{"meta":{"query_hash":"c0638f1f14cc","filters":{"topic":"Literature, Film, and Journalism Analysis"},"cohort_total":330,"direct_labels_cover":0,"predictions_cover":330,"exported":330,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c0638f1f14cc","api":"https://metacan.xera.ac/api/v1/cohort?topic=Literature%2C+Film%2C+and+Journalism+Analysis"},"results":[{"id":"W101138539","doi":"","title":"2004, Liz Magor: LightShed","year":2007,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.009889576387457586,"score_gpt":0.21821504746459017,"score_spread":0.2083254710771326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W101138539","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032093354,0.018443726,0.0016104493,0.011997862,0.0044627,0.00037932838,0.00013082784,0.00051762786,0.93036413],"genre_scores_gemma":[0.66203105,0.000057237008,0.000320291,0.0029063518,0.0042618215,0.0000030462315,0.000055420205,0.000038164944,0.33032662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986339,0.00004283767,0.00026091374,0.00027217105,0.00034960083,0.00044058156],"domain_scores_gemma":[0.99911326,0.000033259254,0.000116800125,0.0003627343,0.00018352004,0.00019040513],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039406953,0.000236549,0.00026924015,0.00021630999,0.00045135178,0.00051614747,0.00024179541,0.00013121442,0.005687638],"category_scores_gemma":[0.00002655257,0.00016503262,0.00028648917,0.00012832438,0.00011185561,0.0003725306,0.0000338188,0.00041114277,0.0004381954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011003067,0.00014294164,0.00036019873,0.000054079806,0.0003305051,0.0004092914,0.15826428,0.000017679775,0.00030252288,0.5074844,0.32961786,0.0029062098],"study_design_scores_gemma":[0.00031114524,0.00003321509,0.00021442972,0.000032288644,0.0000969084,0.000023515577,0.0042643473,0.000017665201,0.00022625196,0.0011754172,0.9933418,0.00026302342],"about_ca_topic_score_codex":0.000071099246,"about_ca_topic_score_gemma":0.0017286554,"teacher_disagreement_score":0.66372395,"about_ca_system_score_codex":0.00003465988,"about_ca_system_score_gemma":0.000026201233,"threshold_uncertainty_score":0.9952213},"labels":[],"label_agreement":null},{"id":"W1038941215","doi":"10.3138/cjfs.22.2.41","title":"The Romantic Model of <i>2001: A Space Odyssey</i>","year":2013,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history; Sublime","score_opus":0.03515765412361979,"score_gpt":0.2284503327579041,"score_spread":0.19329267863428432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1038941215","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.115292124,0.779302,0.00004572476,0.07241634,0.0060638892,0.00027721596,0.0003965331,0.000006370334,0.02619981],"genre_scores_gemma":[0.81639236,0.035983644,0.0002935775,0.0011285677,0.0021682875,0.00000643499,0.0000026885198,0.000046819034,0.14397761],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752784,0.00016055896,0.0010425593,0.00015163122,0.0003579816,0.0007594286],"domain_scores_gemma":[0.995761,0.00030802478,0.0008983892,0.00030010226,0.0020661596,0.0006663579],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000706068,0.00031885525,0.0007825706,0.0003614361,0.0016103002,0.00066458806,0.0005269224,0.00010306484,0.0008423581],"category_scores_gemma":[0.00033671697,0.00020631825,0.00056131,0.00016561632,0.0014711779,0.0006828684,0.00003521075,0.0005835474,0.00005259766],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013190235,0.00003443665,0.00052855967,0.00018407118,0.002453732,0.000120155455,0.055664666,0.00097211415,0.000034272973,0.10707545,0.83109474,0.001824631],"study_design_scores_gemma":[0.0006627785,0.00032674483,0.0003290658,0.0012151247,0.0013849873,0.00016209834,0.0636928,0.0033968794,0.000063347456,0.023784727,0.9045296,0.00045188627],"about_ca_topic_score_codex":0.022584202,"about_ca_topic_score_gemma":0.12366872,"teacher_disagreement_score":0.7433184,"about_ca_system_score_codex":0.00016366006,"about_ca_system_score_gemma":0.0010690055,"threshold_uncertainty_score":0.99968946},"labels":[],"label_agreement":null},{"id":"W1129742355","doi":"","title":"LibGuides: Newspapers: Standoff, Alberta","year":2012,"lang":"en","type":"libguides","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Political science; Business","score_opus":0.029532782682283057,"score_gpt":0.2357598485828824,"score_spread":0.20622706590059936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1129742355","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000057304893,0.019045008,0.000008371093,0.0016850706,0.0056772935,0.0001995712,0.0005416286,0.00015396815,0.9726318],"genre_scores_gemma":[0.0015313327,0.0023450104,0.00015238486,0.005256959,0.025879206,0.000022524126,0.0015753374,0.00015133205,0.9630859],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969494,0.0001267016,0.00092701014,0.0005231699,0.000656693,0.00081707176],"domain_scores_gemma":[0.9977636,0.00029415695,0.00045627006,0.00079797226,0.0003364316,0.0003516092],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003414723,0.0007310651,0.0010423417,0.00045549654,0.00056960783,0.0018364977,0.0007107371,0.00043258493,0.1404891],"category_scores_gemma":[0.00008926794,0.0005024145,0.000846047,0.00009041106,0.0002531692,0.00093851594,0.00014079873,0.00083445164,0.0015732432],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013693554,0.000056394685,0.000018826904,0.00013016157,0.0005776058,0.000011497609,0.018891597,3.0806828e-7,8.862684e-7,0.12524407,0.8533989,0.0016560187],"study_design_scores_gemma":[0.00033752536,0.000060400544,0.0000020677965,0.00023094227,0.0007796942,0.000012562017,0.0036484401,0.0000050457375,0.000006775518,0.0013760353,0.99279374,0.0007467735],"about_ca_topic_score_codex":0.009544256,"about_ca_topic_score_gemma":0.01916801,"teacher_disagreement_score":0.1393948,"about_ca_system_score_codex":0.00007733827,"about_ca_system_score_gemma":0.0001451551,"threshold_uncertainty_score":0.99974275},"labels":[],"label_agreement":null},{"id":"W1277346630","doi":"","title":"Michel Chion, Stanley Kubrick et l’épuisement du sujet. CHION, Michel. Stanley Kubrick, l’humain, ni plus ni moins, Paris, Éditions Cahiers du cinéma, 2005, 560 p. DUNCAN, Paul. Stanley Kubrick, filmographie complète, Cologne, Taschen, 2003, 192 p.CHION, Michel. Stanley Kubrick, l’humain, ni plus ni moins, Paris, Éditions Cahiers du cinéma, 2005, 560 p.DUNCAN, Paul. Stanley Kubrick, filmographie complète, Cologne, Taschen, 2003, 192 p.","year":2005,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.00994717671349579,"score_gpt":0.22272907149472077,"score_spread":0.21278189478122497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1277346630","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048285406,0.67019355,0.0040217387,0.10017942,0.025180748,0.015697638,0.115450256,0.003509314,0.017481921],"genre_scores_gemma":[0.031544525,0.66435736,0.008455707,0.0410618,0.015195261,0.003542976,0.06576565,0.0028737346,0.16720298],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9465407,0.008004573,0.014060491,0.009646943,0.008397522,0.013349776],"domain_scores_gemma":[0.95697063,0.003109433,0.009441353,0.0076439683,0.014924898,0.007909701],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.010394443,0.010674192,0.011286248,0.009064724,0.021824721,0.011013362,0.0071758116,0.00612317,0.024994534],"category_scores_gemma":[0.00284376,0.011425051,0.0051444033,0.012808713,0.014192464,0.009858221,0.0020792761,0.013067652,0.0017486662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0027221725,0.008995328,0.004676548,0.0017492581,0.011536993,0.0022810816,0.017135102,0.004203631,0.00041205483,0.0381546,0.9075084,0.0006248579],"study_design_scores_gemma":[0.018690769,0.0023652776,0.0068360223,0.0036489714,0.009404628,0.0014470274,0.066007175,0.0023144516,0.00020531146,0.0018982514,0.8759441,0.011238027],"about_ca_topic_score_codex":0.02540482,"about_ca_topic_score_gemma":0.12224369,"teacher_disagreement_score":0.14972106,"about_ca_system_score_codex":0.007395733,"about_ca_system_score_gemma":0.0083319405,"threshold_uncertainty_score":0.99902856},"labels":[],"label_agreement":null},{"id":"W1489662781","doi":"","title":"The Yellow Journalism: The Press and America's Emergence as a World Power","year":2007,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Power (physics); Scholarship; Biography; Media studies; Sociology; History; Law; Art history; Political science","score_opus":0.015088979553089039,"score_gpt":0.25405686693238977,"score_spread":0.23896788737930072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1489662781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15645047,0.14230174,0.0035470848,0.26947677,0.0057599004,0.0016210066,0.00012321274,0.00040322036,0.4203166],"genre_scores_gemma":[0.96273375,0.0046170745,0.00027090972,0.0031159818,0.00082425395,0.000019319466,0.000011242418,0.000043321186,0.02836418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99682903,0.0006866227,0.001033687,0.00022782893,0.00069022266,0.00053263456],"domain_scores_gemma":[0.99616027,0.00079578214,0.0009344902,0.0013191211,0.0005400489,0.00025031625],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025805458,0.00031027422,0.00033217514,0.00020607529,0.003787435,0.0028781716,0.001514809,0.00006752961,0.0011673867],"category_scores_gemma":[0.000058777045,0.00017149748,0.00029887413,0.00024304035,0.0007713715,0.00086804875,0.00007788873,0.001230494,0.000051920702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023180898,0.00017162412,0.00033825982,0.000020411459,0.00085807266,0.00005096249,0.31021574,0.000013563486,0.00031503345,0.47911888,0.17201176,0.036653895],"study_design_scores_gemma":[0.00033253463,0.00012238891,0.00058528676,0.00008000965,0.00015303439,0.00009134096,0.032134354,0.00015168473,0.000020681216,0.01870588,0.9473595,0.00026332843],"about_ca_topic_score_codex":0.00068744924,"about_ca_topic_score_gemma":0.0029908803,"teacher_disagreement_score":0.80628324,"about_ca_system_score_codex":0.00004413199,"about_ca_system_score_gemma":0.00004127701,"threshold_uncertainty_score":0.99974567},"labels":[],"label_agreement":null},{"id":"W1492474314","doi":"","title":"The war reporting of Robert Fisk: relentlessly exposing the horror","year":2012,"lang":"en","type":"book-chapter","venue":"Lincoln Repository (University of Lincoln)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Media studies; Citizen journalism; History; Spanish Civil War; Art history; Sociology; Literature; Art; Classics; Law; Political science","score_opus":0.020914646169141595,"score_gpt":0.18893206952066646,"score_spread":0.16801742335152486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492474314","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007253569,0.02207572,0.000066229106,0.0008084365,0.003081699,0.00066946144,0.00012232827,0.00009120727,0.96583134],"genre_scores_gemma":[0.16392368,0.0017187172,0.00024995013,0.00008536052,0.0029269694,0.0000011715155,0.000049312963,0.00007698964,0.83096784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968957,0.0001223708,0.0014774437,0.00039715055,0.0007382762,0.00036909664],"domain_scores_gemma":[0.9914223,0.0003963969,0.006236062,0.0009947355,0.00080632675,0.00014417437],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0011747952,0.00040856603,0.0009183474,0.00017847438,0.0026253574,0.0001594922,0.000909186,0.0003644773,0.0004175761],"category_scores_gemma":[0.00006364663,0.00029386938,0.0010687798,0.00005321138,0.0009859824,0.00041792623,0.00030854833,0.0008868788,0.000016859047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010759851,0.0005209654,0.0017703723,0.0014344944,0.0065516327,0.001249867,0.27058297,0.000121667064,0.0008189787,0.5966889,0.086023726,0.03316041],"study_design_scores_gemma":[0.00030745784,0.00011017345,0.0001425291,0.00070482556,0.0014544767,0.000066635715,0.0119884955,0.000087890476,0.00010514537,0.0014207131,0.983193,0.0004186665],"about_ca_topic_score_codex":0.0009937411,"about_ca_topic_score_gemma":0.0012666181,"teacher_disagreement_score":0.89716923,"about_ca_system_score_codex":0.0001315312,"about_ca_system_score_gemma":0.00021492393,"threshold_uncertainty_score":0.99995136},"labels":[],"label_agreement":null},{"id":"W1494758873","doi":"10.3138/topia.11.83","title":"Usual Culture: The Jet","year":2004,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; Politics; Aesthetics; Swift; Assertion; Epistemology; Political science; Computer science; Law; Philosophy","score_opus":0.043632186953918246,"score_gpt":0.2593038546353592,"score_spread":0.21567166768144097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494758873","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75310916,0.12507857,0.000009154298,0.05976992,0.0064704055,0.0002360527,0.00013902491,0.000030593663,0.055157095],"genre_scores_gemma":[0.9827942,0.0007578916,0.000047521655,0.0023980108,0.003311891,0.0000016574152,0.0000037206069,0.000008528072,0.010676572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989201,0.000049910024,0.00039917845,0.00009045861,0.00023887106,0.00030148865],"domain_scores_gemma":[0.99863285,0.000025348547,0.00024090265,0.00010761198,0.0007476412,0.00024564858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002241491,0.00017891433,0.0003304718,0.00009715465,0.0011363513,0.0005081754,0.00031504926,0.000036327638,0.0004247363],"category_scores_gemma":[0.00010570517,0.000079228754,0.00029196352,0.000083215666,0.0004288025,0.0005814586,0.000014775775,0.00034197388,0.000026212922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000145566255,0.000015460648,0.00051085243,0.00001986889,0.0012393646,0.00025043086,0.41141924,0.000070740025,0.000016901484,0.42419925,0.16137782,0.00086549745],"study_design_scores_gemma":[0.0004016434,0.00010743541,0.00039154675,0.00008365312,0.00020338561,0.00017360569,0.06392964,2.817046e-7,0.000045268298,0.0076384894,0.9268735,0.00015156086],"about_ca_topic_score_codex":0.0067701153,"about_ca_topic_score_gemma":0.18902564,"teacher_disagreement_score":0.76549566,"about_ca_system_score_codex":0.00014294985,"about_ca_system_score_gemma":0.00020513815,"threshold_uncertainty_score":0.9998439},"labels":[],"label_agreement":null},{"id":"W1496842487","doi":"","title":"Transhumanity in Contemporary Canadian Poetry","year":2003,"lang":"ko","type":"article","venue":"새한영어영문학회 학술발표회 논문집","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Literature","score_opus":0.041915486673614485,"score_gpt":0.23024536517309255,"score_spread":0.18832987849947808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496842487","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2308594,0.025285969,0.000011065562,0.002161369,0.0029544102,0.000535551,0.0012456228,0.00007200797,0.7368746],"genre_scores_gemma":[0.9645427,0.00036395973,0.000023684719,0.0033172087,0.0009631575,0.000013574962,0.00016338537,0.000072836025,0.030539509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961815,0.00059588836,0.0010286346,0.00064654404,0.0004631757,0.0010842745],"domain_scores_gemma":[0.99803233,0.00011024852,0.00023015108,0.00064007315,0.00021464276,0.0007725302],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009627559,0.00059960247,0.0008534171,0.0010350435,0.0009756654,0.0011540167,0.0004674019,0.000379931,0.016007531],"category_scores_gemma":[0.00008134356,0.00057566527,0.0005013058,0.00036985546,0.00032256008,0.0007979959,0.000019768311,0.0011806474,0.00047407145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101835016,0.00068523496,0.04895392,0.00040201345,0.00071620493,0.0020767243,0.11207392,0.00002020627,0.000042678526,0.7282255,0.105632156,0.0010695877],"study_design_scores_gemma":[0.0015479114,0.000117832315,0.0045946976,0.00028061774,0.00016529621,0.00003420868,0.010020564,0.000047477854,0.000061497674,0.004449744,0.97779834,0.0008817872],"about_ca_topic_score_codex":0.23370792,"about_ca_topic_score_gemma":0.70288634,"teacher_disagreement_score":0.8721662,"about_ca_system_score_codex":0.000311397,"about_ca_system_score_gemma":0.0011127117,"threshold_uncertainty_score":0.9998829},"labels":[],"label_agreement":null},{"id":"W1500035247","doi":"","title":"Reinventing the Feature Story: Mythic Cycles in American Literary Journalism","year":2005,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Politics; Context (archaeology); Sociology; Media studies; Mass media; Communication studies; Empire; Political history; History; Law; Social science; Political science","score_opus":0.01674268824074552,"score_gpt":0.24902721247985296,"score_spread":0.23228452423910745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1500035247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4891164,0.044568952,0.00025579333,0.44370273,0.0010229643,0.00053757324,0.00008297729,0.00024298733,0.020469619],"genre_scores_gemma":[0.98210937,0.0012511553,0.0014507985,0.005652469,0.002189884,0.000028102979,0.00006211908,0.000060452025,0.0071956352],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99577993,0.0018208686,0.0008720738,0.00029864296,0.0006741282,0.0005543422],"domain_scores_gemma":[0.99650985,0.0003775814,0.0012330541,0.0013104792,0.0003665483,0.00020249003],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0024527651,0.00038666895,0.0005638298,0.00058842433,0.001826492,0.0023397428,0.0015480301,0.000117212505,0.00063458283],"category_scores_gemma":[0.0000542349,0.0002730541,0.00045283829,0.0003700523,0.00047492635,0.001787635,0.00006280746,0.0027303759,0.000076356046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011515791,0.00036770193,0.0024340528,0.000050184477,0.00055140216,0.00007113519,0.5984308,0.00016395711,0.0004646427,0.13698937,0.101425275,0.1589363],"study_design_scores_gemma":[0.0008292093,0.00012255466,0.0028010453,0.00038202346,0.0001516608,0.00012200218,0.027356727,0.0015444976,0.000015115294,0.013517473,0.9526996,0.00045809287],"about_ca_topic_score_codex":0.0002458544,"about_ca_topic_score_gemma":0.0024010087,"teacher_disagreement_score":0.8512743,"about_ca_system_score_codex":0.00018526861,"about_ca_system_score_gemma":0.000077220786,"threshold_uncertainty_score":0.99997216},"labels":[],"label_agreement":null},{"id":"W1505649807","doi":"10.18061/dsq.v27i3.39","title":"Review of John Terpstra, The Boys: Or, Waiting for the Electrician's Daughter.","year":2007,"lang":"en","type":"article","venue":"Disability Studies Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Daughter; Art; Psychoanalysis; Genealogy; Psychology; History; Political science; Law","score_opus":0.055660467250988256,"score_gpt":0.3253323285186276,"score_spread":0.2696718612676393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505649807","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11615975,0.80036527,0.00072789856,0.054222684,0.003206249,0.0046092663,0.0006374123,0.00019546803,0.019875985],"genre_scores_gemma":[0.9840444,0.007172852,0.000045013003,0.0052529266,0.001885308,0.00010091575,0.000021577825,0.000023089598,0.0014539612],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981171,0.00013085647,0.0008302017,0.0002562217,0.00027486467,0.00039074846],"domain_scores_gemma":[0.99650073,0.0021621857,0.00032406693,0.00053716946,0.00043601426,0.000039851217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024544944,0.00022318788,0.00051805197,0.0000296474,0.0009884345,0.00013383906,0.00039655768,0.000032643227,0.00024553022],"category_scores_gemma":[0.00035746524,0.000094775525,0.00046587468,0.000154284,0.0007857416,0.00019371946,0.000023480827,0.00020665955,0.000005015341],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040688514,0.0006142965,0.002199171,0.0113340495,0.0033410485,0.0000063550874,0.37002364,6.194503e-7,0.000018353736,0.10656194,0.21499674,0.2904969],"study_design_scores_gemma":[0.00048043873,0.00076452375,0.0010955097,0.0018525018,0.0011824847,0.0000074175637,0.23442143,0.00006780835,0.000032510627,0.0051272376,0.75460535,0.00036280495],"about_ca_topic_score_codex":0.00017232813,"about_ca_topic_score_gemma":0.003853615,"teacher_disagreement_score":0.86788464,"about_ca_system_score_codex":0.000038494843,"about_ca_system_score_gemma":0.000024476192,"threshold_uncertainty_score":0.76023394},"labels":[],"label_agreement":null},{"id":"W1511861644","doi":"","title":"Weesageechak Meets the Weetigo: Storytelling, Humour, and Trauma in the Fiction of Richard Van Camp, Tomson Highway, and Eden Robinson","year":2009,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Storytelling; Art; Literature; Art history; Narrative","score_opus":0.020120555002335092,"score_gpt":0.24993592457368746,"score_spread":0.22981536957135237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511861644","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69087076,0.2515443,6.51877e-7,0.021328015,0.001124532,0.00061989157,0.0004136077,0.000027020043,0.034071203],"genre_scores_gemma":[0.99329126,0.0030917546,0.000017421422,0.0014777428,0.0006117305,0.0000104144665,0.000023784767,0.000009972423,0.0014659379],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869365,0.0001899886,0.00032102133,0.0002549329,0.00019063524,0.00034977912],"domain_scores_gemma":[0.9993407,0.000106866755,0.000111090776,0.00023234975,0.00011568644,0.00009331173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006103209,0.00022169779,0.0003348932,0.00037131616,0.0005025564,0.0003566028,0.00020212625,0.000101217884,0.000056534762],"category_scores_gemma":[0.000039223403,0.00012827908,0.00007073376,0.00023193541,0.00024808172,0.00025388645,0.000016794967,0.00050424464,7.0465904e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035921912,0.000045085784,0.0011343319,0.00010613948,0.0001489433,0.00013768786,0.8789885,0.000016558626,0.000019642654,0.056554865,0.057303607,0.005508733],"study_design_scores_gemma":[0.0005021412,0.00017975761,0.007138946,0.00050602213,0.00010338751,0.00003312773,0.0497586,0.00005117322,0.000016318967,0.0030853716,0.93835247,0.0002727125],"about_ca_topic_score_codex":0.011559734,"about_ca_topic_score_gemma":0.46694934,"teacher_disagreement_score":0.88104886,"about_ca_system_score_codex":0.000092433234,"about_ca_system_score_gemma":0.000036047284,"threshold_uncertainty_score":0.99502236},"labels":[],"label_agreement":null},{"id":"W152380657","doi":"10.1353/mos.2022.a948453","title":"Showings Forth: Dubliners , Photography, and the Rejection of Realism","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Realism; Photography; Art; Philosophy; Literature; Visual arts","score_opus":0.01098409593059842,"score_gpt":0.19164208489483006,"score_spread":0.18065798896423163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W152380657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9422661,0.0049361913,0.000025188483,0.0026386764,0.00119116,0.00030384035,0.0003856454,0.00006900244,0.04818421],"genre_scores_gemma":[0.99347556,0.00009712156,0.000008812825,0.0007725343,0.00021901092,0.00002095442,0.00006383386,0.000008260216,0.0053339177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932784,0.0000885794,0.00018537694,0.00010756377,0.00019046123,0.00010018841],"domain_scores_gemma":[0.99963874,0.000045573237,0.000104242594,0.00014107021,0.000046695655,0.000023678333],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003849804,0.000072281095,0.000150844,0.00013596304,0.00057586713,0.000113252325,0.00010086879,0.000013243811,0.00095138437],"category_scores_gemma":[0.000009726107,0.000046109504,0.000147433,0.00011116857,0.00018506976,0.00011800461,0.00004795537,0.00015993432,5.676072e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034709924,0.00009815224,0.0008097566,0.00005596469,0.00045783285,0.000016844358,0.23043704,0.000068982255,0.0002537893,0.62193906,0.14200059,0.0035148629],"study_design_scores_gemma":[0.0010963782,0.000069783906,0.00011630642,0.000008684315,0.00017004825,0.000014815723,0.015769703,0.0005698833,0.000037026748,0.008262412,0.9737715,0.000113426904],"about_ca_topic_score_codex":0.002346592,"about_ca_topic_score_gemma":0.0005012696,"teacher_disagreement_score":0.83177096,"about_ca_system_score_codex":0.000007943342,"about_ca_system_score_gemma":0.000009308101,"threshold_uncertainty_score":0.99996185},"labels":[],"label_agreement":null},{"id":"W1530496465","doi":"","title":"Coeur chaud et sueurs froides. ROY, Simon. Ma vie rouge Kubrick, coll. Liberté grande, Montréal, Les Éditions du Boréal, 2014, 176 p.ROY, Simon. Ma vie rouge Kubrick, coll. Liberté grande, Montréal, Les Éditions du Boréal, 2014, 176 p.","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ROUGE; Humanities; Art","score_opus":0.01767899049061319,"score_gpt":0.22362301526464526,"score_spread":0.20594402477403206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1530496465","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020533731,0.7677766,0.0009521865,0.1356047,0.006866001,0.002904939,0.021109484,0.0010964862,0.043155853],"genre_scores_gemma":[0.13984215,0.6628095,0.0008581771,0.0072752777,0.011558198,0.0009793274,0.0065504783,0.0009864144,0.16914046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9847832,0.0021204941,0.0041446546,0.0029289045,0.0027087708,0.003314021],"domain_scores_gemma":[0.9870946,0.0018607707,0.0023926343,0.0028062996,0.0032718529,0.0025738564],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0022314833,0.0033369714,0.0041200896,0.0019387405,0.008823902,0.0058511626,0.0023194314,0.0017954657,0.0102581335],"category_scores_gemma":[0.0007337074,0.003159612,0.0030253858,0.0015037123,0.002898252,0.0036240944,0.00089132163,0.0029711854,0.0023017519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007533468,0.0029712494,0.0018513981,0.00041822618,0.0025051832,0.0012455758,0.006057169,0.0016421105,0.000047939095,0.038260933,0.94277304,0.001473826],"study_design_scores_gemma":[0.007899419,0.0010062462,0.0011614991,0.0012388984,0.004292428,0.0003235426,0.012336559,0.0022576195,0.00009417774,0.009172238,0.95666194,0.003555454],"about_ca_topic_score_codex":0.10360086,"about_ca_topic_score_gemma":0.095616475,"teacher_disagreement_score":0.12832943,"about_ca_system_score_codex":0.0006698508,"about_ca_system_score_gemma":0.0014248138,"threshold_uncertainty_score":0.9998153},"labels":[],"label_agreement":null},{"id":"W1532683769","doi":"","title":"From Serial to Book: Leacock’s Revisions to Sunshine Sketches of a Little Town","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Character (mathematics); Serialization; Publishing; Romance; History; Malice; Literature; Art history; Art; Law; Computer science; Political science","score_opus":0.059365933114339506,"score_gpt":0.27956778813266653,"score_spread":0.220201855018327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1532683769","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3438454,0.34538096,0.000006098295,0.028755074,0.012350057,0.0021291147,0.021608364,0.00015384005,0.24577108],"genre_scores_gemma":[0.9562205,0.0005999019,0.00082600646,0.009850209,0.0038651465,0.000075646465,0.00015841596,0.000045359848,0.028358802],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836075,0.000077158984,0.00049496186,0.00037178927,0.00019252424,0.0005028117],"domain_scores_gemma":[0.9985407,0.000074697695,0.00008638455,0.00042746053,0.00037231916,0.0004984444],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002626605,0.0002841023,0.0007170307,0.0005901706,0.00025614543,0.00020397714,0.00034262182,0.00010478739,0.005159835],"category_scores_gemma":[0.00022890343,0.00021311145,0.00023848709,0.00035082927,0.000121926496,0.00032087494,0.00008752615,0.0003086383,0.000028488575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058479884,0.000028429424,0.00031957708,0.000055963854,0.0007947083,0.00011214433,0.6103473,0.0000026415255,0.000020508445,0.011865327,0.37609577,0.00029917053],"study_design_scores_gemma":[0.00020955892,0.000116473784,0.00040299073,0.00055012066,0.00027128137,0.00000221235,0.011815145,9.652302e-7,0.000062127794,0.0023355142,0.98393816,0.00029546936],"about_ca_topic_score_codex":0.193706,"about_ca_topic_score_gemma":0.80420905,"teacher_disagreement_score":0.6123751,"about_ca_system_score_codex":0.00012662704,"about_ca_system_score_gemma":0.00012517345,"threshold_uncertainty_score":0.9957496},"labels":[],"label_agreement":null},{"id":"W1533562785","doi":"","title":"Journalism in the Civil War Era","year":2010,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Spanish Civil War; Theme (computing); Narrative; History; Media studies; Law; Sociology; Classics; Literature; Political science; Art","score_opus":0.015008634140717136,"score_gpt":0.23987459845685455,"score_spread":0.22486596431613742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533562785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68517345,0.010691814,0.00034663497,0.13889055,0.0040920805,0.00078980625,0.00015105639,0.00022996502,0.15963466],"genre_scores_gemma":[0.99091303,0.00066112156,0.0005459915,0.003716385,0.001631075,0.00002866183,0.00006713198,0.000039832492,0.0023967486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99647766,0.00096375076,0.0011027358,0.00023903181,0.00073977245,0.0004770359],"domain_scores_gemma":[0.99670434,0.00037857878,0.0007047484,0.0016149387,0.00042391568,0.00017350349],"candidate_categories":["sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028077518,0.00032783864,0.00042843385,0.0005035304,0.0013685307,0.0019532728,0.0021452303,0.00016038107,0.0036363709],"category_scores_gemma":[0.000056545843,0.00021806538,0.00039274478,0.00026429901,0.0003075376,0.001392942,0.00003787965,0.0032099786,0.00013877395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047579506,0.00040212102,0.0006548581,0.000021215832,0.00019955898,0.00007272565,0.42855516,0.000009349529,0.001578028,0.4751685,0.082415834,0.0108751],"study_design_scores_gemma":[0.0011721663,0.00014488513,0.0026116755,0.00012163494,0.00015612014,0.00026796007,0.028108785,0.00037322278,0.0000206181,0.08675255,0.8797808,0.0004895731],"about_ca_topic_score_codex":0.00062439963,"about_ca_topic_score_gemma":0.009479533,"teacher_disagreement_score":0.79736495,"about_ca_system_score_codex":0.00004486061,"about_ca_system_score_gemma":0.000078002086,"threshold_uncertainty_score":0.9999316},"labels":[],"label_agreement":null},{"id":"W1540523101","doi":"","title":"L’oeuvre inachevé. Stanley Kubrick : The ExhibitionStanley Kubrick : The Exhibition","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Art; Art history; Visual arts","score_opus":0.04172331622782342,"score_gpt":0.23936511739676886,"score_spread":0.19764180116894542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540523101","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03449286,0.51439726,0.00059922243,0.1294694,0.006598774,0.000979129,0.0014597962,0.00022579642,0.31177777],"genre_scores_gemma":[0.6447643,0.008372928,0.00014417112,0.007414365,0.01188992,0.00009485237,0.0003353249,0.00012812774,0.32685602],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962119,0.0007565026,0.0008466966,0.00052614626,0.0008594817,0.00079927116],"domain_scores_gemma":[0.9970209,0.0004060648,0.00045293858,0.0009849408,0.0007913557,0.00034378216],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014927895,0.0005629505,0.00052939745,0.00020286595,0.0026577378,0.0021354437,0.0007230514,0.00025265323,0.0043211635],"category_scores_gemma":[0.0001964047,0.00032793375,0.0005771618,0.00039938116,0.0013712473,0.0006888694,0.00019375184,0.0010150132,0.0008869229],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048096437,0.00017838014,0.00008253238,0.00005260655,0.00022412994,0.000053601605,0.036142923,0.00007322706,0.0000065787135,0.37345982,0.5874151,0.0022629674],"study_design_scores_gemma":[0.0007127025,0.00015464253,0.00017786089,0.000326562,0.00065103057,0.00013239363,0.058995713,0.00027776544,0.000042092644,0.020836234,0.917238,0.00045498525],"about_ca_topic_score_codex":0.00289559,"about_ca_topic_score_gemma":0.0023617826,"teacher_disagreement_score":0.6102714,"about_ca_system_score_codex":0.00022213336,"about_ca_system_score_gemma":0.00027782566,"threshold_uncertainty_score":0.99991727},"labels":[],"label_agreement":null},{"id":"W1546824629","doi":"10.1300/j082v39n01_07","title":"Camping the Gothic","year":2000,"lang":"en","type":"article","venue":"Journal of Homosexuality","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Marianopolis College","funders":"","keywords":"Novella; Queer; Character (mathematics); Literature; Criticism; Art; Aesthetics; History; Sociology; Gender studies","score_opus":0.02549100951377933,"score_gpt":0.24054252611565743,"score_spread":0.2150515166018781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546824629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9126349,0.0043996675,0.000037923375,0.00507641,0.0011398561,0.000067927365,0.000033044056,0.00002026837,0.076589994],"genre_scores_gemma":[0.97567487,0.00019795087,0.000044402906,0.0019942503,0.00324062,6.930818e-7,0.0000024116166,0.000011506323,0.018833319],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984137,0.00024504794,0.00063649553,0.00009110113,0.00041347038,0.00020019854],"domain_scores_gemma":[0.99892205,0.000122207,0.00036529073,0.00023771422,0.00026193002,0.00009079786],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013920537,0.00012595514,0.00029140554,0.000072783565,0.0005035436,0.0005003491,0.0003621918,0.00004111993,0.010191289],"category_scores_gemma":[0.000048863476,0.00006653599,0.00027106825,0.000073826115,0.0001861922,0.00048375435,0.000014857111,0.00050717324,0.000064291184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004599373,0.0008477986,0.003816789,0.00014692542,0.0018157935,0.00041451628,0.44128683,0.00020472071,0.0002587139,0.16797596,0.2427465,0.14002551],"study_design_scores_gemma":[0.0003390021,0.00009718926,0.0010589302,0.00004095582,0.00014947825,0.00015200558,0.005469922,0.000023143746,0.000034337692,0.0073652402,0.98513705,0.00013275041],"about_ca_topic_score_codex":0.00010858799,"about_ca_topic_score_gemma":0.00019808914,"teacher_disagreement_score":0.7423906,"about_ca_system_score_codex":0.000028937346,"about_ca_system_score_gemma":0.00005746511,"threshold_uncertainty_score":0.99071354},"labels":[],"label_agreement":null},{"id":"W1558147940","doi":"","title":"Bus Griffiths' Now You're Logging : A Graphic Novel about British Columbia Coastal Logging in the 1930s","year":2005,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Vancouver Island University","funders":"","keywords":"Logging; Computer science; Data logger; Operating system; Forestry; Geography","score_opus":0.012492388417163238,"score_gpt":0.1998943792598681,"score_spread":0.18740199084270487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558147940","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9705426,0.0042756507,0.00007405017,0.0018684277,0.0005321195,0.00026013292,0.00066900626,0.00013638378,0.02164163],"genre_scores_gemma":[0.95383584,0.00034869686,0.00009100101,0.0034116546,0.0018832353,0.000024972229,0.00008584981,0.000045304598,0.040273465],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977135,0.00014393046,0.0005759314,0.00042973313,0.0004637899,0.00067311485],"domain_scores_gemma":[0.9990772,0.00008573568,0.00019761296,0.00037882535,0.0001425773,0.000118049094],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006778405,0.00025286694,0.0004335734,0.0001742463,0.000978584,0.0035064656,0.0005462837,0.000120507786,0.0022227156],"category_scores_gemma":[0.00002378864,0.00026758268,0.00027187107,0.00024480594,0.00031335594,0.0006612576,0.00005140601,0.0007324663,0.00005513083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001492471,0.0035309263,0.06385551,0.0007431409,0.0011552476,0.001417776,0.49487674,0.00058545405,0.0008688556,0.08468932,0.27620178,0.071926005],"study_design_scores_gemma":[0.0020238326,0.00006150691,0.046598736,0.0002678043,0.000116575495,0.0001643709,0.022566779,0.00039516066,0.000008286641,0.00090789195,0.92627364,0.0006153829],"about_ca_topic_score_codex":0.046159126,"about_ca_topic_score_gemma":0.77269113,"teacher_disagreement_score":0.726532,"about_ca_system_score_codex":0.000029481853,"about_ca_system_score_gemma":0.0000804836,"threshold_uncertainty_score":0.99997765},"labels":[],"label_agreement":null},{"id":"W1558656819","doi":"","title":"David Malouf: Exploring Imperial Textuality","year":2006,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Subjectivity; Textuality; Narrative; Literature; Aesthetics; Wilderness; History; Philosophy; Art; Epistemology; Psychoanalysis","score_opus":0.03572933571765826,"score_gpt":0.23470888657406866,"score_spread":0.1989795508564104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558656819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9274246,0.0004656923,0.000011722171,0.0014233113,0.002342078,0.00015346026,0.00018914478,0.00014892273,0.06784106],"genre_scores_gemma":[0.97684574,0.000021130376,0.000066592605,0.0005091402,0.009000779,0.000030973955,0.0001196791,0.000029126844,0.013376858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984326,0.00009331469,0.00044314767,0.00030050613,0.00030467776,0.00042578235],"domain_scores_gemma":[0.9992822,0.00006401047,0.00013820514,0.00028156888,0.00013882732,0.00009520061],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000261332,0.00022870577,0.0003167816,0.00013231287,0.00062133523,0.00071406446,0.00024381008,0.00007031169,0.004874938],"category_scores_gemma":[0.000030506882,0.00018997348,0.00025020176,0.00008153056,0.00015621493,0.0006560379,0.00006828596,0.00023064268,0.00053665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033883238,0.00045609544,0.0031627195,0.00007183647,0.0002271382,0.0001546169,0.076128095,0.000023826291,0.0022877413,0.844939,0.06673917,0.005470941],"study_design_scores_gemma":[0.0007417285,0.000108072316,0.003196824,0.000026715525,0.00011986196,0.000013365434,0.0009074636,0.000027709526,0.00045568647,0.0068817334,0.98712313,0.0003976812],"about_ca_topic_score_codex":0.0024497325,"about_ca_topic_score_gemma":0.0022121486,"teacher_disagreement_score":0.920384,"about_ca_system_score_codex":0.000053266474,"about_ca_system_score_gemma":0.000040378665,"threshold_uncertainty_score":0.99603474},"labels":[],"label_agreement":null},{"id":"W1585914977","doi":"10.1080/09528820500049395","title":"Julie Dowling’s<i>strange fruit</i>","year":2005,"lang":"en","type":"article","venue":"Third Text","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Commonwealth; Painting; Bachelor; Art history; The arts; History; Art; Visual arts; Archaeology","score_opus":0.022115242370844973,"score_gpt":0.22254188394688942,"score_spread":0.20042664157604445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585914977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05761376,0.0034884764,0.00003476715,0.004775664,0.0007880616,0.00011364043,0.00010071997,0.00022390873,0.93286103],"genre_scores_gemma":[0.89187723,0.00012979754,0.00017604919,0.005285006,0.004771457,0.0000057249445,0.000032621305,0.00002355078,0.09769858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989322,0.000036571193,0.00028881893,0.00020275409,0.0002388552,0.0003007937],"domain_scores_gemma":[0.9993911,0.00003751448,0.00009141927,0.0002751554,0.00009378792,0.0001110715],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018678763,0.00017489583,0.00023459265,0.000112487134,0.00037841607,0.0004231415,0.00023187482,0.00006247765,0.011157699],"category_scores_gemma":[0.000011066312,0.00013465832,0.00020314801,0.00005481155,0.0001140306,0.00042318652,0.000027648055,0.00026951442,0.002518559],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000444161,0.00021271541,0.00017494537,0.000047312857,0.00024990816,0.000038104074,0.10973943,0.000021621603,0.00024941473,0.3648361,0.49391806,0.030467974],"study_design_scores_gemma":[0.00030141187,0.000027915294,0.000061745464,0.000025374911,0.00008642402,0.000007467224,0.00092730054,0.000059514838,0.00021423421,0.001957097,0.99612737,0.00020416666],"about_ca_topic_score_codex":0.00010381825,"about_ca_topic_score_gemma":0.0006979952,"teacher_disagreement_score":0.8351624,"about_ca_system_score_codex":0.000023083865,"about_ca_system_score_gemma":0.000020795509,"threshold_uncertainty_score":0.9982581},"labels":[],"label_agreement":null},{"id":"W1593723944","doi":"10.5555/1109180.1109219","title":"The pipeline pinball energy thrill ride game: a little theatre in a computer game","year":2005,"lang":"en","type":"article","venue":"Australasian Conference On Interactive Entertainment","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary; University of Lethbridge","funders":"","keywords":"Game design; Game art design; Game Developer; Narrative; Dilemma; Video game; Action (physics); Computer game; Computer security; Computer science; Media studies; Engineering; Sociology; Multimedia","score_opus":0.016830787494233983,"score_gpt":0.24709402255530455,"score_spread":0.23026323506107058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593723944","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30514103,0.0011396148,0.0068796547,0.09449889,0.006561038,0.0017867079,0.0006461203,0.00037636716,0.5829706],"genre_scores_gemma":[0.9803201,0.00020852181,0.000039287268,0.0020894338,0.0013813144,0.00005816885,0.000049551636,0.000025821775,0.015827809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99781126,0.00021364246,0.0006079003,0.00045578752,0.0003688001,0.0005425855],"domain_scores_gemma":[0.9988426,0.00019413927,0.00024454368,0.0004191503,0.00015322326,0.000146354],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001943695,0.0003831081,0.00037158933,0.00019915015,0.00020604127,0.0007920926,0.00045139802,0.00007037452,0.0028829866],"category_scores_gemma":[0.0000117088985,0.0002473021,0.00025573635,0.00006835692,0.00020506636,0.0004515786,0.00008492972,0.0005174568,0.00016202901],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013466949,0.002076387,0.0010011623,0.000035715886,0.00084228476,0.00022327888,0.14771216,0.0006416745,0.0002479818,0.54498327,0.04478864,0.25610074],"study_design_scores_gemma":[0.0015914013,0.0005341173,0.00051129295,0.0005944746,0.00007447242,0.000026700563,0.010723106,0.011999326,0.0007823487,0.003949293,0.96864986,0.0005635853],"about_ca_topic_score_codex":0.00047464116,"about_ca_topic_score_gemma":0.0057349633,"teacher_disagreement_score":0.92386127,"about_ca_system_score_codex":0.00023430526,"about_ca_system_score_gemma":0.0000484824,"threshold_uncertainty_score":0.9999979},"labels":[],"label_agreement":null},{"id":"W1593888072","doi":"","title":"Literary Journalism across the Globe: Journalistic Traditions and Transnational Influences","year":2012,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Globe; Sociology; Media studies; Literary criticism; Agency (philosophy); Casual; Literature; History; Political science; Law; Social science; Art; Psychology","score_opus":0.02836811081016785,"score_gpt":0.27408308300638784,"score_spread":0.24571497219622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593888072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8171702,0.047625247,0.0013660282,0.11742217,0.0022448828,0.000530031,0.0008424583,0.0001891162,0.012609888],"genre_scores_gemma":[0.9921492,0.0011452443,0.0005383041,0.002530784,0.0023217676,0.000035045272,0.000107143875,0.00003954088,0.001132994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99591756,0.0011982451,0.0011927491,0.0002154249,0.0008102871,0.0006657322],"domain_scores_gemma":[0.99676836,0.00067381415,0.00081329414,0.00076120155,0.0005455529,0.00043780208],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026789482,0.00038284078,0.00044001843,0.00026209588,0.0044149905,0.003484511,0.0010475566,0.0001310319,0.0018292712],"category_scores_gemma":[0.00004206869,0.00025969447,0.00038109673,0.00023902387,0.0006977931,0.003761155,0.00002893424,0.0015890661,0.000027702154],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032572927,0.00019049809,0.0013530641,0.00002579095,0.00037208825,0.0000074297964,0.36588112,0.000008887057,0.00015172547,0.62007093,0.007517803,0.0043881056],"study_design_scores_gemma":[0.0016671004,0.00020854313,0.025127247,0.0002536668,0.0006472363,0.0012735403,0.05972293,0.0004876557,0.00001826946,0.19552767,0.7141779,0.0008882399],"about_ca_topic_score_codex":0.00007479587,"about_ca_topic_score_gemma":0.00023252126,"teacher_disagreement_score":0.7066601,"about_ca_system_score_codex":0.000087021675,"about_ca_system_score_gemma":0.000060226594,"threshold_uncertainty_score":0.9999855},"labels":[],"label_agreement":null},{"id":"W1645508814","doi":"","title":"Fitzgerald’s The Great Gatsby Between the Film and the Novel: A Corpus-driven Study of Students’ Responses","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scripting language; Key (lock); Psychology; Aesthetics; Sociology; Literature; Art; Computer science","score_opus":0.052242191232560804,"score_gpt":0.29907181583526654,"score_spread":0.24682962460270574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1645508814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9453911,0.05068882,8.0893705e-7,0.0005060495,0.00020331386,0.00045748398,0.00014019849,0.000013311225,0.002598922],"genre_scores_gemma":[0.9938486,0.001055372,0.000008261633,0.0007285473,0.0005224484,0.000040976778,0.00000753879,0.000012705369,0.0037755116],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99848115,0.00043382455,0.00037465745,0.00022832229,0.00027870788,0.00020331147],"domain_scores_gemma":[0.99854195,0.00073895836,0.00017330793,0.00038951825,0.00012608772,0.000030175168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087903626,0.00022505048,0.0004599268,0.00010389738,0.0006321937,0.00032802572,0.00038471023,0.00004495278,0.000062477],"category_scores_gemma":[0.000119418975,0.00008371576,0.00009675564,0.00015864633,0.0010021178,0.00017172638,0.00027025162,0.0004131033,7.3788976e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020754963,0.000088913985,0.026611047,0.000037849546,0.0006150218,0.000035999936,0.9632766,2.0747268e-7,0.0000027459967,0.0068918895,0.0017016587,0.00053048285],"study_design_scores_gemma":[0.0054578674,0.00061442505,0.112400144,0.00051930407,0.0011926292,0.000040913324,0.842851,0.000013232076,0.000018321589,0.0019061448,0.03457793,0.00040811964],"about_ca_topic_score_codex":0.00048766017,"about_ca_topic_score_gemma":0.0020135457,"teacher_disagreement_score":0.120425664,"about_ca_system_score_codex":0.000007439891,"about_ca_system_score_gemma":0.0000069684443,"threshold_uncertainty_score":0.48623866},"labels":[],"label_agreement":null},{"id":"W1786871984","doi":"","title":"Vancouver Sun (Re)","year":2004,"lang":"fr","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.015087375638273207,"score_gpt":0.21588167715951587,"score_spread":0.20079430152124267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1786871984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060937502,0.02992041,0.0004439372,0.009494396,0.00914795,0.0001025244,0.0001610279,0.00008294838,0.9445531],"genre_scores_gemma":[0.19883451,0.0011181067,0.00038100788,0.004368712,0.00486574,0.0000027622862,0.000021636284,0.00002910248,0.79037845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998608,0.00004429641,0.00037678465,0.00025506347,0.00027682487,0.00043904744],"domain_scores_gemma":[0.9992121,0.00003172301,0.00010212126,0.00028754812,0.00017926183,0.00018725713],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016826752,0.00024913435,0.00030009958,0.00013658655,0.00058986753,0.0006657961,0.00018884007,0.00013222249,0.06312417],"category_scores_gemma":[0.000011381094,0.00019687106,0.0003636748,0.00008966622,0.00026307625,0.000684862,0.000040077,0.00031613244,0.0011915285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000842204,0.00014965612,0.000035320583,0.000044184417,0.00017769521,0.00008397914,0.014497389,0.00008138125,0.0000036026222,0.6776684,0.30592686,0.0013231379],"study_design_scores_gemma":[0.00065530516,0.00006813583,0.000029567873,0.00011158448,0.0002504203,0.000008350618,0.0054132696,0.000024587325,0.00009417677,0.03263613,0.9604093,0.00029920012],"about_ca_topic_score_codex":0.005323418,"about_ca_topic_score_gemma":0.034623902,"teacher_disagreement_score":0.6544824,"about_ca_system_score_codex":0.0000926034,"about_ca_system_score_gemma":0.00008219759,"threshold_uncertainty_score":0.99958616},"labels":[],"label_agreement":null},{"id":"W17896886","doi":"10.7560/716445","title":"Women, Celebrity, and Literary Culture between the Wars","year":2007,"lang":"en","type":"book","venue":"University of Texas Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":97,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Literature; Celebrity culture; Sociology","score_opus":0.02413613333910695,"score_gpt":0.1901982767637704,"score_spread":0.16606214342466347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W17896886","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001393749,0.002877068,0.0000073293504,0.000034358338,0.00012533282,0.00016312266,0.0006793028,0.0000374793,0.99468225],"genre_scores_gemma":[0.0045148768,0.00023355559,0.00002641802,0.00017009325,0.00077699224,1.0604119e-7,0.00011507689,0.000019372574,0.9941435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988735,0.00006915311,0.00021470063,0.0002739303,0.00031048077,0.00025824478],"domain_scores_gemma":[0.9989473,0.00008796493,0.00030587614,0.0003411186,0.00019011911,0.00012762343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022725284,0.00027069016,0.00048272178,0.00017109897,0.0004619462,0.00020854987,0.00053694274,0.00025589025,0.00041904033],"category_scores_gemma":[0.0000035244946,0.0002069995,0.00023683772,0.000007360344,0.00078621745,0.00014899483,0.00027164945,0.00064212887,0.0000067368373],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106997424,0.000034022007,0.00015590707,0.00054996315,0.0016897579,0.00016006152,0.3520784,3.8240702e-7,0.0000014612112,0.18544196,0.44843468,0.011346389],"study_design_scores_gemma":[0.00028410045,0.000053170155,0.000048594913,0.00017297035,0.00043609805,0.0000035943253,0.0009848765,0.0000015387282,0.0000059780664,0.009093065,0.9886737,0.00024235359],"about_ca_topic_score_codex":0.00036550197,"about_ca_topic_score_gemma":0.0001839237,"teacher_disagreement_score":0.540239,"about_ca_system_score_codex":0.00006835021,"about_ca_system_score_gemma":0.000062432926,"threshold_uncertainty_score":0.8441194},"labels":[],"label_agreement":null},{"id":"W1863090699","doi":"","title":"\"War on Terror\" Via a \"War of Words\": Fear, Loathing, and Name-Calling In Hollywood's War's In Afghanistan and Iraq","year":2011,"lang":"en","type":"article","venue":"Alternate routes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Iraq war; War on terror; Spanish Civil War; Political science; History; Media studies; Ancient history; Law; Sociology; Art history","score_opus":0.024445907096549646,"score_gpt":0.22172188274983773,"score_spread":0.19727597565328808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1863090699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98810583,0.004080185,0.000019129962,0.000108230226,0.00018113022,0.00010581301,0.000029682278,0.000020572406,0.007349407],"genre_scores_gemma":[0.9974921,0.00095210306,0.0002064709,0.00024737685,0.00016417349,0.0000053250606,0.000008545519,0.000025037163,0.0008988659],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99866986,0.0000772619,0.00045224692,0.00031339278,0.00019672904,0.00029051412],"domain_scores_gemma":[0.9994247,0.000052581032,0.00018744206,0.00020162445,0.000046450015,0.00008723145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003340573,0.00022470705,0.0003982443,0.0003476447,0.00010799863,0.00010240219,0.00017678554,0.00006842794,0.00023674619],"category_scores_gemma":[0.00002128541,0.00018226105,0.00007590716,0.00006762417,0.00014512145,0.00038884563,0.000069444926,0.00024820544,0.000007767244],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000509111,0.0006415838,0.15294631,0.00033706403,0.0003944417,0.00062792684,0.7898794,0.000021378011,0.0010846177,0.043592505,0.00025446285,0.009711203],"study_design_scores_gemma":[0.038702395,0.00787049,0.15112409,0.016646931,0.0022398643,0.0005277385,0.2333974,0.024634933,0.030743472,0.34117433,0.14157113,0.011367225],"about_ca_topic_score_codex":0.003709862,"about_ca_topic_score_gemma":0.0044814963,"teacher_disagreement_score":0.556482,"about_ca_system_score_codex":0.00002409021,"about_ca_system_score_gemma":0.0000123383625,"threshold_uncertainty_score":0.743239},"labels":[],"label_agreement":null},{"id":"W1880449590","doi":"10.3138/topia.16.169","title":"Intellectuals in a Media Age","year":2006,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Media studies; Art history; History; Sociology; Art; Library science; Computer science","score_opus":0.04822443154050204,"score_gpt":0.24706501030238476,"score_spread":0.1988405787618827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1880449590","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9071778,0.039042365,0.0000013913709,0.0030265055,0.0016088304,0.00006988309,0.00003608561,0.000008659856,0.049028464],"genre_scores_gemma":[0.9879198,0.00029761295,0.00004445469,0.00038220617,0.0020205234,0.0000012203051,0.0000057983825,0.000007165996,0.009321232],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988616,0.00006532467,0.0005259341,0.00008570977,0.00017269814,0.00028871352],"domain_scores_gemma":[0.9991202,0.00008185921,0.00018509856,0.000065321205,0.00038999584,0.00015752301],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000244254,0.0001468864,0.0004306231,0.00033220748,0.00027274943,0.0002923893,0.0001777231,0.000034566707,0.00093112845],"category_scores_gemma":[0.00016889613,0.00009187328,0.00017936905,0.000106847176,0.00025531207,0.00035901545,0.000009911625,0.00025295193,0.000015209125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029270359,0.000034015364,0.003893323,0.000045212666,0.0005140988,0.0019377447,0.52713394,0.000054483142,0.00004086859,0.15852141,0.30572668,0.0020689357],"study_design_scores_gemma":[0.00051568885,0.00006886876,0.0034040953,0.00021217827,0.00011123116,0.00009417652,0.05155189,0.0000026415821,0.000040628973,0.0131052155,0.93064207,0.00025133902],"about_ca_topic_score_codex":0.023225073,"about_ca_topic_score_gemma":0.74585825,"teacher_disagreement_score":0.7226332,"about_ca_system_score_codex":0.0001330672,"about_ca_system_score_gemma":0.00011105026,"threshold_uncertainty_score":0.9999822},"labels":[],"label_agreement":null},{"id":"W1892067417","doi":"","title":"Once Upon A Time In America de Sergio Leone, un hommage à l'œuvre culte A Clockwork Orangede Stanley Kubrick","year":2009,"lang":"fr","type":"article","venue":"Image & narrative","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec","funders":"","keywords":"Humanities; Art; Cult; Clockwork; Art history; Cartography; Philosophy; History; Geography; Theology; Archaeology","score_opus":0.007157129393682464,"score_gpt":0.23784915699658166,"score_spread":0.2306920276028992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1892067417","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55784494,0.10372595,0.002815458,0.08103722,0.0019510497,0.0019033402,0.0028881521,0.00043184534,0.24740207],"genre_scores_gemma":[0.76602256,0.0046144077,0.0084308665,0.007012938,0.004249584,0.00005371921,0.00039487518,0.00014056904,0.20908046],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959589,0.0008916661,0.00084866135,0.0007047983,0.00049878145,0.0010971912],"domain_scores_gemma":[0.99803936,0.00016672126,0.0004996063,0.0005165724,0.00043727373,0.00034047881],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005428901,0.0006725385,0.00097365596,0.00039794197,0.0009935023,0.0012379889,0.00047504992,0.00023669231,0.005335198],"category_scores_gemma":[0.00012166661,0.00062335056,0.000478709,0.00077751337,0.00050077634,0.0015481852,0.00006238524,0.0009738285,0.0005847833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061964797,0.0012053502,0.00020368438,0.00009849535,0.0005415616,0.001985735,0.84852076,0.00018645923,0.0031157816,0.010493562,0.11189442,0.021134572],"study_design_scores_gemma":[0.0037944876,0.0014398721,0.002605077,0.0019249555,0.00078399666,0.00017208786,0.11427446,0.0057321913,0.0010015358,0.011226983,0.85476196,0.0022823974],"about_ca_topic_score_codex":0.0016362814,"about_ca_topic_score_gemma":0.0016796722,"teacher_disagreement_score":0.7428675,"about_ca_system_score_codex":0.0004561863,"about_ca_system_score_gemma":0.0002716222,"threshold_uncertainty_score":0.99979883},"labels":[],"label_agreement":null},{"id":"W1909069032","doi":"10.7557/13.688","title":"Knut Hamsun at the movies in transnational contexts","year":2009,"lang":"en","type":"article","venue":"Nordlit","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Nazism; National cinema; Art history; Art; History; Twilight; Media studies; Sociology; German; Archaeology","score_opus":0.015061528968836892,"score_gpt":0.22494755231301103,"score_spread":0.20988602334417414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1909069032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76554805,0.0038031624,0.000016836286,0.042708427,0.00047483266,0.00018960203,0.00019432753,0.00005181387,0.18701299],"genre_scores_gemma":[0.96049905,0.00002521842,0.000009834496,0.0034099037,0.0003996756,0.000004468326,0.000049859707,0.0000048989905,0.03559709],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992557,0.000049373484,0.0002105336,0.00012264788,0.00020226208,0.0001594566],"domain_scores_gemma":[0.9996577,0.000059391998,0.000045837318,0.00013455021,0.000069328365,0.00003317964],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017604466,0.00009805872,0.00013924751,0.000079158744,0.00027406876,0.00020516991,0.00013696848,0.000032742217,0.0051127803],"category_scores_gemma":[0.00000981425,0.000059994833,0.00011699456,0.000048435893,0.000088799985,0.00019935796,0.00000799282,0.00014592867,0.00005233471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032005286,0.00006231968,0.0007477739,0.0000053578656,0.00003141886,0.0000130775015,0.05084182,0.000015815509,0.00004762631,0.93030775,0.013633611,0.004261445],"study_design_scores_gemma":[0.00046716072,0.000037310543,0.0100608915,0.000013362771,0.00003134679,0.000006002091,0.0015176347,0.00006314214,0.000058190406,0.023333162,0.9642728,0.00013900566],"about_ca_topic_score_codex":0.00006592787,"about_ca_topic_score_gemma":0.0040441025,"teacher_disagreement_score":0.9506392,"about_ca_system_score_codex":0.00003051184,"about_ca_system_score_gemma":0.000015861811,"threshold_uncertainty_score":0.9957967},"labels":[],"label_agreement":null},{"id":"W1918245140","doi":"","title":"Paul Beaver, Spitfire People: The Men and Women who Made the Spitfire the Aviation Icon","year":2015,"lang":"en","type":"article","venue":"British journal for military history","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Bulletin of Medical History","funders":"","keywords":"Icon; Beaver; Aviation; History; Art; Engineering; Computer science; Aerospace engineering; Geology","score_opus":0.01835467866898353,"score_gpt":0.19954249836759883,"score_spread":0.1811878196986153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1918245140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59678334,0.38208795,0.000046167224,0.008141396,0.0036491638,0.00063117716,0.00025152715,0.000047979163,0.008361308],"genre_scores_gemma":[0.95007014,0.0053879768,0.000022385764,0.0031501201,0.004033535,0.00007554933,0.00003972248,0.000043725897,0.037176847],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819416,0.00029673547,0.00046143844,0.00021756235,0.00044184376,0.0003882665],"domain_scores_gemma":[0.99879414,0.00015680237,0.00021519794,0.00028327602,0.00034775643,0.00020284257],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0018831816,0.00020227487,0.00028715006,0.00006899236,0.0023212126,0.0003209452,0.000492786,0.00006972453,0.0004171298],"category_scores_gemma":[0.00013742244,0.00011771604,0.0002450263,0.00004923062,0.00042776286,0.00064038177,0.00007446145,0.00069044076,0.0000075450084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082228704,0.000045897894,0.00017910464,0.00003005291,0.00019577851,0.000043801614,0.22394992,0.0000125579945,0.000004194691,0.0030691945,0.7611094,0.011277848],"study_design_scores_gemma":[0.0008134802,0.0001510402,0.004967903,0.00009539541,0.00020618494,0.0009569456,0.069063775,0.0005075134,6.967503e-7,0.012583007,0.9104212,0.00023288622],"about_ca_topic_score_codex":0.0015098609,"about_ca_topic_score_gemma":0.0023564359,"teacher_disagreement_score":0.37669998,"about_ca_system_score_codex":0.00044141713,"about_ca_system_score_gemma":0.0001609031,"threshold_uncertainty_score":0.9989776},"labels":[],"label_agreement":null},{"id":"W192236929","doi":"","title":"Looking for Robin: Notes on a Completed PhD Project a Decade Later","year":2011,"lang":"en","type":"article","venue":"Cineaction!","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Sister; Media studies; Art history; History; Library science; Sociology; Law; Computer science; Political science","score_opus":0.12014117497501992,"score_gpt":0.2701563427273035,"score_spread":0.15001516775228357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W192236929","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48491508,0.0011599853,0.006690708,0.0030276915,0.009135733,0.0027061407,0.00063369836,0.0010415429,0.49068943],"genre_scores_gemma":[0.9896442,0.000006953662,0.00021543205,0.0010453488,0.0013626061,0.00003374345,0.000072018964,0.000023888422,0.0075957607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992986,0.00002523191,0.00020121476,0.00017970294,0.00010252441,0.00019273318],"domain_scores_gemma":[0.999488,0.00007375668,0.00010723305,0.00015738126,0.00013460589,0.000039039394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000102820806,0.0001391506,0.00018501823,0.00019693928,0.0003712225,0.00017670332,0.00009072336,0.000043579825,0.0013839955],"category_scores_gemma":[0.000027277241,0.00009950495,0.00016625361,0.000048289505,0.000044285032,0.000263545,0.000010229421,0.00014456332,0.000056508135],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013043294,0.0010728482,0.0018075346,0.00033061724,0.001581477,0.000058969646,0.3313167,0.000021738755,0.0035953445,0.46271434,0.18285187,0.013344212],"study_design_scores_gemma":[0.0008973053,0.00022883562,0.00055636733,0.00008661757,0.00021058982,0.000013957856,0.0020678416,0.00068175874,0.0018452404,0.0021312388,0.9909854,0.00029483452],"about_ca_topic_score_codex":0.00023199912,"about_ca_topic_score_gemma":0.0002607241,"teacher_disagreement_score":0.80813354,"about_ca_system_score_codex":0.00002440589,"about_ca_system_score_gemma":0.000016789192,"threshold_uncertainty_score":0.9995289},"labels":[],"label_agreement":null},{"id":"W1955217376","doi":"10.29173/md22834","title":"Le Mulâtre: A Call to Connection through Narrative Technique","year":2015,"lang":"en","type":"article","venue":"Multilingual Discourses","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Humanity; Trope (literature); Betrayal; Literature; Oppression; Depiction; Metanarrative; Agency (philosophy); History; Art; Aesthetics; Philosophy; Law; Politics; Epistemology; Political science","score_opus":0.049813991794100954,"score_gpt":0.3182768091773722,"score_spread":0.26846281738327127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1955217376","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8044986,0.0016116295,0.0033542796,0.005450334,0.0032552814,0.0011570025,0.00034337217,0.0005334793,0.17979598],"genre_scores_gemma":[0.98587596,0.0000066288917,0.0006830247,0.0007710998,0.00129061,0.0000610556,0.000051805764,0.000027202026,0.011232591],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987939,0.00009376845,0.0002915177,0.0002945028,0.00025816087,0.00026813583],"domain_scores_gemma":[0.9990989,0.000045549383,0.00010277472,0.00022040351,0.00036915706,0.00016319072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021513039,0.00020721983,0.0002813229,0.00012020342,0.0004172504,0.00035389324,0.00017184172,0.00006543494,0.0002227],"category_scores_gemma":[0.0001687092,0.00016272008,0.00013450452,0.00009016083,0.00016317915,0.0005298802,0.000047806734,0.00020197638,0.000058263948],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013394901,0.00035303834,0.00014578365,0.000022866734,0.00015915962,0.0000536946,0.8387735,0.00019539476,0.00079644227,0.1286311,0.029542692,0.0011923971],"study_design_scores_gemma":[0.0010582665,0.00030880043,0.000044632186,0.00014857792,0.00012402756,0.000022996594,0.33711937,0.00020395512,0.01223435,0.0052518495,0.64286786,0.00061528187],"about_ca_topic_score_codex":0.0029662799,"about_ca_topic_score_gemma":0.0059552975,"teacher_disagreement_score":0.6133252,"about_ca_system_score_codex":0.00003977528,"about_ca_system_score_gemma":0.00016737523,"threshold_uncertainty_score":0.66355324},"labels":[],"label_agreement":null},{"id":"W1963278628","doi":"","title":"\"Hey Dad, it's one-armed Will\"","year":2000,"lang":"en","type":"article","venue":"Europe PMC (PubMed Central)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"CONTEST; Journalism; Media studies; Library science; Operations research; Political science; Sociology; Computer science; Law; Engineering","score_opus":0.02131222852135276,"score_gpt":0.20119903844322762,"score_spread":0.17988680992187486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963278628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35129517,0.0023962792,0.000011103153,0.0056876773,0.0020548275,0.00044995893,0.00022202752,0.00031275864,0.6375702],"genre_scores_gemma":[0.7578977,0.0016817474,0.000058641035,0.0040899524,0.003872335,0.000026776226,0.00011002817,0.00007462995,0.23218818],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971533,0.00020411768,0.0005178143,0.00044947444,0.00047580255,0.001199502],"domain_scores_gemma":[0.9986815,0.000044981804,0.00013135812,0.0005099981,0.0001423889,0.00048980117],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003255384,0.00032354542,0.0003816128,0.00014227128,0.00046580986,0.000941775,0.00047027317,0.000065171276,0.032139592],"category_scores_gemma":[0.000058523536,0.00026538107,0.0002521184,0.00018686969,0.00018977703,0.00079928286,0.000042610394,0.0004078457,0.00094279903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003724737,0.000975931,0.0030252424,0.00013261053,0.0011115012,0.00056071836,0.3087972,0.00006963215,0.0001385158,0.08358302,0.48191953,0.1193136],"study_design_scores_gemma":[0.0006081922,0.00002784567,0.0037913048,0.00004430149,0.00017219526,0.0000126924915,0.0004935247,0.000017853621,0.00010192768,0.00043709544,0.9939214,0.000371667],"about_ca_topic_score_codex":0.00010931751,"about_ca_topic_score_gemma":0.00019816922,"teacher_disagreement_score":0.5120019,"about_ca_system_score_codex":0.0000578211,"about_ca_system_score_gemma":0.000053525808,"threshold_uncertainty_score":0.99997985},"labels":[],"label_agreement":null},{"id":"W1963521829","doi":"10.3200/crit.46.4.383-396","title":"Evolutionary Mythology in the Writings of Kurt Vonnegut, Jr.","year":2005,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Mythology; Philosophy; Psychoanalysis; Theology; Psychology","score_opus":0.10130681229939374,"score_gpt":0.33797715471950385,"score_spread":0.2366703424201101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963521829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5001902,0.11342426,0.00007199609,0.02811328,0.0019381365,0.0007192377,0.00015542407,0.00010286572,0.35528463],"genre_scores_gemma":[0.99470395,0.001128362,0.0000716447,0.0014199367,0.0010685122,0.000052207917,0.000030584382,0.000009818021,0.0015149855],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985442,0.00030700903,0.0005981519,0.00020360557,0.00016635426,0.00018068062],"domain_scores_gemma":[0.9991671,0.00026783685,0.0001441069,0.00018124146,0.00022285133,0.000016898002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077107124,0.0001454855,0.00032814048,0.00028035135,0.00022588896,0.00004056069,0.00016424929,0.0000672209,0.00010052725],"category_scores_gemma":[0.00013250946,0.0001085294,0.00011797317,0.00013025256,0.00044703766,0.00057437614,0.000040631185,0.00032430177,0.000005249292],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001603217,0.00047985683,0.011869233,0.00026009546,0.00022742501,0.0001274031,0.33052927,0.00003324953,0.000065227585,0.31454477,0.34028226,0.0014208588],"study_design_scores_gemma":[0.0012145218,0.00022563232,0.005069072,0.00047014028,0.000063197294,0.000049568232,0.20327891,0.00019654445,0.000059845283,0.014456985,0.7745852,0.00033035933],"about_ca_topic_score_codex":0.00023358919,"about_ca_topic_score_gemma":0.0009345459,"teacher_disagreement_score":0.49451378,"about_ca_system_score_codex":0.000061400526,"about_ca_system_score_gemma":0.000032557557,"threshold_uncertainty_score":0.44257006},"labels":[],"label_agreement":null},{"id":"W1963860875","doi":"10.7202/1000115ar","title":"La Berlue et le mythe : S/K, ou de Stephen King à Stanley Kubrick","year":2010,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.0197624104394732,"score_gpt":0.2536038951041515,"score_spread":0.2338414846646783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963860875","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38901117,0.02870896,0.00048662335,0.027309963,0.0038296347,0.00080216944,0.000794931,0.0006832865,0.5483732],"genre_scores_gemma":[0.95935297,0.007816779,0.002688641,0.0025977404,0.003555756,0.00006980698,0.00016537176,0.00022719754,0.023525707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99532205,0.0009033179,0.0011855325,0.0008879645,0.0004821156,0.001219047],"domain_scores_gemma":[0.9965005,0.00056662475,0.0006683933,0.0011008459,0.00057453907,0.00058912695],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021265522,0.0008930849,0.001104791,0.0008939407,0.0011330441,0.0023614948,0.00093077903,0.0007703003,0.0019058313],"category_scores_gemma":[0.00016717702,0.0008713374,0.0011611847,0.0005178825,0.0011715814,0.0014265348,0.00022045033,0.0026187857,0.00009295022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050889485,0.00057708594,0.006558326,0.00067272084,0.0008367509,0.00030664942,0.030506806,0.000016445725,0.0005694618,0.943344,0.012365987,0.0041948534],"study_design_scores_gemma":[0.0007576462,0.00015484371,0.0026916463,0.0010542904,0.00069628353,0.00044297904,0.0070341714,0.00027395968,0.00023008641,0.008335264,0.9772958,0.0010329898],"about_ca_topic_score_codex":0.0039968085,"about_ca_topic_score_gemma":0.01807264,"teacher_disagreement_score":0.9649299,"about_ca_system_score_codex":0.000072437055,"about_ca_system_score_gemma":0.00033546463,"threshold_uncertainty_score":0.99984497},"labels":[],"label_agreement":null},{"id":"W1975812088","doi":"10.1353/vpr.2013.0018","title":"“I’m really going to kill him this time”: Olive Schreiner, W. T. Stead, and the Politics of Publicity in the Review of Reviews","year":2013,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialogic; Journalism; Media studies; Politics; Representation (politics); Publicity; Newspaper; Key (lock); Performative utterance; Sociology; Literature; History; Art; Aesthetics; Law; Political science","score_opus":0.014840993199945985,"score_gpt":0.2472575052271164,"score_spread":0.23241651202717042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975812088","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004978002,0.9499145,0.0000029443117,0.018905958,0.00015838801,0.0018532828,0.00007020052,0.000010501535,0.028586416],"genre_scores_gemma":[0.0028624083,0.9600484,0.00011350895,0.03181406,0.00070050446,0.00015496019,0.00002884981,0.000019556875,0.004257753],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958146,0.0014090593,0.0016841027,0.00026630663,0.00050858397,0.00031733423],"domain_scores_gemma":[0.99747884,0.00037232618,0.00070906396,0.00077886146,0.0005059629,0.00015492525],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004021153,0.00028076762,0.0016313337,0.00011849405,0.00025032726,0.00029241262,0.0006732733,0.00006099914,0.0072990884],"category_scores_gemma":[0.0017427122,0.00012836751,0.00045860696,0.00037780692,0.0004578322,0.0003209926,0.00011676719,0.00036352468,0.00024661786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013662466,0.00016532112,0.000117925876,0.07857259,0.00020644018,0.000005355314,0.04269122,5.8729903e-8,0.000030216805,0.27178377,0.59434104,0.012072394],"study_design_scores_gemma":[0.00023951505,0.00004821824,0.00004037926,0.046375047,0.000328823,0.000007719128,0.000102262115,0.0000048112047,0.0000015861092,0.00042158546,0.9522803,0.00014976918],"about_ca_topic_score_codex":0.00041303242,"about_ca_topic_score_gemma":0.000098390476,"teacher_disagreement_score":0.35793924,"about_ca_system_score_codex":0.000025815145,"about_ca_system_score_gemma":0.00008597712,"threshold_uncertainty_score":0.99360836},"labels":[],"label_agreement":null},{"id":"W1988240779","doi":"10.3138/utq.84.1.1","title":"My Letter of Confession: Sara Jeannette Duncan's Late Imperial Rhetoric and Risk-Taking","year":2015,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Anecdote; Rhetorical question; Persona; Journalism; History; Argument (complex analysis); Confession (law); Empire; Sociology; Media studies; Panopticon; Hierarchy; Literature; Art history; Law; Art; Humanities; Philosophy; Political science; Anthropology; Brother; Linguistics","score_opus":0.015123976475275722,"score_gpt":0.19629302454641626,"score_spread":0.18116904807114054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1988240779","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9668789,0.0010877313,0.000055862547,0.00018438054,0.0006322616,0.000065083266,0.00009871787,0.000020042584,0.030977026],"genre_scores_gemma":[0.99307746,0.00007972484,0.00011609132,0.00006332612,0.00055726257,5.745132e-8,0.000013353664,0.0000070126566,0.0060857255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923176,0.00009901161,0.00017036349,0.00015702391,0.00019500355,0.00014682712],"domain_scores_gemma":[0.9989755,0.000030408848,0.0005195726,0.00016584506,0.0002003931,0.000108261374],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017680226,0.00012054998,0.00028671068,0.00004832297,0.00018871878,0.000058456917,0.00015275186,0.000059078975,0.0015169437],"category_scores_gemma":[0.000008561966,0.00011034933,0.00011451058,0.000013966304,0.00018207882,0.00058841443,0.000022718245,0.000095003066,0.000005704907],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053325424,0.00012015276,0.0037071637,0.00007930528,0.0005680739,0.000062609586,0.9037716,0.0000069036487,0.0004254197,0.019056011,0.062410407,0.009259129],"study_design_scores_gemma":[0.0047366265,0.0014870028,0.0056404043,0.00018410836,0.0008611764,0.000007448045,0.08002065,0.00047981236,0.000052320993,0.0019421884,0.90397465,0.0006136174],"about_ca_topic_score_codex":0.028442014,"about_ca_topic_score_gemma":0.01805474,"teacher_disagreement_score":0.84156424,"about_ca_system_score_codex":0.000051255945,"about_ca_system_score_gemma":0.000032586104,"threshold_uncertainty_score":0.9998632},"labels":[],"label_agreement":null},{"id":"W2002987803","doi":"10.3138/cras-s031-03-05","title":"Camelot’s Killers: Gordon Dickson’s Rhetorical Cleansing of America","year":2001,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rhetoric; Frontier; Rhetorical question; Politics; Literature; History; Character (mathematics); Law; Philosophy; Art; Political science; Archaeology; Theology","score_opus":0.040844637496001576,"score_gpt":0.28701081376328536,"score_spread":0.24616617626728377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002987803","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021602146,0.8634818,0.000025930349,0.011309892,0.0010800889,0.0004928988,0.00034843312,0.000055383716,0.101603396],"genre_scores_gemma":[0.4222361,0.5617181,0.000370435,0.011763425,0.00075538567,0.000017380795,0.000030124398,0.000042143485,0.0030668979],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825054,0.00012304731,0.00070865714,0.00024603115,0.00027999768,0.0003916971],"domain_scores_gemma":[0.99813706,0.0001095224,0.0005851038,0.0003402322,0.0005550402,0.00027305746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021649708,0.00024108058,0.0012623204,0.0002934608,0.00024667865,0.000033692733,0.00023468689,0.000019834242,0.0007165427],"category_scores_gemma":[0.00022091754,0.00018559785,0.00035724218,0.0004362117,0.001217412,0.00014349683,0.000034550016,0.0001624123,0.000019315548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005736282,0.00012208328,0.0024838024,0.0052765375,0.0026030221,0.00019854376,0.05391042,0.000004098168,0.000009709234,0.010577386,0.5173487,0.4074083],"study_design_scores_gemma":[0.00008289527,0.00017625616,0.00021257122,0.0027671652,0.0003359871,0.000010665196,0.020086922,0.0000043407263,0.0000034994255,0.00004913925,0.97605485,0.00021570893],"about_ca_topic_score_codex":0.097706236,"about_ca_topic_score_gemma":0.05384279,"teacher_disagreement_score":0.4587061,"about_ca_system_score_codex":0.00016802069,"about_ca_system_score_gemma":0.00018162902,"threshold_uncertainty_score":0.9634221},"labels":[],"label_agreement":null},{"id":"W2007083964","doi":"10.3138/cras-s031-03-04","title":"Norman Mailer’s Harlot’s Ghost: Yet Another Big Book","year":2001,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Literature; History; Reading (process); Law; Philosophy; Art; Political science; Psychology","score_opus":0.03908272737342287,"score_gpt":0.26717995774304404,"score_spread":0.22809723036962118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007083964","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002520866,0.82925105,0.0000015890403,0.008991281,0.0006402517,0.00027482718,0.0002938682,0.000033165023,0.15799308],"genre_scores_gemma":[0.044411562,0.7528668,0.000067544184,0.13678223,0.0014216981,0.000052164694,0.000047858623,0.00006212924,0.06428802],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986184,0.00008079692,0.0004820654,0.0002211887,0.00020398393,0.00039354974],"domain_scores_gemma":[0.9987284,0.00004934215,0.00032113414,0.00034411976,0.00034690753,0.00021010145],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021820157,0.00023476017,0.00084217475,0.00025446707,0.00030851856,0.000067956906,0.00023570895,0.000017136832,0.003220467],"category_scores_gemma":[0.00007369968,0.00017493404,0.00026581032,0.00022355393,0.00073532667,0.0001600158,0.000027944057,0.00013364125,0.00012451048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046495848,0.000018017701,0.0009935674,0.0010108588,0.0006433077,0.00008558687,0.009015013,1.7030584e-7,0.0000012794274,0.00458904,0.95384634,0.029792162],"study_design_scores_gemma":[0.000082432074,0.000063253734,0.00029511756,0.0019538822,0.00024000993,0.000012649355,0.0042155497,6.038503e-7,0.0000018615874,0.00004453412,0.9928712,0.00021886686],"about_ca_topic_score_codex":0.041710168,"about_ca_topic_score_gemma":0.23905115,"teacher_disagreement_score":0.19734098,"about_ca_system_score_codex":0.00010260376,"about_ca_system_score_gemma":0.00015265125,"threshold_uncertainty_score":0.99769074},"labels":[],"label_agreement":null},{"id":"W2007770545","doi":"10.7202/1009343ar","title":"Reading Antebellum New York Dailies Against the Grain: The Case of Almira C. Loveland","year":2012,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Newspaper; Poetry; Diversity (politics); History; Literature; Media studies; Sociology; Art; Law; Political science","score_opus":0.02459684108241816,"score_gpt":0.22215890413005787,"score_spread":0.1975620630476397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007770545","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73050517,0.028684214,0.00006629853,0.008801909,0.0029695253,0.0004327693,0.0002607899,0.00010579752,0.22817354],"genre_scores_gemma":[0.9648938,0.00021149864,0.000021396332,0.0011184546,0.0036260213,0.0000039375514,0.000023086835,0.000021567026,0.030080201],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886703,0.00014010596,0.0003311696,0.00013800942,0.00018197836,0.00034172737],"domain_scores_gemma":[0.9989713,0.0002089015,0.00020246203,0.0004274134,0.00008441623,0.000105529565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049409294,0.00019158762,0.00024432928,0.00007622577,0.00090455933,0.00038210404,0.0003090903,0.00005128826,0.00072003755],"category_scores_gemma":[0.000056216937,0.00009197643,0.00022299094,0.00009737428,0.0003135086,0.00033704407,0.000068320274,0.0002436675,0.00003208394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003552485,0.00012775688,0.0026149736,0.000054854157,0.00037506854,0.00014104483,0.33991587,0.000011819942,0.00006772649,0.24270259,0.4090779,0.004874857],"study_design_scores_gemma":[0.00024506732,0.000035517594,0.00021864474,0.00007462402,0.00018657696,0.00022103384,0.038829427,0.00011014807,0.000083699924,0.0009481537,0.95886815,0.00017897283],"about_ca_topic_score_codex":0.0012980403,"about_ca_topic_score_gemma":0.0011358322,"teacher_disagreement_score":0.5497902,"about_ca_system_score_codex":0.000018040231,"about_ca_system_score_gemma":0.000031071955,"threshold_uncertainty_score":0.78839064},"labels":[],"label_agreement":null},{"id":"W2017755515","doi":"10.1525/rh.2004.22.4.349","title":"The Lady's Rhetorick (1707): The Tip of the Iceberg of Women's Rhetorical Education in Enlightenment France and Britain","year":2004,"lang":"en","type":"article","venue":"Rhetorica","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Rhetorical question; Rhetoric; Ideology; Enlightenment; Argument (complex analysis); Context (archaeology); Sociology; Realm; Gender studies; Literature; History; Philosophy; Political science; Art; Epistemology; Law; Linguistics; Politics; Medicine","score_opus":0.006613232524921373,"score_gpt":0.21110059898625597,"score_spread":0.20448736646133459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017755515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9656858,0.009693429,0.000019679033,0.0072492915,0.002333019,0.00039116695,0.000025842783,0.00001643654,0.014585364],"genre_scores_gemma":[0.9906921,0.0007077573,0.000028526869,0.00028089652,0.00063001056,0.000033412984,0.0000019989495,0.000012456973,0.007612836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985126,0.00016208352,0.0004529699,0.00017770169,0.00040547823,0.00028914685],"domain_scores_gemma":[0.99887717,0.00021348771,0.00028353254,0.0004182328,0.00014412988,0.00006343197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063491816,0.00015193976,0.00026106517,0.00006287934,0.0005000644,0.00012458848,0.00039126075,0.000054362295,0.00006299464],"category_scores_gemma":[0.000090462956,0.00007108718,0.00013060398,0.00018159246,0.00025663868,0.00014403414,0.00007265012,0.00028768534,0.0000040687787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050022136,0.00045594576,0.0031432807,0.00006615445,0.0001440486,0.0000018886558,0.10669976,0.000026947793,0.00017172887,0.87259334,0.0070715356,0.009575351],"study_design_scores_gemma":[0.00051221176,0.00009900751,0.0062733963,0.00011150706,0.000061330466,0.0000072844177,0.00905313,0.000016585325,0.0002726745,0.020580795,0.96284235,0.00016971007],"about_ca_topic_score_codex":0.00079142844,"about_ca_topic_score_gemma":0.00025890564,"teacher_disagreement_score":0.95577085,"about_ca_system_score_codex":0.00024518746,"about_ca_system_score_gemma":0.00018032698,"threshold_uncertainty_score":0.38461414},"labels":[],"label_agreement":null},{"id":"W2032176490","doi":"10.1353/vpr.2015.0000","title":"2014 