{"meta":{"query_hash":"c0638f1f14cc","filters":{"topic":"Literature, Film, and Journalism Analysis"},"cohort_total":330,"direct_labels_cover":0,"predictions_cover":330,"exported":330,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c0638f1f14cc","api":"https://metacan.xera.ac/api/v1/cohort?topic=Literature%2C+Film%2C+and+Journalism+Analysis"},"results":[{"id":"W101138539","doi":"","title":"2004, Liz Magor: LightShed","year":2007,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.009889576387457586,"score_gpt":0.21821504746459017,"score_spread":0.2083254710771326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W101138539","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045028264,0.08786943,0.0034214952,0.14903952,0.019447848,0.000059472804,0.0023327498,0.000956664,0.73236996],"genre_scores_gemma":[0.014550516,0.009942136,0.0013265274,0.0068928436,0.0022908319,0.000023637847,0.00060033874,0.0004181877,0.963955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996063,0.00008739048,0.000017540462,0.000075479125,0.000158959,0.000054353706],"domain_scores_gemma":[0.9993988,0.00014333182,0.000034728935,0.00007396139,0.00020317738,0.00014598703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085929147,0.00040827194,0.0003096599,0.0015964836,0.004093021,0.006532085,0.000927362,0.0028970728,0.13296908],"category_scores_gemma":[0.0026954121,0.00037689973,0.00022753401,0.001756054,0.0011109399,0.0045041363,0.0017670407,0.002648932,0.038635332],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026149624,0.000008091495,0.00017618934,0.00005070818,0.000002729743,0.000048418857,0.0005900008,0.000019013809,0.00015005178,0.017473755,0.9316956,0.049759313],"study_design_scores_gemma":[0.000001666282,0.0000015254162,0.00035623673,0.00006292421,0.0000017839195,0.000032735123,0.0006099894,0.000020452126,0.00008126373,0.0012858819,0.9975432,0.000002364572],"about_ca_topic_score_codex":0.019412685,"about_ca_topic_score_gemma":0.07658179,"teacher_disagreement_score":0.13296908,"about_ca_system_score_codex":0.0017918283,"about_ca_system_score_gemma":0.0013952738,"threshold_uncertainty_score":0.4448259},"labels":[],"label_agreement":null},{"id":"W1038941215","doi":"10.3138/cjfs.22.2.41","title":"The Romantic Model of <i>2001: A Space Odyssey</i>","year":2013,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history; Sublime","score_opus":0.03515765412361979,"score_gpt":0.2284503327579041,"score_spread":0.19329267863428432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1038941215","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10283126,0.0136316605,0.018888773,0.043538265,0.001031942,0.00005905677,0.00013516333,0.00006426386,0.8198197],"genre_scores_gemma":[0.90990263,0.005503328,0.0034135098,0.0024813025,0.00023786224,0.00006756967,0.00005677361,0.00007870428,0.078258276],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99917525,0.0005308641,0.000021716514,0.00009881674,0.00009020873,0.0000831531],"domain_scores_gemma":[0.9992938,0.00034659827,0.0000845315,0.000085771986,0.000097182114,0.000092014125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011884561,0.00035026993,0.00018025559,0.00085642934,0.0043363273,0.0067566982,0.00050154346,0.0010748509,0.0066591306],"category_scores_gemma":[0.0019035392,0.00018318255,0.00019812393,0.0010788122,0.012385452,0.006940156,0.0024971992,0.0026951598,0.00060524966],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018265371,0.00001427451,0.00049241446,0.000048156817,0.0000024890428,0.00011041059,0.062032476,0.00007855999,0.00021960177,0.920695,0.008383918,0.007904412],"study_design_scores_gemma":[0.000012051811,0.000042343636,0.0030270077,0.00032611482,0.000008350506,0.0004793184,0.09068772,0.0004917251,0.0006884672,0.12466754,0.77955,0.000019483134],"about_ca_topic_score_codex":0.011405316,"about_ca_topic_score_gemma":0.015377979,"teacher_disagreement_score":0.011405316,"about_ca_system_score_codex":0.0042439685,"about_ca_system_score_gemma":0.0019509484,"threshold_uncertainty_score":0.030792296},"labels":[],"label_agreement":null},{"id":"W1129742355","doi":"","title":"LibGuides: Newspapers: Standoff, Alberta","year":2012,"lang":"en","type":"libguides","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Political science; Business","score_opus":0.029532782682283057,"score_gpt":0.2357598485828824,"score_spread":0.20622706590059936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1129742355","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00896844,0.036947675,0.000225299,0.003331757,0.0011622959,0.000056976944,0.023521235,0.0009810113,0.9248053],"genre_scores_gemma":[0.0123853525,0.0106939105,0.00023462677,0.00017968814,0.00017178599,0.000026344936,0.0039056605,0.0002468802,0.9721557],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996728,0.000021242524,0.000013440171,0.00006256161,0.00016422976,0.000065711734],"domain_scores_gemma":[0.9992188,0.00015399966,0.000043790104,0.000038026996,0.0003634506,0.00018186116],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003302012,0.0011541651,0.00056420127,0.0050002104,0.0033821147,0.0068458007,0.0007454448,0.0012389341,0.38669312],"category_scores_gemma":[0.00090886065,0.0005426249,0.0001745024,0.017288944,0.0008502209,0.002630962,0.0010406991,0.0012443768,0.07323375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008185929,0.0000377111,0.0013961227,0.0004583623,0.0000075647954,0.00030887156,0.000978983,0.00016866051,0.0004398564,0.0036145216,0.8534382,0.13906924],"study_design_scores_gemma":[0.000010108743,0.000007688347,0.013183415,0.00049043575,0.000007707257,0.0001498088,0.0021509924,0.000091282265,0.00031674383,0.00056302274,0.98301387,0.000014918711],"about_ca_topic_score_codex":0.33400533,"about_ca_topic_score_gemma":0.6890618,"teacher_disagreement_score":0.66599464,"about_ca_system_score_codex":0.0060249576,"about_ca_system_score_gemma":0.007214912,"threshold_uncertainty_score":0.87480783},"labels":[],"label_agreement":null},{"id":"W1277346630","doi":"","title":"Michel Chion, Stanley Kubrick et l’épuisement du sujet. CHION, Michel. Stanley Kubrick, l’humain, ni plus ni moins, Paris, Éditions Cahiers du cinéma, 2005, 560 p. DUNCAN, Paul. Stanley Kubrick, filmographie complète, Cologne, Taschen, 2003, 192 p.CHION, Michel. Stanley Kubrick, l’humain, ni plus ni moins, Paris, Éditions Cahiers du cinéma, 2005, 560 p.DUNCAN, Paul. Stanley Kubrick, filmographie complète, Cologne, Taschen, 2003, 192 p.","year":2005,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.00994717671349579,"score_gpt":0.22272907149472077,"score_spread":0.21278189478122497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1277346630","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002401624,0.8206168,0.00094616844,0.08016954,0.0058595953,0.00001901525,0.00018062029,0.00006844318,0.089738294],"genre_scores_gemma":[0.12814513,0.5278809,0.0025171624,0.0222385,0.008618696,0.00014519831,0.00026189914,0.00038426367,0.3098083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921334,0.000291421,0.00003560742,0.00012359764,0.00024888886,0.00008716796],"domain_scores_gemma":[0.99881566,0.0006028588,0.00012778943,0.000036532907,0.00026478912,0.00015241276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010135252,0.0009153555,0.00043650705,0.0021989713,0.0043366007,0.0058997544,0.0008239069,0.0029056242,0.015027066],"category_scores_gemma":[0.003200896,0.00059302244,0.00020345548,0.0034924801,0.0045828805,0.0064517204,0.0011180312,0.0035226133,0.0033197997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005662138,0.000020800282,0.00052178407,0.00039017756,0.000009382577,0.00024093718,0.013629854,0.00005380662,0.00019355823,0.118209586,0.8155712,0.051102262],"study_design_scores_gemma":[0.0000072457274,0.000007798599,0.0022572216,0.000384126,0.0000054402617,0.00019801938,0.005301801,0.000030173549,0.0001707548,0.011091081,0.98053086,0.000015479724],"about_ca_topic_score_codex":0.10406049,"about_ca_topic_score_gemma":0.21776257,"teacher_disagreement_score":0.10406049,"about_ca_system_score_codex":0.00546908,"about_ca_system_score_gemma":0.0038541257,"threshold_uncertainty_score":0.2069096},"labels":[],"label_agreement":null},{"id":"W1489662781","doi":"","title":"The Yellow Journalism: The Press and America's Emergence as a World Power","year":2007,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Power (physics); Scholarship; Biography; Media studies; Sociology; History; Law; Art history; Political science","score_opus":0.015088979553089039,"score_gpt":0.25405686693238977,"score_spread":0.23896788737930072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1489662781","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059223543,0.4574923,0.0012303534,0.28899473,0.010810381,0.000016742182,0.00018836987,0.00013322044,0.23521158],"genre_scores_gemma":[0.30813962,0.2738573,0.0017146092,0.046034522,0.023762515,0.00008487541,0.00021984293,0.0003332776,0.34585348],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99908304,0.00032209326,0.00003246877,0.000093626644,0.00033056457,0.00013810676],"domain_scores_gemma":[0.99748296,0.00095267606,0.00026555688,0.00014928191,0.00037857163,0.00077098096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016896381,0.0004352122,0.00026191823,0.0015585248,0.004105125,0.013761678,0.0005524421,0.0019574016,0.014799501],"category_scores_gemma":[0.0042809495,0.00034053158,0.00018920418,0.002207103,0.0076655042,0.016369801,0.0037124522,0.0037835734,0.0025551855],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029843559,0.000020303229,0.0007510395,0.00012420877,0.000007051948,0.00011995476,0.009817613,0.00004475151,0.00017548449,0.23410758,0.69768316,0.057119],"study_design_scores_gemma":[0.000007424395,0.0000067264004,0.0015357678,0.00021417461,0.0000031616028,0.00006657739,0.0056364327,0.000040747265,0.000051203264,0.04443138,0.94799995,0.0000064180326],"about_ca_topic_score_codex":0.010794166,"about_ca_topic_score_gemma":0.022794833,"teacher_disagreement_score":0.014799501,"about_ca_system_score_codex":0.0040441495,"about_ca_system_score_gemma":0.0051420038,"threshold_uncertainty_score":0.049509287},"labels":[],"label_agreement":null},{"id":"W1492474314","doi":"","title":"The war reporting of Robert Fisk: relentlessly exposing the horror","year":2012,"lang":"en","type":"book-chapter","venue":"Lincoln Repository (University of Lincoln)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Media studies; Citizen journalism; History; Spanish Civil War; Art history; Sociology; Literature; Art; Classics; Law; Political science","score_opus":0.020914646169141595,"score_gpt":0.18893206952066646,"score_spread":0.16801742335152486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492474314","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013046269,0.14977054,0.0014459608,0.7073634,0.03951482,0.000022748403,0.000069301044,0.0001678035,0.08859908],"genre_scores_gemma":[0.41105157,0.10645071,0.0030102266,0.2513921,0.060640167,0.00013653285,0.00010696625,0.0010652955,0.16614643],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940475,0.0031431625,0.00018244103,0.0005787043,0.0015166297,0.00053144107],"domain_scores_gemma":[0.98773915,0.007886927,0.0008135747,0.000712349,0.0013520847,0.0014959377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0075186,0.0008986994,0.00050953834,0.00250403,0.011086705,0.021018889,0.001315931,0.00592386,0.005053339],"category_scores_gemma":[0.019123975,0.00042705177,0.00034441476,0.0017633329,0.029121656,0.017486284,0.006013412,0.010282685,0.0016145187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057590114,0.000023597095,0.0007103462,0.00029000177,0.000015939027,0.0005172442,0.09672471,0.00005127429,0.0005756823,0.1270113,0.73404056,0.039981794],"study_design_scores_gemma":[0.000005473274,0.000020344818,0.000438971,0.00046969077,0.0000064118562,0.00049895584,0.038375176,0.000032427262,0.00023339235,0.01379194,0.94610727,0.000020021858],"about_ca_topic_score_codex":0.008762924,"about_ca_topic_score_gemma":0.018180748,"teacher_disagreement_score":0.021018889,"about_ca_system_score_codex":0.0049847597,"about_ca_system_score_gemma":0.005337863,"threshold_uncertainty_score":0.039762676},"labels":[],"label_agreement":null},{"id":"W1494758873","doi":"10.3138/topia.11.83","title":"Usual Culture: The Jet","year":2004,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; Politics; Aesthetics; Swift; Assertion; Epistemology; Political science; Computer science; Law; Philosophy","score_opus":0.043632186953918246,"score_gpt":0.2593038546353592,"score_spread":0.21567166768144097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494758873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37225735,0.006877802,0.0066130087,0.031926252,0.0020261875,0.00004085578,0.000087163906,0.00007257669,0.58009887],"genre_scores_gemma":[0.9838861,0.0015196078,0.0005564581,0.0022724033,0.00018398263,0.000015513122,0.000022499422,0.000046094636,0.0114972815],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971064,0.0011113959,0.00010422194,0.0003577467,0.0008608944,0.00045933202],"domain_scores_gemma":[0.9980311,0.000563616,0.00025155614,0.00021867023,0.00050291105,0.00043222116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018564978,0.00026108822,0.00027229346,0.00092580914,0.008954358,0.012627719,0.00088121014,0.0013431988,0.0044344426],"category_scores_gemma":[0.004037023,0.00018502893,0.00021084848,0.0013801983,0.022663217,0.007957175,0.005210285,0.0035833793,0.00044716836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047343827,0.00003596641,0.0038720327,0.00011191198,0.00000993244,0.0006478195,0.41098237,0.00005000461,0.0004891642,0.5486348,0.00683054,0.028288085],"study_design_scores_gemma":[0.000016151083,0.00009616008,0.0059328363,0.00056860683,0.000020240792,0.00096168194,0.51242167,0.00014005334,0.00051737105,0.051434375,0.42784467,0.000046181605],"about_ca_topic_score_codex":0.021966118,"about_ca_topic_score_gemma":0.021333009,"teacher_disagreement_score":0.021966118,"about_ca_system_score_codex":0.0046197176,"about_ca_system_score_gemma":0.0045808842,"threshold_uncertainty_score":0.043676555},"labels":[],"label_agreement":null},{"id":"W1496842487","doi":"","title":"Transhumanity in Contemporary Canadian Poetry","year":2003,"lang":"ko","type":"article","venue":"새한영어영문학회 학술발표회 논문집","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Literature","score_opus":0.041915486673614485,"score_gpt":0.23024536517309255,"score_spread":0.18832987849947808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496842487","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5412918,0.004918558,0.0016885549,0.005672759,0.00025137232,0.000058337333,0.0001405917,0.00004515584,0.4459329],"genre_scores_gemma":[0.99038786,0.0006772581,0.00024333173,0.00014356134,0.000024822628,0.000007849026,0.000019245168,0.00001926557,0.00847686],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99641186,0.0011626164,0.00009215794,0.0004222325,0.0009382081,0.00097284024],"domain_scores_gemma":[0.99443936,0.0022640843,0.00041087845,0.00037319682,0.0017316396,0.0007808901],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024313696,0.0005138698,0.00035027612,0.007195961,0.03327351,0.014275887,0.0014707126,0.001560881,0.010413236],"category_scores_gemma":[0.009026279,0.00024080375,0.00020195548,0.010578965,0.036567383,0.0035410682,0.0045221914,0.002936839,0.00028409265],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056701403,0.00002204745,0.0036732596,0.00011037306,0.000014700963,0.00058896095,0.67893004,0.000104376806,0.00052072515,0.28646937,0.0033548705,0.026154552],"study_design_scores_gemma":[0.000007602076,0.000024901632,0.026890483,0.0002562097,0.000033708944,0.0005298728,0.7106804,0.0002565137,0.0005052083,0.01491562,0.24584565,0.00005380492],"about_ca_topic_score_codex":0.85681224,"about_ca_topic_score_gemma":0.9312353,"teacher_disagreement_score":0.14318776,"about_ca_system_score_codex":0.041492064,"about_ca_system_score_gemma":0.044144012,"threshold_uncertainty_score":0.30104738},"labels":[],"label_agreement":null},{"id":"W1500035247","doi":"","title":"Reinventing the Feature Story: Mythic Cycles in American Literary Journalism","year":2005,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Politics; Context (archaeology); Sociology; Media studies; Mass media; Communication studies; Empire; Political history; History; Law; Social science; Political science","score_opus":0.01674268824074552,"score_gpt":0.24902721247985296,"score_spread":0.23228452423910745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1500035247","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04460001,0.055557676,0.007108265,0.4281609,0.014460583,0.000064441374,0.00012872975,0.00027889997,0.44964048],"genre_scores_gemma":[0.8869885,0.011976805,0.0024478333,0.019684244,0.010135581,0.00017306076,0.00007171708,0.00047538162,0.06804688],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947349,0.003750493,0.000120408826,0.00028633565,0.000689714,0.0004183359],"domain_scores_gemma":[0.9848275,0.010275186,0.00092652603,0.0013854366,0.0014229328,0.0011624289],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007242319,0.00038133826,0.00038808238,0.0033229743,0.015824629,0.017627768,0.0013898199,0.0035564257,0.0051693814],"category_scores_gemma":[0.0244893,0.00044200564,0.00028064195,0.0034253122,0.041206926,0.020606274,0.0067514554,0.0053779655,0.0010142501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003651813,0.000017259026,0.00052792276,0.000049411097,0.0000053742174,0.00015810752,0.14462484,0.000049497317,0.000043939388,0.7034935,0.12592755,0.02506615],"study_design_scores_gemma":[0.00001242058,0.000017860459,0.00060533226,0.00026728804,0.000005212448,0.00017659005,0.045787733,0.00013862722,0.000075772456,0.16813701,0.78476024,0.000015926378],"about_ca_topic_score_codex":0.0065721893,"about_ca_topic_score_gemma":0.008803945,"teacher_disagreement_score":0.017627768,"about_ca_system_score_codex":0.007106744,"about_ca_system_score_gemma":0.0034387377,"threshold_uncertainty_score":0.051563323},"labels":[],"label_agreement":null},{"id":"W1505649807","doi":"10.18061/dsq.v27i3.39","title":"Review of John Terpstra, The Boys: Or, Waiting for the Electrician's Daughter.","year":2007,"lang":"en","type":"article","venue":"Disability Studies Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Daughter; Art; Psychoanalysis; Genealogy; Psychology; History; Political science; Law","score_opus":0.055660467250988256,"score_gpt":0.3253323285186276,"score_spread":0.2696718612676393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505649807","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000028690443,0.98345184,0.000026206912,0.008450825,0.00700428,0.000008499843,0.00006329447,0.0000033737629,0.0009630298],"genre_scores_gemma":[0.0004618254,0.98231214,0.00005949841,0.00858839,0.0056335293,0.000017231358,0.00008573369,0.000006336451,0.0028353503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908185,0.00021267324,0.00018189936,0.00011500412,0.00034703442,0.00006157852],"domain_scores_gemma":[0.9946286,0.002132987,0.00048017572,0.00010306138,0.002237057,0.00041813485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021090545,0.0009957815,0.0019416072,0.0073605767,0.00071301276,0.0022748811,0.0019255768,0.0022092715,0.013183557],"category_scores_gemma":[0.009576683,0.0005395696,0.000626765,0.0071359514,0.0010867955,0.0033387567,0.0013415138,0.0025878453,0.006098513],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040122926,0.000009973166,0.00008144982,0.014034682,0.000053670596,0.000110683046,0.00015338078,0.000037494603,0.00010799038,0.0009190621,0.8694908,0.11496059],"study_design_scores_gemma":[0.0000120607765,0.000012462997,0.0006009459,0.011032525,0.000061177925,0.0002733794,0.000162649,0.0000059796967,0.00003462211,0.0002560908,0.98753846,0.000009636096],"about_ca_topic_score_codex":0.012410008,"about_ca_topic_score_gemma":0.034466423,"teacher_disagreement_score":0.013183557,"about_ca_system_score_codex":0.0018804766,"about_ca_system_score_gemma":0.00607836,"threshold_uncertainty_score":0.044103444},"labels":[],"label_agreement":null},{"id":"W1511861644","doi":"","title":"Weesageechak Meets the Weetigo: Storytelling, Humour, and Trauma in the Fiction of Richard Van Camp, Tomson Highway, and Eden Robinson","year":2009,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Storytelling; Art; Literature; Art history; Narrative","score_opus":0.020120555002335092,"score_gpt":0.24993592457368746,"score_spread":0.22981536957135237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511861644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17918687,0.11575749,0.0025291184,0.32843903,0.0043114126,0.000119153614,0.00031762695,0.00011256091,0.36922675],"genre_scores_gemma":[0.87886214,0.041174702,0.0014143117,0.0105266385,0.0010370137,0.00005096942,0.00007270875,0.00015126733,0.06671034],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975793,0.0013016785,0.000035059817,0.000120482815,0.0006001937,0.00036336613],"domain_scores_gemma":[0.99334854,0.0046620527,0.0003127598,0.00014734922,0.00083954085,0.00068969565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026144215,0.00062091864,0.0005771283,0.00243494,0.026200024,0.010888104,0.0012567336,0.0027178081,0.003587986],"category_scores_gemma":[0.010228766,0.00035126792,0.0002051917,0.002945541,0.032130275,0.00496152,0.0026401256,0.0054834313,0.0003475295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060467657,0.00003864549,0.001557368,0.00024374532,0.000021164798,0.0011594234,0.6209603,0.00027428006,0.0003479451,0.18514109,0.16577047,0.024425065],"study_design_scores_gemma":[0.0000070939113,0.000016871843,0.0030767168,0.0004885144,0.00001623255,0.0005752555,0.39901665,0.00008634558,0.0004343967,0.014166306,0.58207345,0.00004219387],"about_ca_topic_score_codex":0.63531625,"about_ca_topic_score_gemma":0.811235,"teacher_disagreement_score":0.36468375,"about_ca_system_score_codex":0.021412842,"about_ca_system_score_gemma":0.020387849,"threshold_uncertainty_score":0.73366284},"labels":[],"label_agreement":null},{"id":"W152380657","doi":"10.1353/mos.2022.a948453","title":"Showings Forth: Dubliners , Photography, and the Rejection of Realism","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Realism; Photography; Art; Philosophy; Literature; Visual arts","score_opus":0.01098409593059842,"score_gpt":0.19164208489483006,"score_spread":0.18065798896423163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W152380657","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21540597,0.00491393,0.0027121063,0.02748407,0.0004707645,0.000029064857,0.000046308887,0.000035787532,0.748902],"genre_scores_gemma":[0.9780667,0.000656061,0.00023997678,0.0008494688,0.00007495442,0.000010281921,0.000009031064,0.000027980146,0.020065524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966994,0.0020544769,0.00006431234,0.00028457318,0.000494042,0.0004032707],"domain_scores_gemma":[0.9964133,0.0023685063,0.00028566408,0.0003252151,0.0003928432,0.00021450884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044183033,0.0002090419,0.00029199966,0.0015362033,0.011135982,0.011094053,0.0006809362,0.0015666628,0.005719382],"category_scores_gemma":[0.006188587,0.00021683329,0.00016461215,0.0011686906,0.046435907,0.0053819227,0.0041237823,0.003064882,0.00029884095],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015101413,0.000004560421,0.00042535985,0.00001991627,0.0000014182143,0.000060991817,0.068842225,0.00002233554,0.00007541769,0.92623127,0.0022327332,0.0020687438],"study_design_scores_gemma":[0.00003176569,0.000031501837,0.0027960378,0.00039989068,0.000014739882,0.00026089692,0.2825481,0.00026947458,0.00079327857,0.18323301,0.5295871,0.00003423251],"about_ca_topic_score_codex":0.030044723,"about_ca_topic_score_gemma":0.04265162,"teacher_disagreement_score":0.030044723,"about_ca_system_score_codex":0.011955413,"about_ca_system_score_gemma":0.003394663,"threshold_uncertainty_score":0.086743},"labels":[],"label_agreement":null},{"id":"W1530496465","doi":"","title":"Coeur chaud et sueurs froides. ROY, Simon. Ma vie rouge Kubrick, coll. Liberté grande, Montréal, Les Éditions du Boréal, 2014, 176 p.ROY, Simon. Ma vie rouge Kubrick, coll. Liberté grande, Montréal, Les Éditions du Boréal, 2014, 176 p.","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ROUGE; Humanities; Art","score_opus":0.01767899049061319,"score_gpt":0.22362301526464526,"score_spread":0.20594402477403206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1530496465","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046975078,0.8429836,0.0006565935,0.040160343,0.0095578125,0.000022497388,0.00056587195,0.00017784999,0.10540569],"genre_scores_gemma":[0.021567622,0.3441705,0.0017017949,0.00785559,0.0091568595,0.000094076684,0.00063208025,0.00095907896,0.6138624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987717,0.0003152628,0.00006310435,0.00022938546,0.0005082542,0.00011227905],"domain_scores_gemma":[0.997997,0.0007065794,0.00014150157,0.000093828785,0.0008581322,0.00020302208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014523724,0.0017900188,0.0010142704,0.0037082534,0.0038373964,0.0063419826,0.0013318908,0.0027981568,0.084809914],"category_scores_gemma":[0.005071893,0.0012804979,0.0005446728,0.006044903,0.0028894038,0.0070179137,0.0021654798,0.0043184753,0.032045625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037357775,0.000010055188,0.00020292222,0.0003671641,0.000008525153,0.000059435613,0.001739065,0.00002572079,0.00014927528,0.014577568,0.9274789,0.055344097],"study_design_scores_gemma":[0.000003606819,0.0000033971032,0.0006845876,0.00028732358,0.0000034963325,0.000066677654,0.0007797955,0.000013212802,0.000042692995,0.0009962756,0.9971137,0.000005310673],"about_ca_topic_score_codex":0.14145984,"about_ca_topic_score_gemma":0.32392755,"teacher_disagreement_score":0.8585402,"about_ca_system_score_codex":0.006139608,"about_ca_system_score_gemma":0.004073806,"threshold_uncertainty_score":0.28371745},"labels":[],"label_agreement":null},{"id":"W1532683769","doi":"","title":"From Serial to Book: Leacock’s Revisions to Sunshine Sketches of a Little Town","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Character (mathematics); Serialization; Publishing; Romance; History; Malice; Literature; Art history; Art; Law; Computer science; Political science","score_opus":0.059365933114339506,"score_gpt":0.27956778813266653,"score_spread":0.220201855018327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1532683769","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13564357,0.019699618,0.005347928,0.03515707,0.010138167,0.0002578134,0.001331705,0.00043153064,0.79199266],"genre_scores_gemma":[0.5644837,0.010018636,0.004688241,0.0021624872,0.0008616591,0.00005869303,0.0004911805,0.0005234347,0.41671196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994635,0.00013434942,0.000015348125,0.00006343095,0.00026448953,0.000058877697],"domain_scores_gemma":[0.9981767,0.00054769835,0.00007722966,0.00014710787,0.00084237254,0.00020891821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065587723,0.00043167864,0.00012870487,0.002112609,0.005440137,0.0036200443,0.0007063989,0.0005408342,0.015491215],"category_scores_gemma":[0.006259711,0.00027361966,0.0001387508,0.001990203,0.0043290146,0.0015230464,0.0011290815,0.0018948105,0.0015230473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001226429,0.000027836806,0.0026370862,0.0003523706,0.000015774978,0.0028891207,0.22574292,0.0005851161,0.0039338022,0.08713751,0.56322503,0.11333081],"study_design_scores_gemma":[0.0000025440222,0.000007037332,0.0023540102,0.00011830363,0.000003911568,0.0003865874,0.024110682,0.00005161683,0.00039469948,0.0006567803,0.9718965,0.000017326282],"about_ca_topic_score_codex":0.46687588,"about_ca_topic_score_gemma":0.76977515,"teacher_disagreement_score":0.5331241,"about_ca_system_score_codex":0.010130986,"about_ca_system_score_gemma":0.0057028783,"threshold_uncertainty_score":0.9283167},"labels":[],"label_agreement":null},{"id":"W1533562785","doi":"","title":"Journalism in the Civil War Era","year":2010,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Spanish Civil War; Theme (computing); Narrative; History; Media studies; Law; Sociology; Classics; Literature; Political science; Art","score_opus":0.015008634140717136,"score_gpt":0.23987459845685455,"score_spread":0.22486596431613742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533562785","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027331957,0.54490626,0.0012110268,0.25337556,0.022514576,0.000029450928,0.00015005548,0.00024493958,0.17483497],"genre_scores_gemma":[0.10302479,0.49581274,0.0031744298,0.06359872,0.042799503,0.00014260346,0.00028968678,0.0005200918,0.29063743],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952186,0.0018632702,0.00023833236,0.0004546734,0.0017561013,0.00046903783],"domain_scores_gemma":[0.9854329,0.0069746454,0.0011088795,0.0007558429,0.0023914694,0.0033362107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052367793,0.00054376683,0.0006050331,0.003479538,0.005315164,0.020028463,0.0009093769,0.0033041965,0.016678587],"category_scores_gemma":[0.0153166,0.00071360695,0.00029319414,0.005157418,0.008096544,0.02074212,0.004780691,0.005085289,0.01100826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023091307,0.00002751381,0.00038710458,0.00058139494,0.000009960558,0.00013352482,0.006961553,0.000041587387,0.00034135606,0.09047507,0.805071,0.0959468],"study_design_scores_gemma":[0.0000037222462,0.000008623669,0.0006461583,0.0004365899,0.0000024176163,0.00009157904,0.0021431716,0.000015149232,0.000056313933,0.015078808,0.98151094,0.000006576013],"about_ca_topic_score_codex":0.004278036,"about_ca_topic_score_gemma":0.005638221,"teacher_disagreement_score":0.020028463,"about_ca_system_score_codex":0.005381282,"about_ca_system_score_gemma":0.009086188,"threshold_uncertainty_score":0.05579549},"labels":[],"label_agreement":null},{"id":"W1540523101","doi":"","title":"L’oeuvre inachevé. Stanley Kubrick : The ExhibitionStanley Kubrick : The Exhibition","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Art; Art history; Visual