010009968,0.00017331749],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011242379,0.00014768666,0.00016829639,0.00005560739,0.00051420426,0.00014292194,0.00015883756,0.00012812026,0.1281689],"category_scores_gemma":[0.00003169906,0.00012377226,0.00017004675,0.000041086827,0.00022103901,0.00033569185,0.000040648763,0.00038282142,0.0046870466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013245994,0.00012285185,0.00014582557,0.00006935628,0.000019643681,0.000033300854,0.0030519944,5.47932e-7,0.00033278405,0.6108666,0.38351732,0.0018265343],"study_design_scores_gemma":[0.00010879873,0.00009177605,0.000053796804,0.00004438371,0.000060057668,0.000011425835,0.0002547569,0.00028335536,0.0001104282,0.0019434,0.9968427,0.00019510962],"about_ca_topic_score_codex":0.004103804,"about_ca_topic_score_gemma":0.0017805127,"teacher_disagreement_score":0.6133254,"about_ca_system_score_codex":0.000039010156,"about_ca_system_score_gemma":0.000036218495,"threshold_uncertainty_score":0.9960879},"labels":[],"label_agreement":null},{"id":"W2278123867","doi":"10.7202/1031154ar","title":"L’impermanence est-elle soluble dans le répertoire?","year":2015,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03818531822091956,"score_gpt":0.23729981709697315,"score_spread":0.1991144988760536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2278123867","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03215413,0.018470123,0.00015548102,0.05697949,0.0060792384,0.00080325594,0.0005568329,0.00069103617,0.8841104],"genre_scores_gemma":[0.42417097,0.001151327,0.00033273894,0.00079489785,0.0027800833,0.00008503154,0.00016409635,0.00015315425,0.5703677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941164,0.000501371,0.0014347621,0.0013615434,0.00082549365,0.0017604143],"domain_scores_gemma":[0.99611086,0.00032064988,0.00047401685,0.0012016885,0.0005075717,0.0013852237],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00065112155,0.0012172924,0.0013877192,0.00032563708,0.0017799819,0.0006939428,0.001435651,0.00052499096,0.0011173121],"category_scores_gemma":[0.00017130144,0.0011924139,0.0009622707,0.00042165915,0.0020958597,0.0023092895,0.00028620198,0.0010296473,0.0012195094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021267032,0.0012960836,0.00021395218,0.0006877881,0.00031719034,0.00062904146,0.055146072,0.00047073376,0.00018342669,0.7090548,0.22879852,0.0029897236],"study_design_scores_gemma":[0.00047857797,0.0007217601,0.00007815,0.0008540261,0.00044991358,0.00024858478,0.0047207926,0.0012214842,0.00022010249,0.002494436,0.9869814,0.0015307602],"about_ca_topic_score_codex":0.021470087,"about_ca_topic_score_gemma":0.064436264,"teacher_disagreement_score":0.7581829,"about_ca_system_score_codex":0.0006763384,"about_ca_system_score_gemma":0.0012413765,"threshold_uncertainty_score":0.9997958},"labels":[],"label_agreement":null},{"id":"W2279664978","doi":"","title":"L'Amérique du nord française dans les archives religieuses de Rome, 1600-1922, guide de recherche, sous la direction de Pierre Hurtubise, Luca Codignola Et Fernand Harvey ([Québec] : Editions de l'I.Q.R.C., 1999 ; in-8°, XI-202 pages, tabl., cartes, ill.)","year":2000,"lang":"fr","type":"article","venue":"Bibliothèque de l école des chartes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04969792337682733,"score_gpt":0.2839462839048427,"score_spread":0.2342483605280154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279664978","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59361875,0.15634614,0.003969839,0.0068671633,0.00062870054,0.00076751586,0.0016147008,0.0006817258,0.23550546],"genre_scores_gemma":[0.35412472,0.29955024,0.0046673827,0.0032927697,0.00414991,0.0008650285,0.00035025488,0.00032311646,0.33267656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99349326,0.0027352783,0.0010148871,0.0008352235,0.00032532908,0.001596012],"domain_scores_gemma":[0.9947821,0.0034352506,0.0002748965,0.00056588056,0.00020981989,0.0007320425],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017465776,0.00080256665,0.00082472,0.0019479502,0.0014946825,0.0014978723,0.0006411953,0.00073009526,0.0027728672],"category_scores_gemma":[0.001280757,0.0008512742,0.0004950903,0.0017942004,0.0011060286,0.0016209744,0.00009833406,0.0015716535,0.000077365985],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066222035,0.003404527,0.21704443,0.0014309228,0.00056209386,0.0016429832,0.22469735,0.0034296191,0.0057840985,0.018549526,0.47713047,0.04566175],"study_design_scores_gemma":[0.0009038216,0.00030139493,0.10157347,0.0011690841,0.0002536082,0.00042706786,0.0013861471,0.0018169899,0.00073414313,0.0044568926,0.8860487,0.0009287129],"about_ca_topic_score_codex":0.21300945,"about_ca_topic_score_gemma":0.39678934,"teacher_disagreement_score":0.40891817,"about_ca_system_score_codex":0.0017897432,"about_ca_system_score_gemma":0.0036425863,"threshold_uncertainty_score":0.9998052},"labels":[],"label_agreement":null},{"id":"W2280812866","doi":"","title":"Archives of Inspiration / Les archives de l’inspiration","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.025026790097880718,"score_gpt":0.234170757304576,"score_spread":0.20914396720669529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280812866","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026191896,0.0062352656,0.0017968131,0.00013687095,0.0014893868,0.00031775818,0.00039885618,0.00009106744,0.9633421],"genre_scores_gemma":[0.09481876,0.0008954689,0.0071447906,0.0051175947,0.005112012,0.0001140335,0.0006117817,0.00008311603,0.88610244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791545,0.00023047422,0.0006483974,0.00046160584,0.00024570007,0.00049835973],"domain_scores_gemma":[0.9986556,0.00023944039,0.0003484419,0.00041489353,0.000103831655,0.00023777816],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020160041,0.000397013,0.00047367983,0.00017707703,0.00086003833,0.00024633057,0.0003519195,0.00030524537,0.0717608],"category_scores_gemma":[0.00015154081,0.00035048835,0.0002997371,0.00015333755,0.00086743856,0.0004830524,0.000068375884,0.0008758792,0.00008666478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010734312,0.0008690177,0.000607098,0.00058153283,0.00018460577,0.000013644915,0.020849764,0.0003056144,0.11400041,0.7583415,0.094540074,0.0095994035],"study_design_scores_gemma":[0.00044750064,0.00025114865,0.00023952965,0.00023058482,0.00020154055,0.000013644176,0.0008737822,0.0028129849,0.0056370124,0.008393152,0.980483,0.00041609647],"about_ca_topic_score_codex":0.0011396643,"about_ca_topic_score_gemma":0.000106598534,"teacher_disagreement_score":0.88594294,"about_ca_system_score_codex":0.000028127635,"about_ca_system_score_gemma":0.00020256733,"threshold_uncertainty_score":0.99989474},"labels":[],"label_agreement":null},{"id":"W2282407184","doi":"10.14288/1.0099470","title":"Entre femmes et jeunes filles : le roman pour adolescentes en France et au Quebec","year":2009,"lang":"en","type":"article","venue":"Open Collections","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.029082940742176704,"score_gpt":0.25918032225336923,"score_spread":0.23009738151119252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2282407184","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023786167,0.00036417373,0.00007208365,0.013773413,0.00028601967,0.00022602669,0.00009312438,0.00008519588,0.9827213],"genre_scores_gemma":[0.25251633,0.000019899311,0.0000947509,0.0011947913,0.00024386511,0.000019526571,0.000022181259,0.000007247653,0.7458814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992225,0.00012578482,0.00017817365,0.00020513362,0.00009266536,0.0001757096],"domain_scores_gemma":[0.999573,0.00010311806,0.000053580112,0.00014540424,0.000059541857,0.00006536788],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000879334,0.00013121993,0.00018861424,0.00006017674,0.0022621204,0.0012085025,0.00024387838,0.00003241811,0.003710943],"category_scores_gemma":[0.000038479484,0.0001109125,0.00009931661,0.00014625219,0.000055057677,0.00053505594,0.000045215726,0.00013554108,0.00005479082],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017198174,0.00041435182,0.00017215959,0.0000066379303,0.00003442128,0.000005188987,0.019394431,0.000020981599,0.000020672724,0.077704564,0.90146613,0.00074328715],"study_design_scores_gemma":[0.00022509236,0.00006834514,0.001028448,0.000058814257,0.00001950231,0.0000026145965,0.004341923,0.0000395433,0.000039635757,0.0023111904,0.9917038,0.00016106133],"about_ca_topic_score_codex":0.17946514,"about_ca_topic_score_gemma":0.28426844,"teacher_disagreement_score":0.25013772,"about_ca_system_score_codex":0.00007219229,"about_ca_system_score_gemma":0.00024636008,"threshold_uncertainty_score":0.99982834},"labels":[],"label_agreement":null},{"id":"W2285215321","doi":"10.71781/8477","title":"Jacques-Pierre Brissot, Étienne Clavière et la libre Amérique : du gallo-américanisme à la mission Genet","year":2008,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.03189223698304344,"score_gpt":0.29491632943254786,"score_spread":0.2630240924495044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2285215321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16169867,0.006136272,0.000010027735,0.0010924384,0.00081621105,0.00056702906,0.0005436527,0.000014214469,0.8291215],"genre_scores_gemma":[0.12916061,0.004803193,0.0007338923,0.00027570748,0.0013042128,0.00004485561,0.0045927996,0.00012255754,0.8589622],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99638253,0.0008162654,0.0008633039,0.00095805974,0.00043586857,0.00054394023],"domain_scores_gemma":[0.99795866,0.0003722428,0.00053657324,0.0004797317,0.00023748259,0.00041533023],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004049787,0.0007613959,0.0009458856,0.0002719318,0.0012331175,0.0013318047,0.0010856263,0.00067892607,0.02800341],"category_scores_gemma":[0.00006390822,0.0006804692,0.00044490604,0.00018206018,0.0003118219,0.0010076687,0.00021427074,0.00093914097,0.0010044251],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009019327,0.00257962,0.001233395,0.0005013155,0.0007461794,0.0028368938,0.450703,0.00013242193,0.0010311871,0.026134359,0.30494857,0.20825115],"study_design_scores_gemma":[0.0005380017,0.00031110112,0.0008825891,0.00066998356,0.00020555111,0.00010122972,0.006509733,0.0001239477,0.00024471298,0.00016934889,0.98934275,0.0009010805],"about_ca_topic_score_codex":0.0055825254,"about_ca_topic_score_gemma":0.005932885,"teacher_disagreement_score":0.6843942,"about_ca_system_score_codex":0.00012211686,"about_ca_system_score_gemma":0.0004736254,"threshold_uncertainty_score":0.9997734},"labels":[],"label_agreement":null},{"id":"W2286121737","doi":"10.33137/q.i..v27i1.8978","title":"Drammaturgia e sacre scritture nell'Età dei Lumi","year":2006,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.019597515010016685,"score_gpt":0.22706392750525975,"score_spread":0.20746641249524306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2286121737","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048990482,0.010991563,0.00044978614,0.00303772,0.0031887034,0.0004319133,0.0013810011,0.00042544163,0.9751948],"genre_scores_gemma":[0.5730447,0.00004435268,0.0001751568,0.0006626933,0.005019174,0.00001496717,0.00037602265,0.00008018098,0.42058277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960272,0.00021735507,0.0010430227,0.00091898645,0.00070011115,0.0010933807],"domain_scores_gemma":[0.9981227,0.00023851855,0.0002891434,0.00072134874,0.00023935108,0.00038894798],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001846862,0.0007845753,0.00085229636,0.0001911207,0.0016165313,0.0013081997,0.0006121831,0.0004118992,0.0844861],"category_scores_gemma":[0.00008542849,0.0007024722,0.00058624643,0.00020355378,0.0008189174,0.00049926876,0.0001148946,0.0007971209,0.012098109],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009372458,0.0006591692,0.00020051384,0.00031525275,0.00017495018,0.0005719252,0.0042761527,0.000012653865,0.00009634372,0.57921386,0.4133654,0.001020044],"study_design_scores_gemma":[0.000357077,0.00024001805,0.00025418345,0.00018673169,0.0004683611,0.00003597829,0.001421006,0.00030856405,0.000056488294,0.009418795,0.9862705,0.0009822798],"about_ca_topic_score_codex":0.0032276104,"about_ca_topic_score_gemma":0.00043283062,"teacher_disagreement_score":0.5729051,"about_ca_system_score_codex":0.00020442564,"about_ca_system_score_gemma":0.00012908941,"threshold_uncertainty_score":0.99972856},"labels":[],"label_agreement":null},{"id":"W2289004495","doi":"","title":"A Scholastic Strikes Back: Noël Béda’s ' Apologia ... adversus clandestinos Lutheranos ' (1529)","year":2011,"lang":"en","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Philosophy","score_opus":0.09866980678922914,"score_gpt":0.23055174955150767,"score_spread":0.13188194276227855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289004495","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03721019,0.00026353064,0.00020117743,0.0001035346,0.00081550534,0.00013175955,0.00002475524,0.00020164969,0.9610479],"genre_scores_gemma":[0.8075823,0.000007794779,0.00035474816,0.00037863836,0.00045925533,0.000009328485,0.000011187849,0.0000141356095,0.19118257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989238,0.00006336955,0.00028713225,0.00027043853,0.000155106,0.00030016372],"domain_scores_gemma":[0.9993774,0.00010972654,0.00006987657,0.0002233221,0.00008572011,0.00013393424],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000084090854,0.00019609807,0.00023251364,0.00010274529,0.00032805803,0.00008990218,0.00023666499,0.00006493049,0.103097714],"category_scores_gemma":[0.000042924872,0.00013360954,0.00013438899,0.000054224947,0.00023657233,0.00037730005,0.000037909995,0.00019831849,0.0031963221],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064667733,0.0011748936,0.0057167104,0.00014884288,0.00040640202,0.00010385839,0.10510538,0.000004121831,0.0004966216,0.7098302,0.16837603,0.007990228],"study_design_scores_gemma":[0.0006279636,0.00036888928,0.0006636666,0.000024500207,0.000074658274,0.0000041555613,0.0019056925,0.000055987784,0.00017495405,0.0021491754,0.9935878,0.00036255128],"about_ca_topic_score_codex":0.0015371946,"about_ca_topic_score_gemma":0.0005647221,"teacher_disagreement_score":0.82521176,"about_ca_system_score_codex":0.000028713606,"about_ca_system_score_gemma":0.000034559896,"threshold_uncertainty_score":0.9975798},"labels":[],"label_agreement":null},{"id":"W2289140391","doi":"","title":"Une critique de l'histoire au XVIIe siècle : les mémorialistes","year":2006,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014109620378658386,"score_gpt":0.2171335755111976,"score_spread":0.20302395513253924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289140391","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027751429,0.020974036,0.008632586,0.08553224,0.0009639341,0.0001939875,0.00022321664,0.00023151677,0.85549706],"genre_scores_gemma":[0.5345086,0.00021460657,0.0021293873,0.00018470595,0.00044368254,0.000022342367,0.0002245191,0.000037879374,0.46223432],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99437034,0.0036728394,0.00059412536,0.0004953236,0.00030480156,0.00056255405],"domain_scores_gemma":[0.99620783,0.0013217656,0.00026444023,0.0008320279,0.0011637337,0.00021019868],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019810663,0.00032229646,0.00036063304,0.00013399114,0.002776338,0.00056412787,0.00060231594,0.00019874681,0.0016903499],"category_scores_gemma":[0.00045872972,0.00034358184,0.00029926834,0.0002730906,0.0014321451,0.00040432578,0.00015090794,0.00037906726,0.00013404104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001070435,0.00079216954,0.0006695674,0.00014285614,0.000035695244,0.000018676115,0.01321611,0.000021832224,0.00042824406,0.93799055,0.02449174,0.022181878],"study_design_scores_gemma":[0.00034823094,0.0000010975667,0.0012378906,0.00073844945,0.00009166379,0.000011956175,0.0004866055,0.0011142049,0.0031866645,0.021901663,0.97048634,0.00039521005],"about_ca_topic_score_codex":0.24601564,"about_ca_topic_score_gemma":0.06578629,"teacher_disagreement_score":0.9459946,"about_ca_system_score_codex":0.00042054855,"about_ca_system_score_gemma":0.00026560327,"threshold_uncertainty_score":0.9999016},"labels":[],"label_agreement":null},{"id":"W2290092341","doi":"","title":"Héroïnes en tous genres / Emmanuel Aquin, La Pingouine, Montréal, Point de fuite, 2001, 284 p., 16,95 $. / Denyse Delcourt, Gabrielle au bois dormant, Laval, Trois, 2001, 184 p., 20 $. / Isabel Vaillancourt, Les enfants Beaudet, Hull, Vents d’Ouest, 2001, 214 p., 19,95 $","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.011355541915435826,"score_gpt":0.19778126254175027,"score_spread":0.18642572062631443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2290092341","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2690155,0.6508447,0.00051533454,0.022008255,0.0018364415,0.0009605972,0.002026481,0.0006509604,0.052141745],"genre_scores_gemma":[0.034908786,0.408537,0.00083338545,0.0017976008,0.0038176966,0.00007014839,0.00057988265,0.00034368306,0.54911184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919479,0.00096199923,0.0013168205,0.001449843,0.0011110192,0.0032124456],"domain_scores_gemma":[0.9949749,0.0006718767,0.0008924869,0.0012767311,0.00039958002,0.001784393],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0011234459,0.0015493969,0.0017025751,0.0006635146,0.004244067,0.00044555526,0.0014779606,0.0008660681,0.00682695],"category_scores_gemma":[0.00016096448,0.0016610884,0.0010922037,0.0006212375,0.00085995585,0.0016541703,0.00076958875,0.0011569223,0.0011449858],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008919057,0.0014464967,0.0031607638,0.0003965401,0.0010710304,0.009563067,0.012216706,0.0007984789,0.00046972075,0.0046141343,0.95304084,0.012330307],"study_design_scores_gemma":[0.0027892627,0.0005083311,0.00064769626,0.00050752144,0.0011915938,0.0021588786,0.0068412996,0.0030299707,0.00008839916,0.00085873134,0.979544,0.0018343346],"about_ca_topic_score_codex":0.4207597,"about_ca_topic_score_gemma":0.45606327,"teacher_disagreement_score":0.4969701,"about_ca_system_score_codex":0.009259895,"about_ca_system_score_gemma":0.00044139815,"threshold_uncertainty_score":0.99972546},"labels":[],"label_agreement":null},{"id":"W2290274406","doi":"10.4000/ocim.1625","title":"Terre-Neuve/Terre-Neuvas : retour d'expérience sur une coproduction d'expositions","year":2016,"lang":"fr","type":"article","venue":"La Lettre de l’OCIM","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Coproduction; Humanities; Art; Sociology; Social science","score_opus":0.017804021437568398,"score_gpt":0.224515716221986,"score_spread":0.2067116947844176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2290274406","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09256427,0.010569675,0.0015599903,0.1697454,0.0065617994,0.00045667868,0.0007598979,0.0005348562,0.7172474],"genre_scores_gemma":[0.6134898,0.0002302298,0.00013914645,0.0017838107,0.004827011,0.000046480087,0.00004354769,0.000052173185,0.3793878],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718386,0.00039672962,0.0005914052,0.00070605817,0.00036488794,0.0007570674],"domain_scores_gemma":[0.99837303,0.00034369415,0.00022103777,0.00059598597,0.00018449713,0.00028172755],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030917468,0.00042655354,0.00044165878,0.00015127749,0.0010106323,0.00031309325,0.00036825446,0.00024565784,0.0048986664],"category_scores_gemma":[0.000115398216,0.00032907727,0.00035477537,0.0002553979,0.0008818449,0.0011184217,0.00008041719,0.00042803062,0.0008276811],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005670254,0.00044725582,0.00046176586,0.00011489906,0.00012224703,0.00027701104,0.019593557,0.000012674509,0.0026269143,0.060917817,0.8950823,0.02028689],"study_design_scores_gemma":[0.0004537467,0.00021054957,0.0005752949,0.0004145517,0.00018724088,0.00014204149,0.00089591206,0.000041355932,0.0006797212,0.0028919824,0.9929861,0.00052150193],"about_ca_topic_score_codex":0.024389556,"about_ca_topic_score_gemma":0.0009209638,"teacher_disagreement_score":0.5209255,"about_ca_system_score_codex":0.00029615784,"about_ca_system_score_gemma":0.000113444345,"threshold_uncertainty_score":0.9999503},"labels":[],"label_agreement":null},{"id":"W2290750988","doi":"","title":"Site-Specific Performance: The Thirdspace of Canadian Theatre 1","year":2007,"lang":"en","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Computer science","score_opus":0.03171238291914497,"score_gpt":0.2000160938219868,"score_spread":0.16830371090284182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2290750988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16583982,0.00034848115,0.0000034865834,0.0007243894,0.00017743965,0.0000352398,0.0000077300065,0.000014930797,0.8328485],"genre_scores_gemma":[0.8838426,0.00003478276,0.000019406021,0.00035856673,0.0003380547,6.9843816e-7,0.000003083858,0.0000038456033,0.11539897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995387,0.000009833898,0.0001247818,0.000068646405,0.00009459786,0.00016342818],"domain_scores_gemma":[0.9996593,0.00006571499,0.000023139442,0.00013669662,0.000043448323,0.000071718954],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016409553,0.00005919261,0.00007574461,0.0001499158,0.00031178974,0.000029466768,0.0001097121,0.000017438824,0.010019203],"category_scores_gemma":[0.0000020470666,0.0000303051,0.00005134419,0.00008825348,0.00012321911,0.00007296417,0.000007497354,0.00007520368,0.00018682919],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030625397,0.000047642476,0.0030138164,0.000023471688,0.000030669427,0.000008359019,0.11732038,0.00000816398,0.00011021568,0.5166932,0.34600443,0.016709043],"study_design_scores_gemma":[0.000033229473,0.00002790897,0.0005772329,0.0000042528613,0.000005274264,6.477694e-7,0.0024540632,0.000010865076,0.00014709201,0.00009933908,0.99658805,0.00005203881],"about_ca_topic_score_codex":0.11333208,"about_ca_topic_score_gemma":0.44922596,"teacher_disagreement_score":0.71800274,"about_ca_system_score_codex":0.000022525026,"about_ca_system_score_gemma":0.000021395173,"threshold_uncertainty_score":0.9908858},"labels":[],"label_agreement":null},{"id":"W2293824826","doi":"10.22456/2594-8962.55510","title":"Traces, réincarnations et durées longues dans les Amériques","year":2015,"lang":"fr","type":"article","venue":"Revista Conexão Letras","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08145232718981542,"score_gpt":0.2906753140448918,"score_spread":0.20922298685507634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2293824826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047236554,0.25326476,0.0013695755,0.02009058,0.0018372762,0.0003774,0.00085008,0.00033027353,0.6746435],"genre_scores_gemma":[0.61117953,0.0033607131,0.0002272829,0.0006458128,0.0022013416,0.000023153407,0.00018709437,0.000050317496,0.38212475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976181,0.00046967485,0.0006533374,0.00042979262,0.00040539267,0.00042374362],"domain_scores_gemma":[0.99840343,0.00027567174,0.00023144732,0.00036338705,0.00036452987,0.00036153416],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004817208,0.00038564036,0.0005391971,0.00016640815,0.0006129969,0.0009242487,0.00033065293,0.00016245602,0.0025379478],"category_scores_gemma":[0.00022030585,0.0003493929,0.00031278795,0.00015727503,0.00076624827,0.0008443353,0.00005615417,0.00043942567,0.0006636534],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019473007,0.0003227212,0.00075530633,0.00024979684,0.00015070886,0.00009558099,0.046765123,0.000016340768,0.00005804406,0.8323774,0.113085315,0.0061042425],"study_design_scores_gemma":[0.00029392907,0.00019317452,0.0003057745,0.0003103197,0.00018993462,0.000026295755,0.005603244,0.00009534887,0.000040276125,0.0012991152,0.991184,0.00045858117],"about_ca_topic_score_codex":0.0075110444,"about_ca_topic_score_gemma":0.0028326944,"teacher_disagreement_score":0.87809867,"about_ca_system_score_codex":0.0002544142,"about_ca_system_score_gemma":0.0002010202,"threshold_uncertainty_score":0.9998958},"labels":[],"label_agreement":null},{"id":"W2295012734","doi":"10.3138/md.2016.59.1.122","title":"Mary Noonan, <i>Echo’s Voice: The Theatres of Sarraute, Duras, Cixous and Renaude</i>","year":2016,"lang":"en","type":"article","venue":"Modern Drama","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; Echo (communications protocol); Argument (complex analysis); S Voice; Art history; History; Computer science","score_opus":0.017304514652508908,"score_gpt":0.2050239583840816,"score_spread":0.1877194437315727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2295012734","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43153644,0.018416485,0.0014283364,0.024023937,0.0011389849,0.00047280613,0.00039512187,0.0002732342,0.52231467],"genre_scores_gemma":[0.9295457,0.00011686532,0.000020201247,0.00057183835,0.00034756731,0.000008343111,0.0000031188415,0.00001262909,0.069373764],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992129,0.000066089044,0.00021599946,0.00017910832,0.00015840014,0.00016746212],"domain_scores_gemma":[0.99935806,0.00021352808,0.00007048244,0.00025474388,0.000052355103,0.000050827504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011790466,0.00012372334,0.00017784134,0.0000377114,0.00025407417,0.000059956044,0.00017833964,0.00003393475,0.0005546835],"category_scores_gemma":[0.000021230037,0.000055718792,0.00008036461,0.000024841465,0.00032178804,0.0001998458,0.000054598717,0.000068760164,0.000042852796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030923975,0.0004481576,0.0030647705,0.000202003,0.00034875202,0.000045376466,0.13187104,0.0000065543672,0.009456396,0.18168953,0.2449125,0.42764565],"study_design_scores_gemma":[0.00027105128,0.000066319364,0.0004090111,0.000051412706,0.000039536575,0.00000500201,0.00026734197,0.00007759103,0.0002849427,0.026847633,0.9715353,0.00014480519],"about_ca_topic_score_codex":0.00032390223,"about_ca_topic_score_gemma":0.00020582732,"teacher_disagreement_score":0.7266228,"about_ca_system_score_codex":0.000017496415,"about_ca_system_score_gemma":0.00001752083,"threshold_uncertainty_score":0.60733956},"labels":[],"label_agreement":null},{"id":"W2295893348","doi":"","title":"Trahir la race : Portrait de l’intellectuel québécois en Judas","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Race (biology); Art; Sociology; Art history; Gender studies","score_opus":0.008058551570900995,"score_gpt":0.15671221651312978,"score_spread":0.14865366494222879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2295893348","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24336267,0.295271,0.00063453044,0.04990903,0.00086480344,0.0002471155,0.0002947503,0.0002765175,0.40913957],"genre_scores_gemma":[0.15777472,0.018619208,0.00020062987,0.0005519114,0.0007749239,0.0000033932538,0.000028824441,0.000040497176,0.82200587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981799,0.0002845966,0.00026323358,0.00038866833,0.00025358127,0.0006300343],"domain_scores_gemma":[0.99873704,0.0003653918,0.00013410399,0.00029213456,0.000087898734,0.00038341046],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019431906,0.00033961312,0.00042755378,0.00020498279,0.0018713298,0.00004097434,0.0003494116,0.00025324515,0.0063032685],"category_scores_gemma":[0.000033001554,0.00037096583,0.0004374775,0.0001782271,0.0005657504,0.0003801162,0.000110074056,0.00045207696,0.00053909],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017894148,0.00038405845,0.00021278759,0.000083084444,0.00032583403,0.008322602,0.090950236,0.000096471835,0.00008728303,0.28397033,0.6002925,0.015095869],"study_design_scores_gemma":[0.0005347822,0.00017040854,0.00044765565,0.000060780934,0.00028841879,0.0012282238,0.0031597037,0.00029282778,0.000056892095,0.0006773727,0.99264574,0.00043717326],"about_ca_topic_score_codex":0.17268121,"about_ca_topic_score_gemma":0.18912457,"teacher_disagreement_score":0.41286632,"about_ca_system_score_codex":0.004579856,"about_ca_system_score_gemma":0.00022390207,"threshold_uncertainty_score":0.99987423},"labels":[],"label_agreement":null},{"id":"W2297022575","doi":"","title":"Explorer l’interculturel par la théâtralisation de contes et légendes du Québec","year":2016,"lang":"fr","type":"article","venue":"Le français à l'université. Bulletin des départements de français dans le monde","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.015029232180663146,"score_gpt":0.19555976505223435,"score_spread":0.1805305328715712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297022575","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7452737,0.03205581,0.025221555,0.069382876,0.0011462744,0.0007591177,0.00092269655,0.00055628276,0.124681674],"genre_scores_gemma":[0.87423927,0.0017264336,0.000426191,0.0011903904,0.0005641729,0.000049180748,0.000054287328,0.00009413759,0.12165597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960301,0.0009365937,0.00071049057,0.00079745665,0.00047377282,0.0010515765],"domain_scores_gemma":[0.99786854,0.0005612035,0.00029385104,0.0005426506,0.00024520815,0.0004885367],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005999829,0.0007232472,0.00067320216,0.00022398411,0.0021598842,0.000355984,0.0007766467,0.00036977994,0.0130296],"category_scores_gemma":[0.00013494754,0.0006171112,0.0006111376,0.0001501719,0.0020385794,0.0008881796,0.0001901187,0.00046248527,0.001132532],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039838094,0.0015357737,0.043546237,0.00027536866,0.0011042343,0.00047179073,0.43326253,0.00013224268,0.006736607,0.054955103,0.44867864,0.008903102],"study_design_scores_gemma":[0.002668035,0.00025453462,0.011885916,0.00047647156,0.00028947814,0.000040709514,0.01235725,0.0000889823,0.0029535878,0.00045915978,0.9677154,0.00081050105],"about_ca_topic_score_codex":0.30322313,"about_ca_topic_score_gemma":0.028659396,"teacher_disagreement_score":0.5190367,"about_ca_system_score_codex":0.00077743345,"about_ca_system_score_gemma":0.00044065926,"threshold_uncertainty_score":0.9996452},"labels":[],"label_agreement":null},{"id":"W2299194021","doi":"","title":"La voix et la main : la lettre intime dans Chéréas et Callirhoé","year":2007,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.019309307747914707,"score_gpt":0.24453844519865747,"score_spread":0.22522913745074277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299194021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024247162,0.0030013449,0.023339268,0.024522847,0.00044969167,0.00036874745,0.000769863,0.0002945705,0.92300653],"genre_scores_gemma":[0.3393703,0.0020231702,0.007715582,0.0009051019,0.00019654808,0.00006959636,0.0015252859,0.00012382184,0.6480706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9762598,0.020407407,0.0010058549,0.0010538294,0.00063929486,0.00063379796],"domain_scores_gemma":[0.9898297,0.0061232722,0.00062515587,0.0018994766,0.0011275304,0.0003948223],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.01239605,0.00069894036,0.000741459,0.0003333753,0.0010107725,0.0014421683,0.0015478989,0.00066191144,0.0024510412],"category_scores_gemma":[0.00092358515,0.0006981114,0.0006058638,0.0003087292,0.0014742544,0.0004166215,0.0012129754,0.0021234744,0.00036803697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023531315,0.001154099,0.00034377264,0.00021462645,0.00018676823,0.00009313318,0.10783698,0.00005174426,0.00027773975,0.85832286,0.01632348,0.015171277],"study_design_scores_gemma":[0.00043631962,0.0000012978323,0.0016931013,0.0018468578,0.00015402882,0.000047775877,0.0008663666,0.0010143915,0.00062492175,0.0050500133,0.9875391,0.00072579784],"about_ca_topic_score_codex":0.019609977,"about_ca_topic_score_gemma":0.014240491,"teacher_disagreement_score":0.97121567,"about_ca_system_score_codex":0.0002920772,"about_ca_system_score_gemma":0.0004349034,"threshold_uncertainty_score":0.99959445},"labels":[],"label_agreement":null},{"id":"W2301007641","doi":"","title":"Sortir le western de la poussière. AZIZA, Claude et Jean-Marie TIXIER. Dictionnaire du western, Paris, Éditions Vendémiaire, 2015, 347 p.AZIZA, Claude et Jean-Marie TIXIER. Dictionnaire du western, Paris, Éditions Vendémiaire, 2015, 347 p.","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.016996606801983064,"score_gpt":0.2639317341875991,"score_spread":0.24693512738561602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301007641","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028980015,0.48876956,0.017564593,0.36890903,0.022746194,0.0034179422,0.013984351,0.0039638733,0.051664453],"genre_scores_gemma":[0.5943154,0.046904813,0.00032051906,0.005976528,0.010529085,0.000723648,0.0049227444,0.0005821719,0.33572507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98944795,0.0023868233,0.0025408745,0.0020340288,0.001467016,0.002123329],"domain_scores_gemma":[0.9905649,0.0034901663,0.001312142,0.0018351822,0.00089549425,0.0019021543],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0016639517,0.0019121433,0.0019542829,0.00076624576,0.005278812,0.0021693816,0.0013189628,0.0013811343,0.0041688387],"category_scores_gemma":[0.0013526663,0.001964572,0.0012584167,0.0006641969,0.0032327927,0.0031101527,0.00069330685,0.0026550365,0.0030632394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036963436,0.0036077872,0.037969742,0.00043046902,0.0010487413,0.0007281489,0.013225983,0.0042010653,0.000019861227,0.03734177,0.89877594,0.0022808635],"study_design_scores_gemma":[0.0026990587,0.00079323445,0.011391058,0.0014250381,0.0012832925,0.00016354032,0.002710371,0.0009814545,0.000042586376,0.004922219,0.9714507,0.0021374887],"about_ca_topic_score_codex":0.014707702,"about_ca_topic_score_gemma":0.016467012,"teacher_disagreement_score":0.5653354,"about_ca_system_score_codex":0.0010841229,"about_ca_system_score_gemma":0.0017753204,"threshold_uncertainty_score":0.9999153},"labels":[],"label_agreement":null},{"id":"W2301514738","doi":"","title":"Théâtre d’objets, objets de théâtre. Carrefour international de théâtre, neuvième édition, Québec, 14 au 31 mai 2008Carrefour international de théâtre, neuvième édition, Québec, 14 au 31 mai 2008","year":2009,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.014859149829790192,"score_gpt":0.2424188836007726,"score_spread":0.2275597337709824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301514738","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09528957,0.005903182,0.0039882245,0.4410588,0.0206893,0.0012962972,0.004812819,0.0010250229,0.42593676],"genre_scores_gemma":[0.33161098,0.0006844698,0.00025018957,0.01641805,0.009728648,0.00014713498,0.0013562443,0.00016480706,0.6396395],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99156606,0.00061958545,0.002229945,0.0017095585,0.0014428303,0.0024320013],"domain_scores_gemma":[0.9947896,0.00056629564,0.0009786036,0.0011298367,0.0012946195,0.0012410386],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00088624255,0.0016532557,0.0013478721,0.0010689032,0.0019767787,0.0012883792,0.002239436,0.00077165314,0.04026051],"category_scores_gemma":[0.00050607976,0.0015927242,0.0015034499,0.00037635918,0.0011411005,0.0029760713,0.00040693744,0.002002051,0.003913476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005079609,0.0017626417,0.006815271,0.00011429641,0.0011843452,0.00077917555,0.013986927,0.00035261697,0.00017904265,0.020380296,0.9493079,0.0046295053],"study_design_scores_gemma":[0.0016837849,0.00043885643,0.011288508,0.0008034478,0.00050696486,0.0006521113,0.0011182427,0.0016649093,0.00026795294,0.0053474354,0.9745717,0.0016560788],"about_ca_topic_score_codex":0.06757765,"about_ca_topic_score_gemma":0.116201594,"teacher_disagreement_score":0.42464077,"about_ca_system_score_codex":0.007808588,"about_ca_system_score_gemma":0.0043709576,"threshold_uncertainty_score":0.9997484},"labels":[],"label_agreement":null},{"id":"W2302993131","doi":"","title":"Éditer pour la jeunesse: Korach, Dominique et Soazig Le Bai","year":2015,"lang":"fr","type":"article","venue":"Documentation et bibliothèques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04363464730435946,"score_gpt":0.3232047629342024,"score_spread":0.27957011562984296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302993131","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03121141,0.050641768,0.0063585527,0.09896438,0.0035787493,0.00054151576,0.0004133649,0.00042757188,0.8078627],"genre_scores_gemma":[0.2974194,0.005554284,0.0013981675,0.0067614233,0.0015579518,0.00007680832,0.00031998302,0.0000671967,0.68684477],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973007,0.0010205883,0.0005438901,0.00038856553,0.0004083608,0.0003379368],"domain_scores_gemma":[0.9984555,0.0004343898,0.00023762468,0.00023995791,0.00035898236,0.00027349268],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000922152,0.00032830468,0.00035579727,0.001360857,0.00029865923,0.0053590485,0.00021299717,0.00015225318,0.015235636],"category_scores_gemma":[0.00008880412,0.00030593117,0.00018680186,0.00068433466,0.0003111698,0.011962408,0.00007324552,0.00032183132,0.0008701146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049480983,0.00032226174,0.00025092237,0.000081236925,0.00007941647,0.000037662954,0.039153673,0.000022898263,0.000052103664,0.57838136,0.38050652,0.0010624604],"study_design_scores_gemma":[0.00094910496,0.00017802013,0.00012902357,0.00013072156,0.000084562445,0.000018719098,0.0044452474,0.00007313828,0.00038785252,0.030401735,0.9628145,0.0003873643],"about_ca_topic_score_codex":0.006410012,"about_ca_topic_score_gemma":0.00071095215,"teacher_disagreement_score":0.582308,"about_ca_system_score_codex":0.00012989079,"about_ca_system_score_gemma":0.00041856655,"threshold_uncertainty_score":0.99993926},"labels":[],"label_agreement":null},{"id":"W2304004519","doi":"","title":"Bianchi, Serge (dir.) – Héros et héroïnes de la Révolution française","year":2015,"lang":"fr","type":"article","venue":"Histoire sociale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.026474986548839362,"score_gpt":0.24605989426299854,"score_spread":0.21958490771415917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304004519","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023212966,0.34227332,0.0002375548,0.0073595857,0.0068542566,0.00017813875,0.00033359468,0.00023735547,0.61931324],"genre_scores_gemma":[0.21346407,0.00031899093,0.00016607236,0.0008993533,0.0033760373,0.00002300078,0.000052294192,0.00004500077,0.7816552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979905,0.0005660421,0.0003592884,0.0003115349,0.00030803008,0.00046461902],"domain_scores_gemma":[0.9989835,0.00014639716,0.00015575248,0.0002117979,0.00019178602,0.00031074826],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005557477,0.00027837235,0.0003734841,0.00010462509,0.0014375439,0.00018762427,0.00019480278,0.00028340565,0.002928382],"category_scores_gemma":[0.00014754664,0.00029338218,0.00029673838,0.00013516661,0.0013941242,0.0005548709,0.000051596828,0.0003982591,0.0005589804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034157598,0.00039684752,0.00023135055,0.000090925685,0.00004927382,0.000055211,0.06583479,0.000015203798,0.00003427731,0.21903275,0.7036988,0.010526415],"study_design_scores_gemma":[0.00049110677,0.00009059412,0.000176407,0.00008707111,0.0001322871,0.000010615586,0.0016601869,0.00011054593,0.000006375862,0.0088866,0.98797953,0.00036867062],"about_ca_topic_score_codex":0.018347817,"about_ca_topic_score_gemma":0.0041552684,"teacher_disagreement_score":0.34195432,"about_ca_system_score_codex":0.00080380944,"about_ca_system_score_gemma":0.0005326173,"threshold_uncertainty_score":0.99995184},"labels":[],"label_agreement":null},{"id":"W2306838249","doi":"10.7202/1033710ar","title":"Études théâtrales, n 59 (2014) Jeu, n 150, 151, 152, 153 (2014) Spirale, n 245 (2013) Voix et images, n 115 (2014)","year":2014,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021816237148332005,"score_gpt":0.23803944476018304,"score_spread":0.21622320761185104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2306838249","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031309508,0.05735114,0.0005785132,0.16656438,0.012441325,0.0040734573,0.0077816574,0.0032622833,0.71663773],"genre_scores_gemma":[0.3275784,0.02092036,0.002472655,0.0058785067,0.010095626,0.00042142638,0.0014523312,0.00090113346,0.63027954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9824057,0.0024392013,0.0041435864,0.0041315043,0.0020888615,0.0047911545],"domain_scores_gemma":[0.9887343,0.0017821265,0.0019665891,0.0038521073,0.0011753011,0.0024895475],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0032311254,0.003897591,0.0041898265,0.0012600798,0.003250972,0.0023131715,0.0037697537,0.0016732009,0.011627398],"category_scores_gemma":[0.0006953919,0.0037481517,0.0031161373,0.00073656655,0.0035431592,0.0048104427,0.000782574,0.003980407,0.0076023205],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036724604,0.0016937217,0.00028430598,0.0019347974,0.000834763,0.00037531464,0.0072830506,0.00034283943,0.0003194545,0.46202824,0.5188469,0.0056893365],"study_design_scores_gemma":[0.0010993789,0.0020081506,0.0010003607,0.002221945,0.0018586642,0.00036145112,0.00090865867,0.0003483661,0.00029416513,0.0034077205,0.9819475,0.0045436746],"about_ca_topic_score_codex":0.019498928,"about_ca_topic_score_gemma":0.09607576,"teacher_disagreement_score":0.46310052,"about_ca_system_score_codex":0.001072569,"about_ca_system_score_gemma":0.0011731866,"threshold_uncertainty_score":0.9996228},"labels":[],"label_agreement":null},{"id":"W2308188358","doi":"10.71781/9291","title":"La représentation de l'Autochtone dans l'oeuvre du sculpteur Louis-Philippe Hébert (1850-1917) : figure d'altérité au service d'une idéologie nationale","year":2007,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history; Philosophy","score_opus":0.05681238562016319,"score_gpt":0.3297296688797622,"score_spread":0.27291728325959896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2308188358","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.357534,0.0015663757,0.00013155854,0.0023442367,0.0013741147,0.0007740348,0.00043982928,0.000017146373,0.6358187],"genre_scores_gemma":[0.17043175,0.00024008592,0.0016312627,0.0008705184,0.0029951665,0.00014097428,0.012770015,0.00010937599,0.81081086],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99612737,0.00042894998,0.0010892903,0.001036796,0.00063516345,0.00068245793],"domain_scores_gemma":[0.997322,0.0005984073,0.0006366529,0.00052008685,0.0006306498,0.00029217164],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010065844,0.0006718093,0.00075521844,0.00031230345,0.0017359207,0.00092866534,0.0010392438,0.00067560375,0.021401787],"category_scores_gemma":[0.00021240495,0.0006569809,0.00034030105,0.00047199774,0.0002575725,0.0009851872,0.00014561023,0.00078338827,0.0020754924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00086898316,0.0021393306,0.0044161025,0.00096589164,0.00090143416,0.00071663636,0.815602,0.0007239965,0.00157006,0.054665912,0.014517635,0.10291199],"study_design_scores_gemma":[0.00069773925,0.00016891577,0.009091019,0.0005344669,0.0004886439,0.000043540185,0.0326849,0.0004806384,0.00059765193,0.00063576753,0.9537693,0.0008073809],"about_ca_topic_score_codex":0.044407308,"about_ca_topic_score_gemma":0.0880857,"teacher_disagreement_score":0.9392517,"about_ca_system_score_codex":0.0006139373,"about_ca_system_score_gemma":0.00082388945,"threshold_uncertainty_score":0.99958813},"labels":[],"label_agreement":null},{"id":"W2309035870","doi":"10.33137/rr.v30i3.9102","title":"Filippino Lippi and Music","year":2006,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Portrait; Art history","score_opus":0.01753435673682003,"score_gpt":0.20391871937038747,"score_spread":0.18638436263356745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2309035870","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33887038,0.2158131,0.00016370483,0.005240437,0.001462981,0.00021011701,0.00010085132,0.00008852822,0.4380499],"genre_scores_gemma":[0.87333834,0.0020566003,0.00006307818,0.00020194959,0.0016956521,0.000005763274,0.00006597887,0.000008262704,0.1225644],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993192,0.000032774115,0.00024808708,0.00013576123,0.00009373061,0.0001704746],"domain_scores_gemma":[0.9997129,0.000019928824,0.000090066555,0.00008314281,0.000041256088,0.000052705564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008050686,0.00012743496,0.00015121076,0.00006576065,0.0005726709,0.0001528056,0.00003312472,0.00007366841,0.0004798726],"category_scores_gemma":[0.000003801636,0.00009474449,0.000037940288,0.000047802278,0.00029314373,0.0008839704,0.00001963178,0.000101792,0.000060886214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003649684,0.00014819668,0.00044817213,0.0010058653,0.00004163757,0.0000113238175,0.016835151,0.000019102077,0.0001763774,0.68043095,0.1980953,0.10275141],"study_design_scores_gemma":[0.00017569304,0.00006895616,0.0017045506,0.00015646417,0.00003516752,0.000014506967,0.0003222965,0.00058615714,0.000049833052,0.003016818,0.99371564,0.00015388663],"about_ca_topic_score_codex":0.0016584517,"about_ca_topic_score_gemma":0.00021115974,"teacher_disagreement_score":0.7956204,"about_ca_system_score_codex":0.000029110544,"about_ca_system_score_gemma":0.000008260455,"threshold_uncertainty_score":0.52542686},"labels":[],"label_agreement":null},{"id":"W2314241387","doi":"10.3406/gaia.2003.1451","title":"De l'hubris à la métis ou de la nécessité du courbe (La Terre tremble, Luchino Visconti, 1948)","year":2003,"lang":"fr","type":"article","venue":"Gaia revue interdisciplinaire sur la Grèce Archaïque","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0108594561530968,"score_gpt":0.2499939232139909,"score_spread":0.23913446706089408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314241387","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2741637,0.014916017,0.0027686844,0.01308119,0.0022879331,0.0005034698,0.00043188102,0.00033295684,0.6915142],"genre_scores_gemma":[0.7744065,0.0009284115,0.00043736355,0.00033198498,0.0016858532,0.00009339496,0.0000446479,0.00013864353,0.22193319],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99288017,0.0032978577,0.0010851271,0.0009958332,0.00037161636,0.0013693788],"domain_scores_gemma":[0.99565035,0.0023353666,0.00041033872,0.00076550624,0.00019281046,0.00064559776],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020873733,0.00090794376,0.0010923472,0.00035725458,0.0013779928,0.0010152466,0.0008417997,0.0006133242,0.0021976146],"category_scores_gemma":[0.00040407668,0.00085531734,0.0009723871,0.00024669332,0.0018162273,0.00092934415,0.00047951937,0.0015777784,0.00028212482],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043900224,0.0021930079,0.009238236,0.0015403696,0.00082694215,0.005890897,0.20711856,0.0002710552,0.00028833555,0.60930926,0.12719868,0.035685666],"study_design_scores_gemma":[0.0010623911,0.0002362097,0.004374681,0.0020607037,0.00037990557,0.0015594928,0.0026396776,0.0008711516,0.00015226689,0.021582825,0.964029,0.0010516668],"about_ca_topic_score_codex":0.004016954,"about_ca_topic_score_gemma":0.003417959,"teacher_disagreement_score":0.8368304,"about_ca_system_score_codex":0.0005738871,"about_ca_system_score_gemma":0.00046394125,"threshold_uncertainty_score":0.9999221},"labels":[],"label_agreement":null},{"id":"W2316523305","doi":"10.7202/041549ar","title":"KHÉLIL, Hédi, Figures de l’altérité dans le théâtre de Jean Genet. Lecture des Nègres et des Paravents, Paris, L’Harmattan, 2001, 158 p. GENET, Jean, Les paravents, édition présentée, établie et annotée par Michel Corvin, Paris, Gallimard, 2000, 354 p. (Coll. « Folio-Théâtre »)","year":2003,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02883843543838689,"score_gpt":0.2611999236090651,"score_spread":0.2323614881706782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316523305","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39280546,0.32092297,0.0038910736,0.05179135,0.0035845416,0.00537956,0.0118293185,0.0021545808,0.20764112],"genre_scores_gemma":[0.43481934,0.19627959,0.005765881,0.004849947,0.0031142172,0.00072331,0.002754401,0.0009893776,0.35070395],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9843734,0.0044168043,0.0028282164,0.0025372137,0.0014322237,0.004412178],"domain_scores_gemma":[0.9926166,0.0012933617,0.0014250344,0.0017152523,0.0010337951,0.0019159898],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0025204201,0.002881786,0.0025885322,0.00076489203,0.004400481,0.0016208268,0.0017987542,0.0014512335,0.0032211428],"category_scores_gemma":[0.000772126,0.0029081877,0.0019627686,0.0009817599,0.003213515,0.0024222992,0.0002974064,0.002459777,0.00024765576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085489,0.004940974,0.014588828,0.0038832854,0.0024567712,0.001262523,0.018674871,0.017432615,0.0024824918,0.18802233,0.74304074,0.0023596783],"study_design_scores_gemma":[0.0013734639,0.00082934083,0.0043815956,0.002803588,0.0019818568,0.0004922322,0.0021285675,0.0008148744,0.0041691964,0.007204434,0.97065854,0.0031622977],"about_ca_topic_score_codex":0.04836855,"about_ca_topic_score_gemma":0.20385434,"teacher_disagreement_score":0.22761782,"about_ca_system_score_codex":0.0018019215,"about_ca_system_score_gemma":0.0026995565,"threshold_uncertainty_score":0.9998451},"labels":[],"label_agreement":null},{"id":"W2320300619","doi":"10.7202/800484ar","title":"A Voyage to the Northwest Side of America: The Journal of Captain James Colnett, 1786-89. Edited by Robert Galois. (Vancouver: University of British Columbia Press, 2003. xiii + 456 p., ill., app., bibl., index. ISBN 0-7748-0855-1 $95.)","year":2005,"lang":"en","type":"article","venue":"Scientia Canadensis Canadian Journal of the History of Science Technology and Medicine","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); History; Art; Computer science","score_opus":0.00619654470814031,"score_gpt":0.1668117120708294,"score_spread":0.16061516736268908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320300619","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7729932,0.13813795,0.00019041449,0.06517001,0.014755534,0.00085292384,0.000834812,0.000025264382,0.007039878],"genre_scores_gemma":[0.96313924,0.0005856743,0.00010307992,0.0012005821,0.00022469599,4.8726827e-7,0.0000010603576,0.000008874256,0.034736305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979962,0.000108694156,0.00064280984,0.00018014379,0.00071116525,0.000360964],"domain_scores_gemma":[0.99643016,0.00006648504,0.0010863307,0.0003368458,0.0016980922,0.00038209985],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0013484049,0.00012537422,0.00050902145,0.00094599277,0.00091728865,0.000023593013,0.0015180354,0.000075990996,0.00036845668],"category_scores_gemma":[0.0005235348,0.0000925881,0.00009744879,0.0018547,0.01714985,0.00032409062,0.0000868047,0.0004488986,3.6968038e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020664176,0.000028208322,0.00073858636,0.000015528378,0.000056266334,0.000025177691,0.009577188,0.000080042126,0.0005478017,0.00016485817,0.9822084,0.0065373294],"study_design_scores_gemma":[0.0003565968,0.00027275324,0.00086222356,0.00020850154,0.00017776557,0.0001387639,0.01183161,0.00005893892,0.00004767841,0.000060788992,0.9858868,0.00009758378],"about_ca_topic_score_codex":0.6896765,"about_ca_topic_score_gemma":0.9563369,"teacher_disagreement_score":0.26666036,"about_ca_system_score_codex":0.000504873,"about_ca_system_score_gemma":0.0028861552,"threshold_uncertainty_score":0.9855249},"labels":[],"label_agreement":null},{"id":"W2324127429","doi":"10.1086/658559","title":": <i>Vérité et fiction dans les entrées solennelles à la Renaissance et à l’Âge classique</i>","year":2010,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; The Renaissance; Humanities; Art history","score_opus":0.01832980139403284,"score_gpt":0.24875044273157457,"score_spread":0.23042064133754173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324127429","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13149644,0.033933673,0.0020528631,0.024657696,0.0069023455,0.0004997452,0.0007044409,0.0006144297,0.79913837],"genre_scores_gemma":[0.8874311,0.001233673,0.00041730635,0.00065560895,0.002251475,0.0000653943,0.00010551441,0.00008898045,0.10775097],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965826,0.0006248927,0.00078904274,0.0008129405,0.00042847436,0.00076205214],"domain_scores_gemma":[0.9979343,0.00049145386,0.00037962652,0.00068749924,0.00019152135,0.0003156229],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058273575,0.0006372361,0.000618222,0.00016020582,0.001126038,0.0007056759,0.00047805905,0.00044561803,0.0023264121],"category_scores_gemma":[0.00004855449,0.00059329777,0.0004370557,0.00016660693,0.001460645,0.0013729645,0.000033140645,0.0015195874,0.00034997673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009448612,0.00074554095,0.00065261306,0.00029729903,0.00013108292,0.00011275695,0.07628701,0.000017777485,0.007507673,0.6877433,0.20266283,0.023747634],"study_design_scores_gemma":[0.00046571196,0.00065433414,0.0013067953,0.0004979759,0.00012506387,0.0000637822,0.0037649914,0.00026799858,0.00037226581,0.0037636694,0.9879792,0.00073820876],"about_ca_topic_score_codex":0.004117304,"about_ca_topic_score_gemma":0.0118099945,"teacher_disagreement_score":0.78531635,"about_ca_system_score_codex":0.00007544559,"about_ca_system_score_gemma":0.00013030996,"threshold_uncertainty_score":0.99965185},"labels":[],"label_agreement":null},{"id":"W2324281493","doi":"10.1177/0008429813491188l","title":"La passion de l’infini. Littérature et théologie. Nouvelles recherches","year":2013,"lang":"fr","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Passion; Humanities; Psychology; Psychotherapist","score_opus":0.1420197113813922,"score_gpt":0.36935598416179427,"score_spread":0.22733627278040208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324281493","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049308732,0.5726345,0.00001408427,0.04277582,0.0028949543,0.0003509953,0.000034064207,0.00016684043,0.33182],"genre_scores_gemma":[0.24176078,0.694858,0.0013304211,0.003230467,0.00094018754,0.00016902035,0.0000066183284,0.00003351593,0.057670996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957352,0.0011855385,0.0008107639,0.0008055753,0.0004862343,0.0009766435],"domain_scores_gemma":[0.99599475,0.0028720913,0.00027458172,0.00038035013,0.0003038884,0.00017435038],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0016419559,0.0005400157,0.0007216625,0.0003662019,0.0011536496,0.0005124589,0.00075874955,0.00044296478,0.00026929137],"category_scores_gemma":[0.001874977,0.00038433066,0.00028731767,0.0007789351,0.0049392916,0.0008843782,0.00043887494,0.0009841273,0.00032867625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018995252,0.00024398082,0.0012066225,0.0002514574,0.00009290769,0.000065855675,0.036554094,0.000111097645,0.00004025979,0.2348509,0.723653,0.002910792],"study_design_scores_gemma":[0.00017202955,0.0004226614,0.00040507046,0.0010916715,0.000051490977,0.000025720923,0.026807116,0.00003766402,0.00010260032,0.042547315,0.9278216,0.00051508105],"about_ca_topic_score_codex":0.011917114,"about_ca_topic_score_gemma":0.0010932867,"teacher_disagreement_score":0.274149,"about_ca_system_score_codex":0.0003234179,"about_ca_system_score_gemma":0.0009900621,"threshold_uncertainty_score":0.9998609},"labels":[],"label_agreement":null},{"id":"W2325568283","doi":"10.2307/1261563","title":"From Cicero to Tasso: Humanism and the Education of the Novarese Parish Clergy (1565-1663)","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Humanism; Cicero; Rhetoric; Classics; Poetry; Reading (process); Religious studies; History; Sociology; Law; Literature; Political science; Philosophy; Theology; Art","score_opus":0.023306220045298563,"score_gpt":0.22124723131820068,"score_spread":0.19794101127290212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325568283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7299781,0.008609589,0.000071931165,0.009726258,0.0023172363,0.0005856822,0.00013231441,0.00008330537,0.24849561],"genre_scores_gemma":[0.97695327,0.000013535699,0.000023891385,0.0007617324,0.00083063735,0.000030333738,0.000005017011,0.0000097158945,0.021371888],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913,0.00010716219,0.00025492534,0.00019216593,0.0001743046,0.00014142618],"domain_scores_gemma":[0.99927217,0.000117826756,0.00011995909,0.00036237115,0.000074815245,0.00005286377],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008925372,0.000116587806,0.000193068,0.00003625842,0.00038038852,0.000119037286,0.00026236195,0.000032650812,0.0018096305],"category_scores_gemma":[0.000020396916,0.00006326189,0.000089402194,0.00007275315,0.00031775195,0.0001788025,0.00001644242,0.0001232589,0.00007420714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007122673,0.0002910521,0.00017810882,0.000031898777,0.00009685955,0.0000012119903,0.37333465,0.0000023462796,0.00025747519,0.26175824,0.31326485,0.050712094],"study_design_scores_gemma":[0.00034564783,0.00014394267,0.0010968198,0.00007356756,0.000044037224,8.511693e-7,0.004296707,0.000072543335,0.00004773019,0.0075921686,0.9861498,0.00013620299],"about_ca_topic_score_codex":0.0031905521,"about_ca_topic_score_gemma":0.0007176056,"teacher_disagreement_score":0.67288494,"about_ca_system_score_codex":0.000018031897,"about_ca_system_score_gemma":0.000011007162,"threshold_uncertainty_score":0.99910283},"labels":[],"label_agreement":null},{"id":"W2329483770","doi":"10.1086/669434","title":": <i> <i>“Entre Deux Airs”: Style simple et</i> ethos <i>poétique chez Clément Marot et Joachim du Bellay (1515–1560)</i> </i>","year":2012,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Ethos; Style (visual arts); Art history; Philosophy; Literature; Linguistics","score_opus":0.01848736094633884,"score_gpt":0.25060419305232745,"score_spread":0.2321168321059886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329483770","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17508113,0.14977486,0.0034874997,0.068941675,0.011575593,0.002628746,0.0024379366,0.0010405515,0.585032],"genre_scores_gemma":[0.9158704,0.0010630257,0.00038591935,0.011690741,0.004975853,0.00015175842,0.0002822828,0.00015656692,0.06542344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941407,0.0012474917,0.0012097609,0.00090316375,0.0007427934,0.0017560843],"domain_scores_gemma":[0.9969808,0.00048808637,0.0005372213,0.00090677117,0.00021950791,0.0008676267],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012912662,0.0009968437,0.0010633605,0.00017844739,0.0012451314,0.00057311583,0.0006152501,0.0003984083,0.007068366],"category_scores_gemma":[0.00003858134,0.0009241716,0.0007100374,0.0002786375,0.0007095431,0.0021531137,0.00009367117,0.0011388018,0.0016821878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019012185,0.0025653047,0.0029587601,0.0006150181,0.0003703911,0.00009346169,0.20384954,0.000030750743,0.0006709919,0.26846176,0.5059943,0.014199553],"study_design_scores_gemma":[0.0009957666,0.0010142415,0.0005093786,0.00036058543,0.00028800417,0.000052203417,0.005455053,0.000113618706,0.0003102329,0.0014428833,0.9882851,0.0011728879],"about_ca_topic_score_codex":0.004574825,"about_ca_topic_score_gemma":0.0015456117,"teacher_disagreement_score":0.7407893,"about_ca_system_score_codex":0.00031914143,"about_ca_system_score_gemma":0.00017810709,"threshold_uncertainty_score":0.99932086},"labels":[],"label_agreement":null},{"id":"W233215023","doi":"","title":"Hurley, Erin (Dir.): Les Arts De la Scene Au Quebec","year":2011,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.13866872658253657,"score_gpt":0.31939008963599314,"score_spread":0.18072136305345657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W233215023","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07497445,0.030938085,0.0000031255659,0.0028137288,0.00056039507,0.00016023668,0.00014738431,0.000017331446,0.89038527],"genre_scores_gemma":[0.9018461,0.0005532248,0.000050251532,0.00009731919,0.0010235907,0.000024140636,0.000009756087,0.00002956222,0.09636603],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964157,0.0011917674,0.00034194722,0.00031499233,0.0006096615,0.0011259688],"domain_scores_gemma":[0.99839085,0.0007088095,0.00003847426,0.0003410815,0.000084677406,0.00043611886],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00140029,0.0002059842,0.00029910624,0.00023857126,0.00069065177,0.000120654346,0.00041938343,0.00010571366,0.011056528],"category_scores_gemma":[0.000018062889,0.00018535982,0.00008129352,0.00022660269,0.0010682571,0.00020784108,0.00011550492,0.0009114035,0.00007597157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00019642027,0.00047646285,0.010146239,0.000548181,0.0001279232,0.0031449127,0.027418198,0.000019554012,0.000042620984,0.12092617,0.16239934,0.674554],"study_design_scores_gemma":[0.0001813889,0.0000793397,0.0011500096,0.00027658697,0.000013491969,0.00001352173,0.00426835,0.00009041875,0.00011955398,0.0037234307,0.98986787,0.0002160479],"about_ca_topic_score_codex":0.9999546,"about_ca_topic_score_gemma":0.999905,"teacher_disagreement_score":0.8274685,"about_ca_system_score_codex":0.005298409,"about_ca_system_score_gemma":0.008680084,"threshold_uncertainty_score":0.9985201},"labels":[],"label_agreement":null},{"id":"W2332356938","doi":"10.7202/009097ar","title":"Jacques Wagner (sous la dir. de), Lectures du Gil Blas de Lesage, Clermont-Ferrand, Presses Universitaires Blaise-Pascal, coll. « Centre d’études sur les Réformes, l’Humanisme et l’Âge classique (CERHAC) », 2003, 244 p. ISBN 2-84516-214-6.","year":2003,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02184676413351767,"score_gpt":0.21514191763545423,"score_spread":0.19329515350193657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332356938","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.085680105,0.37599814,0.0012410872,0.014676206,0.0016776981,0.001079952,0.0012287636,0.0006995248,0.51771855],"genre_scores_gemma":[0.7933246,0.038475506,0.00045392173,0.0011202279,0.000797841,0.00003084145,0.00009447394,0.000116677584,0.16558592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957709,0.0011385006,0.0006198937,0.0007813067,0.0005072179,0.0011821984],"domain_scores_gemma":[0.9975998,0.00064759026,0.00029725255,0.000505919,0.00048478274,0.00046464513],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004690743,0.00077870005,0.000747187,0.00016740838,0.0016816733,0.00064889295,0.00068596756,0.00047366467,0.01213617],"category_scores_gemma":[0.00038042432,0.0007117951,0.00036599283,0.0003070441,0.0012924185,0.0010475245,0.00013625043,0.0005977543,0.00011663293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024479712,0.0011146249,0.002555174,0.0005823237,0.00047149972,0.0007772089,0.021826353,0.00031910258,0.00066621706,0.49989367,0.46575245,0.005796576],"study_design_scores_gemma":[0.0006934974,0.00028954452,0.0010225254,0.00044798313,0.00046246705,0.00006618503,0.0025488783,0.00026050356,0.00087338715,0.0025948589,0.98983365,0.00090650975],"about_ca_topic_score_codex":0.013939319,"about_ca_topic_score_gemma":0.026344486,"teacher_disagreement_score":0.70764446,"about_ca_system_score_codex":0.0005688772,"about_ca_system_score_gemma":0.00064735767,"threshold_uncertainty_score":0.999618},"labels":[],"label_agreement":null},{"id":"W2334773145","doi":"10.7202/000401ar","title":"Marsile Ficin, Les trois livres de la vie. Traduit en français par Guy Le Fèvre de la Boderie et révisé par Thierry Gontier. Paris, Librairie Arthème Fayard (coll. « Corpus des oeuvres de philosophie en langue française »), 2000, 276 p.","year":2002,"lang":"fr","type":"article","venue":"Laval théologique et philosophique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Laurentian University","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.023662656087429165,"score_gpt":0.24539969217309013,"score_spread":0.22173703608566098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334773145","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35025683,0.20471655,0.0018748508,0.11529823,0.0011676882,0.0015433868,0.0026613248,0.0014729005,0.32100824],"genre_scores_gemma":[0.902087,0.07141176,0.002583085,0.0054047224,0.005181572,0.00031268608,0.0001519237,0.0002522358,0.012615057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9869185,0.0085326135,0.0012436013,0.0011918781,0.000508364,0.0016050511],"domain_scores_gemma":[0.993223,0.0045353402,0.0004713118,0.0008577669,0.00016793727,0.0007446336],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0025332703,0.0013055209,0.0015398827,0.00038979744,0.0014896592,0.00064134545,0.0011394954,0.0020777476,0.0047183996],"category_scores_gemma":[0.00087836944,0.0012395098,0.0009829409,0.00031699974,0.0033517026,0.0012276348,0.00026766097,0.003268818,0.000206524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007418519,0.004365781,0.018469715,0.0010390042,0.0010847733,0.0026971784,0.1143672,0.00079712993,0.0011787717,0.45859003,0.39150056,0.0051680123],"study_design_scores_gemma":[0.0012648089,0.0008920699,0.0055576083,0.00057013455,0.0003347178,0.00027264268,0.00056651764,0.00036070068,0.0009444739,0.17214482,0.81581575,0.0012757704],"about_ca_topic_score_codex":0.017427426,"about_ca_topic_score_gemma":0.0026730087,"teacher_disagreement_score":0.5518301,"about_ca_system_score_codex":0.00044145354,"about_ca_system_score_gemma":0.0006612648,"threshold_uncertainty_score":0.99996966},"labels":[],"label_agreement":null},{"id":"W2336482965","doi":"","title":"Pièges de la mémoire. Dollard des Ormeaux, les Amérindiens et nous by Patrice Groulx (review)","year":2000,"lang":"fr","type":"article","venue":"Canadian Historical Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Moiré pattern; Humanities; Art; Physics; Optics","score_opus":0.02442389874729739,"score_gpt":0.24932524439877113,"score_spread":0.22490134565147374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336482965","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005087409,0.7506283,0.0000154582,0.021006819,0.00050090754,0.00033974057,0.00045760538,0.0000525548,0.22694774],"genre_scores_gemma":[0.0005243327,0.69185793,0.00011128747,0.01564333,0.0005884284,0.00006129184,0.00008365371,0.000050262082,0.2910795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99541295,0.001455951,0.0009642442,0.000624574,0.0004091925,0.0011331207],"domain_scores_gemma":[0.9966465,0.00065227813,0.0001955628,0.00051014905,0.00019008986,0.001805371],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001225453,0.0005919676,0.001268116,0.00014108169,0.0013937737,0.00012830249,0.0005626035,0.0003066603,0.03563736],"category_scores_gemma":[0.0006211369,0.0005412068,0.0006836262,0.00047396382,0.00044184044,0.00036432903,0.000025374635,0.0010343157,0.0013679328],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003559468,0.00012188103,0.00003190316,0.009224785,0.000055759116,0.00024035377,0.0013734817,5.712182e-7,5.142421e-7,0.008076241,0.7359895,0.24488145],"study_design_scores_gemma":[0.00012023825,0.0001519821,0.000028762142,0.011613336,0.0007340804,0.00011065188,0.000029867733,0.0000023608643,2.542881e-7,0.00021197349,0.9863263,0.0006702002],"about_ca_topic_score_codex":0.4941698,"about_ca_topic_score_gemma":0.1205653,"teacher_disagreement_score":0.3736045,"about_ca_system_score_codex":0.011775669,"about_ca_system_score_gemma":0.0010384825,"threshold_uncertainty_score":0.9999063},"labels":[],"label_agreement":null},{"id":"W2344556770","doi":"","title":"La guerre en latin. Claude Simon et la bataille de Pharsale.","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","score_opus":0.019360613564453483,"score_gpt":0.23943253966001019,"score_spread":0.2200719260955567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344556770","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07373065,0.005270948,0.0087958565,0.017130889,0.00049245765,0.00044914082,0.0003841381,0.0003113939,0.8934345],"genre_scores_gemma":[0.60236,0.001958195,0.007227906,0.0003268059,0.00019266094,0.000101688966,0.0009242417,0.00007859704,0.38682988],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9804922,0.016921593,0.0007644373,0.000827021,0.000444416,0.00055034336],"domain_scores_gemma":[0.9912372,0.0050914017,0.00054162386,0.0015937076,0.0011825614,0.00035349428],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0056667505,0.0005512864,0.00060466834,0.00020249942,0.0009030396,0.0012558255,0.0013825771,0.0005300122,0.005433016],"category_scores_gemma":[0.0009945307,0.0005459404,0.00046021794,0.00017976244,0.00076005835,0.0004521198,0.0010524667,0.0015098121,0.00063662545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012801461,0.0008649769,0.0013419572,0.0002608913,0.00016697492,0.00002071506,0.08655981,0.00007732255,0.00019135611,0.85251963,0.014017533,0.04396603],"study_design_scores_gemma":[0.00037702956,9.3429503e-7,0.0017148346,0.0014240836,0.00013264315,0.000009210659,0.0009275131,0.006539658,0.0006298349,0.008616776,0.9790508,0.0005766943],"about_ca_topic_score_codex":0.021036403,"about_ca_topic_score_gemma":0.006605929,"teacher_disagreement_score":0.96503323,"about_ca_system_score_codex":0.00022552877,"about_ca_system_score_gemma":0.00026965662,"threshold_uncertainty_score":0.99978095},"labels":[],"label_agreement":null},{"id":"W2348534886","doi":"","title":"L'《historicité》se mêle au《commentaire》en une association magnifique——De L'Histoire du romanfrancais de WUYuetian","year":2006,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.00974214285469978,"score_gpt":0.2088179671488308,"score_spread":0.199075824294131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2348534886","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06435182,0.05705978,0.00037055812,0.03942543,0.0043452317,0.00045034042,0.00052847574,0.0004600231,0.83300835],"genre_scores_gemma":[0.667417,0.0002764733,0.00022235786,0.0015138473,0.0046467213,0.00005528161,0.00012817256,0.000069294285,0.32567087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678624,0.00035040476,0.00077218877,0.00053912285,0.00051303534,0.0010390223],"domain_scores_gemma":[0.9982859,0.0004961949,0.00038153477,0.00036723065,0.00019722436,0.00027193947],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043738986,0.0005486066,0.0006696428,0.00021685251,0.0024126417,0.00029489843,0.00042297257,0.00037864718,0.005139767],"category_scores_gemma":[0.00011169446,0.00057488005,0.00050160475,0.00026832797,0.00044974062,0.0007014521,0.00007764195,0.00049862947,0.00044952758],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008241751,0.0016423514,0.029162195,0.00043442042,0.00026906477,0.00021471553,0.02941913,0.00016600624,0.0002738822,0.5539887,0.3802962,0.0040508998],"study_design_scores_gemma":[0.00065895275,0.00021691516,0.010922647,0.00018086412,0.0005019483,0.000014503306,0.0009320024,0.00017349457,0.00012820154,0.0025813493,0.9830195,0.00066962454],"about_ca_topic_score_codex":0.24988486,"about_ca_topic_score_gemma":0.042549793,"teacher_disagreement_score":0.6030652,"about_ca_system_score_codex":0.0044910647,"about_ca_system_score_gemma":0.00028944376,"threshold_uncertainty_score":0.99967027},"labels":[],"label_agreement":null},{"id":"W2356084327","doi":"10.33137/rr.v38i4.26398","title":"Alessandro Piccolomini (1508–1579): Un siennois à la croisée des genres et des savoirs","year":2016,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.030056594667201394,"score_gpt":0.24557444358281574,"score_spread":0.21551784891561435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2356084327","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8242262,0.052900843,0.0007407904,0.0040024277,0.00052592374,0.00017565423,0.00017549719,0.000098492856,0.117154166],"genre_scores_gemma":[0.9441814,0.014168321,0.00024310937,0.00023112514,0.00047766019,0.000020024005,0.000024552257,0.000019721827,0.04063411],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857676,0.00021422766,0.0004335893,0.00023907273,0.0001748387,0.0003615368],"domain_scores_gemma":[0.9991765,0.00017833296,0.00018609756,0.00017441508,0.00013763754,0.00014700527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000354549,0.0002489442,0.00027863102,0.00011833961,0.0010970691,0.00022777783,0.00012208761,0.00015068588,0.0006624281],"category_scores_gemma":[0.000057962985,0.00014552106,0.00011390115,0.00009516965,0.0017769267,0.00216436,0.000051366977,0.00013774468,0.00015156544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019463459,0.00033842036,0.0020904785,0.0011638985,0.00021314631,0.000039982348,0.1014815,0.000009708535,0.0013688367,0.33164117,0.03081314,0.5306451],"study_design_scores_gemma":[0.0005637879,0.00020864831,0.0044345534,0.00086459337,0.000077098775,0.000045349632,0.0015858049,0.000037924943,0.0007249067,0.009421607,0.9817136,0.00032215982],"about_ca_topic_score_codex":0.00041065426,"about_ca_topic_score_gemma":0.00031183416,"teacher_disagreement_score":0.95090044,"about_ca_system_score_codex":0.00012524084,"about_ca_system_score_gemma":0.00003410797,"threshold_uncertainty_score":0.84378797},"labels":[],"label_agreement":null},{"id":"W2369877685","doi":"10.33137/rr.v34i4.18657","title":"Tragédies et récits de martyres en France (fin XVIe–début XVIIe siècle); Corps sanglants, souffrants et macabres (XVIe–XVIIe siècle)","year":2012,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020419696976761673,"score_gpt":0.2526229550320777,"score_spread":0.23220325805531605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2369877685","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7467927,0.15912807,0.000324641,0.00888966,0.0018399782,0.0004795902,0.0006321568,0.00020154382,0.081711695],"genre_scores_gemma":[0.9595716,0.011225332,0.00016245355,0.0018283555,0.0016049535,0.000041660984,0.00018098674,0.0000435262,0.025341142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732083,0.00041311313,0.0007130849,0.00032687795,0.00039167088,0.0008344125],"domain_scores_gemma":[0.9987456,0.00020739084,0.0003617475,0.00028176417,0.00010951953,0.0002939719],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007874306,0.00047068074,0.0005741846,0.00018886095,0.0012913856,0.0002701226,0.00022383973,0.00027691593,0.00050983916],"category_scores_gemma":[0.000067086854,0.00036058784,0.0001924341,0.00015110507,0.00059350836,0.0030791874,0.00008295492,0.0005197369,0.00029243063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040905617,0.001232652,0.01755915,0.003792314,0.0005708152,0.000048872986,0.17995407,0.00029847887,0.0012797537,0.57335395,0.103237815,0.11826307],"study_design_scores_gemma":[0.000624324,0.00015753752,0.05264282,0.00083969266,0.00013114182,0.00005045184,0.0013067914,0.00032493498,0.0005201712,0.0012238874,0.9416166,0.00056165067],"about_ca_topic_score_codex":0.0013306494,"about_ca_topic_score_gemma":0.00025991493,"teacher_disagreement_score":0.8383788,"about_ca_system_score_codex":0.00011108268,"about_ca_system_score_gemma":0.000063612766,"threshold_uncertainty_score":0.9998846},"labels":[],"label_agreement":null},{"id":"W2394902447","doi":"10.82308/27564","title":"\"We shall be one people\" : early modern French perceptions of the Amerindian body","year":2001,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"McGill University","keywords":"Perception; Sociology; Genealogy; History; Geography; Epistemology; Philosophy","score_opus":0.030870593561405382,"score_gpt":0.219846720181544,"score_spread":0.18897612662013863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2394902447","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8198542,0.00015074816,6.145454e-7,0.00031358362,0.0003482293,0.0001940185,0.0006754667,0.000108111904,0.17835502],"genre_scores_gemma":[0.96120703,0.0001131058,0.00006326365,0.00047170685,0.00015507058,0.000036135585,0.00003062997,0.00004861095,0.03787447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976386,0.00023605587,0.0005783497,0.00048232533,0.00056284625,0.00050181575],"domain_scores_gemma":[0.99852663,0.00012516705,0.00022417317,0.00068019726,0.00020736357,0.00023648322],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000224805,0.00033375932,0.00045331512,0.00018747203,0.0018309534,0.00011286072,0.00067288394,0.00012785518,0.0066635106],"category_scores_gemma":[0.00009298775,0.00026092475,0.00043204852,0.00028611967,0.0002804498,0.00085210614,0.00018309218,0.00063654745,0.00026726397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099701945,0.0019856822,0.0059089623,0.00019006288,0.0005549935,0.000047520898,0.009693817,0.000065727996,0.019167297,0.8967924,0.00016007663,0.065333724],"study_design_scores_gemma":[0.0005435545,0.00028370257,0.016845476,0.00014013502,0.00023745932,0.00001782642,0.0012175817,0.00006995391,0.00046449457,0.035792813,0.9436819,0.0007051116],"about_ca_topic_score_codex":0.0053370604,"about_ca_topic_score_gemma":0.010049916,"teacher_disagreement_score":0.9435218,"about_ca_system_score_codex":0.00017790748,"about_ca_system_score_gemma":0.000021768465,"threshold_uncertainty_score":0.9999843},"labels":[],"label_agreement":null},{"id":"W2414715015","doi":"","title":"Mommy, L’Activité, Théâtre Aux Écuries, Montréal, du 19 février au 9 mars 2013","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Astrobiology; Geology; Physics","score_opus":0.00949490369860172,"score_gpt":0.15306823691903412,"score_spread":0.1435733332204324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2414715015","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13279083,0.42194113,0.00013131608,0.2819756,0.0027525122,0.0007636737,0.0007131213,0.00034892603,0.15858288],"genre_scores_gemma":[0.061610922,0.017625352,0.000107479565,0.0011957297,0.0017183919,0.000026202704,0.00010903341,0.000079211306,0.9175277],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970563,0.0002389502,0.0004323884,0.00069008046,0.00046473418,0.0011175609],"domain_scores_gemma":[0.99767375,0.00025879708,0.00030187567,0.0006733869,0.00027473862,0.00081743585],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015604265,0.0006452481,0.00069895503,0.00030791733,0.0034074907,0.00023684086,0.00057619513,0.0003528883,0.022533018],"category_scores_gemma":[0.000029992074,0.0006516855,0.0005611813,0.0002564413,0.00067463866,0.0017284724,0.00041312707,0.000549233,0.004139244],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009653869,0.00032221485,0.0004093217,0.0001066036,0.00037096435,0.001041165,0.007535239,0.00009306743,0.000022745966,0.21791053,0.7613362,0.010755384],"study_design_scores_gemma":[0.0008056557,0.00022296989,0.00042552585,0.00010596804,0.000453966,0.00016553105,0.003870735,0.0013099326,0.000012230903,0.002735829,0.9891026,0.0007890447],"about_ca_topic_score_codex":0.64407384,"about_ca_topic_score_gemma":0.33925667,"teacher_disagreement_score":0.7589448,"about_ca_system_score_codex":0.007042562,"about_ca_system_score_gemma":0.0001861723,"threshold_uncertainty_score":0.99959344},"labels":[],"label_agreement":null},{"id":"W242035975","doi":"","title":"The Truth about Marie","year":2012,"lang":"en","type":"article","venue":"Chicago Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Style (visual arts); Portrait; Art history; Art; Literature; History; Quarter (Canadian coin); Archaeology","score_opus":0.04719308339306388,"score_gpt":0.26228362127555815,"score_spread":0.21509053788249427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W242035975","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008025631,0.70753264,0.0000031686977,0.0018629467,0.0009559611,0.00007676949,0.000005073104,0.000031556192,0.28945163],"genre_scores_gemma":[0.18753904,0.515729,0.000047383517,0.015076579,0.009056543,0.00014513993,0.000052936994,0.000044731187,0.27230862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993676,0.00007039709,0.00019445697,0.00007387246,0.00009920889,0.00019448613],"domain_scores_gemma":[0.9993493,0.0002790841,0.00005484557,0.00021040346,0.000026073783,0.00008030652],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026918013,0.00008302462,0.0001656081,0.000008526875,0.0004689051,0.00006041218,0.0001528161,0.000012430121,0.005479691],"category_scores_gemma":[0.00016623996,0.000039897117,0.00013089123,0.000032727767,0.000119251905,0.00015131393,0.000023762319,0.00010336429,0.0011205651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001470286,0.00003009475,0.00003317974,0.00035841332,0.000021471702,4.975296e-7,0.0014237015,5.5544023e-9,3.1122775e-7,0.73130894,0.16491327,0.10190868],"study_design_scores_gemma":[0.000020901463,0.000007794923,0.0000442232,0.00027679035,0.000050594983,8.9334446e-7,0.000022540662,4.6780687e-7,7.843805e-7,0.00049292523,0.99901193,0.00007013047],"about_ca_topic_score_codex":0.000011676444,"about_ca_topic_score_gemma":0.0000065445483,"teacher_disagreement_score":0.8340987,"about_ca_system_score_codex":0.000010992619,"about_ca_system_score_gemma":0.000007640331,"threshold_uncertainty_score":0.99965715},"labels":[],"label_agreement":null},{"id":"W2433793886","doi":"","title":"Entre la parodie et l'imitation: le Don Juan de Jacques Ferron","year":2007,"lang":"fr","type":"article","venue":"Romanica Silesiana (University of Silesia Press)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.022631818217682183,"score_gpt":0.22096046610350545,"score_spread":0.19832864788582327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2433793886","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12763706,0.029277008,0.004533355,0.009349496,0.0005491828,0.00043671086,0.0002701914,0.00025063558,0.8276964],"genre_scores_gemma":[0.9122538,0.0014461294,0.0011534219,0.0001670452,0.00036048156,4.489366e-7,0.00006807602,0.000030016376,0.0845206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997864,0.00040585763,0.00035813925,0.00046948006,0.00034982196,0.0005527157],"domain_scores_gemma":[0.9983788,0.00043589363,0.0003283252,0.00038918148,0.00015756543,0.00031022832],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005794168,0.00032618069,0.00051359547,0.00018276018,0.0008294638,0.00011163501,0.00054093817,0.0002865824,0.0032224206],"category_scores_gemma":[0.000026345058,0.00040826993,0.00039049378,0.0001263528,0.0008169489,0.0010155075,0.00013845607,0.00038426183,0.00008069622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024440585,0.00088785053,0.0003581635,0.000451496,0.0003269515,0.0006335276,0.05540953,0.00009481335,0.00043871463,0.8522445,0.08352352,0.005386552],"study_design_scores_gemma":[0.00074231735,0.00020909765,0.006022665,0.00029792354,0.0003867718,0.000019871914,0.019190395,0.0003531536,0.00015275087,0.0014506022,0.97072726,0.00044716155],"about_ca_topic_score_codex":0.027270518,"about_ca_topic_score_gemma":0.009598279,"teacher_disagreement_score":0.88720375,"about_ca_system_score_codex":0.00019863514,"about_ca_system_score_gemma":0.00018949313,"threshold_uncertainty_score":0.9998369},"labels":[],"label_agreement":null},{"id":"W245641444","doi":"","title":"Solitude amère. Laurentie de Mathieu Denis et Simon Lavoie, Québec, 2011, 118 minLaurentie de Mathieu Denis et Simon Lavoie, Québec, 2011, 118 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Solitude; Physics; Art; Literature","score_opus":0.03180512260190373,"score_gpt":0.24392237751777002,"score_spread":0.21211725491586628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W245641444","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1736071,0.6643401,0.0010442608,0.030826133,0.005027269,0.0011762661,0.0017190054,0.0009149822,0.12134494],"genre_scores_gemma":[0.18576036,0.0121572595,0.0021915645,0.005828989,0.0029132282,0.00021611,0.00038619302,0.00039124757,0.79015505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930691,0.0010094439,0.0016210419,0.0013838542,0.00086550554,0.0020510487],"domain_scores_gemma":[0.99584055,0.00076994934,0.000733756,0.0012630429,0.00040920134,0.0009834863],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0011226621,0.0014134351,0.00159344,0.00054913317,0.0016219766,0.000773194,0.0013241073,0.0008093447,0.04909041],"category_scores_gemma":[0.00017239162,0.0013387445,0.0011978983,0.00018417003,0.0013009916,0.0010744648,0.00042920824,0.0014054851,0.005541362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003298194,0.0019569693,0.005127541,0.00063764123,0.00072258135,0.00052824034,0.038970858,0.00002137576,0.00020923934,0.030324344,0.9193135,0.0018579178],"study_design_scores_gemma":[0.0009909525,0.00046650355,0.0011197869,0.00057757954,0.0010977371,0.00005104955,0.0042349626,0.00017890446,0.001151867,0.0025298458,0.98602134,0.0015794851],"about_ca_topic_score_codex":0.42528442,"about_ca_topic_score_gemma":0.60296106,"teacher_disagreement_score":0.66881007,"about_ca_system_score_codex":0.00062883727,"about_ca_system_score_gemma":0.0014242779,"threshold_uncertainty_score":0.9998616},"labels":[],"label_agreement":null},{"id":"W2465286426","doi":"10.3917/sh.journ.2002.01.0039","title":"La culture","year":2002,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.043346985771918776,"score_gpt":0.20213544432338026,"score_spread":0.15878845855146148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2465286426","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[1.6416007e-7,0.0015461312,0.0000018147308,0.00007324748,0.00019820582,0.000026965556,0.000032147436,0.00008159339,0.9980397],"genre_scores_gemma":[0.0002861462,0.00014167855,0.000013036763,0.00043737626,0.0012861406,0.0000012051374,0.00003474909,0.000017227512,0.99778247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995662,0.000005229431,0.000121300756,0.00013530957,0.00010125437,0.00007069129],"domain_scores_gemma":[0.9997568,0.000017462033,0.000038424856,0.00011289642,0.000032170905,0.000042215404],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000015619491,0.00015101444,0.00017277019,0.000041869866,0.000112791,0.00007676688,0.0000854599,0.00011831484,0.26612583],"category_scores_gemma":[0.0000013648405,0.000097179865,0.00015879486,0.000001759059,0.00010684309,0.000061807405,0.000015182221,0.0002212491,0.0038115736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.0062897e-7,0.000004209255,2.809821e-8,0.0000073187807,0.000020957501,0.000013370428,0.0034752937,1.04653735e-8,3.789017e-8,0.5969842,0.39805764,0.0014364012],"study_design_scores_gemma":[0.000026599277,0.000021225165,2.8149781e-8,0.000025254958,0.000038379767,0.0000020303669,0.000029249708,9.860441e-7,1.4253065e-7,0.020195022,0.97950166,0.00015939903],"about_ca_topic_score_codex":0.000025594101,"about_ca_topic_score_gemma":0.000041747055,"teacher_disagreement_score":0.581444,"about_ca_system_score_codex":0.00001605308,"about_ca_system_score_gemma":0.0000035255966,"threshold_uncertainty_score":0.9969641},"labels":[],"label_agreement":null},{"id":"W2466407106","doi":"10.3406/dhs.2001.2400","title":"Le philosophe et la morue. Histoire philosophique et politique de la pêche et du commerce de la morue de la Terre-Neuve","year":2001,"lang":"en","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fishing; Geography; Enlightenment; Humanities; Ethnology; Economy; Political science; History; Art; Economics; Philosophy","score_opus":0.024771596809590228,"score_gpt":0.2839152483151877,"score_spread":0.2591436515055975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2466407106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08338533,0.00050975947,0.00026098677,0.019547362,0.00011416122,0.00016228399,0.00019810334,0.00030969322,0.89551234],"genre_scores_gemma":[0.9690442,0.00031067632,0.00022861651,0.018441508,0.0010001069,0.00008788327,0.0001219955,0.000101318714,0.010663672],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99501616,0.0031459848,0.00044553363,0.0004560721,0.00027286782,0.0006633835],"domain_scores_gemma":[0.9972177,0.001765728,0.00016286326,0.00042946756,0.00008549155,0.00033875703],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0015718365,0.0004308809,0.0005003287,0.00018195213,0.0008651137,0.00045242073,0.0004856425,0.00034547882,0.0008282137],"category_scores_gemma":[0.00025123174,0.00041573434,0.00033075263,0.00011625057,0.0012842115,0.0005808435,0.00014472737,0.0010355229,0.00007170818],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061699815,0.00073685794,0.0021496725,0.000058303885,0.00008203245,0.00050032494,0.020713553,0.00008018493,0.00032808818,0.95184046,0.023059534,0.00038930535],"study_design_scores_gemma":[0.00070941885,0.000092568545,0.0027247996,0.000094979514,0.00006617489,0.0002305575,0.00086299016,0.00016857611,0.00012503455,0.17264974,0.82179534,0.00047980578],"about_ca_topic_score_codex":0.010508548,"about_ca_topic_score_gemma":0.0005652757,"teacher_disagreement_score":0.88565886,"about_ca_system_score_codex":0.00030150084,"about_ca_system_score_gemma":0.00038483142,"threshold_uncertainty_score":0.9998295},"labels":[],"label_agreement":null},{"id":"W2471509981","doi":"10.7202/1036190ar","title":"Gérard Bouchard. Raison et déraison du mythe : au coeur des imaginaires collectifs, Montréal, Éditions du Boréal, 2014, 232 p.","year":2015,"lang":"fr","type":"article","venue":"Mens Revue d histoire intellectuelle et culturelle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.027509804293080666,"score_gpt":0.23727970504017865,"score_spread":0.20976990074709798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2471509981","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031144463,0.37433,0.0015493517,0.10752791,0.010679829,0.0009315308,0.0010539582,0.000559048,0.5002539],"genre_scores_gemma":[0.07133528,0.03144985,0.00066404126,0.002183536,0.004085219,0.00024158548,0.0006346226,0.00025424387,0.88915163],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940925,0.001310347,0.0013366998,0.001273823,0.0007082894,0.0012783274],"domain_scores_gemma":[0.9956692,0.00067336875,0.0005383228,0.0008888271,0.0013054948,0.000924815],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0010116027,0.0011882692,0.0013823115,0.00045898426,0.0060721077,0.00079890253,0.0007775004,0.0004778947,0.009448703],"category_scores_gemma":[0.0011383899,0.0010881643,0.00093714695,0.0006162183,0.0029074494,0.0011568627,0.0003179933,0.0013613888,0.0031897225],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032795186,0.0013248537,0.00010911124,0.00030752015,0.00031428158,0.00035359565,0.14105695,0.000431854,0.000085293665,0.029872075,0.8244197,0.0013968355],"study_design_scores_gemma":[0.0012734092,0.0009699603,0.000014668666,0.00063662487,0.0005090681,0.0004900174,0.008254812,0.0015907753,0.00011025407,0.004422228,0.980396,0.001332194],"about_ca_topic_score_codex":0.043071758,"about_ca_topic_score_gemma":0.015518529,"teacher_disagreement_score":0.38889772,"about_ca_system_score_codex":0.002410543,"about_ca_system_score_gemma":0.00087931566,"threshold_uncertainty_score":0.99980605},"labels":[],"label_agreement":null},{"id":"W2475079432","doi":"","title":"La catabase d’Orphée dans la poésie portugaise de la Renaissance","year":2015,"lang":"fr","type":"article","venue":"Les Études Classiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Poetry; Art; Portuguese; The Renaissance; Art history; Philosophy; Literature","score_opus":0.060515767803976606,"score_gpt":0.2876367376724655,"score_spread":0.2271209698684889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2475079432","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029610328,0.027629852,0.00023465358,0.0022500514,0.00041133867,0.00010399727,0.00020614808,0.00024184682,0.9393118],"genre_scores_gemma":[0.75100833,0.001438351,0.0006190523,0.00045607143,0.0013704905,0.000028951892,0.00006191561,0.000057647605,0.24495922],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971894,0.0011462888,0.0004506921,0.00041720198,0.0003084731,0.000487925],"domain_scores_gemma":[0.9981472,0.0006962036,0.00018198293,0.00037180388,0.00014486506,0.0004579842],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00072468043,0.00039172848,0.00043377987,0.00010943727,0.00038205343,0.00043669745,0.0003458586,0.00031782777,0.00075855973],"category_scores_gemma":[0.00017739584,0.0003484631,0.00024355712,0.00010086692,0.0024185847,0.0005990231,0.000107542386,0.0006322828,0.00012878451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000633,0.0005067819,0.0014771611,0.00017784748,0.000107734755,0.0010827208,0.028605007,0.000013794867,0.00009442371,0.81567633,0.14606868,0.0061262096],"study_design_scores_gemma":[0.0003174001,0.00015768442,0.00041456358,0.000379893,0.000159106,0.00013217788,0.0044807806,0.0000989812,0.00019595088,0.0062151933,0.9869954,0.00045289434],"about_ca_topic_score_codex":0.011439673,"about_ca_topic_score_gemma":0.0029025697,"teacher_disagreement_score":0.8409267,"about_ca_system_score_codex":0.0003950746,"about_ca_system_score_gemma":0.0004085254,"threshold_uncertainty_score":0.99989676},"labels":[],"label_agreement":null},{"id":"W2476774055","doi":"10.1093/fs/knw185","title":"<i>Libertinage et Lumières: André-François Boureau-Deslandes (1689–1757)</i> . Par E <scp>lisabetta</scp> M <scp>astrogiacomo</scp> , avec une préface de G <scp>ianni</scp> P <scp>aganini</scp> . <i>Libertinage et Lumières: André-François Boureau-Deslandes (1689–1757)</i> . Par MastrogiacomoElisabetta, avec une préface de G <scp>ianni</scp> P <scp>aganini</scp> . (Libre pensée et littérature clandestine, 61.) Paris: Honoré Champion, 2015. 332 pp., ill.","year":2016,"lang":"fr","type":"article","venue":"French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015866006518854878,"score_gpt":0.25487581866359565,"score_spread":0.23900981214474076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2476774055","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4538723,0.40897098,0.0031529777,0.014915636,0.0088071115,0.009027264,0.016455697,0.005250759,0.0795473],"genre_scores_gemma":[0.3234759,0.13979067,0.0053916555,0.015788501,0.014651619,0.004294712,0.006581407,0.0033809575,0.48664457],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9546775,0.007249478,0.008952155,0.00916921,0.005935516,0.014016115],"domain_scores_gemma":[0.9408201,0.03591454,0.0070452117,0.006171051,0.004264658,0.005784465],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0077717192,0.01061609,0.011260418,0.0024254094,0.009087238,0.006650769,0.007018278,0.0052549522,0.00024788058],"category_scores_gemma":[0.022892714,0.0090571465,0.004691625,0.005746391,0.010294667,0.0076187984,0.004064194,0.009444554,0.001872648],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007005241,0.004214917,0.036559604,0.003599598,0.006850314,0.002108619,0.19458587,0.0006759124,0.0023665358,0.0048773033,0.74311924,0.00097199634],"study_design_scores_gemma":[0.010764284,0.004277351,0.01835864,0.0066935816,0.004120019,0.0010114542,0.057562653,0.00047458592,0.0048429766,0.008213492,0.8822476,0.0014333457],"about_ca_topic_score_codex":0.0068318103,"about_ca_topic_score_gemma":0.0125364065,"teacher_disagreement_score":0.40709728,"about_ca_system_score_codex":0.0020455385,"about_ca_system_score_gemma":0.0028129506,"threshold_uncertainty_score":0.9997818},"labels":[],"label_agreement":null},{"id":"W2483048188","doi":"10.3726/978-3-0351-0634-3/14","title":"Raconter l’horrible : Antonine Maillet et l’épopée des mots Blanca NAVARRO PARDIÑAS (Université de Moncton) 219","year":2016,"lang":"fr","type":"book-chapter","venue":"Peter Lang eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.030664310864092267,"score_gpt":0.21656375966039715,"score_spread":0.18589944879630488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2483048188","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0074878004,0.002173713,0.00010718461,0.00053337764,0.00056287914,0.00019657539,0.0008796737,0.0001543102,0.9879045],"genre_scores_gemma":[0.086368404,0.00018891516,0.00018502041,0.0012008001,0.0013057342,0.000012494452,0.00009641652,0.00010289111,0.9105393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997881,0.00012374387,0.0004261264,0.00058769126,0.00030533253,0.0006760931],"domain_scores_gemma":[0.99863046,0.00019954603,0.00024219109,0.0004767112,0.0001376712,0.00031343475],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020024226,0.00063552207,0.00072122226,0.0002894796,0.00085863296,0.00016615892,0.00037120705,0.00031074413,0.016458267],"category_scores_gemma":[0.000010434585,0.0004946128,0.00057568355,0.000012479919,0.00077904604,0.0002316968,0.0002452586,0.00041836032,0.0017358931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002544054,0.000056448793,0.00039112516,0.00028906678,0.0007301272,0.0010616345,0.01843065,0.0000013729943,0.00062028255,0.946437,0.022342602,0.009385313],"study_design_scores_gemma":[0.0006206921,0.00019928583,0.00016117995,0.000659462,0.00033468206,0.00007368925,0.00008329864,0.000012254165,0.00014602012,0.0053792973,0.991616,0.00071414246],"about_ca_topic_score_codex":0.0007320203,"about_ca_topic_score_gemma":0.001944307,"teacher_disagreement_score":0.9692734,"about_ca_system_score_codex":0.00045019848,"about_ca_system_score_gemma":0.00006476966,"threshold_uncertainty_score":0.99975055},"labels":[],"label_agreement":null},{"id":"W2488194898","doi":"","title":"« M'amie, faites-moi un bouquet ... » Mélanges posthumes autour de l'oeuvre de Conrad Laforte . 2011. Jean-Nicolas De Surmont, dir. Collection Archives de folklore. Presses de l'Université Laval / Éditions Charlevoix.","year":2016,"lang":"fr","type":"article","venue":"MUSICultures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.011563670374623388,"score_gpt":0.2008797996028348,"score_spread":0.18931612922821142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2488194898","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7810763,0.090855815,0.0026873786,0.058253724,0.0017471049,0.0010424226,0.005720845,0.000940628,0.057675797],"genre_scores_gemma":[0.534192,0.016306365,0.0011760889,0.0017022718,0.00412457,0.00012796602,0.00027454083,0.00010517597,0.44199097],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971768,0.0005831571,0.0003886782,0.0005006444,0.00024510926,0.0011055754],"domain_scores_gemma":[0.9981527,0.00072412856,0.00023888264,0.00029586907,0.00012631995,0.0004621342],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025191726,0.00050533604,0.00048521053,0.00020511915,0.0019676937,0.00038648568,0.00043943292,0.00034952597,0.008159829],"category_scores_gemma":[0.00014801389,0.00037634702,0.00045253657,0.00011432853,0.0005945689,0.0004892126,0.00009865536,0.0004764659,0.00010230446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003160918,0.0007933592,0.0074742795,0.0002508125,0.0007990657,0.00034972467,0.090940475,0.00011660405,0.015434866,0.04113618,0.8357417,0.006646828],"study_design_scores_gemma":[0.0008377004,0.00034619618,0.034786813,0.00036360952,0.00058837724,0.00012571714,0.0021915017,0.00020299933,0.003324615,0.009017579,0.9475956,0.00061928894],"about_ca_topic_score_codex":0.01440146,"about_ca_topic_score_gemma":0.01914431,"teacher_disagreement_score":0.3843152,"about_ca_system_score_codex":0.0005710514,"about_ca_system_score_gemma":0.00039769465,"threshold_uncertainty_score":0.99986887},"labels":[],"label_agreement":null},{"id":"W2495802849","doi":"10.1522/cla.did.rev","title":"re?ve [de] d'Alembert","year":2002,"lang":"fr","type":"book","venue":"classiques des sciences sociales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Philosophy","score_opus":0.24953374626620967,"score_gpt":0.32184722694223933,"score_spread":0.07231348067602966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2495802849","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005688191,0.021038871,0.000069985246,0.001877472,0.0013955293,0.00019053077,0.00021650287,0.0001955232,0.9744468],"genre_scores_gemma":[0.036042172,0.0022875643,0.00079227856,0.00086659304,0.00540599,0.00001982974,0.000044876382,0.00004883322,0.95449185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99620104,0.00055015454,0.00073374243,0.00082295627,0.00066943234,0.0010226907],"domain_scores_gemma":[0.997908,0.0007823841,0.00045159974,0.00027932719,0.00025558108,0.000323087],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0006324381,0.0006350057,0.00081026944,0.00028632765,0.005687996,0.0010408375,0.0009824204,0.00050337403,0.01264083],"category_scores_gemma":[0.00011627888,0.00055297907,0.0006853974,0.00022639854,0.07104732,0.00085689855,0.00016301987,0.00064642314,0.0009329987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005002431,0.00013108451,0.00021689842,0.0002105254,0.000071458846,0.00004328248,0.015921963,0.0000045635697,0.0000031896718,0.51811796,0.46077988,0.00449423],"study_design_scores_gemma":[0.00007923157,0.00037238907,0.000023072298,0.00050117634,0.00015877305,0.000006949085,0.0018470152,0.00022661992,0.00000842132,0.13774835,0.85839397,0.00063404127],"about_ca_topic_score_codex":0.0035960407,"about_ca_topic_score_gemma":0.007195045,"teacher_disagreement_score":0.39761412,"about_ca_system_score_codex":0.0045854487,"about_ca_system_score_gemma":0.0021570937,"threshold_uncertainty_score":0.9999962},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"medium"}],"label_agreement":"agree"},{"id":"W2497194257","doi":"10.7202/1036453ar","title":"Le théâtre immersif est-il interactif ? L’engagement du spectateur entre immersion et interactivité","year":2016,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02337905699501878,"score_gpt":0.24075419174600649,"score_spread":0.21737513475098771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2497194257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16706492,0.011484693,0.0009872781,0.11362882,0.009045002,0.00042845795,0.0005712148,0.00015449767,0.6966351],"genre_scores_gemma":[0.73609626,0.001584215,0.00004828471,0.00064669485,0.00094212894,0.000011856038,0.00001666788,0.000027660257,0.26062623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789214,0.00036892097,0.0004167853,0.0005342312,0.0002915196,0.00049641693],"domain_scores_gemma":[0.9986214,0.00048761,0.00023246821,0.00034594737,0.00011486658,0.00019771565],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002587189,0.00035180905,0.00033618815,0.00013176852,0.0006054191,0.00019667122,0.00035048247,0.000074689284,0.02534419],"category_scores_gemma":[0.000066383225,0.00025762024,0.00026954027,0.000101007136,0.00032710133,0.0015430012,0.00020601875,0.00033868095,0.0033859147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002950624,0.0011759849,0.00052241073,0.00014672293,0.00031664135,0.00043802737,0.045112118,0.00000441349,0.0052303085,0.6625716,0.20236142,0.081825264],"study_design_scores_gemma":[0.00036716292,0.00023831979,0.0001312688,0.0005310719,0.00010053283,0.000022512968,0.0077156876,0.000047803227,0.0015576683,0.00041089757,0.9884785,0.00039859113],"about_ca_topic_score_codex":0.0034772602,"about_ca_topic_score_gemma":0.00049128255,"teacher_disagreement_score":0.7861171,"about_ca_system_score_codex":0.00022958411,"about_ca_system_score_gemma":0.00011581065,"threshold_uncertainty_score":0.9999876},"labels":[],"label_agreement":null},{"id":"W2497766642","doi":"10.26522/vp.v13i1.1382","title":"Dugas, Daniel H. L’esprit du temps / The Spirit of Time","year":2016,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.01419320582371055,"score_gpt":0.20289851706536616,"score_spread":0.1887053112416556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2497766642","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063058734,0.07344589,0.00023605824,0.5430263,0.0033388094,0.0004850008,0.0018187122,0.00016029192,0.31443018],"genre_scores_gemma":[0.118139185,0.0017284238,0.00003425946,0.00041471838,0.0026141952,0.000009545948,0.00000767733,0.000029499171,0.8770225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984463,0.0001650573,0.00050365017,0.00027617358,0.00026543523,0.00034338128],"domain_scores_gemma":[0.9985331,0.00061188114,0.00018730808,0.00042173313,0.00013719694,0.0001087639],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025352542,0.00025163218,0.0003135543,0.000075909265,0.0005716632,0.00009023421,0.00041386197,0.000112964946,0.016860941],"category_scores_gemma":[0.000096316755,0.00012891297,0.0002951025,0.000086696644,0.0011025207,0.00029922434,0.000107387634,0.00014011873,0.0018805837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046000805,0.00025019376,0.00018740018,0.0000716753,0.00016304456,0.000022613669,0.016270334,0.0000021727665,0.0005610386,0.585561,0.3892048,0.007659753],"study_design_scores_gemma":[0.0002785986,0.00017022605,0.0000543325,0.00024545248,0.00013438305,0.000007584964,0.0003665821,0.00003221368,0.00060040865,0.0026315977,0.9952528,0.00022584813],"about_ca_topic_score_codex":0.0017448091,"about_ca_topic_score_gemma":0.000280337,"teacher_disagreement_score":0.606048,"about_ca_system_score_codex":0.00004001294,"about_ca_system_score_gemma":0.000060621063,"threshold_uncertainty_score":0.99889654},"labels":[],"label_agreement":null},{"id":"W2498177217","doi":"10.1017/cbo9781316091722.013","title":"Marius D'Assigny, <i>The Art of Memory</i> (1697)","year":2016,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Art; Art history","score_opus":0.028019349343272583,"score_gpt":0.17429231614989218,"score_spread":0.1462729668066196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2498177217","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010453586,0.0002723934,0.000044802473,0.000090711765,0.00048763084,0.00018721372,0.0006215249,0.00006389995,0.9982214],"genre_scores_gemma":[0.0011249396,0.00004450227,0.000004969559,0.00015428128,0.0006014422,5.8830693e-7,0.00002704055,0.000029300982,0.99801296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894774,0.00004463873,0.00023586824,0.0003083262,0.00026114518,0.00020229531],"domain_scores_gemma":[0.99881417,0.0001346329,0.00027768716,0.00049313373,0.00017905582,0.00010131462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008025929,0.0002928702,0.00041955517,0.000118489304,0.00030356122,0.0000438593,0.00054268085,0.00014598134,0.00041349797],"category_scores_gemma":[0.000005051057,0.00020493337,0.0003653965,0.0000029899588,0.0008384338,0.00010889478,0.0002018473,0.00027853317,0.000114829556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044847988,0.0000071598865,1.2857811e-7,0.00004167569,0.00012240952,0.000052446794,0.00044064884,7.695891e-8,0.000012428003,0.6896799,0.30865693,0.00094130647],"study_design_scores_gemma":[0.00023589224,0.00005459095,3.8706258e-7,0.0001347693,0.0002856285,0.000003126984,0.00005825241,0.0000016407109,0.00008242631,0.00007933608,0.99878305,0.00028092402],"about_ca_topic_score_codex":0.00015713408,"about_ca_topic_score_gemma":0.000013997106,"teacher_disagreement_score":0.69012606,"about_ca_system_score_codex":0.00008467258,"about_ca_system_score_gemma":0.00005943709,"threshold_uncertainty_score":0.8356941},"labels":[],"label_agreement":null},{"id":"W2504141534","doi":"10.2307/1261986","title":": <i>Les Étoiles de Némésis: La rhétorique de la mémoire dans la poésie d'Ange Politien (1454-1494)</i>","year":2003,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"The Renaissance; Humanities; Art; Art history","score_opus":0.013808840726082659,"score_gpt":0.24698763058178302,"score_spread":0.23317878985570037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504141534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046001963,0.029366517,0.0009779319,0.0013821565,0.0007534424,0.00018518431,0.000352187,0.00022663466,0.92075396],"genre_scores_gemma":[0.8426692,0.00042628523,0.00043616258,0.00037955336,0.0016150033,0.00007791857,0.00002454134,0.0000871445,0.15428418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99525005,0.0021495789,0.0006129522,0.0005886206,0.00032505614,0.0010737237],"domain_scores_gemma":[0.99772793,0.000958251,0.00023015254,0.0005058583,0.00011212516,0.00046567761],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008191988,0.0005755349,0.00060764136,0.00015535482,0.001023681,0.00064781087,0.00043097895,0.00048480165,0.0013293882],"category_scores_gemma":[0.0000891343,0.0005586086,0.00043197302,0.00018734159,0.0016228844,0.000661307,0.00001690521,0.00074140565,0.00015217646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003438054,0.0005177248,0.001010635,0.00030371078,0.00014475704,0.00045573135,0.08782508,0.000009081341,0.00027941843,0.85595924,0.044064533,0.009395708],"study_design_scores_gemma":[0.00046042577,0.00042717185,0.00084653136,0.0005616486,0.0001801702,0.0002762289,0.013266695,0.000045046127,0.00018656741,0.017120915,0.96594846,0.00068015076],"about_ca_topic_score_codex":0.010374775,"about_ca_topic_score_gemma":0.00089333864,"teacher_disagreement_score":0.92188394,"about_ca_system_score_codex":0.00063278846,"about_ca_system_score_gemma":0.0003596781,"threshold_uncertainty_score":0.99968654},"labels":[],"label_agreement":null},{"id":"W2505349285","doi":"10.4000/books.septentrion.6081","title":"Les archives de la mise en scène. Hypermédialités du théâtre","year":2014,"lang":"fr","type":"book","venue":"Presses universitaires du Septentrion eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014328349875817352,"score_gpt":0.2034567915483409,"score_spread":0.18912844167252355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2505349285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005692385,0.0041157575,0.0002983638,0.0010551006,0.0006706356,0.0003696015,0.00037810122,0.0002489323,0.9871711],"genre_scores_gemma":[0.19796298,0.00081845705,0.00010190894,0.00021114392,0.00324209,0.000010784372,0.00024559774,0.00009304553,0.797314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958876,0.0016392939,0.00055823,0.0007767797,0.00043098372,0.00070714625],"domain_scores_gemma":[0.99554276,0.0029241564,0.00040932244,0.0005196665,0.0001562535,0.00044781127],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029413917,0.0008330953,0.00090640615,0.00049981964,0.0020156018,0.00041940555,0.00095508,0.00058656296,0.005739307],"category_scores_gemma":[0.0001110366,0.00079520966,0.00092316064,0.00003306817,0.0021989066,0.00023071532,0.0004045144,0.00094408344,0.00020961181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003398415,0.00028955677,0.00045787703,0.0007621735,0.0008593291,0.00078769366,0.023518024,0.00011809809,0.00006587523,0.8688155,0.05429366,0.049692374],"study_design_scores_gemma":[0.00085124216,0.00023694187,0.00013859733,0.00066926045,0.0013444541,0.0000650726,0.0012777741,0.00040163973,0.000041281997,0.0058487873,0.9882367,0.0008882374],"about_ca_topic_score_codex":0.001341424,"about_ca_topic_score_gemma":0.00010833481,"teacher_disagreement_score":0.93394303,"about_ca_system_score_codex":0.0004175647,"about_ca_system_score_gemma":0.000372427,"threshold_uncertainty_score":0.9994499},"labels":[],"label_agreement":null},{"id":"W2512290936","doi":"10.3138/tric.37.1.7","title":"Introduction: Prendre le temps","year":2016,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05982049791028731,"score_gpt":0.28494426943900264,"score_spread":0.22512377152871532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512290936","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060923025,0.026841754,0.0000038309786,0.31272897,0.0026125011,0.00018967947,0.00029977036,0.000016660915,0.65121454],"genre_scores_gemma":[0.6813507,0.0009850948,0.0000078887215,0.000079388075,0.008173501,0.000023513776,0.000007384933,0.000020198726,0.3093523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972988,0.0006075023,0.00030173513,0.0003616649,0.00066073687,0.00076957216],"domain_scores_gemma":[0.99874586,0.00047621253,0.000029289855,0.00037897335,0.00011902112,0.00025063456],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067827845,0.00014589155,0.00022947213,0.00018980712,0.0005266304,0.0000798626,0.00029981046,0.000050839673,0.014119431],"category_scores_gemma":[0.0000147229,0.00009976223,0.000053211166,0.00024557955,0.00054917973,0.00033764035,0.00008226196,0.0004148397,0.00026098796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044669883,0.000081170976,0.00026920915,0.00010305478,0.000033907185,0.00016524404,0.0007622434,0.0000050412673,0.00003102473,0.102850065,0.6112641,0.28439027],"study_design_scores_gemma":[0.00023865444,0.00007873627,0.000027057687,0.0001974974,0.0000051915945,0.0000099708395,0.0016356097,0.000009973611,0.000099125275,0.0037149985,0.9938317,0.00015150178],"about_ca_topic_score_codex":0.9958288,"about_ca_topic_score_gemma":0.99615407,"teacher_disagreement_score":0.6752584,"about_ca_system_score_codex":0.0022464949,"about_ca_system_score_gemma":0.003878479,"threshold_uncertainty_score":0.9867818},"labels":[],"label_agreement":null},{"id":"W2512739082","doi":"10.1086/598376","title":": <i>The First Voyage around the World 1519–1522: An Account of Magellan's Expedition</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Index (typography); History","score_opus":0.019473223794691973,"score_gpt":0.23674280685291102,"score_spread":0.21726958305821906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512739082","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22712736,0.011046277,0.00025808983,0.027336275,0.003519297,0.00093111844,0.00019675087,0.0004491577,0.7291357],"genre_scores_gemma":[0.971259,0.00001539038,0.00001563904,0.0010155521,0.0020682877,0.00001650626,0.00001428406,0.000010968203,0.025584403],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883217,0.00006365263,0.00035270402,0.00021321562,0.0002682608,0.00027000345],"domain_scores_gemma":[0.9990251,0.0001744689,0.00016349924,0.000482673,0.00008951521,0.000064713335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019535168,0.00016926085,0.00019852318,0.00005186893,0.0010858027,0.0003003214,0.0004220638,0.000026935071,0.0006701622],"category_scores_gemma":[0.0000066361035,0.000092598384,0.00013307351,0.00010349586,0.00036543477,0.00047682732,0.0000055490823,0.00016664277,0.00009157764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016692665,0.00046822685,0.00011678694,0.000047818896,0.00007273783,0.000029987204,0.09190153,0.000011603702,0.0003992465,0.26879293,0.5990115,0.03898073],"study_design_scores_gemma":[0.00013453631,0.0004544726,0.00041563946,0.000036054,0.000023522678,0.0000021109179,0.0028697827,0.000040670137,0.00006779762,0.0058823735,0.9899228,0.00015024617],"about_ca_topic_score_codex":0.000185532,"about_ca_topic_score_gemma":0.0026622415,"teacher_disagreement_score":0.7441316,"about_ca_system_score_codex":0.000027303258,"about_ca_system_score_gemma":0.000016400136,"threshold_uncertainty_score":0.8351226},"labels":[],"label_agreement":null},{"id":"W2514313648","doi":"","title":"Sur la route. Saint Amour de Benoît Delépine et Gustave KervernSaint Amour de Benoît Delépine et Gustave Kervern","year":2016,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01888363370254592,"score_gpt":0.24458633964870763,"score_spread":0.2257027059461617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514313648","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5461728,0.1799905,0.011609958,0.09032217,0.0034318843,0.0014808833,0.0064413887,0.00095510884,0.15959528],"genre_scores_gemma":[0.6950462,0.005524138,0.00095157075,0.0027692849,0.0021594374,0.0000461376,0.00016770083,0.00016658977,0.29316893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944739,0.0011621356,0.0012080361,0.000971855,0.0006466945,0.0015373828],"domain_scores_gemma":[0.99626297,0.0010493059,0.00051116967,0.0008527655,0.0005603134,0.00076347],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015302473,0.000939261,0.0010882283,0.00030834018,0.00095634477,0.0005881756,0.00078538834,0.0004977838,0.011949941],"category_scores_gemma":[0.00061810546,0.0007274021,0.00079604634,0.00018148239,0.0008210209,0.00082083576,0.00040036233,0.0008029449,0.0007725358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034131156,0.0013654854,0.0029543713,0.00055966806,0.00078979257,0.0008212668,0.018003656,0.00030698115,0.00042745873,0.64489996,0.30989507,0.019635003],"study_design_scores_gemma":[0.0017744623,0.00056757865,0.0038121738,0.0010224824,0.0004327782,0.000103717706,0.002568116,0.00034549972,0.00031157763,0.0058586975,0.9821076,0.0010953635],"about_ca_topic_score_codex":0.0971165,"about_ca_topic_score_gemma":0.046200886,"teacher_disagreement_score":0.6722125,"about_ca_system_score_codex":0.0013731455,"about_ca_system_score_gemma":0.00048713794,"threshold_uncertainty_score":0.9995177},"labels":[],"label_agreement":null},{"id":"W2515490197","doi":"10.1086/598735","title":"<i>Civilization and Democracy: The Salvemini Anthology of Cattaneo's Writings</i>. By Carlo Cattaneo. Edited and introduced by, Carlo G. Lacaita and Filippo Sabetti. Translated by, David Gibbons. The Lorenzo da Ponte Italian Library. Edited by, Luigi Ballerini and Massimo Ciavolella. Toronto: University of Toronto Press, 2006. Pp. xvi+283. $27.95.","year":2009,"lang":"en","type":"article","venue":"The Journal of Modern History","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Democracy; Art; Civilization; Humanities; Classics; Art history; Political science; Law; Politics","score_opus":0.009602091277225623,"score_gpt":0.1854063223366117,"score_spread":0.17580423105938608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515490197","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30161977,0.6870768,0.000056346853,0.005849706,0.00047658928,0.0003388168,0.00095100363,0.00003656571,0.0035943885],"genre_scores_gemma":[0.95794106,0.032915797,0.000030461193,0.00049232406,0.0003833338,7.88942e-7,0.00008709152,0.000035401237,0.008113774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811506,0.00042691035,0.0005909188,0.00028191824,0.00031636553,0.00026879698],"domain_scores_gemma":[0.9984606,0.00032265426,0.0006147859,0.0002878136,0.00015254828,0.00016161367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041833305,0.00030600114,0.00057169324,0.00002155134,0.00045871272,0.00005326845,0.0003824614,0.00014486622,0.00029285668],"category_scores_gemma":[0.000030057008,0.00020105805,0.0000867303,0.00003250778,0.0011351404,0.0008480244,0.00006589994,0.0003266289,1.4877227e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053855876,0.00014649791,0.00018557624,0.00006768127,0.00017860683,0.000008829978,0.043263808,0.0000061833234,0.011071707,0.00015420264,0.9415814,0.0027969247],"study_design_scores_gemma":[0.0010038335,0.00056304294,0.00025621845,0.00009284669,0.00050708046,0.000074242475,0.0024678921,0.0006664821,0.0001960437,0.00013973114,0.9937381,0.0002944557],"about_ca_topic_score_codex":0.007621259,"about_ca_topic_score_gemma":0.0027423205,"teacher_disagreement_score":0.6563213,"about_ca_system_score_codex":0.00014817044,"about_ca_system_score_gemma":0.000066566536,"threshold_uncertainty_score":0.9989871},"labels":[],"label_agreement":null},{"id":"W2516593610","doi":"10.33137/rr.v36i4.8660","title":"Portrait de Budé en «intellectuel»: la &lt;i&gt;G. Budæi viri clarissimi Vita&lt;/i&gt; de Loys Le Roy (1540)","year":2000,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanism; Portrait; Admiration; HERO; Biography; Contemplation; SAINT; Art; Philology; Incarnation; Humanities; Philosophy; Art history; Theology; Literature; Law; Political science","score_opus":0.011237064695173153,"score_gpt":0.2112032253832264,"score_spread":0.19996616068805323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516593610","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23753281,0.004800023,0.00070311787,0.0012755565,0.00015558618,0.0001776967,0.00003614911,0.00019770424,0.75512135],"genre_scores_gemma":[0.9537483,0.00081218156,0.00015530191,0.00041424987,0.00047750634,0.000016002008,0.0000628704,0.000015913443,0.04429771],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988688,0.00012235412,0.00034151817,0.00018820961,0.00017060257,0.00030849667],"domain_scores_gemma":[0.9995028,0.000060145816,0.00009467782,0.00016346597,0.000049630715,0.00012931637],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032363602,0.00018108581,0.00022127542,0.00011075179,0.0005901806,0.0001659656,0.00012953997,0.00013075293,0.0016151979],"category_scores_gemma":[0.000022767843,0.00013508134,0.00010212341,0.000084606254,0.00019367663,0.000832287,0.000017056798,0.00019855035,0.00013230596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038816925,0.00060269004,0.00016967504,0.00050754927,0.00024375378,0.00007669873,0.19988254,0.00053313264,0.010712575,0.3285063,0.29341057,0.16496636],"study_design_scores_gemma":[0.00025672262,0.000082931416,0.00044895048,0.00007437351,0.000031485222,0.0000319188,0.00023186044,0.0012660174,0.00045041932,0.0017874213,0.99511844,0.00021948334],"about_ca_topic_score_codex":0.00015640265,"about_ca_topic_score_gemma":0.00015675607,"teacher_disagreement_score":0.71621543,"about_ca_system_score_codex":0.0000964795,"about_ca_system_score_gemma":0.00007468788,"threshold_uncertainty_score":0.99929744},"labels":[],"label_agreement":null},{"id":"W2521606757","doi":"10.3138/jcs.38.2.29","title":"L’histoire littéraire d’un « pays incertain » Le cas du Québec","year":2004,"lang":"fr","type":"article","venue":"Journal of Canadian Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.024045498157685936,"score_gpt":0.21895109632668608,"score_spread":0.19490559816900013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521606757","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026106456,0.65944225,0.0000048792044,0.23025979,0.0035455422,0.00007071308,0.000092962786,0.0000106863545,0.080466725],"genre_scores_gemma":[0.86674744,0.013888115,0.00010470755,0.0025630556,0.006998806,0.0000035640746,0.000002250633,0.000035017736,0.10965703],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983049,0.00008745238,0.0007290028,0.0001562738,0.0002678936,0.00045445623],"domain_scores_gemma":[0.99819326,0.000119341195,0.00036915153,0.000136805,0.00060037174,0.0005810623],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00025607776,0.00026749625,0.0006429454,0.0006669831,0.0021841538,0.00010809117,0.00024342122,0.00008434708,0.00056584214],"category_scores_gemma":[0.00019269259,0.00021837371,0.00038105034,0.00022664588,0.0009990659,0.00048282908,0.000029552673,0.00040948958,0.00007059267],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006181868,0.00027121915,0.00056242105,0.00023556472,0.0020729022,0.005399752,0.19046147,0.00025438948,0.0000047293074,0.34909055,0.3960502,0.055534963],"study_design_scores_gemma":[0.00053478795,0.0003204247,0.00032687225,0.00037141738,0.00025378316,0.00028539283,0.019557612,0.0000015135885,0.0000085805905,0.003402898,0.9746831,0.00025360208],"about_ca_topic_score_codex":0.9575481,"about_ca_topic_score_gemma":0.99039745,"teacher_disagreement_score":0.840641,"about_ca_system_score_codex":0.0029087123,"about_ca_system_score_gemma":0.0031659412,"threshold_uncertainty_score":0.9991149},"labels":[],"label_agreement":null},{"id":"W2524924683","doi":"","title":"Les regards traîtres (recueil de nouvelles), suivi de Le motif du mauvais œil dans les nouvelles fantastiques de Bertrand Bergeron (essai)","year":2016,"lang":"fr","type":"article","venue":"Knowledge UdeS (Institutional Deposit of the University of Sherbrooke)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014880520962880468,"score_gpt":0.19790797258255732,"score_spread":0.18302745161967685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2524924683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8376666,0.032385807,0.03502337,0.0021509067,0.0005250253,0.00021128582,0.00034055483,0.00006775636,0.09162875],"genre_scores_gemma":[0.9139035,0.0041384636,0.0014067893,0.000020343747,0.0003525027,0.0000010653772,0.000011527771,0.00002136285,0.080144465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979689,0.0003984873,0.00041089262,0.00037661815,0.00030195524,0.0005431398],"domain_scores_gemma":[0.99879885,0.0002538784,0.00017149143,0.00029950478,0.00023657641,0.0002396723],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00034812017,0.00036572525,0.00049086986,0.00016000046,0.0019338325,0.00004548345,0.0007973206,0.00028819943,0.0006195678],"category_scores_gemma":[0.00007298151,0.00028641592,0.0006113601,0.00012348291,0.0029464145,0.00044941573,0.00019958081,0.0002605851,0.00002120791],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012928689,0.0038547602,0.04761133,0.005940865,0.0015251256,0.00016241056,0.31381616,0.0052111796,0.08081361,0.4799562,0.037141863,0.02267361],"study_design_scores_gemma":[0.0017319772,0.00027369082,0.023631241,0.00633821,0.00079569296,0.00007627947,0.0042503993,0.0021393779,0.05862705,0.0011392091,0.9003611,0.00063575606],"about_ca_topic_score_codex":0.07308151,"about_ca_topic_score_gemma":0.1350367,"teacher_disagreement_score":0.86321926,"about_ca_system_score_codex":0.0019909872,"about_ca_system_score_gemma":0.0008491899,"threshold_uncertainty_score":0.9999588},"labels":[],"label_agreement":null},{"id":"W2525163515","doi":"10.4000/ccibp.295","title":"Chronique du Colloque International « Port-Royal et la philosophie »","year":2011,"lang":"fr","type":"article","venue":"Courrier du Centre international Blaise Pascal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.020538422160232057,"score_gpt":0.23241544410111425,"score_spread":0.2118770219408822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525163515","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015829332,0.001558375,0.0004281584,0.055657577,0.0152481245,0.00022160806,0.0014177661,0.0001411945,0.90949786],"genre_scores_gemma":[0.7638825,0.00073894905,0.00022004989,0.0020736586,0.010016377,0.00002599215,0.0004715094,0.00006204659,0.2225089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970981,0.00029693902,0.0007733575,0.00061919173,0.00074829767,0.00046413674],"domain_scores_gemma":[0.998146,0.00022151525,0.00030791166,0.00026605072,0.0006759026,0.00038263478],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039207705,0.00048249366,0.00039296233,0.00024908868,0.000375872,0.0003837214,0.00086402544,0.00025412044,0.10466154],"category_scores_gemma":[0.0001567825,0.00047431863,0.00048897264,0.00007034273,0.00080044975,0.0007576468,0.00027512194,0.0005829033,0.001159884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025795095,0.0014074241,0.0061365496,0.000033377975,0.00076082,0.00082669366,0.01387352,0.000022671424,0.0000050206545,0.78795314,0.18628636,0.0024364467],"study_design_scores_gemma":[0.0010070467,0.000080232254,0.0016675167,0.0002006589,0.00015393505,0.00010745463,0.00042970484,0.0017562199,0.00005328734,0.009020349,0.98500276,0.000520817],"about_ca_topic_score_codex":0.001366766,"about_ca_topic_score_gemma":0.00038270265,"teacher_disagreement_score":0.7987164,"about_ca_system_score_codex":0.00038579325,"about_ca_system_score_gemma":0.00022686784,"threshold_uncertainty_score":0.9997709},"labels":[],"label_agreement":null},{"id":"W2526344474","doi":"","title":"Trente fois moi. Paule Baillargeon, Trente tableaux, BETACAM, Canada / 2012, 81 min.Paule Baillargeon, Trente tableaux, BETACAM, Canada / 2012, 81 min.","year":2013,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007925356941403217,"score_gpt":0.17833274778757144,"score_spread":0.1704073908461682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2526344474","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060996223,0.43023208,0.00007904751,0.04514106,0.031129248,0.002722094,0.016330233,0.00055086566,0.41281915],"genre_scores_gemma":[0.07263676,0.0030744358,0.0001447304,0.0052509364,0.003517549,0.00025245943,0.002757274,0.00032098228,0.9120449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9880762,0.0009112241,0.0027262804,0.0021682798,0.002077828,0.0040401528],"domain_scores_gemma":[0.99302465,0.0007961962,0.0010857059,0.001922475,0.0008105906,0.002360408],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.000486189,0.0022584058,0.002608741,0.00051689707,0.0033913278,0.0011117042,0.0016679667,0.0007185618,0.057439268],"category_scores_gemma":[0.0001572897,0.002089699,0.0010097162,0.00092191854,0.00064773543,0.0032498213,0.0004707878,0.0021130617,0.0011129112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010968419,0.0007292598,0.000997447,0.00049721304,0.0011696529,0.00039754182,0.0024919785,0.00008187158,0.00006405032,0.009520552,0.97544676,0.008494006],"study_design_scores_gemma":[0.0019224467,0.00034248192,0.0007658422,0.000437468,0.0010237889,0.000062691004,0.0018321465,0.0008689089,0.00020504769,0.0003628037,0.9896658,0.002510571],"about_ca_topic_score_codex":0.9949197,"about_ca_topic_score_gemma":0.99850583,"teacher_disagreement_score":0.4992257,"about_ca_system_score_codex":0.0018685804,"about_ca_system_score_gemma":0.0035433825,"threshold_uncertainty_score":0.99992526},"labels":[],"label_agreement":null},{"id":"W2527134124","doi":"10.4000/studifrancesi.3256","title":"Bernard Andrès, Histoires littéraires des Canadiens au xviiie siècle","year":2013,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Opera; Philosophy; Art history","score_opus":0.022252718151271687,"score_gpt":0.21501181147018048,"score_spread":0.19275909331890878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527134124","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3568842,0.20890178,0.000032200154,0.010876998,0.006133386,0.0004148496,0.0002888772,0.00013814213,0.41632956],"genre_scores_gemma":[0.5745987,0.0011457073,0.00008673026,0.0005192208,0.003246288,0.00005021469,0.0000116902775,0.00003098558,0.42031044],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977567,0.00012555944,0.00047946523,0.00046222712,0.00029873758,0.0008772715],"domain_scores_gemma":[0.99877906,0.00015197688,0.00014354035,0.00031575016,0.00025049475,0.0003591673],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00012424019,0.00038185553,0.0005219851,0.000103927465,0.0041015367,0.00024793373,0.00031914882,0.00010649792,0.007819454],"category_scores_gemma":[0.00005929323,0.00032776105,0.00025709954,0.00014910367,0.0030806824,0.00079075905,0.00007529976,0.00027118388,0.0013838958],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029484341,0.00052709284,0.017355716,0.00051535014,0.000487494,0.00012305703,0.107567996,0.000025662483,0.000036696067,0.09943398,0.65253025,0.121367216],"study_design_scores_gemma":[0.0002879578,0.00024465844,0.018157262,0.00018404075,0.00012305687,0.0000053997737,0.002222386,0.000034944347,0.000016954658,0.005001763,0.97328156,0.0004400066],"about_ca_topic_score_codex":0.45240948,"about_ca_topic_score_gemma":0.1326608,"teacher_disagreement_score":0.3207513,"about_ca_system_score_codex":0.0004962605,"about_ca_system_score_gemma":0.00015747154,"threshold_uncertainty_score":0.99991745},"labels":[],"label_agreement":null},{"id":"W2527643015","doi":"10.4000/studifrancesi.1812","title":"G. Le Chevalier, La Conquête des publics. Thomas Corneille, homme de théâtre","year":2014,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hotel Dieu Hospital","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02178930836115895,"score_gpt":0.23346073682013735,"score_spread":0.2116714284589784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527643015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014988265,0.06713416,0.00059119886,0.0074200565,0.0018713035,0.00015934331,0.00010470782,0.00013409494,0.9075969],"genre_scores_gemma":[0.5960632,0.0013857133,0.00015094914,0.001462931,0.0025132962,0.000029955454,0.00001690275,0.000035843757,0.39834124],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793226,0.00036849035,0.00039649112,0.0004091405,0.00025264395,0.00064096414],"domain_scores_gemma":[0.99877614,0.00033811547,0.00015570292,0.0003157089,0.00019064141,0.00022368402],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005802801,0.0003320539,0.00052110746,0.00008535455,0.0015220027,0.0003834523,0.0003449705,0.00015180683,0.0014544267],"category_scores_gemma":[0.00011214719,0.00029695715,0.0002568947,0.00015984662,0.0015934276,0.0005443483,0.00008760074,0.00036263527,0.00031223564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028074528,0.00038525506,0.0027106486,0.0002124504,0.00019550447,0.000024805793,0.014464122,0.000012633716,0.0000073104047,0.85771567,0.10580349,0.01844002],"study_design_scores_gemma":[0.0006659912,0.00017880826,0.0019755843,0.00011987216,0.00012001974,0.0000069573234,0.0013538307,0.00015013132,0.000023004995,0.013964059,0.9810474,0.00039434616],"about_ca_topic_score_codex":0.0033784022,"about_ca_topic_score_gemma":0.0011123766,"teacher_disagreement_score":0.8752439,"about_ca_system_score_codex":0.00007157235,"about_ca_system_score_gemma":0.000152335,"threshold_uncertainty_score":0.99994826},"labels":[],"label_agreement":null},{"id":"W2528444254","doi":"10.4000/books.pur.41332","title":"Le livre pour enfants","year":2006,"lang":"fr","type":"book","venue":"Presses universitaires de Rennes eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.016254208848504505,"score_gpt":0.1987447769145928,"score_spread":0.1824905680660883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528444254","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071263185,0.0065102084,0.00014974261,0.000967365,0.00061576767,0.00025508064,0.00061452144,0.00022464295,0.98995006],"genre_scores_gemma":[0.15076853,0.00018376953,0.00012990652,0.00011040448,0.002325829,0.0000065189624,0.00030979217,0.000082401806,0.84608287],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975001,0.00023442697,0.00047787974,0.00068218977,0.0003339759,0.0007713888],"domain_scores_gemma":[0.9982035,0.0004172453,0.00035842194,0.0005018836,0.00022918703,0.00028973637],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009448705,0.0006946023,0.000749735,0.00038513422,0.0016637793,0.00030278842,0.00077485584,0.00045598295,0.002333342],"category_scores_gemma":[0.000020681035,0.00074076914,0.0006490375,0.000032871012,0.0010133692,0.0003799136,0.00029850242,0.0006130601,0.00032136237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070152244,0.00016454043,0.000047935493,0.0004860412,0.00037634678,0.0005478163,0.00214001,0.000047041918,0.000033230815,0.60453063,0.3827136,0.008842641],"study_design_scores_gemma":[0.000467879,0.000146953,0.000026043614,0.0006567441,0.0006770924,0.000030485317,0.0005227247,0.00009090719,0.00006426807,0.035152867,0.96132565,0.00083840406],"about_ca_topic_score_codex":0.008208762,"about_ca_topic_score_gemma":0.0027506107,"teacher_disagreement_score":0.578612,"about_ca_system_score_codex":0.00042921936,"about_ca_system_score_gemma":0.0009877181,"threshold_uncertainty_score":0.99963593},"labels":[],"label_agreement":null},{"id":"W2531683091","doi":"","title":"Délire cocasse au théâtre français de Toronto","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.007320913442727683,"score_gpt":0.16197662245042183,"score_spread":0.15465570900769415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2531683091","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18543847,0.42108485,0.00044699898,0.054228973,0.0016107465,0.00024019172,0.0003806532,0.00022861066,0.3363405],"genre_scores_gemma":[0.26482132,0.0062308637,0.0002028637,0.0006932384,0.0013155165,0.0000038916323,0.00003886114,0.00003848769,0.72665495],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983638,0.00008863025,0.00022084483,0.00037026717,0.00024460742,0.00071188214],"domain_scores_gemma":[0.9989486,0.00006903952,0.00011623455,0.00034249263,0.00009246498,0.0004312115],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000118455435,0.0003294288,0.0003678879,0.000074283496,0.0020260618,0.00006869848,0.000328814,0.0002222304,0.005431964],"category_scores_gemma":[0.000010795276,0.0003541176,0.00036345626,0.00009233603,0.0002963094,0.00071087066,0.00013605917,0.0002463731,0.00065165333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001395199,0.00040123673,0.00028667817,0.00012243933,0.00029792765,0.0042140717,0.058515504,0.00032146953,0.000067773806,0.7522444,0.1659583,0.017430663],"study_design_scores_gemma":[0.00088922627,0.00021817163,0.00038158323,0.0001308292,0.0003420224,0.00017302432,0.005152706,0.00008359937,0.0000448482,0.0018064843,0.99035096,0.0004265523],"about_ca_topic_score_codex":0.6245671,"about_ca_topic_score_gemma":0.7771365,"teacher_disagreement_score":0.8243927,"about_ca_system_score_codex":0.022484234,"about_ca_system_score_gemma":0.00017313483,"threshold_uncertainty_score":0.9998911},"labels":[],"label_agreement":null},{"id":"W2531879752","doi":"10.7202/1037497ar","title":"Centre franco-ontarien de folklore","year":2016,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; History; Political science; Art; Humanities; Literature","score_opus":0.024128498146837964,"score_gpt":0.23010052977928191,"score_spread":0.20597203163244396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2531879752","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09411137,0.10055595,0.0056284345,0.4447587,0.00782556,0.0009532132,0.0016591772,0.0013387594,0.34316882],"genre_scores_gemma":[0.35776812,0.0020898115,0.0006382628,0.0010934047,0.0029407628,0.00005249556,0.000029069624,0.00007977225,0.63530827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99643975,0.00039551154,0.000701748,0.00077611906,0.00022619001,0.0014606839],"domain_scores_gemma":[0.9975498,0.0007122606,0.00025396215,0.000798442,0.0002153185,0.0004702242],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047288503,0.000595649,0.00073982094,0.00022847643,0.0007036423,0.00016146021,0.0007445968,0.0007862379,0.008216874],"category_scores_gemma":[0.0005592241,0.00045821545,0.0005993514,0.00020051758,0.0011142067,0.00065910706,0.00016670924,0.00085272116,0.0015498413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037028978,0.0009083985,0.018624261,0.0008610261,0.00038998033,0.0019698255,0.0996296,0.00004023739,0.0008757665,0.22265336,0.53997016,0.11370709],"study_design_scores_gemma":[0.0008807179,0.00026485522,0.00045061673,0.00096059666,0.00013799107,0.00005646267,0.0029572595,0.00011236569,0.0006566529,0.005982338,0.98681664,0.00072349457],"about_ca_topic_score_codex":0.011976998,"about_ca_topic_score_gemma":0.04750998,"teacher_disagreement_score":0.4468465,"about_ca_system_score_codex":0.0006534085,"about_ca_system_score_gemma":0.00027199395,"threshold_uncertainty_score":0.999787},"labels":[],"label_agreement":null},{"id":"W2532096548","doi":"10.7202/1037326ar","title":"Théâtre : le lieu où l’on entend","year":2016,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.025521807541254618,"score_gpt":0.22604260639173016,"score_spread":0.20052079885047552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532096548","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03760159,0.007148436,0.00006807765,0.17724079,0.0051240814,0.0009033064,0.002058741,0.00074541516,0.76910955],"genre_scores_gemma":[0.4534106,0.00207677,0.00008431598,0.0011585797,0.0032901682,0.00008289926,0.0000611184,0.00015919517,0.53967637],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99338555,0.00051224564,0.0015347747,0.0016566246,0.0007830211,0.002127773],"domain_scores_gemma":[0.9956573,0.0009959873,0.00058092177,0.0013892951,0.0003618184,0.0010146392],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0004997087,0.0014472759,0.0014880889,0.00049794244,0.001523187,0.0004929636,0.0013115299,0.00058989297,0.0045556305],"category_scores_gemma":[0.00027719076,0.001077197,0.0014725451,0.0003375145,0.0018493094,0.0017466549,0.00020335108,0.0008493409,0.0023145818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033623065,0.0017136371,0.00011226362,0.00049305666,0.00048250216,0.00048077965,0.0071697063,0.000020306366,0.00036112303,0.78347844,0.17768605,0.027665913],"study_design_scores_gemma":[0.00061097945,0.001200245,0.00041931646,0.002906214,0.00042307843,0.00010466543,0.0006470112,0.000015728692,0.0005560801,0.0034021945,0.98810923,0.0016052361],"about_ca_topic_score_codex":0.0028238208,"about_ca_topic_score_gemma":0.02002935,"teacher_disagreement_score":0.8104232,"about_ca_system_score_codex":0.0005877515,"about_ca_system_score_gemma":0.0006231186,"threshold_uncertainty_score":0.9998277},"labels":[],"label_agreement":null},{"id":"W2532244623","doi":"10.7202/1037331ar","title":"L’écoute en scène : les espaces sonnants dans Inferno de Romeo Castellucci","year":2016,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.023670037844197633,"score_gpt":0.23798003520570338,"score_spread":0.21430999736150574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532244623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41051176,0.017041372,0.00042569198,0.12301207,0.0042210156,0.0011525637,0.0030029952,0.0009760009,0.43965653],"genre_scores_gemma":[0.5372787,0.00432148,0.0002227836,0.0003175462,0.0028117602,0.000066502,0.000040749957,0.00015314338,0.4547873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99351394,0.00080825825,0.0014732938,0.0013776403,0.0006947415,0.0021321191],"domain_scores_gemma":[0.9958846,0.0011291861,0.000592154,0.0010905269,0.000328308,0.00097523024],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.000732155,0.0013742328,0.0014957575,0.0003731711,0.0015160436,0.000548128,0.0013719167,0.0007232152,0.0035065005],"category_scores_gemma":[0.00034087957,0.0010488842,0.001114297,0.00033831576,0.0018881866,0.0019316734,0.00026423373,0.00084674,0.0008021883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004000661,0.0012907841,0.0044879327,0.0014611883,0.0010022708,0.0012192164,0.068903685,0.00007396369,0.0031339247,0.82716256,0.061267808,0.02959663],"study_design_scores_gemma":[0.0004658173,0.0007139103,0.0020002273,0.0028379373,0.00071768597,0.00025162188,0.0021723,0.000083439954,0.00064571487,0.0019833243,0.98653257,0.0015954394],"about_ca_topic_score_codex":0.0072860736,"about_ca_topic_score_gemma":0.103873864,"teacher_disagreement_score":0.9252648,"about_ca_system_score_codex":0.0010267927,"about_ca_system_score_gemma":0.00060230383,"threshold_uncertainty_score":0.9999758},"labels":[],"label_agreement":null},{"id":"W2532502059","doi":"10.4000/belphegor.650","title":"De l’ensemble à la totalité : l’effet de monde dans les littératures de l’imaginaire contemporaines.","year":2016,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.019048945887978744,"score_gpt":0.2404644514449349,"score_spread":0.22141550555695616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532502059","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20000504,0.078399934,0.003787725,0.047872867,0.0011313884,0.0003694564,0.0007866405,0.0003561767,0.66729075],"genre_scores_gemma":[0.60154784,0.0005633956,0.00023166831,0.000623312,0.0014797592,0.000033074684,0.000012165637,0.000041623465,0.39546716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773,0.00043496967,0.00040278188,0.00039774532,0.00021277078,0.00082170154],"domain_scores_gemma":[0.9985692,0.00045513108,0.00013859432,0.00035483803,0.00011352653,0.0003687362],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045368145,0.0003784992,0.00040645886,0.000100204255,0.0006840491,0.0003061743,0.0003323992,0.00025944508,0.001401748],"category_scores_gemma":[0.0001747534,0.00027119392,0.00032195682,0.00009440466,0.0007683954,0.0004083325,0.00007527106,0.0002985274,0.00012946659],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013640626,0.0005004964,0.005249084,0.0003220931,0.0001973709,0.00068356516,0.057650853,0.000006447157,0.008527568,0.66698974,0.21208373,0.047652666],"study_design_scores_gemma":[0.0005844383,0.00015386827,0.0026428178,0.00036771625,0.00015644853,0.00012186716,0.001884756,0.000070644564,0.0011724551,0.012529267,0.9798771,0.00043862508],"about_ca_topic_score_codex":0.008455736,"about_ca_topic_score_gemma":0.0012452506,"teacher_disagreement_score":0.76779336,"about_ca_system_score_codex":0.00037775765,"about_ca_system_score_gemma":0.00028278175,"threshold_uncertainty_score":0.999974},"labels":[],"label_agreement":null},{"id":"W2532976191","doi":"","title":"Du Paňcatantra aux ‘fables de Pilpay’. Composition textuelle et transmission culturelle de la topique orientale-occidentale de l’amitié.","year":2016,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.012288921487858812,"score_gpt":0.25675068372485466,"score_spread":0.24446176223699584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532976191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7695295,0.045331817,0.022288866,0.01905296,0.0015331767,0.00068473903,0.00088298623,0.0006789665,0.14001696],"genre_scores_gemma":[0.92562723,0.007214986,0.0020591451,0.0008596974,0.0018691291,0.000056086075,0.00007147213,0.00005604082,0.06218623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720716,0.0008178944,0.00047964335,0.0004815479,0.00025517077,0.0007585882],"domain_scores_gemma":[0.9984878,0.00052694144,0.00015374075,0.00027756873,0.00015329428,0.00040071108],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006181988,0.00044598043,0.0004523659,0.00009792638,0.0009267005,0.00032695793,0.00034454765,0.00033751174,0.0027568853],"category_scores_gemma":[0.00005224887,0.0003295464,0.0002939093,0.000091499925,0.00074209285,0.0009184203,0.00007597538,0.0003171418,0.0000680815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013844136,0.0007412077,0.005299479,0.00026194533,0.00011138636,0.0002190255,0.025389919,0.000005482953,0.012789089,0.93547744,0.011856518,0.007710098],"study_design_scores_gemma":[0.0006407899,0.0003107403,0.0007241203,0.0008600667,0.00015454701,0.00024188722,0.0016074956,0.00007063097,0.011971462,0.018992322,0.9638769,0.0005490548],"about_ca_topic_score_codex":0.003916497,"about_ca_topic_score_gemma":0.0005418043,"teacher_disagreement_score":0.95202035,"about_ca_system_score_codex":0.000717385,"about_ca_system_score_gemma":0.00030567398,"threshold_uncertainty_score":0.99991566},"labels":[],"label_agreement":null},{"id":"W2534140521","doi":"10.7202/1037339ar","title":"Réflexion sur les distances : mise en scène des voix","year":2016,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03169777377996788,"score_gpt":0.23598558548179382,"score_spread":0.20428781170182594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2534140521","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2502251,0.053458568,0.00039957472,0.16795036,0.005264784,0.0013579326,0.004330876,0.0012283925,0.51578444],"genre_scores_gemma":[0.54255944,0.0062303063,0.00018841031,0.00024482986,0.0026710674,0.00007214335,0.000057514717,0.00012740085,0.4478489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940909,0.0006854466,0.0015007808,0.0013662179,0.0006798656,0.0016767861],"domain_scores_gemma":[0.9959083,0.0012829727,0.00054266036,0.00096142426,0.0005248474,0.0007797524],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0005915779,0.0012677471,0.001345875,0.00036086972,0.0017564358,0.0005169032,0.0011693055,0.00053669984,0.004505438],"category_scores_gemma":[0.00041079073,0.000932376,0.0011581705,0.0003300252,0.0030665451,0.0025674193,0.00014528417,0.00064138963,0.0006390396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060759275,0.0011609752,0.00067146576,0.0019698557,0.0005652635,0.00041390813,0.028286844,0.000025897909,0.0011216446,0.8353941,0.051379614,0.07840287],"study_design_scores_gemma":[0.0004503488,0.0007082097,0.00071938214,0.004314445,0.0005653489,0.00007942164,0.0008929264,0.00003152753,0.00038927174,0.006901686,0.9834802,0.0014672033],"about_ca_topic_score_codex":0.008211327,"about_ca_topic_score_gemma":0.13196684,"teacher_disagreement_score":0.9321006,"about_ca_system_score_codex":0.0009247799,"about_ca_system_score_gemma":0.00042139055,"threshold_uncertainty_score":0.99964654},"labels":[],"label_agreement":null},{"id":"W2535580791","doi":"10.7202/1037329ar","title":"Luigi Pirandello : la voix du théâtre face à la machine qui parle","year":2016,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01623144033288982,"score_gpt":0.22064191250067075,"score_spread":0.20441047216778094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535580791","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041631714,0.013585671,0.00038714186,0.1456502,0.0035425252,0.0010430155,0.003903783,0.0009881253,0.78926784],"genre_scores_gemma":[0.5005358,0.0046267193,0.00011668405,0.00057183614,0.0022342051,0.000082444545,0.00008425081,0.00017949338,0.4915686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929252,0.0012120663,0.0016782638,0.0016071023,0.00079756643,0.0017797454],"domain_scores_gemma":[0.9945622,0.0022392152,0.00062864216,0.0012721039,0.00034278157,0.0009550464],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009133025,0.0015918309,0.0016918167,0.00041757064,0.0013536973,0.00076469313,0.0014445842,0.00080050324,0.004304649],"category_scores_gemma":[0.00033850115,0.0011817814,0.0014995793,0.0003728193,0.0024725127,0.0020654756,0.0002998716,0.0010500113,0.0011181169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045886653,0.0013744569,0.00067815115,0.00087751466,0.0007034895,0.0009732886,0.017526545,0.000054170276,0.00035198458,0.8044571,0.15712371,0.015420717],"study_design_scores_gemma":[0.0008533768,0.00059128524,0.00030653106,0.0022071402,0.00077234226,0.0003379821,0.0007499998,0.00013500174,0.00014967285,0.002003662,0.99011725,0.0017757518],"about_ca_topic_score_codex":0.004871389,"about_ca_topic_score_gemma":0.033007536,"teacher_disagreement_score":0.83299357,"about_ca_system_score_codex":0.00044345148,"about_ca_system_score_gemma":0.00045371786,"threshold_uncertainty_score":0.9999464},"labels":[],"label_agreement":null},{"id":"W2535589010","doi":"10.7202/1037330ar","title":"L’expérience du Teatro del Suono d’Andrea Liberovici et Edoardo Sanguineti : théorie et pratique d’une nouvelle utilisation du son au théâtre","year":2016,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015109256018859612,"score_gpt":0.22730832348730803,"score_spread":0.2121990674684484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535589010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20372203,0.0027768891,0.00083727494,0.29379255,0.003446084,0.0015248698,0.0017101519,0.00082398363,0.49136618],"genre_scores_gemma":[0.73914915,0.0033041332,0.0004072796,0.002443301,0.0036369932,0.00019729008,0.0002451461,0.00020804844,0.25040862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9922499,0.0011887661,0.0019386393,0.0018355448,0.0009258395,0.0018613103],"domain_scores_gemma":[0.9945788,0.0016149674,0.0009486362,0.0012828924,0.00068863994,0.0008861087],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0012185308,0.0016412594,0.0016416992,0.00042790084,0.0016552731,0.00065777585,0.0013109372,0.000762607,0.0025089073],"category_scores_gemma":[0.000508367,0.0012718686,0.0011834432,0.00052559195,0.001731747,0.0034102923,0.0003059072,0.0010480027,0.000419745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004960545,0.0013618442,0.0018539188,0.000673602,0.00040754373,0.0003955931,0.11280211,0.00011644559,0.0007573269,0.7901227,0.08304798,0.007964867],"study_design_scores_gemma":[0.0007528012,0.0011671558,0.0021260264,0.0019173644,0.00056736113,0.00020386525,0.0033282158,0.0001918758,0.0004777231,0.0024397573,0.9850615,0.0017663443],"about_ca_topic_score_codex":0.024566356,"about_ca_topic_score_gemma":0.17795901,"teacher_disagreement_score":0.90201354,"about_ca_system_score_codex":0.0010191051,"about_ca_system_score_gemma":0.0017511317,"threshold_uncertainty_score":0.99964446},"labels":[],"label_agreement":null},{"id":"W2539511743","doi":"10.33137/rr.v35i1.19076","title":"Mind the Map: Fancy, Matter, and World Construction in Margaret Cavendish’s &lt;i&gt;Blazing World&lt;/i&gt;","year":2012,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Art history","score_opus":0.016785350889549657,"score_gpt":0.22095539995372324,"score_spread":0.20417004906417358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2539511743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41566825,0.27895325,0.00016888794,0.013964275,0.005318722,0.00071325863,0.00020594188,0.000057645895,0.28494978],"genre_scores_gemma":[0.9330412,0.0014556872,0.00012293724,0.0002557918,0.0011994058,0.000020380237,0.000064410575,0.00001581497,0.06382434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985644,0.00013835778,0.00049975363,0.00019606075,0.00018431296,0.00041707495],"domain_scores_gemma":[0.99936306,0.00006962377,0.00023205439,0.00017246707,0.000043692777,0.00011908031],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034856852,0.00023511435,0.0002720572,0.00027824377,0.0007596431,0.000219146,0.000083668914,0.0000821762,0.0010111814],"category_scores_gemma":[0.0000076260944,0.00015886265,0.00006566162,0.00019768796,0.0005695948,0.0018804541,0.000050870294,0.0002458087,0.00015117417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018851944,0.00034793065,0.037280574,0.0018282748,0.00018819961,0.0000130175895,0.10291063,0.000023812765,0.0006574113,0.50998265,0.1552616,0.19131738],"study_design_scores_gemma":[0.00029641195,0.000025669115,0.017320476,0.0005033868,0.00006113365,0.00003321771,0.0006351696,0.00019920134,0.000062107,0.0007014306,0.97991323,0.00024857183],"about_ca_topic_score_codex":0.00015542703,"about_ca_topic_score_gemma":0.0019055937,"teacher_disagreement_score":0.8246516,"about_ca_system_score_codex":0.00012233145,"about_ca_system_score_gemma":0.0000144404,"threshold_uncertainty_score":0.999902},"labels":[],"label_agreement":null},{"id":"W2546020505","doi":"10.7202/1032673ar","title":"Winchester, Simon. Le fou et le professeur; une histoire de meurtre, de démence, de mots et de dictionnaire. Traduit de l’anglais par Gérard Meudal. Paris : J.C. Lattès, 2000. 300 p.","year":2000,"lang":"fr","type":"article","venue":"Documentation et bibliothèques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02237436917664527,"score_gpt":0.28694298216644637,"score_spread":0.2645686129898011,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2546020505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.407811,0.10887955,0.011906749,0.13202997,0.001737649,0.0014116114,0.00086524984,0.001262614,0.33409566],"genre_scores_gemma":[0.74008447,0.028722452,0.0021495372,0.009950364,0.00075770734,0.00022592451,0.00029756656,0.000110451954,0.2177015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99548817,0.0015667619,0.00082668284,0.0006189546,0.00045955327,0.0010399038],"domain_scores_gemma":[0.9982622,0.00042835937,0.0003195812,0.00036949525,0.00014642319,0.00047392503],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012304428,0.0005468378,0.0005394336,0.0011455925,0.0014683658,0.002519278,0.0003876858,0.0002970868,0.011475378],"category_scores_gemma":[0.000063866,0.000584472,0.0003362109,0.0013587046,0.0005464998,0.007541908,0.00004904169,0.0006414989,0.00010601693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042775844,0.0026408322,0.019742588,0.0006774086,0.0005755722,0.00025714908,0.16795632,0.002055098,0.00078110484,0.20004399,0.58071685,0.024125343],"study_design_scores_gemma":[0.00123959,0.00035813343,0.011230735,0.00036079768,0.00029161587,0.000043510245,0.0029869836,0.00093829876,0.001182431,0.018162275,0.9625238,0.00068182556],"about_ca_topic_score_codex":0.06273949,"about_ca_topic_score_gemma":0.006297512,"teacher_disagreement_score":0.38180697,"about_ca_system_score_codex":0.0012888347,"about_ca_system_score_gemma":0.0017628154,"threshold_uncertainty_score":0.99983156},"labels":[],"label_agreement":null},{"id":"W2548086645","doi":"10.71781/22937","title":"La quête de sens par le corps chez Michel Beaulieu et Juan Garcia","year":2004,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Michel foucault; Philosophy; Art; Political science","score_opus":0.032970670164464075,"score_gpt":0.2920157594395959,"score_spread":0.2590450892751318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548086645","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43128777,0.0036029702,0.000011214851,0.0014778787,0.0006795542,0.00036306647,0.0004803856,0.000005473039,0.5620917],"genre_scores_gemma":[0.34335262,0.00026837832,0.0009209562,0.00042645578,0.0009017927,0.00003220898,0.0028312285,0.000059007525,0.6512073],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981315,0.00028457382,0.0004811395,0.0005036987,0.00020375583,0.00039529364],"domain_scores_gemma":[0.9990139,0.00013539525,0.0002858391,0.00025873582,0.00011017859,0.00019597533],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003663172,0.0004033832,0.00054728525,0.00009881171,0.001276099,0.00070632604,0.000518147,0.00031970092,0.013227927],"category_scores_gemma":[0.00003351424,0.0003905575,0.0002400786,0.00006752348,0.00024107454,0.0004222698,0.00009893834,0.00057215453,0.0014424521],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041516792,0.0017063057,0.0003564178,0.0004515731,0.0006853211,0.0007578712,0.8595398,0.00011857744,0.0023876657,0.062954575,0.028903848,0.04172286],"study_design_scores_gemma":[0.00047036406,0.00010818305,0.0005566889,0.00042266076,0.00027074505,0.000016520293,0.011036066,0.00002024941,0.0013055931,0.0005638743,0.9847074,0.00052161067],"about_ca_topic_score_codex":0.012729285,"about_ca_topic_score_gemma":0.02026604,"teacher_disagreement_score":0.9558036,"about_ca_system_score_codex":0.00014958512,"about_ca_system_score_gemma":0.00078697014,"threshold_uncertainty_score":0.9998546},"labels":[],"label_agreement":null},{"id":"W2551021055","doi":"10.1353/mos.2017.a668740","title":"La grandeur d'un genre mineur: La lettre, vecteur social et littéraire","year":2017,"lang":"fr","type":"article","venue":"Mosaic","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.029322723189631358,"score_gpt":0.26018819182385833,"score_spread":0.23086546863422697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2551021055","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.101182446,0.022983178,0.000020500172,0.028283453,0.0027200426,0.00017012286,0.00075671927,0.00014328885,0.8437402],"genre_scores_gemma":[0.49203032,0.0003543329,0.000025700776,0.00088636315,0.0037515133,0.000013644899,0.0000736421,0.0000393142,0.50282514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823785,0.00048474333,0.00029958578,0.000354551,0.00023600819,0.00038725304],"domain_scores_gemma":[0.9990481,0.00016665013,0.00019353985,0.00039406674,0.00006576551,0.00013186551],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030830814,0.0002987678,0.00037916558,0.000059709466,0.0026366285,0.00094196526,0.00044818642,0.00021478275,0.0027131026],"category_scores_gemma":[0.00007625677,0.00027005345,0.00035085963,0.00003398966,0.00083580794,0.00052480586,0.0001268163,0.0005014299,0.00048333433],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006705662,0.00055782346,0.00068604836,0.00026687182,0.00022549165,0.0007999979,0.041651495,0.0000013286372,0.00006453355,0.408315,0.4002391,0.14712521],"study_design_scores_gemma":[0.00052958156,0.00007341543,0.0033389681,0.00006698006,0.00015204675,0.00002535643,0.000275445,0.000029724755,0.000016801394,0.0025497724,0.992608,0.00033391343],"about_ca_topic_score_codex":0.0025149,"about_ca_topic_score_gemma":0.0007083735,"teacher_disagreement_score":0.59236884,"about_ca_system_score_codex":0.00004227305,"about_ca_system_score_gemma":0.000049003505,"threshold_uncertainty_score":0.99997514},"labels":[],"label_agreement":null},{"id":"W2555213207","doi":"10.33137/q.i..v34i1.19920","title":"Le carnaval verbal de Ascanio Celestini. Traduire le théâtre de narration","year":2013,"lang":"fr","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02179930502706632,"score_gpt":0.22501448740065552,"score_spread":0.2032151823735892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2555213207","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07424338,0.007384596,0.0020163222,0.02435301,0.0022774632,0.0004742396,0.00046237942,0.00028702355,0.8885016],"genre_scores_gemma":[0.6678361,0.00003545224,0.00034705014,0.00047122783,0.0019081712,0.00003467501,0.0000772713,0.000041614443,0.32924843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997771,0.00027674017,0.00049453095,0.0004221054,0.0002786484,0.00075693824],"domain_scores_gemma":[0.9988478,0.00016187194,0.00014558213,0.00028955803,0.00014079786,0.00041438095],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001686644,0.00035249852,0.0003815045,0.00006817443,0.0013301667,0.0006386214,0.00029827826,0.0002245877,0.017615335],"category_scores_gemma":[0.00010759694,0.00036946384,0.00025681467,0.00008090456,0.000604476,0.0006721969,0.000036685884,0.0003867318,0.0026079053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019736035,0.0005014603,0.00013632265,0.00019321685,0.00010036607,0.00008582664,0.020349447,0.000029039755,0.0003180482,0.8032916,0.17205355,0.002921406],"study_design_scores_gemma":[0.00026835012,0.00026825262,0.000453869,0.00011533788,0.00013400323,0.00005879206,0.0071593756,0.0026385265,0.0001342729,0.008481527,0.97980124,0.000486441],"about_ca_topic_score_codex":0.046412952,"about_ca_topic_score_gemma":0.0012182697,"teacher_disagreement_score":0.8077477,"about_ca_system_score_codex":0.00025585797,"about_ca_system_score_gemma":0.00076455734,"threshold_uncertainty_score":0.99996996},"labels":[],"label_agreement":null},{"id":"W2555307927","doi":"","title":"La Chine et les Chinois dans les romans français du XVIIIe siècle","year":2013,"lang":"fr","type":"article","venue":"QSpace (Queen's University Library)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chine; Humanities; Art; China; History; Archaeology","score_opus":0.007543496017943918,"score_gpt":0.16648206618703607,"score_spread":0.15893857016909216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2555307927","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3075894,0.0012377849,0.00033517397,0.21760781,0.0005889836,0.0002878854,0.00039198206,0.0004703335,0.47149062],"genre_scores_gemma":[0.45382458,0.001081495,0.00041748933,0.0003523025,0.0004558006,0.0000012475299,0.00010517987,0.000046366,0.54371554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978262,0.00057720236,0.0002530194,0.00054694957,0.00027276142,0.00052383635],"domain_scores_gemma":[0.99866915,0.00031041368,0.00015946208,0.00041884152,0.00006418302,0.0003779514],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006244463,0.00048076708,0.00048322426,0.0002936042,0.0021858332,0.00045556403,0.0006124153,0.0003252713,0.026176164],"category_scores_gemma":[0.000018743622,0.00047402206,0.00042137,0.0002677962,0.0012504887,0.0043251477,0.00033764172,0.0007523799,0.0008517352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047140416,0.0005207711,0.023664279,0.00015072282,0.000222707,0.0003037482,0.043951843,0.000043108037,0.000007126288,0.33423856,0.59455305,0.0022969483],"study_design_scores_gemma":[0.00045248566,0.00018047012,0.030563995,0.00012767383,0.00016466508,0.0000015375776,0.008266213,0.000053784803,0.00006709807,0.00058511575,0.9589608,0.00057617517],"about_ca_topic_score_codex":0.2954061,"about_ca_topic_score_gemma":0.0012456682,"teacher_disagreement_score":0.36440775,"about_ca_system_score_codex":0.00008195553,"about_ca_system_score_gemma":0.00009160632,"threshold_uncertainty_score":0.9999262},"labels":[],"label_agreement":null},{"id":"W2557276951","doi":"10.3917/rhmc.601.0188","title":"Compte-rendu de : Réal Ouellet, La relation de voyage en Amérique (XVIe-XVIIIe siècle). Au carrefour des genres, Québec, Les Presses de l’Université Laval/Editions du CIERL, 2010","year":2013,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.012247128767197751,"score_gpt":0.18937749835001746,"score_spread":0.17713036958281972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557276951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44141364,0.029321669,0.040059887,0.10211941,0.0006230365,0.0006514958,0.00048945827,0.00048277155,0.38483864],"genre_scores_gemma":[0.80608445,0.008138087,0.004407642,0.00013293835,0.00033643105,0.000055481843,0.00036553782,0.000056735775,0.18042268],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928385,0.005416077,0.00045349126,0.0004277754,0.00026190546,0.000602263],"domain_scores_gemma":[0.9952754,0.002364173,0.0002853948,0.0006895537,0.0009940402,0.00039146803],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019735817,0.00032977262,0.00032047607,0.00018892612,0.0028668034,0.0005729265,0.00071770843,0.00027565504,0.0051602675],"category_scores_gemma":[0.0007380059,0.00034649132,0.0002667836,0.00020006222,0.0010982931,0.0007763608,0.00024807997,0.0005873031,0.00018800733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035090005,0.0018919719,0.036091555,0.00043479892,0.00034459968,0.00005697041,0.29169476,0.00034979248,0.0057401084,0.34855887,0.2582481,0.05655339],"study_design_scores_gemma":[0.0004086144,0.0000030707952,0.04992883,0.00069195405,0.000159063,0.00003880211,0.002237662,0.005478094,0.0023899248,0.0022862859,0.9359547,0.00042299842],"about_ca_topic_score_codex":0.47781596,"about_ca_topic_score_gemma":0.22611186,"teacher_disagreement_score":0.6777066,"about_ca_system_score_codex":0.00086107367,"about_ca_system_score_gemma":0.0006357987,"threshold_uncertainty_score":0.99989873},"labels":[],"label_agreement":null},{"id":"W2562141268","doi":"10.71781/3266","title":"La stomatite prothétique pédiatrique","year":2004,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.028985861940395742,"score_gpt":0.289890961500608,"score_spread":0.26090509956021224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562141268","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.119616404,0.003998903,0.00001475235,0.00035566956,0.0007980903,0.0010654468,0.00031967857,0.0000046873106,0.8738264],"genre_scores_gemma":[0.08222445,0.000244216,0.0012068301,0.00008366652,0.001112084,0.00017829452,0.0014583654,0.00005666571,0.9134354],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824923,0.0002366056,0.00054088054,0.00048138213,0.00020848592,0.0002834294],"domain_scores_gemma":[0.9990227,0.000116700765,0.00031379092,0.00025713822,0.0001405992,0.00014907515],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002749963,0.00038581196,0.0005099496,0.00013859922,0.00069640507,0.0011995522,0.00062303996,0.00036841983,0.052606747],"category_scores_gemma":[0.000037260696,0.0003446374,0.00022537427,0.00008822864,0.00016261266,0.0006778258,0.000067933004,0.00054459024,0.0036143025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033882353,0.0015414306,0.00012567575,0.0011445784,0.0005645646,0.0005198586,0.52816194,0.00011583199,0.00022090784,0.17164136,0.007221958,0.2884031],"study_design_scores_gemma":[0.0003216826,0.00014845694,0.000079944,0.0006859858,0.00017620545,0.000007751755,0.0042579095,0.000019082408,0.00044195986,0.00084154797,0.9925427,0.00047677185],"about_ca_topic_score_codex":0.004670259,"about_ca_topic_score_gemma":0.009909899,"teacher_disagreement_score":0.98532075,"about_ca_system_score_codex":0.00019442,"about_ca_system_score_gemma":0.00050616445,"threshold_uncertainty_score":0.9999006},"labels":[],"label_agreement":null},{"id":"W2562905999","doi":"10.4000/belphegor.714","title":"Di Gregorio, Luca: Wilderness et Western. L’Ouest fictionnel chez Gustave Aimard et Emilio Salgari.","year":2016,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Humanities; Art","score_opus":0.02784971014058532,"score_gpt":0.2519715797925302,"score_spread":0.2241218696519449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562905999","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24405983,0.07248149,0.009766347,0.18313336,0.0354413,0.0018620255,0.004247672,0.0014709086,0.44753706],"genre_scores_gemma":[0.44200075,0.0010098972,0.0000561413,0.0017154486,0.00285953,0.000044011555,0.000073408504,0.00007033245,0.5521705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701935,0.00037294647,0.00070597715,0.0007170788,0.00045159616,0.00073302636],"domain_scores_gemma":[0.9982034,0.000399386,0.00025702926,0.0005700641,0.00023508114,0.00033501672],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043147532,0.0005553029,0.0006186234,0.00018697008,0.00074151484,0.00037997446,0.00040655164,0.00026701548,0.008619291],"category_scores_gemma":[0.00009327797,0.0003977959,0.00040156802,0.00014873326,0.0006497368,0.0012806767,0.00017588823,0.0004090948,0.0018080344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022957742,0.0013736942,0.00793807,0.00044594737,0.0004376134,0.00025556254,0.048811264,0.000011873743,0.00022277544,0.6307158,0.28514823,0.024409626],"study_design_scores_gemma":[0.0008905362,0.0002742316,0.0057007303,0.00039706647,0.00022921147,0.000026767417,0.00086627324,0.000026280359,0.00007139313,0.0018748702,0.98896676,0.0006758687],"about_ca_topic_score_codex":0.0027147848,"about_ca_topic_score_gemma":0.002169043,"teacher_disagreement_score":0.70381856,"about_ca_system_score_codex":0.00026115973,"about_ca_system_score_gemma":0.00016539413,"threshold_uncertainty_score":0.9998474},"labels":[],"label_agreement":null},{"id":"W2563386298","doi":"10.7834/phoenix.70.1-2.0023","title":"“Come, Second Best of Painters!”: Irony, Ambiguity, and Voices in &lt;em&gt;Carmina Anacreontea&lt;/em&gt; 16 and 17","year":2016,"lang":"en","type":"article","venue":"Phoenix","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irony; Ambiguity; Art; Painting; Literature; Visual arts; Philosophy; Linguistics","score_opus":0.0208375609733513,"score_gpt":0.22845371952676818,"score_spread":0.2076161585534169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563386298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95482874,0.002953025,0.000008444221,0.00026646795,0.00019344875,0.000107389285,0.00015904153,0.000026758456,0.041456707],"genre_scores_gemma":[0.9518963,0.0001768639,0.0000187168,0.0001935433,0.00024534043,0.0000104090295,0.000008224353,0.000016285014,0.047434334],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987076,0.00008708313,0.00039977385,0.0003363408,0.00018134236,0.0002878845],"domain_scores_gemma":[0.9992644,0.00018844535,0.00013461534,0.00021637579,0.00006375858,0.00013240903],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023559149,0.0002188184,0.00040728488,0.00019276721,0.00015859095,0.000102766186,0.00017456088,0.00005975516,0.00331583],"category_scores_gemma":[0.000044509332,0.00014895774,0.00008835255,0.00005899474,0.00033838756,0.00044304028,0.00012264973,0.00010789051,0.000029218723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084366446,0.0018510787,0.052698195,0.0015582697,0.0006004084,0.00032439685,0.4109822,9.76902e-7,0.024529312,0.06438803,0.15934545,0.282878],"study_design_scores_gemma":[0.0008281209,0.0003081777,0.0037887597,0.00019822038,0.000054362925,0.0000077107225,0.002127384,0.000016098025,0.00040441332,0.0016545376,0.9903017,0.00031048254],"about_ca_topic_score_codex":0.00088238175,"about_ca_topic_score_gemma":0.03355646,"teacher_disagreement_score":0.8309563,"about_ca_system_score_codex":0.00005211143,"about_ca_system_score_gemma":0.000015273672,"threshold_uncertainty_score":0.99759525},"labels":[],"label_agreement":null},{"id":"W2563631631","doi":"10.4000/belphegor.716","title":"Roger Bozzetto, Mondes fantastiques et réalités de l’imaginaire","year":2016,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Art","score_opus":0.02789119005028343,"score_gpt":0.2723036518826984,"score_spread":0.24441246183241497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563631631","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08609661,0.16302966,0.0029740937,0.2927504,0.004654509,0.0005083622,0.0019534593,0.0006818863,0.44735107],"genre_scores_gemma":[0.5695554,0.0014529512,0.0003432539,0.0023969796,0.0017925887,0.000028073484,0.000015218919,0.000043862157,0.42437166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998161,0.00025105677,0.00038059262,0.00038282826,0.00022706632,0.00059745915],"domain_scores_gemma":[0.99896187,0.00025025915,0.00010891571,0.00030978216,0.000119765544,0.00024944058],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002722024,0.00031893793,0.00034305768,0.000104423416,0.00045843728,0.00022736145,0.00025274415,0.00012966238,0.012601995],"category_scores_gemma":[0.000078281104,0.00021344016,0.00027184418,0.000067299574,0.00056398555,0.00081966806,0.00007800096,0.00019885672,0.0011366165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047623736,0.00030975696,0.0010127088,0.00013206959,0.00011157674,0.00014383905,0.013773639,6.8954307e-7,0.0005507292,0.6282746,0.31065375,0.044989027],"study_design_scores_gemma":[0.00031467137,0.00015137754,0.000619098,0.00029695977,0.00012412328,0.000027197644,0.00035513577,0.000020865744,0.00055200857,0.0155762555,0.98157406,0.000388245],"about_ca_topic_score_codex":0.0025474417,"about_ca_topic_score_gemma":0.00037673407,"teacher_disagreement_score":0.6709203,"about_ca_system_score_codex":0.00017281067,"about_ca_system_score_gemma":0.00012657026,"threshold_uncertainty_score":0.9996411},"labels":[],"label_agreement":null},{"id":"W2564682097","doi":"10.71781/22199","title":"Boris Vian adaptateur de la légende arthurienne : étude comparée de la pièce de théâtre et de l'opéra Le Chevalier de Neige","year":2015,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Région Normandie; University of Ottawa; Université Laval","keywords":"Art; Humanities; Philosophy","score_opus":0.04205040310547124,"score_gpt":0.3339531967303652,"score_spread":0.29190279362489396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2564682097","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59211046,0.002351065,0.00015796702,0.00035891862,0.00021405771,0.0002681696,0.00032314783,0.000011360407,0.40420488],"genre_scores_gemma":[0.6559067,0.0003562172,0.004139984,0.00063865824,0.0008888965,0.00006479756,0.0010671801,0.00010422386,0.33683336],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959557,0.0015833606,0.00060270535,0.0005984382,0.00031627037,0.00094350835],"domain_scores_gemma":[0.99790007,0.0005181487,0.0003503691,0.00039348874,0.00017293725,0.0006649608],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021100726,0.0005764298,0.0007354934,0.00015453967,0.0008615412,0.0013327416,0.00090178626,0.0005263057,0.0071043028],"category_scores_gemma":[0.0001532706,0.0005774996,0.00030322606,0.0001362611,0.00035773916,0.00058970664,0.00011938862,0.0009578159,0.00034644478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00093568367,0.0022402261,0.005040421,0.00030743837,0.0008477475,0.0010409326,0.8035075,0.0015906875,0.0021096196,0.1064592,0.054245986,0.021674521],"study_design_scores_gemma":[0.00077925,0.00015520274,0.0030740092,0.0002744856,0.0004688947,0.00007235204,0.021107983,0.0009883913,0.0009330285,0.0027817723,0.9686569,0.00070771],"about_ca_topic_score_codex":0.015871326,"about_ca_topic_score_gemma":0.017464828,"teacher_disagreement_score":0.91441095,"about_ca_system_score_codex":0.000665234,"about_ca_system_score_gemma":0.0026885692,"threshold_uncertainty_score":0.99970394},"labels":[],"label_agreement":null},{"id":"W2564969913","doi":"10.4000/memini.850","title":"Griselda tra i pastori nel regno di Francia","year":2016,"lang":"it","type":"article","venue":"Memini","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.026694699229538685,"score_gpt":0.2152083577283154,"score_spread":0.18851365849877671,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2564969913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09604189,0.018246865,0.0006964663,0.0099013,0.014131322,0.0004924945,0.0011418108,0.0004378165,0.85891],"genre_scores_gemma":[0.5648257,0.00024686338,0.000014959414,0.00038624453,0.0044092922,0.0000147732135,0.000009202148,0.0000284752,0.4300645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798036,0.00009544037,0.00051984703,0.0004735012,0.00034271783,0.0005881524],"domain_scores_gemma":[0.9987308,0.00027680543,0.00016475288,0.00046856742,0.00010262143,0.00025649404],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019028886,0.00034279548,0.0004733196,0.000101335616,0.00063260563,0.00014600313,0.00034606742,0.00015845057,0.025567856],"category_scores_gemma":[0.00007345739,0.00021081869,0.00032892582,0.00009050255,0.0002776897,0.00040600172,0.00006812848,0.00021120667,0.0028111953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001836335,0.0006180597,0.0019824859,0.0001680902,0.00030171877,0.00016748172,0.06257331,5.7629484e-7,0.0010697417,0.1280077,0.7053452,0.09958201],"study_design_scores_gemma":[0.00048341506,0.00022360572,0.00057353167,0.00022832719,0.00012118139,0.0000029674432,0.0005580917,0.00000523518,0.00017370185,0.0009912277,0.9962283,0.0004104199],"about_ca_topic_score_codex":0.0002798728,"about_ca_topic_score_gemma":0.000056721346,"teacher_disagreement_score":0.4687838,"about_ca_system_score_codex":0.00011088047,"about_ca_system_score_gemma":0.000051867497,"threshold_uncertainty_score":0.9979652},"labels":[],"label_agreement":null},{"id":"W2567020698","doi":"","title":"Echo aux quatre vents : la poétique de l'air dans la poésie baroque","year":2003,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Baroque; Humanities; Art history","score_opus":0.01742771793433657,"score_gpt":0.22971673840226828,"score_spread":0.21228902046793172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2567020698","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05035821,0.0043427264,0.012389837,0.0118074175,0.0006285412,0.00043172637,0.00037219847,0.00024588656,0.91942346],"genre_scores_gemma":[0.54752624,0.001634101,0.0055340184,0.00042102087,0.00017898549,0.00011278409,0.0008768884,0.00010337027,0.44361258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.981225,0.015550571,0.0009371237,0.0010425946,0.0005176032,0.0007271166],"domain_scores_gemma":[0.9929401,0.002568585,0.00060591195,0.0019604773,0.0014296736,0.00049524684],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0051916735,0.00069500157,0.0007269757,0.00023807446,0.0015146555,0.0009044495,0.0015503684,0.0006428816,0.002989735],"category_scores_gemma":[0.0010487662,0.00072799355,0.0006637657,0.0002755155,0.0011311794,0.00035614555,0.0006909385,0.0014967831,0.000252891],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019291849,0.0013560312,0.0012952891,0.00027530873,0.0002161072,0.00006979606,0.0901449,0.000089645226,0.0004196138,0.8891721,0.01129894,0.005643019],"study_design_scores_gemma":[0.0004476108,0.000001395194,0.0017724865,0.0019167073,0.00019344647,0.000051753566,0.0012411049,0.0012548602,0.0023074695,0.017586859,0.9724573,0.000769033],"about_ca_topic_score_codex":0.014711452,"about_ca_topic_score_gemma":0.0068872147,"teacher_disagreement_score":0.96115834,"about_ca_system_score_codex":0.00049472955,"about_ca_system_score_gemma":0.0008759255,"threshold_uncertainty_score":0.99978524},"labels":[],"label_agreement":null},{"id":"W2568843193","doi":"10.71781/22496","title":"De l'usage de la lettre dans Histoire de ma vie de Jacques Casanova","year":2003,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.02686459530422728,"score_gpt":0.2816290320320883,"score_spread":0.254764436727861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2568843193","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20603925,0.009532424,0.00011415353,0.00018040885,0.00047074488,0.00020921213,0.00021470363,0.0000054458824,0.78323364],"genre_scores_gemma":[0.054976426,0.000258936,0.0028701078,0.0004352084,0.0006235084,0.000049830658,0.00067998207,0.00006345061,0.94004256],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976187,0.0006437371,0.00046362192,0.00046195526,0.00017916839,0.0006328169],"domain_scores_gemma":[0.9988782,0.00023179228,0.00024210497,0.00029033617,0.00008411251,0.00027344466],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058212597,0.00043058742,0.0005178692,0.00012358886,0.0014261147,0.0009789846,0.0006238381,0.00040609422,0.042102147],"category_scores_gemma":[0.000089001536,0.0004276235,0.0002615044,0.000086499764,0.0003440855,0.00037302703,0.000044561413,0.0005307696,0.0004097799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036329447,0.0014699472,0.0040038917,0.00068190036,0.0006672788,0.0029745593,0.5448385,0.00008290791,0.008590647,0.052770875,0.1251796,0.2583766],"study_design_scores_gemma":[0.00025917252,0.000102289036,0.00027460742,0.00036694345,0.00041821593,0.0000705797,0.008406009,0.00007485878,0.002000819,0.00063771685,0.98685336,0.00053543336],"about_ca_topic_score_codex":0.021087606,"about_ca_topic_score_gemma":0.011006237,"teacher_disagreement_score":0.8616738,"about_ca_system_score_codex":0.0011752015,"about_ca_system_score_gemma":0.0007885362,"threshold_uncertainty_score":0.9998739},"labels":[],"label_agreement":null},{"id":"W2569165331","doi":"","title":"Le recyclage des fables ésopiques","year":2007,"lang":"fr","type":"article","venue":"Canadian Children's Literature / Littérature canadienne pour la jeunesse","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Fable; Grammar; French; Element (criminal law); Humanities; Art; Linguistics; Literature; History; Sociology; Philosophy; Political science; Law","score_opus":0.0069879872305096185,"score_gpt":0.18745790111375574,"score_spread":0.18046991388324612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569165331","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12034835,0.4849922,0.00017696492,0.0958063,0.0057399306,0.0012089777,0.017621046,0.00043898873,0.27366722],"genre_scores_gemma":[0.6999059,0.001627424,0.00093411293,0.0042483443,0.010601192,0.000032629727,0.0022740797,0.00025969828,0.28011665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932194,0.00054897385,0.0010731276,0.0014090838,0.00034809383,0.0034013516],"domain_scores_gemma":[0.99291664,0.0004092627,0.00032268115,0.0008876568,0.0010242609,0.004439509],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0012069142,0.001304518,0.0010697173,0.0013718477,0.0028282155,0.0020827623,0.0010095768,0.0014287704,0.001301156],"category_scores_gemma":[0.000343969,0.0013054198,0.0005944445,0.0013841932,0.0015721122,0.0015884127,0.000078060795,0.002315644,0.00016878967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006332775,0.00017699381,0.0010584405,0.00033757056,0.00036238952,0.0030310987,0.030090258,0.000004963933,0.000047815083,0.88349277,0.07011891,0.011215464],"study_design_scores_gemma":[0.0006491029,0.000118967466,0.0039616297,0.0014838015,0.00024824144,0.0007720931,0.0015604823,0.000006924306,0.00012413612,0.01282875,0.9767031,0.0015427702],"about_ca_topic_score_codex":0.61542475,"about_ca_topic_score_gemma":0.97416276,"teacher_disagreement_score":0.9065842,"about_ca_system_score_codex":0.0014220879,"about_ca_system_score_gemma":0.0026070275,"threshold_uncertainty_score":0.99998605},"labels":[],"label_agreement":null},{"id":"W2580498434","doi":"10.4000/ifha.2052","title":"PILLE, René-Marc, Adelbert von Chamisso vu de France 1805-1840. Genèse et réception d'une image","year":2013,"lang":"fr","type":"article","venue":"Revue de l’Institut français d’histoire en Allemagne","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Déjà vu; Humanities; Art; Medicine; Psychiatry","score_opus":0.010644338472413962,"score_gpt":0.21678360330513616,"score_spread":0.20613926483272219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2580498434","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.089578,0.17359254,0.0068964683,0.08116222,0.008935077,0.002222677,0.0008507175,0.00080333883,0.63595897],"genre_scores_gemma":[0.24420251,0.006883044,0.004007819,0.0033427582,0.004936094,0.00035656372,0.0003767335,0.00018939145,0.7357051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99507207,0.00054883613,0.0013014795,0.0011171845,0.000533596,0.0014268197],"domain_scores_gemma":[0.99709606,0.00033485735,0.00043481248,0.0009854513,0.00039023405,0.000758562],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000662585,0.0009551848,0.0011734691,0.00037225126,0.002125812,0.0006020077,0.00078972103,0.0006228592,0.029332416],"category_scores_gemma":[0.00028137563,0.0010033934,0.0007365862,0.0004049746,0.0015233937,0.002311569,0.0001565706,0.0013507814,0.004465849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019324738,0.0024279421,0.000978488,0.0032115593,0.0005061209,0.0011329852,0.16183206,0.0005210676,0.005860409,0.30206826,0.40721303,0.11405482],"study_design_scores_gemma":[0.0011175256,0.00036286097,0.0021815838,0.0007828966,0.00030565416,0.00017376388,0.0008065056,0.0017775566,0.00006714942,0.0018844598,0.989336,0.0012040379],"about_ca_topic_score_codex":0.059335865,"about_ca_topic_score_gemma":0.009749449,"teacher_disagreement_score":0.582123,"about_ca_system_score_codex":0.00077431946,"about_ca_system_score_gemma":0.0002862744,"threshold_uncertainty_score":0.99924165},"labels":[],"label_agreement":null},{"id":"W2583551612","doi":"","title":"Guerre et texte sous l’Ancien Régime : réécriture, procédés et enjeux. Tangence, no. 111, 2016","year":2016,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.04221229676149236,"score_gpt":0.2760313689639909,"score_spread":0.23381907220249853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2583551612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019574666,0.088648595,0.0014163643,0.020877253,0.005793302,0.0005849469,0.0015919247,0.00030493713,0.8788252],"genre_scores_gemma":[0.13060312,0.004931816,0.0005573331,0.0039987583,0.003020501,0.00008193623,0.000033158758,0.00007026303,0.8567031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967535,0.0003073292,0.0006187804,0.00080522057,0.00057055656,0.0009446205],"domain_scores_gemma":[0.9978664,0.00034252097,0.0002526785,0.0006555515,0.0004977991,0.00038504365],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005209276,0.0005418352,0.0005327963,0.00015472749,0.0006550613,0.00026411263,0.00068476517,0.00021934825,0.017906511],"category_scores_gemma":[0.00026409983,0.00036150365,0.0003058291,0.00020993299,0.00089220505,0.0014047048,0.00019236654,0.00038305967,0.01190429],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001287461,0.0005351069,0.00019454506,0.0003360538,0.00014438274,0.00021907153,0.014592832,0.0000045024844,0.0015765908,0.4846029,0.44657734,0.05108791],"study_design_scores_gemma":[0.00032878833,0.00038016742,0.00015202991,0.0008857134,0.00011925691,0.000027150312,0.00021771865,0.000038441885,0.00016625573,0.0052866773,0.99172264,0.00067515287],"about_ca_topic_score_codex":0.001276964,"about_ca_topic_score_gemma":0.00050427933,"teacher_disagreement_score":0.5451453,"about_ca_system_score_codex":0.00017070892,"about_ca_system_score_gemma":0.0002939646,"threshold_uncertainty_score":0.9998837},"labels":[],"label_agreement":null},{"id":"W2583813052","doi":"10.33137/pbsc.v53i2.26954","title":"&lt;i&gt;L’iconographie d’une littérature. Évolution et singularités du livre illustré francophone au Québec. 1840–1940&lt;/i&gt; par Stéphanie Danaux (pp 309-312)","year":2016,"lang":"fr","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.008678381926198488,"score_gpt":0.18800588739310675,"score_spread":0.17932750546690826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2583813052","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36389458,0.32300702,0.00013317629,0.24622022,0.010315248,0.0012356836,0.0038967368,0.00020183317,0.051095504],"genre_scores_gemma":[0.95079285,0.034679744,0.00016141494,0.0025121886,0.0014635541,0.000023755942,0.00003235088,0.00007237163,0.010261787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99506974,0.00043356506,0.0012222375,0.0007371897,0.0014529113,0.0010843707],"domain_scores_gemma":[0.9963939,0.0007671926,0.0007689921,0.00089003076,0.00058217696,0.0005976653],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.000719953,0.00071295415,0.0010854843,0.00083152653,0.0020405669,0.000115338626,0.0010533811,0.00056647736,0.0013941424],"category_scores_gemma":[0.00014619261,0.00047439113,0.0025166003,0.009207238,0.004896156,0.0004956676,0.00023426628,0.0006380831,0.0000044840826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021239033,0.00090985827,0.0066594644,0.00070620776,0.002219148,0.00001580116,0.0063638813,0.000044013173,0.014369686,0.05505243,0.9085606,0.004886546],"study_design_scores_gemma":[0.0010533683,0.00028585157,0.024340553,0.00069420435,0.00043040465,0.000008195259,0.00083438156,0.000057330573,0.00021503554,0.0014811959,0.9699262,0.0006733031],"about_ca_topic_score_codex":0.8337044,"about_ca_topic_score_gemma":0.9522742,"teacher_disagreement_score":0.58689827,"about_ca_system_score_codex":0.0004110145,"about_ca_system_score_gemma":0.0020771704,"threshold_uncertainty_score":0.99977076},"labels":[],"label_agreement":null},{"id":"W2584816524","doi":"10.4000/books.pum.1386","title":"L’Avenir littéraire de notre jeunesse","year":2002,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01605255885182713,"score_gpt":0.16727156206026333,"score_spread":0.1512190032084362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2584816524","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013679186,0.024763932,0.00011573962,0.0012559404,0.0003243558,0.00027063428,0.0005004474,0.00021982829,0.9711812],"genre_scores_gemma":[0.02222871,0.0023932932,0.00023499368,0.0005370803,0.0016246202,0.000011418843,0.00007750636,0.00012450869,0.9727679],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972422,0.00014948967,0.00050330773,0.0007020001,0.0003880634,0.0010149025],"domain_scores_gemma":[0.9978957,0.00028527956,0.00036497586,0.0006123756,0.00018534239,0.0006562993],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013024299,0.0008270296,0.0008157297,0.000253166,0.0019088329,0.00022758664,0.00072047,0.0006557323,0.04504041],"category_scores_gemma":[0.000025257808,0.0008730418,0.00078253925,0.000021435446,0.0007178839,0.00023372329,0.0004393481,0.00087940984,0.0007596111],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040916834,0.00018091185,0.0002428867,0.000655021,0.0008980739,0.0049073454,0.055066507,0.00016774109,0.00015771402,0.8217069,0.09148795,0.024119794],"study_design_scores_gemma":[0.00059724296,0.00019555732,0.00015421603,0.00045897806,0.0010872401,0.00019022218,0.0005872981,0.00062805554,0.00013969412,0.010864419,0.9841619,0.00093518087],"about_ca_topic_score_codex":0.01405573,"about_ca_topic_score_gemma":0.0063927397,"teacher_disagreement_score":0.89267397,"about_ca_system_score_codex":0.0020291638,"about_ca_system_score_gemma":0.000108057255,"threshold_uncertainty_score":0.99939054},"labels":[],"label_agreement":null},{"id":"W2586179993","doi":"10.26522/vp.v13i2.1448","title":"Christensen, Andrée. Epines d’encre","year":2016,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02180859070234536,"score_gpt":0.22195145063944707,"score_spread":0.2001428599371017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586179993","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07091693,0.19939682,0.00052404415,0.3960232,0.011184162,0.00043065846,0.0025735323,0.00043215588,0.3185185],"genre_scores_gemma":[0.109715044,0.0036066333,0.00007786453,0.00053443096,0.0048394483,0.00001211612,0.000014730777,0.00003471135,0.881165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828774,0.00012481403,0.000444474,0.00040826548,0.00023442306,0.00050029333],"domain_scores_gemma":[0.99881846,0.00033841745,0.00012816436,0.0003491895,0.00014745408,0.00021833462],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001295802,0.00032330194,0.00033654022,0.00011799024,0.00067915133,0.00016105788,0.0002410356,0.00015174727,0.018453449],"category_scores_gemma":[0.00008955014,0.00020106927,0.00029167876,0.000086679735,0.0007963087,0.0004587545,0.000072896415,0.00013763981,0.0031986642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058365866,0.00020664166,0.00018870505,0.0001264749,0.00015600584,0.00013065952,0.014644358,8.869868e-7,0.00018623374,0.49792117,0.4407893,0.045591183],"study_design_scores_gemma":[0.00038256973,0.00017969137,0.00007361834,0.00038601513,0.00011424195,0.000018006613,0.0005193955,0.000016141103,0.0002861147,0.0038829742,0.9937446,0.00039662796],"about_ca_topic_score_codex":0.0018581995,"about_ca_topic_score_gemma":0.00039797364,"teacher_disagreement_score":0.5626465,"about_ca_system_score_codex":0.000056766043,"about_ca_system_score_gemma":0.000059352013,"threshold_uncertainty_score":0.9975775},"labels":[],"label_agreement":null},{"id":"W2589801999","doi":"10.4000/e-spania.26274","title":"Lectures américaines du Plus Ultra ou le Plus Ultra à l’épreuve de l’Amérique","year":2017,"lang":"fr","type":"article","venue":"e-Spania","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04701972481106586,"score_gpt":0.26163380135612885,"score_spread":0.21461407654506298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2589801999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04227058,0.025671067,0.0011735145,0.041342292,0.006089095,0.00049795397,0.0004707605,0.0003339327,0.8821508],"genre_scores_gemma":[0.6413067,0.0008831029,0.000082138286,0.00069941365,0.0044309045,0.000025145868,0.000032450735,0.00005066688,0.35248944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973808,0.00023598742,0.00054577534,0.0006156687,0.00032756856,0.00089420646],"domain_scores_gemma":[0.9978315,0.00032067197,0.00037897378,0.0008957159,0.00018572425,0.00038737626],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003502771,0.00054976833,0.000708486,0.00012609494,0.003649887,0.0013874063,0.0009973467,0.00040361314,0.003810064],"category_scores_gemma":[0.00045470241,0.0004860389,0.0004502409,0.00006206567,0.0008866998,0.0009466783,0.00008311155,0.0008191364,0.0008336729],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000285577,0.0005542358,0.00070971646,0.0004745089,0.0005055476,0.00063732365,0.12960294,0.0004168188,0.0015858344,0.42537013,0.43438014,0.0054772166],"study_design_scores_gemma":[0.00081325235,0.00020640352,0.0010844175,0.00019674165,0.0001429755,0.00005782225,0.0016987887,0.000504755,0.0009211833,0.0028153223,0.9908853,0.00067301426],"about_ca_topic_score_codex":0.024685757,"about_ca_topic_score_gemma":0.008153815,"teacher_disagreement_score":0.59903616,"about_ca_system_score_codex":0.0003598802,"about_ca_system_score_gemma":0.00035115422,"threshold_uncertainty_score":0.99994427},"labels":[],"label_agreement":null},{"id":"W2589841329","doi":"10.1353/mou.2003.0013","title":"Winter in the Comedies of Aristophanes","year":2003,"lang":"fr","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.012430799322958978,"score_gpt":0.20179423069918903,"score_spread":0.18936343137623005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2589841329","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15316635,0.014358709,0.000036047455,0.7591621,0.010531311,0.00022794152,0.00019683897,0.0000034936565,0.06231717],"genre_scores_gemma":[0.67659664,0.00006372703,0.000009399001,0.00061173714,0.0003227656,6.055841e-7,4.890482e-7,0.000005341902,0.3223893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745136,0.0007334012,0.000815328,0.000059422997,0.0007682077,0.00017228197],"domain_scores_gemma":[0.997454,0.00080277614,0.0012271623,0.00011203404,0.0003536163,0.00005043453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089115597,0.0001056303,0.00037752165,0.000058094956,0.00016268944,0.00002716687,0.00030887354,0.00006672253,0.00032590414],"category_scores_gemma":[0.00077676796,0.000058144356,0.0002512534,0.0001256684,0.00017804376,0.00012848651,0.000014858818,0.00038935067,5.718071e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037706617,0.00028403505,0.0020847642,0.00007102713,0.00016186522,0.0000126210425,0.00787563,0.00015902125,0.00004803066,0.058543127,0.93038404,0.00033810755],"study_design_scores_gemma":[0.00030212884,0.00010682123,0.001100606,0.00013097693,0.0000954783,0.000007275142,0.0015896168,0.00001553746,0.00023148707,0.0023275944,0.99403,0.00006245902],"about_ca_topic_score_codex":0.006846846,"about_ca_topic_score_gemma":0.25088486,"teacher_disagreement_score":0.7585504,"about_ca_system_score_codex":0.0005966775,"about_ca_system_score_gemma":0.00050136226,"threshold_uncertainty_score":0.99976665},"labels":[],"label_agreement":null},{"id":"W2592064404","doi":"","title":"Entre littérature et philosophie","year":2004,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Philosophy","score_opus":0.020919774455250867,"score_gpt":0.2236280481796168,"score_spread":0.20270827372436592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592064404","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055823466,0.021748876,0.0064730616,0.13158149,0.0011337955,0.0004595975,0.00057749933,0.00032649506,0.83211684],"genre_scores_gemma":[0.50341946,0.0043368237,0.0060860054,0.0011264667,0.0007076956,0.00007662532,0.0020520927,0.00010952605,0.48208532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913019,0.0055798427,0.00085483474,0.0011018243,0.0005875354,0.0005740944],"domain_scores_gemma":[0.99383056,0.0010972784,0.00061984657,0.0019405582,0.002121176,0.00039060856],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002667647,0.00067588,0.0006961858,0.00023017974,0.001302779,0.0011016146,0.001369965,0.00050320657,0.00508427],"category_scores_gemma":[0.0005787386,0.00066549965,0.00066094875,0.00029930312,0.0008845958,0.00040298596,0.0009030552,0.0015682436,0.0006222999],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015633512,0.001053955,0.00007690308,0.0002702276,0.00016712311,0.000021133177,0.05314745,0.00010969603,0.00007661388,0.93282753,0.0042862142,0.007947518],"study_design_scores_gemma":[0.00048389554,8.6684423e-7,0.00028624904,0.0031283952,0.00016208143,0.000012796255,0.00032380436,0.000359693,0.0009286755,0.06779372,0.9258331,0.0006867344],"about_ca_topic_score_codex":0.0052043535,"about_ca_topic_score_gemma":0.0039764536,"teacher_disagreement_score":0.9215469,"about_ca_system_score_codex":0.00037075384,"about_ca_system_score_gemma":0.0004919191,"threshold_uncertainty_score":0.9999974},"labels":[],"label_agreement":null},{"id":"W2592949400","doi":"10.1086/691937","title":": <i>Challenges to Traditional Authority: Plays by French Women Authors, 1650–1700</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pascal (unit); The Renaissance; Renaissance studies; Art; Art history; Classics; History","score_opus":0.07193508062320644,"score_gpt":0.26016607547010234,"score_spread":0.1882309948468959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592949400","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18377632,0.005666656,0.00021878655,0.020976773,0.0036768022,0.00047591413,0.0011720342,0.00046647093,0.78357023],"genre_scores_gemma":[0.9528997,0.000019776704,0.00008233167,0.00035571065,0.0018017596,0.000111555004,0.00004375506,0.000024983545,0.044660438],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982327,0.000070026144,0.0003275644,0.00050607184,0.0003582391,0.00050536956],"domain_scores_gemma":[0.9986546,0.000071990384,0.00016554089,0.00064758275,0.0000810684,0.0003791887],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002523881,0.00026371193,0.0003667691,0.00008625548,0.0015706723,0.00055399205,0.0006177173,0.00008526045,0.0025606407],"category_scores_gemma":[0.000030688385,0.00023201104,0.00012741801,0.000026006579,0.0002715814,0.00077412406,0.000020098254,0.00024297718,0.00054987293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038261787,0.0003168255,0.000052302414,0.000063824526,0.00009278877,0.000033854976,0.13748659,9.2094706e-7,0.00024613235,0.15507638,0.63802254,0.06856958],"study_design_scores_gemma":[0.00024092483,0.00076770846,0.0008950504,0.000057476227,0.000017113907,0.0000034339541,0.0012202313,0.00001738723,0.000025535097,0.010030604,0.9863543,0.00037027162],"about_ca_topic_score_codex":0.0003636248,"about_ca_topic_score_gemma":0.00038046532,"teacher_disagreement_score":0.7691234,"about_ca_system_score_codex":0.000096746866,"about_ca_system_score_gemma":0.000031392054,"threshold_uncertainty_score":0.99972916},"labels":[],"label_agreement":null},{"id":"W2593312617","doi":"10.7202/1090071ar","title":"« Le plus parfait ami qui fut jamais » : analyse topique de l’ami loyal dans le récit du XVIIe siècle","year":2022,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Philosophy; Humanities","score_opus":0.014362463671017482,"score_gpt":0.21208947430780078,"score_spread":0.1977270106367833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593312617","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64843965,0.017010061,0.00067442626,0.022699345,0.0030887702,0.00051831297,0.0008290458,0.00057945517,0.30616093],"genre_scores_gemma":[0.8844079,0.00025563946,0.00020418235,0.0010166487,0.00329599,0.00016648746,0.00016426768,0.00007444832,0.11041447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962435,0.0007333382,0.000750953,0.00078896363,0.00049215363,0.0009911259],"domain_scores_gemma":[0.9982323,0.00026464157,0.00028610224,0.00063121,0.00019897363,0.0003867801],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056552497,0.00057625235,0.00080770993,0.00021070849,0.0035985862,0.00040496947,0.0007945041,0.00018632476,0.0034754921],"category_scores_gemma":[0.00007848857,0.00061405805,0.00057681586,0.00029332217,0.0007961629,0.0007997161,0.0004954019,0.0007175397,0.0000666643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001208467,0.0006813953,0.0036895762,0.0001755862,0.00032588377,0.0004006606,0.03625714,0.00030394658,0.0001109767,0.9449771,0.01152704,0.0014298194],"study_design_scores_gemma":[0.0005990366,0.00052603823,0.00060788693,0.00005113224,0.000231365,0.00006896638,0.03280101,0.0008854401,0.0004056102,0.009677271,0.95335543,0.0007908138],"about_ca_topic_score_codex":0.07608554,"about_ca_topic_score_gemma":0.020360727,"teacher_disagreement_score":0.94182837,"about_ca_system_score_codex":0.0012308013,"about_ca_system_score_gemma":0.00087340275,"threshold_uncertainty_score":0.99963105},"labels":[],"label_agreement":null},{"id":"W2593850681","doi":"10.1353/mou.2003.0020","title":"Poets and Lovers in the Snow","year":2003,"lang":"fr","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.010962958623207775,"score_gpt":0.1944508555458095,"score_spread":0.1834878969226017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593850681","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07392045,0.0074637774,0.000018486813,0.84653836,0.0050030067,0.00015189953,0.000093035196,0.0000023086252,0.066808656],"genre_scores_gemma":[0.5900096,0.00009947501,0.000008910771,0.0014034107,0.00038708514,4.0771613e-7,3.8944373e-7,0.000005704791,0.40808496],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979807,0.0006578657,0.000496644,0.00006363376,0.00062365184,0.00017751617],"domain_scores_gemma":[0.99824196,0.0007334108,0.00069398317,0.000083085455,0.00017702639,0.00007056158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008031282,0.00009560464,0.0002457343,0.000040124218,0.00022216898,0.000057795303,0.00018901125,0.00006331191,0.00022935259],"category_scores_gemma":[0.0008373752,0.00005404709,0.00013509442,0.00010397958,0.00010461975,0.0001543721,0.00001208371,0.0003923624,6.314006e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017850454,0.00011483248,0.00091407704,0.000021223996,0.000078983016,0.000014487222,0.0038035456,0.00007996659,0.000011753109,0.10496468,0.8894263,0.0005523023],"study_design_scores_gemma":[0.00032727994,0.000070245136,0.00076785224,0.000080785496,0.000074389085,0.000010725471,0.0010355077,0.00003527583,0.000045716344,0.0022679653,0.99522024,0.00006400216],"about_ca_topic_score_codex":0.009358129,"about_ca_topic_score_gemma":0.28063127,"teacher_disagreement_score":0.845135,"about_ca_system_score_codex":0.0006912484,"about_ca_system_score_gemma":0.0005087796,"threshold_uncertainty_score":0.99723864},"labels":[],"label_agreement":null},{"id":"W2594006048","doi":"10.4000/anabases.5791","title":"Brett M. Rogers et Benjamin Eldon Stevens (éd.), Classical Traditions in Science Fiction","year":2016,"lang":"fr","type":"article","venue":"Anabases","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy; Art history; Art","score_opus":0.04023205547585428,"score_gpt":0.26111779853015255,"score_spread":0.22088574305429826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594006048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7675814,0.012689794,0.0004633184,0.061574746,0.0037441214,0.00031605872,0.0014209235,0.00015441111,0.15205523],"genre_scores_gemma":[0.91414505,0.0013275078,0.000045232555,0.0006875605,0.0007664886,0.000016439071,0.000021852455,0.000014119625,0.08297572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984287,0.00014042122,0.00033670504,0.00038470427,0.00028852324,0.0004209308],"domain_scores_gemma":[0.99914134,0.0003214879,0.000077858174,0.00020726428,0.000079875776,0.00017217864],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027748258,0.00018183459,0.00021799999,0.0002997394,0.000595797,0.00014960284,0.00017139368,0.000061557526,0.0034458074],"category_scores_gemma":[0.00007911635,0.00013330935,0.00014324201,0.0002818683,0.0014147803,0.0013189245,0.0000173087,0.00017148578,0.00020131224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036411937,0.0009639055,0.0011707526,0.00005973929,0.00003407546,0.00012845967,0.011153085,0.000012355357,0.0012534566,0.77302617,0.18646173,0.025699839],"study_design_scores_gemma":[0.0002720805,0.00023376533,0.0025101898,0.0003615962,0.00004392481,0.000008308439,0.0006434106,0.00010289922,0.0003539849,0.0013389161,0.9938897,0.00024124504],"about_ca_topic_score_codex":0.0014022554,"about_ca_topic_score_gemma":0.0018212809,"teacher_disagreement_score":0.80742794,"about_ca_system_score_codex":0.00027741594,"about_ca_system_score_gemma":0.00013838267,"threshold_uncertainty_score":0.9974652},"labels":[],"label_agreement":null},{"id":"W2594403292","doi":"10.4000/books.pum.1391","title":"Menaud, maître-draveur par Félix-Antoine Savard","year":2002,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.015380040974832445,"score_gpt":0.1624132862772684,"score_spread":0.14703324530243594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594403292","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013082419,0.026823416,0.000105164334,0.00069616194,0.0004265923,0.0003379242,0.00068762136,0.00020845588,0.9694064],"genre_scores_gemma":[0.043108597,0.0038128274,0.00023978473,0.0004959786,0.0011555298,0.000010039309,0.00012100318,0.00013431202,0.95092195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968921,0.00015768713,0.0006277575,0.00082852464,0.0005069826,0.0009869382],"domain_scores_gemma":[0.99773717,0.00027116376,0.0004569176,0.0006958866,0.00019954782,0.00063931383],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013400572,0.0009596081,0.0009872582,0.00031704412,0.0019557022,0.00023924073,0.0007520515,0.00056820107,0.09449472],"category_scores_gemma":[0.000016366046,0.0009776467,0.0008027714,0.000021681237,0.00073397387,0.00023945475,0.0005091033,0.00086534,0.0017091961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007525471,0.00037524034,0.00038524444,0.0009095842,0.0015234,0.0061295903,0.04107938,0.00016496507,0.00060823414,0.6927464,0.23103395,0.024291437],"study_design_scores_gemma":[0.0008903329,0.00035393698,0.00013767001,0.0002970012,0.0014160135,0.000117138174,0.00032981488,0.00038155442,0.00031022792,0.0054630656,0.98923784,0.0010653998],"about_ca_topic_score_codex":0.0077607175,"about_ca_topic_score_gemma":0.0026365207,"teacher_disagreement_score":0.75820386,"about_ca_system_score_codex":0.0010274636,"about_ca_system_score_gemma":0.00006210588,"threshold_uncertainty_score":0.99934363},"labels":[],"label_agreement":null},{"id":"W2598621875","doi":"10.4000/books.pum.1344","title":"Trames et caractères de la culture de l’imprimé au Québec et au Canada aux XVIIe et XIXe siècles","year":2005,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Political science; Art","score_opus":0.010054557526322849,"score_gpt":0.1905539576452052,"score_spread":0.18049940011888235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598621875","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024933806,0.016539648,0.000086950546,0.003902382,0.00019507129,0.00024230173,0.0010955883,0.00013835647,0.9528659],"genre_scores_gemma":[0.37597916,0.0017631799,0.00023508914,0.0030763529,0.000800994,0.0000097625225,0.00012647927,0.00010112183,0.6179079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969284,0.0005172677,0.00046885767,0.0006223124,0.0004551126,0.0010080494],"domain_scores_gemma":[0.9974662,0.0008943803,0.00036193876,0.00044193136,0.00016306875,0.0006724931],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003298319,0.00084834103,0.00080273364,0.00016901511,0.0017128435,0.00029726268,0.00070397346,0.0006346856,0.0037109165],"category_scores_gemma":[0.00007373831,0.00082722475,0.00053111097,0.000018279852,0.0007637403,0.00031773272,0.00031974172,0.0013196141,0.000029646906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00035837834,0.0001291416,0.0015639031,0.00035655018,0.0009659764,0.002003398,0.18865436,0.0012050541,0.00022943482,0.7395698,0.057058904,0.007905117],"study_design_scores_gemma":[0.000566182,0.00013167343,0.0032190816,0.00035778477,0.0009371321,0.00018027019,0.0024127003,0.00015347634,0.00016613907,0.0021384018,0.9888201,0.0009170794],"about_ca_topic_score_codex":0.99361026,"about_ca_topic_score_gemma":0.99818325,"teacher_disagreement_score":0.9317612,"about_ca_system_score_codex":0.0066421097,"about_ca_system_score_gemma":0.006158892,"threshold_uncertainty_score":0.99958676},"labels":[],"label_agreement":null},{"id":"W2599216058","doi":"","title":"Un hypocrite des plus véritables / Michel Gauthier, L’hypocrite, théâtre, Sudbury, Prise de parole, 2002, 100 p.