VanArsdel Prize Essay: W. T. Stead and Participatory Reader Networks","year":2015,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Citizen journalism; Journalism; Media studies; Sociology; Computer science; World Wide Web","score_opus":0.06344701017168285,"score_gpt":0.2820478290010949,"score_spread":0.218600818829412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032176490","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002290397,0.9620373,0.00020814195,0.0054911673,0.002588472,0.00055044296,0.000074790914,0.00016286066,0.026596405],"genre_scores_gemma":[0.50855255,0.37638602,0.0006259459,0.048520807,0.022817591,0.00032263823,0.00034978826,0.00025625565,0.042168383],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775916,0.00035097363,0.000679192,0.00037056126,0.0004150336,0.00042509785],"domain_scores_gemma":[0.99839634,0.000063031,0.00023144146,0.00045815727,0.00025463686,0.00059637375],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011048054,0.0002940284,0.00077243167,0.00007402824,0.00033424018,0.00059901696,0.0002277668,0.000109774155,0.0032182848],"category_scores_gemma":[0.00015704634,0.00020950774,0.00020866109,0.000096492564,0.0003230666,0.0003697687,0.000074744974,0.0003427512,0.00024179055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037201415,0.00019513397,0.0017173208,0.0020017652,0.0004519199,0.0001050702,0.043815263,0.000005157767,0.0000050626372,0.10210736,0.83807606,0.011482684],"study_design_scores_gemma":[0.00031936544,0.000056393703,0.000061161554,0.0011724824,0.00037761685,0.00001303666,0.00032078533,0.000130836,6.3085764e-7,0.00041673883,0.99683833,0.00029259184],"about_ca_topic_score_codex":0.000042085278,"about_ca_topic_score_gemma":0.000083631436,"teacher_disagreement_score":0.5856513,"about_ca_system_score_codex":0.000046576384,"about_ca_system_score_gemma":0.00012662639,"threshold_uncertainty_score":0.9976929},"labels":[],"label_agreement":null},{"id":"W2041006741","doi":"10.1558/source.v2i1.71","title":"The History, Myths, Values and Practices of Jazz Journalists","year":2005,"lang":"en","type":"article","venue":"Jazz Research Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Jazz; Mythology; Journalism; Jazz dance; Art; Aesthetics; Literature; Visual arts; Sociology; Media studies","score_opus":0.12568629454050245,"score_gpt":0.3889816412016384,"score_spread":0.26329534666113596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041006741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3503263,0.30858418,0.00004712648,0.081107214,0.0040337606,0.00047789296,0.00005969569,0.000058044734,0.2553058],"genre_scores_gemma":[0.8587235,0.02692872,0.00039107294,0.0005103302,0.012115595,0.000007318629,0.000003964241,0.000045244713,0.10127424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99607235,0.0010180395,0.0006724515,0.00018685655,0.0014650355,0.0005852569],"domain_scores_gemma":[0.9961482,0.0009126862,0.0008859825,0.00029330575,0.0014281863,0.0003316001],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0075052357,0.00016506045,0.0002914422,0.00045777415,0.00224764,0.0017530777,0.0005848265,0.00006778668,0.002415976],"category_scores_gemma":[0.0011319472,0.00009476628,0.0002097728,0.000099708035,0.0010400164,0.0013430313,0.00011210596,0.0017900562,0.000033940698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026771435,0.00020217277,0.00066805724,0.000053549647,0.0005277589,0.00011571884,0.06653876,0.0000069551124,0.000525844,0.056498285,0.8409478,0.03364739],"study_design_scores_gemma":[0.00041698138,0.00015704129,0.00029030806,0.000095497926,0.0000632902,0.00043670047,0.011491507,0.00015914538,0.00006682471,0.0060719536,0.9806296,0.000121130615],"about_ca_topic_score_codex":0.00014649569,"about_ca_topic_score_gemma":0.00041561536,"teacher_disagreement_score":0.5083972,"about_ca_system_score_codex":0.0002268214,"about_ca_system_score_gemma":0.00031436965,"threshold_uncertainty_score":0.9992832},"labels":[],"label_agreement":null},{"id":"W2042142944","doi":"10.7202/1000975ar","title":"\"Common People with Common Feelings:\" Pauline Kael, James Agee, and the Public Sphere of Popular Film Criticism","year":2011,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Rhetoric; Public sphere; Feeling; Aesthetics; Entertainment; Public figure; Art; Sociology; Literature; Philosophy; Epistemology; Political science; Visual arts; Law; Theology","score_opus":0.025632462642063047,"score_gpt":0.21659725279456374,"score_spread":0.1909647901525007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042142944","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89045495,0.012702944,0.00007688893,0.003375168,0.000306559,0.00066437357,0.0001474863,0.00024226957,0.09202938],"genre_scores_gemma":[0.99544907,0.0013775576,0.0004920707,0.0010326247,0.00036028476,0.000054659482,0.00008489099,0.00006624698,0.0010825876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976215,0.0003009228,0.0008469344,0.00044099413,0.0003290991,0.0004605664],"domain_scores_gemma":[0.997956,0.00015526982,0.0004977967,0.0007481434,0.0004524296,0.00019038633],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006272541,0.00045434738,0.0010717139,0.00039180793,0.00064302946,0.0005854892,0.0005434559,0.00013780425,0.0006512784],"category_scores_gemma":[0.000052016105,0.00028054364,0.00038456562,0.0003552677,0.0012147164,0.00066935073,0.0001298274,0.0004671156,0.000004235732],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023344673,0.00024552032,0.03578408,0.00042261247,0.00058560376,0.000047373178,0.05026298,0.000001245316,0.000015159384,0.9093522,0.0023954066,0.00065441686],"study_design_scores_gemma":[0.005838964,0.0012922667,0.016666695,0.0020747255,0.002591002,0.0005965708,0.05602446,0.0006337684,0.00078010146,0.036285788,0.8750781,0.002137564],"about_ca_topic_score_codex":0.0018219204,"about_ca_topic_score_gemma":0.036902703,"teacher_disagreement_score":0.87306637,"about_ca_system_score_codex":0.000011362888,"about_ca_system_score_gemma":0.000033337325,"threshold_uncertainty_score":0.99996465},"labels":[],"label_agreement":null},{"id":"W2044271569","doi":"10.1353/mos.2013.0005","title":"\"Murder Everywhere\": Whitman, Lish, and the Fate of Self-Celebration","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Invocation; Representation (politics); Self representation; American literature; Art; History; Literature; Philosophy; Humanities; Law; Political science; Theology; Politics","score_opus":0.0077143604779077,"score_gpt":0.18232110834108534,"score_spread":0.17460674786317765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044271569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92029613,0.0044834116,0.000045826506,0.0045398884,0.0005356136,0.00043249736,0.000047683145,0.0000861541,0.06953279],"genre_scores_gemma":[0.98391855,0.0001315872,0.000047029574,0.0007569208,0.00036932132,0.000014938316,0.000020609077,0.000009390351,0.0147316335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993578,0.000074245305,0.00021071559,0.00010399145,0.00013759651,0.000115657844],"domain_scores_gemma":[0.9995012,0.000048981183,0.00010962008,0.0001599405,0.00014690401,0.0000333104],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001639691,0.00009204042,0.00016846257,0.000049489074,0.00020436496,0.0003729891,0.00009635483,0.000032022734,0.0026077323],"category_scores_gemma":[0.000011785176,0.000051257924,0.00007577802,0.000039882958,0.0001385892,0.0003851076,0.000024637367,0.000100679186,0.000053379423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005570167,0.0001519724,0.0016465661,0.00014814782,0.0006066465,0.0000033661433,0.25435853,0.000015909765,0.00033898428,0.40080842,0.33751982,0.0043459367],"study_design_scores_gemma":[0.0029886996,0.00010828909,0.0026400266,0.000080792444,0.0004951743,0.000010633475,0.010866039,0.0043840106,0.00044680887,0.041954804,0.93557435,0.00045034016],"about_ca_topic_score_codex":0.00066783896,"about_ca_topic_score_gemma":0.000309754,"teacher_disagreement_score":0.5980546,"about_ca_system_score_codex":0.000005641382,"about_ca_system_score_gemma":0.000009826812,"threshold_uncertainty_score":0.998304},"labels":[],"label_agreement":null},{"id":"W2048514551","doi":"10.1080/00144940109597093","title":"Hopkins's the Times are Nightfall","year":2001,"lang":"en","type":"article","venue":"The Explicator","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Art; History","score_opus":0.021938951721312216,"score_gpt":0.21307912847126223,"score_spread":0.19114017674995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048514551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25875205,0.0075836605,0.00007035666,0.07353386,0.0012960644,0.00051839725,0.00012766331,0.00031424855,0.65780365],"genre_scores_gemma":[0.9366428,0.00043525719,0.0000065058352,0.0051070983,0.0029631953,0.00003302717,0.000009927069,0.000019660121,0.054782476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916863,0.00007991318,0.00018050641,0.00015104363,0.00019944382,0.00022042979],"domain_scores_gemma":[0.99908817,0.00009106283,0.00011839032,0.00057639513,0.00006946999,0.000056525892],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022950729,0.0001349932,0.00015243524,0.00005393887,0.0008006952,0.00043362495,0.0005264323,0.000029852252,0.004353687],"category_scores_gemma":[0.000014022187,0.000057267953,0.00016963923,0.00008613253,0.00017713454,0.0001569221,0.000052767682,0.0002051646,0.0007398861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034016153,0.000077565586,0.000481605,0.000006757712,0.00019442647,0.000017809602,0.05707962,0.0000024174208,0.000037522226,0.46326947,0.47642294,0.0023758668],"study_design_scores_gemma":[0.00010538384,0.00001162842,0.00029681888,0.00001040699,0.00006465011,0.00001271286,0.004358004,0.000031364394,0.000046169243,0.0045686904,0.9903895,0.00010467194],"about_ca_topic_score_codex":0.00013273503,"about_ca_topic_score_gemma":0.0002912351,"teacher_disagreement_score":0.6778908,"about_ca_system_score_codex":0.000011827646,"about_ca_system_score_gemma":0.000012082157,"threshold_uncertainty_score":0.99655646},"labels":[],"label_agreement":null},{"id":"W205903464","doi":"","title":"Du roman-vérité au cinéma biographique. Capote de Bennett Miller Capote de Bennett Miller","year":2006,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Miller; Art; Humanities; Philosophy; Geology","score_opus":0.006962973952071294,"score_gpt":0.19209300371420568,"score_spread":0.18513002976213438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W205903464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5537166,0.32213488,0.00014502082,0.022267634,0.0030357852,0.00045519817,0.0011907446,0.00022636066,0.09682776],"genre_scores_gemma":[0.6559413,0.022185184,0.001103386,0.0052077305,0.019281127,0.00006268115,0.0006853642,0.00027704416,0.29525617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99505,0.00044273035,0.0011690304,0.0008911715,0.00054264715,0.0019044325],"domain_scores_gemma":[0.997436,0.00023683847,0.00047519,0.00083140505,0.00043409906,0.0005864927],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078949804,0.00096872606,0.001024632,0.0008601284,0.0020112488,0.0011695777,0.00069944555,0.0006904408,0.0072381697],"category_scores_gemma":[0.00005187809,0.00090009376,0.0012680579,0.00039167865,0.0009893645,0.00039104864,0.00015096249,0.0009426034,0.0002922536],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009096514,0.0004852606,0.0068498976,0.0002689665,0.00089819304,0.0006451211,0.01469951,0.00036876465,0.00030162063,0.1305324,0.8436511,0.0012081994],"study_design_scores_gemma":[0.0013235568,0.00017228315,0.0129599655,0.0004816787,0.0011095372,0.00024002758,0.003147499,0.00051385077,0.00035765834,0.0074159475,0.9711196,0.001158419],"about_ca_topic_score_codex":0.08866337,"about_ca_topic_score_gemma":0.045007702,"teacher_disagreement_score":0.2999497,"about_ca_system_score_codex":0.0002810311,"about_ca_system_score_gemma":0.00028934525,"threshold_uncertainty_score":0.9998673},"labels":[],"label_agreement":null},{"id":"W2062438585","doi":"10.1080/01576895.2014.958864","title":"Remediation as reading: digitising<i>The Western Home Monthly</i>","year":2014,"lang":"en","type":"article","venue":"Archives and Manuscripts","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Middlebrow; Reading (process); Perspective (graphical); Media studies; Process (computing); History; Face (sociological concept); Field (mathematics); Sociology; Political science; Computer science; Visual arts; Social science; Art; Art history; Law","score_opus":0.01370334702365291,"score_gpt":0.19779969194521996,"score_spread":0.18409634492156704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2062438585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4765011,0.0017616407,0.00032281777,0.008595271,0.0017569868,0.00025290527,0.000070840375,0.00014528197,0.5105931],"genre_scores_gemma":[0.9606493,0.0002179294,0.000037593385,0.0031248727,0.0014011295,0.000006750521,0.00005461324,0.00001600261,0.034491807],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914914,0.00008027616,0.00020442784,0.00019793383,0.00015248984,0.0002157517],"domain_scores_gemma":[0.9994595,0.00011533764,0.00009640827,0.00021134342,0.000022681208,0.00009471882],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013199031,0.00013842572,0.00017291024,0.000092615206,0.00051732594,0.00071700965,0.00014689613,0.000022259383,0.00006026379],"category_scores_gemma":[0.000024792442,0.00008912439,0.000088116474,0.000024996183,0.00020845114,0.00033020065,0.000052127463,0.00014362753,0.00003103466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007393671,0.0000761374,0.0035862294,0.00008259968,0.00017003359,0.000022931488,0.1410907,0.00000629502,0.00028822743,0.75710404,0.03874362,0.05875526],"study_design_scores_gemma":[0.0002714228,0.00008282019,0.0055942843,0.00004923636,0.00006937717,0.000011586605,0.0008344295,0.00020414569,0.000036667265,0.05443652,0.93824255,0.00016693905],"about_ca_topic_score_codex":0.00019719372,"about_ca_topic_score_gemma":0.0002575227,"teacher_disagreement_score":0.89949894,"about_ca_system_score_codex":0.0000032865382,"about_ca_system_score_gemma":0.000007094716,"threshold_uncertainty_score":0.69141406},"labels":[],"label_agreement":null},{"id":"W2067640937","doi":"10.7202/024776ar","title":"Kubrick as Architect","year":2007,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wright; Narrative; Function (biology); Relevance (law); Art; Aesthetics; Art history; The Symbolic; Visual arts; Literature; Psychology; Psychoanalysis; Political science; Law","score_opus":0.022852052460482008,"score_gpt":0.24581717046251197,"score_spread":0.22296511800202998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067640937","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34434533,0.0021579154,0.00028097714,0.0007081228,0.0007685678,0.0002964275,0.000037935442,0.00051834295,0.6508864],"genre_scores_gemma":[0.9850288,0.0004431374,0.00049733935,0.0019938631,0.0024237104,0.000018166562,0.00007696898,0.00007749701,0.00944054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974363,0.000099914185,0.00080165535,0.0005399304,0.0003835204,0.00073869666],"domain_scores_gemma":[0.99820626,0.0001976066,0.00030423043,0.00062737067,0.00032568426,0.00033884254],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008636641,0.00044814593,0.00059613783,0.0011056276,0.00055895024,0.0005871746,0.0005213902,0.0001459343,0.001750034],"category_scores_gemma":[0.00007383472,0.00038467403,0.0006578482,0.00042954867,0.00039477274,0.0004866856,0.000086863874,0.0005209994,0.00018369486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007338257,0.00016236086,0.0036761325,0.00012145018,0.00031966838,0.0002057769,0.016607646,0.0000025858728,0.0002486877,0.9692212,0.0050909556,0.0042701717],"study_design_scores_gemma":[0.00036766703,0.00023812143,0.0016552021,0.00020497415,0.00018444473,0.00014409395,0.0025725744,0.000015005449,0.0008453266,0.0066106864,0.98657316,0.0005887255],"about_ca_topic_score_codex":0.0003940084,"about_ca_topic_score_gemma":0.0026650366,"teacher_disagreement_score":0.9814822,"about_ca_system_score_codex":0.000037914437,"about_ca_system_score_gemma":0.00003903649,"threshold_uncertainty_score":0.9998605},"labels":[],"label_agreement":null},{"id":"W2072254407","doi":"10.1353/fge.2013.0077","title":"You Virtually Can't Get There from Here","year":2002,"lang":"en","type":"article","venue":"Fourth Genre Explorations in Nonfiction","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Advertising; Visitor pattern; Quality (philosophy); Business; History; Computer science; Political science; Law; Philosophy","score_opus":0.039423893706282145,"score_gpt":0.2155262668988218,"score_spread":0.17610237319253963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072254407","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7784244,0.009008197,0.004853932,0.008483664,0.006817762,0.0008006806,0.0015629318,0.0005701417,0.18947832],"genre_scores_gemma":[0.977923,0.00063157285,0.00024651954,0.0004610159,0.0018451622,0.000060677776,0.0004570357,0.000031863037,0.018343182],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866235,0.00011969218,0.00042217338,0.00029585164,0.0002655909,0.00023432887],"domain_scores_gemma":[0.99924517,0.000045364668,0.00014508322,0.0003377632,0.00016395276,0.00006264742],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013050191,0.00020142038,0.00021524464,0.00027261354,0.00052057166,0.00050631067,0.00017082799,0.00009812124,0.008384261],"category_scores_gemma":[0.000025750252,0.00018003455,0.00013514995,0.0001712327,0.00006300703,0.0008248017,0.000021451033,0.00030394061,0.0004403669],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008827105,0.0011012553,0.005043693,0.000039595492,0.00059638644,0.00014667,0.6680483,0.0049278853,0.0004916137,0.16533595,0.11115562,0.043024756],"study_design_scores_gemma":[0.0010253325,0.00013723773,0.0008767781,0.00010586924,0.00016444123,0.0000075509483,0.05456154,0.013309174,0.00009574934,0.0059642573,0.9231048,0.00064727355],"about_ca_topic_score_codex":0.001127789,"about_ca_topic_score_gemma":0.01862699,"teacher_disagreement_score":0.8119492,"about_ca_system_score_codex":0.000070279246,"about_ca_system_score_gemma":0.000019350804,"threshold_uncertainty_score":0.9992805},"labels":[],"label_agreement":null},{"id":"W2076223198","doi":"10.1215/00029831-2079188","title":"“Marked for Demolition”: Mary McCarthy’s Vietnam Journalism","year":2013,"lang":"en","type":"article","venue":"American Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Vietnam War; Omniscience; Narrative; Journalism; History; Objectivity (philosophy); Militarism; Realism; Sociology; Literature; Spanish Civil War; Law; Media studies; Aesthetics; Political science; Art; Philosophy; Epistemology; Politics","score_opus":0.007642302184976263,"score_gpt":0.21130791048934638,"score_spread":0.2036656083043701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076223198","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5259667,0.041720353,0.002366001,0.06571156,0.009891321,0.0045736074,0.005952913,0.0012636225,0.3425539],"genre_scores_gemma":[0.90244,0.0003511807,0.0028873738,0.019677883,0.0074232477,0.00024393984,0.00092272594,0.0001000692,0.06595359],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980847,0.00014355143,0.0005061022,0.00038940445,0.00030920497,0.0005670391],"domain_scores_gemma":[0.9981062,0.00013616309,0.0003559089,0.00041067525,0.00070687535,0.00028419137],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021814914,0.00035751556,0.0005206485,0.00029569663,0.00072317116,0.0021743856,0.00033644095,0.000086779364,0.0038860834],"category_scores_gemma":[0.00005563446,0.00026637485,0.0005200559,0.0002469768,0.00035043352,0.0011618056,0.000038792172,0.00048650135,0.00013654593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115412746,0.00018667764,0.0005364249,0.00013575568,0.0006564844,0.00004223051,0.056379553,0.00000804439,0.00036446805,0.1900707,0.7287056,0.022798656],"study_design_scores_gemma":[0.0005674561,0.00018299952,0.00075991603,0.00016341507,0.00015460365,0.00005906572,0.003593143,0.00023236558,0.00001759191,0.011232503,0.9825605,0.0004764543],"about_ca_topic_score_codex":0.00016439744,"about_ca_topic_score_gemma":0.000052285144,"teacher_disagreement_score":0.37647328,"about_ca_system_score_codex":0.000040674822,"about_ca_system_score_gemma":0.00004254528,"threshold_uncertainty_score":0.99997884},"labels":[],"label_agreement":null},{"id":"W2087458266","doi":"10.1353/vpr.0.0114","title":"Lost and Found: Serial Supplements in the Nineteenth Century","year":2010,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Newspaper; History; Journalism; Politics; Period (music); Literature; Media studies; Art; Law; Sociology; Political science; Aesthetics","score_opus":0.012691951175536008,"score_gpt":0.25092039659788323,"score_spread":0.23822844542234722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087458266","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2750637,0.53671634,0.000008499386,0.04334782,0.023326293,0.005446141,0.0017526112,0.00016304514,0.114175536],"genre_scores_gemma":[0.7738078,0.1785299,0.00016799501,0.025867341,0.01760714,0.00016927072,0.00052740256,0.00007112423,0.0032519805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985002,0.00018641901,0.00047945793,0.00022884415,0.0003345182,0.00027053404],"domain_scores_gemma":[0.9992993,0.000059762137,0.0001276553,0.0003401635,0.000062681655,0.00011042772],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007468035,0.00019043832,0.00039338478,0.00006880915,0.00030502182,0.0007621252,0.00030281895,0.000057203342,0.015759632],"category_scores_gemma":[0.00008824328,0.000109049295,0.00014122951,0.00009559377,0.00018875793,0.00023746827,0.000049354723,0.00041599342,0.00011953536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094422816,0.0006845429,0.008490945,0.005579524,0.00041888646,0.00021643874,0.14898057,1.2044902e-7,0.0004383106,0.4666698,0.3493197,0.019106768],"study_design_scores_gemma":[0.00031701813,0.000032069795,0.00036057757,0.00042684446,0.000105415034,0.000014515433,0.00028246947,0.0000019678955,0.0000011607686,0.00021198395,0.9980987,0.00014730902],"about_ca_topic_score_codex":0.00008133846,"about_ca_topic_score_gemma":0.0016141816,"teacher_disagreement_score":0.648779,"about_ca_system_score_codex":0.000009577229,"about_ca_system_score_gemma":0.000037117567,"threshold_uncertainty_score":0.9851401},"labels":[],"label_agreement":null},{"id":"W2092155896","doi":"10.1080/01439680802704575","title":"An American Right to an ‘Unannoyed Journey’? Transit Radio as a Contested Site of Public Space and Private Attention, 1949–1952","year":2009,"lang":"en","type":"article","venue":"Historical Journal Of Film Radio and Television","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transit (satellite); Public space; Private space; Space (punctuation); Political science; Media studies; Public administration; Sociology; Public transport; Law; Computer science; Engineering; Architectural engineering","score_opus":0.015347580629064156,"score_gpt":0.23637455235620847,"score_spread":0.2210269717271443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092155896","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98760813,0.0055150106,0.0010569466,0.00455521,0.00037657344,0.00013382599,0.000025092335,0.000025385682,0.0007038182],"genre_scores_gemma":[0.9960671,0.0009031663,0.00079964765,0.00048638805,0.0008647505,6.799937e-7,0.000013866564,0.000021432423,0.0008429822],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755615,0.00030846076,0.0009418288,0.00029805664,0.00056728895,0.0003282172],"domain_scores_gemma":[0.99744385,0.00007628151,0.0007759953,0.0002598017,0.0005938197,0.00085026026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073651556,0.00028554513,0.000889593,0.000583832,0.0004198838,0.00044374354,0.00023932298,0.00008337183,0.00022733507],"category_scores_gemma":[0.00009069156,0.00020575077,0.00025930622,0.00029148374,0.0001757604,0.0012274086,0.000012531483,0.00042450466,0.000002296819],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005236029,0.005971284,0.019826077,0.00033768077,0.0016346092,0.0022654443,0.16568679,0.00011530613,0.08660255,0.19077046,0.093671344,0.42788243],"study_design_scores_gemma":[0.0051925564,0.015184412,0.04985755,0.00050334854,0.0008493314,0.0016920238,0.001903435,0.00067131256,0.00041949056,0.0028324702,0.91985744,0.0010366541],"about_ca_topic_score_codex":0.00015702826,"about_ca_topic_score_gemma":0.00007179488,"teacher_disagreement_score":0.82618606,"about_ca_system_score_codex":0.00018803096,"about_ca_system_score_gemma":0.00006435386,"threshold_uncertainty_score":0.8390273},"labels":[],"label_agreement":null},{"id":"W2095813774","doi":"10.7202/007965ar","title":"FALSETTO, Mario, Stanley Kubrick : A Narrative and Stylistic Analysis, Westport/London, Praeger, 2001, 205 p.","year":2002,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Narrative; Art; Humanities; History; Literature","score_opus":0.0275351426308298,"score_gpt":0.2360145860535157,"score_spread":0.2084794434226859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095813774","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17245,0.55437946,0.0004534956,0.016860632,0.0022753489,0.0019688292,0.0031860857,0.00074805383,0.24767807],"genre_scores_gemma":[0.75657415,0.11382912,0.0008662645,0.0023402476,0.0024050167,0.00013520454,0.0006457072,0.0002158006,0.12298849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929102,0.00085712597,0.0021463279,0.0016330492,0.0008050593,0.0016482126],"domain_scores_gemma":[0.9948772,0.00048325097,0.0012696272,0.0012952373,0.0010713354,0.0010033102],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001108367,0.0014256036,0.0024955655,0.003457609,0.001780049,0.0023314164,0.00072249275,0.0006481618,0.017400764],"category_scores_gemma":[0.00018843236,0.0013724836,0.001631175,0.00305734,0.0017235166,0.0016581207,0.00024815477,0.0013855171,0.00008183041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012270149,0.00134084,0.03196484,0.0013754402,0.012550299,0.0009471739,0.0541513,0.00008364433,0.00004417794,0.7261944,0.1687841,0.0024410796],"study_design_scores_gemma":[0.0009499422,0.00046816244,0.00431554,0.000874308,0.008714258,0.00022867169,0.008136517,0.0026872542,0.000016676708,0.0012550302,0.9707097,0.0016439715],"about_ca_topic_score_codex":0.0036081462,"about_ca_topic_score_gemma":0.018427746,"teacher_disagreement_score":0.80192554,"about_ca_system_score_codex":0.00017047337,"about_ca_system_score_gemma":0.00008564062,"threshold_uncertainty_score":0.9998494},"labels":[],"label_agreement":null},{"id":"W2098128719","doi":"10.25071/1920-7336.21389","title":"I’s Wide Shut: Examining the Depiction of Female Refugees’ Eyes and Hands in Stephen Frears’s Dirty Pretty Things","year":2007,"lang":"en","type":"article","venue":"Refuge Canada s Journal on Refuge","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Refugee; Mainstream; Depiction; Conversation; Media studies; Sociology; Refugee crisis; Aesthetics; Gender studies; Art; Political science; Law; Visual arts; Communication","score_opus":0.014168140170213884,"score_gpt":0.22257763804691663,"score_spread":0.20840949787670274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098128719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9950353,0.0022354554,0.000016389842,0.0002665458,0.0005645402,0.000117842734,0.00003256267,0.000014404658,0.0017169557],"genre_scores_gemma":[0.9940162,0.0001978327,0.00004848237,0.0023141222,0.0006920403,0.0000018500106,0.000011222072,0.000032836026,0.0026854733],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972967,0.00021172708,0.00092483615,0.00028194807,0.00077139924,0.00051340886],"domain_scores_gemma":[0.99823827,0.0003161581,0.00062555214,0.00033226126,0.00023823242,0.000249532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001803303,0.0002937652,0.00049615797,0.00035940207,0.0006761136,0.00034855655,0.0003283338,0.000108574,0.00034672456],"category_scores_gemma":[0.00016656672,0.00018624692,0.00012659792,0.00018800299,0.00018188056,0.00060740404,0.000054336848,0.0009757873,0.0000012148662],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023978555,0.00056285603,0.11030204,0.0005177618,0.0018337135,0.0029612673,0.029111946,0.00034485676,0.0013131108,0.82820743,0.009041097,0.013406039],"study_design_scores_gemma":[0.0009836172,0.00025587736,0.029464265,0.0004270295,0.00012238455,0.00013331663,0.0005054211,0.000066942506,0.0005009641,0.0007784296,0.9664567,0.0003050522],"about_ca_topic_score_codex":0.0039028001,"about_ca_topic_score_gemma":0.074381135,"teacher_disagreement_score":0.9574156,"about_ca_system_score_codex":0.0002993309,"about_ca_system_score_gemma":0.0002493622,"threshold_uncertainty_score":0.942509},"labels":[],"label_agreement":null},{"id":"W2103997104","doi":"","title":"The Politics of Literary Prestige: Promoting the Latin American \"Boom\" in the Pages of Mundo Nuevo","year":2008,"lang":"es","type":"article","venue":"A Contracorriente: Revista de Historia Social y Literatura en América Latina","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Boom; Prestige; Politics; Latin Americans; Political science; Media studies; Literature; Sociology; History; Art; Law; Philosophy; Engineering; Linguistics","score_opus":0.012758048616661672,"score_gpt":0.23532199192324899,"score_spread":0.22256394330658733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103997104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90037566,0.05944142,0.00003177681,0.007962982,0.0020536806,0.0022999651,0.0013933813,0.00008607658,0.026355067],"genre_scores_gemma":[0.98929,0.0032455723,0.00008135575,0.0005225071,0.0031355994,0.000066638466,0.00007871841,0.000060161055,0.0035194568],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933389,0.0025317413,0.001886076,0.0004595476,0.00093463005,0.0008491503],"domain_scores_gemma":[0.9933863,0.002806401,0.0021641743,0.0007972324,0.00071953045,0.00012636068],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017757715,0.0005788825,0.0011323577,0.00020503202,0.0028023226,0.0016194778,0.0012631224,0.00018538177,0.000028356866],"category_scores_gemma":[0.0010439488,0.0003235333,0.000766082,0.00074466184,0.002126512,0.000421233,0.00013685256,0.0013881403,0.0000030921035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017010383,0.00029073845,0.0047111697,0.00029725477,0.0002718766,0.00008005259,0.56579775,0.0000014517458,0.00014033582,0.41038916,0.012404318,0.0054457844],"study_design_scores_gemma":[0.0007954368,0.00028572258,0.012156703,0.0007088403,0.0004781144,0.000038621805,0.012712991,0.00024119558,0.000012972923,0.0013907872,0.9707363,0.00044231006],"about_ca_topic_score_codex":0.0007614442,"about_ca_topic_score_gemma":0.00007335603,"teacher_disagreement_score":0.958332,"about_ca_system_score_codex":0.0002758924,"about_ca_system_score_gemma":0.00034059637,"threshold_uncertainty_score":0.9999217},"labels":[],"label_agreement":null},{"id":"W2106577547","doi":"10.3138/jcs.43.1.59","title":"Building Participation in the Outreach for the Documentary <i>The Water Front</i>","year":2009,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Outreach; Filmmaking; Documentary film; Film director; Front (military); Subject (documents); Media studies; Sociology; Public relations; Political science; Visual arts; Library science; Law; Geography; Art; Movie theater; Computer science; Meteorology","score_opus":0.045204865887475215,"score_gpt":0.29851500633775413,"score_spread":0.2533101404502789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106577547","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32360503,0.06181009,0.00008292732,0.6010823,0.0031213383,0.00077077036,0.00008509266,0.000009656307,0.009432743],"genre_scores_gemma":[0.9863161,0.00058442063,0.00003648247,0.010400187,0.0017705437,0.000008604812,0.0000017297108,0.0000047450053,0.00087720883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904376,0.00008877426,0.00036065624,0.000056961195,0.00019653753,0.00025331325],"domain_scores_gemma":[0.99927694,0.00022650982,0.00013336357,0.00011371447,0.00019787738,0.000051597995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010613971,0.00009683745,0.00019057338,0.00022647978,0.0008058034,0.00032127358,0.00026177184,0.000016476559,0.000066112],"category_scores_gemma":[0.000047325524,0.00003014372,0.00016596958,0.000056828852,0.00008674838,0.00026663457,0.0000065645877,0.00020403438,0.000002062667],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061658924,0.000043658696,0.00049225864,0.000012774067,0.0007896036,0.000052368847,0.44040808,0.00016106303,0.000026308728,0.034633353,0.5108669,0.012452005],"study_design_scores_gemma":[0.0002830325,0.00009175654,0.0010698277,0.000034616955,0.000319339,0.000014560075,0.036172945,0.000019966392,0.000032704786,0.008781688,0.95311236,0.00006718254],"about_ca_topic_score_codex":0.009472101,"about_ca_topic_score_gemma":0.34482926,"teacher_disagreement_score":0.662711,"about_ca_system_score_codex":0.000069282905,"about_ca_system_score_gemma":0.000037449387,"threshold_uncertainty_score":0.9971239},"labels":[],"label_agreement":null},{"id":"W2116878294","doi":"10.7202/1000108ar","title":"Barry Lindon démembré : la perte de l’histoire dans le film de Stanley Kubrick","year":2010,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009823518656827627,"score_gpt":0.21661237059472022,"score_spread":0.2067888519378926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116878294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34169754,0.0309097,0.0004718264,0.010649239,0.0025590223,0.00052876805,0.0006774878,0.0005298505,0.61197656],"genre_scores_gemma":[0.90523005,0.010396538,0.0016204179,0.0016857003,0.0037793014,0.000081180326,0.00017001534,0.00022999593,0.07680683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99519473,0.00077141094,0.0011875938,0.0009394608,0.0004474352,0.0014593475],"domain_scores_gemma":[0.9964526,0.00043008843,0.0005902389,0.0011604972,0.00052204245,0.00084451557],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014931643,0.00095313584,0.001167405,0.000913909,0.002184113,0.0016075355,0.00103637,0.00094570953,0.0016149369],"category_scores_gemma":[0.00018436558,0.00096964475,0.0013634347,0.0005603932,0.0019567555,0.0010711454,0.0001801662,0.0024647939,0.00004873588],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088653076,0.0007219273,0.009024362,0.00089052814,0.00074704323,0.0006340227,0.032211978,0.000041509666,0.00402923,0.92051184,0.028998211,0.0021006935],"study_design_scores_gemma":[0.00082733313,0.00019561357,0.0037998816,0.0009428578,0.0008447603,0.0007630269,0.007246949,0.0009294694,0.0012095559,0.0047995816,0.97727627,0.0011646977],"about_ca_topic_score_codex":0.0055898437,"about_ca_topic_score_gemma":0.020144204,"teacher_disagreement_score":0.94827807,"about_ca_system_score_codex":0.00018541413,"about_ca_system_score_gemma":0.0005820884,"threshold_uncertainty_score":0.99983656},"labels":[],"label_agreement":null},{"id":"W2126462338","doi":"10.3968/j.css.1923669720100604.003","title":"Prosopopoeia as a Cognitive Ekphrastic Activity: A Case from Eighteenth-Century Graveyard Poetry","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Feeling; Passions; Vision; Cognition; Literature; Philosophy; Psychology; Aesthetics; Sociology; Art; Epistemology; Theology","score_opus":0.013079800377526467,"score_gpt":0.2405693524120412,"score_spread":0.22748955203451474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126462338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84708923,0.00010593131,0.0000041301955,0.00036523503,0.0014645882,0.00014934153,0.0008311639,0.0000297961,0.14996058],"genre_scores_gemma":[0.99557996,0.000009769805,0.00001389428,0.001167232,0.0022420827,0.000010988399,0.000027128237,0.000014571356,0.00093436777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983138,0.000049131944,0.00016406189,0.00041631368,0.0004148335,0.0006418769],"domain_scores_gemma":[0.9985522,0.000071224385,0.00010988013,0.00015517969,0.00033894795,0.00077255967],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029313812,0.00018637917,0.00021882974,0.000320299,0.0027954823,0.0012802725,0.00032435104,0.00009979178,0.003491328],"category_scores_gemma":[0.00018588938,0.00016642701,0.00012620038,0.00034404028,0.0016220883,0.0007119179,0.000041694977,0.0005423376,0.00016621048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007131835,0.00019728413,0.005708102,0.000030406134,0.00026447463,0.008451885,0.2778289,6.27458e-8,0.0038225818,0.64734656,0.014269189,0.04200924],"study_design_scores_gemma":[0.0019464659,0.0002006424,0.005333656,0.00016101896,0.0009093413,0.0007191344,0.1419373,0.00021894713,0.0011403013,0.013249072,0.8317322,0.0024519155],"about_ca_topic_score_codex":0.15127382,"about_ca_topic_score_gemma":0.44145828,"teacher_disagreement_score":0.81746304,"about_ca_system_score_codex":0.00015404212,"about_ca_system_score_gemma":0.0009768762,"threshold_uncertainty_score":0.9997565},"labels":[],"label_agreement":null},{"id":"W2132994567","doi":"10.1177/146488490100200309","title":"The education of journalists","year":2001,"lang":"en","type":"article","venue":"Journalism","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":72,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Journalism; Judgement; Technical Journalism; Sociology; Articulation (sociology); Democracy; Representation (politics); Media studies; Pedagogy; Political science; Law","score_opus":0.01610982907874995,"score_gpt":0.2466648324528379,"score_spread":0.23055500337408796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2132994567","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42138594,0.04001143,0.00016068007,0.035662293,0.00999425,0.0002621722,0.000040361225,0.00007318264,0.4924097],"genre_scores_gemma":[0.9301255,0.0046386104,0.000056754234,0.0015695035,0.0048477636,0.0000045431275,0.0000077238,0.000021744429,0.05872788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986285,0.00010313133,0.00055117987,0.00009937777,0.000387823,0.00023001198],"domain_scores_gemma":[0.9985538,0.00009044895,0.00048080613,0.00025638542,0.0004983276,0.00012021443],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060221273,0.00012884242,0.00020068393,0.00016175988,0.0008557759,0.00070299563,0.0003394588,0.00004090671,0.0019238436],"category_scores_gemma":[0.00006123496,0.00007363289,0.00026232758,0.000105107734,0.00015699613,0.00042162035,0.000022963039,0.00032481633,0.000032611242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006477601,0.00020439393,0.0009808306,0.00001525312,0.00028942278,0.000026733964,0.047220703,0.000008874952,0.00028222357,0.76521444,0.16061462,0.025077721],"study_design_scores_gemma":[0.00017839076,0.000025858855,0.0005183299,0.00006801146,0.00006425275,0.00019754712,0.0036983849,0.000023511338,0.000051450093,0.015306249,0.97976553,0.00010249154],"about_ca_topic_score_codex":0.00017112632,"about_ca_topic_score_gemma":0.00019809908,"teacher_disagreement_score":0.81915087,"about_ca_system_score_codex":0.000033461016,"about_ca_system_score_gemma":0.000111717796,"threshold_uncertainty_score":0.9989885},"labels":[],"label_agreement":null},{"id":"W2137213627","doi":"10.14430/arctic694","title":"Rockwell Kent's Distant Shores: The Story of an Exhibition","year":2002,"lang":"en","type":"article","venue":"ARCTIC","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Archaeology; Painting; Shore; Geography; Peninsula; Mainland; History; Art history; Art; Oceanography; Geology","score_opus":0.023402146144503522,"score_gpt":0.20128160367581574,"score_spread":0.1778794575313122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2137213627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9439792,0.0051687793,0.000029693218,0.0022004708,0.00079666526,0.00017815095,0.00008932634,0.000057865356,0.04749985],"genre_scores_gemma":[0.99303406,0.000097805634,0.00000957115,0.000444232,0.00049518014,0.000003231704,0.000021299218,0.000009122593,0.0058854907],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993173,0.00011534738,0.00016093174,0.00010857643,0.00017397625,0.00012388757],"domain_scores_gemma":[0.9994973,0.000059599526,0.00008377703,0.00023887804,0.00007717482,0.000043277898],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017394379,0.0000810784,0.00011307425,0.00005543546,0.00035934697,0.00012259965,0.00012960665,0.000019676427,0.004731911],"category_scores_gemma":[0.000017938039,0.000048684164,0.000104966726,0.000036623216,0.00012897563,0.00027319734,0.000013597036,0.00016539985,0.00004910902],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008267276,0.0010217649,0.001037524,0.0002513709,0.0004908543,0.00006554302,0.5443511,0.000112536916,0.0006315793,0.38439247,0.055006556,0.012556033],"study_design_scores_gemma":[0.00070767256,0.00035990123,0.0016490655,0.00017409651,0.0004896558,0.000023893483,0.02780516,0.003145995,0.00035124476,0.01809793,0.9467682,0.00042714155],"about_ca_topic_score_codex":0.00019866515,"about_ca_topic_score_gemma":0.0009269599,"teacher_disagreement_score":0.89176166,"about_ca_system_score_codex":0.000016417433,"about_ca_system_score_gemma":0.0000040553814,"threshold_uncertainty_score":0.9961779},"labels":[],"label_agreement":null},{"id":"W2173595789","doi":"10.22456/1983-201x.31041","title":"APONTAMENTOS SOBRE HISTÓRIA E LITERATURA NOS ESTADOS UNIDOS DO OITOCENTOS: O CASO DE THE SPY (1821) DE JAMES FENIMORE COOPER","year":2013,"lang":"pt","type":"article","venue":"Anos 90","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canada Auto Workers","funders":"","keywords":"Romance; Humanities; Art; Philosophy; Literature","score_opus":0.012689286869947825,"score_gpt":0.225653330651605,"score_spread":0.21296404378165718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2173595789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89038956,0.041240282,0.00013022509,0.01711436,0.0038080679,0.0026772725,0.001210709,0.00029960182,0.043129917],"genre_scores_gemma":[0.8766467,0.0015692888,0.00008070928,0.00904791,0.0037197424,0.00014065394,0.00019039935,0.000113360045,0.10849122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955539,0.00062184245,0.0009935744,0.00073238654,0.00067860936,0.0014196949],"domain_scores_gemma":[0.99681526,0.0002913245,0.0005169715,0.0011270227,0.00072328217,0.00052612746],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005642593,0.00084271247,0.0008134221,0.00029986835,0.0017960251,0.007960403,0.0010544126,0.0004517052,0.011597999],"category_scores_gemma":[0.00010779319,0.00056236325,0.00071967446,0.0003523426,0.00048293595,0.0012366378,0.00020921588,0.001377187,0.00087307784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018010901,0.0005528552,0.0045211394,0.0003100493,0.0014596923,0.00038122857,0.26376256,0.000019973097,0.0011441516,0.031457584,0.68476725,0.011443423],"study_design_scores_gemma":[0.0015192658,0.00029025433,0.001696882,0.00066209154,0.0010872551,0.00019947434,0.032438748,0.0011672163,0.0003734633,0.0013302033,0.95816743,0.0010677085],"about_ca_topic_score_codex":0.004227334,"about_ca_topic_score_gemma":0.0005706052,"teacher_disagreement_score":0.2734002,"about_ca_system_score_codex":0.00030938574,"about_ca_system_score_gemma":0.00038068747,"threshold_uncertainty_score":0.9999049},"labels":[],"label_agreement":null},{"id":"W2188456926","doi":"10.36510/learnland.v3i1.310","title":"Commentary: The Intellectual Properties of Literacy","year":2009,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intellectual property; Context (archaeology); Value (mathematics); Set (abstract data type); Literacy; Sociology; State (computer science); Information literacy; Mathematics education; Pedagogy; Epistemology; Psychology; Computer science; Political science; Law; History; Philosophy","score_opus":0.014973593238983951,"score_gpt":0.2150723432090504,"score_spread":0.20009874997006644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2188456926","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96147704,0.0066603455,0.00002087594,0.011022562,0.00022610016,0.00009361787,0.000007118683,0.00007840495,0.020413961],"genre_scores_gemma":[0.9918948,0.00011416236,0.00001457767,0.0025374426,0.00062237616,0.0000017370302,0.000017187598,0.000007020167,0.004790743],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927104,0.00011780493,0.00021042966,0.000099088444,0.00015361587,0.0001480108],"domain_scores_gemma":[0.999569,0.00008658133,0.00010047959,0.00012249852,0.00009439697,0.000027056421],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018719562,0.000105630075,0.0001728943,0.000080001235,0.00039626198,0.00030624503,0.00017522305,0.000022057002,0.0011527655],"category_scores_gemma":[0.00006546928,0.000054241176,0.00011305681,0.00005442811,0.000070302056,0.00020613271,0.000020056032,0.00027400674,0.000022575405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000156923,0.00015839121,0.0016018098,0.000049986,0.00025583216,0.0000072906614,0.86991006,0.00020952361,0.0007548742,0.017746419,0.08053193,0.028616928],"study_design_scores_gemma":[0.00022191301,0.00018529686,0.00015480944,0.00011010687,0.00007370457,0.000005357453,0.008471719,0.00088521285,0.0005758439,0.00038242846,0.98880804,0.00012556925],"about_ca_topic_score_codex":0.00007527039,"about_ca_topic_score_gemma":0.000046340156,"teacher_disagreement_score":0.9082761,"about_ca_system_score_codex":0.0000053303397,"about_ca_system_score_gemma":0.0000070339734,"threshold_uncertainty_score":0.9997603},"labels":[],"label_agreement":null},{"id":"W2203293450","doi":"10.1177/1077699014541786e","title":"Book Review: <i>Sensationalism: Murder, Mayhem, Mudslinging, Scandals, and Disasters in 19th-Century Reporting</i> , edited by David B. Sachsman and David W. Bulla Sensationalism: Murder, Mayhem, Mudslinging, Scandals, and Disasters in 19th-Century Reporting. SachsmanDavid B.BullaDavid B., eds. New Brunswick, NJ: Transaction Publishers, 2013. 425 pp. $49.95 hbk.","year":2014,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sensationalism; History; Criminology; Late 19th century; Law; Political science; Sociology; Art; Period (music)","score_opus":0.010641951592502278,"score_gpt":0.23548592132542906,"score_spread":0.22484396973292678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2203293450","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18652186,0.7349002,0.0010342544,0.07153937,0.0019594282,0.0021057792,0.00024457075,0.00035689696,0.00133764],"genre_scores_gemma":[0.53815883,0.41372544,0.003059463,0.022782328,0.0044822386,0.00013883522,0.005276187,0.00056277093,0.011813909],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9876903,0.0013717229,0.0066654817,0.0014667951,0.0015903803,0.0012153019],"domain_scores_gemma":[0.98753446,0.0007051588,0.008456458,0.0016439664,0.0006483325,0.0010116104],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.006297238,0.0012291836,0.0021614535,0.00093402877,0.0013161876,0.0035285058,0.00083576574,0.0005177042,0.00055090006],"category_scores_gemma":[0.00068416505,0.0011917467,0.0004926513,0.0006328569,0.0006261469,0.004021614,0.00014080928,0.0021516893,0.000008725306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043878052,0.0006277569,0.013010655,0.0016699098,0.0009274835,0.00012350382,0.12568624,0.00013567958,0.0009011742,0.0025013036,0.82354915,0.030428372],"study_design_scores_gemma":[0.0043246,0.00023711327,0.0020726044,0.0038068097,0.00070907566,0.00049977686,0.006844277,0.0014017754,0.0000303983,0.0011909269,0.97738904,0.001493619],"about_ca_topic_score_codex":0.010046709,"about_ca_topic_score_gemma":0.0045998385,"teacher_disagreement_score":0.35163695,"about_ca_system_score_codex":0.00034197947,"about_ca_system_score_gemma":0.00045766882,"threshold_uncertainty_score":0.99998397},"labels":[],"label_agreement":null},{"id":"W2206412820","doi":"","title":"Perdus (et retrouvés) dans l’Overlook. The Shining de Stanley KubrickThe Shining de Stanley Kubrick","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03914460526985483,"score_gpt":0.2589574776955172,"score_spread":0.21981287242566236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2206412820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34516168,0.2908829,0.0018218692,0.023695929,0.004198536,0.00047594027,0.0010284825,0.00030286395,0.33243182],"genre_scores_gemma":[0.8075129,0.004491633,0.0011995786,0.0067298478,0.0061894227,0.000029461988,0.00012143911,0.00019133229,0.17353441],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99518967,0.001081781,0.00087869685,0.0006227869,0.00088282285,0.0013442613],"domain_scores_gemma":[0.9969147,0.00060641346,0.00051396136,0.0008559123,0.00047567103,0.0006333869],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0034061742,0.00066358276,0.0007478476,0.00024221194,0.0017395499,0.0035453062,0.0009850777,0.00033249203,0.0019717577],"category_scores_gemma":[0.0005567794,0.0004945663,0.0005581209,0.00028913227,0.0007141162,0.0010069368,0.00025802955,0.0014641593,0.00017157894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014706745,0.00019665607,0.0059682596,0.000113611095,0.00065081095,0.00035552742,0.3416433,0.00068355224,0.00005511517,0.36530387,0.2831583,0.0017239278],"study_design_scores_gemma":[0.00089246425,0.00024430506,0.0009405396,0.0005009196,0.000751449,0.00021985912,0.16613616,0.0019233862,0.000056550645,0.008609188,0.8190725,0.0006527143],"about_ca_topic_score_codex":0.0071561947,"about_ca_topic_score_gemma":0.0041952985,"teacher_disagreement_score":0.5359142,"about_ca_system_score_codex":0.00056006917,"about_ca_system_score_gemma":0.0007934046,"threshold_uncertainty_score":0.9997506},"labels":[],"label_agreement":null},{"id":"W2212238283","doi":"10.33137/q.i..v28i1.8549","title":"Images Of Canadian Cities In Italy: Then And Now","year":2007,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sketch; History; Genealogy; Geography","score_opus":0.021531140985271712,"score_gpt":0.22791215447821084,"score_spread":0.20638101349293914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2212238283","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12630998,0.0019269852,0.000030767063,0.0009991656,0.0003047785,0.000121314646,0.0004990354,0.000026860434,0.86978114],"genre_scores_gemma":[0.9810858,0.00008099414,0.00011391073,0.00031393173,0.0002810833,0.0000016679288,0.000028616028,0.00001561732,0.018078418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898845,0.000027572547,0.00033743287,0.00016389643,0.00015747182,0.0003251949],"domain_scores_gemma":[0.99940974,0.00009568401,0.00008005001,0.0001533381,0.00009018191,0.00017103156],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031548872,0.00014035341,0.0002489902,0.00068821316,0.00016145153,0.00020369254,0.00012636518,0.000056075958,0.00464942],"category_scores_gemma":[0.000050820945,0.000118042095,0.00006670437,0.000109498134,0.0003156651,0.00018994792,0.000017779577,0.00014516519,0.000056544624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050146384,0.00009685043,0.014410496,0.0001869143,0.00018720349,0.0003269448,0.09497761,0.0000012500728,0.00019219851,0.8491941,0.038115505,0.0022607928],"study_design_scores_gemma":[0.0003812764,0.00011801495,0.014252505,0.0001610133,0.00012921968,0.000022324375,0.038911507,0.000042436943,0.0003930701,0.01286663,0.93226063,0.00046138553],"about_ca_topic_score_codex":0.057666425,"about_ca_topic_score_gemma":0.34754252,"teacher_disagreement_score":0.89414513,"about_ca_system_score_codex":0.000030877156,"about_ca_system_score_gemma":0.000052433476,"threshold_uncertainty_score":0.99626046},"labels":[],"label_agreement":null},{"id":"W2285926644","doi":"","title":"L’Effet boeuf. L’Effet boeuf, Canada, 1999, 50 minutes L’Effet boeuf, Canada, 1999, 50 minutes","year":2000,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.008603369686599601,"score_gpt":0.1982314159637939,"score_spread":0.1896280462771943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2285926644","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16037562,0.38447824,0.00002786178,0.25099456,0.0097994665,0.0017298689,0.017323505,0.00033763444,0.17493324],"genre_scores_gemma":[0.2925744,0.013848931,0.00073198316,0.011736551,0.01203002,0.00018205932,0.0015255419,0.00032392115,0.6670466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98964113,0.001310847,0.0023566945,0.0018175193,0.0018366404,0.0030371877],"domain_scores_gemma":[0.9936152,0.0014409205,0.0010009642,0.0016898403,0.0005878219,0.0016652481],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015337389,0.0018131484,0.0023102679,0.0005491188,0.002417264,0.0025879405,0.002215589,0.00089826214,0.018214956],"category_scores_gemma":[0.00029171346,0.0017420679,0.0009587305,0.0007610455,0.0012850419,0.0016995901,0.0002095778,0.0022081747,0.00017487117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019861528,0.000310172,0.00403418,0.0012321055,0.0012634975,0.0034070716,0.013608847,0.0003895713,0.000110949535,0.017553363,0.9456003,0.012291361],"study_design_scores_gemma":[0.0012541576,0.00030092394,0.004360183,0.00190808,0.0013102954,0.00088518986,0.0033732874,0.0008060086,0.00034880903,0.0015721897,0.9817402,0.0021407073],"about_ca_topic_score_codex":0.99504393,"about_ca_topic_score_gemma":0.9985074,"teacher_disagreement_score":0.49211335,"about_ca_system_score_codex":0.0013499019,"about_ca_system_score_gemma":0.0040748967,"threshold_uncertainty_score":0.99946135},"labels":[],"label_agreement":null},{"id":"W2303526829","doi":"10.14288/1.0107295","title":"Comparison of 1914 Film Listings in Newspapers in Three Cities: Vancouver, Seattle, Winnipeg","year":2013,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Media studies; History; Advertising; Geography; Sociology; Business","score_opus":0.014718832846678149,"score_gpt":0.18998288887410208,"score_spread":0.17526405602742393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2303526829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9775965,0.0004051347,0.000011887581,0.00006278492,0.00022576725,0.0001688886,0.0001391111,0.000021804633,0.021368079],"genre_scores_gemma":[0.9922998,0.000055020668,0.000103384424,0.00007205441,0.00006652935,7.477856e-7,0.000025504638,0.000011838557,0.0073651224],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988258,0.000055515775,0.00031808027,0.00026373065,0.00026487504,0.00027200967],"domain_scores_gemma":[0.999156,0.000074682066,0.00024607187,0.00020837023,0.00023111662,0.0000837848],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015515045,0.00006826519,0.00053305924,0.00017717222,0.00017223177,0.00020084786,0.0003330027,0.000093236784,0.0026279185],"category_scores_gemma":[0.000025166086,0.00018766071,0.00016836137,0.00022178484,0.00035698322,0.00073992735,0.00008334331,0.00024959684,0.000013611954],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030743446,0.00059728493,0.70972997,0.00041585267,0.0001586152,0.00014446159,0.073258355,0.00013396954,0.00008608615,0.0002302339,0.112936124,0.102278315],"study_design_scores_gemma":[0.0012457488,0.00008045104,0.92418253,0.000444864,0.000049380113,0.0000032560285,0.0665753,0.0011065503,6.0365534e-7,0.0011678335,0.004890633,0.00025284037],"about_ca_topic_score_codex":0.6074243,"about_ca_topic_score_gemma":0.9720709,"teacher_disagreement_score":0.3646466,"about_ca_system_score_codex":0.00006203448,"about_ca_system_score_gemma":0.00004979126,"threshold_uncertainty_score":0.9982838},"labels":[],"label_agreement":null},{"id":"W2309314470","doi":"10.1177/073953290602700206","title":"Journalists with Literary Ambitions No Less Satisfied with Their Jobs","year":2006,"lang":"en","type":"article","venue":"Newspaper Research Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Political science; Media studies; Public relations; Sociology; Business","score_opus":0.05048795016564181,"score_gpt":0.2745468579466523,"score_spread":0.22405890778101048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2309314470","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58864665,0.007713546,0.00039238838,0.011884836,0.0007378057,0.00056407636,0.00028238364,0.00014461274,0.3896337],"genre_scores_gemma":[0.9401489,0.0005292681,0.00074477436,0.00089943095,0.008989431,0.000026025426,0.00007408283,0.0000972429,0.04849084],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955552,0.0006626002,0.00062977965,0.00036497664,0.0017437864,0.001043654],"domain_scores_gemma":[0.9963569,0.0002233302,0.00027256145,0.0004331139,0.0022335227,0.00048054024],"candidate_categories":["sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015083748,0.00036604225,0.00046429198,0.0008300142,0.0030630804,0.0053822505,0.00058909575,0.000096439326,0.006662804],"category_scores_gemma":[0.000036793328,0.00020348646,0.00024269545,0.0003929992,0.00072986766,0.0016231454,0.00007078674,0.0024877063,0.00011469175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002346144,0.0014682983,0.022541244,0.00018818241,0.0018164249,0.0052247243,0.06242205,0.00024022008,0.0020006374,0.19559503,0.6902596,0.015897457],"study_design_scores_gemma":[0.002721151,0.000918957,0.0052259974,0.00077783444,0.00011919604,0.0029556393,0.0063648634,0.00007466805,0.00012587648,0.016239954,0.96386784,0.0006080237],"about_ca_topic_score_codex":0.00083138165,"about_ca_topic_score_gemma":0.007048435,"teacher_disagreement_score":0.35150224,"about_ca_system_score_codex":0.00013381316,"about_ca_system_score_gemma":0.0004077058,"threshold_uncertainty_score":0.9998136},"labels":[],"label_agreement":null},{"id":"W2315045251","doi":"","title":"A Warm Reading of Sunshine Sketches of a Little Town","year":2014,"lang":"en","type":"article","venue":"海外英语","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Admiration; Character (mathematics); Reading (process); Reputation; Politics; Comedy; History; Literature; Art history; Art; Media studies; Sociology; Political science; Social science; Law","score_opus":0.016760716941687563,"score_gpt":0.20964828821916473,"score_spread":0.19288757127747716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315045251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6513139,0.0025625767,0.00015136153,0.00097157626,0.00050972984,0.000109376364,0.000140463,0.00005343419,0.3441876],"genre_scores_gemma":[0.98523116,0.00002421747,0.000111765155,0.00013005838,0.00044739412,0.000002073065,0.000012557176,0.000008028443,0.014032752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936074,0.000034568253,0.00026067378,0.0000934856,0.00013886664,0.00011169046],"domain_scores_gemma":[0.9994347,0.000076963515,0.00014911673,0.00018424052,0.00011740076,0.00003755196],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025556097,0.000084300314,0.00030924592,0.00009653562,0.00006509433,0.000051280018,0.00011730432,0.00002914647,0.0031318932],"category_scores_gemma":[0.000048564896,0.000057546233,0.00020433094,0.00004417186,0.00008868104,0.00012595777,0.0000216002,0.00007459336,0.0000074979325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006829427,0.00024609317,0.0025381246,0.0003601673,0.0015312571,0.0000053785748,0.1723101,0.000014679035,0.0030308235,0.7819744,0.033028845,0.0048918487],"study_design_scores_gemma":[0.0006028456,0.00022413518,0.0004562221,0.0001569946,0.0012570499,0.0000047993426,0.0032755253,0.0003473859,0.010533465,0.021045193,0.9618075,0.00028889452],"about_ca_topic_score_codex":0.00047639332,"about_ca_topic_score_gemma":0.0002466851,"teacher_disagreement_score":0.92877865,"about_ca_system_score_codex":0.0000050439403,"about_ca_system_score_gemma":0.000009385189,"threshold_uncertainty_score":0.99777937},"labels":[],"label_agreement":null},{"id":"W2320863536","doi":"10.1386/public.24.48.71_1","title":"All that's frozen melts into air: Arctic cinemas at the end of the world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Movie theater; Sublime; Adventure; Spectacle; Ideology; Danish; Arctic; Politics; The arctic; Art; Art history; Media studies; Visual arts; Aesthetics; History; Sociology; Political science; Law","score_opus":0.027165251286280227,"score_gpt":0.21398173141028612,"score_spread":0.1868164801240059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320863536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51112765,0.0042230063,0.000004440043,0.1801371,0.0017216881,0.0005417595,0.000058290952,0.000081965634,0.3021041],"genre_scores_gemma":[0.90484524,0.000020018368,0.000008212226,0.0044994415,0.0005851741,0.00002322483,0.000019249292,0.0000140477505,0.089985386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988893,0.00012106921,0.00024678014,0.00015585983,0.00033522953,0.00025171938],"domain_scores_gemma":[0.99889636,0.0001290661,0.00018917731,0.0005138017,0.00019468911,0.00007690798],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027127453,0.00014079458,0.00019608239,0.00012408792,0.00044802646,0.00052812236,0.0004987161,0.000030287843,0.022477318],"category_scores_gemma":[0.000049252,0.00006361045,0.00025246336,0.0001233199,0.0003078869,0.00051193085,0.00017089977,0.00021261165,0.00019046455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010896721,0.00013896427,0.0152649265,0.00009122951,0.00075344974,0.0000024520218,0.06875806,0.0000053046692,0.00011625292,0.3619021,0.54910946,0.0038469182],"study_design_scores_gemma":[0.00018501421,0.000010244089,0.007877448,0.000024137033,0.000105279054,0.0000026886423,0.0017208811,0.00004035702,0.00014384885,0.0104500465,0.9793281,0.000111941044],"about_ca_topic_score_codex":0.0029542414,"about_ca_topic_score_gemma":0.027488707,"teacher_disagreement_score":0.43021867,"about_ca_system_score_codex":0.000037577778,"about_ca_system_score_gemma":0.000026868673,"threshold_uncertainty_score":0.9902571},"labels":[],"label_agreement":null},{"id":"W2321120790","doi":"10.3167/hrrh.2011.370207","title":"Remembering the Piper Alpha Disaster","year":2011,"lang":"en","type":"article","venue":"Historical Reflections/Réflexions Historiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Politics; Piper; History; Political science; Media studies; Sociology; Medicine; Law; Traditional medicine","score_opus":0.1180524520849649,"score_gpt":0.2665328360304143,"score_spread":0.14848038394544938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321120790","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011571394,0.006947428,0.0018152854,0.0026897634,0.009053116,0.0002324105,0.00001845037,0.0005403879,0.97754604],"genre_scores_gemma":[0.49335876,0.00040242032,0.0014984454,0.0023874186,0.005523975,0.00015566139,0.000021695467,0.00009562508,0.49655598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803156,0.00018259941,0.0005819319,0.0004122673,0.00037471319,0.0004169143],"domain_scores_gemma":[0.99852735,0.000092120645,0.00021057851,0.0006422399,0.00033026777,0.00019741654],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031470272,0.00030578207,0.00034361897,0.00031629548,0.0020706933,0.00019688973,0.00040683095,0.00011451207,0.0048273704],"category_scores_gemma":[0.00009481199,0.00020658174,0.00041047283,0.0002614584,0.00026861578,0.00061252323,0.00006456016,0.00056470546,0.00023020923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008762462,0.00029787907,0.00004480453,0.000019402165,0.00014584782,0.000021361107,0.17014858,0.0000011911382,0.00020896924,0.43061832,0.39711,0.0012960352],"study_design_scores_gemma":[0.00011653546,0.000119857476,0.00001635242,0.000022865526,0.00015252826,0.000024999617,0.0011890604,0.000013188191,0.000065226566,0.010471168,0.9875183,0.0002898978],"about_ca_topic_score_codex":0.00284549,"about_ca_topic_score_gemma":0.003733528,"teacher_disagreement_score":0.5904083,"about_ca_system_score_codex":0.0018998573,"about_ca_system_score_gemma":0.00007263365,"threshold_uncertainty_score":0.9992285},"labels":[],"label_agreement":null},{"id":"W232623305","doi":"","title":"Kubrick dans tous ses états. CASTLE, Alison. The Stanley Kubrick Archives, Cologne, Éditions Taschen, 2008 [2005], 544 p.CASTLE, Alison. The Stanley Kubrick Archives, Cologne, Éditions Taschen, 2008 [2005], 544 p.","year":2009,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.016671676361686958,"score_gpt":0.23136704599644425,"score_spread":0.2146953696347573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W232623305","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021500288,0.5783825,0.004068765,0.14536236,0.0076214136,0.0053892224,0.06667128,0.0013061423,0.16969801],"genre_scores_gemma":[0.12405498,0.19719732,0.0046385564,0.027212419,0.019767059,0.0009794957,0.009460217,0.0009517837,0.61573815],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9860754,0.0027757918,0.003107833,0.0022170297,0.001842841,0.003981085],"domain_scores_gemma":[0.9895689,0.003536793,0.0018480477,0.002846402,0.0007553569,0.0014444959],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0013210991,0.0024081692,0.0024145585,0.001159216,0.01261191,0.0033366925,0.0030206675,0.0007992149,0.010623544],"category_scores_gemma":[0.00052895636,0.001783552,0.0022445177,0.0012698546,0.0072556073,0.001391024,0.00056640117,0.0037256381,0.00083405204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034044456,0.0018797687,0.00019608112,0.00016268172,0.0018646138,0.00079719606,0.024864912,0.00091640156,0.0002492222,0.1347336,0.83166206,0.0023329963],"study_design_scores_gemma":[0.0023356834,0.0009292009,0.0035955452,0.00067022705,0.0033418206,0.0012770033,0.02889111,0.0010087477,0.00017004748,0.014244195,0.94136333,0.002173079],"about_ca_topic_score_codex":0.0050549987,"about_ca_topic_score_gemma":0.017311709,"teacher_disagreement_score":0.44604015,"about_ca_system_score_codex":0.00041274025,"about_ca_system_score_gemma":0.0014211424,"threshold_uncertainty_score":0.9999439},"labels":[],"label_agreement":null},{"id":"W2328759515","doi":"10.3138/jrpc.13.1.005","title":"<i>Adaptation</i>: The Self-Proclaiming Rhetoric of Charlie Kaufman and of the Apostle Paul","year":2006,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Apostle; Rhetoric; Hollywood; Narrative; Character (mathematics); Biography; Literature; Realism; Reflexive pronoun; Art; Philosophy; History; Art history; Theology","score_opus":0.010958496106164074,"score_gpt":0.2053007367564374,"score_spread":0.19434224065027333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328759515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92009693,0.070742846,0.000038750135,0.0032296055,0.0008695976,0.00019865102,0.000059228863,0.000011726445,0.0047526434],"genre_scores_gemma":[0.9868218,0.0068299095,0.00013279406,0.00034602836,0.00072387693,5.749675e-7,0.0000047013414,0.000008599472,0.005131759],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907213,0.00007172858,0.00043029903,0.000067746856,0.0002706355,0.00008746478],"domain_scores_gemma":[0.9989186,0.000015336074,0.00063961744,0.00010561727,0.0002856458,0.000035176137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024348406,0.00010522332,0.00023156028,0.000058324364,0.00027613863,0.00011692209,0.00013188085,0.00005773256,0.000015244495],"category_scores_gemma":[0.000015790438,0.000046667803,0.0001780205,0.000068482994,0.000085156236,0.00018545253,0.000021909616,0.00023926742,3.4769099e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012282975,0.00022154421,0.004641705,0.00035430267,0.00055229914,0.000023850458,0.13004856,0.00008512112,0.0022379518,0.49548602,0.3645034,0.0017224113],"study_design_scores_gemma":[0.0004604439,0.00009959222,0.000313042,0.00017154768,0.00035028986,0.00014537796,0.0025049697,0.000056446454,0.0003749922,0.005460279,0.9899672,0.00009576659],"about_ca_topic_score_codex":0.00009646287,"about_ca_topic_score_gemma":0.00015643203,"teacher_disagreement_score":0.62546384,"about_ca_system_score_codex":0.000007882106,"about_ca_system_score_gemma":0.000020025884,"threshold_uncertainty_score":0.2123863},"labels":[],"label_agreement":null},{"id":"W2332010114","doi":"10.1093/english/55.212.157","title":"From Dogs to Crow: Ted Hughes and a 'world lost' 1956-1970","year":2006,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"AGE-WELL","keywords":"History; Library science; Art history; Art; Computer science","score_opus":0.006042960887734372,"score_gpt":0.19019623479363743,"score_spread":0.18415327390590305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332010114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93899846,0.0019797424,0.000017253258,0.0027027158,0.010285502,0.00019503436,0.00032174296,0.000057266465,0.045442276],"genre_scores_gemma":[0.95296216,0.00003476098,0.0001236021,0.00065400766,0.025150776,0.0000021185847,0.000024432638,0.000028428318,0.021019716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977966,0.0002775806,0.0007364688,0.00018029932,0.0007084341,0.0003005985],"domain_scores_gemma":[0.9965226,0.0003845415,0.0010821531,0.00020105916,0.001685705,0.0001239489],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010198351,0.00021524259,0.00042316335,0.000300377,0.00042576954,0.0011452055,0.00036339404,0.00010092911,0.00050526846],"category_scores_gemma":[0.0015353268,0.00015055224,0.00033583178,0.00024235924,0.00004865705,0.0008582194,0.00007139449,0.0005917008,0.000010144497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009763949,0.00019611209,0.04215685,0.000018553907,0.0006479667,0.0000141507735,0.17645289,0.00020346702,0.00015285218,0.010301116,0.7691609,0.0005974735],"study_design_scores_gemma":[0.0012115926,0.00006705519,0.014516464,0.000201458,0.00050794886,0.0000024078706,0.0057795695,0.00002219171,0.00033306234,0.007642374,0.9694025,0.00031340477],"about_ca_topic_score_codex":0.00050923455,"about_ca_topic_score_gemma":0.0019280105,"teacher_disagreement_score":0.20024154,"about_ca_system_score_codex":0.00025947051,"about_ca_system_score_gemma":0.000050921604,"threshold_uncertainty_score":0.9998917},"labels":[],"label_agreement":null},{"id":"W2333911117","doi":"10.1068/d2806re2","title":"Lost in Paradise: The Strange Case of Diego Garcia Review Essay: A Review of Vine's <i>Island of Shame</i> , and Sand's <i>United States and Britain in Diego Garcia</i>","year":2010,"lang":"en","type":"review","venue":"Environment and Planning D Society and Space","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Garcia; Paradise; Vine; Shame; Humanities; Environmental ethics; Art; History; Art history; Philosophy; Political science; Law; Ecology","score_opus":0.01946195152635166,"score_gpt":0.25209391893005234,"score_spread":0.23263196740370068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333911117","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005894778,0.9923616,0.0000018017466,0.00026198145,0.000024955229,0.0005439241,0.00067220605,0.0000025806075,0.00023618447],"genre_scores_gemma":[0.0008020667,0.99810004,0.000035343164,0.00038526588,0.00007167564,0.000016797576,0.0002596656,0.000020546064,0.00030861495],"study_design_codex":"systematic_review","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814785,0.00028800874,0.0008204629,0.00032438646,0.00019197424,0.00022729283],"domain_scores_gemma":[0.99857455,0.0004529268,0.00063137745,0.00023196776,0.00002155119,0.00008759817],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011490443,0.00038344212,0.0017963335,0.00008495434,0.00014392308,0.000059977458,0.00010581106,0.00016901019,0.00016076323],"category_scores_gemma":[0.000031446896,0.0002491342,0.00025461658,0.00011815192,0.00064254686,0.00011884549,0.00009178312,0.000628385,2.4800855e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072814706,0.00039746473,0.0066865454,0.70619094,0.0011589515,0.00047634428,0.13672957,0.000004017421,0.000004138743,0.001993818,0.03214004,0.11414538],"study_design_scores_gemma":[0.000419331,0.000081847626,0.00008772049,0.113412015,0.0012716295,0.000108043576,0.00200492,0.000028317776,3.7116348e-7,0.00008974714,0.88218737,0.00030871437],"about_ca_topic_score_codex":0.0003367548,"about_ca_topic_score_gemma":0.00036459626,"teacher_disagreement_score":0.8500473,"about_ca_system_score_codex":0.000013315632,"about_ca_system_score_gemma":0.000026068314,"threshold_uncertainty_score":0.99999607},"labels":[],"label_agreement":null},{"id":"W2338490818","doi":"10.26522/ti.v2i1.750","title":"From Tom Sleigh","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014033387217047399,"score_gpt":0.18791893118659517,"score_spread":0.17388554396954778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338490818","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.519704,0.0011173786,0.000020081261,0.0018001972,0.00097261596,0.00008251434,0.00009335754,0.00009345281,0.4761164],"genre_scores_gemma":[0.9037481,0.0000151261165,0.0000725884,0.0013007612,0.0029804006,0.000006244137,0.00005609185,0.0000098497785,0.091810815],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951625,0.00001826041,0.00012642276,0.00010343348,0.000107572254,0.00012804818],"domain_scores_gemma":[0.99965024,0.000024323164,0.000039887676,0.00016112396,0.00006651918,0.00005789635],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000032963562,0.0000768211,0.000115398136,0.000043731216,0.00014419304,0.0004450892,0.000111694004,0.000026056912,0.079093635],"category_scores_gemma":[0.000005046005,0.00005390617,0.00008222634,0.000018485747,0.000042624837,0.00029513895,0.000017984476,0.00009010741,0.0033589755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005198145,0.000056124645,0.00041300096,0.0000072263983,0.00017079944,0.000012477826,0.067439966,8.948213e-7,0.00022164056,0.12724051,0.79691774,0.007514424],"study_design_scores_gemma":[0.00014009084,0.0000124254975,0.00053818204,0.000011242738,0.000042011587,6.3472595e-7,0.0017178113,0.000081575716,0.00007811634,0.021088902,0.9761751,0.00011388894],"about_ca_topic_score_codex":0.0032201856,"about_ca_topic_score_gemma":0.00021298637,"teacher_disagreement_score":0.3843056,"about_ca_system_score_codex":0.0000067567707,"about_ca_system_score_gemma":0.000006026296,"threshold_uncertainty_score":0.99741703},"labels":[],"label_agreement":null},{"id":"W2340532391","doi":"","title":"LibGuides: Newspapers: Gadsby, Alberta","year":2012,"lang":"lv","type":"libguides","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Business","score_opus":0.027434446278167223,"score_gpt":0.24004417485500326,"score_spread":0.21260972857683605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2340532391","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035470512,0.0453824,0.000014574813,0.0039579105,0.009422128,0.00044421974,0.0009562521,0.00018054503,0.93928725],"genre_scores_gemma":[0.011238438,0.009041731,0.0002759282,0.011846147,0.042376224,0.00003674656,0.0018777768,0.0003214007,0.9229856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926544,0.0004225178,0.0023569171,0.0012567374,0.0012557409,0.0020537141],"domain_scores_gemma":[0.99454933,0.00077148626,0.0011986052,0.0017529476,0.0007130714,0.0010145846],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0007867423,0.0018497378,0.0023263344,0.0009666513,0.0017640094,0.005096874,0.0016194903,0.0012920523,0.28697518],"category_scores_gemma":[0.00019802125,0.0013727291,0.0023112507,0.00029766894,0.0006959474,0.0020280788,0.00043335877,0.0019931006,0.0077661257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041514057,0.00026049325,0.00013366692,0.0004619674,0.0020023072,0.000044299184,0.034656744,0.000001753636,0.0000067612127,0.19620569,0.7623847,0.0038000632],"study_design_scores_gemma":[0.00069673173,0.00020096857,0.00003154242,0.00083147,0.0029953,0.00007101414,0.0103223,0.000034836346,0.000021397113,0.0015100064,0.98136777,0.001916686],"about_ca_topic_score_codex":0.02179681,"about_ca_topic_score_gemma":0.017701605,"teacher_disagreement_score":0.27920905,"about_ca_system_score_codex":0.00016782164,"about_ca_system_score_gemma":0.00034028827,"threshold_uncertainty_score":0.99953556},"labels":[],"label_agreement":null},{"id":"W2344113929","doi":"10.1353/lit.2016.0027","title":"“La vida es el honor y el recuerdo” : Oscar Zeta Acosta’s Paratextual Struggle for Survival","year":2016,"lang":"en","type":"article","venue":"College literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of California, Santa Barbara; Egg Farmers of Canada","keywords":"Humanities; Art; Honor; Philosophy","score_opus":0.017354551488362572,"score_gpt":0.24904853529982807,"score_spread":0.2316939838114655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344113929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43743098,0.052602272,0.0013300956,0.019950287,0.020517675,0.004165835,0.09631256,0.0011440883,0.3665462],"genre_scores_gemma":[0.85962,0.0002519198,0.0002564012,0.00088779203,0.004944852,0.000098664255,0.00043914522,0.00008519603,0.13341606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974859,0.00027612672,0.00058265583,0.00062755373,0.0003811798,0.0006466346],"domain_scores_gemma":[0.99780726,0.0004890729,0.00024742328,0.0005948195,0.00060276524,0.00025864335],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004822527,0.0005040178,0.0006448693,0.00029631256,0.0007308562,0.0013130832,0.0005087277,0.00034478956,0.0018884096],"category_scores_gemma":[0.000121541416,0.0003103561,0.0005418279,0.00023446832,0.00022910844,0.0010843752,0.000085340005,0.00041485223,0.00008900065],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004866845,0.00016146954,0.00013333689,0.00013303936,0.00049129984,0.000098375036,0.029830439,0.0000010700019,0.0010779036,0.59873426,0.36605385,0.0027982476],"study_design_scores_gemma":[0.0018116453,0.00017329944,0.00008436417,0.00038386902,0.00020585948,0.000027410479,0.0021659788,0.00002310328,0.00039492993,0.012837001,0.98133355,0.000559],"about_ca_topic_score_codex":0.000011949087,"about_ca_topic_score_gemma":0.00027257687,"teacher_disagreement_score":0.6152797,"about_ca_system_score_codex":0.000068181456,"about_ca_system_score_gemma":0.00012239163,"threshold_uncertainty_score":0.99993485},"labels":[],"label_agreement":null},{"id":"W2404547262","doi":"10.1353/his.2016.0004","title":"Canada by Photograph: Instructed Looking and Tourism of the Late Nineteenth-century Canadian Landscape","year":2016,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tourism; Photography; Visual arts; Period (music); Inclusion (mineral); History; Art; Archaeology; Sociology; Aesthetics; Social science","score_opus":0.0037880201203578457,"score_gpt":0.1486388061510067,"score_spread":0.14485078603064885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2404547262","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9522346,0.0061150524,4.831758e-7,0.0025711628,0.0013735566,0.000099299716,0.0011176174,0.000015265912,0.036472954],"genre_scores_gemma":[0.9793272,0.0001251996,0.0000022148358,0.00057264336,0.00023613202,0.0000022000675,0.000016060181,0.000011734228,0.019706601],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928355,0.0000509748,0.0001817383,0.0001063074,0.00017027557,0.0002071275],"domain_scores_gemma":[0.99950945,0.000029493993,0.00013128525,0.00012975156,0.00009360321,0.00010644027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007086175,0.000105593776,0.00016815054,0.00006907998,0.00075794186,0.000055137913,0.000134898,0.00004771235,0.0009080701],"category_scores_gemma":[0.000017710721,0.0000627324,0.00008115504,0.00006652918,0.00025727972,0.00009516063,0.000018969293,0.000092085575,6.9503096e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016767983,0.00002158148,0.013505806,0.0000411522,0.00023260673,0.000015831252,0.019090423,1.6524744e-7,0.0009026652,0.010589124,0.93584585,0.019738002],"study_design_scores_gemma":[0.0003003886,0.00000527352,0.0016663087,0.000049303657,0.00005508991,0.000001379693,0.0010280929,0.0000016548098,0.000052592266,0.00014116822,0.9965789,0.00011988068],"about_ca_topic_score_codex":0.938686,"about_ca_topic_score_gemma":0.9953225,"teacher_disagreement_score":0.06073299,"about_ca_system_score_codex":0.000114434224,"about_ca_system_score_gemma":0.00044070123,"threshold_uncertainty_score":0.9942731},"labels":[],"label_agreement":null},{"id":"W2408818509","doi":"10.14288/1.0107953","title":"The Great Trek, 1922","year":2011,"lang":"en","type":"article","venue":"Open Collections","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.054634896937441495,"score_gpt":0.23329040643428728,"score_spread":0.17865550949684578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2408818509","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011134183,0.0001778632,0.000011549028,0.00027324376,0.00094741525,0.00013448071,0.0000405211,0.00002269494,0.9982809],"genre_scores_gemma":[0.01612016,0.000082321116,0.00005488688,0.00029598892,0.00058561686,0.00005272602,0.0000065034706,0.0000099195395,0.9827919],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994309,0.00005635923,0.0001555946,0.000116942574,0.00008689847,0.00015329389],"domain_scores_gemma":[0.999507,0.000046751342,0.000056869856,0.00022721213,0.00010881086,0.000053337288],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014966937,0.00008137154,0.00010601409,0.00004093698,0.008728205,0.0042345007,0.0003482569,0.000021780317,0.02087084],"category_scores_gemma":[0.000015193547,0.000048362224,0.000101963466,0.00017444721,0.000106898646,0.000326531,0.00006600006,0.000121092206,0.00007695678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018779798,0.0000367956,0.000016960772,8.2258623e-7,0.000098404314,0.0000032177932,0.012817379,1.8093866e-7,4.6188586e-7,0.05886238,0.9276756,0.00046898678],"study_design_scores_gemma":[0.00016236727,0.000039680806,0.000032677508,0.000005670952,0.00007157286,0.000008123433,0.003308017,0.00001875576,0.000014517107,0.010881505,0.9853757,0.000081407255],"about_ca_topic_score_codex":0.01699701,"about_ca_topic_score_gemma":0.05800504,"teacher_disagreement_score":0.057700075,"about_ca_system_score_codex":0.00001985571,"about_ca_system_score_gemma":0.00004117197,"threshold_uncertainty_score":0.9967992},"labels":[],"label_agreement":null},{"id":"W2412188637","doi":"10.4000/itineraires.2674","title":"La pensée magique en Californie : Where I Was From de Joan Didion","year":2015,"lang":"fr","type":"article","venue":"Itinéraires","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.018499955709704984,"score_gpt":0.24036764922805687,"score_spread":0.2218676935183519,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2412188637","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57138985,0.1349262,0.00018987723,0.047159962,0.003246102,0.00025945881,0.003711191,0.00021839947,0.23889893],"genre_scores_gemma":[0.8934627,0.002236322,0.00032804295,0.0012735863,0.008675031,0.000013483404,0.00023817398,0.00007110573,0.093701564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737084,0.0007958303,0.00048972113,0.00037852174,0.00039619635,0.00056891394],"domain_scores_gemma":[0.9983379,0.00036932272,0.00020648664,0.0003732904,0.00025400557,0.00045896316],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007809135,0.00036228707,0.00046614534,0.00013487654,0.00038838983,0.0011610814,0.00033783744,0.0003424401,0.0048721517],"category_scores_gemma":[0.00016987268,0.00032196933,0.0003413596,0.00007364078,0.00046968518,0.00052971405,0.000102736754,0.0006985985,0.0004908151],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012674034,0.00031300655,0.0047673034,0.00020318304,0.00058817153,0.0010745412,0.17853208,0.000049717222,0.00007307308,0.21901605,0.57983255,0.015423589],"study_design_scores_gemma":[0.000648002,0.000080692684,0.0008504311,0.00048489732,0.0003818947,0.000074718504,0.014336148,0.00034193776,0.00012637564,0.031050598,0.9512021,0.0004221934],"about_ca_topic_score_codex":0.01996352,"about_ca_topic_score_gemma":0.011489917,"teacher_disagreement_score":0.37136957,"about_ca_system_score_codex":0.00017174224,"about_ca_system_score_gemma":0.00026169713,"threshold_uncertainty_score":0.9999232},"labels":[],"label_agreement":null},{"id":"W2471885217","doi":"10.1057/9780230610583_13","title":"The