arts","score_opus":0.04172331622782342,"score_gpt":0.23936511739676886,"score_spread":0.19764180116894542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540523101","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010043167,0.06870607,0.0030683868,0.47796234,0.050124697,0.000086246546,0.00071143196,0.000983785,0.38831398],"genre_scores_gemma":[0.056920044,0.015480892,0.0017643471,0.043122295,0.0067298603,0.00009300412,0.00023621474,0.0009089506,0.8747444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990876,0.0003914414,0.000020112324,0.00010553493,0.00027072313,0.00012464402],"domain_scores_gemma":[0.9985525,0.00040670473,0.00011025257,0.000087628745,0.00036505048,0.00047783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001381845,0.0007399903,0.00027188179,0.00092595996,0.00454688,0.006430868,0.0007980772,0.002370359,0.09417011],"category_scores_gemma":[0.004125778,0.00043286104,0.00037926954,0.000691496,0.0023584408,0.006035467,0.0041043824,0.0061951387,0.023980394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033618366,0.000021934882,0.00037090774,0.00008700644,0.000007760482,0.00015872934,0.0038127026,0.000022845135,0.0003747277,0.010253556,0.9670746,0.017781768],"study_design_scores_gemma":[0.000002268768,0.0000058425844,0.00054852595,0.00008884311,0.0000019066756,0.00010189187,0.0029514448,0.000014368789,0.00013517494,0.00051003176,0.9956318,0.000007944589],"about_ca_topic_score_codex":0.018555349,"about_ca_topic_score_gemma":0.046688437,"teacher_disagreement_score":0.09417011,"about_ca_system_score_codex":0.0017305748,"about_ca_system_score_gemma":0.0011025849,"threshold_uncertainty_score":0.3150304},"labels":[],"label_agreement":null},{"id":"W1546824629","doi":"10.1300/j082v39n01_07","title":"Camping the Gothic","year":2000,"lang":"en","type":"article","venue":"Journal of Homosexuality","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Marianopolis College","funders":"","keywords":"Novella; Queer; Character (mathematics); Literature; Criticism; Art; Aesthetics; History; Sociology; Gender studies","score_opus":0.02549100951377933,"score_gpt":0.24054252611565743,"score_spread":0.2150515166018781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546824629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04903848,0.007345814,0.0022829238,0.014808861,0.002409084,0.000041667976,0.00007955715,0.00013067451,0.92386293],"genre_scores_gemma":[0.7666183,0.0042002723,0.0011414547,0.0029524746,0.0010865604,0.00007364175,0.000049762253,0.00022667728,0.22365084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987179,0.0006732328,0.00002286431,0.00016834769,0.00022612387,0.00019159082],"domain_scores_gemma":[0.9993106,0.0002694877,0.00008178707,0.00010512098,0.00009444963,0.00013851839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012625223,0.00067506556,0.0003496012,0.0010159101,0.0107738795,0.008932994,0.00063130516,0.0015670328,0.010064505],"category_scores_gemma":[0.0029187612,0.0001859825,0.00023657683,0.00060987344,0.023758795,0.0032829829,0.005418989,0.0032640113,0.0016120624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079241865,0.000026984919,0.00036044547,0.00018557813,0.00000782807,0.0005773062,0.17133263,0.00007084922,0.0005378395,0.75681096,0.04566878,0.024341594],"study_design_scores_gemma":[0.0000071981513,0.000047906626,0.00047659664,0.00023700997,0.000006608583,0.0005674526,0.039289918,0.00004086163,0.00058574526,0.019940376,0.93878794,0.000012395703],"about_ca_topic_score_codex":0.0032973723,"about_ca_topic_score_gemma":0.007801433,"teacher_disagreement_score":0.0107738795,"about_ca_system_score_codex":0.002608013,"about_ca_system_score_gemma":0.0018598187,"threshold_uncertainty_score":0.033669174},"labels":[],"label_agreement":null},{"id":"W1558147940","doi":"","title":"Bus Griffiths' Now You're Logging : A Graphic Novel about British Columbia Coastal Logging in the 1930s","year":2005,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Vancouver Island University","funders":"","keywords":"Logging; Computer science; Data logger; Operating system; Forestry; Geography","score_opus":0.012492388417163238,"score_gpt":0.1998943792598681,"score_spread":0.18740199084270487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558147940","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2598065,0.0045895246,0.0006939469,0.08128035,0.0017025503,0.000052866228,0.00043295743,0.000098048324,0.6513433],"genre_scores_gemma":[0.7241469,0.002436229,0.0002917432,0.008580128,0.0002371937,0.000041593015,0.000081361344,0.00019732464,0.26398757],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992618,0.00018255554,0.000011579256,0.00007703968,0.00012967367,0.000337309],"domain_scores_gemma":[0.9985239,0.0006027338,0.00007230285,0.00005895404,0.00030700665,0.00043514592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010747833,0.00053189305,0.00032984346,0.001717288,0.048887722,0.011964879,0.0011705991,0.0037909262,0.015369144],"category_scores_gemma":[0.0028193397,0.00036075283,0.00015822788,0.0036890183,0.02081273,0.0024760596,0.0033977698,0.008284544,0.0008251356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004671278,0.000027602313,0.001788108,0.00006237653,0.00000570922,0.0018515198,0.7950169,0.000094105126,0.00045793224,0.06443765,0.12613863,0.010072795],"study_design_scores_gemma":[0.0000041953217,0.000005800669,0.004557066,0.00016917092,0.000007395137,0.00018699243,0.51149476,0.000035746652,0.00017133636,0.0020319966,0.48131043,0.000025141797],"about_ca_topic_score_codex":0.931757,"about_ca_topic_score_gemma":0.9846591,"teacher_disagreement_score":0.06824303,"about_ca_system_score_codex":0.035453364,"about_ca_system_score_gemma":0.021288028,"threshold_uncertainty_score":0.25723338},"labels":[],"label_agreement":null},{"id":"W1558656819","doi":"","title":"David Malouf: Exploring Imperial Textuality","year":2006,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Subjectivity; Textuality; Narrative; Literature; Aesthetics; Wilderness; History; Philosophy; Art; Epistemology; Psychoanalysis","score_opus":0.03572933571765826,"score_gpt":0.23470888657406866,"score_spread":0.1989795508564104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558656819","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25586486,0.034225665,0.0036867913,0.07836169,0.0022200877,0.000052560725,0.00018765526,0.00017372778,0.6252269],"genre_scores_gemma":[0.943414,0.0041113393,0.00061499735,0.0014518555,0.00053787715,0.00002966093,0.000036634112,0.00010215942,0.049701452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849164,0.0009910164,0.000027611211,0.00012950232,0.00020570746,0.00015455295],"domain_scores_gemma":[0.9976174,0.0016827281,0.00021074207,0.00009695758,0.00023768035,0.00015442735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016877691,0.00040871816,0.00030244814,0.0019371823,0.00878752,0.008472027,0.00082861906,0.0014552078,0.0052824663],"category_scores_gemma":[0.004905708,0.00018182749,0.00013582234,0.0012015416,0.016423317,0.004224224,0.0021040856,0.0019348596,0.00044682898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008426213,0.000028971626,0.00092776964,0.00025442193,0.000012517009,0.0012249188,0.4659868,0.00013229999,0.0007580862,0.46603793,0.04491593,0.019636108],"study_design_scores_gemma":[0.000011930363,0.000027123448,0.001199369,0.00035176706,0.000008058119,0.00059206435,0.13193274,0.00015452271,0.0008325028,0.01615019,0.84872305,0.000016636493],"about_ca_topic_score_codex":0.011443794,"about_ca_topic_score_gemma":0.020516904,"teacher_disagreement_score":0.011443794,"about_ca_system_score_codex":0.009164265,"about_ca_system_score_gemma":0.001548927,"threshold_uncertainty_score":0.06649166},"labels":[],"label_agreement":null},{"id":"W1585914977","doi":"10.1080/09528820500049395","title":"Julie Dowling’s<i>strange fruit</i>","year":2005,"lang":"en","type":"article","venue":"Third Text","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Commonwealth; Painting; Bachelor; Art history; The arts; History; Art; Visual arts; Archaeology","score_opus":0.022115242370844973,"score_gpt":0.22254188394688942,"score_spread":0.20042664157604445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585914977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015439673,0.02536895,0.0014087246,0.07532991,0.036994204,0.000108379434,0.00083856186,0.0014034546,0.8570038],"genre_scores_gemma":[0.0047116876,0.00648968,0.00065979495,0.011652134,0.00283652,0.00004648227,0.00024639402,0.000545159,0.9728123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974734,0.000027271992,0.000007092234,0.00004070574,0.00013375671,0.000043863307],"domain_scores_gemma":[0.9995534,0.00008006215,0.000019992664,0.000028221186,0.00016530498,0.00015300041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034231937,0.0007420717,0.00032394443,0.0009298194,0.0023579148,0.0035961252,0.000729947,0.0013148285,0.2438152],"category_scores_gemma":[0.0020279412,0.00025710667,0.00027012042,0.00062308146,0.0006798141,0.002987224,0.0023839273,0.0018952343,0.12788637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002170962,0.0000020105729,0.000017888793,0.000012240654,2.2942584e-7,0.00001654337,0.00008716942,0.000001549553,0.00004774409,0.00055483874,0.9917964,0.0074612815],"study_design_scores_gemma":[5.703559e-7,0.0000016092271,0.000119298384,0.000024064428,2.3985083e-7,0.000059730624,0.00017694628,0.0000043801683,0.000034158966,0.000111952526,0.9994655,0.000001651129],"about_ca_topic_score_codex":0.011428888,"about_ca_topic_score_gemma":0.040263012,"teacher_disagreement_score":0.2438152,"about_ca_system_score_codex":0.0009928785,"about_ca_system_score_gemma":0.0005759474,"threshold_uncertainty_score":0.8156431},"labels":[],"label_agreement":null},{"id":"W1593723944","doi":"10.5555/1109180.1109219","title":"The pipeline pinball energy thrill ride game: a little theatre in a computer game","year":2005,"lang":"en","type":"article","venue":"Australasian Conference On Interactive Entertainment","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary; University of Lethbridge","funders":"","keywords":"Game design; Game art design; Game Developer; Narrative; Dilemma; Video game; Action (physics); Computer game; Computer security; Computer science; Media studies; Engineering; Sociology; Multimedia","score_opus":0.016830787494233983,"score_gpt":0.24709402255530455,"score_spread":0.23026323506107058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593723944","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16943282,0.001321187,0.12626025,0.018539645,0.0016388132,0.0009804273,0.0008892505,0.0039271023,0.6770106],"genre_scores_gemma":[0.6821681,0.0015128433,0.076504424,0.00284767,0.00029826947,0.00092603575,0.0007155481,0.0008533519,0.23417374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930346,0.000349199,0.000018290008,0.00007860755,0.00012427197,0.00012609098],"domain_scores_gemma":[0.99927074,0.00030750886,0.00003594068,0.000050639595,0.00006454563,0.00027060008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008955418,0.0010988786,0.00025098666,0.00046505456,0.0022434976,0.0042459113,0.0010656842,0.0013683093,0.032368302],"category_scores_gemma":[0.0031355585,0.0003272029,0.00039857253,0.00026258308,0.003212237,0.0033461736,0.0027832997,0.0020437662,0.00490129],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014581751,0.0011517566,0.0047764783,0.0011784671,0.000091808084,0.0022448152,0.0794091,0.0067004096,0.026834274,0.18513475,0.48355484,0.20746522],"study_design_scores_gemma":[0.00010374949,0.0006308302,0.0035054162,0.00026089532,0.000024267834,0.0007370951,0.021371515,0.004352017,0.003791325,0.01360168,0.9515235,0.000097634795],"about_ca_topic_score_codex":0.00683243,"about_ca_topic_score_gemma":0.019525185,"teacher_disagreement_score":0.032368302,"about_ca_system_score_codex":0.00143318,"about_ca_system_score_gemma":0.0008794098,"threshold_uncertainty_score":0.108282745},"labels":[],"label_agreement":null},{"id":"W1593888072","doi":"","title":"Literary Journalism across the Globe: Journalistic Traditions and Transnational Influences","year":2012,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Globe; Sociology; Media studies; Literary criticism; Agency (philosophy); Casual; Literature; History; Political science; Law; Social science; Art; Psychology","score_opus":0.02836811081016785,"score_gpt":0.27408308300638784,"score_spread":0.24571497219622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593888072","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12820996,0.29462808,0.0019476897,0.21894678,0.0062264046,0.00008179156,0.000118749,0.00012931046,0.3497113],"genre_scores_gemma":[0.86229485,0.09597335,0.0012870454,0.012682691,0.006358217,0.0001631234,0.000097139935,0.0003099121,0.020833546],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9824126,0.011041004,0.00090711063,0.0011293633,0.0035213362,0.0009884877],"domain_scores_gemma":[0.93104434,0.048780642,0.0047061285,0.002824885,0.0058112377,0.0068327347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.017189909,0.0004458557,0.0008359019,0.0076007852,0.01600274,0.037059784,0.0013457105,0.0025235058,0.005348718],"category_scores_gemma":[0.034046095,0.0007160051,0.00032990886,0.012636789,0.025648141,0.0208876,0.010877315,0.005468022,0.0008911573],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006502372,0.00009798683,0.0066974266,0.00059598574,0.00006192258,0.00069313205,0.63945526,0.00006896628,0.00029944588,0.20578532,0.061262097,0.08491739],"study_design_scores_gemma":[0.000042328084,0.00007069163,0.02442937,0.0027085915,0.000036573674,0.00060864724,0.4161502,0.0001243299,0.00016067039,0.053410135,0.50219756,0.000060897473],"about_ca_topic_score_codex":0.00573646,"about_ca_topic_score_gemma":0.0073831873,"teacher_disagreement_score":0.037059784,"about_ca_system_score_codex":0.005784208,"about_ca_system_score_gemma":0.0066389902,"threshold_uncertainty_score":0.09091002},"labels":[],"label_agreement":null},{"id":"W1645508814","doi":"","title":"Fitzgerald’s The Great Gatsby Between the Film and the Novel: A Corpus-driven Study of Students’ Responses","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scripting language; Key (lock); Psychology; Aesthetics; Sociology; Literature; Art; Computer science","score_opus":0.052242191232560804,"score_gpt":0.29907181583526654,"score_spread":0.24682962460270574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1645508814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9915979,0.0001185839,0.00040874493,0.00073008216,0.000031203195,0.000048623308,0.000119966164,0.000009068481,0.006935763],"genre_scores_gemma":[0.99234176,0.0002414157,0.0003510329,0.0002869292,0.000026774154,0.00011314678,0.00012051915,0.0000476192,0.006470969],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99682885,0.0019347945,0.00012511859,0.000383023,0.0004470894,0.0002811471],"domain_scores_gemma":[0.98783386,0.009020972,0.0010073952,0.00046945616,0.001200649,0.00046762216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037825007,0.0002642492,0.00043153195,0.002220352,0.004764416,0.0034639174,0.0006904681,0.0009790686,0.0050322562],"category_scores_gemma":[0.024307221,0.00031045446,0.00016528893,0.0023594508,0.0037271937,0.0021721139,0.0029392962,0.0018336418,0.00093319913],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008862007,0.0001726833,0.020209549,0.00008156842,0.000008691906,0.00079855527,0.95436674,0.00004411105,0.0018925297,0.0027351512,0.0036288796,0.01597295],"study_design_scores_gemma":[0.000009574167,0.00009425496,0.051479664,0.00010884349,0.000008100259,0.0006206291,0.9016253,0.0002741076,0.0015454037,0.00071960886,0.04348575,0.000028744491],"about_ca_topic_score_codex":0.009508145,"about_ca_topic_score_gemma":0.014797965,"teacher_disagreement_score":0.009508145,"about_ca_system_score_codex":0.002157391,"about_ca_system_score_gemma":0.0009445956,"threshold_uncertainty_score":0.020003974},"labels":[],"label_agreement":null},{"id":"W1786871984","doi":"","title":"Vancouver Sun (Re)","year":2004,"lang":"fr","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.015087375638273207,"score_gpt":0.21588167715951587,"score_spread":0.20079430152124267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1786871984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012944629,0.011174304,0.00062108686,0.0008133631,0.0007303578,0.000023362356,0.0028601428,0.0006134483,0.9818695],"genre_scores_gemma":[0.0024170072,0.002561421,0.0003115837,0.00007461054,0.000027659135,0.000008712551,0.0005344791,0.00016886026,0.9938957],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999721,0.000021213322,0.000012895018,0.00008920153,0.00011711396,0.000038564584],"domain_scores_gemma":[0.9996842,0.00003251887,0.000020822103,0.000059488928,0.00014429992,0.000058626654],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021912424,0.0013077449,0.0007531163,0.0017574012,0.0026478914,0.0047037606,0.0008612982,0.0014438459,0.6254052],"category_scores_gemma":[0.0007228495,0.0006703681,0.000364441,0.0039343084,0.00042673005,0.0019786628,0.0012919817,0.0015274502,0.4117307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006738909,0.000022611837,0.00058516057,0.0003596368,0.000012301842,0.00023286215,0.00022812789,0.00028513852,0.0010596749,0.010817858,0.5737666,0.4125627],"study_design_scores_gemma":[0.0000036961685,0.0000050001477,0.00092518324,0.00011179567,0.000004147945,0.000087958804,0.00015747653,0.000044996097,0.0002395437,0.00065417157,0.99776065,0.000005450198],"about_ca_topic_score_codex":0.061719935,"about_ca_topic_score_gemma":0.22253864,"teacher_disagreement_score":0.6254052,"about_ca_system_score_codex":0.0016092614,"about_ca_system_score_gemma":0.0015510331,"threshold_uncertainty_score":0.53431404},"labels":[],"label_agreement":null},{"id":"W17896886","doi":"10.7560/716445","title":"Women, Celebrity, and Literary Culture between the Wars","year":2007,"lang":"en","type":"book","venue":"University of Texas Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":97,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Literature; Celebrity culture; Sociology","score_opus":0.02413613333910695,"score_gpt":0.1901982767637704,"score_spread":0.16606214342466347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W17896886","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8088797,0.010370912,0.00014889693,0.011263027,0.0004115405,0.000016280637,0.000041627067,0.000020107738,0.16884793],"genre_scores_gemma":[0.97992826,0.0022592102,0.000042508185,0.00071232126,0.00014051393,0.000013063227,0.000016355545,0.00002625435,0.016861536],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973538,0.0012495243,0.000081127895,0.00031218005,0.00045915906,0.000544272],"domain_scores_gemma":[0.99743915,0.0010417111,0.00045173825,0.00013023108,0.00025436073,0.0006828959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002425063,0.0003442176,0.0005831059,0.0019262981,0.017402112,0.011065995,0.0007607337,0.0009539075,0.0043411],"category_scores_gemma":[0.005350027,0.0003842223,0.00017004661,0.0017121574,0.017666653,0.0037016072,0.005463095,0.0021803551,0.00044119067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010421293,0.00004766795,0.0073133563,0.00005205866,0.00001914691,0.00059215457,0.9385559,0.00002006772,0.0004212208,0.02848772,0.0063033765,0.018083252],"study_design_scores_gemma":[0.000013519656,0.000062675965,0.023987783,0.00019131003,0.000019237234,0.0004973234,0.79632103,0.000023418199,0.00040806772,0.002648428,0.17580238,0.000024821935],"about_ca_topic_score_codex":0.034814257,"about_ca_topic_score_gemma":0.051902566,"teacher_disagreement_score":0.034814257,"about_ca_system_score_codex":0.006019592,"about_ca_system_score_gemma":0.0022550602,"threshold_uncertainty_score":0.069223225},"labels":[],"label_agreement":null},{"id":"W1863090699","doi":"","title":"\"War on Terror\" Via a \"War of Words\": Fear, Loathing, and Name-Calling In Hollywood's War's In Afghanistan and Iraq","year":2011,"lang":"en","type":"article","venue":"Alternate routes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Iraq war; War on terror; Spanish Civil War; Political science; History; Media studies; Ancient history; Law; Sociology; Art history","score_opus":0.024445907096549646,"score_gpt":0.22172188274983773,"score_spread":0.19727597565328808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1863090699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64302593,0.004954288,0.000913778,0.029279865,0.00088990404,0.0000607641,0.00021939592,0.000030414738,0.32062566],"genre_scores_gemma":[0.9869186,0.0014293042,0.00016241365,0.0010869856,0.00021101757,0.00003058526,0.000034352073,0.000037022222,0.010089697],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99771523,0.0014940036,0.000055542223,0.000121398,0.00019306454,0.00042082235],"domain_scores_gemma":[0.9946398,0.0037915243,0.0006787994,0.00015478868,0.00033928792,0.00039589035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023694343,0.00059423037,0.00030846833,0.002732965,0.022463052,0.0143117765,0.0011094571,0.0026489014,0.007529991],"category_scores_gemma":[0.0070069632,0.00032965108,0.0002043689,0.0034553537,0.022046175,0.008321128,0.0032714894,0.00578599,0.0005167247],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080113954,0.00005500106,0.0023491883,0.00009493693,0.0000070930305,0.00042677356,0.8840265,0.000026432996,0.00018857357,0.0943575,0.008685945,0.009701916],"study_design_scores_gemma":[0.0000072462835,0.000022340122,0.0054365695,0.00014033345,0.0000121402545,0.00013149103,0.9464373,0.000028069602,0.00018804565,0.0030825166,0.044502642,0.000011205029],"about_ca_topic_score_codex":0.03844092,"about_ca_topic_score_gemma":0.087834425,"teacher_disagreement_score":0.03844092,"about_ca_system_score_codex":0.007313297,"about_ca_system_score_gemma":0.004104254,"threshold_uncertainty_score":0.076434314},"labels":[],"label_agreement":null},{"id":"W1880449590","doi":"10.3138/topia.16.169","title":"Intellectuals in a Media Age","year":2006,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Media studies; Art history; History; Sociology; Art; Library science; Computer science","score_opus":0.04822443154050204,"score_gpt":0.24706501030238476,"score_spread":0.1988405787618827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1880449590","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029606952,0.8823962,0.00020151166,0.023066029,0.0035785998,0.0000060211923,0.000053896594,0.0000151588865,0.08772198],"genre_scores_gemma":[0.08054298,0.86398476,0.00030311075,0.010870559,0.0086766565,0.0000226154,0.000099806384,0.000036741058,0.035462704],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986167,0.0005055947,0.000095693176,0.00016868561,0.00040131147,0.0002120567],"domain_scores_gemma":[0.99711454,0.0016977733,0.00022536826,0.00012768595,0.0005318485,0.00030279713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011698272,0.00067589345,0.00049492583,0.007073149,0.0034986725,0.010155896,0.0008020882,0.0027486742,0.012014604],"category_scores_gemma":[0.0041542295,0.00025056466,0.00031857486,0.005494077,0.008307057,0.0114062615,0.0031315978,0.0031217532,0.0019442138],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005384716,0.000068011046,0.001794901,0.0028932467,0.00004209625,0.00055138225,0.027564552,0.00010782118,0.00023133935,0.28377667,0.28360537,0.39931074],"study_design_scores_gemma":[0.0000027713088,0.000009260029,0.0018318675,0.0022158024,0.0000093763965,0.00034469686,0.005781564,0.000011988455,0.00005016161,0.008119597,0.9816159,0.0000069671755],"about_ca_topic_score_codex":0.0071283844,"about_ca_topic_score_gemma":0.0134850815,"teacher_disagreement_score":0.012014604,"about_ca_system_score_codex":0.0032199488,"about_ca_system_score_gemma":0.0036961825,"threshold_uncertainty_score":0.040192842},"labels":[],"label_agreement":null},{"id":"W1892067417","doi":"","title":"Once Upon A Time In America de Sergio Leone, un hommage à l'œuvre culte A Clockwork Orangede Stanley Kubrick","year":2009,"lang":"fr","type":"article","venue":"Image & narrative","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec","funders":"","keywords":"Humanities; Art; Cult; Clockwork; Art history; Cartography; Philosophy; History; Geography; Theology; Archaeology","score_opus":0.007157129393682464,"score_gpt":0.23784915699658166,"score_spread":0.2306920276028992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1892067417","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8451452,0.0073278327,0.00023242187,0.010899833,0.00066406996,0.000026111928,0.0000627592,0.000016740072,0.13562503],"genre_scores_gemma":[0.9395487,0.0035649117,0.00028368577,0.0010630697,0.00016248872,0.000032919223,0.00003914104,0.000029320146,0.05527577],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972314,0.00010943606,0.0000039715233,0.0000382256,0.000046910794,0.00007824587],"domain_scores_gemma":[0.9996306,0.00014806034,0.000058834772,0.000020559955,0.00005018592,0.00009178514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062205887,0.00020002566,0.00016690069,0.000625792,0.0060000285,0.0022676822,0.00033261854,0.0008404387,0.004168647],"category_scores_gemma":[0.001221798,0.00016179399,0.00008596744,0.00066965644,0.003208648,0.0010840337,0.002284009,0.0017560015,0.00023290722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025754826,0.00007294174,0.022586916,0.00033792117,0.000021197193,0.0021346116,0.8241911,0.00007145673,0.004818089,0.035705805,0.047302775,0.062499594],"study_design_scores_gemma":[0.000014683931,0.000085039326,0.10930141,0.0007732319,0.000018824607,0.00044380408,0.31638765,0.000060498853,0.0013445352,0.0011867246,0.5703574,0.000026235919],"about_ca_topic_score_codex":0.10305119,"about_ca_topic_score_gemma":0.29061577,"teacher_disagreement_score":0.10305119,"about_ca_system_score_codex":0.0034037444,"about_ca_system_score_gemma":0.001504953,"threshold_uncertainty_score":0.20490271},"labels":[],"label_agreement":null},{"id":"W1909069032","doi":"10.7557/13.688","title":"Knut Hamsun at the movies in transnational contexts","year":2009,"lang":"en","type":"article","venue":"Nordlit","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Nazism; National cinema; Art history; Art; History; Twilight; Media studies; Sociology; German; Archaeology","score_opus":0.015061528968836892,"score_gpt":0.22494755231301103,"score_spread":0.20988602334417414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1909069032","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4080764,0.031605124,0.0015886164,0.005822694,0.0011536343,0.000029723944,0.0002884431,0.000057258843,0.5513782],"genre_scores_gemma":[0.9539192,0.0064718626,0.0005788938,0.0005830823,0.00014157101,0.000020876309,0.00006559398,0.00007006616,0.038148716],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888366,0.00065945304,0.000029836696,0.0001431454,0.000110781,0.00017313246],"domain_scores_gemma":[0.99954873,0.0002345538,0.000057041918,0.000043559812,0.00005693279,0.000059091984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006014549,0.00035186386,0.0002026095,0.0014940646,0.0061613573,0.0057490747,0.0002720459,0.0007303196,0.0072271302],"category_scores_gemma":[0.0013325448,0.00019627264,0.00011977433,0.001915467,0.0040833317,0.0038314078,0.0019790782,0.0009709233,0.0005932333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023090823,0.00004600096,0.009210077,0.00047419863,0.00003611132,0.002776202,0.50189483,0.00016856955,0.0024140175,0.37310845,0.039268456,0.07037216],"study_design_scores_gemma":[0.000004692081,0.00004903895,0.016952584,0.0008803934,0.000023434375,0.0012980356,0.22818221,0.00009564484,0.0011794248,0.0057311985,0.74557596,0.000027305172],"about_ca_topic_score_codex":0.012192652,"about_ca_topic_score_gemma":0.044078484,"teacher_disagreement_score":0.012192652,"about_ca_system_score_codex":0.0026851045,"about_ca_system_score_gemma":0.0006260253,"threshold_uncertainty_score":0.024243414},"labels":[],"label_agreement":null},{"id":"W1918245140","doi":"","title":"Paul Beaver, Spitfire People: The Men and Women who Made the Spitfire the Aviation Icon","year":2015,"lang":"en","type":"article","venue":"British journal for military history","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Bulletin of Medical History","funders":"","keywords":"Icon; Beaver; Aviation; History; Art; Engineering; Computer science; Aerospace engineering; Geology","score_opus":0.01835467866898353,"score_gpt":0.19954249836759883,"score_spread":0.1811878196986153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1918245140","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012329491,0.30179402,0.0008850076,0.56939644,0.011800738,0.000051837596,0.00023214227,0.000076049546,0.10343431],"genre_scores_gemma":[0.24353701,0.23059376,0.0010977287,0.19511336,0.0081138965,0.000132914,0.00014698438,0.0003641455,0.32090023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845004,0.0006959387,0.000061589955,0.00015773677,0.00044706938,0.000187658],"domain_scores_gemma":[0.9950636,0.0030711454,0.00033297107,0.000078697674,0.00076409243,0.000689542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016753776,0.0006494531,0.00031963602,0.0018707659,0.015343065,0.009953936,0.00096151704,0.006938096,0.01672199],"category_scores_gemma":[0.009004352,0.00056764425,0.00014753007,0.0023889497,0.007836231,0.013048604,0.0029636503,0.0085270265,0.003062175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033295015,0.000020186899,0.00068896764,0.000266265,0.0000058530027,0.00027690455,0.090311505,0.000021300033,0.00013442265,0.043603033,0.8418176,0.022820638],"study_design_scores_gemma":[0.000007962463,0.000011631636,0.0012229942,0.0005530457,0.000006608559,0.00029915047,0.110170715,0.000016394164,0.00018996312,0.006123999,0.88137674,0.000020742356],"about_ca_topic_score_codex":0.08429607,"about_ca_topic_score_gemma":0.23631255,"teacher_disagreement_score":0.08429607,"about_ca_system_score_codex":0.003299457,"about_ca_system_score_gemma":0.0054106787,"threshold_uncertainty_score":0.16761082},"labels":[],"label_agreement":null},{"id":"W192236929","doi":"","title":"Looking for Robin: Notes on a Completed PhD Project a Decade Later","year":2011,"lang":"en","type":"article","venue":"Cineaction!","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Sister; Media