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014247434138256155,"score_gpt":0.16916617308741114,"score_spread":0.15491873894915498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599216058","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037095305,0.8539085,0.00020494447,0.020318767,0.0008027581,0.00027755013,0.0005222801,0.0002523959,0.08661749],"genre_scores_gemma":[0.0132648265,0.041214846,0.000885463,0.0010369039,0.001032443,0.000011530926,0.000049982642,0.00008667313,0.9424173],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964511,0.00036548026,0.00051221077,0.0007430103,0.00044916937,0.0014790631],"domain_scores_gemma":[0.9977855,0.00031232403,0.000250365,0.0006358721,0.0002463878,0.0007695281],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026779505,0.00068539416,0.00075717265,0.00040161086,0.0032722265,0.00022254656,0.00067778945,0.0003871387,0.016202841],"category_scores_gemma":[0.00005771357,0.0007539994,0.0005927074,0.00043389885,0.0009255288,0.0010844099,0.00030570748,0.00065756106,0.001389708],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018385456,0.0006686522,0.00024411731,0.00025583076,0.0004567593,0.004240578,0.009959434,0.00015749101,0.00010462564,0.05757934,0.89939886,0.026750442],"study_design_scores_gemma":[0.0013886513,0.00026776394,0.00017966541,0.00023084988,0.00077781244,0.00042054508,0.0018581717,0.0032753896,0.00009629172,0.003095495,0.98752004,0.0008893177],"about_ca_topic_score_codex":0.31867245,"about_ca_topic_score_gemma":0.023263628,"teacher_disagreement_score":0.85579985,"about_ca_system_score_codex":0.0060566356,"about_ca_system_score_gemma":0.000068972244,"threshold_uncertainty_score":0.9994911},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"review","about_ca_system":false,"about_ca_topic":true,"confidence":"medium"}],"label_agreement":"agree"},{"id":"W2601498707","doi":"10.4000/crm.14107","title":"Conclusions","year":2016,"lang":"fr","type":"article","venue":"Cahiers de recherches médiévales et humanistes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; The Renaissance; Philosophy; Art history","score_opus":0.10865345889660927,"score_gpt":0.3177203166965478,"score_spread":0.20906685779993855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601498707","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022042405,0.047404032,0.0013170829,0.026879124,0.0019765664,0.0002637362,0.0004616699,0.00030452368,0.8993509],"genre_scores_gemma":[0.09823205,0.007383198,0.00089963095,0.0020997054,0.0017496506,0.00003712263,0.000024519382,0.00008386329,0.88949025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99627453,0.0014990405,0.00057481765,0.00056197034,0.00026994836,0.00081967714],"domain_scores_gemma":[0.9955209,0.003174818,0.00020430527,0.0004949835,0.00019163938,0.0004133476],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014739287,0.00047875702,0.00055695674,0.00018153558,0.0012844162,0.00032557276,0.0004892942,0.0006301111,0.0073749805],"category_scores_gemma":[0.00074719614,0.00035046003,0.0005047298,0.00011570655,0.0039381436,0.0006246921,0.00011409707,0.00082475,0.0011714388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003436076,0.00022842159,0.0000842877,0.00018545693,0.00018732698,0.000079677426,0.030743796,9.744267e-7,0.0012570433,0.8926105,0.05056083,0.024027366],"study_design_scores_gemma":[0.00041529277,0.00023533101,0.00007585526,0.0006140074,0.00022351094,0.00003632096,0.001958006,0.000009266799,0.00056372955,0.05296671,0.9423297,0.00057228457],"about_ca_topic_score_codex":0.000539465,"about_ca_topic_score_gemma":0.00016840943,"teacher_disagreement_score":0.8917689,"about_ca_system_score_codex":0.0017945212,"about_ca_system_score_gemma":0.00046003616,"threshold_uncertainty_score":0.99989474},"labels":[],"label_agreement":null},{"id":"W2604238500","doi":"10.33137/rr.v38i1.22780","title":"Barthélemy Aneau’s &lt;i&gt;Alector ou le coq&lt;/i&gt; and the Paradox of Renaissance Cosmopolitanism","year":2015,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Erasmus+","keywords":"Cosmopolitanism; Humanities; Arcadia; Humanism; Nationalism; Art history; Art; History; Philosophy; Political science; Theology; Law; Politics","score_opus":0.029641343448365436,"score_gpt":0.2270993149584366,"score_spread":0.19745797151007116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604238500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4155723,0.07093868,0.00041794154,0.0054538506,0.0009130088,0.0008073011,0.00013801211,0.00018997358,0.5055689],"genre_scores_gemma":[0.9934033,0.00050579297,0.00005015628,0.00017927244,0.00029130038,0.000018810098,0.000031742613,0.000010216018,0.0055093914],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989244,0.00009810862,0.00039033082,0.00016444294,0.00022944462,0.00019331925],"domain_scores_gemma":[0.99927527,0.00006232248,0.00021692248,0.0001996337,0.00013655219,0.0001093239],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035511135,0.00015721044,0.00029976372,0.00006972907,0.0004334332,0.00008722762,0.00011484053,0.000055947166,0.000043844295],"category_scores_gemma":[0.00004260128,0.00008997946,0.00006297007,0.00007365365,0.00074222253,0.0007319604,0.000035021523,0.00009956501,0.000017692115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022591802,0.00006593613,0.000059425045,0.00015136183,0.000050432394,0.0000025664558,0.032458402,0.000008954103,0.00050488947,0.9027637,0.06110132,0.0026070564],"study_design_scores_gemma":[0.0013046797,0.00013065484,0.00028837414,0.000086035296,0.000037085894,0.000013058403,0.0006409672,0.0005646352,0.00037488047,0.010176027,0.98620003,0.00018354639],"about_ca_topic_score_codex":0.00012141623,"about_ca_topic_score_gemma":0.00014073237,"teacher_disagreement_score":0.9250987,"about_ca_system_score_codex":0.000028850422,"about_ca_system_score_gemma":0.00003576959,"threshold_uncertainty_score":0.3669256},"labels":[],"label_agreement":null},{"id":"W2604261602","doi":"","title":"2003, Yannick Pouliot, Le Courtisan : une oeuvre qui sait courtiser / Yannick Pouliot, Le Courtisan: A Work that Knows How to Flatter","year":2007,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017094320025331296,"score_gpt":0.23233727413856844,"score_spread":0.21524295411323716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604261602","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030483592,0.12558977,0.0061622653,0.5477623,0.01305906,0.0021778154,0.00088342465,0.0007196506,0.27316216],"genre_scores_gemma":[0.30415705,0.00034619207,0.0010448125,0.009402568,0.0062594954,0.000030598057,0.00014576057,0.00021742126,0.6783961],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933399,0.00049867213,0.0009745398,0.0015650607,0.0012719632,0.0023498605],"domain_scores_gemma":[0.9956896,0.00027112884,0.0005382243,0.0013542817,0.000705927,0.0014408457],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0011154141,0.0013530704,0.001425074,0.0005552041,0.0018021567,0.0013869497,0.0010744276,0.00095295085,0.011987797],"category_scores_gemma":[0.00018628332,0.001269576,0.0008656595,0.0016928342,0.00090248475,0.0015143654,0.00033047705,0.0018279392,0.0041039498],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048357373,0.00080121966,0.0017733662,0.0002070658,0.00056957203,0.0006025075,0.04993028,0.00021731907,0.00012401288,0.053656325,0.88743377,0.0042009973],"study_design_scores_gemma":[0.0014069827,0.00037935463,0.002240625,0.0007977769,0.00042458746,0.000057382527,0.0146300085,0.00006135421,0.00025219916,0.00026876145,0.97776926,0.0017117168],"about_ca_topic_score_codex":0.0073018386,"about_ca_topic_score_gemma":0.012882341,"teacher_disagreement_score":0.5383597,"about_ca_system_score_codex":0.00048328558,"about_ca_system_score_gemma":0.0005327301,"threshold_uncertainty_score":0.99992204},"labels":[],"label_agreement":null},{"id":"W2604525317","doi":"10.18192/analyses.v12i2.2010","title":"Renart, récit de la nécessité, une lecture économique de la Branche XVI, « Renart Empereur »","year":2017,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Philosophy; Art; Physics","score_opus":0.024672348533613376,"score_gpt":0.2880035020301844,"score_spread":0.263331153496571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604525317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27507263,0.06510126,0.00034918342,0.014489805,0.002339258,0.0004222727,0.0008817616,0.00022999154,0.6411138],"genre_scores_gemma":[0.8599023,0.005121848,0.0005092636,0.00480406,0.0076699997,0.00009512357,0.00013134522,0.00017023651,0.12159581],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938293,0.0019530014,0.0010312214,0.001194415,0.00022784204,0.0017642201],"domain_scores_gemma":[0.99429333,0.0014564898,0.00085319404,0.0018644595,0.00031999903,0.0012125063],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014720656,0.0010807946,0.0014560524,0.00047450294,0.0030314513,0.0024468713,0.0016242744,0.0012491803,0.0016137402],"category_scores_gemma":[0.0011646348,0.0010261599,0.0011988895,0.0003546602,0.0023149806,0.0012069959,0.00018248393,0.0022581364,0.00008454466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058390916,0.00092601974,0.009510089,0.0016876064,0.0023859097,0.004942734,0.08352282,0.0028822918,0.0016684753,0.7142191,0.15695694,0.020714141],"study_design_scores_gemma":[0.0007697999,0.00021173302,0.0074756886,0.0009330765,0.0010325134,0.00038361287,0.0007976689,0.0010174237,0.00032242277,0.024145978,0.96171474,0.0011953198],"about_ca_topic_score_codex":0.4381736,"about_ca_topic_score_gemma":0.7884454,"teacher_disagreement_score":0.80475783,"about_ca_system_score_codex":0.0008025972,"about_ca_system_score_gemma":0.0011146732,"threshold_uncertainty_score":0.99929893},"labels":[],"label_agreement":null},{"id":"W2605281389","doi":"10.71781/14777","title":"La malédiction d'Ixion : essai sur l'esthétique de l'absurde au théâtre et au cinéma","year":2005,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diction; Art; Humanities; Philosophy; Physics; Literature; Poetry","score_opus":0.03383646155693449,"score_gpt":0.29411904343413164,"score_spread":0.26028258187719716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605281389","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36194515,0.0007553111,0.000030289662,0.001206473,0.00085832446,0.00032339068,0.00019544811,0.0000067894794,0.63467884],"genre_scores_gemma":[0.27701515,0.00037354563,0.0003389103,0.00013649085,0.0016352659,0.000054760232,0.0023273444,0.000054545395,0.718064],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972913,0.00065047736,0.0006483963,0.00061610347,0.00028815411,0.00050551625],"domain_scores_gemma":[0.99862915,0.00024663314,0.00039258503,0.00032024697,0.0001823999,0.00022899943],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008349715,0.0004966529,0.00058207655,0.00018984749,0.0010262068,0.0008443642,0.00053265184,0.00053138577,0.023157546],"category_scores_gemma":[0.000057905825,0.00046915098,0.00028105985,0.00010902641,0.00015597002,0.0010809773,0.00007545655,0.0007308624,0.0011482567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008715397,0.0020403198,0.0020301845,0.00048407933,0.00055915746,0.00032607382,0.4355621,0.0009444973,0.0003083966,0.09851551,0.016136015,0.44222215],"study_design_scores_gemma":[0.00045408518,0.00018085085,0.0033051814,0.0005939774,0.00031007078,0.000024537114,0.005595072,0.00032456906,0.00028284048,0.00016340904,0.98820376,0.00056166656],"about_ca_topic_score_codex":0.023384051,"about_ca_topic_score_gemma":0.13975123,"teacher_disagreement_score":0.9720677,"about_ca_system_score_codex":0.00070557353,"about_ca_system_score_gemma":0.0010667123,"threshold_uncertainty_score":0.999776},"labels":[],"label_agreement":null},{"id":"W2605758378","doi":"","title":"Molière, Racine, Hugo et les autres / Victor Hugo, Le dernier jour d’un condamné, étude de l'oeuvre par Chantal Saint-Jarre, Laval, Beauchemin éditeur, coll. « Parcours d’une oeuvre », 1999, 214 p., 8,95 $.","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history; Philosophy","score_opus":0.007254852213092591,"score_gpt":0.17620653011194848,"score_spread":0.1689516778988559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605758378","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.597302,0.30211014,0.000054525433,0.05437221,0.00074467313,0.0005276094,0.0016503938,0.00034073583,0.04289771],"genre_scores_gemma":[0.39220816,0.05165774,0.0003520817,0.0012621087,0.0014279197,0.000029185543,0.00040227396,0.00015012776,0.5525104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99578357,0.0004916697,0.00069870445,0.0009477546,0.00064637983,0.0014319372],"domain_scores_gemma":[0.99759585,0.00032075788,0.00040743922,0.00065150124,0.00019230679,0.0008321386],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040130274,0.0009394499,0.0010756906,0.00031301743,0.0035544455,0.00025680193,0.0008036856,0.0005839396,0.015590452],"category_scores_gemma":[0.00003275607,0.0010061599,0.00076325965,0.00043697414,0.00074528536,0.00082549127,0.00023866662,0.0009880296,0.0005464602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084621774,0.0015971393,0.0009439549,0.0003442695,0.0012604191,0.0061822403,0.038745277,0.00053966854,0.0007576962,0.09306907,0.8095286,0.046185452],"study_design_scores_gemma":[0.0022901802,0.00034475728,0.00074905396,0.00031031467,0.000726368,0.0004775583,0.0048647486,0.00090165256,0.00062686653,0.0006145129,0.9869475,0.0011465363],"about_ca_topic_score_codex":0.14360008,"about_ca_topic_score_gemma":0.1422841,"teacher_disagreement_score":0.5096127,"about_ca_system_score_codex":0.0027281647,"about_ca_system_score_gemma":0.00022503786,"threshold_uncertainty_score":0.9992389},"labels":[],"label_agreement":null},{"id":"W2606034726","doi":"","title":"Le problème du doute et de l’immortalité / Raconter et mourir. Aux sources de l’imaginaire occidental, de Thierry Hentsch, Presses de l’Université de Montréal, 431 p.","year":2003,"lang":"fr","type":"article","venue":"Spirale : Arts &#8226; Lettres &#8226; Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017963971324906805,"score_gpt":0.24169351617045415,"score_spread":0.22372954484554736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606034726","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.742722,0.06502743,0.00056367903,0.036576,0.0009547338,0.00064825104,0.00025815365,0.00036917452,0.15288062],"genre_scores_gemma":[0.8723006,0.004932141,0.0023156537,0.013750752,0.00160781,0.00010938003,0.00006645764,0.00013452255,0.10478266],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927888,0.0013393548,0.0010182752,0.0013566078,0.00093902263,0.0025579704],"domain_scores_gemma":[0.99708295,0.00046043823,0.0006309555,0.0006970941,0.0002659943,0.0008625567],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0022548025,0.0010343269,0.0009888,0.0005561001,0.0061253095,0.0019679398,0.0015515806,0.00034277572,0.0031779222],"category_scores_gemma":[0.0003666566,0.0009764359,0.00074477354,0.0004941307,0.003799569,0.003038638,0.00045858938,0.000802052,0.00013915366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021842413,0.0017021653,0.1394277,0.0005642726,0.0004898741,0.0017641064,0.1010763,0.0070062517,0.002953796,0.32607263,0.41808683,0.00063766225],"study_design_scores_gemma":[0.0012056279,0.0004998816,0.0068604588,0.00048434953,0.00039957222,0.0005044297,0.009067083,0.0009756328,0.0013379856,0.008474751,0.9688785,0.0013117392],"about_ca_topic_score_codex":0.049455535,"about_ca_topic_score_gemma":0.022313286,"teacher_disagreement_score":0.5507917,"about_ca_system_score_codex":0.00090953906,"about_ca_system_score_gemma":0.0016496798,"threshold_uncertainty_score":0.9992686},"labels":[],"label_agreement":null},{"id":"W2609243607","doi":"","title":"Trente fois moi / Paule Baillargeon, Trente tableaux, BETACAM, Canada / 2012, 81 min.","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.004754179010740723,"score_gpt":0.1330737161912402,"score_spread":0.1283195371804995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609243607","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08196568,0.5860759,0.000061549916,0.09201801,0.003564963,0.00053770863,0.0017385706,0.00017144815,0.23386616],"genre_scores_gemma":[0.06255565,0.0068068397,0.00006082185,0.0009443092,0.0007644657,0.000012180132,0.00024431123,0.000051449657,0.92855996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997315,0.00019695837,0.00041224618,0.00056767254,0.00046546524,0.0010426556],"domain_scores_gemma":[0.9981972,0.00015588588,0.00025596854,0.00050087104,0.00022259538,0.0006674833],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010506081,0.0005240982,0.0006143677,0.00020895562,0.0022081975,0.00013705679,0.00047459823,0.00020828788,0.023334453],"category_scores_gemma":[0.000014562683,0.00053578697,0.00037883373,0.00024282097,0.00023774039,0.0010348954,0.00021663774,0.00047402002,0.0009711958],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046762176,0.00018131755,0.0002129887,0.000087815715,0.0003713534,0.00094034185,0.0019711608,0.000047555193,0.000032239208,0.062809125,0.917403,0.015896348],"study_design_scores_gemma":[0.0007628408,0.00013946208,0.00026018772,0.000087366694,0.00042432084,0.0000681832,0.0023864203,0.00056193146,0.00002969075,0.00034194256,0.9943054,0.0006322595],"about_ca_topic_score_codex":0.9715989,"about_ca_topic_score_gemma":0.99329257,"teacher_disagreement_score":0.6946938,"about_ca_system_score_codex":0.0066399467,"about_ca_system_score_gemma":0.00024559454,"threshold_uncertainty_score":0.99980664},"labels":[],"label_agreement":null},{"id":"W2609650363","doi":"10.4995/xxvcoloquioafue.2016.3180","title":"Images de l’eau dans l’œuvre yourcenarienne","year":2016,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017733325949422882,"score_gpt":0.2147211244124294,"score_spread":0.1969877984630065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609650363","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014119026,0.005876878,0.0039020234,0.026370198,0.0013310642,0.00006705398,0.00022946142,0.00012474146,0.94797957],"genre_scores_gemma":[0.1690985,0.00037883478,0.0003025057,0.00061586214,0.0018697119,0.0000056172807,0.000004746135,0.000017720165,0.8277065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987929,0.00009026071,0.00025493497,0.00025356136,0.00012383844,0.00048452045],"domain_scores_gemma":[0.9992772,0.00014905898,0.000054725537,0.00023413189,0.00006634665,0.00021857108],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012794897,0.00019425157,0.0002068656,0.00006010765,0.00052198,0.00013780393,0.0001977691,0.00008266193,0.05068624],"category_scores_gemma":[0.000034701614,0.00011356725,0.00018611613,0.000045015964,0.00063084153,0.00045632993,0.00004677284,0.00007375317,0.0018641602],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001634428,0.00019505326,0.00055137294,0.000037859892,0.00006190285,0.000050743292,0.016590623,6.207141e-7,0.0013685992,0.6860945,0.27794322,0.01708914],"study_design_scores_gemma":[0.00021364423,0.00011807721,0.00023497835,0.000095866126,0.00007625417,0.000013767603,0.0016573123,0.000025732434,0.0006252575,0.005627679,0.9910622,0.000249182],"about_ca_topic_score_codex":0.0051954417,"about_ca_topic_score_gemma":0.00052410597,"teacher_disagreement_score":0.71311903,"about_ca_system_score_codex":0.00018098581,"about_ca_system_score_gemma":0.000049376707,"threshold_uncertainty_score":0.998913},"labels":[],"label_agreement":null},{"id":"W2609764830","doi":"","title":"The Journals of Knud Rasmussen : intelligence du regard / Le journal de Knud Rasmussen — Canada / Danemark 2006, 112 minutes","year":2006,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.01442811068282593,"score_gpt":0.2174445354726103,"score_spread":0.20301642478978438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609764830","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0989666,0.32433796,0.000884026,0.3234384,0.005759424,0.0004685092,0.00044968806,0.000063801985,0.24563158],"genre_scores_gemma":[0.6950136,0.0077869,0.00046135936,0.00046214514,0.0060481024,0.000013409683,0.0000130053195,0.000044806136,0.29015672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99609506,0.000861474,0.0012959488,0.00034128994,0.00051717233,0.0008890307],"domain_scores_gemma":[0.99637735,0.0015556251,0.00086178613,0.00039679278,0.00047545548,0.00033297873],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017687058,0.0004002265,0.0006370214,0.00014906934,0.0018135026,0.0006431357,0.00096927147,0.00018168193,0.0013154387],"category_scores_gemma":[0.00041488238,0.00030000263,0.00038942014,0.00027785724,0.0009769257,0.00051319075,0.00007991091,0.00083149545,0.000017050692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013227604,0.00030620405,0.012193219,0.00041663816,0.00037908237,0.0016453568,0.009735108,0.0018057199,0.00040026955,0.16822118,0.7879446,0.016820354],"study_design_scores_gemma":[0.00017181842,0.00012254762,0.0018898703,0.00070732593,0.0001807591,0.001217078,0.0039246315,0.00040411943,0.0006237839,0.012911613,0.9774576,0.00038885875],"about_ca_topic_score_codex":0.62024164,"about_ca_topic_score_gemma":0.6695969,"teacher_disagreement_score":0.596047,"about_ca_system_score_codex":0.00042925772,"about_ca_system_score_gemma":0.0015258517,"threshold_uncertainty_score":0.9999452},"labels":[],"label_agreement":null},{"id":"W2609935487","doi":"","title":"Recension du spectacle Le chant de la cigale crépite comme un feu de bois dans le cadre du Festival international de littérature - 23 septembre 2016","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège de Rosemont","funders":"","keywords":"Art; Humanities; Spectacle; Political science","score_opus":0.008215582223099236,"score_gpt":0.17335821544567917,"score_spread":0.16514263322257994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609935487","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40880936,0.06452752,0.0010821677,0.23563491,0.0020535195,0.0002851105,0.0009371124,0.00022043195,0.28644985],"genre_scores_gemma":[0.4176974,0.010865117,0.00030048215,0.0006250336,0.0021830925,0.0000029092057,0.00010130331,0.000046669225,0.568178],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830484,0.0003131782,0.00020491402,0.00038086498,0.00022963878,0.0005665446],"domain_scores_gemma":[0.99866986,0.00014434737,0.00026678338,0.00042936337,0.00013725409,0.0003524144],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00031819072,0.00031018653,0.00033583134,0.00012562744,0.004388162,0.0002869242,0.0006808745,0.00029113403,0.0007660762],"category_scores_gemma":[0.00005501307,0.0003277808,0.00030551857,0.00006440822,0.00052068155,0.0007117784,0.0003742755,0.0005019912,0.00010653947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032326428,0.00058545853,0.004591659,0.00008249906,0.00040415901,0.0067469818,0.022744412,0.00015776535,0.0013939627,0.25680435,0.6994243,0.0067411335],"study_design_scores_gemma":[0.0011293475,0.00009607785,0.005805042,0.00025892514,0.00017706647,0.00061920343,0.002837268,0.0021229198,0.00044967345,0.0023516635,0.98376274,0.00039006918],"about_ca_topic_score_codex":0.061401557,"about_ca_topic_score_gemma":0.035797898,"teacher_disagreement_score":0.28433838,"about_ca_system_score_codex":0.0037036187,"about_ca_system_score_gemma":0.00024157105,"threshold_uncertainty_score":0.99991745},"labels":[],"label_agreement":null},{"id":"W2610760184","doi":"","title":"Un ouvrage attendu qui comble un vide / Françoise Lepage, Histoire de la littérature pour la jeunesse. Québec et francophonies du Canada suivie d’un Dictionnaire des auteurs et des illustrateurs, Orléans, Éditions David, 2000, 826 p.","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.0050351577540357715,"score_gpt":0.15886360098169763,"score_spread":0.15382844322766187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610760184","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3457836,0.5102553,0.000918564,0.09312973,0.0015990004,0.00029789458,0.0020157392,0.00036163256,0.045638602],"genre_scores_gemma":[0.48857772,0.058057014,0.0002871137,0.0013903355,0.00059969514,0.000020356081,0.00030126484,0.000102550766,0.45066395],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99665153,0.00096026505,0.00043524778,0.00061877596,0.00041867828,0.00091547566],"domain_scores_gemma":[0.99778557,0.00058703497,0.00027219174,0.0004516235,0.00030652765,0.0005970561],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035546554,0.0006737768,0.0006333545,0.00023220202,0.0062778005,0.00022811716,0.0005169805,0.00039858583,0.0036895084],"category_scores_gemma":[0.00007323497,0.00071508466,0.0003941268,0.00053986645,0.0015137119,0.0010010932,0.00015685888,0.00095945044,0.00006129439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031050056,0.0011957997,0.008192097,0.00038151763,0.0009119225,0.019446457,0.05639014,0.0020871805,0.00014911474,0.12468573,0.7549411,0.031308465],"study_design_scores_gemma":[0.0011641998,0.0001137942,0.0041651414,0.0003230312,0.0005989638,0.0011021537,0.01537357,0.00026702578,0.000030816285,0.0027121345,0.9733863,0.000762867],"about_ca_topic_score_codex":0.947936,"about_ca_topic_score_gemma":0.9922347,"teacher_disagreement_score":0.45219824,"about_ca_system_score_codex":0.008765827,"about_ca_system_score_gemma":0.0013339932,"threshold_uncertainty_score":0.99953},"labels":[],"label_agreement":null},{"id":"W2611406836","doi":"","title":"Résurgences mélancoliques. Triptyque de Robert Lepage et Pedro Pires, Québec, 2013, 90 min","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.007565082172643677,"score_gpt":0.17181697736180473,"score_spread":0.16425189518916106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611406836","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05200024,0.48466313,0.0010756905,0.21577652,0.002003669,0.00036142944,0.0003184927,0.0003093134,0.24349153],"genre_scores_gemma":[0.07944191,0.01690614,0.00022386013,0.0017253101,0.001191242,0.000008348587,0.000050934363,0.000044358057,0.9004079],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769765,0.0004919648,0.00033881297,0.00047295098,0.00028436191,0.0007142799],"domain_scores_gemma":[0.9985091,0.000328554,0.00022782221,0.0003848672,0.00011562447,0.00043401786],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004418562,0.00039753353,0.00054212904,0.00022009581,0.0013419302,0.0001063773,0.0004412434,0.00023700684,0.007315356],"category_scores_gemma":[0.00004319099,0.0004080936,0.00041358668,0.00015123727,0.00034640828,0.0005682862,0.00016207175,0.00039121063,0.00059750845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012178703,0.0002124194,0.00031992202,0.00009962726,0.000153245,0.00071830756,0.0106964465,0.000105208535,0.000050821367,0.27362084,0.7009404,0.01296101],"study_design_scores_gemma":[0.0005079187,0.00019971505,0.00017184736,0.00011724326,0.0002737133,0.00010199213,0.0009450984,0.0011514357,0.000040091552,0.0018687989,0.99410325,0.0005188643],"about_ca_topic_score_codex":0.70079076,"about_ca_topic_score_gemma":0.89064974,"teacher_disagreement_score":0.6569164,"about_ca_system_score_codex":0.004290735,"about_ca_system_score_gemma":0.00021585113,"threshold_uncertainty_score":0.99995816},"labels":[],"label_agreement":null},{"id":"W2612063917","doi":"","title":"Le nouveau souffle du conte","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Computer science","score_opus":0.005236687402508139,"score_gpt":0.14054609706481236,"score_spread":0.13530940966230423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612063917","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16330115,0.07566676,0.00012982066,0.1505168,0.004536944,0.000210903,0.00034032352,0.00020265953,0.6050947],"genre_scores_gemma":[0.33816049,0.0012794511,0.000079413374,0.0005208587,0.0013819081,0.0000022303823,0.00002641879,0.000024187688,0.65852505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987953,0.00006815248,0.00019101711,0.00031509958,0.00017940464,0.00045108056],"domain_scores_gemma":[0.999051,0.00009894814,0.00012217289,0.0003148283,0.000121671925,0.00029139745],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011822032,0.00024307368,0.00030990737,0.00012393152,0.0021345217,0.000075797965,0.00031480094,0.00017868054,0.005078638],"category_scores_gemma":[0.000016284495,0.0002666903,0.0002954406,0.00009344037,0.00044120965,0.00044055365,0.00015864903,0.00044323775,0.0010916948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054759388,0.00018538804,0.0001057521,0.000027411334,0.00010735701,0.0008658748,0.00592317,0.000007115085,0.0003247879,0.7026224,0.28425393,0.005522059],"study_design_scores_gemma":[0.00065486645,0.00010488038,0.000075558826,0.000023920233,0.00016781084,0.00013047442,0.0018902568,0.00024127567,0.000071284485,0.0015739142,0.99472934,0.0003364382],"about_ca_topic_score_codex":0.0805445,"about_ca_topic_score_gemma":0.30884442,"teacher_disagreement_score":0.7104754,"about_ca_system_score_codex":0.00096826704,"about_ca_system_score_gemma":0.00008690608,"threshold_uncertainty_score":0.99997854},"labels":[],"label_agreement":null},{"id":"W2612157107","doi":"","title":"La culture au coeur de la littérature jeunesse / Lucie Guillemette et Claire Le Brun (dir.), La littérature pour la jeunesse et les études culturelles. Théorie et pratiques, Québec, Nota Bene, 2013, 228 p.","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.006781325743511244,"score_gpt":0.1909111054237874,"score_spread":0.18412977968027613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612157107","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012632835,0.54473466,0.00010310547,0.27287278,0.00032366058,0.0005136137,0.00071901764,0.00033922307,0.16776113],"genre_scores_gemma":[0.09622878,0.103561014,0.0008185362,0.003024473,0.0009925708,0.000047517216,0.0005249186,0.00015132465,0.79465085],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99405646,0.002933474,0.00054387876,0.00095319265,0.00055439136,0.00095860555],"domain_scores_gemma":[0.996728,0.0009096409,0.00048530652,0.0007410163,0.00052444416,0.0006115668],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0008827701,0.0010307186,0.00094433967,0.00023030554,0.0020443664,0.0007773475,0.0009139486,0.0017335068,0.0010377677],"category_scores_gemma":[0.00014658736,0.0008940787,0.0006907703,0.00048843725,0.000843869,0.0015907976,0.00047349982,0.002720439,0.00017045946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086073094,0.00051798957,0.00018616211,0.00023125007,0.00035753567,0.001317395,0.028514637,0.0001440537,0.00024711253,0.47230306,0.49319968,0.0028950311],"study_design_scores_gemma":[0.0013413405,0.00014226188,0.00065180426,0.0005417087,0.0005152524,0.00047075894,0.018008387,0.00014174914,0.000054548982,0.0029381562,0.9741141,0.0010799378],"about_ca_topic_score_codex":0.24523994,"about_ca_topic_score_gemma":0.64727473,"teacher_disagreement_score":0.6268897,"about_ca_system_score_codex":0.0022142497,"about_ca_system_score_gemma":0.0011190824,"threshold_uncertainty_score":0.9998754},"labels":[],"label_agreement":null},{"id":"W2612632869","doi":"","title":"Du sens de l’humain. Monique MAURY-LÉON et Pierre LÉON, La Nuit la plus courte, drame en trois actes (Toronto, éd. du GREF, 1999) Pierre LÉON, Collèges, Amours et Guerre, Souvenirs, (Chinon, Éd de L’Araignée, 1999) Pierre LÉON, Les Rognons du chat, nouvelles, (Vanier, Éditions L’Interligne, 1999)","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.005427043933560989,"score_gpt":0.18170695252889987,"score_spread":0.17627990859533887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612632869","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13343228,0.45208725,0.0033776269,0.07189207,0.0024299086,0.002971169,0.015113824,0.0020813253,0.31661454],"genre_scores_gemma":[0.46640402,0.16198038,0.001365214,0.0022408178,0.003182701,0.00015403886,0.0022735447,0.00046812216,0.36193115],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99055135,0.002596127,0.0014087867,0.0018366595,0.0010565486,0.002550554],"domain_scores_gemma":[0.9941853,0.0015405054,0.00091545883,0.001271874,0.0005173969,0.0015694513],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0014483833,0.0019738586,0.0019948059,0.00068356906,0.0056827357,0.00082855165,0.0017225074,0.0014996785,0.010513919],"category_scores_gemma":[0.00016413939,0.0021830979,0.0014897882,0.0006236006,0.0016235829,0.0024273829,0.0005765585,0.002169972,0.0003007241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084745424,0.001974163,0.0011820517,0.0002774582,0.0014651305,0.0068071513,0.06926462,0.0013929785,0.00012405455,0.16222773,0.7410255,0.013411719],"study_design_scores_gemma":[0.00333293,0.00074256933,0.002595,0.0007994185,0.0017260676,0.0023845,0.016435854,0.0037414487,0.000038182654,0.0021275238,0.96383137,0.002245138],"about_ca_topic_score_codex":0.21044217,"about_ca_topic_score_gemma":0.44065315,"teacher_disagreement_score":0.33297175,"about_ca_system_score_codex":0.011190494,"about_ca_system_score_gemma":0.0010130266,"threshold_uncertainty_score":0.99979657},"labels":[],"label_agreement":null},{"id":"W2612959760","doi":"","title":"Des bribes et des hommes. Rapailler l’Homme d’Antonio Pierre de Almeida, Québec, 2012, 76 min","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Political science","score_opus":0.017032757801019923,"score_gpt":0.18368810601318644,"score_spread":0.16665534821216652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612959760","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18975984,0.7141245,0.00023975954,0.01907291,0.0007091893,0.00015980827,0.00022046684,0.00014072313,0.075572826],"genre_scores_gemma":[0.22930215,0.023593465,0.00050946244,0.0010929344,0.0011688545,0.00000778538,0.000058861766,0.000066275665,0.7442002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99739176,0.0003423391,0.0003213686,0.00038406835,0.00028183058,0.0012786248],"domain_scores_gemma":[0.9982516,0.00027721963,0.00018747963,0.0003906794,0.000158414,0.00073460944],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003841957,0.00049564324,0.0005314877,0.00024088279,0.0024645054,0.000121413745,0.00041494722,0.00026321807,0.010953892],"category_scores_gemma":[0.000037272213,0.0005070147,0.00048140707,0.00019771067,0.0009974526,0.0018518481,0.0002479368,0.00042476517,0.00085931376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016506853,0.0007044958,0.005363535,0.00020527544,0.000497812,0.00062538846,0.09142716,0.00003361812,0.00009637792,0.11090383,0.7425081,0.047469303],"study_design_scores_gemma":[0.0006890523,0.00014898075,0.0026882957,0.00018078195,0.0005112944,0.00030811,0.0062586023,0.00008777755,0.00007198672,0.00093183055,0.987479,0.0006443001],"about_ca_topic_score_codex":0.31994355,"about_ca_topic_score_gemma":0.55046123,"teacher_disagreement_score":0.690531,"about_ca_system_score_codex":0.006094792,"about_ca_system_score_gemma":0.000139381,"threshold_uncertainty_score":0.99991864},"labels":[],"label_agreement":null},{"id":"W2613535035","doi":"","title":"La recherche théâtrale : bilan et pistes / Théâtres québécois et canadiens-français au XXe siècle, sous la direction d’Hélène Beauchamp et Gilbert David, Presses de l’Université du Québec, 436 p.","year":2004,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.06226314525600365,"score_gpt":0.2694489325018095,"score_spread":0.20718578724580586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613535035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22484227,0.02879759,0.00039229967,0.14163274,0.0013648088,0.0005247536,0.0004695204,0.0004495282,0.6015265],"genre_scores_gemma":[0.8872728,0.0042753452,0.0005643037,0.005733052,0.001250412,0.000051356958,0.00009184923,0.000085360494,0.10067556],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99542683,0.0013036884,0.0006233598,0.0009833846,0.00057837216,0.0010843416],"domain_scores_gemma":[0.9961551,0.0024265156,0.00033313798,0.00046222747,0.00020079075,0.0004222188],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0022616677,0.0006734168,0.0006401092,0.00048105355,0.0031022048,0.0009857775,0.0008502569,0.00034821333,0.0021109565],"category_scores_gemma":[0.00077844586,0.00057763985,0.0004129613,0.0005358432,0.003811478,0.001812712,0.00020212446,0.00082398666,0.000069093614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018005882,0.001708229,0.02025147,0.0005381795,0.0003995434,0.0007384997,0.4275708,0.009979971,0.00091005745,0.36736202,0.1586211,0.011740105],"study_design_scores_gemma":[0.0005209832,0.0004945085,0.004581139,0.00039614324,0.0001697344,0.000103553844,0.00468052,0.00014928593,0.0002221363,0.0039935554,0.98391414,0.00077433133],"about_ca_topic_score_codex":0.9213735,"about_ca_topic_score_gemma":0.9554432,"teacher_disagreement_score":0.825293,"about_ca_system_score_codex":0.0009538586,"about_ca_system_score_gemma":0.0021943315,"threshold_uncertainty_score":0.9996675},"labels":[],"label_agreement":null},{"id":"W2613595027","doi":"","title":"J.A. De Sève — Diffuseur d’images, Yves Lever, Montréal : Michel Brûlé, 2008, 299 pages","year":2009,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lever; Art; Humanities; Philosophy; Physics","score_opus":0.01751483000179966,"score_gpt":0.2215468974418707,"score_spread":0.20403206744007105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613595027","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1020846,0.5021402,0.00051290554,0.10240724,0.0046135155,0.0011469705,0.0016793635,0.0008465568,0.28456864],"genre_scores_gemma":[0.466303,0.017413925,0.0014583528,0.0049156966,0.006820357,0.00007381392,0.00018845542,0.00013678505,0.50268966],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934272,0.0010134458,0.0014775636,0.0013854377,0.0006792772,0.0020170459],"domain_scores_gemma":[0.9962518,0.00084372854,0.0006349848,0.0010385119,0.00033784192,0.0008931223],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00092395185,0.0011994655,0.0014527469,0.0004490517,0.0016183598,0.001181873,0.0012946436,0.00072335516,0.004067276],"category_scores_gemma":[0.00037834095,0.0011389779,0.0009738827,0.0005018101,0.0012985695,0.0014648141,0.0001694304,0.0015243689,0.0007263377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003767943,0.0017994801,0.002985677,0.0019154436,0.00064067025,0.0034579919,0.049006626,0.00015554274,0.0031244028,0.12415706,0.75812864,0.054251645],"study_design_scores_gemma":[0.0010272372,0.0007401908,0.0062948507,0.0011651821,0.0006093588,0.0003893396,0.0029703048,0.00053994637,0.0006488852,0.011789044,0.9723014,0.0015242072],"about_ca_topic_score_codex":0.015472999,"about_ca_topic_score_gemma":0.0028289554,"teacher_disagreement_score":0.48472628,"about_ca_system_score_codex":0.0005322309,"about_ca_system_score_gemma":0.00036223972,"threshold_uncertainty_score":0.999855},"labels":[],"label_agreement":null},{"id":"W2613768450","doi":"10.71781/14376","title":"Refonder le lieu théâtral et la position spectatrice entre fiction et réalité : Vilar, Brook, Grotowski et Kantor face au public","year":2006,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.032709043526211436,"score_gpt":0.2942475730399835,"score_spread":0.26153852951377204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613768450","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09627791,0.0016172864,0.00023116269,0.005072466,0.0014654361,0.0009995113,0.001134129,0.000019331668,0.89318275],"genre_scores_gemma":[0.35498527,0.00014129537,0.0005197317,0.0003482698,0.00072519033,0.000080113656,0.012910061,0.00006479293,0.6302253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966113,0.0008791333,0.00075491326,0.000798307,0.0004597877,0.00049653737],"domain_scores_gemma":[0.99849474,0.0002326606,0.0005041011,0.0003351731,0.00024042737,0.00019291366],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005842329,0.0005721342,0.00058950647,0.0002817314,0.0010618278,0.0024183532,0.00052017,0.00042373993,0.008657206],"category_scores_gemma":[0.000036518726,0.00054176286,0.00035945408,0.00019781948,0.00012557665,0.0023917088,0.0000917814,0.0007740809,0.0005701009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083367084,0.0043586046,0.00041625413,0.0005960174,0.0008600627,0.00032500905,0.34307867,0.00025228434,0.002003876,0.5354007,0.08169092,0.030183919],"study_design_scores_gemma":[0.00060497527,0.00021367124,0.0009937143,0.00024721044,0.00027521144,0.000024132305,0.012343099,0.000082319544,0.0003775492,0.0004959412,0.9836648,0.0006773404],"about_ca_topic_score_codex":0.026965968,"about_ca_topic_score_gemma":0.04524699,"teacher_disagreement_score":0.9019739,"about_ca_system_score_codex":0.00034801496,"about_ca_system_score_gemma":0.0007955327,"threshold_uncertainty_score":0.9997034},"labels":[],"label_agreement":null},{"id":"W2613915870","doi":"","title":"Paroles d’artiste : Domingo Cisneros, une pensée","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007707808209203062,"score_gpt":0.1601789943708962,"score_spread":0.15247118616169314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613915870","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11776216,0.32785183,0.00011757799,0.2538256,0.0014239132,0.00027157876,0.0003157889,0.00026829576,0.29816324],"genre_scores_gemma":[0.29660863,0.0052849166,0.00009809837,0.00107231,0.00090867816,0.0000014338026,0.00004266827,0.000019668152,0.69596356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982957,0.000113967435,0.0002869416,0.00041641493,0.00026761758,0.0006193504],"domain_scores_gemma":[0.99894524,0.000084398045,0.0001742831,0.0003619811,0.00009423681,0.00033984226],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000114769544,0.00034258436,0.00044137178,0.00016305568,0.0018338179,0.000099387915,0.00031795364,0.00016982616,0.0026323614],"category_scores_gemma":[0.000009787883,0.00036110278,0.0003585078,0.00020132816,0.00032664384,0.00046063465,0.00008768254,0.00028752847,0.0008117334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014460851,0.00021861495,0.000037696234,0.000031486008,0.00010444467,0.0019682688,0.0072200503,0.000038281687,0.00014540712,0.5507906,0.3722612,0.06703932],"study_design_scores_gemma":[0.0006800318,0.0003081896,0.00032923825,0.000090682755,0.00032244113,0.00012982015,0.0014874798,0.0002483466,0.000054614447,0.004225381,0.9916796,0.0004441498],"about_ca_topic_score_codex":0.024452498,"about_ca_topic_score_gemma":0.056144,"teacher_disagreement_score":0.61941844,"about_ca_system_score_codex":0.0028427911,"about_ca_system_score_gemma":0.000033507487,"threshold_uncertainty_score":0.99996626},"labels":[],"label_agreement":null},{"id":"W2615259299","doi":"","title":"Ici et ailleurs / Bà Nôi de Khoa Lê, Québec, 2013, 85 min","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.008056961365968023,"score_gpt":0.15938787162239024,"score_spread":0.1513309102564222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615259299","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04823798,0.32284984,0.0007920818,0.2897156,0.0016942979,0.00024412041,0.00027592707,0.00025730018,0.33593288],"genre_scores_gemma":[0.054983556,0.007805645,0.0001922853,0.0023161802,0.0009784058,0.000003962023,0.000047537935,0.00004623717,0.9336262],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807715,0.00030463835,0.00026331944,0.00042604542,0.0002578565,0.00067099225],"domain_scores_gemma":[0.99868065,0.00022000185,0.00017753462,0.00040441213,0.000105605555,0.00041180514],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025397024,0.0003596119,0.00044021857,0.00020084198,0.0013874626,0.00008571771,0.00039704549,0.00020301998,0.005574953],"category_scores_gemma":[0.000029512516,0.0003780159,0.00037704775,0.00012663017,0.00040506374,0.00046033764,0.00017476939,0.0003744459,0.0014257155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078688754,0.0001573819,0.00015511905,0.000061642844,0.00013793682,0.00044780344,0.009964035,0.00013122032,0.00003523624,0.35024014,0.6284236,0.010167215],"study_design_scores_gemma":[0.0006331426,0.00022471482,0.00015357377,0.00008917203,0.00033336703,0.00008985398,0.0016350301,0.0012328416,0.000021313383,0.0014393526,0.9936765,0.0004711661],"about_ca_topic_score_codex":0.4949639,"about_ca_topic_score_gemma":0.76426667,"teacher_disagreement_score":0.5976933,"about_ca_system_score_codex":0.004149138,"about_ca_system_score_gemma":0.00010505296,"threshold_uncertainty_score":0.9999126},"labels":[],"label_agreement":null},{"id":"W2615438126","doi":"10.71781/12737","title":"Entre le mythe et l’animal : la communication imaginée","year":2016,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.006980110162429616,"score_gpt":0.17776927189183397,"score_spread":0.17078916172940437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615438126","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0864995,0.049272425,0.00008703257,0.0049653933,0.00080845325,0.00023558,0.00029201503,0.00013546931,0.85770416],"genre_scores_gemma":[0.58076006,0.001462265,0.00011143032,0.00014556434,0.00026554073,0.000017005339,0.00058880006,0.000028263774,0.41662106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977059,0.00051652995,0.00044539492,0.0004969953,0.000462519,0.0003726612],"domain_scores_gemma":[0.9982002,0.00031808193,0.00041405228,0.00045932113,0.00035049563,0.00025786812],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00022731665,0.00045033963,0.0004145299,0.0002447512,0.014348383,0.00020172367,0.00054297794,0.0003158022,0.00071780966],"category_scores_gemma":[0.000029245653,0.00042672653,0.0004483177,0.000102185164,0.0007965304,0.00090069347,0.00015646938,0.0005094482,0.00027599925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051832554,0.00035708246,0.000654899,0.0001224874,0.00034015466,0.0005195441,0.16068745,0.000034315755,0.0032013908,0.826201,0.0049410122,0.0024223449],"study_design_scores_gemma":[0.00071295997,0.00007111752,0.0019755275,0.00046973492,0.00033623472,0.00018007544,0.039195016,0.00013550489,0.0013525747,0.001225002,0.9538084,0.00053780753],"about_ca_topic_score_codex":0.09128768,"about_ca_topic_score_gemma":0.007941313,"teacher_disagreement_score":0.94886744,"about_ca_system_score_codex":0.0025172618,"about_ca_system_score_gemma":0.0013643679,"threshold_uncertainty_score":0.99981844},"labels":[],"label_agreement":null},{"id":"W2615733763","doi":"","title":"À mort subite, vie incandescente / Mort subite d’un homme-théâtre de Jean-Claude Coulbois, Québec, 2012, 83 min","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008439754494747029,"score_gpt":0.18082848208022684,"score_spread":0.1723887275854798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615733763","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24956354,0.66047364,0.00022680088,0.040578466,0.0019240222,0.00044648268,0.000708704,0.00026877888,0.04580954],"genre_scores_gemma":[0.23252577,0.017965578,0.0001510076,0.00128534,0.0019867304,0.000011385478,0.00018777295,0.00009388054,0.74579257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99645275,0.00029197332,0.00052358466,0.00059345184,0.0005297589,0.001608482],"domain_scores_gemma":[0.9974296,0.00026553162,0.0003562224,0.0006733382,0.00019120373,0.0010841001],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039647732,0.00070384983,0.0007952851,0.00035805214,0.0022450525,0.00011938581,0.0005975518,0.00038474333,0.011077808],"category_scores_gemma":[0.00003355277,0.00075112534,0.00063967035,0.00030265824,0.00049942586,0.0015133084,0.00034658995,0.00071236375,0.0011196845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003667067,0.0011851095,0.01656464,0.00025409623,0.0008051109,0.0026443321,0.013840976,0.000055111526,0.00021694206,0.07958695,0.8725653,0.011914677],"study_design_scores_gemma":[0.0010835122,0.00016250848,0.0021361592,0.0001662712,0.000964173,0.0003045247,0.0016119558,0.00036859716,0.00013061568,0.00018907076,0.9919928,0.0008898147],"about_ca_topic_score_codex":0.2736384,"about_ca_topic_score_gemma":0.45211387,"teacher_disagreement_score":0.699983,"about_ca_system_score_codex":0.008044591,"about_ca_system_score_gemma":0.0002102038,"threshold_uncertainty_score":0.99965805},"labels":[],"label_agreement":null},{"id":"W2616415942","doi":"","title":"Domingo Cisnéros : l’enfer, le purgatoire, le paradis / Domingo Cisnéros, Le Lieu, Centre en art actuel, Québec, mai 2008","year":2009,"lang":"fr","type":"article","venue":"Inter : art actuel","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.011190539599369536,"score_gpt":0.2147156436569107,"score_spread":0.20352510405754118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616415942","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037515752,0.041856006,0.0012673032,0.21111752,0.0070046983,0.0012045364,0.00072808797,0.0006892553,0.69861686],"genre_scores_gemma":[0.44435772,0.00044523674,0.000115243754,0.0045301258,0.002341537,0.00002550379,0.00013263304,0.000078780235,0.5479732],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952283,0.00037537146,0.0013164502,0.0011107593,0.0005410767,0.0014280417],"domain_scores_gemma":[0.9972934,0.00036777803,0.00040111935,0.0010071353,0.00024422948,0.00068630767],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037383716,0.0009878565,0.0013014101,0.0003633581,0.0015299709,0.0009667101,0.0009156742,0.00040506668,0.017437825],"category_scores_gemma":[0.00013080529,0.0009280626,0.0009966228,0.0002100573,0.00080321805,0.001773429,0.00021383673,0.0010007296,0.0070068813],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032109657,0.001730533,0.00013688684,0.0001011355,0.00034877768,0.00024111541,0.027730178,0.000011964883,0.0003632469,0.07321335,0.8769052,0.018896518],"study_design_scores_gemma":[0.0019042701,0.0002843021,0.00015813371,0.00035587186,0.00018386473,0.00007029628,0.0020284576,0.00023013279,0.0011166544,0.002563026,0.9899832,0.0011217888],"about_ca_topic_score_codex":0.013158738,"about_ca_topic_score_gemma":0.011910041,"teacher_disagreement_score":0.40684196,"about_ca_system_score_codex":0.00046638155,"about_ca_system_score_gemma":0.00078166515,"threshold_uncertainty_score":0.9997699},"labels":[],"label_agreement":null},{"id":"W2616538482","doi":"","title":"Norbert Rouland, À la découverte des femmes artistes. Une histoire de genre","year":2016,"lang":"fr","type":"article","venue":"Les Cahiers de droit","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01610105793132688,"score_gpt":0.21265966218811153,"score_spread":0.19655860425678465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616538482","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61613536,0.063011974,0.008153133,0.013102391,0.002071424,0.00023676798,0.000567252,0.00028475362,0.29643697],"genre_scores_gemma":[0.33853576,0.00067538134,0.0002536575,0.00057442364,0.0007216372,0.000015213691,0.0000140223265,0.00003885387,0.65917104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980941,0.00020689487,0.00037902265,0.00037745867,0.00020110141,0.000741464],"domain_scores_gemma":[0.9987592,0.0003853093,0.0001257672,0.0003049874,0.000079261445,0.00034546407],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00023052254,0.00033192014,0.00040205562,0.00011603028,0.0013743299,0.00018048107,0.0002915881,0.00035153568,0.0023061305],"category_scores_gemma":[0.00009236883,0.000259573,0.00033624607,0.00011318628,0.0030119256,0.00039925284,0.000035778354,0.00037612906,0.00031260142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011933369,0.00028635078,0.007664491,0.00031379465,0.0002916251,0.000511935,0.042948723,0.0000095443775,0.0005816229,0.5775266,0.077512965,0.29223302],"study_design_scores_gemma":[0.00049135013,0.00012308714,0.0023782891,0.00029381228,0.00022131813,0.00007058523,0.0010867424,0.000057369525,0.00010939326,0.04260078,0.95211935,0.00044791872],"about_ca_topic_score_codex":0.008170823,"about_ca_topic_score_gemma":0.003923801,"teacher_disagreement_score":0.8746064,"about_ca_system_score_codex":0.0020749306,"about_ca_system_score_gemma":0.00010090684,"threshold_uncertainty_score":0.99998564},"labels":[],"label_agreement":null},{"id":"W2618835080","doi":"10.26522/vp.v14i1.1561","title":"Millette, Dominique. Car les dieux sont avec nous. Trois novellas","year":2017,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02569533467428491,"score_gpt":0.23907983326602478,"score_spread":0.21338449859173986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618835080","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33291966,0.085998245,0.0003191476,0.17432103,0.010465505,0.00076025,0.0028039839,0.000304177,0.39210802],"genre_scores_gemma":[0.28826466,0.002848956,0.0003071058,0.00074606104,0.006206661,0.00003207078,0.00004864439,0.00007253759,0.7014733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974581,0.00012955655,0.0006258022,0.00061934633,0.00035523888,0.00081196177],"domain_scores_gemma":[0.99781215,0.000252749,0.00040625886,0.001018891,0.00017735023,0.00033261755],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024817046,0.0005376888,0.00062081084,0.00012900411,0.004342904,0.0009912425,0.0008128534,0.00028686103,0.006640017],"category_scores_gemma":[0.00016115043,0.00046349966,0.0005589961,0.00003512001,0.001520781,0.0005535591,0.00023366646,0.0004927197,0.0010152225],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019273954,0.00075880607,0.0007562922,0.00037477963,0.00060066656,0.00052206044,0.13132031,0.00001798717,0.00016314874,0.29954305,0.5381206,0.027629517],"study_design_scores_gemma":[0.0005976137,0.00022214119,0.00036314153,0.00023908581,0.00025391256,0.00001415281,0.0014524364,0.00018139086,0.00030011672,0.0010912048,0.9946365,0.00064832665],"about_ca_topic_score_codex":0.024264283,"about_ca_topic_score_gemma":0.008568937,"teacher_disagreement_score":0.45651585,"about_ca_system_score_codex":0.000118331765,"about_ca_system_score_gemma":0.00010862722,"threshold_uncertainty_score":0.99978167},"labels":[],"label_agreement":null},{"id":"W2620253646","doi":"","title":"Le vide / Jo pour Jonathan de Maxime Giroux, Québec, 2011, 80 min","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Theology","score_opus":0.013409806504494937,"score_gpt":0.1464590369396982,"score_spread":0.13304923043520325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620253646","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043716867,0.39393196,0.0004415747,0.064245984,0.0010078079,0.00022200916,0.00024324255,0.0002086253,0.49598193],"genre_scores_gemma":[0.1343173,0.00293768,0.00042045023,0.0007074898,0.0006984946,0.0000045161405,0.000024799887,0.00004689228,0.8608424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981823,0.00017647937,0.00027904997,0.00042940356,0.00022293496,0.0007098059],"domain_scores_gemma":[0.9987786,0.00010306084,0.00018919058,0.00038825028,0.00011070822,0.00043021017],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016589262,0.00035500686,0.00040283555,0.00021960799,0.001520729,0.00005005517,0.00046866937,0.00021371574,0.014644884],"category_scores_gemma":[0.0000135929695,0.0003960083,0.0004089144,0.000089987436,0.00034672394,0.00055583357,0.00019862704,0.00032788905,0.002372309],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001760835,0.0004475982,0.00031783123,0.00006274348,0.0002645007,0.0027122777,0.021991076,0.0000062630747,0.00013564252,0.43617854,0.52520525,0.012502197],"study_design_scores_gemma":[0.0006311446,0.00016723298,0.00047810547,0.000049023976,0.0003688007,0.00018589293,0.0031056853,0.00018268963,0.00015872584,0.0036380934,0.9905455,0.00048909395],"about_ca_topic_score_codex":0.6641324,"about_ca_topic_score_gemma":0.7059667,"teacher_disagreement_score":0.46534026,"about_ca_system_score_codex":0.0038501413,"about_ca_system_score_gemma":0.00030145215,"threshold_uncertainty_score":0.9999739},"labels":[],"label_agreement":null},{"id":"W2622613302","doi":"10.4000/estampe.412","title":"La Bible de l’amateur d’estampes anciennes","year":2017,"lang":"fr","type":"article","venue":"Nouvelles de l estampe","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Amateur; Art; History; Archaeology","score_opus":0.028763145754973605,"score_gpt":0.2607121740237681,"score_spread":0.23194902826879452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622613302","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50269616,0.018632984,0.00020121415,0.0047116335,0.0019745452,0.00013723361,0.00027447412,0.00014035965,0.47123143],"genre_scores_gemma":[0.68279177,0.003457647,0.0006220215,0.00045853513,0.0018870814,0.000015803842,0.000014680036,0.000045921905,0.31070653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979165,0.00022904472,0.00035852354,0.0004007676,0.00022722034,0.00086793007],"domain_scores_gemma":[0.9982855,0.00028449387,0.00025929674,0.0006949923,0.00011853886,0.00035721427],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053211,0.00035123297,0.00039196425,0.00017956833,0.0026779606,0.001537897,0.00075116346,0.00026863872,0.0041054566],"category_scores_gemma":[0.00017944511,0.0003247387,0.00027761102,0.00006775045,0.0012597146,0.00075986184,0.00017537466,0.00043276369,0.00068455515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108646964,0.001143822,0.0069552273,0.0007768985,0.00020785596,0.00087945175,0.0980942,0.000037163478,0.0004308385,0.6722321,0.15128417,0.067849636],"study_design_scores_gemma":[0.0003721004,0.00013603471,0.0016612653,0.0002517684,0.00012323758,0.00006003756,0.004181512,0.0005391039,0.00020866212,0.0036653543,0.98836863,0.0004322905],"about_ca_topic_score_codex":0.008473716,"about_ca_topic_score_gemma":0.0018020044,"teacher_disagreement_score":0.8370845,"about_ca_system_score_codex":0.0001832664,"about_ca_system_score_gemma":0.0003306312,"threshold_uncertainty_score":0.9999205},"labels":[],"label_agreement":null},{"id":"W2622632757","doi":"","title":"Théâtre d’objets, objets de théâtre / Carrefour international de théâtre, neuvième édition, Québec, 14 au 31 mai 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009536930338662025,"score_gpt":0.16364601215982802,"score_spread":0.154109081821166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622632757","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27449733,0.103137635,0.00051874225,0.31763345,0.004378651,0.00052381173,0.0021194387,0.0005196227,0.2966713],"genre_scores_gemma":[0.09262658,0.009583893,0.00015583223,0.002056574,0.0024499507,0.000013036161,0.00030103675,0.00006901068,0.89274406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969499,0.0002493619,0.00048100046,0.0006706021,0.0005556812,0.0010934352],"domain_scores_gemma":[0.9980028,0.00020132556,0.00032830698,0.00049162656,0.0003263496,0.00064954517],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002030775,0.00059148134,0.00058642036,0.0003978188,0.0033210907,0.000104185194,0.00075604743,0.00035996299,0.008569454],"category_scores_gemma":[0.000049058857,0.0006387132,0.00062325556,0.0002461834,0.0006302631,0.00093229284,0.00026643265,0.000650872,0.0008804257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020780928,0.00043596566,0.0026155221,0.000069475456,0.0005203256,0.0069017056,0.012704416,0.0004475705,0.000040346466,0.08916539,0.8839085,0.0029829384],"study_design_scores_gemma":[0.0009815043,0.0001588075,0.0025497698,0.00014878706,0.00036349887,0.0014160394,0.0018329511,0.0008706544,0.000040460935,0.00082348794,0.9901144,0.0006996629],"about_ca_topic_score_codex":0.2590588,"about_ca_topic_score_gemma":0.37331563,"teacher_disagreement_score":0.5960728,"about_ca_system_score_codex":0.015932247,"about_ca_system_score_gemma":0.00089828746,"threshold_uncertainty_score":0.9998975},"labels":[],"label_agreement":null},{"id":"W2623398203","doi":"","title":"Les dérives de la mémoire / Mesnak d’Yves Sioui Durand, Québec, 2012, 96 min","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008961165194489149,"score_gpt":0.17492332278523035,"score_spread":0.1659621575907412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623398203","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14922127,0.6451401,0.00011673821,0.028519627,0.0007634815,0.00013887843,0.00020317399,0.00013075359,0.17576595],"genre_scores_gemma":[0.28849503,0.0074530905,0.0001850708,0.00023919082,0.0012907304,0.0000044139965,0.000028602175,0.000037399393,0.70226645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979711,0.00040681323,0.00025965134,0.00030928996,0.0002429985,0.0008101444],"domain_scores_gemma":[0.9985005,0.00044260744,0.00017303671,0.00030651485,0.0000718688,0.00050541735],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026240447,0.00038565262,0.0004384542,0.00019366009,0.002078816,0.0000889235,0.00033998216,0.00028125558,0.007702811],"category_scores_gemma":[0.00002810686,0.000382354,0.00041126477,0.000120993485,0.00066925545,0.0009966047,0.00017356015,0.00037531962,0.00053563894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000183941,0.00051357737,0.0033266542,0.00015125361,0.0003874422,0.00067224994,0.040190108,0.000028975152,0.0002390869,0.37507194,0.54196787,0.037266914],"study_design_scores_gemma":[0.00062075956,0.000090944675,0.0017830437,0.00009992859,0.00046608882,0.00017736932,0.005116913,0.0000815411,0.00007816816,0.0004553603,0.9905449,0.00048496368],"about_ca_topic_score_codex":0.24418709,"about_ca_topic_score_gemma":0.23820196,"teacher_disagreement_score":0.637687,"about_ca_system_score_codex":0.0047093253,"about_ca_system_score_gemma":0.00010343853,"threshold_uncertainty_score":0.99986285},"labels":[],"label_agreement":null},{"id":"W2623403226","doi":"","title":"Baliseur du conte au Québec / Les jours sont contés. Portraits de conteurs, de Danielle Bérard et Christian-Marie Pons, Planète rebelle/Littorale, 84 p.","year":2003,"lang":"fr","type":"article","venue":"Spirale : Arts &#8226; Lettres &#8226; Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.040345038021123485,"score_gpt":0.26401862300628465,"score_spread":0.22367358498516116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623403226","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38417974,0.15221798,0.0010018249,0.06652897,0.00787984,0.0016629458,0.0018948971,0.00075063086,0.38388318],"genre_scores_gemma":[0.78136575,0.0016720978,0.0011374303,0.011794627,0.0036057085,0.00011800676,0.00012914256,0.00016287755,0.20001434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898427,0.0016096649,0.0019854987,0.0019068241,0.0013828739,0.00327242],"domain_scores_gemma":[0.9944933,0.0016441012,0.0010597971,0.00094128493,0.00052281196,0.001338705],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0036982575,0.0014928544,0.0017288721,0.0006785354,0.008035511,0.0019082889,0.00169152,0.0005086891,0.0066753286],"category_scores_gemma":[0.001771837,0.0013347173,0.000986647,0.0006161412,0.006957386,0.0021305138,0.0002706691,0.0011722564,0.00024391328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028523398,0.0012508734,0.04520397,0.0004495071,0.00045216162,0.0013533536,0.03957997,0.0014112714,0.00048398454,0.45925,0.44700646,0.0032732259],"study_design_scores_gemma":[0.0015174713,0.0010476861,0.002111574,0.00065715367,0.0003870864,0.00020211884,0.009471856,0.00048881193,0.00025184112,0.0018991657,0.98022795,0.0017373046],"about_ca_topic_score_codex":0.26002625,"about_ca_topic_score_gemma":0.21753092,"teacher_disagreement_score":0.5332215,"about_ca_system_score_codex":0.0010184468,"about_ca_system_score_gemma":0.0037303837,"threshold_uncertainty_score":0.9997821},"labels":[],"label_agreement":null},{"id":"W2624902538","doi":"","title":"La sculpture et les mots : une histoire de cache-cache… / Sculpture and Words: A Tale of Hide and Seek…","year":2006,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Cache; Computer science; Visual arts","score_opus":0.008145932396763684,"score_gpt":0.20877205482063046,"score_spread":0.2006261224238668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624902538","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20838468,0.579248,0.0004214438,0.060022596,0.0012525588,0.0006725744,0.0010407979,0.00025015426,0.1487072],"genre_scores_gemma":[0.64252514,0.00088500354,0.000681459,0.00056092505,0.0009916851,0.000017233526,0.00009682534,0.00006916831,0.3541726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99708736,0.00061460835,0.00051982043,0.0007102904,0.00042244358,0.000645485],"domain_scores_gemma":[0.9985577,0.00024250644,0.00030574968,0.00042517702,0.00016778144,0.00030108643],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00046803785,0.0006717295,0.0008418461,0.00022023596,0.0010178096,0.00030882304,0.00024916237,0.00078615284,0.00057388924],"category_scores_gemma":[0.00008630536,0.00056785636,0.00034807346,0.00030094426,0.0018163078,0.0005497147,0.000147615,0.0012576083,0.000011828051],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002666422,0.0009782547,0.005963269,0.002643371,0.0005509896,0.00045217152,0.20065418,0.00036085016,0.0015097193,0.63580614,0.13773318,0.013081215],"study_design_scores_gemma":[0.0008410543,0.0001503011,0.005743202,0.000661053,0.00047245092,0.00011909649,0.0077303257,0.0002199247,0.000053388958,0.0024028053,0.9809411,0.000665276],"about_ca_topic_score_codex":0.01075645,"about_ca_topic_score_gemma":0.008383653,"teacher_disagreement_score":0.84320796,"about_ca_system_score_codex":0.00016649782,"about_ca_system_score_gemma":0.00012597433,"threshold_uncertainty_score":0.9996773},"labels":[],"label_agreement":null},{"id":"W2625658290","doi":"","title":"Jacques Prud’homme, le Power Glove et le conte québécois / Épique de William S. Messier. Marchand de feuilles, 276 p.","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011700131760704184,"score_gpt":0.16575949138564955,"score_spread":0.15405935962494535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625658290","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10987154,0.32895797,0.00078129326,0.040458586,0.0005826732,0.00041235815,0.000558163,0.00024679824,0.5181306],"genre_scores_gemma":[0.32897186,0.010884372,0.00070637296,0.0014706096,0.00031116145,0.000010481855,0.000040716157,0.00006771533,0.6575367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997677,0.00042715226,0.0003203648,0.00049229764,0.00022962906,0.0008535218],"domain_scores_gemma":[0.9985279,0.00016545231,0.0002363714,0.0004126659,0.00016365085,0.00049398467],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035624357,0.00043747635,0.0005409594,0.00020013847,0.0013974475,0.00007998421,0.00047112576,0.00029124954,0.0036742114],"category_scores_gemma":[0.0000328559,0.00046862583,0.0004140978,0.00013972945,0.0006294227,0.0007514251,0.0002501967,0.00045374464,0.00016376932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003329038,0.0005332368,0.0002287655,0.0001015807,0.00038343,0.002093868,0.045693304,0.0000082198085,0.000072575654,0.7047624,0.24162169,0.0041680303],"study_design_scores_gemma":[0.001045414,0.00030862246,0.00061293796,0.00016291883,0.00023571643,0.00020266489,0.006762615,0.000062297746,0.0002563765,0.008757773,0.981021,0.00057164865],"about_ca_topic_score_codex":0.51555216,"about_ca_topic_score_gemma":0.49463388,"teacher_disagreement_score":0.7393993,"about_ca_system_score_codex":0.0035823244,"about_ca_system_score_gemma":0.00046593792,"threshold_uncertainty_score":0.9999026},"labels":[],"label_agreement":null},{"id":"W2626050606","doi":"","title":"Des contes centricois / Jean-Pierre April, Méchantes menteries et vérités vraies, Québec, Septentrion, coll. « Hamac », 2015, 166 p.","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics","score_opus":0.011745202587340409,"score_gpt":0.18187637851745186,"score_spread":0.17013117593011146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626050606","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009992469,0.819241,0.0008398384,0.15286762,0.004110197,0.00039824762,0.0017386221,0.0002827097,0.010529326],"genre_scores_gemma":[0.03959547,0.11709802,0.00012537504,0.00062750094,0.0015863744,0.000013922584,0.00007885408,0.00006784673,0.84080666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99706227,0.0003534844,0.0005018952,0.00065987714,0.0004641305,0.00095835165],"domain_scores_gemma":[0.99738663,0.00089308666,0.00034416464,0.00047013923,0.0004132304,0.0004927474],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026525176,0.00060949574,0.00072539976,0.00031403467,0.002363109,0.0001840847,0.0005217355,0.00027414522,0.010861705],"category_scores_gemma":[0.0001645286,0.0004963235,0.00051663676,0.00023661347,0.001085386,0.0012659298,0.00036486652,0.00029714746,0.0007752205],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034272636,0.00037353748,0.00100647,0.0001365584,0.0005902137,0.0010923928,0.011918945,0.0000065047393,0.0003506932,0.11201327,0.851097,0.021071704],"study_design_scores_gemma":[0.001571206,0.00039113426,0.0001410008,0.0004876189,0.0004719184,0.00007822645,0.004624962,0.000055791283,0.00019561428,0.0010241016,0.99026734,0.00069111085],"about_ca_topic_score_codex":0.16127513,"about_ca_topic_score_gemma":0.52855533,"teacher_disagreement_score":0.8302773,"about_ca_system_score_codex":0.0045432914,"about_ca_system_score_gemma":0.0001779992,"threshold_uncertainty_score":0.9997488},"labels":[],"label_agreement":null},{"id":"W2626399223","doi":"10.7202/1039907ar","title":"De la lecture de César à l’écriture textuelle","year":2017,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.021807192199318096,"score_gpt":0.268790436588529,"score_spread":0.24698324438921093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626399223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011853867,0.086936444,0.0006051573,0.006553464,0.001200088,0.00007686963,0.00013669966,0.000052888565,0.8925845],"genre_scores_gemma":[0.5974102,0.00085735775,0.00028468773,0.0009064417,0.002464778,0.000005871835,0.0000041595595,0.000015594755,0.39805087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903494,0.00013099592,0.00013074205,0.00020575053,0.00012109775,0.0003764443],"domain_scores_gemma":[0.9991926,0.00010795985,0.00009179629,0.00041104536,0.000041240914,0.00015534999],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021350857,0.00016475195,0.00017469769,0.000027866292,0.0018859933,0.00066997495,0.0004619125,0.00016340123,0.008421837],"category_scores_gemma":[0.00012043866,0.00014457438,0.00012666297,0.000019116653,0.0008349271,0.00031613332,0.000067142566,0.00035482834,0.00031181207],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003024566,0.00020931498,0.0021391422,0.00019893606,0.000084425454,0.00043793264,0.039211445,0.000027718916,0.00043917255,0.72276783,0.1874408,0.04701304],"study_design_scores_gemma":[0.000088364206,0.000050621136,0.0007179852,0.00010341693,0.00007836139,0.000029126344,0.00023911017,0.00018629548,0.00015143455,0.010992572,0.9871637,0.00019901493],"about_ca_topic_score_codex":0.0028960758,"about_ca_topic_score_gemma":0.00019170406,"teacher_disagreement_score":0.7997229,"about_ca_system_score_codex":0.00009371705,"about_ca_system_score_gemma":0.000087106084,"threshold_uncertainty_score":0.99941343},"labels":[],"label_agreement":null},{"id":"W2628863826","doi":"","title":"L’ordre du monde est-il celui de la pensée ? / Christine DUMITRIU VAN SAANEN, La saga cosmique, Ottawa, Éditions du Vermillon, 2003, 100 p. (Coll. Science)","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.006853170119819956,"score_gpt":0.173624686495078,"score_spread":0.16677151637525806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2628863826","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12402864,0.10728944,0.0006423974,0.05968438,0.0021924437,0.0007440778,0.0013201883,0.00044482975,0.7036536],"genre_scores_gemma":[0.40240118,0.01889674,0.00055993575,0.0007856241,0.001014673,0.00001732897,0.000100861194,0.00007702486,0.57614666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966539,0.000614102,0.00041074454,0.00073287997,0.00051518285,0.0010731708],"domain_scores_gemma":[0.99738914,0.00043830814,0.0002874105,0.00053234526,0.0006004133,0.00075241027],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000855857,0.0005422927,0.0005788703,0.00051808724,0.0054197274,0.00028881175,0.00063632295,0.00031353926,0.005884354],"category_scores_gemma":[0.00030756876,0.0005957326,0.00034476173,0.0010500029,0.0026645665,0.00088866125,0.00018537596,0.0006257492,0.0005001285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047680598,0.00042456726,0.0004477194,0.00005062321,0.00010117797,0.0031162412,0.0028249116,0.00018901266,0.00014575546,0.47660357,0.5149849,0.0010638488],"study_design_scores_gemma":[0.0012199268,0.00022624547,0.00074839947,0.000104944265,0.00045985417,0.0008627696,0.0019238768,0.0006255263,0.00010289326,0.00426765,0.98875827,0.0006996629],"about_ca_topic_score_codex":0.023717947,"about_ca_topic_score_gemma":0.0152510265,"teacher_disagreement_score":0.47377336,"about_ca_system_score_codex":0.0055163237,"about_ca_system_score_gemma":0.00062969764,"threshold_uncertainty_score":0.9996494},"labels":[],"label_agreement":null},{"id":"W26292719","doi":"10.1021/jacs.5b06737","title":"Le Québec en autoreprésentation : le passage d’une dramaturgie de l’identitaire à celle de l’individu","year":2009,"lang":"en","type":"dissertation","venue":"Journal of the American Chemical Society","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Japan Society for the Promotion of Science","keywords":"Humanities; Art","score_opus":0.00773797816172358,"score_gpt":0.23985014507242305,"score_spread":0.23211216691069947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W26292719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97336864,0.000914752,0.00003218084,0.006646888,0.00042321414,0.00007651107,0.000016037724,0.00003259274,0.018489186],"genre_scores_gemma":[0.97110987,0.00017463899,0.00042780105,0.0011177243,0.0016963043,0.000004037621,0.00006586896,0.000031571264,0.025372213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861604,0.00010708918,0.00048631665,0.00015656637,0.00037631474,0.00025769018],"domain_scores_gemma":[0.99839216,0.00013476414,0.0010498128,0.00016890331,0.00013796832,0.00011640582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002317764,0.00020501093,0.00046320274,0.00003158335,0.0004524897,0.0001455424,0.0005289938,0.00010387593,0.00011494131],"category_scores_gemma":[0.000071593946,0.00014804778,0.0011090592,0.00012132305,0.0002493882,0.00019868993,0.000028251194,0.00076945126,0.0000052814617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028920468,0.0010841248,0.0005633268,0.00026199452,0.001283154,0.000045312645,0.32081398,0.00006415495,0.16177747,0.006073197,0.49647886,0.0112652285],"study_design_scores_gemma":[0.00074919424,0.00020756015,0.0031080113,0.00037606346,0.0006856524,0.000050755825,0.08058018,0.000110892244,0.019923076,0.00649828,0.8870372,0.0006730942],"about_ca_topic_score_codex":0.023982743,"about_ca_topic_score_gemma":0.0015243081,"teacher_disagreement_score":0.39055836,"about_ca_system_score_codex":0.00041139685,"about_ca_system_score_gemma":0.0010910423,"threshold_uncertainty_score":0.98251665},"labels":[],"label_agreement":null},{"id":"W2647236297","doi":"10.33137/rr.v33i4.15985","title":"De statu primi hominis ante lapsum disputatio","year":2011,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03654430059411395,"score_gpt":0.22416336996447517,"score_spread":0.1876190693703612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2647236297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44902405,0.0013347283,0.00092066935,0.00025498954,0.00032824327,0.0001259736,0.000031142863,0.000121693294,0.54785854],"genre_scores_gemma":[0.99472153,0.0000971098,0.00016392262,0.00018727955,0.00013807263,0.000006340966,0.000021400736,0.0000046306523,0.0046597184],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995966,0.00001791736,0.00013863789,0.00007102741,0.00006172318,0.00011408644],"domain_scores_gemma":[0.9997937,0.0000074061154,0.00006032975,0.00006363175,0.000029590285,0.000045311295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006484083,0.00006389048,0.00008139235,0.000043651948,0.00022726989,0.000048777936,0.000040234958,0.000021785478,0.00031440836],"category_scores_gemma":[0.000005225084,0.00004191693,0.000026501515,0.000023032966,0.00008539361,0.00059806136,0.000009457889,0.000052657946,0.00004114569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012532184,0.00017162321,0.0024078428,0.00031802864,0.00007031486,0.000012659265,0.5430733,0.0000034041943,0.00027342644,0.37116712,0.029372951,0.053003985],"study_design_scores_gemma":[0.00017692523,0.00010023869,0.004438357,0.000045821016,0.000021796937,0.000004090948,0.0018081601,0.00031202624,0.00039692904,0.0035619135,0.9889853,0.00014842355],"about_ca_topic_score_codex":0.00017426173,"about_ca_topic_score_gemma":0.000043650274,"teacher_disagreement_score":0.95961237,"about_ca_system_score_codex":0.000018126853,"about_ca_system_score_gemma":0.000009536724,"threshold_uncertainty_score":0.34425512},"labels":[],"label_agreement":null},{"id":"W2664383790","doi":"","title":"Mordre à l’hameçon. Charles Bolduc, Les truites à mains nues, Leméac, 2012, 144 p.Charles Bolduc, Les truites à mains nues, Leméac, 2012, 144 p.","year":2012,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mains electricity; Art; Physics; Power (physics)","score_opus":0.03366617809704689,"score_gpt":0.24083249426646272,"score_spread":0.20716631616941583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2664383790","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.083316036,0.74441355,0.00014693536,0.020575415,0.009064961,0.0013398431,0.0055003236,0.0010492167,0.13459373],"genre_scores_gemma":[0.11801742,0.03127659,0.0009645285,0.0017800062,0.01875846,0.00024139056,0.001241157,0.0004873388,0.82723314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9899746,0.000984361,0.002306695,0.0017883983,0.001242024,0.003703919],"domain_scores_gemma":[0.9940791,0.0011888059,0.0010301074,0.0017135026,0.00038828785,0.0016001954],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.000980182,0.0022139223,0.002389179,0.0008404572,0.003646805,0.0014788874,0.00164992,0.0011084815,0.04624195],"category_scores_gemma":[0.00023096915,0.0020181185,0.0015812574,0.0005565658,0.0022437489,0.0060089775,0.0005916723,0.0018417514,0.0037191913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018575929,0.0023299376,0.005133718,0.00087641156,0.0008667109,0.00011352491,0.03367729,0.00001552334,0.0006277743,0.34834525,0.55938846,0.048439667],"study_design_scores_gemma":[0.0012243321,0.00043193228,0.0025088994,0.00083090004,0.0009622195,0.000097409924,0.005993916,0.0000994694,0.0007608404,0.004917828,0.97959065,0.002581597],"about_ca_topic_score_codex":0.009305992,"about_ca_topic_score_gemma":0.005386226,"teacher_disagreement_score":0.713137,"about_ca_system_score_codex":0.00049748353,"about_ca_system_score_gemma":0.00033366206,"threshold_uncertainty_score":0.9995577},"labels":[],"label_agreement":null},{"id":"W2693819869","doi":"10.4000/books.septentrion.12482","title":"Découpage, mon beau souci. Réfractions de la lanterne magique et du théâtre féérique","year":2016,"lang":"fr","type":"book-chapter","venue":"Presses universitaires du Septentrion eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.011552418539763956,"score_gpt":0.2074134732807575,"score_spread":0.19586105474099352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2693819869","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021079425,0.002353354,0.0016451239,0.004982584,0.0007278274,0.00041767876,0.00096502586,0.00030202806,0.9864984],"genre_scores_gemma":[0.33545822,0.0028596658,0.000055682158,0.00042519558,0.0012466135,0.000010684658,0.00012497144,0.00009198814,0.659727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971937,0.0005205278,0.000542485,0.0007498754,0.0003956257,0.00059777685],"domain_scores_gemma":[0.9969976,0.001248112,0.0004983295,0.00051680196,0.00035987553,0.0003792651],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031623742,0.0007880225,0.0007215871,0.00049279915,0.0015947536,0.00049639033,0.00062181917,0.00066163106,0.011500007],"category_scores_gemma":[0.00006707705,0.00068732764,0.0007826147,0.000021941241,0.0014375707,0.0007210982,0.00034121386,0.0009871892,0.00050423754],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025402074,0.0001975388,0.00024205797,0.0002108058,0.00079101085,0.0013562011,0.006293194,0.00003775176,0.00015045403,0.96203274,0.023632815,0.00480141],"study_design_scores_gemma":[0.0007274374,0.00020361328,0.00006465967,0.0008237703,0.0007516837,0.000111478366,0.0005790919,0.000082823055,0.000090631554,0.01742361,0.9783372,0.0008039633],"about_ca_topic_score_codex":0.0018263828,"about_ca_topic_score_gemma":0.00060965744,"teacher_disagreement_score":0.9547044,"about_ca_system_score_codex":0.00051809114,"about_ca_system_score_gemma":0.00029642458,"threshold_uncertainty_score":0.999705},"labels":[],"label_agreement":null},{"id":"W2725169083","doi":"","title":"Newfoundland grotesque / Du ventre de la baleine de Michael Crummey, traduit de l’anglais par Lori Saint-Martin et Paul Gagné, Éditions du Boréal, 448 p.","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.0052322156316481,"score_gpt":0.1635935110960835,"score_spread":0.1583612954644354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725169083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5310147,0.0671347,0.006728353,0.3109718,0.0010022518,0.00047593427,0.001243453,0.0003988679,0.08102995],"genre_scores_gemma":[0.82970643,0.009229717,0.0006086133,0.0030555686,0.0029195473,0.00002249352,0.00031413746,0.00009418471,0.15404928],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99700856,0.00084082293,0.00035455154,0.0004829911,0.0002588269,0.0010542222],"domain_scores_gemma":[0.99788964,0.0006659682,0.0002305673,0.00039360867,0.00012353594,0.0006966567],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00070601975,0.0004606737,0.00051918626,0.00023947819,0.002246471,0.000223006,0.0004175543,0.00032164622,0.0030799324],"category_scores_gemma":[0.00013363973,0.0005085341,0.00046078133,0.00020750522,0.000532388,0.0005031636,0.00014929674,0.0005615691,0.00024836403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017090478,0.0005627342,0.010862875,0.00012428213,0.00027849214,0.002589026,0.008108398,0.0002721996,0.00014263527,0.44946903,0.5252976,0.0021218227],"study_design_scores_gemma":[0.0013035476,0.00030441573,0.0026679037,0.00017446654,0.00057811406,0.0006188519,0.0010618996,0.0036309008,0.000028573771,0.008722914,0.98034525,0.00056317606],"about_ca_topic_score_codex":0.13430898,"about_ca_topic_score_gemma":0.15568677,"teacher_disagreement_score":0.45504764,"about_ca_system_score_codex":0.008537856,"about_ca_system_score_gemma":0.00018779375,"threshold_uncertainty_score":0.9997366},"labels":[],"label_agreement":null},{"id":"W2728404851","doi":"","title":"Franchir les murs du silence / Les Innocentes d’Anne Fontaine","year":2016,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01859456341952108,"score_gpt":0.20570528275135397,"score_spread":0.18711071933183288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2728404851","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22706187,0.6080968,0.0006741307,0.04099722,0.0035904946,0.0002606638,0.0007195442,0.00026668815,0.1183326],"genre_scores_gemma":[0.60773844,0.006253538,0.00009592092,0.0003691446,0.0036489519,0.000018986773,0.000017998196,0.000036754158,0.38182026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981845,0.00013499365,0.00047981585,0.00044462687,0.00023995136,0.0005161212],"domain_scores_gemma":[0.99872893,0.0004123811,0.00015747144,0.00031068345,0.0002048696,0.00018563805],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015048355,0.00037261358,0.0004281003,0.00013460041,0.0011038851,0.0001511463,0.0003424742,0.00014943194,0.021743568],"category_scores_gemma":[0.00014545734,0.00024602326,0.0002582047,0.000091095775,0.0010425581,0.0003780181,0.000088441215,0.00019758914,0.00080089824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009022261,0.00045847858,0.005373768,0.00022645261,0.00016405701,0.000095722666,0.009587028,0.0000031191896,0.00034904823,0.45139557,0.39116514,0.14109139],"study_design_scores_gemma":[0.00047337802,0.00024002932,0.0008912637,0.0006573655,0.00009197356,0.0000120621335,0.002989165,0.000014844496,0.00026424607,0.0025111844,0.9914354,0.00041909987],"about_ca_topic_score_codex":0.004244981,"about_ca_topic_score_gemma":0.00052476436,"teacher_disagreement_score":0.60184324,"about_ca_system_score_codex":0.000078478966,"about_ca_system_score_gemma":0.00004510114,"threshold_uncertainty_score":0.9999992},"labels":[],"label_agreement":null},{"id":"W272848902","doi":"10.4000/ahrf.13123","title":"Stefano Simiz (éd.), La parole publique en ville des Réformes à la Révolution","year":2014,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art; Political science; Philosophy","score_opus":0.012951256225485892,"score_gpt":0.2309597408641989,"score_spread":0.218008484638713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W272848902","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029778752,0.46947137,0.006393162,0.0029843566,0.0020642816,0.00038793168,0.00025569435,0.0006731479,0.4879913],"genre_scores_gemma":[0.61380136,0.015440595,0.0010780174,0.0011342117,0.0038671384,0.0001401185,0.00017755161,0.00013203094,0.364229],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940007,0.002885078,0.0008759298,0.00071000843,0.00060181675,0.0009265046],"domain_scores_gemma":[0.99647725,0.001404812,0.00037719097,0.000553889,0.00068365724,0.00050319685],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00228764,0.0006741525,0.0007413345,0.00044073997,0.0013747851,0.00045037793,0.00051995483,0.0007971451,0.0017429583],"category_scores_gemma":[0.00077278615,0.0006800968,0.0005634769,0.00030098867,0.002344203,0.001836525,0.00012184805,0.00091261585,0.00028199347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017287023,0.0007568124,0.00060827803,0.0005417524,0.00015024618,0.000049299128,0.055314645,0.00013636494,0.00012252212,0.17812586,0.7488916,0.01512978],"study_design_scores_gemma":[0.00062709756,0.00033998818,0.0006605837,0.00037683148,0.00023301224,0.000070805916,0.0004878593,0.00216258,0.00005620366,0.00817002,0.98601395,0.00080105587],"about_ca_topic_score_codex":0.010149451,"about_ca_topic_score_gemma":0.0031152098,"teacher_disagreement_score":0.5840226,"about_ca_system_score_codex":0.0016302522,"about_ca_system_score_gemma":0.00041790926,"threshold_uncertainty_score":0.9999253},"labels":[],"label_agreement":null},{"id":"W2731797925","doi":"","title":"Jean-Paul Riopelle : les années dionysiaques / Jean-Paul Riopelle, catalogue raisonné, tome 2, 1954-1959, Acatos/Hibou éditeurs, 2004, 495 p.","year":2004,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03737611592492632,"score_gpt":0.24787210244999006,"score_spread":0.21049598652506374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2731797925","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12161971,0.7337822,0.0010289053,0.030036671,0.00796491,0.001387957,0.0055687013,0.00097468373,0.09763629],"genre_scores_gemma":[0.59751695,0.023021763,0.0006723544,0.0014645655,0.0070923264,0.00009878678,0.0020862778,0.0002537437,0.36779323],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945865,0.00032239413,0.0013890119,0.0013065975,0.0007675691,0.0016279295],"domain_scores_gemma":[0.9968721,0.0005304316,0.0004510771,0.0010341369,0.0003340371,0.00077817193],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000477631,0.0011684564,0.0012986682,0.00051192864,0.003685651,0.0009840659,0.00089292554,0.00045342802,0.009108705],"category_scores_gemma":[0.00025583128,0.0010673358,0.00087287376,0.00054064114,0.002261449,0.0019350329,0.00031201832,0.00090143154,0.0041263187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047139474,0.005408505,0.0010517415,0.0022247576,0.0014131188,0.0031228946,0.07833669,0.0027928879,0.00051904796,0.2558044,0.54392266,0.10493192],"study_design_scores_gemma":[0.0010872338,0.0005979174,0.00012817785,0.0009394267,0.0004079631,0.00008406093,0.0015351159,0.00008154374,0.00093836914,0.0081939,0.9846287,0.0013776091],"about_ca_topic_score_codex":0.01999912,"about_ca_topic_score_gemma":0.020833876,"teacher_disagreement_score":0.7107604,"about_ca_system_score_codex":0.0004284034,"about_ca_system_score_gemma":0.00020865997,"threshold_uncertainty_score":0.9991777},"labels":[],"label_agreement":null},{"id":"W2734465193","doi":"","title":"Un maître chez nous / Monsieur Lazhar de Philippe Falardeau, Québec, 2011, 94 min","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.010397604497328539,"score_gpt":0.14295419102187087,"score_spread":0.13255658652454233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734465193","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.108600914,0.6289005,0.00010011553,0.027771207,0.0010328165,0.00027958414,0.0004513921,0.00023530117,0.23262815],"genre_scores_gemma":[0.10801666,0.00935094,0.00032675764,0.0007158809,0.00075834803,0.000006500319,0.00004331682,0.00006255001,0.88071907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787354,0.00020065407,0.00031467347,0.0005187294,0.00025939321,0.00083298975],"domain_scores_gemma":[0.99857926,0.00009576379,0.00021049206,0.0004860508,0.00013153157,0.0004968875],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016778552,0.0004524286,0.00049374683,0.00022439579,0.0015663283,0.00005217208,0.00051483593,0.0002765871,0.028383289],"category_scores_gemma":[0.0000112873295,0.0004880967,0.00046494685,0.00012162798,0.00040706355,0.0004577284,0.00023126244,0.00042770605,0.0026159957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033339605,0.0009622645,0.0012289274,0.00018039861,0.00048706384,0.0068944977,0.07612859,0.000015781981,0.00014036652,0.100051865,0.7845279,0.029048927],"study_design_scores_gemma":[0.00073349866,0.00025393546,0.0004353227,0.000051367722,0.0005289376,0.00015814358,0.002798679,0.00015227424,0.00020918812,0.0010209051,0.9930745,0.0005832488],"about_ca_topic_score_codex":0.3964166,"about_ca_topic_score_gemma":0.35075152,"teacher_disagreement_score":0.6480909,"about_ca_system_score_codex":0.0036361874,"about_ca_system_score_gemma":0.0001528853,"threshold_uncertainty_score":0.99975705},"labels":[],"label_agreement":null},{"id":"W2734689920","doi":"","title":"Qu'est-ce qui n'est pas barbare dans la modernité ? La réponse de Maurras","year":2012,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.023147566974452034,"score_gpt":0.22470440214587795,"score_spread":0.20155683517142592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734689920","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096682526,0.010110728,0.028136041,0.011253933,0.0007086289,0.00049194106,0.0006906308,0.00040959916,0.85151595],"genre_scores_gemma":[0.81905633,0.0016233948,0.0038069284,0.00031241335,0.00029888013,0.0001179321,0.0007512004,0.00010468779,0.1739282],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9831237,0.013616291,0.0009012067,0.00094353105,0.0005713457,0.00084388925],"domain_scores_gemma":[0.9914555,0.0037340284,0.0005848187,0.0022057176,0.001396602,0.00062335806],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0054049375,0.0007214333,0.00072802574,0.00022707171,0.0016000888,0.001185858,0.0016630935,0.0005647894,0.002714722],"category_scores_gemma":[0.0009435001,0.00073092873,0.00058974803,0.00021412583,0.0013233158,0.0004970113,0.0010616562,0.0014170122,0.00039864614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003588086,0.0014117603,0.0015354302,0.00029348716,0.00017861994,0.000034897243,0.16787101,0.00016583012,0.00050466467,0.81633055,0.0048504085,0.006787444],"study_design_scores_gemma":[0.00041408988,0.0000012112905,0.0015422422,0.0017230108,0.00030210236,0.000062722036,0.00239269,0.0063394643,0.0011907022,0.0063098785,0.9788389,0.0008829438],"about_ca_topic_score_codex":0.019768447,"about_ca_topic_score_gemma":0.008637467,"teacher_disagreement_score":0.97398853,"about_ca_system_score_codex":0.0004095905,"about_ca_system_score_gemma":0.0005959521,"threshold_uncertainty_score":0.999851},"labels":[],"label_agreement":null},{"id":"W2735582623","doi":"10.18192/rceh.v41i1.2045","title":"Abriendo caminos poéticos: de Boscán y Garcilaso en sus Obras (1543) a Wordsworth y Coleridge en las Lyrical Ballads (1798)","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Ballad; Poetry; Literature","score_opus":0.013920370443916898,"score_gpt":0.22976539588197217,"score_spread":0.21584502543805528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735582623","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98140866,0.009029991,0.00021257799,0.002404265,0.0007205246,0.0008718722,0.0012961361,0.00022538699,0.0038305803],"genre_scores_gemma":[0.975378,0.001966759,0.00011208773,0.0015273936,0.002685099,0.00016976027,0.00004913201,0.00015989231,0.017951928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99296045,0.0012745152,0.0013994275,0.0013444669,0.0007243017,0.002296824],"domain_scores_gemma":[0.99450606,0.0019166532,0.00048967876,0.0011169601,0.00036588882,0.0016047327],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010715213,0.0010807663,0.0016658176,0.00045764502,0.0011499868,0.00087204686,0.0009935013,0.00042571328,0.002959155],"category_scores_gemma":[0.0011998528,0.00084351783,0.000761415,0.00035007476,0.000934152,0.00045075157,0.00029280476,0.0007526276,0.0006101539],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027074793,0.00049726956,0.011654808,0.00051429245,0.0006968558,0.0023380169,0.013468658,0.000005964476,0.0002598643,0.8948545,0.06828252,0.0071565052],"study_design_scores_gemma":[0.0013531256,0.00063827535,0.008361166,0.0009108964,0.0007901375,0.00023196134,0.00082171866,0.0001261049,0.00003871529,0.00006522601,0.98541707,0.0012456073],"about_ca_topic_score_codex":0.0030744337,"about_ca_topic_score_gemma":0.007483969,"teacher_disagreement_score":0.9171345,"about_ca_system_score_codex":0.0034592454,"about_ca_system_score_gemma":0.0015696739,"threshold_uncertainty_score":0.99940157},"labels":[],"label_agreement":null},{"id":"W2736328501","doi":"","title":"Humour et démesure. Le grotesque à l’oeuvre / La tête au ventre, Galerie Leonard et Bina Ellen de l’Université Concordia, Montréal. 18 janvier - 24 février 2007","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010238765539957959,"score_gpt":0.18510089841029004,"score_spread":0.1748621328703321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736328501","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.088382974,0.19270705,0.0012876086,0.05419616,0.0019926252,0.00057000277,0.0007517872,0.0001983858,0.6599134],"genre_scores_gemma":[0.12296029,0.01596274,0.00034783687,0.0015547903,0.0010670546,0.000005508941,0.00019141739,0.00011379963,0.85779655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961098,0.0006294672,0.0005284619,0.0007870288,0.0005416757,0.0014035974],"domain_scores_gemma":[0.9973827,0.0005320453,0.000396999,0.00060525286,0.00023531196,0.0008477094],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010745522,0.00073154137,0.0008253927,0.00046912627,0.0022267674,0.00014926563,0.00063165807,0.0005496169,0.012848717],"category_scores_gemma":[0.000044178556,0.00084022153,0.0007624323,0.00036583233,0.00064236805,0.0010485603,0.00038827315,0.0009976053,0.00073778623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007143157,0.0006005136,0.0013185148,0.000112040056,0.00062766275,0.0114607895,0.023031397,0.00025279057,0.00012185645,0.3305606,0.62084323,0.010356304],"study_design_scores_gemma":[0.00208918,0.0003069843,0.0027192736,0.0001937312,0.00054000854,0.00033162077,0.008607604,0.00017516525,0.00007098799,0.0012671768,0.9827577,0.0009405665],"about_ca_topic_score_codex":0.14657664,"about_ca_topic_score_gemma":0.18535942,"teacher_disagreement_score":0.3619145,"about_ca_system_score_codex":0.0061571365,"about_ca_system_score_gemma":0.00042345352,"threshold_uncertainty_score":0.99940485},"labels":[],"label_agreement":null},{"id":"W2736822325","doi":"","title":"Ombres de Thucydide. La réception de l'historien depuis l'Antiquité jusqu'au début du XXe siècle, Actes des colloques de Bordeaux (16-17 mars 2007\"; 30-31 mai 2008) et de Toulouse (23-25 octobre 2008)","year":2010,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; History","score_opus":0.014189505255765804,"score_gpt":0.23807699560458773,"score_spread":0.2238874903488219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736822325","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43704575,0.012621652,0.034618143,0.021964863,0.001509814,0.0011133172,0.0012221498,0.000859965,0.48904434],"genre_scores_gemma":[0.5331342,0.014707647,0.030727593,0.0014945501,0.0010338642,0.0003311865,0.0017130265,0.0002484356,0.4166095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98678803,0.008637094,0.0012027753,0.0012162627,0.00063934445,0.0015164908],"domain_scores_gemma":[0.9905378,0.0032100833,0.0009298032,0.0019670883,0.002495361,0.00085986324],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.008164421,0.000960345,0.00096429477,0.00043261124,0.0028838615,0.0017362079,0.0020707962,0.001002374,0.0044791885],"category_scores_gemma":[0.002922509,0.0010210247,0.0007081534,0.0003663472,0.0019858733,0.00079499296,0.0009925046,0.0020181783,0.00017069413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020844936,0.0033634342,0.040549953,0.00088566367,0.00057777495,0.00012664248,0.24609211,0.00020689433,0.004564128,0.45379978,0.23074004,0.01888512],"study_design_scores_gemma":[0.0006402181,0.000007127433,0.015595516,0.0016954667,0.00038667175,0.00008854981,0.0012583551,0.0017127333,0.0031739017,0.013249382,0.96111155,0.0010805504],"about_ca_topic_score_codex":0.07549329,"about_ca_topic_score_gemma":0.06611183,"teacher_disagreement_score":0.7303715,"about_ca_system_score_codex":0.0026152306,"about_ca_system_score_gemma":0.0025890914,"threshold_uncertainty_score":0.99930006},"labels":[],"label_agreement":null},{"id":"W2736829975","doi":"","title":"Impressions vives / LAVALETTE, Philippe. La Mesure du monde – Carnets d’un cinéaste-arpenteur, Montréal, Éditions Marchand de feuilles, 2011, 174 p.","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009631042363471598,"score_gpt":0.15759019086198517,"score_spread":0.14795914849851358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736829975","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06339021,0.5568659,0.00031190738,0.058778536,0.0012894262,0.0006177082,0.002873253,0.0004001615,0.31547293],"genre_scores_gemma":[0.092170835,0.049184684,0.00040491417,0.0005473282,0.00092283986,0.000027935908,0.00017579882,0.00009655588,0.8564691],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996956,0.0005866288,0.00042836863,0.00068436144,0.00038559572,0.0009590518],"domain_scores_gemma":[0.9978907,0.00030271037,0.0002890253,0.0006409244,0.00018797664,0.0006886584],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002815184,0.0005926064,0.00062050874,0.00038991042,0.0039826008,0.00011356322,0.00061195536,0.00035997736,0.024327837],"category_scores_gemma":[0.00002956507,0.0006049215,0.00058742746,0.00020726609,0.0007493742,0.00072079815,0.00044399415,0.0006434302,0.00060478336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025737713,0.0007734529,0.00034036642,0.00011261957,0.0006126486,0.0043425197,0.01657028,0.000057855446,0.00019231056,0.14515632,0.8236951,0.007889099],"study_design_scores_gemma":[0.0010898383,0.0002027731,0.0010618627,0.000162312,0.0008040136,0.00044157184,0.0033399048,0.00035636683,0.000100337544,0.0030885322,0.9886813,0.00067119946],"about_ca_topic_score_codex":0.08276184,"about_ca_topic_score_gemma":0.042438447,"teacher_disagreement_score":0.5409962,"about_ca_system_score_codex":0.0017467205,"about_ca_system_score_gemma":0.000090260066,"threshold_uncertainty_score":0.9996402},"labels":[],"label_agreement":null},{"id":"W2737200246","doi":"","title":"Le Fantôme, naissance d'une imagination rationnelle","year":2012,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.018363278334066136,"score_gpt":0.21865567648024603,"score_spread":0.20029239814617988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737200246","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011064019,0.018675415,0.07936476,0.057059344,0.001459561,0.0005111097,0.00023015327,0.0002827029,0.83135295],"genre_scores_gemma":[0.70403767,0.00090007245,0.005606236,0.00017539784,0.0003248982,0.00007550928,0.000991471,0.00005137567,0.28783736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931608,0.0042745844,0.00080980186,0.00076256075,0.00047543508,0.0005168159],"domain_scores_gemma":[0.99408823,0.0009951518,0.000677136,0.0014484626,0.0025115502,0.000279473],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0030055423,0.0004662971,0.00051202683,0.0001903586,0.0022659302,0.00080573803,0.0009564792,0.00025189485,0.0025198914],"category_scores_gemma":[0.0005088987,0.0005041926,0.0003682301,0.0002852884,0.0009365241,0.00082157546,0.00054732495,0.00072301907,0.00054810906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010406451,0.00091556035,0.00025519918,0.0001637239,0.000083665356,0.000002801715,0.049655426,0.000033103843,0.0004822835,0.923949,0.008720578,0.015728218],"study_design_scores_gemma":[0.00038879097,4.5556553e-7,0.0010653051,0.0009146453,0.00010664739,0.000006275406,0.0005860515,0.003241716,0.0041323774,0.0126648275,0.97630817,0.00058473623],"about_ca_topic_score_codex":0.019747734,"about_ca_topic_score_gemma":0.0061567123,"teacher_disagreement_score":0.9675876,"about_ca_system_score_codex":0.00017382698,"about_ca_system_score_gemma":0.0002957639,"threshold_uncertainty_score":0.99974096},"labels":[],"label_agreement":null},{"id":"W2738920685","doi":"","title":"Théâtre nocturne / Nuit #1 — Canada [Québec] 2011, 91 minutes","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Art","score_opus":0.00754677694703823,"score_gpt":0.1413248432259704,"score_spread":0.13377806627893216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2738920685","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029385868,0.7614407,0.000013532026,0.1033797,0.0025442494,0.00013585115,0.0005214651,0.000071379414,0.102507256],"genre_scores_gemma":[0.05739867,0.0026248684,0.000045510813,0.00090821635,0.0018550185,0.0000027817878,0.00005644651,0.00003232198,0.93707615],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982276,0.00010356465,0.000239456,0.00028660847,0.0003122382,0.00083053694],"domain_scores_gemma":[0.9986646,0.00016582888,0.0001589127,0.00033397935,0.00010315366,0.0005734973],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010028854,0.00035194113,0.00038756008,0.00011039906,0.0014846383,0.000042829033,0.00033044766,0.00014129344,0.019023107],"category_scores_gemma":[0.000011680387,0.00035281756,0.00024118155,0.00008945984,0.0002183606,0.000603422,0.00016414776,0.0002905673,0.00081886107],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052282372,0.00015302507,0.00093355495,0.00006895012,0.00023426811,0.000676012,0.0050791446,0.000012525179,0.000015824913,0.08777917,0.8971557,0.007839523],"study_design_scores_gemma":[0.00032188284,0.000060931343,0.00038214357,0.000048604958,0.00036202397,0.00013007036,0.0016800654,0.000058660476,0.000040347724,0.00009031232,0.996375,0.00044996248],"about_ca_topic_score_codex":0.9957374,"about_ca_topic_score_gemma":0.999017,"teacher_disagreement_score":0.8345689,"about_ca_system_score_codex":0.01002774,"about_ca_system_score_gemma":0.00030040936,"threshold_uncertainty_score":0.9999591},"labels":[],"label_agreement":null},{"id":"W2739096777","doi":"10.7202/1040491ar","title":"Une part d’héritage « objectif » du surréalisme au théâtre","year":2017,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Fable; Humanities; Philosophy; Literature","score_opus":0.03310202207190516,"score_gpt":0.24401176768912083,"score_spread":0.21090974561721568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739096777","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057400208,0.004625425,0.000015700714,0.14297074,0.010126232,0.00087696046,0.0020163564,0.0005420521,0.7814263],"genre_scores_gemma":[0.47359407,0.0019613297,0.00008801733,0.00056526274,0.009021662,0.00009416841,0.00018594242,0.00018513,0.5143044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99248165,0.000518727,0.0018809687,0.0018579677,0.0009126975,0.0023479906],"domain_scores_gemma":[0.9934309,0.0005784373,0.001363464,0.0029303995,0.00053958636,0.0011572244],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.00086896884,0.001735431,0.0020696342,0.00035764824,0.0074824304,0.0024199313,0.0027865637,0.00078048167,0.003040382],"category_scores_gemma":[0.00054051244,0.0016728905,0.0018273876,0.0002493617,0.0036392203,0.0035523605,0.00049482606,0.0014835431,0.0010232446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028044655,0.0012572567,0.0016384617,0.0012961314,0.0007664857,0.0014372894,0.025708662,0.00005995252,0.000050512663,0.74646753,0.21508273,0.0059545264],"study_design_scores_gemma":[0.0005241732,0.00062162033,0.0028097031,0.0019255361,0.0009981907,0.00019995244,0.0013227287,0.00013938635,0.00008165213,0.0022144031,0.98713046,0.0020321733],"about_ca_topic_score_codex":0.071303725,"about_ca_topic_score_gemma":0.33495268,"teacher_disagreement_score":0.77204776,"about_ca_system_score_codex":0.000791876,"about_ca_system_score_gemma":0.000880663,"threshold_uncertainty_score":0.99975455},"labels":[],"label_agreement":null},{"id":"W2739489606","doi":"","title":"Images de performance, performances des images / Performance Images, Image Performances","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer vision; Artificial intelligence; Computer science; Image (mathematics)","score_opus":0.016474230233206988,"score_gpt":0.22845624674761775,"score_spread":0.21198201651441076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739489606","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23974933,0.01875028,0.00008819834,0.00013780076,0.004062645,0.0005608964,0.00091032096,0.00037878097,0.73536175],"genre_scores_gemma":[0.15370917,0.024387494,0.009644436,0.004247592,0.007585639,0.00031874844,0.0005368347,0.00021976292,0.7993503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934417,0.0002539594,0.0014164709,0.0013829843,0.0009151016,0.0025897603],"domain_scores_gemma":[0.9961093,0.0002122932,0.0006608392,0.0011882593,0.00093718816,0.00089208875],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0013565877,0.0015419762,0.0013706748,0.0004475963,0.004846492,0.001988366,0.0015786694,0.0007796254,0.18640178],"category_scores_gemma":[0.00016966138,0.0012998229,0.0006330239,0.0007288487,0.0038435205,0.0079872,0.0003697532,0.0030989524,0.0024371909],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029037366,0.0010559626,0.00963663,0.0035553304,0.00041440816,0.00007468318,0.006598199,0.0002144757,0.021673866,0.0069100778,0.9386842,0.010891792],"study_design_scores_gemma":[0.0011279667,0.0007169696,0.0035849973,0.0007924849,0.000560156,0.00027614544,0.0018633681,0.003657534,0.0180837,0.0002916918,0.96719104,0.0018539279],"about_ca_topic_score_codex":0.0009135713,"about_ca_topic_score_gemma":0.000026131445,"teacher_disagreement_score":0.1839646,"about_ca_system_score_codex":0.00031707657,"about_ca_system_score_gemma":0.0005833106,"threshold_uncertainty_score":0.99973285},"labels":[],"label_agreement":null},{"id":"W2739569163","doi":"","title":"Catholic Theater in Europe and Canada: The United Voice of a Diaspora","year":2008,"lang":"en","type":"article","venue":"Revue de littérature comparée","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Repertoire; World War II; Political science; Media studies; First world war; History; Classics; Art; Sociology; Law; Literature; Ancient history","score_opus":0.031092951491795674,"score_gpt":0.20397666715211918,"score_spread":0.1728837156603235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739569163","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97720724,0.0026506768,0.0000011521582,0.0015987606,0.000098459364,0.00006562078,0.000025716274,0.000010635324,0.018341744],"genre_scores_gemma":[0.9921717,0.00008674769,0.000009009447,0.0005784017,0.00029878723,0.0000039863985,0.000018130586,0.0000072742523,0.006825938],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994027,0.00009571354,0.00017895816,0.000108833796,0.000073764786,0.00014003363],"domain_scores_gemma":[0.9995812,0.00008517385,0.000052123924,0.00015766501,0.00007644052,0.000047374997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007209506,0.00009257556,0.00019014877,0.00006300059,0.00013816898,0.00001787962,0.00013049855,0.00002366497,0.00006375126],"category_scores_gemma":[0.00002394099,0.00005722806,0.000024896159,0.00019360756,0.00014378452,0.00005169874,0.000022942408,0.00019809754,0.000002701144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015158467,0.00030239945,0.06029483,0.00037737007,0.00011258405,0.0011108142,0.58093214,0.0001901957,0.00024622327,0.2913905,0.06458621,0.00030516848],"study_design_scores_gemma":[0.000103199105,0.000019859526,0.024040919,0.00004186112,0.0000122041665,0.000056945395,0.0005716721,0.00010456502,0.000018217925,0.000051606195,0.9748911,0.000087838634],"about_ca_topic_score_codex":0.31343377,"about_ca_topic_score_gemma":0.32696903,"teacher_disagreement_score":0.9103049,"about_ca_system_score_codex":0.000026773938,"about_ca_system_score_gemma":0.00007750167,"threshold_uncertainty_score":0.69113815},"labels":[],"label_agreement":null},{"id":"W2739725064","doi":"","title":"Censure et cinema dans la France des Trente Glorieuses de Frédéric Hervé / Dictionnaire de la censure au Québec. Littérature et cinema de Pierre Hébert, Yves Lever et Kenneth Landry (dir.)","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Movie theater; Art history","score_opus":0.006410805185239465,"score_gpt":0.18472639557283596,"score_spread":0.1783155903875965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739725064","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33078533,0.5644074,0.0016832007,0.04751198,0.000722104,0.00025711313,0.001599721,0.00038766203,0.05264546],"genre_scores_gemma":[0.4270665,0.039883345,0.000317555,0.0013800308,0.0008836049,0.000012320932,0.0000721833,0.00009385995,0.5302906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99649876,0.0012488958,0.0003438617,0.000614355,0.00033470948,0.0009593849],"domain_scores_gemma":[0.9977896,0.0007836879,0.00025210448,0.00047291545,0.00017565725,0.00052603474],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00056306634,0.0006215855,0.00061505084,0.00021546446,0.00160731,0.00014764526,0.00044902417,0.0005643277,0.0008100025],"category_scores_gemma":[0.00009600666,0.00051133113,0.00048445526,0.00033122514,0.0007998575,0.0008313281,0.00017161299,0.00075553945,0.000055522323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007610592,0.0010625969,0.09385148,0.0006931641,0.0012038858,0.0057601705,0.12182455,0.00035357612,0.0013096369,0.15499473,0.5884267,0.029758448],"study_design_scores_gemma":[0.0015076346,0.00025375246,0.03693129,0.00091481046,0.00046906676,0.0005854627,0.0028786296,0.00012459847,0.000040693198,0.0011364538,0.95452267,0.00063496066],"about_ca_topic_score_codex":0.20788994,"about_ca_topic_score_gemma":0.7077827,"teacher_disagreement_score":0.5245241,"about_ca_system_score_codex":0.004249968,"about_ca_system_score_gemma":0.0006703242,"threshold_uncertainty_score":0.9997338},"labels":[],"label_agreement":null},{"id":"W2741504345","doi":"","title":"Fuir la Surnature… mais pas le fantastique","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Sainte Foy","funders":"","keywords":"Art","score_opus":0.005355931703841953,"score_gpt":0.15133065195469292,"score_spread":0.14597472025085095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2741504345","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1419424,0.13431062,0.00015942054,0.094947465,0.0038467909,0.00021414825,0.0006133081,0.00022485405,0.623741],"genre_scores_gemma":[0.30460027,0.0034102967,0.00019018484,0.0004950793,0.0012186544,0.000002477117,0.000049236405,0.00003400434,0.6899998],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986406,0.00015141214,0.00019333357,0.00034151934,0.00020588744,0.00046723813],"domain_scores_gemma":[0.9989347,0.00019280685,0.00012927073,0.00032645563,0.00010764547,0.00030912727],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018660925,0.0002846175,0.00032081283,0.00016433568,0.0015048628,0.00010242201,0.00034294996,0.00032641846,0.003788593],"category_scores_gemma":[0.000019634517,0.00029674364,0.00031155106,0.00012610333,0.00044348856,0.0004681043,0.00015767402,0.00086132117,0.0004510916],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006341354,0.0001778349,0.00011119208,0.000045983623,0.00012925333,0.002132044,0.003911916,0.000008185908,0.00040691573,0.7229641,0.25727525,0.012773896],"study_design_scores_gemma":[0.000469762,0.00007467311,0.00021472006,0.000041424104,0.00017220002,0.000325661,0.0010371729,0.00010682583,0.00011048011,0.0020666656,0.99500847,0.0003719551],"about_ca_topic_score_codex":0.04515512,"about_ca_topic_score_gemma":0.24399723,"teacher_disagreement_score":0.7377332,"about_ca_system_score_codex":0.0009956507,"about_ca_system_score_gemma":0.00008319546,"threshold_uncertainty_score":0.99994844},"labels":[],"label_agreement":null},{"id":"W2741790156","doi":"","title":"Solitude amère / Laurentie de Mathieu Denis et Simon Lavoie, Québec, 2011, 118 min","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Solitude; Art; Literature","score_opus":0.014074817462983339,"score_gpt":0.16536036656310563,"score_spread":0.1512855491001223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2741790156","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1328833,0.51737005,0.0004963687,0.049446534,0.0018132814,0.00036781406,0.0006598263,0.00036499696,0.29659787],"genre_scores_gemma":[0.08446092,0.0077378596,0.0004750096,0.001128155,0.00061026105,0.000007002117,0.0000630873,0.00006023564,0.9054575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794894,0.00023424708,0.00031077096,0.00046236414,0.0002811103,0.000762534],"domain_scores_gemma":[0.9986837,0.000119797834,0.00021120337,0.00043137267,0.00012444782,0.00042950214],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021698866,0.00040980207,0.0004711179,0.0002199903,0.0013261464,0.00007867837,0.00047394983,0.0002615569,0.018925957],"category_scores_gemma":[0.000012941529,0.00043636904,0.0004413995,0.00010211977,0.0003689741,0.00061298814,0.00023330975,0.00042613398,0.0017438657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018703999,0.00046797688,0.0008235377,0.0001090326,0.0003282589,0.0024105401,0.030664362,0.000011200048,0.000045592737,0.22365932,0.73627883,0.005014314],"study_design_scores_gemma":[0.0005284075,0.00020229268,0.00036693338,0.00010028968,0.00052651705,0.00007769911,0.0033411048,0.00016754711,0.000108084794,0.0016692389,0.9923944,0.0005174718],"about_ca_topic_score_codex":0.42765763,"about_ca_topic_score_gemma":0.76405376,"teacher_disagreement_score":0.6088596,"about_ca_system_score_codex":0.0037039195,"about_ca_system_score_gemma":0.00015832868,"threshold_uncertainty_score":0.999974},"labels":[],"label_agreement":null},{"id":"W2741859683","doi":"10.29173/cf432","title":"Représentations de l’étranger dans les récits de voyageurs français du XVIIe siècle","year":2017,"lang":"fr","type":"article","venue":"Convergences francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02821683358489384,"score_gpt":0.2721308699374189,"score_spread":0.24391403635252507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2741859683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6819775,0.030426681,0.0023106802,0.013448415,0.05355498,0.00032538446,0.00053086696,0.0002010952,0.2172244],"genre_scores_gemma":[0.793353,0.002536957,0.00018371023,0.0003791036,0.0037907262,0.000038955,0.00001688183,0.0000338057,0.19966686],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793965,0.00020290962,0.00048262434,0.00047979818,0.0002648256,0.00063016877],"domain_scores_gemma":[0.9984016,0.0002186303,0.00028382568,0.0006284928,0.00016963546,0.000297808],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002722763,0.00034962117,0.00041213687,0.000095981566,0.0063759657,0.0005342909,0.0007369234,0.00020062101,0.04185082],"category_scores_gemma":[0.00019845202,0.00033326863,0.00036933983,0.00008606353,0.0018907712,0.00086374814,0.00007894602,0.00036181492,0.0027978348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012075811,0.00077975536,0.20038971,0.00064497226,0.00051555206,0.00055063155,0.47150856,0.00019318647,0.0020308993,0.09147648,0.20468645,0.027103059],"study_design_scores_gemma":[0.00036411706,0.000093713716,0.12087631,0.00015994946,0.00018373225,0.000018833933,0.007308552,0.000856573,0.0008090557,0.0020938755,0.8667615,0.00047380323],"about_ca_topic_score_codex":0.06938082,"about_ca_topic_score_gemma":0.0085985465,"teacher_disagreement_score":0.66207504,"about_ca_system_score_codex":0.00008061253,"about_ca_system_score_gemma":0.00015413154,"threshold_uncertainty_score":0.99991196},"labels":[],"label_agreement":null},{"id":"W2742181428","doi":"","title":"La sagesse / Miraculum de Podz, Québec, 2014, 104 min","year":2014,"lang":"es","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.005115107908732067,"score_gpt":0.1554298365736543,"score_spread":0.15031472866492224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2742181428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5524271,0.12066561,0.0003757263,0.04809284,0.0006871573,0.00029720739,0.00028785673,0.00039346315,0.27677304],"genre_scores_gemma":[0.56728864,0.0028394058,0.000099696554,0.00071433745,0.0007517335,0.0000038792136,0.000040651237,0.000043976925,0.42821768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817705,0.000356961,0.0002414422,0.0004174698,0.0002504132,0.0005566743],"domain_scores_gemma":[0.99866176,0.0003058072,0.00018541099,0.00041173236,0.000087685934,0.00034762642],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027594125,0.00034895763,0.00043888373,0.0002120286,0.0012845749,0.00017533709,0.0004235654,0.00022048775,0.0044107176],"category_scores_gemma":[0.00003393694,0.00034767258,0.00036130165,0.00008314161,0.0002705162,0.0003267905,0.00018602383,0.0003529919,0.001210838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015455384,0.00028720917,0.0012606556,0.00014911455,0.000272309,0.0011388045,0.014740234,0.000030728377,0.00024920085,0.21635802,0.74759483,0.017764345],"study_design_scores_gemma":[0.0005940523,0.00016067312,0.000645096,0.00008878239,0.0003612094,0.000082216146,0.001321056,0.00044565718,0.00004376911,0.00039344482,0.99541765,0.0004463902],"about_ca_topic_score_codex":0.17445005,"about_ca_topic_score_gemma":0.26924565,"teacher_disagreement_score":0.24782282,"about_ca_system_score_codex":0.0025331224,"about_ca_system_score_gemma":0.00009297105,"threshold_uncertainty_score":0.99989754},"labels":[],"label_agreement":null},{"id":"W2743355248","doi":"","title":"« Cela aussi était » : du noir chez Nicolas Baier / “That too was”: Darkness in the Work of Nicolas Baier","year":2014,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.03227535757975728,"score_gpt":0.23944631987371925,"score_spread":0.20717096229396198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743355248","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2061997,0.012381553,0.00018254058,0.16601852,0.023021119,0.0017672358,0.0007098748,0.00021750561,0.589502],"genre_scores_gemma":[0.89191985,0.00022676989,0.000041589472,0.0013998765,0.0025672955,0.00011227981,0.00011540526,0.00006727274,0.10354966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99587464,0.00081965275,0.0010301794,0.0007213495,0.00067387795,0.0008803239],"domain_scores_gemma":[0.99710715,0.0008609515,0.00041949842,0.0011311903,0.0002027191,0.00027849083],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00083604763,0.0006059496,0.00089095917,0.00027430005,0.0012629032,0.0003934196,0.0010491032,0.000319863,0.00607458],"category_scores_gemma":[0.00021946829,0.0004616376,0.0005831141,0.0006529549,0.0009988572,0.00091472815,0.0002937637,0.00082891353,0.0003905496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000733643,0.0016659376,0.007089244,0.00035448218,0.00013904559,0.000024682638,0.036232766,0.000085678905,0.00003344325,0.7904648,0.16214706,0.0016895001],"study_design_scores_gemma":[0.0007859505,0.0001455063,0.010325542,0.0008102599,0.00016298449,0.000010095487,0.0019439246,0.000116425894,0.00020124252,0.0023950248,0.98248786,0.0006151643],"about_ca_topic_score_codex":0.0008258725,"about_ca_topic_score_gemma":0.00091425644,"teacher_disagreement_score":0.8203408,"about_ca_system_score_codex":0.00015023726,"about_ca_system_score_gemma":0.00019503411,"threshold_uncertainty_score":0.9997835},"labels":[],"label_agreement":null},{"id":"W2743608614","doi":"","title":"Je Ne Veux Pas Mourir Idiot de Wolinski : Propaganda or New Direction in the French Theater ?","year":2015,"lang":"fr","type":"article","venue":"Revue CMC","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Idiot; Art; Humanities; Art history; Literature","score_opus":0.09270274614207795,"score_gpt":0.26202004323229117,"score_spread":0.1693172970902132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743608614","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30095455,0.105697736,0.0002869261,0.07312226,0.007947029,0.00109827,0.00011145881,0.00020269977,0.51057905],"genre_scores_gemma":[0.37834182,0.00044128715,0.000109221626,0.0008512216,0.007919328,0.00002460298,0.000016375003,0.000022400805,0.61227375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987244,0.00026602368,0.00030325513,0.00022345902,0.0001497895,0.0003330779],"domain_scores_gemma":[0.9993377,0.000117550524,0.000073199946,0.00024816682,0.000060728908,0.00016268116],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003842083,0.0001838741,0.00026137696,0.00007906332,0.00023800919,0.00020376661,0.00021257001,0.00010043126,0.0012260684],"category_scores_gemma":[0.00009237308,0.00011009287,0.00011440654,0.00014953582,0.00011537015,0.00025571894,0.000028519244,0.0003035489,0.00023980433],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020469949,0.0007485006,0.0015650598,0.0004214685,0.000083439765,0.00040705982,0.28128904,0.0001325187,0.000050114315,0.033636995,0.6092029,0.0722582],"study_design_scores_gemma":[0.00032817337,0.00024659644,0.00062532205,0.00021855668,0.00007550585,0.000057036992,0.0008623034,0.00021707224,0.000026702108,0.002874527,0.9942861,0.00018209222],"about_ca_topic_score_codex":0.009098511,"about_ca_topic_score_gemma":0.0038163438,"teacher_disagreement_score":0.3850832,"about_ca_system_score_codex":0.00019886337,"about_ca_system_score_gemma":0.00019301604,"threshold_uncertainty_score":0.99968696},"labels":[],"label_agreement":null},{"id":"W2745965140","doi":"","title":"Des stratégies de mise en récit / Lydie Jean-Dit-Pannel, Histoire(s) du concierge de la Tour de Babel-Ziggourat 09, Galerie L’Oeil de poisson, Québec. 9 avril - 9 mai 2004","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.006614716837088388,"score_gpt":0.16367271607054237,"score_spread":0.15705799923345398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745965140","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5680189,0.34015298,0.0015901445,0.03230513,0.000742814,0.0003171603,0.00055748003,0.0004039733,0.05591142],"genre_scores_gemma":[0.38068244,0.01364934,0.0016323234,0.0014951729,0.0017758801,0.000017816097,0.000073727766,0.00013769105,0.60053563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99634975,0.0005464911,0.00048322638,0.0006395332,0.0003782703,0.0016027093],"domain_scores_gemma":[0.99747944,0.00059094233,0.00029578208,0.00048293735,0.00019987435,0.0009510425],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056174444,0.0007037423,0.00071716995,0.00028115365,0.0032934286,0.00025158646,0.0007266207,0.0004683472,0.0058322423],"category_scores_gemma":[0.00019820753,0.0007935436,0.0005832561,0.00025284535,0.0014387361,0.0009094022,0.00020287577,0.0006770568,0.0002618228],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008158422,0.0013059095,0.0026176185,0.00059060485,0.0009911561,0.020900456,0.100253925,0.010364341,0.002978403,0.2185471,0.63111097,0.009523673],"study_design_scores_gemma":[0.0018875995,0.0003136211,0.00096414523,0.0002962675,0.0007577367,0.00079544657,0.010312292,0.00045791303,0.000377143,0.006642581,0.9762822,0.0009130861],"about_ca_topic_score_codex":0.45813093,"about_ca_topic_score_gemma":0.5157535,"teacher_disagreement_score":0.5446242,"about_ca_system_score_codex":0.027719257,"about_ca_system_score_gemma":0.0012600787,"threshold_uncertainty_score":0.9994515},"labels":[],"label_agreement":null},{"id":"W2750573955","doi":"","title":"Ma tante Aline : la vie est un cabaret / Ma tante Aline Canada [Québec] 2007, 107 minutes","year":2007,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012682182121649309,"score_gpt":0.21745514605217936,"score_spread":0.20477296393053004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750573955","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06328227,0.2366474,0.00043183303,0.19962282,0.006463049,0.0006523682,0.0032346286,0.00026007683,0.48940554],"genre_scores_gemma":[0.4084324,0.0020111885,0.0006033953,0.0022832772,0.0052635595,0.000020279875,0.00019907304,0.00008065059,0.5811062],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99621636,0.00036116113,0.0011202393,0.0007095001,0.0004622431,0.0011304717],"domain_scores_gemma":[0.9971765,0.0010462047,0.00038979942,0.0005207719,0.0002986273,0.0005680942],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00095560896,0.00064106676,0.00082942325,0.00019084543,0.00079434464,0.00023935117,0.0006563833,0.00029711972,0.011087201],"category_scores_gemma":[0.00023491918,0.000586684,0.00032120277,0.00032781286,0.0008726298,0.00042643564,0.00010229503,0.000687515,0.00014046772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041388473,0.0008664342,0.0078572165,0.0016033681,0.0009418711,0.017936131,0.02579437,0.00024101922,0.000624687,0.17559952,0.72253674,0.045584753],"study_design_scores_gemma":[0.0004200254,0.00020177837,0.0008274992,0.00066262065,0.00030740403,0.00046398072,0.0018104841,0.00041771712,0.00032925367,0.0006015043,0.99318856,0.00076918676],"about_ca_topic_score_codex":0.92130476,"about_ca_topic_score_gemma":0.9762388,"teacher_disagreement_score":0.3451501,"about_ca_system_score_codex":0.00052298553,"about_ca_system_score_gemma":0.00089097925,"threshold_uncertainty_score":0.99965847},"labels":[],"label_agreement":null},{"id":"W2750604965","doi":"","title":"L'Irlande de Georges Dor, Jacques Ferron et Louis Gauthier","year":2016,"lang":"fr","type":"article","venue":"DigitalCommons (California Polytechnic State University)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Humanities; Philosophy","score_opus":0.01971160035064568,"score_gpt":0.2161744014600651,"score_spread":0.19646280110941944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750604965","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03914951,0.0076275095,0.006677726,0.025535278,0.0012290413,0.00042677243,0.016402593,0.0009461632,0.90200543],"genre_scores_gemma":[0.49097547,0.0020405434,0.00011758568,0.00042579725,0.00026832902,0.0000025811623,0.00011403654,0.000057986184,0.50599766],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974684,0.00025076926,0.00043524458,0.0005696368,0.0003036948,0.0009722264],"domain_scores_gemma":[0.99808925,0.00051544164,0.00022239819,0.00055443397,0.00013918143,0.00047927123],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022382746,0.00051884475,0.0005211101,0.0006868989,0.00063330797,0.00035050028,0.0006330382,0.00022854755,0.0037093675],"category_scores_gemma":[0.0000792777,0.00042035905,0.000476969,0.00035440782,0.001089378,0.001202728,0.00030369867,0.00036153637,0.0012556382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031220765,0.0007935345,0.0025315655,0.00013783191,0.0004478187,0.0008428347,0.0027758034,0.000013464875,0.00024450157,0.83713186,0.10328472,0.051483877],"study_design_scores_gemma":[0.0006861195,0.00023750249,0.0001901961,0.00037114567,0.00017654868,0.000028066897,0.0005606532,0.000026692214,0.00019196601,0.0054559195,0.99139154,0.000683661],"about_ca_topic_score_codex":0.0035336239,"about_ca_topic_score_gemma":0.0010933732,"teacher_disagreement_score":0.8881068,"about_ca_system_score_codex":0.0007304939,"about_ca_system_score_gemma":0.00019642928,"threshold_uncertainty_score":0.9998248},"labels":[],"label_agreement":null},{"id":"W2751277863","doi":"","title":"Le Thesaurus rhetoricae de Giovanni Battista Bernardo (1599) : un exemple de taxinomie rhétorique à la Renaissance","year":2012,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"The Renaissance; Art; Humanities; Art history","score_opus":0.019446595892228836,"score_gpt":0.2193926274542336,"score_spread":0.19994603156200477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751277863","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034024358,0.03459023,0.06107179,0.029272655,0.0014031294,0.00064250856,0.0006234696,0.00047442576,0.8378974],"genre_scores_gemma":[0.7060305,0.0024245332,0.012956661,0.0002201176,0.00057064946,0.00014345403,0.0004061824,0.00011104941,0.27713683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98719305,0.009339583,0.0009441382,0.0009892329,0.0004886431,0.0010453361],"domain_scores_gemma":[0.99210835,0.0028151958,0.00082255696,0.002262326,0.0013484781,0.00064309617],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.006049268,0.0006865974,0.0007971109,0.00019671195,0.001989281,0.0009207231,0.0018505869,0.0005389889,0.0021635254],"category_scores_gemma":[0.0010034562,0.0007355683,0.0006193521,0.00026089812,0.0010144238,0.000470937,0.0009916956,0.0013208805,0.00022344587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032049687,0.0012490145,0.0014720606,0.00022869447,0.00023413892,0.000028845276,0.057414617,0.000037253867,0.0005464118,0.90520006,0.0145425545,0.019014293],"study_design_scores_gemma":[0.00042161733,0.0000012027365,0.0019421278,0.001122332,0.00016315775,0.000039407638,0.00037669908,0.00064428657,0.0040616374,0.011837268,0.97861534,0.000774919],"about_ca_topic_score_codex":0.034690972,"about_ca_topic_score_gemma":0.004514027,"teacher_disagreement_score":0.96407276,"about_ca_system_score_codex":0.00067443296,"about_ca_system_score_gemma":0.000807345,"threshold_uncertainty_score":0.9995095},"labels":[],"label_agreement":null},{"id":"W2752032274","doi":"","title":"Ludovic : un vent de magie, Canada [Québec] 2001, 12 minutes / Canada [Québec] 2001, 12 minutes","year":2002,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Political science","score_opus":0.021472550020954103,"score_gpt":0.1944032677827533,"score_spread":0.1729307177617992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752032274","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099100575,0.42932364,0.00004001127,0.20658366,0.008048088,0.0012880178,0.0031816019,0.00035803064,0.25207636],"genre_scores_gemma":[0.21186145,0.003998617,0.00048524133,0.005170406,0.004697127,0.00015738314,0.00016521498,0.00016712713,0.7732974],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99192107,0.0008285248,0.00177279,0.0014655403,0.001078354,0.002933724],"domain_scores_gemma":[0.9945959,0.0014534536,0.0007631062,0.0011599326,0.000402531,0.0016251195],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0006848131,0.0013811728,0.0015727163,0.00033697177,0.0019597511,0.0005754062,0.0016192021,0.00047902812,0.033970393],"category_scores_gemma":[0.00048770686,0.0013707742,0.0006052804,0.00051909534,0.0011129398,0.00084156875,0.00022182016,0.0013314234,0.00025787525],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00006604429,0.00045866732,0.012638183,0.0014539117,0.0005339349,0.0034704676,0.009581545,0.00021407304,0.000076894255,0.003913663,0.9599685,0.0076241335],"study_design_scores_gemma":[0.00067660754,0.00028789998,0.002152911,0.0010308576,0.00064668804,0.00047933144,0.0023902832,0.0018402049,0.00019759515,0.00055128254,0.9880307,0.001715694],"about_ca_topic_score_codex":0.9994807,"about_ca_topic_score_gemma":0.999917,"teacher_disagreement_score":0.5212211,"about_ca_system_score_codex":0.0048147584,"about_ca_system_score_gemma":0.007775844,"threshold_uncertainty_score":0.9998939},"labels":[],"label_agreement":null},{"id":"W2754489138","doi":"","title":"Profession : cinéaste / LANCTÔT, Micheline. Lettres à une jeune cinéaste, Montréal, VLB éditeur, 2015, 144 p.","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.008516567457300178,"score_gpt":0.17759216343062156,"score_spread":0.1690755959733214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754489138","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034860548,0.5775343,0.00034711356,0.3500068,0.003049487,0.00044623672,0.0008789755,0.00030614148,0.03257037],"genre_scores_gemma":[0.019341113,0.028757157,0.00013831118,0.00095894356,0.0024619296,0.00001264031,0.00009188587,0.0000891387,0.9481489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659663,0.00033881728,0.0006059787,0.00082410406,0.0005415897,0.0010928634],"domain_scores_gemma":[0.997602,0.00033176632,0.00044069922,0.00075270154,0.00029505062,0.0005777819],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025404166,0.00068818213,0.00080413563,0.00037645482,0.002083768,0.000084210995,0.000578621,0.00038001698,0.004996552],"category_scores_gemma":[0.000041160874,0.0005345021,0.00051641784,0.00034924093,0.0005055568,0.000990677,0.0004150923,0.0004497955,0.0021986375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047305188,0.00039488848,0.00032348375,0.00017555256,0.00031424282,0.0019014933,0.0033414229,0.000022606599,0.0013822186,0.05367673,0.8807042,0.057290062],"study_design_scores_gemma":[0.0019457177,0.00035766914,0.0002397405,0.0007095131,0.0004573509,0.00012471154,0.0025815,0.00014992936,0.00020391142,0.00071250956,0.99172413,0.0007932957],"about_ca_topic_score_codex":0.07841184,"about_ca_topic_score_gemma":0.15710539,"teacher_disagreement_score":0.9155785,"about_ca_system_score_codex":0.0028565268,"about_ca_system_score_gemma":0.00007989691,"threshold_uncertainty_score":0.9997107},"labels":[],"label_agreement":null},{"id":"W2754747648","doi":"10.1093/fs/knx191","title":"<i>Passing Judgment: The Politics and Poetics of Sovereignty in French Tragedy from Hardy to Racine</i> . By H <scp>élène</scp> E. B <scp>ilis</scp> . <i>Passing Judgment: The Politics and Poetics of Sovereignty in French Tragedy from Hardy to Racine</i> . By BilisHélène E.. Toronto: University of Toronto Press, 2016. xx + 258 pp.","year":2017,"lang":"en","type":"article","venue":"French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Drama; Tragedy (event); Absolute monarchy; Oath; Cruelty; Doctrine; Theme (computing); Economic Justice; Philosophy; Literature; History; Humanities; Art; Law; Theology; Political science","score_opus":0.024589811584230268,"score_gpt":0.23711134637153752,"score_spread":0.21252153478730726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754747648","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78590274,0.1557026,0.000113646514,0.00072823477,0.00088406104,0.0012220496,0.009800511,0.00005673152,0.045589447],"genre_scores_gemma":[0.98151696,0.008099277,0.0004065138,0.00037647798,0.00038465188,0.000019790137,0.00013727021,0.000051208666,0.009007826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955144,0.00043310333,0.0013170278,0.0009296524,0.0008514165,0.000954423],"domain_scores_gemma":[0.99497604,0.002161706,0.0008761045,0.0012077055,0.0004342565,0.00034420477],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006364912,0.00077686436,0.0016403341,0.00006181026,0.0014032137,0.00032748116,0.0010585133,0.00024035157,0.00016452481],"category_scores_gemma":[0.0008259864,0.0005868771,0.00024628584,0.00010145572,0.0015336677,0.0009761746,0.000795957,0.0005318938,0.0000025219713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044311957,0.0017189989,0.01932402,0.0006637573,0.0015065233,0.000030360587,0.35731128,0.00009804015,0.0029659565,0.011179044,0.6032596,0.0018980936],"study_design_scores_gemma":[0.005568207,0.001351683,0.0476982,0.0020327438,0.0017647463,0.000004066117,0.11129907,0.0004867678,0.007101059,0.014587005,0.8071806,0.0009258498],"about_ca_topic_score_codex":0.21938834,"about_ca_topic_score_gemma":0.050758258,"teacher_disagreement_score":0.2460122,"about_ca_system_score_codex":0.00047027698,"about_ca_system_score_gemma":0.00013859967,"threshold_uncertainty_score":0.9998968},"labels":[],"label_agreement":null},{"id":"W2756600001","doi":"","title":"Finitude et vicissitudes humaines / Carrefour international de théâtre de Québec 2004, du 12 au 24 mai 2004","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.009824623699538997,"score_gpt":0.17676869027211856,"score_spread":0.16694406657257957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756600001","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2402553,0.12626329,0.002433609,0.44620416,0.0034485783,0.00034934812,0.000845615,0.00036205305,0.17983805],"genre_scores_gemma":[0.291078,0.0035254469,0.00048936513,0.002828861,0.0020426647,0.0000075008757,0.00010375221,0.000051941523,0.6998725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998132,0.00013752138,0.00029446202,0.00040897427,0.00032615615,0.00070087815],"domain_scores_gemma":[0.99889416,0.00012469212,0.00018206408,0.00027419688,0.00014636556,0.00037853204],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022336464,0.00038767688,0.0003751306,0.00024661323,0.0016657637,0.0001328842,0.00054442673,0.0002022932,0.004323462],"category_scores_gemma":[0.000041290168,0.00040456592,0.00037695043,0.00010723698,0.00032201502,0.0005920681,0.0002004189,0.00039447815,0.00026866415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002895215,0.0007571539,0.0041979705,0.000117021234,0.00082806475,0.005437073,0.04844287,0.011459459,0.00010837895,0.5358808,0.38897592,0.0035057375],"study_design_scores_gemma":[0.001099712,0.0001449662,0.0010398015,0.00018908824,0.0003049408,0.00025941225,0.002916517,0.00021798538,0.00003547964,0.0026531375,0.99067986,0.00045910294],"about_ca_topic_score_codex":0.6104267,"about_ca_topic_score_gemma":0.8680861,"teacher_disagreement_score":0.60170394,"about_ca_system_score_codex":0.019608783,"about_ca_system_score_gemma":0.0007749065,"threshold_uncertainty_score":0.9998406},"labels":[],"label_agreement":null},{"id":"W2756915802","doi":"","title":"Roméo Onze : les amours imaginaires / Romeo Eleven — Canada [Québec], 90 minutes","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007802126681195056,"score_gpt":0.1490817980988518,"score_spread":0.14127967141765674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756915802","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.121974036,0.7173825,0.000017316996,0.10673063,0.0017417438,0.00015305511,0.00049299456,0.00009715257,0.05141058],"genre_scores_gemma":[0.26236027,0.0023929027,0.00006870041,0.00043993723,0.0013080746,0.000003757447,0.000051148996,0.00003639648,0.73333883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804926,0.00014563161,0.00025669372,0.00032513935,0.00030916397,0.00091408886],"domain_scores_gemma":[0.9986205,0.00018807719,0.00017935212,0.00033363773,0.00011652538,0.00056188053],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000119052005,0.0003923176,0.00042812477,0.0001156541,0.0018927343,0.000060272865,0.0003870727,0.00013039197,0.005128724],"category_scores_gemma":[0.0000209926,0.00040893682,0.0002516735,0.00014090058,0.0003324829,0.0007513277,0.00017887146,0.00032572955,0.00022640153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004057278,0.00019907823,0.0036144217,0.000089089655,0.0002730453,0.0006520821,0.006857262,0.00002152394,0.000029631954,0.06011921,0.9068876,0.021216482],"study_design_scores_gemma":[0.00033063322,0.00007372491,0.0021687613,0.00007452327,0.00039916064,0.0001130008,0.003143323,0.00006724867,0.000050721243,0.00016916591,0.9928902,0.0005195417],"about_ca_topic_score_codex":0.9957555,"about_ca_topic_score_gemma":0.9984725,"teacher_disagreement_score":0.7149896,"about_ca_system_score_codex":0.010395139,"about_ca_system_score_gemma":0.00033991662,"threshold_uncertainty_score":0.99983627},"labels":[],"label_agreement":null},{"id":"W2763535175","doi":"","title":"Méliès à Johannesburg / William Kentridge, « William Kentridge », Musée d’art contemporain de Montréal. 11 février - 24 avril 2005","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.00935569671010253,"score_gpt":0.17053149801647635,"score_spread":0.16117580130637382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763535175","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042962223,0.66726846,0.0007685967,0.16800505,0.004360731,0.0011203587,0.0024525921,0.000625488,0.11243651],"genre_scores_gemma":[0.031028805,0.02815615,0.00032528758,0.003211551,0.004446824,0.000025826665,0.00037406955,0.00014592796,0.93228555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99448943,0.0004832935,0.00096030254,0.0011380033,0.0008313141,0.0020976632],"domain_scores_gemma":[0.9964766,0.00031799014,0.0005865184,0.00094569835,0.00032179055,0.0013514156],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006432021,0.0010698101,0.0012266745,0.00056260056,0.0029518108,0.00027844778,0.00090575626,0.00060443894,0.008121771],"category_scores_gemma":[0.000064856125,0.0011522752,0.0010487724,0.00043858704,0.00076428376,0.0016518779,0.00039801517,0.0008582687,0.0028163767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039488377,0.0008766717,0.0008488864,0.00013683573,0.0005742387,0.0034458805,0.0077572004,0.00059194426,0.00004517943,0.05917272,0.91669106,0.009464495],"study_design_scores_gemma":[0.0025792685,0.00027294588,0.00022426333,0.00026635107,0.0008130927,0.00033695923,0.0017380143,0.001626852,0.00010534127,0.0004311463,0.9902684,0.0013373387],"about_ca_topic_score_codex":0.033619106,"about_ca_topic_score_gemma":0.2847803,"teacher_disagreement_score":0.8198491,"about_ca_system_score_codex":0.011645657,"about_ca_system_score_gemma":0.00022924271,"threshold_uncertainty_score":0.9990927},"labels":[],"label_agreement":null},{"id":"W2765861124","doi":"10.4000/books.pulg.2295","title":"Le théâtre sans son double : jouer sans le dire dans Scènes d’enfants de Normand Chaurette","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Liège eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Physics; Art","score_opus":0.012765803718885386,"score_gpt":0.1924214677086732,"score_spread":0.1796556639897878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765861124","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055977064,0.0034078022,0.0009488524,0.006279848,0.00060035783,0.0004018747,0.0004567844,0.00026712686,0.98203963],"genre_scores_gemma":[0.5258735,0.00021885436,0.00006697865,0.00037662825,0.0011108691,0.000007231956,0.00010902884,0.00009219519,0.47214472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99698937,0.00016910674,0.00055408163,0.00083556597,0.00044994015,0.0010019597],"domain_scores_gemma":[0.9980174,0.00024228405,0.0004189071,0.0006674059,0.00021690576,0.00043715566],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018420668,0.0009086804,0.00094445975,0.0003756583,0.0026850726,0.00042115484,0.0009659934,0.0005775576,0.0026273848],"category_scores_gemma":[0.0000072696616,0.00094268465,0.00068021525,0.000030109364,0.0013590737,0.0005508015,0.00037070803,0.0008435203,0.00013416301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035590967,0.00011477336,0.0003582021,0.00055681745,0.00076018204,0.00043476798,0.020785512,0.000114565606,0.00025472572,0.95664996,0.015028545,0.0045860484],"study_design_scores_gemma":[0.0011963218,0.00022421876,0.000078337594,0.00079028046,0.0008874439,0.000039521023,0.0015734243,0.00021680897,0.00067325437,0.008319757,0.98486215,0.0011384565],"about_ca_topic_score_codex":0.020420164,"about_ca_topic_score_gemma":0.012122486,"teacher_disagreement_score":0.9698336,"about_ca_system_score_codex":0.0003057453,"about_ca_system_score_gemma":0.0005542236,"threshold_uncertainty_score":0.9993024},"labels":[],"label_agreement":null},{"id":"W2766295207","doi":"10.4000/hybrid.472","title":"Dépeindre l’existentialité : l’esthétique anarchique de Désordre de Philippe De Jonckheere","year":2018,"lang":"fr","type":"article","venue":"Hybrid","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.021884218681086132,"score_gpt":0.25553907404160475,"score_spread":0.2336548553605186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766295207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64417017,0.027165761,0.00307712,0.017246932,0.0025951364,0.00037645834,0.00075782376,0.00031580473,0.3042948],"genre_scores_gemma":[0.7187258,0.0008218008,0.00072101364,0.0033357998,0.010596253,0.000027228849,0.00006786153,0.00006849471,0.26563576],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718297,0.0005350792,0.00047472227,0.00046987014,0.00023223396,0.0011051063],"domain_scores_gemma":[0.9986013,0.00013193219,0.00013963254,0.00045048498,0.00018561988,0.00049102725],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005680273,0.00038241327,0.0004228617,0.00014391929,0.0010228505,0.0003292866,0.00043966906,0.00015053291,0.00993236],"category_scores_gemma":[0.00009643503,0.00038602517,0.00037958083,0.00010365273,0.0010063843,0.00035893614,0.00010236799,0.0005619266,0.000672406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021839928,0.0008223907,0.002311863,0.0005934678,0.00038925692,0.0015127471,0.044507816,0.000027416894,0.00060562236,0.5948345,0.31996152,0.034215],"study_design_scores_gemma":[0.00030171807,0.00044139673,0.0005055861,0.00025213126,0.00017492757,0.00039131468,0.00051755295,0.00076511444,0.0013414385,0.02218552,0.972642,0.0004813086],"about_ca_topic_score_codex":0.007014952,"about_ca_topic_score_gemma":0.0018612881,"teacher_disagreement_score":0.65268046,"about_ca_system_score_codex":0.0004517028,"about_ca_system_score_gemma":0.00046057557,"threshold_uncertainty_score":0.99985915},"labels":[],"label_agreement":null},{"id":"W2766520390","doi":"10.7202/1041542ar","title":"Le mythe de Venise au XVIIe siècle. Perspectives de recherche en littérature française","year":2017,"lang":"fr","type":"article","venue":"Cahiers d histoire","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.047223799061693134,"score_gpt":0.2826772614375044,"score_spread":0.23545346237581125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766520390","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027679514,0.24670404,0.00020090854,0.037063263,0.0024741844,0.00020519806,0.00022298255,0.00013296212,0.6853169],"genre_scores_gemma":[0.50939965,0.0008890538,0.0005284087,0.0006025632,0.0031035163,0.000023573239,0.000014496779,0.000056283832,0.48538247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732864,0.0008544612,0.00031233233,0.0005298538,0.00021130324,0.0007634006],"domain_scores_gemma":[0.99792856,0.0003288649,0.00025612555,0.0008894948,0.00015975855,0.00043718953],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00090438366,0.00039364235,0.00047881564,0.00011896383,0.0144965295,0.00050189515,0.00082316494,0.00097084854,0.0010762503],"category_scores_gemma":[0.0009643932,0.00039610907,0.00047060804,0.00007018378,0.006980756,0.0006934301,0.00007770635,0.0021032523,0.0001990488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000887002,0.00029459732,0.000078677396,0.00015460353,0.0001284266,0.00023441717,0.39098963,0.0000062150257,0.00015253952,0.53830117,0.050398506,0.01917251],"study_design_scores_gemma":[0.00045695645,0.00012579616,0.00033681994,0.00020839334,0.00022493613,0.00002729692,0.03193893,0.00006635386,0.000058511745,0.009892684,0.9561756,0.00048768788],"about_ca_topic_score_codex":0.008457567,"about_ca_topic_score_gemma":0.001600468,"teacher_disagreement_score":0.90577716,"about_ca_system_score_codex":0.0034610296,"about_ca_system_score_gemma":0.0014116203,"threshold_uncertainty_score":0.9998491},"labels":[],"label_agreement":null},{"id":"W2766840975","doi":"","title":"A Staged Encounter: French Meeting Timucua in Jacques Le Moyne de Morgues - eScholarship","year":2017,"lang":"en","type":"article","venue":"Journal of Transnational American Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Art history; Human settlement; History; Variety (cybernetics); Art; George (robot); Humanities; Literature; Archaeology","score_opus":0.053043428597442197,"score_gpt":0.30732739869180087,"score_spread":0.25428397009435866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766840975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9724196,0.0027673228,0.0000451735,0.009757553,0.00026905705,0.00004691965,0.00002759382,0.000012791638,0.0146539705],"genre_scores_gemma":[0.9968728,0.00019492648,0.0006439897,0.0002500583,0.00043082604,0.0000043290443,0.0000014756515,0.000008258478,0.0015933717],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882895,0.00010422801,0.00045854028,0.00010655727,0.00033043715,0.00017129067],"domain_scores_gemma":[0.99873495,0.00023717486,0.00050640554,0.00009307069,0.00037264943,0.00005575592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005728648,0.00012340721,0.00039236574,0.00018445685,0.0006428723,0.00017469836,0.0002935721,0.000014055306,0.00010204569],"category_scores_gemma":[0.00022990078,0.00009423789,0.00015628999,0.0000383869,0.00058870396,0.00076426374,0.00002132008,0.0002396832,0.0000015109096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00052577653,0.0017116735,0.13376936,0.0003019299,0.003020695,0.0005475754,0.35286656,0.000686859,0.002487936,0.4690468,0.013181135,0.02185369],"study_design_scores_gemma":[0.0030795627,0.0014195926,0.15104644,0.0005798622,0.00036255413,0.000044249056,0.07307941,0.00021461118,0.00079910696,0.04256472,0.72577125,0.0010386559],"about_ca_topic_score_codex":0.00072957965,"about_ca_topic_score_gemma":0.0021255312,"teacher_disagreement_score":0.7125901,"about_ca_system_score_codex":0.00011398656,"about_ca_system_score_gemma":0.000087648164,"threshold_uncertainty_score":0.49445188},"labels":[],"label_agreement":null},{"id":"W2767794353","doi":"10.7202/1041075ar","title":"Introduction. Le reenactment ou le répertoire en régime intermédial","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.026913451430851713,"score_gpt":0.2681056508002856,"score_spread":0.24119219936943387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767794353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017773231,0.03306934,0.019479377,0.16929603,0.008351222,0.001546891,0.0013679577,0.003038741,0.74607724],"genre_scores_gemma":[0.34352753,0.0029635308,0.0036571387,0.0022448893,0.0065991557,0.0003618214,0.00013982547,0.00026005192,0.6402461],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935076,0.0013345347,0.0016657142,0.0015056332,0.0006326606,0.0013538226],"domain_scores_gemma":[0.9962719,0.0007257648,0.0005581011,0.0012617721,0.00066924025,0.00051321625],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011510133,0.0012501959,0.0012364503,0.00066572736,0.0027476642,0.00084576575,0.0010905425,0.0005290655,0.002814222],"category_scores_gemma":[0.000587911,0.0010005438,0.0010203897,0.00026622586,0.0073266593,0.0035901952,0.0005180184,0.0008549595,0.00028243184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032433483,0.0009138452,0.000083102816,0.0003344979,0.00031297098,0.00023003016,0.011070002,0.0000013077205,0.003031549,0.46634474,0.15950297,0.35785064],"study_design_scores_gemma":[0.0006300582,0.001160999,0.00008544386,0.002025391,0.00021559466,0.0002178726,0.0008599031,0.000008077989,0.00959275,0.0336681,0.9502244,0.0013114209],"about_ca_topic_score_codex":0.011434481,"about_ca_topic_score_gemma":0.0029546956,"teacher_disagreement_score":0.7907214,"about_ca_system_score_codex":0.002335781,"about_ca_system_score_gemma":0.00042357,"threshold_uncertainty_score":0.9992445},"labels":[],"label_agreement":null},{"id":"W2767876264","doi":"10.4000/books.pum.2539","title":"Chapitre 9. La contre-culture et le théâtre francophone","year":2016,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.008105657144711368,"score_gpt":0.16429213121361544,"score_spread":0.15618647406890407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767876264","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066481624,0.030987669,0.00013685634,0.0020306872,0.0003853043,0.0002582201,0.0010163288,0.00016418184,0.96435595],"genre_scores_gemma":[0.035542082,0.002702876,0.00008166349,0.0005917394,0.00095036055,0.000009744132,0.00007257238,0.000091771,0.9599572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782866,0.00019904398,0.0003865543,0.0006224329,0.00032639736,0.00063691643],"domain_scores_gemma":[0.99825,0.00035024964,0.0003386033,0.00045865256,0.00019122331,0.00041124359],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013779964,0.0007232309,0.00076707744,0.00016395048,0.001358298,0.00018001616,0.00054052577,0.0006417769,0.029417211],"category_scores_gemma":[0.000018173261,0.0006058709,0.00062314054,0.000014467805,0.00077704364,0.0002564321,0.00036393793,0.00069743744,0.00064226665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039300378,0.0000854036,0.00004078485,0.00019093175,0.0006088327,0.0012941613,0.031242667,0.000013084293,0.0003925883,0.890576,0.06380392,0.011358637],"study_design_scores_gemma":[0.0012917379,0.00016766717,0.00014640397,0.0005812138,0.0003873699,0.00009368881,0.0009745895,0.000031962332,0.0001332059,0.01600032,0.9794284,0.0007634499],"about_ca_topic_score_codex":0.008819835,"about_ca_topic_score_gemma":0.0068565486,"teacher_disagreement_score":0.9156245,"about_ca_system_score_codex":0.0003828696,"about_ca_system_score_gemma":0.00014009447,"threshold_uncertainty_score":0.9999418},"labels":[],"label_agreement":null},{"id":"W2767974029","doi":"10.4000/books.pum.3097","title":"Tradition antique et tolérance moderne","year":2016,"lang":"fr","type":"book","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Antique; Philosophy; Art history; Visual arts","score_opus":0.01450960722597286,"score_gpt":0.17840470033794611,"score_spread":0.16389509311197326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767974029","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022473363,0.012921632,0.0022180604,0.0015370972,0.0003425681,0.00027568798,0.0011394543,0.00016742869,0.9791507],"genre_scores_gemma":[0.051326137,0.0020812617,0.00015139506,0.00064961286,0.0010040825,0.000015598787,0.0001496603,0.000073034964,0.9445492],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997833,0.00030742353,0.00037646215,0.0005673552,0.00030508603,0.00061067916],"domain_scores_gemma":[0.99848557,0.00032923088,0.0003051883,0.00040488868,0.00013848672,0.00033663787],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015595701,0.0005578157,0.00061588024,0.00018249998,0.001094823,0.00015803946,0.00049625983,0.00041929143,0.010743385],"category_scores_gemma":[0.000016985192,0.00051473686,0.0004744586,0.0000164411,0.000527457,0.0003680719,0.00018484646,0.0005328378,0.00030959575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003694785,0.00016415329,0.000051297207,0.00047398504,0.00044817125,0.0009926712,0.028308082,0.00011279543,0.00055826176,0.7651659,0.19216494,0.011190222],"study_design_scores_gemma":[0.0006503127,0.00016679036,0.00023486878,0.0006585798,0.00045196057,0.00007582815,0.00017322158,0.00045914637,0.00029452506,0.030146359,0.9660909,0.0005975189],"about_ca_topic_score_codex":0.0044724634,"about_ca_topic_score_gemma":0.0028187966,"teacher_disagreement_score":0.77392596,"about_ca_system_score_codex":0.0014834497,"about_ca_system_score_gemma":0.00023230108,"threshold_uncertainty_score":0.9997304},"labels":[],"label_agreement":null},{"id":"W2767998293","doi":"10.4000/books.pum.2570","title":"Géographies du poème : un voyage en Amérique","year":2016,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007421933791167698,"score_gpt":0.15148949111171833,"score_spread":0.14406755732055063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767998293","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002043548,0.01762368,0.00025285908,0.0020060148,0.00037862465,0.0002818737,0.0006263634,0.00021732054,0.9765697],"genre_scores_gemma":[0.062148992,0.0064032744,0.0001201931,0.0003831689,0.0014226953,0.0000113285305,0.000044429766,0.00010488711,0.92936105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759287,0.00019906074,0.00046414442,0.0006465843,0.00034280343,0.0007545634],"domain_scores_gemma":[0.9979652,0.0005273669,0.00034265817,0.0005195603,0.00018608235,0.00045909456],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017051924,0.0007686662,0.0007480528,0.0004193435,0.0017063331,0.0001839828,0.00071858626,0.000558865,0.030351046],"category_scores_gemma":[0.000026101277,0.00068052456,0.00079629687,0.000022927188,0.0010811302,0.00026257665,0.00053623394,0.00057881454,0.0004939072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035163717,0.000066643785,0.000364757,0.00021365593,0.00089392037,0.0018413239,0.027369695,0.000008142477,0.00023882197,0.92510754,0.023273822,0.020270014],"study_design_scores_gemma":[0.000589468,0.00020474201,0.00037422005,0.00040171453,0.0006929004,0.000095647825,0.00052788266,0.000025287472,0.00019934523,0.035441246,0.9606124,0.0008351119],"about_ca_topic_score_codex":0.0063652312,"about_ca_topic_score_gemma":0.008316711,"teacher_disagreement_score":0.9373386,"about_ca_system_score_codex":0.00068785774,"about_ca_system_score_gemma":0.000061638566,"threshold_uncertainty_score":0.9995933},"labels":[],"label_agreement":null},{"id":"W2769793754","doi":"","title":"Éveil modéré / La Nina Santa de Lucrecia Martel","year":2005,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; La Niña; Geography; Art","score_opus":0.016644588529155072,"score_gpt":0.22912682941978896,"score_spread":0.2124822408906339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2769793754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04651544,0.2548375,0.00009813965,0.00844404,0.0010079979,0.000102472644,0.00016331056,0.000114264425,0.6887168],"genre_scores_gemma":[0.22625014,0.003389072,0.00044139894,0.001221574,0.0057689403,0.000012392656,0.000025305162,0.000036008147,0.7628552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998538,0.00017175038,0.00033467374,0.0002959257,0.00017598814,0.00048362513],"domain_scores_gemma":[0.99918735,0.00020646556,0.000083583865,0.0002528748,0.00006144328,0.00020829015],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019133952,0.0002630577,0.0003127765,0.00009672004,0.0005957819,0.00023935731,0.00023806322,0.00014943983,0.019017525],"category_scores_gemma":[0.000033146032,0.00024349683,0.00023408595,0.00006172136,0.00042261468,0.0002783895,0.000056748002,0.00030176173,0.0019601202],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003627589,0.00034791362,0.00028109262,0.00008963012,0.000087578934,0.0000735145,0.012698153,0.00004397776,0.00003318641,0.21024802,0.7386201,0.03744057],"study_design_scores_gemma":[0.00027496324,0.00007114754,0.00032582425,0.0001178888,0.00011740803,0.00003478399,0.0010092417,0.00044790676,0.00007033579,0.0015465562,0.9956559,0.00032803937],"about_ca_topic_score_codex":0.0020096581,"about_ca_topic_score_gemma":0.0006029555,"teacher_disagreement_score":0.25703582,"about_ca_system_score_codex":0.00012982711,"about_ca_system_score_gemma":0.00008598187,"threshold_uncertainty_score":0.99881697},"labels":[],"label_agreement":null},{"id":"W2771529473","doi":"10.26522/vp.v14i2.1654","title":"Frigerio, Vittorio. Révolution !","year":2017,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.026847197853295347,"score_gpt":0.2440782709442428,"score_spread":0.21723107309094747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771529473","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053014193,0.0992063,0.00023598263,0.10073569,0.023734882,0.00030453905,0.00083313487,0.00020353866,0.7217317],"genre_scores_gemma":[0.20613056,0.0009702585,0.00008901268,0.00018604199,0.006664828,0.000009261322,0.000021841672,0.0000249447,0.7859033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986082,0.00007169784,0.0003284202,0.0003438834,0.00022819723,0.00041960712],"domain_scores_gemma":[0.9986917,0.00007619149,0.00025009376,0.0006941552,0.000108589666,0.00017927092],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014769641,0.00026368818,0.00026783033,0.00007418384,0.004152395,0.00095781166,0.00046948256,0.00016093871,0.009659952],"category_scores_gemma":[0.00009896583,0.00024051509,0.00025838247,0.00002223277,0.00093897735,0.00087770575,0.00012276505,0.00025998492,0.0019456641],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036410962,0.00021565423,0.00027231267,0.000097729666,0.00011750498,0.00006851287,0.020477643,0.0000048912025,0.000045446308,0.72301865,0.24255934,0.013085902],"study_design_scores_gemma":[0.00021891356,0.000104716,0.0004829655,0.00013716532,0.00011202492,0.000004361451,0.00034770308,0.00018522279,0.00008738344,0.005585445,0.992401,0.00033311747],"about_ca_topic_score_codex":0.016530143,"about_ca_topic_score_gemma":0.0015509449,"teacher_disagreement_score":0.74984163,"about_ca_system_score_codex":0.000088705114,"about_ca_system_score_gemma":0.00006434439,"threshold_uncertainty_score":0.99883145},"labels":[],"label_agreement":null},{"id":"W2773875121","doi":"10.7202/1042222ar","title":"Le secret dans les romans-mémoires de Prévost","year":2017,"lang":"fr","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.02994358124236709,"score_gpt":0.24505208916335386,"score_spread":0.21510850792098676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773875121","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27720046,0.44280744,0.000030949723,0.11827837,0.0063622706,0.0027376786,0.009240165,0.00037182544,0.14297085],"genre_scores_gemma":[0.84234715,0.04271157,0.001077632,0.0037796996,0.009957341,0.0005047286,0.00052504527,0.00021485657,0.09888197],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99673885,0.00005990182,0.00056565454,0.0007756356,0.0003763604,0.0014836141],"domain_scores_gemma":[0.99683654,0.00037513732,0.0005308089,0.00040998528,0.0012851979,0.00056231],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004946574,0.000663596,0.0007426089,0.000057884197,0.022190867,0.0018621557,0.0013089393,0.00036985593,0.00023968185],"category_scores_gemma":[0.0005003647,0.000545721,0.00086500845,0.00016311245,0.0025560288,0.0009138445,0.00018520589,0.000667976,0.000024870194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004870484,0.00008881639,0.005495301,0.00024895504,0.003290104,0.000005963484,0.17505734,5.641123e-7,0.000104543455,0.15442847,0.6602369,0.0009943718],"study_design_scores_gemma":[0.00067935174,0.00016532028,0.0026734632,0.00035476813,0.0008765798,0.00000473576,0.062746294,0.00018704055,0.00012653651,0.0022625765,0.9292488,0.000674493],"about_ca_topic_score_codex":0.5538136,"about_ca_topic_score_gemma":0.6190669,"teacher_disagreement_score":0.5651467,"about_ca_system_score_codex":0.0016719108,"about_ca_system_score_gemma":0.0012295727,"threshold_uncertainty_score":0.9996994},"labels":[],"label_agreement":null},{"id":"W2773964240","doi":"10.7202/1048595ar","title":"Les araignées et les insectes dans la mythologie et la religion des Indiens hopis1","year":2018,"lang":"fr","type":"article","venue":"Recherches amérindiennes au Québec","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Aarhus Institute of Advanced Studies, Aarhus Universitet","keywords":"Art","score_opus":0.15101945721786197,"score_gpt":0.33938539531145206,"score_spread":0.1883659380935901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773964240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5947954,0.008872096,0.00018300768,0.0026922598,0.00045800643,0.00014749292,0.00010820667,0.00024026554,0.39250323],"genre_scores_gemma":[0.9177112,0.0040928773,0.0010250051,0.0003341836,0.0013255599,0.000049707178,0.00004443371,0.0000971866,0.07531984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945247,0.0028726764,0.00067841227,0.0007577671,0.00026827145,0.00089815166],"domain_scores_gemma":[0.99514997,0.003496506,0.00030683665,0.0004923247,0.0002846648,0.00026969405],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0020655897,0.00066939334,0.00066915946,0.00030692754,0.0016647463,0.0004529108,0.0005483175,0.000768843,0.00038553058],"category_scores_gemma":[0.0010973428,0.00056499016,0.00045364987,0.0002699544,0.005019271,0.00061727874,0.00026039954,0.0012141383,0.0003041568],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010317478,0.00069750205,0.02112434,0.00043941077,0.00027038887,0.00013289005,0.41791502,0.00001196398,0.00036068566,0.47280183,0.0021525982,0.083990194],"study_design_scores_gemma":[0.00042838734,0.0010597889,0.048236154,0.0007876144,0.00024781565,0.00016711856,0.041468587,0.00003373703,0.00064606476,0.012261144,0.89366436,0.0009992032],"about_ca_topic_score_codex":0.6202875,"about_ca_topic_score_gemma":0.86321616,"teacher_disagreement_score":0.8915118,"about_ca_system_score_codex":0.0010651231,"about_ca_system_score_gemma":0.00074121304,"threshold_uncertainty_score":0.99968016},"labels":[],"label_agreement":null},{"id":"W2775444325","doi":"10.1093/fs/knx293","title":"<i>The Cambridge Companion to Balzac</i> . Edited by O <scp>wen</scp> H <scp>eathcote</scp> and A <scp>ndrew</scp> W <scp>atts</scp> . <i>The Cambridge Companion to Balzac</i> . Edited by HeathcoteOwen and WattsAndrew. (Cambridge Companions to Literature.) Cambridge: Cambridge University Press, 2017. xxiii + 218 pp., ill.","year":2017,"lang":"en","type":"article","venue":"French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Literature; Art; Criticism; Scholarship; Philosophy; History; Law; Political science","score_opus":0.022662992841075234,"score_gpt":0.23983270905091586,"score_spread":0.21716971620984063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775444325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8100781,0.08249586,0.0004181258,0.007763029,0.0105004385,0.0060445294,0.02095824,0.0012277039,0.060514003],"genre_scores_gemma":[0.5456937,0.014774066,0.0003160647,0.007375668,0.009926595,0.0005750889,0.0032096335,0.00051349314,0.4176157],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98751366,0.0012145872,0.0021582297,0.0033686834,0.0021571293,0.0035877144],"domain_scores_gemma":[0.98543704,0.005656138,0.0013729663,0.0030028233,0.0020235763,0.0025074738],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0017168393,0.0027531039,0.0032729967,0.000679669,0.013178965,0.0040415935,0.0033138122,0.00069988595,0.000004845735],"category_scores_gemma":[0.003095247,0.0021784254,0.000768622,0.0011701887,0.0026672739,0.0022500267,0.0032401853,0.0022817473,0.00028189775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033748376,0.00069223705,0.0024319335,0.0003330171,0.0012303328,0.00015890489,0.020798177,0.00002233041,0.0023051398,0.005661656,0.96595573,0.0003767785],"study_design_scores_gemma":[0.002720813,0.0011047628,0.013248535,0.0007404996,0.0009471544,0.000120272445,0.012101209,0.00037019633,0.0009007399,0.000018017432,0.9671767,0.0005511407],"about_ca_topic_score_codex":0.010033729,"about_ca_topic_score_gemma":0.0012049775,"teacher_disagreement_score":0.3571017,"about_ca_system_score_codex":0.00068197935,"about_ca_system_score_gemma":0.00022745058,"threshold_uncertainty_score":0.9985202},"labels":[],"label_agreement":null},{"id":"W2775855744","doi":"","title":"Les indices d'oralité dans la réécriture en créole des fables françaises par François Achille Marbot (1846)","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Art; Humanities","score_opus":0.01690880443935342,"score_gpt":0.2150617519932187,"score_spread":0.19815294755386528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775855744","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39843842,0.026119988,0.009768259,0.00922769,0.0006861923,0.00071067124,0.0012487065,0.00043163518,0.55336845],"genre_scores_gemma":[0.7399166,0.0030329353,0.008770823,0.00016333189,0.0002959488,0.0001664199,0.0011677715,0.000101646,0.24638449],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9868922,0.009584266,0.001047457,0.001096633,0.0006196148,0.00075981044],"domain_scores_gemma":[0.9922207,0.0032918793,0.0007011036,0.00175253,0.001629531,0.0004042672],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032996284,0.0007996869,0.0009342816,0.00028773583,0.0034257462,0.0016382596,0.0018954208,0.00066303107,0.007083076],"category_scores_gemma":[0.0007547009,0.00073558633,0.000572321,0.00025504257,0.0025119078,0.00065980345,0.0011673981,0.0013327535,0.00037721387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018678427,0.0012127273,0.0066834055,0.0006424274,0.00031358734,0.000017064953,0.23702548,0.00004370784,0.00048117482,0.7219571,0.0064333226,0.025171323],"study_design_scores_gemma":[0.00040987702,0.000002243749,0.010462232,0.0025569282,0.00025370996,0.00001252045,0.0038332301,0.00076463114,0.0028963033,0.015057727,0.9628511,0.0008994702],"about_ca_topic_score_codex":0.07852006,"about_ca_topic_score_gemma":0.02651649,"teacher_disagreement_score":0.9564178,"about_ca_system_score_codex":0.00019960644,"about_ca_system_score_gemma":0.00019502737,"threshold_uncertainty_score":0.9995095},"labels":[],"label_agreement":null},{"id":"W2775889549","doi":"","title":"Comment Corinne De Vailly a écrit la série Celtina","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Philosophy","score_opus":0.0067590482018096455,"score_gpt":0.16054471448889746,"score_spread":0.1537856662870878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775889549","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1426814,0.062194727,0.00020069981,0.33437973,0.002989252,0.00029497378,0.000545468,0.00024210707,0.45647165],"genre_scores_gemma":[0.16417417,0.003231241,0.0005052101,0.0023573807,0.0013091108,0.00000632908,0.000058260433,0.000044070508,0.82831424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985054,0.00015786556,0.00021473666,0.00032127634,0.00021620271,0.00058450375],"domain_scores_gemma":[0.9987718,0.00024333032,0.00012957853,0.0003517987,0.00010573815,0.00039778076],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023973116,0.00028718016,0.00032331425,0.00013483981,0.0014955414,0.00009740241,0.00035521938,0.00021794964,0.0074910694],"category_scores_gemma":[0.000021538432,0.0003080654,0.00027318363,0.000111903566,0.00039406415,0.0002988188,0.00020649505,0.0006274816,0.0005526211],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007438309,0.00026773277,0.00017776896,0.00005592593,0.00011076493,0.0018643541,0.007751137,0.000005258509,0.00021795578,0.5375774,0.4397604,0.0121369315],"study_design_scores_gemma":[0.0006482179,0.00017034318,0.00015197662,0.00005559555,0.0002689501,0.000234475,0.0016359163,0.0002625273,0.00007686033,0.0021503204,0.9939705,0.0003743246],"about_ca_topic_score_codex":0.030582916,"about_ca_topic_score_gemma":0.07318082,"teacher_disagreement_score":0.5542101,"about_ca_system_score_codex":0.0022183417,"about_ca_system_score_gemma":0.0000611904,"threshold_uncertainty_score":0.9999371},"labels":[],"label_agreement":null},{"id":"W2777579888","doi":"10.3917/r2050.041.0083","title":"Les « ratures du vittérateur imaginaire »","year":2006,"lang":"fr","type":"article","venue":"Roman 20-50","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.01108056067629189,"score_gpt":0.20867368393575855,"score_spread":0.19759312325946665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2777579888","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033927716,0.13133013,0.00008324196,0.01552939,0.0027921952,0.00014979756,0.000290695,0.00019311298,0.81570375],"genre_scores_gemma":[0.37854365,0.00021143541,0.00006325458,0.0004564159,0.006349252,0.000008436944,0.00011854195,0.000033705765,0.6142153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984861,0.00012828023,0.00036704345,0.00035990658,0.00022001224,0.00043863824],"domain_scores_gemma":[0.9993718,0.000060883016,0.00011280837,0.00025727335,0.00008280058,0.00011442318],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008847546,0.00032181534,0.0003353163,0.00010802297,0.0010171895,0.00039802096,0.00022821307,0.00013035657,0.008392524],"category_scores_gemma":[0.000007104432,0.00027871723,0.00026771272,0.00008046573,0.0004321403,0.00040633045,0.00005076938,0.00030412016,0.0009922099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022024926,0.00028850528,0.00038341852,0.00010496319,0.00004471435,0.00013334937,0.0019070364,0.000016273387,0.00016706673,0.41304174,0.57928354,0.0046073855],"study_design_scores_gemma":[0.0002278174,0.000107545966,0.0014022063,0.00009886034,0.000119946024,0.000019621506,0.00023104757,0.0001433559,0.000071306786,0.0054215128,0.9917764,0.00038039743],"about_ca_topic_score_codex":0.021246012,"about_ca_topic_score_gemma":0.00264958,"teacher_disagreement_score":0.41249284,"about_ca_system_score_codex":0.00009578678,"about_ca_system_score_gemma":0.000030760115,"threshold_uncertainty_score":0.9999665},"labels":[],"label_agreement":null},{"id":"W2778806064","doi":"10.3917/r2050.041.0071","title":"Le nom blason chez Réjean Ducharme","year":2006,"lang":"fr","type":"article","venue":"Roman 20-50","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Circus School","funders":"","keywords":"Philosophy","score_opus":0.013699258187890504,"score_gpt":0.1977512542310026,"score_spread":0.1840519960431121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778806064","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062178984,0.03235674,0.00008344443,0.011149848,0.0023679503,0.00016388232,0.00028323897,0.00016453052,0.8912514],"genre_scores_gemma":[0.40457004,0.00006262728,0.000055550834,0.0004271107,0.0047840183,0.000006743733,0.00011371814,0.000031207426,0.58994895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983461,0.000105999265,0.00042099837,0.00039106904,0.00022614433,0.000509671],"domain_scores_gemma":[0.9993116,0.000063827385,0.00012362855,0.0002971175,0.000055687953,0.00014809417],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012171635,0.00029612673,0.00036065857,0.00010838365,0.0008520268,0.00026660846,0.00023523337,0.0001280034,0.012894422],"category_scores_gemma":[0.0000069808775,0.00029099593,0.0002902989,0.00007786459,0.00035067333,0.00037781242,0.00005417807,0.00026499145,0.002710102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018953611,0.0005248729,0.00012215838,0.00009763234,0.00005848799,0.000059028065,0.004003529,0.0000248195,0.00031541014,0.6373243,0.35634807,0.0011027653],"study_design_scores_gemma":[0.0003150697,0.00014725995,0.0004433799,0.000081737155,0.00010302763,0.000008091677,0.0003468328,0.00017943072,0.00015476054,0.004480538,0.9933411,0.00039876753],"about_ca_topic_score_codex":0.025472905,"about_ca_topic_score_gemma":0.0035767974,"teacher_disagreement_score":0.63699305,"about_ca_system_score_codex":0.00009264558,"about_ca_system_score_gemma":0.00007869773,"threshold_uncertainty_score":0.9999542},"labels":[],"label_agreement":null},{"id":"W2779327456","doi":"","title":"Compte rendu de: Fortescue, Michael, Orientation systems of the North Pacific Rim [Copenhague, Museum Tusculanum Press, 2011]","year":2013,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Orientation (vector space); Art; Mathematics; Geometry","score_opus":0.023451806481808002,"score_gpt":0.21363646876628262,"score_spread":0.19018466228447461,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2779327456","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46094763,0.017972171,0.010534217,0.0064870673,0.005005733,0.0031833828,0.0015818997,0.0005462158,0.49374166],"genre_scores_gemma":[0.881897,0.0003674848,0.0006066791,0.000038254977,0.00012208291,0.0001381407,0.00072300114,0.000037716654,0.11606969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949741,0.0030070525,0.0007271818,0.000530201,0.0004482868,0.0003131947],"domain_scores_gemma":[0.99506086,0.0004874562,0.0008309943,0.0017366201,0.001752383,0.00013170237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013700653,0.00031827588,0.00045910876,0.00010637866,0.0005933877,0.00050435367,0.0012026834,0.00015513765,0.00091048685],"category_scores_gemma":[0.00019731588,0.00024428236,0.000318193,0.00009975212,0.00042199405,0.00024533132,0.0006838851,0.0005199634,0.00008150056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003728452,0.0015449837,0.010594678,0.0018345583,0.0006160355,0.0000052717246,0.23627907,0.0005478688,0.00044349628,0.57772166,0.16489004,0.005485054],"study_design_scores_gemma":[0.0004364416,0.0000014119056,0.0048285597,0.0017116744,0.00023538947,0.000004820063,0.0013189492,0.008330895,0.0016743353,0.0014209567,0.97940964,0.00062693446],"about_ca_topic_score_codex":0.023267819,"about_ca_topic_score_gemma":0.0064804046,"teacher_disagreement_score":0.8145196,"about_ca_system_score_codex":0.000111791174,"about_ca_system_score_gemma":0.00015362746,"threshold_uncertainty_score":0.9969193},"labels":[],"label_agreement":null},{"id":"W2779800638","doi":"","title":"« Pronostications espoventables » autour de la Fin Dernière, dans les « canards sanglants » à la fin du XVIe et au début du XVIIe siècle","year":2011,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Humanities; Physics; Art","score_opus":0.025645066829269588,"score_gpt":0.2334020906802041,"score_spread":0.2077570238509345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2779800638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2552751,0.0032534897,0.020166721,0.020531783,0.00044049998,0.00061040063,0.0012803948,0.00032623197,0.6981154],"genre_scores_gemma":[0.9035452,0.002387909,0.00468664,0.0001817397,0.00020361603,0.00017093602,0.001085885,0.000080897276,0.087657176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9872792,0.009990814,0.0008294293,0.0008513262,0.0004075705,0.00064166216],"domain_scores_gemma":[0.99253094,0.0038845837,0.00061052665,0.0014570488,0.0011222392,0.00039468688],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0047674035,0.00057266594,0.0005978872,0.00023173385,0.002260197,0.00077978126,0.0014298306,0.00041105485,0.002067231],"category_scores_gemma":[0.0018358484,0.0005820569,0.00040445317,0.0002056093,0.0013834328,0.00032287708,0.0007959464,0.00093661627,0.00016775347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002277938,0.0015925515,0.0187774,0.00021956158,0.0002077259,0.000030503828,0.14145698,0.00018877025,0.0002168685,0.82198936,0.0069595617,0.00833793],"study_design_scores_gemma":[0.0004726368,0.0000022720474,0.051948395,0.0016850334,0.00029414837,0.000037553196,0.0012858515,0.0034837401,0.0014998155,0.008557009,0.9300052,0.00072834606],"about_ca_topic_score_codex":0.13451989,"about_ca_topic_score_gemma":0.0744696,"teacher_disagreement_score":0.92304564,"about_ca_system_score_codex":0.00052117906,"about_ca_system_score_gemma":0.0012511591,"threshold_uncertainty_score":0.9996631},"labels":[],"label_agreement":null},{"id":"W2780603791","doi":"10.5070/t881036605","title":"A Staged Encounter: French Meeting Timucua in Jacques Le Moyne de Morgues","year":2017,"lang":"en","type":"article","venue":"Journal of Transnational American Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Human settlement; Art history; Variety (cybernetics); George (robot); History; Art; Humanities; Archaeology","score_opus":0.044791770533330964,"score_gpt":0.303206680913751,"score_spread":0.2584149103804201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780603791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9534928,0.0035210752,0.00010617048,0.01827503,0.0003803356,0.000059458605,0.00003813543,0.000016120108,0.024110861],"genre_scores_gemma":[0.9965677,0.00022494444,0.0006278329,0.00022828829,0.00045917407,0.000003912513,0.0000012401661,0.000007030786,0.0018798362],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896747,0.00007188334,0.00042462582,0.00009417505,0.00028849105,0.00015337524],"domain_scores_gemma":[0.99886394,0.00020011268,0.00047324027,0.000081954815,0.00033433113,0.00004640066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038861233,0.00011095242,0.0003728306,0.00016521172,0.00055829476,0.000116516276,0.000249878,0.0000112123935,0.00010501861],"category_scores_gemma":[0.00014173234,0.00008302766,0.00014362656,0.00003272729,0.0005936467,0.00051887694,0.00001897595,0.00016646516,0.0000012759991],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042149887,0.0015466602,0.0809227,0.00025718575,0.0028453032,0.00047114995,0.4647211,0.00085321965,0.0015609391,0.3933987,0.031344,0.02165753],"study_design_scores_gemma":[0.0021963266,0.0010854573,0.07531586,0.00037314504,0.00025049192,0.00003114212,0.067471184,0.000273128,0.00044704767,0.022724565,0.8291043,0.0007273647],"about_ca_topic_score_codex":0.0008757519,"about_ca_topic_score_gemma":0.0022626603,"teacher_disagreement_score":0.7977603,"about_ca_system_score_codex":0.000096132564,"about_ca_system_score_gemma":0.00007879629,"threshold_uncertainty_score":0.42940083},"labels":[],"label_agreement":null},{"id":"W2780630836","doi":"10.4000/memini.965","title":"Retour sur la ressemblance","year":2017,"lang":"fr","type":"article","venue":"Memini","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.044221384455825546,"score_gpt":0.26675707940465104,"score_spread":0.2225356949488255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780630836","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017777087,0.016913211,0.0000049825426,0.009688796,0.003017587,0.00004496399,0.000100850964,0.000034177123,0.9524183],"genre_scores_gemma":[0.263813,0.0005551349,0.0000281994,0.00018229049,0.0028483358,0.000004088987,0.0000048553884,0.000012660575,0.73255146],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990984,0.000067110464,0.00020603757,0.00022582749,0.00014610124,0.00025651383],"domain_scores_gemma":[0.9989038,0.0001578084,0.00016729141,0.0005953566,0.00007112668,0.00010459037],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001994924,0.00015019056,0.00023454688,0.000027521068,0.0014152321,0.00062168523,0.00042519695,0.000096158525,0.0060562147],"category_scores_gemma":[0.00020416825,0.00013270213,0.00013033928,0.000011215105,0.0005214343,0.0005396471,0.00008332981,0.00021397836,0.0008586537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002469476,0.00012807091,0.000460927,0.00012496804,0.00005174776,0.00020261902,0.008493907,5.526575e-7,0.000025350102,0.37947682,0.5960997,0.0149107035],"study_design_scores_gemma":[0.00016019461,0.00004720298,0.00057271833,0.00018778878,0.00005046946,0.0000062026847,0.00016167162,0.00003512749,0.000089772766,0.0030002017,0.9954974,0.00019125185],"about_ca_topic_score_codex":0.0018346455,"about_ca_topic_score_gemma":0.00023293695,"teacher_disagreement_score":0.39939776,"about_ca_system_score_codex":0.000030286626,"about_ca_system_score_gemma":0.000036224832,"threshold_uncertainty_score":0.9999193},"labels":[],"label_agreement":null},{"id":"W2780650394","doi":"10.7202/1089996ar","title":"Tous les chemins mènent à l’auberge. Les lieux de passage dans l’histoire comique du XVIIe siècle","year":2022,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.02156398330953811,"score_gpt":0.2151353225576674,"score_spread":0.1935713392481293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780650394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6119681,0.058341593,0.00014702705,0.014528549,0.004304421,0.00049865694,0.0009778606,0.00063588313,0.3085979],"genre_scores_gemma":[0.7668668,0.00082572235,0.00017752215,0.0004956227,0.0024342004,0.00018017075,0.00011590233,0.000072477575,0.22883157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704033,0.00044019675,0.0006332115,0.00063966186,0.00042154785,0.0008250528],"domain_scores_gemma":[0.9984726,0.000290644,0.00026342223,0.0004980977,0.00015412911,0.0003211292],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004097793,0.0005554837,0.00063851755,0.00013064165,0.004817435,0.0002352971,0.00065289944,0.00019010268,0.0063572796],"category_scores_gemma":[0.000080548394,0.0005658825,0.00046381005,0.00015833754,0.0009528128,0.00036483133,0.0004200158,0.0007421848,0.00003436805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084555206,0.0009681574,0.0060625304,0.00031258812,0.00020208252,0.00040015273,0.03348328,0.00007163878,0.0005298421,0.91777486,0.024144184,0.01596614],"study_design_scores_gemma":[0.00030121312,0.00046874434,0.0005200883,0.00009271296,0.00019338034,0.00008140999,0.011008517,0.00014998433,0.00073229434,0.003598781,0.98214304,0.0007098585],"about_ca_topic_score_codex":0.02051303,"about_ca_topic_score_gemma":0.004976239,"teacher_disagreement_score":0.9579988,"about_ca_system_score_codex":0.0012717186,"about_ca_system_score_gemma":0.00018075405,"threshold_uncertainty_score":0.99967927},"labels":[],"label_agreement":null},{"id":"W2780742370","doi":"10.7202/1089997ar","title":"Le topos de la rencontre chez Veiras et Foigny","year":2022,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Topos theory; Philosophy; Art","score_opus":0.014681755750112406,"score_gpt":0.24555885553759058,"score_spread":0.23087709978747817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780742370","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20550458,0.0424292,0.00006347402,0.016077507,0.003152332,0.00030943807,0.000398101,0.00036563366,0.7316997],"genre_scores_gemma":[0.8101466,0.00022172356,0.00018836286,0.0012804822,0.0015175208,0.00008286368,0.000045711186,0.00003269611,0.18648408],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762684,0.00097515376,0.00032572867,0.0003639,0.00025244916,0.0004559181],"domain_scores_gemma":[0.9989948,0.00036228885,0.00012648468,0.00027934808,0.0000747579,0.00016227961],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006456597,0.0002733652,0.000358716,0.00009278963,0.001299872,0.00026141765,0.0003479788,0.00009931599,0.0060895407],"category_scores_gemma":[0.00006132811,0.0002836663,0.00024914125,0.00010106969,0.00043795293,0.0004182146,0.00022039433,0.00052772823,0.00003558189],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041865755,0.00041865467,0.0005257994,0.00008695462,0.00009810301,0.00014866388,0.06120209,0.000024617597,0.00009326961,0.91774464,0.018177928,0.0014374162],"study_design_scores_gemma":[0.00026363897,0.00032760712,0.00013334592,0.000037884507,0.000074499105,0.000043905267,0.005572905,0.000036804744,0.00012676584,0.03360923,0.95941764,0.0003557745],"about_ca_topic_score_codex":0.011723283,"about_ca_topic_score_gemma":0.0011373122,"teacher_disagreement_score":0.9412397,"about_ca_system_score_codex":0.00027848448,"about_ca_system_score_gemma":0.00037894165,"threshold_uncertainty_score":0.99996156},"labels":[],"label_agreement":null},{"id":"W2781553758","doi":"10.3138/ecf.30.2.294","title":"<i>Distraction: Problems of Attention in Eighteenth-Century Literature</i> by Natalie M. Phillips","year":2018,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Distraction; Psychology; History; Cognitive psychology","score_opus":0.014673064239578287,"score_gpt":0.21449011177371996,"score_spread":0.19981704753414167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2781553758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48625177,0.16090128,0.00039591314,0.0011434824,0.020528639,0.0020358593,0.0017393356,0.00073273014,0.326271],"genre_scores_gemma":[0.98180985,0.012135506,0.00004146311,0.00013112217,0.0020563144,0.00004431964,0.0012679758,0.000036297843,0.0024771527],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756,0.00014535387,0.0008271372,0.000561025,0.0004906298,0.00041583515],"domain_scores_gemma":[0.99880284,0.000049279854,0.000380955,0.000350396,0.00028869804,0.00012782161],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023385193,0.00034599472,0.00038700833,0.00031404514,0.0004305599,0.00018851519,0.00023120033,0.00017330782,0.0027002248],"category_scores_gemma":[0.000018066743,0.0002981833,0.00024786044,0.0003638489,0.0003180776,0.0012266091,0.000045307912,0.00037408472,0.00017901302],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000745225,0.004971706,0.0031659596,0.00089225086,0.00036071162,0.000036649577,0.024804795,0.000010157853,0.015908545,0.12251802,0.8140714,0.012514557],"study_design_scores_gemma":[0.0007169577,0.00030505712,0.00044816462,0.00030174604,0.0000628064,0.000008212279,0.0003670111,0.00009656983,0.0007251476,0.000121576646,0.9965031,0.00034364077],"about_ca_topic_score_codex":0.00022827442,"about_ca_topic_score_gemma":0.0000854214,"teacher_disagreement_score":0.49555808,"about_ca_system_score_codex":0.00017858055,"about_ca_system_score_gemma":0.000023926346,"threshold_uncertainty_score":0.999947},"labels":[],"label_agreement":null},{"id":"W2782654058","doi":"10.7202/1042837ar","title":"Sous les eaux demeurent les mots","year":2018,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.08117839879708755,"score_gpt":0.2641771265213945,"score_spread":0.18299872772430698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2782654058","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0359795,0.07429192,0.0009201964,0.005088686,0.004490437,0.0003906688,0.00027649425,0.0003744886,0.8781876],"genre_scores_gemma":[0.69166696,0.0003858067,0.000031070045,0.00087763136,0.009495048,0.00002863201,0.000060554914,0.000059517926,0.29739478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970997,0.0003577936,0.0008466847,0.00067922944,0.0003565404,0.000660057],"domain_scores_gemma":[0.9979209,0.00022017583,0.0003261813,0.00050887774,0.0007257461,0.00029812942],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035166013,0.0005761419,0.00068976573,0.00023802294,0.0017000363,0.00046606112,0.0004695772,0.00028918218,0.009858269],"category_scores_gemma":[0.00015892032,0.00052000256,0.0004399962,0.00015021022,0.00233328,0.0005979072,0.000104465515,0.00037833696,0.0006541013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004079598,0.0004047619,0.0012597191,0.00034766842,0.00028946323,0.00012363208,0.06798741,5.6634565e-7,0.00015891973,0.7639523,0.10810555,0.05732918],"study_design_scores_gemma":[0.0003328559,0.00046599656,0.00021658688,0.00038120797,0.0001494619,0.00002019638,0.0019329693,0.000077642515,0.00015446049,0.036338683,0.95928913,0.0006407951],"about_ca_topic_score_codex":0.010694918,"about_ca_topic_score_gemma":0.002246492,"teacher_disagreement_score":0.8511836,"about_ca_system_score_codex":0.00013878077,"about_ca_system_score_gemma":0.000121022305,"threshold_uncertainty_score":0.99972516},"labels":[],"label_agreement":null},{"id":"W2784582527","doi":"10.4000/books.pum.4608","title":"La mémoire est une faculté qui oublie : la mise en prose du roman de Cligès à la fin du Moyen Âge","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.010499801726951249,"score_gpt":0.17452795846049196,"score_spread":0.1640281567335407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784582527","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030618059,0.005243839,0.00006492715,0.0013711343,0.00014730854,0.0004829885,0.0005434412,0.00024006476,0.9612882],"genre_scores_gemma":[0.21496193,0.0014123803,0.0002496991,0.00026712907,0.00081351725,0.00003467773,0.00013689091,0.00012317132,0.7820006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99692416,0.0005534449,0.00054972887,0.0007459443,0.00040633354,0.0008203644],"domain_scores_gemma":[0.99723953,0.0010066087,0.00039747645,0.00052596943,0.00020377367,0.0006266607],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032724396,0.0009001463,0.00087122683,0.00027272067,0.0014296016,0.00052398926,0.0008750549,0.00091038935,0.009780865],"category_scores_gemma":[0.00005948182,0.00087446865,0.00064830604,0.000029722381,0.0009527387,0.00038717143,0.00062520354,0.0010576377,0.0005292339],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046174115,0.00029694216,0.00069452013,0.0005659942,0.0008798809,0.0048755133,0.118771754,0.00019920415,0.00019568786,0.7634942,0.09619412,0.013370442],"study_design_scores_gemma":[0.0010643571,0.00019327922,0.0010954471,0.00041674674,0.0009618547,0.00034946797,0.0021792753,0.00055378245,0.000055939112,0.00671536,0.98544985,0.0009646181],"about_ca_topic_score_codex":0.023644403,"about_ca_topic_score_gemma":0.009337603,"teacher_disagreement_score":0.88925576,"about_ca_system_score_codex":0.0009934548,"about_ca_system_score_gemma":0.00019346864,"threshold_uncertainty_score":0.9998704},"labels":[],"label_agreement":null},{"id":"W2784951456","doi":"10.4000/books.pum.5342","title":"1. Pierre Mercure. Aborder la modernité","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01182631031631098,"score_gpt":0.17632424735596994,"score_spread":0.16449793703965895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784951456","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008008115,0.023609309,0.0010685406,0.0005139181,0.00031018868,0.00023186325,0.00028895473,0.0001800992,0.9729963],"genre_scores_gemma":[0.040531863,0.0018268611,0.0001960662,0.00050912064,0.0009832069,0.000009396465,0.00008773246,0.00012328626,0.95573246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755746,0.00021230493,0.0004469303,0.0006600831,0.00040194902,0.00072129926],"domain_scores_gemma":[0.9979861,0.00042492032,0.00033311217,0.0005657537,0.00020532704,0.00048481958],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018138933,0.0007718751,0.0007955249,0.00023735176,0.001552847,0.00022931349,0.00065807864,0.00063904875,0.033714566],"category_scores_gemma":[0.000021738555,0.0007854804,0.0006216042,0.000013094992,0.0007515708,0.00014926196,0.00040728087,0.00087300653,0.00063047325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029813306,0.00006353256,0.00009023883,0.00032889252,0.0007282308,0.00085167814,0.020695858,0.00028801212,0.0000832107,0.9016601,0.04503901,0.029873136],"study_design_scores_gemma":[0.00056017406,0.0001447431,0.0001401354,0.00030154694,0.0011089379,0.00009432419,0.0002661073,0.0012116132,0.000042361244,0.014452584,0.98081267,0.00086481386],"about_ca_topic_score_codex":0.00938296,"about_ca_topic_score_gemma":0.0045410353,"teacher_disagreement_score":0.9357737,"about_ca_system_score_codex":0.000584485,"about_ca_system_score_gemma":0.000086882086,"threshold_uncertainty_score":0.999747},"labels":[],"label_agreement":null},{"id":"W2785156419","doi":"","title":"De la prédominance de la parole au don de l’écoute / The Gift of Listening: From Speakers to Listening Agents","year":2018,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Active listening; Psychology; Dominance (genetics); Humanities; Art; Communication","score_opus":0.025387769976816677,"score_gpt":0.2925035765859196,"score_spread":0.2671158066091029,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785156419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46879345,0.010108477,0.0022606335,0.030773278,0.0046771243,0.00061691983,0.00094237895,0.00017662751,0.4816511],"genre_scores_gemma":[0.92561984,0.00021573142,0.0007870306,0.0011137377,0.0038384162,0.000048937614,0.000055363136,0.000050726714,0.0682702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99740416,0.00067504856,0.0005341476,0.000413177,0.0002600964,0.00071337825],"domain_scores_gemma":[0.9975181,0.001233819,0.000255574,0.0005204935,0.00013733967,0.0003346596],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079871574,0.0003274318,0.00042932722,0.00010569514,0.0013548897,0.00039669266,0.0005282509,0.00018410213,0.0014590095],"category_scores_gemma":[0.00029975,0.00027235766,0.00027581755,0.00018972998,0.0014451039,0.000348166,0.00016556552,0.00041146635,0.00012367511],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020308464,0.0006892907,0.005976562,0.0001633728,0.00036645442,0.000110766974,0.29901376,0.00034215095,0.0007747022,0.5629244,0.12676238,0.0026730958],"study_design_scores_gemma":[0.00038604642,0.00018058997,0.006077918,0.00062988617,0.00019334102,0.000018479368,0.003639971,0.000918649,0.0007396038,0.0030355852,0.983849,0.00033093436],"about_ca_topic_score_codex":0.017745344,"about_ca_topic_score_gemma":0.0010754191,"teacher_disagreement_score":0.8570866,"about_ca_system_score_codex":0.0002433799,"about_ca_system_score_gemma":0.00037555007,"threshold_uncertainty_score":0.9999729},"labels":[],"label_agreement":null},{"id":"W2785809219","doi":"10.4000/books.pum.6808","title":"1632 • Gabriel Sagard","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval; Université du Québec à Montréal","funders":"","keywords":"History","score_opus":0.01360528561970374,"score_gpt":0.16429735569841772,"score_spread":0.150692070078714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785809219","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008064191,0.013803016,0.00055356114,0.00069722894,0.00046487415,0.00023132273,0.00031732226,0.00017539936,0.98295087],"genre_scores_gemma":[0.02666012,0.0010529421,0.00017530346,0.0007591778,0.001414744,0.0000065964805,0.000084473424,0.00009976973,0.9697469],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997637,0.00013538964,0.000459173,0.00063619076,0.00037414514,0.0007581423],"domain_scores_gemma":[0.9980612,0.0003187172,0.00034290162,0.0005755464,0.00017371871,0.00052795885],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015571374,0.0007106491,0.00078363915,0.00021927495,0.0016397658,0.00020673778,0.00064068066,0.00050637993,0.04947258],"category_scores_gemma":[0.000022935523,0.0007357664,0.0006915739,0.000010733397,0.00072137645,0.00012282316,0.00045362551,0.0006924448,0.0011347014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032617894,0.000043334116,0.00009775224,0.0003040553,0.00057436654,0.00085726706,0.0155870905,0.00006401914,0.00009846756,0.84713197,0.11442517,0.020490343],"study_design_scores_gemma":[0.0005281045,0.00022183011,0.00011801215,0.00031463787,0.0009719549,0.00007848386,0.00023649135,0.00028625052,0.00010086558,0.011872218,0.98445445,0.0008167006],"about_ca_topic_score_codex":0.010636752,"about_ca_topic_score_gemma":0.005225495,"teacher_disagreement_score":0.8700293,"about_ca_system_score_codex":0.00087656185,"about_ca_system_score_gemma":0.00007646956,"threshold_uncertainty_score":0.99965996},"labels":[],"label_agreement":null},{"id":"W2790671658","doi":"10.7202/1043227ar","title":"« Critiques musicaux de jadis et de naguère ». Raymond Bouyer, la musique et l’art (« Anthologie du phem » / Musicographes, 1)","year":2018,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.031100762821740516,"score_gpt":0.28895732996217244,"score_spread":0.2578565671404319,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790671658","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13901752,0.017351294,0.0016583038,0.042622153,0.009551823,0.0005503671,0.0007886216,0.0006566879,0.78780323],"genre_scores_gemma":[0.69359416,0.009654819,0.004299616,0.04355787,0.0515561,0.00021191208,0.0002803144,0.00029306466,0.19655213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99509376,0.0015495316,0.00079985615,0.0009766228,0.00030916007,0.0012710533],"domain_scores_gemma":[0.9969047,0.001112048,0.00025784745,0.0007884319,0.0003344938,0.0006025182],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015307069,0.0007094339,0.0009126896,0.00030432444,0.0010077994,0.000736509,0.00065256096,0.0005547287,0.009268266],"category_scores_gemma":[0.00056701974,0.00070242386,0.0007464141,0.00037631855,0.0025897424,0.0008162988,0.0002818443,0.0010459842,0.00057138916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009004598,0.0013135803,0.00051618385,0.0005237018,0.00018962917,0.0008390248,0.05931661,0.0000041115795,0.0008583351,0.4191519,0.50628114,0.010915721],"study_design_scores_gemma":[0.00051571283,0.0006055611,0.00081996503,0.00083295297,0.0003356026,0.00029165967,0.0009945857,0.00023573457,0.0003371085,0.012723322,0.9814409,0.00086686906],"about_ca_topic_score_codex":0.002006061,"about_ca_topic_score_gemma":0.0026700571,"teacher_disagreement_score":0.5912511,"about_ca_system_score_codex":0.00030008485,"about_ca_system_score_gemma":0.00039395064,"threshold_uncertainty_score":0.9995427},"labels":[],"label_agreement":null},{"id":"W2791207603","doi":"","title":"Invention de la culture / Le livre avalé : de la littérature entre mémoire et culture (XVIe-XVIIIe siècle) d’Éric Méchoulan, Les Presses de l’Université de Montréal, « Espace littéraire », 539 p.","year":2006,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011168921006890962,"score_gpt":0.2251917675240908,"score_spread":0.21402284651719986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791207603","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13854767,0.38381243,0.000218703,0.025939768,0.0005293097,0.0004651962,0.00038024128,0.00045950312,0.4496472],"genre_scores_gemma":[0.48544246,0.012962819,0.001593718,0.0026163552,0.0049916445,0.00005098816,0.00022929614,0.000091582806,0.49202114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956854,0.0011208069,0.00050786475,0.00086690224,0.0005913967,0.0012276099],"domain_scores_gemma":[0.99837387,0.00030909127,0.00038303566,0.00037989725,0.00018631571,0.00036778898],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009888498,0.00069166906,0.0005611405,0.00027070433,0.006740746,0.0014749973,0.00085192535,0.00062284956,0.0014188826],"category_scores_gemma":[0.00015494722,0.0005769601,0.00054216816,0.0005692895,0.004210876,0.0012640512,0.00024463417,0.0008640344,0.000043747914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007017855,0.0007781846,0.011275961,0.0004279838,0.00009596813,0.00042770655,0.030941749,0.0030176674,0.0028249125,0.2162492,0.7319534,0.0019371],"study_design_scores_gemma":[0.0005818071,0.00028561044,0.0038331714,0.000598281,0.000239007,0.0001638218,0.008480305,0.0005183093,0.0004995443,0.011261913,0.97281563,0.00072261004],"about_ca_topic_score_codex":0.024079446,"about_ca_topic_score_gemma":0.014274934,"teacher_disagreement_score":0.3708496,"about_ca_system_score_codex":0.0006203235,"about_ca_system_score_gemma":0.0004307967,"threshold_uncertainty_score":0.9996682},"labels":[],"label_agreement":null},{"id":"W2793882324","doi":"10.1086/696889","title":"Framing the Early Modern French Best Seller: American Settings for François de Belleforest’s Tragic Histories","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Destiny (ISS module); Manifest destiny; Framing (construction); History; Variety (cybernetics); Literature; Art; Political science; Law; Archaeology; Engineering","score_opus":0.018799721198169844,"score_gpt":0.23562065206122157,"score_spread":0.21682093086305174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793882324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9532429,0.003759297,0.0071271514,0.003278341,0.0013556356,0.000554696,0.00013566039,0.00030465456,0.030241687],"genre_scores_gemma":[0.9690827,0.000005863041,0.00041380432,0.0005618699,0.0026892303,0.00009150467,0.000012142343,0.000035363053,0.027107507],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985346,0.00006476165,0.00033160002,0.0003568802,0.0002151257,0.0004969887],"domain_scores_gemma":[0.9989809,0.00018461909,0.00018987447,0.00035244544,0.00017866274,0.000113526614],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00018478933,0.00024487692,0.00031307686,0.00007444736,0.0014580349,0.00021333915,0.00037232877,0.00004946926,0.000339647],"category_scores_gemma":[0.000021196733,0.00017033293,0.00019119,0.000105582956,0.0011537834,0.0003228832,0.000010070763,0.00019892365,0.000088965884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060493858,0.00013892997,0.00078823103,0.0000732418,0.00010474662,0.000005962306,0.8438209,0.000002645151,0.00033372297,0.016285056,0.077598765,0.060787275],"study_design_scores_gemma":[0.00019804834,0.0017038053,0.00030433314,0.00004627024,0.000068472196,0.0000029980122,0.0039019515,0.0008339785,0.000058613008,0.007365997,0.9852208,0.00029474316],"about_ca_topic_score_codex":0.0039779074,"about_ca_topic_score_gemma":0.003234275,"teacher_disagreement_score":0.90762204,"about_ca_system_score_codex":0.0000901494,"about_ca_system_score_gemma":0.00005157305,"threshold_uncertainty_score":0.9998419},"labels":[],"label_agreement":null},{"id":"W2794712507","doi":"","title":"Une histoire à contre-courant / Leila Inkstetter, Initiatives et adaptations algonquines au XIXe siècle, Québec, Septentrion, 2017, 521 pages","year":2018,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Sudbury","funders":"","keywords":"Geography","score_opus":0.01632930210964056,"score_gpt":0.18958179927676183,"score_spread":0.17325249716712127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794712507","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036124352,0.40042925,0.0007044938,0.4022826,0.0030310052,0.0004552187,0.00097401714,0.0002815424,0.15571754],"genre_scores_gemma":[0.31158283,0.014915986,0.00015093575,0.002238469,0.001855738,0.000012725511,0.00021206742,0.000060926424,0.66897035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758077,0.00035012624,0.00046932255,0.00055716943,0.0003410744,0.0007015358],"domain_scores_gemma":[0.99794936,0.00041460388,0.00038790973,0.00041971036,0.00046530186,0.0003630981],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018666654,0.0004953265,0.0006089638,0.00025708013,0.0046947985,0.00011260122,0.00039214094,0.0002297837,0.002798312],"category_scores_gemma":[0.000057043384,0.0004969769,0.0003935832,0.00027826405,0.001832549,0.0011421173,0.00017206032,0.00039617965,0.0007964613],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002377555,0.00044087647,0.00028308123,0.00008248765,0.0005528804,0.0010349476,0.067203514,0.000051538125,0.00014826073,0.19683637,0.7099841,0.023144169],"study_design_scores_gemma":[0.0011706279,0.0004773926,0.0022919944,0.00018965935,0.0005632029,0.000093290946,0.009166157,0.00047202254,0.000028167808,0.0006988813,0.98424625,0.0006023481],"about_ca_topic_score_codex":0.3750549,"about_ca_topic_score_gemma":0.85224116,"teacher_disagreement_score":0.5132528,"about_ca_system_score_codex":0.0046956534,"about_ca_system_score_gemma":0.00027589136,"threshold_uncertainty_score":0.9999815},"labels":[],"label_agreement":null},{"id":"W2799727668","doi":"10.1080/13645145.2018.1452371","title":"Ethnography and armchair visual artistry: Charles Nicolas Cochin’s illustrations of the <i>Histoire générale des voyages</i>","year":2018,"lang":"fr","type":"article","venue":"Studies in Travel Writing","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Royal University","funders":"","keywords":"Adventure; Ethnography; Taste; Art history; History; Art; Visual arts; Literature; Archaeology","score_opus":0.06333789712598584,"score_gpt":0.3109847038082418,"score_spread":0.24764680668225594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799727668","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.756424,0.1732755,0.00004102713,0.0022392948,0.0020181986,0.00029065492,0.0002800541,0.00003498272,0.06539626],"genre_scores_gemma":[0.9828134,0.0024202277,0.00013449484,0.00019390765,0.0012290285,0.000021776008,0.000003998596,0.000017482045,0.01316567],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983033,0.0001792283,0.0006118614,0.00029815172,0.00019674118,0.0004107451],"domain_scores_gemma":[0.99904853,0.00029497372,0.00020427446,0.00016098205,0.00022665558,0.00006460335],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00033630454,0.00023697085,0.00042898973,0.00011255012,0.0025860772,0.000070791946,0.00016109138,0.000084980806,0.00012482969],"category_scores_gemma":[0.00014417259,0.00019575203,0.00016829283,0.0002600448,0.010078197,0.00024802244,0.00013437615,0.0003212552,0.000004431098],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008366953,0.001050295,0.030362397,0.0030784812,0.00091566955,0.000044809876,0.60760397,0.000012058689,0.0011401225,0.30028534,0.013555716,0.041867495],"study_design_scores_gemma":[0.0018622753,0.0013988366,0.047857888,0.007856502,0.00079083076,0.000056272067,0.592999,0.00070716086,0.0017954331,0.02507658,0.31808475,0.0015145106],"about_ca_topic_score_codex":0.0008650251,"about_ca_topic_score_gemma":0.0043814704,"teacher_disagreement_score":0.30452904,"about_ca_system_score_codex":0.00007587263,"about_ca_system_score_gemma":0.000033716566,"threshold_uncertainty_score":0.9987124},"labels":[],"label_agreement":null},{"id":"W2800261391","doi":"","title":"L'idéal chrétien dans le discours de Saint-Vallier : Estat present de l'Eglise et de la colonie dans la Nouvelle France (1685-1686)","year":2000,"lang":"fr","type":"article","venue":"Corpus Université Laval (Université Laval)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.0051290209687371415,"score_gpt":0.19036354901003175,"score_spread":0.18523452804129462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800261391","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6405958,0.0051348154,0.0006552098,0.006516261,0.0003391574,0.00027179945,0.0005380712,0.00019024141,0.34575865],"genre_scores_gemma":[0.3968045,0.0057343217,0.0003023922,0.0003031387,0.00042141153,0.0000030320098,0.00008619552,0.00007601264,0.59626895],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.995992,0.0012545139,0.00032793006,0.00076724135,0.00047655014,0.0011817756],"domain_scores_gemma":[0.9977592,0.0005607005,0.00021189531,0.00055101886,0.00014680673,0.0007703522],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048059912,0.0006305984,0.00062658155,0.00028327203,0.0021263661,0.0002917146,0.0010206373,0.0004492209,0.0017436929],"category_scores_gemma":[0.000024661935,0.0007285057,0.000575221,0.0003936689,0.0016171312,0.0010403905,0.00027465457,0.0009063888,0.000095074916],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008654915,0.001613009,0.010146015,0.00020826225,0.0006378127,0.006635102,0.47240874,0.0056682117,0.0036832727,0.4606277,0.0196498,0.017856577],"study_design_scores_gemma":[0.0019152486,0.00036967391,0.005419208,0.00022653637,0.0006707741,0.00021019913,0.030243851,0.0016371625,0.0011382832,0.0011590677,0.956161,0.0008489687],"about_ca_topic_score_codex":0.1848682,"about_ca_topic_score_gemma":0.02441526,"teacher_disagreement_score":0.9365112,"about_ca_system_score_codex":0.0029561804,"about_ca_system_score_gemma":0.001513893,"threshold_uncertainty_score":0.9995166},"labels":[],"label_agreement":null},{"id":"W2803677520","doi":"10.4000/books.pum.4605","title":"La mémoire singulière du roman","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Moiré pattern; Art; Computer science; Computer vision","score_opus":0.00971707053152905,"score_gpt":0.15795412585585547,"score_spread":0.14823705532432643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803677520","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004005287,0.012843246,0.00007035784,0.0007616845,0.00031885062,0.0002588887,0.0002432443,0.00018253324,0.9813159],"genre_scores_gemma":[0.07933523,0.00080848404,0.00020074353,0.00032081822,0.0010865314,0.000008964335,0.000074689306,0.000097984695,0.91806656],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997881,0.00017478534,0.00040449091,0.00057363283,0.00032182425,0.00064428773],"domain_scores_gemma":[0.9982375,0.00035412598,0.00030939118,0.00045759743,0.00017291424,0.00046847778],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011935989,0.0006920389,0.0006721404,0.00020198803,0.0017616027,0.00031504236,0.00059299637,0.00057859684,0.061830964],"category_scores_gemma":[0.000019905401,0.0006954239,0.00058131356,0.000011895916,0.0008383731,0.00024846566,0.00046266426,0.00072810275,0.0012097892],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014899134,0.0000777385,0.00011316284,0.0002821523,0.0005487888,0.0019494308,0.025041739,0.000043159434,0.00010610196,0.85116315,0.10052793,0.01999767],"study_design_scores_gemma":[0.00045196814,0.00016161277,0.00028494495,0.00036187356,0.00080165523,0.00016976552,0.0006645783,0.00034864445,0.000040690175,0.0099434415,0.98600787,0.00076297927],"about_ca_topic_score_codex":0.015192174,"about_ca_topic_score_gemma":0.0036927997,"teacher_disagreement_score":0.8854799,"about_ca_system_score_codex":0.0010764219,"about_ca_system_score_gemma":0.00008141821,"threshold_uncertainty_score":0.99956787},"labels":[],"label_agreement":null},{"id":"W2803775082","doi":"10.4000/books.pum.4613","title":"L’Astrée et les intermittences de la mémoire","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Mathematics","score_opus":0.013952904495968739,"score_gpt":0.1843409263661833,"score_spread":0.17038802187021457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803775082","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0062656165,0.014572033,0.0002227853,0.001016942,0.00019517378,0.00020043671,0.00023980923,0.00014078159,0.97714645],"genre_scores_gemma":[0.12708072,0.0015820495,0.0003743513,0.00041278944,0.00050572894,0.000011630959,0.000040841736,0.00006714691,0.8699247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789035,0.00033010103,0.00037405352,0.0004968493,0.00027148606,0.0006371424],"domain_scores_gemma":[0.9981852,0.0006308907,0.0003005223,0.00035170035,0.00013024612,0.00040143897],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022058813,0.0006097242,0.00058584864,0.00019691412,0.0013059205,0.0003713349,0.00064927054,0.0005604253,0.03530481],"category_scores_gemma":[0.000028531045,0.0005852205,0.00050427864,0.000010801093,0.0012095263,0.0002674248,0.00044949347,0.00091805006,0.00036177735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015026842,0.000069493966,0.00033424314,0.00025740662,0.0005049506,0.00097642955,0.0337356,0.00007760113,0.00018573932,0.8845082,0.050601687,0.028598396],"study_design_scores_gemma":[0.00032812258,0.000166485,0.00057180226,0.00048879284,0.00055628945,0.00013879505,0.0015657301,0.0003619936,0.00009003619,0.01672334,0.9783832,0.0006254272],"about_ca_topic_score_codex":0.025084699,"about_ca_topic_score_gemma":0.0036994338,"teacher_disagreement_score":0.9277815,"about_ca_system_score_codex":0.00072281616,"about_ca_system_score_gemma":0.00011899377,"threshold_uncertainty_score":0.9999942},"labels":[],"label_agreement":null},{"id":"W2803923317","doi":"","title":"La mise à l’aveugle de Simon Galiero, Québec, 2012, 80 minutes","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Physics; Humanities","score_opus":0.011120986136551917,"score_gpt":0.1652199547396816,"score_spread":0.1540989686031297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803923317","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064435214,0.7072194,0.00007486768,0.030637931,0.0008817412,0.00013703003,0.00021668061,0.00012730235,0.19626984],"genre_scores_gemma":[0.1462166,0.005798504,0.00014483176,0.0004937374,0.001486422,0.000004362501,0.000035718607,0.000039868766,0.84577996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813765,0.00026248803,0.00022779839,0.00028022833,0.00022507203,0.0008667326],"domain_scores_gemma":[0.9985896,0.00027559005,0.00015060863,0.00032186406,0.00007195438,0.00059039646],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002468676,0.0003365265,0.0003672089,0.00016413306,0.0012658607,0.000068459834,0.00030194453,0.0002520678,0.009533048],"category_scores_gemma":[0.000020451578,0.0003545771,0.00034914797,0.00011825462,0.00036795618,0.0009143312,0.00015352514,0.00034443376,0.0011556757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010418279,0.00045500498,0.0013444083,0.00010712475,0.00022279927,0.00068092806,0.020343645,0.000018733866,0.0000791415,0.13321842,0.82565624,0.017769357],"study_design_scores_gemma":[0.0004683302,0.00009325077,0.0003351721,0.000079101716,0.00046380586,0.00010534296,0.0032027164,0.00012326236,0.00006766357,0.00033606734,0.99428564,0.0004396295],"about_ca_topic_score_codex":0.20805876,"about_ca_topic_score_gemma":0.35294384,"teacher_disagreement_score":0.7014209,"about_ca_system_score_codex":0.005191437,"about_ca_system_score_gemma":0.00009422012,"threshold_uncertainty_score":0.9998906},"labels":[],"label_agreement":null},{"id":"W2804814232","doi":"10.5038/2157-7129.8.1.1152","title":"Anna Larpent and Shakespeare","year":2018,"lang":"en","type":"article","venue":"ABO Interactive Journal for Women in the Arts 1640-1830","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Drama; Dramaturgy; Literature; Period (music); Wife; Bourgeoisie; Reading (process); Art; Read aloud; Criticism; Variety (cybernetics); Character (mathematics); History; Philosophy; Aesthetics; Law; Politics","score_opus":0.04097534615124174,"score_gpt":0.30174396597416553,"score_spread":0.26076861982292376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804814232","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.874327,0.00064486347,0.00003979253,0.0034550421,0.0022068701,0.00029474127,0.000057721052,0.000022513965,0.11895146],"genre_scores_gemma":[0.9699341,0.000031246575,0.000019096806,0.0015406773,0.0019684893,0.00003777407,0.0000032888136,0.000013254467,0.026452038],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886596,0.0001151823,0.00030679745,0.00017007756,0.00017092643,0.00037107666],"domain_scores_gemma":[0.9991205,0.00029402162,0.00014741361,0.00013842662,0.0001899587,0.000109711305],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061051507,0.0001507569,0.00021500592,0.00014461407,0.0007059086,0.00040047438,0.0002443796,0.000024881745,0.0028854061],"category_scores_gemma":[0.00011196808,0.000090685215,0.000099206576,0.000054223085,0.00021897146,0.0006721527,0.000037043083,0.00029966308,0.00008710427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00082506414,0.00040262213,0.0004321659,0.00003689439,0.00023378803,0.00006812352,0.81485337,0.0000015011487,0.00015374854,0.0550269,0.11911138,0.008854452],"study_design_scores_gemma":[0.000376615,0.0006863924,0.00034063676,0.000057524943,0.00001633936,0.0000753306,0.028738126,0.000054318945,0.00004236801,0.02606574,0.94341284,0.00013375252],"about_ca_topic_score_codex":0.000043195516,"about_ca_topic_score_gemma":0.00020574375,"teacher_disagreement_score":0.8243015,"about_ca_system_score_codex":0.00013287719,"about_ca_system_score_gemma":0.000021106633,"threshold_uncertainty_score":0.9980261},"labels":[],"label_agreement":null},{"id":"W2805019499","doi":"10.4000/books.pum.7937","title":"21. Les champignons dans la littérature","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère des Transports; Université du Québec à Montréal","funders":"","keywords":"Philosophy","score_opus":0.013095658604112378,"score_gpt":0.16723783396032987,"score_spread":0.1541421753562175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805019499","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010720973,0.07856992,0.00015587093,0.00045936307,0.00028045304,0.00021481643,0.00070277357,0.00015945236,0.91838527],"genre_scores_gemma":[0.042685837,0.0048921662,0.00015684034,0.00020206672,0.0016078783,0.000009641676,0.00013120609,0.00010579805,0.95020854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778247,0.00019656336,0.0003733666,0.00052701356,0.0003293243,0.0007912758],"domain_scores_gemma":[0.9981776,0.00032984314,0.00029566506,0.00050847937,0.00013573292,0.0005527041],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016242379,0.00072694564,0.00066228857,0.0001987472,0.001975971,0.00019767061,0.0005843582,0.00078619,0.024342494],"category_scores_gemma":[0.000015170317,0.0007145041,0.00064060965,0.000017245573,0.0009755551,0.00021898028,0.0004299157,0.0010075294,0.00036161678],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021601561,0.00010094094,0.00026678012,0.0002793292,0.0006197119,0.000986387,0.062036887,0.000025036568,0.00032287822,0.8932543,0.02046921,0.02142254],"study_design_scores_gemma":[0.00035941647,0.00011249065,0.0003610061,0.0003186386,0.0010790993,0.00016541961,0.0018257403,0.000048126916,0.00013592765,0.0065218247,0.98829406,0.00077822397],"about_ca_topic_score_codex":0.007641182,"about_ca_topic_score_gemma":0.0072205598,"teacher_disagreement_score":0.9678249,"about_ca_system_score_codex":0.0008174654,"about_ca_system_score_gemma":0.00007737807,"threshold_uncertainty_score":0.9995306},"labels":[],"label_agreement":null},{"id":"W2807015177","doi":"","title":"« L’arène des livres » et « Le dommaine des images » / L’arène des livres, Raphaëlle de Groot, Fred McSherry, Vincent Bonin, commissaire : Florence Chantoury, Centre d’exposition de l’Université de Montréal, Montréal. 16 mars-13 avril 2000","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.006964180960099795,"score_gpt":0.15800440379793476,"score_spread":0.15104022283783497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807015177","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42694935,0.51062375,0.0005176179,0.016992375,0.0002297168,0.0004927499,0.0012451246,0.00039021825,0.042559095],"genre_scores_gemma":[0.39345017,0.200144,0.0021557119,0.0008459724,0.000747429,0.000023538782,0.00041148436,0.00017399386,0.4020477],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944321,0.0009505318,0.00069731224,0.0010541995,0.00061630097,0.0022495908],"domain_scores_gemma":[0.9968854,0.00034107626,0.00040729015,0.00079276453,0.0003346586,0.0012387643],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005750662,0.0010994506,0.0010452329,0.00047909142,0.00734216,0.00032225702,0.0009902247,0.0005242258,0.009597725],"category_scores_gemma":[0.00004056781,0.0012287071,0.00080877123,0.0005440449,0.0018692893,0.0017001563,0.00047972923,0.0007749489,0.00020784128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036393031,0.0032774066,0.0036453651,0.0007169057,0.0013127596,0.0094672665,0.06854495,0.002779458,0.002623495,0.020426953,0.7445579,0.1390082],"study_design_scores_gemma":[0.003127028,0.00061517593,0.008564214,0.000988283,0.0009482729,0.0008014512,0.011999277,0.0016606761,0.0009587897,0.0035965757,0.9653843,0.0013559728],"about_ca_topic_score_codex":0.5211331,"about_ca_topic_score_gemma":0.6574698,"teacher_disagreement_score":0.35948858,"about_ca_system_score_codex":0.023734562,"about_ca_system_score_gemma":0.00030419804,"threshold_uncertainty_score":0.9990163},"labels":[],"label_agreement":null},{"id":"W2807117659","doi":"10.71781/7862","title":"Les pêcheurs basques au Canada, 1530-1760 : de la culture matérielle à l'identité culturelle","year":2018,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Art","score_opus":0.005940646358023497,"score_gpt":0.17373927931302968,"score_spread":0.1677986329550062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807117659","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3347557,0.037123762,0.00004220868,0.0002724387,0.0023895232,0.00021872573,0.0003796495,0.00009951011,0.6247185],"genre_scores_gemma":[0.40104288,0.0005356239,0.0001507382,0.0001270981,0.0014318462,0.000014924561,0.00070002663,0.00003312145,0.5959637],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997192,0.00032294256,0.0004946526,0.0006484309,0.0007182231,0.00062370504],"domain_scores_gemma":[0.99815637,0.00014341943,0.0004066345,0.0003311878,0.00047906945,0.0004833077],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017970678,0.00062330114,0.0005338172,0.00018482564,0.019906497,0.00023428095,0.00056276255,0.00060317223,0.0011929276],"category_scores_gemma":[0.000053750715,0.0006165112,0.00045462692,0.00016839478,0.0008215868,0.00048027802,0.00012111256,0.00068859046,0.00007725282],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00052780786,0.0004264635,0.010788383,0.0005532366,0.0009735272,0.0036672244,0.45520145,0.00034821656,0.0013344566,0.4060636,0.11874479,0.0013708846],"study_design_scores_gemma":[0.0003862743,0.000097481265,0.007419675,0.00036802227,0.0005551716,0.00027092293,0.088434935,0.00017118301,0.0015237386,0.00022673221,0.8998819,0.0006639441],"about_ca_topic_score_codex":0.9936726,"about_ca_topic_score_gemma":0.98324233,"teacher_disagreement_score":0.7811371,"about_ca_system_score_codex":0.011976787,"about_ca_system_score_gemma":0.004677336,"threshold_uncertainty_score":0.9997201},"labels":[],"label_agreement":null},{"id":"W2809119676","doi":"10.17118/11143/12394","title":"Polyphonie et réécriture dans « L’île de la Demoiselle »","year":2018,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Art; Humanities","score_opus":0.009678091208531418,"score_gpt":0.23537157456607996,"score_spread":0.22569348335754855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809119676","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07627477,0.042874105,0.0013564616,0.008904891,0.002361906,0.00015124821,0.00030921813,0.00015262418,0.8676148],"genre_scores_gemma":[0.29234287,0.0005753134,0.00077241776,0.004370597,0.003586138,0.000009815052,0.00004786856,0.00005116212,0.6982438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981397,0.00038506504,0.00031011985,0.00037513353,0.00019926057,0.00059073203],"domain_scores_gemma":[0.9989797,0.000250405,0.000090365655,0.00030729282,0.00009025817,0.00028197168],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00030845896,0.0003219149,0.00033133404,0.000104911975,0.0015134893,0.00029598997,0.00028695608,0.0003777196,0.005735582],"category_scores_gemma":[0.000058470287,0.00029130484,0.00026998762,0.00012576705,0.002879303,0.00035306296,0.000047110876,0.00065684546,0.00047222967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043742428,0.00027845244,0.00040965524,0.000080375336,0.0001287304,0.00011914476,0.10493258,0.0000072618686,0.00028460193,0.583268,0.30567923,0.004768221],"study_design_scores_gemma":[0.00028220972,0.00025195596,0.00024376469,0.00011239994,0.00014447235,0.000044469587,0.0039240536,0.00015971679,0.0003439499,0.009386604,0.9847153,0.00039114695],"about_ca_topic_score_codex":0.011535446,"about_ca_topic_score_gemma":0.001630868,"teacher_disagreement_score":0.679036,"about_ca_system_score_codex":0.00023324505,"about_ca_system_score_gemma":0.000105431915,"threshold_uncertainty_score":0.9999539},"labels":[],"label_agreement":null},{"id":"W2809188202","doi":"","title":"-Narrations d’un nouveau siècle (romans et récits français, 2001-2010), Presses de la Sorbonne Nouvelle","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.015217134245472119,"score_gpt":0.2155171325704518,"score_spread":0.2002999983249797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809188202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.085234135,0.012165914,0.029463144,0.046299815,0.0011804628,0.0008519918,0.0007185932,0.000467253,0.8236187],"genre_scores_gemma":[0.5954597,0.0040707677,0.014743593,0.00060934573,0.00027395866,0.00025591228,0.0015040594,0.000108786844,0.38297388],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888133,0.008146905,0.0009006843,0.00093128637,0.0004966338,0.0007112342],"domain_scores_gemma":[0.992164,0.0031197642,0.00058239186,0.0018324463,0.0018538175,0.0004475774],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0036241321,0.0006171777,0.00064725406,0.00023355712,0.0024044241,0.0014845006,0.0014264004,0.00049677753,0.018024279],"category_scores_gemma":[0.001031404,0.0006237547,0.00045798524,0.0002419635,0.0011852069,0.0005589387,0.0008376095,0.0012050992,0.0008371115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012222242,0.0020464726,0.0007244799,0.00022594676,0.0002498737,0.0000119690485,0.16374105,0.0001921655,0.0012739749,0.7439998,0.0814114,0.0061106454],"study_design_scores_gemma":[0.00047132696,0.0000018891413,0.0035849905,0.0011569915,0.0001930389,0.0000143873385,0.0013608746,0.00707013,0.002807367,0.011079553,0.9715024,0.0007570396],"about_ca_topic_score_codex":0.055450357,"about_ca_topic_score_gemma":0.009605767,"teacher_disagreement_score":0.890091,"about_ca_system_score_codex":0.00017022065,"about_ca_system_score_gemma":0.00041439693,"threshold_uncertainty_score":0.9999409},"labels":[],"label_agreement":null},{"id":"W2811428017","doi":"10.4000/itineraires.4070","title":"Mythification historique et prolifération identitaire dans le biopic Evita","year":2018,"lang":"fr","type":"article","venue":"Itinéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities; Biography; Art history; Philosophy","score_opus":0.025782817019088813,"score_gpt":0.25537384756568143,"score_spread":0.22959103054659263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811428017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1253304,0.042316426,0.0039424016,0.096552,0.009600467,0.00071148557,0.0003135641,0.0004742216,0.72075903],"genre_scores_gemma":[0.6407024,0.00018006923,0.00012833254,0.00061938236,0.0044020875,0.00003427035,0.0000892212,0.000026549447,0.35381764],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983743,0.0002609759,0.0004394437,0.000381339,0.00024159688,0.00030233545],"domain_scores_gemma":[0.99902683,0.00006815732,0.00019496286,0.0003173068,0.00028021605,0.00011254938],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025014114,0.0002281865,0.00023373353,0.00012846483,0.0011901241,0.0003097533,0.00021568431,0.00013492932,0.0014195031],"category_scores_gemma":[0.00008603069,0.00022861439,0.00015523167,0.00013100005,0.0008344596,0.0010489406,0.00004005176,0.00018731655,0.0009324511],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023880672,0.00026297377,0.0001807024,0.00013891733,0.00005961562,0.000011830823,0.04612214,0.0000017555783,0.0009804929,0.85990584,0.08535663,0.006955196],"study_design_scores_gemma":[0.00018592436,0.00021073685,0.0011494253,0.00016377617,0.00008006464,0.00000871031,0.0017923969,0.00018495187,0.00069447735,0.0074234125,0.9878183,0.00028783735],"about_ca_topic_score_codex":0.008753843,"about_ca_topic_score_gemma":0.0066508246,"teacher_disagreement_score":0.90246165,"about_ca_system_score_codex":0.00024711917,"about_ca_system_score_gemma":0.00017361395,"threshold_uncertainty_score":0.99984545},"labels":[],"label_agreement":null},{"id":"W283837089","doi":"","title":"Invention de la culture. Le livre avalé : de la littérature entre mémoire et culture (XVIe-XVIIIe siècle) d’Éric Méchoulan, Les Presses de l’Université de Montréal, « Espace littéraire », 539 p. Le livre avalé : de la littérature entre mémoire et culture (XVIe-XVIIIe siècle) d’Éric Méchoulan, Les Presses de l’Université de Montréal, « Espace littéraire », 539 p.","year":2006,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009576809317515646,"score_gpt":0.21804581612049564,"score_spread":0.20846900680298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W283837089","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1481932,0.65389675,0.0005014552,0.040096063,0.00055195705,0.001473355,0.0012800285,0.0013449827,0.1526622],"genre_scores_gemma":[0.5012982,0.12692907,0.004441421,0.0038420248,0.0063420814,0.00020822608,0.0011746899,0.0004537286,0.35531056],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98641783,0.0046462365,0.0013141661,0.0025269752,0.0015776878,0.003517102],"domain_scores_gemma":[0.9942446,0.001091868,0.0013262556,0.0012568071,0.0006568576,0.0014236588],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0024112375,0.0023655281,0.0018029764,0.0007642663,0.01456996,0.003260122,0.0026676438,0.0026510705,0.0014272432],"category_scores_gemma":[0.0006366361,0.0021009266,0.0016392003,0.0018580513,0.0069527226,0.0028233463,0.0010617572,0.003294959,0.00006449253],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058629125,0.0027380378,0.02622873,0.0016928589,0.0005965764,0.0022262286,0.075205795,0.014532163,0.009963154,0.059259538,0.8030353,0.003935324],"study_design_scores_gemma":[0.0022481638,0.00067201344,0.011760801,0.0023020427,0.001083527,0.0009791708,0.034877043,0.0013084951,0.0018789691,0.0050653405,0.9354868,0.002337653],"about_ca_topic_score_codex":0.04779118,"about_ca_topic_score_gemma":0.054060843,"teacher_disagreement_score":0.5269677,"about_ca_system_score_codex":0.0029613161,"about_ca_system_score_gemma":0.0019503178,"threshold_uncertainty_score":0.9994856},"labels":[],"label_agreement":null},{"id":"W284562122","doi":"","title":"Duras and \"I\": Characterization of Feminist \"I\" in Marguerite Duras's Autobiography: The Lover/DURAS ET « JE » : CARACTERISATION DU « JE » FEMINISTE DANS L'AUTOBIOGRAPHIE DE MARGUERITE DURAS : L'AMANT","year":2007,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Narrative; Art; Humanities; Representation (politics); Literature; Art history; Politics","score_opus":0.009888374689846685,"score_gpt":0.22146945694595882,"score_spread":0.21158108225611214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W284562122","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9306208,0.00071559014,0.00007308262,0.0059205857,0.0012117163,0.00046709328,0.0013988055,0.00003651535,0.0595558],"genre_scores_gemma":[0.9945347,0.00045773605,0.00003258787,0.0015174159,0.000659585,0.000012801762,0.00015088187,0.000028879349,0.002605459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9965394,0.00027655653,0.00092685083,0.00062950916,0.00050114555,0.0011265456],"domain_scores_gemma":[0.99816936,0.00027149403,0.00044907507,0.00029115958,0.00021661144,0.0006022695],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0023700634,0.00039891416,0.00047244673,0.00096490566,0.0021717127,0.00060655107,0.0005839755,0.00021178424,0.000286125],"category_scores_gemma":[0.00013098629,0.00036989606,0.00024070541,0.0018710562,0.005744786,0.00094327726,0.000084352556,0.0004250395,0.000010567331],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010398837,0.00025451602,0.3518046,0.00029324877,0.00010947206,0.00035685266,0.17655414,0.0000013492238,0.030210914,0.4211354,0.0011450539,0.018030465],"study_design_scores_gemma":[0.00022841402,0.000072317955,0.53707206,0.00012882514,0.00007411471,0.000026902146,0.008649202,0.000103467326,0.00016187684,0.00026683812,0.45280236,0.00041364625],"about_ca_topic_score_codex":0.08908653,"about_ca_topic_score_gemma":0.18286678,"teacher_disagreement_score":0.4516573,"about_ca_system_score_codex":0.0007870497,"about_ca_system_score_gemma":0.00084988936,"threshold_uncertainty_score":0.9998753},"labels":[],"label_agreement":null},{"id":"W28519039","doi":"10.1118/1.4735050","title":"Pellerinage au coeur du conte : incursion dans l’univers du conteur Fred Pellerin","year":2008,"lang":"en","type":"article","venue":"Québec français/Québec-français","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Sainte Foy","funders":"","keywords":"Art","score_opus":0.016402336368083987,"score_gpt":0.17458876669674553,"score_spread":0.15818643032866153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28519039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75232726,0.0067538475,0.00031965255,0.0043492503,0.0016213754,0.0005981441,0.00020858663,0.00070717296,0.23311472],"genre_scores_gemma":[0.8547782,0.00019858217,0.000028855839,0.0011221298,0.0014591581,0.00004762846,0.00006686771,0.00012982951,0.14216879],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99568844,0.0002670991,0.0011225287,0.0010734997,0.00078330125,0.0010651238],"domain_scores_gemma":[0.9971249,0.00052703684,0.0003630195,0.00093960686,0.0004085625,0.0006368463],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029142108,0.00095650024,0.001234677,0.00042158813,0.003174158,0.00017213688,0.0010861332,0.00026170517,0.021291222],"category_scores_gemma":[0.00020262829,0.0008524571,0.0008450857,0.00029698695,0.0018925805,0.0010367002,0.00025722192,0.0006992653,0.004179367],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066161586,0.00095162535,0.038871396,0.00016628203,0.00043093413,0.0010080498,0.7103822,0.000047864814,0.0008423345,0.004421642,0.23835237,0.0038636848],"study_design_scores_gemma":[0.0024577614,0.0005002359,0.012324518,0.000098538156,0.00018419069,0.00007606759,0.0046106162,0.0005365174,0.00019160495,0.000017263646,0.97791654,0.0010861709],"about_ca_topic_score_codex":0.96918684,"about_ca_topic_score_gemma":0.91111535,"teacher_disagreement_score":0.7395641,"about_ca_system_score_codex":0.0006572249,"about_ca_system_score_gemma":0.0011790562,"threshold_uncertainty_score":0.9993926},"labels":[],"label_agreement":null},{"id":"W2858202786","doi":"10.5206/mfds-ecfw.v3i1.4380","title":"Fiction et origines","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Ethnology; Sociology","score_opus":0.017455561029532246,"score_gpt":0.22939493584627899,"score_spread":0.21193937481674674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2858202786","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06934262,0.019163152,0.0014475973,0.022061132,0.009784384,0.00033100814,0.00049013324,0.0004649571,0.87691504],"genre_scores_gemma":[0.7012464,0.00031778013,0.00012847398,0.0018270767,0.0077043404,0.000025950672,0.00007175014,0.000059943475,0.28861833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760395,0.00021709141,0.00056812214,0.0005777281,0.0003766403,0.0006564552],"domain_scores_gemma":[0.998651,0.00015873722,0.00016154963,0.00044408237,0.0003293915,0.0002552039],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002756298,0.00043258388,0.00047817032,0.00018550895,0.00198456,0.0004511456,0.0003301858,0.00021936881,0.015982928],"category_scores_gemma":[0.00006437335,0.00041958006,0.0003564483,0.00023732729,0.0012796771,0.0012067494,0.00009576654,0.00038312882,0.0039961473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006647504,0.0006467084,0.0005602777,0.00011850378,0.00014459828,0.00005617363,0.021661822,0.000019327015,0.00019113875,0.6174891,0.35101232,0.00803358],"study_design_scores_gemma":[0.0006242654,0.00039606044,0.0013208593,0.00011670541,0.00012097025,0.000016274886,0.0004988917,0.00093358365,0.0005137818,0.0035836978,0.9913356,0.00053935236],"about_ca_topic_score_codex":0.025520971,"about_ca_topic_score_gemma":0.0012163526,"teacher_disagreement_score":0.6403232,"about_ca_system_score_codex":0.000080018086,"about_ca_system_score_gemma":0.00012341466,"threshold_uncertainty_score":0.9998256},"labels":[],"label_agreement":null},{"id":"W287839943","doi":"10.1215/26885220-95.4.426","title":"Paul Valéry à tous les points de vue. Hommage à Judith Robinson-Valéry","year":2004,"lang":"fr","type":"article","venue":"Romanic Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Icon; Citation; Art; Art history; Humanities; Computer science; Library science","score_opus":0.030752807400756272,"score_gpt":0.2548609290767252,"score_spread":0.2241081216759689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W287839943","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013163949,0.87678325,0.00015402502,0.016917786,0.0013162221,0.00043140893,0.00013385504,0.00012470948,0.10282236],"genre_scores_gemma":[0.01829532,0.7224763,0.00075548684,0.01204842,0.00409967,0.00008174641,0.00013547283,0.0001222222,0.24198537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996996,0.00041969513,0.0009173561,0.000568297,0.00035565262,0.00074302015],"domain_scores_gemma":[0.9985302,0.00011359003,0.0003155948,0.0006444758,0.000115677496,0.000280442],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000653443,0.000516466,0.001034006,0.00008371029,0.0008132316,0.00020879893,0.00049381226,0.00016407398,0.017686648],"category_scores_gemma":[0.00012024529,0.00043743727,0.0007351991,0.00018594586,0.00030231025,0.00052206684,0.000114149516,0.00053055084,0.003238796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016236158,0.0008668287,0.000017395398,0.014682311,0.00035632082,0.0008336669,0.0072156675,0.000012428502,0.000014703684,0.20817737,0.69770426,0.0701028],"study_design_scores_gemma":[0.000342443,0.00023318188,0.000051168012,0.01295873,0.0007196632,0.0001403936,0.00015600705,0.0000071080044,0.000012107407,0.0066140033,0.978214,0.0005511456],"about_ca_topic_score_codex":0.001992348,"about_ca_topic_score_gemma":0.00037903438,"teacher_disagreement_score":0.28050977,"about_ca_system_score_codex":0.00046648027,"about_ca_system_score_gemma":0.00020256956,"threshold_uncertainty_score":0.9998077},"labels":[],"label_agreement":null},{"id":"W2884098714","doi":"","title":"The Construction of Time among French Historians in the Second Half of the 20th Century","year":2002,"lang":"en","type":"article","venue":"Revue d’histoire du XIXe siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; History; Quarter (Canadian coin); Literature; Simple (philosophy); Linguistics; Simple past; Art; Philosophy; Archaeology; Grammar; Epistemology","score_opus":0.010115382426213243,"score_gpt":0.1626509332494686,"score_spread":0.15253555082325537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884098714","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45509523,0.011891213,0.0000043236328,0.004481693,0.0038463017,0.00046592957,0.000140046,0.00004314398,0.5240321],"genre_scores_gemma":[0.91755986,0.00006921182,0.0000071439204,0.00007350468,0.0004152427,0.000010916736,0.0000050725293,0.000010349958,0.0818487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893117,0.00017547233,0.00039937077,0.00014926812,0.00018355016,0.00016114507],"domain_scores_gemma":[0.99905723,0.00019661851,0.00025625157,0.00038998682,0.00007424976,0.000025646363],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019804541,0.000120182434,0.00021852677,0.00005085631,0.00078192103,0.00003011433,0.00039259507,0.000047498794,0.0021701541],"category_scores_gemma":[0.000048600632,0.00006432619,0.0001862589,0.00012892118,0.0010469231,0.00013881082,0.000030446488,0.00019560131,0.00002585108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005226428,0.00096677564,0.009671996,0.00045536523,0.00018568373,0.000028472252,0.27814186,0.000045750952,0.0008303984,0.4076313,0.26922616,0.032763954],"study_design_scores_gemma":[0.00013743284,0.000038968974,0.0011462306,0.000044979108,0.000030448364,0.000006816107,0.0008353168,0.00019328618,0.000028840477,0.00045201302,0.9969968,0.00008884738],"about_ca_topic_score_codex":0.0013320234,"about_ca_topic_score_gemma":0.002597994,"teacher_disagreement_score":0.7277706,"about_ca_system_score_codex":0.00009960373,"about_ca_system_score_gemma":0.0000133752865,"threshold_uncertainty_score":0.998742},"labels":[],"label_agreement":null},{"id":"W2884303699","doi":"10.7202/1050520ar","title":"Deux haïkus de Bashô (étude comparative de quelques traductions françaises)","year":2018,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.08270795644950495,"score_gpt":0.29489673843199643,"score_spread":0.21218878198249147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884303699","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28448913,0.6268734,0.01602603,0.006867292,0.0064871726,0.00026609102,0.0002746121,0.00016338506,0.058552943],"genre_scores_gemma":[0.78133315,0.040791586,0.009724558,0.0023928375,0.022835754,0.00003851746,0.00002036477,0.00012471178,0.14273852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996457,0.00094846287,0.0008137163,0.00039394782,0.00039788586,0.0009889983],"domain_scores_gemma":[0.9979279,0.00024613782,0.00030925803,0.00028826296,0.000505068,0.0007233636],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007844424,0.0005217809,0.0009016201,0.00031412917,0.0034865749,0.00084913126,0.0005036796,0.00015368046,0.0130990185],"category_scores_gemma":[0.0000972602,0.0004291084,0.00095895206,0.00027246465,0.0031270878,0.0013384826,0.00002828389,0.0010329895,0.00035016495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004025766,0.002719854,0.0018456546,0.0003193754,0.011677644,0.0006628547,0.23133007,0.00022191202,0.0016114409,0.4956177,0.2121449,0.041446038],"study_design_scores_gemma":[0.00037190432,0.0007304036,0.0017564483,0.00013486683,0.0037735135,0.001454432,0.0012713121,0.00017243833,0.00085091265,0.031522125,0.95746523,0.0004964099],"about_ca_topic_score_codex":0.0017080922,"about_ca_topic_score_gemma":0.0021275913,"teacher_disagreement_score":0.7453203,"about_ca_system_score_codex":0.00037074107,"about_ca_system_score_gemma":0.0002719489,"threshold_uncertainty_score":0.99981606},"labels":[],"label_agreement":null},{"id":"W288523492","doi":"10.4000/anabases.2871","title":"Nicolas Rouvière, Astérix ou les lumières de la civilisation, Préface de P. Ory","year":2006,"lang":"fr","type":"article","venue":"Anabases","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ASTER","funders":"","keywords":"Art; Humanities","score_opus":0.016277191080831446,"score_gpt":0.2413967377407484,"score_spread":0.22511954665991696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W288523492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2660252,0.1541063,0.0015004629,0.0047034407,0.00088942697,0.00023840538,0.00043868943,0.0002697975,0.5718283],"genre_scores_gemma":[0.58979994,0.0005970964,0.00039563587,0.00040685848,0.0028657005,0.000020203652,0.00006871896,0.00003247774,0.40581337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820924,0.00044179775,0.00036677034,0.0002933546,0.00019913897,0.00048972294],"domain_scores_gemma":[0.9988303,0.00059299084,0.00012319708,0.00021493403,0.00010274217,0.00013584178],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030819414,0.00026344942,0.00026461566,0.00012353006,0.0008926491,0.00031937685,0.0001814391,0.00013727785,0.0060352404],"category_scores_gemma":[0.00011723963,0.0002539102,0.00021973514,0.000108219945,0.00067879754,0.00047078272,0.00003828907,0.00025438453,0.00017989376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027234304,0.00060451456,0.013217941,0.00018897316,0.0000695565,0.00012246372,0.005062659,0.0004211694,0.00012276854,0.5198696,0.45191175,0.008381315],"study_design_scores_gemma":[0.00021028964,0.00010270003,0.0045528295,0.00014540063,0.00015946515,0.000017963835,0.0011531223,0.00044072224,0.00042003347,0.0064410293,0.98603046,0.00032597274],"about_ca_topic_score_codex":0.058507904,"about_ca_topic_score_gemma":0.008633672,"teacher_disagreement_score":0.5341187,"about_ca_system_score_codex":0.0001998264,"about_ca_system_score_gemma":0.0001605046,"threshold_uncertainty_score":0.9999913},"labels":[],"label_agreement":null},{"id":"W288922926","doi":"10.4000/feeries.138","title":"Le pouvoir féerique","year":2006,"lang":"fr","type":"article","venue":"Féeries","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","score_opus":0.011250712033343857,"score_gpt":0.18743163231044196,"score_spread":0.1761809202770981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W288922926","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010444906,0.035706896,0.00012450085,0.01473137,0.002388109,0.00007906223,0.00021330986,0.00012558277,0.93618625],"genre_scores_gemma":[0.33155912,0.00008913633,0.00010428166,0.0003189042,0.0034261956,0.000009847571,0.00004900896,0.00001828685,0.6644252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989606,0.000071493756,0.00029594524,0.00021955206,0.0001311256,0.00032125274],"domain_scores_gemma":[0.9995503,0.000059155904,0.000072183706,0.00018115522,0.00007059208,0.00006663076],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006195342,0.00019476612,0.00024653558,0.00006241965,0.0008354739,0.00026932283,0.00013203977,0.0000880153,0.0068062213],"category_scores_gemma":[0.000011951659,0.00018828653,0.0001705025,0.00006351975,0.00073451997,0.00050985016,0.00003782752,0.00015522719,0.00083805376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013212033,0.0001525496,0.000053209907,0.00006562424,0.000021639422,0.000033095548,0.004232726,0.000009473588,0.000043392967,0.7715784,0.22304745,0.00074923824],"study_design_scores_gemma":[0.000121656056,0.00008464662,0.00022041157,0.000045804332,0.00003222493,0.0000076090955,0.0007362935,0.0000145605045,0.00020392057,0.028035287,0.97024167,0.0002559051],"about_ca_topic_score_codex":0.022710681,"about_ca_topic_score_gemma":0.0045453478,"teacher_disagreement_score":0.74719423,"about_ca_system_score_codex":0.000040267474,"about_ca_system_score_gemma":0.000097507225,"threshold_uncertainty_score":0.9999399},"labels":[],"label_agreement":null},{"id":"W2889376168","doi":"10.4000/mimesis.1331","title":"Tempo di un acoustic turn anche negli studi teatrali","year":2018,"lang":"it","type":"article","venue":"Mimesis journal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Turn (biochemistry); Physics","score_opus":0.03340650255171312,"score_gpt":0.2509444631442285,"score_spread":0.2175379605925154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889376168","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6317105,0.061305776,0.0015157331,0.008742802,0.018174151,0.00057616975,0.0003797718,0.0002878061,0.27730727],"genre_scores_gemma":[0.87328696,0.0005668665,0.0001033871,0.0007288225,0.016923152,0.0000037881132,0.0000065369477,0.000047057074,0.10833344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969694,0.0003584559,0.00089563715,0.00040529892,0.0005823229,0.0007889027],"domain_scores_gemma":[0.99813664,0.00017712232,0.00041592694,0.00035041786,0.00043843596,0.00048145294],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004950843,0.00047062043,0.0006471684,0.00025936283,0.0030834514,0.0010330958,0.0005223126,0.00016424793,0.038264733],"category_scores_gemma":[0.00009518095,0.00034820146,0.00054562406,0.00019360815,0.0006501861,0.00064116926,0.00010220799,0.00088225043,0.0015653579],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037059293,0.0016898997,0.004043719,0.00015029158,0.0025722773,0.0008991041,0.090624005,0.000028353978,0.002253735,0.004839341,0.86485004,0.02767864],"study_design_scores_gemma":[0.00070300035,0.00083223585,0.0020670835,0.00021229115,0.0008383245,0.00018992493,0.0026141172,0.00012872493,0.00019038,0.0009174483,0.9907591,0.0005473809],"about_ca_topic_score_codex":0.00015692273,"about_ca_topic_score_gemma":0.00006752491,"teacher_disagreement_score":0.24157643,"about_ca_system_score_codex":0.00018891432,"about_ca_system_score_gemma":0.00014498885,"threshold_uncertainty_score":0.999897},"labels":[],"label_agreement":null},{"id":"W2890043929","doi":"10.7202/1051083ar","title":"L’OMBRE DES CONTES DANS LES FOUS DE BASSAN D’ANNE HÉBERT","year":2018,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03771819092863904,"score_gpt":0.26867915833305334,"score_spread":0.2309609674044143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890043929","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17940189,0.056333568,0.0021636062,0.016527966,0.002078769,0.0002338826,0.0027460372,0.00031711409,0.7401972],"genre_scores_gemma":[0.42212197,0.0005480444,0.0006396842,0.000597944,0.0022556093,0.000010885383,0.000024721361,0.000035404104,0.57376575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832344,0.00026949015,0.00033281604,0.0003342118,0.00017584692,0.0005641988],"domain_scores_gemma":[0.99889255,0.00029552582,0.00010140204,0.0002705059,0.00024156181,0.00019845257],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026458505,0.0003114104,0.00032884712,0.00010181832,0.0012576649,0.00041487193,0.00027368247,0.00011543573,0.006648781],"category_scores_gemma":[0.00014216457,0.00026583474,0.00022166061,0.00008982465,0.0024354502,0.0006317149,0.00007289941,0.00026340716,0.0006383746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009633435,0.0008030836,0.004700009,0.00042562914,0.00037101645,0.00022196441,0.16341567,0.0000057953052,0.004841712,0.27406225,0.5025853,0.048471242],"study_design_scores_gemma":[0.00024637437,0.0004414507,0.0016468068,0.00023017403,0.00015804611,0.0000325309,0.0028750838,0.00009506046,0.0022522388,0.004849586,0.9868058,0.00036687055],"about_ca_topic_score_codex":0.01963776,"about_ca_topic_score_gemma":0.0043248283,"teacher_disagreement_score":0.48422047,"about_ca_system_score_codex":0.00012549318,"about_ca_system_score_gemma":0.000083111576,"threshold_uncertainty_score":0.9999794},"labels":[],"label_agreement":null},{"id":"W2891267509","doi":"","title":"The Category Romance Project: First-year Students Researching Romance","year":2018,"lang":"en","type":"article","venue":"ScholarWorks@BGSU (Bowling Green State University)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Psychology; Sociology; Psychoanalysis","score_opus":0.036213688150751495,"score_gpt":0.2554705392471301,"score_spread":0.2192568510963786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891267509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8371234,0.0011730904,0.0006976451,0.0009852495,0.00163743,0.00071710005,0.00008962838,0.0004789014,0.15709758],"genre_scores_gemma":[0.75138617,0.0002632787,0.00014973433,0.00010421686,0.0009377684,0.000002341934,0.000013244412,0.000033746473,0.2471095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776953,0.00024427744,0.00026203864,0.0004989581,0.00059907674,0.00062611693],"domain_scores_gemma":[0.99860907,0.00022886359,0.00015257565,0.0004959062,0.00035858262,0.00015499632],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006164005,0.00024464718,0.00023117427,0.00032160914,0.004949779,0.0007764504,0.0012338017,0.00006324493,0.00023512666],"category_scores_gemma":[0.00006612084,0.00019391935,0.00014103574,0.00044046337,0.0007552931,0.0012721361,0.00038180585,0.00072260754,0.0003436111],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004090746,0.0013137367,0.062252324,0.00045335936,0.0020160615,0.0017448784,0.35454643,0.00016966206,0.0002467199,0.46425274,0.06629326,0.042620078],"study_design_scores_gemma":[0.0004563653,0.00017707235,0.0007136919,0.000107506916,0.000039566323,0.0000015007267,0.0038182677,0.00013614079,0.000026665239,0.001315173,0.992913,0.0002950566],"about_ca_topic_score_codex":0.002700455,"about_ca_topic_score_gemma":0.008155721,"teacher_disagreement_score":0.9266197,"about_ca_system_score_codex":0.00018600003,"about_ca_system_score_gemma":0.00008886872,"threshold_uncertainty_score":0.99634564},"labels":[],"label_agreement":null},{"id":"W2891389251","doi":"10.4000/belphegor.1354","title":"Fantastique Charles Grivel","year":2018,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.03521678853911786,"score_gpt":0.2518753815188224,"score_spread":0.21665859297970452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891389251","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047354013,0.05946444,0.00064416334,0.017031653,0.01292853,0.0003191019,0.0010241764,0.00024633223,0.8609876],"genre_scores_gemma":[0.30782107,0.00032551598,0.0002312221,0.001229616,0.01403049,0.000012506246,0.00003062265,0.000028295435,0.6762907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987558,0.00008032571,0.00029591814,0.000300143,0.00016668682,0.00040109045],"domain_scores_gemma":[0.99927974,0.00007404536,0.00008684145,0.00022758647,0.00016460136,0.00016716265],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000112255664,0.00022386367,0.0002535367,0.00008663836,0.0008630681,0.00017137447,0.00021151103,0.00010621618,0.03079774],"category_scores_gemma":[0.000032222317,0.00019444825,0.00016623556,0.00007738215,0.0010207037,0.00036095764,0.00006259471,0.00018575948,0.006410174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035978712,0.0002513857,0.00014128101,0.0000967743,0.0000766886,0.000041770716,0.020601498,2.107358e-7,0.000119444005,0.670989,0.2815122,0.026133804],"study_design_scores_gemma":[0.00017130535,0.0003229984,0.0003205146,0.00008671194,0.00009086457,0.000011026814,0.00053766096,0.00007760718,0.00023712513,0.0024925743,0.9953678,0.00028381243],"about_ca_topic_score_codex":0.0023213401,"about_ca_topic_score_gemma":0.00069734594,"teacher_disagreement_score":0.71385556,"about_ca_system_score_codex":0.000057804376,"about_ca_system_score_gemma":0.000051312283,"threshold_uncertainty_score":0.9943634},"labels":[],"label_agreement":null},{"id":"W2891449555","doi":"10.7202/1051080ar","title":"La réception de Cassius Dion chez Corneille : le débat Agrippa-Mécène (Histoire romaine, livre 52) et le débat Cinna-Maxime (Cinna, ii, 1)","year":2018,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.019812103699902536,"score_gpt":0.23419990820734896,"score_spread":0.21438780450744643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891449555","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3684969,0.06747676,0.0010191161,0.014693509,0.004174211,0.00042791193,0.00037115026,0.00036983608,0.5429706],"genre_scores_gemma":[0.7361875,0.0005861499,0.00020613741,0.0006813808,0.0022104385,0.000024543702,0.000072691735,0.000046076962,0.25998506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972537,0.00043291642,0.0005530896,0.00066436804,0.00036986498,0.00072602724],"domain_scores_gemma":[0.99852246,0.00013702195,0.0002760642,0.00051190855,0.00024581797,0.00030673237],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053451816,0.00046981662,0.00050371554,0.00015470904,0.002583089,0.00023152401,0.00042722755,0.00031854433,0.0068471353],"category_scores_gemma":[0.00006700555,0.00045076196,0.0002791048,0.00026509934,0.0015180589,0.00085694244,0.00017746747,0.00052078394,0.00073269935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026286478,0.0019227915,0.0004667771,0.0003425298,0.00020230214,0.00034980118,0.14082476,0.00002480404,0.0045167063,0.51686805,0.27514693,0.059071656],"study_design_scores_gemma":[0.0005036164,0.0007770352,0.001743647,0.00031648073,0.00013063566,0.000083306804,0.00262685,0.00060007506,0.00039234155,0.00208527,0.9901128,0.00062797405],"about_ca_topic_score_codex":0.012434038,"about_ca_topic_score_gemma":0.004134884,"teacher_disagreement_score":0.7149658,"about_ca_system_score_codex":0.000387308,"about_ca_system_score_gemma":0.00029737872,"threshold_uncertainty_score":0.9997944},"labels":[],"label_agreement":null},{"id":"W2892476239","doi":"10.4000/belphegor.1399","title":"Annotazioni belfagoriane (e salgariane)","year":2018,"lang":"it","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Business","score_opus":0.033460180399116156,"score_gpt":0.24386054360220588,"score_spread":0.21040036320308972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892476239","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02944239,0.007328859,0.00017511168,0.0073217554,0.012787486,0.000505975,0.00047700695,0.0004247288,0.94153666],"genre_scores_gemma":[0.5599363,0.0000569767,0.00013360247,0.0013776598,0.015899476,0.000012320705,0.00006532732,0.000046566136,0.4224718],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762774,0.00013373989,0.00059412024,0.00058175065,0.00039749045,0.00066518376],"domain_scores_gemma":[0.99853486,0.00010680207,0.00018506963,0.0005622661,0.0003130107,0.00029801074],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022792185,0.00040335557,0.00047891441,0.00018270676,0.001580176,0.00045582003,0.0004227956,0.00018154418,0.05556518],"category_scores_gemma":[0.00006348884,0.0003457858,0.00028407146,0.00020333442,0.0008244551,0.00044246792,0.00012568421,0.00031066782,0.012631389],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020328093,0.0006168524,0.00022397283,0.000107138316,0.00027295004,0.00013439031,0.040815394,4.4834894e-7,0.00022796937,0.3743906,0.5666586,0.016348407],"study_design_scores_gemma":[0.00045689422,0.0006912668,0.0005033187,0.00006332181,0.00020075536,0.000012316968,0.0006287059,0.00009865408,0.000094828894,0.0014038616,0.99534184,0.0005042445],"about_ca_topic_score_codex":0.0011441996,"about_ca_topic_score_gemma":0.00031846788,"teacher_disagreement_score":0.5304939,"about_ca_system_score_codex":0.00009234598,"about_ca_system_score_gemma":0.000101448284,"threshold_uncertainty_score":0.9998994},"labels":[],"label_agreement":null},{"id":"W2893586112","doi":"10.4000/books.pum.11076","title":"Les pratiques sonores amateurs","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Military College Saint-Jean","funders":"","keywords":"Art","score_opus":0.021734303286101982,"score_gpt":0.19713014294769227,"score_spread":0.17539583966159028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893586112","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031435622,0.020663517,0.00007581792,0.0006280875,0.00030664253,0.00025509627,0.00044817594,0.00017986303,0.97429925],"genre_scores_gemma":[0.04722875,0.0026066178,0.00019782034,0.00016791535,0.00092136353,0.00000943968,0.00007877486,0.000087364315,0.948702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99797153,0.00012338048,0.0003974082,0.0005706727,0.00030147698,0.00063554896],"domain_scores_gemma":[0.99800676,0.0002200571,0.0005450259,0.0006573869,0.00019169212,0.00037906034],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013261009,0.000681583,0.0007082659,0.00019011398,0.0035079834,0.00049620523,0.00084435224,0.0005124774,0.026115179],"category_scores_gemma":[0.00003220709,0.0006721736,0.00054623,0.000003651013,0.0010486754,0.0002956875,0.0004854828,0.0006529813,0.00030352583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002953645,0.000057282396,0.00039798344,0.00036162575,0.0006491977,0.001244654,0.035321847,0.000027140675,0.0001095442,0.8893486,0.042828534,0.029358227],"study_design_scores_gemma":[0.00034398361,0.00020083948,0.00063762616,0.00044701956,0.0007936709,0.00005397986,0.00064123486,0.00012018904,0.00023498865,0.014592852,0.98119915,0.0007344649],"about_ca_topic_score_codex":0.041197132,"about_ca_topic_score_gemma":0.027901376,"teacher_disagreement_score":0.9383706,"about_ca_system_score_codex":0.00074710144,"about_ca_system_score_gemma":0.00009558628,"threshold_uncertainty_score":0.99957293},"labels":[],"label_agreement":null},{"id":"W2895492703","doi":"","title":"Jacques Cartier... l'écrivain?","year":2012,"lang":"fr","type":"article","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.01074689258834601,"score_gpt":0.169227689226617,"score_spread":0.15848079663827097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895492703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.090477005,0.32371652,0.00008276248,0.0021512122,0.00447986,0.00014751925,0.00014808764,0.0001328224,0.57866424],"genre_scores_gemma":[0.5051986,0.0006949375,0.000110451176,0.00028595867,0.0019937376,0.000006453907,0.000034764493,0.000016911326,0.49165818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979442,0.00019893014,0.00035202352,0.00033401867,0.00044111573,0.0007297283],"domain_scores_gemma":[0.9986297,0.000098763085,0.00017031336,0.00032030168,0.0001633969,0.00061754533],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018753136,0.00034752348,0.0003377202,0.00018408854,0.011049648,0.00011428022,0.0002833005,0.00020316236,0.0022803028],"category_scores_gemma":[0.000020470952,0.00036584874,0.0003792456,0.00013708975,0.00086519896,0.0013656298,0.00017985435,0.00032049723,0.0006325929],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015731879,0.0005615253,0.009879658,0.00011141048,0.00031938698,0.00066387164,0.12880561,0.00008497245,0.00045390523,0.80663127,0.048442487,0.0038885989],"study_design_scores_gemma":[0.00034192667,0.000091977985,0.0023215585,0.0000986116,0.0003398836,0.00036528186,0.013263275,0.000106225874,0.00078764657,0.00034639143,0.98149884,0.00043836195],"about_ca_topic_score_codex":0.10333691,"about_ca_topic_score_gemma":0.002125548,"teacher_disagreement_score":0.93305635,"about_ca_system_score_codex":0.0040207678,"about_ca_system_score_gemma":0.000357145,"threshold_uncertainty_score":0.99987936},"labels":[],"label_agreement":null},{"id":"W2895507111","doi":"10.7202/1051068ar","title":"De la mise en scène de l’écoute aveugle : “Coraggi ! Ricominciamo la lettura!” 1","year":2018,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Centre National de la Recherche Scientifique; University of Oxford","keywords":"Humanities; Art","score_opus":0.06923090411661438,"score_gpt":0.32721383008467625,"score_spread":0.2579829259680619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895507111","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06686171,0.024903324,0.0012104108,0.01020691,0.00086094055,0.0002190572,0.0001223112,0.00036119643,0.89525414],"genre_scores_gemma":[0.2998436,0.0032268155,0.010547046,0.0028274592,0.0076361783,0.00003142454,0.000026190788,0.00010587831,0.6757554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940307,0.0040229307,0.0004856529,0.0004696193,0.00022172395,0.0007693574],"domain_scores_gemma":[0.99586576,0.0029544854,0.0001682327,0.00040057718,0.0002614828,0.0003494496],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0029692224,0.0004408444,0.0005260854,0.00015687387,0.00058766606,0.0006237412,0.00047702854,0.0007626232,0.0033962221],"category_scores_gemma":[0.00097433175,0.0004063054,0.00035609753,0.00014976451,0.0015125466,0.0004980068,0.00012027892,0.0010925788,0.00045464226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021336752,0.0011358368,0.0015351392,0.00054521416,0.000471303,0.00033512467,0.2161822,0.0000043124764,0.002538701,0.42492825,0.2836318,0.06847874],"study_design_scores_gemma":[0.00024712022,0.00028591554,0.0007344431,0.00034860722,0.00021036043,0.00006798195,0.00096159725,0.0003778256,0.0027078318,0.038242728,0.9553138,0.00050181773],"about_ca_topic_score_codex":0.009993856,"about_ca_topic_score_gemma":0.00055932906,"teacher_disagreement_score":0.671682,"about_ca_system_score_codex":0.0011922816,"about_ca_system_score_gemma":0.00045214884,"threshold_uncertainty_score":0.9998389},"labels":[],"label_agreement":null},{"id":"W2895671677","doi":"10.2307/j.ctv69t7qx","title":"Expérience du temps et historiographie au XXe siècle","year":2018,"lang":"fr","type":"book","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01142958964265087,"score_gpt":0.17591779349046158,"score_spread":0.1644882038478107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895671677","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011896006,0.012002674,0.00039269976,0.0005232453,0.0009083692,0.0003042797,0.00051534985,0.00023501946,0.9732224],"genre_scores_gemma":[0.1654405,0.0015129298,0.00040487573,0.00068020495,0.0027335663,0.000023401823,0.00021368379,0.000118379416,0.82887244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99687207,0.00038959522,0.00051293534,0.00080729346,0.00047480463,0.0009432804],"domain_scores_gemma":[0.9977029,0.00042275683,0.0004524139,0.00062398374,0.0002603515,0.0005376006],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026062445,0.00076839013,0.00075943954,0.0003935015,0.0035900653,0.00022779433,0.0010183871,0.0005538254,0.0062273326],"category_scores_gemma":[0.00004508923,0.00079325645,0.0007214579,0.000061219755,0.0021624723,0.000338656,0.0005810257,0.00072124664,0.00033975468],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006534088,0.0003079425,0.0015152321,0.00069507665,0.00082141766,0.0024332516,0.1724796,0.00008470957,0.00021224485,0.33448368,0.46156493,0.024748508],"study_design_scores_gemma":[0.0005307415,0.0004049582,0.0003987646,0.0003899736,0.00068882084,0.000093551826,0.0015936978,0.0000857601,0.00007905659,0.0032278488,0.9916273,0.0008795474],"about_ca_topic_score_codex":0.124153204,"about_ca_topic_score_gemma":0.093636915,"teacher_disagreement_score":0.5300623,"about_ca_system_score_codex":0.0032534816,"about_ca_system_score_gemma":0.00043128929,"threshold_uncertainty_score":0.9994518},"labels":[],"label_agreement":null},{"id":"W2899340750","doi":"","title":"L’Opéra de quat’sous, Sibyllines (mise en scène de Brigitte Haentjens), Usine C, Montréal, du 24 janvier au 18 février 2012 ; Théâtre français du Centre national des Arts, Ottawa, du 28 février au 3 mars 2012","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011691311252534519,"score_gpt":0.1739402880776796,"score_spread":0.16224897682514508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899340750","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39569527,0.41160613,0.0017210714,0.10289524,0.004262531,0.00084130483,0.0025170702,0.0002776209,0.08018375],"genre_scores_gemma":[0.1883362,0.013428657,0.0010756227,0.0014190661,0.009559767,0.000019013034,0.00044695666,0.00016804802,0.78554666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950225,0.0004989728,0.00074653554,0.00074382615,0.00086321885,0.0021249817],"domain_scores_gemma":[0.99652267,0.0005104264,0.0004584325,0.00054123474,0.0006170908,0.0013501649],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00081984524,0.0009457565,0.0009075808,0.00042365078,0.0038069992,0.00020568231,0.0006315715,0.0005428136,0.018887129],"category_scores_gemma":[0.00014546348,0.0009771799,0.00075083,0.00042995365,0.0009570397,0.003059758,0.00036979932,0.000647325,0.0016159393],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036498494,0.0012889594,0.04428842,0.00018461751,0.0008412029,0.0010941059,0.031271465,0.00056791696,0.000060625964,0.08046376,0.8288326,0.010741321],"study_design_scores_gemma":[0.0016191908,0.00010573651,0.008653487,0.00021458915,0.0010576416,0.0005224636,0.002491404,0.001745285,0.000030372003,0.0008270267,0.98162353,0.0011092958],"about_ca_topic_score_codex":0.14929889,"about_ca_topic_score_gemma":0.27141857,"teacher_disagreement_score":0.7053629,"about_ca_system_score_codex":0.009841095,"about_ca_system_score_gemma":0.00041779727,"threshold_uncertainty_score":0.9992679},"labels":[],"label_agreement":null},{"id":"W2901372910","doi":"10.1093/fs/kny243","title":"<i>Les Cinéastes animaliers: enquête dans les coulisses du film animalier en France</i> . Par <scp>Maxence Lamoureux</scp> <i>Les Cinéastes animaliers: enquête dans les coulisses du film animalier en France</i> . Par LamoureuxMaxence. Paris: L’Harmattan, 2017. 