Feminist King: Dolores Claiborne","year":2008,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Feminism; Suffrage; Art history; Commission; History; Art; Law; Political science; Politics","score_opus":0.028291730297981692,"score_gpt":0.2235452150039734,"score_spread":0.19525348470599171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2471885217","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009035215,0.008847528,0.0000012241132,0.0001479303,0.001187281,0.00025969205,0.000431335,0.00012565072,0.988909],"genre_scores_gemma":[0.4135026,0.0019038302,0.000015104418,0.0012688475,0.004769386,0.000018800269,0.00018987992,0.00014021322,0.57819134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972847,0.000063429,0.0008152396,0.00057146937,0.0006573582,0.0006077714],"domain_scores_gemma":[0.99772215,0.00024553563,0.0005945524,0.0009351905,0.00027857244,0.00022400786],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027122357,0.00075471215,0.0007715988,0.00020679955,0.002073031,0.00098724,0.0007636961,0.00033872225,0.001652087],"category_scores_gemma":[0.000022091903,0.0004805561,0.00083921023,0.000010132333,0.001201556,0.000004865207,0.00016365426,0.00093043724,0.0003071384],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050651506,0.0000012453833,0.000021537197,0.00003422235,0.000574882,0.00022486704,0.011242236,2.4978328e-7,0.0000027952817,0.96926904,0.013163245,0.005415047],"study_design_scores_gemma":[0.00022101034,0.00006306622,0.000017857801,0.00012047014,0.00025463573,0.0000851907,0.00023685505,0.000004929423,0.000013069265,0.20678785,0.79165775,0.00053729955],"about_ca_topic_score_codex":0.0001762868,"about_ca_topic_score_gemma":0.0017974952,"teacher_disagreement_score":0.77849454,"about_ca_system_score_codex":0.000062495834,"about_ca_system_score_gemma":0.00009748611,"threshold_uncertainty_score":0.9997646},"labels":[],"label_agreement":null},{"id":"W2519775147","doi":"","title":"『허클베리 핀의 모험』과의 비교를 통해 본 『앵무새 죽이기』의 인종문제","year":2014,"lang":"ko","type":"article","venue":"미국소설","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Racism; Battle; Adventure; History; Criticism; Fanaticism; Sociology; Literature; Gender studies; Art; Political science; Law; Art history; Politics","score_opus":0.012200968928950336,"score_gpt":0.20739392431723935,"score_spread":0.195192955388289,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519775147","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16952716,0.016277976,0.0004396927,0.008834413,0.009371368,0.00048007496,0.0007159308,0.00034270025,0.7940107],"genre_scores_gemma":[0.81123865,0.00048628062,0.00010397268,0.004416683,0.009274457,0.000009242436,0.00013579748,0.000070617476,0.17426433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970069,0.00029719004,0.0007506665,0.0005691873,0.0005851522,0.0007908966],"domain_scores_gemma":[0.9980209,0.00016906652,0.00035527986,0.00081246084,0.00029943892,0.00034286766],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006566155,0.00051135133,0.0007399069,0.00030901277,0.0011421565,0.0018728836,0.00055307854,0.00025289488,0.018237274],"category_scores_gemma":[0.0000894276,0.0004169554,0.00064938836,0.00016253596,0.0002964078,0.0005944705,0.00009716716,0.0006918205,0.0024798014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000995491,0.0004423839,0.0021074782,0.000351739,0.0009895436,0.00012468496,0.066155344,0.000024213889,0.0002253273,0.5658212,0.3489593,0.0146992495],"study_design_scores_gemma":[0.00079951313,0.00017527495,0.0007039295,0.00020498209,0.00056966423,0.000019909081,0.0022421894,0.0005500587,0.0001323139,0.0064077238,0.9875595,0.0006349632],"about_ca_topic_score_codex":0.0007713249,"about_ca_topic_score_gemma":0.0006912928,"teacher_disagreement_score":0.6417115,"about_ca_system_score_codex":0.000053474072,"about_ca_system_score_gemma":0.00006508484,"threshold_uncertainty_score":0.9998282},"labels":[],"label_agreement":null},{"id":"W2523341283","doi":"10.25071/1708-6701.15909","title":"Srul Irving Glick (CD Review)","year":2007,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Neuroscience; Chemistry; Psychology","score_opus":0.02334480564085506,"score_gpt":0.26533243788267635,"score_spread":0.2419876322418213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2523341283","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005284781,0.85820645,0.000098891425,0.003747305,0.00056419795,0.00038082266,0.000034681412,0.00006538494,0.13637379],"genre_scores_gemma":[0.0061105327,0.89288116,0.0005020153,0.052180726,0.0048452765,0.000036960057,0.00012169649,0.00006534276,0.043256287],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977871,0.00014398777,0.00091857463,0.00034991367,0.0002609686,0.00053944247],"domain_scores_gemma":[0.99826205,0.00011333834,0.000399526,0.00065980887,0.0003186436,0.00024666093],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020863833,0.00030148847,0.0008755382,0.00011876987,0.00030499217,0.00018408896,0.000451798,0.0000744778,0.0065718116],"category_scores_gemma":[0.00039951727,0.0002371735,0.0006089887,0.0002134786,0.000089649315,0.00032888463,0.000069950715,0.00044503843,0.00071880186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008721021,0.000090020854,0.0002654245,0.038494892,0.00020561331,0.0003394491,0.004610508,3.3660865e-7,0.00007410313,0.11226183,0.79223883,0.051410254],"study_design_scores_gemma":[0.000106940824,0.000023409084,0.000086202985,0.025484748,0.00054494676,0.00012811096,0.00009533125,0.000004257255,0.00001465226,0.0003940386,0.9728138,0.0003036034],"about_ca_topic_score_codex":0.00004518047,"about_ca_topic_score_gemma":0.00023328673,"teacher_disagreement_score":0.18057491,"about_ca_system_score_codex":0.000084506384,"about_ca_system_score_gemma":0.000038870447,"threshold_uncertainty_score":0.9943363},"labels":[],"label_agreement":null},{"id":"W2527493534","doi":"10.20381/ruor-173","title":"John Weinzweig, Leftist Politics, and Radio Drama at the CBC During the Second World War","year":2016,"lang":"en","type":"article","venue":"uO Research (University of Ottawa)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Left-wing politics; Politics; Drama; World War II; Political science; History; Literature; Art; Law","score_opus":0.02465613509600152,"score_gpt":0.23404249785379166,"score_spread":0.20938636275779016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527493534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8442862,0.0006173888,0.0000055442874,0.01519756,0.00012255598,0.00016327304,0.00027320732,0.000021170454,0.1393131],"genre_scores_gemma":[0.58525866,0.00019396556,0.000008518749,0.0000539197,0.00023616002,2.0548302e-7,0.0000032485455,0.000007586034,0.4142377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984314,0.0002845574,0.00012456719,0.0002238335,0.000501912,0.0004337511],"domain_scores_gemma":[0.99871814,0.00037596212,0.00008132901,0.0004095963,0.0002709823,0.00014400396],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006674636,0.00011209247,0.00018359972,0.00031469605,0.0027178791,0.00016896422,0.0005453189,0.000040301515,0.012098896],"category_scores_gemma":[0.000037891932,0.00006174461,0.00013679698,0.00013135158,0.0015287973,0.0003934865,0.00032696238,0.00033144414,0.00009717404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033181666,0.00007595794,0.026761992,0.00016468695,0.0005082748,0.00015998924,0.046117157,4.6112265e-7,0.0012799929,0.70031387,0.22297977,0.0016046518],"study_design_scores_gemma":[0.00055270013,0.000036099478,0.011417275,0.000045969267,0.00003288913,0.000012044801,0.0122086285,0.000010945685,0.00026176457,0.0019476453,0.97336584,0.00010820051],"about_ca_topic_score_codex":0.0005716211,"about_ca_topic_score_gemma":0.046334717,"teacher_disagreement_score":0.75038606,"about_ca_system_score_codex":0.000112264504,"about_ca_system_score_gemma":0.00004419537,"threshold_uncertainty_score":0.99858046},"labels":[],"label_agreement":null},{"id":"W2542151382","doi":"10.32873/uno.dc.jrf.20.03.30","title":"Verdens Undergang (1916) and the Birth of Apocalyptic Film: Antecedents and Causative Forces","year":2016,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University; Western University","funders":"","keywords":"Movie theater; Entertainment; Newspaper; Art history; German; Danish; Art; SWORD; World War II; History; Visual arts; Media studies; Sociology; Engineering; Philosophy; Archaeology","score_opus":0.009638210772168941,"score_gpt":0.21291450631037243,"score_spread":0.20327629553820348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2542151382","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9757343,0.013231329,0.00020103499,0.0042214612,0.0005946175,0.00012775903,0.00006494304,0.000010616284,0.005813969],"genre_scores_gemma":[0.98311406,0.009702931,0.000045913064,0.00033430516,0.00041441532,8.610437e-7,0.0000010248102,0.000012476777,0.006374033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987226,0.00012660291,0.0005434806,0.00011431561,0.0003322611,0.00016072342],"domain_scores_gemma":[0.99839616,0.00035180477,0.0006876541,0.00012981084,0.00033722693,0.00009736901],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047903272,0.00014936537,0.00041510363,0.0002038561,0.0002280256,0.00019476042,0.00014959378,0.00005307396,0.00023725598],"category_scores_gemma":[0.00012082374,0.000066460976,0.00018312155,0.000059238733,0.00046336467,0.00040087572,0.000047918318,0.00018081866,0.000004197633],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003115687,0.00027213673,0.008926926,0.0004181408,0.003530892,0.00025031992,0.17399196,0.000037215905,0.0034461573,0.55834246,0.24140789,0.006260228],"study_design_scores_gemma":[0.029720038,0.00295279,0.0063143354,0.005048283,0.003344098,0.0019458944,0.043584608,0.0011319566,0.003359641,0.26107645,0.6400297,0.001492203],"about_ca_topic_score_codex":0.000115307594,"about_ca_topic_score_gemma":0.00016790985,"teacher_disagreement_score":0.39862183,"about_ca_system_score_codex":0.000019627683,"about_ca_system_score_gemma":0.00003466489,"threshold_uncertainty_score":0.27102},"labels":[],"label_agreement":null},{"id":"W2560983016","doi":"10.15210/interfaces.v16i2.8389","title":"“Seeing with a so-called fresh eye”: Revisiting P.K. Page’s writings on Brazil","year":2016,"lang":"en","type":"article","venue":"Americanae (AECID Library)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Contradiction; Portrait; Identity (music); Narrative; Representation (politics); Space (punctuation); Art history; Sociology; Art; Literature; History; Aesthetics; Philosophy; Epistemology; Linguistics; Law; Political science","score_opus":0.008118324270664409,"score_gpt":0.2035687839787132,"score_spread":0.19545045970804878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560983016","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80142295,0.001462203,0.00022328466,0.021848585,0.0003077443,0.0002797328,0.0001751801,0.0005621555,0.17371817],"genre_scores_gemma":[0.95354635,0.00027412875,0.0006835192,0.01069039,0.0025938568,0.00002165128,0.000039868755,0.00010585223,0.03204436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977618,0.00015606494,0.0005037159,0.00053611153,0.00044337686,0.00059892907],"domain_scores_gemma":[0.99848807,0.000272761,0.00040320327,0.00049461727,0.000083036175,0.00025828983],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001529775,0.0003795208,0.00056730455,0.00030229424,0.00072094874,0.00059526786,0.00042165833,0.000056542838,0.011619761],"category_scores_gemma":[0.00006078072,0.00022429647,0.00025597095,0.00024246199,0.0004953188,0.0017578301,0.00009111967,0.00029628805,0.00023056482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064669433,0.00029878234,0.115598045,0.00016714844,0.0014426206,0.0010856293,0.025769884,0.000008971257,0.001570321,0.32790563,0.34854102,0.17696525],"study_design_scores_gemma":[0.0019028431,0.0006645059,0.0095391935,0.0014288671,0.00025523707,0.00001716716,0.004543904,0.000041691183,0.000833947,0.0011454895,0.97839975,0.0012273752],"about_ca_topic_score_codex":0.0018850373,"about_ca_topic_score_gemma":0.000090279704,"teacher_disagreement_score":0.62985873,"about_ca_system_score_codex":0.000030834144,"about_ca_system_score_gemma":0.00008355935,"threshold_uncertainty_score":0.98928374},"labels":[],"label_agreement":null},{"id":"W2563271436","doi":"10.3138/cbmh.19.2.515","title":"Cigarette Wars: The Triumph of \"the Little White Slaver\" Cassandra Tate","year":2002,"lang":"en","type":"article","venue":"Canadian Journal of Health History","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"White (mutation); Art; Ancient history; History; Political science; Medicine","score_opus":0.04767191369969544,"score_gpt":0.1928229496035824,"score_spread":0.14515103590388695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563271436","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10144795,0.6391716,0.000034498822,0.13559347,0.023732841,0.0005746448,0.0005137476,0.000024006416,0.09890727],"genre_scores_gemma":[0.9408348,0.0005063418,0.000012535583,0.012076579,0.0012295214,0.0000015843348,0.0000026131934,0.000026258102,0.045309745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980581,0.00032948086,0.0008131637,0.00010221267,0.00031777524,0.00037931485],"domain_scores_gemma":[0.99790925,0.000057584537,0.00094654766,0.00031960144,0.00034566232,0.00042136607],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00094855623,0.00014540071,0.00038940503,0.00030821862,0.00075094466,0.00007288285,0.0004777193,0.00005176641,0.005521456],"category_scores_gemma":[0.000068418274,0.00008568973,0.0003470745,0.00009177945,0.00047544323,0.00023609148,0.000008923065,0.00057957135,0.000012534641],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005719478,0.000013084412,0.0003437011,0.000039296472,0.000092518014,0.000039967534,0.10939805,0.000012113521,0.0000010844012,0.0031229989,0.8847794,0.0021520967],"study_design_scores_gemma":[0.00029944035,0.00007329376,0.0006421224,0.00011585016,0.000066321176,0.00009449061,0.0021220315,0.000025809146,0.0000017844707,0.00018088896,0.99628377,0.000094184645],"about_ca_topic_score_codex":0.009043413,"about_ca_topic_score_gemma":0.064124435,"teacher_disagreement_score":0.8393869,"about_ca_system_score_codex":0.0008084897,"about_ca_system_score_gemma":0.0013449305,"threshold_uncertainty_score":0.99755543},"labels":[],"label_agreement":null},{"id":"W2565010884","doi":"10.1353/vpr.2016.0042","title":"Reading in Review: The Victorian Book Review in the New Media Moment","year":2016,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Impulse (physics); Reading (process); Print culture; Literature; Identity (music); Print media; History; Art; Aesthetics; Media studies; Sociology; Political science; Law; Newspaper","score_opus":0.01949576016691967,"score_gpt":0.25755374339286025,"score_spread":0.23805798322594057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2565010884","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000037759294,0.8150864,0.0000044976227,0.17552733,0.0008440148,0.0010084383,0.000032338714,0.0000229198,0.0074702455],"genre_scores_gemma":[0.00026610834,0.8526592,0.000007880301,0.13993317,0.00270055,0.00018123051,0.000029933834,0.00002663231,0.004195286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952281,0.0012142527,0.0016523057,0.0004717604,0.0008719221,0.00056162727],"domain_scores_gemma":[0.9976171,0.00046215067,0.0004618866,0.001098432,0.00013732945,0.00022306317],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003930029,0.00042916456,0.0013350432,0.0001256793,0.00030555925,0.00031638323,0.0011049103,0.00007900541,0.01723371],"category_scores_gemma":[0.00088750175,0.00017094993,0.0005351147,0.0005097031,0.00021074618,0.00047167507,0.000088073095,0.00051867985,0.00051885156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003949904,0.000049639755,0.000036510857,0.008201576,0.000047545305,0.000042630378,0.01025935,7.556544e-9,0.0000036118934,0.029375764,0.9413279,0.010651504],"study_design_scores_gemma":[0.00024068012,0.000021934571,0.000049030004,0.13661681,0.0002905048,0.000015497155,0.000043955893,1.7388635e-7,6.4639386e-7,0.00026991963,0.86220384,0.00024698616],"about_ca_topic_score_codex":0.00007616688,"about_ca_topic_score_gemma":0.0005130993,"teacher_disagreement_score":0.12841523,"about_ca_system_score_codex":0.00014096482,"about_ca_system_score_gemma":0.00017540605,"threshold_uncertainty_score":0.9836647},"labels":[],"label_agreement":null},{"id":"W2587315581","doi":"10.3968/9209","title":"Misogyny Reflected in the Movie The Great Gatsby","year":2016,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Punishment (psychology); Power (physics); Prejudice (legal term); Art; Materialism; Embodied cognition; Character (mathematics); Literature; Psychology; Aesthetics; Social psychology; Philosophy","score_opus":0.045098580930880545,"score_gpt":0.3180943013679777,"score_spread":0.2729957204370972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587315581","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87704784,0.0044427533,0.0000030997037,0.028430654,0.00017813161,0.0002549649,0.000049325557,0.00007438878,0.08951887],"genre_scores_gemma":[0.98559934,0.00059101515,0.000016758939,0.001430077,0.0002531321,0.000031570027,0.00007287352,0.000008186656,0.011997071],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988488,0.00035892677,0.0002941881,0.00012552852,0.00018570406,0.00018683661],"domain_scores_gemma":[0.9983527,0.00025787606,0.00014367458,0.00089007756,0.00033120177,0.000024447225],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00048751888,0.00013021207,0.00013050967,0.00003916804,0.0012168564,0.0013382789,0.0009915872,0.000050911636,0.00065936643],"category_scores_gemma":[0.00011234518,0.000045358902,0.00011927413,0.00011239979,0.0006943682,0.0008300934,0.00007865989,0.0002625832,0.00008842306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013485366,0.0001637368,0.0047442513,0.000027301516,0.00017547373,0.000006686786,0.27939487,0.000004425213,0.0045424765,0.5881281,0.09258337,0.030094491],"study_design_scores_gemma":[0.00044970002,0.000023489587,0.00818283,0.000070432114,0.000041101233,0.000011166988,0.0041598417,0.00001750219,0.00014270179,0.009223187,0.97752875,0.00014931626],"about_ca_topic_score_codex":0.0003343792,"about_ca_topic_score_gemma":0.002459216,"teacher_disagreement_score":0.88494533,"about_ca_system_score_codex":0.00004382855,"about_ca_system_score_gemma":0.00001218689,"threshold_uncertainty_score":0.9996984},"labels":[],"label_agreement":null},{"id":"W2587441412","doi":"10.5817/cejcs2012-8-5","title":"The use of weather images by Canadian ethnic short story writers","year":2012,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnic group; History; Meteorology; Geography; Sociology; Anthropology","score_opus":0.106949662941651,"score_gpt":0.2476053102611572,"score_spread":0.1406556473195062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587441412","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37440762,0.5142233,0.000010625986,0.036505047,0.008184826,0.00044081418,0.0013179397,0.000025093892,0.06488475],"genre_scores_gemma":[0.9785787,0.009797657,0.000016857426,0.0018800388,0.0015035126,5.324255e-7,0.0000039592915,0.000035555797,0.008183173],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977168,0.0007079672,0.0004862286,0.00007886487,0.00027307458,0.0007370653],"domain_scores_gemma":[0.99823046,0.00019880854,0.00025705944,0.00023153827,0.0003799086,0.00070223724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014988129,0.00019213247,0.0003051939,0.00035219907,0.0010035596,0.00021380122,0.00045175396,0.000017011484,0.00016786932],"category_scores_gemma":[0.00013697502,0.00009896265,0.00025611304,0.0001339698,0.0006261835,0.00048102072,0.000025109686,0.00044361307,0.000012502144],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023661649,0.000014787585,0.0010292742,0.000011056349,0.00132707,0.00008206899,0.08201948,0.000011963519,0.000040779156,0.0037478055,0.899558,0.012134064],"study_design_scores_gemma":[0.000121922436,0.000043418964,0.006218004,0.000060388054,0.00027144564,0.00003509293,0.017600553,0.0000010333741,0.000020041796,0.000015928043,0.97548294,0.00012922386],"about_ca_topic_score_codex":0.095780395,"about_ca_topic_score_gemma":0.6892755,"teacher_disagreement_score":0.6041711,"about_ca_system_score_codex":0.00018352846,"about_ca_system_score_gemma":0.00019249863,"threshold_uncertainty_score":0.9102409},"labels":[],"label_agreement":null},{"id":"W2591519454","doi":"","title":"Back to the Garden Again: Directing The Fall","year":2000,"lang":"en","type":"article","venue":"Early Theatre","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Aesthetics","score_opus":0.014167260172513012,"score_gpt":0.20426329745382288,"score_spread":0.19009603728130986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591519454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12464013,0.0009784976,0.0000026054547,0.009838204,0.00033079516,0.00014164697,0.00003271713,0.000035330188,0.8640001],"genre_scores_gemma":[0.708684,0.000049306465,0.00001797652,0.003980111,0.0032883175,0.000007807322,0.0000059265976,0.00002000214,0.2839465],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990484,0.0001282243,0.00018376319,0.00016774645,0.00020962677,0.00026223058],"domain_scores_gemma":[0.99936694,0.00009082068,0.000040074163,0.00038782033,0.00004933727,0.00006501833],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002886936,0.00014024392,0.00014486902,0.000036337817,0.00086548866,0.0009103661,0.00039285538,0.00003001845,0.018904766],"category_scores_gemma":[0.000005987251,0.00006327561,0.00018529069,0.000075083655,0.00007185294,0.00014251716,0.000031215797,0.00024387927,0.0031295647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005724609,0.00005269054,0.00063102174,0.000010464509,0.00031451095,0.00001527928,0.5384148,0.00016279088,0.000012093516,0.008521088,0.35964411,0.09216392],"study_design_scores_gemma":[0.00009254003,0.00003218554,0.000288414,0.000026530155,0.000053101714,0.0000047552066,0.0054807914,0.000025345436,0.000009364891,0.00032076536,0.9935528,0.000113410984],"about_ca_topic_score_codex":0.0007333939,"about_ca_topic_score_gemma":0.0021089904,"teacher_disagreement_score":0.6339087,"about_ca_system_score_codex":0.000011798388,"about_ca_system_score_gemma":0.0000107657115,"threshold_uncertainty_score":0.99764663},"labels":[],"label_agreement":null},{"id":"W2593705570","doi":"10.4000/communication.7329","title":"Le journalisme sous l’emprise de la catastrophe","year":2017,"lang":"fr","type":"article","venue":"Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.019125882909008646,"score_gpt":0.27218332256100825,"score_spread":0.2530574396519996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593705570","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07001523,0.32264927,0.0008594544,0.0910206,0.0015967791,0.00024938825,0.00045028885,0.0000888421,0.51307017],"genre_scores_gemma":[0.9350995,0.02920202,0.0008860883,0.00039570863,0.0011720697,0.000008794842,0.00010298573,0.000032594202,0.033100277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982417,0.00075134536,0.0003741222,0.00015181051,0.0001772993,0.0003036919],"domain_scores_gemma":[0.99668264,0.0001644516,0.0006106825,0.002155153,0.00023056153,0.00015650071],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001055829,0.00018533139,0.00025717568,0.00009307137,0.005367737,0.0039893654,0.0015314564,0.00016914155,0.000995433],"category_scores_gemma":[0.00015691257,0.00018561352,0.00023418607,0.000025033696,0.0011690855,0.0010272117,0.00030165244,0.00078305986,0.00011306668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029463225,0.00031395553,0.0008699558,0.00006321399,0.00025869196,0.000031514388,0.031976357,0.000040547107,0.0000915183,0.79475284,0.15805821,0.013513766],"study_design_scores_gemma":[0.0005380415,0.00002572614,0.002799826,0.00026964658,0.00025077187,0.00007254023,0.002244007,0.0005233712,0.000057557914,0.021841073,0.9711605,0.00021697221],"about_ca_topic_score_codex":0.0065229805,"about_ca_topic_score_gemma":0.0009710762,"teacher_disagreement_score":0.86508423,"about_ca_system_score_codex":0.00008028065,"about_ca_system_score_gemma":0.0002001703,"threshold_uncertainty_score":0.9999178},"labels":[],"label_agreement":null},{"id":"W2599353059","doi":"","title":"The Money Shot: Postmodern Economies of Sex, Guns, and Language in Topdog/Underdog.”","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Shot (pellet); Economics; Keynesian economics; Monetary economics; Literature; Art; Materials science","score_opus":0.01478238339633301,"score_gpt":0.2303362706143101,"score_spread":0.2155538872179771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599353059","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96259856,0.0054935683,0.00011341147,0.000568198,0.00012841058,0.000084797226,0.000033902932,0.000020119845,0.030959016],"genre_scores_gemma":[0.9912012,0.00015835787,0.000028125023,0.00039182696,0.0002775909,0.0000022456925,0.00001118485,0.00001552042,0.0079139555],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990605,0.00003683522,0.00034600665,0.00017142035,0.00012721328,0.0002579997],"domain_scores_gemma":[0.9994235,0.00013601092,0.00010446269,0.00023519773,0.000043077456,0.000057730937],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004385131,0.00013486133,0.00022886082,0.00011479227,0.00023316359,0.0003056136,0.0001644978,0.00005521763,0.0001289903],"category_scores_gemma":[0.000015414837,0.00009222603,0.00008339832,0.000029327328,0.00017744004,0.00022059264,0.00005194557,0.00016963811,0.000005359103],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018533641,0.00016239897,0.011018273,0.00008625423,0.0002700377,0.00009793238,0.7681229,0.0000963887,0.00080834754,0.15961482,0.0011497902,0.058387507],"study_design_scores_gemma":[0.0058380486,0.0004926274,0.0243773,0.00035997306,0.00049060053,0.00012123138,0.24107951,0.03625263,0.0048457882,0.22867055,0.45509464,0.0023770945],"about_ca_topic_score_codex":0.00075187156,"about_ca_topic_score_gemma":0.011476475,"teacher_disagreement_score":0.5270434,"about_ca_system_score_codex":0.000020091822,"about_ca_system_score_gemma":0.00001498056,"threshold_uncertainty_score":0.64041424},"labels":[],"label_agreement":null},{"id":"W2606909519","doi":"10.71781/14386","title":"Emily Dickinson : a rhetoric of rescue","year":2007,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; History; Philosophy; Linguistics","score_opus":0.03768807438445049,"score_gpt":0.31806622448099015,"score_spread":0.28037815009653966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606909519","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24246612,0.0023426723,0.000001356742,0.00003629361,0.0014244657,0.00022582167,0.00023382182,0.0000016144992,0.7532678],"genre_scores_gemma":[0.32653892,0.000245876,0.00031300183,0.000112229645,0.001806595,0.000010693846,0.003206139,0.000054665503,0.66771185],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986441,0.000040898358,0.00052158936,0.00027462284,0.0003200747,0.00019868839],"domain_scores_gemma":[0.9989403,0.000035703888,0.00036477085,0.00029642606,0.00029087317,0.000071929004],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036766718,0.0002196367,0.0004892547,0.00030564403,0.00019987756,0.0005873245,0.0005237356,0.00018140268,0.017241478],"category_scores_gemma":[0.000025211468,0.00017695152,0.00022319822,0.00009366931,0.00004200306,0.00028639662,0.000033325436,0.00031651597,0.00014758925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00086562434,0.0005181593,0.00011588467,0.00042669836,0.0013771465,0.00017738105,0.6294701,0.0000043642617,0.0005665774,0.015920525,0.08361147,0.26694605],"study_design_scores_gemma":[0.00026868845,0.000060437378,0.00015647736,0.00035599511,0.0003328259,0.0000017018182,0.012197579,0.0000042113243,0.0011020486,0.00021601193,0.985048,0.00025602855],"about_ca_topic_score_codex":0.0008028357,"about_ca_topic_score_gemma":0.013414903,"teacher_disagreement_score":0.9014365,"about_ca_system_score_codex":0.000028392491,"about_ca_system_score_gemma":0.00008460937,"threshold_uncertainty_score":0.9836569},"labels":[],"label_agreement":null},{"id":"W2611774121","doi":"","title":"L’Effet boeuf / L’Effet boeuf, Canada, 1999, 50 minutes","year":2000,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.009009902372286006,"score_gpt":0.20409915247316665,"score_spread":0.19508925010088066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611774121","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.116159506,0.2289669,0.00001939052,0.2241501,0.0046965624,0.0005823849,0.0036006852,0.00017119411,0.42165327],"genre_scores_gemma":[0.27202448,0.010149556,0.00036794212,0.0049150167,0.007874301,0.000044379856,0.00028927624,0.0000991162,0.7042359],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957182,0.0006145942,0.0010000871,0.0007632509,0.0006322845,0.0012715836],"domain_scores_gemma":[0.99755144,0.00049012573,0.0003614884,0.0007447749,0.00024051005,0.00061167066],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008120663,0.0007007439,0.0009452999,0.00024020791,0.0011306689,0.0014704228,0.00089909584,0.00041863337,0.025451263],"category_scores_gemma":[0.00009266511,0.00065388385,0.0005234517,0.00031803688,0.0007114729,0.0009593887,0.000065803186,0.0010294863,0.0002666711],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010825545,0.00024063389,0.0025776422,0.000784541,0.0007197509,0.0020063473,0.026767649,0.00026824925,0.000061155435,0.09426261,0.84395736,0.028245829],"study_design_scores_gemma":[0.0005337034,0.00015056209,0.0020658881,0.00095832563,0.00058336416,0.00047274344,0.0020426302,0.00050907565,0.00011191656,0.0029805158,0.9887542,0.00083704194],"about_ca_topic_score_codex":0.73360497,"about_ca_topic_score_gemma":0.8220488,"teacher_disagreement_score":0.28258267,"about_ca_system_score_codex":0.0003044977,"about_ca_system_score_gemma":0.00065289607,"threshold_uncertainty_score":0.99959123},"labels":[],"label_agreement":null},{"id":"W2612468746","doi":"","title":"Horace Sherbrooke / Daniel Acosta, Justin McKoewn, RIAP, Horace, Sherbrooke, 24-09-2006","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.008027636052329245,"score_gpt":0.17763846917612344,"score_spread":0.16961083312379419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612468746","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07571154,0.6443711,0.0023331041,0.03257734,0.0060566156,0.00074753986,0.0013535505,0.00043566356,0.23641358],"genre_scores_gemma":[0.026476001,0.027163062,0.0011713459,0.0016294922,0.004506711,0.0000051946013,0.00025051818,0.00018646686,0.9386112],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99492633,0.000278202,0.0009083742,0.0010476024,0.00095621374,0.0018832533],"domain_scores_gemma":[0.99641913,0.00030731526,0.0006549844,0.0010759422,0.0005594701,0.0009831567],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001152481,0.0009879278,0.0010719713,0.0008494067,0.0032549095,0.00066604785,0.0010028757,0.0007575499,0.003957133],"category_scores_gemma":[0.00006535428,0.0010721204,0.0009789084,0.000666201,0.00058223517,0.001472795,0.00048746032,0.0014024811,0.0010759132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006195163,0.00045567428,0.00053870515,0.00036999639,0.0009748867,0.0069968817,0.011956991,0.000448135,0.0003822056,0.18228433,0.770888,0.024084719],"study_design_scores_gemma":[0.0019021041,0.00026283812,0.00042062943,0.00047549335,0.0018723028,0.0004266029,0.010186668,0.00085653435,0.00029336143,0.0016633774,0.98041946,0.0012206286],"about_ca_topic_score_codex":0.022655487,"about_ca_topic_score_gemma":0.30578646,"teacher_disagreement_score":0.7021976,"about_ca_system_score_codex":0.0061695375,"about_ca_system_score_gemma":0.00013270209,"threshold_uncertainty_score":0.99970186},"labels":[],"label_agreement":null},{"id":"W2617653298","doi":"10.32873/uno.dc.jrf.21.01.36","title":"Global Catastrophe in Motion Pictures as Meaning and Message: The Functions of Apocalyptic Cinema in American Film","year":2017,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University; Western University","funders":"","keywords":"Movie theater; Dystopia; Popularity; Theme (computing); Meaning (existential); Entertainment; History; Literature; Art; Aesthetics; Art history; Media studies; Philosophy; Visual arts; Sociology; Political science; Law; Epistemology; Computer science","score_opus":0.010900271696939393,"score_gpt":0.24737641088441711,"score_spread":0.23647613918747773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617653298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98250014,0.0024314497,0.00013800364,0.0024326413,0.0005152959,0.00009046948,0.000043734854,0.0000055997994,0.011842659],"genre_scores_gemma":[0.99796516,0.0007921309,0.00007195538,0.00022809432,0.00039681664,0.0000013982913,0.0000055249025,0.000007703332,0.00053122937],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987023,0.00011476265,0.0005875389,0.000119476645,0.00030487424,0.00017106331],"domain_scores_gemma":[0.9984405,0.00006395977,0.00097369833,0.00025088008,0.0002001981,0.0000707517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004567213,0.00013889454,0.0003794805,0.00021481299,0.00033026317,0.0003667523,0.0002699803,0.00004180023,0.00012453563],"category_scores_gemma":[0.00019399276,0.00008519378,0.00016008878,0.000099307494,0.00027838757,0.0004335387,0.000048463295,0.00034057765,0.0000026996324],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018739371,0.0010467041,0.3261841,0.00033404058,0.0014118209,0.0009632759,0.10793361,0.013606953,0.0006720113,0.2560714,0.25707385,0.03282831],"study_design_scores_gemma":[0.010573294,0.0031876075,0.57363766,0.0030535203,0.0019991826,0.0016295153,0.06962434,0.006863337,0.00021723921,0.08984489,0.23798363,0.0013857797],"about_ca_topic_score_codex":0.0032331506,"about_ca_topic_score_gemma":0.0047059413,"teacher_disagreement_score":0.24745357,"about_ca_system_score_codex":0.000047860533,"about_ca_system_score_gemma":0.0000484341,"threshold_uncertainty_score":0.4887578},"labels":[],"label_agreement":null},{"id":"W2623503673","doi":"10.1177/1048291117712546","title":"Crude Exploration","year":2017,"lang":"en","type":"article","venue":"NEW SOLUTIONS A Journal of Environmental and Occupational Health Policy","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Deepwater horizon; Individualism; Petroleum industry; Profit (economics); Business; Public relations; Political science; Engineering; Oil spill; Economics; Petroleum engineering","score_opus":0.0859602057559784,"score_gpt":0.33564021780290737,"score_spread":0.24968001204692897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623503673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62589276,0.030996809,0.00663837,0.2900643,0.0045008585,0.0009316688,0.0023833115,0.00006587534,0.038526062],"genre_scores_gemma":[0.9893666,0.001790518,0.00039579434,0.0020010024,0.0038477879,0.0000014908107,0.000024392673,0.000008738149,0.0025636842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998871,0.000051794148,0.00046536917,0.00009716564,0.00027849583,0.00023614366],"domain_scores_gemma":[0.9987686,0.000027393473,0.00073947175,0.00015144573,0.000032242213,0.00028084894],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00029455213,0.00011081766,0.00019838977,0.00021710228,0.0021742021,0.0003071887,0.00015721023,0.000032934455,0.0006945472],"category_scores_gemma":[0.000036584188,0.00008922005,0.0001173079,0.00001484679,0.00023053084,0.001247039,0.000054728273,0.00017078967,0.000026334692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032640435,0.000630027,0.0081189275,0.00006637005,0.00032094825,0.000018848585,0.049532756,0.00008025293,0.0003317025,0.7300996,0.08854677,0.12192737],"study_design_scores_gemma":[0.0018019375,0.0005645978,0.1918221,0.00012007765,0.000080891376,0.00015124673,0.0028270255,0.00010720626,0.000015069374,0.02646621,0.77577114,0.00027249448],"about_ca_topic_score_codex":0.00080650096,"about_ca_topic_score_gemma":0.00032863423,"teacher_disagreement_score":0.7036334,"about_ca_system_score_codex":0.00012805752,"about_ca_system_score_gemma":0.0002861167,"threshold_uncertainty_score":0.9991248},"labels":[],"label_agreement":null},{"id":"W2623770731","doi":"10.7202/1073020ar","title":"Callan's Citizens","year":2020,"lang":"en","type":"article","venue":"Paideusis","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Political science","score_opus":0.04049110032553435,"score_gpt":0.19918967851651936,"score_spread":0.158698578190985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623770731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14123122,0.0030992862,0.00039351164,0.04050668,0.0012258231,0.00022171994,0.00041249293,0.0005519907,0.81235725],"genre_scores_gemma":[0.97582513,0.000056307734,0.0000965526,0.012816763,0.0025503288,0.0000041558064,0.000033982964,0.000017944934,0.00859886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992217,0.000042309646,0.00019522634,0.00017408721,0.00017592202,0.00019079873],"domain_scores_gemma":[0.9995248,0.00003982071,0.000059044534,0.00013177372,0.00008603058,0.00015852915],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008320881,0.00011697061,0.0001941546,0.000049783397,0.00022785239,0.00030359186,0.00015160484,0.000030823427,0.011855388],"category_scores_gemma":[0.000052253778,0.00009122862,0.00017624155,0.00005985199,0.00006108865,0.00014149716,0.000034814126,0.00013676105,0.00056090043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004114104,0.000051639337,0.0018442922,0.00008585062,0.0003781848,0.00013625438,0.16342686,0.0000114782915,0.0003025419,0.21460868,0.6140975,0.0050155837],"study_design_scores_gemma":[0.00018585246,0.000034355868,0.000102031096,0.000010984988,0.00009698377,0.0000021275366,0.0021513605,0.000245882,0.000067540255,0.0014226122,0.995513,0.0001672682],"about_ca_topic_score_codex":0.0001322739,"about_ca_topic_score_gemma":0.0001485061,"teacher_disagreement_score":0.8345939,"about_ca_system_score_codex":0.000008768548,"about_ca_system_score_gemma":0.000013594636,"threshold_uncertainty_score":0.9890479},"labels":[],"label_agreement":null},{"id":"W266583407","doi":"","title":"Jennifer Reeves at Cinematheque Ontario, Fall 2004","year":2008,"lang":"en","type":"article","venue":"Millennium film journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Feature film; Shot (pellet); Character (mathematics); Art history; Visual arts; Art; Feeling; Media studies; Movie theater; Aesthetics; Sociology; History; Literature; Psychology","score_opus":0.026438394752692947,"score_gpt":0.1984823691904997,"score_spread":0.17204397443780675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W266583407","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76305705,0.018525733,0.00011072932,0.0016198682,0.0033632894,0.00017587194,0.00010030389,0.00011354618,0.21293361],"genre_scores_gemma":[0.4801052,0.0029186204,0.0004418768,0.0022278556,0.0058146524,0.000008830764,0.000055340777,0.00007961637,0.508348],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747264,0.000125596,0.00079591677,0.00032391903,0.00062200223,0.0006599367],"domain_scores_gemma":[0.99838245,0.00005783038,0.0003704528,0.00039144387,0.00039827652,0.0003995395],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039764872,0.00039478348,0.0005533244,0.00036626332,0.0022288482,0.0004531458,0.0004522912,0.00014100324,0.03411494],"category_scores_gemma":[0.000032296917,0.00028791584,0.00060219463,0.000084324034,0.00028028782,0.00068045134,0.000096715754,0.0010056954,0.00051540206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011733735,0.0001586754,0.00449092,0.000020187577,0.0003568267,0.0010457913,0.090068,0.00005649791,0.0001732407,0.0034082339,0.8999508,0.00015351415],"study_design_scores_gemma":[0.0010044937,0.00014756378,0.0022122287,0.00009167628,0.00015136754,0.0036192792,0.00183704,0.000037603695,0.000084633306,0.00060724776,0.9897435,0.0004634203],"about_ca_topic_score_codex":0.004019101,"about_ca_topic_score_gemma":0.05516247,"teacher_disagreement_score":0.2954144,"about_ca_system_score_codex":0.00031617173,"about_ca_system_score_gemma":0.00022288685,"threshold_uncertainty_score":0.9999573},"labels":[],"label_agreement":null},{"id":"W272891330","doi":"","title":"Literature and Journalism in Antebellum America: Thoreau, Stowe, and Their Contemporaries Respond to the Rise of the Commercial Press","year":2012,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Context (archaeology); Narrative; History; Politics; Literature; Rivalry; American literature; Sociology; Art history; Media studies; Law; Art; Political science","score_opus":0.02327620874911812,"score_gpt":0.2412661469504966,"score_spread":0.2179899382013785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W272891330","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8279334,0.11185273,0.00017954719,0.053623244,0.000834969,0.00068982603,0.00035390374,0.00003055174,0.004501874],"genre_scores_gemma":[0.9948504,0.0019151514,0.00014065672,0.0013695894,0.0005215656,0.000016827507,0.000015781181,0.000024838664,0.0011451852],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966966,0.0016523511,0.00081138633,0.00016608457,0.00032913111,0.00034446796],"domain_scores_gemma":[0.9973198,0.00049249956,0.00071210135,0.00095244177,0.0003356951,0.00018743146],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017268162,0.0002899133,0.0004914459,0.00024319295,0.0010131771,0.0011709598,0.00088511064,0.0001042079,0.00006747138],"category_scores_gemma":[0.00008409235,0.00015104287,0.00017947679,0.00024988476,0.00057200657,0.0011209745,0.00013429369,0.0010425316,0.0000014522658],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019987539,0.00015320578,0.0038342958,0.000037420203,0.00018071536,0.0000027544704,0.9256661,0.000004914604,0.00034045993,0.04805755,0.012168265,0.009354425],"study_design_scores_gemma":[0.0011203281,0.00022108191,0.021356728,0.00071843463,0.00016407699,0.00010042951,0.06394719,0.00024003162,0.0000934485,0.009192039,0.90242213,0.00042407267],"about_ca_topic_score_codex":0.00061745365,"about_ca_topic_score_gemma":0.0011579773,"teacher_disagreement_score":0.8902539,"about_ca_system_score_codex":0.000031551248,"about_ca_system_score_gemma":0.000032539094,"threshold_uncertainty_score":0.99986595},"labels":[],"label_agreement":null},{"id":"W2733495273","doi":"","title":"Rouge, la couleur des abymes / Simon Roy, Ma vie rouge Kubrick, Montréal, Boréal, Collection Liberté grande, 2014, 170 pages","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Cegep regional de Lanaudiere","funders":"","keywords":"ROUGE; Art; Humanities; Art history; Computer science","score_opus":0.011316123038222143,"score_gpt":0.17523323610647498,"score_spread":0.16391711306825285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733495273","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08203347,0.8119405,0.00053593615,0.027647872,0.0022196197,0.00054542505,0.000732662,0.00035135387,0.073993176],"genre_scores_gemma":[0.12350134,0.29622543,0.0004618425,0.0008122204,0.0019472708,0.000018967246,0.0002945986,0.00017030173,0.57656807],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958177,0.0006925394,0.00067464507,0.00082312815,0.0008473256,0.001144669],"domain_scores_gemma":[0.9967518,0.0002869135,0.0006011151,0.00070906145,0.000777229,0.00087390834],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000767951,0.0008504078,0.0010369546,0.000703215,0.003071751,0.0008896329,0.0006112286,0.0006199866,0.0011420334],"category_scores_gemma":[0.00007973413,0.0008615117,0.00080170215,0.0006277739,0.0006894451,0.0018286748,0.00032474915,0.0008284791,0.00040161735],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065629027,0.00047045754,0.0012680091,0.00015874606,0.0010698106,0.003068908,0.013447423,0.0006286703,0.000037582762,0.036598116,0.9333859,0.009210081],"study_design_scores_gemma":[0.0030781324,0.00045470294,0.0006192139,0.0002722406,0.0017432868,0.00046837464,0.009195987,0.0026922803,0.00006992418,0.0054591624,0.9749732,0.0009734862],"about_ca_topic_score_codex":0.070081435,"about_ca_topic_score_gemma":0.34565505,"teacher_disagreement_score":0.51571506,"about_ca_system_score_codex":0.0041174837,"about_ca_system_score_gemma":0.00025170168,"threshold_uncertainty_score":0.99977106},"labels":[],"label_agreement":null},{"id":"W2736885033","doi":"","title":"Coeur chaud et sueurs froides / ROY, Simon. Ma vie rouge Kubrick, coll. Liberté grande, Montréal, Les Éditions du Boréal, 2014, 176 p.","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; ROUGE; Art","score_opus":0.011107690897054472,"score_gpt":0.1755736561281392,"score_spread":0.16446596523108473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736885033","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049779274,0.69337845,0.00044063904,0.20128384,0.0025611885,0.0006169585,0.0040468136,0.00033450162,0.047558323],"genre_scores_gemma":[0.103035055,0.32738554,0.00041840193,0.0032425928,0.0032516764,0.000029793395,0.0010786649,0.00021786905,0.5613404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99566483,0.00064109836,0.00074863987,0.00086924987,0.0008960126,0.0011801671],"domain_scores_gemma":[0.99616486,0.00032279975,0.0006704015,0.0008668267,0.00089732127,0.0010778172],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007187076,0.0009013648,0.0011325419,0.00070804177,0.0035897684,0.00081689074,0.00079815934,0.00053542294,0.0026869723],"category_scores_gemma":[0.00009928094,0.00093130115,0.0009579252,0.0004942885,0.00067555835,0.0017773128,0.00043101556,0.0009351967,0.00081535836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031966274,0.00046823957,0.0006565706,0.00007683948,0.00090481836,0.0030547625,0.008301808,0.00062204053,0.000018609726,0.13541673,0.84732014,0.0028397732],"study_design_scores_gemma":[0.0031640907,0.00034872934,0.00033321237,0.00024086198,0.0017568619,0.00038349838,0.013245989,0.0017317686,0.000023220631,0.005593071,0.9721366,0.0010420907],"about_ca_topic_score_codex":0.12749709,"about_ca_topic_score_gemma":0.37700757,"teacher_disagreement_score":0.5137821,"about_ca_system_score_codex":0.002668016,"about_ca_system_score_gemma":0.00027308075,"threshold_uncertainty_score":0.9999626},"labels":[],"label_agreement":null},{"id":"W2743950347","doi":"","title":"Who Wrote the Elder Scrolls","year":2017,"lang":"en","type":"article","venue":"Loading","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dead Sea Scrolls; History; Art; Literature; Hebrew Bible","score_opus":0.03274592525147186,"score_gpt":0.24959398447979136,"score_spread":0.2168480592283195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743950347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12972689,0.0012070766,0.000039899907,0.002317061,0.0012330624,0.00009696341,0.000022266659,0.000046502184,0.8653103],"genre_scores_gemma":[0.91065145,0.000039300907,0.000016897598,0.0008893597,0.0015598503,0.0000027956428,0.0000018951552,0.000010069556,0.08682837],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999441,0.00002483945,0.00012910384,0.00011206921,0.00011450661,0.00017843208],"domain_scores_gemma":[0.999327,0.000023777959,0.00012838753,0.00042572108,0.000053441316,0.00004169778],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020192027,0.00009020853,0.00012675622,0.000039966082,0.0021989509,0.0017779263,0.00038326668,0.000026638827,0.0028950195],"category_scores_gemma":[0.000029872397,0.00005168324,0.00012636208,0.0000104073015,0.00014848466,0.00043399792,0.000055575707,0.0001609338,0.00016512966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017721019,0.000027040755,0.0023610638,0.000021758045,0.0002792742,0.000039482842,0.12744154,0.0000020532716,0.00025705303,0.793294,0.0696807,0.0065783244],"study_design_scores_gemma":[0.00023796636,0.000016949454,0.0012473563,0.00008997156,0.000110795234,0.000005682275,0.0020966444,0.00011924684,0.00061772845,0.011874001,0.98339814,0.00018551585],"about_ca_topic_score_codex":0.0003862801,"about_ca_topic_score_gemma":0.00037808713,"teacher_disagreement_score":0.91371745,"about_ca_system_score_codex":0.000006905585,"about_ca_system_score_gemma":0.000007409655,"threshold_uncertainty_score":0.99925834},"labels":[],"label_agreement":null},{"id":"W2755973667","doi":"10.1177/0148333117697453","title":"“Well, Heck”: Confounding Grace in Harper Lee’s <i>To Kill a Mockingbird</i>","year":2017,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Reading (process); Law; Sociology; History; Philosophy; Art; Political science","score_opus":0.020966903859553816,"score_gpt":0.2669661409439084,"score_spread":0.2459992370843546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2755973667","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6452325,0.01808884,0.00012489941,0.00869327,0.008276491,0.0011127482,0.001215597,0.00041879478,0.31683686],"genre_scores_gemma":[0.9579672,0.00015654982,0.00017398283,0.0036144392,0.0026965332,0.000022968537,0.00015442951,0.000058965026,0.035154916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976279,0.00011843913,0.000550901,0.00061636075,0.00042211634,0.00066425867],"domain_scores_gemma":[0.99775046,0.00007053038,0.0003377478,0.0011255862,0.000383966,0.00033170247],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005086254,0.00046912333,0.0006147412,0.00040945344,0.0019405417,0.0073293485,0.00093186036,0.00023027278,0.001540348],"category_scores_gemma":[0.00026848214,0.0003932612,0.0003135022,0.00015038252,0.00023936239,0.0014979492,0.00019704577,0.0010928243,0.00032326079],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035539508,0.00053522043,0.010385584,0.00053180056,0.00037581555,0.0016809579,0.34068725,0.00003912536,0.0010665404,0.22987522,0.41242716,0.002039959],"study_design_scores_gemma":[0.0007594738,0.000062823165,0.0028768599,0.0008323667,0.00008235315,0.000033200766,0.0012770053,0.000099595556,0.00010736531,0.0023965423,0.99087423,0.0005982001],"about_ca_topic_score_codex":0.00096430257,"about_ca_topic_score_gemma":0.0037289092,"teacher_disagreement_score":0.57844704,"about_ca_system_score_codex":0.00009668044,"about_ca_system_score_gemma":0.00006193374,"threshold_uncertainty_score":0.99985194},"labels":[],"label_agreement":null},{"id":"W2766127868","doi":"","title":"We All Lost the Cuban Missile Crisis: Revisiting Richard Ned Lebow and Janice Stein's Landmark Analysis in We All Lost the Cold War","year":2015,"lang":"en","type":"article","venue":"Bristol Research (University of Bristol)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Landmark; Missile; Cold war; History; Economic history; Political economy; Cartography; Political science; Sociology; Geography; Law; Archaeology; Politics","score_opus":0.0888943316601006,"score_gpt":0.2864125019621187,"score_spread":0.1975181703020181,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766127868","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61142325,0.080780186,0.00030800933,0.2350043,0.00039077573,0.0019659535,0.0013491809,0.00014413631,0.06863421],"genre_scores_gemma":[0.964959,0.0037984687,0.00009439796,0.00043221985,0.00034577955,0.0000012367045,0.00006272074,0.000026392336,0.030279733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961286,0.0011875775,0.00037427878,0.00051299913,0.0011608471,0.0006357035],"domain_scores_gemma":[0.9972817,0.0004981726,0.0003250382,0.0007296263,0.00081817544,0.00034730253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003435064,0.00025040997,0.0006501434,0.00078905665,0.0009797671,0.0004465658,0.0011180133,0.000121506026,0.00064806367],"category_scores_gemma":[0.00018380937,0.00017888176,0.00035032004,0.0009421682,0.0007468892,0.0006119372,0.00043068404,0.0009023672,0.0001073669],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006374338,0.00026296213,0.0031465138,0.00025815013,0.002383242,0.00059104274,0.23062536,0.000068190144,0.00013745629,0.007077212,0.7522757,0.002536741],"study_design_scores_gemma":[0.00084766693,0.000108125896,0.0004672415,0.00012373993,0.00076433085,0.000010744666,0.1772068,0.0014879154,0.000008594657,0.000545981,0.8181816,0.00024726288],"about_ca_topic_score_codex":0.019455636,"about_ca_topic_score_gemma":0.022455296,"teacher_disagreement_score":0.3535358,"about_ca_system_score_codex":0.00022130586,"about_ca_system_score_gemma":0.00017315615,"threshold_uncertainty_score":0.99538237},"labels":[],"label_agreement":null},{"id":"W2781482752","doi":"10.31390/gradschool_dissertations.3581","title":"A conductor's study of Ruth Watson Henderson's Voices of Earth","year":2005,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Choir; Watson; Chorus; Piano; Performing arts; Art; Performance art; Vocal music; Music education; Visual arts; Art history; Literature; Music","score_opus":0.029749690366135204,"score_gpt":0.26115469042617434,"score_spread":0.23140500006003914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2781482752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8173479,0.0012512414,2.6847263e-7,0.000018294668,0.0006116725,0.00020129186,0.000095463074,0.000021417216,0.18045245],"genre_scores_gemma":[0.8299792,0.00006499318,0.000017557217,0.000034547145,0.00065474183,0.0000056194735,0.00044728752,0.00002363698,0.16877243],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984179,0.00007440098,0.00061865785,0.00025023203,0.0004670629,0.0001717486],"domain_scores_gemma":[0.99854404,0.00004273529,0.00064478425,0.0002758502,0.00043794388,0.000054634165],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015343139,0.00026983576,0.00070825766,0.00037480966,0.0001370558,0.00014900137,0.00022783443,0.00011808307,0.008249923],"category_scores_gemma":[0.000011443564,0.000192412,0.00027768855,0.00006694462,0.00005254135,0.00028143064,0.000011602478,0.00025301392,0.000012297614],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022348501,0.0017146752,0.0006206456,0.0007281276,0.00225227,0.0000126042105,0.92902476,0.0000074079812,0.00030244904,0.05524848,0.008632833,0.0012322606],"study_design_scores_gemma":[0.0012630327,0.00069952215,0.0010510036,0.00025406142,0.001486328,0.0000011977637,0.9034634,0.000019419655,0.0014869588,0.000319922,0.0894353,0.00051983586],"about_ca_topic_score_codex":0.0018025574,"about_ca_topic_score_gemma":0.0567438,"teacher_disagreement_score":0.08080247,"about_ca_system_score_codex":0.0000062988165,"about_ca_system_score_gemma":0.000054356875,"threshold_uncertainty_score":0.99265665},"labels":[],"label_agreement":null},{"id":"W2788933898","doi":"10.5539/ijel.v8n3p15","title":"Dr. Strangelove or How I Should Stop Worrying and Love Fascism","year":2018,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paranoia; Cold war; Order (exchange); Nuclear weapon; The Holocaust; Government (linguistics); Democracy; Period (music); Political science; Sociology; Law; History; Psychology; Aesthetics; Philosophy; Linguistics; Economics; Politics","score_opus":0.044473838517213996,"score_gpt":0.2874371077703099,"score_spread":0.24296326925309591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788933898","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.105620064,0.004393077,0.0021288397,0.0033890223,0.1857926,0.00029646105,0.0008838204,0.00011285967,0.6973833],"genre_scores_gemma":[0.89650166,0.00020247628,0.0006883929,0.0007742574,0.09307062,2.6300972e-7,0.000009767152,0.000024017074,0.008728549],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848264,0.00004379361,0.00048643036,0.00014483229,0.0006505381,0.00019174855],"domain_scores_gemma":[0.9800667,0.00020167723,0.00048520218,0.00011089068,0.018991878,0.00014366026],"candidate_categories":["metaresearch","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038794306,0.0001772629,0.0002831279,0.00032046618,0.0001239064,0.0011194582,0.00039966,0.00007445603,0.001344176],"category_scores_gemma":[0.012624138,0.00012713211,0.0001587259,0.000049708447,0.00026050612,0.00025198047,0.0000613443,0.00042043478,0.000010988271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011966298,0.00042240726,0.0019991463,0.000078059704,0.0030648324,0.0010585081,0.26097253,0.000038243394,0.00006110814,0.3299105,0.3938157,0.0073823715],"study_design_scores_gemma":[0.0007043365,0.00019376361,0.00007720527,0.0001367921,0.00016212922,0.000016446444,0.006724659,0.00012353693,0.000104960694,0.0027397883,0.98883915,0.00017724249],"about_ca_topic_score_codex":0.000014507686,"about_ca_topic_score_gemma":0.00013539132,"teacher_disagreement_score":0.7908816,"about_ca_system_score_codex":0.000054751887,"about_ca_system_score_gemma":0.000084858046,"threshold_uncertainty_score":0.99991745},"labels":[],"label_agreement":null},{"id":"W2805623206","doi":"","title":"“The More Labels We Give to Ourselves”: Breaking Down Binaries with the Work of Andy Quan","year":2017,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Computer science; Astronomy; Theoretical physics; Physics; Quantum mechanics","score_opus":0.03249276563821643,"score_gpt":0.2904279474580256,"score_spread":0.2579351818198091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805623206","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3102888,0.2115808,0.0000020176583,0.41909495,0.0051853657,0.0014110928,0.00225443,0.00006110967,0.050121464],"genre_scores_gemma":[0.9798183,0.0006126494,0.000028998764,0.0016782957,0.00091828796,0.00003391405,0.000010877285,0.000020936111,0.016877737],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986017,0.00008190442,0.00026177702,0.00025348712,0.00025264962,0.0005484933],"domain_scores_gemma":[0.9982669,0.00016096311,0.0002248057,0.0007277577,0.0004380567,0.00018155851],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004226973,0.00025637844,0.00037606194,0.00021138744,0.0035335934,0.0018362231,0.00069182034,0.00006993987,0.000040534702],"category_scores_gemma":[0.00014394401,0.00012289674,0.000105153864,0.0002115611,0.0010790576,0.00041056873,0.00008975155,0.00045559512,0.0000037567258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009183124,0.000013204129,0.005558434,0.00007037712,0.0006242507,0.00018168043,0.70186794,0.000013828447,0.0000013709571,0.119685896,0.1700613,0.0018298916],"study_design_scores_gemma":[0.00023509111,0.00006466687,0.0022190858,0.0009214689,0.00008683686,0.000008139985,0.05937135,0.0000019570202,0.0000043246378,0.0011438879,0.93573284,0.00021035047],"about_ca_topic_score_codex":0.028341398,"about_ca_topic_score_gemma":0.848402,"teacher_disagreement_score":0.8200606,"about_ca_system_score_codex":0.000098027565,"about_ca_system_score_gemma":0.00014614796,"threshold_uncertainty_score":0.9992},"labels":[],"label_agreement":null},{"id":"W2808913181","doi":"10.3138/uram.35.3-4.286","title":"4.1 Taking Care of Surfaces: Alice Munro’s Religion","year":2012,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alice (programming language); Sociology; Theology; Religious studies; Philosophy; Art; Art history","score_opus":0.041352748947259134,"score_gpt":0.26918036198967815,"score_spread":0.22782761304241902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808913181","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39346758,0.010047034,0.0000823117,0.0001255006,0.0006218948,0.00014758969,0.00017691872,0.00010191325,0.59522927],"genre_scores_gemma":[0.99827224,0.00050630234,0.00028469297,0.00014157692,0.00039422984,0.000001862636,0.00006330057,0.000012926926,0.00032288153],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990359,0.00007852189,0.00030668272,0.00013594537,0.00017605226,0.00026688678],"domain_scores_gemma":[0.99926734,0.000060498573,0.00026414546,0.00016411091,0.00014569526,0.000098221804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039933066,0.00013494548,0.00026651876,0.00007635226,0.00034084969,0.00013432985,0.000080010206,0.00005468432,0.00019683015],"category_scores_gemma":[0.000038306734,0.00010702876,0.00009599041,0.000043922668,0.00009400398,0.0004657145,0.0000377657,0.00013007989,0.0000028441925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030335777,0.000046814657,0.0043801544,0.00046031768,0.00011553182,0.0000031294433,0.42309546,0.000035697733,0.00069092715,0.56634974,0.00075657637,0.0040353294],"study_design_scores_gemma":[0.0014685632,0.00013631572,0.0049081435,0.001259458,0.000970748,0.00005073357,0.1266995,0.0012667055,0.0043102717,0.0038784496,0.8539456,0.0011054775],"about_ca_topic_score_codex":0.00367135,"about_ca_topic_score_gemma":0.0006518744,"teacher_disagreement_score":0.85318905,"about_ca_system_score_codex":0.000019448962,"about_ca_system_score_gemma":0.000009709841,"threshold_uncertainty_score":0.5550007},"labels":[],"label_agreement":null},{"id":"W2890652621","doi":"","title":"Silence, whisper and sound: Ttextual subjectivities revised. Eva Darias Beautell and María Jesús Hernáez Lerena, eds. Canon Disorders: Gendered Perspectives on Literature and Film in Canada and the United States. Logroño: Universidad de La Rioja/Universidad de La Laguna. Servicio de Publicaciones, 2007. 186 pp","year":2008,"lang":"es","type":"article","venue":"Revista Canaria de Estudios Ingleses","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Canon; Sound (geography); Sociology; Gender studies; Humanities; Art history; Art; Literature; Aesthetics; Acoustics; Physics","score_opus":0.007542427970181942,"score_gpt":0.21466571707019516,"score_spread":0.2071232891000132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890652621","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8712597,0.12451116,0.00001389037,0.0014453162,0.00004970728,0.0003729178,0.00061179156,0.000028927112,0.0017065995],"genre_scores_gemma":[0.8669829,0.13106374,0.00004627373,0.00077288033,0.00025367163,0.000011239112,0.0000900276,0.00005197098,0.0007273397],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955376,0.0020891568,0.00045340968,0.00071753195,0.0003935774,0.0008087233],"domain_scores_gemma":[0.99673337,0.0019122289,0.0003299102,0.00038200212,0.00025777277,0.00038474705],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0011042356,0.000669082,0.0009054567,0.0005801215,0.0014921145,0.0025230567,0.00031640485,0.00029901107,0.000113499154],"category_scores_gemma":[0.00031885112,0.00055054505,0.00012111954,0.00044480473,0.0016215171,0.0006318402,0.000219871,0.001119771,3.4685817e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011712372,0.00030824868,0.2714245,0.0014759899,0.0016030516,0.0012853544,0.44465685,0.00030845634,0.000019604999,0.25307342,0.023514975,0.001158315],"study_design_scores_gemma":[0.0075707217,0.00041415024,0.09317543,0.003493139,0.0016129152,0.0013316545,0.40372053,0.0028301291,0.000007773986,0.0027514165,0.48109403,0.0019981163],"about_ca_topic_score_codex":0.49627596,"about_ca_topic_score_gemma":0.46511686,"teacher_disagreement_score":0.45757905,"about_ca_system_score_codex":0.0010096028,"about_ca_system_score_gemma":0.0015509976,"threshold_uncertainty_score":0.99980783},"labels":[],"label_agreement":null},{"id":"W2895692820","doi":"10.7202/1051184ar","title":"A Juggler on the Moon: How Sounds Think in Tom Stoppard's Darkside","year":2018,"lang":"en","type":"article","venue":"Recherches sémiotiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Embodied cognition; Theme (computing); Evasion (ethics); Literature; Art; History; Philosophy; Epistemology; Computer science","score_opus":0.15595966498019956,"score_gpt":0.30436394737136874,"score_spread":0.14840428239116918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895692820","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34528634,0.0017316273,0.00009573141,0.04254321,0.00091820594,0.00039240907,0.000053125157,0.00027343753,0.60870594],"genre_scores_gemma":[0.93440074,0.00023058162,0.00030185533,0.004608413,0.0025846658,0.000017154527,0.000015349044,0.00003557526,0.057805642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980407,0.00070032646,0.00027739324,0.00031828755,0.00028936876,0.00037393757],"domain_scores_gemma":[0.99851424,0.00054418785,0.00012981989,0.0005098235,0.00022265625,0.00007928643],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016576867,0.00026042748,0.00032928726,0.00018891813,0.0003626355,0.0009625636,0.0004150426,0.00018240466,0.0015103413],"category_scores_gemma":[0.000346088,0.00015433365,0.00020650665,0.00013372854,0.00035937954,0.0004153996,0.00006066683,0.00075314316,0.0001383495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001152611,0.00018767561,0.00083438354,0.000034787947,0.00023158288,0.000030514602,0.29974285,0.000002150416,0.00015604716,0.49324855,0.20133916,0.0040770355],"study_design_scores_gemma":[0.00047081924,0.00045518667,0.0014588747,0.0003652353,0.00011148633,0.000012119197,0.020372534,0.00035953886,0.0024013761,0.12948106,0.8438589,0.00065284665],"about_ca_topic_score_codex":0.0006815151,"about_ca_topic_score_gemma":0.0046879007,"teacher_disagreement_score":0.6425198,"about_ca_system_score_codex":0.00016413727,"about_ca_system_score_gemma":0.000074628406,"threshold_uncertainty_score":0.9994024},"labels":[],"label_agreement":null},{"id":"W2897356940","doi":"","title":"Odilon Redon, the visual poet of Edgar Allan Poe : a study of the lithographic album 'A Edgar Poë'","year":2004,"lang":"en","type":"dissertation","venue":"St Andrews Research Repository (St Andrews Research Repository)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Literature","score_opus":0.05368416842844855,"score_gpt":0.3523088556354608,"score_spread":0.2986246872070123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897356940","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88702893,0.011442307,7.5772726e-7,0.0003408387,0.003783932,0.003627753,0.00019543218,0.00008195917,0.093498096],"genre_scores_gemma":[0.87851286,0.0009289639,0.000005867684,0.00002007276,0.0044662114,0.00037752246,0.0002960744,0.0002049291,0.11518749],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.97645867,0.0075752973,0.0030227432,0.0018640949,0.0088433875,0.0022358184],"domain_scores_gemma":[0.98503846,0.0012993234,0.0015675754,0.0032410894,0.008183421,0.0006701537],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.008222386,0.001114229,0.0019621395,0.0028677948,0.007460672,0.0026531692,0.004258129,0.00093283557,0.0002756289],"category_scores_gemma":[0.00084353116,0.00068957935,0.0015623197,0.0026051246,0.0033347334,0.000715493,0.00077619695,0.0069863955,0.000021837086],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010604047,0.017732438,0.025302658,0.007713574,0.012282381,0.0026715305,0.5698124,0.00006315992,0.060289938,0.024913225,0.2654471,0.003167535],"study_design_scores_gemma":[0.009616257,0.01616794,0.027047515,0.009262475,0.0026428592,0.00036356755,0.4380794,0.00031151908,0.060232267,0.0036706848,0.42865187,0.003953649],"about_ca_topic_score_codex":0.016590659,"about_ca_topic_score_gemma":0.01305576,"teacher_disagreement_score":0.16320477,"about_ca_system_score_codex":0.00045126208,"about_ca_system_score_gemma":0.0024109317,"threshold_uncertainty_score":0.9995555},"labels":[],"label_agreement":null},{"id":"W2898526209","doi":"","title":"LibGuides: Finding Newspapers: American and Canadian Newspapers","year":2016,"lang":"en","type":"libguides","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Political science; History; Media studies; Business; Sociology","score_opus":0.02200940028331604,"score_gpt":0.23210504492831946,"score_spread":0.2100956446450034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898526209","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00079976197,0.004877418,0.0000033294093,0.009465096,0.002305454,0.00020353062,0.0013104844,0.0001499022,0.980885],"genre_scores_gemma":[0.011919293,0.006360413,0.00027636994,0.01717322,0.011779363,0.00002141115,0.0005327454,0.00017218849,0.951765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731046,0.0000996401,0.00063626934,0.0006719536,0.00039003862,0.0008916111],"domain_scores_gemma":[0.9979376,0.00018510621,0.00038619334,0.00050181145,0.00019795407,0.0007913269],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024392485,0.00064887165,0.00093077053,0.0010120788,0.00091584685,0.0019205293,0.00049422315,0.0002386703,0.01903109],"category_scores_gemma":[0.00008318728,0.000427514,0.0003786161,0.00012306732,0.00071635714,0.0005428755,0.00008076588,0.000550595,0.00021118198],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000593203,0.000009332673,0.00016612401,0.000060858223,0.00047599123,0.000067748326,0.013095664,1.8933802e-7,0.00000358057,0.0316369,0.9366111,0.017866561],"study_design_scores_gemma":[0.00021800827,0.00006742504,0.00004597497,0.0003303153,0.0003029999,0.000017032922,0.009699613,0.0000044022636,0.0000020953325,0.0006070619,0.9879925,0.0007125222],"about_ca_topic_score_codex":0.46680522,"about_ca_topic_score_gemma":0.8248318,"teacher_disagreement_score":0.35802656,"about_ca_system_score_codex":0.000192854,"about_ca_system_score_gemma":0.00047636716,"threshold_uncertainty_score":0.99981767},"labels":[],"label_agreement":null},{"id":"W2899287957","doi":"10.17742/image.p70s.9.1.7","title":"Deep Backgrounds: Landscapes of Labor in All the President’s Men","year":2018,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; White (mutation); Movie theater; Work (physics); Collar; Labor history; Sociology; Media studies; History; Political science; Labor relations; Art history; Law; Engineering","score_opus":0.040622195965556364,"score_gpt":0.3717740820323771,"score_spread":0.3311518860668207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899287957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72497654,0.053394012,0.00008440313,0.026363852,0.0018649063,0.00034458842,0.00016283072,0.000035986912,0.19277287],"genre_scores_gemma":[0.9927104,0.0011581914,0.0004179573,0.00030886402,0.0013419033,0.000005032114,0.0000056385798,0.000011572335,0.0040404163],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983412,0.0001142266,0.0007873856,0.00012413965,0.0003986637,0.00023438413],"domain_scores_gemma":[0.98687804,0.00017624085,0.0006250772,0.00015697534,0.012118607,0.000045046814],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00058782264,0.00018501744,0.00041395656,0.0002321037,0.0005167958,0.0021667276,0.00039539652,0.000025762907,0.00037622676],"category_scores_gemma":[0.0005979827,0.00009549951,0.00022564974,0.00017602027,0.003204314,0.007021702,0.00008074584,0.0002675875,0.000013874317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024255602,0.00044949056,0.013942148,0.00018922199,0.0037031102,0.00011530557,0.5675111,0.00005861628,0.0033672114,0.28207922,0.12584199,0.0025000516],"study_design_scores_gemma":[0.0044366596,0.0005762206,0.0452936,0.00053450983,0.0013296047,0.00028944065,0.18274935,0.00043151947,0.0035468398,0.07328933,0.6867449,0.00077799516],"about_ca_topic_score_codex":0.00008944908,"about_ca_topic_score_gemma":0.001165336,"teacher_disagreement_score":0.56090295,"about_ca_system_score_codex":0.000053380423,"about_ca_system_score_gemma":0.000033953907,"threshold_uncertainty_score":0.9995084},"labels":[],"label_agreement":null},{"id":"W2912134496","doi":"10.1386/public.29.58.42_1","title":"Smoke Screens and Cinematic Representations of the MOVE Bombing","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Representation (politics); Displacement (psychology); Criminology; Sociocultural evolution; Sociology; State (computer science); History; Gender studies; Visual arts; Art; Political science; Psychology; Law; Anthropology; Politics; Psychoanalysis","score_opus":0.041465055576905434,"score_gpt":0.2515961233329035,"score_spread":0.21013106775599805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912134496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8464208,0.0003940314,0.000025804475,0.0054860595,0.0002607698,0.00009173307,0.000036884227,0.000020410504,0.14726348],"genre_scores_gemma":[0.99325174,0.000009218848,0.000037262977,0.00056538277,0.00042561014,0.000002894749,0.0000052008036,0.0000055009955,0.005697198],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946076,0.0000430874,0.0001710998,0.000087111184,0.00013182504,0.00010613289],"domain_scores_gemma":[0.9994189,0.000042830816,0.0001030577,0.00021200157,0.00018552932,0.000037662892],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015379491,0.000055225133,0.00010298209,0.00008553634,0.00034560775,0.00029927623,0.00011757413,0.000015884621,0.001194831],"category_scores_gemma":[0.00007653321,0.00003292918,0.0000650352,0.000083164705,0.000241542,0.000268199,0.000047870275,0.00006676289,0.0000063416146],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032097219,0.000050909483,0.0148257855,0.000043805492,0.00016378667,7.6842366e-7,0.061297216,4.357078e-7,0.00007919879,0.9067797,0.015605869,0.0011492997],"study_design_scores_gemma":[0.0018060299,0.00018760911,0.19906382,0.00032689766,0.0007611831,0.000041555704,0.05075562,0.0025616267,0.0009456081,0.10666332,0.6361905,0.0006962386],"about_ca_topic_score_codex":0.00037245054,"about_ca_topic_score_gemma":0.0005514891,"teacher_disagreement_score":0.8001164,"about_ca_system_score_codex":0.0000039537617,"about_ca_system_score_gemma":0.000014626963,"threshold_uncertainty_score":0.9997182},"labels":[],"label_agreement":null},{"id":"W2924265028","doi":"","title":"FTER PHYLLIS WEBB’S POETICS AGAINST THE ANGEL OF DEATH (POEM)","year":2014,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Art; Literature","score_opus":0.02808751374924312,"score_gpt":0.24467051646282467,"score_spread":0.21658300271358155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924265028","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011223199,0.6222201,0.0001384254,0.006965539,0.0010218186,0.0006976138,0.00035322315,0.00010640926,0.3572737],"genre_scores_gemma":[0.4912445,0.4349428,0.0002492274,0.043066222,0.0042633032,0.000054021035,0.00023133305,0.000106058484,0.02584254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863726,0.0001938461,0.0004940594,0.00017555592,0.00027689652,0.00022240491],"domain_scores_gemma":[0.99881893,0.00008996147,0.00027729868,0.00054802373,0.00019810605,0.000067690315],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005432246,0.00018986389,0.00051891623,0.000056423523,0.00021429313,0.00014709597,0.00035410718,0.00003789284,0.0011424469],"category_scores_gemma":[0.000069084956,0.00010312751,0.00037383597,0.00008814615,0.00012624261,0.00013728405,0.000055913017,0.00019182073,0.00011114998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017130646,0.0003202743,0.00088247407,0.008890874,0.00077432825,0.000022418522,0.033466186,0.000005930616,0.00008247091,0.3476966,0.40794167,0.19989964],"study_design_scores_gemma":[0.00011003786,0.000027451437,0.000116592106,0.0014116885,0.0003751359,0.0000037532468,0.000088906105,0.000042657473,0.000012601398,0.00050481147,0.9971621,0.00014428761],"about_ca_topic_score_codex":0.000047073507,"about_ca_topic_score_gemma":0.00012123739,"teacher_disagreement_score":0.5892204,"about_ca_system_score_codex":0.000009610957,"about_ca_system_score_gemma":0.000020445423,"threshold_uncertainty_score":0.99977064},"labels":[],"label_agreement":null},{"id":"W2924661744","doi":"10.3138/jcs.2018-0009","title":"Corporate and Worker Photographs of the Offshore Oil Industry: The Case of the Ocean Ranger","year":2019,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sophistication; Viewpoints; Petroleum industry; Submarine pipeline; Photography; History; Visual arts; Sociology; Engineering; Oceanography; Geology; Art","score_opus":0.034925583806860144,"score_gpt":0.21824824206969642,"score_spread":0.18332265826283628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924661744","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9773734,0.010952788,2.1927356e-8,0.0040135244,0.00074211415,0.000060681083,0.00008498577,9.4673715e-7,0.006771498],"genre_scores_gemma":[0.9934093,0.00062303524,0.0000027504984,0.0007585139,0.0002982004,4.680777e-7,2.3181597e-7,0.000008734642,0.0048988075],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989876,0.00013683748,0.0004288254,0.00007012142,0.00021044427,0.0001661571],"domain_scores_gemma":[0.99818027,0.00010227059,0.0008497828,0.00023570085,0.00054118835,0.000090772526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005094818,0.00012648223,0.00036604522,0.0002601828,0.0004035552,0.00008563955,0.0002619711,0.000058431207,0.00016706245],"category_scores_gemma":[0.000055350047,0.000049603867,0.00027181636,0.0002907556,0.0005698192,0.00012450638,0.000045845925,0.0005073428,4.78582e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017242723,0.00008844272,0.23708123,0.0002633136,0.007771101,0.00058024377,0.36583695,0.00006952976,0.000095993484,0.03649684,0.34361315,0.007930789],"study_design_scores_gemma":[0.0018356207,0.00021311089,0.03130809,0.0014089982,0.002331043,0.0016498199,0.33443153,0.000021353853,0.00032885032,0.004861943,0.6211832,0.00042639425],"about_ca_topic_score_codex":0.01075414,"about_ca_topic_score_gemma":0.24745771,"teacher_disagreement_score":0.2775701,"about_ca_system_score_codex":0.000024264798,"about_ca_system_score_gemma":0.00016697026,"threshold_uncertainty_score":0.99583334},"labels":[],"label_agreement":null},{"id":"W2944450112","doi":"10.7202/1058061ar","title":"“A Scrap of the Savage”: E. Pauline Johnson’s Canoeing Journalism","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scrap; Journalism; Art; Art history; Philosophy; Media studies; Sociology; Engineering","score_opus":0.019989103275036085,"score_gpt":0.24832712693182366,"score_spread":0.22833802365678757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944450112","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5539926,0.20576172,3.01792e-7,0.026658352,0.018215409,0.0008189585,0.002609874,0.00003430678,0.19190843],"genre_scores_gemma":[0.97147024,0.0007858346,0.000015367794,0.0038707277,0.0011541204,0.0000052623486,0.000022756218,0.000020686583,0.022654984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983396,0.00012803925,0.00046692562,0.0002354431,0.00032739196,0.00050260895],"domain_scores_gemma":[0.9987444,0.00007976357,0.0001974514,0.00040623656,0.00040461984,0.00016747254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003656073,0.00023549446,0.00045036,0.00032095364,0.00037373105,0.00024813422,0.00040878242,0.00008405676,0.0005893722],"category_scores_gemma":[0.0001064868,0.00014623877,0.00018809934,0.00034437157,0.00017967823,0.00026806,0.00006199633,0.0006683854,0.000006831505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031446772,0.000039205544,0.024588548,0.0005341222,0.0009471433,0.0003481882,0.30006284,0.000100121375,0.000064570566,0.11108616,0.5616112,0.0005864594],"study_design_scores_gemma":[0.0003844539,0.00002255969,0.0023066683,0.001039296,0.0000602116,0.000022292492,0.009027136,0.000024897128,0.000022912227,0.0017049798,0.9851606,0.00022402868],"about_ca_topic_score_codex":0.60709226,"about_ca_topic_score_gemma":0.99504644,"teacher_disagreement_score":0.42354938,"about_ca_system_score_codex":0.00030350848,"about_ca_system_score_gemma":0.0005673911,"threshold_uncertainty_score":0.6453212},"labels":[],"label_agreement":null},{"id":"W2947633674","doi":"10.2969/aspm/03210347","title":"The Essentials of Monstrous Moonshine","year":2018,"lang":"en","type":"article","venue":"Advanced studies in pure mathematics","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Computer science","score_opus":0.0464533583722354,"score_gpt":0.32305188146230984,"score_spread":0.27659852309007443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947633674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68500525,0.085326955,0.0021303399,0.00383217,0.0074993963,0.0014271402,0.00021568128,0.0002129384,0.21435013],"genre_scores_gemma":[0.98999447,0.0017179222,0.0026894368,0.00011317734,0.0005908678,0.000024785008,0.0000026559585,0.000018285726,0.0048483834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989063,0.000037434376,0.00051218946,0.00012006798,0.00021619728,0.00020780989],"domain_scores_gemma":[0.99864835,0.00038914444,0.00027465145,0.0003182272,0.0003480679,0.000021554006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037208025,0.00014059269,0.00037984675,0.00006833341,0.0004387208,0.00006542959,0.00022473089,0.000024905952,0.000076014236],"category_scores_gemma":[0.00034650945,0.00007973767,0.00009759194,0.000097545126,0.00091500283,0.00014232639,0.00008714247,0.000120182616,0.000012506661],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023769853,0.00015321573,0.00017331722,0.00024469354,0.00051034644,0.000009958748,0.16482112,0.000023132705,0.00011605778,0.82313824,0.00807765,0.0027084814],"study_design_scores_gemma":[0.0009977254,0.0002484354,0.000052462456,0.00075002416,0.00035447394,0.00001787639,0.17882054,0.0004750179,0.0017032055,0.60697705,0.20912494,0.0004782397],"about_ca_topic_score_codex":0.0000052293403,"about_ca_topic_score_gemma":0.00083169574,"teacher_disagreement_score":0.30498922,"about_ca_system_score_codex":0.00001915533,"about_ca_system_score_gemma":0.000009229417,"threshold_uncertainty_score":0.33743298},"labels":[],"label_agreement":null},{"id":"W2955668566","doi":"10.4000/contextes.8222","title":"The face of the journal: Photojournalism and l’affaire Lindbergh","year":2019,"lang":"fr","type":"article","venue":"Contextes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Headline; Photojournalism; Front (military); Newspaper; Art; Art history; Face (sociological concept); Front cover; Cover (algebra); Media studies; Visual arts; Photography; Advertising; Geography; Sociology; Engineering","score_opus":0.008959259922706197,"score_gpt":0.2076021023350293,"score_spread":0.1986428424123231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955668566","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4307835,0.5154871,0.000011742519,0.023785396,0.0064633074,0.00028742824,0.00017997803,0.000011006598,0.02299054],"genre_scores_gemma":[0.772254,0.017729737,0.000004231964,0.00063549203,0.0010423866,0.0000010710982,0.0000014214949,0.000022962464,0.20830873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980756,0.00040512971,0.00061760773,0.00015171083,0.00037566223,0.00037427008],"domain_scores_gemma":[0.9978271,0.00056637765,0.0006310109,0.00042250752,0.00041939778,0.00013358284],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010134662,0.0002504899,0.00038767615,0.00006566307,0.001673716,0.0010795735,0.00056262704,0.0001194831,0.0013406832],"category_scores_gemma":[0.00011038828,0.00012371564,0.00039458412,0.00009309473,0.00081105804,0.00044394413,0.00011726477,0.0008163756,0.000038257007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024598517,0.00022546512,0.008840174,0.0003734197,0.0023454998,0.00003177256,0.19143902,0.000054838438,0.0013876124,0.60509586,0.13792941,0.052030966],"study_design_scores_gemma":[0.0006374785,0.00010604431,0.0011563592,0.00069440407,0.00042880082,0.00021930879,0.0271598,0.0001692494,0.00042983392,0.0066405684,0.9621625,0.00019568448],"about_ca_topic_score_codex":0.0002486849,"about_ca_topic_score_gemma":0.00044218107,"teacher_disagreement_score":0.82423306,"about_ca_system_score_codex":0.000028390743,"about_ca_system_score_gemma":0.00008648533,"threshold_uncertainty_score":0.9999574},"labels":[],"label_agreement":null},{"id":"W2957137825","doi":"","title":"L'imaginaire