studies; Art history; History; Library science; Sociology; Law; Computer science; Political science","score_opus":0.12014117497501992,"score_gpt":0.2701563427273035,"score_spread":0.15001516775228357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W192236929","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026656596,0.024987778,0.0008513653,0.7820966,0.07142932,0.0001920541,0.0004649137,0.00012940714,0.09319189],"genre_scores_gemma":[0.10996286,0.018965526,0.0020703617,0.15256068,0.015144724,0.00034037186,0.00037826467,0.00070019835,0.69987696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9775565,0.009306605,0.00059156603,0.0024421366,0.0074675237,0.0026357598],"domain_scores_gemma":[0.95209,0.0056883255,0.0010413133,0.0009940783,0.010972485,0.029213687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.020116838,0.0007750021,0.0011853448,0.0019340786,0.021396847,0.015616451,0.0030835762,0.008657349,0.015034824],"category_scores_gemma":[0.03891622,0.000575246,0.00073328876,0.0022367258,0.008282253,0.0058623697,0.008461362,0.016434666,0.010143608],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007381839,0.00023691055,0.0004910244,0.00015846026,0.000008340944,0.0016708415,0.053316977,0.000041849384,0.00067878334,0.016332755,0.9039366,0.0230535],"study_design_scores_gemma":[0.000008972911,0.00009032439,0.0006569125,0.00022522718,0.0000027211715,0.00035077857,0.048135933,0.00002049152,0.00014284356,0.0009688892,0.9493699,0.000027114585],"about_ca_topic_score_codex":0.021358032,"about_ca_topic_score_gemma":0.037854157,"teacher_disagreement_score":0.021396847,"about_ca_system_score_codex":0.010897983,"about_ca_system_score_gemma":0.02250728,"threshold_uncertainty_score":0.106389284},"labels":[],"label_agreement":null},{"id":"W1955217376","doi":"10.29173/md22834","title":"Le Mulâtre: A Call to Connection through Narrative Technique","year":2015,"lang":"en","type":"article","venue":"Multilingual Discourses","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Humanity; Trope (literature); Betrayal; Literature; Oppression; Depiction; Metanarrative; Agency (philosophy); History; Art; Aesthetics; Philosophy; Law; Politics; Epistemology; Political science","score_opus":0.049813991794100954,"score_gpt":0.3182768091773722,"score_spread":0.26846281738327127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1955217376","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031788126,0.02789204,0.10071249,0.096811086,0.006238998,0.00027519584,0.00017798014,0.0007466793,0.7353574],"genre_scores_gemma":[0.84167385,0.014897804,0.052143693,0.010413831,0.0042387736,0.0007286743,0.00017423875,0.0012243805,0.07450473],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9864786,0.011378818,0.00022647227,0.0005569366,0.00083022536,0.0005288385],"domain_scores_gemma":[0.9854107,0.011291976,0.00041323437,0.0013913927,0.0006813142,0.0008114173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011139092,0.00076236366,0.00055878423,0.003000823,0.009364309,0.019623734,0.0030989351,0.0048494996,0.013471798],"category_scores_gemma":[0.015443044,0.0004796231,0.00046770374,0.0016859752,0.04714612,0.021526117,0.011492939,0.0070198243,0.0022056387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044538287,0.000031103707,0.0002601586,0.00034037267,0.000008432008,0.0005359478,0.29800606,0.000101045094,0.00048733843,0.6511072,0.018320283,0.030757574],"study_design_scores_gemma":[0.000020068754,0.00004651809,0.00022420203,0.00090227526,0.000008600322,0.00076292723,0.1192315,0.00033778002,0.00047367523,0.14336596,0.7346029,0.000023611505],"about_ca_topic_score_codex":0.0017970898,"about_ca_topic_score_gemma":0.003236003,"teacher_disagreement_score":0.019623734,"about_ca_system_score_codex":0.0049301405,"about_ca_system_score_gemma":0.0033426418,"threshold_uncertainty_score":0.058909893},"labels":[],"label_agreement":null},{"id":"W1963278628","doi":"","title":"\"Hey Dad, it's one-armed Will\"","year":2000,"lang":"en","type":"article","venue":"Europe PMC (PubMed Central)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"CONTEST; Journalism; Media studies; Library science; Operations research; Political science; Sociology; Computer science; Law; Engineering","score_opus":0.02131222852135276,"score_gpt":0.20119903844322762,"score_spread":0.17988680992187486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963278628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061128777,0.0021557454,0.0012128004,0.11769183,0.013806378,0.00007586761,0.00047741027,0.0002765737,0.85819054],"genre_scores_gemma":[0.055126302,0.0013038997,0.00064527773,0.02175521,0.0011996854,0.00005958252,0.00019371793,0.0002222021,0.9194941],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883896,0.000371725,0.000020839387,0.000100139674,0.00037278896,0.0002955933],"domain_scores_gemma":[0.99791497,0.00021562833,0.00012593069,0.00009833828,0.00062570896,0.0010193835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012024489,0.00036589353,0.00027963077,0.00057580246,0.010216458,0.005104541,0.00055438216,0.000994657,0.10144771],"category_scores_gemma":[0.0045115356,0.00017870699,0.000224926,0.000527755,0.0023079673,0.0026587634,0.00278335,0.005019102,0.034158666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009863588,0.000009500813,0.0002362721,0.000019889834,0.0000014772436,0.00008600226,0.005977702,0.0000034289537,0.00007057669,0.022150824,0.9608037,0.010630857],"study_design_scores_gemma":[0.0000018649481,0.000007070681,0.00057801255,0.0000469402,0.0000019937668,0.00016054856,0.012968302,0.000006767551,0.000053441796,0.000787276,0.9853828,0.000004858602],"about_ca_topic_score_codex":0.023864696,"about_ca_topic_score_gemma":0.0877133,"teacher_disagreement_score":0.10144771,"about_ca_system_score_codex":0.0024457425,"about_ca_system_score_gemma":0.0023865541,"threshold_uncertainty_score":0.3393764},"labels":[],"label_agreement":null},{"id":"W1963521829","doi":"10.3200/crit.46.4.383-396","title":"Evolutionary Mythology in the Writings of Kurt Vonnegut, Jr.","year":2005,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Mythology; Philosophy; Psychoanalysis; Theology; Psychology","score_opus":0.10130681229939374,"score_gpt":0.33797715471950385,"score_spread":0.2366703424201101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963521829","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04224147,0.29343122,0.010247446,0.52440417,0.017493237,0.00003839726,0.00010335374,0.00010607325,0.11193466],"genre_scores_gemma":[0.8635262,0.056975294,0.0057962346,0.031723294,0.008528226,0.00012436886,0.0000831506,0.00039127326,0.032851987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99659365,0.0021134464,0.00012052159,0.0003322533,0.0006603525,0.00017985293],"domain_scores_gemma":[0.9937856,0.0049677566,0.00038169327,0.0001235541,0.0005748937,0.00016647235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005433951,0.0006053339,0.00051436794,0.0017126235,0.005732491,0.005690513,0.0009104819,0.0033363774,0.0017018822],"category_scores_gemma":[0.014240667,0.00022363162,0.00023206646,0.0013212324,0.014541967,0.006482997,0.0020949796,0.0046202834,0.0003553126],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008973852,0.000025502311,0.0006242748,0.0004130957,0.000028334562,0.00052275293,0.12720186,0.00035737825,0.0005276117,0.6195589,0.19710232,0.05354826],"study_design_scores_gemma":[0.000021913349,0.000041079733,0.0015867552,0.0013848488,0.000018618397,0.00067604263,0.025439115,0.0002781442,0.0007185381,0.20404798,0.7657394,0.000047561207],"about_ca_topic_score_codex":0.003502921,"about_ca_topic_score_gemma":0.0074663125,"teacher_disagreement_score":0.005732491,"about_ca_system_score_codex":0.0034917053,"about_ca_system_score_gemma":0.0025833456,"threshold_uncertainty_score":0.028737783},"labels":[],"label_agreement":null},{"id":"W1963860875","doi":"10.7202/1000115ar","title":"La Berlue et le mythe : S/K, ou de Stephen King à Stanley Kubrick","year":2010,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.0197624104394732,"score_gpt":0.2536038951041515,"score_spread":0.2338414846646783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963860875","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09893964,0.12994267,0.004140713,0.22779962,0.010511599,0.0000598206,0.00013359515,0.00010042965,0.5283719],"genre_scores_gemma":[0.6277548,0.033989087,0.0013563428,0.014810226,0.0018621294,0.000045892353,0.000047338253,0.00020061576,0.31993356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989617,0.0005593908,0.000031955227,0.00012178961,0.00017024066,0.00015492756],"domain_scores_gemma":[0.99902534,0.0004592856,0.00011596456,0.000059027312,0.00017346792,0.0001667862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013983212,0.00047614332,0.000428729,0.0007201233,0.0059355777,0.0070373095,0.0003413393,0.0017592995,0.006387964],"category_scores_gemma":[0.0032164003,0.00026633538,0.00018209242,0.000587841,0.010001849,0.005861658,0.002617223,0.0034684073,0.0016620464],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014268685,0.00003161216,0.0013865586,0.0003294523,0.000010362494,0.00090636325,0.19940962,0.000075107906,0.001209994,0.5400656,0.2192659,0.037166767],"study_design_scores_gemma":[0.000007779378,0.000029905423,0.0014760043,0.0003992165,0.0000056042168,0.00059189,0.059467033,0.00008346163,0.00041563684,0.012629925,0.92487377,0.000019798688],"about_ca_topic_score_codex":0.017623218,"about_ca_topic_score_gemma":0.040497154,"teacher_disagreement_score":0.017623218,"about_ca_system_score_codex":0.0034137035,"about_ca_system_score_gemma":0.0028157001,"threshold_uncertainty_score":0.035041273},"labels":[],"label_agreement":null},{"id":"W1975812088","doi":"10.1353/vpr.2013.0018","title":"“I’m really going to kill him this time”: Olive Schreiner, W. T. Stead, and the Politics of Publicity in the Review of Reviews","year":2013,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialogic; Journalism; Media studies; Politics; Representation (politics); Publicity; Newspaper; Key (lock); Performative utterance; Sociology; Literature; History; Art; Aesthetics; Law; Political science","score_opus":0.014840993199945985,"score_gpt":0.2472575052271164,"score_spread":0.23241651202717042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975812088","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012950988,0.5482053,0.0006667249,0.41211802,0.009638549,0.00006399213,0.00005155641,0.000019659421,0.016285222],"genre_scores_gemma":[0.21141732,0.6310439,0.0022663479,0.10276304,0.021916375,0.0004300953,0.000089369816,0.00016164382,0.029911978],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.97540647,0.01577366,0.000816876,0.0010408988,0.006110081,0.0008520266],"domain_scores_gemma":[0.8975081,0.083741054,0.006273484,0.00090906786,0.008806944,0.00276139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.028277831,0.00043231837,0.00078860216,0.007063498,0.0064583807,0.013488165,0.0011254562,0.0025044123,0.0016414791],"category_scores_gemma":[0.07060616,0.00054680964,0.0002731622,0.010371117,0.011062829,0.0075178067,0.0022375474,0.004207299,0.00058296917],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019399729,0.000052004147,0.00540364,0.0065837596,0.00021946743,0.0009127156,0.20580775,0.00009666264,0.0011591803,0.12526566,0.56183803,0.09246709],"study_design_scores_gemma":[0.000033046905,0.000056281304,0.007412898,0.005929455,0.00010470673,0.0003209004,0.066345,0.000077440614,0.0004575548,0.018616477,0.90060365,0.00004248437],"about_ca_topic_score_codex":0.019067869,"about_ca_topic_score_gemma":0.058861807,"teacher_disagreement_score":0.028277831,"about_ca_system_score_codex":0.008988805,"about_ca_system_score_gemma":0.017049218,"threshold_uncertainty_score":0.14954925},"labels":[],"label_agreement":null},{"id":"W1988240779","doi":"10.3138/utq.84.1.1","title":"My Letter of Confession: Sara Jeannette Duncan's Late Imperial Rhetoric and Risk-Taking","year":2015,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Anecdote; Rhetorical question; Persona; Journalism; History; Argument (complex analysis); Confession (law); Empire; Sociology; Media studies; Panopticon; Hierarchy; Literature; Art history; Law; Art; Humanities; Philosophy; Political science; Anthropology; Brother; Linguistics","score_opus":0.015123976475275722,"score_gpt":0.19629302454641626,"score_spread":0.18116904807114054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1988240779","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13894935,0.040178437,0.0012779122,0.4880609,0.015785448,0.000043510692,0.00047548852,0.0001768903,0.3150521],"genre_scores_gemma":[0.80495834,0.011520925,0.0006954278,0.0363594,0.005800371,0.000040527866,0.00014584057,0.00020167192,0.1402774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871695,0.00054157973,0.000027578279,0.00013154504,0.00038405255,0.00019827542],"domain_scores_gemma":[0.99469393,0.002649474,0.00032829636,0.00015264432,0.0014792038,0.0006963987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012995122,0.00033334296,0.00022777254,0.0012186866,0.013481637,0.0069610854,0.0006713735,0.001703633,0.0040611443],"category_scores_gemma":[0.008180831,0.00016527744,0.00012194599,0.001505575,0.008928021,0.0019404218,0.0013603133,0.0034264778,0.00080808473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008647923,0.000026684784,0.0019838233,0.00016184562,0.000010885947,0.001235967,0.23931137,0.00006517239,0.0007685804,0.07377394,0.66166407,0.02091125],"study_design_scores_gemma":[0.0000051845727,0.000012665886,0.0022934421,0.00015536477,0.0000053913755,0.00045529642,0.089544035,0.00004481159,0.00033304337,0.0019676704,0.9051596,0.000023495193],"about_ca_topic_score_codex":0.24741974,"about_ca_topic_score_gemma":0.3903248,"teacher_disagreement_score":0.24741974,"about_ca_system_score_codex":0.01700293,"about_ca_system_score_gemma":0.0064115077,"threshold_uncertainty_score":0.4919592},"labels":[],"label_agreement":null},{"id":"W2002987803","doi":"10.3138/cras-s031-03-05","title":"Camelot’s Killers: Gordon Dickson’s Rhetorical Cleansing of America","year":2001,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rhetoric; Frontier; Rhetorical question; Politics; Literature; History; Character (mathematics); Law; Philosophy; Art; Political science; Archaeology; Theology","score_opus":0.040844637496001576,"score_gpt":0.28701081376328536,"score_spread":0.24616617626728377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002987803","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0536734,0.30145866,0.00069290324,0.3682018,0.007984289,0.000025401325,0.000076604556,0.000039555394,0.2678474],"genre_scores_gemma":[0.80525804,0.10828461,0.0005424978,0.041631393,0.0031454398,0.00003970854,0.000054178476,0.00009102516,0.04095303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9972516,0.0016975268,0.000049638504,0.00020068197,0.0005408119,0.00025972826],"domain_scores_gemma":[0.99416083,0.004095154,0.00030165553,0.00012231171,0.00090425176,0.00041580093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031307137,0.0003820141,0.0003514929,0.0042553386,0.012324254,0.010013618,0.0009064297,0.0024703604,0.0033081844],"category_scores_gemma":[0.0068527777,0.00023220679,0.00014082613,0.004728854,0.016759783,0.006979162,0.0021301282,0.004548404,0.00049110194],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042515752,0.00003725862,0.0007263468,0.00046580847,0.000015264695,0.0005405911,0.21164313,0.000038837425,0.0002788806,0.42881677,0.32484815,0.03254652],"study_design_scores_gemma":[0.000009729248,0.000009876648,0.0011970302,0.00093032606,0.000010014241,0.000198971,0.087357014,0.000031856405,0.00021571956,0.011224743,0.8988004,0.000014318058],"about_ca_topic_score_codex":0.101312555,"about_ca_topic_score_gemma":0.16534042,"teacher_disagreement_score":0.101312555,"about_ca_system_score_codex":0.01584519,"about_ca_system_score_gemma":0.0066669765,"threshold_uncertainty_score":0.2014457},"labels":[],"label_agreement":null},{"id":"W2007083964","doi":"10.3138/cras-s031-03-04","title":"Norman Mailer’s Harlot’s Ghost: Yet Another Big Book","year":2001,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Literature; History; Reading (process); Law; Philosophy; Art; Political science; Psychology","score_opus":0.03908272737342287,"score_gpt":0.26717995774304404,"score_spread":0.22809723036962118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007083964","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043911515,0.44008616,0.0011804565,0.23372468,0.07519071,0.000027044918,0.00023086168,0.00021856731,0.24495032],"genre_scores_gemma":[0.0374789,0.112833545,0.0014219021,0.080973476,0.024281856,0.00006220043,0.00026563145,0.00035831277,0.74232423],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991756,0.0002596037,0.000023519395,0.000062287545,0.00042264015,0.000056393517],"domain_scores_gemma":[0.9982816,0.00069902575,0.000089636036,0.00010482092,0.00044167342,0.00038335612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091674156,0.00035197657,0.0003521545,0.0009494993,0.0030053942,0.005757533,0.00056034455,0.0012330866,0.012014746],"category_scores_gemma":[0.0036578055,0.0002384319,0.00016708061,0.0009319089,0.0018763337,0.00448951,0.001230394,0.0033219384,0.0046224548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010377476,0.000009363492,0.00005835291,0.00005140377,0.0000016324403,0.000060843555,0.0008585437,0.000009498002,0.000055555134,0.011022926,0.9679763,0.019885153],"study_design_scores_gemma":[0.0000017271213,0.000004521963,0.0001044415,0.00016301035,0.0000010636671,0.000089543544,0.00049047003,0.000009622514,0.000036786114,0.0015110503,0.99758446,0.0000032977832],"about_ca_topic_score_codex":0.0045972182,"about_ca_topic_score_gemma":0.019735228,"teacher_disagreement_score":0.012014746,"about_ca_system_score_codex":0.0022962159,"about_ca_system_score_gemma":0.0034653808,"threshold_uncertainty_score":0.04019332},"labels":[],"label_agreement":null},{"id":"W2007770545","doi":"10.7202/1009343ar","title":"Reading Antebellum New York Dailies Against the Grain: The Case of Almira C. Loveland","year":2012,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Newspaper; Poetry; Diversity (politics); History; Literature; Media studies; Sociology; Art; Law; Political science","score_opus":0.02459684108241816,"score_gpt":0.22215890413005787,"score_spread":0.1975620630476397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007770545","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53424,0.007204378,0.001112968,0.09815321,0.0013476311,0.00006480179,0.000086813496,0.00012996518,0.35766023],"genre_scores_gemma":[0.81755066,0.0023141077,0.00063430925,0.009901914,0.00042038626,0.000044421904,0.000036688023,0.00016060242,0.16893686],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99756765,0.0012588992,0.000051901,0.00034916188,0.00029369196,0.00047876252],"domain_scores_gemma":[0.9957129,0.002484979,0.00036945078,0.00017534064,0.00036915566,0.0008881278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002527816,0.0004735651,0.00042080763,0.0013232065,0.04113517,0.010864261,0.0013137294,0.004411238,0.0113418065],"category_scores_gemma":[0.007767773,0.000551153,0.00022950867,0.001192333,0.015148822,0.005997964,0.0039712964,0.007765458,0.0015934812],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030597188,0.00005365848,0.0012066258,0.00004969138,0.0000047359017,0.008399827,0.9267254,0.000021860944,0.0004188245,0.025105324,0.030174823,0.0078086513],"study_design_scores_gemma":[0.000006522687,0.00002907196,0.0014431858,0.00019051415,0.0000072351404,0.0019776097,0.6463068,0.00004415898,0.000463174,0.0024510364,0.3470557,0.00002504143],"about_ca_topic_score_codex":0.054387826,"about_ca_topic_score_gemma":0.16715002,"teacher_disagreement_score":0.054387826,"about_ca_system_score_codex":0.0076754643,"about_ca_system_score_gemma":0.004254294,"threshold_uncertainty_score":0.108142555},"labels":[],"label_agreement":null},{"id":"W2017755515","doi":"10.1525/rh.2004.22.4.349","title":"The Lady's Rhetorick (1707): The Tip of the Iceberg of Women's Rhetorical Education in Enlightenment France and Britain","year":2004,"lang":"en","type":"article","venue":"Rhetorica","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Rhetorical question; Rhetoric; Ideology; Enlightenment; Argument (complex analysis); Context (archaeology); Sociology; Realm; Gender studies; Literature; History; Philosophy; Political science; Art; Epistemology; Law; Linguistics; Politics; Medicine","score_opus":0.006613232524921373,"score_gpt":0.21110059898625597,"score_spread":0.20448736646133459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017755515","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16680282,0.1030912,0.002624404,0.17187993,0.0047163153,0.00007666667,0.00013255583,0.0002185572,0.5504575],"genre_scores_gemma":[0.81911945,0.0076974463,0.00093422754,0.00804761,0.0016204487,0.00003893591,0.00004379181,0.00015553183,0.16234252],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99581546,0.0027592785,0.000067759516,0.00016235269,0.0007336063,0.0004615198],"domain_scores_gemma":[0.99498403,0.003592842,0.000289049,0.00008275259,0.00054243545,0.00050889247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051957057,0.00038661528,0.0004251593,0.0034982502,0.009856974,0.008649418,0.00046698935,0.0023158456,0.0065701543],"category_scores_gemma":[0.0051036617,0.0002761679,0.00014419082,0.0016409921,0.015426863,0.0027533704,0.00244504,0.0046267044,0.00079496216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069686335,0.000041244773,0.00078976713,0.00027307746,0.000007725932,0.00052393635,0.4388412,0.00008611829,0.0006967314,0.4052215,0.09049627,0.06295278],"study_design_scores_gemma":[0.0000055201103,0.000032723532,0.0019485514,0.00033914266,0.0000027078445,0.000118432305,0.04104165,0.00003591647,0.00021817881,0.005448305,0.95079786,0.00001103769],"about_ca_topic_score_codex":0.063637875,"about_ca_topic_score_gemma":0.09989897,"teacher_disagreement_score":0.063637875,"about_ca_system_score_codex":0.019452214,"about_ca_system_score_gemma":0.0077230306,"threshold_uncertainty_score":0.14113635},"labels":[],"label_agreement":null},{"id":"W2032176490","doi":"10.1353/vpr.2015.0000","title":"2014 VanArsdel Prize Essay: W. T. Stead and Participatory Reader Networks","year":2015,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Citizen journalism; Journalism; Media studies; Sociology; Computer science; World Wide Web","score_opus":0.06344701017168285,"score_gpt":0.2820478290010949,"score_spread":0.218600818829412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032176490","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01162944,0.031518053,0.0014385518,0.8280384,0.039626077,0.000030731437,0.00012697076,0.00002120915,0.087570526],"genre_scores_gemma":[0.33858067,0.045296237,0.0022530074,0.16893739,0.037072938,0.00016637154,0.0001862731,0.00026040367,0.4072467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767154,0.0009081861,0.0000774243,0.00047266934,0.0006592073,0.00021097228],"domain_scores_gemma":[0.99260086,0.0048529296,0.00036411468,0.000179524,0.0013319745,0.0006705836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004037002,0.00027325493,0.00026777422,0.0014281778,0.0052540866,0.005185586,0.00059498614,0.0028936106,0.0076528993],"category_scores_gemma":[0.014827044,0.0002890396,0.00024778247,0.0014605339,0.005947789,0.003535399,0.0021146839,0.0036845517,0.0015004212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002078642,0.000014802237,0.0005468074,0.00013434108,0.000013602742,0.00008116935,0.0066378685,0.000061166276,0.00016729848,0.10900081,0.8698143,0.013507084],"study_design_scores_gemma":[0.0000060530165,0.000007709949,0.00090954336,0.00024337601,0.000006974844,0.00007204281,0.0030296189,0.00006467774,0.00012204323,0.012991026,0.9825379,0.000009040636],"about_ca_topic_score_codex":0.0132770045,"about_ca_topic_score_gemma":0.028860485,"teacher_disagreement_score":0.0132770045,"about_ca_system_score_codex":0.00603289,"about_ca_system_score_gemma":0.0066555105,"threshold_uncertainty_score":0.043771863},"labels":[],"label_agreement":null},{"id":"W2041006741","doi":"10.1558/source.v2i1.71","title":"The History, Myths, Values and Practices of Jazz Journalists","year":2005,"lang":"en","type":"article","venue":"Jazz Research Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Jazz; Mythology; Journalism; Jazz dance; Art; Aesthetics; Literature; Visual arts; Sociology; Media studies","score_opus":0.12568629454050245,"score_gpt":0.3889816412016384,"score_spread":0.26329534666113596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041006741","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21548732,0.05260802,0.00248892,0.31380054,0.0032736508,0.000057850804,0.000085608255,0.0001036189,0.41209447],"genre_scores_gemma":[0.9654061,0.007347994,0.0005122628,0.009721768,0.0013562343,0.00003461324,0.000013740296,0.000046347195,0.015560845],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98979086,0.0071551427,0.00030071274,0.00066812686,0.0011377936,0.000947296],"domain_scores_gemma":[0.96770895,0.021892495,0.0025810946,0.0013462375,0.0025839044,0.003887373],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.014178283,0.00021521313,0.00025034687,0.0033835887,0.019028535,0.02541671,0.0009777988,0.0041482546,0.003287814],"category_scores_gemma":[0.031361975,0.00035151516,0.00016521158,0.0037646643,0.040655844,0.009986539,0.0040270407,0.0065045995,0.0005760188],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006405581,0.000048869777,0.0033128024,0.00015068463,0.000011226026,0.00031202994,0.61826825,0.000023143657,0.00045036903,0.32027143,0.034593094,0.022494027],"study_design_scores_gemma":[0.000016355794,0.000052826512,0.007851152,0.00060571363,0.000013860227,0.0005876894,0.42059478,0.00010555539,0.0006731007,0.04239788,0.5270565,0.00004455274],"about_ca_topic_score_codex":0.0036723346,"about_ca_topic_score_gemma":0.0064428165,"teacher_disagreement_score":0.98097146,"about_ca_system_score_codex":0.0044560307,"about_ca_system_score_gemma":0.0032025883,"threshold_uncertainty_score":0.07498276},"labels":[],"label_agreement":null},{"id":"W2042142944","doi":"10.7202/1000975ar","title":"\"Common People with Common Feelings:\" Pauline Kael, James Agee, and the Public Sphere of Popular Film Criticism","year":2011,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Rhetoric; Public sphere; Feeling; Aesthetics; Entertainment; Public figure; Art; Sociology; Literature; Philosophy; Epistemology; Political science; Visual arts; Law; Theology","score_opus":0.025632462642063047,"score_gpt":0.21659725279456374,"score_spread":0.1909647901525007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042142944","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08286231,0.043689225,0.0069841207,0.64355683,0.0062959464,0.00006110279,0.000030101399,0.00012453609,0.21639585],"genre_scores_gemma":[0.92718774,0.00937791,0.0014520268,0.03847221,0.0032285852,0.000092788985,0.0000096306885,0.00009766732,0.020081425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.978518,0.01714513,0.00026184745,0.00093253935,0.002386521,0.00075594714],"domain_scores_gemma":[0.97243935,0.021289613,0.0022010212,0.000745053,0.0022529978,0.0010719466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013261983,0.00063328113,0.00053859,0.003310586,0.019676607,0.020208111,0.0014398833,0.007956596,0.0019058336],"category_scores_gemma":[0.024822928,0.00045695645,0.00030192267,0.002324895,0.059547205,0.018059714,0.0076489425,0.012080155,0.0003301304],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020450832,0.000030146415,0.0006854023,0.000118298325,0.00001224745,0.00037519378,0.4669995,0.000043264445,0.00013126351,0.4798942,0.0429601,0.008729909],"study_design_scores_gemma":[0.000025509822,0.00003151596,0.0013564572,0.00085186923,0.00002030431,0.00071812957,0.35585406,0.00019813192,0.00031971917,0.14442697,0.49613506,0.00006227842],"about_ca_topic_score_codex":0.005445503,"about_ca_topic_score_gemma":0.007610691,"teacher_disagreement_score":0.020208111,"about_ca_system_score_codex":0.005451878,"about_ca_system_score_gemma":0.0047227447,"threshold_uncertainty_score":0.070136964},"labels":[],"label_agreement":null},{"id":"W2044271569","doi":"10.1353/mos.2013.0005","title":"\"Murder Everywhere\": Whitman, Lish, and the Fate of Self-Celebration","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Invocation; Representation (politics); Self representation; American literature; Art; History; Literature; Philosophy; Humanities; Law; Political science; Theology; Politics","score_opus":0.0077143604779077,"score_gpt":0.18232110834108534,"score_spread":0.17460674786317765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044271569","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33720022,0.015154643,0.0037054876,0.1923211,0.0022679053,0.000030017853,0.000026084415,0.00009199524,0.4492025],"genre_scores_gemma":[0.9792101,0.0010362762,0.00025314762,0.0033361374,0.00022643432,0.000009669949,0.0000034036254,0.000024105473,0.01590059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752396,0.0015376535,0.000027943914,0.0001998625,0.00035314565,0.00035745293],"domain_scores_gemma":[0.99698704,0.0017389692,0.00036590802,0.00017715117,0.00034437337,0.0003865063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041316543,0.0002888955,0.00031282092,0.001140024,0.018060502,0.0092356475,0.0008953519,0.0029513722,0.003316712],"category_scores_gemma":[0.008872801,0.00022413368,0.00014131256,0.00069335004,0.04390444,0.008945603,0.0048097344,0.004804923,0.00032515393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003449223,0.000015548228,0.001035889,0.000027020022,0.0000030486042,0.00029588497,0.25383073,0.000030710515,0.00009817679,0.7163628,0.017172556,0.0110931415],"study_design_scores_gemma":[0.000022804372,0.00006518342,0.0025051914,0.00040862092,0.000016006625,0.0005993464,0.3664461,0.00035856833,0.00070284796,0.22806995,0.4007678,0.000037567297],"about_ca_topic_score_codex":0.017173674,"about_ca_topic_score_gemma":0.026464572,"teacher_disagreement_score":0.018060502,"about_ca_system_score_codex":0.0065914392,"about_ca_system_score_gemma":0.0035294306,"threshold_uncertainty_score":0.047824442},"labels":[],"label_agreement":null},{"id":"W2048514551","doi":"10.1080/00144940109597093","title":"Hopkins's