252 pp.","year":2018,"lang":"fr","type":"article","venue":"French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Movie theater; Filmmaking; Documentary film; Humanities; Art; Art history; Wildlife; Exhibition; Panorama; Cartography; Media studies; Geography; History; Visual arts; Sociology; Ecology","score_opus":0.023511617455485433,"score_gpt":0.25986434336666864,"score_spread":0.2363527259111832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901372910","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31385738,0.5915958,0.0006142296,0.007955633,0.006775187,0.0024492773,0.008197109,0.0013645601,0.06719079],"genre_scores_gemma":[0.6960951,0.20520431,0.0024912604,0.0019018175,0.01925293,0.0010596112,0.00042956503,0.00055367773,0.07301172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98485774,0.0018349452,0.003582746,0.0035986223,0.0023889432,0.0037370012],"domain_scores_gemma":[0.98745006,0.0047685276,0.002186458,0.0018541013,0.002638013,0.0011028385],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.001742128,0.0037530921,0.004171674,0.0005181077,0.0095992135,0.0017084485,0.0031326897,0.0013799253,0.0033951483],"category_scores_gemma":[0.00184593,0.0033066599,0.001483441,0.0013486914,0.011201884,0.003501554,0.0013559454,0.0023975533,0.0006480657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001576649,0.0013854022,0.18882734,0.0019076122,0.002869007,0.00036748196,0.18102612,0.0001497779,0.004492041,0.0064202105,0.6113145,0.0010828597],"study_design_scores_gemma":[0.0016975797,0.0025858223,0.021929128,0.002561491,0.0016732914,0.00014129671,0.0852906,0.0005871136,0.004659452,0.00047225712,0.87617326,0.002228721],"about_ca_topic_score_codex":0.013526692,"about_ca_topic_score_gemma":0.007125974,"teacher_disagreement_score":0.38639155,"about_ca_system_score_codex":0.0006083314,"about_ca_system_score_gemma":0.0004278538,"threshold_uncertainty_score":0.9999165},"labels":[],"label_agreement":null},{"id":"W2904565908","doi":"10.7202/1054153ar","title":"Chanter, narrer, danser. Contribution à une philosophie du sentir, d’Anne Boissière","year":2018,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.024927052242872377,"score_gpt":0.2299756861979274,"score_spread":0.20504863395505504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904565908","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.123787664,0.10817042,0.0013909717,0.2628412,0.13118829,0.0013282101,0.0023052546,0.00071856566,0.3682694],"genre_scores_gemma":[0.65055865,0.00075482327,0.000043446264,0.0020250906,0.13271467,0.000028266182,0.00023672073,0.000061766485,0.21357654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973912,0.0001900814,0.00069629616,0.0006799348,0.00028513288,0.0007573388],"domain_scores_gemma":[0.9982457,0.0001389168,0.00025703933,0.00052790117,0.0004520997,0.0003783357],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002575062,0.0004621623,0.00070024544,0.0001588521,0.0014316505,0.00026390387,0.00035734233,0.00026254109,0.0097688455],"category_scores_gemma":[0.000109912646,0.00044117233,0.0004659473,0.00032865582,0.0013810127,0.00052699837,0.00012288202,0.00041904603,0.0026370478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020839203,0.0015359552,0.00014005207,0.00050838204,0.00024744504,0.00038439216,0.020449655,0.0000019513839,0.0009069573,0.54575056,0.41668284,0.013183419],"study_design_scores_gemma":[0.000749098,0.00061194226,0.000067577035,0.00061723054,0.00028199423,0.00006844588,0.00026417652,0.000638349,0.00021654503,0.0069892416,0.98894215,0.00055328023],"about_ca_topic_score_codex":0.0013149653,"about_ca_topic_score_gemma":0.00043277675,"teacher_disagreement_score":0.5722593,"about_ca_system_score_codex":0.00021015636,"about_ca_system_score_gemma":0.00004658634,"threshold_uncertainty_score":0.99986833},"labels":[],"label_agreement":null},{"id":"W2904574830","doi":"10.26522/vp.v15i2.2071","title":"Entre les bons et les méchants, entre le texte et la danse : La belle au bois dormant selon Perrault, Petipa, Ek et Lock","year":2018,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.01711616318074337,"score_gpt":0.24541352510865344,"score_spread":0.22829736192791006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904574830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29975507,0.040117815,0.000471523,0.08014381,0.001919048,0.0005479485,0.003072619,0.0004128704,0.5735593],"genre_scores_gemma":[0.5565125,0.0031190705,0.00019237715,0.00078184035,0.0013129219,0.000020825362,0.00020415336,0.00007368116,0.43778265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99608445,0.0012901198,0.0006680329,0.0007170719,0.0004500192,0.0007902876],"domain_scores_gemma":[0.9978695,0.0008721244,0.00025512473,0.00046999677,0.00020325852,0.00033000708],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007208933,0.0006601688,0.0005699597,0.00022448352,0.0031370167,0.00047922425,0.00043949927,0.00037755503,0.0063716117],"category_scores_gemma":[0.00009133172,0.0005699383,0.0004306748,0.00016092937,0.0014998657,0.00069144386,0.00035738733,0.0008111181,0.00064843404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014274627,0.001021566,0.0005242166,0.00022766824,0.00032339428,0.0001957411,0.38944212,0.000041403677,0.00012684093,0.4670773,0.13479587,0.006081134],"study_design_scores_gemma":[0.0006962767,0.00033663888,0.0002866102,0.0004965418,0.0002721965,0.00006353442,0.018387232,0.0003838636,0.00031873933,0.0011160577,0.9769206,0.0007217254],"about_ca_topic_score_codex":0.03469235,"about_ca_topic_score_gemma":0.037997622,"teacher_disagreement_score":0.8421247,"about_ca_system_score_codex":0.000088115994,"about_ca_system_score_gemma":0.00044586448,"threshold_uncertainty_score":0.9996752},"labels":[],"label_agreement":null},{"id":"W2904609364","doi":"10.29173/af21155","title":"Bayegnak, Guy Armel. Le plancher se dérobe, Saint-Boniface : Les Éditions du Blé, 2012, 184 p.","year":2014,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Art","score_opus":0.019294603509354025,"score_gpt":0.22953418974270803,"score_spread":0.210239586233354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904609364","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12334209,0.113201104,0.02315433,0.047134183,0.04921284,0.0009150052,0.002954817,0.00048657155,0.6395991],"genre_scores_gemma":[0.34810293,0.0013700372,0.00034494253,0.0014191786,0.01952505,0.00006447119,0.00017159602,0.00008254942,0.62891924],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99709296,0.00045374804,0.00067169283,0.0006627004,0.0004196763,0.00069924974],"domain_scores_gemma":[0.99798906,0.0005078747,0.000325593,0.0004619708,0.00039013644,0.00032538685],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033035813,0.00055545435,0.00069754437,0.00020088375,0.0016637918,0.0002531401,0.00046031427,0.00018777914,0.03413536],"category_scores_gemma":[0.00011642029,0.0005271732,0.00038541865,0.00021959675,0.001015004,0.0009204547,0.00011904596,0.0006577491,0.0064151213],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008392611,0.0011032062,0.0004295772,0.00017567525,0.00047677802,0.000092759044,0.01837343,0.0004047741,0.00019673588,0.21771185,0.74099845,0.019952863],"study_design_scores_gemma":[0.0011987764,0.00022775022,0.0005563452,0.00027912584,0.00009032442,0.000015545964,0.001181862,0.0014326519,0.00029289047,0.009415586,0.98464155,0.00066758564],"about_ca_topic_score_codex":0.04909,"about_ca_topic_score_gemma":0.0044197342,"teacher_disagreement_score":0.24364313,"about_ca_system_score_codex":0.00021205921,"about_ca_system_score_gemma":0.00008554033,"threshold_uncertainty_score":0.999718},"labels":[],"label_agreement":null},{"id":"W2905639617","doi":"10.4000/books.momeditions.3359","title":"L’Antiquité et les jeux vidéo : représentations sonores","year":2018,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","score_opus":0.08702910497464554,"score_gpt":0.3096063561778384,"score_spread":0.22257725120319283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905639617","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042131144,0.0025483316,0.00031765527,0.004553829,0.0013171837,0.00016661703,0.0003110672,0.00014595265,0.99021804],"genre_scores_gemma":[0.0053865775,0.00139602,0.00034916942,0.0013392867,0.0040666903,0.000012200826,0.0002701998,0.00006266038,0.9871172],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998083,0.00007938213,0.00065391423,0.00057222653,0.00028288952,0.00032859063],"domain_scores_gemma":[0.9985876,0.0002675545,0.00024350175,0.00044950872,0.00027963484,0.00017221636],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013566813,0.00049015443,0.00051834877,0.00021545702,0.0013239759,0.00036220544,0.0002770673,0.00029759138,0.3217479],"category_scores_gemma":[0.000027633925,0.000398937,0.0005131225,0.000022652723,0.001225529,0.00037569113,0.0001167501,0.00043290478,0.005409886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017486547,0.00007007269,0.00004091424,0.00006492703,0.00022338072,0.0000427564,0.007793876,0.0000013386384,0.0000059690315,0.868988,0.12031438,0.0024369431],"study_design_scores_gemma":[0.00011635392,0.000198836,0.00003013653,0.00019424011,0.00029583817,0.000015044876,0.0010119093,0.000024658422,0.000010997219,0.040551964,0.95701844,0.00053156],"about_ca_topic_score_codex":0.0019415254,"about_ca_topic_score_gemma":0.0048266267,"teacher_disagreement_score":0.8367041,"about_ca_system_score_codex":0.000043182434,"about_ca_system_score_gemma":0.00004023659,"threshold_uncertainty_score":0.99997616},"labels":[],"label_agreement":null},{"id":"W2906157543","doi":"10.4000/memini.1106","title":"De la Légende latine aux Vies françaises de Claire d’Assise","year":2018,"lang":"fr","type":"article","venue":"Memini","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.027185949718333498,"score_gpt":0.2751467889188776,"score_spread":0.24796083920054413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906157543","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11306158,0.019309103,0.00011371716,0.00336132,0.0012505421,0.000072089635,0.00013927085,0.000113365895,0.862579],"genre_scores_gemma":[0.5099436,0.00023822678,0.00031140674,0.0009962847,0.004796761,0.000010973401,0.000011341394,0.00002377396,0.48366764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986219,0.00019657929,0.00029947358,0.00024806848,0.0001638384,0.00047014977],"domain_scores_gemma":[0.999067,0.00030448366,0.00008644014,0.00023842923,0.00009978381,0.00020386733],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002937195,0.00022929904,0.00028618317,0.000077700024,0.0010887453,0.00024499482,0.00021369656,0.00016866217,0.034712348],"category_scores_gemma":[0.0001219583,0.00020104187,0.00018362836,0.00008246819,0.0015610119,0.0002383826,0.000055108503,0.00025167692,0.0007260361],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081297425,0.00046228344,0.0034870764,0.00024140709,0.00018632656,0.00014105553,0.15870366,0.0000037132945,0.00025389728,0.36522678,0.42959958,0.04161294],"study_design_scores_gemma":[0.0002093618,0.00019749139,0.00088330096,0.00014360259,0.00015460393,0.000018551471,0.0014656322,0.00020124641,0.00044570377,0.0028559435,0.9931596,0.00026497833],"about_ca_topic_score_codex":0.002259547,"about_ca_topic_score_gemma":0.0005350566,"teacher_disagreement_score":0.56356,"about_ca_system_score_codex":0.000105624524,"about_ca_system_score_gemma":0.00017936004,"threshold_uncertainty_score":0.9661701},"labels":[],"label_agreement":null},{"id":"W2907187166","doi":"10.15122/isbn.978-2-406-06732-0.p.0275","title":"Le personnage métis face aux béances de son histoire et de l'Histoire","year":2017,"lang":"fr","type":"article","venue":"Classiques GARNIER","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03501900510680613,"score_gpt":0.2821030981043882,"score_spread":0.24708409299758208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907187166","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01441878,0.05362089,0.00043304835,0.043820847,0.002110995,0.00014391326,0.00014915351,0.00016214946,0.88514024],"genre_scores_gemma":[0.41455752,0.0008957555,0.00022054871,0.0012737898,0.0010335774,0.000022047801,0.000019787269,0.000042095122,0.58193487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976412,0.0003611366,0.00038291264,0.0005315267,0.0002493211,0.00083391566],"domain_scores_gemma":[0.9983522,0.00011452853,0.0003773439,0.0006926628,0.00012964856,0.00033357542],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0003530715,0.0004156885,0.00051305117,0.00009756395,0.006758692,0.0009916634,0.000712962,0.00029187472,0.0027140568],"category_scores_gemma":[0.00016350944,0.00040929453,0.00041343426,0.00002869564,0.0030878293,0.0011836273,0.00016065704,0.0006680029,0.00024839118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049453996,0.00030736724,0.0007037756,0.000243117,0.0001062943,0.00022332885,0.041700087,0.000009067838,0.000101718935,0.7295219,0.19832084,0.028713064],"study_design_scores_gemma":[0.0003252269,0.00017002813,0.0014276122,0.00033283076,0.00013564386,0.000029778354,0.0024743066,0.0004449466,0.00007509917,0.005622123,0.98841786,0.0005445477],"about_ca_topic_score_codex":0.020116316,"about_ca_topic_score_gemma":0.0060627717,"teacher_disagreement_score":0.790097,"about_ca_system_score_codex":0.0008782898,"about_ca_system_score_gemma":0.0007566175,"threshold_uncertainty_score":0.9998359},"labels":[],"label_agreement":null},{"id":"W2909185782","doi":"10.3138/utq.87.3.sh.01","title":"<i>Matières incandescentes. Problématiques matérialistes des Lumières françaises</i> par Berthiaume Pierre","year":2018,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Geology","score_opus":0.01335212066478836,"score_gpt":0.19934571067113077,"score_spread":0.1859935900063424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909185782","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2854493,0.06161641,0.0007764103,0.002402437,0.0035259651,0.0007692764,0.0010694161,0.00033675923,0.64405406],"genre_scores_gemma":[0.8305767,0.0006494143,0.0020447986,0.00013980705,0.0019115445,8.63584e-7,0.000059497106,0.000034123837,0.16458325],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829125,0.00022746672,0.0003857132,0.0003709356,0.00028791136,0.00043672993],"domain_scores_gemma":[0.99859345,0.000108409346,0.0002853697,0.00034387023,0.00044736773,0.00022150412],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0001550187,0.00033290885,0.00053050014,0.00005876853,0.0014717204,0.00014394752,0.00047118982,0.00017514473,0.018371403],"category_scores_gemma":[0.000014300445,0.0003523948,0.0003139196,0.00004303003,0.0032278432,0.0016968346,0.000048960046,0.00014243783,0.00017511511],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042054936,0.00094044505,0.0014506916,0.0011032856,0.0005257911,0.000050911967,0.679106,9.9689e-7,0.000336506,0.14160374,0.124619424,0.049841676],"study_design_scores_gemma":[0.000603059,0.0020661096,0.0012782206,0.00059820706,0.0002808635,0.000004441026,0.018673142,0.00010323993,0.00011817962,0.0015035559,0.9743526,0.00041837787],"about_ca_topic_score_codex":0.2936247,"about_ca_topic_score_gemma":0.2477253,"teacher_disagreement_score":0.8497332,"about_ca_system_score_codex":0.00024642277,"about_ca_system_score_gemma":0.00008423614,"threshold_uncertainty_score":0.99989283},"labels":[],"label_agreement":null},{"id":"W2910322773","doi":"10.1086/702132","title":": <i>Memoires de Hollande</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Champion; Honor; Art; Humanities; Political science; Computer science; Law; Operating system","score_opus":0.02274431936707913,"score_gpt":0.23687902161413923,"score_spread":0.2141347022470601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910322773","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22137836,0.0010035522,0.0003806297,0.0009991213,0.0009617538,0.00008669745,0.000021955017,0.0002740123,0.77489394],"genre_scores_gemma":[0.9603462,0.0000028784345,0.000090114794,0.00059981155,0.0028351569,0.000008013664,0.0000045076954,0.000011234826,0.036102083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927926,0.000036072513,0.00015134337,0.0001728378,0.00011066219,0.00024981858],"domain_scores_gemma":[0.99958736,0.000029748153,0.000044723456,0.00018642771,0.000065274806,0.000086491855],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000075864424,0.00010709261,0.00013396246,0.00004510633,0.0003637108,0.000116876094,0.00014807802,0.000027295078,0.0032932116],"category_scores_gemma":[0.000006041045,0.000083716935,0.00007239151,0.000043574746,0.00033341264,0.00021778798,0.000004465802,0.00007135225,0.00083654147],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009456055,0.00017783938,0.0009422029,0.000046324316,0.000071948794,0.000043320408,0.19604641,3.7084533e-7,0.0012535963,0.1953856,0.54422015,0.061717656],"study_design_scores_gemma":[0.00012933297,0.0004806029,0.00016068618,0.0000223293,0.000011991932,0.0000044035587,0.00074472715,0.00003925283,0.00014881165,0.0039824815,0.9941339,0.00014148207],"about_ca_topic_score_codex":0.0002872354,"about_ca_topic_score_gemma":0.00047794732,"teacher_disagreement_score":0.73896784,"about_ca_system_score_codex":0.000022840979,"about_ca_system_score_gemma":0.000020841768,"threshold_uncertainty_score":0.9999414},"labels":[],"label_agreement":null},{"id":"W2911283041","doi":"10.3917/elec.paye.2015.01.0019","title":"Exposer la littérature","year":2015,"lang":"fr","type":"book-chapter","venue":"Bibliothèques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Philosophy","score_opus":0.06536483783734286,"score_gpt":0.2623854755419948,"score_spread":0.19702063770465195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911283041","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044658285,0.18501624,0.000012561117,0.00075964606,0.0011126201,0.00012716939,0.00039155863,0.00015603776,0.8123795],"genre_scores_gemma":[0.0048997574,0.018794382,0.0001419741,0.00050671864,0.007071944,0.000011733438,0.00014963846,0.00010403271,0.96831983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978017,0.00012860772,0.00057342765,0.0005591671,0.0005305904,0.00040645825],"domain_scores_gemma":[0.99816394,0.00024722732,0.00025048247,0.00049073313,0.00047085827,0.00037677697],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003017344,0.00066497555,0.0007396457,0.0021003005,0.0005027136,0.0017842215,0.00042299528,0.00064751174,0.054432105],"category_scores_gemma":[0.00004609852,0.00054207136,0.00048561164,0.00028414966,0.00095257227,0.0013035489,0.00013111046,0.00081251154,0.0027264145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003147015,0.000063084815,0.000011678558,0.00012507266,0.00014976611,0.0001372429,0.0018203465,6.659233e-7,0.000004602195,0.7116494,0.2816003,0.0044063376],"study_design_scores_gemma":[0.00017631736,0.00031905095,0.000008555049,0.00046170014,0.00021883879,0.000022901577,0.00011777679,0.0000047486556,0.0000065722697,0.045653824,0.9523199,0.0006897901],"about_ca_topic_score_codex":0.0004580713,"about_ca_topic_score_gemma":0.00017901501,"teacher_disagreement_score":0.6707196,"about_ca_system_score_codex":0.00013996981,"about_ca_system_score_gemma":0.00018666424,"threshold_uncertainty_score":0.9997031},"labels":[],"label_agreement":null},{"id":"W2911780737","doi":"10.3917/elec.paye.2015.01.0135","title":"Exposer la littérature","year":2015,"lang":"fr","type":"book-chapter","venue":"Bibliothèques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Philosophy","score_opus":0.06536483783734286,"score_gpt":0.2623854755419948,"score_spread":0.19702063770465195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911780737","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044658285,0.18501624,0.000012561117,0.00075964606,0.0011126201,0.00012716939,0.00039155863,0.00015603776,0.8123795],"genre_scores_gemma":[0.0048997574,0.018794382,0.0001419741,0.00050671864,0.007071944,0.000011733438,0.00014963846,0.00010403271,0.96831983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978017,0.00012860772,0.00057342765,0.0005591671,0.0005305904,0.00040645825],"domain_scores_gemma":[0.99816394,0.00024722732,0.00025048247,0.00049073313,0.00047085827,0.00037677697],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003017344,0.00066497555,0.0007396457,0.0021003005,0.0005027136,0.0017842215,0.00042299528,0.00064751174,0.054432105],"category_scores_gemma":[0.00004609852,0.00054207136,0.00048561164,0.00028414966,0.00095257227,0.0013035489,0.00013111046,0.00081251154,0.0027264145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003147015,0.000063084815,0.000011678558,0.00012507266,0.00014976611,0.0001372429,0.0018203465,6.659233e-7,0.000004602195,0.7116494,0.2816003,0.0044063376],"study_design_scores_gemma":[0.00017631736,0.00031905095,0.000008555049,0.00046170014,0.00021883879,0.000022901577,0.00011777679,0.0000047486556,0.0000065722697,0.045653824,0.9523199,0.0006897901],"about_ca_topic_score_codex":0.0004580713,"about_ca_topic_score_gemma":0.00017901501,"teacher_disagreement_score":0.6707196,"about_ca_system_score_codex":0.00013996981,"about_ca_system_score_gemma":0.00018666424,"threshold_uncertainty_score":0.9997031},"labels":[],"label_agreement":null},{"id":"W2912947899","doi":"10.7202/1055405ar","title":"Le roman de la ligne","year":2019,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Ligne; Art; Philosophy","score_opus":0.0092842169083859,"score_gpt":0.20880204841015687,"score_spread":0.19951783150177096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912947899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12896615,0.020621454,0.000016235026,0.0053238235,0.0013802034,0.000092672206,0.000056823188,0.00007725299,0.8434654],"genre_scores_gemma":[0.52040595,0.0001867164,0.000047014782,0.00046056652,0.0015231738,0.000004446708,0.000011046644,0.000018678378,0.4773424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880147,0.00023027674,0.00022752763,0.00024669027,0.00014461779,0.00034943124],"domain_scores_gemma":[0.99929446,0.00021458401,0.00006625327,0.00024542274,0.000042153937,0.00013711379],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019251747,0.00018839481,0.00025266694,0.000069030255,0.0004862303,0.00029965158,0.00021568857,0.00013168497,0.011528675],"category_scores_gemma":[0.00002305401,0.00017826988,0.00019828515,0.000056987992,0.00033201536,0.00033499408,0.000058968297,0.00022781912,0.002175405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018218429,0.00036905528,0.00087608845,0.00013118728,0.00006347885,0.000063757034,0.012461035,0.000017388968,0.000059175494,0.79823214,0.18582505,0.00188343],"study_design_scores_gemma":[0.00027744233,0.00019440123,0.00057466724,0.00011821979,0.000051789593,0.000017715018,0.00089086336,0.00019002128,0.000038671475,0.0039087473,0.99348646,0.00025100377],"about_ca_topic_score_codex":0.004989935,"about_ca_topic_score_gemma":0.0001949968,"teacher_disagreement_score":0.8076614,"about_ca_system_score_codex":0.00009059063,"about_ca_system_score_gemma":0.00013217072,"threshold_uncertainty_score":0.9986015},"labels":[],"label_agreement":null},{"id":"W2913614518","doi":"10.3138/mous.15.3-14","title":"Rosie Wyles and Edith Hall (eds.). <i>Women Classical Scholars</i>","year":2018,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Art; Art history; Media studies","score_opus":0.00988934043689491,"score_gpt":0.19260325395659547,"score_spread":0.18271391351970057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913614518","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58086306,0.0011662118,0.00006278354,0.36337864,0.008407662,0.00022704528,0.00019814624,0.000038273767,0.045658197],"genre_scores_gemma":[0.7925352,0.000022334127,0.000028179955,0.0014241613,0.0025166555,0.0000013085887,9.538481e-7,0.0000113190235,0.20345993],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822575,0.00018277948,0.00051050336,0.000100663645,0.00074770604,0.0002325734],"domain_scores_gemma":[0.9981898,0.00025563609,0.000729435,0.00010731887,0.00053373864,0.00018408037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004749395,0.000115047296,0.0003158763,0.000050866292,0.00038741282,0.00009453311,0.0002465613,0.00006221613,0.00030595256],"category_scores_gemma":[0.00046814996,0.000071229486,0.00011751963,0.00007135211,0.00019644266,0.000279938,0.000050154536,0.00033765496,0.0000019505094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006195816,0.000084683714,0.00040135806,0.000012635844,0.00012345142,0.0000039567126,0.0027213467,0.0000039517863,0.00038719884,0.0091550825,0.98570204,0.001342357],"study_design_scores_gemma":[0.00034607455,0.00019711371,0.0004366924,0.000034353376,0.0000454558,0.00000441735,0.0002554931,0.000052172538,0.00036515854,0.0016023304,0.9965724,0.0000883487],"about_ca_topic_score_codex":0.0013341698,"about_ca_topic_score_gemma":0.09976113,"teacher_disagreement_score":0.36195448,"about_ca_system_score_codex":0.0005855376,"about_ca_system_score_gemma":0.00043868934,"threshold_uncertainty_score":0.9166659},"labels":[],"label_agreement":null},{"id":"W2915032873","doi":"10.22264/clio.issn2525-5649.2018.36.2.07","title":"A luz comum do universo: tipografia, publicidade e opinião no Portugal Moderno. O caso da aclamação de D. João IV em Barcelos (1640-1642)","year":2018,"lang":"pt","type":"article","venue":"Clio","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Svenska Forskningsrådet Formas; University of Oxford; University of Cambridge","keywords":"Humanities; Art","score_opus":0.04547310664775852,"score_gpt":0.266274899859836,"score_spread":0.22080179321207746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915032873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19700971,0.00494599,0.0008247005,0.002629712,0.0069373967,0.000864184,0.0012451388,0.0005878025,0.7849554],"genre_scores_gemma":[0.68186045,0.0001015563,0.00006969986,0.0018299762,0.004951601,0.000015954496,0.0002017087,0.000079938705,0.31088912],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961974,0.000292541,0.0008247936,0.0008930466,0.0005847206,0.0012074922],"domain_scores_gemma":[0.9972634,0.00017323936,0.0003506107,0.0008953953,0.0005850521,0.000732337],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003605478,0.0006705743,0.00081522105,0.00047139367,0.0016044584,0.0012595037,0.0008855186,0.00038068581,0.030397715],"category_scores_gemma":[0.000098804805,0.0006209402,0.0005614439,0.00035409397,0.0008875442,0.00099751,0.00030415112,0.00075761706,0.004136469],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004720908,0.001123349,0.0019619814,0.00033634636,0.00074373453,0.00054180867,0.11771195,0.000007460211,0.0002879588,0.0756328,0.79567605,0.005504478],"study_design_scores_gemma":[0.0009641181,0.0007728782,0.00032060052,0.00019569624,0.0002909421,0.00003315682,0.0056922184,0.0039069783,0.000042996642,0.0005817383,0.9863374,0.0008612447],"about_ca_topic_score_codex":0.001701415,"about_ca_topic_score_gemma":0.0008874617,"teacher_disagreement_score":0.48485073,"about_ca_system_score_codex":0.00030426186,"about_ca_system_score_gemma":0.00036243678,"threshold_uncertainty_score":0.99977726},"labels":[],"label_agreement":null},{"id":"W2915439222","doi":"10.4000/books.pufr.10733","title":"Lettre amicale, lettre officielle et histoire : les frontières génériques chez Fronton","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses universitaires François-Rabelais eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.018701009864274303,"score_gpt":0.19474765172547384,"score_spread":0.17604664186119953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915439222","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012966489,0.114438936,0.00048273636,0.0032807318,0.0020120696,0.00070545013,0.001319614,0.0005757585,0.87588805],"genre_scores_gemma":[0.23437412,0.0020031498,0.0002850419,0.0004477308,0.0027890415,0.00001852266,0.0006476502,0.00025986112,0.7591749],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946775,0.00040381402,0.0011651609,0.0014694724,0.0009469452,0.0013371138],"domain_scores_gemma":[0.9961927,0.0006409082,0.0008587985,0.0011423415,0.00047917338,0.00068610825],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00024462555,0.0017895421,0.0018622244,0.0006804453,0.0036921424,0.00040438882,0.0013729625,0.0011845093,0.0213717],"category_scores_gemma":[0.000033962293,0.0017953431,0.0013824959,0.000043309014,0.0036051858,0.0010875068,0.0006696548,0.0018325015,0.0006062218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042767279,0.0004638871,0.0003111363,0.00092315325,0.0015907894,0.00042568336,0.027082276,0.00006775408,0.00036089157,0.7394127,0.14483495,0.084099054],"study_design_scores_gemma":[0.00087118003,0.00039750972,0.00009448878,0.0010304735,0.001906051,0.000017862938,0.001494938,0.00012481338,0.00019327967,0.0030218884,0.9888041,0.0020434095],"about_ca_topic_score_codex":0.019821975,"about_ca_topic_score_gemma":0.0068280026,"teacher_disagreement_score":0.84396917,"about_ca_system_score_codex":0.0006637259,"about_ca_system_score_gemma":0.00019557613,"threshold_uncertainty_score":0.999485},"labels":[],"label_agreement":null},{"id":"W2915997252","doi":"10.4000/studifrancesi.5930","title":"Libertinism and Literature in Seventeenth-Century France. Actes du colloque de Vancouver, The University of British Columbia, 28-30 septembre 2006, éd. par Richard G. Hodgson","year":2011,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Humanities; Philosophy","score_opus":0.00815296869286527,"score_gpt":0.17240924477794597,"score_spread":0.1642562760850807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915997252","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59040487,0.35754925,0.000025153846,0.00049832,0.0028626658,0.0005393102,0.0014793447,0.00004818064,0.046592884],"genre_scores_gemma":[0.80032945,0.04036846,0.00013357503,0.00040563304,0.0006968674,0.000009148746,0.000013802104,0.000026681788,0.15801638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983024,0.00030362126,0.00035687926,0.00039641964,0.0002090553,0.00043161013],"domain_scores_gemma":[0.99908,0.00014266894,0.00022882715,0.00021668665,0.00021321818,0.00011858199],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026446456,0.00021607403,0.0005217637,0.000045391214,0.0007097328,0.0001763707,0.00031490886,0.00017466802,0.0025123511],"category_scores_gemma":[0.000030532865,0.0002555681,0.00018856495,0.00024222098,0.0008002372,0.0005669837,0.000110175824,0.000448046,0.000019808864],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011502834,0.0011078815,0.19590835,0.00074024743,0.00036514612,0.0006032215,0.1913976,0.0000037229809,0.000009571315,0.0010218055,0.59493524,0.013792179],"study_design_scores_gemma":[0.00084104144,0.00017332,0.06355289,0.0007777576,0.00013049555,0.000008814544,0.0073537556,0.000018651239,0.000003552662,0.00038698094,0.92647165,0.00028111268],"about_ca_topic_score_codex":0.053729583,"about_ca_topic_score_gemma":0.12890437,"teacher_disagreement_score":0.33153638,"about_ca_system_score_codex":0.000063374646,"about_ca_system_score_gemma":0.00007302298,"threshold_uncertainty_score":0.9999896},"labels":[],"label_agreement":null},{"id":"W2916416900","doi":"10.4000/studifrancesi.7914","title":"Louis Van Delft, Les moralistes. Une apologie","year":2009,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bruyère","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.049161777733903296,"score_gpt":0.2719184981327722,"score_spread":0.2227567203988689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2916416900","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009410913,0.23974563,0.00021936654,0.02618678,0.0024372195,0.00018593624,0.00015299667,0.00015851224,0.72150266],"genre_scores_gemma":[0.75425017,0.0019669104,0.00013547938,0.0013942331,0.0030107384,0.0000085121765,0.000018424847,0.000014709421,0.23920083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825126,0.000109038374,0.00043323293,0.00040853265,0.00026783234,0.0005300997],"domain_scores_gemma":[0.9992253,0.00009844227,0.00013304989,0.00029097698,0.0001181469,0.00013406086],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012846648,0.00033153527,0.00049889606,0.00007823755,0.0014262788,0.00018527497,0.00029861843,0.0001209098,0.0046023196],"category_scores_gemma":[0.00003426224,0.00027797412,0.00026074186,0.00020179903,0.00071258104,0.00028990328,0.000035843736,0.0003176543,0.00058496924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042763393,0.00060730433,0.0012630529,0.000101575715,0.00015479655,0.00013487585,0.011213544,0.00006798769,0.00000895716,0.7237451,0.14042695,0.12223308],"study_design_scores_gemma":[0.00029996398,0.00038835822,0.0019315231,0.0000860372,0.0001366697,0.0000028141196,0.0011852763,0.000030482075,0.000017256085,0.015286734,0.9802647,0.0003701354],"about_ca_topic_score_codex":0.005183722,"about_ca_topic_score_gemma":0.0006385148,"teacher_disagreement_score":0.8398378,"about_ca_system_score_codex":0.00008524197,"about_ca_system_score_gemma":0.000026710057,"threshold_uncertainty_score":0.9999672},"labels":[],"label_agreement":null},{"id":"W2917165131","doi":"10.7202/1055679ar","title":"Le classement des notices sous les vedettesd’auteurs abondamment édités","year":2019,"lang":"fr","type":"article","venue":"Documentation et bibliothèques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.0321168537735938,"score_gpt":0.2961721822401078,"score_spread":0.26405532846651397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917165131","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42764607,0.11793115,0.0010280556,0.026600895,0.006436811,0.0010353036,0.00031473063,0.00037241395,0.41863456],"genre_scores_gemma":[0.59301054,0.010143644,0.0005883567,0.0029405197,0.0009005858,0.00005961044,0.0002013663,0.000056141744,0.39209923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751204,0.0003501429,0.00064057065,0.00049492624,0.00051259756,0.00048974867],"domain_scores_gemma":[0.99874955,0.00028841928,0.00029888155,0.0002777907,0.00021291678,0.0001724385],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003861939,0.00037111773,0.00038382207,0.0012757584,0.0007975436,0.004779973,0.0002648824,0.000114845134,0.053269345],"category_scores_gemma":[0.000022302056,0.00035851926,0.00023755322,0.00066400645,0.00041662809,0.0085924165,0.00007598507,0.00026232318,0.0012011881],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072287665,0.0007307368,0.0031808352,0.0005779789,0.00030626165,0.000018775667,0.027910331,0.00032054447,0.00042916887,0.8094103,0.14636366,0.010679166],"study_design_scores_gemma":[0.0006723297,0.00054987246,0.0011397989,0.000259856,0.00013633232,0.0000027605895,0.0061556133,0.00017140179,0.00078349345,0.0062039574,0.9834619,0.00046264732],"about_ca_topic_score_codex":0.01328252,"about_ca_topic_score_gemma":0.0013961579,"teacher_disagreement_score":0.8370983,"about_ca_system_score_codex":0.00020866655,"about_ca_system_score_gemma":0.00015858242,"threshold_uncertainty_score":0.9998867},"labels":[],"label_agreement":null},{"id":"W2921230976","doi":"10.3917/litt.193.0013","title":"Le sentiment de l’intermittence","year":2019,"lang":"fr","type":"article","venue":"Littérature","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.007099145365663691,"score_gpt":0.1998848713401494,"score_spread":0.1927857259744857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921230976","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021485563,0.0667741,0.00002075088,0.016472911,0.004058787,0.0001528302,0.00009943835,0.00009675215,0.89083886],"genre_scores_gemma":[0.18412732,0.00022635497,0.000109231456,0.0016543827,0.0018397145,0.0000043867567,0.000023577784,0.000015200759,0.81199986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894464,0.00008302902,0.00019613902,0.00026772925,0.00014442741,0.0003640369],"domain_scores_gemma":[0.9994503,0.000036428508,0.00006410582,0.0002659344,0.000053562406,0.00012963048],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008455743,0.00017899701,0.00021692037,0.000034743654,0.0005322486,0.00051003566,0.00019651586,0.00014493596,0.006218695],"category_scores_gemma":[0.00000619273,0.00016033587,0.00019768134,0.000080589096,0.00015129682,0.00030211365,0.00004945671,0.0003820068,0.0022194837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019991487,0.00021120814,0.00030966138,0.0001838029,0.000072618175,0.000053477565,0.010760463,0.000010710465,0.0001527525,0.8337747,0.15222284,0.0022277844],"study_design_scores_gemma":[0.00017851185,0.000096370546,0.00013672511,0.0001943226,0.000041865052,0.000015425067,0.0012275155,0.00022835465,0.000095444266,0.0023585353,0.99520934,0.00021758438],"about_ca_topic_score_codex":0.00080064486,"about_ca_topic_score_gemma":0.00009670055,"teacher_disagreement_score":0.8429865,"about_ca_system_score_codex":0.000064222535,"about_ca_system_score_gemma":0.00010131669,"threshold_uncertainty_score":0.9985574},"labels":[],"label_agreement":null},{"id":"W2921321618","doi":"","title":"Performance de l'oratorio et inscriptions du sublime : Il Ritorno di Tobia de Haydn (1775-1784)","year":2015,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Oratorio; Sublime; Art; Humanities; Literature; Musical","score_opus":0.024928117227827788,"score_gpt":0.22089901655196803,"score_spread":0.19597089932414025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921321618","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50469303,0.0066284905,0.0074986396,0.031710893,0.0020437655,0.0004940203,0.0007220161,0.00043699562,0.44577217],"genre_scores_gemma":[0.76459134,0.0025682854,0.004769627,0.00035113696,0.00051829714,0.0001131331,0.000921181,0.0000726241,0.22609437],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99112797,0.006043629,0.0008058377,0.000789196,0.0005139996,0.0007193941],"domain_scores_gemma":[0.9932437,0.00084943854,0.00051944586,0.0016677879,0.0031322776,0.00058732793],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.006055613,0.00054504926,0.0005894203,0.000251387,0.0016589229,0.0013351423,0.0014200446,0.00038503704,0.001364548],"category_scores_gemma":[0.0009896628,0.00056845613,0.00036847065,0.00030953196,0.0007344534,0.00071891194,0.0008595933,0.0011848103,0.00035003736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004088266,0.0017082585,0.012615646,0.00033190622,0.00020781369,0.000021300328,0.15273096,0.00020785557,0.00056079717,0.7731217,0.049338806,0.009114072],"study_design_scores_gemma":[0.0003926339,0.000002508826,0.00436189,0.0011908849,0.00015641031,0.000021666103,0.0005437852,0.010984237,0.0007394031,0.0030000885,0.97798246,0.0006240391],"about_ca_topic_score_codex":0.013819499,"about_ca_topic_score_gemma":0.007717686,"teacher_disagreement_score":0.92864364,"about_ca_system_score_codex":0.00085428427,"about_ca_system_score_gemma":0.0011375427,"threshold_uncertainty_score":0.99970156},"labels":[],"label_agreement":null},{"id":"W2921809397","doi":"10.4000/books.pub.6749","title":"Les avatars d’un topos satirique : la danse macabre et le triomphe de la mort au théâtre et à l’opéra (Ghelderode et Ligeti)","year":2008,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Art; Macabre; Humanities; Art history","score_opus":0.018249103043405136,"score_gpt":0.24815766338810266,"score_spread":0.22990856034469753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921809397","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008562304,0.0048342915,0.00068659784,0.003648582,0.00019434174,0.00044552892,0.0009088413,0.0002831113,0.9804364],"genre_scores_gemma":[0.60500866,0.004080722,0.0007795465,0.0010778082,0.00038730932,0.00001795566,0.00029663387,0.0001629105,0.38818848],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959922,0.0011968565,0.0006336867,0.00089397386,0.0004867352,0.00079656113],"domain_scores_gemma":[0.9966114,0.0015887291,0.00043691808,0.0006897829,0.00024363368,0.00042951852],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052408193,0.0010219086,0.0009503897,0.0004309943,0.0017313602,0.00040506347,0.00090009166,0.00084073166,0.0017725023],"category_scores_gemma":[0.000069131864,0.0010609997,0.0007265431,0.000038851424,0.001920574,0.0005594829,0.00044688297,0.0015625576,0.000046232715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032257233,0.0002570343,0.00027881688,0.00037936962,0.0008704286,0.0025467563,0.03395351,0.00043737434,0.00007177155,0.9282078,0.015559791,0.017114785],"study_design_scores_gemma":[0.00095149764,0.00024827872,0.0003571461,0.0006948108,0.0006110997,0.00023433592,0.0016505456,0.00009285174,0.00016540012,0.011956077,0.98190844,0.0011294989],"about_ca_topic_score_codex":0.033873685,"about_ca_topic_score_gemma":0.0067896605,"teacher_disagreement_score":0.96634865,"about_ca_system_score_codex":0.0004920261,"about_ca_system_score_gemma":0.001668671,"threshold_uncertainty_score":0.9995682},"labels":[],"label_agreement":null},{"id":"W2921975805","doi":"","title":"Guy Laramée : Pluie","year":2010,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.010591042516517768,"score_gpt":0.2182679356215204,"score_spread":0.20767689310500262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921975805","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023827609,0.04309018,0.000082705694,0.09690449,0.022876492,0.00028060548,0.00035909147,0.00026230875,0.81231654],"genre_scores_gemma":[0.1271509,0.00010716897,0.000300127,0.0013474403,0.007883602,0.000008232455,0.000033335924,0.00003294954,0.86313623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985838,0.00008084248,0.00022951965,0.00036329063,0.0002689898,0.0004735357],"domain_scores_gemma":[0.9990229,0.00006278378,0.00008895521,0.000437158,0.00012297412,0.00026520438],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001579908,0.00030412793,0.00030863285,0.00008771643,0.0007641734,0.00035613618,0.00029127562,0.00031202717,0.033981208],"category_scores_gemma":[0.00006700058,0.00025009102,0.00031679912,0.000112501395,0.0005216987,0.0004305591,0.00006247529,0.0011731903,0.0025753127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018628267,0.00016113909,0.000081933,0.000078077304,0.000075450385,0.000062963896,0.025363114,0.0000053845897,0.00022713743,0.6940217,0.27645543,0.0034490393],"study_design_scores_gemma":[0.00020737879,0.00007091276,0.00017978756,0.000053566022,0.000116116345,0.000014914428,0.00087749923,0.000065715125,0.00005760384,0.0015255061,0.99646705,0.00036397518],"about_ca_topic_score_codex":0.00085263,"about_ca_topic_score_gemma":0.0038538608,"teacher_disagreement_score":0.7200116,"about_ca_system_score_codex":0.000036566125,"about_ca_system_score_gemma":0.00006380379,"threshold_uncertainty_score":0.9999951},"labels":[],"label_agreement":null},{"id":"W2924387466","doi":"10.3406/pharm.2016.23090","title":"Le circuit complexe du quinquina entre le Pérou et l’Hôtel-Dieu de Québec, au milieu du XVIIIe siècle","year":2016,"lang":"fr","type":"article","venue":"Revue d histoire de la pharmacie","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.02424987210252461,"score_gpt":0.23858570084842518,"score_spread":0.21433582874590057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924387466","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.119135715,0.1394773,0.0021631294,0.14673996,0.007076317,0.00070150825,0.0017000044,0.0007193483,0.5822867],"genre_scores_gemma":[0.78784496,0.0016287008,0.0000613008,0.002020315,0.0030489275,0.00004247819,0.000048833746,0.000085517684,0.20521894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966111,0.0007946184,0.0006908175,0.0006561326,0.00026257525,0.0009847418],"domain_scores_gemma":[0.9977463,0.0008112627,0.0002887143,0.00044818455,0.00015520133,0.0005503432],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006123187,0.0005221522,0.0006890779,0.00016677911,0.0032248786,0.00020022725,0.00059478334,0.00020511715,0.005233863],"category_scores_gemma":[0.00013116539,0.0004852445,0.00057978655,0.000136941,0.0027341708,0.00074937276,0.00013243599,0.00045502032,0.0006682732],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001442276,0.0015430832,0.0017949492,0.0006195457,0.00026017398,0.0009850892,0.05796678,0.000037773138,0.00609208,0.5958469,0.28596878,0.048740607],"study_design_scores_gemma":[0.0016791661,0.0001055079,0.00016538326,0.00034037887,0.00026073708,0.0003262495,0.00064665335,0.00026258454,0.00037541584,0.0015002902,0.99363345,0.00070418295],"about_ca_topic_score_codex":0.070153594,"about_ca_topic_score_gemma":0.01103923,"teacher_disagreement_score":0.70766467,"about_ca_system_score_codex":0.0017726171,"about_ca_system_score_gemma":0.0014749282,"threshold_uncertainty_score":0.9999798},"labels":[],"label_agreement":null},{"id":"W2928349003","doi":"","title":"Le rôle de l’auteur dramatique au sein de collectifs de création : deux études de cas : BUREAUtopsie du Théâtre Niveau parking et Mémoire vive du théâtre les Deux mondes","year":2011,"lang":"fr","type":"article","venue":"Corpus Université Laval (Université Laval)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.019665067210693592,"score_gpt":0.19778677768679237,"score_spread":0.1781217104760988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2928349003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77147573,0.0027809583,0.004130483,0.0059847697,0.00047442634,0.00041628556,0.00027670123,0.00039667086,0.21406399],"genre_scores_gemma":[0.7825751,0.0027333216,0.0012132247,0.0002811138,0.0004704395,0.0000051068173,0.0000907639,0.00009108597,0.2125399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961888,0.00092992105,0.00041124455,0.00080486014,0.0003984753,0.0012666647],"domain_scores_gemma":[0.99748904,0.0004589793,0.0004589429,0.0004777625,0.0004455451,0.0006697481],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005603594,0.0007321346,0.0007289276,0.0006010653,0.0038658658,0.00025520968,0.00092945073,0.0005758769,0.00050009514],"category_scores_gemma":[0.00009688832,0.0008686343,0.0005994739,0.0005761677,0.0006080611,0.0014885314,0.00039707933,0.0008096786,0.000024229264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053546333,0.00063683296,0.033361163,0.00024289086,0.0006000252,0.0028876911,0.29581112,0.0006593885,0.0028234988,0.6532797,0.005975852,0.0031863374],"study_design_scores_gemma":[0.001852225,0.00058824365,0.010449543,0.00056904985,0.0013791261,0.00048507424,0.083723016,0.004412909,0.0057530943,0.004157267,0.8853035,0.001326954],"about_ca_topic_score_codex":0.32849756,"about_ca_topic_score_gemma":0.15204716,"teacher_disagreement_score":0.87932765,"about_ca_system_score_codex":0.0049408153,"about_ca_system_score_gemma":0.0033063155,"threshold_uncertainty_score":0.9993764},"labels":[],"label_agreement":null},{"id":"W2935761472","doi":"10.4000/sillagescritiques.6910","title":"La Duchesse d’Amalfi et la Querelle des femmes","year":2019,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Open Text (Canada)","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03367177217821699,"score_gpt":0.3028030864546768,"score_spread":0.2691313142764598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2935761472","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29837486,0.07176233,0.000011020703,0.003753871,0.0006726651,0.00011757875,0.00013720265,0.00015476595,0.6250157],"genre_scores_gemma":[0.63654464,0.0051606474,0.00017395422,0.0009150895,0.00059997075,0.0000114838995,0.000026688076,0.0000407509,0.35652673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997562,0.0009783681,0.00037373297,0.00041493902,0.00021692534,0.00045404292],"domain_scores_gemma":[0.99834895,0.0009178087,0.000082268154,0.00031560435,0.00017075837,0.0001646319],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005208949,0.000354604,0.000452767,0.0001260959,0.0003891481,0.00060836243,0.00024746434,0.0002455888,0.011658311],"category_scores_gemma":[0.00009476155,0.00031834282,0.00029147486,0.00008115944,0.000990511,0.0008748116,0.0000995966,0.00042345657,0.0010325598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031555097,0.00033701138,0.002158271,0.0008833191,0.000112297304,0.0001554687,0.040263794,0.0000045199786,0.00018199379,0.8840759,0.059791483,0.012004405],"study_design_scores_gemma":[0.00021305696,0.00021493642,0.0007409467,0.00052314677,0.00008243974,0.000032177173,0.00574279,0.000015393682,0.0005170642,0.022566834,0.96890736,0.00044386758],"about_ca_topic_score_codex":0.0038873986,"about_ca_topic_score_gemma":0.000628758,"teacher_disagreement_score":0.90911585,"about_ca_system_score_codex":0.00006536934,"about_ca_system_score_gemma":0.000071202434,"threshold_uncertainty_score":0.99992687},"labels":[],"label_agreement":null},{"id":"W2936507647","doi":"10.4000/studifrancesi.7918","title":"Pierre M. Conlon, Le siècle des Lumières. Bibliographie chronologique. T. XXVI 1789 Auteurs","year":2009,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliographical Society of Canada","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.022575453952054667,"score_gpt":0.24321894700275504,"score_spread":0.22064349305070036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936507647","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046738107,0.5299405,0.0002736492,0.013672004,0.0043271193,0.00039059643,0.00023625359,0.00035662338,0.40406516],"genre_scores_gemma":[0.8193562,0.02264569,0.00022422227,0.0014989583,0.0026887371,0.00002742245,0.000025952082,0.0000316214,0.1535012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975021,0.00019321156,0.0005702741,0.0006007426,0.00031443595,0.0008192323],"domain_scores_gemma":[0.9988505,0.00012289798,0.00019270863,0.00038478753,0.00022161489,0.0002274666],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024944756,0.00045865893,0.0006445334,0.0008710305,0.0023165008,0.00031007692,0.00044145097,0.00020103106,0.0023865455],"category_scores_gemma":[0.00004337639,0.00041139533,0.00043513696,0.0015095131,0.0023589116,0.00090159476,0.000057213965,0.0004832438,0.00036423735],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009636285,0.0015423702,0.0051936745,0.00023578246,0.00045514564,0.0001918582,0.010228429,0.000044399134,0.00005497731,0.3276796,0.4862453,0.1680321],"study_design_scores_gemma":[0.00064926315,0.0008300317,0.028930396,0.00017542917,0.00013767817,0.0000062461922,0.0011590365,0.000035320612,0.000059185357,0.012961486,0.9545243,0.0005316464],"about_ca_topic_score_codex":0.003988734,"about_ca_topic_score_gemma":0.0010657024,"teacher_disagreement_score":0.7726181,"about_ca_system_score_codex":0.000065254135,"about_ca_system_score_gemma":0.00009795632,"threshold_uncertainty_score":0.99983376},"labels":[],"label_agreement":null},{"id":"W2937942711","doi":"10.26522/vp.v16i1.2190","title":"Lavigne, Mishka. Havre","year":2019,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Geology","score_opus":0.014876415059985411,"score_gpt":0.21612285906357068,"score_spread":0.20124644400358527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2937942711","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118379876,0.089942195,0.00002163386,0.045456614,0.008642943,0.00034063065,0.00064332417,0.00016745676,0.7364053],"genre_scores_gemma":[0.0857152,0.0005830053,0.000077089026,0.0008437187,0.0022748136,0.0000065628096,0.000046758676,0.000032231274,0.9104206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984945,0.000091975926,0.00035754606,0.00037629207,0.00024350015,0.00043617818],"domain_scores_gemma":[0.99912924,0.00015203396,0.000099110846,0.00035969788,0.000091925365,0.00016799154],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000109348526,0.00027921784,0.00030907374,0.00009533752,0.00042647877,0.00025141743,0.00025658627,0.00015296708,0.049548015],"category_scores_gemma":[0.00001757289,0.00024717412,0.00027443573,0.00009169709,0.00029595845,0.0003962662,0.000063890766,0.0002830964,0.013732719],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036087848,0.0002767742,0.00044023158,0.00024155613,0.00012616011,0.000048408554,0.029857423,0.0000202053,0.000044950702,0.6261045,0.3377567,0.0050470177],"study_design_scores_gemma":[0.00027620312,0.00017889483,0.000059851645,0.00018027572,0.00009306673,0.000006168985,0.0012669679,0.0001611238,0.00007194783,0.0018698175,0.9954687,0.00036700544],"about_ca_topic_score_codex":0.0030763997,"about_ca_topic_score_gemma":0.00028292526,"teacher_disagreement_score":0.657712,"about_ca_system_score_codex":0.00005186431,"about_ca_system_score_gemma":0.00005862751,"threshold_uncertainty_score":0.99999803},"labels":[],"label_agreement":null},{"id":"W2938742688","doi":"10.4000/communication.9891","title":"Théâtre et presse, de 1590 à 2017","year":2019,"lang":"fr","type":"article","venue":"Communication","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.04849275028935613,"score_gpt":0.28147717413450607,"score_spread":0.23298442384514995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2938742688","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02068905,0.13965619,0.000057295347,0.022095622,0.00061185885,0.00016987725,0.00005867927,0.000060368424,0.81660104],"genre_scores_gemma":[0.35541674,0.006609988,0.00027703983,0.00068289763,0.00018334798,0.0000104357,0.00011462099,0.000012159824,0.63669276],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991083,0.00033247162,0.0001872758,0.00011952526,0.00008835817,0.00016403366],"domain_scores_gemma":[0.99870634,0.0001917699,0.00010293188,0.00086669385,0.00007567731,0.000056586545],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002384353,0.0001059953,0.00014154565,0.000039510593,0.00034723862,0.00017059619,0.00044636478,0.00007516571,0.00712513],"category_scores_gemma":[0.000022293065,0.000101867656,0.00008679527,0.000034288114,0.00015484571,0.00048022452,0.000120646044,0.00026379502,0.001751755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010687423,0.00015499273,0.0003524487,0.000079101424,0.0000331146,8.6319375e-7,0.016040381,0.00002668618,0.00004017259,0.56938726,0.4113242,0.0025500946],"study_design_scores_gemma":[0.00012379122,0.00004484735,0.0006452463,0.00015958489,0.00004431718,0.000002580728,0.0004825832,0.00079342845,0.00001917398,0.0045614853,0.9929911,0.00013184689],"about_ca_topic_score_codex":0.0019738993,"about_ca_topic_score_gemma":0.0002723771,"teacher_disagreement_score":0.5816669,"about_ca_system_score_codex":0.00007105717,"about_ca_system_score_gemma":0.00004525584,"threshold_uncertainty_score":0.9990255},"labels":[],"label_agreement":null},{"id":"W2939036786","doi":"10.3917/lige.141.0077","title":"Des bruits à l’opéra","year":2015,"lang":"fr","type":"article","venue":"Ligeia","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Medicine","score_opus":0.09437668148466388,"score_gpt":0.2586937995397872,"score_spread":0.16431711805512333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939036786","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029672727,0.085310936,0.000058324513,0.0025505163,0.0036488432,0.00006828824,0.000071379254,0.000082825776,0.87853616],"genre_scores_gemma":[0.18430503,0.00016519276,0.00015836237,0.0005463304,0.003410377,0.0000048370352,0.000014603731,0.000017205,0.81137806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990084,0.000076009084,0.00022496803,0.00018933961,0.00017678693,0.00032449834],"domain_scores_gemma":[0.9992945,0.00004522608,0.00005013192,0.00017482128,0.0001305177,0.00030477621],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013108837,0.0001614126,0.00020172789,0.00005664496,0.00037283942,0.00020429412,0.00015293303,0.000075101016,0.005371595],"category_scores_gemma":[0.00004362379,0.00014151323,0.00011891534,0.00007407595,0.00046439917,0.00042651352,0.0000432842,0.0001483912,0.003950765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020226034,0.00020526676,0.00038339198,0.00007860743,0.00005932276,0.00007618326,0.05529969,0.0000074955024,0.000005848648,0.54401845,0.3749242,0.024921278],"study_design_scores_gemma":[0.00016217856,0.00017517869,0.000099351375,0.00007237762,0.000063639774,0.000008752737,0.0011493113,0.000047296235,0.00003375899,0.015573916,0.9824104,0.00020386667],"about_ca_topic_score_codex":0.0033334326,"about_ca_topic_score_gemma":0.00047090265,"teacher_disagreement_score":0.6074861,"about_ca_system_score_codex":0.00008892271,"about_ca_system_score_gemma":0.00005984677,"threshold_uncertainty_score":0.9968248},"labels":[],"label_agreement":null},{"id":"W2940327915","doi":"10.26522/vp.v16i1.2187","title":"Christensen, Andrée. L’isle aux abeilles noires","year":2019,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Geography; Biology; Humanities","score_opus":0.018601094460198055,"score_gpt":0.22609632567894136,"score_spread":0.2074952312187433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940327915","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.330009,0.1496832,0.000022375654,0.058339685,0.009183463,0.0004984576,0.0008953867,0.00026254656,0.45110586],"genre_scores_gemma":[0.22649235,0.0017875793,0.000062639665,0.000723152,0.0028603452,0.000010537401,0.000057383844,0.000046229507,0.7679598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782443,0.00012914272,0.00054184685,0.0005410736,0.00034704362,0.00061646657],"domain_scores_gemma":[0.998681,0.0002787887,0.00016335124,0.0004908911,0.00017021947,0.00021573035],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014715169,0.00042444374,0.0004922028,0.00016268303,0.0007925094,0.0003613555,0.00033124676,0.00020773288,0.025029829],"category_scores_gemma":[0.00003991897,0.00036387384,0.00039550135,0.00012734311,0.0005879983,0.00048288418,0.000113749025,0.0003452265,0.007740441],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008670842,0.00041601807,0.0006024457,0.0003635412,0.00027248703,0.00009608079,0.03777908,0.000048745304,0.00010898069,0.5794281,0.3736461,0.0071517397],"study_design_scores_gemma":[0.00045147666,0.00028764785,0.00012173834,0.00022745214,0.00013643237,0.000013682352,0.0024365296,0.00036909577,0.00017974479,0.0018323681,0.9934003,0.00054355216],"about_ca_topic_score_codex":0.005477842,"about_ca_topic_score_gemma":0.0006588725,"teacher_disagreement_score":0.61975414,"about_ca_system_score_codex":0.00006471926,"about_ca_system_score_gemma":0.00012186716,"threshold_uncertainty_score":0.9998813},"labels":[],"label_agreement":null},{"id":"W2940626571","doi":"10.1177/0008429818820263","title":"Book Review / Comptes rendus: Dieu est une fiction : Essai sur les origines littéraires de la croyance","year":2019,"lang":"fr","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Philosophy","score_opus":0.045955784477380954,"score_gpt":0.32746457481415325,"score_spread":0.2815087903367723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940626571","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007334541,0.9015002,0.0000045811403,0.01118847,0.0030521418,0.00042510507,0.000052330943,0.00015003596,0.076292574],"genre_scores_gemma":[0.011024719,0.8624363,0.000110911955,0.004592107,0.0008135546,0.000083156905,0.00000887286,0.00003077669,0.12089958],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99580497,0.00063188665,0.0011171217,0.00094777165,0.00065088394,0.00084736285],"domain_scores_gemma":[0.99648917,0.0020696167,0.00044830993,0.0004935525,0.00036654566,0.00013283081],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011740308,0.00060657714,0.0011360286,0.00028982037,0.0013373422,0.0002999599,0.0007363149,0.00019038319,0.0011194954],"category_scores_gemma":[0.0006779581,0.00047639344,0.00034276058,0.0008912706,0.004521684,0.0009220006,0.00027293316,0.00055734953,0.00038560107],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028148645,0.0002632842,0.0036230125,0.0036340177,0.00012476271,0.00005315362,0.0031931633,0.00026323364,0.000011885247,0.056160048,0.9318436,0.0008017317],"study_design_scores_gemma":[0.00027708962,0.0003766941,0.0002141603,0.0125530325,0.00016095268,0.00002702892,0.0017195456,0.000060309914,0.000028861816,0.0017067475,0.98227835,0.00059725525],"about_ca_topic_score_codex":0.018752923,"about_ca_topic_score_gemma":0.0009883296,"teacher_disagreement_score":0.054453302,"about_ca_system_score_codex":0.00025474257,"about_ca_system_score_gemma":0.00042978703,"threshold_uncertainty_score":0.9999628},"labels":[],"label_agreement":null},{"id":"W2941415097","doi":"10.4000/philonsorbonne.1211","title":"Table ronde autour de l’ouvrage de Simón Gallegos Gabilondo : Les mondes du voyageur. Une épistémologie de l’exploration (XVIe-XVIIIe siècle)","year":2019,"lang":"fr","type":"article","venue":"Philonsorbonne","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MaRS","funders":"","keywords":"Table (database); Art; Humanities; Computer science","score_opus":0.034682541987643395,"score_gpt":0.240800774366027,"score_spread":0.20611823237838361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941415097","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6663019,0.04186769,0.009386329,0.07733991,0.0033976713,0.0013764956,0.00062282546,0.001014536,0.19869266],"genre_scores_gemma":[0.8807678,0.0012859344,0.00091042847,0.0010707952,0.0024165588,0.00007633111,0.0001079917,0.00010028156,0.113263845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99597895,0.00071119936,0.0007861409,0.0007517506,0.0003906229,0.0013813283],"domain_scores_gemma":[0.99772394,0.00064935535,0.00032671442,0.00065371604,0.0001999458,0.00044633445],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009657174,0.0006382747,0.0007713393,0.0002492378,0.0017741276,0.00045255732,0.0005887423,0.000375814,0.011919649],"category_scores_gemma":[0.00033081823,0.0006226365,0.00039874142,0.00032080308,0.00074195664,0.0012595716,0.0001590759,0.00078415347,0.0012982518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006693665,0.00284163,0.014169534,0.0015396336,0.00073228375,0.00096573564,0.049915444,0.01895808,0.0058771474,0.79045117,0.10368522,0.010194763],"study_design_scores_gemma":[0.0012308013,0.00075402943,0.0018875131,0.00029391726,0.00042122748,0.00008323905,0.0024333117,0.013793479,0.0011879242,0.1341708,0.8426379,0.0011058359],"about_ca_topic_score_codex":0.014035174,"about_ca_topic_score_gemma":0.0009510784,"teacher_disagreement_score":0.7389527,"about_ca_system_score_codex":0.00071053556,"about_ca_system_score_gemma":0.00041157892,"threshold_uncertainty_score":0.9996225},"labels":[],"label_agreement":null},{"id":"W2942257726","doi":"10.4000/elfe.326","title":"Les littérateurs gastronomes depuis Brillat-Savarin","year":2019,"lang":"fr","type":"article","venue":"ELFe XX-XXI","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SNC-Lavalin (Canada)","funders":"","keywords":"Humanities; Philosophy; Art; Manger; Theology","score_opus":0.022255391036907848,"score_gpt":0.22393147287246348,"score_spread":0.20167608183555563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942257726","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29428682,0.07378845,0.0000586981,0.003363186,0.005113483,0.00028982773,0.00022517057,0.00016009453,0.6227143],"genre_scores_gemma":[0.42508394,0.00031737928,0.000099347126,0.00024014406,0.002405022,0.0000067592987,0.000043215696,0.00003546592,0.57176876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979141,0.00015600312,0.00048871984,0.0005067226,0.00027187823,0.00066258915],"domain_scores_gemma":[0.9989276,0.00014837508,0.00015162182,0.0004308803,0.00010387937,0.00023762872],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016676533,0.00037869788,0.00050849555,0.00013640957,0.00055186433,0.0003516138,0.00029766944,0.00015069493,0.050749473],"category_scores_gemma":[0.000017668235,0.0003462568,0.00035566874,0.00011467919,0.00031625552,0.0005216425,0.000103391016,0.00036856398,0.007828271],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010751658,0.00048614433,0.036956105,0.00045788364,0.0004690508,0.000078032754,0.018977996,0.0001389369,0.00008860907,0.69641966,0.097858965,0.14796111],"study_design_scores_gemma":[0.00032193158,0.00028110907,0.0028773523,0.00012221778,0.00010219503,0.000010321398,0.0008742492,0.00011086824,0.00004606214,0.0012402666,0.9935829,0.0004305033],"about_ca_topic_score_codex":0.0053007663,"about_ca_topic_score_gemma":0.0004068094,"teacher_disagreement_score":0.89572394,"about_ca_system_score_codex":0.00015567229,"about_ca_system_score_gemma":0.00006199065,"threshold_uncertainty_score":0.99989897},"labels":[],"label_agreement":null},{"id":"W2943583354","doi":"10.4000/books.purh.10284","title":"« Admirez avec moi ce merveilleux spectacle ». Sur Andromède, La Toison d’or et Psyché","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Rouen et du Havre eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.026869345120205893,"score_gpt":0.22555420226966613,"score_spread":0.19868485714946024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943583354","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035262252,0.010292159,0.00013124621,0.003163656,0.00092044036,0.00048131685,0.000807484,0.00029846744,0.980379],"genre_scores_gemma":[0.4694022,0.0022193766,0.00015949005,0.00060557446,0.0010800821,0.000009899993,0.00017509933,0.00014653805,0.5262017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996444,0.0004939854,0.0006718621,0.00089740433,0.0005763117,0.0009164474],"domain_scores_gemma":[0.99687773,0.00093319215,0.00051216356,0.0007546568,0.00030892857,0.0006133511],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038875744,0.0010691272,0.0010912253,0.00042607848,0.0010978135,0.00047551183,0.0009016008,0.0006478166,0.018965323],"category_scores_gemma":[0.000059294904,0.0009887979,0.00077943073,0.000038351962,0.00093735073,0.0011471338,0.00046417167,0.0011068743,0.000357794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061856525,0.00034619682,0.00027316934,0.0005958958,0.0009752188,0.0011344369,0.024997976,0.00003697103,0.000026286063,0.92484087,0.029793676,0.016360711],"study_design_scores_gemma":[0.00093125505,0.00041506017,0.00018922058,0.0008451745,0.0009835624,0.00017372059,0.0009152344,0.00007967232,0.00004013639,0.0068588667,0.98730433,0.0012637558],"about_ca_topic_score_codex":0.0037483936,"about_ca_topic_score_gemma":0.0038610382,"teacher_disagreement_score":0.95751065,"about_ca_system_score_codex":0.00039350401,"about_ca_system_score_gemma":0.0003710526,"threshold_uncertainty_score":0.99925625},"labels":[],"label_agreement":null},{"id":"W2944289721","doi":"10.4000/belphegor.1953","title":"Le Voyage aux Ruines de Paris : un topos érudit, fantaisiste et satirique dans la fiction d’anticipation aux XIXème et XXème siècles","year":2019,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Topos theory; Literature","score_opus":0.02405660462133002,"score_gpt":0.2657293856080453,"score_spread":0.2416727809867153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944289721","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5833064,0.008616479,0.0015628837,0.030288054,0.0022617588,0.0006435632,0.00062913704,0.000301529,0.3723902],"genre_scores_gemma":[0.8426066,0.0006177277,0.0001630834,0.0009742743,0.00072395965,0.000040216306,0.0002082357,0.000048072867,0.15461785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976908,0.00058216,0.0005518905,0.00044103732,0.00027454807,0.00045959002],"domain_scores_gemma":[0.99877846,0.00031264458,0.00023983966,0.000337283,0.00018208151,0.00014970388],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047998258,0.00034928584,0.00043855488,0.00014587057,0.00073698076,0.00038840275,0.000211411,0.00023576539,0.002141226],"category_scores_gemma":[0.00007052499,0.0003353631,0.00029927024,0.00013288207,0.00027406684,0.0008929824,0.0000793788,0.00038392286,0.00040224608],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008033828,0.00054005196,0.002999986,0.00029978348,0.00016704557,0.000051343188,0.037384238,0.00015983621,0.0013748803,0.921063,0.031192169,0.0046873004],"study_design_scores_gemma":[0.0004933341,0.00025368805,0.0082014045,0.00016605303,0.00018930984,0.000021389653,0.0020784528,0.0011995203,0.0004004606,0.0036168625,0.9829317,0.00044783484],"about_ca_topic_score_codex":0.019910589,"about_ca_topic_score_gemma":0.005336797,"teacher_disagreement_score":0.95173955,"about_ca_system_score_codex":0.00017305027,"about_ca_system_score_gemma":0.000374753,"threshold_uncertainty_score":0.9999098},"labels":[],"label_agreement":null},{"id":"W2945673788","doi":"10.7202/1059814ar","title":"De la ferme à la table","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010171855782572186,"score_gpt":0.2221711971029933,"score_spread":0.21199934132042111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945673788","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04767672,0.053485785,0.000010281056,0.0008779476,0.0011368269,0.000056380613,0.000067690526,0.000041189047,0.89664716],"genre_scores_gemma":[0.3974945,0.00012940992,0.000023778444,0.00062826794,0.00089116726,0.0000029148132,0.000008889335,0.000011349604,0.60080975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991624,0.0001883034,0.00013010738,0.00016392501,0.000097432174,0.0002578442],"domain_scores_gemma":[0.9994313,0.00024964154,0.00003825791,0.00015587437,0.000030420433,0.00009451539],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015742079,0.0001347475,0.00017975953,0.000042557393,0.00018245276,0.00031599595,0.0001323808,0.00013313071,0.022952428],"category_scores_gemma":[0.000023354249,0.00011337123,0.00011090491,0.00003700825,0.00030124598,0.00018901203,0.0000276522,0.00025185902,0.001145128],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011323167,0.000085521315,0.0003214345,0.000103587125,0.000044328397,0.00004622328,0.012444423,0.00006938856,0.000118850345,0.73651356,0.24891515,0.0013261973],"study_design_scores_gemma":[0.00014000652,0.000041404564,0.00031712168,0.000064998814,0.00005080751,0.000016195285,0.000597131,0.000066430206,0.00003962647,0.006818091,0.99168086,0.00016735576],"about_ca_topic_score_codex":0.0016118501,"about_ca_topic_score_gemma":0.000021813386,"teacher_disagreement_score":0.74276567,"about_ca_system_score_codex":0.000051604908,"about_ca_system_score_gemma":0.00005539411,"threshold_uncertainty_score":0.9996326},"labels":[],"label_agreement":null},{"id":"W2946605835","doi":"10.7202/1059364ar","title":"Présentation","year":2019,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; History","score_opus":0.021225349406700796,"score_gpt":0.23965049415328768,"score_spread":0.2184251447465869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946605835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07053833,0.023776148,0.000016889731,0.0027467243,0.0102497395,0.00020826513,0.00008109985,0.00008755224,0.89229524],"genre_scores_gemma":[0.6172629,0.00017233654,0.00004984827,0.0005233416,0.0025723171,0.0000065659633,0.000027944961,0.000016881411,0.37936783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896574,0.00004389974,0.00026541084,0.00025116184,0.00020985553,0.00026392489],"domain_scores_gemma":[0.9994477,0.00011333797,0.000075121956,0.00019654837,0.000077909346,0.00008937307],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006728041,0.00018449013,0.00023842594,0.00007993168,0.00033208056,0.00017051934,0.00014081906,0.00007558375,0.062000964],"category_scores_gemma":[0.000011849885,0.00016557805,0.0001741569,0.00006920491,0.00023563976,0.0005591931,0.000028914867,0.00014651631,0.008855046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025309597,0.00022928069,0.0017519457,0.00025532205,0.00008495129,0.000011752768,0.008982697,0.000027814662,0.00008837636,0.9357251,0.048537765,0.004279676],"study_design_scores_gemma":[0.00023780989,0.00016489388,0.0005355654,0.00011277117,0.00008320727,0.000002872253,0.0009262657,0.000090208545,0.0000765524,0.0005418617,0.99699134,0.00023667661],"about_ca_topic_score_codex":0.0022141451,"about_ca_topic_score_gemma":0.00033550398,"teacher_disagreement_score":0.94845355,"about_ca_system_score_codex":0.000046276327,"about_ca_system_score_gemma":0.000040127332,"threshold_uncertainty_score":0.99191666},"labels":[],"label_agreement":null},{"id":"W2947446914","doi":"10.4000/books.pusl.21700","title":"La manifestation de Dieu à travers le langage poïétique de l'expérience religieuse","year":2005,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Société Canadienne de Théologie","funders":"","keywords":"Philosophy; Humanities","score_opus":0.022329940111727845,"score_gpt":0.23323609276117466,"score_spread":0.21090615264944682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947446914","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004892559,0.0013028608,0.0007148006,0.00085088314,0.00017759434,0.00012204728,0.00010445456,0.00012190447,0.99171287],"genre_scores_gemma":[0.1932853,0.0015120973,0.00072114106,0.0010499133,0.0009568449,0.00001038842,0.00006905995,0.000046193018,0.80234903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985043,0.00014421977,0.00040286925,0.00036238268,0.00019908743,0.0003871722],"domain_scores_gemma":[0.99902,0.00030294864,0.00015445887,0.00023991823,0.00007100349,0.00021166868],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002903519,0.00036226254,0.00032665886,0.00012951842,0.0006104196,0.00019027326,0.00024548636,0.00030859245,0.0090576485],"category_scores_gemma":[0.00003096859,0.000334416,0.0002647663,0.00001778595,0.000462267,0.0003636272,0.00003697093,0.00058448536,0.0005077507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026043093,0.000077797646,0.00003103214,0.00008585275,0.00006049578,0.00033134816,0.024123246,0.000023375518,0.000025592552,0.9631647,0.008030416,0.0040200828],"study_design_scores_gemma":[0.00018866354,0.00009729457,0.00020681189,0.0001566863,0.00010813552,0.000048746173,0.0013794153,0.00012518477,0.00003955239,0.0077329623,0.9894787,0.00043786736],"about_ca_topic_score_codex":0.008992995,"about_ca_topic_score_gemma":0.0022803391,"teacher_disagreement_score":0.9814483,"about_ca_system_score_codex":0.00027003555,"about_ca_system_score_gemma":0.00023313797,"threshold_uncertainty_score":0.9999108},"labels":[],"label_agreement":null},{"id":"W2947769205","doi":"10.4000/books.purh.477","title":"La Rome de Thomas Corneille","year":2014,"lang":"es","type":"book-chapter","venue":"Presses universitaires de Rouen et du Havre eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hôpital du Sacré-Cœur de Montréal","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.015664021556444408,"score_gpt":0.20034505285948723,"score_spread":0.1846810313030428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947769205","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022236335,0.0017291057,0.0005365159,0.00084241846,0.00033242113,0.00026199702,0.0002919491,0.00027260205,0.99350935],"genre_scores_gemma":[0.6023126,0.00039115312,0.00008421158,0.00047464087,0.0007928326,0.000005491082,0.000096454576,0.000095225594,0.39574736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741936,0.00038976135,0.00045121985,0.000699994,0.00038371014,0.0006559701],"domain_scores_gemma":[0.9976376,0.0007664447,0.0003926424,0.0005986196,0.00021286133,0.00039182577],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034222042,0.00077410333,0.00085486035,0.0003827257,0.0009762634,0.0006255773,0.0008398886,0.0005677691,0.0036520036],"category_scores_gemma":[0.000045328026,0.0007568898,0.0006371338,0.0000144646465,0.0007922157,0.0002953574,0.00039497938,0.000853069,0.00024156833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001751412,0.00006749633,0.00017895692,0.0003813377,0.0006135969,0.00079313834,0.015184764,0.00005124469,0.00003234144,0.9500423,0.02399023,0.00848945],"study_design_scores_gemma":[0.0005366934,0.00024413982,0.00006897563,0.00064973545,0.0008175346,0.000075318174,0.0007643918,0.00012395089,0.000022536424,0.017493151,0.9783117,0.00089187565],"about_ca_topic_score_codex":0.0011104881,"about_ca_topic_score_gemma":0.00032683212,"teacher_disagreement_score":0.95432144,"about_ca_system_score_codex":0.00033367888,"about_ca_system_score_gemma":0.00024312519,"threshold_uncertainty_score":0.99948823},"labels":[],"label_agreement":null},{"id":"W2948584661","doi":"10.7202/1074719ar","title":"De la Delie de Scève en Diotima rediuiua, ou l’image d’un mentor sans le son","year":2021,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0126218178712717,"score_gpt":0.24916090221442394,"score_spread":0.23653908434315224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948584661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36919633,0.07823648,0.001240148,0.017816255,0.0027193925,0.00028129946,0.00039235348,0.00046683234,0.52965087],"genre_scores_gemma":[0.7848279,0.002999588,0.0074932314,0.0012305015,0.0064221974,0.000050607254,0.00009312609,0.00008490346,0.19679794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730444,0.00076872675,0.00043412353,0.0004997742,0.00025988588,0.0007330509],"domain_scores_gemma":[0.99850047,0.00043349288,0.00012456493,0.00038165308,0.0002365566,0.00032328075],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005253493,0.00039154486,0.0004832075,0.00007914647,0.00075093535,0.00064046524,0.00031290983,0.00027369478,0.0052783466],"category_scores_gemma":[0.000203102,0.00039040748,0.0003366404,0.00011581632,0.000513064,0.0006606414,0.00015178509,0.00043680135,0.000074599404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037288366,0.00059654034,0.00084419467,0.00027722525,0.00025695647,0.00060193567,0.050463665,0.000005479164,0.002258303,0.9251297,0.012807084,0.0067216256],"study_design_scores_gemma":[0.00032087776,0.00015417147,0.00040154113,0.00018335892,0.00020602178,0.000085315485,0.0043645008,0.00011319324,0.008220409,0.0118546365,0.97362286,0.00047311862],"about_ca_topic_score_codex":0.0036586807,"about_ca_topic_score_gemma":0.0006431019,"teacher_disagreement_score":0.9608158,"about_ca_system_score_codex":0.0004646385,"about_ca_system_score_gemma":0.00047098988,"threshold_uncertainty_score":0.9998548},"labels":[],"label_agreement":null},{"id":"W2949492595","doi":"10.4000/belphegor.1533","title":"Coudray, Jean-Luc, Émile Salgari. Les vantards de la mer","year":2019,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017829394859861448,"score_gpt":0.2452479544322003,"score_spread":0.22741855957233884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949492595","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10872454,0.06314869,0.00013158737,0.0069453446,0.0040537296,0.00032252676,0.0004854682,0.00017796223,0.8160101],"genre_scores_gemma":[0.30170968,0.00057518284,0.00020118915,0.00065285043,0.0017625357,0.000011840557,0.000041736435,0.000040667303,0.69500434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982288,0.00026433135,0.00035660152,0.0003584696,0.0002754473,0.00051636697],"domain_scores_gemma":[0.9987722,0.0005167873,0.00010601276,0.00032437584,0.00008911801,0.00019149679],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032954486,0.00029689624,0.0003994556,0.00009852903,0.0006720195,0.00026223477,0.00027072043,0.0002141193,0.06161632],"category_scores_gemma":[0.000047299724,0.00026249385,0.0002925718,0.00008007942,0.00058046356,0.00032045465,0.000076389195,0.00040585367,0.0036742825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078886456,0.0005406498,0.0019001132,0.00033949592,0.00022263822,0.000115009985,0.017905843,0.000049876202,0.00032402272,0.5265324,0.43643928,0.015551772],"study_design_scores_gemma":[0.00040448576,0.00018399564,0.0003839967,0.00010373493,0.00018725373,0.000013469471,0.0010437181,0.00036920854,0.0001065339,0.0018597826,0.9949584,0.00038542994],"about_ca_topic_score_codex":0.008032348,"about_ca_topic_score_gemma":0.00038132197,"teacher_disagreement_score":0.5585191,"about_ca_system_score_codex":0.00014527702,"about_ca_system_score_gemma":0.000115138115,"threshold_uncertainty_score":0.9999827},"labels":[],"label_agreement":null},{"id":"W2950255491","doi":"10.18192/analyses.v13i2.3627","title":"Fiction panoramique et enjeux narratifs : la précarité du récit de l'événement historique dans &lt;em&gt;Ouragan&lt;/em&gt; de Laurent Gaudé (2010)","year":2018,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.022733779094117817,"score_gpt":0.25030946254992564,"score_spread":0.22757568345580784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950255491","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40534803,0.1129939,0.0077922773,0.028761277,0.01485927,0.0020146794,0.0027545125,0.0009200011,0.42455605],"genre_scores_gemma":[0.85211575,0.0047592865,0.0010168297,0.0058529377,0.010399245,0.0002600151,0.00056892534,0.00023301487,0.124794014],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99240565,0.0019618394,0.0015391571,0.001444874,0.00061022816,0.0020382504],"domain_scores_gemma":[0.99492973,0.0006275699,0.0007989932,0.001292444,0.0009977218,0.0013535643],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015779925,0.0013089499,0.0014432236,0.00077605346,0.001730793,0.0009912241,0.0010313937,0.0010177154,0.0028892674],"category_scores_gemma":[0.0005686001,0.0012953816,0.0011545748,0.0008267284,0.0009118632,0.0010409025,0.00016268728,0.0016176244,0.000117631054],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036486256,0.0011622697,0.0010009503,0.0010827393,0.0014423185,0.0014607981,0.2825584,0.0009588954,0.004718862,0.44895568,0.25213954,0.0041546742],"study_design_scores_gemma":[0.0007116536,0.00078095624,0.0028260301,0.00093053706,0.0011483671,0.0003945127,0.0053926,0.0027765695,0.00037778803,0.003359842,0.97987187,0.0014293024],"about_ca_topic_score_codex":0.18008667,"about_ca_topic_score_gemma":0.95346034,"teacher_disagreement_score":0.77337366,"about_ca_system_score_codex":0.0031347075,"about_ca_system_score_gemma":0.0015326007,"threshold_uncertainty_score":0.9999662},"labels":[],"label_agreement":null},{"id":"W2956582436","doi":"10.3917/gest.053.0097","title":"Pourquoi une revue ? Quelques pages d’histoire","year":2019,"lang":"fr","type":"article","venue":"Gestalt","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.01770642949905408,"score_gpt":0.2079188726866653,"score_spread":0.19021244318761124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2956582436","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022968996,0.0947815,0.000012087784,0.033060905,0.005443002,0.0001979467,0.00018724568,0.00014224827,0.84320605],"genre_scores_gemma":[0.13764644,0.0010243364,0.000103198705,0.0010629224,0.0022057933,0.000007405811,0.00005909753,0.00003384327,0.857857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852896,0.000101643804,0.00037206695,0.00038336546,0.00017992013,0.0004340584],"domain_scores_gemma":[0.9990415,0.0001678355,0.00013222119,0.00039357384,0.00010135872,0.00016352505],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000111520545,0.00027292868,0.00039466078,0.0001023402,0.0005412828,0.00018561646,0.00022303681,0.00013470535,0.017546065],"category_scores_gemma":[0.000028750068,0.00025628958,0.00024739394,0.000109553795,0.00038384754,0.00047812983,0.00005944999,0.0003200301,0.0054895612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029252391,0.00024846313,0.00057855406,0.0006569565,0.000084798645,0.00012974124,0.012478068,0.000017122411,0.00010179758,0.6932958,0.2681847,0.024194766],"study_design_scores_gemma":[0.00018634518,0.00022547146,0.00022158785,0.00032943487,0.00008052873,0.000017646507,0.0011276932,0.00006670834,0.000024197616,0.005222989,0.9921291,0.00036831124],"about_ca_topic_score_codex":0.005232711,"about_ca_topic_score_gemma":0.0007482023,"teacher_disagreement_score":0.7239444,"about_ca_system_score_codex":0.00013440585,"about_ca_system_score_gemma":0.000053271786,"threshold_uncertainty_score":0.9999889},"labels":[],"label_agreement":null},{"id":"W2957701500","doi":"","title":"Ordo ab chaos, l’instrumentalisation du hasard dans la mise en scène classique","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"CHAOS (operating system); Philosophy; Physics; Computer science; Computer security","score_opus":0.014737688548046706,"score_gpt":0.20751653059237526,"score_spread":0.19277884204432855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2957701500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13526763,0.0018047759,0.026726132,0.04126631,0.001461821,0.00072008406,0.0005097939,0.00039405364,0.7918494],"genre_scores_gemma":[0.7946173,0.0020659713,0.0037214945,0.0003270058,0.00046358525,0.000110896886,0.001980245,0.00008496538,0.19662854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98645544,0.010428243,0.0009961396,0.0010218462,0.00057327346,0.0005250322],"domain_scores_gemma":[0.9937361,0.0020502626,0.0007496017,0.0017371486,0.0013628817,0.00036398848],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0046833777,0.00064030226,0.0007039491,0.00024547125,0.001559121,0.0011279668,0.0013327908,0.0004890886,0.0027315523],"category_scores_gemma":[0.0006844429,0.0006484985,0.00052819686,0.00019200743,0.0012507936,0.0004278702,0.00076050934,0.0009572537,0.00032567294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003229853,0.0009724429,0.0010847872,0.00025288604,0.00018426284,0.000013844668,0.10156355,0.000046127916,0.00074606773,0.868947,0.0074049253,0.018751776],"study_design_scores_gemma":[0.00058893015,0.0000021356725,0.0009934687,0.0015277236,0.00017866046,0.000022481476,0.0014206163,0.0072539174,0.0032645527,0.003836838,0.98021543,0.0006952613],"about_ca_topic_score_codex":0.009581969,"about_ca_topic_score_gemma":0.00524605,"teacher_disagreement_score":0.9728105,"about_ca_system_score_codex":0.0005528843,"about_ca_system_score_gemma":0.0002675405,"threshold_uncertainty_score":0.999909},"labels":[],"label_agreement":null},{"id":"W2959250682","doi":"10.5944/signa.vol23.2014.11729","title":"Jules Verne y la ciencia en la prensa española del siglo XIX","year":2014,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"Universidad de Zaragoza","keywords":"Humanities; Art; Newspaper; Political science","score_opus":0.0068152716441666995,"score_gpt":0.23764187753100913,"score_spread":0.23082660588684242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2959250682","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39347014,0.019546222,0.0032692254,0.0023602357,0.00056827697,0.0009947341,0.00073869503,0.0009778175,0.57807463],"genre_scores_gemma":[0.9712666,0.00074708095,0.0008924306,0.0011061524,0.0024455932,0.00006888596,0.00008118205,0.0001743599,0.023217667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900607,0.005409011,0.0011203731,0.0010807151,0.0008738495,0.001455364],"domain_scores_gemma":[0.9912711,0.0063229497,0.0005509274,0.000870642,0.00025966592,0.00072472513],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037910123,0.0009845289,0.0013613147,0.00024435262,0.0012639663,0.0033542216,0.0011505681,0.0009022703,0.002242566],"category_scores_gemma":[0.0016037417,0.00092077925,0.0008973083,0.00034593992,0.0018297104,0.0005698674,0.00030894674,0.0015502719,0.0006077334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015514332,0.0008577671,0.005751388,0.0010028791,0.0005477635,0.00022685679,0.023777671,0.00003662146,0.0054268576,0.90947443,0.037497506,0.015245095],"study_design_scores_gemma":[0.00075836066,0.00027756556,0.002627248,0.00076103286,0.0008693363,0.000065338725,0.00079859793,0.0011193245,0.00029417846,0.005941217,0.9853065,0.0011812905],"about_ca_topic_score_codex":0.00040361585,"about_ca_topic_score_gemma":0.000023152994,"teacher_disagreement_score":0.947809,"about_ca_system_score_codex":0.0006726384,"about_ca_system_score_gemma":0.0004463142,"threshold_uncertainty_score":0.99932426},"labels":[],"label_agreement":null},{"id":"W2960113613","doi":"","title":"De l'entrée La Scuplture (La Motte et La Barre) à l'acte de ballet Pigmalion (Ballot de Sauvot et Rameau) : structures de la merveille","year":2019,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.01567871575704721,"score_gpt":0.2401078835135037,"score_spread":0.2244291677564565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2960113613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17668015,0.009631414,0.050830178,0.027627958,0.0006577431,0.0007419352,0.0007620462,0.0004869178,0.7325817],"genre_scores_gemma":[0.8666189,0.0035749916,0.012129856,0.0012066272,0.0001845137,0.00007232212,0.0007934308,0.000116543284,0.11530282],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9644071,0.03223556,0.00087902165,0.0009891245,0.0005996077,0.0008896217],"domain_scores_gemma":[0.99005,0.006085393,0.0007288481,0.0016484598,0.00093165314,0.00055565586],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.012291092,0.0007583236,0.0008628997,0.00028390466,0.0010083889,0.0022958245,0.0017186698,0.0009525026,0.0024720172],"category_scores_gemma":[0.0018145108,0.000735117,0.0007207339,0.000237047,0.00096242747,0.00040399743,0.000983117,0.0023772488,0.00007604689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007816996,0.00073085376,0.003688819,0.00042058673,0.0003280694,0.000050895418,0.08364837,0.0013180799,0.0012080645,0.89080703,0.011553874,0.0061671995],"study_design_scores_gemma":[0.0007526996,0.000002931539,0.012739662,0.0016071888,0.0002478682,0.00009511777,0.0007911255,0.0069003818,0.0011550892,0.018852064,0.9560751,0.0007807719],"about_ca_topic_score_codex":0.011719219,"about_ca_topic_score_gemma":0.0032198157,"teacher_disagreement_score":0.94452125,"about_ca_system_score_codex":0.0004920791,"about_ca_system_score_gemma":0.0012774167,"threshold_uncertainty_score":0.9999243},"labels":[],"label_agreement":null},{"id":"W2960703456","doi":"","title":"Table des matières ou tables de la matière ? Présence de la science dans les anthologies de poésie française (XXe -XXIe siècle)","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.02244175073758505,"score_gpt":0.2584457047496083,"score_spread":0.23600395401202326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2960703456","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28646708,0.008445997,0.03166562,0.0048081884,0.0003768171,0.00037711769,0.00037939093,0.0003378607,0.667142],"genre_scores_gemma":[0.84035033,0.0034085426,0.03612772,0.000065556116,0.00013533705,0.00009666964,0.00011207535,0.000058830916,0.119644955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98956466,0.007149377,0.00069446873,0.00096888567,0.0005797625,0.0010428535],"domain_scores_gemma":[0.9912177,0.004091033,0.0007206144,0.0020906508,0.0014752077,0.0004048255],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0102739595,0.00058060914,0.00063042814,0.00027953085,0.006712985,0.003780904,0.0032712407,0.0004350191,0.0008262444],"category_scores_gemma":[0.004712928,0.00055922364,0.0002998413,0.00028446323,0.012962669,0.00092741614,0.0014873865,0.0010548335,0.000050229926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024491066,0.00093707314,0.019517303,0.0006262198,0.0000901886,0.00005553091,0.16743195,0.00051670446,0.007488742,0.78131545,0.003075355,0.01892099],"study_design_scores_gemma":[0.0004899885,0.0000034859465,0.03175962,0.0051498567,0.00023862164,0.00011600017,0.0040158434,0.011620617,0.036941364,0.047177017,0.86134386,0.0011437397],"about_ca_topic_score_codex":0.06120869,"about_ca_topic_score_gemma":0.010239377,"teacher_disagreement_score":0.8582685,"about_ca_system_score_codex":0.00047854992,"about_ca_system_score_gemma":0.0012052783,"threshold_uncertainty_score":0.99968594},"labels":[],"label_agreement":null},{"id":"W2963600929","doi":"10.7202/1061939ar","title":"Fouligny, Mary-Nelly, and Marie Roig Miranda, eds. Aristote dans l’Europe des XVI et XVII siècles : transmissions et ruptures. Actes du colloque international organisé à Nancy (5, 6 et 7 novembre 2015)","year":2018,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history; Cartography; Geography","score_opus":0.015400473873829416,"score_gpt":0.2452567526196643,"score_spread":0.22985627874583486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963600929","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22333828,0.13648112,0.008954619,0.09309448,0.0051767896,0.0012865877,0.0023808077,0.00042989993,0.5288574],"genre_scores_gemma":[0.9294965,0.029379517,0.000539259,0.0024506522,0.0010661294,0.000016270404,0.0004064185,0.000045516157,0.036599725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831754,0.00021975653,0.00053390086,0.00034198223,0.0002735381,0.00031328414],"domain_scores_gemma":[0.9988871,0.0001241981,0.00024282376,0.00018693149,0.0003641279,0.00019478488],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00039985543,0.00034317837,0.00034127219,0.00015041568,0.0013273442,0.00056468934,0.00019347758,0.00018148473,0.0007116795],"category_scores_gemma":[0.00009149772,0.0002538737,0.00009736284,0.00015031824,0.0010335882,0.0024021142,0.00009195541,0.00034034217,0.00005266757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007505743,0.0010167111,0.0032026393,0.0015117587,0.00057785853,0.00007960099,0.26648057,0.000047744583,0.0058234497,0.4824047,0.1761089,0.061995488],"study_design_scores_gemma":[0.0007125502,0.00027947003,0.0057538957,0.0006885713,0.00009948982,0.000050012535,0.00067353755,0.00070326973,0.0004410789,0.003932389,0.98628575,0.00037998008],"about_ca_topic_score_codex":0.0018550599,"about_ca_topic_score_gemma":0.0020729934,"teacher_disagreement_score":0.81017685,"about_ca_system_score_codex":0.0000782322,"about_ca_system_score_gemma":0.000111551926,"threshold_uncertainty_score":0.99999136},"labels":[],"label_agreement":null},{"id":"W2966597978","doi":"10.1093/oxfordhb/9780190678449.013.18","title":"The Baroque as a Literary Concept","year":2019,"lang":"en","type":"reference-entry","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Baroque; Classicism; Scholarship; Literary science; Literary criticism; Ideology; Literature; The arts; Style (visual arts); Art; Aesthetics; History; Visual arts; Politics; Political science; Law","score_opus":0.030745071179645273,"score_gpt":0.23965999333311672,"score_spread":0.20891492215347143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966597978","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000014448433,0.04931773,0.0000028605793,0.00062573026,0.0039508985,0.00016152136,0.00018751774,0.00009014769,0.94564915],"genre_scores_gemma":[0.000985457,0.009205606,0.0000045827915,0.0015603512,0.0044130967,0.000021811516,0.00041209004,0.000027077747,0.98336995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986471,0.0001011957,0.00034746903,0.00031309298,0.00029313174,0.0002980447],"domain_scores_gemma":[0.99888176,0.00037516459,0.00012508582,0.00042572676,0.00010261597,0.00008964508],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006893222,0.00029620682,0.00039028248,0.00006525577,0.00061759533,0.00062445016,0.00046799585,0.0001561791,0.041096732],"category_scores_gemma":[0.000024279527,0.00014743232,0.00030278054,0.000032399807,0.00024871706,0.00019377748,0.00008723066,0.0005266117,0.0044699907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073592028,0.00001723691,8.671396e-7,0.000037626363,0.00007325293,0.000006714687,0.007245771,3.7424307e-8,8.3673966e-9,0.25938368,0.70538837,0.027839076],"study_design_scores_gemma":[0.00008262115,0.00008518536,5.156181e-7,0.00014029442,0.000052578995,0.0000025342038,0.0004070199,0.000004688935,6.74298e-7,0.006871114,0.9920931,0.00025970791],"about_ca_topic_score_codex":0.00062285113,"about_ca_topic_score_gemma":0.00014972227,"teacher_disagreement_score":0.2867047,"about_ca_system_score_codex":0.000052451494,"about_ca_system_score_gemma":0.00017599924,"threshold_uncertainty_score":0.99630517},"labels":[],"label_agreement":null},{"id":"W2967349104","doi":"10.3138/mous.16.2.br02","title":"Jacques Jouanna. <i>Sophocles: A Study of his Theater in its Political and Social Context</i>","year":2019,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Context (archaeology); Sociology; Media studies; Art history; Political science; Art; History; Law; Archaeology","score_opus":0.016765126653022953,"score_gpt":0.21232376210391357,"score_spread":0.1955586354508906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2967349104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96753746,0.00010287445,3.7747037e-7,0.028748062,0.0003863025,0.000094901756,0.000024967592,0.0000020215928,0.0031030288],"genre_scores_gemma":[0.9668503,0.0000017412507,8.921922e-7,0.00050766877,0.00017164365,7.490672e-7,3.6888386e-7,0.0000057425905,0.032460917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984361,0.0002460344,0.0005675038,0.0000704157,0.0005224619,0.00015751933],"domain_scores_gemma":[0.9988533,0.00022164246,0.00053353916,0.000056666275,0.00028006165,0.000054793745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002933334,0.0000825236,0.00037347846,0.00006133102,0.000085026426,0.000022603168,0.00014552411,0.000040555507,0.00016820717],"category_scores_gemma":[0.00009588557,0.000051492134,0.00009787274,0.00004867224,0.00003793078,0.00013545128,0.000029598554,0.00020793163,5.177747e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000900566,0.0030210319,0.07446058,0.00029020314,0.0010322878,0.000036569414,0.118528955,0.00007918521,0.0017837207,0.29112893,0.50715023,0.0015877214],"study_design_scores_gemma":[0.0025095425,0.00075487344,0.008556497,0.000103389575,0.0001295235,0.0000035141977,0.014641598,0.00010307478,0.00059524656,0.0013122468,0.97110325,0.00018725074],"about_ca_topic_score_codex":0.007560615,"about_ca_topic_score_gemma":0.17118178,"teacher_disagreement_score":0.46395302,"about_ca_system_score_codex":0.00041502967,"about_ca_system_score_gemma":0.00022195563,"threshold_uncertainty_score":0.9990481},"labels":[],"label_agreement":null},{"id":"W2968440528","doi":"","title":"L’univers entier / Bill Vazan, Ombres cosmologiques, Musée du Québec, Québec. 27 septembre 2001 - 6 janvier 2002","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.011922112097790726,"score_gpt":0.15129125594816506,"score_spread":0.13936914385037433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968440528","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0115373265,0.476902,0.00006006699,0.1321059,0.0018397231,0.0003310141,0.00042776146,0.00018389049,0.3766123],"genre_scores_gemma":[0.013258357,0.032241944,0.00008663845,0.0013235266,0.00095063186,0.000005415747,0.000042238717,0.00006514181,0.9520261],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970503,0.00034721912,0.00044333318,0.0007221181,0.0003909707,0.001046077],"domain_scores_gemma":[0.9979958,0.00026385658,0.00031354028,0.00058476283,0.0002341027,0.0006079431],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001802919,0.00062755216,0.0007033121,0.00038664864,0.0021125292,0.00011490521,0.00063791074,0.000379521,0.15287083],"category_scores_gemma":[0.000040336483,0.00058229006,0.00066056626,0.00028979205,0.00086472364,0.00090152817,0.0002875769,0.0005578134,0.008015822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106754385,0.000563457,0.0005789217,0.000067774046,0.0004883225,0.0037196681,0.0080496995,0.00007675772,0.00001472474,0.02232486,0.94312835,0.0208807],"study_design_scores_gemma":[0.0009628439,0.00032853027,0.000104624196,0.00010289543,0.00063284405,0.00022829913,0.002219509,0.0009342814,0.000012507133,0.00017246038,0.993501,0.00080017047],"about_ca_topic_score_codex":0.7725493,"about_ca_topic_score_gemma":0.90341103,"teacher_disagreement_score":0.57541376,"about_ca_system_score_codex":0.008973235,"about_ca_system_score_gemma":0.00021209163,"threshold_uncertainty_score":0.9996629},"labels":[],"label_agreement":null},{"id":"W2969406662","doi":"10.7202/1060108ar","title":"Le Verfügbar aux Enfers","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02829342064322338,"score_gpt":0.21848865732910816,"score_spread":0.19019523668588478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969406662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06101649,0.018186225,0.000027095126,0.013739528,0.026271803,0.00023990835,0.00013654758,0.00009894775,0.8802835],"genre_scores_gemma":[0.29724964,0.00026018848,0.00004377392,0.0009543362,0.013073031,0.000008580281,0.000031442465,0.000035000518,0.688344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984647,0.00009380025,0.000366359,0.0004371062,0.00017413564,0.0004638741],"domain_scores_gemma":[0.9990112,0.00014330269,0.00009463669,0.00044619775,0.00009025124,0.00021440463],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011445154,0.00025340615,0.00045052738,0.00009276951,0.0004325073,0.00018664799,0.00027243016,0.00014673184,0.02458776],"category_scores_gemma":[0.000029040413,0.00025711974,0.00036317442,0.000111286085,0.0003286194,0.00038750994,0.000084328516,0.00035154555,0.009501029],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022690248,0.00037751015,0.00013467668,0.00043851373,0.00008802562,0.00005341977,0.009885341,0.00001840521,0.00021199469,0.88236696,0.09847396,0.00792849],"study_design_scores_gemma":[0.00033103445,0.00019145469,0.0000613818,0.00023084563,0.00008911424,0.0000099209565,0.0005550712,0.00022316477,0.00004142505,0.0020376665,0.9958603,0.00036864396],"about_ca_topic_score_codex":0.0021258902,"about_ca_topic_score_gemma":0.00017760786,"teacher_disagreement_score":0.8973863,"about_ca_system_score_codex":0.0000964896,"about_ca_system_score_gemma":0.00015738414,"threshold_uncertainty_score":0.9999881},"labels":[],"label_agreement":null},{"id":"W2969715068","doi":"10.3138/utq.88.2.08","title":"The Early Modern Lyric: A Literary Wilderness of World Literature","year":2019,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Poetry; Poetics; HERO; Art; Wilderness; The Renaissance; Dream; Literary criticism; History; Philosophy; Art history","score_opus":0.0075472061742884325,"score_gpt":0.1725373783359553,"score_spread":0.16499017216166686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969715068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62357956,0.009116372,0.00007594388,0.0002676071,0.00064805686,0.00024447558,0.00011739965,0.00005984658,0.36589077],"genre_scores_gemma":[0.835252,0.000025180805,0.000037239522,0.000019769346,0.000085456806,1.1614426e-7,0.000009469564,0.0000053030417,0.16456544],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993165,0.000060503615,0.00015117206,0.00015582335,0.00017235229,0.00014366009],"domain_scores_gemma":[0.99932057,0.00008719658,0.00013103956,0.0002735355,0.00013720352,0.000050449664],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006326045,0.000108290464,0.00020858145,0.00003763758,0.00020726728,0.00006052537,0.00033434352,0.000033430777,0.0016677427],"category_scores_gemma":[0.0000012724807,0.000082474224,0.00017318287,0.00003343996,0.00015842807,0.0007487653,0.000019734909,0.00008449006,0.000030375108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035745997,0.00018097728,0.0011714787,0.0001280726,0.0001834093,0.0000155302,0.80245775,0.0000017674191,0.0001875828,0.12358134,0.0074965693,0.064238064],"study_design_scores_gemma":[0.00045789246,0.0005821536,0.0016422824,0.00013783827,0.00005121253,7.769837e-7,0.0067160395,0.00020561238,0.000006989391,0.0031418034,0.98687345,0.00018394964],"about_ca_topic_score_codex":0.00678039,"about_ca_topic_score_gemma":0.010131031,"teacher_disagreement_score":0.97937685,"about_ca_system_score_codex":0.000047438476,"about_ca_system_score_gemma":0.00001918705,"threshold_uncertainty_score":0.9998335},"labels":[],"label_agreement":null},{"id":"W2969878800","doi":"10.3917/comla1.196.0009","title":"Verón entre les mondes","year":2018,"lang":"fr","type":"article","venue":"Communication & langages","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec; Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.0628737111220262,"score_gpt":0.27452365684142016,"score_spread":0.21164994571939397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969878800","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019107968,0.18617739,0.00005298719,0.016638473,0.00080325914,0.0001189895,0.00013586358,0.00015462028,0.77681047],"genre_scores_gemma":[0.6574501,0.0029317155,0.0002981094,0.00037961203,0.0011320014,0.000009297039,0.000092536786,0.000015524774,0.33769113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988521,0.00043250137,0.0002436339,0.00015425541,0.00012155366,0.00019600321],"domain_scores_gemma":[0.998682,0.00028010595,0.00010510648,0.0006817497,0.00017594814,0.00007507041],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019606811,0.00014961931,0.00017253903,0.00006629191,0.0016973558,0.00019407,0.00049606967,0.00008571733,0.019758131],"category_scores_gemma":[0.00006007456,0.0001354731,0.000104156694,0.0000682596,0.0010608685,0.00031597927,0.00014407297,0.00029026283,0.0017855171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015783715,0.00022609797,0.00050074287,0.00006125601,0.00008548905,0.0000028862175,0.04430928,9.843483e-7,0.000051439667,0.517622,0.38019574,0.056928318],"study_design_scores_gemma":[0.00011402038,0.0000784804,0.00047209117,0.00012751923,0.00006708854,0.0000020375362,0.0032290183,0.00008458871,0.00012850153,0.0033539643,0.99217206,0.0001706444],"about_ca_topic_score_codex":0.0028714603,"about_ca_topic_score_gemma":0.0012698602,"teacher_disagreement_score":0.6383421,"about_ca_system_score_codex":0.000059426646,"about_ca_system_score_gemma":0.000022275715,"threshold_uncertainty_score":0.9996023},"labels":[],"label_agreement":null},{"id":"W2975227966","doi":"10.7202/1064535ar","title":"Acciarino, Damiano. Lettere sulle grottesche (1580–1581)","year":2019,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","score_opus":0.017416178535093592,"score_gpt":0.2067192487632102,"score_spread":0.18930307022811663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2975227966","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6100771,0.0009879132,0.00004799976,0.0011515373,0.0005014821,0.00016656434,0.000010958331,0.0000935757,0.3869629],"genre_scores_gemma":[0.977737,0.000055719556,0.000028590684,0.0005409411,0.0004043922,0.0000067040514,0.000046682166,0.0000067817923,0.021173183],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994258,0.000020767486,0.00018083763,0.0001228525,0.000111119,0.00013857991],"domain_scores_gemma":[0.999701,0.0000136529325,0.00007362677,0.00013217113,0.000038311293,0.000041220774],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000731887,0.000095550735,0.00012883967,0.000058568006,0.00023642935,0.000102076745,0.00007173735,0.00003898977,0.0010941824],"category_scores_gemma":[0.0000043479586,0.00006286098,0.000043120188,0.000036647678,0.00005178949,0.00087031245,0.000023241892,0.00010450588,0.00060108316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018145786,0.00027365278,0.0097723985,0.001021614,0.00022589581,0.000014702487,0.10353503,0.000032823584,0.005042169,0.4848766,0.30519715,0.089826494],"study_design_scores_gemma":[0.00019126752,0.000048580634,0.0012195994,0.000038931383,0.000009915343,0.000002691448,0.000456359,0.00013987327,0.0002602881,0.00038227352,0.9971199,0.00013029299],"about_ca_topic_score_codex":0.000092888215,"about_ca_topic_score_gemma":0.000034403343,"teacher_disagreement_score":0.6919228,"about_ca_system_score_codex":0.000022437207,"about_ca_system_score_gemma":0.000006532023,"threshold_uncertainty_score":0.999819},"labels":[],"label_agreement":null},{"id":"W2979383062","doi":"10.7202/1064622ar","title":"SYNCOPER LA PHRASE, DÉPORTER LE TEMPS FAIBLE","year":2019,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015263553697847423,"score_gpt":0.23865271100618132,"score_spread":0.2233891573083339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2979383062","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033037167,0.020983152,0.000101130245,0.020765806,0.003317269,0.00023168462,0.0013627869,0.0001377658,0.92006326],"genre_scores_gemma":[0.19299933,0.00040082962,0.00014392419,0.0010185604,0.00075753545,0.000009408283,0.00004064812,0.000033054923,0.8045967],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985481,0.00020723991,0.00031842364,0.00035389763,0.00020835959,0.0003639607],"domain_scores_gemma":[0.9991891,0.00016360475,0.00009240826,0.00033339098,0.00009793602,0.00012359953],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025814434,0.00026157868,0.00033684444,0.00011269926,0.00029071615,0.000506845,0.00020709835,0.0001085289,0.022057043],"category_scores_gemma":[0.000023096172,0.00021932731,0.00022211064,0.00007749825,0.00032289175,0.0011141245,0.000076688535,0.00031795132,0.007480634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026055519,0.00049441465,0.000757385,0.00031445324,0.0001552997,0.000111182904,0.012150085,0.000020675827,0.000523815,0.25310096,0.7272839,0.0050617647],"study_design_scores_gemma":[0.00032321192,0.00010273113,0.000243232,0.00014718836,0.000070098715,0.000014683359,0.0009603648,0.000036752128,0.00024927975,0.00091975776,0.99659365,0.00033905084],"about_ca_topic_score_codex":0.004466595,"about_ca_topic_score_gemma":0.00014699384,"teacher_disagreement_score":0.26930976,"about_ca_system_score_codex":0.000036120866,"about_ca_system_score_gemma":0.000099581805,"threshold_uncertainty_score":0.99329215},"labels":[],"label_agreement":null},{"id":"W2983978519","doi":"10.1080/14753820.2019.1678318","title":"Spreading the Official Economic Enlightenment in Spain: The <i>Memorial Literario</i> (1784–1808)","year":2019,"lang":"en","type":"article","venue":"Bulletin of Spanish Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Enlightenment; Promulgation; Subject matter; Quarter (Canadian coin); Politics; History; Economic history; Political science; Law; Philosophy; Archaeology; Theology","score_opus":0.025157545514287033,"score_gpt":0.22667371136689568,"score_spread":0.20151616585260865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2983978519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6575337,0.0118823815,0.000001799665,0.026896555,0.0075792884,0.00096804847,0.00007850154,0.0000725018,0.2949872],"genre_scores_gemma":[0.96753025,0.00029454558,0.000020121379,0.0010295807,0.0024480973,0.000030574483,0.0000040222844,0.000014402816,0.028628414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988262,0.00010063551,0.0004321548,0.00023146864,0.00017395263,0.0002356072],"domain_scores_gemma":[0.9990273,0.000495283,0.00015421145,0.00025181347,0.000049291484,0.000022073638],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042300756,0.00017840305,0.0003797877,0.00004416816,0.00032701474,0.00009027505,0.00031581538,0.000029725648,0.0030700224],"category_scores_gemma":[0.000039808365,0.00009387936,0.00015150635,0.000027918368,0.00032568167,0.00004582101,0.00015258882,0.00016441495,0.0005192249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002965224,0.00027329059,0.0017255433,0.00017343674,0.00060160103,0.000019400759,0.20342968,0.00019198786,0.000057594694,0.3179564,0.47089046,0.0043840753],"study_design_scores_gemma":[0.00028759366,0.0001030833,0.00013186007,0.000064400476,0.000038483555,0.000001118857,0.00862007,0.000015457777,0.000052179566,0.0007018184,0.98985136,0.0001325812],"about_ca_topic_score_codex":0.0012938377,"about_ca_topic_score_gemma":0.00046123116,"teacher_disagreement_score":0.5189609,"about_ca_system_score_codex":0.00008517217,"about_ca_system_score_gemma":0.000022055312,"threshold_uncertainty_score":0.9978413},"labels":[],"label_agreement":null},{"id":"W2991406651","doi":"","title":"Texte d’approfondissement","year":2019,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.025333039600901986,"score_gpt":0.22465158749559738,"score_spread":0.19931854789469539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991406651","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07327515,0.01865556,0.000011325416,0.030406447,0.005799914,0.00023063451,0.00015290505,0.00009481565,0.87137324],"genre_scores_gemma":[0.3732603,0.000064564665,0.000025491647,0.0005768853,0.0014560886,0.00000380286,0.000051925443,0.000015678435,0.6245453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985722,0.00009615004,0.0002881569,0.00031321126,0.00023981271,0.00049052667],"domain_scores_gemma":[0.9992235,0.0000612465,0.00008289012,0.0003379557,0.000107908716,0.0001864997],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016115163,0.00020154346,0.00024818617,0.00013392826,0.00035895192,0.00040541173,0.0001810495,0.00008433161,0.0736932],"category_scores_gemma":[0.00001651036,0.00017548178,0.00017424599,0.0001039863,0.00018785521,0.00051868055,0.00006409183,0.00022416898,0.01460221],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051756833,0.00023783358,0.00044462542,0.00011350259,0.00009949614,0.000015679705,0.006160531,0.0000012053383,0.000036122,0.79391456,0.18780509,0.011166211],"study_design_scores_gemma":[0.00018357715,0.00013137981,0.00013805747,0.00003898965,0.000040921568,0.0000054946354,0.00138849,0.00013721935,0.000013216968,0.0014321562,0.99623555,0.00025494592],"about_ca_topic_score_codex":0.00055978843,"about_ca_topic_score_gemma":0.00011127779,"teacher_disagreement_score":0.8084305,"about_ca_system_score_codex":0.0001058757,"about_ca_system_score_gemma":0.000059688995,"threshold_uncertainty_score":0.98616505},"labels":[],"label_agreement":null},{"id":"W2991773863","doi":"10.4000/rief.2969","title":"E pluribus unum","year":2019,"lang":"fr","type":"paratext","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02483798063878713,"score_gpt":0.2293703381019919,"score_spread":0.20453235746320475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991773863","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00585833,0.07825085,0.000065895925,0.0012127082,0.016999392,0.00075832923,0.0031967473,0.00017887424,0.8934789],"genre_scores_gemma":[0.22806156,0.0026537944,0.00005947416,0.00055275223,0.008930999,0.00007830183,0.0013814799,0.0001842985,0.75809735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99484044,0.00023870848,0.0015010666,0.0014864325,0.000553188,0.0013801362],"domain_scores_gemma":[0.9964391,0.0006800046,0.0007157293,0.0012397566,0.00043147636,0.00049393263],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00024654227,0.0014078836,0.0021530006,0.00049832143,0.0015117041,0.00076624576,0.0012143339,0.00083582173,0.08870498],"category_scores_gemma":[0.00010825169,0.0013105985,0.0013619334,0.0003166483,0.0011797484,0.0008422734,0.00030594695,0.0012264528,0.10971506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000113580376,0.0009888192,0.00010616203,0.0040016747,0.0008712392,0.000199568,0.014450193,0.0005416366,0.00005595883,0.5517752,0.42464566,0.0022502986],"study_design_scores_gemma":[0.00054915494,0.00058653683,0.00003904422,0.0017943141,0.00061454956,0.00004540798,0.0009864168,0.00016259492,0.000032906344,0.00021190997,0.99327576,0.0017014034],"about_ca_topic_score_codex":0.003760827,"about_ca_topic_score_gemma":0.001217989,"teacher_disagreement_score":0.5686301,"about_ca_system_score_codex":0.0003636241,"about_ca_system_score_gemma":0.00026170563,"threshold_uncertainty_score":0.99986714},"labels":[],"label_agreement":null},{"id":"W2991786984","doi":"","title":"Icône malgré lui","year":2018,"lang":"fr","type":"article","venue":"Continuité","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.02209822297658236,"score_gpt":0.23128132851867148,"score_spread":0.2091831055420891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991786984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023664055,0.03313711,0.00010712867,0.003963785,0.005818524,0.000107893844,0.00012231055,0.000098085155,0.93298113],"genre_scores_gemma":[0.21554312,0.000093751776,0.00006808912,0.0008992344,0.010406381,0.000005271385,0.000010448023,0.000018828943,0.7729549],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987698,0.00007592042,0.00031136465,0.00028396404,0.00015343892,0.00040549983],"domain_scores_gemma":[0.9992137,0.00006846434,0.000087370485,0.00027907512,0.0001974058,0.00015399186],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012986094,0.0002037639,0.00027996968,0.00006899266,0.0005749252,0.00023513858,0.00021930721,0.00010119802,0.05622066],"category_scores_gemma":[0.00003734406,0.00018294877,0.00018493054,0.00007328783,0.0009369229,0.00028820717,0.00006298049,0.00017612019,0.007557068],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026400432,0.00012345739,0.00013574846,0.00004684622,0.00007249485,0.000041579624,0.016444987,4.4273076e-8,0.000067282315,0.529962,0.3706326,0.08244656],"study_design_scores_gemma":[0.00022734914,0.0002679992,0.00019153566,0.00010127459,0.000100865225,0.000007208236,0.00038316182,0.000048027265,0.00014929578,0.0022629898,0.99599737,0.0002629363],"about_ca_topic_score_codex":0.0011279499,"about_ca_topic_score_gemma":0.00066138513,"teacher_disagreement_score":0.6253648,"about_ca_system_score_codex":0.000048453956,"about_ca_system_score_gemma":0.000030769923,"threshold_uncertainty_score":0.9932157},"labels":[],"label_agreement":null},{"id":"W2991850961","doi":"10.33137/rr.v29i3.11428","title":"The Pastime of Master F. J.","year":2009,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; Rhetorical question; sort; Reading (process); Power (physics); Linguistics; Art; Literature; Computer science; Art history; Philosophy; Physics","score_opus":0.02423718935751031,"score_gpt":0.2155416767077804,"score_spread":0.19130448735027009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991850961","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20301808,0.007498241,0.00023811361,0.0062162136,0.00040661616,0.00016511361,0.000010374195,0.00006487491,0.78238237],"genre_scores_gemma":[0.99411434,0.000076912664,0.000009255536,0.00010946901,0.00011553501,7.692225e-7,0.0000031611924,8.467384e-7,0.0055697025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975646,0.000008367774,0.000107596024,0.00002902858,0.000050400944,0.000048159076],"domain_scores_gemma":[0.9998594,0.000010007078,0.000045950736,0.000048900733,0.000023676963,0.000012054899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000048360296,0.000030164621,0.000045614914,0.000014503853,0.00020526582,0.000027797161,0.000029662822,0.000008904983,0.000044333934],"category_scores_gemma":[0.000003118535,0.000013890876,0.000017636128,0.000014195902,0.000060589053,0.00022445171,0.0000030481435,0.000025240597,0.000010615998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006896206,0.000051093022,0.000102571576,0.000050696253,0.00002245997,7.388332e-7,0.0397316,0.000006926957,0.00042305054,0.6469296,0.04504439,0.2675679],"study_design_scores_gemma":[0.00005526839,0.000062341416,0.00067267724,0.000017582268,0.000004593142,7.195189e-7,0.00024699286,0.00012868454,0.00013224146,0.002780804,0.9958655,0.00003255183],"about_ca_topic_score_codex":0.0000072274624,"about_ca_topic_score_gemma":0.0000055826054,"teacher_disagreement_score":0.95082116,"about_ca_system_score_codex":0.0000036551983,"about_ca_system_score_gemma":0.0000018936024,"threshold_uncertainty_score":0.15787596},"labels":[],"label_agreement":null},{"id":"W2992507942","doi":"","title":"La théâtralisation : présentation des contributions","year":2017,"lang":"fr","type":"preprint","venue":"SERVAL (Université de Lausanne)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.03268133012764405,"score_gpt":0.2520771867554599,"score_spread":0.21939585662781588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992507942","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44738173,0.0050404402,0.0011118867,0.009558706,0.0025095243,0.0004811624,0.0023124914,0.00021890292,0.5313851],"genre_scores_gemma":[0.54683787,0.0012073128,0.00024395756,0.0001296418,0.0014328726,0.000009418389,0.0011442375,0.000027399652,0.4489673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998295,0.00038993987,0.00024833242,0.0004175043,0.00023529369,0.00041389358],"domain_scores_gemma":[0.9984981,0.00016206205,0.00035201074,0.00041332896,0.00034317098,0.00023131853],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002966807,0.0003229739,0.00037506723,0.00013024246,0.003961861,0.0003815865,0.00046100537,0.00037235275,0.0050958334],"category_scores_gemma":[0.000051984218,0.0003536719,0.00037341978,0.000050257397,0.0008476966,0.00078509655,0.00032482282,0.00051905884,0.00038086972],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016688897,0.00022800977,0.001518193,0.00033545197,0.00041954775,0.000236893,0.09022645,0.00034519038,0.0001900233,0.8625547,0.03786997,0.005908634],"study_design_scores_gemma":[0.00044493657,0.00008025572,0.010937339,0.00039766813,0.0005822695,0.000022064762,0.0029984864,0.0006347478,0.00006691156,0.0223823,0.96104336,0.00040968638],"about_ca_topic_score_codex":0.01387955,"about_ca_topic_score_gemma":0.006523042,"teacher_disagreement_score":0.92317337,"about_ca_system_score_codex":0.0013078491,"about_ca_system_score_gemma":0.00015594187,"threshold_uncertainty_score":0.9998915},"labels":[],"label_agreement":null},{"id":"W2992830293","doi":"10.33137/q.i..v30i1.8427","title":"Per una nuova drammaturgia. L'egloga nel Quattrocento italiano: dall'idea dell'esecuzione alla pratica scenica","year":2009,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.029736606367597014,"score_gpt":0.26366619554388016,"score_spread":0.23392958917628315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992830293","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011982434,0.019667746,0.0018774321,0.033963263,0.0048980727,0.0020012993,0.00190175,0.0011007838,0.92260724],"genre_scores_gemma":[0.7242376,0.00031785184,0.0009231389,0.00378006,0.003199718,0.000031989952,0.00047040347,0.00013905442,0.26690015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921008,0.0004941676,0.0021638835,0.0017613878,0.0014515035,0.0020282664],"domain_scores_gemma":[0.99567145,0.00037927082,0.0006809484,0.0014720808,0.00056163844,0.0012345903],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00046822344,0.0014663201,0.0016676318,0.00037092099,0.0019169768,0.0020297896,0.0013261406,0.00066588225,0.0762244],"category_scores_gemma":[0.00042866005,0.0013330395,0.0009852935,0.00036739127,0.0009922967,0.0010530897,0.000192953,0.0012628442,0.019247476],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046364014,0.0027945975,0.000114122566,0.0003906485,0.00065595686,0.0005027403,0.014179175,0.000021202199,0.00032031102,0.70279527,0.27483612,0.0029261827],"study_design_scores_gemma":[0.0009120206,0.0014622059,0.00042107273,0.0005676696,0.0008465042,0.000062603496,0.0034896515,0.0010986933,0.000042380292,0.009953081,0.9792976,0.0018465499],"about_ca_topic_score_codex":0.0006086422,"about_ca_topic_score_gemma":0.00028018712,"teacher_disagreement_score":0.7122552,"about_ca_system_score_codex":0.0005056155,"about_ca_system_score_gemma":0.0005389327,"threshold_uncertainty_score":0.9998086},"labels":[],"label_agreement":null},{"id":"W2994173614","doi":"10.7202/1062897ar","title":"La corvée des ordures : Lecture du \"Café de Madame Ben Djamil\" de Claude Kayat, éditions Léo Scheer, 2012. Claude Kayat, Café de Madame Ben Djamil, Éditions Léo Scheer, 2012, 130 p.","year":2012,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Medicine","score_opus":0.024103966360162807,"score_gpt":0.24249666708906922,"score_spread":0.21839270072890643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994173614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3834042,0.30125257,0.00704324,0.11217612,0.0074682296,0.002080149,0.0128231,0.002253678,0.17149872],"genre_scores_gemma":[0.73682433,0.0061429376,0.0046136146,0.005491494,0.013679377,0.00025252864,0.0022519317,0.00035130142,0.23039252],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99144936,0.0016187737,0.0013030156,0.0010767502,0.0009058071,0.0036463041],"domain_scores_gemma":[0.9942946,0.0010933498,0.0005283978,0.0012282638,0.00077317934,0.0020822368],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.001393546,0.0013252684,0.0012051817,0.0009832876,0.005023494,0.0017050426,0.0010987178,0.0012212639,0.026411517],"category_scores_gemma":[0.00069662114,0.0013034684,0.0009787598,0.0008331704,0.0027833644,0.004497477,0.00035790858,0.0024929738,0.0015107146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005837915,0.001864662,0.0036650994,0.0003627186,0.0007867661,0.00019761229,0.012239259,0.00008673913,0.0006794334,0.23104106,0.74674225,0.0022759954],"study_design_scores_gemma":[0.0009548301,0.00026862725,0.0067428034,0.000364096,0.0010043397,0.0006536218,0.0026266426,0.00047555473,0.00015294748,0.015582281,0.9696209,0.0015533634],"about_ca_topic_score_codex":0.009163907,"about_ca_topic_score_gemma":0.01275618,"teacher_disagreement_score":0.3534201,"about_ca_system_score_codex":0.0015834733,"about_ca_system_score_gemma":0.001227583,"threshold_uncertainty_score":0.9999499},"labels":[],"label_agreement":null},{"id":"W2995453584","doi":"10.14375/np.9782745352002","title":"Dictionnaire Michel Tournier","year":2019,"lang":"fr","type":"book","venue":"Honoré Champion eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Michel foucault; Art; Philosophy; Art history; Political science; Law; Politics","score_opus":0.026821617676623097,"score_gpt":0.22053537047489088,"score_spread":0.1937137527982678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995453584","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009077793,0.0046662963,0.00014092018,0.0005419238,0.008106494,0.00046035988,0.00040937195,0.00017986409,0.984587],"genre_scores_gemma":[0.016218923,0.00012691341,0.000029850458,0.0014768781,0.009063381,0.000044776643,0.0003416719,0.00012215499,0.9725754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970459,0.0001781273,0.0008458866,0.0008079678,0.00047389226,0.00064822286],"domain_scores_gemma":[0.99811256,0.00018614948,0.00046222954,0.00069378485,0.00023685239,0.00030840642],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019153877,0.00079073687,0.0009063105,0.00034157472,0.0012384651,0.00031912216,0.00042159058,0.000598033,0.011665206],"category_scores_gemma":[0.000018817436,0.0007194096,0.0008316737,0.00002717354,0.0007856405,0.00022081909,0.00013822906,0.0010188402,0.0077976915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010021273,0.0002195121,0.000083874525,0.0008273849,0.00051287987,0.000069648675,0.027274491,0.000015452742,0.000029973642,0.50054055,0.45069882,0.01962723],"study_design_scores_gemma":[0.00040767796,0.00032880952,0.000032563374,0.0007174852,0.0002626323,0.000015057573,0.00043916138,0.000059494952,0.000014862408,0.0030384255,0.9938073,0.00087653496],"about_ca_topic_score_codex":0.0006870595,"about_ca_topic_score_gemma":0.00022379369,"teacher_disagreement_score":0.54310846,"about_ca_system_score_codex":0.0005424922,"about_ca_system_score_gemma":0.00039381688,"threshold_uncertainty_score":0.9995257},"labels":[],"label_agreement":null},{"id":"W2995484216","doi":"10.7202/1065253ar","title":"LE CONTRÔLE DE L’IMAGINAIRE ET LA LITTÉRATURE COMPARÉE","year":2019,"lang":"fr","type":"article","venue":"Surfaces","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.011331049793536318,"score_gpt":0.23580235634074587,"score_spread":0.22447130654720954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995484216","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15039332,0.1294697,0.000006698662,0.015427016,0.0011993512,0.000110356144,0.0001233712,0.00007069252,0.7031995],"genre_scores_gemma":[0.65664256,0.0006707918,0.000056945213,0.0006917653,0.00026965598,0.0000023384493,0.000019485375,0.000014819681,0.34163165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987758,0.00030919528,0.00020039958,0.00024131796,0.00014428333,0.00032905216],"domain_scores_gemma":[0.9993415,0.00019166763,0.000079506186,0.00020086115,0.00007446243,0.00011203701],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024685825,0.00019481264,0.0003201766,0.000037964164,0.0002974556,0.00035489886,0.00018289623,0.000110624416,0.0028350442],"category_scores_gemma":[0.000012873151,0.00017341589,0.00014928334,0.000069031375,0.00032796423,0.0004617945,0.000041142735,0.0003540059,0.0010640884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031018513,0.0002347846,0.002635815,0.00024436665,0.0000891661,0.000032959575,0.011905232,0.00017512476,0.00012491542,0.92698395,0.056031186,0.0015115046],"study_design_scores_gemma":[0.00035204625,0.00007631101,0.000983866,0.00016842486,0.00004375102,0.000007622705,0.0019343894,0.00032137855,0.00005342419,0.0033387768,0.9924732,0.00024684978],"about_ca_topic_score_codex":0.0029484679,"about_ca_topic_score_gemma":0.00065843784,"teacher_disagreement_score":0.93644196,"about_ca_system_score_codex":0.000031815383,"about_ca_system_score_gemma":0.00016734716,"threshold_uncertainty_score":0.9997137},"labels":[],"label_agreement":null},{"id":"W2996091278","doi":"10.4000/textyles.3671","title":"Le fonds Adrien Jans","year":2019,"lang":"fr","type":"article","venue":"Textyles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Physics","score_opus":0.015047435306955988,"score_gpt":0.20884466898459134,"score_spread":0.19379723367763535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996091278","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05995884,0.023110336,0.000016838962,0.0043729655,0.0019602461,0.000101317346,0.00010778937,0.00007057506,0.9103011],"genre_scores_gemma":[0.3927696,0.000076835815,0.000028226581,0.00037787174,0.000865474,0.0000029764462,0.000018431476,0.000013779104,0.6058468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990228,0.000058518046,0.00022855576,0.00023977163,0.00014600133,0.00030438564],"domain_scores_gemma":[0.9994567,0.000080258964,0.000060783987,0.00024846164,0.000054786135,0.00009901333],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007812111,0.00016641148,0.00024500678,0.000067107765,0.00036217252,0.00015203735,0.0001879923,0.00007884266,0.030285055],"category_scores_gemma":[0.000009566447,0.00015149836,0.00017495663,0.000059229056,0.0002531538,0.00039416505,0.0000477971,0.00016700607,0.009214792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010959836,0.00015257187,0.00030083934,0.000087665365,0.00005081,0.000010268121,0.01819985,0.0000068523086,0.000036950758,0.9015951,0.073334746,0.006213352],"study_design_scores_gemma":[0.00020661921,0.0001282536,0.00016612833,0.00007284125,0.00004434879,0.0000034388565,0.0016946988,0.000071560935,0.000038348626,0.0046714167,0.99267024,0.0002321351],"about_ca_topic_score_codex":0.0035414272,"about_ca_topic_score_gemma":0.0003281761,"teacher_disagreement_score":0.9193355,"about_ca_system_score_codex":0.000032360393,"about_ca_system_score_gemma":0.00007862724,"threshold_uncertainty_score":0.99155664},"labels":[],"label_agreement":null},{"id":"W2997941073","doi":"10.4000/transalpina.344","title":"Aurélie Manzano, Dans le bouillonnement de la création. Le monde mis en scène par Curzio Malaparte (1898-1957)","year":2018,"lang":"fr","type":"article","venue":"Transalpina","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Society for Italian Studies","funders":"","keywords":"Art","score_opus":0.012647613738205313,"score_gpt":0.23191540956055545,"score_spread":0.21926779582235015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997941073","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13420647,0.024974475,0.017342485,0.020733133,0.0024707566,0.00058579136,0.00051441474,0.00041904327,0.79875344],"genre_scores_gemma":[0.79118747,0.00063017954,0.00055264833,0.0005194256,0.0019381505,0.000045982786,0.000044369965,0.000059994665,0.20502181],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977081,0.0004073804,0.0005240882,0.00042866642,0.0002780015,0.0006538032],"domain_scores_gemma":[0.999049,0.00013208132,0.00008563753,0.0003709071,0.00009253681,0.00026982825],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038623993,0.00037947347,0.00040579963,0.00012279622,0.001330687,0.00025888954,0.0003606979,0.00020309114,0.0049919276],"category_scores_gemma":[0.000010082567,0.00038806134,0.0002971924,0.00012776912,0.0013882658,0.00050468283,0.000017183345,0.00031758618,0.0005978205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001287335,0.0012797832,0.0002422182,0.0004597831,0.00039892574,0.0001000353,0.11964899,0.00010620233,0.0020932679,0.765729,0.101880774,0.007932289],"study_design_scores_gemma":[0.00087756343,0.0003800216,0.0011516048,0.00014806837,0.0002338895,0.000015144001,0.0018136436,0.00097205344,0.0024975862,0.008783014,0.9826226,0.0005048177],"about_ca_topic_score_codex":0.005388873,"about_ca_topic_score_gemma":0.0009229053,"teacher_disagreement_score":0.88074183,"about_ca_system_score_codex":0.00018270258,"about_ca_system_score_gemma":0.00020348118,"threshold_uncertainty_score":0.9999694},"labels":[],"label_agreement":null},{"id":"W2998545983","doi":"","title":"Jean-Vincent Blanchard, L’optique du discours au XVIIe siècle. De la rhétorique des jésuites au style de la raison moderne (Descartes, Pascal), Les Presses de l’Université Laval, 2005","year":2006,"lang":"fr","type":"article","venue":"Persée (Ministère de lEnseignement supérieur et de la Recherche)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.034634579553732316,"score_gpt":0.2844853691602628,"score_spread":0.24985078960653048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998545983","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82278633,0.03224552,0.008050782,0.016964355,0.00025597066,0.00062623544,0.000718392,0.00042032287,0.11793207],"genre_scores_gemma":[0.924497,0.02208809,0.004781303,0.00072052196,0.0022401449,0.00012946327,0.0002500131,0.00018936305,0.04510409],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98732924,0.008432947,0.0007886926,0.0009198899,0.00054181804,0.0019874184],"domain_scores_gemma":[0.9903098,0.007867783,0.00035001026,0.00057051494,0.00021039844,0.00069152925],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005514523,0.0009604504,0.00087261613,0.00025870686,0.0017459255,0.000972843,0.00077958923,0.0012986549,0.0023917865],"category_scores_gemma":[0.0010655806,0.0009923308,0.00064202235,0.00020803124,0.00225751,0.0006733347,0.00022677016,0.0019094013,0.00003669689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006773268,0.004176598,0.03261294,0.0013973153,0.00077875005,0.0015541733,0.6731068,0.0036553724,0.00827965,0.12636672,0.13969481,0.007699546],"study_design_scores_gemma":[0.0013967863,0.00039202897,0.006269921,0.00066899904,0.0006870288,0.00020599281,0.019870207,0.0026287993,0.0028647338,0.010423815,0.95346344,0.0011282327],"about_ca_topic_score_codex":0.21091492,"about_ca_topic_score_gemma":0.052419398,"teacher_disagreement_score":0.8137686,"about_ca_system_score_codex":0.010619915,"about_ca_system_score_gemma":0.0026666538,"threshold_uncertainty_score":0.99999785},"labels":[],"label_agreement":null},{"id":"W2998754880","doi":"10.4000/books.ledizioni.6757","title":"« La grâce de montrer son âme dans le vêtement » Scrivere di tessuti, abiti, accessori. Studi in onore di Liana Nissim","year":2015,"lang":"fr","type":"book","venue":"Ledizioni eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.038450506917032244,"score_gpt":0.2546388209034283,"score_spread":0.21618831398639607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998754880","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015109772,0.007176423,0.00009261249,0.000872166,0.0012863029,0.0007126337,0.0005157835,0.0001504662,0.97408384],"genre_scores_gemma":[0.18993078,0.00016564848,0.000054100885,0.00044008426,0.0029266335,0.000105495776,0.00023004477,0.000116945965,0.8060303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955002,0.00057293585,0.0011192163,0.0009975823,0.0007408571,0.001069189],"domain_scores_gemma":[0.9977303,0.0003115204,0.0004726759,0.00067593006,0.00027790584,0.0005316653],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006417579,0.0009876594,0.0012860162,0.00033910864,0.0013623248,0.00058503635,0.00091586245,0.00065689837,0.00080921245],"category_scores_gemma":[0.00005623092,0.00090314006,0.000499791,0.00006967532,0.0011997595,0.00046005804,0.0004027772,0.0014189295,0.00022233847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032197268,0.0012766055,0.002372479,0.0011170523,0.00088461256,0.001877963,0.12527446,0.00014230712,0.000061191335,0.7549475,0.09198752,0.019736374],"study_design_scores_gemma":[0.0013093976,0.00029761315,0.00092580495,0.0011075555,0.00040902125,0.000017220984,0.0044197496,0.00015441638,0.00003614522,0.013631929,0.97662807,0.0010630528],"about_ca_topic_score_codex":0.016133845,"about_ca_topic_score_gemma":0.013447966,"teacher_disagreement_score":0.8846406,"about_ca_system_score_codex":0.0018472738,"about_ca_system_score_gemma":0.001034519,"threshold_uncertainty_score":0.9999378},"labels":[],"label_agreement":null},{"id":"W2998852655","doi":"10.7202/1066371ar","title":"A Poisoned Past: The Life and Times of Margarida de Portu, a Fourteenth-Century Accused Poisoner","year":2019,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History","score_opus":0.013845966207882861,"score_gpt":0.2054868070426987,"score_spread":0.19164084083481583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998852655","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94494504,0.0053537814,0.00002629196,0.0019176754,0.00016353144,0.00019840259,0.000014857227,0.00003195968,0.047348447],"genre_scores_gemma":[0.9968563,0.0003441228,0.000020077721,0.00031723885,0.00014394021,0.0000050841168,0.0000135085975,0.000004710296,0.0022950165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995018,0.000030955907,0.00018592576,0.000079367106,0.000096641015,0.00010528434],"domain_scores_gemma":[0.99967486,0.000029278246,0.00011741188,0.00009950379,0.000035587975,0.0000433514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011175138,0.00007612602,0.00013259523,0.00004233386,0.00016126437,0.000049694325,0.00005290661,0.000029477029,0.00032639972],"category_scores_gemma":[0.0000089300365,0.00003935191,0.000035231715,0.000031661126,0.00009011431,0.00039106037,0.0000205098,0.00006644495,0.000015824186],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00078446296,0.00040414787,0.031220416,0.0016546431,0.00057245715,0.0000072513817,0.33017182,0.000038582242,0.0029876556,0.46792054,0.10144309,0.06279492],"study_design_scores_gemma":[0.0006224457,0.00014498038,0.009550508,0.00010890639,0.000055026238,0.000007437313,0.00400261,0.001000962,0.0001359873,0.00089252257,0.9832969,0.00018174415],"about_ca_topic_score_codex":0.00010500996,"about_ca_topic_score_gemma":0.000012146779,"teacher_disagreement_score":0.88185376,"about_ca_system_score_codex":0.000009704488,"about_ca_system_score_gemma":0.000012438517,"threshold_uncertainty_score":0.3573848},"labels":[],"label_agreement":null},{"id":"W2999790511","doi":"10.7202/1066390ar","title":"Théories poétiques néo-latines","year":2019,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Chemistry","score_opus":0.01354259690197091,"score_gpt":0.22535772699358098,"score_spread":0.21181513009161007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2999790511","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30821997,0.07081575,0.000053729334,0.0063929367,0.0023595688,0.00022451578,0.00006119054,0.000097247954,0.6117751],"genre_scores_gemma":[0.74386257,0.00311366,0.00005560164,0.00023934968,0.0009418765,0.000005086175,0.000049031696,0.00000943916,0.2517234],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921423,0.00004363448,0.00028113383,0.00014486078,0.00012896072,0.00018716998],"domain_scores_gemma":[0.99957675,0.00002967158,0.00012539266,0.00012872845,0.00008131474,0.00005815269],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010061374,0.00014969603,0.00020280477,0.00006801763,0.00037463565,0.00018583587,0.000060438677,0.000084072155,0.0012474215],"category_scores_gemma":[0.000008016731,0.00010488564,0.00006366885,0.00005570957,0.0001908236,0.0015410323,0.00002464483,0.00012569068,0.00042237292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004608502,0.000073419695,0.001780359,0.0010411366,0.00006156445,0.0000029772646,0.028453544,0.000014428556,0.00011616863,0.90082306,0.04054864,0.027038647],"study_design_scores_gemma":[0.00015184478,0.0001324411,0.0007412782,0.00029058644,0.000028015975,0.000006992938,0.0009363738,0.00048527046,0.00013838064,0.0036683928,0.9932381,0.00018235117],"about_ca_topic_score_codex":0.00043001692,"about_ca_topic_score_gemma":0.000041595165,"teacher_disagreement_score":0.9526894,"about_ca_system_score_codex":0.00003581235,"about_ca_system_score_gemma":0.000015296699,"threshold_uncertainty_score":0.99966556},"labels":[],"label_agreement":null},{"id":"W3001108451","doi":"10.5206/mf.v5i1.9436","title":"Les Fables : Un instrument incontournable pour la construction d’une société idéale","year":2020,"lang":"fr","type":"article","venue":"Mouvances Francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02528447820960949,"score_gpt":0.22785624929553955,"score_spread":0.20257177108593005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001108451","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10199448,0.3671179,0.010236997,0.08143472,0.029443406,0.0007507296,0.0013674351,0.00059404207,0.4070603],"genre_scores_gemma":[0.83429885,0.008680781,0.0035624816,0.001354223,0.009481371,0.00005471252,0.00004435035,0.00007371977,0.14244954],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979457,0.00021356606,0.0005952028,0.00047374642,0.0003204006,0.00045138798],"domain_scores_gemma":[0.99875885,0.00038212174,0.00027957314,0.00017699461,0.00015018205,0.00025225393],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013971435,0.00040712024,0.000590964,0.00007187317,0.0014635461,0.00031609632,0.000274019,0.000183432,0.024023535],"category_scores_gemma":[0.00004807644,0.0003732874,0.00026003664,0.00023719665,0.00079282105,0.0007763536,0.000075979726,0.00048911734,0.00089148624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002071778,0.00035409053,0.0012369398,0.00071392086,0.00048553248,0.000118869546,0.046496484,0.00054896245,0.0003524773,0.11436077,0.07411807,0.7610067],"study_design_scores_gemma":[0.0008732754,0.000150452,0.00016985857,0.00014944932,0.00014512608,0.000015992551,0.01884064,0.0012576741,0.00056167186,0.00426439,0.97312224,0.00044920942],"about_ca_topic_score_codex":0.011398834,"about_ca_topic_score_gemma":0.00094461825,"teacher_disagreement_score":0.89900416,"about_ca_system_score_codex":0.00010364288,"about_ca_system_score_gemma":0.00009504215,"threshold_uncertainty_score":0.99988645},"labels":[],"label_agreement":null},{"id":"W3002255233","doi":"10.5206/mf.v5i1.9435","title":"Lettre inédite d’Henri Troyat à Laure Fresneau (1962)","year":2020,"lang":"fr","type":"article","venue":"Mouvances Francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art","score_opus":0.02207693162840521,"score_gpt":0.21645609521674186,"score_spread":0.19437916358833665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002255233","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015424407,0.72824466,0.0011180122,0.08154383,0.040626142,0.0005442027,0.0016925463,0.00054826745,0.13025792],"genre_scores_gemma":[0.3639168,0.005770308,0.00056536373,0.0126385195,0.038005818,0.000073088064,0.00013361807,0.00014435228,0.5787521],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728626,0.0001746887,0.00067056215,0.0007175864,0.00046014637,0.0006907607],"domain_scores_gemma":[0.99849385,0.00034500367,0.000232987,0.0003472387,0.00014087009,0.00044003836],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000108236854,0.0005666265,0.00078769634,0.000093250324,0.001244755,0.00034880926,0.0005042449,0.00021379738,0.03746386],"category_scores_gemma":[0.0000850367,0.00050371164,0.0004604975,0.00035248298,0.000703013,0.0008807613,0.000099756006,0.0007085139,0.0060344655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031670064,0.00031119262,0.00049000833,0.0009165703,0.00036496622,0.00030499083,0.096563354,0.00053593155,0.00035571159,0.020539567,0.83229786,0.047003172],"study_design_scores_gemma":[0.0006311107,0.00038212253,0.00012909749,0.00016574646,0.00015581389,0.0000040374753,0.003292181,0.0012561132,0.00015919107,0.0005711973,0.99260485,0.0006485274],"about_ca_topic_score_codex":0.0038728905,"about_ca_topic_score_gemma":0.0010921811,"teacher_disagreement_score":0.7224744,"about_ca_system_score_codex":0.000092569404,"about_ca_system_score_gemma":0.000106098756,"threshold_uncertainty_score":0.99974144},"labels":[],"label_agreement":null},{"id":"W3002954385","doi":"10.4000/estampe.611","title":"Le Comte de Caylus et la reproduction du dessin par la gravure","year":2015,"lang":"fr","type":"article","venue":"Nouvelles de l estampe","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art","score_opus":0.02678085536384588,"score_gpt":0.2488117161057415,"score_spread":0.2220308607418956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002954385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32407746,0.029520132,0.0011223424,0.02162405,0.0026017667,0.00023501048,0.0001542115,0.0002668506,0.62039816],"genre_scores_gemma":[0.84004134,0.0010001496,0.0010412855,0.0006870736,0.0020173516,0.000015888805,0.000054871103,0.00004293976,0.15509908],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790406,0.0008003644,0.0003083814,0.00038399274,0.00020595569,0.00039722712],"domain_scores_gemma":[0.998893,0.00020275274,0.0001254268,0.0003312367,0.0001639307,0.00028361237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095252093,0.00025744163,0.0003055518,0.00008580629,0.0005090359,0.0003350032,0.00019347601,0.0002102004,0.00037946986],"category_scores_gemma":[0.00019235488,0.00023428662,0.00016040276,0.000101441496,0.0005445022,0.00036465732,0.00006402162,0.00042649,0.00014834332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013327872,0.00069935457,0.0013754996,0.00015820809,0.00010564118,0.00030084257,0.14756459,0.00035603903,0.00009192173,0.63923264,0.19519906,0.014782902],"study_design_scores_gemma":[0.00043687178,0.00012717134,0.00028805964,0.00010024408,0.00010274958,0.0001462094,0.0066991905,0.0003254637,0.00012278736,0.006488702,0.984867,0.00029558217],"about_ca_topic_score_codex":0.00903227,"about_ca_topic_score_gemma":0.0014768402,"teacher_disagreement_score":0.7896679,"about_ca_system_score_codex":0.00015488695,"about_ca_system_score_gemma":0.0008718963,"threshold_uncertainty_score":0.99756664},"labels":[],"label_agreement":null},{"id":"W3004572736","doi":"","title":"L'Amérique fantôme","year":2019,"lang":"fr","type":"book","venue":"Flammarion eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024102845780585788,"score_gpt":0.20963278229137824,"score_spread":0.18552993651079247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004572736","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021299353,0.0021066568,0.000073538264,0.00035308846,0.005369084,0.00049280166,0.00030864376,0.0001533615,0.99092984],"genre_scores_gemma":[0.004057605,0.000066504304,0.00004796457,0.00058784307,0.0070502325,0.00003453422,0.00044461372,0.00011601616,0.98759466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970875,0.00020462266,0.00085215946,0.00075265934,0.00046792408,0.0006351323],"domain_scores_gemma":[0.9981646,0.00027317237,0.00040274113,0.00070050574,0.00020483117,0.00025412766],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022815046,0.00075175194,0.0009500706,0.00028361025,0.00086035754,0.0003476146,0.00051249895,0.0006332958,0.014158107],"category_scores_gemma":[0.000022561071,0.00067556236,0.00074929796,0.000018071034,0.0007241507,0.00018686379,0.00018027434,0.0010840723,0.011561552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054329685,0.000048044323,0.000011826383,0.00043591508,0.00020298616,0.00011249609,0.0065038605,0.0000039938145,0.000032114804,0.85523534,0.123212524,0.014146561],"study_design_scores_gemma":[0.00029790937,0.00027919826,0.000010744842,0.0005346725,0.00022194086,0.000014045844,0.0001054266,0.00006802833,0.000029671177,0.010929164,0.98664063,0.000868574],"about_ca_topic_score_codex":0.0014269461,"about_ca_topic_score_gemma":0.001747081,"teacher_disagreement_score":0.8634281,"about_ca_system_score_codex":0.00046131443,"about_ca_system_score_gemma":0.00053173443,"threshold_uncertainty_score":0.99956954},"labels":[],"label_agreement":null},{"id":"W3006237469","doi":"10.7202/1066750ar","title":"Speaking in Pictures: Reading, Memory and Interpretation in Francesco da Barberino’s Advice to Women in his Reggimento e costumi di donna","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"Social Sciences and Humanities Research Council of Canada; University of Victoria","keywords":"Humanities; Invocation; Art; Philosophy; Theology","score_opus":0.014067071417013483,"score_gpt":0.21226712068394435,"score_spread":0.19820004926693086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006237469","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96446395,0.006152636,0.00001028832,0.0064444453,0.00068232283,0.0003685887,0.000065128,0.000025703814,0.02178691],"genre_scores_gemma":[0.9744828,0.00016014748,0.000038402133,0.0023719552,0.0005866367,0.000061033956,0.00002730483,0.000028212467,0.022243522],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99781096,0.00017759127,0.0006145648,0.00055096915,0.000101219346,0.0007446714],"domain_scores_gemma":[0.99902856,0.00011863962,0.000113043956,0.00017916482,0.000042069136,0.0005185051],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00035219887,0.00027008774,0.00052760483,0.00036196248,0.00012384492,0.00012652676,0.0001934633,0.00009300038,0.00064461335],"category_scores_gemma":[0.00019419985,0.00029868187,0.000050481878,0.00041152007,0.00010255087,0.00051656575,0.00007734882,0.00041740848,0.000055620985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033584368,0.00012686163,0.009725169,0.0009574457,0.000049645623,0.00087097735,0.92793417,0.0015351062,0.00012399453,0.014263565,0.004450175,0.03962707],"study_design_scores_gemma":[0.0005511538,0.00025122016,0.003839507,0.0012843236,0.000018686309,0.000007031504,0.013657722,0.003927183,0.000008556343,0.00018078549,0.9758937,0.00038017327],"about_ca_topic_score_codex":0.085329294,"about_ca_topic_score_gemma":0.5232684,"teacher_disagreement_score":0.9714435,"about_ca_system_score_codex":0.0012520119,"about_ca_system_score_gemma":0.00006142901,"threshold_uncertainty_score":0.99994653},"labels":[],"label_agreement":null},{"id":"W3006781608","doi":"10.4000/belphegor.2629","title":"Incidence des supports dans les mutations des imaginaires sériels","year":2020,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Incidence (geometry); Mathematics","score_opus":0.05098888673052943,"score_gpt":0.2629671031046734,"score_spread":0.211978216374144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006781608","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59159285,0.07133309,0.0055403877,0.029960115,0.0015814031,0.0004872506,0.0010603928,0.00047575653,0.29796878],"genre_scores_gemma":[0.9155052,0.00041658012,0.0010182817,0.0007971473,0.0013752836,0.000023458084,0.000059338618,0.000031999996,0.08077272],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984995,0.00011706564,0.00039966957,0.00035358683,0.00021609484,0.00041406232],"domain_scores_gemma":[0.9990709,0.00015642033,0.0001048988,0.00016514193,0.00017561522,0.0003270294],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008474403,0.00026031406,0.0002770826,0.0000672732,0.0016075398,0.0002953374,0.00024286195,0.00007069484,0.008723336],"category_scores_gemma":[0.00016465466,0.0002416745,0.00020107324,0.00018572574,0.0020943973,0.00091448147,0.000076974145,0.00021759071,0.00054263265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056520297,0.0004632876,0.015378784,0.0010024328,0.00017331765,0.00078861177,0.62700087,0.000101342535,0.0007232041,0.19814596,0.0801201,0.07604556],"study_design_scores_gemma":[0.00015494124,0.00023932109,0.0035602145,0.0001355765,0.00020638914,0.000027373571,0.007694862,0.00032265208,0.0004313812,0.008551454,0.97831833,0.00035748503],"about_ca_topic_score_codex":0.008654038,"about_ca_topic_score_gemma":0.002667001,"teacher_disagreement_score":0.89819825,"about_ca_system_score_codex":0.0000949714,"about_ca_system_score_gemma":0.00010803717,"threshold_uncertainty_score":0.99969226},"labels":[],"label_agreement":null},{"id":"W3007213726","doi":"10.5206/mf.v5i1.10239","title":"L’Ananké dans la Machine infernale de Cocteau","year":2020,"lang":"fr","type":"article","venue":"Mouvances Francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017154818946560745,"score_gpt":0.2193108753733795,"score_spread":0.20215605642681878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007213726","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04394028,0.48129573,0.009008256,0.033282332,0.017087951,0.00038019498,0.0014795705,0.00045931202,0.4130664],"genre_scores_gemma":[0.74529046,0.0067954618,0.0004634861,0.0034069782,0.0071528647,0.000030147321,0.000034304292,0.00006356462,0.23676275],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982849,0.00019781836,0.00041759107,0.0003802428,0.00025100162,0.00046844038],"domain_scores_gemma":[0.9988117,0.00044824363,0.00013994242,0.00019337576,0.00006803733,0.00033865348],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014091484,0.00033516862,0.00046674142,0.00005252139,0.0007533198,0.0002175297,0.00033652486,0.00012656058,0.014080803],"category_scores_gemma":[0.000096782285,0.0003024266,0.0002565641,0.00020022642,0.000646033,0.00047126084,0.00006701291,0.00048055712,0.0014295563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045787063,0.00087609095,0.010845871,0.0017409669,0.0007248597,0.0011767413,0.37371045,0.0031871966,0.0012733297,0.198634,0.32367572,0.0836969],"study_design_scores_gemma":[0.00044968497,0.0001755394,0.00060579117,0.00011383287,0.00011533482,0.000012702449,0.002674684,0.0042520612,0.0002158082,0.000969923,0.99002886,0.00038579415],"about_ca_topic_score_codex":0.008949835,"about_ca_topic_score_gemma":0.0020560247,"teacher_disagreement_score":0.70135015,"about_ca_system_score_codex":0.00007991706,"about_ca_system_score_gemma":0.00008624846,"threshold_uncertainty_score":0.9999428},"labels":[],"label_agreement":null},{"id":"W3008370941","doi":"","title":"Michel Fournier. Généalogie du roman. Émergence d’une formation culturelle au XVIIe siècle en France, Presses de l’Université Laval, 2006","year":2007,"lang":"fr","type":"article","venue":"Persée (Ministère de lEnseignement supérieur et de la Recherche)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03882003181915571,"score_gpt":0.2900011511482928,"score_spread":0.25118111932913706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3008370941","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3711307,0.039764006,0.013173698,0.02963549,0.0013101185,0.00078734604,0.00044558232,0.00040909214,0.54334396],"genre_scores_gemma":[0.7055822,0.017721063,0.0059374734,0.0037869925,0.002189947,0.000057611513,0.00032456586,0.000127962,0.26427215],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948754,0.0020236424,0.00075428316,0.0005923383,0.00048827598,0.001266094],"domain_scores_gemma":[0.9967245,0.0018244715,0.0003197868,0.00043260233,0.00025032114,0.0004483133],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037197566,0.00059950346,0.0005452348,0.00020448463,0.001508478,0.00034234262,0.0006365345,0.0008573748,0.0028970747],"category_scores_gemma":[0.0005787438,0.0006146825,0.0004390661,0.00037911316,0.0005648559,0.0009118249,0.00015723484,0.0013747646,0.00019108948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022968679,0.0008976532,0.0017388717,0.0005169003,0.00023555709,0.00050629437,0.58701324,0.00017294372,0.0042549004,0.014774573,0.38476226,0.0048971022],"study_design_scores_gemma":[0.0008459382,0.00035536106,0.0030848074,0.00024910117,0.00038201475,0.0001352051,0.033217832,0.00077509135,0.0026380138,0.0017028864,0.95591074,0.0007030237],"about_ca_topic_score_codex":0.045613218,"about_ca_topic_score_gemma":0.0075133247,"teacher_disagreement_score":0.57114846,"about_ca_system_score_codex":0.002257952,"about_ca_system_score_gemma":0.0006464796,"threshold_uncertainty_score":0.99979144},"labels":[],"label_agreement":null},{"id":"W3010922601","doi":"","title":"L'événement révolutionnaire et ses figures emblématiques dans les littératures européennes: regards croisés : actes du colloque international de Toulouse des 11, 12 et 13 avril 2018","year":2020,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.026556037077996003,"score_gpt":0.24373522434464087,"score_spread":0.21717918726664487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3010922601","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19775708,0.027627852,0.06713621,0.18080148,0.0020299812,0.0011866392,0.0025316232,0.001158206,0.5197709],"genre_scores_gemma":[0.69590634,0.01926141,0.015545298,0.0013800671,0.00062313606,0.00020414566,0.0022770623,0.0001383544,0.26466417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.989031,0.0077279313,0.0010108389,0.0010130707,0.0006708255,0.0005462959],"domain_scores_gemma":[0.99339575,0.0015997079,0.0007514619,0.0011458563,0.0027246927,0.00038254797],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025410089,0.00070731377,0.0006461661,0.0002405095,0.0017317926,0.0017578872,0.0017148661,0.00035285577,0.0019322197],"category_scores_gemma":[0.0027924897,0.0006890221,0.0005608716,0.00021174255,0.0012066624,0.0007648143,0.0012073725,0.00095678214,0.00006505483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005810191,0.0012227907,0.0071069296,0.00058127695,0.00041664622,0.00003523544,0.2895545,0.00024006596,0.0009794441,0.62620556,0.070114605,0.0034848044],"study_design_scores_gemma":[0.00041606807,0.0000047680887,0.012539866,0.0035420456,0.00017743991,0.00002108241,0.002453238,0.003086032,0.0032343804,0.009881828,0.96391463,0.0007286231],"about_ca_topic_score_codex":0.030729113,"about_ca_topic_score_gemma":0.11126921,"teacher_disagreement_score":0.8938,"about_ca_system_score_codex":0.0006319034,"about_ca_system_score_gemma":0.00059561647,"threshold_uncertainty_score":0.9995678},"labels":[],"label_agreement":null},{"id":"W3011256855","doi":"","title":"Dispositif interactif et écriture scénique : l'acteur au coeur de l'activité intermédiatique","year":2019,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Institute on the Environment, University of Minnesota; Université du Québec à Montréal","keywords":"Humanities; Art","score_opus":0.006456922485911178,"score_gpt":0.18507494540731909,"score_spread":0.1786180229214079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011256855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.908201,0.0080527095,0.00073799776,0.022089917,0.0013475567,0.00039852894,0.0002769265,0.00016073644,0.05873464],"genre_scores_gemma":[0.82290375,0.0006653419,0.00008516893,0.0021131267,0.00072163326,0.000007885499,0.000060431878,0.000071596136,0.17337108],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99698323,0.00072857423,0.00043333854,0.0007038358,0.0003126875,0.0008383538],"domain_scores_gemma":[0.9975822,0.0009405592,0.00029712543,0.0005293166,0.0001543775,0.0004964156],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003111428,0.00060247135,0.00069041643,0.0003503908,0.0008826854,0.00026947702,0.0006716122,0.00025023884,0.005962163],"category_scores_gemma":[0.00005804005,0.0006146881,0.00061768957,0.00017202077,0.0004272152,0.0018029975,0.00037694714,0.0012793303,0.0012725536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00071667926,0.0008734458,0.0062274067,0.00030681695,0.0005856569,0.00086048344,0.72992,0.00015214582,0.0008322666,0.19357912,0.016006874,0.04993908],"study_design_scores_gemma":[0.00079556735,0.00050162326,0.007505425,0.00044761086,0.00029042433,0.00013992655,0.033381768,0.0013280282,0.000100855854,0.00072978355,0.9540284,0.0007505336],"about_ca_topic_score_codex":0.707804,"about_ca_topic_score_gemma":0.6283874,"teacher_disagreement_score":0.9380216,"about_ca_system_score_codex":0.0013555124,"about_ca_system_score_gemma":0.0009480826,"threshold_uncertainty_score":0.99963045},"labels":[],"label_agreement":null},{"id":"W3014743723","doi":"10.7202/1064045ar","title":"La vie imaginaire : échec ou réussite ?","year":2010,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019991029526815828,"score_gpt":0.23506332025642312,"score_spread":0.2150722907296073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014743723","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0501143,0.009657589,0.000018258117,0.082389556,0.0056793005,0.00009838002,0.00017390586,0.00017249084,0.8516962],"genre_scores_gemma":[0.6144458,0.000110736924,0.000072638395,0.0007145617,0.003724037,0.0000048299316,0.000042533306,0.000027260101,0.38085756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845886,0.00015047316,0.000300185,0.00034234038,0.00022302265,0.0005251003],"domain_scores_gemma":[0.9988809,0.00012841343,0.000096132484,0.0004047239,0.00017822294,0.00031160694],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026226992,0.0002623287,0.0002730875,0.00016768463,0.0006907271,0.0008229934,0.00025384995,0.00018199887,0.015011161],"category_scores_gemma":[0.00008892313,0.00022612682,0.00022636013,0.00013586837,0.00088927534,0.00084208,0.000077646764,0.0008662022,0.0021819083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047620747,0.0002631809,0.00028986466,0.00007233614,0.00007025523,0.00012704253,0.006087149,1.4381737e-7,0.00016166003,0.7471012,0.1572321,0.08859031],"study_design_scores_gemma":[0.00017349276,0.00004442274,0.00031265296,0.000027711514,0.000068826754,0.000060206166,0.0003774378,0.000112773,0.000018013112,0.003642255,0.9948475,0.00031471805],"about_ca_topic_score_codex":0.0010317334,"about_ca_topic_score_gemma":0.002193988,"teacher_disagreement_score":0.8376154,"about_ca_system_score_codex":0.000045602923,"about_ca_system_score_gemma":0.00012187621,"threshold_uncertainty_score":0.998595},"labels":[],"label_agreement":null},{"id":"W3015541134","doi":"","title":"Astérix, un héros de la littérature populaire","year":2010,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0128608491076617,"score_gpt":0.22360466905083087,"score_spread":0.21074381994316918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015541134","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18235071,0.036838558,0.000028988607,0.06134362,0.007951551,0.00018826664,0.00041754657,0.0003163636,0.7105644],"genre_scores_gemma":[0.6298238,0.00015830896,0.000307885,0.0010532956,0.0069455323,0.000005765548,0.00007214907,0.000033704782,0.36159953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836236,0.00025769605,0.00027243435,0.0003106159,0.00020811943,0.00058876246],"domain_scores_gemma":[0.998924,0.00013228586,0.00008955122,0.0003670764,0.00013245882,0.00035459767],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032504954,0.0002591346,0.00026007855,0.0001325624,0.0009040398,0.00092563836,0.00026109183,0.00036794867,0.011781785],"category_scores_gemma":[0.00014552454,0.00022564246,0.0002260241,0.00018147573,0.0006947728,0.00049731054,0.00006180136,0.0011655849,0.00054362265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065661225,0.00030387018,0.0005397537,0.00005891789,0.00007874815,0.00013100627,0.006844727,4.945951e-7,0.00030946956,0.8383849,0.11563981,0.03770168],"study_design_scores_gemma":[0.00018150108,0.00005699664,0.0005749324,0.000025398233,0.00006395497,0.000095099655,0.00055165694,0.000070311275,0.000048021466,0.00756564,0.99047303,0.00029348393],"about_ca_topic_score_codex":0.0008750587,"about_ca_topic_score_gemma":0.00074493425,"teacher_disagreement_score":0.87483317,"about_ca_system_score_codex":0.00006316891,"about_ca_system_score_gemma":0.00013232551,"threshold_uncertainty_score":0.98912156},"labels":[],"label_agreement":null},{"id":"W3016072112","doi":"","title":"Compte rendu : Ndala (Blaise), Sans capote ni kalachnikov. Montréal, Mémoires d'encrier, 2017","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02292325648310316,"score_gpt":0.2250690890778186,"score_spread":0.20214583259471544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016072112","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03594882,0.038148176,0.007825038,0.04009956,0.0031784836,0.00086560595,0.0016441863,0.00065934146,0.8716308],"genre_scores_gemma":[0.18402778,0.0068508293,0.010858655,0.0005660671,0.0009477335,0.00014064787,0.0023859555,0.0001589063,0.79406345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9887943,0.0065820403,0.0013457589,0.0015106602,0.00084746897,0.0009197661],"domain_scores_gemma":[0.99046355,0.0014624336,0.0010673639,0.0033133673,0.0031072723,0.00058602396],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0037943057,0.00092446135,0.0010657238,0.00034793658,0.0031917829,0.001425741,0.0022735384,0.0005388303,0.005637158],"category_scores_gemma":[0.00085916545,0.00092346215,0.00074503635,0.00029499567,0.0022773307,0.0005468208,0.0015293265,0.0013055104,0.0011897333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006955553,0.0016425888,0.0004265605,0.0005131639,0.0004882657,0.00006631421,0.0697381,0.00003368,0.00032491493,0.57727855,0.3280624,0.021355912],"study_design_scores_gemma":[0.0005295221,0.0000029147836,0.0009180626,0.0024671317,0.00028968885,0.000023400013,0.00045890012,0.0041375975,0.0012580501,0.005221129,0.98370814,0.0009854767],"about_ca_topic_score_codex":0.05572706,"about_ca_topic_score_gemma":0.026562966,"teacher_disagreement_score":0.6556457,"about_ca_system_score_codex":0.00040120204,"about_ca_system_score_gemma":0.00037131403,"threshold_uncertainty_score":0.9996109},"labels":[],"label_agreement":null},{"id":"W3021251298","doi":"10.26522/vp.v17i1.2485","title":"Kavungu, Aristote. Mon père, Boudarel et moi","year":2020,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.030567623477483954,"score_gpt":0.23385384521445812,"score_spread":0.20328622173697417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3021251298","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021583693,0.1372913,0.000678358,0.40061045,0.0041486556,0.0003956214,0.0016796106,0.00043233062,0.43317997],"genre_scores_gemma":[0.31656083,0.0026956298,0.0003576274,0.013125313,0.0062770434,0.000021064678,0.00016995908,0.00009617897,0.6606963],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979626,0.0001873195,0.0005240065,0.00051744,0.0003269365,0.00048167535],"domain_scores_gemma":[0.99886984,0.00019116371,0.0001509289,0.00027631747,0.0001024674,0.00040928702],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000121557554,0.0003912299,0.00041968035,0.00008220302,0.0006754876,0.00036111104,0.0003253495,0.00018435586,0.008844318],"category_scores_gemma":[0.00010177628,0.00036085056,0.0003529578,0.00015664048,0.00045015564,0.00046029896,0.00012435453,0.00054528296,0.002313636],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007834366,0.00023136131,0.00006955954,0.00020641356,0.00015372822,0.00015038096,0.090082325,0.000098447046,0.00003763161,0.55602574,0.34933296,0.0035331016],"study_design_scores_gemma":[0.00030921813,0.00031119958,0.000042758373,0.00010156475,0.00017188289,0.0000043192204,0.0016509456,0.0010656768,0.00009732154,0.0029944037,0.9927788,0.0004719525],"about_ca_topic_score_codex":0.0042240163,"about_ca_topic_score_gemma":0.00037163234,"teacher_disagreement_score":0.6434458,"about_ca_system_score_codex":0.00005674405,"about_ca_system_score_gemma":0.000105922765,"threshold_uncertainty_score":0.99988437},"labels":[],"label_agreement":null},{"id":"W3022051243","doi":"10.21083/nrsc.vi13.6086","title":"Objets de l’écrivain : images, usages, représentations depuis le XIXe siècle à nos jours","year":2020,"lang":"fr","type":"article","venue":"Nouvelle Revue Synergies Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art; Humanities","score_opus":0.023366223496703257,"score_gpt":0.2296339828395327,"score_spread":0.20626775934282945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022051243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04704445,0.069363326,0.0006686102,0.3553405,0.008002395,0.0007654705,0.0038047943,0.00034520778,0.51466525],"genre_scores_gemma":[0.63970387,0.0014013073,0.00066721364,0.005528906,0.003896027,0.000038242608,0.00020754582,0.00009053991,0.34846637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730384,0.00026408565,0.0006867752,0.0006035577,0.00035743217,0.0007843132],"domain_scores_gemma":[0.9982134,0.00030866504,0.00023187033,0.0004120796,0.00016226813,0.00067172473],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000114629074,0.0004086404,0.0005646249,0.000080040154,0.0016079362,0.00027982795,0.00047353425,0.00013343082,0.004918229],"category_scores_gemma":[0.0002595595,0.00044628917,0.00027392802,0.00027922614,0.00039726784,0.0004270156,0.00013267493,0.0005095031,0.00010071049],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031506384,0.00012797015,0.0001835764,0.0005321379,0.00022276255,0.0008522304,0.02465741,0.0017941681,0.00026903313,0.05814944,0.90758836,0.005591412],"study_design_scores_gemma":[0.0003190713,0.000097405995,0.000263102,0.00015052789,0.00017979176,0.000030877138,0.017185677,0.0010651583,0.000369868,0.00022198001,0.979565,0.0005515278],"about_ca_topic_score_codex":0.9244233,"about_ca_topic_score_gemma":0.7387504,"teacher_disagreement_score":0.5926594,"about_ca_system_score_codex":0.0005521125,"about_ca_system_score_gemma":0.0029240206,"threshold_uncertainty_score":0.9997989},"labels":[],"label_agreement":null},{"id":"W3022300506","doi":"","title":"« Poétique et rhétorique. La Littérature et sa belle parole. J. Gardes-Tamine, Champion, 2015 »","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Champion; Physics; Art; Political science","score_opus":0.01577199845341165,"score_gpt":0.23642095846654607,"score_spread":0.22064896001313442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022300506","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012315635,0.028075986,0.012124071,0.09525598,0.0017375636,0.0007620998,0.00094232854,0.00048753535,0.8482988],"genre_scores_gemma":[0.20031896,0.012255136,0.0073764483,0.0014948373,0.00080163655,0.00015959522,0.0030607067,0.00015291212,0.7743798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.981336,0.014884759,0.0010775863,0.0013190258,0.0006871006,0.0006955336],"domain_scores_gemma":[0.99014974,0.0024346504,0.00087192183,0.0024420682,0.003618405,0.00048320816],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.007834515,0.0008466116,0.00090050924,0.00028095025,0.0019540812,0.001227883,0.0015790326,0.0008039651,0.0038123142],"category_scores_gemma":[0.0012081007,0.0008172121,0.0006438408,0.0003432326,0.0011548527,0.0004890144,0.0016409515,0.0019106787,0.0004166599],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036434863,0.0011149538,0.0002481762,0.00026200962,0.0002158985,0.000020317457,0.10171223,0.000019239915,0.00019721677,0.75863063,0.13408093,0.0034619423],"study_design_scores_gemma":[0.0004543041,0.000003376969,0.0007281999,0.0024297852,0.00012679983,0.000020821024,0.0004812173,0.00082213554,0.0012373548,0.009985987,0.98286515,0.0008448852],"about_ca_topic_score_codex":0.005926335,"about_ca_topic_score_gemma":0.009324627,"teacher_disagreement_score":0.8487842,"about_ca_system_score_codex":0.0002616466,"about_ca_system_score_gemma":0.0005490971,"threshold_uncertainty_score":0.99980897},"labels":[],"label_agreement":null},{"id":"W3023902008","doi":"10.4000/rdlc.7819","title":"Enseignement de la littérature dans les lycées marocains : de la centration sur les genres littéraires classiques à l’apprentissage du goût de la lecture","year":2020,"lang":"fr","type":"article","venue":"Recherches en didactique des langues et des cultures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Humanities; Philosophy","score_opus":0.055586978294010436,"score_gpt":0.2999585675593019,"score_spread":0.24437158926529146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023902008","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6463734,0.1471052,0.008197523,0.0075639356,0.00017166091,0.0004988347,0.00048126653,0.00075402047,0.18885417],"genre_scores_gemma":[0.9277895,0.040369652,0.008108497,0.0008585505,0.0024323207,0.00009852117,0.00029864747,0.00013016404,0.019914145],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9886218,0.0091302935,0.0005184415,0.0006172319,0.00031658344,0.00079570845],"domain_scores_gemma":[0.9957809,0.0030938047,0.00023288919,0.00025480977,0.00020380407,0.0004338152],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0015144554,0.0007223112,0.0005984645,0.000097762306,0.0009974951,0.0014349717,0.00049564894,0.0013869965,0.0004119877],"category_scores_gemma":[0.0020407876,0.0005901006,0.0004904254,0.00023090954,0.002008191,0.00061371113,0.0001175479,0.0018634096,0.000009179063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025615125,0.0007751211,0.0071071633,0.0017780178,0.0007116625,0.0005340496,0.7773342,0.0004915968,0.044084195,0.102896675,0.0336498,0.030381344],"study_design_scores_gemma":[0.0004686605,0.0003067473,0.016307214,0.0008499844,0.00048297088,0.00021315433,0.037631266,0.00042967385,0.020720886,0.0147310635,0.90696687,0.0008915136],"about_ca_topic_score_codex":0.009165133,"about_ca_topic_score_gemma":0.005754352,"teacher_disagreement_score":0.87331706,"about_ca_system_score_codex":0.0013005339,"about_ca_system_score_gemma":0.0003769639,"threshold_uncertainty_score":0.9999094},"labels":[],"label_agreement":null},{"id":"W3026144242","doi":"10.7202/1069145ar","title":"Le souvenir des Mémoires dans La semaine sainte de Louis Aragon","year":2020,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Art; Humanities","score_opus":0.028064015388564154,"score_gpt":0.22267151021136997,"score_spread":0.19460749482280582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026144242","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09265953,0.049270872,0.0066338577,0.021533214,0.00068849936,0.00016466582,0.0003272994,0.00022322974,0.82849884],"genre_scores_gemma":[0.85036427,0.00037741085,0.00039098205,0.0013840931,0.0017156265,0.000008844151,0.00001130245,0.000023907518,0.14572357],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988365,0.00017015662,0.00023348138,0.0002651808,0.0001401159,0.00035453212],"domain_scores_gemma":[0.99936503,0.00012366893,0.0000668475,0.00014302805,0.000054816446,0.0002466293],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011907161,0.00018664855,0.0002304892,0.00002941631,0.0005951844,0.00016523336,0.0002432214,0.00007048336,0.0021804445],"category_scores_gemma":[0.00008380281,0.00017899075,0.00015618656,0.000109249915,0.00091996347,0.00026217152,0.000060297538,0.00020744128,0.00035301832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004125639,0.00015393554,0.00029165903,0.00027361678,0.00007372616,0.00029964163,0.13552654,0.00010281024,0.0008610909,0.8238155,0.032279946,0.0062802336],"study_design_scores_gemma":[0.000110092675,0.00016187917,0.00012473347,0.0001105954,0.00007387488,0.000017821034,0.0034852854,0.0008749415,0.0003881767,0.0045301286,0.98989016,0.00023230098],"about_ca_topic_score_codex":0.003988453,"about_ca_topic_score_gemma":0.0015491436,"teacher_disagreement_score":0.95761025,"about_ca_system_score_codex":0.0001025205,"about_ca_system_score_gemma":0.00013566173,"threshold_uncertainty_score":0.9987317},"labels":[],"label_agreement":null},{"id":"W3030953967","doi":"","title":"Jean Bédard, Comenius, ou l’art sacré de l’éducation Éd. J. C. Lattès, Paris, 2003, 326 p.","year":2004,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.04588054292762698,"score_gpt":0.2742333831507338,"score_spread":0.22835284022310684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3030953967","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033216155,0.06508899,0.00143329,0.06372468,0.005881209,0.00033206542,0.00024022374,0.00025766887,0.85972023],"genre_scores_gemma":[0.052360322,0.0032263608,0.0006426942,0.0031312315,0.0025054936,0.00002069151,0.00021029699,0.000038451588,0.9378645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802357,0.00013234092,0.0005304339,0.00039511683,0.00028484786,0.0006336651],"domain_scores_gemma":[0.9988644,0.00009351442,0.00013155118,0.000360881,0.00022550186,0.00032413643],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028204752,0.00033298752,0.00037217623,0.00012677873,0.00086693425,0.00034700747,0.00023042884,0.00017186483,0.0366116],"category_scores_gemma":[0.00006092219,0.00030008666,0.00019352057,0.00020719744,0.00034750046,0.0005975951,0.000043298274,0.0003504728,0.0049420176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016123617,0.00048141633,0.0001430053,0.00006614549,0.00008033157,0.000017887161,0.008243684,0.0000595406,0.000008610561,0.43053973,0.5583306,0.0020129571],"study_design_scores_gemma":[0.00049259723,0.00019578163,0.00011088395,0.000098621436,0.0001604002,0.0000109920575,0.0013502262,0.000050729806,0.0001032994,0.0074453377,0.98955435,0.00042681344],"about_ca_topic_score_codex":0.00949197,"about_ca_topic_score_gemma":0.0032757616,"teacher_disagreement_score":0.43122375,"about_ca_system_score_codex":0.00064145395,"about_ca_system_score_gemma":0.0003074481,"threshold_uncertainty_score":0.9999451},"labels":[],"label_agreement":null},{"id":"W3035625072","doi":"","title":"“My Lord, do you remember me ?” Charlotte Ives ou le souvenir des premières amours dans les Mémoires d’outre-tombe de Chateaubriand","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.023262287281617833,"score_gpt":0.22778882822614935,"score_spread":0.20452654094453152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035625072","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33772245,0.016737035,0.006518815,0.0149785,0.00093750475,0.00062227005,0.0005759754,0.0004065813,0.62150085],"genre_scores_gemma":[0.44159716,0.0025163398,0.0046638506,0.00009025918,0.0005629463,0.00010269221,0.00049819093,0.0001038396,0.5498647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99038607,0.0058298297,0.0009620541,0.0012953045,0.0005982844,0.0009284642],"domain_scores_gemma":[0.99337584,0.0011508316,0.00081440393,0.0020120223,0.0021642875,0.00048263682],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0036431686,0.0008021225,0.0008415032,0.00029379918,0.0030306587,0.001497717,0.0017907203,0.00046572564,0.0022351097],"category_scores_gemma":[0.0008211047,0.0007874453,0.0006616932,0.00025440124,0.003143761,0.0005988237,0.001091696,0.0009151368,0.00020007741],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008385005,0.0016173216,0.011693857,0.00068745436,0.00053221633,0.000026519638,0.2707284,0.00006198888,0.0018221458,0.6802958,0.013643751,0.018806655],"study_design_scores_gemma":[0.00060653925,0.0000037102986,0.005398882,0.0033026629,0.00028166533,0.000020600795,0.0035157276,0.0013328933,0.009063333,0.010460309,0.9650417,0.00097199326],"about_ca_topic_score_codex":0.025198668,"about_ca_topic_score_gemma":0.026068501,"teacher_disagreement_score":0.95139796,"about_ca_system_score_codex":0.0004218533,"about_ca_system_score_gemma":0.0004551737,"threshold_uncertainty_score":0.9995691},"labels":[],"label_agreement":null},{"id":"W3036168178","doi":"10.4000/books.pub.24661","title":"Pour une esthétique de l’imaginaire dans l’œuvre de Jean Cayrol","year":2010,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Art; Humanities","score_opus":0.01294655900123951,"score_gpt":0.21096180953797983,"score_spread":0.19801525053674032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3036168178","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005409762,0.0026893395,0.0015891658,0.00804984,0.00048792822,0.0004232291,0.000564458,0.00034638226,0.9804399],"genre_scores_gemma":[0.3375763,0.0010895461,0.0016116329,0.00061638275,0.0016031449,0.000014998415,0.00012251986,0.00018908479,0.6571764],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99690557,0.0001911722,0.0005338032,0.0008388251,0.00037681003,0.0011538302],"domain_scores_gemma":[0.9972219,0.0004988371,0.00041116506,0.0007963029,0.00035010176,0.0007217048],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020828044,0.0009861328,0.0008224851,0.00040245507,0.0019537641,0.00035673447,0.0011612372,0.0008122392,0.0043703364],"category_scores_gemma":[0.00006653501,0.0010623463,0.00068759377,0.00003519679,0.0019467083,0.00039973587,0.00032972696,0.0014488745,0.00019205744],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019559344,0.00015989921,0.00031315643,0.0004787797,0.00060763524,0.0023192985,0.016175717,0.0001349443,0.0013041747,0.9518009,0.00910945,0.017400479],"study_design_scores_gemma":[0.0005520828,0.00020718285,0.000082403894,0.00049890403,0.0011014196,0.00012963232,0.0014356417,0.00050735613,0.0004421816,0.07426554,0.91967446,0.00110321],"about_ca_topic_score_codex":0.017655509,"about_ca_topic_score_gemma":0.013079042,"teacher_disagreement_score":0.910565,"about_ca_system_score_codex":0.0010327692,"about_ca_system_score_gemma":0.0012486159,"threshold_uncertainty_score":0.99934554},"labels":[],"label_agreement":null},{"id":"W3036812495","doi":"10.4000/books.pub.26261","title":"Bateleurs, Métis et autres apatrides : altérité et syncrétisme chez Sergio Kokis","year":2007,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materials science","score_opus":0.02722516714854152,"score_gpt":0.237870490833814,"score_spread":0.2106453236852725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3036812495","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001926366,0.015218413,0.00041285838,0.0038773126,0.0011346572,0.0005295577,0.0013654582,0.00046282125,0.97507256],"genre_scores_gemma":[0.21321636,0.003532704,0.0005672967,0.0014261528,0.0010426673,0.000009587653,0.00037552277,0.00021385986,0.7796159],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956354,0.00033887476,0.0008856974,0.0011393062,0.00073433,0.001266372],"domain_scores_gemma":[0.99660385,0.00092643383,0.0006050627,0.00079713063,0.00043289314,0.00063464773],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0005414437,0.0012784984,0.0012103986,0.0008360647,0.001654467,0.000539331,0.0010687083,0.000760182,0.010738292],"category_scores_gemma":[0.000055920056,0.0013404533,0.00092344405,0.000054706907,0.0015429324,0.00074801553,0.00062126707,0.001401854,0.0003341397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031017093,0.00013348954,0.00012689672,0.00055758766,0.0010490073,0.002057464,0.007781093,0.000097668766,0.00003874842,0.9304152,0.022588486,0.034844194],"study_design_scores_gemma":[0.0006794712,0.0004092435,0.00009218709,0.00093457627,0.0011464925,0.00008289006,0.0010258495,0.00009643727,0.00011796234,0.021783408,0.9721737,0.0014578097],"about_ca_topic_score_codex":0.011184458,"about_ca_topic_score_gemma":0.0071548442,"teacher_disagreement_score":0.9495852,"about_ca_system_score_codex":0.00059247087,"about_ca_system_score_gemma":0.00050588127,"threshold_uncertainty_score":0.99999666},"labels":[],"label_agreement":null},{"id":"W3039471026","doi":"10.12745/et.23.1.4165","title":"Living by Others’ Pleasure: Marston, The Dutch Courtesan, and Theatrical Profit","year":2020,"lang":"en","type":"article","venue":"Early Theatre","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Choir; Revels; Pleasure; Chapel; Art; Visual arts; Sociology; Aesthetics; Literature; Psychology; Art history","score_opus":0.023807653600544945,"score_gpt":0.1950705958823039,"score_spread":0.17126294228175898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039471026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5056211,0.01840326,0.0001407882,0.079148926,0.0006580584,0.0008167355,0.0002266126,0.0005390255,0.39444554],"genre_scores_gemma":[0.9816189,0.00002627928,0.000014276404,0.0023310306,0.0009291655,0.000010226058,0.0000027174178,0.000020695194,0.015046715],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990973,0.00011130615,0.00016673104,0.00022529541,0.00019618701,0.0002032194],"domain_scores_gemma":[0.9994437,0.00022258681,0.000042749503,0.00014107327,0.000028965187,0.00012093261],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012375899,0.0001478316,0.00017698646,0.000018144867,0.00046267727,0.00024112423,0.00018984481,0.00003880134,0.0023818393],"category_scores_gemma":[0.000020062276,0.00008457842,0.00008197754,0.0000623253,0.00018784974,0.0001863369,0.00004834999,0.00022252375,0.00015118274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009475526,0.000107792446,0.017468043,0.00006377156,0.00021066544,0.000020417467,0.4140901,0.0000024539554,0.00035057814,0.025161216,0.52441144,0.01801875],"study_design_scores_gemma":[0.00011524248,0.0001592522,0.00065712194,0.0000164822,0.000049853003,0.000002083361,0.0020324327,0.000099047356,0.000011456209,0.00040387994,0.99629337,0.00015975951],"about_ca_topic_score_codex":0.00039020146,"about_ca_topic_score_gemma":0.00003105618,"teacher_disagreement_score":0.47599784,"about_ca_system_score_codex":0.000012967373,"about_ca_system_score_gemma":0.000013693964,"threshold_uncertainty_score":0.9985301},"labels":[],"label_agreement":null},{"id":"W3039568317","doi":"10.4000/books.ugaeditions.13233","title":"La comédie de la mise en scène de soi et des autres : comique et humour dans Histoire de ma vie","year":2020,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.0342569124967045,"score_gpt":0.2498983739501524,"score_spread":0.21564146145344792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039568317","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016328999,0.005297559,0.0014876062,0.0046031955,0.00018486762,0.00016344381,0.0004767883,0.00021808693,0.98593557],"genre_scores_gemma":[0.14002773,0.001803996,0.0021374072,0.005656453,0.00075498334,0.000026443575,0.00017479963,0.00012001843,0.8492982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705714,0.001072568,0.000591327,0.0005128302,0.00022393343,0.0005421921],"domain_scores_gemma":[0.9974469,0.0014596041,0.00020421072,0.0002981191,0.00009833996,0.00049283594],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006866258,0.00068045413,0.0008080432,0.00015263575,0.0011240188,0.00037992155,0.00047892352,0.0005672346,0.013477774],"category_scores_gemma":[0.000107636995,0.0006051603,0.0005911637,0.000026802609,0.0019961477,0.0002572743,0.00016695354,0.0012823035,0.00020402897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008268481,0.00020095489,0.00029239012,0.00044913337,0.00028756255,0.0009265593,0.04118171,0.00003441482,0.00017199389,0.9199157,0.03038954,0.0060674027],"study_design_scores_gemma":[0.00036895307,0.0001824417,0.00018554687,0.00053382013,0.0003989529,0.00011828394,0.001896712,0.00018191057,0.00004796354,0.04495849,0.9504233,0.00070364214],"about_ca_topic_score_codex":0.011098538,"about_ca_topic_score_gemma":0.010716676,"teacher_disagreement_score":0.92003375,"about_ca_system_score_codex":0.0008868949,"about_ca_system_score_gemma":0.00043659544,"threshold_uncertainty_score":0.99964},"labels":[],"label_agreement":null},{"id":"W3039871861","doi":"10.71781/22779","title":"2012, suivi de l’imaginaire du survivant dans l’œuvre de Christian Guay-Poliquin","year":2019,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.02249310675825554,"score_gpt":0.27517701832372893,"score_spread":0.2526839115654734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039871861","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4499301,0.0054129562,0.000078906516,0.0014967616,0.0022806493,0.0005941241,0.00090337533,0.000007396431,0.53929573],"genre_scores_gemma":[0.28402644,0.00044930464,0.00047543808,0.00015784868,0.0013842945,0.0000360188,0.0023991864,0.000071982606,0.7109995],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972705,0.00030838672,0.0006047522,0.0006745819,0.0002743487,0.00086740305],"domain_scores_gemma":[0.99841815,0.00016304586,0.00035908548,0.00050569704,0.00018891653,0.0003651048],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00054206705,0.0005558733,0.0007426782,0.00015455077,0.0010517591,0.0010445921,0.0011403362,0.00031633326,0.04683159],"category_scores_gemma":[0.00006607888,0.0005211528,0.00031695244,0.000100580895,0.00025868087,0.0008259587,0.00012774461,0.00043884057,0.004178518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053663016,0.0014593317,0.0066627823,0.0007903037,0.000667833,0.0005964188,0.7885427,0.00005152459,0.001480251,0.034493264,0.095330015,0.06938894],"study_design_scores_gemma":[0.00037287376,0.00020057967,0.0020648276,0.00046224485,0.00037627257,0.000022302058,0.025433451,0.00037138248,0.00046255914,0.00018181403,0.9693319,0.00071977807],"about_ca_topic_score_codex":0.044733305,"about_ca_topic_score_gemma":0.034736015,"teacher_disagreement_score":0.8740019,"about_ca_system_score_codex":0.0004958155,"about_ca_system_score_gemma":0.0008990903,"threshold_uncertainty_score":0.99999243},"labels":[],"label_agreement":null},{"id":"W3041441658","doi":"","title":"Les murs des sons","year":2019,"lang":"fr","type":"article","venue":"Les écrits","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.05201532885473775,"score_gpt":0.2543702512331444,"score_spread":0.20235492237840663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041441658","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33988634,0.07144072,0.00003794815,0.004100324,0.0022402168,0.00012256941,0.00017973383,0.00008358191,0.5819086],"genre_scores_gemma":[0.42639735,0.00030591147,0.000100608326,0.00020067475,0.000861408,0.0000033027509,0.000016130823,0.00001611266,0.5720985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989724,0.00008550853,0.00021417646,0.00023856096,0.00014061452,0.00034870955],"domain_scores_gemma":[0.9994694,0.00009773964,0.000047095906,0.00018956371,0.00008347148,0.000112725495],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007006186,0.00018817591,0.000234169,0.000067847235,0.000671471,0.00017325902,0.00016677972,0.00010165794,0.022553375],"category_scores_gemma":[0.000019731368,0.00016622173,0.00017947346,0.00005711634,0.0003369864,0.00033461596,0.000043816508,0.00022304828,0.0033309057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021362936,0.00024557317,0.0035421762,0.0005467925,0.00009739485,0.000034746405,0.03517248,0.000010429357,0.00010865796,0.7794648,0.051547527,0.12920809],"study_design_scores_gemma":[0.0001469098,0.00013783453,0.0007591139,0.00025371468,0.00007034418,0.0000072488065,0.0027891425,0.000047412166,0.000043408272,0.00304035,0.9924615,0.00024300949],"about_ca_topic_score_codex":0.008485184,"about_ca_topic_score_gemma":0.0011624248,"teacher_disagreement_score":0.940914,"about_ca_system_score_codex":0.00007167495,"about_ca_system_score_gemma":0.000021252828,"threshold_uncertainty_score":0.9981174},"labels":[],"label_agreement":null},{"id":"W3055998531","doi":"10.1215/26885220-92.3.235","title":"Essai de datation intratextuelle de la <i>Comédie des proverbes</i>","year":2001,"lang":"fr","type":"article","venue":"Romanic Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Icon; Citation; Art; Humanities; Art history; Computer science; Library science","score_opus":0.028711296673862324,"score_gpt":0.2855233731558903,"score_spread":0.256812076482028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3055998531","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010268688,0.73456275,0.0005752007,0.0020414973,0.00024281317,0.0002207625,0.0000382347,0.000043454314,0.2612484],"genre_scores_gemma":[0.010705558,0.76037014,0.0004648198,0.004644916,0.0010746596,0.000051666808,0.00008869005,0.000033402543,0.22256619],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979927,0.000748676,0.00045607265,0.00026096145,0.00014554629,0.00039607333],"domain_scores_gemma":[0.9991945,0.00016871392,0.0001468208,0.00029076167,0.0000654934,0.00013371663],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009333052,0.00022211409,0.000405265,0.000032223114,0.0005045994,0.00020585772,0.0002429223,0.00008309773,0.010186941],"category_scores_gemma":[0.00010990786,0.00019170686,0.00019301074,0.00013635935,0.0003507317,0.00055711163,0.00004365839,0.0002443993,0.0008068407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012587448,0.0005140666,0.00011660136,0.009159471,0.000107258806,0.00017975912,0.003075368,0.0000030373646,0.000030344794,0.34812573,0.3575915,0.28108427],"study_design_scores_gemma":[0.00015849607,0.00008731039,0.000053602933,0.005285278,0.0003712266,0.0001178509,0.000095330746,0.0001599838,0.000005824338,0.0064221197,0.98701054,0.00023245889],"about_ca_topic_score_codex":0.0010173374,"about_ca_topic_score_gemma":0.0001746508,"teacher_disagreement_score":0.629419,"about_ca_system_score_codex":0.00023353045,"about_ca_system_score_gemma":0.00011660749,"threshold_uncertainty_score":0.99997115},"labels":[],"label_agreement":null},{"id":"W3081555480","doi":"10.1215/26885220-97.1.98","title":"Études sur Louis Aragon","year":2006,"lang":"fr","type":"article","venue":"Romanic Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; History","score_opus":0.032132146404515304,"score_gpt":0.23872980933235088,"score_spread":0.20659766292783557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3081555480","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025818846,0.7133793,0.0000070571505,0.006171605,0.00087597343,0.00018057099,0.000042625932,0.000045573244,0.27903908],"genre_scores_gemma":[0.012434024,0.2759109,0.00003964793,0.003388309,0.0033313443,0.000026067697,0.00008846238,0.00003434103,0.7047469],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823815,0.00017598907,0.00066978,0.00032484822,0.00023427582,0.0003569387],"domain_scores_gemma":[0.9992167,0.00007691474,0.00018533843,0.00035420153,0.00009250806,0.00007435697],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002493058,0.0002832562,0.0006439749,0.000042780674,0.00033310681,0.00015836107,0.00023264474,0.00006790127,0.022574399],"category_scores_gemma":[0.000028629636,0.00023014352,0.00045296413,0.0001182296,0.0001544744,0.0003298262,0.000040834657,0.00019334664,0.0031464722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015243007,0.00020717754,0.000013380379,0.0049197027,0.00003870551,0.000048626862,0.00014064339,5.4984787e-7,0.0000024636672,0.55970013,0.4182775,0.016649576],"study_design_scores_gemma":[0.000087850705,0.00008650899,0.00007526582,0.006658619,0.00039787585,0.000018589115,0.000010569674,0.000014494915,0.000002194218,0.0012201543,0.9911274,0.00030052045],"about_ca_topic_score_codex":0.003566331,"about_ca_topic_score_gemma":0.0006890702,"teacher_disagreement_score":0.57284987,"about_ca_system_score_codex":0.000101521444,"about_ca_system_score_gemma":0.000050671708,"threshold_uncertainty_score":0.9976297},"labels":[],"label_agreement":null},{"id":"W3082081041","doi":"","title":"Tourments et lieux de mystère / Andrée A. Michaud, Le pendu de Trempes, Montréal, Québec Amérique, coll. « Littérature d’Amérique », 2004, 232 p. / Rachel Leclerc, Visions volées, Montréal, Boréal, 2004, 288 p. / Lise Blouin, L’or des fous, Montréal, Triptyque, 2004, 268 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vision; Art; Philosophy; Humanities; Theology","score_opus":0.009495341820379003,"score_gpt":0.18979478468402708,"score_spread":0.18029944286364807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3082081041","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019412246,0.8547281,0.00086608547,0.108031236,0.0007282438,0.0014831668,0.001975315,0.00063850876,0.012137125],"genre_scores_gemma":[0.014685734,0.340575,0.0019471059,0.0039067795,0.0018932847,0.00012787637,0.00044103275,0.000344753,0.6360784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9901446,0.0012355744,0.001817237,0.0021391087,0.0012278857,0.003435558],"domain_scores_gemma":[0.9929928,0.00065998145,0.0011486114,0.0018324,0.0008874091,0.002478803],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0010950847,0.0022388052,0.0023543874,0.001046798,0.006272434,0.0008655758,0.0017766962,0.0016898151,0.004012205],"category_scores_gemma":[0.00025857383,0.0022647465,0.0016394164,0.0013136019,0.0011155155,0.0029643502,0.00073282607,0.0025125218,0.0006421852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027551726,0.0033750855,0.0003468426,0.00035907526,0.0012925178,0.0065743043,0.017735776,0.006005182,0.0004746342,0.0055245087,0.9211888,0.03436815],"study_design_scores_gemma":[0.0060158693,0.0011826168,0.00019895805,0.00090249,0.0012897738,0.0013623834,0.008586247,0.0045780665,0.0002561049,0.0007376479,0.9724146,0.0024752573],"about_ca_topic_score_codex":0.8005294,"about_ca_topic_score_gemma":0.965696,"teacher_disagreement_score":0.6239413,"about_ca_system_score_codex":0.018467065,"about_ca_system_score_gemma":0.0025988088,"threshold_uncertainty_score":0.9997887},"labels":[],"label_agreement":null},{"id":"W3087065471","doi":"","title":"Le parcours d'un américaniste : des études sur le terrain à l'analyse de l'oeuvre de Lévi-Stauss.","year":2004,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.022439122589045908,"score_gpt":0.2205001811990867,"score_spread":0.1980610586100408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087065471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44568533,0.024041044,0.041189637,0.074667655,0.00035394263,0.00039936617,0.0002615778,0.00041121792,0.41299024],"genre_scores_gemma":[0.87872785,0.00086261454,0.011940994,0.00040533394,0.000117765485,0.00003123569,0.00010687224,0.00005271217,0.10775465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940636,0.0036516,0.00060390483,0.00057656504,0.00033602922,0.0007682974],"domain_scores_gemma":[0.9966181,0.00074505375,0.00032354708,0.0009949362,0.0008827186,0.00043563414],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0031366588,0.00037499354,0.0004444333,0.0001895841,0.0021051373,0.0007096698,0.0008900989,0.00016914122,0.0007367148],"category_scores_gemma":[0.0006258686,0.0003992895,0.0003993899,0.0003762277,0.0012969298,0.000525512,0.00023582418,0.00044844433,0.00008811099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016888405,0.0017119431,0.0007996584,0.0001346364,0.00018948328,0.00003976127,0.10097971,0.00018531611,0.0010778246,0.87606233,0.0016741541,0.017128315],"study_design_scores_gemma":[0.001096164,0.0000038718777,0.001673119,0.0011108535,0.00020433153,0.000041510095,0.004204745,0.0012769875,0.012711968,0.024874749,0.9521359,0.0006657649],"about_ca_topic_score_codex":0.104072385,"about_ca_topic_score_gemma":0.08551554,"teacher_disagreement_score":0.9504618,"about_ca_system_score_codex":0.0005072943,"about_ca_system_score_gemma":0.0013374868,"threshold_uncertainty_score":0.9998459},"labels":[],"label_agreement":null},{"id":"W3090010829","doi":"10.5281/zenodo.2587481","title":"How to Facilitate Cooperation between Humanities Researchers and Cultural Heritage Institutions. Guidelines","year":2019,"lang":"en","type":"article","venue":"Lirias (KU Leuven)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canarie","funders":"","keywords":"Digital humanities; Cultural heritage; Political science; Sociology; Public relations; Humanities; Engineering ethics; Engineering; Law; Art","score_opus":0.395575926023396,"score_gpt":0.34015847021660256,"score_spread":0.055417455806793414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3090010829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90881336,0.0011376045,0.00008585096,0.013110231,0.0006972207,0.00043116973,0.00023730824,0.00015154132,0.075335704],"genre_scores_gemma":[0.6838017,0.000019420138,0.0001385816,0.00064634794,0.0007528137,0.000017626855,0.000086192646,0.000008764523,0.31452852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989646,0.00008203976,0.00024659888,0.00026048385,0.00021293868,0.00023331736],"domain_scores_gemma":[0.9993143,0.000070032525,0.00003607153,0.00017546379,0.00029674175,0.00010740975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018636617,0.00015644528,0.00022899813,0.000114416755,0.0004901935,0.00066408096,0.00014180102,0.000045011104,0.00075809064],"category_scores_gemma":[0.00015151178,0.00011852406,0.000063458516,0.00007269675,0.00020089245,0.0010821755,0.000064112945,0.0001495525,0.00036322387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011183889,0.00008550717,0.0021434345,0.00025388174,0.00022687222,0.00002003062,0.22353058,0.00013691525,0.00093774835,0.58965605,0.16939498,0.013502167],"study_design_scores_gemma":[0.0001976861,0.00015621328,0.00014791882,0.00003646095,0.000016021995,7.780742e-7,0.007103149,0.000031229487,0.00003203845,0.0002912586,0.9918003,0.00018696648],"about_ca_topic_score_codex":0.00089337846,"about_ca_topic_score_gemma":0.00079352496,"teacher_disagreement_score":0.8224053,"about_ca_system_score_codex":0.000059958435,"about_ca_system_score_gemma":0.000036088324,"threshold_uncertainty_score":0.8300561},"labels":[],"label_agreement":null},{"id":"W3092344962","doi":"10.4000/ccs.2282","title":"La transformation de l’antiquité gréco-romaine dans les romans de Claude Simon","year":2019,"lang":"fr","type":"article","venue":"Cahiers Claude Simon","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art; Antique; Philosophy","score_opus":0.012294913468399863,"score_gpt":0.22771402696469478,"score_spread":0.21541911349629492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092344962","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71414274,0.007305779,0.003578873,0.0023010927,0.0009479137,0.0003589972,0.0002625358,0.00017967829,0.2709224],"genre_scores_gemma":[0.87252504,0.00070613227,0.00019256168,0.0006599219,0.00096483063,0.000023289267,0.00019299115,0.00007263747,0.12466259],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969923,0.00055409694,0.0006718416,0.0004784608,0.00036847647,0.0009348334],"domain_scores_gemma":[0.99857473,0.00034146727,0.00020746537,0.00041731965,0.00008749052,0.00037154864],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061604194,0.0005041122,0.00056511146,0.00023845535,0.00090481713,0.00031201658,0.0004190609,0.0007137629,0.0024576916],"category_scores_gemma":[0.000046112425,0.0004932361,0.0004779443,0.00020149769,0.0008624088,0.000893436,0.00002997279,0.0011094547,0.0005116699],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002564394,0.000548929,0.0053635854,0.0011757519,0.00032355762,0.00017626052,0.23908564,0.0011148779,0.003814636,0.71160537,0.014136177,0.022398757],"study_design_scores_gemma":[0.00075726886,0.0004249112,0.0010582294,0.00025359273,0.00033883273,0.000015167027,0.018824063,0.00524248,0.0010821652,0.0031652576,0.9681934,0.0006445911],"about_ca_topic_score_codex":0.0036695488,"about_ca_topic_score_gemma":0.0032586777,"teacher_disagreement_score":0.9540573,"about_ca_system_score_codex":0.0008624742,"about_ca_system_score_gemma":0.00014055161,"threshold_uncertainty_score":0.9997519},"labels":[],"label_agreement":null},{"id":"W3092749224","doi":"","title":"Catherine Pozzi (1882-1934) : les variations de l'écriture et la mouvance énonciative, conditions de la recherche identitaire : Subjectivité en mouvance","year":2005,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.15191953270429662,"score_gpt":0.4070421349530655,"score_spread":0.2551226022487689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092749224","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14254063,0.09254185,0.036501855,0.06074244,0.0008028308,0.0010089687,0.002018104,0.0012312775,0.662612],"genre_scores_gemma":[0.5585071,0.014147575,0.057558358,0.0015768653,0.0025836576,0.00018665036,0.00014043949,0.00014208502,0.36515728],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98608017,0.011798694,0.0005870365,0.00057870854,0.00026144471,0.00069394195],"domain_scores_gemma":[0.98814034,0.010603141,0.0002722403,0.0004179656,0.00029565042,0.00027063992],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005093536,0.00053505687,0.0005943625,0.00019600384,0.00077179645,0.00048989436,0.00046457406,0.0012062829,0.0014123988],"category_scores_gemma":[0.0034189965,0.0005461348,0.00037287298,0.00031276434,0.0007034537,0.0013883943,0.000103582985,0.0026773168,0.00010141266],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062158564,0.0014486287,0.0021056512,0.00033243702,0.00041114667,0.00006456619,0.15909557,0.0004993618,0.0022093465,0.787644,0.018479932,0.027647192],"study_design_scores_gemma":[0.00036186576,0.00014189057,0.005547549,0.0004626246,0.0002746168,0.000062015184,0.0037791869,0.00087337976,0.001383045,0.07938698,0.90706146,0.00066539063],"about_ca_topic_score_codex":0.010766729,"about_ca_topic_score_gemma":0.0073942514,"teacher_disagreement_score":0.8885815,"about_ca_system_score_codex":0.0029345572,"about_ca_system_score_gemma":0.00089034473,"threshold_uncertainty_score":0.999699},"labels":[],"label_agreement":null},{"id":"W3093078265","doi":"10.4000/essais.3848","title":"Personnage secondaire ou second héros : la place paradoxale de Sam dans Le Seigneur des Anneaux","year":2016,"lang":"fr","type":"article","venue":"Essais","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.018902925847544914,"score_gpt":0.2163009845533705,"score_spread":0.19739805870582558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093078265","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4370254,0.014903545,0.0007123351,0.0042220736,0.00090038683,0.00014544446,0.0010765783,0.00013821507,0.54087603],"genre_scores_gemma":[0.5049485,0.00011597957,0.00006676598,0.00025388013,0.0006850004,0.000015209367,0.000008973999,0.000028612074,0.49387708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998042,0.00039099334,0.00033716203,0.00044316833,0.00017596908,0.00061074697],"domain_scores_gemma":[0.9988151,0.00039063825,0.00011492417,0.00032679003,0.000078327954,0.00027417392],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003246943,0.00032969826,0.0003627061,0.00008019722,0.0012228229,0.00026141154,0.00028649755,0.00016852883,0.02558741],"category_scores_gemma":[0.00005796733,0.00025155488,0.0002847325,0.00006935878,0.0011472782,0.00082963903,0.00006542733,0.00024191475,0.0006376058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011318663,0.00078421284,0.0019231397,0.0006787755,0.0002780264,0.0005152646,0.24041934,0.0000067033952,0.0017093896,0.45652947,0.24071902,0.05632348],"study_design_scores_gemma":[0.0005982659,0.0001320173,0.0013049113,0.00020468286,0.00007649539,0.000053306376,0.0051354165,0.00007348403,0.0007470951,0.004240587,0.9870074,0.00042635275],"about_ca_topic_score_codex":0.0017270278,"about_ca_topic_score_gemma":0.0017201903,"teacher_disagreement_score":0.74628836,"about_ca_system_score_codex":0.00020019469,"about_ca_system_score_gemma":0.00015424298,"threshold_uncertainty_score":0.9999937},"labels":[],"label_agreement":null},{"id":"W3093336106","doi":"","title":"De la Toscane au Canada, les statuaires italiens","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.004163624383387614,"score_gpt":0.14359763737793715,"score_spread":0.13943401299454955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093336106","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53636545,0.06806601,0.000018668541,0.015250299,0.0008812759,0.000108576394,0.0005202902,0.0000494256,0.37874],"genre_scores_gemma":[0.3932458,0.00092765596,0.00002778128,0.00028338103,0.00037616238,9.466985e-7,0.000028203984,0.000017523087,0.6050925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861705,0.0001700574,0.00015583794,0.00027077598,0.00023151915,0.0005547384],"domain_scores_gemma":[0.9990683,0.00025315752,0.00009827368,0.00023787815,0.000059320915,0.00028306394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011514464,0.0002287207,0.00028030216,0.00009029887,0.0010075624,0.00005919752,0.0002404334,0.00013035665,0.005965826],"category_scores_gemma":[0.000011348764,0.00024422837,0.00015593627,0.000082615275,0.0002439146,0.00022897484,0.00011065402,0.00024696384,0.00016515426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070942,0.000091634756,0.002467355,0.00011192387,0.00017601668,0.0014380852,0.009496457,0.00032735144,0.000045961984,0.5350724,0.43961754,0.01108434],"study_design_scores_gemma":[0.0003434327,0.000099722594,0.0016002053,0.00007189384,0.00015550041,0.00009306504,0.0043408335,0.00018706535,0.000024125051,0.00031260686,0.99246,0.00031156305],"about_ca_topic_score_codex":0.98806745,"about_ca_topic_score_gemma":0.9937328,"teacher_disagreement_score":0.55284244,"about_ca_system_score_codex":0.012741566,"about_ca_system_score_gemma":0.0005361409,"threshold_uncertainty_score":0.9959344},"labels":[],"label_agreement":null},{"id":"W3095331523","doi":"10.15122/isbn.978-2-406-10565-7.p.0121","title":"Les personæ féminines dans le jeu des voix de Clément Marot","year":2020,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Work (physics); Literature; Engineering","score_opus":0.03750275786689283,"score_gpt":0.23396095057669827,"score_spread":0.19645819270980544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095331523","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113239236,0.012114369,0.05737287,0.073813796,0.00069542375,0.00063744985,0.00066640024,0.00045139316,0.74100906],"genre_scores_gemma":[0.47064745,0.0014425213,0.016255816,0.00033432906,0.00030575445,0.0001108983,0.0006124262,0.00007571753,0.5102151],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99210745,0.005348947,0.00070708815,0.0008770718,0.00040687955,0.00055255415],"domain_scores_gemma":[0.9957014,0.0010315496,0.0004411102,0.0011675223,0.0012236647,0.00043478634],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022051842,0.00052901404,0.0005757632,0.00014255717,0.0023067591,0.0008269726,0.0012512595,0.0002698497,0.003308573],"category_scores_gemma":[0.0008013256,0.0005368583,0.0005145446,0.00020668826,0.001342938,0.00026807495,0.00084892294,0.00079163257,0.00018076735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020617703,0.0007594118,0.0013545137,0.00037936034,0.00014992378,0.000017868433,0.19618098,0.000030282958,0.0007811286,0.77593726,0.0039515393,0.020437093],"study_design_scores_gemma":[0.0003549854,0.0000019858849,0.00258173,0.0015460367,0.00017145477,0.000010980608,0.003690337,0.003035503,0.003076259,0.009621284,0.9752875,0.00062191795],"about_ca_topic_score_codex":0.051470414,"about_ca_topic_score_gemma":0.015043347,"teacher_disagreement_score":0.971336,"about_ca_system_score_codex":0.00039533226,"about_ca_system_score_gemma":0.000360969,"threshold_uncertainty_score":0.9997083},"labels":[],"label_agreement":null},{"id":"W3096036215","doi":"10.4000/coma.5812","title":"L’extension sous toutes les latitudes de « la république des lettres »","year":2020,"lang":"fr","type":"article","venue":"Continents manuscrits","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04794258503231452,"score_gpt":0.25254905792059595,"score_spread":0.20460647288828143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096036215","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40918633,0.19578405,0.0019131006,0.16954088,0.0019431724,0.0005203902,0.0004010441,0.00063067843,0.22008035],"genre_scores_gemma":[0.76126724,0.0015325248,0.000502897,0.0037025434,0.0028934167,0.000015831249,0.000048232283,0.00005243833,0.22998486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980151,0.00037934145,0.0004270385,0.00043576368,0.00023128123,0.00051144836],"domain_scores_gemma":[0.9988292,0.00031775373,0.0001222184,0.0001878527,0.00020613152,0.00033683784],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021346872,0.00034329528,0.00042623203,0.00008601382,0.00083269854,0.0006323907,0.0003107858,0.00017468556,0.002320961],"category_scores_gemma":[0.00044651367,0.0003137431,0.00025085942,0.00010548105,0.0008690487,0.0006108407,0.00013897411,0.0003868942,0.00025429117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014204113,0.0006492622,0.008183087,0.0010440839,0.0002977508,0.00052750786,0.03726395,0.000051598083,0.0013728698,0.19052365,0.7233347,0.036609437],"study_design_scores_gemma":[0.00041931903,0.00017061495,0.0035447392,0.00032415957,0.00016319919,0.000011508637,0.0006830172,0.00046461335,0.00023394238,0.0025583417,0.99104804,0.00037847902],"about_ca_topic_score_codex":0.007618376,"about_ca_topic_score_gemma":0.00031922892,"teacher_disagreement_score":0.3520809,"about_ca_system_score_codex":0.000068438065,"about_ca_system_score_gemma":0.000053126747,"threshold_uncertainty_score":0.99993145},"labels":[],"label_agreement":null},{"id":"W3098254369","doi":"10.4000/clio.13877","title":"Yannick Ripa (dir.), L’étonnante histoire des belles-mères","year":2017,"lang":"fr","type":"article","venue":"Clio","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art","score_opus":0.05167593982019095,"score_gpt":0.2694159530972931,"score_spread":0.21774001327710216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098254369","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022591716,0.25580108,0.000020520407,0.006963948,0.0071142693,0.0001218654,0.00026645296,0.00008188589,0.7070383],"genre_scores_gemma":[0.18694685,0.0012362552,0.00004273098,0.00026288972,0.003186502,0.000008786992,0.000022765547,0.00003118444,0.80826205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983366,0.000092771734,0.00041437667,0.00040614227,0.00020937274,0.0005407095],"domain_scores_gemma":[0.99843526,0.00008865429,0.00027335054,0.00082644384,0.00013593126,0.00024037759],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00017306526,0.00031685972,0.0004338018,0.00009873178,0.007895664,0.00078326283,0.00067528046,0.00014770283,0.011979295],"category_scores_gemma":[0.0001348957,0.00027651724,0.00037945766,0.000032725642,0.003237608,0.00092627737,0.0001808988,0.0003209916,0.0021854872],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057867925,0.00042345468,0.0016068624,0.00031744497,0.00016888998,0.00028615855,0.012919269,0.0000021589995,0.00002007739,0.3922768,0.4265182,0.16540281],"study_design_scores_gemma":[0.00028796596,0.00016231454,0.0013311973,0.00035346803,0.00016739168,0.000011656101,0.00043821803,0.000116829426,0.00004217847,0.005763966,0.9909348,0.00039002378],"about_ca_topic_score_codex":0.01123906,"about_ca_topic_score_gemma":0.0056327577,"teacher_disagreement_score":0.5644166,"about_ca_system_score_codex":0.00021975771,"about_ca_system_score_gemma":0.00005594983,"threshold_uncertainty_score":0.9999687},"labels":[],"label_agreement":null},{"id":"W3098254990","doi":"10.4000/studifrancesi.26957","title":"Yves Thériault, N’Tsuk","year":2007,"lang":"it","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; History","score_opus":0.027141521733594288,"score_gpt":0.25545135584334616,"score_spread":0.22830983410975186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098254990","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027737347,0.044324793,0.0003800449,0.0011098454,0.005295724,0.00025302003,0.00009164606,0.00014451951,0.92066306],"genre_scores_gemma":[0.7496152,0.00049746357,0.000055096138,0.00071986293,0.0055015553,0.000006433203,0.000011032447,0.00002404275,0.2435693],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978795,0.00006379725,0.0005685572,0.00044234184,0.0004077555,0.000638061],"domain_scores_gemma":[0.99900204,0.00021381205,0.0001645179,0.00030836204,0.00013494269,0.00017634858],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043576327,0.0003349103,0.00048820846,0.00012401631,0.001118803,0.00018479678,0.0003065594,0.00010091847,0.00717308],"category_scores_gemma":[0.000036992373,0.00026656766,0.00027400092,0.00017199095,0.0004272947,0.00034800233,0.0000692317,0.00033662326,0.0015064821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035992893,0.0013618986,0.0065582776,0.0003487399,0.0009832596,0.0003777584,0.14183621,0.000013452291,0.000099375335,0.43660915,0.33963075,0.07182121],"study_design_scores_gemma":[0.0004176635,0.00020651652,0.0030558787,0.00007429168,0.00011437802,0.0000016204865,0.004005664,0.000008686525,0.000050682287,0.0010585623,0.99062175,0.00038430394],"about_ca_topic_score_codex":0.00064563495,"about_ca_topic_score_gemma":0.0006482002,"teacher_disagreement_score":0.7218779,"about_ca_system_score_codex":0.000064127344,"about_ca_system_score_gemma":0.000035669513,"threshold_uncertainty_score":0.99997866},"labels":[],"label_agreement":null},{"id":"W3098864996","doi":"10.4000/studifrancesi.9704","title":"L’humanisme franco-canadien. Un cas, Benoît Lacroix, Atti del Convegno Internazionale 14-15 novembre 2005, a cura di Marina Zito","year":2007,"lang":"it","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020217891802179484,"score_gpt":0.2370140466357738,"score_spread":0.21679615483359432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098864996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40294728,0.09351975,0.001747186,0.002852975,0.017232185,0.0016539476,0.002054181,0.00044687864,0.47754562],"genre_scores_gemma":[0.8002097,0.0007316486,0.0000769885,0.0018922208,0.004814398,0.000038710285,0.00008817531,0.00008936749,0.19205876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949318,0.00013102485,0.0013309657,0.0011182063,0.0008603796,0.0016275895],"domain_scores_gemma":[0.99737525,0.0003615011,0.000517538,0.0006960113,0.0004511395,0.0005985687],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00064487517,0.00089485676,0.001185755,0.0003093614,0.0019233925,0.0003285505,0.0008880607,0.00028392908,0.010295276],"category_scores_gemma":[0.000060806466,0.00081395695,0.0005841042,0.00030603973,0.00083383446,0.000693907,0.00029766455,0.0009594661,0.0011548263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014283926,0.004358719,0.058674574,0.0014508425,0.004222396,0.0043112617,0.14803927,0.00006206223,0.00017280722,0.34399587,0.38184664,0.05143717],"study_design_scores_gemma":[0.0015970303,0.00057496247,0.01096195,0.0002987612,0.00029287243,0.00003070665,0.003371919,0.0000858191,0.00006468945,0.0009946913,0.9806621,0.0010644918],"about_ca_topic_score_codex":0.020476194,"about_ca_topic_score_gemma":0.06337109,"teacher_disagreement_score":0.5988155,"about_ca_system_score_codex":0.0004414929,"about_ca_system_score_gemma":0.00015247324,"threshold_uncertainty_score":0.9996229},"labels":[],"label_agreement":null},{"id":"W310011881","doi":"","title":"Les silences de l'histoire: les mémoires français du XVII e siècle by Frédéric Charbonneau (review)","year":2003,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; History","score_opus":0.010792796121206674,"score_gpt":0.1883052901237798,"score_spread":0.17751249400257313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W310011881","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013063453,0.7076594,0.00022399593,0.001777348,0.00074429787,0.00016928196,0.00028525532,0.000063162464,0.2760138],"genre_scores_gemma":[0.7158459,0.03436244,0.0002971099,0.00025317122,0.00036672244,0.0000011778706,0.000041507952,0.000028207238,0.24880376],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983233,0.0003470997,0.0003092905,0.00035957177,0.00026116925,0.0003995421],"domain_scores_gemma":[0.9990171,0.00013685554,0.00023549542,0.00026449913,0.00013687495,0.00020916405],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018941813,0.00029953354,0.00052792474,0.00003799133,0.0015574954,0.000036367102,0.00039780786,0.00015081927,0.028461777],"category_scores_gemma":[0.000019210533,0.0003273108,0.00036993623,0.000042666503,0.0009907173,0.000583754,0.000016399583,0.00016694132,0.00009417129],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070718364,0.0009794292,0.0010433256,0.0017636438,0.00034578235,0.00011204165,0.11259112,0.0000033386425,0.00012845984,0.16847079,0.58604044,0.1284509],"study_design_scores_gemma":[0.00034855198,0.00067545736,0.00068352884,0.0005677632,0.0003141586,0.000005952846,0.016218813,0.00004008504,0.000008788894,0.00019414004,0.9805688,0.00037392072],"about_ca_topic_score_codex":0.40978956,"about_ca_topic_score_gemma":0.028265804,"teacher_disagreement_score":0.70278245,"about_ca_system_score_codex":0.00041340737,"about_ca_system_score_gemma":0.00007093861,"threshold_uncertainty_score":0.99991786},"labels":[],"label_agreement":null},{"id":"W31021049","doi":"10.7202/1047805ar","title":"COMÉDIE CLASSIQUE, DRAME ROMANTIQUE : LA BD MODE D’EMPLOI","year":2018,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05865931964652543,"score_gpt":0.31661468572005147,"score_spread":0.25795536607352604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W31021049","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109551616,0.0205603,0.010463292,0.028683465,0.0030474025,0.001372022,0.0010320623,0.00079507387,0.8244948],"genre_scores_gemma":[0.28879774,0.0036375837,0.019007282,0.001575617,0.013768174,0.00023412029,0.00017569415,0.00025082557,0.67255294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99252415,0.0038479425,0.001157106,0.0009704098,0.00030680417,0.0011936001],"domain_scores_gemma":[0.9948923,0.0026982608,0.0004256529,0.00090635807,0.00049369916,0.00058372563],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018136669,0.0008407594,0.0010893903,0.0003006179,0.0008510826,0.0005447622,0.0007559518,0.0015134055,0.0019823445],"category_scores_gemma":[0.0009179413,0.0008661395,0.00061908975,0.00039973913,0.0015727222,0.0009383953,0.00019783448,0.0020362267,0.0007815623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027130859,0.0021225116,0.002124975,0.0019939414,0.00075734523,0.00029637595,0.15757436,0.0002535861,0.0016343521,0.7211895,0.0403345,0.071447246],"study_design_scores_gemma":[0.00063168094,0.00059583253,0.0009593394,0.00082414906,0.00021003671,0.00007249936,0.001303164,0.024953138,0.0013487838,0.010229235,0.9577924,0.0010797618],"about_ca_topic_score_codex":0.011027198,"about_ca_topic_score_gemma":0.0029446182,"teacher_disagreement_score":0.9174579,"about_ca_system_score_codex":0.0015563146,"about_ca_system_score_gemma":0.0009759016,"threshold_uncertainty_score":0.9999964},"labels":[],"label_agreement":null},{"id":"W3104244605","doi":"10.4000/studifrancesi.28227","title":"Anna Paola Mossetto (sous la direction de), avec la collaboration d’Isabelle Miron, Paroles et images amérindiennes du Québec, (Actes du Séminaire international du CISQ à Bologne, 2-3 décembre 2004)","year":2006,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.005039036073030076,"score_gpt":0.21515972907448175,"score_spread":0.21012069300145167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104244605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5007886,0.11052413,0.00049355906,0.08435889,0.00612457,0.000571936,0.0012067892,0.0003514988,0.29558],"genre_scores_gemma":[0.8985008,0.0045578224,0.000082704464,0.0003111193,0.004093164,0.00009748115,0.0001522213,0.000039797134,0.09216488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976643,0.00048712923,0.00056804175,0.0005254716,0.00031983622,0.00043527616],"domain_scores_gemma":[0.9984166,0.00047695302,0.00031189044,0.0001948061,0.0005001244,0.00009960001],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00042782948,0.00043038302,0.00046637622,0.00015982757,0.001250685,0.0005932401,0.00028330146,0.00019078236,0.00069241365],"category_scores_gemma":[0.0001829326,0.00039708248,0.00021199352,0.0002243253,0.0007952507,0.0011494919,0.000085321015,0.00030687044,0.00012729812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022976926,0.0017594567,0.11091422,0.00019053888,0.00037851083,0.0002545282,0.04327519,0.00066060724,0.00018271519,0.035971362,0.7947044,0.011478692],"study_design_scores_gemma":[0.000642793,0.00015883589,0.05210303,0.00012671632,0.00013965297,0.000036583795,0.0030728024,0.0004489907,0.00012395647,0.0007422419,0.94196784,0.00043656642],"about_ca_topic_score_codex":0.030851256,"about_ca_topic_score_gemma":0.054516345,"teacher_disagreement_score":0.39771217,"about_ca_system_score_codex":0.00022850087,"about_ca_system_score_gemma":0.00026746278,"threshold_uncertainty_score":0.9998481},"labels":[],"label_agreement":null},{"id":"W3105657448","doi":"10.4000/studifrancesi.6775","title":"Piotr Tylus, La “Legenda maior” de Raymond de Capoue en français ancien","year":2017,"lang":"it","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Mathematics","score_opus":0.020625230475669547,"score_gpt":0.2612211249070537,"score_spread":0.24059589443138413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3105657448","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26336992,0.025306104,0.00027500076,0.002049778,0.002543196,0.0003486546,0.00044167833,0.00012710631,0.7055386],"genre_scores_gemma":[0.8640193,0.0009648722,0.00015098527,0.00055739237,0.003402564,0.000032487103,0.000008436896,0.000038948405,0.13082501],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975597,0.00026571687,0.00043183565,0.00053897424,0.00035962556,0.00084411085],"domain_scores_gemma":[0.9983585,0.00022653202,0.00026334135,0.00075794157,0.00011563123,0.00027803794],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006408086,0.00041274863,0.00062538986,0.00009124334,0.0035822415,0.0007533724,0.0009188509,0.00020225262,0.003907669],"category_scores_gemma":[0.00014997966,0.00035697164,0.0003228726,0.00005755853,0.0007942545,0.00058579625,0.00020263238,0.0005446401,0.00071935036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002966692,0.0012773385,0.10640612,0.000723324,0.0012671981,0.0014928569,0.4688946,0.000053940195,0.0006362151,0.102307126,0.28246912,0.034175474],"study_design_scores_gemma":[0.00068935985,0.00013223657,0.040792055,0.00012477863,0.0001947378,0.000010592345,0.001560033,0.00008625989,0.000115441864,0.00091188087,0.954912,0.0004705926],"about_ca_topic_score_codex":0.008392429,"about_ca_topic_score_gemma":0.0014737287,"teacher_disagreement_score":0.6724429,"about_ca_system_score_codex":0.00014764408,"about_ca_system_score_gemma":0.00019269598,"threshold_uncertainty_score":0.99988824},"labels":[],"label_agreement":null},{"id":"W3106571346","doi":"10.4000/books.apu.11951","title":"Enjeux dramaturgiques et spectaculaires des masques du Chœur dans Agamemnon de Sénèque, mise en scène de Denis Marleau","year":2014,"lang":"fr","type":"book-chapter","venue":"Artois Presses Université eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0138270095285597,"score_gpt":0.1987654704237007,"score_spread":0.18493846089514102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106571346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023534574,0.005085574,0.0012965534,0.0009370868,0.00030739064,0.00038968952,0.00029061985,0.00037131138,0.9677872],"genre_scores_gemma":[0.35258734,0.003944986,0.00096719887,0.0005598283,0.0013121655,0.000011169728,0.000121301986,0.0001407654,0.6403552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967868,0.00053472247,0.00058528443,0.0008228148,0.0004220849,0.00084831135],"domain_scores_gemma":[0.9974048,0.0006952222,0.00040222905,0.00065089663,0.00034534495,0.0005014794],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036646862,0.00096185686,0.000937889,0.000413705,0.0015801119,0.0005487957,0.0008850146,0.00057246024,0.00455692],"category_scores_gemma":[0.00007514684,0.00095644104,0.0007505938,0.000026439891,0.0017380423,0.0005043665,0.00039122888,0.00083062926,0.00018995776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002695228,0.00011198122,0.00049064,0.0006028042,0.00077451294,0.0009724338,0.08962505,0.00003968794,0.00065419025,0.88605845,0.007355367,0.013045353],"study_design_scores_gemma":[0.0005156519,0.00039909547,0.0004098781,0.0013852445,0.0009567171,0.00012295033,0.001446185,0.00007345642,0.00154795,0.030780617,0.9612956,0.0010666572],"about_ca_topic_score_codex":0.009246352,"about_ca_topic_score_gemma":0.0056722225,"teacher_disagreement_score":0.9539402,"about_ca_system_score_codex":0.0008873208,"about_ca_system_score_gemma":0.00029458935,"threshold_uncertainty_score":0.9997197},"labels":[],"label_agreement":null},{"id":"W3107481008","doi":"","title":"« Maigreur, santé du corps et santé de l’âme chez Sénèque : la philosophie stoïcienne fait-elle l’apologie de la maigreur ? »","year":2020,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Philosophy; Humanities; Medicine","score_opus":0.025042864651831698,"score_gpt":0.24070408548373615,"score_spread":0.21566122083190445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107481008","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054655425,0.018031783,0.01640077,0.1628036,0.00041908456,0.0003794211,0.00046456177,0.00042547658,0.74641985],"genre_scores_gemma":[0.93167675,0.0048269313,0.003960567,0.0025138613,0.0005135707,0.000036179765,0.00020036352,0.000076855205,0.056194935],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98409075,0.013291044,0.0006736223,0.0007656315,0.0003941507,0.00078482926],"domain_scores_gemma":[0.99357164,0.0037882705,0.00039738294,0.0009516786,0.0006928088,0.00059820677],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0055281743,0.00048697484,0.00056048,0.00015963321,0.0011453065,0.0007682972,0.0012304183,0.00033475648,0.0055643907],"category_scores_gemma":[0.0022718108,0.000495152,0.00039300346,0.00040807627,0.0015807417,0.0004981193,0.00054229324,0.0009609301,0.0003281663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005840156,0.0010765046,0.0012963039,0.00021916359,0.00013193992,0.0001835201,0.08512218,0.000056178396,0.0019291347,0.86265266,0.037536222,0.009737773],"study_design_scores_gemma":[0.000743786,0.000006298851,0.0010860217,0.0005451459,0.00014764628,0.00007950651,0.0012712879,0.0071084416,0.0025445905,0.014018592,0.971862,0.0005866579],"about_ca_topic_score_codex":0.0021982961,"about_ca_topic_score_gemma":0.0008362901,"teacher_disagreement_score":0.9343258,"about_ca_system_score_codex":0.0002484122,"about_ca_system_score_gemma":0.00039893956,"threshold_uncertainty_score":0.99975},"labels":[],"label_agreement":null},{"id":"W3107799083","doi":"10.15122/isbn.978-2-406-09897-3.p.0319","title":"Visions, fantaisies et imaginations","year":2020,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"Agence Nationale de la Recherche","keywords":"Art; Vision; Humanities; Philosophy; Theology","score_opus":0.02390388381970872,"score_gpt":0.23132883943428645,"score_spread":0.20742495561457774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107799083","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015260508,0.005640169,0.0074505545,0.08356454,0.00035219622,0.0002349069,0.00052466145,0.00020706817,0.9018733],"genre_scores_gemma":[0.12248239,0.0024790815,0.005564061,0.0010616147,0.00017998341,0.000024394714,0.001220903,0.0000891616,0.8668984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958155,0.0019215571,0.0007215968,0.00073330133,0.0004834254,0.00032462776],"domain_scores_gemma":[0.99407977,0.0018755496,0.00045943173,0.001057518,0.0022091584,0.0003185482],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015725527,0.00049492414,0.00053818885,0.00023306956,0.0015922572,0.00087028655,0.0008444638,0.00020392545,0.009160894],"category_scores_gemma":[0.0007043736,0.00049857807,0.0004595,0.00010882376,0.0011909396,0.00055616477,0.00042587053,0.0007675167,0.0012248798],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006519163,0.00021532529,0.000046905683,0.000089683075,0.00011455701,0.000016055892,0.018273327,0.0000022190939,0.00006488692,0.9578127,0.008576894,0.014780876],"study_design_scores_gemma":[0.00022394095,9.775224e-7,0.0000968722,0.001155945,0.00014787303,0.0000080193895,0.00020899904,0.00085236586,0.00027746326,0.02710946,0.9694116,0.0005064982],"about_ca_topic_score_codex":0.0020965515,"about_ca_topic_score_gemma":0.0020805378,"teacher_disagreement_score":0.9608347,"about_ca_system_score_codex":0.00012529467,"about_ca_system_score_gemma":0.00018541486,"threshold_uncertainty_score":0.99974656},"labels":[],"label_agreement":null},{"id":"W3108780922","doi":"","title":"L’Écho du théâtre 2 La scène parle. Voix, acoustiques et auralités (seconde moitié du XXe siècle)","year":2019,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.01677982151326359,"score_gpt":0.22550293215699072,"score_spread":0.20872311064372712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108780922","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10331558,0.005688511,0.011313418,0.10443175,0.0016650319,0.00086654996,0.0012426967,0.0005877654,0.7708887],"genre_scores_gemma":[0.5962706,0.0038394732,0.0021242064,0.0007281264,0.00033798968,0.00008306901,0.0013480934,0.00009914614,0.3951693],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98540604,0.010705168,0.001185879,0.0013077909,0.0006654245,0.0007297235],"domain_scores_gemma":[0.99002296,0.0038030678,0.0008504529,0.0023672623,0.0025381437,0.0004181303],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005382879,0.00084919704,0.0009998842,0.0002856347,0.0015304806,0.0017950768,0.0018354098,0.0005955959,0.006351925],"category_scores_gemma":[0.0010362786,0.0008311322,0.00076955586,0.00024117957,0.0011522401,0.0007567743,0.0013715348,0.0015599999,0.0007217123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034582084,0.001178597,0.0016886563,0.00043450025,0.00029554334,0.00003249227,0.054677363,0.0002215684,0.00026967382,0.9089431,0.025449641,0.0067742863],"study_design_scores_gemma":[0.0005648987,0.000002548822,0.0033095232,0.0021908607,0.00022205155,0.00002562582,0.0008457129,0.006001859,0.0010347711,0.0072337184,0.97761655,0.0009518936],"about_ca_topic_score_codex":0.015945235,"about_ca_topic_score_gemma":0.006149033,"teacher_disagreement_score":0.9521669,"about_ca_system_score_codex":0.0002943576,"about_ca_system_score_gemma":0.00041438092,"threshold_uncertainty_score":0.9997694},"labels":[],"label_agreement":null},{"id":"W3109901762","doi":"10.4000/books.apu.12416","title":"Création des sections pour enfants et sélections pour « l’heure du conte » dans les bibliothèques françaises","year":2009,"lang":"fr","type":"book-chapter","venue":"Artois Presses Université eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Political science; Art","score_opus":0.031786401522616504,"score_gpt":0.2166452868992898,"score_spread":0.1848588853766733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109901762","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007402578,0.003735741,0.0029038133,0.0008368437,0.00044013053,0.00033367056,0.0005858343,0.00033666083,0.9834247],"genre_scores_gemma":[0.32487604,0.002790434,0.00012577542,0.000196873,0.0007848631,0.000006273697,0.000109987996,0.00005688628,0.6710529],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979176,0.00018249438,0.0005077546,0.00063469127,0.00032616654,0.00043128428],"domain_scores_gemma":[0.99800205,0.00042898126,0.00035984168,0.0003853455,0.0005784556,0.0002453476],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009906673,0.0006776187,0.00059074315,0.0013178533,0.0041384795,0.00057148736,0.00038560608,0.0003639498,0.0066976487],"category_scores_gemma":[0.000040969277,0.0006846048,0.00056446117,0.00010177305,0.0010492486,0.00113148,0.00011176439,0.0006344887,0.00019397217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001140595,0.0002450871,0.00056981127,0.00014235805,0.0006801482,0.00015352771,0.039470322,0.00014610348,0.0009444447,0.93069357,0.012301836,0.014538728],"study_design_scores_gemma":[0.0005130722,0.00031186582,0.00094806874,0.0005656143,0.00081659365,0.000051014846,0.0018621786,0.0000767725,0.0005748156,0.014591163,0.97895634,0.00073247997],"about_ca_topic_score_codex":0.009243723,"about_ca_topic_score_gemma":0.012935926,"teacher_disagreement_score":0.96665454,"about_ca_system_score_codex":0.00026083595,"about_ca_system_score_gemma":0.00021148793,"threshold_uncertainty_score":0.99956053},"labels":[],"label_agreement":null},{"id":"W3111292163","doi":"10.26522/vp.v17i2.2597","title":"« Théâtre immersif » et spécificité théâtrale : une question d’équilibre","year":2020,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02896401167049255,"score_gpt":0.24333435592190664,"score_spread":0.21437034425141407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111292163","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04081444,0.03766917,0.000399261,0.6123355,0.002697877,0.0003479608,0.0010771662,0.00033351537,0.30432507],"genre_scores_gemma":[0.2660786,0.0018728711,0.00020227271,0.0053131906,0.004635084,0.000013825578,0.0002408146,0.00007297576,0.7215704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979776,0.00025575186,0.0004939515,0.0005215192,0.0002980379,0.00045312254],"domain_scores_gemma":[0.9989538,0.0002122922,0.00015287714,0.00024902754,0.000095668765,0.0003363048],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013703496,0.00038975143,0.00038424326,0.00007723175,0.0005659892,0.0002957881,0.0002879625,0.00018496951,0.006024032],"category_scores_gemma":[0.00006178736,0.00035527523,0.0003351265,0.00023727053,0.00044272735,0.0006591002,0.00008860044,0.00046199287,0.001403142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009624561,0.00020507608,0.00006080177,0.00020492637,0.00011730519,0.00009561399,0.06414276,0.000108274326,0.00013634868,0.7049096,0.22693251,0.0029904821],"study_design_scores_gemma":[0.00027236386,0.00034008993,0.000047083628,0.00017313253,0.00017899592,0.0000057938178,0.0042414065,0.0010304315,0.00018817422,0.0019488333,0.991122,0.0004516642],"about_ca_topic_score_codex":0.005737476,"about_ca_topic_score_gemma":0.0004782042,"teacher_disagreement_score":0.76418954,"about_ca_system_score_codex":0.00004818175,"about_ca_system_score_gemma":0.00009288215,"threshold_uncertainty_score":0.9998899},"labels":[],"label_agreement":null},{"id":"W3111448156","doi":"10.4000/books.pub.23798","title":"L’aventure du roman dans Valentin et Orson","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Art","score_opus":0.02125674358814434,"score_gpt":0.1959042433786302,"score_spread":0.17464749979048586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111448156","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012108961,0.0045603127,0.0003093781,0.0008850228,0.0008275901,0.0003502914,0.0006339393,0.00024169606,0.99098086],"genre_scores_gemma":[0.31880587,0.0007772492,0.00012214191,0.00029160187,0.00088394893,0.000005941128,0.00017380723,0.00011119069,0.67882824],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974298,0.00019841205,0.00050621683,0.00077935925,0.0003951533,0.0006910772],"domain_scores_gemma":[0.99809915,0.0002004273,0.00043615478,0.000623111,0.00024728515,0.00039387183],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016231697,0.00086288684,0.0007437571,0.00035899514,0.0013638956,0.0002491937,0.0008722852,0.0005102927,0.014721653],"category_scores_gemma":[0.000020313282,0.0008725665,0.00073196314,0.000020073248,0.0011469665,0.00043084667,0.00040926572,0.00084611954,0.0003535993],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017958682,0.00014053182,0.0001870496,0.00036534897,0.00073693413,0.0009265729,0.019864012,0.000013268675,0.000031538533,0.95494723,0.01705225,0.0055557005],"study_design_scores_gemma":[0.00042806542,0.0003122925,0.00011151884,0.00057828217,0.0012296813,0.000037442293,0.0008164639,0.000036190537,0.000047627265,0.046224788,0.94924563,0.00093204173],"about_ca_topic_score_codex":0.005155507,"about_ca_topic_score_gemma":0.0022377903,"teacher_disagreement_score":0.93219334,"about_ca_system_score_codex":0.00032571735,"about_ca_system_score_gemma":0.00020190871,"threshold_uncertainty_score":0.99993616},"labels":[],"label_agreement":null},{"id":"W3112730406","doi":"","title":"De quelques interdits en peau de lapin","year":2008,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.030398243761532686,"score_gpt":0.24114167417318222,"score_spread":0.21074343041164953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112730406","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0362925,0.026483824,0.0007959796,0.006242013,0.0009258609,0.000056444194,0.00003941712,0.00012109982,0.9290429],"genre_scores_gemma":[0.2376798,0.0012817775,0.0004015233,0.0024396097,0.0022506001,0.0000050614276,0.000008544659,0.000013163466,0.75591993],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989847,0.00017288998,0.000221146,0.00016605883,0.00009898424,0.00035620952],"domain_scores_gemma":[0.9995011,0.00012338617,0.00003669396,0.00012774678,0.000048749935,0.00016228495],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000120299905,0.00015397031,0.00019756788,0.000065973276,0.00048001704,0.00009829602,0.00015193807,0.00008556277,0.023915965],"category_scores_gemma":[0.000031174037,0.00013056379,0.00016458542,0.000027687689,0.00029166997,0.00030853384,0.00004307515,0.00020153404,0.0007870952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016875982,0.00021874605,0.0005451444,0.000070058726,0.00007936149,0.00030329006,0.09939014,0.0000049284868,0.00003197584,0.573066,0.32039502,0.005878434],"study_design_scores_gemma":[0.00010077676,0.00011289639,0.00025650967,0.000058937545,0.000039139246,0.00006540378,0.0010078811,0.00023938388,0.00014809798,0.0036746687,0.99410486,0.00019146183],"about_ca_topic_score_codex":0.012323733,"about_ca_topic_score_gemma":0.0010700905,"teacher_disagreement_score":0.6737098,"about_ca_system_score_codex":0.00020210244,"about_ca_system_score_gemma":0.00009043447,"threshold_uncertainty_score":0.9999909},"labels":[],"label_agreement":null},{"id":"W3113033623","doi":"10.7202/1073933ar","title":"Des premières années de Circuit à la mise en scène d’opéra : entretien avec Jean-Jacques Nattiez","year":2020,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04816314148011654,"score_gpt":0.2418696590877285,"score_spread":0.19370651760761196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113033623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06990692,0.0849179,0.0007072553,0.019314874,0.0013388812,0.0008645422,0.0008199032,0.0008920352,0.8212377],"genre_scores_gemma":[0.8474472,0.0018044866,0.000075052405,0.0029764418,0.0052194,0.000073326715,0.00014087732,0.0001299057,0.14213333],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950642,0.0011900722,0.0011460712,0.0010210504,0.0005345122,0.0010440876],"domain_scores_gemma":[0.99634355,0.0013300936,0.00041833794,0.00051260175,0.00054065866,0.00085478014],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006820031,0.00088292157,0.0011335376,0.00025032947,0.0009869395,0.00095171336,0.00085608446,0.00043991822,0.00610269],"category_scores_gemma":[0.001036128,0.00086212397,0.00068653224,0.0002912848,0.0022527857,0.0014005695,0.00018369104,0.0007180833,0.0002504888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009509406,0.00041898363,0.002424127,0.001599434,0.0004553622,0.0006965636,0.48784927,0.000007955224,0.00063008687,0.4630208,0.0282355,0.014566825],"study_design_scores_gemma":[0.00064639107,0.00044927673,0.0003099103,0.0008425304,0.00028906637,0.000039921735,0.007107317,0.00027385727,0.0004105842,0.041559286,0.9470637,0.0010081589],"about_ca_topic_score_codex":0.0038563737,"about_ca_topic_score_gemma":0.00048266788,"teacher_disagreement_score":0.9188282,"about_ca_system_score_codex":0.00029249332,"about_ca_system_score_gemma":0.00037593118,"threshold_uncertainty_score":0.999383},"labels":[],"label_agreement":null},{"id":"W3113034620","doi":"10.26522/vp.v17i2.2605","title":"Revendication et expression de liberté dans les dramaturgies africaines postcoloniales chez Sony Labou Tansi et Bottey Zadi Zaourou","year":2020,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.023996426005904164,"score_gpt":0.24677648469338254,"score_spread":0.22278005868747838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113034620","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2712863,0.058532514,0.0016302749,0.62370205,0.001399698,0.0005758547,0.001765624,0.0006000722,0.040507626],"genre_scores_gemma":[0.7976929,0.005465501,0.0019175037,0.006781299,0.002771299,0.000063796484,0.0003486032,0.00012072363,0.18483838],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971373,0.00071900315,0.0006305315,0.0005917883,0.00036488564,0.0005564568],"domain_scores_gemma":[0.99831045,0.0005557345,0.00033193317,0.00031899073,0.00014019497,0.00034267874],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033192412,0.00048245353,0.0004806014,0.0001199277,0.0009915091,0.0005098255,0.00043847886,0.00029550216,0.0016354438],"category_scores_gemma":[0.00032183577,0.0004225894,0.00030464082,0.00022036854,0.000579384,0.0007691517,0.000169621,0.00058684795,0.000204682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021488991,0.00044000155,0.00073473726,0.0004583906,0.00015168259,0.00012347044,0.5104759,0.00018326497,0.009664037,0.3255458,0.15024856,0.0017592754],"study_design_scores_gemma":[0.00034490568,0.00026771918,0.00064955873,0.00041552854,0.00017830177,0.000010584302,0.0063444045,0.00049916573,0.002430105,0.001892223,0.98644364,0.00052385934],"about_ca_topic_score_codex":0.0027333095,"about_ca_topic_score_gemma":0.0008232407,"teacher_disagreement_score":0.8361951,"about_ca_system_score_codex":0.00010268769,"about_ca_system_score_gemma":0.00022877354,"threshold_uncertainty_score":0.9998226},"labels":[],"label_agreement":null},{"id":"W3113065244","doi":"","title":"Les boudoirs dans l’œuvre d’Honoré de Balzac : Surveiller, mentir, désirer, mourir de Jean-François Richer","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.019666802003934038,"score_gpt":0.2211526974932486,"score_spread":0.20148589548931456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113065244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2931695,0.023069365,0.024517385,0.038291212,0.0013882384,0.0010015415,0.00063482305,0.00060034305,0.61732763],"genre_scores_gemma":[0.27227244,0.0044408143,0.008493775,0.00031125918,0.0003060533,0.00019061724,0.00087575836,0.00012352443,0.71298575],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9874442,0.0086506205,0.0011141934,0.0011505985,0.00058600336,0.0010543871],"domain_scores_gemma":[0.99215305,0.00233463,0.00076766155,0.002221613,0.0018974028,0.0006256514],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005034802,0.0008047407,0.0008401197,0.00029163228,0.0022398164,0.0013159355,0.0019691053,0.00057450647,0.011267736],"category_scores_gemma":[0.0009202559,0.0008141879,0.00076180586,0.00031013114,0.0010994341,0.00044125813,0.0010136175,0.0010485189,0.000501681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035204892,0.0026636457,0.0069751726,0.0005858865,0.00068625587,0.000029713541,0.20884183,0.00020193937,0.0019024002,0.67002,0.053369716,0.054688256],"study_design_scores_gemma":[0.0005153875,0.0000017788501,0.0038398574,0.001117103,0.0002237267,0.000010250632,0.0015560718,0.008351295,0.0025503405,0.0056125512,0.9752847,0.00093696325],"about_ca_topic_score_codex":0.120322555,"about_ca_topic_score_gemma":0.030500958,"teacher_disagreement_score":0.92191494,"about_ca_system_score_codex":0.0009059872,"about_ca_system_score_gemma":0.0004575617,"threshold_uncertainty_score":0.9997208},"labels":[],"label_agreement":null},{"id":"W3114036247","doi":"10.33137/rr.v43i3.35305","title":"“Des responses et rencontres”: Frank Speech and Self-Knowledge in Guillaume Bouchet’s Serées","year":2020,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Subject (documents); Feeling; Context (archaeology); Style (visual arts); Franchise; Humanities; Spanish Civil War; Art; Art history; Sociology; Literature; History; Law; Political science; Philosophy; Epistemology","score_opus":0.03433927436854186,"score_gpt":0.25210805150555377,"score_spread":0.2177687771370119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3114036247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89460325,0.0091312295,0.00001585692,0.00247878,0.00008455219,0.00011937889,0.000018472538,0.000102068305,0.093446426],"genre_scores_gemma":[0.9970166,0.001080014,0.000104041166,0.0004302593,0.00019100671,0.000005805419,0.000013380943,0.0000058229075,0.0011530754],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999382,0.00007641626,0.00021598389,0.00013484877,0.00007115117,0.00011960661],"domain_scores_gemma":[0.99972904,0.00004226644,0.000055742017,0.000064370695,0.00004074607,0.000067834415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014181313,0.00010055784,0.00015785995,0.000072905816,0.00021294571,0.000097772485,0.00004890233,0.00003769957,0.00008404545],"category_scores_gemma":[0.000032887237,0.00006882566,0.000024854606,0.0000662402,0.00011329308,0.000714423,0.00002710241,0.00009812889,0.00002545627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045005122,0.00025978716,0.005647232,0.0011840345,0.000080540194,0.00003269532,0.8376535,0.0000062632566,0.00070957735,0.068725996,0.04153124,0.043719064],"study_design_scores_gemma":[0.0004084529,0.00014779012,0.0046820836,0.000115197596,0.000014618268,0.0000056542185,0.0027180451,0.0006587334,0.00022110406,0.0010992708,0.98975396,0.00017508291],"about_ca_topic_score_codex":0.00018113296,"about_ca_topic_score_gemma":0.00047429075,"teacher_disagreement_score":0.94822276,"about_ca_system_score_codex":0.000018337403,"about_ca_system_score_gemma":0.000013658067,"threshold_uncertainty_score":0.28066292},"labels":[],"label_agreement":null},{"id":"W3116502597","doi":"10.3138/anth-2020-0023.br11","title":"Charles Stépanoff, Voyager dans l’invisible. Techniques chamaniques de l’imagination.","year":2020,"lang":"fr","type":"article","venue":"Anthropologica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Art history","score_opus":0.03927439259614076,"score_gpt":0.27908844553405737,"score_spread":0.2398140529379166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3116502597","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007902392,0.14077175,0.008143762,0.29008797,0.0014836573,0.0005963768,0.00057506916,0.0014600581,0.548979],"genre_scores_gemma":[0.7884602,0.05464129,0.0038366804,0.019301072,0.00811486,0.00009456114,0.00014535857,0.00009763707,0.12530833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789244,0.00028796564,0.00046471247,0.0005357149,0.00022189811,0.0005972399],"domain_scores_gemma":[0.9990586,0.00011893125,0.00018005456,0.00023954085,0.00011559192,0.00028726217],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014791427,0.00038673304,0.00047901768,0.00009316917,0.0020096104,0.00031166276,0.0004095491,0.0002134906,0.027276393],"category_scores_gemma":[0.00006180638,0.00032362354,0.00026549728,0.00016489747,0.0026780798,0.00062254566,0.00013326363,0.00042139986,0.00042114474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042046293,0.0004709131,0.00063845864,0.00020668513,0.00012647257,0.00026621183,0.06264679,0.0000014190836,0.001562853,0.6621368,0.24395199,0.027949376],"study_design_scores_gemma":[0.0001063564,0.00076561,0.00011555398,0.000077968245,0.00011374904,0.000013572564,0.009021051,0.00022668007,0.0065811877,0.0066474094,0.97587997,0.00045089453],"about_ca_topic_score_codex":0.0017931239,"about_ca_topic_score_gemma":0.000051268136,"teacher_disagreement_score":0.7805578,"about_ca_system_score_codex":0.00009994046,"about_ca_system_score_gemma":0.00006135476,"threshold_uncertainty_score":0.99992156},"labels":[],"label_agreement":null},{"id":"W3119106057","doi":"","title":"Le labyrinthe du violeur / Marie Hélène Poitras, Soudain le Minotaure, Montréal, Triptyque, 2002, 180 p., 18 $.