de la catastrophe dans le cinéma hollywoodien des années 30, naissance et filiation d'un répertoire formel","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Computer science","score_opus":0.009182086102853626,"score_gpt":0.21563186388109254,"score_spread":0.20644977777823892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2957137825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4366984,0.016454587,0.13997556,0.042199492,0.0007997099,0.0007795555,0.001789603,0.00042983744,0.36087325],"genre_scores_gemma":[0.9439707,0.0040036486,0.01660553,0.0003918384,0.00022936554,0.00007959681,0.0014751402,0.00009713722,0.033147044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9873795,0.009532459,0.000898666,0.00092210947,0.0005471214,0.0007201476],"domain_scores_gemma":[0.9930408,0.0013065843,0.0009452382,0.0019427974,0.0024173777,0.00034719304],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0070846733,0.00066191895,0.0007131948,0.0002633509,0.0036858062,0.0026091312,0.0015069114,0.00041378112,0.00072872185],"category_scores_gemma":[0.0010502308,0.0006582852,0.00056365586,0.0002477029,0.0022266284,0.0007811579,0.00070731103,0.0012208315,0.00007656556],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023834593,0.0007244078,0.0040617,0.00039930153,0.0002917718,0.000018552297,0.1531865,0.00030162913,0.00093190063,0.80841917,0.0042791,0.02736211],"study_design_scores_gemma":[0.0022597099,0.000005910989,0.051655237,0.00790193,0.00079998653,0.00014690227,0.0075842994,0.027487222,0.019240182,0.052707113,0.8281343,0.002077179],"about_ca_topic_score_codex":0.0114165945,"about_ca_topic_score_gemma":0.010816763,"teacher_disagreement_score":0.8238552,"about_ca_system_score_codex":0.00026784948,"about_ca_system_score_gemma":0.0005211228,"threshold_uncertainty_score":0.9995868},"labels":[],"label_agreement":null},{"id":"W2958252220","doi":"","title":"Le cinéma catastrophe américain des années 2000 et la mémoire appareillée du 11-septembre","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Moiré pattern; Art; Computer science; Computer vision","score_opus":0.01095497363235458,"score_gpt":0.20997320509046197,"score_spread":0.19901823145810738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2958252220","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113388516,0.011713322,0.035977017,0.05832528,0.0010370497,0.000743115,0.0017845808,0.0004487915,0.77658236],"genre_scores_gemma":[0.83869666,0.00367069,0.0089652445,0.0005816184,0.00043738223,0.00008328002,0.0026798025,0.00013509396,0.14475021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98298466,0.013208762,0.0011814204,0.001154992,0.0006866921,0.0007835],"domain_scores_gemma":[0.9904913,0.0020469038,0.0011053939,0.002556288,0.003321153,0.00047901558],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.007875905,0.00082016905,0.0010132809,0.00039337933,0.0029729728,0.003356117,0.0019548044,0.0005027175,0.0011353759],"category_scores_gemma":[0.00090601714,0.00080729235,0.00082105066,0.0003411149,0.001931076,0.0006016974,0.0011762859,0.0013395968,0.00018923318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021053407,0.00081551657,0.0014749699,0.00036125738,0.00033192814,0.000027495144,0.070453085,0.00031363437,0.00013155185,0.90198886,0.0150661515,0.009014488],"study_design_scores_gemma":[0.00080515846,0.0000013850914,0.0029403765,0.002919485,0.0003099557,0.00006278764,0.002993983,0.0042406106,0.00083619735,0.00600468,0.97798723,0.0008981263],"about_ca_topic_score_codex":0.013333941,"about_ca_topic_score_gemma":0.033997748,"teacher_disagreement_score":0.9629211,"about_ca_system_score_codex":0.0001878582,"about_ca_system_score_gemma":0.00093783654,"threshold_uncertainty_score":0.99977773},"labels":[],"label_agreement":null},{"id":"W2964916103","doi":"","title":"Magazines and the Making of Photographic Modernism in Canada / Les magazines et la création de la photographie moderne au Canada","year":2009,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Art; Humanities; Art history","score_opus":0.012164997368786581,"score_gpt":0.22639433198922743,"score_spread":0.21422933462044086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964916103","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16041523,0.03732956,0.00038218073,0.0010547962,0.0007638416,0.00074965874,0.0012615421,0.000040452025,0.7980027],"genre_scores_gemma":[0.966057,0.0041654394,0.0003474115,0.014033421,0.00047090155,0.00004406471,0.00012648925,0.00004630391,0.014708939],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99660176,0.000876239,0.0007920293,0.00048631502,0.0005463108,0.0006973541],"domain_scores_gemma":[0.99827826,0.00037448783,0.00048535908,0.00041632736,0.0002968015,0.000148743],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011357056,0.0005601962,0.0008067467,0.0002639198,0.00062785076,0.0005523462,0.00040646867,0.000316063,0.0031532573],"category_scores_gemma":[0.000112463305,0.0004226603,0.00022825388,0.00046311363,0.0006242408,0.00046194767,0.000060521772,0.00096125825,6.503791e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058076665,0.00048583065,0.014378585,0.0010659528,0.0010309607,0.0003763101,0.024192829,0.009030297,0.0020125126,0.66347045,0.28115916,0.0022163668],"study_design_scores_gemma":[0.0028734002,0.00005423922,0.0064644334,0.0011067082,0.0007120593,0.00017994294,0.006259582,0.02076792,0.00017526961,0.013042709,0.9475407,0.0008230565],"about_ca_topic_score_codex":0.98328865,"about_ca_topic_score_gemma":0.9849115,"teacher_disagreement_score":0.80564183,"about_ca_system_score_codex":0.00027029568,"about_ca_system_score_gemma":0.0026375125,"threshold_uncertainty_score":0.9998225},"labels":[],"label_agreement":null},{"id":"W2970489484","doi":"10.15353/kinema.vi.996","title":"The Vanishing and Nightwatch","year":2002,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Plot (graphics); Film director; Art history; Art; Country; History; Sociology; Movie theater; Mathematics; Management","score_opus":0.032603641126271156,"score_gpt":0.24008608608321946,"score_spread":0.20748244495694831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970489484","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.784725,0.13288748,0.00064552296,0.033915944,0.0141494805,0.00084388506,0.0004094755,0.00016989917,0.032253314],"genre_scores_gemma":[0.9602843,0.0072011137,0.00022372254,0.0010921411,0.0070398543,0.000014224486,0.000011259795,0.000038872127,0.02409453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987611,0.0000626901,0.00037997824,0.00017211409,0.00026609,0.0003579818],"domain_scores_gemma":[0.99879044,0.0005005969,0.0001919637,0.00010879782,0.0001713295,0.00023684508],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005302904,0.00018906435,0.00027234116,0.00009384249,0.0022234847,0.0018650895,0.00016015378,0.000057394547,0.00072593486],"category_scores_gemma":[0.0002270812,0.0001060158,0.00016211474,0.000045717905,0.00023101595,0.0004550992,0.00003828711,0.00034930982,0.000009213008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014339955,0.00014974616,0.000693354,0.00013091398,0.0006991897,0.00016005503,0.16846241,0.0000041879425,0.00020372758,0.15168968,0.5911212,0.08654214],"study_design_scores_gemma":[0.0008863448,0.00016846039,0.00018249646,0.00008214012,0.00018309278,0.00038762935,0.0054413034,0.0009692498,0.000026521695,0.008619661,0.98282444,0.00022865251],"about_ca_topic_score_codex":0.000010861845,"about_ca_topic_score_gemma":0.00016869194,"teacher_disagreement_score":0.39170325,"about_ca_system_score_codex":0.000010609165,"about_ca_system_score_gemma":0.000010168512,"threshold_uncertainty_score":0.9991711},"labels":[],"label_agreement":null},{"id":"W2971266783","doi":"10.15353/kinema.vi.1008","title":"Barry Lyndon and the Limits of Understanding","year":2003,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Art; Shut down; Art history; History; Computer science","score_opus":0.06245278864331545,"score_gpt":0.273773238350184,"score_spread":0.21132044970686858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971266783","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.830974,0.07225314,0.005958288,0.010963971,0.009943071,0.0012649065,0.00043824507,0.00007646327,0.06812794],"genre_scores_gemma":[0.9957462,0.001353343,0.00012591603,0.0003468259,0.00091314845,0.000005091789,0.000005324866,0.000016829808,0.0014873144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988374,0.000131517,0.00041492653,0.00013621202,0.00023815964,0.00024179305],"domain_scores_gemma":[0.99872667,0.000620251,0.00027038858,0.00009168502,0.0001393382,0.00015168732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009407741,0.00016571056,0.00039785937,0.00015685323,0.00072464586,0.000375667,0.00009664392,0.00005366559,0.00042813082],"category_scores_gemma":[0.00039717814,0.00009264458,0.00020194221,0.00005870942,0.0004364371,0.00025302632,0.000014762139,0.00024246544,9.544539e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002969175,0.000049488208,0.00023634985,0.000120682766,0.00035754158,0.000019754541,0.05545089,0.0000037456368,0.00013730484,0.9227119,0.019659394,0.0009560255],"study_design_scores_gemma":[0.01956952,0.0008997471,0.00041435196,0.00087811914,0.002019517,0.0016022268,0.09365031,0.0011271596,0.00096894393,0.313251,0.5646304,0.0009886961],"about_ca_topic_score_codex":0.00000951679,"about_ca_topic_score_gemma":0.00007904411,"teacher_disagreement_score":0.6094609,"about_ca_system_score_codex":0.000014976777,"about_ca_system_score_gemma":0.000036583708,"threshold_uncertainty_score":0.55734634},"labels":[],"label_agreement":null},{"id":"W2971277185","doi":"10.15353/kinema.vi.964","title":"Berlinale 2001 Report","year":2001,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Brother; Presentation (obstetrics); Dilemma; Visual arts; Law; Philosophy; Medicine; Political science","score_opus":0.040451156627628757,"score_gpt":0.28774575370112737,"score_spread":0.2472945970734986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971277185","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9106545,0.014239793,0.002536844,0.008363339,0.013081021,0.0006189973,0.0003633872,0.00017945106,0.04996266],"genre_scores_gemma":[0.7962853,0.00314741,0.0015451708,0.0023298992,0.026363438,0.00004049822,0.00024958354,0.00010581382,0.1699329],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998105,0.000052573327,0.00066846586,0.00026810117,0.00038332416,0.00052257575],"domain_scores_gemma":[0.9984362,0.00019140466,0.00037994,0.00018002823,0.00039804226,0.0004143543],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000763534,0.00025910922,0.00046138177,0.00026666053,0.000921075,0.00072582735,0.00018030987,0.00008888293,0.0036222427],"category_scores_gemma":[0.00029662103,0.00018808163,0.0003507154,0.000093557785,0.0001705332,0.0005241166,0.00003422149,0.0003742148,0.000025469115],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005216018,0.0004774596,0.004086413,0.00015489318,0.0008982377,0.006345326,0.06754135,0.000019907464,0.00034634952,0.025638582,0.870007,0.023962904],"study_design_scores_gemma":[0.0011133581,0.00022520732,0.00043209764,0.00010877851,0.00028465968,0.0073200203,0.005197799,0.00020040566,0.00003385056,0.0046675806,0.980097,0.00031927368],"about_ca_topic_score_codex":0.000043576452,"about_ca_topic_score_gemma":0.0004346433,"teacher_disagreement_score":0.11997025,"about_ca_system_score_codex":0.000023522274,"about_ca_system_score_gemma":0.000078976846,"threshold_uncertainty_score":0.9972886},"labels":[],"label_agreement":null},{"id":"W2971809091","doi":"","title":"Two Thousand Miles on an Automobile; Being a Desultory Narrative of a Trip Through New England, New York, Canada, and the West","year":2006,"lang":"en","type":"book","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; History; Performance art; Genealogy; Art; Art history; Literature","score_opus":0.008164891909594484,"score_gpt":0.17832832080494368,"score_spread":0.1701634288953492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971809091","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006879293,0.0015801796,2.3496573e-7,0.0002360702,0.000288579,0.00036113334,0.00034508403,0.000029267487,0.9964715],"genre_scores_gemma":[0.0073124557,0.00016046398,0.0001226785,0.0007536947,0.0013869439,0.0000057027273,0.00043938175,0.000030256551,0.9897884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773085,0.00017268224,0.0010218807,0.00022193836,0.0005844195,0.00026821403],"domain_scores_gemma":[0.9978125,0.00041998032,0.000991267,0.00034313343,0.000287301,0.00014582912],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003445984,0.00043766148,0.0007751026,0.00007272043,0.00035301826,0.00025996022,0.00032312155,0.00018976146,0.04366512],"category_scores_gemma":[0.000058197827,0.00030237416,0.00023491675,0.0000057444636,0.00038525276,0.000002311309,0.00004200757,0.0004957331,0.000065697845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042015058,0.000020497177,7.4413657e-7,0.00015620027,0.00019058606,0.000015666099,0.061019175,0.00032032176,3.607341e-8,0.005744485,0.93099844,0.0011137021],"study_design_scores_gemma":[0.0030017067,0.00021254357,0.0000034687025,0.0004071876,0.00030662154,0.000040853036,0.0025518907,0.0000213326,0.0000026178511,0.00083508133,0.9922853,0.00033135826],"about_ca_topic_score_codex":0.6918111,"about_ca_topic_score_gemma":0.8550109,"teacher_disagreement_score":0.16319987,"about_ca_system_score_codex":0.000097142336,"about_ca_system_score_gemma":0.0005699734,"threshold_uncertainty_score":0.99994284},"labels":[],"label_agreement":null},{"id":"W298071686","doi":"","title":"Image Technologies in Canadian Literature: Narrative, Film, and Photography","year":2010,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Photography; History; Image (mathematics); Art; Visual arts; Computer graphics (images); Computer science; Literature; Computer vision","score_opus":0.0100587090608419,"score_gpt":0.21674075073678825,"score_spread":0.20668204167594634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W298071686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8510012,0.11878114,2.6491506e-7,0.006069109,0.0016158561,0.00016779228,0.00056610664,0.00002726751,0.021771284],"genre_scores_gemma":[0.98736894,0.010733789,0.00032402555,0.0005234893,0.00041943832,0.000005341528,0.0000079672145,0.000017665525,0.0005993579],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985864,0.000051351366,0.00047623506,0.00017268665,0.00018511692,0.0005281949],"domain_scores_gemma":[0.9984778,0.000053331656,0.00019115942,0.00011769588,0.0007269121,0.00043309573],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004832687,0.00019101259,0.00046992785,0.0030268356,0.00068872474,0.0010649499,0.00025094097,0.000115291135,0.00024021578],"category_scores_gemma":[0.00033868593,0.00018084879,0.00015348423,0.00051971833,0.00061707135,0.0007149821,0.000021911132,0.0010135643,0.0000018758514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048181635,0.00009176991,0.020496994,0.00024626765,0.0020575777,0.02512893,0.40020147,0.0000015973689,0.00038546248,0.04027562,0.46917337,0.041892756],"study_design_scores_gemma":[0.0006390604,0.00008606267,0.004761074,0.0007260528,0.00009280893,0.002404071,0.10420734,0.0000061029336,0.000035534325,0.004857077,0.8817858,0.0003990246],"about_ca_topic_score_codex":0.72994274,"about_ca_topic_score_gemma":0.9992893,"teacher_disagreement_score":0.4126124,"about_ca_system_score_codex":0.000071903196,"about_ca_system_score_gemma":0.00037058737,"threshold_uncertainty_score":0.99997205},"labels":[],"label_agreement":null},{"id":"W2986152796","doi":"10.4000/ejas.15139","title":"Specular Metamorphoses: Harriet Prescott Spofford’s “The Ray of Displacement”","year":2019,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Invisibility; Sympathy; Adventure; Narrative; Consciousness; Rhetoric; Literature; Power (physics); Shadow (psychology); Philosophy; Art; Art history; Psychoanalysis; Epistemology; Physics; Optics; Psychology","score_opus":0.021491618888834337,"score_gpt":0.24213174980911295,"score_spread":0.22064013092027862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2986152796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90214807,0.0301305,0.00014999435,0.0023356106,0.0022026857,0.00025398665,0.00008958503,0.000021770638,0.06266779],"genre_scores_gemma":[0.98527104,0.0020889526,0.0002699502,0.0007009664,0.0010513562,6.1056085e-7,0.0000026888754,0.00003268505,0.010581747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779916,0.00050295936,0.0008310027,0.00014646098,0.0004916545,0.00022878322],"domain_scores_gemma":[0.997513,0.0001335946,0.0014205929,0.00030700339,0.0005467069,0.00007909534],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012320969,0.0002173819,0.00074292056,0.00017440211,0.00022074858,0.00015468926,0.00047420117,0.0000057170128,0.00097448134],"category_scores_gemma":[0.000096946955,0.00011698458,0.00047206494,0.0001362814,0.0007820526,0.00030151368,0.000119314194,0.00028848185,0.000066177934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00133322,0.00065420155,0.010874061,0.000428838,0.02545512,0.00086302275,0.44717735,0.00060186087,0.0025526253,0.03876463,0.45477995,0.016515108],"study_design_scores_gemma":[0.00068401353,0.0008467412,0.0015914876,0.00018506164,0.0007286468,0.000028549437,0.07693332,0.0000066747475,0.00016536348,0.00007323117,0.91855633,0.0002005779],"about_ca_topic_score_codex":0.000024261579,"about_ca_topic_score_gemma":0.000015974467,"teacher_disagreement_score":0.46377638,"about_ca_system_score_codex":0.00002342487,"about_ca_system_score_gemma":0.000028077495,"threshold_uncertainty_score":0.9999388},"labels":[],"label_agreement":null},{"id":"W2995352763","doi":"10.1002/9781118635193.ctwl0321","title":"Knut Hamsun: Modernity's Primal Birthing","year":2019,"lang":"en","type":"other","venue":"A Companion to World Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Foregrounding; Modernity; Relation (database); Modernism (music); Romanticism; Civilization; Ecocriticism; Literature; History; Sociology; Aesthetics; Art; Political science; Law; Archaeology","score_opus":0.014522358233709754,"score_gpt":0.22312192429895306,"score_spread":0.2085995660652433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995352763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006432352,0.012145257,0.00004382503,0.0014159576,0.0036205135,0.00056655705,0.0012487595,0.00048531283,0.9804095],"genre_scores_gemma":[0.00782714,0.000094614465,0.00042925242,0.005377264,0.00866931,0.000025448428,0.0011076649,0.0005720922,0.9758972],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721026,0.0001830428,0.00054539385,0.0008073368,0.0006378153,0.0006161196],"domain_scores_gemma":[0.9980482,0.000060549784,0.0004050782,0.0009614713,0.0002212328,0.00030346733],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021206963,0.00078016164,0.0010351549,0.0017828243,0.00030600477,0.0029213843,0.0006944485,0.0003265518,0.017305778],"category_scores_gemma":[0.000017279535,0.00062570674,0.0005263277,0.0004177125,0.000077884826,0.00035918213,0.00018210383,0.0014259428,0.001890038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028077917,0.00006981115,0.000040488227,0.00023356019,0.0002749512,0.00004831931,0.021038612,0.0000098008495,0.000006148336,0.120945364,0.8568025,0.0005023472],"study_design_scores_gemma":[0.0004035165,0.000041373976,0.000014894219,0.0022526202,0.00015214099,0.000014221826,0.0002398893,0.00009261109,0.000003571301,0.0005464348,0.99544597,0.0007927417],"about_ca_topic_score_codex":0.0002539123,"about_ca_topic_score_gemma":0.0018748101,"teacher_disagreement_score":0.13864346,"about_ca_system_score_codex":0.00007337775,"about_ca_system_score_gemma":0.000067021465,"threshold_uncertainty_score":0.9996194},"labels":[],"label_agreement":null},{"id":"W2998145584","doi":"","title":"Towards inferential journalism","year":2019,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Journalism; Computer science; Psychology; Sociology; Media studies","score_opus":0.015364187054950264,"score_gpt":0.22036179095570244,"score_spread":0.20499760390075217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998145584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17422237,0.00026659807,0.00008696705,0.0010342528,0.0018479493,0.0000606171,0.000019760051,0.000061947096,0.82239956],"genre_scores_gemma":[0.85470283,0.000031274656,0.000057032947,0.0013254671,0.0015918164,0.0000011441932,0.000018429493,0.000011212906,0.14226076],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991517,0.000033199754,0.00023479316,0.00013278335,0.00024790163,0.00019960907],"domain_scores_gemma":[0.9994995,0.000013075845,0.00007510473,0.0001844649,0.00014152857,0.000086328444],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014013848,0.00011926587,0.0001929431,0.0001356544,0.0001614723,0.00075580884,0.00016974431,0.00003958052,0.11887315],"category_scores_gemma":[0.000006419242,0.00007889088,0.00019967742,0.000035383615,0.000040444753,0.0004409748,0.000035147234,0.0001902937,0.0012541787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000123838845,0.000039955023,0.00059557986,0.000013638686,0.00014046098,0.000007657648,0.014092517,0.0000028382753,0.00007804877,0.9381415,0.044609524,0.00226585],"study_design_scores_gemma":[0.00038808875,0.00004020701,0.00023741317,0.000018080309,0.000059726874,0.000009269114,0.0017200467,0.00010243548,0.00012510935,0.007546613,0.9895747,0.00017833235],"about_ca_topic_score_codex":0.00027148615,"about_ca_topic_score_gemma":0.00023284019,"teacher_disagreement_score":0.9449651,"about_ca_system_score_codex":0.000012807915,"about_ca_system_score_gemma":0.000030134115,"threshold_uncertainty_score":0.99952346},"labels":[],"label_agreement":null},{"id":"W2998930237","doi":"","title":"John Pilger's \"Youth in Action\" series as literary journalism","year":2012,"lang":"en","type":"book-chapter","venue":"Hope's Institutional Research Archive (Liverpool Hope University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Colonialism; Media studies; Politics; Subject (documents); History; Literature; Political science; Sociology; Art; Law; Library science","score_opus":0.07749955980804901,"score_gpt":0.2670391749023623,"score_spread":0.18953961509431327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998930237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001358298,0.0031041321,0.000065100314,0.000546005,0.0008070426,0.00048802965,0.0025696044,0.00007599911,0.9909858],"genre_scores_gemma":[0.045185488,0.015723648,0.00017548111,0.00032444435,0.0037910803,0.000004171853,0.0016215332,0.000086885135,0.9330873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951494,0.0005071318,0.00060152076,0.0008124108,0.0018566796,0.0010728779],"domain_scores_gemma":[0.9969704,0.00034411828,0.0003345103,0.0006032843,0.0010386449,0.00070905546],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000997726,0.00066903746,0.0007542404,0.004960047,0.0024716638,0.00084955647,0.0011642885,0.00034972737,0.013727446],"category_scores_gemma":[0.00012816953,0.0006506842,0.0006290408,0.00027957163,0.002648991,0.0030838798,0.0007655371,0.0035289687,0.0015703547],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074923836,0.00014057744,0.000049651702,0.00011170226,0.0005250903,0.0021369872,0.015588712,0.000023245666,0.000015539776,0.9674108,0.01049881,0.0027496272],"study_design_scores_gemma":[0.00083481,0.00018870397,0.00007961164,0.00092158996,0.00022308141,0.00009071284,0.0023634762,0.000012053036,0.000008762299,0.055728007,0.93887377,0.00067540584],"about_ca_topic_score_codex":0.0011443113,"about_ca_topic_score_gemma":0.0046294425,"teacher_disagreement_score":0.92837495,"about_ca_system_score_codex":0.0008793132,"about_ca_system_score_gemma":0.0015128047,"threshold_uncertainty_score":0.99959445},"labels":[],"label_agreement":null},{"id":"W3004980054","doi":"","title":"Days of Disquiet, Nights of Rage: The First Quarter Storm and Related Events by Jose F. Lacaba","year":2019,"lang":"en","type":"article","venue":"Humanities Diliman","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Quarter (Canadian coin); Storm; History; Meteorology; Art; Ancient history; Cartography; Geography; Archaeology; Psychology; Neuroscience","score_opus":0.009156601366525493,"score_gpt":0.1861392837303818,"score_spread":0.1769826823638563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004980054","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94849986,0.0028388046,5.4608216e-7,0.0003792946,0.0005214803,0.0001942803,0.00021638222,0.000024265257,0.047325075],"genre_scores_gemma":[0.9743546,0.00015893375,0.000001860901,0.0002499508,0.00022252543,0.000005949084,0.00008003799,0.000021452111,0.024904665],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998716,0.00007449104,0.00048944756,0.00019727324,0.00030380848,0.00021898562],"domain_scores_gemma":[0.9990565,0.00008572977,0.00030896688,0.00036885293,0.00014127042,0.000038662758],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022440472,0.000202412,0.00037888234,0.00012413286,0.00042317054,0.00013491101,0.00027081615,0.00006171018,0.003863303],"category_scores_gemma":[0.0000051349457,0.00012938904,0.00018304106,0.00004440312,0.0003845873,0.0004361158,0.00006545292,0.00021230638,0.00002911956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112173686,0.00033108183,0.005604471,0.00050085824,0.0007206264,0.0000070888973,0.482038,0.0000022320112,0.00017531175,0.4279938,0.08232179,0.00019254473],"study_design_scores_gemma":[0.0019677028,0.000557953,0.0068630422,0.00030191158,0.00048216622,0.000013201906,0.084569134,0.00008488107,0.00025543198,0.008811301,0.89551324,0.0005800614],"about_ca_topic_score_codex":0.00033765417,"about_ca_topic_score_gemma":0.0015443657,"teacher_disagreement_score":0.8131914,"about_ca_system_score_codex":0.000020194106,"about_ca_system_score_gemma":0.000013166724,"threshold_uncertainty_score":0.9970473},"labels":[],"label_agreement":null},{"id":"W3006416760","doi":"10.33137/mt.v7i2.33673","title":"Making “The Beast”: An Interview with Patrick McCurdy","year":2020,"lang":"en","type":"article","venue":"MediaTropes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta; University of Ottawa","funders":"","keywords":"Sociology; Aesthetics; Art","score_opus":0.08819074612247589,"score_gpt":0.2479453254745814,"score_spread":0.15975457935210552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006416760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5995788,0.086664155,0.0037205457,0.15633948,0.0059059598,0.0017798598,0.0007901914,0.0013655825,0.1438554],"genre_scores_gemma":[0.9830592,0.00011978479,0.00014353322,0.01038179,0.0054859654,0.0000088870665,0.0000312777,0.000025161147,0.0007443439],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897,0.00014451775,0.00022183651,0.00019771776,0.0002579917,0.00020796781],"domain_scores_gemma":[0.99944276,0.000032747143,0.000116417155,0.00019399091,0.00009811129,0.000115987474],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018224186,0.00015516575,0.0002183607,0.00004707208,0.0003294479,0.0005377539,0.00033576513,0.000023058055,0.0027500025],"category_scores_gemma":[0.000022421204,0.00007771229,0.00011263586,0.00009495924,0.00011299576,0.0003677043,0.000047952057,0.00023647277,0.0001079986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020477232,0.00020436611,0.0054762904,0.0003787721,0.00078724814,0.0002775145,0.68116933,0.00005295106,0.00002854992,0.07283248,0.18543357,0.053154163],"study_design_scores_gemma":[0.00025850433,0.00022944681,0.00024785424,0.00004451353,0.000257296,0.00000710735,0.00981785,0.00017220498,0.0000080329955,0.00018789287,0.988579,0.00019030682],"about_ca_topic_score_codex":0.000046218596,"about_ca_topic_score_gemma":0.00038543556,"teacher_disagreement_score":0.8031454,"about_ca_system_score_codex":0.000008357162,"about_ca_system_score_gemma":0.000022158534,"threshold_uncertainty_score":0.9981616},"labels":[],"label_agreement":null},{"id":"W3011298392","doi":"","title":"Storytelling forever: The Danish tradition: since Hans Christian Andersen’s time, journalistic storytelling has been doing well in Denmark – at least most of the time.","year":2020,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Storytelling; Danish; Art history; Art; Philosophy; Literature; Narrative; Linguistics","score_opus":0.024984212978288626,"score_gpt":0.19211278438537033,"score_spread":0.1671285714070817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011298392","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33342943,0.025053864,0.010813426,0.06783166,0.003978228,0.0027534203,0.0014191932,0.0003953015,0.55432546],"genre_scores_gemma":[0.98518795,0.00009884456,0.00014120834,0.0021716596,0.0015077972,0.0000041086323,0.00003742334,0.00003989922,0.010811129],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979134,0.0002575023,0.00067181536,0.00031533217,0.0004997522,0.00034217793],"domain_scores_gemma":[0.99874103,0.00024940993,0.00038969552,0.00032071822,0.00015205888,0.0001471084],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049558096,0.00028442292,0.00043940038,0.00010480413,0.0013646103,0.0005596472,0.0005504712,0.000078911595,0.0094353305],"category_scores_gemma":[0.000035320707,0.00017283985,0.00031847943,0.00022031496,0.00044755364,0.00041179467,0.00007848822,0.000553909,0.00015870358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00076026504,0.0005626667,0.002536404,0.00068557257,0.001657526,0.00035205993,0.49211225,0.014348672,0.004419827,0.07638246,0.40407145,0.0021108657],"study_design_scores_gemma":[0.0013590059,0.00014681226,0.00031463828,0.0006143171,0.0007221882,0.00009146204,0.025480118,0.055123053,0.0009108711,0.0007188588,0.9137059,0.00081279466],"about_ca_topic_score_codex":0.00019203701,"about_ca_topic_score_gemma":0.0013997109,"teacher_disagreement_score":0.6517585,"about_ca_system_score_codex":0.00011581483,"about_ca_system_score_gemma":0.00010206326,"threshold_uncertainty_score":0.99993545},"labels":[],"label_agreement":null},{"id":"W3011740506","doi":"10.22618/tp.pjcv.20182.2.437014","title":"The Long Walk: Stephen King’s Near-Future Critique of Sport and Contemporary Society","year":2018,"lang":"en","type":"article","venue":"Philosophical Journal of Conflict and Violence","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Sociology; Environmental ethics; Media studies; Philosophy","score_opus":0.02765138728406809,"score_gpt":0.2678099657080117,"score_spread":0.24015857842394359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011740506","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93726784,0.040313862,0.000040479776,0.016478343,0.0007573063,0.00012838824,0.000027382199,0.000013427661,0.004972957],"genre_scores_gemma":[0.9874567,0.006445307,0.000051430536,0.0015065991,0.0044312715,8.4458173e-7,0.0000017825461,0.000011343612,0.000094755844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986847,0.000032288444,0.0006249756,0.0001396132,0.00033324794,0.00018517007],"domain_scores_gemma":[0.9984495,0.00007800275,0.00046287282,0.0001513008,0.0006842751,0.00017406786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006773984,0.0001705571,0.00040780104,0.000043793505,0.0005554322,0.00035672984,0.00024630074,0.00009400853,0.00007416105],"category_scores_gemma":[0.000017170152,0.000098568096,0.00022924534,0.0000495286,0.0013548351,0.00038752702,0.00005807314,0.0004753618,0.0000010485033],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010207024,0.00021818165,0.04081759,0.00027605493,0.0011172186,0.00016235886,0.071718164,5.6491166e-7,0.0002263557,0.86454505,0.0052384017,0.014659333],"study_design_scores_gemma":[0.003127529,0.0019490893,0.027741801,0.0025042146,0.00065763615,0.00069657766,0.009488248,0.0004458854,0.00061322364,0.15733384,0.7946206,0.0008214141],"about_ca_topic_score_codex":0.000039740935,"about_ca_topic_score_gemma":0.000014594407,"teacher_disagreement_score":0.78938216,"about_ca_system_score_codex":0.000007036551,"about_ca_system_score_gemma":0.0000806872,"threshold_uncertainty_score":0.49919465},"labels":[],"label_agreement":null},{"id":"W3014651042","doi":"10.32873/uno.dc.jrf.24.01.58","title":"Apocalypse and Eschatology in John Ford's The Grapes of Wrath (1940)","year":2020,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Vision; Eschatology; Interpretation (philosophy); Narrative; Art; Art history; Literature; Philosophy; History; Theology; Linguistics","score_opus":0.01639589411086462,"score_gpt":0.21510164767839163,"score_spread":0.198705753567527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014651042","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.950926,0.02059484,0.00017222615,0.019593578,0.000667304,0.00013418974,0.0000306109,0.000012033729,0.007869179],"genre_scores_gemma":[0.9930332,0.0036855727,0.00010144916,0.002284011,0.0005703623,8.791475e-7,0.0000023671469,0.000010697248,0.00031151233],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987154,0.00011695721,0.00066452986,0.00010482562,0.00024239224,0.0001559022],"domain_scores_gemma":[0.998905,0.00012074869,0.00054778403,0.00010503516,0.00021774713,0.00010367529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034979562,0.00012823466,0.00042923383,0.00020223774,0.00012615792,0.00013503393,0.0002115856,0.00006242586,0.00016751816],"category_scores_gemma":[0.000087914916,0.000073561154,0.00022366447,0.00012524404,0.00017216662,0.0002866699,0.00003673014,0.00041105627,0.0000038936655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012760188,0.00030924368,0.010515052,0.00029466758,0.00077169214,0.0005756033,0.2058021,0.00024204783,0.0011872009,0.3665785,0.40635514,0.006092751],"study_design_scores_gemma":[0.0019226864,0.0008798931,0.0007431396,0.00023585922,0.00035937806,0.00030486652,0.0081961425,0.0009782038,0.00041845505,0.019602446,0.9660975,0.0002614823],"about_ca_topic_score_codex":0.00010858277,"about_ca_topic_score_gemma":0.0002075773,"teacher_disagreement_score":0.5597423,"about_ca_system_score_codex":0.000008876709,"about_ca_system_score_gemma":0.000043979584,"threshold_uncertainty_score":0.29997367},"labels":[],"label_agreement":null},{"id":"W3016156038","doi":"10.1353/vpr.2020.0008","title":"\"From Rosemary VanArsdel\"","year":2020,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tribute; Art; Field (mathematics); History; Art history; Mathematics","score_opus":0.03307105396761954,"score_gpt":0.24158289245715966,"score_spread":0.20851183848954014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016156038","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018664922,0.8441882,0.00010419317,0.07010394,0.002854376,0.00061625557,0.0009777977,0.00036806526,0.078920685],"genre_scores_gemma":[0.2599288,0.33158192,0.0007173477,0.3253277,0.068267964,0.0001320593,0.0016037821,0.00023234166,0.012208081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815726,0.00016336287,0.0006397821,0.0003738643,0.00039395865,0.000271786],"domain_scores_gemma":[0.9988931,0.00005153274,0.0001854568,0.00033725274,0.00012055339,0.00041209438],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001891933,0.00025323287,0.0007469944,0.00003873362,0.00032182157,0.0005527281,0.00038016782,0.000064130116,0.04032181],"category_scores_gemma":[0.00015050256,0.00018477121,0.0004308118,0.0001409302,0.00013624255,0.00031058604,0.00006706845,0.0003024435,0.001409861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002800102,0.00010350512,0.00012550624,0.002403513,0.00047190528,0.0001745769,0.05807102,3.6945713e-7,0.00013581928,0.043801762,0.8818979,0.012786102],"study_design_scores_gemma":[0.00019817344,0.00003865539,0.000014486982,0.0010071344,0.00029113784,0.0000021106503,0.00018842971,0.000019492541,0.0000058723426,0.00039566527,0.99758875,0.00025008593],"about_ca_topic_score_codex":0.00006777313,"about_ca_topic_score_gemma":0.000034363642,"teacher_disagreement_score":0.51260626,"about_ca_system_score_codex":0.000019515113,"about_ca_system_score_gemma":0.00006164261,"threshold_uncertainty_score":0.99936765},"labels":[],"label_agreement":null},{"id":"W3024162970","doi":"10.14288/1.0390889","title":"Imaginary Realities : Authenticity, Perspective and Framing Truth(s) in Hollywood North","year":2020,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Hollywood; Framing (construction); Perspective (graphical); Sociology; Aesthetics; Art; Media studies; Political science; Epistemology; Philosophy; History; Art history; Psychology; Psychoanalysis; Visual arts","score_opus":0.011891313259580302,"score_gpt":0.1719706526918462,"score_spread":0.16007933943226588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3024162970","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98531836,0.00074250315,0.000022166103,0.0006644819,0.000080514015,0.000082600374,0.00038636112,0.000037118578,0.01266592],"genre_scores_gemma":[0.9983514,0.00018359396,0.000049300597,0.00017699027,0.00013620693,1.9859273e-7,0.000021048494,0.000010229573,0.0010710404],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9991426,0.000062714964,0.00012771985,0.0002997677,0.00017777887,0.00018945467],"domain_scores_gemma":[0.9994554,0.000041958923,0.00009993069,0.00010879834,0.00017543916,0.000118456315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008366707,0.000053095926,0.0002928039,0.00007155714,0.00031081255,0.00037027293,0.00018284244,0.000042869793,0.0003686931],"category_scores_gemma":[0.00003054589,0.00015536866,0.00011018678,0.00012817628,0.00040949945,0.00062258774,0.00011110898,0.00020611427,0.0000054534376],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011908294,0.0004947919,0.124729924,0.0006398804,0.00059711834,0.0025180802,0.7360618,0.0000105959025,0.000043242686,0.006861128,0.013685973,0.1142384],"study_design_scores_gemma":[0.000970167,0.00010725678,0.84089434,0.00012853167,0.00012694791,0.000025863728,0.15058047,0.0003603084,1.6513113e-7,0.004236699,0.0023081913,0.0002610444],"about_ca_topic_score_codex":0.13665205,"about_ca_topic_score_gemma":0.43911073,"teacher_disagreement_score":0.71616447,"about_ca_system_score_codex":0.00003689155,"about_ca_system_score_gemma":0.00003763031,"threshold_uncertainty_score":0.86909705},"labels":[],"label_agreement":null},{"id":"W3035640594","doi":"","title":"Guy Maddin : Cowards Bend the Knee","year":2003,"lang":"en","type":"book","venue":"The Power Plant eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Power (physics); Visual arts; Art history; History; Art; Literature; Physics","score_opus":0.018823749894451274,"score_gpt":0.1895335098152426,"score_spread":0.17070975992079135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035640594","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000049815953,0.002065838,0.000003294366,0.0004051505,0.0018128523,0.00029836237,0.0027027722,0.000060202616,0.9926017],"genre_scores_gemma":[0.0028178983,0.00006302376,0.000003407168,0.0034207036,0.0020985862,0.000020933807,0.00037823684,0.0000720262,0.99112517],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798775,0.00018266847,0.00048726515,0.00031876483,0.0005661165,0.00045746085],"domain_scores_gemma":[0.9983223,0.00023924214,0.00036065263,0.00085823383,0.00012224793,0.00009732706],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058670394,0.00051142747,0.0005447525,0.0001496613,0.0010611973,0.0008945808,0.000766751,0.00021075227,0.008049307],"category_scores_gemma":[0.000011916357,0.00024067986,0.00051760365,0.000012993422,0.00048833824,0.000060620423,0.000101614314,0.0011320892,0.00041552604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019442845,0.000007444284,3.1702245e-7,0.000014248227,0.00039906168,0.000035356574,0.024237925,2.4795793e-7,0.0000010274423,0.40556028,0.5695081,0.00021659244],"study_design_scores_gemma":[0.00018813455,0.000050810624,0.0000011316415,0.00013755755,0.00051194214,0.00007516102,0.00101399,0.000002860819,0.0000074267473,0.032600958,0.96504545,0.0003645839],"about_ca_topic_score_codex":0.00006632933,"about_ca_topic_score_gemma":0.0004938438,"teacher_disagreement_score":0.39553738,"about_ca_system_score_codex":0.00006269752,"about_ca_system_score_gemma":0.00024498065,"threshold_uncertainty_score":0.99285746},"labels":[],"label_agreement":null},{"id":"W3043149999","doi":"","title":"A Legal Analysis of Stanley Kubrick’s ‘A Clockwork Orange’ and What it Means to Modern America","year":2009,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Clockwork; Dystopia; Law; Political science; Criminal law; Criminal justice; Criminology; Sociology; Art; History","score_opus":0.008731958958251925,"score_gpt":0.22674443455288543,"score_spread":0.2180124755946335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043149999","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8044662,0.11266433,0.032717798,0.026881095,0.00097233785,0.0005508927,0.00015880364,0.00014113041,0.021447431],"genre_scores_gemma":[0.97862834,0.013587263,0.000099485136,0.002257154,0.0006638191,0.0000019001398,0.00001812144,0.000020052617,0.0047238613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969779,0.00013013267,0.00060917437,0.0002986109,0.00051572744,0.0014684167],"domain_scores_gemma":[0.9987999,0.000048871978,0.0003362945,0.00026990194,0.00031633384,0.00022870368],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008264553,0.00027268397,0.00072581915,0.0009033186,0.00045990964,0.0012463649,0.0003214551,0.00006472131,0.000377701],"category_scores_gemma":[0.000029733017,0.00021493938,0.00048584826,0.0006341117,0.0000985562,0.0012832059,0.000028100014,0.0010948019,0.0000078278],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055664976,0.00043031288,0.00043483815,0.000018185941,0.010892673,0.000052865522,0.10173592,0.0018519965,0.00033886958,0.6251141,0.0040847505,0.25448886],"study_design_scores_gemma":[0.002268549,0.0033922016,0.00073527294,0.00033255733,0.013867863,0.00036419518,0.16292295,0.007694647,0.00007296393,0.21658024,0.59001446,0.0017540954],"about_ca_topic_score_codex":0.00030478218,"about_ca_topic_score_gemma":0.006905583,"teacher_disagreement_score":0.5859297,"about_ca_system_score_codex":0.00024281198,"about_ca_system_score_gemma":0.00037900644,"threshold_uncertainty_score":0.99979043},"labels":[],"label_agreement":null},{"id":"W305822061","doi":"","title":"A Passion for Literature: An Interview with Jan J. Dominique1","year":2005,"lang":"en","type":"article","venue":"The Journal of Haitian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Sociology; Passion; Media studies; Government (linguistics); Apprenticeship; Law; Psychology; Political science; History","score_opus":0.058648991144380984,"score_gpt":0.29678473216084655,"score_spread":0.23813574101646556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W305822061","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4241487,0.42674553,0.0021928588,0.12739457,0.0032251908,0.0012354713,0.0003275925,0.00012762111,0.014602452],"genre_scores_gemma":[0.9795592,0.0053662485,0.0009138638,0.004588766,0.005199986,0.000008724835,0.000006428818,0.000030026771,0.0043267994],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986693,0.00024015225,0.00051651656,0.00009677526,0.0002564653,0.00022074212],"domain_scores_gemma":[0.9981125,0.00018485823,0.0004881994,0.00019203275,0.0009342821,0.000088138906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012088185,0.0002001523,0.00046498617,0.00016063395,0.0005677937,0.0003178262,0.00029469014,0.00003189593,0.0001123138],"category_scores_gemma":[0.00004246091,0.00008632331,0.00023938011,0.000071597125,0.0002188862,0.00079025346,0.00003350458,0.00030513696,0.0000035435044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014266993,0.00036426377,0.00004563261,0.0002913064,0.003321889,0.00007352601,0.6623803,0.000031386622,0.000097583594,0.037784975,0.23947194,0.054710533],"study_design_scores_gemma":[0.0013152909,0.0015148206,0.000081875114,0.0014197746,0.00091337576,0.00034322776,0.046725195,0.000041714462,0.0003051144,0.0042519374,0.9428246,0.00026305],"about_ca_topic_score_codex":0.000002655783,"about_ca_topic_score_gemma":0.0003949614,"teacher_disagreement_score":0.7033527,"about_ca_system_score_codex":0.000027263217,"about_ca_system_score_gemma":0.000028366792,"threshold_uncertainty_score":0.43670675},"labels":[],"label_agreement":null},{"id":"W308954144","doi":"","title":"The Uncrowned King: The Sensational Rise of William Randolph Hearst","year":2009,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Journalism; Portrait; Publishing; Law; History; Art history; Classics; Media studies; Sociology; Political science","score_opus":0.0173754553918473,"score_gpt":0.23958916416522266,"score_spread":0.22221370877337537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W308954144","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34581652,0.053801294,0.0021439148,0.44407424,0.0032368037,0.0019129734,0.00030242343,0.00036694043,0.14834487],"genre_scores_gemma":[0.99372184,0.0008081846,0.00020700158,0.0013109703,0.0006151168,0.00000911318,0.00003289655,0.000015325148,0.0032795768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99727285,0.0008190623,0.0009030594,0.00013902338,0.00059598254,0.0002700262],"domain_scores_gemma":[0.9967246,0.0006209301,0.00082873483,0.0011083583,0.00062657514,0.0000908002],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017943722,0.00020586989,0.00031359988,0.00012975768,0.0022861136,0.0011330013,0.0010388775,0.00006656594,0.00033521032],"category_scores_gemma":[0.0000521131,0.00010982901,0.0003716565,0.0001516464,0.00041087918,0.000542851,0.000019383042,0.0006330775,0.000021505479],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003146641,0.00024799127,0.00026338996,0.000015533298,0.00051875226,0.000006050097,0.17430559,0.0000862748,0.0008610737,0.75180376,0.037423685,0.03415321],"study_design_scores_gemma":[0.0015366139,0.000249059,0.0025337285,0.00012822021,0.00023624589,0.00004058004,0.0139463805,0.0009844865,0.000058388214,0.107798584,0.87220263,0.00028504716],"about_ca_topic_score_codex":0.00011206792,"about_ca_topic_score_gemma":0.0003526572,"teacher_disagreement_score":0.83477896,"about_ca_system_score_codex":0.000042990203,"about_ca_system_score_gemma":0.00006665639,"threshold_uncertainty_score":0.9999039},"labels":[],"label_agreement":null},{"id":"W310582504","doi":"","title":"Picturing Dunbar's Lyrics","year":2007,"lang":"en","type":"article","venue":"African American Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Stanza; Lyrics; Photography; Literature; History; Art; Tone (literature); Art history; Visual arts","score_opus":0.017367580932246753,"score_gpt":0.2528237797368135,"score_spread":0.23545619880456678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W310582504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009713903,0.22742307,0.0005900473,0.004302427,0.0008765507,0.00053105346,0.000076287986,0.00032379988,0.7561629],"genre_scores_gemma":[0.9110276,0.05138665,0.00064810744,0.022508672,0.0021497728,0.000017951168,0.00004094536,0.00006395601,0.012156313],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982831,0.00008196247,0.00055586203,0.00028160194,0.00033709945,0.00046039195],"domain_scores_gemma":[0.99870974,0.0001144777,0.00039324694,0.00041449003,0.00015095208,0.00021707006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006606244,0.00023867619,0.0006268658,0.00016541322,0.00027877878,0.00016641861,0.00031836794,0.000017677905,0.002335242],"category_scores_gemma":[0.00007364463,0.00017688857,0.00032982067,0.00037007447,0.00039275957,0.00019166127,0.0000497052,0.0002507971,0.00023298802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003892682,0.00028698242,0.0014100727,0.0020933927,0.0007065238,0.00033865697,0.035107125,0.0000018267219,0.000045786368,0.18306534,0.18125933,0.595646],"study_design_scores_gemma":[0.000072211944,0.000057637542,0.00029292505,0.0004970465,0.00022673643,0.000016328791,0.0023699037,0.0000021836413,0.000008905137,0.00018255893,0.9960072,0.00026637033],"about_ca_topic_score_codex":0.00030915957,"about_ca_topic_score_gemma":0.00024505658,"teacher_disagreement_score":0.9013137,"about_ca_system_score_codex":0.00005071122,"about_ca_system_score_gemma":0.000030870666,"threshold_uncertainty_score":0.99857676},"labels":[],"label_agreement":null},{"id":"W3118897497","doi":"","title":"The ‘Sickly Boy’ and the ‘Real Man’: Kennedy, Castro, and Competing Masculinities","year":2020,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"History","score_opus":0.01787100046440343,"score_gpt":0.18956579929883435,"score_spread":0.17169479883443092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3118897497","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5418116,0.010863683,0.000052287396,0.08962722,0.0004996923,0.00038019492,0.00008592106,0.00016385884,0.35651556],"genre_scores_gemma":[0.9863307,0.0016080227,0.00004499579,0.0036134599,0.0011851612,0.000005092483,0.000006949765,0.000011515183,0.0071940958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991693,0.00011735047,0.00022715033,0.00014619192,0.00015116954,0.0001888765],"domain_scores_gemma":[0.9993845,0.00027575422,0.00007778727,0.00011610183,0.000063492305,0.000082342696],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00032235731,0.00013345867,0.00020298868,0.000019139192,0.0012860461,0.0014156064,0.00013696725,0.000021867145,0.00037343104],"category_scores_gemma":[0.000026885227,0.000058354064,0.00009250729,0.000025697183,0.0005188406,0.00017375367,0.00009045927,0.00019364052,0.000011682],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105398256,0.0000065732165,0.0004733707,0.000029725596,0.0002074748,0.000014960692,0.20980498,0.000001398961,0.0000038101114,0.7781509,0.009753579,0.0014478408],"study_design_scores_gemma":[0.0019395448,0.00009818179,0.0004152581,0.000032277072,0.00032921406,0.000038563812,0.4414195,0.0029505948,0.000012761136,0.005255569,0.5472146,0.00029392008],"about_ca_topic_score_codex":0.00057795364,"about_ca_topic_score_gemma":0.0009568171,"teacher_disagreement_score":0.77289534,"about_ca_system_score_codex":0.000003301809,"about_ca_system_score_gemma":0.000009854795,"threshold_uncertainty_score":0.99962103},"labels":[],"label_agreement":null},{"id":"W3126008912","doi":"10.22215/etd/2016-11679","title":"The Atomic Infinite: Aesthetics of the Sublime in l950s Science Fiction Film","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Sublime; Style (visual arts); Monster; Aesthetics; Art; Object (grammar); Narrative; Argument (complex analysis); Philosophy; Literature; Art history; Chemistry","score_opus":0.010761101693151925,"score_gpt":0.22940996082544968,"score_spread":0.21864885913229776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126008912","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4774337,0.0011776995,0.0000018440464,0.0007009521,0.0032573726,0.00023470665,0.00007560433,0.000024002917,0.5170941],"genre_scores_gemma":[0.8520949,0.00045549974,0.0000029616083,0.00010297685,0.00024034748,0.000007466405,0.00004125643,0.000013416559,0.1470412],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986467,0.000060943028,0.00043649809,0.00018542857,0.000451677,0.00021875386],"domain_scores_gemma":[0.998739,0.00009090734,0.00036376828,0.00039415093,0.0003804118,0.00003173713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005323229,0.00016147541,0.00019891231,0.0002776786,0.00083501986,0.00052335946,0.0006114973,0.00009035196,0.0008449083],"category_scores_gemma":[0.00006139084,0.00006721832,0.00018483466,0.00022243976,0.00042739714,0.0002791448,0.00002935691,0.00027785636,0.000019391005],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083975174,0.00007215742,0.00080976135,0.00006763331,0.00007190726,0.0000016407735,0.06919926,0.000004549403,0.00037365747,0.9052193,0.01841503,0.005681121],"study_design_scores_gemma":[0.00080758776,0.00010033059,0.0078014955,0.00096056896,0.00030593676,0.0000071960917,0.04226198,0.00037362234,0.004195428,0.02890914,0.91355866,0.00071802444],"about_ca_topic_score_codex":0.00028890258,"about_ca_topic_score_gemma":0.0060711564,"teacher_disagreement_score":0.8951437,"about_ca_system_score_codex":0.000045089975,"about_ca_system_score_gemma":0.0002264928,"threshold_uncertainty_score":0.92511535},"labels":[],"label_agreement":null},{"id":"W3127164475","doi":"","title":"\"Look WAAAYYYY Up!\" --- Travels to Mauna Kea","year":2008,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology; Geography; Astrobiology; Physics","score_opus":0.010165257809047742,"score_gpt":0.1714456437222921,"score_spread":0.16128038591324434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127164475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9913636,0.00028885828,0.00007463056,0.005040396,0.001229407,0.00006399198,0.00007764832,0.000003012488,0.001858453],"genre_scores_gemma":[0.9779863,0.000004379606,0.00049070985,0.0010276673,0.0015190764,6.71777e-7,0.0000013193873,0.000013979659,0.018955924],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840236,0.000056420686,0.00063624704,0.0001070471,0.00050303095,0.00029491176],"domain_scores_gemma":[0.9988169,0.000060143142,0.00045465896,0.00017817067,0.00022631318,0.00026377922],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024861086,0.00015863922,0.00042789662,0.000027370817,0.00038962273,0.00006156556,0.00051063177,0.000045239725,0.0010030315],"category_scores_gemma":[0.000020207242,0.00010018475,0.0007944896,0.00004440193,0.00017441942,0.00010755579,0.00006171427,0.0004029353,0.000002235501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010146516,0.00007498113,0.0028179595,0.000022896107,0.0007279632,0.0000047240273,0.016995804,0.00887581,0.000077119905,0.00095942384,0.96859294,0.0007488864],"study_design_scores_gemma":[0.0011579345,0.00018756083,0.016429389,0.000118507225,0.00025652227,0.000020719343,0.004680344,0.0012420348,0.0008929634,0.00027775133,0.9743938,0.00034248296],"about_ca_topic_score_codex":0.0337554,"about_ca_topic_score_gemma":0.03278287,"teacher_disagreement_score":0.01709747,"about_ca_system_score_codex":0.00023510847,"about_ca_system_score_gemma":0.0008005639,"threshold_uncertainty_score":0.9999102},"labels":[],"label_agreement":null},{"id":"W3149342086","doi":"10.1017/9781108647847.008","title":"African American Periodicals and the Transition to Visual Intercourse","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Visual culture; Articulation (sociology); Print culture; Transition (genetics); Order (exchange); Art; Sociology; Affordance; Art history; History; Media studies; Visual arts; Political science; Law; Psychology","score_opus":0.013929223024597568,"score_gpt":0.197470669198865,"score_spread":0.18354144617426743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3149342086","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013788536,0.00037863513,0.00012815728,0.00060001505,0.00019195431,0.00023093272,0.00049473654,0.000045935452,0.9965508],"genre_scores_gemma":[0.043431256,0.00015963112,0.000014870237,0.0010818905,0.0006278283,0.0000010744603,0.00007834939,0.000029998315,0.9545751],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988397,0.000112836366,0.00020288693,0.00037661943,0.00025580605,0.0002121675],"domain_scores_gemma":[0.9990495,0.000077860546,0.00017645734,0.00027901254,0.00021593538,0.00020123909],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013872261,0.00030310827,0.0005676433,0.00019509214,0.00054700725,0.0005012015,0.0002610247,0.00008979445,0.00009538286],"category_scores_gemma":[0.0000071622203,0.00024141982,0.00034799357,0.000008438258,0.0013305164,0.00009877221,0.00014779427,0.00045307307,0.0000067607243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025258056,0.000009942496,1.0849953e-7,0.00002992506,0.0003608439,0.00018968133,0.020235969,4.7640756e-7,0.0000042522765,0.95997804,0.01678372,0.0021544513],"study_design_scores_gemma":[0.0005743046,0.00007142383,0.0000015039176,0.00014654796,0.0007616898,0.00001604264,0.008039399,0.000036161124,0.000010393537,0.0000141963565,0.9900118,0.00031650328],"about_ca_topic_score_codex":0.00074037147,"about_ca_topic_score_gemma":0.00013521615,"teacher_disagreement_score":0.9732281,"about_ca_system_score_codex":0.00005950203,"about_ca_system_score_gemma":0.000054761367,"threshold_uncertainty_score":0.98448145},"labels":[],"label_agreement":null},{"id":"W314966339","doi":"","title":"Editing Mailer: A Conversation with Jan Welt and Lana Jokel","year":2009,"lang":"en","type":"article","venue":"˜The œMailer review/Mailer review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Trilogy; Conversation; Art history; Movie theater; Film director; Studio; Art; Visual arts; Sociology; Law; Media studies","score_opus":0.017349880498863324,"score_gpt":0.23092340836493824,"score_spread":0.21357352786607492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W314966339","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024993025,0.93948007,0.000061201856,0.02312493,0.00043478375,0.0016327137,0.00010868333,0.00012590905,0.0347818],"genre_scores_gemma":[0.045802657,0.8813609,0.00013719904,0.061412923,0.002598596,0.00014346647,0.00026946916,0.00007469174,0.008200127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965859,0.00044370553,0.0011416383,0.0005968402,0.0006613518,0.0005705849],"domain_scores_gemma":[0.99763894,0.00009996465,0.00078527426,0.00086641434,0.00036870677,0.00024067822],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015993677,0.00058460044,0.0013497336,0.00012569016,0.00066396396,0.0005383041,0.0004761477,0.000080976446,0.004846879],"category_scores_gemma":[0.000057444304,0.00033229863,0.0004557582,0.00033078357,0.00024510024,0.0007215357,0.000052907122,0.00059862307,0.00041970483],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030193012,0.00016783537,0.00046060464,0.017313093,0.0005918558,0.000084098916,0.006872291,0.000001147345,0.000009724822,0.026464364,0.78797454,0.16003029],"study_design_scores_gemma":[0.00038586912,0.00011054801,0.00027088643,0.024576433,0.0014988075,0.00010106009,0.00023961376,0.000021788032,0.0000012139132,0.0004894951,0.9718391,0.00046523928],"about_ca_topic_score_codex":0.00006341103,"about_ca_topic_score_gemma":0.00021559911,"teacher_disagreement_score":0.18386453,"about_ca_system_score_codex":0.00005257996,"about_ca_system_score_gemma":0.00006031311,"threshold_uncertainty_score":0.9999129},"labels":[],"label_agreement":null},{"id":"W3165958231","doi":"","title":"Eyes of the beholder","year":2019,"lang":"en","type":"article","venue":"Sight & sound/Sight and sound","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jealousy; Portrait; Privilege (computing); Art; Power (physics); Focus (optics); Art history; Visual arts; Psychoanalysis; Aesthetics; Psychology; Law; Political science; Social psychology; Optics","score_opus":0.01603467786279895,"score_gpt":0.20234934483744527,"score_spread":0.18631466697464633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3165958231","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8785305,0.003728429,0.000013853821,0.00039773333,0.0011909399,0.00016798126,0.000051408013,0.000026637947,0.11589249],"genre_scores_gemma":[0.94836694,0.00006270747,0.000012094929,0.00051530084,0.00074853253,0.000004148719,0.000015213329,0.000020976426,0.050254054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986974,0.000083562954,0.00035290307,0.0002608406,0.00033726363,0.0002680562],"domain_scores_gemma":[0.9990642,0.00011168032,0.00018746669,0.00041695253,0.00014236143,0.00007731223],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018959935,0.00021874932,0.00035105244,0.00009787471,0.0004987999,0.00052889937,0.0002814345,0.000086380496,0.0050925273],"category_scores_gemma":[0.000012305747,0.00012345501,0.00026989816,0.000089463596,0.00035480977,0.00039327153,0.00008247798,0.00024350139,0.00008755683],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000633562,0.00018023458,0.043494593,0.0002050347,0.0005819749,0.000009663401,0.13348928,0.000006245113,0.00070308597,0.8102412,0.01066545,0.00035984276],"study_design_scores_gemma":[0.0010365684,0.00012119059,0.004117903,0.00009567291,0.0003789074,0.00001767609,0.0064419624,0.000059620557,0.00044717116,0.17394833,0.8128173,0.00051774556],"about_ca_topic_score_codex":0.00011128884,"about_ca_topic_score_gemma":0.0005189261,"teacher_disagreement_score":0.8021518,"about_ca_system_score_codex":0.000015023918,"about_ca_system_score_gemma":0.000025188168,"threshold_uncertainty_score":0.99581695},"labels":[],"label_agreement":null},{"id":"W3176215420","doi":"","title":"Arctic Exposure: Photographs of Canada’s North","year":2013,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Arctic; Geography; The arctic; Physical geography; Oceanography; Geology","score_opus":0.008197380129372097,"score_gpt":0.1559507526120673,"score_spread":0.1477533724826952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176215420","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70591354,0.00048227023,0.000007766788,0.00058095175,0.00048205414,0.00013527763,0.000047706842,0.000027267472,0.29232314],"genre_scores_gemma":[0.96204996,0.000015425967,0.000034430126,0.00089575193,0.00020132605,0.000006101716,0.000014864886,0.000007129777,0.03677498],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925846,0.000020685104,0.00023982687,0.00009836356,0.00020652219,0.00017613695],"domain_scores_gemma":[0.99938834,0.000025721825,0.000082777384,0.00017144564,0.0002448228,0.00008686667],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000044005777,0.000094109,0.00016723097,0.000084230895,0.0001410333,0.00012700977,0.000121498844,0.000016165166,0.022583093],"category_scores_gemma":[0.000008865519,0.000063606356,0.0001053203,0.00005143049,0.000063475716,0.00019367093,0.00001323351,0.00008193916,0.000016483094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021330401,0.00021272991,0.09384587,0.00021202264,0.00084715436,0.000023920544,0.06292881,0.000012836729,0.0001636713,0.20606782,0.6333945,0.0022693542],"study_design_scores_gemma":[0.0010809121,0.00020003646,0.05357327,0.00007882549,0.00028952272,0.000012452645,0.02183478,0.00014479746,0.0006940883,0.0071131177,0.914161,0.0008171897],"about_ca_topic_score_codex":0.7729077,"about_ca_topic_score_gemma":0.9558605,"teacher_disagreement_score":0.28076652,"about_ca_system_score_codex":0.000013277186,"about_ca_system_score_gemma":0.00010344527,"threshold_uncertainty_score":0.9783104},"labels":[],"label_agreement":null},{"id":"W3198197676","doi":"10.22215/etd/2021-14344","title":"The Reception of The Ladies Paradise in Nineteenth-Century England and the Fight Against Sensual Capitalism","year":2021,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Capitalism; Paradise; Politics; Value (mathematics); Order (exchange); Consumption (sociology); Paradise lost; Value theory; History; Neoclassical economics; Aesthetics; Literature; Art; Art history; Philosophy; Political science; Economics; Law; Epistemology","score_opus":0.0060802153535160315,"score_gpt":0.19752184081687352,"score_spread":0.1914416254633575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3198197676","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84924525,0.06888883,2.2534562e-7,0.0019854745,0.0032823337,0.0005700928,0.00015948071,0.000018290217,0.075850025],"genre_scores_gemma":[0.82269156,0.03737126,0.0000043261825,0.0008071069,0.0012540843,0.000060499035,0.0010940197,0.00003135436,0.13668576],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860775,0.00031462536,0.00044374279,0.00018851139,0.00027496184,0.00017043264],"domain_scores_gemma":[0.99888813,0.0003187005,0.00030350426,0.00028625346,0.00017590562,0.000027487658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003212113,0.00021720315,0.0003450217,0.000072777904,0.0005957942,0.00047906532,0.00020644507,0.00011010688,0.00027670586],"category_scores_gemma":[0.00007538609,0.00008497438,0.00024166779,0.00007188668,0.00024750526,0.00010845577,0.000029918332,0.00039168075,0.0000018952632],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037710075,0.00008930692,0.00037419322,0.000336606,0.0007690132,0.000015832695,0.63488704,0.000007626043,0.00004561769,0.32536688,0.029552372,0.008178386],"study_design_scores_gemma":[0.0020261111,0.000023296403,0.0031254813,0.0005669445,0.0005341445,0.000004725563,0.11858184,0.00013656581,0.00014057054,0.0034349805,0.8710681,0.00035724803],"about_ca_topic_score_codex":0.0003941042,"about_ca_topic_score_gemma":0.029582288,"teacher_disagreement_score":0.8415157,"about_ca_system_score_codex":0.000015389622,"about_ca_system_score_gemma":0.00003950678,"threshold_uncertainty_score":0.9881253},"labels":[],"label_agreement":null},{"id":"W324149622","doi":"","title":"Norman Mailer: Supplemental Bibliography through 2006","year":2007,"lang":"en","type":"article","venue":"˜The œMailer review/Mailer review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ephemera; Testimonial; Narrative; History; Poetry; Meaning (existential); Banquet; Literature; Art history; Sociology; Classics; Art; Psychology","score_opus":0.029139985408982653,"score_gpt":0.28227797567569074,"score_spread":0.2531379902667081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W324149622","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000116979136,0.9103403,0.00010653971,0.0040707,0.0012891211,0.0020375068,0.0007816347,0.00016972599,0.08108751],"genre_scores_gemma":[0.002547553,0.9171955,0.00023243275,0.06788425,0.002738826,0.00021326116,0.0007440879,0.00012599856,0.008318072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99334306,0.0005541865,0.0026219648,0.000884831,0.001270467,0.0013255113],"domain_scores_gemma":[0.9960721,0.00019505534,0.0011007834,0.0017781128,0.000492532,0.0003614256],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0039882585,0.0009777929,0.0019172637,0.0011746543,0.001143978,0.0006807198,0.0014490213,0.00013347069,0.052386135],"category_scores_gemma":[0.000027645936,0.0006028469,0.0021397218,0.0036393148,0.0004409901,0.0012681496,0.00026871572,0.0009614123,0.0027217453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010345548,0.00016359777,0.0010317878,0.008383852,0.00038319975,0.000051441042,0.0009310693,1.1659906e-7,0.000003326343,0.0107356515,0.97226214,0.006043478],"study_design_scores_gemma":[0.00042066613,0.00007907702,0.00025655213,0.012096302,0.002117373,0.00009102693,0.0001906666,0.0000014535043,0.000004779798,0.00059214036,0.9833356,0.0008143213],"about_ca_topic_score_codex":0.00029197917,"about_ca_topic_score_gemma":0.0013704747,"teacher_disagreement_score":0.07276943,"about_ca_system_score_codex":0.00005647423,"about_ca_system_score_gemma":0.000057288093,"threshold_uncertainty_score":0.9996423},"labels":[],"label_agreement":null},{"id":"W32787108","doi":"10.1021/acs.jmedchem.0c00665","title":"Fear and Desire: descubriendo la ópera prima de Stanley Kubrick","year":2013,"lang":"en","type":"article","venue":"Dirigido por ...: Revista de cine","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Institute of Infection and Immunity; National Center for Research Resources; National Institute of General Medical Sciences; University of Illinois at Urbana-Champaign; National Institutes of Health","keywords":"Pera; Art; Humanities; Computer science","score_opus":0.012647607884767258,"score_gpt":0.21784106223011632,"score_spread":0.20519345434534905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32787108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.912546,0.012485502,0.00031784875,0.0016208902,0.00014326905,0.0004290774,0.00011962251,0.00017104442,0.072166786],"genre_scores_gemma":[0.9740332,0.0008603398,0.0007290241,0.0017998649,0.000910948,0.000027230655,0.00006904945,0.000054159987,0.02151623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99833643,0.00017653251,0.0004226637,0.00032711143,0.00023773819,0.0004995477],"domain_scores_gemma":[0.9988269,0.000121019024,0.00016831874,0.0003588905,0.00022245523,0.00030239756],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051317597,0.00028331837,0.00044802483,0.00014904975,0.00036904987,0.0018677958,0.00021204137,0.00008626924,0.0029714652],"category_scores_gemma":[0.00009487936,0.00021743467,0.00016857266,0.00010244688,0.0002550787,0.00053679844,0.00005714107,0.0003015624,0.00009690261],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007352797,0.00022969057,0.014506269,0.00041708737,0.00043054656,0.00029075932,0.021389475,0.0000034137229,0.0011103763,0.836937,0.110254355,0.014357503],"study_design_scores_gemma":[0.00075833226,0.00007839016,0.004311306,0.00016040434,0.00023044208,0.00015035414,0.0011364542,0.00016062029,0.00013523942,0.002772723,0.9897083,0.00039741115],"about_ca_topic_score_codex":0.0004348946,"about_ca_topic_score_gemma":0.00003460136,"teacher_disagreement_score":0.87945396,"about_ca_system_score_codex":0.00007522285,"about_ca_system_score_gemma":0.00007260874,"threshold_uncertainty_score":0.99916834},"labels":[],"label_agreement":null},{"id":"W4205676504","doi":"10.1177/014833310805700219","title":"Book Review: Northrop Frye and the Phenomenology of Myth, Categorizing Twentieth-Century Film Using Northrop Frye's Anatomy of Criticism: Relating Literature and Film","year":2008,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Mythology; Criticism; Phenomenology (philosophy); Literature; Art; Psychoanalysis; Philosophy; Art history; Psychology; Epistemology","score_opus":0.012600771384479691,"score_gpt":0.23841542434205684,"score_spread":0.22581465295757716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205676504","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05924195,0.9353041,0.000035508558,0.0010949053,0.0005641438,0.0004454311,0.0006958258,0.00004139567,0.0025767612],"genre_scores_gemma":[0.7018918,0.27584624,0.0005692766,0.012946329,0.0018983955,0.000027695334,0.00083376386,0.0001191333,0.005867383],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968578,0.00044617162,0.0011621943,0.000590647,0.00043649966,0.0005066815],"domain_scores_gemma":[0.9971308,0.00026846217,0.0008110775,0.0006377062,0.00097374414,0.00017821632],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00051458215,0.0005538081,0.0012914323,0.00031495356,0.0011932253,0.00041344226,0.00033159374,0.0002845978,0.00064175524],"category_scores_gemma":[0.00020915251,0.0003844721,0.00037062744,0.00046197284,0.0017322213,0.0009810337,0.0001922547,0.0013526535,0.000002112303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057113054,0.00050680514,0.004149413,0.015450004,0.0018769038,0.0008839732,0.56230915,0.000024502244,0.0005501057,0.07322436,0.3393032,0.0011504777],"study_design_scores_gemma":[0.0023300895,0.00016724762,0.0004042393,0.006887294,0.0010222113,0.00062832254,0.002794505,0.0005112341,0.000091159585,0.0016865523,0.9826995,0.00077765656],"about_ca_topic_score_codex":0.00024659,"about_ca_topic_score_gemma":0.00009271015,"teacher_disagreement_score":0.65945786,"about_ca_system_score_codex":0.000034086897,"about_ca_system_score_gemma":0.00007948618,"threshold_uncertainty_score":0.9998607},"labels":[],"label_agreement":null},{"id":"W4206010519","doi":"10.1353/sfs.2019.0054","title":"James FenwickUnderstanding Kubrick's 2001: A Space Odyssey: Representation and Interpretation","year":2019,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sublime; Art; Interpretation (philosophy); Art history; Musical; Intellect; Representation (politics); Adventure; Visual arts; Literature; History; Philosophy; Theology; Politics","score_opus":0.062059652965756516,"score_gpt":0.3137104269198885,"score_spread":0.251650773954132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206010519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9089746,0.0036308423,0.00062984886,0.0026011474,0.0032248702,0.0002597639,0.0000125769575,0.00011425904,0.0805521],"genre_scores_gemma":[0.9902626,0.0005917322,0.000091072594,0.00019420087,0.00021656694,0.0000053434824,0.0000031805748,0.000005099998,0.008630176],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989432,0.000035504512,0.00018663755,0.00030183687,0.00033313295,0.00019969342],"domain_scores_gemma":[0.9993027,0.000077872835,0.00013306715,0.00013398136,0.00030448317,0.00004791047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048689405,0.00010380996,0.00017406029,0.0003200647,0.0008658135,0.00062984374,0.00008691223,0.000017418668,0.00018974495],"category_scores_gemma":[0.00011752986,0.00007941768,0.00005077998,0.0002707209,0.0005281568,0.0014866623,0.000057273726,0.000089424764,0.000034764118],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009464717,0.000054251104,0.012255388,0.000111100715,0.00031631038,0.000006289099,0.7052877,0.00017752146,0.003010381,0.22465949,0.0490427,0.0049842573],"study_design_scores_gemma":[0.0007473721,0.0002344029,0.0038362767,0.0002776972,0.00019988568,0.000027510636,0.8860152,0.009400155,0.0008036987,0.01046082,0.08748426,0.00051276595],"about_ca_topic_score_codex":0.00008041791,"about_ca_topic_score_gemma":0.00008677663,"teacher_disagreement_score":0.21419866,"about_ca_system_score_codex":0.00008458288,"about_ca_system_score_gemma":0.000025857602,"threshold_uncertainty_score":0.6659225},"labels":[],"label_agreement":null},{"id":"W4206516550","doi":"10.5860/choice.50-2253","title":"Sex, lies, and cigarettes: Canadian women, smoking, and visual culture, 1880-2000","year":2012,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Medicine; Psychology; Sociology","score_opus":0.029788890610819303,"score_gpt":0.2767377370413317,"score_spread":0.2469488464305124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206516550","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36646545,0.61832035,0.0000026959774,0.0006983563,0.00065652415,0.0004103156,0.00056750217,0.00005756261,0.012821205],"genre_scores_gemma":[0.675108,0.18009712,0.00021834495,0.027966157,0.018987747,0.00009457985,0.0011160529,0.00012445224,0.09628751],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853635,0.00010585237,0.00042397066,0.00023958532,0.00014911247,0.0005451477],"domain_scores_gemma":[0.9989164,0.000044115157,0.00016016187,0.00018198945,0.000075055534,0.00062227744],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052246806,0.0002705973,0.000562658,0.00016306971,0.00044001106,0.00038930986,0.000110441586,0.00008938453,0.0013555853],"category_scores_gemma":[0.0001038042,0.00018849925,0.00009435784,0.000092559996,0.00013621594,0.00053775345,0.000035738605,0.00031971122,0.000013942545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020168844,0.0006561525,0.060133584,0.0018022755,0.0010456956,0.00003872995,0.37191814,2.5919843e-7,0.000041583877,0.019358585,0.19335493,0.35162988],"study_design_scores_gemma":[0.0001993636,0.000037809346,0.0013354368,0.00023170433,0.0001552717,0.000015643796,0.0017656652,0.000011772104,0.0000021408405,0.00005395157,0.9959288,0.00026240476],"about_ca_topic_score_codex":0.0061315075,"about_ca_topic_score_gemma":0.044899873,"teacher_disagreement_score":0.8025739,"about_ca_system_score_codex":0.00010461532,"about_ca_system_score_gemma":0.000066561974,"threshold_uncertainty_score":0.9995573},"labels":[],"label_agreement":null},{"id":"W4225927946","doi":"10.22215/etd/2022-14872","title":"\"For Good or Evil\": The Early Atomic Age in Maclean's, Saturday Night, Life and The Saturday Evening Post, 1945-1950","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atomic energy; Evening; Nuclear weapon; Secrecy; Cold war; Faith; Optimism; Skepticism; History; Political science; Law; Psychology; Physics; Sociology; Philosophy; Theology; Social science; Social psychology","score_opus":0.01428880541634044,"score_gpt":0.2399476374495811,"score_spread":0.22565883203324066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225927946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82366955,0.023291476,0.000005597014,0.00608386,0.0054296833,0.0030419598,0.0013054709,0.00018606626,0.13698632],"genre_scores_gemma":[0.6882095,0.00090569735,0.000041373743,0.0034095827,0.0017866098,0.00023257962,0.0020974504,0.00010456634,0.30321267],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974376,0.00040403707,0.0007785799,0.0004996407,0.00043253912,0.00044760277],"domain_scores_gemma":[0.9978988,0.0008273419,0.00047723777,0.00048469417,0.00020728505,0.000104620085],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011109821,0.00049218803,0.00077764783,0.0003295865,0.0016442866,0.0016309902,0.00065159996,0.00019838788,0.0043926295],"category_scores_gemma":[0.00019565113,0.00022916957,0.00047594326,0.00019369044,0.00016416183,0.00031789465,0.000079557685,0.0012405559,0.000012779356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034039808,0.00009269324,0.00018704539,0.00036440959,0.0011648755,0.00006695027,0.52591693,0.0000068686777,0.00002903534,0.42992184,0.036642984,0.0022023767],"study_design_scores_gemma":[0.0034096148,0.00019567322,0.0022241243,0.00026073918,0.0010312124,0.000017602719,0.09665298,0.0001388111,0.000014193508,0.0059140865,0.88928473,0.0008562318],"about_ca_topic_score_codex":0.0026856195,"about_ca_topic_score_gemma":0.10196536,"teacher_disagreement_score":0.85264176,"about_ca_system_score_codex":0.00005747281,"about_ca_system_score_gemma":0.00021461124,"threshold_uncertainty_score":0.9996554},"labels":[],"label_agreement":null},{"id":"W4231035845","doi":"10.5860/choice.45-4803","title":"The Rise of Western journalism, 1815-1914: essays on the press in Australia, Canada, France, Germany, Great Britain and the United States","year":2008,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; History; Economic history; Political science; Media studies; Sociology; Law","score_opus":0.04921982419920744,"score_gpt":0.2757699140937457,"score_spread":0.22655008989453823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231035845","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83929116,0.14880326,0.0000026169423,0.00959888,0.0002859663,0.0006859951,0.00052988756,0.000010485035,0.00079173496],"genre_scores_gemma":[0.41154253,0.49785748,0.000020950905,0.008768991,0.0027559155,0.000098609984,0.00023908737,0.00007235757,0.07864407],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997663,0.00071449636,0.0008096923,0.00017849219,0.0003442737,0.0002900029],"domain_scores_gemma":[0.99789953,0.0008789993,0.0004868,0.00046807842,0.00018561287,0.00008095816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011098938,0.00024227695,0.00057226425,0.00007759289,0.0005988634,0.00021593725,0.000500105,0.000040597355,0.00013417019],"category_scores_gemma":[0.00014181799,0.00009773919,0.00016612829,0.00016884785,0.00059463014,0.00014982022,0.000050159008,0.0005607584,0.0000027685162],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000815007,0.0013363543,0.06709072,0.0026221815,0.002678867,0.00049886695,0.20955472,0.0009250987,0.000025987478,0.1064456,0.5867357,0.021270845],"study_design_scores_gemma":[0.00065834844,0.000021297976,0.0027339074,0.00049286906,0.0001437819,0.000020876305,0.00046662195,0.00026560237,0.0000035020214,0.00029732735,0.9947604,0.00013549814],"about_ca_topic_score_codex":0.3442421,"about_ca_topic_score_gemma":0.67654526,"teacher_disagreement_score":0.42774862,"about_ca_system_score_codex":0.000030442838,"about_ca_system_score_gemma":0.000054222903,"threshold_uncertainty_score":0.66012466},"labels":[],"label_agreement":null},{"id":"W4233627628","doi":"10.3366/edinburgh/9780748694174.003.0018","title":"A Gentle Gaze on the Colony: Jette Bang’s Documentary Filming in Greenland 1938–9","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Documentary film; Arctic; Art history; History; Art; Literature; Media studies; Sociology; Oceanography; Geology","score_opus":0.048104340741433896,"score_gpt":0.20652465051327248,"score_spread":0.15842030977183857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233627628","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003196246,0.00053818367,0.0000016349875,0.00034130333,0.00080527866,0.00029104468,0.00040598089,0.00004310718,0.99725384],"genre_scores_gemma":[0.005455718,0.000113230686,0.00000674258,0.0005734002,0.0015572272,0.0000015131179,0.000105631574,0.000032538555,0.992154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984507,0.00006678818,0.00026117446,0.00039673297,0.0005044018,0.00032018608],"domain_scores_gemma":[0.99885744,0.00014515466,0.00026191794,0.00044751033,0.00014308775,0.00014490802],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000317177,0.00039081628,0.0004553493,0.00034074273,0.00043020945,0.00026778827,0.00056138425,0.00021460172,0.004425879],"category_scores_gemma":[0.000007898729,0.0003063988,0.0002857712,0.000008910063,0.00027317033,0.00016868224,0.00022734894,0.0008448147,0.000017193644],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013015939,0.000016182334,0.000007842778,0.000012325928,0.00029145446,0.0004162282,0.011460638,0.0000057580523,0.000001282233,0.36069304,0.6266405,0.00032463224],"study_design_scores_gemma":[0.00059283356,0.00006912292,0.0000015958726,0.00031081314,0.0003201187,0.000004802784,0.0009290765,0.000029381854,0.000005164247,0.0038307374,0.99354106,0.00036527816],"about_ca_topic_score_codex":0.0015513914,"about_ca_topic_score_gemma":0.0010889086,"teacher_disagreement_score":0.3669006,"about_ca_system_score_codex":0.00020407044,"about_ca_system_score_gemma":0.00007472945,"threshold_uncertainty_score":0.9999388},"labels":[],"label_agreement":null},{"id":"W4234055105","doi":"10.1093/obo/9780199791286-0086","title":"David Cronenberg","year":2014,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Movie theater; Theme (computing); Art; Politics; Prestige; Art history; Film studies; Object (grammar); Auteur theory; Literature; Philosophy; Law; Political science","score_opus":0.05333329779841419,"score_gpt":0.27066814379653875,"score_spread":0.21733484599812455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234055105","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014467624,0.4481772,0.0000024398598,0.0016777805,0.007906138,0.00014795343,0.0003884157,0.00007710093,0.5401762],"genre_scores_gemma":[0.0049825753,0.49855894,0.000024533503,0.00093514525,0.016382247,0.00003406951,0.00043544194,0.000044819422,0.47860223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983509,0.00007291855,0.000452296,0.00041280626,0.00034416627,0.00036691056],"domain_scores_gemma":[0.9986341,0.00032479462,0.0002591595,0.0002929095,0.00033526315,0.0001537512],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020042018,0.0004598642,0.0011588231,0.00025233603,0.0005729758,0.00028964994,0.00018246134,0.00017911957,0.0009310885],"category_scores_gemma":[0.00020091054,0.00029743143,0.00023063425,0.00004377369,0.00047102963,0.00012721431,0.0001429731,0.000498924,0.000068435154],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009137711,0.000020957346,0.00004587199,0.0006979473,0.00087270065,0.000024642535,0.06133414,3.7357037e-8,1.0450399e-7,0.012918044,0.9086322,0.015444175],"study_design_scores_gemma":[0.00036044582,0.000050123832,0.000043397264,0.0008976133,0.0009790414,0.000008375458,0.010213355,0.0000012465855,0.0000012534861,0.0028349366,0.98423827,0.0003719412],"about_ca_topic_score_codex":0.00006628136,"about_ca_topic_score_gemma":0.0011766882,"teacher_disagreement_score":0.075606026,"about_ca_system_score_codex":0.000023309289,"about_ca_system_score_gemma":0.00004904622,"threshold_uncertainty_score":0.9999822},"labels":[],"label_agreement":null},{"id":"W4235189682","doi":"10.26522/ti.v2i1.759","title":"A