the Times are Nightfall","year":2001,"lang":"en","type":"article","venue":"The Explicator","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Art; History","score_opus":0.021938951721312216,"score_gpt":0.21307912847126223,"score_spread":0.19114017674995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048514551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016878061,0.014459765,0.0012824824,0.39279553,0.0147809405,0.000022316475,0.00033568114,0.00020492787,0.55924034],"genre_scores_gemma":[0.28435966,0.0073440424,0.0012528931,0.04614324,0.0063329926,0.000052182648,0.00018250813,0.00031440228,0.65401804],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983506,0.00070179417,0.000037826816,0.00018047748,0.0005046371,0.0002246492],"domain_scores_gemma":[0.99573994,0.0018161961,0.00022825295,0.00039538895,0.0008567134,0.00096361554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017496112,0.0003256565,0.00029609937,0.0020737555,0.01197102,0.014752069,0.00086305337,0.0029092322,0.051254697],"category_scores_gemma":[0.008183002,0.0002542429,0.00019665046,0.00186351,0.009822275,0.009060066,0.002188487,0.0062216134,0.0045275893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047974227,0.000020834234,0.0006116784,0.000053966764,0.000007714316,0.00014267002,0.0146521125,0.000017696513,0.00014998247,0.3663895,0.59358925,0.024316581],"study_design_scores_gemma":[0.0000035497976,0.00000890558,0.0012999354,0.00012879515,0.000006074717,0.00006675772,0.029027713,0.00003235411,0.00016874609,0.02621351,0.94303083,0.000012936021],"about_ca_topic_score_codex":0.028701503,"about_ca_topic_score_gemma":0.09426552,"teacher_disagreement_score":0.051254697,"about_ca_system_score_codex":0.00503641,"about_ca_system_score_gemma":0.0030552591,"threshold_uncertainty_score":0.17146403},"labels":[],"label_agreement":null},{"id":"W205903464","doi":"","title":"Du roman-vérité au cinéma biographique. Capote de Bennett Miller Capote de Bennett Miller","year":2006,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Miller; Art; Humanities; Philosophy; Geology","score_opus":0.006962973952071294,"score_gpt":0.19209300371420568,"score_spread":0.18513002976213438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W205903464","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070940307,0.18195476,0.0010658144,0.41944575,0.022714308,0.00003876572,0.00014882692,0.00004855147,0.36748925],"genre_scores_gemma":[0.2838822,0.11986478,0.0015116374,0.089199685,0.025037419,0.0001384049,0.00011756527,0.0002749252,0.47997338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975877,0.0014839444,0.000043973476,0.00021347156,0.00049522275,0.00017566289],"domain_scores_gemma":[0.99581295,0.00219585,0.00026164114,0.00010844375,0.0010111951,0.00060992665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023846272,0.00048017205,0.00038264756,0.0016064484,0.008018173,0.0069745304,0.0005312949,0.0020348975,0.013683229],"category_scores_gemma":[0.008529688,0.00041362256,0.00014481432,0.0011440761,0.0061645852,0.0049979454,0.0020070968,0.0072318125,0.0016437679],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004086476,0.000025390307,0.00037232335,0.00016626542,0.0000044550943,0.00013264055,0.019329105,0.00002663052,0.0002014129,0.225867,0.7287921,0.025041806],"study_design_scores_gemma":[0.000002692828,0.0000056890667,0.00061125914,0.00021036646,0.0000017910495,0.00010720415,0.0056949654,0.00003005177,0.00006371644,0.0036808648,0.9895863,0.000005028241],"about_ca_topic_score_codex":0.02522942,"about_ca_topic_score_gemma":0.046615254,"teacher_disagreement_score":0.02522942,"about_ca_system_score_codex":0.004574516,"about_ca_system_score_gemma":0.0029902917,"threshold_uncertainty_score":0.050165117},"labels":[],"label_agreement":null},{"id":"W2062438585","doi":"10.1080/01576895.2014.958864","title":"Remediation as reading: digitising<i>The Western Home Monthly</i>","year":2014,"lang":"en","type":"article","venue":"Archives and Manuscripts","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Middlebrow; Reading (process); Perspective (graphical); Media studies; Process (computing); History; Face (sociological concept); Field (mathematics); Sociology; Political science; Computer science; Visual arts; Social science; Art; Art history; Law","score_opus":0.01370334702365291,"score_gpt":0.19779969194521996,"score_spread":0.18409634492156704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2062438585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.610678,0.019582951,0.010600071,0.032739945,0.002184182,0.0003145348,0.00034806877,0.0003221206,0.32323012],"genre_scores_gemma":[0.94833434,0.00693699,0.0074679274,0.0020434263,0.0005011786,0.00010751805,0.00015112554,0.00022988075,0.03422769],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9951799,0.0027717836,0.00018541691,0.00043772333,0.0011091519,0.00031603227],"domain_scores_gemma":[0.98494,0.008068707,0.0021694542,0.0021640281,0.0018459144,0.00081189687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007559015,0.00031684837,0.0003701508,0.004788227,0.008190981,0.016294947,0.0014295147,0.0011308355,0.005859125],"category_scores_gemma":[0.024752416,0.00022318836,0.00019691297,0.0075437636,0.019382484,0.007601627,0.0060394392,0.0022679144,0.0005393074],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081572216,0.000059128797,0.007562495,0.0003681936,0.000014338183,0.00094376644,0.66831076,0.00008782163,0.0012032937,0.14865823,0.01397732,0.15873301],"study_design_scores_gemma":[0.00001523679,0.00006640695,0.016383579,0.0006167044,0.000031414496,0.0006876818,0.48393023,0.00014737452,0.0024287514,0.019503633,0.47615412,0.00003489276],"about_ca_topic_score_codex":0.04103396,"about_ca_topic_score_gemma":0.085165896,"teacher_disagreement_score":0.04103396,"about_ca_system_score_codex":0.011692596,"about_ca_system_score_gemma":0.009596985,"threshold_uncertainty_score":0.084836125},"labels":[],"label_agreement":null},{"id":"W2067640937","doi":"10.7202/024776ar","title":"Kubrick as Architect","year":2007,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wright; Narrative; Function (biology); Relevance (law); Art; Aesthetics; Art history; The Symbolic; Visual arts; Literature; Psychology; Psychoanalysis; Political science; Law","score_opus":0.022852052460482008,"score_gpt":0.24581717046251197,"score_spread":0.22296511800202998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067640937","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10594962,0.006069883,0.002089001,0.015866555,0.00094165344,0.000031319658,0.000075225806,0.00012762887,0.86884904],"genre_scores_gemma":[0.74036616,0.003508387,0.001694061,0.0024373305,0.00008848127,0.000021501399,0.00002904695,0.000086945074,0.25176802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995547,0.00016060527,0.000015013399,0.00007159747,0.00008941595,0.000108685985],"domain_scores_gemma":[0.99972457,0.00009721019,0.000030514333,0.000028288645,0.00004833761,0.00007103942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039909684,0.00021672457,0.00012413524,0.000444578,0.0035973967,0.0035964772,0.000232804,0.000539256,0.008424868],"category_scores_gemma":[0.0013302186,0.00023904236,0.00006118346,0.00044768868,0.0042577656,0.0026686531,0.0021994798,0.0015337988,0.00091883115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003662259,0.0000070758474,0.001141949,0.00007047525,0.0000025577187,0.0005100123,0.060636982,0.00014647123,0.00094135094,0.86803204,0.045830972,0.022643501],"study_design_scores_gemma":[0.0000034288048,0.000011884597,0.0016182547,0.00010196898,0.0000051056745,0.00052365736,0.02285653,0.00013714559,0.0005448404,0.021853317,0.9523275,0.000016569149],"about_ca_topic_score_codex":0.01868721,"about_ca_topic_score_gemma":0.05782981,"teacher_disagreement_score":0.01868721,"about_ca_system_score_codex":0.0032978926,"about_ca_system_score_gemma":0.0022059313,"threshold_uncertainty_score":0.03715688},"labels":[],"label_agreement":null},{"id":"W2072254407","doi":"10.1353/fge.2013.0077","title":"You Virtually Can't Get There from Here","year":2002,"lang":"en","type":"article","venue":"Fourth Genre Explorations in Nonfiction","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Advertising; Visitor pattern; Quality (philosophy); Business; History; Computer science; Political science; Law; Philosophy","score_opus":0.039423893706282145,"score_gpt":0.2155262668988218,"score_spread":0.17610237319253963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072254407","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002114985,0.0018318878,0.0014496208,0.024324866,0.01153077,0.00011632095,0.0009316371,0.0038116355,0.9538883],"genre_scores_gemma":[0.0044180094,0.0005642325,0.00036539818,0.006455387,0.00036003866,0.000037624563,0.00027165536,0.00046144362,0.9870661],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991296,0.00011459511,0.000023302644,0.00014851902,0.00031157906,0.00027236447],"domain_scores_gemma":[0.99769694,0.00008861301,0.00006150296,0.00015673923,0.0005369904,0.0014592097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005351265,0.000866016,0.000534554,0.0005320041,0.006815112,0.0075226584,0.0010794151,0.0031974944,0.6476047],"category_scores_gemma":[0.0032957303,0.0004844548,0.0004889167,0.00044056616,0.001257628,0.0056751496,0.0064416323,0.0039245714,0.5696361],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018484465,0.000036526573,0.00019320345,0.000039235347,0.0000022867764,0.00009285336,0.00030342347,0.000009546207,0.00021962331,0.0015675412,0.9747326,0.022784641],"study_design_scores_gemma":[0.0000028797606,0.000009936582,0.00019957358,0.000034672816,0.000001334263,0.000060292532,0.00046472444,0.000008890698,0.000059663173,0.00015244666,0.9989998,0.0000058839573],"about_ca_topic_score_codex":0.012206132,"about_ca_topic_score_gemma":0.029101828,"teacher_disagreement_score":0.6476047,"about_ca_system_score_codex":0.0012646001,"about_ca_system_score_gemma":0.001995118,"threshold_uncertainty_score":0.50264907},"labels":[],"label_agreement":null},{"id":"W2076223198","doi":"10.1215/00029831-2079188","title":"“Marked for Demolition”: Mary McCarthy’s Vietnam Journalism","year":2013,"lang":"en","type":"article","venue":"American Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Vietnam War; Omniscience; Narrative; Journalism; History; Objectivity (philosophy); Militarism; Realism; Sociology; Literature; Spanish Civil War; Law; Media studies; Aesthetics; Political science; Art; Philosophy; Epistemology; Politics","score_opus":0.007642302184976263,"score_gpt":0.21130791048934638,"score_spread":0.2036656083043701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076223198","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08156999,0.036543816,0.0010766729,0.49239773,0.010614334,0.000049257887,0.000067299436,0.00009343343,0.3775874],"genre_scores_gemma":[0.7766404,0.013266794,0.0008616532,0.043136574,0.005756115,0.000103848964,0.000043784534,0.0001837339,0.1600071],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819285,0.0010109777,0.00004616725,0.00018186476,0.0003580134,0.00021011387],"domain_scores_gemma":[0.9930742,0.004585438,0.0003219942,0.00030449155,0.00072490814,0.0009889661],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023583174,0.0003098111,0.00024865195,0.0013665596,0.013032911,0.01132116,0.0011082909,0.0029345653,0.0035022954],"category_scores_gemma":[0.008625169,0.00024868659,0.00015716313,0.0010004982,0.014279189,0.007616483,0.0031915652,0.0047556967,0.0004543287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005126752,0.00006703772,0.00066785695,0.00015511703,0.000008829451,0.0017666416,0.27174723,0.00006442308,0.001135496,0.33406836,0.3645411,0.02572668],"study_design_scores_gemma":[0.000008167896,0.000019944233,0.0006650618,0.00020697339,0.000003644092,0.00039634467,0.05982609,0.00006478215,0.00053291523,0.009782011,0.9284796,0.000014560349],"about_ca_topic_score_codex":0.023132773,"about_ca_topic_score_gemma":0.038709696,"teacher_disagreement_score":0.023132773,"about_ca_system_score_codex":0.006705848,"about_ca_system_score_gemma":0.0036703355,"threshold_uncertainty_score":0.048654556},"labels":[],"label_agreement":null},{"id":"W2087458266","doi":"10.1353/vpr.0.0114","title":"Lost and Found: Serial Supplements in the Nineteenth Century","year":2010,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Newspaper; History; Journalism; Politics; Period (music); Literature; Media studies; Art; Law; Sociology; Political science; Aesthetics","score_opus":0.012691951175536008,"score_gpt":0.25092039659788323,"score_spread":0.23822844542234722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087458266","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01280409,0.12909776,0.00082042033,0.11142772,0.05025925,0.000064228436,0.00040618208,0.0003041487,0.69481623],"genre_scores_gemma":[0.1898049,0.05885746,0.0016817437,0.023448821,0.031781565,0.00010015848,0.00040501507,0.0004125335,0.6935078],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974419,0.0009531185,0.00017977747,0.00022504678,0.0009628804,0.00023721442],"domain_scores_gemma":[0.9953359,0.0017565134,0.00048325222,0.00042831927,0.0011004865,0.00089554075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036290693,0.000565026,0.00036142016,0.0039506666,0.005847776,0.010654214,0.0010985562,0.00270024,0.034356277],"category_scores_gemma":[0.009569151,0.00033150893,0.00017845974,0.0031922357,0.006866639,0.0061050365,0.0047051334,0.0030551592,0.0063263946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008062477,0.000032690627,0.00025963126,0.00040992146,0.000005148377,0.0004847975,0.017234774,0.00005825778,0.0002780405,0.2948703,0.6215175,0.06476843],"study_design_scores_gemma":[0.0000024005985,0.0000059038985,0.00012931637,0.00016548208,7.5718356e-7,0.000051364033,0.0006681255,0.000006454069,0.00003917372,0.001679891,0.997248,0.0000030516537],"about_ca_topic_score_codex":0.0072104363,"about_ca_topic_score_gemma":0.014139153,"teacher_disagreement_score":0.034356277,"about_ca_system_score_codex":0.007567788,"about_ca_system_score_gemma":0.0037680315,"threshold_uncertainty_score":0.11493313},"labels":[],"label_agreement":null},{"id":"W2092155896","doi":"10.1080/01439680802704575","title":"An American Right to an ‘Unannoyed Journey’? Transit Radio as a Contested Site of Public Space and Private Attention, 1949–1952","year":2009,"lang":"en","type":"article","venue":"Historical Journal Of Film Radio and Television","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transit (satellite); Public space; Private space; Space (punctuation); Political science; Media studies; Public administration; Sociology; Public transport; Law; Computer science; Engineering; Architectural engineering","score_opus":0.015347580629064156,"score_gpt":0.23637455235620847,"score_spread":0.2210269717271443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092155896","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12550318,0.025619704,0.0006562972,0.15077676,0.0034450833,0.00004396275,0.00043730706,0.000041538202,0.6934761],"genre_scores_gemma":[0.73021346,0.006116757,0.0002885741,0.024937043,0.001401944,0.000050508865,0.00008533786,0.00004815289,0.2368583],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99926037,0.00019886806,0.000017167373,0.00014692977,0.000131802,0.0002448901],"domain_scores_gemma":[0.9995714,0.00015016507,0.00004096102,0.00002901631,0.00007379758,0.00013470315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011557759,0.00022920559,0.00013098783,0.0004982682,0.009019333,0.0053758537,0.00037784065,0.0030778751,0.011667315],"category_scores_gemma":[0.001607404,0.00028486698,0.000105654006,0.0011335426,0.00619922,0.0032506043,0.0016413766,0.005867624,0.0014844446],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012452345,0.00007080343,0.0027334276,0.00007047522,0.0000066767843,0.00037351233,0.0978718,0.00008626812,0.0006824413,0.58300674,0.27703592,0.037937384],"study_design_scores_gemma":[0.0000053447957,0.000011568807,0.0048188064,0.000056793167,0.0000030456458,0.000052787123,0.011115836,0.00003030266,0.00010722703,0.0033728052,0.98041326,0.000012282174],"about_ca_topic_score_codex":0.1165538,"about_ca_topic_score_gemma":0.19161443,"teacher_disagreement_score":0.1165538,"about_ca_system_score_codex":0.005889865,"about_ca_system_score_gemma":0.003477158,"threshold_uncertainty_score":0.23175073},"labels":[],"label_agreement":null},{"id":"W2095813774","doi":"10.7202/007965ar","title":"FALSETTO, Mario, Stanley Kubrick : A Narrative and Stylistic Analysis, Westport/London, Praeger, 2001, 205 p.","year":2002,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Narrative; Art; Humanities; History; Literature","score_opus":0.0275351426308298,"score_gpt":0.2360145860535157,"score_spread":0.2084794434226859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095813774","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00478102,0.79016125,0.0065431516,0.08374318,0.0023476304,0.000116330055,0.0011805246,0.000103928425,0.11102293],"genre_scores_gemma":[0.14375672,0.6314002,0.01593516,0.01016268,0.0032243198,0.00060769555,0.0014450584,0.00045524497,0.19301286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885595,0.00043527153,0.00007409909,0.00013172315,0.00038796975,0.00011511164],"domain_scores_gemma":[0.99770254,0.0014090328,0.00028045775,0.00007409756,0.00039611728,0.0001376765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021865969,0.001433343,0.0007098723,0.007418461,0.0056406194,0.007385141,0.0020392868,0.0031211686,0.020601308],"category_scores_gemma":[0.005636163,0.0012572668,0.0004940543,0.008969948,0.006760565,0.014100304,0.0019935407,0.003408249,0.0040895417],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011638532,0.00003043029,0.0015514699,0.0014877843,0.00002582792,0.0007165346,0.06894068,0.00016940151,0.00074689294,0.13019177,0.6814871,0.11453585],"study_design_scores_gemma":[0.000010536042,0.000013797637,0.005674148,0.0014986381,0.00001683581,0.0006651615,0.017988563,0.00011875962,0.00033041427,0.033067584,0.9405858,0.000029754307],"about_ca_topic_score_codex":0.07993506,"about_ca_topic_score_gemma":0.16579428,"teacher_disagreement_score":0.07993506,"about_ca_system_score_codex":0.0068209954,"about_ca_system_score_gemma":0.0037034785,"threshold_uncertainty_score":0.1589396},"labels":[],"label_agreement":null},{"id":"W2098128719","doi":"10.25071/1920-7336.21389","title":"I’s Wide Shut: Examining the Depiction of Female Refugees’ Eyes and Hands in Stephen Frears’s Dirty Pretty Things","year":2007,"lang":"en","type":"article","venue":"Refuge Canada s Journal on Refuge","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Refugee; Mainstream; Depiction; Conversation; Media studies; Sociology; Refugee crisis; Aesthetics; Gender studies; Art; Political science; Law; Visual arts; Communication","score_opus":0.014168140170213884,"score_gpt":0.22257763804691663,"score_spread":0.20840949787670274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098128719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86254865,0.0037605,0.0014544288,0.009168734,0.0003688986,0.000043658296,0.000106583684,0.000035442325,0.12251308],"genre_scores_gemma":[0.9855097,0.0015977424,0.0005503555,0.0008937246,0.0000952734,0.000024930252,0.000030757077,0.00003863188,0.011259011],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99909925,0.0006504675,0.000013439457,0.000055385102,0.00007095261,0.00011045864],"domain_scores_gemma":[0.99895287,0.000778821,0.00009460952,0.000030600164,0.00005754579,0.00008558408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009799149,0.0005631407,0.00026888837,0.0011316609,0.00758918,0.0052685663,0.0005140111,0.0015863026,0.0045828745],"category_scores_gemma":[0.0025705379,0.00028031252,0.00027127148,0.00071316946,0.008818345,0.0037118718,0.0031283975,0.0024844855,0.00042285703],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048015332,0.000013398666,0.0011685176,0.00012760704,0.0000070808032,0.0016711374,0.9776782,0.000031215044,0.0015789745,0.0097938115,0.0030425477,0.0048394697],"study_design_scores_gemma":[0.000006088999,0.000046658402,0.0031354874,0.00029608276,0.0000091852535,0.001102774,0.9366155,0.000052243868,0.0005067058,0.0010122615,0.057200707,0.000016197337],"about_ca_topic_score_codex":0.007965694,"about_ca_topic_score_gemma":0.023149384,"teacher_disagreement_score":0.9920343,"about_ca_system_score_codex":0.0014460345,"about_ca_system_score_gemma":0.0005711611,"threshold_uncertainty_score":0.015838623},"labels":[],"label_agreement":null},{"id":"W2103997104","doi":"","title":"The Politics of Literary Prestige: Promoting the Latin American \"Boom\" in the Pages of Mundo Nuevo","year":2008,"lang":"es","type":"article","venue":"A Contracorriente: Revista de Historia Social y Literatura en América Latina","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Boom; Prestige; Politics; Latin Americans; Political science; Media studies; Literature; Sociology; History; Art; Law; Philosophy; Engineering; Linguistics","score_opus":0.012758048616661672,"score_gpt":0.23532199192324899,"score_spread":0.22256394330658733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103997104","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1915018,0.008222328,0.00069162616,0.04420265,0.00084415515,0.000019211846,0.000034699588,0.00004409932,0.7544395],"genre_scores_gemma":[0.9812449,0.0018227563,0.000269003,0.003482149,0.00072591,0.000019942725,0.000013766315,0.00007680636,0.012344795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99773526,0.0011821485,0.000058307363,0.0002475039,0.00036310003,0.0004136262],"domain_scores_gemma":[0.995235,0.0026543406,0.00065606117,0.0003108275,0.0005490077,0.00059472496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003695403,0.0005064049,0.00039103266,0.0026994518,0.011368894,0.016399687,0.0006529052,0.0019849553,0.00573229],"category_scores_gemma":[0.008946094,0.00024984207,0.00019754408,0.0025302893,0.024255125,0.0062242937,0.0063422294,0.0036612586,0.00049588346],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001773371,0.00008444654,0.006767395,0.00028458395,0.00001966757,0.0007410818,0.20885354,0.000057635556,0.0014321978,0.73285645,0.0144711975,0.034254353],"study_design_scores_gemma":[0.00007336915,0.00011345217,0.023052944,0.00096683245,0.000054644872,0.0005638855,0.24290225,0.0001365022,0.0018999836,0.059656054,0.6705391,0.000041043677],"about_ca_topic_score_codex":0.0084500285,"about_ca_topic_score_gemma":0.01613465,"teacher_disagreement_score":0.016399687,"about_ca_system_score_codex":0.0048854053,"about_ca_system_score_gemma":0.0029505962,"threshold_uncertainty_score":0.035446286},"labels":[],"label_agreement":null},{"id":"W2106577547","doi":"10.3138/jcs.43.1.59","title":"Building Participation in the Outreach for the Documentary <i>The Water Front</i>","year":2009,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Outreach; Filmmaking; Documentary film; Film director; Front (military); Subject (documents); Media studies; Sociology; Public relations; Political science; Visual arts; Library science; Law; Geography; Art; Movie theater; Computer science; Meteorology","score_opus":0.045204865887475215,"score_gpt":0.29851500633775413,"score_spread":0.2533101404502789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106577547","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25692117,0.00090818596,0.011100624,0.024542103,0.0006347044,0.0005135065,0.00009149489,0.00013959238,0.70514864],"genre_scores_gemma":[0.91420054,0.0007589059,0.0064532477,0.0020989745,0.0001323046,0.00025840965,0.00006954989,0.00011254608,0.07591562],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956701,0.0025649746,0.00006384696,0.00037002852,0.0005368581,0.0007941667],"domain_scores_gemma":[0.995669,0.0017565375,0.00037237053,0.00026621958,0.0004640973,0.0014717873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003991349,0.00047669667,0.00023040982,0.001068085,0.025078686,0.008697581,0.0016857194,0.0023159028,0.013263462],"category_scores_gemma":[0.006207846,0.00027938775,0.00021788133,0.0008755916,0.012291346,0.0056810216,0.01032846,0.0035449855,0.0011780906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045751756,0.0002049384,0.0031450063,0.00016103528,0.000006366093,0.0011617391,0.83862925,0.00010061831,0.0027233183,0.07975871,0.032907993,0.041155227],"study_design_scores_gemma":[0.0000141120645,0.00007004728,0.002780132,0.00026380125,0.000008862819,0.0003593407,0.5024469,0.00015860502,0.001096327,0.0048921173,0.48789167,0.000018204151],"about_ca_topic_score_codex":0.036589567,"about_ca_topic_score_gemma":0.084961675,"teacher_disagreement_score":0.036589567,"about_ca_system_score_codex":0.0055615506,"about_ca_system_score_gemma":0.008503874,"threshold_uncertainty_score":0.07275319},"labels":[],"label_agreement":null},{"id":"W2116878294","doi":"10.7202/1000108ar","title":"Barry Lindon démembré : la perte de l’histoire dans le film de Stanley Kubrick","year":2010,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009823518656827627,"score_gpt":0.21661237059472022,"score_spread":0.2067888519378926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116878294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082293406,0.06494987,0.0023606343,0.12952644,0.009889312,0.000060852708,0.00015405245,0.000076406504,0.710689],"genre_scores_gemma":[0.41916254,0.023960482,0.0014702906,0.011968095,0.0010496256,0.000056206765,0.0000635201,0.00018992015,0.5420793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992735,0.00038309788,0.000015542832,0.000096274096,0.00015733899,0.00007433564],"domain_scores_gemma":[0.9994103,0.00029681745,0.000051539162,0.000029558287,0.00010523107,0.00010656364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011218901,0.0003802516,0.0002183605,0.0005872423,0.0073486604,0.005713084,0.00053836295,0.0011767476,0.011597449],"category_scores_gemma":[0.002109415,0.00027184654,0.000121342826,0.00047741816,0.0063926894,0.0030496465,0.0023165331,0.0033433456,0.0013392913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009284061,0.000030288871,0.0012537692,0.00028209225,0.000007049419,0.0013693729,0.26401672,0.00012788054,0.0018452199,0.39768744,0.2972687,0.036018666],"study_design_scores_gemma":[0.0000035908852,0.000011039228,0.0011044152,0.00040762633,0.0000038920593,0.00026027262,0.045706183,0.000046093828,0.00039635962,0.0038735215,0.9481739,0.000013164019],"about_ca_topic_score_codex":0.07315636,"about_ca_topic_score_gemma":0.18218102,"teacher_disagreement_score":0.07315636,"about_ca_system_score_codex":0.0068260403,"about_ca_system_score_gemma":0.0025121984,"threshold_uncertainty_score":0.14546108},"labels":[],"label_agreement":null},{"id":"W2126462338","doi":"10.3968/j.css.1923669720100604.003","title":"Prosopopoeia as a Cognitive Ekphrastic Activity: A Case from Eighteenth-Century Graveyard Poetry","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Feeling; Passions; Vision; Cognition; Literature; Philosophy; Psychology; Aesthetics; Sociology; Art; Epistemology; Theology","score_opus":0.013079800377526467,"score_gpt":0.2405693524120412,"score_spread":0.22748955203451474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126462338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77247787,0.0010460294,0.0061457446,0.002749174,0.00008910347,0.000052847572,0.00003308069,0.00005605138,0.21735011],"genre_scores_gemma":[0.98970103,0.00028596894,0.000986973,0.00010417745,0.000018818755,0.0000135683895,0.0000089828545,0.00002104921,0.008859328],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989034,0.00069967605,0.000022507313,0.000095323005,0.00015338449,0.00012569084],"domain_scores_gemma":[0.99846005,0.0011086822,0.00010564279,0.000109170294,0.00009785635,0.00011859945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012934481,0.00034671673,0.00022050501,0.0014805461,0.010414264,0.004506418,0.00060127175,0.0016304074,0.0023616033],"category_scores_gemma":[0.0036016672,0.00020146927,0.00016439208,0.0009401597,0.023549326,0.0028297377,0.0026526912,0.0021213808,0.00025970218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024635956,0.000016674132,0.0008742576,0.00004402506,0.0000031980794,0.0028774084,0.78368515,0.00008833377,0.00075134664,0.20308807,0.0011743751,0.007372512],"study_design_scores_gemma":[0.000015011655,0.00006202986,0.006617127,0.00025920148,0.000018802044,0.0053408565,0.5983975,0.0008355723,0.0019992953,0.033935405,0.35246906,0.000050140075],"about_ca_topic_score_codex":0.014400504,"about_ca_topic_score_gemma":0.030504456,"teacher_disagreement_score":0.014400504,"about_ca_system_score_codex":0.0032027345,"about_ca_system_score_gemma":0.0013440421,"threshold_uncertainty_score":0.028633356},"labels":[],"label_agreement":null},{"id":"W2132994567","doi":"10.1177/146488490100200309","title":"The education of journalists","year":2001,"lang":"en","type":"article","venue":"Journalism","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":72,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Journalism; Judgement; Technical Journalism; Sociology; Articulation (sociology); Democracy; Representation (politics); Media studies; Pedagogy; Political science; Law","score_opus":0.01610982907874995,"score_gpt":0.2466648324528379,"score_spread":0.23055500337408796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2132994567","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031406432,0.047972042,0.011681715,0.44840658,0.013739348,0.00011636182,0.0001292789,0.0003123736,0.4462359],"genre_scores_gemma":[0.680643,0.031740606,0.00864532,0.08742239,0.018254077,0.00029452197,0.000170988,0.00037086481,0.17245819],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.97828865,0.01149146,0.0010126715,0.0020120959,0.0049445555,0.0022506365],"domain_scores_gemma":[0.898076,0.059511464,0.008728381,0.0068103108,0.008615487,0.018258367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.021180522,0.0003870606,0.00051882095,0.0032271147,0.011167816,0.024599219,0.0012174322,0.005667841,0.01044214],"category_scores_gemma":[0.079397075,0.0005310769,0.0003804169,0.0028618919,0.022640435,0.016190207,0.009723363,0.00825686,0.0029006784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070384755,0.00011611636,0.0033846844,0.0005840109,0.000018423949,0.00023360891,0.07032991,0.000083094536,0.0007835759,0.6555654,0.13502093,0.13380985],"study_design_scores_gemma":[0.000013652969,0.000039891624,0.0015539386,0.00037259064,0.0000045301285,0.00022974158,0.011807517,0.000052482323,0.00029939428,0.12749246,0.8581199,0.000013892183],"about_ca_topic_score_codex":0.00094725034,"about_ca_topic_score_gemma":0.0015408085,"teacher_disagreement_score":0.024599219,"about_ca_system_score_codex":0.005552623,"about_ca_system_score_gemma":0.013400558,"threshold_uncertainty_score":0.11201465},"labels":[],"label_agreement":null},{"id":"W2137213627","doi":"10.14430/arctic694","title":"Rockwell