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.010017092720711721,"score_gpt":0.1429656582882931,"score_spread":0.1329485655675814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119106057","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011962178,0.562384,0.0002723608,0.07727937,0.0013226655,0.00036144108,0.0006389485,0.0002792347,0.34549978],"genre_scores_gemma":[0.064747915,0.02940725,0.00018255084,0.0011725816,0.0014366745,0.000011408696,0.00007452893,0.00008778898,0.9028793],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968699,0.00034839602,0.0005505298,0.0007532608,0.00045066353,0.001027256],"domain_scores_gemma":[0.99797803,0.00026943113,0.00032310456,0.0006742806,0.00020202069,0.0005531601],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024307927,0.00063682254,0.000779721,0.00033968693,0.0033218102,0.00019666283,0.0006521649,0.0003583608,0.028829118],"category_scores_gemma":[0.00004941964,0.00070440123,0.0006645443,0.00033558783,0.0006017958,0.0008419999,0.00030361125,0.00059162156,0.0025744874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012693672,0.00074491504,0.000052889565,0.00008341694,0.00029924078,0.0024301999,0.0032588597,0.0001136791,0.000048528043,0.31918246,0.6579644,0.015694443],"study_design_scores_gemma":[0.0018675664,0.00025139708,0.00006616664,0.000115655865,0.00041157997,0.00018874004,0.0028258327,0.0025982975,0.000049615333,0.0012298527,0.98956823,0.0008270438],"about_ca_topic_score_codex":0.16639782,"about_ca_topic_score_gemma":0.12688668,"teacher_disagreement_score":0.55737954,"about_ca_system_score_codex":0.0024140712,"about_ca_system_score_gemma":0.00009090653,"threshold_uncertainty_score":0.9995407},"labels":[],"label_agreement":null},{"id":"W3119336821","doi":"10.3917/dhs.052.0119","title":"Adario et Antoine : figures emblématiques de la Huronie des Lumières ?","year":2020,"lang":"fr","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.029963442272117054,"score_gpt":0.269106193989974,"score_spread":0.23914275171785693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119336821","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15473303,0.0595769,0.00066626933,0.025998194,0.0006659516,0.00028217153,0.00085364695,0.00046957508,0.7567543],"genre_scores_gemma":[0.9030649,0.0016650901,0.00072577223,0.0059927464,0.0022818472,0.000022727712,0.000099854944,0.00007251078,0.086074546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761903,0.0006052788,0.000465996,0.00041770894,0.00028066552,0.00061133096],"domain_scores_gemma":[0.9986831,0.00045081347,0.00013280081,0.00021686402,0.000114080955,0.00040237553],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030588466,0.00037164814,0.00047654155,0.00007512442,0.0009648314,0.0006603918,0.00033190788,0.00017220354,0.010500548],"category_scores_gemma":[0.00025570777,0.00035137168,0.00030239567,0.0001387563,0.0012864782,0.000742075,0.00011635001,0.0004955707,0.0004985917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096260505,0.0005160019,0.0012197847,0.0009085104,0.00023322625,0.00034130426,0.122330725,0.00008818271,0.0006240118,0.6751919,0.18080886,0.017641257],"study_design_scores_gemma":[0.00035286893,0.00037606087,0.0022641532,0.0002522172,0.00013758006,0.000013192203,0.0016525005,0.00049886736,0.00058245996,0.010179546,0.9832388,0.00045171895],"about_ca_topic_score_codex":0.0069777677,"about_ca_topic_score_gemma":0.0007997762,"teacher_disagreement_score":0.80243,"about_ca_system_score_codex":0.0001255502,"about_ca_system_score_gemma":0.00017679084,"threshold_uncertainty_score":0.99989384},"labels":[],"label_agreement":null},{"id":"W3121077854","doi":"10.33137/q.i..v40i2.34878","title":"Destouches e Goldoni tra nobildonne, arcadi e liberi muratori. Percorsi della riforma del teatro comico italiano del Settecento","year":2020,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0400645152441893,"score_gpt":0.23340299440397708,"score_spread":0.19333847915978777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3121077854","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20581639,0.025723357,0.0031541411,0.03649193,0.008551301,0.0040209317,0.018348536,0.002783815,0.6951096],"genre_scores_gemma":[0.9359436,0.0002902658,0.0006853842,0.0073251366,0.004735982,0.00006505875,0.00086180854,0.00025708048,0.049835663],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99336827,0.00038717574,0.0018641693,0.0015862869,0.0010274538,0.0017666735],"domain_scores_gemma":[0.9961281,0.00042877576,0.0005348379,0.0008838204,0.00030571767,0.0017187363],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00025529973,0.0014407537,0.0015796275,0.00021429374,0.0019307317,0.0014058661,0.0013019508,0.00055215834,0.034479126],"category_scores_gemma":[0.00023229787,0.001355581,0.0008460319,0.00038200454,0.0011097931,0.0011155944,0.00027611086,0.0012837242,0.011619386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012735442,0.0021970693,0.002513419,0.0019859402,0.0017305255,0.0014086156,0.089260004,0.00010428124,0.0009842237,0.227019,0.66781807,0.0037053425],"study_design_scores_gemma":[0.00090629834,0.0011661839,0.0002163234,0.0002127074,0.0010323133,0.000052947402,0.007179439,0.0034893989,0.00020061624,0.000646454,0.9830293,0.001868009],"about_ca_topic_score_codex":0.0012904276,"about_ca_topic_score_gemma":0.00020064697,"teacher_disagreement_score":0.7301272,"about_ca_system_score_codex":0.00042585598,"about_ca_system_score_gemma":0.00032995452,"threshold_uncertainty_score":0.99983424},"labels":[],"label_agreement":null},{"id":"W3123745485","doi":"10.7202/1073454ar","title":"A Source for the Interpretation of Murillo’s Parable of the Prodigal Son: The Golden Age Stage","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.028174132110744658,"score_gpt":0.2046782669298174,"score_spread":0.17650413481907273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123745485","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60914433,0.040640894,0.0034069556,0.23931257,0.0072963666,0.0061620423,0.0046597333,0.000091844595,0.08928524],"genre_scores_gemma":[0.7470744,0.000050296523,0.000013338986,0.00083837763,0.00078442926,0.00003894631,0.00001480474,0.000016571408,0.25116882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881464,0.000142169,0.0004242484,0.00020300035,0.000111905094,0.00030401794],"domain_scores_gemma":[0.99874085,0.00040284946,0.000303271,0.0003316547,0.00012017616,0.00010117186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029619512,0.0001575934,0.0003013501,0.000021549331,0.00055298966,0.00005983091,0.00046106346,0.0000502458,0.00060436694],"category_scores_gemma":[0.00019977635,0.00008319991,0.00033555922,0.00012446688,0.0005177845,0.00013641262,0.000065380154,0.00021605847,0.000012597469],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027957043,0.00012365686,0.00017665306,0.0016561772,0.0005143673,0.000011478533,0.41016963,0.005841314,0.0002338187,0.4622443,0.086713575,0.032035466],"study_design_scores_gemma":[0.00015891438,0.00018853942,0.000058865,0.00016442033,0.00023712612,0.0000028600514,0.0049825977,0.016186276,0.00007490535,0.00029351885,0.977546,0.000105995736],"about_ca_topic_score_codex":0.009229854,"about_ca_topic_score_gemma":0.029669356,"teacher_disagreement_score":0.8908324,"about_ca_system_score_codex":0.00007171828,"about_ca_system_score_gemma":0.000076400676,"threshold_uncertainty_score":0.9973678},"labels":[],"label_agreement":null},{"id":"W3126478539","doi":"","title":"Le théâtre réinventé. Défense de la scène dans l'Europe de la première modernité","year":2020,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01651570063451428,"score_gpt":0.22369690965758626,"score_spread":0.207181209023072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126478539","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30787823,0.01871692,0.0027373137,0.01036367,0.00021129359,0.00017393468,0.000109728644,0.00013984586,0.65966904],"genre_scores_gemma":[0.96826434,0.0025220367,0.00012602493,0.00061747414,0.0007701426,0.00000782988,0.00004356092,0.00001958091,0.027629029],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889165,0.00033768237,0.000254175,0.00016312896,0.00012081829,0.00023256383],"domain_scores_gemma":[0.99950016,0.00006772054,0.000111157635,0.00010224919,0.000047181766,0.00017151589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002263644,0.00015882205,0.00018351804,0.000037507936,0.00060233916,0.0002180593,0.00010004451,0.00012360913,0.000104449406],"category_scores_gemma":[0.00004068896,0.000127758,0.000075626114,0.000081769074,0.00042193857,0.0007355132,0.000037458893,0.00027562288,0.000047802812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011178743,0.00020142642,0.0007533759,0.0009861152,0.000086144806,0.00007050971,0.10588585,0.0007133323,0.0013406506,0.8442888,0.036634646,0.00892735],"study_design_scores_gemma":[0.00029732884,0.00009116409,0.00036676053,0.00020130388,0.00006302996,0.00003909378,0.0014527263,0.010474629,0.0004279973,0.0015866486,0.9848136,0.00018576503],"about_ca_topic_score_codex":0.0005121938,"about_ca_topic_score_gemma":0.000027693022,"teacher_disagreement_score":0.9481789,"about_ca_system_score_codex":0.000055398734,"about_ca_system_score_gemma":0.00009010688,"threshold_uncertainty_score":0.520982},"labels":[],"label_agreement":null},{"id":"W3127668507","doi":"10.4000/books.pub.23043","title":"Musique et représentation romanesque de la métamorphose spatiale","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art","score_opus":0.018137162034993767,"score_gpt":0.24093013020822532,"score_spread":0.22279296817323155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127668507","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004562123,0.0051445505,0.0008519751,0.00077057316,0.00045034068,0.00035611106,0.000321633,0.00020135153,0.98734134],"genre_scores_gemma":[0.58624744,0.0009926895,0.0006423933,0.0005461533,0.0012517521,0.000012108464,0.00022196786,0.00010687764,0.40997863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976221,0.0004788249,0.0004420381,0.0005413829,0.00030820642,0.00060745137],"domain_scores_gemma":[0.99785376,0.0006925766,0.0003955897,0.0004865452,0.00019956376,0.00037194937],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034960193,0.0006197998,0.00055237254,0.00032752534,0.00089231035,0.0002796101,0.00044640043,0.0005304537,0.0068262885],"category_scores_gemma":[0.000044845056,0.0006718967,0.0004332085,0.000018652649,0.0011268407,0.000522148,0.00023569078,0.0007561767,0.00017209693],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016172913,0.00012801227,0.00026430257,0.00034248157,0.00039637042,0.00058148656,0.01956899,0.000103134196,0.00023441443,0.9570702,0.006085267,0.015063625],"study_design_scores_gemma":[0.00042392558,0.0001395905,0.0001815026,0.0003917096,0.00084327,0.00007500696,0.0006737473,0.00010210586,0.00018325342,0.030363955,0.96589047,0.00073144905],"about_ca_topic_score_codex":0.0149174975,"about_ca_topic_score_gemma":0.0013704576,"teacher_disagreement_score":0.9598052,"about_ca_system_score_codex":0.00051229756,"about_ca_system_score_gemma":0.00036073895,"threshold_uncertainty_score":0.99957323},"labels":[],"label_agreement":null},{"id":"W3130986198","doi":"10.4000/ccm.4316","title":"Wilfrid Besnardeau et Francine Mora-Lebrun (éd.), Le Roman d’Énéas","year":2019,"lang":"fr","type":"article","venue":"Cahiers de civilisation médiévale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Mora; Art; Humanities; Philosophy; Linguistics","score_opus":0.011637018984350754,"score_gpt":0.2163496229129977,"score_spread":0.20471260392864693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3130986198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38228506,0.033836003,0.0005670135,0.010429765,0.0043415176,0.0005084208,0.00027074147,0.00019688714,0.5675646],"genre_scores_gemma":[0.53149086,0.00056656223,0.00016372604,0.002730094,0.0012394729,0.000022516648,0.0002048729,0.000053784264,0.4635281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973729,0.0004557526,0.000592656,0.0005636919,0.00039375943,0.0006211948],"domain_scores_gemma":[0.9984594,0.00027190105,0.00023736249,0.00054097414,0.00018157778,0.0003088083],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006982737,0.00040188822,0.0005446509,0.00023074202,0.00072036905,0.00028034585,0.00030234086,0.00029640138,0.016417872],"category_scores_gemma":[0.00010927045,0.0004224751,0.00037256238,0.00020754493,0.0007677677,0.0009965742,0.000043236134,0.00072448933,0.0020279826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071995426,0.0003956452,0.0013308148,0.00043947142,0.00016942098,0.000042546362,0.04442792,0.0007449384,0.00038574982,0.7760058,0.17436574,0.0016199696],"study_design_scores_gemma":[0.0008742222,0.00023910591,0.0009219911,0.00017861079,0.00013724812,0.00001769256,0.0034127696,0.0018905851,0.0001599299,0.004104199,0.9875384,0.00052525295],"about_ca_topic_score_codex":0.0017001425,"about_ca_topic_score_gemma":0.00033135677,"teacher_disagreement_score":0.81317264,"about_ca_system_score_codex":0.00043326698,"about_ca_system_score_gemma":0.00026921293,"threshold_uncertainty_score":0.99982274},"labels":[],"label_agreement":null},{"id":"W3132894165","doi":"10.2307/j.ctv1g24650.4","title":"Écrire sur les lettres au Québec, 1920-1929 :","year":2018,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université Laval eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Humanities; History; Art","score_opus":0.0250534937088949,"score_gpt":0.18802572631247888,"score_spread":0.16297223260358398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132894165","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019448495,0.011857291,0.000052539985,0.0011864619,0.0008205916,0.0002646613,0.0005619867,0.00023133763,0.96557665],"genre_scores_gemma":[0.092430115,0.0008049183,0.00005112972,0.00029027407,0.003162052,0.0000052185837,0.000087641216,0.00010640003,0.9030622],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974438,0.0001293463,0.000506129,0.0007513304,0.00043387918,0.0007354922],"domain_scores_gemma":[0.9978775,0.00038168012,0.00036594272,0.0005864865,0.0003815843,0.00040680723],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011688946,0.00082065514,0.00081224693,0.0002829714,0.0021886686,0.00026071182,0.0008376261,0.00047794476,0.042725727],"category_scores_gemma":[0.000038151877,0.0007965506,0.0007171489,0.000015526823,0.0015399081,0.00031229318,0.000413524,0.0006785657,0.0010116822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006724073,0.00018567374,0.0021134247,0.0014865296,0.002085546,0.0014006143,0.09779089,0.00002492576,0.00051855005,0.6691844,0.12227856,0.10225849],"study_design_scores_gemma":[0.00041895543,0.0002972831,0.00009911996,0.00062131643,0.000982871,0.00002612194,0.0015445052,0.000042334654,0.0002990701,0.0014434643,0.9932948,0.0009302041],"about_ca_topic_score_codex":0.46268278,"about_ca_topic_score_gemma":0.354187,"teacher_disagreement_score":0.8710162,"about_ca_system_score_codex":0.00083404226,"about_ca_system_score_gemma":0.0006227108,"threshold_uncertainty_score":0.9997662},"labels":[],"label_agreement":null},{"id":"W3134406235","doi":"10.7202/1075183ar","title":"Livre-cadavre : corps stigmatisés et langue de la scène dans le théâtre de Romeo Castellucci","year":2021,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.033046379401270386,"score_gpt":0.27528238320845577,"score_spread":0.24223600380718538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134406235","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37300017,0.02965776,0.011525812,0.025861967,0.0027245085,0.00043987212,0.0019581008,0.0003955007,0.55443627],"genre_scores_gemma":[0.5981107,0.0025603948,0.0025150897,0.0009303559,0.0014595314,0.000063575164,0.00048083276,0.00007499275,0.39380455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99723494,0.0010520321,0.0004728601,0.00043573361,0.00027517375,0.0005292529],"domain_scores_gemma":[0.99840516,0.0006118947,0.00011438987,0.00042943622,0.00015644763,0.00028267878],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041888922,0.00034053007,0.0003967878,0.00011658443,0.0013556407,0.00061356823,0.0002431103,0.00019253978,0.0062234965],"category_scores_gemma":[0.0002282252,0.00035159755,0.00020671771,0.0001932151,0.00044059358,0.0011023348,0.000109600594,0.0004875588,0.0006396473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002378934,0.0013179703,0.00043581272,0.0002029849,0.00020546385,0.0009408726,0.26034173,0.0009406618,0.0022752055,0.63691396,0.091486886,0.0049146637],"study_design_scores_gemma":[0.00031745282,0.00008175409,0.0012217129,0.00029624713,0.00015561617,0.00020337423,0.02516358,0.0011708537,0.00063273154,0.00380509,0.9665136,0.00043803276],"about_ca_topic_score_codex":0.0032853228,"about_ca_topic_score_gemma":0.007031091,"teacher_disagreement_score":0.87502664,"about_ca_system_score_codex":0.00024162716,"about_ca_system_score_gemma":0.00048422127,"threshold_uncertainty_score":0.99994445},"labels":[],"label_agreement":null},{"id":"W3135133135","doi":"10.7202/1075403ar","title":"LA VÉRITÉ COMME HISTORICITÉ ET COMME INTÉGRALITÉ","year":2021,"lang":"fr","type":"article","venue":"Science et Esprit","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Paul University","funders":"","keywords":"Humanities; Philosophy; Transcendence (philosophy); Physics; Theology","score_opus":0.08850003161451986,"score_gpt":0.30843823148524646,"score_spread":0.2199381998707266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135133135","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016083514,0.040044796,0.00023047268,0.20891751,0.006847572,0.0001334493,0.0002335142,0.00014723376,0.7273619],"genre_scores_gemma":[0.486128,0.0010626327,0.0006396671,0.01640374,0.00090205885,0.0000140167585,0.000040243838,0.000032346354,0.4947773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969661,0.0006185702,0.00046014335,0.00062221166,0.00068570866,0.00064723333],"domain_scores_gemma":[0.9980831,0.00048876373,0.00013086265,0.00056182576,0.00038966918,0.0003457437],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016919833,0.0002873391,0.0003997422,0.00019604554,0.0013161697,0.0009496206,0.0006988299,0.00011930578,0.0047937236],"category_scores_gemma":[0.0003202664,0.00027245263,0.00023226015,0.00066048163,0.0026563131,0.0014140109,0.00034500397,0.00069656485,0.0005471452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007058734,0.0003912893,0.00015747818,0.00006860947,0.000018398174,0.00019362493,0.030292967,0.000006594303,0.0002887235,0.8980351,0.06341736,0.0071228007],"study_design_scores_gemma":[0.00021954569,0.00009228006,0.00034992018,0.00016456262,0.000046972033,0.000052194977,0.0015903076,0.00010228912,0.00018544628,0.011483904,0.9853354,0.0003771975],"about_ca_topic_score_codex":0.0035168466,"about_ca_topic_score_gemma":0.0009392599,"teacher_disagreement_score":0.92191803,"about_ca_system_score_codex":0.0003896007,"about_ca_system_score_gemma":0.00067164714,"threshold_uncertainty_score":0.99998397},"labels":[],"label_agreement":null},{"id":"W3135404137","doi":"10.3138/utq.89.3.sh.03","title":"<i>Espaces critiques : écrire sur la littérature et les autres arts au Québec (1920-1960)</i>, par Karine Cellard et Vincent Lambert","year":2021,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Cégep de Sorel-Tracy","funders":"","keywords":"The arts; Philosophy; Art; Visual arts","score_opus":0.011315502434048726,"score_gpt":0.21008321194916474,"score_spread":0.19876770951511602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135404137","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16875236,0.16257915,0.00016361194,0.068463415,0.0015427757,0.00026532327,0.0012188383,0.00022761183,0.5967869],"genre_scores_gemma":[0.43077952,0.0059128245,0.0003322834,0.00044874614,0.00052333705,5.452979e-7,0.00013834811,0.00002925015,0.5618351],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997911,0.00063371373,0.00029002037,0.00046869673,0.00030299975,0.00039361307],"domain_scores_gemma":[0.9984732,0.00035030564,0.00018500804,0.00036369817,0.00039385588,0.00023390597],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019795846,0.0003574113,0.0005686752,0.00004073496,0.0006903652,0.00018253282,0.00029545816,0.00025081265,0.0071952916],"category_scores_gemma":[0.000022689923,0.00038581353,0.00040606692,0.000043466287,0.0005442921,0.0012186619,0.0000799052,0.00035482852,0.00003339209],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000316453,0.0017936548,0.0022667374,0.0009420755,0.00065810315,0.0013255179,0.47932598,0.000012740357,0.00033096308,0.3092949,0.15321973,0.050513145],"study_design_scores_gemma":[0.0004747364,0.00062366994,0.0018240896,0.00038413197,0.00026179626,0.000011889481,0.03417116,0.000026315982,0.00007042475,0.00016227826,0.9615788,0.00041069151],"about_ca_topic_score_codex":0.8384168,"about_ca_topic_score_gemma":0.95866424,"teacher_disagreement_score":0.8083591,"about_ca_system_score_codex":0.00066785375,"about_ca_system_score_gemma":0.00067587814,"threshold_uncertainty_score":0.9998594},"labels":[],"label_agreement":null},{"id":"W3135407526","doi":"10.3917/lp.403.0109","title":"Les œuvres d’art et leur temps","year":2020,"lang":"fr","type":"article","venue":"La Pensée","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Humanities; Art; Anecdote; Literature","score_opus":0.06408533158215421,"score_gpt":0.2641291416346411,"score_spread":0.20004381005248686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135407526","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010264803,0.014629191,0.000043194323,0.08424261,0.00079215755,0.00008188236,0.0001837046,0.00011549885,0.88964695],"genre_scores_gemma":[0.4958466,0.00037847064,0.000067901965,0.0057460554,0.0020351482,0.00000544606,0.000045256602,0.000024892737,0.4958502],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988822,0.00020364579,0.00025020386,0.00026635564,0.00016487876,0.0002327624],"domain_scores_gemma":[0.99939036,0.00017754998,0.00006414443,0.00013951177,0.000045935063,0.0001825166],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008561794,0.00019237342,0.00026036604,0.000031189826,0.000357269,0.00025837176,0.00017627544,0.00008830806,0.022765646],"category_scores_gemma":[0.000047680907,0.00016819713,0.00017971871,0.000057297922,0.00037273797,0.0002817059,0.000060613424,0.00031374788,0.0035899538],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018493469,0.00008170696,0.00021365786,0.000104238636,0.000046745863,0.00007762707,0.028187737,0.0000070738065,0.00002347649,0.61722565,0.35064265,0.0033709665],"study_design_scores_gemma":[0.00015655634,0.00013378792,0.00019013368,0.000056533834,0.00007256179,0.000005642507,0.0007700552,0.00008128573,0.000016727874,0.00080232235,0.99748594,0.00022843549],"about_ca_topic_score_codex":0.0021017736,"about_ca_topic_score_gemma":0.00047991477,"teacher_disagreement_score":0.6468433,"about_ca_system_score_codex":0.000021322194,"about_ca_system_score_gemma":0.000027965867,"threshold_uncertainty_score":0.9971859},"labels":[],"label_agreement":null},{"id":"W3135925101","doi":"10.1353/tfr.2015.0407","title":"L’incendie du théâtre de Weimar par Jean-Yves Masson","year":2015,"lang":"fr","type":"article","venue":"The French review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04990447501085569,"score_gpt":0.25448072862587434,"score_spread":0.20457625361501866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135925101","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001820214,0.83307314,0.000041769577,0.022987472,0.0014565513,0.0002866274,0.000092145776,0.000055163553,0.1418251],"genre_scores_gemma":[0.014021597,0.29629046,0.00010922526,0.0052616624,0.003918582,0.000064211126,0.000058064936,0.000036683443,0.6802395],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759537,0.00057621574,0.00060070696,0.0003365374,0.00034630287,0.00054485543],"domain_scores_gemma":[0.9984495,0.00026427006,0.00024133675,0.0005382427,0.00017451614,0.00033212398],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009182387,0.0003556384,0.0006641963,0.000041548483,0.0006306059,0.00018911848,0.0005232239,0.00008993263,0.0065844497],"category_scores_gemma":[0.00012103167,0.00022539923,0.00041534094,0.00015919661,0.00045623054,0.00031805554,0.00010208267,0.00037409688,0.0022833683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038454937,0.00017377887,0.00017296393,0.0021366368,0.00011025008,0.00008885783,0.002282461,0.000002304096,5.218046e-7,0.059027392,0.8966293,0.03937172],"study_design_scores_gemma":[0.0001496002,0.00013113282,0.00004258481,0.0030311241,0.0005866118,0.000029404693,0.000096102725,0.0001005821,0.0000011071623,0.00306775,0.99244523,0.00031877696],"about_ca_topic_score_codex":0.002292033,"about_ca_topic_score_gemma":0.0016856707,"teacher_disagreement_score":0.5384144,"about_ca_system_score_codex":0.00018820463,"about_ca_system_score_gemma":0.00016854158,"threshold_uncertainty_score":0.9984935},"labels":[],"label_agreement":null},{"id":"W3136095349","doi":"10.1353/tfr.2011.0157","title":"L’Idée et ses fables: le rôle du genre ed. by Geneviève Artigas-Menant, et al","year":2011,"lang":"fr","type":"article","venue":"The French review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fable; Champion; Poetry; Literature; Humanities; Philosophy; Art; Art history; History","score_opus":0.04487454997923189,"score_gpt":0.2496751607853055,"score_spread":0.2048006108060736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136095349","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001841859,0.83904815,0.00019084933,0.014926973,0.00089380017,0.00044426788,0.00048545937,0.00006129613,0.14376502],"genre_scores_gemma":[0.009384521,0.6381559,0.00022059731,0.042321548,0.0005849718,0.00014862043,0.00021541068,0.000062191546,0.3089063],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970202,0.0007582442,0.0008113471,0.00050344056,0.00033235637,0.00057445496],"domain_scores_gemma":[0.998459,0.00016313023,0.00032309777,0.0006591722,0.0001634982,0.00023210407],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00089255435,0.0004716602,0.0007858725,0.00004547123,0.00076895667,0.00018148773,0.0005798322,0.0000872372,0.013501859],"category_scores_gemma":[0.000035518333,0.00030684652,0.0004760072,0.00015220535,0.0004941058,0.00057241257,0.0001423649,0.0004353547,0.0018735133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032315365,0.00036246216,0.000057152323,0.0013010683,0.00014524687,0.000027713626,0.0039413064,3.0593156e-7,0.000011802915,0.07787946,0.90900964,0.0072606057],"study_design_scores_gemma":[0.00015602779,0.00014434189,0.000026041691,0.002134536,0.00039383594,0.00003292649,0.00021625793,0.000024290903,0.000011635829,0.0009612427,0.9954568,0.0004420455],"about_ca_topic_score_codex":0.0039163297,"about_ca_topic_score_gemma":0.0012250701,"teacher_disagreement_score":0.2008923,"about_ca_system_score_codex":0.000053976073,"about_ca_system_score_gemma":0.00016097202,"threshold_uncertainty_score":0.99993837},"labels":[],"label_agreement":null},{"id":"W3136476368","doi":"10.1353/tfr.2011.0258","title":"La Barque silencieuse by Pascal Quignard","year":2011,"lang":"en","type":"article","venue":"The French review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Woodcut; Philosophy; Art history","score_opus":0.05815555581903457,"score_gpt":0.2374960097597114,"score_spread":0.17934045394067685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136476368","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085735624,0.33225736,0.00004536229,0.0005058422,0.00033813724,0.00025928562,0.000048818314,0.0000936699,0.66559416],"genre_scores_gemma":[0.73586065,0.022227166,0.00006399106,0.008023044,0.0007748923,0.00015011105,0.000050762086,0.000034505385,0.23281488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989879,0.00021511232,0.00028615713,0.00017568574,0.00015284398,0.0001822723],"domain_scores_gemma":[0.99939144,0.000082207305,0.000076567194,0.0003199531,0.000048033904,0.00008181055],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002955133,0.00014594493,0.00027358014,0.000018810557,0.00022275529,0.00004341987,0.00032937984,0.00003156161,0.013760747],"category_scores_gemma":[0.000016654467,0.0000799675,0.00019213931,0.000058810074,0.00019267589,0.00013847685,0.000039445735,0.0001738978,0.0009705369],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012750621,0.00009032056,0.000023747958,0.00039102306,0.000031940905,0.000010134285,0.00843412,7.820827e-9,0.0000047784683,0.020054996,0.9572492,0.01370843],"study_design_scores_gemma":[0.000042438027,0.000043405493,0.0000276906,0.00038386212,0.000091001784,0.000004966651,0.00007527274,0.0000021325116,0.000003255247,0.0007564649,0.99843794,0.00013157971],"about_ca_topic_score_codex":0.00045024336,"about_ca_topic_score_gemma":0.0005214412,"teacher_disagreement_score":0.7350033,"about_ca_system_score_codex":0.000017300059,"about_ca_system_score_gemma":0.000020303232,"threshold_uncertainty_score":0.9998073},"labels":[],"label_agreement":null},{"id":"W3137884063","doi":"","title":"Creating order, the French Revolution in selected texts of Andre Chenier, Samuel Taylor Coleridge, and Novalis","year":2001,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Government of Ontario","keywords":"Order (exchange); Literature; Art; Philosophy; Art history; Economics","score_opus":0.01600768443718422,"score_gpt":0.22518323787040917,"score_spread":0.20917555343322494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137884063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5658199,0.007424773,0.00002030923,0.00013505407,0.00021146968,0.00025692343,0.000089473964,0.000029103292,0.42601296],"genre_scores_gemma":[0.78390545,0.00059084117,0.00014504838,0.00000752688,0.00009532839,5.7271217e-7,0.00032363684,0.000010225891,0.21492136],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.999286,0.00006499337,0.0001589007,0.00019171667,0.00016325872,0.00013511613],"domain_scores_gemma":[0.9991713,0.000060569284,0.00030242777,0.00013701995,0.00029268506,0.000036002883],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000089998524,0.00014671069,0.00034496418,0.000067117915,0.000293701,0.00001627997,0.00016104634,0.000112936694,0.009467826],"category_scores_gemma":[0.000036820966,0.0001377323,0.00006960101,0.00010079236,0.00013345828,0.00029376338,0.000022618338,0.00014230095,0.0000018673984],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005629828,0.00044930555,0.0019609372,0.0010267044,0.00037425463,0.000024802903,0.9251261,0.000013105209,0.00068535685,0.00906515,0.015885824,0.04482548],"study_design_scores_gemma":[0.0027369703,0.00079224183,0.3510428,0.001161208,0.0010062496,0.0000064391947,0.32719526,0.0014285418,0.000068588655,0.00034310843,0.3130294,0.0011891809],"about_ca_topic_score_codex":0.41104805,"about_ca_topic_score_gemma":0.6621266,"teacher_disagreement_score":0.59793085,"about_ca_system_score_codex":0.00012349621,"about_ca_system_score_gemma":0.000055274235,"threshold_uncertainty_score":0.9914377},"labels":[],"label_agreement":null},{"id":"W3138735247","doi":"10.4000/books.pub.35018","title":"Dramaturgie ritualiste et espace du corps","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","score_opus":0.0186983081751246,"score_gpt":0.20723245218689137,"score_spread":0.18853414401176677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138735247","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00072690507,0.007276836,0.00018782572,0.004002005,0.0009292508,0.00047777302,0.00060703873,0.00026606515,0.9855263],"genre_scores_gemma":[0.16544375,0.0013504676,0.00027745758,0.0008619401,0.0011009874,0.00001131097,0.00018696918,0.00012587584,0.83064127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971923,0.00021162696,0.0005510911,0.0007985934,0.00048068565,0.0007657035],"domain_scores_gemma":[0.9972565,0.0005853608,0.00049836986,0.00069859676,0.000464485,0.0004966553],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015666342,0.0009437622,0.00090266456,0.0003810227,0.001460462,0.0006860723,0.0008682673,0.0005455113,0.02116284],"category_scores_gemma":[0.00004364908,0.0009561234,0.0006664212,0.000022685745,0.0016009865,0.00065849605,0.00048519732,0.00094640715,0.0013426375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001749738,0.00008594357,0.000023785202,0.0003181469,0.00063073664,0.0007997577,0.008001583,0.00004604637,0.000021103655,0.91573274,0.06675598,0.0074091707],"study_design_scores_gemma":[0.0005598903,0.00023401126,0.00002327347,0.00060014264,0.0006675221,0.00005516657,0.0009310068,0.00016033121,0.000017279252,0.026396735,0.96927786,0.001076792],"about_ca_topic_score_codex":0.006279514,"about_ca_topic_score_gemma":0.0010016426,"teacher_disagreement_score":0.90252185,"about_ca_system_score_codex":0.00040049647,"about_ca_system_score_gemma":0.0003176952,"threshold_uncertainty_score":0.9998395},"labels":[],"label_agreement":null},{"id":"W3138748010","doi":"10.1353/tfr.2011.0251","title":"La Cathédrale sur l’océan by Vittorio Frigerio","year":2011,"lang":"en","type":"article","venue":"The French review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honor; Communism; Armenian; Refugee; Art history; Law; Media studies; History; Literature; Sociology; Art; Political science; Politics; Ancient history","score_opus":0.05586173209579964,"score_gpt":0.22676994583131602,"score_spread":0.17090821373551637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138748010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001010725,0.35821122,0.000016626038,0.0003450112,0.0005490961,0.00024582012,0.000046536163,0.00008821741,0.63948673],"genre_scores_gemma":[0.5266907,0.017851165,0.00003906634,0.0032829868,0.00085962133,0.000118106356,0.000065303604,0.00003597037,0.45105705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989965,0.00016486093,0.00029933898,0.00018780351,0.00015258537,0.00019892592],"domain_scores_gemma":[0.99934846,0.00006517876,0.00009952231,0.00034578203,0.00005961596,0.00008146485],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026155068,0.00016008563,0.00030689742,0.000020680563,0.00026478802,0.00005765999,0.00032182338,0.000031753007,0.0114053],"category_scores_gemma":[0.0000134704205,0.00009170007,0.00018776764,0.00006621821,0.00016026532,0.00017675647,0.000035036264,0.00017520416,0.00086438947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011609783,0.000105370484,0.000055735924,0.00041795443,0.000035706496,0.000009488532,0.009272547,5.303158e-9,0.000004400926,0.0110563375,0.96550673,0.013534543],"study_design_scores_gemma":[0.00004584409,0.000037553287,0.000041618317,0.00032244765,0.0000862162,0.0000040116015,0.000035345496,0.0000010518053,0.000003823794,0.00037728524,0.9988972,0.00014761006],"about_ca_topic_score_codex":0.0016197674,"about_ca_topic_score_gemma":0.0014800513,"teacher_disagreement_score":0.52568,"about_ca_system_score_codex":0.000024713803,"about_ca_system_score_gemma":0.000026215153,"threshold_uncertainty_score":0.9999136},"labels":[],"label_agreement":null},{"id":"W3138933415","doi":"10.1353/tfr.2012.0253","title":"Les petits by Christine Angot","year":2012,"lang":"en","type":"article","venue":"The French review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0617387678515705,"score_gpt":0.2673231286743242,"score_spread":0.20558436082275366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138933415","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044720256,0.7524368,0.000016759095,0.0009974255,0.00030630679,0.00013477431,0.000032569613,0.000045803623,0.24558231],"genre_scores_gemma":[0.69027156,0.013711285,0.000022824217,0.0037385868,0.002044106,0.000059756912,0.00008106741,0.000017474133,0.29005337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992629,0.00008498151,0.00022008269,0.000098995064,0.00013087175,0.00020215362],"domain_scores_gemma":[0.99954325,0.0000553413,0.00007375015,0.00020986598,0.00003980752,0.000077993725],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002168761,0.000116605486,0.00022084679,0.000013980168,0.0002939515,0.000036693116,0.00017795165,0.000015777237,0.0124888],"category_scores_gemma":[0.0000166516,0.00006268845,0.000119869015,0.000051131086,0.00009469664,0.00013627512,0.000025822315,0.00010783031,0.00085437443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.3995371e-7,0.000057523743,0.00009763653,0.00040745933,0.000016500091,5.4069494e-7,0.0016819327,7.3927438e-9,0.0000037095185,0.013327686,0.96708554,0.017321136],"study_design_scores_gemma":[0.000029237424,0.000017152539,0.00008708191,0.00030978041,0.00007403207,0.000002739382,0.000024504154,0.0000010753197,0.0000014110203,0.000049770733,0.9993016,0.000101589016],"about_ca_topic_score_codex":0.0006084613,"about_ca_topic_score_gemma":0.00028330568,"teacher_disagreement_score":0.73872554,"about_ca_system_score_codex":0.000016478052,"about_ca_system_score_gemma":0.000005839473,"threshold_uncertainty_score":0.9999236},"labels":[],"label_agreement":null},{"id":"W3139001470","doi":"10.7202/1045967ar","title":"Introduction. La société au miroir du discours hagiographique","year":2016,"lang":"fr","type":"article","venue":"Cahiers d histoire","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.007233579245518395,"score_gpt":0.2012362052030532,"score_spread":0.19400262595753479,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139001470","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020442134,0.096448675,0.0009032429,0.43359712,0.026232192,0.00031652598,0.0005626142,0.00032438012,0.42117313],"genre_scores_gemma":[0.27293536,0.00079200923,0.00004597416,0.00057315745,0.015010885,0.000028111233,0.000026543761,0.000047978894,0.71054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99797237,0.00027189843,0.00042855708,0.00054656214,0.00024121015,0.00053941796],"domain_scores_gemma":[0.9986984,0.00026565773,0.00018044683,0.00041666013,0.00014061446,0.00029821173],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0002296577,0.00036933098,0.00041749014,0.0002621839,0.0038173439,0.0001309057,0.0002802453,0.00028866855,0.009231892],"category_scores_gemma":[0.00011445631,0.0002683138,0.0005544152,0.0001528778,0.010278212,0.0006943798,0.000035053028,0.00037758777,0.0005942772],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029606657,0.00015156846,0.000057212837,0.000054826272,0.000110040935,0.000046987636,0.01936822,7.122487e-7,0.000061814346,0.4822213,0.46728197,0.030615725],"study_design_scores_gemma":[0.00041263693,0.00011132147,0.00006908565,0.0001199349,0.00022254202,0.000033726807,0.0031602087,0.000003129477,0.000022526569,0.0067733685,0.9886171,0.0004543898],"about_ca_topic_score_codex":0.0009514302,"about_ca_topic_score_gemma":0.00038986566,"teacher_disagreement_score":0.5213351,"about_ca_system_score_codex":0.0013434306,"about_ca_system_score_gemma":0.00015481384,"threshold_uncertainty_score":0.99997693},"labels":[],"label_agreement":null},{"id":"W31398195","doi":"10.1371/journal.pone.0220781","title":"Simulacres panoptiques et opacité du réel: l'imaginaire panoramique chez quelques photographes et écrivains contemporains","year":2009,"lang":"en","type":"article","venue":"Revue des Sciences Humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Art; Humanities; Philosophy","score_opus":0.08220082565375962,"score_gpt":0.30466114885504264,"score_spread":0.222460323201283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W31398195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50481385,0.0048712445,0.0005445674,0.015233835,0.00051308126,0.0004843993,0.00010416909,0.0008689237,0.47256595],"genre_scores_gemma":[0.98775166,0.0007570615,0.0007197406,0.004717467,0.0005063344,0.000018340961,0.000028967093,0.00001914591,0.005481259],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978557,0.00033695056,0.0004723596,0.00056094304,0.00029428798,0.0004797225],"domain_scores_gemma":[0.9988882,0.00023980044,0.00019658286,0.00027006422,0.00024143368,0.00016391955],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00079335494,0.00036477606,0.00047571605,0.0003194256,0.0017652826,0.0009547122,0.0005672768,0.0000639332,0.0003920419],"category_scores_gemma":[0.000186455,0.00027462194,0.00027681034,0.0003030851,0.003074396,0.0016456165,0.00005357763,0.00020700345,0.000024772316],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002560408,0.00028724642,0.0053309747,0.000097545526,0.000035503646,0.00006423007,0.08183823,0.00009104879,0.00071955135,0.904191,0.00580145,0.0015175793],"study_design_scores_gemma":[0.00037355896,0.0014135095,0.002257967,0.0005208988,0.00006406167,0.000042571195,0.0063309046,0.0012226948,0.00043058285,0.16975094,0.8165569,0.0010354094],"about_ca_topic_score_codex":0.0017395996,"about_ca_topic_score_gemma":0.003493408,"teacher_disagreement_score":0.81075543,"about_ca_system_score_codex":0.00005622607,"about_ca_system_score_gemma":0.00009894475,"threshold_uncertainty_score":0.9999706},"labels":[],"label_agreement":null},{"id":"W3144211141","doi":"","title":"La Censure de l’imprimé. Belgique, France, Québec et Suisse romande. XIXe et XXe siècles","year":2006,"lang":"fr","type":"article","venue":"Open Repository and Bibliography (University of Liège)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Collectable; History; Political science","score_opus":0.009658322200683462,"score_gpt":0.21309447571582335,"score_spread":0.20343615351513988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3144211141","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5073314,0.05691372,0.0001111811,0.0046497253,0.00037176526,0.0002676752,0.00025699017,0.0000655841,0.43003196],"genre_scores_gemma":[0.8299026,0.005636986,0.00046369145,0.00022621671,0.00018729802,7.794958e-7,0.000027534146,0.00001649965,0.16353841],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818254,0.00060235965,0.00026387043,0.00041685777,0.0002219759,0.00031238404],"domain_scores_gemma":[0.998865,0.00025741488,0.00026359063,0.000268413,0.00015940545,0.00018617649],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00048758363,0.00027410718,0.00045952105,0.0025555962,0.0013189609,0.00052610063,0.00048305304,0.00024213448,0.0005432509],"category_scores_gemma":[3.9774164e-7,0.0002934937,0.0003783656,0.0020400374,0.0010691852,0.0014265511,0.00023220458,0.00037884127,0.000007094248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032501708,0.0013906137,0.4782936,0.0005045579,0.00054404803,0.0007798098,0.0116381,0.000021838914,0.0007737625,0.176382,0.32864368,0.0007029516],"study_design_scores_gemma":[0.00059047947,0.00023008932,0.20175813,0.00024421827,0.00027108524,0.000045368855,0.0016665525,0.000016968268,0.00005040073,0.0008518481,0.7939392,0.00033565043],"about_ca_topic_score_codex":0.55469614,"about_ca_topic_score_gemma":0.014670273,"teacher_disagreement_score":0.5400259,"about_ca_system_score_codex":0.000020929525,"about_ca_system_score_gemma":0.00013615513,"threshold_uncertainty_score":0.99998116},"labels":[],"label_agreement":null},{"id":"W3144989951","doi":"10.5965/2595034702162016104","title":"Le castelet électronique, un espace technologique au service de la marionnette","year":2018,"lang":"fr","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.02036995133408732,"score_gpt":0.2372901227722433,"score_spread":0.21692017143815598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3144989951","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060563605,0.0049423,0.0052876337,0.16286767,0.0024120447,0.0006446665,0.00023468526,0.0009111013,0.7621363],"genre_scores_gemma":[0.96861756,0.000360074,0.003007985,0.0013750542,0.0040706927,0.00016298243,0.00012284977,0.00009462965,0.022188187],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99492747,0.0013214807,0.00077396765,0.0009738768,0.00060757296,0.0013956204],"domain_scores_gemma":[0.9968605,0.00050492364,0.00046223676,0.00078712305,0.00076719257,0.00061803445],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010954118,0.00071557093,0.0006816538,0.0005054521,0.0032024747,0.00066913274,0.0009564345,0.0011778658,0.0005170868],"category_scores_gemma":[0.00041955066,0.00072247145,0.00035981167,0.0007603812,0.0002977332,0.0008280032,0.00036299104,0.0015204804,0.00011941367],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002576269,0.0009320406,0.00013887393,0.00020585634,0.00031066465,0.00035241948,0.01353103,0.00002757716,0.0010433936,0.97215945,0.008310877,0.0027302182],"study_design_scores_gemma":[0.0008542354,0.00028473572,0.0004537261,0.00026523974,0.00019682685,0.0017750579,0.0015330754,0.0005927355,0.0017355861,0.003622338,0.98787034,0.00081613625],"about_ca_topic_score_codex":0.00028985293,"about_ca_topic_score_gemma":0.0068141287,"teacher_disagreement_score":0.9795594,"about_ca_system_score_codex":0.0016993373,"about_ca_system_score_gemma":0.002228748,"threshold_uncertainty_score":0.9995226},"labels":[],"label_agreement":null},{"id":"W3152290804","doi":"","title":"\"Djogoni, le roman d'un métis\", ou l'inanitjé de l'oeuvre civilisatrice","year":2005,"lang":"fr","type":"article","venue":"Francofonía","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015019122198330369,"score_gpt":0.21711071827668788,"score_spread":0.2020915960783575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3152290804","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081251785,0.19970359,0.0019433728,0.038316224,0.0060167206,0.00040766987,0.0004953404,0.0004068244,0.6714585],"genre_scores_gemma":[0.51564044,0.00060294045,0.0016088184,0.0017828413,0.010299031,0.000028286226,0.000044680117,0.00006846426,0.4699245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971916,0.00024487593,0.0006295585,0.0005488685,0.00033726508,0.0010478233],"domain_scores_gemma":[0.9986434,0.00017796592,0.00018920063,0.00049656257,0.00011889048,0.00037399383],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003618894,0.00046333234,0.00053283107,0.00019212194,0.0014164562,0.00030421664,0.00046959316,0.00026642016,0.019771716],"category_scores_gemma":[0.000050989693,0.0004626631,0.00045392328,0.00024922646,0.00041842373,0.000893661,0.00009797239,0.000585368,0.0035855754],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004809637,0.0009075905,0.00052493217,0.00019708369,0.00017896738,0.00014336494,0.035334084,0.00008942326,0.000050379276,0.6468741,0.25792488,0.057727065],"study_design_scores_gemma":[0.00068038085,0.00015556712,0.0011725005,0.00011824895,0.00017655315,0.00003840648,0.0010228041,0.00045472913,0.00017040742,0.00391327,0.9914872,0.00060994714],"about_ca_topic_score_codex":0.006970493,"about_ca_topic_score_gemma":0.0022389211,"teacher_disagreement_score":0.7335623,"about_ca_system_score_codex":0.00023946352,"about_ca_system_score_gemma":0.00016664104,"threshold_uncertainty_score":0.9998836},"labels":[],"label_agreement":null},{"id":"W3153825778","doi":"10.7202/1073501ar","title":"CHENU, Bruno, Dieu et l’homme souffrant, Paris, Bayard, 2004, 72 p.","year":2005,"lang":"fr","type":"article","venue":"Frontières","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.018648246581734647,"score_gpt":0.23498704807127643,"score_spread":0.2163388014895418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153825778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034279255,0.44119915,0.000496594,0.039539848,0.004678614,0.00023812726,0.00071248,0.00020321998,0.509504],"genre_scores_gemma":[0.1604004,0.0040587247,0.0005874948,0.004207011,0.009561571,0.000025487616,0.00014423217,0.00006829629,0.82094675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974802,0.00022396511,0.0006091097,0.00051403296,0.00035662428,0.00081604853],"domain_scores_gemma":[0.99887705,0.00013801339,0.00017036377,0.00044125452,0.00010706712,0.0002662343],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000293821,0.00045010733,0.0005971679,0.0001332865,0.0008622488,0.00042899774,0.00035948266,0.00020535947,0.02620569],"category_scores_gemma":[0.00003779852,0.00040222745,0.0004314571,0.000085967884,0.00046427155,0.0009199463,0.000114723094,0.0005206657,0.0037595427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005258055,0.0005117011,0.0005134406,0.0000882978,0.00021411284,0.000040697298,0.021191152,0.000071396855,0.000009252887,0.11373339,0.8484477,0.015126317],"study_design_scores_gemma":[0.0005169054,0.00014688041,0.0005480199,0.00013426015,0.00022636917,0.000008739089,0.0004913726,0.00037447526,0.000039864663,0.0010286984,0.9959254,0.0005589854],"about_ca_topic_score_codex":0.007873028,"about_ca_topic_score_gemma":0.002937236,"teacher_disagreement_score":0.4371404,"about_ca_system_score_codex":0.00012751856,"about_ca_system_score_gemma":0.0000729177,"threshold_uncertainty_score":0.99984294},"labels":[],"label_agreement":null},{"id":"W3153981244","doi":"10.4000/studifrancesi.33546","title":"Claude Duchet – Dominique Pety. Philippe Régnier, Bibliographie du dix-neuvième siècle. Année 2002","year":2005,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliographical Society of Canada","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017308290585711202,"score_gpt":0.23284568304787187,"score_spread":0.21553739246216067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153981244","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06475507,0.49108395,0.00013466232,0.047458276,0.008583539,0.0008131971,0.001734432,0.00042204818,0.38501483],"genre_scores_gemma":[0.606273,0.043734793,0.0002772168,0.0028953005,0.021286365,0.00012839427,0.000054322056,0.00010381506,0.32524684],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99624914,0.00028373455,0.0009620445,0.0008726066,0.0005857649,0.0010466943],"domain_scores_gemma":[0.9981192,0.0002838726,0.0003008768,0.0005818172,0.00033330783,0.00038092944],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004427556,0.00069345155,0.0009202584,0.001297444,0.00208888,0.00038510366,0.0005873978,0.00025174572,0.01734597],"category_scores_gemma":[0.00005959852,0.00062255346,0.00074698357,0.0018342701,0.0016300502,0.0012679696,0.00013668029,0.0006871971,0.0023368096],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015014865,0.0018276882,0.008168491,0.00029679463,0.000687136,0.00015438067,0.015297805,0.000059068636,0.000038689748,0.09718924,0.83801335,0.038117196],"study_design_scores_gemma":[0.0010331438,0.0003183268,0.004198034,0.00018402158,0.0002873752,0.00001670928,0.0007828944,0.00010999551,0.000053021373,0.0016085752,0.9906531,0.00075482635],"about_ca_topic_score_codex":0.0013336216,"about_ca_topic_score_gemma":0.0017753645,"teacher_disagreement_score":0.5415179,"about_ca_system_score_codex":0.00010576053,"about_ca_system_score_gemma":0.00007549845,"threshold_uncertainty_score":0.9996226},"labels":[],"label_agreement":null},{"id":"W3154270453","doi":"10.4000/studifrancesi.35612","title":"Jean Sgard, Crébillon fils, le libertin moraliste","year":2005,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Advanced Micro Devices (Canada)","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.024704701287532743,"score_gpt":0.23295211175367433,"score_spread":0.2082474104661416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3154270453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0153454635,0.30445722,0.00008060362,0.05705746,0.0041893106,0.000282367,0.0002604135,0.00017716875,0.61815],"genre_scores_gemma":[0.28515005,0.0014171932,0.0001954086,0.0015211377,0.0063895327,0.00002250745,0.00002244164,0.00003147922,0.70525026],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804085,0.00013477198,0.00052372547,0.0004464417,0.00030190585,0.00055229146],"domain_scores_gemma":[0.9991119,0.00012593291,0.0001535355,0.0003229959,0.000115127805,0.00017049049],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017359313,0.00033424955,0.00048334143,0.00007665019,0.0011678435,0.00020525549,0.00028555692,0.00010235884,0.007619372],"category_scores_gemma":[0.00003757024,0.000296004,0.00030560198,0.00012653311,0.00054154283,0.0006684188,0.00007217739,0.0003145194,0.0019080548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006912321,0.0009944872,0.0004990382,0.00024478437,0.00029499078,0.000064622414,0.031990506,0.00023232741,0.000034481935,0.28637397,0.59318,0.086021654],"study_design_scores_gemma":[0.00048370825,0.00014889239,0.00028307797,0.00011708592,0.0001034541,0.0000022248198,0.00081018277,0.00018702431,0.00005577594,0.00080858055,0.9965869,0.00041304444],"about_ca_topic_score_codex":0.006432978,"about_ca_topic_score_gemma":0.0030390648,"teacher_disagreement_score":0.40340695,"about_ca_system_score_codex":0.00008862681,"about_ca_system_score_gemma":0.00005592731,"threshold_uncertainty_score":0.9999492},"labels":[],"label_agreement":null},{"id":"W3155679495","doi":"","title":"Travaux choisis de la Société canadienne d’étude du dix-huitième siècle. Selected Proceedings from the Canadian Society for Eighteenth-Century Studies, Indigènes et exotisme, Indigenes and Exoticism, Alex J. Dick e Jo-Ann McEachern ed.","year":2007,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exoticism; Humanities; Art; Art history","score_opus":0.031508272670444176,"score_gpt":0.24896232992850492,"score_spread":0.21745405725806075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3155679495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93130374,0.027065238,0.000021657961,0.02836239,0.0008350957,0.00096786703,0.002782864,0.00013634092,0.008524808],"genre_scores_gemma":[0.96634454,0.005227048,0.00023880615,0.0025368382,0.0030328098,0.00003593793,0.0005279214,0.00009455888,0.021961574],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963268,0.00028116495,0.0005638407,0.0007726708,0.00037604023,0.0016794769],"domain_scores_gemma":[0.99581724,0.0018985368,0.00040610105,0.00021147719,0.00063086447,0.0010357992],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001438788,0.00069883233,0.0007604709,0.00021559233,0.0044410396,0.0008962218,0.00066237955,0.0010209121,0.0005126184],"category_scores_gemma":[0.00051597744,0.0005953176,0.0004772827,0.0006066111,0.0015758942,0.0009842304,0.00012468774,0.0013545498,0.000009276552],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022087048,0.0003753803,0.011666615,0.00018438727,0.004357939,0.00027545085,0.41764775,0.000013826842,0.00029579567,0.07848603,0.47614563,0.010330322],"study_design_scores_gemma":[0.0015360188,0.00017802423,0.12302613,0.00023793458,0.0011211047,0.000053007392,0.10673614,0.00007088773,0.000068818765,0.00024954436,0.76600766,0.0007147128],"about_ca_topic_score_codex":0.55240655,"about_ca_topic_score_gemma":0.75018495,"teacher_disagreement_score":0.31091163,"about_ca_system_score_codex":0.0028738934,"about_ca_system_score_gemma":0.0012388492,"threshold_uncertainty_score":0.9996498},"labels":[],"label_agreement":null},{"id":"W3156582492","doi":"10.7202/1073754ar","title":"Remède, poison et charme magique","year":2003,"lang":"fr","type":"article","venue":"Frontières","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Chemistry","score_opus":0.021943402190061273,"score_gpt":0.2349425555925339,"score_spread":0.21299915340247264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3156582492","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00576001,0.09301776,0.00032514695,0.01053502,0.0054402035,0.00014305254,0.00017334898,0.000092457514,0.884513],"genre_scores_gemma":[0.13754904,0.0012448193,0.0005614811,0.0019851099,0.0014536761,0.000012963798,0.000037124562,0.00003551497,0.8571203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984332,0.0003451198,0.0003226495,0.00031058543,0.00018752547,0.00040093748],"domain_scores_gemma":[0.99934673,0.00008365992,0.00009087577,0.00024921523,0.00008009395,0.00014944689],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023736314,0.0002505639,0.0003139738,0.00008945684,0.00039015114,0.00024330599,0.0001585602,0.00011659971,0.022218179],"category_scores_gemma":[0.00007480793,0.00022417784,0.00021273381,0.000057359823,0.00024549253,0.0004966273,0.000022841938,0.0003045638,0.0014778735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011531837,0.00016203824,0.00023816459,0.000060866303,0.000056629044,0.000039781648,0.010403955,0.0000035650114,0.000018687075,0.65812206,0.32940513,0.0014776123],"study_design_scores_gemma":[0.0002129974,0.00011557473,0.00022983216,0.000090442154,0.00007449236,0.0000094168745,0.00053344725,0.000031410764,0.00010094755,0.008599408,0.9896922,0.0003098168],"about_ca_topic_score_codex":0.0021917252,"about_ca_topic_score_gemma":0.00087562844,"teacher_disagreement_score":0.6602871,"about_ca_system_score_codex":0.00007691889,"about_ca_system_score_gemma":0.000056847144,"threshold_uncertainty_score":0.9992996},"labels":[],"label_agreement":null},{"id":"W3157355081","doi":"","title":"Jean Rivard, le défricheur canadien (1862) et Jean Rivard, économiste (1864) : une pédagogie de la civilisation","year":2020,"lang":"fr","type":"article","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Civilization; Art; Philosophy; Humanities; History; Archaeology","score_opus":0.014573174715714888,"score_gpt":0.1804653645055016,"score_spread":0.1658921897897867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157355081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23237722,0.06160494,0.00094351976,0.06819653,0.001698091,0.00045165073,0.0005908953,0.00033497423,0.6338022],"genre_scores_gemma":[0.7173668,0.00090895995,0.00022307399,0.0013128724,0.0010010715,0.0000101577325,0.00012360272,0.000034206696,0.27901924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974696,0.00053301785,0.0004636403,0.0006170516,0.00034626664,0.00057039055],"domain_scores_gemma":[0.9980147,0.0004526555,0.00027377147,0.0003203818,0.00017261542,0.0007658644],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003096471,0.00042080172,0.00045110358,0.00016581111,0.0068109534,0.00023198237,0.00044751426,0.0002577617,0.0004604661],"category_scores_gemma":[0.00015087619,0.0004885695,0.00039270782,0.00023765911,0.0008802544,0.0008717373,0.00020382101,0.00053968414,0.00016187182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044777678,0.0003676073,0.003105939,0.00023545406,0.00058745197,0.0036486236,0.23359852,0.008786374,0.0010031401,0.71247876,0.031124325,0.0046160105],"study_design_scores_gemma":[0.00090192066,0.00017821124,0.0012606841,0.00009927631,0.0003142373,0.00014620565,0.018630277,0.003641145,0.00027344888,0.0008193646,0.973202,0.0005332491],"about_ca_topic_score_codex":0.5801331,"about_ca_topic_score_gemma":0.08008303,"teacher_disagreement_score":0.94207764,"about_ca_system_score_codex":0.0043428857,"about_ca_system_score_gemma":0.001782663,"threshold_uncertainty_score":0.9997566},"labels":[],"label_agreement":null},{"id":"W3158176474","doi":"","title":"Les mythes littéraires Épopées homériques","year":2013,"lang":"fr","type":"book","venue":"L'instant même eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.042745623370511514,"score_gpt":0.23377241053665238,"score_spread":0.19102678716614085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158176474","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002894137,0.017370919,0.000029765697,0.0006746083,0.0016082654,0.00066202757,0.0007661833,0.00043879147,0.9755553],"genre_scores_gemma":[0.043467175,0.0005487451,0.00018155268,0.0006073081,0.0054353713,0.00013287843,0.00021121239,0.00018542154,0.9492303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955556,0.00035362894,0.001332878,0.0010330479,0.00070225215,0.0010226324],"domain_scores_gemma":[0.99727637,0.0004935836,0.0006094967,0.0008361644,0.00034844957,0.0004359268],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00022623899,0.0012830903,0.0014795589,0.00041599336,0.0021420214,0.00095403276,0.0008353258,0.00071503915,0.01471145],"category_scores_gemma":[0.000047727564,0.0010380567,0.0010009721,0.000035935045,0.0024053748,0.00042221663,0.00023726108,0.0011508097,0.002382262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005353544,0.0001358977,0.00002974416,0.00065987697,0.00045385293,0.00017628429,0.019660966,0.0000010781788,0.000047850965,0.8434996,0.072654024,0.06262731],"study_design_scores_gemma":[0.00025691287,0.00044794733,0.000043448006,0.0013192967,0.00031712724,0.000021439244,0.0010024001,0.000027834047,0.00008978721,0.025279898,0.9698502,0.0013437272],"about_ca_topic_score_codex":0.0092062,"about_ca_topic_score_gemma":0.0026529361,"teacher_disagreement_score":0.8971962,"about_ca_system_score_codex":0.0005245199,"about_ca_system_score_gemma":0.0003382457,"threshold_uncertainty_score":0.9999921},"labels":[],"label_agreement":null},{"id":"W3161793890","doi":"","title":"Les historiens anciens comme autorités. Repères XVe-XIXe siècles","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.05476940377849339,"score_gpt":0.2563944200800881,"score_spread":0.20162501630159474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161793890","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040728875,0.025124267,0.0069626314,0.03976141,0.0039826534,0.0006272278,0.00097469706,0.0006136509,0.8812246],"genre_scores_gemma":[0.41174036,0.0015475454,0.0049889265,0.00018081143,0.0005724442,0.00007566099,0.0007783289,0.000094051546,0.58002186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909031,0.004989889,0.0011175107,0.0013540672,0.00073252077,0.0009029367],"domain_scores_gemma":[0.98916453,0.0018693578,0.0013221516,0.003872271,0.0032309159,0.000540798],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0046883416,0.00077712693,0.0009794743,0.00026115816,0.0054068016,0.0017415462,0.0025546285,0.0005301525,0.0029318],"category_scores_gemma":[0.0021633904,0.0007919415,0.00074789254,0.00014268715,0.002143073,0.00052056316,0.0014338027,0.0013501783,0.0003200677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020401663,0.000984557,0.0011845661,0.0003018939,0.00018597972,0.00003349273,0.09895292,0.000015778529,0.00017099855,0.8337962,0.026258117,0.038095117],"study_design_scores_gemma":[0.00036560354,0.0000015616655,0.002030848,0.0017014453,0.00017186021,0.000013149278,0.0004192142,0.0014966244,0.0006508549,0.0063030804,0.9859971,0.0008486738],"about_ca_topic_score_codex":0.05329636,"about_ca_topic_score_gemma":0.018959574,"teacher_disagreement_score":0.95973897,"about_ca_system_score_codex":0.0007144784,"about_ca_system_score_gemma":0.00039521419,"threshold_uncertainty_score":0.9994531},"labels":[],"label_agreement":null},{"id":"W3161987631","doi":"10.7202/1076685ar","title":"Les évolutions de Decroux et de Grotowski dans la pédagogie théâtrale de l’Ouest du Canada","year":2020,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06450092323192132,"score_gpt":0.28526195514080827,"score_spread":0.22076103190888696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161987631","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43014967,0.0061184056,0.03052807,0.13280962,0.0018711502,0.00081872917,0.0032512064,0.0005247833,0.39392838],"genre_scores_gemma":[0.9542992,0.0011604668,0.001554146,0.0030293867,0.0020652227,0.00013933989,0.00019365766,0.000058502683,0.037500095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976959,0.000591827,0.00043912203,0.00037795608,0.0002594086,0.0006357845],"domain_scores_gemma":[0.9984052,0.00060266396,0.000094831405,0.00025074577,0.00012447876,0.0005220581],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027277897,0.00032676855,0.00031779325,0.00007974543,0.0016902211,0.0003677681,0.0003496252,0.00013296599,0.0022467219],"category_scores_gemma":[0.00047154387,0.00033869836,0.00016870175,0.00015079975,0.00041439597,0.0008846822,0.00008438909,0.00044310399,0.00010276174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026585596,0.0004147891,0.0021449642,0.00012273161,0.00013756688,0.0003088692,0.38748607,0.003490449,0.0005583857,0.44047964,0.16346161,0.0013683352],"study_design_scores_gemma":[0.00019710115,0.000086869615,0.0013282326,0.00008249948,0.00015526789,0.000051924213,0.024082491,0.004439802,0.0001558091,0.0013637523,0.96766144,0.0003947912],"about_ca_topic_score_codex":0.3539178,"about_ca_topic_score_gemma":0.6559398,"teacher_disagreement_score":0.8041999,"about_ca_system_score_codex":0.000945621,"about_ca_system_score_gemma":0.0019492031,"threshold_uncertainty_score":0.9999065},"labels":[],"label_agreement":null},{"id":"W317035520","doi":"10.1353/ren.2008.0453","title":": <i>Les Spectateurs de la vie: Généalogie du regard moraliste</i>","year":2006,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01790647179747447,"score_gpt":0.2423328714230808,"score_spread":0.22442639962560634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W317035520","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054222573,0.06291143,0.00029807922,0.006548187,0.002325632,0.00018058259,0.00021983814,0.00027994957,0.87301373],"genre_scores_gemma":[0.7604229,0.00026315017,0.00024165362,0.00027344457,0.004511464,0.000021565067,0.00004721897,0.00005016889,0.23416846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975542,0.0004470724,0.0005550686,0.0004792512,0.0002753439,0.0006891062],"domain_scores_gemma":[0.99890816,0.00022780581,0.0002055934,0.00038300565,0.00010423386,0.00017122742],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002859739,0.00040530498,0.00047607944,0.000106591186,0.0007983381,0.00053589157,0.0003335403,0.00020425463,0.0023470544],"category_scores_gemma":[0.00001689507,0.000382585,0.0003453605,0.0001421439,0.001277621,0.0005171701,0.000014786943,0.00041088878,0.00045151502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049663937,0.00040545303,0.0014787391,0.00017785114,0.000053080956,0.00045982565,0.007318241,0.000018756504,0.00016133023,0.5200176,0.45604792,0.013811539],"study_design_scores_gemma":[0.00039122408,0.0004951492,0.0015758047,0.00022996472,0.00012577248,0.00006882551,0.0009919219,0.00009772107,0.00006205584,0.017519865,0.9779452,0.00049647415],"about_ca_topic_score_codex":0.017293565,"about_ca_topic_score_gemma":0.0018678335,"teacher_disagreement_score":0.7062003,"about_ca_system_score_codex":0.00023274512,"about_ca_system_score_gemma":0.00006617997,"threshold_uncertainty_score":0.9998626},"labels":[],"label_agreement":null},{"id":"W3171342311","doi":"10.4000/books.pupvd.32462","title":"L’Illustre malheureuse et L’Infortuné Napolitain, deux cosmopolites dans une Europe en crise de conscience","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Perpignan eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Philosophy; Humanities","score_opus":0.018923115809339582,"score_gpt":0.2134855498341254,"score_spread":0.19456243402478582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3171342311","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0077868076,0.0037058182,0.0002175096,0.0018324116,0.000359247,0.00053902244,0.0010551825,0.00027490425,0.9842291],"genre_scores_gemma":[0.347938,0.0016704153,0.00047239798,0.00089149666,0.0004595807,0.000014315089,0.00013985243,0.00011926026,0.6482947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996178,0.0003320442,0.0006928192,0.00095338863,0.00054791244,0.0012958877],"domain_scores_gemma":[0.9965894,0.0006964804,0.00043009102,0.0008704108,0.0005414797,0.0008721416],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00026048694,0.001039997,0.0008414642,0.0005155036,0.0018281444,0.00057714136,0.0015381061,0.00046453575,0.0054961625],"category_scores_gemma":[0.00008750037,0.0010214425,0.00054915086,0.00007155298,0.0034387263,0.0008362781,0.0006839084,0.00097207504,0.00054010615],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009306414,0.00010772833,0.00025352024,0.00047408004,0.00045504313,0.0012885001,0.027294982,0.00007432322,0.00021276098,0.9400303,0.026858266,0.0028574292],"study_design_scores_gemma":[0.00052458316,0.0002924658,0.00010751701,0.00082374027,0.00086172187,0.00013533684,0.0063944254,0.00021158758,0.000120358316,0.042141292,0.9472001,0.00118686],"about_ca_topic_score_codex":0.0064786808,"about_ca_topic_score_gemma":0.00064905477,"teacher_disagreement_score":0.92034185,"about_ca_system_score_codex":0.0006860112,"about_ca_system_score_gemma":0.00061204034,"threshold_uncertainty_score":0.99947137},"labels":[],"label_agreement":null},{"id":"W317432870","doi":"","title":"Les amours d’une blonde : Commentaire critiquePoupoupidou de Gérald Hustache-Mathieu, France, 2010, 102 minPoupoupidou de Gérald Hustache-Mathieu, France, 2010, 102 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathieu function; Humanities; Philosophy; Physics","score_opus":0.04299301798990399,"score_gpt":0.25477160942837984,"score_spread":0.21177859143847585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W317432870","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3372904,0.43808264,0.0027070811,0.04408055,0.012486594,0.0022275771,0.003173077,0.0015111489,0.15844093],"genre_scores_gemma":[0.28365836,0.00545121,0.0050984677,0.0068882066,0.004957055,0.0003482578,0.0003106576,0.000381597,0.6929062],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915628,0.00084908865,0.0021409127,0.0016019098,0.0009333086,0.0029120252],"domain_scores_gemma":[0.99504447,0.00072117965,0.00087351154,0.0015513333,0.0005297365,0.0012797407],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0011411915,0.0017614138,0.002050173,0.00066517317,0.0031095718,0.0007345286,0.0016885098,0.0012586911,0.018928077],"category_scores_gemma":[0.00020445668,0.0017686046,0.0013070107,0.0005174411,0.0027557581,0.0014009821,0.00038292102,0.0023043712,0.0013714089],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031185782,0.003026267,0.008020094,0.0018885027,0.0007888352,0.001031585,0.049977567,0.00007410404,0.00065892487,0.06401807,0.8619822,0.008221978],"study_design_scores_gemma":[0.0017893573,0.00060041406,0.0027586774,0.0012412982,0.00087595975,0.00020227274,0.015303108,0.00063216884,0.0017136977,0.0037952205,0.9689449,0.0021428904],"about_ca_topic_score_codex":0.08225686,"about_ca_topic_score_gemma":0.003166301,"teacher_disagreement_score":0.53446525,"about_ca_system_score_codex":0.0004576481,"about_ca_system_score_gemma":0.00037757034,"threshold_uncertainty_score":0.9999974},"labels":[],"label_agreement":null},{"id":"W3174774778","doi":"10.19130/iifl.nt.2021.39.2.79281","title":"Construcción afectiva de la corporalidad: la vieja y su joven amante en Pluto de Aristófanes (vv. 959-1096)","year":2021,"lang":"en","type":"article","venue":"Nova Tellus","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Cambridge; University of Toronto; University of Oxford; American Philological Association","keywords":"HERO; Humanities; Comics; Pleasure; Art; Sociology; Philosophy; Literature; Psychology","score_opus":0.025427763589645935,"score_gpt":0.26034303176260765,"score_spread":0.2349152681729617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174774778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4666568,0.0016738967,0.00030387501,0.0007233273,0.0006747857,0.00010871027,0.00011189081,0.00021404638,0.5295327],"genre_scores_gemma":[0.9432474,0.000057420024,0.00041888995,0.00064626837,0.00081306056,0.000008115907,0.00003903935,0.000028433731,0.054741424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838346,0.00049035996,0.00028875133,0.00030134263,0.00018734128,0.00034872626],"domain_scores_gemma":[0.9986859,0.0007181117,0.00010011269,0.00025959752,0.000096080425,0.00014021868],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039405626,0.00021546123,0.00033495514,0.00007104112,0.0002862298,0.00036050586,0.00019365433,0.00016967017,0.0065047294],"category_scores_gemma":[0.00016114775,0.00019106636,0.00018617671,0.00010862607,0.00038109208,0.00017213028,0.00007572749,0.00045489531,0.00020215452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002029048,0.00074407214,0.013557645,0.00029980578,0.0004743214,0.0037181955,0.07005354,0.00003891201,0.0035221807,0.81219894,0.06226356,0.03292592],"study_design_scores_gemma":[0.0003375365,0.00005900612,0.00091224693,0.00005775657,0.00007991439,0.00022710589,0.0009725149,0.00009155036,0.0010503235,0.006747917,0.98917985,0.00028428165],"about_ca_topic_score_codex":0.001263858,"about_ca_topic_score_gemma":0.00031091683,"teacher_disagreement_score":0.9269163,"about_ca_system_score_codex":0.00012127088,"about_ca_system_score_gemma":0.00020787993,"threshold_uncertainty_score":0.9944035},"labels":[],"label_agreement":null},{"id":"W31851856","doi":"10.1080/09537104.2019.1704711","title":"Critique de la critique. Spirale : Arts • Lettres • Sciences humaines, no. 208, 2006","year":2006,"lang":"en","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Canada Research Chairs; Canadian Liver Foundation; Ministry of Advanced Education, Government of Alberta","keywords":"The arts; Philosophy; Sociology; Art; Visual arts","score_opus":0.03364901051492778,"score_gpt":0.2871495108645792,"score_spread":0.2535005003496514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W31851856","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17513047,0.0054487037,0.00013844395,0.006314007,0.0015429921,0.00042139282,0.00022102459,0.0005759104,0.81020707],"genre_scores_gemma":[0.8489147,0.00008601947,0.0015512455,0.01035462,0.008588587,0.00014171867,0.00007578776,0.00007496084,0.13021238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946553,0.00033607075,0.0010108723,0.0013077783,0.0011149908,0.0015749873],"domain_scores_gemma":[0.99786603,0.00063113373,0.0003252804,0.0005172535,0.00037553353,0.00028476852],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016742746,0.0007213357,0.0007267022,0.00075552904,0.00648491,0.002239024,0.0013977443,0.00018173158,0.005255908],"category_scores_gemma":[0.0003252435,0.0005761106,0.00043690964,0.0006159814,0.009071194,0.0023740365,0.0002117698,0.00044480964,0.0003947684],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016761853,0.00035887506,0.004043979,0.000101746584,0.00002019617,0.00013427953,0.00164338,0.00024208192,0.0016999815,0.48601386,0.5052989,0.0004259099],"study_design_scores_gemma":[0.0003562497,0.00047121456,0.0007139941,0.00017123758,0.000053893997,0.000030124695,0.0007698307,0.00024780995,0.00069944945,0.033157848,0.9624389,0.00088946085],"about_ca_topic_score_codex":0.011882243,"about_ca_topic_score_gemma":0.0066383295,"teacher_disagreement_score":0.67999464,"about_ca_system_score_codex":0.00012049144,"about_ca_system_score_gemma":0.0002802538,"threshold_uncertainty_score":0.999669},"labels":[],"label_agreement":null},{"id":"W3191184196","doi":"10.33137/rr.v44i1.37078","title":"Hock, Jessie. The Erotics of Materialism: Lucretius and Early Modern Poetics.","year":2021,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Materialism; Hock; Literature; Art; Philosophy; Art history; Poetry; Theology; Medicine; Anatomy","score_opus":0.021654539558376807,"score_gpt":0.2149100660960818,"score_spread":0.19325552653770497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3191184196","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9767254,0.004726357,0.00012310245,0.0007174435,0.00021565864,0.00005600924,0.000018613904,0.000016428477,0.017401006],"genre_scores_gemma":[0.9972293,0.00039661536,0.000034266515,0.00008152944,0.00014804077,0.000002408733,0.000011415616,0.0000035688806,0.0020929025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995936,0.000028112529,0.00016363169,0.000064871885,0.00008086964,0.000068921494],"domain_scores_gemma":[0.9997389,0.000013132036,0.00007175582,0.00008725845,0.00006668659,0.0000222778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000058326583,0.000056466924,0.00010367617,0.000019768853,0.00020528371,0.00008373563,0.00003377813,0.000023519211,0.00006546319],"category_scores_gemma":[0.0000073692095,0.000031174506,0.000021057982,0.000023560746,0.00013872935,0.0002561595,0.000022272035,0.000044354238,0.0000027225883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012720918,0.00016485379,0.0016405344,0.001111642,0.00015671388,0.000016181199,0.41028196,0.000025938758,0.0065897326,0.5207824,0.009776629,0.0493262],"study_design_scores_gemma":[0.0006090314,0.0001970597,0.007644633,0.00029107733,0.000120391014,0.000031987795,0.0040066657,0.0013172311,0.007564134,0.017207207,0.9606671,0.00034348317],"about_ca_topic_score_codex":0.00007422981,"about_ca_topic_score_gemma":0.000022917708,"teacher_disagreement_score":0.9508905,"about_ca_system_score_codex":0.0000056544436,"about_ca_system_score_gemma":0.000007367619,"threshold_uncertainty_score":0.15788971},"labels":[],"label_agreement":null},{"id":"W319287655","doi":"","title":"Cachin, Marie-Françoise. Une nation de lecteurs?: La lecture en Angleterre (1815-1945).2010","year":2012,"lang":"fr","type":"article","venue":"Documentation et bibliothèques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020823621494446037,"score_gpt":0.28812112091898046,"score_spread":0.2672974994245344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W319287655","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16191922,0.30317983,0.02966994,0.059612267,0.015743308,0.0015204645,0.0011137001,0.0010782153,0.42616305],"genre_scores_gemma":[0.7512026,0.009829053,0.00070490496,0.0040328573,0.0036438755,0.00006216453,0.0006059775,0.000073919146,0.22984467],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972245,0.0009922,0.00048186025,0.0003155454,0.00041332433,0.0005725529],"domain_scores_gemma":[0.9984358,0.00069731235,0.0002313457,0.00022035652,0.00015744854,0.0002577225],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007231362,0.0003697795,0.0003189512,0.0015510757,0.00058823137,0.0029560796,0.00021257623,0.00025203713,0.022038646],"category_scores_gemma":[0.00013752711,0.00034931404,0.00021221819,0.0011861259,0.00026329904,0.010288929,0.000049581326,0.000495749,0.00029385692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013591864,0.000930531,0.0072028837,0.00041235026,0.00036009005,0.00002718058,0.17577039,0.0001322318,0.0011472997,0.48119807,0.30126023,0.031422827],"study_design_scores_gemma":[0.00045143612,0.00017902986,0.003437834,0.00010241924,0.00019830606,0.000020870588,0.0007824855,0.00010704663,0.0005009788,0.006786168,0.987008,0.0004254259],"about_ca_topic_score_codex":0.014128444,"about_ca_topic_score_gemma":0.0016228063,"teacher_disagreement_score":0.68574774,"about_ca_system_score_codex":0.00031289738,"about_ca_system_score_gemma":0.00011930692,"threshold_uncertainty_score":0.9998959},"labels":[],"label_agreement":null},{"id":"W319431068","doi":"","title":"Modernité de Maeterlinck – Denis Marleau. Alternatives théâtrales, n˚ 73-74, Juillet 2002","year":2004,"lang":"fr","type":"article","venue":"Textyles. Revue des lettres belges de langue française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0301166862755475,"score_gpt":0.24032567344845368,"score_spread":0.21020898717290618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W319431068","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40550113,0.42544135,0.0035306264,0.015623775,0.0016926302,0.0007924402,0.0023869479,0.00064944976,0.14438166],"genre_scores_gemma":[0.354649,0.0040774443,0.003859832,0.0026526456,0.0059116622,0.000095610165,0.00017605931,0.00021928089,0.6283585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961676,0.00035185582,0.0008026376,0.00081487076,0.00040259777,0.0014604371],"domain_scores_gemma":[0.9979351,0.0002932484,0.00030169592,0.0007401,0.00016326309,0.00056655804],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031867306,0.0008071437,0.0008803883,0.00032252923,0.0011076982,0.0003788414,0.0008483122,0.00039352814,0.011977173],"category_scores_gemma":[0.00010421472,0.00078874175,0.0006687923,0.0002209739,0.0014518665,0.00073081395,0.00017041837,0.0009007689,0.0014894645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005308584,0.002859181,0.0041479394,0.0036832348,0.0015962241,0.008132461,0.23711127,0.008579802,0.0017994046,0.36100036,0.26377472,0.10678454],"study_design_scores_gemma":[0.0011330937,0.00027181752,0.0009434398,0.0011331701,0.00041736526,0.00036881876,0.0008181476,0.00051268935,0.00031974888,0.0030259253,0.9900518,0.0010039574],"about_ca_topic_score_codex":0.046094626,"about_ca_topic_score_gemma":0.014868378,"teacher_disagreement_score":0.7262771,"about_ca_system_score_codex":0.00057159463,"about_ca_system_score_gemma":0.00012781785,"threshold_uncertainty_score":0.99945635},"labels":[],"label_agreement":null},{"id":"W3195935112","doi":"","title":"Gli dei di Omero. Politeismo e poesia nella Grecia antica","year":2016,"lang":"it","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.020327924595885682,"score_gpt":0.2215465595128984,"score_spread":0.20121863491701272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195935112","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04777129,0.007090727,0.025172729,0.029274844,0.001926931,0.0008497914,0.0010585262,0.00056373526,0.88629144],"genre_scores_gemma":[0.6837524,0.0015265959,0.0015799915,0.0004013477,0.000490396,0.00005087251,0.00040950323,0.000104378545,0.31168452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888458,0.00653917,0.0013435144,0.0014775076,0.00080157403,0.0009924349],"domain_scores_gemma":[0.99051815,0.0022271324,0.00093903823,0.003011004,0.0027047244,0.0005999405],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0033512074,0.0008693218,0.0010339874,0.0004400244,0.0017514481,0.0013791097,0.002147047,0.0004876132,0.006644711],"category_scores_gemma":[0.00086001446,0.00074492017,0.00082001515,0.00032046923,0.001143842,0.00044223628,0.0014441524,0.001000279,0.0010803922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035432833,0.0010367194,0.0014492087,0.00034435495,0.00035499048,0.000028241906,0.044073023,0.0000032985574,0.0008169316,0.9047053,0.008438412,0.038714115],"study_design_scores_gemma":[0.00049869163,0.000001451129,0.001675165,0.0029967546,0.00024063406,0.0000115746925,0.00024592923,0.0009907385,0.003547061,0.019743554,0.9689839,0.0010645704],"about_ca_topic_score_codex":0.004584575,"about_ca_topic_score_gemma":0.0008583541,"teacher_disagreement_score":0.9605455,"about_ca_system_score_codex":0.00034581166,"about_ca_system_score_gemma":0.0003829169,"threshold_uncertainty_score":0.9996974},"labels":[],"label_agreement":null},{"id":"W3199697569","doi":"","title":"L’éclatante défaite de la fille de Caton","year":2005,"lang":"fr","type":"article","venue":"Publifarum","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.012618998064564738,"score_gpt":0.23659084563988816,"score_spread":0.22397184757532343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3199697569","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018358575,0.035127163,0.00022907903,0.041981656,0.00091472076,0.00008673851,0.00030371096,0.0001382973,0.90286005],"genre_scores_gemma":[0.4312203,0.0005072557,0.00042084092,0.0028651978,0.004021452,0.000013557923,0.000042680007,0.000029956722,0.56087875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983165,0.0002561567,0.00030502753,0.00025991892,0.00017790163,0.0006844863],"domain_scores_gemma":[0.99908847,0.0002175451,0.000085443775,0.00024564308,0.000064973654,0.00029791685],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004904551,0.00021925214,0.00024348412,0.00013385287,0.00060418877,0.00060139445,0.0002669626,0.00016881464,0.019864598],"category_scores_gemma":[0.000087146276,0.00020659865,0.00020328931,0.00011140281,0.00039993817,0.0008294784,0.000065003536,0.00039733658,0.001274911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022905917,0.00039859657,0.00090345944,0.00008284608,0.000095646996,0.000052110678,0.016677441,0.00004818545,0.000048817696,0.5106653,0.40801468,0.06299001],"study_design_scores_gemma":[0.00023245168,0.000054685992,0.00038906332,0.000051392017,0.00007954795,0.000039388244,0.00038038776,0.0010963419,0.00009085299,0.002445795,0.99486667,0.00027340357],"about_ca_topic_score_codex":0.0026670499,"about_ca_topic_score_gemma":0.00039673486,"teacher_disagreement_score":0.586852,"about_ca_system_score_codex":0.00030546446,"about_ca_system_score_gemma":0.00014999954,"threshold_uncertainty_score":0.9995027},"labels":[],"label_agreement":null},{"id":"W3200398977","doi":"10.5206/mfdsecfw.v6i1.14238","title":"La collection des Voyages imaginaires : le projet pédagogique de Garnier","year":2021,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Vision; Philosophy; Theology","score_opus":0.014297833643596734,"score_gpt":0.22434359859561423,"score_spread":0.2100457649520175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3200398977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26060697,0.10918393,0.0026314477,0.029099453,0.001938568,0.00048201528,0.00042075312,0.00052631897,0.59511054],"genre_scores_gemma":[0.7063945,0.001553494,0.00050980813,0.00063704135,0.0012192817,0.000083324725,0.000065393906,0.00007419964,0.28946298],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966724,0.0009772736,0.00055113545,0.00065786304,0.0003303154,0.000811039],"domain_scores_gemma":[0.998395,0.0003614008,0.00015076382,0.0003987165,0.00040321916,0.00029086423],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047296938,0.00046366017,0.00056679326,0.00018310182,0.0026688033,0.00074886,0.00028308795,0.00030790633,0.003992834],"category_scores_gemma":[0.00024684065,0.0004906456,0.00045380802,0.00038919822,0.0015082859,0.0010183952,0.00013795152,0.0006637138,0.00029329772],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019147925,0.004180241,0.013705236,0.0014043123,0.0006922687,0.0024950542,0.17834535,0.00024111509,0.0024295074,0.41311672,0.33016685,0.053031866],"study_design_scores_gemma":[0.0008463248,0.00015794864,0.009685121,0.00024356673,0.00015633831,0.0001551918,0.0041629234,0.00068112125,0.0037598214,0.011643689,0.96789175,0.00061619666],"about_ca_topic_score_codex":0.033198133,"about_ca_topic_score_gemma":0.00491495,"teacher_disagreement_score":0.63772494,"about_ca_system_score_codex":0.0002543396,"about_ca_system_score_gemma":0.000756703,"threshold_uncertainty_score":0.99975455},"labels":[],"label_agreement":null},{"id":"W3202576831","doi":"10.4000/criticon.2379","title":"Marie-Eugénie Kaufmant, Poétique des espaces naturels dans la «comedia nueva»","year":2011,"lang":"fr","type":"article","venue":"Criticón","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.03675760860615337,"score_gpt":0.2415044681320096,"score_spread":0.20474685952585622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202576831","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04398919,0.099057056,0.00031044346,0.0024277603,0.0043401453,0.00020242191,0.0003767707,0.00020714525,0.8490891],"genre_scores_gemma":[0.6162755,0.0013144672,0.0006125537,0.0007483714,0.001924709,0.00002650113,0.00003581279,0.00005588015,0.37900624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794286,0.0003122077,0.00042275153,0.00042501936,0.0002475355,0.0006496189],"domain_scores_gemma":[0.9985346,0.0004948745,0.00008077559,0.0003544021,0.00020294443,0.0003324027],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025506105,0.00038650213,0.00043130093,0.00014979606,0.0008783349,0.0003372367,0.00038793727,0.0002941895,0.010217194],"category_scores_gemma":[0.00020908013,0.00035065875,0.00029071394,0.00012256663,0.0026922685,0.00075371243,0.00009595799,0.0006071182,0.0005983918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032610817,0.0005280853,0.00048379856,0.0004432383,0.00012385116,0.0005228826,0.1349506,4.5152194e-7,0.000088707275,0.83449954,0.023742335,0.0045839287],"study_design_scores_gemma":[0.00021744859,0.00020195552,0.00067678175,0.0002777979,0.00025640716,0.000039151215,0.0059395432,0.000026277,0.00044957723,0.06738283,0.92406964,0.00046256956],"about_ca_topic_score_codex":0.00351731,"about_ca_topic_score_gemma":0.0014250869,"teacher_disagreement_score":0.9003273,"about_ca_system_score_codex":0.00011409684,"about_ca_system_score_gemma":0.00008566475,"threshold_uncertainty_score":0.99989456},"labels":[],"label_agreement":null},{"id":"W3203946761","doi":"","title":"À hauteur humaine. La fortune dans l'écriture de l'histoire (1560-1600)","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.016476448648663804,"score_gpt":0.2138131321074695,"score_spread":0.1973366834588057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203946761","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03101914,0.024234498,0.027248701,0.041626178,0.0012959946,0.00044357518,0.00048084988,0.00038299727,0.87326807],"genre_scores_gemma":[0.30195093,0.0021020116,0.008476736,0.00047464625,0.00026508013,0.00008803523,0.0018734786,0.00010153538,0.6846675],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888663,0.0077404133,0.00094957335,0.0011517778,0.00056800083,0.0007238906],"domain_scores_gemma":[0.99315757,0.0016304054,0.0005828706,0.002194016,0.0019707545,0.00046438552],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032921995,0.00068792567,0.00081510056,0.0002107585,0.0025381541,0.0014546155,0.0014963546,0.0005546411,0.0037296326],"category_scores_gemma":[0.0008602823,0.00072423986,0.000777797,0.00028003892,0.0013269403,0.00040835555,0.0010635887,0.0014691378,0.0001062143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014186163,0.0011670381,0.00051329297,0.00039029328,0.00021372346,0.00010470768,0.099040724,0.00004442054,0.00087899156,0.8739323,0.011371678,0.012328627],"study_design_scores_gemma":[0.00040927937,0.0000010728188,0.00093290186,0.0025073346,0.00024789965,0.000048476275,0.002443433,0.0020589067,0.0019571313,0.0048190895,0.9838065,0.0007679702],"about_ca_topic_score_codex":0.013574195,"about_ca_topic_score_gemma":0.016060086,"teacher_disagreement_score":0.9724348,"about_ca_system_score_codex":0.0004806113,"about_ca_system_score_gemma":0.00056240254,"threshold_uncertainty_score":0.999582},"labels":[],"label_agreement":null},{"id":"W3205179781","doi":"10.3917/attri.guita.2009.01.0061","title":"La bataille de l'imaginaire","year":2009,"lang":"fr","type":"book-chapter","venue":"Éditions de l'Attribut eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art","score_opus":0.024580031486473596,"score_gpt":0.23413994719915404,"score_spread":0.20955991571268046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205179781","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021406182,0.0023239453,0.00056456315,0.0034301882,0.00041139108,0.00023947969,0.0031572203,0.00022964891,0.9894295],"genre_scores_gemma":[0.06254638,0.00026291504,0.00040423585,0.0016400849,0.0025922908,0.000051240833,0.00077673205,0.00008384805,0.9316423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975653,0.00019452514,0.0006281031,0.0005466277,0.00030497054,0.0007604411],"domain_scores_gemma":[0.99818724,0.0003546661,0.00024957294,0.0005484267,0.00023420453,0.000425872],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028572205,0.00064814143,0.0006704193,0.00031707392,0.0022350538,0.00039029363,0.0004197271,0.000510875,0.014970985],"category_scores_gemma":[0.00004365519,0.00066518656,0.00068854477,0.000022575425,0.0016325901,0.00021638496,0.00008189787,0.0011906605,0.0014029024],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018370603,0.00010741812,0.000013022362,0.000094773735,0.00016002869,0.00050478295,0.0019217802,0.0000066467856,0.000014484575,0.8924283,0.08012279,0.024607608],"study_design_scores_gemma":[0.0002715724,0.00018728893,0.000052960917,0.00044358164,0.00045439322,0.0002130762,0.00016879599,0.00003541281,0.000025139401,0.11762699,0.8798448,0.0006760067],"about_ca_topic_score_codex":0.0005168811,"about_ca_topic_score_gemma":0.0002884428,"teacher_disagreement_score":0.799722,"about_ca_system_score_codex":0.0006788148,"about_ca_system_score_gemma":0.0003182866,"threshold_uncertainty_score":0.9995799},"labels":[],"label_agreement":null},{"id":"W3205606410","doi":"10.3917/attri.guita.2009.01.0106","title":"La bataille de l'imaginaire","year":2009,"lang":"fr","type":"book-chapter","venue":"Éditions de l'Attribut eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.024580031486473596,"score_gpt":0.23413994719915404,"score_spread":0.20955991571268046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205606410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021406182,0.0023239453,0.00056456315,0.0034301882,0.00041139108,0.00023947969,0.0031572203,0.00022964891,0.9894295],"genre_scores_gemma":[0.06254638,0.00026291504,0.00040423585,0.0016400849,0.0025922908,0.000051240833,0.00077673205,0.00008384805,0.9316423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975653,0.00019452514,0.0006281031,0.0005466277,0.00030497054,0.0007604411],"domain_scores_gemma":[0.99818724,0.0003546661,0.00024957294,0.0005484267,0.00023420453,0.000425872],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028572205,0.00064814143,0.0006704193,0.00031707392,0.0022350538,0.00039029363,0.0004197271,0.000510875,0.014970985],"category_scores_gemma":[0.00004365519,0.00066518656,0.00068854477,0.000022575425,0.0016325901,0.00021638496,0.00008189787,0.0011906605,0.0014029024],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018370603,0.00010741812,0.000013022362,0.000094773735,0.00016002869,0.00050478295,0.0019217802,0.0000066467856,0.000014484575,0.8924283,0.08012279,0.024607608],"study_design_scores_gemma":[0.0002715724,0.00018728893,0.000052960917,0.00044358164,0.00045439322,0.0002130762,0.00016879599,0.00003541281,0.000025139401,0.11762699,0.8798448,0.0006760067],"about_ca_topic_score_codex":0.0005168811,"about_ca_topic_score_gemma":0.0002884428,"teacher_disagreement_score":0.799722,"about_ca_system_score_codex":0.0006788148,"about_ca_system_score_gemma":0.0003182866,"threshold_uncertainty_score":0.9995799},"labels":[],"label_agreement":null},{"id":"W3206730089","doi":"","title":"El desarrollo de la novela en Quebec, 1837-1995: panorama general","year":2000,"lang":"es","type":"book-chapter","venue":"Casa de las Américas eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Humanities; Art","score_opus":0.0195927448467603,"score_gpt":0.246235129331281,"score_spread":0.2266423844845207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206730089","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019679273,0.0025592241,0.00007525297,0.00017821905,0.00046439352,0.00037619343,0.00041554324,0.00025640434,0.9759955],"genre_scores_gemma":[0.22648151,0.00039228518,0.00028119728,0.0016760816,0.0044779596,0.00005577896,0.00011054429,0.00020563084,0.76631904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99585706,0.000438884,0.0010440919,0.0010023428,0.00054160866,0.001116013],"domain_scores_gemma":[0.99725854,0.00073713146,0.00041151428,0.0008072921,0.00015022885,0.0006352914],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004313188,0.0011912468,0.0013139669,0.00045178484,0.0010430635,0.0013042041,0.0007575793,0.0010897819,0.009055372],"category_scores_gemma":[0.000041104653,0.0010849247,0.0010747781,0.00002698882,0.0011249945,0.00019425651,0.00016435648,0.0015455603,0.0011647412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022192596,0.00014243592,0.000089486864,0.00016665146,0.0005787899,0.0021403474,0.01930627,0.000032050302,0.00023429217,0.9425741,0.01071926,0.02379439],"study_design_scores_gemma":[0.0006650715,0.00019745421,0.00008991173,0.00025755764,0.00066119287,0.0002853332,0.00020488615,0.00014247211,0.00006109304,0.023634214,0.97248197,0.0013188733],"about_ca_topic_score_codex":0.011324099,"about_ca_topic_score_gemma":0.0017815165,"teacher_disagreement_score":0.96176267,"about_ca_system_score_codex":0.0007144336,"about_ca_system_score_gemma":0.0004950824,"threshold_uncertainty_score":0.99973255},"labels":[],"label_agreement":null},{"id":"W3207951351","doi":"10.3917/attri.guita.2009.01.0287","title":"La bataille de l'imaginaire","year":2009,"lang":"fr","type":"book-chapter","venue":"Éditions de l'Attribut eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art","score_opus":0.024580031486473596,"score_gpt":0.23413994719915404,"score_spread":0.20955991571268046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207951351","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021406182,0.0023239453,0.00056456315,0.0034301882,0.00041139108,0.00023947969,0.0031572203,0.00022964891,0.9894295],"genre_scores_gemma":[0.06254638,0.00026291504,0.00040423585,0.0016400849,0.0025922908,0.000051240833,0.00077673205,0.00008384805,0.9316423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975653,0.00019452514,0.0006281031,0.0005466277,0.00030497054,0.0007604411],"domain_scores_gemma":[0.99818724,0.0003546661,0.00024957294,0.0005484267,0.00023420453,0.000425872],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028572205,0.00064814143,0.0006704193,0.00031707392,0.0022350538,0.00039029363,0.0004197271,0.000510875,0.014970985],"category_scores_gemma":[0.00004365519,0.00066518656,0.00068854477,0.000022575425,0.0016325901,0.00021638496,0.00008189787,0.0011906605,0.0014029024],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018370603,0.00010741812,0.000013022362,0.000094773735,0.00016002869,0.00050478295,0.0019217802,0.0000066467856,0.000014484575,0.8924283,0.08012279,0.024607608],"study_design_scores_gemma":[0.0002715724,0.00018728893,0.000052960917,0.00044358164,0.00045439322,0.0002130762,0.00016879599,0.00003541281,0.000025139401,0.11762699,0.8798448,0.0006760067],"about_ca_topic_score_codex":0.0005168811,"about_ca_topic_score_gemma":0.0002884428,"teacher_disagreement_score":0.799722,"about_ca_system_score_codex":0.0006788148,"about_ca_system_score_gemma":0.0003182866,"threshold_uncertainty_score":0.9995799},"labels":[],"label_agreement":null},{"id":"W3209910690","doi":"10.62212/revuepossibles.v44i1.435","title":"Chroniques d'une muse en apnée dans l'âme","year":2020,"lang":"fr","type":"article","venue":"Revue Possibles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03553806577205812,"score_gpt":0.23620510182199228,"score_spread":0.20066703604993416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209910690","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049229193,0.1461819,0.0007810001,0.14350931,0.0030072294,0.0005004891,0.0013863379,0.0005972918,0.6548072],"genre_scores_gemma":[0.4588157,0.014993084,0.0009762012,0.004424603,0.022281427,0.000047290207,0.0002144682,0.00010936218,0.49813786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836886,0.00019044461,0.00045970985,0.0004182773,0.00015869258,0.00040400677],"domain_scores_gemma":[0.9990919,0.00015071339,0.0001246036,0.00024119085,0.00007041993,0.0003211464],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009772316,0.0003064931,0.0004623714,0.000079769,0.00050403795,0.00029050556,0.00031753222,0.00013413564,0.0062395334],"category_scores_gemma":[0.00005972527,0.00028485083,0.00030451335,0.00019803223,0.00036329255,0.0005030765,0.00008305538,0.00032000444,0.0013025631],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007463519,0.00043557046,0.0006311741,0.0024873524,0.00030655292,0.000447018,0.3324663,0.000059109327,0.00070530234,0.48919624,0.15176526,0.021425497],"study_design_scores_gemma":[0.00017659555,0.00032876924,0.00012780384,0.00031895447,0.00018260056,0.000014104279,0.0017629452,0.00045000206,0.0003173572,0.0011492888,0.9947885,0.00038307882],"about_ca_topic_score_codex":0.0034420744,"about_ca_topic_score_gemma":0.0007779391,"teacher_disagreement_score":0.84302324,"about_ca_system_score_codex":0.00011580267,"about_ca_system_score_gemma":0.000071477356,"threshold_uncertainty_score":0.99996036},"labels":[],"label_agreement":null},{"id":"W32114450","doi":"10.2741/s542","title":"Les classiques pour la jeunesse : une proposition d’un parcours de lecture littéraire","year":2005,"lang":"en","type":"article","venue":"Québec français/Québec-français","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.011826190805971148,"score_gpt":0.2175398053674636,"score_spread":0.20571361456149245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32114450","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45791772,0.079886876,0.0033022233,0.11777866,0.0007989055,0.0012072799,0.00026457052,0.0024701238,0.33637366],"genre_scores_gemma":[0.94949514,0.00009867744,0.00038807536,0.0019654902,0.0029331157,0.00012996362,0.000059375096,0.000127208,0.04480297],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965784,0.00038739137,0.00082697,0.0007871466,0.0005505326,0.0008695932],"domain_scores_gemma":[0.9979865,0.0004035384,0.00025605614,0.0006144842,0.00033620695,0.00040321497],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036818048,0.00074236386,0.00077736867,0.00029644548,0.0015033535,0.00036466733,0.00062033115,0.0003575809,0.010472778],"category_scores_gemma":[0.00011277506,0.00060325075,0.00058342033,0.00025711238,0.00092649634,0.00081397506,0.000088619534,0.00081773225,0.0011960004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037649824,0.0015028096,0.009178256,0.00036138107,0.00051219977,0.00018943285,0.48712042,0.00013552218,0.0011433078,0.01655609,0.1111285,0.37179556],"study_design_scores_gemma":[0.0008398311,0.00020011551,0.003993071,0.00016078401,0.00027487375,0.00004175031,0.0011871578,0.0005299862,0.001210544,0.0004901599,0.99023896,0.000832781],"about_ca_topic_score_codex":0.9336516,"about_ca_topic_score_gemma":0.95271647,"teacher_disagreement_score":0.87911046,"about_ca_system_score_codex":0.00058320165,"about_ca_system_score_gemma":0.0010954668,"threshold_uncertainty_score":0.99979657},"labels":[],"label_agreement":null},{"id":"W3212355037","doi":"10.17074/cpc.v1i41.37178","title":"Hiéron craint-il Simonide? Le passage «central» du Hiéron selon Leo Strauss","year":2021,"lang":"fr","type":"article","venue":"CALÍOPE Presença Clássica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.02268219143014316,"score_gpt":0.22141292848091956,"score_spread":0.1987307370507764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212355037","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07495856,0.080410846,0.00067806896,0.10685804,0.008802654,0.00076532166,0.0018693772,0.00051683566,0.7251403],"genre_scores_gemma":[0.48239803,0.0013267254,0.00013580067,0.0009492135,0.0047597354,0.000031984553,0.0002851724,0.00008140775,0.51003194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950497,0.00075504155,0.00095654436,0.0011287723,0.00063461193,0.0014753334],"domain_scores_gemma":[0.9972226,0.0004662428,0.00025258088,0.00093920145,0.00035170073,0.00076765026],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003350289,0.00068864785,0.0009036409,0.00012222126,0.0016778838,0.000950628,0.0005933571,0.0003821952,0.016255489],"category_scores_gemma":[0.00025529796,0.0006680795,0.0006641569,0.00026319423,0.00091509515,0.0010118628,0.00036821497,0.0009981805,0.00091342087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011699886,0.0021207505,0.00052388734,0.0006270378,0.00055474,0.0021750953,0.022149358,0.00021505026,0.0010816279,0.2863879,0.6372462,0.04680138],"study_design_scores_gemma":[0.00051392074,0.00019428527,0.00032845789,0.00023525498,0.00029840754,0.000033755492,0.002812915,0.0011873151,0.0030171094,0.0035419913,0.9869806,0.0008559846],"about_ca_topic_score_codex":0.00337325,"about_ca_topic_score_gemma":0.0012660373,"teacher_disagreement_score":0.40743944,"about_ca_system_score_codex":0.0003315424,"about_ca_system_score_gemma":0.0005401152,"threshold_uncertainty_score":0.99986446},"labels":[],"label_agreement":null},{"id":"W3215513466","doi":"","title":"L’ÉCRITURE COMME IMPÉRATIF ET AUTOFICTION MYTHOLOGIQUE DANS PRAGUE DE MAUDE VEILLEUX ET LA MINOTAURE DE MARIÈVE MARÉCHALE","year":2019,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.17176818539763558,"score_gpt":0.4997284323262364,"score_spread":0.3279602469286008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215513466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60276407,0.078278564,0.0010362694,0.008244371,0.0032799623,0.0009751637,0.0009832227,0.00014299886,0.3042954],"genre_scores_gemma":[0.78693974,0.02403129,0.0007504026,0.0054936623,0.0012151677,0.00008202486,0.00017621886,0.0001437997,0.18116772],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99438155,0.002588444,0.0010790584,0.0006261708,0.0005617766,0.0007629885],"domain_scores_gemma":[0.9968443,0.00087209896,0.00090210576,0.00062584213,0.0003355376,0.0004201213],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027768558,0.00061559206,0.001118405,0.000560071,0.0006904766,0.0029932212,0.0019827466,0.0005258144,0.03149757],"category_scores_gemma":[0.00021532943,0.0005570342,0.0005142225,0.00036600058,0.00042542495,0.0037769065,0.0007034031,0.0017671118,0.00010838693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006461354,0.0023227446,0.2236816,0.0012746154,0.0011070132,0.00090549985,0.049549982,0.001650636,0.022593388,0.13661355,0.5494637,0.010191144],"study_design_scores_gemma":[0.0005763225,0.00006691632,0.10330669,0.0008588,0.00027094595,0.00020042567,0.0018504063,0.00039687584,0.00080977916,0.012317699,0.87863994,0.0007051733],"about_ca_topic_score_codex":0.0073844073,"about_ca_topic_score_gemma":0.0008634206,"teacher_disagreement_score":0.32917628,"about_ca_system_score_codex":0.00037553182,"about_ca_system_score_gemma":0.00047700212,"threshold_uncertainty_score":0.9996881},"labels":[],"label_agreement":null},{"id":"W3216596327","doi":"","title":"Atlas littéraire du Québec. Odyssées littéraires, un atlas pour se perdre","year":2021,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atlas (anatomy); Medicine; Anatomy","score_opus":0.008984003978239938,"score_gpt":0.15934155981027606,"score_spread":0.15035755583203614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216596327","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11140667,0.54843616,0.0000751556,0.24838367,0.0012459714,0.00016026082,0.00046647407,0.00022447827,0.089601174],"genre_scores_gemma":[0.08429382,0.013469163,0.00014798496,0.0009816943,0.0027749275,0.0000053883105,0.0001403831,0.00006702793,0.8981196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973051,0.00032195315,0.00041083238,0.00074312603,0.0004067681,0.0008122482],"domain_scores_gemma":[0.99801266,0.00027186194,0.00021525305,0.00058395544,0.0003714675,0.00054481457],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013372417,0.0005447427,0.00064433366,0.00017091131,0.0027833001,0.0001759309,0.00045240216,0.00030134962,0.019459227],"category_scores_gemma":[0.000050332128,0.0005823647,0.00071558496,0.00030742004,0.00047783414,0.0006063654,0.00033745734,0.000497198,0.0023240151],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001457112,0.0005942398,0.0005707961,0.00020169203,0.00061524956,0.015462322,0.018354231,0.000065047956,0.00010518365,0.24166806,0.6776745,0.044543006],"study_design_scores_gemma":[0.0009202764,0.00015319466,0.00028767332,0.00019641186,0.0006067436,0.0007548094,0.0055594374,0.0005084756,0.00020591593,0.0008935471,0.9892184,0.00069507654],"about_ca_topic_score_codex":0.29574493,"about_ca_topic_score_gemma":0.66519946,"teacher_disagreement_score":0.8085184,"about_ca_system_score_codex":0.0061274874,"about_ca_system_score_gemma":0.0005394034,"threshold_uncertainty_score":0.99966276},"labels":[],"label_agreement":null},{"id":"W335836422","doi":"10.1353/ren.2008.0849","title":": <i>Percorsi anticartesiani nelle lettere a Pierre-DanielHuet</i>","year":2005,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Append; Humanities; Art; Index (typography)","score_opus":0.01938198111780406,"score_gpt":0.2283193803168817,"score_spread":0.20893739919907764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W335836422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120286,0.060203005,0.0011279571,0.03395102,0.004961902,0.001212275,0.00049791415,0.0010442017,0.7767157],"genre_scores_gemma":[0.8686019,0.00015322099,0.00021951967,0.0033556088,0.0076439125,0.000028406293,0.000044630935,0.00008682248,0.11986599],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99616283,0.0002206445,0.0009966441,0.00095336075,0.00056294235,0.0011035502],"domain_scores_gemma":[0.99805355,0.00015108404,0.00030023264,0.0008914985,0.00016746177,0.00043616694],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022229491,0.00072310015,0.00088207243,0.00021741119,0.0012174926,0.00070988055,0.00065016246,0.00023475706,0.01426482],"category_scores_gemma":[0.000014812376,0.0006593524,0.00058263185,0.00024821033,0.00056875154,0.0013473183,0.00003303427,0.0006892041,0.0058780145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015354987,0.0011079959,0.0002579783,0.00023953596,0.00032717083,0.00022684685,0.09630483,0.00001778805,0.001399727,0.053628147,0.75780696,0.08852949],"study_design_scores_gemma":[0.0006777521,0.0010555835,0.00016229828,0.00029737162,0.00022944417,0.000030585878,0.0022561492,0.00067653233,0.00010055408,0.00040559634,0.9932075,0.00090060045],"about_ca_topic_score_codex":0.00044096156,"about_ca_topic_score_gemma":0.00026203258,"teacher_disagreement_score":0.7483159,"about_ca_system_score_codex":0.00015345073,"about_ca_system_score_gemma":0.00008299763,"threshold_uncertainty_score":0.99958575},"labels":[],"label_agreement":null},{"id":"W335912831","doi":"10.15173/nexus.v18i1.196","title":"Le Régime Français et Les Amérindiens Un Officier Pour Assister Au Conseil, un Missionnaire Pour Instruire et un Forgeron pour Raccommoder les Armes, 1715, Orateur Ouiatanon","year":2005,"lang":"fr","type":"article","venue":"NEXUS The Canadian Student Journal of Anthropology","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.031818538100087744,"score_gpt":0.28683254028221933,"score_spread":0.2550140021821316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W335912831","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40164837,0.04005996,0.00054751575,0.49620503,0.003216693,0.00031270788,0.00044145368,0.00003143767,0.057536818],"genre_scores_gemma":[0.95624834,0.0009867237,0.00026792154,0.0069358414,0.002131377,0.000004989649,0.000024379697,0.00007882186,0.033321586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99489075,0.0016550152,0.0013317626,0.00044910813,0.000560027,0.0011133654],"domain_scores_gemma":[0.9966317,0.0005540243,0.0009129919,0.00044632942,0.0005835783,0.0008713837],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011409542,0.0006404149,0.0010116036,0.0005002855,0.004425561,0.0004006454,0.0009874093,0.000523362,0.0096153915],"category_scores_gemma":[0.0001420516,0.0004718307,0.0005867046,0.00017076427,0.0021805225,0.0005807185,0.00014958007,0.0019837264,0.00022198132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00054080255,0.0039975517,0.01997361,0.00017208332,0.00376922,0.003108051,0.21640578,0.0011233957,0.00019099137,0.3674966,0.28339046,0.09983144],"study_design_scores_gemma":[0.0017998386,0.0005070229,0.009550941,0.0002508891,0.0004820653,0.00093191216,0.037565034,0.000092102695,0.00014024002,0.0011340342,0.94699377,0.00055212586],"about_ca_topic_score_codex":0.28521177,"about_ca_topic_score_gemma":0.6122539,"teacher_disagreement_score":0.6636033,"about_ca_system_score_codex":0.0007318368,"about_ca_system_score_gemma":0.0065722372,"threshold_uncertainty_score":0.9997733},"labels":[],"label_agreement":null},{"id":"W34289727","doi":"10.1177/11297298211034638","title":"Une comédie humaine. La Conquête de Xavier Durringer, France, 2011, 105 minLa Conquête de Xavier Durringer, France, 2011, 105 min","year":2011,"lang":"en","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02448816331708886,"score_gpt":0.2238157517743243,"score_spread":0.19932758845723544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W34289727","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3176486,0.10178657,0.00022253566,0.0012391397,0.0030217757,0.0007928906,0.00046201795,0.00063351967,0.57419294],"genre_scores_gemma":[0.3566026,0.0015690633,0.00091625145,0.0028389827,0.0024740144,0.00017718156,0.000095781696,0.00016030688,0.6351658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996823,0.00018558504,0.00082353764,0.0007353325,0.00038142764,0.0010511049],"domain_scores_gemma":[0.9980309,0.00023602208,0.0003317954,0.00070698373,0.00025105456,0.00044325832],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044969862,0.00065184926,0.0008873315,0.0002723683,0.00091578014,0.00020765398,0.0006854397,0.00027740284,0.030589426],"category_scores_gemma":[0.000042845124,0.000574263,0.00041739532,0.000116367846,0.0010361875,0.00039985872,0.00013649334,0.00058476464,0.0024736878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022485034,0.0010799416,0.029919036,0.00044574292,0.00058605615,0.000491514,0.041459993,0.000012344156,0.00060306105,0.06848053,0.8516436,0.0050533386],"study_design_scores_gemma":[0.0011500996,0.00012214622,0.007240507,0.00018353893,0.00019518132,0.000030727533,0.0007731791,0.00005135475,0.00027612603,0.0014737487,0.987706,0.00079737615],"about_ca_topic_score_codex":0.0038874873,"about_ca_topic_score_gemma":0.0006581505,"teacher_disagreement_score":0.13606241,"about_ca_system_score_codex":0.00007442507,"about_ca_system_score_gemma":0.00012161251,"threshold_uncertainty_score":0.99967086},"labels":[],"label_agreement":null},{"id":"W346606130","doi":"","title":"Une compagnie au service des comédiens : L’Équipe de Pierre Dagenais et son temps","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.020450050469795446,"score_gpt":0.19288138170790764,"score_spread":0.1724313312381122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W346606130","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42259187,0.16647457,0.00039585476,0.13771562,0.0006295837,0.00025418686,0.00063003815,0.00026352232,0.27104476],"genre_scores_gemma":[0.47814614,0.0062114084,0.00076875987,0.0035996044,0.0014550743,0.000004793338,0.0001493925,0.00006169472,0.50960314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979911,0.00022347494,0.0002829763,0.00040525847,0.0002560353,0.0008411903],"domain_scores_gemma":[0.99865454,0.0001601234,0.00017110501,0.0003651613,0.0001839924,0.00046506437],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022765974,0.00038663173,0.00044687654,0.0001767613,0.002518938,0.000094717114,0.0004153829,0.00019234336,0.0033998098],"category_scores_gemma":[0.000011242273,0.00041834553,0.0002825282,0.00031811305,0.0004063903,0.0007155982,0.0002098439,0.00039198674,0.00080490496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025416716,0.0007997791,0.0013615034,0.0003898042,0.0004959133,0.0016750875,0.1370149,0.0021743653,0.00015317507,0.30796117,0.48797676,0.05974339],"study_design_scores_gemma":[0.00075886736,0.00015844703,0.0013239083,0.00017323007,0.00041713985,0.00016431222,0.0057468,0.002504987,0.00005005629,0.00087647606,0.9873344,0.0004913926],"about_ca_topic_score_codex":0.23188345,"about_ca_topic_score_gemma":0.7225918,"teacher_disagreement_score":0.4993576,"about_ca_system_score_codex":0.00805739,"about_ca_system_score_gemma":0.000117259355,"threshold_uncertainty_score":0.99997306},"labels":[],"label_agreement":null},{"id":"W34714965","doi":"10.1002/pds.5378","title":"Du triangle au labyrinthe : formes et figures de la quête dans l'œuvre romanesque et autobiographique de Marguerite Yourcenar","year":2004,"lang":"en","type":"dissertation","venue":"Pharmacoepidemiology and Drug Safety","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research","keywords":"HERO; Memoir; Humanities; Art history; Philosophy; Art; Relation (database); Ideal (ethics); Sign (mathematics); Literature; Epistemology; Mathematics","score_opus":0.017422893740192447,"score_gpt":0.30350109015228766,"score_spread":0.2860781964120952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W34714965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4997299,0.013246178,0.00059386174,0.009789898,0.0020866657,0.00081493077,0.0011482564,0.0005455701,0.47204474],"genre_scores_gemma":[0.91205627,0.013689922,0.00044468814,0.009478462,0.0016723659,0.00019098991,0.0034944387,0.00009847969,0.05887441],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951404,0.0029797347,0.0007065985,0.0005106401,0.00009872024,0.0005639439],"domain_scores_gemma":[0.9966198,0.0025261038,0.0003698477,0.00019052596,0.00006732199,0.00022635826],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0034093931,0.000495008,0.0008745473,0.0002582553,0.0010740642,0.00005179733,0.0002876448,0.0003763853,0.0011185643],"category_scores_gemma":[0.0004076325,0.00039882667,0.00044768903,0.00007997156,0.00040608822,0.00026137164,0.0000508161,0.0008242856,0.000018173812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015331032,0.0004423781,0.009227772,0.00094660826,0.00081833964,0.00015601591,0.36227766,0.00028803598,0.00038472586,0.562288,0.059247285,0.0023900815],"study_design_scores_gemma":[0.0008975505,0.0000624019,0.007257439,0.00023296432,0.00038088142,0.000040958035,0.0035706342,0.00017126292,0.0001012021,0.014237359,0.97252274,0.0005246023],"about_ca_topic_score_codex":0.0133150155,"about_ca_topic_score_gemma":0.010919236,"teacher_disagreement_score":0.9132755,"about_ca_system_score_codex":0.00022760787,"about_ca_system_score_gemma":0.00037714635,"threshold_uncertainty_score":0.99984634},"labels":[],"label_agreement":null},{"id":"W35991831","doi":"10.3138/canlivj.2018-0022","title":"Readers and Society in Nineteenth-Century France (Book)","year":2002,"lang":"en","type":"article","venue":"American historial review. Clases I","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Classics","score_opus":0.021933462248489324,"score_gpt":0.2356685370991344,"score_spread":0.21373507485064508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W35991831","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019502143,0.8804575,0.000007952918,0.0018707492,0.003392184,0.00039458982,0.00006141168,0.00012695156,0.111738406],"genre_scores_gemma":[0.07069094,0.82256246,0.0003966287,0.025914533,0.007557216,0.00013295456,0.000060187896,0.000075067,0.07261],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987401,0.00008905585,0.00039127085,0.0003231522,0.00020227907,0.0002541681],"domain_scores_gemma":[0.99932456,0.00012776669,0.00018150258,0.00021669945,0.000039153718,0.00011029864],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010046418,0.00019545628,0.00051348784,0.000048474005,0.0001812042,0.000028158069,0.00013574792,0.000025022657,0.003204369],"category_scores_gemma":[0.00008451744,0.00016662027,0.00019634857,0.00013781233,0.00064661214,0.00023817355,0.000026412243,0.00019461128,0.00011158232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009100531,0.000114347196,0.00012689063,0.00026821767,0.000027427937,0.0000115481025,0.009900839,3.1362114e-7,0.000009455278,0.0057753534,0.93327737,0.050479162],"study_design_scores_gemma":[0.00018359559,0.00011606556,0.000022799852,0.00026665287,0.00004966209,0.000001534458,0.00028980098,0.000021307287,6.040555e-7,0.000016197915,0.99881667,0.00021512152],"about_ca_topic_score_codex":0.0012273958,"about_ca_topic_score_gemma":0.000054776912,"teacher_disagreement_score":0.068740726,"about_ca_system_score_codex":0.00014159924,"about_ca_system_score_gemma":0.000011712518,"threshold_uncertainty_score":0.99770683},"labels":[],"label_agreement":null},{"id":"W365473902","doi":"","title":"La livrée du conte aux éditions Planète rebelle","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.012828347925175147,"score_gpt":0.1575504284213446,"score_spread":0.14472208049616944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W365473902","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013728527,0.7332715,0.00008822708,0.022658378,0.0006300826,0.00014094396,0.0004886018,0.00015635087,0.22883739],"genre_scores_gemma":[0.02979567,0.24407476,0.00004715876,0.00026381804,0.00072145776,0.000004326491,0.000065850414,0.000026126247,0.72500086],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869454,0.00019560735,0.00022451198,0.00030454714,0.00017827994,0.00040254326],"domain_scores_gemma":[0.9989952,0.00026240072,0.0001231296,0.00025893637,0.00008865554,0.00027169439],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008691853,0.00026493394,0.00039553194,0.00017491399,0.00396868,0.000037484213,0.00024469645,0.00017091377,0.0043651923],"category_scores_gemma":[0.000014439208,0.00027839863,0.00036362372,0.00014013296,0.00067341287,0.0004349068,0.00013123185,0.0002998952,0.0010682729],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005077942,0.00022953513,0.000039367053,0.000058757276,0.00018248847,0.0066643083,0.010877505,0.000017510507,0.0000032518926,0.49839804,0.47423482,0.009243619],"study_design_scores_gemma":[0.0005041467,0.00013067805,0.000046364727,0.00012304123,0.00029652592,0.0012170351,0.0014549427,0.00014509965,0.0000030920805,0.00051721244,0.9952253,0.000336533],"about_ca_topic_score_codex":0.018544419,"about_ca_topic_score_gemma":0.021514457,"teacher_disagreement_score":0.5209905,"about_ca_system_score_codex":0.0021492557,"about_ca_system_score_gemma":0.0000758804,"threshold_uncertainty_score":0.9999668},"labels":[],"label_agreement":null},{"id":"W36764896","doi":"10.1053/j.jvca.2023.01.015","title":"Molière, Racine, Hugo et les autres. Victor Hugo, Le dernier jour d’un condamné, étude de l'oeuvre par Chantal Saint-Jarre, Laval, Beauchemin éditeur, coll. « Parcours d’une oeuvre », 1999, 214 p., 8,95 $.Victor Hugo, Le dernier jour d’un condamné, étude de l'oeuvre par Chantal Saint-Jarre, Laval, Beauchemin éditeur, coll. « Parcours d’une oeuvre », 1999, 214 p., 8,95 $.","year":2000,"lang":"fr","type":"article","venue":"Lettres québécoises : La revue de l’actualité littéraire","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history; Philosophy","score_opus":0.013794549503035594,"score_gpt":0.22697545490999302,"score_spread":0.21318090540695742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W36764896","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7084779,0.17334346,0.00011804164,0.08436382,0.0023041875,0.003324381,0.010529754,0.0015885782,0.015949847],"genre_scores_gemma":[0.8054645,0.041094303,0.0014541309,0.012231842,0.012058974,0.0015063941,0.0040904717,0.0016442075,0.1204552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97468895,0.004191971,0.005909558,0.0048943316,0.0030829671,0.0072322437],"domain_scores_gemma":[0.9845689,0.0035750144,0.0031330236,0.003548936,0.0010437875,0.004130367],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0034304464,0.005539502,0.006186899,0.0012216476,0.006652295,0.0026688925,0.0043137334,0.003667591,0.01157829],"category_scores_gemma":[0.0011611759,0.0057614422,0.0038451029,0.0022746616,0.004258951,0.0026971241,0.0009873166,0.0062281974,0.00067780534],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038853365,0.011768167,0.010136915,0.0063569895,0.0071277865,0.011541323,0.15613694,0.0011001718,0.008354351,0.030535659,0.7054202,0.047636166],"study_design_scores_gemma":[0.008023046,0.0011843716,0.0045117466,0.0038695002,0.002666875,0.0027575553,0.014062358,0.0013380784,0.007286567,0.0009840018,0.9471205,0.0061954195],"about_ca_topic_score_codex":0.25480992,"about_ca_topic_score_gemma":0.1504905,"teacher_disagreement_score":0.24170029,"about_ca_system_score_codex":0.002386727,"about_ca_system_score_gemma":0.003212818,"threshold_uncertainty_score":0.9984509},"labels":[],"label_agreement":null},{"id":"W37997471","doi":"10.1002/lipd.12381","title":"Guerre civile et formation de l'État dans le Midi d'Italie (1860-1865) : histoire et usages du \"Grand Brigandage\" en Basilicate","year":2011,"lang":"en","type":"dissertation","venue":"Lipids","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Humanities; Political science; Art","score_opus":0.02238704024519134,"score_gpt":0.23525063400032453,"score_spread":0.2128635937551332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W37997471","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09596358,0.0018935142,0.00024284501,0.0005484226,0.0023017738,0.0003028736,0.00035280993,0.0002538108,0.8981404],"genre_scores_gemma":[0.6135987,0.0002311458,0.000054042557,0.0004951782,0.0010043018,0.00007479594,0.0042116204,0.000059462032,0.38027075],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841005,0.00021846799,0.00047057235,0.00034687892,0.00024311381,0.00031093563],"domain_scores_gemma":[0.99911046,0.00009646538,0.00026256504,0.00029787794,0.00011095422,0.00012165587],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027625234,0.00037082066,0.00043760453,0.0001794428,0.0007435474,0.00022102546,0.00031869047,0.00021430473,0.0016821199],"category_scores_gemma":[0.000044976052,0.0003245634,0.00028419378,0.00006205896,0.00012114452,0.0008402703,0.00002748114,0.00037010128,0.00013244672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023036817,0.00045870148,0.00032670028,0.0010000583,0.00021115282,0.00003249764,0.6615679,0.000008860129,0.000995433,0.19846764,0.12295114,0.013749522],"study_design_scores_gemma":[0.00030829143,0.00010377026,0.0009466342,0.0001781747,0.0001550441,0.000005963576,0.00458401,0.0000425023,0.0005638349,0.0026862924,0.9899707,0.00045477424],"about_ca_topic_score_codex":0.0040881317,"about_ca_topic_score_gemma":0.016598908,"teacher_disagreement_score":0.8670196,"about_ca_system_score_codex":0.00012340388,"about_ca_system_score_gemma":0.000119540506,"threshold_uncertainty_score":0.99992067},"labels":[],"label_agreement":null},{"id":"W394379522","doi":"","title":"Pour une formation de mythonaute","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Political science","score_opus":0.011939300844816193,"score_gpt":0.16694003844290561,"score_spread":0.1550007375980894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W394379522","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07400823,0.1544735,0.0045004287,0.21032688,0.0009896936,0.00019561857,0.00018116995,0.00020814713,0.5551163],"genre_scores_gemma":[0.08045971,0.010488398,0.0002624513,0.0008660446,0.00088280387,0.0000022919403,0.000051395567,0.000020879463,0.90696603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989299,0.000092268405,0.00017978915,0.00019306598,0.00016073383,0.00044420446],"domain_scores_gemma":[0.99932516,0.00007081036,0.00011823938,0.0001881737,0.000078661695,0.00021898081],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010462131,0.00019349196,0.00021257154,0.00014382857,0.0012423759,0.00005592453,0.00018348734,0.000120981706,0.0043049],"category_scores_gemma":[0.000008053309,0.0002122868,0.00020898548,0.00016351181,0.00012157565,0.0006819688,0.00007185166,0.00018441772,0.0009544002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009427886,0.00012972316,0.000082189275,0.000051667732,0.00008321085,0.0019407074,0.010430299,0.00012295658,0.00007159631,0.45743325,0.48815495,0.041405156],"study_design_scores_gemma":[0.00047366793,0.00008543647,0.0001240183,0.00006074643,0.00019617518,0.000428551,0.002821144,0.0024365906,0.000026947535,0.005694084,0.98739725,0.00025541152],"about_ca_topic_score_codex":0.032307643,"about_ca_topic_score_gemma":0.058089346,"teacher_disagreement_score":0.49924228,"about_ca_system_score_codex":0.0051788976,"about_ca_system_score_gemma":0.000044338092,"threshold_uncertainty_score":0.99982345},"labels":[],"label_agreement":null},{"id":"W395126067","doi":"","title":"Regards croises entre le theatre quebecois et l'oeuvre du dramaturge Michel Marc Bouchard","year":2009,"lang":"fr","type":"article","venue":"カナダ文学研究","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011711722709844531,"score_gpt":0.22008487070905122,"score_spread":0.2083731479992067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W395126067","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019693712,0.063949175,0.000050839957,0.10879126,0.0026212726,0.0002777275,0.0005812064,0.00026138272,0.8037734],"genre_scores_gemma":[0.32600266,0.001144777,0.00011616806,0.0073345876,0.0031788761,0.000009567247,0.0001287873,0.000039822837,0.66204476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768347,0.0002485546,0.0005399267,0.0005336908,0.0003383653,0.00065602444],"domain_scores_gemma":[0.99880755,0.00013971378,0.00016757315,0.0004637883,0.00013581863,0.00028555628],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022378733,0.00047155982,0.0005713341,0.00014945732,0.0009336031,0.0005875716,0.00037011414,0.00022841143,0.013835191],"category_scores_gemma":[0.000037161706,0.00041325373,0.0005274642,0.00012770413,0.00035301072,0.0007759477,0.00006260003,0.000492371,0.00093755155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079005695,0.00059293746,0.00012764004,0.000101003294,0.000103066974,0.00016238246,0.023594916,0.0000071777504,0.000068840716,0.36952287,0.5906045,0.01503567],"study_design_scores_gemma":[0.00047152778,0.00022576575,0.000450011,0.00023105624,0.00015060826,0.000029109955,0.001629243,0.000066769535,0.00011075761,0.0066693975,0.98943496,0.0005307764],"about_ca_topic_score_codex":0.012873578,"about_ca_topic_score_gemma":0.0035824282,"teacher_disagreement_score":0.3988305,"about_ca_system_score_codex":0.00015165313,"about_ca_system_score_gemma":0.00020005651,"threshold_uncertainty_score":0.9998403},"labels":[],"label_agreement":null},{"id":"W395201820","doi":"","title":"J.A. De Sève — Diffuseur d’images, Yves Lever, Montréal : Michel Brûlé, 2008, 299 pages J.A. De Sève — Diffuseur d’images, Yves Lever, Montréal : Michel Brûlé, 2008, 299 pages","year":2009,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lever; Humanities; Art; Philosophy; Physics","score_opus":0.016638459398497913,"score_gpt":0.22330723514678524,"score_spread":0.20666877574828732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W395201820","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071238495,0.7013724,0.00079764344,0.16518266,0.0030561027,0.0014160662,0.0030553343,0.0009837018,0.0528976],"genre_scores_gemma":[0.39064467,0.08013607,0.0036399085,0.0076462687,0.007751829,0.00019171105,0.00046147653,0.0003514667,0.5091766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888179,0.0018611054,0.0023705976,0.0022971465,0.0011332239,0.0035200724],"domain_scores_gemma":[0.99352074,0.001559252,0.0011496217,0.0016936968,0.00054495933,0.0015317259],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0014265552,0.0021857389,0.0024488645,0.00072962523,0.0023453285,0.0017167598,0.0021790427,0.0012587619,0.0020579183],"category_scores_gemma":[0.00082955195,0.002118656,0.0015690799,0.0007366966,0.001981415,0.0023168053,0.00037960274,0.00260643,0.00053696765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00054035545,0.0020988944,0.003335726,0.0010159144,0.00084599387,0.004029117,0.033080354,0.0002918157,0.010340847,0.010167779,0.90123665,0.033016566],"study_design_scores_gemma":[0.00239584,0.0009892563,0.020369628,0.0012918419,0.0012299458,0.0007913249,0.0053703333,0.00092877436,0.0020986984,0.0060860575,0.95575136,0.0026969332],"about_ca_topic_score_codex":0.055503145,"about_ca_topic_score_gemma":0.011594881,"teacher_disagreement_score":0.6212363,"about_ca_system_score_codex":0.0009065782,"about_ca_system_score_gemma":0.00059334293,"threshold_uncertainty_score":0.9996946},"labels":[],"label_agreement":null},{"id":"W40368802","doi":"","title":"Un marchand d’art à Québec : giovanni Domenico Balzaretti","year":2003,"lang":"it","type":"article","venue":"Cap-aux-Diamants : la revue d'histoire du Québec","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"National Museum of Fine Arts of Quebec","funders":"","keywords":"Humanities; Art","score_opus":0.01627721768742652,"score_gpt":0.20253675107406466,"score_spread":0.18625953338663814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W40368802","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05344015,0.5432719,0.00014461631,0.025197942,0.007365458,0.0013553663,0.000855604,0.00070477335,0.3676642],"genre_scores_gemma":[0.3517591,0.0006123831,0.000050319948,0.0019193725,0.0017511871,0.00011231034,0.000120128665,0.0001931526,0.643482],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99331033,0.0009320906,0.0017865017,0.0016700487,0.00074730057,0.0015537187],"domain_scores_gemma":[0.995013,0.0012516365,0.0006880202,0.0015592715,0.00052278547,0.00096528244],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0007466249,0.0013928805,0.0018204978,0.00058216124,0.0035916932,0.000634379,0.0011199435,0.0005337412,0.034281537],"category_scores_gemma":[0.0008601189,0.0013363978,0.0012221889,0.00045836708,0.0023428067,0.0008441096,0.0002388524,0.0012654134,0.004092993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026602932,0.0013387408,0.0012887493,0.00069838535,0.0007583143,0.0016630801,0.036746368,0.00001898727,0.00009895053,0.11233074,0.8306071,0.01418452],"study_design_scores_gemma":[0.0016609314,0.00038467877,0.0003098882,0.0004637485,0.00073726446,0.00022618221,0.001492532,0.00010618206,0.000051023526,0.00056116626,0.9923041,0.0017022964],"about_ca_topic_score_codex":0.17793466,"about_ca_topic_score_gemma":0.25946793,"teacher_disagreement_score":0.5426595,"about_ca_system_score_codex":0.0010070084,"about_ca_system_score_gemma":0.002801239,"threshold_uncertainty_score":0.99988216},"labels":[],"label_agreement":null},{"id":"W408551990","doi":"","title":"Domingo Cisnéros : L’enfer, le purgatoire, le paradis Domingo Cisnéros, Le Lieu, Centre en art actuel, Québec, mai 2008 Domingo Cisnéros, Le Lieu, Centre en art actuel, Québec, mai 2008","year":2009,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009583729472430406,"score_gpt":0.21233365961467446,"score_spread":0.20274993014224404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W408551990","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07572907,0.08432562,0.002156422,0.38323036,0.013933185,0.0050365203,0.0033266097,0.0023128674,0.42994937],"genre_scores_gemma":[0.39659807,0.0019665782,0.00032138987,0.0072176005,0.004338409,0.00010419723,0.0006468688,0.00034035245,0.5884665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98695236,0.0012417008,0.0034513301,0.00301495,0.0015330532,0.003806608],"domain_scores_gemma":[0.9920783,0.0013098102,0.0013288183,0.0026179475,0.0006766668,0.0019884647],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0010699143,0.0028488617,0.0034869155,0.0010345987,0.0034465364,0.002250736,0.0025139318,0.0012570246,0.030673875],"category_scores_gemma":[0.0004817132,0.0027837807,0.0024716738,0.00064335344,0.0018493454,0.0038322844,0.00076669274,0.00273245,0.014283202],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012687711,0.0041667228,0.0004340637,0.0003044187,0.0010956832,0.00071640476,0.043128945,0.000056704226,0.0012040162,0.01820381,0.9130828,0.016337704],"study_design_scores_gemma":[0.0057935757,0.0004931102,0.00029210313,0.00093788,0.0005631588,0.00024801653,0.0059381467,0.0004503577,0.0028928611,0.0012795508,0.9780052,0.0031060753],"about_ca_topic_score_codex":0.07480342,"about_ca_topic_score_gemma":0.11917075,"teacher_disagreement_score":0.37601274,"about_ca_system_score_codex":0.0018762837,"about_ca_system_score_gemma":0.0037867913,"threshold_uncertainty_score":0.9995683},"labels":[],"label_agreement":null},{"id":"W41331240","doi":"","title":"Les avatars de la Chronique et la circularité des récits dans \"Terra nostra\"","year":2003,"lang":"fr","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02382224512752816,"score_gpt":0.2557941737092878,"score_spread":0.23197192858175963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41331240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86647433,0.04607364,0.00073772395,0.000346007,0.0003545992,0.00033813124,0.0004322629,0.000096628064,0.085146666],"genre_scores_gemma":[0.97485,0.002801402,0.00048673438,0.00075818953,0.00040148123,0.00006175919,0.000038103914,0.00009162071,0.020510737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99520135,0.002267301,0.0006035617,0.00060035253,0.00025366535,0.001073776],"domain_scores_gemma":[0.9978143,0.0006690661,0.00019230721,0.00051543035,0.00015623991,0.00065268023],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014479263,0.0005504702,0.00067849795,0.00017532926,0.0012581447,0.0005392192,0.00035248473,0.00031964458,0.001977126],"category_scores_gemma":[0.00047905758,0.0005675805,0.00040558705,0.00021007936,0.0013925574,0.00031746126,0.00004693299,0.0008122528,0.00006119287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015139062,0.00030963964,0.0029242565,0.0006075189,0.00028000493,0.0016671291,0.025935052,0.000040303246,0.00013314401,0.9532354,0.008997369,0.005855057],"study_design_scores_gemma":[0.0004099564,0.00016863827,0.0034365028,0.0006232066,0.00041787373,0.0008004788,0.0010866094,0.000057745427,0.00005722804,0.00057078805,0.9917185,0.00065249304],"about_ca_topic_score_codex":0.018132145,"about_ca_topic_score_gemma":0.025103217,"teacher_disagreement_score":0.9827211,"about_ca_system_score_codex":0.0016462861,"about_ca_system_score_gemma":0.00097188173,"threshold_uncertainty_score":0.99967754},"labels":[],"label_agreement":null},{"id":"W418980809","doi":"10.71781/14377","title":"Représentation de la révolution grecque dans la presse écrite du Bas-Canada (1821-1831)","year":2008,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02198779037697497,"score_gpt":0.274217768282955,"score_spread":0.25222997790598006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W418980809","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3846166,0.0027587803,0.00004426752,0.00024731082,0.0012681232,0.00039188034,0.00043640012,0.000004671996,0.61023194],"genre_scores_gemma":[0.26514477,0.0010570999,0.0004595775,0.000117102136,0.0013159685,0.00007284905,0.0038464135,0.000052642485,0.7279336],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757224,0.0006327183,0.00057943416,0.0005549983,0.0003339966,0.0003266313],"domain_scores_gemma":[0.9985869,0.00040623348,0.00034386697,0.00028517185,0.00020169484,0.00017611284],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032638875,0.00037210877,0.00042319956,0.00010203382,0.0012208258,0.0006271631,0.0004574726,0.0002771782,0.010467386],"category_scores_gemma":[0.00012032664,0.00037313486,0.0001519354,0.0001064995,0.00026726606,0.0007254851,0.000056213998,0.00041528043,0.00016338806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068218936,0.0010870028,0.004364943,0.000453983,0.0005769671,0.0016697724,0.7370058,0.0004887411,0.0012683845,0.020299116,0.17062908,0.061474025],"study_design_scores_gemma":[0.00034607635,0.00006329965,0.0032261214,0.0002829991,0.00026217525,0.00006222035,0.013864708,0.00045116385,0.0006246893,0.00015841216,0.98019856,0.00045957117],"about_ca_topic_score_codex":0.7263706,"about_ca_topic_score_gemma":0.73143315,"teacher_disagreement_score":0.8095695,"about_ca_system_score_codex":0.00052979216,"about_ca_system_score_gemma":0.0012056142,"threshold_uncertainty_score":0.9998721},"labels":[],"label_agreement":null},{"id":"W4200117380","doi":"10.3917/nqf.402.0146","title":"Nicole Mosconi. La force de la pensée et du cœur","year":2021,"lang":"fr","type":"article","venue":"Nouvelles Questions Féministes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","score_opus":0.0140401684660047,"score_gpt":0.2634740617357498,"score_spread":0.24943389326974508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200117380","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026767293,0.042107392,0.00057091296,0.033814624,0.0014376668,0.00014936991,0.0005928013,0.00019722195,0.89436275],"genre_scores_gemma":[0.3980127,0.0026189424,0.0013791997,0.0011745084,0.0010809809,0.000037415673,0.00010481623,0.000039269013,0.5955522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975508,0.0010335298,0.00042693777,0.00039394124,0.00019857063,0.0003962365],"domain_scores_gemma":[0.99748904,0.0016264871,0.000112910646,0.00033307914,0.00022807403,0.0002104092],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043843713,0.0002986261,0.00035684943,0.000090964706,0.0010081849,0.0006435161,0.00021005813,0.00024385769,0.0054815174],"category_scores_gemma":[0.00036034253,0.0003035541,0.00028130933,0.00014383283,0.0011453606,0.00032455052,0.00011057527,0.00045200682,0.00034386918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001292147,0.00071648665,0.00037942402,0.00013811197,0.00009952917,0.00031158663,0.020931078,0.000040856798,0.0001360892,0.9330751,0.04275743,0.0014014235],"study_design_scores_gemma":[0.00028589627,0.00011798426,0.00033602276,0.00034549535,0.0002149899,0.00019124441,0.0055690934,0.0003337342,0.00019368058,0.011756327,0.9802922,0.00036334645],"about_ca_topic_score_codex":0.0012139573,"about_ca_topic_score_gemma":0.0005371943,"teacher_disagreement_score":0.93753475,"about_ca_system_score_codex":0.00012011738,"about_ca_system_score_gemma":0.0006354745,"threshold_uncertainty_score":0.99994165},"labels":[],"label_agreement":null},{"id":"W4200537546","doi":"10.4000/1718.6939","title":"The Ship, the Map, the Chart, and the Book","year":2021,"lang":"fr","type":"article","venue":"XVII-XVIII","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.016462007603726535,"score_gpt":0.20988127013536387,"score_spread":0.19341926253163733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200537546","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008019558,0.4073812,0.0000056664567,0.2745098,0.0027896862,0.00027680726,0.000073375646,0.000030751737,0.31413075],"genre_scores_gemma":[0.11790788,0.008478514,0.0000028523928,0.014141571,0.0040615015,0.00006512367,0.000011495357,0.000026104857,0.85530496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975806,0.00087956444,0.00039881488,0.00031127647,0.00034528945,0.00048446804],"domain_scores_gemma":[0.99680644,0.002058287,0.0001363354,0.0007818153,0.0001277367,0.00008936349],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00089527015,0.00027891746,0.0002875497,0.000016067626,0.007028278,0.0012039937,0.0005986922,0.00007988015,0.0038908962],"category_scores_gemma":[0.00010829879,0.00009808701,0.00032605912,0.00010253438,0.0034672788,0.00023929971,0.00020212626,0.000643406,0.00054551865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044402874,0.000037166847,0.000012214517,0.000024436593,0.00015192022,0.000020623513,0.031958044,0.0000014730302,0.000003084407,0.70683694,0.2549628,0.005946856],"study_design_scores_gemma":[0.00039577592,0.00003805341,0.00008890519,0.000053173346,0.00025117683,0.000030841402,0.008327627,0.000109341425,0.00002302277,0.012248502,0.9782622,0.0001713974],"about_ca_topic_score_codex":0.000802139,"about_ca_topic_score_gemma":0.0010073592,"teacher_disagreement_score":0.7232994,"about_ca_system_score_codex":0.000036353078,"about_ca_system_score_gemma":0.0000871699,"threshold_uncertainty_score":0.99983287},"labels":[],"label_agreement":null},{"id":"W4205165952","doi":"10.4000/books.pufc.40987","title":"« Articulation histoire/fiction et métissage générique »","year":2018,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Franche-Comté eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Articulation (sociology); Art; Political science","score_opus":0.01789268395060532,"score_gpt":0.2011988866285353,"score_spread":0.18330620267793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205165952","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00288908,0.0047647622,0.0028457006,0.0012164653,0.001551117,0.00042406717,0.00025071445,0.00030680894,0.9857513],"genre_scores_gemma":[0.46078563,0.00019158758,0.00022044581,0.00031781872,0.00133537,0.000008735053,0.0002053318,0.00008779595,0.5368473],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99742043,0.00022059523,0.000601009,0.0007522199,0.00043019594,0.0005755321],"domain_scores_gemma":[0.9979634,0.00029809668,0.0004802186,0.000591519,0.00035428436,0.00031246268],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021438542,0.00073066,0.00068446127,0.00039937434,0.001822635,0.000283362,0.00044972516,0.0005606373,0.016325299],"category_scores_gemma":[0.00003260518,0.00079809286,0.0005699549,0.000028956343,0.0015229268,0.0006378076,0.00018643096,0.00073778874,0.0005261689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025997485,0.00012512178,0.00009713479,0.00039782072,0.00055817026,0.00025520683,0.017711477,0.000115095725,0.00039498162,0.9308739,0.034209784,0.015001344],"study_design_scores_gemma":[0.000501611,0.00028854515,0.00013233542,0.0006017961,0.00069111184,0.000022028236,0.0004689416,0.0005222829,0.00022410798,0.036177523,0.95951855,0.00085114746],"about_ca_topic_score_codex":0.0015847486,"about_ca_topic_score_gemma":0.00064137153,"teacher_disagreement_score":0.92530876,"about_ca_system_score_codex":0.0006811309,"about_ca_system_score_gemma":0.0001406478,"threshold_uncertainty_score":0.99947685},"labels":[],"label_agreement":null},{"id":"W4205518409","doi":"10.1353/phx.2009.0047","title":"Ovidio, \"Metamorfosi\". Volume II. Libri IIIâIV (Scrittori Greci e Latini) by Alessandro Barchiesi, Gianpiero Rosati, Ludovica Koch","year":2009,"lang":"it","type":"article","venue":"Phoenix","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Theme (computing); Poetry; Literature; Tragedy (event); Hymn; Context (archaeology); Classics; Philosophy; Art; Humanities; History","score_opus":0.019469036079088477,"score_gpt":0.22725222235281137,"score_spread":0.2077831862737229,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205518409","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.143597,0.06121658,0.0006149557,0.030011471,0.007967288,0.0017314237,0.003669008,0.0013425333,0.74984974],"genre_scores_gemma":[0.61802906,0.00059147057,0.00023447677,0.002565728,0.0033348515,0.000025661117,0.00038065662,0.000080068276,0.374758],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99469197,0.00037086612,0.0013811731,0.0012314472,0.00094642816,0.0013780904],"domain_scores_gemma":[0.9973739,0.0001890378,0.00042982126,0.0010038763,0.00023693017,0.00076646364],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037944116,0.0010008166,0.0013733013,0.00031775094,0.00242162,0.00087628176,0.00095021125,0.00033179432,0.022514569],"category_scores_gemma":[0.00012406013,0.0009180418,0.00080013706,0.0004113552,0.00059391407,0.0012025224,0.00021911282,0.0010201304,0.0011878266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027513795,0.0011593691,0.0004066079,0.00012291095,0.00031859468,0.000103996594,0.035012778,0.000011577537,0.0012156259,0.020216366,0.92367446,0.017482582],"study_design_scores_gemma":[0.0010215774,0.0012718054,0.0006405724,0.00017183286,0.00041489088,0.000017127057,0.00040376274,0.0005060112,0.00042982542,0.0018915861,0.9920279,0.0012031118],"about_ca_topic_score_codex":0.0011350861,"about_ca_topic_score_gemma":0.00010803097,"teacher_disagreement_score":0.47443205,"about_ca_system_score_codex":0.00021157922,"about_ca_system_score_gemma":0.00016085195,"threshold_uncertainty_score":0.99958986},"labels":[],"label_agreement":null},{"id":"W4205590731","doi":"10.4000/belphegor.4319","title":"Jean Marigny. Les enfants de l’imaginaire","year":2021,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Psychology","score_opus":0.02692225238699111,"score_gpt":0.25142234272560166,"score_spread":0.22450009033861054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205590731","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018771501,0.20730644,0.00030081894,0.046173096,0.0038018727,0.0001285883,0.00045295068,0.00016264131,0.72290206],"genre_scores_gemma":[0.18404344,0.0013341547,0.00040813413,0.0010795946,0.0027794275,0.000009312994,0.0000623468,0.00003212326,0.8102515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985242,0.00017181097,0.00029329205,0.00033565125,0.00018907487,0.00048596112],"domain_scores_gemma":[0.99915457,0.00015430513,0.000068990565,0.00028230515,0.00013638569,0.00020346536],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012386928,0.0002295069,0.00028798394,0.000058302372,0.0007960978,0.00027862767,0.00017492859,0.000113161404,0.039194036],"category_scores_gemma":[0.00008534738,0.00022356412,0.00024217275,0.00010114532,0.00034647115,0.00030071114,0.00008304618,0.0002879875,0.00089471706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025865027,0.0006007376,0.0014667824,0.00036326217,0.00016067656,0.001376018,0.015115721,0.000008269724,0.0001863121,0.5122004,0.3277237,0.1407722],"study_design_scores_gemma":[0.00022221783,0.00005565023,0.00046785505,0.00011786482,0.00015493811,0.000039058254,0.001234063,0.00016100681,0.00026681172,0.0037282987,0.9932463,0.00030589482],"about_ca_topic_score_codex":0.004615861,"about_ca_topic_score_gemma":0.0015187259,"teacher_disagreement_score":0.66552263,"about_ca_system_score_codex":0.00012164379,"about_ca_system_score_gemma":0.00017205704,"threshold_uncertainty_score":0.9998832},"labels":[],"label_agreement":null},{"id":"W4206243618","doi":"10.1093/oso/9780197578995.003.0005","title":"The American School","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Portrait; Performance art; Politics; Classics; Art history; History; Sociology; Political science; Law","score_opus":0.03157924562124459,"score_gpt":0.21557058738130408,"score_spread":0.1839913417600595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206243618","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000022234453,0.0010642036,6.319935e-7,0.00087467715,0.0004278189,0.000048761434,0.000033921053,0.00006607374,0.9974817],"genre_scores_gemma":[0.0002650609,0.00025624636,0.000003683022,0.0013586078,0.0011548831,0.000009319456,0.0000247478,0.000020866204,0.9969066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938214,0.00001199187,0.00016118913,0.00014706096,0.00018710068,0.000110493565],"domain_scores_gemma":[0.9994812,0.000096390904,0.00011480911,0.0002210336,0.000027997632,0.00005856945],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004981978,0.00013617807,0.00018037905,0.000041274874,0.0009916013,0.00013775527,0.00021950032,0.000011781641,0.22408237],"category_scores_gemma":[0.0000059062163,0.00007534413,0.00017808907,0.000005200443,0.00032767668,0.000053335174,0.000064964544,0.00029624996,0.0013682026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005190034,0.000002339445,2.0826002e-7,0.0000013575026,0.00003835822,0.0000048167126,0.00033633894,5.8758186e-8,4.567579e-8,0.7150569,0.28032708,0.004227286],"study_design_scores_gemma":[0.00001500692,0.00006143689,4.202368e-7,0.0000026683567,0.000028263432,6.327845e-7,0.00013389999,8.4799143e-7,5.4572766e-8,0.020289684,0.97933626,0.00013079868],"about_ca_topic_score_codex":0.0004832838,"about_ca_topic_score_gemma":0.0004516992,"teacher_disagreement_score":0.6990092,"about_ca_system_score_codex":0.00005464182,"about_ca_system_score_gemma":0.000027250599,"threshold_uncertainty_score":0.9994093},"labels":[],"label_agreement":null},{"id":"W4206388325","doi":"10.4000/books.pubp.1808","title":"Les débuts d’un Atlantique littéraire au féminin : Th. Bentzon chez les Américaines","year":2020,"lang":"fr","type":"book-chapter","venue":"Presses universitaires Blaise-Pascal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art","score_opus":0.028322498375594526,"score_gpt":0.20586953660284654,"score_spread":0.177547038227252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206388325","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006757455,0.0052649523,0.00016365734,0.006699655,0.0008640533,0.00063846563,0.00095014507,0.00056294654,0.9780987],"genre_scores_gemma":[0.62850124,0.00047056773,0.00011721899,0.00021803303,0.0032861088,0.000012290794,0.00037539058,0.000159196,0.36685994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955282,0.00030550332,0.0009850324,0.0014566005,0.0007743921,0.0009502301],"domain_scores_gemma":[0.99680847,0.0006666128,0.0006536414,0.0007088928,0.0003915334,0.0007708304],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00015311473,0.0014798065,0.0015394613,0.0004279763,0.003100101,0.0004190942,0.0012873126,0.00089588645,0.0072488957],"category_scores_gemma":[0.00006566743,0.0014071349,0.0012571081,0.000060867187,0.0025708815,0.00047789182,0.0007348077,0.0013906853,0.00043422164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005660031,0.00020037634,0.0004070776,0.0010926463,0.0013857638,0.0012717366,0.018381216,0.000024836561,0.00012014644,0.9006218,0.0069604944,0.06896795],"study_design_scores_gemma":[0.00073186675,0.00062916527,0.00030523964,0.001168562,0.0014634917,0.00002866788,0.0024466438,0.00012796037,0.0003605635,0.008580021,0.9825279,0.0016298905],"about_ca_topic_score_codex":0.0074253795,"about_ca_topic_score_gemma":0.0027202156,"teacher_disagreement_score":0.97556746,"about_ca_system_score_codex":0.000456525,"about_ca_system_score_gemma":0.00029476578,"threshold_uncertainty_score":0.99979514},"labels":[],"label_agreement":null},{"id":"W4206500397","doi":"10.4000/books.pressesenssib.12874","title":"BEUVE, Octave","year":2020,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Octave (electronics); Computer science; Acoustics; Physics","score_opus":0.05909859507478475,"score_gpt":0.21529750147582316,"score_spread":0.1561989064010384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206500397","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000066681487,0.0035611093,0.000051927444,0.004838586,0.0012735835,0.000111950096,0.00027282676,0.00011231496,0.989771],"genre_scores_gemma":[0.007222705,0.00029889581,0.00012313409,0.0032195132,0.0048586023,0.000003195216,0.00013036397,0.000050604,0.984093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985844,0.000021853622,0.0004687628,0.00044154536,0.00024895862,0.00023449259],"domain_scores_gemma":[0.9991746,0.000104428625,0.00013010063,0.00023043215,0.00009257583,0.0002678702],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003679129,0.00043216252,0.00055146,0.00008143485,0.00057943724,0.00017814942,0.00022936943,0.00020756273,0.2642994],"category_scores_gemma":[0.000011001738,0.00035501385,0.00050343864,0.000011763709,0.0005432965,0.00017372877,0.00008829031,0.0004760215,0.018228259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014494943,0.000026795124,0.0000026958994,0.00009397819,0.00019159773,0.00011944367,0.0022766355,4.6858614e-7,0.0000019512495,0.9245766,0.06807188,0.0046234694],"study_design_scores_gemma":[0.00009011166,0.00018717186,0.0000025258823,0.00008931843,0.00023057807,0.0000040992995,0.00010872946,0.00003795611,0.0000022883694,0.027674424,0.97109,0.00048279698],"about_ca_topic_score_codex":0.0007917427,"about_ca_topic_score_gemma":0.0002119904,"teacher_disagreement_score":0.9030181,"about_ca_system_score_codex":0.0000687414,"about_ca_system_score_gemma":0.000037237853,"threshold_uncertainty_score":0.9998902},"labels":[],"label_agreement":null},{"id":"W4206830360","doi":"10.4000/assr.48379","title":"Jean-Baptiste Amadieu, La littérature française au xixe siècle mise à l’Index. Les procédures Jean-Baptiste Amadieu, Le censeur critique littéraire. Les jugements de l’Index, du romantisme au naturalisme","year":2019,"lang":"fr","type":"article","venue":"Archives de sciences sociales des religions","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Index (typography); Philosophy; Humanities; Computer science","score_opus":0.02343765055842134,"score_gpt":0.25833073377520266,"score_spread":0.23489308321678132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206830360","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7125161,0.0685439,0.00072406884,0.022047864,0.0019132128,0.0010240594,0.0008437601,0.00040472238,0.19198227],"genre_scores_gemma":[0.905798,0.009083534,0.0008618152,0.0006724409,0.002480703,0.000072676834,0.00007224473,0.00010026523,0.08085828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930852,0.0014500598,0.0010495664,0.001373182,0.0008242677,0.0022176986],"domain_scores_gemma":[0.995471,0.00247706,0.0005074509,0.00058769627,0.00020996254,0.0007468065],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00084004295,0.00095347373,0.000991193,0.0005229241,0.008800857,0.001201907,0.0015853774,0.00054410374,0.0004120635],"category_scores_gemma":[0.0005333907,0.00089578336,0.0009783213,0.00071006286,0.014862557,0.0009596258,0.00038879042,0.0013540159,0.0001627332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018450961,0.00094645825,0.048954748,0.0010783945,0.00040442662,0.00030435697,0.09089951,0.0011342989,0.0007644812,0.8283089,0.008732707,0.01828722],"study_design_scores_gemma":[0.0011209833,0.0005909817,0.026851894,0.00157092,0.00030503675,0.00011351887,0.011370514,0.005047222,0.00007944452,0.056266762,0.8951871,0.0014956606],"about_ca_topic_score_codex":0.08445297,"about_ca_topic_score_gemma":0.043354034,"teacher_disagreement_score":0.88645434,"about_ca_system_score_codex":0.00061927555,"about_ca_system_score_gemma":0.0023792048,"threshold_uncertainty_score":0.99983495},"labels":[],"label_agreement":null},{"id":"W4206844981","doi":"","title":"Les théâtres parisiens sous l'Ancien Régime. Parcours transversaux. Revue d'histoire du théâtre N° 289 (janvier-mars 2021)","year":2021,"lang":"fr","type":"other","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Humanities","score_opus":0.014775557943222318,"score_gpt":0.20204170218323086,"score_spread":0.18726614424000854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206844981","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001414056,0.072231956,0.00402145,0.027442738,0.0013154598,0.00042438816,0.0004914282,0.00012227117,0.8925362],"genre_scores_gemma":[0.021931805,0.010621874,0.0026189357,0.00015237251,0.0005783357,0.00006872318,0.0012544836,0.00022273419,0.96255076],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906177,0.0055677732,0.0010116854,0.0013362309,0.0006221452,0.00084450084],"domain_scores_gemma":[0.9935248,0.0016529518,0.0007470625,0.0020069766,0.0015954515,0.00047274516],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019906694,0.000854957,0.0010917411,0.00036027862,0.0025296323,0.000791603,0.0014243489,0.0005375584,0.091917634],"category_scores_gemma":[0.0006712748,0.0008628612,0.00092383695,0.0004565505,0.0015099301,0.0002675004,0.00032527227,0.0009582207,0.0005328123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030274668,0.0017321853,0.0007442232,0.00055840804,0.0005252976,0.00017566382,0.043466896,0.000036091194,0.0002674804,0.65372485,0.10389285,0.19484581],"study_design_scores_gemma":[0.00045590982,0.000002400364,0.00015498769,0.0032604032,0.00036147772,0.000028618208,0.0010066441,0.0008014767,0.0004199648,0.00086338253,0.99172264,0.0009220928],"about_ca_topic_score_codex":0.009591273,"about_ca_topic_score_gemma":0.031094315,"teacher_disagreement_score":0.8878298,"about_ca_system_score_codex":0.00036659735,"about_ca_system_score_gemma":0.0003167511,"threshold_uncertainty_score":0.9993822},"labels":[],"label_agreement":null},{"id":"W4206877410","doi":"","title":"Littérature et production de l'espace à l’ère numérique. L'éditorialisation de la Transcanadienne. Du « spatial turn » à Google maps","year":2017,"lang":"fr","type":"preprint","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"ESPACE; Humanities; Art","score_opus":0.007740835940998234,"score_gpt":0.17547513185446115,"score_spread":0.16773429591346292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206877410","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3481637,0.06347416,0.0044137924,0.035501167,0.042686727,0.0016742961,0.0021099173,0.00062749145,0.50134873],"genre_scores_gemma":[0.76760125,0.0020071405,0.0002981645,0.00013214574,0.013931229,0.000046272544,0.00048848975,0.00004670345,0.21544862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99669445,0.00085763825,0.00044108412,0.00085147814,0.0005377479,0.00061763247],"domain_scores_gemma":[0.9977029,0.00016713049,0.0006004161,0.0006436043,0.00037686183,0.00050911895],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007037492,0.0005957444,0.0005450774,0.0002406063,0.012495421,0.00055245904,0.0006273108,0.00083815807,0.00017983363],"category_scores_gemma":[0.0001680377,0.0006520267,0.000567686,0.000091526694,0.0009774864,0.0008591529,0.00020354177,0.0012658011,0.00003129514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011070686,0.0005165001,0.003648701,0.00036450138,0.0006139068,0.0018684289,0.30224875,0.008395886,0.0026526975,0.64627725,0.030484367,0.0018219479],"study_design_scores_gemma":[0.0006025988,0.00010893746,0.005941361,0.0004331955,0.0003780006,0.0006270534,0.010085207,0.0006244949,0.00073095626,0.0038147154,0.975969,0.0006844451],"about_ca_topic_score_codex":0.33088443,"about_ca_topic_score_gemma":0.09426389,"teacher_disagreement_score":0.94548464,"about_ca_system_score_codex":0.008997785,"about_ca_system_score_gemma":0.0025987828,"threshold_uncertainty_score":0.9995931},"labels":[],"label_agreement":null},{"id":"W4207090905","doi":"","title":"Les Comprimés disparus : les triturés, les comprimés hypodermiques","year":2016,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Society for the History of Medicine","funders":"","keywords":"Humanities; Philosophy","score_opus":0.038995474462650885,"score_gpt":0.2422712902486862,"score_spread":0.20327581578603532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4207090905","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06055336,0.049901895,0.05778809,0.044881277,0.0014762924,0.00095963146,0.001493771,0.0008427841,0.7821029],"genre_scores_gemma":[0.66348517,0.004539784,0.005777089,0.00016709285,0.0005085416,0.000113383394,0.0010654917,0.00012170517,0.32422173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9873622,0.008455928,0.0013466912,0.0013564888,0.0006800886,0.0007985928],"domain_scores_gemma":[0.9902709,0.0034791864,0.00097030285,0.0022828302,0.002545259,0.0004515248],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027935286,0.00092681736,0.0011424962,0.00032462706,0.0032612402,0.0012030661,0.0020677461,0.00060109445,0.0065859123],"category_scores_gemma":[0.00062946294,0.00080168893,0.00083320285,0.00019415708,0.0021179111,0.00042303983,0.0013293533,0.001273092,0.00030688033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037451195,0.0011892137,0.0011433471,0.00036566635,0.0002470737,0.000022910668,0.020294841,0.000009071662,0.00033864597,0.7880419,0.008067186,0.1802427],"study_design_scores_gemma":[0.00064194674,0.000002086927,0.0022381092,0.003660103,0.00020624603,0.000018831533,0.0004872252,0.0009759997,0.0032720137,0.01138531,0.9761011,0.0010110408],"about_ca_topic_score_codex":0.03692732,"about_ca_topic_score_gemma":0.013661006,"teacher_disagreement_score":0.9680339,"about_ca_system_score_codex":0.00039710448,"about_ca_system_score_gemma":0.00022536988,"threshold_uncertainty_score":0.99983376},"labels":[],"label_agreement":null},{"id":"W4210523574","doi":"10.1353/mlr.2010.0140","title":"Nerval et l’opéra-comique: le dossier des Monténégrins by Michel Brix, Jean-Claude Yon","year":2010,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pleasure; Art; Art history; Subversion; Humanities; Painting; Philosophy; Psychology","score_opus":0.02132630585211872,"score_gpt":0.27140163637830905,"score_spread":0.25007533052619035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210523574","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013394657,0.91461897,0.00032103842,0.01767731,0.0006160121,0.0004009189,0.0002967132,0.000090176065,0.0525842],"genre_scores_gemma":[0.047376644,0.28588706,0.0003271462,0.013371335,0.0021920286,0.00007897813,0.00017301475,0.00010853202,0.6504853],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776846,0.000495557,0.0005545873,0.00039380058,0.00026010122,0.0005275216],"domain_scores_gemma":[0.99849576,0.00025725988,0.00021050601,0.0007500357,0.00008630376,0.00020016679],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077771774,0.000412451,0.0006857565,0.000036304053,0.00073155016,0.00026309871,0.00060973,0.00013436466,0.0063126083],"category_scores_gemma":[0.00012340401,0.0002689205,0.00048402208,0.000118543,0.00067979115,0.00044908572,0.00009557464,0.00089022005,0.00054326595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004526181,0.0010294629,0.000024847777,0.009245757,0.00045238837,0.00021760007,0.076440096,0.000007561439,0.008956398,0.08768544,0.33974454,0.47615066],"study_design_scores_gemma":[0.00019638664,0.000046134486,0.000011875492,0.0018541407,0.00037733815,0.000048391474,0.0002274386,0.00019813732,0.00016406318,0.002056608,0.99443007,0.0003894016],"about_ca_topic_score_codex":0.017692897,"about_ca_topic_score_gemma":0.0044457084,"teacher_disagreement_score":0.65468556,"about_ca_system_score_codex":0.000054171276,"about_ca_system_score_gemma":0.000085329346,"threshold_uncertainty_score":0.9999763},"labels":[],"label_agreement":null},{"id":"W4210641158","doi":"10.1017/9781139540698.009","title":"Poetry and politics: Caesar to Augustus","year":2018,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Grammar; Latin Americans; Vocabulary; Reading (process); Computer science; Poetry; Linguistics; Mathematics education; Politics; Literature; Classics; Artificial intelligence; Art; Psychology; Philosophy; Political science; Law","score_opus":0.030780213609602872,"score_gpt":0.19375390654237096,"score_spread":0.1629736929327681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210641158","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00053200003,0.00025848782,0.000014449863,0.000030495929,0.0003698296,0.00016022686,0.00059698126,0.00009876788,0.99793875],"genre_scores_gemma":[0.0013403934,0.000018266406,0.000023284221,0.00036663495,0.0013150272,3.1710397e-7,0.000034480996,0.00003148043,0.9968701],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990357,0.000019473928,0.00014641651,0.00038869845,0.00016173252,0.00024798213],"domain_scores_gemma":[0.9991405,0.000039552033,0.000082101455,0.00030045584,0.00015161146,0.0002857733],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003465584,0.00028596236,0.00033670213,0.00019957741,0.000449663,0.00010045432,0.00025073436,0.00014612991,0.0002949679],"category_scores_gemma":[0.000005069919,0.0002961211,0.00013294166,0.000002606352,0.0004564507,0.00009524879,0.00024399854,0.00022793314,0.00012233401],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019994599,0.0000046803953,3.1426904e-7,0.000041675063,0.00007355963,0.0000888763,0.0018769702,2.6939485e-8,0.0000014008664,0.7355236,0.26218253,0.00018641684],"study_design_scores_gemma":[0.00014880336,0.00011072156,0.0000012960691,0.00009063124,0.00018996268,0.000004646156,0.00016618788,0.0000023508892,0.000011061842,0.0000704261,0.998833,0.00037092785],"about_ca_topic_score_codex":0.00082797563,"about_ca_topic_score_gemma":0.000021621287,"teacher_disagreement_score":0.73665047,"about_ca_system_score_codex":0.00011774959,"about_ca_system_score_gemma":0.000040170533,"threshold_uncertainty_score":0.9999491},"labels":[],"label_agreement":null},{"id":"W4210667582","doi":"10.1353/mlr.2009.0057","title":"Ãmilie Du ChÃ¢telet: Ã©clairages et documents nouveaux by Ulla Kölving, Olivier Courcelle","year":2009,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Humanities; Art; Art history; Classics; Philosophy; History","score_opus":0.010913668892244236,"score_gpt":0.260160408016931,"score_spread":0.24924673912468678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210667582","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012337537,0.8336661,0.0001067313,0.025424596,0.00038874996,0.00042290887,0.0001698078,0.00006784244,0.1385195],"genre_scores_gemma":[0.041351017,0.46522254,0.000029620493,0.025906483,0.0011696678,0.000023169921,0.000121284436,0.00004382329,0.4661324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974726,0.00054072595,0.0006146355,0.00041154426,0.0004158125,0.0005446736],"domain_scores_gemma":[0.9986816,0.00014724837,0.00025132822,0.0006668662,0.00007449337,0.00017846978],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006482655,0.0004565089,0.00077142986,0.000042107396,0.00068901805,0.00023318359,0.00058437843,0.00009251143,0.016681233],"category_scores_gemma":[0.000054076223,0.0002954477,0.00038214264,0.00010630817,0.00024399826,0.00033476204,0.000082923376,0.0004459739,0.0011205546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013775111,0.00048715522,0.0000030223298,0.0022495384,0.00018259349,0.00014640404,0.03886396,0.000007299005,0.000119252385,0.017974196,0.75647783,0.183475],"study_design_scores_gemma":[0.00020551561,0.00013435513,0.000004659985,0.0033751884,0.00046063392,0.000033951546,0.00021915224,0.00018940936,0.000015320324,0.0010261685,0.99394095,0.00039468773],"about_ca_topic_score_codex":0.0011125058,"about_ca_topic_score_gemma":0.0001042403,"teacher_disagreement_score":0.36844358,"about_ca_system_score_codex":0.00010840155,"about_ca_system_score_gemma":0.000046962712,"threshold_uncertainty_score":0.99994975},"labels":[],"label_agreement":null},{"id":"W4210967612","doi":"10.4000/1895.8565","title":"Le point sur l’animation : d’Alexéïeff à Orwell","year":2021,"lang":"fr","type":"article","venue":"1895","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hatch (Canada)","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.02750936787415775,"score_gpt":0.21155434478300444,"score_spread":0.1840449769088467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210967612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010380786,0.03097648,0.00022689135,0.020904565,0.0022829599,0.00006346498,0.00010492074,0.00006571767,0.9349942],"genre_scores_gemma":[0.31285027,0.00025825883,0.00010352821,0.00071514014,0.0014203225,0.0000041471408,0.00007296652,0.000015206274,0.6845602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896574,0.000120347795,0.0002765085,0.00024083594,0.00015216078,0.00024442322],"domain_scores_gemma":[0.9993654,0.0000862209,0.000066669796,0.00020315514,0.00017863858,0.00009993211],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010062669,0.00014121259,0.000209886,0.000040907937,0.00045466344,0.00021249408,0.000084595034,0.00007034582,0.02911718],"category_scores_gemma":[0.000049330152,0.00014345498,0.0001780183,0.00008161959,0.00012914932,0.0005671898,0.000043180233,0.00015672493,0.001800704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007909646,0.00031053787,0.000027179867,0.00013429413,0.000052835323,0.00011988306,0.009280026,0.000010476379,0.00013593379,0.8346581,0.14780943,0.007453431],"study_design_scores_gemma":[0.00019548737,0.000046177647,0.00013312178,0.00008680981,0.00005959933,0.000014355886,0.00093703065,0.00025942217,0.00047589646,0.0040618307,0.993536,0.00019426321],"about_ca_topic_score_codex":0.0028963594,"about_ca_topic_score_gemma":0.0011761427,"teacher_disagreement_score":0.84572655,"about_ca_system_score_codex":0.00005310298,"about_ca_system_score_gemma":0.0001555294,"threshold_uncertainty_score":0.9989765},"labels":[],"label_agreement":null},{"id":"W4213250370","doi":"10.1353/ctr.2010.0013","title":"Complexion as Metaphor: Eco-Satire in The Pochsy Plays","year":2010,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metaphor; Aesthetics; Art; Visual arts; Theology; Philosophy","score_opus":0.036873269661061706,"score_gpt":0.25042728999197805,"score_spread":0.21355402033091636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213250370","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029013243,0.08890352,1.6284375e-7,0.012394913,0.00036745283,0.00033674555,0.000078488585,0.000018185401,0.8949992],"genre_scores_gemma":[0.94315106,0.007999616,0.000025271327,0.03717126,0.0010265945,0.0000741048,0.0001375824,0.000026140038,0.010388357],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915624,0.00012248488,0.00022990278,0.00015041808,0.000107406675,0.0002335744],"domain_scores_gemma":[0.999374,0.00007594016,0.000041408886,0.000309381,0.000023996641,0.00017528365],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003106351,0.00012689237,0.00026226,0.00008920753,0.0002830826,0.000078196,0.00030873812,0.000029833009,0.014102682],"category_scores_gemma":[0.000025573874,0.000074558564,0.00013684988,0.00009721476,0.0000978948,0.00009271856,0.0000071825357,0.00027386934,0.00080423657],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019813715,0.000029314107,0.00009362046,0.00046379992,0.000029103227,0.000075761265,0.008100655,1.1567538e-7,0.000006174852,0.76213145,0.16818593,0.060882077],"study_design_scores_gemma":[0.000036457353,0.000019236746,0.000034231398,0.00024630845,0.000048794445,0.000014891636,0.00018397118,0.0000025615457,7.475884e-7,0.002049544,0.9972533,0.00010993757],"about_ca_topic_score_codex":0.13045791,"about_ca_topic_score_gemma":0.7476934,"teacher_disagreement_score":0.94024974,"about_ca_system_score_codex":0.00004536431,"about_ca_system_score_gemma":0.00013028772,"threshold_uncertainty_score":0.9999738},"labels":[],"label_agreement":null},{"id":"W4214509405","doi":"10.4000/books.eua.3843","title":"Pirandello : un auteur toujours vivant sur les scènes contemporaines","year":2019,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Auteur theory; Art; Art history","score_opus":0.056667905939440044,"score_gpt":0.21706536404211896,"score_spread":0.1603974581026789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214509405","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013158288,0.019565728,0.00015590823,0.0027903179,0.0030367863,0.00039790448,0.0005367315,0.00017623848,0.97202456],"genre_scores_gemma":[0.066834785,0.001102227,0.00007754343,0.0006393011,0.0024992712,0.0000060236193,0.00020422412,0.000104419996,0.9285322],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970932,0.00009823147,0.0010372796,0.0007639907,0.00048410773,0.0005231736],"domain_scores_gemma":[0.99785537,0.00045449036,0.0004169916,0.00055012945,0.000457534,0.00026547362],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023932516,0.00092109124,0.00128158,0.00027763858,0.0010268269,0.00037361914,0.00046009012,0.00043188763,0.12145019],"category_scores_gemma":[0.000030748528,0.00068882195,0.0009286934,0.00002250763,0.0008805818,0.00047288282,0.00013094208,0.0006017052,0.0036639904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008091421,0.0001330657,0.00012781793,0.0003250304,0.0005207896,0.00012536153,0.0040692417,0.0000064193955,0.000013473865,0.96320057,0.021142546,0.010254749],"study_design_scores_gemma":[0.0005629837,0.00031960264,0.000027860497,0.0004515197,0.00035685956,0.000015110581,0.00070404634,0.000095258576,0.000012092788,0.0070159165,0.98941725,0.0010215226],"about_ca_topic_score_codex":0.0071463226,"about_ca_topic_score_gemma":0.0013358764,"teacher_disagreement_score":0.96827465,"about_ca_system_score_codex":0.00009096649,"about_ca_system_score_gemma":0.00014681363,"threshold_uncertainty_score":0.9995563},"labels":[],"label_agreement":null},{"id":"W4214683365","doi":"10.4000/books.eua.3833","title":"Du métathéâtre à Pirandello personnage","year":2019,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Association for Theatre Research","funders":"","keywords":"Art","score_opus":0.03507797714631115,"score_gpt":0.20660802978563753,"score_spread":0.17153005263932639,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214683365","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015096446,0.0048965807,0.00008731353,0.0017470962,0.0022789675,0.00022188571,0.00024933866,0.000106515225,0.9902613],"genre_scores_gemma":[0.019052435,0.00076152215,0.000057145924,0.0013643268,0.0038242934,0.0000032712987,0.00012615827,0.00007793715,0.97473294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981505,0.000039038252,0.0005164721,0.0005768978,0.00033109114,0.00038598292],"domain_scores_gemma":[0.9988945,0.0001727844,0.00018115665,0.0004113097,0.00014459436,0.00019562063],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000111213274,0.0006128627,0.0007364218,0.00017717478,0.0007584799,0.00026274542,0.00030790782,0.00030810828,0.28243688],"category_scores_gemma":[0.000008523655,0.00048239742,0.0007818139,0.000014073372,0.0005920872,0.0003141319,0.00008592106,0.0005005214,0.021692198],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029724784,0.00006789602,0.00001638563,0.00019751753,0.000240936,0.000110266796,0.006063532,0.0000032880653,0.000002048839,0.94193137,0.047705356,0.0036317022],"study_design_scores_gemma":[0.00027959212,0.00023074783,0.0000047527656,0.00019429356,0.0003244967,0.000013401952,0.0004975796,0.00016080325,0.000001327829,0.0032988114,0.99428123,0.0007129746],"about_ca_topic_score_codex":0.0016844833,"about_ca_topic_score_gemma":0.0004098779,"teacher_disagreement_score":0.9465759,"about_ca_system_score_codex":0.00010745649,"about_ca_system_score_gemma":0.000065461776,"threshold_uncertainty_score":0.9997628},"labels":[],"label_agreement":null},{"id":"W4214728235","doi":"10.3917/sh.journ.2019.02.0005","title":"Claude Lévi-Strauss","year":2019,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Philosophy","score_opus":0.046569558798005804,"score_gpt":0.22595920806551806,"score_spread":0.17938964926751225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214728235","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007186501,0.0060595297,0.000041859676,0.0010817742,0.0026393824,0.00017992783,0.0002999362,0.0000920016,0.9895337],"genre_scores_gemma":[0.011551853,0.00047865234,0.00007499165,0.0011730883,0.0034192547,0.000002711727,0.00014795156,0.00006218368,0.9830893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982311,0.000027624628,0.00055615115,0.00050301227,0.0003099371,0.0003721471],"domain_scores_gemma":[0.99892825,0.00014686916,0.00017569122,0.00044399887,0.00011864123,0.00018653677],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008221246,0.000528001,0.0006496539,0.00014628997,0.0004979684,0.0002167579,0.00030313776,0.0003410155,0.33058292],"category_scores_gemma":[0.0000056870545,0.00041684674,0.00058428163,0.000010702792,0.00053973164,0.0002612871,0.0000760572,0.0005515058,0.033534452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016326398,0.000051375675,0.000013187138,0.00016006251,0.00021044054,0.00004456021,0.0011699725,0.0000026306539,0.000003479377,0.95740247,0.035916593,0.005008934],"study_design_scores_gemma":[0.0001423437,0.00019547308,0.000009817916,0.00018594885,0.0002267841,0.000007033366,0.00010476496,0.000026630358,0.0000045790853,0.0141769545,0.9842989,0.00062080385],"about_ca_topic_score_codex":0.0013757896,"about_ca_topic_score_gemma":0.000510727,"teacher_disagreement_score":0.94838226,"about_ca_system_score_codex":0.00010859086,"about_ca_system_score_gemma":0.000075672484,"threshold_uncertainty_score":0.99982834},"labels":[],"label_agreement":null},{"id":"W4221059713","doi":"10.1093/acrefore/9780199366439.013.949","title":"A Likely False Travel Account to Northeastern Brazil in the 16th Century","year":2022,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Latin American History","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Throne; History; Portuguese; Travel writing; Narrative; Genealogy; Classics; Literature; Art; Philosophy; Law","score_opus":0.06946049064798207,"score_gpt":0.30723195796018177,"score_spread":0.2377714673121997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221059713","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005166231,0.012122739,0.0000024543824,0.0006240758,0.001517513,0.0008011204,0.0006960773,0.00003444466,0.9790353],"genre_scores_gemma":[0.013743583,0.12953442,0.00010652128,0.001502564,0.0032508636,0.0009291876,0.00082272023,0.00016280155,0.84994733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935343,0.0013119101,0.00097056973,0.0008001476,0.0024184827,0.00096454984],"domain_scores_gemma":[0.9969703,0.0010752645,0.00045523164,0.0009271553,0.00029334024,0.00027868914],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012745281,0.00049400225,0.0010685655,0.001403228,0.00053119037,0.0000753684,0.001809033,0.00011354363,0.012609082],"category_scores_gemma":[0.0002897684,0.0003638028,0.0003748316,0.00064405886,0.0014137262,0.00018938408,0.00039797288,0.0025863783,0.00011235538],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019552521,0.0005689122,0.00061794516,0.00034420265,0.00007284047,0.00011220804,0.12976412,0.0000035702442,4.7584976e-7,0.0031339773,0.6997452,0.16544105],"study_design_scores_gemma":[0.00018086738,0.00069755455,0.0009352062,0.00016273769,0.00003876596,0.0000018248204,0.013288675,0.0000046572395,3.4004145e-8,0.00007556551,0.9841941,0.0004199883],"about_ca_topic_score_codex":0.016948167,"about_ca_topic_score_gemma":0.00935948,"teacher_disagreement_score":0.28444895,"about_ca_system_score_codex":0.0017745729,"about_ca_system_score_gemma":0.0012789498,"threshold_uncertainty_score":0.9998814},"labels":[],"label_agreement":null},{"id":"W4224275224","doi":"10.33137/qi.v42i1.38468","title":"Lo sconosciuto sodalizio degli Sfaccendati e il ‘nuovo Parnaso’ di Stigliani. Prime ricerche sulla cultura accademica a Matera nel XVII secolo","year":2022,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04910009351482511,"score_gpt":0.26394625353077505,"score_spread":0.21484616001594994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224275224","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2943654,0.015157323,0.0006517491,0.0152644515,0.018302554,0.0051382924,0.037008386,0.0024257454,0.6116861],"genre_scores_gemma":[0.77034885,0.0001862984,0.00014806332,0.0023118574,0.0024276404,0.00027150905,0.0011379714,0.00018479156,0.22298302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915573,0.0011431053,0.0020200869,0.0018910175,0.001424375,0.0019641232],"domain_scores_gemma":[0.9960715,0.0005840257,0.00088516006,0.0011690854,0.00034350558,0.00094669365],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00068474445,0.0013621235,0.00161463,0.0003570061,0.0053004143,0.0022554353,0.0018847773,0.00042699746,0.17474356],"category_scores_gemma":[0.0003177667,0.0012781434,0.0008009841,0.00054725655,0.0009796827,0.0010156458,0.0011297907,0.0022882216,0.0062792674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012222303,0.0042121923,0.0035605147,0.0014694169,0.0024397096,0.0017528012,0.121448904,0.00022051792,0.0019446383,0.32718503,0.5308642,0.0036798245],"study_design_scores_gemma":[0.00084359624,0.00089301006,0.0006076042,0.0001332371,0.0007960952,0.000093743125,0.009592704,0.0013255074,0.00018757496,0.0013552671,0.982345,0.0018266565],"about_ca_topic_score_codex":0.002342969,"about_ca_topic_score_gemma":0.00010214705,"teacher_disagreement_score":0.47598344,"about_ca_system_score_codex":0.0011720031,"about_ca_system_score_gemma":0.00050201267,"threshold_uncertainty_score":0.999913},"labels":[],"label_agreement":null},{"id":"W4224303044","doi":"10.33137/qi.v42i1.38471","title":"L’Inghilterra nelle poesie ‘politiche’ di Vincenzo Monti. Appunti per un’analisi stilistica","year":2022,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.032491814221344104,"score_gpt":0.24168175099170727,"score_spread":0.20918993677036318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224303044","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010953548,0.008905382,0.0014321626,0.0065496764,0.005937964,0.0010208967,0.007706999,0.0006084677,0.9568849],"genre_scores_gemma":[0.7366514,0.000042471886,0.00010500864,0.0014985289,0.0022906635,0.00010331302,0.00049962394,0.00013670183,0.25867224],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932257,0.0007364559,0.0014786076,0.0014381561,0.0014625357,0.0016585259],"domain_scores_gemma":[0.9967691,0.00055157853,0.00046405682,0.0011764885,0.00025000313,0.0007888147],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005002713,0.0009986934,0.0012142264,0.00034076325,0.0052733836,0.0010217698,0.0013154092,0.00019501985,0.3200668],"category_scores_gemma":[0.00024049044,0.000999317,0.0007965571,0.000305637,0.0010326755,0.00047314688,0.00074938557,0.0013573327,0.004666397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000246404,0.0019084108,0.0002879913,0.00034639754,0.0007261185,0.00084512663,0.02683344,0.00012256613,0.000058629426,0.81227195,0.1553466,0.0010063578],"study_design_scores_gemma":[0.0005153986,0.0007260254,0.00025216574,0.00006485602,0.00097329816,0.000058782807,0.011412323,0.00275384,0.00002295601,0.0065089897,0.9753964,0.0013149452],"about_ca_topic_score_codex":0.0030760712,"about_ca_topic_score_gemma":0.000094226925,"teacher_disagreement_score":0.8200498,"about_ca_system_score_codex":0.000700136,"about_ca_system_score_gemma":0.00027872986,"threshold_uncertainty_score":0.9992457},"labels":[],"label_agreement":null},{"id":"W4225727807","doi":"","title":"Les vices du temps précipitation, impatience et inquiétude aux XVIe et XVIIe siècles","year":2023,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.048733535640955006,"score_gpt":0.27597921497941325,"score_spread":0.22724567933845824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225727807","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3241467,0.010959498,0.019919483,0.16046567,0.0029296123,0.0014391863,0.0012735729,0.0013750498,0.47749123],"genre_scores_gemma":[0.84719306,0.0039548855,0.004835994,0.0006797387,0.0002275312,0.00018766493,0.0017287793,0.00010202474,0.1410903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98920363,0.0074919136,0.0010817851,0.0010389158,0.00066717993,0.0005165663],"domain_scores_gemma":[0.99042135,0.00396765,0.00086810807,0.0014554029,0.0030083968,0.00027907538],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0052552624,0.00058257097,0.00063444587,0.00031645314,0.0020667915,0.0013903889,0.0014896785,0.00029215938,0.0013814525],"category_scores_gemma":[0.0018258971,0.00056825764,0.00041424498,0.00035435136,0.0011035561,0.000712509,0.0011358941,0.0008920755,0.00047059482],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014234406,0.00063569244,0.0016574969,0.0002797125,0.00012916907,0.000008767742,0.16963911,0.00016222284,0.00011285298,0.81483704,0.004207262,0.008316444],"study_design_scores_gemma":[0.00035698203,0.000002781967,0.009530526,0.0025497514,0.00013672598,0.0000046196665,0.0027855083,0.0026550912,0.0005827589,0.012457053,0.96818656,0.00075163104],"about_ca_topic_score_codex":0.035863582,"about_ca_topic_score_gemma":0.043652758,"teacher_disagreement_score":0.9639793,"about_ca_system_score_codex":0.00020665569,"about_ca_system_score_gemma":0.00043516417,"threshold_uncertainty_score":0.9996769},"labels":[],"label_agreement":null},{"id":"W4225759368","doi":"","title":"Reproduire la préhistoire : une invitation à l’écrire ? René Char, André du Bouchet, Lorand Gaspar","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Geography","score_opus":0.017665980363552426,"score_gpt":0.21478745280077355,"score_spread":0.1971214724372211,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225759368","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062167305,0.024599457,0.0046617985,0.10258996,0.0022075411,0.001104565,0.00083410006,0.000554949,0.8012803],"genre_scores_gemma":[0.44721523,0.0038499543,0.0023386627,0.0004566,0.00040715453,0.00027974485,0.0030186933,0.0001224599,0.5423115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98660874,0.009396025,0.0011373312,0.0015151212,0.0007660694,0.0005767048],"domain_scores_gemma":[0.992715,0.0017077643,0.0009867473,0.002435814,0.0018199715,0.00033472455],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0055593573,0.0006687469,0.00080076035,0.0003169831,0.003427099,0.00090710993,0.0013537941,0.00032929942,0.0055898554],"category_scores_gemma":[0.001235042,0.00071376795,0.00055935356,0.0005063797,0.0011776867,0.0005318592,0.001105105,0.0013430353,0.00015622989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009439781,0.001720969,0.001425683,0.0007093811,0.00026057634,0.00007352763,0.17719692,0.00013092319,0.00030694503,0.7435395,0.043186568,0.03135457],"study_design_scores_gemma":[0.00062771904,0.000002699564,0.0010382181,0.0012193074,0.00018868216,0.000022652574,0.0014879188,0.0017654155,0.00047232787,0.005880718,0.9865512,0.0007431196],"about_ca_topic_score_codex":0.011227377,"about_ca_topic_score_gemma":0.0036907406,"teacher_disagreement_score":0.9433647,"about_ca_system_score_codex":0.00047491668,"about_ca_system_score_gemma":0.0003422421,"threshold_uncertainty_score":0.9995313},"labels":[],"label_agreement":null},{"id":"W4226028051","doi":"10.3828/ajfs.2022.08","title":"Un exemple de transgression : l’intrusion de l’Italien dans <i>Candide</i> de Voltaire","year":2022,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Marine transgression; Humanities; Intrusion; Art; Philosophy; Geology; Geomorphology; Structural basin","score_opus":0.03502592178364519,"score_gpt":0.2781601867862578,"score_spread":0.24313426500261262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226028051","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8534975,0.10456331,0.0002593299,0.027911505,0.003378202,0.00015771447,0.00042386973,0.00002776086,0.0097807795],"genre_scores_gemma":[0.8746148,0.0028399061,0.0005522289,0.0003908237,0.0016857216,0.00000969996,0.000007739546,0.00002501643,0.11987408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735355,0.0005236235,0.0007863684,0.00021082244,0.00044312899,0.00068249],"domain_scores_gemma":[0.9987288,0.00018545568,0.00047258355,0.00015514353,0.0001488163,0.00030920102],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008590262,0.00030379885,0.0005910555,0.00017175611,0.0021088659,0.00009762246,0.00040274288,0.000070190705,0.004764192],"category_scores_gemma":[0.000051202096,0.00025439748,0.00045765165,0.00017213775,0.00053124095,0.0003770566,0.0001029089,0.00077464886,0.000009327694],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016154892,0.0008992728,0.014164174,0.00037884642,0.0014226196,0.0021874371,0.3532263,0.001269497,0.002211986,0.009144199,0.60337317,0.011560931],"study_design_scores_gemma":[0.00066188147,0.0011581632,0.0014908,0.00041224735,0.0006551076,0.00068180944,0.034246992,0.000023653016,0.00087144313,0.008654136,0.950828,0.0003157559],"about_ca_topic_score_codex":0.002117448,"about_ca_topic_score_gemma":0.00022432704,"teacher_disagreement_score":0.34745482,"about_ca_system_score_codex":0.00085213204,"about_ca_system_score_gemma":0.00022699092,"threshold_uncertainty_score":0.9999908},"labels":[],"label_agreement":null},{"id":"W4226048830","doi":"10.7202/1110496ar","title":"L’atelier éclaté : enjeux dans la composition et l’interprétation musicales","year":2021,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.050503617259998836,"score_gpt":0.2949593581795839,"score_spread":0.24445574091958508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226048830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27306792,0.01218152,0.025580935,0.055231005,0.0069267163,0.00052380055,0.0015961555,0.0004377357,0.6244542],"genre_scores_gemma":[0.90877473,0.0014559136,0.001475105,0.0010991313,0.001237322,0.00005908413,0.0012200539,0.000050667873,0.084628],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976885,0.0006591014,0.0005443332,0.0004647531,0.0003157939,0.0003275293],"domain_scores_gemma":[0.9985547,0.00045659626,0.00011748427,0.00034047192,0.000364265,0.00016647359],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022369313,0.00030923798,0.00033854047,0.00015686883,0.0010311751,0.0006574029,0.00015513299,0.00014503227,0.005893592],"category_scores_gemma":[0.000110781926,0.00031462967,0.00023405642,0.00016232552,0.00042552428,0.0017052442,0.000086263084,0.0003435393,0.0011195557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027074002,0.0010660508,0.000043485015,0.00011584151,0.00014088287,0.00020996433,0.29825312,0.0003786718,0.0045396034,0.6661534,0.020809542,0.008262415],"study_design_scores_gemma":[0.00028547304,0.00008789638,0.0004450442,0.00035141368,0.00019421392,0.00006134812,0.01605962,0.0017110442,0.001002994,0.008418546,0.97096336,0.0004190605],"about_ca_topic_score_codex":0.0001950521,"about_ca_topic_score_gemma":0.0010105135,"teacher_disagreement_score":0.9501538,"about_ca_system_score_codex":0.00016394597,"about_ca_system_score_gemma":0.00015319626,"threshold_uncertainty_score":0.99993056},"labels":[],"label_agreement":null},{"id":"W4229019950","doi":"10.4000/textyles.5749","title":"Le héros, l’ennemi, le traître","year":2022,"lang":"fr","type":"article","venue":"Textyles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biology","score_opus":0.02167136489449197,"score_gpt":0.20387370406435862,"score_spread":0.18220233916986664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229019950","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027145984,0.109602906,0.000025685616,0.02295932,0.002623929,0.00015234409,0.00080242165,0.00017331874,0.8365141],"genre_scores_gemma":[0.39675555,0.00009851198,0.000024527224,0.00066516537,0.00093430985,0.000023239127,0.00006242195,0.000021041247,0.6014152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998645,0.00018352966,0.00029166808,0.0002903065,0.00022969996,0.00035976688],"domain_scores_gemma":[0.999448,0.00008776757,0.000085462125,0.00023265797,0.000035040324,0.00011109541],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001533793,0.00018837179,0.0002631903,0.00008953375,0.002800239,0.00014136251,0.00028847682,0.00004272396,0.030318921],"category_scores_gemma":[0.000010815307,0.00019983745,0.00022983717,0.000107118656,0.00035131007,0.0002825817,0.0001401512,0.0003578654,0.00039551774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016038448,0.00043450788,0.000021583894,0.00004545966,0.000048364705,0.00004962986,0.020836428,0.000055450062,0.00003501417,0.7221495,0.24866903,0.0076389867],"study_design_scores_gemma":[0.00027532026,0.00015136902,0.000041925676,0.000017282773,0.00004986835,0.000016574331,0.008826173,0.00007688786,0.000029052511,0.0054007424,0.98483783,0.00027697042],"about_ca_topic_score_codex":0.012315657,"about_ca_topic_score_gemma":0.00089549687,"teacher_disagreement_score":0.7361688,"about_ca_system_score_codex":0.00007933802,"about_ca_system_score_gemma":0.00020128825,"threshold_uncertainty_score":0.99849796},"labels":[],"label_agreement":null},{"id":"W4229711493","doi":"10.7202/1066059ar","title":"Centre franco-ontarien de folklore","year":2019,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; Art; Literature","score_opus":0.018409698452960494,"score_gpt":0.22442589653336706,"score_spread":0.20601619808040655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229711493","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26896173,0.08520464,0.0005796265,0.1105594,0.008203265,0.0011065722,0.00070959615,0.0008539074,0.52382123],"genre_scores_gemma":[0.38975248,0.0009045485,0.00054139737,0.0012680399,0.0018718472,0.000033530676,0.00008008005,0.00007529571,0.6054728],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965062,0.00035468678,0.0006853944,0.0008062898,0.00024226397,0.0014051251],"domain_scores_gemma":[0.99780875,0.00046191568,0.00025669092,0.0008809045,0.00019583886,0.0003958799],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046420947,0.00060448295,0.00084665907,0.000236263,0.0005347452,0.0002302284,0.0007625202,0.0008373065,0.01256418],"category_scores_gemma":[0.00023764496,0.00060244685,0.00063326576,0.00024740645,0.0005938549,0.0006009955,0.00017431473,0.001520291,0.0035667105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045981669,0.0012743971,0.05961784,0.0025528467,0.00053258584,0.001646623,0.21375278,0.00075742934,0.00044737628,0.25430265,0.43661883,0.028036838],"study_design_scores_gemma":[0.0007729696,0.00032563938,0.0006183149,0.0006080373,0.00013335768,0.000049994,0.0075839637,0.0011351054,0.0002555146,0.0027721908,0.98498636,0.0007585723],"about_ca_topic_score_codex":0.018969834,"about_ca_topic_score_gemma":0.034363184,"teacher_disagreement_score":0.5483675,"about_ca_system_score_codex":0.00053546106,"about_ca_system_score_gemma":0.0002801434,"threshold_uncertainty_score":0.99964267},"labels":[],"label_agreement":null},{"id":"W4229915880","doi":"10.4000/ideas.2301","title":"Giulia Bogliolo Bruna. Les objets messagers de la pensée inuit","year":2018,"lang":"fr","type":"article","venue":"IdeAs","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Art","score_opus":0.01997653798109622,"score_gpt":0.2637478656895905,"score_spread":0.2437713277084943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229915880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29109812,0.0353741,0.00007323057,0.00529206,0.0026501918,0.0001356133,0.00018853268,0.00015577489,0.6650324],"genre_scores_gemma":[0.6690419,0.00014538341,0.00008478501,0.0006065426,0.0031778896,0.0000051171246,0.000006414025,0.00002054956,0.32691148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984125,0.00033765138,0.00030746422,0.00029752238,0.00019079319,0.00045409575],"domain_scores_gemma":[0.9990692,0.00025885119,0.000097986616,0.0002469438,0.00012156969,0.00020544218],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003279919,0.00024043983,0.0002873474,0.000099097815,0.000893225,0.00031206358,0.00024514896,0.00017501223,0.023484519],"category_scores_gemma":[0.00010519308,0.00021648566,0.00020386172,0.00008985865,0.0020017142,0.00029188948,0.00006250729,0.00029525522,0.0017180428],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050404084,0.00017309033,0.0006853226,0.000091057955,0.00014124154,0.00015365779,0.06404686,0.0000024866874,0.000106529005,0.6428644,0.27628738,0.015397549],"study_design_scores_gemma":[0.00020528487,0.000174356,0.0010573342,0.00011983275,0.00012712317,0.000020844898,0.0009904347,0.000068793845,0.0000903468,0.021089392,0.97576255,0.00029370983],"about_ca_topic_score_codex":0.010262546,"about_ca_topic_score_gemma":0.0019202786,"teacher_disagreement_score":0.69947517,"about_ca_system_score_codex":0.0001632364,"about_ca_system_score_gemma":0.00012599565,"threshold_uncertainty_score":0.99905926},"labels":[],"label_agreement":null},{"id":"W4230074983","doi":"10.31338/uw.9788323546245.pp.93-122","title":"A Hundred Years of Classical Mythology in Spanish Educational Systems","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; History; Literature; Classics; Art","score_opus":0.04283871094061498,"score_gpt":0.2344313356200907,"score_spread":0.19159262467947571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230074983","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021191491,0.0017947152,0.0000025037625,0.00035919735,0.0008633617,0.00006673029,0.00005453235,0.000011583757,0.99663544],"genre_scores_gemma":[0.01897018,0.00003373892,0.000023078255,0.000113618,0.0009324704,0.0000066619154,0.0001415261,0.000015316915,0.9797634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915296,0.000024397285,0.00037024953,0.00020572981,0.00014675848,0.00009992055],"domain_scores_gemma":[0.99950343,0.00012259878,0.00010461686,0.00014758087,0.00008188667,0.000039885806],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000047273887,0.00010801842,0.0004033361,0.000145152,0.000029589602,0.00003640682,0.00009871352,0.00012780329,0.016434282],"category_scores_gemma":[0.000012491514,0.00011354341,0.00013751889,0.0000096678195,0.00018253838,0.00004957297,0.000030735206,0.00019448552,0.00015113133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052807195,0.000047318557,0.000004301198,0.00005053438,0.0000401284,0.000026716683,0.0016816505,8.940929e-7,0.0000022749255,0.97811574,0.019235238,0.0007899387],"study_design_scores_gemma":[0.00007506889,0.000032963937,0.00004901114,0.000103796,0.00002766876,0.000005636595,0.00014877872,0.0000055088394,2.8202948e-7,0.007887919,0.99153334,0.00013005614],"about_ca_topic_score_codex":0.00029078792,"about_ca_topic_score_gemma":0.0006299442,"teacher_disagreement_score":0.9722981,"about_ca_system_score_codex":0.00005092306,"about_ca_system_score_gemma":0.00011796347,"threshold_uncertainty_score":0.9844648},"labels":[],"label_agreement":null},{"id":"W4230652615","doi":"10.1163/2451-9537_cmrii_com_26782","title":"Voyage de François Pyrard de Laval; contenant sa navigation aux Indes-Orientales, aux Maldives, Moluques, au Brésil","year":2017,"lang":"fr","type":"dataset","venue":"Christian-Muslim Relations 1500 - 1900","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Geography; Geology; Cartography","score_opus":0.0321519794968276,"score_gpt":0.28365420377297446,"score_spread":0.2515022242761469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230652615","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020541962,0.034532275,0.0007885674,0.0036607122,0.0052847215,0.0014952439,0.9094384,0.00039303463,0.023865098],"genre_scores_gemma":[0.15965644,0.0022973404,0.0002706554,0.000789228,0.0052173655,0.00025727926,0.68387467,0.00017792759,0.1474591],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936247,0.0006829554,0.0017049898,0.0013530178,0.0010173594,0.0016170003],"domain_scores_gemma":[0.99411994,0.0007671092,0.0013634113,0.0019099249,0.0008904389,0.0009491978],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011530208,0.0012728027,0.0013969422,0.0006065466,0.008273755,0.0011840615,0.0014953203,0.0012897607,0.0056910897],"category_scores_gemma":[0.0014966137,0.0012370467,0.00089032,0.00026984653,0.0024662632,0.0012881086,0.00033707626,0.0023398239,0.0038299898],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010040375,0.00070253137,0.0018631413,0.0006152164,0.00060316746,0.00067101634,0.025369233,0.00011914983,0.000025071025,0.022704309,0.94580317,0.0014235838],"study_design_scores_gemma":[0.0010619605,0.0003258789,0.0030374979,0.0017792213,0.0013362516,0.00012293927,0.0028631059,0.0007126583,0.000013960343,0.0018553794,0.9854173,0.0014738684],"about_ca_topic_score_codex":0.11225394,"about_ca_topic_score_gemma":0.014356419,"teacher_disagreement_score":0.22556372,"about_ca_system_score_codex":0.0029840933,"about_ca_system_score_gemma":0.003374804,"threshold_uncertainty_score":0.9999618},"labels":[],"label_agreement":null},{"id":"W4230768016","doi":"10.3138/utq.72.1.33","title":"Théâtre","year":2003,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.012824461109172963,"score_gpt":0.17493261549575417,"score_spread":0.16210815438658122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230768016","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03434522,0.00046039835,0.00011149512,0.000056487712,0.00019508284,0.000032130913,0.000013440209,0.000032710155,0.96475303],"genre_scores_gemma":[0.80421674,0.0000056385047,0.00013866166,0.000023863897,0.000046415054,2.4927392e-8,0.0000029708212,0.000002504985,0.19556315],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996885,0.000032248463,0.00005366306,0.00008172913,0.00006589315,0.000077975834],"domain_scores_gemma":[0.99977475,0.000015079766,0.00003390192,0.000095675634,0.000039869858,0.00004070246],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000029268102,0.000050019404,0.000092825125,0.000010968301,0.00014818329,0.000010112748,0.000086872504,0.00001627675,0.023303963],"category_scores_gemma":[0.0000016025485,0.000049907667,0.00007446241,0.0000054354055,0.00008426209,0.00029512038,0.0000023436235,0.00002429259,0.00007319637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020204037,0.000109410226,0.00008272967,0.00001414303,0.000044404755,0.000012734194,0.15313725,3.4397587e-7,0.000047927795,0.8100719,0.03040015,0.006058804],"study_design_scores_gemma":[0.0001312949,0.00017839546,0.000058676873,0.0000044255016,0.00001849964,4.0492887e-7,0.018248176,0.0000042263823,0.000004520382,0.00042008696,0.9808664,0.00006491505],"about_ca_topic_score_codex":0.014024551,"about_ca_topic_score_gemma":0.016468737,"teacher_disagreement_score":0.9504662,"about_ca_system_score_codex":0.000040571304,"about_ca_system_score_gemma":0.000011792042,"threshold_uncertainty_score":0.99254113},"labels":[],"label_agreement":null},{"id":"W4231532155","doi":"10.4000/ahrf.11660","title":"Entre scatologie et fantasmes sexuels, le cul et son imaginaire","year":2010,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art","score_opus":0.014987658954272735,"score_gpt":0.25735578680020677,"score_spread":0.24236812784593403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231532155","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07839663,0.5257726,0.0009859473,0.03921115,0.0063332166,0.00034094846,0.00055853784,0.00072686863,0.34767413],"genre_scores_gemma":[0.71542186,0.007827192,0.0009844572,0.0023373354,0.0017153164,0.000047524234,0.00021405001,0.00007859738,0.27137366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705833,0.0007601129,0.0005662742,0.00060476386,0.00033240503,0.00067812926],"domain_scores_gemma":[0.99827737,0.0003347592,0.00026504885,0.0004916909,0.00029450498,0.00033662264],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00071053643,0.0005108913,0.00053529086,0.00025037763,0.0010102546,0.0003351455,0.0004262318,0.00045354094,0.002551472],"category_scores_gemma":[0.00016738767,0.00051850366,0.00045070366,0.00014772349,0.0017395597,0.0014150001,0.00009765252,0.0013331448,0.0003822928],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065195236,0.0006712167,0.000885076,0.00019487587,0.00007650495,0.00014643771,0.037680764,0.000011480433,0.00043923294,0.23789258,0.71607447,0.00586219],"study_design_scores_gemma":[0.0004212894,0.00012417644,0.0006811862,0.00013867632,0.00012831403,0.00009264592,0.00064657023,0.00028574074,0.00014126176,0.0047010714,0.99201983,0.00061922806],"about_ca_topic_score_codex":0.016925367,"about_ca_topic_score_gemma":0.008527982,"teacher_disagreement_score":0.63702524,"about_ca_system_score_codex":0.0003648103,"about_ca_system_score_gemma":0.0005853503,"threshold_uncertainty_score":0.99972665},"labels":[],"label_agreement":null},{"id":"W4231797588","doi":"10.4000/ahrf.12718","title":"Carolina Armenteros, The French Idea of History. Joseph de Maistre and his Heirs, 1794-1854 | Joseph de Maistre and the Legacy of Enlightenment | Joseph de Maistre and his European Readers from Friedrich von Gentz to Isaiah Berlin","year":2013,"lang":"en","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Philosophy; Enlightenment; Theology","score_opus":0.013412695026140441,"score_gpt":0.20684365008392608,"score_spread":0.19343095505778563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231797588","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87430537,0.11050262,0.00035951458,0.0024429446,0.00046937485,0.0004983027,0.00028617313,0.00009090763,0.011044763],"genre_scores_gemma":[0.98380643,0.0025716005,0.00071866455,0.0009732494,0.0005699542,0.00007064243,0.00007960928,0.000056357618,0.011153485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99690825,0.00086828496,0.0007572372,0.0005500325,0.0003639126,0.0005522809],"domain_scores_gemma":[0.9980456,0.00041270236,0.0004237852,0.000537635,0.00022371946,0.00035655836],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007253641,0.00046335577,0.0006188462,0.00016276122,0.00056488416,0.00014639014,0.0004187506,0.00016395572,0.0006112821],"category_scores_gemma":[0.00012224329,0.0003427526,0.0002248067,0.000087802146,0.0015651992,0.0004186791,0.00015623042,0.00041946454,0.000014529587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030885008,0.00035860203,0.014453606,0.00027394178,0.00031444823,0.000058572754,0.32405537,0.000015095424,0.0019308205,0.0033350391,0.6511538,0.0037418415],"study_design_scores_gemma":[0.0009885051,0.0002901803,0.015096787,0.00018198472,0.00029743105,0.000022472896,0.0026356208,0.00024089514,0.0001720398,0.0010938738,0.97858214,0.0003980577],"about_ca_topic_score_codex":0.04845937,"about_ca_topic_score_gemma":0.005390636,"teacher_disagreement_score":0.32742834,"about_ca_system_score_codex":0.00093254825,"about_ca_system_score_gemma":0.00015461497,"threshold_uncertainty_score":0.9999024},"labels":[],"label_agreement":null},{"id":"W4231889950","doi":"10.4000/textyles.2506","title":"Provenzano (François), Historiographies périphériques. Enjeux et rhétorique de l’histoire littéraire en francophonie du Nord (Belgique, Suisse romande, Québec)","year":2013,"lang":"fr","type":"article","venue":"Textyles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.009699403848998166,"score_gpt":0.21299275839661416,"score_spread":0.203293354547616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231889950","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073447,0.69679254,0.00015014638,0.037004918,0.0046494273,0.0011363209,0.00028561935,0.0008660774,0.18566793],"genre_scores_gemma":[0.17572585,0.00485864,0.00038788732,0.0018598256,0.0040496965,0.00029875193,0.0000798113,0.00014653755,0.812593],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958094,0.0006777117,0.0010523576,0.000876204,0.0004897679,0.0010945912],"domain_scores_gemma":[0.9971631,0.00057412754,0.0004016335,0.00075725093,0.00053881767,0.00056504365],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004954164,0.00090866414,0.0010245857,0.0005332792,0.0016722839,0.00057025015,0.000743829,0.0005580165,0.012070219],"category_scores_gemma":[0.00024516205,0.0008383567,0.0008114353,0.00042648325,0.0013904262,0.0015473106,0.00016202668,0.0010010218,0.0011362098],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092383096,0.0010862756,0.0024734621,0.00086847093,0.0003817526,0.0001863745,0.09656522,0.0000146896045,0.00030749667,0.11486518,0.75398374,0.029174956],"study_design_scores_gemma":[0.00057124154,0.0004673482,0.0029938133,0.0005109723,0.00018008152,0.000046720193,0.0019996422,0.00008120523,0.00008742753,0.0047937534,0.9872263,0.001041493],"about_ca_topic_score_codex":0.656282,"about_ca_topic_score_gemma":0.3314617,"teacher_disagreement_score":0.69193393,"about_ca_system_score_codex":0.0010458042,"about_ca_system_score_gemma":0.00070133846,"threshold_uncertainty_score":0.99964154},"labels":[],"label_agreement":null},{"id":"W4232916040","doi":"10.4000/itineraires.897","title":"Bruno Blanckeman et Barbara Havercroft (dir.), Narrations d’un nouveau siècle, romans et récits français (2001-2010)","year":2013,"lang":"fr","type":"article","venue":"Itinéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018826992004996507,"score_gpt":0.23083495135382232,"score_spread":0.2120079593488258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232916040","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18358874,0.047888797,0.00027638182,0.08577715,0.006424086,0.001001873,0.0013469523,0.0006349656,0.6730611],"genre_scores_gemma":[0.562967,0.00048843253,0.0003421175,0.0058699134,0.001727927,0.00010764717,0.00023740742,0.00007992279,0.42817965],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965485,0.00042489427,0.000850682,0.00069747394,0.0005070302,0.00097147346],"domain_scores_gemma":[0.9979286,0.00042462102,0.00021621877,0.00061553344,0.00035293587,0.00046205916],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028832236,0.00061389443,0.0006693805,0.00024464718,0.0018388137,0.0009682244,0.0004807015,0.0002972085,0.06316895],"category_scores_gemma":[0.00014524056,0.00057591347,0.00045680124,0.00019788781,0.00079388614,0.0017940163,0.00013264583,0.0006808502,0.006537463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016858063,0.00065913046,0.00060339505,0.00016386637,0.00023988378,0.00008094444,0.058861554,0.000044060846,0.00024538336,0.22800475,0.7059355,0.0051446855],"study_design_scores_gemma":[0.00051183876,0.00025690044,0.015145769,0.00024475993,0.00016143954,0.000027549728,0.0024441655,0.00058426964,0.00009284966,0.0038205395,0.9759358,0.0007741037],"about_ca_topic_score_codex":0.06660905,"about_ca_topic_score_gemma":0.011024439,"teacher_disagreement_score":0.37937823,"about_ca_system_score_codex":0.0000896362,"about_ca_system_score_gemma":0.00017986138,"threshold_uncertainty_score":0.99966925},"labels":[],"label_agreement":null},{"id":"W4233689718","doi":"10.4000/communication.2542","title":"Marina D'AMATO (2009), Téléfantaisie. La mondialisation de l’imaginaire","year":2011,"lang":"fr","type":"article","venue":"Communication","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Business administration; Business; Political science","score_opus":0.047579355084695144,"score_gpt":0.2477008884730537,"score_spread":0.20012153338835853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233689718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012770034,0.078382686,0.0003838159,0.004573909,0.00049416244,0.00016267833,0.000059108992,0.00012751626,0.9030461],"genre_scores_gemma":[0.9179152,0.008878435,0.0016262007,0.0003632331,0.0003100091,0.000033333592,0.00013836959,0.000027696196,0.07070749],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998589,0.0005799665,0.00031343376,0.00016295358,0.00011452417,0.00024015452],"domain_scores_gemma":[0.99873334,0.00014189906,0.00015062216,0.000749556,0.00012153705,0.00010306863],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038912904,0.00016470769,0.0001759263,0.00009407071,0.00069366174,0.0001609928,0.00047151276,0.00011913117,0.00531983],"category_scores_gemma":[0.000048930717,0.00017197692,0.00011042524,0.00008718835,0.0005029823,0.0006932842,0.0001260392,0.00030031186,0.00043371387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004362193,0.00044450877,0.0017879952,0.000100190446,0.000055952907,0.00000965323,0.09596482,0.0000016953034,0.000017841958,0.77400464,0.08659647,0.040972598],"study_design_scores_gemma":[0.00016703326,0.000056407407,0.0053474433,0.00012478002,0.0001081724,0.000013550134,0.0016995404,0.00034090702,0.000058438196,0.02817522,0.9636974,0.0002111477],"about_ca_topic_score_codex":0.009178414,"about_ca_topic_score_gemma":0.0003063466,"teacher_disagreement_score":0.90514517,"about_ca_system_score_codex":0.00014754062,"about_ca_system_score_gemma":0.00006042978,"threshold_uncertainty_score":0.99741954},"labels":[],"label_agreement":null},{"id":"W4233832324","doi":"10.1007/978-3-319-02848-4_581-1","title":"Garin, Eugenio","year":2019,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Historiography; The Renaissance; Quarter (Canadian coin); Classics; Art; Art history; History; Archaeology","score_opus":0.04310972437625711,"score_gpt":0.21137749496294533,"score_spread":0.16826777058668824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233832324","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035193687,0.0053413096,0.00003887922,0.0008154066,0.002732254,0.00014998652,0.0001517389,0.00007604032,0.9906592],"genre_scores_gemma":[0.004378125,0.00043472263,0.00006419382,0.0011117301,0.0031426651,0.0000021441172,0.000104081766,0.00005371597,0.99070865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985489,0.00002121785,0.0004479332,0.00043026046,0.0002531378,0.00029849994],"domain_scores_gemma":[0.999073,0.00011579948,0.0001397814,0.00039518636,0.00012595914,0.0001502335],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000068255984,0.00043997887,0.0005452802,0.00012733568,0.00045378198,0.00018280765,0.0002488255,0.0002528767,0.38273367],"category_scores_gemma":[0.0000053440212,0.0003490668,0.0005146191,0.000008219882,0.0004379505,0.00020018828,0.00008823708,0.00041800918,0.04312725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000122651945,0.000037165042,0.000014166091,0.000114439696,0.00018671961,0.000029383928,0.001040371,0.0000015080467,0.0000016978086,0.94619817,0.047919184,0.004444945],"study_design_scores_gemma":[0.000110854504,0.00015025637,0.000006593619,0.00011347129,0.00019886217,0.000005268715,0.000054373242,0.000023728951,0.000002589649,0.0107335225,0.98807377,0.0005267214],"about_ca_topic_score_codex":0.001293877,"about_ca_topic_score_gemma":0.00036520528,"teacher_disagreement_score":0.94015455,"about_ca_system_score_codex":0.00008802847,"about_ca_system_score_gemma":0.00006439998,"threshold_uncertainty_score":0.9998961},"labels":[],"label_agreement":null},{"id":"W4234011822","doi":"10.4000/transposition.1480","title":"Timothée Picard, Sur les traces d’un fantôme. La civilisation de l’opéra","year":2016,"lang":"fr","type":"article","venue":"Transposition","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy; Civilization; Humanities; Art; Political science","score_opus":0.018786486005424142,"score_gpt":0.20087537342315984,"score_spread":0.18208888741773568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234011822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8281452,0.027008286,0.017094385,0.029675901,0.0010955692,0.0003054206,0.0012729135,0.00028267794,0.09511964],"genre_scores_gemma":[0.9507972,0.0014672258,0.00011637907,0.00015993664,0.0010587573,0.000016381144,0.00006457402,0.000023914861,0.046295606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986523,0.00030525328,0.00030542503,0.00025466594,0.00018608216,0.00029631786],"domain_scores_gemma":[0.9993318,0.00026094742,0.0000737649,0.00013659982,0.0000850665,0.00011186279],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020049847,0.00020529829,0.00021666412,0.000087297405,0.0004963783,0.00010824921,0.00011044387,0.00016608991,0.00722877],"category_scores_gemma":[0.000010151813,0.00015440123,0.00022187762,0.000055451048,0.00034421944,0.0007156842,0.0000036475724,0.00013600668,0.00020276595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032210976,0.00062779395,0.0011027828,0.00046580745,0.00025211394,0.00009860193,0.047645032,0.00002076087,0.018332671,0.614756,0.0048141875,0.31156215],"study_design_scores_gemma":[0.00072971394,0.00024675205,0.0045625726,0.00058141915,0.0003610815,0.00001913503,0.0003082637,0.00009204277,0.0027775133,0.0055483445,0.9844231,0.00035003782],"about_ca_topic_score_codex":0.0010900603,"about_ca_topic_score_gemma":0.00048882596,"teacher_disagreement_score":0.97960895,"about_ca_system_score_codex":0.00011250339,"about_ca_system_score_gemma":0.00003218403,"threshold_uncertainty_score":0.99367875},"labels":[],"label_agreement":null},{"id":"W4234165825","doi":"10.1522/030295472","title":"imaginaire et le religieux","year":2011,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.036923310171902674,"score_gpt":0.23045080346075394,"score_spread":0.19352749328885127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234165825","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000122902775,0.01143001,0.000062087725,0.004009519,0.0013946737,0.00011015963,0.000109613684,0.00014167324,0.98273],"genre_scores_gemma":[0.0030470022,0.0009970007,0.0001993214,0.0021444128,0.0017479658,0.000011354617,0.00018093757,0.000055065982,0.99161696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852276,0.000094148,0.00043596822,0.00042552227,0.00019017779,0.00033143404],"domain_scores_gemma":[0.9990602,0.00009142462,0.00015090857,0.0003862705,0.00014771585,0.00016349062],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000119364915,0.00041990643,0.0005024874,0.0001293779,0.00064551673,0.00019214425,0.0003237727,0.00019488967,0.042687856],"category_scores_gemma":[0.000012982733,0.0003405263,0.0004272404,0.00002381221,0.0007915914,0.00044800914,0.000097483986,0.00050639856,0.0057067764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007786871,0.00010775306,0.0000041232834,0.00009001283,0.000066619185,0.000040468152,0.0026275667,1.8177414e-7,4.6445155e-7,0.5782551,0.41696852,0.0018314122],"study_design_scores_gemma":[0.00013941101,0.000120728364,0.000011105929,0.00017334268,0.0001300002,0.000008655002,0.00012742488,0.0000067637393,0.000004698446,0.036767226,0.9620233,0.0004873116],"about_ca_topic_score_codex":0.01204117,"about_ca_topic_score_gemma":0.00095073925,"teacher_disagreement_score":0.5450548,"about_ca_system_score_codex":0.0000999123,"about_ca_system_score_gemma":0.0004245805,"threshold_uncertainty_score":0.9999047},"labels":[],"label_agreement":null},{"id":"W4234843951","doi":"10.3406/ahrf.2000.2316","title":"Consigner l'événement : les journaux du Voyage de Marchand (1790-1792) et les Isles de la Révolution","year":2000,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.01839341578182338,"score_gpt":0.2488035083725929,"score_spread":0.23041009259076953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234843951","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14754826,0.6315515,0.004142596,0.0059729344,0.00083451846,0.0003269413,0.0003600896,0.00034967807,0.20891345],"genre_scores_gemma":[0.49704114,0.056576084,0.001043047,0.0012026062,0.0028484357,0.00008496675,0.00011363913,0.00009987893,0.4409902],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99428135,0.0028135297,0.00084680814,0.00059805845,0.0004789372,0.0009813095],"domain_scores_gemma":[0.9977351,0.00079203816,0.0003012033,0.00038913632,0.00028382527,0.00049870886],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019039699,0.000633398,0.000620099,0.00035647338,0.002147807,0.00041649718,0.00040266992,0.0006719353,0.014635192],"category_scores_gemma":[0.00017181569,0.000652885,0.00056907325,0.00017927437,0.0023495478,0.00081234786,0.000067589404,0.0011135639,0.00019062687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034778554,0.001047368,0.0018415091,0.00033170363,0.00022677472,0.000359595,0.072931305,0.00046571784,0.00053241,0.07941477,0.81850976,0.02399128],"study_design_scores_gemma":[0.0007964358,0.00028705178,0.0016181988,0.00046404594,0.00032189063,0.00022064216,0.0008572978,0.0013224747,0.00009260899,0.003736237,0.98954165,0.0007414645],"about_ca_topic_score_codex":0.027822588,"about_ca_topic_score_gemma":0.0033571043,"teacher_disagreement_score":0.57497543,"about_ca_system_score_codex":0.001872028,"about_ca_system_score_gemma":0.00048425174,"threshold_uncertainty_score":0.99959224},"labels":[],"label_agreement":null},{"id":"W4235802684","doi":"10.26522/ti.v3i1.905","title":"Anaphores","year":2014,"lang":"fr","type":"article","venue":"ti<","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.020493551367429984,"score_gpt":0.21287868065196922,"score_spread":0.19238512928453924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235802684","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009946162,0.018965296,0.00007817712,0.004554201,0.0021208168,0.0000309411,0.000031689386,0.000046963956,0.96422577],"genre_scores_gemma":[0.23949648,0.000095031624,0.000037103808,0.0007080078,0.0032325592,0.0000018622216,0.000009169453,0.000008479635,0.7564113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994074,0.00006395344,0.0001344904,0.00012545458,0.000087883884,0.00018081783],"domain_scores_gemma":[0.9996544,0.00006425113,0.00003113321,0.00013725796,0.000030213181,0.000082713275],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000083783045,0.000094868294,0.00013351152,0.000039034803,0.00029835993,0.000094435614,0.000093540526,0.00004021605,0.023196006],"category_scores_gemma":[0.00001896081,0.00008022689,0.00009261517,0.000029728366,0.00021946746,0.00013448634,0.00001802154,0.00009390149,0.0032935112],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041685507,0.000053049534,0.00004617851,0.00003440237,0.000018446082,0.0000037018149,0.00419898,0.0000018863249,0.000004655754,0.7363513,0.23068532,0.02859792],"study_design_scores_gemma":[0.00007340622,0.0000958822,0.000098028686,0.000029954963,0.00003435322,0.0000013503953,0.00010728045,0.00024019842,0.000014195726,0.006492475,0.9926908,0.00012206418],"about_ca_topic_score_codex":0.001636599,"about_ca_topic_score_gemma":0.00018142612,"teacher_disagreement_score":0.7620055,"about_ca_system_score_codex":0.000019346748,"about_ca_system_score_gemma":0.000007897288,"threshold_uncertainty_score":0.99748254},"labels":[],"label_agreement":null},{"id":"W4237847149","doi":"10.1353/book.20394","title":"Théâtres québécois et canadiens-français au XXe siècle","year":2011,"lang":"fr","type":"book","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.01420706471665603,"score_gpt":0.16878542933418048,"score_spread":0.15457836461752444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237847149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013822028,0.0066763707,0.00008011412,0.0010072583,0.0007016479,0.0003142202,0.0006683233,0.00021483492,0.9765152],"genre_scores_gemma":[0.2370864,0.00028899484,0.00004721396,0.0008741799,0.0011696535,0.0000147250985,0.000107154585,0.000105653126,0.760306],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970343,0.00030201155,0.00055259647,0.00078620197,0.0003567863,0.0009681028],"domain_scores_gemma":[0.9973717,0.0005476862,0.00039980395,0.0007057829,0.00030643167,0.00066860445],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017896731,0.0008568844,0.00090161513,0.00036540302,0.0020378693,0.00021579582,0.0010939281,0.00042846682,0.04380032],"category_scores_gemma":[0.000055790697,0.000855736,0.00069996406,0.0000359095,0.0016127604,0.0003966682,0.0003821448,0.0008151496,0.001894654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003253499,0.00027614718,0.003182534,0.000863633,0.0013939806,0.0013829517,0.47510043,0.000028367967,0.00002903574,0.26240587,0.22599936,0.029012343],"study_design_scores_gemma":[0.00044243937,0.00026767052,0.00080237293,0.00037756097,0.0010927717,0.00004714602,0.0018630723,0.0000363784,0.00005571085,0.0010698074,0.9929525,0.0009925354],"about_ca_topic_score_codex":0.98522997,"about_ca_topic_score_gemma":0.9841762,"teacher_disagreement_score":0.7669532,"about_ca_system_score_codex":0.0019360001,"about_ca_system_score_gemma":0.0049412334,"threshold_uncertainty_score":0.99938935},"labels":[],"label_agreement":null},{"id":"W4238036103","doi":"10.1353/nef.2011.0010","title":"Actualités théâtrales","year":2011,"lang":"fr","type":"article","venue":"Nouvelles études francophones/Nouvelles etudes francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.0444632328186884,"score_gpt":0.23814407084431902,"score_spread":0.19368083802563063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238036103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35492977,0.20119834,0.0007413334,0.002839852,0.0970287,0.0024574713,0.002511248,0.0018196165,0.33647367],"genre_scores_gemma":[0.76387316,0.014752268,0.003788419,0.0017519068,0.008340945,0.00027036062,0.00018842617,0.0004900372,0.20654447],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98822933,0.0012931405,0.0031023729,0.0026436204,0.001696258,0.0030352692],"domain_scores_gemma":[0.9933007,0.0013579574,0.0011050253,0.0021000314,0.0008069174,0.0013294042],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0012929183,0.0027671203,0.0029320999,0.000984223,0.004388013,0.0006572237,0.0025067283,0.0014838593,0.14122657],"category_scores_gemma":[0.0002463554,0.002594972,0.0021018095,0.0013646734,0.0037944354,0.001915292,0.0006344336,0.00275852,0.01629005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017110463,0.0072994037,0.0018477421,0.0032729579,0.002943608,0.0011290084,0.58013946,0.00004533169,0.0009629871,0.1917161,0.17537998,0.03355239],"study_design_scores_gemma":[0.0019058209,0.001030977,0.0021824024,0.00091965625,0.0005984366,0.0001044506,0.08074469,0.0001026082,0.002512935,0.0018714415,0.90489626,0.0031303226],"about_ca_topic_score_codex":0.021491902,"about_ca_topic_score_gemma":0.009874751,"teacher_disagreement_score":0.72951627,"about_ca_system_score_codex":0.0004908248,"about_ca_system_score_gemma":0.0012278316,"threshold_uncertainty_score":0.9998124},"labels":[],"label_agreement":null},{"id":"W4238132953","doi":"10.4000/rsa.624","title":"Coquet Michèle, Derlon Brigitte, Jeudy-Ballini Monique, Dir., Les cultures à l’œuvre rencontrées en art,","year":2006,"lang":"fr","type":"article","venue":"Recherches sociologiques et anthropologiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Québécois du P.E.N. International","funders":"","keywords":"Art; Humanities","score_opus":0.07848787961597582,"score_gpt":0.3606660576539835,"score_spread":0.2821781780380077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238132953","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12509707,0.3444587,0.0028243393,0.07634014,0.0028939412,0.0015224827,0.0013334575,0.0031499236,0.44237992],"genre_scores_gemma":[0.24720697,0.1487665,0.023612646,0.003101651,0.006221118,0.00026079558,0.0012984609,0.00020299168,0.56932884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9861162,0.009035575,0.0016193143,0.0013596023,0.0004171925,0.0014521283],"domain_scores_gemma":[0.99325967,0.004416167,0.0007641563,0.00068864477,0.0006043772,0.00026699353],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.003212295,0.0013101011,0.0016904383,0.00025917878,0.0016015567,0.00066193205,0.00095794385,0.0031101222,0.00376823],"category_scores_gemma":[0.0011197024,0.0010628774,0.0010305647,0.00020648091,0.008038671,0.0011211121,0.00025395886,0.002551858,0.00035621197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017905732,0.0013435957,0.004804768,0.0003966553,0.0004455587,0.00018557251,0.021670664,0.00002527001,0.00038036294,0.47909662,0.48420238,0.0072694896],"study_design_scores_gemma":[0.00036662858,0.0013776916,0.0015193401,0.00045178868,0.00030370007,0.000042131735,0.010388314,0.00007931607,0.0027641582,0.12823746,0.8530906,0.0013788851],"about_ca_topic_score_codex":0.0779287,"about_ca_topic_score_gemma":0.019094216,"teacher_disagreement_score":0.3688882,"about_ca_system_score_codex":0.001369284,"about_ca_system_score_gemma":0.00049397507,"threshold_uncertainty_score":0.9999651},"labels":[],"label_agreement":null},{"id":"W4238486060","doi":"10.3917/herm.kreme.2016.01.0183","title":"Imposture et fiction dans les récits d'Ancien Régime","year":2016,"lang":"fr","type":"book-chapter","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","score_opus":0.03663039402158211,"score_gpt":0.23194464070572854,"score_spread":0.19531424668414643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238486060","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008719123,0.0021132925,0.0000951898,0.00062923244,0.0016249813,0.00026027393,0.00069150556,0.00016610051,0.9935475],"genre_scores_gemma":[0.04742689,0.00015537145,0.00002340594,0.0007345632,0.003431706,0.000021503092,0.00010684057,0.00010014871,0.9479996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99786514,0.0000946605,0.00059867837,0.000597725,0.00037332217,0.00047046348],"domain_scores_gemma":[0.99872214,0.00012935903,0.00030675528,0.00044534114,0.00017428897,0.00022209654],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015508496,0.0006488337,0.00056498044,0.00017035336,0.0011259781,0.00018700729,0.00030926557,0.00048192154,0.007764404],"category_scores_gemma":[0.000008327648,0.00048380092,0.00050835364,0.0000078685935,0.00071146677,0.00021955007,0.00010467547,0.00063621823,0.0016841063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045809094,0.000035736724,0.00002128706,0.00013096222,0.00019426054,0.00009985171,0.014301596,0.000001118714,0.0004424725,0.9563112,0.010259113,0.01815656],"study_design_scores_gemma":[0.00025087077,0.00019195298,0.00007620516,0.0005627581,0.0002417359,0.000029637993,0.00013039443,0.00001037026,0.000065250744,0.005673333,0.9920928,0.0006747222],"about_ca_topic_score_codex":0.00045977722,"about_ca_topic_score_gemma":0.00064355286,"teacher_disagreement_score":0.98183364,"about_ca_system_score_codex":0.00021011438,"about_ca_system_score_gemma":0.00008374829,"threshold_uncertainty_score":0.99976134},"labels":[],"label_agreement":null},{"id":"W4239289149","doi":"10.4000/hommesmigrations.3544","title":"Emondo De Amincis, Souvenirs de Paris","year":2015,"lang":"fr","type":"article","venue":"Hommes & migrations","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Art","score_opus":0.03823856781679235,"score_gpt":0.25583782060041127,"score_spread":0.2175992527836189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239289149","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11794716,0.6607656,0.0033128532,0.03263188,0.0026613148,0.0003040716,0.00091840274,0.0002658788,0.18119286],"genre_scores_gemma":[0.4061356,0.0004740423,0.00077692873,0.0011568089,0.0020245381,0.00003198301,0.00010747897,0.000022759388,0.5892699],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987473,0.00016975345,0.00030328534,0.00019723638,0.00016258362,0.00041985203],"domain_scores_gemma":[0.99907804,0.00012675705,0.00008225345,0.00023533202,0.00012008779,0.00035754676],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020137202,0.000186825,0.00022198277,0.00009467355,0.00065092125,0.00028130578,0.00016016219,0.00010831624,0.00222976],"category_scores_gemma":[0.00008148899,0.00017882492,0.00019076467,0.00010407842,0.0002666397,0.00037404426,0.000033670844,0.00022499583,0.0006124712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009222811,0.0002457377,0.0010130765,0.000021231373,0.00005767537,0.000024188837,0.07475574,0.0000843916,0.000012743906,0.08536085,0.83407134,0.0043437807],"study_design_scores_gemma":[0.00020522495,0.00010907967,0.0001670245,0.000038722304,0.00017859174,0.000015996427,0.0098571,0.0009073973,0.00004019872,0.006528045,0.98172826,0.0002243703],"about_ca_topic_score_codex":0.011687196,"about_ca_topic_score_gemma":0.005527032,"teacher_disagreement_score":0.66029155,"about_ca_system_score_codex":0.00027877142,"about_ca_system_score_gemma":0.00030892785,"threshold_uncertainty_score":0.9986823},"labels":[],"label_agreement":null},{"id":"W4240345737","doi":"10.3138/tric.41.1.149","title":"Ô Kanata","year":2020,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Humanities; Art; Philosophy; Political science; Law","score_opus":0.17417011365082705,"score_gpt":0.3195975120875019,"score_spread":0.14542739843667488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240345737","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035163837,0.045646004,0.0000010412141,0.15532902,0.000646777,0.00014339999,0.0003677837,0.000010781162,0.7943388],"genre_scores_gemma":[0.9751495,0.00079017854,0.000009989386,0.0015960872,0.002348302,0.000010231682,0.000019365332,0.000021586064,0.02005472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974448,0.00048723252,0.0002760871,0.0003006449,0.00075229444,0.0007389382],"domain_scores_gemma":[0.9987614,0.00043341672,0.000020773881,0.00020948764,0.00006999373,0.0005049412],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003809361,0.0001355968,0.0002448397,0.00009463137,0.00035915765,0.00010763941,0.00041003432,0.000040877574,0.012683013],"category_scores_gemma":[0.00001373084,0.00012337578,0.000051645962,0.00035715054,0.00031715175,0.00017860312,0.00011766758,0.0008401314,0.0002773962],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006859547,0.000061241786,0.00061996805,0.00039684982,0.000049284085,0.0015319074,0.005785679,0.00005230724,0.000006035732,0.05582942,0.74892104,0.18667768],"study_design_scores_gemma":[0.00014514098,0.00009255878,0.000016265207,0.00009921816,0.0000067124565,0.0000018876614,0.0037888836,0.0007541427,0.000012076546,0.0012647529,0.99367684,0.00014149956],"about_ca_topic_score_codex":0.9987768,"about_ca_topic_score_gemma":0.99668103,"teacher_disagreement_score":0.97163314,"about_ca_system_score_codex":0.0013395288,"about_ca_system_score_gemma":0.00323936,"threshold_uncertainty_score":0.9882195},"labels":[],"label_agreement":null},{"id":"W4240775078","doi":"10.3138/utq.80.2.423","title":"Théâtre","year":2011,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology; History","score_opus":0.02472250888245012,"score_gpt":0.17223960963624527,"score_spread":0.14751710075379515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240775078","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042637005,0.00022510946,0.00007777949,0.000026144953,0.00016158861,0.000028552478,0.000015530273,0.000039925268,0.95678836],"genre_scores_gemma":[0.86995786,0.000004728608,0.00020204915,0.00001991988,0.000068630034,2.6562809e-8,0.0000032396267,0.0000025484298,0.12974101],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997213,0.000016702352,0.00005382885,0.00007882395,0.00005642646,0.00007291655],"domain_scores_gemma":[0.9997755,0.00000753331,0.000037274684,0.000098976045,0.000040335624,0.000040332856],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000020016656,0.000048455076,0.000088869434,0.000011763683,0.00011886877,0.0000052658297,0.00012937697,0.000016232772,0.03752012],"category_scores_gemma":[5.1614165e-7,0.000047418343,0.0000738264,0.0000043706723,0.00010449669,0.00035573795,0.000005673025,0.000022908824,0.0000953213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006716618,0.00015881487,0.00013945982,0.000014819185,0.000056912646,0.000020877893,0.6590303,2.6341603e-8,0.000029447214,0.303813,0.021175228,0.015493899],"study_design_scores_gemma":[0.0001256861,0.00034918563,0.000531814,0.0000062169247,0.000028131171,3.2677352e-7,0.028180907,0.0000064860433,0.0000053639874,0.00048801367,0.97019994,0.00007794324],"about_ca_topic_score_codex":0.06841742,"about_ca_topic_score_gemma":0.030917685,"teacher_disagreement_score":0.9490247,"about_ca_system_score_codex":0.00002884624,"about_ca_system_score_gemma":0.000007458988,"threshold_uncertainty_score":0.98676556},"labels":[],"label_agreement":null},{"id":"W4241859328","doi":"10.47854/bcvr9343","title":"Théâtre","year":2020,"lang":"fr","type":"article","venue":"Anthropen","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06868916231378419,"score_gpt":0.26262476143889124,"score_spread":0.19393559912510705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241859328","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017951266,0.03168435,0.000047570953,0.15966012,0.0015986576,0.000102676866,0.00014149248,0.000060876842,0.8049091],"genre_scores_gemma":[0.15942484,0.0009648212,0.000054559943,0.008967349,0.0055596693,0.000003678332,0.000026604399,0.000023120625,0.8249754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922264,0.00005868261,0.00018776355,0.00021100242,0.00011137091,0.00020856516],"domain_scores_gemma":[0.99959457,0.00003288781,0.00004435461,0.00011051384,0.000039551884,0.00017810248],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000033326247,0.00013244455,0.00020579023,0.00001442904,0.00046380918,0.00018765053,0.00019244867,0.00004415718,0.09505171],"category_scores_gemma":[0.000018366532,0.00011165463,0.00012258335,0.00005897951,0.0004343114,0.00037981293,0.00007067993,0.00015250283,0.008364448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015873546,0.000071326,0.00004889446,0.000070092676,0.00005470398,0.00008435119,0.01819844,0.0000019215638,0.000009638352,0.35524175,0.6136704,0.01253256],"study_design_scores_gemma":[0.00011707601,0.00020275898,0.000020186946,0.000040674287,0.000065238535,0.0000017794503,0.0013453858,0.00013258343,0.00003596373,0.0002900451,0.9975724,0.00017589635],"about_ca_topic_score_codex":0.002863131,"about_ca_topic_score_gemma":0.00008165535,"teacher_disagreement_score":0.38390198,"about_ca_system_score_codex":0.000017080441,"about_ca_system_score_gemma":0.00002866153,"threshold_uncertainty_score":0.9924077},"labels":[],"label_agreement":null},{"id":"W424311012","doi":"10.58282/colloques.2234","title":"Les mauvaises lectures. Actes du troisième Colloque annuel du CRIST (Université McGill-Université Concordia, 3-4 mars 2011)","year":2013,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Mars Exploration Program; Humanities; Physics; Astrobiology","score_opus":0.012341565662802785,"score_gpt":0.18029267048586314,"score_spread":0.16795110482306036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W424311012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.119890675,0.011552211,0.0001099837,0.04372921,0.002163294,0.00056325353,0.0010857343,0.00031298268,0.82059264],"genre_scores_gemma":[0.42875695,0.0011318953,0.00009026212,0.0010856324,0.00085249933,0.000006729253,0.00006661295,0.000036484547,0.56797296],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978595,0.00020610892,0.00039455804,0.00056927075,0.0003180673,0.0006525204],"domain_scores_gemma":[0.99797696,0.000344397,0.00020449972,0.00035404178,0.0006991792,0.00042091197],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009133396,0.000526953,0.0006281717,0.00028093043,0.00284337,0.0005062871,0.0005549147,0.00025614578,0.15605187],"category_scores_gemma":[0.000046322126,0.0004803722,0.0004885564,0.00014595644,0.0008593116,0.0020629906,0.00020674901,0.00037257446,0.002308887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007419592,0.00030932418,0.0020531178,0.000105529216,0.00029643122,0.00017634267,0.008336165,0.000023183453,0.000068106485,0.27623057,0.70053613,0.0117908865],"study_design_scores_gemma":[0.0006806678,0.0003016579,0.0029105677,0.00004670863,0.00033382195,0.000026154914,0.005753777,0.00030519904,0.000064745436,0.0011783191,0.98772573,0.00067263126],"about_ca_topic_score_codex":0.15088028,"about_ca_topic_score_gemma":0.006304165,"teacher_disagreement_score":0.3088663,"about_ca_system_score_codex":0.0004103371,"about_ca_system_score_gemma":0.00007060085,"threshold_uncertainty_score":0.9997648},"labels":[],"label_agreement":null},{"id":"W4243512189","doi":"10.7202/1032941ar","title":"Les illustrations","year":2015,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Banff