Poem","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Artificial intelligence; Computer science; Art; Psychology; Literature","score_opus":0.014960482458388028,"score_gpt":0.1844434038851668,"score_spread":0.1694829214267788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235189682","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16419756,0.0006643449,0.000010803137,0.0015357308,0.00042617437,0.0000686949,0.000014259814,0.000070919225,0.8330115],"genre_scores_gemma":[0.8130709,0.00000986172,0.00003186077,0.0013216875,0.00094710494,0.0000055493792,0.000009827899,0.0000065525473,0.18459664],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996203,0.000013049481,0.00009624616,0.00007055067,0.000083424435,0.0001164113],"domain_scores_gemma":[0.9997354,0.000010825784,0.00002891419,0.00011370365,0.00006435871,0.000046773894],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000395927,0.00005755895,0.0000839113,0.0000477361,0.00013477287,0.00034410442,0.00007911665,0.000016718092,0.04145258],"category_scores_gemma":[0.000004606672,0.000039559527,0.000068231915,0.000018665165,0.00003672514,0.00024099139,0.000012272229,0.000070050606,0.0028326758],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025031786,0.00003954868,0.00027396117,0.000011639675,0.00007491026,0.000007629647,0.033787277,5.4374624e-7,0.00009164108,0.34771723,0.61243176,0.0055613806],"study_design_scores_gemma":[0.000098922836,0.000014091336,0.00027483975,0.000007768211,0.000022575325,0.0000023474436,0.00121916,0.0000557314,0.000027328351,0.007566845,0.99062735,0.00008306149],"about_ca_topic_score_codex":0.0004638538,"about_ca_topic_score_gemma":0.000105811894,"teacher_disagreement_score":0.6488733,"about_ca_system_score_codex":0.000005841935,"about_ca_system_score_gemma":0.0000062996796,"threshold_uncertainty_score":0.99794376},"labels":[],"label_agreement":null},{"id":"W4235856214","doi":"10.3366/edinburgh/9780748694174.003.0002","title":"‘Who Were We? and What Happened to Us?’: Inuit Memory and Arctic Futures in Igloolik Isuma Film and Video","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmmaking; Indigenous; Movie theater; Feature film; Futures contract; The arctic; Visual arts; History; Arctic; Documentary film; Art history; Media studies; Art; Geography; Sociology; Oceanography; Geology","score_opus":0.02465055160882631,"score_gpt":0.2012345143165698,"score_spread":0.17658396270774349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235856214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027928965,0.026261069,0.0000027267097,0.00058338384,0.0011456396,0.00077750743,0.00048408337,0.00008872524,0.9427279],"genre_scores_gemma":[0.025919525,0.0045345286,0.000022309086,0.00039679068,0.0010392332,0.0000012259883,0.00002852603,0.000037679187,0.9680202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984118,0.00004979039,0.00027568633,0.0005950677,0.0003493069,0.00031835286],"domain_scores_gemma":[0.9988011,0.00008921192,0.00019318015,0.0003205754,0.00020757104,0.00038834102],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00023660317,0.0004696274,0.000716395,0.000576561,0.0004122199,0.0010850956,0.0002584869,0.0003203615,0.0006807584],"category_scores_gemma":[0.0000113931565,0.00045233656,0.00011385654,0.000009440404,0.0004214441,0.0008445156,0.0004542039,0.0006004026,0.0000015263452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008322032,0.00004205084,0.000081508675,0.00053754216,0.0010685308,0.001148108,0.30832127,0.00001088261,0.000011828653,0.47601965,0.18242206,0.029504385],"study_design_scores_gemma":[0.00093787635,0.00009976444,0.000026962169,0.0010802995,0.00041210183,0.00002480197,0.012718502,0.000024030644,0.000005122646,0.0043930993,0.9797145,0.0005629019],"about_ca_topic_score_codex":0.0014219797,"about_ca_topic_score_gemma":0.0071130707,"teacher_disagreement_score":0.7972925,"about_ca_system_score_codex":0.000101245176,"about_ca_system_score_gemma":0.000067878056,"threshold_uncertainty_score":0.9999519},"labels":[],"label_agreement":null},{"id":"W4236156525","doi":"10.32920/ryerson.14653281.v1","title":"Changing Images of the Democratic Party: an analysis of the aesthetic and philosophical underpinnings of Life's photo-essay \"Happy days in Miami\"","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Journalism; Exhibition; Miami; Convention; Photography; Narrative; Art; Visual arts; Politics; Photo-essay; Aesthetics; Sociology; Art history; Media studies; Law; Literature; Political science; Social science","score_opus":0.02319311143106834,"score_gpt":0.23568722289163466,"score_spread":0.21249411146056632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236156525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9908015,0.0020832815,0.00006617942,0.0022426269,0.00019454084,0.00022947212,0.00014860595,0.000010383008,0.0042233965],"genre_scores_gemma":[0.99822223,0.0001746717,0.000056421904,0.00051836827,0.00010680013,0.000010262614,0.000042350905,0.000019704494,0.0008491602],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974883,0.0004562566,0.0009398245,0.00039290107,0.00048500623,0.0002376781],"domain_scores_gemma":[0.9978093,0.0001212742,0.00082364207,0.0008805936,0.00029360462,0.00007162162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068011624,0.0002998254,0.001167367,0.000628857,0.0001881459,0.0002148382,0.0005845807,0.00017309588,0.0006663341],"category_scores_gemma":[0.00008288172,0.00016379492,0.0007548976,0.0005498404,0.00063670945,0.00015251966,0.00056556205,0.0005790712,1.283032e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016682984,0.0017940165,0.11154417,0.003444416,0.012285893,0.000037587113,0.5838953,0.0068234843,0.0019690907,0.2761007,0.0005736874,0.001364837],"study_design_scores_gemma":[0.005274885,0.0005882419,0.11010356,0.014346546,0.07006525,0.00006279903,0.29610026,0.1623455,0.016041534,0.31811145,0.0017836244,0.0051763463],"about_ca_topic_score_codex":0.00092529814,"about_ca_topic_score_gemma":0.0020935333,"teacher_disagreement_score":0.28779504,"about_ca_system_score_codex":0.000026433712,"about_ca_system_score_gemma":0.00017221997,"threshold_uncertainty_score":0.7295891},"labels":[],"label_agreement":null},{"id":"W4236632160","doi":"10.3366/edinburgh/9780748694174.003.0006","title":"Cinema of Emancipation and Zacharias Kunuk’s Atanarjuat: The Fast Runner","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Narrative; Intertextuality; Art; Storytelling; Literature; Art history; History","score_opus":0.047869448425758285,"score_gpt":0.206887515850018,"score_spread":0.15901806742425972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236632160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022830623,0.0009615861,0.000022385357,0.000101303376,0.00060502207,0.00019220726,0.0003947321,0.000032024607,0.99746245],"genre_scores_gemma":[0.013473435,0.0001480918,0.000010464183,0.000064391206,0.0013529268,4.979734e-7,0.00008301832,0.000022290009,0.98484486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988102,0.00003282591,0.00026913048,0.00029317336,0.00041633524,0.00017835907],"domain_scores_gemma":[0.99851686,0.000062806525,0.0004276195,0.00039841823,0.00047602173,0.00011829816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002555899,0.00029321844,0.0004422054,0.00021868058,0.00038580233,0.00014050386,0.00035101135,0.00019250184,0.0011467749],"category_scores_gemma":[0.000009213818,0.00021984283,0.00020470383,0.000006125404,0.00046738313,0.00020051682,0.00020206775,0.0004045342,0.0000020596435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006959091,0.0000091621505,0.0000027489718,0.000036854,0.0003589747,0.000036856076,0.028277121,0.0000036543322,0.0000034397121,0.84234524,0.12791187,0.00094448874],"study_design_scores_gemma":[0.00040702333,0.000057869747,0.0000025493173,0.00014911484,0.00078948383,0.0000053179715,0.0018741324,0.000052796295,0.0000065183494,0.0039897854,0.9924137,0.00025169895],"about_ca_topic_score_codex":0.0005377101,"about_ca_topic_score_gemma":0.0003249878,"teacher_disagreement_score":0.86450183,"about_ca_system_score_codex":0.000045269804,"about_ca_system_score_gemma":0.000059895025,"threshold_uncertainty_score":0.9997663},"labels":[],"label_agreement":null},{"id":"W4239042467","doi":"10.3366/edinburgh/9780748694174.003.0019","title":"Exercise Musk-Ox: The Challenges of Filming a Military Expedition in Canada’s Arctic","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Archivist; Arctic; The arctic; Government (linguistics); History; Engineering; Art history; Archaeology; Oceanography","score_opus":0.04434900305246103,"score_gpt":0.18827041040682976,"score_spread":0.14392140735436873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239042467","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002246555,0.012452855,7.680366e-7,0.00015787232,0.0008768271,0.00022508002,0.00033759963,0.000017673561,0.9857067],"genre_scores_gemma":[0.08115771,0.0021820639,0.0000075303633,0.000055133743,0.0011651141,0.0000015872347,0.000059546663,0.000027920716,0.9153434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862474,0.00004276307,0.0003016585,0.00029729787,0.00049991143,0.00023360744],"domain_scores_gemma":[0.99881613,0.000101245896,0.00025485537,0.00039730832,0.00031706266,0.0001134111],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00020591954,0.00029438979,0.0005035721,0.00025330888,0.00020791971,0.000028687571,0.00044083886,0.00014481018,0.00073002855],"category_scores_gemma":[0.000009378065,0.00024646232,0.00019878137,0.0000054019065,0.00022915352,0.0001740775,0.00014464521,0.0005241761,6.283489e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018726634,0.000027322898,0.0000030292367,0.00023963406,0.00038011154,0.0004389644,0.08835922,0.00003492382,0.0000012082625,0.7182779,0.18879138,0.0032590772],"study_design_scores_gemma":[0.0003742103,0.000028291188,0.0000038710928,0.0009999294,0.00039189946,0.0000034759018,0.014240118,0.00003814851,0.0000043746277,0.0036534322,0.9799637,0.00029853167],"about_ca_topic_score_codex":0.61392015,"about_ca_topic_score_gemma":0.7822667,"teacher_disagreement_score":0.7911723,"about_ca_system_score_codex":0.00037733561,"about_ca_system_score_gemma":0.0005298113,"threshold_uncertainty_score":0.99999875},"labels":[],"label_agreement":null},{"id":"W4239603736","doi":"10.24124/2006/bpgub400","title":"\"And hell's coming with me\": Wyatt Earp encounters the Cold War.","year":2006,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; Library and Archives Canada","funders":"","keywords":"Cold war; Art; Humanities; Art history; Political science; Law; Politics","score_opus":0.006768369327369569,"score_gpt":0.19360347987011203,"score_spread":0.18683511054274246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239603736","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15637557,0.005279472,0.000026982752,0.0004907223,0.0014076247,0.00036911227,0.00012581066,0.000091717266,0.83583295],"genre_scores_gemma":[0.2952064,0.00022217914,0.00004028221,0.00082602573,0.0012573572,0.000020009134,0.00073544256,0.0000485439,0.70164376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988976,0.00004250094,0.00028162028,0.00024272615,0.00031943215,0.00021610982],"domain_scores_gemma":[0.9992657,0.00007319169,0.00021267019,0.00021294138,0.00018577222,0.000049732724],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014221214,0.00028101713,0.00032763643,0.00013703643,0.0006731916,0.00086154434,0.00018170467,0.00010308601,0.00128763],"category_scores_gemma":[0.0000039268716,0.00014476787,0.00013289732,0.000045934295,0.00011340651,0.00020656378,0.0000106027455,0.0003620605,0.00001975435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031795906,0.00017912679,0.00082218996,0.0005385543,0.0018436303,0.000088174835,0.29301238,0.000020174662,0.00022352485,0.37690955,0.32460544,0.0014392716],"study_design_scores_gemma":[0.00049618585,0.00009994034,0.00032121822,0.0003433483,0.00088422146,0.0000110534265,0.06981582,0.00008838911,0.00015415857,0.00047978258,0.9267477,0.0005582112],"about_ca_topic_score_codex":0.0021152934,"about_ca_topic_score_gemma":0.035005927,"teacher_disagreement_score":0.6021422,"about_ca_system_score_codex":0.000018724028,"about_ca_system_score_gemma":0.000039358143,"threshold_uncertainty_score":0.9996253},"labels":[],"label_agreement":null},{"id":"W4244251724","doi":"10.1139/e11-053","title":"E.R. Ward Neale (1923–2008). Photograph by Penny Colton Photographie par Penny Colton.","year":2012,"lang":"fr","type":"article","venue":"Canadian Journal of Earth Sciences","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Penny; Geology; Art; Geography; Archaeology","score_opus":0.019955308659451155,"score_gpt":0.21965453940978266,"score_spread":0.1996992307503315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244251724","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6362891,0.30607402,0.000028319891,0.0050387993,0.01581969,0.00041738208,0.0022917432,0.000019608877,0.034021325],"genre_scores_gemma":[0.96454555,0.00525258,0.0003505752,0.002248006,0.004125873,0.000005471789,0.00002411672,0.00004302721,0.023404822],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947937,0.0004392468,0.0012574085,0.0004094244,0.0010194973,0.0020807083],"domain_scores_gemma":[0.9940266,0.00021725037,0.0011005917,0.00033899903,0.0007706231,0.0035459287],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0034710905,0.0005441809,0.0008728907,0.0018610007,0.0036850823,0.002235885,0.0011707753,0.00026440108,0.013799901],"category_scores_gemma":[0.00015274316,0.00045949526,0.00089519215,0.001421423,0.004528526,0.0031233162,0.000032677857,0.00097445055,0.00012244874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011620051,0.00043400723,0.23806776,0.00023554469,0.0011180226,0.00062820636,0.04996333,0.00006907648,0.0005562026,0.021658542,0.6834936,0.0036594616],"study_design_scores_gemma":[0.00058904715,0.00048857124,0.008895397,0.00039727526,0.0004507239,0.00048044327,0.0070698224,0.000052059277,0.00030264328,0.00045923883,0.98020494,0.00060981116],"about_ca_topic_score_codex":0.047746252,"about_ca_topic_score_gemma":0.27091423,"teacher_disagreement_score":0.32825643,"about_ca_system_score_codex":0.000039138595,"about_ca_system_score_gemma":0.0019934766,"threshold_uncertainty_score":0.99978566},"labels":[],"label_agreement":null},{"id":"W4244581084","doi":"10.1111/j.0022-3840.2000.3304_153.x","title":"Book Reviews","year":2000,"lang":"en","type":"article","venue":"The Journal of Popular Culture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmography; Art history; Movie theater; Hollywood; Vision; History; Biography; Popular culture; Journalism; MAGIC (telescope); Politics; Art; Media studies; Sociology; Law; Anthropology","score_opus":0.02011238670696708,"score_gpt":0.23537884975984757,"score_spread":0.2152664630528805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244581084","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011395738,0.89179635,0.000027824532,0.008686495,0.0011450051,0.00023615037,0.000035613906,0.000026483653,0.08665032],"genre_scores_gemma":[0.020582708,0.06406991,0.00014659973,0.023247667,0.008803902,0.0000015514527,0.000015696955,0.000032171676,0.8830998],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987393,0.00023580702,0.00053283456,0.000058411242,0.00027437392,0.00015928189],"domain_scores_gemma":[0.9991933,0.000005945946,0.00035739242,0.0002060896,0.0001538154,0.00008341953],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00069393305,0.00014211504,0.00033273717,0.000049699647,0.0003623529,0.00020610903,0.00037731745,0.000045519897,0.019221773],"category_scores_gemma":[0.000022355785,0.000061727274,0.00038025362,0.000054812128,0.00007867477,0.00046812775,0.000009954273,0.00046816247,0.00020075397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035310102,0.000030403284,0.000007914465,0.000012303583,0.0000990216,0.000021510848,0.054886997,0.0000072599137,0.000058670576,0.0036223428,0.9382387,0.0029795778],"study_design_scores_gemma":[0.00019492814,0.000068867725,0.0000063302314,0.00010400893,0.00032315394,0.00020904501,0.0014125269,0.0000031353059,0.000014944568,0.0008858827,0.99668354,0.000093624134],"about_ca_topic_score_codex":0.000010846069,"about_ca_topic_score_gemma":0.00003409326,"teacher_disagreement_score":0.8277265,"about_ca_system_score_codex":0.000016080192,"about_ca_system_score_gemma":0.00001208051,"threshold_uncertainty_score":0.9816748},"labels":[],"label_agreement":null},{"id":"W4245959647","doi":"10.32920/ryerson.14653281","title":"Changing Images of the Democratic Party: an analysis of the aesthetic and philosophical underpinnings of Life's photo-essay \"Happy days in Miami\"","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Journalism; Exhibition; Miami; Photography; Convention; Narrative; Visual arts; Art; Politics; Photo-essay; Aesthetics; Sociology; Art history; Media studies; Literature; Law; Political science; Social science","score_opus":0.02319311143106834,"score_gpt":0.23568722289163466,"score_spread":0.21249411146056632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245959647","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9908015,0.0020832815,0.00006617942,0.0022426269,0.00019454084,0.00022947212,0.00014860595,0.000010383008,0.0042233965],"genre_scores_gemma":[0.99822223,0.0001746717,0.000056421904,0.00051836827,0.00010680013,0.000010262614,0.000042350905,0.000019704494,0.0008491602],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974883,0.0004562566,0.0009398245,0.00039290107,0.00048500623,0.0002376781],"domain_scores_gemma":[0.9978093,0.0001212742,0.00082364207,0.0008805936,0.00029360462,0.00007162162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068011624,0.0002998254,0.001167367,0.000628857,0.0001881459,0.0002148382,0.0005845807,0.00017309588,0.0006663341],"category_scores_gemma":[0.00008288172,0.00016379492,0.0007548976,0.0005498404,0.00063670945,0.00015251966,0.00056556205,0.0005790712,1.283032e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016682984,0.0017940165,0.11154417,0.003444416,0.012285893,0.000037587113,0.5838953,0.0068234843,0.0019690907,0.2761007,0.0005736874,0.001364837],"study_design_scores_gemma":[0.005274885,0.0005882419,0.11010356,0.014346546,0.07006525,0.00006279903,0.29610026,0.1623455,0.016041534,0.31811145,0.0017836244,0.0051763463],"about_ca_topic_score_codex":0.00092529814,"about_ca_topic_score_gemma":0.0020935333,"teacher_disagreement_score":0.28779504,"about_ca_system_score_codex":0.000026433712,"about_ca_system_score_gemma":0.00017221997,"threshold_uncertainty_score":0.7295891},"labels":[],"label_agreement":null},{"id":"W4247591107","doi":"10.1002/9781405186407.wbiecy001","title":"Yellow Journalism","year":2008,"lang":"en","type":"other","venue":"The International Encyclopedia of Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sensationalism; Newspaper; Journalism; Populism; Politics; Political science; Economic history; Media studies; Taste; Working class; Pejorative; Sociology; Law; History","score_opus":0.01763340878187066,"score_gpt":0.23853009688165303,"score_spread":0.22089668809978236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247591107","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006398112,0.0058080256,0.000018765691,0.0027343915,0.0010294802,0.00010164385,0.00013868145,0.000047873546,0.9900572],"genre_scores_gemma":[0.004748527,0.052104153,0.00018386009,0.0004286019,0.0020144065,0.000012092996,0.00032030963,0.00012247758,0.94006556],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998709,0.00012481576,0.00043640358,0.000117115385,0.00050326734,0.00010937845],"domain_scores_gemma":[0.9980683,0.00012886424,0.000772182,0.0007642124,0.00023105003,0.000035407953],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024656559,0.00018307686,0.00025923134,0.00028606938,0.00018761674,0.00011456638,0.0016872265,0.00009672695,0.013544471],"category_scores_gemma":[0.00004801551,0.0001234456,0.00022122412,0.000045150344,0.00034499977,0.00013890996,0.00014932435,0.00041068782,0.00014121429],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008131279,0.00004700415,0.000016777198,0.0000074681343,0.000289463,0.0000016049664,0.007437538,0.0000036760873,0.0000014830833,0.0809242,0.9100544,0.0012082552],"study_design_scores_gemma":[0.000160545,0.0000074673394,0.00001696446,0.00018527366,0.00008953923,0.0000126542645,0.00039826505,0.000041661453,0.0000033885374,0.002769201,0.996181,0.00013404632],"about_ca_topic_score_codex":0.001292361,"about_ca_topic_score_gemma":0.0014346862,"teacher_disagreement_score":0.086126596,"about_ca_system_score_codex":0.000031578358,"about_ca_system_score_gemma":0.00005571808,"threshold_uncertainty_score":0.98735726},"labels":[],"label_agreement":null},{"id":"W4251642589","doi":"10.3138/cras.39.1.1","title":"The Role of Violence and the Idea of America in Ralph Ellison's “A Party Down at the Square”","year":2009,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Democracy; Centrality; History; Square (algebra); Key (lock); Sociology; Law; Political science; Religious studies; Literature; Art; Theology; Philosophy; Politics","score_opus":0.009650086908302154,"score_gpt":0.24140884510494623,"score_spread":0.23175875819664407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251642589","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028832514,0.9555313,2.8195288e-7,0.009870085,0.000044683977,0.00027447968,0.00010262744,0.0000025903898,0.0053414595],"genre_scores_gemma":[0.5040338,0.49272972,0.000006077773,0.0029796886,0.000048282796,0.000011743726,0.00000269171,0.000003755879,0.00018420085],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986876,0.00025359693,0.0005223717,0.00013085215,0.00018186186,0.00022367522],"domain_scores_gemma":[0.99842024,0.00038106093,0.0005564581,0.00034800597,0.0002300326,0.00006422304],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005746918,0.00014400855,0.0007431631,0.00006503488,0.00035972684,0.000027138103,0.0002815466,0.000009711824,0.0000661844],"category_scores_gemma":[0.00019070748,0.000059484035,0.00018986751,0.00023874926,0.0031426288,0.000052554104,0.000036983936,0.00012253836,0.0000016155332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009508122,0.000040521194,0.0034236657,0.0010762361,0.0008248879,0.000008866067,0.06743469,0.000006811809,0.000011542473,0.062356353,0.04300541,0.82171595],"study_design_scores_gemma":[0.00019150165,0.0001161663,0.0018329176,0.0032574446,0.0002753094,0.0000030821307,0.039879177,0.000011884695,0.000017738086,0.002071901,0.952215,0.00012785476],"about_ca_topic_score_codex":0.044021327,"about_ca_topic_score_gemma":0.11633146,"teacher_disagreement_score":0.9092096,"about_ca_system_score_codex":0.000035963873,"about_ca_system_score_gemma":0.00007322954,"threshold_uncertainty_score":0.99957025},"labels":[],"label_agreement":null},{"id":"W4253009045","doi":"10.7551/mitpress/9780262036511.003.0004","title":"Reading Technologies","year":2017,"lang":"en","type":"book-chapter","venue":"The MIT Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ionogram; Optimal distinctiveness theory; Reading (process); Geographer; Telecommunications; Radio communications; Broadcasting (networking); History; Geography; Media studies; Meteorology; Computer science; Engineering; Sociology; Political science; Cartography; Electrical engineering","score_opus":0.054759713647104254,"score_gpt":0.2356368316243195,"score_spread":0.18087711797721526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253009045","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000045945308,0.0044277566,0.0000031554364,0.00019832519,0.00057506823,0.00016569883,0.00013989284,0.0002443367,0.9942412],"genre_scores_gemma":[0.0050197984,0.0003227611,0.000011265579,0.00014252098,0.0014221598,0.000015077024,0.000020668798,0.000058888978,0.99298686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887586,0.00001864731,0.00030262972,0.0002803555,0.00026617208,0.00025635696],"domain_scores_gemma":[0.99808156,0.00006446076,0.00045802764,0.0012376879,0.00012511492,0.00003313982],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00020196427,0.00035680598,0.00044344165,0.0001254849,0.0011232761,0.0012390589,0.0011167643,0.00025102176,0.0004252632],"category_scores_gemma":[0.000019860463,0.00020915593,0.00034099494,6.581303e-7,0.0007641928,0.00010707885,0.00026922266,0.0007671414,0.000079835896],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009692148,0.0000021967428,1.1417278e-7,0.00003324659,0.00038452007,0.00003108855,0.008673258,1.4170324e-7,0.000004193418,0.95168555,0.027074782,0.012101206],"study_design_scores_gemma":[0.00008027511,0.000015877165,1.0151357e-7,0.0002670253,0.00045962763,0.0000091975935,0.00017152079,0.0000035117387,0.00009073433,0.12120465,0.8774375,0.00025999366],"about_ca_topic_score_codex":0.00019266627,"about_ca_topic_score_gemma":0.00016706581,"teacher_disagreement_score":0.8503627,"about_ca_system_score_codex":0.000020467365,"about_ca_system_score_gemma":0.000020514663,"threshold_uncertainty_score":0.99979776},"labels":[],"label_agreement":null},{"id":"W4253165789","doi":"10.1017/9781787443921.016","title":"Photo Log: 30 Years of Working in Canadian Criticism in Pictures","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; History; Geography; Computer graphics (images); Art; Computer science; Literature","score_opus":0.03465024733963336,"score_gpt":0.22321013297933082,"score_spread":0.18855988563969744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253165789","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023465706,0.001499449,4.3826606e-7,0.000069719856,0.00039059581,0.000090968395,0.00006599141,0.000008848547,0.99552745],"genre_scores_gemma":[0.42768472,0.00008643189,0.000018970662,0.0012220622,0.0008320405,0.0000022008633,0.000040008952,0.00003250517,0.57008106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879,0.000017838871,0.00046057385,0.00022407137,0.00018558277,0.00032192515],"domain_scores_gemma":[0.99938726,0.000043273798,0.0001095523,0.00022725353,0.00010679666,0.0001258578],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001927033,0.00021118324,0.0004593348,0.0009716339,0.00005628685,0.0001589003,0.0002091839,0.00022108211,0.05234168],"category_scores_gemma":[0.000014667445,0.0001909815,0.00014168037,0.00002593353,0.00017368166,0.00007821683,0.000025281215,0.00039337686,0.000085627704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009012161,0.000013806257,0.00028686004,0.000056631237,0.00010490913,0.0002901469,0.037264224,0.0000021784538,0.0000012509621,0.93804526,0.023214245,0.00071147573],"study_design_scores_gemma":[0.00015954989,0.000020874095,0.00012267607,0.00055019633,0.0000411746,0.0000021714911,0.0006543731,0.000007967907,0.0000038293388,0.030126745,0.9680641,0.0002463345],"about_ca_topic_score_codex":0.20172171,"about_ca_topic_score_gemma":0.9621813,"teacher_disagreement_score":0.94484985,"about_ca_system_score_codex":0.00010144544,"about_ca_system_score_gemma":0.00015559321,"threshold_uncertainty_score":0.9485246},"labels":[],"label_agreement":null},{"id":"W4256153990","doi":"10.1353/crv.2011.0024","title":"Running Out of Gas: The Energy Crisis in 1970s Suburban Narratives","year":2011,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Energy (signal processing); History; Political science; Literature; Physics; Art; Quantum mechanics","score_opus":0.05185441671074054,"score_gpt":0.26819430109750025,"score_spread":0.21633988438675972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256153990","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023562375,0.9134507,0.0000023234581,0.0037508141,0.0003574769,0.00017141146,0.0001145382,0.0000100403495,0.0585803],"genre_scores_gemma":[0.8547318,0.13860838,0.0000753589,0.005419944,0.00017006663,0.000025287298,0.0000068971844,0.000014662045,0.00094761496],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988497,0.00012651016,0.000510384,0.00014898196,0.00013343009,0.00023102172],"domain_scores_gemma":[0.998929,0.000048578124,0.0003907035,0.00025527872,0.00028563355,0.00009076996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029483408,0.00015673824,0.00075589,0.00021331882,0.0001675994,0.000016495416,0.00023594924,0.000011252925,0.00039873304],"category_scores_gemma":[0.00006166105,0.00009517979,0.00019809073,0.0002035009,0.00084896735,0.00009988182,0.000025455025,0.000099127225,0.0000025641152],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010606035,0.000040288483,0.0028418784,0.0016368487,0.0011461778,0.000037452774,0.6905999,2.8507188e-7,0.0000037191837,0.064999215,0.22768417,0.010999438],"study_design_scores_gemma":[0.00008205696,0.000109514986,0.0007368182,0.0030087382,0.00020455538,0.0000018149925,0.28802487,6.8874056e-7,0.000023473309,0.0007558399,0.70685476,0.00019688129],"about_ca_topic_score_codex":0.14576776,"about_ca_topic_score_gemma":0.36419556,"teacher_disagreement_score":0.8311694,"about_ca_system_score_codex":0.000043496304,"about_ca_system_score_gemma":0.0001234863,"threshold_uncertainty_score":0.8599206},"labels":[],"label_agreement":null},{"id":"W4256510325","doi":"10.3828/liverpool/9781911325970.003.0001","title":"First Reel","year":2019,"lang":"en","type":"book-chapter","venue":"Liverpool University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plural; Reel; Art history; Art; Identity (music); Visual arts; Philosophy; Aesthetics; Linguistics","score_opus":0.025341514231817186,"score_gpt":0.16516769548654345,"score_spread":0.13982618125472626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256510325","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001841166,0.0004191163,0.000018084524,0.00003692941,0.0006942813,0.00023656862,0.000730939,0.00011165112,0.997734],"genre_scores_gemma":[0.0010534035,0.00029873263,0.000027499682,0.00020984349,0.0009516037,2.347817e-7,0.00010655045,0.000052094787,0.9973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986095,0.0000300253,0.0002315316,0.00047915906,0.00035803026,0.00029178595],"domain_scores_gemma":[0.99858516,0.00007530013,0.00033436375,0.00062130135,0.00023360949,0.00015026929],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007288863,0.00043428596,0.0005486106,0.0002919586,0.0005757177,0.00031448764,0.00062870164,0.0003278888,0.0030385724],"category_scores_gemma":[0.0000028527156,0.00043715548,0.0005488012,0.0000034948519,0.00029487722,0.00025108914,0.00027405185,0.0006586396,0.00027339483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006520373,0.000010353242,0.0000013462951,0.000112248505,0.00052561815,0.00022803439,0.006895828,0.0000032323314,6.6433586e-7,0.9441229,0.047781058,0.00025351858],"study_design_scores_gemma":[0.00043433206,0.00005631187,0.0000016538309,0.00029432485,0.000770364,0.0000061030823,0.00031901087,0.000049261344,0.0000024301373,0.0013818206,0.99614775,0.00053662964],"about_ca_topic_score_codex":0.00066077977,"about_ca_topic_score_gemma":0.0006751347,"teacher_disagreement_score":0.9483667,"about_ca_system_score_codex":0.000108336004,"about_ca_system_score_gemma":0.00007721183,"threshold_uncertainty_score":0.999808},"labels":[],"label_agreement":null},{"id":"W4284665512","doi":"10.4000/ejas.18122","title":"On Norman Mailer’s “The White Negro” (1957): More Than Six Decades Later","year":2022,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Athabasca University; York University","funders":"","keywords":"White (mutation); Politics; Sociology; Environmental ethics; History; Anthropology; Social science; Law; Political science; Philosophy","score_opus":0.027793216704838794,"score_gpt":0.2529425091329659,"score_spread":0.2251492924281271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4284665512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8989206,0.0073242155,0.000023707384,0.021755619,0.0024985378,0.00014327254,0.00011957046,0.0000554897,0.06915901],"genre_scores_gemma":[0.9831412,0.0003691622,0.000073811716,0.006817186,0.0018108524,0.0000025621466,0.0000035819583,0.000046786296,0.0077348887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973828,0.0008357757,0.000642204,0.00017480776,0.0006584709,0.0003059418],"domain_scores_gemma":[0.9983295,0.0001368353,0.0008997129,0.00025552427,0.00027799682,0.000100429635],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001126342,0.00025136658,0.00050336163,0.00028225427,0.0014541832,0.0003092793,0.0006289566,0.0000046786768,0.0008898177],"category_scores_gemma":[0.00005705653,0.00014426952,0.0003886419,0.00018647203,0.00071699993,0.0002165971,0.00025407827,0.0007227476,0.000049964005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043845255,0.00022092486,0.0039650816,0.000024392346,0.0027580364,0.0013378256,0.4087599,0.0007219229,0.000039625247,0.005627446,0.5685645,0.007541937],"study_design_scores_gemma":[0.00045187082,0.0012013944,0.005275436,0.00005811317,0.00030551528,0.00016761743,0.16471691,0.0000093701055,0.000010267128,0.0001640194,0.8273777,0.00026181625],"about_ca_topic_score_codex":0.00001297136,"about_ca_topic_score_gemma":0.000038283077,"teacher_disagreement_score":0.2588132,"about_ca_system_score_codex":0.000060331797,"about_ca_system_score_gemma":0.000023281613,"threshold_uncertainty_score":0.9998458},"labels":[],"label_agreement":null},{"id":"W4307070922","doi":"10.70064/mt.v5i2.926","title":"Celestial Apparitions: Media-Machine, Broadcasting and Aerial Advertising","year":2022,"lang":"en","type":"article","venue":"Media theory.","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Advertising; Broadcasting (networking); Negotiation; Sky; Political science; Computer science; Geography; Business; Computer security; Law","score_opus":0.013766650464191406,"score_gpt":0.20377604015301481,"score_spread":0.19000938968882342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307070922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8716037,0.027207598,0.00085441367,0.001699415,0.014677706,0.0005074499,0.0022655781,0.00046483811,0.08071925],"genre_scores_gemma":[0.99426466,0.00006369756,0.00013804068,0.0006729116,0.0036429942,0.000028062721,0.00023700947,0.00002668469,0.00092595886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985521,0.0003131714,0.00029971608,0.00023359313,0.00033308988,0.0002683718],"domain_scores_gemma":[0.99904406,0.0005094808,0.000115772425,0.00015775916,0.000053595464,0.00011933936],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00069334754,0.0001622822,0.00025759466,0.00014465644,0.0013178543,0.00030153312,0.00017594546,0.000029831297,0.008381947],"category_scores_gemma":[0.0002711453,0.00014161563,0.00010361161,0.000079901365,0.00022090538,0.00024044642,0.0001350242,0.00037283357,0.000012907026],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021597097,0.00012216144,0.00036873284,0.00004065158,0.00013529374,0.000116537434,0.22357012,0.0000346052,0.0002019423,0.7477239,0.006533135,0.020936988],"study_design_scores_gemma":[0.0023574203,0.00012502281,0.00032421065,0.00009116754,0.0005130534,0.00017483368,0.040057875,0.001060356,0.00010251685,0.1775359,0.77684975,0.00080790895],"about_ca_topic_score_codex":0.00015021619,"about_ca_topic_score_gemma":0.00031816136,"teacher_disagreement_score":0.7703166,"about_ca_system_score_codex":0.000027864891,"about_ca_system_score_gemma":0.00003219949,"threshold_uncertainty_score":0.9999823},"labels":[],"label_agreement":null},{"id":"W4313241339","doi":"10.20431/2347-3134.1010005","title":"To Better Understand Vincent : A Study of The Emotional Tone of Vincent Van Gogh's Letters to His Brother Theo: 1872-1890","year":2022,"lang":"en","type":"article","venue":"International Journal on Studies in English Language and Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Brother; Tone (literature); Art; Psychology; Sociology; Literature; Anthropology","score_opus":0.016116711544444294,"score_gpt":0.2822963474357405,"score_spread":0.26617963589129623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313241339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9912258,0.0020952977,0.0000084953135,0.002699374,0.0024693476,0.00022321705,0.00028353173,0.000007424128,0.0009875505],"genre_scores_gemma":[0.9929252,0.00006584248,0.000033618668,0.0047163083,0.001343857,0.000015131912,0.000007796967,0.000015659114,0.00087653904],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979409,0.00024094142,0.0005093073,0.00022213394,0.00090781425,0.00017892125],"domain_scores_gemma":[0.99891233,0.00013707207,0.00024589032,0.0001856558,0.00045222463,0.000066830726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004398721,0.0001906288,0.00032336204,0.00042192123,0.00028620922,0.00021987429,0.00046687262,0.000024214369,0.00061254954],"category_scores_gemma":[0.00011967196,0.00012223855,0.00015448769,0.00020140604,0.00008850016,0.00017736234,0.00030732996,0.0005303675,7.261921e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003894182,0.00058033445,0.002257707,0.00002010288,0.0008371476,0.00024656954,0.97055155,0.00070947414,0.00024905763,0.013012998,0.010092194,0.0010534364],"study_design_scores_gemma":[0.0030721396,0.0011102204,0.0032983336,0.0010139868,0.00014175162,0.00009104639,0.7676357,0.000014610968,0.00011593096,0.0007923313,0.222285,0.00042897166],"about_ca_topic_score_codex":0.0000511523,"about_ca_topic_score_gemma":0.00029001207,"teacher_disagreement_score":0.2121928,"about_ca_system_score_codex":0.0003510678,"about_ca_system_score_gemma":0.000018891771,"threshold_uncertainty_score":0.67069876},"labels":[],"label_agreement":null},{"id":"W4321462817","doi":"10.7202/1096056ar","title":"Gathering up the Social","year":2023,"lang":"en","type":"article","venue":"Ethnologies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Nightlife; Newspaper; Metropolitan area; Column (typography); Focus (optics); Period (music); State (computer science); Feature (linguistics); History; Geography; Media studies; Political science; Sociology; Art; Archaeology; Aesthetics","score_opus":0.0661857277442778,"score_gpt":0.28947563039424706,"score_spread":0.22328990264996926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321462817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8247732,0.001953632,0.000014057218,0.041247886,0.0035740854,0.00012484781,0.00005762994,0.0015973153,0.12665738],"genre_scores_gemma":[0.9459549,0.00012200136,0.0000055205487,0.0004516597,0.0011120988,0.000009827752,0.000009080676,0.000009973102,0.052324895],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945503,0.00003758559,0.00010955797,0.00009602523,0.000108459004,0.00019336645],"domain_scores_gemma":[0.9996977,0.00007929209,0.000044131346,0.00012957345,0.00003929119,0.000010049131],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018977588,0.00007808918,0.000103675615,0.00007581021,0.00086185365,0.00031358347,0.00023877894,0.000044211283,0.00071146805],"category_scores_gemma":[0.000053533262,0.00004319372,0.00010748853,0.00009683952,0.00025824914,0.00012218626,0.000080239544,0.00019905387,0.00036746977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006304377,0.000006696411,0.00011860551,0.00001204783,0.00012790116,0.000015266467,0.43178797,0.000007808379,0.000094987925,0.33538747,0.21897574,0.013459208],"study_design_scores_gemma":[0.00010242727,0.0000123486725,0.0006711934,0.000008671443,0.000032119402,0.0000011090884,0.17733176,0.000050748415,0.00012796541,0.02138954,0.80015624,0.00011585793],"about_ca_topic_score_codex":0.000082462844,"about_ca_topic_score_gemma":0.00023430797,"teacher_disagreement_score":0.5811805,"about_ca_system_score_codex":0.0000071661148,"about_ca_system_score_gemma":0.000007744656,"threshold_uncertainty_score":0.7790076},"labels":[],"label_agreement":null},{"id":"W4321515123","doi":"10.4324/9781135000356-rem1965-1","title":"Callaghan, Morely (1903–1990)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject matter; Syntax; Personality; Subject (documents); Literature; Sociology; History; Linguistics; Art; Psychology; Psychoanalysis; Philosophy; Computer science; Pedagogy; Library science","score_opus":0.03237431949111801,"score_gpt":0.21379974001826557,"score_spread":0.18142542052714755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321515123","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000036529327,0.0014436312,0.000014001646,0.00026266696,0.0012831867,0.00010302055,0.00025905774,0.0001238761,0.996474],"genre_scores_gemma":[0.0013591266,0.00029364618,0.00006939136,0.0025248234,0.008885691,0.0000032429564,0.00024534465,0.000088902256,0.9865298],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983108,0.00001440685,0.00051019224,0.0004206746,0.0004315084,0.00031238928],"domain_scores_gemma":[0.9986504,0.00003518611,0.0002409901,0.00052054157,0.00038421058,0.0001686797],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014862596,0.0004745691,0.0005889401,0.0003048104,0.00037944716,0.0007233024,0.00035118448,0.0003014415,0.2568192],"category_scores_gemma":[0.000006857837,0.00033842894,0.00055330736,0.000010106334,0.0003514768,0.00020408619,0.000083908664,0.0004613095,0.004877165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006950943,0.000007134396,8.753305e-7,0.000019468023,0.00024482282,0.000032121323,0.0040361825,5.0852254e-8,5.35473e-7,0.60917574,0.38618597,0.0002901267],"study_design_scores_gemma":[0.00014326893,0.00006832637,8.585889e-7,0.00011271807,0.00033225046,0.00001141071,0.00021055085,0.000009106047,0.000004526077,0.06520266,0.93344027,0.00046403822],"about_ca_topic_score_codex":0.00021895336,"about_ca_topic_score_gemma":0.0022744066,"teacher_disagreement_score":0.5472543,"about_ca_system_score_codex":0.000040138933,"about_ca_system_score_gemma":0.000049505128,"threshold_uncertainty_score":0.9999068},"labels":[],"label_agreement":null},{"id":"W4322764202","doi":"10.1126/science.adg9997","title":"Science at Sundance 2023 <b>Poacher</b> , <i>Richie Mehta, director</i> , QC Entertainment, 2022, 125 minutes. <b>Deep Rising</b> , <i>Matthieu Rytz, director</i> , Roco Films, 2022, 93 minutes. <b>The Pod Generation</b> , <i>Sophie Barthes, director</i> , MK2, 2022, 109 minutes. <b>The Longest Goodbye</b> , <i>Ido Mizrahy, director</i> , Autlook Filmsales, 2022, 87 minutes. <b>Is There Anybody Out There?</b> , <i>Ella Glendining, director</i> , Hot Property Films Ltd, 2023, 87 minutes. <b>Fantastic Machine</b> , <i>Axel Danielson and Maximilien Van Aertryck, directors</i> , See-Through Films, 2023, 88 minutes. <b>The Eternal Memory</b> , <i>Maite Alberdi, director</i> , Micromundo/Fabula, 2023, 85 minutes.","year":2023,"lang":"en","type":"article","venue":"Science","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Entertainment; Art; Visual arts","score_opus":0.022016320542715507,"score_gpt":0.23627695078537353,"score_spread":0.214260630242658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322764202","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19850393,0.60547614,0.0002666126,0.023781588,0.043683413,0.019053878,0.03927402,0.0050806575,0.064879745],"genre_scores_gemma":[0.15014821,0.06729381,0.0026258475,0.022760006,0.014308775,0.005078375,0.00809218,0.003356348,0.7263365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9520567,0.0039689434,0.007908592,0.012287123,0.012256741,0.011521881],"domain_scores_gemma":[0.9696867,0.006291707,0.0061861663,0.010432183,0.003181544,0.004221697],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.012755776,0.008667989,0.0070879683,0.0035401348,0.019750953,0.012499944,0.01678248,0.0020665526,0.009210513],"category_scores_gemma":[0.0027134418,0.006105008,0.004035787,0.015439076,0.020304123,0.007625097,0.007625698,0.007394939,0.002251358],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010132327,0.0020963552,0.0047817794,0.0008278924,0.0018204625,0.0010329987,0.019171385,0.00030367478,0.123845,0.0002194318,0.837809,0.00707877],"study_design_scores_gemma":[0.007359656,0.0012682785,0.0014350282,0.00216294,0.0036450184,0.0011487425,0.0042382707,0.009054563,0.059412826,0.00030855526,0.90087754,0.009088599],"about_ca_topic_score_codex":0.016511668,"about_ca_topic_score_gemma":0.057948295,"teacher_disagreement_score":0.6614567,"about_ca_system_score_codex":0.0025279047,"about_ca_system_score_gemma":0.0035148887,"threshold_uncertainty_score":0.99922895},"labels":[],"label_agreement":null},{"id":"W4323670750","doi":"10.33137/ic.v19i.40146","title":"Did You Come by Photograph or Train?","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Computer graphics (images); Visual arts; Artificial intelligence; Art","score_opus":0.023782180455269204,"score_gpt":0.22137072264333182,"score_spread":0.19758854218806263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323670750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6778813,0.0037755708,0.0000045505863,0.014697775,0.0046639843,0.0006494617,0.011665146,0.00078587513,0.28587633],"genre_scores_gemma":[0.7994983,0.00007446914,0.000004361282,0.0038430323,0.000770218,0.0000190449,0.000489461,0.000042410145,0.19525866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986641,0.000048326292,0.00026917362,0.00026368172,0.00024204183,0.0005126756],"domain_scores_gemma":[0.9991056,0.000045594934,0.000071071045,0.0002861462,0.000066077955,0.0004255333],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016632462,0.00019426065,0.0002554018,0.00045404478,0.0004899387,0.0005692082,0.00026996175,0.00006522416,0.009157575],"category_scores_gemma":[0.000023785571,0.0001536646,0.00017491094,0.00037319525,0.00013207321,0.00025834897,0.000014006132,0.00016996925,0.00035469577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001198114,0.000018612289,0.00012256688,0.000021960366,0.00015355654,0.00023799395,0.016971188,0.0000015515387,0.000021740756,0.008163953,0.97297883,0.0012960953],"study_design_scores_gemma":[0.00029545315,0.0000454121,0.00017946206,0.000025413774,0.000064881075,0.0000077887535,0.006964775,0.000052849493,0.000011320248,0.00042702863,0.99166757,0.00025806914],"about_ca_topic_score_codex":0.03448978,"about_ca_topic_score_gemma":0.35671344,"teacher_disagreement_score":0.32222366,"about_ca_system_score_codex":0.00005565114,"about_ca_system_score_gemma":0.00007667951,"threshold_uncertainty_score":0.9917482},"labels":[],"label_agreement":null},{"id":"W4323789507","doi":"10.33137/ic.v30i.39462","title":"Premonition / Driving Home from Toronto on the OEW","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transport engineering; Engineering","score_opus":0.015631603826653052,"score_gpt":0.1838392885582147,"score_spread":0.16820768473156164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789507","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42776117,0.004631985,0.0000075425432,0.014366361,0.0037019358,0.00035996508,0.0037930224,0.00011350438,0.54526454],"genre_scores_gemma":[0.9686063,0.000011129445,0.000006241277,0.0043729567,0.0010859024,0.000025477048,0.00017179694,0.000019923313,0.025700254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990199,0.00010311037,0.00016573314,0.00018734853,0.00027777755,0.00024610574],"domain_scores_gemma":[0.9993829,0.00006735296,0.00007454799,0.00029700767,0.000035185705,0.00014297252],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013718716,0.00012403831,0.00013096261,0.000061824474,0.0012133878,0.00043932715,0.00027586115,0.000019952571,0.047715288],"category_scores_gemma":[0.000011149829,0.000094699346,0.00012786953,0.000043858374,0.00005138946,0.0002403539,0.00002978071,0.0001963198,0.00006546891],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012902947,0.00004459393,0.00031693478,0.0000054495517,0.00021809881,0.00012464813,0.06564866,0.000017943245,0.000020710078,0.46513268,0.46532035,0.0031370271],"study_design_scores_gemma":[0.000106048516,0.000046929046,0.0005421824,0.00001717358,0.000058079353,0.000002882892,0.014890944,0.00009195686,0.000007647562,0.005890408,0.9781647,0.00018105176],"about_ca_topic_score_codex":0.18469714,"about_ca_topic_score_gemma":0.5776423,"teacher_disagreement_score":0.54084516,"about_ca_system_score_codex":0.00040057357,"about_ca_system_score_gemma":0.00006700381,"threshold_uncertainty_score":0.9531552},"labels":[],"label_agreement":null},{"id":"W4327700149","doi":"10.1177/13678779231159697","title":"The rise and fall of the Synthetic: The mediatization of Canada's oil sands","year":2023,"lang":"en","type":"article","venue":"International Journal of Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Oil sands; Hegemony; Politics; Narrative; Omnipresence; Sociology; Archaeology; Law; History; Political science; Art; Asphalt; Literature; Philosophy","score_opus":0.02067157558020668,"score_gpt":0.2558148230137398,"score_spread":0.23514324743353313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327700149","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92764693,0.022430373,0.0000013298408,0.042056315,0.003359815,0.000043296597,0.00009703955,0.0000047423596,0.00436013],"genre_scores_gemma":[0.9902261,0.0061067147,0.0000025335914,0.00009999434,0.00050834985,0.0000011535025,0.0000010148879,0.0000032054943,0.0030509408],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987987,0.00007562528,0.00040571464,0.000043225835,0.0005969711,0.00007971054],"domain_scores_gemma":[0.99772036,0.00032465073,0.00053805206,0.00006270444,0.0013351777,0.00001902868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038910288,0.00007372369,0.00015920794,0.000037440852,0.00041768173,0.00010266377,0.0003547314,0.00001208303,0.000017715594],"category_scores_gemma":[0.00038592675,0.000025231722,0.00011934693,0.000061559054,0.00033490628,0.00012737233,0.00007962326,0.0001151053,2.777804e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003350421,0.000088738576,0.009483125,0.00011908362,0.010685818,0.000040968345,0.4285879,0.0009838094,0.0006416925,0.18157053,0.3277152,0.039748084],"study_design_scores_gemma":[0.00080410996,0.00007655718,0.017276408,0.0004871706,0.000461555,0.000068343965,0.17229621,0.0002724507,0.0008169182,0.006636246,0.8006272,0.0001768562],"about_ca_topic_score_codex":0.004578962,"about_ca_topic_score_gemma":0.13164072,"teacher_disagreement_score":0.47291198,"about_ca_system_score_codex":0.000031422587,"about_ca_system_score_gemma":0.000049858678,"threshold_uncertainty_score":0.88420457},"labels":[],"label_agreement":null},{"id":"W4362241787","doi":"10.1353/ner.2023.0013","title":"Portrait of the Technocrat as a Stanford Man","year":2023,"lang":"en","type":"article","venue":"New England review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art history; Wife; Romance; Art; Visual arts; Engineering; Law; History; Literature; Political science","score_opus":0.021649397333023238,"score_gpt":0.24365594804450078,"score_spread":0.22200655071147754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362241787","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03134485,0.42756706,0.000008496237,0.027906204,0.0023318739,0.0012502415,0.0002587804,0.0003921672,0.50894034],"genre_scores_gemma":[0.23293,0.2852101,0.000054177624,0.011194015,0.003688307,0.000034301855,0.00013535672,0.000069317255,0.46668443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991461,0.00004257084,0.00031906948,0.0001117238,0.00023264695,0.00014791414],"domain_scores_gemma":[0.999397,0.000027307633,0.00014877172,0.00030164255,0.00007017582,0.000055116034],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030086894,0.000110211215,0.0002993512,0.00006411612,0.0001588349,0.0000648121,0.00023800622,0.00003222221,0.0024657203],"category_scores_gemma":[0.000047579393,0.000053798292,0.00026135135,0.00022551959,0.00006027694,0.0000864183,0.000042131946,0.00015319287,0.00011588296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008986671,0.0000320399,0.00030549458,0.002714941,0.00021762216,0.000033304877,0.008750221,8.8270707e-7,0.000029130171,0.24759664,0.63525563,0.10505509],"study_design_scores_gemma":[0.00023745379,0.000020857056,0.00008088062,0.0015373504,0.00017175644,0.000011121741,0.00015469111,0.000001759651,0.000018246925,0.0035128943,0.99417317,0.000079833],"about_ca_topic_score_codex":0.00010821241,"about_ca_topic_score_gemma":0.00027649954,"teacher_disagreement_score":0.3589175,"about_ca_system_score_codex":0.0000062190857,"about_ca_system_score_gemma":0.00005791278,"threshold_uncertainty_score":0.99844617},"labels":[],"label_agreement":null},{"id":"W4367291266","doi":"10.15215/aupress/9781926836102.01","title":"Roy &amp; Me: This Is Not a Memoir","year":2010,"lang":"en","type":"book","venue":"Athabasca University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Art; Philosophy; Art history","score_opus":0.028050403880768297,"score_gpt":0.20190097963863285,"score_spread":0.17385057575786456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367291266","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023298615,0.0003074979,0.000013613675,0.0001240167,0.0009875835,0.00024477957,0.0019221694,0.00017125774,0.9959961],"genre_scores_gemma":[0.00041794352,0.00013114356,0.000103009865,0.0009846517,0.0019475854,0.0000011235079,0.00030244174,0.00007507778,0.996037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977647,0.0000983169,0.00034114748,0.0006800251,0.0006384419,0.00047734272],"domain_scores_gemma":[0.99770826,0.000113574904,0.00046586638,0.0009972685,0.0004399218,0.00027513184],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019414192,0.000603704,0.00076979306,0.000434709,0.00094521086,0.00059756637,0.0010909553,0.00065268786,0.0072565135],"category_scores_gemma":[0.000011974409,0.0005882146,0.0009087208,0.000013957966,0.00050472445,0.00036881096,0.0004141574,0.001681688,0.00024876423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006737668,0.000027520568,0.0000011673953,0.000104001534,0.0006749707,0.00012450294,0.03799722,1.17955295e-7,0.000014378204,0.31077784,0.6496543,0.00055658945],"study_design_scores_gemma":[0.00052396185,0.00003229132,0.0000014236863,0.00017215281,0.0011275545,0.000012446913,0.00033919988,0.0000092121445,0.00009119742,0.0006529292,0.9963326,0.0007050432],"about_ca_topic_score_codex":0.0022481487,"about_ca_topic_score_gemma":0.0029598637,"teacher_disagreement_score":0.34667826,"about_ca_system_score_codex":0.00016190116,"about_ca_system_score_gemma":0.0002755831,"threshold_uncertainty_score":0.9996569},"labels":[],"label_agreement":null},{"id":"W4379520669","doi":"10.3138/cjfs-2021-0034","title":"The Two Sides of <i>American Sniper</i>: Reflections on Clint Eastwood’s “Doubleness” Ten Years Later","year":2023,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06318565064132645,"score_gpt":0.3187715450552963,"score_spread":0.25558589441396984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379520669","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6763459,0.1970486,0.0000055055307,0.07543088,0.019821765,0.00032645653,0.001606302,0.000039351333,0.029375281],"genre_scores_gemma":[0.936968,0.018766852,0.000041964297,0.00096556876,0.0030028452,0.00000573461,0.000007611359,0.000045431785,0.040195946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758965,0.0002548886,0.0009512453,0.00018832498,0.00036149626,0.0006544164],"domain_scores_gemma":[0.99708074,0.00047174693,0.0007735234,0.00028475124,0.00096073956,0.00042848484],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00095555425,0.00027915573,0.000725879,0.00072664506,0.0016759423,0.00042727706,0.00039476185,0.000059452614,0.00023265401],"category_scores_gemma":[0.00026638937,0.00018974309,0.0005546071,0.0005336469,0.0017129435,0.0002601112,0.000037263286,0.0006250061,0.00006699423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023496023,0.0001182781,0.009352532,0.0002285556,0.0098170545,0.0018692354,0.22419596,0.0026849832,0.00006039497,0.09915052,0.6115374,0.04075011],"study_design_scores_gemma":[0.00047788463,0.0005133902,0.005795972,0.0006430567,0.00061514357,0.00008295538,0.0721319,0.000028329992,0.000044403296,0.002763222,0.9166443,0.0002594521],"about_ca_topic_score_codex":0.016726846,"about_ca_topic_score_gemma":0.26644763,"teacher_disagreement_score":0.30510688,"about_ca_system_score_codex":0.00017780521,"about_ca_system_score_gemma":0.0006544128,"threshold_uncertainty_score":0.9996237},"labels":[],"label_agreement":null},{"id":"W4379740657","doi":"10.18192/rceh.v45i2.6684","title":"Drowned Out: Silence in Junot Díaz’s Short Stories","year":2023,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; CONTEST; Narrative; Masculinity; Aesthetics; Literature; Relation (database); Gesture; Art; Psychoanalysis; Philosophy; Psychology; Linguistics; Computer science; Theology","score_opus":0.029641979750981012,"score_gpt":0.24794157868278213,"score_spread":0.21829959893180112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379740657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99402386,0.0018823848,0.000007816408,0.0005736021,0.00072639633,0.00024493824,0.00018788995,0.00014725751,0.002205832],"genre_scores_gemma":[0.9918312,0.0005874442,0.000020417518,0.00066460937,0.000805238,0.000057933437,0.000068416775,0.000044525295,0.0059202104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976823,0.00015182546,0.0005577988,0.00045657362,0.00034905697,0.00080247317],"domain_scores_gemma":[0.99876744,0.00014853921,0.000112666356,0.00050334976,0.00018403064,0.0002840021],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00075255305,0.00031207682,0.0005789758,0.0005069507,0.00048596406,0.00044722098,0.00036831334,0.00008589839,0.0005061854],"category_scores_gemma":[0.00023013748,0.00027884345,0.00022517965,0.00040191496,0.00018677511,0.0002950861,0.00007478017,0.00038335277,0.00016462576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033112552,0.000060728496,0.006602621,0.00014781566,0.0001648385,0.0011314525,0.07840733,0.00003089968,0.00006120779,0.8405182,0.070324115,0.0025176706],"study_design_scores_gemma":[0.00030721424,0.000068899266,0.003422718,0.00021557782,0.00014457991,0.000023144414,0.007890755,0.00032220298,0.000018499426,0.00017139938,0.9869417,0.00047333137],"about_ca_topic_score_codex":0.0010511362,"about_ca_topic_score_gemma":0.07301056,"teacher_disagreement_score":0.9166176,"about_ca_system_score_codex":0.00035779743,"about_ca_system_score_gemma":0.00023118187,"threshold_uncertainty_score":0.9999664},"labels":[],"label_agreement":null},{"id":"W4384695191","doi":"10.22215/etd/2023-15526","title":"Las Vegas: Vanishing Illusions of Paradise and Fantasies of Plenitude","year":2023,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Desert (philosophy); Las vegas; Narrative; Paradise; Fantasy; Illusion; Aesthetics; Urbanization; Climate change; Architecture; History; Art; Geography; Archaeology; Political science; Art history; Literature; Psychology; Law; Economics; Geology; Metropolitan area","score_opus":0.021091303245124635,"score_gpt":0.2456289290715936,"score_spread":0.22453762582646897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384695191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8477755,0.0045831883,0.0000028130935,0.00009514199,0.0012895588,0.00018860467,0.0010661391,0.000067916364,0.14493111],"genre_scores_gemma":[0.8578465,0.0017287647,0.000060639093,0.000049432216,0.0003631686,0.000007137616,0.0018864785,0.00003961577,0.1380183],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998941,0.000033076518,0.00047323637,0.00017118416,0.00024782593,0.00013370188],"domain_scores_gemma":[0.9991272,0.00011939236,0.00033264834,0.00016635524,0.00020339653,0.000051025105],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012254427,0.00018223363,0.00047914343,0.00029293762,0.00020453127,0.00015770424,0.00014038326,0.00010248985,0.0014247419],"category_scores_gemma":[0.000044141514,0.00013641965,0.00019799473,0.00006699014,0.00008811788,0.00019357687,0.000025552146,0.00018506515,0.000007279716],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013175188,0.0001579276,0.00041222756,0.0020645387,0.0013746624,0.000029997098,0.59173006,0.000008893703,0.00062828086,0.3739539,0.02750886,0.0019988941],"study_design_scores_gemma":[0.0016222702,0.00041705588,0.009585585,0.003991523,0.004709971,0.000011136503,0.7265403,0.00022231333,0.0031956877,0.036038317,0.21193004,0.0017357948],"about_ca_topic_score_codex":0.0008854932,"about_ca_topic_score_gemma":0.012802684,"teacher_disagreement_score":0.3379156,"about_ca_system_score_codex":0.0000059162617,"about_ca_system_score_gemma":0.000036660505,"threshold_uncertainty_score":0.9994881},"labels":[],"label_agreement":null},{"id":"W4385265244","doi":"10.1515/9780773568372-fm","title":"Front Matter","year":2000,"lang":"en","type":"paratext","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill-Queen's University Press","funders":"Canada Council for the Arts; Social Sciences and Humanities Research Council of Canada; Queen's University; Government of Canada; McGill University","keywords":"Geology","score_opus":0.01339691010427334,"score_gpt":0.19480793859086365,"score_spread":0.1814110284865903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385265244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026663361,0.000026607811,0.00000809894,0.00017736515,0.0015177152,0.0002460253,0.004730378,0.00008252137,0.9931846],"genre_scores_gemma":[0.0009790402,0.0003585319,0.00003225251,0.0011978493,0.0014530186,0.0000023702041,0.0006666536,0.00007775525,0.9952325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762756,0.0002496077,0.00038718598,0.0006903815,0.00044349508,0.0006017771],"domain_scores_gemma":[0.99840856,0.000049787945,0.00034342828,0.00072524085,0.00022217729,0.00025081856],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008622641,0.0006422835,0.0008326762,0.00048817229,0.0012072583,0.000492269,0.0007984974,0.000432859,0.08429911],"category_scores_gemma":[0.0000017992098,0.0006089425,0.0006524313,0.000016788927,0.00028989458,0.0003426043,0.00023239618,0.0009374967,0.00957752],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115199095,0.00004754973,0.0000011909049,0.00013518533,0.0006126164,0.00017237531,0.0034760905,0.000016907767,7.234131e-7,0.054572858,0.9405915,0.00025779393],"study_design_scores_gemma":[0.00055277295,0.00003922609,0.0000023875139,0.00020590886,0.00064358907,0.0000033274275,0.0005162683,0.0000048382976,0.000041809675,0.00005197344,0.99719083,0.0007470721],"about_ca_topic_score_codex":0.005931633,"about_ca_topic_score_gemma":0.0000076452625,"teacher_disagreement_score":0.07472159,"about_ca_system_score_codex":0.00017454795,"about_ca_system_score_gemma":0.00004899119,"threshold_uncertainty_score":0.9996362},"labels":[],"label_agreement":null},{"id":"W4385281735","doi":"10.1515/9780773569836","title":"Leonard and Reva Brooks","year":2001,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Psychology","score_opus":0.016540254512922018,"score_gpt":0.18888587504749846,"score_spread":0.17234562053457644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385281735","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011450028,0.000040836465,0.000005432417,0.00015252414,0.00038704928,0.0002589882,0.0012500259,0.00016703649,0.9977267],"genre_scores_gemma":[0.0003830817,0.00074658333,0.000037926184,0.0003312709,0.0009539675,0.0000010742198,0.0001999603,0.000069380774,0.9972768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791884,0.00014435945,0.00034833656,0.00067070825,0.00044546858,0.00047227883],"domain_scores_gemma":[0.99835455,0.000089025816,0.00037788585,0.00057911145,0.0003117627,0.00028763147],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00011955195,0.00059218984,0.00077982777,0.00046321726,0.0011969842,0.00036433496,0.00050788885,0.0004256494,0.0005155069],"category_scores_gemma":[0.000006532424,0.0005866605,0.0004368478,0.000013236541,0.00047944597,0.0003035622,0.0003454207,0.00088349276,0.000030852763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084246036,0.000020102345,0.0000019441927,0.00017488078,0.0005157801,0.0007519216,0.002721809,0.0000010122565,5.7736247e-7,0.8404326,0.15396883,0.0013262894],"study_design_scores_gemma":[0.0006533478,0.0000672046,0.0000015562019,0.000321257,0.00092427194,0.000024568279,0.00048500978,0.000004724363,0.0000088268725,0.0021374638,0.9946871,0.0006846658],"about_ca_topic_score_codex":0.0011874211,"about_ca_topic_score_gemma":0.000016319147,"teacher_disagreement_score":0.84071827,"about_ca_system_score_codex":0.00021421043,"about_ca_system_score_gemma":0.00007858913,"threshold_uncertainty_score":0.99965847},"labels":[],"label_agreement":null},{"id":"W4385282881","doi":"10.1017/9781009038157.023","title":"Wilkie Collins and Sensation Fiction","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Sensation; Construct (python library); Realism; Art; Contrast (vision); Aesthetics; Psychology; Art history; Visual arts; Computer science; Artificial intelligence; Cognitive psychology","score_opus":0.03184166555676369,"score_gpt":0.18237129091513465,"score_spread":0.15052962535837097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385282881","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025448567,0.00012633466,0.00002908341,0.00003125617,0.0005286864,0.00015453374,0.00076637935,0.00014632783,0.9979629],"genre_scores_gemma":[0.002326451,0.00038615326,0.000007959996,0.00007666799,0.00077876536,3.1679724e-7,0.00024327103,0.000038265465,0.99614215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991324,0.000027599133,0.00016719922,0.0003097412,0.00020363726,0.00015943004],"domain_scores_gemma":[0.9992291,0.000048490514,0.0001983881,0.00022387586,0.00019782897,0.00010233438],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000084555686,0.00024430134,0.00029351105,0.00028255983,0.0005113762,0.00025498812,0.00012404157,0.00019872886,0.000030464322],"category_scores_gemma":[0.0000043228765,0.00025787644,0.00017471638,0.000004779521,0.00021307965,0.00016212584,0.00009223809,0.0003314735,0.000020568343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028923521,0.0000030823255,8.195096e-7,0.000052133186,0.00019648751,0.000114903414,0.0015006652,0.0000012383508,0.00000469675,0.8659017,0.13188925,0.00030609022],"study_design_scores_gemma":[0.00028737803,0.000030033403,0.000006964977,0.00012332859,0.00050222274,0.000007155868,0.00043563853,0.000106743544,0.000009922318,0.00006209412,0.9981447,0.00028385222],"about_ca_topic_score_codex":0.00024274642,"about_ca_topic_score_gemma":0.000039942297,"teacher_disagreement_score":0.8662554,"about_ca_system_score_codex":0.00007126711,"about_ca_system_score_gemma":0.000033674034,"threshold_uncertainty_score":0.99998736},"labels":[],"label_agreement":null},{"id":"W4385536249","doi":"10.1515/9780773588257","title":"The Writing Life","year":2013,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Life writing; History; Genealogy; Visual arts; Art; Literature; Narrative","score_opus":0.016499888786547897,"score_gpt":0.18645565752710125,"score_spread":0.16995576874055335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385536249","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006058395,0.00003613088,0.0000042399797,0.00031658696,0.00059127907,0.00029262283,0.00067830126,0.00015964374,0.99791515],"genre_scores_gemma":[0.00055669935,0.00031564807,0.000017919612,0.00060083467,0.0015931189,0.0000024425547,0.00011618751,0.000065906104,0.9967312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787503,0.00019307624,0.00041016703,0.00047852,0.0005055377,0.0005376931],"domain_scores_gemma":[0.9977731,0.00026751356,0.0005088496,0.0006853415,0.000483625,0.0002815411],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00021952298,0.0005012059,0.0005631412,0.00023318907,0.0032385888,0.00090857403,0.0009247477,0.0003166388,0.00049323856],"category_scores_gemma":[0.000023199867,0.00038868573,0.00056896266,0.000011778726,0.0004888861,0.00033269924,0.00039852803,0.0010151936,0.000085939246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021083411,0.000008442566,4.1020206e-7,0.00005510542,0.00042058705,0.000064048174,0.0014777724,0.0000013713656,2.1674533e-7,0.7286512,0.26873615,0.0005635922],"study_design_scores_gemma":[0.0003525282,0.00003189114,0.0000010385687,0.00019150099,0.00054502214,0.0000018122098,0.0013499446,0.00001492378,0.000005743016,0.0014708209,0.99553585,0.00049891806],"about_ca_topic_score_codex":0.0013591527,"about_ca_topic_score_gemma":0.000008165588,"teacher_disagreement_score":0.7271804,"about_ca_system_score_codex":0.00019660019,"about_ca_system_score_gemma":0.00012592084,"threshold_uncertainty_score":0.99985653},"labels":[],"label_agreement":null},{"id":"W4385722719","doi":"10.59962/9780774822145-006","title":"3 “Respectfully Submitted”: Citizens and Public Letter Writing during Montreal’s Influenza Epidemic, 1918–20","year":2012,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Virology; History; Political science; Media studies; Medicine; Sociology","score_opus":0.023714711626085704,"score_gpt":0.17558583621326737,"score_spread":0.15187112458718166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385722719","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045179345,0.0057632173,0.000004777303,0.00006460349,0.00023731457,0.00033034483,0.0024159944,0.00014142127,0.945863],"genre_scores_gemma":[0.064086884,0.000721478,0.000058863578,0.00048764245,0.0013964896,9.031318e-7,0.00009980154,0.00008281544,0.9330651],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977873,0.00008394572,0.000541941,0.0005581458,0.0004480553,0.0005806271],"domain_scores_gemma":[0.99805546,0.000103792634,0.0006560824,0.00041308295,0.00044901142,0.00032256913],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002372811,0.0003134204,0.0008714204,0.00020807871,0.00086941174,0.0012131581,0.00044523223,0.00037344033,0.0025091108],"category_scores_gemma":[0.00001659062,0.00060431287,0.00043421547,0.000007863137,0.00079472875,0.00049980124,0.0003718601,0.00077488343,0.000010072031],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032484697,0.00026005352,0.0067161946,0.0035311568,0.0075835306,0.0053954753,0.06349955,0.0000035493722,0.00018145953,0.13328062,0.68668324,0.09254033],"study_design_scores_gemma":[0.0011048057,0.000030006533,0.0009507674,0.00084964535,0.00069215224,0.0001354354,0.000761212,0.000006269412,0.000001641013,0.001955814,0.99279666,0.0007155735],"about_ca_topic_score_codex":0.10351398,"about_ca_topic_score_gemma":0.37957844,"teacher_disagreement_score":0.30611345,"about_ca_system_score_codex":0.00008586704,"about_ca_system_score_gemma":0.000048044458,"threshold_uncertainty_score":0.9998237},"labels":[],"label_agreement":null},{"id":"W4387300729","doi":"10.1007/978-3-031-41348-3_8","title":"My Journey as a Writer","year":2023,"lang":"en","type":"book-chapter","venue":"IMISCOE research series","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Professional Engineers Ontario","funders":"","keywords":"Journalism; Storytelling; Media studies; Event (particle physics); Identity (music); Sociology; History; Literature; Art; Visual arts; Narrative; Aesthetics","score_opus":0.18022552624160468,"score_gpt":0.35901571638074325,"score_spread":0.17879019013913858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387300729","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007321501,0.003346633,5.58305e-7,0.0039058137,0.0008246295,0.0002594167,0.0005109556,0.00016077391,0.990918],"genre_scores_gemma":[0.001050473,0.005584519,0.000018273828,0.00034812445,0.0058397288,0.000031854383,0.00028473182,0.00018707458,0.98665524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99595666,0.00015347468,0.00062103395,0.0005962441,0.0017840776,0.000888492],"domain_scores_gemma":[0.9972071,0.0002761143,0.00018548274,0.00079469767,0.0011721408,0.0003644445],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013589555,0.0004958476,0.00071083347,0.0012167497,0.001349779,0.0032795202,0.00075525907,0.00033979156,0.035201564],"category_scores_gemma":[0.00016821444,0.0003857102,0.0005571124,0.000077138386,0.0012540715,0.0007794045,0.00037092032,0.0022613967,0.006717338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073979725,0.000013496775,0.0000012478897,0.00015196517,0.00039387523,0.0005649132,0.015245921,2.8793164e-7,0.0000065744302,0.7026439,0.28009316,0.0008106919],"study_design_scores_gemma":[0.00015198083,0.00016952396,0.0000017061752,0.00053361926,0.000077914374,0.000040908235,0.0024332239,0.0000017227703,0.000018770621,0.19744247,0.7987678,0.00036032638],"about_ca_topic_score_codex":0.00034951788,"about_ca_topic_score_gemma":0.001765092,"teacher_disagreement_score":0.5186747,"about_ca_system_score_codex":0.00009689627,"about_ca_system_score_gemma":0.00033090412,"threshold_uncertainty_score":0.99995035},"labels":[],"label_agreement":null},{"id":"W4388149159","doi":"10.18574/nyu/9781479819331.003.0121","title":"113 Indigenous and Jewish: The Photography of Kali Spitzer. British Columbia, 2016, 2019","year":2023,"lang":"en","type":"book-chapter","venue":"New York University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Kali; Judaism; Indigenous; Photography; History; Art; Visual arts; Art history; Geography; Archaeology; Geology","score_opus":0.023416926384494788,"score_gpt":0.16935291474944666,"score_spread":0.14593598836495186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388149159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014102287,0.0038873004,0.000004196279,0.000019975101,0.00054679374,0.00041717658,0.0018688611,0.00010029609,0.9917452],"genre_scores_gemma":[0.0016184963,0.0013920118,0.000012898265,0.00012986558,0.0005800475,4.7272587e-7,0.000102805265,0.00005124656,0.99611217],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986352,0.00004797593,0.00028775024,0.00038227713,0.0003628854,0.00028390938],"domain_scores_gemma":[0.9987187,0.00009058308,0.00041725612,0.00043711605,0.0001760406,0.00016029773],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00013132366,0.0002563966,0.0005425042,0.00018707628,0.00077683956,0.00092224096,0.00054743426,0.0002753623,0.00059175846],"category_scores_gemma":[0.0000030067442,0.00030475322,0.0004372517,0.000014949682,0.0006140826,0.000122979,0.00021126335,0.00053924904,0.00000962616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005161098,0.00002781475,0.000075758246,0.00018756886,0.0019626622,0.0002876183,0.04494007,0.0000013713764,0.000004344823,0.18795498,0.749698,0.01480822],"study_design_scores_gemma":[0.00045635537,0.00006891181,0.00004680351,0.00036444925,0.00081992405,0.000012002065,0.0007275062,0.0000011348953,0.0000029258708,0.004302165,0.9928563,0.0003415021],"about_ca_topic_score_codex":0.13762805,"about_ca_topic_score_gemma":0.06602649,"teacher_disagreement_score":0.24315833,"about_ca_system_score_codex":0.000025343446,"about_ca_system_score_gemma":0.00012554876,"threshold_uncertainty_score":0.99994045},"labels":[],"label_agreement":null},{"id":"W4388454489","doi":"10.5325/edgallpoerev.24.2.0262","title":"Poe’s “Origin Story”? Reflections on <i>The Pale Blue Eye</i>","year":2023,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; Blue light; Optometry; Optics; Physics; Medicine","score_opus":0.10023494148379045,"score_gpt":0.3287757597131937,"score_spread":0.22854081822940328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388454489","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0049877977,0.38943806,0.000012195827,0.16487087,0.005035033,0.0014630838,0.00038584726,0.0006926723,0.4331144],"genre_scores_gemma":[0.06308443,0.43907058,0.000015806434,0.070813976,0.010981086,0.0002368668,0.0002803164,0.00014056561,0.41537637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984663,0.0004400396,0.00030238798,0.00021780738,0.000283593,0.00028987564],"domain_scores_gemma":[0.9987446,0.0002251491,0.00014961317,0.0007079647,0.000101044985,0.00007165057],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012651858,0.00019864758,0.00035252838,0.000075256736,0.0010990561,0.00024581875,0.00046035886,0.000033895663,0.003061482],"category_scores_gemma":[0.00009432059,0.00009529627,0.0003180126,0.0002952152,0.00012912184,0.00007769642,0.000047343736,0.0004387869,0.002825981],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000267194,0.00002289126,0.0000068267705,0.00021074442,0.00015242475,0.0000088965135,0.006741096,0.0000021593055,0.0000075114053,0.12340282,0.86749566,0.0019462935],"study_design_scores_gemma":[0.000058851205,0.000032385025,0.00001625562,0.00084731047,0.00026696114,0.0000061017404,0.00063424313,0.000005736992,0.000004037317,0.0012369931,0.99674976,0.00014134194],"about_ca_topic_score_codex":0.000051836894,"about_ca_topic_score_gemma":0.00036931798,"teacher_disagreement_score":0.12925412,"about_ca_system_score_codex":0.000029563244,"about_ca_system_score_gemma":0.000039352446,"threshold_uncertainty_score":0.99795043},"labels":[],"label_agreement":null},{"id":"W4388554151","doi":"","title":"Latin American geo-political struggles in Canadian documentaries production","year":2010,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Latin Americans; Politics; Production (economics); Political science; Media studies; Sociology; Economics; Law","score_opus":0.12981639100849052,"score_gpt":0.47839303109532344,"score_spread":0.3485766400868329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388554151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9745598,0.0013387579,0.0000013471998,0.0017612071,0.0015088745,0.0002469305,0.00015601318,0.000022554883,0.020404542],"genre_scores_gemma":[0.9946254,0.00048875116,0.00008699131,0.00076374615,0.001408614,0.000021276255,0.000050510807,0.000037923273,0.0025168012],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99728096,0.00018261229,0.0008430973,0.00040712292,0.00052326376,0.00076292764],"domain_scores_gemma":[0.99794537,0.00013096475,0.00052200747,0.00042556511,0.00035455174,0.00062151626],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00090511807,0.00030826128,0.000699699,0.0014838611,0.00058866275,0.0040805186,0.0013415185,0.000077019766,0.032862663],"category_scores_gemma":[0.0003062007,0.00026033356,0.00018673674,0.0004657001,0.00064038107,0.0029031509,0.00020045106,0.0008966194,0.000021667724],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009568452,0.00021213164,0.85067016,0.00005713032,0.0002752691,0.00007744991,0.009862206,0.000025562691,0.0040147477,0.07750791,0.05051153,0.006690191],"study_design_scores_gemma":[0.00040901027,0.000018310882,0.57120687,0.00022530959,0.0001808519,0.000017029883,0.0049366592,0.000038303,0.0030270072,0.03751586,0.3816881,0.0007366789],"about_ca_topic_score_codex":0.66853267,"about_ca_topic_score_gemma":0.84088933,"teacher_disagreement_score":0.33117655,"about_ca_system_score_codex":0.00015508084,"about_ca_system_score_gemma":0.0003625294,"threshold_uncertainty_score":0.99998486},"labels":[],"label_agreement":null},{"id":"W4391192015","doi":"10.51644/9781771123662","title":"This Is Not a Hoax","year":2019,"lang":"en","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hoax; Medicine","score_opus":0.025104571836735097,"score_gpt":0.20818151094795234,"score_spread":0.18307693911121725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391192015","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000040668806,0.0013238388,0.000002436944,0.00069978053,0.0012330078,0.00011021064,0.0005134301,0.00006888806,0.99604434],"genre_scores_gemma":[0.00013668246,0.00025771224,0.000021647802,0.013169913,0.00448444,0.0000033918996,0.00029365456,0.000054453292,0.9815781],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986027,0.000022365519,0.00036925834,0.00034212097,0.00040810267,0.00025545683],"domain_scores_gemma":[0.99891496,0.00005405841,0.0002188156,0.00051010645,0.00021469206,0.00008739735],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012143932,0.0003479198,0.00057316193,0.00026364563,0.00022066513,0.0008460381,0.00033049023,0.0002491161,0.31351662],"category_scores_gemma":[0.0000048750658,0.0002407344,0.0006050807,0.000015594998,0.000103307975,0.00023079808,0.00006412915,0.0005427249,0.0119200535],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051382144,0.000008075893,6.3221506e-7,0.000049151233,0.00022121289,0.000009320309,0.011368086,2.0280567e-8,3.550498e-7,0.31507364,0.6729559,0.00030852365],"study_design_scores_gemma":[0.0001642809,0.00003463137,2.9677707e-7,0.00011229772,0.00032319513,0.00000398209,0.00014573176,0.000010802283,0.0000067479004,0.004364432,0.9944574,0.00037619934],"about_ca_topic_score_codex":0.00015011725,"about_ca_topic_score_gemma":0.0002070502,"teacher_disagreement_score":0.32150155,"about_ca_system_score_codex":0.000057777994,"about_ca_system_score_gemma":0.00017319295,"threshold_uncertainty_score":0.9888493},"labels":[],"label_agreement":null},{"id":"W4391372149","doi":"10.51644/9781554589913-006","title":"Arrivals by Boat in the Canadian Press","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.0677499238249925,"score_gpt":0.2274383023830922,"score_spread":0.1596883785580997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391372149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000046178134,0.005498136,3.7073536e-7,0.0011812525,0.00031955526,0.00012897995,0.0006213194,0.000013022496,0.99223274],"genre_scores_gemma":[0.007604577,0.00014083709,0.000002815165,0.0030406676,0.0013037213,0.0000057133047,0.00030166144,0.000028786155,0.98757124],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988618,0.000035320354,0.000288427,0.00020186587,0.00036066902,0.00025194697],"domain_scores_gemma":[0.99919474,0.00003384708,0.00010705713,0.0003383094,0.00015617999,0.00016985588],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035134848,0.00025151673,0.00031771674,0.00018141378,0.00025429716,0.0009199615,0.00041172002,0.00017610814,0.012577042],"category_scores_gemma":[0.000007239491,0.0001438558,0.00016125645,0.00000762378,0.00012540266,0.00015149226,0.000018541716,0.0004951128,0.0001649827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001112899,0.0000025189909,9.4016633e-7,0.0000042238453,0.000040649327,0.000019146171,0.007904981,1.7473322e-7,2.9373203e-8,0.4994891,0.49243304,0.000104063845],"study_design_scores_gemma":[0.00009461267,0.000014438339,5.577846e-7,0.000039660594,0.000088634886,0.0000038042244,0.00049580116,0.0000030389979,4.053776e-7,0.033050835,0.9659929,0.00021525772],"about_ca_topic_score_codex":0.2781232,"about_ca_topic_score_gemma":0.9233728,"teacher_disagreement_score":0.6452496,"about_ca_system_score_codex":0.000090243746,"about_ca_system_score_gemma":0.00014576866,"threshold_uncertainty_score":0.9883256},"labels":[],"label_agreement":null},{"id":"W4391961221","doi":"10.51644/9781554583218-008","title":"The First Canadian