Kent's Distant Shores: The Story of an Exhibition","year":2002,"lang":"en","type":"article","venue":"ARCTIC","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Archaeology; Painting; Shore; Geography; Peninsula; Mainland; History; Art history; Art; Oceanography; Geology","score_opus":0.023402146144503522,"score_gpt":0.20128160367581574,"score_spread":0.1778794575313122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2137213627","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17890655,0.008104144,0.001189561,0.12803559,0.0035065836,0.00005039217,0.00033665978,0.00020159424,0.67966896],"genre_scores_gemma":[0.7311455,0.003231604,0.00045375057,0.009338859,0.0007926413,0.00005416462,0.00010577869,0.00024895574,0.2546287],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899846,0.00048342068,0.000014290044,0.0001059452,0.00014933174,0.0002485903],"domain_scores_gemma":[0.99889153,0.00042143825,0.00008968686,0.000094040246,0.00010765647,0.00039568567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008772443,0.0005409948,0.0002651643,0.00050488184,0.024185447,0.008847325,0.0011111356,0.0034951083,0.013077172],"category_scores_gemma":[0.002508553,0.0003944611,0.00030810916,0.0007124738,0.010319022,0.005098304,0.004762246,0.0075476626,0.002097589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011222861,0.000041002397,0.0014890225,0.00011992436,0.000018950646,0.005273485,0.5324125,0.00011006474,0.0006853864,0.054846555,0.39487115,0.0100197075],"study_design_scores_gemma":[0.000004088617,0.000020620797,0.0017783861,0.00015726565,0.000007232157,0.0008479765,0.24018829,0.000050813123,0.00020105894,0.0014739108,0.7552486,0.000021718984],"about_ca_topic_score_codex":0.05353298,"about_ca_topic_score_gemma":0.18894646,"teacher_disagreement_score":0.05353298,"about_ca_system_score_codex":0.003802832,"about_ca_system_score_gemma":0.0016385573,"threshold_uncertainty_score":0.10644281},"labels":[],"label_agreement":null},{"id":"W2173595789","doi":"10.22456/1983-201x.31041","title":"APONTAMENTOS SOBRE HISTÓRIA E LITERATURA NOS ESTADOS UNIDOS DO OITOCENTOS: O CASO DE THE SPY (1821) DE JAMES FENIMORE COOPER","year":2013,"lang":"pt","type":"article","venue":"Anos 90","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canada Auto Workers","funders":"","keywords":"Romance; Humanities; Art; Philosophy; Literature","score_opus":0.012689286869947825,"score_gpt":0.225653330651605,"score_spread":0.21296404378165718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2173595789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48588413,0.037953667,0.0013889184,0.022247946,0.0012793181,0.000044545744,0.00019923752,0.00005279883,0.4509494],"genre_scores_gemma":[0.9502254,0.0126824,0.00057413377,0.0009387845,0.0006495426,0.000049214173,0.000056592035,0.000059663806,0.034764275],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977883,0.0009906612,0.00008300608,0.00029373984,0.0004466606,0.00039758766],"domain_scores_gemma":[0.9919708,0.0057291947,0.0009418823,0.0004397276,0.00042462524,0.0004937356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037099395,0.00045191287,0.0005844858,0.0043906537,0.016267674,0.011442657,0.00081825163,0.0019446792,0.005524086],"category_scores_gemma":[0.007593099,0.0003581716,0.00018407656,0.008155288,0.021215396,0.008782748,0.0050799386,0.0036446846,0.00033151495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049370905,0.000015882479,0.0022829585,0.00013710231,0.0000057425514,0.0010608362,0.6525139,0.00006592208,0.00019982217,0.3068038,0.017312037,0.019552624],"study_design_scores_gemma":[0.000010595489,0.000050427632,0.011794201,0.000855296,0.000020783573,0.00084696844,0.40934345,0.00013118496,0.00043233222,0.018833121,0.5576495,0.000032039974],"about_ca_topic_score_codex":0.021710332,"about_ca_topic_score_gemma":0.079835415,"teacher_disagreement_score":0.021710332,"about_ca_system_score_codex":0.008346057,"about_ca_system_score_gemma":0.0051933206,"threshold_uncertainty_score":0.0605551},"labels":[],"label_agreement":null},{"id":"W2188456926","doi":"10.36510/learnland.v3i1.310","title":"Commentary: The Intellectual Properties of Literacy","year":2009,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intellectual property; Context (archaeology); Value (mathematics); Set (abstract data type); Literacy; Sociology; State (computer science); Information literacy; Mathematics education; Pedagogy; Epistemology; Psychology; Computer science; Political science; Law; History; Philosophy","score_opus":0.014973593238983951,"score_gpt":0.2150723432090504,"score_spread":0.20009874997006644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2188456926","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027633607,0.0012731311,0.000079263846,0.9725514,0.023500428,0.000009106413,0.00006713711,0.000014061635,0.0022291269],"genre_scores_gemma":[0.0057431245,0.0010284332,0.00014548421,0.95837134,0.0295995,0.000044335997,0.00002451443,0.000041970598,0.005001354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99073505,0.0032456317,0.0006179681,0.0019086581,0.0025580928,0.0009345779],"domain_scores_gemma":[0.93431646,0.050496046,0.0020512189,0.0013389227,0.008963912,0.0028333778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00729584,0.0013819133,0.0016199079,0.0021541067,0.012503321,0.0065510687,0.007684974,0.064892344,0.011078219],"category_scores_gemma":[0.051118888,0.00077149976,0.0013327764,0.0028057299,0.016870378,0.009616852,0.0042618434,0.06201866,0.0056960117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030224428,0.0000064426627,0.00008812649,0.00012462166,0.000007517998,0.0002981537,0.0017599124,0.000039482547,0.00009518946,0.007546955,0.9879411,0.0020623216],"study_design_scores_gemma":[0.000046170797,0.000029602503,0.00076044013,0.00089080556,0.000027856251,0.00044853069,0.0051610214,0.00018606086,0.00035939662,0.015293816,0.97671473,0.00008148778],"about_ca_topic_score_codex":0.059495132,"about_ca_topic_score_gemma":0.06501367,"teacher_disagreement_score":0.064892344,"about_ca_system_score_codex":0.012432628,"about_ca_system_score_gemma":0.014229367,"threshold_uncertainty_score":0.11829764},"labels":[],"label_agreement":null},{"id":"W2203293450","doi":"10.1177/1077699014541786e","title":"Book Review: <i>Sensationalism: Murder, Mayhem, Mudslinging, Scandals, and Disasters in 19th-Century Reporting</i> , edited by David B. Sachsman and David W. Bulla Sensationalism: Murder, Mayhem, Mudslinging, Scandals, and Disasters in 19th-Century Reporting. SachsmanDavid B.BullaDavid B., eds. New Brunswick, NJ: Transaction Publishers, 2013. 425 pp. $49.95 hbk.","year":2014,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sensationalism; History; Criminology; Late 19th century; Law; Political science; Sociology; Art; Period (music)","score_opus":0.010641951592502278,"score_gpt":0.23548592132542906,"score_spread":0.22484396973292678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2203293450","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015366882,0.894005,0.00028815598,0.030346598,0.040191162,0.00007218685,0.00053416134,0.00010231289,0.03430674],"genre_scores_gemma":[0.00155194,0.8772925,0.00039170095,0.016835393,0.022816522,0.00013944687,0.00078664394,0.00010015592,0.080085665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985594,0.00022078917,0.00010809507,0.00013653503,0.0008772112,0.00009803722],"domain_scores_gemma":[0.9931377,0.0026369588,0.00066416187,0.000123164,0.002911208,0.0005267971],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011197003,0.0014289864,0.0019303884,0.003337221,0.0011434904,0.0064260927,0.0020409294,0.0029329306,0.068966],"category_scores_gemma":[0.009874879,0.0007584767,0.00084447785,0.0069121835,0.0011372935,0.004551814,0.0013409455,0.004230434,0.050709408],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071631234,0.0000075295966,0.000030878353,0.0014501269,0.000007351632,0.000013803846,0.000046101766,0.000016917147,0.00002529278,0.00040905317,0.9644202,0.033565573],"study_design_scores_gemma":[0.0000072040225,0.00001417456,0.00030631846,0.0031548045,0.0000126595005,0.00014317424,0.00008833117,0.00001410108,0.000024369501,0.000376199,0.9958477,0.000010876857],"about_ca_topic_score_codex":0.007335632,"about_ca_topic_score_gemma":0.014866721,"teacher_disagreement_score":0.068966,"about_ca_system_score_codex":0.0023976522,"about_ca_system_score_gemma":0.006935127,"threshold_uncertainty_score":0.23071426},"labels":[],"label_agreement":null},{"id":"W2206412820","doi":"","title":"Perdus (et retrouvés) dans l’Overlook. The Shining de Stanley KubrickThe Shining de Stanley Kubrick","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03914460526985483,"score_gpt":0.2589574776955172,"score_spread":0.21981287242566236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2206412820","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02650765,0.23391354,0.0080321785,0.40714124,0.020246208,0.000038880964,0.00030545634,0.00020739548,0.30360746],"genre_scores_gemma":[0.51351243,0.093952924,0.0055560423,0.08247399,0.022200273,0.00012828954,0.00017696327,0.00077166,0.28122747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943796,0.003482997,0.00012731363,0.00059851934,0.0010900856,0.00032155027],"domain_scores_gemma":[0.9940135,0.0035579575,0.00046480956,0.00059850304,0.0008624734,0.0005026418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046591614,0.0005832165,0.00043974735,0.002777962,0.005843987,0.011653549,0.0007777857,0.0021831058,0.013124161],"category_scores_gemma":[0.009624258,0.00046130168,0.0002491045,0.0019810258,0.018631281,0.012696823,0.004936786,0.007064143,0.0018579334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006336131,0.00002394703,0.001188979,0.00032391783,0.000017538192,0.0002344835,0.04652256,0.00004777976,0.00033932176,0.6144506,0.28323242,0.053555068],"study_design_scores_gemma":[0.000003423292,0.00000915668,0.0008768184,0.00049590674,0.000005324912,0.00022876031,0.011708826,0.000052778403,0.00018125068,0.036893867,0.9495296,0.000014258114],"about_ca_topic_score_codex":0.00947264,"about_ca_topic_score_gemma":0.025108047,"teacher_disagreement_score":0.013124161,"about_ca_system_score_codex":0.0042665224,"about_ca_system_score_gemma":0.002421446,"threshold_uncertainty_score":0.04390472},"labels":[],"label_agreement":null},{"id":"W2212238283","doi":"10.33137/q.i..v28i1.8549","title":"Images Of Canadian Cities In Italy: Then And Now","year":2007,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sketch; History; Genealogy; Geography","score_opus":0.021531140985271712,"score_gpt":0.22791215447821084,"score_spread":0.20638101349293914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2212238283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4986537,0.011192893,0.00064518297,0.034868684,0.0007042267,0.000036214566,0.0008105259,0.00009397052,0.45299459],"genre_scores_gemma":[0.9488434,0.004847022,0.00036567965,0.0016414166,0.000115160066,0.000015902815,0.00022184225,0.000073998875,0.04387566],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99882334,0.00016444975,0.000014622369,0.000111323956,0.0004291092,0.0004570746],"domain_scores_gemma":[0.9987929,0.00014009277,0.00012757805,0.000056918772,0.00055198616,0.00033059245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090323976,0.00065554696,0.00025448206,0.0023616056,0.019623771,0.009370477,0.00095811835,0.0011128607,0.008308995],"category_scores_gemma":[0.002305077,0.0002465291,0.00027258255,0.0048510553,0.010574055,0.001946278,0.0027306564,0.002943297,0.00048928754],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015198984,0.000029502955,0.013443773,0.0002638027,0.000038153346,0.0011201397,0.7698169,0.00027885675,0.0013113745,0.08605447,0.08431051,0.043180563],"study_design_scores_gemma":[0.00000795889,0.000014473585,0.028975423,0.00017616687,0.000035329736,0.00034005145,0.42262623,0.000093743096,0.00034236276,0.0011928468,0.5461286,0.00006680325],"about_ca_topic_score_codex":0.98540527,"about_ca_topic_score_gemma":0.9957331,"teacher_disagreement_score":0.072602764,"about_ca_system_score_codex":0.072602764,"about_ca_system_score_gemma":0.041008018,"threshold_uncertainty_score":0.5267724},"labels":[],"label_agreement":null},{"id":"W2285926644","doi":"","title":"L’Effet boeuf. L’Effet boeuf, Canada, 1999, 50 minutes L’Effet boeuf, Canada, 1999, 50 minutes","year":2000,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.008603369686599601,"score_gpt":0.1982314159637939,"score_spread":0.1896280462771943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2285926644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018027622,0.023178674,0.00065059814,0.03493376,0.024626752,0.0002883627,0.007614536,0.0009643096,0.9059401],"genre_scores_gemma":[0.002184169,0.0021035837,0.00018863876,0.001130612,0.00071658974,0.000046003974,0.00089422346,0.00018097874,0.9925552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989114,0.00009121648,0.000028353217,0.0001177252,0.0006227918,0.0002285229],"domain_scores_gemma":[0.99800617,0.0002813976,0.000059236456,0.000053329517,0.0009724924,0.0006274408],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010625006,0.0014506046,0.0006441235,0.0019784113,0.004705801,0.006199579,0.0009941648,0.0042435126,0.65226847],"category_scores_gemma":[0.0037530991,0.00065144297,0.00048104956,0.0015991612,0.0008807733,0.0024224264,0.0019015798,0.0028378451,0.23673315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023066628,0.000011969069,0.00006059163,0.000030721047,0.000001056241,0.000019698686,0.00004454604,0.0000326213,0.00007874877,0.0007175808,0.9866136,0.01236581],"study_design_scores_gemma":[0.000011032739,0.00000695996,0.001141373,0.00007606001,0.0000013882997,0.000015085777,0.00017983266,0.00003069517,0.000051092768,0.0001635349,0.9983181,0.0000048356983],"about_ca_topic_score_codex":0.51646304,"about_ca_topic_score_gemma":0.7514289,"teacher_disagreement_score":0.65226847,"about_ca_system_score_codex":0.011463976,"about_ca_system_score_gemma":0.008736089,"threshold_uncertainty_score":0.9727692},"labels":[],"label_agreement":null},{"id":"W2303526829","doi":"10.14288/1.0107295","title":"Comparison of 1914 Film Listings in Newspapers in Three Cities: Vancouver, Seattle, Winnipeg","year":2013,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Media studies; History; Advertising; Geography; Sociology; Business","score_opus":0.014718832846678149,"score_gpt":0.18998288887410208,"score_spread":0.17526405602742393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2303526829","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22122474,0.0018468319,0.00035987253,0.0006219285,0.00012961244,0.00025192514,0.76032203,0.00020988117,0.015033145],"genre_scores_gemma":[0.1620029,0.0010705079,0.0011428017,0.000112022026,0.000029459976,0.00030054964,0.8241025,0.00011184599,0.011127361],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99894303,0.0001313093,0.000076413875,0.00024224764,0.00035354384,0.00025344203],"domain_scores_gemma":[0.99738497,0.00033933256,0.00031451686,0.00023293622,0.0014366306,0.00029165443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050508376,0.0006740723,0.0005157249,0.0074797347,0.0015334543,0.0024540178,0.0009446146,0.00058060477,0.0064557656],"category_scores_gemma":[0.0035975215,0.000371091,0.00044059724,0.014970321,0.00050156954,0.00086983305,0.0017465026,0.000740956,0.002508857],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001078646,0.00026641594,0.32576877,0.0030314291,0.0006088712,0.0015015152,0.011649002,0.0022433614,0.0028570404,0.003176491,0.5416687,0.106149726],"study_design_scores_gemma":[0.000035292996,0.000021564736,0.7443224,0.00046881137,0.00006831054,0.00020333788,0.013047613,0.0007916023,0.0007360826,0.00017920957,0.24006401,0.000061850355],"about_ca_topic_score_codex":0.87447226,"about_ca_topic_score_gemma":0.9434924,"teacher_disagreement_score":0.12552774,"about_ca_system_score_codex":0.0074740024,"about_ca_system_score_gemma":0.0037709323,"threshold_uncertainty_score":0.25253397},"labels":[],"label_agreement":null},{"id":"W2309314470","doi":"10.1177/073953290602700206","title":"Journalists with Literary Ambitions No Less Satisfied with Their Jobs","year":2006,"lang":"en","type":"article","venue":"Newspaper Research Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Political science; Media studies; Public relations; Sociology; Business","score_opus":0.05048795016564181,"score_gpt":0.2745468579466523,"score_spread":0.22405890778101048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2309314470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011915669,0.027413413,0.0013622498,0.3082612,0.05317548,0.00008564668,0.00041241758,0.0010109672,0.596363],"genre_scores_gemma":[0.07172646,0.012797127,0.001946421,0.19297823,0.027684169,0.0001849501,0.0006095469,0.0012311671,0.690842],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9874402,0.003983552,0.0005688609,0.0016788715,0.0044201883,0.0019082314],"domain_scores_gemma":[0.94774187,0.007740054,0.005276441,0.0039773323,0.010055821,0.025208402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00619105,0.0007535517,0.00089113944,0.0026890323,0.013874564,0.043969274,0.0014879218,0.006918998,0.108172975],"category_scores_gemma":[0.032279447,0.0007683698,0.0005542181,0.0034037316,0.011785766,0.016336266,0.010691633,0.010904812,0.077230684],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008013352,0.00008162935,0.0017031378,0.00044041887,0.0000222039,0.00044569324,0.014411453,0.000020893156,0.00089937163,0.049014833,0.9077566,0.025123572],"study_design_scores_gemma":[0.000014491029,0.000017394808,0.00083756744,0.00014512168,0.0000048101924,0.00027789257,0.00714175,0.000008744424,0.00008164933,0.003732059,0.9877263,0.00001230355],"about_ca_topic_score_codex":0.002066117,"about_ca_topic_score_gemma":0.0068725236,"teacher_disagreement_score":0.108172975,"about_ca_system_score_codex":0.0038276059,"about_ca_system_score_gemma":0.0076231253,"threshold_uncertainty_score":0.3618747},"labels":[],"label_agreement":null},{"id":"W2315045251","doi":"","title":"A Warm Reading of Sunshine Sketches of a Little Town","year":2014,"lang":"en","type":"article","venue":"海外英语","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Admiration; Character (mathematics); Reading (process); Reputation; Politics; Comedy; History; Literature; Art history; Art; Media studies; Sociology; Political science; Social science; Law","score_opus":0.016760716941687563,"score_gpt":0.20964828821916473,"score_spread":0.19288757127747716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315045251","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15416826,0.019498775,0.003630925,0.029369382,0.00526066,0.00020741585,0.001238222,0.00029781245,0.78632855],"genre_scores_gemma":[0.6570992,0.008034624,0.0026382646,0.003359656,0.0010034554,0.000053168154,0.00040895358,0.00031233046,0.32709035],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951077,0.00023763166,0.000009826674,0.000052264604,0.00012995386,0.000059581987],"domain_scores_gemma":[0.99889934,0.0006254001,0.000057325695,0.000060312464,0.00020581126,0.0001518698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050394644,0.00056670175,0.0002036447,0.0022082124,0.008741801,0.0030665144,0.00053030654,0.0009001632,0.015592041],"category_scores_gemma":[0.0032543608,0.0002794397,0.0001801379,0.0019062137,0.005297237,0.0023012136,0.0013990339,0.0024034395,0.0013583888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013197602,0.000040411767,0.0018680805,0.00032984902,0.000023257127,0.004098749,0.53096217,0.0002624306,0.003191421,0.0813243,0.34054294,0.03722441],"study_design_scores_gemma":[0.0000026942382,0.000020131674,0.0034211758,0.00026449558,0.000005562423,0.00050340185,0.09682092,0.000045763387,0.00042059153,0.0012503833,0.89722484,0.00002001681],"about_ca_topic_score_codex":0.09008009,"about_ca_topic_score_gemma":0.38202414,"teacher_disagreement_score":0.09008009,"about_ca_system_score_codex":0.004892379,"about_ca_system_score_gemma":0.001562475,"threshold_uncertainty_score":0.17911154},"labels":[],"label_agreement":null},{"id":"W2320863536","doi":"10.1386/public.24.48.71_1","title":"All that's frozen melts into air: Arctic cinemas at the end of the world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Movie theater; Sublime; Adventure; Spectacle; Ideology; Danish; Arctic; Politics; The arctic; Art; Art history; Media studies; Visual arts; Aesthetics; History; Sociology; Political science; Law","score_opus":0.027165251286280227,"score_gpt":0.21398173141028612,"score_spread":0.1868164801240059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320863536","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37938845,0.009836249,0.002867296,0.013381337,0.0026568144,0.000032746262,0.00014749957,0.00009033733,0.59159935],"genre_scores_gemma":[0.97412544,0.0033009322,0.000721939,0.00097020675,0.0005666875,0.000012806753,0.000053421456,0.00008324335,0.02016535],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849725,0.001030954,0.00002652975,0.000100933474,0.00015677194,0.00018751447],"domain_scores_gemma":[0.9985545,0.00086166715,0.00010909413,0.00008025905,0.00015026201,0.0002442895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019450791,0.00033637267,0.00023346483,0.0012558247,0.008089486,0.009958072,0.00037666698,0.0008428973,0.004785808],"category_scores_gemma":[0.0023191816,0.00015120607,0.0002274121,0.0008964963,0.006232236,0.0035721583,0.0028714382,0.0019182157,0.00045982152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019824834,0.000051573086,0.0028564576,0.00029456013,0.000027403848,0.0013020969,0.8193929,0.00017909954,0.0016761433,0.120637886,0.02487367,0.028509878],"study_design_scores_gemma":[0.000007781717,0.00005042382,0.0048959376,0.0006406422,0.00003794512,0.00059121416,0.47336155,0.00014554815,0.0011548722,0.0061088116,0.5129757,0.000029606923],"about_ca_topic_score_codex":0.0097317975,"about_ca_topic_score_gemma":0.026605835,"teacher_disagreement_score":0.009958072,"about_ca_system_score_codex":0.0018917449,"about_ca_system_score_gemma":0.001220836,"threshold_uncertainty_score":0.01935029},"labels":[],"label_agreement":null},{"id":"W2321120790","doi":"10.3167/hrrh.2011.370207","title":"Remembering the Piper Alpha Disaster","year":2011,"lang":"en","type":"article","venue":"Historical Reflections/Réflexions Historiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Politics; Piper; History; Political science; Media studies; Sociology; Medicine; Law; Traditional medicine","score_opus":0.1180524520849649,"score_gpt":0.2665328360304143,"score_spread":0.14848038394544938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321120790","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5468447,0.012218612,0.001956061,0.10144751,0.004744367,0.00004544297,0.00018594375,0.000085841006,0.33247158],"genre_scores_gemma":[0.93326825,0.0056342715,0.00041246734,0.004575302,0.0007380256,0.0000142540885,0.00004781145,0.00007093039,0.055238675],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99857044,0.0008513582,0.000025997118,0.000101610975,0.00023098459,0.00021971091],"domain_scores_gemma":[0.9980463,0.0010515052,0.00022050615,0.00012461534,0.0002781922,0.0002789927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016292306,0.00036980974,0.00023889882,0.000707929,0.012437137,0.00504199,0.00044955043,0.0019736532,0.0063386993],"category_scores_gemma":[0.006192021,0.00024103119,0.00013414037,0.00072542625,0.01224026,0.0047413795,0.0029480627,0.003869119,0.00073294295],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029206069,0.000009521085,0.0010473869,0.00010254362,0.0000043234036,0.0015847145,0.94713455,0.000031087653,0.00076183357,0.0155841345,0.020802727,0.012908014],"study_design_scores_gemma":[0.0000019243673,0.00003804429,0.001538124,0.00020151662,0.0000052202877,0.0009648522,0.73854893,0.000015233636,0.0004596849,0.001809166,0.25640547,0.000011842265],"about_ca_topic_score_codex":0.014147564,"about_ca_topic_score_gemma":0.031293534,"teacher_disagreement_score":0.014147564,"about_ca_system_score_codex":0.0022149023,"about_ca_system_score_gemma":0.0017355335,"threshold_uncertainty_score":0.028130412},"labels":[],"label_agreement":null},{"id":"W232623305","doi":"","title":"Kubrick dans tous ses états. CASTLE, Alison. The Stanley Kubrick Archives, Cologne, Éditions Taschen, 2008 [2005], 544 p.CASTLE, Alison. The Stanley Kubrick Archives, Cologne, Éditions Taschen, 2008 [2005], 544 p.","year":2009,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.016671676361686958,"score_gpt":0.23136704599644425,"score_spread":0.2146953696347573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W232623305","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012461925,0.7242776,0.0009848125,0.041559026,0.00818665,0.000019188496,0.0022714036,0.00033221513,0.22112286],"genre_scores_gemma":[0.030179642,0.26717323,0.0022046694,0.007335227,0.004026117,0.00008187455,0.0017419403,0.0010696113,0.6861876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992355,0.0001416326,0.000056863355,0.00012363127,0.00035934945,0.00008301746],"domain_scores_gemma":[0.9992125,0.0001865283,0.00010293647,0.00007147658,0.00034137114,0.00008515701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006761946,0.0011223749,0.00064785004,0.003140084,0.0028022246,0.005611263,0.00086415233,0.0019466348,0.087037645],"category_scores_gemma":[0.0024110773,0.0008209512,0.00023052783,0.0055646296,0.002191861,0.00724403,0.0018022216,0.0032006511,0.035979334],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024836627,0.0000072558146,0.00013156857,0.00018719077,0.000003924635,0.000053651467,0.0009970649,0.000027269898,0.000105649284,0.016228449,0.9315342,0.050698977],"study_design_scores_gemma":[0.0000018411495,0.0000015858507,0.0006655632,0.00022691235,0.0000018740498,0.000055896926,0.00041700853,0.000007134658,0.000051554955,0.000996041,0.9975708,0.0000036000445],"about_ca_topic_score_codex":0.1607141,"about_ca_topic_score_gemma":0.3797985,"teacher_disagreement_score":0.1607141,"about_ca_system_score_codex":0.0049170763,"about_ca_system_score_gemma":0.004518235,"threshold_uncertainty_score":0.31955725},"labels":[],"label_agreement":null},{"id":"W2328759515","doi":"10.3138/jrpc.13.1.005","title":"<i>Adaptation</i>: The Self-Proclaiming Rhetoric of Charlie Kaufman and of the Apostle Paul","year":2006,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Apostle; Rhetoric; Hollywood; Narrative; Character (mathematics); Biography; Literature; Realism; Reflexive pronoun; Art; Philosophy; History; Art history; Theology","score_opus":0.010958496106164074,"score_gpt":0.2053007367564374,"score_spread":0.19434224065027333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328759515","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11729977,0.009194427,0.016863478,0.16061226,0.004180748,0.00008551627,0.00006654763,0.0003714399,0.6913258],"genre_scores_gemma":[0.94050664,0.0011122623,0.0019505196,0.008783146,0.0006836913,0.000050918727,0.000015442243,0.00017567154,0.04672173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980318,0.0012480031,0.000031026808,0.00022446933,0.0003079541,0.00015682266],"domain_scores_gemma":[0.9981352,0.00097540155,0.00020550757,0.00016142569,0.00035629963,0.00016624236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001593806,0.0004338074,0.0001356017,0.00059411343,0.0072946,0.004579243,0.00070753915,0.0015707143,0.0023075785],"category_scores_gemma":[0.00500139,0.00020076399,0.00011539657,0.0004070468,0.016763806,0.004649398,0.0020366053,0.0043870704,0.00043202896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005037621,0.000013646368,0.0004948925,0.00008553075,0.000007138593,0.0005328062,0.15126087,0.000084942316,0.0011585047,0.755817,0.07739983,0.013094575],"study_design_scores_gemma":[0.0000091748525,0.000031455158,0.001380335,0.00019604412,0.000012452465,0.00086661626,0.046338897,0.0004341791,0.0016614905,0.030874662,0.91816247,0.000032315413],"about_ca_topic_score_codex":0.017900277,"about_ca_topic_score_gemma":0.024512636,"teacher_disagreement_score":0.017900277,"about_ca_system_score_codex":0.0051978873,"about_ca_system_score_gemma":0.0021565454,"threshold_uncertainty_score":0.037713468},"labels":[],"label_agreement":null},{"id":"W2332010114","doi":"10.1093/english/55.212.157","title":"From Dogs to Crow: Ted Hughes and a 'world lost' 1956-1970","year":2006,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"AGE-WELL","keywords":"History; Library science; Art history; Art; Computer science","score_opus":0.006042960887734372,"score_gpt":0.19019623479363743,"score_spread":0.18415327390590305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332010114","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050289985,0.15218,0.00027055625,0.62495697,0.018724188,0.000021347345,0.00020398249,0.00004046296,0.15331249],"genre_scores_gemma":[0.5955081,0.099387236,0.00034193022,0.0961262,0.009753249,0.000047008118,0.00015315431,0.00009974175,0.19858336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892277,0.00042130193,0.000045257137,0.00010206257,0.00025930273,0.0002491938],"domain_scores_gemma":[0.99747926,0.0012458503,0.00028270032,0.000067170586,0.00033159717,0.00059347105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019056984,0.00035740752,0.00033066428,0.0018990888,0.010452215,0.006348808,0.0009839822,0.0035673908,0.009067535],"category_scores_gemma":[0.0071639107,0.0002811044,0.00020245947,0.0021861806,0.015808336,0.008007921,0.0037216682,0.005363909,0.0011441027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035590176,0.000018820496,0.0010709319,0.00011819948,0.000009582364,0.0013934828,0.14951958,0.00003030118,0.00007111104,0.054902088,0.77921814,0.013612125],"study_design_scores_gemma":[0.000005953442,0.0000144013475,0.0023306278,0.00034412267,0.000008159459,0.001102932,0.09989289,0.000008286103,0.000044843237,0.004432944,0.89180076,0.000014095458],"about_ca_topic_score_codex":0.071006626,"about_ca_topic_score_gemma":0.13609393,"teacher_disagreement_score":0.071006626,"about_ca_system_score_codex":0.0069568376,"about_ca_system_score_gemma":0.003215266,"threshold_uncertainty_score":0.14118665},"labels":[],"label_agreement":null},{"id":"W2333911117","doi":"10.1068/d2806re2","title":"Lost