Centre","funders":"","keywords":"Art","score_opus":0.19773619898053318,"score_gpt":0.29117997765046955,"score_spread":0.09344377866993636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243512189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004805439,0.039854456,0.00044392538,0.0064692013,0.0030390061,0.00021944787,0.0002107192,0.0002036757,0.9447541],"genre_scores_gemma":[0.5428376,0.00005898885,0.000027944572,0.0004907312,0.003261477,0.000021000362,0.00007856722,0.000025130965,0.45319855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982038,0.0002362763,0.0005639183,0.0003638087,0.00026825993,0.00036390199],"domain_scores_gemma":[0.9983861,0.00013123364,0.00018025374,0.00032078405,0.0006018322,0.00037981887],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033019143,0.0003233511,0.0004127907,0.00015065463,0.000562197,0.00039379628,0.00025113067,0.00017307828,0.0038104905],"category_scores_gemma":[0.00018134802,0.00030363764,0.00023746486,0.000121179495,0.0008930701,0.000775607,0.00004021859,0.0002633555,0.0004305177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010066667,0.00018827057,0.00025020438,0.00008374253,0.00008496921,0.00006809296,0.07409632,0.0000028914858,0.000008859906,0.83452743,0.080787204,0.009891961],"study_design_scores_gemma":[0.0003029744,0.00017878371,0.000054355743,0.0001306932,0.000081445425,0.000015794354,0.0046948553,0.000060710776,0.00001183085,0.06452037,0.9295719,0.0003762738],"about_ca_topic_score_codex":0.014483781,"about_ca_topic_score_gemma":0.0011248472,"teacher_disagreement_score":0.84878474,"about_ca_system_score_codex":0.00017759127,"about_ca_system_score_gemma":0.0002215868,"threshold_uncertainty_score":0.9999416},"labels":[],"label_agreement":null},{"id":"W4243732568","doi":"10.4000/ahrf.13405","title":"Pierre-Yves Beaurepaire, La communication en Europe de l’âge classique au siècle des Lumières, sous la direction de Pierre-Yves Beaurepaire","year":2014,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Philosophy; Humanities","score_opus":0.013703473817114203,"score_gpt":0.23677749804428996,"score_spread":0.22307402422717576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243732568","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076430246,0.51068276,0.007023058,0.0026224789,0.0012176051,0.0004259216,0.00016289459,0.0013530822,0.400082],"genre_scores_gemma":[0.77384067,0.03064777,0.0022894137,0.00057897303,0.0023875283,0.0001329379,0.0002014881,0.00016261404,0.18975863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909086,0.0061519905,0.000877678,0.0006937739,0.00040451894,0.00096341653],"domain_scores_gemma":[0.99603754,0.0016838743,0.00046967508,0.00083644746,0.00044877653,0.0005236624],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.002706278,0.00067922095,0.000693943,0.0003689982,0.0027640054,0.00038529813,0.0006565215,0.00078131485,0.00034946928],"category_scores_gemma":[0.0008556635,0.0007334323,0.00057014904,0.00032966275,0.0032202776,0.0011626253,0.0001546561,0.0011945087,0.000111201574],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042345925,0.0020429012,0.011114975,0.0010688987,0.00042177975,0.00014259836,0.17811504,0.0006337124,0.00062163325,0.12956448,0.6225757,0.053274836],"study_design_scores_gemma":[0.00048220513,0.00028932918,0.014531596,0.00063417567,0.00034354755,0.00015505393,0.00045475503,0.0044294503,0.00009533898,0.004132366,0.9736644,0.00078775414],"about_ca_topic_score_codex":0.03321804,"about_ca_topic_score_gemma":0.015744548,"teacher_disagreement_score":0.6974104,"about_ca_system_score_codex":0.0018987373,"about_ca_system_score_gemma":0.0005409915,"threshold_uncertainty_score":0.99951166},"labels":[],"label_agreement":null},{"id":"W4243883198","doi":"10.4000/belphegor.209","title":"Curreri, Luciano, Il peplum di Emilio. Storie e fonti antiche e moderne dell’immaginario salgariano (1862-2012)","year":2013,"lang":"it","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.026559802065672808,"score_gpt":0.23029660711495845,"score_spread":0.20373680504928565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243883198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3231899,0.1092665,0.004112033,0.015061317,0.025258487,0.0044546556,0.0017359572,0.0015972441,0.5153239],"genre_scores_gemma":[0.623529,0.0005261757,0.0001717124,0.00082738756,0.0039115325,0.00010434864,0.00015946968,0.00012366463,0.3706467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952033,0.00028318065,0.0012026943,0.0010473032,0.00081356877,0.0014499471],"domain_scores_gemma":[0.9969338,0.00022642499,0.00043652937,0.001152461,0.0005853004,0.0006654538],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032387758,0.0009817951,0.001181781,0.00032792435,0.001599633,0.001188143,0.00091015536,0.00039075618,0.03075346],"category_scores_gemma":[0.00010267145,0.0008659979,0.00069934386,0.0003230577,0.0006246852,0.0021805256,0.00032231156,0.00094402465,0.0075475867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017850281,0.0021123027,0.0028073776,0.0006137109,0.00076950237,0.0001872926,0.06915165,0.000034545435,0.00086580875,0.046735983,0.8540723,0.02247106],"study_design_scores_gemma":[0.00089216506,0.00039409468,0.0012810464,0.00016203565,0.0005089334,0.0000150363385,0.0016735774,0.0019488927,0.00007007366,0.0021781132,0.98964345,0.0012325799],"about_ca_topic_score_codex":0.0063471654,"about_ca_topic_score_gemma":0.0005658347,"teacher_disagreement_score":0.3003391,"about_ca_system_score_codex":0.00031595366,"about_ca_system_score_gemma":0.00030369603,"threshold_uncertainty_score":0.9998487},"labels":[],"label_agreement":null},{"id":"W4244234754","doi":"10.7202/203272ar","title":"Pour une histoire de l’interprétation : les étapes de l’herméneutique","year":2007,"lang":"fr","type":"article","venue":"Philosophiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.12483213665529243,"score_gpt":0.32632473867319495,"score_spread":0.20149260201790253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244234754","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03370831,0.07239881,0.003649191,0.1366559,0.0013433686,0.00018721522,0.00009503386,0.00032826545,0.7516339],"genre_scores_gemma":[0.9121686,0.0008555675,0.0007056065,0.0042574704,0.007182776,0.000011476868,0.000029563509,0.000046921657,0.07474201],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829924,0.00017803337,0.00047755972,0.00031084544,0.00017627185,0.0005580561],"domain_scores_gemma":[0.9989197,0.00031635593,0.0001672086,0.00019360715,0.00016699369,0.00023612301],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004741136,0.00030440712,0.00030846463,0.00017824482,0.0009217727,0.00012923944,0.00022291354,0.00017475242,0.0020817355],"category_scores_gemma":[0.00008385503,0.00030112272,0.00025000074,0.00007684134,0.0006267239,0.00041951035,0.00003713826,0.0004022994,0.00014483211],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010648558,0.00039525118,0.00057280454,0.0002273974,0.00009806209,0.00024717805,0.02305622,0.000011618438,0.0006133906,0.92477125,0.025957428,0.023942906],"study_design_scores_gemma":[0.00014010818,0.00014252652,0.00048454574,0.00021701577,0.0001046042,0.000030141522,0.0006268518,0.00016568314,0.00057866605,0.2664341,0.73077756,0.00029819465],"about_ca_topic_score_codex":0.009404544,"about_ca_topic_score_gemma":0.0015935762,"teacher_disagreement_score":0.8784603,"about_ca_system_score_codex":0.0008717608,"about_ca_system_score_gemma":0.00011087124,"threshold_uncertainty_score":0.9999441},"labels":[],"label_agreement":null},{"id":"W4245056857","doi":"10.7202/1051374ar","title":"Centre franco-ontarien de folklore","year":2018,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; Art; Literature","score_opus":0.026172415931466426,"score_gpt":0.24294230430492098,"score_spread":0.21676988837345454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245056857","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11374706,0.07565469,0.0026461692,0.16433147,0.009941091,0.00088083034,0.00088786473,0.0012046469,0.6307062],"genre_scores_gemma":[0.4256965,0.0008609082,0.0012523367,0.0019491841,0.007637084,0.00004271946,0.00006773312,0.000088084584,0.56240547],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99642384,0.00037809394,0.00069698587,0.0007881953,0.00022865804,0.001484225],"domain_scores_gemma":[0.9977532,0.00036753298,0.00025192398,0.00081974425,0.00034916325,0.00045844636],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00050295587,0.00060113997,0.00073668023,0.00024307136,0.0011517488,0.00024942306,0.0007877162,0.0008269866,0.009357728],"category_scores_gemma":[0.0004380457,0.00059710874,0.0005342558,0.0002919709,0.0019142508,0.00055195054,0.00018548964,0.0012506832,0.0020563107],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033491195,0.00082643295,0.009721672,0.00077047164,0.00032847602,0.0011721045,0.21151835,0.000043686487,0.00021168277,0.1416202,0.6015946,0.031857368],"study_design_scores_gemma":[0.000597261,0.0005188598,0.00039738635,0.0005148483,0.0001630389,0.00006222858,0.006335252,0.0008528742,0.00061139493,0.0044821356,0.98473674,0.0007280003],"about_ca_topic_score_codex":0.022932017,"about_ca_topic_score_gemma":0.10070453,"teacher_disagreement_score":0.38314208,"about_ca_system_score_codex":0.00050274155,"about_ca_system_score_gemma":0.00029307525,"threshold_uncertainty_score":0.99964803},"labels":[],"label_agreement":null},{"id":"W4245532024","doi":"10.1075/chlel.xvii","title":"Romantic Poetry","year":2002,"lang":"en","type":"book","venue":"A comparative history of literatures in European languages","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Poetry; Literature; Art","score_opus":0.05082385639643919,"score_gpt":0.24728945385719395,"score_spread":0.19646559746075476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245532024","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017295903,0.124568634,0.0000015749226,0.000015889831,0.0012537196,0.000151964,0.00017015662,0.00008248906,0.8735826],"genre_scores_gemma":[0.027002761,0.00007455266,0.00007135882,0.000307187,0.0018967214,0.000005108628,0.0003242303,0.00007317824,0.9702449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997512,0.00048186208,0.0007934982,0.0005511843,0.00036204202,0.00029945027],"domain_scores_gemma":[0.9985939,0.00016218537,0.0004934571,0.0005191015,0.00013251478,0.00009884454],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001979993,0.00054972,0.0009994224,0.0006382761,0.00009214912,0.00007350025,0.00057228387,0.00012349743,0.008611315],"category_scores_gemma":[0.000018457888,0.0004741341,0.00035190934,0.0000500823,0.00075937476,0.00026086703,0.000090471716,0.0008791786,0.000488864],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003132647,0.00014981671,0.0000048555644,0.00024001743,0.0000908834,0.0004344929,0.18420792,0.0000035841852,0.000024068559,0.034521673,0.779835,0.0004563857],"study_design_scores_gemma":[0.00024626913,0.00013280446,0.000039362345,0.0006545235,0.00007081562,0.0000064018177,0.00045471062,0.000012211589,0.0000023244486,0.00023354308,0.99764043,0.0005066103],"about_ca_topic_score_codex":0.000044985183,"about_ca_topic_score_gemma":0.00011835702,"teacher_disagreement_score":0.21780545,"about_ca_system_score_codex":0.0006670043,"about_ca_system_score_gemma":0.000090418645,"threshold_uncertainty_score":0.99977106},"labels":[],"label_agreement":null},{"id":"W4246134237","doi":"10.4000/ahrf.10939","title":"Raphaël Rabusseau, Les neiges labiles. Une histoire culturelle des avalanches, avec Description d’une avalanche remarquable (1795) par Horace-Bénédict de Saussure, et La fabrication du savoir sur les Alpes : bibliothèque et laboratoire de la naturepar Pascal Delvaux","year":2008,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Geology; Philosophy","score_opus":0.021092336147744896,"score_gpt":0.23794082474278458,"score_spread":0.2168484885950397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246134237","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28917325,0.6699206,0.0040427474,0.004099678,0.00070425594,0.00042031254,0.0004142207,0.000710985,0.030513946],"genre_scores_gemma":[0.82450724,0.116376944,0.00219641,0.000749353,0.00139745,0.00015996813,0.0003829793,0.00016018383,0.054069504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99138206,0.0046980786,0.0010927094,0.0009897203,0.0007744121,0.0010629975],"domain_scores_gemma":[0.99497455,0.0016804101,0.0006727508,0.00064088765,0.0014849894,0.0005464263],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0026549164,0.0009777189,0.0010384994,0.0009078562,0.0037261874,0.00055438775,0.000571802,0.0013536032,0.00048589637],"category_scores_gemma":[0.001271806,0.0009658449,0.00066020235,0.0014484128,0.0043671536,0.0022453025,0.00009841314,0.0017649094,0.000049104015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047675753,0.0016028688,0.023651501,0.0008077866,0.00030753165,0.00045867517,0.13648553,0.0005901894,0.0015938487,0.019465268,0.8091235,0.0054365555],"study_design_scores_gemma":[0.0009467469,0.00024295582,0.019680344,0.00069807185,0.00037298127,0.00040442936,0.0013292666,0.0011031721,0.00029525204,0.002942972,0.97089964,0.0010841446],"about_ca_topic_score_codex":0.04108045,"about_ca_topic_score_gemma":0.020699877,"teacher_disagreement_score":0.5535436,"about_ca_system_score_codex":0.0032371352,"about_ca_system_score_gemma":0.0015357219,"threshold_uncertainty_score":0.99994284},"labels":[],"label_agreement":null},{"id":"W4246238264","doi":"10.2307/j.ctv69t4m4.10","title":"Voyage de Roberval au Canada (1542-1543)","year":2018,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.011354989141478105,"score_gpt":0.15948385218649003,"score_spread":0.1481288630450119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246238264","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014549616,0.009926463,0.00019945033,0.00047833292,0.0005987612,0.00023240346,0.0010456915,0.000112207905,0.97285706],"genre_scores_gemma":[0.13294625,0.0004365371,0.00023621926,0.00076403137,0.0025237242,0.00000670093,0.00013580394,0.000110297646,0.8628404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99719393,0.00015611523,0.00047565586,0.00064730033,0.00045218912,0.0010747929],"domain_scores_gemma":[0.99793464,0.00029333713,0.000349354,0.00056179625,0.00020216612,0.0006587351],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014414122,0.0007678345,0.0007336573,0.00016277358,0.0024415602,0.00017098225,0.0008042174,0.0005172358,0.025723636],"category_scores_gemma":[0.000025449493,0.00080760085,0.0004783503,0.000015774,0.00084937096,0.00015912027,0.0004792525,0.0007347479,0.00019602825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084548537,0.00012395428,0.0011609468,0.00087903,0.0017644514,0.007906749,0.0457535,0.00032901546,0.00024261294,0.5953469,0.3075648,0.038082547],"study_design_scores_gemma":[0.0004737084,0.0002028317,0.0002789921,0.0003617022,0.0008824027,0.000120035074,0.0008511794,0.00026326856,0.00016082448,0.0029384,0.9925869,0.00087975775],"about_ca_topic_score_codex":0.9737304,"about_ca_topic_score_gemma":0.9890023,"teacher_disagreement_score":0.6850221,"about_ca_system_score_codex":0.005351495,"about_ca_system_score_gemma":0.0011929551,"threshold_uncertainty_score":0.9994375},"labels":[],"label_agreement":null},{"id":"W4247110611","doi":"10.1017/chol9780521868761.032","title":"Drama","year":2009,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amateur; Burlesque; Entertainment; Drama; Period (music); Politics; Colonial period; History; Colonialism; Repertoire; Art; Humanities; Art history; Literature; Visual arts; Political science; Law; Archaeology; Aesthetics","score_opus":0.03196298476219632,"score_gpt":0.1826053627501174,"score_spread":0.15064237798792107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247110611","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010505093,0.0003045583,0.000010085512,0.000029075589,0.0003079944,0.00011999492,0.00023353002,0.00016246866,0.9988218],"genre_scores_gemma":[0.00040795284,0.000034295797,0.000010949548,0.00022099527,0.00079605595,1.4913145e-7,0.00007183076,0.000024147848,0.99843365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991131,0.000018740076,0.00015246858,0.00033291697,0.00018583123,0.00019695192],"domain_scores_gemma":[0.99926996,0.000031513977,0.00012822072,0.00032092258,0.00011294965,0.00013641652],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003075206,0.00028996763,0.00034491284,0.00014605917,0.00037323314,0.00009526506,0.00033665475,0.00016060911,0.00023645161],"category_scores_gemma":[0.0000022246386,0.00029910437,0.00029353308,0.0000017898834,0.00027948103,0.000116022304,0.000085409854,0.00034704796,0.00011659386],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025801002,0.000008013036,3.3020573e-8,0.000020696336,0.000067991095,0.00020632635,0.00054306944,1.7583596e-7,0.0000010239287,0.7991717,0.19636157,0.003593584],"study_design_scores_gemma":[0.00016555343,0.00006319661,3.7446506e-7,0.00007107317,0.00019784267,0.0000029115092,0.0000392682,0.0000052893047,0.0000062063027,0.00007728358,0.9990051,0.00036590063],"about_ca_topic_score_codex":0.00027848818,"about_ca_topic_score_gemma":0.000008087955,"teacher_disagreement_score":0.80264354,"about_ca_system_score_codex":0.00011540468,"about_ca_system_score_gemma":0.000037978767,"threshold_uncertainty_score":0.9999461},"labels":[],"label_agreement":null},{"id":"W4248067744","doi":"10.4324/9781315557427-21","title":"North America","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History","score_opus":0.05032048282478164,"score_gpt":0.2165159391771152,"score_spread":0.16619545635233357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248067744","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[8.695984e-7,0.00045168982,0.000005122806,0.00014777987,0.00044337515,0.00003826946,0.0000879901,0.0000674543,0.9987574],"genre_scores_gemma":[0.00040927308,0.00007330239,0.000013288969,0.00055057195,0.0018488391,0.0000018538228,0.00012230671,0.000020467998,0.9969601],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994598,0.0000024206588,0.00014315432,0.00017667322,0.00011828371,0.00009965608],"domain_scores_gemma":[0.9994239,0.00001683004,0.00012301277,0.0003266414,0.000049001505,0.00006062067],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000009297865,0.00017211172,0.00025242096,0.000054085707,0.00040287332,0.00014715658,0.00021324804,0.000045184122,0.112215295],"category_scores_gemma":[0.0000032308478,0.000121506724,0.00018160715,6.6239994e-7,0.00024978013,0.00010542571,0.000036254853,0.00015673596,0.0055828234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023799134,0.0000053294034,7.825245e-7,0.000009518931,0.000048522725,0.000018631974,0.0018982665,4.859057e-8,1.2259329e-8,0.71157366,0.2714681,0.014974733],"study_design_scores_gemma":[0.000023325916,0.000033371343,6.7196555e-7,0.000015846332,0.000045029046,3.6938548e-7,0.00000995456,0.0000011346126,4.374171e-8,0.00840105,0.99127513,0.00019405175],"about_ca_topic_score_codex":0.00028081992,"about_ca_topic_score_gemma":0.001976437,"teacher_disagreement_score":0.7198071,"about_ca_system_score_codex":0.000016426813,"about_ca_system_score_gemma":0.00001679682,"threshold_uncertainty_score":0.99519145},"labels":[],"label_agreement":null},{"id":"W4249601180","doi":"10.33137/rr.v38i1.8754","title":"Bucolicum Carmen","year":2002,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.031464583060309755,"score_gpt":0.21180079290960505,"score_spread":0.1803362098492953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249601180","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09959467,0.002891812,0.00002610831,0.0011421039,0.00025520605,0.00007344573,0.0000072853695,0.000085927655,0.89592344],"genre_scores_gemma":[0.9780838,0.00013989424,0.000011878009,0.0002106821,0.00030848314,0.000004791807,0.000006716122,0.0000025907875,0.021231145],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999705,0.000009001431,0.000097474665,0.000054580036,0.000058641268,0.00007527206],"domain_scores_gemma":[0.99986196,0.0000048400807,0.000031307347,0.000052869535,0.000019668056,0.000029370318],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000027403921,0.000046138983,0.000060359806,0.000033839697,0.00022887508,0.000047622725,0.000027771823,0.000015315,0.00092994503],"category_scores_gemma":[0.0000026354976,0.00002947214,0.00001946829,0.000020798081,0.000052234005,0.00042957146,0.000006458931,0.000038256214,0.00015508854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015978394,0.00012547744,0.00030500098,0.00018385176,0.000047132704,0.000005823555,0.1953027,0.000007767205,0.0002018306,0.3118197,0.39443472,0.09755001],"study_design_scores_gemma":[0.00007000222,0.00002574189,0.000075364944,0.000012102646,0.0000050637777,0.0000019672186,0.00030606458,0.0005298407,0.00003875365,0.0003555723,0.99852145,0.000058061738],"about_ca_topic_score_codex":0.00005861315,"about_ca_topic_score_gemma":0.000018210329,"teacher_disagreement_score":0.87848914,"about_ca_system_score_codex":0.000011701782,"about_ca_system_score_gemma":8.6288765e-7,"threshold_uncertainty_score":0.9999833},"labels":[],"label_agreement":null},{"id":"W4251803658","doi":"10.33137/rr.v28i4.11677","title":"Editorial","year":2009,"lang":"fr","type":"editorial","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.011315382119293471,"score_gpt":0.22759191562300699,"score_spread":0.2162765335037135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251803658","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000077188386,0.00945613,0.000018357834,0.0004883351,0.89167255,0.00012916778,0.00015283193,0.00006087478,0.09794458],"genre_scores_gemma":[0.0011716927,0.003452621,0.000023622055,0.000060606504,0.9523552,0.000010182195,0.00067780464,0.000017065906,0.042231213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816847,0.00008154981,0.00056343,0.00029632586,0.00056899013,0.00032124115],"domain_scores_gemma":[0.99895436,0.00011134548,0.00032848318,0.00019907446,0.0002651609,0.00014155816],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00023278368,0.0003503108,0.00044987726,0.0001335126,0.001083609,0.00035962358,0.00015414332,0.0006299985,0.00034847538],"category_scores_gemma":[0.000086251144,0.00025706342,0.00015204058,0.00006678802,0.00029818786,0.0011606419,0.00003092091,0.0006692269,0.00028125834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063267595,0.000055854074,8.559985e-7,0.0002544182,0.000035037538,0.0000019099996,0.0041381847,0.000002706477,0.0000050630842,0.017199526,0.96719503,0.011048118],"study_design_scores_gemma":[0.00035208964,0.00029210508,0.0000064848796,0.00039249222,0.00010658504,0.000001713048,0.00013587052,0.000047093345,0.000006986913,0.0013451219,0.9969378,0.00037564986],"about_ca_topic_score_codex":0.0005390771,"about_ca_topic_score_gemma":0.000056670793,"teacher_disagreement_score":0.060682658,"about_ca_system_score_codex":0.00018314202,"about_ca_system_score_gemma":0.00008481395,"threshold_uncertainty_score":0.99998814},"labels":[],"label_agreement":null},{"id":"W4253222579","doi":"10.3917/mediu.028.0066","title":"Le superbio","year":2011,"lang":"fr","type":"article","venue":"Médium","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hôpital Saint-François d'Assise","funders":"","keywords":"Humanities; Combinatorics; Publics; Political science; Mathematics; Art","score_opus":0.05626511536085636,"score_gpt":0.2034878322810506,"score_spread":0.14722271692019423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253222579","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046016076,0.018175349,0.000030317604,0.0020886566,0.0028548965,0.000043603442,0.00005310117,0.000051290608,0.97210115],"genre_scores_gemma":[0.30188924,0.00007354714,0.000081138925,0.0005531143,0.0014454197,0.0000037900593,0.000008213286,0.000012508432,0.69593304],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992672,0.000048918173,0.00018069285,0.00016820295,0.00008416047,0.0002508044],"domain_scores_gemma":[0.99963146,0.000017958931,0.000029925117,0.0001699959,0.000045526856,0.00010511525],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000060683746,0.00012383235,0.0001542035,0.00004431519,0.00043236,0.00006219654,0.00014012608,0.000062115265,0.035770975],"category_scores_gemma":[0.000006047229,0.0001152363,0.00013432874,0.000036029534,0.00033927665,0.00027999992,0.000032272386,0.000129115,0.002904583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011873449,0.0002855948,0.00008945691,0.00003968119,0.00003599207,0.000037914662,0.0244604,7.926296e-8,0.000012090054,0.85935783,0.113935605,0.0017334649],"study_design_scores_gemma":[0.000116792464,0.00010289002,0.00015453972,0.000024788924,0.00004445772,0.0000041992057,0.0008680435,0.000008632806,0.00017735637,0.004206157,0.99411917,0.00017297287],"about_ca_topic_score_codex":0.014400429,"about_ca_topic_score_gemma":0.00042723154,"teacher_disagreement_score":0.8801836,"about_ca_system_score_codex":0.000020387983,"about_ca_system_score_gemma":0.00005500666,"threshold_uncertainty_score":0.99787176},"labels":[],"label_agreement":null},{"id":"W4253344754","doi":"10.7202/1069732ar","title":"La Notion de Kulturwissenschaft","year":2000,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.013044477281255804,"score_gpt":0.1958402834385556,"score_spread":0.18279580615729982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253344754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3968542,0.0057143415,0.000008227687,0.0068027326,0.0010381549,0.000106643674,0.00025082866,0.00006368734,0.5891612],"genre_scores_gemma":[0.2871496,0.0004603087,0.000065921755,0.0005404721,0.002462749,0.000007906904,0.00007265994,0.000023398716,0.709217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998474,0.00020044648,0.0003046669,0.0002987923,0.00007454904,0.0006475387],"domain_scores_gemma":[0.9990967,0.000102430575,0.000060878956,0.00023986537,0.0000596027,0.00044052457],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002587596,0.00022220355,0.00027790276,0.000082873674,0.000553476,0.00014085206,0.00015354039,0.00015691463,0.03603217],"category_scores_gemma":[0.00003305449,0.00022935102,0.00020147482,0.00009672914,0.00027487986,0.00031121814,0.000011906702,0.0003531494,0.0029724885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042935375,0.00019328673,0.00005762239,0.0002277429,0.000112023365,0.00078884314,0.039666317,0.00020452739,0.000055034452,0.51954716,0.10350988,0.3355946],"study_design_scores_gemma":[0.00016461956,0.00009261756,0.00015809062,0.00019100631,0.00011510464,0.00018922883,0.00050584803,0.00048678715,0.00001015809,0.0008910753,0.9968981,0.00029736594],"about_ca_topic_score_codex":0.026556598,"about_ca_topic_score_gemma":0.04818177,"teacher_disagreement_score":0.8933882,"about_ca_system_score_codex":0.0003993607,"about_ca_system_score_gemma":0.00006804212,"threshold_uncertainty_score":0.9978038},"labels":[],"label_agreement":null},{"id":"W4253567918","doi":"10.1093/obo/9780199730414-0252","title":"Jacques Cartier","year":2014,"lang":"fr","type":"dataset","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Mathematics","score_opus":0.023372995748085098,"score_gpt":0.22909667116638827,"score_spread":0.20572367541830316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253567918","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010302517,0.004012344,0.000016029555,0.00061606686,0.0021876716,0.000064969834,0.6399503,0.00004306392,0.35309926],"genre_scores_gemma":[0.00005536838,0.00023005257,0.000021339825,0.0014547107,0.0046418,0.000008884324,0.49812624,0.000012772712,0.49544883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984769,0.00013971126,0.00043376166,0.0003693325,0.00022986649,0.00035037892],"domain_scores_gemma":[0.999016,0.00012588147,0.00012161214,0.0004594691,0.000095992946,0.00018105196],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011013434,0.00036497146,0.0005143217,0.000115594456,0.00062867184,0.00031900493,0.00032604998,0.00020458255,0.18605435],"category_scores_gemma":[0.000026009804,0.00027127456,0.00029950446,0.000034006574,0.0004157269,0.00019326693,0.00007678594,0.00033298443,0.023838714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066405487,0.00010712784,0.000002390705,0.00016473739,0.00007991868,0.000015163085,0.0006071582,6.3140374e-7,2.7917673e-7,0.1884968,0.80961955,0.00089959643],"study_design_scores_gemma":[0.00007908359,0.00017089039,0.000001531086,0.000079332734,0.00022838128,0.0000029105738,0.00008754225,0.00001799063,0.0000030137476,0.0005709981,0.998334,0.00042431793],"about_ca_topic_score_codex":0.011627493,"about_ca_topic_score_gemma":0.0029955858,"teacher_disagreement_score":0.18871446,"about_ca_system_score_codex":0.000061279614,"about_ca_system_score_gemma":0.000028908946,"threshold_uncertainty_score":0.99997395},"labels":[],"label_agreement":null},{"id":"W4253838771","doi":"10.2307/j.ctv16td5.12","title":"THE INUIT OF SOUTHERN LABRADOR AND THE DEVELOPMENT OF FRENCH SEDENTARY FISHERIES (1700-1760)","year":2018,"lang":"en","type":"book-chapter","venue":"Canadian Museum of History eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Fishery; Biology","score_opus":0.025167123532949552,"score_gpt":0.16588177504233467,"score_spread":0.1407146515093851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253838771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007373327,0.00804592,6.3224263e-7,0.000205896,0.00093977776,0.00029917862,0.00068080245,0.00001372688,0.9824407],"genre_scores_gemma":[0.07980162,0.0000135986875,0.000029859884,0.00022063615,0.00026261542,0.000008438653,0.0000186455,0.000034901288,0.91960967],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872124,0.00004126437,0.00062814134,0.0001942509,0.00022967272,0.00018545442],"domain_scores_gemma":[0.9987475,0.00013212474,0.00043580073,0.0003648353,0.00017745745,0.00014222774],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002317965,0.00024446816,0.00048258333,0.00017873629,0.00035926726,0.000017777153,0.00038053276,0.0001077116,0.0051753204],"category_scores_gemma":[0.000013056292,0.0001530883,0.00016843036,0.0000050928643,0.0032657296,0.000031677402,0.000045738165,0.00018928069,0.000020970405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061295155,0.000008299584,0.00001213692,0.00025365563,0.00045970065,0.0000075349303,0.7643731,4.9032778e-8,0.000011237746,0.098753855,0.12936413,0.006694969],"study_design_scores_gemma":[0.0001800034,0.000045443987,0.0000075028056,0.00012863985,0.00010289859,9.772191e-7,0.0023346897,5.768575e-7,0.000009718824,0.0021451472,0.9948696,0.00017483642],"about_ca_topic_score_codex":0.08860122,"about_ca_topic_score_gemma":0.8690603,"teacher_disagreement_score":0.86550546,"about_ca_system_score_codex":0.0003691253,"about_ca_system_score_gemma":0.001174207,"threshold_uncertainty_score":0.9994468},"labels":[],"label_agreement":null},{"id":"W4254292122","doi":"10.4000/critiquedart.23151","title":"AP 164: Abalos &amp; Herreros (sous la dir. de Giovanna Borasi)","year":2016,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.024550566057795965,"score_gpt":0.27192969353709306,"score_spread":0.2473791274792971,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254292122","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010134412,0.043075684,0.0032903973,0.050898634,0.0029106538,0.00033357757,0.0010677144,0.00036655148,0.88792235],"genre_scores_gemma":[0.123564616,0.0016611172,0.00020147343,0.002316508,0.003053135,0.000054307537,0.00005078388,0.000065484026,0.86903256],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760884,0.00043065194,0.00048615166,0.00048336224,0.0002569464,0.00073407445],"domain_scores_gemma":[0.9984263,0.00044452274,0.0000949519,0.00046796896,0.0001928359,0.0003733832],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035983787,0.00038863337,0.0004536444,0.000113043825,0.00056462263,0.00031497242,0.00031879384,0.00026549282,0.020874875],"category_scores_gemma":[0.00019250475,0.00030162107,0.00037932268,0.00008288547,0.0008813294,0.0006560963,0.0000695909,0.0003482837,0.008218867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036471676,0.0003339719,0.00016542393,0.00017401155,0.00008504534,0.0001904483,0.0049601537,4.2720106e-7,0.00040666922,0.26692966,0.7184589,0.008258798],"study_design_scores_gemma":[0.000374217,0.000121203,0.00010911069,0.0005142641,0.00012350029,0.00006674481,0.0002804594,0.0000070875917,0.00015898347,0.0077637443,0.9899823,0.00049836544],"about_ca_topic_score_codex":0.0006935901,"about_ca_topic_score_gemma":0.0009050726,"teacher_disagreement_score":0.27152342,"about_ca_system_score_codex":0.00026411653,"about_ca_system_score_gemma":0.00012444491,"threshold_uncertainty_score":0.9999436},"labels":[],"label_agreement":null},{"id":"W4254306961","doi":"10.1353/wfs.2014.0000","title":"Introduction","year":2014,"lang":"en","type":"article","venue":"Women in French studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Flourishing; Mainstream; Politics; Literary criticism; BLISS; Oppression; Criticism; History; Gender studies; Literature; Aesthetics; Sociology; Art; Political science; Psychology; Law","score_opus":0.028528583337436034,"score_gpt":0.23614314617558638,"score_spread":0.20761456283815033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254306961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52172655,0.0040646046,0.000012472697,0.0039079776,0.0033488516,0.000093233815,0.0000050811504,0.00012733298,0.4667139],"genre_scores_gemma":[0.8898583,0.000047155852,0.000016652557,0.00016065133,0.002996963,0.00004046146,0.0000022600857,0.0000033900908,0.10687416],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994628,0.000036285495,0.00013378277,0.00012544439,0.00006909978,0.0001725758],"domain_scores_gemma":[0.99977976,0.000052122487,0.000025029945,0.000084003485,0.000034516816,0.00002455404],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018398972,0.000066442204,0.00015964109,0.000073236,0.00014221742,0.000022826036,0.000049368944,0.000009155096,0.0013467303],"category_scores_gemma":[0.00007128561,0.00004828604,0.000021797172,0.000042841457,0.00012179207,0.00010811946,0.000021360807,0.00005613227,0.00013132932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066212865,0.00011487671,0.0011401207,0.00006585597,0.000102062564,0.000002233104,0.48379642,0.000014128382,0.00002523713,0.1828025,0.3195222,0.012407729],"study_design_scores_gemma":[0.00007653172,0.0000622118,0.00020338169,0.0000053917984,0.0000034782367,1.5041624e-7,0.0042712013,0.000010929612,0.0000050804024,0.01303511,0.9822584,0.000068171],"about_ca_topic_score_codex":0.00010375947,"about_ca_topic_score_gemma":0.0002141662,"teacher_disagreement_score":0.6627362,"about_ca_system_score_codex":0.00008807195,"about_ca_system_score_gemma":0.0000028172692,"threshold_uncertainty_score":0.9995662},"labels":[],"label_agreement":null},{"id":"W4254415702","doi":"10.1093/ww/9780199540884.013.u196489","title":"Forbes, John Colin, (3 Jan. 1846–1925), Canadian artist","year":2007,"lang":"en","type":"reference-entry","venue":"Who Was Who","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Performance art; Genealogy; History","score_opus":0.036050895935579336,"score_gpt":0.2412644893965443,"score_spread":0.20521359346096496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254415702","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000118525655,0.021387512,0.0000072580765,0.00047161113,0.0033426709,0.00025057612,0.0018053092,0.00009488042,0.97252166],"genre_scores_gemma":[0.0019512577,0.0071588135,0.00002021148,0.0020945442,0.009148431,0.000029910088,0.0015284062,0.00007999996,0.9779884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971937,0.00007770383,0.0006740346,0.0006040854,0.00049253914,0.00095796754],"domain_scores_gemma":[0.9981517,0.000112093614,0.00022125941,0.0005319893,0.0002352222,0.0007476886],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018391362,0.00056891155,0.0009221813,0.00061825744,0.0010868313,0.00048891426,0.0005428932,0.000459137,0.01899521],"category_scores_gemma":[0.000048682236,0.00048682204,0.00038635207,0.0001437869,0.00034287898,0.00024641413,0.00006249987,0.0009057959,0.0016781552],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013171206,0.000042444855,0.000028983928,0.00019362604,0.00012831714,0.0001677503,0.004661839,6.7934883e-7,2.9769765e-8,0.059778977,0.9205265,0.014457662],"study_design_scores_gemma":[0.00016720367,0.00008727423,0.000033019744,0.0005360659,0.0001572871,0.0000054265292,0.0002905809,0.000014635696,0.0000014624169,0.00095509144,0.99708474,0.00066724],"about_ca_topic_score_codex":0.29582375,"about_ca_topic_score_gemma":0.77588856,"teacher_disagreement_score":0.48006484,"about_ca_system_score_codex":0.0005732341,"about_ca_system_score_gemma":0.00075075176,"threshold_uncertainty_score":0.99975836},"labels":[],"label_agreement":null},{"id":"W4254811554","doi":"10.4000/ahrf.13466","title":"Maria Pia Donato, David Armando, Massimo Cattaneo et Jean-François Chauvard (dir.), Atlante storico dell’Italia rivoluzionaria e napoleonica","year":2015,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02555329071432437,"score_gpt":0.2590072100684769,"score_spread":0.2334539193541525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254811554","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010805907,0.8545133,0.0017302653,0.009138902,0.008964325,0.00057986315,0.0009909173,0.000678368,0.112598136],"genre_scores_gemma":[0.2275002,0.016462507,0.000792859,0.0018578874,0.0056214896,0.00013739239,0.00065301603,0.00021070536,0.74676394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936243,0.0015611565,0.0013472657,0.001116302,0.0010500166,0.0013009482],"domain_scores_gemma":[0.99572706,0.00066636683,0.00062675076,0.00093968504,0.0008438533,0.0011962978],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015987837,0.0010493407,0.0011518722,0.0005282697,0.0012424536,0.00043716037,0.00085541024,0.0008024472,0.0037511657],"category_scores_gemma":[0.0003604913,0.0010775595,0.0007978371,0.0004122553,0.0015672965,0.0015657806,0.00022468517,0.0011952049,0.0010508954],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058922975,0.00092998584,0.0007084311,0.0002773262,0.0003147788,0.0004948994,0.04741744,0.00018670452,0.000068505935,0.05353099,0.89389414,0.0015876027],"study_design_scores_gemma":[0.0015596047,0.0005372771,0.00016913649,0.00035140495,0.0004378255,0.00014312602,0.00050094916,0.0017902078,0.000022308423,0.0030467228,0.9901381,0.0013033093],"about_ca_topic_score_codex":0.034615774,"about_ca_topic_score_gemma":0.010982212,"teacher_disagreement_score":0.8380508,"about_ca_system_score_codex":0.0027781806,"about_ca_system_score_gemma":0.00083592423,"threshold_uncertainty_score":0.9997269},"labels":[],"label_agreement":null},{"id":"W4255456439","doi":"10.4000/crm.14028","title":"Afterword","year":2016,"lang":"fr","type":"article","venue":"Cahiers de recherches médiévales et humanistes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy","score_opus":0.0989865561841577,"score_gpt":0.30569040204062287,"score_spread":0.20670384585646517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255456439","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04194117,0.079066336,0.0016270473,0.02378012,0.0024084672,0.00030058305,0.0003839551,0.0003698319,0.8501225],"genre_scores_gemma":[0.115314744,0.00520509,0.0010141196,0.0019693878,0.0019185363,0.000046588935,0.000018147963,0.00009261944,0.87442076],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961748,0.001443574,0.0005978094,0.0006160766,0.00027759472,0.0008901375],"domain_scores_gemma":[0.99638796,0.002317233,0.00020805023,0.00052641274,0.0001688947,0.00039148008],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015153714,0.0005260454,0.0005614174,0.00019951734,0.00077148486,0.00041820548,0.00049741793,0.0006366043,0.0064963037],"category_scores_gemma":[0.0005350599,0.0003903337,0.0005292201,0.00011802586,0.003349679,0.0007418016,0.00007668498,0.000819061,0.0013557458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006777001,0.00024566555,0.00016075197,0.00030662597,0.00022339629,0.00010540127,0.028757537,8.183017e-7,0.0007837475,0.8919844,0.043397956,0.033965923],"study_design_scores_gemma":[0.00040369428,0.00023850656,0.00015272624,0.0007121372,0.00021231025,0.000034565346,0.0011852275,0.000006489762,0.0006133211,0.057897553,0.93791366,0.0006298354],"about_ca_topic_score_codex":0.0004550047,"about_ca_topic_score_gemma":0.00019630705,"teacher_disagreement_score":0.8945157,"about_ca_system_score_codex":0.0017925308,"about_ca_system_score_gemma":0.00034638713,"threshold_uncertainty_score":0.99985486},"labels":[],"label_agreement":null},{"id":"W4255789784","doi":"10.7202/019075ar","title":"Centre franco-ontarien de folklore","year":2007,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; Art; History; Literature","score_opus":0.023969021056988837,"score_gpt":0.24377440662933875,"score_spread":0.2198053855723499,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255789784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13271703,0.12896512,0.008482092,0.11332018,0.008253153,0.0009645343,0.0006614841,0.0012271358,0.60540926],"genre_scores_gemma":[0.44315293,0.0010903097,0.001608433,0.0017398001,0.0042487746,0.000024208262,0.00008781194,0.000095251824,0.5479525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996068,0.0002582418,0.0008655457,0.0007471943,0.00026226605,0.0017987218],"domain_scores_gemma":[0.997509,0.00068373495,0.00027743191,0.0007327524,0.00023436146,0.00056269387],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010867991,0.000619309,0.00076056964,0.0003181239,0.0008890169,0.00020041912,0.0007234398,0.0009352136,0.004366035],"category_scores_gemma":[0.00044940214,0.00062789366,0.0006180121,0.00031886442,0.00096401345,0.00052127655,0.00015191136,0.001638708,0.0008042594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006248003,0.0014702567,0.025302423,0.0014312458,0.00045133027,0.005564779,0.24660315,0.00022778014,0.0003517957,0.24486288,0.39653754,0.07657202],"study_design_scores_gemma":[0.000646397,0.0002618804,0.0009914407,0.00045811088,0.0001544876,0.000082576524,0.010370034,0.0003130143,0.0006047697,0.003240196,0.9821235,0.00075356895],"about_ca_topic_score_codex":0.023416389,"about_ca_topic_score_gemma":0.12898257,"teacher_disagreement_score":0.58558595,"about_ca_system_score_codex":0.0006794367,"about_ca_system_score_gemma":0.00023850577,"threshold_uncertainty_score":0.9999737},"labels":[],"label_agreement":null},{"id":"W4255848832","doi":"10.1093/acprof:oso/9780195099362.003.0015","title":"Chapter 11 Théâtre Musical","year":2008,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Visual arts; Art; History of music; Art history; Performance art; Pascal (unit); History; Music history; Computer science; Programming language","score_opus":0.05542883133211298,"score_gpt":0.2024974503434399,"score_spread":0.14706861901132692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255848832","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018717737,0.0005726143,0.0000057274665,0.00041531553,0.00057236693,0.000072302595,0.00005498579,0.000111046545,0.99817693],"genre_scores_gemma":[0.0029608677,0.00015891153,0.000018188704,0.0013080173,0.0029722913,0.0000028556028,0.00006569155,0.000043149077,0.99247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896955,0.000004836621,0.0002867027,0.00032414173,0.00023909922,0.00017564635],"domain_scores_gemma":[0.99943435,0.000037211445,0.0000783312,0.00026564224,0.00007137479,0.00011308132],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000021648017,0.000311201,0.00038331273,0.00011697698,0.0002945242,0.0000612537,0.00016621896,0.00013921771,0.19755547],"category_scores_gemma":[0.0000025662196,0.00021968517,0.00035315068,0.0000033564688,0.00029565304,0.00012100175,0.000050404597,0.00025681654,0.003639708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039565907,0.000013105854,3.3631136e-7,0.000008573448,0.000037664122,0.000074618736,0.002527981,4.5182123e-8,2.9019373e-7,0.7750433,0.22105186,0.0012382434],"study_design_scores_gemma":[0.00006286257,0.00004992508,6.3597247e-7,0.00003170378,0.00005162278,0.000009392072,0.0000205386,0.0000031223676,8.5239515e-7,0.0053999987,0.9940336,0.0003357632],"about_ca_topic_score_codex":0.00018958327,"about_ca_topic_score_gemma":0.00051401387,"teacher_disagreement_score":0.7729817,"about_ca_system_score_codex":0.000025952264,"about_ca_system_score_gemma":0.000015641066,"threshold_uncertainty_score":0.99713606},"labels":[],"label_agreement":null},{"id":"W4256246228","doi":"10.4000/books.pur.10163","title":"Pourquoi Bernstein ?","year":2008,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Rennes eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.02605734171085045,"score_gpt":0.19640315530408226,"score_spread":0.1703458135932318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256246228","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013168006,0.014842264,0.00005317139,0.0010646402,0.00062805734,0.00025252343,0.00044646766,0.00021593671,0.98118013],"genre_scores_gemma":[0.14588355,0.0029780453,0.00018952593,0.00016175488,0.0016874569,0.0000040806044,0.00012914189,0.00010099829,0.84886545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976584,0.0001019397,0.00049150176,0.0006782281,0.00038642838,0.0006835196],"domain_scores_gemma":[0.99800235,0.00046205622,0.00035185553,0.0005446318,0.00023813892,0.00040098673],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000067082176,0.0007665556,0.0007697306,0.00039779395,0.0015985761,0.0001707416,0.00068825984,0.0004482296,0.0077017522],"category_scores_gemma":[0.000025580515,0.00078581425,0.000738461,0.000016817032,0.0015540516,0.00033578774,0.00031247688,0.0006637345,0.0006019171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013486232,0.00007520864,0.00005611571,0.00033931326,0.0007282371,0.0018034293,0.006026435,0.000029594017,0.000039804898,0.89183617,0.07276614,0.026164668],"study_design_scores_gemma":[0.00035972736,0.00022855659,0.0000104822175,0.00059446966,0.0006973266,0.000120997676,0.00031794386,0.00005490382,0.00006084703,0.015090985,0.98156637,0.0008974067],"about_ca_topic_score_codex":0.0019841497,"about_ca_topic_score_gemma":0.0007097419,"teacher_disagreement_score":0.9088002,"about_ca_system_score_codex":0.00034059776,"about_ca_system_score_gemma":0.0001933205,"threshold_uncertainty_score":0.9997012},"labels":[],"label_agreement":null},{"id":"W4285406468","doi":"10.4000/hispanismes.16205","title":"Au-delà du Quichotte : explorations de la transfictionnalité dans les littératures hispaniques","year":2022,"lang":"fr","type":"article","venue":"HispanismeS","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Philosophy","score_opus":0.02234760937723062,"score_gpt":0.236532597261974,"score_spread":0.21418498788474338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285406468","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21526214,0.084422454,0.0042448384,0.038678262,0.006387032,0.0006045657,0.002469155,0.00085557223,0.64707595],"genre_scores_gemma":[0.71448445,0.0014405856,0.0002570238,0.00057734206,0.0033727693,0.00024417072,0.0001501454,0.000062187035,0.27941132],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694765,0.0012475214,0.0004859554,0.00042642056,0.00037892247,0.00051353977],"domain_scores_gemma":[0.9989577,0.00032018535,0.00013604954,0.00029441822,0.000089444846,0.00020221011],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004671553,0.00035540827,0.00035537055,0.00018721216,0.00474266,0.00034216495,0.00037520722,0.00013451003,0.011955133],"category_scores_gemma":[0.000026407715,0.00036409567,0.000392978,0.00019034481,0.0007050658,0.0005632777,0.000084535895,0.00070862274,0.000053146276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044322533,0.0004937168,0.00052718644,0.00007671188,0.00012311384,0.00014545019,0.26060435,0.0003535798,0.00021487934,0.68521994,0.050013475,0.0021832644],"study_design_scores_gemma":[0.00027893766,0.00030443183,0.00031198742,0.0000448345,0.00020794488,0.0001164548,0.033836126,0.0002969168,0.0001594454,0.007715112,0.95630914,0.00041867988],"about_ca_topic_score_codex":0.009159849,"about_ca_topic_score_gemma":0.0015482027,"teacher_disagreement_score":0.90629566,"about_ca_system_score_codex":0.0006922268,"about_ca_system_score_gemma":0.00028649304,"threshold_uncertainty_score":0.9998811},"labels":[],"label_agreement":null},{"id":"W4285580137","doi":"","title":"Barbey, “grand exterminateur”? Polémique et critique littéraire entre France et Italie","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Humanities; Art","score_opus":0.014161205896968287,"score_gpt":0.23661085933857942,"score_spread":0.22244965344161113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285580137","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05220275,0.042544585,0.023914505,0.11751917,0.001900379,0.00085500046,0.0010424401,0.00047166678,0.7595495],"genre_scores_gemma":[0.53184414,0.0063651535,0.005634932,0.0021858935,0.0003079849,0.00013963404,0.001840837,0.00011798511,0.45156348],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98320466,0.012858667,0.0011476027,0.0014529864,0.00061995635,0.00071611593],"domain_scores_gemma":[0.9913114,0.002315384,0.00063537486,0.0022181466,0.0030611516,0.00045854252],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0044092094,0.0008277711,0.0009760489,0.00023644615,0.0012682178,0.0021544076,0.0014166587,0.0005509833,0.0053619123],"category_scores_gemma":[0.0011771396,0.00087112375,0.0008025578,0.00030210186,0.0009544394,0.0008031917,0.0011648654,0.0017040006,0.00016757075],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018258082,0.0014537534,0.0004858724,0.0006465917,0.00019493602,0.00012193804,0.10563916,0.000030315086,0.00035883096,0.8663076,0.0059046857,0.018838072],"study_design_scores_gemma":[0.0005591466,0.0000017523485,0.0012251319,0.005511386,0.00015260772,0.000038518076,0.0012433669,0.0010501597,0.00315787,0.005991628,0.9800879,0.0009805689],"about_ca_topic_score_codex":0.01043315,"about_ca_topic_score_gemma":0.012785456,"teacher_disagreement_score":0.9741832,"about_ca_system_score_codex":0.0002008576,"about_ca_system_score_gemma":0.00060047966,"threshold_uncertainty_score":0.999374},"labels":[],"label_agreement":null},{"id":"W4286469081","doi":"10.26171/tropics_0706","title":"« Fils de moi-même ». Identités et souvenirs dans <i>Monsieur Nicolas</i> de Rétif de la Bretonne","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Art; Humanities; Physics","score_opus":0.013180922067495075,"score_gpt":0.22985632930616354,"score_spread":0.21667540723866846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286469081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33539405,0.012947923,0.07523752,0.02182275,0.0009005847,0.0005255977,0.00060927396,0.00043214855,0.55213016],"genre_scores_gemma":[0.6749796,0.0031795693,0.014191473,0.00097271084,0.00022613941,0.000121406636,0.0010107654,0.00010985061,0.30520847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9814004,0.015456396,0.0008713658,0.0009417607,0.00048975676,0.00084035203],"domain_scores_gemma":[0.9924219,0.0033092059,0.00055567,0.0018358087,0.0013547058,0.0005226744],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.007292561,0.0005754789,0.000693528,0.0002040048,0.001387702,0.0021223265,0.0014987871,0.00051918626,0.0026790716],"category_scores_gemma":[0.0015773694,0.0006462288,0.00065000047,0.00028853692,0.0009745399,0.00045200126,0.0010786945,0.0015180885,0.00010414909],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025594407,0.0017506958,0.00378972,0.00042770788,0.0003669417,0.00014564113,0.23008946,0.00038675085,0.0065928292,0.73634434,0.015618358,0.004461948],"study_design_scores_gemma":[0.00050709787,0.0000015278446,0.0036448126,0.0020618374,0.00032641127,0.00010420052,0.003218144,0.0061109364,0.007940849,0.009797015,0.9654579,0.00082924054],"about_ca_topic_score_codex":0.028682817,"about_ca_topic_score_gemma":0.019905299,"teacher_disagreement_score":0.9498396,"about_ca_system_score_codex":0.00076778774,"about_ca_system_score_gemma":0.0011480794,"threshold_uncertainty_score":0.9999124},"labels":[],"label_agreement":null},{"id":"W4286714487","doi":"10.4000/focales.988","title":"Vincent Lavoie éd., La Preuve par l’image","year":2019,"lang":"fr","type":"article","venue":"Focales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec","funders":"","keywords":"Philosophy","score_opus":0.01625386288073838,"score_gpt":0.22394574397458844,"score_spread":0.20769188109385006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286714487","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12243441,0.052557368,0.000058272522,0.0058626947,0.0035355517,0.00027030846,0.0003762169,0.0001241093,0.81478107],"genre_scores_gemma":[0.50945634,0.00076716003,0.00012980476,0.0003888444,0.0012531638,0.000009710957,0.000037556827,0.000026991074,0.48793042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868184,0.00016894878,0.00028971126,0.0003037842,0.0002045174,0.00035121437],"domain_scores_gemma":[0.9992136,0.00021779933,0.000082177954,0.00028235136,0.00006601083,0.00013808509],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013713242,0.00022332574,0.0003029899,0.00005690782,0.0003003659,0.00021968373,0.00020710868,0.00011997771,0.018329896],"category_scores_gemma":[0.000021404307,0.00018949571,0.00022235834,0.00004936701,0.00042606768,0.00041006488,0.000072323135,0.00026970432,0.0074829026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043895194,0.00047004255,0.0006810455,0.00038212858,0.00012588195,0.00007948078,0.015146508,0.000007638946,0.00016609814,0.7991856,0.1758696,0.007842084],"study_design_scores_gemma":[0.00022103767,0.00018287399,0.00038186403,0.00018685844,0.00007874578,0.0000049418372,0.00047698544,0.00013319027,0.00012506777,0.003273355,0.99465626,0.00027881472],"about_ca_topic_score_codex":0.0007352877,"about_ca_topic_score_gemma":0.00013946858,"teacher_disagreement_score":0.8187867,"about_ca_system_score_codex":0.00015836915,"about_ca_system_score_gemma":0.000041573992,"threshold_uncertainty_score":0.9932899},"labels":[],"label_agreement":null},{"id":"W4287479166","doi":"","title":"Comptes rendus parus dans la revue Epistolaire Epistolaire, n°36, 2010 / p. 261-262 : Mademoiselle Aïssé, Lettres à Madame C***, préfacé et annoté par Benedetta Craveri, Paris, Payot & Rivages, coll. Rivages poche. Petite bibliothèque, 2009, 255 p. ; Epistolaire, n°37, 2011 / p. 344-349 : \"L'épistolaire au XVIIe siècle\", Gérard Ferreyrolles (dir.), Littératures classiques, n°71, printemps 2010, 366 p. ; Epistolaire, n°38, 2012 / p. 278-279 : Correspondance et théâtre, textes réunis et présentés par Jean-Marc Hovasse, Rennes, Presses universitaires de Rennes, 2012, 310 p. ; Epistolaire, n°39, 2013 / p. 238-243 : Un médecin dans le sillage de la Grande Armée. Correspondance entre Jean Jacques Ballard et son épouse Ursule demeurée en France (1805-1812), texte établi, introduit et annoté par Jacques Resal et Pierre Allorant, L'Harmattan, 2013, 321 p. / p. 260-262 : Martin Belskis, Dans le square, Paris, Buchet-Chastel, coll. Qui vive, 2012, 213 p. / p. 262-263 : Gérard Oberlé, Emilie, une aventure épistolaire, Paris, Grasset, 2012, 318 p. / p. 284-288 : Genèse et correspondances, textes réunis et présentés par Françoise Leriche et Alain Pagès, Paris, Editions des archives contemporaines, coll. Références, 2012, 232 p. ; Epistolaire, n°40, 2014 / p. 294-296 : Femmes sur le pied de guerre. Chronique d'une famille bourgeoise 1914-1918, correspondance établie, présentée et annotée par Jacques Resal et Pierre Allorant, éditions des Presses universitaires du Septentrion, 2014, 467 p. ; Epistolaire, n°41, 2015 / p. 360-363 : Emile Zola, Lettres à Alexandrine. 1876-1901, édition établie, présentée et annotée par Brigitte Emile-Zola et Alain Pagès, Paris, Gallimard, 2014, 814 p. / p. 363-365 : La Grande Guerre à tire d'ailes. Correspondance de deux frères dans l'aviation (1915-1918), édition établie par Jacques Resal et Pierre Allorant, Editions Encrage, 2014, 320 p. / p. 383-384 : Philippe De Vita, Jean Renoir épistolier. Fragments autobiographiques d'un honnête homme, Paris, L'Harmattan, 2015, 250 p. ; Epistolaire, n°42, 2016 / p. 213-214 : La République au défi de la guerre. Lettres et carnets de l'année terrible (1870-1871), édition établie par Salomé Allorant, Jacques Resal et Pierre Allorant, Amiens, Encrage éditions, 2015, 242 p. / p. 214-215 : Lignes du front de l'arrière. Lettres du directeur de la Compagnie des tramways de Bordeaux à son fils artilleur 1914-1918, texte établi, annoté et présenté par Jacques Resal et Pierre Allorant, Presses universitaires de Bordeaux, 2015, 223 p. ; Epistolaire, n°43, 2017 / p. 264-266 : Les amants de Bonaparte. Roman par lettres et chronique conjugale (1798-1803), édition établie par Jacques Resal et Pierre Allorant, Amiens, Encrage éditions, 2016, 190 p. / p. 266-268 : Des médecins au service du progrès. Lettres d'une famille de médecins au XIXe siècle, de Louis XVIII à Gambetta, édition établie par Jacques Resal et Pierre Allorant, Amiens, Encrage éditions, 2016, 162 p. / p. 268-269 : Le Génie de l'Orient. Lettres d'un officier du génie de l'Algérie à la Crimée (1831-1856), édition établie par Jacques Resal et Pierre Allorant, Amiens, Encrage éditions, 2016, 128 p. ; Epistolaire, n°44, 2018 / p. 298-299 : Voltaire, Writings of 1769 (IIB), Les Oeuvres complètes de Voltaire, 70B, Nicholas Cronck (dir.), Oxford, Voltaire Foundation, 2016, 341 p. / p. 302-304 : La demeure de l'ambition. L'ascension d'une famille bourgeoise vue à travers les lettres des femmes (1814-1914), édition établie et présentée par Jacques Resal et Pierre Allorant, Limoges, Presses universitaires de Limoges, 2017, 445 p. / p. 326-330 : Michel Tournier, Lettres parlées à son ami allemand Helmut Waller 1967-1998, édition établie, présentée et annotée par Arlette Bouloumié, Paris, Gallimard, 2015, 342 p. / p. 335-337 : Le travail du genre à travers les échanges épistolaires des écrivains. Epistolarité et généricité, textes réunis par Nicole Biagioli et Marjin S. Kaplan, Paris, L'Harmattan, 2015, 272 p. / p. 337-339 : Risques et regrets. Les dangers de l'écriture épistolaire, sous la direction de Geneviève De Viveiros, Margot Irvine et Karin Schwerdtner, Montréal, Les éditions Nota Bene, 2015, 271 p. : Epistolaire, n°45, 2019 / p. 380-382 : Georges Ambrosino et Georges Bataille, L'Expérience à l'épreuve. Correspondance et inédits (1943-1960), édition établie, présentée et annotée par Claudine Franck, Meurcourt, Editions Les cahiers, 2018, 429 p. / p. 388-390 : Lire et relire la correspondance de Zola, sous la direction de Sophie Guermès, Rennes, Presses universitaires de Rennes, 2018, 236 p. ; Epistolaire, n°46, 2020 / p. 258-259 : Madame, vous allez m'émouvoir. Une famille française à travers deux guerres mondiales, correspondance rassemblée par Lucie Tesnière, Paris, Flammarion, 413 p. / p. 268-270 : Pierre Bergounioux et Jean-Paul Michel, Correspondance 1981-2017. Avec deux lettres de Daniel Puymègues, Lagrasse, éditions Verdier, 2018, 220 p. ; Epistolaire, n°47, 2021 / p. 347-349 : Fulgence Delleaux, Le","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Parus; Humanities; Art; Zoology; Biology","score_opus":0.006164028386867459,"score_gpt":0.21392011702646813,"score_spread":0.20775608863960066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287479166","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19044866,0.45017016,0.12745725,0.12236115,0.0020890264,0.009855769,0.09006233,0.0047598826,0.0027957626],"genre_scores_gemma":[0.35121888,0.5544878,0.019127574,0.003977105,0.00081639836,0.0037080464,0.060914975,0.001591525,0.004157661],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.8823492,0.08736745,0.008071382,0.008615001,0.0045220787,0.009074913],"domain_scores_gemma":[0.94483644,0.028564097,0.010547378,0.006012003,0.0052368003,0.0048032724],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","open_science","research_integrity"],"consensus_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","research_integrity"],"category_scores_codex":[0.03695043,0.009346555,0.008240304,0.0053191935,0.016966984,0.007206388,0.00681469,0.0068991515,0.0006607536],"category_scores_gemma":[0.01061408,0.010867828,0.0035467208,0.00501909,0.017822664,0.019627031,0.0032833368,0.013816039,0.000040652834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.011069535,0.01240914,0.098993585,0.0038592021,0.0035280727,0.004858127,0.026273835,0.042917535,0.024855653,0.004330174,0.7651519,0.001753195],"study_design_scores_gemma":[0.011472524,0.0012404011,0.42957544,0.017070694,0.0032949538,0.004002117,0.007478986,0.007843234,0.007923729,0.008484825,0.4931428,0.008470294],"about_ca_topic_score_codex":0.45570806,"about_ca_topic_score_gemma":0.5933409,"teacher_disagreement_score":0.33058184,"about_ca_system_score_codex":0.0071204794,"about_ca_system_score_gemma":0.028989531,"threshold_uncertainty_score":0.99855894},"labels":[],"label_agreement":null},{"id":"W4287873049","doi":"","title":"Dulcinea del Toboso à l’origine de la vie. Réécriture du mythe cervantin dans une pièce de théâtre sublime,satirique et féministe","year":2020,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.1664355273758812,"score_gpt":0.4762529987192112,"score_spread":0.30981747134333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287873049","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6357917,0.020455917,0.0017530593,0.028355423,0.00083756685,0.00068385596,0.0004399161,0.00026510732,0.31141746],"genre_scores_gemma":[0.97959906,0.004148752,0.00021352334,0.008078498,0.001291149,0.00001989815,0.00004901072,0.00007819764,0.006521933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970179,0.00073078484,0.0008250722,0.00046074964,0.0004857066,0.00047978124],"domain_scores_gemma":[0.99779934,0.00054866093,0.0005394317,0.000352625,0.0002715956,0.0004883587],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009739101,0.00043097587,0.00084866263,0.00029958226,0.000601653,0.0019165627,0.0019613074,0.0001353344,0.013009828],"category_scores_gemma":[0.00029665793,0.00034507312,0.0003505088,0.0005347205,0.0003334168,0.0020720346,0.00041927732,0.0007623213,0.000035256446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057272724,0.0008112485,0.13031867,0.0003954778,0.0005834912,0.00064547075,0.04557346,0.0004428925,0.028693108,0.05806323,0.73144674,0.0024534916],"study_design_scores_gemma":[0.0004292091,0.00003716484,0.014543164,0.00022268876,0.00017360762,0.000032299627,0.00090857025,0.00034100254,0.0025065702,0.0037793603,0.9765428,0.00048361844],"about_ca_topic_score_codex":0.003530199,"about_ca_topic_score_gemma":0.0006265284,"teacher_disagreement_score":0.34380734,"about_ca_system_score_codex":0.00013295744,"about_ca_system_score_gemma":0.0002511928,"threshold_uncertainty_score":0.9999001},"labels":[],"label_agreement":null},{"id":"W4287909458","doi":"","title":"Senso et autres nouvelles vénitiennes / Camillo Boito ; choix, édition et traduction de Marguerite Bordry","year":2020,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.021199709102734103,"score_gpt":0.2288415453170864,"score_spread":0.20764183621435228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287909458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18579336,0.010065718,0.040907525,0.2586737,0.003090795,0.0011303029,0.0031295142,0.0010699559,0.49613914],"genre_scores_gemma":[0.72265047,0.008324849,0.014185205,0.0016678665,0.0008464773,0.0002284812,0.004579857,0.00015472517,0.24736205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98901445,0.008165313,0.0008281372,0.0009773113,0.00048276837,0.00053201226],"domain_scores_gemma":[0.9950178,0.0016179939,0.0006090582,0.001070192,0.0013180893,0.00036684275],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027308778,0.0005934495,0.0006294331,0.00023849748,0.0013078058,0.0010658321,0.00076395203,0.00034324205,0.0023338485],"category_scores_gemma":[0.0008690317,0.00063072005,0.0005273041,0.00023832507,0.0006659437,0.0005840352,0.00049392175,0.0011047085,0.0001831226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004713903,0.00089964486,0.000233888,0.00047253913,0.00021315034,0.000028867647,0.1317004,0.0001192769,0.0015968647,0.82831097,0.024130596,0.012246667],"study_design_scores_gemma":[0.00034516337,0.0000024401575,0.0019025651,0.0018266524,0.00020472571,0.000023553172,0.0025742312,0.0047654132,0.00398083,0.0076135555,0.976024,0.00073687045],"about_ca_topic_score_codex":0.015471748,"about_ca_topic_score_gemma":0.009434238,"teacher_disagreement_score":0.9518934,"about_ca_system_score_codex":0.000302261,"about_ca_system_score_gemma":0.00038308662,"threshold_uncertainty_score":0.9999924},"labels":[],"label_agreement":null},{"id":"W4288383063","doi":"","title":"Une écriture “vaine” ? Les Storielle vane de Camillo Boito », Le négatif de l’écriture. Enquête sur le pouvoir de décréer","year":2020,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Humanities","score_opus":0.021294208378169935,"score_gpt":0.2174884100549602,"score_spread":0.19619420167679025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288383063","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0838395,0.035294443,0.090910986,0.26565394,0.001714682,0.0012899996,0.0014130461,0.0009858817,0.51889753],"genre_scores_gemma":[0.65445316,0.0022561569,0.013808719,0.0012591664,0.0007002819,0.00012282329,0.0011838627,0.00014046211,0.32607538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99036175,0.006090345,0.00092631247,0.0011231478,0.0005302779,0.0009681895],"domain_scores_gemma":[0.9936573,0.0016708031,0.0005623882,0.0016868669,0.0017405474,0.00068209536],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0030983193,0.0007404478,0.00086351566,0.00018747766,0.0024315517,0.000954706,0.0016842606,0.0006021253,0.00093657017],"category_scores_gemma":[0.001388635,0.00079108216,0.00065187976,0.00037925693,0.0008793419,0.00039452812,0.00089697895,0.0017425499,0.00010063612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005964272,0.0014081759,0.0010626661,0.0005809781,0.0003036123,0.000081271384,0.1466444,0.00026347296,0.0045354986,0.7897413,0.04784357,0.007475414],"study_design_scores_gemma":[0.00068186416,0.000002884542,0.00067945995,0.0012185826,0.00018825292,0.000026076768,0.0024543754,0.005092735,0.008547368,0.0132563375,0.96702474,0.0008273485],"about_ca_topic_score_codex":0.09626021,"about_ca_topic_score_gemma":0.022649473,"teacher_disagreement_score":0.91918117,"about_ca_system_score_codex":0.0005982139,"about_ca_system_score_gemma":0.0015751458,"threshold_uncertainty_score":0.9999767},"labels":[],"label_agreement":null},{"id":"W4288984756","doi":"","title":"Dalle fourberies ai caquets, processi di riscrittura riccoboniani alla Comédie-Italienne de Paris","year":2019,"lang":"it","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Humanities; Art","score_opus":0.015531700268020312,"score_gpt":0.22185847334865944,"score_spread":0.20632677308063913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288984756","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08593633,0.018754872,0.025421627,0.045062527,0.0019411473,0.0016335056,0.0010899059,0.00079877203,0.8193613],"genre_scores_gemma":[0.6608461,0.002846859,0.0023463944,0.000691379,0.0002514838,0.00012973326,0.001232458,0.00011212411,0.33154345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.990661,0.0049070963,0.0013014029,0.0013994977,0.0007375104,0.0009934488],"domain_scores_gemma":[0.9912902,0.0016403171,0.0010112419,0.0025324177,0.0030458209,0.00047998707],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0036844122,0.0008776267,0.0011394474,0.00029971212,0.0018254227,0.0021543282,0.0019947027,0.00052987476,0.0038100763],"category_scores_gemma":[0.0008341041,0.000843838,0.00064081716,0.00031456831,0.0008651819,0.0007500613,0.0014592413,0.0015584978,0.00057311606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012585541,0.003175099,0.012148159,0.0023758623,0.0009169015,0.00006046133,0.29974997,0.00022003715,0.00038060674,0.58102727,0.08381504,0.016004749],"study_design_scores_gemma":[0.0005068335,0.000002979223,0.001197179,0.002231743,0.0002772516,0.000017505377,0.0019380862,0.006546286,0.0014861155,0.0035332614,0.981136,0.0011267149],"about_ca_topic_score_codex":0.015297718,"about_ca_topic_score_gemma":0.006968817,"teacher_disagreement_score":0.897321,"about_ca_system_score_codex":0.0004054005,"about_ca_system_score_gemma":0.0006312844,"threshold_uncertainty_score":0.99947405},"labels":[],"label_agreement":null},{"id":"W4288993461","doi":"10.4000/books.eua.3753","title":"Introduction","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Association for Theatre Research","funders":"","keywords":"Computer science","score_opus":0.028172742174187713,"score_gpt":0.19212522047116107,"score_spread":0.16395247829697335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288993461","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[5.6527233e-7,0.00033115686,0.000005428587,0.0008400798,0.0016914731,0.00004296516,0.000013267337,0.00006196078,0.9970131],"genre_scores_gemma":[0.00009287182,0.000019714604,0.000007762433,0.00029004048,0.010687162,5.496108e-7,0.00007831706,0.000015669853,0.9888079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956334,0.0000023467649,0.00012297982,0.00016172594,0.00008947185,0.000060164966],"domain_scores_gemma":[0.9997247,0.000010424748,0.000045150195,0.00015474483,0.00004289657,0.000022073942],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000019841913,0.0001136268,0.00015714884,0.000062527506,0.000070890404,0.00004895126,0.00005749389,0.00005353013,0.32806864],"category_scores_gemma":[0.0000014703239,0.00008207603,0.0001082474,0.0000014617025,0.000053906453,0.00008568355,0.000013049937,0.00012553376,0.014908871],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015371941,0.000002002315,2.8063676e-8,0.0000078472685,0.00001658137,6.3320545e-7,0.00040107587,8.3254946e-8,2.428831e-7,0.5811703,0.4172781,0.0011215248],"study_design_scores_gemma":[0.000020261492,0.000029595383,4.4897014e-8,0.0000072126327,0.000030623058,6.048534e-7,0.000013356818,0.0000013287562,6.872662e-7,0.015239343,0.9845316,0.00012535819],"about_ca_topic_score_codex":0.00002996486,"about_ca_topic_score_gemma":0.000048914215,"teacher_disagreement_score":0.5672535,"about_ca_system_score_codex":0.000024169332,"about_ca_system_score_gemma":0.000012780969,"threshold_uncertainty_score":0.98585814},"labels":[],"label_agreement":null},{"id":"W4289515624","doi":"","title":"2000 ans déjà… Aspects de la réception d’Ovide","year":2019,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","score_opus":0.01586430329554624,"score_gpt":0.22452636785567792,"score_spread":0.20866206456013167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289515624","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06771635,0.0073398426,0.019918002,0.013274612,0.0009194225,0.00044647843,0.00027969814,0.00027433576,0.88983124],"genre_scores_gemma":[0.5090975,0.0014245871,0.003260268,0.00025240547,0.00026891546,0.000042994256,0.0005469927,0.00005806376,0.48504826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98819333,0.009190142,0.0007099952,0.0008733817,0.00046237904,0.00057075714],"domain_scores_gemma":[0.9936439,0.0025300987,0.000539876,0.0017209403,0.0012604287,0.000304762],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0043474687,0.0005057738,0.00057498604,0.00023750366,0.0010617911,0.0010968564,0.001120146,0.00044870813,0.0067526004],"category_scores_gemma":[0.0006734162,0.00052591285,0.00049711997,0.00020512362,0.0008492388,0.000372014,0.0005950454,0.0010979628,0.0010576119],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023468585,0.0009385576,0.0011144738,0.00027284006,0.00015493078,0.00001642175,0.11341404,0.00020773917,0.00057340565,0.8575465,0.012178286,0.013559335],"study_design_scores_gemma":[0.00042274513,0.0000011323058,0.002307457,0.0016575991,0.00015282983,0.000014300429,0.00064446934,0.0046364935,0.001395019,0.01250933,0.9756684,0.0005902331],"about_ca_topic_score_codex":0.013901129,"about_ca_topic_score_gemma":0.0034653528,"teacher_disagreement_score":0.9634901,"about_ca_system_score_codex":0.0005828658,"about_ca_system_score_gemma":0.00060975057,"threshold_uncertainty_score":0.9999401},"labels":[],"label_agreement":null},{"id":"W4291114696","doi":"10.4000/agon.628","title":"L’entrée en scène d’un dramaturge","year":2022,"lang":"fr","type":"article","venue":"Agôn Revue des arts de la scène","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.020444282430137073,"score_gpt":0.23166133668346145,"score_spread":0.21121705425332438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4291114696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20525259,0.1299346,0.00020181954,0.025538804,0.006049183,0.0005139026,0.00094458775,0.0003580326,0.6312065],"genre_scores_gemma":[0.64287376,0.0013579068,0.0005377286,0.0016683688,0.0028862895,0.000086091284,0.000121928875,0.00006838265,0.35039952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99713945,0.0008157223,0.00051912013,0.00047839643,0.00031011633,0.0007372037],"domain_scores_gemma":[0.9984489,0.00056400785,0.0001785334,0.00044002742,0.00007227145,0.0002962716],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00073554297,0.00035063323,0.00047202222,0.00017221834,0.0024522431,0.00029685884,0.0004534827,0.00012599754,0.044823077],"category_scores_gemma":[0.00008872231,0.00037008376,0.00040390572,0.00022129223,0.0006927313,0.00040804237,0.00031440507,0.0008458307,0.00045399988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080697355,0.0009376199,0.00036942938,0.00042261358,0.0002753114,0.0017547588,0.087983415,0.00034506028,0.00012016143,0.76130396,0.12042401,0.025982967],"study_design_scores_gemma":[0.00038337655,0.00021494694,0.00031752302,0.00012512716,0.00021962475,0.00045799842,0.0018645222,0.00056624506,0.00003479594,0.01809187,0.97726417,0.00045980074],"about_ca_topic_score_codex":0.0010430992,"about_ca_topic_score_gemma":0.00008064672,"teacher_disagreement_score":0.85684013,"about_ca_system_score_codex":0.00043873428,"about_ca_system_score_gemma":0.00006325411,"threshold_uncertainty_score":0.9998751},"labels":[],"label_agreement":null},{"id":"W4291331083","doi":"","title":"Compte-rendu : J.-P. Aygon, Vt scaena, sic uita : mise en scène et dévoilement dans les oeuvres philosophiques et dramatiques de Sénèque","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","score_opus":0.04211166873765566,"score_gpt":0.27071049953400567,"score_spread":0.22859883079635002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4291331083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14944258,0.01236914,0.036392804,0.13374244,0.0011016151,0.0012424291,0.0015046183,0.00082951825,0.66337484],"genre_scores_gemma":[0.83471876,0.005826654,0.018320845,0.0015016583,0.00082549657,0.0002573773,0.0022328785,0.00016419875,0.1361521],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.97912705,0.016818076,0.0013362274,0.001246279,0.0006935109,0.0007788387],"domain_scores_gemma":[0.9909057,0.002973296,0.0009363572,0.002207919,0.00251135,0.00046539254],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0076474473,0.0008917534,0.00094022206,0.0003457932,0.00170458,0.0014940172,0.0019958257,0.0004964834,0.0040420205],"category_scores_gemma":[0.00096126297,0.0008771314,0.0006300699,0.00020469526,0.0014545246,0.0005884625,0.0014819223,0.0013493213,0.00023945546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003159781,0.001471356,0.0014602793,0.00041148046,0.0003075433,0.000014911642,0.1972036,0.00004662613,0.00062731624,0.77531385,0.017875405,0.005235989],"study_design_scores_gemma":[0.0004947174,0.0000069731577,0.0019129033,0.0044182558,0.00025265466,0.00001249388,0.0014559585,0.0028699772,0.0066869734,0.039910704,0.940944,0.0010343575],"about_ca_topic_score_codex":0.032048434,"about_ca_topic_score_gemma":0.03289593,"teacher_disagreement_score":0.92306864,"about_ca_system_score_codex":0.0006209363,"about_ca_system_score_gemma":0.0005162599,"threshold_uncertainty_score":0.99959505},"labels":[],"label_agreement":null},{"id":"W4292523953","doi":"","title":"Navigations: Sur les traces d'Eugen...","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Geology","score_opus":0.026141743614057675,"score_gpt":0.2222962161742373,"score_spread":0.19615447256017965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292523953","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15509382,0.038110927,0.043410625,0.06611881,0.0019947255,0.00082876504,0.0006925283,0.0006531357,0.6930967],"genre_scores_gemma":[0.5560745,0.001865751,0.005551093,0.00019436705,0.0003549803,0.00009403175,0.0010860133,0.00007033203,0.43470892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.990338,0.0068155774,0.0009351949,0.00091371033,0.0005121024,0.00048537183],"domain_scores_gemma":[0.9916597,0.002677893,0.0006933316,0.0016982512,0.0029755076,0.00029530743],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037521445,0.00054153276,0.00064241805,0.0001909513,0.0019776055,0.0010669915,0.001289045,0.00036629965,0.004339474],"category_scores_gemma":[0.0011184976,0.0005409923,0.00053556985,0.00019349098,0.0010008159,0.0003639329,0.00055646437,0.00094389316,0.00047025603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009189491,0.0007411068,0.00039439296,0.00034379074,0.00015019355,0.0000050264944,0.041042075,0.00006888755,0.00017285974,0.89485437,0.0081288535,0.054089267],"study_design_scores_gemma":[0.00028414326,7.539337e-7,0.0006591013,0.0023806284,0.00016273044,0.0000058260107,0.00046092036,0.0049504396,0.0012705832,0.008961916,0.9802611,0.00060184416],"about_ca_topic_score_codex":0.015589183,"about_ca_topic_score_gemma":0.008287439,"teacher_disagreement_score":0.97213227,"about_ca_system_score_codex":0.00016867265,"about_ca_system_score_gemma":0.00019315262,"threshold_uncertainty_score":0.99997},"labels":[],"label_agreement":null},{"id":"W4292571916","doi":"","title":"Les Matins infidèles. Beaudry, Jean et Bouvier, François","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.03404633188800996,"score_gpt":0.2520463143292841,"score_spread":0.21799998244127414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292571916","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017137915,0.020042585,0.010406028,0.057593584,0.001299317,0.0005161408,0.0007527195,0.00031126934,0.8919404],"genre_scores_gemma":[0.31613913,0.0047633494,0.0059666326,0.0003103104,0.00028178742,0.00007999237,0.0012677572,0.00009051246,0.67110056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99113613,0.0057332614,0.0009630319,0.0009980855,0.0005898963,0.0005795625],"domain_scores_gemma":[0.99140805,0.0020006762,0.0011017732,0.003051403,0.002073933,0.00036418927],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0042629153,0.000655233,0.0008012543,0.00024104452,0.0032946775,0.0021333906,0.002181563,0.00043117904,0.0070085684],"category_scores_gemma":[0.0015637876,0.00065471034,0.00064546015,0.00010962449,0.0013580702,0.00051121594,0.001341988,0.0013122925,0.0005611033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012167125,0.00078553084,0.000660317,0.0003188834,0.00019556626,0.000013092501,0.07141331,0.00002748753,0.00009223357,0.83222497,0.016748035,0.077508435],"study_design_scores_gemma":[0.00036771322,9.417071e-7,0.0013644575,0.002533672,0.0001569104,0.0000048515835,0.000367439,0.0016792815,0.0007903186,0.007874591,0.9841677,0.0006921545],"about_ca_topic_score_codex":0.073658355,"about_ca_topic_score_gemma":0.038318023,"teacher_disagreement_score":0.9674196,"about_ca_system_score_codex":0.0002154079,"about_ca_system_score_gemma":0.00027085477,"threshold_uncertainty_score":0.9995904},"labels":[],"label_agreement":null},{"id":"W4292571930","doi":"","title":"L'amer Atlantique. Beaudry, Jean","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.026012359622644532,"score_gpt":0.23545432255532125,"score_spread":0.20944196293267672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292571930","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017725848,0.0126430625,0.009856308,0.06631012,0.0017121239,0.0004937995,0.00041806177,0.00030502828,0.89053565],"genre_scores_gemma":[0.2354313,0.0032237612,0.003868729,0.00021968718,0.00042740456,0.00005619353,0.00094755646,0.00007491027,0.7557505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918344,0.0050608143,0.00085117953,0.001087694,0.0005425086,0.00062340446],"domain_scores_gemma":[0.99140096,0.001744468,0.0009913475,0.003199839,0.0022743617,0.00038901836],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00367389,0.0006289125,0.0007674045,0.00020571958,0.0029186795,0.0018802066,0.0022175359,0.00040804243,0.006396732],"category_scores_gemma":[0.0013089568,0.0006231188,0.00065813184,0.00009490281,0.0013768936,0.00044983157,0.0013098185,0.0011344366,0.0010249391],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016159625,0.00078784896,0.0006667446,0.00024572012,0.00022423708,0.000025781868,0.036028083,0.000013097483,0.0001526001,0.8979316,0.028462576,0.035445582],"study_design_scores_gemma":[0.00031336947,7.11846e-7,0.0007269925,0.0022039062,0.00017507725,0.0000066848265,0.00019552515,0.0017336245,0.001423674,0.00861527,0.98391145,0.0006937192],"about_ca_topic_score_codex":0.029285705,"about_ca_topic_score_gemma":0.011513986,"teacher_disagreement_score":0.95544887,"about_ca_system_score_codex":0.00018641616,"about_ca_system_score_gemma":0.00026024895,"threshold_uncertainty_score":0.9997529},"labels":[],"label_agreement":null},{"id":"W4292635589","doi":"","title":"Reinventing Theatre Practice: Italian Voices in Early Modern Paris","year":2022,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Visual arts; Computer science; History; Art","score_opus":0.026398541329360134,"score_gpt":0.24500980754155782,"score_spread":0.21861126621219767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292635589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08605929,0.0053486517,0.0012620138,0.014580807,0.0006124901,0.00041583134,0.00015205963,0.0002647429,0.89130414],"genre_scores_gemma":[0.8885324,0.00032520786,0.002236965,0.00022456008,0.00010997024,0.000113344286,0.0005011892,0.000047734684,0.10790863],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931606,0.004783522,0.0006018939,0.000669648,0.00045590423,0.0003284285],"domain_scores_gemma":[0.9961986,0.0012567551,0.00054507103,0.0012010775,0.0006824957,0.000115991126],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003334328,0.00029080355,0.0003786728,0.00024996416,0.0007541521,0.00080659735,0.00094484875,0.00012673407,0.0023116765],"category_scores_gemma":[0.0005067352,0.00029403824,0.00025384175,0.0001602949,0.00020199559,0.00045128973,0.0010864927,0.0010322074,0.00005162836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004280442,0.0014508185,0.003834908,0.0003294325,0.00021753182,0.000057877798,0.6114923,0.00021280568,0.00006927016,0.34187016,0.0060788295,0.034343295],"study_design_scores_gemma":[0.00023185476,5.951115e-7,0.0002509936,0.0006760451,0.00007822922,0.0000023940875,0.002415044,0.0044565327,0.00015704244,0.010546219,0.9807431,0.00044195817],"about_ca_topic_score_codex":0.019657312,"about_ca_topic_score_gemma":0.0071011176,"teacher_disagreement_score":0.9746643,"about_ca_system_score_codex":0.00016620173,"about_ca_system_score_gemma":0.0001369025,"threshold_uncertainty_score":0.9999512},"labels":[],"label_agreement":null},{"id":"W4292761021","doi":"","title":"Lac en Ecosse après l'orage (1875-1878)","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.02255371940703559,"score_gpt":0.217282559911327,"score_spread":0.1947288405042914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292761021","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051788352,0.0090582585,0.031523068,0.022795225,0.0016864606,0.0006595143,0.00042464052,0.00047307587,0.8815914],"genre_scores_gemma":[0.512235,0.0010810088,0.005144083,0.00023493016,0.0003756966,0.00007461816,0.0007179162,0.000078235214,0.4800585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98511463,0.011556526,0.0009963422,0.0011218394,0.0005549114,0.0006557558],"domain_scores_gemma":[0.991639,0.0028760193,0.00070307654,0.0024496745,0.00190623,0.00042600566],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.005837245,0.0006704874,0.0008080007,0.00025634983,0.0014981114,0.0011572187,0.0016128385,0.00045180903,0.006766712],"category_scores_gemma":[0.001574532,0.0006737796,0.00062898244,0.00020653688,0.0007838587,0.00034164122,0.00092324096,0.001194283,0.0013110583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010886724,0.0007637974,0.0004488381,0.00027959215,0.00018175856,0.000010014286,0.039985523,0.00006219439,0.000114993905,0.9351478,0.009303995,0.013690561],"study_design_scores_gemma":[0.0003768473,9.904603e-7,0.00041677878,0.0012902193,0.00017768459,0.000010703615,0.0003186074,0.0037371444,0.0014240383,0.011477498,0.98004216,0.00072733563],"about_ca_topic_score_codex":0.008647654,"about_ca_topic_score_gemma":0.0043063634,"teacher_disagreement_score":0.9707382,"about_ca_system_score_codex":0.0002739308,"about_ca_system_score_gemma":0.00024935577,"threshold_uncertainty_score":0.99987966},"labels":[],"label_agreement":null},{"id":"W4292849311","doi":"","title":"Lorsque Franz Cumont et Gaetano De Sanctis s’interrogeaient sur le destin du monde : réflexions historiographiques en marge de leurs échanges épistolaires","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","score_opus":0.028772711308981836,"score_gpt":0.22638041235137263,"score_spread":0.19760770104239078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292849311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3309567,0.04532129,0.17578441,0.18332964,0.002893655,0.001479264,0.0009557353,0.001353427,0.2579259],"genre_scores_gemma":[0.90010583,0.004826881,0.010594524,0.0011831907,0.00034933127,0.00023586585,0.000617558,0.00012341548,0.081963405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9847865,0.011783584,0.0009789253,0.0010982049,0.0005015539,0.0008512357],"domain_scores_gemma":[0.9921721,0.0031500545,0.00077077356,0.0017292197,0.0016326556,0.00054516055],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0057562613,0.0007559714,0.0008703557,0.00049508194,0.0015820795,0.0007696905,0.0015340942,0.00045223068,0.001158458],"category_scores_gemma":[0.0015523941,0.0007963605,0.0008388446,0.0002647091,0.00093944656,0.00040421123,0.0008254417,0.0011885043,0.00007935003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057354948,0.0018176766,0.0057667797,0.00041293644,0.00028405697,0.000044295848,0.19001351,0.00015575343,0.00066918536,0.76537293,0.029479176,0.0059263636],"study_design_scores_gemma":[0.0004764349,0.000005150537,0.0036081036,0.0022699996,0.00022241635,0.000037868245,0.0006639937,0.0060786805,0.0021437567,0.013746496,0.9698858,0.0008612613],"about_ca_topic_score_codex":0.11043783,"about_ca_topic_score_gemma":0.0703082,"teacher_disagreement_score":0.9404067,"about_ca_system_score_codex":0.0010735092,"about_ca_system_score_gemma":0.000664208,"threshold_uncertainty_score":0.9997546},"labels":[],"label_agreement":null},{"id":"W4292853330","doi":"","title":"«On s’attend à chaque instant à voir sortir d’une porte un Romain dans sa toge». Lorsque Franz Cumont découvre l’Italie en 1891","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.012424191715603855,"score_gpt":0.20768707398539116,"score_spread":0.1952628822697873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292853330","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34726945,0.0032006223,0.013334453,0.026309688,0.0014923501,0.0009366374,0.0011495642,0.00040558664,0.60590166],"genre_scores_gemma":[0.7679197,0.0010715361,0.0023921474,0.0005936692,0.00045509895,0.00013611538,0.0015491497,0.00013215205,0.22575043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98907495,0.005918944,0.0015362576,0.0016294958,0.00090091734,0.0009394112],"domain_scores_gemma":[0.9917834,0.0017473442,0.0010707538,0.0030143422,0.0018181425,0.0005660619],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004003672,0.0010149463,0.0010834752,0.0003685543,0.0022743074,0.00091689924,0.0020409038,0.00061465515,0.0050953794],"category_scores_gemma":[0.00067064364,0.00097009924,0.0007885985,0.00042635665,0.0015049819,0.0004693736,0.0010725944,0.0014305742,0.0005991039],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006829972,0.001991334,0.0005252815,0.00024053655,0.00038325868,0.00011707438,0.13750248,0.0000543578,0.0005969973,0.8407096,0.008197932,0.009612824],"study_design_scores_gemma":[0.0007686778,0.00001047428,0.0024185304,0.0028005699,0.00027348535,0.00003186398,0.0017114629,0.0032624856,0.0035118368,0.026740074,0.9571553,0.0013152593],"about_ca_topic_score_codex":0.017381098,"about_ca_topic_score_gemma":0.016732328,"teacher_disagreement_score":0.9489573,"about_ca_system_score_codex":0.0006042049,"about_ca_system_score_gemma":0.00035249488,"threshold_uncertainty_score":0.99927497},"labels":[],"label_agreement":null},{"id":"W4293263211","doi":"","title":"Descartes et l’infini : le concept en question. Esquisse d’une recherche en cours","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.04695808775086996,"score_gpt":0.2799783258880971,"score_spread":0.23302023813722716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293263211","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039346304,0.015667873,0.06272338,0.15702994,0.001419222,0.000804397,0.00045673078,0.00061856536,0.7219336],"genre_scores_gemma":[0.5643648,0.0021117022,0.016180152,0.00061499386,0.000353904,0.00009963279,0.001316177,0.00008811686,0.4148705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.96546,0.031675294,0.0009138795,0.0009521506,0.00047663372,0.0005220271],"domain_scores_gemma":[0.9852377,0.009766087,0.00065153046,0.0017997039,0.0022020163,0.0003429491],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.012240368,0.00059950387,0.0007602918,0.00019502205,0.0011972162,0.00091215916,0.0014322449,0.0007163346,0.0017852471],"category_scores_gemma":[0.0033919737,0.0006095897,0.0004574513,0.00030239255,0.0010125376,0.00040681203,0.00072803395,0.0018855595,0.0003474297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014338187,0.00066330144,0.00017495849,0.00013423552,0.00013913236,0.0000060797533,0.12222554,0.00013690189,0.0002519175,0.84664917,0.010203941,0.019400485],"study_design_scores_gemma":[0.00048000025,0.0000023058617,0.00061225705,0.0020318949,0.00016527766,0.000010669257,0.002056759,0.0032094866,0.003059081,0.02107245,0.9665798,0.00071999617],"about_ca_topic_score_codex":0.02780644,"about_ca_topic_score_gemma":0.0070275734,"teacher_disagreement_score":0.9563759,"about_ca_system_score_codex":0.00039204897,"about_ca_system_score_gemma":0.00056682,"threshold_uncertainty_score":0.9996355},"labels":[],"label_agreement":null},{"id":"W4293274063","doi":"10.4000/books.enseditions.8997","title":"Dans le sillage de Sterne et Nodier : le Voyage de Paris à Java de Balzac et l’écriture du supplément","year":2009,"lang":"fr","type":"book-chapter","venue":"ENS Éditions eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","score_opus":0.018306533816102328,"score_gpt":0.22159407555892965,"score_spread":0.20328754174282732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293274063","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018880992,0.001155772,0.0020998504,0.0050838916,0.00030031527,0.00031237645,0.0031733166,0.0001584615,0.9858279],"genre_scores_gemma":[0.15812548,0.00030575815,0.00071378675,0.0050690183,0.001504965,0.000056696717,0.00074684084,0.00009223715,0.8333852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744725,0.00031611748,0.00062542874,0.0005685863,0.00030155282,0.00074106315],"domain_scores_gemma":[0.99857783,0.00023349962,0.00021978925,0.00045715724,0.00012351782,0.0003881817],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000396206,0.0006576627,0.00062380504,0.00022747976,0.002347465,0.00037876755,0.0003366798,0.0004479802,0.0049953787],"category_scores_gemma":[0.000020119762,0.000664676,0.0006293061,0.000015784572,0.0008469652,0.00021198353,0.000097994605,0.0009886684,0.00024210324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023486724,0.0002720682,0.000026093747,0.00007298989,0.00022397774,0.00048330845,0.031829227,0.00006068872,0.00029133935,0.9112727,0.05429645,0.0011476637],"study_design_scores_gemma":[0.00044576437,0.00022134994,0.00016745925,0.00030629896,0.00035333462,0.00011732326,0.0010773769,0.00005845524,0.00020492607,0.038847342,0.9574763,0.00072405994],"about_ca_topic_score_codex":0.0044118315,"about_ca_topic_score_gemma":0.0023210892,"teacher_disagreement_score":0.9031799,"about_ca_system_score_codex":0.00048177523,"about_ca_system_score_gemma":0.0005141718,"threshold_uncertainty_score":0.99958044},"labels":[],"label_agreement":null},{"id":"W4293454690","doi":"","title":"Le dire, le croire, et le présentatif voici/voilà dans Cyrano de Bergerac","year":2005,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Humanities; Philosophy","score_opus":0.01490412164575713,"score_gpt":0.23034293658190721,"score_spread":0.21543881493615008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293454690","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04881759,0.009388064,0.022001326,0.065590136,0.0009179259,0.000554803,0.0005398251,0.0003876298,0.8518027],"genre_scores_gemma":[0.5232162,0.0013693976,0.00749135,0.00055635447,0.00030671177,0.00010246353,0.0011907731,0.0000947993,0.46567196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98940015,0.006941666,0.001145398,0.0011470108,0.0005642103,0.00080158416],"domain_scores_gemma":[0.99375254,0.0015473412,0.00074609794,0.0020130936,0.001495999,0.0004449141],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003570555,0.00068379025,0.0008096328,0.00026014552,0.0026793464,0.0012031551,0.0015961239,0.00037689842,0.001373204],"category_scores_gemma":[0.0005288155,0.0007552194,0.0006960048,0.00028340996,0.0011354872,0.00073450845,0.0009190126,0.0011488197,0.0002896427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024023651,0.002241746,0.00042051543,0.0001933363,0.00020638248,0.000017504652,0.081747055,0.0002843335,0.0012111742,0.8927716,0.011045904,0.009836419],"study_design_scores_gemma":[0.0007310978,0.0000013817589,0.0017046679,0.0011945151,0.00013684074,0.000016878725,0.0016559062,0.004223257,0.007533011,0.0066293804,0.9753368,0.0008362754],"about_ca_topic_score_codex":0.09337136,"about_ca_topic_score_gemma":0.05073533,"teacher_disagreement_score":0.96429086,"about_ca_system_score_codex":0.00029188936,"about_ca_system_score_gemma":0.0014161112,"threshold_uncertainty_score":0.9998337},"labels":[],"label_agreement":null},{"id":"W4293637974","doi":"","title":"Le projet des registres journaliers de la Comédie-Française: Les humanités numériques, dialogue entre les mondes de la recherche et de la documentation","year":2016,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.07174139854575354,"score_gpt":0.31345037625319716,"score_spread":0.24170897770744362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293637974","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09598671,0.018528378,0.07600706,0.01297773,0.00020145222,0.0005410205,0.00042580673,0.00037662726,0.7949552],"genre_scores_gemma":[0.839134,0.014399247,0.026209312,0.00017298291,0.0002598343,0.00016197057,0.0005378747,0.00010958616,0.11901519],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9410262,0.05651277,0.0007830762,0.00067508983,0.00039082824,0.000612002],"domain_scores_gemma":[0.9829244,0.013943629,0.000759652,0.0009690926,0.0010576715,0.0003455426],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.017544648,0.000566425,0.00058012205,0.0002679997,0.0022362499,0.0023178034,0.0012208106,0.0008639341,0.0012841257],"category_scores_gemma":[0.0036461472,0.0005283692,0.00045007924,0.00017673931,0.0032368507,0.00063881464,0.00047044377,0.0018474937,0.000026025005],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058012156,0.0010013549,0.0072465604,0.00035968845,0.0002461583,0.000035055476,0.18167438,0.000060559712,0.0019802472,0.77061,0.010113622,0.026614385],"study_design_scores_gemma":[0.0007656506,0.0000032163734,0.001947684,0.003429126,0.00016321865,0.000065359825,0.006692589,0.00038296613,0.006254771,0.11913081,0.8605156,0.000648993],"about_ca_topic_score_codex":0.04696524,"about_ca_topic_score_gemma":0.012352303,"teacher_disagreement_score":0.850402,"about_ca_system_score_codex":0.001036834,"about_ca_system_score_gemma":0.0012554,"threshold_uncertainty_score":0.99971676},"labels":[],"label_agreement":null},{"id":"W4293863819","doi":"","title":"\"Je suis dans une phrase qui bouge\" : les vertiges baroques d' \"Un mage en été\" d'Olivier Cadiot, mis en scène par Ludovic Lagarde (Festival d'Avignon 2010)","year":2015,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01759624177777982,"score_gpt":0.22288762681110144,"score_spread":0.20529138503332162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293863819","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3887604,0.030256795,0.0066926274,0.04666906,0.0026763973,0.0013299244,0.002069154,0.00078696705,0.5207587],"genre_scores_gemma":[0.6217165,0.0035324658,0.0055261925,0.00020789594,0.0007101745,0.00012865018,0.002075042,0.00015380161,0.36594927],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98344004,0.012004682,0.0012954494,0.0014288179,0.00088312273,0.00094790617],"domain_scores_gemma":[0.9912315,0.002417258,0.0007409622,0.0025174462,0.002325345,0.00076748896],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0053514703,0.0010023008,0.0011701959,0.00034230822,0.0019767776,0.0010674266,0.00211711,0.00065659237,0.0037854295],"category_scores_gemma":[0.001340981,0.00097461016,0.00070803426,0.00035267306,0.0014874126,0.0005649038,0.0011027519,0.0015638826,0.00047740137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017261568,0.0038351724,0.0098142475,0.0010458766,0.001107853,0.00021606703,0.48861217,0.00013976062,0.0036410622,0.35039574,0.085046604,0.05597284],"study_design_scores_gemma":[0.00077034615,0.000005714377,0.00642289,0.002305521,0.0004941704,0.000026878419,0.0030456318,0.0013790841,0.00839969,0.0035905868,0.9722909,0.0012686407],"about_ca_topic_score_codex":0.044820018,"about_ca_topic_score_gemma":0.02006401,"teacher_disagreement_score":0.8872442,"about_ca_system_score_codex":0.00065409654,"about_ca_system_score_gemma":0.00048673805,"threshold_uncertainty_score":0.99996954},"labels":[],"label_agreement":null},{"id":"W4295151716","doi":"10.4000/acrh.6862","title":"Temps, science et empire. Conceptions du temps au XVIe siècle dans les monarchies ibériques","year":2015,"lang":"fr","type":"article","venue":"L Atelier du CRH","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Empire; Monarchy; Art; Political science; Humanities; Philosophy; History; Ancient history; Politics","score_opus":0.06392425305572834,"score_gpt":0.2814386052712727,"score_spread":0.21751435221554433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295151716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42634657,0.011080397,0.0003220897,0.018460957,0.0023785364,0.00024220532,0.00036925395,0.00023158394,0.5405684],"genre_scores_gemma":[0.8889739,0.0009414207,0.00022376809,0.0007213052,0.0023155983,0.000029911846,0.00004598156,0.00003265099,0.10671549],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974457,0.00027283697,0.00051268854,0.00054725533,0.00056497264,0.00065654656],"domain_scores_gemma":[0.998317,0.00017382161,0.00015395606,0.00040019708,0.00046318877,0.00049180374],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.000690895,0.00036262046,0.00040083923,0.00021577801,0.0026670224,0.00062432466,0.00057553186,0.000108966204,0.001194257],"category_scores_gemma":[0.00018410383,0.00030663382,0.00020130636,0.0002880635,0.0049663894,0.0014920577,0.00023218186,0.00033973678,0.0006972523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003835398,0.0005196407,0.013063763,0.000089318055,0.000069561225,0.00007583005,0.33285102,0.00015472875,0.00024292838,0.6051321,0.041663434,0.0060993372],"study_design_scores_gemma":[0.0002771499,0.0002673435,0.0027789231,0.00013199884,0.00007678571,0.000026395292,0.01470799,0.0003717296,0.00017845062,0.0038434127,0.9769057,0.00043413878],"about_ca_topic_score_codex":0.019273087,"about_ca_topic_score_gemma":0.005427954,"teacher_disagreement_score":0.93524224,"about_ca_system_score_codex":0.00039321452,"about_ca_system_score_gemma":0.00061339233,"threshold_uncertainty_score":0.99993855},"labels":[],"label_agreement":null},{"id":"W4295343888","doi":"","title":"Le fonctionnement de la douleur chez Sénèque : entre physiologie médicale et éthique stoïcienne","year":2018,"lang":"fr","type":"preprint","venue":"INRIA a CCSD electronic archive server","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Philosophy; Humanities","score_opus":0.013140182474182242,"score_gpt":0.2435016505745458,"score_spread":0.23036146810036356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295343888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63808256,0.010776167,0.009517395,0.011765625,0.002590783,0.0017239421,0.0008609379,0.0006233504,0.32405925],"genre_scores_gemma":[0.9309604,0.0022802786,0.00045591738,0.0029124117,0.0035047715,0.000285698,0.0007020348,0.000106120315,0.058792327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937134,0.0024170866,0.0007869542,0.0011668,0.00038446038,0.0015313488],"domain_scores_gemma":[0.9976044,0.0007129944,0.00041818307,0.00076049136,0.0001690325,0.00033488238],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012309138,0.00077939214,0.0008441164,0.00019174788,0.0012024697,0.0003188411,0.0009124702,0.0004930636,0.0054616737],"category_scores_gemma":[0.00012261007,0.00071581756,0.0007959446,0.000114600705,0.0016290915,0.0003057038,0.0008027725,0.0027789304,0.00047997606],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003404604,0.0013119499,0.000069775655,0.00022961358,0.00078306266,0.000034423356,0.016567046,0.0004648542,0.0010197156,0.9543105,0.024077516,0.00079107744],"study_design_scores_gemma":[0.00091610284,0.0007348623,0.0006950831,0.0002235741,0.00021661323,0.000017248185,0.00056988595,0.00079331995,0.00022290817,0.19796564,0.7969734,0.0006713562],"about_ca_topic_score_codex":0.006344389,"about_ca_topic_score_gemma":0.01112875,"teacher_disagreement_score":0.7728959,"about_ca_system_score_codex":0.0009656956,"about_ca_system_score_gemma":0.002664071,"threshold_uncertainty_score":0.9995293},"labels":[],"label_agreement":null},{"id":"W4296540175","doi":"","title":"L’Attention au monde : Paysages gravés du XVIIe siècle","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.019206011440087475,"score_gpt":0.21833283674488954,"score_spread":0.19912682530480208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296540175","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13030088,0.008570369,0.010008764,0.06498531,0.0026793694,0.0007287353,0.00077756523,0.00050790876,0.7814411],"genre_scores_gemma":[0.5924219,0.0013438911,0.001584302,0.00021143346,0.00029811964,0.00013944598,0.0016308613,0.00006991677,0.40230015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.989628,0.0071244696,0.000911382,0.0010428826,0.000683424,0.0006098294],"domain_scores_gemma":[0.99440634,0.0013919832,0.0007038474,0.0018133136,0.0013668415,0.00031764832],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004066448,0.0005491539,0.0006099189,0.00026105848,0.0036260963,0.00083085266,0.0014331168,0.0002338628,0.011401202],"category_scores_gemma":[0.0005804527,0.0005789454,0.0006720113,0.0002829176,0.00085176475,0.00038118748,0.0015075394,0.0010731393,0.00033568311],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021165702,0.0013903115,0.003051911,0.00024913574,0.00021078523,0.000024285695,0.04605169,0.00008293111,0.00034601922,0.91780573,0.010616374,0.020149674],"study_design_scores_gemma":[0.0003766983,0.0000014868788,0.0073913727,0.0006944204,0.00019696652,0.000008612597,0.0012496433,0.002407139,0.0004979816,0.007702718,0.9788236,0.0006493405],"about_ca_topic_score_codex":0.023238739,"about_ca_topic_score_gemma":0.0055532963,"teacher_disagreement_score":0.96820724,"about_ca_system_score_codex":0.0005396223,"about_ca_system_score_gemma":0.0002991655,"threshold_uncertainty_score":0.9996662},"labels":[],"label_agreement":null},{"id":"W4296944095","doi":"","title":"Une « période sans nom ». Les années 1780-1820 et la fabrique de l’histoire littéraire","year":2016,"lang":"fr","type":"other","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.012602147270668855,"score_gpt":0.2197203189993985,"score_spread":0.20711817172872965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296944095","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012316739,0.010893587,0.010956414,0.039340865,0.0002927401,0.0002692187,0.00045639317,0.00028083153,0.9362783],"genre_scores_gemma":[0.064246565,0.002645808,0.0022866065,0.00044764683,0.00029793414,0.00005644979,0.0003278096,0.00019314255,0.929498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99022585,0.0072720028,0.00068692106,0.000816196,0.0003866669,0.0006123833],"domain_scores_gemma":[0.9947071,0.0020398954,0.0005651771,0.0013784799,0.0009587185,0.0003506265],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022922198,0.00062912004,0.0006687981,0.0002839363,0.0018003208,0.0006638611,0.0011291859,0.00048357816,0.01569696],"category_scores_gemma":[0.00055254257,0.0005492111,0.00048036262,0.00022617193,0.0017996874,0.0003188544,0.0002942085,0.00068933587,0.0006830225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001648648,0.00062595133,0.0004369204,0.00022576442,0.00015194967,0.000028547727,0.043047473,0.0000028584116,0.0003102685,0.82622945,0.027469799,0.10145454],"study_design_scores_gemma":[0.0003993219,0.0000014565755,0.00046636438,0.0031936185,0.00010864711,0.00001838581,0.00046934024,0.00018726138,0.00047664938,0.0034866296,0.99053687,0.0006554501],"about_ca_topic_score_codex":0.02121447,"about_ca_topic_score_gemma":0.046996005,"teacher_disagreement_score":0.96306705,"about_ca_system_score_codex":0.00030467575,"about_ca_system_score_gemma":0.00034231605,"threshold_uncertainty_score":0.99969596},"labels":[],"label_agreement":null},{"id":"W4297777865","doi":"10.3917/ls.bertr.2007.01.0254","title":"1648. Pierre Bergeron et la bibliothèque des voyages","year":2019,"lang":"fr","type":"book-chapter","venue":"Le Seuil eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cégep de Saint-Laurent","funders":"","keywords":"Art","score_opus":0.03823182151404563,"score_gpt":0.24473740354416,"score_spread":0.20650558203011435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297777865","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014243935,0.011158463,0.000062955754,0.00031943002,0.0010897893,0.0002522459,0.00031395603,0.00014883406,0.9852299],"genre_scores_gemma":[0.06371985,0.0007885228,0.00013049216,0.0009132839,0.0014265876,0.000014049013,0.00009012688,0.00014147903,0.9327756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975886,0.00019875832,0.0006388159,0.0006736176,0.0003708056,0.00052941195],"domain_scores_gemma":[0.99823844,0.00046507202,0.00030203784,0.00059045164,0.00016965813,0.00023434179],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028559973,0.0007487679,0.0008433253,0.00084319233,0.0009383871,0.0006920162,0.00043409728,0.0005120765,0.009180893],"category_scores_gemma":[0.000021819356,0.00067422586,0.0006567032,0.000037726782,0.0014440113,0.00039931992,0.00017578586,0.0009672077,0.0018209465],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041208215,0.00006645498,0.00003563487,0.00043965402,0.00031068092,0.00011800994,0.008420355,0.000009245459,0.000046429508,0.9626153,0.010531448,0.01736559],"study_design_scores_gemma":[0.00031362975,0.00022659998,0.000047210786,0.00071875856,0.00022535525,0.000023749275,0.00015793738,0.000018318402,0.000044474356,0.028620597,0.96878606,0.00081733096],"about_ca_topic_score_codex":0.0036648272,"about_ca_topic_score_gemma":0.0018263755,"teacher_disagreement_score":0.9582546,"about_ca_system_score_codex":0.00011159342,"about_ca_system_score_gemma":0.00034760014,"threshold_uncertainty_score":0.9995709},"labels":[],"label_agreement":null},{"id":"W4297806805","doi":"","title":"Réalité et imaginaire de Perpignan chez Claude Simon","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Computer science","score_opus":0.020465249666625624,"score_gpt":0.2428064232115318,"score_spread":0.22234117354490618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297806805","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021871556,0.01118085,0.009424684,0.064795785,0.0008132324,0.00041011232,0.00045164287,0.00028806968,0.89076406],"genre_scores_gemma":[0.6211265,0.0026728446,0.0053331885,0.00034357567,0.0002042532,0.0000634788,0.00051414256,0.00006840541,0.36967364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99066603,0.006533004,0.00069681625,0.0009873154,0.00046705178,0.00064975186],"domain_scores_gemma":[0.9935961,0.00096142717,0.0007323664,0.0027340243,0.0015778997,0.0003982326],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0048312843,0.00058557367,0.00063997303,0.00018025558,0.0023797506,0.0018017313,0.0020115175,0.00035600248,0.0019548559],"category_scores_gemma":[0.0006095442,0.00059618946,0.000580053,0.00009697021,0.0012526088,0.00047962868,0.0010775323,0.0011706599,0.00035733284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016718059,0.0007650025,0.0012850573,0.00035193446,0.00015762921,0.000043939675,0.06877431,0.000015742218,0.00021160561,0.8796899,0.004837163,0.043851044],"study_design_scores_gemma":[0.00032273712,6.2440387e-7,0.0028859985,0.0028171067,0.0001892796,0.000014564401,0.0005754079,0.003465552,0.0014904188,0.024423724,0.9631166,0.00069801917],"about_ca_topic_score_codex":0.017796319,"about_ca_topic_score_gemma":0.007258204,"teacher_disagreement_score":0.95827943,"about_ca_system_score_codex":0.0003189977,"about_ca_system_score_gemma":0.0003557591,"threshold_uncertainty_score":0.9996489},"labels":[],"label_agreement":null},{"id":"W4298192069","doi":"10.4000/ht.2179","title":"D’un théâtre traditionnel clos à un théâtre populaire ouvert : le cas de Haïti","year":2012,"lang":"fr","type":"article","venue":"Horizons/Théâtre","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","score_opus":0.024787166386904112,"score_gpt":0.22079827706900343,"score_spread":0.1960111106820993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298192069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51480365,0.086648665,0.0005111894,0.04306356,0.014173951,0.0012304663,0.003310304,0.0010351334,0.33522308],"genre_scores_gemma":[0.583079,0.0006884009,0.00038162566,0.0007182492,0.0076809647,0.0000758555,0.00038396427,0.00013976482,0.40685216],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99458,0.00061050255,0.0011267045,0.0009242974,0.0007112506,0.0020472868],"domain_scores_gemma":[0.9969676,0.00029682158,0.00040062194,0.00097632536,0.00021515494,0.001143487],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047432372,0.0010840055,0.0010992332,0.00034387482,0.0033976305,0.0004622104,0.00073913427,0.00062758406,0.014505205],"category_scores_gemma":[0.00008861663,0.0010285977,0.0010342998,0.00042356295,0.0008049384,0.0019721405,0.00016733864,0.0011608852,0.0015376965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001007832,0.0021706638,0.0021548923,0.00032627626,0.0005305075,0.00034731437,0.021216203,0.000017594157,0.000062930914,0.640196,0.31174055,0.021136243],"study_design_scores_gemma":[0.0008893339,0.00046859382,0.0024841721,0.000317689,0.00079236674,0.0002488852,0.006586241,0.00013831521,0.00032193944,0.005165104,0.98125076,0.0013365871],"about_ca_topic_score_codex":0.010225449,"about_ca_topic_score_gemma":0.001239048,"teacher_disagreement_score":0.66951025,"about_ca_system_score_codex":0.0006630317,"about_ca_system_score_gemma":0.00033457487,"threshold_uncertainty_score":0.99923974},"labels":[],"label_agreement":null},{"id":"W4298278052","doi":"10.4000/contextes.6145","title":"Compte rendu de Maingueneau (Dominique), Trouver sa place dans le champ littéraire. Paratopie et création","year":2022,"lang":"fr","type":"article","venue":"Contextes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.02671397080019162,"score_gpt":0.24510407871017553,"score_spread":0.21839010790998392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298278052","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20467958,0.097062,0.0037686503,0.030951599,0.0057849665,0.0007563769,0.0014076085,0.00031456808,0.6552746],"genre_scores_gemma":[0.5662415,0.00012817282,0.00006545762,0.0018418232,0.00082080485,0.0000736132,0.00010438235,0.000025397487,0.43069884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769247,0.000855763,0.00042769453,0.0003650064,0.00023499236,0.0004240938],"domain_scores_gemma":[0.9989757,0.0003551993,0.00018709821,0.0002707642,0.00006631143,0.00014494665],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005759664,0.000262373,0.00037149063,0.0000952104,0.0018748787,0.00019927941,0.00027066751,0.00007070085,0.009734334],"category_scores_gemma":[0.00005463331,0.0002745292,0.00024398243,0.0001027462,0.0003611905,0.00036761677,0.0001312504,0.0004122436,0.00018790673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013521465,0.00044767576,0.0002531955,0.00007796559,0.00013493095,0.00006547728,0.11266258,0.00031702383,0.00040579005,0.7284048,0.15053438,0.006560944],"study_design_scores_gemma":[0.0006243496,0.0002539857,0.0003471795,0.00006523907,0.00004447354,0.000017820532,0.010008206,0.0010180053,0.00020941794,0.0042940835,0.9827762,0.0003410134],"about_ca_topic_score_codex":0.0065740845,"about_ca_topic_score_gemma":0.0014817468,"teacher_disagreement_score":0.83224183,"about_ca_system_score_codex":0.0003710586,"about_ca_system_score_gemma":0.00023267571,"threshold_uncertainty_score":0.9999707},"labels":[],"label_agreement":null},{"id":"W4298339095","doi":"","title":"Un homme comme elle n’en avait jamais encore rencontré. Reprise et variation de la scène de première vue dans L’Acacia de Claude Simon","year":2015,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Philosophy","score_opus":0.022475225861270907,"score_gpt":0.24010152867317913,"score_spread":0.21762630281190823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298339095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16969192,0.006782758,0.12019551,0.031872492,0.00059130124,0.00090177887,0.0007486401,0.00052647403,0.66868913],"genre_scores_gemma":[0.8767308,0.0019649277,0.019004274,0.0004847186,0.00032170856,0.00013557138,0.0012922296,0.00010254958,0.099963225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9768106,0.019895907,0.0010038466,0.0009852606,0.0005273974,0.0007770371],"domain_scores_gemma":[0.99053335,0.0040993644,0.000870797,0.0021179793,0.0017812804,0.00059720746],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.014116259,0.0006186535,0.0007314842,0.00023840959,0.0012658862,0.001011763,0.0016366154,0.0007642561,0.0011551848],"category_scores_gemma":[0.0028671538,0.00066074275,0.00044325303,0.0002738161,0.00066693506,0.00043113795,0.0009989718,0.0016750185,0.00012845336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007447405,0.0015052973,0.009206098,0.00025319326,0.0002674651,0.000050452643,0.34320667,0.0008388607,0.0010193031,0.6239617,0.012803325,0.0068131727],"study_design_scores_gemma":[0.0010966532,0.000004837127,0.006202492,0.0021186594,0.00043646325,0.000047428417,0.00337663,0.038128622,0.0026631139,0.06357425,0.8813541,0.0009967729],"about_ca_topic_score_codex":0.024126004,"about_ca_topic_score_gemma":0.009450734,"teacher_disagreement_score":0.8685508,"about_ca_system_score_codex":0.0013004135,"about_ca_system_score_gemma":0.000841439,"threshold_uncertainty_score":0.9997579},"labels":[],"label_agreement":null},{"id":"W4298342544","doi":"10.4000/stendhal.359","title":"Le Blanc et le Noir : la gravure comme mode de (re)lecture du Rouge et le Noir dans quelques éditions d'amateur (1884-1922)","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","score_opus":0.020804614262396836,"score_gpt":0.24113708858396468,"score_spread":0.22033247432156786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298342544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019452345,0.0059278896,0.04518196,0.18067227,0.00082726794,0.00068899145,0.002814934,0.0006442218,0.7437901],"genre_scores_gemma":[0.86963904,0.002174915,0.0041734953,0.0019694096,0.00022329873,0.0002858758,0.0060260417,0.00012888365,0.115379065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98419785,0.012616217,0.0009063343,0.0010427161,0.0005557701,0.00068112306],"domain_scores_gemma":[0.99386925,0.0020307961,0.00065926684,0.0020158784,0.0010711848,0.00035362842],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0035499583,0.0006954656,0.0008008164,0.0002841998,0.003849908,0.0012052233,0.0018033027,0.00040225696,0.001758424],"category_scores_gemma":[0.00048934325,0.0007584768,0.00067761465,0.00034454884,0.00094934384,0.0005953861,0.0013918935,0.0019515915,0.00007086266],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022234275,0.002048039,0.00039769197,0.0001996861,0.00019053048,0.000027530148,0.091396384,0.0015557408,0.00025690428,0.8752268,0.02815271,0.00052575674],"study_design_scores_gemma":[0.0006802889,0.0000030560545,0.001045198,0.00074876216,0.00013696447,0.000029762978,0.0030675419,0.005550151,0.0009882328,0.0322133,0.9547344,0.0008023771],"about_ca_topic_score_codex":0.05126392,"about_ca_topic_score_gemma":0.061008696,"teacher_disagreement_score":0.9265817,"about_ca_system_score_codex":0.00033207334,"about_ca_system_score_gemma":0.0012701252,"threshold_uncertainty_score":0.9998316},"labels":[],"label_agreement":null},{"id":"W4298467134","doi":"","title":"Tout feu, tout flammes : le désir du corps féminin: in : Le Corps romanesque : images et topiques sous l’Ancien Régime. Actes du XXe colloque international de la SATOR à Montréal (1-4 juin 2006), éd. par Monique Moser-Verrey, Québec, Presses Universitaires de Laval, coll. « La République des Lettres », 2008, p. 267-283","year":2006,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009019036197980095,"score_gpt":0.19597929081854706,"score_spread":0.18696025462056698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298467134","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10569103,0.030953672,0.0049851243,0.09593237,0.00041525462,0.0011473604,0.0016255659,0.0005670178,0.7586826],"genre_scores_gemma":[0.6783656,0.015130218,0.0035368751,0.00036462452,0.00027423823,0.00012468433,0.00089085073,0.00014011045,0.3011728],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99162954,0.0050990465,0.0010189587,0.0009659145,0.00053485343,0.0007516706],"domain_scores_gemma":[0.99098533,0.005056656,0.0007708893,0.00090036326,0.0019367924,0.0003499635],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0025944945,0.0008372842,0.0009143325,0.00052908994,0.0014736471,0.0014869218,0.0015310115,0.0005994424,0.0008533587],"category_scores_gemma":[0.0015077558,0.0008971941,0.00047534253,0.00018465731,0.0020514876,0.0013053295,0.0006294893,0.00092721917,0.000030156074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002590131,0.0022390664,0.03349745,0.00032929046,0.00050106476,0.0007546698,0.02962353,0.0006024068,0.0018158505,0.59201485,0.33198535,0.006377491],"study_design_scores_gemma":[0.0010154718,0.000010689526,0.008014817,0.0014913409,0.00013202008,0.00012732198,0.0007626645,0.0011666182,0.007031358,0.0064935638,0.97280806,0.0009460598],"about_ca_topic_score_codex":0.46089816,"about_ca_topic_score_gemma":0.3600022,"teacher_disagreement_score":0.6408227,"about_ca_system_score_codex":0.001015398,"about_ca_system_score_gemma":0.0024534417,"threshold_uncertainty_score":0.9998263},"labels":[],"label_agreement":null},{"id":"W4298905316","doi":"","title":"Hubert Aquin, précurseur de la déterritorialisation de l’imaginaire québécois ?","year":2012,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014533511205320544,"score_gpt":0.2345344272032482,"score_spread":0.22000091599792768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298905316","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06922653,0.018734228,0.028062709,0.044201877,0.0042196508,0.0006896444,0.0003686259,0.0005373951,0.83395934],"genre_scores_gemma":[0.7431322,0.0021884667,0.009132567,0.0004520923,0.002167942,0.0001574757,0.0008971647,0.000114977585,0.24175714],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98537856,0.012015143,0.0007343841,0.0006995866,0.00045544803,0.0007168847],"domain_scores_gemma":[0.9939059,0.0022397407,0.0005816095,0.0014454054,0.0013725826,0.0004547389],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0064707627,0.00052495167,0.0005378493,0.0001915772,0.0012576304,0.0010843956,0.0010949082,0.00046200797,0.0017571708],"category_scores_gemma":[0.0011198809,0.00055575714,0.00045045282,0.00016928342,0.0009860117,0.00053948275,0.00052905444,0.0010318139,0.00018536627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020875294,0.0010295816,0.0027589996,0.0002717981,0.0001367854,0.00001010982,0.15001963,0.000019337473,0.0005029899,0.80761796,0.018789178,0.01882275],"study_design_scores_gemma":[0.00033855843,7.68112e-7,0.0020576024,0.0013046935,0.00023627283,0.000023523946,0.0006090042,0.0016825012,0.0017339333,0.008895925,0.98253816,0.00057906576],"about_ca_topic_score_codex":0.102615155,"about_ca_topic_score_gemma":0.011710451,"teacher_disagreement_score":0.963749,"about_ca_system_score_codex":0.0006871944,"about_ca_system_score_gemma":0.0006476579,"threshold_uncertainty_score":0.99995255},"labels":[],"label_agreement":null},{"id":"W4299164469","doi":"","title":"L’évolution du personnage féminin dans l’imaginaire des dramaturges québécoises","year":2010,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.15380219302411738,"score_gpt":0.4507314872543365,"score_spread":0.2969292942302191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299164469","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.845683,0.006360486,0.000058057307,0.0003953228,0.0016331737,0.00019671084,0.000077323464,0.00009204488,0.14550392],"genre_scores_gemma":[0.98827004,0.0016997015,0.00011338704,0.00028547941,0.0013746214,0.000028190056,0.000021719488,0.00004537383,0.008161485],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785864,0.00017224147,0.0006578306,0.0004051821,0.000496108,0.00040999998],"domain_scores_gemma":[0.99818224,0.00026305247,0.0005010269,0.00039396522,0.0003741877,0.0002855515],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005702734,0.00035187413,0.0006296166,0.0005660923,0.0012113627,0.0021727597,0.0018009337,0.00009149328,0.037560247],"category_scores_gemma":[0.00029704493,0.00028204982,0.00030935783,0.00030056934,0.0009800673,0.004318534,0.00033053706,0.0005727133,0.000060228358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027628944,0.0011754778,0.5224341,0.00032000378,0.00045912195,0.0001872928,0.04765614,0.00001666113,0.08384407,0.034547642,0.2793688,0.029714387],"study_design_scores_gemma":[0.0003174858,0.000022146973,0.23725465,0.00025588775,0.0001781879,0.000029047493,0.0017659788,0.0000711917,0.0024073068,0.011482473,0.74559015,0.0006254623],"about_ca_topic_score_codex":0.015867576,"about_ca_topic_score_gemma":0.007273682,"teacher_disagreement_score":0.4662214,"about_ca_system_score_codex":0.00008575708,"about_ca_system_score_gemma":0.000105925195,"threshold_uncertainty_score":0.99996316},"labels":[],"label_agreement":null},{"id":"W4299492969","doi":"10.4000/transalpina.3278","title":"La littérature enfantine italienne dans la France de la Troisième République : De Amicis, Salgari, Collodi","year":2005,"lang":"fr","type":"article","venue":"Transalpina","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Society for Italian Studies","funders":"","keywords":"Humanities; Art","score_opus":0.005322348111691692,"score_gpt":0.22134958149445233,"score_spread":0.21602723338276064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299492969","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14370666,0.116604865,0.006396592,0.013739041,0.0006287594,0.00033913628,0.00082869636,0.00046241822,0.71729386],"genre_scores_gemma":[0.766898,0.004950016,0.0010169919,0.0010375178,0.00175906,0.000031509357,0.000057304987,0.00007913587,0.2241705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974124,0.0007437643,0.00047158328,0.0003951587,0.0002241015,0.0007530109],"domain_scores_gemma":[0.9988323,0.00040521412,0.00008472135,0.00030470986,0.000069319925,0.00030376474],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060346164,0.00043710857,0.0005018873,0.00012479274,0.00045340072,0.00042632705,0.00039915243,0.000518945,0.0013824527],"category_scores_gemma":[0.000024990955,0.00041883913,0.00036356336,0.00024170103,0.0010229651,0.0005298281,0.000015237354,0.0009738411,0.00008771844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011425238,0.0008408538,0.00035651703,0.00043102598,0.00020564267,0.00035454205,0.08010826,0.00026157504,0.0014148881,0.8794597,0.020037115,0.01641566],"study_design_scores_gemma":[0.0007521501,0.00015290851,0.0010215631,0.00023865771,0.00020570299,0.0001571617,0.00066346664,0.00082439446,0.00038503375,0.0026730532,0.99241066,0.0005152729],"about_ca_topic_score_codex":0.0010867693,"about_ca_topic_score_gemma":0.0008262311,"teacher_disagreement_score":0.97237355,"about_ca_system_score_codex":0.00019640553,"about_ca_system_score_gemma":0.00021079183,"threshold_uncertainty_score":0.9998264},"labels":[],"label_agreement":null},{"id":"W4299531345","doi":"10.4000/contextes.5870","title":"Compte rendu de Moretti (Franco), Distant Reading","year":2022,"lang":"fr","type":"article","venue":"Contextes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Reading (process); Art; Linguistics; Philosophy","score_opus":0.029665107455956824,"score_gpt":0.24016891692220332,"score_spread":0.2105038094662465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299531345","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06190722,0.3600854,0.00053933484,0.016980255,0.0116818,0.00037459374,0.0018543208,0.0002938137,0.54628325],"genre_scores_gemma":[0.6029503,0.00013111952,0.000035541812,0.0010694372,0.0010573436,0.000031744465,0.000048519592,0.000021463511,0.39465454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984455,0.00026606204,0.0003433669,0.00029301678,0.00022499096,0.00042705616],"domain_scores_gemma":[0.9991895,0.00025370478,0.00011827186,0.00024185237,0.000049845265,0.00014685924],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028035895,0.00020359994,0.000319832,0.00008052154,0.0020080588,0.0001733644,0.00027068146,0.000035908422,0.028707188],"category_scores_gemma":[0.000043270127,0.00020253802,0.00022165378,0.000095533054,0.00037803405,0.0002156513,0.00013337721,0.0004069287,0.00017403589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005908397,0.00020942406,0.00041064384,0.00007966244,0.00010126072,0.00017448873,0.03448085,0.000043981396,0.00012508492,0.75747323,0.19136146,0.015480803],"study_design_scores_gemma":[0.0002452185,0.00019378019,0.00010418925,0.00006902082,0.00009493036,0.000019228522,0.0041773026,0.0008678311,0.000031225463,0.0077149696,0.98620325,0.00027906505],"about_ca_topic_score_codex":0.0030706334,"about_ca_topic_score_gemma":0.00015513171,"teacher_disagreement_score":0.79484177,"about_ca_system_score_codex":0.00029647336,"about_ca_system_score_gemma":0.000057452737,"threshold_uncertainty_score":0.9992912},"labels":[],"label_agreement":null},{"id":"W4299616592","doi":"","title":"Voie négative et théâtre contemporain","year":2015,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Computer science; Art","score_opus":0.036658348796960186,"score_gpt":0.2468163984633106,"score_spread":0.21015804966635043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299616592","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01267432,0.009203224,0.007972221,0.06103535,0.000926144,0.00051673315,0.0007901811,0.0002530413,0.9066288],"genre_scores_gemma":[0.23597257,0.00067901524,0.004064415,0.00053941377,0.00020550066,0.000078211044,0.001537265,0.00006896962,0.75685465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9857344,0.01135694,0.00088545424,0.0009504384,0.0005884493,0.0004842929],"domain_scores_gemma":[0.99081475,0.0021463616,0.0007772102,0.0017001309,0.004122005,0.00043954724],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.006828402,0.00059271575,0.00075297564,0.00020081874,0.001013575,0.00095954037,0.0012419553,0.00033838738,0.0028150077],"category_scores_gemma":[0.0014708464,0.0005728909,0.00046959633,0.00021078414,0.0011043624,0.0004488468,0.0009783657,0.001113468,0.0005788169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020609348,0.0007037637,0.00017265716,0.00012538386,0.00017578936,0.000015431011,0.108426884,0.000020498635,0.000047841186,0.8335865,0.051006794,0.0056978096],"study_design_scores_gemma":[0.00047265555,0.0000012006468,0.00017538444,0.0017728708,0.00011143595,0.0000058662854,0.0013405071,0.0018273151,0.00057326036,0.025672033,0.9674372,0.0006102343],"about_ca_topic_score_codex":0.017381173,"about_ca_topic_score_gemma":0.009698473,"teacher_disagreement_score":0.9164304,"about_ca_system_score_codex":0.0003126985,"about_ca_system_score_gemma":0.00057729095,"threshold_uncertainty_score":0.99967223},"labels":[],"label_agreement":null},{"id":"W4299707693","doi":"","title":"LE PROJET LUNGTA, MUSIQUE VISUELLE PHYSIQUE","year":2015,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Computer science","score_opus":0.02389769956266519,"score_gpt":0.22975263690521636,"score_spread":0.20585493734255117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299707693","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017447924,0.0074388087,0.011359971,0.043678522,0.0013866719,0.0008254131,0.0003340207,0.00038613906,0.9171425],"genre_scores_gemma":[0.36918733,0.00091686123,0.005216864,0.00045777005,0.00043041437,0.00017065764,0.0012381078,0.00010474994,0.62227726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9886552,0.008069014,0.00093756814,0.001133058,0.00057623954,0.00062893756],"domain_scores_gemma":[0.991726,0.0010101332,0.000712401,0.002122343,0.0039653266,0.00046383252],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004506247,0.00065763044,0.0008033529,0.00023389293,0.0014923231,0.0009407812,0.0015164503,0.00042638916,0.0015723206],"category_scores_gemma":[0.00070272863,0.0006819676,0.00054611906,0.00027550588,0.0009951262,0.00048509467,0.0012145472,0.001149141,0.0005745389],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021549737,0.0014511073,0.000117070165,0.00029716134,0.00016786663,0.000013823082,0.06662804,0.000040171748,0.00025403526,0.8739527,0.045082208,0.011974255],"study_design_scores_gemma":[0.00047501927,0.0000013732536,0.00014033706,0.0013474086,0.00011528632,0.00000856129,0.00081126683,0.002686754,0.0020515008,0.017197857,0.9744138,0.00075083284],"about_ca_topic_score_codex":0.030742632,"about_ca_topic_score_gemma":0.018532341,"teacher_disagreement_score":0.9293316,"about_ca_system_score_codex":0.00030250222,"about_ca_system_score_gemma":0.0010991716,"threshold_uncertainty_score":0.9998076},"labels":[],"label_agreement":null},{"id":"W4299794249","doi":"10.25145/j.cedille.2023.23.01","title":"Presentación del nº 23 de Çédille","year":2023,"lang":"es","type":"article","venue":"Çédille","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universidad de Salamanca; Fundación Española para la Ciencia y la Tecnología; Universidad de Almería; Universidad de Cádiz; Universitat Politècnica de València; Universidad de Valladolid; Universitat Autònoma de Barcelona; Universidade do Porto; Universidad de Granada; Universidad de Alcalá; Centre National de la Recherche Scientifique; Université de Montréal; Universidad Autónoma de Madrid; Sorbonne Université; Universitat de Lleida; Université de Strasbourg; Universitat de València; Universität Innsbruck; Universidad de Málaga; Euskal Herriko Unibertsitatea; Universidad de La Laguna; University of Leeds; Universidad de Sevilla; Universidad de Alicante; Universidad de Murcia","keywords":"Humanities; Philosophy","score_opus":0.03721204958566866,"score_gpt":0.26497428817684826,"score_spread":0.2277622385911796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299794249","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29293784,0.006207449,0.000035476587,0.004143649,0.0023334334,0.00035040703,0.0004837163,0.00078298885,0.692725],"genre_scores_gemma":[0.5862764,0.00041875613,0.000026471645,0.0005078654,0.001961783,0.00002948205,0.00012965142,0.000043281874,0.4106063],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980729,0.0001280484,0.0003881018,0.00040494878,0.0003272581,0.00067870494],"domain_scores_gemma":[0.9989959,0.00019250585,0.000097470474,0.00038949944,0.000082541694,0.00024209707],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021732973,0.00028908192,0.00037156104,0.00024919515,0.00095818134,0.0004528676,0.00034118764,0.00012652997,0.009581782],"category_scores_gemma":[0.000063201456,0.00025027743,0.00031052975,0.00023182888,0.0002172926,0.0003076971,0.00017178593,0.0002595296,0.0091292905],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047523987,0.00021097536,0.0022819901,0.00019740331,0.00018556014,0.00016907972,0.017390674,0.000064962784,0.00015409668,0.24160291,0.7345703,0.003124521],"study_design_scores_gemma":[0.00029122614,0.00011807041,0.000992256,0.00007379192,0.0000905207,0.0000047368676,0.0015165786,0.0012051396,0.0000907004,0.0020419394,0.99322224,0.0003528303],"about_ca_topic_score_codex":0.0011397819,"about_ca_topic_score_gemma":0.000070641516,"teacher_disagreement_score":0.29333857,"about_ca_system_score_codex":0.00009197928,"about_ca_system_score_gemma":0.00007536997,"threshold_uncertainty_score":0.99999493},"labels":[],"label_agreement":null},{"id":"W4299817024","doi":"10.4000/ht.2135","title":"Théâtre populaire ivoirien : les Guignols d’Abidjan et les scènes de la violence politique","year":2012,"lang":"fr","type":"article","venue":"Horizons/Théâtre","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.02479637798260098,"score_gpt":0.2774610629713951,"score_spread":0.25266468498879413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299817024","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49763286,0.0931645,0.0002407618,0.019596528,0.0027718411,0.00051763374,0.0011161953,0.0005292135,0.38443047],"genre_scores_gemma":[0.7453166,0.0027440544,0.0003736102,0.0005552101,0.004333844,0.000057719415,0.0001118054,0.000093886156,0.24641322],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99551195,0.001311698,0.0007200765,0.00059688796,0.0004389995,0.0014203775],"domain_scores_gemma":[0.99756813,0.0006410561,0.0002708247,0.00062417466,0.0002262796,0.00066952035],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007995643,0.00071949535,0.00070276385,0.00025075945,0.0017408285,0.00048534793,0.0005862916,0.0006004448,0.0050625275],"category_scores_gemma":[0.0002533234,0.0006492255,0.0005299785,0.00021374204,0.0013755517,0.0012092453,0.00020301444,0.0010372095,0.00041763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004024009,0.00067183934,0.016372778,0.000307632,0.00014101206,0.00008648369,0.011530506,0.0000104785095,0.00006454695,0.8834453,0.06340065,0.023928497],"study_design_scores_gemma":[0.0002592342,0.0002657878,0.004657442,0.0009595262,0.0002706072,0.00009631134,0.005128664,0.000023990613,0.00016557748,0.008635258,0.9787056,0.0008320299],"about_ca_topic_score_codex":0.024694711,"about_ca_topic_score_gemma":0.0011549701,"teacher_disagreement_score":0.9153049,"about_ca_system_score_codex":0.00029328975,"about_ca_system_score_gemma":0.00021519179,"threshold_uncertainty_score":0.9995959},"labels":[],"label_agreement":null},{"id":"W4299906459","doi":"","title":"La dive bouteille: voyages, alcools et remèdes dans les deux hémisphères XVIe-XXe siècle","year":2001,"lang":"fr","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03171152811295659,"score_gpt":0.25178118488455803,"score_spread":0.22006965677160145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299906459","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042880185,0.018219393,0.0019820086,0.05102391,0.0029783936,0.0006626174,0.0006865194,0.000657035,0.8809099],"genre_scores_gemma":[0.94005615,0.0038081352,0.0009624424,0.0006861927,0.002680586,0.00016319998,0.0005001888,0.00012545742,0.051017668],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993465,0.0015183615,0.0013087475,0.0012494097,0.0011249421,0.0013335545],"domain_scores_gemma":[0.9960684,0.00089488097,0.0006068078,0.000881256,0.00065848156,0.0008901453],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010126228,0.0009812067,0.0009684343,0.00052222406,0.0031785686,0.0012145281,0.0010522704,0.0009080206,0.0011329987],"category_scores_gemma":[0.0006589053,0.00092210766,0.0007063757,0.0006116448,0.00027982792,0.0014080497,0.00041928477,0.0014917544,0.00012743617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029385168,0.0014054704,0.0008924498,0.00021601799,0.0004811017,0.0012589309,0.0233466,0.00012571209,0.00041201437,0.9467216,0.017211363,0.007634883],"study_design_scores_gemma":[0.001086389,0.00020277602,0.0035514792,0.0005323085,0.00035248077,0.0015880672,0.003000512,0.00029057616,0.00014124175,0.0011733988,0.9869928,0.001087986],"about_ca_topic_score_codex":0.00017870794,"about_ca_topic_score_gemma":0.0038769415,"teacher_disagreement_score":0.9697814,"about_ca_system_score_codex":0.0009768651,"about_ca_system_score_gemma":0.00064001605,"threshold_uncertainty_score":0.9998223},"labels":[],"label_agreement":null},{"id":"W4299912321","doi":"","title":"« Comment obtenir une pièce à la fois réaliste et stylisée, c’est la question que je me pose chaque fois » — Interview with Suzie Bastien, Quebec Playwright from Canada","year":2014,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.1175260970275883,"score_gpt":0.4277249091390734,"score_spread":0.3101988121114851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299912321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37474254,0.25326985,0.0032976114,0.10411334,0.008719189,0.0025338305,0.0064691803,0.00026709936,0.24658737],"genre_scores_gemma":[0.9443953,0.013110166,0.00026205933,0.008688424,0.0015242035,0.00009830899,0.0004720043,0.00017166624,0.03127785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99214786,0.0037092408,0.0015778382,0.00081130926,0.0010676018,0.00068615197],"domain_scores_gemma":[0.994352,0.0021281894,0.0014318221,0.0007749183,0.00061346154,0.0006996288],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00218679,0.0008614186,0.0016679439,0.00047498514,0.0009115157,0.003213061,0.002324553,0.00023918455,0.018207464],"category_scores_gemma":[0.00020414688,0.0006887553,0.00034982734,0.0005090111,0.00068537146,0.003630754,0.00066253624,0.0011174204,0.00002816657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008396017,0.0022550423,0.015229483,0.001052792,0.001982457,0.0007559366,0.010715248,0.00035751183,0.0005956584,0.19796504,0.7352396,0.03301162],"study_design_scores_gemma":[0.0009681903,0.000073870935,0.017414788,0.003971405,0.00056067697,0.000035154913,0.0004943926,0.00020515613,0.00039423368,0.004333772,0.97060716,0.00094118685],"about_ca_topic_score_codex":0.98194903,"about_ca_topic_score_gemma":0.9616191,"teacher_disagreement_score":0.5696528,"about_ca_system_score_codex":0.0008067978,"about_ca_system_score_gemma":0.0009402151,"threshold_uncertainty_score":0.99955636},"labels":[],"label_agreement":null},{"id":"W4300020787","doi":"","title":"\"Littéraire, c'est-à-dire humain\" : les auteurs du XVIIe siècle dans l'Aventure de Prométhée","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.0175955064247719,"score_gpt":0.2149649152814444,"score_spread":0.1973694088566725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300020787","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12264155,0.007969804,0.01535003,0.03603015,0.0017079524,0.00089886965,0.0007068846,0.0006804646,0.8140143],"genre_scores_gemma":[0.57912093,0.0017807895,0.0080905175,0.00036394587,0.0011569534,0.00016523073,0.0012090408,0.00014777508,0.4079648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98967665,0.006641505,0.0009916928,0.0012261526,0.0006179562,0.0008460392],"domain_scores_gemma":[0.9930572,0.0011319219,0.0007583239,0.0021679273,0.00238724,0.0004973665],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003917857,0.0007496295,0.00075284817,0.0002518536,0.0035068118,0.0010736445,0.0018930879,0.00055581395,0.0036803924],"category_scores_gemma":[0.00095432927,0.00074421044,0.0006838675,0.00030847767,0.0021629138,0.00038179907,0.0011284666,0.0011703703,0.0003449449],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028968781,0.0014541264,0.0027325018,0.00041355836,0.0002579209,0.000037810205,0.10562865,0.000032858807,0.00027243988,0.8449258,0.019970547,0.024244776],"study_design_scores_gemma":[0.0004073651,0.0000032136095,0.0041372604,0.0022265927,0.00023712842,0.000025898298,0.001087638,0.0033032899,0.0020435464,0.010760743,0.9749391,0.0008282455],"about_ca_topic_score_codex":0.018891143,"about_ca_topic_score_gemma":0.014999352,"teacher_disagreement_score":0.9549685,"about_ca_system_score_codex":0.000515749,"about_ca_system_score_gemma":0.00047105757,"threshold_uncertainty_score":0.99996334},"labels":[],"label_agreement":null},{"id":"W4300070536","doi":"","title":"Une mémoire qui hume : le sens des odeurs chez Claude Simon","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.028622203692865278,"score_gpt":0.23764947609576764,"score_spread":0.20902727240290236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300070536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08241311,0.012398564,0.010863936,0.04376017,0.0014075835,0.0005335858,0.00045062654,0.00039178712,0.84778064],"genre_scores_gemma":[0.58817506,0.0013495532,0.0031390763,0.00010035199,0.00033689057,0.00004151385,0.00065558485,0.000068028254,0.40613395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991943,0.004842347,0.000872634,0.0011080713,0.0005295059,0.0007044661],"domain_scores_gemma":[0.9924234,0.0011068262,0.0009275969,0.002918853,0.0022192237,0.00040411428],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0033228607,0.0006626869,0.0007938588,0.00019846456,0.00454761,0.0016730515,0.0019607912,0.00042643736,0.0011017247],"category_scores_gemma":[0.00089753215,0.00067836785,0.000603868,0.0001713675,0.0024941857,0.0005660293,0.0011095066,0.0010995076,0.00036954897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024294084,0.0012279808,0.0013660513,0.00041343144,0.00023710754,0.000035683206,0.07927619,0.000075515934,0.00061243214,0.8692072,0.005597319,0.041926816],"study_design_scores_gemma":[0.00038068218,0.000001216229,0.0016879454,0.002276713,0.00018757941,0.000008822791,0.0015206742,0.0039133113,0.002922763,0.021354178,0.96492004,0.00082605006],"about_ca_topic_score_codex":0.07035427,"about_ca_topic_score_gemma":0.041676294,"teacher_disagreement_score":0.95932275,"about_ca_system_score_codex":0.00034168622,"about_ca_system_score_gemma":0.00041593506,"threshold_uncertainty_score":0.9998114},"labels":[],"label_agreement":null},{"id":"W4300132259","doi":"","title":"L’ombre des contes dans Les Fous de Bassan d’Anne Hébert","year":2018,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Sociology; Humanities","score_opus":0.024852698485099467,"score_gpt":0.2239202901732878,"score_spread":0.19906759168818833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300132259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14704086,0.018318178,0.021738505,0.014604585,0.00052993046,0.00018653697,0.0001680662,0.0002101397,0.7972032],"genre_scores_gemma":[0.6031747,0.00050351623,0.003832292,0.00017304443,0.00025694328,0.000014067498,0.00007737021,0.000031595417,0.39193648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948733,0.0034394641,0.00045141886,0.000452379,0.0002498055,0.0005336645],"domain_scores_gemma":[0.9956475,0.0012349848,0.00021831779,0.0008401017,0.001779692,0.0002794384],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020551728,0.00029172693,0.00031136238,0.000118514305,0.002199035,0.0005546763,0.00068196113,0.00015346138,0.0042325514],"category_scores_gemma":[0.0007895666,0.00028670693,0.0002339233,0.00021780489,0.002430204,0.0003992869,0.00019056785,0.00030253828,0.0002887064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019406134,0.0007928982,0.0030390362,0.00012641003,0.00011163773,0.000013336689,0.16906855,0.0000018509463,0.0017971634,0.74327505,0.016708154,0.065046504],"study_design_scores_gemma":[0.0003220892,0.0000032871112,0.0013454017,0.0009862813,0.000095162875,0.00001880268,0.0018457342,0.0021029075,0.00919005,0.005109822,0.9786276,0.00035281107],"about_ca_topic_score_codex":0.024079097,"about_ca_topic_score_gemma":0.028485103,"teacher_disagreement_score":0.9619195,"about_ca_system_score_codex":0.00020880756,"about_ca_system_score_gemma":0.00014764325,"threshold_uncertainty_score":0.9999585},"labels":[],"label_agreement":null},{"id":"W4300162751","doi":"10.7202/1090081ar","title":"Aimer la vertu, de l’amour à l’honnête amitié. « Celion et Bellinde », une histoire de L’Astrée","year":2022,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.01984367919999502,"score_gpt":0.24317708317639156,"score_spread":0.22333340397639653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300162751","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.355256,0.08844597,0.0005587619,0.04153651,0.007844471,0.00058372103,0.00090041896,0.0008018133,0.50407237],"genre_scores_gemma":[0.7566099,0.0007014653,0.00043079854,0.0018569177,0.0016938667,0.00009616258,0.00012096496,0.000054555214,0.23843536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968965,0.00088617904,0.0004771594,0.0005147052,0.0004051086,0.0008203446],"domain_scores_gemma":[0.9986717,0.0003226934,0.00020045947,0.00037157765,0.000116628275,0.00031690914],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006583434,0.00043875488,0.00047882012,0.00016547265,0.002173473,0.0002263159,0.00045045707,0.00016442248,0.0040359255],"category_scores_gemma":[0.00005224894,0.00045756242,0.00034891846,0.00020605243,0.00057042413,0.0005043782,0.00025117834,0.0008319535,0.000036301015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001036533,0.0005716375,0.0010924219,0.00016864699,0.00011680972,0.00034701606,0.044085447,0.00018339005,0.00025845304,0.9215333,0.027375069,0.004164189],"study_design_scores_gemma":[0.00032770485,0.00043500404,0.00026987534,0.00008537509,0.00018602968,0.000094108196,0.0039652344,0.00018834081,0.00021368034,0.013462972,0.98022604,0.00054564147],"about_ca_topic_score_codex":0.011839099,"about_ca_topic_score_gemma":0.0013054572,"teacher_disagreement_score":0.95285094,"about_ca_system_score_codex":0.0010932435,"about_ca_system_score_gemma":0.0003261387,"threshold_uncertainty_score":0.9997876},"labels":[],"label_agreement":null},{"id":"W4300174650","doi":"10.4000/contextes.172","title":"Compte rendu de Yanoshevsky (Galia), Les discours du Nouveau Roman. Essais, entretiens, débats","year":2022,"lang":"fr","type":"article","venue":"Contextes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","score_opus":0.02198497314565414,"score_gpt":0.23254590814549647,"score_spread":0.21056093499984233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300174650","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2926228,0.36442146,0.00023188151,0.07874239,0.012154511,0.000723773,0.0036434238,0.00046510797,0.24699463],"genre_scores_gemma":[0.731399,0.00056720286,0.000029990028,0.0008563596,0.0015956248,0.000052053696,0.00015246155,0.000038136583,0.26530915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732214,0.00053321663,0.00054749637,0.0004955479,0.00041768135,0.00068394095],"domain_scores_gemma":[0.9986733,0.00036530846,0.00022828038,0.00037784385,0.00010307648,0.0002521566],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032304073,0.00039501392,0.00053194317,0.00013387325,0.0029671944,0.0003351866,0.0005271673,0.00008315671,0.042599842],"category_scores_gemma":[0.000076423436,0.0003853889,0.00038886696,0.00012350193,0.0007740422,0.00038408718,0.0002869088,0.0005711521,0.00024882783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008943996,0.0006720734,0.0028645427,0.00010810237,0.00020276803,0.0002281787,0.052496754,0.00008495809,0.00006251463,0.5430985,0.38955396,0.010538183],"study_design_scores_gemma":[0.0004958789,0.00034966017,0.00068982283,0.00009982895,0.00022206681,0.000031296768,0.010865799,0.00048476193,0.000035184312,0.0038033458,0.98242044,0.0005018842],"about_ca_topic_score_codex":0.010036651,"about_ca_topic_score_gemma":0.0008767036,"teacher_disagreement_score":0.5928665,"about_ca_system_score_codex":0.00036305148,"about_ca_system_score_gemma":0.00011553159,"threshold_uncertainty_score":0.9998598},"labels":[],"label_agreement":null},{"id":"W4300306954","doi":"","title":"« Les discours du corps au XVIIIe siècle : littérature-philosophie-histoire-science », sous la direction d’Hélène Cussac, Anne Deneys-Tunney et Catriona Seth, Québec, Presses Universitaires de Laval, 2009, 358 p.","year":2009,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012802453358860271,"score_gpt":0.21722585728266505,"score_spread":0.2044234039238048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300306954","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06667483,0.07959932,0.00952042,0.3488513,0.0016506674,0.0010300087,0.0010985194,0.0008267153,0.49074823],"genre_scores_gemma":[0.9291782,0.010413349,0.002192985,0.0002654289,0.0004312857,0.00004213319,0.0007445152,0.00007861722,0.05665349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99012524,0.00589742,0.00084564957,0.0013752172,0.0008896915,0.00086678006],"domain_scores_gemma":[0.992611,0.0018085138,0.000890829,0.0016886578,0.0023968313,0.0006041661],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0045069624,0.00077710033,0.0007950705,0.0005227282,0.0067457785,0.0011986636,0.0019631453,0.00046490214,0.0006111822],"category_scores_gemma":[0.001292508,0.0007772761,0.0005435435,0.000674439,0.0044425013,0.0010059429,0.00083560986,0.0013216771,0.00006784454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015005977,0.0026504414,0.0017689208,0.00033172988,0.00024466778,0.00010289582,0.06433911,0.001072215,0.0013961944,0.8225517,0.029037187,0.07635487],"study_design_scores_gemma":[0.000660268,0.000009127014,0.009559137,0.0020994986,0.00044261775,0.00007723466,0.0013818941,0.002291002,0.0024762915,0.0155555885,0.9642316,0.0012157314],"about_ca_topic_score_codex":0.22081174,"about_ca_topic_score_gemma":0.095375314,"teacher_disagreement_score":0.93519443,"about_ca_system_score_codex":0.001403215,"about_ca_system_score_gemma":0.002122058,"threshold_uncertainty_score":0.9998382},"labels":[],"label_agreement":null},{"id":"W4300428830","doi":"","title":"Venise et ses mythes au XIXe siècle : l’insurrection de 1848-49 vue par Enrico Castelnuovo","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.024973680673813753,"score_gpt":0.23940541828591452,"score_spread":0.21443173761210077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300428830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18571575,0.0069693713,0.008269576,0.029132662,0.0024387836,0.0005940192,0.0005201063,0.00037379863,0.7659859],"genre_scores_gemma":[0.7569088,0.0017703293,0.0018252048,0.00017588401,0.00036767946,0.000083443745,0.0004486772,0.000068941576,0.23835108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9903806,0.0067186384,0.00078223716,0.00095661636,0.00046977066,0.00069212954],"domain_scores_gemma":[0.99307096,0.0017259096,0.00094323483,0.0022686932,0.001596533,0.0003946814],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004470793,0.00059413275,0.0006965612,0.00023766073,0.0037505818,0.0015740561,0.0014152768,0.0003852241,0.0013718549],"category_scores_gemma":[0.0013752559,0.0006125829,0.0005580081,0.00013370842,0.0011309914,0.0005731373,0.0008278546,0.0010399653,0.00042064002],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006433678,0.0021431383,0.006174903,0.0005648288,0.0003825635,0.000048625257,0.23736463,0.00016250498,0.0006444171,0.6675112,0.007426143,0.077512674],"study_design_scores_gemma":[0.0003791973,0.0000022946328,0.005369961,0.001934417,0.00020126761,0.00002483892,0.0006229839,0.002065325,0.0032135502,0.006831377,0.978659,0.0006958034],"about_ca_topic_score_codex":0.0473006,"about_ca_topic_score_gemma":0.021991914,"teacher_disagreement_score":0.97123283,"about_ca_system_score_codex":0.0005267526,"about_ca_system_score_gemma":0.0006506426,"threshold_uncertainty_score":0.99963254},"labels":[],"label_agreement":null},{"id":"W4300790921","doi":"10.4000/agon.1049","title":"Dramaturges et dramaturgie","year":2022,"lang":"fr","type":"article","venue":"Agôn Revue des arts de la scène","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cégep de Rivière-du-Loup","funders":"","keywords":"Art; Humanities","score_opus":0.03384456476502397,"score_gpt":0.2629492609279583,"score_spread":0.22910469616293433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300790921","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084125794,0.10798678,0.00011169606,0.025195604,0.004520079,0.0002895394,0.0006466869,0.00027809676,0.77684575],"genre_scores_gemma":[0.54085934,0.0016035913,0.0005619215,0.003232209,0.0017695279,0.0000830562,0.00012015808,0.00006361518,0.45170656],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99763215,0.00071393803,0.0004097394,0.00039498883,0.00025756407,0.0005916233],"domain_scores_gemma":[0.99861205,0.00056618726,0.00015941875,0.00036865345,0.00006681366,0.00022688894],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007214599,0.0002972835,0.0003950269,0.0001539759,0.0019434952,0.00054072647,0.00035598408,0.0001033235,0.023178179],"category_scores_gemma":[0.00007984613,0.0003107034,0.00034526337,0.00018037495,0.00075754256,0.00044662887,0.00025102767,0.00085815747,0.0002445814],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048937425,0.0004855613,0.00014216188,0.00027608685,0.00012799155,0.0008677921,0.053208653,0.00049201975,0.000049863676,0.8009914,0.13252258,0.0107869385],"study_design_scores_gemma":[0.00025327958,0.00016787901,0.00023585277,0.00013675007,0.000106301995,0.0003775842,0.0015710612,0.00037409077,0.000014000421,0.02240689,0.9739646,0.0003917603],"about_ca_topic_score_codex":0.0011726267,"about_ca_topic_score_gemma":0.0001112779,"teacher_disagreement_score":0.841442,"about_ca_system_score_codex":0.00030955818,"about_ca_system_score_gemma":0.00008581255,"threshold_uncertainty_score":0.9999345},"labels":[],"label_agreement":null},{"id":"W4300913127","doi":"","title":"Le corps dans l'histoire et les histoires du corps, XVIIe-XVIIIe siècle : travaux de jeunes chercheurs précédés d'entretiens avec Georges Vigarello / sous la direction de Mickaël Bouffard, Jean-Alexandre Perras et Érika Wicky","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.016531428192177167,"score_gpt":0.2167201021701175,"score_spread":0.20018867397794032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300913127","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5453558,0.03897669,0.013611424,0.09415303,0.0019948685,0.0014091718,0.0009181247,0.0011180383,0.30246285],"genre_scores_gemma":[0.68541497,0.007553093,0.0021581552,0.00034944896,0.00020418155,0.00018454842,0.001111138,0.00017277028,0.30285168],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9828818,0.012697766,0.0012285745,0.0014418393,0.0006861515,0.0010638619],"domain_scores_gemma":[0.99094266,0.0034291842,0.0010857646,0.0017706959,0.002146048,0.0006256523],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0042934883,0.0010290124,0.001060929,0.00035503675,0.0042931745,0.0013134084,0.0015650317,0.00084157725,0.0014918206],"category_scores_gemma":[0.0017768049,0.0011026498,0.00083157374,0.00027372176,0.0033712948,0.0006165205,0.0007499519,0.0020143322,0.0001254457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010430749,0.0029135959,0.005484607,0.00059482304,0.0004545039,0.00008832434,0.30412075,0.0004870762,0.0046593742,0.634085,0.026355792,0.020651812],"study_design_scores_gemma":[0.00085439236,0.000008898099,0.007910722,0.0020727282,0.00040697688,0.00012478711,0.0061542266,0.005651963,0.0029317513,0.0046650628,0.9678496,0.001368904],"about_ca_topic_score_codex":0.13251919,"about_ca_topic_score_gemma":0.0554406,"teacher_disagreement_score":0.9414938,"about_ca_system_score_codex":0.00089218264,"about_ca_system_score_gemma":0.0010758949,"threshold_uncertainty_score":0.9997233},"labels":[],"label_agreement":null},{"id":"W4300937052","doi":"","title":"Homère et Giovanni Pascoli","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.02053956933915325,"score_gpt":0.2262278903412968,"score_spread":0.20568832100214357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300937052","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020846386,0.009203398,0.03212429,0.059005633,0.0014751306,0.00049491413,0.000347253,0.00036084323,0.87614214],"genre_scores_gemma":[0.45422876,0.0013752345,0.0062618856,0.0008390276,0.0003448811,0.00008015223,0.00094603637,0.000080720514,0.5358433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.987792,0.009237736,0.0008715657,0.0009986543,0.00054038235,0.00055966544],"domain_scores_gemma":[0.99260587,0.0020123955,0.00064450805,0.0021586895,0.0022183212,0.0003602304],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0048426334,0.0005883536,0.0007311007,0.00021462825,0.001324186,0.001159534,0.0014003653,0.0003646315,0.004315461],"category_scores_gemma":[0.00083967205,0.0005859541,0.00062591943,0.0001873906,0.0008628305,0.0003297411,0.0009818954,0.0010862608,0.000835243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012058913,0.0006716157,0.00020676795,0.00024880172,0.000148489,0.00000872925,0.046880152,0.000051651317,0.000064951426,0.9168604,0.018069897,0.01677651],"study_design_scores_gemma":[0.00033912674,8.447168e-7,0.0005942683,0.0019476141,0.00013985528,0.0000071952013,0.000272499,0.0031926127,0.00066579063,0.013489138,0.9787148,0.0006362073],"about_ca_topic_score_codex":0.009658281,"about_ca_topic_score_gemma":0.005301915,"teacher_disagreement_score":0.96064496,"about_ca_system_score_codex":0.00018264841,"about_ca_system_score_gemma":0.00023834669,"threshold_uncertainty_score":0.999976},"labels":[],"label_agreement":null},{"id":"W4300955554","doi":"","title":"La danse des Africains dans des récits de voyages européens du 18e siècle : circulation, transmission et représentation d’un savoir artistique","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Geography","score_opus":0.026598548750523823,"score_gpt":0.24071898504760775,"score_spread":0.21412043629708394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300955554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46983436,0.0018771309,0.3265889,0.0067988574,0.0002364362,0.000392312,0.00020852964,0.00030612483,0.19375737],"genre_scores_gemma":[0.9311653,0.0017159076,0.022276346,0.00016017527,0.0001740434,0.00006440172,0.0007014084,0.00008727209,0.04365519],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98388946,0.013261936,0.0009120042,0.00095478515,0.0004465779,0.000535263],"domain_scores_gemma":[0.9929919,0.0025243617,0.0005726607,0.001223071,0.0022959074,0.00039204943],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005341084,0.0005359268,0.0004971565,0.00022330185,0.0028272495,0.0009243908,0.0008179469,0.00034205776,0.00138055],"category_scores_gemma":[0.0015341768,0.00054531393,0.00040137416,0.0003231516,0.0022439174,0.00054700027,0.00033559694,0.00070869224,0.00010752976],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004027371,0.0012577901,0.0061847805,0.00035169473,0.0001630392,0.00004087436,0.41945678,0.00026026595,0.004935605,0.5348589,0.001185939,0.031264078],"study_design_scores_gemma":[0.00080964767,0.0000059163435,0.07642412,0.0039013529,0.0004112382,0.00009317769,0.0028355878,0.014704141,0.013556982,0.06822097,0.8178627,0.0011741682],"about_ca_topic_score_codex":0.007902657,"about_ca_topic_score_gemma":0.00415277,"teacher_disagreement_score":0.81667674,"about_ca_system_score_codex":0.00043785616,"about_ca_system_score_gemma":0.00031661103,"threshold_uncertainty_score":0.99969983},"labels":[],"label_agreement":null},{"id":"W4301425300","doi":"10.17184/eac.9782813000828","title":"L'universalité du mythe et le rôle de la traduction, ou le paradoxe de l'impossible transmission culturelle : étude comparée de quelques Faust français","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Philosophy","score_opus":0.013951582459427927,"score_gpt":0.22287252215298126,"score_spread":0.20892093969355333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301425300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27040663,0.020916274,0.17708056,0.10004909,0.0005267252,0.00092216866,0.00025235064,0.00069585926,0.42915034],"genre_scores_gemma":[0.90331686,0.004938326,0.0135483965,0.00030650554,0.00016609451,0.00007624826,0.00042494983,0.00006912712,0.07715348],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888054,0.008797087,0.00068987266,0.0007380119,0.0003579692,0.0006116215],"domain_scores_gemma":[0.9959784,0.0011206695,0.0004228366,0.0010491081,0.0009728494,0.00045609756],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0036104934,0.00052051287,0.00059469073,0.0001798298,0.0020460521,0.0010194882,0.0011278328,0.00045300493,0.0014201313],"category_scores_gemma":[0.0002081165,0.00050776714,0.0005032377,0.00021360067,0.00090456585,0.0005594421,0.00026109544,0.0010870693,0.00009475534],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032046217,0.001694827,0.0013286899,0.00023685211,0.00017096006,0.000012066374,0.18537763,0.000484592,0.0025350098,0.78495836,0.017671565,0.005497423],"study_design_scores_gemma":[0.0007473743,0.0000024217939,0.0029018475,0.0011625946,0.00015202393,0.000032716307,0.0040439647,0.010198735,0.007486174,0.01341323,0.9592321,0.00062680664],"about_ca_topic_score_codex":0.08913965,"about_ca_topic_score_gemma":0.004305577,"teacher_disagreement_score":0.94156057,"about_ca_system_score_codex":0.00028374093,"about_ca_system_score_gemma":0.0006901068,"threshold_uncertainty_score":0.9997374},"labels":[],"label_agreement":null},{"id":"W4301885446","doi":"","title":"De quelques blancs dans le pouvoir du littéraire","year":2011,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Political science","score_opus":0.019490674637006603,"score_gpt":0.20673842830592729,"score_spread":0.18724775366892069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301885446","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03335549,0.0076611675,0.023444952,0.019450303,0.00073850335,0.0003418506,0.00026187877,0.00038271782,0.91436315],"genre_scores_gemma":[0.4519832,0.0021236353,0.0077104853,0.00048276293,0.000510846,0.00008856724,0.0006069494,0.00009218581,0.53640133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909915,0.006344157,0.0008005281,0.00088681903,0.00035742548,0.00061960233],"domain_scores_gemma":[0.994571,0.00097450975,0.000566604,0.0018071026,0.0016919135,0.0003889062],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032796932,0.0005560484,0.0006287511,0.00019891831,0.0018661827,0.0008460191,0.0015175226,0.00037526953,0.0024584795],"category_scores_gemma":[0.00061114965,0.0005624079,0.0005493533,0.00018886355,0.0011882607,0.0003780668,0.00085312524,0.000838638,0.00033065223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014724404,0.0009972525,0.0011100962,0.00018976523,0.00014808464,0.000019683292,0.116938315,0.000009987436,0.0003064811,0.8643946,0.005730438,0.010140543],"study_design_scores_gemma":[0.0003088871,0.0000012400286,0.0015813522,0.0015503383,0.0001411653,0.000019515724,0.0011495175,0.0014736117,0.005446611,0.030228715,0.95742726,0.0006717767],"about_ca_topic_score_codex":0.053519998,"about_ca_topic_score_gemma":0.016130978,"teacher_disagreement_score":0.9516968,"about_ca_system_score_codex":0.00033790487,"about_ca_system_score_gemma":0.00052874297,"threshold_uncertainty_score":0.9996827},"labels":[],"label_agreement":null},{"id":"W4302354023","doi":"","title":"Lotta fra dèi, guerra di eroi","year":2016,"lang":"it","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.022874845148025694,"score_gpt":0.22231227125285327,"score_spread":0.19943742610482756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302354023","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016718665,0.0055059395,0.026591498,0.024749832,0.0016760885,0.0006168579,0.0006983776,0.00046926277,0.92297345],"genre_scores_gemma":[0.52395564,0.0011073808,0.001202395,0.0002963794,0.00042862789,0.00007364578,0.00063499674,0.00009017716,0.47221074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99005663,0.0058934106,0.001184878,0.001358894,0.00074738,0.0007588059],"domain_scores_gemma":[0.99078834,0.0021662465,0.00087558734,0.0031211115,0.0025840914,0.00046464527],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.003536413,0.0007543745,0.0008771064,0.00032656395,0.0016441197,0.0012548798,0.0021450236,0.00044793574,0.010917926],"category_scores_gemma":[0.00092173676,0.0006400874,0.000732852,0.00022982202,0.000950242,0.00046661837,0.0015195392,0.0010212268,0.0015292664],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003972011,0.001310285,0.0009997587,0.0003718174,0.00038393587,0.000023564562,0.07427159,0.0000055998034,0.00061501394,0.8417564,0.03281612,0.04740619],"study_design_scores_gemma":[0.0004229219,0.000001058951,0.0006185224,0.002864761,0.0001648183,0.0000059983286,0.00030306904,0.0007660318,0.0021155225,0.010751467,0.9811155,0.00087031885],"about_ca_topic_score_codex":0.0034251213,"about_ca_topic_score_gemma":0.001676273,"teacher_disagreement_score":0.9482994,"about_ca_system_score_codex":0.00026403205,"about_ca_system_score_gemma":0.00027649367,"threshold_uncertainty_score":0.9997819},"labels":[],"label_agreement":null},{"id":"W4303431358","doi":"10.7202/1091534ar","title":"L’hypothèse qui reste à vérifier. Le roman sans aventure d’Isabelle Daunais","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Intuition; Art; Philosophy; Epistemology","score_opus":0.020185253401462194,"score_gpt":0.2161101839618687,"score_spread":0.19592493056040652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431358","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04450183,0.28172162,0.000022743096,0.02369485,0.008941558,0.0003645176,0.001418217,0.00021199723,0.63912266],"genre_scores_gemma":[0.46971318,0.00017824517,0.000024985391,0.0023109822,0.0022109267,0.00004712698,0.00014167975,0.00004341654,0.5253295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765277,0.0004049503,0.00043158405,0.0005157283,0.00042923028,0.0005657163],"domain_scores_gemma":[0.9989151,0.00014487671,0.00015845604,0.00049547554,0.000060036396,0.00022606368],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021681597,0.00035581514,0.00041994688,0.00014460617,0.0030775163,0.0002503691,0.00049393025,0.000121330224,0.029902795],"category_scores_gemma":[0.00003547042,0.0003463105,0.00040685284,0.00016525453,0.0004928913,0.0003299066,0.00025516917,0.00082469144,0.00022158212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004893223,0.0003525214,0.00004378439,0.00008950651,0.00011157085,0.00018310957,0.034995433,0.00024052623,0.000083034625,0.38961148,0.57352245,0.00071765005],"study_design_scores_gemma":[0.0003834016,0.00025164854,0.00006303411,0.000041382624,0.00014176102,0.000032100634,0.0136467945,0.00008468498,0.00006773402,0.0071406653,0.97769254,0.00045425593],"about_ca_topic_score_codex":0.0063897194,"about_ca_topic_score_gemma":0.0007439952,"teacher_disagreement_score":0.42521137,"about_ca_system_score_codex":0.0001691288,"about_ca_system_score_gemma":0.00013505662,"threshold_uncertainty_score":0.9998989},"labels":[],"label_agreement":null},{"id":"W4304111223","doi":"","title":"the manufacture of quinine salts in France, History","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Society for the History of Medicine","funders":"","keywords":"Quinine; Chemistry; Malaria; Biology","score_opus":0.015483215080309705,"score_gpt":0.20721909997686078,"score_spread":0.19173588489655108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4304111223","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06845763,0.092171624,0.0009212826,0.028311016,0.0028487598,0.0006166996,0.00036201155,0.000113301256,0.8061977],"genre_scores_gemma":[0.27811807,0.0034831436,0.00081140816,0.00018464754,0.000103939325,0.000094387346,0.00037571037,0.000040663617,0.716788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920108,0.005725139,0.0008653339,0.0005630985,0.00047883202,0.0003568115],"domain_scores_gemma":[0.9945955,0.002314543,0.0007055165,0.0015594953,0.0007080679,0.000116876094],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003814181,0.00032922882,0.0005002051,0.00018007055,0.00088762055,0.0001357662,0.0014070547,0.00016364163,0.008162118],"category_scores_gemma":[0.00041698109,0.00028210986,0.00034320678,0.000145025,0.0009462143,0.00014280328,0.0008200635,0.001104763,0.000038832517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025364661,0.0007886922,0.001159322,0.00023362364,0.00009871404,0.0000099438885,0.09123227,0.00011137588,0.000080870814,0.8656777,0.021716142,0.018865984],"study_design_scores_gemma":[0.00026950028,8.6497244e-7,0.002814325,0.00060584984,0.000042212734,0.0000016981567,0.0006130159,0.00063388183,0.0003215782,0.0030241436,0.9913971,0.00027583772],"about_ca_topic_score_codex":0.014051301,"about_ca_topic_score_gemma":0.008513296,"teacher_disagreement_score":0.96968096,"about_ca_system_score_codex":0.00047549166,"about_ca_system_score_gemma":0.00028275416,"threshold_uncertainty_score":0.9999631},"labels":[],"label_agreement":null},{"id":"W4304636236","doi":"","title":"La littérature française contemporaine à l'épreuve du fichier central des thèses","year":2011,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art; Medicine","score_opus":0.02816665752946645,"score_gpt":0.2114987711014339,"score_spread":0.18333211357196744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4304636236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075680465,0.043571647,0.006698079,0.010364679,0.0011507026,0.00061410107,0.00073218485,0.0003742096,0.8608139],"genre_scores_gemma":[0.67790216,0.0044746115,0.0038889055,0.0002146012,0.00038934193,0.00006854155,0.00089449954,0.00008477113,0.31208253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9881144,0.008722422,0.00094029686,0.001032472,0.0004573933,0.0007330252],"domain_scores_gemma":[0.9928623,0.0019340554,0.0006577643,0.0017807514,0.002258564,0.0005065708],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032879012,0.0007326126,0.0008110897,0.00020645531,0.0017274785,0.0009696442,0.0014654051,0.0006789041,0.0055839475],"category_scores_gemma":[0.0011437506,0.0006781811,0.00069335836,0.00027152098,0.0021636996,0.00048745092,0.00084006996,0.0016194739,0.00023411693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052100626,0.0013369047,0.001653116,0.00033932968,0.00026279822,0.00004310529,0.22795124,0.000008032412,0.00009698973,0.74046934,0.011201233,0.016585829],"study_design_scores_gemma":[0.0005419783,0.0000018074074,0.0029301122,0.0024622586,0.00020447062,0.000019872672,0.0011056933,0.0004887354,0.0012125459,0.009080386,0.98120785,0.00074430247],"about_ca_topic_score_codex":0.012852227,"about_ca_topic_score_gemma":0.009907856,"teacher_disagreement_score":0.9700066,"about_ca_system_score_codex":0.00018992084,"about_ca_system_score_gemma":0.00028441136,"threshold_uncertainty_score":0.99957216},"labels":[],"label_agreement":null},{"id":"W4304759385","doi":"10.3917/dss.224.0756","title":"Pierre R onzeaud et Michèle R osellini (dir.), L’Aventure au XVII e  siècle : itinéraire d’une notion , 2019, Littératures classiques , n o  100, Presses universitaires du midi, Toulouse, 296 p., 16 cm × 26 cm.","year":2022,"lang":"fr","type":"article","venue":"Dix-septième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.015371496290527836,"score_gpt":0.22444344858827783,"score_spread":0.20907195229775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4304759385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039947905,0.20186877,0.00027754618,0.10740105,0.010516506,0.0015642701,0.004696356,0.0015750286,0.63215256],"genre_scores_gemma":[0.6867992,0.0025110866,0.000067916764,0.0016300692,0.0033043884,0.00006110176,0.0012469763,0.00017328256,0.30420592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946085,0.0010224018,0.0009762754,0.0011811326,0.000978836,0.0012328112],"domain_scores_gemma":[0.99727774,0.00043927343,0.000605513,0.000837801,0.0003500042,0.0004896807],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044828976,0.0009209851,0.0009833366,0.00040769976,0.005022865,0.0005907474,0.0010026847,0.0004164546,0.016392708],"category_scores_gemma":[0.00008916994,0.0009434769,0.0008954841,0.00061203405,0.0012653992,0.0013600048,0.0005101672,0.0014530194,0.0006267314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034506098,0.0018895839,0.00031063906,0.0003484921,0.00040978717,0.0002702875,0.018164793,0.0008584501,0.00020408408,0.2884852,0.6792355,0.009478123],"study_design_scores_gemma":[0.00096687546,0.00093848066,0.0016516079,0.0003838429,0.00047131302,0.000040953186,0.0090955775,0.00041228894,0.00021142198,0.010308827,0.97436345,0.0011553769],"about_ca_topic_score_codex":0.013906641,"about_ca_topic_score_gemma":0.0055447128,"teacher_disagreement_score":0.64685136,"about_ca_system_score_codex":0.0010832339,"about_ca_system_score_gemma":0.00047587237,"threshold_uncertainty_score":0.99930155},"labels":[],"label_agreement":null},{"id":"W430704919","doi":"","title":"Imaginaire, y es-tu?","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Computer science","score_opus":0.007259400948207511,"score_gpt":0.1547573990264603,"score_spread":0.14749799807825278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W430704919","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019223291,0.3773356,0.000115367046,0.032690883,0.0017056436,0.00013090122,0.00014249125,0.00011836967,0.5685374],"genre_scores_gemma":[0.06990401,0.007243832,0.00016434024,0.0005684377,0.00048418427,0.0000023670077,0.000020799669,0.000031087537,0.921581],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985504,0.00016867131,0.00019176348,0.00034459276,0.00020823395,0.00053634075],"domain_scores_gemma":[0.99911255,0.00008007885,0.00010905331,0.00031124856,0.00009546841,0.0002916108],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012696891,0.0002776061,0.00030724687,0.00015110754,0.0015110951,0.00006957526,0.00022079771,0.00012037691,0.010148004],"category_scores_gemma":[0.000017507822,0.00030046568,0.00030166426,0.00015269921,0.00033560008,0.00045866138,0.00006993206,0.0002544587,0.0015336324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025881018,0.0001312374,0.00011922731,0.00004166355,0.000102271966,0.0014503531,0.0026609192,0.000015915573,0.000014371767,0.64864415,0.33929983,0.007494196],"study_design_scores_gemma":[0.0004710024,0.00011113455,0.000050797258,0.00005090092,0.00026005573,0.000200323,0.0008029895,0.00008497451,0.000047618018,0.0034444886,0.99410015,0.0003755738],"about_ca_topic_score_codex":0.01525847,"about_ca_topic_score_gemma":0.020594334,"teacher_disagreement_score":0.6548003,"about_ca_system_score_codex":0.0040415535,"about_ca_system_score_gemma":0.000050213548,"threshold_uncertainty_score":0.99994475},"labels":[],"label_agreement":null},{"id":"W4307364628","doi":"","title":"L'Antiquité imaginée. Les références antiques dans les œuvres de fiction (XXe-XXIe siècles)","year":2019,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.021785346724790162,"score_gpt":0.2316235820502795,"score_spread":0.20983823532548934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307364628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2522455,0.017066354,0.058775112,0.022081846,0.0012878961,0.00064895506,0.00057857507,0.0005565755,0.6467592],"genre_scores_gemma":[0.7586813,0.005798316,0.0052144784,0.00011432205,0.00029461243,0.000058650352,0.0007195286,0.0000699081,0.22904888],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99075997,0.005988691,0.0009538842,0.0010909503,0.00054096204,0.0006655689],"domain_scores_gemma":[0.99403316,0.0014557643,0.0007820149,0.0016336261,0.0018287254,0.00026671405],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0031519635,0.0006595173,0.00071704615,0.00029251308,0.0020644565,0.0013011086,0.0015302368,0.00044198486,0.0028129253],"category_scores_gemma":[0.00055421086,0.00064740045,0.0005829922,0.00022139841,0.0012988322,0.0005449477,0.00076374365,0.0010820569,0.0002148015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037707763,0.001284683,0.015255506,0.00066723075,0.0002930857,0.000018637365,0.13230784,0.00020427183,0.0030268459,0.7761113,0.011377139,0.059415724],"study_design_scores_gemma":[0.0003044363,0.000002629723,0.00809221,0.002736009,0.00022992151,0.000016759339,0.0025170534,0.008433962,0.012881159,0.004228214,0.9597077,0.00084996014],"about_ca_topic_score_codex":0.05913071,"about_ca_topic_score_gemma":0.011266873,"teacher_disagreement_score":0.9483305,"about_ca_system_score_codex":0.0002958078,"about_ca_system_score_gemma":0.00032865632,"threshold_uncertainty_score":0.99973565},"labels":[],"label_agreement":null},{"id":"W4307364697","doi":"","title":"Intervention lors du séminaire doctoral du CERILAC, \"Expériences mystiques, énonciations, représentations, réécritures\", organisé par Fanny Arama, Riccardo Raimondo, Florian Andureau, Université de Paris-Diderot, 10 février 2017.Lien vers l'interview réalisée par Camille Bertherat oubliée sur le site du CERILAC. https://mystique.hypotheses.org/174","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.022391842442242217,"score_gpt":0.23673655725063364,"score_spread":0.21434471480839143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307364697","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.626017,0.03075601,0.008886446,0.10080537,0.0057487497,0.002217365,0.002462312,0.0010201613,0.22208662],"genre_scores_gemma":[0.7944072,0.009613263,0.0011027498,0.0003507457,0.0006257654,0.00017200365,0.0032125115,0.00012612621,0.19038962],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98712623,0.007833422,0.0015897212,0.0016934241,0.0008231458,0.00093403336],"domain_scores_gemma":[0.9903017,0.0011053432,0.0020059235,0.0026524267,0.0033086888,0.0006258791],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003951096,0.0010699485,0.001249083,0.00047252496,0.0062079495,0.0022484795,0.0021910502,0.0006671806,0.0046735685],"category_scores_gemma":[0.0016423299,0.0010889035,0.0010989804,0.00042639393,0.0015141072,0.0016179325,0.0014857339,0.0010598116,0.00030158524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005795474,0.003911885,0.06642697,0.001244376,0.0016715036,0.00035080762,0.40461013,0.00032751705,0.0009337876,0.13736808,0.37225106,0.010324316],"study_design_scores_gemma":[0.0014801756,0.000014281797,0.016395373,0.002355124,0.000499323,0.00004570127,0.0037821333,0.0017355769,0.0020673238,0.0009550406,0.9694737,0.0011962238],"about_ca_topic_score_codex":0.09383903,"about_ca_topic_score_gemma":0.057770014,"teacher_disagreement_score":0.5972226,"about_ca_system_score_codex":0.0012369426,"about_ca_system_score_gemma":0.0007667835,"threshold_uncertainty_score":0.9991561},"labels":[],"label_agreement":null},{"id":"W4307364705","doi":"","title":"Les Irréguliers, un autre après-guerre","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Political science; Art; Humanities","score_opus":0.028853102182852405,"score_gpt":0.2219696236602354,"score_spread":0.193116521477383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307364705","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02425606,0.010541635,0.025985535,0.036195453,0.0014153519,0.0004712453,0.00037994445,0.00043258548,0.9003222],"genre_scores_gemma":[0.50289106,0.00092932023,0.0067140693,0.00024700182,0.0003696779,0.000060021077,0.0010466375,0.000077335855,0.4876649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98964053,0.007115524,0.0009477045,0.0011122923,0.0005596621,0.00062426657],"domain_scores_gemma":[0.99293935,0.0017516076,0.0007331709,0.0021841545,0.0019898887,0.00040180905],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003370082,0.0006744233,0.0007807255,0.00022703114,0.0022393654,0.0009461403,0.0016081558,0.00046922403,0.00809514],"category_scores_gemma":[0.0006901983,0.00066887867,0.0006523441,0.00021163165,0.0010775233,0.00026645453,0.0009882184,0.0011762424,0.00070301775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013082094,0.00066772895,0.0004044939,0.00027854886,0.00020269601,0.000010027651,0.040113706,0.000041292384,0.000070967995,0.8603086,0.009390375,0.088498466],"study_design_scores_gemma":[0.00037794793,9.247576e-7,0.0008581331,0.0017399428,0.00020530813,0.000008202029,0.0004500459,0.0036900027,0.00093709945,0.010546923,0.9804544,0.00073108106],"about_ca_topic_score_codex":0.017550573,"about_ca_topic_score_gemma":0.0043975017,"teacher_disagreement_score":0.97106403,"about_ca_system_score_codex":0.00024829502,"about_ca_system_score_gemma":0.00015697774,"threshold_uncertainty_score":0.9995763},"labels":[],"label_agreement":null},{"id":"W4308111473","doi":"10.48611/isbn.978-2-406-14116-7.p.0139","title":"« Et vous, pages parlantes, / Qui conservez nos noms à la postérité » : La place des poètes du xviie siècle dans l’histoire littéraire des bibliophiles","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01991895555039203,"score_gpt":0.2168123407338904,"score_spread":0.1968933851834984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308111473","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2504741,0.05275804,0.0018275975,0.0245772,0.0006998609,0.00068248116,0.0020811132,0.0006607081,0.6662389],"genre_scores_gemma":[0.77750677,0.016158361,0.003908522,0.0003706597,0.00020668774,0.00021007832,0.0019770835,0.00015033231,0.1995115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9818318,0.014478627,0.0010754918,0.0012012788,0.0006819041,0.00073090533],"domain_scores_gemma":[0.9885659,0.006826882,0.00075862434,0.0017887849,0.0016353194,0.00042447753],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.005213251,0.00081714545,0.0008804792,0.0006969843,0.0054041855,0.0017282852,0.001907822,0.00036697387,0.0024003638],"category_scores_gemma":[0.0015526951,0.00082805933,0.0006659862,0.0008573785,0.0047689774,0.000668129,0.0017951421,0.0013996201,0.00009042385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007953976,0.0023649426,0.010709402,0.0008222582,0.00034791208,0.00015369605,0.13106656,0.00013019008,0.00044240395,0.81726116,0.010348752,0.02627316],"study_design_scores_gemma":[0.0005969361,0.0000065099025,0.01135649,0.0029578144,0.00024324637,0.00010616282,0.0071407184,0.0014701465,0.0005370246,0.007951716,0.9665835,0.001049773],"about_ca_topic_score_codex":0.03824589,"about_ca_topic_score_gemma":0.038285982,"teacher_disagreement_score":0.9562347,"about_ca_system_score_codex":0.0004085961,"about_ca_system_score_gemma":0.00053419545,"threshold_uncertainty_score":0.999417},"labels":[],"label_agreement":null},{"id":"W4308944614","doi":"","title":"« Réécriture fictionnelle de l’histoire dans la satire des romans de voyage au XVIIIe siècle : l’exemple des Voyages de Gulliver (1726) de Jonathan Swift et de Micromégas (1752) de Voltaire »","year":2016,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Swift; Philosophy; Physics","score_opus":0.012717720526889291,"score_gpt":0.21902245896934047,"score_spread":0.20630473844245117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308944614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5752174,0.009267632,0.11665602,0.009425249,0.000301243,0.0004780909,0.00095855753,0.00048816286,0.2872076],"genre_scores_gemma":[0.830675,0.0021687779,0.02433963,0.00046300152,0.00025515317,0.00012823773,0.00038790473,0.00013784635,0.14144446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98755693,0.008739165,0.0007928716,0.0009959299,0.0003951206,0.0015199985],"domain_scores_gemma":[0.99375045,0.0024279035,0.00052241434,0.0015067315,0.0010130281,0.0007794523],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0056038806,0.0007728674,0.00068604224,0.00028135072,0.005845756,0.0008741337,0.0016265741,0.0006877659,0.0010640792],"category_scores_gemma":[0.0013587602,0.0007715186,0.00067238265,0.00025799437,0.0033865343,0.00047624143,0.0007481167,0.0012295911,0.000067168476],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006679019,0.0013878793,0.03971908,0.0006832558,0.00028846916,0.00012889803,0.42157605,0.00029049857,0.017216468,0.49959603,0.007397307,0.011649268],"study_design_scores_gemma":[0.0009561294,0.0000098636365,0.065371156,0.0052324873,0.0005343934,0.000270861,0.007629021,0.0033577431,0.01761492,0.07393682,0.8236466,0.0014399708],"about_ca_topic_score_codex":0.07553975,"about_ca_topic_score_gemma":0.07554582,"teacher_disagreement_score":0.8162493,"about_ca_system_score_codex":0.0039075213,"about_ca_system_score_gemma":0.0019604643,"threshold_uncertainty_score":0.9999163},"labels":[],"label_agreement":null},{"id":"W4309314181","doi":"10.4000/rief.10243","title":"Un Molière italien. 1950-2000","year":2022,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities","score_opus":0.017613274251759733,"score_gpt":0.20878490878897776,"score_spread":0.19117163453721803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309314181","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16769154,0.17749296,0.000029085595,0.010282206,0.008453227,0.00066786533,0.0035907947,0.00042739126,0.63136494],"genre_scores_gemma":[0.7267737,0.00045273404,0.000086625565,0.00087545835,0.002668382,0.00014352586,0.00023336239,0.00009754649,0.26866868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99613833,0.00034759735,0.000958509,0.00091206946,0.0005889139,0.00105455],"domain_scores_gemma":[0.99805206,0.00032418963,0.00032704463,0.0007483767,0.0001474835,0.00040083317],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003709812,0.00066554843,0.000872466,0.00032705054,0.0038194691,0.0003487576,0.0008849053,0.00015050007,0.06293191],"category_scores_gemma":[0.00006562608,0.0007122989,0.0007666573,0.00047503697,0.0008196425,0.0007642882,0.0004988235,0.00083281973,0.0010130835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101912774,0.0019358633,0.00045007278,0.0005270827,0.00041489748,0.0007080275,0.047426403,0.0008754006,0.00004783182,0.8983422,0.03637547,0.012794821],"study_design_scores_gemma":[0.00051968294,0.00062014133,0.00012855965,0.00013965004,0.0003992008,0.00017194844,0.00545386,0.00026039328,0.000038703198,0.0016227503,0.98970866,0.00093642314],"about_ca_topic_score_codex":0.004214032,"about_ca_topic_score_gemma":0.0006398895,"teacher_disagreement_score":0.9533332,"about_ca_system_score_codex":0.0005090708,"about_ca_system_score_gemma":0.00018095714,"threshold_uncertainty_score":0.99976474},"labels":[],"label_agreement":null},{"id":"W4309354870","doi":"","title":"« Clowns hystériques, martyrs ridicules. Le regard des écrivains », dans La Grande Parade. Portrait de l’artiste en clown, éd. Jean Clair, Paris-Ottawa, Gallimard-Musée des Beaux-arts du Canada, 2004, p. 57-63. Traduction anglaise : « Hysterical Clowns, Ridiculous Martyrs. The Writer’s View », dans The Great Parade. Portrait of the Artist as Clown, New Haven and London, Yale University Press, 2004, p. 57-63.","year":2004,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Parade; Portrait; Humanities; Art history","score_opus":0.01020661356339631,"score_gpt":0.18256577164981708,"score_spread":0.17235915808642077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309354870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46026975,0.18402518,0.024476541,0.15138966,0.0020312162,0.006476934,0.005000864,0.0007969355,0.16553293],"genre_scores_gemma":[0.77074367,0.028642165,0.0017518215,0.00051236775,0.0004274221,0.00009620757,0.0011544492,0.00017569053,0.19649623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9866424,0.008523118,0.0014771239,0.0012840438,0.0009781688,0.0010951323],"domain_scores_gemma":[0.9932824,0.0015342162,0.0012239745,0.0023457212,0.00089548144,0.00071820116],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0035383722,0.0009988174,0.0011190228,0.00012862393,0.0038027086,0.0008052747,0.0021553151,0.00047141282,0.00030638947],"category_scores_gemma":[0.0005137222,0.0007275228,0.0008442261,0.0004422185,0.00421849,0.0006363055,0.000766074,0.0015081321,0.0000075345024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048536813,0.0033665074,0.023871226,0.001999451,0.001791947,0.00075263955,0.15803549,0.0019877953,0.00072447525,0.54157805,0.24453226,0.020874802],"study_design_scores_gemma":[0.0011282472,0.000014609525,0.02288124,0.0017874024,0.0007143108,0.0004423663,0.0021995823,0.00057133666,0.0010616775,0.003308296,0.96505517,0.0008357555],"about_ca_topic_score_codex":0.5883442,"about_ca_topic_score_gemma":0.80130684,"teacher_disagreement_score":0.72052294,"about_ca_system_score_codex":0.00130415,"about_ca_system_score_gemma":0.0026886705,"threshold_uncertainty_score":0.99951756},"labels":[],"label_agreement":null},{"id":"W4309448677","doi":"10.48611/isbn.978-2-406-12750-5.p.0063","title":"Les lunettes de l’oncle Charles","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"Agence Nationale de la Recherche","keywords":"Art; Humanities","score_opus":0.025105122882072457,"score_gpt":0.22756407614332685,"score_spread":0.2024589532612544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309448677","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25479892,0.042677496,0.01804852,0.04034632,0.0009000614,0.00034957743,0.00028907502,0.00033054833,0.6422595],"genre_scores_gemma":[0.59303683,0.0033268386,0.009695064,0.0002975819,0.00029742144,0.00006396548,0.0008653421,0.00006220104,0.39235476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9916691,0.0059740213,0.0006591324,0.00079652574,0.00037853912,0.00052267674],"domain_scores_gemma":[0.9944319,0.0015796913,0.00042703716,0.0014207148,0.0018556431,0.00028500732],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026396355,0.00044648035,0.00055106834,0.00014286643,0.0015511599,0.0013018523,0.0010341664,0.0003095178,0.0077684456],"category_scores_gemma":[0.0007365789,0.0004672295,0.000500105,0.00017418845,0.00072316465,0.00028470356,0.0008106653,0.000836155,0.00015026277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008264191,0.00089151284,0.0014034132,0.00029998823,0.00019583342,0.000027011338,0.11218406,0.00002735807,0.0008611134,0.82245886,0.0044970564,0.057145532],"study_design_scores_gemma":[0.00022865267,4.788147e-7,0.002153538,0.0021100563,0.00014563151,0.000011098529,0.0014022232,0.0022132052,0.0068250177,0.0025879294,0.9817692,0.00055298203],"about_ca_topic_score_codex":0.03007589,"about_ca_topic_score_gemma":0.010349678,"teacher_disagreement_score":0.97727215,"about_ca_system_score_codex":0.00026380795,"about_ca_system_score_gemma":0.0002692878,"threshold_uncertainty_score":0.9997779},"labels":[],"label_agreement":null},{"id":"W4310301032","doi":"","title":"Au-delà du signifiant imaginaire : repenser l’inscription du fantasme au cinéma","year":2020,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Abitibi-Témiscamingue","funders":"","keywords":"Art; Humanities","score_opus":0.19316852463991216,"score_gpt":0.4433811913253161,"score_spread":0.250212666685404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310301032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50287896,0.12361106,0.0005501434,0.054694712,0.0104646105,0.0012794989,0.00096287066,0.00021068029,0.30534744],"genre_scores_gemma":[0.9474261,0.018121105,0.00005943474,0.0034057675,0.006812284,0.000035330602,0.0000767161,0.00011824363,0.023945019],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99467623,0.00073629763,0.0017880985,0.0009317506,0.0009813718,0.0008862269],"domain_scores_gemma":[0.99617016,0.0003175927,0.0012967419,0.00056866324,0.00068621273,0.00096063403],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010796295,0.0007580757,0.0014958029,0.0005688653,0.0018863118,0.0031012069,0.0026317735,0.00020769735,0.085618794],"category_scores_gemma":[0.00037908132,0.0006830226,0.00074798183,0.0006903344,0.00080743205,0.006950265,0.0009287776,0.00092381344,0.000440642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00094333815,0.0013444164,0.09836858,0.0010089396,0.0010073595,0.0013875597,0.04531134,0.00020527335,0.010864198,0.024835553,0.79288846,0.021834984],"study_design_scores_gemma":[0.00071751565,0.000082068,0.043501053,0.000776738,0.0005386017,0.000050903753,0.0013869785,0.0005339333,0.0010980613,0.003005808,0.94738543,0.00092289917],"about_ca_topic_score_codex":0.02078919,"about_ca_topic_score_gemma":0.0006167994,"teacher_disagreement_score":0.44454712,"about_ca_system_score_codex":0.0005143069,"about_ca_system_score_gemma":0.000467784,"threshold_uncertainty_score":0.9995621},"labels":[],"label_agreement":null},{"id":"W4310723181","doi":"10.33137/q.i..v42i2.39691","title":"Rappresentare gli inglesi. Forme e funzioni della diversità riformata nel poema epico-cavalleresco tra Manierismo e Barocco","year":2022,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04253769138427191,"score_gpt":0.23509017016413553,"score_spread":0.19255247877986362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310723181","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06660982,0.011645492,0.0017231858,0.00591782,0.008860888,0.0021384838,0.015729517,0.0008752309,0.8864996],"genre_scores_gemma":[0.82291013,0.00012601506,0.00019217344,0.0013494707,0.0016283069,0.000074036616,0.0009835676,0.000112642905,0.17262366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944458,0.00046912316,0.0012522981,0.0010935644,0.0013586661,0.0013805659],"domain_scores_gemma":[0.99745446,0.00030486222,0.00047669603,0.0009537064,0.00016826978,0.0006419965],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037128912,0.0008835764,0.0010128777,0.00037924445,0.0061126826,0.00089882617,0.0014978568,0.00020705882,0.18745568],"category_scores_gemma":[0.00007134484,0.00089558103,0.0007881076,0.000309289,0.0006085335,0.0009288804,0.0010735487,0.0012011311,0.0030099505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010500813,0.0019370868,0.0006670154,0.0008457849,0.0013484983,0.001602453,0.081300154,0.00021767024,0.0000847108,0.23761904,0.6695532,0.0037742925],"study_design_scores_gemma":[0.00084025966,0.0009325899,0.00019029943,0.00008106288,0.0006238188,0.000076914344,0.033924803,0.0014851411,0.000025068635,0.0025686144,0.9580732,0.0011782238],"about_ca_topic_score_codex":0.0019688427,"about_ca_topic_score_gemma":0.0001225694,"teacher_disagreement_score":0.75630033,"about_ca_system_score_codex":0.00058279897,"about_ca_system_score_gemma":0.00019780376,"threshold_uncertainty_score":0.9993495},"labels":[],"label_agreement":null},{"id":"W4312300072","doi":"10.4000/cecil.458","title":"« La venue des Princes Japponnois en Europe ». Publications éphémères et séquelles imprimées immédiates (1585-1586) de l’ambassade Tenshō","year":2022,"lang":"fr","type":"article","venue":"Cahiers d études des cultures ibériques et latino-américaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Humanities; Political science; Art; Philosophy","score_opus":0.030417018394378482,"score_gpt":0.2877339112826189,"score_spread":0.2573168928882404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312300072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46893927,0.10447769,0.00035488553,0.020147312,0.0014119337,0.0012395175,0.0028289682,0.0014520476,0.39914837],"genre_scores_gemma":[0.833249,0.012857911,0.0035059536,0.0029041688,0.0013366402,0.0005278854,0.00066652225,0.00020669712,0.14474525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99225307,0.0037181447,0.0010822662,0.0010456261,0.00069888466,0.001202013],"domain_scores_gemma":[0.9956895,0.0019187147,0.00061801897,0.0006965438,0.0006385123,0.00043868783],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016461235,0.0009636654,0.00091830996,0.00049346185,0.0042544673,0.0014992963,0.0012964153,0.00038577386,0.0012844687],"category_scores_gemma":[0.0012971258,0.00084899383,0.00062303833,0.0009071634,0.003925417,0.0015683622,0.000616733,0.0018748691,0.000052439318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010532063,0.00095443084,0.004974489,0.0006094724,0.00062759046,0.00019039163,0.20389137,0.0012080726,0.0012832459,0.73866504,0.044077016,0.0034135832],"study_design_scores_gemma":[0.00040317004,0.00045967908,0.006826763,0.00023643184,0.0002968569,0.00025735892,0.018621104,0.00023730291,0.000223199,0.010157918,0.96121836,0.0010618622],"about_ca_topic_score_codex":0.00208656,"about_ca_topic_score_gemma":0.0011864327,"teacher_disagreement_score":0.9171413,"about_ca_system_score_codex":0.00072200765,"about_ca_system_score_gemma":0.00042928336,"threshold_uncertainty_score":0.9996285},"labels":[],"label_agreement":null},{"id":"W4312321279","doi":"10.4000/books.lisaa.1278","title":"Supercherie et désattribution des Premières œuvres poétiques (1581)","year":2020,"lang":"fr","type":"book-chapter","venue":"LISAA éditeur eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Medicine","score_opus":0.08308111015128238,"score_gpt":0.2611976554442589,"score_spread":0.1781165452929765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312321279","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023086604,0.008274927,0.00014454697,0.0017126263,0.001315111,0.00044873552,0.0015978657,0.00040581528,0.9837917],"genre_scores_gemma":[0.09794665,0.00071813655,0.00032451926,0.002358962,0.005497052,0.000049808805,0.0008177697,0.00018386982,0.89210325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964979,0.0003383388,0.0010043267,0.0009709751,0.00054668647,0.0006417315],"domain_scores_gemma":[0.99786127,0.00046006823,0.0003198059,0.0005391856,0.0003406188,0.00047906867],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002900252,0.0010242775,0.0010502537,0.00021435333,0.0013547326,0.0007145029,0.0005563864,0.00061352656,0.010325712],"category_scores_gemma":[0.00012361561,0.0009367564,0.00079042226,0.000024657353,0.0021624255,0.0005143824,0.00025235774,0.001289879,0.0011752376],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011631796,0.00007509593,0.00006844192,0.0004323121,0.00040157666,0.00015621292,0.017800972,0.000002211861,0.00021401899,0.9590974,0.012828549,0.008806902],"study_design_scores_gemma":[0.00024285728,0.0005186927,0.00008068325,0.00057967275,0.00044771677,0.000017860812,0.0003149139,0.000026689831,0.00029681675,0.06695718,0.9295266,0.0009903128],"about_ca_topic_score_codex":0.0022105088,"about_ca_topic_score_gemma":0.0011989488,"teacher_disagreement_score":0.91669804,"about_ca_system_score_codex":0.00023055142,"about_ca_system_score_gemma":0.00014800346,"threshold_uncertainty_score":0.99994534},"labels":[],"label_agreement":null},{"id":"W4312553677","doi":"10.7202/1089982ar","title":"Kociubińska, Edyta (éd.). Romanciers fin-de-siècle","year":2022,"lang":"fr","type":"article","venue":"Dalhousie French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Fin de siecle; Art; Fin; Humanities; Materials science; Composite material","score_opus":0.03821595526562819,"score_gpt":0.25775205528123163,"score_spread":0.21953610001560345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312553677","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074833475,0.65266055,0.000036108864,0.018467655,0.019018473,0.00042400064,0.0025541903,0.00033908873,0.23166646],"genre_scores_gemma":[0.16803046,0.004987095,0.00019219912,0.0026825233,0.0054641855,0.000259965,0.00013123981,0.000069318245,0.818183],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969734,0.00034554006,0.0005878558,0.0005940959,0.0005684923,0.00093059754],"domain_scores_gemma":[0.99866277,0.0003310969,0.00021564486,0.00043681017,0.00015535431,0.00019830542],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048035273,0.00045352514,0.00070958224,0.00019463187,0.005495848,0.00015594593,0.0004987012,0.00007004685,0.012428783],"category_scores_gemma":[0.00009158666,0.00044390492,0.00040353683,0.00029240313,0.0011611314,0.00031554597,0.0006774,0.00065189874,0.00029163173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014472213,0.00045420305,0.00036334936,0.00021542309,0.00071812357,0.0002266601,0.17673828,0.00023085797,0.000013932787,0.037450753,0.77592117,0.0076527717],"study_design_scores_gemma":[0.00036036668,0.00049239397,0.00038229593,0.00005600091,0.00033581015,0.000020321497,0.016392088,0.00015146351,0.000010267616,0.0036476904,0.9776003,0.0005510119],"about_ca_topic_score_codex":0.0057579945,"about_ca_topic_score_gemma":0.00073351135,"teacher_disagreement_score":0.6476734,"about_ca_system_score_codex":0.00059689156,"about_ca_system_score_gemma":0.00018431614,"threshold_uncertainty_score":0.9998013},"labels":[],"label_agreement":null},{"id":"W4312751213","doi":"10.15581/006.21.18876","title":"R. BRODEUR, J. P. ROULEAU (Éds.), Une inconnue de l'historie de la culture: la production des catéchismes en Amérique française, Éd. Anne Sigier, Québec 1986, XVII + 480 pp., 15 x 23.","year":2018,"lang":"fr","type":"article","venue":"Scripta Theologica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014291597180648765,"score_gpt":0.23696208067425026,"score_spread":0.2226704834936015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312751213","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04618521,0.4730578,0.0009953286,0.013959181,0.009811404,0.0006596204,0.00024601226,0.0007131771,0.45437226],"genre_scores_gemma":[0.49362814,0.004840738,0.00092563644,0.00096954807,0.0059973192,0.00006897024,0.000051969047,0.000058239057,0.49345943],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99521565,0.0019922364,0.00065497594,0.0008836769,0.00030493527,0.00094853],"domain_scores_gemma":[0.998022,0.00029625464,0.00030004757,0.00064622064,0.00037369525,0.00036174376],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012581217,0.00065362535,0.00069400144,0.00014285039,0.0022360925,0.00032516106,0.00069589156,0.00062534516,0.002918914],"category_scores_gemma":[0.0010053177,0.00051861146,0.00036251568,0.00035427712,0.0058457744,0.0007866515,0.00016860019,0.0009704047,0.0004133765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025039728,0.0006614221,0.0009804746,0.00017581803,0.00017309343,0.00010522563,0.13333607,0.000013492546,0.0010238112,0.25888395,0.5988215,0.005574738],"study_design_scores_gemma":[0.0003664583,0.0007996794,0.00065333094,0.00019135818,0.00022821751,0.00013261229,0.0032481905,0.000058021964,0.00054755405,0.049741372,0.94337314,0.00066006737],"about_ca_topic_score_codex":0.0951819,"about_ca_topic_score_gemma":0.03991824,"teacher_disagreement_score":0.46821707,"about_ca_system_score_codex":0.000701392,"about_ca_system_score_gemma":0.0004823326,"threshold_uncertainty_score":0.99972653},"labels":[],"label_agreement":null},{"id":"W4312832941","doi":"10.7202/1092393ar","title":"Auctor et lector","year":2022,"lang":"fr","type":"article","venue":"Recherches sociographiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Université Laval","funders":"","keywords":"Computer science","score_opus":0.14894515664824512,"score_gpt":0.32961425232490393,"score_spread":0.18066909567665881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312832941","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16758,0.41374096,0.00013355479,0.09604601,0.0077173077,0.0006723067,0.0017504419,0.0009735528,0.31138587],"genre_scores_gemma":[0.36580557,0.006796162,0.00075980515,0.0054475404,0.002386636,0.00022722651,0.00018103198,0.00009991462,0.61829615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99601287,0.0023504489,0.00038942992,0.00041411904,0.00035653653,0.00047658998],"domain_scores_gemma":[0.9986832,0.0006273416,0.00015083473,0.0002748687,0.00010261574,0.00016114117],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011671487,0.00031101078,0.00038357166,0.0003360477,0.0015312578,0.00020653638,0.0003603901,0.00015844023,0.015876101],"category_scores_gemma":[0.00006606062,0.00032381152,0.0007279524,0.00038469752,0.0005582825,0.0003858804,0.00017952414,0.0013244713,0.000090272326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005439011,0.00081725186,0.002360285,0.00017008615,0.00046025377,0.000045775054,0.17591193,0.000009062408,0.00009158764,0.47513533,0.33951253,0.00543153],"study_design_scores_gemma":[0.00014714061,0.0004001601,0.0005478744,0.000032789307,0.00013753893,0.000008554292,0.002725946,0.00002411343,0.000032922566,0.02814324,0.96738607,0.0004136281],"about_ca_topic_score_codex":0.045740567,"about_ca_topic_score_gemma":0.0018081133,"teacher_disagreement_score":0.6278736,"about_ca_system_score_codex":0.001728064,"about_ca_system_score_gemma":0.00016254347,"threshold_uncertainty_score":0.9999214},"labels":[],"label_agreement":null},{"id":"W431430184","doi":"","title":"Montréal, plaque tournante des explorations françaises en Amérique","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.012770241565875272,"score_gpt":0.16650675109433502,"score_spread":0.15373650952845974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W431430184","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13393593,0.5858743,0.0029022065,0.09499524,0.0013137913,0.0003632401,0.0004508289,0.00032078658,0.17984368],"genre_scores_gemma":[0.11819408,0.11022315,0.00031673635,0.00045510867,0.0013152587,0.000013071953,0.00006516784,0.00005195784,0.7693655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814826,0.00021741167,0.00033694252,0.00040313398,0.00025911926,0.0006351495],"domain_scores_gemma":[0.99867296,0.00023005606,0.00016873401,0.00035297681,0.00018813874,0.00038715792],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014810715,0.00038420685,0.00042460067,0.00026435047,0.0033542786,0.0001293527,0.00034404,0.00021874584,0.0037135945],"category_scores_gemma":[0.000028919621,0.0003985107,0.00036715882,0.00025391605,0.0004912503,0.0011885012,0.00015248981,0.00037363672,0.0009518358],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025232637,0.0005315662,0.00065296906,0.00009735267,0.00038023185,0.0067333393,0.054389507,0.00058733777,0.00014800715,0.44621515,0.46326515,0.02674707],"study_design_scores_gemma":[0.000573246,0.00019187793,0.00016451928,0.00017096859,0.00026058056,0.0003885316,0.008730681,0.00048753753,0.000041076983,0.002387569,0.98612994,0.00047349214],"about_ca_topic_score_codex":0.12678616,"about_ca_topic_score_gemma":0.49516425,"teacher_disagreement_score":0.58952177,"about_ca_system_score_codex":0.003594003,"about_ca_system_score_gemma":0.000056783967,"threshold_uncertainty_score":0.9998467},"labels":[],"label_agreement":null},{"id":"W4315433002","doi":"10.16995/dscn.8082","title":"Title Pending 8082","year":2023,"lang":"fr","type":"article","venue":"Digital Studies / Le champ numérique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Base (topology); Philosophy; Mathematics","score_opus":0.06530474066109805,"score_gpt":0.2778650171214756,"score_spread":0.21256027646037756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315433002","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009916603,0.026183842,0.00001486887,0.00416025,0.0026677465,0.000069950496,0.00022694124,0.00017767148,0.9565821],"genre_scores_gemma":[0.4122894,0.0012060753,5.822614e-7,0.00009035276,0.001218435,0.0000092735145,0.000042509415,0.000016523069,0.5851269],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922,0.000020439546,0.0001820129,0.00019291391,0.00011406454,0.00027058145],"domain_scores_gemma":[0.9996141,0.000109176784,0.00004277266,0.00011162346,0.00006099654,0.00006132314],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007105397,0.00015361456,0.00022456808,0.0000715182,0.00042626372,0.00017963382,0.00009568818,0.000047210608,0.0021703925],"category_scores_gemma":[0.00005696515,0.00013574692,0.00014318555,0.00012219578,0.00025133268,0.0003185269,0.00011086437,0.00012064504,0.009351598],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000433751,0.00006426494,0.000034188135,0.0001469951,0.00019405143,0.000087009,0.2025308,0.0000029277967,0.0000021739081,0.037091166,0.74971104,0.010131016],"study_design_scores_gemma":[0.000057927547,0.000034131608,0.00000746075,0.00007042264,3.3249677e-7,0.000002577647,0.11490645,0.000025409267,0.000009094217,0.005528161,0.87920266,0.00015537256],"about_ca_topic_score_codex":0.00010154429,"about_ca_topic_score_gemma":0.00004003533,"teacher_disagreement_score":0.4023728,"about_ca_system_score_codex":0.000065678796,"about_ca_system_score_gemma":0.00002223603,"threshold_uncertainty_score":0.99874175},"labels":[],"label_agreement":null},{"id":"W4315433150","doi":"10.16995/dscn.8086","title":"Title Pending 8086","year":2023,"lang":"fr","type":"article","venue":"Digital Studies / Le champ numérique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Anecdote; Art; Philosophy; Literature","score_opus":0.06513198824677377,"score_gpt":0.277896413209491,"score_spread":0.21276442496271722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315433150","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0101238545,0.026733244,0.000015265225,0.003852959,0.0026636282,0.00006953129,0.000226104,0.00017701357,0.9561384],"genre_scores_gemma":[0.40450612,0.0012341082,5.952338e-7,0.000090822046,0.0012352791,0.000009351737,0.000042715685,0.000016678427,0.59286433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921757,0.00002079477,0.00018238112,0.00019313372,0.00011414326,0.0002720036],"domain_scores_gemma":[0.99961215,0.000110786954,0.00004286199,0.00011175516,0.0000610087,0.00006142215],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000071403985,0.00015375692,0.0002248926,0.000071558665,0.00042484765,0.00018270944,0.00009581532,0.00004725866,0.0022590247],"category_scores_gemma":[0.00005790571,0.00013591418,0.00014329492,0.0001223369,0.00025057327,0.00031709895,0.0001109924,0.000120782155,0.009224973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043232826,0.000064044754,0.00003451308,0.00014644819,0.00019340534,0.000087218665,0.20404436,0.000002996548,0.0000021566607,0.03513271,0.7501714,0.010116381],"study_design_scores_gemma":[0.00005795892,0.00003414354,0.0000074081513,0.00007048356,3.3712035e-7,0.0000026171208,0.11447982,0.000026236816,0.000008906923,0.005551042,0.8796055,0.00015559212],"about_ca_topic_score_codex":0.00010013662,"about_ca_topic_score_gemma":0.000040271432,"teacher_disagreement_score":0.39438227,"about_ca_system_score_codex":0.00006591456,"about_ca_system_score_gemma":0.000022380062,"threshold_uncertainty_score":0.99865305},"labels":[],"label_agreement":null},{"id":"W4315871586","doi":"10.48611/isbn.978-2-406-14453-3","title":"Cahiers de littérature française. 