Serialist","year":2011,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02686081864027915,"score_gpt":0.17458943270351499,"score_spread":0.14772861406323584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391961221","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[9.314274e-7,0.0015997026,3.872565e-7,0.0016442715,0.0017704421,0.00008130028,0.00027961712,0.000029545889,0.9945938],"genre_scores_gemma":[0.0015368094,0.0005410851,0.0000027305402,0.0026192665,0.0036835396,0.0000035330181,0.00010614643,0.00004489773,0.991462],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990579,0.0000073933197,0.00029485556,0.00019482989,0.00016389227,0.00028114393],"domain_scores_gemma":[0.99904734,0.000029671814,0.00013605584,0.00041306848,0.00017467873,0.00019917337],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013691446,0.00026848377,0.00025898198,0.00014569264,0.0015518392,0.001106536,0.00037061874,0.0001567947,0.069910005],"category_scores_gemma":[0.0000046702153,0.00015185545,0.00028897703,0.0000054927546,0.00024082475,0.000115393996,0.000028597868,0.00031685503,0.0010373844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027256785,9.668533e-7,7.1900223e-7,0.000004813403,0.00012754906,0.00001545184,0.0030769764,1.3750042e-8,5.886304e-9,0.6837381,0.3126727,0.00035995457],"study_design_scores_gemma":[0.000049460905,0.0000128541205,0.0000013394115,0.00003591763,0.00013964428,0.000004434664,0.00013004655,6.01612e-7,2.9722062e-7,0.06102189,0.93837225,0.0002312371],"about_ca_topic_score_codex":0.20070492,"about_ca_topic_score_gemma":0.97480315,"teacher_disagreement_score":0.7740982,"about_ca_system_score_codex":0.000058805916,"about_ca_system_score_gemma":0.00013774459,"threshold_uncertainty_score":0.9999304},"labels":[],"label_agreement":null},{"id":"W4392067239","doi":"10.51644/9780889208179-015","title":"The Photographic Image in Canadian Avant-Garde Film","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Avant garde; Art; Art history; Image (mathematics); Visual arts; Computer science; Computer vision","score_opus":0.010089832710342639,"score_gpt":0.18611243156123483,"score_spread":0.1760225988508922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392067239","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000019318837,0.0023512752,7.747715e-7,0.0005596165,0.0005885945,0.00014487255,0.0004090496,0.000028962784,0.99589753],"genre_scores_gemma":[0.007693645,0.00066951755,0.000008962975,0.0010500663,0.0011005134,0.0000071960026,0.00026426956,0.00005285227,0.98915297],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843985,0.00002374683,0.00046767519,0.00028509734,0.0002645638,0.00051905075],"domain_scores_gemma":[0.99902797,0.00006401624,0.00015006644,0.00041070028,0.00015050177,0.00019674262],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026673678,0.0003555938,0.00037638715,0.00065486593,0.0006768773,0.0011029611,0.00035673688,0.00019210388,0.027463363],"category_scores_gemma":[0.0000065512336,0.00022128815,0.00041482016,0.00000903073,0.0003047668,0.00013846815,0.000025482583,0.0006260969,0.00034862882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047746043,0.0000057960956,0.000023537586,0.000013610504,0.00013100373,0.00014834457,0.0037496302,9.0686046e-7,5.089537e-7,0.5157736,0.47982898,0.00031927583],"study_design_scores_gemma":[0.0001219643,0.0000121699395,0.00002025564,0.00007117099,0.00009412444,0.0000054295488,0.00021293809,0.00003084236,0.0000010057448,0.021731472,0.97737914,0.00031950415],"about_ca_topic_score_codex":0.5000007,"about_ca_topic_score_gemma":0.99544203,"teacher_disagreement_score":0.49755013,"about_ca_system_score_codex":0.000080108985,"about_ca_system_score_gemma":0.00018211719,"threshold_uncertainty_score":0.999934},"labels":[],"label_agreement":null},{"id":"W4392067401","doi":"10.51644/9780889208179-017","title":"Idealism, Photography and the Canadian Avant-garde Cinema","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Avant garde; Idealism; Photography; Art; Art history; Visual arts; Philosophy; Epistemology","score_opus":0.012171198825296126,"score_gpt":0.1791662725191163,"score_spread":0.16699507369382016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392067401","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000009578265,0.0043808254,0.0000020728785,0.001510184,0.00046501664,0.0001950602,0.0004482236,0.000037093665,0.9929519],"genre_scores_gemma":[0.020497184,0.0005094779,0.000012521206,0.0049736737,0.0019650587,0.0000063521675,0.0002662896,0.000051327694,0.97171813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986579,0.000027854849,0.000407406,0.0002990442,0.000295179,0.00031263102],"domain_scores_gemma":[0.99898416,0.000066848625,0.0001858259,0.00036567048,0.00019220027,0.00020532057],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025585922,0.0003883867,0.00054228865,0.0005141044,0.0009757117,0.0012189156,0.00023288005,0.00020428946,0.018316315],"category_scores_gemma":[0.000004274068,0.00021842889,0.00046864632,0.0000060058346,0.00069387775,0.000060702674,0.000030559288,0.00047316612,0.00008903884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008344898,0.0000011227246,0.0000037823504,0.000013743621,0.00021570006,0.000028410619,0.005165104,2.5885464e-7,4.865809e-8,0.7019963,0.29241067,0.00015646585],"study_design_scores_gemma":[0.0004501749,0.0000120501845,0.0000070754413,0.000059866354,0.00042228246,0.000015772668,0.00017329423,0.000012929387,3.7399437e-7,0.06349733,0.93504006,0.00030881865],"about_ca_topic_score_codex":0.41663074,"about_ca_topic_score_gemma":0.9752643,"teacher_disagreement_score":0.6426294,"about_ca_system_score_codex":0.00002964395,"about_ca_system_score_gemma":0.00009599505,"threshold_uncertainty_score":0.9998179},"labels":[],"label_agreement":null},{"id":"W4392077957","doi":"10.1515/9781787443921-016","title":"Photo Log: 30 Years of Working in Canadian Criticism in Pictures","year":2018,"lang":"en","type":"book-chapter","venue":"Boydell and Brewer eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; History; Computer science; Art; Literature","score_opus":0.030677011974372274,"score_gpt":0.2108730932306914,"score_spread":0.1801960812563191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392077957","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010172323,0.0023526635,6.166203e-7,0.000030598054,0.00036230776,0.00013699448,0.000088078305,0.000009178209,0.9868472],"genre_scores_gemma":[0.57603383,0.000049723996,0.0000135943765,0.0010405815,0.00076998683,0.0000025110073,0.000022288581,0.000036282254,0.4220312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986531,0.000018975192,0.00048476094,0.00028345012,0.00018784875,0.000371846],"domain_scores_gemma":[0.9993381,0.000043163374,0.00013165966,0.0002085152,0.00011232505,0.00016621659],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027559215,0.00025634633,0.00047900385,0.0007802701,0.000080385325,0.00015965552,0.0001617696,0.00026618666,0.0027168589],"category_scores_gemma":[0.000007927389,0.00023653674,0.00011828853,0.000012524019,0.00026845504,0.000045888024,0.000039201543,0.00042359508,0.000021883196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008578531,0.000034990717,0.0005521123,0.00030133597,0.00028689974,0.0011635671,0.1148649,0.0000016008454,0.000018334864,0.85515404,0.014946272,0.012590172],"study_design_scores_gemma":[0.00029412512,0.000038118647,0.00015444568,0.00075829966,0.00006262036,0.000007699202,0.000567162,0.000008325936,0.000012974778,0.028859068,0.9689172,0.0003199496],"about_ca_topic_score_codex":0.06381349,"about_ca_topic_score_gemma":0.7614481,"teacher_disagreement_score":0.95397097,"about_ca_system_score_codex":0.00005625033,"about_ca_system_score_gemma":0.00013328096,"threshold_uncertainty_score":0.9981948},"labels":[],"label_agreement":null},{"id":"W4392088359","doi":"10.33137/pbsc.v61i1.41451","title":"Participatory Readership","year":2024,"lang":"en","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Politics; Publishing; Audience measurement; Reading (process); Scholarship; Media studies; State (computer science); Sociology; History of the book; History; Law; Political science; Classics; Computer science","score_opus":0.028065890633250514,"score_gpt":0.21533137823056908,"score_spread":0.18726548759731856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392088359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4919565,0.07762725,0.000015475232,0.12325036,0.0070988145,0.0006206871,0.0012134254,0.00022523296,0.29799226],"genre_scores_gemma":[0.995875,0.000368455,0.000020391002,0.0016747523,0.00025078456,0.0000031178336,0.0000030995357,0.000010730202,0.0017936857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987709,0.000055261167,0.000280385,0.00013490862,0.0005370403,0.00022150727],"domain_scores_gemma":[0.99937266,0.0001417465,0.0000818596,0.00021630176,0.000092620154,0.000094803414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029833717,0.00010899187,0.0002029863,0.0003173234,0.0002041133,0.00009616808,0.00028600983,0.000052327126,0.0008058626],"category_scores_gemma":[0.00001573561,0.00006560264,0.0007676037,0.001782385,0.0005213191,0.000093047274,0.0000338304,0.00023346349,3.4300132e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000107938995,0.000032662432,0.001915165,0.00037167897,0.0009272023,0.000002781293,0.011404503,0.000010278562,0.00048396635,0.093917616,0.8904915,0.00043187733],"study_design_scores_gemma":[0.00013259992,0.00002807012,0.0028615685,0.00021836543,0.0003209836,0.0000016782856,0.007430097,0.00019353123,0.00043781014,0.004897797,0.983297,0.00018053225],"about_ca_topic_score_codex":0.13315874,"about_ca_topic_score_gemma":0.26291618,"teacher_disagreement_score":0.50391847,"about_ca_system_score_codex":0.000016125234,"about_ca_system_score_gemma":0.00021930801,"threshold_uncertainty_score":0.882363},"labels":[],"label_agreement":null},{"id":"W4392141226","doi":"","title":"« Le travail burlesque du motif apocalyptique chez Vonnegut et Chevillard : une critique sérieuse de l’anthropocentrisme »","year":2019,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Burlesque; Motif (music); Art; Philosophy; Art history","score_opus":0.007366182982311026,"score_gpt":0.21309264364995362,"score_spread":0.20572646066764258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392141226","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25554693,0.025722094,0.032200366,0.25209832,0.0016030726,0.0010466938,0.0007209485,0.0004158202,0.43064573],"genre_scores_gemma":[0.8503351,0.011376278,0.0024550844,0.0018209775,0.00031398254,0.000030794265,0.00047806517,0.00012314344,0.13306656],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98807967,0.008442089,0.0010216003,0.0009067204,0.0005836273,0.00096630136],"domain_scores_gemma":[0.9929538,0.0013092582,0.00060419773,0.0018146941,0.002794203,0.0005238698],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0072583724,0.000622431,0.00081029,0.00031671042,0.0012314201,0.0019833075,0.0012156558,0.0004993566,0.003966236],"category_scores_gemma":[0.0008825918,0.0006617057,0.0006599333,0.0005275864,0.0010537958,0.00096268504,0.0003483062,0.0011884874,0.00035782967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027941085,0.0010971249,0.0018324399,0.00031577275,0.00028372282,0.000039285325,0.096383296,0.00005236805,0.0010751206,0.8809698,0.013791435,0.0041316673],"study_design_scores_gemma":[0.0019303426,0.000004462328,0.002288917,0.0025301822,0.00031911902,0.00012191804,0.0072891326,0.008082535,0.01469186,0.008064892,0.9535821,0.0010945474],"about_ca_topic_score_codex":0.024511851,"about_ca_topic_score_gemma":0.021547418,"teacher_disagreement_score":0.93979067,"about_ca_system_score_codex":0.00021732006,"about_ca_system_score_gemma":0.00083542406,"threshold_uncertainty_score":0.9995834},"labels":[],"label_agreement":null},{"id":"W4392879674","doi":"10.37478/lantern.v8i2.3960","title":"COURAGE IN HARPER LEE’S NOVEL TO KILL A MOCKINGBIRD","year":2022,"lang":"en","type":"article","venue":"Lantern Journal of Language and Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Scholarship; Drama; Criticism; Literary criticism; Virtue; Sociology; Art history; Art; Philosophy; Literature; Theology; Law; Political science","score_opus":0.008484389051001151,"score_gpt":0.21779241992058274,"score_spread":0.20930803086958158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392879674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9814461,0.013331418,0.00004166894,0.0013522677,0.00074753835,0.0000817212,0.00036948003,0.000012790669,0.0026170053],"genre_scores_gemma":[0.98680764,0.00006790573,0.00012918473,0.003356765,0.0012292694,0.0000035174933,0.00002793825,0.000021077052,0.008356707],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987307,0.000086422515,0.00044472,0.0001590529,0.00034336132,0.00023574664],"domain_scores_gemma":[0.999342,0.000040948486,0.0002200704,0.00014268473,0.00011948749,0.00013479443],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042584146,0.0001727949,0.00035814088,0.000492057,0.00020279507,0.00060454546,0.00026947836,0.000040574203,0.0013207318],"category_scores_gemma":[0.000024737958,0.00012426986,0.0001706815,0.00016018242,0.000026555681,0.00038298295,0.00009414359,0.0007723008,0.000002855154],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034905263,0.0002481128,0.0019613896,0.00006763448,0.00018944255,0.0055164397,0.96741265,0.000063494066,0.0030092574,0.006851842,0.01230924,0.002021463],"study_design_scores_gemma":[0.0025106259,0.00055187114,0.00077656464,0.00071357365,0.0001284859,0.0033552705,0.075079285,0.0001292189,0.00010901008,0.00034098295,0.9158021,0.000503007],"about_ca_topic_score_codex":0.00008045727,"about_ca_topic_score_gemma":0.000195485,"teacher_disagreement_score":0.90349287,"about_ca_system_score_codex":0.000033323045,"about_ca_system_score_gemma":0.000022676448,"threshold_uncertainty_score":0.9995922},"labels":[],"label_agreement":null},{"id":"W4392949676","doi":"10.32920/23979072.v2","title":"“Chinatown Forever Changing†: Jim Wong-Chu’s Pender East","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chinatown; Art history; Art; History; Archaeology","score_opus":0.03458922012377671,"score_gpt":0.23578552362103816,"score_spread":0.20119630349726145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392949676","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011624737,0.010239146,0.00018830197,0.004152015,0.00802019,0.00041090025,0.00069502025,0.00053415657,0.9641355],"genre_scores_gemma":[0.58519614,0.00012991251,0.000099293095,0.0015265443,0.0052203266,0.000039769333,0.00033239948,0.00008289403,0.40737274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99753475,0.00006937866,0.0005819165,0.0007483711,0.0005200673,0.0005455241],"domain_scores_gemma":[0.9986135,0.000030523322,0.00020001878,0.00071266596,0.00025559484,0.00018773449],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035020066,0.0006079836,0.0006871672,0.0006553728,0.0003856475,0.0025702475,0.00054995174,0.0002928311,0.027376836],"category_scores_gemma":[0.00001557061,0.00042944998,0.00095631054,0.0000841133,0.00014875474,0.00023353264,0.0010877751,0.0016343364,0.00075257727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014575197,0.00008853942,0.000052516047,0.00075059367,0.0011696416,0.00015600656,0.08288835,0.000024701178,0.0000019665922,0.66796875,0.24332267,0.0035616846],"study_design_scores_gemma":[0.00022596866,0.000027028243,0.000029817445,0.0005389859,0.0008828151,0.000023496865,0.00787253,0.0011786434,0.000013542973,0.22973171,0.7585729,0.0009026025],"about_ca_topic_score_codex":0.0011730983,"about_ca_topic_score_gemma":0.0024002828,"teacher_disagreement_score":0.5735714,"about_ca_system_score_codex":0.00007655707,"about_ca_system_score_gemma":0.000120824356,"threshold_uncertainty_score":0.9998157},"labels":[],"label_agreement":null},{"id":"W4393865862","doi":"10.1177/03400352241236730","title":"An oral history of the rise and fall of a newspaper library: The <i>Vancouver Sun</i> and <i>Vancouver Province</i> newspaper library, 1968–2012","year":2024,"lang":"en","type":"article","venue":"IFLA Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Langara College","funders":"","keywords":"Newspaper; History; Media studies; Library science; Advertising; Sociology; Business; Computer science","score_opus":0.008334112702257208,"score_gpt":0.1826845041770584,"score_spread":0.1743503914748012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393865862","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5274355,0.29288852,0.00003402146,0.006647713,0.015524361,0.0008288236,0.0004584017,0.00019040021,0.15599225],"genre_scores_gemma":[0.7855345,0.0029942354,0.00027027447,0.003707332,0.0033954016,0.000007344459,0.0000058904634,0.0001223307,0.20396267],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813646,0.00027578563,0.0006068524,0.0002568805,0.00042818268,0.0002958448],"domain_scores_gemma":[0.9989138,0.00011498793,0.00033857886,0.00036835222,0.0000733734,0.00019089667],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034092236,0.0002781803,0.00040753552,0.00014719843,0.000326817,0.000707732,0.000452574,0.00009255193,0.0025881769],"category_scores_gemma":[0.000011950375,0.00013909275,0.00028173038,0.00010391622,0.0007498372,0.0037407365,0.00014820747,0.00070994557,0.0000023693508],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009772035,0.00009086796,0.002725216,0.00012013031,0.00023812293,0.00004971541,0.030268693,0.0000067204314,0.00021586116,0.0081003355,0.9526999,0.0053867064],"study_design_scores_gemma":[0.00044420073,0.00010735993,0.0004978728,0.00023155147,0.00031359997,0.000087906825,0.002204237,0.00016088226,0.00006649851,0.002436265,0.99324894,0.00020067737],"about_ca_topic_score_codex":0.00020737722,"about_ca_topic_score_gemma":0.0055722054,"teacher_disagreement_score":0.28989428,"about_ca_system_score_codex":0.000032112108,"about_ca_system_score_gemma":0.00044990782,"threshold_uncertainty_score":0.9983236},"labels":[],"label_agreement":null},{"id":"W4400040802","doi":"10.1080/01439685.2024.2369367","title":"Broadcasting a Legend: The Canadian TV Miniseries <i>The Arrow</i> (1997)","year":2024,"lang":"en","type":"article","venue":"Historical Journal Of Film Radio and Television","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Arrow; Meaning (existential); Phenomenon; History; Broadcasting (networking); Media studies; Political science; Law; Sociology; Epistemology; Philosophy","score_opus":0.019420337138307008,"score_gpt":0.2111522537723869,"score_spread":0.19173191663407987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400040802","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08017598,0.66763675,0.000296422,0.115389355,0.02627918,0.00047674362,0.00022014586,0.00012964485,0.109395795],"genre_scores_gemma":[0.9794074,0.0009359696,0.000059737526,0.00092047686,0.0045581586,0.0000015400896,0.0000039346505,0.000022078122,0.014090656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985387,0.000119891854,0.0005220063,0.0001486353,0.00040607594,0.00026474666],"domain_scores_gemma":[0.9989575,0.00026899984,0.00018434448,0.0001576431,0.00017366683,0.00025783162],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007338326,0.00017383232,0.00029390276,0.00019389344,0.0013418933,0.0011028756,0.00028202136,0.00006623471,0.00079383154],"category_scores_gemma":[0.00006903007,0.00008231952,0.00029495216,0.0001480708,0.00018213726,0.00039979562,0.000021910842,0.0006781032,0.00001598473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043098924,0.000025356896,0.00006414698,0.00006525283,0.0001972977,0.0005528292,0.042997364,0.000012250099,0.000048627608,0.056121234,0.84944445,0.05042807],"study_design_scores_gemma":[0.000120713696,0.00012023605,0.000051587165,0.00015027262,0.0001880952,0.0006508992,0.0009118215,0.00022232956,0.000012215735,0.00077199825,0.99667966,0.0001201648],"about_ca_topic_score_codex":0.0059421766,"about_ca_topic_score_gemma":0.013536396,"teacher_disagreement_score":0.8992315,"about_ca_system_score_codex":0.000351847,"about_ca_system_score_gemma":0.00023705428,"threshold_uncertainty_score":0.9999582},"labels":[],"label_agreement":null},{"id":"W4401269400","doi":"10.5040/9798216189848.0017","title":"Canadian Comedy","year":2005,"lang":"en","type":"other","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comedy; Art; Visual arts","score_opus":0.009966071466829953,"score_gpt":0.19322479587475996,"score_spread":0.18325872440793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401269400","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[7.636665e-7,0.0022887236,0.0000013219645,0.00081661606,0.00067280116,0.000050873434,0.00033483453,0.00008955796,0.9957445],"genre_scores_gemma":[0.0003142312,0.0001551607,0.000043988646,0.003478126,0.006654357,0.0000025799445,0.0002024938,0.00018843038,0.9889606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934196,0.00001552978,0.00013336663,0.00014606898,0.00012527856,0.00023780088],"domain_scores_gemma":[0.9994746,0.0000055306814,0.00006474383,0.00021644516,0.000028927729,0.00020975138],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000042613938,0.00017677851,0.00023761141,0.00052373996,0.00012367564,0.00035358465,0.00017509155,0.00012224032,0.6410468],"category_scores_gemma":[0.0000019216095,0.00012787344,0.0001322628,0.000023702274,0.000050214905,0.00004811016,0.000008466594,0.00017819104,0.0022943628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.391686e-7,0.0000051657707,0.0000063896123,0.000007729176,0.00010199878,0.000012275165,0.0014482078,3.7258047e-8,1.5802689e-8,0.1280237,0.8692267,0.0011675226],"study_design_scores_gemma":[0.000069144975,0.0000047668336,0.0000015528692,0.000038426104,0.000069370995,0.0000018825814,0.00031295247,0.0000025983306,1.2890787e-7,0.00009115748,0.99921215,0.0001958488],"about_ca_topic_score_codex":0.594698,"about_ca_topic_score_gemma":0.9881607,"teacher_disagreement_score":0.63875246,"about_ca_system_score_codex":0.000047671645,"about_ca_system_score_gemma":0.00009281815,"threshold_uncertainty_score":0.99848247},"labels":[],"label_agreement":null},{"id":"W4402168448","doi":"10.32920/26871412.v1","title":"Looking With The Indigenous Gaze: An Exploration Of Indigenous-Made Films","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Indigenous; Gaze; Geography; Computer science; Artificial intelligence; Ecology; Biology","score_opus":0.03671228903770119,"score_gpt":0.2499197232858589,"score_spread":0.21320743424815772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402168448","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.886013,0.009797877,0.0011132322,0.0011522219,0.0019958364,0.0013331525,0.0006918537,0.00036633672,0.09753655],"genre_scores_gemma":[0.97589403,0.00022541897,0.000181877,0.00044713955,0.0015251207,0.000058183658,0.0004787376,0.0000665483,0.02112294],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982351,0.00011749571,0.00047018946,0.0004026208,0.00047987388,0.00029468848],"domain_scores_gemma":[0.99859667,0.000039340506,0.00036778935,0.0006340928,0.00028712224,0.00007500313],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040105544,0.0003517498,0.0004548762,0.00032834194,0.0005212834,0.0014916239,0.00049569784,0.00017317344,0.0016362254],"category_scores_gemma":[0.0000044625326,0.0001854655,0.00019926102,0.00009264181,0.00018694044,0.0005449884,0.00023999023,0.0010048026,0.000037396552],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003651383,0.00011567247,0.000043848246,0.00041603265,0.00082758587,0.000040715753,0.9378514,0.000736289,0.000065190965,0.055061817,0.0026689812,0.0021359234],"study_design_scores_gemma":[0.0012437039,0.002043114,0.00019723737,0.0035097112,0.0067665665,0.00008184803,0.49906653,0.0015246276,0.004194677,0.20953897,0.26793683,0.0038962087],"about_ca_topic_score_codex":0.0017325323,"about_ca_topic_score_gemma":0.006939104,"teacher_disagreement_score":0.43878493,"about_ca_system_score_codex":0.00003570293,"about_ca_system_score_gemma":0.00024563272,"threshold_uncertainty_score":0.9995449},"labels":[],"label_agreement":null},{"id":"W4402196580","doi":"10.32920/26871412","title":"Looking With The Indigenous Gaze: An Exploration Of Indigenous-Made Films","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Indigenous; Gaze; Geography; Computer vision; Computer science; Ecology; Biology","score_opus":0.03671228903770119,"score_gpt":0.2499197232858589,"score_spread":0.21320743424815772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402196580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.886013,0.009797877,0.0011132322,0.0011522219,0.0019958364,0.0013331525,0.0006918537,0.00036633672,0.09753655],"genre_scores_gemma":[0.97589403,0.00022541897,0.000181877,0.00044713955,0.0015251207,0.000058183658,0.0004787376,0.0000665483,0.02112294],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982351,0.00011749571,0.00047018946,0.0004026208,0.00047987388,0.00029468848],"domain_scores_gemma":[0.99859667,0.000039340506,0.00036778935,0.0006340928,0.00028712224,0.00007500313],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040105544,0.0003517498,0.0004548762,0.00032834194,0.0005212834,0.0014916239,0.00049569784,0.00017317344,0.0016362254],"category_scores_gemma":[0.0000044625326,0.0001854655,0.00019926102,0.00009264181,0.00018694044,0.0005449884,0.00023999023,0.0010048026,0.000037396552],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003651383,0.00011567247,0.000043848246,0.00041603265,0.00082758587,0.000040715753,0.9378514,0.000736289,0.000065190965,0.055061817,0.0026689812,0.0021359234],"study_design_scores_gemma":[0.0012437039,0.002043114,0.00019723737,0.0035097112,0.0067665665,0.00008184803,0.49906653,0.0015246276,0.004194677,0.20953897,0.26793683,0.0038962087],"about_ca_topic_score_codex":0.0017325323,"about_ca_topic_score_gemma":0.006939104,"teacher_disagreement_score":0.43878493,"about_ca_system_score_codex":0.00003570293,"about_ca_system_score_gemma":0.00024563272,"threshold_uncertainty_score":0.9995449},"labels":[],"label_agreement":null},{"id":"W4403290454","doi":"10.2478/abcsj-2024-0005","title":"“The wrong side of the desk”: Material and Discursive Struggle in Bud Osborn’s Downtown Eastside","year":2024,"lang":"en","type":"article","venue":"American, British and Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Downtown; Desk; History; Political science; Archaeology; Law","score_opus":0.008074847763435079,"score_gpt":0.21269225612780937,"score_spread":0.20461740836437428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403290454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9323186,0.054794826,2.1263266e-7,0.00331266,0.0007239312,0.00012987579,0.0007670196,0.000012508427,0.00794033],"genre_scores_gemma":[0.99203086,0.004799487,0.0000038864437,0.0004101512,0.00032209273,0.000015387257,0.000005823152,0.000011422756,0.0024008637],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.999109,0.00006362953,0.00022551771,0.00018919884,0.000116937816,0.00029569556],"domain_scores_gemma":[0.9995681,0.00008871522,0.000060801234,0.00010741874,0.00006247058,0.0001124745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012352645,0.00012095176,0.0002644303,0.00008201125,0.000598486,0.0006640477,0.00010953969,0.00001505595,0.000073807954],"category_scores_gemma":[0.000032638272,0.00008030494,0.00006488263,0.00011532825,0.0013006629,0.00015082683,0.00005291159,0.00012716542,0.0000011271749],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060576524,0.00003687403,0.02033658,0.00038787097,0.002244522,0.0009181065,0.18482989,0.000004877866,0.000056280725,0.089733005,0.14596318,0.5554282],"study_design_scores_gemma":[0.00039514952,0.00014593369,0.07793402,0.0009310721,0.000379033,0.00021967574,0.25955522,0.000029492576,0.00004986962,0.0052272836,0.6545846,0.0005486672],"about_ca_topic_score_codex":0.52087414,"about_ca_topic_score_gemma":0.9690422,"teacher_disagreement_score":0.55487955,"about_ca_system_score_codex":0.000050706774,"about_ca_system_score_gemma":0.00009810372,"threshold_uncertainty_score":0.6403427},"labels":[],"label_agreement":null},{"id":"W4403924100","doi":"10.1093/ccc/tcae042","title":"Controlled connection: Substack and writers of color","year":2024,"lang":"en","type":"article","venue":"Communication Culture and Critique","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Association for Education in Journalism and Mass Communication","keywords":"Connection (principal bundle); Mathematics; Geometry","score_opus":0.017098711965388147,"score_gpt":0.2651598373152988,"score_spread":0.24806112534991065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403924100","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.245807,0.46965396,0.0003641924,0.026566982,0.00068174646,0.00085389946,0.00028089,0.00028614854,0.25550517],"genre_scores_gemma":[0.9827796,0.007914703,0.00008694317,0.00078682945,0.000118482756,0.00002014055,0.000060595336,0.00000687163,0.008225831],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999441,0.0001086268,0.0002172319,0.000102738995,0.000063580264,0.000066818946],"domain_scores_gemma":[0.9994039,0.00015510073,0.0000464339,0.0001746123,0.00017982372,0.000040130097],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020035458,0.000087262844,0.00021141513,0.00006324986,0.00024295229,0.00039997612,0.00008649982,0.000054493907,0.0002758566],"category_scores_gemma":[0.000029230046,0.00006140022,0.00007084825,0.000042895226,0.00020880334,0.00029629507,0.000026463229,0.00016887553,0.000002388493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051885472,0.000028645432,0.000043602915,0.00013848973,0.00015604752,0.000002107892,0.059762355,3.9590836e-7,0.00027150076,0.9200151,0.018844428,0.00068544416],"study_design_scores_gemma":[0.0008885442,0.00006171505,0.00006578296,0.00023353739,0.00019951956,0.0000189193,0.017548127,0.00036587755,0.00012397842,0.010562966,0.9697953,0.00013575444],"about_ca_topic_score_codex":0.00004658654,"about_ca_topic_score_gemma":0.000283102,"teacher_disagreement_score":0.95095086,"about_ca_system_score_codex":0.000005796112,"about_ca_system_score_gemma":0.0000113482865,"threshold_uncertainty_score":0.3856979},"labels":[],"label_agreement":null},{"id":"W4403929208","doi":"10.4324/9781032614144-7","title":"Postcards from the Edge","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Enhanced Data Rates for GSM Evolution; Computer science; Artificial intelligence","score_opus":0.023866352880725368,"score_gpt":0.20477720935897512,"score_spread":0.18091085647824975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403929208","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008771627,0.01639853,0.0000019832225,0.0021179924,0.002155085,0.00006995768,0.0013254038,0.00008681262,0.9778355],"genre_scores_gemma":[0.0014242699,0.00048275018,0.0000067756528,0.0034535911,0.010794923,0.0000017468857,0.00041124187,0.000058586153,0.98336613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989819,0.000009612512,0.0002896169,0.0002762352,0.00029253284,0.00015010207],"domain_scores_gemma":[0.999227,0.00009179153,0.00008545611,0.00041873546,0.00011939329,0.000057640143],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009948122,0.00029777412,0.00032774318,0.00008808398,0.0002723105,0.0012945421,0.0003149841,0.00015064007,0.09206439],"category_scores_gemma":[0.000003279516,0.00014896858,0.000571278,0.0000070698666,0.00015680396,0.000102516155,0.00008960544,0.00060405524,0.0034737391],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022396434,0.0000017931513,2.760267e-7,0.0000066887324,0.0004121824,0.000025984444,0.007702793,3.5092683e-8,2.3218145e-7,0.6518234,0.339495,0.00052935816],"study_design_scores_gemma":[0.00003734707,0.000010322535,6.630388e-7,0.0001139836,0.0005580213,0.0000024533394,0.0005124371,0.0000043715363,8.220728e-7,0.2252886,0.77328944,0.0001815667],"about_ca_topic_score_codex":0.00054748263,"about_ca_topic_score_gemma":0.0020870774,"teacher_disagreement_score":0.4337944,"about_ca_system_score_codex":0.000021824733,"about_ca_system_score_gemma":0.000034667883,"threshold_uncertainty_score":0.9997422},"labels":[],"label_agreement":null},{"id":"W4405949758","doi":"10.1007/978-3-030-01537-4_419-1","title":"Collins, An","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Redeemer University","funders":"","keywords":"Psychology","score_opus":0.0307203401440536,"score_gpt":0.22185093839412506,"score_spread":0.19113059825007145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405949758","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000055630753,0.0041180314,0.000002427967,0.00027247827,0.0012348955,0.00006374438,0.00037050166,0.00013801514,0.9937943],"genre_scores_gemma":[0.00076505763,0.00037727287,0.000023470251,0.0011351961,0.005474541,0.000002154223,0.00036244228,0.000067821435,0.991792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990113,0.0000055675378,0.00029944125,0.00029368582,0.00023962081,0.00015041317],"domain_scores_gemma":[0.99936265,0.00001534129,0.00007908243,0.0003049227,0.00012752193,0.00011046257],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008852563,0.0002806363,0.00034004403,0.0002468695,0.00018965993,0.0011236744,0.0001833363,0.00016425311,0.084199086],"category_scores_gemma":[0.0000011520644,0.00019461558,0.00033147406,0.0000068763484,0.00010351751,0.00020077988,0.000035693272,0.00041701697,0.002632188],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029875407,0.0000063578223,1.0792804e-7,0.0000348878,0.00021665057,0.00006812794,0.004236344,1.6836279e-7,2.9413826e-7,0.8579857,0.13701591,0.00043249762],"study_design_scores_gemma":[0.00004128135,0.00003679908,5.186268e-8,0.00008846238,0.00031024896,0.000005579648,0.00024884107,0.000019118797,8.671812e-7,0.19428688,0.8047232,0.00023863884],"about_ca_topic_score_codex":0.0000761574,"about_ca_topic_score_gemma":0.001887353,"teacher_disagreement_score":0.6677073,"about_ca_system_score_codex":0.000023803374,"about_ca_system_score_gemma":0.000035315683,"threshold_uncertainty_score":0.9999133},"labels":[],"label_agreement":null},{"id":"W4408122415","doi":"10.33137/wij.v20i2.45044","title":"Franklin, Ruth. The Many Lives of Anne Frank. Yale University Press, 2025.","year":2025,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gerontology; Art history; Psychoanalysis; Psychology; History; Medicine","score_opus":0.012287766571356084,"score_gpt":0.2297894411813321,"score_spread":0.21750167460997602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408122415","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9283199,0.010966895,0.00016020169,0.0017959492,0.0024277125,0.0003064196,0.00023829378,0.00003991118,0.055744745],"genre_scores_gemma":[0.9402725,0.0019803331,0.00018416047,0.00011901915,0.0009023242,0.0000052993714,0.000013774877,0.000021700887,0.056500904],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99763113,0.0003620362,0.00072818197,0.0002781784,0.00039321108,0.00060727214],"domain_scores_gemma":[0.998408,0.00024100767,0.00044085723,0.0004031775,0.00032721277,0.00017970183],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012624536,0.00028410828,0.0005435506,0.00053992216,0.001429639,0.00040899846,0.0008973057,0.00010316232,0.0015536322],"category_scores_gemma":[0.000054048734,0.00019839239,0.00034754362,0.00027177823,0.00052685395,0.0007690906,0.00029977955,0.0010802139,0.000013603034],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001484532,0.0016382716,0.01686028,0.00036920872,0.0016955929,0.0013161497,0.8215817,0.0010909997,0.0003007775,0.06029839,0.090056695,0.0033073896],"study_design_scores_gemma":[0.0053360215,0.00046190634,0.015041383,0.00096143765,0.0004729524,0.00018757027,0.29394954,0.00219642,0.00011806821,0.023820132,0.65663725,0.0008173353],"about_ca_topic_score_codex":0.00013367807,"about_ca_topic_score_gemma":0.00013690631,"teacher_disagreement_score":0.56658053,"about_ca_system_score_codex":0.00016389386,"about_ca_system_score_gemma":0.00018569517,"threshold_uncertainty_score":0.99987036},"labels":[],"label_agreement":null},{"id":"W4408406230","doi":"10.22230/cjc.2017v43n1a3290","title":"Fuelling the Nation: Imaginaries of Western Oil in Canadian Nontheatrical Film","year":2018,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"Concordia University","keywords":"Political science","score_opus":0.02545293536075265,"score_gpt":0.23122370726252212,"score_spread":0.20577077190176946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408406230","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51611966,0.06534776,0.00013308148,0.11874679,0.0023475452,0.00023307861,0.000255871,0.000014774093,0.29680145],"genre_scores_gemma":[0.9976011,0.0003620507,0.00007494271,0.00056214316,0.0004919002,9.977084e-7,0.000011240115,0.000008411325,0.00088724034],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998953,0.00017964767,0.0004622682,0.00005209042,0.00014130025,0.00021172588],"domain_scores_gemma":[0.998283,0.000106130145,0.00028892062,0.00033516265,0.0007197541,0.00026703053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076036825,0.00008236149,0.00018161807,0.00054811774,0.0005129674,0.00028109842,0.000610796,0.000042818745,0.00056099106],"category_scores_gemma":[0.00008181707,0.00006020251,0.000085719796,0.00015523708,0.00046735525,0.00038684616,0.000010261366,0.00030795287,0.000008943046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007567959,0.000072991555,0.08742473,0.000075319615,0.00034135865,0.000079706326,0.4625897,0.00017190192,0.000024654766,0.4029221,0.023231825,0.022990027],"study_design_scores_gemma":[0.0003232576,0.00007453568,0.0054593836,0.00021824258,0.00008069133,0.000057410303,0.006757101,0.00032311532,0.00003640826,0.005066806,0.9814614,0.0001416542],"about_ca_topic_score_codex":0.5743866,"about_ca_topic_score_gemma":0.99136025,"teacher_disagreement_score":0.95822954,"about_ca_system_score_codex":0.00016328161,"about_ca_system_score_gemma":0.0010969795,"threshold_uncertainty_score":0.61424583},"labels":[],"label_agreement":null},{"id":"W4408441176","doi":"10.5194/egusphere-egu25-3818","title":"The unprecedented Pacific Northwest heatwave of 1941: Digitized newspapers to understand far-reaching physical and social impacts","year":2025,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Newspaper; Geography; History; Advertising; Business","score_opus":0.024402253506047075,"score_gpt":0.25830401787951934,"score_spread":0.23390176437347227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408441176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68901277,0.0014345943,0.00031536695,0.011789022,0.0016415083,0.0011190621,0.0024530415,0.00023644432,0.29199818],"genre_scores_gemma":[0.98096675,0.00021361397,0.000023750079,0.00053085707,0.0008474932,0.000008271083,0.00023595463,0.000021038873,0.017152281],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998224,0.0001489382,0.00048477986,0.0004097475,0.0003715561,0.00036095805],"domain_scores_gemma":[0.99878895,0.00028794224,0.00024154098,0.00033608163,0.00020987443,0.00013562966],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00025340595,0.00038938312,0.0007086707,0.00020094954,0.001028544,0.0016597194,0.00031142312,0.0001303878,0.00010104588],"category_scores_gemma":[0.000033242522,0.0002421262,0.00045996925,0.000077440214,0.00031637773,0.0001504037,0.00034399878,0.00063360226,0.000002599469],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003830472,0.00021701428,0.00039633937,0.0004503075,0.0023759461,0.00001017794,0.6173053,0.00005614691,0.00009668772,0.35465953,0.01870607,0.0053434335],"study_design_scores_gemma":[0.0035427653,0.00035829356,0.001956789,0.001322558,0.002999239,0.000009969356,0.50661457,0.0011262451,0.00023404042,0.0598794,0.4195274,0.002428741],"about_ca_topic_score_codex":0.0033287536,"about_ca_topic_score_gemma":0.021717146,"teacher_disagreement_score":0.40082133,"about_ca_system_score_codex":0.00009591389,"about_ca_system_score_gemma":0.00013282339,"threshold_uncertainty_score":0.99937665},"labels":[],"label_agreement":null},{"id":"W4409873552","doi":"10.3138/jcs-2025-0213","title":"“[L]ike a page from history”? A Half-Century of Death Notices in <i>The Globe and Mail</i>","year":2025,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"The King's University; Western University","funders":"","keywords":"Globe; History; Psychology","score_opus":0.03168303046422597,"score_gpt":0.23176421624991142,"score_spread":0.20008118578568546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409873552","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48537308,0.45593983,0.0000014207259,0.007828626,0.001832375,0.00010543218,0.00012119776,0.0000035513867,0.048794474],"genre_scores_gemma":[0.9913294,0.0045657973,0.000056351626,0.0025414242,0.00059144123,0.0000014574722,0.000001766486,0.0000051523903,0.0009072355],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998954,0.00010397141,0.00046695408,0.00007911339,0.00019873235,0.00019723087],"domain_scores_gemma":[0.9990882,0.00018342775,0.00028747655,0.00010828657,0.00023541563,0.00009718029],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004542576,0.00012223795,0.00041637797,0.00075916864,0.00015174648,0.00008321385,0.00018847226,0.000034097695,0.00013269068],"category_scores_gemma":[0.0000789336,0.00007713048,0.00013052962,0.00012550016,0.0001640052,0.0002423844,0.000019241477,0.000231509,8.773806e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116940995,0.00014313079,0.028517112,0.0002271215,0.0025950703,0.0005088312,0.44989637,0.0000054690636,0.00004893328,0.16392009,0.3506791,0.0033418408],"study_design_scores_gemma":[0.00037545827,0.00003853971,0.004859012,0.00023412425,0.0004053238,0.000008186584,0.039743874,0.0000027080582,0.0000037662678,0.0013565738,0.9528886,0.00008382957],"about_ca_topic_score_codex":0.06356197,"about_ca_topic_score_gemma":0.54108334,"teacher_disagreement_score":0.6022095,"about_ca_system_score_codex":0.00017466706,"about_ca_system_score_gemma":0.00019577984,"threshold_uncertainty_score":0.94267386},"labels":[],"label_agreement":null},{"id":"W4409990849","doi":"10.26443/tbj.v19i.470","title":"Three Burneys in the Crewe White Album","year":2024,"lang":"en","type":"article","venue":"The Burney Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"White (mutation); Art; Biology; Genetics","score_opus":0.029397554335631997,"score_gpt":0.24005493302667402,"score_spread":0.21065737869104204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409990849","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18672816,0.09620313,0.0017749636,0.16099727,0.011855452,0.0007110673,0.0001442263,0.00026805754,0.54131764],"genre_scores_gemma":[0.97410923,0.0006656962,0.00002779524,0.0034934962,0.008796337,0.000008043153,0.0000075180287,0.000032927866,0.012858979],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815613,0.00024091177,0.00048486004,0.00017078496,0.0005426483,0.00040467764],"domain_scores_gemma":[0.99915516,0.00019053413,0.00011812791,0.00033711144,0.00010772228,0.00009136085],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021988973,0.00021529537,0.0002311824,0.00025982564,0.0008992208,0.0038959417,0.00081677875,0.000054065724,0.0051133204],"category_scores_gemma":[0.000036644506,0.000091987524,0.00036117597,0.00021417197,0.00020047351,0.000548753,0.000049332786,0.0014045546,0.00023954039],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004236234,0.00008091621,0.00047528287,0.000036389614,0.00034792256,0.00078002736,0.20515485,0.00006558645,0.000027650201,0.38214713,0.40523928,0.005602613],"study_design_scores_gemma":[0.0002648398,0.00006093964,0.0005659631,0.00021658481,0.00020588737,0.0010416983,0.010676162,0.0007780321,0.0000050090707,0.09004635,0.89594233,0.00019622427],"about_ca_topic_score_codex":0.00011662826,"about_ca_topic_score_gemma":0.001047949,"teacher_disagreement_score":0.78738105,"about_ca_system_score_codex":0.00004051212,"about_ca_system_score_gemma":0.000078215955,"threshold_uncertainty_score":0.9971381},"labels":[],"label_agreement":null},{"id":"W4410795375","doi":"10.1080/14791420.2025.2506797","title":"Carnival rhetoric: resisting absurdity qua absurdist performance","year":2025,"lang":"en","type":"article","venue":"Communication and Critical/Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Absurdity; Rhetoric; Absurdism; Literature; Philosophy; Art; Linguistics","score_opus":0.06797960290883832,"score_gpt":0.3446962658237356,"score_spread":0.27671666291489727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410795375","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36909837,0.19554289,0.000025017014,0.032837886,0.0012283262,0.00025060083,0.00006711097,0.00029630988,0.4006535],"genre_scores_gemma":[0.98015946,0.008997325,0.00012243792,0.00068575545,0.00019775546,0.00001939469,0.000026359552,0.0000057507586,0.00978573],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990115,0.0001407891,0.00033207826,0.00017806918,0.00014061689,0.00019691425],"domain_scores_gemma":[0.99854296,0.00038576662,0.00006125281,0.00033192465,0.00062482955,0.000053273678],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00030751058,0.00015958026,0.00029750416,0.00006128156,0.0025260085,0.0004296232,0.00023656138,0.000039447164,0.00011104889],"category_scores_gemma":[0.00040550507,0.00011080613,0.00009297365,0.00008548646,0.0008148277,0.00040280767,0.00021136225,0.0002597654,0.0000138627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032082724,0.00007298983,0.002131677,0.00036079506,0.0003545722,0.0000018042651,0.042115904,0.0000014210643,0.000034278582,0.89264154,0.053150747,0.009102167],"study_design_scores_gemma":[0.00041356828,0.000043615542,0.009457563,0.0005075614,0.00034506907,0.0000046783716,0.06482273,0.00020219201,0.000053387157,0.007225213,0.91654754,0.00037687898],"about_ca_topic_score_codex":0.00012180181,"about_ca_topic_score_gemma":0.00037122413,"teacher_disagreement_score":0.8854163,"about_ca_system_score_codex":0.000044475393,"about_ca_system_score_gemma":0.000011857576,"threshold_uncertainty_score":0.99877256},"labels":[],"label_agreement":null},{"id":"W4411149706","doi":"10.3138/cras-2025-003","title":"Tainted Love: Tracing Connie’s Trauma Through Music in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”","year":2025,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tracing; Literature; Art; Philosophy; Computer science; Programming language","score_opus":0.029244438588147643,"score_gpt":0.28461092404318855,"score_spread":0.2553664854550409,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411149706","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022020128,0.8851312,0.000004404737,0.014475819,0.00048627288,0.00058501435,0.0005468468,0.00003161842,0.07671872],"genre_scores_gemma":[0.6948265,0.26417127,0.00010834273,0.016743608,0.0005166782,0.000060083396,0.00005292276,0.00005879626,0.023461789],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975632,0.00022070894,0.00094260206,0.00044960156,0.00023516892,0.0005887456],"domain_scores_gemma":[0.99809605,0.00012605274,0.00059789175,0.00043506443,0.0005638377,0.00018108779],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036478715,0.00041147758,0.0016699859,0.00038667495,0.00031055638,0.00011651215,0.00034052102,0.00004922106,0.0009411516],"category_scores_gemma":[0.00020460642,0.0003403352,0.00040595848,0.00050482864,0.0009008048,0.0002592328,0.000047953283,0.0003965611,0.00002826312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003418913,0.000116746654,0.016939044,0.020300752,0.0031333524,0.00043242122,0.17086974,0.000012511577,0.0000058563605,0.01506074,0.7193868,0.053707846],"study_design_scores_gemma":[0.0003412261,0.00007238633,0.0010451749,0.020009696,0.00057833915,0.0000063843204,0.14969882,0.000009565139,0.000007193887,0.00023653563,0.82759637,0.0003982919],"about_ca_topic_score_codex":0.124387875,"about_ca_topic_score_gemma":0.7848302,"teacher_disagreement_score":0.6728064,"about_ca_system_score_codex":0.00035699466,"about_ca_system_score_gemma":0.00028969636,"threshold_uncertainty_score":0.9999721},"labels":[],"label_agreement":null},{"id":"W4411151347","doi":"10.3138/cras-2025-001","title":"How to Read a Drawer: Print Culture and Humour Practice in <i>Harper’s New Monthly Magazine</i>","year":2025,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Trent University","funders":"","keywords":"Print culture; Art history; Art; Literature; History","score_opus":0.01645602480192696,"score_gpt":0.28478321523615774,"score_spread":0.26832719043423076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411151347","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008924967,0.78035265,0.0000026301125,0.11876437,0.0002126413,0.00047318943,0.00014005031,0.000015287003,0.099146694],"genre_scores_gemma":[0.045005973,0.6952587,0.0021106799,0.13628589,0.00074309093,0.00009896825,0.00003634549,0.000039205515,0.120421186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988549,0.000101693906,0.000361181,0.00026612368,0.00014037406,0.00027574398],"domain_scores_gemma":[0.99879295,0.00008942053,0.00021771493,0.00024956992,0.00039661748,0.00025373715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025182916,0.00020491988,0.0007950151,0.00027726078,0.00016467128,0.00016698052,0.00016493777,0.000019101451,0.000054625958],"category_scores_gemma":[0.00085334777,0.00015215905,0.00011203008,0.00038710044,0.00034954346,0.0002249688,0.000054506505,0.00018379967,0.0000063315565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001471978,0.000025814179,0.00036708906,0.0022535694,0.00064238865,0.00009000763,0.05183998,7.6652856e-7,0.000004892121,0.03695443,0.838175,0.06963135],"study_design_scores_gemma":[0.000107142005,0.0000602069,0.00023686541,0.0037897595,0.000260721,0.0000036962867,0.03434482,4.3058685e-7,0.0000017307522,0.00013149508,0.9609085,0.00015465588],"about_ca_topic_score_codex":0.060019158,"about_ca_topic_score_gemma":0.3970836,"teacher_disagreement_score":0.33706445,"about_ca_system_score_codex":0.000108491535,"about_ca_system_score_gemma":0.0002751382,"threshold_uncertainty_score":0.94624025},"labels":[],"label_agreement":null},{"id":"W4411922606","doi":"10.1080/17524032.2025.2521327","title":"The Anti-Extractivist Documentary in Latin America: The Aesthetics and Affordances of <i>When Two Worlds Collide</i> and <i>Surire</i>","year":2025,"lang":"en","type":"article","venue":"Environmental Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Connaught Fund; University of Toronto","keywords":"Affordance; Aesthetics; Latin Americans; Art; Sociology; Visual arts; Psychology; Philosophy; Linguistics; Cognitive psychology","score_opus":0.006266578239789788,"score_gpt":0.2123212549988583,"score_spread":0.2060546767590685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411922606","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95898896,0.020687211,0.000012834546,0.007319281,0.000056375084,0.00021661086,0.00004035602,0.0000075583243,0.012670805],"genre_scores_gemma":[0.9867184,0.010951759,0.00012826621,0.00051984045,0.000017717472,0.000013348683,0.0000295507,0.0000053000035,0.0016157716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992776,0.00018854011,0.00024120086,0.00009538781,0.00010535801,0.000091931506],"domain_scores_gemma":[0.9992041,0.00026779325,0.00015047287,0.00035746727,0.0000047472863,0.000015417072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027078434,0.00009077161,0.00013087316,0.000036808546,0.00058591017,0.00017044968,0.00022827754,0.000014510643,0.000039081824],"category_scores_gemma":[0.0000044212657,0.00005560885,0.00003279397,0.00004233025,0.00082176254,0.00019629973,0.00014629454,0.0001747508,0.0000010387474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032868085,0.0013908991,0.27975252,0.00011724925,0.00068933726,0.000006282407,0.20941077,0.00015326138,0.0038202626,0.29181942,0.016590461,0.19592083],"study_design_scores_gemma":[0.0010257473,0.00007090333,0.046871934,0.00015973476,0.0001753136,0.0000051098846,0.030838963,0.0005287936,0.000787737,0.019921418,0.89936984,0.00024451225],"about_ca_topic_score_codex":0.00043220172,"about_ca_topic_score_gemma":0.0013871341,"teacher_disagreement_score":0.88277936,"about_ca_system_score_codex":0.000023654175,"about_ca_system_score_gemma":0.0000054029683,"threshold_uncertainty_score":0.45064065},"labels":[],"label_agreement":null},{"id":"W4412302721","doi":"","title":"The World between Fiction and Reality:ACLA Vancouver, April, 2011","year":2011,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.0534444962596986,"score_gpt":0.230378782118522,"score_spread":0.1769342858588234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412302721","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006795682,0.0008622847,0.00008601411,0.0004597094,0.0009861072,0.00008618496,0.000034184537,0.000075368094,0.9906145],"genre_scores_gemma":[0.6282444,0.00023125536,0.00006936067,0.00041810083,0.0014494108,0.0000051066713,0.000013768761,0.000012735567,0.36955586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925196,0.000055177883,0.00023201529,0.00014707194,0.00013511934,0.00017868128],"domain_scores_gemma":[0.99946326,0.000077540724,0.000087746164,0.0002140229,0.0000840279,0.000073424795],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028883215,0.000111466725,0.00014472014,0.00008413764,0.00072695996,0.000294447,0.000119594886,0.00003072984,0.0043017203],"category_scores_gemma":[0.0000061481433,0.0000617268,0.00008272882,0.00003387065,0.00015043015,0.00031067667,0.000034700435,0.00015107298,0.000043981112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018867497,0.00002087952,0.002649899,0.000008686785,0.00015013508,0.0000025751651,0.014722162,5.9788285e-8,0.0000016237091,0.25617227,0.72069,0.005562805],"study_design_scores_gemma":[0.00013156916,0.000025685993,0.0019190265,0.000008111584,0.000109362234,6.937812e-7,0.0022502984,0.000013302722,0.000044429366,0.011629865,0.983754,0.00011365699],"about_ca_topic_score_codex":0.0017019075,"about_ca_topic_score_gemma":0.032727186,"teacher_disagreement_score":0.6214487,"about_ca_system_score_codex":0.000009904034,"about_ca_system_score_gemma":0.000008550986,"threshold_uncertainty_score":0.9966085},"labels":[],"label_agreement":null},{"id":"W4413267318","doi":"10.32920/29660594.v1","title":"Stargate","year":2025,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Space (punctuation); Afterlife; Literature; Philosophy; Linguistics","score_opus":0.026944888131213148,"score_gpt":0.24177561656444,"score_spread":0.21483072843322684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413267318","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013915937,0.0017582614,0.00012081107,0.0012033859,0.0025057828,0.00009926662,0.000521843,0.00012907614,0.99227],"genre_scores_gemma":[0.079464175,0.00030830913,0.00024616148,0.002946441,0.0024019883,0.000014570462,0.00033352253,0.000012994006,0.91427183],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903536,0.000043418706,0.0002954677,0.00027351218,0.00017349934,0.00017872728],"domain_scores_gemma":[0.9992206,0.000026534331,0.000109628345,0.00039784168,0.00018884441,0.000056552657],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013253398,0.00021213073,0.00033115488,0.0002191341,0.00020163423,0.0009378428,0.00030788843,0.000116954856,0.021032885],"category_scores_gemma":[0.000009231778,0.00015317494,0.00032240996,0.000022909118,0.000065619584,0.00008887283,0.0003170817,0.0005441521,0.00011832417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006828226,0.000033491102,0.000029832649,0.000164575,0.00038381518,0.000011784331,0.019325243,0.0000252549,7.16607e-7,0.73128533,0.24767268,0.0010604453],"study_design_scores_gemma":[0.00008772002,0.000006075097,0.000007329904,0.0001175125,0.00019352132,3.5234058e-7,0.000928669,0.00015506208,0.000019371526,0.042494215,0.9557757,0.0002145219],"about_ca_topic_score_codex":0.0008157429,"about_ca_topic_score_gemma":0.0011605396,"teacher_disagreement_score":0.708103,"about_ca_system_score_codex":0.00002335733,"about_ca_system_score_gemma":0.00008687249,"threshold_uncertainty_score":0.97986203},"labels":[],"label_agreement":null},{"id":"W4413339101","doi":"10.5817/cejcs2024-19-9","title":"[Beattie, Steven W. (ed). Best Canadian stories 2025]","year":2024,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.05076583760350368,"score_gpt":0.24182772737022418,"score_spread":0.1910618897667205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413339101","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08002525,0.3710914,0.0000074513055,0.0513429,0.019108426,0.00029545595,0.0010159232,0.000061547405,0.47705165],"genre_scores_gemma":[0.9551671,0.00747704,0.000019669464,0.0018391935,0.0058037913,7.298203e-7,0.000008071443,0.00005311673,0.029631244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788296,0.0003484713,0.0005734397,0.00015856422,0.00032030675,0.0007162603],"domain_scores_gemma":[0.99826485,0.00009708545,0.00015442792,0.00020829131,0.0004561086,0.00081923255],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00095947745,0.0002568271,0.0003816025,0.0010056577,0.0010419684,0.0009914222,0.0005179014,0.000021016967,0.0010043619],"category_scores_gemma":[0.0000888982,0.00015506292,0.00031085926,0.00026275817,0.00039118103,0.00044216734,0.00003100013,0.0005538542,0.00021971461],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015330188,0.000010277173,0.00016846327,0.000060156515,0.0019987691,0.003485356,0.13749693,0.000029609111,0.000004219733,0.06002764,0.7892831,0.0074201454],"study_design_scores_gemma":[0.00013377714,0.00009752062,0.0003435167,0.0002993325,0.00042534,0.00013547736,0.031201335,0.0000054459074,0.000003958909,0.0003139561,0.96684855,0.00019177714],"about_ca_topic_score_codex":0.2544638,"about_ca_topic_score_gemma":0.9252895,"teacher_disagreement_score":0.8751419,"about_ca_system_score_codex":0.0003780074,"about_ca_system_score_gemma":0.0008383209,"threshold_uncertainty_score":0.99990886},"labels":[],"label_agreement":null},{"id":"W4413992359","doi":"10.1353/vpr.2025.a969183","title":"“A Certain Amount of Scientific Education”: Science, Sensation, and the Everyman Narrator in the Serialised War of the Worlds (1897)","year":2025,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sensation; Aesthetics; Literature; Psychology; History; Philosophy; Epistemology; Art; Cognitive psychology","score_opus":0.00824142305793284,"score_gpt":0.253136516594202,"score_spread":0.24489509353626915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413992359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48885888,0.36807156,0.000005701741,0.08162164,0.011855296,0.0038297821,0.00020899638,0.000031603362,0.045516543],"genre_scores_gemma":[0.9894541,0.0037189873,0.000010488901,0.0032425674,0.00035143874,0.00004583775,0.000007778736,0.00000523871,0.0031635433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790645,0.00054930145,0.00066363194,0.00021765803,0.000504466,0.00015847392],"domain_scores_gemma":[0.99845546,0.00014023896,0.00030717993,0.00060639647,0.00045330892,0.00003741113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034236778,0.00012734078,0.00039859684,0.00019412806,0.0010245251,0.0005362563,0.00067590026,0.000029050974,0.000398184],"category_scores_gemma":[0.00050732424,0.000053145915,0.00017606706,0.0011465193,0.0026903553,0.00020937152,0.00007122094,0.0001645713,0.0000024850428],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002452635,0.00015533272,0.0010105608,0.0016374931,0.00006895192,4.0383193e-7,0.11041625,6.652381e-7,0.00027611834,0.8527318,0.031771105,0.0019067593],"study_design_scores_gemma":[0.00028139696,0.0000070963474,0.0012154862,0.0018063682,0.00015753381,0.0000014385191,0.002907725,0.000012609125,0.000042489268,0.0023390858,0.99115497,0.00007381765],"about_ca_topic_score_codex":0.00013745295,"about_ca_topic_score_gemma":0.0003667668,"teacher_disagreement_score":0.95938385,"about_ca_system_score_codex":0.00003175431,"about_ca_system_score_gemma":0.0007568224,"threshold_uncertainty_score":0.9912726},"labels":[],"label_agreement":null},{"id":"W4414105364","doi":"10.1017/9781009604987.027","title":"On Our Allotted Daemon","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Daemon; Information access; Key (lock); Access to information; Information system; Data access","score_opus":0.022106107672012675,"score_gpt":0.1915420520361547,"score_spread":0.16943594436414203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414105364","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041549283,0.00020895348,0.000018196868,0.00008547027,0.0008139186,0.00019592817,0.0010861955,0.00013527763,0.9974145],"genre_scores_gemma":[0.0021246176,0.00009605561,0.000008407081,0.0006787039,0.0007305159,3.9358795e-7,0.00025520351,0.00003762955,0.9960685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998685,0.00004632939,0.00023661582,0.0004818805,0.0002754055,0.0002747587],"domain_scores_gemma":[0.99872905,0.00005220864,0.00024550533,0.000563562,0.00026371572,0.00014595622],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00007958059,0.0004465115,0.0005334214,0.00047136738,0.00051134947,0.00029196264,0.0005222546,0.00028703094,0.00008471831],"category_scores_gemma":[0.000007842385,0.0004475701,0.00049950153,0.000005362336,0.00012579293,0.00012150215,0.00018331646,0.0007244923,0.000048982183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006648604,0.000009218772,1.2715911e-7,0.0000473529,0.00032986607,0.00017599392,0.0004259643,6.669929e-7,0.0000012223257,0.6266508,0.37195957,0.00033274136],"study_design_scores_gemma":[0.00047732858,0.000055128046,8.1175807e-7,0.00038342582,0.0007145145,0.0000029235443,0.00030144866,0.000022477134,0.000017252918,0.00012058736,0.9974528,0.00045131915],"about_ca_topic_score_codex":0.00024956043,"about_ca_topic_score_gemma":0.000033915945,"teacher_disagreement_score":0.62653023,"about_ca_system_score_codex":0.00013118917,"about_ca_system_score_gemma":0.000084767074,"threshold_uncertainty_score":0.9997976},"labels":[],"label_agreement":null},{"id":"W4414794952","doi":"10.1353/vcr.2024.a970813","title":"\"Undone by the Blood\": Bloodborne (2015) and the Human Cost of Medical Progress","year":2024,"lang":"en","type":"article","venue":"Victorian review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Human health; Precondition; Order (exchange); Medical practice; Human life; Medical costs","score_opus":0.015570799103099551,"score_gpt":0.2851211626031353,"score_spread":0.26955036350003575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414794952","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008365074,0.96366906,0.0000035028029,0.029111115,0.0007182226,0.00043623996,0.000085403066,0.000035387275,0.005104532],"genre_scores_gemma":[0.4269889,0.54210514,0.000010156464,0.0063983826,0.007187324,0.00021512873,0.00014405588,0.00006772797,0.016883168],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830616,0.00026800737,0.00048478597,0.00018910506,0.0005763902,0.00017554022],"domain_scores_gemma":[0.9991674,0.00017831102,0.00012587961,0.00033309573,0.00010136198,0.00009399026],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001716492,0.00016204336,0.00045716314,0.0000375506,0.00031535447,0.00048735135,0.00040799115,0.000051976458,0.002948981],"category_scores_gemma":[0.00006077827,0.000066513974,0.00021407368,0.00012626694,0.00074477034,0.0001167472,0.00007185483,0.0003410748,0.000021349833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044981675,0.00006368697,0.000036538542,0.0025712452,0.00059271674,0.00002264962,0.00824664,5.010752e-9,0.0000036428698,0.81600595,0.16407521,0.0083772065],"study_design_scores_gemma":[0.00040418713,0.000023126107,0.000006140973,0.0034036185,0.0011558208,0.000028412303,0.00009871777,0.000007760858,0.0000066507378,0.00083270285,0.99394035,0.00009253127],"about_ca_topic_score_codex":0.000074391115,"about_ca_topic_score_gemma":0.00011734494,"teacher_disagreement_score":0.8298651,"about_ca_system_score_codex":0.000005552976,"about_ca_system_score_gemma":0.000039562336,"threshold_uncertainty_score":0.9979625},"labels":[],"label_agreement":null},{"id":"W4416695915","doi":"10.1177/09564748251398650e","title":"No prams, please M.A.L. The Journalism and Writing of Madeline Alberta Linford, compiled by HerbertMichael (Lulu.com, pp540, £26.99)","year":2025,"lang":"en","type":"article","venue":"British Journalism Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism","score_opus":0.013189321438560643,"score_gpt":0.25014418383692805,"score_spread":0.2369548623983674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416695915","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036239517,0.9454759,0.000091007394,0.021624593,0.0010505513,0.00070953165,0.0004005926,0.000058295478,0.026965626],"genre_scores_gemma":[0.047023278,0.85722363,0.00020856039,0.035309073,0.0021661548,0.00004769097,0.00021336711,0.00011637783,0.05769185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954655,0.00053387077,0.0023344525,0.00041769256,0.00065248413,0.00059600343],"domain_scores_gemma":[0.99643415,0.00045229614,0.0012204549,0.0005121678,0.0010766644,0.00030426873],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019918792,0.00046385493,0.0013930089,0.00019195807,0.0011079303,0.0016423124,0.00077821274,0.00014180019,0.0031888587],"category_scores_gemma":[0.00042429104,0.00036381418,0.0006948696,0.00033436445,0.00041577578,0.0010244987,0.00019544248,0.001167819,0.00003848063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042959608,0.00017868343,0.00033909804,0.0040473286,0.00095674326,0.00015323696,0.0020753732,0.00000183214,0.000056028093,0.032263726,0.92500585,0.034879155],"study_design_scores_gemma":[0.0011049655,0.00005158356,0.00008487438,0.02221943,0.0010902424,0.0009953319,0.0005905679,0.00013975518,0.000009325325,0.0011209856,0.97216976,0.0004232074],"about_ca_topic_score_codex":0.0035032048,"about_ca_topic_score_gemma":0.0014866788,"teacher_disagreement_score":0.0882522,"about_ca_system_score_codex":0.000046995858,"about_ca_system_score_gemma":0.00012874113,"threshold_uncertainty_score":0.9998814},"labels":[],"label_agreement":null},{"id":"W586355242","doi":"","title":"Figures du journalisme : Brésil, Bretagne, France, La Réunion, Mexique, Québec","year":2008,"lang":"fr","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.00924254070639703,"score_gpt":0.19938832195085843,"score_spread":0.1901457812444614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W586355242","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038205352,0.07714386,0.00018485637,0.0065792473,0.0023772689,0.00029195132,0.0008686798,0.00017720909,0.9119949],"genre_scores_gemma":[0.0028326318,0.05050262,0.00018310263,0.00616205,0.015838815,0.00002309462,0.00050087925,0.00021427064,0.92374253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.993851,0.0007493414,0.0020181949,0.0009783221,0.0012981164,0.0011050486],"domain_scores_gemma":[0.9950085,0.00071673444,0.0012447545,0.0009930014,0.0013196894,0.000717315],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.000778765,0.0014984369,0.0020103825,0.0009647342,0.0037705149,0.0022642245,0.0012296699,0.0011901205,0.06379433],"category_scores_gemma":[0.000108590306,0.001193359,0.0021072193,0.00020384949,0.0022994534,0.0012626558,0.00017874544,0.0028229419,0.0011385302],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030225207,0.00015614145,0.00043416096,0.00021257169,0.0009762475,0.0006988526,0.007316138,0.00002032917,0.0000017766928,0.44498703,0.54415524,0.0010112445],"study_design_scores_gemma":[0.0009715348,0.00017654996,0.00041001636,0.0010644773,0.0011615066,0.001293475,0.000481811,0.00012267684,0.00000906828,0.006357442,0.9864405,0.0015109606],"about_ca_topic_score_codex":0.037557777,"about_ca_topic_score_gemma":0.034943998,"teacher_disagreement_score":0.4422852,"about_ca_system_score_codex":0.00029684577,"about_ca_system_score_gemma":0.0019415389,"threshold_uncertainty_score":0.9997765},"labels":[],"label_agreement":null},{"id":"W61477333","doi":"","title":"Photoblur (Original writing, Novel).","year":2003,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Computer science","score_opus":0.025368303155284253,"score_gpt":0.20759166569788876,"score_spread":0.18222336254260452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W61477333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8805669,0.00047889646,0.000074334,0.00033526518,0.00042694208,0.00013143609,0.0001653397,0.00007825853,0.11774265],"genre_scores_gemma":[0.95382416,0.000040524796,0.00082327495,0.00032749306,0.00028759392,3.2440073e-7,0.000043994223,0.000028902266,0.04462371],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980439,0.0001683085,0.00029400605,0.00044157633,0.00055690383,0.0004953212],"domain_scores_gemma":[0.9985302,0.00007886514,0.0003208745,0.00045698925,0.0003516455,0.00026143633],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074340473,0.000287627,0.0004462787,0.00040888618,0.0012801135,0.00023328049,0.0005459298,0.00016648344,0.016967086],"category_scores_gemma":[0.00006220866,0.00031751295,0.00044493418,0.00022634563,0.00040241497,0.0012915034,0.00008960782,0.00058099726,0.0003872099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006019221,0.0011921265,0.10125011,0.00032171464,0.0014587243,0.00052648305,0.10153474,0.00003652544,0.014277083,0.7623337,0.015541176,0.0009256819],"study_design_scores_gemma":[0.0023868843,0.00014367604,0.007996463,0.00013704707,0.00038195922,0.000079443445,0.014495213,0.00002002855,0.0012573805,0.0022248633,0.9702025,0.00067454576],"about_ca_topic_score_codex":0.00019850858,"about_ca_topic_score_gemma":0.0009569769,"teacher_disagreement_score":0.9546613,"about_ca_system_score_codex":0.000096803036,"about_ca_system_score_gemma":0.000097355354,"threshold_uncertainty_score":0.9999277},"labels":[],"label_agreement":null},{"id":"W621999073","doi":"","title":"'IT'S GOING TO BE SPECTACULAR': ROBERT MILTON LOOKS FORWARD TO TURNING AIR CANADA AND CANADIAN AIRLINES INTO A GLOBAL POWERHOUSE.","year":2000,"lang":"en","type":"article","venue":"Air transport world","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aviation; Aeronautics; Economic history; Political science; Advertising; Management; History; Meteorology; Business; Engineering; Economics; Geography; Aerospace engineering","score_opus":0.006501199856130303,"score_gpt":0.19793318889203873,"score_spread":0.19143198903590844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W621999073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8515638,0.0012245231,0.00005264376,0.03976425,0.00079462316,0.00049536256,0.00079904456,0.00013600328,0.105169736],"genre_scores_gemma":[0.92172164,0.000022153845,0.00031159126,0.042041026,0.00065345416,0.000013731294,0.00014398663,0.000041020423,0.035051417],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997903,0.000027294425,0.0004955736,0.00048495605,0.00038907683,0.0007001258],"domain_scores_gemma":[0.99850714,0.000021784286,0.00005265842,0.0003057739,0.00012021505,0.000992413],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015201337,0.00037487486,0.00046867834,0.00029056656,0.0006303541,0.00016902093,0.000276694,0.000057279376,0.0023847776],"category_scores_gemma":[0.000006257161,0.00034208014,0.00017916817,0.0003219132,0.000060781687,0.00028515473,0.000011453068,0.0002483139,0.000040070678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00052490906,0.00016572206,0.1182688,0.000326713,0.0015301767,0.0037176916,0.25834885,0.0069959736,0.000041454878,0.016596615,0.57418567,0.019297391],"study_design_scores_gemma":[0.0002798275,0.00004859706,0.008113136,0.00015477161,0.00016316949,0.000016969028,0.0009933437,0.000030266892,0.000026193025,0.00016738012,0.9895247,0.00048161892],"about_ca_topic_score_codex":0.9701238,"about_ca_topic_score_gemma":0.9999514,"teacher_disagreement_score":0.41533902,"about_ca_system_score_codex":0.00032359388,"about_ca_system_score_gemma":0.00049762026,"threshold_uncertainty_score":0.99990314},"labels":[],"label_agreement":null},{"id":"W628217481","doi":"","title":"Guy Maddin : interviews","year":2010,"lang":"en","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Film director; Movie theater; Art history; Style (visual arts); Performance art; Narrative; Visual arts; Literature; History","score_opus":0.026158351566242535,"score_gpt":0.22074889582274662,"score_spread":0.19459054425650407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W628217481","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000005962513,0.0016193588,0.000011008365,0.0003296997,0.0020580029,0.00009497453,0.0002144263,0.00007947104,0.9955871],"genre_scores_gemma":[0.00010141549,0.00021520362,0.000066117296,0.002545672,0.0073129567,0.000007317041,0.00054326205,0.000053329444,0.9891547],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868107,0.000032738342,0.00048683133,0.00029950417,0.00025984057,0.00024003636],"domain_scores_gemma":[0.9989233,0.000039396855,0.00024936872,0.00049248233,0.00018122807,0.00011424849],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021065831,0.00035596712,0.0005628358,0.00027908,0.00022769636,0.0008744286,0.00043170783,0.00030489074,0.20389661],"category_scores_gemma":[0.0000092193,0.00023898324,0.0005982089,0.000013885691,0.0001598291,0.00021002306,0.00008898518,0.0010795064,0.0022392254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020130333,0.000010271547,2.2829543e-7,0.000033854718,0.000110354675,0.000008892069,0.005610743,9.651237e-9,9.474466e-7,0.3533946,0.6380556,0.0027724577],"study_design_scores_gemma":[0.00010060126,0.000023869725,3.1580288e-7,0.000120645425,0.0001917833,0.0000052707333,0.00024594564,0.000003474131,0.000004281234,0.025296066,0.9736771,0.00033064428],"about_ca_topic_score_codex":0.000087921006,"about_ca_topic_score_gemma":0.0050252913,"teacher_disagreement_score":0.33562148,"about_ca_system_score_codex":0.000035735433,"about_ca_system_score_gemma":0.00009490069,"threshold_uncertainty_score":0.99853766},"labels":[],"label_agreement":null},{"id":"W64584152","doi":"","title":"Phyllis Lambert: così difendo Montreal e racconto il Seagram Building","year":2013,"lang":"it","type":"article","venue":"PORTO Publications Open Repository TOrino (Politecnico di Torino)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022567808178942647,"score_gpt":0.26182464283515156,"score_spread":0.2392568346562089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W64584152","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12088955,0.009499177,0.000118486714,0.009936652,0.011744436,0.0051162704,0.0017545476,0.00090247986,0.8400384],"genre_scores_gemma":[0.59683704,0.00045068064,0.0002956947,0.0004790823,0.00839819,0.0011850643,0.0005832667,0.00016965659,0.3916013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906576,0.00062796695,0.003041942,0.0020753564,0.0014797635,0.0021173686],"domain_scores_gemma":[0.9889215,0.00043830936,0.0020261367,0.0038805876,0.0030268044,0.0017066485],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0008487089,0.0013922958,0.0017372756,0.0009130311,0.0038019002,0.023074016,0.004088209,0.0006290863,0.0059111807],"category_scores_gemma":[0.00019728209,0.0012865255,0.0011259378,0.00091328623,0.0005341793,0.0083186785,0.001472401,0.0013772693,0.0006937709],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014221309,0.0029475733,0.04616734,0.0002493664,0.0028595251,0.00011692597,0.020901235,0.00003605883,0.0009186243,0.59857535,0.31835684,0.008728919],"study_design_scores_gemma":[0.0014674736,0.00023932687,0.04543865,0.00022844957,0.0010124147,0.0001660082,0.0036843182,0.00028972037,0.00063662336,0.0016126427,0.94351894,0.0017054453],"about_ca_topic_score_codex":0.09740936,"about_ca_topic_score_gemma":0.0017807501,"teacher_disagreement_score":0.62516207,"about_ca_system_score_codex":0.00094803236,"about_ca_system_score_gemma":0.00075411773,"threshold_uncertainty_score":0.99988276},"labels":[],"label_agreement":null},{"id":"W648943382","doi":"","title":"Image technologies in Canadian literature : narrative, film, and photography","year":2009,"lang":"en","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Poetics; Narrative; Reading (process); Ledger; Visual arts; Art history; Order (exchange); Poetry; Literature; Philosophy; Linguistics","score_opus":0.006228679977537662,"score_gpt":0.193803349090917,"score_spread":0.18757466911337936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W648943382","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019321522,0.016953183,3.9890995e-7,0.0010664513,0.00014922048,0.00021632323,0.00041917927,0.00014275532,0.9808593],"genre_scores_gemma":[0.0052692858,0.0021114033,0.00020712224,0.0011596984,0.00042165644,0.000014625273,0.000664802,0.000038525257,0.9901129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984394,0.000036094065,0.0003832886,0.0004473221,0.00019207227,0.0005018251],"domain_scores_gemma":[0.99912727,0.0000337769,0.00014003462,0.00034191104,0.0001929307,0.00016405582],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015303447,0.0004717001,0.00060138013,0.002167714,0.0003621418,0.0015017506,0.00029858242,0.00051353377,0.00232203],"category_scores_gemma":[0.000021108843,0.00035345167,0.00023540015,0.00015898187,0.00036287843,0.00044627025,0.00003483579,0.0011021612,0.000016070742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009967274,0.000020955038,0.000059939885,0.00010687127,0.00015939672,0.00045680432,0.07294399,1.1567808e-7,0.0000025590741,0.18507068,0.739615,0.0015537232],"study_design_scores_gemma":[0.00018696622,0.000052680443,0.00002247674,0.00047887338,0.00006098274,0.000016168367,0.0063940384,0.000013890742,0.000003227986,0.033484418,0.95882547,0.00046083477],"about_ca_topic_score_codex":0.025894774,"about_ca_topic_score_gemma":0.7407102,"teacher_disagreement_score":0.7148154,"about_ca_system_score_codex":0.00010434364,"about_ca_system_score_gemma":0.00028324782,"threshold_uncertainty_score":0.99989176},"labels":[],"label_agreement":null},{"id":"W659300151","doi":"","title":"Canadian literary humorists","year":2011,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Linguistics; Philosophy","score_opus":0.03296846962169084,"score_gpt":0.1840708638225634,"score_spread":0.15110239420087257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W659300151","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01748119,0.0005011809,0.0000042498036,0.00024081535,0.00049605884,0.000031741627,0.000041482723,0.00004346456,0.9811598],"genre_scores_gemma":[0.84621704,0.0000117811205,0.00011126353,0.0025512858,0.00069882255,0.0000023347686,0.000025948277,0.000009511667,0.150372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994045,0.00001928158,0.000150051,0.000117382326,0.00008359952,0.00022522423],"domain_scores_gemma":[0.9994991,0.0000063723546,0.000029314386,0.00016895015,0.00007597187,0.00022033662],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007496766,0.00009351093,0.00010907746,0.00018702389,0.00026379165,0.00025531306,0.00014087085,0.000029198174,0.06447423],"category_scores_gemma":[0.0000036725005,0.00006778402,0.00009230865,0.000034819863,0.000042463384,0.00031422768,0.000010507531,0.000099554134,0.00047634807],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044535655,0.000023730468,0.0015503716,0.0000068359805,0.00006810912,0.00009011049,0.14520618,1.7210525e-8,0.0000019532126,0.7455759,0.10565648,0.0018158625],"study_design_scores_gemma":[0.00008477117,0.000020612277,0.0006095725,0.0000094415645,0.000029745273,0.0000070967217,0.0014711277,0.000009449204,0.000034097506,0.017424116,0.9801489,0.00015105568],"about_ca_topic_score_codex":0.22474794,"about_ca_topic_score_gemma":0.5379722,"teacher_disagreement_score":0.8744924,"about_ca_system_score_codex":0.000026657059,"about_ca_system_score_gemma":0.00005573291,"threshold_uncertainty_score":0.936381},"labels":[],"label_agreement":null},{"id":"W6904774691","doi":"10.14288/1.0422239","title":"Old Mole","year":2022,"lang":"en","type":"article","venue":"Open Collections","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Journalism","score_opus":0.02436795189932174,"score_gpt":0.2313859580686934,"score_spread":0.20701800616937166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6904774691","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004481037,0.000100419405,0.000010305687,0.0006333249,0.0007724902,0.00013928996,0.00023575059,0.000027949385,0.9976324],"genre_scores_gemma":[0.04788998,0.000006948016,0.000040977662,0.0011436049,0.00032731314,0.0001325146,0.000036471556,0.000009855277,0.95041233],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941194,0.000068865476,0.00013124064,0.00013030367,0.00013574898,0.000121892364],"domain_scores_gemma":[0.99966717,0.000021951862,0.00004887334,0.0001615416,0.000056749646,0.000043718643],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013970547,0.00006350196,0.00010946729,0.000079144476,0.010109624,0.0030717023,0.00029138403,0.000009277369,0.10879934],"category_scores_gemma":[0.00000669466,0.00005877615,0.00008592963,0.00027653776,0.000030166446,0.0002466679,0.00019452002,0.00017867153,0.000027975897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009486297,0.00007909201,0.00000721933,0.0000010626766,0.000057547244,0.0000058735172,0.006602536,0.00005114402,0.0000037790999,0.04177504,0.9513264,0.00008087487],"study_design_scores_gemma":[0.00021057075,0.000051417963,0.000004185685,0.0000018808569,0.000042469186,0.000013146245,0.0062734345,0.00012356178,0.000008502574,0.00552172,0.9876594,0.000089710644],"about_ca_topic_score_codex":0.013421205,"about_ca_topic_score_gemma":0.00590632,"teacher_disagreement_score":0.10877136,"about_ca_system_score_codex":0.00005176947,"about_ca_system_score_gemma":0.000050285133,"threshold_uncertainty_score":0.9979632},"labels":[],"label_agreement":null},{"id":"W6906685877","doi":"10.17613/jetk-7f85","title":"The Awfulization of News: When the Real World of Technology Meets the Real World of Journalism","year":2022,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Indigenous; Criticism; Reciprocity (cultural anthropology); News media; Digital media; Action (physics); Technical Journalism","score_opus":0.025496843624169995,"score_gpt":0.2256354656253255,"score_spread":0.2001386220011555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6906685877","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22447449,0.003657881,0.000042224136,0.013743105,0.0009865104,0.00040576234,0.00028107088,0.00006581403,0.7563431],"genre_scores_gemma":[0.93914515,0.00008337872,0.000005516236,0.000011453219,0.00016641755,0.0000019809625,0.000018826151,0.000014271357,0.06055302],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99827594,0.0005543064,0.0004680046,0.0001639905,0.0003012883,0.00023647318],"domain_scores_gemma":[0.997752,0.0004253592,0.00061885593,0.0006596317,0.00049793994,0.000046183588],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00055109814,0.0001663011,0.00036553963,0.0009802553,0.0018448267,0.0000720925,0.0013378557,0.000042831445,0.0005725009],"category_scores_gemma":[0.00003087742,0.00009868719,0.0002955597,0.0012716842,0.00093288015,0.00017799292,0.00045483242,0.0005411016,0.0000023496277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098955825,0.00014909373,0.0089245085,0.0000218776,0.00030192902,0.000008252572,0.032820784,0.000038431346,0.00005498574,0.9367958,0.018828444,0.0019569874],"study_design_scores_gemma":[0.00044242194,0.00008429401,0.001329271,0.000058428195,0.00034525292,0.0000029934918,0.015589635,0.00006251242,0.000116074596,0.0056566936,0.97619575,0.00011668819],"about_ca_topic_score_codex":0.0011782481,"about_ca_topic_score_gemma":0.5107351,"teacher_disagreement_score":0.9573673,"about_ca_system_score_codex":0.00009909475,"about_ca_system_score_gemma":0.000143686,"threshold_uncertainty_score":0.9994546},"labels":[],"label_agreement":null},{"id":"W6910525813","doi":"10.48336/6exn-pg57","title":"Intimate encounters with violence: media and