in Paradise: The Strange Case of Diego Garcia Review Essay: A Review of Vine's <i>Island of Shame</i> , and Sand's <i>United States and Britain in Diego Garcia</i>","year":2010,"lang":"en","type":"review","venue":"Environment and Planning D Society and Space","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Garcia; Paradise; Vine; Shame; Humanities; Environmental ethics; Art; History; Art history; Philosophy; Political science; Law; Ecology","score_opus":0.01946195152635166,"score_gpt":0.25209391893005234,"score_spread":0.23263196740370068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333911117","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044596446,0.97215456,0.00002067725,0.021647086,0.0026600258,0.0000022591628,0.000019415922,0.0000022574375,0.0030477708],"genre_scores_gemma":[0.006513395,0.9720896,0.0000837995,0.015634665,0.0022863534,0.000012254287,0.00003573512,0.000009271121,0.0033349548],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863786,0.000611237,0.00011242043,0.00015220873,0.00038981857,0.00009652285],"domain_scores_gemma":[0.9962831,0.0024054837,0.0004701646,0.000065654196,0.0005689288,0.00020673979],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023044038,0.0005880853,0.0012063477,0.0033290836,0.001705725,0.005768535,0.0010541551,0.0040589035,0.0031613114],"category_scores_gemma":[0.008311215,0.00029735002,0.00044566748,0.0059969663,0.0043284884,0.0048043006,0.0020154025,0.0036303613,0.0007477568],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042039825,0.000030616608,0.0007092638,0.011121676,0.00009857709,0.0008108785,0.008645404,0.00008354424,0.00026122833,0.016387125,0.81227875,0.1495309],"study_design_scores_gemma":[0.00000486548,0.000008944721,0.0009880681,0.008318951,0.00004770079,0.0005866413,0.006847324,0.000005202618,0.000035481735,0.0011295306,0.98201615,0.000011213728],"about_ca_topic_score_codex":0.023235785,"about_ca_topic_score_gemma":0.088117,"teacher_disagreement_score":0.023235785,"about_ca_system_score_codex":0.0033876465,"about_ca_system_score_gemma":0.010509992,"threshold_uncertainty_score":0.04620111},"labels":[],"label_agreement":null},{"id":"W2338490818","doi":"10.26522/ti.v2i1.750","title":"From Tom Sleigh","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014033387217047399,"score_gpt":0.18791893118659517,"score_spread":0.17388554396954778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338490818","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003910271,0.017956233,0.00082801987,0.08849674,0.032388575,0.000047558657,0.00048248385,0.0002185317,0.8556716],"genre_scores_gemma":[0.011742308,0.0024639964,0.00024154017,0.006172644,0.002995578,0.000015273992,0.000094606985,0.00012766142,0.9761463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972767,0.00006250374,0.000007786104,0.00005287673,0.0001065739,0.00004263019],"domain_scores_gemma":[0.999503,0.00010309591,0.000013051642,0.000028245988,0.00015363822,0.00019896755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036471468,0.0004328105,0.0002776421,0.0008583459,0.005865283,0.004768458,0.00038152825,0.001019327,0.16698384],"category_scores_gemma":[0.0018803335,0.00017031323,0.00016896083,0.0004892106,0.0015603267,0.0030365472,0.0022530153,0.0038707939,0.040808238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015974725,0.000012676446,0.00009328312,0.000024271452,0.0000011897356,0.000058024685,0.0011949094,0.000008779562,0.00009872826,0.02257969,0.95369685,0.0222156],"study_design_scores_gemma":[0.0000013111031,0.0000040564964,0.000112184935,0.00003121184,4.3245822e-7,0.000045630193,0.00090934953,0.0000070253327,0.000025402138,0.0016809,0.99718106,0.000001462149],"about_ca_topic_score_codex":0.0053183464,"about_ca_topic_score_gemma":0.024237568,"teacher_disagreement_score":0.16698384,"about_ca_system_score_codex":0.0013944376,"about_ca_system_score_gemma":0.0009472833,"threshold_uncertainty_score":0.55861664},"labels":[],"label_agreement":null},{"id":"W2340532391","doi":"","title":"LibGuides: Newspapers: Gadsby, Alberta","year":2012,"lang":"lv","type":"libguides","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Business","score_opus":0.027434446278167223,"score_gpt":0.24004417485500326,"score_spread":0.21260972857683605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2340532391","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01514823,0.031584088,0.00025367358,0.0040909154,0.0010660499,0.000066707275,0.028484983,0.0009421293,0.91836315],"genre_scores_gemma":[0.017807525,0.008398577,0.00024286589,0.00016049715,0.00016286579,0.000025297046,0.0042312657,0.00020750827,0.9687636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972504,0.000018474295,0.000011220496,0.000055703757,0.00013033363,0.000059198417],"domain_scores_gemma":[0.99923944,0.00014062722,0.000042525822,0.00003330767,0.00036005853,0.0001840264],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030428008,0.00095958647,0.00042861642,0.0048227957,0.0033098892,0.0065340353,0.0006885897,0.0010534457,0.3470457],"category_scores_gemma":[0.0009244688,0.00045957352,0.00015155177,0.014410516,0.0008113783,0.0019976175,0.00085546327,0.0011806092,0.05155761],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101702666,0.000046217043,0.0026065237,0.00046175832,0.000009407856,0.00039268474,0.0016620692,0.00019324454,0.00059512386,0.004591771,0.8272393,0.16210027],"study_design_scores_gemma":[0.000011083576,0.000008954678,0.02470719,0.0004264648,0.000008334254,0.00014963029,0.0031828734,0.00009528147,0.0003125855,0.0005344557,0.97054905,0.0000140834145],"about_ca_topic_score_codex":0.43061322,"about_ca_topic_score_gemma":0.7899284,"teacher_disagreement_score":0.65295434,"about_ca_system_score_codex":0.0068135243,"about_ca_system_score_gemma":0.007650905,"threshold_uncertainty_score":0.93136007},"labels":[],"label_agreement":null},{"id":"W2344113929","doi":"10.1353/lit.2016.0027","title":"“La vida es el honor y el recuerdo” : Oscar Zeta Acosta’s Paratextual Struggle for Survival","year":2016,"lang":"en","type":"article","venue":"College literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of California, Santa Barbara; Egg Farmers of Canada","keywords":"Humanities; Art; Honor; Philosophy","score_opus":0.017354551488362572,"score_gpt":0.24904853529982807,"score_spread":0.2316939838114655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344113929","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4416899,0.0061130077,0.0017812004,0.08491119,0.0022343816,0.000028140208,0.000024526755,0.00007334749,0.46314427],"genre_scores_gemma":[0.9560646,0.0015954137,0.00022055669,0.0023723752,0.0006364017,0.000018192735,0.000009515985,0.000046964604,0.039036043],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986656,0.0007290199,0.000023396233,0.00010645204,0.00025106396,0.00022437808],"domain_scores_gemma":[0.9962302,0.0018822325,0.00022097985,0.00023845088,0.00058609905,0.0008419759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002943809,0.00027195565,0.00021490351,0.0009111901,0.023575893,0.012611041,0.00068588444,0.0019175913,0.002868098],"category_scores_gemma":[0.0066810055,0.00018254145,0.00011248899,0.0009981414,0.02274846,0.0044906605,0.004229832,0.0055715335,0.0005640327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004586352,0.00003687234,0.001009008,0.000035696714,0.0000026544765,0.00083891087,0.55770016,0.00005447248,0.0002894321,0.3861862,0.035224207,0.01857648],"study_design_scores_gemma":[0.000012693302,0.000044121738,0.001569305,0.0001769607,0.0000061666306,0.0005403778,0.3727638,0.00014750074,0.00047255636,0.026270822,0.5979758,0.000019965348],"about_ca_topic_score_codex":0.010949389,"about_ca_topic_score_gemma":0.02772392,"teacher_disagreement_score":0.023575893,"about_ca_system_score_codex":0.0046995743,"about_ca_system_score_gemma":0.0048907753,"threshold_uncertainty_score":0.03409797},"labels":[],"label_agreement":null},{"id":"W2404547262","doi":"10.1353/his.2016.0004","title":"Canada by Photograph: Instructed Looking and Tourism of the Late Nineteenth-century Canadian Landscape","year":2016,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tourism; Photography; Visual arts; Period (music); Inclusion (mineral); History; Art; Archaeology; Sociology; Aesthetics; Social science","score_opus":0.0037880201203578457,"score_gpt":0.1486388061510067,"score_spread":0.14485078603064885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2404547262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29942214,0.010727889,0.0012637397,0.02760185,0.0010270026,0.00008120646,0.0006797015,0.0001161031,0.6590804],"genre_scores_gemma":[0.8663341,0.00823746,0.0010081519,0.0019376832,0.00010668413,0.000022702321,0.00013680784,0.00009234098,0.12212401],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992494,0.00012685765,0.000016522248,0.0000659932,0.0003115463,0.00022968829],"domain_scores_gemma":[0.9983267,0.00040264765,0.000078479505,0.000067835936,0.0007489877,0.000375451],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008140055,0.0002911457,0.00014174075,0.0018745976,0.0151118105,0.0071402024,0.0007848395,0.0009275392,0.009114916],"category_scores_gemma":[0.0027945866,0.00017203957,0.00012535509,0.0028528692,0.010714789,0.0016973506,0.0016074918,0.0018117867,0.00046881312],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006927496,0.00003891688,0.009354323,0.00034719863,0.000010845503,0.0019387794,0.6486312,0.00018157718,0.0018621468,0.17322342,0.08270474,0.0816376],"study_design_scores_gemma":[0.0000046375576,0.000013551527,0.015393534,0.00027611878,0.000017278371,0.00032227513,0.24921785,0.000068491194,0.00059261447,0.0020153474,0.7320511,0.000027193762],"about_ca_topic_score_codex":0.97986174,"about_ca_topic_score_gemma":0.99459887,"teacher_disagreement_score":0.06396217,"about_ca_system_score_codex":0.06396217,"about_ca_system_score_gemma":0.074859194,"threshold_uncertainty_score":0.4640802},"labels":[],"label_agreement":null},{"id":"W2408818509","doi":"10.14288/1.0107953","title":"The Great Trek, 1922","year":2011,"lang":"en","type":"article","venue":"Open Collections","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.054634896937441495,"score_gpt":0.23329040643428728,"score_spread":0.17865550949684578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2408818509","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045026597,0.0034249432,0.00026330125,0.0028560539,0.008129001,0.000058263686,0.0055057206,0.00022440524,0.97503567],"genre_scores_gemma":[0.01790248,0.0011309795,0.00022005035,0.0004054315,0.0007774539,0.000026567794,0.0015525371,0.00023824269,0.97774625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996567,0.000032390704,0.000016684107,0.00007304581,0.00015844422,0.00006272979],"domain_scores_gemma":[0.99973685,0.00002966403,0.0000142339895,0.000036253256,0.00011140176,0.00007156156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029609737,0.0008340946,0.0002656319,0.0017758285,0.0053365366,0.004258344,0.00045683078,0.00082640053,0.20521486],"category_scores_gemma":[0.001459492,0.0003169931,0.00030984005,0.0019360983,0.0016689792,0.0020067883,0.0017519288,0.0022626496,0.06305149],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007632684,0.000012293577,0.00037775253,0.000096743875,0.0000049148543,0.00023002509,0.001060804,0.000047949277,0.0003142299,0.015172401,0.9477052,0.034901246],"study_design_scores_gemma":[0.0000026952966,0.000007165652,0.0013506939,0.00003945678,9.005428e-7,0.0000879192,0.0003001134,0.000009339632,0.000072663264,0.00023376534,0.9978917,0.0000036175493],"about_ca_topic_score_codex":0.045709107,"about_ca_topic_score_gemma":0.15838397,"teacher_disagreement_score":0.20521486,"about_ca_system_score_codex":0.0035563528,"about_ca_system_score_gemma":0.0015969466,"threshold_uncertainty_score":0.6865121},"labels":[],"label_agreement":null},{"id":"W2412188637","doi":"10.4000/itineraires.2674","title":"La pensée magique en Californie : Where I Was From de Joan Didion","year":2015,"lang":"fr","type":"article","venue":"Itinéraires","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.018499955709704984,"score_gpt":0.24036764922805687,"score_spread":0.2218676935183519,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2412188637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19791918,0.032236323,0.0010498951,0.12377299,0.0040769945,0.000025608872,0.00019803604,0.0001236782,0.6405972],"genre_scores_gemma":[0.7433683,0.0102446275,0.0005939687,0.010815687,0.0010098056,0.00003308386,0.000118538206,0.00011475921,0.23370132],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990639,0.00033235844,0.000021973156,0.00019069474,0.00020267819,0.00018841737],"domain_scores_gemma":[0.99877006,0.0005237938,0.00011927462,0.00007495494,0.0002298846,0.0002819298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008372846,0.00023645461,0.00017623356,0.0006728031,0.012573926,0.008769591,0.0004864019,0.0014069866,0.008825504],"category_scores_gemma":[0.002498713,0.00020755986,0.00010896609,0.0010141631,0.008227109,0.0027303747,0.0027478249,0.0037816542,0.0008306697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014150636,0.00005427148,0.01186364,0.00030201772,0.00001584967,0.0028019785,0.3263225,0.00013528907,0.0013933829,0.37512934,0.20588575,0.07595445],"study_design_scores_gemma":[0.0000071670897,0.000015750968,0.008837546,0.00041853858,0.000009302232,0.0003446773,0.06912928,0.00005717005,0.00041019736,0.005705739,0.9150469,0.00001793514],"about_ca_topic_score_codex":0.12783688,"about_ca_topic_score_gemma":0.29553562,"teacher_disagreement_score":0.12783688,"about_ca_system_score_codex":0.010791478,"about_ca_system_score_gemma":0.008258243,"threshold_uncertainty_score":0.25418556},"labels":[],"label_agreement":null},{"id":"W2471885217","doi":"10.1057/9780230610583_13","title":"The Feminist King: Dolores Claiborne","year":2008,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Feminism; Suffrage; Art history; Commission; History; Art; Law; Political science; Politics","score_opus":0.028291730297981692,"score_gpt":0.2235452150039734,"score_spread":0.19525348470599171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2471885217","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014037897,0.13718903,0.0004209243,0.41990077,0.021530528,0.000040606246,0.00019185773,0.00014313178,0.40654528],"genre_scores_gemma":[0.116063684,0.025711551,0.0003535633,0.09847336,0.0027903377,0.000046088127,0.000069181064,0.0001452027,0.7563469],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884415,0.00035742458,0.00001882449,0.00018598145,0.0003482832,0.0002453116],"domain_scores_gemma":[0.99914825,0.00027547166,0.000059169113,0.000026568094,0.00019094087,0.00029957364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001164067,0.00045381472,0.00039077387,0.0006201205,0.012896108,0.0041822856,0.00058142794,0.002401275,0.019536836],"category_scores_gemma":[0.0027474915,0.00028497973,0.00012979472,0.0005225325,0.0037885318,0.0026711153,0.0030872854,0.005376129,0.0032852807],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026603208,0.000022695243,0.00047651413,0.000107781016,0.000004047067,0.0006118341,0.022069873,0.000025182342,0.0002473592,0.019109799,0.9273911,0.029907249],"study_design_scores_gemma":[0.000001376207,0.0000051117177,0.00044412835,0.00015507487,0.000001011692,0.0002826911,0.01225796,0.000007804123,0.000056461813,0.00038888992,0.98639315,0.0000064091464],"about_ca_topic_score_codex":0.118869,"about_ca_topic_score_gemma":0.23305112,"teacher_disagreement_score":0.118869,"about_ca_system_score_codex":0.0058715474,"about_ca_system_score_gemma":0.0035988942,"threshold_uncertainty_score":0.23635423},"labels":[],"label_agreement":null},{"id":"W2519775147","doi":"","title":"『허클베리 핀의 모험』과의 비교를 통해 본 『앵무새 죽이기』의 인종문제","year":2014,"lang":"ko","type":"article","venue":"미국소설","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Racism; Battle; Adventure; History; Criticism; Fanaticism; Sociology; Literature; Gender studies; Art; Political science; Law; Art history; Politics","score_opus":0.012200968928950336,"score_gpt":0.20739392431723935,"score_spread":0.195192955388289,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519775147","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19073915,0.010828779,0.012908858,0.1636885,0.015075049,0.0000869192,0.00014067777,0.00039395667,0.6061381],"genre_scores_gemma":[0.81572086,0.002464479,0.0017012605,0.021624912,0.0016115359,0.00005273418,0.00003992458,0.00019871557,0.15658554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989023,0.0005208972,0.00001853862,0.00017326174,0.0001913114,0.000193611],"domain_scores_gemma":[0.99895084,0.00050841086,0.00009642519,0.00004886796,0.00018089314,0.00021447285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010084468,0.000543751,0.0002120976,0.00032806495,0.009114004,0.0044857454,0.0009408447,0.0027781099,0.0053168936],"category_scores_gemma":[0.0025928335,0.00018289879,0.0002849344,0.00014732903,0.00945371,0.0025502876,0.0025877566,0.0047862413,0.0011607546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014509146,0.0000810663,0.0015546363,0.0002961639,0.000027995839,0.0034427526,0.17402475,0.00029961782,0.003148397,0.48541433,0.29429597,0.03726929],"study_design_scores_gemma":[0.000007362062,0.000092073846,0.001143325,0.00026496223,0.000009445362,0.0010446273,0.07300979,0.00014714497,0.001914917,0.0088293245,0.9134933,0.000043757333],"about_ca_topic_score_codex":0.0046602385,"about_ca_topic_score_gemma":0.014713833,"teacher_disagreement_score":0.009114004,"about_ca_system_score_codex":0.0028375632,"about_ca_system_score_gemma":0.001196946,"threshold_uncertainty_score":0.0205881},"labels":[],"label_agreement":null},{"id":"W2523341283","doi":"10.25071/1708-6701.15909","title":"Srul Irving Glick (CD Review)","year":2007,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Neuroscience; Chemistry; Psychology","score_opus":0.02334480564085506,"score_gpt":0.26533243788267635,"score_spread":0.2419876322418213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2523341283","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025739314,0.82250947,0.00050383556,0.06629795,0.085103236,0.00008523023,0.00029402357,0.00011362813,0.024835292],"genre_scores_gemma":[0.0040106596,0.6774505,0.0012732691,0.08864463,0.06705234,0.00020893442,0.0005157571,0.00010986607,0.16073401],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993887,0.00013563778,0.000053948763,0.00009269942,0.00027790936,0.000051018218],"domain_scores_gemma":[0.9974693,0.0006180732,0.00026794043,0.00007674368,0.0012632173,0.00030468896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013216673,0.00065362774,0.0009607153,0.0030804337,0.0005293886,0.0016322084,0.0012649262,0.0023463457,0.058927417],"category_scores_gemma":[0.006869621,0.00029826912,0.0005518587,0.002852187,0.00049448677,0.002338501,0.0015361389,0.0016732186,0.032251835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032715656,0.0000060068237,0.000048771944,0.0016949909,0.000012988121,0.00006907962,0.000016882015,0.000009502929,0.0000756668,0.00040715703,0.8750007,0.12262548],"study_design_scores_gemma":[0.00003333045,0.000019345858,0.00034751502,0.002085085,0.00003655446,0.00033238347,0.00003718865,0.000009669815,0.000077212106,0.00039750923,0.9966163,0.0000079393185],"about_ca_topic_score_codex":0.0021030447,"about_ca_topic_score_gemma":0.005504044,"teacher_disagreement_score":0.058927417,"about_ca_system_score_codex":0.00079877826,"about_ca_system_score_gemma":0.0017034351,"threshold_uncertainty_score":0.19713187},"labels":[],"label_agreement":null},{"id":"W2527493534","doi":"10.20381/ruor-173","title":"John Weinzweig, Leftist Politics, and Radio Drama at the CBC During the Second World War","year":2016,"lang":"en","type":"article","venue":"uO Research (University of Ottawa)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Left-wing politics; Politics; Drama; World War II; Political science; History; Literature; Art; Law","score_opus":0.02465613509600152,"score_gpt":0.23404249785379166,"score_spread":0.20938636275779016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527493534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3773994,0.03550435,0.00069054804,0.09773907,0.0017889508,0.00008613316,0.00022774083,0.0001149728,0.48644873],"genre_scores_gemma":[0.8404214,0.014082054,0.0006518412,0.0059545366,0.00027459807,0.000043601063,0.00008814067,0.0001386313,0.13834523],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872774,0.00027505128,0.000022575041,0.00013979695,0.00042383847,0.0004109343],"domain_scores_gemma":[0.99918216,0.00031460254,0.00008973889,0.000029102377,0.00016246282,0.00022190115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010744178,0.00034776298,0.00027294873,0.0018884392,0.021818215,0.0073637585,0.0006735971,0.0015739729,0.003367712],"category_scores_gemma":[0.0025472874,0.00024036244,0.00011718902,0.0029960636,0.01245113,0.0021987779,0.0027049684,0.002740466,0.0005524452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008637088,0.00007120208,0.00703104,0.00023208781,0.000012624649,0.0013454334,0.5109372,0.0003318141,0.0013274546,0.22247268,0.18188101,0.07427107],"study_design_scores_gemma":[0.000006650694,0.000020489917,0.014639551,0.00038955727,0.0000125780725,0.0003918656,0.27104715,0.00010358549,0.00070814777,0.005978643,0.7066546,0.00004711016],"about_ca_topic_score_codex":0.65005577,"about_ca_topic_score_gemma":0.85359806,"teacher_disagreement_score":0.34994423,"about_ca_system_score_codex":0.031898104,"about_ca_system_score_gemma":0.01789674,"threshold_uncertainty_score":0.70401025},"labels":[],"label_agreement":null},{"id":"W2542151382","doi":"10.32873/uno.dc.jrf.20.03.30","title":"Verdens Undergang (1916) and the Birth of Apocalyptic Film: Antecedents and Causative Forces","year":2016,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University; Western University","funders":"","keywords":"Movie theater; Entertainment; Newspaper; Art history; German; Danish; Art; SWORD; World War II; History; Visual arts; Media studies; Sociology; Engineering; Philosophy; Archaeology","score_opus":0.009638210772168941,"score_gpt":0.21291450631037243,"score_spread":0.20327629553820348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2542151382","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1332767,0.038817722,0.0038872669,0.044657677,0.0026854146,0.00007637197,0.00019524431,0.000050014696,0.7763536],"genre_scores_gemma":[0.94819164,0.005489784,0.00050066324,0.002089136,0.00059393403,0.000021933234,0.00003596822,0.0000424799,0.043034308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984567,0.0006663239,0.00005295061,0.0003073281,0.0002939593,0.00022264825],"domain_scores_gemma":[0.9983216,0.000990994,0.00025520223,0.00010278801,0.00019853839,0.00013097833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017715489,0.00033766075,0.00019208239,0.0013383338,0.0059168353,0.0045047966,0.0004223476,0.0022468497,0.0073981066],"category_scores_gemma":[0.005803261,0.0002741547,0.00012617596,0.0008111699,0.018454602,0.005278366,0.0039833044,0.0042919926,0.000654163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023349901,0.000012911652,0.00088869064,0.00006514427,0.0000036711979,0.00042317333,0.05393971,0.00004327406,0.00019194938,0.92598844,0.008431461,0.009988135],"study_design_scores_gemma":[0.000018001143,0.00003450981,0.0049909893,0.00037912725,0.000008637603,0.0008214813,0.01961157,0.00007880487,0.0009319182,0.08848615,0.8846138,0.000024981198],"about_ca_topic_score_codex":0.010145792,"about_ca_topic_score_gemma":0.011115931,"teacher_disagreement_score":0.010145792,"about_ca_system_score_codex":0.0050536287,"about_ca_system_score_gemma":0.0014089906,"threshold_uncertainty_score":0.03666681},"labels":[],"label_agreement":null},{"id":"W2560983016","doi":"10.15210/interfaces.v16i2.8389","title":"“Seeing with a so-called fresh eye”: Revisiting P.K. Page’s writings on Brazil","year":2016,"lang":"en","type":"article","venue":"Americanae (AECID Library)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Contradiction; Portrait; Identity (music); Narrative; Representation (politics); Space (punctuation); Art history; Sociology; Art; Literature; History; Aesthetics; Philosophy; Epistemology; Linguistics; Law; Political science","score_opus":0.008118324270664409,"score_gpt":0.2035687839787132,"score_spread":0.19545045970804878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560983016","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46642572,0.017015822,0.0030827587,0.11064031,0.0012875281,0.00013134157,0.00026109855,0.00005836139,0.40109703],"genre_scores_gemma":[0.98128146,0.0045043626,0.00066965865,0.0026210058,0.00010721539,0.000027195352,0.000030918345,0.000053126816,0.010704948],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980673,0.0009198901,0.000042831216,0.00022957152,0.000441111,0.00029929267],"domain_scores_gemma":[0.9959311,0.002560298,0.0001967193,0.00014021136,0.0007983811,0.00037322537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026272861,0.00052816793,0.00040018032,0.002231648,0.016820893,0.00784041,0.00119823,0.0018589904,0.0021485526],"category_scores_gemma":[0.00833777,0.00025918693,0.00022381677,0.0024829106,0.024931291,0.0036078566,0.002887598,0.003515026,0.00017515203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015184406,0.0000105238105,0.0008442558,0.00013047969,0.000005288188,0.000876445,0.85440946,0.00007519024,0.00069924316,0.12245484,0.009856942,0.010622152],"study_design_scores_gemma":[0.0000032846854,0.000012576579,0.004222584,0.0006502902,0.000016464874,0.0005200045,0.6453987,0.0001478086,0.0005766485,0.00903134,0.3393908,0.000029438916],"about_ca_topic_score_codex":0.6419936,"about_ca_topic_score_gemma":0.82005113,"teacher_disagreement_score":0.6419936,"about_ca_system_score_codex":0.026279232,"about_ca_system_score_gemma":0.0239284,"threshold_uncertainty_score":0.72022957},"labels":[],"label_agreement":null},{"id":"W2563271436","doi":"10.3138/cbmh.19.2.515","title":"Cigarette Wars: The Triumph of \"the Little White Slaver\" Cassandra Tate","year":2002,"lang":"en","type":"article","venue":"Canadian Journal of Health History","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"White (mutation); Art; Ancient history; History; Political science; Medicine","score_opus":0.04767191369969544,"score_gpt":0.1928229496035824,"score_spread":0.14515103590388695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563271436","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019149434,0.015478536,0.0001655887,0.861328,0.0075562107,0.000011902483,0.000031378666,0.000020820373,0.09625802],"genre_scores_gemma":[0.3806402,0.017856263,0.00022552624,0.3637486,0.011267795,0.000035031415,0.00003613399,0.00016120722,0.22602929],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798054,0.0008592416,0.000040494848,0.00023561883,0.0004510071,0.00043312972],"domain_scores_gemma":[0.9968823,0.0017033846,0.00020392908,0.00015268777,0.00036290678,0.000694785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030883716,0.0003558326,0.00044707587,0.0011350996,0.02239655,0.009146802,0.00080468226,0.008816295,0.011926772],"category_scores_gemma":[0.008043602,0.0003340403,0.0002454907,0.000988111,0.018227879,0.006566395,0.0042160964,0.014178936,0.0011993273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064598935,0.000039826497,0.0008868494,0.00007454291,0.000010155382,0.00046335848,0.09402279,0.00003061079,0.00029122838,0.28071567,0.60508144,0.018318914],"study_design_scores_gemma":[0.000009031417,0.000015810683,0.0010290863,0.00021430108,0.0000047780227,0.00016118116,0.04617661,0.00002963401,0.00016127281,0.01427711,0.937904,0.000017202348],"about_ca_topic_score_codex":0.04372709,"about_ca_topic_score_gemma":0.10224853,"teacher_disagreement_score":0.9562729,"about_ca_system_score_codex":0.0038203294,"about_ca_system_score_gemma":0.0054642735,"threshold_uncertainty_score":0.086945176},"labels":[],"label_agreement":null},{"id":"W2565010884","doi":"10.1353/vpr.2016.0042","title":"Reading in Review: The Victorian Book Review in the New Media Moment","year":2016,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Impulse (physics); Reading (process); Print culture; Literature; Identity (music); Print media; History; Art; Aesthetics; Media studies; Sociology; Political science; Law; Newspaper","score_opus":0.01949576016691967,"score_gpt":0.25755374339286025,"score_spread":0.23805798322594057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2565010884","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0102465395,0.81405807,0.0014019376,0.08986542,0.017657692,0.000078148216,0.00016693541,0.000049691225,0.06647567],"genre_scores_gemma":[0.17549746,0.6772678,0.00341974,0.05187383,0.01736436,0.00025831672,0.00030690047,0.00021769552,0.07379393],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9898183,0.004363305,0.00068358117,0.00055279926,0.0041810214,0.00040096656],"domain_scores_gemma":[0.950637,0.03281314,0.0028856725,0.0015101337,0.0098853605,0.0022687204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009063706,0.00022068674,0.0007720672,0.008683351,0.0029318696,0.011616942,0.00080525223,0.0017728996,0.002331544],"category_scores_gemma":[0.0460052,0.00038997323,0.00024844226,0.011406896,0.00815545,0.004515767,0.0019154988,0.0036758098,0.0006804496],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006869216,0.000035820274,0.0016922866,0.008203641,0.0001006363,0.0006884934,0.0469914,0.00023593259,0.0012138111,0.16147731,0.5896986,0.18959346],"study_design_scores_gemma":[0.0000021613287,0.000010219987,0.0020413978,0.0042724516,0.000018344559,0.00017205194,0.0048991423,0.000048164584,0.00010929134,0.0043732696,0.9840412,0.00001240475],"about_ca_topic_score_codex":0.0329723,"about_ca_topic_score_gemma":0.1258818,"teacher_disagreement_score":0.0329723,"about_ca_system_score_codex":0.012502379,"about_ca_system_score_gemma":0.025159396,"threshold_uncertainty_score":0.090711474},"labels":[],"label_agreement":null},{"id":"W2587315581","doi":"10.3968/9209","title":"Misogyny