2022, n° 21","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Philosophy","score_opus":0.010917221739896692,"score_gpt":0.20552027684828883,"score_spread":0.19460305510839213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315871586","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025470493,0.05213359,0.0066218004,0.043360077,0.0018653217,0.00053316104,0.001003627,0.00034610354,0.8686658],"genre_scores_gemma":[0.09384494,0.0039249836,0.0041060424,0.00070795557,0.0003538995,0.00016056983,0.001610499,0.00008891251,0.8952022],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98768896,0.009263954,0.0007495396,0.0009982742,0.0006345471,0.00066472637],"domain_scores_gemma":[0.9941157,0.0016976927,0.000540116,0.001962916,0.0012669981,0.00041656636],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004683987,0.00055365794,0.0006172342,0.0002469039,0.0028406403,0.0008088602,0.0016716248,0.0004763277,0.023316877],"category_scores_gemma":[0.00082850165,0.0005919687,0.0006348134,0.00041054486,0.0010504726,0.00025913672,0.000918764,0.0025805745,0.000205686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021859676,0.0007880151,0.00029868202,0.00022094657,0.00018108568,0.0000324948,0.119926676,0.000083042556,0.00018582345,0.82955784,0.035379305,0.013324254],"study_design_scores_gemma":[0.00031137033,9.4299406e-7,0.00037142338,0.0006614287,0.00015646443,0.000010657066,0.0012095132,0.0015461736,0.00059310906,0.005894627,0.98863465,0.00060962734],"about_ca_topic_score_codex":0.009713423,"about_ca_topic_score_gemma":0.003436253,"teacher_disagreement_score":0.95325536,"about_ca_system_score_codex":0.0005632453,"about_ca_system_score_gemma":0.00044717418,"threshold_uncertainty_score":0.9997205},"labels":[],"label_agreement":null},{"id":"W4317936661","doi":"","title":"A French and Canadian collaboration: ''Memento papyri'' or how to evaluate the lifetime of paper","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art history; Art","score_opus":0.04067013635670246,"score_gpt":0.2599234427537729,"score_spread":0.2192533063970704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317936661","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035872664,0.003953907,0.000014966333,0.13112457,0.0026020058,0.0018883224,0.002003802,0.00008559439,0.82245415],"genre_scores_gemma":[0.40954635,0.000054794054,0.00008755964,0.004772664,0.00062695466,0.00022123975,0.00012460741,0.000015515689,0.5845503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989665,0.00012255152,0.00021957148,0.00026120793,0.0002705461,0.0001596256],"domain_scores_gemma":[0.99920696,0.000071773946,0.000058833724,0.00031395184,0.00018483777,0.0001636189],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024312541,0.00016128918,0.0002482677,0.00012037291,0.0004979687,0.00031509856,0.00024826225,0.000041637864,0.10151287],"category_scores_gemma":[0.000045724708,0.00009016818,0.00006096496,0.00008580251,0.00008307317,0.000091299815,0.00022045708,0.00018292923,0.000018164112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029686003,0.000043888158,0.00013181398,0.00010851045,0.00024060084,0.000012414141,0.13511398,0.00006661457,0.000011481048,0.060272384,0.8026923,0.001276317],"study_design_scores_gemma":[0.00007387244,0.000106018764,0.000101544494,0.000016226888,0.00007897624,3.2789458e-7,0.0041229012,0.00004970659,0.0000028636493,0.00069085544,0.9946065,0.00015018167],"about_ca_topic_score_codex":0.29296374,"about_ca_topic_score_gemma":0.78838605,"teacher_disagreement_score":0.4954223,"about_ca_system_score_codex":0.000111879956,"about_ca_system_score_gemma":0.00049919036,"threshold_uncertainty_score":0.89930844},"labels":[],"label_agreement":null},{"id":"W4318195381","doi":"10.3138/ecf.35.1.190","title":"<i>L’Infortuné Napolitain, ou les Aventures du seigneur Rozelli</i>, éd. Érik Leborgne et Emmanuelle Sempère","year":2023,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.026984844050369803,"score_gpt":0.24188492314854249,"score_spread":0.21490007909817269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318195381","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071084835,0.2952696,0.00036275407,0.025669388,0.03699247,0.0015518195,0.0024453825,0.0022360776,0.5643877],"genre_scores_gemma":[0.47913268,0.14647181,0.000043836528,0.0018296933,0.01076723,0.000115803516,0.0028101143,0.00018514559,0.35864368],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960254,0.00042339478,0.0009705584,0.00082286185,0.00072780164,0.0010300038],"domain_scores_gemma":[0.99817044,0.0002689819,0.0003636961,0.000555871,0.0002550795,0.00038593853],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047304967,0.00071085576,0.000621097,0.00049569487,0.0023277793,0.0005544911,0.00040019353,0.00039405946,0.00734352],"category_scores_gemma":[0.00006009591,0.0006689236,0.0006901737,0.00048686087,0.00041313245,0.001176743,0.00018812288,0.0007691096,0.0024752885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011246978,0.0004951526,0.00020697463,0.00031432227,0.00021877924,0.00013986627,0.011885193,0.00020169855,0.000046653942,0.29715687,0.6825296,0.006692417],"study_design_scores_gemma":[0.0006626566,0.00041086265,0.00045009577,0.00023191434,0.0002793721,0.000025764877,0.0034013288,0.0011286509,0.00009279531,0.0007709903,0.9918083,0.00073729816],"about_ca_topic_score_codex":0.0023565346,"about_ca_topic_score_gemma":0.00023697657,"teacher_disagreement_score":0.40804785,"about_ca_system_score_codex":0.00031657788,"about_ca_system_score_gemma":0.00009546554,"threshold_uncertainty_score":0.9995762},"labels":[],"label_agreement":null},{"id":"W4318474446","doi":"10.3917/herm.queyr.2022.01.0125","title":"La Belle Époque des collectionneurs d’antiques en Europe","year":2022,"lang":"fr","type":"book-chapter","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.035960815420330555,"score_gpt":0.22831274728380518,"score_spread":0.19235193186347463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318474446","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022437572,0.0036326477,0.000008693727,0.00015381642,0.0010969376,0.00025143262,0.00026683722,0.00019790253,0.992148],"genre_scores_gemma":[0.024074648,0.00090563,0.000048667334,0.0004485934,0.0016551918,0.000047253932,0.00008813777,0.00014111697,0.97259074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976943,0.00046526012,0.0005666324,0.00054449757,0.00033569327,0.00039362683],"domain_scores_gemma":[0.99873435,0.00034880437,0.00022323933,0.00034419543,0.00016705363,0.0001823273],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025619194,0.0005585463,0.0005663775,0.00026540272,0.004507772,0.00018627348,0.00035036023,0.0002370562,0.04039181],"category_scores_gemma":[0.000020795163,0.00054552977,0.00041569467,0.00002692286,0.0011830284,0.00017591647,0.00034727348,0.0010515173,0.0006191212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055182954,0.000077228666,0.000013460899,0.0002300486,0.0002515043,0.00052747614,0.030972464,0.0000073518413,0.000026180018,0.94901925,0.009955701,0.008864173],"study_design_scores_gemma":[0.00018169469,0.0003201274,0.000021160715,0.00019208716,0.00025864004,0.000089422334,0.00024710505,0.000015555619,0.000026161857,0.0074862586,0.9905372,0.0006245411],"about_ca_topic_score_codex":0.0014471188,"about_ca_topic_score_gemma":0.0006331491,"teacher_disagreement_score":0.9805815,"about_ca_system_score_codex":0.00020230646,"about_ca_system_score_gemma":0.00012331251,"threshold_uncertainty_score":0.9996996},"labels":[],"label_agreement":null},{"id":"W4318537320","doi":"10.3917/herm.queyr.2022.01.0247","title":"La Belle Époque des collectionneurs d’antiques en Europe","year":2022,"lang":"fr","type":"book-chapter","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.035960815420330555,"score_gpt":0.22831274728380518,"score_spread":0.19235193186347463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318537320","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022437572,0.0036326477,0.000008693727,0.00015381642,0.0010969376,0.00025143262,0.00026683722,0.00019790253,0.992148],"genre_scores_gemma":[0.024074648,0.00090563,0.000048667334,0.0004485934,0.0016551918,0.000047253932,0.00008813777,0.00014111697,0.97259074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976943,0.00046526012,0.0005666324,0.00054449757,0.00033569327,0.00039362683],"domain_scores_gemma":[0.99873435,0.00034880437,0.00022323933,0.00034419543,0.00016705363,0.0001823273],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025619194,0.0005585463,0.0005663775,0.00026540272,0.004507772,0.00018627348,0.00035036023,0.0002370562,0.04039181],"category_scores_gemma":[0.000020795163,0.00054552977,0.00041569467,0.00002692286,0.0011830284,0.00017591647,0.00034727348,0.0010515173,0.0006191212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055182954,0.000077228666,0.000013460899,0.0002300486,0.0002515043,0.00052747614,0.030972464,0.0000073518413,0.000026180018,0.94901925,0.009955701,0.008864173],"study_design_scores_gemma":[0.00018169469,0.0003201274,0.000021160715,0.00019208716,0.00025864004,0.000089422334,0.00024710505,0.000015555619,0.000026161857,0.0074862586,0.9905372,0.0006245411],"about_ca_topic_score_codex":0.0014471188,"about_ca_topic_score_gemma":0.0006331491,"teacher_disagreement_score":0.9805815,"about_ca_system_score_codex":0.00020230646,"about_ca_system_score_gemma":0.00012331251,"threshold_uncertainty_score":0.9996996},"labels":[],"label_agreement":null},{"id":"W4318710265","doi":"10.3917/herm.moser.2015.01.0147","title":"Le corps romanesque","year":2015,"lang":"fr","type":"book-chapter","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; History","score_opus":0.06327576928469192,"score_gpt":0.22990026105361827,"score_spread":0.16662449176892635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318710265","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021547957,0.005045433,0.000009263128,0.00035588702,0.001667812,0.00022816693,0.00024224145,0.00014406002,0.99209166],"genre_scores_gemma":[0.05434732,0.000027212858,0.000027403137,0.0005443968,0.0037032021,0.00001663695,0.0001512872,0.000107805296,0.9410747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796367,0.00007090508,0.0006140977,0.0005176753,0.00039865132,0.00043499112],"domain_scores_gemma":[0.99852586,0.00007328889,0.0002729109,0.0004995092,0.00026523048,0.00036322098],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015662992,0.0005957699,0.00071077497,0.00015795122,0.0008682672,0.00018825915,0.0003550993,0.0003764331,0.008691977],"category_scores_gemma":[0.000007503463,0.00056978123,0.00043398657,0.0000064052524,0.0010059683,0.00015053278,0.0001206373,0.0006237288,0.0055345674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003509378,0.000047073743,0.0000016087206,0.00013700812,0.00017563051,0.00039635162,0.004037354,0.0000032250405,0.000008511697,0.9512124,0.03756827,0.006377482],"study_design_scores_gemma":[0.00029082087,0.00017795144,0.0000025953382,0.00024649728,0.00020655259,0.00004817881,0.0001052644,0.000025133191,0.000007317052,0.03693199,0.9612584,0.0006992671],"about_ca_topic_score_codex":0.002500104,"about_ca_topic_score_gemma":0.0010508684,"teacher_disagreement_score":0.92369014,"about_ca_system_score_codex":0.0001381813,"about_ca_system_score_gemma":0.00028184406,"threshold_uncertainty_score":0.9996754},"labels":[],"label_agreement":null},{"id":"W4318710341","doi":"10.3917/herm.moser.2015.01.0301","title":"Le corps romanesque","year":2015,"lang":"fr","type":"book-chapter","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art","score_opus":0.06327576928469192,"score_gpt":0.22990026105361827,"score_spread":0.16662449176892635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318710341","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021547957,0.005045433,0.000009263128,0.00035588702,0.001667812,0.00022816693,0.00024224145,0.00014406002,0.99209166],"genre_scores_gemma":[0.05434732,0.000027212858,0.000027403137,0.0005443968,0.0037032021,0.00001663695,0.0001512872,0.000107805296,0.9410747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796367,0.00007090508,0.0006140977,0.0005176753,0.00039865132,0.00043499112],"domain_scores_gemma":[0.99852586,0.00007328889,0.0002729109,0.0004995092,0.00026523048,0.00036322098],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015662992,0.0005957699,0.00071077497,0.00015795122,0.0008682672,0.00018825915,0.0003550993,0.0003764331,0.008691977],"category_scores_gemma":[0.000007503463,0.00056978123,0.00043398657,0.0000064052524,0.0010059683,0.00015053278,0.0001206373,0.0006237288,0.0055345674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003509378,0.000047073743,0.0000016087206,0.00013700812,0.00017563051,0.00039635162,0.004037354,0.0000032250405,0.000008511697,0.9512124,0.03756827,0.006377482],"study_design_scores_gemma":[0.00029082087,0.00017795144,0.0000025953382,0.00024649728,0.00020655259,0.00004817881,0.0001052644,0.000025133191,0.000007317052,0.03693199,0.9612584,0.0006992671],"about_ca_topic_score_codex":0.002500104,"about_ca_topic_score_gemma":0.0010508684,"teacher_disagreement_score":0.92369014,"about_ca_system_score_codex":0.0001381813,"about_ca_system_score_gemma":0.00028184406,"threshold_uncertainty_score":0.9996754},"labels":[],"label_agreement":null},{"id":"W4319214418","doi":"","title":"Compte rendu de Donskov Andrew, Sofia Tolstaya: the Author, Ottawa, University of Ottawa Press, 2022, 527 p.","year":2022,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Computer science","score_opus":0.024273317245199138,"score_gpt":0.218745010874736,"score_spread":0.19447169362953687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319214418","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029861227,0.013511296,0.008283032,0.021100532,0.0011476291,0.000805651,0.0015469225,0.0003855624,0.92335814],"genre_scores_gemma":[0.54182583,0.0008798756,0.0026655875,0.00015922642,0.00011973753,0.000022019583,0.0009583969,0.00004558205,0.45332375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993557,0.0048176628,0.0004298763,0.0004967318,0.00041154135,0.00028721298],"domain_scores_gemma":[0.99604964,0.001020089,0.000561764,0.0014634604,0.00077738904,0.00012767933],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0030798016,0.00025294002,0.00038828974,0.000109180255,0.0013242215,0.0002392886,0.0016069297,0.00012661419,0.0069249626],"category_scores_gemma":[0.00026922522,0.00023051158,0.00032512308,0.00013322788,0.0006094751,0.00014227319,0.0013117489,0.0008637539,0.000018203653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022850516,0.0005845323,0.0008152889,0.00018487824,0.0002100443,0.000013372893,0.10443504,0.000097761054,0.000118335614,0.7352569,0.15341471,0.0048462525],"study_design_scores_gemma":[0.00020984656,8.132685e-7,0.000410097,0.00021209223,0.000114267954,0.000002112156,0.0010969704,0.0017076161,0.00042548805,0.0025691518,0.99299955,0.00025201528],"about_ca_topic_score_codex":0.020228324,"about_ca_topic_score_gemma":0.014659012,"teacher_disagreement_score":0.8395848,"about_ca_system_score_codex":0.00015572156,"about_ca_system_score_gemma":0.00021808004,"threshold_uncertainty_score":0.9999759},"labels":[],"label_agreement":null},{"id":"W4319706841","doi":"10.3917/herm.marot.2014.01.0023","title":"Le royaume se meurt. Les récits de fléaux dans les tragédies du début du XVIIIe siècle","year":2014,"lang":"fr","type":"book-chapter","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Art; Humanities","score_opus":0.036112003970623544,"score_gpt":0.2126430153186712,"score_spread":0.17653101134804766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319706841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016230267,0.0024516787,0.00027935303,0.0011450989,0.0008415969,0.0002838712,0.00031876224,0.00023650524,0.9782129],"genre_scores_gemma":[0.37628078,0.000159966,0.000043233802,0.00045230618,0.0036570255,0.000031340693,0.00012516523,0.00012546683,0.6191247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99689174,0.00021109346,0.00091757346,0.0007724286,0.00042796048,0.0007792042],"domain_scores_gemma":[0.99815285,0.00029338687,0.00039292173,0.00055221166,0.00023455983,0.00037408632],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029222743,0.0009562193,0.0010641955,0.00022626316,0.0040155514,0.00034658477,0.00058603456,0.00054761284,0.0045937165],"category_scores_gemma":[0.000030296065,0.00089838484,0.00082657114,0.000013084282,0.0023585726,0.0001739386,0.0001758835,0.0008136987,0.00072523486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006484514,0.00009242841,0.00015717662,0.00038081917,0.00039035184,0.00028472752,0.029568564,0.00003366992,0.00014066813,0.94281954,0.008481014,0.01758619],"study_design_scores_gemma":[0.00044525322,0.000227096,0.00018776287,0.00043661793,0.00047407622,0.00006614621,0.00087042194,0.0002533613,0.00014914095,0.0061476524,0.9896606,0.0010818429],"about_ca_topic_score_codex":0.008686901,"about_ca_topic_score_gemma":0.0061948043,"teacher_disagreement_score":0.9811796,"about_ca_system_score_codex":0.00018063017,"about_ca_system_score_gemma":0.0001923419,"threshold_uncertainty_score":0.9993467},"labels":[],"label_agreement":null},{"id":"W4320076874","doi":"10.3917/herm.queyr.2022.01.0005","title":"La Belle Époque des collectionneurs d’antiques en Europe","year":2022,"lang":"fr","type":"book-chapter","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.035960815420330555,"score_gpt":0.22831274728380518,"score_spread":0.19235193186347463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320076874","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022437572,0.0036326477,0.000008693727,0.00015381642,0.0010969376,0.00025143262,0.00026683722,0.00019790253,0.992148],"genre_scores_gemma":[0.024074648,0.00090563,0.000048667334,0.0004485934,0.0016551918,0.000047253932,0.00008813777,0.00014111697,0.97259074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976943,0.00046526012,0.0005666324,0.00054449757,0.00033569327,0.00039362683],"domain_scores_gemma":[0.99873435,0.00034880437,0.00022323933,0.00034419543,0.00016705363,0.0001823273],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025619194,0.0005585463,0.0005663775,0.00026540272,0.004507772,0.00018627348,0.00035036023,0.0002370562,0.04039181],"category_scores_gemma":[0.000020795163,0.00054552977,0.00041569467,0.00002692286,0.0011830284,0.00017591647,0.00034727348,0.0010515173,0.0006191212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055182954,0.000077228666,0.000013460899,0.0002300486,0.0002515043,0.00052747614,0.030972464,0.0000073518413,0.000026180018,0.94901925,0.009955701,0.008864173],"study_design_scores_gemma":[0.00018169469,0.0003201274,0.000021160715,0.00019208716,0.00025864004,0.000089422334,0.00024710505,0.000015555619,0.000026161857,0.0074862586,0.9905372,0.0006245411],"about_ca_topic_score_codex":0.0014471188,"about_ca_topic_score_gemma":0.0006331491,"teacher_disagreement_score":0.9805815,"about_ca_system_score_codex":0.00020230646,"about_ca_system_score_gemma":0.00012331251,"threshold_uncertainty_score":0.9996996},"labels":[],"label_agreement":null},{"id":"W4320893524","doi":"10.7202/1096714ar","title":"La harpe éolienne mise en scène dans la poésie et le roman européens","year":2023,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Poetry; Romanticism; Narrative; German; Tone (literature); Topos theory; Sentimentality; Literature; Humanities; Philosophy; Linguistics","score_opus":0.025273619628438975,"score_gpt":0.2566572066891519,"score_spread":0.2313835870607129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320893524","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3690613,0.0045838784,0.000020824918,0.008452682,0.0017121955,0.00019429496,0.00029777587,0.0007565757,0.6149205],"genre_scores_gemma":[0.67892087,0.0010435726,0.00012527307,0.00029083475,0.0017598196,0.00002077399,0.000113016555,0.00007245665,0.3176534],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703187,0.00092671165,0.0004779447,0.00057736976,0.0003006906,0.0006854229],"domain_scores_gemma":[0.99824065,0.0007472688,0.00014006674,0.00044813572,0.0001329731,0.0002908774],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006908785,0.0004663006,0.000523175,0.00019737308,0.00066448754,0.00045480995,0.00044545345,0.0002479536,0.0011063187],"category_scores_gemma":[0.00015116612,0.00043510282,0.00031858135,0.00028165214,0.00076131505,0.0007487523,0.00022750408,0.0004899573,0.00061575597],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029218501,0.00032455422,0.00024940868,0.00022677245,0.00013590409,0.0007022035,0.07128109,0.00001692118,0.00025459856,0.9052403,0.019346973,0.00219205],"study_design_scores_gemma":[0.00032310525,0.00021359867,0.0010602131,0.00020702057,0.00011699236,0.000054497155,0.0091306465,0.00008797229,0.00016637097,0.00725209,0.9808523,0.00053517456],"about_ca_topic_score_codex":0.004011894,"about_ca_topic_score_gemma":0.001606431,"teacher_disagreement_score":0.96150535,"about_ca_system_score_codex":0.00012631224,"about_ca_system_score_gemma":0.00015811612,"threshold_uncertainty_score":0.9998101},"labels":[],"label_agreement":null},{"id":"W4320893579","doi":"10.7202/1096703ar","title":"Cris et onomatopées dans l’oeuvre d’Antonius Arena","year":2023,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Artillery; Art; The Renaissance; Ballroom; Order (exchange); Visual arts; French horn; Humanities; Classics; History; Literature; Art history; Dance; Sociology; Pedagogy; Archaeology","score_opus":0.03968408051312647,"score_gpt":0.27039876390596373,"score_spread":0.23071468339283727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320893579","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53379655,0.022903152,0.00006253704,0.016274216,0.008374679,0.0003836153,0.00071256096,0.0015847373,0.41590795],"genre_scores_gemma":[0.61869186,0.0019726527,0.00016053423,0.00066197285,0.0032209693,0.00006214382,0.00016345156,0.00006843725,0.37499797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755067,0.0002514277,0.00053357886,0.0005804726,0.000322892,0.0007609658],"domain_scores_gemma":[0.9986334,0.00030029,0.00015866515,0.00047265386,0.00016763616,0.00026739648],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032771274,0.00048099205,0.0005632194,0.00022528088,0.00083877647,0.00045022307,0.00041583786,0.00020086883,0.0027904846],"category_scores_gemma":[0.0000779872,0.0004335124,0.00035588813,0.00028969764,0.0005345551,0.00087803777,0.00017758559,0.00035022627,0.001249051],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021144082,0.00017172736,0.0012155301,0.00028414043,0.00014983982,0.00020959353,0.07143925,0.0000097533675,0.000055945053,0.8869912,0.03693159,0.0025202655],"study_design_scores_gemma":[0.00017162332,0.00023032619,0.00096182054,0.0002277461,0.00012133186,0.000018981358,0.005572267,0.00009858055,0.0002696909,0.012078441,0.9796793,0.0005698775],"about_ca_topic_score_codex":0.00603839,"about_ca_topic_score_gemma":0.0032840918,"teacher_disagreement_score":0.9427477,"about_ca_system_score_codex":0.00018981115,"about_ca_system_score_gemma":0.00012250284,"threshold_uncertainty_score":0.99981165},"labels":[],"label_agreement":null},{"id":"W4320893891","doi":"10.7202/1096695ar","title":"Du sonore dans la littérature narrative : des enjeux rhétoriques aux enjeux esthétiques","year":2023,"lang":"fr","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Victoria","keywords":"Soundscape; Narrative; Musical; Art; Sight; Sound (geography); Literature; Acoustics","score_opus":0.03663877329617391,"score_gpt":0.2758640209314152,"score_spread":0.2392252476352413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320893891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6771143,0.08507051,0.00008881216,0.022420244,0.0053653223,0.00069937814,0.00065515446,0.0027414074,0.20584488],"genre_scores_gemma":[0.74834347,0.015611509,0.0006779809,0.00039073714,0.009644862,0.00016464425,0.0002660866,0.00014480206,0.22475591],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961167,0.0007500091,0.00073341466,0.0008803414,0.00046670705,0.0010528187],"domain_scores_gemma":[0.9972273,0.00059164147,0.00026093735,0.00056028593,0.00092601427,0.00043382074],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058538717,0.00085283426,0.00088193174,0.00029520472,0.0019752418,0.0008803658,0.0006528854,0.00053631194,0.0017026206],"category_scores_gemma":[0.0003870419,0.00074525055,0.0005331058,0.0005856581,0.0021032258,0.0016051878,0.000273402,0.0007258137,0.00025210404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052560277,0.00021654686,0.0010450097,0.00048503812,0.00022596007,0.00038109985,0.27771896,0.0000057862894,0.00010445414,0.6883985,0.02667972,0.0046863854],"study_design_scores_gemma":[0.00022030341,0.0005290792,0.00072409224,0.0006615539,0.00015181093,0.00005198077,0.046264123,0.000068204215,0.00047546506,0.0673067,0.8827183,0.00082837854],"about_ca_topic_score_codex":0.0035537914,"about_ca_topic_score_gemma":0.005683449,"teacher_disagreement_score":0.8560386,"about_ca_system_score_codex":0.00045211625,"about_ca_system_score_gemma":0.0004134331,"threshold_uncertainty_score":0.99949986},"labels":[],"label_agreement":null},{"id":"W4321463557","doi":"10.7202/1096477ar","title":"Applying a Mad Studies Framework to Opera: Poulenc’s Dialogues des Carmélites","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Metaphor; History; Literature; Art; Visual arts; Linguistics; Philosophy","score_opus":0.14222548827272172,"score_gpt":0.28822564462984585,"score_spread":0.14600015635712413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463557","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94755715,0.005028327,0.00032881481,0.0033544588,0.016448338,0.00030941825,0.00012501664,0.00011088264,0.026737612],"genre_scores_gemma":[0.9877292,0.00003943633,0.00015192003,0.0009968214,0.0017890107,0.00003161841,0.0000029300713,0.000015622554,0.009243461],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908566,0.000056322173,0.00033516574,0.00011760087,0.00011731914,0.0002879494],"domain_scores_gemma":[0.998934,0.00018603171,0.00007457704,0.000105888714,0.00032167815,0.0003778275],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018760646,0.00012362088,0.00024222367,0.000950264,0.00081555784,0.00017345093,0.0001955301,0.000033123575,0.0012298818],"category_scores_gemma":[0.00038884088,0.00009985035,0.00017404705,0.00033946824,0.0002221472,0.00028925948,0.000019234902,0.00026028973,0.00022802794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017634846,0.000023532284,0.0015791842,0.00003992312,0.00048511484,0.00035373756,0.70151716,0.00029680505,0.000051424588,0.013638341,0.2677571,0.014240057],"study_design_scores_gemma":[0.00006674737,0.00019617369,0.00036037655,0.00035480098,0.00006510983,0.00004429662,0.07502532,0.000013293134,0.000011976733,0.004963414,0.9187422,0.00015628131],"about_ca_topic_score_codex":0.019982232,"about_ca_topic_score_gemma":0.29216325,"teacher_disagreement_score":0.6509851,"about_ca_system_score_codex":0.0002402611,"about_ca_system_score_gemma":0.00016602935,"threshold_uncertainty_score":0.99968314},"labels":[],"label_agreement":null},{"id":"W4321993887","doi":"","title":"Bases de données pour les études théâtrales : nouvelles pratiques informatiques en études littéraires","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art","score_opus":0.030395580697679683,"score_gpt":0.23852343808470627,"score_spread":0.2081278573870266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321993887","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29931334,0.020202212,0.0062520565,0.07154164,0.00063591934,0.0010959363,0.0015139045,0.0011130281,0.598332],"genre_scores_gemma":[0.6960341,0.012088716,0.023423059,0.0005440005,0.000444857,0.00037829689,0.0014066297,0.000121847006,0.26555848],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9863108,0.010000579,0.0013240316,0.00089983316,0.0007218356,0.0007429429],"domain_scores_gemma":[0.99044937,0.0050865,0.0009432632,0.0015404407,0.0016393224,0.00034112093],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0047210017,0.00083593273,0.00088083086,0.0003952008,0.0027728993,0.0014699311,0.002040591,0.00039369182,0.007642847],"category_scores_gemma":[0.0016132182,0.000804427,0.00069134746,0.00024916316,0.0009872573,0.000858258,0.0017127944,0.0013767062,0.000068321766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030611252,0.0009983742,0.0018186365,0.0006707974,0.00028696196,0.000015926751,0.13756509,0.00010257357,0.00018813355,0.8380339,0.007851093,0.012437876],"study_design_scores_gemma":[0.00025094443,0.000004601219,0.0022826064,0.002364927,0.00019584541,0.000015669102,0.013645579,0.0020324118,0.0042315274,0.0047763134,0.9692897,0.0009098318],"about_ca_topic_score_codex":0.01835449,"about_ca_topic_score_gemma":0.0252006,"teacher_disagreement_score":0.96143866,"about_ca_system_score_codex":0.00054159015,"about_ca_system_score_gemma":0.0014141843,"threshold_uncertainty_score":0.9995666},"labels":[],"label_agreement":null},{"id":"W4322756108","doi":"10.33137/rr.v45i3.40456","title":"Freidel, Nathalie. Le Temps des « écriveuses ». L’oeuvre pionnière des épistolières au XVIIe siècle","year":2023,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; Humanities","score_opus":0.03861144846482413,"score_gpt":0.2470828678776232,"score_spread":0.20847141941279906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322756108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.770416,0.0659481,0.00020888491,0.0040090512,0.0015402798,0.00027144596,0.00023738111,0.00039635884,0.1569725],"genre_scores_gemma":[0.94941926,0.0061039114,0.00009602921,0.00014279637,0.0009768393,0.000024797017,0.00015069709,0.000027452126,0.043058235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984179,0.00011260263,0.00047552615,0.00026962164,0.00023308926,0.0004912307],"domain_scores_gemma":[0.9992229,0.000080464335,0.00017048171,0.00020655966,0.00015642219,0.00016319854],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00025963777,0.00027076874,0.00031049884,0.0002234416,0.0033487028,0.00025404547,0.00015247885,0.0001416796,0.00019071646],"category_scores_gemma":[0.00005784624,0.00020979202,0.00013397982,0.00029073973,0.0015102765,0.0021627299,0.00007231162,0.00019829885,0.00042344964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009958271,0.00034913997,0.0032046495,0.0039247046,0.00022999235,0.00008773611,0.17560214,0.0003486349,0.0003582081,0.6100207,0.10052816,0.10524634],"study_design_scores_gemma":[0.00031917586,0.00016091645,0.007847249,0.0008315202,0.000064367036,0.000032187618,0.0060690646,0.0006730871,0.00029832846,0.01344764,0.9698914,0.00036503826],"about_ca_topic_score_codex":0.0093453275,"about_ca_topic_score_gemma":0.0022552866,"teacher_disagreement_score":0.86936325,"about_ca_system_score_codex":0.00017878595,"about_ca_system_score_gemma":0.00007931304,"threshold_uncertainty_score":0.9979488},"labels":[],"label_agreement":null},{"id":"W4322763192","doi":"10.33137/rr.v45i3.40464","title":"Marrache-Gouraud, Myriam. La légende des objets. Le cabinet de curiosités réfléchi par son catalogue (Europe, XVIe–XVIIe siècles)","year":2023,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Cabinet (room)","score_opus":0.02629698153980998,"score_gpt":0.2376003654718826,"score_spread":0.21130338393207262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322763192","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7128208,0.048714742,0.0003214868,0.008196703,0.0019929693,0.0005128086,0.00080914766,0.00056755776,0.22606373],"genre_scores_gemma":[0.92843646,0.0088955555,0.00009182219,0.00024764787,0.0011594527,0.000029364985,0.00094261736,0.000041481184,0.060155585],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982951,0.00019491467,0.00048793928,0.000289926,0.00021080063,0.00052128895],"domain_scores_gemma":[0.99916494,0.000081185026,0.0001976828,0.00023493782,0.00012448285,0.00019679888],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004256518,0.00029107495,0.0003260523,0.0001790902,0.0014944114,0.00029429782,0.00016999846,0.0001744359,0.0002083264],"category_scores_gemma":[0.000047989266,0.00023322269,0.00011028795,0.00031117784,0.00065422576,0.001440149,0.00007846022,0.0003138078,0.000412293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027545544,0.0008114641,0.0030011458,0.0042854,0.00042652834,0.00031017893,0.1805577,0.00063285424,0.0015036133,0.3445789,0.34871796,0.11489882],"study_design_scores_gemma":[0.00040983243,0.00014298274,0.0051725367,0.00036261015,0.000074722644,0.00005787829,0.001296089,0.0011489587,0.00046834428,0.0038953184,0.98661155,0.00035920294],"about_ca_topic_score_codex":0.0035867,"about_ca_topic_score_gemma":0.00087753835,"teacher_disagreement_score":0.63789356,"about_ca_system_score_codex":0.00010257295,"about_ca_system_score_gemma":0.00008767192,"threshold_uncertainty_score":0.9998055},"labels":[],"label_agreement":null},{"id":"W4323521425","doi":"10.7202/1097234ar","title":"Récit d’héritage, de transmission et de passation : l’expérience corporelle et la construction identitaire dans Le corps des bêtes","year":2023,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02146245665747723,"score_gpt":0.27435645255052427,"score_spread":0.25289399589304706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323521425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65914375,0.017472856,0.006692215,0.006304476,0.0014476876,0.0004761188,0.0010654621,0.0004909156,0.3069065],"genre_scores_gemma":[0.952655,0.0064490475,0.0014142124,0.001446345,0.00087336625,0.00009085361,0.0005029448,0.00010390048,0.036464334],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955345,0.0014287864,0.00081612065,0.00077211036,0.00033593524,0.0011125939],"domain_scores_gemma":[0.9973646,0.0007904175,0.00040293255,0.00048222885,0.00028235203,0.00067750027],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0012134464,0.00060736947,0.0007145141,0.0005811039,0.0014567388,0.0006344204,0.00049810857,0.0004594894,0.00040278203],"category_scores_gemma":[0.00028194353,0.00061641965,0.0006238915,0.0011174788,0.0012131314,0.0013529013,0.00006498585,0.0009159436,0.00009477634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012637087,0.00028354322,0.0054132794,0.0007853731,0.00042542204,0.0012324802,0.14126039,0.0046122717,0.0030968324,0.82062876,0.011905613,0.010229679],"study_design_scores_gemma":[0.00060918386,0.00025727515,0.012947521,0.0010970294,0.0007421021,0.0005240053,0.02406617,0.005530138,0.00052525924,0.045570306,0.9071931,0.00093788473],"about_ca_topic_score_codex":0.25682956,"about_ca_topic_score_gemma":0.6338011,"teacher_disagreement_score":0.8952875,"about_ca_system_score_codex":0.0005068976,"about_ca_system_score_gemma":0.0010322512,"threshold_uncertainty_score":0.99984324},"labels":[],"label_agreement":null},{"id":"W4323660700","doi":"10.33137/ic.v21i.40042","title":"Enrico Tonti, protagonista delle prime esplorazioni e dei primi insediamenti europei in Nord America","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.035945855023251254,"score_gpt":0.23936507836841386,"score_spread":0.2034192233451626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323660700","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36657014,0.011013091,0.000047138437,0.02129654,0.007596676,0.0037648529,0.0034528524,0.0009084169,0.5853503],"genre_scores_gemma":[0.5974129,0.00026340917,0.00004787698,0.0020388293,0.0011303441,0.00011469464,0.00035368517,0.00012181735,0.39851648],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996298,0.00023694853,0.00085825816,0.00083456567,0.00048217105,0.0012900342],"domain_scores_gemma":[0.99808204,0.0001105719,0.00023080979,0.0006541611,0.00012465128,0.00079779164],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023752834,0.0005382552,0.0006755143,0.000914804,0.00081095827,0.00070500077,0.0006237038,0.00015159539,0.005610755],"category_scores_gemma":[0.000090629386,0.0005503581,0.00028425088,0.0012237289,0.00040700714,0.0005568939,0.00012603885,0.00049634755,0.00456238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016103445,0.0007133703,0.0040251575,0.00043649698,0.0005188613,0.0046296073,0.092623174,0.00013266859,0.00022817306,0.028553886,0.82715905,0.040818524],"study_design_scores_gemma":[0.00044678888,0.00024212086,0.001513817,0.00014149121,0.00008337717,0.000004146285,0.0019720818,0.00040819505,0.000026641572,0.00021820655,0.9942273,0.0007158181],"about_ca_topic_score_codex":0.13779806,"about_ca_topic_score_gemma":0.122032955,"teacher_disagreement_score":0.23084272,"about_ca_system_score_codex":0.00075754186,"about_ca_system_score_gemma":0.00069721276,"threshold_uncertainty_score":0.99969476},"labels":[],"label_agreement":null},{"id":"W4323665768","doi":"10.33137/ic.v11i.40563","title":"The Images of Women in Italian Canadian Writing","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Linguistics; Philosophy","score_opus":0.020205075167358266,"score_gpt":0.21401577838107128,"score_spread":0.19381070321371302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323665768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5386236,0.0008462497,1.1179127e-7,0.007530553,0.00076946383,0.00017685341,0.00056355057,0.000064137,0.4514255],"genre_scores_gemma":[0.9293409,0.00001071453,0.0000015713198,0.0003168879,0.00021339036,0.000020848245,0.00002337882,0.000013811642,0.07005847],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859744,0.000043545282,0.00027532072,0.00015020599,0.00012645213,0.00080701016],"domain_scores_gemma":[0.9991192,0.0001029944,0.000044900895,0.00019245657,0.00004662073,0.0004937801],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038327344,0.00010462904,0.00016890613,0.00036030466,0.00043156085,0.00012879052,0.00024642772,0.000030131165,0.0011589242],"category_scores_gemma":[0.00008856457,0.00008317246,0.00006331735,0.00028126567,0.0001984057,0.0001621539,0.00001281511,0.00010333597,0.0001951777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011761818,0.000023060345,0.008562561,0.00008707966,0.00011970555,0.00063320703,0.13536458,0.000029970908,0.000032465163,0.31407237,0.520501,0.020562232],"study_design_scores_gemma":[0.00006744101,0.000020989193,0.0030807501,0.000022227565,0.000003914266,8.7098687e-7,0.012291855,0.000033113214,0.000007399446,0.0016846074,0.98266494,0.000121889774],"about_ca_topic_score_codex":0.8791688,"about_ca_topic_score_gemma":0.9854989,"teacher_disagreement_score":0.46216395,"about_ca_system_score_codex":0.00071754557,"about_ca_system_score_gemma":0.00035086248,"threshold_uncertainty_score":0.99975413},"labels":[],"label_agreement":null},{"id":"W4323668562","doi":"10.33137/ic.v12i.40498","title":"The 1890s in Italy and America - Decade of Crisis","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Aurora College; University of Toronto","funders":"","keywords":"Geography; Political science","score_opus":0.02198238946881253,"score_gpt":0.22393357836127406,"score_spread":0.20195118889246153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323668562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62759,0.0065498073,0.000001882503,0.027185906,0.0009645623,0.0002552151,0.00046736855,0.00010378829,0.33688146],"genre_scores_gemma":[0.97183067,0.000050113304,0.000003101613,0.00041946082,0.00009181003,0.0000059953386,0.0000071695895,0.0000065411864,0.027585162],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948394,0.000021013973,0.0001445788,0.00009892442,0.00007529808,0.0001762603],"domain_scores_gemma":[0.999676,0.00007638994,0.000029479948,0.00010672787,0.00001878875,0.000092625094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000058063644,0.00005895664,0.00010385597,0.00012524323,0.00017380227,0.000051764357,0.0000971576,0.000015045927,0.00028561577],"category_scores_gemma":[0.000026295656,0.00004207692,0.000035336994,0.00015238255,0.00016333943,0.00008379378,0.000012098916,0.000053012544,0.00005323782],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010264044,0.000013963112,0.0015077887,0.000032124834,0.00005663103,0.000093665854,0.047165357,0.0000075358334,0.000015116445,0.12872478,0.8031297,0.01924309],"study_design_scores_gemma":[0.000042485866,0.000020711996,0.0016461243,0.0000069162015,0.0000069215666,4.3646705e-7,0.0040681777,0.00004949896,0.000004253253,0.0013061437,0.99278647,0.000061864055],"about_ca_topic_score_codex":0.09285805,"about_ca_topic_score_gemma":0.21718276,"teacher_disagreement_score":0.34424064,"about_ca_system_score_codex":0.00003263181,"about_ca_system_score_gemma":0.000032804393,"threshold_uncertainty_score":0.9131827},"labels":[],"label_agreement":null},{"id":"W4323787399","doi":"10.33137/ic.v24i.39867","title":"Medaglia, Lina. The Demons of Aquilonia. Toronto: Inanna Publications, 2009.","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Sociology","score_opus":0.025886806657029384,"score_gpt":0.22446265956649694,"score_spread":0.19857585290946755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323787399","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042656507,0.022904404,0.000007396799,0.033831194,0.0020963221,0.00045322272,0.0034075077,0.0001116341,0.8945318],"genre_scores_gemma":[0.8347986,0.000008358485,0.000009486573,0.0012830459,0.00027989494,0.00005705819,0.00006604998,0.000011670091,0.16348584],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991029,0.00007754063,0.0002344751,0.00015306605,0.00020977877,0.00022226048],"domain_scores_gemma":[0.999308,0.000053624022,0.0000904423,0.00033802717,0.000067782494,0.00014212646],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015026248,0.00009422789,0.00013605764,0.00006703676,0.0008745666,0.00006582029,0.00041383883,0.000016674587,0.021644462],"category_scores_gemma":[0.00003325662,0.00007409405,0.000099714,0.00010949396,0.00015766932,0.0002232333,0.00004582077,0.00012331163,0.000038927315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037274333,0.00004084591,0.00018093814,0.0000064238025,0.000041592673,0.0000052901373,0.0140235135,0.0000067293486,0.000004098454,0.32508147,0.658655,0.0019503763],"study_design_scores_gemma":[0.000056790752,0.00006040523,0.00034190543,0.0000027537626,0.000027349242,0.0000025518193,0.0036612914,0.00003544043,0.0000034282496,0.0009494162,0.9947559,0.00010272858],"about_ca_topic_score_codex":0.24621157,"about_ca_topic_score_gemma":0.4632594,"teacher_disagreement_score":0.7921421,"about_ca_system_score_codex":0.0002822601,"about_ca_system_score_gemma":0.00019720526,"threshold_uncertainty_score":0.9792499},"labels":[],"label_agreement":null},{"id":"W4323789065","doi":"10.33137/ic.v26i.39622","title":"Francesco Giuseppe Bressani, missionario e scienziato in Canada","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01701564879762963,"score_gpt":0.17595353600821156,"score_spread":0.15893788721058194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789065","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41247788,0.0043194667,0.0000010942754,0.009886121,0.0047636195,0.00028581746,0.001611775,0.000054834032,0.5665994],"genre_scores_gemma":[0.937667,9.3933784e-7,0.0000049823157,0.0034107498,0.00018947283,0.000021583131,0.00003291059,0.000011400749,0.058660936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988264,0.00005163337,0.0002102381,0.00023434355,0.0003218559,0.00035555515],"domain_scores_gemma":[0.9994571,0.000029754092,0.00004345485,0.00017379026,0.000021803224,0.0002741005],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000820818,0.00011186468,0.00015880464,0.00016029096,0.00068349286,0.000058699698,0.0002989416,0.000010550396,0.02883404],"category_scores_gemma":[0.000011666506,0.000111372436,0.000045884477,0.00013378417,0.00006412139,0.00014950325,0.00003659855,0.00019713223,0.000027522747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011833967,0.000041395786,0.0052956925,0.00001603751,0.000020571952,0.00068554905,0.012317002,0.0003809029,0.000005235186,0.0692973,0.9092558,0.0026726925],"study_design_scores_gemma":[0.00011003811,0.00002091036,0.0008144676,0.0000068069576,0.0000043896107,0.000003716469,0.0028224306,0.00012914998,0.0000020713194,0.00030023372,0.99561346,0.00017233574],"about_ca_topic_score_codex":0.99878526,"about_ca_topic_score_gemma":0.9998404,"teacher_disagreement_score":0.52518916,"about_ca_system_score_codex":0.0016402813,"about_ca_system_score_gemma":0.0021826825,"threshold_uncertainty_score":0.97205377},"labels":[],"label_agreement":null},{"id":"W4324006002","doi":"10.1353/rht.2014.0034","title":"Metamorphoses of Rhetoric. Classical Rhetoric in the Eighteenth Century ed. by Otto Fischer, Ann Öhrberg","year":2014,"lang":"en","type":"article","venue":"Rhetorica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Poetics; Rhetorical question; Humanism; Style (visual arts); Literature; Classics; Philosophy; Art history; Art; Theology; Poetry","score_opus":0.01827315577515622,"score_gpt":0.22335113030749956,"score_spread":0.20507797453234333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4324006002","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.094055414,0.069608234,0.00059825164,0.005527428,0.010043047,0.0011396479,0.0003945213,0.0004322194,0.81820124],"genre_scores_gemma":[0.97965014,0.0016034581,0.000084401756,0.00046680268,0.0017853036,0.00005263865,0.00007215562,0.000036137768,0.016248956],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974001,0.00041919504,0.0006620154,0.00042636576,0.000612502,0.00047980057],"domain_scores_gemma":[0.9984177,0.0005601274,0.00023994813,0.00052931067,0.00011276409,0.00014020121],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047660942,0.00032979745,0.0005958662,0.00016578827,0.00031309735,0.00011316448,0.0006410992,0.000112573915,0.0015786425],"category_scores_gemma":[0.0001318449,0.00020819092,0.0002971333,0.00032306093,0.00022900685,0.00033905607,0.00006717977,0.00038469493,0.00018050175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045402037,0.0007304053,0.00045857712,0.000051152503,0.00007656836,0.000007300412,0.007286132,0.000002926958,0.00018940218,0.20305495,0.78501326,0.003083944],"study_design_scores_gemma":[0.00033480686,0.0002301159,0.00017161989,0.000026375637,0.00007894643,0.0000021507249,0.0003772504,0.000086345506,0.00010108584,0.00041388802,0.9978899,0.00028755414],"about_ca_topic_score_codex":0.00055110495,"about_ca_topic_score_gemma":0.00005887889,"teacher_disagreement_score":0.8855947,"about_ca_system_score_codex":0.000120666766,"about_ca_system_score_gemma":0.000034169167,"threshold_uncertainty_score":0.99933404},"labels":[],"label_agreement":null},{"id":"W4361016578","doi":"10.7202/1097088ar","title":"MARTINELLI, Marco, « Aristophane dans les banlieues : pratiques de la non-ecole », trad. Laurence Van Goethem, Arles, Actes Sud-Papiers, « Apprendre », 2020, 224 p.","year":2023,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art","score_opus":0.027231471194160046,"score_gpt":0.2751212000286018,"score_spread":0.24788972883444174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361016578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7186754,0.023376726,0.0067687454,0.019765902,0.0041008643,0.0016984297,0.00512204,0.0019497786,0.21854213],"genre_scores_gemma":[0.7313462,0.01602406,0.0018123413,0.00020462555,0.0029552472,0.00029173592,0.0009959925,0.00013521904,0.24623458],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99607897,0.0009120416,0.000861442,0.00079073664,0.00047891354,0.0008778821],"domain_scores_gemma":[0.997326,0.0011840194,0.00030333828,0.00060869876,0.00019985154,0.00037809045],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008217957,0.0006349796,0.0006364633,0.0003429433,0.0023086772,0.0009772631,0.00059379876,0.00033889414,0.004821929],"category_scores_gemma":[0.00043038419,0.0006164526,0.00034283538,0.00046757256,0.0010411929,0.0019730653,0.00016540776,0.00080402254,0.0011087768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001139025,0.0015016452,0.0064922846,0.0005436254,0.00046313938,0.00037708555,0.52754885,0.001496196,0.0036914255,0.06308266,0.3575363,0.0371529],"study_design_scores_gemma":[0.0003547661,0.00023305774,0.004446181,0.0003516178,0.00030399067,0.000020741643,0.032761138,0.0050389525,0.00090871775,0.006739468,0.948018,0.0008233604],"about_ca_topic_score_codex":0.001904582,"about_ca_topic_score_gemma":0.0048043965,"teacher_disagreement_score":0.5904817,"about_ca_system_score_codex":0.00024696637,"about_ca_system_score_gemma":0.00024839424,"threshold_uncertainty_score":0.99966896},"labels":[],"label_agreement":null},{"id":"W4361250455","doi":"10.33137/ic.v9i.40771","title":"Canadà: A Play by Cesare Giulio Viola","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Viola; Humanities; Art; Art history","score_opus":0.0217993521436525,"score_gpt":0.20680137882094976,"score_spread":0.18500202667729726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361250455","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.119503066,0.002413063,0.0000033444253,0.011007443,0.0028719637,0.00029558878,0.0053939126,0.000541699,0.85796994],"genre_scores_gemma":[0.6732642,0.0000058030905,0.0000021243618,0.0015393475,0.00049649546,0.000014430891,0.000279567,0.000019643294,0.32437837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989714,0.00002540126,0.00017710195,0.00023105834,0.00016674299,0.00042830306],"domain_scores_gemma":[0.9992778,0.00003578305,0.00003505741,0.00019259288,0.000039564144,0.00041923742],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005522492,0.00014383336,0.00016581257,0.00020042079,0.0004160407,0.00014992728,0.00020628837,0.000041467392,0.0077975853],"category_scores_gemma":[0.000020601525,0.00013211506,0.000085580665,0.00019896234,0.00009975311,0.00018988692,0.000013569152,0.00010618222,0.001424611],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017897794,0.0000063765747,0.00015463549,0.000010191904,0.000030066423,0.00013356513,0.007467294,0.0000019803745,0.000011273316,0.019740883,0.9712917,0.0011502425],"study_design_scores_gemma":[0.00008111888,0.000027119957,0.00011172772,0.000013127103,0.000015374566,0.000001609855,0.0010149089,0.00003320411,0.000012796398,0.0003834198,0.9981027,0.00020284622],"about_ca_topic_score_codex":0.3963261,"about_ca_topic_score_gemma":0.68314004,"teacher_disagreement_score":0.5537612,"about_ca_system_score_codex":0.00018513447,"about_ca_system_score_gemma":0.00013237412,"threshold_uncertainty_score":0.9993529},"labels":[],"label_agreement":null},{"id":"W4361250497","doi":"10.33137/ic.v9i.40766","title":"Il mondo è poco: Encounter with Canada, 1907-1916","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.016310402961324834,"score_gpt":0.19223232080258756,"score_spread":0.17592191784126274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361250497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13111958,0.004941757,0.0000045815837,0.027086059,0.0061043627,0.00085015,0.014266821,0.00035816242,0.8152685],"genre_scores_gemma":[0.5716561,0.00001937899,0.000003640152,0.002553432,0.0010239945,0.000021021142,0.00020078053,0.000051245097,0.4244704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972695,0.000070685295,0.00044344616,0.0005704184,0.0005847089,0.0010612573],"domain_scores_gemma":[0.9981762,0.00009588436,0.00012587204,0.0005128609,0.00015081378,0.0009383417],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011289038,0.00044904285,0.00047882868,0.00033788857,0.00089307624,0.00041003086,0.0004286713,0.00010514323,0.012731354],"category_scores_gemma":[0.00002378326,0.00038439946,0.0001512257,0.00047221585,0.00027032202,0.00036425245,0.000037128135,0.00032052785,0.0012112625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026087147,0.00002728535,0.0005862242,0.000081191225,0.00031363303,0.0021750727,0.008343645,0.000038961465,0.0000031123607,0.01865386,0.9687372,0.0010137538],"study_design_scores_gemma":[0.00027949072,0.00015735126,0.0006690812,0.00012786778,0.00015926445,0.000012000612,0.0029055232,0.0001307932,0.000008441959,0.0001601634,0.9947688,0.0006212289],"about_ca_topic_score_codex":0.99335223,"about_ca_topic_score_gemma":0.9989474,"teacher_disagreement_score":0.44053653,"about_ca_system_score_codex":0.001025464,"about_ca_system_score_gemma":0.0022659858,"threshold_uncertainty_score":0.99986076},"labels":[],"label_agreement":null},{"id":"W4361250558","doi":"10.33137/ic.v9i.40774","title":"I Salesiani a Toronto (1924-1934)","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Political science","score_opus":0.03306296609992858,"score_gpt":0.22571577504473048,"score_spread":0.1926528089448019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361250558","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02711076,0.0015503921,0.000002827977,0.0030578987,0.0017304625,0.00013135558,0.00034053516,0.00039109398,0.96568465],"genre_scores_gemma":[0.67886513,0.000010811345,0.000007867174,0.0011147695,0.0009670213,0.000013146062,0.000074704236,0.000019446561,0.31892708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991396,0.000021556938,0.00015931607,0.00019582092,0.00013757385,0.00034610275],"domain_scores_gemma":[0.99941784,0.000026486046,0.000027369566,0.0002020369,0.000032295582,0.0002939956],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006143575,0.000119035794,0.00014388814,0.00008626119,0.00030294654,0.00012520138,0.00016973747,0.000032721873,0.014957087],"category_scores_gemma":[0.000016121767,0.000109246816,0.000096199255,0.000088369714,0.00008332635,0.00029385518,0.000013717196,0.000056922956,0.002720677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002685093,0.0000095648675,0.00008609133,0.000013918494,0.000033633736,0.00014641689,0.015868112,0.0000012369318,0.0000073556416,0.19116706,0.78943574,0.0032281706],"study_design_scores_gemma":[0.00006693779,0.000030021818,0.00033488087,0.000010324624,0.000014557626,0.000001682293,0.0021942318,0.000041450363,0.0000027498963,0.0008724947,0.99626344,0.00016723668],"about_ca_topic_score_codex":0.25167152,"about_ca_topic_score_gemma":0.80074555,"teacher_disagreement_score":0.6517544,"about_ca_system_score_codex":0.00025207264,"about_ca_system_score_gemma":0.000074672666,"threshold_uncertainty_score":0.9980558},"labels":[],"label_agreement":null},{"id":"W4361250853","doi":"10.33137/ic.v9i.40775","title":"The Italian Canadian Reading Public","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Political science; Law","score_opus":0.048699818319005626,"score_gpt":0.21806246697246287,"score_spread":0.16936264865345724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361250853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011264565,0.0005917677,5.6653926e-7,0.04593112,0.0024944851,0.00016672137,0.0004105387,0.00023608179,0.93890417],"genre_scores_gemma":[0.7045955,0.000011682916,0.0000017814746,0.0014060249,0.00073770015,0.000019138653,0.00008617306,0.000022449338,0.29311955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985112,0.000047178157,0.00022167256,0.00023186635,0.0001583369,0.0008297529],"domain_scores_gemma":[0.99854326,0.00009245762,0.000040515843,0.00033277477,0.00007911003,0.000911897],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022700538,0.00015438453,0.0001371298,0.00037598395,0.0022023206,0.00074467465,0.0004015896,0.000045932786,0.002788991],"category_scores_gemma":[0.0001008508,0.00011541218,0.00011201511,0.00034518258,0.00023167627,0.00032053064,0.000017325063,0.00014621245,0.0028829619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.425974e-7,0.0000018929408,0.00014857783,0.0000037422224,0.00003140887,0.00009920993,0.0041137813,7.1081377e-7,9.4824225e-7,0.39767992,0.59278136,0.005137764],"study_design_scores_gemma":[0.000042885742,0.000015614942,0.00022884709,0.000008367424,0.000010744708,0.0000029441746,0.0026392569,0.00007221184,0.0000012563985,0.0026625816,0.994132,0.00018333619],"about_ca_topic_score_codex":0.81625384,"about_ca_topic_score_gemma":0.9933549,"teacher_disagreement_score":0.69333094,"about_ca_system_score_codex":0.00042710558,"about_ca_system_score_gemma":0.0004544918,"threshold_uncertainty_score":0.9990967},"labels":[],"label_agreement":null},{"id":"W4361984053","doi":"10.3917/cdu.091.0010","title":"La quête des mythes","year":2020,"lang":"fr","type":"article","venue":"La chaîne d union","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Geology","score_opus":0.03940200154435354,"score_gpt":0.22455298233102425,"score_spread":0.1851509807866707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361984053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03532867,0.0376863,0.00036935168,0.03199197,0.00083555595,0.00009907042,0.00013511934,0.00016850649,0.89338547],"genre_scores_gemma":[0.7765308,0.0015811018,0.00011588032,0.0013538051,0.0026394215,0.0000051812685,0.000036871035,0.000029052762,0.21770789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886256,0.00039247263,0.00019879328,0.00021069386,0.00011904726,0.00021642013],"domain_scores_gemma":[0.99945015,0.00016477316,0.000057427857,0.00010726162,0.000050729566,0.00016968814],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001493111,0.00017080094,0.00021168902,0.000038215832,0.00037755625,0.00018838262,0.0001320806,0.000104031475,0.0036102796],"category_scores_gemma":[0.000041814328,0.00014904291,0.0001439571,0.00008700608,0.0005814488,0.00034544116,0.00004456051,0.0002457056,0.00042650034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003124296,0.00016728656,0.0001646235,0.0003165422,0.00007083596,0.00010351008,0.09411287,0.00001110413,0.00008874918,0.8136452,0.027700108,0.063587934],"study_design_scores_gemma":[0.00017990395,0.00015332465,0.00011416438,0.00013012602,0.00006671235,0.00000792562,0.0014416765,0.00021754541,0.000056327404,0.0037683079,0.9936683,0.00019569056],"about_ca_topic_score_codex":0.0008997061,"about_ca_topic_score_gemma":0.00011046292,"teacher_disagreement_score":0.9659682,"about_ca_system_score_codex":0.000032970995,"about_ca_system_score_gemma":0.000019430916,"threshold_uncertainty_score":0.99730057},"labels":[],"label_agreement":null},{"id":"W4362663362","doi":"10.33137/ic.v8i.40881","title":"La stampa italo-canadese","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Mathematics; Linguistics; Philosophy","score_opus":0.03428205340878891,"score_gpt":0.2362721507397029,"score_spread":0.201990097330914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362663362","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052726835,0.0030303886,0.0000019554054,0.00854853,0.0035014139,0.00028471186,0.0041945004,0.00032113568,0.9273905],"genre_scores_gemma":[0.5630972,0.00005799738,0.0000028313375,0.0007609369,0.0011739198,0.000011907241,0.00018559575,0.000044638175,0.434665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976222,0.0001613455,0.00043156615,0.00048550303,0.00037276914,0.0009266487],"domain_scores_gemma":[0.9981936,0.00018542896,0.000095240444,0.0004593812,0.00008626506,0.0009800874],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025443124,0.00036083875,0.00040468233,0.0005661488,0.00075213396,0.00058083766,0.00041227118,0.00017677541,0.019317212],"category_scores_gemma":[0.00007729497,0.00035905687,0.00027579462,0.0005486094,0.00039477192,0.00038461576,0.000049905255,0.00037523557,0.008084075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007893038,0.000031799354,0.00014453624,0.00008217546,0.00015784259,0.0016673962,0.018631587,0.000012494968,0.000004557296,0.13398568,0.84092444,0.0043495963],"study_design_scores_gemma":[0.00018848269,0.00007578743,0.0005192273,0.00008594923,0.000094189585,0.000008724805,0.004313552,0.00015181708,0.0000029743667,0.0011512373,0.9929144,0.00049365335],"about_ca_topic_score_codex":0.23734328,"about_ca_topic_score_gemma":0.34437212,"teacher_disagreement_score":0.5103704,"about_ca_system_score_codex":0.00047582592,"about_ca_system_score_gemma":0.0004981762,"threshold_uncertainty_score":0.99988616},"labels":[],"label_agreement":null},{"id":"W4365138698","doi":"10.33137/ic.v7i.40920","title":"Italiani a Toronto prima del 1861","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","score_opus":0.029551891750003147,"score_gpt":0.23297622485353128,"score_spread":0.20342433310352814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365138698","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02732917,0.013522441,0.000004898139,0.0069018006,0.0056209373,0.00051729305,0.0033443093,0.00051115756,0.942248],"genre_scores_gemma":[0.40922493,0.00012494386,0.000011521294,0.0016990198,0.0020935694,0.000026648691,0.00026392387,0.00006937551,0.58648604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970767,0.000095581185,0.0005895046,0.0006502496,0.00043996825,0.0011480183],"domain_scores_gemma":[0.9979993,0.00008768537,0.00013351503,0.0006112322,0.0001321268,0.0010361429],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019628463,0.0004678486,0.0005253838,0.00024497422,0.000987893,0.000565413,0.00052100874,0.00018306696,0.03562497],"category_scores_gemma":[0.00005815089,0.00047049692,0.0003925655,0.00032949788,0.00027636686,0.0008016167,0.00007125181,0.00022967566,0.008845899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014328765,0.000054457087,0.0001509409,0.0000998834,0.00023034378,0.00069664425,0.02083887,0.000006381365,0.00000956452,0.12897983,0.842753,0.0061657373],"study_design_scores_gemma":[0.00023948519,0.00014620351,0.0005801103,0.0000983444,0.00014313599,0.0000078931225,0.0049259206,0.00025329358,0.0000070162027,0.0007762914,0.9921664,0.00065591076],"about_ca_topic_score_codex":0.46496966,"about_ca_topic_score_gemma":0.57365954,"teacher_disagreement_score":0.38189575,"about_ca_system_score_codex":0.0011876095,"about_ca_system_score_gemma":0.00043058873,"threshold_uncertainty_score":0.9997747},"labels":[],"label_agreement":null},{"id":"W4365138702","doi":"10.33137/ic.v7i.40921","title":"Una sacra rappresentazione settecentesca a Toronto","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Aurora College; University of Toronto","funders":"","keywords":"Art; Computer graphics (images); Visual arts; Computer science","score_opus":0.026816615029271764,"score_gpt":0.24369389593256724,"score_spread":0.21687728090329547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365138702","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024386102,0.01926372,0.0000075732287,0.026059326,0.0064262683,0.00073535374,0.0057723424,0.0006637582,0.9166856],"genre_scores_gemma":[0.42172247,0.00027968586,0.0000081230455,0.0019408565,0.0024650183,0.00002641574,0.00047828225,0.00006624695,0.5730129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745756,0.00010967352,0.00043483218,0.00056515506,0.00041950092,0.0010132977],"domain_scores_gemma":[0.9982428,0.00009407776,0.000108760854,0.00055939815,0.00009483699,0.0009001535],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015908928,0.00039882332,0.00045052878,0.00023784614,0.0009003831,0.00045293692,0.00044840283,0.00014427573,0.039117232],"category_scores_gemma":[0.000039582148,0.00039932225,0.00033704433,0.00034429465,0.0002521899,0.0006122033,0.00007083704,0.00022906029,0.0056509674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015950538,0.00005240187,0.00012153159,0.000085843996,0.00021906832,0.0005037846,0.011971209,0.000008058282,0.00001795517,0.048669323,0.9347549,0.0035799446],"study_design_scores_gemma":[0.00028904274,0.00010243718,0.0002671583,0.00012992376,0.00010234989,0.0000055805986,0.0050191185,0.00046198317,0.000008531899,0.00047229472,0.99262035,0.0005212591],"about_ca_topic_score_codex":0.32120836,"about_ca_topic_score_gemma":0.42110452,"teacher_disagreement_score":0.39733636,"about_ca_system_score_codex":0.0008067441,"about_ca_system_score_gemma":0.00025193696,"threshold_uncertainty_score":0.99984586},"labels":[],"label_agreement":null},{"id":"W4365138731","doi":"10.33137/ic.v7i.40923","title":"Luigi Pautasso, Il santo cappuccino di Toronto. La vita di P. Luigi da Lavagna","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art","score_opus":0.02461404978471247,"score_gpt":0.2351848978093956,"score_spread":0.21057084802468315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365138731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070419125,0.022663256,0.0000052601895,0.00676374,0.0066004507,0.00073592825,0.011276008,0.0006827121,0.88085353],"genre_scores_gemma":[0.653524,0.00031525033,0.000003896723,0.000876309,0.0021561207,0.00003601809,0.00048686782,0.000100399695,0.34250116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99581885,0.00027579372,0.0008182893,0.0009425381,0.0006333446,0.0015111556],"domain_scores_gemma":[0.99706197,0.00028721004,0.00021015362,0.00090614095,0.00015472723,0.0013798296],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003385373,0.00072926213,0.0008366959,0.0003112659,0.0012873145,0.0011489121,0.0007724549,0.00032040727,0.01629389],"category_scores_gemma":[0.000096515876,0.0007072545,0.0005061647,0.00041239522,0.0004414851,0.00096040656,0.00012747284,0.00045210664,0.0036576933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027573029,0.000118652555,0.0008446863,0.00019214413,0.0004480194,0.0018233737,0.026991284,0.000016797128,0.000042133943,0.09790493,0.8636155,0.007974867],"study_design_scores_gemma":[0.00040026064,0.00021215143,0.0022535159,0.00017485661,0.00025563632,0.000016170832,0.0040295245,0.0002510956,0.000010945903,0.000564833,0.9908494,0.0009816268],"about_ca_topic_score_codex":0.5477451,"about_ca_topic_score_gemma":0.6405595,"teacher_disagreement_score":0.58310485,"about_ca_system_score_codex":0.0012465128,"about_ca_system_score_gemma":0.0005584992,"threshold_uncertainty_score":0.999888},"labels":[],"label_agreement":null},{"id":"W4365138769","doi":"10.33137/ic.v7i.40922","title":"Vita di Padre Luigi da Lavagna (1801 -1857): Studio delle fonti","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Studio; Art; Humanities; Visual arts","score_opus":0.04332058729140092,"score_gpt":0.24021883987391365,"score_spread":0.19689825258251273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365138769","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13853168,0.028734643,0.000021013022,0.023022804,0.013386584,0.0013763558,0.009764059,0.0009453394,0.78421754],"genre_scores_gemma":[0.56225693,0.00016772041,0.000005264734,0.0010647229,0.0020420875,0.000027682907,0.0003064732,0.00007187538,0.4340572],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965496,0.00014612434,0.0006883558,0.0007984681,0.00052312954,0.001294302],"domain_scores_gemma":[0.9977293,0.00016405382,0.00016375979,0.0007479493,0.00016359681,0.001031314],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024390787,0.0005642685,0.0007136494,0.0005484407,0.001551576,0.00075914216,0.00064073235,0.00020404592,0.010972994],"category_scores_gemma":[0.00007568334,0.000552348,0.00043629363,0.0006709678,0.0003946461,0.00051329774,0.00012366894,0.0004168724,0.006617459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016579314,0.00008957318,0.0010535311,0.00012436644,0.00042163322,0.0012595431,0.0200249,0.000024924422,0.000010194099,0.04957212,0.9236809,0.00372176],"study_design_scores_gemma":[0.0003692118,0.000185879,0.0010465469,0.00013037949,0.00022811377,0.000006538673,0.004193864,0.00022694845,0.000007328652,0.0008039047,0.99204737,0.0007539209],"about_ca_topic_score_codex":0.113348745,"about_ca_topic_score_gemma":0.2315223,"teacher_disagreement_score":0.42372528,"about_ca_system_score_codex":0.0005202928,"about_ca_system_score_gemma":0.00041141582,"threshold_uncertainty_score":0.9997483},"labels":[],"label_agreement":null},{"id":"W4366343087","doi":"","title":"Lodovico Dolce, traducteur de l’Art poétique d’Horace","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Computer science; Art","score_opus":0.016269413189517128,"score_gpt":0.21922090173926084,"score_spread":0.2029514885497437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366343087","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035819843,0.0073415404,0.057891186,0.06678489,0.0012162216,0.00056136335,0.0002917005,0.00045348343,0.8296398],"genre_scores_gemma":[0.28224245,0.0015622182,0.00878644,0.00066561153,0.0004788128,0.000077550576,0.00077925745,0.00009770211,0.70531],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98641866,0.010235587,0.000972884,0.0011003889,0.00051602675,0.00075647386],"domain_scores_gemma":[0.99264944,0.002107356,0.00069111097,0.0021748915,0.0018659484,0.0005112342],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0056883385,0.0006652596,0.00078869023,0.00024834642,0.0013689,0.0011719612,0.0016193051,0.00047011144,0.0047386363],"category_scores_gemma":[0.0010085484,0.00068786304,0.0006255439,0.00022892942,0.00090476003,0.00034135804,0.00068483746,0.0013198929,0.0011128488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022901282,0.0009275992,0.00038391398,0.00035616543,0.00015688577,0.000015479158,0.04219798,0.000069936774,0.0003827529,0.8942772,0.04493893,0.016270235],"study_design_scores_gemma":[0.00032915332,0.0000012286064,0.000514934,0.0015398812,0.00016168412,0.000021344656,0.00022562161,0.0046459395,0.0022217594,0.011490209,0.9781262,0.00072203163],"about_ca_topic_score_codex":0.0056486554,"about_ca_topic_score_gemma":0.0057548806,"teacher_disagreement_score":0.9331873,"about_ca_system_score_codex":0.00032649722,"about_ca_system_score_gemma":0.00035056562,"threshold_uncertainty_score":0.99993116},"labels":[],"label_agreement":null},{"id":"W4366388642","doi":"","title":"Les enjeux du canon littéraire européen chez Chateaubriand","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Canon; Art; Humanities; Political science; Literature","score_opus":0.0261065414556859,"score_gpt":0.22164991755792002,"score_spread":0.19554337610223413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366388642","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04261613,0.015016045,0.0074705957,0.060796853,0.0014109287,0.00050216966,0.00032895792,0.00036707768,0.87149125],"genre_scores_gemma":[0.58723146,0.0016199857,0.001646606,0.00023558765,0.0007052057,0.000049067792,0.0007229161,0.00007729394,0.40771186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9889173,0.00806697,0.00089241035,0.0010436065,0.00049977994,0.0005799209],"domain_scores_gemma":[0.9930034,0.0014007923,0.0006663125,0.0018138895,0.0027294715,0.00038612154],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003904344,0.0006294748,0.0007457506,0.00020710293,0.0018928464,0.0010553099,0.0014127356,0.0003733363,0.0059953104],"category_scores_gemma":[0.0010830986,0.00062250794,0.0005232448,0.00018413393,0.0009977256,0.00026149105,0.0009184859,0.0009419502,0.00047215255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023721068,0.000635624,0.0007090993,0.00038706767,0.00015926025,0.000015045026,0.051974572,0.000024979505,0.00016543659,0.86774015,0.0085629495,0.06960211],"study_design_scores_gemma":[0.00039373516,0.0000015235815,0.0017289444,0.0019752844,0.00015249719,0.000012189745,0.00025860188,0.002774212,0.0012909723,0.004360682,0.9863794,0.0006719947],"about_ca_topic_score_codex":0.031160533,"about_ca_topic_score_gemma":0.010210867,"teacher_disagreement_score":0.9778164,"about_ca_system_score_codex":0.00023642658,"about_ca_system_score_gemma":0.0002569577,"threshold_uncertainty_score":0.9999817},"labels":[],"label_agreement":null},{"id":"W4366465517","doi":"10.33137/ic.v6i.40978","title":"Il primo contributo canadese alla letteratura italiana moderna","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.027283006022291334,"score_gpt":0.22449689723808045,"score_spread":0.1972138912157891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366465517","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18147537,0.016517371,0.000026183983,0.13676521,0.020047853,0.0021892937,0.04406347,0.0014201454,0.5974951],"genre_scores_gemma":[0.57519895,0.0000793105,0.0000060193447,0.005020976,0.0026915628,0.000031888532,0.0007406838,0.00008765405,0.41614294],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954039,0.00020161994,0.0009207884,0.0009382207,0.0006939224,0.0018415911],"domain_scores_gemma":[0.9968723,0.0002005335,0.00024905964,0.00082025694,0.00025723904,0.0016006111],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034162798,0.0007241446,0.0009254899,0.0007266596,0.0013520068,0.0012793177,0.000769496,0.00029486723,0.010131288],"category_scores_gemma":[0.00014608269,0.0007243347,0.0005153402,0.0007165837,0.00039889908,0.0006800034,0.00008771166,0.00062503084,0.0050366237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002372377,0.000044338503,0.000133704,0.00011845956,0.0004193409,0.0024573423,0.0105115045,0.00007037475,0.00004258729,0.07060926,0.91393423,0.0016351368],"study_design_scores_gemma":[0.0004707133,0.00011483618,0.0003963983,0.00015555519,0.0001931672,0.000015730107,0.0011916804,0.0011787459,0.000019000188,0.0009409061,0.99434346,0.0009797808],"about_ca_topic_score_codex":0.43072394,"about_ca_topic_score_gemma":0.49935588,"teacher_disagreement_score":0.3937236,"about_ca_system_score_codex":0.001189113,"about_ca_system_score_gemma":0.00083600223,"threshold_uncertainty_score":0.9999481},"labels":[],"label_agreement":null},{"id":"W4366468169","doi":"10.33137/ic.v6i.40983","title":"Anna Moroni Parken’s Emigranti: quattro anni al Canadà","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03783404185375471,"score_gpt":0.24282499230054963,"score_spread":0.2049909504467949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366468169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3150648,0.021011997,0.000008555552,0.086642385,0.014690869,0.0012952733,0.01956383,0.0010764356,0.5406459],"genre_scores_gemma":[0.6570733,0.00013059356,0.000004873299,0.0044298894,0.0014618104,0.00002729252,0.00045007173,0.00007449516,0.33634767],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99625754,0.0001549176,0.0006891828,0.0007808339,0.00054875505,0.0015687523],"domain_scores_gemma":[0.9974806,0.00012519259,0.0001633361,0.0006784226,0.00015082344,0.0014016387],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028890008,0.00056361384,0.0006577813,0.0006444049,0.0013607658,0.00058448367,0.0005882097,0.00018336855,0.014504399],"category_scores_gemma":[0.00007274239,0.00056901306,0.00043165745,0.00060708553,0.00042966378,0.0004927316,0.00005626125,0.00044492783,0.004122072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019245455,0.000041973326,0.0008033231,0.00007874048,0.00026384168,0.0014137907,0.019785376,0.00003298958,0.0000096256135,0.023583595,0.9516171,0.0023503671],"study_design_scores_gemma":[0.00028923125,0.00013680912,0.0017920715,0.00011604197,0.00015346336,0.00001041768,0.004955193,0.0007100304,0.0000072033868,0.00037169817,0.99067783,0.00078002934],"about_ca_topic_score_codex":0.7641851,"about_ca_topic_score_gemma":0.7951077,"teacher_disagreement_score":0.34200853,"about_ca_system_score_codex":0.00076054793,"about_ca_system_score_gemma":0.0008391374,"threshold_uncertainty_score":0.9999393},"labels":[],"label_agreement":null},{"id":"W4366495827","doi":"10.33137/ic.v6i.40976","title":"Le Chevalier Henri de Tonty: un aventurier italien vu par un écrivain québécois","year":2023,"lang":"fr","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Déjà vu; Humanities; Art; Psychology","score_opus":0.015281158495995853,"score_gpt":0.20955720647876083,"score_spread":0.194276047982765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366495827","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12161591,0.03774048,0.000026946542,0.09942429,0.006028096,0.0005664232,0.0044333255,0.00042426123,0.72974026],"genre_scores_gemma":[0.55031973,0.00016450576,0.00003510153,0.005183377,0.0019643412,0.00003407984,0.00021679964,0.00007963718,0.44200242],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971022,0.00017905277,0.00053317944,0.000571762,0.00033481134,0.0012789905],"domain_scores_gemma":[0.9981301,0.0000973708,0.00012205916,0.0005369227,0.000098566474,0.0010149917],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003237688,0.00043097045,0.00047880106,0.00034191486,0.0012669042,0.00036780658,0.00046019728,0.00023111519,0.0124476375],"category_scores_gemma":[0.00006857813,0.000468066,0.0004079499,0.00045208854,0.00053759536,0.00045403495,0.00006573635,0.00034616608,0.0023824528],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012205705,0.00009817652,0.00030881297,0.00011262844,0.00034935283,0.0012143423,0.034993414,0.000022961818,0.000008633558,0.42540556,0.52109754,0.016376358],"study_design_scores_gemma":[0.0003116149,0.000091876645,0.0007650667,0.00009089569,0.00018345569,0.000021616286,0.0037080646,0.00018410952,0.000065097796,0.008491002,0.98545986,0.00062730943],"about_ca_topic_score_codex":0.6621803,"about_ca_topic_score_gemma":0.5493514,"teacher_disagreement_score":0.46436235,"about_ca_system_score_codex":0.000650782,"about_ca_system_score_gemma":0.0011732944,"threshold_uncertainty_score":0.9997771},"labels":[],"label_agreement":null},{"id":"W4366495830","doi":"10.33137/ic.v6i.40984","title":"La storia di Fr. Louis Griffa (1818-1891), primo sacerdote secolare italiano a Toronto","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.020387910783291368,"score_gpt":0.23153517168142737,"score_spread":0.211147260898136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366495830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06869312,0.02999964,0.00001020333,0.010057933,0.01937482,0.0016561963,0.018812535,0.0011985245,0.850197],"genre_scores_gemma":[0.5266076,0.00022171559,0.000013101003,0.0010054036,0.004593542,0.000064446016,0.00066308246,0.00014535888,0.4666858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955076,0.00036516873,0.0008553738,0.0010408451,0.00069976825,0.0015312234],"domain_scores_gemma":[0.9968342,0.0002615408,0.00025570678,0.0009598478,0.00021837855,0.001470287],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038176338,0.00079018646,0.0008909362,0.00035785596,0.0014048613,0.0012871659,0.0007262611,0.00046659794,0.029093923],"category_scores_gemma":[0.0001301593,0.0008028448,0.000600442,0.00050356274,0.00040689748,0.0011179171,0.00013544524,0.0005917446,0.0041436167],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033154167,0.000104869716,0.00035878844,0.00028786244,0.00052423077,0.0013669987,0.039984215,0.00002026482,0.000015352307,0.056968223,0.89548194,0.00485409],"study_design_scores_gemma":[0.00040401646,0.00022223091,0.0011301636,0.00023938007,0.00028985896,0.000014701909,0.0062953834,0.00020884552,0.0000053961785,0.00035287658,0.9897643,0.0010728871],"about_ca_topic_score_codex":0.41193223,"about_ca_topic_score_gemma":0.6169942,"teacher_disagreement_score":0.45791444,"about_ca_system_score_codex":0.0024350563,"about_ca_system_score_gemma":0.0007456361,"threshold_uncertainty_score":0.99989516},"labels":[],"label_agreement":null},{"id":"W4366739360","doi":"","title":"“Vox Dei, vox poetae“","year":2008,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Business","score_opus":0.028858438419959085,"score_gpt":0.21863939572552668,"score_spread":0.1897809573055676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366739360","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03539982,0.0041367915,0.0059429267,0.010086889,0.0010270419,0.00035456536,0.00021205471,0.0004968033,0.9423431],"genre_scores_gemma":[0.5977572,0.0013167978,0.004235373,0.00044284866,0.00033407164,0.00007221316,0.00092389673,0.00006807622,0.3948495],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99545914,0.0024867284,0.0005731669,0.00069682964,0.00042183106,0.00036228963],"domain_scores_gemma":[0.99558604,0.0007111701,0.00039133904,0.0016022584,0.0014989768,0.00021023091],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013891647,0.00037655592,0.0004704442,0.00021324842,0.0008963918,0.0005358197,0.0011133528,0.00020110377,0.0027035594],"category_scores_gemma":[0.00044503386,0.00035632247,0.00039751446,0.00011789805,0.0005071759,0.00021002625,0.00077795936,0.0007352471,0.00036316103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020380381,0.0011480047,0.00041510322,0.00026931037,0.00026371147,0.000039240123,0.18949299,0.000033637087,0.00017068352,0.68917537,0.08467266,0.034298927],"study_design_scores_gemma":[0.00019983742,3.469891e-7,0.00017219075,0.00056112924,0.000060835642,0.000006570247,0.00018977602,0.001071076,0.0009264308,0.0055429284,0.99081427,0.00045460302],"about_ca_topic_score_codex":0.0038563653,"about_ca_topic_score_gemma":0.0023533527,"teacher_disagreement_score":0.90614164,"about_ca_system_score_codex":0.00011414849,"about_ca_system_score_gemma":0.00018445926,"threshold_uncertainty_score":0.9998889},"labels":[],"label_agreement":null},{"id":"W4366767297","doi":"","title":"Autour de La Fausse Magie descouverte : hypothèses sur la dramaturgie biterroise des années 1630","year":2019,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.020862815606961477,"score_gpt":0.2229900781400702,"score_spread":0.20212726253310873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366767297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24004544,0.020708513,0.0104332175,0.008982084,0.001296327,0.000651317,0.0005841507,0.00057501637,0.7167239],"genre_scores_gemma":[0.6259273,0.0045579216,0.0073738634,0.00020373067,0.00022510107,0.00006512529,0.0003701029,0.000106622734,0.36117017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.986176,0.010555863,0.00090867275,0.0010370021,0.000532957,0.000789466],"domain_scores_gemma":[0.98887986,0.0062860106,0.00065436994,0.0019881688,0.0017705287,0.00042106883],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0048580286,0.00074835226,0.0008361034,0.0003423244,0.0016350237,0.0022584423,0.0016692353,0.0005521847,0.0027251411],"category_scores_gemma":[0.0016526565,0.0007282606,0.00067682733,0.00028109315,0.0022849375,0.000749661,0.0010306574,0.001281742,0.00043253435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007482301,0.0024571775,0.004329507,0.0011273569,0.0004570768,0.00011069632,0.11398662,0.00033374684,0.0010493915,0.7947074,0.037265617,0.044100598],"study_design_scores_gemma":[0.00056128437,0.0000018748838,0.0035516152,0.0034325847,0.0002041956,0.000036855687,0.0007953018,0.0056588673,0.0017738211,0.01239196,0.9707345,0.0008571393],"about_ca_topic_score_codex":0.013116472,"about_ca_topic_score_gemma":0.00386078,"teacher_disagreement_score":0.9334689,"about_ca_system_score_codex":0.0003909665,"about_ca_system_score_gemma":0.00075264665,"threshold_uncertainty_score":0.9996647},"labels":[],"label_agreement":null},{"id":"W4366767426","doi":"","title":"Les bifurcations de l’altérité et le statut moderne de la littérature","year":2015,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Philosophy","score_opus":0.0388608793676344,"score_gpt":0.24958870760680896,"score_spread":0.21072782823917455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366767426","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00072791206,0.02414243,0.01590587,0.016880978,0.00013754035,0.00020765568,0.0005055609,0.00017523929,0.94131684],"genre_scores_gemma":[0.18589243,0.0034225204,0.007796176,0.00027908717,0.00017077508,0.000034941208,0.0009267981,0.000086759464,0.8013905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937369,0.0042703776,0.0005636045,0.000574664,0.00039257322,0.00046184653],"domain_scores_gemma":[0.9944123,0.0017717432,0.00040655377,0.001123801,0.001883171,0.0004024316],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004000998,0.00045288057,0.00046041646,0.00021942117,0.0013627785,0.0007570978,0.000802723,0.00046323994,0.0017526533],"category_scores_gemma":[0.0005719746,0.00046494574,0.0003316776,0.00010945396,0.0011336242,0.0003393451,0.00026004374,0.0010475115,0.00012833557],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010917374,0.00045625353,0.00007192727,0.000099669254,0.000109283275,0.000012464287,0.028342266,0.000054346667,0.00013049993,0.9489576,0.0060906583,0.015664091],"study_design_scores_gemma":[0.000336434,0.0000012231188,0.000109080414,0.0009542892,0.00011998755,0.000020960033,0.00040726774,0.0014700302,0.00026528683,0.03675062,0.9591063,0.00045851967],"about_ca_topic_score_codex":0.012317673,"about_ca_topic_score_gemma":0.007083064,"teacher_disagreement_score":0.9530156,"about_ca_system_score_codex":0.00033235448,"about_ca_system_score_gemma":0.0011011235,"threshold_uncertainty_score":0.9999373},"labels":[],"label_agreement":null},{"id":"W4366768062","doi":"","title":"Religion, tensions et transgressions. Les fous de Bassan d’Anne Hébert et Le dernier été des Indiens de Robert Lalonde","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Philosophy; Sociology","score_opus":0.03347503117556272,"score_gpt":0.259525739324748,"score_spread":0.22605070814918526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366768062","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1529372,0.02988599,0.046803106,0.11574936,0.0007456372,0.00074513507,0.00070713874,0.00049502385,0.6519314],"genre_scores_gemma":[0.79650116,0.007270178,0.016609613,0.00077199284,0.00011741074,0.00009298347,0.0007331292,0.00009424556,0.1778093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.989891,0.0072668497,0.00076643797,0.0008889048,0.00042017366,0.0007666487],"domain_scores_gemma":[0.9929998,0.0019903628,0.0006449029,0.0020684823,0.0017886332,0.00050783966],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.004826453,0.00057763536,0.0006668446,0.00025251752,0.004359332,0.001103046,0.0014904706,0.00048117322,0.00074784685],"category_scores_gemma":[0.0018566905,0.00055126124,0.00058171054,0.0001303823,0.001424284,0.00038683318,0.000680309,0.0013552037,0.0000772805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038006357,0.0016680517,0.0033280035,0.00025749244,0.0002384997,0.000055231947,0.14029981,0.00018598056,0.0011025206,0.80970263,0.018792734,0.02433106],"study_design_scores_gemma":[0.0005624046,0.0000022094075,0.006263752,0.0042279786,0.00022085443,0.00005295169,0.0008103909,0.0018222745,0.002468685,0.023987433,0.95885086,0.00073021464],"about_ca_topic_score_codex":0.059109945,"about_ca_topic_score_gemma":0.0638005,"teacher_disagreement_score":0.9400581,"about_ca_system_score_codex":0.0002817693,"about_ca_system_score_gemma":0.0008419326,"threshold_uncertainty_score":0.9999339},"labels":[],"label_agreement":null},{"id":"W4366768068","doi":"","title":"Campailla, la poésie italienne et le cartésianisme : esquisse de quelques propositions théoriques sur la tradition européenne du “poème-de-science”","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.016341700230481745,"score_gpt":0.22837167662625701,"score_spread":0.21202997639577525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366768068","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062092915,0.0031365575,0.012309939,0.055087578,0.0006246272,0.00054329325,0.0006340125,0.0004440513,0.865127],"genre_scores_gemma":[0.8613608,0.002148243,0.005345736,0.0002494208,0.0002490474,0.000111296344,0.00062432885,0.00007653112,0.1298346],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98798054,0.008915943,0.0007572437,0.0010355441,0.0005597305,0.0007509946],"domain_scores_gemma":[0.99244446,0.0018889327,0.0007760042,0.0018799844,0.0024852084,0.00052543136],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.008543041,0.0005749358,0.0006288157,0.00032133996,0.003735725,0.0032220525,0.0018288498,0.00034738478,0.0005837113],"category_scores_gemma":[0.0017830296,0.00059487397,0.00047648072,0.0002251788,0.0028536888,0.0012580047,0.00066712475,0.0010313364,0.00006841726],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016753831,0.0013283063,0.00020901048,0.00017043973,0.00008388681,0.000057756773,0.06531652,0.00003420905,0.0023296422,0.92214555,0.004984169,0.0033237508],"study_design_scores_gemma":[0.00053973054,0.0000057113343,0.0023558612,0.0023390013,0.00020536841,0.00014170492,0.0015025793,0.003315759,0.007336101,0.045588035,0.9357229,0.0009472564],"about_ca_topic_score_codex":0.028293481,"about_ca_topic_score_gemma":0.0069448873,"teacher_disagreement_score":0.93073875,"about_ca_system_score_codex":0.00049558,"about_ca_system_score_gemma":0.0019367102,"threshold_uncertainty_score":0.99986},"labels":[],"label_agreement":null},{"id":"W4366768099","doi":"","title":"Les traductions de poésie au XVIIe siècle","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.02811764273392929,"score_gpt":0.23248217671174368,"score_spread":0.2043645339778144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366768099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055432037,0.0034755091,0.04579689,0.03539984,0.001035985,0.0003030292,0.0002414974,0.00029335107,0.85802186],"genre_scores_gemma":[0.65054446,0.00044347497,0.0056329295,0.00015502665,0.00042325433,0.00005558369,0.00041486882,0.000051184114,0.34227923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99181944,0.0057790824,0.0007027419,0.0007611867,0.00035723008,0.0005802916],"domain_scores_gemma":[0.9947458,0.0015552534,0.00045887457,0.0015483038,0.0013283275,0.00036344802],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032248397,0.000448128,0.0005195424,0.00018592912,0.002762341,0.0006844196,0.0010613628,0.00031722724,0.0033413353],"category_scores_gemma":[0.00071107823,0.0004656542,0.0005132985,0.00016898253,0.0011244841,0.00023359421,0.0004430464,0.00088076334,0.00033590785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008581803,0.00073202414,0.0005239639,0.00018186802,0.0001258224,0.0000046668056,0.045411393,0.00010562023,0.00020595861,0.9082073,0.0062148715,0.038277935],"study_design_scores_gemma":[0.00025112976,8.6412354e-7,0.0021652177,0.0010440379,0.00017160177,0.000014185232,0.00047971788,0.0037279571,0.0013398053,0.010181373,0.9801082,0.00051590666],"about_ca_topic_score_codex":0.048257865,"about_ca_topic_score_gemma":0.01231389,"teacher_disagreement_score":0.97389334,"about_ca_system_score_codex":0.0004576293,"about_ca_system_score_gemma":0.00034398484,"threshold_uncertainty_score":0.9997795},"labels":[],"label_agreement":null},{"id":"W4366776095","doi":"","title":"Emergence de l’exotisme au XVIIIe siècle","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Computer science","score_opus":0.021095589936928838,"score_gpt":0.2234899928598089,"score_spread":0.20239440292288005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366776095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0922625,0.0047153393,0.06911907,0.035284586,0.0017839544,0.00041407373,0.00025462755,0.00033487848,0.79583097],"genre_scores_gemma":[0.7146013,0.00067250634,0.006190617,0.00029168112,0.0003531807,0.00005342357,0.0003550997,0.000055345863,0.27742687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909865,0.00618782,0.0008064434,0.0008769915,0.0004462475,0.0006959781],"domain_scores_gemma":[0.9942569,0.0014068263,0.0005571235,0.0018011895,0.0015481564,0.0004298102],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0043090326,0.0004948614,0.00057776517,0.00016532296,0.0026993554,0.0005780151,0.001455557,0.00031344296,0.0067125363],"category_scores_gemma":[0.000868477,0.00051582017,0.0004860074,0.00018444684,0.0013490983,0.0002617307,0.0008239198,0.0008322491,0.0007094827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000971888,0.00061421964,0.0011017026,0.00024032287,0.00011352009,0.000009519098,0.06259482,0.000086272645,0.00025526318,0.8969073,0.011205526,0.026861757],"study_design_scores_gemma":[0.00025028744,9.536516e-7,0.0024500785,0.0014133204,0.00014059215,0.000009705184,0.0004693746,0.010762551,0.0017175107,0.011849868,0.970292,0.000643799],"about_ca_topic_score_codex":0.027696665,"about_ca_topic_score_gemma":0.0095409155,"teacher_disagreement_score":0.9590864,"about_ca_system_score_codex":0.00026062157,"about_ca_system_score_gemma":0.00038789414,"threshold_uncertainty_score":0.99972934},"labels":[],"label_agreement":null},{"id":"W4366776851","doi":"","title":"Valère Bernard : le mystère bohémien et l’art, Amb un fil d’amistat*, Meslanges offerts à Philippe Gardy par ses collègues, ses disciples et ses amis","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Philosophy","score_opus":0.018201079668335673,"score_gpt":0.225068010913693,"score_spread":0.20686693124535732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366776851","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.117192395,0.02162953,0.0050373357,0.17281282,0.0016890514,0.001476491,0.0045667714,0.000981499,0.67461413],"genre_scores_gemma":[0.54710436,0.0053446493,0.0033260998,0.00061801204,0.00032174063,0.00015628574,0.0038041621,0.0001332362,0.4391915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9840277,0.011393308,0.0012677017,0.0015279826,0.0009021177,0.00088119495],"domain_scores_gemma":[0.9903525,0.0035408267,0.001054601,0.002533909,0.0019996266,0.00051851413],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004319926,0.0010256516,0.0012896502,0.00030417336,0.002339574,0.0017116095,0.0018415645,0.0004332121,0.0032214406],"category_scores_gemma":[0.0011164416,0.0009695305,0.0007989243,0.0002890211,0.0013609602,0.0006064564,0.0015506947,0.001115931,0.0003194853],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008526517,0.002044593,0.00129479,0.0009757612,0.00081501686,0.000046740155,0.13587755,0.00030132107,0.00046774186,0.7030767,0.1440223,0.010992203],"study_design_scores_gemma":[0.0006223612,0.0000057190373,0.0014211857,0.0026173906,0.0003231741,0.000019932091,0.0016360664,0.0015021539,0.0032921154,0.0048369663,0.9826239,0.0010990355],"about_ca_topic_score_codex":0.0124801425,"about_ca_topic_score_gemma":0.029818743,"teacher_disagreement_score":0.8386016,"about_ca_system_score_codex":0.00025407976,"about_ca_system_score_gemma":0.00051347644,"threshold_uncertainty_score":0.99932474},"labels":[],"label_agreement":null},{"id":"W4366780277","doi":"10.1353/tfr.2023.0091","title":"Histoire de la description de la parole: de l'introspection à l'instrumentation éd. par Christelle Dodane, et Claudia Schweitzer","year":2023,"lang":"fr","type":"article","venue":"The French review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Introspection; Theme (computing); Humanities; Art; History; Linguistics; Philosophy; Computer science; Epistemology","score_opus":0.02251112278408295,"score_gpt":0.2711477291763843,"score_spread":0.24863660639230134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366780277","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0136177745,0.8337423,0.0009788745,0.009362274,0.0020597999,0.0007152224,0.00011539962,0.00032466187,0.13908365],"genre_scores_gemma":[0.40896735,0.32952684,0.0003169729,0.0036374289,0.0017555641,0.0002799107,0.00025551076,0.000065141336,0.25519532],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656624,0.0018350908,0.0005415278,0.00032219975,0.00025627422,0.00047867032],"domain_scores_gemma":[0.9988547,0.00035582398,0.0002521485,0.00030992873,0.00007159092,0.00015578988],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019049859,0.00028902147,0.00041503686,0.000096742224,0.0011524265,0.0003342015,0.00022772832,0.0001624046,0.0024037266],"category_scores_gemma":[0.00008991592,0.00023175043,0.0003266732,0.00033169243,0.00059631764,0.00038387027,0.000047154805,0.00052437733,0.0006400294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011047337,0.00019435286,0.0014684818,0.002505852,0.00011096339,0.000054538785,0.006751132,0.000042013584,0.00016818594,0.05074899,0.87699556,0.060948875],"study_design_scores_gemma":[0.00022227877,0.000082063045,0.004313524,0.0019665603,0.0004798362,0.00007893112,0.00021261991,0.0006182691,0.000012172264,0.0059905984,0.98576015,0.00026300934],"about_ca_topic_score_codex":0.0033398527,"about_ca_topic_score_gemma":0.0009903758,"teacher_disagreement_score":0.50421554,"about_ca_system_score_codex":0.00072213955,"about_ca_system_score_gemma":0.00018919706,"threshold_uncertainty_score":0.9985082},"labels":[],"label_agreement":null},{"id":"W4366781203","doi":"","title":"Sapientia contemptrix doloris. Le corps souffrant dans l’œuvre philosophique de Sénèque, Leuven, Peeters, « Latomus » 351","year":2015,"lang":"fr","type":"preprint","venue":"INRIA a CCSD electronic archive server","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Philosophy; Art; Humanities","score_opus":0.02962903094780178,"score_gpt":0.24157917676825927,"score_spread":0.2119501458204575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366781203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78190655,0.039401747,0.003528661,0.008109978,0.0047484883,0.0023520635,0.002820284,0.0006293214,0.1565029],"genre_scores_gemma":[0.92685646,0.0014475139,0.00020218667,0.0011844628,0.0044815773,0.0002722936,0.0014856202,0.00020924168,0.06386063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99224687,0.0014388325,0.0014942177,0.0017047969,0.0007601369,0.002355172],"domain_scores_gemma":[0.9961387,0.00045677053,0.00084254774,0.0013512254,0.00043042045,0.0007803165],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011061034,0.0013880356,0.0017113177,0.00040412848,0.001354653,0.00045235307,0.0016165986,0.00061641046,0.0016705514],"category_scores_gemma":[0.00011687132,0.0013345018,0.0013264526,0.00018966451,0.001313596,0.00059218257,0.00087313744,0.0028599447,0.0006449873],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008568385,0.00095681957,0.00054047507,0.0004270589,0.0018083171,0.00026253707,0.055881258,0.0006934598,0.0004223683,0.88816816,0.049583774,0.00039893223],"study_design_scores_gemma":[0.0016272494,0.000736118,0.00024943455,0.00041766805,0.00059314945,0.00009545097,0.0010364603,0.0013729219,0.00009556859,0.23262534,0.7598724,0.0012782674],"about_ca_topic_score_codex":0.019123077,"about_ca_topic_score_gemma":0.028802035,"teacher_disagreement_score":0.7102886,"about_ca_system_score_codex":0.0022448984,"about_ca_system_score_gemma":0.0034571479,"threshold_uncertainty_score":0.99994546},"labels":[],"label_agreement":null},{"id":"W4366980745","doi":"","title":"\"D’Edmond Dantès au comte de Monte-Cristo. L’impossible portrait d’un homme aux mille visages\"","year":2023,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Portrait; Art; Art history","score_opus":0.03205917449761148,"score_gpt":0.23791681280063093,"score_spread":0.20585763830301945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366980745","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1695716,0.023421928,0.018262124,0.08198205,0.003981247,0.0012391546,0.001970277,0.0013240551,0.69824755],"genre_scores_gemma":[0.41440392,0.0019499366,0.0043829074,0.00034039363,0.00041024902,0.0001134071,0.0011549187,0.00013621879,0.577108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9903819,0.0053373277,0.0012655458,0.0012778322,0.00068178424,0.0010556371],"domain_scores_gemma":[0.9923334,0.0020335272,0.00080116035,0.002394006,0.0018196307,0.0006182754],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00503261,0.0007707963,0.00093110057,0.00036111608,0.0029902135,0.001106228,0.00195039,0.00045760474,0.0030546307],"category_scores_gemma":[0.0009209148,0.0007996886,0.00078737043,0.0004057636,0.0011456289,0.00039657473,0.0013628361,0.0013410762,0.00072391774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047306257,0.0017150128,0.0022881278,0.00055282615,0.00052893895,0.00012920059,0.15271764,0.00013117398,0.0005476651,0.75393325,0.07029008,0.017118787],"study_design_scores_gemma":[0.0005770628,0.0000022979643,0.0035245998,0.0018649321,0.00027053407,0.000026345211,0.0013401093,0.006240985,0.0012495132,0.010267585,0.97370416,0.00093189994],"about_ca_topic_score_codex":0.053502213,"about_ca_topic_score_gemma":0.017081698,"teacher_disagreement_score":0.9034141,"about_ca_system_score_codex":0.0006160236,"about_ca_system_score_gemma":0.0008196609,"threshold_uncertainty_score":0.99993074},"labels":[],"label_agreement":null},{"id":"W4366982994","doi":"10.5206/mfds-ecfw.v7i1.16426","title":"Isabelle Tremblay, Les fantômes du roman épistolaire d’Ancien Régime. L’interlocuteur absent dans la fiction monophonique, série Faux titre, Leiden/Boston, Brill/Rodopi, 2018, 185 p.","year":2023,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Brill; Art; Ancien regime; Humanities; Political science; Classics; Politics; Law","score_opus":0.013236562309830743,"score_gpt":0.21005843655496093,"score_spread":0.19682187424513017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366982994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5022684,0.023350488,0.0008509244,0.014425617,0.00614995,0.000881894,0.0014817343,0.001549146,0.44904184],"genre_scores_gemma":[0.7297369,0.0021684116,0.000056826502,0.00040655042,0.0023590957,0.00009478207,0.0003588107,0.00018142145,0.26463714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994422,0.0005884726,0.0013477935,0.001369625,0.00085811934,0.0014139634],"domain_scores_gemma":[0.997334,0.0004331834,0.0004303524,0.00095391995,0.00029866595,0.00054987887],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005999575,0.0010299495,0.0011672283,0.0005424064,0.004057759,0.00073431456,0.000835584,0.0005470771,0.0050597666],"category_scores_gemma":[0.00013490045,0.0010514808,0.0009948574,0.0007214382,0.0016220338,0.0014249325,0.00040357327,0.00084109826,0.003376918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018472469,0.0011581228,0.00429421,0.00044181515,0.00047856927,0.0009490906,0.054107655,0.00043772598,0.0012553766,0.087116815,0.8378551,0.0117207905],"study_design_scores_gemma":[0.0011542068,0.00045897948,0.012768445,0.0003474925,0.0002682873,0.00009385852,0.004957108,0.0042506657,0.0012237395,0.0015322474,0.9717315,0.0012134992],"about_ca_topic_score_codex":0.083271325,"about_ca_topic_score_gemma":0.0062478622,"teacher_disagreement_score":0.22746855,"about_ca_system_score_codex":0.00041770938,"about_ca_system_score_gemma":0.00021902709,"threshold_uncertainty_score":0.99919355},"labels":[],"label_agreement":null},{"id":"W4367059460","doi":"10.52358/mm.vi13.361","title":"Ni plagosus Orbilius, ni pur enseignement positif. Qu’est-ce qu’enseigner?","year":2023,"lang":"fr","type":"article","venue":"Médiations et médiatisations","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03793464863209834,"score_gpt":0.26466698074312056,"score_spread":0.22673233211102223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367059460","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071899824,0.034067463,0.0019515126,0.07641359,0.015482941,0.0026874281,0.014761383,0.0023525835,0.7803833],"genre_scores_gemma":[0.4093794,0.004299274,0.0011535804,0.004294496,0.0038284874,0.0007734063,0.0050586103,0.0001943166,0.57101846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953481,0.00061674294,0.0013217693,0.0008763972,0.0007896291,0.0010473949],"domain_scores_gemma":[0.9968163,0.0009333685,0.0004376176,0.0008881375,0.00048375918,0.0004408238],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00064343103,0.0006583434,0.0006408955,0.00094186876,0.0037056517,0.0008503555,0.00047979952,0.00031882076,0.014852638],"category_scores_gemma":[0.00036255977,0.0007130335,0.00044682852,0.0012571262,0.000514056,0.0012102592,0.00017772979,0.00063162297,0.008154627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012077898,0.0005759924,0.00042299135,0.00010040635,0.00025742216,0.000052431467,0.032272276,0.0018500551,0.000044030934,0.5289101,0.43050987,0.004992379],"study_design_scores_gemma":[0.000729794,0.00029524654,0.007939822,0.00012630234,0.0005019209,0.000017650953,0.0047050733,0.0031958492,0.000019825815,0.0067997323,0.9747746,0.0008941568],"about_ca_topic_score_codex":0.010910167,"about_ca_topic_score_gemma":0.003998181,"teacher_disagreement_score":0.54426473,"about_ca_system_score_codex":0.000699334,"about_ca_system_score_gemma":0.00087080104,"threshold_uncertainty_score":0.9995321},"labels":[],"label_agreement":null},{"id":"W4367848799","doi":"10.33137/ic.v5i.41017","title":"The Società Nazionale Dante Alighieri in Toronto (1908-1951)","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Art history","score_opus":0.02344782202584645,"score_gpt":0.24297584227383429,"score_spread":0.21952802024798784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367848799","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045517758,0.03983832,0.0000013794086,0.03308129,0.0074861194,0.0006516968,0.0024536713,0.00022900781,0.8707408],"genre_scores_gemma":[0.4091324,0.00058527617,0.0000031239556,0.001384369,0.0013780711,0.000035207897,0.00012558715,0.000040595976,0.5873154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765056,0.00012511203,0.00051167625,0.0004223522,0.0003597676,0.0009305567],"domain_scores_gemma":[0.99872655,0.00024266067,0.00010057477,0.0004314533,0.00007069207,0.00042805355],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035435727,0.000298206,0.00033239622,0.000108654516,0.0014153149,0.00050510094,0.0005204161,0.00012342197,0.006768549],"category_scores_gemma":[0.00005650459,0.00023885659,0.0002787996,0.00029584355,0.00037274085,0.00042097556,0.000060686805,0.00024508542,0.001678577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014450868,0.000032646512,0.00019846635,0.00003394848,0.000107074,0.00030539674,0.023999156,0.000008920798,0.000005687783,0.18224837,0.7865058,0.0065400475],"study_design_scores_gemma":[0.00018613132,0.000059514216,0.0014122342,0.000071609,0.000035700137,0.0000026949983,0.011497637,0.00030435214,0.0000028350219,0.001115383,0.98496664,0.00034527638],"about_ca_topic_score_codex":0.4716112,"about_ca_topic_score_gemma":0.8966388,"teacher_disagreement_score":0.4250276,"about_ca_system_score_codex":0.0014723954,"about_ca_system_score_gemma":0.00036303359,"threshold_uncertainty_score":0.9998847},"labels":[],"label_agreement":null},{"id":"W4376852431","doi":"10.3917/kart.ateba.2022.01.0021","title":"Francophonie et francophilie littéraires","year":2022,"lang":"fr","type":"book-chapter","venue":"Karthala eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Computer science","score_opus":0.02938287556497654,"score_gpt":0.22113014732907596,"score_spread":0.19174727176409942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376852431","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000971954,0.015143842,0.000007142906,0.00095011207,0.005690183,0.00041725812,0.0012255576,0.0002264479,0.9753675],"genre_scores_gemma":[0.0860676,0.00037426435,0.000060319187,0.0022338622,0.004256493,0.00009064686,0.00023707026,0.00018588385,0.90649384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99635047,0.00020291591,0.000995259,0.00096750935,0.0007976671,0.0006861804],"domain_scores_gemma":[0.9978538,0.000395692,0.00042873298,0.00083099044,0.00013950991,0.00035123006],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003081154,0.00097444735,0.0011337699,0.00034525234,0.0021709383,0.0002796573,0.00060116686,0.00037400957,0.17438106],"category_scores_gemma":[0.000023127723,0.0009532168,0.0010636284,0.000024184132,0.0012046652,0.00023698824,0.00032436295,0.0016863904,0.003084033],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006111045,0.00009985107,0.000020034702,0.00023161381,0.00036471896,0.00050541485,0.01312821,0.000012881656,0.000009461935,0.94533205,0.011148133,0.02908654],"study_design_scores_gemma":[0.00043327973,0.00043408925,0.00003993811,0.0002645554,0.00022525045,0.00003565157,0.00020930842,0.0000113608085,0.000009836711,0.035616376,0.96168953,0.0010308514],"about_ca_topic_score_codex":0.0025638717,"about_ca_topic_score_gemma":0.0010128018,"teacher_disagreement_score":0.9505414,"about_ca_system_score_codex":0.00020026365,"about_ca_system_score_gemma":0.00022128485,"threshold_uncertainty_score":0.99929184},"labels":[],"label_agreement":null},{"id":"W4376863857","doi":"10.7202/1099193ar","title":"Hochelaga Depicta (1839) ou Montréal à l’infini présent","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers des dix","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.03224939832566842,"score_gpt":0.23504883224058948,"score_spread":0.20279943391492106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376863857","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6266863,0.09663577,0.0003416698,0.013142149,0.00769752,0.00042809505,0.00071040966,0.0008103354,0.2535478],"genre_scores_gemma":[0.19635472,0.002883334,0.00011982679,0.0006042007,0.0023319256,0.000031325035,0.00014820289,0.000053955537,0.79747254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978373,0.00015091094,0.00047455486,0.0004391437,0.00033515543,0.0007629426],"domain_scores_gemma":[0.998895,0.00023651111,0.00011425118,0.0003539036,0.00009456361,0.00030580582],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018691513,0.00036911544,0.00041151216,0.00022700994,0.0016451266,0.00031290573,0.00029320957,0.000268227,0.004002165],"category_scores_gemma":[0.00007889339,0.00033625108,0.00039566844,0.00030713566,0.0016449955,0.000379273,0.000084051506,0.0005249564,0.0035551877],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005841141,0.00024350916,0.0005638022,0.00038430028,0.00032600822,0.00048832106,0.084517315,0.00012240547,0.00004529096,0.55132383,0.32100582,0.040920973],"study_design_scores_gemma":[0.00030402275,0.000193217,0.0005782056,0.00013274966,0.00018794651,0.000012512567,0.004671247,0.0004121467,0.000044673438,0.008525533,0.9845008,0.00043690146],"about_ca_topic_score_codex":0.008571678,"about_ca_topic_score_gemma":0.00238914,"teacher_disagreement_score":0.663495,"about_ca_system_score_codex":0.00027945894,"about_ca_system_score_gemma":0.000041010248,"threshold_uncertainty_score":0.9999089},"labels":[],"label_agreement":null},{"id":"W4377019993","doi":"10.33137/ic.v3i.41115","title":"Le Jardinier qui roule ses «r»: L’Italien littéraire au Québec","year":2023,"lang":"fr","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02108242293448016,"score_gpt":0.21744148847692277,"score_spread":0.19635906554244262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377019993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060718887,0.018574735,0.0000027635726,0.09658536,0.005466767,0.00025592206,0.0025969956,0.00029652016,0.81550205],"genre_scores_gemma":[0.46183133,0.0000436536,0.0000047820777,0.0009765357,0.0029638375,0.000017522578,0.00012543502,0.000046133468,0.53399074],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975409,0.000115765964,0.0004636834,0.00051818,0.00029751053,0.0010639818],"domain_scores_gemma":[0.9983343,0.00011940568,0.000100294055,0.0004622761,0.00010433965,0.00087938947],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018395242,0.00036925904,0.00044665748,0.00035445532,0.0016784305,0.00035681174,0.00038683697,0.00017830261,0.004961931],"category_scores_gemma":[0.000076020624,0.0003923144,0.00040165914,0.00044164454,0.0006809032,0.00064925343,0.000063209256,0.00026524256,0.005616998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007121068,0.000059046262,0.00072715996,0.00012721495,0.00019794366,0.0005561396,0.028067699,0.00002924349,0.000002215139,0.30195022,0.6577854,0.01049061],"study_design_scores_gemma":[0.00019931153,0.000102362115,0.00076853664,0.00011871737,0.00010587941,0.000013977655,0.008599147,0.000099962104,0.0000075359167,0.0009027931,0.9885455,0.00053631514],"about_ca_topic_score_codex":0.9789486,"about_ca_topic_score_gemma":0.98490775,"teacher_disagreement_score":0.40111244,"about_ca_system_score_codex":0.0011249377,"about_ca_system_score_gemma":0.0033218605,"threshold_uncertainty_score":0.9998529},"labels":[],"label_agreement":null},{"id":"W4377029869","doi":"10.33137/ic.v3i.41112","title":"Il Canada, l'educazione dell’emigrante e la Rivista Coloniale (1906-1911)","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.018779414844042948,"score_gpt":0.21301574995103717,"score_spread":0.19423633510699423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377029869","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37913805,0.009775787,0.000005619751,0.03796121,0.012556437,0.000972654,0.026147243,0.0005049702,0.532938],"genre_scores_gemma":[0.5670021,0.0001028766,0.00000417079,0.0015505373,0.001211862,0.00001997852,0.00034069706,0.00005682883,0.42971092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966921,0.00020098173,0.0006521702,0.00066942803,0.0005659428,0.0012193758],"domain_scores_gemma":[0.99758995,0.0003071346,0.00017292915,0.00058507023,0.00016138685,0.0011835059],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026630395,0.0005057047,0.0006202399,0.00040767246,0.0012786476,0.0005116395,0.0005657574,0.00017871188,0.008366108],"category_scores_gemma":[0.00009950661,0.00052694784,0.00027252155,0.0006319256,0.00042891025,0.00027528332,0.00006490228,0.00045370607,0.0016209818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019856809,0.000051205872,0.00037700383,0.00011122288,0.00022412522,0.001739388,0.010347508,0.000028559813,0.000011103353,0.026556756,0.9589023,0.001630941],"study_design_scores_gemma":[0.00029269862,0.000093111754,0.0011819645,0.00013086775,0.00016903633,0.000016826765,0.002116678,0.00023715869,0.000008901516,0.00029163726,0.9947602,0.00070091273],"about_ca_topic_score_codex":0.9928356,"about_ca_topic_score_gemma":0.99840367,"teacher_disagreement_score":0.18786407,"about_ca_system_score_codex":0.0012303282,"about_ca_system_score_gemma":0.0036434415,"threshold_uncertainty_score":0.9997182},"labels":[],"label_agreement":null},{"id":"W4377820805","doi":"10.1093/obo/9780199799558-0188","title":"Eugene Lee-Hamilton","year":2023,"lang":"en","type":"reference-entry","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Acadia University","funders":"","keywords":"Sister; Poetry; Sonnet; History; Biography; Literature; Art history; Art; Classics; Sociology; Anthropology","score_opus":0.08431840784112934,"score_gpt":0.25625587804037975,"score_spread":0.1719374701992504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377820805","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035447294,0.0047416794,0.000006817018,0.0001534039,0.0046495954,0.000072467046,0.0002972227,0.00036297724,0.9896804],"genre_scores_gemma":[0.00017362671,0.013995812,0.000013416115,0.0003617718,0.0060814163,0.00001751541,0.00091558543,0.00004347164,0.97839737],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998812,0.000037750047,0.00029160496,0.00032010983,0.0002726701,0.00026587016],"domain_scores_gemma":[0.9994083,0.00008927936,0.00008199865,0.00025618004,0.00007212735,0.000092080474],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000055643875,0.00026032914,0.00040795654,0.00018850218,0.000279382,0.00017672214,0.00025179176,0.00014790733,0.03807014],"category_scores_gemma":[0.000011690117,0.00017983696,0.00024882026,0.000057898218,0.00009565758,0.000105345775,0.000048460835,0.00033684497,0.007700853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030099272,0.00002812493,0.0000010088081,0.00012259647,0.000081477716,0.00002019461,0.0034380306,1.3673984e-7,4.27391e-8,0.051333174,0.9322593,0.012712902],"study_design_scores_gemma":[0.000052725045,0.00004105859,0.0000013948453,0.00011207573,0.000072670235,5.120216e-7,0.0002223884,0.0000056196686,0.0000011083741,0.0014140796,0.9978013,0.00027506566],"about_ca_topic_score_codex":0.0011918134,"about_ca_topic_score_gemma":0.0011055868,"teacher_disagreement_score":0.065542,"about_ca_system_score_codex":0.000057826375,"about_ca_system_score_gemma":0.000055388966,"threshold_uncertainty_score":0.9930718},"labels":[],"label_agreement":null},{"id":"W4379465878","doi":"10.33137/ic.v1i1.41228","title":"Gli studi di storia canadese in Italia","year":2023,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.03799972443917955,"score_gpt":0.24551096550331364,"score_spread":0.2075112410641341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379465878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51796615,0.011251282,0.000001938399,0.017260017,0.02436193,0.0011979976,0.0066039325,0.00047316295,0.4208836],"genre_scores_gemma":[0.70290864,0.000044236465,0.0000024428975,0.0004981305,0.0018796556,0.000028456747,0.00012448913,0.000051066203,0.2944629],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99688387,0.00014757716,0.0006414258,0.0006451716,0.00045427014,0.0012276841],"domain_scores_gemma":[0.9982707,0.00012490105,0.00011844429,0.0005089386,0.00009935715,0.00087767094],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029211122,0.00044431203,0.00059540314,0.000871352,0.0006171111,0.00036728446,0.00049263396,0.00017656955,0.006359588],"category_scores_gemma":[0.00010618889,0.00045642952,0.00023132893,0.00096453825,0.000264914,0.0004284457,0.0000683155,0.00042869672,0.0021767488],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001840998,0.00007792981,0.0048985356,0.00011122716,0.00019491439,0.0027875027,0.029545745,0.00005399423,0.0000068689187,0.114640534,0.8463088,0.001355491],"study_design_scores_gemma":[0.0003507288,0.00010642615,0.0070507717,0.00012658224,0.00007536803,0.0000027867375,0.0039957613,0.00021354534,0.0000023476694,0.0008811547,0.98659694,0.0005975865],"about_ca_topic_score_codex":0.71577305,"about_ca_topic_score_gemma":0.906097,"teacher_disagreement_score":0.19032396,"about_ca_system_score_codex":0.001407289,"about_ca_system_score_gemma":0.0006356165,"threshold_uncertainty_score":0.99978876},"labels":[],"label_agreement":null},{"id":"W4379533805","doi":"10.4000/etudesromanes.16244","title":"Déconstruire et reconstruire","year":2023,"lang":"fr","type":"article","venue":"Cahiers d études romanes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","score_opus":0.03423438048163498,"score_gpt":0.25293874451231285,"score_spread":0.2187043640306779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379533805","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2354973,0.02303262,0.000008682046,0.019526068,0.008018836,0.00027499802,0.0005231172,0.00078413973,0.7123342],"genre_scores_gemma":[0.38703167,0.001684346,0.000085994776,0.0012567196,0.0017090462,0.000031188632,0.00017152245,0.000055839533,0.60797364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979278,0.00020920247,0.00047467623,0.0004899968,0.00026078572,0.00063757045],"domain_scores_gemma":[0.9988031,0.00035004254,0.00013227247,0.0003507949,0.00009879915,0.0002650177],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030114848,0.00038230402,0.00046874007,0.00030349288,0.0011439788,0.00036198567,0.0003201732,0.00026886145,0.0059053507],"category_scores_gemma":[0.000085122294,0.0003636502,0.00034933674,0.00035342117,0.0021283776,0.0006822947,0.00006904074,0.00048680158,0.0034735736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016103102,0.000081443606,0.00018362286,0.00025793663,0.00019812546,0.00034363463,0.019331226,0.000017400846,0.000025124846,0.8480585,0.115584776,0.015902089],"study_design_scores_gemma":[0.00022423653,0.00012934096,0.00018126011,0.00025233687,0.00014341935,0.0000529946,0.009548472,0.00015554024,0.00002568982,0.004348989,0.9844638,0.00047389025],"about_ca_topic_score_codex":0.00058057276,"about_ca_topic_score_gemma":0.00033342594,"teacher_disagreement_score":0.8688791,"about_ca_system_score_codex":0.0001427648,"about_ca_system_score_gemma":0.00013709493,"threshold_uncertainty_score":0.99988157},"labels":[],"label_agreement":null},{"id":"W4379617574","doi":"10.1353/mlr.2001.0236","title":"(review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Theme (computing); Prerogative; Honour; Context (archaeology); History; State (computer science); Rhetoric; Art; Humanities; Law; Politics; Political science; Philosophy; Art history; Theology","score_opus":0.04681753640949722,"score_gpt":0.27984588690287926,"score_spread":0.23302835049338205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617574","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007446756,0.84138453,0.000032419233,0.0036821708,0.00007341016,0.00017135075,0.000005186046,0.00004950082,0.154527],"genre_scores_gemma":[0.0039962367,0.8670404,0.0000082724655,0.038665425,0.00051808864,0.000033192726,0.000017423165,0.000011482369,0.08970947],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934584,0.000095775176,0.00020165334,0.00011094385,0.00011040024,0.0001354033],"domain_scores_gemma":[0.99951017,0.000038939394,0.000057651276,0.00032607443,0.00002825198,0.000038885595],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022663166,0.00010220031,0.00025678592,0.000011164629,0.00014898187,0.000018641686,0.00023114595,0.000008394832,0.013798264],"category_scores_gemma":[0.000030631654,0.000050320596,0.0001606871,0.000047483543,0.00005891467,0.00008450507,0.000027297023,0.000094077586,0.0009967258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027628516,0.00005688534,0.0000016083668,0.0059988033,0.000047964237,0.00005686948,0.010841539,2.3306845e-7,0.000009307938,0.011507762,0.47331768,0.49815857],"study_design_scores_gemma":[0.000024008561,0.000008413197,6.974155e-7,0.004355939,0.00011873831,0.00001807486,0.000030858235,0.000017085795,4.963295e-7,0.0004332873,0.9949092,0.000083167215],"about_ca_topic_score_codex":0.00012817864,"about_ca_topic_score_gemma":0.00004085223,"teacher_disagreement_score":0.52159154,"about_ca_system_score_codex":0.000011843488,"about_ca_system_score_gemma":0.0000070102933,"threshold_uncertainty_score":0.99978113},"labels":[],"label_agreement":null},{"id":"W4379622114","doi":"10.1353/mlr.2005.a826985","title":"Andrew Oliver (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Style (visual arts); Centennial; Mulligan; Art history; Literature; Humanities; History","score_opus":0.032117088816556005,"score_gpt":0.2659851619321911,"score_spread":0.23386807311563512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622114","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010130562,0.8854285,0.000023178121,0.0052327234,0.000054544886,0.00020431468,0.000012093771,0.000049809096,0.10889352],"genre_scores_gemma":[0.009893079,0.81052893,0.000041455518,0.049276933,0.0013256574,0.000039972256,0.000027414873,0.000018248547,0.1288483],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921775,0.00010223782,0.0002576658,0.0001271615,0.00014643546,0.00014877615],"domain_scores_gemma":[0.99948204,0.00003948529,0.00007524486,0.00031887923,0.000037876795,0.000046482637],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025533015,0.000119522374,0.000294914,0.00001300006,0.00015600066,0.00002165431,0.0002400004,0.000011207156,0.017043216],"category_scores_gemma":[0.000029299323,0.00006061089,0.00015551063,0.000041176056,0.00006846024,0.00013382522,0.000033343626,0.00011382829,0.0015712645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019206602,0.000052983654,4.9058855e-7,0.0044357744,0.000045503246,0.000013898971,0.013527172,5.875907e-7,0.000009958819,0.009169491,0.36830994,0.6044323],"study_design_scores_gemma":[0.000036412635,0.000008343921,8.1192286e-7,0.0034456342,0.00015950817,0.000008499614,0.000023244245,0.000039314345,0.0000029090377,0.00012300353,0.99605143,0.00010090931],"about_ca_topic_score_codex":0.000074079115,"about_ca_topic_score_gemma":0.000055377957,"teacher_disagreement_score":0.62774146,"about_ca_system_score_codex":0.000019096586,"about_ca_system_score_gemma":0.000010303813,"threshold_uncertainty_score":0.9992061},"labels":[],"label_agreement":null},{"id":"W4379623670","doi":"10.1353/mlr.2005.a826403","title":"Proust and Emotion: The Importance of Affect in 'A la recherche du temps perdu' by Inge Crosman Wimmers (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Faith; Humanities; Romance; Immediacy; Subversion; Philosophy; Art; Psychoanalysis; Theology; Psychology; Epistemology","score_opus":0.11912871241645497,"score_gpt":0.3309007756447197,"score_spread":0.21177206322826475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623670","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011208322,0.9604066,0.000011836217,0.0056539825,0.000017864051,0.00052473985,0.000014731591,0.00001696804,0.02214496],"genre_scores_gemma":[0.27996784,0.6996934,0.000055387605,0.008534779,0.00030638822,0.00013047409,0.000022554223,0.000023523868,0.011265657],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986348,0.0006831507,0.00030340784,0.00014077888,0.00011904243,0.00011877878],"domain_scores_gemma":[0.99924356,0.00031077172,0.00013070548,0.00026491442,0.000024515502,0.000025539508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016436666,0.0001252108,0.00033379928,0.000013726552,0.00010689723,0.000020789836,0.00019886688,0.000029363644,0.0006754761],"category_scores_gemma":[0.00015078782,0.000059408565,0.00009617375,0.00007121273,0.00016321884,0.000113752474,0.00003628469,0.00024750453,0.000014145277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020073294,0.0002859868,0.00034295593,0.018538438,0.00011729579,0.000025341109,0.16470079,0.0000020595007,0.0001612836,0.012715829,0.09391848,0.7091715],"study_design_scores_gemma":[0.00009838606,0.000026055575,0.000041334853,0.004653676,0.00012536961,0.000016137426,0.00043916857,0.00007897964,0.000008511544,0.00018461187,0.99420226,0.0001255215],"about_ca_topic_score_codex":0.0001428722,"about_ca_topic_score_gemma":0.00023894178,"teacher_disagreement_score":0.90028375,"about_ca_system_score_codex":0.000034158413,"about_ca_system_score_gemma":0.000014314446,"threshold_uncertainty_score":0.73959893},"labels":[],"label_agreement":null},{"id":"W4379624838","doi":"10.1353/mlr.2005.a826642","title":"(review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Style (visual arts); Centennial; Art history; Humanities; Literature; Philosophy; History","score_opus":0.037624529672989265,"score_gpt":0.27610599469244906,"score_spread":0.2384814650194598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624838","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000397694,0.87267864,0.000022340713,0.0076226955,0.000050288665,0.00016960887,0.000007669208,0.000049917668,0.11935905],"genre_scores_gemma":[0.0067244605,0.8147084,0.000038317467,0.07709664,0.0012728153,0.000043816126,0.000020962154,0.00001540448,0.100079186],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993602,0.0000853533,0.00021115143,0.00010707555,0.000108466375,0.00012774025],"domain_scores_gemma":[0.99953264,0.000035923986,0.000058158417,0.0003103028,0.000025469806,0.00003751449],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023102114,0.00010044323,0.00024641285,0.000010394321,0.0001363201,0.000017646793,0.00022805118,0.000008221877,0.012952408],"category_scores_gemma":[0.000025937368,0.000049613827,0.0001595946,0.000031906835,0.00005560503,0.000105265615,0.0000272162,0.00009689773,0.0015447066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.985507e-7,0.000033674358,1.6306537e-7,0.0035669676,0.000025005776,0.000005217855,0.008506414,4.0912465e-7,0.000006239812,0.008077527,0.40391892,0.57585853],"study_design_scores_gemma":[0.00002369163,0.0000063063944,2.8163004e-7,0.0037570267,0.0001142119,0.000006070644,0.000020717027,0.000037877853,0.000001852673,0.0001615754,0.9957886,0.00008180532],"about_ca_topic_score_codex":0.00005887752,"about_ca_topic_score_gemma":0.000051643055,"teacher_disagreement_score":0.59186965,"about_ca_system_score_codex":0.000015937192,"about_ca_system_score_gemma":0.000007540999,"threshold_uncertainty_score":0.9992327},"labels":[],"label_agreement":null},{"id":"W4379742671","doi":"10.18192/rceh.v45i2.6686","title":"“Heureux qui, comme… ” Parcours initiatique, chamanisme et mutation identitaire dans Naufragios d’Álvar Núñez Cabeza de Vaca","year":2023,"lang":"fr","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.033787284968767456,"score_gpt":0.27378789791375346,"score_spread":0.240000612944986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379742671","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9615567,0.018967219,0.00050436944,0.009827214,0.001563121,0.0007784605,0.0013703986,0.0004093132,0.005023259],"genre_scores_gemma":[0.9713295,0.0037143975,0.00010232991,0.0038134765,0.0013077246,0.00017860395,0.00045197312,0.00014857651,0.018953407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99492574,0.0011414776,0.0010168921,0.00080237247,0.00054298184,0.001570553],"domain_scores_gemma":[0.9971161,0.00056329026,0.000428627,0.0007184016,0.00034933077,0.0008242496],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014326568,0.0006944214,0.0009311799,0.00047768178,0.0017287938,0.000604313,0.0005860391,0.0003054603,0.001101466],"category_scores_gemma":[0.00042648512,0.00075409905,0.0005042198,0.00067289633,0.0005310364,0.00069301506,0.00015821247,0.0008738167,0.0006061228],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031191506,0.00020287825,0.0013773853,0.00057875377,0.00040663106,0.0036406415,0.06602458,0.00013728246,0.000029190871,0.7962093,0.12976542,0.0015967662],"study_design_scores_gemma":[0.00063923607,0.0003758184,0.0042947293,0.00072612445,0.0007885616,0.00031310882,0.0128931645,0.0020868,0.000015903572,0.0014799151,0.97545433,0.0009323341],"about_ca_topic_score_codex":0.017921664,"about_ca_topic_score_gemma":0.05892648,"teacher_disagreement_score":0.8456889,"about_ca_system_score_codex":0.0017505019,"about_ca_system_score_gemma":0.0009611825,"threshold_uncertainty_score":0.99981165},"labels":[],"label_agreement":null},{"id":"W4380229566","doi":"10.1515/9780228013747-015","title":"Le pavillon des Indiens du Canada","year":2020,"lang":"fr","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.020002796740991806,"score_gpt":0.1682049871816428,"score_spread":0.148202190440651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380229566","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007177925,0.000023508981,0.000015683312,0.00071025133,0.00064893835,0.00026615223,0.0032623934,0.000126727,0.99487454],"genre_scores_gemma":[0.07389571,0.00020407328,0.000049673847,0.00052353984,0.0006166788,0.0000010905939,0.00014953576,0.0000674483,0.92449224],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977458,0.00013947445,0.00039200656,0.00074221706,0.00044434512,0.00053613767],"domain_scores_gemma":[0.99832314,0.00016164598,0.00031343993,0.0003961249,0.00026673486,0.0005389382],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000056085413,0.0006700329,0.00079073675,0.00015695032,0.0033661881,0.00010095865,0.0006167867,0.00030041247,0.0005855269],"category_scores_gemma":[0.00001693628,0.00074919325,0.0004246834,0.000015066535,0.0010919214,0.00022143043,0.0004429047,0.000713913,0.000031630905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011024231,0.00003963125,0.00000785904,0.0002496244,0.0004752698,0.0020297666,0.0025986917,0.000015455591,0.0000016263502,0.98674166,0.0065922826,0.0011378742],"study_design_scores_gemma":[0.0004694101,0.00015322893,0.000008790505,0.00019477645,0.0005105586,0.000006084942,0.00074132584,0.00001327773,0.0000467243,0.0006822175,0.99631405,0.00085954426],"about_ca_topic_score_codex":0.857242,"about_ca_topic_score_gemma":0.039644107,"teacher_disagreement_score":0.9897218,"about_ca_system_score_codex":0.0007260859,"about_ca_system_score_gemma":0.00041285678,"threshold_uncertainty_score":0.9994959},"labels":[],"label_agreement":null},{"id":"W4380765706","doi":"10.1353/book16260","title":"Histoire des orthophonistes et des audiologistes au Québec : 1940-2005","year":2005,"lang":"fr","type":"book","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.019786234461010247,"score_gpt":0.19267986130163497,"score_spread":0.17289362684062473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380765706","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036607895,0.0669555,0.00025130538,0.0017454764,0.0005017968,0.0003859168,0.000439599,0.0004376295,0.89267486],"genre_scores_gemma":[0.13244404,0.0012337588,0.000449233,0.0006518062,0.002021374,0.000029507886,0.00014829815,0.0001379743,0.86288404],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959331,0.0005194136,0.0008298912,0.0010116599,0.0004135061,0.0012924364],"domain_scores_gemma":[0.9962506,0.0013181075,0.00063941773,0.0007228298,0.0004319592,0.0006370518],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00029987973,0.0011943555,0.001240285,0.0003833115,0.006253531,0.00038739562,0.0012146259,0.0005592202,0.024316961],"category_scores_gemma":[0.00018631159,0.0011523226,0.0010219504,0.00004739246,0.008902785,0.00062104966,0.0005324696,0.0010146425,0.0012742311],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0008893918,0.0008628743,0.03093969,0.0033029162,0.0026665134,0.0017136558,0.3406016,0.0006143147,0.00016333882,0.08024156,0.21423939,0.32376474],"study_design_scores_gemma":[0.00059302803,0.0003437044,0.0013298411,0.00079721696,0.0012650333,0.000118972246,0.0021669806,0.00006166694,0.000049891198,0.0011890968,0.99079525,0.0012893179],"about_ca_topic_score_codex":0.80597246,"about_ca_topic_score_gemma":0.96523225,"teacher_disagreement_score":0.77655584,"about_ca_system_score_codex":0.009776616,"about_ca_system_score_gemma":0.007935131,"threshold_uncertainty_score":0.9995034},"labels":[],"label_agreement":null},{"id":"W4380925925","doi":"10.3138/ctr.109.007","title":"Carbone 14’s Intelligent and Responsive Body","year":2002,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Dance; Art; Sign (mathematics); Aesthetics; Sculpture; Criticism; Visual arts; Literature; Mathematics","score_opus":0.04230579766775007,"score_gpt":0.22883661976816994,"score_spread":0.18653082210041988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380925925","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003044619,0.6138157,4.4539263e-7,0.005919147,0.000159806,0.00015068591,0.000039048256,0.000018063252,0.37959263],"genre_scores_gemma":[0.37674427,0.33316672,0.000024483557,0.02706679,0.0012401209,0.00006049681,0.00003985063,0.000049196777,0.2616081],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993296,0.000071153096,0.00017926238,0.0001537934,0.00006852524,0.00019764481],"domain_scores_gemma":[0.9993745,0.000040490446,0.000029501898,0.0001734227,0.000043521683,0.00033853945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008926475,0.000110857385,0.00024047284,0.000086118336,0.00019822216,0.000045291286,0.000083725085,0.000018070803,0.010240365],"category_scores_gemma":[0.000025941647,0.000083772684,0.0000752509,0.000053921693,0.0000928563,0.00007520183,0.000008639745,0.00009200312,0.00042221328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029205098,0.000025482455,0.00002775877,0.00095353683,0.000075979144,0.00016408825,0.008360594,9.3608065e-8,0.0000023547445,0.056621302,0.46460083,0.46916506],"study_design_scores_gemma":[0.000023642497,0.000028665287,0.0000043805385,0.0005602676,0.00006399588,0.000010249035,0.000049383936,0.000009769518,0.0000011763656,0.0002159916,0.99891686,0.000115635645],"about_ca_topic_score_codex":0.023686789,"about_ca_topic_score_gemma":0.07764743,"teacher_disagreement_score":0.534316,"about_ca_system_score_codex":0.0000780399,"about_ca_system_score_gemma":0.000031649135,"threshold_uncertainty_score":0.9906644},"labels":[],"label_agreement":null},{"id":"W4380928342","doi":"10.3138/ctr.135.006","title":"Staging the Impossible: SaBooge Theatre","year":2008,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Expression (computer science); Aesthetics; Art; Psychology; Visual arts; Computer science","score_opus":0.04027631628854649,"score_gpt":0.22979690895092564,"score_spread":0.18952059266237914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928342","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003918253,0.35244864,9.076231e-7,0.010909067,0.0002849615,0.00024278212,0.0000818301,0.000044513967,0.63559544],"genre_scores_gemma":[0.5993613,0.1926417,0.000033160715,0.065465756,0.0037188837,0.00013200771,0.00012670583,0.000100357276,0.13842012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989686,0.000106985666,0.00025390612,0.00018505003,0.000137674,0.00034779406],"domain_scores_gemma":[0.99916357,0.00006408047,0.000050338218,0.00038160512,0.000044238423,0.00029617676],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016962507,0.00016655779,0.00028551655,0.0000691137,0.0010968948,0.00005872267,0.00030604898,0.000023306295,0.008412125],"category_scores_gemma":[0.000008943023,0.00009326735,0.00019166892,0.00012267329,0.00022015756,0.00015606375,0.000013952347,0.00017461507,0.00055710046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023777902,0.000022106296,0.00041291362,0.000738796,0.0000939283,0.00019444633,0.011296809,6.3570883e-7,0.0000014058088,0.06474274,0.7590857,0.16340812],"study_design_scores_gemma":[0.000037245652,0.000014306594,0.000020996049,0.0005204734,0.00006437941,0.000030805208,0.00014925971,0.0000028632703,8.361479e-7,0.00022454889,0.9987905,0.00014378302],"about_ca_topic_score_codex":0.06470458,"about_ca_topic_score_gemma":0.083585136,"teacher_disagreement_score":0.59896946,"about_ca_system_score_codex":0.000113085654,"about_ca_system_score_gemma":0.0002889704,"threshold_uncertainty_score":0.99249434},"labels":[],"label_agreement":null},{"id":"W4380928641","doi":"10.3138/ctr.111.016","title":"Elsinore","year":2002,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; The arts; Art history; Visual arts; Performance art; Humanities; Performing arts","score_opus":0.04986805905125309,"score_gpt":0.2177245624303228,"score_spread":0.1678565033790697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928641","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000019823325,0.342709,1.7935176e-7,0.0044137463,0.00013443448,0.000063620384,0.000024522795,0.000019355812,0.6526153],"genre_scores_gemma":[0.20284154,0.15881172,0.00003440921,0.064712085,0.0028386505,0.000055643763,0.00007668643,0.000055048622,0.5705742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947697,0.00003100608,0.00013588872,0.00010863087,0.000058673402,0.0001888311],"domain_scores_gemma":[0.9995028,0.000012830982,0.00002075416,0.00017064036,0.000024269366,0.0002687205],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004389828,0.0000848115,0.00017467892,0.00005226878,0.00020598235,0.000037255566,0.00011621146,0.000014651318,0.08337041],"category_scores_gemma":[0.000006644466,0.000062319225,0.000106579624,0.00005096196,0.00005211936,0.000093816525,0.000003692121,0.000066338645,0.0031343754],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.512905e-8,0.0000073333213,0.000013305201,0.00031286047,0.000013163676,0.000027383132,0.001217793,2.5371914e-8,9.233163e-8,0.0391096,0.750532,0.2087664],"study_design_scores_gemma":[0.000018052706,0.000009928564,0.0000015461616,0.0004385237,0.000038361275,0.000004686968,0.000019971125,0.0000041453436,1.307864e-7,0.00016974247,0.9992025,0.00009242614],"about_ca_topic_score_codex":0.029071007,"about_ca_topic_score_gemma":0.118439645,"teacher_disagreement_score":0.24867055,"about_ca_system_score_codex":0.00006319968,"about_ca_system_score_gemma":0.000021782334,"threshold_uncertainty_score":0.9976418},"labels":[],"label_agreement":null},{"id":"W4380928723","doi":"10.3138/ctr.107.015","title":"Angélique, The Hats of Mr. Zenobe, Still the Night","year":2001,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Injustice; Motif (music); Space (punctuation); Aesthetics; History; Relation (database); Representation (politics); Sociology; Art; Visual arts; Psychology; Law; Social psychology; Politics; Political science; Philosophy; Computer science; Linguistics","score_opus":0.032245364205656324,"score_gpt":0.2326849393958713,"score_spread":0.20043957519021496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928723","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00080361584,0.4949075,0.0000011766757,0.020235682,0.00023156815,0.00029969765,0.00006944075,0.000015696787,0.48343563],"genre_scores_gemma":[0.6768147,0.1344857,0.000008843088,0.04335031,0.0011943013,0.00007154884,0.00005014954,0.000045093326,0.14397936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920535,0.00012638787,0.00023718472,0.00011314907,0.00010600423,0.0002119054],"domain_scores_gemma":[0.9992718,0.00008271994,0.00006820941,0.00037140935,0.000060557206,0.00014526835],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021295436,0.00011406452,0.00024357006,0.00003838492,0.0003190634,0.00003900856,0.0003434915,0.00002006615,0.00868843],"category_scores_gemma":[0.000017120714,0.00005022363,0.00016529176,0.00011384727,0.00019145261,0.000076966775,0.000011580263,0.00011786585,0.0001570022],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042579873,0.000032122512,0.00022044445,0.0007190442,0.00012500036,0.00009219188,0.009025176,0.0000011542877,0.0000012016675,0.16694184,0.64636993,0.17646764],"study_design_scores_gemma":[0.000022911334,0.000019242061,0.000041812556,0.0004932667,0.00008899664,0.000017179984,0.00011103761,0.0000020339858,8.4386227e-7,0.000519581,0.99860674,0.00007636177],"about_ca_topic_score_codex":0.09543334,"about_ca_topic_score_gemma":0.36257353,"teacher_disagreement_score":0.6760111,"about_ca_system_score_codex":0.000052977448,"about_ca_system_score_gemma":0.00013425294,"threshold_uncertainty_score":0.9922178},"labels":[],"label_agreement":null},{"id":"W4381327970","doi":"10.3828/qs.2023.5","title":"«Un barrage dans la gorge»: Théorie du castor dans <i>Okinum</i> d’Émilie Monnet","year":2023,"lang":"fr","type":"article","venue":"Quebec Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","score_opus":0.022242377862038677,"score_gpt":0.23845949299902847,"score_spread":0.2162171151369898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381327970","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23904084,0.16153291,0.00009203994,0.03171677,0.015735365,0.00060527306,0.0020639242,0.0011610076,0.5480519],"genre_scores_gemma":[0.27113557,0.008512099,0.000030926672,0.0003792477,0.003667717,0.0000893777,0.000076969234,0.000071221206,0.71603686],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99724126,0.0003479856,0.0006362007,0.00061985396,0.0003854006,0.00076927076],"domain_scores_gemma":[0.99820167,0.00080788875,0.00015757796,0.0004323317,0.00019271031,0.00020782651],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003792622,0.00055961707,0.00079339533,0.00016802142,0.0020469471,0.00021384838,0.00036097132,0.00015822379,0.002639408],"category_scores_gemma":[0.00017021078,0.00047611067,0.00041017515,0.00030528818,0.0015112191,0.0004562178,0.00029647135,0.00038977712,0.0022698818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003103356,0.00023463968,0.0009993404,0.00039650206,0.0010343415,0.0008940995,0.28364408,0.000054779714,0.000062777886,0.25007313,0.45924562,0.0033296521],"study_design_scores_gemma":[0.00032848658,0.00013572793,0.0009190022,0.0001531514,0.00035892308,0.000017721039,0.066374496,0.00008325647,0.000060168393,0.004345218,0.9266725,0.00055133365],"about_ca_topic_score_codex":0.028606974,"about_ca_topic_score_gemma":0.062146742,"teacher_disagreement_score":0.4674269,"about_ca_system_score_codex":0.00038054373,"about_ca_system_score_gemma":0.00010204578,"threshold_uncertainty_score":0.99976903},"labels":[],"label_agreement":null},{"id":"W4382466586","doi":"10.1515/9780773552678","title":"Les fondements de la culture, le pouvoir de l'art","year":2017,"lang":"fr","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.026421269271840048,"score_gpt":0.23225582308786985,"score_spread":0.2058345538160298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382466586","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000040870425,0.000036301437,0.00010631816,0.00014329482,0.00034803673,0.00026725038,0.001400784,0.00015421823,0.9975029],"genre_scores_gemma":[0.006595083,0.00028073994,0.00025100855,0.00020363701,0.0006528795,0.0000034266327,0.00017062327,0.00006083801,0.9917818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973311,0.00065145554,0.00031409183,0.00064734253,0.00034866406,0.0007073454],"domain_scores_gemma":[0.9981159,0.00020035423,0.00044065816,0.0006506072,0.00019200794,0.00040046131],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00024787118,0.00063662155,0.0006831267,0.00020243463,0.0052277395,0.00033323775,0.0010821339,0.0006914227,0.00041378333],"category_scores_gemma":[0.000032786716,0.0006734977,0.00059408735,0.000009409786,0.0015145881,0.00040918452,0.00047343358,0.000976836,0.00006740732],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010254117,0.00015620807,0.00002432944,0.00026732552,0.0005240384,0.00058895146,0.0026198614,0.000012893433,0.00000826346,0.8625095,0.13221343,0.00097266247],"study_design_scores_gemma":[0.0008476009,0.0001297559,0.00003201629,0.00040654448,0.00074438856,0.000007845167,0.00038208172,0.000016980624,0.00010559874,0.0017590247,0.9948064,0.00076174503],"about_ca_topic_score_codex":0.0245765,"about_ca_topic_score_gemma":0.000018933462,"teacher_disagreement_score":0.862593,"about_ca_system_score_codex":0.0011318023,"about_ca_system_score_gemma":0.00040690924,"threshold_uncertainty_score":0.9995716},"labels":[],"label_agreement":null},{"id":"W4382878103","doi":"10.1515/9780773560437-010","title":"The Evolution of Practical Education at Mcgill, Circa 1850–1880","year":2007,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geography; Computer science","score_opus":0.03409128822619282,"score_gpt":0.23133487981415438,"score_spread":0.19724359158796156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382878103","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000007807335,0.000025282952,0.000018787056,0.00016905116,0.0006656284,0.0002752761,0.00047106433,0.0000821467,0.99828494],"genre_scores_gemma":[0.004735421,0.0000898548,0.000040643652,0.000109162924,0.000359751,0.0000013471974,0.000061000697,0.000034955297,0.9945679],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840605,0.00008575013,0.0003689949,0.00041427612,0.00043537215,0.0002895758],"domain_scores_gemma":[0.9981809,0.00029399325,0.00047628497,0.00048286314,0.00041220794,0.0001537413],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00016424034,0.00033264418,0.0003793146,0.00022610037,0.0018812631,0.00003668251,0.00033041296,0.00026715535,0.0004017983],"category_scores_gemma":[0.000025079742,0.00028485348,0.00033271615,0.000010301637,0.00060254574,0.00022195723,0.00024405784,0.00045375887,0.000048405604],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017976553,0.000051716197,5.237704e-7,0.00006731697,0.00016872578,0.000024695379,0.00048501932,8.126967e-7,0.0000030909948,0.9782356,0.018913126,0.001869611],"study_design_scores_gemma":[0.00017553492,0.00009148349,0.0000020830732,0.00010731371,0.0003532166,0.000003308777,0.00034342348,0.00000416349,0.000035126453,0.0025422329,0.9960162,0.00032590996],"about_ca_topic_score_codex":0.0032785519,"about_ca_topic_score_gemma":0.000033210978,"teacher_disagreement_score":0.97710305,"about_ca_system_score_codex":0.0010913537,"about_ca_system_score_gemma":0.00012087015,"threshold_uncertainty_score":0.99996036},"labels":[],"label_agreement":null},{"id":"W4382892806","doi":"","title":"La perspective des ombres. Variations sur quelques « silhouette[s] noire[s] sans figure » dans l’œuvre de Claude Simon","year":2008,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.020148727999515004,"score_gpt":0.22847982455432642,"score_spread":0.2083310965548114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382892806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06452206,0.011348136,0.06315143,0.020999908,0.00052573986,0.00064118265,0.0009845443,0.0005521593,0.83727485],"genre_scores_gemma":[0.7581077,0.006992979,0.014211749,0.00042573363,0.00038907156,0.000158382,0.0010267054,0.00012758051,0.2185601],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9870931,0.009550102,0.00091222767,0.0011366466,0.0005594895,0.0007484254],"domain_scores_gemma":[0.9904517,0.0031870715,0.0006702481,0.0017683416,0.0034936743,0.00042899867],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026687672,0.0007237599,0.0007476189,0.00031171017,0.0029496262,0.0009172012,0.0014439297,0.0005989189,0.0016190558],"category_scores_gemma":[0.0016842192,0.0007540609,0.0006928816,0.00037829985,0.002015624,0.000573079,0.0006304358,0.0012578462,0.00016622286],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019585963,0.001364595,0.0016191022,0.00017810581,0.00027703954,0.000037195045,0.2698054,0.00017535358,0.00031194935,0.71426797,0.0062478953,0.005695785],"study_design_scores_gemma":[0.0005776108,0.0000031484522,0.0060537728,0.00217129,0.00038263694,0.000034953653,0.0068791374,0.0113571985,0.0017791518,0.02894193,0.94067967,0.0011394741],"about_ca_topic_score_codex":0.07295281,"about_ca_topic_score_gemma":0.05081475,"teacher_disagreement_score":0.9344318,"about_ca_system_score_codex":0.0013869435,"about_ca_system_score_gemma":0.000755262,"threshold_uncertainty_score":0.99949104},"labels":[],"label_agreement":null},{"id":"W4383896291","doi":"10.33137/rr.v45i4.41417","title":"Nancel, Pierre de. Le Théâtre sacré. Dina ou le ravissement, Josué ou le sac de Jéricho, Débora ou la délivrance. Éd. Mariangela Miotti","year":2023,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.024825907417526827,"score_gpt":0.25281315052245684,"score_spread":0.22798724310493002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383896291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15879762,0.29534793,0.003155186,0.064392,0.0038721738,0.0011804417,0.00073375454,0.0008517648,0.4716691],"genre_scores_gemma":[0.7221217,0.019667892,0.00016155811,0.00033377358,0.0012448672,0.00006955955,0.00029373777,0.00004815614,0.25605872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791306,0.00022798234,0.00057506416,0.0003633351,0.0002651588,0.00065536937],"domain_scores_gemma":[0.9990147,0.00008584709,0.00029069453,0.00029865847,0.00010984667,0.0002002661],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00051527645,0.00035016407,0.00041722972,0.00019602456,0.0016885961,0.0003788721,0.00022363612,0.00024532783,0.00016111328],"category_scores_gemma":[0.000035144756,0.00029481293,0.00018675342,0.00033745606,0.00034594224,0.0017237616,0.000074272495,0.00037056993,0.00018189372],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014619129,0.00048019862,0.0007951579,0.0016313822,0.00022091124,0.000110929825,0.030144632,0.00024377572,0.0007097281,0.26901346,0.6338283,0.06267535],"study_design_scores_gemma":[0.0007324294,0.000121168516,0.0026779764,0.00060593226,0.00007333377,0.000031771317,0.0026535015,0.0019938557,0.00035551185,0.0029289944,0.9874015,0.00042406493],"about_ca_topic_score_codex":0.0028811297,"about_ca_topic_score_gemma":0.00038785735,"teacher_disagreement_score":0.5633241,"about_ca_system_score_codex":0.00014748846,"about_ca_system_score_gemma":0.00020117662,"threshold_uncertainty_score":0.9999504},"labels":[],"label_agreement":null},{"id":"W4384010333","doi":"10.7202/1101086ar","title":"Fabre, Gérard. Le pari canadien d’André Siegfried. Québec, Presses de l’Université Laval, 2021, 156 p.","year":2023,"lang":"fr","type":"article","venue":"Revue d histoire de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.010955942675447305,"score_gpt":0.18355136369588473,"score_spread":0.17259542102043743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384010333","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019823123,0.43519363,0.00021911206,0.12695515,0.00536228,0.0006635621,0.0017080609,0.0007125818,0.4093625],"genre_scores_gemma":[0.12007126,0.01563578,0.00006221571,0.00041139976,0.0023501965,0.00005932914,0.0002667304,0.000110649424,0.8610324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705005,0.00028828354,0.0005816458,0.0006859305,0.00025594066,0.0011381448],"domain_scores_gemma":[0.9979575,0.00028924053,0.00023733577,0.0006269026,0.00021175588,0.00067721267],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030936592,0.0005262312,0.0007603462,0.00037144875,0.0023522447,0.00021912434,0.00063072174,0.00036695803,0.008323491],"category_scores_gemma":[0.0001560976,0.0006065803,0.0005233197,0.00042932495,0.00066155544,0.0005792485,0.00015090515,0.0006769463,0.0012244832],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008347683,0.0002476754,0.0017092843,0.0007361141,0.00015073677,0.002178654,0.08873134,0.0004064467,0.00013148088,0.014545377,0.8806037,0.010475742],"study_design_scores_gemma":[0.0004826349,0.00014678619,0.00026996832,0.00047028306,0.0001951519,0.000085296066,0.0025638517,0.0009782852,0.000073282456,0.00036137056,0.99366,0.000713119],"about_ca_topic_score_codex":0.8089165,"about_ca_topic_score_gemma":0.8447519,"teacher_disagreement_score":0.45166993,"about_ca_system_score_codex":0.0014605162,"about_ca_system_score_gemma":0.001107691,"threshold_uncertainty_score":0.99963856},"labels":[],"label_agreement":null},{"id":"W4384706444","doi":"10.7202/1097960ar","title":"Rattazzi, Marie (née Bonaparte-Wyse). L’Aventurière des colonies. Drame en cinq actes suivi de documents inédits. Présentation de Barbara T. Cooper","year":2023,"lang":"fr","type":"article","venue":"Dalhousie French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"Art; Humanities; Sublime; Art history","score_opus":0.03737815202210607,"score_gpt":0.3047004001589945,"score_spread":0.26732224813688843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384706444","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7908797,0.16059607,0.00006158111,0.010572985,0.007607498,0.00097547146,0.0017997207,0.00069130416,0.026815621],"genre_scores_gemma":[0.45545214,0.03552216,0.00033300582,0.0013625158,0.005200915,0.000394709,0.0008540578,0.0001178341,0.50076264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961071,0.00050338166,0.0007656066,0.000650841,0.0004931159,0.0014799278],"domain_scores_gemma":[0.9974422,0.0012124439,0.00024844546,0.00035230847,0.00041596274,0.0003286552],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00070939446,0.0006342974,0.0008342498,0.00031085036,0.0022196868,0.0005567273,0.0003970504,0.00022817183,0.003465016],"category_scores_gemma":[0.0006228285,0.00057246524,0.0003178495,0.00051324675,0.001596759,0.0009927191,0.0003617271,0.0004907446,0.0005739091],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052450563,0.00044723216,0.011935744,0.00089054386,0.001864975,0.00035265432,0.31873068,0.0002187578,0.00018312216,0.009008464,0.6480182,0.0082972],"study_design_scores_gemma":[0.0006558356,0.00038525395,0.009785442,0.00041983757,0.000595684,0.00001113706,0.008939672,0.00023551336,0.00029318573,0.006593219,0.9714173,0.00066791964],"about_ca_topic_score_codex":0.0061562285,"about_ca_topic_score_gemma":0.005351443,"teacher_disagreement_score":0.47394702,"about_ca_system_score_codex":0.0007713632,"about_ca_system_score_gemma":0.00028155558,"threshold_uncertainty_score":0.99967265},"labels":[],"label_agreement":null},{"id":"W4385415581","doi":"10.7202/1101977ar","title":"Claude La Charité, L’invention de la littérature québécoise au XIXe siècle, Montréal, Septentrion, coll. « Aujourd’hui l’histoire », 2021, 159 p.","year":2023,"lang":"fr","type":"article","venue":"Bulletin d histoire politique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Collège Laflèche","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009758186434225468,"score_gpt":0.21784162262592754,"score_spread":0.20808343619170208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385415581","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002094124,0.18055066,0.00004784062,0.17944096,0.00374802,0.0005966236,0.0011349333,0.0005769275,0.6318099],"genre_scores_gemma":[0.06225198,0.030704701,0.000100977944,0.002213621,0.005362505,0.00023067332,0.00046108145,0.00020249012,0.89847195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938136,0.0017807143,0.0011725134,0.0010010926,0.00063253095,0.0015995934],"domain_scores_gemma":[0.99689806,0.000640816,0.00050337747,0.0007540931,0.00036286793,0.0008407665],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001113522,0.00087248674,0.0009678051,0.0009965836,0.0046357126,0.0005252226,0.0006246831,0.0011216687,0.011312732],"category_scores_gemma":[0.00043173443,0.0009203518,0.0009814359,0.0009206724,0.002597183,0.00026264557,0.00020628143,0.0016226141,0.0032588036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008620123,0.0004898498,0.000035422905,0.00039871337,0.00012581043,0.00080283964,0.010427239,0.000045281406,0.000060089285,0.4218138,0.5602802,0.0054345774],"study_design_scores_gemma":[0.000841538,0.00021046316,0.0003939719,0.0007781953,0.0003611393,0.00016788674,0.0024240862,0.00018045514,0.000029119426,0.009978969,0.9836503,0.0009838204],"about_ca_topic_score_codex":0.20375045,"about_ca_topic_score_gemma":0.008872369,"teacher_disagreement_score":0.42337018,"about_ca_system_score_codex":0.0022083404,"about_ca_system_score_gemma":0.0006106644,"threshold_uncertainty_score":0.9993247},"labels":[],"label_agreement":null},{"id":"W4386009388","doi":"","title":"Récits de filiation : défaire les nœuds pour renouer les fils : La Reine du silence de Nimier et Rien ne s’oppose à la nuit de Delphine de Vigan","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.01945380568754663,"score_gpt":0.23378004625152893,"score_spread":0.2143262405639823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386009388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7161851,0.011405986,0.05960552,0.0454317,0.00027254564,0.00043604217,0.00046697937,0.0003583295,0.16583781],"genre_scores_gemma":[0.8137432,0.0053310813,0.020877915,0.00046919798,0.0002484805,0.00010165637,0.0010936001,0.00008123032,0.15805367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98590404,0.01123323,0.0008178603,0.00086319295,0.00044231483,0.00073938945],"domain_scores_gemma":[0.99202967,0.003891848,0.0006086545,0.0013228358,0.0017072347,0.00043978338],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0061374167,0.0005615674,0.00060139975,0.00020619782,0.0014462937,0.0011844047,0.0011755092,0.00054847513,0.0028711914],"category_scores_gemma":[0.003314866,0.0005933561,0.00043806466,0.0002889848,0.0006353369,0.00045778998,0.00076436164,0.0012409268,0.00003573969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008524093,0.0022663353,0.008482555,0.0008149312,0.00036337692,0.00018275865,0.38046432,0.0012332762,0.009715759,0.5253137,0.011169498,0.05990831],"study_design_scores_gemma":[0.0007583942,0.0000044157227,0.016333072,0.0050974675,0.000367989,0.00013223932,0.004472881,0.025681486,0.012162144,0.008076007,0.9258422,0.0010716913],"about_ca_topic_score_codex":0.024687624,"about_ca_topic_score_gemma":0.0142651275,"teacher_disagreement_score":0.91467273,"about_ca_system_score_codex":0.00073014904,"about_ca_system_score_gemma":0.0013948263,"threshold_uncertainty_score":0.9998537},"labels":[],"label_agreement":null},{"id":"W4386114745","doi":"10.7202/1103875ar","title":"Liminaire","year":2023,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Psychology","score_opus":0.05866871254711362,"score_gpt":0.2554426426294456,"score_spread":0.196773930082332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386114745","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029546993,0.0595876,0.000024245935,0.018197514,0.006661946,0.000103308244,0.00018945588,0.0003744824,0.88531446],"genre_scores_gemma":[0.15098049,0.0010606907,0.000017669368,0.00032521755,0.0018702606,0.000007877935,0.00001557551,0.000011145281,0.84571105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992369,0.000036594913,0.00014354792,0.00017206167,0.0001351882,0.0002757399],"domain_scores_gemma":[0.9996173,0.00006784314,0.000032150478,0.00015491611,0.000039245835,0.00008858958],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008485004,0.00010562424,0.000120275385,0.00006668344,0.0004310197,0.00008085812,0.0001454022,0.000044391658,0.011332697],"category_scores_gemma":[0.00002303443,0.000097501266,0.00009050919,0.0001880432,0.00027045063,0.00021268525,0.000041834803,0.00010488292,0.016688421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004862861,0.000042816257,0.000074157724,0.0000967522,0.000021519778,0.00016272692,0.016968794,0.0000065226964,0.000015286314,0.5015249,0.43101496,0.05006666],"study_design_scores_gemma":[0.000032820113,0.00006330108,0.00026890732,0.00007021887,0.000033806733,0.0000027236774,0.00077231386,0.0002868513,0.000018683188,0.0020969422,0.9962145,0.00013890177],"about_ca_topic_score_codex":0.00083493034,"about_ca_topic_score_gemma":0.000109673616,"teacher_disagreement_score":0.56519955,"about_ca_system_score_codex":0.000034256715,"about_ca_system_score_gemma":0.000020281663,"threshold_uncertainty_score":0.9895711},"labels":[],"label_agreement":null},{"id":"W4386531470","doi":"10.48611/isbn.978-2-406-14746-6.p.0401","title":"Résumés","year":2023,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.0432415179002884,"score_gpt":0.24579106778957882,"score_spread":0.20254954988929041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386531470","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010615582,0.00669542,0.015958268,0.06899402,0.0025385718,0.0004717269,0.00056675455,0.00075645326,0.89340323],"genre_scores_gemma":[0.087959655,0.0016476472,0.004139058,0.0002171332,0.00034860548,0.00007899379,0.0009664914,0.00009209935,0.9045503],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99190646,0.005255927,0.00081728905,0.0009605643,0.00050916703,0.00055060006],"domain_scores_gemma":[0.9932279,0.0021899382,0.00043542,0.0018960594,0.0019348206,0.00031588876],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0037092073,0.00049755705,0.00058428646,0.00024584678,0.0014737466,0.0009542394,0.0013386554,0.0003200738,0.006508296],"category_scores_gemma":[0.00089780736,0.0005091822,0.0005443798,0.000268452,0.000791172,0.0002617787,0.001103227,0.0009182795,0.004008671],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008114727,0.0005027228,0.00028069888,0.0002167709,0.00015470813,0.000018426754,0.042998966,0.00002900157,0.000081732716,0.89707386,0.045806877,0.012828132],"study_design_scores_gemma":[0.00023135381,3.9543116e-7,0.00067619525,0.0017198147,0.00011841659,0.0000040324135,0.00037675092,0.0027414146,0.00076484313,0.017916156,0.9749102,0.0005404],"about_ca_topic_score_codex":0.016630845,"about_ca_topic_score_gemma":0.008145027,"teacher_disagreement_score":0.9291034,"about_ca_system_score_codex":0.00020014343,"about_ca_system_score_gemma":0.00021280616,"threshold_uncertainty_score":0.9998262},"labels":[],"label_agreement":null},{"id":"W4386765949","doi":"10.26443/arc.v31i.996","title":"souvenir d’Henri Gregoire, ou une certaine image de la Republique","year":2003,"lang":"fr","type":"article","venue":"Arc The Journal of the School of Religious Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","score_opus":0.016075065512375964,"score_gpt":0.2685514681191177,"score_spread":0.2524764026067417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386765949","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18491475,0.64413303,0.0000841135,0.07122585,0.0037059989,0.0002793294,0.000044905108,0.000024409263,0.095587604],"genre_scores_gemma":[0.8225766,0.06377073,0.00036195136,0.0010219599,0.0013201007,0.0000034479342,2.996553e-7,0.000036024587,0.11090892],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99635535,0.0016263992,0.0010099261,0.0001391085,0.00046202634,0.00040717042],"domain_scores_gemma":[0.9960733,0.0013840253,0.0011411326,0.00045727257,0.0007941864,0.00015008752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022755312,0.0003078698,0.0007006764,0.00013214829,0.0010707648,0.00010943967,0.00071864214,0.00009250389,0.0001794868],"category_scores_gemma":[0.002246286,0.00015407776,0.00072199566,0.0002532787,0.0018400993,0.0003132019,0.00015159791,0.00093103584,0.00002546845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026033516,0.000358472,0.00084788474,0.00028797588,0.0024366998,0.00012613562,0.046906203,0.00027597434,0.00043034207,0.10949679,0.8382015,0.00037169005],"study_design_scores_gemma":[0.0005693433,0.00037349237,0.0002925001,0.00058261096,0.0009543409,0.0005623909,0.0104387645,0.000004377759,0.00043034172,0.12504955,0.8605484,0.00019392981],"about_ca_topic_score_codex":0.0010024935,"about_ca_topic_score_gemma":0.00015331375,"teacher_disagreement_score":0.6376618,"about_ca_system_score_codex":0.00023534754,"about_ca_system_score_gemma":0.0002963185,"threshold_uncertainty_score":0.8235566},"labels":[],"label_agreement":null},{"id":"W4386849356","doi":"10.4000/books.epure.1881","title":"L’idiolecte lectoral : lectures bilingues des Chants de Maldoror","year":2017,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.07789646554693408,"score_gpt":0.26801402731135415,"score_spread":0.19011756176442007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386849356","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003380553,0.021334315,0.00014652997,0.00044443918,0.0014777702,0.00019981226,0.00019762995,0.00016881483,0.9726501],"genre_scores_gemma":[0.14435914,0.0013780866,0.00029241323,0.00042278264,0.0048351535,0.000009687982,0.00006869458,0.00008395076,0.8485501],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976932,0.0000755116,0.00052759296,0.00064546335,0.00029438408,0.00076383934],"domain_scores_gemma":[0.99834305,0.00017101721,0.0003174783,0.0006018738,0.00024389528,0.00032270708],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018854349,0.00075144914,0.0008484148,0.00024408505,0.0032994547,0.0006955764,0.00059048395,0.00041340126,0.043141935],"category_scores_gemma":[0.00010281187,0.000586066,0.0006493053,0.000010343975,0.002100975,0.00036149612,0.00012349318,0.0005902524,0.0009922241],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009255721,0.000096119045,0.00024013,0.00035408518,0.00051892176,0.00025023855,0.008291297,0.000005467682,0.00014718669,0.95545065,0.0074802367,0.027073119],"study_design_scores_gemma":[0.00017779831,0.00032151176,0.00013827169,0.000496552,0.00032901418,0.000032597985,0.00004842825,0.0000497898,0.00022965214,0.050466012,0.9469187,0.0007916308],"about_ca_topic_score_codex":0.008894815,"about_ca_topic_score_gemma":0.010657422,"teacher_disagreement_score":0.9394385,"about_ca_system_score_codex":0.00023907828,"about_ca_system_score_gemma":0.00016629913,"threshold_uncertainty_score":0.9997856},"labels":[],"label_agreement":null},{"id":"W4387096714","doi":"10.7202/1101630ar","title":"Du Camp, Maxime. Les Académiciens de mon temps","year":2023,"lang":"fr","type":"article","venue":"Dalhousie French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Philosophy; Humanities","score_opus":0.05792170856867342,"score_gpt":0.2750780619041368,"score_spread":0.21715635333546338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387096714","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42298764,0.34404364,0.00005141169,0.025216937,0.008830647,0.0004278818,0.001439941,0.0010647963,0.19593713],"genre_scores_gemma":[0.24346577,0.028644465,0.000087417,0.00077277765,0.0057052104,0.00007802983,0.00010843316,0.00006022502,0.7210777],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767333,0.00016784597,0.00049478875,0.0004705244,0.00033077353,0.00086271594],"domain_scores_gemma":[0.9987804,0.0004253217,0.00014079562,0.00028975218,0.00019997793,0.00016371167],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038238114,0.00041436154,0.0006063775,0.0002487918,0.0021640575,0.00016883558,0.00030551347,0.00014838719,0.0015001632],"category_scores_gemma":[0.00016928077,0.00034802474,0.00028326095,0.00036325626,0.0010907465,0.00026869652,0.00028071005,0.00036818738,0.0014821085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072540124,0.0001802403,0.0036828858,0.0003749761,0.0006059635,0.0003114279,0.23622888,0.00008520586,0.000031696065,0.044799976,0.70328945,0.010402047],"study_design_scores_gemma":[0.00020177741,0.00016527348,0.0015535979,0.00019004085,0.00025399312,0.00000774436,0.012213082,0.00025790883,0.000032168035,0.0042371415,0.9804602,0.0004270285],"about_ca_topic_score_codex":0.007497917,"about_ca_topic_score_gemma":0.0021204401,"teacher_disagreement_score":0.5251405,"about_ca_system_score_codex":0.00022869089,"about_ca_system_score_gemma":0.000059055845,"threshold_uncertainty_score":0.9998972},"labels":[],"label_agreement":null},{"id":"W4387147871","doi":"10.1017/9781108696333.019","title":"Lefrançois’s Epilogue","year":2019,"lang":"en","type":"other","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Adventure; Cognitive science; Style (visual arts); Cognition; Computer science; Psychology; Artificial intelligence; Art; Visual arts","score_opus":0.02917313455910283,"score_gpt":0.2116474852800447,"score_spread":0.18247435072094187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387147871","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[3.044887e-7,0.0014591549,0.000012628677,0.00012410326,0.0012822942,0.00007110042,0.000058183887,0.00023169244,0.99676055],"genre_scores_gemma":[0.00009623049,0.000024637991,0.000024393596,0.0006048732,0.00221827,0.0000036547005,0.00005655155,0.00015345789,0.99681795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954206,0.000013523286,0.00009438802,0.00015617837,0.000085756816,0.00010809653],"domain_scores_gemma":[0.9997075,0.000014553289,0.000046125726,0.00018975028,0.000009379312,0.000032646454],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000016830145,0.00013334895,0.0002132072,0.00010987061,0.0000391948,0.000045239784,0.000118067626,0.00006995622,0.33922035],"category_scores_gemma":[0.0000022484514,0.000089640474,0.00009775358,0.000010313331,0.000060711976,0.000030634605,0.000016188762,0.00009024554,0.023190279],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.0676214e-7,0.00001385038,0.0000011084803,0.000025481462,0.00002892563,0.0000019755264,0.00076202693,1.4994653e-8,1.3337517e-7,0.2318683,0.7668088,0.00048867555],"study_design_scores_gemma":[0.00005142409,0.000020218451,1.7507732e-7,0.000028189948,0.000020116564,2.2074042e-7,0.000060327973,0.0000011019415,2.966759e-7,0.00019991647,0.999464,0.00015403748],"about_ca_topic_score_codex":0.0031162489,"about_ca_topic_score_gemma":0.0015613624,"teacher_disagreement_score":0.31603006,"about_ca_system_score_codex":0.000009106888,"about_ca_system_score_gemma":0.000011046552,"threshold_uncertainty_score":0.9775703},"labels":[],"label_agreement":null},{"id":"W4387182329","doi":"10.4000/rsh.3274","title":"La critique interne du champ intellectuel : l’émergence d’une position spécifique dans l’Europe du premier xxe siècle","year":2023,"lang":"fr","type":"article","venue":"Revue des Sciences Humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.06301125486701303,"score_gpt":0.2815176280564497,"score_spread":0.21850637318943666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387182329","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45937303,0.0060231807,0.0019116156,0.010947781,0.00306132,0.00031661114,0.00014627092,0.00039101142,0.5178292],"genre_scores_gemma":[0.8875738,0.0058152797,0.00010686553,0.0002737896,0.002408081,0.000033912755,0.000030682717,0.000034357516,0.103723265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99734056,0.00051057665,0.00056418305,0.0006673294,0.00029807817,0.0006192753],"domain_scores_gemma":[0.9986464,0.00047508103,0.00015567322,0.0002225633,0.00030691375,0.00019341052],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0008194479,0.00035338578,0.0003817315,0.0003458408,0.003259113,0.00057745056,0.00067102374,0.00012551992,0.0023682122],"category_scores_gemma":[0.00038430776,0.000313196,0.00023664103,0.0014637946,0.005811501,0.0010358755,0.00020313881,0.00030047385,0.00076521345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003165579,0.00030183562,0.0014950025,0.00066389184,0.000052738076,0.00043746675,0.17129365,0.0003784677,0.0011835156,0.80318284,0.016618038,0.004360879],"study_design_scores_gemma":[0.0001396401,0.00048944086,0.0012922283,0.0010721354,0.000062122555,0.00026876517,0.007573174,0.011188812,0.00034166672,0.018156176,0.9588215,0.000594391],"about_ca_topic_score_codex":0.0034385468,"about_ca_topic_score_gemma":0.0022904617,"teacher_disagreement_score":0.9422034,"about_ca_system_score_codex":0.00021218946,"about_ca_system_score_gemma":0.000109374436,"threshold_uncertainty_score":0.999932},"labels":[],"label_agreement":null},{"id":"W4387427493","doi":"","title":"La misanthropie, tombeau et résurrection de la satire. Les Spectateurs et Le Cosmopolite, après Alceste","year":2023,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.04352686394091711,"score_gpt":0.2699063685772347,"score_spread":0.22637950463631762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387427493","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07380595,0.0069491216,0.010627133,0.033118643,0.0013763973,0.0005162883,0.0005757069,0.0007629678,0.8722678],"genre_scores_gemma":[0.6968477,0.006803693,0.003527392,0.00028357675,0.0001919974,0.000098360004,0.0011559203,0.00012928207,0.29096213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9794005,0.017833564,0.00081109046,0.00091025815,0.00047932658,0.0005652534],"domain_scores_gemma":[0.9914717,0.0053689424,0.00060112396,0.0012970642,0.0009713137,0.00028986728],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0070756874,0.0005685878,0.0006278841,0.00032322496,0.0014238762,0.001427906,0.0009636954,0.00045238383,0.0010168378],"category_scores_gemma":[0.0011797138,0.0005986954,0.000506085,0.0003367555,0.001574706,0.00036501174,0.0007138041,0.001444454,0.00024633264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020593716,0.00096110656,0.0017455923,0.00027230292,0.00018626495,0.00002741311,0.057361618,0.00008636308,0.00020262308,0.91196424,0.015044967,0.012126927],"study_design_scores_gemma":[0.0004780501,0.0000018962568,0.007463543,0.0019086497,0.00012994904,0.00002670635,0.0023389442,0.0015573277,0.0011454009,0.01815929,0.96614796,0.0006422877],"about_ca_topic_score_codex":0.060293183,"about_ca_topic_score_gemma":0.016727053,"teacher_disagreement_score":0.951103,"about_ca_system_score_codex":0.00033192927,"about_ca_system_score_gemma":0.0004920656,"threshold_uncertainty_score":0.99989635},"labels":[],"label_agreement":null},{"id":"W4387640955","doi":"10.33137/pbsc.v60i1.40681","title":"COMPTE RENDU : Rééditer Don Quichotte. Matérialité du livre dans la France du XIXe siècle","year":2023,"lang":"fr","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","score_opus":0.010466979955339406,"score_gpt":0.1922852969123919,"score_spread":0.1818183169570525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387640955","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56670034,0.02215882,0.000019895173,0.23038357,0.0092925085,0.0006800022,0.0036216942,0.00020631275,0.16693684],"genre_scores_gemma":[0.94442767,0.008480307,0.000059419446,0.0028441646,0.0013773071,0.000015677235,0.000034272554,0.000046868612,0.042714328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973071,0.0002820873,0.0006437017,0.00034098193,0.00090492965,0.0005211816],"domain_scores_gemma":[0.99819106,0.0006461764,0.00031638643,0.00044131934,0.00017789933,0.00022714646],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004921549,0.0003084936,0.000559638,0.00042023137,0.0010272716,0.00009447585,0.00072009536,0.00020524005,0.0015376417],"category_scores_gemma":[0.000045299097,0.00023048995,0.0013123249,0.005142666,0.0020457455,0.00017381046,0.0001716609,0.00042146211,0.0000041940934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035681747,0.00017643636,0.01510933,0.0004754213,0.00055782037,0.000011342856,0.0061948244,0.00011144651,0.0003921991,0.033171684,0.94334203,0.00042179742],"study_design_scores_gemma":[0.00035010866,0.0000625592,0.04009813,0.0002366771,0.0001734211,0.0000033705294,0.0018583538,0.00033798692,0.00005663705,0.00088475866,0.95566607,0.00027192838],"about_ca_topic_score_codex":0.6661793,"about_ca_topic_score_gemma":0.21925229,"teacher_disagreement_score":0.446927,"about_ca_system_score_codex":0.000051852876,"about_ca_system_score_gemma":0.00021578597,"threshold_uncertainty_score":0.9993751},"labels":[],"label_agreement":null},{"id":"W4387664079","doi":"10.3138/utq.92.3.04.fr","title":"Théâtre","year":2023,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Geology","score_opus":0.01740614146239436,"score_gpt":0.1883368354178265,"score_spread":0.17093069395543214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387664079","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15987386,0.0002506139,0.00003892489,0.00043636872,0.00042040477,0.000059848255,0.00006006642,0.0002428148,0.8386171],"genre_scores_gemma":[0.663904,0.000011118935,0.000025961313,0.000019820427,0.00011737064,4.0021032e-8,0.000016162541,0.0000030995102,0.33590242],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996867,0.000016695974,0.000050909584,0.00008209143,0.00007610919,0.000087455366],"domain_scores_gemma":[0.9997881,0.000020303443,0.000028524306,0.000092321294,0.000034240522,0.000036512072],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000029625322,0.000045230663,0.00008820205,0.000021315405,0.00015953637,0.000010397878,0.00011697452,0.000015461861,0.010770936],"category_scores_gemma":[9.783766e-7,0.00004545514,0.00007509559,0.000013780044,0.00007935292,0.0002832248,0.000007709142,0.000022303142,0.000383115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049375118,0.00008407488,0.00011865267,0.000036806174,0.00008097899,0.000053572538,0.42227066,0.0000016979417,0.00011517745,0.24423638,0.3004179,0.03253473],"study_design_scores_gemma":[0.00010378946,0.00015714279,0.00035974162,0.000005910876,0.000014824694,1.4603803e-7,0.024877276,0.000053140735,0.0000013403209,0.00028784058,0.97407913,0.00005972372],"about_ca_topic_score_codex":0.022807013,"about_ca_topic_score_gemma":0.019384751,"teacher_disagreement_score":0.67366123,"about_ca_system_score_codex":0.000031762618,"about_ca_system_score_gemma":0.000008097254,"threshold_uncertainty_score":0.99850893},"labels":[],"label_agreement":null},{"id":"W4387678397","doi":"10.3138/utq.92.3.sh.09","title":"Gérald Gaudet, <i>Parlons de nuit, de fureur et de poésie</i>. <i>Entretiens sur la lecture et la création littéraire</i>","year":2023,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.008635817177112908,"score_gpt":0.21420016771507414,"score_spread":0.20556435053796124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387678397","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22161351,0.014906639,0.0046104477,0.01835542,0.0010593202,0.00042772375,0.0015617243,0.0005934916,0.7368717],"genre_scores_gemma":[0.55634475,0.0015110566,0.00059270405,0.0010190832,0.00055956637,9.921179e-7,0.00015968211,0.00003999054,0.43977216],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782574,0.0009085238,0.00020861551,0.00030665548,0.00022841638,0.0005220667],"domain_scores_gemma":[0.9987545,0.00047396115,0.00015560283,0.00024509864,0.00012374204,0.00024710264],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005256216,0.00025190527,0.0003294957,0.00006911581,0.00042041743,0.00013797874,0.0003215725,0.00024351888,0.002389998],"category_scores_gemma":[0.000029612898,0.00029664912,0.0003231923,0.00007850534,0.0003340412,0.00088364887,0.000038721195,0.00030983944,0.00007912084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022356394,0.0006029537,0.0014640196,0.00032017683,0.00029274184,0.00051897106,0.5576894,0.00034585688,0.00048106918,0.14213279,0.28176147,0.0141669605],"study_design_scores_gemma":[0.0005789271,0.0005050475,0.0040403013,0.0001615681,0.00022943006,0.000024847863,0.009520308,0.00087173044,0.000009928465,0.0013345978,0.9824123,0.0003110077],"about_ca_topic_score_codex":0.1434117,"about_ca_topic_score_gemma":0.113109775,"teacher_disagreement_score":0.7006508,"about_ca_system_score_codex":0.00048374725,"about_ca_system_score_gemma":0.0003792727,"threshold_uncertainty_score":0.99994856},"labels":[],"label_agreement":null},{"id":"W4387706658","doi":"10.33137/rr.v46i1.41758","title":"Landi, Sandro. Le regard de Machiavel. Penser les sciences sociales au XVIe siècle Jonathan Locke Hart","year":2023,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.06456746233686105,"score_gpt":0.2702226077744502,"score_spread":0.20565514543758912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387706658","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66284746,0.029211983,0.000199216,0.01760652,0.001387693,0.00023990862,0.00016734256,0.00022947104,0.2881104],"genre_scores_gemma":[0.92618144,0.0017304312,0.00004684887,0.00015687878,0.0010481202,0.000010087212,0.00007567408,0.000011926641,0.070738584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987565,0.00012118035,0.00030006602,0.00020749925,0.00022185926,0.00039286085],"domain_scores_gemma":[0.9995458,0.00006356262,0.00013744368,0.00009774489,0.000058948775,0.00009648255],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00053519616,0.00016628708,0.00021981222,0.00015366741,0.0030103433,0.00031130642,0.000119779674,0.00011183202,0.00016947168],"category_scores_gemma":[0.000028284212,0.00012536101,0.000097452685,0.00019611554,0.0013160087,0.0012518406,0.000045234472,0.00014371093,0.00015543026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068508794,0.00016782897,0.007645881,0.0010956854,0.00011001323,0.00003318227,0.049379297,0.000116036776,0.00023386358,0.69865865,0.18665957,0.055831473],"study_design_scores_gemma":[0.00024407092,0.00010660423,0.0031470286,0.00027713837,0.000035661014,0.000013586539,0.0026369693,0.0013470985,0.00022085436,0.005695412,0.98604757,0.00022802097],"about_ca_topic_score_codex":0.007346155,"about_ca_topic_score_gemma":0.0024647447,"teacher_disagreement_score":0.799388,"about_ca_system_score_codex":0.00015495555,"about_ca_system_score_gemma":0.00020130143,"threshold_uncertainty_score":0.999264},"labels":[],"label_agreement":null},{"id":"W4387776103","doi":"10.1353/wfs.2023.a909491","title":"Lucrece and Brutus: Glory in the Land of Tender by Madeleine De Scudéry (review)","year":2023,"lang":"en","type":"article","venue":"Women in French studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Glory; Humanities; Philosophy; Physics","score_opus":0.04393959369821826,"score_gpt":0.27495962697227694,"score_spread":0.23102003327405868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387776103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6000094,0.37064317,3.1320658e-7,0.002095232,0.00013372843,0.00017386145,0.000053905267,0.000029652003,0.026860751],"genre_scores_gemma":[0.91579,0.062246084,0.0000064275237,0.0010785108,0.00015146923,0.00015114193,0.000014143645,0.0000069551716,0.02055527],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993044,0.00008017867,0.00020308755,0.00010835616,0.00010094256,0.00020303612],"domain_scores_gemma":[0.99964756,0.00019546406,0.00003634285,0.00007997204,0.000021401003,0.00001923953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004395114,0.00008193911,0.00025371238,0.00007262444,0.00007785997,0.0000090785015,0.00008829546,0.000012571583,0.00014270385],"category_scores_gemma":[0.00005851972,0.00004755899,0.000023856448,0.00014541367,0.00017171266,0.000061153725,0.00004221457,0.00008194812,0.000007480826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008831867,0.00014415494,0.02339663,0.0013760442,0.00014552154,0.000028414128,0.3483551,0.0000032496266,0.000028803935,0.0029115404,0.61956805,0.0040336386],"study_design_scores_gemma":[0.000247924,0.00008461407,0.009673603,0.000335588,0.000019159908,8.71312e-7,0.018311623,0.000012737632,0.0000025944366,0.0039023426,0.96728873,0.000120235185],"about_ca_topic_score_codex":0.00049416267,"about_ca_topic_score_gemma":0.00049039663,"teacher_disagreement_score":0.34772062,"about_ca_system_score_codex":0.00003876004,"about_ca_system_score_gemma":0.00000813069,"threshold_uncertainty_score":0.19393994},"labels":[],"label_agreement":null},{"id":"W4387791792","doi":"10.4000/elseneur.1319","title":"L’exemplarité américaine dans les Histoires tragiques de François de Belleforest : Francisco Pizarro, Marguerite de Roberval et le cacique Enriquillo","year":2016,"lang":"fr","type":"article","venue":"Elseneur","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013926808228267739,"score_gpt":0.22261353886766128,"score_spread":0.20868673063939353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387791792","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7675133,0.044824436,0.019116506,0.056599475,0.0014948833,0.000432834,0.0011744731,0.00050292513,0.1083412],"genre_scores_gemma":[0.733954,0.0025558115,0.0009851888,0.0017502262,0.0014701871,0.00005267033,0.000033579065,0.00009878826,0.25909954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996565,0.00076139154,0.00065035746,0.0006341579,0.00028922525,0.0010998846],"domain_scores_gemma":[0.99821603,0.0004919702,0.00019500329,0.0004959474,0.0001296849,0.00047134483],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006460096,0.00055063795,0.00060523767,0.0001808987,0.0011735403,0.00020003664,0.00053849194,0.0003527149,0.0017135293],"category_scores_gemma":[0.00018431687,0.00043442278,0.00040992256,0.00012253608,0.00080253085,0.0006230301,0.00011948963,0.00055052794,0.00008658876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036269042,0.0018313664,0.024164168,0.0005351148,0.00040992725,0.001673731,0.13728417,0.00021471223,0.041912828,0.6297269,0.104765244,0.057119146],"study_design_scores_gemma":[0.00064305967,0.0003507766,0.005100316,0.0003280612,0.00011797049,0.00014067313,0.0007319091,0.00020278803,0.0028639806,0.006084953,0.98280036,0.0006351207],"about_ca_topic_score_codex":0.055542648,"about_ca_topic_score_gemma":0.035939574,"teacher_disagreement_score":0.8780351,"about_ca_system_score_codex":0.0006491495,"about_ca_system_score_gemma":0.0004264204,"threshold_uncertainty_score":0.99981076},"labels":[],"label_agreement":null},{"id":"W4387964741","doi":"","title":"Image, autorité, auctorialité (Moyen Age-XXe siècle)","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"History; Political science","score_opus":0.019990022005463612,"score_gpt":0.22573342878022545,"score_spread":0.20574340677476183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387964741","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051200893,0.013557139,0.014585972,0.036842328,0.0078049554,0.0007561511,0.00061793043,0.00066995365,0.87396467],"genre_scores_gemma":[0.18779853,0.002059893,0.029058108,0.000353297,0.001689209,0.00012386192,0.0030277343,0.00015664853,0.7757327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98751986,0.0084641995,0.0011820646,0.0013518472,0.00076149305,0.00072053866],"domain_scores_gemma":[0.99100345,0.0019420123,0.0007039631,0.0024413865,0.0034378879,0.0004712902],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0036711467,0.00072944415,0.00096267095,0.00021587664,0.0019629148,0.0026717917,0.0016170009,0.0004789755,0.007861911],"category_scores_gemma":[0.0014153643,0.00077380607,0.00083812256,0.00033398994,0.0011846423,0.0005753802,0.0014341462,0.0012779115,0.00040292912],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019834812,0.0014991633,0.00016165362,0.00048455506,0.00037199087,0.00017255606,0.08844109,0.000011340692,0.0013419181,0.87629247,0.014400193,0.016803218],"study_design_scores_gemma":[0.0004426126,8.969416e-7,0.00063165615,0.0019716937,0.00024317493,0.000014336745,0.00076868327,0.0013872394,0.002930263,0.0045871735,0.9861653,0.00085701206],"about_ca_topic_score_codex":0.022588158,"about_ca_topic_score_gemma":0.004669721,"teacher_disagreement_score":0.97176504,"about_ca_system_score_codex":0.00037962876,"about_ca_system_score_gemma":0.00045463804,"threshold_uncertainty_score":0.9994713},"labels":[],"label_agreement":null},{"id":"W4388124082","doi":"10.15353/cjo.v68i5.4623","title":"Les Visages de la basse vision","year":2021,"lang":"fr","type":"article","venue":"Canadian journal of optometry/CJO. Canadian journal of optometry","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01777197172967414,"score_gpt":0.31214180439404465,"score_spread":0.2943698326643705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388124082","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7376939,0.2108146,0.000555909,0.010271095,0.007608322,0.00010043202,0.0007365547,0.00000777193,0.03221142],"genre_scores_gemma":[0.95390296,0.0018579075,0.0017226632,0.0008316519,0.00512141,9.668914e-7,0.000016127646,0.00012593697,0.03642037],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929443,0.0013600922,0.0024537514,0.00042415722,0.0009868616,0.0018308369],"domain_scores_gemma":[0.985058,0.0010959437,0.0017874135,0.00047112402,0.003018758,0.008568765],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0030765429,0.000771217,0.0016528785,0.0071247094,0.0017917509,0.0023766363,0.0013994244,0.0007339355,0.024584891],"category_scores_gemma":[0.0013935422,0.00076429633,0.001517554,0.0023974837,0.0017012014,0.001963627,0.000039286435,0.0030395929,0.00009396161],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100924655,0.00030655076,0.67780143,0.0006071861,0.0021006684,0.046499845,0.012806654,0.0005821755,0.00017062611,0.0024154796,0.24088645,0.01572202],"study_design_scores_gemma":[0.0011044135,0.00049974397,0.16029799,0.0018265124,0.00070882426,0.009862113,0.004384306,0.000046251527,0.00019462463,0.000048987873,0.8202911,0.0007351248],"about_ca_topic_score_codex":0.034945205,"about_ca_topic_score_gemma":0.01296477,"teacher_disagreement_score":0.57940465,"about_ca_system_score_codex":0.0035534913,"about_ca_system_score_gemma":0.016979452,"threshold_uncertainty_score":0.9995078},"labels":[],"label_agreement":null},{"id":"W4388186361","doi":"10.1515/9782763757612-009","title":"<i>Les limites de l’analyse critique d’</i>Assassin’s Creed <i>en classe : Damas au temps des Croisades</i>","year":2023,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Creed; Humanities; Philosophy; Art; Sociology; Theology","score_opus":0.07325348558795564,"score_gpt":0.2757166486360154,"score_spread":0.20246316304805978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388186361","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028307987,0.0043938733,0.00045612492,0.004052093,0.0009989941,0.00035603528,0.0007644124,0.00074088323,0.98540676],"genre_scores_gemma":[0.08702605,0.002093104,0.00082238315,0.0016693481,0.004055341,0.000054429507,0.00038040776,0.00028513218,0.9036138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474037,0.00042573718,0.0015391601,0.0012199604,0.0006822564,0.0013924972],"domain_scores_gemma":[0.9952839,0.0021271298,0.0004248849,0.0008358039,0.00054674293,0.0007815472],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0008020896,0.0013909726,0.0015722761,0.000691457,0.0030125375,0.00093164,0.00086071016,0.0010687908,0.019814689],"category_scores_gemma":[0.0002703046,0.0012090151,0.0014742742,0.00014630111,0.0028590916,0.00081641384,0.00030877063,0.0015291884,0.002533466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008766326,0.00027427307,0.0010033485,0.0007100859,0.0011563567,0.0005574851,0.012996351,0.000033772285,0.00013330813,0.93955284,0.038969032,0.0045254747],"study_design_scores_gemma":[0.00034409852,0.00033864268,0.00035234334,0.0009212273,0.0014535823,0.00004098211,0.0028974179,0.00017538351,0.00013794894,0.03712906,0.9547114,0.0014979313],"about_ca_topic_score_codex":0.039449327,"about_ca_topic_score_gemma":0.06469785,"teacher_disagreement_score":0.91574234,"about_ca_system_score_codex":0.0011413923,"about_ca_system_score_gemma":0.00047492443,"threshold_uncertainty_score":0.99988407},"labels":[],"label_agreement":null},{"id":"W4388630660","doi":"10.7202/1107064ar","title":"Centre franco-ontarien de folklore","year":2023,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; History; Art; Archaeology","score_opus":0.03226610205329688,"score_gpt":0.2465594976035835,"score_spread":0.21429339555028662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388630660","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17677046,0.08013333,0.0008754537,0.3277765,0.010984079,0.0011938378,0.0017346415,0.003690726,0.39684096],"genre_scores_gemma":[0.24177887,0.002656962,0.00039450676,0.0011934049,0.0033395644,0.000082284496,0.0002191114,0.000107424086,0.75022787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99628085,0.00037463303,0.00069019606,0.00076849316,0.0002546521,0.0016311518],"domain_scores_gemma":[0.99782145,0.0006003995,0.00021221231,0.00074702955,0.00018231088,0.0004365858],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006263764,0.00057929655,0.0007519704,0.0003924305,0.00096271577,0.00023968602,0.0007469735,0.0007928785,0.004246318],"category_scores_gemma":[0.00050557556,0.0005891735,0.00062042254,0.00060397445,0.00081337354,0.00049236335,0.00021811476,0.0013884943,0.003433804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015153438,0.00041825787,0.008618416,0.0010552037,0.00026243087,0.0029206607,0.14641581,0.0005671809,0.00013391291,0.095728986,0.7206277,0.023099907],"study_design_scores_gemma":[0.0005503034,0.00020247723,0.0007616155,0.00049525074,0.00013625526,0.0000396993,0.01041369,0.0020641284,0.00018767183,0.0051420038,0.9793113,0.00069564243],"about_ca_topic_score_codex":0.017966205,"about_ca_topic_score_gemma":0.049902793,"teacher_disagreement_score":0.3533869,"about_ca_system_score_codex":0.0004506254,"about_ca_system_score_gemma":0.0002655423,"threshold_uncertainty_score":0.99965596},"labels":[],"label_agreement":null},{"id":"W4388725016","doi":"10.4000/estampe.4623","title":"L’apprentissage de René Coquin chez René Lochon (1647)","year":2023,"lang":"fr","type":"article","venue":"Nouvelles de l estampe","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art","score_opus":0.027128379348270674,"score_gpt":0.24719264621065581,"score_spread":0.22006426686238514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388725016","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5491608,0.04129193,0.000635723,0.013211981,0.007700422,0.00056900445,0.0010726544,0.0011824081,0.3851751],"genre_scores_gemma":[0.28576338,0.0039739744,0.00030589625,0.0005376123,0.0028273968,0.00003682547,0.00023677801,0.000082005674,0.7062361],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970586,0.00031457754,0.0005672939,0.00055846164,0.00036525202,0.0011358183],"domain_scores_gemma":[0.9985019,0.00032316122,0.00016621943,0.0004870939,0.00010629542,0.00041531082],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005441778,0.00042752607,0.00048589564,0.00026091584,0.000895973,0.00039025318,0.00046093523,0.00031496456,0.013164569],"category_scores_gemma":[0.00011417356,0.00042905385,0.0003682406,0.00041062632,0.00059547357,0.0003251557,0.00016172846,0.0005644878,0.0033216293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099527955,0.0004309775,0.00072852656,0.0005555978,0.00019987067,0.0007168378,0.10396373,0.00015929896,0.0006656366,0.11882788,0.7515836,0.022068525],"study_design_scores_gemma":[0.00040646316,0.00020172162,0.0003268248,0.0003036455,0.00017189553,0.000025849788,0.007707822,0.001479892,0.00031066092,0.002810881,0.98572767,0.0005266918],"about_ca_topic_score_codex":0.0023121717,"about_ca_topic_score_gemma":0.0007663664,"teacher_disagreement_score":0.32106102,"about_ca_system_score_codex":0.00033325137,"about_ca_system_score_gemma":0.00029575353,"threshold_uncertainty_score":0.9998161},"labels":[],"label_agreement":null},{"id":"W4389281569","doi":"","title":"Ce jour de mars où Pierre Paris partit pour la Grèce. Quelques notes sur ses « Souvenirs d’Athènes » (1894)","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Mars Exploration Program; Art; Geology; Astrobiology; Physics","score_opus":0.02297417102399113,"score_gpt":0.230924052072515,"score_spread":0.20794988104852388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389281569","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3099119,0.03283358,0.025655922,0.067060925,0.002329928,0.0010795791,0.0014615022,0.0010289412,0.5586377],"genre_scores_gemma":[0.58704025,0.005600808,0.008992809,0.00043427985,0.0006988908,0.00012874372,0.00068943755,0.00013855213,0.39627627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98669136,0.0092756795,0.0011847718,0.0012082645,0.00063371216,0.0010062439],"domain_scores_gemma":[0.98942083,0.004555659,0.0009604671,0.00201676,0.0024780943,0.0005681752],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004781577,0.0008267596,0.00095820933,0.00029716233,0.0019311343,0.0017176581,0.0016916472,0.0005707891,0.005163237],"category_scores_gemma":[0.0019762788,0.0008202422,0.0007527389,0.0002762895,0.0013829367,0.0005843032,0.0011089134,0.0011719161,0.0004657306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001211525,0.003186535,0.018726623,0.0010180776,0.00085821014,0.000088084555,0.19380221,0.00011178285,0.0007153609,0.64647853,0.108302504,0.02659091],"study_design_scores_gemma":[0.00041346415,0.0000026689602,0.0026277176,0.002655292,0.00031374616,0.000026630942,0.0009978237,0.0027931875,0.005032038,0.009681422,0.97449636,0.00095963024],"about_ca_topic_score_codex":0.021714862,"about_ca_topic_score_gemma":0.016358856,"teacher_disagreement_score":0.8661939,"about_ca_system_score_codex":0.00030351648,"about_ca_system_score_gemma":0.00069178775,"threshold_uncertainty_score":0.9994248},"labels":[],"label_agreement":null},{"id":"W4390319661","doi":"10.3917/dhs.047.0627ad","title":"Louis Pelland , Voltaire à la radio canadienne , éd. Joël Castonguay-Bélanger et Benoît Melançon, Montréal, Del Busso, 2013","year":2015,"lang":"fr","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Università degli Studi di Firenze","keywords":"Art; Humanities; Philosophy","score_opus":0.023793251023809168,"score_gpt":0.22150790677295215,"score_spread":0.197714655749143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390319661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30302188,0.30342287,0.00009221759,0.026500195,0.0055886093,0.00066180143,0.002724137,0.0003279147,0.35766038],"genre_scores_gemma":[0.57408696,0.0013402934,0.00007701401,0.0011978319,0.0024728165,0.000032444943,0.00032970926,0.00011392267,0.420349],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99640006,0.00043678697,0.0007254406,0.00071788725,0.00049906445,0.0012207498],"domain_scores_gemma":[0.99725056,0.00028249426,0.00025020156,0.0006109128,0.00044290608,0.0011629302],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00065075577,0.0006434886,0.0008312703,0.00024104884,0.00087009737,0.0005677427,0.0003899983,0.0003271255,0.0058831177],"category_scores_gemma":[0.00014151192,0.0005924189,0.00035976368,0.00022100242,0.00075289735,0.0007353069,0.00014521898,0.0006237633,0.0019787916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001204596,0.00046727175,0.0005709509,0.00014789302,0.00030510695,0.0014780684,0.052358635,0.00019397408,0.000016557238,0.116711095,0.82409835,0.003531646],"study_design_scores_gemma":[0.0010766067,0.000359274,0.0007986519,0.00015240218,0.00030087578,0.00018547045,0.0042562163,0.0006294666,0.000018475279,0.002481971,0.9889238,0.0008168272],"about_ca_topic_score_codex":0.51166356,"about_ca_topic_score_gemma":0.21371521,"teacher_disagreement_score":0.30208257,"about_ca_system_score_codex":0.00049833057,"about_ca_system_score_gemma":0.00035123748,"threshold_uncertainty_score":0.99965274},"labels":[],"label_agreement":null},{"id":"W4390324746","doi":"10.3917/dhs.048.0633bk","title":"Réal Ouellet , La Relation de voyage en Amérique (16 e -18 e siècles). Au carrefour des genres , Laval, PUL, 2010, 165 p.","year":2016,"lang":"fr","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Relation (database); Art; Computer science; Database","score_opus":0.02604976778786604,"score_gpt":0.24388044832822833,"score_spread":0.21783068054036228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390324746","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40975943,0.019891977,0.0025192485,0.0150001,0.00407525,0.0005865861,0.0016009064,0.0005095447,0.546057],"genre_scores_gemma":[0.6531123,0.0014123217,0.00012479722,0.00028886943,0.0026751738,0.000036069105,0.000059547292,0.00007844765,0.3422125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962864,0.000864897,0.00073076074,0.0006303865,0.00042214667,0.0010654444],"domain_scores_gemma":[0.9977206,0.00088911306,0.0002522438,0.0004939714,0.00019524625,0.0004488311],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00077566743,0.0005393281,0.00057519163,0.00021801174,0.0015458816,0.0003627524,0.0004346145,0.00042858,0.009369493],"category_scores_gemma":[0.0002874785,0.00041782123,0.00044762372,0.00015147978,0.001293271,0.0012370902,0.00014961556,0.0004586639,0.0017815407],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002475464,0.0009941073,0.010304271,0.0006074505,0.00047763254,0.00039173156,0.04727862,0.00004936101,0.0046620797,0.48595402,0.3762516,0.072781585],"study_design_scores_gemma":[0.0007617833,0.00024447282,0.01090915,0.00047039558,0.00016920535,0.000041897376,0.0012308229,0.00008408291,0.0010158191,0.012974975,0.97140604,0.0006913328],"about_ca_topic_score_codex":0.026360264,"about_ca_topic_score_gemma":0.005669932,"teacher_disagreement_score":0.59515446,"about_ca_system_score_codex":0.0009897033,"about_ca_system_score_gemma":0.0002959705,"threshold_uncertainty_score":0.9998274},"labels":[],"label_agreement":null},{"id":"W4390330314","doi":"10.3917/infle.030.0191k","title":"En traîneau avec l’Empereur, Armand de Caulaincourt , Paris, Arléa, 2015","year":2015,"lang":"fr","type":"article","venue":"Inflexions","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.03973780593606448,"score_gpt":0.2862632638791974,"score_spread":0.24652545794313296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390330314","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04221024,0.101325534,0.0008465221,0.06727002,0.007496117,0.00043291238,0.0009827195,0.00034039674,0.77909553],"genre_scores_gemma":[0.22941221,0.0010639412,0.00041574953,0.0021034824,0.0060306843,0.000036967653,0.00010357343,0.00005465987,0.7607787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793416,0.00031489469,0.0004897464,0.00032079266,0.0003177403,0.0006226709],"domain_scores_gemma":[0.9984267,0.00020375683,0.00011544063,0.00036741985,0.00018826048,0.00069845066],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047404534,0.00031752168,0.0003862538,0.00013797483,0.0006022935,0.00029162745,0.00028915086,0.000208384,0.0056733442],"category_scores_gemma":[0.00009774729,0.0002923837,0.00023884662,0.00010888306,0.0004777335,0.00053809764,0.00007901971,0.00050517585,0.0022393346],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049314185,0.00034283014,0.0002969203,0.000047834164,0.00013235277,0.00016463413,0.06571862,0.00015966012,0.000011528174,0.23519807,0.69655925,0.0013190057],"study_design_scores_gemma":[0.00046658842,0.00023016667,0.000102229445,0.00008759142,0.00021559633,0.000051801555,0.001814867,0.00035162456,0.000029494187,0.015190361,0.9810612,0.00039846607],"about_ca_topic_score_codex":0.0072641,"about_ca_topic_score_gemma":0.0012738267,"teacher_disagreement_score":0.28450197,"about_ca_system_score_codex":0.00037175737,"about_ca_system_score_gemma":0.0003966003,"threshold_uncertainty_score":0.99995285},"labels":[],"label_agreement":null},{"id":"W4390334917","doi":"10.3917/cdu.049.0087h","title":"STATUTS, RÈGLEMENTS ET RITUELS DES ORDRES DE SAGESSE DU RITE FRANÇAIS POUR LE CHAPITRE DE MOÛTIERS . Fac similé d’un manuscrit de 1784 – Préface de Philippe Thomas , Éditions de La Hutte, 2009, grand format, 53 €.","year":2009,"lang":"fr","type":"article","venue":"La chaîne d union","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ford Motor Company (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.01269820883571931,"score_gpt":0.23874539116002488,"score_spread":0.22604718232430557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390334917","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7457128,0.048320267,0.036250364,0.026385292,0.0004791717,0.0007659221,0.0031393822,0.00048398212,0.13846283],"genre_scores_gemma":[0.9373942,0.010734834,0.004091381,0.0028878434,0.00081770564,0.000056506866,0.0003632292,0.00007444364,0.04357986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99626136,0.001255984,0.0005330755,0.00042252542,0.00029082253,0.001236222],"domain_scores_gemma":[0.99845326,0.0003872713,0.0001909285,0.0003244212,0.00013754376,0.0005065669],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011361078,0.00051442505,0.00048305362,0.00026878246,0.0020915626,0.00048598697,0.00037834022,0.00032511048,0.0011352451],"category_scores_gemma":[0.000112529524,0.00052765664,0.00031463252,0.00020788264,0.0006245731,0.0011869705,0.000069355905,0.00067450834,0.000029149305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040061193,0.005132625,0.011254841,0.0010588735,0.0006573417,0.0010894063,0.2719415,0.0020364628,0.002756881,0.42390296,0.2443035,0.035464983],"study_design_scores_gemma":[0.0017813453,0.00029146668,0.011879144,0.00049145235,0.0002809306,0.00016015106,0.004143989,0.0014833033,0.0010856407,0.05896011,0.9187966,0.0006458417],"about_ca_topic_score_codex":0.008874194,"about_ca_topic_score_gemma":0.0012917514,"teacher_disagreement_score":0.67449313,"about_ca_system_score_codex":0.00035629285,"about_ca_system_score_gemma":0.00032127858,"threshold_uncertainty_score":0.99977785},"labels":[],"label_agreement":null},{"id":"W4390338140","doi":"10.3917/sigila.051.0190","title":"10.3917/sigila.051.0190","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013543143315693196,"score_gpt":0.16828848698018395,"score_spread":0.15474534366449075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390338140","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005416216,0.0001509996,1.3959017e-7,0.00028972793,0.00000838066,0.000059565096,0.000024450774,0.00012167908,0.99880344],"genre_scores_gemma":[0.0009562714,3.1060173e-7,0.000013671803,0.00027182983,0.0006495266,0.000008960213,0.000020367741,0.000013197227,0.9980659],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993554,0.000025066713,0.00015064719,0.00016182999,0.000120340745,0.00018672497],"domain_scores_gemma":[0.9996431,0.000031287196,0.00001652255,0.0001660127,0.000031598265,0.000111480476],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000046479712,0.00010937144,0.00014589129,0.000055603672,0.00021137019,0.000094420815,0.00014373887,0.000023247878,0.9990593],"category_scores_gemma":[0.0000071482564,0.000089188565,0.000079341895,0.000049353486,0.000051455452,0.00015921514,0.000014571684,0.000065026725,0.98155296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041567175,0.00006550289,6.417691e-8,0.0000049638847,0.000019375722,0.000008100621,0.0011833258,0.000008134502,0.000006437493,0.00050006184,0.7057791,0.2923834],"study_design_scores_gemma":[0.00007556336,0.00011269405,0.0000017618614,0.000008347337,0.000017860271,0.000001197127,0.0000048510833,0.000025584814,0.0000057017196,0.000042823238,0.999557,0.0001465842],"about_ca_topic_score_codex":0.00010854277,"about_ca_topic_score_gemma":0.0000013564896,"teacher_disagreement_score":0.29377797,"about_ca_system_score_codex":0.0000204457,"about_ca_system_score_gemma":0.000009249649,"threshold_uncertainty_score":0.36370042},"labels":[],"label_agreement":null},{"id":"W4390368836","doi":"10.3917/retm.243.0125b","title":"• Pierre Hurtubise , La Casuistique dans tous ses états , Montréal, Novalis, 2005, 314 p.","year":2007,"lang":"fr","type":"article","venue":"Revue d éthique et de théologie morale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.038672178694499675,"score_gpt":0.2834414654806435,"score_spread":0.2447692867861438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390368836","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08877398,0.105683245,0.0029907292,0.031334452,0.0036405574,0.00073261495,0.0009019722,0.00064687245,0.76529557],"genre_scores_gemma":[0.45598364,0.014492226,0.0016961398,0.0037725018,0.0034916443,0.000051445502,0.00017843123,0.00011871678,0.5202153],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961373,0.00084403896,0.0008542674,0.0006811043,0.00024770253,0.0012355765],"domain_scores_gemma":[0.99707854,0.0012766332,0.00031108616,0.00065338047,0.0002251174,0.00045523542],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018787895,0.00059884996,0.00079299445,0.00022672093,0.0006820652,0.00029436458,0.0005405832,0.0007000647,0.00197793],"category_scores_gemma":[0.00055879244,0.0005842984,0.00044296586,0.00019343854,0.0009598738,0.0005013091,0.00016573825,0.0013624915,0.00032287478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019402808,0.0008743461,0.0012253149,0.00064330647,0.00022076552,0.007672663,0.029094107,0.0004731408,0.00041533483,0.5393099,0.41604713,0.0038299616],"study_design_scores_gemma":[0.00034960147,0.00027548216,0.00073768955,0.00036253492,0.00021939633,0.0004924344,0.0024198047,0.00009975427,0.00039986637,0.0045717973,0.98934066,0.000730997],"about_ca_topic_score_codex":0.017947221,"about_ca_topic_score_gemma":0.018222382,"teacher_disagreement_score":0.5732935,"about_ca_system_score_codex":0.0007191923,"about_ca_system_score_gemma":0.00054771255,"threshold_uncertainty_score":0.9996925},"labels":[],"label_agreement":null},{"id":"W4390370154","doi":"10.3917/dhs.043.0725a15","title":"La Coste , Voyage philosophique d’Angleterre, fait en 1783 et 1784 par Monsieur de la Coste , Isabelle Bour (éd.), Les Presses de l’Université Laval, Éditions du CIERL, « Les Collections de la République des Lettres », 2010, XVI-286 p.","year":2011,"lang":"fr","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.025204433499318328,"score_gpt":0.23062728370590052,"score_spread":0.20542285020658219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390370154","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14998727,0.031732365,0.0019504142,0.012152546,0.00057900144,0.00067449914,0.0035319033,0.0006245972,0.7987674],"genre_scores_gemma":[0.80021656,0.016798731,0.0007830301,0.0009000049,0.0010751416,0.00017020933,0.00021293752,0.00014744328,0.17969596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99410075,0.0035652146,0.0005504928,0.0005810439,0.00028233032,0.0009201496],"domain_scores_gemma":[0.9966007,0.0019621046,0.0002621962,0.00043348043,0.00025545614,0.00048604855],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010294102,0.00059531233,0.0005994052,0.00040803102,0.004431362,0.00087986613,0.0006025995,0.0005944834,0.009539201],"category_scores_gemma":[0.0004210569,0.00062764384,0.00048522613,0.0003513855,0.0024960774,0.001161333,0.00023884988,0.0010717202,0.00012152123],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010660501,0.0017405092,0.004753642,0.00032630842,0.00053458684,0.0005919903,0.03937798,0.000094885305,0.0012458432,0.1808678,0.76884323,0.001516625],"study_design_scores_gemma":[0.0007685492,0.000341947,0.007941248,0.00039745282,0.0005092901,0.00024907422,0.0032893745,0.00016776366,0.0015735851,0.025408471,0.9586314,0.0007218684],"about_ca_topic_score_codex":0.048675265,"about_ca_topic_score_gemma":0.0053936304,"teacher_disagreement_score":0.6502293,"about_ca_system_score_codex":0.0005513342,"about_ca_system_score_gemma":0.00046046276,"threshold_uncertainty_score":0.9996175},"labels":[],"label_agreement":null},{"id":"W4390376901","doi":"10.3917/rfp.g1996.60n1.1619","title":"10.3917/rfp.g1996.60n1.1619","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.013318260706281386,"score_gpt":0.16718171497053277,"score_spread":0.15386345426425138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390376901","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007206326,0.00018329386,1.6677696e-7,0.0003550598,0.000010764247,0.00006981678,0.000031999112,0.00013338312,0.99849486],"genre_scores_gemma":[0.0013943174,4.0020612e-7,0.00001542132,0.00030523297,0.0007830365,0.000010550991,0.000026664698,0.00001551806,0.99744886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924695,0.00003100655,0.00017544786,0.00018735928,0.00014127376,0.00021796762],"domain_scores_gemma":[0.99958336,0.00003511361,0.000020126316,0.00019473655,0.00003532285,0.00013135542],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000056951936,0.00012783856,0.00017037278,0.000066053995,0.00024579564,0.000106475636,0.00016826445,0.000028317409,0.998877],"category_scores_gemma":[0.000008445272,0.00010462584,0.00009418061,0.00005821447,0.00006071078,0.00018193852,0.000018320681,0.00007860909,0.979787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045994075,0.00007736593,9.307185e-8,0.0000060534358,0.000022981612,0.00000999506,0.0014567651,0.000008858565,0.000006670804,0.00048369443,0.6820733,0.3158082],"study_design_scores_gemma":[0.000091680035,0.00012574748,0.0000026274668,0.000010069082,0.000021787924,0.0000015451826,0.0000070878455,0.00003406283,0.0000054580178,0.000049022638,0.9994808,0.00017015159],"about_ca_topic_score_codex":0.00017419798,"about_ca_topic_score_gemma":0.000002327352,"teacher_disagreement_score":0.31740746,"about_ca_system_score_codex":0.00002528275,"about_ca_system_score_gemma":0.000011086049,"threshold_uncertainty_score":0.42665178},"labels":[],"label_agreement":null},{"id":"W4390382811","doi":"10.3917/rdn.344.0181h","title":"Claude Lompret et Jérôme Chrétien , Fourmies et ses environs , Mémoire en images, éditions Alan Sutton, Joué-Lès-Tours, 2001, 128 p.","year":2002,"lang":"fr","type":"article","venue":"Revue du Nord","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Moiré pattern; Art; History; Geography; Computer science; Computer vision","score_opus":0.031050406126421123,"score_gpt":0.2358847741677522,"score_spread":0.20483436804133107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390382811","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024190815,0.14937688,0.00043250676,0.19005112,0.004266925,0.0008391265,0.0090569,0.00050251716,0.62128323],"genre_scores_gemma":[0.15644507,0.019575147,0.00056333153,0.0026190926,0.005555796,0.000064733664,0.00077446917,0.000102787984,0.8142996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969127,0.00062829076,0.00070244813,0.00062912423,0.00031662267,0.00081078085],"domain_scores_gemma":[0.99805796,0.0005805847,0.0002622544,0.0005981389,0.000121437806,0.00037962882],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032498842,0.0005654946,0.000701721,0.00024259828,0.0012635598,0.0004735705,0.00045868743,0.0002547423,0.03528797],"category_scores_gemma":[0.00013774338,0.00055558136,0.0005072281,0.000172609,0.0007255499,0.0011549963,0.00013778896,0.00078306935,0.002236321],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015827234,0.0007436763,0.0006135292,0.00025872327,0.00020470338,0.00027151947,0.020019202,0.00012046015,0.000052833635,0.10933907,0.86549354,0.0028669073],"study_design_scores_gemma":[0.0003785085,0.00027379266,0.0007734167,0.00040489342,0.0003355028,0.0001361006,0.00083737366,0.0004062054,0.00001870462,0.0013058308,0.9944286,0.00070110493],"about_ca_topic_score_codex":0.0021040547,"about_ca_topic_score_gemma":0.0014700732,"teacher_disagreement_score":0.19301637,"about_ca_system_score_codex":0.00026869416,"about_ca_system_score_gemma":0.00006027261,"threshold_uncertainty_score":0.9996896},"labels":[],"label_agreement":null},{"id":"W4390406979","doi":"10.3917/dhs.038.0643w","title":"Syliane MALINOWSKI-CHARLES (dir.), Figures du sentiment : morale, politique et esthétique à l'époque moderne , Québec, Presses de l'Université Lava (Coll. « Les collections de la République des Lettres »), 2003, 175 p.","year":2006,"lang":"fr","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010485223720682333,"score_gpt":0.21788607079867758,"score_spread":0.20740084707799525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390406979","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17425576,0.29218718,0.005897811,0.049197663,0.0009143357,0.001501935,0.004417646,0.0011075434,0.4705201],"genre_scores_gemma":[0.45124027,0.023003137,0.0009526992,0.0011630906,0.0018721031,0.00017336829,0.00038428672,0.0001461175,0.52106494],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961084,0.001157247,0.0006518453,0.0006477453,0.000355798,0.0010789626],"domain_scores_gemma":[0.9978758,0.0005538733,0.00026089043,0.00039556963,0.0005154136,0.00039846054],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043901155,0.00064529304,0.0006850517,0.0004235355,0.0027960094,0.0010160416,0.00045717324,0.00042637024,0.0110386545],"category_scores_gemma":[0.00017484673,0.0006768473,0.0003966028,0.00048879435,0.001484774,0.0009750712,0.00015575862,0.00064345915,0.000094785086],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108198845,0.0016286699,0.0050644637,0.00049366715,0.0003056766,0.00050005456,0.006754974,0.004531326,0.00054936775,0.25763285,0.72151095,0.000919774],"study_design_scores_gemma":[0.00070839527,0.00018576981,0.0067166495,0.00041556553,0.00032145323,0.00013439995,0.0012053297,0.0016024293,0.002977518,0.0132999765,0.971646,0.00078647427],"about_ca_topic_score_codex":0.6490184,"about_ca_topic_score_gemma":0.19373542,"teacher_disagreement_score":0.45528296,"about_ca_system_score_codex":0.0009500583,"about_ca_system_score_gemma":0.00096207333,"threshold_uncertainty_score":0.9995683},"labels":[],"label_agreement":null},{"id":"W4390407803","doi":"10.3917/rlc.324.0489h","title":"Monique MOSER-VERREY (dir.), Les Européens des Lumières face aux indigènes. Images et textualité , Laval, Presses de l’université de Laval (Québec), « Études littéraires », 2006.","year":2008,"lang":"fr","type":"article","venue":"Revue de littérature comparée","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03256404656008302,"score_gpt":0.2392077914723888,"score_spread":0.20664374491230578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390407803","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3854644,0.54253656,0.00031579708,0.017451882,0.000504749,0.00046776026,0.0011205443,0.0005237961,0.051614486],"genre_scores_gemma":[0.5983217,0.059697807,0.0009412099,0.0009000276,0.0025599643,0.000037760034,0.00021887588,0.00014631846,0.33717632],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99545723,0.0011151993,0.0007714822,0.000863914,0.0004053911,0.001386761],"domain_scores_gemma":[0.99721324,0.0006526705,0.00038223443,0.00069552334,0.00038389262,0.00067244825],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004197097,0.00089288736,0.0010671044,0.0002691013,0.0026101863,0.00045476132,0.00096777926,0.00052487425,0.0020205947],"category_scores_gemma":[0.00026761487,0.00087498035,0.0006337237,0.00039557525,0.001783977,0.0008842367,0.00036862242,0.0013048941,0.00014194645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047858868,0.0015585426,0.0674277,0.0021061772,0.00083638134,0.0026563997,0.1323331,0.0016543757,0.0023857285,0.11231965,0.6728985,0.0033448543],"study_design_scores_gemma":[0.0004952463,0.00026630168,0.044702042,0.0008253981,0.00035275187,0.00072606,0.0018708172,0.0002559934,0.0020744987,0.0009470237,0.946516,0.0009678777],"about_ca_topic_score_codex":0.066027656,"about_ca_topic_score_gemma":0.062232304,"teacher_disagreement_score":0.48283875,"about_ca_system_score_codex":0.0008439386,"about_ca_system_score_gemma":0.000979968,"threshold_uncertainty_score":0.9993701},"labels":[],"label_agreement":null},{"id":"W4390490457","doi":"10.5565/rev/studiaaurea.544","title":"La ficción pastoril en Portugal: noticia de \"Olympo de pastores\" de António do Vale de Morais (1632)","year":2023,"lang":"es","type":"article","venue":"Studia Aurea","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Ministerio de Educación y Formación Profesional; University of Toronto; Universidade de Lisboa; Arcadia Fund; Universitat Autònoma de Barcelona; Banco Santander; Cleveland State University","keywords":"Humanities; Art","score_opus":0.020630654836778426,"score_gpt":0.2675723929781921,"score_spread":0.24694173814141365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390490457","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78683347,0.008744626,0.0001708244,0.0038220973,0.0023683992,0.00047567472,0.00076270197,0.00088169874,0.19594052],"genre_scores_gemma":[0.95988154,0.0009890592,0.0001340223,0.0005529008,0.003842462,0.000067149085,0.000062699175,0.00008825318,0.03438189],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674535,0.00055066386,0.0005245831,0.0005263954,0.00042920452,0.0012237856],"domain_scores_gemma":[0.99804884,0.00077904837,0.00018621606,0.00043247011,0.00011216545,0.0004412785],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009983411,0.00048509342,0.0006405014,0.00028341988,0.0008962751,0.0004695143,0.00047296975,0.00028809506,0.0013796785],"category_scores_gemma":[0.00025781736,0.00044537542,0.00041057644,0.00029956872,0.00029773146,0.00026278736,0.00019307049,0.0005519551,0.0004974976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017004515,0.00071738963,0.08893588,0.0005120637,0.0009949141,0.0019340315,0.25104603,0.00024517675,0.0005640689,0.25404435,0.39509705,0.00573901],"study_design_scores_gemma":[0.00046386445,0.00020086483,0.045994245,0.00016679881,0.00041250334,0.000025133299,0.005606037,0.00019002124,0.000051280484,0.0014172271,0.9449263,0.0005456945],"about_ca_topic_score_codex":0.0040115016,"about_ca_topic_score_gemma":0.00042493353,"teacher_disagreement_score":0.5498293,"about_ca_system_score_codex":0.0007027464,"about_ca_system_score_gemma":0.000704862,"threshold_uncertainty_score":0.9997998},"labels":[],"label_agreement":null},{"id":"W4390642703","doi":"10.4000/prismi.1316","title":"Pirandello: “Mandare a monte la rappresentazione”?","year":2023,"lang":"fr","type":"article","venue":"PRISMI","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre de Santé et de Services Sociaux de la Montagne","funders":"","keywords":"Humanities; Philosophy; Computer science; Art","score_opus":0.035632053796501785,"score_gpt":0.25580835691291454,"score_spread":0.22017630311641276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390642703","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02907613,0.051233705,0.00019957568,0.024452204,0.0047164084,0.00028490502,0.00038094836,0.00055120414,0.8891049],"genre_scores_gemma":[0.1553773,0.0014880052,0.00002326775,0.00036186777,0.0016593245,0.000021921056,0.000053923734,0.000029132972,0.84098524],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863744,0.00017193942,0.00025522977,0.00028549138,0.0002527704,0.00039714418],"domain_scores_gemma":[0.99927026,0.00021645578,0.00006492315,0.00023266143,0.00006276843,0.00015291458],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022870675,0.00020375742,0.000271977,0.00015080273,0.0006236048,0.0002590223,0.00019787415,0.000109844914,0.0057416195],"category_scores_gemma":[0.000031500276,0.00018166663,0.00025169278,0.00020128921,0.0003296604,0.00032037895,0.00009939075,0.0002750493,0.0038501779],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036206715,0.00013590012,0.00015602526,0.00016896645,0.00012571162,0.00023696439,0.02653756,0.000039677474,0.0000114158665,0.10175976,0.8511367,0.019655142],"study_design_scores_gemma":[0.00036073953,0.00006328562,0.00011699286,0.00009647623,0.00008988387,0.0000055896276,0.0010335842,0.0015383298,0.000013822266,0.0028358316,0.9936068,0.00023867091],"about_ca_topic_score_codex":0.001094976,"about_ca_topic_score_gemma":0.00006690935,"teacher_disagreement_score":0.14247012,"about_ca_system_score_codex":0.000038482933,"about_ca_system_score_gemma":0.00003503767,"threshold_uncertainty_score":0.9969254},"labels":[],"label_agreement":null},{"id":"W4390742077","doi":"10.1017/9781800108875.005","title":"Imagi(ni)ng the Prose Epic","year":2023,"lang":"en","type":"other","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Spectacle; EPIC; Art; Painting; Art history; Humanities; Philosophy; Literature; Political science","score_opus":0.035255233188154295,"score_gpt":0.22855432239835038,"score_spread":0.1932990892101961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390742077","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000010499784,0.0011277425,0.0000032520952,0.0006643823,0.0011051183,0.000109033674,0.000038958646,0.00068853813,0.9962619],"genre_scores_gemma":[0.000121031706,0.00005788991,0.0000079218335,0.0005381435,0.0031476303,0.000022847611,0.000013006875,0.00028762806,0.9958039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944913,0.000025134124,0.000114317525,0.000156282,0.00011733184,0.0001378125],"domain_scores_gemma":[0.99964917,0.000040853593,0.000051738425,0.0002164814,0.000013407585,0.000028335651],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000046881345,0.00013778008,0.00016046166,0.000074647716,0.00015954729,0.00010996158,0.00017743328,0.000043507258,0.12985279],"category_scores_gemma":[0.00000944649,0.00006675512,0.00009718439,0.00003199971,0.00014626455,0.000042914304,0.000031896878,0.0001307468,0.0060709175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.780943e-7,0.0000113729775,0.000002891075,0.000015663576,0.000035451856,0.0000042238294,0.0023848403,2.1561386e-8,8.092821e-8,0.15993823,0.8352109,0.0023956283],"study_design_scores_gemma":[0.00003223205,0.0000107610795,0.000002436918,0.000031867632,0.00003064396,3.1878e-7,0.00019351325,0.0000020474818,3.0034016e-7,0.0008484432,0.9987283,0.00011913969],"about_ca_topic_score_codex":0.00350777,"about_ca_topic_score_gemma":0.0066358894,"teacher_disagreement_score":0.16351739,"about_ca_system_score_codex":0.000013022943,"about_ca_system_score_gemma":0.000010725299,"threshold_uncertainty_score":0.994703},"labels":[],"label_agreement":null},{"id":"W4390790923","doi":"","title":"L’aventure à la Renaissance","year":2021,"lang":"fr","type":"other","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; The Renaissance; Art history","score_opus":0.02349902413361769,"score_gpt":0.2258757023121348,"score_spread":0.20237667817851712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390790923","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000067759674,0.06621427,0.00004392313,0.0014420893,0.0013278709,0.000053261734,0.00004628171,0.000046676105,0.93081886],"genre_scores_gemma":[0.0010378773,0.0007534312,0.00015080512,0.00067176716,0.0040290034,0.0000076219753,0.0000931185,0.00008300919,0.99317336],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898136,0.00012169854,0.00021509752,0.00032343506,0.00014308632,0.00021535164],"domain_scores_gemma":[0.99942815,0.000087904744,0.00008388132,0.00025052877,0.00004767161,0.00010185703],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004602431,0.00026766755,0.00036146646,0.000065091015,0.0002504779,0.00019690949,0.00015680274,0.0002263685,0.813301],"category_scores_gemma":[0.000016607288,0.00020576394,0.00026804776,0.000048169306,0.00029088452,0.000048559647,0.000042861764,0.0003067085,0.0015436409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018095635,0.000075880846,0.0000074599416,0.00013003255,0.00008146295,0.00009271756,0.0013638458,3.932793e-7,0.0000032915264,0.55719995,0.43843034,0.0026128155],"study_design_scores_gemma":[0.00007948115,0.000025725158,0.000014403531,0.00041409864,0.00007545978,0.0000077164095,0.00021062046,0.000007726237,0.0000055467954,0.00088219997,0.9979767,0.00030027906],"about_ca_topic_score_codex":0.00085215544,"about_ca_topic_score_gemma":0.00086795137,"teacher_disagreement_score":0.8117574,"about_ca_system_score_codex":0.000038618276,"about_ca_system_score_gemma":0.000042855063,"threshold_uncertainty_score":0.9992338},"labels":[],"label_agreement":null},{"id":"W4390812960","doi":"10.1515/9782760331907-012","title":"CHAPITRE 9 « C’est vraiment fort ! » : La production de textes et l’art dramatique dans une école francophone de la Colombie-Britannique","year":2020,"lang":"fr","type":"book-chapter","venue":"University of Ottawa Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014698039549010286,"score_gpt":0.2036636043267498,"score_spread":0.18896556477773951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390812960","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042878464,0.00039401947,0.001144044,0.00082140416,0.00022401125,0.00047533683,0.00035092008,0.000105815445,0.9921966],"genre_scores_gemma":[0.1383096,0.00019171985,0.00088598434,0.00018136324,0.00034385003,0.0000035236242,0.00007944032,0.00004902034,0.8599555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818945,0.00039888805,0.00035031952,0.0005035756,0.00025795732,0.00029979798],"domain_scores_gemma":[0.9986609,0.0002768199,0.0003722369,0.00030035214,0.00015589502,0.00023379618],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00038605748,0.00041233812,0.00060187036,0.00013160786,0.0006304873,0.000078756835,0.00036941693,0.00039876695,0.00078778696],"category_scores_gemma":[0.000027495513,0.00048395875,0.00035173743,0.000017641449,0.0014124961,0.00020029859,0.0001487238,0.000668367,0.000036736637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011408229,0.00019109732,0.000074758565,0.00047910892,0.00037058207,0.00028733854,0.07470449,0.00012876229,0.00071998505,0.9105242,0.011217908,0.001187689],"study_design_scores_gemma":[0.000412732,0.00026348903,0.00016758885,0.0005306952,0.0003336713,0.000029492228,0.0019068932,0.00014550227,0.00095560006,0.0045588566,0.9902375,0.0004579849],"about_ca_topic_score_codex":0.012640943,"about_ca_topic_score_gemma":0.004032902,"teacher_disagreement_score":0.9790196,"about_ca_system_score_codex":0.00021968083,"about_ca_system_score_gemma":0.00024619626,"threshold_uncertainty_score":0.9997612},"labels":[],"label_agreement":null},{"id":"W4390853150","doi":"","title":"Rire jaune ? Farces et attrapes dans le théâtre de Rodrigo García","year":2014,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.019959848753229658,"score_gpt":0.21089907731245672,"score_spread":0.19093922855922707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390853150","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005704289,0.0046913056,0.019833239,0.019467928,0.00032826164,0.0002598733,0.00028812067,0.00022509675,0.9492019],"genre_scores_gemma":[0.19029772,0.0013969417,0.0025125598,0.00043537506,0.00019483297,0.000022429078,0.00061004487,0.00008776134,0.80444235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934735,0.0038267837,0.00079323107,0.00084334,0.00048585248,0.00057732005],"domain_scores_gemma":[0.99448735,0.0018665959,0.0005866376,0.0014728364,0.0012298133,0.00035676846],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0030922608,0.0006312039,0.0007028799,0.00023913349,0.0021146955,0.00071404915,0.0011903325,0.0003472454,0.004353454],"category_scores_gemma":[0.00032404362,0.0006144955,0.0005813679,0.000089563924,0.0015506975,0.00032727118,0.00035065366,0.00079299905,0.00040272123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012641032,0.00028945215,0.00023823584,0.0001639526,0.00015772131,0.000014148533,0.027593868,0.000012982396,0.00028979318,0.9533792,0.0027411657,0.015106844],"study_design_scores_gemma":[0.00032459613,0.000002089982,0.00034781577,0.001663799,0.00016158214,0.000017827726,0.00037280633,0.0010547792,0.0010106622,0.011109634,0.9832652,0.00066916196],"about_ca_topic_score_codex":0.011148544,"about_ca_topic_score_gemma":0.019375045,"teacher_disagreement_score":0.98052406,"about_ca_system_score_codex":0.00018165198,"about_ca_system_score_gemma":0.00026108252,"threshold_uncertainty_score":0.99963063},"labels":[],"label_agreement":null},{"id":"W4390854447","doi":"","title":"« La descente aux enfers ou les métamorphoses d’un mythe »","year":2023,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.045248094993584155,"score_gpt":0.23447434058348818,"score_spread":0.18922624558990403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390854447","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027714698,0.006434283,0.0021257775,0.013330271,0.000700198,0.0003244871,0.0005052828,0.00044355768,0.97336465],"genre_scores_gemma":[0.111289315,0.004322443,0.0012803151,0.00017512563,0.0001923155,0.00003062388,0.0006565392,0.00013987473,0.8819134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99388,0.003260572,0.0008575352,0.00086861587,0.000583547,0.0005497571],"domain_scores_gemma":[0.99290335,0.0031601822,0.00055779796,0.0014186063,0.0016310385,0.00032900242],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0027811367,0.0006646659,0.00066388556,0.00034733344,0.0022776169,0.000765892,0.0011406165,0.0004439933,0.0075729247],"category_scores_gemma":[0.0006755443,0.0006439065,0.0006546681,0.00014460606,0.0017727758,0.00031165883,0.00049084815,0.0009908482,0.001373561],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015600286,0.00028124484,0.00013948962,0.00015845054,0.00023348395,0.000051490184,0.015553996,0.0000030203166,0.00006998794,0.90991724,0.004731281,0.06884475],"study_design_scores_gemma":[0.00033223015,0.0000013738553,0.00017124494,0.0022846344,0.0002256852,0.000015833479,0.0004992627,0.00039697083,0.00058075174,0.009874272,0.98494875,0.00066899956],"about_ca_topic_score_codex":0.005334716,"about_ca_topic_score_gemma":0.0041797403,"teacher_disagreement_score":0.98021746,"about_ca_system_score_codex":0.00016578218,"about_ca_system_score_gemma":0.00018900423,"threshold_uncertainty_score":0.99960124},"labels":[],"label_agreement":null},{"id":"W4390855025","doi":"","title":"« Portrait du philologue en sourcier »","year":2017,"lang":"fr","type":"other","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Art history","score_opus":0.0145375970546931,"score_gpt":0.20617414053843577,"score_spread":0.19163654348374268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390855025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000779834,0.0061144093,0.00380846,0.022009019,0.00073645316,0.0002469274,0.0002413275,0.00016284504,0.9659007],"genre_scores_gemma":[0.05090773,0.0011208405,0.0015829784,0.00024437197,0.00065437454,0.00003136609,0.00047402177,0.00013077648,0.94485354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99412125,0.0038192885,0.0004994177,0.0007258418,0.00035877296,0.00047543485],"domain_scores_gemma":[0.99504423,0.0011529298,0.0007098856,0.0018465682,0.0009685058,0.00027789638],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0024757704,0.00049251085,0.0005963842,0.00022662563,0.001821428,0.0007729628,0.0014880139,0.00037598814,0.03987632],"category_scores_gemma":[0.0010541185,0.0004661727,0.00044408027,0.00008317424,0.001136059,0.0002675489,0.00037330476,0.0005854108,0.001384717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007708797,0.00056447735,0.00041250882,0.00012277426,0.00018604114,0.000029452878,0.0316403,0.000001362457,0.000043826516,0.85073256,0.07327273,0.042986255],"study_design_scores_gemma":[0.00032200888,7.188769e-7,0.0005197814,0.0013402158,0.00014192887,0.000013594508,0.00013743671,0.00030581275,0.00018070526,0.0018915675,0.9946282,0.0005180165],"about_ca_topic_score_codex":0.008728292,"about_ca_topic_score_gemma":0.010569278,"teacher_disagreement_score":0.9213555,"about_ca_system_score_codex":0.00013790147,"about_ca_system_score_gemma":0.00021097466,"threshold_uncertainty_score":0.999779},"labels":[],"label_agreement":null},{"id":"W4390903640","doi":"","title":"Dominique Bouhours, Entretiens d’Ariste et d’Eugène. Edition critique","year":2003,"lang":"fr","type":"book","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.015183130301006377,"score_gpt":0.22506408516701717,"score_spread":0.2098809548660108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390903640","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00059493945,0.0057092854,0.017518466,0.025763633,0.0014662988,0.0005686455,0.00096692087,0.00026472914,0.9471471],"genre_scores_gemma":[0.01766548,0.0033099747,0.0048122695,0.0014942541,0.0005068073,0.00010232187,0.0031355857,0.0001424338,0.9688309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9840692,0.012041481,0.0012206858,0.0011636995,0.0007153393,0.00078956765],"domain_scores_gemma":[0.9906031,0.0032647487,0.00085982727,0.0017478858,0.003023162,0.00050129957],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0049185674,0.0008463061,0.0009257774,0.00038266875,0.0018465783,0.0010980077,0.001039963,0.000664437,0.009658797],"category_scores_gemma":[0.001241818,0.0008979031,0.0007463374,0.00022796552,0.0015780539,0.0006987572,0.00029130437,0.0014326485,0.000612675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017496912,0.0007411894,0.000040591785,0.00024032414,0.00013622586,0.000031802938,0.021365428,0.0000030763283,0.00006448323,0.82385063,0.14925179,0.0042569297],"study_design_scores_gemma":[0.0005480422,0.000002805785,0.000048627386,0.0027711613,0.00023784532,0.00003238059,0.00029052244,0.00027534663,0.0013754582,0.01987365,0.97363925,0.00090489245],"about_ca_topic_score_codex":0.0028147004,"about_ca_topic_score_gemma":0.0038693573,"teacher_disagreement_score":0.8243875,"about_ca_system_score_codex":0.0005507066,"about_ca_system_score_gemma":0.00090141373,"threshold_uncertainty_score":0.99993896},"labels":[],"label_agreement":null},{"id":"W4390936773","doi":"","title":"La fiction des images et la voix du poème","year":2006,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art","score_opus":0.017581360234121324,"score_gpt":0.21304754905533854,"score_spread":0.19546618882121722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390936773","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034186093,0.004196948,0.005970498,0.0049851667,0.00026230267,0.00018508645,0.0004332687,0.00021342807,0.9803347],"genre_scores_gemma":[0.21604596,0.0021487596,0.0018941966,0.000121321296,0.00018333526,0.000019163335,0.00076367613,0.0000738826,0.7787497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99330515,0.0046648732,0.00065436214,0.0006262105,0.0003927495,0.0003566413],"domain_scores_gemma":[0.9947055,0.0022739274,0.0004645386,0.00089940696,0.0014713153,0.00018528741],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0031518452,0.00049978105,0.00047138863,0.00025009504,0.0014854036,0.0009208413,0.0006160252,0.0003545789,0.0034747345],"category_scores_gemma":[0.00035617215,0.0004974433,0.00044384986,0.0000883572,0.0017181749,0.0005034617,0.00025764175,0.0007188471,0.00030116667],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001085857,0.0003991297,0.00030895515,0.00013829044,0.000098605786,0.00002523669,0.012631796,0.00001036788,0.00009605725,0.9425064,0.012674565,0.031099753],"study_design_scores_gemma":[0.00027688342,0.0000012053164,0.0009405766,0.0013892544,0.00015154816,0.000028512066,0.00012348918,0.00034522178,0.00028253987,0.008396099,0.9875614,0.00050327793],"about_ca_topic_score_codex":0.008853359,"about_ca_topic_score_gemma":0.003482331,"teacher_disagreement_score":0.97488683,"about_ca_system_score_codex":0.00016601331,"about_ca_system_score_gemma":0.00011043078,"threshold_uncertainty_score":0.9998145},"labels":[],"label_agreement":null},{"id":"W4391012717","doi":"","title":"Les auteurs n’aiment pas qu’on les confonde avec leurs personnages. Souvenirs d’une nuit à Manosque","year":2018,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Humanities","score_opus":0.056803234356234654,"score_gpt":0.23141502384129886,"score_spread":0.1746117894850642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391012717","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011162988,0.005114619,0.0017662813,0.018886376,0.0010162368,0.00052897114,0.00047304053,0.0002916749,0.9607598],"genre_scores_gemma":[0.2164991,0.0012103503,0.0009075239,0.00048061568,0.00038377853,0.000040055467,0.00061066565,0.0001251919,0.7797427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99426997,0.0020984376,0.0009921583,0.0011850327,0.0007799204,0.0006744693],"domain_scores_gemma":[0.99393106,0.0013816507,0.00080742897,0.001760955,0.0017095932,0.00040931258],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018097071,0.0008964536,0.00084167876,0.00039408982,0.0027628168,0.00076131243,0.0012973221,0.0005049675,0.022510935],"category_scores_gemma":[0.0002555558,0.0008739824,0.0007384555,0.0001226236,0.0024046125,0.00029562815,0.00038368825,0.0009806119,0.0010786175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034728186,0.00046342236,0.00007734056,0.00016934646,0.00026874995,0.00003705884,0.08868707,0.000005924368,0.00009716433,0.8746613,0.00843267,0.027065216],"study_design_scores_gemma":[0.00047767544,0.00000888418,0.0001511894,0.002463897,0.00025786526,0.00001406753,0.0013491989,0.00047298262,0.001372509,0.004061527,0.9884577,0.00091253966],"about_ca_topic_score_codex":0.016563848,"about_ca_topic_score_gemma":0.012552312,"teacher_disagreement_score":0.980025,"about_ca_system_score_codex":0.0004157872,"about_ca_system_score_gemma":0.00015399256,"threshold_uncertainty_score":0.9996992},"labels":[],"label_agreement":null},{"id":"W4391136108","doi":"10.7202/1107994ar","title":"L’expressivité de la vie et le sens des images dans Chronique de la vie quotidienne de Jacques Leduc","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.0120595087887295,"score_gpt":0.23890785880197807,"score_spread":0.22684835001324857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391136108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7023686,0.06698276,0.0018666856,0.013543517,0.0007523903,0.000513434,0.00077738904,0.0012202142,0.21197501],"genre_scores_gemma":[0.63950837,0.025685241,0.0021511286,0.0005960231,0.0022173095,0.0002557186,0.00025215655,0.00028159653,0.32905248],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909519,0.004837438,0.0012213534,0.0010557127,0.00037911898,0.0015544727],"domain_scores_gemma":[0.99316615,0.0044232393,0.00062864856,0.00078356406,0.0004749131,0.00052347896],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0025097567,0.0011467707,0.0012892631,0.00042887812,0.0039972314,0.0008728555,0.0008467304,0.00083898613,0.0007216566],"category_scores_gemma":[0.0015454082,0.0011545154,0.00070747634,0.0003703842,0.0064422907,0.0014184875,0.0003986564,0.0015203607,0.00006508019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018743757,0.0010107649,0.009599201,0.0026528658,0.00041750813,0.0011142056,0.6052502,0.00052210956,0.0055207643,0.29041255,0.0717924,0.011520023],"study_design_scores_gemma":[0.00055806036,0.0004359777,0.0035861854,0.0016985269,0.00031550182,0.00032994713,0.030022347,0.00039011647,0.0035672486,0.0029327793,0.95490444,0.0012588599],"about_ca_topic_score_codex":0.31305897,"about_ca_topic_score_gemma":0.59666026,"teacher_disagreement_score":0.8831121,"about_ca_system_score_codex":0.0036408254,"about_ca_system_score_gemma":0.007532633,"threshold_uncertainty_score":0.9990905},"labels":[],"label_agreement":null},{"id":"W4391150619","doi":"","title":"Gli dei di Omero. Politeismo e poesia nella Grecia antica","year":2016,"lang":"it","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.020888330634186634,"score_gpt":0.20950060746858365,"score_spread":0.18861227683439702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391150619","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013962119,0.003888149,0.0041588047,0.010101395,0.0007152147,0.0003997188,0.00061791233,0.00026228803,0.9784603],"genre_scores_gemma":[0.19479531,0.0020249127,0.000817638,0.00042369417,0.00044887056,0.000018033435,0.00027223793,0.00013132115,0.801068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99353755,0.0023789823,0.0012241141,0.0012294608,0.0007815832,0.00084832974],"domain_scores_gemma":[0.9918136,0.0019636895,0.0008795492,0.0023357498,0.0024446016,0.0005628188],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0021764545,0.0008928866,0.0010003624,0.00046473523,0.0017455454,0.0009299315,0.0015425899,0.00048124196,0.01548779],"category_scores_gemma":[0.0004356356,0.00076172367,0.00079531444,0.00013979485,0.0013304269,0.00046407818,0.0005919135,0.00076324696,0.001876668],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002193573,0.00028741566,0.00014555627,0.00012492808,0.00023428348,0.000027517684,0.0117601305,3.314316e-7,0.00025991336,0.95368975,0.0027278133,0.03072044],"study_design_scores_gemma":[0.0005021846,0.000001958528,0.00021090354,0.002553219,0.00023854758,0.00001421619,0.00008496099,0.00019535417,0.0008099329,0.022121966,0.97232234,0.00094440643],"about_ca_topic_score_codex":0.0015667735,"about_ca_topic_score_gemma":0.00057754666,"teacher_disagreement_score":0.96959454,"about_ca_system_score_codex":0.0002628882,"about_ca_system_score_gemma":0.00022991664,"threshold_uncertainty_score":0.99955404},"labels":[],"label_agreement":null},{"id":"W4391156541","doi":"","title":"Gestes et postures : notes sur les dictateurs et les dictatures chez Hergé et Franquin (et accessoirement Uderzo ainsi qu’un ou deux autres)","year":2022,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Philosophy","score_opus":0.03518181971464526,"score_gpt":0.24309136535963344,"score_spread":0.20790954564498818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391156541","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03711906,0.074786305,0.0012748861,0.1661875,0.0010393468,0.0010326457,0.0023499348,0.0006607857,0.7155495],"genre_scores_gemma":[0.721464,0.018473575,0.0014530354,0.002715647,0.00013903974,0.000120562334,0.0038237097,0.00021238385,0.25159806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98716855,0.008562102,0.0011951069,0.0012524494,0.0011375184,0.00068430183],"domain_scores_gemma":[0.98968846,0.0057837307,0.0010004794,0.0015771955,0.001600065,0.00035009638],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004810614,0.0010362329,0.0009765166,0.00045056926,0.002618827,0.0014846356,0.0016962776,0.00044254237,0.011864435],"category_scores_gemma":[0.0011807948,0.000977938,0.000744927,0.0001756292,0.0011742122,0.0008274955,0.0011417585,0.00201595,0.00006213102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005889415,0.00090615224,0.001410528,0.0002465858,0.00042594012,0.000045100423,0.0574292,0.00008474255,0.00028176463,0.91635954,0.0032028113,0.019548709],"study_design_scores_gemma":[0.000647154,0.000010082736,0.0046327356,0.001643426,0.0002780275,0.00001323898,0.0007476242,0.0002776516,0.0007287087,0.0044027683,0.9855641,0.0010544517],"about_ca_topic_score_codex":0.022157522,"about_ca_topic_score_gemma":0.048765562,"teacher_disagreement_score":0.9823613,"about_ca_system_score_codex":0.0001950864,"about_ca_system_score_gemma":0.00029743166,"threshold_uncertainty_score":0.9995519},"labels":[],"label_agreement":null},{"id":"W4391289512","doi":"","title":"Le Canon manquant: pour une étude des anthologies coloniales belges et françaises (1906 - 1943)","year":2024,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art","score_opus":0.03595790319723087,"score_gpt":0.24367830878827745,"score_spread":0.2077204055910466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391289512","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009263891,0.049880702,0.0013283592,0.033032313,0.0008092859,0.00035345132,0.000803484,0.00044307852,0.90408546],"genre_scores_gemma":[0.384939,0.0069787176,0.0021701509,0.00023380852,0.00015864923,0.0000374746,0.0004945807,0.000101663536,0.60488594],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954063,0.0016810311,0.000878732,0.0009744559,0.00048430712,0.00057516835],"domain_scores_gemma":[0.9943004,0.0023770612,0.00046707652,0.0012010904,0.0014089392,0.00024541988],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0019310141,0.0007227254,0.00081707054,0.00037441577,0.0024855805,0.0010177699,0.001049377,0.00038573786,0.0021879894],"category_scores_gemma":[0.00041848782,0.0006951387,0.0005594201,0.00018311403,0.003310888,0.0004688,0.00058944087,0.0008433339,0.00074076134],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023308714,0.00041413345,0.00016834158,0.00043048864,0.0002629998,0.00008389027,0.030893784,0.000012687878,0.00028353688,0.95102435,0.003733934,0.01266854],"study_design_scores_gemma":[0.00028883046,0.0000039946303,0.00043487156,0.0031343305,0.0002751256,0.000027447972,0.00056356535,0.0002159839,0.0012718504,0.05722383,0.9358286,0.00073154346],"about_ca_topic_score_codex":0.026214268,"about_ca_topic_score_gemma":0.10857969,"teacher_disagreement_score":0.9320947,"about_ca_system_score_codex":0.00015917214,"about_ca_system_score_gemma":0.00040109834,"threshold_uncertainty_score":0.99955},"labels":[],"label_agreement":null},{"id":"W4391292281","doi":"","title":"Pour lire et rectifier (sans fin) \"La Cigale et la Fourmi\". Fable de la critique interventionniste","year":2023,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Fable; Art; Humanities; Literature","score_opus":0.03103314917229966,"score_gpt":0.267409675542111,"score_spread":0.23637652636981132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391292281","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018510602,0.0019529747,0.011843228,0.020139214,0.00047009913,0.00030296095,0.0005072827,0.00037267036,0.96256053],"genre_scores_gemma":[0.11874248,0.002797862,0.0027151287,0.0005640272,0.00015309155,0.00007430837,0.0006621359,0.00015436801,0.8741366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98531806,0.011802035,0.00094155804,0.00088051445,0.00047424494,0.0005835743],"domain_scores_gemma":[0.9883767,0.008020759,0.00055916933,0.001293871,0.0014100991,0.00033942674],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.009364383,0.0006336683,0.00068438886,0.00037409787,0.0013001955,0.0015060445,0.0010062702,0.00061486807,0.0058982875],"category_scores_gemma":[0.0016164284,0.0006723372,0.0008544315,0.0001637808,0.0012468939,0.00053771806,0.00051363546,0.0015303225,0.00051196694],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002053661,0.0005175104,0.00011962618,0.00031432588,0.00021629767,0.00008765639,0.02201186,0.000013235322,0.00009079313,0.95372385,0.011846291,0.011038016],"study_design_scores_gemma":[0.00043464155,0.00000300175,0.00024397293,0.004588303,0.0001840513,0.000055026903,0.0005219174,0.00075869286,0.00036881806,0.05444868,0.93774205,0.00065086473],"about_ca_topic_score_codex":0.0064924927,"about_ca_topic_score_gemma":0.010734844,"teacher_disagreement_score":0.92589575,"about_ca_system_score_codex":0.00025232226,"about_ca_system_score_gemma":0.00042457075,"threshold_uncertainty_score":1},"labels":[],"label_agreement":null},{"id":"W4391312361","doi":"10.33137/rr.v42i1.32868","title":"Acciarino, Damiano. Lettere sulle grottesche (1580–1581)","year":2019,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","score_opus":0.017416178535093592,"score_gpt":0.2067192487632102,"score_spread":0.18930307022811663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391312361","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6100771,0.0009879132,0.00004799976,0.0011515373,0.0005014821,0.00016656434,0.000010958331,0.0000935757,0.3869629],"genre_scores_gemma":[0.977737,0.000055719556,0.000028590684,0.0005409411,0.0004043922,0.0000067040514,0.000046682166,0.0000067817923,0.021173183],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994258,0.000020767486,0.00018083763,0.0001228525,0.000111119,0.00013857991],"domain_scores_gemma":[0.999701,0.0000136529325,0.00007362677,0.00013217113,0.000038311293,0.000041220774],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000731887,0.000095550735,0.00012883967,0.000058568006,0.00023642935,0.000102076745,0.00007173735,0.00003898977,0.0010941824],"category_scores_gemma":[0.0000043479586,0.00006286098,0.000043120188,0.000036647678,0.00005178949,0.00087031245,0.000023241892,0.00010450588,0.00060108316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018145786,0.00027365278,0.0097723985,0.001021614,0.00022589581,0.000014702487,0.10353503,0.000032823584,0.005042169,0.4848766,0.30519715,0.089826494],"study_design_scores_gemma":[0.00019126752,0.000048580634,0.0012195994,0.000038931383,0.000009915343,0.000002691448,0.000456359,0.00013987327,0.0002602881,0.00038227352,0.9971199,0.00013029299],"about_ca_topic_score_codex":0.000092888215,"about_ca_topic_score_gemma":0.000034403343,"teacher_disagreement_score":0.6919228,"about_ca_system_score_codex":0.000022437207,"about_ca_system_score_gemma":0.000006532023,"threshold_uncertainty_score":0.999819},"labels":[],"label_agreement":null},{"id":"W4391332664","doi":"10.33137/rr.v42i3.33433","title":"Thiroux d’Arconville, Marie-Geneviève-Charlotte. Selected Philosophical, Scientific, and Autobiographical Writings. Ed. and trans. Julie Candler Hayes.","year":2019,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; Philosophy","score_opus":0.014899637683184221,"score_gpt":0.20608957623346782,"score_spread":0.1911899385502836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391332664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9438134,0.016361583,0.00007021402,0.005496665,0.00051441416,0.00046842644,0.000094953895,0.00018205863,0.0329983],"genre_scores_gemma":[0.9957704,0.0014112232,0.000042500982,0.0003015792,0.00020017239,0.0000102947615,0.000086269676,0.000010872245,0.0021666724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989558,0.000039114497,0.00029627053,0.0003008117,0.00018462838,0.0002234144],"domain_scores_gemma":[0.9995092,0.000036173526,0.00008880415,0.00012976927,0.000111690555,0.00012436711],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017707037,0.00017589735,0.00024942093,0.00013360263,0.0006763941,0.00037672746,0.00006450587,0.00009180796,0.00024231696],"category_scores_gemma":[0.000013957433,0.00011793072,0.000046286583,0.00011508895,0.00051310885,0.000796473,0.00002861799,0.00019015961,0.000016872082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008221208,0.00074273924,0.012226851,0.003903157,0.00064827217,0.000032243403,0.10767733,0.00001579,0.01086506,0.6544299,0.08405779,0.12457872],"study_design_scores_gemma":[0.0006772616,0.00016301693,0.002001695,0.00012611914,0.00005401744,0.000014464431,0.00026263375,0.0011208252,0.00016711505,0.001921188,0.9931604,0.00033122438],"about_ca_topic_score_codex":0.00017611502,"about_ca_topic_score_gemma":0.000058913378,"teacher_disagreement_score":0.9091026,"about_ca_system_score_codex":0.000017135279,"about_ca_system_score_gemma":0.000017887101,"threshold_uncertainty_score":0.52023447},"labels":[],"label_agreement":null},{"id":"W4391436092","doi":"10.7202/1108697ar","title":"Formes littéraires émergentes à l’école ?","year":2023,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.07955975595907322,"score_gpt":0.30297171273167406,"score_spread":0.22341195677260084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391436092","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2716198,0.13568795,0.00269214,0.12879005,0.009869961,0.0031273074,0.0029471244,0.0033704147,0.44189528],"genre_scores_gemma":[0.040794466,0.010413399,0.0052879327,0.00078088924,0.0080974875,0.0003481784,0.00034304732,0.00017420799,0.9337604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951258,0.0015156778,0.0009980154,0.0007708648,0.00030318843,0.0012865078],"domain_scores_gemma":[0.996115,0.002225195,0.00028958503,0.00065179623,0.00023199509,0.0004864286],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016956911,0.0006622245,0.0008455651,0.00042849447,0.00079884514,0.0003655765,0.0005912235,0.0007867415,0.0019859578],"category_scores_gemma":[0.0011211418,0.00067555415,0.0006874909,0.0007690736,0.00046054853,0.00080358854,0.00018868418,0.0011495481,0.0019487618],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017732217,0.0015849868,0.0072243945,0.0051952614,0.0010487487,0.00044795938,0.20797823,0.0033165962,0.0014251638,0.45607162,0.11439398,0.20113574],"study_design_scores_gemma":[0.0004342885,0.000282491,0.0022956808,0.00061482826,0.00018778219,0.000020701966,0.0030573485,0.029179452,0.0006197885,0.011817711,0.9506532,0.00083676144],"about_ca_topic_score_codex":0.01018267,"about_ca_topic_score_gemma":0.0009836251,"teacher_disagreement_score":0.8362592,"about_ca_system_score_codex":0.0010518978,"about_ca_system_score_gemma":0.0005442306,"threshold_uncertainty_score":0.9995696},"labels":[],"label_agreement":null},{"id":"W4391805673","doi":"10.18357/anthropologica65220232664","title":"Arctique, par Nicolas Escach, Camille Escudé et Benoît Goffin (dir.)","year":2024,"lang":"fr","type":"article","venue":"Anthropologica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.028819828099212838,"score_gpt":0.2967424324612046,"score_spread":0.2679226043619917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391805673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010665717,0.44462547,0.00026588875,0.047110375,0.009168601,0.00029748504,0.0005732773,0.0005328832,0.4867603],"genre_scores_gemma":[0.5130223,0.014014234,0.00013759434,0.0017294701,0.0021204003,0.000026451864,0.000079836165,0.000042492375,0.46882722],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743795,0.0003533953,0.0005594027,0.00071208377,0.00025326226,0.0006838791],"domain_scores_gemma":[0.9988814,0.0003786689,0.000086028966,0.00038001506,0.000064016764,0.00020986026],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023275359,0.00045333154,0.0005503684,0.0001634531,0.001959088,0.000773428,0.00032560868,0.0002839423,0.06626573],"category_scores_gemma":[0.00004893486,0.00034522824,0.0004566887,0.00022296501,0.0023656394,0.0008058923,0.00015166182,0.00072979415,0.002212169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002306345,0.00038793535,0.00005153621,0.00021849487,0.00019988435,0.00043158905,0.008563511,0.000007407653,0.00006135616,0.664235,0.31452385,0.011296396],"study_design_scores_gemma":[0.00013092323,0.00067513506,0.000097106466,0.00027017636,0.00020961261,0.0000407827,0.00352972,0.00020911646,0.0001488341,0.010751655,0.9834318,0.00050510693],"about_ca_topic_score_codex":0.008274232,"about_ca_topic_score_gemma":0.001181272,"teacher_disagreement_score":0.668908,"about_ca_system_score_codex":0.000109887624,"about_ca_system_score_gemma":0.000112991234,"threshold_uncertainty_score":0.9999},"labels":[],"label_agreement":null},{"id":"W4391830988","doi":"10.3917/herm.fourn.2015.01","title":"Les fables du Nouveau Monde (XVIII e -XX e siècle)","year":2015,"lang":"fr","type":"book","venue":"Hermann eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04602889009965324,"score_gpt":0.23814105393326485,"score_spread":0.1921121638336116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391830988","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00082527427,0.008407826,0.000020835512,0.0003770357,0.002096944,0.0003416425,0.00080635765,0.0002352265,0.9868889],"genre_scores_gemma":[0.021561734,0.00011956533,0.00007928273,0.0006239483,0.007728004,0.000052867552,0.00046748092,0.00015604949,0.96921104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966432,0.00024617708,0.0009081362,0.0007552616,0.00066184986,0.0007853858],"domain_scores_gemma":[0.99780905,0.00019716067,0.00040103824,0.00064717716,0.00044398702,0.00050156383],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002707259,0.00092197483,0.0010803241,0.00026563552,0.0018963319,0.00039689627,0.00064381986,0.0005898346,0.007849851],"category_scores_gemma":[0.000024204095,0.0008200076,0.00056634523,0.000024573797,0.0015424299,0.0002483869,0.00021933466,0.0009095829,0.0036348382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057716723,0.00013844584,0.000030334471,0.00040046452,0.00030826748,0.00028072388,0.011921912,0.000009098033,0.000013940514,0.5559688,0.40505868,0.025811572],"study_design_scores_gemma":[0.0004252204,0.00024609012,0.000026730802,0.00040915655,0.00044083895,0.000026936477,0.0003768929,0.00007461992,0.00001593519,0.010208186,0.9867289,0.0010204889],"about_ca_topic_score_codex":0.004240638,"about_ca_topic_score_gemma":0.0011178864,"teacher_disagreement_score":0.5816702,"about_ca_system_score_codex":0.0005476396,"about_ca_system_score_gemma":0.00045780727,"threshold_uncertainty_score":0.99942505},"labels":[],"label_agreement":null},{"id":"W4391956629","doi":"10.4000/vita.424","title":"Olivier Devillers et Séverine Garat (dir.), L’Antiquité dans la littérature de jeunesse","year":2024,"lang":"fr","type":"article","venue":"Vita Latina","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Jeunesse de Quebec","funders":"","keywords":"Art; Humanities","score_opus":0.015563238794446797,"score_gpt":0.2524396134860714,"score_spread":0.23687637469162462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391956629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028162649,0.2903407,0.00018257744,0.011006278,0.0028040998,0.00018291613,0.00045949366,0.00027950696,0.6665818],"genre_scores_gemma":[0.2981845,0.0060851746,0.0001867888,0.0007887447,0.002421034,0.00002045767,0.000090173235,0.000070844006,0.69215226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824864,0.0002873262,0.00034585068,0.0004124509,0.00021874075,0.00048696809],"domain_scores_gemma":[0.9991523,0.00025964467,0.000054978624,0.0002726309,0.00006436914,0.0001960575],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031224685,0.00034541267,0.00034234504,0.00012838564,0.0003891222,0.0006663579,0.00020344071,0.00020552122,0.004651967],"category_scores_gemma":[0.00004420034,0.00028313883,0.0002926741,0.0002626161,0.00035338462,0.00056024437,0.00008228776,0.0005877238,0.0006321149],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025959172,0.00019866676,0.00011129993,0.0009869293,0.00021245607,0.0010572373,0.038948134,0.000049958468,0.0004884601,0.7993315,0.14483963,0.013749752],"study_design_scores_gemma":[0.000120276316,0.000117001386,0.00019795577,0.0007597996,0.00020937159,0.00008287666,0.0014022845,0.0009066322,0.00009199618,0.0021030507,0.9936205,0.00038826637],"about_ca_topic_score_codex":0.0006617104,"about_ca_topic_score_gemma":0.0009447443,"teacher_disagreement_score":0.8487809,"about_ca_system_score_codex":0.00012747165,"about_ca_system_score_gemma":0.00013110634,"threshold_uncertainty_score":0.9999621},"labels":[],"label_agreement":null},{"id":"W4391989304","doi":"10.34847/nkl.8cc6mjel","title":"Navigations Anthologiques","year":2022,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","score_opus":0.019366775680229133,"score_gpt":0.22607837297261005,"score_spread":0.20671159729238092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391989304","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045619592,0.03017522,0.008132865,0.09923059,0.0014014944,0.00030182564,0.00076326565,0.00033592165,0.81403923],"genre_scores_gemma":[0.4096891,0.0005303236,0.0030792651,0.00042205554,0.00010977548,0.000070277885,0.00038699448,0.000027362841,0.58568484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9908936,0.007598222,0.00041832807,0.00042106252,0.0003375261,0.00033124094],"domain_scores_gemma":[0.99685407,0.0011789942,0.00023691269,0.0007732596,0.00080856314,0.00014821113],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002968883,0.00020454942,0.00023915994,0.000129865,0.0031298473,0.0003612955,0.00065079494,0.000066829656,0.014616821],"category_scores_gemma":[0.000370478,0.00022604114,0.00022059292,0.0002827921,0.0006340633,0.00031282837,0.00044504306,0.00054394844,0.00016334435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005841886,0.0007876872,0.00025671895,0.0000395919,0.00004456973,0.000016311848,0.0558622,0.000020863183,0.00012427985,0.8932439,0.02646392,0.023134086],"study_design_scores_gemma":[0.0001823955,0.000001228203,0.00018671546,0.00017538406,0.00005286472,0.000018982437,0.0014982255,0.001317281,0.0008272636,0.0073738,0.9881065,0.00025938018],"about_ca_topic_score_codex":0.0052901716,"about_ca_topic_score_gemma":0.0011676318,"teacher_disagreement_score":0.96164256,"about_ca_system_score_codex":0.00018032631,"about_ca_system_score_gemma":0.0001281696,"threshold_uncertainty_score":0.99816793},"labels":[],"label_agreement":null},{"id":"W4392064143","doi":"","title":"De la création littéraire à la spéculation","year":2022,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Computer science","score_opus":0.014806636544785529,"score_gpt":0.21899035278116924,"score_spread":0.2041837162363837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392064143","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043147694,0.01261025,0.014879589,0.029088939,0.0006135475,0.00024869776,0.00019804943,0.00021678192,0.8989965],"genre_scores_gemma":[0.5915431,0.00027130946,0.0017377464,0.00022256911,0.00015583614,0.000046731446,0.0003076592,0.0000294435,0.4056856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9862138,0.012352331,0.0003926648,0.0003716474,0.00037199515,0.00029753387],"domain_scores_gemma":[0.9964764,0.0019725112,0.0002581218,0.00060277514,0.00054471614,0.00014548188],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004792827,0.00019918979,0.00020805422,0.0001554051,0.002058971,0.00062709244,0.00045212326,0.00010543526,0.0063735945],"category_scores_gemma":[0.00050176715,0.00022835081,0.00020444405,0.00028497085,0.00049705314,0.00036059227,0.00026578802,0.0004965676,0.000074011215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012130627,0.00066706084,0.00062398624,0.000062529005,0.00004393937,0.000012083987,0.058437698,0.00015739644,0.00019203333,0.8663732,0.009759192,0.06365879],"study_design_scores_gemma":[0.00029242353,0.00000106223,0.0014875736,0.00019786278,0.0000640658,0.000023625209,0.00076307496,0.010084177,0.0003682574,0.008616728,0.9778561,0.00024502116],"about_ca_topic_score_codex":0.004658247,"about_ca_topic_score_gemma":0.00050106185,"teacher_disagreement_score":0.9680969,"about_ca_system_score_codex":0.00029738378,"about_ca_system_score_gemma":0.00018967375,"threshold_uncertainty_score":0.9992402},"labels":[],"label_agreement":null},{"id":"W4392221803","doi":"","title":"Claude Simon et le monde","year":2024,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Computer science","score_opus":0.02349792568078298,"score_gpt":0.2221605410119631,"score_spread":0.1986626153311801,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392221803","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042032698,0.02228512,0.0023525625,0.03233686,0.000643691,0.0002254486,0.00034069404,0.0002595251,0.94113576],"genre_scores_gemma":[0.11697203,0.0020164803,0.0013477708,0.00037541788,0.00019430932,0.000020500027,0.0006337323,0.00010048129,0.8783393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960814,0.0014891815,0.00073238043,0.0008283694,0.0004580863,0.00041059608],"domain_scores_gemma":[0.9955695,0.0013725837,0.00034930732,0.0013013089,0.0011395608,0.0002676904],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020799083,0.0005458795,0.0005523004,0.00027762717,0.0010937832,0.00092148583,0.00082764484,0.0003299369,0.0053314404],"category_scores_gemma":[0.00021346509,0.0005403739,0.00056456117,0.00010029196,0.00090111396,0.00036905002,0.0004421306,0.00096072315,0.0017727136],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000084771,0.00027580396,0.000017457789,0.00020121015,0.00016870655,0.00002957726,0.012555463,0.00000752615,0.000089128625,0.96593845,0.0073472015,0.013360984],"study_design_scores_gemma":[0.00019793777,9.868572e-7,0.000019679146,0.0018682451,0.00016263145,0.000005805112,0.00020654159,0.0015131154,0.00049206347,0.05693122,0.93806815,0.000533604],"about_ca_topic_score_codex":0.0062623117,"about_ca_topic_score_gemma":0.008182328,"teacher_disagreement_score":0.930721,"about_ca_system_score_codex":0.0001525041,"about_ca_system_score_gemma":0.00018773084,"threshold_uncertainty_score":0.9997048},"labels":[],"label_agreement":null},{"id":"W4392225451","doi":"","title":"French litterature, didactics","year":2011,"lang":"en","type":"preprint","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0681427642395995,"score_gpt":0.2350783608951899,"score_spread":0.1669355966555904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392225451","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015754107,0.001206121,0.00008504699,0.00018420776,0.0025956596,0.00007473783,0.00005685887,0.00015104347,0.9940709],"genre_scores_gemma":[0.35303965,0.000036313624,0.00029558473,0.00091387646,0.0025689173,0.000016675205,0.0001306848,0.00001821426,0.6429801],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991777,0.00003269993,0.00023053472,0.0002773867,0.00012383134,0.00015783083],"domain_scores_gemma":[0.999369,0.000028671138,0.00008671187,0.00035052485,0.0000899081,0.00007514873],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000046521774,0.00020602696,0.0002563497,0.000081279606,0.00015181668,0.00027041583,0.00026002008,0.00013015649,0.03989791],"category_scores_gemma":[0.000010245234,0.00014498996,0.00019444783,0.000013388354,0.00009268923,0.00010148616,0.00021365468,0.0005453622,0.00053883326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003940552,0.00012582686,0.00004995295,0.00010455409,0.000112752816,0.00001723031,0.04591999,8.0554975e-7,0.0000012119891,0.5792807,0.37335905,0.0010239856],"study_design_scores_gemma":[0.000029460627,0.000020623578,0.000024225536,0.000030573374,0.000054398864,5.193497e-7,0.000059191632,0.000010465563,0.000011260322,0.0446253,0.9549108,0.00022317472],"about_ca_topic_score_codex":0.0028526764,"about_ca_topic_score_gemma":0.00043363418,"teacher_disagreement_score":0.58155173,"about_ca_system_score_codex":0.000023475235,"about_ca_system_score_gemma":0.000030470794,"threshold_uncertainty_score":0.96097976},"labels":[],"label_agreement":null},{"id":"W4392326404","doi":"10.51644/9780889206571-016","title":"L'Etude Des Religions Dans Les Ecoles D'alberta","year":2006,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.03671897821046812,"score_gpt":0.2163815437659593,"score_spread":0.17966256555549118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392326404","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00078832114,0.006271232,0.00020198207,0.00095488346,0.00052337104,0.00016215978,0.00025853203,0.00010249169,0.990737],"genre_scores_gemma":[0.02510383,0.0013206105,0.00031958907,0.00022739772,0.0020656367,0.000013987952,0.0002761451,0.000079555335,0.9705933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979668,0.00004647866,0.00072509266,0.00054637436,0.0002589295,0.0004562722],"domain_scores_gemma":[0.99869156,0.0003617974,0.00019117574,0.00040318133,0.00015200078,0.0002002767],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000065140805,0.00064584793,0.00062145246,0.00014800993,0.0021099644,0.00027720325,0.0003485243,0.00034125504,0.043483585],"category_scores_gemma":[0.000017066057,0.0005228482,0.0006731161,0.000022702157,0.0017509091,0.00025429096,0.00009729422,0.00042238843,0.0020234932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009735767,0.00013079101,0.00038453046,0.00012576196,0.00018584309,0.00004273519,0.004165899,0.000032062093,0.000008958269,0.918173,0.074857056,0.0018835897],"study_design_scores_gemma":[0.00011264748,0.0001403892,0.00012223274,0.00028829853,0.00038768395,0.0000112795315,0.00026987336,0.000032632397,0.000012267419,0.03810718,0.9598124,0.00070309336],"about_ca_topic_score_codex":0.10893229,"about_ca_topic_score_gemma":0.20917745,"teacher_disagreement_score":0.88495535,"about_ca_system_score_codex":0.00020898516,"about_ca_system_score_gemma":0.00007091398,"threshold_uncertainty_score":0.9997223},"labels":[],"label_agreement":null},{"id":"W4392329930","doi":"10.1515/9781782049166","title":"The Manuscript and Meaning of Malory's &lt;i&gt;Morte Darthur&lt;/i&gt;","year":2017,"lang":"en","type":"book","venue":"Boydell and Brewer eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Art; Philosophy; Epistemology","score_opus":0.03011419374697073,"score_gpt":0.2078007154677421,"score_spread":0.17768652172077137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392329930","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029886956,0.010334205,0.000008351953,0.00008481367,0.00077290664,0.00021090543,0.00013293483,0.000044241107,0.98811275],"genre_scores_gemma":[0.015442837,0.000298241,0.000016981738,0.00021976097,0.0014066745,0.00001020457,0.00003689276,0.000046977562,0.9825214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823415,0.00004917123,0.0005442114,0.00044986123,0.000350363,0.00037223825],"domain_scores_gemma":[0.99851906,0.00014956249,0.00043969543,0.0005513716,0.00017443486,0.00016589068],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003587848,0.00043021506,0.0006247434,0.00012747603,0.0014674688,0.00043380156,0.0003727638,0.00019701177,0.00027726687],"category_scores_gemma":[0.000017616052,0.00028192624,0.0002158973,0.000005650851,0.0011973497,0.00014531857,0.00019826065,0.0003397032,0.000030315743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008161123,0.000020026098,0.0000035943956,0.00022743792,0.00024647595,0.000061983315,0.0091552725,6.670654e-8,0.000115526535,0.7199228,0.24248195,0.027683295],"study_design_scores_gemma":[0.00025215987,0.00012511463,0.000016740052,0.00023401498,0.00023903527,0.000014783397,0.00007363496,0.00001428225,0.000014706113,0.020719204,0.97792107,0.00037523897],"about_ca_topic_score_codex":0.000054413373,"about_ca_topic_score_gemma":0.0011617327,"teacher_disagreement_score":0.7354391,"about_ca_system_score_codex":0.000029767445,"about_ca_system_score_gemma":0.00010461219,"threshold_uncertainty_score":0.9999633},"labels":[],"label_agreement":null},{"id":"W4392531285","doi":"","title":"Minotaur and labyrinth, the unutterable and the invisible : Expression of the myth in quebecer literature","year":2016,"lang":"fr","type":"preprint","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Expression (computer science); Art; Literature; Communication; Psychology; Computer science","score_opus":0.011284714573566928,"score_gpt":0.20176076207669694,"score_spread":0.19047604750313002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392531285","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26526108,0.14359023,0.0000584464,0.14543034,0.0026007816,0.0017223732,0.00033912592,0.000033545635,0.44096407],"genre_scores_gemma":[0.50642586,0.002531119,0.00003064393,0.0027007551,0.00043655848,0.000053363932,0.0000048526167,0.00001669031,0.48780018],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979392,0.0007565949,0.0004734364,0.00037839066,0.00021230054,0.00024005018],"domain_scores_gemma":[0.99838686,0.0006580114,0.00022095126,0.0005908029,0.000091285125,0.000052092735],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005302706,0.00031442707,0.00044640366,0.000063429055,0.00064156164,0.00037157774,0.00040096178,0.0001838831,0.0011984874],"category_scores_gemma":[0.00005547066,0.0000984245,0.00017930889,0.00008559151,0.0014235128,0.00021035074,0.00056849886,0.000661638,0.0000064560772],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013527,0.00008266129,0.0008960169,0.00033888017,0.00006249734,0.0000029830953,0.07394364,0.000005286163,0.00017879115,0.8987665,0.024240974,0.0013464639],"study_design_scores_gemma":[0.00066849723,0.000020175203,0.00067335076,0.001505093,0.000071660805,0.0000060287753,0.0013424003,0.00004514582,0.00047856904,0.050486404,0.94451255,0.00019011385],"about_ca_topic_score_codex":0.0030877928,"about_ca_topic_score_gemma":0.00093929586,"teacher_disagreement_score":0.9202716,"about_ca_system_score_codex":0.00003286872,"about_ca_system_score_gemma":0.00004299663,"threshold_uncertainty_score":0.99971455},"labels":[],"label_agreement":null},{"id":"W4392543214","doi":"10.4000/books.efr.57782","title":"L’Inquisition