trauma in the work of Phyllis Webb and Daphne Marlatt","year":2022,"lang":"en","type":"article","venue":"Memorial University Research Repository (Memorial University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Colonialism; Relation (database); Perception; Work (physics); New media; Emerging technologies; Movie theater; Digital media; World War II; Spanish Civil War","score_opus":0.020850402561196593,"score_gpt":0.2165931424331996,"score_spread":0.19574273987200302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6910525813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9658685,0.00016054438,0.000004993183,0.0002950917,0.0014361863,0.0003126657,0.00009789564,0.000022483291,0.031801682],"genre_scores_gemma":[0.993581,0.00018609324,0.00002996812,0.000017535143,0.0013020246,5.392288e-7,0.000021020078,0.000012119075,0.0048497007],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968081,0.0012104684,0.00019840096,0.0004303106,0.00095649454,0.00039619647],"domain_scores_gemma":[0.9985935,0.0004563204,0.00015272856,0.00032612955,0.00032549573,0.00014583893],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010300117,0.00019127956,0.00035561065,0.0010369755,0.0018732896,0.00025435552,0.0007756466,0.00007200283,0.00019622243],"category_scores_gemma":[0.000035930556,0.00016324216,0.000093712355,0.0010830452,0.0011789748,0.00066169066,0.00045500678,0.000866985,0.0000011617088],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.038742874,0.0016486122,0.02331299,0.00051636726,0.001580166,0.016336175,0.5928974,0.00039178928,0.0019068199,0.29105458,0.025167959,0.0064442586],"study_design_scores_gemma":[0.009667332,0.0017394521,0.00447286,0.00034752474,0.00058218424,0.000124034,0.42698994,0.00015782006,0.00034522056,0.0012218598,0.5534879,0.0008638837],"about_ca_topic_score_codex":0.002676981,"about_ca_topic_score_gemma":0.0010081602,"teacher_disagreement_score":0.5283199,"about_ca_system_score_codex":0.00021798299,"about_ca_system_score_gemma":0.0001825555,"threshold_uncertainty_score":0.9994261},"labels":[],"label_agreement":null},{"id":"W6936519410","doi":"10.58066/3zcj-5x21","title":"Paracelsus notebook","year":2024,"lang":"en","type":"article","venue":"UVic’s Research and Learning Repository (University of Victoria)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art","score_opus":0.030518413962119975,"score_gpt":0.25664538903906914,"score_spread":0.22612697507694918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936519410","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6459433,0.0146705285,0.00010656641,0.00092918467,0.001884082,0.00020946303,0.000021394062,0.0002487645,0.33598676],"genre_scores_gemma":[0.8133499,0.00028414663,0.000042316457,0.000006412616,0.0009861715,2.690813e-7,0.000010335102,0.000012103102,0.18530837],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998485,0.00029796254,0.00012702103,0.00029433286,0.00049907155,0.00029656556],"domain_scores_gemma":[0.99897647,0.00029857308,0.00004901248,0.00016645425,0.00034127422,0.00016822225],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006906184,0.00010907775,0.00019919692,0.00034647214,0.0015077008,0.000581878,0.00020638983,0.00008156916,0.0011043029],"category_scores_gemma":[0.000038629554,0.000108167245,0.000120189135,0.00014801296,0.00048902736,0.00042762043,0.00010144987,0.000943542,0.00008900522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00073228887,0.0003446606,0.0054421285,0.0016144704,0.0017348774,0.0034807497,0.5930796,0.00008646252,0.010088323,0.25128528,0.11204455,0.020066611],"study_design_scores_gemma":[0.0001998833,0.00026092763,0.000277365,0.00016363467,0.000050217463,0.000017321943,0.015255559,0.00076823385,0.0000674732,0.00078531174,0.98202026,0.00013378693],"about_ca_topic_score_codex":0.0008748599,"about_ca_topic_score_gemma":0.00014742419,"teacher_disagreement_score":0.86997575,"about_ca_system_score_codex":0.000052629926,"about_ca_system_score_gemma":0.0000940076,"threshold_uncertainty_score":0.99980885},"labels":[],"label_agreement":null},{"id":"W6944128644","doi":"10.17613/s23bz-cge55","title":"The WALLPAPER Volume 3, Number 12","year":2022,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wallpaper; Quarter (Canadian coin); Section (typography); Minor (academic); Series (stratigraphy); Displacement (psychology)","score_opus":0.02279037673628685,"score_gpt":0.20893070004864353,"score_spread":0.1861403233123567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6944128644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05719114,0.000851237,0.0000116430265,0.0016710246,0.0012092501,0.00010559965,0.00012662541,0.000106609135,0.93872684],"genre_scores_gemma":[0.58186305,0.0000036307215,0.0000014802941,0.000024608422,0.00029234102,0.0000017756623,0.000031719454,0.000013730939,0.41776767],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986268,0.0003508126,0.00018844301,0.00024005625,0.0002270975,0.0003667855],"domain_scores_gemma":[0.9989875,0.00015333336,0.00009812851,0.00046401998,0.00016863103,0.00012836386],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025055997,0.00018535224,0.00021632103,0.00019881797,0.005072804,0.00033757288,0.0007941352,0.000036954378,0.011165644],"category_scores_gemma":[0.000013525752,0.00015279713,0.00029659725,0.000269318,0.00029327773,0.00031404657,0.00044725853,0.00054325565,0.0005141868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052388757,0.00018855707,0.008782249,0.000008147097,0.00018798767,0.00006783973,0.025130123,0.0000071052687,0.00000584759,0.6793277,0.28463632,0.0016056884],"study_design_scores_gemma":[0.0003981161,0.000039313833,0.0009713644,0.0000074472955,0.0001307926,0.000013698428,0.0048958827,0.000054632834,0.0000016165241,0.0007819287,0.99248326,0.00022195755],"about_ca_topic_score_codex":0.00014237581,"about_ca_topic_score_gemma":0.1180615,"teacher_disagreement_score":0.70784694,"about_ca_system_score_codex":0.00017822653,"about_ca_system_score_gemma":0.00009109789,"threshold_uncertainty_score":0.99622244},"labels":[],"label_agreement":null},{"id":"W6950260124","doi":"10.5284/1064579","title":"The Capon Tree, Brampton, and its Memories.","year":2008,"lang":"en","type":"article","venue":"Archaeology Data Service","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Capon; Control theory (sociology); Noise (video); Signal processing","score_opus":0.0595060316048885,"score_gpt":0.24395214425936337,"score_spread":0.18444611265447486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950260124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88680124,0.028225798,0.000035591715,0.05388287,0.0018894265,0.00033672375,0.0015269993,0.00017057135,0.02713076],"genre_scores_gemma":[0.97380424,0.0039037855,0.0000959253,0.009461875,0.001304212,0.000009236947,0.0011377983,0.00002382319,0.01025911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988477,0.0001245869,0.00024552658,0.00031789037,0.00015395271,0.0003103077],"domain_scores_gemma":[0.9986034,0.00026386036,0.000097376345,0.0007713263,0.00017183168,0.00009221938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029586768,0.00015327412,0.00020669356,0.000064113,0.0011045809,0.000076691475,0.00086628535,0.000057846628,0.0004791011],"category_scores_gemma":[0.000052308038,0.00009746578,0.000031214495,0.00008165281,0.00055496016,0.00058183225,0.0007368569,0.00025340228,0.000081418475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018426075,0.00009130583,0.003774197,0.00010507744,0.0007201703,0.00029416144,0.37311804,0.0000033482097,0.00008300769,0.52366364,0.093291424,0.0046713576],"study_design_scores_gemma":[0.00031969257,0.000031042102,0.0011259199,0.000008932858,0.000082470484,0.00019903963,0.0023724765,0.0008825466,0.000028924673,0.004330519,0.9904623,0.00015614911],"about_ca_topic_score_codex":0.0010172492,"about_ca_topic_score_gemma":0.04621235,"teacher_disagreement_score":0.89717084,"about_ca_system_score_codex":0.000005654867,"about_ca_system_score_gemma":0.000039377817,"threshold_uncertainty_score":0.97119176},"labels":[],"label_agreement":null},{"id":"W6955262914","doi":"10.57935/agr.26065783","title":"Exploring trajectories in dietary adequacy of the B vitamins folate, riboflavin, vitamins B<sub>6 </sub>and B<sub>12</sub>, with advancing older age: a systematic review","year":2024,"lang":"en","type":"article","venue":"AgResearch","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Micronutrient; Riboflavin; B vitamins; Dietary Reference Intake; Nutrient; Vitamin B12; Population","score_opus":0.05244435057090663,"score_gpt":0.26411125722564205,"score_spread":0.21166690665473542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955262914","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91125464,0.08612175,0.000012590557,0.00050924043,0.000292189,0.0010037074,0.00006301867,0.00005464646,0.0006881894],"genre_scores_gemma":[0.9780541,0.020732023,0.000009835222,0.00015004822,0.00028570674,0.00021715928,0.000021149313,0.000056436234,0.00047351056],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.9967986,0.00046743226,0.00078670774,0.00045648,0.0008794511,0.00061136845],"domain_scores_gemma":[0.99835324,0.0005619575,0.00015755922,0.00055006624,0.00023226558,0.00014492392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013556044,0.00033981955,0.0008720818,0.0004434489,0.00038867694,0.0005592773,0.00039197542,0.00005965456,0.00004296079],"category_scores_gemma":[0.00023812235,0.0001955243,0.00027630696,0.0005987436,0.00031473325,0.0012228889,0.00016923397,0.0007739012,0.000016942273],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001574989,0.00047554725,0.00209199,0.6744714,0.0023490482,0.0018366467,0.2487336,0.000022026086,0.03674833,0.021343268,0.0034953211,0.008275334],"study_design_scores_gemma":[0.0024858615,0.0013616867,0.014508897,0.87269133,0.0043804427,0.00035269346,0.043134682,0.0007806906,0.05125797,0.0028471046,0.0036012582,0.0025973485],"about_ca_topic_score_codex":0.00024604687,"about_ca_topic_score_gemma":0.0051140576,"teacher_disagreement_score":0.2055989,"about_ca_system_score_codex":0.00009772785,"about_ca_system_score_gemma":0.0001294119,"threshold_uncertainty_score":0.79732496},"labels":[],"label_agreement":null},{"id":"W6977303651","doi":"10.6084/m9.figshare.13141556.v1","title":"Additional file 7 of A strategic initiative to facilitate knowledge translation research in rehabilitation","year":2020,"lang":"en","type":"article","venue":"Figshare","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières; McMaster University; McGill University; Université Laval; Université de Montréal; Centre for Interdisciplinary Research in Rehabilitation","funders":"","keywords":"Agency (philosophy); Knowledge translation; Rehabilitation; Funding Agency; Context (archaeology)","score_opus":0.5410090212753496,"score_gpt":0.3457670174746581,"score_spread":0.19524200380069145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977303651","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000079227066,0.000077316836,1.0713647e-7,0.00045978866,0.000008188782,0.00015128423,0.9139706,0.000012594752,0.08524091],"genre_scores_gemma":[0.07221613,4.2787437e-7,0.00013502911,0.00016861685,0.00029206413,0.00045455788,0.92596704,0.000009165437,0.000756978],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989923,0.00019241266,0.00025940838,0.00017886831,0.00022853873,0.00014846485],"domain_scores_gemma":[0.99671406,0.002568635,0.000054560525,0.0000748386,0.0005048083,0.00008307924],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007674216,0.00008078657,0.0001462577,0.00023716403,0.00009940114,0.00009026271,0.00010702213,0.000038707585,0.9891957],"category_scores_gemma":[0.0012460671,0.00007403926,0.000082757644,0.0003122028,0.000023277948,0.00028622153,0.000019441324,0.00021447444,0.0024385804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022954473,0.00003178479,2.534634e-7,0.00014091536,0.0000101204705,0.0000025011382,0.09819725,0.000010409767,0.0000023962132,0.00060792285,0.90034014,0.000633357],"study_design_scores_gemma":[0.00013213868,0.00020126313,0.00010109127,0.0012153178,0.0000025956845,1.8006837e-7,0.011068886,0.00042872233,0.0000040966634,0.0016148291,0.985144,0.0000868767],"about_ca_topic_score_codex":0.0000119605875,"about_ca_topic_score_gemma":0.00048031096,"teacher_disagreement_score":0.9867571,"about_ca_system_score_codex":0.00002503509,"about_ca_system_score_gemma":0.000103490165,"threshold_uncertainty_score":0.99833816},"labels":[],"label_agreement":null},{"id":"W6980863934","doi":"","title":"Czech - Live at Freakin Oct 28 2000","year":2000,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Czech; Ovoid; EYE FOREIGN BODY","score_opus":0.01318835868520789,"score_gpt":0.21774008306442705,"score_spread":0.20455172437921915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980863934","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00069677335,0.0029206236,0.00018973587,0.00014517343,0.0018578201,0.0005979419,0.006626144,0.00048817834,0.9864776],"genre_scores_gemma":[0.006906604,0.0009038076,0.0003712066,0.0013490239,0.006069266,0.000082550316,0.0038863097,0.0009653125,0.9794659],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946594,0.00056091533,0.0011934526,0.0015478202,0.000800402,0.0012379902],"domain_scores_gemma":[0.99704444,0.00032122326,0.00083102693,0.0011975432,0.00005332126,0.0005524431],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0001858499,0.0014528565,0.001567107,0.001460895,0.00017694096,0.00097064435,0.0019277896,0.000322248,0.4834306],"category_scores_gemma":[0.000026847385,0.0012147009,0.0014448962,0.00007826691,0.0011263358,0.0002345111,0.0007576542,0.001594763,0.025508998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033920744,0.00021138188,0.00009882771,0.00014803794,0.0017181793,0.00048137573,0.063062444,0.0000022881202,0.000020849078,0.011507226,0.92191535,0.00049485173],"study_design_scores_gemma":[0.00086995977,0.00031649487,0.00003473487,0.0017190211,0.00050527026,0.0001265033,0.00036470918,0.00031560246,0.000048449856,0.0026304275,0.99170536,0.0013634625],"about_ca_topic_score_codex":0.042965643,"about_ca_topic_score_gemma":0.16514628,"teacher_disagreement_score":0.4579216,"about_ca_system_score_codex":0.00012415857,"about_ca_system_score_gemma":0.00012630464,"threshold_uncertainty_score":0.9998221},"labels":[],"label_agreement":null},{"id":"W6981364961","doi":"","title":"EFFECTS OF GUAYAKI YERBA MATE CONSUMPTION ON COGNITIVE PERFORMANCE IN COLLEGE STUDENTS MUSCLE FATIGUE REDUCES ACTIVE STIFFNESS","year":2023,"lang":"en","type":"article","venue":"TopSCHOLAR (Western Kentucky University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Isometric exercise; Stiffness; Muscle stiffness; Muscle fatigue; Vastus lateralis muscle; Muscle biopsy; Compliance (psychology); Muscle fibre","score_opus":0.029655944639048488,"score_gpt":0.2539792545957663,"score_spread":0.22432330995671781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981364961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9959215,0.0000675787,0.0000013026494,0.000028253635,0.00029998363,0.0003013038,0.00026615168,0.00006018836,0.0030537616],"genre_scores_gemma":[0.9871709,0.0005283443,0.0000018724427,0.0000643976,0.000082329236,0.0000027240994,0.00009668074,0.000016817634,0.01203597],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99860126,0.0002104228,0.0002284586,0.00030524356,0.00038692696,0.00026766487],"domain_scores_gemma":[0.99921364,0.00017090398,0.00020976596,0.00015059608,0.00017367386,0.00008144342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020036391,0.00019710521,0.0003183318,0.0008325783,0.00030441873,0.00013317571,0.00032173557,0.00007947635,0.00011943483],"category_scores_gemma":[0.000031936488,0.00019537902,0.000104423336,0.00037948845,0.0001402167,0.0011059097,0.00012202382,0.00032387863,0.00009015999],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008040059,0.004733983,0.47449985,0.0066533904,0.003631385,0.0055776676,0.41527215,0.00034325934,0.0069079767,0.053926386,0.001295599,0.01911829],"study_design_scores_gemma":[0.006797666,0.0004646685,0.93749344,0.0037165051,0.00058594136,0.0000042623456,0.02241085,0.00007113195,0.009940048,0.00009669005,0.017671688,0.0007470844],"about_ca_topic_score_codex":0.000052336447,"about_ca_topic_score_gemma":0.0003041898,"teacher_disagreement_score":0.46299362,"about_ca_system_score_codex":0.00009802064,"about_ca_system_score_gemma":0.0000286313,"threshold_uncertainty_score":0.7967325},"labels":[],"label_agreement":null},{"id":"W6981635173","doi":"","title":"Étude de certaines implications pédagogiques de l'organisation des cours des sessions intensives d'été dans deux collèges d'enseignement général et professionnel : essai présenté à l'école des gradués de l'Université Laval pour l'obtention de la maîtrise en sciences de l'éducation /","year":2015,"lang":"fr","type":"other","venue":"Bibliothèque et Archives nationales du Québec (Québec government)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work schedule; Work (physics); Derogation","score_opus":0.026452031221376026,"score_gpt":0.2887544205262161,"score_spread":0.26230238930484007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981635173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9351986,0.0065042707,0.012453501,0.01167802,0.00013119662,0.0006337851,0.0007513912,0.00018788497,0.03246135],"genre_scores_gemma":[0.8692487,0.0075971596,0.0144812325,0.0014770251,0.000900862,0.00027968193,0.00024365752,0.00021040245,0.1055613],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.994009,0.0028194063,0.0007496434,0.00069617864,0.0008418222,0.00088393164],"domain_scores_gemma":[0.9931264,0.004573052,0.00090384594,0.00035181598,0.00051698077,0.000527885],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022565313,0.00069513795,0.00055565906,0.001443099,0.0026958378,0.0015106071,0.0008952252,0.00028961367,0.0032558425],"category_scores_gemma":[0.0028085257,0.0006511877,0.00040074854,0.00060307834,0.0022049001,0.001111098,0.0003095909,0.0006554289,0.000041039013],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00019153448,0.0015839214,0.402344,0.0005045002,0.00075214455,0.00003169448,0.42797613,0.0012656522,0.008624791,0.055930514,0.09986188,0.0009332587],"study_design_scores_gemma":[0.0015348129,0.00034295427,0.7625569,0.0018561723,0.0011096434,0.0003263488,0.14234431,0.0022116036,0.0016160437,0.061946295,0.023072781,0.0010821332],"about_ca_topic_score_codex":0.112038724,"about_ca_topic_score_gemma":0.8568614,"teacher_disagreement_score":0.7448227,"about_ca_system_score_codex":0.01652383,"about_ca_system_score_gemma":0.051008515,"threshold_uncertainty_score":0.9995939},"labels":[],"label_agreement":null},{"id":"W6981639113","doi":"","title":"Evaluating climate change risk at Ireland’s Tentative World Heritage Sites","year":2024,"lang":"en","type":"article","venue":"Research Portal (Queen's University Belfast)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast; Royal Irish Academy; United Nations Educational, Scientific and Cultural Organization","keywords":"Climate change; Nomination; World heritage; Cultural heritage; Global warming; Global change; Value (mathematics)","score_opus":0.08595655070435537,"score_gpt":0.3373556553514435,"score_spread":0.25139910464708815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981639113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7405151,0.00150241,0.000006681284,0.0034927605,0.0006122134,0.0007943685,0.0024593868,0.00040205105,0.250215],"genre_scores_gemma":[0.8513369,0.0012904735,0.00007890631,0.0000735081,0.0010444027,0.000005272704,0.0002908874,0.000039119637,0.14584053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965345,0.00066528394,0.0002697294,0.0005725194,0.0011124518,0.00084547733],"domain_scores_gemma":[0.9984005,0.00039828703,0.00011440695,0.00032284332,0.00046016462,0.00030376678],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015922118,0.0002602609,0.0003278192,0.0011221579,0.002193711,0.0007537302,0.0003723828,0.00008145911,0.012913339],"category_scores_gemma":[0.00007222347,0.00022740809,0.0003307429,0.00062898797,0.00046236426,0.0012508899,0.00046264083,0.0010352886,0.0005910421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067043275,0.00040710054,0.030321427,0.00088979,0.0019413707,0.010266823,0.20907594,0.000025196701,0.00020185366,0.6096477,0.12808914,0.008463235],"study_design_scores_gemma":[0.0015671948,0.0007636002,0.00609656,0.0010131379,0.0007809928,0.000024042414,0.084312394,0.0023406306,0.00015261778,0.0028199086,0.8990009,0.0011280343],"about_ca_topic_score_codex":0.00260076,"about_ca_topic_score_gemma":0.003678633,"teacher_disagreement_score":0.77091175,"about_ca_system_score_codex":0.00024403053,"about_ca_system_score_gemma":0.00008673772,"threshold_uncertainty_score":0.9991053},"labels":[],"label_agreement":null},{"id":"W6981850270","doi":"","title":"Finländska innebandyspelares erfarenheter av språkpolicyn och språkpraktiker i svenska innebandylag","year":2023,"lang":"fi","type":"dissertation","venue":"Jyväskylä University Digital Archive (University of Jyväskylä)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Work (physics); Quarter (Canadian coin)","score_opus":0.013853201054334654,"score_gpt":0.19186273103668333,"score_spread":0.17800952998234867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981850270","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7318496,0.00095221965,0.0006714959,0.0012674786,0.0028456177,0.0014836224,0.029276686,0.00067522173,0.23097806],"genre_scores_gemma":[0.5295895,0.0023619195,0.00027592378,0.00019570885,0.0011073558,6.533257e-7,0.015576794,0.00025610166,0.45063606],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99295366,0.00050526153,0.001081798,0.0020327277,0.0016829172,0.0017436342],"domain_scores_gemma":[0.9933594,0.0008540261,0.0020075496,0.001450512,0.0013487736,0.00097976],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00037388058,0.001728837,0.0026124357,0.003614293,0.0029836213,0.0011931199,0.002753125,0.0010292016,0.004161496],"category_scores_gemma":[0.00017258365,0.0021149325,0.0028968514,0.0015029286,0.0020409331,0.00384318,0.001178815,0.0022137298,0.0021796983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.013906537,0.004033739,0.0076863836,0.0055006286,0.017362233,0.008898217,0.46345133,0.0004113399,0.0012190047,0.12571576,0.32585338,0.025961457],"study_design_scores_gemma":[0.005999592,0.0009689459,0.013082343,0.0020984025,0.0032952176,0.000051719413,0.23602583,0.0005040792,0.00006002159,0.0057519395,0.72880036,0.0033615225],"about_ca_topic_score_codex":0.0066171126,"about_ca_topic_score_gemma":0.012012851,"teacher_disagreement_score":0.402947,"about_ca_system_score_codex":0.0004566779,"about_ca_system_score_gemma":0.00074326404,"threshold_uncertainty_score":0.9999979},"labels":[],"label_agreement":null},{"id":"W6981948703","doi":"","title":"Fortieth annual report of the Toronto Mechanics' Institute.","year":2014,"lang":"en","type":"article","venue":"QSpace (Queen's University Library)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Annual report; Annual cycle; Preliminary report; Altitude (triangle)","score_opus":0.006481576994733232,"score_gpt":0.16904963909162204,"score_spread":0.16256806209688882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981948703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10149532,0.00024014895,0.002183642,0.08823074,0.0046836017,0.0006404015,0.00060529745,0.0005293324,0.80139154],"genre_scores_gemma":[0.67363364,0.00006987684,0.0002465659,0.0004351025,0.00041727888,2.547398e-7,0.0000414105,0.000017401451,0.3251385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989898,0.00010938889,0.00019569861,0.00023174388,0.00026197656,0.00021135526],"domain_scores_gemma":[0.9989814,0.000030364345,0.00027746282,0.0005010592,0.00010413688,0.00010553828],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008946283,0.00016304871,0.00025890023,0.000080453785,0.0004191424,0.00011203297,0.0004794234,0.00008067937,0.0017183184],"category_scores_gemma":[0.000022935212,0.0001223028,0.00028523957,0.00009741785,0.00015208594,0.0028976048,0.0002203428,0.00017648256,0.000008211517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034776338,0.000052176092,0.0007470629,0.000028737813,0.00012201994,0.000057255194,0.010673672,0.000015491589,0.0000020454706,0.6685392,0.3195893,0.00013827214],"study_design_scores_gemma":[0.00023387956,0.00005150063,0.00028242727,0.00003928542,0.00011917511,0.0000017266314,0.0063867597,0.000014501688,0.00019596549,0.0023112723,0.99019307,0.00017045696],"about_ca_topic_score_codex":0.011734586,"about_ca_topic_score_gemma":0.002464319,"teacher_disagreement_score":0.67060375,"about_ca_system_score_codex":0.000040831954,"about_ca_system_score_gemma":0.00009090521,"threshold_uncertainty_score":0.99919426},"labels":[],"label_agreement":null},{"id":"W6982003084","doi":"","title":"\"A Gesture of Solidarity Through Music\": Local and International Community in Canadian Benefit Concerts for Ukraine","year":2022,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Solidarity; Beneficiary; Context (archaeology); Feeling; Gesture; International community; Resistance (ecology)","score_opus":0.12180964062524091,"score_gpt":0.2996738699663661,"score_spread":0.17786422934112517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982003084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9957857,0.00023158775,0.000044823588,0.00066440733,0.0003967332,0.00019694134,0.0010179714,0.000020501391,0.0016413454],"genre_scores_gemma":[0.9935861,0.00003309268,0.000011850873,0.00095771573,0.00011819062,0.000002923514,0.00024052794,0.000019285015,0.005030287],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864537,0.00025027763,0.0002703336,0.00024781225,0.00023501617,0.0003512194],"domain_scores_gemma":[0.99903953,0.00011736535,0.00017858137,0.00027771405,0.00021132598,0.00017548601],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005106843,0.00019774177,0.00032887014,0.00051720126,0.0009481068,0.00024802983,0.0006354092,0.00008356721,0.0003459981],"category_scores_gemma":[0.000022022343,0.00021913758,0.00013183671,0.00015443079,0.0002651772,0.0010615231,0.00031240794,0.000848099,0.0000017984336],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003261165,0.00028317963,0.8631746,0.00012285686,0.0003358264,0.0001701508,0.09418698,0.00027221107,0.000045142442,0.040332973,0.000037996386,0.0007119285],"study_design_scores_gemma":[0.0056292377,0.0005292676,0.36384147,0.00025382443,0.00038475898,0.00008677594,0.055710938,0.000027055077,0.00013794178,0.009161646,0.5631485,0.0010885847],"about_ca_topic_score_codex":0.018384295,"about_ca_topic_score_gemma":0.8616415,"teacher_disagreement_score":0.84325725,"about_ca_system_score_codex":0.00032696404,"about_ca_system_score_gemma":0.00014533212,"threshold_uncertainty_score":0.9881524},"labels":[],"label_agreement":null},{"id":"W6982014297","doi":"","title":"Gas transport properties of tetramethyl polysulfones and other polymers containing bulky side group substituents","year":2002,"lang":"en","type":"article","venue":"NPARC","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Korea Institute of Science and Technology","keywords":"Polymer; Group (periodic table); Side chain; Pendant group; Monomer","score_opus":0.033936321225820826,"score_gpt":0.20283262572035007,"score_spread":0.16889630449452925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982014297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91949457,0.0042786663,0.000006171636,0.0004516266,0.0001741883,0.00008900408,0.000052592557,0.000036293415,0.07541688],"genre_scores_gemma":[0.9937632,0.00014318741,0.000061162864,0.00047512507,0.000249028,0.0000055055316,0.000004455954,0.00002156742,0.005276786],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990045,0.00002770958,0.0003284544,0.00018457914,0.00022426122,0.00023050659],"domain_scores_gemma":[0.9995763,0.000019758814,0.00011414186,0.0001492915,0.000057258065,0.000083298146],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012960432,0.00016481023,0.0003078578,0.00015199438,0.00020059866,0.00010032291,0.00011313473,0.000050310176,0.0038946485],"category_scores_gemma":[0.000011631723,0.00011974752,0.00012390464,0.000054058026,0.0003064984,0.0002483138,0.000009920812,0.00013831577,0.000009230497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042478382,0.00066301634,0.023955157,0.0005005206,0.0014135246,0.00011636756,0.45245057,0.0000050582366,0.17617814,0.3211567,0.0024226329,0.02071353],"study_design_scores_gemma":[0.009587883,0.0015980733,0.0038117203,0.0023284855,0.0027280278,0.00020539212,0.10341847,0.0015177683,0.08057661,0.01794156,0.7726654,0.0036206252],"about_ca_topic_score_codex":0.00046912476,"about_ca_topic_score_gemma":0.0003905502,"teacher_disagreement_score":0.77024275,"about_ca_system_score_codex":0.000008644244,"about_ca_system_score_gemma":0.0000066608086,"threshold_uncertainty_score":0.99701595},"labels":[],"label_agreement":null},{"id":"W6982020196","doi":"","title":"A globally convergent observer for estimating sphere structures with inertial measurements","year":2025,"lang":"en","type":"other","venue":"PolyPublie (École Polytechnique de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Polytechnique Montréal","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.020839763751096654,"score_gpt":0.2327514497885133,"score_spread":0.21191168603741667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982020196","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006534794,0.021831477,0.3818578,0.0032368172,0.0045742393,0.0060092616,0.005891795,0.003139823,0.5728053],"genre_scores_gemma":[0.0069964193,0.00011748652,0.16747233,0.004947425,0.0040998994,0.00071553735,0.0007262864,0.00071985554,0.81420475],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972728,0.00010345778,0.0006134631,0.0006268421,0.0006646892,0.00071877224],"domain_scores_gemma":[0.99797255,0.000046804405,0.00064736966,0.0007387415,0.00035585393,0.00023866394],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003224601,0.0007309175,0.0008571959,0.00046931414,0.0004181727,0.00096112804,0.0007102395,0.00042768227,0.0036036873],"category_scores_gemma":[0.00009940531,0.0005691889,0.0004215901,0.0001640532,0.00015752013,0.00020191984,0.00012776912,0.00045982192,0.000010229991],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025672835,0.0001580048,0.001210079,0.000606189,0.0017026789,0.000041497773,0.0012456852,0.00046799082,0.00005576444,0.10523574,0.883667,0.005352655],"study_design_scores_gemma":[0.0018492877,0.00024279358,0.0001937542,0.0013331416,0.0012236458,0.000021849593,0.00040437843,0.008396757,0.00021666038,0.0034025244,0.9814247,0.0012905033],"about_ca_topic_score_codex":0.023914283,"about_ca_topic_score_gemma":0.07967449,"teacher_disagreement_score":0.24139947,"about_ca_system_score_codex":0.00027776096,"about_ca_system_score_gemma":0.00049358484,"threshold_uncertainty_score":0.9996759},"labels":[],"label_agreement":null},{"id":"W6982048166","doi":"","title":"Goldman Sachs to pay $5 billion in mortgage settlement","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Settlement (finance); Earnings; Quarter (Canadian coin); Investment (military); Investment banking; Financial crisis","score_opus":0.014736425593130185,"score_gpt":0.23945074337933023,"score_spread":0.22471431778620005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982048166","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003471255,0.0004492265,0.001858679,0.00076635013,0.0020043221,0.0008258509,0.005142289,0.00023378633,0.9883724],"genre_scores_gemma":[0.012162542,0.0003098407,0.0003739603,0.0015849329,0.0035635668,0.00013279772,0.0012140134,0.00058741786,0.98007095],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955939,0.0004605946,0.0011036306,0.0012083368,0.00063647225,0.0009970596],"domain_scores_gemma":[0.99787575,0.00021425221,0.00054025126,0.0008633497,0.00005145034,0.00045493242],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034042628,0.0009873814,0.00111814,0.0023849613,0.000060258382,0.0005818341,0.001357921,0.00015975835,0.10303065],"category_scores_gemma":[0.000039024337,0.0006311528,0.00068208465,0.00008878695,0.0003957736,0.00017981709,0.00068919855,0.0009943435,0.006973072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015558324,0.00016945561,0.00044606026,0.00012717478,0.000585203,0.00028398455,0.029562542,0.0000015550382,0.00006218116,0.029887216,0.9376829,0.0010361101],"study_design_scores_gemma":[0.000847473,0.00026894643,0.00017514182,0.0026647924,0.00013718281,0.000018093368,0.00031534364,0.00008905334,0.000062408726,0.0036608295,0.99081147,0.00094928086],"about_ca_topic_score_codex":0.020658249,"about_ca_topic_score_gemma":0.20180516,"teacher_disagreement_score":0.1811469,"about_ca_system_score_codex":0.000113291666,"about_ca_system_score_gemma":0.0000657849,"threshold_uncertainty_score":0.999614},"labels":[],"label_agreement":null},{"id":"W6982180217","doi":"","title":"HIGH RESOLUTION RADARGRAMMETRY WITH COSMO-SKYMED, TERRASAR-X AND RADARSAT-2 IMAGERY: DEVELOPMENT AND IMPLEMENTATIONOF AN IMAGE ORIENTATION MODEL FOR DIGITAL SURFACE MODEL GENERATION","year":2013,"lang":"en","type":"dissertation","venue":"Pubblicazioni Aperte Digitali Interateneo Sapienza","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Synthetic aperture radar; Orientation (vector space); Satellite; Digital elevation model; Terrain; Matching (statistics); Interferometric synthetic aperture radar; Photogrammetry; Doppler effect; Radar imaging","score_opus":0.030814427775441702,"score_gpt":0.2546177551257248,"score_spread":0.22380332735028313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982180217","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96613467,0.0006626322,0.02640111,0.00029691594,0.00046871483,0.0015528306,0.0025160387,0.00017662911,0.0017904891],"genre_scores_gemma":[0.9017174,0.000101337806,0.017405584,0.0006075096,0.0005108769,0.00025138762,0.061887283,0.00019107653,0.017327521],"study_design_codex":"qualitative","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9964006,0.00005546813,0.0011502898,0.0011347487,0.00060805527,0.0006508687],"domain_scores_gemma":[0.99716204,0.000074764794,0.00070681423,0.00039452073,0.0013132545,0.0003486218],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00027444994,0.00084003666,0.0007675483,0.00049941696,0.001058676,0.00824461,0.0002603848,0.00023898098,0.0000892313],"category_scores_gemma":[0.00005017992,0.0006928756,0.00015642348,0.00015624748,0.00020324999,0.006390849,0.000058934635,0.00030927738,0.000008473269],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0054825353,0.0027877775,0.0006515597,0.0025565138,0.0058605103,0.00005801069,0.4134375,0.006659421,0.014434898,0.18349865,0.10619096,0.2583817],"study_design_scores_gemma":[0.004820149,0.00066906307,0.00019290783,0.0004215827,0.00090030656,0.000055402677,0.019280799,0.93551147,0.0046684006,0.005766012,0.024776027,0.002937904],"about_ca_topic_score_codex":0.00023762221,"about_ca_topic_score_gemma":0.001576638,"teacher_disagreement_score":0.928852,"about_ca_system_score_codex":0.00020982922,"about_ca_system_score_gemma":0.0002956506,"threshold_uncertainty_score":0.99955225},"labels":[],"label_agreement":null},{"id":"W6982208631","doi":"","title":"Histoire de la gastronomie québécoise : l’émergence d’une identité culinaire","year":2020,"lang":"fr","type":"other","venue":"Constellation (Université du Québec à Chicoutimi)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; The Renaissance; Cultural environment; Post colonialism","score_opus":0.005926623667489855,"score_gpt":0.16995291242692906,"score_spread":0.1640262887594392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982208631","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050034258,0.011290398,0.0008263592,0.0077838316,0.001250137,0.00026517373,0.00023950175,0.00016460975,0.97317654],"genre_scores_gemma":[0.42145744,0.0018450449,0.00017167542,0.00080801494,0.0023208554,0.000001871832,0.00018364028,0.0001929624,0.5730185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748206,0.00035343753,0.00057202694,0.00071404636,0.00036820106,0.0005102135],"domain_scores_gemma":[0.99785733,0.00022616211,0.00078614487,0.00047405012,0.00019078984,0.00046553803],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020750634,0.0006890324,0.0008111355,0.00048138914,0.0018567629,0.0005261898,0.00061134755,0.00047715774,0.36746985],"category_scores_gemma":[0.000041210304,0.0007644391,0.00075721915,0.00032897686,0.0016793848,0.0004904639,0.00016300216,0.00081209396,0.00058182183],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018717139,0.0002573126,0.010256488,0.00045812008,0.0015398491,0.0006975245,0.08685195,0.0012556773,0.0000710984,0.2604068,0.60954684,0.028471151],"study_design_scores_gemma":[0.000824891,0.00006296777,0.0024606634,0.00038279552,0.0013661848,0.000089831876,0.0075475923,0.0033436143,0.0000045283955,0.0002056865,0.98296326,0.0007479856],"about_ca_topic_score_codex":0.10622278,"about_ca_topic_score_gemma":0.12341284,"teacher_disagreement_score":0.41645402,"about_ca_system_score_codex":0.0009932318,"about_ca_system_score_gemma":0.0014449218,"threshold_uncertainty_score":0.99948066},"labels":[],"label_agreement":null},{"id":"W6982238524","doi":"","title":"'Historic moment': 8 women elected to Edmonton city council","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Legislation; Legislature","score_opus":0.012922881894605436,"score_gpt":0.17313363764197282,"score_spread":0.16021075574736737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982238524","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000887355,0.0015812771,2.8135767e-7,0.0001577621,0.00074434205,0.00024334434,0.00030323808,0.0001193829,0.9967616],"genre_scores_gemma":[0.000357741,0.0002869265,0.00011697854,0.0009932023,0.0010047788,0.000028551645,0.000342711,0.00010101941,0.9967681],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976941,0.00007687058,0.000692075,0.0002457018,0.00087506423,0.00041622546],"domain_scores_gemma":[0.9980301,0.000041815652,0.0005450879,0.0004047435,0.0007553455,0.00022288838],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031089777,0.00038830898,0.00062864413,0.00014256204,0.00016858078,0.00028403985,0.00032129913,0.0002522073,0.83672017],"category_scores_gemma":[0.00009168769,0.00036044058,0.00022941861,0.000013456215,0.00008667762,4.325718e-7,0.000070128895,0.0003212343,0.003463677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005736439,0.000059580623,5.945223e-7,0.0003189284,0.00022720796,0.000024921168,0.010162169,0.000015620486,3.9730176e-7,0.0002570951,0.98845845,0.000417664],"study_design_scores_gemma":[0.00035043896,0.000117696014,0.0000016980529,0.00022536212,0.00009011534,0.000016073083,0.0007535665,0.0000029608018,0.0000015782977,0.000013403905,0.99802125,0.00040588202],"about_ca_topic_score_codex":0.010407482,"about_ca_topic_score_gemma":0.015593946,"teacher_disagreement_score":0.8332565,"about_ca_system_score_codex":0.0005273675,"about_ca_system_score_gemma":0.00013244343,"threshold_uncertainty_score":0.9998848},"labels":[],"label_agreement":null},{"id":"W6982308953","doi":"","title":"II. TRANSMIGRATIONS . Sitzungsberichte der philosophisch-historischen Klasse|Cultural Circulation: Dialogues between Canada and the American South Sitzungsberichte der phil.-hist. Klasse 843|","year":2013,"lang":"de","type":"book","venue":"Oesterreichisches Musiklexikon online (Institut für kunst- und musikhistorische Forschungen der  Österreichischen Akademie der Wissenschaften)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Field (mathematics); Agency (philosophy); Subject (documents)","score_opus":0.032141615989814964,"score_gpt":0.25718628737376886,"score_spread":0.2250446713839539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982308953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43646345,0.35858837,0.0028389844,0.048327934,0.030791624,0.018442526,0.018004825,0.0024569323,0.08408537],"genre_scores_gemma":[0.75128996,0.005010396,0.004049933,0.01390142,0.042612936,0.0012610904,0.020870049,0.0018508285,0.1591534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97220916,0.0028485488,0.008391854,0.0062484313,0.0052986257,0.005003386],"domain_scores_gemma":[0.9779382,0.0018714012,0.0086375885,0.0050285547,0.0028637797,0.0036605191],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0024299351,0.007692816,0.009523615,0.002438247,0.010342345,0.0039550783,0.0046470356,0.002818026,0.0012577928],"category_scores_gemma":[0.00082214846,0.0061783292,0.004076526,0.0019814034,0.008646462,0.005730902,0.0019465252,0.009919942,0.0005378445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0068150396,0.0037655109,0.017451627,0.005889741,0.11532293,0.003214652,0.31418774,0.0019717081,0.0020679915,0.06346665,0.4560281,0.0098183155],"study_design_scores_gemma":[0.0078037167,0.00061528204,0.0029408017,0.0015437528,0.040633675,0.00045282714,0.0038011142,0.001497364,0.000050438808,0.0011771702,0.9315391,0.007944711],"about_ca_topic_score_codex":0.16712935,"about_ca_topic_score_gemma":0.4295567,"teacher_disagreement_score":0.47551104,"about_ca_system_score_codex":0.0039330544,"about_ca_system_score_gemma":0.0066973027,"threshold_uncertainty_score":0.9998907},"labels":[],"label_agreement":null},{"id":"W6982341063","doi":"","title":"Imaging identity : a study of Aljazeera's online news and its representation of Arabness with particular attention to &amp;quot;Arabs in diaspora&amp;quot;","year":2005,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Framing (construction); Representation (politics); Identity (music); Meaning (existential); News media; Identity formation; Reciprocal; Cultural identity","score_opus":0.009351698617203917,"score_gpt":0.1935001612574943,"score_spread":0.1841484626402904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982341063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9462126,0.0021643774,0.000032360836,0.0008354929,0.00016012073,0.00052615034,0.0010062433,0.000009623496,0.049053036],"genre_scores_gemma":[0.8953972,0.00033056916,0.00021275372,0.00028805542,0.00020527207,0.00001025415,0.00010285348,0.000070743496,0.10338232],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762595,0.00010832704,0.0005228683,0.00030855797,0.0012342025,0.00020007927],"domain_scores_gemma":[0.99905556,0.000056552988,0.0004984383,0.00023945574,0.0000045168904,0.00014548894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000024256233,0.00024288363,0.00055933854,0.00016822225,0.000077364,0.00006200723,0.00015999153,0.000025456271,0.00032567407],"category_scores_gemma":[0.0000043881023,0.00020607466,0.000042133586,0.00011257721,0.000066690336,0.0004857718,0.000083743274,0.0001422503,5.919457e-9],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00400413,0.0033586116,0.725936,0.004793952,0.00437772,0.0006895867,0.09049594,0.0012245885,0.009335446,0.08214126,0.056528725,0.017114066],"study_design_scores_gemma":[0.007948751,0.00072323636,0.26982737,0.006144148,0.0019268716,0.00003090556,0.25427848,0.0010774843,0.002782272,0.0009878286,0.45152527,0.0027473923],"about_ca_topic_score_codex":0.05408298,"about_ca_topic_score_gemma":0.83285916,"teacher_disagreement_score":0.77877617,"about_ca_system_score_codex":0.0000072772054,"about_ca_system_score_gemma":0.00021592257,"threshold_uncertainty_score":0.95221597},"labels":[],"label_agreement":null},{"id":"W6982383961","doi":"","title":"Impacts of matric suction equalization on small strain shear modulus of soils during air drying","year":2021,"lang":"en","type":"article","venue":"UTS ePRESS (University of Technology Sydney)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Suction; Soil water; Water content; Shear modulus; Airflow; Water potential; Water flow; Shear (geology)","score_opus":0.014586733460210312,"score_gpt":0.19401904855075533,"score_spread":0.17943231509054502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982383961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9961028,0.0004204648,0.00038920596,0.00049324374,0.00012521121,0.000059756178,0.00011643347,0.000057281388,0.0022355882],"genre_scores_gemma":[0.9981529,0.00012545743,0.0003415178,0.000014225329,0.000035324407,1.2712566e-7,0.000031429638,0.000008367476,0.0012906174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99922967,0.000051032646,0.00020820109,0.0001956028,0.00015471337,0.00016077278],"domain_scores_gemma":[0.9990245,0.000021379285,0.00033132735,0.00029029214,0.00029582824,0.000036639805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010234254,0.000110033674,0.0003286208,0.00081174535,0.00019465313,0.00001295918,0.0002151373,0.00016495286,0.0003154022],"category_scores_gemma":[0.00004486962,0.00012104021,0.00014865685,0.0003108501,0.00024833207,0.00023337678,0.00009548955,0.00017631793,0.0000026522955],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042829599,0.0009868803,0.012315039,0.002026219,0.0015321618,0.00033524065,0.07192276,0.0037060764,0.15292603,0.7408981,0.0007645985,0.012158625],"study_design_scores_gemma":[0.01112541,0.0014728605,0.044597343,0.003827534,0.0031220678,0.00019324111,0.20322418,0.00690974,0.6498426,0.056881305,0.016408427,0.0023952469],"about_ca_topic_score_codex":0.00038838378,"about_ca_topic_score_gemma":0.00038792007,"teacher_disagreement_score":0.68401676,"about_ca_system_score_codex":0.000033272616,"about_ca_system_score_gemma":0.00003443573,"threshold_uncertainty_score":0.49358764},"labels":[],"label_agreement":null},{"id":"W6982411555","doi":"","title":"Impaired Sensitivity to Thyroid Hormones is Associated with Mild Cognitive Impairment in Euthyroid Patients with Type 2 Diabetes","year":2023,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Euthyroid; Type 2 diabetes; Thyroid; Hormone; Montreal Cognitive Assessment; Triiodothyronine; Thyroid function; Cognition","score_opus":0.1119972431170249,"score_gpt":0.4166861115842362,"score_spread":0.30468886846721127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982411555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99470085,0.001923458,0.000002310307,0.00022000087,0.0002628035,0.0007084945,0.0006798363,0.00007124415,0.0014310305],"genre_scores_gemma":[0.9967831,0.0006815072,0.000010974824,0.001054138,0.0001988348,0.000040510244,0.00024419447,0.00007736378,0.00090937427],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9964755,0.00046040685,0.0007721159,0.0005516508,0.0010240357,0.00071626756],"domain_scores_gemma":[0.99680823,0.0004656021,0.0007641069,0.00032336783,0.001292689,0.00034599353],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013266897,0.0004963229,0.0010868768,0.0014958391,0.00052039453,0.002168016,0.000741003,0.00010103108,0.0025783859],"category_scores_gemma":[0.0002065049,0.0003517202,0.00019182646,0.0017056493,0.0001967802,0.0022563993,0.00040555184,0.00047870935,0.00004424764],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011227459,0.00080003607,0.91639507,0.000051132884,0.0013502634,0.00015952876,0.017330023,0.000097084805,0.0010769888,0.000042000105,0.06073476,0.00084036094],"study_design_scores_gemma":[0.0020465134,0.0002304181,0.99048656,0.001161325,0.00033969522,0.0000015552375,0.0017184973,0.00007995168,0.0015493084,0.00045820227,0.0012380715,0.0006899188],"about_ca_topic_score_codex":0.0009529781,"about_ca_topic_score_gemma":0.002110192,"teacher_disagreement_score":0.07409147,"about_ca_system_score_codex":0.00014005987,"about_ca_system_score_gemma":0.00012444468,"threshold_uncertainty_score":0.9998935},"labels":[],"label_agreement":null},{"id":"W6983192215","doi":"","title":"Linking university and teacher communities, a think tank model of collaborative professional development","year":2001,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Professional development; Continuing professional development; Professional studies; Work (physics); Qualitative research; Higher education","score_opus":0.006903072959153969,"score_gpt":0.14392731145393264,"score_spread":0.13702423849477868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983192215","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004332535,0.001563201,0.000021381016,0.00042941308,0.00017737717,0.00014338971,0.0012635367,0.000011201133,0.992058],"genre_scores_gemma":[0.06457943,0.0007141297,0.00094793667,0.00041429643,0.00011452525,0.000001178615,0.00008542745,0.00006001893,0.93308306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848586,0.000099736666,0.00023659751,0.00014574628,0.0008562623,0.00017577066],"domain_scores_gemma":[0.99930626,0.00007660183,0.0003400477,0.00014518462,0.0000023140653,0.00012956222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000015050828,0.00022502437,0.00038207884,0.000075541546,0.00032279824,0.00003682311,0.00020293424,0.00005477008,0.0006930372],"category_scores_gemma":[5.9768473e-7,0.00019663977,0.000027419297,0.000039690054,0.00020501734,0.0001981825,0.00015621434,0.00024950728,1.5688085e-9],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005696435,0.00018742876,0.006728102,0.0013336231,0.001655628,0.00013571269,0.06275754,0.000053242467,0.00015093695,0.7515942,0.16859478,0.0062392065],"study_design_scores_gemma":[0.00034602624,0.000021718766,0.00018775155,0.00080256816,0.000082067454,0.0000015425254,0.054257777,0.0009280358,0.00015418544,0.00052863744,0.94239664,0.00029306955],"about_ca_topic_score_codex":0.008554468,"about_ca_topic_score_gemma":0.28531307,"teacher_disagreement_score":0.77380186,"about_ca_system_score_codex":0.000009304785,"about_ca_system_score_gemma":0.0019034338,"threshold_uncertainty_score":0.99804765},"labels":[],"label_agreement":null},{"id":"W6987642627","doi":"","title":"Temaintro:Retorik og journalistik","year":2011,"lang":"no","type":"article","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Set (abstract data type); Work (physics); Context (archaeology); Identification (biology)","score_opus":0.05571793879822562,"score_gpt":0.2330931631700467,"score_spread":0.17737522437182107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987642627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6281196,0.0028799626,0.000270907,0.0005161989,0.00052173546,0.00078156614,0.010031492,0.00007604881,0.35680252],"genre_scores_gemma":[0.78540236,0.0010475579,0.0005315597,0.00003043202,0.00053203414,9.97688e-8,0.00010579215,0.000093935116,0.21225624],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9922791,0.0014590833,0.00083314715,0.0011265804,0.00269897,0.0016030871],"domain_scores_gemma":[0.99286675,0.00038861888,0.0015407987,0.0013536345,0.0027755275,0.0010746481],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0035252545,0.00077231583,0.0015805291,0.0020496368,0.0030548528,0.00024031595,0.0030510535,0.0007402673,0.20403081],"category_scores_gemma":[0.00015150796,0.0009042772,0.0016482695,0.0010347377,0.0049491073,0.0008133698,0.001066522,0.002219512,0.0051456043],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0074847373,0.0027131685,0.025804725,0.001442172,0.007001526,0.00741471,0.8493273,0.000014859766,0.00056272,0.024811255,0.070353545,0.0030692602],"study_design_scores_gemma":[0.0031476088,0.00059914915,0.0010586806,0.000999082,0.00145325,0.00006324338,0.9040938,0.00018191844,0.000038448565,0.002567733,0.084758446,0.0010386332],"about_ca_topic_score_codex":0.026314413,"about_ca_topic_score_gemma":0.012199595,"teacher_disagreement_score":0.1988852,"about_ca_system_score_codex":0.00021278055,"about_ca_system_score_gemma":0.0007194738,"threshold_uncertainty_score":0.9993408},"labels":[],"label_agreement":null},{"id":"W6987983960","doi":"","title":"W96-1215.50. Holmes, Madeline (1904-1999). Papers, 1924-1993. 3.50 linear ft.","year":2014,"lang":"en","type":"article","venue":"Hope College Digital Commons (Hope College)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Hyporeflexia; Demotion; Triacetin; Fusible alloy","score_opus":0.016289179690235234,"score_gpt":0.21781981272805226,"score_spread":0.20153063303781701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987983960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03711101,0.0055950074,0.0001186745,0.005107651,0.002676123,0.0013515052,0.015972331,0.00071039284,0.9313573],"genre_scores_gemma":[0.7834403,0.0002821768,0.00024159878,0.002884644,0.0032738668,0.00008611616,0.0012997241,0.00020321574,0.20828839],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99431604,0.00033311584,0.0016632195,0.0011500082,0.0011733391,0.0013643012],"domain_scores_gemma":[0.99578476,0.0005406788,0.00055897376,0.0016307955,0.00068470574,0.0008000678],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000756964,0.0011299163,0.0015576901,0.0008277807,0.0019298928,0.0020391962,0.0014386231,0.00037520626,0.0048681884],"category_scores_gemma":[0.0002868537,0.000964136,0.0010255753,0.00081319816,0.00068256265,0.0022819464,0.0005732494,0.0010835293,0.001122318],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004998809,0.00089923275,0.00094739615,0.00015103785,0.00072372024,0.00030633426,0.0029909788,0.000073196206,0.00006713872,0.31015423,0.68074805,0.002438783],"study_design_scores_gemma":[0.002424514,0.0004484715,0.0001520054,0.00021770316,0.0003084664,0.00010709803,0.0030993538,0.0011220293,0.000049662674,0.0010926425,0.98964196,0.001336105],"about_ca_topic_score_codex":0.00045342903,"about_ca_topic_score_gemma":0.0033413696,"teacher_disagreement_score":0.74632925,"about_ca_system_score_codex":0.0001898037,"about_ca_system_score_gemma":0.00027567358,"threshold_uncertainty_score":0.9996554},"labels":[],"label_agreement":null},{"id":"W6988134235","doi":"","title":"When the Going Was Good an editor's adventures during the last golden age of magazines","year":2025,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Adventure; Publishing; Form of the Good; Penny; Queen (butterfly); Taste","score_opus":0.008675684525619133,"score_gpt":0.21720265928102306,"score_spread":0.20852697475540394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988134235","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35997257,0.00417589,0.00004770669,0.0068099853,0.008852042,0.00037290683,0.000103332844,0.00015245174,0.6195131],"genre_scores_gemma":[0.83307874,0.00006209865,0.000022741022,0.00067643373,0.008884992,0.0000078833,0.000018042649,0.000011476207,0.15723759],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990994,0.00009402686,0.00027731174,0.00014458154,0.00020555037,0.0001791776],"domain_scores_gemma":[0.9993014,0.0001024833,0.00009822178,0.00036182118,0.000106155705,0.000029933377],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023247718,0.00013516765,0.00018441418,0.00009153046,0.0005829399,0.00053404673,0.00041867353,0.000036952595,0.0012064873],"category_scores_gemma":[0.000020826845,0.000060112998,0.0001747459,0.000063663436,0.00016547028,0.00029540618,0.00008752097,0.00019371351,0.000013579264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047818456,0.0001513621,0.003742421,0.00020963939,0.0007109254,0.000019136874,0.109288774,0.000044236247,0.0010511804,0.5048806,0.37894732,0.0009065562],"study_design_scores_gemma":[0.00027088713,0.000026180187,0.00404118,0.000102581995,0.00019212093,0.0000023330745,0.012337954,0.0000528118,0.00038987582,0.007202392,0.9752505,0.00013118178],"about_ca_topic_score_codex":0.00020174043,"about_ca_topic_score_gemma":0.0045457925,"teacher_disagreement_score":0.59630316,"about_ca_system_score_codex":0.00001108796,"about_ca_system_score_gemma":0.000018808112,"threshold_uncertainty_score":0.99970657},"labels":[],"label_agreement":null},{"id":"W6992856845","doi":"","title":"Mockingbird at Bonaventure Island, Quebec","year":2024,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Clothing; Narrative; Identity (music)","score_opus":0.014485454074590558,"score_gpt":0.17011337143118027,"score_spread":0.1556279173565897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992856845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9080837,0.00093299896,0.00084975595,0.00060827204,0.001330675,0.0002463858,0.006852109,0.00029958494,0.08079651],"genre_scores_gemma":[0.9465842,0.00003290315,0.00005326986,0.000027970882,0.00038925573,4.766864e-8,0.0003714058,0.00003401339,0.05250688],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979578,0.0000592956,0.00028546466,0.00056401617,0.0006613571,0.0004720361],"domain_scores_gemma":[0.9984087,0.00010799866,0.0003058362,0.00055444415,0.00034086592,0.00028216754],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016392514,0.00040203443,0.0007103652,0.00070208614,0.001048427,0.00034634466,0.0008715117,0.00021488522,0.0025639914],"category_scores_gemma":[0.000015323658,0.00046541932,0.0009193021,0.00040385278,0.0009885953,0.0016737876,0.00053219456,0.0005293468,0.0003221575],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013470302,0.00023902986,0.018642237,0.0009335883,0.0028193027,0.0013886067,0.8249731,0.00022304658,0.00005945976,0.09613112,0.05056043,0.0026830407],"study_design_scores_gemma":[0.0020365731,0.00024850867,0.0022078825,0.00065379,0.0012077044,0.000020240197,0.27661863,0.0010139939,0.00003221068,0.0009919401,0.7138534,0.0011151435],"about_ca_topic_score_codex":0.0024819626,"about_ca_topic_score_gemma":0.013278055,"teacher_disagreement_score":0.66329294,"about_ca_system_score_codex":0.00019495962,"about_ca_system_score_gemma":0.00015390436,"threshold_uncertainty_score":0.99977976},"labels":[],"label_agreement":null},{"id":"W6996477387","doi":"","title":"The rise of Western journalism 1815 - 1914 ; essays on the press in Australia, Canada, France, Germany, Great Britain and the United States","year":2007,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Principal (computer security); Work (physics); Period (music)","score_opus":0.017555570156141235,"score_gpt":0.23021387817132066,"score_spread":0.21265830801517943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996477387","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97779214,0.0021280623,0.000010898834,0.006085676,0.00024843428,0.00022659777,0.00011158194,0.0000096519525,0.013386971],"genre_scores_gemma":[0.93828905,0.00057279074,0.0000019028848,0.0015932706,0.00028671586,0.0000053603117,0.00000996622,0.000012258266,0.059228715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983657,0.0002730187,0.0004975244,0.00013501478,0.00040044484,0.00032828175],"domain_scores_gemma":[0.9983582,0.00088213384,0.00021928345,0.00030066664,0.00016564046,0.00007409242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015324672,0.00017846291,0.00025279983,0.00010441851,0.00055935583,0.00054399896,0.00036884795,0.00004087967,0.00030140183],"category_scores_gemma":[0.000024476592,0.00007064666,0.00008600029,0.00011455266,0.00054584397,0.00013962618,0.000043158216,0.0004218105,0.0000014671708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055160245,0.00011052822,0.01587673,0.00006721373,0.0007887459,0.00015647747,0.1216247,0.00033296086,0.000008239284,0.7484303,0.11107687,0.00097561296],"study_design_scores_gemma":[0.0015497323,0.000045262615,0.0072915847,0.00012920001,0.00016775094,0.000020824074,0.012467122,0.00070886506,0.00008778199,0.008075494,0.96920514,0.00025126737],"about_ca_topic_score_codex":0.7383837,"about_ca_topic_score_gemma":0.896083,"teacher_disagreement_score":0.85812825,"about_ca_system_score_codex":0.000025112373,"about_ca_system_score_gemma":0.00003231356,"threshold_uncertainty_score":0.52457947},"labels":[],"label_agreement":null},{"id":"W7003417792","doi":"","title":"Old Mole","year":2022,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Journalism","score_opus":0.00886573233448247,"score_gpt":0.15078976867326485,"score_spread":0.14192403633878237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003417792","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9623412,0.00040331166,0.0000141367445,0.00017308822,0.00032942803,0.00007123947,0.00072854146,0.000049749236,0.035889328],"genre_scores_gemma":[0.94352114,0.000035063156,0.000031994638,0.00025054257,0.00011480326,3.8577912e-7,0.00005556114,0.000009142141,0.05598135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991903,0.00006437217,0.00009782976,0.00020494506,0.00027203475,0.00017053021],"domain_scores_gemma":[0.9995072,0.000016607037,0.00010680698,0.00018758076,0.000109704444,0.000072099145],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014804385,0.000030820593,0.00018850136,0.000059479582,0.0010723848,0.00023922556,0.00031250398,0.000022741679,0.011943929],"category_scores_gemma":[0.0000043504942,0.00011398764,0.0001894686,0.00010329898,0.00017375864,0.0003046704,0.00015808867,0.00018457833,0.000024497213],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047931408,0.0008235837,0.0090372795,0.00015511825,0.0006110749,0.0016287647,0.057139233,0.00009212144,0.00014304533,0.003182648,0.55659723,0.37054196],"study_design_scores_gemma":[0.001497479,0.00019656251,0.27122915,0.000057002886,0.00023665483,0.000121366356,0.06299175,0.00024929896,3.7830904e-7,0.0034043647,0.6595434,0.0004725881],"about_ca_topic_score_codex":0.12984495,"about_ca_topic_score_gemma":0.26051396,"teacher_disagreement_score":0.37006935,"about_ca_system_score_codex":0.000043567725,"about_ca_system_score_gemma":0.000031456122,"threshold_uncertainty_score":0.9889593},"labels":[],"label_agreement":null},{"id":"W7009401371","doi":"","title":"Dramatikk i Arktis – eller? En komparativ analyse av fremstillingen av Børge Ousland og Mike Horns polekspedisjon i nyhetsmediene.","year":2022,"lang":"en","type":"dissertation","venue":"Duo Research Archive (University of Oslo)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Norwegian; Period (music); Subject (documents); French horn","score_opus":0.03471516513533737,"score_gpt":0.281665020909695,"score_spread":0.2469498557743576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009401371","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59750533,0.006599647,0.0007009591,0.0017498999,0.0017915235,0.0017596579,0.011040331,0.00020197684,0.3786507],"genre_scores_gemma":[0.6797114,0.0047251405,0.0008879884,0.0000860105,0.0019765468,0.000015947584,0.02351187,0.00015835617,0.28892675],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99425095,0.0013453235,0.0005166573,0.00088999415,0.0020498964,0.0009471748],"domain_scores_gemma":[0.99657345,0.00070953596,0.0006822722,0.00076064176,0.00079735747,0.00047671905],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014145328,0.0005109701,0.00109249,0.0027444796,0.0025415781,0.00038190465,0.0015185883,0.00022265018,0.020662969],"category_scores_gemma":[0.00018638468,0.00054001657,0.0008389184,0.0005729339,0.0006515009,0.0005499581,0.0003799571,0.002333117,0.00019246475],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015879767,0.00066426065,0.0005273076,0.0009043337,0.0031008068,0.00095028454,0.7791594,0.00006655823,0.001168037,0.019541409,0.18678203,0.005547543],"study_design_scores_gemma":[0.0014499676,0.0006419963,0.0031850294,0.00039878293,0.0008163139,0.000009315232,0.32594734,0.0016406205,0.000062800136,0.008389765,0.6565185,0.0009395587],"about_ca_topic_score_codex":0.00959517,"about_ca_topic_score_gemma":0.06213095,"teacher_disagreement_score":0.4697365,"about_ca_system_score_codex":0.0002080538,"about_ca_system_score_gemma":0.00049349957,"threshold_uncertainty_score":0.9999685},"labels":[],"label_agreement":null},{"id":"W7009748326","doi":"","title":"Géraldine Chouard, Eudora Welty et la photographie : naissance d'une vision, Paris : Michel Houdiard éditeur, 2012","year":2013,"lang":"fr","type":"other","venue":"Persée (Ministère de lEnseignement supérieur et de la Recherche)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eudora; Literary criticism; Work (physics); Subject (documents)","score_opus":0.03403721489657568,"score_gpt":0.3201442571877821,"score_spread":0.2861070422912064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009748326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036591373,0.060615297,0.00113018,0.027006354,0.0015052976,0.0017943435,0.0021166767,0.0005686073,0.8686719],"genre_scores_gemma":[0.040288012,0.055123642,0.008263426,0.016579203,0.003411861,0.0004932592,0.0012530677,0.0011163115,0.8734712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9830388,0.010034458,0.0017879333,0.0018448136,0.0012286349,0.0020653962],"domain_scores_gemma":[0.9916471,0.0036829207,0.0013254635,0.0017007827,0.00062854914,0.0010151499],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.008401912,0.0021232956,0.0022120057,0.0011140484,0.0011952877,0.0032402205,0.0014118479,0.0031864077,0.05853782],"category_scores_gemma":[0.00070899806,0.0019948657,0.0018311518,0.00082201243,0.0020742333,0.0009903233,0.00036161646,0.0057994607,0.0010195733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022566952,0.0012650853,0.0006314209,0.0008048516,0.0019313421,0.0005100648,0.2251201,0.000019484854,0.0007165402,0.03860594,0.7241122,0.0060572736],"study_design_scores_gemma":[0.0022737742,0.00045224951,0.0012825845,0.0015418921,0.0016829004,0.00023528747,0.010363737,0.0002131614,0.00015793796,0.0027655254,0.9768687,0.0021622505],"about_ca_topic_score_codex":0.021804053,"about_ca_topic_score_gemma":0.008152223,"teacher_disagreement_score":0.25275648,"about_ca_system_score_codex":0.00070752273,"about_ca_system_score_gemma":0.00096365897,"threshold_uncertainty_score":0.99975824},"labels":[],"label_agreement":null},{"id":"W7009945389","doi":"","title":"Fracking the Streets of London : The Canadian National Newspaper","year":2013,"lang":"en","type":"other","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Government (linguistics); Work (physics)","score_opus":0.01879228015305278,"score_gpt":0.2119407826388534,"score_spread":0.19314850248580062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009945389","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015059405,0.0018127924,0.0000015778821,0.002408161,0.00038099336,0.00011557965,0.00016381076,0.000015065373,0.99508697],"genre_scores_gemma":[0.022969136,0.0000748892,0.00001296728,0.0032859128,0.002412303,0.0000073157494,0.000067306675,0.00007651756,0.97109365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999119,0.00005512881,0.00018411517,0.000115352,0.00035924543,0.00016720343],"domain_scores_gemma":[0.9993095,0.000055767487,0.00017909826,0.00022936316,0.00016867518,0.000057621244],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016414319,0.00015282091,0.00017542082,0.00019175562,0.00037743224,0.00045799653,0.00034870897,0.00009992391,0.15653065],"category_scores_gemma":[0.000014618336,0.000064659274,0.0001526777,0.000038465463,0.00018411472,0.00006927393,0.000020082929,0.00024953586,0.00018893083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.736014e-7,0.0000035123408,0.000020706188,0.0000057541047,0.00013252988,5.674504e-7,0.002615112,8.473749e-7,1.4948435e-7,0.29825252,0.6986035,0.0003644877],"study_design_scores_gemma":[0.00005316399,0.000004204812,0.000042925978,0.000044182474,0.00006294028,9.906692e-7,0.0009198806,0.00002689182,8.4708773e-7,0.0012157437,0.9975309,0.00009735646],"about_ca_topic_score_codex":0.60727763,"about_ca_topic_score_gemma":0.97262794,"teacher_disagreement_score":0.36535028,"about_ca_system_score_codex":0.000030495597,"about_ca_system_score_gemma":0.00017870084,"threshold_uncertainty_score":0.8442404},"labels":[],"label_agreement":null},{"id":"W7014021062","doi":"","title":"Mother Alberta","year":2016,"lang":"en","type":"article","venue":"Seton Hall University eRepository (Seton Hall University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Photography; Line drawings","score_opus":0.00934506932838553,"score_gpt":0.14319744869603998,"score_spread":0.13385237936765446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014021062","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1059088,0.00012324973,0.0005272401,0.0016964052,0.0013185389,0.00025530934,0.00023016929,0.00029118938,0.8896491],"genre_scores_gemma":[0.51450396,0.00011642176,0.00004937001,0.00017519918,0.00042828743,8.194337e-8,0.000028030216,0.00003109654,0.4846676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976446,0.00031428467,0.00026571404,0.0007436107,0.00041242142,0.0006193797],"domain_scores_gemma":[0.99800706,0.0001939523,0.0003066203,0.0007180744,0.00036688533,0.0004074139],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014817182,0.00045161237,0.00048607207,0.00087854,0.0012125034,0.00022192216,0.0009655848,0.00024013348,0.0044536004],"category_scores_gemma":[0.000017354057,0.00039458423,0.0005317315,0.00028560343,0.0005439812,0.0016104699,0.0002611515,0.00032172044,0.00048211278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00092834205,0.00060749135,0.007403112,0.00010869007,0.0017709171,0.0033688962,0.026098039,0.000024836738,0.0035994858,0.8999347,0.05414245,0.0020130584],"study_design_scores_gemma":[0.0015983931,0.00012883553,0.0003549009,0.00012365422,0.0004477841,0.000028579729,0.006231525,0.00003961624,0.00031419133,0.00037712653,0.98968995,0.00066541845],"about_ca_topic_score_codex":0.005071488,"about_ca_topic_score_gemma":0.009936701,"teacher_disagreement_score":0.93554753,"about_ca_system_score_codex":0.00051024463,"about_ca_system_score_gemma":0.00014903597,"threshold_uncertainty_score":0.99985063},"labels":[],"label_agreement":null},{"id":"W7014520244","doi":"","title":"9781800103665 (1).pdf","year":2021,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Promotion (chess); Government (linguistics); Welfare; Work (physics); Health promotion; Public health","score_opus":0.022176867410859696,"score_gpt":0.23641235692721257,"score_spread":0.21423548951635288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014520244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010356211,0.00008202644,0.000038152793,0.0013963772,0.0024361,0.00028913363,1.4107925e-7,0.00011441651,0.9956333],"genre_scores_gemma":[0.00053012156,0.00042292572,0.00012626292,0.002059161,0.006646514,0.000052062274,0.0024573447,0.0003511462,0.98735446],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780536,0.00019906064,0.0004981098,0.0005239944,0.0005712645,0.000402216],"domain_scores_gemma":[0.9981283,0.00010411719,0.00053195155,0.00091342325,0.00020255607,0.000119661076],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003118313,0.00047925665,0.000593929,0.0002953042,0.00072399783,0.002240007,0.00075737963,0.00018141526,0.99155784],"category_scores_gemma":[0.000043275788,0.00033514324,0.00042765957,0.00016427862,0.0002981287,0.00026470106,0.00015498111,0.0005614684,0.81331253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010207095,0.00008692462,0.000026327161,0.00009615948,0.00091458793,0.00004209766,0.0032990335,9.564467e-7,0.000006215806,0.08657806,0.09610369,0.81283575],"study_design_scores_gemma":[0.00028176562,0.000017903276,0.000019464489,0.00022240795,0.00039585526,0.000016875847,0.000778721,0.000015642783,0.0000041019484,0.0015748756,0.99621254,0.0004598366],"about_ca_topic_score_codex":0.001089708,"about_ca_topic_score_gemma":0.005287372,"teacher_disagreement_score":0.9001089,"about_ca_system_score_codex":0.00006587903,"about_ca_system_score_gemma":0.00015220372,"threshold_uncertainty_score":0.99991006},"labels":[],"label_agreement":null},{"id":"W7014610675","doi":"","title":"Photograph of Bell Family Relative [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Liquation; Diafiltration; Dysgeusia; Hyporeflexia; Emperipolesis; Fusible alloy","score_opus":0.018107584958072347,"score_gpt":0.16278789757197,"score_spread":0.14468031261389766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014610675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2992312,0.00013963442,0.00025996298,0.0000011810212,0.00032700796,0.00013545125,0.00022972247,0.00013147807,0.69954437],"genre_scores_gemma":[0.48502716,0.000044609787,0.00006256044,0.00002320608,0.00008289835,4.029125e-8,0.000025598649,0.000015275522,0.51471865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858946,0.00010765078,0.00025878695,0.0004077833,0.0003123571,0.00032396914],"domain_scores_gemma":[0.99849784,0.000078875644,0.00035026716,0.00035587198,0.0004809268,0.00023620037],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000004101687,0.00028482766,0.0003774106,0.0008434769,0.00061847863,0.00013099422,0.00060765905,0.0001409798,0.00009646231],"category_scores_gemma":[0.000014520825,0.00031207458,0.0005366984,0.00040438128,0.00042346853,0.0028482387,0.00023015517,0.00028039492,0.00003468208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007668926,0.004698798,0.20704748,0.00066320377,0.008297891,0.0035931803,0.0481391,0.00006664754,0.03405618,0.17860967,0.5047122,0.0024467139],"study_design_scores_gemma":[0.0012870895,0.00032349382,0.005171329,0.0001381653,0.0006399242,0.000029983144,0.1117814,0.000002382342,0.00077123544,0.0005797489,0.87859607,0.0006791709],"about_ca_topic_score_codex":0.00047815597,"about_ca_topic_score_gemma":0.0004684821,"teacher_disagreement_score":0.37388387,"about_ca_system_score_codex":0.00011397731,"about_ca_system_score_gemma":0.00008473942,"threshold_uncertainty_score":0.9999331},"labels":[],"label_agreement":null},{"id":"W7017385305","doi":"","title":"Ansley Clark READ Poster","year":2009,"lang":"en","type":"article","venue":"DigitalCommons - Linfield (Linfield College)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Staring; Exposition (narrative); Focus (optics)","score_opus":0.021846853294850685,"score_gpt":0.22982250043509372,"score_spread":0.20797564714024303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017385305","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021497196,0.0008301982,0.00006081622,0.010952961,0.0010500689,0.0002563535,0.00024011821,0.0002298244,0.9648825],"genre_scores_gemma":[0.92221063,0.0000642759,0.00007459459,0.011962869,0.0018584675,0.000010446319,0.000109493114,0.000023607905,0.0636856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769646,0.000063464264,0.0007681248,0.00045430358,0.0004106896,0.00060695806],"domain_scores_gemma":[0.9982031,0.0002455895,0.00020483755,0.00081696303,0.0002633869,0.00026609813],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020868481,0.0004253554,0.00057346676,0.0003236651,0.0005419888,0.001104792,0.000570815,0.00028424722,0.0048865587],"category_scores_gemma":[0.00007516214,0.00035693427,0.00055485166,0.0002003292,0.00012269527,0.001009446,0.000079755286,0.00068813347,0.00022149517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012834457,0.00032143577,0.0005877422,0.000025978266,0.00024148598,0.00022195725,0.006421768,0.0000066478124,0.00002396377,0.7798056,0.19876517,0.013449902],"study_design_scores_gemma":[0.0007134779,0.00034862562,0.0002330296,0.0000954481,0.00010661902,0.000044081105,0.0019363775,0.00005580494,0.00032952573,0.013541417,0.98197097,0.00062459806],"about_ca_topic_score_codex":0.00015048751,"about_ca_topic_score_gemma":0.00071615796,"teacher_disagreement_score":0.90119684,"about_ca_system_score_codex":0.000024684361,"about_ca_system_score_gemma":0.000076564706,"threshold_uncertainty_score":0.99993217},"labels":[],"label_agreement":null},{"id":"W7017657834","doi":"","title":"BBS Documentary Interview Collection: MIlky and Liz (Part 2)","year":2005,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Milky Way; Pride; Puppy; Meaning (existential)","score_opus":0.008533972486931853,"score_gpt":0.1811916639468275,"score_spread":0.17265769145989565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017657834","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000009436727,0.005997884,9.964525e-8,0.0005527646,0.00064340665,0.00021936645,0.00025661738,0.000095524694,0.9922249],"genre_scores_gemma":[0.0000958935,0.0034816812,0.00013460884,0.0013511502,0.0015145739,0.000011069764,0.0002861278,0.00008033411,0.99304456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853396,0.00008394343,0.00066552946,0.00018457626,0.00030664718,0.00022534876],"domain_scores_gemma":[0.99894273,0.000043558706,0.0005190997,0.0002482928,0.0001335073,0.00011282103],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020587363,0.0003310582,0.00048595847,0.00014929767,0.00018158946,0.0002971275,0.00019764168,0.00020357981,0.85372245],"category_scores_gemma":[0.00001582085,0.0002884547,0.00021463906,0.0000056941462,0.00018738145,8.762558e-7,0.000066000386,0.0002748896,0.0037939306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026716267,0.00003189796,6.700921e-7,0.00043124607,0.00021948673,0.0000102346185,0.0023453347,0.0000042563493,1.1305367e-8,0.00030415982,0.99419487,0.002431124],"study_design_scores_gemma":[0.00041000044,0.000096811054,8.057653e-7,0.00052249146,0.00021592331,0.00006922586,0.0006173298,0.0000057568554,7.553266e-7,0.000017510383,0.99773204,0.00031135936],"about_ca_topic_score_codex":0.0046881516,"about_ca_topic_score_gemma":0.012216657,"teacher_disagreement_score":0.84992856,"about_ca_system_score_codex":0.000034774417,"about_ca_system_score_gemma":0.000018303184,"threshold_uncertainty_score":0.9999568},"labels":[],"label_agreement":null},{"id":"W7020530626","doi":"","title":"Les Cahiers du journalisme. Nouvelle série Les Cahiers du journalisme journal. New series","year":2017,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ridiculous; Interpretation (philosophy); Series (stratigraphy)","score_opus":0.015044260175109786,"score_gpt":0.21967414306703728,"score_spread":0.2046298828919275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020530626","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020370942,0.026532248,0.0034633933,0.1716411,0.031158162,0.0012699987,0.0046745567,0.0002543858,0.75896907],"genre_scores_gemma":[0.010371528,0.04132533,0.0012827836,0.01453772,0.063990004,0.00008282983,0.0021710075,0.00067561603,0.86556315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9896656,0.0014113479,0.0029107488,0.0014737501,0.00259202,0.0019464933],"domain_scores_gemma":[0.98724675,0.00040304175,0.0059021255,0.0015595912,0.0025718927,0.00231658],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"category_scores_codex":[0.0025352116,0.0023440411,0.0028020632,0.0019632173,0.018785633,0.016048662,0.0030651898,0.0021583922,0.31196874],"category_scores_gemma":[0.0008233052,0.002090166,0.0023898566,0.00037694626,0.0033138343,0.025380448,0.00028659307,0.0055251108,0.0021475828],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025770714,0.00029677205,0.000102944636,0.00021666396,0.0020654667,0.001494216,0.008849685,0.00007974184,0.000035139175,0.38139662,0.5965804,0.00862464],"study_design_scores_gemma":[0.0033426806,0.00052718056,0.00084458647,0.0033247746,0.0026472236,0.004635602,0.009859433,0.000028248265,0.0001330239,0.01330198,0.9589112,0.0024441015],"about_ca_topic_score_codex":0.004245381,"about_ca_topic_score_gemma":0.025446475,"teacher_disagreement_score":0.36809462,"about_ca_system_score_codex":0.0015096886,"about_ca_system_score_gemma":0.0014848377,"threshold_uncertainty_score":0.9993986},"labels":[],"label_agreement":null},{"id":"W7023929976","doi":"","title":"Photograph of Mildred Sloman [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Snapshot (computer storage); White (mutation); Confusion","score_opus":0.015850368587900548,"score_gpt":0.16052110139017112,"score_spread":0.14467073280227058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023929976","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44306776,0.00010950524,0.00012259689,0.0000014835988,0.00038579482,0.00014692967,0.00019563666,0.00017039981,0.5557999],"genre_scores_gemma":[0.56066227,0.000029818153,0.0000477674,0.000019357138,0.000095915224,3.6830535e-8,0.000024986924,0.000014536411,0.4391053],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998627,0.000088873196,0.00025024364,0.0003950794,0.00030430502,0.0003344973],"domain_scores_gemma":[0.99861234,0.000050664486,0.00030726637,0.00038953387,0.00038928512,0.00025093157],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0000034584127,0.00027514782,0.0003668799,0.0008710373,0.0005731136,0.00015693638,0.0006772891,0.00012675418,0.00014115227],"category_scores_gemma":[0.0000116505835,0.00030660428,0.00053679146,0.0003696633,0.0003701267,0.0019902028,0.00021469053,0.00021697459,0.000028635644],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006657543,0.0043148515,0.2500515,0.0006888981,0.006098608,0.0031359761,0.025063228,0.000040935858,0.031139717,0.06729155,0.60272115,0.0027960485],"study_design_scores_gemma":[0.0015756452,0.00032618435,0.006180798,0.00013613542,0.00064492505,0.000059201837,0.08610448,0.0000024509916,0.0016992268,0.0002971111,0.902187,0.00078683626],"about_ca_topic_score_codex":0.00051004346,"about_ca_topic_score_gemma":0.00081850175,"teacher_disagreement_score":0.29946584,"about_ca_system_score_codex":0.00009344574,"about_ca_system_score_gemma":0.00007100344,"threshold_uncertainty_score":0.9999386},"labels":[],"label_agreement":null},{"id":"W7025368728","doi":"","title":"World summit on the information society","year":2003,"lang":"en","type":"article","venue":"Research Portal (Queen's University Belfast)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.02830134009395229,"score_gpt":0.24538661684372828,"score_spread":0.21708527674977598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025368728","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058820065,0.000025415007,0.000027013231,0.007542377,0.00021758111,0.00030610964,0.00014855845,0.000072970994,0.93283993],"genre_scores_gemma":[0.8341227,0.000112448026,0.000025562931,0.0006099594,0.00022309706,0.0000011669607,0.00007236738,0.000009504293,0.16482319],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980435,0.0003232091,0.0001782727,0.00016973281,0.0008226838,0.0004626439],"domain_scores_gemma":[0.9987151,0.00021584508,0.000091731956,0.00032668214,0.0004926916,0.00015794879],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010550916,0.00014303741,0.00015518829,0.00037909613,0.0018109907,0.0005003755,0.00035921537,0.000059092214,0.007861212],"category_scores_gemma":[0.000076981916,0.00010346694,0.0002717362,0.00042172178,0.0003831835,0.0011190381,0.00007662014,0.00078766665,0.00036851424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019565307,0.000042757038,0.00029708716,0.000012475207,0.000098382465,0.000027282405,0.0073749325,0.0000058919977,9.538383e-7,0.72681105,0.26519558,0.000114034454],"study_design_scores_gemma":[0.00026384072,0.00005559421,0.00020103446,0.000029164772,0.000026846878,6.61599e-7,0.03596742,0.000019848165,0.000048998696,0.0011968549,0.96205866,0.00013106168],"about_ca_topic_score_codex":0.0006268688,"about_ca_topic_score_gemma":0.0004681946,"teacher_disagreement_score":0.77530265,"about_ca_system_score_codex":0.0000988186,"about_ca_system_score_gemma":0.00013517351,"threshold_uncertainty_score":0.99948853},"labels":[],"label_agreement":null},{"id":"W7025547780","doi":"","title":"Zika virus in the Americas: Early epidemiological and genetic findings","year":2018,"lang":"pt","type":"article","venue":"Americanae (AECID Library)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Christian ministry; Humanity; Human immunodeficiency virus (HIV); STELLA (programming