Reflected in the Movie The Great Gatsby","year":2016,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Punishment (psychology); Power (physics); Prejudice (legal term); Art; Materialism; Embodied cognition; Character (mathematics); Literature; Psychology; Aesthetics; Social psychology; Philosophy","score_opus":0.045098580930880545,"score_gpt":0.3180943013679777,"score_spread":0.2729957204370972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587315581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4692924,0.0077197156,0.0023754,0.03748474,0.0034400683,0.000054506792,0.0005602149,0.00022068108,0.47885227],"genre_scores_gemma":[0.8304801,0.0016260698,0.00073207414,0.0031232645,0.00030694064,0.000014255639,0.00011465138,0.0002052817,0.16339739],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976975,0.00009260212,0.000003840708,0.000033056043,0.000052846288,0.00004800718],"domain_scores_gemma":[0.9997774,0.00004573177,0.000030506606,0.000013042505,0.000048753136,0.00008462218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002355413,0.0003855178,0.00015934343,0.000374398,0.004541076,0.002248675,0.00016083862,0.00081701635,0.0075536626],"category_scores_gemma":[0.00093761913,0.00013494398,0.00010179734,0.00026447576,0.003371964,0.0015175873,0.0014726929,0.0017076943,0.0012198619],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036240715,0.00004366962,0.008901219,0.00028987235,0.000027330201,0.0035977126,0.62278736,0.000104468054,0.00715113,0.08561885,0.2368759,0.03424017],"study_design_scores_gemma":[0.0000044424287,0.00003673651,0.0059630293,0.00012943319,0.0000059283047,0.0011113326,0.10431071,0.00006259577,0.00079447404,0.0009639843,0.8865993,0.000017941478],"about_ca_topic_score_codex":0.010315609,"about_ca_topic_score_gemma":0.030724408,"teacher_disagreement_score":0.010315609,"about_ca_system_score_codex":0.001477483,"about_ca_system_score_gemma":0.0004494206,"threshold_uncertainty_score":0.025269508},"labels":[],"label_agreement":null},{"id":"W2587441412","doi":"10.5817/cejcs2012-8-5","title":"The use of weather images by Canadian ethnic short story writers","year":2012,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnic group; History; Meteorology; Geography; Sociology; Anthropology","score_opus":0.106949662941651,"score_gpt":0.2476053102611572,"score_spread":0.1406556473195062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587441412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9749067,0.000401536,0.00015939267,0.00044797888,0.000033556164,0.000016441762,0.00017522028,0.0000122848905,0.023846917],"genre_scores_gemma":[0.99683505,0.00038975757,0.00017150755,0.0000458948,0.000009676348,0.000005944643,0.0000689964,0.000017529357,0.0024556057],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981658,0.0005654907,0.00007587317,0.00013508581,0.0006933286,0.00036439477],"domain_scores_gemma":[0.9912143,0.0040275566,0.0011547797,0.00040494502,0.002344772,0.00085356366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020357266,0.00047065545,0.00030002938,0.0048973053,0.011878151,0.0073324344,0.00086152274,0.000830144,0.0024643675],"category_scores_gemma":[0.013860233,0.00032596494,0.00016142878,0.0048314384,0.006646239,0.0016476389,0.0024113492,0.0013631281,0.0001727128],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000091668735,0.000011734246,0.012443174,0.00007764496,0.000008159155,0.0006105945,0.9707372,0.000050446542,0.0013957199,0.0027323142,0.0012248339,0.010616447],"study_design_scores_gemma":[0.0000045070506,0.000031774463,0.051451486,0.0001434854,0.000021593318,0.00047491415,0.90616894,0.00015512208,0.0009802745,0.00020944825,0.04030527,0.000053170515],"about_ca_topic_score_codex":0.72684777,"about_ca_topic_score_gemma":0.87279713,"teacher_disagreement_score":0.27315223,"about_ca_system_score_codex":0.011738381,"about_ca_system_score_gemma":0.010193191,"threshold_uncertainty_score":0.54952174},"labels":[],"label_agreement":null},{"id":"W2591519454","doi":"","title":"Back to the Garden Again: Directing The Fall","year":2000,"lang":"en","type":"article","venue":"Early Theatre","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Aesthetics","score_opus":0.014167260172513012,"score_gpt":0.20426329745382288,"score_spread":0.19009603728130986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591519454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07708118,0.0019744183,0.011173208,0.06327162,0.0036952058,0.00013733807,0.00022254315,0.00023996769,0.8422045],"genre_scores_gemma":[0.7607433,0.0011739534,0.004580976,0.010078637,0.0007864623,0.00014866868,0.00014703716,0.0013370821,0.22100382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957902,0.0020777683,0.00008123387,0.0005077659,0.0006069587,0.00093619217],"domain_scores_gemma":[0.9947239,0.002140538,0.00027973537,0.0004938647,0.0010641861,0.0012978327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043685064,0.00068666856,0.00062694657,0.0033029122,0.024117954,0.018580114,0.0016142657,0.005101585,0.042451624],"category_scores_gemma":[0.016037242,0.00044106453,0.00053927064,0.0023167029,0.02195748,0.0134162195,0.008359947,0.009280635,0.006134835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022684556,0.000110856694,0.0015099115,0.00010273259,0.000008612537,0.00039536017,0.2542454,0.00007890811,0.00059055357,0.6215629,0.08685244,0.0343155],"study_design_scores_gemma":[0.000032360524,0.000048030524,0.0014875674,0.00043313022,0.00001171844,0.0002370677,0.3591858,0.0001908138,0.0005128017,0.11341032,0.5244224,0.000028032744],"about_ca_topic_score_codex":0.023029845,"about_ca_topic_score_gemma":0.041388977,"teacher_disagreement_score":0.042451624,"about_ca_system_score_codex":0.007499989,"about_ca_system_score_gemma":0.0069254977,"threshold_uncertainty_score":0.1420148},"labels":[],"label_agreement":null},{"id":"W2593705570","doi":"10.4000/communication.7329","title":"Le journalisme sous l’emprise de la catastrophe","year":2017,"lang":"fr","type":"article","venue":"Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.019125882909008646,"score_gpt":0.27218332256100825,"score_spread":0.2530574396519996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593705570","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33919966,0.021644551,0.008373808,0.09712973,0.0023186815,0.00013710679,0.00045388963,0.00012033086,0.53062224],"genre_scores_gemma":[0.96007925,0.005555502,0.0015453215,0.0020425734,0.0013465943,0.000084530235,0.00006359608,0.00007737543,0.029205196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99340445,0.0037342084,0.00021801445,0.00052543014,0.0013871681,0.0007306906],"domain_scores_gemma":[0.97920245,0.013274154,0.0026634452,0.001421732,0.0021505298,0.0012877167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0055852463,0.00042925574,0.00037999594,0.0057446253,0.0077296444,0.018191224,0.00072044035,0.0027236096,0.0095038125],"category_scores_gemma":[0.016047735,0.00037328817,0.0003267758,0.0063322242,0.02150071,0.0097643165,0.004137961,0.0025925164,0.0008966424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014686876,0.00004935963,0.008164626,0.0007825283,0.0000413236,0.0014056907,0.38914654,0.00022887843,0.0022169827,0.55378586,0.013693807,0.030337574],"study_design_scores_gemma":[0.00003721756,0.00010758274,0.02244504,0.0010869971,0.000055179313,0.0017832463,0.25744468,0.0003033822,0.0019338458,0.060090628,0.65464795,0.00006426241],"about_ca_topic_score_codex":0.009027686,"about_ca_topic_score_gemma":0.012982045,"teacher_disagreement_score":0.018191224,"about_ca_system_score_codex":0.00508684,"about_ca_system_score_gemma":0.0053056357,"threshold_uncertainty_score":0.036907792},"labels":[],"label_agreement":null},{"id":"W2599353059","doi":"","title":"The Money Shot: Postmodern Economies of Sex, Guns, and Language in Topdog/Underdog.”","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Shot (pellet); Economics; Keynesian economics; Monetary economics; Literature; Art; Materials science","score_opus":0.01478238339633301,"score_gpt":0.2303362706143101,"score_spread":0.2155538872179771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599353059","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41504937,0.002295775,0.0023160262,0.02656925,0.00020548249,0.000021759335,0.00029656687,0.000047526937,0.5531983],"genre_scores_gemma":[0.98289996,0.00048887834,0.00034064602,0.0007703227,0.00009745925,0.000014485555,0.00003641251,0.0000347034,0.015317059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993148,0.00037488545,0.0000119510905,0.000079646925,0.00009306006,0.00012576551],"domain_scores_gemma":[0.9984971,0.0007274154,0.00022935827,0.00021233321,0.0001895642,0.00014414355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010095629,0.00019458072,0.0001540872,0.00085840723,0.0037069202,0.006114569,0.0009329751,0.0013686984,0.017745864],"category_scores_gemma":[0.0042179707,0.00019353085,0.00013918543,0.0011161892,0.011326387,0.0073993844,0.0033345355,0.00213719,0.00097434694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016827637,0.000041994736,0.003952141,0.000056434914,0.00001076957,0.0003455406,0.054910585,0.00012329668,0.00042987967,0.90464944,0.0130564505,0.022255188],"study_design_scores_gemma":[0.00006506229,0.00009369863,0.05551203,0.0004080036,0.00004524614,0.00067472993,0.1400629,0.0014191525,0.0024213525,0.5001858,0.2990574,0.00005467494],"about_ca_topic_score_codex":0.0047502513,"about_ca_topic_score_gemma":0.008491567,"teacher_disagreement_score":0.017745864,"about_ca_system_score_codex":0.0022378254,"about_ca_system_score_gemma":0.0011725622,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2606909519","doi":"10.71781/14386","title":"Emily Dickinson : a rhetoric of rescue","year":2007,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; History; Philosophy; Linguistics","score_opus":0.03768807438445049,"score_gpt":0.31806622448099015,"score_spread":0.28037815009653966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606909519","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006956157,0.062280197,0.010105688,0.4067889,0.0075165126,0.00005282357,0.00021565039,0.00025143675,0.5058327],"genre_scores_gemma":[0.5222847,0.02038997,0.0071245627,0.04703777,0.004494151,0.00014185568,0.00014063623,0.0007234118,0.39766294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745244,0.0014893146,0.00004728556,0.00026283076,0.00048835325,0.00025973102],"domain_scores_gemma":[0.9957194,0.0026754385,0.00017355898,0.00024001284,0.00085824577,0.00033351476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004018358,0.00049957674,0.00047031732,0.0016512264,0.011672935,0.0073541757,0.0017537595,0.004373489,0.013429037],"category_scores_gemma":[0.011466694,0.00034201538,0.00024382284,0.0014522051,0.013190017,0.008424091,0.0031222443,0.0054514073,0.0016891991],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003118079,0.000007977596,0.00016417437,0.00008729603,0.0000074063823,0.00014669904,0.021177739,0.00010987199,0.00013455829,0.714396,0.25226688,0.011470142],"study_design_scores_gemma":[0.000012807976,0.0000064612946,0.0002734781,0.0001987068,0.0000059945337,0.000073462994,0.006865372,0.00016829596,0.00027467366,0.04336867,0.9487347,0.00001733944],"about_ca_topic_score_codex":0.16118851,"about_ca_topic_score_gemma":0.2558482,"teacher_disagreement_score":0.16118851,"about_ca_system_score_codex":0.012069206,"about_ca_system_score_gemma":0.0051929536,"threshold_uncertainty_score":0.3205006},"labels":[],"label_agreement":null},{"id":"W2611774121","doi":"","title":"L’Effet boeuf / L’Effet boeuf, Canada, 1999, 50 minutes","year":2000,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.009009902372286006,"score_gpt":0.20409915247316665,"score_spread":0.19508925010088066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611774121","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065667992,0.10187804,0.001573719,0.09478673,0.09341917,0.00043603012,0.01793757,0.0011218732,0.68228006],"genre_scores_gemma":[0.016228028,0.010880549,0.0007514363,0.0037084718,0.005849251,0.00013919797,0.0030171655,0.00044625974,0.9589795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990526,0.00008455777,0.00003189967,0.00012495792,0.00048775368,0.00021823432],"domain_scores_gemma":[0.9983929,0.00022560361,0.000053448366,0.00006227259,0.00074856466,0.00051716145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012521645,0.0013521055,0.0005833041,0.0022642843,0.007272799,0.006109031,0.0009603927,0.0030208058,0.1615494],"category_scores_gemma":[0.003912513,0.00055456103,0.0004403596,0.00253376,0.0014268978,0.0020773427,0.0017362011,0.0026507995,0.03395643],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004426338,0.000010904595,0.000118234064,0.00005746222,0.0000025780523,0.00004892687,0.00024940248,0.000049050395,0.00016735439,0.001720093,0.98107225,0.016459443],"study_design_scores_gemma":[0.000007294727,0.0000048721568,0.0019828405,0.00011350777,0.0000022913,0.00001754553,0.00042709865,0.000020599078,0.00009396109,0.0003130698,0.9970118,0.000005073141],"about_ca_topic_score_codex":0.6848841,"about_ca_topic_score_gemma":0.8735695,"teacher_disagreement_score":0.31511593,"about_ca_system_score_codex":0.018926078,"about_ca_system_score_gemma":0.013731836,"threshold_uncertainty_score":0.63394344},"labels":[],"label_agreement":null},{"id":"W2612468746","doi":"","title":"Horace Sherbrooke / Daniel Acosta, Justin McKoewn, RIAP, Horace, Sherbrooke, 24-09-2006","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.008027636052329245,"score_gpt":0.17763846917612344,"score_spread":0.16961083312379419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612468746","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006174949,0.13323064,0.0016937118,0.194668,0.012830636,0.00014328516,0.0024684076,0.0005832627,0.648207],"genre_scores_gemma":[0.009064252,0.015503249,0.0004897624,0.0032527733,0.0005086503,0.00001943167,0.00018249937,0.00017358104,0.9708058],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953747,0.000061929946,0.000014132663,0.00009669368,0.00022366346,0.00006609298],"domain_scores_gemma":[0.99798584,0.00032140862,0.00007903492,0.00006442582,0.0011230535,0.00042621468],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011406743,0.00055961113,0.00034652752,0.001687639,0.007622537,0.004839883,0.00088966155,0.0020024457,0.15456326],"category_scores_gemma":[0.0028821526,0.00045968566,0.00012928112,0.0018506892,0.0014184423,0.0027968094,0.0010523836,0.002691229,0.035636995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000094417555,0.000012155604,0.00015391591,0.000031029533,9.917667e-7,0.00004208915,0.00034340585,0.0000083181,0.00009964225,0.0043624775,0.9790549,0.015881658],"study_design_scores_gemma":[0.000004378877,0.0000037471955,0.0009999629,0.000057893114,0.0000015724091,0.000045138488,0.0011681851,0.000011511922,0.00017791872,0.00051812595,0.99700636,0.000005312031],"about_ca_topic_score_codex":0.23073693,"about_ca_topic_score_gemma":0.5601384,"teacher_disagreement_score":0.84543675,"about_ca_system_score_codex":0.0055507272,"about_ca_system_score_gemma":0.005783456,"threshold_uncertainty_score":0.51706564},"labels":[],"label_agreement":null},{"id":"W2617653298","doi":"10.32873/uno.dc.jrf.21.01.36","title":"Global Catastrophe in Motion Pictures as Meaning and Message: The Functions of Apocalyptic Cinema in American Film","year":2017,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University; Western University","funders":"","keywords":"Movie theater; Dystopia; Popularity; Theme (computing); Meaning (existential); Entertainment; History; Literature; Art; Aesthetics; Art history; Media studies; Philosophy; Visual arts; Sociology; Political science; Law; Epistemology; Computer science","score_opus":0.010900271696939393,"score_gpt":0.24737641088441711,"score_spread":0.23647613918747773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617653298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6497819,0.008191189,0.008275529,0.009033126,0.00048033256,0.00012620722,0.00010345271,0.00009129512,0.3239169],"genre_scores_gemma":[0.99485874,0.0011776569,0.0007148637,0.0002055482,0.000080981765,0.000021633878,0.00001855749,0.000019502928,0.002902556],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989618,0.00077496417,0.000023480838,0.000059812788,0.00009649424,0.00008345284],"domain_scores_gemma":[0.9972052,0.0020648523,0.00024545574,0.00013091572,0.00022093914,0.00013258276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012546583,0.00042523514,0.00019567022,0.0018972559,0.0026283618,0.0062813866,0.00051513605,0.0010502042,0.0031440775],"category_scores_gemma":[0.0047568134,0.00017103774,0.00017565695,0.0015699121,0.01049997,0.004457717,0.0025377618,0.0017451613,0.00016382578],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011921979,0.0000775849,0.005835737,0.0004798042,0.000021350626,0.0010707375,0.7235055,0.00017032084,0.0026483447,0.21276744,0.0060987924,0.047205087],"study_design_scores_gemma":[0.000024186236,0.00016961868,0.03563303,0.0007663749,0.000063313666,0.0017737133,0.8008592,0.0012139726,0.0024046288,0.027305262,0.12973621,0.000050386672],"about_ca_topic_score_codex":0.0025714622,"about_ca_topic_score_gemma":0.0049887556,"teacher_disagreement_score":0.0062813866,"about_ca_system_score_codex":0.001610684,"about_ca_system_score_gemma":0.0005711692,"threshold_uncertainty_score":0.011686385},"labels":[],"label_agreement":null},{"id":"W2623503673","doi":"10.1177/1048291117712546","title":"Crude Exploration","year":2017,"lang":"en","type":"article","venue":"NEW SOLUTIONS A Journal of Environmental and Occupational Health Policy","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Deepwater horizon; Individualism; Petroleum industry; Profit (economics); Business; Public relations; Political science; Engineering; Oil spill; Economics; Petroleum engineering","score_opus":0.0859602057559784,"score_gpt":0.33564021780290737,"score_spread":0.24968001204692897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623503673","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0076281433,0.0014933199,0.0020087878,0.00763509,0.0016055874,0.00012193301,0.0013689445,0.0001590385,0.97797924],"genre_scores_gemma":[0.1027066,0.0032023895,0.002919469,0.002793288,0.00047874078,0.00014314038,0.0012836149,0.00039099314,0.88608176],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991553,0.00022376994,0.00003534893,0.00013129963,0.00029785626,0.00015640545],"domain_scores_gemma":[0.99923766,0.0002092947,0.00004311271,0.00014452888,0.00024403431,0.00012136105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008312205,0.0005427465,0.0003400205,0.0015150604,0.0053216945,0.00503069,0.0008193643,0.0013501323,0.24090374],"category_scores_gemma":[0.004046778,0.00024764903,0.0004743338,0.0017126821,0.0020684877,0.003829648,0.0040330198,0.0022405898,0.040947605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002796294,0.000072356,0.0014329687,0.0006016556,0.000016463408,0.0012122216,0.01971827,0.00026291193,0.0014457889,0.34178188,0.48864865,0.14452717],"study_design_scores_gemma":[0.0000036701476,0.0000109731,0.00044013618,0.0001233049,0.0000024686,0.00014076555,0.004639964,0.000048010184,0.00017965118,0.003950453,0.9904559,0.000004625885],"about_ca_topic_score_codex":0.009209727,"about_ca_topic_score_gemma":0.020553226,"teacher_disagreement_score":0.24090374,"about_ca_system_score_codex":0.002599296,"about_ca_system_score_gemma":0.0022881364,"threshold_uncertainty_score":0.8059033},"labels":[],"label_agreement":null},{"id":"W2623770731","doi":"10.7202/1073020ar","title":"Callan's Citizens","year":2020,"lang":"en","type":"article","venue":"Paideusis","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Political science","score_opus":0.04049110032553435,"score_gpt":0.19918967851651936,"score_spread":0.158698578190985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623770731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01587643,0.0010534859,0.00019593966,0.01710744,0.001382354,0.00003228277,0.00012335119,0.000053234733,0.96417546],"genre_scores_gemma":[0.056647487,0.00033282305,0.0001795694,0.004341541,0.00021732954,0.00003741803,0.00004440523,0.00004627932,0.93815315],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989755,0.00018511561,0.000018805236,0.00018915521,0.0003516725,0.0002797712],"domain_scores_gemma":[0.99934906,0.00016256838,0.000033033626,0.00008455503,0.00015243802,0.00021835865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008596759,0.00035557823,0.00030547762,0.0011627018,0.01232791,0.0092987865,0.00081437087,0.0028663068,0.09010587],"category_scores_gemma":[0.002078349,0.00016934404,0.000207848,0.0010196577,0.0026943372,0.0024600213,0.0032027056,0.0038573968,0.008989948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051921077,0.00008330837,0.001135956,0.00006344237,0.0000055895475,0.00058722997,0.010547985,0.000034530076,0.0005148513,0.6183896,0.30688706,0.061698508],"study_design_scores_gemma":[0.0000029315406,0.000008023834,0.0011425283,0.000032752654,0.000002660948,0.00008525642,0.004965025,0.000028928136,0.00016021995,0.005860337,0.9877044,0.0000069508083],"about_ca_topic_score_codex":0.026477499,"about_ca_topic_score_gemma":0.097605936,"teacher_disagreement_score":0.09010587,"about_ca_system_score_codex":0.0040429784,"about_ca_system_score_gemma":0.005247412,"threshold_uncertainty_score":0.30143416},"labels":[],"label_agreement":null},{"id":"W266583407","doi":"","title":"Jennifer Reeves at Cinematheque Ontario, Fall 2004","year":2008,"lang":"en","type":"article","venue":"Millennium film journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Feature film; Shot (pellet); Character (mathematics); Art history; Visual arts; Art; Feeling; Media studies; Movie theater; Aesthetics; Sociology; History; Literature; Psychology","score_opus":0.026438394752692947,"score_gpt":0.1984823691904997,"score_spread":0.17204397443780675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W266583407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003797482,0.02043915,0.0011601034,0.030384956,0.009705735,0.00012694238,0.0021045338,0.0013852334,0.93089586],"genre_scores_gemma":[0.0055546653,0.0037771612,0.0003255255,0.00141092,0.00030804,0.000030341458,0.00029118976,0.00017339004,0.9881287],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995696,0.000054940178,0.000010147755,0.000088441986,0.00019315681,0.00008377177],"domain_scores_gemma":[0.99898297,0.00007214628,0.00003091073,0.00003764662,0.000479093,0.00039722412],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005155853,0.00072492973,0.00029554122,0.00083654816,0.0065814797,0.00410847,0.0008547955,0.0014696731,0.35081565],"category_scores_gemma":[0.0014788397,0.0003931292,0.00018795757,0.0008589661,0.00066735136,0.0019706695,0.0017117898,0.0015146392,0.07656619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020564139,0.000011661822,0.0001769332,0.000059999096,0.0000014630501,0.00009284754,0.0012053532,0.000010353107,0.00037050666,0.00093113346,0.98019445,0.016924774],"study_design_scores_gemma":[0.0000016571613,0.000003208599,0.00048516117,0.000060812177,0.0000014320965,0.00004033228,0.0010535698,0.000011112075,0.000085852604,0.0000671998,0.9981871,0.0000026266362],"about_ca_topic_score_codex":0.20511766,"about_ca_topic_score_gemma":0.6268679,"teacher_disagreement_score":0.35081565,"about_ca_system_score_codex":0.0061569586,"about_ca_system_score_gemma":0.003960133,"threshold_uncertainty_score":0.92598265},"labels":[],"label_agreement":null},{"id":"W272891330","doi":"","title":"Literature and Journalism in Antebellum America: Thoreau, Stowe, and Their Contemporaries Respond to the Rise of the Commercial Press","year":2012,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Context (archaeology); Narrative; History; Politics; Literature; Rivalry; American literature; Sociology; Art history; Media studies; Law; Art; Political science","score_opus":0.02327620874911812,"score_gpt":0.2412661469504966,"score_spread":0.2179899382013785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W272891330","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060456437,0.39138404,0.00011346591,0.44581613,0.00803858,0.000018559864,0.00006548279,0.000047672107,0.14847049],"genre_scores_gemma":[0.22748503,0.29489267,0.000373389,0.0759864,0.0092143295,0.00007417279,0.00013278997,0.00016156284,0.39167967],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9978976,0.000442136,0.000046008794,0.00013252559,0.0009285912,0.0005531171],"domain_scores_gemma":[0.9956054,0.0013384493,0.00023756773,0.00009110624,0.0011579668,0.0015693367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00220889,0.0006198251,0.00049603474,0.0033924135,0.018498654,0.017284837,0.0016191786,0.006000247,0.0122139985],"category_scores_gemma":[0.0056986674,0.0005443152,0.00017914767,0.005763205,0.018084794,0.007885692,0.0033092129,0.0069973487,0.0023091226],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029023604,0.00003572655,0.0010323372,0.00014844978,0.000007088014,0.0003131714,0.047001235,0.000024504649,0.00013197267,0.094059855,0.8137824,0.043434132],"study_design_scores_gemma":[0.000005386701,0.000005647185,0.0018762208,0.00035715263,0.000003528449,0.00008702654,0.023146318,0.000010127978,0.000045729314,0.0042732107,0.97017944,0.00001030663],"about_ca_topic_score_codex":0.5770978,"about_ca_topic_score_gemma":0.79198366,"teacher_disagreement_score":0.5770978,"about_ca_system_score_codex":0.033189822,"about_ca_system_score_gemma":0.03593815,"threshold_uncertainty_score":0.85078555},"labels":[],"label_agreement":null},{"id":"W2733495273","doi":"","title":"Rouge, la couleur des abymes / Simon Roy, Ma vie rouge Kubrick, Montréal, Boréal, Collection Liberté grande, 2014, 170 pages","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Cegep regional de Lanaudiere","funders":"","keywords":"ROUGE; Art; Humanities; Art history; Computer science","score_opus":0.011316123038222143,"score_gpt":0.17523323610647498,"score_spread":0.16391711306825285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733495273","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009851325,0.85835737,0.00093780935,0.045577556,0.007043864,0.000024775605,0.0015736271,0.00044514274,0.08505476],"genre_scores_gemma":[0.024966016,0.33870372,0.0021667557,0.004197295,0.007426856,0.000080972044,0.0012122327,0.0007238127,0.6205224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987729,0.00022553328,0.000046186724,0.00020476684,0.00059773395,0.0001528671],"domain_scores_gemma":[0.9983987,0.00034219012,0.00009609401,0.0001092914,0.00084571197,0.0002080111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001725653,0.0016736424,0.0010009578,0.0063996995,0.0058592637,0.009991699,0.001816747,0.0023650278,0.07393569],"category_scores_gemma":[0.0041877963,0.0009391467,0.0004522641,0.008086884,0.0036261843,0.0061103744,0.0020391722,0.002695829,0.020272436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017596622,0.0000065611835,0.00018137954,0.00017053109,0.000006577372,0.000027485548,0.000680582,0.000043152926,0.0000954637,0.009898219,0.9468857,0.04198683],"study_design_scores_gemma":[0.00000347491,0.0000018690379,0.0011763073,0.00027707993,0.0000049227797,0.000037461305,0.00055873796,0.000019770187,0.000084707855,0.0008079274,0.99702007,0.000007675108],"about_ca_topic_score_codex":0.5826493,"about_ca_topic_score_gemma":0.8144968,"teacher_disagreement_score":0.5826493,"about_ca_system_score_codex":0.016763242,"about_ca_system_score_gemma":0.013833874,"threshold_uncertainty_score":0.83961713},"labels":[],"label_agreement":null},{"id":"W2736885033","doi":"","title":"Coeur chaud et sueurs froides / ROY, Simon. Ma vie rouge Kubrick, coll. Liberté grande, Montréal, Les Éditions du Boréal, 2014, 176 p.","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; ROUGE; Art","score_opus":0.011107690897054472,"score_gpt":0.1755736561281392,"score_spread":0.16446596523108473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736885033","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000295125,0.9515717,0.00036735839,0.02446645,0.0034824521,0.000007931815,0.0002580261,0.000065810804,0.019485164],"genre_scores_gemma":[0.031336572,0.72571,0.0018206947,0.009088797,0.009905698,0.00010014423,0.0005324025,0.00049793115,0.22100767],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864596,0.00044608142,0.00007583195,0.00021011305,0.00049742317,0.00012461127],"domain_scores_gemma":[0.997315,0.0011886443,0.00016770736,0.00012848615,0.0010315378,0.00016867054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021051662,0.0022045076,0.0012004834,0.0047003864,0.00442132,0.006220788,0.0018491212,0.0033124604,0.030243378],"category_scores_gemma":[0.006753192,0.0012549829,0.0005169405,0.0067531792,0.0040430054,0.0068949386,0.0017021957,0.003653429,0.013990787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045592074,0.000012283234,0.00031398135,0.00050267926,0.000014747542,0.00007275365,0.002860367,0.000047160014,0.00012549994,0.021188222,0.90922576,0.06559092],"study_design_scores_gemma":[0.000005893041,0.0000047065487,0.001389177,0.0005777004,0.000007813059,0.000093633265,0.0016049232,0.000029090283,0.00008621098,0.0027973757,0.9933941,0.000009257439],"about_ca_topic_score_codex":0.2588213,"about_ca_topic_score_gemma":0.4718292,"teacher_disagreement_score":0.7411787,"about_ca_system_score_codex":0.00719513,"about_ca_system_score_gemma":0.0058704256,"threshold_uncertainty_score":0.5146296},"labels":[],"label_agreement":null},{"id":"W2743950347","doi":"","title":"Who