dans l’Histoire des tromperies des prestres et des moines de l’Église romaine de Gabriel d’Emiliane (1693)","year":2024,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Philosophy","score_opus":0.03209337864116282,"score_gpt":0.24160513282442247,"score_spread":0.20951175418325965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392543214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030745083,0.050942667,0.000862739,0.0005737212,0.0007775583,0.00026313492,0.0010743256,0.00047000352,0.9142908],"genre_scores_gemma":[0.091313824,0.006598501,0.0025261971,0.00037182763,0.0024451173,0.00006743529,0.00044841008,0.00017812222,0.8960506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967501,0.00015947511,0.0009055871,0.0008502037,0.00038984267,0.00094475463],"domain_scores_gemma":[0.9981974,0.00034760646,0.00019673031,0.00046862342,0.00031097818,0.00047867815],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00029802724,0.001054679,0.00091911136,0.0003542609,0.0029463351,0.00074086146,0.0004190998,0.00046032175,0.012697443],"category_scores_gemma":[0.00009887393,0.00089817133,0.00075813977,0.000081505765,0.008135051,0.0009853386,0.00017299873,0.00068942294,0.00029108216],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014911561,0.0002226964,0.00038131667,0.0019825068,0.00047405643,0.000600428,0.047681477,0.000091582566,0.00064282276,0.935573,0.007460085,0.004740919],"study_design_scores_gemma":[0.00021602852,0.00047941646,0.00033221496,0.0019130268,0.0008536892,0.00018683035,0.0038407708,0.0001899536,0.000185336,0.23193133,0.7589589,0.00091254275],"about_ca_topic_score_codex":0.013007087,"about_ca_topic_score_gemma":0.015354901,"teacher_disagreement_score":0.75149876,"about_ca_system_score_codex":0.001085539,"about_ca_system_score_gemma":0.00020084219,"threshold_uncertainty_score":0.9993469},"labels":[],"label_agreement":null},{"id":"W4392630156","doi":"","title":"Dérèglements - Une approche écosystémique de la littérature (française) contemporaine","year":2022,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Geography","score_opus":0.013129925954964828,"score_gpt":0.21389918429330454,"score_spread":0.20076925833833972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392630156","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018885555,0.053019878,0.013563978,0.06620794,0.00080436043,0.0005764418,0.000827421,0.00027402278,0.8458404],"genre_scores_gemma":[0.4528159,0.00068655127,0.0024047596,0.0006501656,0.00017038689,0.00012733038,0.00058057526,0.000050781426,0.54251355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9865753,0.011352833,0.0005764734,0.0005565098,0.00045427994,0.00048460302],"domain_scores_gemma":[0.99625057,0.0014394145,0.00036159487,0.0009236661,0.00075963215,0.00026510595],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0055207317,0.00033015246,0.0003850866,0.00016294552,0.0022994718,0.0005116489,0.000881508,0.000149088,0.0050958837],"category_scores_gemma":[0.0004502091,0.0003520574,0.00029497294,0.0005231267,0.00064839114,0.0002858499,0.0004756572,0.00091256446,0.000063601656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032856606,0.0013984669,0.0002621289,0.00016485217,0.00013281441,0.000039627386,0.11351658,0.000028130777,0.000507187,0.81272316,0.059936315,0.011257912],"study_design_scores_gemma":[0.00065210345,0.0000023068956,0.000095492585,0.00035286078,0.00007997452,0.000027818298,0.0024383026,0.0016246759,0.000789909,0.004736528,0.9888356,0.0003644738],"about_ca_topic_score_codex":0.0095344605,"about_ca_topic_score_gemma":0.0015608743,"teacher_disagreement_score":0.9288992,"about_ca_system_score_codex":0.00027533903,"about_ca_system_score_gemma":0.00026871727,"threshold_uncertainty_score":0.9998931},"labels":[],"label_agreement":null},{"id":"W4392723236","doi":"","title":"De l’art tragique d’évoquer les tempêtes : Idoménée","year":2007,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.030726113947595172,"score_gpt":0.225083266175001,"score_spread":0.19435715222740582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392723236","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012522031,0.005965097,0.014638775,0.008765238,0.00034462727,0.00028936818,0.0002016517,0.00021985712,0.9683232],"genre_scores_gemma":[0.047210164,0.00200128,0.005514892,0.00042250834,0.00034666734,0.00002411434,0.0004677729,0.000107200045,0.9439054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99482965,0.0022752003,0.00092986453,0.0007905406,0.0004983947,0.00067636254],"domain_scores_gemma":[0.99338675,0.002597234,0.00054327655,0.0012818954,0.0017636905,0.00042712872],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0042247153,0.00064607506,0.0006827414,0.00035293595,0.001689911,0.00064740295,0.00094983954,0.00053385785,0.016770491],"category_scores_gemma":[0.0005184941,0.00064809347,0.00060823315,0.00010236299,0.0015015,0.0003306792,0.00024467794,0.0010339277,0.00083641824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016017064,0.00028608207,0.00013453906,0.00014004685,0.00014989023,0.000033331205,0.02121355,0.0000029760517,0.00012713175,0.8990428,0.0062663513,0.0725873],"study_design_scores_gemma":[0.0002650494,0.0000014546848,0.000107726984,0.0017059867,0.00016483426,0.00002679808,0.00030446303,0.00032174308,0.0010507505,0.011223173,0.9841477,0.0006802781],"about_ca_topic_score_codex":0.004549076,"about_ca_topic_score_gemma":0.01012749,"teacher_disagreement_score":0.9778814,"about_ca_system_score_codex":0.00030106262,"about_ca_system_score_gemma":0.00026576951,"threshold_uncertainty_score":0.9999415},"labels":[],"label_agreement":null},{"id":"W4392723353","doi":"10.3917/herm.belle.2014.01.0149","title":"« Un certain unisson d’âmes » : rhétorique de la sympathie et imaginaire dans La nouvelle Héloïse","year":2014,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Political science","score_opus":0.010188197342985185,"score_gpt":0.2084910229291673,"score_spread":0.19830282558618212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392723353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043391557,0.0034725282,0.018966448,0.01614044,0.00030813206,0.0002731148,0.00025386663,0.0002527993,0.95599353],"genre_scores_gemma":[0.34578684,0.002145836,0.003292876,0.0003462425,0.00018323655,0.000033108994,0.0004680415,0.00011844444,0.6476254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9877954,0.009562551,0.0007711128,0.0008400146,0.0004679517,0.0005629292],"domain_scores_gemma":[0.99161595,0.0046091178,0.00059218676,0.001528698,0.0012487912,0.00040525233],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00563207,0.00070493796,0.0007109647,0.0002647007,0.001602297,0.00087533303,0.001147365,0.0005486416,0.002838923],"category_scores_gemma":[0.0007123674,0.00070304953,0.0005233707,0.00011419766,0.0020342798,0.00030301223,0.00041439213,0.0011689316,0.0002391763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015730822,0.00036815263,0.00020619118,0.00017588449,0.0001363069,0.000054327335,0.07283707,0.000010333314,0.00024249918,0.9041623,0.0028456957,0.018945543],"study_design_scores_gemma":[0.00040970504,0.000002609248,0.00026307534,0.0018901115,0.00018616884,0.000047590132,0.0007003407,0.0011257617,0.0010468125,0.017649258,0.97593427,0.0007442946],"about_ca_topic_score_codex":0.008574367,"about_ca_topic_score_gemma":0.0045112795,"teacher_disagreement_score":0.97308856,"about_ca_system_score_codex":0.00035716014,"about_ca_system_score_gemma":0.00035886082,"threshold_uncertainty_score":0.9996975},"labels":[],"label_agreement":null},{"id":"W4392724927","doi":"","title":"« De tes enchantements vois l’inutile usage ». Pour une dramaturgie de l’échec dans la tragédie lyrique","year":2011,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.026212374927351675,"score_gpt":0.21777411911486316,"score_spread":0.19156174418751148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392724927","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043562483,0.0035811504,0.020745644,0.0047718403,0.0002566697,0.00034140804,0.00044072178,0.00021246204,0.9652938],"genre_scores_gemma":[0.31450754,0.0024421837,0.0038765562,0.00027482805,0.00018135202,0.000052487692,0.00040280758,0.00010705179,0.6781552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99393797,0.0031063915,0.00091341435,0.000828047,0.00044231708,0.000771867],"domain_scores_gemma":[0.99447626,0.001936192,0.00066179753,0.0013641237,0.0010928132,0.0004687857],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032016004,0.0007114366,0.0006985962,0.00030773354,0.0014963147,0.00068090286,0.0012983929,0.00051997113,0.007879245],"category_scores_gemma":[0.0004301518,0.0007163397,0.0005852963,0.00013993889,0.0011834337,0.000396433,0.0003635351,0.00094121153,0.00036857039],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002059249,0.0006519731,0.00018756528,0.00016782033,0.00022962467,0.00007550146,0.07425272,0.00000465928,0.00069404015,0.9016429,0.0018904923,0.020182109],"study_design_scores_gemma":[0.0003575153,0.0000028386712,0.00023908702,0.002083929,0.00021578344,0.00004652564,0.0007539833,0.0012406454,0.0038847362,0.06299424,0.9274368,0.00074387825],"about_ca_topic_score_codex":0.013766178,"about_ca_topic_score_gemma":0.007340197,"teacher_disagreement_score":0.92554635,"about_ca_system_score_codex":0.0004631094,"about_ca_system_score_gemma":0.0004143753,"threshold_uncertainty_score":0.9998036},"labels":[],"label_agreement":null},{"id":"W4392955669","doi":"10.7202/1109861ar","title":"Contes à la une. La collection « Te Cuento »","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.028209465328989415,"score_gpt":0.24872362049322783,"score_spread":0.22051415516423842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955669","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0244436,0.051318124,0.000017192826,0.012154617,0.0038356131,0.00015656701,0.0001828127,0.0003536033,0.9075379],"genre_scores_gemma":[0.33727413,0.0006127694,0.0000046930345,0.0003792991,0.0011455666,0.00001409242,0.00003792931,0.000016167254,0.66051537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990189,0.00019272497,0.00019603914,0.00020490275,0.00014484186,0.0002426112],"domain_scores_gemma":[0.99929166,0.00037748372,0.0000538848,0.00012322587,0.00006231621,0.00009145381],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014656186,0.0001632966,0.0002029093,0.00013714883,0.0005461456,0.00026313317,0.00010366288,0.00012307952,0.0020983575],"category_scores_gemma":[0.000059720664,0.00014062168,0.00016346623,0.00024063981,0.00040459557,0.00018122452,0.000029573084,0.00020920979,0.0008089922],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001622127,0.00005303512,0.00008222606,0.00006920362,0.00006536674,0.00008195448,0.026251761,0.000020147705,0.000033574022,0.37855697,0.59158295,0.0031866066],"study_design_scores_gemma":[0.00018059144,0.000056351284,0.00045357234,0.00008709464,0.00007842215,0.000009137869,0.004113417,0.00016472486,0.000043586177,0.0068909624,0.98773956,0.00018255529],"about_ca_topic_score_codex":0.006171177,"about_ca_topic_score_gemma":0.0011135896,"teacher_disagreement_score":0.39615664,"about_ca_system_score_codex":0.000049200517,"about_ca_system_score_gemma":0.00003922441,"threshold_uncertainty_score":0.999969},"labels":[],"label_agreement":null},{"id":"W4393017553","doi":"10.7202/1106575ar","title":"Des romans sans aventures, ou presque","year":2023,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Geology; Computer science","score_opus":0.03784479209790273,"score_gpt":0.2735647068484027,"score_spread":0.23571991475049994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393017553","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050670568,0.10386665,0.00037286663,0.08885879,0.0075093433,0.0005645361,0.012492719,0.0013885396,0.734276],"genre_scores_gemma":[0.062248822,0.0031762796,0.00013206036,0.000620811,0.0015803947,0.000024932406,0.00014606965,0.00004236112,0.9320283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984207,0.00020738551,0.00031603777,0.000328154,0.00022437147,0.00050334685],"domain_scores_gemma":[0.9991897,0.00022820603,0.0000743368,0.0002713375,0.00008243115,0.00015399743],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000237952,0.00026321746,0.00026733542,0.00017564748,0.0007598444,0.0003985429,0.0002384389,0.00009661991,0.007048569],"category_scores_gemma":[0.0000745672,0.00022938091,0.0002517697,0.00018909553,0.0006247431,0.00062424137,0.000094014475,0.00029178013,0.002662508],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015520509,0.00019440425,0.00018039909,0.00031655704,0.00013525714,0.00024271416,0.031312276,0.000054424265,0.00014071813,0.255109,0.70496607,0.0073326407],"study_design_scores_gemma":[0.00015541342,0.00012392228,0.0015782042,0.00017464127,0.00011185954,0.000008235324,0.00092550437,0.000089610505,0.00018112961,0.010758911,0.9855947,0.000297908],"about_ca_topic_score_codex":0.006303253,"about_ca_topic_score_gemma":0.0014297226,"teacher_disagreement_score":0.2806286,"about_ca_system_score_codex":0.00006147241,"about_ca_system_score_gemma":0.000043839984,"threshold_uncertainty_score":0.99811405},"labels":[],"label_agreement":null},{"id":"W4393019443","doi":"10.7202/1104225ar","title":"Les « trois coups » de la communication théâtrale","year":2023,"lang":"fr","type":"article","venue":"Petite revue de philosophie","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College; Cegep de Thetford; Cegep Edouard Montpetit; Cegep de Trois-Rivieres","funders":"","keywords":"Art; Humanities","score_opus":0.056119153926384294,"score_gpt":0.27736155675408075,"score_spread":0.22124240282769647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393019443","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059595466,0.0458002,0.00008296638,0.2025724,0.00066490564,0.00023104262,0.0004919741,0.00047075233,0.6900903],"genre_scores_gemma":[0.7701057,0.01669064,0.00037284568,0.0005019132,0.009918323,0.000055475863,0.00024135596,0.000067048255,0.20204669],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984544,0.0004526855,0.00032305697,0.0002371134,0.00013211419,0.00040064202],"domain_scores_gemma":[0.9984323,0.0007834677,0.00011549164,0.00043291034,0.00007354523,0.00016228769],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005356904,0.00020919654,0.00028400126,0.00018289752,0.0008829712,0.00019527129,0.00035336183,0.0001621791,0.0023008473],"category_scores_gemma":[0.00012102999,0.0002241893,0.00024228735,0.00020648375,0.0006630104,0.0002346078,0.00008249813,0.00044325684,0.0008518619],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019928404,0.0001776908,0.0006189476,0.00041471078,0.00008097803,0.000102208556,0.01176389,0.00012108002,0.00006367681,0.9651142,0.016176429,0.0053462978],"study_design_scores_gemma":[0.00015982242,0.00004844303,0.0007671175,0.00037135882,0.00012781446,0.000036991856,0.00022483227,0.0011504367,0.000013317471,0.08737728,0.9094826,0.00023999186],"about_ca_topic_score_codex":0.0021457537,"about_ca_topic_score_gemma":0.00019975849,"teacher_disagreement_score":0.89330614,"about_ca_system_score_codex":0.00020674267,"about_ca_system_score_gemma":0.000043512457,"threshold_uncertainty_score":0.9999261},"labels":[],"label_agreement":null},{"id":"W4393019471","doi":"10.7202/1105695ar","title":"Présentation d’un répertoire des ouvrages ésotériques déposés à la Bibliothèque nationale du Québec","year":2023,"lang":"fr","type":"article","venue":"Petite revue de philosophie","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","score_opus":0.034164947104370354,"score_gpt":0.25407335561513517,"score_spread":0.21990840851076482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393019471","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104950674,0.09392812,0.00024117109,0.48820275,0.0047024805,0.0005289609,0.00073527737,0.0010486704,0.30566192],"genre_scores_gemma":[0.5875075,0.031810198,0.0003875242,0.0011757805,0.049852617,0.00014830459,0.00040236092,0.00012868096,0.32858706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99809957,0.00029803926,0.0004932836,0.0004091165,0.00026449995,0.00043548152],"domain_scores_gemma":[0.99828416,0.00083341304,0.00016948447,0.00024041148,0.0002682708,0.00020426874],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037282307,0.00031914533,0.00035040407,0.0010441458,0.0011031862,0.00037479345,0.00027360753,0.0001599257,0.0047563184],"category_scores_gemma":[0.00030521257,0.0003230548,0.0002924442,0.0008493625,0.00076018105,0.0009629822,0.00008436234,0.00034268887,0.0014475889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049787825,0.000346493,0.003363093,0.0012323856,0.0002237185,0.00049552124,0.030956328,0.00024480396,0.00012998669,0.88092524,0.07020241,0.011830207],"study_design_scores_gemma":[0.00022692171,0.000102170095,0.001716014,0.0005044697,0.0001149637,0.000089756104,0.00032820166,0.0010520158,0.000059281632,0.06834026,0.92709243,0.00037350948],"about_ca_topic_score_codex":0.01188565,"about_ca_topic_score_gemma":0.0058719674,"teacher_disagreement_score":0.85689,"about_ca_system_score_codex":0.00033470982,"about_ca_system_score_gemma":0.00028141067,"threshold_uncertainty_score":0.99992216},"labels":[],"label_agreement":null},{"id":"W4393025536","doi":"10.3917/bubib.377.0085","title":"Aspects de la diffusion éditoriale de l’ Histoire et des Muses de la Nouvelle France de Marc Lescarbot","year":2023,"lang":"fr","type":"article","venue":"Bulletin du bibliophile","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014286480357526651,"score_gpt":0.2365348113266749,"score_spread":0.22224833096914826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393025536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5091497,0.03869085,0.00024098066,0.020965997,0.0052275597,0.0003005193,0.0003837615,0.0007016586,0.42433903],"genre_scores_gemma":[0.65423393,0.01417544,0.0009858354,0.0015782061,0.013693719,0.00009359791,0.00004965033,0.00013096117,0.31505868],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967433,0.0011960728,0.00038367268,0.0004403567,0.0003536275,0.00088297314],"domain_scores_gemma":[0.99732834,0.0017574952,0.00014268952,0.00030817516,0.00011148758,0.00035182238],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013363031,0.00037231276,0.00040091126,0.0011977919,0.0016749877,0.0005678942,0.00041811375,0.00036115767,0.007775959],"category_scores_gemma":[0.00051711034,0.00037281174,0.00034366295,0.001260209,0.0012906074,0.00015415024,0.00019041079,0.0005886782,0.00058765296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000917819,0.0006496561,0.002413215,0.0003930005,0.00007795644,0.0008252217,0.019868977,0.00023269867,0.0016604208,0.06220606,0.9095312,0.0020498524],"study_design_scores_gemma":[0.0005734375,0.00013903098,0.0046495306,0.00035596607,0.00011063613,0.00007603877,0.0008136427,0.00027010028,0.00018059646,0.009805532,0.9825874,0.00043808226],"about_ca_topic_score_codex":0.01647368,"about_ca_topic_score_gemma":0.000281667,"teacher_disagreement_score":0.14508428,"about_ca_system_score_codex":0.00045132812,"about_ca_system_score_gemma":0.00031627782,"threshold_uncertainty_score":0.9998724},"labels":[],"label_agreement":null},{"id":"W4393041646","doi":"10.7202/1109688ar","title":"Valery Larbaud traducteur de Samuel Taylor Coleridge : de la Complainte du vieux marin à la Chanson du vieux marin à travers ses brouillons","year":2023,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04952991539010838,"score_gpt":0.2710633126436515,"score_spread":0.22153339725354315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393041646","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9305151,0.0027376928,0.0021133183,0.0150748575,0.009791339,0.001068397,0.00067004067,0.0022726366,0.03575659],"genre_scores_gemma":[0.83858234,0.011579184,0.00017753596,0.00038017283,0.004346754,0.00031804276,0.00030823986,0.00012428158,0.14418346],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955345,0.0013434063,0.0008325691,0.0008484977,0.00038092615,0.0010601003],"domain_scores_gemma":[0.9980043,0.00074420444,0.00037261838,0.0004481366,0.00012491387,0.00030578114],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009492,0.0006631472,0.00070990366,0.0006499228,0.0014176588,0.00050173287,0.00040823466,0.00058422104,0.0013474138],"category_scores_gemma":[0.0002073304,0.0006945747,0.0006012064,0.00048251686,0.0011688451,0.0010214349,0.000088273395,0.0010194846,0.00040536385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00094401103,0.002428975,0.005258905,0.0014002237,0.0010000843,0.0014318707,0.030901335,0.0010464106,0.004525771,0.06835703,0.13330534,0.7494],"study_design_scores_gemma":[0.0008506633,0.00032264137,0.052308418,0.00011603476,0.00042729336,0.0010113484,0.0026780053,0.0019219068,0.0009097851,0.002103402,0.9366174,0.0007331124],"about_ca_topic_score_codex":0.0062071453,"about_ca_topic_score_gemma":0.0003320375,"teacher_disagreement_score":0.80331206,"about_ca_system_score_codex":0.0010934838,"about_ca_system_score_gemma":0.0001327571,"threshold_uncertainty_score":0.99988234},"labels":[],"label_agreement":null},{"id":"W4393086164","doi":"10.3917/rhj.013.0223","title":"« La mandragore et le lys » : l’infamie du bourreau dans la France de l’époque moderne","year":2001,"lang":"fr","type":"article","venue":"Histoire de la justice","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.010331084483315288,"score_gpt":0.2267940051042012,"score_spread":0.2164629206208859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393086164","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029538743,0.03623022,0.007524053,0.0053045223,0.0012518285,0.00010874766,0.00015548679,0.000174247,0.9197121],"genre_scores_gemma":[0.5770437,0.0022063884,0.0004213416,0.0015984444,0.001289126,0.000027957702,0.000039847466,0.000060544007,0.41731265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731314,0.00094714214,0.0004144926,0.0004401378,0.0002577629,0.0006272969],"domain_scores_gemma":[0.9980716,0.0009999439,0.00016098461,0.0003644028,0.00010321266,0.00029986879],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063813484,0.00039058906,0.0004342346,0.00011241038,0.0015885634,0.00030794082,0.00037205347,0.0003673357,0.0011880442],"category_scores_gemma":[0.00016460099,0.00040547838,0.00026621015,0.00013472093,0.0014592308,0.00050047983,0.000072082155,0.0007998389,0.00015493605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008257005,0.0008752674,0.00048699786,0.00056309736,0.00009224481,0.0027190696,0.06504908,0.0011218238,0.00012579144,0.8567334,0.06436514,0.0077855247],"study_design_scores_gemma":[0.00065240863,0.00006725724,0.0006659242,0.00025444198,0.0006867701,0.0006824526,0.0031745676,0.0056486297,0.000008952383,0.004563042,0.9831004,0.00049515406],"about_ca_topic_score_codex":0.008973557,"about_ca_topic_score_gemma":0.001057132,"teacher_disagreement_score":0.91873527,"about_ca_system_score_codex":0.00040429764,"about_ca_system_score_gemma":0.0002930168,"threshold_uncertainty_score":0.9998397},"labels":[],"label_agreement":null},{"id":"W4393134885","doi":"","title":"La stylistique des notes chez Rétif de la Bretonne : un hypertexte avant le numérique","year":2014,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Hypertext; Computer science; World Wide Web","score_opus":0.012489768374641093,"score_gpt":0.21136749213627254,"score_spread":0.19887772376163146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393134885","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1758233,0.013669224,0.09038129,0.027851122,0.0003948928,0.00025578222,0.00013361209,0.00031277872,0.691178],"genre_scores_gemma":[0.85727084,0.0011079796,0.005472938,0.00031834762,0.00015665346,0.00002715641,0.000099061515,0.000052719544,0.13549429],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9851048,0.01305258,0.00052001834,0.000532811,0.00025963696,0.0005301276],"domain_scores_gemma":[0.9915244,0.006018119,0.00026851674,0.00095292093,0.00090879574,0.00032727877],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0061221477,0.00036131774,0.00042200953,0.00013859244,0.0014601502,0.00081308215,0.000737379,0.00028508276,0.0019937346],"category_scores_gemma":[0.0021356654,0.00035877415,0.0002795657,0.00018033001,0.0018338057,0.00042198566,0.00023974775,0.0006119406,0.00018201326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014728816,0.0009120221,0.00072468177,0.00016770062,0.00007736817,0.000014835562,0.08611594,0.000018790679,0.0011908753,0.84390414,0.0018445711,0.06501435],"study_design_scores_gemma":[0.00048648188,0.0000019608206,0.0018944116,0.0008682379,0.00005626709,0.00004683531,0.000785126,0.005136905,0.011071423,0.025565436,0.9536298,0.0004571178],"about_ca_topic_score_codex":0.018030375,"about_ca_topic_score_gemma":0.00968819,"teacher_disagreement_score":0.9517852,"about_ca_system_score_codex":0.0001585406,"about_ca_system_score_gemma":0.00022677935,"threshold_uncertainty_score":0.9998864},"labels":[],"label_agreement":null},{"id":"W4393189385","doi":"10.17184/eac.7819","title":"Grandir entre les langues. Analyse de la figure de l’enfant Ernesto dans l’œuvre de José María Arguedas","year":2024,"lang":"fr","type":"book-chapter","venue":"Editions des archives contemporaines eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02452944479795116,"score_gpt":0.24347989855456795,"score_spread":0.2189504537566168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393189385","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066451738,0.0068411035,0.0013230257,0.00055824185,0.00066083635,0.00039366237,0.0038980509,0.00032671276,0.9793532],"genre_scores_gemma":[0.23253134,0.00044157906,0.0010023605,0.00024168521,0.0064650164,0.00012957476,0.0009976899,0.00015622658,0.7580345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966755,0.0004356805,0.00089983665,0.0008031958,0.00032879144,0.00085701054],"domain_scores_gemma":[0.99718016,0.0012973344,0.00029783315,0.00054875284,0.00009814295,0.00057779416],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0003507711,0.000959873,0.0009218533,0.0006900529,0.001927521,0.00060977234,0.0005737494,0.00040893294,0.0028941308],"category_scores_gemma":[0.0000784498,0.00085720734,0.0012910255,0.00004716269,0.0050997627,0.00018954021,0.00016884672,0.0010959927,0.00018032274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010833273,0.00014592955,0.0005677074,0.0007740604,0.0010833042,0.0016924205,0.1023216,0.000038413822,0.0003577684,0.879379,0.010611645,0.0029198308],"study_design_scores_gemma":[0.00035314608,0.00015111436,0.00018194733,0.0016936169,0.00091424526,0.00020099766,0.0035656802,0.0005818336,0.000029414523,0.21846792,0.7731079,0.00075221073],"about_ca_topic_score_codex":0.0033824167,"about_ca_topic_score_gemma":0.0017513181,"teacher_disagreement_score":0.76249623,"about_ca_system_score_codex":0.0003073537,"about_ca_system_score_gemma":0.00044547004,"threshold_uncertainty_score":0.99938786},"labels":[],"label_agreement":null},{"id":"W4393244414","doi":"","title":"Chroniques : Autre regard","year":2008,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.022717185095274192,"score_gpt":0.21521966143841356,"score_spread":0.19250247634313938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393244414","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035793383,0.035806667,0.0050262697,0.055262093,0.0007422864,0.00021671246,0.00013070992,0.0003150908,0.8667068],"genre_scores_gemma":[0.19983742,0.0035408903,0.004171037,0.0002781924,0.00024225007,0.000018836061,0.00013924728,0.0000363429,0.79173577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947858,0.003443832,0.0004964887,0.00050112436,0.00033594965,0.0004367923],"domain_scores_gemma":[0.9963208,0.00085354643,0.0002442866,0.0009943786,0.0013328256,0.0002541965],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014550026,0.00029574908,0.00034809654,0.00013677956,0.0017074558,0.00029708995,0.0006033133,0.00015521889,0.0074469685],"category_scores_gemma":[0.00038583047,0.00029803452,0.00029182463,0.00020858961,0.0011191806,0.00049313717,0.0001972186,0.00038949135,0.00053014245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010711779,0.0007842536,0.0005343302,0.00011375151,0.000083151346,0.000045729314,0.07440372,0.000002668722,0.00010844548,0.79203194,0.105495915,0.026385399],"study_design_scores_gemma":[0.00027767668,0.0000010046116,0.00040036114,0.00071517844,0.00005092772,0.000034377772,0.00022176222,0.00084441964,0.0027549556,0.0021881245,0.99216926,0.00034192737],"about_ca_topic_score_codex":0.008649719,"about_ca_topic_score_gemma":0.0035589004,"teacher_disagreement_score":0.8866734,"about_ca_system_score_codex":0.00016473833,"about_ca_system_score_gemma":0.00019355236,"threshold_uncertainty_score":0.9999472},"labels":[],"label_agreement":null},{"id":"W4393953395","doi":"10.1353/ecs.2024.a923792","title":"Lucrece and Brutus: Glory in the Land of Tender ed. by Madeleine de Scudéry (review)","year":2024,"lang":"en","type":"article","venue":"Eighteenth-Century Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Glory; Art; Physics; Optics","score_opus":0.026429781048186055,"score_gpt":0.2710690074213985,"score_spread":0.24463922637321245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393953395","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0133685665,0.9729311,0.0000023736436,0.0020265873,0.00035186508,0.00013719089,0.00006459117,0.00003003757,0.011087719],"genre_scores_gemma":[0.3028815,0.6930787,0.000014908026,0.0012157744,0.0003902718,0.0000321591,0.000021785207,0.000011147441,0.002353769],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906206,0.00011009026,0.0002727164,0.00019572792,0.00016999595,0.00018939773],"domain_scores_gemma":[0.9995518,0.00021878083,0.00004027691,0.000119830765,0.000039667524,0.000029681387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025447094,0.00015105518,0.00029858056,0.000058726597,0.00014777492,0.000037797672,0.00012192903,0.000021779899,0.0003477459],"category_scores_gemma":[0.000030416944,0.000081611906,0.00008389007,0.000083110164,0.0002555951,0.00014903338,0.00005221026,0.00015085336,0.000018266284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011904047,0.00010843868,0.0008071108,0.0013739849,0.00023315466,0.00002565673,0.016376598,1.9015422e-7,0.000016240036,0.012692912,0.9641422,0.004211583],"study_design_scores_gemma":[0.000107444954,0.00005221683,0.00028358033,0.0006635859,0.0001158075,0.0000037461257,0.0022896605,0.000010694043,0.0000063898597,0.00018106018,0.9961724,0.000113402406],"about_ca_topic_score_codex":0.00011701075,"about_ca_topic_score_gemma":0.000048867936,"teacher_disagreement_score":0.28951293,"about_ca_system_score_codex":0.00003053095,"about_ca_system_score_gemma":0.000013073578,"threshold_uncertainty_score":0.3807574},"labels":[],"label_agreement":null},{"id":"W4394899026","doi":"10.1515/9782763748948-010","title":"L’Héroïne Américaine D’Arnould- Mussot Ou L’Anglais Immoral : Une Pantomim E Au Secours De La France","year":2022,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.027072803778531107,"score_gpt":0.24466421935728214,"score_spread":0.21759141557875103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394899026","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00091259135,0.005325508,0.0000760061,0.005749222,0.00152777,0.00030850843,0.0010863314,0.00022836858,0.9847857],"genre_scores_gemma":[0.086272456,0.0010681155,0.0001559572,0.0018576588,0.003181503,0.000054797645,0.00037270365,0.00014478946,0.906892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961372,0.0002672348,0.001011461,0.0009163628,0.00066870725,0.0009990247],"domain_scores_gemma":[0.99760497,0.0006357921,0.00045287987,0.0006959136,0.00014384459,0.00046657483],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005644469,0.0009647204,0.0013178949,0.00035084138,0.002110825,0.00030614986,0.0007254225,0.00045202044,0.19063708],"category_scores_gemma":[0.00004510212,0.0008524308,0.0009922301,0.00011688903,0.001492846,0.0004344549,0.0002788559,0.0016773574,0.00073689513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008098232,0.0003186633,0.0001642238,0.00049051724,0.0005152814,0.0006374659,0.008641393,0.00004891523,0.000008479011,0.9719658,0.013752905,0.0033753845],"study_design_scores_gemma":[0.0005330975,0.00041380234,0.0001606722,0.0002431248,0.0006415643,0.00005361214,0.0005654192,0.00016641217,0.000005885388,0.009470921,0.98661333,0.001132164],"about_ca_topic_score_codex":0.032700267,"about_ca_topic_score_gemma":0.0028826254,"teacher_disagreement_score":0.9728604,"about_ca_system_score_codex":0.00058925676,"about_ca_system_score_gemma":0.00028344957,"threshold_uncertainty_score":0.9993926},"labels":[],"label_agreement":null},{"id":"W4394899512","doi":"10.1515/9782763757049-002","title":"Liste des sigles et des acronymes","year":2022,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carbon Engineering (Canada)","funders":"","keywords":"Political science","score_opus":0.09697192512407053,"score_gpt":0.2573242412607296,"score_spread":0.16035231613665907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394899512","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00068105443,0.02491877,0.00004908682,0.00061190355,0.0007019748,0.0001329613,0.0005128089,0.00014250715,0.9722489],"genre_scores_gemma":[0.015159531,0.0042400067,0.00045874668,0.0010008421,0.0010114219,0.000020626183,0.00020434197,0.00007838892,0.9778261],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980728,0.00011673826,0.00054869306,0.0004976935,0.00033969915,0.0004243947],"domain_scores_gemma":[0.9988171,0.0003597247,0.00017205335,0.00031362457,0.0001436644,0.00019382262],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001907703,0.0005580599,0.000598765,0.00017613979,0.0027700746,0.00036872926,0.00035545838,0.00014982851,0.43974608],"category_scores_gemma":[0.000028764633,0.00046125008,0.00059215026,0.000024962046,0.0023530405,0.000617964,0.00025102284,0.00055961515,0.0009784548],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028392922,0.000100914316,0.000047305017,0.00026444104,0.000263944,0.00009730902,0.018015223,0.000011076733,0.0000057708794,0.9532395,0.009301086,0.018625053],"study_design_scores_gemma":[0.00010806452,0.00030333438,0.000028515662,0.00015480355,0.00022226536,0.000015097764,0.0009317386,0.000009322719,0.0000057878697,0.0833019,0.91432744,0.000591718],"about_ca_topic_score_codex":0.0062585785,"about_ca_topic_score_gemma":0.005029652,"teacher_disagreement_score":0.9050264,"about_ca_system_score_codex":0.00023248392,"about_ca_system_score_gemma":0.0000646625,"threshold_uncertainty_score":0.9997994},"labels":[],"label_agreement":null},{"id":"W4394943154","doi":"10.62688/edul/b9782384510207/c02","title":"Mabel E. Elliott, l'héroïne de Marach. Émergence et éclipse du témoin","year":2023,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Art","score_opus":0.05603071303719709,"score_gpt":0.244723405414773,"score_spread":0.1886926923775759,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394943154","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004109941,0.0037362543,0.00034429223,0.004781525,0.0026847087,0.00022311583,0.0004930837,0.00032993546,0.9869961],"genre_scores_gemma":[0.0055117123,0.0075242138,0.0003146346,0.0023590089,0.003162012,0.000022189879,0.00022598584,0.00014458167,0.98073566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970767,0.00013647696,0.0008816917,0.0007536193,0.00045544349,0.0006960707],"domain_scores_gemma":[0.99820703,0.00045445154,0.000265152,0.00053080195,0.00016201579,0.0003805351],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048538906,0.000745957,0.00080010993,0.00032664955,0.000901292,0.00028376703,0.0005018866,0.00039848135,0.10413195],"category_scores_gemma":[0.000055044045,0.00064371753,0.0007008174,0.00007641304,0.00065852,0.00038444463,0.00020571981,0.0008207636,0.01654743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003671857,0.00011562582,0.0000704252,0.00019676081,0.00024582157,0.00036940345,0.004280298,0.000021781001,0.000016299555,0.9143933,0.077147126,0.0031064257],"study_design_scores_gemma":[0.00017287185,0.00018217423,0.00005704739,0.00025666307,0.00027090573,0.000021791924,0.0002285094,0.0003366094,0.000007761787,0.04602754,0.95162284,0.00081528927],"about_ca_topic_score_codex":0.005974083,"about_ca_topic_score_gemma":0.0029329227,"teacher_disagreement_score":0.8744757,"about_ca_system_score_codex":0.00019216028,"about_ca_system_score_gemma":0.00013982676,"threshold_uncertainty_score":0.9996014},"labels":[],"label_agreement":null},{"id":"W4395019664","doi":"10.7202/1109847ar","title":"La mécanique du faux à l’oeuvre dans le spectacle d’illusionnisme","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Art; Humanities; Political science","score_opus":0.0315315703435677,"score_gpt":0.27475294100661324,"score_spread":0.24322137066304556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019664","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07984234,0.007106614,0.004196224,0.010898218,0.002184239,0.0007349129,0.0008425187,0.003699834,0.8904951],"genre_scores_gemma":[0.5864498,0.0030364431,0.0018160921,0.0018405321,0.0016645585,0.0002838293,0.00028167924,0.0002732504,0.4043538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940828,0.0014674818,0.001333967,0.0011768993,0.00062486454,0.0013139759],"domain_scores_gemma":[0.9967884,0.0008851283,0.0004107866,0.0009600087,0.00047506354,0.00048065136],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0014763213,0.001104032,0.001104534,0.00077147287,0.0038822205,0.0011027601,0.0010757938,0.00057104044,0.001773121],"category_scores_gemma":[0.00040798928,0.0010766167,0.00094319327,0.00063047436,0.0073492443,0.002050055,0.0006415111,0.0011775452,0.0003118711],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012748735,0.00067137595,0.00034770006,0.0007102501,0.00022024142,0.001807624,0.08235483,0.000012483704,0.0018246148,0.708913,0.08190237,0.121108],"study_design_scores_gemma":[0.00030510747,0.000635936,0.00042554288,0.0017070812,0.00017510599,0.00027510306,0.0038957444,0.00009640302,0.0031755336,0.059014868,0.92910385,0.0011896947],"about_ca_topic_score_codex":0.021306807,"about_ca_topic_score_gemma":0.008787676,"teacher_disagreement_score":0.8472015,"about_ca_system_score_codex":0.0014031422,"about_ca_system_score_gemma":0.0003028793,"threshold_uncertainty_score":0.9999342},"labels":[],"label_agreement":null},{"id":"W4395450709","doi":"10.7202/1110502ar","title":"Théâtre performatif et nouveau théâtre politique","year":2021,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.04557601324405552,"score_gpt":0.2827545909961408,"score_spread":0.23717857775208528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395450709","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08922345,0.016855938,0.0011273777,0.13892609,0.007189021,0.00049031194,0.0022785806,0.00040976322,0.74349946],"genre_scores_gemma":[0.34502774,0.0046543726,0.0010253481,0.0029603185,0.0028877251,0.00008834357,0.00091950636,0.00007731526,0.6423593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971513,0.0005273296,0.0007388147,0.00053673534,0.0004107181,0.00063511316],"domain_scores_gemma":[0.99815565,0.00032101772,0.0001468845,0.00060956227,0.00045826077,0.0003086269],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026568753,0.00045782863,0.0005075038,0.00020789361,0.0016905074,0.0008125295,0.0002746633,0.00019268689,0.020384956],"category_scores_gemma":[0.00018238054,0.00044136413,0.00034411403,0.00022028913,0.0003526228,0.0029016153,0.00015887992,0.0005725957,0.0026488309],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012506499,0.00065451517,0.000074568285,0.00017484272,0.00013285285,0.00014900329,0.13677432,0.00012706096,0.00011364521,0.76754487,0.0907121,0.003529704],"study_design_scores_gemma":[0.0002469595,0.00009819694,0.00015832546,0.00028444812,0.00014946994,0.00006303751,0.023500761,0.00076510763,0.00033627322,0.0054211556,0.9684393,0.0005370119],"about_ca_topic_score_codex":0.00080218597,"about_ca_topic_score_gemma":0.0023063396,"teacher_disagreement_score":0.87772715,"about_ca_system_score_codex":0.00021009153,"about_ca_system_score_gemma":0.00040176295,"threshold_uncertainty_score":0.99980384},"labels":[],"label_agreement":null},{"id":"W4395460342","doi":"10.1515/9782763756110-006","title":"Godfroy Langlois : Don Quichotte de la politique d’éducation","year":2021,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Philosophy","score_opus":0.033703401734249294,"score_gpt":0.25879490136218375,"score_spread":0.22509149962793445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395460342","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007393206,0.004488984,0.00008540054,0.0038685764,0.0008634581,0.00008729978,0.00018007345,0.00008111164,0.9896058],"genre_scores_gemma":[0.024130045,0.0014140771,0.00019419567,0.0016794958,0.003510004,0.000012048917,0.0003402353,0.000050214723,0.9686697],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847335,0.00019062418,0.00041365155,0.00039811325,0.00019443178,0.00032981188],"domain_scores_gemma":[0.9988067,0.00036829678,0.00014055641,0.00031374142,0.00016733943,0.00020336788],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021990507,0.00037293838,0.00042286442,0.00013515582,0.00047365995,0.00031700192,0.00017537852,0.0003684207,0.11227023],"category_scores_gemma":[0.000035914873,0.00033565285,0.00037779132,0.0000200629,0.00041690122,0.00019806689,0.00005345994,0.00049720483,0.00074272865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007350301,0.000087669476,0.000042582906,0.00013551333,0.0001413693,0.000082568884,0.0075525283,0.0000011756797,0.000018959372,0.96358585,0.026841376,0.0015030294],"study_design_scores_gemma":[0.00009302827,0.000052785592,0.000046778063,0.00022657697,0.00018870487,0.000026946029,0.00083236117,0.000013403941,0.000033826418,0.030638289,0.9674326,0.00041467216],"about_ca_topic_score_codex":0.020141829,"about_ca_topic_score_gemma":0.0031048357,"teacher_disagreement_score":0.9405913,"about_ca_system_score_codex":0.00048110858,"about_ca_system_score_gemma":0.00025973454,"threshold_uncertainty_score":0.9999096},"labels":[],"label_agreement":null},{"id":"W4395468839","doi":"10.4000/genesis.8819","title":"De la scène à l’écran","year":2024,"lang":"fr","type":"article","venue":"Genesis","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Political science","score_opus":0.020625014679649466,"score_gpt":0.24657861542983728,"score_spread":0.2259536007501878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395468839","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024728939,0.38495535,0.00027364347,0.0065462845,0.0032404456,0.000047136284,0.00015346456,0.00016670515,0.57988805],"genre_scores_gemma":[0.2334539,0.0016737967,0.00013128448,0.00043454673,0.0039729904,0.000008841694,0.000009269827,0.000024836452,0.76029056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991883,0.00013458803,0.00015040343,0.00018888738,0.00009762146,0.0002401678],"domain_scores_gemma":[0.9995586,0.00018936227,0.000012595241,0.000119441225,0.000019709287,0.0001002549],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018355229,0.00012507524,0.00013440487,0.00008397832,0.00030422505,0.0005225089,0.0000987946,0.00008249699,0.018035332],"category_scores_gemma":[0.000011604027,0.00011020209,0.00018193266,0.00008444466,0.0002642514,0.0001687428,0.00002243991,0.00012439833,0.0016784548],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006301776,0.000076799675,0.000060512684,0.0003546646,0.00013392698,0.00026019424,0.018828603,0.000012911313,0.00013132792,0.63587403,0.24865742,0.09560331],"study_design_scores_gemma":[0.000037217378,0.000034841367,0.00011429719,0.00011956608,0.00017371497,0.000018685065,0.00031301603,0.00041002454,0.00006133666,0.004750823,0.993814,0.00015248753],"about_ca_topic_score_codex":0.0022087076,"about_ca_topic_score_gemma":0.000033356082,"teacher_disagreement_score":0.7451566,"about_ca_system_score_codex":0.00007660176,"about_ca_system_score_gemma":0.000062107814,"threshold_uncertainty_score":0.99909884},"labels":[],"label_agreement":null},{"id":"W4395960373","doi":"10.7202/1110892ar","title":"De quelques topoï comiques liés à l’âne et au cheval dans Don Quichotte et Tristram Shandy","year":2024,"lang":"en","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Art","score_opus":0.04255073571870572,"score_gpt":0.30938407425285935,"score_spread":0.26683333853415364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395960373","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6276189,0.0047404165,0.0004259335,0.0041652573,0.0016887563,0.00028786052,0.00017654196,0.0014847867,0.35941154],"genre_scores_gemma":[0.9703583,0.00026052055,0.00033059702,0.00143145,0.0019774144,0.000054218526,0.00008590426,0.00004488857,0.025456686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982593,0.000250545,0.0003820675,0.00043664876,0.00022720706,0.00044420402],"domain_scores_gemma":[0.99912983,0.00025413296,0.000066115004,0.0002702809,0.00010349386,0.00017613519],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005117184,0.00033459664,0.0003862897,0.00013063363,0.0002883024,0.00077265344,0.00028234543,0.000115129464,0.0012610607],"category_scores_gemma":[0.00005823208,0.0002628911,0.00024591762,0.00008733043,0.00023945971,0.00083339406,0.00007078616,0.00036098782,0.00004790193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040733194,0.000111949485,0.0007917216,0.00018274429,0.00010722937,0.00008595875,0.08366409,0.000001694615,0.00040213458,0.9096829,0.0037184434,0.0012103568],"study_design_scores_gemma":[0.00013459302,0.00028913963,0.0002712264,0.00020224898,0.00008782299,0.000012827213,0.002216576,0.000092779504,0.0014588385,0.022268215,0.97256863,0.0003971275],"about_ca_topic_score_codex":0.0063980403,"about_ca_topic_score_gemma":0.012207548,"teacher_disagreement_score":0.96885014,"about_ca_system_score_codex":0.00029228802,"about_ca_system_score_gemma":0.0002515751,"threshold_uncertainty_score":0.99998236},"labels":[],"label_agreement":null},{"id":"W4395960526","doi":"10.7202/1110889ar","title":"Les enjeux du discours sur la girafe au dix-huitième siècle, des naturalistes et Buffon à François le Vaillant","year":2024,"lang":"en","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03681757943371791,"score_gpt":0.2650121480958014,"score_spread":0.2281945686620835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395960526","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8225481,0.015770668,0.00004539598,0.006809945,0.0014102636,0.00018243106,0.00015279153,0.00090979063,0.1521706],"genre_scores_gemma":[0.97964734,0.00030149028,0.00010297625,0.00018854951,0.0015898362,0.00003236379,0.00006798664,0.000045464705,0.018024005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984824,0.00016966145,0.00031673527,0.00040656305,0.00024474796,0.00037986992],"domain_scores_gemma":[0.9989351,0.00049148506,0.00005874657,0.00022033852,0.00016415482,0.00013016684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002507646,0.00032349848,0.00035266968,0.0001239524,0.00061198557,0.0006092395,0.00026341595,0.000100503355,0.0008242061],"category_scores_gemma":[0.00011149744,0.00023536186,0.00025109883,0.00009351583,0.0005333371,0.0008997569,0.00009093204,0.00026534795,0.00004511509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018174853,0.00009050992,0.0009968748,0.0002614659,0.00010679568,0.0000997865,0.052868363,0.0000025996446,0.00013452576,0.93714464,0.004822389,0.0034538605],"study_design_scores_gemma":[0.000117297524,0.00011517185,0.0010119417,0.00026123313,0.00006180126,0.000018998822,0.0025751707,0.000051578874,0.0002989845,0.019595705,0.9754917,0.00040042435],"about_ca_topic_score_codex":0.020728942,"about_ca_topic_score_gemma":0.00941517,"teacher_disagreement_score":0.9706693,"about_ca_system_score_codex":0.00013635043,"about_ca_system_score_gemma":0.00015189101,"threshold_uncertainty_score":0.9857921},"labels":[],"label_agreement":null},{"id":"W4396219433","doi":"10.7202/1110890ar","title":"La représentation des animaux dans Le Diable amoureux de Jacques Cazotte","year":2024,"lang":"en","type":"article","venue":"Topiques études satoriennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Mysticism; Representation (politics); Fantasy; Humanities; Literature; Art history","score_opus":0.026725123826307793,"score_gpt":0.2647437516608664,"score_spread":0.2380186278345586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396219433","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8354183,0.0032768669,0.0004470291,0.0003224412,0.00046502487,0.000085081265,0.000025029556,0.0006019863,0.15935828],"genre_scores_gemma":[0.9653557,0.0000936313,0.00052888045,0.000115973715,0.001051221,0.000032557316,0.000023355868,0.000024983241,0.03277371],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990555,0.00012324328,0.0001913058,0.0002652577,0.00011982211,0.00024486627],"domain_scores_gemma":[0.9995299,0.00013231087,0.000031760635,0.0001541621,0.0000671535,0.000084697764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022007918,0.000159165,0.0001682644,0.000083230705,0.00044356548,0.0005637106,0.00013575488,0.000056264493,0.0005416844],"category_scores_gemma":[0.00003714751,0.00013011918,0.00011219994,0.000073368334,0.00034372575,0.0007110363,0.00003422813,0.00013523149,0.00004369545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009133235,0.00004932892,0.0011912651,0.00013139029,0.000049474173,0.00006669527,0.14386187,0.0000031725558,0.0010062105,0.84860146,0.0030969728,0.0019330384],"study_design_scores_gemma":[0.000060369697,0.00008422326,0.00029957222,0.00010004142,0.000048144484,0.000015678037,0.008693782,0.00013289062,0.0023302932,0.03274785,0.95526934,0.00021780105],"about_ca_topic_score_codex":0.008413439,"about_ca_topic_score_gemma":0.004026084,"teacher_disagreement_score":0.9521724,"about_ca_system_score_codex":0.00012915483,"about_ca_system_score_gemma":0.00010445864,"threshold_uncertainty_score":0.9981896},"labels":[],"label_agreement":null},{"id":"W4396579536","doi":"10.18162/fp.2012.a6","title":"La civilité pour la douceur de vivre","year":2012,"lang":"fr","type":"article","venue":"Formation et profession","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.031169174721418336,"score_gpt":0.29158637334748794,"score_spread":0.2604171986260696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396579536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25907576,0.009727224,0.0025053956,0.010223272,0.002877624,0.00022786592,0.000088645254,0.00014255189,0.71513164],"genre_scores_gemma":[0.75223255,0.00018912349,0.000161257,0.0005680766,0.0008927274,0.000017208682,0.000064230706,0.0000125147235,0.24586232],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981775,0.000946591,0.000301706,0.00008816359,0.00016897554,0.0003170565],"domain_scores_gemma":[0.9993085,0.00021309541,0.00014313926,0.00012493164,0.00006518263,0.00014514847],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009129242,0.00014714593,0.00014459393,0.00008268191,0.0005596794,0.00010490263,0.00009288363,0.00017782369,0.0039009387],"category_scores_gemma":[0.000044674576,0.00011614307,0.00010267889,0.000053861717,0.00008634207,0.0024268122,0.00004895794,0.00036476657,0.0009732677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035690973,0.0004886872,0.0005142563,0.0005218349,0.000018919813,0.0000034532393,0.2995987,0.0000046291702,0.00011243827,0.56360537,0.113200344,0.02189566],"study_design_scores_gemma":[0.00023303005,0.000027482185,0.00073829934,0.0004052672,0.000040379724,0.00001794431,0.00811364,0.00047886863,0.00012974754,0.0019098861,0.9877444,0.00016109111],"about_ca_topic_score_codex":0.0001526583,"about_ca_topic_score_gemma":0.000028615934,"teacher_disagreement_score":0.874544,"about_ca_system_score_codex":0.00010700878,"about_ca_system_score_gemma":0.000051019204,"threshold_uncertainty_score":0.9998046},"labels":[],"label_agreement":null},{"id":"W4396579729","doi":"10.18162/fp.2013.a20","title":"Ô, grands mots, l’écran remède","year":2013,"lang":"fr","type":"article","venue":"Formation et profession","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Commission Scolaire des Hautes Rivières","funders":"","keywords":"Psychology","score_opus":0.029038993500163434,"score_gpt":0.26696668152558767,"score_spread":0.23792768802542424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396579729","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20070165,0.011214399,0.0037341241,0.064604685,0.010125167,0.0011788685,0.00012782896,0.00033723508,0.70797604],"genre_scores_gemma":[0.6000971,0.0003052368,0.00014117555,0.0012768876,0.0006798088,0.000048167294,0.00021061633,0.000014227382,0.39722675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858373,0.00027189942,0.00046648103,0.00014827741,0.000246311,0.0002833042],"domain_scores_gemma":[0.9992686,0.000058821974,0.00018741228,0.00018578595,0.0001768039,0.0001226136],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025306572,0.00017998547,0.00019554765,0.000117534444,0.0008177213,0.00023731962,0.00013176336,0.00013719064,0.017715188],"category_scores_gemma":[0.000023517547,0.00013648088,0.00012171135,0.000078760626,0.00010708,0.0036548777,0.000048041762,0.00031053775,0.004085503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026767262,0.00027359056,0.00007748393,0.00054319715,0.000026221081,0.0000026496796,0.12401908,0.000010910787,0.0001531319,0.3816128,0.45100844,0.042245723],"study_design_scores_gemma":[0.00033892936,0.00010158722,0.00038724497,0.00042372575,0.00003137666,0.0000036028723,0.0042896955,0.002267787,0.00009654536,0.012529137,0.97932094,0.00020944604],"about_ca_topic_score_codex":0.0008294881,"about_ca_topic_score_gemma":0.000057320438,"teacher_disagreement_score":0.5283125,"about_ca_system_score_codex":0.00007936811,"about_ca_system_score_gemma":0.000028176817,"threshold_uncertainty_score":0.9966899},"labels":[],"label_agreement":null},{"id":"W4396590709","doi":"10.26522/vp.v21i1.4695","title":"Maëlle Dupon. Vènus a l’escorpion / Vénus en scorpion","year":2024,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Art","score_opus":0.016899481864364522,"score_gpt":0.22989384788186393,"score_spread":0.2129943660174994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396590709","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.065366976,0.6230052,0.0006642258,0.086218946,0.02534072,0.000542643,0.0012981248,0.0009510463,0.1966121],"genre_scores_gemma":[0.21663578,0.004350614,0.00012778312,0.0003148272,0.006446856,0.000027232576,0.00008363617,0.000068538335,0.7719447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773604,0.00022545813,0.0005272412,0.0006090682,0.0003478289,0.0005543661],"domain_scores_gemma":[0.99885535,0.00046191795,0.000071528586,0.00032392773,0.00007360852,0.00021365879],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025086303,0.00042533528,0.00035787822,0.00030985035,0.000712868,0.000840417,0.00027473518,0.00023180348,0.011293135],"category_scores_gemma":[0.00005490087,0.00036418284,0.00042167274,0.00023020999,0.00043531574,0.00072102126,0.00011579554,0.00050921494,0.0049251374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053032167,0.00023434544,0.000017154962,0.0007063138,0.00022220644,0.0006581939,0.049963657,0.00003293874,0.00015644809,0.7047948,0.21141188,0.031749003],"study_design_scores_gemma":[0.00015473597,0.00026006633,0.000019386425,0.000913318,0.00026453414,0.000044646695,0.0012479774,0.0019993992,0.00022290571,0.0067604543,0.9876284,0.00048419717],"about_ca_topic_score_codex":0.00465076,"about_ca_topic_score_gemma":0.00052184873,"teacher_disagreement_score":0.7762165,"about_ca_system_score_codex":0.00016460348,"about_ca_system_score_gemma":0.00013180201,"threshold_uncertainty_score":0.999881},"labels":[],"label_agreement":null},{"id":"W4396802326","doi":"10.1353/phx.2023.a926375","title":"Virgil's Cinematic Art: Vision as Narrative in the Aeneid by Kirk Freudenburg (review)","year":2023,"lang":"en","type":"article","venue":"Phoenix","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Art; Art history; Literature","score_opus":0.021550705213086482,"score_gpt":0.27836916176647714,"score_spread":0.25681845655339064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396802326","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1850471,0.044090595,0.000011291462,0.028815085,0.0012436276,0.0011066558,0.00010098501,0.000392539,0.7391921],"genre_scores_gemma":[0.82600754,0.0029204995,0.000006238647,0.009101909,0.00051694567,0.00014789223,0.00019046132,0.000024654704,0.16108385],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989641,0.0001464003,0.00027448733,0.00017935714,0.00024723393,0.00018846344],"domain_scores_gemma":[0.99947226,0.00018149307,0.00006375571,0.0002110462,0.00003012661,0.0000412914],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029512984,0.00013107914,0.00023306877,0.00007241761,0.00027249177,0.00006045378,0.0002345675,0.00002071761,0.007583889],"category_scores_gemma":[0.00006725617,0.000076759774,0.00010200223,0.00020780285,0.00008060656,0.00019430282,0.000031552347,0.00015152308,0.0027333093],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000537971,0.0000600338,0.000007204718,0.000106683925,0.000012002455,0.000020990738,0.08968659,0.0000013289033,0.00008544988,0.004533407,0.9043554,0.0011255376],"study_design_scores_gemma":[0.00011246342,0.000086949796,0.000030171146,0.00026340227,0.00002173924,0.0000019233767,0.0022674752,0.000037627608,0.000023354743,0.0027451918,0.9942959,0.00011381166],"about_ca_topic_score_codex":0.00014072382,"about_ca_topic_score_gemma":0.00014222492,"teacher_disagreement_score":0.64096045,"about_ca_system_score_codex":0.00002093107,"about_ca_system_score_gemma":0.000011261675,"threshold_uncertainty_score":0.9980432},"labels":[],"label_agreement":null},{"id":"W4396802338","doi":"10.1353/phx.2023.a926374","title":"Letters in Plautus: Writing Between the Lines by Emilia A. Barbiero (review)","year":2023,"lang":"en","type":"article","venue":"Phoenix","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; History","score_opus":0.03611667910646286,"score_gpt":0.25606706843580135,"score_spread":0.2199503893293385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396802338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.873518,0.053368982,0.000010794031,0.028773462,0.0008933196,0.00044152598,0.00028798744,0.00043981153,0.042266097],"genre_scores_gemma":[0.973811,0.0025034028,0.000006930723,0.008304774,0.0018040295,0.00005676526,0.0001967513,0.000024263452,0.013292126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991471,0.000066514905,0.000274515,0.00015406143,0.00013860833,0.00021915615],"domain_scores_gemma":[0.99954784,0.00021214274,0.00004454899,0.00013983154,0.00001702846,0.000038635902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024290639,0.00010591078,0.00019346797,0.00005475231,0.00022011409,0.00004260887,0.00019269908,0.000016017406,0.0009057939],"category_scores_gemma":[0.000045588367,0.00006776621,0.000084236,0.00014112018,0.00007965588,0.00012311226,0.000038776263,0.00015755041,0.00035437295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025282902,0.000014033865,0.0026673165,0.00013622626,0.00002187561,0.00000809948,0.010776754,0.0000018538468,0.00018446834,0.0006084776,0.9780736,0.0075047584],"study_design_scores_gemma":[0.00007154672,0.0000092729815,0.0005014938,0.00016875235,0.000022373612,2.6598494e-7,0.00027478262,0.000021862093,0.000040606912,0.000115196715,0.9986693,0.00010451479],"about_ca_topic_score_codex":0.0003951634,"about_ca_topic_score_gemma":0.000084641055,"teacher_disagreement_score":0.100292936,"about_ca_system_score_codex":0.00001969183,"about_ca_system_score_gemma":0.0000059003664,"threshold_uncertainty_score":0.9917808},"labels":[],"label_agreement":null},{"id":"W4396921064","doi":"10.32873/uno.dc.jrf.21.02.11","title":"Les Affamés","year":2017,"lang":"ca","type":"article","venue":"Journal of Religion & Film","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Political science","score_opus":0.0458461273514039,"score_gpt":0.2866600506360783,"score_spread":0.2408139232846744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396921064","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15471628,0.04131712,0.00009784473,0.009385566,0.009124426,0.000117169446,0.00006815899,0.00002579446,0.78514767],"genre_scores_gemma":[0.84325165,0.0039369212,0.00007614478,0.00024614474,0.0046359617,4.631943e-7,0.0000020225084,0.000017942582,0.14783278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842066,0.000076650176,0.0007177145,0.00014031942,0.00041065516,0.0002339934],"domain_scores_gemma":[0.99748725,0.00008063124,0.0014545715,0.00039198817,0.00038322015,0.00020233508],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031037518,0.00020330977,0.0004824814,0.0001645596,0.0016039052,0.0009380595,0.0006273973,0.00011634506,0.0027251819],"category_scores_gemma":[0.00016338397,0.0001465191,0.00058084814,0.000020261125,0.0002720901,0.0007839235,0.000071562696,0.0005019515,0.00023307967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021675522,0.00022714124,0.00064367993,0.00009170294,0.00025441908,0.00043668994,0.007987652,0.000012128744,0.00008410047,0.081546426,0.893523,0.014976312],"study_design_scores_gemma":[0.0004554609,0.0004985299,0.0005304094,0.0003522343,0.00021091104,0.00007183431,0.00034414357,0.00003477651,0.000050302486,0.002592891,0.99467015,0.00018836619],"about_ca_topic_score_codex":0.0012347226,"about_ca_topic_score_gemma":0.000108792585,"teacher_disagreement_score":0.68853533,"about_ca_system_score_codex":0.000079041456,"about_ca_system_score_gemma":0.00007969104,"threshold_uncertainty_score":0.9996959},"labels":[],"label_agreement":null},{"id":"W4397017521","doi":"10.1515/9782763727257-019","title":"Étudier À L’étranger : Au-Delà De L’exotisme","year":2015,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Philosophy; Political science","score_opus":0.09019708044092858,"score_gpt":0.24995792854869292,"score_spread":0.15976084810776434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397017521","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010246519,0.010326627,0.00013720608,0.0029153286,0.0016332762,0.00015194502,0.00025589365,0.00011004082,0.9843672],"genre_scores_gemma":[0.023344692,0.0003857604,0.00020054565,0.0009466335,0.0056702793,0.0000102469385,0.00008626338,0.0000795842,0.969276],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978489,0.00005643356,0.0005802034,0.00049890135,0.00039660608,0.0006189488],"domain_scores_gemma":[0.99858505,0.00012374904,0.00015952213,0.00037870495,0.00027297306,0.00048001597],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002711532,0.0006067517,0.0007366695,0.00016512275,0.0007489367,0.00013923827,0.00029724612,0.00038850243,0.123957425],"category_scores_gemma":[0.000017995459,0.00048680307,0.00052862643,0.000019898724,0.00084755244,0.00029810955,0.00008979542,0.0005779682,0.0060348543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023054361,0.00007514497,0.000021333663,0.00008741901,0.0003018847,0.00015245877,0.009360134,0.000003950288,0.0000017796889,0.8856426,0.09869826,0.0056319744],"study_design_scores_gemma":[0.00021709279,0.0001857453,0.0000201037,0.00014546077,0.00042055282,0.000022094759,0.000308077,0.000036934318,0.000001453009,0.035987016,0.9619804,0.000675089],"about_ca_topic_score_codex":0.004485781,"about_ca_topic_score_gemma":0.002245485,"teacher_disagreement_score":0.86328214,"about_ca_system_score_codex":0.000548521,"about_ca_system_score_gemma":0.00022116637,"threshold_uncertainty_score":0.99975836},"labels":[],"label_agreement":null},{"id":"W4397022966","doi":"10.33137/rr.v47i1.43464","title":"Mangili, Adrien. D’os et de vent. Penser la baleine à la Renaissance","year":2024,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; The Renaissance; Philosophy; Art history","score_opus":0.015938118895945867,"score_gpt":0.25773050583370677,"score_spread":0.2417923869377609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397022966","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03611025,0.20608187,0.0007470351,0.009498996,0.0015022457,0.00021348146,0.00017091644,0.00023783096,0.7454374],"genre_scores_gemma":[0.88397795,0.007609221,0.00011606972,0.0003694971,0.0010172805,0.000023221945,0.00009233595,0.000026910788,0.10676753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987088,0.00022076115,0.00034328637,0.0002475378,0.00018322244,0.00029637865],"domain_scores_gemma":[0.9994516,0.00013511471,0.00008079211,0.00016300123,0.00005169767,0.00011783382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048082112,0.00022048975,0.00022279692,0.00012685724,0.00041279822,0.00047905024,0.00009656952,0.00015932972,0.00069115125],"category_scores_gemma":[0.00002326594,0.00016708644,0.0001236897,0.00012919414,0.00038436946,0.0014230624,0.00003900844,0.00035516714,0.00021397954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049286347,0.00010344431,0.000064826854,0.0017335883,0.000099271885,0.00014467636,0.032236587,0.000043543405,0.00013281599,0.7537342,0.18447077,0.027187036],"study_design_scores_gemma":[0.00013824776,0.000085337546,0.0003801743,0.0013435631,0.00008590702,0.000120145894,0.00039710302,0.0018213164,0.000121932775,0.0022603383,0.99300176,0.0002441546],"about_ca_topic_score_codex":0.0003071618,"about_ca_topic_score_gemma":0.000053315693,"teacher_disagreement_score":0.84786767,"about_ca_system_score_codex":0.00010198422,"about_ca_system_score_gemma":0.000066649554,"threshold_uncertainty_score":0.75676215},"labels":[],"label_agreement":null},{"id":"W4397023092","doi":"10.33137/rr.v47i1.43459","title":"Clément, Michèle, Isabelle Garnier et Dariusz Kraczyk, dir. L’autorité de la parole spirituelle féminine en français au XVIe siècle","year":2024,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; Humanities","score_opus":0.011750594200584137,"score_gpt":0.2502317364014405,"score_spread":0.23848114220085634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397023092","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0953555,0.2923518,0.0006669743,0.013554819,0.002667851,0.0003359188,0.00032680703,0.00027099924,0.5944693],"genre_scores_gemma":[0.85361505,0.005423641,0.00013618739,0.00043652006,0.0015919736,0.000027210697,0.00013894623,0.000031652435,0.13859881],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983298,0.00026430373,0.00047272802,0.0002976329,0.00022815172,0.00040736582],"domain_scores_gemma":[0.9993079,0.0001838239,0.00009762719,0.00019777645,0.00005344034,0.00015943288],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006573175,0.0002798504,0.00030811978,0.00013872383,0.000891198,0.0004517478,0.00012258961,0.00022129327,0.0010682091],"category_scores_gemma":[0.000028534903,0.0002153391,0.0001481833,0.00014690323,0.00044722648,0.0014223546,0.00006692138,0.00044125956,0.00039858464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009861544,0.0005908422,0.0014604445,0.0034028897,0.00038586513,0.000114259055,0.1459773,0.00015931317,0.0006058261,0.35887367,0.38360658,0.10472439],"study_design_scores_gemma":[0.00030250117,0.00014744262,0.0011799218,0.0006912159,0.00013071475,0.00003399531,0.0007129752,0.0030293304,0.0003224198,0.0020525393,0.99108326,0.0003136942],"about_ca_topic_score_codex":0.0028227873,"about_ca_topic_score_gemma":0.00022760691,"teacher_disagreement_score":0.75825953,"about_ca_system_score_codex":0.00017547247,"about_ca_system_score_gemma":0.0000971672,"threshold_uncertainty_score":0.99984497},"labels":[],"label_agreement":null},{"id":"W4397027329","doi":"10.1515/9782763714660","title":"La philosophie de l’histoire","year":2007,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.038718930285200355,"score_gpt":0.23861936703251013,"score_spread":0.19990043674730978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397027329","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018489944,0.011149399,0.00011717876,0.0013486175,0.00089128374,0.0000887792,0.00011012993,0.000120383746,0.98615575],"genre_scores_gemma":[0.006677961,0.0002523474,0.00016786795,0.0016329435,0.006570677,0.000005737427,0.00012944944,0.000055984092,0.984507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982695,0.00012910715,0.00048628045,0.0003750014,0.00027406545,0.00046606283],"domain_scores_gemma":[0.99881995,0.00038302992,0.00014547654,0.0002891572,0.000091341906,0.00027106833],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027493972,0.00043716043,0.0005038688,0.00024128244,0.0011325934,0.0001276947,0.00029423067,0.00048962526,0.048122387],"category_scores_gemma":[0.000020770398,0.00037377235,0.0004779806,0.000038643626,0.0019320962,0.00017676737,0.000057257217,0.0007638579,0.0022369593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019267536,0.00014175456,0.0000057820953,0.00019126461,0.00011036864,0.00035468375,0.0016452015,0.000001042903,0.000001191758,0.85145843,0.13185471,0.014216269],"study_design_scores_gemma":[0.00012612109,0.00010013401,0.0000046459118,0.0001800588,0.00020654954,0.0000325573,0.00010875287,0.000010068992,0.0000019652498,0.07454997,0.92421234,0.00046681598],"about_ca_topic_score_codex":0.001353028,"about_ca_topic_score_gemma":0.00029953386,"teacher_disagreement_score":0.7923576,"about_ca_system_score_codex":0.0006731052,"about_ca_system_score_gemma":0.00022446709,"threshold_uncertainty_score":0.99987143},"labels":[],"label_agreement":null},{"id":"W4398154556","doi":"","title":"Clair-obscur, la représentation historique et folklorique dans Les Sorcières d’Akelarre (Pablo Agüero - 2020)","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Physics","score_opus":0.021180735133299936,"score_gpt":0.2422629473427749,"score_spread":0.22108221220947497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398154556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082564235,0.016687568,0.019396666,0.12393861,0.003121192,0.0007296834,0.00064933754,0.0011974425,0.75171524],"genre_scores_gemma":[0.24773471,0.0050342293,0.0019919707,0.00026607898,0.00040954337,0.00009601037,0.0013338319,0.00009294689,0.7430407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9891667,0.008098612,0.0007947383,0.0008269108,0.0005054132,0.0006076262],"domain_scores_gemma":[0.99415684,0.0026590254,0.00044259607,0.0012112575,0.0012276025,0.00030268476],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0045827157,0.00043534822,0.00045885082,0.00026492786,0.0015606475,0.00069538725,0.00074883,0.0003184758,0.002260242],"category_scores_gemma":[0.0011079496,0.00046643848,0.00041400714,0.0006253318,0.00077202625,0.0007383977,0.00030658732,0.0007200542,0.0004792912],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020973366,0.0005380276,0.00084894197,0.00022094624,0.00011601018,0.000068352536,0.19525293,0.000060374037,0.0010243519,0.6838752,0.10386864,0.014105225],"study_design_scores_gemma":[0.00042049043,0.0000021897138,0.0012823889,0.0008644168,0.000101959944,0.000020312986,0.0032557517,0.0026035872,0.001519035,0.0043693874,0.9850571,0.0005033801],"about_ca_topic_score_codex":0.020212954,"about_ca_topic_score_gemma":0.025312955,"teacher_disagreement_score":0.88118845,"about_ca_system_score_codex":0.00037021178,"about_ca_system_score_gemma":0.00025760062,"threshold_uncertainty_score":0.99977875},"labels":[],"label_agreement":null},{"id":"W4398176341","doi":"10.7202/1110981ar","title":"La parole de l’eau : symboles marins et répression sexuelle dans <i>Les fous de Bassan</i>","year":2015,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.022401675625944143,"score_gpt":0.2390540067850208,"score_spread":0.21665233115907667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398176341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30785033,0.033195682,0.0029607061,0.0061488072,0.0011294084,0.00020770772,0.00032986057,0.00021592349,0.64796156],"genre_scores_gemma":[0.5389819,0.0007439336,0.0008798845,0.0015311189,0.00091412803,0.000029114002,0.00009312518,0.00006643606,0.45676038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743646,0.0007062748,0.00040467572,0.00042764875,0.00030886658,0.00071607635],"domain_scores_gemma":[0.9985341,0.00030920684,0.00014231546,0.0003508618,0.000106068226,0.0005574571],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00059678574,0.00040047555,0.0004438208,0.00011578533,0.0009501209,0.00030319273,0.00034453472,0.00043648243,0.0007055572],"category_scores_gemma":[0.00010547308,0.00035552206,0.0002680565,0.00010951129,0.00094954413,0.0004128325,0.00010603016,0.00079422246,0.000108209155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020292548,0.00091028016,0.008995176,0.00031969053,0.00024405413,0.0005726565,0.26554173,0.0008961289,0.00040360546,0.3214874,0.3750523,0.02537402],"study_design_scores_gemma":[0.00048368922,0.00021843564,0.0003939818,0.00022238812,0.00018840448,0.00006217152,0.017110428,0.0017339546,0.00022161474,0.005820017,0.97307146,0.00047344415],"about_ca_topic_score_codex":0.031127475,"about_ca_topic_score_gemma":0.0040621553,"teacher_disagreement_score":0.5980192,"about_ca_system_score_codex":0.00053007767,"about_ca_system_score_gemma":0.00023299937,"threshold_uncertainty_score":0.9998897},"labels":[],"label_agreement":null},{"id":"W4398177405","doi":"10.7202/1111167ar","title":"Scandale, blasphème, obscénité et plaisanterie. Entre transgression et acceptabilité de la transgression dans les discours religieux à Venise au XVII<sup>e</sup> siècle","year":2023,"lang":"fr","type":"article","venue":"Cahiers d histoire","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Marine transgression; Humanities; Art; Geology","score_opus":0.014023713035572698,"score_gpt":0.25882410010895096,"score_spread":0.24480038707337826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398177405","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8331281,0.027389525,0.00043599962,0.013754431,0.0022239378,0.0005132001,0.0019248996,0.0006099838,0.12001994],"genre_scores_gemma":[0.87534225,0.0021674999,0.00007349854,0.00041253504,0.0006783969,0.00007397395,0.00046505395,0.00014533255,0.12064147],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951951,0.0012689172,0.0008669417,0.0009255596,0.0006285624,0.0011149506],"domain_scores_gemma":[0.9976793,0.00074531406,0.00024899314,0.00060812384,0.000105608095,0.0006126894],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00072528643,0.00076652126,0.0008205296,0.00037042363,0.0058215745,0.00036100263,0.0006194766,0.0006888672,0.0027115787],"category_scores_gemma":[0.00014532692,0.0006907965,0.0007801443,0.00044321528,0.0068308655,0.0008878581,0.0000748748,0.0013742595,0.00017351675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00075099076,0.0009267503,0.0017985284,0.0011516247,0.00022840756,0.00096131227,0.780333,0.0024321838,0.0016485329,0.07590108,0.08943983,0.04442777],"study_design_scores_gemma":[0.0012744567,0.00029426452,0.0013380568,0.0015984656,0.00039506095,0.00004189832,0.055723406,0.0013300857,0.00032786705,0.0014837558,0.93530345,0.0008892257],"about_ca_topic_score_codex":0.00317341,"about_ca_topic_score_gemma":0.0011367978,"teacher_disagreement_score":0.84586364,"about_ca_system_score_codex":0.0012239831,"about_ca_system_score_gemma":0.00058084575,"threshold_uncertainty_score":0.99955434},"labels":[],"label_agreement":null},{"id":"W4398190284","doi":"10.7202/1110972ar","title":"Musique, rythmes et chants dans Le torrent, Kamouraska et Les fous de Bassan, transcréés à l’écran","year":2018,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art","score_opus":0.022544980132455636,"score_gpt":0.2488479255743498,"score_spread":0.22630294544189417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398190284","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3673768,0.04278479,0.008839681,0.03644952,0.0045297393,0.0005657446,0.0011639739,0.00041235637,0.5378774],"genre_scores_gemma":[0.59454423,0.0009589713,0.00034543948,0.0038071258,0.0022413807,0.00002791133,0.00010919443,0.0000773263,0.39788845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970084,0.00060257467,0.0005620724,0.0006139659,0.00032104293,0.000891969],"domain_scores_gemma":[0.9986325,0.00022793333,0.00017646745,0.0004089692,0.00017786642,0.00037626614],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004961608,0.00054873317,0.0005958018,0.0001987312,0.001983784,0.00033914178,0.00041343903,0.00043719923,0.003357926],"category_scores_gemma":[0.000058959326,0.00050967635,0.0004733749,0.0001736631,0.0021942914,0.00069840264,0.000043892425,0.00073982374,0.00013374834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014727743,0.0007173876,0.0005572532,0.00024887736,0.00031263835,0.00016355743,0.2183056,0.000020008152,0.0006788614,0.6520435,0.10380926,0.022995722],"study_design_scores_gemma":[0.0006291383,0.0005212567,0.0008307976,0.00025846207,0.0001952113,0.00004656817,0.00862356,0.0002672707,0.0005376105,0.0031525139,0.9842613,0.0006763337],"about_ca_topic_score_codex":0.029271862,"about_ca_topic_score_gemma":0.021570532,"teacher_disagreement_score":0.88045204,"about_ca_system_score_codex":0.00022051326,"about_ca_system_score_gemma":0.0001713342,"threshold_uncertainty_score":0.9997355},"labels":[],"label_agreement":null},{"id":"W4398190910","doi":"10.7202/1111021ar","title":"Un ouvrage incontournable : Hébert, Anne. OEuvres complètes I. Poésie, édition établie par Nathalie Watteyne, suivi de Dialogue sur la traduction à propos du Tombeau des rois, édition établie par Patricia Godbout, Montréal, Presses de l’Université de Montréal, coll. « Bibliothèque du Nouveau Monde », 2013, 732 p.","year":2014,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.006047606485318591,"score_gpt":0.1690282795441157,"score_spread":0.1629806730587971,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398190910","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7218974,0.22283092,0.007487677,0.018863346,0.0024626816,0.0014921483,0.002309014,0.00068407564,0.021972695],"genre_scores_gemma":[0.8315788,0.12357014,0.0010154486,0.0010443067,0.004107306,0.00017961356,0.0012298867,0.0002167831,0.037057716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938526,0.0014960183,0.001099731,0.0010390953,0.00063768355,0.0018748441],"domain_scores_gemma":[0.99592197,0.0012229304,0.00072670245,0.0006202604,0.00060671626,0.0009014107],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010642844,0.0010518132,0.0011875897,0.0012006743,0.005200703,0.0010938189,0.0006677489,0.00083125243,0.002968187],"category_scores_gemma":[0.00046855115,0.0010334847,0.0006312054,0.0010309946,0.0015992785,0.0030449627,0.00015852107,0.001009879,0.00012212768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068789977,0.0021003035,0.011606056,0.0007085304,0.00067626877,0.0005823068,0.020131499,0.006021906,0.0015178883,0.010191936,0.94041204,0.005363389],"study_design_scores_gemma":[0.0021044814,0.0008118543,0.011861323,0.00046370405,0.0009039811,0.0003545463,0.002390109,0.007322273,0.0018110505,0.008498623,0.96212643,0.0013516156],"about_ca_topic_score_codex":0.2727757,"about_ca_topic_score_gemma":0.057263732,"teacher_disagreement_score":0.21551198,"about_ca_system_score_codex":0.0022039162,"about_ca_system_score_gemma":0.00031236038,"threshold_uncertainty_score":0.99994314},"labels":[],"label_agreement":null},{"id":"W4398191167","doi":"10.7202/1111018ar","title":"Théâtre des disparues : <i>Le Premier Jardin</i>","year":2014,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.012033095010119938,"score_gpt":0.19976540154531755,"score_spread":0.18773230653519762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398191167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08811586,0.051985014,0.0010837301,0.01160984,0.0025724405,0.00021145857,0.0002017358,0.00019852561,0.8440214],"genre_scores_gemma":[0.30996707,0.00048065686,0.0002943083,0.0012170649,0.0023557562,0.000016469156,0.000053402124,0.000044982316,0.6855703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799085,0.00024394016,0.00041605614,0.00046619892,0.00024421906,0.0006387347],"domain_scores_gemma":[0.9988633,0.00022139243,0.0001258095,0.00038849784,0.00012777884,0.0002732245],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022738786,0.00039088988,0.0004913202,0.000100387944,0.0018681529,0.0003211387,0.0003038266,0.00024651794,0.0020406616],"category_scores_gemma":[0.00008592532,0.00033976062,0.0003917932,0.00012109099,0.0020287964,0.0006149841,0.000054599852,0.00045199116,0.00043618956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040425857,0.00026911564,0.00040753922,0.00025870994,0.00015732301,0.000020741612,0.02321785,0.000027588114,0.000045430064,0.7126637,0.22140744,0.041484132],"study_design_scores_gemma":[0.0002949187,0.00018463536,0.00020906965,0.00020775774,0.00016175983,0.000010038823,0.0013412159,0.00025303088,0.0001449897,0.017136691,0.979571,0.00048491656],"about_ca_topic_score_codex":0.008797595,"about_ca_topic_score_gemma":0.0009694211,"teacher_disagreement_score":0.7581635,"about_ca_system_score_codex":0.00017749281,"about_ca_system_score_gemma":0.000040416227,"threshold_uncertainty_score":0.99990547},"labels":[],"label_agreement":null},{"id":"W4398191285","doi":"10.7202/1111022ar","title":"Tellez, Willebaldo Herrera, Anne Hébert : el jardín de la reina. Vida y obra poética de Anne Hébert. Mexique, El centauro, Consejo nacional para la cultura y las artes, 2007, 175 p.","year":2014,"lang":"es","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","score_opus":0.009420479900626007,"score_gpt":0.24145442051035604,"score_spread":0.23203394060973004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398191285","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3145122,0.043532092,0.0009847333,0.0142646795,0.0022480167,0.001234031,0.0012685936,0.0011302285,0.6208254],"genre_scores_gemma":[0.86878085,0.0028747227,0.0009475046,0.009369226,0.0037119891,0.00011109467,0.00040097532,0.0003105223,0.11349313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99275684,0.0017073785,0.00137949,0.0014084309,0.0008478612,0.0018999805],"domain_scores_gemma":[0.99469084,0.0022738804,0.00054652244,0.00094986166,0.00041578975,0.0011230853],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012350768,0.0013499948,0.0015604345,0.00037855882,0.0023137408,0.0013757935,0.00091677345,0.0011063464,0.005377917],"category_scores_gemma":[0.0006432219,0.0011802989,0.00095361035,0.00033122743,0.0030728565,0.00093483395,0.0001702914,0.0019744188,0.0005495643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064927235,0.0012617239,0.0038039547,0.00036666772,0.00092488923,0.0005649144,0.020620944,0.00015331915,0.000571342,0.5787083,0.38640437,0.005970303],"study_design_scores_gemma":[0.0016768071,0.00048057272,0.0027659093,0.0005511706,0.0005069799,0.0002909857,0.0020640397,0.00096294394,0.00030106053,0.0059342775,0.9828671,0.001598125],"about_ca_topic_score_codex":0.0038955407,"about_ca_topic_score_gemma":0.00030343776,"teacher_disagreement_score":0.5964628,"about_ca_system_score_codex":0.000721047,"about_ca_system_score_gemma":0.0003690622,"threshold_uncertainty_score":0.9999251},"labels":[],"label_agreement":null},{"id":"W4398191288","doi":"10.7202/1110975ar","title":"Polyphonie et réécriture dans L’île de la Demoiselle","year":2018,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.009519703991406673,"score_gpt":0.23489989363795347,"score_spread":0.2253801896465468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398191288","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07693011,0.044102088,0.0013713059,0.0090744365,0.002416555,0.00015347288,0.00031601923,0.00015462383,0.8654814],"genre_scores_gemma":[0.29233903,0.00055471226,0.0007730897,0.004410281,0.003586903,0.000009679925,0.000047440495,0.000050542105,0.6982283],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981504,0.00038406457,0.0003079811,0.0003725782,0.00019790368,0.000587093],"domain_scores_gemma":[0.9989852,0.00024880804,0.000089579924,0.00030524307,0.00009121206,0.00027996584],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00030944808,0.0003194329,0.00032921054,0.00010402586,0.0015097258,0.00029606215,0.00028509856,0.00037536077,0.0058106957],"category_scores_gemma":[0.00005835854,0.00028886995,0.00026815713,0.00012554109,0.002880176,0.0003508238,0.000046779875,0.000652769,0.0004750288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004341389,0.00027549843,0.00040903158,0.000080260965,0.00012749925,0.00011840545,0.105266236,0.000007091238,0.00028034882,0.5787907,0.30990648,0.0046949866],"study_design_scores_gemma":[0.0002801693,0.0002553899,0.00023787076,0.00011185435,0.00014348024,0.000044276185,0.0038468514,0.00015861835,0.00034778987,0.009043649,0.9851418,0.00038823977],"about_ca_topic_score_codex":0.011762299,"about_ca_topic_score_gemma":0.0016491932,"teacher_disagreement_score":0.67523533,"about_ca_system_score_codex":0.00023320859,"about_ca_system_score_gemma":0.00010656984,"threshold_uncertainty_score":0.99995637},"labels":[],"label_agreement":null},{"id":"W4399061386","doi":"","title":"Le primat du rythme. Hamlet, les traducteurs français et le vers libre","year":2023,"lang":"fr","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université Laval; Harvard University","keywords":"HAMLET (protein complex); Rhythm; Literature; Art; Visual arts; Linguistics; History; Aesthetics; Philosophy","score_opus":0.015381011254024697,"score_gpt":0.21219143240910435,"score_spread":0.19681042115507966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399061386","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17840365,0.017373422,0.0031846263,0.052424263,0.0024360367,0.000744411,0.0005938038,0.00093870057,0.7439011],"genre_scores_gemma":[0.5432169,0.0030158958,0.0011779142,0.00022588074,0.00021154781,0.00008250862,0.005366257,0.00015204855,0.44655105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993606,0.0036674887,0.0008174769,0.00085279165,0.0005358555,0.000520403],"domain_scores_gemma":[0.99495214,0.0016647642,0.0005384471,0.001085999,0.0014937411,0.0002649227],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019697961,0.0005547929,0.0006349819,0.00032981954,0.0026954203,0.0009538915,0.0010432034,0.0003461615,0.0010300856],"category_scores_gemma":[0.000706233,0.000595245,0.00054981303,0.00043017886,0.00061995053,0.00070339104,0.0001767247,0.00075809454,0.00048402278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003393538,0.00084056443,0.00031654924,0.0003691358,0.00017140037,0.000018974662,0.15873216,0.000020602283,0.00044270905,0.8041811,0.013977398,0.020895487],"study_design_scores_gemma":[0.000639396,0.0000018329213,0.0027535867,0.0014732719,0.00013408613,0.000006405041,0.0070506292,0.0009373975,0.003246726,0.0013808798,0.9816966,0.00067919085],"about_ca_topic_score_codex":0.06187837,"about_ca_topic_score_gemma":0.045374148,"teacher_disagreement_score":0.9677192,"about_ca_system_score_codex":0.00010216492,"about_ca_system_score_gemma":0.00059329235,"threshold_uncertainty_score":0.9998831},"labels":[],"label_agreement":null},{"id":"W4399166907","doi":"10.7202/1111447ar","title":"Entre la suspension du corps et la réécriture de l’Histoire","year":2023,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0152555731694723,"score_gpt":0.24929263243751107,"score_spread":0.23403705926803878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399166907","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03646651,0.019023608,0.000065925866,0.13807927,0.0025438592,0.00021000372,0.00271049,0.0005564347,0.8003439],"genre_scores_gemma":[0.22410093,0.0028865163,0.00007413652,0.0014380489,0.0007305258,0.000008239548,0.00016514564,0.000039425227,0.77055705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981086,0.00071180455,0.0002535116,0.00031054448,0.00021912008,0.00039637674],"domain_scores_gemma":[0.9987444,0.00071201165,0.000082370854,0.00021738553,0.000091930306,0.00015184986],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005106727,0.0002652148,0.00028765478,0.00015069713,0.00066379196,0.00040219698,0.00018558883,0.0001639491,0.0037103733],"category_scores_gemma":[0.00012873161,0.00023248667,0.00022168465,0.00015105863,0.0005592917,0.00046475543,0.000113678645,0.00047825117,0.0012793035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024476674,0.00017437531,0.00025283225,0.00015260983,0.00004854761,0.001291549,0.020906527,0.000022672784,0.0003563587,0.347323,0.623755,0.0056920853],"study_design_scores_gemma":[0.00027180585,0.00007142922,0.0011808046,0.0002215852,0.000104679086,0.000080786216,0.0015540131,0.00010458599,0.00009131699,0.004255334,0.991773,0.0002906685],"about_ca_topic_score_codex":0.0019717894,"about_ca_topic_score_gemma":0.00033112968,"teacher_disagreement_score":0.368018,"about_ca_system_score_codex":0.00007244789,"about_ca_system_score_gemma":0.000093679075,"threshold_uncertainty_score":0.9994983},"labels":[],"label_agreement":null},{"id":"W4399169924","doi":"10.7202/1111492ar","title":"1818 de Rhéal Cenerini : histoire métisse, hétérogénéité culturelle et devoir de réconciliation","year":2024,"lang":"fr","type":"article","venue":"Cahiers franco-canadiens de l Ouest","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Saint-Boniface","funders":"","keywords":"Conciliation; Political science; Law; Mediation","score_opus":0.010578684347958335,"score_gpt":0.2259367856664139,"score_spread":0.21535810131845556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399169924","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28250262,0.2865683,0.0032349017,0.029363995,0.026383758,0.0006925368,0.0027003381,0.0008339268,0.36771962],"genre_scores_gemma":[0.551086,0.0008560396,0.00060018635,0.0038878953,0.0033889876,0.000053781245,0.00017041987,0.00009336576,0.4398633],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696994,0.0003058195,0.0005377097,0.0006376239,0.00026899186,0.0012799209],"domain_scores_gemma":[0.9982445,0.00024380014,0.000110784065,0.00035402094,0.0001615549,0.0008853132],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050774665,0.00050925283,0.00049264554,0.000264608,0.0021361755,0.000428439,0.00034290584,0.00043759972,0.0025042444],"category_scores_gemma":[0.000150796,0.0005146984,0.00035594893,0.00032081074,0.0010306744,0.0005711639,0.000045321514,0.0010993135,0.0003507354],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004170359,0.0001242243,0.00024445818,0.00059898314,0.0002647074,0.0017882936,0.20588009,0.00029129427,0.00022931713,0.4235573,0.35789055,0.0090890685],"study_design_scores_gemma":[0.00027363902,0.0002126769,0.00014923926,0.00037169576,0.00031634571,0.00022212592,0.0031031142,0.003380622,0.00007863815,0.003081906,0.98816985,0.0006401195],"about_ca_topic_score_codex":0.033402234,"about_ca_topic_score_gemma":0.072453104,"teacher_disagreement_score":0.63027936,"about_ca_system_score_codex":0.0040893517,"about_ca_system_score_gemma":0.001014779,"threshold_uncertainty_score":0.99973375},"labels":[],"label_agreement":null},{"id":"W4399190743","doi":"10.1515/9782760624139-008","title":"<i>Le</i> Petit Robert <i>par lui-même : de Nombre à la lumière</i>","year":2003,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; University of Ottawa; Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.007952905825194282,"score_gpt":0.1571728325994376,"score_spread":0.1492199267742433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399190743","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011088349,0.023238026,0.00046471154,0.0015919013,0.00030080226,0.00031062833,0.00056881795,0.00020193851,0.97221434],"genre_scores_gemma":[0.055575017,0.0032042186,0.00078127277,0.002490497,0.00091430504,0.000018112747,0.00014488089,0.00020322677,0.93666846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99675316,0.00033843247,0.000588002,0.0008359348,0.00041135086,0.0010731106],"domain_scores_gemma":[0.9976751,0.00040852954,0.00040419312,0.00068100856,0.00018578598,0.00064535416],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022260027,0.0009652919,0.0009559588,0.00022851312,0.002435895,0.00032217932,0.0008541219,0.0008407174,0.0059057027],"category_scores_gemma":[0.000025028754,0.0010676763,0.00090318813,0.000025557893,0.001128174,0.00026093927,0.00042201986,0.0011477926,0.00029091156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039036476,0.0001993807,0.00026884282,0.00054172485,0.0008790078,0.0033572286,0.012111682,0.00023303082,0.00047046813,0.828655,0.13825525,0.014638038],"study_design_scores_gemma":[0.0008893529,0.00018477102,0.00005958202,0.0004526324,0.001078276,0.00038697853,0.00052864826,0.000093094975,0.0003341694,0.0061090463,0.98874426,0.0011392055],"about_ca_topic_score_codex":0.04700184,"about_ca_topic_score_gemma":0.025516925,"teacher_disagreement_score":0.85048896,"about_ca_system_score_codex":0.0010021133,"about_ca_system_score_gemma":0.00032187594,"threshold_uncertainty_score":0.99917734},"labels":[],"label_agreement":null},{"id":"W4399405565","doi":"10.1515/9782763707402","title":"Tabac, Alcool, Drogues, Jeux de Hasard et d’Argent","year":2009,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.05168943527552659,"score_gpt":0.26164622816323246,"score_spread":0.20995679288770586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399405565","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000052560263,0.014942084,0.0003193701,0.0042477213,0.0010673995,0.00022270747,0.00029111985,0.00018446487,0.97867256],"genre_scores_gemma":[0.00094159733,0.0019969847,0.0005659773,0.010014194,0.0049141273,0.000015576243,0.0008133372,0.000062505904,0.9806757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725646,0.00022467483,0.00074665964,0.0006046915,0.00042672572,0.0007408164],"domain_scores_gemma":[0.99855256,0.00018908123,0.00021972712,0.00045552163,0.00015320568,0.00042990732],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029921794,0.0006884475,0.00083713734,0.0002106313,0.0008359115,0.0004077241,0.00043143678,0.0003854752,0.064539514],"category_scores_gemma":[0.000027638614,0.00057513977,0.0007792299,0.00005024138,0.00045016958,0.00056769996,0.000077687626,0.0007724369,0.0035756775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001558208,0.00021172102,0.0000062783643,0.00007909579,0.00014023177,0.00009592083,0.002312472,0.000008512635,0.0000026273826,0.53551453,0.45771194,0.0039010793],"study_design_scores_gemma":[0.00023314514,0.00036720678,0.000021697939,0.00024985062,0.00034120923,0.000021377522,0.000183259,0.00008160699,0.000010111467,0.012643632,0.9850689,0.00077799894],"about_ca_topic_score_codex":0.001630122,"about_ca_topic_score_gemma":0.0008549166,"teacher_disagreement_score":0.527357,"about_ca_system_score_codex":0.0005207161,"about_ca_system_score_gemma":0.00043115712,"threshold_uncertainty_score":0.99967},"labels":[],"label_agreement":null},{"id":"W4399411619","doi":"10.1515/9782763793696-011","title":"Une visite dans un musée de l'imaginaire : représentations du sens de l'éducation dans l'univers romanesque au Québec entre 1860 et 1960","year":2011,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02320789556829282,"score_gpt":0.24680339394171072,"score_spread":0.2235954983734179,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399411619","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019273303,0.00023076317,0.0031621312,0.016104842,0.0008767724,0.00027340307,0.00026280349,0.0001998914,0.95961607],"genre_scores_gemma":[0.38603494,0.0002643043,0.00034439153,0.0011782142,0.0011732235,0.000013861234,0.00043694853,0.000077689416,0.61047643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975678,0.00022755492,0.0006522463,0.00071655633,0.00026545452,0.000570406],"domain_scores_gemma":[0.99821687,0.00019122584,0.00035803256,0.00059148535,0.0002461973,0.0003962043],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017951251,0.00065958477,0.0005444693,0.0002795191,0.0017465809,0.0001853057,0.00036259703,0.00027636602,0.01591991],"category_scores_gemma":[0.00003090015,0.000636293,0.00050370226,0.0000693136,0.00091601786,0.0006159129,0.0000848631,0.0005418762,0.0007342193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022277047,0.00018588093,0.0010728613,0.00007759986,0.00025489065,0.00021264795,0.37753347,0.000035843565,0.00004935592,0.6145955,0.004849327,0.0011103768],"study_design_scores_gemma":[0.00030682332,0.00013411984,0.0032431486,0.00020345228,0.0009489751,0.00013796582,0.024807585,0.00018195371,0.000047871887,0.009029238,0.96014065,0.00081824214],"about_ca_topic_score_codex":0.80059004,"about_ca_topic_score_gemma":0.7318251,"teacher_disagreement_score":0.9552913,"about_ca_system_score_codex":0.002689977,"about_ca_system_score_gemma":0.001534267,"threshold_uncertainty_score":0.9996088},"labels":[],"label_agreement":null},{"id":"W4399497967","doi":"10.7202/1111593ar","title":"Voix et félicité : compte rendu de la création mondiale de l’opéra L’Annonce faite à Marie de Philippe Leroux","year":2024,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04148649724765715,"score_gpt":0.28068978129424893,"score_spread":0.23920328404659177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399497967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06571942,0.12985882,0.010454254,0.01594899,0.0023155997,0.0005410667,0.0009138817,0.0009160072,0.77333194],"genre_scores_gemma":[0.73768747,0.0013423184,0.000100585174,0.0021068263,0.0029459223,0.0000665762,0.00016895174,0.00008236396,0.255499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99663746,0.0010419296,0.0007043392,0.0006056778,0.00028175465,0.00072881114],"domain_scores_gemma":[0.9978542,0.0010868902,0.00018613126,0.00036381627,0.00019854253,0.00031041767],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013523205,0.00049354375,0.0005563315,0.00030249965,0.0005960147,0.0013276757,0.00036212147,0.00033423898,0.0014441838],"category_scores_gemma":[0.0002880838,0.0004981533,0.00039337817,0.00025624954,0.0007915387,0.0011227584,0.00008226597,0.00068434054,0.0001262625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003401706,0.00020915415,0.0009496803,0.0007757771,0.00023410405,0.0005515767,0.15508957,0.000041320352,0.000790581,0.7932758,0.03280449,0.015243924],"study_design_scores_gemma":[0.00025715228,0.00013844587,0.0002855302,0.0009121558,0.00016465156,0.00005788837,0.0010496046,0.003252417,0.00011846651,0.10136719,0.8918728,0.0005236771],"about_ca_topic_score_codex":0.009689693,"about_ca_topic_score_gemma":0.000921098,"teacher_disagreement_score":0.85906833,"about_ca_system_score_codex":0.000502541,"about_ca_system_score_gemma":0.00058346306,"threshold_uncertainty_score":0.99974704},"labels":[],"label_agreement":null},{"id":"W4399817979","doi":"10.1515/9782760523937-009","title":"Danse Et Cognition","year":2009,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Cognition; Psychology; Neuroscience","score_opus":0.017660309980375804,"score_gpt":0.18168433667388648,"score_spread":0.16402402669351068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399817979","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018526437,0.005565144,0.00022582345,0.0014768206,0.00028143055,0.00022335537,0.00030284145,0.0001808413,0.9898911],"genre_scores_gemma":[0.17033122,0.0007488365,0.000079189864,0.0015610532,0.0009985794,0.0000041497933,0.00016808597,0.00006221117,0.82604665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832237,0.00012040809,0.00037541616,0.0004996058,0.0002813393,0.00040084228],"domain_scores_gemma":[0.9985591,0.00031020827,0.00028544472,0.00033617605,0.0002370006,0.00027208068],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011170027,0.00056298426,0.00053660147,0.00021826877,0.0009939602,0.00022428104,0.00041460726,0.00029925618,0.05366736],"category_scores_gemma":[0.000022244305,0.00058513094,0.00047476433,0.000010142534,0.0006890195,0.0003065344,0.00013347376,0.00060790865,0.0019709198],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037503042,0.00018386394,0.00008229955,0.00032845154,0.0006913765,0.0010581345,0.048274536,0.000025479963,0.00014526493,0.7820607,0.040218934,0.12655593],"study_design_scores_gemma":[0.00044724398,0.00027469333,0.000068955145,0.00042516433,0.0011300517,0.000050844443,0.00038120613,0.000042895634,0.00006570606,0.006244587,0.99020267,0.0006659708],"about_ca_topic_score_codex":0.03297287,"about_ca_topic_score_gemma":0.04039743,"teacher_disagreement_score":0.9499838,"about_ca_system_score_codex":0.00037310377,"about_ca_system_score_gemma":0.00036118875,"threshold_uncertainty_score":0.99966},"labels":[],"label_agreement":null},{"id":"W4399818702","doi":"10.1515/9782760524965-014","title":"L’art dramatique au service de la promotion des sciences, technologies, ingénierie et mathématiques (STIM)","year":2010,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Political science","score_opus":0.030203473795153396,"score_gpt":0.22321401217403297,"score_spread":0.19301053837887958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399818702","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033916898,0.0020376975,0.0015529996,0.0029197386,0.00016309482,0.00037185242,0.0001368398,0.00069862464,0.95820224],"genre_scores_gemma":[0.4052204,0.0012951797,0.010946029,0.0010037465,0.00073420577,0.000059043392,0.00010022575,0.00018305522,0.5804581],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796623,0.0002429558,0.0003730253,0.0005568186,0.00029087608,0.00057006563],"domain_scores_gemma":[0.9981554,0.0005806628,0.00039174454,0.00040693057,0.0002855189,0.00017971639],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00054372504,0.0005835165,0.0005243994,0.00034283765,0.0025149765,0.00051739253,0.0009333902,0.00074914034,0.0068028574],"category_scores_gemma":[0.00013077405,0.0005622124,0.00023528062,0.000042400312,0.0049514915,0.00056730595,0.0004450256,0.001211565,0.00034004828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006487197,0.0001714036,0.0010737814,0.0012585218,0.00025153937,0.00025826393,0.074034944,0.00002563582,0.0012246519,0.89910996,0.0053909696,0.017135467],"study_design_scores_gemma":[0.00019616449,0.00025458194,0.00008820387,0.0008551817,0.00032469424,0.000104187886,0.0009236171,0.00024933286,0.001103762,0.03902201,0.9562729,0.00060538814],"about_ca_topic_score_codex":0.06094023,"about_ca_topic_score_gemma":0.124984026,"teacher_disagreement_score":0.9508819,"about_ca_system_score_codex":0.0009817653,"about_ca_system_score_gemma":0.0016881521,"threshold_uncertainty_score":0.99968296},"labels":[],"label_agreement":null},{"id":"W4399819859","doi":"10.1515/9782760535053-018","title":"Le début du stage","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Stage (stratigraphy); Geology; Paleontology","score_opus":0.016439586438155268,"score_gpt":0.16743850986178652,"score_spread":0.15099892342363125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399819859","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003748256,0.01471033,0.00023996423,0.0011349609,0.0005395176,0.00023181019,0.0004008762,0.00018402551,0.97881025],"genre_scores_gemma":[0.25448504,0.0006955115,0.000044077908,0.00035744652,0.00202863,0.000005071891,0.000057372145,0.00008168547,0.74224514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803555,0.00010422197,0.0004237716,0.0005056421,0.0003026363,0.0006281847],"domain_scores_gemma":[0.99819404,0.00032274873,0.00034889803,0.00048206846,0.00020959161,0.00044264935],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012897825,0.000644414,0.00066487445,0.00021545407,0.0016837571,0.00020939068,0.00067326217,0.00033558442,0.10250837],"category_scores_gemma":[0.00002054062,0.00067228783,0.00058568316,0.000010266264,0.0010771549,0.0004118803,0.00037886202,0.0006110968,0.0031498312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014607856,0.00013734002,0.00085424015,0.00037828097,0.0006235205,0.00039154247,0.039096758,0.000014165098,0.00006091669,0.9145692,0.023157883,0.020570094],"study_design_scores_gemma":[0.0004331894,0.00012043083,0.0000744336,0.0001773722,0.00070886454,0.000028775705,0.0008525272,0.00003234734,0.00007408058,0.00085018843,0.9958698,0.0007779715],"about_ca_topic_score_codex":0.15306896,"about_ca_topic_score_gemma":0.06577038,"teacher_disagreement_score":0.9727119,"about_ca_system_score_codex":0.00043644645,"about_ca_system_score_gemma":0.0006737283,"threshold_uncertainty_score":0.9996159},"labels":[],"label_agreement":null},{"id":"W4399820979","doi":"10.1515/9782760523517-009","title":"Les chemins croisés de la littératie et de la musique","year":2009,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art","score_opus":0.01316710625890844,"score_gpt":0.20362325343127766,"score_spread":0.19045614717236922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399820979","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013161369,0.006367363,0.0004241925,0.00051492214,0.00008198834,0.00016724446,0.00014707782,0.00018347356,0.97895235],"genre_scores_gemma":[0.32813615,0.0010113033,0.0003122027,0.0010199525,0.0009815879,0.00000717265,0.00004122281,0.000077793615,0.6684126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979896,0.00039772753,0.0003692054,0.00049154944,0.0002262086,0.00052570255],"domain_scores_gemma":[0.99754214,0.0013123297,0.00027394854,0.00038265582,0.0001424672,0.00034642938],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032181965,0.00062601734,0.00059059175,0.00019941125,0.0009653544,0.00038215346,0.0006089625,0.0006586629,0.016973685],"category_scores_gemma":[0.0000672275,0.00064832636,0.0005195368,0.000014256129,0.0014549291,0.00021721372,0.0001960734,0.0010865153,0.00016822887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018837859,0.00020233124,0.0006518678,0.00039802032,0.00049319887,0.0012917849,0.10147239,0.00005515433,0.00050724816,0.8177638,0.01584457,0.06113124],"study_design_scores_gemma":[0.0004075745,0.0001513037,0.00035391486,0.0004462109,0.00061764946,0.00013532497,0.0005910073,0.00004519701,0.00034449148,0.007925154,0.9882911,0.0006910898],"about_ca_topic_score_codex":0.111606106,"about_ca_topic_score_gemma":0.034682564,"teacher_disagreement_score":0.9724465,"about_ca_system_score_codex":0.001000548,"about_ca_system_score_gemma":0.0010754612,"threshold_uncertainty_score":0.9995968},"labels":[],"label_agreement":null},{"id":"W4399822070","doi":"10.1515/9782760541085-003","title":"Navigations Méditerranéennes Dans Léon L’africain et Le Périple De Baldassare","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Geography","score_opus":0.016713316502127845,"score_gpt":0.1844835053747147,"score_spread":0.16777018887258685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399822070","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042879046,0.0040709474,0.005634862,0.003155813,0.00033136562,0.00028634234,0.00063372566,0.00024404924,0.981355],"genre_scores_gemma":[0.470864,0.00015803537,0.00019061034,0.000548998,0.0007937802,0.000013246496,0.0001916214,0.0000872053,0.52715254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997774,0.00026305506,0.00047672642,0.00060613046,0.00029535955,0.0005847101],"domain_scores_gemma":[0.997894,0.0006115731,0.000352538,0.0005291688,0.00023496198,0.00037777456],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002275601,0.00065049576,0.0006589385,0.00022177708,0.0017206989,0.00025653612,0.00073312037,0.00036227272,0.015424641],"category_scores_gemma":[0.00004725422,0.0006846191,0.00060694164,0.000020438218,0.0009454198,0.00028187296,0.00025330766,0.00070301275,0.00063820736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009365681,0.000116136005,0.00051392225,0.00035575553,0.00048637413,0.00024123664,0.07811697,0.00011799711,0.0002906009,0.8822016,0.027118657,0.010347066],"study_design_scores_gemma":[0.0005004087,0.0001722657,0.00016519723,0.00045037002,0.000665048,0.000054375672,0.0019956734,0.0004084187,0.00009907517,0.005231361,0.98949176,0.0007660287],"about_ca_topic_score_codex":0.11763568,"about_ca_topic_score_gemma":0.11388128,"teacher_disagreement_score":0.96237314,"about_ca_system_score_codex":0.0005900529,"about_ca_system_score_gemma":0.00064973993,"threshold_uncertainty_score":0.99957895},"labels":[],"label_agreement":null},{"id":"W4399822797","doi":"10.1515/9782760534353","title":"Des veines du coeur au sommet de la pensée","year":2012,"lang":"fr","type":"book","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.01558213521451108,"score_gpt":0.18607923671416884,"score_spread":0.17049710149965777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399822797","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06452493,0.014374684,0.00031666382,0.0005203897,0.00052374223,0.00023129526,0.0002605045,0.0002136979,0.91903406],"genre_scores_gemma":[0.36063313,0.0005373121,0.00012585543,0.0003393605,0.0036149207,0.000011602371,0.0000698847,0.00008758618,0.6345804],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973797,0.00056096277,0.00040807363,0.00047484724,0.00028384273,0.00089252385],"domain_scores_gemma":[0.9971172,0.0013618453,0.00031750987,0.00043270798,0.00023934209,0.000531393],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00031783117,0.0006922601,0.0007260026,0.00025258958,0.0021160454,0.0003154826,0.0008071808,0.00043796896,0.02435092],"category_scores_gemma":[0.00010733382,0.00068119756,0.00057152973,0.000028367178,0.003216194,0.00043360924,0.0003879497,0.0007074883,0.0011066141],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041072542,0.0007360683,0.03519969,0.0021956735,0.0016884276,0.0013260808,0.34511524,0.000052478972,0.00016881486,0.26061767,0.3134099,0.03907921],"study_design_scores_gemma":[0.00050660205,0.00015230918,0.0013633914,0.00035563554,0.0013915048,0.0001459206,0.0014499576,0.000042921183,0.00007248958,0.0015222469,0.9922298,0.00076717674],"about_ca_topic_score_codex":0.15502489,"about_ca_topic_score_gemma":0.059047412,"teacher_disagreement_score":0.67881995,"about_ca_system_score_codex":0.001823228,"about_ca_system_score_gemma":0.0017136474,"threshold_uncertainty_score":0.99967116},"labels":[],"label_agreement":null},{"id":"W4399841563","doi":"10.1515/9782760539211-009","title":"Février - août-1993: L’accès à la direction du musée du québec à la faveur d’une vision nouvelle","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.009678796614058054,"score_gpt":0.1683182587673304,"score_spread":0.15863946215327235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399841563","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017214946,0.004376417,0.00034129573,0.0027957587,0.00075342704,0.0004564646,0.00016710108,0.00035547555,0.9735391],"genre_scores_gemma":[0.31372303,0.000996087,0.00007066031,0.00038353278,0.0017033294,0.000019848121,0.00006926823,0.00013869727,0.68289554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968929,0.00033276388,0.0006928099,0.00094099325,0.00049683807,0.00064367807],"domain_scores_gemma":[0.9967576,0.0011749663,0.00055035244,0.0006342275,0.0004059918,0.00047681094],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022891203,0.0009986706,0.0009527503,0.00040301384,0.0021931294,0.00053827505,0.0007874398,0.0006608001,0.07209572],"category_scores_gemma":[0.000069706366,0.0009585952,0.0008173862,0.000039352108,0.0015527796,0.0007088866,0.00053762394,0.0009663666,0.003687327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009003117,0.00081237295,0.0024869593,0.0011361039,0.002088297,0.001921619,0.1615923,0.00013171365,0.00050288584,0.29441383,0.31088725,0.22312635],"study_design_scores_gemma":[0.0007732268,0.00029036365,0.00039030606,0.00042870967,0.0009616949,0.00012746897,0.0013816144,0.00048280568,0.000057311685,0.0004866951,0.9935379,0.001081926],"about_ca_topic_score_codex":0.70969355,"about_ca_topic_score_gemma":0.4000589,"teacher_disagreement_score":0.6826506,"about_ca_system_score_codex":0.0009888858,"about_ca_system_score_gemma":0.00097123673,"threshold_uncertainty_score":0.9992865},"labels":[],"label_agreement":null},{"id":"W4399842248","doi":"10.1515/9782760533608-004","title":"Faire Face aux Incertitudes du Lendemain","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.022981170372199062,"score_gpt":0.18665261633766086,"score_spread":0.1636714459654618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399842248","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052474267,0.029674303,0.00039044244,0.0019978057,0.0006614533,0.0003223109,0.0003273799,0.00025666377,0.9611222],"genre_scores_gemma":[0.4161798,0.00075748225,0.000044232263,0.00037105827,0.0020744675,0.0000072819344,0.000050096583,0.000077596625,0.58043796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976786,0.00012813359,0.00049414637,0.0006003077,0.00038880305,0.000710022],"domain_scores_gemma":[0.9980133,0.00039033892,0.00037073073,0.00051429216,0.00024018544,0.00047113554],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001471801,0.0007918039,0.00077475136,0.00023602115,0.0018704267,0.00023464,0.00083223666,0.00042234018,0.09031836],"category_scores_gemma":[0.00003333424,0.00077642826,0.0006169588,0.000013975009,0.0013561768,0.0005204837,0.0004916874,0.00071007834,0.002769915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020944903,0.00018091683,0.0020165239,0.00061750703,0.0011220212,0.0004618093,0.07045801,0.00004183188,0.00007145429,0.8201365,0.039372448,0.065311536],"study_design_scores_gemma":[0.00037434103,0.00014501005,0.00012779204,0.00034412192,0.0010316935,0.00005864224,0.0011580527,0.000056837995,0.0000578465,0.0018842953,0.9938602,0.00090116286],"about_ca_topic_score_codex":0.07641594,"about_ca_topic_score_gemma":0.06111655,"teacher_disagreement_score":0.95448774,"about_ca_system_score_codex":0.0007190416,"about_ca_system_score_gemma":0.00058880175,"threshold_uncertainty_score":0.9994687},"labels":[],"label_agreement":null},{"id":"W4399842476","doi":"10.1515/9782763737188","title":"Rencontre de Jean Le Moyne, le mauvais contemporain","year":2017,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.04106215198211041,"score_gpt":0.2350354416523035,"score_spread":0.1939732896701931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399842476","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000042443793,0.009145482,0.00025927887,0.007665374,0.00093485333,0.00022819031,0.0004099943,0.00010960669,0.98120475],"genre_scores_gemma":[0.016203385,0.0002813406,0.00014112449,0.00082382513,0.0035659545,0.000020640362,0.00030590355,0.00005993985,0.9785979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785656,0.00018949069,0.00061563874,0.00055020757,0.00024587772,0.0005422013],"domain_scores_gemma":[0.99802434,0.0003216545,0.00042314891,0.0007429204,0.00017400306,0.0003139271],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032962507,0.000537623,0.0008840267,0.00014486359,0.00266736,0.00067005405,0.00068507117,0.00037459715,0.013874791],"category_scores_gemma":[0.00011077197,0.00046447417,0.00061565853,0.000014504443,0.0012210982,0.00055935554,0.000115321905,0.0005532658,0.0011322828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019635438,0.00012011722,0.000014627779,0.00010466521,0.00015689665,0.00011764909,0.0032593166,0.0000014804805,0.0000032061691,0.5606015,0.43275532,0.0028455989],"study_design_scores_gemma":[0.00050286215,0.00013551695,0.000007872324,0.0002944083,0.0001295636,0.0000062711742,0.0006606099,0.00013594,0.000010989607,0.024953708,0.9725294,0.00063287164],"about_ca_topic_score_codex":0.09572178,"about_ca_topic_score_gemma":0.01768873,"teacher_disagreement_score":0.53977406,"about_ca_system_score_codex":0.00020838535,"about_ca_system_score_gemma":0.0011855512,"threshold_uncertainty_score":0.9997807},"labels":[],"label_agreement":null},{"id":"W4399844867","doi":"10.1515/9782763713151-006","title":"La communauté des autres. La polynarration de l'Histoire chez Volodine","year":2002,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.03528903957768498,"score_gpt":0.21704276420780683,"score_spread":0.18175372463012185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399844867","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004649686,0.011069726,0.00012129698,0.0011061975,0.0003368628,0.000114285336,0.00012030609,0.00016642679,0.9864999],"genre_scores_gemma":[0.14969204,0.001045067,0.0001947995,0.0003799677,0.00071549386,0.000010047857,0.000150305,0.000061290775,0.84775096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821407,0.00024825925,0.00056639296,0.00035285056,0.00024154663,0.0003768649],"domain_scores_gemma":[0.9986237,0.00047703448,0.00020408338,0.00037310098,0.00011162434,0.00021042947],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00024783824,0.00053588627,0.00056527,0.00019427927,0.0019634461,0.0002929886,0.0003146582,0.00050995505,0.12923591],"category_scores_gemma":[0.000032797372,0.00046522272,0.00043055916,0.00002539687,0.0027426288,0.00033343988,0.00008167827,0.00077122235,0.00082759483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023577686,0.00019123839,0.00004218536,0.00014393839,0.00016133265,0.00010984845,0.018891899,0.0000059324007,0.000011233005,0.93605626,0.022619097,0.02174347],"study_design_scores_gemma":[0.00024004599,0.00016080684,0.000060836057,0.00039160936,0.0002313718,0.000053053238,0.00038839152,0.00033514673,0.0000065115164,0.014538614,0.9830281,0.00056552625],"about_ca_topic_score_codex":0.003925086,"about_ca_topic_score_gemma":0.0019497342,"teacher_disagreement_score":0.960409,"about_ca_system_score_codex":0.00038098983,"about_ca_system_score_gemma":0.000048027512,"threshold_uncertainty_score":0.99997133},"labels":[],"label_agreement":null},{"id":"W4399844996","doi":"10.1515/9782763713151-009","title":"Oublier tout ça. Le défaut de mémoire chez Âquiti","year":2002,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art","score_opus":0.0506238749712095,"score_gpt":0.219523489389222,"score_spread":0.1688996144180125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399844996","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001300355,0.006705208,0.00013338072,0.003735615,0.001055079,0.00016832197,0.00020484862,0.00016398571,0.9877035],"genre_scores_gemma":[0.025431471,0.0006380016,0.0002117765,0.0020634013,0.0044795037,0.000012938405,0.000103753926,0.00009132122,0.9669678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976277,0.00006294159,0.00069304486,0.0006088874,0.00035913684,0.0006482872],"domain_scores_gemma":[0.9986527,0.00015967348,0.00020318771,0.0004610131,0.00015610483,0.00036732055],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015960807,0.000673591,0.000769167,0.00022357373,0.001226869,0.00039296996,0.00039945677,0.00046670123,0.25733823],"category_scores_gemma":[0.000019542584,0.0005786574,0.0007245821,0.000024969837,0.0008846317,0.00042607635,0.00011266977,0.000676711,0.0057485225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013623946,0.00014127075,0.000020325717,0.00012347377,0.0002267952,0.00013171608,0.0043697804,0.0000040434043,0.000005071543,0.8899617,0.09902971,0.005972464],"study_design_scores_gemma":[0.00026346563,0.00014683555,0.000013094014,0.00018999979,0.00024580405,0.00002274201,0.000209298,0.00014832054,0.000014004282,0.012711098,0.9852225,0.0008128232],"about_ca_topic_score_codex":0.002670872,"about_ca_topic_score_gemma":0.00044090612,"teacher_disagreement_score":0.8861928,"about_ca_system_score_codex":0.00034000174,"about_ca_system_score_gemma":0.00015446151,"threshold_uncertainty_score":0.9996665},"labels":[],"label_agreement":null},{"id":"W4399845168","doi":"10.1515/9782763715346","title":"L'iconographie d'une littérature","year":2013,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.020039465815499903,"score_gpt":0.20170316988088857,"score_spread":0.18166370406538868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399845168","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006151384,0.030689988,0.000017883001,0.0032627336,0.002318066,0.00025049385,0.00019870752,0.00014678731,0.9630538],"genre_scores_gemma":[0.00043790077,0.0019892848,0.00013470592,0.0018629504,0.00800604,0.000032994587,0.00043930783,0.000058992704,0.98703784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979955,0.00008440148,0.00060703175,0.000538656,0.00027795386,0.0004964443],"domain_scores_gemma":[0.998661,0.00014519048,0.00020644897,0.00047009703,0.00021505581,0.0003022254],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007225938,0.0006243467,0.0007339466,0.00028769972,0.0009839245,0.00053365534,0.0003935847,0.00053265906,0.14875174],"category_scores_gemma":[0.000009161947,0.0004639041,0.00076468405,0.0001605497,0.0012693754,0.0004693825,0.00007628988,0.00085545017,0.011695971],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042661995,0.000073619056,0.0000064677174,0.00012998446,0.00016547935,0.000018586747,0.0013251993,3.226424e-7,0.0000011320799,0.5377037,0.45494077,0.005630476],"study_design_scores_gemma":[0.0001316273,0.0001701924,0.000017118384,0.00020043462,0.00024706632,0.0000060122347,0.00023490748,0.000014309718,0.0000019270187,0.019681873,0.9786351,0.0006594456],"about_ca_topic_score_codex":0.0034808917,"about_ca_topic_score_gemma":0.00070153427,"teacher_disagreement_score":0.52369434,"about_ca_system_score_codex":0.000110521854,"about_ca_system_score_gemma":0.00011177592,"threshold_uncertainty_score":0.99978125},"labels":[],"label_agreement":null},{"id":"W4399938722","doi":"10.4000/11vsr","title":"L’exégèse straussienne de Xénophon :","year":2001,"lang":"fr","type":"article","venue":"Philosophie antique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":41,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.04044750415914322,"score_gpt":0.25843592436888185,"score_spread":0.21798842020973863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399938722","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13593337,0.035566155,0.00022904148,0.098287754,0.0027295253,0.00024025005,0.00019225832,0.00021080708,0.72661084],"genre_scores_gemma":[0.79666716,0.0052414937,0.00012035085,0.0020821586,0.0102510005,0.000012868819,0.000035618392,0.000044967284,0.18554436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802494,0.00018540623,0.0004592175,0.00042120955,0.00020726533,0.0007019896],"domain_scores_gemma":[0.9989538,0.000112627175,0.00013041167,0.00036097592,0.00010672984,0.0003354319],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002488766,0.00035534517,0.00039882518,0.00017718106,0.00068858993,0.00020421205,0.0002988405,0.00020496422,0.012178307],"category_scores_gemma":[0.00004034487,0.00033747248,0.00029904014,0.00018161652,0.000521468,0.00063228555,0.000057773217,0.0004882426,0.0013659899],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008146125,0.0007015227,0.0003050333,0.00014780552,0.00012254824,0.0009930254,0.0076108677,0.00002131914,0.00032114796,0.960469,0.022282014,0.006944242],"study_design_scores_gemma":[0.00026054136,0.00021750662,0.00023233653,0.00014572518,0.00011159856,0.00010172753,0.00016901425,0.00014761405,0.00012007372,0.14036532,0.8577392,0.0003893129],"about_ca_topic_score_codex":0.0022631353,"about_ca_topic_score_gemma":0.00024042094,"teacher_disagreement_score":0.8354572,"about_ca_system_score_codex":0.00015069185,"about_ca_system_score_gemma":0.00008447062,"threshold_uncertainty_score":0.99990773},"labels":[],"label_agreement":null},{"id":"W4400139983","doi":"","title":"Mémoires, lettres et papiers du \"Dauphin\" Bayonne, Louisbourg, Londres, 1757","year":2024,"lang":"fr","type":"book","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.015206449749209518,"score_gpt":0.2107221427319322,"score_spread":0.1955156929827227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400139983","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007850502,0.039972313,0.0017649774,0.04463022,0.0015314579,0.00039244007,0.00097322924,0.00042778815,0.90952253],"genre_scores_gemma":[0.023359995,0.0044157174,0.0017253759,0.0009666071,0.00057229283,0.000055676846,0.0024551924,0.00016754004,0.9662816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99009955,0.005873502,0.0011369172,0.00128852,0.00082347944,0.0007780443],"domain_scores_gemma":[0.9920275,0.0033015537,0.0005865874,0.0019148005,0.0016763741,0.0004931564],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.004000948,0.0008842125,0.0009102296,0.0004991768,0.001797406,0.0018369444,0.0015948723,0.00048301558,0.008215789],"category_scores_gemma":[0.0009353305,0.00085492013,0.00084376975,0.00031314176,0.001702627,0.0005652993,0.0007580479,0.0014621594,0.0019307515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014547427,0.00041902845,0.000062499494,0.00048633912,0.00027598263,0.00009411067,0.02198955,0.000009318226,0.000040649305,0.74458456,0.22252795,0.009495438],"study_design_scores_gemma":[0.00034229556,0.000001982949,0.000080046986,0.0037502616,0.0003449726,0.000028297267,0.00028496885,0.0010047938,0.0001693218,0.012313352,0.980784,0.00089568505],"about_ca_topic_score_codex":0.01199093,"about_ca_topic_score_gemma":0.012704271,"teacher_disagreement_score":0.7582561,"about_ca_system_score_codex":0.00054178346,"about_ca_system_score_gemma":0.00074181485,"threshold_uncertainty_score":0.9995021},"labels":[],"label_agreement":null},{"id":"W4400166596","doi":"","title":"Repenser le XVIIe siècle. Nouveaux corpus, nouvelles méthodes","year":2022,"lang":"fr","type":"other","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01795346063760583,"score_gpt":0.2139398396744983,"score_spread":0.19598637903689248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400166596","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041898596,0.008878491,0.002914903,0.008512547,0.0006446548,0.0003825253,0.0003766882,0.0003083524,0.97379196],"genre_scores_gemma":[0.030024352,0.00075527455,0.0064583323,0.00049027184,0.00025966595,0.00008076135,0.0011555239,0.00022722216,0.9605486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9886369,0.008456554,0.00077002624,0.0010291184,0.00055627787,0.00055113947],"domain_scores_gemma":[0.9943667,0.0015808869,0.00066844426,0.0020321186,0.0010132295,0.00033864068],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002927282,0.0005743725,0.00068180886,0.0003099623,0.0029276684,0.0007122396,0.0014139093,0.0002635927,0.10745869],"category_scores_gemma":[0.0006281319,0.00058779446,0.00042452014,0.0002835604,0.001000049,0.00037274288,0.00058590487,0.00074399245,0.0006591565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020430343,0.0014012279,0.00022946754,0.00013369933,0.000144314,0.000026579524,0.031776078,0.000011847042,0.0001837319,0.91391534,0.026823591,0.025333697],"study_design_scores_gemma":[0.00039908392,0.0000024293563,0.00017187503,0.0005700259,0.000106117746,0.000016381886,0.001556398,0.00092169916,0.00054814597,0.0024862199,0.99253345,0.0006881972],"about_ca_topic_score_codex":0.016085777,"about_ca_topic_score_gemma":0.014975337,"teacher_disagreement_score":0.96570987,"about_ca_system_score_codex":0.0002192474,"about_ca_system_score_gemma":0.00047258683,"threshold_uncertainty_score":0.99965733},"labels":[],"label_agreement":null},{"id":"W4400186309","doi":"10.4000/11wtm","title":"« Listening to an historian of ancient education » : entretien avec Rafaelle Cribiore","year":2024,"lang":"fr","type":"article","venue":"Histoire de l éducation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Active listening; Humanities; Art; Sociology; History; Communication","score_opus":0.03414765925222495,"score_gpt":0.27402809863820593,"score_spread":0.23988043938598097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400186309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42152196,0.22132267,0.0012404929,0.03055521,0.11048017,0.00080666493,0.00031290826,0.00034963156,0.21341029],"genre_scores_gemma":[0.53311235,0.000036328252,0.00045550178,0.0004499568,0.002537665,0.000035856614,0.00013524346,0.000030359377,0.4632067],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843335,0.00016293098,0.0004736703,0.0004266947,0.00021129537,0.00029207117],"domain_scores_gemma":[0.9989536,0.00006117686,0.00011339819,0.0003318052,0.0002674453,0.00027256412],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028226848,0.00021179767,0.00023266896,0.00036805347,0.00062560313,0.00018017372,0.00016061885,0.00010855335,0.002537007],"category_scores_gemma":[0.000061678074,0.00022616253,0.00015892884,0.00024233917,0.00020668992,0.00057033915,0.000025124404,0.00018228522,0.00018496953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001654333,0.0005296307,0.00001288537,0.0005259397,0.00002355883,0.000038463815,0.5224965,0.000021155558,0.00075190596,0.13919757,0.24538463,0.0910012],"study_design_scores_gemma":[0.000047185127,0.0002088708,0.00004527213,0.00044965494,0.000168939,0.000107443404,0.0118550435,0.0007678055,0.00008563322,0.0005821915,0.9854298,0.00025213583],"about_ca_topic_score_codex":0.007673985,"about_ca_topic_score_gemma":0.0011752431,"teacher_disagreement_score":0.7400452,"about_ca_system_score_codex":0.0030331945,"about_ca_system_score_gemma":0.0008720389,"threshold_uncertainty_score":0.998934},"labels":[],"label_agreement":null},{"id":"W4400650914","doi":"10.1080/09699082.2024.2375895","title":"Swarming Bees and Floating Signifiers in Margaret Cavendish’s <i>Poems and Fancies</i>","year":2024,"lang":"en","type":"article","venue":"Women s Writing","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Swarming (honey bee); Poetry; Art; Art history; Biology; Ecology; Literature","score_opus":0.020562498161516014,"score_gpt":0.22768853782780138,"score_spread":0.20712603966628537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400650914","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9572882,0.0038138009,0.0000093928375,0.0002112926,0.00017855107,0.000058884034,0.000019868588,0.00008711726,0.03833286],"genre_scores_gemma":[0.9951613,0.00003424755,0.00005780109,0.00020513657,0.00043049396,0.0000119001115,0.000005514452,0.000013999263,0.004079599],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991036,0.00003196299,0.00022568196,0.00023022693,0.00009502893,0.00031346973],"domain_scores_gemma":[0.9996527,0.00017742495,0.000024323388,0.000049424558,0.0000131271445,0.00008298956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031567685,0.00011093051,0.00016306982,0.00012086595,0.00026425396,0.000402314,0.000043167063,0.000026436834,0.00026615802],"category_scores_gemma":[0.0000342119,0.000100152436,0.000023043629,0.00006568817,0.000101030564,0.00034271597,0.00004639957,0.00016345887,0.000007219738],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017519935,0.000038040467,0.006992935,0.001023423,0.000074215044,0.00032177696,0.7718074,0.0000073167794,0.0013920157,0.12659171,0.0021505672,0.0895831],"study_design_scores_gemma":[0.00029973805,0.00013048694,0.0004918287,0.00070145144,0.000026281814,0.000021319152,0.13062751,0.001957703,0.00009311057,0.0046241945,0.8605096,0.00051679485],"about_ca_topic_score_codex":0.00032823742,"about_ca_topic_score_gemma":0.00019038557,"teacher_disagreement_score":0.85835904,"about_ca_system_score_codex":0.00006722693,"about_ca_system_score_gemma":0.0000135577075,"threshold_uncertainty_score":0.40840977},"labels":[],"label_agreement":null},{"id":"W4400795149","doi":"10.1515/9782763715940-019","title":"Don Quichotte au Québec: Trois Adaptations Théâtrales","year":2012,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.05875718500195768,"score_gpt":0.2318119095687769,"score_spread":0.17305472456681922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400795149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00052662735,0.016015543,0.0001791062,0.0044329325,0.0013257641,0.00017725772,0.0003373648,0.00012231887,0.9768831],"genre_scores_gemma":[0.0889995,0.00086978765,0.00020078296,0.00054640573,0.0049234536,0.000016697584,0.00016275627,0.00006338003,0.90421724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980767,0.000052377058,0.0006563727,0.00039958055,0.0003027266,0.0005122443],"domain_scores_gemma":[0.99863344,0.0002828023,0.0002312862,0.00037414583,0.00014885893,0.00032945847],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000107181775,0.00056459534,0.0005922951,0.00020569241,0.0015339699,0.00016603919,0.00026057466,0.00025369614,0.13419223],"category_scores_gemma":[0.000013089071,0.00045074426,0.0006370255,0.000019048752,0.000791175,0.0005838875,0.000050189778,0.0004474196,0.0044849147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019119596,0.000108662745,0.00011030082,0.00007696717,0.00028819928,0.000011170777,0.017583244,0.000003746686,0.000008036938,0.9555446,0.01332514,0.012920801],"study_design_scores_gemma":[0.0001152603,0.00012667674,0.00014870772,0.00012982453,0.00059007993,0.000006933362,0.0005540689,0.000023037348,0.0000042116726,0.0023418008,0.9953286,0.0006308084],"about_ca_topic_score_codex":0.33974,"about_ca_topic_score_gemma":0.50112325,"teacher_disagreement_score":0.98200345,"about_ca_system_score_codex":0.0004299879,"about_ca_system_score_gemma":0.00027796446,"threshold_uncertainty_score":0.9997944},"labels":[],"label_agreement":null},{"id":"W4400876821","doi":"10.4000/122pa","title":"Un écosystème numérique au service du patrimoine théâtral d’Ancien Régime","year":2024,"lang":"fr","type":"article","venue":"In Situ","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage; University of Victoria","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.018722961324616327,"score_gpt":0.22959823198925822,"score_spread":0.2108752706646419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400876821","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3613197,0.046814825,0.00009729317,0.037077233,0.0074452553,0.00023897261,0.00029820754,0.00023406651,0.54647446],"genre_scores_gemma":[0.8813946,0.00020292346,0.000031327356,0.00082459586,0.004617826,0.000014934281,0.00004454008,0.000029703871,0.11283952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983448,0.00014201767,0.00044020012,0.00038803837,0.00020028041,0.0004846598],"domain_scores_gemma":[0.99931455,0.00019965395,0.000045276276,0.00021582491,0.000076264645,0.00014840873],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027245696,0.00026292037,0.00032621023,0.00017045902,0.0002752071,0.00032043247,0.00023541895,0.00014276977,0.0048073167],"category_scores_gemma":[0.000020625937,0.0002299171,0.00019621517,0.00032296078,0.000117206306,0.000555233,0.00007033041,0.00039973503,0.0020521788],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068083704,0.0006182902,0.0010055249,0.0016797847,0.00022582053,0.0033446047,0.19351824,0.00010550937,0.00051722635,0.72167444,0.05590185,0.021340638],"study_design_scores_gemma":[0.00016344323,0.000085772954,0.00034320127,0.00044328556,0.000045411813,0.000044871926,0.0008088382,0.00086596806,0.00011155961,0.0057100016,0.9910692,0.00030842118],"about_ca_topic_score_codex":0.014561193,"about_ca_topic_score_gemma":0.018355548,"teacher_disagreement_score":0.9351674,"about_ca_system_score_codex":0.0003899699,"about_ca_system_score_gemma":0.0001950076,"threshold_uncertainty_score":0.9995569},"labels":[],"label_agreement":null},{"id":"W4400881599","doi":"10.33137/rr.v47i2.43695","title":"Catel, Thibault. « Le Sentier de l’exemple ». Morales des histoires tragiques (1559–1630)","year":2024,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.023029232589199776,"score_gpt":0.24262687679389008,"score_spread":0.2195976442046903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400881599","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20750979,0.6104456,0.0012484785,0.0080502685,0.0018052035,0.00020544059,0.00016991716,0.00032419208,0.1702411],"genre_scores_gemma":[0.8799691,0.01171976,0.00022465213,0.00016503509,0.0008718073,0.000016699805,0.00008908788,0.00002177815,0.10692205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889666,0.00009189661,0.0003445736,0.00021352597,0.00014039315,0.00031297814],"domain_scores_gemma":[0.9995958,0.000039796436,0.00006858377,0.00012111209,0.000067628316,0.00010708674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002113482,0.00020346418,0.00021814299,0.0001378459,0.0010079908,0.0004512076,0.00008331233,0.000120023025,0.00027797837],"category_scores_gemma":[0.000012350204,0.00015176873,0.00011879444,0.000103989754,0.00066746096,0.0019041068,0.000024609679,0.00021340576,0.00008768493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004159185,0.00015550916,0.00014070405,0.0035061343,0.00015517719,0.00006669912,0.11774327,0.00004185654,0.0005122247,0.5015064,0.2529965,0.12313396],"study_design_scores_gemma":[0.00009630214,0.00008390646,0.00018232981,0.00075831986,0.00007501426,0.000044200886,0.0014729929,0.0021677793,0.0006141442,0.011541887,0.9827277,0.0002354435],"about_ca_topic_score_codex":0.0056943335,"about_ca_topic_score_gemma":0.0005589333,"teacher_disagreement_score":0.72973114,"about_ca_system_score_codex":0.00020375894,"about_ca_system_score_gemma":0.000081474725,"threshold_uncertainty_score":0.8608167},"labels":[],"label_agreement":null},{"id":"W4401467583","doi":"10.1515/9782763738987-004","title":"Infirmer l’identité du re venant : d’œdipe roi à Incendies et La pêche blanche","year":2019,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Art; Humanities","score_opus":0.0315858017778827,"score_gpt":0.23768734923560877,"score_spread":0.20610154745772608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401467583","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001060787,0.0057064737,0.000024384077,0.0024259181,0.0018381565,0.00023069054,0.00023939743,0.00008923773,0.98838496],"genre_scores_gemma":[0.062126067,0.0031875186,0.00005485853,0.0015543834,0.002054038,0.000009347593,0.00020376728,0.00008155872,0.93072844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975765,0.00014471542,0.00075440697,0.00062779017,0.00043605492,0.00046053057],"domain_scores_gemma":[0.99821395,0.00054172135,0.00032099243,0.0005606583,0.00018433674,0.00017831568],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003249328,0.00069857796,0.0008987901,0.00022665922,0.00067690876,0.0004411235,0.00042920533,0.0004379528,0.08437056],"category_scores_gemma":[0.000044936853,0.00051731017,0.0006207288,0.000027948114,0.000772206,0.00057238276,0.0002691073,0.00080176216,0.008024702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036155427,0.000100975834,0.00032415346,0.00030620763,0.0004171276,0.00019831545,0.009243883,0.000007245287,0.0000051407583,0.9491059,0.03841641,0.0018384596],"study_design_scores_gemma":[0.00027397653,0.00016789806,0.00017007206,0.00055877207,0.00035772737,0.000022895423,0.00044248215,0.00003945248,0.000005006813,0.0072868126,0.98989654,0.0007783785],"about_ca_topic_score_codex":0.0060444577,"about_ca_topic_score_gemma":0.004725819,"teacher_disagreement_score":0.9514801,"about_ca_system_score_codex":0.00011946262,"about_ca_system_score_gemma":0.00012433073,"threshold_uncertainty_score":0.99972785},"labels":[],"label_agreement":null},{"id":"W4401535435","doi":"10.7202/1107578ar","title":"LA PRISE EN CHARGE DES MINEURS DÉLINQUANTS : QUELQUES ÉCLAIRAGES À PARTIR DES GRANDS TEXTES INTERNATIONAUX ET D’EXEMPLES EUROPÉENS","year":2003,"lang":"fr","type":"article","venue":"Revue de droit Université de Sherbrooke","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.02433805737048717,"score_gpt":0.23415249685118752,"score_spread":0.20981443948070036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401535435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6597082,0.024447875,0.0004155624,0.0006191963,0.00031616367,0.00015223594,0.0002036938,0.00014421753,0.31399283],"genre_scores_gemma":[0.5305441,0.007264469,0.00058016455,0.00024495265,0.00033966155,0.000006033665,0.00004673788,0.00005822757,0.46091565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976694,0.00069138315,0.00036659196,0.00044517763,0.00018291138,0.00064456166],"domain_scores_gemma":[0.99858844,0.00050816906,0.00015207574,0.00026698606,0.0001632653,0.00032104988],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046720257,0.00037453495,0.00041950826,0.00024193041,0.000895747,0.00024759027,0.00035733267,0.00020194813,0.0027993966],"category_scores_gemma":[0.00020727028,0.00042215202,0.00034460667,0.00016298113,0.0008946136,0.0006242497,0.00009269407,0.000389435,0.00016551756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010304094,0.00046263484,0.012897933,0.00081996946,0.0002634664,0.0009134953,0.082689196,0.00010702003,0.00059943984,0.89106274,0.0044727153,0.0056083505],"study_design_scores_gemma":[0.000570246,0.0002002357,0.0036975092,0.00077890186,0.00030822036,0.00018996344,0.0018628872,0.00028549787,0.00080245157,0.013036018,0.97777736,0.000490728],"about_ca_topic_score_codex":0.0012575733,"about_ca_topic_score_gemma":0.00259935,"teacher_disagreement_score":0.9733046,"about_ca_system_score_codex":0.0011355996,"about_ca_system_score_gemma":0.00010321595,"threshold_uncertainty_score":0.99982303},"labels":[],"label_agreement":null},{"id":"W4401655110","doi":"10.1515/9782763747774-001","title":"La correspondance littéraire : d’un objet de « nature » à un phénomène de culture","year":2020,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014244222921586303,"score_gpt":0.2167610283584024,"score_spread":0.2025168054368161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401655110","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002773117,0.034752738,0.00017600835,0.0046516075,0.00081500283,0.00018457233,0.0006515645,0.00021473067,0.95827645],"genre_scores_gemma":[0.055476006,0.0015348652,0.0010016822,0.0077122417,0.0051812013,0.000014159316,0.0002411739,0.00009430694,0.9287444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757797,0.000204579,0.00055416994,0.0007407909,0.00035816536,0.0005643092],"domain_scores_gemma":[0.99844,0.00025673647,0.00024520382,0.00039607444,0.00016222234,0.0004997127],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.0002015073,0.0007872226,0.0008078636,0.00010552669,0.001015388,0.00032614073,0.00056413066,0.0013454095,0.037994508],"category_scores_gemma":[0.00007751751,0.00062653207,0.0006991572,0.000055862987,0.00070148497,0.00026663506,0.00014331775,0.0029085672,0.0008673933],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013967176,0.00009417122,0.00002769765,0.00023493843,0.0003503971,0.0009512048,0.022230435,0.00000374127,0.000025792631,0.9120373,0.04616103,0.017743636],"study_design_scores_gemma":[0.00028844568,0.00019025037,0.00004519938,0.00036303062,0.0003672677,0.00011076983,0.0006716132,0.00010360818,0.00006173923,0.029304454,0.96768296,0.00081069185],"about_ca_topic_score_codex":0.00029049473,"about_ca_topic_score_gemma":0.00016599816,"teacher_disagreement_score":0.9215219,"about_ca_system_score_codex":0.00027057398,"about_ca_system_score_gemma":0.00018937116,"threshold_uncertainty_score":0.99995106},"labels":[],"label_agreement":null},{"id":"W4401954214","doi":"10.1515/9782760649170-004","title":"CHAPITRE 3 Les humanismes en éducation au Québec","year":2024,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.017585248477716853,"score_gpt":0.19006703509919967,"score_spread":0.1724817866214828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401954214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012314718,0.041369047,0.0000656159,0.0019801673,0.00056226866,0.00024763335,0.0004499397,0.00023359075,0.94277704],"genre_scores_gemma":[0.23084527,0.0007866401,0.0000614324,0.00012882856,0.0014806603,0.000010552389,0.00011617044,0.00009301888,0.7664774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979153,0.000119168435,0.0004310112,0.0006494174,0.00030912037,0.00057595235],"domain_scores_gemma":[0.9985573,0.00035798247,0.00024372971,0.0004256386,0.0001301211,0.00028519097],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001317778,0.0006769752,0.0005757429,0.00029820745,0.0023618587,0.0002498766,0.00055852364,0.00051350024,0.016230075],"category_scores_gemma":[0.000017172313,0.0006747867,0.000591081,0.000013841568,0.00066462636,0.00018094563,0.00040298593,0.0007629064,0.0008965978],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001127963,0.00005669711,0.0001466811,0.00063004886,0.0006344851,0.00063800724,0.1371305,0.000045046327,0.0001249123,0.80314845,0.012267701,0.045064695],"study_design_scores_gemma":[0.00022744756,0.00017770003,0.00020275352,0.00054637284,0.0012093834,0.00006240346,0.003998762,0.00012696095,0.00011034704,0.013590726,0.97904646,0.0007006938],"about_ca_topic_score_codex":0.6827555,"about_ca_topic_score_gemma":0.710238,"teacher_disagreement_score":0.96677876,"about_ca_system_score_codex":0.004567925,"about_ca_system_score_gemma":0.00051000994,"threshold_uncertainty_score":0.9998813},"labels":[],"label_agreement":null},{"id":"W4401988722","doi":"10.7202/1112861ar","title":"La descente en rivière de LL : quelques questions à poser à une pièce de théâtre autochtone","year":2023,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.043261175640254515,"score_gpt":0.3003511678181523,"score_spread":0.2570899921778978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401988722","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5086534,0.017121842,0.0064435666,0.27364028,0.005700162,0.0016203393,0.0029641986,0.003645811,0.18021038],"genre_scores_gemma":[0.556016,0.0050911033,0.0010826475,0.0010183825,0.0022305264,0.00014740034,0.00043459036,0.000106727806,0.43387258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971361,0.00074261456,0.00055233773,0.000481787,0.00031422044,0.00077294844],"domain_scores_gemma":[0.99831676,0.00059951533,0.0001142672,0.0004459749,0.00018842719,0.000335034],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00058354577,0.0004099365,0.00040374388,0.00039120094,0.0018627425,0.0005091036,0.0003461246,0.00024565027,0.0016933741],"category_scores_gemma":[0.00027587486,0.0004067431,0.00026031872,0.00046953917,0.0004915029,0.0014281792,0.00013102045,0.00056972465,0.0021416836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000345596,0.0008752189,0.0006133168,0.00020594217,0.00022387272,0.00030668883,0.27813965,0.0013694568,0.0008746551,0.5530233,0.15677035,0.007563018],"study_design_scores_gemma":[0.00023384986,0.000114912655,0.0018257048,0.000519713,0.00022645808,0.00003620745,0.008922447,0.004374622,0.00014229275,0.011427391,0.97168654,0.0004898864],"about_ca_topic_score_codex":0.0027098919,"about_ca_topic_score_gemma":0.0038840903,"teacher_disagreement_score":0.81491613,"about_ca_system_score_codex":0.0004865221,"about_ca_system_score_gemma":0.00027770514,"threshold_uncertainty_score":0.9998385},"labels":[],"label_agreement":null},{"id":"W4402794681","doi":"10.7202/1112352ar","title":"Danycan, témoin sauvegardé de l’offensive des navigateurs français","year":2023,"lang":"fr","type":"article","venue":"Sens public","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Offensive; Mathematics","score_opus":0.048516884808658574,"score_gpt":0.2495670883545059,"score_spread":0.20105020354584732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402794681","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5446117,0.04051062,0.000037496506,0.033237007,0.0057515358,0.00038670556,0.0008747954,0.0009370444,0.3736531],"genre_scores_gemma":[0.4578036,0.0006822398,0.000078052544,0.0016083611,0.0029242574,0.000026893487,0.00017345793,0.00006116701,0.53664196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751574,0.00027079007,0.0003970133,0.00043436486,0.00031577086,0.0010663278],"domain_scores_gemma":[0.9985393,0.0002523865,0.00009724159,0.00035372472,0.0003156582,0.00044165092],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034288393,0.00033213917,0.00039055294,0.00030275193,0.0013381285,0.0006383355,0.00028039434,0.00017684077,0.005324868],"category_scores_gemma":[0.00021003319,0.0003142131,0.00029765186,0.00049144734,0.0010458155,0.00052808766,0.00011284799,0.00043906647,0.0052570216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001549134,0.00018990427,0.0014215852,0.00024784062,0.00026967772,0.0006470771,0.059901644,0.000026226648,0.000103801925,0.18386558,0.71169066,0.0416205],"study_design_scores_gemma":[0.00023545067,0.00012132599,0.0012567576,0.00011442184,0.00009496479,0.000036893594,0.004799221,0.00049964397,0.000050215054,0.0054859887,0.98691094,0.00039418973],"about_ca_topic_score_codex":0.008409704,"about_ca_topic_score_gemma":0.0018891124,"teacher_disagreement_score":0.27522025,"about_ca_system_score_codex":0.00021101993,"about_ca_system_score_gemma":0.00015745896,"threshold_uncertainty_score":0.999962},"labels":[],"label_agreement":null},{"id":"W4402983153","doi":"10.3138/chr-2022-0027","title":"Jacques Cartier, les merveilles du Nouveau Monde et l’annedda","year":2024,"lang":"fr","type":"article","venue":"Canadian Historical Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.039284827890074356,"score_gpt":0.25193391670181464,"score_spread":0.21264908881174027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402983153","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000013346469,0.7001124,0.00001973714,0.12909408,0.005412235,0.00021419028,0.00031745713,0.00010391656,0.16471262],"genre_scores_gemma":[0.004857195,0.5058359,0.00004335819,0.007412893,0.0026006193,0.000061570434,0.00008666535,0.00007001925,0.47903177],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99693006,0.00039965048,0.0008503002,0.00066560064,0.00034432736,0.0008100583],"domain_scores_gemma":[0.99765486,0.00026610075,0.000093681076,0.00043150084,0.00018342715,0.0013704108],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005024311,0.0005119545,0.0009277256,0.0003191111,0.0008229732,0.00034258634,0.00040367304,0.00020930049,0.02112399],"category_scores_gemma":[0.00028774238,0.00045121612,0.00077629037,0.00039083324,0.0001996915,0.00052875245,0.000040931798,0.0006674069,0.0020282762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015015951,0.000035034045,0.000009556741,0.0041402555,0.00008210084,0.00045562183,0.0014200867,7.408368e-7,4.5548015e-7,0.27597833,0.6421722,0.07570411],"study_design_scores_gemma":[0.000046084457,0.00012035853,0.0000037547757,0.0066957157,0.0004947833,0.00003665644,0.00004328252,0.0000539688,4.5614553e-7,0.000886409,0.99105465,0.0005639028],"about_ca_topic_score_codex":0.70774275,"about_ca_topic_score_gemma":0.42034167,"teacher_disagreement_score":0.34888244,"about_ca_system_score_codex":0.009195797,"about_ca_system_score_gemma":0.0009574328,"threshold_uncertainty_score":0.99979395},"labels":[],"label_agreement":null},{"id":"W4403097433","doi":"10.7202/1113584ar","title":"Voix et énonciation dans <i>Le Musée des contradictions</i> d’Antoine Wauters1","year":2024,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0227053163265911,"score_gpt":0.2374936707582978,"score_spread":0.2147883544317067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403097433","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08251787,0.34836113,0.00390089,0.07039184,0.011381582,0.0006196011,0.0035411047,0.0014873489,0.4777986],"genre_scores_gemma":[0.6558177,0.0021421337,0.0002301948,0.0011335649,0.0035956905,0.000045218054,0.00016984505,0.000060116607,0.33680555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980356,0.00023314425,0.0005214812,0.0004677677,0.00028928553,0.0004527321],"domain_scores_gemma":[0.99911904,0.00027018285,0.000074335025,0.00024742694,0.00010567935,0.00018332656],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031845842,0.00035520003,0.00035049653,0.00019262778,0.0010308103,0.0008652478,0.00020650138,0.00013523689,0.0013332599],"category_scores_gemma":[0.00004957143,0.00030535477,0.00037376545,0.0002333623,0.00080722594,0.001348027,0.000052290274,0.00034968412,0.00030816955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022403661,0.0003151321,0.00010688292,0.0005083619,0.0003219153,0.00012879063,0.043838773,0.000037911832,0.00022410964,0.8932235,0.045888048,0.015384145],"study_design_scores_gemma":[0.00021094305,0.00020972572,0.0004919184,0.0006262459,0.0002649264,0.000034861197,0.0016103804,0.0021948372,0.00007552063,0.00982644,0.9840865,0.00036770065],"about_ca_topic_score_codex":0.015459744,"about_ca_topic_score_gemma":0.00967026,"teacher_disagreement_score":0.93819845,"about_ca_system_score_codex":0.00033295335,"about_ca_system_score_gemma":0.00024926465,"threshold_uncertainty_score":0.99993986},"labels":[],"label_agreement":null},{"id":"W4403364990","doi":"","title":"« Chambres et corps : les paradoxes de l'intimité dans Le Roman comique de Scarron »","year":2024,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.021124694653800555,"score_gpt":0.21609042731331143,"score_spread":0.1949657326595109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403364990","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019060979,0.010309246,0.010721061,0.018390879,0.00034536226,0.00029348172,0.0004131992,0.00031372806,0.94015205],"genre_scores_gemma":[0.37467545,0.001644729,0.0018462692,0.0002375417,0.00014208759,0.00003193918,0.00040057575,0.000092431175,0.62092894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947604,0.002850907,0.0007184394,0.0007705269,0.0003421323,0.0005575868],"domain_scores_gemma":[0.99584323,0.0015841266,0.00039056438,0.0011440087,0.00070569717,0.00033238324],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003013688,0.00059197325,0.0006093279,0.00027003983,0.0016017419,0.0008864735,0.00093646167,0.00039234757,0.0021002893],"category_scores_gemma":[0.00019094677,0.0005992837,0.0005619088,0.00009041663,0.001375623,0.00029635214,0.00039849256,0.0009850253,0.0002711518],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015563537,0.00028598256,0.00030926568,0.0002699894,0.00019680604,0.000054559387,0.038437854,0.00002207622,0.00058286893,0.9509407,0.0028438973,0.006040392],"study_design_scores_gemma":[0.00024741385,0.0000024250476,0.000345489,0.0029474483,0.00022182452,0.000050450228,0.00076601916,0.0024077552,0.002768662,0.05680072,0.9327788,0.00066304504],"about_ca_topic_score_codex":0.026618948,"about_ca_topic_score_gemma":0.024785785,"teacher_disagreement_score":0.92993486,"about_ca_system_score_codex":0.0003308221,"about_ca_system_score_gemma":0.0003361449,"threshold_uncertainty_score":0.99969804},"labels":[],"label_agreement":null},{"id":"W4403629309","doi":"10.3917/rsg.314.0055","title":"La molécule du métabesoin","year":2022,"lang":"fr","type":"article","venue":"La Revue des sciences de gestion/La Revue des sciences de gestion, Direction et gestion","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski; Université du Québec à Montréal","funders":"","keywords":"Materials science","score_opus":0.11548678040419827,"score_gpt":0.30574337524946543,"score_spread":0.19025659484526716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403629309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61805063,0.03473462,0.02774753,0.07768669,0.012607323,0.0016499379,0.0007792721,0.0019707081,0.22477327],"genre_scores_gemma":[0.9212996,0.0030593306,0.008455717,0.0009771788,0.0018019886,0.00039476485,0.00011420993,0.000080947066,0.06381626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98689693,0.007045609,0.0012731293,0.0018637438,0.0013174012,0.0016031549],"domain_scores_gemma":[0.99455684,0.0028631992,0.0007717964,0.0005241455,0.00060511834,0.00067892496],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.013131413,0.0008594,0.00075851794,0.0013909377,0.017358072,0.0024402982,0.001439419,0.0005648549,0.003942521],"category_scores_gemma":[0.002295339,0.0009258753,0.0005350756,0.0034004906,0.015872952,0.0036381013,0.00040002132,0.0018040693,0.00019495391],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010469444,0.0018007435,0.01663129,0.00057035725,0.000087111235,0.0002483368,0.058813963,0.4031718,0.0004722955,0.46714827,0.021653906,0.029297203],"study_design_scores_gemma":[0.00074651075,0.0020192354,0.052286476,0.001356526,0.00048699387,0.008003946,0.008355653,0.20577377,0.00006109423,0.07137623,0.6477295,0.0018040375],"about_ca_topic_score_codex":0.008108592,"about_ca_topic_score_gemma":0.0025630456,"teacher_disagreement_score":0.6260756,"about_ca_system_score_codex":0.003358649,"about_ca_system_score_gemma":0.0011692779,"threshold_uncertainty_score":0.9993192},"labels":[],"label_agreement":null},{"id":"W4403682655","doi":"10.70551/dprr7062","title":"LE GENRE HUMAIN ENTRE LE PARTICULIER ET L’UNIVERSEL : JOSÉ DE ACOSTA ET JOSEPH‑FRANÇOIS LAFITAU","year":2014,"lang":"fr","type":"article","venue":"Cahiers V. L. Saulnier.","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; Canada Research Chairs","funders":"","keywords":"Philosophy; Humanities","score_opus":0.01104037277805194,"score_gpt":0.21533888040289864,"score_spread":0.2042985076248467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403682655","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09429414,0.017969307,0.0020869053,0.036903612,0.0025664186,0.00043701575,0.00051935745,0.00029025544,0.844933],"genre_scores_gemma":[0.43764412,0.00053148787,0.00029033344,0.00620525,0.0010673467,0.000022261678,0.00015659422,0.00007654434,0.55400604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965167,0.00092066056,0.0005424177,0.0006507179,0.00035881592,0.0010106766],"domain_scores_gemma":[0.99808747,0.00034961847,0.00021116469,0.00057026895,0.00017311104,0.000608369],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007923836,0.0005181746,0.0006281687,0.00018833489,0.0017666435,0.0004230379,0.0004600826,0.00041226653,0.0046112654],"category_scores_gemma":[0.00016633508,0.00053101464,0.00050516985,0.00020534216,0.0013385585,0.0009183867,0.00009019049,0.0009851373,0.000747725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049390208,0.00042506697,0.000060865914,0.000112208705,0.00019069176,0.000091163245,0.067449026,0.00010943993,0.00018955364,0.6755643,0.2534232,0.0023350723],"study_design_scores_gemma":[0.00112298,0.00019956409,0.00012842477,0.00012988839,0.00024120105,0.000017724202,0.009986403,0.00041174682,0.00018532928,0.006605596,0.98028827,0.0006828519],"about_ca_topic_score_codex":0.0031281922,"about_ca_topic_score_gemma":0.002154158,"teacher_disagreement_score":0.72686505,"about_ca_system_score_codex":0.00030517275,"about_ca_system_score_gemma":0.00054453884,"threshold_uncertainty_score":0.99971414},"labels":[],"label_agreement":null},{"id":"W4403687163","doi":"10.4000/12jww","title":"Le plaisir des sens au Salon","year":2024,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Rennes eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Salon; Art; Art history","score_opus":0.024779634648250972,"score_gpt":0.20090113542988092,"score_spread":0.17612150078162994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403687163","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002372611,0.012048321,0.00006316592,0.0008978303,0.0009137687,0.00021279058,0.0005971952,0.00030972506,0.9825846],"genre_scores_gemma":[0.42045048,0.00041046992,0.00006355982,0.000045348228,0.0013942841,0.0000028534857,0.00008784704,0.00008300948,0.57746214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99783117,0.00007250759,0.00042234221,0.0006965709,0.00028586137,0.0006915563],"domain_scores_gemma":[0.99851364,0.00034406368,0.00018538456,0.00043067767,0.00018309677,0.00034311495],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009836945,0.000696354,0.00064768735,0.00043392915,0.002275114,0.00048616432,0.00049479754,0.00039032527,0.0019884498],"category_scores_gemma":[0.000015358386,0.0007040503,0.00062694115,0.000022068605,0.002600813,0.00035357886,0.00036457012,0.0006498278,0.0005920616],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100483936,0.00005182692,0.000027978784,0.001200792,0.00090612203,0.0013900836,0.017066611,0.00003669595,0.00005872116,0.96140724,0.006572784,0.011180685],"study_design_scores_gemma":[0.00019774273,0.00018292088,0.000008306514,0.0012289844,0.0009975426,0.00006280167,0.001027844,0.00006215259,0.0000919556,0.14201942,0.8534145,0.0007058461],"about_ca_topic_score_codex":0.0084850695,"about_ca_topic_score_gemma":0.009537684,"teacher_disagreement_score":0.8468417,"about_ca_system_score_codex":0.00052873563,"about_ca_system_score_gemma":0.00050315587,"threshold_uncertainty_score":0.99954104},"labels":[],"label_agreement":null},{"id":"W4403970004","doi":"","title":"D'un amalgame : études de genre et littérature comparée","year":2024,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.019450982200205753,"score_gpt":0.23094642836363607,"score_spread":0.21149544616343033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403970004","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062461704,0.064475216,0.005029265,0.084224485,0.0013024803,0.00049726875,0.0007239878,0.0005946075,0.78069097],"genre_scores_gemma":[0.56615835,0.0027908692,0.009221265,0.00072423456,0.0003315567,0.00007872132,0.00091213867,0.00009103283,0.41969186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907445,0.0064283777,0.00077737146,0.0009875465,0.00046840796,0.0005938317],"domain_scores_gemma":[0.99480635,0.0013715746,0.0003848308,0.0016133251,0.0014541784,0.00036975733],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0038191753,0.00060762826,0.00066201104,0.00022250564,0.0009867161,0.0017107725,0.001308694,0.00042445588,0.0028311552],"category_scores_gemma":[0.0004005623,0.00058137503,0.0006259865,0.00031982036,0.0006614634,0.00020479792,0.0014568837,0.0019046171,0.00058245315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001280103,0.0006239487,0.00018210952,0.0004533724,0.00026806595,0.00003569862,0.07735467,0.000034102977,0.00026416502,0.89863616,0.008017055,0.014117857],"study_design_scores_gemma":[0.00021154784,9.108226e-7,0.0009638778,0.0030317365,0.00026005288,0.000021222255,0.0006444201,0.0036094156,0.0015070495,0.029164689,0.9599553,0.0006297791],"about_ca_topic_score_codex":0.004908367,"about_ca_topic_score_gemma":0.0048204213,"teacher_disagreement_score":0.9519383,"about_ca_system_score_codex":0.00029117355,"about_ca_system_score_gemma":0.0004130431,"threshold_uncertainty_score":0.9996638},"labels":[],"label_agreement":null},{"id":"W4403972430","doi":"","title":"Regards croisés sur l'œuvre d'Empédocle : Poésie didactique, épistémologie de l'imaginaire et échos scientifiques.","year":2018,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Philosophy; Humanities","score_opus":0.0245676845650518,"score_gpt":0.23925214040521323,"score_spread":0.21468445584016144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403972430","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010569895,0.005405651,0.0060880166,0.027174944,0.0010625996,0.0005591627,0.0006088272,0.00052719575,0.9480037],"genre_scores_gemma":[0.049283728,0.0026575872,0.006926924,0.0009311812,0.00035256322,0.000057092697,0.0008227785,0.00017635993,0.9387918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9908101,0.0046077054,0.0011681865,0.0015652165,0.0008242757,0.0010245318],"domain_scores_gemma":[0.9880246,0.0021014074,0.0009592906,0.0026166367,0.0056985836,0.00059951143],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.006914594,0.0009642265,0.0009475836,0.0004559147,0.002282684,0.0017125538,0.001925371,0.000596052,0.015250354],"category_scores_gemma":[0.0018798826,0.0009752244,0.00072087813,0.0002638027,0.0037366743,0.00095494546,0.00081731105,0.0010847739,0.00090552215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003865044,0.00065074774,0.0003117946,0.00029618916,0.00020528388,0.000074971496,0.0367718,0.0000025661648,0.00030576423,0.8921454,0.058258757,0.010938109],"study_design_scores_gemma":[0.00043755985,0.0000046485106,0.00043511947,0.0028784436,0.00021019102,0.000051737898,0.00016331991,0.00071894546,0.0024448242,0.025141543,0.96649134,0.0010223165],"about_ca_topic_score_codex":0.012098357,"about_ca_topic_score_gemma":0.010480719,"teacher_disagreement_score":0.90823257,"about_ca_system_score_codex":0.0007554945,"about_ca_system_score_gemma":0.0011461574,"threshold_uncertainty_score":0.9998724},"labels":[],"label_agreement":null},{"id":"W4404039603","doi":"10.7202/1114016ar","title":"« Je vois des morts »… Quand les fantômes enquêtent (<i>River, Beau Rivage, Beau Séjour, Balthazar</i>…)","year":2024,"lang":"fr","type":"article","venue":"Frontières","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.035113120233506476,"score_gpt":0.24813035672981015,"score_spread":0.21301723649630366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404039603","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07052008,0.7097757,0.0013809087,0.005520538,0.009796544,0.00044617802,0.0014738437,0.00052577717,0.20056045],"genre_scores_gemma":[0.46364164,0.011912045,0.001233161,0.00036359156,0.0065985406,0.000060315535,0.00015256314,0.00012315414,0.515915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99668735,0.0002465626,0.00079651753,0.0008201695,0.0005315151,0.0009178813],"domain_scores_gemma":[0.9985973,0.00034900993,0.00012897537,0.0003828195,0.00015228405,0.00038958943],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027430028,0.0006569973,0.0007353926,0.00036007774,0.0015829296,0.0011200603,0.00043827744,0.00024747138,0.01008361],"category_scores_gemma":[0.00007504444,0.0005510532,0.00067048654,0.00020928834,0.0016370093,0.0011291179,0.00016442676,0.0005899206,0.0011599292],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007439636,0.0005373429,0.001670835,0.0014286784,0.0008488609,0.0009554971,0.06857913,0.00006363486,0.000050874016,0.28330907,0.5322511,0.11023053],"study_design_scores_gemma":[0.00020204276,0.00031125313,0.00079777214,0.0010327736,0.0005785382,0.00003818291,0.0022249948,0.00090607704,0.000087821594,0.0145893805,0.97852963,0.0007015313],"about_ca_topic_score_codex":0.020216977,"about_ca_topic_score_gemma":0.0051526707,"teacher_disagreement_score":0.69786364,"about_ca_system_score_codex":0.00029954984,"about_ca_system_score_gemma":0.00013078639,"threshold_uncertainty_score":0.99991685},"labels":[],"label_agreement":null},{"id":"W4404253096","doi":"10.70551/lrwi4960","title":"LES MARCHANDS DE NANTES ET LA PÊCHE À LA MORUE À TERRE-NEUVE AU XVIIe SIÈCLE","year":2012,"lang":"fr","type":"article","venue":"Revue d'histoire maritime.","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0316295041805016,"score_gpt":0.26089474551375735,"score_spread":0.22926524133325576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404253096","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010019914,0.076690964,0.00020585704,0.007298921,0.0025039224,0.00020711764,0.00048132302,0.0001740329,0.90241796],"genre_scores_gemma":[0.5765669,0.00044578634,0.0003243336,0.0004893966,0.002635285,0.000039789753,0.00010401169,0.00006903091,0.41932553],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968132,0.0008917504,0.0005687649,0.0004326798,0.00025082883,0.0010427753],"domain_scores_gemma":[0.99792165,0.0009009566,0.00018937612,0.0004305411,0.00009126898,0.00046620079],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009182808,0.00048953295,0.0006227415,0.00019633524,0.0017756037,0.00026941352,0.00037177204,0.00037341955,0.004006489],"category_scores_gemma":[0.00015421186,0.00049144664,0.000471606,0.00013630814,0.0014848753,0.00071899325,0.00018903667,0.00079982314,0.00035368733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008281525,0.0012734712,0.005959471,0.0012728292,0.00021811183,0.00036799308,0.039516073,0.000011392463,0.00011158371,0.7798214,0.06847352,0.10289137],"study_design_scores_gemma":[0.00034757302,0.00012892066,0.002163454,0.0006642571,0.00027955946,0.0002762744,0.0010137804,0.00022548808,0.000036945676,0.0014642458,0.9927743,0.00062520715],"about_ca_topic_score_codex":0.018890325,"about_ca_topic_score_gemma":0.0013885006,"teacher_disagreement_score":0.9243008,"about_ca_system_score_codex":0.00058571127,"about_ca_system_score_gemma":0.00014696724,"threshold_uncertainty_score":0.9997537},"labels":[],"label_agreement":null},{"id":"W4404305625","doi":"","title":"Défense de l'imaginaire générique : essai d'approche interdiscursive des récits viatiques du XVIIe siècle","year":2024,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.014272693728496839,"score_gpt":0.21558008142082577,"score_spread":0.20130738769232892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404305625","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037889984,0.010716532,0.011878941,0.024055172,0.00049624976,0.00038029288,0.00033384858,0.0003771247,0.94797283],"genre_scores_gemma":[0.26080176,0.0025438403,0.0035962206,0.00034537268,0.00032288072,0.00006128265,0.00040234075,0.00013795074,0.73178834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950108,0.002116322,0.00084428827,0.0009829022,0.000424968,0.00062073197],"domain_scores_gemma":[0.99416506,0.0014504713,0.00045816877,0.0012049858,0.0023209078,0.000400395],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024970002,0.00072779885,0.0007007534,0.0003276767,0.0017728999,0.0010954551,0.0010389767,0.00037364746,0.0031184216],"category_scores_gemma":[0.00055260916,0.00070272473,0.0006520348,0.00014343628,0.0025284204,0.00057298347,0.000648088,0.0010568672,0.0006584036],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020212861,0.00035464455,0.00010367552,0.0005138601,0.00026243,0.00007646632,0.08319615,0.0000035212101,0.00015811854,0.89110494,0.0051584677,0.019047517],"study_design_scores_gemma":[0.00024191172,0.0000030556148,0.00010677234,0.0049665226,0.0002848843,0.000046812816,0.0008290916,0.0013442681,0.0019775163,0.1461486,0.8433174,0.00073318667],"about_ca_topic_score_codex":0.0038161827,"about_ca_topic_score_gemma":0.0062218597,"teacher_disagreement_score":0.8381589,"about_ca_system_score_codex":0.00051443075,"about_ca_system_score_gemma":0.00024355788,"threshold_uncertainty_score":0.9999415},"labels":[],"label_agreement":null},{"id":"W4404414213","doi":"10.4000/12i8c","title":"Mare nostrum ou l’espace vénitien et méditerranéen comme modèle sonore, poétique et utopique chez Luigi Nono","year":2019,"lang":"fr","type":"article","venue":"Filigrane","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.0530250701359564,"score_gpt":0.2631995231875775,"score_spread":0.2101744530516211,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404414213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1263181,0.011041293,0.00013140209,0.07929429,0.0045403717,0.0009918552,0.0040309876,0.00030504263,0.77334666],"genre_scores_gemma":[0.37706023,0.00029234495,0.00015022892,0.0049540815,0.00086934137,0.00003584142,0.0006078843,0.00006486641,0.6159652],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971795,0.00050391175,0.00059903384,0.0006253864,0.00034359063,0.0007485743],"domain_scores_gemma":[0.9982959,0.00034400294,0.00021940083,0.00068356626,0.00016859315,0.00028855595],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004214566,0.00057548116,0.0007711375,0.00019192307,0.0003968717,0.00045171395,0.000500502,0.00033064463,0.02254932],"category_scores_gemma":[0.000036760488,0.00053204945,0.0004688276,0.00014349986,0.00032209943,0.000851054,0.00015739677,0.000853393,0.0024583696],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025409597,0.00066106446,0.0011572904,0.0007660248,0.00025298557,0.00012111087,0.061635204,0.00008366614,0.0002630419,0.7208242,0.21276198,0.0012193738],"study_design_scores_gemma":[0.0007564796,0.0005087862,0.0005864047,0.00042380823,0.00010225826,0.000033633303,0.001588071,0.0006983541,0.00015842906,0.0021567144,0.9922788,0.0007082632],"about_ca_topic_score_codex":0.006871886,"about_ca_topic_score_gemma":0.0026728406,"teacher_disagreement_score":0.7795168,"about_ca_system_score_codex":0.00013298864,"about_ca_system_score_gemma":0.00013634877,"threshold_uncertainty_score":0.99974144},"labels":[],"label_agreement":null},{"id":"W4404502716","doi":"","title":"Imaginaires du corps, sensualités imaginées","year":2023,"lang":"fr","type":"other","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.01609577383826706,"score_gpt":0.21938903696356613,"score_spread":0.20329326312529905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404502716","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013228258,0.00823081,0.0021698691,0.03227579,0.0011944687,0.00028490074,0.0003669178,0.000717646,0.9534368],"genre_scores_gemma":[0.023431411,0.0021775665,0.0014712199,0.0002671221,0.00048100224,0.000040790233,0.00030746177,0.00036903628,0.9714544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933305,0.0041678855,0.0006717237,0.00082011864,0.00045678788,0.00055298564],"domain_scores_gemma":[0.99438465,0.0021886572,0.0004909733,0.0013613537,0.001290682,0.00028366863],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0021158066,0.00055552996,0.00061301445,0.00032192233,0.0011508372,0.0008128193,0.0009180422,0.00022223269,0.025589991],"category_scores_gemma":[0.0009973415,0.0005388135,0.0004257733,0.00030804396,0.0012614124,0.0003031696,0.00036398106,0.00051882607,0.0034234815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008102389,0.0005028486,0.0007636646,0.00019199826,0.00018243841,0.000060903778,0.033741258,0.0000015809399,0.00007000565,0.78841805,0.12818427,0.047874875],"study_design_scores_gemma":[0.0003076021,5.84953e-7,0.000627007,0.0016624897,0.00013721219,0.000015942449,0.00041432626,0.0009910907,0.00038265268,0.0026180414,0.9922465,0.0005965679],"about_ca_topic_score_codex":0.021210797,"about_ca_topic_score_gemma":0.016842399,"teacher_disagreement_score":0.8640622,"about_ca_system_score_codex":0.00018612124,"about_ca_system_score_gemma":0.00015824282,"threshold_uncertainty_score":0.9997063},"labels":[],"label_agreement":null},{"id":"W4404609262","doi":"10.1007/978-3-031-70255-6_5","title":"Objective Non-Empathy in Late Nineteenth-Century France","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Empathy; History; Psychology; Social psychology","score_opus":0.014714962285946306,"score_gpt":0.205558067043754,"score_spread":0.1908431047578077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404609262","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007156122,0.0080704745,0.0000017008614,0.0001020388,0.0010950218,0.00014720857,0.0001265221,0.00009286068,0.9902926],"genre_scores_gemma":[0.008090104,0.00038105564,0.000006810924,0.00044490036,0.0009684265,0.000010902506,0.00006345055,0.000043553253,0.9899908],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998914,0.0000054167667,0.00033093733,0.0003835963,0.00017634466,0.00018968736],"domain_scores_gemma":[0.9995991,0.0000376801,0.00006575117,0.00019226834,0.000045433702,0.000059773953],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000042644544,0.00030804696,0.00044236527,0.0002444034,0.00008887728,0.00011153165,0.00015198061,0.00013538786,0.021913903],"category_scores_gemma":[0.000002358501,0.00023120246,0.00024378643,0.000016725227,0.00012367486,0.00013839624,0.00005603544,0.00049998454,0.0030747778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010437773,0.000024822852,0.000001648208,0.00029645246,0.00011609481,0.00015876452,0.03205454,0.0000028478798,7.204194e-7,0.94992656,0.016920358,0.00048673217],"study_design_scores_gemma":[0.00008125494,0.000053137905,0.0000018423865,0.00052882486,0.00007940925,4.2710022e-7,0.00011881029,0.000043498047,0.0000011272813,0.032361496,0.9664147,0.000315486],"about_ca_topic_score_codex":0.00041619583,"about_ca_topic_score_gemma":0.00052162027,"teacher_disagreement_score":0.9494943,"about_ca_system_score_codex":0.00007337726,"about_ca_system_score_gemma":0.000024480243,"threshold_uncertainty_score":0.99770147},"labels":[],"label_agreement":null},{"id":"W4404688465","doi":"","title":"De la cosy fantasy au hope punk : vers un ralentissement des littératures de l’imaginaire","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Fantasy; Art; Humanities; Physics; Literature","score_opus":0.013021277038043582,"score_gpt":0.2298688075584591,"score_spread":0.2168475305204155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404688465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25707322,0.031608734,0.00786893,0.052988738,0.0010186827,0.00040895297,0.0003521022,0.00063762174,0.64804304],"genre_scores_gemma":[0.69841087,0.006031403,0.0034272466,0.00028191376,0.00019642965,0.000046032757,0.0003208254,0.000053290605,0.29123202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99289834,0.005233767,0.00039960464,0.00045194387,0.0003120704,0.00070428866],"domain_scores_gemma":[0.9966673,0.0014389202,0.00018557822,0.00074309285,0.00063845736,0.00032664838],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0038075645,0.00029763998,0.00028843872,0.00020110536,0.001789501,0.0009190646,0.0006814476,0.00015736755,0.0016011207],"category_scores_gemma":[0.0006274181,0.0003051613,0.0002590158,0.00047611567,0.0012935858,0.00039264184,0.00026795812,0.00042485233,0.0002669405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024931513,0.00077340135,0.0041241995,0.00031177318,0.00019124268,0.000100624275,0.12982579,0.000027053135,0.001544791,0.7052801,0.04054041,0.11725566],"study_design_scores_gemma":[0.0004019158,0.0000016049074,0.0076215817,0.0010391996,0.00012359374,0.000018836321,0.0012106429,0.0013254129,0.0074165934,0.007240366,0.9732484,0.00035185015],"about_ca_topic_score_codex":0.008157816,"about_ca_topic_score_gemma":0.0041030976,"teacher_disagreement_score":0.93270797,"about_ca_system_score_codex":0.00047173555,"about_ca_system_score_gemma":0.0003083397,"threshold_uncertainty_score":0.99994004},"labels":[],"label_agreement":null},{"id":"W4404697467","doi":"10.7202/1114311ar","title":"L’accouchement au coeur du monde : le<i> care </i>dans la pièce<i> Venir au monde </i>d’Anne-Marie Olivier","year":2023,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.03402034945447825,"score_gpt":0.25489214548493194,"score_spread":0.2208717960304537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404697467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35647076,0.02699378,0.0019453934,0.045739207,0.01632847,0.0021808427,0.0050813374,0.0018739689,0.5433862],"genre_scores_gemma":[0.79385525,0.0024188762,0.000112647656,0.0004894915,0.0038922406,0.00032622294,0.0008451918,0.00012577904,0.19793428],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961983,0.0004259048,0.0008804854,0.000801792,0.0006497962,0.0010437191],"domain_scores_gemma":[0.99776137,0.0005650911,0.00019898702,0.00071365247,0.0003351075,0.00042580074],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004097675,0.00064888224,0.00064037327,0.00041197846,0.0033071148,0.00059992453,0.0005266601,0.00024281701,0.0015645445],"category_scores_gemma":[0.00021387918,0.0006515946,0.00045403038,0.00047884323,0.0007871483,0.0017647097,0.00027042784,0.0005040811,0.0031688355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005895625,0.000999332,0.0008483253,0.00044556058,0.00036079084,0.0003671974,0.6652426,0.0023723312,0.00069567014,0.16574569,0.14419106,0.018672485],"study_design_scores_gemma":[0.0005072307,0.0001520974,0.00047157452,0.00024646107,0.00024086724,0.0000099332065,0.06781885,0.0012600156,0.0003390616,0.0016151294,0.9266239,0.00071492227],"about_ca_topic_score_codex":0.0046333415,"about_ca_topic_score_gemma":0.0059229583,"teacher_disagreement_score":0.7824328,"about_ca_system_score_codex":0.00082101027,"about_ca_system_score_gemma":0.0007522177,"threshold_uncertainty_score":0.99959356},"labels":[],"label_agreement":null},{"id":"W4404750064","doi":"10.3138/utq.93.03.04","title":"Théâtre","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Geology; Philosophy","score_opus":0.012514890771361746,"score_gpt":0.1852806745417227,"score_spread":0.17276578377036095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404750064","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025495674,0.0039665657,0.00021299045,0.00038704628,0.00067896413,0.000045083627,0.000054742053,0.00016174543,0.9689972],"genre_scores_gemma":[0.73000383,0.000012086225,0.000047522397,0.000015776315,0.00017010006,2.7008774e-8,0.0000062528447,0.0000030885076,0.26974133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971014,0.000013815791,0.000049403687,0.000093880575,0.000065922126,0.00006682016],"domain_scores_gemma":[0.99983525,0.000020397982,0.000012545925,0.000074849755,0.000024199779,0.00003277423],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000022875554,0.00004777946,0.00007814015,0.000016749618,0.00009962453,0.00002962452,0.00009423532,0.000015537093,0.019880773],"category_scores_gemma":[4.4712587e-7,0.000044915716,0.000089548885,0.000007157089,0.00007938719,0.00042131194,0.0000047984577,0.000030742063,0.00016982412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020303743,0.00004982899,0.000009339947,0.00006794911,0.000083575396,0.00006022093,0.2779878,2.7781655e-7,0.00006339687,0.5610916,0.11047364,0.050092086],"study_design_scores_gemma":[0.000043606848,0.00016333778,0.000026134901,0.000021414618,0.000028408687,4.9235405e-7,0.011038194,0.00009224384,0.000001449988,0.00038623434,0.98814017,0.000058307734],"about_ca_topic_score_codex":0.021966452,"about_ca_topic_score_gemma":0.015669115,"teacher_disagreement_score":0.87766653,"about_ca_system_score_codex":0.000049138558,"about_ca_system_score_gemma":0.00001326609,"threshold_uncertainty_score":0.98454636},"labels":[],"label_agreement":null},{"id":"W4404808380","doi":"10.7202/1114219ar","title":"<i>Centre franco-ontarien de folklore</i>","year":2024,"lang":"lb","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; Art; History; Literature","score_opus":0.023843017837843018,"score_gpt":0.23996951747854792,"score_spread":0.2161264996407049,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404808380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08746467,0.25461078,0.0031499695,0.118439764,0.012288032,0.001523625,0.0017072546,0.0042849355,0.516531],"genre_scores_gemma":[0.6626114,0.0019732814,0.00042116377,0.0015227996,0.0037771792,0.00007831947,0.00012522032,0.00013920091,0.3293514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957788,0.00037305107,0.0008941739,0.0011326052,0.00031472,0.0015066653],"domain_scores_gemma":[0.99759465,0.0007404782,0.00016119015,0.00086569635,0.00016479802,0.00047319016],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006535465,0.0007897747,0.0009158837,0.00041287363,0.0007551995,0.0008249783,0.0008783525,0.0008450578,0.0053548506],"category_scores_gemma":[0.00031946722,0.00072859594,0.0008829642,0.0004607616,0.00068513636,0.0006929241,0.0002133782,0.0021267955,0.0021251389],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025197724,0.00061338046,0.0031832017,0.0029348931,0.000645953,0.005737355,0.23059689,0.00018320156,0.00042125557,0.115510404,0.6130184,0.026903119],"study_design_scores_gemma":[0.00040558336,0.00028191393,0.000096025564,0.0012652106,0.00030252239,0.0000837034,0.005836142,0.0026393204,0.00034399456,0.003942769,0.9838976,0.0009051936],"about_ca_topic_score_codex":0.009037466,"about_ca_topic_score_gemma":0.029682504,"teacher_disagreement_score":0.57514673,"about_ca_system_score_codex":0.00058526365,"about_ca_system_score_gemma":0.0005055178,"threshold_uncertainty_score":0.9995165},"labels":[],"label_agreement":null},{"id":"W4405422813","doi":"10.7202/1114973ar","title":"Les politiques de financement et les enjeux de coopération multilatérale dans le domaine du théâtre au Cameroun","year":2024,"lang":"fr","type":"article","venue":"Revue Gouvernance","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; French; Art","score_opus":0.037256954642885344,"score_gpt":0.27070611427847074,"score_spread":0.2334491596355854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405422813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5223236,0.2685645,0.0351318,0.058953337,0.003781492,0.00057387113,0.0018780344,0.00047954248,0.10831386],"genre_scores_gemma":[0.66477025,0.009159648,0.0005993646,0.00020623427,0.0022858982,0.000055959576,0.000044870874,0.00003350241,0.32284427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838835,0.00022489778,0.00038555733,0.00037174506,0.0001399403,0.0004895171],"domain_scores_gemma":[0.9992825,0.00016382358,0.00013322226,0.00021316252,0.0001055011,0.00010182563],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00029712872,0.00026738684,0.00029946142,0.00005774894,0.0008420927,0.00026835743,0.0001952211,0.00013984028,0.0005845853],"category_scores_gemma":[0.000062062376,0.00026767523,0.00020746606,0.00009321471,0.00034841293,0.0005280711,0.000049698603,0.00033828933,0.000058735626],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020345115,0.00020395353,0.002041598,0.00095625763,0.00007606672,0.00021954303,0.034290794,0.00024652635,0.0001968997,0.9179801,0.030318974,0.013448949],"study_design_scores_gemma":[0.00016078609,0.00012715775,0.0022147556,0.0016499432,0.00009403269,0.00004232476,0.0010398631,0.0033367393,0.00036208707,0.0031276618,0.9875265,0.0003181721],"about_ca_topic_score_codex":0.10508311,"about_ca_topic_score_gemma":0.015469487,"teacher_disagreement_score":0.9572075,"about_ca_system_score_codex":0.0009089112,"about_ca_system_score_gemma":0.0004392654,"threshold_uncertainty_score":0.9999775},"labels":[],"label_agreement":null},{"id":"W4405540066","doi":"10.3917/dhs.054.0745","title":"Malina Stefanovska (dir.), Casanova in the Enlightenment. From the Margins to the Center , University of Toronto Press, 2021.","year":2022,"lang":"en","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Enlightenment; Center (category theory); Media studies; Art history; Art; Library science; Sociology; Philosophy; Theology; Computer science","score_opus":0.020621454037186262,"score_gpt":0.19981911234790622,"score_spread":0.17919765831071996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405540066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43317953,0.02073869,0.000037129033,0.027740939,0.002058137,0.0015569513,0.0058409353,0.000068349436,0.50877935],"genre_scores_gemma":[0.96866614,0.00006774734,0.0000083691175,0.001585548,0.00040294262,0.000012983902,0.00008084577,0.0000098255205,0.029165616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873376,0.00032324812,0.00017985981,0.00020542924,0.00034686844,0.0002108638],"domain_scores_gemma":[0.99925154,0.00019543564,0.000071399714,0.00041407996,0.000032414955,0.000035110952],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025978062,0.000118966374,0.00015894705,0.000010942974,0.0009840562,0.000066796245,0.00077665754,0.000017165148,0.024348807],"category_scores_gemma":[0.0000097679795,0.00006593946,0.00012357328,0.000050252173,0.00013461882,0.00015674545,0.000264776,0.000176201,0.000044047258],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019521308,0.0006603725,0.001553283,0.000011693291,0.00015478976,0.00011282309,0.3026201,0.000062718755,0.00006855696,0.069587484,0.6194434,0.005529505],"study_design_scores_gemma":[0.00022192187,0.00006947969,0.0026279974,0.0000075296507,0.000035970104,0.0000013268018,0.021746187,0.00003638079,0.000011607769,0.000182615,0.97496146,0.000097499644],"about_ca_topic_score_codex":0.10713506,"about_ca_topic_score_gemma":0.06003814,"teacher_disagreement_score":0.5354866,"about_ca_system_score_codex":0.00012110966,"about_ca_system_score_gemma":0.000022161315,"threshold_uncertainty_score":0.97654307},"labels":[],"label_agreement":null},{"id":"W4405656571","doi":"10.18357/bigr61202422225","title":"Exile and Art in Time: An Interview with Dominique de Font-Réaulx","year":2024,"lang":"en","type":"article","venue":"Borders in Globalization Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Font; Art; Humanities; Visual arts","score_opus":0.020070731453260385,"score_gpt":0.2855205526833562,"score_spread":0.2654498212300958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405656571","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022098592,0.80143136,0.0018667658,0.004946086,0.0002150357,0.000991277,0.000041921627,0.00020303106,0.18809468],"genre_scores_gemma":[0.15712583,0.67547584,0.0024395608,0.059544336,0.00083694875,0.00074713613,0.0010562297,0.00018004328,0.10259407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921715,0.00016010918,0.00024842142,0.00017853931,0.000083853585,0.00011189989],"domain_scores_gemma":[0.9997844,0.00002305334,0.000028856182,0.00009650912,0.000024653053,0.000042502],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003260777,0.000099926,0.00022044795,0.00006961368,0.00003354293,0.00011026642,0.00007945385,0.000023029068,0.0017732162],"category_scores_gemma":[0.000021100024,0.0000733413,0.000028383278,0.00018300624,0.000054248987,0.00027678997,0.0000148515555,0.00006388091,0.00004482279],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003507616,0.0003613637,0.0016988702,0.014427692,0.000069909256,0.00022868952,0.01445022,0.00002843739,0.0000023240736,0.48226744,0.30799943,0.17843053],"study_design_scores_gemma":[0.000090059344,0.000047679237,0.00004910473,0.005920318,0.000026489823,0.0000074143168,0.000052771793,0.00042679766,3.060023e-7,0.0009443638,0.9923297,0.000104998326],"about_ca_topic_score_codex":0.00014363996,"about_ca_topic_score_gemma":0.001356511,"teacher_disagreement_score":0.6843303,"about_ca_system_score_codex":0.000056106852,"about_ca_system_score_gemma":0.000041148254,"threshold_uncertainty_score":0.9991393},"labels":[],"label_agreement":null},{"id":"W4406089729","doi":"10.4000/130vy","title":"Eugène Sue, Les Mystères du peuple ou Histoire d’une famille de prolétaires à travers les âges","year":2024,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.028091651065898036,"score_gpt":0.23237381914017183,"score_spread":0.2042821680742738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406089729","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13923132,0.51646775,0.00027636543,0.04712878,0.005492145,0.00054062175,0.0010450346,0.0008409573,0.288977],"genre_scores_gemma":[0.48533365,0.0016089332,0.00009825872,0.00019218591,0.0026701833,0.000043283108,0.000074745236,0.000060788756,0.509918],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976572,0.00016664891,0.000538801,0.00059527816,0.0003525335,0.0006895858],"domain_scores_gemma":[0.9989871,0.00027516225,0.00009172223,0.0002904401,0.00010868965,0.00024690267],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022589108,0.000477018,0.00049171667,0.00023545847,0.002050042,0.000556667,0.00034485088,0.00022942817,0.008547298],"category_scores_gemma":[0.000061376384,0.00041001194,0.00047519332,0.00021282004,0.0010520492,0.00050241,0.00007502188,0.0004593263,0.00045704035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008097083,0.00039583002,0.000356296,0.0013127355,0.00032106604,0.0006131998,0.05272278,0.000052372798,0.00022270007,0.38285848,0.41742417,0.14363937],"study_design_scores_gemma":[0.0002463969,0.00026282662,0.00053339545,0.0003721528,0.00035688537,0.00003928053,0.0068304613,0.0011772418,0.00011251828,0.0022476902,0.9872792,0.0005419853],"about_ca_topic_score_codex":0.04053613,"about_ca_topic_score_gemma":0.0051917243,"teacher_disagreement_score":0.569855,"about_ca_system_score_codex":0.00033988536,"about_ca_system_score_gemma":0.00018090947,"threshold_uncertainty_score":0.9998352},"labels":[],"label_agreement":null},{"id":"W4406199021","doi":"","title":"L'outil numérique Virtual Tour (360) de H5P, au service de la pédagogie par projet et de l'apprentissage expérientiel des sources historiques de l’Antiquité","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.036649639962738075,"score_gpt":0.2686822795578776,"score_spread":0.23203263959513953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406199021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7700247,0.012337562,0.028679898,0.019341629,0.00061252975,0.00052496075,0.0003140457,0.000939817,0.16722482],"genre_scores_gemma":[0.6137227,0.0022612945,0.0047561526,0.00061469566,0.000274559,0.00014011336,0.0002532236,0.000093210714,0.37788403],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98537487,0.011767542,0.00062677596,0.0006657301,0.00040594258,0.0011591465],"domain_scores_gemma":[0.9943001,0.0028616693,0.00037865367,0.000995587,0.0009623798,0.0005015945],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.008964064,0.00047844517,0.0005226995,0.0002918768,0.0017764699,0.0010549681,0.0011713164,0.00036128188,0.0007666395],"category_scores_gemma":[0.0015636489,0.00050817727,0.00035978665,0.00059934496,0.0010000892,0.0006668582,0.0004898633,0.00072719424,0.00012138657],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004883583,0.0011428286,0.008998021,0.0016602535,0.00019705857,0.00010474976,0.72947305,0.00009160465,0.0032489407,0.20930453,0.038922444,0.006807661],"study_design_scores_gemma":[0.0004827419,0.0000057724874,0.0026065789,0.0034271237,0.00013790304,0.000049306287,0.011474496,0.004807805,0.012796366,0.00663126,0.9569207,0.00065994036],"about_ca_topic_score_codex":0.02113824,"about_ca_topic_score_gemma":0.024905227,"teacher_disagreement_score":0.91799825,"about_ca_system_score_codex":0.0010186485,"about_ca_system_score_gemma":0.0011668168,"threshold_uncertainty_score":0.99998206},"labels":[],"label_agreement":null},{"id":"W4406345863","doi":"10.18800/arete.202402.011","title":"Gerard Naddaf y Louis-André Dorion: Making Sense of Myth. Conversations with Luc Brisson, Montreal: McGill-Queen’s University Press, 2024. 316 pp.","year":2024,"lang":"en","type":"article","venue":"Areté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Mythology; Art history; Art; Media studies; History; Sociology; Classics; Botany; Biology","score_opus":0.017466694927063535,"score_gpt":0.20496469328532949,"score_spread":0.18749799835826594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406345863","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027759714,0.0032246301,0.00029521994,0.0034074138,0.002034826,0.00046905119,0.0017865872,0.0006079377,0.96041465],"genre_scores_gemma":[0.8839961,0.000109935136,0.000050016966,0.00025657946,0.00029693067,0.000002028454,0.000035523004,0.000017390714,0.11523548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991636,0.00005367296,0.0001774528,0.00025132397,0.0001821673,0.00017175205],"domain_scores_gemma":[0.9994613,0.00010361637,0.00006588215,0.00018642563,0.00011578406,0.00006700064],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000054962784,0.00014427963,0.00021209609,0.00007295919,0.00030338982,0.00008852927,0.00008962931,0.000037816957,0.0015176316],"category_scores_gemma":[0.0000077086215,0.000114773415,0.00011225053,0.00009275714,0.00015548941,0.0003524075,0.00003533228,0.00014537439,0.00004269905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016992274,0.000111845824,0.00017352382,0.00028667838,0.00051394134,0.0008206354,0.031580795,0.000093131275,0.000013360489,0.53630763,0.42725572,0.002672836],"study_design_scores_gemma":[0.0001786208,0.00007984594,0.000074606985,0.00013456431,0.0001536879,0.000006824331,0.0013019155,0.00030929147,0.000025630623,0.00034075687,0.9972281,0.0001661651],"about_ca_topic_score_codex":0.005303432,"about_ca_topic_score_gemma":0.00030114618,"teacher_disagreement_score":0.8562364,"about_ca_system_score_codex":0.00008312445,"about_ca_system_score_gemma":0.000038615035,"threshold_uncertainty_score":0.99939513},"labels":[],"label_agreement":null},{"id":"W4406503572","doi":"10.1016/j.yort.2016.02.077","title":"10.1016/j.yort.2016.02.077","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.011852668281920085,"score_gpt":0.16534057202790467,"score_spread":0.1534879037459846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406503572","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018624595,0.00018825212,1.4938229e-7,0.00029981707,0.0000046087557,0.00006408719,0.000029837813,0.00012273133,0.99910426],"genre_scores_gemma":[0.00034768682,2.5125146e-7,0.000012081697,0.0001471861,0.00080326706,0.000009901672,0.000022989805,0.000014738692,0.9986419],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929106,0.000027936328,0.00017093406,0.00017583088,0.0001294611,0.000204778],"domain_scores_gemma":[0.99960196,0.000032008407,0.000020399408,0.00018347398,0.00003544277,0.00012674076],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000053506457,0.00012078591,0.00016052864,0.00006175111,0.00023058547,0.00009682623,0.00015732697,0.000026719274,0.9997474],"category_scores_gemma":[0.000007849029,0.00009637371,0.00008979937,0.00004877313,0.00006045097,0.00017400285,0.000016962802,0.000078221965,0.9964176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028810855,0.00005036055,1.7850557e-8,0.00000389379,0.000016652673,0.0000055287824,0.0008368811,0.0000036788763,0.0000023999532,0.00014182398,0.72933066,0.26957926],"study_design_scores_gemma":[0.00008113778,0.00012004004,0.0000011089664,0.000011939498,0.000021015245,0.0000013206062,0.0000051418965,0.00002227317,0.0000058917467,0.000045826393,0.99952286,0.00016141038],"about_ca_topic_score_codex":0.00016323781,"about_ca_topic_score_gemma":0.0000018135437,"teacher_disagreement_score":0.2701922,"about_ca_system_score_codex":0.00002212522,"about_ca_system_score_gemma":0.000015051964,"threshold_uncertainty_score":0.3930006},"labels":[],"label_agreement":null},{"id":"W4407017706","doi":"","title":"Usages de la Nouvelle-France dans Le Raynal de la jeunesse","year":2023,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Political science","score_opus":0.01850801508154447,"score_gpt":0.22327309121739147,"score_spread":0.204765076135847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407017706","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008221097,0.0035736552,0.011291414,0.0066069574,0.00033872516,0.00020047063,0.00030465014,0.0002840479,0.969179],"genre_scores_gemma":[0.113317594,0.0022617532,0.0021909694,0.00014922344,0.0001953415,0.00003276682,0.0002467007,0.00009511242,0.88151056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99253464,0.005325574,0.0005972814,0.0006395945,0.00038610795,0.00051679567],"domain_scores_gemma":[0.9926141,0.0049163126,0.000392484,0.0010596929,0.00072403793,0.00029335398],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0046128235,0.0004718192,0.0005109559,0.00021885731,0.001850982,0.0007376812,0.001032381,0.0004111208,0.0020670618],"category_scores_gemma":[0.0006261339,0.0004912328,0.00042628418,0.00013233189,0.002323717,0.00026482847,0.0003323474,0.00083578966,0.00035413238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001154716,0.00033652273,0.00047726146,0.00015918344,0.00012850517,0.00006417724,0.05030599,0.000025998132,0.0005748979,0.93494433,0.002578727,0.010392848],"study_design_scores_gemma":[0.00036605346,0.0000010708728,0.00074989605,0.0013224109,0.00011986631,0.0000275529,0.00071720174,0.0012436219,0.0012975147,0.013913751,0.9797147,0.0005263794],"about_ca_topic_score_codex":0.011404839,"about_ca_topic_score_gemma":0.004009331,"teacher_disagreement_score":0.97713596,"about_ca_system_score_codex":0.00020350773,"about_ca_system_score_gemma":0.0003884485,"threshold_uncertainty_score":0.99975395},"labels":[],"label_agreement":null},{"id":"W4407127971","doi":"10.33137/q.i..v44i3.44827","title":"Francesca Bortoletti. I mestieri di Orfeo: Memoria, politica e teatro nel primo Rinascimento","year":2025,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.019277635542007957,"score_gpt":0.2601491516715444,"score_spread":0.24087151612953644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407127971","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025169235,0.008909887,0.0011525007,0.006609514,0.0064111417,0.00070396555,0.0013567308,0.00039037853,0.971949],"genre_scores_gemma":[0.5619081,0.000096665986,0.00018880767,0.0019275056,0.002565051,0.00006697758,0.0001654965,0.00006794396,0.4330134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947393,0.0003184619,0.0013837126,0.0012665994,0.00079308054,0.0014988226],"domain_scores_gemma":[0.99722326,0.00043909092,0.00030214747,0.0011284509,0.0003085926,0.0005984715],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029886645,0.0009507648,0.0012449687,0.00037361725,0.00192124,0.0011683967,0.00096955866,0.0003499837,0.03156643],"category_scores_gemma":[0.00028649613,0.00088384404,0.0006512589,0.00038948006,0.0011708261,0.0005507695,0.0002645388,0.00078606774,0.004075494],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014623371,0.0009050069,0.0005389158,0.0006749623,0.0007012581,0.00021252992,0.005524943,0.000005585936,0.0000674129,0.8217057,0.16768508,0.0018323895],"study_design_scores_gemma":[0.000577188,0.00041848232,0.0006489133,0.0004706628,0.0010164926,0.000008544774,0.0024967964,0.00041835324,0.00013076553,0.00976953,0.9830593,0.0009849926],"about_ca_topic_score_codex":0.0026267616,"about_ca_topic_score_gemma":0.00011673746,"teacher_disagreement_score":0.8153742,"about_ca_system_score_codex":0.00045990394,"about_ca_system_score_gemma":0.00045404342,"threshold_uncertainty_score":0.9998685},"labels":[],"label_agreement":null},{"id":"W4407191854","doi":"10.36019/9781684485253-022","title":"Malina Stefanovska, ed., Casanova in the Enlightenment: From the Margins to the Centre. University of Toronto Press, 2021. Pp. 186","year":2025,"lang":"en","type":"book-chapter","venue":"Rutgers University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Enlightenment; Media studies; History; Sociology; Theology; Philosophy","score_opus":0.019435468322459803,"score_gpt":0.17401116702402097,"score_spread":0.15457569870156118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407191854","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000031541967,0.0035497607,0.000010521737,0.0008543356,0.00033320216,0.0005694323,0.001539834,0.00002209375,0.99308926],"genre_scores_gemma":[0.0031408707,0.0010138337,0.00001926517,0.00032924832,0.0003540568,4.3150703e-7,0.00008186183,0.000015274663,0.9950452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844295,0.00021874049,0.00022661862,0.00043231674,0.00040695447,0.00027241465],"domain_scores_gemma":[0.99840057,0.0003994585,0.00021023092,0.00080331054,0.00011234559,0.00007407741],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016116575,0.00034003222,0.00041039608,0.00003225377,0.00071007846,0.00009306336,0.0015119702,0.00015954333,0.0022254977],"category_scores_gemma":[0.000006532078,0.00022173284,0.00032640365,0.00000917326,0.00040300688,0.0001464493,0.00042546086,0.00040967192,0.000020752928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025209234,0.00005335541,0.0000033293652,0.000040800573,0.00044152,0.00018697133,0.067670204,0.000007392567,0.000008760911,0.4757969,0.45321685,0.0023217993],"study_design_scores_gemma":[0.0002975978,0.00003449195,0.000005334272,0.00020375993,0.00045449,5.596949e-7,0.0025504432,0.0000135615,0.000023045788,0.00018345023,0.9959787,0.0002545698],"about_ca_topic_score_codex":0.11707625,"about_ca_topic_score_gemma":0.011782193,"teacher_disagreement_score":0.54276186,"about_ca_system_score_codex":0.00028795958,"about_ca_system_score_gemma":0.00008977267,"threshold_uncertainty_score":0.9986866},"labels":[],"label_agreement":null},{"id":"W4407608993","doi":"","title":"« \"Guérissez-vous et espérez. La passion de l'espérance dans la Première Partie de l'Astrée\" », Fabula (Fabula (colloques en ligne), 2024. https://www.fabula.org/colloques/sommaire11515.php","year":2024,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Physics; Art","score_opus":0.011319797027961122,"score_gpt":0.2367312237809492,"score_spread":0.2254114267529881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407608993","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19828314,0.06921136,0.025907796,0.07068745,0.0023268042,0.001071412,0.00068951806,0.0013978984,0.6304246],"genre_scores_gemma":[0.585991,0.0050912313,0.0027459892,0.0003479335,0.00038573184,0.0001289461,0.00023161732,0.00012562127,0.40495193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98334295,0.0125485035,0.0010763516,0.0011911258,0.00069408165,0.0011469866],"domain_scores_gemma":[0.99235183,0.004192874,0.0003738299,0.0015365336,0.0008754166,0.0006695202],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0065124044,0.00078259653,0.0007574633,0.0003260149,0.0016294693,0.0024371261,0.0013024166,0.0005885743,0.002263625],"category_scores_gemma":[0.0010601039,0.00076624897,0.00063253404,0.00068125065,0.0012221705,0.0010025344,0.00054418336,0.0014309098,0.0004500311],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007499177,0.0015588737,0.0025311185,0.0008391537,0.00027822732,0.00032575984,0.15051469,0.00013825222,0.0035252313,0.7574035,0.06308435,0.019725857],"study_design_scores_gemma":[0.00044733213,0.000008455995,0.0009816951,0.0048833666,0.0002595423,0.000080977115,0.0017977197,0.012301271,0.008498755,0.0056163697,0.9643196,0.0008049375],"about_ca_topic_score_codex":0.005926522,"about_ca_topic_score_gemma":0.005259654,"teacher_disagreement_score":0.9012352,"about_ca_system_score_codex":0.00064319104,"about_ca_system_score_gemma":0.0009769578,"threshold_uncertainty_score":0.99967027},"labels":[],"label_agreement":null},{"id":"W4407721109","doi":"10.7202/1115983ar","title":"CÔTÉ, Sébastien (dir.), La Nouvelle-France sur les planches parisiennes : anthologie (1720-1786), Québec, Presses de l’Université Laval, « L’archive littéraire au Québec », 2023, 428 p.","year":2024,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Art; Humanities","score_opus":0.031307884503102956,"score_gpt":0.23684662828227102,"score_spread":0.20553874377916806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407721109","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20023732,0.62320566,0.0020764626,0.09856479,0.0054527847,0.00091169437,0.004905409,0.0012732074,0.06337266],"genre_scores_gemma":[0.45354235,0.042774618,0.0005192012,0.00025047862,0.005112569,0.00015181709,0.0006487248,0.00014903209,0.4968512],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968631,0.0005094981,0.0006314735,0.0008220306,0.00037048134,0.0008034099],"domain_scores_gemma":[0.99711674,0.0017733144,0.0001349711,0.00048326218,0.00018747253,0.00030425514],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003366743,0.0006033,0.0006136871,0.00036617214,0.002255663,0.0007165556,0.0005511061,0.00024238645,0.005386119],"category_scores_gemma":[0.00038021262,0.00054833834,0.00036755827,0.00025055997,0.0010406665,0.0018994643,0.00023185863,0.0006470857,0.000926304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009636831,0.0007913586,0.002776037,0.00083019474,0.00044429244,0.0005985349,0.35958862,0.0005091909,0.00054980314,0.009287534,0.55000174,0.0745263],"study_design_scores_gemma":[0.00023129206,0.0002042384,0.002459502,0.0007990218,0.00031326097,0.000040214924,0.016732953,0.0014728503,0.00012947967,0.00071270874,0.9762502,0.00065430417],"about_ca_topic_score_codex":0.46821702,"about_ca_topic_score_gemma":0.6725315,"teacher_disagreement_score":0.58043104,"about_ca_system_score_codex":0.00057382166,"about_ca_system_score_gemma":0.0014180589,"threshold_uncertainty_score":0.9998516},"labels":[],"label_agreement":null},{"id":"W4408030387","doi":"10.4000/13efa","title":"« [Q]uelle plaisanterie que les voyages ! » : Alphonse Karr jardinier-voyageur","year":2025,"lang":"fr","type":"article","venue":"Viatica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art","score_opus":0.0170687020350395,"score_gpt":0.2435994578857549,"score_spread":0.22653075585071542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408030387","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010525617,0.059686746,0.0008947998,0.022810537,0.005622096,0.0002798207,0.0004635166,0.00019215356,0.8995247],"genre_scores_gemma":[0.3253799,0.0009302498,0.00014993531,0.001191835,0.0010326692,0.000026454947,0.000030294126,0.000025561485,0.6712331],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790543,0.00026993136,0.00060698023,0.00045807415,0.0002282999,0.00053130736],"domain_scores_gemma":[0.99860525,0.00055061193,0.00012021311,0.00043603103,0.00011802152,0.00016989425],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021702629,0.00037647827,0.000541356,0.00023186578,0.0012492823,0.0003678028,0.00034516316,0.00018974933,0.020342577],"category_scores_gemma":[0.00017352088,0.00033905456,0.00037409438,0.00019964922,0.0006338648,0.00031094372,0.00013994037,0.00039638253,0.0012733076],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071153256,0.00038978326,0.0002812624,0.000416055,0.00032030797,0.000094453666,0.009838188,0.000006628948,0.00008038889,0.55464625,0.4213643,0.0124912225],"study_design_scores_gemma":[0.00034391595,0.0001467832,0.00020774649,0.00041281185,0.0002939607,0.000003649008,0.00151158,0.00027545,0.00019419599,0.0046621254,0.9915797,0.00036806535],"about_ca_topic_score_codex":0.002302412,"about_ca_topic_score_gemma":0.00039861482,"teacher_disagreement_score":0.5702154,"about_ca_system_score_codex":0.000086878834,"about_ca_system_score_gemma":0.00012794213,"threshold_uncertainty_score":0.9999061},"labels":[],"label_agreement":null},{"id":"W4408165159","doi":"10.5206/mf.v10i1.22657","title":"De la politique et du droit à la littérature","year":2025,"lang":"fr","type":"article","venue":"Mouvances Francophones","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Philosophy; Humanities","score_opus":0.0056801525702608185,"score_gpt":0.23298381423555328,"score_spread":0.22730366166529248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408165159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034698162,0.28769833,0.0012374888,0.012929804,0.007464889,0.000118560645,0.0002149083,0.00012896865,0.68673724],"genre_scores_gemma":[0.39238483,0.025685992,0.00027851068,0.0035618409,0.0032154385,0.00004919042,0.000019865996,0.00003084714,0.5747735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823016,0.000531914,0.00033198032,0.0003378413,0.00015043204,0.00041770202],"domain_scores_gemma":[0.99810857,0.0013481056,0.00008986622,0.00024320262,0.00009349806,0.000116747164],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042027447,0.00029759295,0.00039947117,0.00014308326,0.00067940046,0.00046413648,0.00027131257,0.0002858556,0.004054605],"category_scores_gemma":[0.00011611372,0.00027618342,0.0002525148,0.00027583895,0.00078919943,0.00041004203,0.000058318426,0.0006689108,0.00019128337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052293464,0.00025162348,0.0006217742,0.0003735876,0.00013920362,0.00010855954,0.013434313,0.000116176554,0.000039105118,0.8574887,0.11209443,0.015280225],"study_design_scores_gemma":[0.00031927793,0.000045157143,0.0012742465,0.0004050167,0.00008624562,0.000012558543,0.0020986677,0.00019015852,0.000094349976,0.049644124,0.9455542,0.00027600574],"about_ca_topic_score_codex":0.005786035,"about_ca_topic_score_gemma":0.0008992786,"teacher_disagreement_score":0.83345973,"about_ca_system_score_codex":0.00011478405,"about_ca_system_score_gemma":0.0001841965,"threshold_uncertainty_score":0.999969},"labels":[],"label_agreement":null},{"id":"W4408190629","doi":"10.1515/9782763716817-009","title":"Chapitre VIII Littératures : de la « semi-oralité » des contes à la mise en scène des grands écrivains canadiens-français","year":2014,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.018960808485057847,"score_gpt":0.21912317890193767,"score_spread":0.20016237041687981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408190629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014553889,0.020090472,0.00019535211,0.0005273008,0.00036492085,0.00023386271,0.0005768285,0.00019152633,0.96326584],"genre_scores_gemma":[0.38521007,0.0015709692,0.0002110133,0.00059471524,0.001476893,0.000019894762,0.000113601396,0.00008956806,0.6107133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965675,0.0005585965,0.00080561807,0.00075387285,0.00036112836,0.0009533218],"domain_scores_gemma":[0.99654377,0.0016120484,0.00023299654,0.00052688067,0.00032716425,0.0007571683],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00070103264,0.0010210528,0.0011779891,0.00036627814,0.0020458945,0.0006508185,0.0005656721,0.00080205523,0.016079612],"category_scores_gemma":[0.00016817737,0.00081112003,0.0008126031,0.000060876595,0.0049540102,0.00031714,0.00009774547,0.0009233202,0.00025574715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008865597,0.00010257089,0.0005161396,0.0005449186,0.00046548492,0.0002779674,0.072529614,0.000008088245,0.000057193993,0.9019177,0.006766644,0.01672502],"study_design_scores_gemma":[0.00060032686,0.0002834229,0.0006377795,0.0009524226,0.0005422317,0.00009293461,0.0009109793,0.0000622569,0.00004628181,0.037986733,0.95683753,0.0010471165],"about_ca_topic_score_codex":0.11980759,"about_ca_topic_score_gemma":0.1160718,"teacher_disagreement_score":0.95007086,"about_ca_system_score_codex":0.0002739442,"about_ca_system_score_gemma":0.00016019178,"threshold_uncertainty_score":0.999434},"labels":[],"label_agreement":null},{"id":"W4408591703","doi":"10.3917/otra1.037.0184","title":"André C arpentier , Ruptures, genres de la nouvelle et du fantastique , Montréal, Le Quartanier, coll. « Erres Essais », 2007, 159 p.","year":2015,"lang":"fr","type":"article","venue":"Otrante.","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.016867568197866174,"score_gpt":0.23885659182486457,"score_spread":0.2219890236269984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408591703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053312097,0.45739385,0.0032935855,0.016076237,0.005094368,0.0005046279,0.001252414,0.00023826245,0.46283457],"genre_scores_gemma":[0.641893,0.010311226,0.00042565766,0.0017062643,0.0024882532,0.000042426647,0.000106321255,0.0000855398,0.34294128],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974768,0.0006763963,0.00048579354,0.00042727243,0.0003441901,0.0005895061],"domain_scores_gemma":[0.9986774,0.00028335518,0.00014009957,0.00031293236,0.00016966814,0.000416591],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006917141,0.0003993868,0.00050838303,0.00011995398,0.0006852161,0.0004595606,0.00031161154,0.00025066218,0.00388937],"category_scores_gemma":[0.00009723117,0.00035625199,0.00028175925,0.000115066716,0.0006521559,0.00055547425,0.000059005484,0.0004672402,0.00034266687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022022026,0.0008274464,0.00048461556,0.000101302474,0.00018219657,0.0003691264,0.031324435,0.00016640642,0.00009385107,0.11166561,0.85306454,0.0015002232],"study_design_scores_gemma":[0.0010891377,0.00024440134,0.00015151629,0.00013460807,0.00014328053,0.00007403392,0.0069937697,0.00063169835,0.00015203725,0.0020594813,0.9878556,0.00047044174],"about_ca_topic_score_codex":0.06589252,"about_ca_topic_score_gemma":0.0065931277,"teacher_disagreement_score":0.5885809,"about_ca_system_score_codex":0.00012869934,"about_ca_system_score_gemma":0.00037605906,"threshold_uncertainty_score":0.99988896},"labels":[],"label_agreement":null},{"id":"W4408683101","doi":"10.1525/sfs.36.2.0350","title":"Review: <i>The Centenarian, or, The Two Beringhelds</i>, by Honoré de Balzac","year":2009,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Centenarian; Honor; Art; Humanities; Sociology; Demography; Computer science","score_opus":0.05942055373614463,"score_gpt":0.317315169653526,"score_spread":0.2578946159173814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408683101","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070977747,0.44834733,0.00020320987,0.29405585,0.0059146406,0.0009414626,0.00006773701,0.0004389983,0.24293299],"genre_scores_gemma":[0.5849648,0.0826217,0.00006269178,0.103762545,0.0024507435,0.00009187934,0.000006897911,0.000013394592,0.22602534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915624,0.00004662587,0.000170942,0.00017721123,0.00021995441,0.0002290358],"domain_scores_gemma":[0.999486,0.000081051614,0.0000644067,0.00018551998,0.0001444453,0.00003854641],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005822775,0.00009224189,0.00012819479,0.000028090115,0.0025300556,0.00013889771,0.00029912122,0.000006758019,0.000210427],"category_scores_gemma":[0.00015040387,0.000034169945,0.000059059283,0.00023273035,0.00086745305,0.0003179114,0.000040329018,0.00010479663,0.000043529166],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049600653,0.000024833726,0.000015752854,0.0000134513375,0.00001274244,7.470204e-7,0.0133323055,0.0000029028627,0.00008053371,0.0072150608,0.9735126,0.0057841158],"study_design_scores_gemma":[0.00004357713,0.00005635214,0.00003742421,0.000080920814,0.000028767507,0.0000031497584,0.0027435746,0.00001567709,0.000027864096,0.00042580054,0.99647117,0.00006575403],"about_ca_topic_score_codex":0.000105608975,"about_ca_topic_score_gemma":0.00007156783,"teacher_disagreement_score":0.57786703,"about_ca_system_score_codex":0.0000628758,"about_ca_system_score_gemma":0.000028453498,"threshold_uncertainty_score":0.9987685},"labels":[],"label_agreement":null},{"id":"W4408842938","doi":"10.52846/aucllr.2024.02","title":"DEFIS DE LA TRADUCTION DU THEATRE QUEBECOIS CONTEMPORAIN EN ROUMAIN","year":2025,"lang":"en","type":"article","venue":"Analele Universității din Craiova Seria Ştiinte Filologice Langues et littératures romanes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009400466447783721,"score_gpt":0.22563177149391575,"score_spread":0.21623130504613203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408842938","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28491837,0.003067224,0.00019676956,0.0068939617,0.0006858658,0.0002659471,0.00021992812,0.000497524,0.7032544],"genre_scores_gemma":[0.860566,0.0003104865,0.0002316014,0.0016835056,0.0006473719,0.00001001897,0.00030115008,0.000020918691,0.1362289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780905,0.0008845229,0.00029538464,0.0004692531,0.00016518943,0.00037662673],"domain_scores_gemma":[0.9986698,0.00066408777,0.00013284017,0.0003141022,0.00011651049,0.00010265811],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046462318,0.00034758073,0.00044960965,0.00033952433,0.0005319745,0.00027114383,0.00047645753,0.0002442309,0.0014799541],"category_scores_gemma":[0.00012315818,0.0002866052,0.00031638725,0.00024946552,0.00038524647,0.00057364977,0.000106265965,0.00043655545,0.000037433707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033712,0.00029215758,0.001211569,0.0001269723,0.00047506692,0.00039851826,0.048126888,0.00007435199,0.0010922819,0.73818874,0.20844379,0.0012325447],"study_design_scores_gemma":[0.00045380747,0.00015784884,0.0018003448,0.00009516949,0.00014950927,0.000027193784,0.020164238,0.00006880029,0.00015017252,0.005916709,0.97067255,0.00034365564],"about_ca_topic_score_codex":0.007038534,"about_ca_topic_score_gemma":0.006873336,"teacher_disagreement_score":0.7622288,"about_ca_system_score_codex":0.00019783934,"about_ca_system_score_gemma":0.00008898382,"threshold_uncertainty_score":0.99995863},"labels":[],"label_agreement":null},{"id":"W4409128994","doi":"10.58282/acta.19440","title":"Le « rayon spécial » du roman : la beauté romanesque comme souvenir","year":2025,"lang":"fr","type":"article","venue":"Acta Fabula","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.01865478200218787,"score_gpt":0.2355167243123884,"score_spread":0.21686194231020053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409128994","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030885866,0.008440272,0.00009767665,0.04595272,0.0043244157,0.00020282854,0.00014069601,0.00015038007,0.9098051],"genre_scores_gemma":[0.6601162,0.00014278227,0.000029668327,0.001622469,0.0022216053,0.000012656505,0.0000677578,0.000022644184,0.33576426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982221,0.00030166208,0.00045231427,0.00038306267,0.00019114628,0.00044968387],"domain_scores_gemma":[0.9989675,0.00033216953,0.00011110157,0.00036669197,0.0000831073,0.00013938389],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001984596,0.00032094313,0.00045911298,0.00016619994,0.0011835238,0.000366782,0.0003963555,0.0002216782,0.003041824],"category_scores_gemma":[0.000057366076,0.00031998486,0.00031318847,0.00014862121,0.0004987331,0.00042878004,0.00014472731,0.00041748225,0.000252783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003851591,0.0004118266,0.00011956396,0.00011955679,0.0001294456,0.00008311973,0.0066947574,0.000004613646,0.000047818095,0.6170594,0.37292036,0.0023710234],"study_design_scores_gemma":[0.0005499204,0.00009000498,0.00042788355,0.00019260014,0.00018123136,0.0000105780455,0.0005884396,0.0001409802,0.00004799189,0.010079629,0.9873487,0.00034204268],"about_ca_topic_score_codex":0.007850741,"about_ca_topic_score_gemma":0.0019521139,"teacher_disagreement_score":0.6292303,"about_ca_system_score_codex":0.00011232018,"about_ca_system_score_gemma":0.00022128732,"threshold_uncertainty_score":0.9999252},"labels":[],"label_agreement":null},{"id":"W4409167629","doi":"10.4000/13opv","title":"Le travail du corps pour l’acteur en formation : les expériences d’apprentissage du mime decrousien","year":2025,"lang":"fr","type":"article","venue":"Recherches en danse","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University; Université du Québec en Abitibi-Témiscamingue","funders":"","keywords":"Art; Humanities","score_opus":0.05044203832635507,"score_gpt":0.26315688325865594,"score_spread":0.21271484493230086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409167629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56825155,0.020875506,0.0053153955,0.013996321,0.0015744423,0.0003854568,0.00015120271,0.0002024969,0.3892476],"genre_scores_gemma":[0.5985535,0.0018415548,0.000480198,0.00024344865,0.0008487479,0.000035230783,0.00005860883,0.000020214651,0.3979185],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971733,0.0013246972,0.0005436058,0.0003678673,0.00020088421,0.00038965518],"domain_scores_gemma":[0.99822456,0.0011489417,0.00015034567,0.0002306485,0.00012258197,0.00012295225],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010599945,0.00031127568,0.00038606217,0.00016992033,0.00080534833,0.00032756018,0.00042236407,0.00031524157,0.0014615348],"category_scores_gemma":[0.00037656544,0.00029071118,0.00025797397,0.00019118829,0.00035686165,0.0010126773,0.000091150796,0.00048235172,0.0002142766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001500726,0.0010614875,0.00085800723,0.00073058205,0.00027790206,0.00009067475,0.48086601,0.000032566277,0.0014542281,0.22454001,0.11006789,0.17987056],"study_design_scores_gemma":[0.00039143697,0.00009272863,0.0008206465,0.00027210498,0.00016635787,0.000025736257,0.0207269,0.00085089466,0.0007996705,0.0033051136,0.9722149,0.00033355487],"about_ca_topic_score_codex":0.0065361443,"about_ca_topic_score_gemma":0.0017813377,"teacher_disagreement_score":0.862147,"about_ca_system_score_codex":0.00031344953,"about_ca_system_score_gemma":0.00023667507,"threshold_uncertainty_score":0.9999545},"labels":[],"label_agreement":null},{"id":"W4409272710","doi":"10.3366/nfs.2025.0435","title":"Rétif de La Bretonne's <i>Lettre d’un singe</i> (1781): Challenging Slavery through Hybridity and ‘spéculation imaginative’","year":2025,"lang":"en","type":"article","venue":"Nottingham French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hybridity; Art; Humanities; Literature","score_opus":0.025841935256244012,"score_gpt":0.28559953502477864,"score_spread":0.25975759976853463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409272710","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30605766,0.076369606,0.0019147738,0.007183724,0.0013825952,0.0003100599,0.000053936255,0.00045065195,0.606277],"genre_scores_gemma":[0.98935014,0.0005515462,0.00039306673,0.0007765502,0.00049095706,0.000022702567,0.000009553145,0.0000108347995,0.008394676],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886775,0.00014841383,0.00025938614,0.0003161624,0.00014549744,0.00026277266],"domain_scores_gemma":[0.9989292,0.0006610762,0.0000957047,0.00014026267,0.00014188502,0.000031874064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028198294,0.0002173835,0.00033073575,0.000089872134,0.0011291025,0.00014616083,0.000095860356,0.000041814754,0.00009935546],"category_scores_gemma":[0.00017992164,0.0001810934,0.00009153834,0.000089587484,0.00057619886,0.00036503663,0.000114414266,0.0002150233,0.000007286937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000313892,0.00049780693,0.0141163375,0.0010223226,0.0015898284,0.0001250841,0.43680885,0.00007851418,0.00043832252,0.2745911,0.1599171,0.11078333],"study_design_scores_gemma":[0.0003929996,0.000047388086,0.0029050831,0.0002207457,0.00017144458,0.0000045284164,0.004841724,0.0004775102,0.0004122041,0.04052956,0.94967234,0.0003244504],"about_ca_topic_score_codex":0.0006367719,"about_ca_topic_score_gemma":0.00006785739,"teacher_disagreement_score":0.7897553,"about_ca_system_score_codex":0.0000912529,"about_ca_system_score_gemma":0.000022957223,"threshold_uncertainty_score":0.8684258},"labels":[],"label_agreement":null},{"id":"W4409281996","doi":"10.18192/olbij.v14i1.6839","title":"Quand le napolitain s'invite en cours d'italien","year":2025,"lang":"fr","type":"article","venue":"OLBI Journal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.024822768691490485,"score_gpt":0.2503443098630579,"score_spread":0.22552154117156742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409281996","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030511875,0.11735313,0.00076708745,0.07417913,0.008668699,0.00011387008,0.00014709061,0.000044219825,0.7682149],"genre_scores_gemma":[0.21096715,0.00093856564,0.00010696941,0.0015926628,0.0031846212,0.0000025484353,0.000009300452,0.000016036363,0.78318214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99833333,0.0003096025,0.00048353014,0.0001937933,0.0002269843,0.00045278002],"domain_scores_gemma":[0.9991445,0.0001886672,0.00014254649,0.00016236346,0.00013865552,0.00022328223],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047914608,0.00021909778,0.0003310731,0.00022553888,0.0014727213,0.00064009207,0.00028082085,0.000114713446,0.004065083],"category_scores_gemma":[0.00006195345,0.00018948411,0.00031933864,0.00010859082,0.00035379265,0.00056889234,0.00005433775,0.0006268161,0.00021039096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002959567,0.00020572705,0.00028186006,0.000066594235,0.0002140712,0.00012681232,0.010152067,0.00001725234,0.00002094093,0.6217071,0.3591198,0.008058221],"study_design_scores_gemma":[0.00045440812,0.000111782414,0.00017214408,0.0002895327,0.00014723209,0.00008237174,0.004560671,0.00010347214,0.000021011707,0.028154422,0.9656921,0.00021087825],"about_ca_topic_score_codex":0.0012555576,"about_ca_topic_score_gemma":0.00018729728,"teacher_disagreement_score":0.6065723,"about_ca_system_score_codex":0.00022169125,"about_ca_system_score_gemma":0.00027056035,"threshold_uncertainty_score":0.9998272},"labels":[],"label_agreement":null},{"id":"W4409312915","doi":"10.3138/ecf.2023-0097","title":"<i>La Nouvelle-France sur les planches parisiennes. Anthologie (1720–1786)</i>, ed. Sébastien Côté","year":2025,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01680006821944807,"score_gpt":0.22336647230317586,"score_spread":0.20656640408372778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409312915","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09513161,0.56034416,0.0014548717,0.0056600277,0.029473241,0.00067660067,0.0009626029,0.00057799945,0.3057189],"genre_scores_gemma":[0.610376,0.09907035,0.00015844135,0.00062889216,0.0040044156,0.00008299625,0.0004415668,0.00006471588,0.28517264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680275,0.0004215042,0.00080647157,0.0008053161,0.000356109,0.00080787035],"domain_scores_gemma":[0.9983163,0.0005288741,0.00028029314,0.0004780223,0.0002288709,0.00016765264],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003823721,0.0005694503,0.0006223235,0.0003121041,0.0016644391,0.00037561552,0.0003894204,0.00047266795,0.0039292267],"category_scores_gemma":[0.00010766192,0.00051847176,0.0004239211,0.00030908987,0.0007677493,0.00079182157,0.00014957094,0.0007732359,0.00036984298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023371681,0.0015092961,0.0035568057,0.00065006135,0.00031731883,0.00010109507,0.007257815,0.00007366202,0.000104171384,0.16200219,0.7385825,0.085611396],"study_design_scores_gemma":[0.0006886696,0.00018225994,0.0019044627,0.00055060396,0.0002948456,0.000011010921,0.0018237787,0.00033479265,0.00015459112,0.00017584208,0.99334127,0.0005378869],"about_ca_topic_score_codex":0.0019939218,"about_ca_topic_score_gemma":0.00012257975,"teacher_disagreement_score":0.51524436,"about_ca_system_score_codex":0.00026975755,"about_ca_system_score_gemma":0.00011608099,"threshold_uncertainty_score":0.9997267},"labels":[],"label_agreement":null},{"id":"W4409674801","doi":"10.7202/1117086ar","title":"L’écho d’un certain échec ? La figure du cinéaste amateur dans l’oeuvre de Robert Morin","year":2011,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Morin; Humanities; Physics; Philosophy; Medicine","score_opus":0.016583950015219732,"score_gpt":0.20561060364584735,"score_spread":0.18902665363062762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409674801","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6390383,0.038978443,0.0006673868,0.009045322,0.00246084,0.0006164659,0.00047041688,0.000638245,0.30808455],"genre_scores_gemma":[0.4453221,0.004059363,0.0010532975,0.00064547075,0.0027443885,0.0001725888,0.00022571534,0.0002572639,0.5455198],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930484,0.0019017495,0.001770209,0.0013530526,0.00052739197,0.0013991911],"domain_scores_gemma":[0.99552625,0.0011443532,0.00092667155,0.001126839,0.00066520734,0.0006106465],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00096352695,0.0014829302,0.0015795178,0.00037711105,0.0038060443,0.00045329434,0.0012279784,0.00095978903,0.006275084],"category_scores_gemma":[0.00060551235,0.0014337123,0.00092430285,0.00032048306,0.0028472228,0.0014673822,0.00037081997,0.0015922582,0.00019851173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034428536,0.0011133782,0.0107636,0.0014335965,0.00045376163,0.0009554183,0.70962656,0.000052543026,0.0001759154,0.2368922,0.022978568,0.015210207],"study_design_scores_gemma":[0.00068242615,0.00072091847,0.0025206786,0.0010529432,0.0005467422,0.0002873111,0.032357033,0.00043513827,0.00052182924,0.0011252365,0.95814604,0.0016037279],"about_ca_topic_score_codex":0.39447975,"about_ca_topic_score_gemma":0.6416362,"teacher_disagreement_score":0.93516743,"about_ca_system_score_codex":0.0021648759,"about_ca_system_score_gemma":0.0022770832,"threshold_uncertainty_score":0.9998665},"labels":[],"label_agreement":null},{"id":"W4409967814","doi":"10.21747/978-989-9213-63-0/fil","title":"Filosofia em vernáculo na Idade Média e na Alta Idade Moderna","year":2024,"lang":"pt","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; American Philosophical Society","keywords":"Art","score_opus":0.03970440943449519,"score_gpt":0.24356210313123622,"score_spread":0.20385769369674103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409967814","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038163544,0.02544029,0.00017711308,0.00064135535,0.0045849485,0.00046519458,0.0016759477,0.0005790123,0.9660545],"genre_scores_gemma":[0.02206665,0.000498449,0.000054019318,0.002098773,0.0067717014,0.000051670424,0.0009738841,0.00023562422,0.9672492],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99471027,0.00016526037,0.0014149435,0.0015711808,0.0010952112,0.0010431391],"domain_scores_gemma":[0.9975545,0.00028096713,0.0003480471,0.0010167758,0.00021070712,0.0005889973],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00022083992,0.0014351781,0.0015705446,0.00056533504,0.0011447453,0.0018869288,0.0010676617,0.00077261566,0.09219666],"category_scores_gemma":[0.00003319959,0.001145294,0.0015143121,0.00015282731,0.00043309803,0.0006423047,0.0004402375,0.0018597117,0.020624617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056244284,0.00017570352,0.0000033683773,0.0008841176,0.0008776006,0.00032818114,0.016961655,0.0000105307545,0.000014039386,0.41732672,0.5596529,0.003708891],"study_design_scores_gemma":[0.00031545662,0.0003011698,0.0000059915683,0.00086775376,0.0010699083,0.000019931482,0.00089024886,0.00233177,0.00001870809,0.009782518,0.98282963,0.0015668995],"about_ca_topic_score_codex":0.0011912973,"about_ca_topic_score_gemma":0.0003393465,"teacher_disagreement_score":0.4231767,"about_ca_system_score_codex":0.00055557257,"about_ca_system_score_gemma":0.0005033652,"threshold_uncertainty_score":0.9998398},"labels":[],"label_agreement":null},{"id":"W4410493775","doi":"10.1080/03612112.2025.2500196","title":"Profiles of the Mannequin: The Cultural and Historical Impact of the Mannequin","year":2025,"lang":"en","type":"article","venue":"Dress","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Alberta Museum","funders":"","keywords":"Psychology; Computer science","score_opus":0.04841611119322875,"score_gpt":0.27164735766809384,"score_spread":0.22323124647486509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410493775","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9472329,0.0024641713,0.000001483961,0.002528532,0.00068191276,0.00018344892,0.00005384722,0.000011738965,0.046841945],"genre_scores_gemma":[0.9494665,0.000012175574,0.0000015690837,0.000100210986,0.00013461146,0.000007132882,0.0000013742689,0.000003115279,0.050273277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993919,0.00009227367,0.00018897478,0.00009293683,0.00013079487,0.00010308607],"domain_scores_gemma":[0.999507,0.00008134786,0.0000937894,0.00023607755,0.00006574858,0.000016036247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008054521,0.00008663139,0.00015483123,0.000021143607,0.00031552048,0.000033030916,0.0003198545,0.000025069881,0.00020109388],"category_scores_gemma":[0.00003292764,0.000029533076,0.00020022044,0.00007551079,0.0003307894,0.000076501194,0.00010832979,0.00011568,0.0000013401268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011012426,0.00027020936,0.024020601,0.0002682721,0.00036119012,0.0000018833869,0.086992,0.00003538603,0.0013044754,0.49157938,0.39257634,0.002480136],"study_design_scores_gemma":[0.0002680877,0.00008346915,0.038172767,0.00015000645,0.00015431858,0.0000019611625,0.00217535,0.000086085325,0.00089916756,0.002972445,0.954897,0.00013936653],"about_ca_topic_score_codex":0.0013028211,"about_ca_topic_score_gemma":0.00013357562,"teacher_disagreement_score":0.56232065,"about_ca_system_score_codex":0.00006435628,"about_ca_system_score_gemma":0.000024827275,"threshold_uncertainty_score":0.24267602},"labels":[],"label_agreement":null},{"id":"W4411171295","doi":"10.4000/1432s","title":"Rea Peltola et Harri Veivo, L’été des abeilles et autres saisons de la littérature finlandaise","year":2025,"lang":"fr","type":"article","venue":"Nordiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art","score_opus":0.014199173616279438,"score_gpt":0.2932927141548789,"score_spread":0.27909354053859947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411171295","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041381,0.16772425,0.00021393373,0.014639144,0.0007782754,0.00014872111,0.00053917983,0.00019560377,0.7743799],"genre_scores_gemma":[0.24800888,0.015980486,0.0015153582,0.0043472704,0.0008884708,0.000046846584,0.00010679154,0.00004339511,0.7290625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976537,0.0009565913,0.0003786919,0.00038606432,0.00016624176,0.00045865876],"domain_scores_gemma":[0.9984647,0.000815094,0.00009617013,0.0003079341,0.00016250144,0.00015359018],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005119252,0.00036291772,0.00045559427,0.00015709676,0.00093110104,0.0009904316,0.0002799294,0.0003169132,0.0025444522],"category_scores_gemma":[0.00024421662,0.00030959427,0.00031495735,0.00019119277,0.0010292451,0.00052391755,0.00010092288,0.0007011199,0.0000921072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008307453,0.00047215048,0.0035905521,0.00042924058,0.00020550306,0.00009412338,0.03441392,0.00002173354,0.00003655465,0.6311259,0.3067879,0.022739299],"study_design_scores_gemma":[0.00026423234,0.0001413846,0.0019995526,0.0009550102,0.00018816335,0.000008992639,0.0013944042,0.00008859637,0.000096177035,0.028693454,0.96584165,0.0003283868],"about_ca_topic_score_codex":0.006519702,"about_ca_topic_score_gemma":0.005190632,"teacher_disagreement_score":0.65905374,"about_ca_system_score_codex":0.00015679763,"about_ca_system_score_gemma":0.00036012867,"threshold_uncertainty_score":0.9999356},"labels":[],"label_agreement":null},{"id":"W4411446000","doi":"10.7202/1118331ar","title":"Saintes, Laetitia. Paroles pamphlétaires dans le premier XIXe siècle (1814-1848)","year":2024,"lang":"fr","type":"article","venue":"Dalhousie French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Art","score_opus":0.029807626658252817,"score_gpt":0.2610044945741852,"score_spread":0.23119686791593236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411446000","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037916437,0.7445059,0.00010141913,0.017177586,0.008339707,0.00032686073,0.0015711006,0.0006703526,0.18939063],"genre_scores_gemma":[0.40766856,0.00962556,0.000095403586,0.00041208288,0.0043774843,0.00008974941,0.00009831168,0.000073063835,0.57755977],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99689364,0.0002341005,0.00073873624,0.0008319858,0.0004498625,0.000851649],"domain_scores_gemma":[0.9984095,0.0006040015,0.00011026008,0.00044981504,0.00021815601,0.00020824495],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003308001,0.00064405875,0.0008305627,0.00021451301,0.0020139194,0.00060374325,0.00038470412,0.00016222875,0.0016898634],"category_scores_gemma":[0.00012536159,0.00052610686,0.00049558905,0.0002685123,0.002085821,0.0006870587,0.00029692668,0.0005002129,0.0008245446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011419697,0.00039945962,0.00050976715,0.0014887605,0.0017600956,0.0004674343,0.1671809,0.000043370248,0.00006390941,0.29148513,0.512288,0.024301829],"study_design_scores_gemma":[0.00020212626,0.00022778762,0.0003232735,0.0010981527,0.00049610186,0.000018790362,0.008524624,0.00038690874,0.00013413437,0.012039773,0.9758849,0.0006634004],"about_ca_topic_score_codex":0.015883218,"about_ca_topic_score_gemma":0.009396954,"teacher_disagreement_score":0.7348803,"about_ca_system_score_codex":0.00032568056,"about_ca_system_score_gemma":0.00017698295,"threshold_uncertainty_score":0.99995345},"labels":[],"label_agreement":null},{"id":"W4411595600","doi":"10.2307/jj.30412937.5","title":"Les humanismes en éducation au Québec","year":2024,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Political science","score_opus":0.02040656311810098,"score_gpt":0.19638489476714846,"score_spread":0.17597833164904747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411595600","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047413004,0.026188193,0.000049677208,0.001723623,0.0005928197,0.00020499807,0.00025981996,0.00019078475,0.9660488],"genre_scores_gemma":[0.12853806,0.0005223026,0.000053636566,0.00013122972,0.001329657,0.000009266808,0.000072945615,0.00008106544,0.86926186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982265,0.000097354685,0.0003718999,0.0005415948,0.00026733996,0.00049527985],"domain_scores_gemma":[0.9987105,0.00035375424,0.00019477548,0.00036040696,0.00011505728,0.00026552257],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013339557,0.00055809756,0.00048794915,0.00025194336,0.0018098318,0.00022292921,0.00045522128,0.00038231115,0.027086033],"category_scores_gemma":[0.000016518814,0.0005602286,0.0005030141,0.000010703556,0.0004807278,0.00015928358,0.00034133208,0.00062248675,0.00093443296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086149696,0.00004324414,0.00011780277,0.00046191443,0.00054647593,0.0004378899,0.15558289,0.000030227971,0.00008111262,0.8127044,0.018870644,0.011037248],"study_design_scores_gemma":[0.00017877005,0.00013868182,0.00027754973,0.00039053822,0.0012436135,0.000049704795,0.0023558175,0.00011946284,0.000086572494,0.02132684,0.9732483,0.00058414706],"about_ca_topic_score_codex":0.54227066,"about_ca_topic_score_gemma":0.48723167,"teacher_disagreement_score":0.95437765,"about_ca_system_score_codex":0.0058492897,"about_ca_system_score_gemma":0.00043553524,"threshold_uncertainty_score":0.9998435},"labels":[],"label_agreement":null},{"id":"W4411928988","doi":"10.4000/14900","title":"L’héritage de Praxilla et la philosophie de l’Assassin. Enjeux pédagogiques, militants, ludiques et littéraires de l’extension d’Assassin’s Creed Odyssey","year":2025,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Creed; Art; Philosophy; Theology","score_opus":0.04020826032660019,"score_gpt":0.31914747572914337,"score_spread":0.2789392154025432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411928988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049887214,0.15764782,0.002539965,0.1957826,0.0018425926,0.00079879287,0.001079673,0.0009249167,0.58949643],"genre_scores_gemma":[0.7309705,0.0072832224,0.0033302107,0.0134994285,0.0019068731,0.00009468511,0.00015031228,0.000115482566,0.2426493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99409914,0.0023840782,0.000927974,0.00086890615,0.00042928677,0.001290624],"domain_scores_gemma":[0.9968441,0.0012802106,0.0002734783,0.0007221363,0.00039541992,0.00048462494],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023865334,0.00073881086,0.00090034737,0.0004177296,0.0011335491,0.00067575864,0.0005759228,0.0006803999,0.0010975158],"category_scores_gemma":[0.00083850225,0.0006949693,0.0005663634,0.00031011307,0.0009740715,0.00084903854,0.0002581899,0.001153731,0.00009034642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027628444,0.0010962695,0.0010071946,0.0008472816,0.00041673845,0.0007102632,0.021109808,0.000026015245,0.0013135658,0.7892196,0.17642432,0.0075526047],"study_design_scores_gemma":[0.00067406974,0.0003236102,0.00440155,0.0012450144,0.00046567433,0.000078588615,0.0015904134,0.0004267622,0.00038918835,0.08689854,0.902816,0.000690568],"about_ca_topic_score_codex":0.00824756,"about_ca_topic_score_gemma":0.0032110317,"teacher_disagreement_score":0.7263917,"about_ca_system_score_codex":0.00083253084,"about_ca_system_score_gemma":0.0015784554,"threshold_uncertainty_score":0.99981564},"labels":[],"label_agreement":null},{"id":"W4412372369","doi":"10.14419/6r45mq29","title":"Ziguezon’s