language)","score_opus":0.022993911961178365,"score_gpt":0.2439551730067937,"score_spread":0.22096126104561534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025547780","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9758771,0.0067718937,0.000049480255,0.007608045,0.00042425835,0.0002703631,0.00016512269,0.00006375024,0.00877001],"genre_scores_gemma":[0.96668464,0.0032790145,0.0003816518,0.020845355,0.0022954482,0.00002711013,0.000037060334,0.000059570815,0.006390172],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9961257,0.00096250704,0.0009076056,0.0007500032,0.00038795202,0.00086623407],"domain_scores_gemma":[0.99791753,0.0006973915,0.00039865365,0.0006517997,0.0000560921,0.0002785401],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035038858,0.0005519797,0.0010043036,0.00039800763,0.0008340519,0.0007135111,0.0008643917,0.00016622402,0.0062655215],"category_scores_gemma":[0.00013077396,0.0003503205,0.00032793757,0.0007316726,0.0024883845,0.0010555418,0.0002315833,0.00075993483,0.0002743996],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025326182,0.00042473248,0.56650233,0.000056917594,0.0005713445,0.00081037264,0.09359183,0.000003643702,0.000108375425,0.034445025,0.2810429,0.022189267],"study_design_scores_gemma":[0.0005041762,0.0014192256,0.7442378,0.00010511662,0.00027402965,0.00005390962,0.007440071,0.00026822917,0.00003669821,0.0021612314,0.24277318,0.00072634744],"about_ca_topic_score_codex":0.023811618,"about_ca_topic_score_gemma":0.00032217277,"teacher_disagreement_score":0.17773546,"about_ca_system_score_codex":0.000022635475,"about_ca_system_score_gemma":0.000069194706,"threshold_uncertainty_score":0.99989486},"labels":[],"label_agreement":null},{"id":"W7025551687","doi":"","title":"Volume I (ofII) HOCKEY CAPITAL: COMMERCE, CULTURE, AND THE NATIONAL HOCKEY LEAGUE, 1917-1967","year":2008,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"League; Ice hockey; Amateur; Position (finance); Argument (complex analysis); Institution; Value (mathematics); Product (mathematics)","score_opus":0.08673123645068112,"score_gpt":0.272987481371453,"score_spread":0.1862562449207719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025551687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9864528,0.0010270777,0.000028644621,0.0009831607,0.00039567682,0.00024273971,0.00019877567,0.0001298197,0.010541268],"genre_scores_gemma":[0.8481641,0.0005193905,0.000011782656,0.0023338245,0.0007351581,0.0000019392955,0.00009826318,0.00003861007,0.14809696],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973954,0.00043190803,0.00039411205,0.0005356061,0.0007477549,0.00049522513],"domain_scores_gemma":[0.9983385,0.00013566237,0.00030234063,0.0003797118,0.0005658763,0.00027791306],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005022151,0.0004320013,0.0005286364,0.00047757718,0.0019321254,0.0009827557,0.0007906891,0.0001858748,0.00030209837],"category_scores_gemma":[0.000053413576,0.00033238225,0.00034596704,0.00024960507,0.0011063365,0.0024605982,0.0002963708,0.00090816384,0.0002732743],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004407244,0.00022528289,0.8796334,0.00007495146,0.00073796534,0.00040355173,0.07888028,0.000016679202,0.000031243206,0.03834006,0.0010655137,0.0001502921],"study_design_scores_gemma":[0.0060305637,0.00017503176,0.37010095,0.00017048915,0.000556287,0.00036869865,0.007731764,0.0000050223025,0.00006461559,0.0020397925,0.61164045,0.0011163095],"about_ca_topic_score_codex":0.000065005945,"about_ca_topic_score_gemma":0.0037520472,"teacher_disagreement_score":0.61057496,"about_ca_system_score_codex":0.000121204575,"about_ca_system_score_gemma":0.00009299881,"threshold_uncertainty_score":0.9999128},"labels":[],"label_agreement":null},{"id":"W7026937167","doi":"","title":"The Canadian standards for field permeability tests and other tests","year":2009,"lang":"en","type":"other","venue":"PolyPublie (École Polytechnique de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Permeability (electromagnetism); Field (mathematics); Materials testing; Test method","score_opus":0.011201919967397042,"score_gpt":0.2380432033464557,"score_spread":0.22684128337905868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026937167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041387355,0.04124709,0.0028416244,0.023482753,0.0010618496,0.003498675,0.009915128,0.0010763353,0.91646266],"genre_scores_gemma":[0.037057042,0.00092252623,0.0028174836,0.018948609,0.0037080948,0.0005552871,0.0001336117,0.0006463869,0.93521094],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777806,0.00010885474,0.00043023378,0.00047237158,0.00041419457,0.0007962588],"domain_scores_gemma":[0.99792576,0.00026075443,0.00029714307,0.00083143736,0.0002493427,0.0004355894],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009328467,0.00049185054,0.0005300194,0.0005076072,0.0012719777,0.001598757,0.00049630855,0.0005047908,0.0011238535],"category_scores_gemma":[0.00036282768,0.00034887574,0.00029467203,0.00010136435,0.00027346076,0.00012205391,0.000048336155,0.00057091244,0.0000058411015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038446855,0.00004069981,0.0013829742,0.00006734365,0.00016167817,0.000014023685,0.0015851706,0.0000014574288,0.0000042653924,0.11755138,0.8643242,0.014828377],"study_design_scores_gemma":[0.00026301996,0.0001436247,0.00045457968,0.00014989903,0.00013653772,0.000017846103,0.00018469799,0.00029973354,0.000015801721,0.006395885,0.99149466,0.00044373347],"about_ca_topic_score_codex":0.50838184,"about_ca_topic_score_gemma":0.9859571,"teacher_disagreement_score":0.4775752,"about_ca_system_score_codex":0.00041546577,"about_ca_system_score_gemma":0.0007582563,"threshold_uncertainty_score":0.99989635},"labels":[],"label_agreement":null},{"id":"W7029515186","doi":"","title":"Jeff Wall, pintor de la vida posmoderna","year":2016,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gesture; Narrative; Space (punctuation); Relation (database); Performance art","score_opus":0.01906685292524829,"score_gpt":0.23406363035554675,"score_spread":0.21499677743029846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029515186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18215452,0.0023640697,0.0052093724,0.065389596,0.0031552566,0.00075316126,0.00045240455,0.0012553855,0.7392662],"genre_scores_gemma":[0.9894255,0.0002807006,0.000749161,0.0009106339,0.0023687102,0.00009389444,0.00007205863,0.00007289798,0.0060264785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963604,0.0005962287,0.0007362911,0.00067591923,0.00077956787,0.0008515855],"domain_scores_gemma":[0.9974369,0.00044071898,0.0003905985,0.00063510175,0.00052051083,0.00057621667],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00086991943,0.0005019133,0.00053043436,0.000491086,0.0011129999,0.000980295,0.00075617427,0.0004114716,0.00072723173],"category_scores_gemma":[0.00039688454,0.00035732455,0.0004478826,0.00021512106,0.0000888055,0.0010155103,0.0001672619,0.00057743804,0.000067938054],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015151662,0.0003463857,0.00035849895,0.000048242066,0.00029950848,0.0001904827,0.009941574,0.0000059935237,0.0029458185,0.97574,0.007506147,0.002465823],"study_design_scores_gemma":[0.001189394,0.00006458101,0.0009715022,0.00020553726,0.00015722109,0.000577011,0.00054566475,0.000102893864,0.00063134404,0.0044290707,0.9905836,0.0005421913],"about_ca_topic_score_codex":0.000008187102,"about_ca_topic_score_gemma":0.00033997,"teacher_disagreement_score":0.98307747,"about_ca_system_score_codex":0.0005717994,"about_ca_system_score_gemma":0.00043495581,"threshold_uncertainty_score":0.9998879},"labels":[],"label_agreement":null},{"id":"W7036826180","doi":"","title":"Cultural Models of Work in a Canadian Worker Co-operative","year":2011,"lang":"en","type":"other","venue":"Jagiellonian University Repository (Jagiellonian University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Key (lock); Order (exchange); Government (linguistics)","score_opus":0.017432257564560336,"score_gpt":0.1863831233542067,"score_spread":0.16895086578964635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036826180","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024761031,0.00069088076,0.000018886143,0.00011394304,0.00073640555,0.00043382373,0.00041529833,0.00015453315,0.9949601],"genre_scores_gemma":[0.09186115,0.00041494315,0.0001899816,0.000086491025,0.00039491718,3.0978373e-7,0.000111894755,0.00018805111,0.9067523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969024,0.00042116834,0.00043905468,0.00089798553,0.00040231843,0.00093707984],"domain_scores_gemma":[0.9974747,0.000050995837,0.00062157825,0.00081895763,0.00030521702,0.000728592],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016059174,0.0007491327,0.0010857465,0.0036049192,0.00062384957,0.00021908488,0.0012582258,0.00076113525,0.005490209],"category_scores_gemma":[0.000007690072,0.0008170624,0.00061595114,0.00081127364,0.0009610834,0.00088241755,0.0001536971,0.0010350196,0.00014461593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008426421,0.00057227345,0.012712139,0.00031421965,0.0027306003,0.0117518725,0.14585786,0.00018894694,0.000032466483,0.1345257,0.69003886,0.00043242992],"study_design_scores_gemma":[0.0009852359,0.000076147466,0.00018595981,0.0007658228,0.00047074165,0.000015007518,0.0152731035,0.00004450137,0.000030319015,0.000041111154,0.9811968,0.00091519917],"about_ca_topic_score_codex":0.4112351,"about_ca_topic_score_gemma":0.55015564,"teacher_disagreement_score":0.291158,"about_ca_system_score_codex":0.0008724102,"about_ca_system_score_gemma":0.000929589,"threshold_uncertainty_score":0.99942803},"labels":[],"label_agreement":null},{"id":"W7037484368","doi":"","title":"English Literacy Curricula in a Sino-Canadian Transnational Education Program: Teachers’ Implemented Curriculum","year":2023,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Curriculum; Transformative learning; Critical literacy; Literacy; Australian Curriculum; Literacy education; Accreditation; Politics","score_opus":0.05373060476339697,"score_gpt":0.31826643586140135,"score_spread":0.2645358310980044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037484368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.994875,0.00010131504,0.000004402184,0.00088047376,0.00077464816,0.0005546532,0.00018763595,0.00026162152,0.0023602282],"genre_scores_gemma":[0.9864649,0.00002882034,0.00001990304,0.00042327086,0.0005479981,0.000017525177,0.001065707,0.000038415696,0.011393415],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765044,0.00028095246,0.00041035266,0.0005287778,0.00043814364,0.0006913412],"domain_scores_gemma":[0.99846375,0.000047892638,0.0001669958,0.0003268138,0.00056872715,0.0004258013],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00044177056,0.00033448532,0.00031997956,0.0023195634,0.00051456934,0.0013806929,0.0005848699,0.00014965198,0.00051177526],"category_scores_gemma":[0.000034696932,0.0003511747,0.00024658575,0.0010446294,0.00011747802,0.0031884257,0.00007272438,0.00066653994,0.00012963812],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014804118,0.00036186446,0.9273201,0.00004634744,0.00010195135,0.0001968577,0.05108864,0.000008069464,0.000009199494,0.015593586,0.00007677689,0.005181792],"study_design_scores_gemma":[0.0011962584,0.00009104743,0.4297604,0.00021971865,0.00015682011,0.00001089244,0.01258823,0.0000054905245,0.000014658872,0.00056391174,0.5547763,0.0006162663],"about_ca_topic_score_codex":0.00083578203,"about_ca_topic_score_gemma":0.21468565,"teacher_disagreement_score":0.55469954,"about_ca_system_score_codex":0.00037502914,"about_ca_system_score_gemma":0.00038463023,"threshold_uncertainty_score":0.999894},"labels":[],"label_agreement":null},{"id":"W7038299832","doi":"","title":"'Growing Pains' star and TV host Alan Thicke dies at 69","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Theme (computing); Order (exchange); Statement (logic); Romance; George (robot)","score_opus":0.012707983930436052,"score_gpt":0.21844369600618568,"score_spread":0.20573571207574964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038299832","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029162595,0.0038274862,0.00028257904,0.0005432109,0.0015252504,0.0004260077,0.0034356334,0.00033466797,0.9867089],"genre_scores_gemma":[0.020508267,0.0013332893,0.0002513729,0.0013392004,0.0039629587,0.000044771106,0.0008035312,0.00059159234,0.971165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99605143,0.00047832314,0.00083486555,0.0011512073,0.0005651378,0.00091901835],"domain_scores_gemma":[0.9976669,0.000505637,0.00064664293,0.00070887286,0.00006399667,0.00040794074],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029008221,0.001073537,0.00119173,0.0010416278,0.00019397063,0.0008031772,0.0009886245,0.0002008576,0.06722441],"category_scores_gemma":[0.000058735524,0.0007612707,0.0006522034,0.000035368354,0.0013546674,0.00032221706,0.0010965419,0.00091522036,0.0022524616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001836156,0.000063113235,0.00039362,0.00023733632,0.0014671262,0.00021398076,0.048351385,7.914391e-8,0.0001563208,0.040395595,0.90814286,0.00039497102],"study_design_scores_gemma":[0.0007911137,0.00021872573,0.00010892251,0.0025491468,0.00032996482,0.000052830263,0.0008802986,0.00008213289,0.000087711654,0.0033882603,0.9905067,0.0010042079],"about_ca_topic_score_codex":0.012290642,"about_ca_topic_score_gemma":0.07356429,"teacher_disagreement_score":0.08236383,"about_ca_system_score_codex":0.00006748513,"about_ca_system_score_gemma":0.00004576387,"threshold_uncertainty_score":0.9994838},"labels":[],"label_agreement":null},{"id":"W7038753373","doi":"","title":"INTERVIEW WITH THE NORWEGIAN WRITER NILS-ØIVIND HAAGENSEN","year":2023,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Norwegian; Poetry; Publishing; Quarter (Canadian coin)","score_opus":0.28958346015408565,"score_gpt":0.4933715270319679,"score_spread":0.20378806687788226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038753373","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81072605,0.03592599,0.0001406012,0.012580448,0.0026384734,0.0011942774,0.0005459117,0.00024730936,0.13600096],"genre_scores_gemma":[0.95472026,0.006918773,0.00002807159,0.00419654,0.0015538869,0.00004710084,0.000065039465,0.00010024254,0.03237007],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967896,0.0004970301,0.00084574934,0.00044330314,0.0008666618,0.0005577097],"domain_scores_gemma":[0.9973248,0.00032434842,0.0008058766,0.00076339225,0.0005265875,0.00025498678],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019255079,0.00043051652,0.00085935753,0.00095403433,0.0010029067,0.007417955,0.0032058551,0.000083899125,0.04644654],"category_scores_gemma":[0.000066782944,0.0002479681,0.00042752773,0.0008743671,0.00038868855,0.002810964,0.00073759444,0.00068874034,0.00021928523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013957791,0.00016501831,0.013506549,0.00018644091,0.0012867476,0.0002586416,0.018505918,0.000052798325,0.001251569,0.0027963128,0.945556,0.016294468],"study_design_scores_gemma":[0.00051960663,0.00002299172,0.054739323,0.0007555695,0.00043052106,0.000035270376,0.003081586,0.00004681329,0.00045340534,0.0032866453,0.9360627,0.0005655901],"about_ca_topic_score_codex":0.00040306844,"about_ca_topic_score_gemma":0.000784615,"teacher_disagreement_score":0.14399424,"about_ca_system_score_codex":0.0000452332,"about_ca_system_score_gemma":0.000089072135,"threshold_uncertainty_score":0.99999726},"labels":[],"label_agreement":null},{"id":"W7039173368","doi":"","title":"L'éducation au loisir : un test des modèles direct et indirect de prédiction des intérêts de loisir","year":2003,"lang":"fr","type":"dissertation","venue":"Le dépôt institutionnel (Université du Québec à Trois-Rivières)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université du Québec à Trois-Rivières; Université du Québec à Montréal","keywords":"Test (biology); Work (physics); Affect (linguistics); Order (exchange); Population","score_opus":0.015988372802845967,"score_gpt":0.21168958300678484,"score_spread":0.19570121020393888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039173368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94672304,0.0061381827,0.013269216,0.0011454136,0.0015403262,0.00052039546,0.00048317295,0.00028061672,0.029899625],"genre_scores_gemma":[0.9539989,0.0025749803,0.0010793778,0.00041252526,0.0012334163,0.000053504926,0.0015497669,0.00012489826,0.038972594],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9956409,0.0007469156,0.00086438487,0.0009814269,0.00061128265,0.0011551256],"domain_scores_gemma":[0.9964407,0.00046408293,0.0008986008,0.00060458784,0.001021815,0.00057023345],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009796007,0.0010403206,0.0009958532,0.0013072597,0.0068952753,0.0010110072,0.00073572935,0.00071730145,0.0011256556],"category_scores_gemma":[0.0006391517,0.0011003164,0.0008464392,0.00078367087,0.0014591798,0.0028491863,0.000088469606,0.0011148617,0.00016226705],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004516706,0.0023158854,0.0839593,0.0012601205,0.0019756954,0.00031515214,0.65208036,0.01671242,0.0013054275,0.23103015,0.0020245016,0.0065693073],"study_design_scores_gemma":[0.00845637,0.0014290045,0.43715695,0.006901067,0.009799814,0.0011335914,0.31680715,0.025904778,0.0077993865,0.018653853,0.15927735,0.0066807093],"about_ca_topic_score_codex":0.52354145,"about_ca_topic_score_gemma":0.85310155,"teacher_disagreement_score":0.35319763,"about_ca_system_score_codex":0.0055740187,"about_ca_system_score_gemma":0.005095115,"threshold_uncertainty_score":0.99978745},"labels":[],"label_agreement":null},{"id":"W7066543879","doi":"","title":"Introducing: Life Jolt","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prison; Life imprisonment; Institution; Sentence; Indigenous; Economic Justice; Circumstantial evidence","score_opus":0.008305168314079488,"score_gpt":0.17797941763794706,"score_spread":0.16967424932386757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066543879","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000007072333,0.002986881,1.7641979e-7,0.00040486205,0.0009471356,0.0001435102,0.00022949709,0.000105472755,0.9951754],"genre_scores_gemma":[0.0001902308,0.0005072506,0.0002870985,0.0012307488,0.0025719092,0.000006383662,0.00064692367,0.000116143114,0.9944433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998256,0.000084176354,0.0007164502,0.00022276245,0.00043993996,0.00028062504],"domain_scores_gemma":[0.998386,0.000057882553,0.0006544275,0.0004432328,0.00030021195,0.00015824831],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019626209,0.00034672892,0.00058522576,0.00014197615,0.00014296881,0.00035776172,0.00029996852,0.00026334068,0.91915333],"category_scores_gemma":[0.00013826948,0.00030656034,0.00033231257,0.000005437078,0.00016235912,2.8627701e-7,0.0000752508,0.00037567658,0.0062141214],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020555544,0.000038137594,6.242831e-7,0.00047507067,0.0002531037,0.000023523155,0.0025121344,0.000044663015,5.7931345e-8,0.001293319,0.9948472,0.00049160485],"study_design_scores_gemma":[0.00030127613,0.00004628377,4.9119615e-7,0.00033947465,0.00016030035,0.000026049702,0.0008731563,0.000008374058,0.0000012882406,0.000014210922,0.9978879,0.00034116037],"about_ca_topic_score_codex":0.005525811,"about_ca_topic_score_gemma":0.004645113,"teacher_disagreement_score":0.91293925,"about_ca_system_score_codex":0.000024853505,"about_ca_system_score_gemma":0.000050484614,"threshold_uncertainty_score":0.99993867},"labels":[],"label_agreement":null},{"id":"W7094616125","doi":"","title":"9781800103672.epub","year":2022,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"U.S. National Library of Medicine; National Cancer Institute; National Institutes of Health; Association of American Medical Colleges; University of Rochester; Federal Security Agency; Rockefeller University; Andrew W. Mellon Foundation; Centers for Disease Control and Prevention; American Association for Cancer Research","keywords":"Promotion (chess); Government (linguistics); Welfare; Work (physics); Health promotion; Public health","score_opus":0.017920984359015082,"score_gpt":0.2233875246234079,"score_spread":0.20546654026439282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094616125","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011763616,0.000055210443,0.000017726567,0.0016223617,0.0025285543,0.0004069366,6.363622e-7,0.00021517566,0.9951416],"genre_scores_gemma":[0.0007197001,0.00023547228,0.000063183645,0.002591253,0.005121299,0.00012387396,0.0023987256,0.00047319516,0.9882733],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975981,0.00025305903,0.0004913386,0.0005155482,0.00072468125,0.0004172705],"domain_scores_gemma":[0.9981115,0.00011784635,0.0006182993,0.00093612133,0.00010699127,0.00010926405],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046118625,0.00046816134,0.00053152547,0.0004184948,0.0012861611,0.0017333769,0.0010609516,0.00011967068,0.9923393],"category_scores_gemma":[0.00004196375,0.00033187793,0.00040205845,0.00018487251,0.00028100118,0.00034692927,0.00025251624,0.0007230452,0.5865868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015212804,0.000081574704,0.00003611594,0.000047623966,0.00065893325,0.000022425691,0.004520534,0.000002263725,0.0000011832574,0.13392511,0.2205095,0.6401795],"study_design_scores_gemma":[0.00029431234,0.00003319313,0.000016383423,0.000042796084,0.00039385707,0.0000123756,0.0011776305,0.000016127546,6.047738e-7,0.002242197,0.9953066,0.0004639363],"about_ca_topic_score_codex":0.0011094356,"about_ca_topic_score_gemma":0.0026492928,"teacher_disagreement_score":0.7747971,"about_ca_system_score_codex":0.00011473476,"about_ca_system_score_gemma":0.00012330514,"threshold_uncertainty_score":0.99991333},"labels":[],"label_agreement":null},{"id":"W7099522012","doi":"","title":"A practical guide to swap curv construction","year":2000,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Swap (finance); Measure (data warehouse); Field (mathematics); Key (lock)","score_opus":0.023048637423834513,"score_gpt":0.28524662315145505,"score_spread":0.26219798572762054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099522012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02210902,0.000049537353,0.00032371804,0.0064183786,0.00036257226,0.00007269879,0.000018184895,0.000082607155,0.9705633],"genre_scores_gemma":[0.24162973,0.000088297675,0.013120087,0.01186705,0.003856026,0.000012883995,0.00003497234,0.000025648422,0.7293653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992652,0.00003607106,0.0002222701,0.00014789766,0.0001634398,0.00016514721],"domain_scores_gemma":[0.9995776,0.000031082134,0.000029839699,0.00014889921,0.00009741628,0.00011520484],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011825024,0.000091874266,0.00013061438,0.000079947466,0.00022759626,0.00042703794,0.0000620414,0.000031069485,0.1126085],"category_scores_gemma":[0.000022985496,0.00006616059,0.00009027689,0.000048851492,0.000067480294,0.00036666065,0.000009646805,0.00011276728,0.0014824064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002469162,0.00003725837,0.000054746248,0.0000035840953,0.0000524781,0.000015232579,0.005717752,0.00000309294,0.000013424974,0.4949051,0.49060965,0.008562974],"study_design_scores_gemma":[0.00013484442,0.00003367273,0.000020610614,0.000008349028,0.000046047975,0.00004293096,0.0016916603,0.00004943415,0.000058924063,0.0013854813,0.9964173,0.00011074566],"about_ca_topic_score_codex":0.00028403563,"about_ca_topic_score_gemma":0.00039635517,"teacher_disagreement_score":0.50580764,"about_ca_system_score_codex":0.000014675708,"about_ca_system_score_gemma":0.00002404403,"threshold_uncertainty_score":0.99929506},"labels":[],"label_agreement":null},{"id":"W7100922068","doi":"","title":"The Nation-State After Globalism","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globalism; Ideology; Democracy; Nationalism; Exhibition; Disinformation","score_opus":0.00833947533342746,"score_gpt":0.18773773269667057,"score_spread":0.1793982573632431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100922068","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03290778,0.0009627975,0.00030515596,0.0065658386,0.0014241693,0.00007321526,0.000031845186,0.0000856246,0.95764357],"genre_scores_gemma":[0.8402211,0.000046546327,0.000022889688,0.0030923772,0.00096062437,0.000006156267,0.0000065522595,0.0000061432947,0.15563758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999413,0.000047339083,0.00014953701,0.00008892537,0.00015853092,0.00014267322],"domain_scores_gemma":[0.99956924,0.000060740822,0.000042691187,0.00016439217,0.00012189043,0.000041060808],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023342036,0.00007453353,0.00007489011,0.00003058708,0.00044124603,0.00084991084,0.00012493267,0.000014761628,0.0023554724],"category_scores_gemma":[0.000017797527,0.000037207457,0.00009015727,0.000025456815,0.00008329882,0.0001835351,0.0000184632,0.000070174174,0.00023806091],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009612099,0.000009558248,0.0000909243,0.0000028235486,0.000048380796,0.000002225651,0.010035215,0.0000015919022,0.0000015963277,0.92006195,0.06532189,0.004414233],"study_design_scores_gemma":[0.00008927524,0.000008912938,0.00017784927,0.0000039840456,0.000018627354,0.0000013934351,0.00040729292,0.00019975055,0.000011460389,0.03049635,0.9685141,0.00007104194],"about_ca_topic_score_codex":0.00013099013,"about_ca_topic_score_gemma":0.0024788403,"teacher_disagreement_score":0.90319216,"about_ca_system_score_codex":0.000007939264,"about_ca_system_score_gemma":0.000006072363,"threshold_uncertainty_score":0.9985565},"labels":[],"label_agreement":null},{"id":"W7101028039","doi":"","title":"Study of Regional Nutrient Balances in Four Municipalities in Manitoba Presented to:","year":2002,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nutrient; Hydrology (agriculture); Production (economics); Productivity","score_opus":0.09526023930871388,"score_gpt":0.25795020964635645,"score_spread":0.16268997033764257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101028039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9667694,0.00044116002,6.9053937e-7,0.0005667818,0.00012641026,0.00020771287,0.000011843188,0.000013280193,0.031862743],"genre_scores_gemma":[0.9820159,0.000059074613,0.00001593553,0.0002952997,0.00019529674,0.000023914416,0.0000039194506,0.000007179873,0.017383458],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987846,0.00011709713,0.0004394082,0.00016977539,0.00028703967,0.00020210737],"domain_scores_gemma":[0.9995218,0.00006939782,0.0000756626,0.0002017037,0.000083188505,0.000048239803],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017552984,0.00011819592,0.000282351,0.0004130122,0.000066941786,0.0001075105,0.00020103282,0.00002567882,0.0015328206],"category_scores_gemma":[0.000017102082,0.000088868605,0.00006342776,0.0001579675,0.00004923113,0.00021849982,0.00004624172,0.00013119957,0.00001553397],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010630566,0.0025057874,0.13047475,0.000054500037,0.00016104196,0.0001483337,0.6796375,0.0001622311,0.000007269485,0.14989291,0.036552716,0.00029666358],"study_design_scores_gemma":[0.0032258853,0.00061385555,0.028286595,0.00023556442,0.000061281,0.000007585581,0.79950875,0.0011075808,0.000030280466,0.0032029445,0.1632751,0.00044455024],"about_ca_topic_score_codex":0.011617912,"about_ca_topic_score_gemma":0.17606543,"teacher_disagreement_score":0.16444752,"about_ca_system_score_codex":0.0000254651,"about_ca_system_score_gemma":0.000004946763,"threshold_uncertainty_score":0.99937993},"labels":[],"label_agreement":null},{"id":"W7101069902","doi":"","title":"War, Art and the Internet1 A Canadian Case Study","year":2016,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Exemplification; Newspaper; Mainstream; Aside; Context (archaeology); Subject (documents); The Internet","score_opus":0.01580854543851418,"score_gpt":0.20893990537517448,"score_spread":0.1931313599366603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101069902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6618329,0.00057555235,0.000016017491,0.00958733,0.00042304458,0.00026425984,0.00004558326,0.00003404292,0.32722124],"genre_scores_gemma":[0.86540747,0.000019307792,0.0000024893097,0.0012315059,0.0002868438,0.0000059122426,7.912254e-7,0.0000051106817,0.13304058],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948055,0.00006460923,0.00013218571,0.00010815763,0.00007213254,0.00014239753],"domain_scores_gemma":[0.999585,0.00006548717,0.00002669164,0.0001541155,0.000053516418,0.00011522384],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023163577,0.00007962852,0.00011877476,0.00008444058,0.00029681405,0.00026577528,0.00007849914,0.000013901763,0.0063828495],"category_scores_gemma":[0.000012907695,0.000029214878,0.000051705443,0.000017285705,0.00015332016,0.00015473008,0.000020809406,0.000058724294,0.000099547455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047778485,0.00007924412,0.0037212914,0.000005748166,0.00050716405,0.0039181574,0.38050526,5.7591837e-8,0.0000012933773,0.2763375,0.3255191,0.009357387],"study_design_scores_gemma":[0.001407838,0.00005830222,0.00005080145,0.0000131156985,0.00012266869,0.000589789,0.064035736,0.00002414007,0.0000017721571,0.001434627,0.93214035,0.00012087388],"about_ca_topic_score_codex":0.2682597,"about_ca_topic_score_gemma":0.9243594,"teacher_disagreement_score":0.6560997,"about_ca_system_score_codex":0.000014118448,"about_ca_system_score_gemma":0.0000235153,"threshold_uncertainty_score":0.99452543},"labels":[],"label_agreement":null},{"id":"W7111643024","doi":"","title":"The American Daughters: A Novel","year":2024,"lang":"","type":"article","venue":"Civil War Book Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Daughter; Quarter (Canadian coin); Free world","score_opus":0.020035714613674708,"score_gpt":0.268163875802336,"score_spread":0.24812816118866132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111643024","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012071007,0.92730635,0.000065761684,0.018053966,0.0017985837,0.0004330743,0.00023096078,0.00008463143,0.05201459],"genre_scores_gemma":[0.0010944726,0.81438905,0.000012094837,0.031014929,0.0029244947,0.000047715934,0.000034673132,0.00006857182,0.150414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965358,0.000283405,0.0012007671,0.00066198804,0.0005960935,0.00072196167],"domain_scores_gemma":[0.9976706,0.00038685373,0.00045409825,0.0009947655,0.00023166611,0.0002620287],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011979404,0.0005872639,0.0011555327,0.00020005589,0.0014453733,0.002619867,0.00075441384,0.000055426415,0.00798185],"category_scores_gemma":[0.00008809666,0.00033546443,0.0014473004,0.0004560085,0.001004985,0.00069826515,0.00015654582,0.00084047194,0.0016276982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008145678,0.00005523289,0.0000015927424,0.0059277783,0.00091077766,0.00007357231,0.004940429,1.5830726e-7,0.0000057906723,0.06345549,0.8625241,0.06209692],"study_design_scores_gemma":[0.000096393815,0.000091698006,0.0000041716,0.025495844,0.0022477913,0.000065213215,0.00045837232,0.00012960444,0.0000018541334,0.00041981807,0.97052354,0.00046570733],"about_ca_topic_score_codex":0.000065580185,"about_ca_topic_score_gemma":0.0002522914,"teacher_disagreement_score":0.11291733,"about_ca_system_score_codex":0.00009354862,"about_ca_system_score_gemma":0.00021248123,"threshold_uncertainty_score":0.99990976},"labels":[],"label_agreement":null},{"id":"W7113899428","doi":"10.7202/1120905ar","title":"Drones, Clones and Alpha Babes: Retrofitting Star Trek’s Humanism, Post-9/11","year":2009,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Star (game theory); Retrofitting; Alpha (finance); clone (Java method)","score_opus":0.06472831006336734,"score_gpt":0.33668194470006574,"score_spread":0.2719536346366984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113899428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7504831,0.10537522,0.00011514086,0.02073353,0.007603466,0.0008482351,0.0005513237,0.00056196784,0.11372802],"genre_scores_gemma":[0.98608744,0.0016299295,0.0002969147,0.0056778565,0.004555187,0.000009268463,0.000052241277,0.000024722443,0.0016664629],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9975231,0.00020458797,0.00061256986,0.00051870744,0.00045661678,0.0006843712],"domain_scores_gemma":[0.9988055,0.0002636871,0.00010859533,0.00014831635,0.0005441061,0.00012978938],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00036295044,0.00039927723,0.0007144249,0.00009881979,0.0019582661,0.00047904157,0.00021735298,0.0001815902,0.00016231094],"category_scores_gemma":[0.0005275404,0.00030848145,0.00020578266,0.0001396305,0.00073039706,0.0005035876,0.00010778378,0.0005412407,0.000014073701],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003288749,0.00015016462,0.00031613992,0.00034733047,0.00022346046,0.0002313253,0.24816766,2.6154967e-7,0.00012282876,0.72585726,0.023921354,0.0006293374],"study_design_scores_gemma":[0.0016836402,0.00041430365,0.0075976555,0.00033649223,0.0033668913,0.00007832549,0.60267353,0.00003690755,0.000034240085,0.03345104,0.34893265,0.0013943217],"about_ca_topic_score_codex":0.00016528106,"about_ca_topic_score_gemma":0.000812634,"teacher_disagreement_score":0.69240624,"about_ca_system_score_codex":0.00007797015,"about_ca_system_score_gemma":0.000019990139,"threshold_uncertainty_score":0.9999367},"labels":[],"label_agreement":null},{"id":"W7117887355","doi":"10.58898/sij.v4i2.98-103","title":"Journalism in the Transition from the Old to the New Age","year":2025,"lang":"","type":"article","venue":"Social informatics journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Journalism; Publication; Focus (optics); The Internet; Transition (genetics); Statement (logic); Function (biology)","score_opus":0.01942036986238542,"score_gpt":0.2574609652035636,"score_spread":0.23804059534117816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117887355","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1036366,0.013390671,0.01134068,0.7622726,0.012850508,0.0016206774,0.0008201286,0.000040543655,0.09402761],"genre_scores_gemma":[0.7954759,0.003139647,0.00020123615,0.16385685,0.027623782,0.000014282272,0.00006925391,0.000037715516,0.00958136],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99504614,0.00086860306,0.002127029,0.00011819073,0.0011486288,0.0006914057],"domain_scores_gemma":[0.9976721,0.0005594329,0.0008494606,0.0004008893,0.00034100475,0.0001771229],"candidate_categories":["sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037570863,0.00042441578,0.00056750857,0.0003304744,0.0067811552,0.011317126,0.0018808882,0.00022771604,0.0017991642],"category_scores_gemma":[0.00013292403,0.00019639636,0.00090875773,0.0007192972,0.00030303956,0.0012749117,0.000102410915,0.0034439568,0.00007967554],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056038043,0.0000455743,0.0000130606,0.000014729637,0.00038957846,0.000024751977,0.6356169,0.00020363816,0.0000014083923,0.061094366,0.29558575,0.0069542164],"study_design_scores_gemma":[0.0009405634,0.00005013919,0.00068566075,0.000384942,0.0007172816,0.000051416388,0.27150142,0.0004584701,0.0000025778024,0.044818904,0.68015265,0.00023597987],"about_ca_topic_score_codex":0.0009616281,"about_ca_topic_score_gemma":0.003504096,"teacher_disagreement_score":0.6918393,"about_ca_system_score_codex":0.00018085328,"about_ca_system_score_gemma":0.00048522148,"threshold_uncertainty_score":0.9991133},"labels":[],"label_agreement":null},{"id":"W7118163021","doi":"10.15691/textoshibridos.v9i2.172","title":"La crónica corridística de Fred Carrasco: Protesta social y narcotráfico en la frontera mexico-texana","year":2022,"lang":"","type":"article","venue":"Textos híbridos Revista de estudios sobre crónica y periodismo narrativo","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literacy; Quarter (Canadian coin); Social Education","score_opus":0.016198120725544482,"score_gpt":0.25932995594051794,"score_spread":0.24313183521497345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118163021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77366763,0.06422384,0.0015096511,0.027839867,0.0037097319,0.009503871,0.013387643,0.001566229,0.104591526],"genre_scores_gemma":[0.97828007,0.0014943334,0.00035243356,0.0028581682,0.0038235718,0.0014823766,0.00055952737,0.00040698572,0.010742516],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9781505,0.010306276,0.003413677,0.002616314,0.002492922,0.0030203015],"domain_scores_gemma":[0.9921875,0.0016622371,0.0020619237,0.002099567,0.00076286914,0.0012259097],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.005019159,0.0023896375,0.0037119947,0.0008947081,0.011424694,0.0075355168,0.0032533242,0.0008746651,0.017536175],"category_scores_gemma":[0.0011259187,0.0024378556,0.0027441,0.001131552,0.002777546,0.0011168299,0.0015124431,0.0062053823,0.00015638751],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019126785,0.004012901,0.0031779828,0.0015590864,0.005567923,0.0041076173,0.58095336,0.0003954699,0.001234897,0.11207161,0.2739779,0.011028572],"study_design_scores_gemma":[0.0042431634,0.0010514122,0.0026914445,0.00066806405,0.0026447133,0.0012505356,0.07054026,0.0019910156,0.0000399456,0.000747647,0.9112696,0.0028621883],"about_ca_topic_score_codex":0.0006009448,"about_ca_topic_score_gemma":0.0003000735,"teacher_disagreement_score":0.6372917,"about_ca_system_score_codex":0.0022587548,"about_ca_system_score_gemma":0.003661461,"threshold_uncertainty_score":0.99993634},"labels":[],"label_agreement":null},{"id":"W7120745785","doi":"","title":"Um século de obra crítica anglófona escrita por mulheres, o esforço de Michelle Dean em Afiadas.","year":2021,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Government (linguistics); Face (sociological concept); Order (exchange); Power (physics)","score_opus":0.02273337485091596,"score_gpt":0.24030273295177884,"score_spread":0.2175693581008629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120745785","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32303953,0.05572273,0.0043862835,0.08611007,0.010196836,0.0020834336,0.003642947,0.0016161058,0.5132021],"genre_scores_gemma":[0.96877635,0.001218112,0.0023479122,0.0023557083,0.004321164,0.000119989934,0.0010631451,0.00019734228,0.019600295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915443,0.0013154779,0.001810415,0.0016058604,0.0015017338,0.0022221878],"domain_scores_gemma":[0.99408597,0.00047069395,0.00087146007,0.0013530876,0.0016336181,0.0015851727],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013310866,0.0012281449,0.0013828333,0.0008035056,0.0030424,0.003384298,0.0012888785,0.0011879609,0.0018624869],"category_scores_gemma":[0.0009354245,0.0012255659,0.001256451,0.0009076921,0.00010620905,0.0012599723,0.0005744102,0.0020696428,0.00008769651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032353433,0.0016540067,0.00086098956,0.00044108866,0.0014276498,0.0029159824,0.032690015,0.000060150964,0.0017548938,0.9335776,0.023068901,0.0012252167],"study_design_scores_gemma":[0.0020330963,0.00013486274,0.0012952801,0.00063372764,0.0010392902,0.002978335,0.013589435,0.0012276763,0.0015161553,0.0023777457,0.9717661,0.0014082668],"about_ca_topic_score_codex":0.000027342647,"about_ca_topic_score_gemma":0.0036028118,"teacher_disagreement_score":0.9486972,"about_ca_system_score_codex":0.001423623,"about_ca_system_score_gemma":0.0027883581,"threshold_uncertainty_score":0.99904996},"labels":[],"label_agreement":null},{"id":"W7124136798","doi":"10.5325/edgallpoerev.26.2.0169","title":"Mr. Poe and Dr. Moran: A Medical Biography of Edgar Allan Poe","year":2025,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Biography; Depiction; Narrative; Reputation","score_opus":0.014461546633702046,"score_gpt":0.26417844773630456,"score_spread":0.2497169011026025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124136798","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020390672,0.9071812,0.000017770803,0.020093694,0.00066399394,0.0004469356,0.000132463,0.00006409386,0.06936077],"genre_scores_gemma":[0.12546952,0.82766885,0.000077089884,0.025208216,0.0022874977,0.000046014015,0.00018517888,0.000063270265,0.018994348],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801457,0.00029307813,0.00068264984,0.00028085295,0.0004329081,0.00029591864],"domain_scores_gemma":[0.9986965,0.00015982398,0.00023741824,0.0005709657,0.00017989037,0.00015541013],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010644263,0.00027254637,0.000858521,0.0002045707,0.0002918093,0.00016386987,0.0005580377,0.00009027088,0.002814239],"category_scores_gemma":[0.00010881082,0.0001553005,0.00044094404,0.00031172228,0.0004325486,0.00008830636,0.0001290507,0.00033669986,0.000039516097],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026829848,0.000196687,0.0009458314,0.0054862574,0.001734484,0.000048375947,0.0070853285,1.5737056e-7,0.000014529983,0.32132488,0.63163567,0.031500954],"study_design_scores_gemma":[0.00027836344,0.000048971164,0.00012675246,0.004109442,0.0008230012,0.000020128977,0.000278016,0.000012970062,0.0000069131993,0.0036313047,0.990474,0.00019014408],"about_ca_topic_score_codex":0.00020370797,"about_ca_topic_score_gemma":0.0002961605,"teacher_disagreement_score":0.35883832,"about_ca_system_score_codex":0.000010018183,"about_ca_system_score_gemma":0.000082383645,"threshold_uncertainty_score":0.9980973},"labels":[],"label_agreement":null},{"id":"W7126130941","doi":"","title":"Lauren Oyler: 48th Annual ODU Literary Festival","year":2025,"lang":"","type":"article","venue":"ODU Digital Commons (Old Dominion University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dominion; White (mutation); Criticism; Literary criticism; Canadian literature","score_opus":0.008295243922129865,"score_gpt":0.19319082298519036,"score_spread":0.1848955790630605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126130941","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07567205,0.0036509011,0.0001688862,0.0036298486,0.0030096348,0.0004615355,0.0074985065,0.00025231103,0.90565634],"genre_scores_gemma":[0.61227906,0.00026776688,0.000021215756,0.00044467507,0.0006880873,7.098547e-7,0.0004919071,0.000033948185,0.38577265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964186,0.00033200334,0.0008089018,0.0009842229,0.0005567252,0.0008995279],"domain_scores_gemma":[0.99700546,0.0004712305,0.00043798971,0.0010539449,0.00054086634,0.0004905051],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002691508,0.000823176,0.0010659081,0.002129286,0.0019310442,0.0037401498,0.001306541,0.0003885888,0.0016314868],"category_scores_gemma":[0.000087674634,0.0008474837,0.0010731014,0.0013221763,0.00085589034,0.0046840236,0.0008994283,0.0010733759,0.00022320301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012324649,0.0012278558,0.005895486,0.00020767197,0.0017579072,0.00091535505,0.01875619,0.000016307158,0.000008095284,0.73090845,0.22049755,0.018576637],"study_design_scores_gemma":[0.0026644506,0.00025607954,0.0008839687,0.0005931951,0.0006912609,0.00002298721,0.009125224,0.00008806753,0.000022669079,0.0037264042,0.98104954,0.0008761403],"about_ca_topic_score_codex":0.00013305142,"about_ca_topic_score_gemma":0.00029272443,"teacher_disagreement_score":0.760552,"about_ca_system_score_codex":0.00027210842,"about_ca_system_score_gemma":0.00034739648,"threshold_uncertainty_score":0.9993976},"labels":[],"label_agreement":null},{"id":"W7133075767","doi":"","title":"&quot;I saw what I saw&quot;: the media creates a miracle cure for anorexia","year":2002,"lang":"","type":"dissertation","venue":"TSpace","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Miracle; Charisma; Newspaper; CONTEST; Ideology; Mainstream","score_opus":0.03440783332871524,"score_gpt":0.2973616563866517,"score_spread":0.26295382305793646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133075767","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3936736,0.46311948,0.00009213845,0.024822656,0.022949712,0.0054550706,0.002140637,0.00045561363,0.08729109],"genre_scores_gemma":[0.22582258,0.051354907,0.00017790832,0.0024336053,0.012066945,0.0004032947,0.0066371653,0.0003744916,0.70072913],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952202,0.00031275876,0.0012039873,0.0010748204,0.001005981,0.0011822697],"domain_scores_gemma":[0.9949302,0.0010784167,0.0012732379,0.0011407014,0.0012041145,0.00037329414],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.000642117,0.0012865531,0.0014617072,0.00051301613,0.0032535864,0.007686251,0.0011126739,0.0007603509,0.019629251],"category_scores_gemma":[0.00019361758,0.0008778249,0.0016669511,0.00036383682,0.00046311755,0.0016927539,0.000069252965,0.0012930717,0.00033690265],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040828116,0.0003437052,0.000069526126,0.0006940835,0.0014327805,0.00003627334,0.81249833,0.00001333497,0.000097469696,0.029559512,0.14918914,0.005657564],"study_design_scores_gemma":[0.0009886866,0.00021116473,0.00012141986,0.0012505214,0.0024769471,0.000014639898,0.39874727,0.00047465236,0.00023587773,0.0024606383,0.5920132,0.001005039],"about_ca_topic_score_codex":0.00087195064,"about_ca_topic_score_gemma":0.0066707344,"teacher_disagreement_score":0.613438,"about_ca_system_score_codex":0.000107168715,"about_ca_system_score_gemma":0.0001600741,"threshold_uncertainty_score":0.9999886},"labels":[],"label_agreement":null},{"id":"W7134372591","doi":"","title":"Canadian women of the cinematography world in the first half of the 20th century","year":2016,"lang":"pl","type":"book-chapter","venue":"Jagiellonian University Repository (Jagiellonian University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cinematography; Period (music); Narrative; Government (linguistics)","score_opus":0.005595532402331234,"score_gpt":0.140973426704369,"score_spread":0.13537789430203775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134372591","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046859387,0.00071926834,0.0000024417782,0.00597445,0.0021199686,0.0010938096,0.0009350643,0.000036364396,0.94225925],"genre_scores_gemma":[0.5614993,0.0004596261,0.0000052334417,0.00036296903,0.0002889847,3.1118725e-7,0.00000851407,0.000048672617,0.43732637],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953386,0.0006792622,0.00090489315,0.0009406695,0.0010417664,0.0010948137],"domain_scores_gemma":[0.9943802,0.00035235647,0.0017678058,0.0024228243,0.0006238147,0.0004530369],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005191432,0.00096763595,0.0012552673,0.002826409,0.003068623,0.00026943133,0.0047321627,0.00064763514,0.0010927963],"category_scores_gemma":[0.000017415116,0.00063215836,0.0019792153,0.0013526469,0.0025460029,0.0006368597,0.0006694018,0.0017724466,0.000022687867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049481826,0.0003517098,0.0575214,0.0006278346,0.002510005,0.0019263087,0.080724664,0.00006360964,0.000076061275,0.84828705,0.0071704844,0.00024605845],"study_design_scores_gemma":[0.0012656001,0.00010373407,0.005440039,0.0017014118,0.00115715,0.000045194414,0.019501677,0.000008887606,0.00006261922,0.00031976812,0.9696164,0.0007775295],"about_ca_topic_score_codex":0.061089173,"about_ca_topic_score_gemma":0.44597876,"teacher_disagreement_score":0.9624459,"about_ca_system_score_codex":0.0013375266,"about_ca_system_score_gemma":0.0012783785,"threshold_uncertainty_score":0.99982035},"labels":[],"label_agreement":null},{"id":"W7134481811","doi":"","title":"Old Mole","year":2019,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Journalism","score_opus":0.0068098332748613676,"score_gpt":0.14807053962749028,"score_spread":0.1412607063526289,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134481811","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9319296,0.0002345023,0.00000995668,0.00008108396,0.0002924802,0.000079213474,0.00019627606,0.000039244984,0.06713767],"genre_scores_gemma":[0.91140425,0.000054256936,0.00004074285,0.0001602195,0.00011657155,7.619411e-8,0.00002817275,0.000008765503,0.08818694],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992894,0.00002984935,0.00009736565,0.00021420908,0.00019368758,0.00017548153],"domain_scores_gemma":[0.99941254,0.000017939206,0.00009962029,0.00022373146,0.00016856278,0.00007761458],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000100195284,0.000034558125,0.0002240945,0.000049375132,0.00023970337,0.00031150904,0.00024696763,0.00005190142,0.0072211497],"category_scores_gemma":[0.000004160242,0.00011458466,0.00018864086,0.000070070084,0.0001539137,0.000479143,0.000058541642,0.00012212057,0.00026241655],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006454118,0.00082466647,0.07516507,0.0006219492,0.0010813727,0.0008652381,0.054704137,0.000031361553,0.0006202111,0.00558243,0.32242906,0.53800994],"study_design_scores_gemma":[0.0017228045,0.00014237208,0.74072814,0.0002644873,0.00019563879,0.000045073575,0.021124827,0.00021220424,0.0000011090747,0.0022713179,0.23280671,0.0004853178],"about_ca_topic_score_codex":0.097152926,"about_ca_topic_score_gemma":0.27088934,"teacher_disagreement_score":0.66556305,"about_ca_system_score_codex":0.000021397736,"about_ca_system_score_gemma":0.000023618846,"threshold_uncertainty_score":0.9936864},"labels":[],"label_agreement":null},{"id":"W7135747061","doi":"","title":"Fear and Loathing Worldwide [Paperback]:Gonzo Journalism Beyond Hunter S. Thompson","year":2020,"lang":"en","type":"book","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Journalism; Rhetoric; Citizen journalism; Consciousness; Convention","score_opus":0.03519251552145878,"score_gpt":0.23243007761612122,"score_spread":0.19723756209466245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135747061","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003072144,0.0261918,0.000052915148,0.0039099557,0.00019303507,0.0006468968,0.00065049605,0.000041753283,0.965241],"genre_scores_gemma":[0.024175363,0.003444094,0.00016204338,0.00022830439,0.00037392732,8.464603e-8,0.00022163348,0.00006184637,0.9713327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954733,0.000980482,0.0004236896,0.00076987775,0.0016168765,0.0007357678],"domain_scores_gemma":[0.9961329,0.0006317079,0.0007625484,0.0008206463,0.001114565,0.00053761504],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018545944,0.0005145506,0.0012467308,0.0004737523,0.0033650082,0.00037444278,0.0021904786,0.00035774213,0.5676729],"category_scores_gemma":[0.00006826971,0.00051089004,0.00074468233,0.0003194327,0.002484864,0.0011104532,0.0017710275,0.0019269498,0.021928871],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006189852,0.000053291624,6.5494675e-7,0.00035039877,0.0009811178,0.0006347958,0.055860803,0.000006977379,0.00020027424,0.006423885,0.9336335,0.0012353318],"study_design_scores_gemma":[0.0011643706,0.0002386277,0.00007236983,0.0005248369,0.0007211362,0.000023186063,0.02382373,0.00007874635,0.000055889534,0.00021269546,0.97261375,0.00047062998],"about_ca_topic_score_codex":0.00070937397,"about_ca_topic_score_gemma":0.003478834,"teacher_disagreement_score":0.54574406,"about_ca_system_score_codex":0.00045507646,"about_ca_system_score_gemma":0.0007235432,"threshold_uncertainty_score":0.9997343},"labels":[],"label_agreement":null},{"id":"W7139222187","doi":"","title":"Mother Alberta","year":2016,"lang":"","type":"article","venue":"Seton Hall University eRepository (Seton Hall University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Photography; Line drawings","score_opus":0.008702531389837787,"score_gpt":0.14930700235328462,"score_spread":0.14060447096344683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139222187","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09635649,0.00090099784,0.0009312554,0.0035249107,0.004023127,0.00073242944,0.0011018247,0.00036334587,0.89206564],"genre_scores_gemma":[0.46654093,0.0011600474,0.00005283417,0.00022825638,0.000940632,1.2896045e-7,0.000055407625,0.00008053558,0.53094125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936947,0.0011028419,0.000743109,0.0019055505,0.00097276946,0.0015810236],"domain_scores_gemma":[0.9946667,0.00051911117,0.0010093448,0.0017019986,0.00094201486,0.0011608361],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00036532985,0.0012913067,0.0013310799,0.0021509656,0.0033865846,0.0007241677,0.0023033868,0.0008813605,0.011421542],"category_scores_gemma":[0.000040826562,0.0012198734,0.0015940213,0.000838908,0.0015615285,0.0034553872,0.00082558015,0.0009534722,0.001150348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0037172898,0.0021962132,0.010762333,0.0005390007,0.0076533975,0.012773684,0.04411731,0.000073573654,0.0045643696,0.83673483,0.072775505,0.0040924987],"study_design_scores_gemma":[0.004062051,0.0004300343,0.000558394,0.0006499549,0.002328379,0.00008604722,0.014284166,0.00013234148,0.00040187198,0.0003917228,0.9748459,0.0018291274],"about_ca_topic_score_codex":0.011421145,"about_ca_topic_score_gemma":0.012919537,"teacher_disagreement_score":0.9020704,"about_ca_system_score_codex":0.0016750091,"about_ca_system_score_gemma":0.0005891889,"threshold_uncertainty_score":0.99998385},"labels":[],"label_agreement":null},{"id":"W7139328492","doi":"","title":"\"Afterglow\"","year":2014,"lang":"","type":"article","venue":"USF Scholarship Repository (University of San Francisco)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Work (physics); Narrative; Subject (documents)","score_opus":0.011293737762562017,"score_gpt":0.1811129968220404,"score_spread":0.1698192590594784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139328492","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8671653,0.006338978,0.00060778763,0.0003114538,0.0028534601,0.00024673116,0.00011601712,0.00009882708,0.12226139],"genre_scores_gemma":[0.9632771,0.00020514996,0.00044228608,0.0003082862,0.0016763043,3.0823838e-7,0.00003205715,0.00004964001,0.034008864],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959821,0.00077198475,0.0006993739,0.00084873784,0.0009883797,0.0007093918],"domain_scores_gemma":[0.99649715,0.00017135388,0.0009043041,0.001139151,0.00074957166,0.000538487],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010892918,0.00057173957,0.001035247,0.00050118176,0.002865274,0.000884653,0.0012495193,0.00046434213,0.0041738646],"category_scores_gemma":[0.00006436098,0.0006597012,0.0009037303,0.0003361443,0.0010690675,0.0027293551,0.00026154463,0.0013056584,0.00029961026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0037016217,0.0041969856,0.17230587,0.0048030987,0.008995672,0.0029099516,0.39905974,0.00028793383,0.035319876,0.2512672,0.056366332,0.060785733],"study_design_scores_gemma":[0.0040555284,0.0010271567,0.057579104,0.001581015,0.0028541673,0.00012298478,0.02572458,0.0007336382,0.0017789366,0.0031868333,0.8992667,0.0020893253],"about_ca_topic_score_codex":0.000699732,"about_ca_topic_score_gemma":0.0005864519,"teacher_disagreement_score":0.8429004,"about_ca_system_score_codex":0.0001374994,"about_ca_system_score_gemma":0.00013803184,"threshold_uncertainty_score":0.99958545},"labels":[],"label_agreement":null},{"id":"W7139496861","doi":"","title":"Ditte Menneskebarn","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04119729668144123,"score_gpt":0.22722817913035134,"score_spread":0.1860308824489101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139496861","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11798441,0.007103426,0.00010396283,0.0005850072,0.00053095625,0.0012482352,0.027183028,0.00009912889,0.84516186],"genre_scores_gemma":[0.3528166,0.0032177323,0.00020486719,0.000028277962,0.0007722975,1.2284299e-7,0.00054143585,0.00016685622,0.6422518],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9915665,0.00080034335,0.0009223292,0.0014420304,0.00343368,0.0018351192],"domain_scores_gemma":[0.9916451,0.0005702657,0.0020327515,0.001772172,0.0027427268,0.0012369632],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0030514402,0.0012117979,0.0022693789,0.002577344,0.0032725914,0.0002443205,0.003247474,0.0013784183,0.2705525],"category_scores_gemma":[0.0000722206,0.0014632131,0.0023823373,0.00045077983,0.006398596,0.00083603646,0.0016980505,0.0030793787,0.014605566],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007445795,0.0024831065,0.011556741,0.00396299,0.019977497,0.007826344,0.6869922,0.00003635601,0.0007923415,0.17117958,0.06825247,0.019494586],"study_design_scores_gemma":[0.0024027496,0.0003595206,0.00014056129,0.0013112964,0.0022974408,0.00004067917,0.50614464,0.00006784989,0.000009665109,0.0024683196,0.48331755,0.0014397119],"about_ca_topic_score_codex":0.012276318,"about_ca_topic_score_gemma":0.0110454075,"teacher_disagreement_score":0.41506508,"about_ca_system_score_codex":0.00023775431,"about_ca_system_score_gemma":0.0005927225,"threshold_uncertainty_score":0.999918},"labels":[],"label_agreement":null},{"id":"W7139542611","doi":"","title":"Ditte Menneskebarn","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04119729668144123,"score_gpt":0.22722817913035134,"score_spread":0.1860308824489101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139542611","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11798441,0.007103426,0.00010396283,0.0005850072,0.00053095625,0.0012482352,0.027183028,0.00009912889,0.84516186],"genre_scores_gemma":[0.3528166,0.0032177323,0.00020486719,0.000028277962,0.0007722975,1.2284299e-7,0.00054143585,0.00016685622,0.6422518],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9915665,0.00080034335,0.0009223292,0.0014420304,0.00343368,0.0018351192],"domain_scores_gemma":[0.9916451,0.0005702657,0.0020327515,0.001772172,0.0027427268,0.0012369632],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0030514402,0.0012117979,0.0022693789,0.002577344,0.0032725914,0.0002443205,0.003247474,0.0013784183,0.2705525],"category_scores_gemma":[0.0000722206,0.0014632131,0.0023823373,0.00045077983,0.006398596,0.00083603646,0.0016980505,0.0030793787,0.014605566],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007445795,0.0024831065,0.011556741,0.00396299,0.019977497,0.007826344,0.6869922,0.00003635601,0.0007923415,0.17117958,0.06825247,0.019494586],"study_design_scores_gemma":[0.0024027496,0.0003595206,0.00014056129,0.0013112964,0.0022974408,0.00004067917,0.50614464,0.00006784989,0.000009665109,0.0024683196,0.48331755,0.0014397119],"about_ca_topic_score_codex":0.012276318,"about_ca_topic_score_gemma":0.0110454075,"teacher_disagreement_score":0.41506508,"about_ca_system_score_codex":0.00023775431,"about_ca_system_score_gemma":0.0005927225,"threshold_uncertainty_score":0.999918},"labels":[],"label_agreement":null},{"id":"W7139582438","doi":"","title":"Den lille havfrue","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.041672339390013996,"score_gpt":0.22883339887053905,"score_spread":0.18716105948052505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139582438","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11122627,0.0088130925,0.0000974417,0.0005140228,0.00044722168,0.0011919449,0.023175994,0.000092248374,0.85444176],"genre_scores_gemma":[0.34593996,0.002942639,0.00025575174,0.000028714017,0.000703708,1.2272803e-7,0.0004782861,0.00016218449,0.6494886],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9918413,0.00076329097,0.00089953624,0.0014084341,0.0033073851,0.001780046],"domain_scores_gemma":[0.9917679,0.0005515346,0.001903756,0.0017746377,0.0027730947,0.0012291113],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002860897,0.0011661622,0.0022125083,0.0025697763,0.0033195766,0.00025715656,0.0033021285,0.0014501406,0.27395508],"category_scores_gemma":[0.00008125714,0.0014151466,0.0023233742,0.00043851027,0.0061023175,0.00079760497,0.0017547901,0.0030195895,0.014890103],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0073442357,0.0024957769,0.016405083,0.003742142,0.021256385,0.008173985,0.69011724,0.000045363544,0.0005681855,0.14985931,0.08283278,0.017159542],"study_design_scores_gemma":[0.002362414,0.00036154554,0.00015782831,0.0013546782,0.0024286048,0.000046129644,0.49633142,0.0000720349,0.000011428402,0.0019208952,0.49354413,0.0014088788],"about_ca_topic_score_codex":0.014903978,"about_ca_topic_score_gemma":0.014603135,"teacher_disagreement_score":0.41071135,"about_ca_system_score_codex":0.00024740578,"about_ca_system_score_gemma":0.00068043283,"threshold_uncertainty_score":0.99984616},"labels":[],"label_agreement":null},{"id":"W7139626915","doi":"","title":"Kaptajn Klo","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.045531425715872036,"score_gpt":0.22996871642779057,"score_spread":0.18443729071191853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139626915","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09996962,0.0075985673,0.000100676356,0.0005112511,0.00047895862,0.0011576718,0.025063174,0.00009362266,0.8650265],"genre_scores_gemma":[0.3450288,0.003268274,0.00024263571,0.000029269122,0.00073156494,1.064895e-7,0.00047687726,0.00016352617,0.650059],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915312,0.00077777164,0.0009231206,0.0014415877,0.0034947323,0.0018316],"domain_scores_gemma":[0.99152595,0.0005509806,0.002009801,0.0018124505,0.0028505104,0.001250339],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0030325444,0.0012035603,0.0022774416,0.002687891,0.0032315052,0.00025272276,0.0033310503,0.0014605942,0.29780334],"category_scores_gemma":[0.00007752047,0.001466602,0.0024791332,0.0004606535,0.006659029,0.0008097763,0.0016707858,0.0031847707,0.015947178],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0076172203,0.002460575,0.011630159,0.0038279167,0.01876968,0.007863931,0.65680414,0.000038573395,0.0006308413,0.20035134,0.06852255,0.021483064],"study_design_scores_gemma":[0.0022978918,0.00035040115,0.0001305225,0.0013266247,0.0021093755,0.00004084645,0.49472678,0.00006686672,0.000008988358,0.002214558,0.4953616,0.0013655389],"about_ca_topic_score_codex":0.013292614,"about_ca_topic_score_gemma":0.011408972,"teacher_disagreement_score":0.42683905,"about_ca_system_score_codex":0.00024095179,"about_ca_system_score_gemma":0.00067334354,"threshold_uncertainty_score":0.9998357},"labels":[],"label_agreement":null},{"id":"W7139847701","doi":"","title":"Kaptajn Klo","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.045531425715872036,"score_gpt":0.22996871642779057,"score_spread":0.18443729071191853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139847701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09996962,0.0075985673,0.000100676356,0.0005112511,0.00047895862,0.0011576718,0.025063174,0.00009362266,0.8650265],"genre_scores_gemma":[0.3450288,0.003268274,0.00024263571,0.000029269122,0.00073156494,1.064895e-7,0.00047687726,0.00016352617,0.650059],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915312,0.00077777164,0.0009231206,0.0014415877,0.0034947323,0.0018316],"domain_scores_gemma":[0.99152595,0.0005509806,0.002009801,0.0018124505,0.0028505104,0.001250339],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0030325444,0.0012035603,0.0022774416,0.002687891,0.0032315052,0.00025272276,0.0033310503,0.0014605942,0.29780334],"category_scores_gemma":[0.00007752047,0.001466602,0.0024791332,0.0004606535,0.006659029,0.0008097763,0.0016707858,0.0031847707,0.015947178],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0076172203,0.002460575,0.011630159,0.0038279167,0.01876968,0.007863931,0.65680414,0.000038573395,0.0006308413,0.20035134,0.06852255,0.021483064],"study_design_scores_gemma":[0.0022978918,0.00035040115,0.0001305225,0.0013266247,0.0021093755,0.00004084645,0.49472678,0.00006686672,0.000008988358,0.002214558,0.4953616,0.0013655389],"about_ca_topic_score_codex":0.013292614,"about_ca_topic_score_gemma":0.011408972,"teacher_disagreement_score":0.42683905,"about_ca_system_score_codex":0.00024095179,"about_ca_system_score_gemma":0.00067334354,"threshold_uncertainty_score":0.9998357},"labels":[],"label_agreement":null},{"id":"W7139852847","doi":"","title":"Den lille havfrue","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.041672339390013996,"score_gpt":0.22883339887053905,"score_spread":0.18716105948052505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139852847","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11122627,0.0088130925,0.0000974417,0.0005140228,0.00044722168,0.0011919449,0.023175994,0.000092248374,0.85444176],"genre_scores_gemma":[0.34593996,0.002942639,0.00025575174,0.000028714017,0.000703708,1.2272803e-7,0.0004782861,0.00016218449,0.6494886],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9918413,0.00076329097,0.00089953624,0.0014084341,0.0033073851,0.001780046],"domain_scores_gemma":[0.9917679,0.0005515346,0.001903756,0.0017746377,0.0027730947,0.0012291113],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002860897,0.0011661622,0.0022125083,0.0025697763,0.0033195766,0.00025715656,0.0033021285,0.0014501406,0.27395508],"category_scores_gemma":[0.00008125714,0.0014151466,0.0023233742,0.00043851027,0.0061023175,0.00079760497,0.0017547901,0.0030195895,0.014890103],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0073442357,0.0024957769,0.016405083,0.003742142,0.021256385,0.008173985,0.69011724,0.000045363544,0.0005681855,0.14985931,0.08283278,0.017159542],"study_design_scores_gemma":[0.002362414,0.00036154554,0.00015782831,0.0013546782,0.0024286048,0.000046129644,0.49633142,0.0000720349,0.000011428402,0.0019208952,0.49354413,0.0014088788],"about_ca_topic_score_codex":0.014903978,"about_ca_topic_score_gemma":0.014603135,"teacher_disagreement_score":0.41071135,"about_ca_system_score_codex":0.00024740578,"about_ca_system_score_gemma":0.00068043283,"threshold_uncertainty_score":0.99984616},"labels":[],"label_agreement":null},{"id":"W7153684629","doi":"","title":"Chuck-will's-widow and Mockingbird Iu Ontario","year":2024,"lang":"","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01587707692809398,"score_gpt":0.16862012925317227,"score_spread":0.1527430523250783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7153684629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9258477,0.003977437,0.0010112419,0.00068668014,0.002076643,0.00047299394,0.007844337,0.00024741748,0.05783555],"genre_scores_gemma":[0.96167266,0.00032059828,0.00013533812,0.000037335354,0.00054075127,7.275421e-8,0.00029400943,0.00006931592,0.03692991],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958434,0.00013428589,0.0006517302,0.0012571834,0.0011465889,0.00096678385],"domain_scores_gemma":[0.9966134,0.00024477768,0.0007166681,0.0009735027,0.0007064866,0.000745177],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0003984222,0.00093953224,0.0016798554,0.0015533983,0.0022809561,0.0012384044,0.0014256167,0.0005398821,0.0034842915],"category_scores_gemma":[0.000030488165,0.0011844147,0.0015060393,0.00079687615,0.0028134766,0.004585765,0.0011691898,0.0014790337,0.0001839477],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014721415,0.00034005847,0.035636995,0.0015472814,0.0050188745,0.0015793417,0.8893384,0.0001345484,0.00001708487,0.053669985,0.007118554,0.0041267853],"study_design_scores_gemma":[0.0037444578,0.0008549669,0.008404432,0.0021246243,0.004521938,0.000049834543,0.4372757,0.0015661768,0.00001580822,0.001729386,0.53748566,0.0022269862],"about_ca_topic_score_codex":0.011456489,"about_ca_topic_score_gemma":0.016873628,"teacher_disagreement_score":0.53036714,"about_ca_system_score_codex":0.0004024975,"about_ca_system_score_gemma":0.0006547944,"threshold_uncertainty_score":0.9999003},"labels":[],"label_agreement":null},{"id":"W7155551656","doi":"10.59236/emro.v27i8a257","title":"Shaking it Up","year":2025,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Politics; Oath; Performance art; Key (lock)","score_opus":0.062264091655898496,"score_gpt":0.35381099336224003,"score_spread":0.29154690170634157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155551656","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025947755,0.7366135,0.000045724697,0.18671708,0.033625204,0.000798229,0.0011608809,0.000029631807,0.038415],"genre_scores_gemma":[0.054760378,0.32736033,0.0023829045,0.050943166,0.054714855,0.0002229169,0.006792563,0.00008816413,0.5027347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99612314,0.00038624293,0.0018837736,0.0006091184,0.0005006539,0.0004970965],"domain_scores_gemma":[0.9968923,0.0008113109,0.0006906196,0.0006582696,0.0006855714,0.00026196416],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010341717,0.000520132,0.001096703,0.0005909109,0.0008362293,0.00075708696,0.0006538547,0.00015976516,0.03953245],"category_scores_gemma":[0.001579097,0.00042034395,0.00074832205,0.0005522256,0.0002803257,0.00050322426,0.00010785643,0.0007723344,0.00076865585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018169681,0.00074296014,0.0003700523,0.000785565,0.00031727948,0.0000023257337,0.021370677,0.000001165981,0.000005740214,0.31697348,0.62206084,0.037351724],"study_design_scores_gemma":[0.00036087536,0.000017893512,0.0009151468,0.003541102,0.0008494186,0.0000059987597,0.0026285797,0.0000788579,0.0000027739204,0.01065197,0.980563,0.00038439655],"about_ca_topic_score_codex":0.00008547559,"about_ca_topic_score_gemma":0.0012140581,"teacher_disagreement_score":0.4643197,"about_ca_system_score_codex":0.00016841151,"about_ca_system_score_gemma":0.0010896415,"threshold_uncertainty_score":0.9998248},"labels":[],"label_agreement":null},{"id":"W7162006289","doi":"10.82308/27128","title":"Turning the inverted pyramid inside-out: Professional ideology, professionalization, and education of journalists reconsidered","year":2012,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Professionalization; Objectivity (philosophy); Technical Journalism; Ideology; CONTEST; Institutionalisation; Narrative; Politics","score_opus":0.025678505897231838,"score_gpt":0.285573979465993,"score_spread":0.25989547356876114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162006289","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7786847,0.03214072,0.00001942444,0.004168415,0.023007093,0.0013499252,0.00015767323,0.00011872769,0.16035335],"genre_scores_gemma":[0.7309053,0.00031421537,0.000063756124,0.0013530918,0.0016498799,0.00005272078,0.0025684445,0.000046972622,0.26304564],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977569,0.00036530025,0.0009312926,0.00026881477,0.0004189372,0.00025878404],"domain_scores_gemma":[0.99700636,0.00023319155,0.0012025627,0.0002686645,0.001169038,0.00012020149],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005912993,0.00033426547,0.0005101015,0.00039276681,0.00082999247,0.00023143356,0.00022922811,0.00030572762,0.0060639647],"category_scores_gemma":[0.00021943495,0.00019545153,0.00017582095,0.00009859338,0.00023923737,0.0005838917,0.000041887062,0.0007098782,0.000015026556],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021180381,0.00048954523,0.0061187744,0.0009601588,0.0009058894,0.000002638396,0.44506568,0.0000021523583,0.0010661744,0.35567117,0.18154028,0.007965732],"study_design_scores_gemma":[0.0018891748,0.00016036739,0.07673459,0.0068242177,0.0031309915,0.0001442303,0.25735965,0.00029290293,0.0018047945,0.13697837,0.5125296,0.002151088],"about_ca_topic_score_codex":0.0002912396,"about_ca_topic_score_gemma":0.0049506333,"teacher_disagreement_score":0.33098936,"about_ca_system_score_codex":0.00003306991,"about_ca_system_score_gemma":0.00062004727,"threshold_uncertainty_score":0.9948446},"labels":[],"label_agreement":null},{"id":"W78435854","doi":"","title":"Another Good Neibhbor?: Hollywood's (Re)embracing of Brazil in \"Rio\" (2011) and \"Fast Five\" (2011)","year":2012,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; History; Art; Political science; Art history","score_opus":0.014339822956023714,"score_gpt":0.22194647030179548,"score_spread":0.20760664734577178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W78435854","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9784106,0.014565009,0.000017638204,0.00031185904,0.00029322182,0.00024485838,0.00018952841,0.000028783445,0.005938513],"genre_scores_gemma":[0.9947987,0.00045902794,0.000092555536,0.00096569397,0.0006503613,0.000017325192,0.000018063252,0.00005234867,0.0029458792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977718,0.00019627642,0.00063041993,0.00034891607,0.00025723662,0.00079536514],"domain_scores_gemma":[0.9985906,0.00013939722,0.00032794333,0.00046543204,0.00015650771,0.0003201575],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00075015775,0.00033807935,0.00071508257,0.00038122758,0.00028403173,0.00019741662,0.00022937014,0.00010933379,0.0019265562],"category_scores_gemma":[0.00007074823,0.00029665392,0.00018741154,0.00010436437,0.0002128408,0.000499669,0.0000743544,0.00034207772,0.000050692175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069383954,0.0002505436,0.034808565,0.0003734741,0.00035349303,0.00010335563,0.0660152,0.000008979448,0.00025699448,0.87156844,0.022273356,0.003918221],"study_design_scores_gemma":[0.0014070403,0.00016184608,0.025751136,0.00037675985,0.000462154,0.000100862286,0.005879488,0.00014673914,0.00009410895,0.0001329157,0.96470445,0.00078247493],"about_ca_topic_score_codex":0.0026144034,"about_ca_topic_score_gemma":0.023907932,"teacher_disagreement_score":0.9424311,"about_ca_system_score_codex":0.00016591162,"about_ca_system_score_gemma":0.00012298135,"threshold_uncertainty_score":0.99994856},"labels":[],"label_agreement":null},{"id":"W81125689","doi":"","title":"Seeing-Eye Gods: CCTV and Surveillance in Tati's and Kubrick's 1960s Space Odysseys","year":2013,"lang":"en","type":"article","venue":"Cineaction!","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Craft; Comedy; Art history; Visual arts; Dance; History","score_opus":0.008280527489840504,"score_gpt":0.19832912057246968,"score_spread":0.19004859308262917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W81125689","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9629116,0.0022777556,0.000034339126,0.002644434,0.00036367835,0.0001300141,0.000018004335,0.00004213752,0.031578038],"genre_scores_gemma":[0.9782708,0.00025835287,0.00005960988,0.0003698784,0.0005347838,0.000009867042,0.000017399712,0.0000137462475,0.020465555],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.999235,0.00005530125,0.00020256308,0.00021084222,0.00011129379,0.0001850279],"domain_scores_gemma":[0.99950784,0.000072481635,0.00009119061,0.00013514073,0.00010711993,0.00008622157],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015622222,0.0001382133,0.00021714623,0.00016305894,0.0002154184,0.00048063355,0.00005318304,0.000044257096,0.0011983481],"category_scores_gemma":[0.00003513079,0.00011292107,0.00003777862,0.00007930382,0.0000971562,0.00059112057,0.000023267985,0.0001855628,0.000043077172],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108170905,0.00039678803,0.4991349,0.00046964508,0.0005047608,0.000116336196,0.15039393,0.000046998277,0.0030069274,0.12151531,0.18336724,0.040938992],"study_design_scores_gemma":[0.0013256044,0.00008440593,0.22591269,0.000082532424,0.000047726146,0.000049544436,0.015095907,0.0013389521,0.000052600408,0.00290328,0.75255954,0.0005471885],"about_ca_topic_score_codex":0.0019660406,"about_ca_topic_score_gemma":0.00221503,"teacher_disagreement_score":0.56919235,"about_ca_system_score_codex":0.00001976024,"about_ca_system_score_gemma":0.000011163645,"threshold_uncertainty_score":0.9997147},"labels":[],"label_agreement":null},{"id":"W93872557","doi":"","title":"The Toronto Globe and Mail (Poem)","year":2004,"lang":"en","type":"article","venue":"TLS, the Times literary supplement/Times literary supplement on CD-ROM/TLS. Times literary supplement","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globe; Poetry; Postal service; Media studies; Advertising; Telecommunications; History; Sociology; Art; Business; Engineering; Psychology; Political science; Literature; Public administration","score_opus":0.011775226935618121,"score_gpt":0.23060602357590368,"score_spread":0.21883079664028557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W93872557","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0760006,0.2791432,0.00023674507,0.3135748,0.018300971,0.026084874,0.15203337,0.0037364834,0.13088894],"genre_scores_gemma":[0.66392016,0.0070190537,0.005888109,0.025256325,0.011234486,0.002163006,0.047259882,0.00090532505,0.23635367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.979762,0.0019782975,0.0056915414,0.0036790562,0.0040396736,0.0048494027],"domain_scores_gemma":[0.98947877,0.0014896097,0.0018950432,0.004796243,0.0007245722,0.0016157429],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0037066012,0.0038441664,0.0027222054,0.0010167395,0.006135126,0.010196887,0.0045666965,0.00052658975,0.18022664],"category_scores_gemma":[0.00007812657,0.002626994,0.0020211625,0.0008777908,0.0014695728,0.0074604745,0.0024086984,0.0020758943,0.0011258364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012799483,0.0014699331,0.0011879458,0.00036447318,0.003049242,0.00036671307,0.08693464,0.000027864804,0.00013160013,0.2334768,0.66036814,0.011342674],"study_design_scores_gemma":[0.007700515,0.0023676716,0.0007333238,0.00076635537,0.0011194503,0.0002129286,0.0061347154,0.00019677906,0.00037670118,0.04844302,0.92899936,0.002949145],"about_ca_topic_score_codex":0.0017371684,"about_ca_topic_score_gemma":0.0031535875,"teacher_disagreement_score":0.58791953,"about_ca_system_score_codex":0.0011813276,"about_ca_system_score_gemma":0.00060700346,"threshold_uncertainty_score":0.9996519},"labels":[],"label_agreement":null},{"id":"W945495408","doi":"","title":"High Anxiety in the Bush Garden: Some Common Prejudicies in Mainstream Canadian Criticism.","year":2000,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Criticism; Anxiety; Art; Gender studies; Sociology; Demography; Literature; Psychology; Political science; Law; Psychiatry","score_opus":0.011052445998114264,"score_gpt":0.2050594222871824,"score_spread":0.19400697628906816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W945495408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.558853,0.00056161557,3.0204774e-8,0.010354586,0.00019172058,0.00018168245,0.0005282047,0.000019731258,0.42930943],"genre_scores_gemma":[0.97772056,0.00011751975,0.000008288147,0.017353361,0.00096493994,0.000023104009,0.000109810724,0.000028371922,0.0036740554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978231,0.0002158524,0.00046404512,0.00029646954,0.00027638974,0.0009241108],"domain_scores_gemma":[0.999024,0.00012110543,0.000050901002,0.00033517895,0.00005048243,0.00041834204],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064283906,0.0002455088,0.00032681954,0.00072681915,0.0007994102,0.0008425487,0.00042907457,0.00011048063,0.004979768],"category_scores_gemma":[0.000032221033,0.00020903214,0.00011096103,0.00021332678,0.00015347313,0.00034609027,0.000007414309,0.0006550528,0.00009074718],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026008094,0.00012953408,0.016189631,0.00008180922,0.00008219771,0.0021662004,0.11480052,0.0005259991,0.0000029105513,0.7667044,0.06987591,0.029414898],"study_design_scores_gemma":[0.0010149273,0.0000903174,0.010972079,0.0006290236,0.000057582503,0.00005147372,0.052320406,0.00038832193,0.000014056784,0.012844564,0.9207871,0.00083012466],"about_ca_topic_score_codex":0.9472772,"about_ca_topic_score_gemma":0.99897385,"teacher_disagreement_score":0.8509112,"about_ca_system_score_codex":0.00041109824,"about_ca_system_score_gemma":0.0003440685,"threshold_uncertainty_score":0.99592984},"labels":[],"label_agreement":null},{"id":"W960403672","doi":"","title":"W.O.: The Life of W.O. Mitchell. Beginnings to 'Who Has Seen the Wind' by Barbara Mitchell, Ormond Mitchell (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; History","score_opus":0.008827926950177253,"score_gpt":0.18213394019118076,"score_spread":0.1733060132410035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W960403672","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35655317,0.305175,0.00010187271,0.040109962,0.00082706835,0.0017674225,0.0010755376,0.0001591668,0.2942308],"genre_scores_gemma":[0.6477584,0.017625103,0.00015648533,0.005457242,0.00085717277,0.000001954412,0.00009182028,0.000065482745,0.3279863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982994,0.00017339783,0.00041861963,0.00028991216,0.0004588863,0.00035978074],"domain_scores_gemma":[0.9984281,0.00015924244,0.00029494122,0.0006165769,0.00028788528,0.00021325913],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040957413,0.00026822495,0.00052931224,0.0000354544,0.0008789331,0.00015057481,0.00097298005,0.000086259395,0.009091639],"category_scores_gemma":[0.000013087452,0.00018378226,0.00044848258,0.00006554082,0.00056776503,0.0005468866,0.000033790577,0.00021413501,0.0001063392],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015274576,0.00010517686,0.00006180181,0.000119471515,0.0004855688,0.000008396495,0.15074442,0.0000028090285,0.0001595979,0.0016591373,0.8300675,0.016433366],"study_design_scores_gemma":[0.0004330292,0.00033277003,0.0002977595,0.00021957238,0.00045294187,0.000002156616,0.02068779,0.00003157773,0.00003659128,0.000094327464,0.97717535,0.00023612939],"about_ca_topic_score_codex":0.017067725,"about_ca_topic_score_gemma":0.00918345,"teacher_disagreement_score":0.2912053,"about_ca_system_score_codex":0.00006567109,"about_ca_system_score_gemma":0.00008339917,"threshold_uncertainty_score":0.9918142},"labels":[],"label_agreement":null},{"id":"W976395","doi":"10.1007/bf00238277","title":"Stanley Kubrick Drama and Shadows: Photographs 1945-1950","year":2006,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Drama; Context (archaeology); Photojournalism; Art; Entertainment; Art history; Visual arts; Studio; Comics; Photography; Literature; History","score_opus":0.01974676814770627,"score_gpt":0.21628337099202846,"score_spread":0.1965366028443222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W976395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69179684,0.22578688,0.000018657567,0.004222165,0.0032091518,0.00022426753,0.00057987263,0.000031717103,0.07413044],"genre_scores_gemma":[0.9910915,0.0011905748,0.000097218515,0.0007740924,0.0014817275,0.000002224657,0.00000727051,0.000020792286,0.0053346306],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985716,0.000060097198,0.00057607034,0.00015522871,0.00023211529,0.00040493606],"domain_scores_gemma":[0.99841034,0.00008175267,0.00033475828,0.00013620021,0.00066785334,0.00036907982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003228657,0.00022515368,0.00050957233,0.0006692705,0.00081833167,0.00056818925,0.00019180834,0.00005132483,0.0006789308],"category_scores_gemma":[0.000073940784,0.00017046809,0.00024771396,0.00013875647,0.00051459763,0.00041350417,0.00001639593,0.00029952612,0.000008065182],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046860565,0.00006129197,0.02507209,0.00014931214,0.0020778922,0.0014225666,0.16733496,0.000037936206,0.000043680375,0.061321624,0.7385378,0.0038939968],"study_design_scores_gemma":[0.0006752377,0.00018179286,0.002903669,0.0002243231,0.0003974021,0.00017758619,0.03560768,0.000012958072,0.000027374024,0.0112071615,0.9482291,0.00035575833],"about_ca_topic_score_codex":0.015350272,"about_ca_topic_score_gemma":0.31400153,"teacher_disagreement_score":0.29929462,"about_ca_system_score_codex":0.00007498422,"about_ca_system_score_gemma":0.00022784379,"threshold_uncertainty_score":0.9912066},"labels":[],"label_agreement":null}]}