Voyage: Modal Memory and Cultural Transformation from France to Quebec","year":2025,"lang":"en","type":"article","venue":"SPC Journal of Social Sciences","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modal; Transformation (genetics); Geography; History","score_opus":0.023207062761095725,"score_gpt":0.2743847577765713,"score_spread":0.25117769501547554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412372369","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9169149,0.0011082822,0.00018048951,0.008674576,0.0008087844,0.00004366153,0.000014063836,0.000008435009,0.072246805],"genre_scores_gemma":[0.98812735,0.000013146756,0.00007208203,0.0006423004,0.00066308375,6.365308e-7,6.349018e-7,9.640552e-7,0.010479791],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994007,0.00003072748,0.00020956589,0.00006654762,0.00019720203,0.000095252704],"domain_scores_gemma":[0.9997537,0.00003170977,0.0000760927,0.00001570806,0.0000857117,0.000037045724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018447466,0.00005491722,0.00013221973,0.00007675855,0.00066943537,0.00021858297,0.00013822824,0.000018990382,0.00035685807],"category_scores_gemma":[0.000015998701,0.00003576873,0.00006341162,0.00009538428,0.00028826928,0.0007718558,0.000009049715,0.00008462159,0.0000061557707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069984715,0.00007995609,0.0005023847,0.000029999634,0.00007605576,0.0000072432226,0.6184922,0.000042785552,0.0009564689,0.2665376,0.032257,0.08094831],"study_design_scores_gemma":[0.00027551627,0.00011999331,0.004193407,0.000064407475,0.000045814766,0.0000010346757,0.03176487,0.000053669086,0.0001863311,0.010039904,0.9531201,0.00013495867],"about_ca_topic_score_codex":0.0033844726,"about_ca_topic_score_gemma":0.0022682287,"teacher_disagreement_score":0.9208631,"about_ca_system_score_codex":0.000029466126,"about_ca_system_score_gemma":0.000057780944,"threshold_uncertainty_score":0.5148823},"labels":[],"label_agreement":null},{"id":"W4412635974","doi":"10.7202/1118529ar","title":"Écouter la musique dans la presse quotidienne. Poétique médiatique et partitions musicales à la fin du <scp>xix</scp><sup>e</sup> siècle","year":2025,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.016452345610030242,"score_gpt":0.24027586120785502,"score_spread":0.22382351559782476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412635974","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19513012,0.010546316,0.0046344916,0.009115561,0.0007361738,0.00048644235,0.001144098,0.00031437897,0.7778924],"genre_scores_gemma":[0.75220424,0.0023203362,0.00037951092,0.0027171636,0.0009002163,0.00022647544,0.00008852112,0.00004872507,0.24111483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965669,0.0013721614,0.0005954088,0.00062950153,0.00024037443,0.0005956507],"domain_scores_gemma":[0.99594676,0.0029451018,0.00015497954,0.0005168553,0.00019248764,0.00024378805],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006178144,0.00045805136,0.0004879724,0.00017896091,0.0008212988,0.0005117285,0.0004884069,0.00035562983,0.0012154845],"category_scores_gemma":[0.00042250697,0.00043311826,0.00032990234,0.00029093542,0.0012724351,0.0007226586,0.00020212283,0.00072827836,0.00025323563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009123108,0.00068835064,0.00072019594,0.00025361974,0.00013459972,0.00024149138,0.077549286,0.00075493567,0.00011228379,0.80265814,0.11567055,0.0012074225],"study_design_scores_gemma":[0.00024401634,0.000086913686,0.0019071135,0.0004762247,0.0002081442,0.000025359806,0.0024970977,0.0016848448,0.00021877908,0.0117676025,0.9806419,0.00024199243],"about_ca_topic_score_codex":0.0023913472,"about_ca_topic_score_gemma":0.0021943932,"teacher_disagreement_score":0.86497134,"about_ca_system_score_codex":0.00012258296,"about_ca_system_score_gemma":0.0002913398,"threshold_uncertainty_score":0.99981207},"labels":[],"label_agreement":null},{"id":"W4412738289","doi":"10.7202/1118908ar","title":"Compte rendu critique de la pièce de théâtre « Une vie intelligente »","year":2025,"lang":"fr","type":"article","venue":"Canadian Journal of Bioethics","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Philosophy; Humanities; Political science","score_opus":0.04660420785166496,"score_gpt":0.3176461903470688,"score_spread":0.27104198249540384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412738289","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011913731,0.2129979,0.0045004506,0.3400239,0.0069601797,0.00013638777,0.00055592234,0.000023033828,0.4228885],"genre_scores_gemma":[0.63210577,0.007144857,0.00054194214,0.01870432,0.0025603962,0.0000012352584,0.000011955252,0.000037830087,0.33889169],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807245,0.0006012854,0.00056739163,0.00013352363,0.00013823838,0.0004871344],"domain_scores_gemma":[0.99780864,0.0006184503,0.00019181904,0.00015976423,0.00042124046,0.00080010045],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011411996,0.00019828287,0.0003540607,0.00042437806,0.000742843,0.00038469912,0.00038017737,0.0003537849,0.0012654001],"category_scores_gemma":[0.0003922975,0.00019324143,0.00029586646,0.00022434234,0.0021004076,0.00021151325,0.0000160392,0.0017686047,0.000024862366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019515697,0.000046821966,0.00044259056,0.0001940317,0.00017307591,0.0009340329,0.014914918,0.00006921686,0.000011535385,0.76132095,0.2176639,0.004209431],"study_design_scores_gemma":[0.00014021956,0.000122549,0.00009001624,0.0011719199,0.00021595204,0.00016354038,0.0027156821,0.00012641239,0.00012627951,0.027914086,0.96703655,0.00017681798],"about_ca_topic_score_codex":0.14570433,"about_ca_topic_score_gemma":0.208969,"teacher_disagreement_score":0.7493726,"about_ca_system_score_codex":0.00069171935,"about_ca_system_score_gemma":0.0050745583,"threshold_uncertainty_score":0.99964756},"labels":[],"label_agreement":null},{"id":"W4413269682","doi":"10.3138/tric-2025-0003","title":"Ouvrir le dialogue à tous égards : Entrevue avec Natalie Labossière et Geneviève Doyon","year":2025,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Yukon University; University of Regina; Nordion (Canada); University of Saskatchewan","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.047722056404840424,"score_gpt":0.30840179255536965,"score_spread":0.2606797361505292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413269682","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012670514,0.09397786,0.000006990801,0.074799664,0.0027198137,0.00045389938,0.0014014603,0.000029603856,0.81394017],"genre_scores_gemma":[0.8150231,0.003136139,0.000014999579,0.0011969178,0.0009790243,0.00005719544,0.00013884521,0.000031149168,0.17942259],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995829,0.0012057541,0.00051743985,0.00052472396,0.00079915696,0.0011239495],"domain_scores_gemma":[0.9979089,0.00094719464,0.00004946404,0.0005334641,0.00024974058,0.00031126093],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010672898,0.000291441,0.0004924351,0.0004192834,0.0007608315,0.00027321893,0.000606158,0.00012681632,0.0024137022],"category_scores_gemma":[0.00004345525,0.0002701661,0.0001151534,0.0007190248,0.0004968573,0.0002692814,0.00025964182,0.0011536459,0.00007558331],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014200287,0.000398269,0.0010455954,0.0009943933,0.00022042419,0.0018872824,0.0076850588,0.00018362858,0.000016018997,0.22632247,0.5284129,0.23269196],"study_design_scores_gemma":[0.0004028049,0.0000735995,0.0001059731,0.0005488278,0.000022637103,0.00000437774,0.0027362779,0.00028876011,0.00007532989,0.008861435,0.98661953,0.00026042052],"about_ca_topic_score_codex":0.9960676,"about_ca_topic_score_gemma":0.9972284,"teacher_disagreement_score":0.8023526,"about_ca_system_score_codex":0.0028415858,"about_ca_system_score_gemma":0.011581563,"threshold_uncertainty_score":0.999975},"labels":[],"label_agreement":null},{"id":"W4413795764","doi":"10.11647/obp.0482","title":"'Casina' by Plautus","year":2025,"lang":"en","type":"book","venue":"Open Book Publishers","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Bishop's University","keywords":"Art; Computer science; Mathematics","score_opus":0.025451791947299518,"score_gpt":0.23136513223767965,"score_spread":0.20591334029038014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413795764","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.446239e-7,0.006490493,0.0000027129697,0.0017579607,0.0017550524,0.00041298376,0.0004440578,0.00009842661,0.98903805],"genre_scores_gemma":[0.0000038648886,0.000045459754,0.000017598699,0.006838555,0.0009115922,0.000059571263,0.001736474,0.000046045323,0.9903408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822205,0.000057082463,0.00044375463,0.00059734157,0.0003237285,0.00035605763],"domain_scores_gemma":[0.9987963,0.000112031645,0.00021248354,0.00054691214,0.00015660118,0.00017569095],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017583514,0.00041136643,0.0006419033,0.00019666507,0.00053471077,0.006808132,0.0016394687,0.00024287275,0.078610145],"category_scores_gemma":[0.00003607424,0.00035687632,0.0002502864,0.000041693405,0.00027010613,0.003995165,0.00041767355,0.0005645768,0.00072404137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001684798,0.00004007766,4.1921783e-7,0.000058546517,0.0001432994,0.000016600887,0.0016040972,8.3325034e-8,1.4617162e-7,0.17123394,0.8240602,0.002825766],"study_design_scores_gemma":[0.0002247064,0.000056869318,1.0071212e-7,0.00015867491,0.00011930436,7.8470345e-7,0.00012254796,0.0000013229222,7.4224374e-7,0.0049312455,0.9939309,0.0004527951],"about_ca_topic_score_codex":0.0015551124,"about_ca_topic_score_gemma":0.00035869738,"teacher_disagreement_score":0.16987073,"about_ca_system_score_codex":0.00036939842,"about_ca_system_score_gemma":0.0007794956,"threshold_uncertainty_score":0.9998883},"labels":[],"label_agreement":null},{"id":"W4414046613","doi":"10.21608/mkwn.2025.451212","title":"L’Impact du Capitalisme sur les Personnages Principaux dans « La Tresse » De Laëtitia Colombani","year":2025,"lang":"fr","type":"article","venue":"Maǧallaẗ Kulliyyaẗ Al-Adāb bi Al-Wadī Al-Ǧadīd/Maǧallaẗ Kulliyyaẗ Al-Adāb bi Al-Wadī Al-Ǧadīd","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Profit (economics); Freehold; Protestant work ethic; Trade union","score_opus":0.01908461118800532,"score_gpt":0.2549889147515358,"score_spread":0.23590430356353048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414046613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5555552,0.10424247,0.0008906365,0.14518753,0.011670643,0.005195129,0.009518952,0.0032342009,0.16450523],"genre_scores_gemma":[0.5427276,0.029984403,0.0013404331,0.057977017,0.0045618983,0.0010317897,0.0025423337,0.0018666275,0.3579679],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9676977,0.0044022975,0.0067241145,0.0076087513,0.004637625,0.008929519],"domain_scores_gemma":[0.98011637,0.003865829,0.0029607464,0.005885369,0.002516435,0.004655249],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0047268434,0.007294346,0.0070253583,0.0039366917,0.0074083325,0.0055237524,0.0058935294,0.0028000744,0.024858665],"category_scores_gemma":[0.0015687905,0.007217443,0.0056242794,0.0036474403,0.0069305254,0.0031875607,0.0023410972,0.0063885194,0.0034418171],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020109736,0.005686264,0.013374701,0.0017385856,0.006818589,0.00617055,0.033557855,0.001985293,0.0037500195,0.06306198,0.85509974,0.0067454507],"study_design_scores_gemma":[0.0070015574,0.0024639098,0.009411898,0.002955366,0.0036211582,0.00088940235,0.0077456255,0.0071487254,0.00057337113,0.0021675986,0.9485236,0.007497802],"about_ca_topic_score_codex":0.059348386,"about_ca_topic_score_gemma":0.031648625,"teacher_disagreement_score":0.19346267,"about_ca_system_score_codex":0.005635199,"about_ca_system_score_gemma":0.00429729,"threshold_uncertainty_score":0.9994851},"labels":[],"label_agreement":null},{"id":"W4414215624","doi":"","title":"Rémire-Montjoly : Loyola","year":2024,"lang":"fr","type":"report","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Notice; Work (physics); Term (time); Mixing (physics)","score_opus":0.027831305098674618,"score_gpt":0.23530852055030527,"score_spread":0.20747721545163064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414215624","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004206984,0.051158585,0.0026378378,0.016141748,0.00223402,0.0003181309,0.00035679707,0.0003621712,0.9225837],"genre_scores_gemma":[0.08039986,0.0038907211,0.0013453166,0.00017966104,0.00046754192,0.00006337555,0.0009181884,0.00011667988,0.91261864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99247724,0.0038024771,0.001140225,0.0010983718,0.0008467208,0.00063495577],"domain_scores_gemma":[0.9924981,0.0016708445,0.0005640836,0.0017672121,0.003110623,0.00038911923],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0044082818,0.0006711699,0.00080562494,0.00039194088,0.0011889797,0.0015021063,0.001141924,0.00043226272,0.006840193],"category_scores_gemma":[0.0009742118,0.0006400677,0.00077424553,0.00040521967,0.00090329564,0.00039601367,0.0005771318,0.0012040627,0.001830676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009430719,0.00070899964,0.00015994036,0.0008889428,0.00035443934,0.000105910825,0.03797758,0.000002621768,0.00018915461,0.78493375,0.077466644,0.09720258],"study_design_scores_gemma":[0.00016933086,8.8348037e-7,0.000076534096,0.0038481287,0.00034458382,0.00003253204,0.00026413452,0.0006595994,0.0009813793,0.005008728,0.98793334,0.0006808223],"about_ca_topic_score_codex":0.013359037,"about_ca_topic_score_gemma":0.008276808,"teacher_disagreement_score":0.9104667,"about_ca_system_score_codex":0.0004606369,"about_ca_system_score_gemma":0.00073474034,"threshold_uncertainty_score":0.99960506},"labels":[],"label_agreement":null},{"id":"W4414288804","doi":"10.4000/14ola","title":"Quand le jeu vidéo s’intéresse à l’expérience musicale : la représentation de la musique dans les jeux de Supergiant Games","year":2025,"lang":"fr","type":"article","venue":"Sciences du jeu","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Video game; Game studies; Social hierarchy; Post modernism","score_opus":0.027834552624461956,"score_gpt":0.28299586591558423,"score_spread":0.2551613132911223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414288804","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5389525,0.0054543936,0.002764394,0.007383766,0.0011475158,0.00012514189,0.000043444987,0.000077599776,0.44405124],"genre_scores_gemma":[0.8903028,0.0006600772,0.0005919794,0.0009940423,0.0005192661,0.000028166194,0.0000057546536,0.000008870848,0.10688905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975884,0.00073797064,0.00036741298,0.0005312759,0.0002833601,0.0004915892],"domain_scores_gemma":[0.9985891,0.000821522,0.000097169,0.00022974054,0.00009831533,0.00016416948],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0013362614,0.00021956781,0.0002524314,0.00018060292,0.0018071668,0.00073374616,0.0005067229,0.00013817014,0.00084033655],"category_scores_gemma":[0.0004277707,0.00018784784,0.00016640805,0.00041363778,0.004073395,0.00075230433,0.000108549844,0.00028078252,0.000027613432],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017901988,0.00032268013,0.0048146322,0.00011247281,0.000020645795,0.000094172,0.20593195,0.00025813107,0.0017506566,0.763072,0.01978271,0.0038220503],"study_design_scores_gemma":[0.00022465216,0.00011789553,0.0020633002,0.000264576,0.00006652018,0.0000333304,0.029044794,0.0035077662,0.0013260492,0.023044677,0.9400285,0.0002779334],"about_ca_topic_score_codex":0.017054467,"about_ca_topic_score_gemma":0.0034640338,"teacher_disagreement_score":0.92024577,"about_ca_system_score_codex":0.00012707971,"about_ca_system_score_gemma":0.0005573937,"threshold_uncertainty_score":0.99949235},"labels":[],"label_agreement":null},{"id":"W4414356560","doi":"10.4000/14lkm","title":"Renata Borgatti (1894-1964) par Romaine Brooks : renouveler le portrait de musicienne ?","year":2025,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Portrait; The Renaissance; Vernacular; Power (physics)","score_opus":0.030607110637596472,"score_gpt":0.3485554597735046,"score_spread":0.31794834913590814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414356560","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04241633,0.020668728,0.0012259695,0.05173187,0.007259549,0.0005201596,0.0007464994,0.00023854061,0.87519234],"genre_scores_gemma":[0.3698197,0.00026915385,0.0006786265,0.0029988815,0.0013819835,0.00006710932,0.00024302762,0.000036593345,0.6245049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997463,0.00025028616,0.0007571669,0.00060935033,0.0002531134,0.00066709117],"domain_scores_gemma":[0.9984929,0.00028545834,0.00020487607,0.00058000267,0.00022323121,0.00021353517],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002813627,0.00033725798,0.00045192143,0.00022187814,0.002272181,0.00031216253,0.0003305041,0.00019434698,0.011626631],"category_scores_gemma":[0.0001281008,0.00035315537,0.00043190934,0.00037109692,0.0006649731,0.00036340658,0.000108479544,0.00046736182,0.00024997376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002179264,0.00063336495,0.00024696486,0.0001496205,0.00038115116,0.000069091446,0.03621979,0.000041390387,0.00090395904,0.55614775,0.39829654,0.00688859],"study_design_scores_gemma":[0.00060678116,0.0000695382,0.0012672757,0.00016612711,0.00039336528,0.000010381479,0.014675321,0.00010193765,0.00035949654,0.036462564,0.9455192,0.0003680123],"about_ca_topic_score_codex":0.007441397,"about_ca_topic_score_gemma":0.0011666026,"teacher_disagreement_score":0.5472227,"about_ca_system_score_codex":0.00026962569,"about_ca_system_score_gemma":0.00065397046,"threshold_uncertainty_score":0.99989206},"labels":[],"label_agreement":null},{"id":"W4414600960","doi":"10.7202/1119712ar","title":"Prière d’insérer. Imbrication de l’oraison et de la narration dans la dévotion mariale","year":2024,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Hearsay; Eschatology; Kabbalah","score_opus":0.014095929636968966,"score_gpt":0.2666215460702523,"score_spread":0.2525256164332833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414600960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06920809,0.027891919,0.005593881,0.0053973533,0.0019061432,0.00026854384,0.00019236423,0.00041909536,0.8891226],"genre_scores_gemma":[0.9359751,0.000993049,0.0003419248,0.00031314202,0.0018957685,0.000048219175,0.00012670632,0.000042281594,0.060263827],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826056,0.00055292156,0.00033481346,0.0003348938,0.00021781196,0.0002990064],"domain_scores_gemma":[0.9989683,0.00059894205,0.00007274497,0.00017987397,0.00006512774,0.00011498454],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006760438,0.00024180049,0.00022010085,0.00014507136,0.00056888856,0.00086768897,0.00015839624,0.00022525921,0.0020254639],"category_scores_gemma":[0.00010117647,0.00022971138,0.00019914114,0.00015950002,0.00046816753,0.0008137563,0.000032704356,0.00035530343,0.00020026256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031791875,0.00031093662,0.0004208674,0.00042901572,0.00010157396,0.00006108643,0.075925514,0.00018598199,0.0014354199,0.89688295,0.016765647,0.0074491827],"study_design_scores_gemma":[0.00015003105,0.0001197946,0.0016319581,0.00036741683,0.00020895667,0.000036963113,0.0015829292,0.0024002942,0.00022635967,0.0036298272,0.9893742,0.0002712427],"about_ca_topic_score_codex":0.005058811,"about_ca_topic_score_gemma":0.0013093547,"teacher_disagreement_score":0.97260857,"about_ca_system_score_codex":0.00031682636,"about_ca_system_score_gemma":0.00033719183,"threshold_uncertainty_score":0.9988868},"labels":[],"label_agreement":null},{"id":"W4414600976","doi":"10.7202/1119714ar","title":"Le Credo épique au péril du genre. Femmes orantes et adresses à la Vierge dans les chansons de geste","year":2024,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diction; Poetry; Nous; Intertextuality","score_opus":0.03250438043602888,"score_gpt":0.2564835753726579,"score_spread":0.22397919493662904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414600976","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10482354,0.26768318,0.0012651725,0.02510344,0.0025231314,0.00032986244,0.0012455157,0.0006791697,0.596347],"genre_scores_gemma":[0.91938704,0.0075682392,0.0001712774,0.0006999098,0.0026200032,0.00007779908,0.000065187494,0.00010287765,0.06930765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974102,0.00040806882,0.0005404876,0.00060953037,0.00030751832,0.0007242187],"domain_scores_gemma":[0.99809736,0.0010983121,0.0000925253,0.00033549717,0.00011744503,0.00025886478],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000456551,0.0005500418,0.00058657315,0.00023966373,0.0015133236,0.00093532645,0.000442007,0.00026174047,0.0037043234],"category_scores_gemma":[0.00012495829,0.00047812617,0.00052443997,0.00022142983,0.0011456391,0.0008890312,0.00012601019,0.0005538922,0.00026028056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042519154,0.0004916297,0.0013226123,0.0011501751,0.0004295339,0.000533175,0.09789983,0.00006972466,0.0004688222,0.8751746,0.01821823,0.004199175],"study_design_scores_gemma":[0.00023414093,0.00018695841,0.0011557015,0.0011456122,0.00036291583,0.00008401258,0.0062587606,0.00034126427,0.00061399787,0.0014662929,0.9875401,0.00061023247],"about_ca_topic_score_codex":0.045560744,"about_ca_topic_score_gemma":0.05423187,"teacher_disagreement_score":0.9693219,"about_ca_system_score_codex":0.00014059959,"about_ca_system_score_gemma":0.0008490538,"threshold_uncertainty_score":0.99978656},"labels":[],"label_agreement":null},{"id":"W4415238225","doi":"","title":"« Vous avez bien là dequoy vous contenter les yeux, l'odorat & l'appetit ». Uses, Functions and Challenges of the Lexicon of Sensory Perceptions in French Travel narratives to America (1545-1618)","year":2023,"lang":"fr","type":"article","venue":"theses.fr (ABES)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lexicon; Metonymy; Narrative; Travel writing","score_opus":0.08064013835067768,"score_gpt":0.25738646718046215,"score_spread":0.17674632882978447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415238225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87910473,0.017575627,0.00004588315,0.015051746,0.0009213972,0.0005374833,0.0011553185,0.00007288311,0.0855349],"genre_scores_gemma":[0.95290786,0.0041501806,0.000038838527,0.00017855168,0.00033130895,0.000043531843,0.000020161215,0.000035607103,0.042293955],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997779,0.00043649145,0.0006314512,0.00042779202,0.00029976087,0.00042548528],"domain_scores_gemma":[0.9986396,0.00038084583,0.00021232675,0.00042288296,0.00020434316,0.00014004395],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020855258,0.00034265846,0.0006553541,0.00035757676,0.0004925839,0.000062240775,0.00028737454,0.00013328993,0.0017542938],"category_scores_gemma":[0.00011037388,0.00025369,0.0002582267,0.00035270432,0.001318869,0.00024781146,0.0001502673,0.00033053797,0.000151768],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000118875134,0.0011466257,0.004354404,0.00074858766,0.00045808716,0.000034125478,0.80690855,0.00021572328,0.008594041,0.14721765,0.0059231506,0.024280166],"study_design_scores_gemma":[0.00042547588,0.000527856,0.024185482,0.0006880628,0.00015313047,0.000011862472,0.32060102,0.00010831521,0.00017525943,0.0012047705,0.65152335,0.00039541366],"about_ca_topic_score_codex":0.014332692,"about_ca_topic_score_gemma":0.013394403,"teacher_disagreement_score":0.6456002,"about_ca_system_score_codex":0.00007338416,"about_ca_system_score_gemma":0.00006196075,"threshold_uncertainty_score":0.99999154},"labels":[],"label_agreement":null},{"id":"W4415260417","doi":"10.5406/23256672.102.1.02","title":"Teaching Giovanni Verga in North America","year":2025,"lang":"en","type":"article","venue":"Italica","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Relevance (law); Field (mathematics); Italian literature; Field survey","score_opus":0.016381873520221864,"score_gpt":0.2342740036404424,"score_spread":0.21789213012022055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415260417","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13264968,0.00058508187,0.000033476874,0.0018062422,0.00035560073,0.000057071444,0.00001743124,0.00007825586,0.86441714],"genre_scores_gemma":[0.9015996,0.00000349175,0.00002836669,0.0013736085,0.00017113402,0.000008349659,0.000014874265,0.0000040015166,0.09679659],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995011,0.000034042754,0.00014471804,0.00013009617,0.00006311526,0.00012690948],"domain_scores_gemma":[0.9997791,0.000041041476,0.000020449172,0.000120243705,0.000013466171,0.000025688993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000030841635,0.0000714882,0.0001226443,0.00011085049,0.00016338244,0.000051222898,0.00011245571,0.0000137163315,0.0007377504],"category_scores_gemma":[0.000020051024,0.000058768648,0.00005855537,0.00007436413,0.0000663346,0.00013320563,0.000026243471,0.0001286853,0.00013219412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004941504,0.0005018097,0.006142602,0.00008343353,0.000104291765,0.000072638875,0.10957496,0.00003106075,0.00004230449,0.57844716,0.22705315,0.07789719],"study_design_scores_gemma":[0.00007454188,0.000018970251,0.00055908033,0.000012161286,0.000007866186,1.3995825e-7,0.0005295929,0.000048256796,0.0000018581138,0.0007208647,0.9979541,0.00007258455],"about_ca_topic_score_codex":0.001880574,"about_ca_topic_score_gemma":0.0016385192,"teacher_disagreement_score":0.7709009,"about_ca_system_score_codex":0.000032191707,"about_ca_system_score_gemma":0.000012865831,"threshold_uncertainty_score":0.8077849},"labels":[],"label_agreement":null},{"id":"W4415402281","doi":"10.7722/wbtt3921","title":"A New Companion to Malory","year":2019,"lang":"en","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; Context (archaeology); Key (lock); English literature","score_opus":0.039966506911646014,"score_gpt":0.2168432790464733,"score_spread":0.17687677213482728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415402281","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000019637653,0.0003562104,0.00009886439,0.00025757632,0.0011076471,0.00011698761,0.000026385169,0.000081608014,0.99795276],"genre_scores_gemma":[0.00004654604,0.00000336372,0.000098796256,0.0020751776,0.003252809,0.0000017867188,0.00010073633,0.000020763218,0.9944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935395,0.000009087156,0.00016719059,0.00019992693,0.0001461086,0.00012375189],"domain_scores_gemma":[0.99957395,0.00003249712,0.000039604427,0.00019292058,0.00003635109,0.0001246813],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000023351486,0.00016383709,0.0002776152,0.00010973328,0.000077955236,0.000095853124,0.00015838636,0.00006334319,0.09712984],"category_scores_gemma":[0.0000020385662,0.00012105172,0.0001410425,0.000008632336,0.000018165823,0.00007878593,0.00004075685,0.00014203133,0.021445263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032132873,0.0000042398974,3.102728e-7,0.0000166187,0.000016315991,0.0000017728927,0.002550393,3.192225e-7,2.287265e-7,0.39172933,0.60446066,0.0012165873],"study_design_scores_gemma":[0.000049637732,0.000064466025,0.0000010045218,0.00005339781,0.000029760778,4.1788596e-7,0.000034512377,0.0000016648005,2.946904e-7,0.0035561994,0.9960071,0.0002015855],"about_ca_topic_score_codex":0.00039932053,"about_ca_topic_score_gemma":0.0003020704,"teacher_disagreement_score":0.39154637,"about_ca_system_score_codex":0.000077730496,"about_ca_system_score_gemma":0.00012421251,"threshold_uncertainty_score":0.97931665},"labels":[],"label_agreement":null},{"id":"W4415403143","doi":"10.7722/wlvk5838","title":"A New Companion to Malory","year":2019,"lang":"en","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; Context (archaeology); Key (lock); English literature","score_opus":0.039966506911646014,"score_gpt":0.2168432790464733,"score_spread":0.17687677213482728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415403143","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000019637653,0.0003562104,0.00009886439,0.00025757632,0.0011076471,0.00011698761,0.000026385169,0.000081608014,0.99795276],"genre_scores_gemma":[0.00004654604,0.00000336372,0.000098796256,0.0020751776,0.003252809,0.0000017867188,0.00010073633,0.000020763218,0.9944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935395,0.000009087156,0.00016719059,0.00019992693,0.0001461086,0.00012375189],"domain_scores_gemma":[0.99957395,0.00003249712,0.000039604427,0.00019292058,0.00003635109,0.0001246813],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000023351486,0.00016383709,0.0002776152,0.00010973328,0.000077955236,0.000095853124,0.00015838636,0.00006334319,0.09712984],"category_scores_gemma":[0.0000020385662,0.00012105172,0.0001410425,0.000008632336,0.000018165823,0.00007878593,0.00004075685,0.00014203133,0.021445263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032132873,0.0000042398974,3.102728e-7,0.0000166187,0.000016315991,0.0000017728927,0.002550393,3.192225e-7,2.287265e-7,0.39172933,0.60446066,0.0012165873],"study_design_scores_gemma":[0.000049637732,0.000064466025,0.0000010045218,0.00005339781,0.000029760778,4.1788596e-7,0.000034512377,0.0000016648005,2.946904e-7,0.0035561994,0.9960071,0.0002015855],"about_ca_topic_score_codex":0.00039932053,"about_ca_topic_score_gemma":0.0003020704,"teacher_disagreement_score":0.39154637,"about_ca_system_score_codex":0.000077730496,"about_ca_system_score_gemma":0.00012421251,"threshold_uncertainty_score":0.97931665},"labels":[],"label_agreement":null},{"id":"W4415480458","doi":"10.2307/4143628","title":": <i>Penser la nuit (XVe-XVIIe siècle)</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Champion; Pascal (unit); Rationalization (economics); Volume (thermodynamics)","score_opus":0.01897678822582825,"score_gpt":0.22251393264021221,"score_spread":0.20353714441438397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1130964,0.0019339101,0.00024180775,0.0018233672,0.0008411509,0.00017523876,0.00004339404,0.0003907942,0.88145393],"genre_scores_gemma":[0.9788944,0.0000065577947,0.000096468604,0.000691579,0.0008371584,0.0000185852,0.00001291692,0.000023651583,0.01941869],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988965,0.00004779543,0.0002628693,0.00028348816,0.00020726661,0.00030209625],"domain_scores_gemma":[0.9994118,0.00005421622,0.00007608016,0.00027943772,0.000057676327,0.00012076988],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009124442,0.00019058818,0.00023592997,0.00006909431,0.00041013522,0.00019580274,0.00020923767,0.000053516687,0.001641147],"category_scores_gemma":[0.0000066742714,0.0001553265,0.00015157538,0.00006940691,0.00030877246,0.0004619917,0.000007591911,0.00017759438,0.0012386993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000549554,0.0003519766,0.00008227735,0.000061558574,0.0000727074,0.00015499438,0.059240147,0.00001751736,0.0004995651,0.87194747,0.042617723,0.02489914],"study_design_scores_gemma":[0.00040559008,0.00032230344,0.00016855505,0.000059205602,0.00002387189,0.000009545665,0.0006322756,0.0000040116793,0.00011039578,0.012959524,0.98504764,0.0002570951],"about_ca_topic_score_codex":0.00070713396,"about_ca_topic_score_gemma":0.00047375384,"teacher_disagreement_score":0.9424299,"about_ca_system_score_codex":0.000044343138,"about_ca_system_score_gemma":0.000033035587,"threshold_uncertainty_score":0.99953896},"labels":[],"label_agreement":null},{"id":"W4415545451","doi":"10.1007/978-3-319-99378-2_326-1","title":"Strehler, Giorgio","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"","score_opus":0.03650624360534796,"score_gpt":0.21036802773550564,"score_spread":0.17386178413015768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415545451","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.3510633e-7,0.001489935,0.000006793066,0.00025419117,0.0006846118,0.000051683077,0.00007414813,0.000108215114,0.9973302],"genre_scores_gemma":[0.0001111121,0.000070001435,0.00001738716,0.00085544155,0.001100641,0.0000022608444,0.00007458085,0.000013685938,0.9977549],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993749,0.0000038674966,0.00020222491,0.00019925935,0.00011752596,0.000102183265],"domain_scores_gemma":[0.9996105,0.0000410451,0.000049636143,0.00019489146,0.000058910944,0.000045046658],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000019164654,0.00019122066,0.000254777,0.00011969881,0.00016005567,0.0000789477,0.00013604297,0.00008780581,0.13219562],"category_scores_gemma":[0.0000027459555,0.00014197693,0.00021748009,0.000003698986,0.0001008077,0.00006466058,0.00003820703,0.00017814644,0.0014016944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015713721,0.0000043406303,8.329031e-8,0.00001577821,0.00003878829,0.0000056729486,0.0004322225,1.4918992e-8,4.0736833e-8,0.5543778,0.44149724,0.0036264453],"study_design_scores_gemma":[0.0000375632,0.000021759028,6.232483e-8,0.000060681203,0.00006908658,2.2292993e-7,0.000021833064,0.0000017435549,5.411847e-7,0.031496912,0.9681118,0.00017776882],"about_ca_topic_score_codex":0.00013991469,"about_ca_topic_score_gemma":0.000290748,"teacher_disagreement_score":0.5266146,"about_ca_system_score_codex":0.000030108306,"about_ca_system_score_gemma":0.0000336282,"threshold_uncertainty_score":0.9993758},"labels":[],"label_agreement":null},{"id":"W4415697648","doi":"10.4000/14zqe","title":"Introduction","year":2025,"lang":"fr","type":"book-chapter","venue":"Éditions du Comité des travaux historiques et scientifiques eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"The Renaissance; Qualitative analysis; Statistical analysis","score_opus":0.0322989163725757,"score_gpt":0.23758829184277808,"score_spread":0.20528937547020237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415697648","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016130987,0.004632639,0.0022986403,0.0067151836,0.009931799,0.00064620527,0.0017544378,0.00064690184,0.9732129],"genre_scores_gemma":[0.0040689395,0.0010739989,0.0014812029,0.0007713519,0.007116748,0.00013988174,0.0010752613,0.00011234174,0.98416024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951892,0.00045476767,0.0014217985,0.0015323297,0.00067691214,0.000724979],"domain_scores_gemma":[0.99608976,0.00039465557,0.00057729235,0.0011170593,0.0014227486,0.00039846395],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00097608945,0.0010751421,0.0010804391,0.0012960865,0.005422237,0.0010164643,0.0007651871,0.0005657456,0.013512153],"category_scores_gemma":[0.00013301619,0.0011229021,0.0010019572,0.000089394794,0.006736902,0.00078190805,0.00020078884,0.0012585704,0.0006361288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003360171,0.00015080936,0.000001537614,0.00034254068,0.00016522825,0.00003846504,0.0066980957,0.0000035904923,0.00004638482,0.61049193,0.37620834,0.0058195083],"study_design_scores_gemma":[0.00023455895,0.00023941268,0.0000036628135,0.0009245884,0.0005350871,0.000044013235,0.00010789346,0.00005273926,0.00017146449,0.09112518,0.9055804,0.0009810175],"about_ca_topic_score_codex":0.0014072437,"about_ca_topic_score_gemma":0.002268981,"teacher_disagreement_score":0.52937204,"about_ca_system_score_codex":0.002314465,"about_ca_system_score_gemma":0.00044908823,"threshold_uncertainty_score":0.9991221},"labels":[],"label_agreement":null},{"id":"W4415698637","doi":"10.4000/1515t","title":"L’ineffable dessein de la pièce enchâssée de A Jovial Crew or, The Merry Beggars (1642)","year":2025,"lang":"fr","type":"article","venue":"Études Épistémè","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Crew; Dozen; Quarter (Canadian coin); Subject (documents)","score_opus":0.017250286132232562,"score_gpt":0.2750806257788067,"score_spread":0.25783033964657415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415698637","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017896771,0.052172743,0.0009461789,0.020333022,0.002092755,0.00037779612,0.00015259124,0.0001984996,0.90582967],"genre_scores_gemma":[0.33379027,0.0012518105,0.00038943157,0.0036936891,0.0015289547,0.00006790899,0.000015275758,0.000033455617,0.65922916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974624,0.0006881853,0.00047675995,0.00039497152,0.000255638,0.00072203804],"domain_scores_gemma":[0.9979195,0.001251272,0.00011709943,0.00043295775,0.00010314509,0.00017600374],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009162769,0.0003669904,0.00042830338,0.00013294327,0.0014982958,0.00061728543,0.0006235324,0.00022384146,0.0065017347],"category_scores_gemma":[0.00025844225,0.00022919767,0.00031318542,0.00027882177,0.0011460125,0.0003044171,0.00015859822,0.0006127564,0.00017498057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017615382,0.00045522535,0.0002627003,0.00033634595,0.00028987037,0.00015960936,0.0102627035,0.00007622992,0.00011957696,0.8149796,0.16629149,0.0065905037],"study_design_scores_gemma":[0.00040411533,0.00013974051,0.00032861132,0.0003405529,0.0003803152,0.000030991723,0.001148464,0.00046322908,0.00011067771,0.01288425,0.983453,0.00031609647],"about_ca_topic_score_codex":0.009792599,"about_ca_topic_score_gemma":0.0024937429,"teacher_disagreement_score":0.8171615,"about_ca_system_score_codex":0.0005113274,"about_ca_system_score_gemma":0.0008091811,"threshold_uncertainty_score":0.99980164},"labels":[],"label_agreement":null},{"id":"W4416747502","doi":"10.7202/1121927ar","title":"Evain, Aurore, Perry Gethner, Henriette Goldwyn, (éds). Théâtre de femmes de l’Ancien Régime, tome III. XVIIe–XVIIIe siècles","year":2025,"lang":"fr","type":"article","venue":"Dalhousie French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Sainte-Anne","funders":"","keywords":"Natural (archaeology); Context (archaeology); Unconformity","score_opus":0.041046835548848276,"score_gpt":0.2953717986378234,"score_spread":0.2543249630889751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416747502","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15184005,0.5847705,0.00024098689,0.022572193,0.0057617924,0.0005945799,0.0009475648,0.0005440707,0.23272826],"genre_scores_gemma":[0.15594923,0.016434906,0.0005502055,0.0055656116,0.0031841423,0.00017924585,0.0000926507,0.00007509337,0.8179689],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99540406,0.00039506966,0.0010369275,0.0009761481,0.0005317255,0.0016560786],"domain_scores_gemma":[0.9972935,0.00087066495,0.0002919738,0.0007027132,0.00052156515,0.00031963407],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074455776,0.0008915186,0.001317426,0.00043961997,0.0031034187,0.00041540025,0.00074535835,0.0003148288,0.0011081736],"category_scores_gemma":[0.000381832,0.000776412,0.0006364565,0.0005286619,0.002414511,0.0005918256,0.0005741389,0.00078974856,0.00020935993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050458537,0.00063445687,0.0037463186,0.0010764773,0.0019670285,0.00029549844,0.10618716,0.00012758549,0.000119829856,0.102298856,0.77124375,0.0122525655],"study_design_scores_gemma":[0.000717959,0.0002308051,0.0041277288,0.0006601158,0.00093490136,0.000013331344,0.0077684503,0.00026908124,0.000116318864,0.010224074,0.97409606,0.00084114843],"about_ca_topic_score_codex":0.009037744,"about_ca_topic_score_gemma":0.0040618344,"teacher_disagreement_score":0.58524066,"about_ca_system_score_codex":0.0006692888,"about_ca_system_score_gemma":0.00045748366,"threshold_uncertainty_score":0.999805},"labels":[],"label_agreement":null},{"id":"W4417361372","doi":"10.60923/issn.2704-8217/22239","title":"Fonti storiche che educano alla pluralità: i canti di tradizione orale","year":2025,"lang":"pt","type":"article","venue":"Didattica della storia – Journal of Research and Didactics of History","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hôtel-Dieu Grace Healthcare","funders":"","keywords":"Studio; Class (philosophy); Key (lock)","score_opus":0.0960771544983271,"score_gpt":0.34388875786944423,"score_spread":0.24781160337111713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417361372","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2775166,0.53939456,0.00038680533,0.008164349,0.030311795,0.0009416686,0.0005886113,0.00005928722,0.1426363],"genre_scores_gemma":[0.80137646,0.0071326117,0.0001416205,0.0001403669,0.0021654675,0.0000063285206,0.000018923552,0.000050388287,0.18896784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942784,0.0008354066,0.0017393234,0.0005334354,0.0016790632,0.00093440653],"domain_scores_gemma":[0.9930316,0.0019023939,0.00086092023,0.00066024467,0.0027695177,0.00077528495],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002834166,0.00049241754,0.0013449297,0.0017673955,0.0008451783,0.00023005532,0.0009186483,0.0003043104,0.0016376729],"category_scores_gemma":[0.0010626059,0.00042668713,0.00050380215,0.0005201478,0.0018157678,0.0007322749,0.00022218931,0.0019525196,0.000021004598],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001705467,0.002462467,0.0020930644,0.0015084962,0.0015065271,0.0002772926,0.039621327,0.000007703483,0.0015443397,0.061350472,0.8850521,0.0028707362],"study_design_scores_gemma":[0.0012893162,0.0016346857,0.00038958553,0.0006451074,0.00048862176,0.000030297595,0.0058386005,0.000047932157,0.00020144232,0.0013021358,0.98776704,0.00036523066],"about_ca_topic_score_codex":0.0010154736,"about_ca_topic_score_gemma":0.00025687594,"teacher_disagreement_score":0.53226197,"about_ca_system_score_codex":0.001991894,"about_ca_system_score_gemma":0.0024441502,"threshold_uncertainty_score":0.9998185},"labels":[],"label_agreement":null},{"id":"W561425465","doi":"","title":"Histoire de la littérature pour la jeunesse (Québec et francophonies du Canada) suivie d'un Dictionnaire des auteurs et des illustrateurs (des origines à 1980) by Françoise Lepage (review)","year":2002,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.007941263746452185,"score_gpt":0.18059555197990637,"score_spread":0.1726542882334542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W561425465","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0964762,0.8237304,0.00025859903,0.005580313,0.00075479207,0.0001761272,0.00070738344,0.000112438785,0.07220376],"genre_scores_gemma":[0.34152123,0.15197535,0.00040248726,0.0005641212,0.00036785673,0.0000023444832,0.00006565708,0.00005281676,0.5050481],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780625,0.00074696814,0.00030921696,0.0003766138,0.0003046724,0.00045628313],"domain_scores_gemma":[0.9986454,0.00027791102,0.00022089157,0.00026143127,0.00028758575,0.00030674727],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002560902,0.0004229082,0.0005637731,0.00004479525,0.0015520913,0.00009244231,0.0003963848,0.00020056713,0.005686023],"category_scores_gemma":[0.000038358547,0.0004409781,0.00030961842,0.000087240944,0.0022403058,0.001244121,0.000025717143,0.000341126,0.000018415893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000834867,0.0008999378,0.0016475264,0.0025818567,0.00037773137,0.00075255806,0.23902652,0.000015852678,0.00008299722,0.018498087,0.64819276,0.087840706],"study_design_scores_gemma":[0.00052592304,0.00032356547,0.0019307863,0.0011116075,0.0003494965,0.000052737083,0.020769155,0.00008444841,0.000004594959,0.00021547705,0.9741765,0.00045567856],"about_ca_topic_score_codex":0.9640422,"about_ca_topic_score_gemma":0.98094904,"teacher_disagreement_score":0.671755,"about_ca_system_score_codex":0.0011602693,"about_ca_system_score_gemma":0.00049795175,"threshold_uncertainty_score":0.9998042},"labels":[],"label_agreement":null},{"id":"W564395874","doi":"10.33137/rr.v32i1.9595","title":"La Méditation au XVIIe siècle. Rhétorique, art, spiritualité","year":2009,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01974525895571751,"score_gpt":0.24849118183119084,"score_spread":0.22874592287547332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W564395874","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046725437,0.026967486,0.00042652496,0.013735156,0.0012936943,0.00020912736,0.000049362585,0.00011549497,0.9104777],"genre_scores_gemma":[0.9165019,0.0014292138,0.00008728174,0.0007213278,0.0016782343,0.0000062214513,0.00013421245,0.000009470806,0.07943217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988775,0.00012604511,0.00039454884,0.00017549441,0.00018050484,0.00024590833],"domain_scores_gemma":[0.9994548,0.000048928025,0.00016890765,0.00013252841,0.00008589973,0.00010892222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026717118,0.00018214296,0.00021078436,0.000101300146,0.0007445858,0.00019096352,0.000067070214,0.00014685486,0.00020068916],"category_scores_gemma":[0.000023260623,0.00014303153,0.00008460934,0.00008568704,0.0002759437,0.0016035693,0.000010365958,0.00020019643,0.00021073008],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038481554,0.00015277395,0.00004617361,0.00025209572,0.000026643907,0.000010224101,0.021783926,0.00001932252,0.00006225931,0.76587164,0.059820045,0.15191638],"study_design_scores_gemma":[0.00024892448,0.00022935486,0.0024587358,0.00029691705,0.000043626733,0.000017794893,0.0006372319,0.0002937885,0.000073683696,0.0074979677,0.987981,0.00022096005],"about_ca_topic_score_codex":0.00024812855,"about_ca_topic_score_gemma":0.00008473309,"teacher_disagreement_score":0.92816097,"about_ca_system_score_codex":0.00013070602,"about_ca_system_score_gemma":0.000035608697,"threshold_uncertainty_score":0.58326566},"labels":[],"label_agreement":null},{"id":"W566939121","doi":"","title":"La littérature engagée","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","score_opus":0.00734581471070114,"score_gpt":0.1507990633455133,"score_spread":0.14345324863481215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W566939121","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070346347,0.44811043,0.00004267883,0.013816337,0.0007902052,0.0000752522,0.00011955281,0.00007143487,0.5299395],"genre_scores_gemma":[0.056582194,0.015183688,0.00013966102,0.00042970353,0.0005392393,0.0000020147504,0.000023104561,0.000027464714,0.92707294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850565,0.00042027322,0.00016019105,0.00030060718,0.00018262002,0.00043068355],"domain_scores_gemma":[0.99914587,0.00016090239,0.00009204906,0.00026625695,0.000075083546,0.00025981784],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020032027,0.00025524508,0.00027546665,0.00011839735,0.0014719386,0.00007261829,0.00019264169,0.00025129082,0.0061259684],"category_scores_gemma":[0.000026143029,0.0002640914,0.00027708517,0.00017467885,0.0002833441,0.00030157523,0.0000594189,0.0005035829,0.0006753688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027651806,0.00012649846,0.000033816345,0.000048471637,0.00010933151,0.0018446764,0.006227043,0.000013614043,0.000020534879,0.7066855,0.27318144,0.011681447],"study_design_scores_gemma":[0.00040854444,0.00009039642,0.000022960035,0.000060979477,0.0002202055,0.00026221154,0.0031135804,0.000027688038,0.000035472716,0.002430968,0.9930044,0.00032259375],"about_ca_topic_score_codex":0.004265131,"about_ca_topic_score_gemma":0.016230185,"teacher_disagreement_score":0.71982294,"about_ca_system_score_codex":0.0029496907,"about_ca_system_score_gemma":0.000046629,"threshold_uncertainty_score":0.9999811},"labels":[],"label_agreement":null},{"id":"W569801529","doi":"","title":"Finitude et vicissitudes humaines. Carrefour international de théâtre de Québec 2004, du 12 au 24 mai 2004Carrefour international de théâtre de Québec 2004, du 12 au 24 mai 2004","year":2004,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.03421911306824718,"score_gpt":0.26681273281604717,"score_spread":0.2325936197478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W569801529","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43140408,0.015554299,0.0030066886,0.31546777,0.013305822,0.00089629076,0.0014082544,0.0006714153,0.21828538],"genre_scores_gemma":[0.6398338,0.00048773718,0.0015784502,0.019064674,0.0143871335,0.00014426367,0.00020581657,0.00014114442,0.32415697],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99254876,0.00039922746,0.0014759768,0.0015121205,0.0015804209,0.0024834624],"domain_scores_gemma":[0.9967371,0.00047919815,0.0007199192,0.0006622819,0.0004923192,0.0009091484],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0019082143,0.0012059914,0.0009682407,0.0009439666,0.004606024,0.0017864624,0.0027368765,0.00039800216,0.012598823],"category_scores_gemma":[0.00067673007,0.0010687629,0.00087239244,0.00041257587,0.003760108,0.0025341476,0.0005022401,0.0010036479,0.0003314173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00029584148,0.0022765354,0.16932002,0.00032642068,0.00089721964,0.001590609,0.060967878,0.059903644,0.0005520148,0.18404974,0.5175706,0.0022494763],"study_design_scores_gemma":[0.0014652995,0.0004337032,0.00620501,0.0007145683,0.00026338233,0.00033035257,0.0033095025,0.0012916732,0.00015478766,0.0059405714,0.9785779,0.0013132315],"about_ca_topic_score_codex":0.59773445,"about_ca_topic_score_gemma":0.7822921,"teacher_disagreement_score":0.46100733,"about_ca_system_score_codex":0.0065260646,"about_ca_system_score_gemma":0.008894139,"threshold_uncertainty_score":0.99924976},"labels":[],"label_agreement":null},{"id":"W574301646","doi":"10.1522/cla.loa.egl","title":"eglise et la guerre","year":2006,"lang":"fr","type":"book","venue":"Classiques des sciences sociales.","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.13744858978384616,"score_gpt":0.32684840259371073,"score_spread":0.18939981280986457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W574301646","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004326529,0.007836456,0.00010329891,0.00076379627,0.0012874423,0.0001881819,0.00035053364,0.00019081632,0.98884684],"genre_scores_gemma":[0.04041499,0.0005975882,0.0004830201,0.0007076093,0.00350781,0.000016887745,0.00016090006,0.000048316775,0.9540629],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962952,0.00082551216,0.0006944233,0.0007826544,0.0006815411,0.0007206568],"domain_scores_gemma":[0.9980705,0.00078229717,0.0004438741,0.00024356732,0.00025427667,0.00020548058],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0008260758,0.0006102365,0.0007474132,0.00027231008,0.0037509426,0.0013000905,0.00083579955,0.0004990166,0.0021811454],"category_scores_gemma":[0.00007288475,0.0005240227,0.0006354255,0.00021299487,0.09034652,0.000971051,0.00017740714,0.0007236659,0.00040144695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045479774,0.00014091765,0.00014608058,0.0001590347,0.00003876997,0.000050169496,0.0036014526,0.000009748622,0.0000020144694,0.7595897,0.23085922,0.00539835],"study_design_scores_gemma":[0.000093584626,0.00018481885,0.0000746789,0.0003861189,0.00011975332,0.000007500147,0.0002619029,0.000049137438,0.0000021122773,0.21147524,0.78680277,0.00054240524],"about_ca_topic_score_codex":0.01026664,"about_ca_topic_score_gemma":0.008032724,"teacher_disagreement_score":0.55594355,"about_ca_system_score_codex":0.002272873,"about_ca_system_score_gemma":0.0030846247,"threshold_uncertainty_score":0.99973667},"labels":[],"label_agreement":null},{"id":"W574571246","doi":"","title":"Le vide. Jo pour Jonathan de Maxime Giroux, Québec, 2011, 80 minJo pour Jonathan de Maxime Giroux, Québec, 2011, 80 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.03248180536932549,"score_gpt":0.21299659570153975,"score_spread":0.18051479033221426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W574571246","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049698554,0.6154697,0.00058375916,0.050870292,0.0027575872,0.0007241217,0.0006198406,0.00051100354,0.27876517],"genre_scores_gemma":[0.24311426,0.002285589,0.0013777172,0.0024638397,0.0036335124,0.00010134525,0.0000893028,0.00022477073,0.74670964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940824,0.0006277097,0.0014076533,0.0012787585,0.0006407279,0.0019627775],"domain_scores_gemma":[0.9963133,0.00056350057,0.0006099579,0.0010997576,0.00037120096,0.0010422994],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007244047,0.001204891,0.0012908088,0.0005202605,0.001710604,0.0004047131,0.0013362173,0.0006382273,0.06349742],"category_scores_gemma":[0.00017428731,0.0011727453,0.0010705511,0.00013786288,0.0011531402,0.0008161735,0.00034058504,0.0009954266,0.010157272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003132424,0.002036029,0.0024685445,0.00035111507,0.00060441805,0.00071935763,0.035638116,0.00000658647,0.0008027236,0.07108237,0.87738407,0.00859345],"study_design_scores_gemma":[0.0011641353,0.0003800507,0.0028484894,0.00021409702,0.0006871578,0.00021098688,0.004367703,0.00018573357,0.0010604255,0.0069603105,0.9804269,0.0014940111],"about_ca_topic_score_codex":0.6766274,"about_ca_topic_score_gemma":0.3668239,"teacher_disagreement_score":0.6131841,"about_ca_system_score_codex":0.0007538782,"about_ca_system_score_gemma":0.0026636098,"threshold_uncertainty_score":0.999589},"labels":[],"label_agreement":null},{"id":"W580667505","doi":"","title":"Le plateau de l'albatros : introduction à la géopoétique","year":2018,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013181018661818537,"score_gpt":0.211642791511962,"score_spread":0.19846177285014346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W580667505","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002681143,0.0009922076,0.0006663444,0.0051080994,0.00196225,0.00013665609,0.00007643895,0.00013605446,0.9906538],"genre_scores_gemma":[0.0041587246,0.00018349651,0.0003300663,0.0004652146,0.032337923,0.000016339163,0.00022511304,0.000050294093,0.9622328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819624,0.0002697554,0.000455518,0.00048749667,0.00018701461,0.00040398512],"domain_scores_gemma":[0.9989885,0.00017876446,0.00016662755,0.00032656977,0.0001660037,0.0001735334],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031688644,0.00038593303,0.00046153044,0.00016604713,0.001048397,0.00031242857,0.00024101498,0.00040849962,0.03502887],"category_scores_gemma":[0.000043531418,0.00034347808,0.00033003537,0.00003796594,0.0012553042,0.00036966315,0.0000650219,0.0005610026,0.0020318516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019790556,0.000085272746,0.000003676835,0.000084710475,0.000093332725,0.000013921933,0.0027394725,0.0000028811273,0.0000157781,0.5562677,0.43997183,0.00070163206],"study_design_scores_gemma":[0.00015332193,0.00021301417,0.0000068630625,0.00007007598,0.00015303056,0.000037129896,0.0002446573,0.000050149203,0.0000647759,0.02552365,0.9730486,0.00043472153],"about_ca_topic_score_codex":0.0042262697,"about_ca_topic_score_gemma":0.0014539834,"teacher_disagreement_score":0.53307676,"about_ca_system_score_codex":0.00031822437,"about_ca_system_score_gemma":0.00066109444,"threshold_uncertainty_score":0.9999017},"labels":[],"label_agreement":null},{"id":"W584739391","doi":"","title":"Le XIX e siècle fantastique en Amérique française ed. by Claude Janelle (review)","year":2000,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; History; Art history","score_opus":0.004865165128479384,"score_gpt":0.18137530693359072,"score_spread":0.17651014180511135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W584739391","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007887581,0.4243292,0.00018150073,0.0049363365,0.00038267567,0.0003033953,0.00084670546,0.0000745425,0.56105804],"genre_scores_gemma":[0.14808182,0.079761565,0.000189894,0.00056783523,0.00049188704,8.7929897e-7,0.00016843835,0.0000313394,0.77070636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985298,0.0002725872,0.00030011503,0.0003517723,0.00020446519,0.00034124707],"domain_scores_gemma":[0.9991414,0.00009467082,0.00013229265,0.0003176124,0.00009499496,0.0002190308],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013123032,0.00026419156,0.0005127904,0.000023109937,0.0006283537,0.000028229646,0.00042271457,0.0001587573,0.1004811],"category_scores_gemma":[0.000003347535,0.0003128101,0.00035565894,0.000027527049,0.000462928,0.0009635822,0.000018540104,0.00020482653,0.00069512514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103478436,0.00064217194,0.0000118271655,0.0005813901,0.00013961438,0.00007154157,0.049387567,0.0000038208495,0.000064199434,0.023895534,0.84838045,0.076718435],"study_design_scores_gemma":[0.00048922544,0.0007255517,0.000059780417,0.00053865317,0.00016216713,0.000005782574,0.0063288077,0.00006227688,0.000009396619,0.0000613073,0.99120814,0.0003489309],"about_ca_topic_score_codex":0.38946837,"about_ca_topic_score_gemma":0.08227534,"teacher_disagreement_score":0.34456763,"about_ca_system_score_codex":0.00016738377,"about_ca_system_score_gemma":0.0001022067,"threshold_uncertainty_score":0.9999324},"labels":[],"label_agreement":null},{"id":"W589289805","doi":"","title":"L'écrivain imaginaire : essai sur le roman québécois, 1960-1995","year":2004,"lang":"fr","type":"book","venue":"Hurtubise HMH eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.024895326256641325,"score_gpt":0.21064611540375863,"score_spread":0.18575078914711732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W589289805","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00088489254,0.0137598505,0.000059287187,0.002548173,0.002609784,0.00067996886,0.00065433513,0.00041546038,0.97838825],"genre_scores_gemma":[0.021422576,0.00014985396,0.00012145501,0.0019449145,0.005304871,0.00011365519,0.0005456314,0.00026766254,0.9701294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946676,0.00032894188,0.0014446015,0.0014328329,0.00083646615,0.001289547],"domain_scores_gemma":[0.99680865,0.00023511991,0.0006081783,0.0012867108,0.00036008554,0.0007012666],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0003391811,0.0015081713,0.0016923412,0.00048209736,0.002334965,0.0006643495,0.0010652737,0.00064324174,0.0065462436],"category_scores_gemma":[0.000048851598,0.0014630475,0.0012946998,0.00005987738,0.0023900215,0.00049375993,0.000301467,0.0014815297,0.001465698],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008273411,0.0005196411,0.000012251834,0.0009260067,0.00044018606,0.00089953595,0.04104449,0.000014424652,0.000024663901,0.83042264,0.11639939,0.00921404],"study_design_scores_gemma":[0.0013091291,0.0003162564,0.000029096842,0.0013363705,0.0006115493,0.000058807276,0.0005241435,0.000034494657,0.000046898826,0.030746924,0.96328294,0.0017034024],"about_ca_topic_score_codex":0.07629132,"about_ca_topic_score_gemma":0.023654647,"teacher_disagreement_score":0.84688354,"about_ca_system_score_codex":0.0018628564,"about_ca_system_score_gemma":0.005291073,"threshold_uncertainty_score":0.9997667},"labels":[],"label_agreement":null},{"id":"W593568363","doi":"","title":"Théâtres québécois et canadiens-français au XXe siècle: Trajectoires et territoires","year":2011,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.029342038898928887,"score_gpt":0.2214595386043971,"score_spread":0.1921174997054682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W593568363","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001648405,0.0058075064,0.000030122761,0.004441772,0.0023258594,0.00035367013,0.0016667043,0.00025614706,0.9834698],"genre_scores_gemma":[0.06868657,0.0007011525,0.00013158911,0.0040079313,0.0025058195,0.00005547955,0.00055597606,0.00014734121,0.9232081],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99573636,0.00045649556,0.0011214585,0.0010286206,0.000545519,0.0011115397],"domain_scores_gemma":[0.99737567,0.00061580795,0.00036508442,0.00077577506,0.00022863375,0.00063900807],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032810925,0.0011753517,0.0013235181,0.0005052121,0.0018621363,0.00043025994,0.0008185805,0.0005471309,0.041256543],"category_scores_gemma":[0.00007236722,0.0009374741,0.0009344292,0.00008831141,0.0018659077,0.000779064,0.00015870096,0.0010100502,0.00089162856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043922413,0.0002589853,0.00022377768,0.00028355225,0.00043981388,0.00018733612,0.06750159,0.0000036877645,0.0000025938389,0.70065266,0.22227041,0.008131667],"study_design_scores_gemma":[0.00029668098,0.0004379964,0.0009983148,0.00050536555,0.00047400696,0.000028786588,0.0010243318,0.000020912677,0.000017409659,0.006841469,0.98805326,0.0013014746],"about_ca_topic_score_codex":0.96920437,"about_ca_topic_score_gemma":0.97786,"teacher_disagreement_score":0.76578283,"about_ca_system_score_codex":0.00064174546,"about_ca_system_score_gemma":0.0024790913,"threshold_uncertainty_score":0.9998863},"labels":[],"label_agreement":null},{"id":"W595357508","doi":"","title":"Le théâtre français à l'étranger au XIXe siècle : histoire d'une suprématie culturelle","year":2008,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.017555956113378828,"score_gpt":0.19061437090683972,"score_spread":0.1730584147934609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W595357508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029894864,0.018234408,0.000089383546,0.006416117,0.0023325107,0.0003293302,0.000410847,0.00024761364,0.9716408],"genre_scores_gemma":[0.021083565,0.00065947487,0.00013506255,0.0011245966,0.0042203623,0.000036746274,0.00071802555,0.00012249702,0.9718997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996569,0.0001546993,0.0010003784,0.0008448939,0.00061826763,0.0008127534],"domain_scores_gemma":[0.9982013,0.00019229985,0.00029013824,0.0006490905,0.0002607081,0.00040642396],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009933458,0.00094575674,0.0012443787,0.00022411642,0.005873131,0.00018185421,0.0005870741,0.00064260873,0.02556665],"category_scores_gemma":[0.000018390845,0.0007744271,0.0011350807,0.0001276027,0.0025447588,0.00060487457,0.000106102256,0.0009271512,0.004144223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023403432,0.00033883678,0.000019814712,0.00025154656,0.00020479645,0.00012088658,0.021380082,0.000007922355,0.0000059332474,0.5415702,0.43428028,0.0017963052],"study_design_scores_gemma":[0.00047468784,0.00020787415,0.00008292042,0.00025626016,0.00029191092,0.000032106193,0.00069647527,0.000036621488,0.000018861256,0.0020235477,0.9947688,0.0011099412],"about_ca_topic_score_codex":0.09497724,"about_ca_topic_score_gemma":0.017285084,"teacher_disagreement_score":0.5604885,"about_ca_system_score_codex":0.0005185907,"about_ca_system_score_gemma":0.0008375609,"threshold_uncertainty_score":0.99947065},"labels":[],"label_agreement":null},{"id":"W59786057","doi":"10.1007/978-94-6091-669-4_8","title":"The Implementation of Creative Instructional Strategies and Tactics in a Late French Immersion Classroom","year":2011,"lang":"en","type":"book-chapter","venue":"SensePublishers eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Converse; French immersion; Mathematics education; Pedagogy; Professional development; Psychology; Philosophy; Epistemology","score_opus":0.03121534395546394,"score_gpt":0.23636087945220707,"score_spread":0.20514553549674314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W59786057","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010543352,0.0003119741,0.0000025500588,0.000066436995,0.0003707057,0.00014984477,0.00006651367,0.0000146441125,0.98847395],"genre_scores_gemma":[0.19482093,0.00005539277,0.000039685798,0.000052505497,0.00025164173,0.0000069673574,0.00007899876,0.00002637042,0.80466753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903274,0.000035386718,0.00038709797,0.0002053593,0.00019388238,0.00014551399],"domain_scores_gemma":[0.9993026,0.00008485374,0.00028467915,0.00013233913,0.00015203578,0.00004344055],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011582202,0.00019835246,0.00024244553,0.00017258772,0.0002715828,0.0003178099,0.000093805866,0.00010611144,0.0013710888],"category_scores_gemma":[0.0000039600422,0.00014039422,0.00008965002,0.000008092123,0.0005428948,0.00045532626,0.0000404175,0.00028795912,0.000003917053],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032250628,0.0000063769517,0.000017197039,0.000031026473,0.00012915641,0.0000063113257,0.037949827,3.197944e-7,0.000008845499,0.9322757,0.0047216453,0.024821308],"study_design_scores_gemma":[0.00026443694,0.00015106009,0.00009813049,0.000054875363,0.000074733434,0.0000022151642,0.0121161165,0.000003507698,0.000012991185,0.13374078,0.8532816,0.00019951921],"about_ca_topic_score_codex":0.0033634165,"about_ca_topic_score_gemma":0.004928729,"teacher_disagreement_score":0.84856,"about_ca_system_score_codex":0.000054153395,"about_ca_system_score_gemma":0.00012440176,"threshold_uncertainty_score":0.9995418},"labels":[],"label_agreement":null},{"id":"W612567839","doi":"","title":"Vertigineuse passion. Man on Wire de James Marsh Man on Wire de James Marsh","year":2008,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Marsh; Passion; Art; Ecology; Wetland; Psychology; Biology; Social psychology","score_opus":0.026079453333527517,"score_gpt":0.22809005788640163,"score_spread":0.20201060455287412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W612567839","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7848112,0.055808097,0.000015992191,0.03715663,0.0019341247,0.00032308573,0.00030758872,0.00030449007,0.11933879],"genre_scores_gemma":[0.4702926,0.0083205355,0.00015947514,0.009542604,0.0029214718,0.000041686533,0.000076100994,0.00009384487,0.50855166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99722874,0.00028517912,0.0005232696,0.00062645954,0.00042459625,0.00091176043],"domain_scores_gemma":[0.99837387,0.00032266526,0.00016604271,0.0005836495,0.00009564425,0.00045813102],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015653195,0.0005832302,0.00058872084,0.0002488393,0.0016241292,0.00020735721,0.00044967057,0.00027092357,0.007153576],"category_scores_gemma":[0.0000803355,0.00050124555,0.00044510778,0.0001240438,0.0006943439,0.00026651297,0.00009280427,0.000606078,0.001143429],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030528478,0.00085768965,0.002070323,0.00021793369,0.000171063,0.0009990053,0.013267101,0.000069826085,0.000052791827,0.062396266,0.9106824,0.008910336],"study_design_scores_gemma":[0.00054403784,0.00064373255,0.00242902,0.0007493603,0.00012667775,0.00006717832,0.0017165472,0.00013865887,0.0005881218,0.0012673237,0.99109226,0.00063708116],"about_ca_topic_score_codex":0.0022814674,"about_ca_topic_score_gemma":0.00017942695,"teacher_disagreement_score":0.3892129,"about_ca_system_score_codex":0.00026782363,"about_ca_system_score_gemma":0.00014925124,"threshold_uncertainty_score":0.99974394},"labels":[],"label_agreement":null},{"id":"W612977741","doi":"","title":"Considérations sur le déplacement de La Joute","year":2003,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.017143635198962254,"score_gpt":0.22976022533910426,"score_spread":0.212616590140142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W612977741","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00413527,0.04946532,0.0010210732,0.03357506,0.0020556848,0.00020354231,0.00014575363,0.00009098071,0.9093073],"genre_scores_gemma":[0.16814153,0.0002564697,0.0005628877,0.0010845425,0.000683904,0.000012675984,0.000017094932,0.000020301477,0.8292206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985165,0.000545268,0.00019821114,0.00022914709,0.00016869899,0.00034218893],"domain_scores_gemma":[0.9992767,0.00016275482,0.00007358099,0.00021891526,0.00009487668,0.00017316992],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032684256,0.00020822843,0.00021980806,0.00006403888,0.0008391607,0.00033035557,0.00009628039,0.00016080154,0.006595059],"category_scores_gemma":[0.00012627912,0.00018867911,0.00019406829,0.00008947282,0.0003786739,0.0002813892,0.000016999466,0.00037168356,0.00028671103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072153985,0.00021972819,0.00008411941,0.00004084469,0.00008498205,0.000031907806,0.026421573,0.00015456349,0.000038853756,0.7048622,0.26788822,0.00016579274],"study_design_scores_gemma":[0.00039856017,0.00005319489,0.000057499197,0.0000626578,0.00010974861,0.000020698826,0.002759447,0.00006322657,0.00010298929,0.002588148,0.99353516,0.0002486599],"about_ca_topic_score_codex":0.00086013286,"about_ca_topic_score_gemma":0.000944822,"teacher_disagreement_score":0.725647,"about_ca_system_score_codex":0.00012112359,"about_ca_system_score_gemma":0.00040289122,"threshold_uncertainty_score":0.99431306},"labels":[],"label_agreement":null},{"id":"W61530221","doi":"","title":"Pourquoi la décadence fascine-t-elle?","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Cadence; Philosophy; Medicine; Physical medicine and rehabilitation","score_opus":0.010453044270285115,"score_gpt":0.1677748830921837,"score_spread":0.15732183882189857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W61530221","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055269986,0.34952635,0.00027731323,0.108911805,0.0011267945,0.0001643223,0.00014573633,0.0001806881,0.484397],"genre_scores_gemma":[0.055776987,0.024580538,0.00011947895,0.0005542532,0.0010348813,0.0000022027216,0.000021154445,0.00002802897,0.9178825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842274,0.00016168226,0.00021900165,0.00038119976,0.00026651716,0.00054885604],"domain_scores_gemma":[0.9988965,0.00025273624,0.00012420224,0.00031090766,0.000093866314,0.00032180647],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014049104,0.0002943532,0.00032884968,0.00018206582,0.0014351394,0.00008449934,0.00037072314,0.0001916972,0.009266057],"category_scores_gemma":[0.000019628858,0.000310455,0.0002934382,0.00021038868,0.0003735246,0.0005091707,0.00017035722,0.00034832174,0.0015304876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011320332,0.00020462683,0.00045293482,0.000055249657,0.00013963653,0.0062946803,0.0053607696,0.000085208456,0.00005116994,0.48311526,0.48161605,0.022511221],"study_design_scores_gemma":[0.00048974896,0.000121021716,0.0001513083,0.000106321306,0.00023644193,0.0005253298,0.0015905539,0.000469383,0.000013492205,0.0017400357,0.9941732,0.00038313994],"about_ca_topic_score_codex":0.024464274,"about_ca_topic_score_gemma":0.03323998,"teacher_disagreement_score":0.5125572,"about_ca_system_score_codex":0.0026182125,"about_ca_system_score_gemma":0.000043919983,"threshold_uncertainty_score":0.99993473},"labels":[],"label_agreement":null},{"id":"W618904563","doi":"","title":"Vie et mort du théâtre au Québec : introduction à une théâtritude","year":2001,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Philosophy","score_opus":0.019194061747552296,"score_gpt":0.23340549888513878,"score_spread":0.2142114371375865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W618904563","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005172166,0.0024946549,0.00017295561,0.06060649,0.0032434156,0.0002514124,0.00010560007,0.00019386158,0.9324144],"genre_scores_gemma":[0.0035071978,0.0013857749,0.00006260069,0.0014602111,0.031479638,0.000026531576,0.00063790585,0.000072322604,0.96136785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99719125,0.00018961699,0.0008330569,0.00078605086,0.00045479857,0.0005452463],"domain_scores_gemma":[0.9984632,0.0001901208,0.00028726555,0.0005506947,0.00026104072,0.00024766102],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027837366,0.0006975493,0.0008670862,0.00026613346,0.0014328568,0.000272009,0.00036396453,0.00033011803,0.04972452],"category_scores_gemma":[0.00004887513,0.000558889,0.0005976176,0.00012682809,0.0007676708,0.0005898159,0.000106849344,0.0007856957,0.002174134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003273643,0.00029310738,0.00015693437,0.00012530081,0.0002463536,0.0000704219,0.004700253,0.000027062077,0.0000018948065,0.5407687,0.44996023,0.00361706],"study_design_scores_gemma":[0.00023215267,0.00025293493,0.000107134554,0.00011301529,0.0004812197,0.000053368603,0.0004265816,0.00003790535,0.0000028427023,0.0017800041,0.9958007,0.0007121744],"about_ca_topic_score_codex":0.44452506,"about_ca_topic_score_gemma":0.4997222,"teacher_disagreement_score":0.54584044,"about_ca_system_score_codex":0.0015065938,"about_ca_system_score_gemma":0.0015428781,"threshold_uncertainty_score":0.99986714},"labels":[],"label_agreement":null},{"id":"W623093966","doi":"10.71781/9227","title":"Figures de la tautologie dans l'art et le discours critique des années 1960","year":2008,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.05212105181192049,"score_gpt":0.33927745687157207,"score_spread":0.28715640505965156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W623093966","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21146248,0.0071546417,0.000038429327,0.0009466875,0.00032891994,0.0002164309,0.00041245678,0.000006000226,0.77943397],"genre_scores_gemma":[0.32455704,0.0014400732,0.0012090604,0.00013507398,0.00036210875,0.000060530314,0.0017639035,0.00003938953,0.6704328],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981425,0.00046311083,0.00040568848,0.0004433425,0.00016625655,0.00037914058],"domain_scores_gemma":[0.9989859,0.000370707,0.00016490518,0.00023017886,0.00010551263,0.000142834],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002673391,0.0003695001,0.0004942141,0.00010085794,0.0018095332,0.00089805055,0.0006111473,0.00028297896,0.008025637],"category_scores_gemma":[0.00012549895,0.00032548,0.0002314936,0.00006405678,0.0010781185,0.0007872011,0.00006626085,0.00044104355,0.00046944403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028993835,0.0015722676,0.0011235892,0.00037203173,0.00043231016,0.00090529,0.52965105,0.00010060575,0.0007154377,0.3391552,0.09385508,0.03182717],"study_design_scores_gemma":[0.00020561657,0.00016977405,0.00093575753,0.00042900752,0.00015779301,0.000029967041,0.03345331,0.000025136624,0.0011790737,0.0024748177,0.9604954,0.00044435714],"about_ca_topic_score_codex":0.008009751,"about_ca_topic_score_gemma":0.017878376,"teacher_disagreement_score":0.8666403,"about_ca_system_score_codex":0.00009619753,"about_ca_system_score_gemma":0.00060371426,"threshold_uncertainty_score":0.9999197},"labels":[],"label_agreement":null},{"id":"W638885886","doi":"","title":"Baliseur du conte au Québec. Les jours sont contés. Portraits de conteurs, de Danielle Bérard et Christian-Marie Pons, Planète rebelle/Littorale, 84 p. Les jours sont contés. Portraits de conteurs, de Danielle Bérard et Christian-Marie Pons, Planète rebelle/Littorale, 84 p.","year":2003,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04000893493881805,"score_gpt":0.2724622715828333,"score_spread":0.23245333664401527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W638885886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4304686,0.31979546,0.004684832,0.08517269,0.00790625,0.0038678877,0.0087867305,0.0014842774,0.13783331],"genre_scores_gemma":[0.8791536,0.0068081585,0.0017911884,0.01675715,0.0035298858,0.00025211435,0.00062026427,0.0003680117,0.0907196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9820429,0.003464358,0.0034989791,0.0030264235,0.0021434054,0.005823904],"domain_scores_gemma":[0.9883967,0.004068621,0.0022868817,0.001489719,0.00093599706,0.0028220578],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.008843071,0.0026755456,0.003222187,0.0010720772,0.009888222,0.002940977,0.002767697,0.0011548237,0.0045126537],"category_scores_gemma":[0.0049594347,0.002525217,0.001604032,0.0008433063,0.008234634,0.0027836617,0.00050228054,0.0025956924,0.0001275259],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010221301,0.0016851405,0.058690336,0.0006404899,0.00091942435,0.003290646,0.040459823,0.0016942583,0.0010090928,0.27753052,0.6104498,0.0026083721],"study_design_scores_gemma":[0.0036399646,0.0017229033,0.005018515,0.0015584854,0.0008556217,0.00054089224,0.022993231,0.00096084527,0.00042724513,0.0027354865,0.95647836,0.0030684432],"about_ca_topic_score_codex":0.34245878,"about_ca_topic_score_gemma":0.30762556,"teacher_disagreement_score":0.44868505,"about_ca_system_score_codex":0.0019930098,"about_ca_system_score_gemma":0.00893523,"threshold_uncertainty_score":0.9997054},"labels":[],"label_agreement":null},{"id":"W642662599","doi":"","title":"La partie et le tout : la composition du roman, de l'âge Baroque au tournant des Lumières : (Actes des colloques de Paris, Bruxelles et Venise, automne 2008)","year":2011,"lang":"fr","type":"book","venue":"Peeters eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02931796450012743,"score_gpt":0.23775113719924443,"score_spread":0.208433172699117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W642662599","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.095281065,0.009058474,0.00053758314,0.00045510428,0.00043552558,0.000396373,0.0005296405,0.0002980807,0.8930082],"genre_scores_gemma":[0.68055046,0.0013369562,0.001454179,0.0006064328,0.0009191673,0.00012731276,0.00026344095,0.00013914362,0.31460288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99553525,0.0017511711,0.0008344481,0.0005972765,0.0003273542,0.00095451495],"domain_scores_gemma":[0.99737495,0.0010981013,0.000449657,0.00037262967,0.00022713817,0.00047749476],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0009848621,0.0008098437,0.0009433606,0.00027598217,0.0019486115,0.00080732943,0.00048340304,0.0005224199,0.0006963885],"category_scores_gemma":[0.0000760917,0.0007508996,0.00062685926,0.0000309593,0.0030030305,0.000508101,0.0001787431,0.00087095366,0.00005750653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053395925,0.0010012233,0.0032411448,0.0013892773,0.0011990215,0.0010207242,0.22449817,0.00006574227,0.0010594169,0.65573186,0.09945924,0.010800242],"study_design_scores_gemma":[0.00060838734,0.00043861978,0.0020368947,0.0017335417,0.0005958066,0.00017940174,0.0010513737,0.00013211304,0.0008294856,0.018106332,0.97335833,0.00092973356],"about_ca_topic_score_codex":0.024803847,"about_ca_topic_score_gemma":0.011415489,"teacher_disagreement_score":0.8738991,"about_ca_system_score_codex":0.000927532,"about_ca_system_score_gemma":0.0014539246,"threshold_uncertainty_score":0.9997102},"labels":[],"label_agreement":null},{"id":"W647854155","doi":"","title":"Cognitive Space and Patterns of Deceit in La Fontaine's Contes by Catherine M. Grisé (review)","year":2001,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Space (punctuation); Art; History; Philosophy; Linguistics","score_opus":0.010123033781088612,"score_gpt":0.20175918326713127,"score_spread":0.19163614948604266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W647854155","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85348403,0.03801875,0.00019104211,0.00044350588,0.000055973996,0.0002263582,0.00025780385,0.000023070621,0.10729949],"genre_scores_gemma":[0.9825308,0.0030946755,0.000012802851,0.000047624988,0.000019398516,1.7134157e-7,0.000017823746,0.0000035640564,0.014273158],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995646,0.000059025646,0.00010994375,0.000110020046,0.00007121035,0.00008519697],"domain_scores_gemma":[0.99967384,0.000080974154,0.00008028139,0.000061489576,0.00006209651,0.00004129021],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005812471,0.00007870093,0.00022963669,0.00001912965,0.00004087576,0.0000049483924,0.00007608054,0.000021876349,0.0023029686],"category_scores_gemma":[0.0000043728855,0.0000771129,0.000053991876,0.000010125741,0.00010768046,0.0002415045,0.0000092561295,0.000039530187,0.0000029863322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009441993,0.0018698033,0.054408114,0.0017614391,0.00050925126,0.00035228187,0.6747019,3.553698e-7,0.0005698245,0.050217606,0.048429795,0.1662354],"study_design_scores_gemma":[0.0011319224,0.00093670667,0.006673757,0.00068695523,0.00010927539,0.0000039919246,0.045703974,0.000013414456,0.000011521095,0.00008277454,0.9444409,0.00020480574],"about_ca_topic_score_codex":0.09224756,"about_ca_topic_score_gemma":0.077906884,"teacher_disagreement_score":0.8960111,"about_ca_system_score_codex":0.000031977434,"about_ca_system_score_gemma":0.000007892147,"threshold_uncertainty_score":0.99860907},"labels":[],"label_agreement":null},{"id":"W650778876","doi":"10.71781/22393","title":"Discours et pratiques du théâtre populaire : le cas du Théâtre Populaire du Québec de 1963 à 1976","year":2011,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.028699939972676135,"score_gpt":0.28276561480268186,"score_spread":0.25406567483000575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W650778876","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6544897,0.003988343,0.000010475791,0.014001449,0.0012582395,0.00077957404,0.00060883106,0.00002124785,0.32484215],"genre_scores_gemma":[0.4673782,0.00033886178,0.00025230373,0.00026982554,0.0012944713,0.00008741572,0.002825678,0.00008998991,0.52746326],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966203,0.000465621,0.00096323487,0.00093467225,0.00036750996,0.0006486837],"domain_scores_gemma":[0.99798757,0.00013076767,0.00068606366,0.000564129,0.00027043629,0.00036103986],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038804638,0.00086749677,0.0010399211,0.00019060276,0.0023961647,0.0012925444,0.0011592093,0.0004520299,0.023964565],"category_scores_gemma":[0.00010928189,0.0007365615,0.0005301461,0.00011888065,0.0003582656,0.0016340524,0.00020414141,0.0007061925,0.00083274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050365075,0.0020066604,0.01737884,0.0004164504,0.00072803884,0.0010074924,0.5232551,0.000018806928,0.000045615623,0.33849275,0.07629931,0.039847255],"study_design_scores_gemma":[0.00039340067,0.00030284486,0.003765168,0.00071914267,0.00055694015,0.00004159569,0.03247646,0.00006029036,0.00015113057,0.0005840126,0.95996034,0.000988696],"about_ca_topic_score_codex":0.7302574,"about_ca_topic_score_gemma":0.8832372,"teacher_disagreement_score":0.88366103,"about_ca_system_score_codex":0.0004069254,"about_ca_system_score_gemma":0.00227013,"threshold_uncertainty_score":0.9999452},"labels":[],"label_agreement":null},{"id":"W650847162","doi":"","title":"Lire au Québec au XIXe siècle","year":2003,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.030815129707150914,"score_gpt":0.21748308790884396,"score_spread":0.18666795820169305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W650847162","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008144325,0.0021723507,0.000017169687,0.00199538,0.0034661107,0.0001443956,0.00013930809,0.00009579421,0.9911551],"genre_scores_gemma":[0.010304999,0.000041847292,0.0000398491,0.0012791356,0.006123831,0.000013936984,0.00012087717,0.000060348848,0.9820152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979042,0.000105288746,0.00059375213,0.0005125596,0.00029607874,0.0005881345],"domain_scores_gemma":[0.99868464,0.00023414739,0.00017636288,0.0004419688,0.00013332626,0.00032957538],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000134647,0.00054802076,0.000663272,0.00014141233,0.0020997454,0.00019243875,0.00032261212,0.00028418493,0.085611604],"category_scores_gemma":[0.00003837669,0.00043942386,0.0005829068,0.00004197719,0.0011170774,0.00027656497,0.000057959183,0.0005664981,0.0067576324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007785603,0.00014222611,0.0002130653,0.00016271681,0.00014748867,0.000038648075,0.0067459405,0.000001055501,0.0000013111329,0.69115764,0.29775232,0.0036297643],"study_design_scores_gemma":[0.00014259413,0.0001535314,0.00007652402,0.00010752172,0.00024516464,0.000009214319,0.0002702236,0.000010920579,0.0000031683971,0.0026503287,0.995688,0.00064278394],"about_ca_topic_score_codex":0.49343407,"about_ca_topic_score_gemma":0.45769516,"teacher_disagreement_score":0.6979357,"about_ca_system_score_codex":0.0014719678,"about_ca_system_score_gemma":0.0038981813,"threshold_uncertainty_score":0.99980575},"labels":[],"label_agreement":null},{"id":"W651116422","doi":"10.33137/rr.v32i2.11267","title":"Bomarzo ou les incertitudes de la lecture: Figure de la meraviglia dans un jardin maniériste du XVIe siècle","year":2009,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010273222698424622,"score_gpt":0.23241948792115372,"score_spread":0.2221462652227291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W651116422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29474473,0.09007102,0.003669604,0.010359111,0.00046928896,0.00026679446,0.00010063288,0.00018899828,0.6001298],"genre_scores_gemma":[0.986078,0.0041494435,0.00018837037,0.00044119777,0.0008664813,0.0000075969956,0.000047447364,0.000012037543,0.008209423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987727,0.00031644976,0.000303422,0.00017334543,0.00014924852,0.0002848259],"domain_scores_gemma":[0.99949044,0.00008731661,0.00013329697,0.00013456651,0.000044378856,0.000109999266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003827356,0.00021154761,0.00023817926,0.000066143715,0.0011699639,0.0002884057,0.00011679809,0.00021405212,0.00028611868],"category_scores_gemma":[0.000028438255,0.00015900486,0.00011012152,0.000076638375,0.0004362661,0.0006465857,0.00001789958,0.000298105,0.000023907547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018712648,0.00065235986,0.003985875,0.00087302044,0.0002535874,0.00016101432,0.11322725,0.0006447102,0.0022614622,0.41528758,0.101117894,0.36134812],"study_design_scores_gemma":[0.00032156077,0.00014754462,0.014722579,0.00027893428,0.00009975074,0.000072280636,0.00056987675,0.0008496706,0.0011073311,0.009009505,0.97255844,0.00026255715],"about_ca_topic_score_codex":0.001089688,"about_ca_topic_score_gemma":0.00006744705,"teacher_disagreement_score":0.87144053,"about_ca_system_score_codex":0.00016121371,"about_ca_system_score_gemma":0.00003482106,"threshold_uncertainty_score":0.89985347},"labels":[],"label_agreement":null},{"id":"W68433794","doi":"","title":"Trois écritures. Pierre Combescot, Les petites mazarines, Grasset, 1999.Denis Tillinac, Les masques de l’éphémère, La table ronde, 1999.Hector Bianciotti, Comme la trace de l’oiseau dans l’air, Pierre Combescot, Les petites mazarines, Grasset, 1999.Denis Tillinac, Les masques de l’éphémère, La table ronde, 1999.Hector Bianciotti, Comme la trace de l’oiseau dans l’air,","year":2000,"lang":"fr","type":"article","venue":"Liberté","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024670727744898684,"score_gpt":0.24999919561017295,"score_spread":0.22532846786527427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W68433794","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30756736,0.37119693,0.0030839087,0.011408786,0.0020192787,0.0036940745,0.016333906,0.0037020084,0.2809938],"genre_scores_gemma":[0.5539635,0.064602144,0.008379291,0.0017821,0.0043366966,0.0010506938,0.0037166874,0.0014698904,0.360699],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.978983,0.005688724,0.0038069638,0.0035539684,0.0021420335,0.005825298],"domain_scores_gemma":[0.98565304,0.006478196,0.001529975,0.0029014493,0.0007207578,0.0027165767],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0029072724,0.004436288,0.0046071783,0.0014533579,0.0059441454,0.0031647861,0.0042190403,0.0031381357,0.006400948],"category_scores_gemma":[0.0006601866,0.0044379504,0.002468116,0.0019561048,0.0052978266,0.0031748812,0.00089932216,0.005733618,0.00026753277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022042855,0.013459509,0.19566835,0.006097239,0.0038162782,0.004744678,0.038521677,0.0038795415,0.004669221,0.13397194,0.5616953,0.03127198],"study_design_scores_gemma":[0.0039492263,0.0011024254,0.023497766,0.002822704,0.0026789447,0.0016845078,0.0049743336,0.0028573868,0.0029109374,0.0030592098,0.94567096,0.0047916165],"about_ca_topic_score_codex":0.2547003,"about_ca_topic_score_gemma":0.14882849,"teacher_disagreement_score":0.38397565,"about_ca_system_score_codex":0.0024174906,"about_ca_system_score_gemma":0.0017044877,"threshold_uncertainty_score":0.998156},"labels":[],"label_agreement":null},{"id":"W6917718541","doi":"10.58079/qy4d","title":"Conférence - « Édition critique et contraintes de collection. L’exemple de la Bibliothèque de la Pléiade »","year":2018,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Work (physics); Relation (database); Identification (biology)","score_opus":0.016724170549229415,"score_gpt":0.28223855521162544,"score_spread":0.265514384662396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6917718541","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011718565,0.0050372444,0.040821824,0.07683757,0.003757124,0.00089731696,0.0034251476,0.0004531936,0.857052],"genre_scores_gemma":[0.8135034,0.0028955715,0.0028657496,0.0668108,0.008166861,0.0006090354,0.0010290785,0.00010437759,0.10401512],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99483407,0.0025050088,0.00073233095,0.0006378326,0.00042668317,0.00086410606],"domain_scores_gemma":[0.9958632,0.002300368,0.0003206684,0.0003471192,0.0006627221,0.0005059296],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0020734116,0.0005018621,0.0005265727,0.0007261023,0.0023698232,0.0021764275,0.00043353587,0.00051606324,0.047380082],"category_scores_gemma":[0.0007353681,0.0005470092,0.00030323747,0.00068209734,0.0028002267,0.010583798,0.000090049725,0.0008004319,0.00086813176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012229905,0.0005097608,0.000082563114,0.00010768437,0.00009786456,0.00009962314,0.0031766703,0.0000321229,0.00061861187,0.67205983,0.32270333,0.00038962153],"study_design_scores_gemma":[0.0011079211,0.00062668114,0.003455365,0.000605248,0.00020981408,0.00037219396,0.00096333824,0.0008679342,0.0026234991,0.05223881,0.9362743,0.0006549182],"about_ca_topic_score_codex":0.007713888,"about_ca_topic_score_gemma":0.0043070163,"teacher_disagreement_score":0.8017848,"about_ca_system_score_codex":0.00072977616,"about_ca_system_score_gemma":0.0010678418,"threshold_uncertainty_score":0.9999136},"labels":[],"label_agreement":null},{"id":"W6917811496","doi":"10.58079/sqnp","title":"Avis de décès du \"découvreur\" de Gilbert de L'Isle, Blake T. Hanna","year":2016,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Subject (documents); Line (geometry)","score_opus":0.017625860252315984,"score_gpt":0.22433820595045284,"score_spread":0.20671234569813685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6917811496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022086285,0.006849583,0.01564904,0.413876,0.010813056,0.0009877476,0.004751756,0.00046403575,0.5245225],"genre_scores_gemma":[0.2830693,0.0024319973,0.0009724141,0.046378966,0.013296518,0.00036755478,0.00061701285,0.00012356456,0.6527427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995815,0.0006216446,0.000896968,0.00078858546,0.00058294734,0.0012948499],"domain_scores_gemma":[0.9972717,0.0005191486,0.00037006836,0.0005895935,0.00045506732,0.00079440506],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007884539,0.0006286961,0.0006289788,0.0002767578,0.0018336911,0.00074588665,0.0006849437,0.00038469423,0.08380772],"category_scores_gemma":[0.0003187421,0.0005309948,0.00048331445,0.00023977236,0.0009575383,0.0118614575,0.0001590807,0.00041140613,0.0058298567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013926081,0.0006408682,0.0002330326,0.00011929658,0.00016617724,0.00025480837,0.001947837,0.000026777792,0.00068094546,0.572315,0.4148105,0.008665496],"study_design_scores_gemma":[0.0011910103,0.0004017776,0.003493038,0.0006999874,0.00030114272,0.00018307137,0.0002895082,0.00015984365,0.0010986093,0.0150205,0.9763281,0.0008334255],"about_ca_topic_score_codex":0.0014416055,"about_ca_topic_score_gemma":0.0033482178,"teacher_disagreement_score":0.5615176,"about_ca_system_score_codex":0.0010900017,"about_ca_system_score_gemma":0.00050903164,"threshold_uncertainty_score":0.99971414},"labels":[],"label_agreement":null},{"id":"W6924371352","doi":"10.15468/dl.dvc53u","title":"Occurrence Download","year":2025,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Matching (statistics); Range (aeronautics); Set (abstract data type); Identification (biology); Download","score_opus":0.02041416638505274,"score_gpt":0.20989674367728342,"score_spread":0.18948257729223067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924371352","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001889097,0.0000528814,8.1576775e-7,0.00016342667,0.0011662819,0.00013033552,0.99162644,0.00007454544,0.006766375],"genre_scores_gemma":[0.000004530103,0.00002914765,1.9727052e-7,0.0009757538,0.000006171274,0.0000024862638,0.99896437,3.3685839e-9,0.000017343207],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896985,0.00004611381,0.00033915578,0.00016478627,0.00028555887,0.00019452565],"domain_scores_gemma":[0.99914485,0.000021270786,0.00017474688,0.00032984398,0.0002364423,0.00009285596],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009693133,0.00022252288,0.0002609096,0.00010073755,0.00055436586,0.00027194901,0.00040849115,0.00014805757,0.013300488],"category_scores_gemma":[0.00006548669,0.00020103635,0.00018701878,0.000103193684,0.00023030252,0.0009923684,0.0001771494,0.00022349556,0.054704912],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002593813,0.00003695649,0.000031044252,0.00019507167,0.000039877144,0.000001366993,0.0005416573,8.69752e-7,1.0123709e-9,0.000008743835,0.9982207,0.0008978011],"study_design_scores_gemma":[0.000127042,0.000022352762,0.0000011857444,0.0000039281304,0.000078104735,3.6462205e-7,0.0002447928,4.1641293e-8,1.284207e-7,0.0000023553084,0.9993106,0.00020911607],"about_ca_topic_score_codex":0.0018672048,"about_ca_topic_score_gemma":0.000078959296,"teacher_disagreement_score":0.041404426,"about_ca_system_score_codex":0.00020548428,"about_ca_system_score_gemma":0.00010518445,"threshold_uncertainty_score":0.9876015},"labels":[],"label_agreement":null},{"id":"W6924936681","doi":"10.15493/dea.mims.11212023","title":"Long-term observations of hourly bottom temperatures on the Prince Edward Island shelf at Mooring 2 (May 2022 - April 2023)","year":2022,"lang":"en","type":"dataset","venue":"SAEON Data Centre","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Circumpolar star; Mooring; Acoustic Doppler current profiler; Current (fluid); Ocean current; Physical oceanography; Thermohaline circulation","score_opus":0.051962028830487506,"score_gpt":0.2536746199299178,"score_spread":0.2017125910994303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924936681","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023271346,0.0020460135,1.8938348e-7,0.0012575857,0.0015264362,0.000291982,0.9918322,0.000031466232,0.000686991],"genre_scores_gemma":[0.0004606392,0.0007873473,0.000004434581,0.00052511663,0.0010333039,0.000021626927,0.9420107,0.000025292882,0.05513155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755234,0.00024018947,0.0005147973,0.00067841815,0.0006616356,0.0003526245],"domain_scores_gemma":[0.9969224,0.0003509225,0.00035658403,0.0022082673,0.000069058224,0.00009280227],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000253513,0.00039179434,0.00046915992,0.0001381188,0.0011121901,0.00023178103,0.002034688,0.00009845272,0.14417657],"category_scores_gemma":[0.00012432669,0.00026635558,0.0001680017,0.00014657056,0.00020347896,0.00035680988,0.0013379132,0.000885644,0.00014349785],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006336227,0.00018009322,0.0005469707,0.00018959325,0.0001987934,0.000056609224,0.0010882186,0.000003209794,0.000005671621,0.0012397427,0.9963506,0.00007715382],"study_design_scores_gemma":[0.00014420487,0.000052615407,0.0005530644,0.00013339514,0.00019849044,0.000002380823,0.00023030533,0.0000035038197,0.0000035634496,0.000019827923,0.99834657,0.0003120651],"about_ca_topic_score_codex":0.0014342071,"about_ca_topic_score_gemma":0.011866846,"teacher_disagreement_score":0.14403309,"about_ca_system_score_codex":0.00014312127,"about_ca_system_score_gemma":0.00010103071,"threshold_uncertainty_score":0.99997884},"labels":[],"label_agreement":null},{"id":"W6936435816","doi":"10.58079/p60c","title":"Journée d'étude : \"Éloge et critique du voyage (XVIe-XVIIIe siècles)\".","year":2016,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Perspective (graphical); Context (archaeology); Government (linguistics); Interpretation (philosophy)","score_opus":0.02235248643387697,"score_gpt":0.24717971250614684,"score_spread":0.22482722607226988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936435816","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007685565,0.011134637,0.0049396083,0.5987102,0.013657392,0.0009937204,0.0059917932,0.0004039918,0.35648313],"genre_scores_gemma":[0.60833794,0.0057112705,0.00039950135,0.0828919,0.011965985,0.0003790536,0.0010903366,0.00014859671,0.28907543],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994913,0.000890113,0.0013119782,0.0010127753,0.0008690678,0.0010031009],"domain_scores_gemma":[0.9965005,0.00081867364,0.0005084321,0.0007117684,0.00076598016,0.0006946338],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication","insufficient_payload"],"category_scores_codex":[0.0010213386,0.0007852828,0.00086085405,0.0003619101,0.002428316,0.0011210707,0.00076707243,0.00040377802,0.10877682],"category_scores_gemma":[0.00035345464,0.00062200695,0.0006224577,0.0002528309,0.0012581787,0.02381438,0.00025121754,0.0006169626,0.010894796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100672114,0.0007322976,0.000059756883,0.00012743368,0.00015666225,0.00027947992,0.0012291061,0.000007208757,0.00027595143,0.73089314,0.25725502,0.008883314],"study_design_scores_gemma":[0.001567579,0.0005197712,0.0033254556,0.0011072591,0.00026691824,0.000121595054,0.00046912505,0.000022314165,0.0005239944,0.015479269,0.9755788,0.0010179491],"about_ca_topic_score_codex":0.00095353246,"about_ca_topic_score_gemma":0.0050399294,"teacher_disagreement_score":0.71832377,"about_ca_system_score_codex":0.00044742704,"about_ca_system_score_gemma":0.0002451585,"threshold_uncertainty_score":0.99991584},"labels":[],"label_agreement":null},{"id":"W6936593950","doi":"10.58079/mogk","title":"Appel à contribution : « Définition du génie dans les discours savants et théoriques. Fabrique des identités dans les discours sur les génies en Europe (XVIIe-XVIIIe siècles) », en ligne, 10 février 2021, date limite le 10 janvier 2021","year":2021,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Relation (database); Theme (computing); Subject (documents)","score_opus":0.02047544908643406,"score_gpt":0.24224903034695733,"score_spread":0.22177358126052327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936593950","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17884585,0.039314453,0.03452039,0.29772258,0.010071338,0.0029868598,0.036274984,0.0003800339,0.3998835],"genre_scores_gemma":[0.7004785,0.020721685,0.00039354785,0.0014304179,0.0064705107,0.00043640102,0.028694976,0.00021766666,0.24115632],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9911292,0.0029936526,0.001801603,0.0016380515,0.0011959729,0.0012415104],"domain_scores_gemma":[0.99430686,0.0010196147,0.0008631817,0.0009258889,0.002294474,0.0005899804],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication","insufficient_payload"],"category_scores_codex":[0.0013242866,0.0012454137,0.0013020319,0.0004135391,0.0047551407,0.0024504738,0.0008631048,0.00065067026,0.06378797],"category_scores_gemma":[0.0010884801,0.0012615039,0.0007801292,0.0006642728,0.0018613555,0.020467129,0.0005756795,0.0010637867,0.0026600605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050578854,0.0030603444,0.0011488943,0.0005352374,0.0009505944,0.0012107957,0.016062807,0.00063747785,0.004536436,0.90115476,0.04484193,0.025354957],"study_design_scores_gemma":[0.0018970049,0.00048196627,0.012495932,0.0022866218,0.00087293366,0.00014470283,0.014500658,0.00027866624,0.007448453,0.007454085,0.95035326,0.0017856933],"about_ca_topic_score_codex":0.0045864317,"about_ca_topic_score_gemma":0.064583525,"teacher_disagreement_score":0.9055114,"about_ca_system_score_codex":0.0005418135,"about_ca_system_score_gemma":0.0007074267,"threshold_uncertainty_score":0.99898344},"labels":[],"label_agreement":null},{"id":"W6945111823","doi":"10.2426/aibstudi-13874","title":"Andrea Caronti (1798-1882) e il suo catalogo degli incunaboli","year":2023,"lang":"it","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Statistical analysis; Population; Quarter (Canadian coin)","score_opus":0.30671707596486386,"score_gpt":0.5077865815236529,"score_spread":0.201069505558789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6945111823","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7183986,0.12668093,0.00003942252,0.0012086758,0.008080377,0.0011882852,0.0028069662,0.0003553348,0.14124146],"genre_scores_gemma":[0.87355113,0.0322525,0.000019714409,0.0006536475,0.0027469026,0.000067451176,0.00037357103,0.00016189339,0.09017321],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99363583,0.0006645047,0.0020531374,0.0010518316,0.0013777339,0.0012169678],"domain_scores_gemma":[0.9954312,0.00065907295,0.0013478686,0.0010277343,0.00073259394,0.00080153905],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015606553,0.00090278743,0.0020522887,0.001965379,0.0018951092,0.0051036496,0.004403112,0.00030510634,0.06862982],"category_scores_gemma":[0.00033509717,0.0007992253,0.0008123414,0.0017385695,0.000762797,0.0052245627,0.0019165734,0.0010776197,0.0009981506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040582387,0.000826878,0.080399424,0.0005390152,0.001281061,0.00072766026,0.012945132,0.00012476949,0.0032280455,0.0062295087,0.8777946,0.015498075],"study_design_scores_gemma":[0.000741299,0.000041665364,0.06958654,0.0006753598,0.000508126,0.000019624296,0.0010817236,0.0000968983,0.0010311833,0.0065246695,0.9185867,0.0011062644],"about_ca_topic_score_codex":0.014271048,"about_ca_topic_score_gemma":0.0011186195,"teacher_disagreement_score":0.15515257,"about_ca_system_score_codex":0.00026999472,"about_ca_system_score_gemma":0.0003755867,"threshold_uncertainty_score":0.9997797},"labels":[],"label_agreement":null},{"id":"W6949540120","doi":"10.5281/zenodo.3789285","title":"Macariini Guenee 1858","year":2010,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary; Canadian Food Inspection Agency; Royal Alberta Museum; Calgary Laboratory Services; Natural Resources Canada","funders":"","keywords":"Cornish; Section (typography); ROWE","score_opus":0.042586027929386566,"score_gpt":0.22701025117445459,"score_spread":0.18442422324506802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949540120","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026677955,0.000047920956,0.00013117006,0.0008375521,0.0004754376,0.00012827828,0.00016011113,0.00072209514,0.9708195],"genre_scores_gemma":[0.96674025,0.000010500085,0.00008519405,0.00034738696,0.0011097923,2.2010399e-8,0.00077873265,0.00064469053,0.030283406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906445,0.000090080255,0.0001689461,0.00023585581,0.00020914893,0.00023149616],"domain_scores_gemma":[0.9992188,0.000016676997,0.000050332143,0.0002851986,0.00029205048,0.0001369432],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022997435,0.00009379145,0.00010330021,0.00013288378,0.0026899197,0.0008861607,0.00057964,0.00003590956,0.13981813],"category_scores_gemma":[0.00017411223,0.00008931919,0.000060165377,0.00010764806,0.00024141205,0.00028477158,0.00030483629,0.00031074087,0.017211668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028354521,0.00013998822,0.0000017469997,0.000027352968,0.00003739322,0.000013313095,0.012415364,0.0000020884747,0.0031650849,0.38159117,0.4998657,0.102712445],"study_design_scores_gemma":[0.00014249333,0.00008332389,0.00004761301,0.0000049215478,0.000010539988,0.000019020543,0.00028461133,0.000047512378,0.00008981333,0.000716764,0.99843025,0.00012310689],"about_ca_topic_score_codex":0.00005946049,"about_ca_topic_score_gemma":0.0000040895625,"teacher_disagreement_score":0.9405361,"about_ca_system_score_codex":0.000026829892,"about_ca_system_score_gemma":0.0000016224519,"threshold_uncertainty_score":0.99860847},"labels":[],"label_agreement":null},{"id":"W6950186241","doi":"10.5281/zenodo.16784916","title":"Las nubes - Aristofanes","year":2025,"lang":"es","type":"book","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"WSP (Canada)","funders":"","keywords":"Context (archaeology); Meaning (existential); Order (exchange); Field (mathematics)","score_opus":0.04019396697962165,"score_gpt":0.23436818643338198,"score_spread":0.19417421945376032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950186241","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001392538,0.001568732,0.00013212742,0.00083443575,0.000600843,0.00040336832,0.001996436,0.00088986626,0.99343497],"genre_scores_gemma":[0.009600393,0.0007414706,0.000030287703,0.00044331103,0.0019396594,5.959508e-8,0.010187739,0.0018493946,0.9752077],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969351,0.00050566904,0.00062189734,0.0008046611,0.00057515927,0.00055750756],"domain_scores_gemma":[0.9977128,0.00009911275,0.00025653891,0.00072408427,0.0009539805,0.00025351674],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004391988,0.00046442103,0.00055329147,0.00064848067,0.00808378,0.004022197,0.0016816562,0.0002303944,0.14185925],"category_scores_gemma":[0.00038894132,0.00045560437,0.00029400727,0.00021010787,0.0007402957,0.00039953523,0.0013755402,0.000818727,0.02887634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005649612,0.00016635748,2.7301814e-7,0.0004448257,0.00019143427,0.00003554911,0.0045557604,0.000004660683,0.000023081135,0.27990523,0.6852372,0.029379092],"study_design_scores_gemma":[0.00028929545,0.00029130033,0.0000099959025,0.0003532591,0.00017156843,0.000026090092,0.00042248162,0.00003898024,0.000011840333,0.0016376268,0.99626225,0.00048533754],"about_ca_topic_score_codex":0.00011980202,"about_ca_topic_score_gemma":0.0000014693322,"teacher_disagreement_score":0.311025,"about_ca_system_score_codex":0.00040360697,"about_ca_system_score_gemma":0.000021173453,"threshold_uncertainty_score":0.9997896},"labels":[],"label_agreement":null},{"id":"W6955671663","doi":"10.58079/vmhv","title":"Appel à articles : Mains invisibles, revue sur les femmes créatrices (XIVe-XVIIIe s.), premier numéro","year":2024,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mains electricity; Quarter (Canadian coin); Proposition; Work (physics)","score_opus":0.06677491250270562,"score_gpt":0.24543733600634016,"score_spread":0.17866242350363454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955671663","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4079671,0.16791946,0.00028678062,0.15976661,0.008044457,0.0010684974,0.003564394,0.001287301,0.2500954],"genre_scores_gemma":[0.4180317,0.00095245417,0.00009325026,0.00032599465,0.0048698327,0.000012630659,0.00017949005,0.00007029041,0.57546437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996488,0.0003906748,0.0006302832,0.00094397785,0.00047296245,0.0010741077],"domain_scores_gemma":[0.9978513,0.00060920476,0.00022267272,0.00045321716,0.0003073098,0.0005562619],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037733704,0.000684657,0.0006867407,0.0006236509,0.0015504921,0.0016085723,0.00072016043,0.00077656267,0.010544435],"category_scores_gemma":[0.00020814723,0.0006506816,0.00063378987,0.0010889386,0.00089171674,0.002396916,0.00021308874,0.0014453832,0.000899148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092871494,0.0002917832,0.0004939593,0.0007946215,0.0007530535,0.0014188933,0.041887976,0.00011697133,0.0005740162,0.2693204,0.6525553,0.031700145],"study_design_scores_gemma":[0.0006247945,0.00020057529,0.0019357878,0.0014842971,0.00066475035,0.00010641443,0.020345366,0.0010872453,0.0003041834,0.0010751772,0.97127444,0.00089699996],"about_ca_topic_score_codex":0.011839775,"about_ca_topic_score_gemma":0.0026713852,"teacher_disagreement_score":0.32536897,"about_ca_system_score_codex":0.0008721828,"about_ca_system_score_gemma":0.00033725167,"threshold_uncertainty_score":0.99987876},"labels":[],"label_agreement":null},{"id":"W6974215811","doi":"10.58079/cxeh","title":"L' ORGUEILLEUX GILLES","year":2014,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Relation (database); Work (physics); Set (abstract data type); Identification (biology)","score_opus":0.021777990372946397,"score_gpt":0.22594528114640489,"score_spread":0.2041672907734585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974215811","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020699268,0.008335477,0.0013964133,0.14436342,0.014283396,0.00047643352,0.001285037,0.0002587011,0.8275312],"genre_scores_gemma":[0.2743304,0.0009167191,0.0005690483,0.05190136,0.01475938,0.00021175102,0.0022291753,0.000100005025,0.65498215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99645025,0.0004798786,0.000900442,0.0007702996,0.0006701358,0.00072898885],"domain_scores_gemma":[0.9977414,0.00038060057,0.00035229427,0.000605059,0.0004489854,0.00047164154],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00053393963,0.0005708247,0.000664131,0.0002611935,0.0021463158,0.00062036666,0.0005488997,0.00028021552,0.10081412],"category_scores_gemma":[0.0001763494,0.00055062707,0.0004178507,0.00023989913,0.0008250032,0.013892109,0.00015420074,0.00047661283,0.017192142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042974843,0.0003642376,0.000019281546,0.00013074306,0.00009213642,0.00002665421,0.0006913004,0.00003848973,0.000018892195,0.75831497,0.23093064,0.009329708],"study_design_scores_gemma":[0.00077969785,0.00043888084,0.0007120891,0.00032840675,0.00021409064,0.000032238564,0.000496518,0.0002994039,0.00015786321,0.011008344,0.98476213,0.0007703574],"about_ca_topic_score_codex":0.00092380255,"about_ca_topic_score_gemma":0.0023326508,"teacher_disagreement_score":0.75383145,"about_ca_system_score_codex":0.00022324437,"about_ca_system_score_gemma":0.00009552356,"threshold_uncertainty_score":0.9999001},"labels":[],"label_agreement":null},{"id":"W6974532231","doi":"10.58079/o6tr","title":"Le projet ECuMe au séminaire du CDP|18 consacré à la critique dramatique dans la presse au XVIIIe, le 7 avril 2023","year":2023,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Politics; Identity (music); Agency (philosophy); Narrative","score_opus":0.028862528344422773,"score_gpt":0.24491679306750416,"score_spread":0.2160542647230814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974532231","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.106764354,0.00075959665,0.00013722629,0.08235328,0.0013543551,0.00071596715,0.0017559439,0.00060993206,0.8055493],"genre_scores_gemma":[0.4935586,0.00014966154,0.000034445475,0.00028980954,0.0014084977,0.000044011904,0.00035978743,0.00006520194,0.50409],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99555975,0.0013899177,0.0005984393,0.0008191249,0.00046498587,0.0011677698],"domain_scores_gemma":[0.9973431,0.0008903855,0.00032584,0.0005142533,0.0003451998,0.00058121636],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078094663,0.00067078124,0.0007680169,0.00043858727,0.0030260715,0.00079091353,0.0008336909,0.00111298,0.002037445],"category_scores_gemma":[0.00040415596,0.00070399325,0.0005114079,0.000932965,0.0022699335,0.0019506641,0.00029053507,0.0014375086,0.0005794986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081494116,0.0003845991,0.00025470034,0.00023933194,0.00032485236,0.0015928705,0.08646485,0.00009485018,0.0003306265,0.46095142,0.44814554,0.001134866],"study_design_scores_gemma":[0.0014772824,0.00018661343,0.003436369,0.00060827745,0.00027280545,0.00019145317,0.071701676,0.00046314995,0.00030550896,0.0012413784,0.919252,0.0008635283],"about_ca_topic_score_codex":0.08432538,"about_ca_topic_score_gemma":0.012066201,"teacher_disagreement_score":0.4711064,"about_ca_system_score_codex":0.0007287327,"about_ca_system_score_gemma":0.0026482756,"threshold_uncertainty_score":0.9995411},"labels":[],"label_agreement":null},{"id":"W6989576275","doi":"","title":"Beyond the ‘Affaire <i>Tartuffe</i>’: Seventeenth-Century French Theatre in Colonial Quebec","year":2016,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Ethnography; Indigenous; Narrative","score_opus":0.013574335808870176,"score_gpt":0.1938843449110788,"score_spread":0.18031000910220862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989576275","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075808175,0.000024205305,0.000036984948,0.0028215244,0.00070199295,0.00041525523,0.00010676273,0.00014053543,0.9199446],"genre_scores_gemma":[0.9841831,0.009140402,0.000016551874,0.00035574383,0.00047631023,0.0000047459926,0.00001856137,0.000019758187,0.005784857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986853,0.00020908797,0.00019254857,0.0003404018,0.00021043458,0.00036221882],"domain_scores_gemma":[0.9993008,0.0001717043,0.00008874125,0.00030702577,0.00006327404,0.00006849999],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000112106194,0.00022060584,0.00023393409,0.002262262,0.00041758685,0.00007656383,0.0004497755,0.00006911954,0.0010404587],"category_scores_gemma":[0.000013161489,0.00012961724,0.00018410939,0.001098468,0.00030417467,0.00059576635,0.00013040141,0.00018458033,0.00012912585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006168473,0.0016254897,0.0041418183,0.0001075391,0.00039017675,0.00091098103,0.32046935,0.0000064745577,0.000038629358,0.36519098,0.030582927,0.27591878],"study_design_scores_gemma":[0.0007887814,0.00009774677,0.000071246366,0.00005308368,0.00005490476,0.000002629558,0.0014981166,0.000010320041,0.000017893668,0.000018899284,0.99715996,0.00022642902],"about_ca_topic_score_codex":0.30926102,"about_ca_topic_score_gemma":0.5215353,"teacher_disagreement_score":0.966577,"about_ca_system_score_codex":0.00031008068,"about_ca_system_score_gemma":0.00021968887,"threshold_uncertainty_score":0.99987274},"labels":[],"label_agreement":null},{"id":"W6990937728","doi":"","title":"État des lieux de la présence d'Hasarius adansoni (Savigny & Audouin, 1826) en France métropolitaine","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Context (archaeology); Government (linguistics); Field (mathematics); Natural (archaeology)","score_opus":0.013933928312025544,"score_gpt":0.23884992873924177,"score_spread":0.2249160004272162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990937728","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28704116,0.08426521,0.023873257,0.07286382,0.0017434249,0.00066557317,0.0006125283,0.001139869,0.52779514],"genre_scores_gemma":[0.33817205,0.005884816,0.004579746,0.00023303271,0.0002462268,0.000043946802,0.00016654558,0.00005018473,0.65062344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913406,0.00642952,0.0005308292,0.00057139166,0.00038811716,0.00073958153],"domain_scores_gemma":[0.9940267,0.0034018143,0.00022857121,0.0009722197,0.0010402882,0.00033039053],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0038434458,0.00034663305,0.00037968584,0.00019798012,0.0016594515,0.00069683365,0.0008896527,0.00020565536,0.0018269677],"category_scores_gemma":[0.0013619093,0.00035535533,0.00027124153,0.0006094717,0.0018655424,0.00044170144,0.00030296872,0.00054788566,0.0007356785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015858403,0.00067122414,0.002219802,0.00028922304,0.00009845569,0.00006548807,0.09665187,0.000048736114,0.000732083,0.8032558,0.029712168,0.06623931],"study_design_scores_gemma":[0.00035268685,0.0000021275484,0.0029623525,0.0010515773,0.000070969865,0.000019785071,0.0011050424,0.0041452725,0.002051755,0.01461839,0.9732235,0.00039652223],"about_ca_topic_score_codex":0.0080341175,"about_ca_topic_score_gemma":0.0012907882,"teacher_disagreement_score":0.94351137,"about_ca_system_score_codex":0.0002494349,"about_ca_system_score_gemma":0.00019389277,"threshold_uncertainty_score":0.99988985},"labels":[],"label_agreement":null},{"id":"W6994060754","doi":"","title":"Olivi Alberta","year":2013,"lang":"it","type":"book-chapter","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Term (time); Ecological succession; Stage (stratigraphy)","score_opus":0.023140985213991237,"score_gpt":0.20439261336666525,"score_spread":0.181251628152674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994060754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032536066,0.0014655534,0.000110358276,0.0023430602,0.0022025155,0.0008706299,0.0013178012,0.00019767882,0.9882388],"genre_scores_gemma":[0.07184621,0.0015548869,0.00014141062,0.00087730744,0.0016983598,0.000025762056,0.00095387676,0.00018296562,0.92271924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99399644,0.00023645235,0.0011855927,0.0019471667,0.0010555855,0.0015787476],"domain_scores_gemma":[0.9960788,0.0007497057,0.000764784,0.001214433,0.00047727668,0.00071502523],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00020320313,0.0017902014,0.0019493583,0.0009341629,0.002828578,0.00046505462,0.0016200771,0.00055559725,0.05704573],"category_scores_gemma":[0.00002860074,0.0016729152,0.0012346734,0.00012071137,0.0020474468,0.0008911701,0.0014802705,0.001311548,0.022168575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020132425,0.00036790158,0.00032376038,0.00031071436,0.0017958663,0.00069038005,0.0067998786,0.000034963246,0.00002444645,0.9244457,0.064102165,0.00090290094],"study_design_scores_gemma":[0.00091549644,0.00045495506,0.0006470981,0.0004759443,0.0013909034,0.00007973538,0.0007791686,0.00011142212,0.0000083251,0.0044711484,0.9886593,0.0020064851],"about_ca_topic_score_codex":0.0019307554,"about_ca_topic_score_gemma":0.00086712994,"teacher_disagreement_score":0.92455715,"about_ca_system_score_codex":0.00050435576,"about_ca_system_score_gemma":0.00022629416,"threshold_uncertainty_score":0.99948436},"labels":[],"label_agreement":null},{"id":"W7001463892","doi":"","title":"Katábasis dans la tradition littéraire et religieuse de la Grèce ancienne actes du colloque de Montréal et de Québec (2-5 mai 2014)","year":2015,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Christianity; Identity (music); Ethnography; Theme (computing); Meaning (existential)","score_opus":0.01660250015102379,"score_gpt":0.22879875171875957,"score_spread":0.21219625156773578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001463892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33505908,0.016536297,0.0020410079,0.03450428,0.00049199705,0.00019329887,0.00044497682,0.0002945669,0.6104345],"genre_scores_gemma":[0.78493077,0.0019828733,0.0013147941,0.004447573,0.0012944253,0.000045664943,0.000072695715,0.000052229094,0.20585899],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973586,0.0011744336,0.0003738835,0.00032937678,0.00022388152,0.00053979433],"domain_scores_gemma":[0.9980785,0.0008375795,0.00011676071,0.00026674976,0.0001611536,0.0005392043],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013704196,0.00030997672,0.00034543787,0.00010850051,0.0004677173,0.0005355496,0.0002555047,0.00024194,0.0015604278],"category_scores_gemma":[0.00037702752,0.0002727401,0.00023613647,0.000103388986,0.00053831545,0.0009171143,0.00004839348,0.00040858294,0.00020953179],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070233844,0.00050516875,0.0021663243,0.00005228969,0.00006981254,0.00018345429,0.1043956,0.00013471782,0.0000899963,0.42951977,0.46232858,0.00048405468],"study_design_scores_gemma":[0.00053106656,0.0002596068,0.0036318954,0.00009464993,0.000176497,0.00015083379,0.007061605,0.0007483906,0.000121894926,0.0073779034,0.97947913,0.00036650008],"about_ca_topic_score_codex":0.552221,"about_ca_topic_score_gemma":0.27889463,"teacher_disagreement_score":0.5171506,"about_ca_system_score_codex":0.001243412,"about_ca_system_score_gemma":0.002071429,"threshold_uncertainty_score":0.99997246},"labels":[],"label_agreement":null},{"id":"W7001753589","doi":"","title":"Le goût de l’Autre: La rencontre alimentaire franco-autochtone en Nouvelle-France au 16e et 17e siècle.","year":2023,"lang":"fr","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Toronto; University of Oxford; University of Ottawa","keywords":"Context (archaeology); Identification (biology); Perspective (graphical); Identity (music)","score_opus":0.014874832404896272,"score_gpt":0.24177452279954148,"score_spread":0.22689969039464522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001753589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4329407,0.003070477,0.0000015762946,0.0010663578,0.0047077187,0.0010098005,0.006037706,0.00085618166,0.5503095],"genre_scores_gemma":[0.625698,0.00058926427,0.00015456504,0.0009435933,0.0005254754,0.00024394023,0.0018026199,0.00029816703,0.36974442],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992289,0.0016490909,0.0016978536,0.0017140228,0.0010665267,0.0015835244],"domain_scores_gemma":[0.99560887,0.0013593168,0.00086452276,0.00095500326,0.00046974458,0.000742541],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0015142995,0.0014562168,0.0015847787,0.00055657845,0.0061110384,0.00048759652,0.0011812352,0.0012640365,0.0019512022],"category_scores_gemma":[0.00050616276,0.0015549947,0.0011463369,0.0006205576,0.0005122043,0.0017562147,0.0002356571,0.0027024013,0.0024256324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003132121,0.0011128233,0.000116286945,0.0011376605,0.0010899928,0.0005952109,0.0043224697,0.00016667621,0.0056101996,0.9321652,0.000452626,0.052917622],"study_design_scores_gemma":[0.0015963361,0.00033098727,0.0017771681,0.001413445,0.00065729534,0.00003019501,0.0068712574,0.00008494525,0.0037992303,0.015608453,0.96597594,0.0018547401],"about_ca_topic_score_codex":0.06384663,"about_ca_topic_score_gemma":0.039536145,"teacher_disagreement_score":0.9655233,"about_ca_system_score_codex":0.0011776295,"about_ca_system_score_gemma":0.00048663246,"threshold_uncertainty_score":0.99981874},"labels":[],"label_agreement":null},{"id":"W7001876267","doi":"","title":"L’imbroglio des sources dans la tradition vétérinaire ancienne. Le cas de l’hippiatre Eumèlos de Thèbes","year":2024,"lang":"en","type":"book-chapter","venue":"Digital Access to Libraries (Université catholique de Louvain (UCL), l'Université de Namur (UNamur) and the Université Saint-Louis (USL-B))","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Columella; Quarter (Canadian coin); Connection (principal bundle); Subject (documents); Period (music)","score_opus":0.014359694658525072,"score_gpt":0.19174690896449936,"score_spread":0.1773872143059743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001876267","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.098886974,0.0030854845,0.00063732534,0.0028291252,0.00020627484,0.0006405146,0.0015979138,0.0006357158,0.8914807],"genre_scores_gemma":[0.3876808,0.0010430415,0.00013841652,0.00074481964,0.00049486174,0.00000742467,0.00048956065,0.00019442002,0.6092067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99606293,0.0002622878,0.00049326115,0.0012767052,0.00057264086,0.001332149],"domain_scores_gemma":[0.9968467,0.0006655622,0.0004515513,0.0007449499,0.00026938482,0.0010218996],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0004338932,0.0012305008,0.0011663572,0.0013829283,0.003544766,0.0027670085,0.0022158632,0.00075997773,0.00092231325],"category_scores_gemma":[0.000058020203,0.0012043383,0.0009504849,0.00049094745,0.0030473622,0.0019319016,0.0017688905,0.0012489357,0.00011971765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010060836,0.000107672546,0.00026702357,0.0003302726,0.00063673506,0.0032224674,0.26471475,0.00013164507,0.00002580329,0.72191656,0.005351695,0.0022892791],"study_design_scores_gemma":[0.0014889719,0.00029047052,0.00037852253,0.0005390482,0.0010247094,0.0006267976,0.017861959,0.00040315615,0.00007074705,0.068603136,0.9073063,0.0014061737],"about_ca_topic_score_codex":0.0039847014,"about_ca_topic_score_gemma":0.0014689468,"teacher_disagreement_score":0.9019546,"about_ca_system_score_codex":0.0034937682,"about_ca_system_score_gemma":0.00094950217,"threshold_uncertainty_score":0.999991},"labels":[],"label_agreement":null},{"id":"W7009262933","doi":"","title":"Du Greco à Dali les grands maîtres espagnols de la collection Pérez Simon ; [à l'occasion de l'Exposition \"Du Greco à Dali - les Grands Maîtres Espagnols de la Collection Pérez Simón\" présentée au Musée Jacquemart-André à Paris du 12 mars au 1er août 2010 et au Musée National des Beaux-Arts du Québec du 7 octobre 2010 au 9 janvier 2011]","year":2010,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Data collection; Term (time)","score_opus":0.01862583318342707,"score_gpt":0.24838889348010681,"score_spread":0.22976306029667976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009262933","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9004439,0.0037933367,0.0035679939,0.017931934,0.0074460236,0.001601844,0.00095096015,0.00047650284,0.0637875],"genre_scores_gemma":[0.88810414,0.004870611,0.0009728066,0.0010060768,0.007625504,0.00062623556,0.0010684213,0.00024517655,0.09548103],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9903848,0.0028255903,0.0019466613,0.0015805676,0.0012683886,0.001993978],"domain_scores_gemma":[0.9925387,0.0037254028,0.00097367476,0.0006670118,0.0010732483,0.0010220014],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0036995313,0.0016166533,0.0014455892,0.0013541052,0.008563422,0.0017247015,0.0007071062,0.0018517694,0.014841966],"category_scores_gemma":[0.0009302679,0.001494657,0.001175803,0.0006893127,0.0031192864,0.002665518,0.00027611837,0.0019085652,0.00023133968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020678863,0.0037792895,0.46362314,0.0005313384,0.0009229777,0.00025890063,0.051106665,0.00093146163,0.0019324428,0.015202036,0.44489396,0.014749909],"study_design_scores_gemma":[0.003810545,0.0010835797,0.15884945,0.0005165911,0.0010369539,0.00063083204,0.0025784883,0.004753953,0.0018343785,0.0032641739,0.8197623,0.0018787667],"about_ca_topic_score_codex":0.6038187,"about_ca_topic_score_gemma":0.7992775,"teacher_disagreement_score":0.37486833,"about_ca_system_score_codex":0.0040010684,"about_ca_system_score_gemma":0.00308381,"threshold_uncertainty_score":0.9998224},"labels":[],"label_agreement":null},{"id":"W7009701055","doi":"","title":"Étude démographique de la population de Rimouski 1701-1750","year":2005,"lang":"fr","type":"article","venue":"Sémaphore (Université du Québec à Rimouski)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Population; Context (archaeology); Selection (genetic algorithm)","score_opus":0.008429562476353774,"score_gpt":0.19704178472072684,"score_spread":0.18861222224437307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009701055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5811026,0.030020572,0.00061349786,0.018213177,0.0006375131,0.00031394683,0.00023013527,0.0004280604,0.3684405],"genre_scores_gemma":[0.92108566,0.0012693123,0.00059930247,0.0011251871,0.0024706223,0.000006627072,0.000084099695,0.00006833596,0.07329087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99738795,0.00051388715,0.0004022689,0.000548927,0.00032469924,0.00082228566],"domain_scores_gemma":[0.9983835,0.00034759007,0.00023432465,0.0004076677,0.00015460842,0.0004723079],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045703998,0.00048628938,0.0004940239,0.00049032026,0.001568751,0.000259409,0.00052078103,0.00040527622,0.0105168475],"category_scores_gemma":[0.000053967862,0.0005381643,0.0005863204,0.00032889398,0.00086590863,0.0009341778,0.00012432401,0.00067216356,0.00046750283],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014224423,0.0007103489,0.024569744,0.00013528409,0.00032591066,0.0001631979,0.067056246,0.0004562151,0.00010303724,0.79205906,0.100284755,0.013993937],"study_design_scores_gemma":[0.00065300206,0.0001688313,0.034111932,0.00010999082,0.00043132785,0.00009717041,0.0026934294,0.0009980003,0.0000316282,0.0011888336,0.95887876,0.0006371288],"about_ca_topic_score_codex":0.34264308,"about_ca_topic_score_gemma":0.59366727,"teacher_disagreement_score":0.858594,"about_ca_system_score_codex":0.0017052072,"about_ca_system_score_gemma":0.00046743502,"threshold_uncertainty_score":0.99973106},"labels":[],"label_agreement":null},{"id":"W7010328727","doi":"","title":"HERMON, Ella (ed. ). Vers une gestion intÃ©grÃ©e de lâeau dans lâEmpire romain: Actes du Colloque International, UniversitÃ© Laval, octobre 2006. Roma: LâErma di Bretschneider, 2008.","year":2010,"lang":"fr","type":"article","venue":"RACO (Revistes Catalanes amb Accés Obert) (Consorci de Serveis Universitaris de Catalunya)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Natural (archaeology); Exposition (narrative)","score_opus":0.00747614384450901,"score_gpt":0.20331332123556686,"score_spread":0.19583717739105785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010328727","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91482675,0.017025525,0.00015772418,0.020786531,0.00297209,0.0008718385,0.0044132406,0.0005257065,0.038420603],"genre_scores_gemma":[0.87482893,0.008130407,0.00038193178,0.0009430306,0.0018785786,0.00001993829,0.0042671184,0.00019216447,0.109357916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945931,0.0006038543,0.001013507,0.0013917484,0.00071464153,0.0016831548],"domain_scores_gemma":[0.99498767,0.0009975437,0.0007954257,0.0012300515,0.0008426701,0.0011466333],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000674256,0.0012625952,0.0011821728,0.0007027201,0.0022094182,0.0009259812,0.0021808585,0.0010768543,0.0052077086],"category_scores_gemma":[0.00041279724,0.0014512471,0.000900659,0.0007444219,0.0016158789,0.0033194325,0.0006535086,0.0019060522,0.0005349051],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001356555,0.0025833822,0.2627032,0.001795911,0.0034556375,0.007669149,0.061457388,0.0016653674,0.0116780605,0.07930607,0.55987555,0.0064537274],"study_design_scores_gemma":[0.0017137756,0.0002829838,0.031805456,0.00066140306,0.0015265534,0.0009069559,0.011330812,0.0025032042,0.0006562399,0.00017928581,0.94671386,0.0017194799],"about_ca_topic_score_codex":0.08993649,"about_ca_topic_score_gemma":0.02549163,"teacher_disagreement_score":0.38683832,"about_ca_system_score_codex":0.002768344,"about_ca_system_score_gemma":0.0010638258,"threshold_uncertainty_score":0.9990896},"labels":[],"label_agreement":null},{"id":"W7010381413","doi":"","title":"Immediate loading of implants placed into fresh and healed&#13;\\nextraction sites to support a full-arch fixed prosthesis placed with a modified “Toronto tecnique”: 1-year results from a pilot clinical trial","year":2014,"lang":"en","type":"article","venue":"CINECA IRIS Institutial research information system (University of Pisa)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prosthodontist; Prosthesis; Implant; Osseointegration; Dental prosthesis; Clinical trial; Soft tissue","score_opus":0.13031301110880472,"score_gpt":0.3250862180529552,"score_spread":0.19477320694415046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010381413","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97272855,0.0000114440645,0.0026778616,0.00021429456,0.00022109655,0.001051846,0.0004272754,0.000064002794,0.02260365],"genre_scores_gemma":[0.99856037,0.0000124016005,0.0005216037,0.000019278808,0.00028596673,0.000006955897,0.00019613831,0.00000690566,0.0003903667],"study_design_codex":"randomized_trial","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973396,0.0004619731,0.0008209586,0.00028572988,0.0007884565,0.00030329626],"domain_scores_gemma":[0.99742,0.0007510047,0.00046456017,0.0003205362,0.0007374287,0.00030642847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026180495,0.00016889763,0.00055251934,0.00042821185,0.0006652814,0.00010789651,0.00030884784,0.00011793773,0.00014521914],"category_scores_gemma":[0.0007827528,0.000151508,0.00008406686,0.00019823447,0.00044222525,0.0018263096,0.00013106725,0.00027995254,0.000053536267],"study_design_candidate":"randomized_trial","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.6051535,0.00076787535,0.0018801407,0.0020555484,0.00064861914,0.000034964178,0.31081283,0.00029383163,0.0031186647,0.021227378,0.038077448,0.015929196],"study_design_scores_gemma":[0.17952493,0.04483151,0.0074794525,0.0027239386,0.00043712833,0.000029848148,0.21527822,0.019946732,0.0009355631,0.00015303007,0.52682376,0.0018358864],"about_ca_topic_score_codex":0.03319872,"about_ca_topic_score_gemma":0.019513428,"teacher_disagreement_score":0.48874632,"about_ca_system_score_codex":0.00025421783,"about_ca_system_score_gemma":0.0002997562,"threshold_uncertainty_score":0.9983779},"labels":[],"label_agreement":null},{"id":"W7018122982","doi":"","title":"Corps dressé : la représentation corporelle de l'honnête homme dans les traités de civilité au XVIIe siècle","year":2006,"lang":"fr","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Selection (genetic algorithm); Table (database)","score_opus":0.024192619245954883,"score_gpt":0.24358271176591081,"score_spread":0.21939009251995592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018122982","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6763479,0.00090379175,0.0000048826396,0.00007023788,0.0012839925,0.00041226388,0.0025621834,0.00024512236,0.31816965],"genre_scores_gemma":[0.8454587,0.00023181939,0.00034469465,0.00029297746,0.0006314826,0.0001559591,0.00340824,0.00023620606,0.14923996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930839,0.0014680073,0.0016877318,0.0014552393,0.0008912317,0.0014139225],"domain_scores_gemma":[0.9958949,0.001083832,0.0010768177,0.00079358654,0.00049557775,0.0006552987],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011976832,0.0012218246,0.0011605248,0.00048726794,0.006626167,0.00042426112,0.0008423263,0.0011417797,0.0016763024],"category_scores_gemma":[0.00049989583,0.0013066963,0.0010075886,0.0004060332,0.0006538063,0.0011680231,0.00011199367,0.002080003,0.00034972],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047945234,0.0015883704,0.0035298974,0.0012509683,0.0005502115,0.00072847423,0.005035009,0.000560077,0.026142128,0.9032638,0.00022757931,0.05664403],"study_design_scores_gemma":[0.0015146184,0.00043197486,0.021456273,0.0010592615,0.0013160013,0.00015576153,0.0067339744,0.00032525972,0.012520701,0.042486638,0.90974516,0.0022543813],"about_ca_topic_score_codex":0.09877681,"about_ca_topic_score_gemma":0.06847714,"teacher_disagreement_score":0.9095176,"about_ca_system_score_codex":0.002118544,"about_ca_system_score_gemma":0.0002607941,"threshold_uncertainty_score":0.9992363},"labels":[],"label_agreement":null},{"id":"W7018196104","doi":"","title":"Corneille nell’ombra di Molière. Come identificare un autore?","year":2012,"lang":"en","type":"article","venue":"OpenstarTs (Univeristy of Trieste https://www.units.it/)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Statistical analysis; Subject (documents); Quarter (Canadian coin)","score_opus":0.05644214164338406,"score_gpt":0.2348295128073325,"score_spread":0.17838737116394843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018196104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.561263,0.0031614306,0.00013531474,0.0021395513,0.004365178,0.00088488875,0.0010512505,0.0003450626,0.42665428],"genre_scores_gemma":[0.76384914,0.00013462518,0.000080501006,0.00048819472,0.0006601926,0.000015416648,0.00039816526,0.00006847238,0.2343053],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965504,0.0002988164,0.0009245348,0.0005940428,0.00069908233,0.0009331494],"domain_scores_gemma":[0.99681264,0.00024714507,0.00056918955,0.0009751373,0.00082574796,0.00057015417],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046823887,0.00061219203,0.0010418684,0.0003696063,0.0013847534,0.00036981708,0.0009091937,0.00020248447,0.021188127],"category_scores_gemma":[0.00013554591,0.00056749216,0.0003132748,0.0006834636,0.0010666493,0.002420749,0.00034022078,0.0005320076,0.001547894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005837367,0.0012486794,0.002831134,0.00053370703,0.00092201366,0.00022002861,0.16737233,0.000038961916,0.00037931817,0.3584959,0.46207333,0.005300894],"study_design_scores_gemma":[0.0008981273,0.00022577117,0.0014628631,0.00016533662,0.0002690455,0.000013066605,0.024484754,0.00018092472,0.00012815763,0.00027378398,0.9711667,0.0007315173],"about_ca_topic_score_codex":0.0020287237,"about_ca_topic_score_gemma":0.00049628795,"teacher_disagreement_score":0.50909334,"about_ca_system_score_codex":0.00016432765,"about_ca_system_score_gemma":0.00018911267,"threshold_uncertainty_score":0.9999153},"labels":[],"label_agreement":null},{"id":"W7020157319","doi":"","title":"L’alimentation à l’Îlot des Palais, reflet de l’évolution des moeurs du XVIIe au XVIIIe siècle","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Middle Ages; History of technology","score_opus":0.021622480335503496,"score_gpt":0.1959553819174833,"score_spread":0.1743329015819798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020157319","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9146021,0.030749088,0.0002785858,0.01287215,0.00087947934,0.00019977824,0.00027450258,0.00037220752,0.03977211],"genre_scores_gemma":[0.70331496,0.010855697,0.00024666137,0.00028001706,0.0011390956,0.00001147634,0.00026839096,0.000052127485,0.2838316],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980474,0.00022857601,0.00026527155,0.00038341465,0.0002714026,0.0008039162],"domain_scores_gemma":[0.99897516,0.00016804409,0.0001550308,0.00024063558,0.00013814497,0.00032301535],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030719067,0.0002986888,0.00029242362,0.00030225236,0.00563601,0.00009177536,0.00024602455,0.00016459527,0.0009917236],"category_scores_gemma":[0.000031946027,0.00033751427,0.00026578363,0.00042928205,0.001187193,0.0007768723,0.0001454379,0.00020651217,0.00095571415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036677698,0.000447262,0.015552676,0.00042219477,0.0005410327,0.0025037753,0.0553739,0.0012476606,0.0012852912,0.60661757,0.24458922,0.07105264],"study_design_scores_gemma":[0.0006516503,0.00025739416,0.015912613,0.00014395302,0.00040582422,0.00007782304,0.0059185005,0.0012987946,0.00020726278,0.006904244,0.9678239,0.0003980061],"about_ca_topic_score_codex":0.11820742,"about_ca_topic_score_gemma":0.11973244,"teacher_disagreement_score":0.7232347,"about_ca_system_score_codex":0.010430354,"about_ca_system_score_gemma":0.000082608014,"threshold_uncertainty_score":0.9999215},"labels":[],"label_agreement":null},{"id":"W7020399393","doi":"","title":"La médecine antique dans la bibliothèque du Dr Léo Pariseau","year":2023,"lang":"fr","type":"article","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Value (mathematics); Product (mathematics)","score_opus":0.009004430360934757,"score_gpt":0.17865999545993372,"score_spread":0.16965556509899896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020399393","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29779005,0.037494496,0.00028467368,0.0060118176,0.0020028276,0.0002082251,0.0003156478,0.0004153375,0.6554769],"genre_scores_gemma":[0.5654318,0.0035517288,0.00004215154,0.00013208002,0.0008324782,0.000009958863,0.000081100945,0.00002535926,0.42989337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773103,0.00043333857,0.00038135747,0.00049665733,0.00045857285,0.0004990711],"domain_scores_gemma":[0.9984721,0.00046447423,0.00017279555,0.0003289027,0.00017243864,0.00038928617],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003499233,0.00036237168,0.00038461955,0.0008565288,0.008425109,0.00027386125,0.00038159976,0.00030722682,0.0006550295],"category_scores_gemma":[0.0000501587,0.00037758987,0.00038851512,0.0008926327,0.001203626,0.0009073765,0.00025058218,0.0004650581,0.0005570131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022097553,0.00046573268,0.0106059825,0.00016931008,0.000382891,0.012213761,0.079136916,0.0015036686,0.0010037519,0.8186771,0.07424063,0.0013792565],"study_design_scores_gemma":[0.0007043237,0.00009491843,0.015797948,0.00018660205,0.00024691378,0.0005603364,0.01385398,0.0012356791,0.0001775569,0.0011170455,0.9655948,0.00042989352],"about_ca_topic_score_codex":0.06524016,"about_ca_topic_score_gemma":0.0044657174,"teacher_disagreement_score":0.89135414,"about_ca_system_score_codex":0.0023634795,"about_ca_system_score_gemma":0.0008732096,"threshold_uncertainty_score":0.9998676},"labels":[],"label_agreement":null},{"id":"W7020615976","doi":"","title":"Marchionni, Carlotta Junior (1854 ca.- 1878 ca.)","year":2012,"lang":"fr","type":"book-chapter","venue":"Florence Research (University of Florence)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Period (music); Duration (music); Quarter (Canadian coin)","score_opus":0.10683814731603136,"score_gpt":0.2768669453155303,"score_spread":0.17002879799949894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020615976","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008222565,0.01209016,0.00023755491,0.0024425078,0.0019180253,0.00079044566,0.0028475819,0.000093112576,0.97135806],"genre_scores_gemma":[0.17853366,0.007718624,0.0006481546,0.0000366079,0.0024723455,0.000002505773,0.0005662393,0.00006986929,0.809952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937832,0.00055962714,0.0006206616,0.0011052935,0.0022279928,0.001703227],"domain_scores_gemma":[0.9950142,0.0008031439,0.0003927636,0.0011596902,0.0015240865,0.0011061244],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0015401554,0.0007422139,0.0012291811,0.001439684,0.003557336,0.00018143421,0.0022251545,0.00062361377,0.14179412],"category_scores_gemma":[0.00012682653,0.0008127933,0.00079755235,0.00032269844,0.009485718,0.0013112556,0.0010842358,0.0024457728,0.0064515574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002681149,0.00033773266,0.00035417604,0.00083980244,0.00049441744,0.00048539447,0.031110348,0.000012309808,0.000095487674,0.8443392,0.06442271,0.057240307],"study_design_scores_gemma":[0.00042659717,0.000596465,0.00075930526,0.00095919956,0.0002721547,0.000014647765,0.004517163,0.0003144391,0.000010510588,0.005741153,0.9855379,0.00085050054],"about_ca_topic_score_codex":0.031952403,"about_ca_topic_score_gemma":0.0055554826,"teacher_disagreement_score":0.92111516,"about_ca_system_score_codex":0.0006433307,"about_ca_system_score_gemma":0.0007140254,"threshold_uncertainty_score":0.99985564},"labels":[],"label_agreement":null},{"id":"W7020700637","doi":"","title":"Louis-Sebastien Mercier ordinatore di spettacoli e il valore educativo del tableau vivant","year":2024,"lang":"en","type":"article","venue":"ARCA (Università Ca' Foscari Venezia)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Persuasion; Process (computing); Quarter (Canadian coin); Principal (computer security)","score_opus":0.0237025542961304,"score_gpt":0.22634196552920774,"score_spread":0.20263941123307733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020700637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22666967,0.005557898,0.00020329155,0.003932434,0.005188214,0.00034885667,0.0005810308,0.00049919926,0.7570194],"genre_scores_gemma":[0.8456488,0.000054551605,0.00007296524,0.00024428222,0.0010042085,0.0000065060935,0.00013007803,0.00004310465,0.15279546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818945,0.0000798457,0.00023361889,0.0005924774,0.00037248194,0.000532138],"domain_scores_gemma":[0.99901146,0.00012234421,0.000068170106,0.00038014108,0.00014600636,0.0002719102],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000105603176,0.00032974072,0.00037420285,0.0003859797,0.00080976967,0.0003216102,0.00044523907,0.000096571726,0.013111221],"category_scores_gemma":[0.000015982829,0.00031027565,0.00029526567,0.0003427024,0.00033209802,0.0009609604,0.00016492316,0.00035982142,0.00092880457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006175744,0.00023190798,0.00023622593,0.00021683137,0.00042846677,0.00047215362,0.06660234,0.000043392756,0.0002414352,0.72968125,0.1946879,0.0070963064],"study_design_scores_gemma":[0.00019540823,0.00017595218,0.00021662038,0.00011973717,0.00029743512,0.000012923716,0.0066275466,0.000953804,0.000044193363,0.0039075445,0.98701006,0.00043879636],"about_ca_topic_score_codex":0.0016305514,"about_ca_topic_score_gemma":0.00035078297,"teacher_disagreement_score":0.79232216,"about_ca_system_score_codex":0.00033801378,"about_ca_system_score_gemma":0.00022273423,"threshold_uncertainty_score":0.9999349},"labels":[],"label_agreement":null},{"id":"W7024991437","doi":"","title":"Traversate del Mediterraneo nell’età moderna. Racconti di viaggio ed esperienze.","year":2009,"lang":"it","type":"book-chapter","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poison control; Nova scotia; Hasta","score_opus":0.02523083278688331,"score_gpt":0.2125940040118548,"score_spread":0.18736317122497148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024991437","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009684072,0.003304159,0.00074043544,0.002114315,0.0029890311,0.0011358397,0.0025335043,0.00041913876,0.9770795],"genre_scores_gemma":[0.17248708,0.0044692894,0.00017323636,0.0010872842,0.002244121,0.000018191484,0.0013477631,0.0001962644,0.8179768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919918,0.00033515584,0.0016263819,0.0025195987,0.0015612702,0.0019657977],"domain_scores_gemma":[0.9956604,0.0004898289,0.0010350354,0.0013781713,0.00053160527,0.00090494065],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00034942245,0.0023262808,0.0026490993,0.001219242,0.003136921,0.00051714707,0.0020136915,0.00074794766,0.010856305],"category_scores_gemma":[0.000026216143,0.0022482076,0.0017003085,0.00016678723,0.0020475409,0.0011164604,0.0009870728,0.0017197146,0.00292708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019664068,0.00097594934,0.00025383948,0.00043588787,0.0035105909,0.005630049,0.029267995,0.0005123876,0.00023726805,0.9124202,0.037385155,0.00740428],"study_design_scores_gemma":[0.002257179,0.00078864506,0.00068315037,0.000574609,0.0021740906,0.00015668666,0.001287237,0.00071356806,0.00003491987,0.0040029646,0.9846654,0.00266153],"about_ca_topic_score_codex":0.00045762068,"about_ca_topic_score_gemma":0.000276893,"teacher_disagreement_score":0.9472803,"about_ca_system_score_codex":0.00069799303,"about_ca_system_score_gemma":0.00030041824,"threshold_uncertainty_score":0.99894756},"labels":[],"label_agreement":null},{"id":"W7025502391","doi":"","title":"Vyhodnocení aktivity potenciálně antifungálních látek pomocí mikrodiluční metody","year":2007,"lang":"en","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Broth microdilution; Antifungal; Incubation; Trichophyton; Incubation period; In vitro; Fungicide","score_opus":0.015415977803435772,"score_gpt":0.253583692085066,"score_spread":0.23816771428163022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025502391","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13743743,0.00837148,0.00001456168,0.000041160194,0.008022245,0.00047863802,0.0008152927,0.00023729839,0.8445819],"genre_scores_gemma":[0.5928759,0.000016490912,0.00007658223,0.00008168183,0.0031065505,0.000028006676,0.00388757,0.00008698677,0.3998402],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99373037,0.00016566823,0.0018592923,0.0012068202,0.0024254734,0.00061235175],"domain_scores_gemma":[0.99321824,0.0004910906,0.0014177898,0.00063105545,0.0038823867,0.0003594419],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00033429224,0.0009635862,0.0011442956,0.0009543512,0.0011038905,0.0020923559,0.0007362517,0.0006777646,0.00013291228],"category_scores_gemma":[0.0003685314,0.00087801105,0.0011007653,0.000394229,0.00042916328,0.002665887,0.00006790968,0.0010502876,0.00005985457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008884758,0.011485925,0.007783293,0.011073384,0.008753602,0.007754419,0.19419135,0.000114784794,0.052903317,0.3874656,0.2822361,0.02735344],"study_design_scores_gemma":[0.0006845628,0.00051722216,0.0042835935,0.0017788495,0.00044772052,0.0003124717,0.0013322424,0.000046505833,0.016900262,0.0032792927,0.9684608,0.0019564922],"about_ca_topic_score_codex":0.00014320563,"about_ca_topic_score_gemma":0.00004560508,"teacher_disagreement_score":0.6862247,"about_ca_system_score_codex":0.00040067505,"about_ca_system_score_gemma":0.000641345,"threshold_uncertainty_score":0.99936706},"labels":[],"label_agreement":null},{"id":"W7028316555","doi":"","title":"Erratum: A musculoskeletal finite element model of rat knee joint for evaluating cartilage biomechanics during gait (PLoS Computational Biology (2022) 18:6 (e1009398) DOI: 10.1371/journal.pcbi.1009398)","year":2023,"lang":"en","type":"other","venue":"Utrecht University Repository (Utrecht University)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foundation (evidence); Statement (logic); Frame (networking); Joint (building); Gait; Articular cartilage; Knee Joint","score_opus":0.049295329934097576,"score_gpt":0.23375728031497578,"score_spread":0.1844619503808782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028316555","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011726796,0.0008756176,0.008973987,0.0002342932,0.005517916,0.0021377448,0.002060595,0.001674617,0.9667984],"genre_scores_gemma":[0.008377444,0.0001138119,0.001298464,0.000019322555,0.0005866239,0.0000019634927,0.0002618932,0.00025540587,0.9890851],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695057,0.00037990138,0.00061148725,0.00086901017,0.00055910926,0.00062990194],"domain_scores_gemma":[0.99725825,0.00029840798,0.0011053466,0.00048257672,0.00055614416,0.00029927932],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031158127,0.00062433956,0.0009962335,0.0022151535,0.0012764558,0.00008244152,0.0006870334,0.00048107872,0.0037343036],"category_scores_gemma":[0.000060597955,0.0006894301,0.00089571276,0.00050708035,0.00038184508,0.00037737982,0.00035322754,0.0006074601,0.000059350587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021499004,0.002446508,0.00009072742,0.0034910217,0.0074043944,0.0019216128,0.020308115,0.0108123105,0.0151896,0.06648505,0.8647302,0.004970569],"study_design_scores_gemma":[0.003370748,0.0010390272,0.0000016017452,0.00078317005,0.002151225,0.000019725041,0.0053233956,0.016868444,0.00063961605,0.0010833115,0.96737117,0.001348599],"about_ca_topic_score_codex":0.00030396826,"about_ca_topic_score_gemma":0.00024057573,"teacher_disagreement_score":0.10264094,"about_ca_system_score_codex":0.0009771992,"about_ca_system_score_gemma":0.00050495786,"threshold_uncertainty_score":0.9995557},"labels":[],"label_agreement":null},{"id":"W7029661943","doi":"","title":"L'expression de l'autonomie et de l'espace dans “La Princesse de Clèves” de Madame de Lafayette: La galanterie et la vertu.","year":2001,"lang":"fr","type":"dissertation","venue":"oURspace (University of Regina)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Regina","keywords":"Subject (documents); Style (visual arts); Order (exchange); Identity (music)","score_opus":0.008562033409019884,"score_gpt":0.22807797637300306,"score_spread":0.2195159429639832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029661943","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69566625,0.00095907366,0.010617804,0.170848,0.00020934716,0.00021542469,0.0001907865,0.0001540581,0.12113925],"genre_scores_gemma":[0.08548746,0.0033732082,0.0049116826,0.0003839662,0.000220982,0.00000318795,0.000267158,0.00007429014,0.9052781],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99708873,0.0013852606,0.000060347837,0.00048436405,0.00027229983,0.00070902455],"domain_scores_gemma":[0.99807984,0.00058216555,0.00044591632,0.000362324,0.00012272893,0.00040705313],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00083673315,0.00045094077,0.0005880363,0.00028672113,0.0007513141,0.00020239073,0.0006379453,0.0006026745,0.0001881974],"category_scores_gemma":[0.00008641274,0.00054573285,0.00039092512,0.00015300227,0.0005676604,0.000644317,0.00010778893,0.00088364386,0.000021965487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011848584,0.0005861255,0.013466435,0.0014741884,0.00041565477,0.003131319,0.2735742,0.0011152825,0.008836869,0.35206512,0.34315547,0.000994496],"study_design_scores_gemma":[0.00063139445,0.00014265112,0.0046582115,0.0011767613,0.00045167454,0.00011684672,0.0519847,0.00061182777,0.00030863215,0.00022539921,0.9391712,0.0005207127],"about_ca_topic_score_codex":0.002258193,"about_ca_topic_score_gemma":0.007522345,"teacher_disagreement_score":0.7841388,"about_ca_system_score_codex":0.0010187917,"about_ca_system_score_gemma":0.0016044048,"threshold_uncertainty_score":0.9996994},"labels":[],"label_agreement":null},{"id":"W7039035984","doi":"","title":"Les usages pédagogiques et scientifiques des collections de moulages à Lyon. Autour de Jean-Claude Bonnefond, Maurice Holleaux et Henri Lechat","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Natural (archaeology); Context (archaeology); Subject (documents); Field (mathematics)","score_opus":0.042775527344668704,"score_gpt":0.28042676569285857,"score_spread":0.23765123834818985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039035984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16815253,0.040851276,0.06872546,0.1118972,0.0011986307,0.00091331004,0.0011302516,0.0023286415,0.6048027],"genre_scores_gemma":[0.27274913,0.014273756,0.008005334,0.0005338576,0.00012903055,0.00009673407,0.00028744948,0.00008130962,0.7038434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98758024,0.009471333,0.00067800883,0.00080447993,0.0005043194,0.0009616072],"domain_scores_gemma":[0.99290633,0.0037100348,0.00035108652,0.0010124848,0.0016084306,0.00041160462],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.008082379,0.00048512535,0.00048535597,0.0006893922,0.0040479978,0.002356099,0.0009353457,0.00028407652,0.002389989],"category_scores_gemma":[0.0021884155,0.0005020126,0.00047835876,0.0013999435,0.0014094322,0.0009599917,0.00044778554,0.0007011831,0.00021226438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024117982,0.001020596,0.0013926546,0.0003987186,0.00020570701,0.000045184053,0.15901364,0.00031928645,0.0015405011,0.7276256,0.09001273,0.018401252],"study_design_scores_gemma":[0.00040541028,0.000005149397,0.0017475793,0.0018190409,0.00015941153,0.000022192096,0.004691254,0.008001313,0.009626669,0.023119912,0.94974005,0.00066200615],"about_ca_topic_score_codex":0.028808761,"about_ca_topic_score_gemma":0.031393748,"teacher_disagreement_score":0.8597273,"about_ca_system_score_codex":0.0005070278,"about_ca_system_score_gemma":0.0005412279,"threshold_uncertainty_score":0.99974316},"labels":[],"label_agreement":null},{"id":"W7070601067","doi":"","title":"The Role of Speedy/RINGO in Triple Negative Breast Cancer Metastasis","year":2024,"lang":"en","type":"dissertation","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Triple-negative breast cancer; Breast cancer; Cancer; Metastasis; Malignancy; CA15-3; Metastatic breast cancer; Cell cycle; Tumor microenvironment","score_opus":0.018554172132969962,"score_gpt":0.2287107389400985,"score_spread":0.21015656680712852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070601067","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8993311,0.0077219633,2.573271e-7,0.00039807,0.0009945739,0.00031711423,0.0012446188,0.000043149776,0.08994917],"genre_scores_gemma":[0.8005659,0.0002660002,0.000023004615,0.00001653557,0.00020960938,0.0000021278106,0.00019630017,0.000034295765,0.1986862],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982985,0.00017293185,0.00035334728,0.0004077511,0.00046664977,0.00030081894],"domain_scores_gemma":[0.99875575,0.00016718214,0.00039509623,0.0003048557,0.00028056305,0.0000965298],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034050466,0.00029729953,0.0005843615,0.00045667338,0.00060861156,0.000083799525,0.00063718867,0.00019108219,0.0040871054],"category_scores_gemma":[0.000034435812,0.0002603792,0.00045782796,0.00032985432,0.00029604003,0.00055014755,0.000077481745,0.00070702727,0.000102047765],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006091554,0.0009152328,0.0121555785,0.002161441,0.0033841939,0.00018097647,0.797414,0.00002947766,0.0033697065,0.09168422,0.007511193,0.075102426],"study_design_scores_gemma":[0.0015719639,0.00020689846,0.044697534,0.0016396797,0.0017517572,0.00000582622,0.21802697,0.00006627109,0.0024915624,0.0138081545,0.7145794,0.0011539847],"about_ca_topic_score_codex":0.0077775326,"about_ca_topic_score_gemma":0.06974641,"teacher_disagreement_score":0.7070682,"about_ca_system_score_codex":0.00021054182,"about_ca_system_score_gemma":0.00016183026,"threshold_uncertainty_score":0.99998486},"labels":[],"label_agreement":null},{"id":"W7071632784","doi":"","title":"Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799)","year":2001,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"McGill University","keywords":"Order (exchange); Public life; Meaning (existential); Public accounting","score_opus":0.017731964278050346,"score_gpt":0.22497573050347902,"score_spread":0.20724376622542867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071632784","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12977763,0.002444571,5.5700633e-7,0.00025617873,0.00054455287,0.00041329063,0.0029002805,0.00046964182,0.86319333],"genre_scores_gemma":[0.8395972,0.0010620432,0.00011620827,0.00034163665,0.00039036694,0.00021053173,0.0032117944,0.00018568253,0.15488452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952139,0.00097274955,0.0009863134,0.0011284689,0.000633902,0.0010646225],"domain_scores_gemma":[0.9973244,0.0002527898,0.00044713478,0.0008202893,0.0005840427,0.00057130796],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006621743,0.0010000139,0.00095421885,0.00047506514,0.0043077017,0.0006474339,0.00093791186,0.00078280625,0.0016450526],"category_scores_gemma":[0.00022560876,0.0008581496,0.00084680086,0.00042732112,0.00038777234,0.0022426753,0.00013491111,0.0017987115,0.0003514822],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075196025,0.000712159,0.00007093392,0.00019915144,0.00033188084,0.00009764731,0.003447502,0.0000065002155,0.00064317754,0.9829441,0.00043499414,0.011036791],"study_design_scores_gemma":[0.0004061365,0.00015299993,0.0001356806,0.00031036267,0.0002713629,0.000058849855,0.015154352,0.0000070939027,0.00030130177,0.11378693,0.86846346,0.0009514863],"about_ca_topic_score_codex":0.009151956,"about_ca_topic_score_gemma":0.047900643,"teacher_disagreement_score":0.86915714,"about_ca_system_score_codex":0.00073839695,"about_ca_system_score_gemma":0.00016758741,"threshold_uncertainty_score":0.9993869},"labels":[],"label_agreement":null},{"id":"W7098723525","doi":"","title":"I","year":2011,"lang":"en","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Fishing; Process (computing); Fisheries management","score_opus":0.10892577728466504,"score_gpt":0.2038880008327907,"score_spread":0.09496222354812567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7098723525","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034683957,0.000029348383,0.00002632203,0.00002296095,0.0001209332,0.000005793753,4.8897925e-7,0.00004078862,0.99628496],"genre_scores_gemma":[0.65488154,3.4765543e-7,0.00007402029,0.00026232374,0.00011164933,6.580389e-7,3.9461398e-7,9.981185e-7,0.34466806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998826,0.0000028335833,0.000032047785,0.000029356032,0.000018705805,0.000034478362],"domain_scores_gemma":[0.9999361,0.0000026274656,0.0000041121707,0.000033517346,0.000008259107,0.000015402638],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000009128403,0.000017541857,0.000022681033,0.0000112022135,0.00004971793,0.000007720273,0.000027743796,0.0000031171846,0.110406786],"category_scores_gemma":[9.4695054e-7,0.000010986507,0.000018102186,0.0000044694843,0.000025680522,0.00006724173,0.0000035057267,0.0000118961,0.00096685387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011194478,0.000016054712,0.000038396804,5.958964e-7,0.0000027095855,0.0000012120043,0.024289481,1.3305133e-9,0.0000015053171,0.9480195,0.026477946,0.0011514485],"study_design_scores_gemma":[0.00001204811,0.000012977589,0.000032382773,3.595451e-7,0.0000020311197,1.2710917e-7,0.00027734382,0.0000015355217,0.000036577087,0.005079862,0.9945213,0.000023457475],"about_ca_topic_score_codex":0.00030508995,"about_ca_topic_score_gemma":0.00006537895,"teacher_disagreement_score":0.9680433,"about_ca_system_score_codex":0.0000014189833,"about_ca_system_score_gemma":0.0000010447181,"threshold_uncertainty_score":0.999811},"labels":[],"label_agreement":null},{"id":"W7100988602","doi":"","title":"Hypersurfaces of almost r-paracontact Riemannian manifold endowed with a quarter symmetric non-metric connection, Accepted at Kyungpook","year":2016,"lang":"en","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Statistical manifold; Quarter (Canadian coin); Manifold (fluid mechanics); Metric (unit); Fundamental theorem of Riemannian geometry; Riemannian manifold; Pseudo-Riemannian manifold; Metric connection","score_opus":0.015159882956380193,"score_gpt":0.2018702899465466,"score_spread":0.18671040699016642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100988602","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4660254,0.00042909308,0.00018803027,0.00050597015,0.00036417734,0.00029028242,0.00006633507,0.00013199223,0.5319987],"genre_scores_gemma":[0.84992045,0.000018638462,0.0000455252,0.00015154919,0.00018005833,0.000016442582,0.000009636867,0.000018205703,0.14963952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985713,0.000057708214,0.0004155663,0.00034729295,0.00030421923,0.00030396343],"domain_scores_gemma":[0.9988156,0.00034697563,0.00019901265,0.00028428543,0.00022084369,0.00013329586],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000113711394,0.00024493653,0.00041494216,0.00054805673,0.00030438692,0.00006652111,0.0001823907,0.000055576824,0.027699145],"category_scores_gemma":[0.000037426493,0.0001260459,0.00014981211,0.00042324894,0.00013864438,0.00052955357,0.00003560519,0.00007083354,0.0005182653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0043968135,0.0037424406,0.097072735,0.00069119164,0.004307763,0.00032057406,0.08824271,0.000019046882,0.024322718,0.36208862,0.38519952,0.02959589],"study_design_scores_gemma":[0.0031175404,0.0020265065,0.010424995,0.0001251545,0.00030764172,0.00002761775,0.0031892343,0.00006440054,0.005596207,0.00022106011,0.974081,0.000818633],"about_ca_topic_score_codex":0.001036779,"about_ca_topic_score_gemma":0.0008469066,"teacher_disagreement_score":0.5888815,"about_ca_system_score_codex":0.000101456455,"about_ca_system_score_gemma":0.000026286541,"threshold_uncertainty_score":0.97318965},"labels":[],"label_agreement":null},{"id":"W7103748093","doi":"10.7202/1121041ar","title":"La quête du plaisir spirituel chez Jean de Saint-Samson","year":2025,"lang":"fr","type":"article","venue":"Laval théologique et philosophique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Subject (documents); Power (physics); Nous","score_opus":0.02461894416253203,"score_gpt":0.2688847180201859,"score_spread":0.24426577385765386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103748093","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082153656,0.021405103,0.0024775213,0.3074536,0.0031969398,0.0006288462,0.0003805181,0.00059876905,0.58170503],"genre_scores_gemma":[0.862183,0.009958982,0.00048059673,0.015623015,0.00400697,0.000084714135,0.00007899873,0.000061203944,0.107522555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954973,0.002123231,0.0007215485,0.0006948965,0.00022471789,0.0007383481],"domain_scores_gemma":[0.99727964,0.0015759015,0.00021652365,0.00051069976,0.00016955395,0.00024766565],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016033754,0.00060415274,0.00074491947,0.00027604468,0.00057296455,0.00033007213,0.00061813975,0.00080071134,0.001587508],"category_scores_gemma":[0.00064859627,0.000556148,0.0005102269,0.00019865009,0.0011752063,0.00045977155,0.00023778941,0.0016478061,0.0002488388],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017196978,0.0006481169,0.00096791337,0.00034691903,0.00025344806,0.0004743023,0.005171933,0.00007074631,0.00012623692,0.94555485,0.042950414,0.0032631657],"study_design_scores_gemma":[0.00047317627,0.0002802065,0.00035852692,0.00039682293,0.00016253746,0.000032854598,0.00021775048,0.00015247715,0.00037257763,0.19529594,0.80179334,0.0004637874],"about_ca_topic_score_codex":0.0050370586,"about_ca_topic_score_gemma":0.0015294586,"teacher_disagreement_score":0.7800293,"about_ca_system_score_codex":0.0005820558,"about_ca_system_score_gemma":0.00047575813,"threshold_uncertainty_score":0.999689},"labels":[],"label_agreement":null},{"id":"W7109983328","doi":"10.7202/1121892ar","title":"De la description à la fiction : une relecture de la « Figure du Port Royal en la Nouvelle-France » de Marc Lescarbot (1609)","year":2025,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Adoration; Reel; ESPACE; Kabbalah","score_opus":0.007307378637914048,"score_gpt":0.2178845466993911,"score_spread":0.21057716806147705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7109983328","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19378969,0.039652567,0.0016900544,0.0060903532,0.00136495,0.0003971207,0.00015177178,0.0003193571,0.7565441],"genre_scores_gemma":[0.90157914,0.0031065983,0.0005073444,0.00053979503,0.0015760105,0.00006704077,0.00004166708,0.000043229556,0.09253915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965585,0.0013870166,0.0005601772,0.0005800751,0.00025904557,0.00065521256],"domain_scores_gemma":[0.99768746,0.0014653804,0.0001948862,0.00032491653,0.0001289968,0.00019836724],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000983431,0.00048719943,0.00053857383,0.00022824024,0.0009789454,0.0006320809,0.0004991723,0.0006443728,0.0010798714],"category_scores_gemma":[0.0003697929,0.00046786029,0.00035714652,0.00038041826,0.0013669749,0.00037274155,0.00007827401,0.0010174222,0.000024427378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039578322,0.0015280589,0.09691016,0.0020349948,0.00058297644,0.0008851205,0.0623442,0.0029035117,0.001160736,0.7040833,0.09875495,0.028416177],"study_design_scores_gemma":[0.000428817,0.00013045901,0.03448299,0.0012026178,0.00038360583,0.000065352455,0.0012480005,0.0033431354,0.0001161408,0.0019634801,0.9561677,0.0004676745],"about_ca_topic_score_codex":0.01594271,"about_ca_topic_score_gemma":0.0016161437,"teacher_disagreement_score":0.85741276,"about_ca_system_score_codex":0.0003107716,"about_ca_system_score_gemma":0.00049064675,"threshold_uncertainty_score":0.9998333},"labels":[],"label_agreement":null},{"id":"W7110116478","doi":"10.7202/1121897ar","title":"Le voyage revisité dans <i>Cleveland</i> , de l’abbé Prévost","year":2025,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Self reliance; Life style; Vanguard","score_opus":0.013733967245654833,"score_gpt":0.22282732752974035,"score_spread":0.2090933602840855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110116478","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017497506,0.09561448,0.00056649157,0.013333073,0.002690201,0.00041047015,0.00033561434,0.00020761129,0.86934453],"genre_scores_gemma":[0.77617615,0.002253809,0.00035305665,0.0016391871,0.001697522,0.000046596597,0.000043040665,0.000035710822,0.2177549],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728936,0.000231979,0.00076985604,0.00067379756,0.00025157,0.0007834593],"domain_scores_gemma":[0.9984347,0.00040986118,0.00020200475,0.0005451182,0.0001697479,0.00023853121],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033644904,0.00048162672,0.00069917925,0.00022733625,0.0016865315,0.00045523336,0.00077100017,0.0002255342,0.0012945033],"category_scores_gemma":[0.00016758945,0.00046519228,0.0004257443,0.00040326244,0.0013131709,0.000629246,0.00015394947,0.00050104916,0.00021723167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006455164,0.000589324,0.009801453,0.0011950672,0.00024522835,0.00015437939,0.012408644,0.0000357621,0.00016163148,0.9403163,0.030589582,0.004438067],"study_design_scores_gemma":[0.0003867378,0.00014423177,0.0028176908,0.0017741153,0.00032878792,0.000011703262,0.0015872546,0.00022660378,0.00030567957,0.0030862812,0.98879987,0.00053101726],"about_ca_topic_score_codex":0.0128952805,"about_ca_topic_score_gemma":0.0068119843,"teacher_disagreement_score":0.9582103,"about_ca_system_score_codex":0.00013692706,"about_ca_system_score_gemma":0.00051547436,"threshold_uncertainty_score":0.99978},"labels":[],"label_agreement":null},{"id":"W7110155266","doi":"10.7202/1121891ar","title":"« Ne vous estonnez point si je reviens des morts. » Fantômes aristocratiques dans les pamphlets de la première moitié du <scp>xvii</scp> <sup>e</sup>  siècle","year":2025,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Order (exchange); Context (archaeology); Identity (music)","score_opus":0.01405788877594654,"score_gpt":0.23576277542639865,"score_spread":0.2217048866504521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110155266","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53829426,0.1122386,0.0008158523,0.0023842726,0.00077164825,0.0008260238,0.000420576,0.00047606748,0.3437727],"genre_scores_gemma":[0.9467972,0.013428809,0.0014804875,0.0006364844,0.0017117652,0.00019165776,0.000092948125,0.00009757413,0.035563104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474555,0.0008989569,0.0014116105,0.0011746396,0.00048025817,0.0012889837],"domain_scores_gemma":[0.99513364,0.0027262643,0.00044579455,0.00081989705,0.0004253273,0.00044905677],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00077846175,0.0010220004,0.001341076,0.00039674214,0.00306104,0.00091959554,0.0010984351,0.000504997,0.0005512427],"category_scores_gemma":[0.0015163459,0.0009356001,0.0007751487,0.0005616845,0.004792192,0.0011574836,0.00028491238,0.0009380723,0.00008327106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006184304,0.001771249,0.10086768,0.0039909715,0.0007381512,0.00081333064,0.12420352,0.0016944967,0.00030203082,0.72653,0.021222722,0.017803982],"study_design_scores_gemma":[0.00048768494,0.00045009927,0.009304864,0.0041987635,0.00086372806,0.00008367098,0.01405784,0.0033946477,0.0006156132,0.008031602,0.9578952,0.00061629305],"about_ca_topic_score_codex":0.013326826,"about_ca_topic_score_gemma":0.0039501796,"teacher_disagreement_score":0.93667245,"about_ca_system_score_codex":0.00043049318,"about_ca_system_score_gemma":0.00037733003,"threshold_uncertainty_score":0.9993095},"labels":[],"label_agreement":null},{"id":"W7110444830","doi":"10.7202/1121890ar","title":"Migration d’acteurs, migration de pratiques : l’influence du théâtre italien en France avant Molière","year":2025,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Metropolitan area; Ethnography; Urban environment","score_opus":0.007276725713837254,"score_gpt":0.22199593366265705,"score_spread":0.2147192079488198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110444830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8405328,0.048407137,0.0004361905,0.03877941,0.002543228,0.000729158,0.00040373072,0.0002976311,0.06787072],"genre_scores_gemma":[0.9057288,0.0061326153,0.00041263647,0.0010605876,0.0014827623,0.000091762,0.000077591285,0.000028097847,0.0849851],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99733055,0.0003457488,0.0007956655,0.0006553753,0.00030162037,0.00057105056],"domain_scores_gemma":[0.9982696,0.0005198729,0.00029057698,0.00041443732,0.00034278005,0.00016269027],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031741784,0.00049639924,0.0005549665,0.0002458437,0.0010630578,0.0005360406,0.00056592753,0.00027379137,0.0009893124],"category_scores_gemma":[0.00032734367,0.00045679905,0.0002825894,0.0002859724,0.0007667847,0.0015132591,0.000078982994,0.00043623874,0.00011162938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008957641,0.0007162897,0.08438828,0.0011672878,0.00024388298,0.000100188256,0.065678366,0.0006881696,0.00070416514,0.825047,0.015752675,0.0054240855],"study_design_scores_gemma":[0.00020704501,0.00022348776,0.021561971,0.0015070958,0.0002551036,0.000008592475,0.0018128495,0.004300818,0.00069474406,0.0011475779,0.9677765,0.00050426094],"about_ca_topic_score_codex":0.018493414,"about_ca_topic_score_gemma":0.028480202,"teacher_disagreement_score":0.9520238,"about_ca_system_score_codex":0.00016590816,"about_ca_system_score_gemma":0.00030231773,"threshold_uncertainty_score":0.99992394},"labels":[],"label_agreement":null},{"id":"W7111034422","doi":"10.3917/dss.112.0423e","title":"Jean Leclerc, L’Antiquité travestie et la vogue du burlesque en France (1643-1661) , Québec, Les Presses de l’Université Laval, 2008, « Les collections de la République des Lettres – Études ».","year":2011,"lang":"","type":"article","venue":"Dix-septième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paraphernalia; Burlesque; Verisimilitude","score_opus":0.021336261041845137,"score_gpt":0.22226712032740112,"score_spread":0.20093085928555598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111034422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36400074,0.032325514,0.0029641795,0.004710811,0.00041610643,0.0007408704,0.00076616654,0.00077160285,0.59330404],"genre_scores_gemma":[0.8792224,0.012732267,0.00069395005,0.00035916627,0.0006933415,0.00006558651,0.000049225644,0.00012963866,0.10605445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953149,0.0018340104,0.0006985499,0.000788561,0.00037049397,0.0009935073],"domain_scores_gemma":[0.99661386,0.0017709713,0.00031945162,0.00050272024,0.00031524425,0.00047776813],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008165317,0.0007571318,0.0007748606,0.00048300985,0.003925378,0.00091416156,0.00088350876,0.00051904283,0.016406123],"category_scores_gemma":[0.00045275342,0.0007480217,0.00056695734,0.0004678958,0.002082925,0.0012367324,0.00022082492,0.00096310134,0.00006834602],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006856551,0.005059706,0.05009636,0.0010549359,0.0018439437,0.0007585248,0.25713995,0.0011048933,0.0056769145,0.33986947,0.31740516,0.019304488],"study_design_scores_gemma":[0.000768161,0.00041522054,0.022624375,0.000351847,0.00043190375,0.000055843975,0.004828438,0.00030967232,0.0023541667,0.0018588096,0.96505743,0.000944135],"about_ca_topic_score_codex":0.3372301,"about_ca_topic_score_gemma":0.1433628,"teacher_disagreement_score":0.64765227,"about_ca_system_score_codex":0.0003864931,"about_ca_system_score_gemma":0.0008521794,"threshold_uncertainty_score":0.99949706},"labels":[],"label_agreement":null},{"id":"W7111940609","doi":"","title":"Descartes et le Nouveau Monde le cheminement du cartésianisme au Canada, XVIIe - XXe siècle","year":2003,"lang":"fr","type":"article","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Lyssavirus; Selection (genetic algorithm); Relation (database)","score_opus":0.012885655134322764,"score_gpt":0.1896070675387571,"score_spread":0.17672141240443434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111940609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015843812,0.0068156887,0.000112097216,0.029761843,0.0015760534,0.00015379414,0.00014441098,0.000056586352,0.9455357],"genre_scores_gemma":[0.64173365,0.000071622366,0.000095729774,0.0016109976,0.00053006114,0.00001461834,0.000034312394,0.000022899676,0.35588613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812305,0.00011916347,0.00045324978,0.00038423392,0.00031184545,0.0006084412],"domain_scores_gemma":[0.9990755,0.00012306728,0.00009615098,0.00029275156,0.000115957766,0.00029662505],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019307368,0.00033391392,0.00038179426,0.000052941934,0.0013062757,0.00017276623,0.00018762315,0.000086641965,0.008861591],"category_scores_gemma":[0.000041325577,0.000308533,0.00017171628,0.000084629195,0.0002878932,0.00035735362,0.0000410747,0.0002072816,0.00010680719],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000050171466,0.0003483433,0.0001551346,0.00005997199,0.00009141029,0.000048879097,0.005059603,0.00004050937,0.00013245847,0.7495863,0.24405985,0.00041256283],"study_design_scores_gemma":[0.00042566928,0.00008892599,0.0001278074,0.000037596114,0.00007720905,0.000010508048,0.0053866454,0.00008662922,0.002868882,0.00076358614,0.9897037,0.00042285043],"about_ca_topic_score_codex":0.95900875,"about_ca_topic_score_gemma":0.9166685,"teacher_disagreement_score":0.7488227,"about_ca_system_score_codex":0.00041521812,"about_ca_system_score_gemma":0.0022099535,"threshold_uncertainty_score":0.99999386},"labels":[],"label_agreement":null},{"id":"W7112446197","doi":"","title":"Plinio e le arti nel XVIII secolo: fra riletture della Naturalis Historia e invenzioni iconografiche al femminile","year":2024,"lang":"it","type":"book-chapter","venue":"IrInSubria (University of Insubria)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Literal and figurative language; Quarter (Canadian coin); Creativity; Perspective (graphical)","score_opus":0.035087447715530067,"score_gpt":0.20372703281141463,"score_spread":0.16863958509588456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112446197","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034536418,0.0137960445,0.000039381903,0.005251154,0.012856639,0.00095364003,0.0035196515,0.0005279355,0.9285191],"genre_scores_gemma":[0.2697447,0.0011793603,0.00021832259,0.0007598193,0.002589328,0.000002176316,0.0008570677,0.00017259597,0.72447664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954898,0.00013731282,0.0010300874,0.001593262,0.0009047701,0.00084480445],"domain_scores_gemma":[0.9964151,0.00029771074,0.0010022403,0.0010992667,0.0006169856,0.0005687318],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037044453,0.0012232113,0.0019165257,0.0009825517,0.0018255987,0.00030550355,0.0013403333,0.0012117786,0.013858308],"category_scores_gemma":[0.000035873065,0.0014347226,0.001818017,0.00023403465,0.0016619181,0.0009243228,0.000664382,0.002217856,0.0024256322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005378407,0.00034982743,0.00005595567,0.000653521,0.0016986394,0.0007727253,0.023170156,0.000020294525,0.00023994122,0.7400818,0.23114479,0.0012745379],"study_design_scores_gemma":[0.0013391644,0.00044969708,0.00013676602,0.0006548242,0.0011453115,0.000027764205,0.0029421118,0.00021177786,0.000015819473,0.00624097,0.985314,0.0015217568],"about_ca_topic_score_codex":0.00630782,"about_ca_topic_score_gemma":0.0026682334,"teacher_disagreement_score":0.7541692,"about_ca_system_score_codex":0.0006902886,"about_ca_system_score_gemma":0.00047769505,"threshold_uncertainty_score":0.99947387},"labels":[],"label_agreement":null},{"id":"W7117117323","doi":"10.13129/2421-4191/2025.11.207-213","title":"Delmo Maestri nel decennale della sua scomparsa. Premessa","year":2025,"lang":"it","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"GF Strong Rehabilitation Centre","funders":"","keywords":"Work (physics); Faith; Product (mathematics); Public policy","score_opus":0.29957416084675104,"score_gpt":0.5196797476873637,"score_spread":0.22010558684061265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117117323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39350834,0.28251806,0.0005827951,0.001370726,0.005437508,0.0012455,0.00045874846,0.00013496226,0.31474337],"genre_scores_gemma":[0.87486476,0.023850424,0.00009327602,0.0013306439,0.0011281455,0.000047362213,0.00006310169,0.00008663157,0.098535664],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938794,0.0007255806,0.002349084,0.0009941341,0.0010759649,0.00097586896],"domain_scores_gemma":[0.99540323,0.0007763603,0.0013690441,0.0009975809,0.00086427777,0.0005894908],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012766457,0.00086962123,0.0020159828,0.0017592272,0.0016875479,0.0061671147,0.004981772,0.00026999236,0.08385142],"category_scores_gemma":[0.00025832668,0.00077922596,0.00085021893,0.001363587,0.0006429779,0.0039890967,0.0016128365,0.0010889663,0.00021346552],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085730484,0.002078615,0.139727,0.0008331596,0.0019915993,0.00022317839,0.003487409,0.00037701282,0.0039938022,0.023088098,0.8003724,0.022970418],"study_design_scores_gemma":[0.00090201996,0.000029285779,0.02505041,0.0021543265,0.00078141026,0.000009345331,0.0004937973,0.0003137725,0.0017093876,0.010777382,0.95684016,0.00093872804],"about_ca_topic_score_codex":0.005001392,"about_ca_topic_score_gemma":0.00041405778,"teacher_disagreement_score":0.4813564,"about_ca_system_score_codex":0.00030235463,"about_ca_system_score_gemma":0.0005656302,"threshold_uncertainty_score":0.9996121},"labels":[],"label_agreement":null},{"id":"W7127969955","doi":"10.48611/isbn.978-2-406-18945-9.p.0375","title":"Voltaire mis à part","year":2025,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Section (typography); George (robot); Context (archaeology); Mythology","score_opus":0.015028655439782147,"score_gpt":0.21657374662924406,"score_spread":0.2015450911894619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127969955","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005018471,0.032601222,0.007672586,0.080532104,0.0013599932,0.00017069979,0.00012677554,0.00015726175,0.8723609],"genre_scores_gemma":[0.09179967,0.0008849076,0.0014606483,0.00064181327,0.00014878606,0.000023128276,0.00014852585,0.000020587908,0.90487194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99601215,0.0023965065,0.00049558503,0.000475591,0.00023451867,0.0003856754],"domain_scores_gemma":[0.99623674,0.0011386542,0.00017821661,0.0009850488,0.0012946309,0.00016672885],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017779052,0.00025640108,0.00031048263,0.00016419236,0.0012787093,0.0005386372,0.0006119021,0.0001435871,0.0051621827],"category_scores_gemma":[0.00060656155,0.00026320922,0.00026492175,0.00032844665,0.00068398885,0.00032106755,0.00017297237,0.00033657678,0.00037577504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006662899,0.00050665165,0.00026124847,0.00013451619,0.00008457084,0.000006098743,0.017131269,0.000001961295,0.000056712604,0.80180776,0.12197502,0.058027547],"study_design_scores_gemma":[0.00026949696,3.72032e-7,0.00019252571,0.0015001892,0.00009783698,0.0000021406613,0.00050704024,0.0010252156,0.0017024801,0.0058439146,0.9886091,0.00024970184],"about_ca_topic_score_codex":0.0059523336,"about_ca_topic_score_gemma":0.004231754,"teacher_disagreement_score":0.8666341,"about_ca_system_score_codex":0.00012542219,"about_ca_system_score_gemma":0.00017758872,"threshold_uncertainty_score":0.999982},"labels":[],"label_agreement":null},{"id":"W7128664966","doi":"","title":"Recensione: Alberta Bergomi, \"Prima che partano!\". Progetti di alfabetizzazione e scuole per gli emigranti nell'Italia liberale (1861-1921), prefazione di Adolfo SCOTTO DI LUZIO, Soveria Mannelli, Rubbettino, 2023, 289 pp.","year":2024,"lang":"it","type":"article","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Public health; Population; Public policy; Limiting","score_opus":0.017661656701070564,"score_gpt":0.21769482221798359,"score_spread":0.20003316551691303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128664966","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6048959,0.049669866,0.0006867812,0.012847475,0.010572938,0.0034411424,0.004758088,0.0011923315,0.31193548],"genre_scores_gemma":[0.37669745,0.0058438005,0.00027897328,0.0006139706,0.0021196816,0.00007465094,0.001644348,0.00025573108,0.6124714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9894265,0.0009556483,0.0018902842,0.0033261236,0.0016485807,0.0027528438],"domain_scores_gemma":[0.99524397,0.0009083309,0.0006324563,0.0016544202,0.0005091739,0.0010516287],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00065279746,0.0022073423,0.0023274096,0.00085135543,0.003295739,0.0011967735,0.0018093069,0.00065391214,0.008351085],"category_scores_gemma":[0.00006508392,0.0020411343,0.0015669615,0.0009308207,0.0020938192,0.001980327,0.0019923013,0.0017435305,0.005985063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029786907,0.005409819,0.017317642,0.0037882112,0.0073909266,0.0052663656,0.032202646,0.00085239066,0.004764362,0.42795563,0.4887626,0.003310732],"study_design_scores_gemma":[0.0019475154,0.00076766906,0.0071060713,0.0017116939,0.0023053354,0.00013649999,0.0015093711,0.0016879076,0.0004377081,0.0011562131,0.9785092,0.002724842],"about_ca_topic_score_codex":0.0019155947,"about_ca_topic_score_gemma":0.0012592358,"teacher_disagreement_score":0.4897466,"about_ca_system_score_codex":0.00075211056,"about_ca_system_score_gemma":0.00057794387,"threshold_uncertainty_score":0.9998401},"labels":[],"label_agreement":null},{"id":"W7132905707","doi":"","title":"Playing Queer and Performing Gender at the Turn of the Eighteenth Century: The Unconventional Life, Voice, and Body of Julie D’Aubigny Maupin","year":2023,"lang":"","type":"dissertation","venue":"TSpace","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Conversation; Context (archaeology); Space (punctuation); Queer theory; Sexual identity; Perception; Opera","score_opus":0.03405243205689148,"score_gpt":0.2759554094554732,"score_spread":0.24190297739858171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132905707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9469592,0.030478038,0.000002600453,0.000946583,0.0014326682,0.00048596913,0.00013560664,0.000016190133,0.019543163],"genre_scores_gemma":[0.8948026,0.0029164443,0.000003298277,0.00014728011,0.0003534944,0.000022554246,0.00009798757,0.000035985366,0.101620376],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979062,0.00023957921,0.0006058761,0.00037147623,0.00058243005,0.00029440783],"domain_scores_gemma":[0.998164,0.00053478155,0.000676213,0.0003612581,0.00018989919,0.00007387839],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041998803,0.00037013422,0.00047176913,0.000099167206,0.0022003963,0.00013307529,0.00032559424,0.00014925754,0.0016302159],"category_scores_gemma":[0.000078554476,0.0001773525,0.00031598634,0.00016523052,0.0006746539,0.00015259936,0.00018993317,0.00047967088,0.000019397232],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00087310845,0.00031505837,0.010561424,0.0038122681,0.002539406,0.000008735273,0.8261439,0.000102349826,0.001455247,0.12199796,0.029856196,0.002334324],"study_design_scores_gemma":[0.0010705724,0.00021125757,0.07438934,0.0011268144,0.002191177,0.0000112907055,0.17392135,0.0019111568,0.00045055104,0.00087880867,0.74298775,0.00084996136],"about_ca_topic_score_codex":0.0013268167,"about_ca_topic_score_gemma":0.000434182,"teacher_disagreement_score":0.71313155,"about_ca_system_score_codex":0.000048544858,"about_ca_system_score_gemma":0.00012790847,"threshold_uncertainty_score":0.9992824},"labels":[],"label_agreement":null},{"id":"W7133073246","doi":"","title":"Satirical Sauvages: Indigenous North Americans in Eighteenth-century French and British Prose Satire, 1702–1763","year":2024,"lang":"","type":"dissertation","venue":"TSpace","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"International Centre for Comparative Criminology","funders":"","keywords":"Verisimilitude; Representation (politics); Imitation; Adventure; Indigenous; Memoir; Relation (database); TRACE (psycholinguistics); Literary criticism; Criticism","score_opus":0.01908965626639996,"score_gpt":0.2776779781186691,"score_spread":0.25858832185226915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133073246","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8544943,0.095188804,0.000004591992,0.00015686009,0.0015074805,0.0009096515,0.00030369803,0.00012817401,0.04730648],"genre_scores_gemma":[0.8380478,0.02097764,0.00007424758,0.00030773628,0.0012648272,0.00017749674,0.0018805886,0.00013378845,0.13713585],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956362,0.00024651727,0.0011193713,0.0013563103,0.0007059564,0.0009355961],"domain_scores_gemma":[0.998428,0.00020947002,0.00039899274,0.000404259,0.00016113203,0.00039813004],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016078624,0.00087344664,0.0013020854,0.0006025489,0.0008980989,0.0012903266,0.00037665086,0.00037672793,0.003403066],"category_scores_gemma":[0.00006403092,0.0009080025,0.00034420885,0.00065574085,0.00053916045,0.0003041999,0.00010895437,0.0014856501,0.00029284394],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116047464,0.0011099769,0.01349183,0.0025870337,0.0004544164,0.0010971793,0.894832,0.000010585031,0.00001676378,0.0031210256,0.022327315,0.060835823],"study_design_scores_gemma":[0.0006323986,0.000756632,0.04879756,0.0016234008,0.00063833257,0.000035603243,0.040843364,0.00012341836,0.0000057633706,0.00032766667,0.90450805,0.0017078283],"about_ca_topic_score_codex":0.073872864,"about_ca_topic_score_gemma":0.08497555,"teacher_disagreement_score":0.8821807,"about_ca_system_score_codex":0.00034164116,"about_ca_system_score_gemma":0.00033532525,"threshold_uncertainty_score":0.99974644},"labels":[],"label_agreement":null},{"id":"W7135161931","doi":"","title":"Provoquer des songes au XVI e siècle : pour une approche naturelle de la magie chez Della Porta","year":2024,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Animal production; Work (physics); Context (archaeology); Food consumption","score_opus":0.020732879592779203,"score_gpt":0.2247658327188253,"score_spread":0.2040329531260461,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135161931","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004202913,0.016746573,0.0020828766,0.012038757,0.0003624331,0.000337512,0.00021003881,0.00026944443,0.96374947],"genre_scores_gemma":[0.16970776,0.0016607094,0.004866781,0.00017560685,0.00030010118,0.000037680384,0.00035289157,0.00012525458,0.8227732],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953522,0.0018500456,0.00074023614,0.00092687,0.00047304292,0.00065758097],"domain_scores_gemma":[0.99488556,0.0018651737,0.00040581255,0.001172586,0.0012988348,0.0003720299],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032277338,0.00067145145,0.00061089295,0.0002802499,0.0016943805,0.00089892116,0.0009751916,0.0005529856,0.00332523],"category_scores_gemma":[0.00041822277,0.0006312639,0.0005586916,0.0001794186,0.0024849402,0.00028532496,0.00044172764,0.0012972882,0.00063532556],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016674747,0.000411577,0.0001605364,0.00054651924,0.0002540277,0.00006125021,0.0438169,0.0000073051283,0.0003883421,0.928909,0.006084159,0.019343724],"study_design_scores_gemma":[0.00024424706,0.0000017114243,0.00013480376,0.002250829,0.00031178296,0.000037896516,0.00064441684,0.0010463729,0.0017184777,0.07509619,0.91785765,0.00065564655],"about_ca_topic_score_codex":0.0084669655,"about_ca_topic_score_gemma":0.0066661737,"teacher_disagreement_score":0.91177344,"about_ca_system_score_codex":0.00041971085,"about_ca_system_score_gemma":0.00051932957,"threshold_uncertainty_score":0.9996139},"labels":[],"label_agreement":null},{"id":"W7139420598","doi":"","title":"Alberta Bergomi «Prima che partano!». Progetti di alfabetizzazione e scuole per gli emigranti nell’Italia liberale (1861-1921), prefazione di Adolfo Scotto di Luzio, Soveria Mannelli, Rubbettino 2023","year":2024,"lang":"it","type":"article","venue":"BOA (University of Milano-Bicocca)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Public health; Population; Public policy; Limiting","score_opus":0.016922535433578367,"score_gpt":0.2004070545556802,"score_spread":0.18348451912210184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139420598","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81930465,0.032197196,0.00039844756,0.0067671044,0.0045228605,0.0018492723,0.0028024225,0.0006205027,0.13153754],"genre_scores_gemma":[0.45918095,0.0012833523,0.00019392831,0.00018602003,0.0012604289,0.0000053501335,0.00063281413,0.000119472585,0.5371377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99453384,0.00040679582,0.00094532524,0.0017322688,0.0010052628,0.0013765096],"domain_scores_gemma":[0.99697566,0.00038044833,0.00047796682,0.0011532503,0.00031900694,0.00069368817],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044308693,0.0011200829,0.0015815538,0.00057820254,0.0017649899,0.00055694167,0.0012949305,0.00060464937,0.019712599],"category_scores_gemma":[0.000034421413,0.0011891875,0.0014336534,0.0006056151,0.0012039813,0.0018006202,0.00064409076,0.000979553,0.0030588007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020096349,0.003934212,0.011534181,0.0053241807,0.004643472,0.0014992967,0.080850214,0.00017774178,0.008860945,0.073861964,0.80198413,0.0053200577],"study_design_scores_gemma":[0.0014827145,0.00063398643,0.004234317,0.0014755718,0.0015619945,0.000019249628,0.004199804,0.0019581334,0.00035495876,0.00072977383,0.981769,0.0015804457],"about_ca_topic_score_codex":0.012506151,"about_ca_topic_score_gemma":0.0046086446,"teacher_disagreement_score":0.40560013,"about_ca_system_score_codex":0.00032613488,"about_ca_system_score_gemma":0.0003624498,"threshold_uncertainty_score":0.99953455},"labels":[],"label_agreement":null},{"id":"W7141285260","doi":"10.1215/00358118-12104028","title":"Coloniser « l’Isle de Canada », du récit de Champlain à la pièce de Du Hamel, <i>via</i> le roman de Du Périer (1601–1603)","year":2025,"lang":"en","type":"article","venue":"Romanic Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Relation (database); Power (physics); Context (archaeology)","score_opus":0.006891356031264034,"score_gpt":0.20107239346335595,"score_spread":0.19418103743209192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7141285260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051946066,0.32500935,0.0012841277,0.041189138,0.0011037797,0.0011944481,0.00015334696,0.00035061466,0.5777691],"genre_scores_gemma":[0.82355016,0.034801196,0.0002691561,0.05434826,0.0013385119,0.00020758444,0.000083408864,0.000079764955,0.08532193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979613,0.00043965556,0.00048858946,0.00033357766,0.00019599457,0.00058089267],"domain_scores_gemma":[0.99898475,0.00022844276,0.00014150518,0.00036810778,0.00007711782,0.00020009401],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007759253,0.0002839335,0.00059549155,0.00005365034,0.0007031026,0.00014173277,0.000437892,0.00008062065,0.002156345],"category_scores_gemma":[0.00016885575,0.00024780477,0.00023530076,0.00015030589,0.0001121743,0.00018653832,0.0000885716,0.00026966177,0.000053286967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013511704,0.00015478006,0.0007506834,0.0014958457,0.00013917766,0.00029284885,0.0036508315,0.0000074573227,0.000043473523,0.13003765,0.8617667,0.001647052],"study_design_scores_gemma":[0.00023351319,0.00003972993,0.00025509583,0.0010720176,0.00020382006,0.00007109762,0.00011941258,0.00025230835,0.000023040146,0.0011983278,0.99625343,0.00027823137],"about_ca_topic_score_codex":0.23703574,"about_ca_topic_score_gemma":0.29206973,"teacher_disagreement_score":0.7716041,"about_ca_system_score_codex":0.00060739997,"about_ca_system_score_gemma":0.0012476315,"threshold_uncertainty_score":0.99999744},"labels":[],"label_agreement":null},{"id":"W7141469105","doi":"10.1215/00358118-12104068","title":"Conquérir la scène","year":2025,"lang":"en","type":"article","venue":"Romanic Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Post colonialism; Identity (music); Colonial period; Exoticism","score_opus":0.026032865272904673,"score_gpt":0.270906109068737,"score_spread":0.24487324379583236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7141469105","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005904368,0.25761762,0.000012660778,0.002459914,0.00021924128,0.00009265366,0.0000038659095,0.00004831189,0.7394867],"genre_scores_gemma":[0.08574247,0.070400886,0.000049721966,0.027208433,0.00055992213,0.00007139114,0.000039190934,0.000017318947,0.81591064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994287,0.000076090495,0.00021281214,0.00012254044,0.000066512184,0.00009333242],"domain_scores_gemma":[0.99967647,0.00005706455,0.000037628353,0.00017415437,0.000032349995,0.000022335453],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014649027,0.00008058692,0.00023883292,0.00003063521,0.00012809996,0.000045352324,0.00012908301,0.00001514518,0.007659963],"category_scores_gemma":[0.000033644646,0.000056492932,0.00011792166,0.00005818993,0.000059457463,0.00009189492,0.000024668912,0.0000748168,0.00061440776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.9038017e-7,0.000025005076,0.000004183592,0.0009862904,0.000022247557,0.0000052469654,0.0003079218,1.3723223e-8,0.000001939624,0.59232193,0.3884385,0.017885959],"study_design_scores_gemma":[0.00004852159,0.000011100719,0.000011073484,0.0016468344,0.000074306394,0.0000011913871,0.000016571603,0.000002584988,0.0000013895803,0.00123279,0.99688697,0.00006664254],"about_ca_topic_score_codex":0.000046203568,"about_ca_topic_score_gemma":0.000031050673,"teacher_disagreement_score":0.6084485,"about_ca_system_score_codex":0.00001638769,"about_ca_system_score_gemma":0.000022493843,"threshold_uncertainty_score":0.99324715},"labels":[],"label_agreement":null},{"id":"W7151591411","doi":"10.70675/2e6da7c6z5afcz4e51zbcf5ze2f56d599393","title":"« Vous avez bien là dequoy vous contenter les yeux, l'odorat &amp; l'appetit ». Usages, fonctions et enjeux du lexique des perceptions sensorielles dans les récits de voyages français en Amérique (1545-1618)","year":2023,"lang":"","type":"dissertation","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metonymy; Romanticism; Stylistics","score_opus":0.06214262910217412,"score_gpt":0.2909332297404591,"score_spread":0.228790600638285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7151591411","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80553436,0.004518813,0.017539093,0.0029861794,0.0027154747,0.0017333297,0.0027257055,0.0016576782,0.16058938],"genre_scores_gemma":[0.5200064,0.007909445,0.0006202356,0.0004940495,0.0016282239,0.00035725086,0.003942953,0.00026694115,0.46477446],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923559,0.0013748034,0.002087469,0.0018057754,0.00085976085,0.0015163368],"domain_scores_gemma":[0.9943899,0.0016137309,0.0006579399,0.000991402,0.0016459394,0.0007010835],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.000722685,0.0018693494,0.0017389929,0.0012280308,0.0061774384,0.0016644831,0.0010143317,0.00135652,0.017020768],"category_scores_gemma":[0.0007231884,0.0016671449,0.0016361318,0.0005998862,0.0013462617,0.0011544368,0.00022157225,0.0020466656,0.0017997643],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004641979,0.0018405289,0.014512932,0.0017071785,0.00214662,0.00036035033,0.8328405,0.0008548795,0.008204858,0.06258652,0.06833263,0.0061488077],"study_design_scores_gemma":[0.00081473653,0.00048219983,0.014866675,0.0013521694,0.0010727274,0.00010645369,0.18217331,0.00033091794,0.00036064655,0.0016082834,0.7945599,0.0022719703],"about_ca_topic_score_codex":0.100955814,"about_ca_topic_score_gemma":0.4969623,"teacher_disagreement_score":0.7262273,"about_ca_system_score_codex":0.00062726636,"about_ca_system_score_gemma":0.00049665995,"threshold_uncertainty_score":0.9999399},"labels":[],"label_agreement":null},{"id":"W7152965626","doi":"10.5206/cahiers.v16.21659","title":"La ruse du nom, machination rhétorique dans Amphitryon de Molière","year":2015,"lang":"","type":"article","venue":"Cahiers du dix-septième An Interdisciplinary Journal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Context (archaeology); Subject (documents); Set (abstract data type); Relation (database); Identification (biology)","score_opus":0.018900945563260267,"score_gpt":0.2748004640815652,"score_spread":0.25589951851830495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7152965626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8385984,0.0019288358,0.005947976,0.003109843,0.0051460033,0.0002893996,0.00017966912,0.00015732866,0.14464256],"genre_scores_gemma":[0.9564548,0.0002595583,0.0003028711,0.0004402513,0.01165117,0.000024746,0.00010600105,0.000142295,0.030618312],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938746,0.0019018325,0.001495668,0.0007779283,0.0008391794,0.0011108059],"domain_scores_gemma":[0.9955733,0.00023553122,0.000843748,0.00059953483,0.0007345941,0.0020132994],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023587723,0.00089326943,0.0009254993,0.00074318674,0.0046057724,0.0024291943,0.0012472053,0.00064139365,0.002855438],"category_scores_gemma":[0.00018433834,0.00079315837,0.00088994665,0.0002898109,0.0016612576,0.0034366269,0.00052263803,0.0028321845,0.00028042862],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013589896,0.0021796657,0.0040241694,0.00014210364,0.00066497904,0.0034746155,0.8193189,0.0006060239,0.00023807694,0.08056296,0.08171975,0.0057097767],"study_design_scores_gemma":[0.0036328577,0.004367491,0.002095094,0.0007441067,0.0008749344,0.0062743393,0.15785901,0.008662984,0.00008028399,0.04354064,0.7697251,0.0021431714],"about_ca_topic_score_codex":0.00017365276,"about_ca_topic_score_gemma":0.00029133444,"teacher_disagreement_score":0.6880053,"about_ca_system_score_codex":0.0028193495,"about_ca_system_score_gemma":0.0006066935,"threshold_uncertainty_score":0.9994683},"labels":[],"label_agreement":null},{"id":"W7153258546","doi":"10.5206/cahiers.v11.21780","title":"Deux noms pour une muse, Melpomène et Thalia, ou Madeleine de Scudéry","year":2006,"lang":"","type":"article","venue":"Cahiers du dix-septième An Interdisciplinary Journal","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Subject (documents); Perspective (graphical); Identity (music); Context (archaeology); Relation (database)","score_opus":0.020789248798043274,"score_gpt":0.2873045756383835,"score_spread":0.26651532684034024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7153258546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71544486,0.005178009,0.006108853,0.018653037,0.0047534094,0.00045402008,0.00044628486,0.0002433811,0.24871811],"genre_scores_gemma":[0.8635108,0.00045949442,0.00069866446,0.0014565377,0.012854613,0.000026277965,0.00020705682,0.00020677716,0.12057981],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925947,0.0010972909,0.0023365258,0.0011228082,0.0009684335,0.001880223],"domain_scores_gemma":[0.99577534,0.0002926599,0.0011383567,0.0008495122,0.00064010033,0.0013040421],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015706001,0.0013001818,0.0014365284,0.0011036219,0.006203358,0.002275727,0.0015484573,0.00061354745,0.011978175],"category_scores_gemma":[0.000057475245,0.001133702,0.0016002348,0.0005441055,0.0019138945,0.0032416168,0.00062881503,0.0033419195,0.00067251094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021735353,0.0065922225,0.0031396595,0.0004070371,0.0018323336,0.008447329,0.2385427,0.0017540704,0.0018639086,0.22128057,0.5055137,0.00845291],"study_design_scores_gemma":[0.0045919465,0.004022895,0.005345083,0.0012462821,0.0015524726,0.004892193,0.042239435,0.003607512,0.00025774565,0.11790329,0.8110378,0.0033033725],"about_ca_topic_score_codex":0.00081638794,"about_ca_topic_score_gemma":0.0015974214,"teacher_disagreement_score":0.30552405,"about_ca_system_score_codex":0.0012843206,"about_ca_system_score_gemma":0.000553576,"threshold_uncertainty_score":0.99997497},"labels":[],"label_agreement":null},{"id":"W7157756928","doi":"10.3917/phil.902.0189j","title":"Richard Lussier, Socrate, un portrait inédit. En deçà des Socrate dramatiques , Collection Hors collection, Paris, Presses de l’Université Laval (diff. Éditions Hermann), 2016, x + 142 pages","year":2016,"lang":"fr","type":"article","venue":"Revue de philologie de littérature et d histoire anciennes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Object (grammar); Painting","score_opus":0.013573572731448056,"score_gpt":0.21285083506496977,"score_spread":0.19927726233352172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7157756928","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10849617,0.47977057,0.0075458335,0.2515058,0.007474778,0.0017575729,0.0038774703,0.002162227,0.13740958],"genre_scores_gemma":[0.23577297,0.15876587,0.0019668797,0.001335008,0.0046173222,0.00023198825,0.00037977408,0.00015688663,0.5967733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956065,0.0012408055,0.0007588762,0.0008464239,0.00026959684,0.0012778237],"domain_scores_gemma":[0.9971991,0.00076286064,0.000538742,0.00046572255,0.0005717777,0.00046178608],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007999325,0.00071891415,0.00082461716,0.00044818953,0.0041755177,0.00037830276,0.00053285976,0.00081879774,0.0019932154],"category_scores_gemma":[0.00049157225,0.000602831,0.00053250906,0.00074563135,0.0014689354,0.0013444528,0.00013674829,0.0008632354,0.00008166474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022694403,0.00083166565,0.002542521,0.00062593544,0.00042461054,0.00048678904,0.031877864,0.000062447456,0.004108857,0.029357538,0.9216061,0.007848711],"study_design_scores_gemma":[0.0006629207,0.0005816981,0.0087577235,0.0008404423,0.0005701891,0.00037158455,0.0017072412,0.0000958185,0.0012588175,0.033413853,0.950815,0.00092467084],"about_ca_topic_score_codex":0.001410405,"about_ca_topic_score_gemma":0.003512605,"teacher_disagreement_score":0.45936373,"about_ca_system_score_codex":0.0025296195,"about_ca_system_score_gemma":0.0008295584,"threshold_uncertainty_score":0.9996423},"labels":[],"label_agreement":null},{"id":"W7160373585","doi":"10.4000/166kp","title":"Alberta Bergomi, «Prima che partano!». Progetti di alfabetizzazione e scuole per gli emigranti nell’Italia liberale (1861-1921), prefazione di Adolfo Scotto di Luzio","year":2024,"lang":"","type":"article","venue":"Altreitalie","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Population; Public health; Public policy","score_opus":0.021247679812298838,"score_gpt":0.23732039890436216,"score_spread":0.21607271909206333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160373585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5922976,0.17436966,0.00021686855,0.010553081,0.012928193,0.0031061517,0.0017899622,0.0012689256,0.20346957],"genre_scores_gemma":[0.60558325,0.001047541,0.00007474396,0.00074437447,0.004354795,0.00022217802,0.00063602935,0.0002669727,0.3870701],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902739,0.0005535027,0.002503895,0.002773378,0.0014777064,0.0024175995],"domain_scores_gemma":[0.9953397,0.0007826276,0.00049205055,0.0018216046,0.00038388008,0.0011801234],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006200231,0.0019871818,0.0020348297,0.00061297044,0.002284174,0.0029011848,0.001323565,0.0006857318,0.022036446],"category_scores_gemma":[0.0001229278,0.001707857,0.0018521572,0.0008636623,0.0014823244,0.003027527,0.0005879381,0.001511621,0.008013012],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015312253,0.0072608893,0.012981262,0.0071616597,0.007478683,0.0016104662,0.11568861,0.00016835415,0.00414237,0.3016651,0.51127136,0.029040055],"study_design_scores_gemma":[0.0011071359,0.0010097041,0.00073439913,0.0017997331,0.0017423544,0.0000548461,0.00079021504,0.0017331131,0.0010391334,0.0021975858,0.985371,0.0024208082],"about_ca_topic_score_codex":0.007077961,"about_ca_topic_score_gemma":0.0026982597,"teacher_disagreement_score":0.47409964,"about_ca_system_score_codex":0.00044764794,"about_ca_system_score_gemma":0.00047197804,"threshold_uncertainty_score":0.999534},"labels":[],"label_agreement":null},{"id":"W7161952026","doi":"10.82308/47118","title":"Rhéteurs de basse-cour: le genre littéraire du caquet (XVle-XVlle siècles)","year":2017,"lang":"fr","type":"dissertation","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bourgeoisie; Narrative; Reading (process); Quarter (Canadian coin); Ridiculous; Order (exchange); Politics; Style (visual arts)","score_opus":0.020553295968192765,"score_gpt":0.24106589694167613,"score_spread":0.22051260097348335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161952026","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058044724,0.009696272,0.00005975121,0.0032017387,0.003174537,0.00028903445,0.00031127784,0.00018608946,0.92503655],"genre_scores_gemma":[0.1994018,0.0006144354,0.000098655866,0.0004208256,0.004144177,0.00004651119,0.001223185,0.00008089046,0.7939695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735695,0.00018228228,0.00067356206,0.00068603025,0.00039139055,0.00070978864],"domain_scores_gemma":[0.99800235,0.00016084345,0.00046508055,0.0006664281,0.0003364744,0.000368826],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025744498,0.000664624,0.000788656,0.00019769125,0.004327638,0.0009146348,0.00076025026,0.00048777228,0.015043395],"category_scores_gemma":[0.00011771501,0.00058806833,0.00068833167,0.0000526341,0.00038535305,0.00074879907,0.000045613433,0.0006280584,0.0011312957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014920073,0.00077545363,0.0017598592,0.00087565766,0.0004929542,0.00029977752,0.07426082,0.000025693265,0.00015630019,0.72689766,0.16930133,0.025005285],"study_design_scores_gemma":[0.00036293958,0.00014510045,0.001870804,0.00028382687,0.00030567296,0.000014102172,0.011560382,0.00038151356,0.00020312483,0.0014258006,0.98264825,0.0007984759],"about_ca_topic_score_codex":0.07106121,"about_ca_topic_score_gemma":0.030869195,"teacher_disagreement_score":0.8133469,"about_ca_system_score_codex":0.00021261002,"about_ca_system_score_gemma":0.00051237486,"threshold_uncertainty_score":0.9996571},"labels":[],"label_agreement":null},{"id":"W7162796800","doi":"10.7202/1125400ar","title":"De l’Antiquité romaine à la galanterie française. Jean de La Chapelle, traducteur de Catulle","year":2025,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Relation (database); Human being; Order (exchange)","score_opus":0.020781270828282218,"score_gpt":0.2537652694457862,"score_spread":0.232983998617504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162796800","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16250747,0.7164968,0.012138292,0.012281928,0.0024774522,0.00021083237,0.00019132192,0.00013496725,0.09356088],"genre_scores_gemma":[0.32383382,0.12698697,0.0025381076,0.0016407836,0.0036972652,0.000026265005,0.000020265757,0.00012950551,0.541127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951735,0.0021111253,0.0008296367,0.00041761572,0.0003315881,0.0011365102],"domain_scores_gemma":[0.9977645,0.00094385387,0.00025198754,0.00031951067,0.00013579753,0.0005843213],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021328114,0.00056551775,0.0009112061,0.00043834624,0.0015467355,0.0011193402,0.00066067476,0.00027418675,0.006220595],"category_scores_gemma":[0.00032110958,0.00048374583,0.0010403566,0.00033355696,0.0015264394,0.00060985476,0.00005591457,0.0015018536,0.00005431341],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039961693,0.0019743827,0.0019742996,0.0008430365,0.0057208724,0.0036475451,0.034683622,0.00019542935,0.0035259302,0.7125423,0.10986312,0.12462988],"study_design_scores_gemma":[0.0006778347,0.00020483139,0.0015063093,0.00035025727,0.0031397848,0.0018563211,0.00040888446,0.00020962469,0.00063243206,0.031427283,0.95913386,0.00045255673],"about_ca_topic_score_codex":0.0014606881,"about_ca_topic_score_gemma":0.00020694683,"teacher_disagreement_score":0.84927076,"about_ca_system_score_codex":0.0002995821,"about_ca_system_score_gemma":0.0004470399,"threshold_uncertainty_score":0.99991757},"labels":[],"label_agreement":null},{"id":"W7165154154","doi":"10.70551/ierx2784","title":"Pierre du Gua de Mons et Samuel de Champlain","year":2010,"lang":"","type":"book-chapter","venue":"Presses de l'Université Paris-Sorbonne eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"","score_opus":0.017062715432508486,"score_gpt":0.19888973139139116,"score_spread":0.18182701595888268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165154154","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073285154,0.005849077,0.0024272965,0.0008594473,0.0009369284,0.0006536867,0.00084964884,0.0003693137,0.98072606],"genre_scores_gemma":[0.46738672,0.0038139194,0.0009462837,0.0015912456,0.0028319678,0.000034603538,0.00028771503,0.00028234976,0.5228252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99519926,0.00034846563,0.000938306,0.001286846,0.0006249376,0.0016021864],"domain_scores_gemma":[0.9958325,0.00076602347,0.0008078427,0.0011771461,0.00035558618,0.0010608988],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.000627658,0.0014365058,0.0014383916,0.00064183754,0.002837722,0.00074125896,0.0015215031,0.0013669499,0.029908946],"category_scores_gemma":[0.00009509003,0.0015335303,0.0011316319,0.00004010077,0.0011259664,0.0004971522,0.0007565771,0.0031599742,0.00045890873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010925785,0.0005742194,0.0016703816,0.0008540617,0.0024216871,0.0028686968,0.18307759,0.00015787926,0.0016971055,0.75811815,0.03443477,0.013032848],"study_design_scores_gemma":[0.0010519103,0.00032814362,0.00022038838,0.00045126778,0.0014864091,0.00016896517,0.002197273,0.0004840806,0.0003568971,0.025267398,0.9662911,0.0016961133],"about_ca_topic_score_codex":0.005358627,"about_ca_topic_score_gemma":0.0044629797,"teacher_disagreement_score":0.9318564,"about_ca_system_score_codex":0.0005709987,"about_ca_system_score_gemma":0.0005616866,"threshold_uncertainty_score":0.9999295},"labels":[],"label_agreement":null},{"id":"W72215631","doi":"","title":"Les dérives de la mémoire. Mesnak d’Yves Sioui Durand, Québec, 2012, 96 minMesnak d’Yves Sioui Durand, Québec, 2012, 96 min","year":2012,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01912807019360269,"score_gpt":0.24376928734410594,"score_spread":0.22464121715050325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W72215631","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13088742,0.73653144,0.00009429154,0.018385595,0.0027062339,0.0004739926,0.0004927796,0.00029114293,0.11013712],"genre_scores_gemma":[0.3639096,0.009652939,0.0003937693,0.00078506616,0.0057433476,0.00010010334,0.000106883876,0.00016637752,0.61914194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936947,0.0011657921,0.0014561678,0.0009838326,0.0007288866,0.0019706113],"domain_scores_gemma":[0.99487257,0.0022916915,0.00057674886,0.0009284382,0.0002464456,0.0010841183],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00085190934,0.001314918,0.0015374672,0.00046015705,0.0026038317,0.00068857556,0.00093997153,0.0007222067,0.034225293],"category_scores_gemma":[0.00032970333,0.0011142277,0.001121945,0.00023433125,0.002700258,0.0019747252,0.00029188918,0.0010049277,0.0020270504],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004607564,0.0018996545,0.011842903,0.00079930626,0.00085661816,0.00013562119,0.05917525,0.00002516565,0.00088050007,0.048515122,0.85715055,0.01825853],"study_design_scores_gemma":[0.0015025527,0.00025184045,0.005276892,0.0005225014,0.0008230042,0.00010987956,0.008063744,0.000041541316,0.0006098711,0.0006544018,0.9806461,0.0014976927],"about_ca_topic_score_codex":0.2544733,"about_ca_topic_score_gemma":0.12488446,"teacher_disagreement_score":0.72687846,"about_ca_system_score_codex":0.0005478046,"about_ca_system_score_gemma":0.0007727518,"threshold_uncertainty_score":0.99996024},"labels":[],"label_agreement":null},{"id":"W75129079","doi":"","title":"Quand le fantastique rejoint l’Histoire…","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Sainte Foy","funders":"","keywords":"Art","score_opus":0.016517723500840575,"score_gpt":0.15152885809500505,"score_spread":0.13501113459416447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W75129079","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05473522,0.44932383,0.0004667736,0.08999822,0.0018535707,0.00021377303,0.0003208626,0.00021425863,0.4028735],"genre_scores_gemma":[0.16857609,0.010890841,0.00013904212,0.00040662944,0.0005685603,0.0000027747813,0.000041930074,0.000030432411,0.8193437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985147,0.0001332003,0.00025580963,0.00037861656,0.00022661318,0.0004910233],"domain_scores_gemma":[0.9990405,0.00008643225,0.00014859311,0.00031485688,0.00010268621,0.00030693976],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009269486,0.00029188098,0.00038904988,0.00017210994,0.0039384845,0.000029188526,0.00024929325,0.00016377085,0.002295933],"category_scores_gemma":[0.000011861128,0.00032074336,0.00033229325,0.00013169633,0.00071834854,0.0004382068,0.00013621098,0.0003074967,0.00060257316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011065049,0.00023301019,0.00008126847,0.000053101103,0.00012016565,0.0052285157,0.008906058,0.000037737387,0.00008125491,0.48995247,0.49069333,0.00450245],"study_design_scores_gemma":[0.0006075091,0.00017690353,0.00013708706,0.00006596493,0.00013532345,0.0007399646,0.001226248,0.00022354402,0.000063749,0.00081419904,0.99540764,0.00040184413],"about_ca_topic_score_codex":0.125623,"about_ca_topic_score_gemma":0.0704473,"teacher_disagreement_score":0.50471437,"about_ca_system_score_codex":0.0044524358,"about_ca_system_score_gemma":0.00010295124,"threshold_uncertainty_score":0.9999245},"labels":[],"label_agreement":null},{"id":"W785348630","doi":"10.71781/22601","title":"Diable et diableries : l'identité québécoise à travers les contes de chasse-galerie","year":2006,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03714971348156399,"score_gpt":0.27616422544834623,"score_spread":0.23901451196678225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W785348630","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30310327,0.0064364406,0.000015586102,0.00022801153,0.0008981023,0.00039072958,0.000616401,0.000006411904,0.6883051],"genre_scores_gemma":[0.09684677,0.0004784799,0.00041869067,0.00013898984,0.00064311037,0.000094970004,0.0028438086,0.00006116941,0.89847404],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977522,0.00019793348,0.00065769855,0.00057667604,0.00027938627,0.0005361135],"domain_scores_gemma":[0.9987488,0.00022460453,0.00037184628,0.00028847545,0.00018473456,0.00018153452],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029918292,0.00052211125,0.0007544586,0.00015955608,0.0013085495,0.0019506875,0.0006640529,0.0002786538,0.06692531],"category_scores_gemma":[0.000062918254,0.0005004333,0.00030561435,0.00010346006,0.0003312982,0.0011755414,0.00006784421,0.000406794,0.0007422567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010792126,0.0029874968,0.008734152,0.0014717329,0.0018021106,0.0006290616,0.3885334,0.0003215513,0.0027119808,0.26331508,0.15620442,0.1722098],"study_design_scores_gemma":[0.0003514985,0.0001515867,0.000930986,0.0004446233,0.00037627912,0.0000030408835,0.015029698,0.00005413354,0.0011168418,0.00051103864,0.9803911,0.0006391895],"about_ca_topic_score_codex":0.19926536,"about_ca_topic_score_gemma":0.20183851,"teacher_disagreement_score":0.8241867,"about_ca_system_score_codex":0.00015832481,"about_ca_system_score_gemma":0.00042254812,"threshold_uncertainty_score":0.9999916},"labels":[],"label_agreement":null},{"id":"W78583256","doi":"","title":"Un maître chez nous. Monsieur Lazhar de Philippe Falardeau, Québec, 2011, 94 minMonsieur Lazhar de Philippe Falardeau, Québec, 2011, 94 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.022602400774384225,"score_gpt":0.20443080655105425,"score_spread":0.18182840577667003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W78583256","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08819603,0.78907984,0.00009190291,0.020532237,0.0026388443,0.0008247896,0.0011465732,0.0005466525,0.096943095],"genre_scores_gemma":[0.13675594,0.014904831,0.0010013697,0.0035040677,0.0046123047,0.00017799989,0.00019349442,0.00035657766,0.8384934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992979,0.0008170559,0.0015892973,0.0015647851,0.0007343642,0.0023154886],"domain_scores_gemma":[0.99568766,0.00052758015,0.0006353665,0.0014760935,0.0004651186,0.0012082028],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00079896627,0.0015032102,0.0016214665,0.00052652985,0.0019831313,0.00040454709,0.0014255968,0.00079060177,0.098171145],"category_scores_gemma":[0.00018042512,0.0014538068,0.0012417501,0.00019722545,0.0016649438,0.00073671114,0.00041718502,0.0013490088,0.00973709],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035055535,0.0021784487,0.005616396,0.00064515456,0.0007316573,0.0008424032,0.07361943,0.000015065549,0.00041198506,0.008110334,0.89944834,0.008030234],"study_design_scores_gemma":[0.0012928431,0.00053031306,0.001767909,0.0002586139,0.00089156436,0.00013067534,0.0036619336,0.00013138952,0.0012489368,0.0015691147,0.9867718,0.0017449101],"about_ca_topic_score_codex":0.46979138,"about_ca_topic_score_gemma":0.1735351,"teacher_disagreement_score":0.77417505,"about_ca_system_score_codex":0.0006125979,"about_ca_system_score_gemma":0.0015167128,"threshold_uncertainty_score":0.9997717},"labels":[],"label_agreement":null},{"id":"W805222270","doi":"10.71781/12588","title":"Les pratiques de lecture des lectrices du Échos Vedettes","year":2013,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.007557902603401065,"score_gpt":0.17266994571024452,"score_spread":0.16511204310684346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W805222270","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70248115,0.13011236,0.00026989655,0.000515693,0.0009534557,0.00033105345,0.00009368943,0.00018181863,0.16506088],"genre_scores_gemma":[0.6651803,0.0028326719,0.00036611248,0.00018383033,0.0011991431,0.000048028724,0.00045329676,0.000041245818,0.32969534],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976088,0.00028355562,0.00047460015,0.00058394665,0.00046655213,0.0005825888],"domain_scores_gemma":[0.9981876,0.00025753045,0.00043454545,0.00026083426,0.00050115614,0.0003583141],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001335731,0.00059871963,0.0005220562,0.00034728931,0.019953255,0.00036829515,0.00045591002,0.00052199984,0.0012976634],"category_scores_gemma":[0.000067807494,0.0005876931,0.00047956308,0.00018827777,0.00072792906,0.00091671856,0.000073635776,0.0006300772,0.00012191532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049866515,0.00057580456,0.010771339,0.000702879,0.0010172741,0.0014324631,0.6318012,0.0007851558,0.007685132,0.32125077,0.008170616,0.015308742],"study_design_scores_gemma":[0.00041091276,0.0002658046,0.011602232,0.00045242358,0.00070727663,0.0002805744,0.043172415,0.0008796691,0.005685838,0.001250813,0.9344559,0.0008361989],"about_ca_topic_score_codex":0.3692225,"about_ca_topic_score_gemma":0.051837515,"teacher_disagreement_score":0.9262852,"about_ca_system_score_codex":0.005490414,"about_ca_system_score_gemma":0.0010961118,"threshold_uncertainty_score":0.99965745},"labels":[],"label_agreement":null},{"id":"W823778030","doi":"","title":"À mort subite, vie incandescente. Mort subite d’un homme-théâtre de Jean-Claude Coulbois, Québec, 2012, 83 minMort subite d’un homme-théâtre de Jean-Claude Coulbois, Québec, 2012, 83 min","year":2012,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sudden death; Humanities; Philosophy; Medicine","score_opus":0.01599695607985743,"score_gpt":0.2436067225342481,"score_spread":0.22760976645439066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W823778030","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2647743,0.6801745,0.0003594298,0.026783442,0.0043941797,0.0016171933,0.0021114615,0.0007695044,0.019015998],"genre_scores_gemma":[0.34307578,0.030653685,0.0005775275,0.0057057114,0.009025677,0.000339673,0.0011942729,0.00062851416,0.60879916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9866812,0.0012033236,0.003115462,0.002216128,0.0018155151,0.0049683265],"domain_scores_gemma":[0.9903959,0.0018660367,0.0014388517,0.0024721648,0.0008036113,0.0030234477],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0019023351,0.0028683005,0.0031395825,0.0010128428,0.00358043,0.0010213471,0.002132163,0.0013912895,0.043947153],"category_scores_gemma":[0.0004928069,0.002792767,0.0019938408,0.0007716515,0.0022356017,0.0029002265,0.0007501782,0.0026686802,0.0030348215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00069543166,0.0042551574,0.07165113,0.0011950843,0.0017632511,0.0012164694,0.015933888,0.00009066931,0.00065220875,0.009033292,0.8880625,0.0054509426],"study_design_scores_gemma":[0.0026529492,0.0004967899,0.0074754385,0.0010123932,0.002336512,0.0004586825,0.0030570796,0.00044797346,0.0012567168,0.00031718283,0.9771714,0.0033168858],"about_ca_topic_score_codex":0.34551948,"about_ca_topic_score_gemma":0.29932603,"teacher_disagreement_score":0.6495208,"about_ca_system_score_codex":0.0022927986,"about_ca_system_score_gemma":0.002146277,"threshold_uncertainty_score":0.9999051},"labels":[],"label_agreement":null},{"id":"W82949697","doi":"","title":"Impressions vives. LAVALETTE, Philippe. La Mesure du monde – Carnets d’un cinéaste-arpenteur, Montréal, Éditions Marchand de feuilles, 2011, 174 p.LAVALETTE, Philippe. La Mesure du monde – Carnets d’un cinéaste-arpenteur, Montréal, Éditions Marchand de feuilles, 2011, 174 p.","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Mathematics; Art","score_opus":0.013363137611518038,"score_gpt":0.20375441603799874,"score_spread":0.1903912784264807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W82949697","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05535199,0.6720801,0.0005928956,0.061328,0.0032617643,0.003237684,0.017712375,0.0012725708,0.1851626],"genre_scores_gemma":[0.21591915,0.15018031,0.0014525022,0.0028144838,0.0055504884,0.0012268559,0.0024455597,0.0008524618,0.61955816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9862074,0.0034765257,0.0025843284,0.0027544652,0.0016354825,0.003341772],"domain_scores_gemma":[0.99115,0.0020111513,0.0012113646,0.0025115665,0.000888632,0.0022272372],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0017859739,0.0026104683,0.0025977239,0.0013965046,0.00799637,0.0011401608,0.0021389103,0.0014209079,0.058102153],"category_scores_gemma":[0.00040277545,0.0025166404,0.0019633984,0.0006775525,0.003397476,0.0015093896,0.0012221993,0.0028990055,0.0013338111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005848371,0.003411307,0.0011956831,0.0006606419,0.0019202228,0.0026590123,0.012041648,0.0003723331,0.00067562395,0.023721738,0.9491354,0.003621517],"study_design_scores_gemma":[0.0038712202,0.000548721,0.0044111237,0.0009823613,0.0022416764,0.0011234239,0.0044078804,0.00074813387,0.00042658384,0.006022571,0.9725984,0.0026179063],"about_ca_topic_score_codex":0.042930685,"about_ca_topic_score_gemma":0.006734036,"teacher_disagreement_score":0.5218998,"about_ca_system_score_codex":0.00056164735,"about_ca_system_score_gemma":0.00063812814,"threshold_uncertainty_score":0.99989676},"labels":[],"label_agreement":null},{"id":"W851806823","doi":"","title":"Le regard transatlantique : ancrage et dérive. Yannick Gasquy-Resch, Gaston Miron. Le forcené magnifique, Montréal, Hurtubise HMH, 2003, 158 p. Ursula Mathis-Moser, Dany Laferrière. La dérive américaine, Montréal, VLB éditeur, 2003, 344 p.Yannick Gasquy-Resch, Gaston Miron. Le forcené magnifique, Montréal, Hurtubise HMH, 2003, 158 p.Ursula Mathis-Moser, Dany Laferrière. La dérive américaine, Montréal, VLB éditeur, 2003, 344 p.","year":2004,"lang":"fr","type":"article","venue":"Lettres québécoises : La revue de l’actualité littéraire","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010350601933904583,"score_gpt":0.21458681338102095,"score_spread":0.20423621144711637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W851806823","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06350627,0.67085797,0.00611349,0.11654435,0.00516941,0.012781396,0.014144176,0.0043106033,0.10657232],"genre_scores_gemma":[0.07218035,0.23230204,0.010415057,0.018278562,0.008722855,0.0028179267,0.006939387,0.0039003615,0.64444345],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.96374696,0.008430419,0.008206929,0.0074149077,0.0038440516,0.008356739],"domain_scores_gemma":[0.9767822,0.0027309458,0.0043247505,0.006757528,0.0047193985,0.0046851705],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.004293653,0.0076692463,0.0081280125,0.0025607173,0.0049097543,0.003502341,0.00546173,0.0046838587,0.0019872822],"category_scores_gemma":[0.003515719,0.008089259,0.0037241864,0.005580193,0.005000045,0.0069752024,0.0014627831,0.008592199,0.001425935],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005260704,0.009143861,0.00056987244,0.0040414594,0.0025638759,0.016227126,0.028471602,0.0066134087,0.0017184466,0.16574532,0.7538396,0.005804738],"study_design_scores_gemma":[0.014245334,0.0023497778,0.0017934691,0.0057759383,0.0027411822,0.0027082295,0.010077577,0.003570373,0.0008679445,0.0027021142,0.9451064,0.008061662],"about_ca_topic_score_codex":0.6506877,"about_ca_topic_score_gemma":0.35186946,"teacher_disagreement_score":0.5378711,"about_ca_system_score_codex":0.0023657673,"about_ca_system_score_gemma":0.0067309863,"threshold_uncertainty_score":0.9999192},"labels":[],"label_agreement":null},{"id":"W85697828","doi":"","title":"Québec-Mexique. Duras dramaturge. Jeu : Revue de théâtre, no. 123, 2007","year":2007,"lang":"fr","type":"article","venue":"VST - Vie sociale et traitements","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0264763150922782,"score_gpt":0.2740130166100394,"score_spread":0.2475367015177612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W85697828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023966908,0.01891137,0.00034527443,0.012835132,0.0077241655,0.0005310802,0.00057052984,0.00021695257,0.9348986],"genre_scores_gemma":[0.1142691,0.0011610244,0.00036048077,0.009213358,0.011160405,0.000035546702,0.00023574352,0.000112258975,0.8634521],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99651396,0.0002622184,0.001066589,0.00055020227,0.00045623665,0.001150778],"domain_scores_gemma":[0.99825764,0.00034695293,0.0003629169,0.00031541602,0.00029428917,0.00042280336],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011699568,0.000517914,0.00063464715,0.00020722741,0.0012492643,0.000275079,0.00040008815,0.00035096,0.013795488],"category_scores_gemma":[0.00014604462,0.00053434295,0.00055494654,0.00021703406,0.0005432351,0.00077524065,0.00008372556,0.00069433433,0.003304903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018488776,0.0021069879,0.0017688858,0.0008647877,0.000778985,0.0003472829,0.044757526,0.00000611868,0.00014108756,0.20877394,0.6911117,0.04915785],"study_design_scores_gemma":[0.0006489458,0.00017550233,0.0014498199,0.00037612478,0.00024099005,0.000007437342,0.0011384672,0.000018297287,0.000034776218,0.0015347477,0.9937632,0.0006116681],"about_ca_topic_score_codex":0.030900206,"about_ca_topic_score_gemma":0.046678588,"teacher_disagreement_score":0.30265155,"about_ca_system_score_codex":0.00078680675,"about_ca_system_score_gemma":0.00050703913,"threshold_uncertainty_score":0.9997108},"labels":[],"label_agreement":null},{"id":"W909306273","doi":"","title":"Are you talking to me? : Conversation(s)","year":2003,"lang":"en","type":"book","venue":"Galerie de l'UQAM eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Conversation; Space (punctuation); Visual arts; Art; Perception; Dozen; Literature; Sociology; Linguistics; Communication; Psychology; Philosophy","score_opus":0.032432410769914356,"score_gpt":0.2181227044252944,"score_spread":0.18569029365538006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W909306273","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013718197,0.00038003636,0.00007244912,0.00015823696,0.0010784183,0.00025922377,0.00020684682,0.00015193176,0.9975557],"genre_scores_gemma":[0.0025358004,0.0000031314205,0.00007458354,0.0043144985,0.0018371443,0.00005529828,0.00010203946,0.00007152214,0.99100596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838173,0.00007009124,0.0004098372,0.00043577031,0.00030572747,0.00039681353],"domain_scores_gemma":[0.99885315,0.00006315537,0.00030865276,0.00038073363,0.00015129137,0.00024301223],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013527584,0.00039553974,0.00051447225,0.00021837246,0.0004007534,0.00023717058,0.00027459787,0.00020203789,0.0135578625],"category_scores_gemma":[0.000041573025,0.00037788355,0.00027689547,0.00001608159,0.00018210452,0.00008970715,0.00005339065,0.0003992082,0.000906718],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023194869,0.00001962837,0.000019597464,0.00013221032,0.00012928534,0.00010758131,0.026136536,0.0000020887496,0.000009711765,0.116139136,0.8555511,0.0017299281],"study_design_scores_gemma":[0.0001386487,0.0000514462,0.0000065116487,0.00017372202,0.00011812428,0.000005650748,0.0006406825,0.0000023941707,0.000021894148,0.008885528,0.9894652,0.0004901904],"about_ca_topic_score_codex":0.00006181631,"about_ca_topic_score_gemma":0.00018613294,"teacher_disagreement_score":0.13391411,"about_ca_system_score_codex":0.00031322788,"about_ca_system_score_gemma":0.00021613845,"threshold_uncertainty_score":0.9998712},"labels":[],"label_agreement":null},{"id":"W926265758","doi":"","title":"Est-ce un royaume paisible? Image du pays à travers les contes choisis","year":2013,"lang":"fr","type":"article","venue":"Adam Mickiewicz University Repository (Adam Mickiewicz University in Poznan)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.008279522107508267,"score_gpt":0.15728074365623945,"score_spread":0.1490012215487312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W926265758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5784314,0.014598924,0.00046134088,0.005773207,0.004887055,0.0017970529,0.0009390099,0.0006564023,0.39245558],"genre_scores_gemma":[0.5742963,0.0054769614,0.00055612955,0.0003946632,0.0011699026,0.0000021537132,0.00017296462,0.00010957763,0.41782132],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930449,0.0015301708,0.0010385544,0.0017974946,0.0008267934,0.0017620955],"domain_scores_gemma":[0.99504775,0.00078577973,0.0008001377,0.0012089384,0.0011801596,0.0009772517],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0004468931,0.0013477323,0.0016050737,0.0012511461,0.0036939776,0.00055158325,0.0020173553,0.0008699947,0.006628104],"category_scores_gemma":[0.000112231915,0.0016231982,0.0011819476,0.0010961747,0.0027189266,0.004821974,0.0006872299,0.0015678107,0.0010763006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013742901,0.0078757,0.030569011,0.0020857106,0.004672523,0.019367909,0.10975595,0.0004813692,0.0075493627,0.1931966,0.59822017,0.024851441],"study_design_scores_gemma":[0.0029540872,0.00045692985,0.00316868,0.0006316615,0.0010955893,0.00015109521,0.048496082,0.0005426913,0.00053749327,0.00018413742,0.9399072,0.0018743337],"about_ca_topic_score_codex":0.14370997,"about_ca_topic_score_gemma":0.0055337837,"teacher_disagreement_score":0.34168708,"about_ca_system_score_codex":0.0027072537,"about_ca_system_score_gemma":0.00062237453,"threshold_uncertainty_score":0.9999951},"labels":[],"label_agreement":null},{"id":"W93427096","doi":"","title":"Le renouveau du conte","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Saint Hyacinthe","funders":"","keywords":"Art","score_opus":0.006551683193417877,"score_gpt":0.14654452329187967,"score_spread":0.1399928400984618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W93427096","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02270554,0.17552069,0.00071648957,0.08038074,0.0016925827,0.00014202709,0.00013737107,0.00014149946,0.7185631],"genre_scores_gemma":[0.19746459,0.0034478242,0.000069210575,0.0007824728,0.0012505506,7.392076e-7,0.000027617803,0.000024297511,0.7969327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867237,0.00006677321,0.00023391713,0.00029151587,0.00019344759,0.0005419843],"domain_scores_gemma":[0.9990744,0.00013478629,0.00013124413,0.00024594038,0.00011406063,0.00029954073],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024390682,0.00022729012,0.0002967567,0.00016501574,0.0018988762,0.00004745288,0.00024733067,0.00014574449,0.0021693257],"category_scores_gemma":[0.000012306044,0.00025584007,0.00027024455,0.0001233525,0.00033422414,0.00037830387,0.00012346364,0.00022910912,0.0006359725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109912886,0.00016129047,0.000078601006,0.000030613453,0.00012126939,0.0026870342,0.0074333907,0.000009275096,0.00005780115,0.69140935,0.28529066,0.012610834],"study_design_scores_gemma":[0.0006308716,0.00014529188,0.00013309349,0.000049083494,0.000160073,0.0001390603,0.0040415693,0.00006886633,0.000051747476,0.0011733553,0.993091,0.0003159825],"about_ca_topic_score_codex":0.083132096,"about_ca_topic_score_gemma":0.21178542,"teacher_disagreement_score":0.7078003,"about_ca_system_score_codex":0.0028963662,"about_ca_system_score_gemma":0.000059625723,"threshold_uncertainty_score":0.9999894},"labels":[],"label_agreement":null},{"id":"W93520172","doi":"","title":"K. Steven Vincent and Alison Klairmont-Lingo, eds. — The Human Tradition in Modern France","year":2001,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Environmental ethics; Philosophy; History; Art; Sociology; Psychology","score_opus":0.02675135978886149,"score_gpt":0.218687069041992,"score_spread":0.19193570925313053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W93520172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87905645,0.012377476,0.000054794556,0.0028491013,0.0006169748,0.00020828028,0.00003081984,0.000086511965,0.10471958],"genre_scores_gemma":[0.9610844,0.0000669936,0.0000060431266,0.0004078778,0.0006691796,0.000019189654,0.00001756327,0.00001050321,0.037718244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932116,0.000055131644,0.0001827728,0.0001613477,0.00012871518,0.00015089301],"domain_scores_gemma":[0.9997489,0.000028478134,0.000061500425,0.00010016164,0.000026060308,0.000034884146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008934915,0.000099824276,0.0001514144,0.00003980398,0.0011090098,0.000058443973,0.000097450065,0.000038864197,0.0003568234],"category_scores_gemma":[0.000005861081,0.00007707379,0.00006246676,0.000043854536,0.0002924274,0.00019048639,0.000012495401,0.00013362552,0.000010226343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039747367,0.0005796531,0.0029174546,0.00006599386,0.000048954567,0.000058440375,0.30916852,0.000015944726,0.00040697146,0.46635276,0.035820294,0.18452528],"study_design_scores_gemma":[0.00022340214,0.00002993366,0.001116988,0.000020354559,0.000013914345,0.0000010945224,0.0013527673,0.00015181387,0.000002928263,0.00801406,0.98894984,0.00012289114],"about_ca_topic_score_codex":0.0038845015,"about_ca_topic_score_gemma":0.003782154,"teacher_disagreement_score":0.95312953,"about_ca_system_score_codex":0.0001767709,"about_ca_system_score_gemma":0.000018132545,"threshold_uncertainty_score":0.8529719},"labels":[],"label_agreement":null},{"id":"W948791123","doi":"10.71781/14946","title":"La lecture et la virtualité de l'oeuvre littéraire : une herméneutique de la figure de l'autoréférentialité dans Pale Fire","year":2008,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.00583604078778585,"score_gpt":0.19168467803725237,"score_spread":0.18584863724946651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W948791123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6410961,0.027690776,0.00042260872,0.0006966545,0.0006348694,0.0002562844,0.00038823893,0.00022064916,0.32859382],"genre_scores_gemma":[0.7199384,0.0018693187,0.00017428465,0.00034059168,0.0007334808,0.000037194415,0.00085037097,0.000061058614,0.2759953],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955318,0.0018511773,0.0005641304,0.0007427046,0.00058144215,0.0007287489],"domain_scores_gemma":[0.99771994,0.00064941647,0.0004270751,0.00041712308,0.00023442385,0.0005520307],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004483446,0.0007561116,0.000661337,0.000241697,0.009717655,0.00029346757,0.0005842829,0.0012954191,0.00032980257],"category_scores_gemma":[0.00008590869,0.00081521185,0.0007968726,0.00028947683,0.0010885851,0.0005535229,0.00010770447,0.0015104666,0.000038851722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00071397214,0.00081733393,0.008137082,0.00058734644,0.00083888933,0.011730319,0.6125689,0.0036671204,0.0029285126,0.34851035,0.0035267388,0.005973446],"study_design_scores_gemma":[0.000817895,0.00013562899,0.023606157,0.00068306696,0.00066789053,0.002268822,0.03448584,0.00062953896,0.0012487437,0.0010512595,0.93350863,0.0008965277],"about_ca_topic_score_codex":0.15591025,"about_ca_topic_score_gemma":0.029004144,"teacher_disagreement_score":0.9299819,"about_ca_system_score_codex":0.004721408,"about_ca_system_score_gemma":0.0034780935,"threshold_uncertainty_score":0.9994299},"labels":[],"label_agreement":null},{"id":"W971466230","doi":"","title":"Transition à l’Opéra de Montréal : Le Nozze di Figaro et Thaïs","year":2004,"lang":"fr","type":"article","venue":"VST - Vie sociale et traitements","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.026481098200647382,"score_gpt":0.2521142988881906,"score_spread":0.22563320068754322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W971466230","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19196309,0.038273543,0.007745881,0.09314589,0.0044739484,0.0011018345,0.0035744093,0.00040355732,0.65931785],"genre_scores_gemma":[0.9484829,0.0011302991,0.00032851673,0.0057199183,0.0016761675,0.00005828348,0.0003908754,0.000060278555,0.042152785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979118,0.00026679807,0.0005167161,0.00036469896,0.00036855324,0.0005714102],"domain_scores_gemma":[0.99935156,0.00006288765,0.00014764829,0.00015949993,0.00008405111,0.00019433977],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035550786,0.00033319692,0.00039469142,0.000097016135,0.0010637867,0.00022173235,0.00019226741,0.00018548411,0.0016677842],"category_scores_gemma":[0.000018049335,0.00034719397,0.00040495198,0.0001258621,0.00029976445,0.00091572636,0.000028380766,0.0003875259,0.0002161759],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008883824,0.0029089358,0.000054583503,0.00034404313,0.0005238902,0.00012770451,0.23668161,0.00075343455,0.00027907122,0.7005433,0.018533768,0.03916084],"study_design_scores_gemma":[0.0016138031,0.00022056283,0.00058155175,0.0002298591,0.0001944236,0.0000051663046,0.003218474,0.00004413278,0.000071244904,0.01380614,0.9796009,0.00041374651],"about_ca_topic_score_codex":0.024827652,"about_ca_topic_score_gemma":0.012804071,"teacher_disagreement_score":0.96106714,"about_ca_system_score_codex":0.00038013092,"about_ca_system_score_gemma":0.00036110415,"threshold_uncertainty_score":0.999898},"labels":[],"label_agreement":null}]}