Wrote the Elder Scrolls","year":2017,"lang":"en","type":"article","venue":"Loading","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dead Sea Scrolls; History; Art; Literature; Hebrew Bible","score_opus":0.03274592525147186,"score_gpt":0.24959398447979136,"score_spread":0.2168480592283195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743950347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23335673,0.003412492,0.01327592,0.02436527,0.01110039,0.0012020235,0.0068160538,0.0009068893,0.70556426],"genre_scores_gemma":[0.5630283,0.003638957,0.017628321,0.008393304,0.0035609326,0.00075714855,0.0034048543,0.0023272827,0.397261],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964813,0.0011950905,0.00035793814,0.0005447991,0.00086134276,0.000559479],"domain_scores_gemma":[0.9756218,0.008152735,0.0018651132,0.0021755365,0.009324058,0.0028607114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042940043,0.0005750752,0.0007282263,0.005247469,0.0060219374,0.0053833677,0.0008245705,0.000891805,0.07510493],"category_scores_gemma":[0.041143116,0.0004247129,0.0004460183,0.0041026776,0.002629536,0.005476687,0.0028691948,0.0019516402,0.017042186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000361372,0.00016892652,0.030788733,0.0011931397,0.000056366083,0.004049283,0.26712677,0.000080666956,0.0051996848,0.040643714,0.3544011,0.29593018],"study_design_scores_gemma":[0.000024079702,0.00005213655,0.02394361,0.0016450027,0.000066095796,0.001518934,0.20805201,0.00025025473,0.0040564416,0.007392354,0.7529075,0.000091546666],"about_ca_topic_score_codex":0.010698692,"about_ca_topic_score_gemma":0.021963095,"teacher_disagreement_score":0.07510493,"about_ca_system_score_codex":0.002434484,"about_ca_system_score_gemma":0.004402491,"threshold_uncertainty_score":0.25125098},"labels":[],"label_agreement":null},{"id":"W2755973667","doi":"10.1177/0148333117697453","title":"“Well, Heck”: Confounding Grace in Harper Lee’s <i>To Kill a Mockingbird</i>","year":2017,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Reading (process); Law; Sociology; History; Philosophy; Art; Political science","score_opus":0.020966903859553816,"score_gpt":0.2669661409439084,"score_spread":0.2459992370843546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2755973667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3646817,0.0023617398,0.0039566676,0.062605254,0.0022056915,0.000044915178,0.000055811604,0.00015412796,0.5639341],"genre_scores_gemma":[0.95977265,0.00043865424,0.0004089657,0.0049921405,0.0002817038,0.00001732204,0.000010979144,0.0000992224,0.033978328],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985948,0.00086655666,0.000019932277,0.00013096668,0.00014744935,0.00024029538],"domain_scores_gemma":[0.9980453,0.0010530672,0.0002024059,0.00016858861,0.00016905455,0.0003616006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001834886,0.00032610298,0.0002112155,0.0005751147,0.015708877,0.008249534,0.00070126256,0.0020760768,0.0045074234],"category_scores_gemma":[0.004299082,0.00029689085,0.00018127423,0.00042861298,0.030443558,0.005005943,0.0038368078,0.005455359,0.00061444414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061527004,0.000033141103,0.00076412095,0.000058493482,0.000009631531,0.0014520485,0.67743653,0.000058606434,0.0009107709,0.27300936,0.040028077,0.006177698],"study_design_scores_gemma":[0.000011921464,0.000042421856,0.001572131,0.00015284886,0.000016199974,0.0010038674,0.53470916,0.00011978131,0.001283497,0.022719918,0.43833202,0.000036222824],"about_ca_topic_score_codex":0.005817025,"about_ca_topic_score_gemma":0.01793935,"teacher_disagreement_score":0.015708877,"about_ca_system_score_codex":0.0024167488,"about_ca_system_score_gemma":0.0014767697,"threshold_uncertainty_score":0.017534792},"labels":[],"label_agreement":null},{"id":"W2766127868","doi":"","title":"We All Lost the Cuban Missile Crisis: Revisiting Richard Ned Lebow and Janice Stein's Landmark Analysis in We All Lost the Cold War","year":2015,"lang":"en","type":"article","venue":"Bristol Research (University of Bristol)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Landmark; Missile; Cold war; History; Economic history; Political economy; Cartography; Political science; Sociology; Geography; Law; Archaeology; Politics","score_opus":0.0888943316601006,"score_gpt":0.2864125019621187,"score_spread":0.1975181703020181,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766127868","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13662532,0.17531562,0.0019464548,0.3525247,0.007687699,0.000105888124,0.00034178045,0.00008051865,0.325372],"genre_scores_gemma":[0.7860309,0.08948991,0.0012885949,0.021000253,0.002019054,0.0001846939,0.00022954837,0.00021683601,0.09954016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998713,0.0005782452,0.0000314175,0.00006262995,0.0002066476,0.0004079501],"domain_scores_gemma":[0.99906486,0.00035022025,0.00011433902,0.00002767564,0.0002501601,0.00019278257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021388077,0.00092327426,0.00068682793,0.0032721814,0.016077276,0.013998814,0.0016603076,0.0024502047,0.002641218],"category_scores_gemma":[0.0029877522,0.00035204872,0.0003126164,0.004010817,0.011928238,0.005788981,0.005150416,0.004995416,0.00034695826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007553754,0.000044486806,0.0021939469,0.00047761863,0.000020254249,0.0015782474,0.2938718,0.00056733383,0.00023430593,0.5047804,0.16447982,0.031676345],"study_design_scores_gemma":[0.0000043248538,0.000013112356,0.002891534,0.0010473307,0.000011748304,0.00018823297,0.22753169,0.000107647036,0.00017793772,0.015385733,0.75260645,0.00003431791],"about_ca_topic_score_codex":0.41738907,"about_ca_topic_score_gemma":0.548211,"teacher_disagreement_score":0.41738907,"about_ca_system_score_codex":0.041706756,"about_ca_system_score_gemma":0.01764139,"threshold_uncertainty_score":0.82991916},"labels":[],"label_agreement":null},{"id":"W2781482752","doi":"10.31390/gradschool_dissertations.3581","title":"A conductor's study of Ruth Watson Henderson's Voices of Earth","year":2005,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Choir; Watson; Chorus; Piano; Performing arts; Art; Performance art; Vocal music; Music education; Visual arts; Art history; Literature; Music","score_opus":0.029749690366135204,"score_gpt":0.26115469042617434,"score_spread":0.23140500006003914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2781482752","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7392147,0.012321388,0.0027289335,0.02905583,0.0024862618,0.00018004616,0.0002117024,0.000130323,0.21367078],"genre_scores_gemma":[0.8793651,0.0072440277,0.0011608376,0.0023102309,0.0006885203,0.000062463674,0.00009534498,0.00019992267,0.10887364],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988838,0.00051641447,0.000027877328,0.000118221025,0.0003022835,0.00015144626],"domain_scores_gemma":[0.99881387,0.00052146666,0.00010465121,0.000044337346,0.00021803782,0.00029772383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011626164,0.00036165537,0.0002896719,0.0010700291,0.008118586,0.0037044343,0.0007033592,0.0007478077,0.0028246134],"category_scores_gemma":[0.003030188,0.0002832213,0.00014991143,0.0007256178,0.004578028,0.0020789267,0.0018599594,0.0017721133,0.0007113961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059445098,0.000042801472,0.001797833,0.00013150882,0.000007860666,0.0028666165,0.87740815,0.00008029303,0.0023884678,0.03914947,0.05401719,0.022050364],"study_design_scores_gemma":[0.000003485703,0.000054651344,0.0039075087,0.00017683623,0.000006846866,0.0016555873,0.48677874,0.00009170603,0.0009771069,0.0007923647,0.50553113,0.000024039588],"about_ca_topic_score_codex":0.040729128,"about_ca_topic_score_gemma":0.07153007,"teacher_disagreement_score":0.040729128,"about_ca_system_score_codex":0.003968751,"about_ca_system_score_gemma":0.0016757549,"threshold_uncertainty_score":0.080984116},"labels":[],"label_agreement":null},{"id":"W2788933898","doi":"10.5539/ijel.v8n3p15","title":"Dr. Strangelove or How I Should Stop Worrying and Love Fascism","year":2018,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paranoia; Cold war; Order (exchange); Nuclear weapon; The Holocaust; Government (linguistics); Democracy; Period (music); Political science; Sociology; Law; History; Psychology; Aesthetics; Philosophy; Linguistics; Economics; Politics","score_opus":0.044473838517213996,"score_gpt":0.2874371077703099,"score_spread":0.24296326925309591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788933898","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22931597,0.007474304,0.013128926,0.14362228,0.005288644,0.000077832534,0.000157808,0.00019208557,0.6007423],"genre_scores_gemma":[0.9513006,0.00096625224,0.0012979518,0.0051954873,0.00022041413,0.000015730302,0.00002454365,0.00008754468,0.040891364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998906,0.00075290963,0.00002407673,0.000114289556,0.00011434374,0.00008838411],"domain_scores_gemma":[0.99918777,0.00042897195,0.0000932602,0.000059036855,0.00012906609,0.00010178575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092874403,0.00027450858,0.00016732616,0.00028153328,0.0038235986,0.0028445972,0.00034562944,0.0011794599,0.0031756882],"category_scores_gemma":[0.0036347914,0.00012535855,0.00011928081,0.00018509652,0.010177457,0.003510606,0.0013019287,0.0029986254,0.0005054132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012989767,0.00002512424,0.0009064826,0.00016086653,0.000010778312,0.00059115613,0.303201,0.00012174139,0.0018264458,0.6167672,0.05710261,0.01915672],"study_design_scores_gemma":[0.000013081503,0.000053107215,0.0012946973,0.00019996251,0.000012909041,0.00058496575,0.11038862,0.0003738368,0.0017925233,0.03700969,0.84824,0.00003654495],"about_ca_topic_score_codex":0.0052587595,"about_ca_topic_score_gemma":0.007849971,"teacher_disagreement_score":0.0052587595,"about_ca_system_score_codex":0.002720672,"about_ca_system_score_gemma":0.0007543054,"threshold_uncertainty_score":0.019739926},"labels":[],"label_agreement":null},{"id":"W2805623206","doi":"","title":"“The More Labels We Give to Ourselves”: Breaking Down Binaries with the Work of Andy Quan","year":2017,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Computer science; Astronomy; Theoretical physics; Physics; Quantum mechanics","score_opus":0.03249276563821643,"score_gpt":0.2904279474580256,"score_spread":0.2579351818198091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805623206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12870507,0.009685773,0.007005356,0.1304499,0.0014497602,0.000096912285,0.00044853392,0.00008525712,0.72207344],"genre_scores_gemma":[0.9617848,0.0028388791,0.0023483927,0.005541129,0.00021282032,0.000042383646,0.00009725652,0.00021284446,0.026921451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9892758,0.004095837,0.00027474348,0.0010858567,0.0033266738,0.0019410175],"domain_scores_gemma":[0.981726,0.0077254362,0.0012849605,0.0012055188,0.0064893407,0.0015686626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010806387,0.00073275255,0.00082903804,0.006179642,0.041661963,0.01725187,0.0027794575,0.0030349612,0.010373237],"category_scores_gemma":[0.03241885,0.00048838335,0.00041223952,0.010967979,0.06263267,0.012880251,0.006657607,0.007402916,0.00071152765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005845668,0.000013723454,0.0019941684,0.00009950105,0.00001030666,0.00008782796,0.2737364,0.000059948787,0.0001710747,0.69182897,0.018310823,0.013628831],"study_design_scores_gemma":[0.000018818042,0.000019135652,0.010016251,0.0010850751,0.00007170961,0.00015634016,0.46870178,0.00045370954,0.0007600437,0.14860955,0.3700145,0.000093109404],"about_ca_topic_score_codex":0.9312064,"about_ca_topic_score_gemma":0.95605433,"teacher_disagreement_score":0.09846443,"about_ca_system_score_codex":0.09846443,"about_ca_system_score_gemma":0.10046379,"threshold_uncertainty_score":0.7144128},"labels":[],"label_agreement":null},{"id":"W2808913181","doi":"10.3138/uram.35.3-4.286","title":"4.1 Taking Care of Surfaces: Alice Munro’s Religion","year":2012,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alice (programming language); Sociology; Theology; Religious studies; Philosophy; Art; Art history","score_opus":0.041352748947259134,"score_gpt":0.26918036198967815,"score_spread":0.22782761304241902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808913181","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064833075,0.011053986,0.0028942376,0.12221886,0.0017298501,0.000044184242,0.00007583044,0.000047542257,0.79710245],"genre_scores_gemma":[0.6693686,0.003703681,0.0019409898,0.013361374,0.00058384,0.00003960355,0.000022963026,0.00010780628,0.31087115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999241,0.00036801,0.000013439453,0.00007142982,0.00014628255,0.00015987677],"domain_scores_gemma":[0.99945027,0.00023052454,0.00004754095,0.000052906238,0.00008390247,0.00013482769],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093407347,0.00017402104,0.00024213077,0.0003872553,0.012703747,0.005391439,0.0005762928,0.002451234,0.0073442687],"category_scores_gemma":[0.0020584487,0.0001524219,0.00016416355,0.00034267726,0.01445624,0.0037644908,0.0028510955,0.0062764273,0.0010445835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046355235,0.000027115515,0.00048216875,0.000119163175,0.000004258157,0.00041361587,0.11962499,0.00010361017,0.00048743136,0.816674,0.048403207,0.013614054],"study_design_scores_gemma":[0.0000050112376,0.000020263544,0.0007658472,0.0002884628,0.000005047306,0.00040751413,0.07229453,0.00011320337,0.0004418231,0.053165898,0.8724612,0.000031094136],"about_ca_topic_score_codex":0.01770296,"about_ca_topic_score_gemma":0.06657762,"teacher_disagreement_score":0.01770296,"about_ca_system_score_codex":0.0042733587,"about_ca_system_score_gemma":0.0019953887,"threshold_uncertainty_score":0.03519982},"labels":[],"label_agreement":null},{"id":"W2890652621","doi":"","title":"Silence, whisper and sound: Ttextual subjectivities revised. Eva Darias Beautell and María Jesús Hernáez Lerena, eds. Canon Disorders: Gendered Perspectives on Literature and Film in Canada and the United States. Logroño: Universidad de La Rioja/Universidad de La Laguna. Servicio de Publicaciones, 2007. 186 pp","year":2008,"lang":"es","type":"article","venue":"Revista Canaria de Estudios Ingleses","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Canon; Sound (geography); Sociology; Gender studies; Humanities; Art history; Art; Literature; Aesthetics; Acoustics; Physics","score_opus":0.007542427970181942,"score_gpt":0.21466571707019516,"score_spread":0.2071232891000132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890652621","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027959054,0.76471937,0.026127944,0.034218542,0.016049217,0.00025691473,0.0011703451,0.00044287412,0.1290558],"genre_scores_gemma":[0.40661085,0.4901483,0.025315607,0.005164329,0.007905987,0.00064689043,0.0020856145,0.0009296426,0.061192796],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99619955,0.00194445,0.00038186111,0.00029461939,0.0010101012,0.00016935388],"domain_scores_gemma":[0.9937295,0.0030183247,0.00046345926,0.0004565543,0.002031164,0.0003011332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006094017,0.0013987275,0.000996199,0.0052246563,0.0024749388,0.010144408,0.001808072,0.0013354123,0.0055443197],"category_scores_gemma":[0.009506838,0.000655082,0.0005720829,0.0061985594,0.01101731,0.00811771,0.0029931648,0.0035348868,0.0016978226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011490567,0.0000819984,0.003970797,0.0024947892,0.00006613547,0.0003323042,0.1117111,0.0002815753,0.0016629009,0.10038011,0.114557296,0.66434616],"study_design_scores_gemma":[0.000014483398,0.00007158635,0.016697684,0.006626073,0.000102495294,0.001262749,0.08263427,0.00039903336,0.0010618335,0.03243876,0.8586212,0.00006979607],"about_ca_topic_score_codex":0.036295217,"about_ca_topic_score_gemma":0.04944249,"teacher_disagreement_score":0.96370476,"about_ca_system_score_codex":0.0037814605,"about_ca_system_score_gemma":0.006777104,"threshold_uncertainty_score":0.07216787},"labels":[],"label_agreement":null},{"id":"W2895692820","doi":"10.7202/1051184ar","title":"A Juggler on the Moon: How Sounds Think in Tom Stoppard's Darkside","year":2018,"lang":"en","type":"article","venue":"Recherches sémiotiques","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Embodied cognition; Theme (computing); Evasion (ethics); Literature; Art; History; Philosophy; Epistemology; Computer science","score_opus":0.15595966498019956,"score_gpt":0.30436394737136874,"score_spread":0.14840428239116918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895692820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55712485,0.005770637,0.009201629,0.04183871,0.0017715833,0.000068177585,0.00010221725,0.00020389448,0.3839182],"genre_scores_gemma":[0.9808059,0.0006429567,0.0010558879,0.002210832,0.00016852809,0.000028538827,0.000019221116,0.00012387223,0.014944366],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981318,0.0013153593,0.000018638084,0.00012988748,0.00019644173,0.00020784128],"domain_scores_gemma":[0.99821645,0.0013013373,0.000083577586,0.0000878153,0.00010381856,0.00020702071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014981469,0.00040709085,0.00023959958,0.0007100716,0.008273762,0.0067688474,0.0007171486,0.0015331687,0.005082308],"category_scores_gemma":[0.0037295723,0.00026728015,0.00024760913,0.00048148126,0.019311996,0.0039073187,0.0036304663,0.0037615697,0.0005750171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014467895,0.000045029767,0.0011134978,0.0001530118,0.000011536841,0.0007017437,0.83793926,0.00012393766,0.0029499508,0.12684743,0.01620421,0.01376568],"study_design_scores_gemma":[0.000024555096,0.00007760105,0.002273036,0.0002491914,0.000016197997,0.00046111053,0.6407552,0.00024314418,0.0014416329,0.019520702,0.33489716,0.000040551397],"about_ca_topic_score_codex":0.006845629,"about_ca_topic_score_gemma":0.013004145,"teacher_disagreement_score":0.008273762,"about_ca_system_score_codex":0.0025823333,"about_ca_system_score_gemma":0.0008784751,"threshold_uncertainty_score":0.018736184},"labels":[],"label_agreement":null},{"id":"W2897356940","doi":"","title":"Odilon Redon, the visual poet of Edgar Allan Poe : a study of the lithographic album 'A Edgar Poë'","year":2004,"lang":"en","type":"dissertation","venue":"St Andrews Research Repository (St Andrews Research Repository)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Literature","score_opus":0.05368416842844855,"score_gpt":0.3523088556354608,"score_spread":0.2986246872070123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897356940","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43871316,0.021278998,0.0007657559,0.016802749,0.00077150716,0.000051910305,0.000060504655,0.00003322633,0.52152216],"genre_scores_gemma":[0.8803459,0.008624913,0.0004245883,0.0025607406,0.00019710319,0.000039786923,0.000028505674,0.000050527684,0.107728064],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960655,0.00019933764,0.000007059501,0.000037300695,0.000072332594,0.00007744976],"domain_scores_gemma":[0.9995677,0.00025001573,0.000044756147,0.000012785045,0.000058241567,0.00006638151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007005796,0.00034745215,0.00020645515,0.0010134025,0.00790166,0.0045726574,0.0004860524,0.0007738689,0.004414556],"category_scores_gemma":[0.0010618172,0.0001781573,0.00010253757,0.00092876755,0.0068072123,0.0026612799,0.0017527154,0.0018107367,0.0004024058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005201119,0.00008766962,0.0044830358,0.0002757836,0.00000660437,0.0011797684,0.7013057,0.00008337714,0.0006201747,0.19722492,0.049665555,0.045015376],"study_design_scores_gemma":[0.0000054338825,0.00004562996,0.014699173,0.00034210205,0.0000062360405,0.00054210256,0.39794874,0.000054933684,0.00035974185,0.004112809,0.58186674,0.00001633842],"about_ca_topic_score_codex":0.020066697,"about_ca_topic_score_gemma":0.048493803,"teacher_disagreement_score":0.020066697,"about_ca_system_score_codex":0.0035441888,"about_ca_system_score_gemma":0.0013586042,"threshold_uncertainty_score":0.039899826},"labels":[],"label_agreement":null},{"id":"W2898526209","doi":"","title":"LibGuides: Finding Newspapers: American and Canadian Newspapers","year":2016,"lang":"en","type":"libguides","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Advertising; Political science; History; Media studies; Business; Sociology","score_opus":0.02200940028331604,"score_gpt":0.23210504492831946,"score_spread":0.2100956446450034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898526209","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36780205,0.013684936,0.0011962692,0.0104006445,0.00062462455,0.0006711166,0.11431755,0.0010564309,0.4902464],"genre_scores_gemma":[0.6581047,0.013290523,0.008376522,0.0017253527,0.00043588007,0.00054868235,0.06751931,0.00078933063,0.24920966],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804306,0.00012193422,0.00007689701,0.00014706209,0.0011561931,0.00045489313],"domain_scores_gemma":[0.9943763,0.00092155935,0.0004483648,0.00013946212,0.0033729675,0.0007414088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016015361,0.00059853785,0.00034334467,0.028491348,0.009433509,0.010970442,0.0011486608,0.00079349696,0.028321717],"category_scores_gemma":[0.008559718,0.00034068033,0.00031050452,0.043309435,0.0017877581,0.0030067118,0.0025922577,0.00092003617,0.0030497438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020569826,0.00012962658,0.1771997,0.00097385776,0.0000630063,0.0008541264,0.053745747,0.00022150234,0.0010349556,0.020393388,0.4456727,0.29950568],"study_design_scores_gemma":[0.000022857888,0.000018496903,0.28537855,0.0009348565,0.00012340664,0.0002920415,0.14364012,0.00051593076,0.001816524,0.0017693351,0.5654114,0.00007648139],"about_ca_topic_score_codex":0.96837616,"about_ca_topic_score_gemma":0.98376405,"teacher_disagreement_score":0.03162384,"about_ca_system_score_codex":0.023269935,"about_ca_system_score_gemma":0.042217955,"threshold_uncertainty_score":0.168836},"labels":[],"label_agreement":null},{"id":"W2899287957","doi":"10.17742/image.p70s.9.1.7","title":"Deep Backgrounds: Landscapes of Labor in All the President’s Men","year":2018,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; White (mutation); Movie theater; Work (physics); Collar; Labor history; Sociology; Media studies; History; Political science; Labor relations; Art history; Law; Engineering","score_opus":0.040622195965556364,"score_gpt":0.3717740820323771,"score_spread":0.3311518860668207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899287957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56166166,0.0037542451,0.0024821418,0.019360783,0.0008106293,0.00003325146,0.00007448489,0.00006232164,0.4117606],"genre_scores_gemma":[0.97270334,0.0006045852,0.00034211832,0.00075354334,0.00013398312,0.000014250716,0.000019054367,0.000040735504,0.025388416],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831843,0.0010661846,0.000016865075,0.00013052103,0.0001440313,0.00032398116],"domain_scores_gemma":[0.99881727,0.00043691904,0.00011212644,0.00008301944,0.000067805035,0.00048287137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014800421,0.00043003843,0.0002862012,0.0011652514,0.018581072,0.011576255,0.00073386694,0.0011987585,0.009147653],"category_scores_gemma":[0.002568304,0.00031015894,0.00016964207,0.0010753194,0.018625401,0.005472736,0.007098986,0.0029233485,0.0007280951],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059459344,0.000040066487,0.001738293,0.000036681617,0.0000053972735,0.0007198057,0.8420934,0.000033151282,0.00059978856,0.13499467,0.008165986,0.011513267],"study_design_scores_gemma":[0.0000069447615,0.00004267836,0.0033350992,0.00011481583,0.000007623183,0.00031307896,0.79838234,0.000060127502,0.000396585,0.009502119,0.18782568,0.000012965368],"about_ca_topic_score_codex":0.007140889,"about_ca_topic_score_gemma":0.014303377,"teacher_disagreement_score":0.018581072,"about_ca_system_score_codex":0.0028222022,"about_ca_system_score_gemma":0.0017329571,"threshold_uncertainty_score":0.030601919},"labels":[],"label_agreement":null},{"id":"W2912134496","doi":"10.1386/public.29.58.42_1","title":"Smoke Screens and Cinematic Representations of the MOVE Bombing","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Representation (politics); Displacement (psychology); Criminology; Sociocultural evolution; Sociology; State (computer science); History; Gender studies; Visual arts; Art; Political science; Psychology; Law; Anthropology; Politics; Psychoanalysis","score_opus":0.041465055576905434,"score_gpt":0.2515961233329035,"score_spread":0.21013106775599805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912134496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7607909,0.0025932575,0.0019294523,0.010936159,0.00092579034,0.000059125072,0.0003814685,0.00012791189,0.22225589],"genre_scores_gemma":[0.9834379,0.0009011566,0.00034214277,0.00057783746,0.00022334482,0.000019858664,0.000074526586,0.000055441375,0.014367836],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99961156,0.00021427235,0.0000077384475,0.000037108184,0.00006864498,0.000060698396],"domain_scores_gemma":[0.9991509,0.00059502147,0.00007403547,0.000043034863,0.000054734737,0.000082139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006772827,0.0004641427,0.00017179172,0.001227266,0.004810444,0.0040631294,0.0004202504,0.0010242385,0.0072306003],"category_scores_gemma":[0.0017943248,0.0002103551,0.0001904745,0.0006473397,0.0052470285,0.002425296,0.0023129496,0.002012153,0.00045371457],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016289424,0.000056384255,0.002847911,0.00022853664,0.000018184499,0.0018071057,0.91912556,0.0001260253,0.004434511,0.04003363,0.017341154,0.01381815],"study_design_scores_gemma":[0.00001985899,0.00011074933,0.012503749,0.00045327918,0.00004219805,0.001158484,0.6296566,0.00035104115,0.0023969002,0.0040464993,0.3492253,0.000035333265],"about_ca_topic_score_codex":0.0054931208,"about_ca_topic_score_gemma":0.017360764,"teacher_disagreement_score":0.0072306003,"about_ca_system_score_codex":0.0015785964,"about_ca_system_score_gemma":0.000418851,"threshold_uncertainty_score":0.024188817},"labels":[],"label_agreement":null},{"id":"W2924265028","doi":"","title":"FTER PHYLLIS WEBB’S POETICS AGAINST THE ANGEL OF DEATH (POEM)","year":2014,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Art; Literature","score_opus":0.02808751374924312,"score_gpt":0.24467051646282467,"score_spread":0.21658300271358155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924265028","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012927301,0.40354884,0.0011565909,0.13570169,0.010188057,0.00003488396,0.00018710979,0.00009152197,0.436164],"genre_scores_gemma":[0.261348,0.27217087,0.0015840867,0.06102418,0.002885671,0.0000796909,0.0001419769,0.000115204144,0.40065035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929464,0.00027118085,0.000028052844,0.000090829955,0.00018718232,0.0001282417],"domain_scores_gemma":[0.99893516,0.00057479454,0.000100155245,0.000048618596,0.00018742823,0.00015385114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014007471,0.0002875526,0.00032619844,0.0022711137,0.0048535606,0.006521084,0.00054569467,0.0022596258,0.012011253],"category_scores_gemma":[0.002946971,0.00014043832,0.00016483096,0.0017212622,0.007643465,0.0033374366,0.0026025553,0.002989041,0.0014665973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088611785,0.000030110426,0.00069735135,0.0010720349,0.000018061422,0.0006751011,0.016907826,0.00006904187,0.00036771988,0.39635715,0.43985665,0.14386043],"study_design_scores_gemma":[0.000003806437,0.000008712041,0.0010462818,0.00066161173,0.0000046702157,0.00017687403,0.0047461735,0.000010705881,0.00015966,0.005276056,0.98789936,0.000006214096],"about_ca_topic_score_codex":0.065926515,"about_ca_topic_score_gemma":0.15110083,"teacher_disagreement_score":0.065926515,"about_ca_system_score_codex":0.0065620854,"about_ca_system_score_gemma":0.0070690312,"threshold_uncertainty_score":0.13108557},"labels":[],"label_agreement":null},{"id":"W2924661744","doi":"10.3138/jcs.2018-0009","title":"Corporate and Worker Photographs of the Offshore Oil Industry: The Case of the Ocean Ranger","year":2019,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sophistication; Viewpoints; Petroleum industry; Submarine pipeline; Photography; History; Visual arts; Sociology; Engineering; Oceanography; Geology; Art","score_opus":0.034925583806860144,"score_gpt":0.21824824206969642,"score_spread":0.18332265826283628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924661744","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61053437,0.0033488835,0.0008528343,0.025743159,0.0004194546,0.000061007446,0.00015919517,0.000047092613,0.35883403],"genre_scores_gemma":[0.9259268,0.0020555963,0.00051781954,0.0017495813,0.00014639819,0.000016169797,0.000046718455,0.000055569555,0.06948528],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987679,0.00058857177,0.00002453744,0.00011299962,0.0002008319,0.00030506874],"domain_scores_gemma":[0.9978126,0.0012323671,0.00019427603,0.00021868221,0.0002253865,0.00031660314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014292125,0.00030537107,0.00018552624,0.0017113327,0.018623885,0.0059456415,0.0009522184,0.0020558215,0.0068529006],"category_scores_gemma":[0.003435538,0.0003336695,0.0001676676,0.0015621961,0.010601523,0.0022686613,0.0030569113,0.0025302097,0.00067361764],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005060516,0.000057145367,0.0057017906,0.0001301457,0.000008714462,0.009004172,0.8770547,0.00014983035,0.0011272707,0.0478773,0.04039521,0.018443136],"study_design_scores_gemma":[0.0000053970252,0.000023020291,0.009107316,0.00020283656,0.0000131621155,0.0023649032,0.6359849,0.00011044263,0.00055874855,0.0009073645,0.35070023,0.000021614802],"about_ca_topic_score_codex":0.306866,"about_ca_topic_score_gemma":0.63180757,"teacher_disagreement_score":0.693134,"about_ca_system_score_codex":0.010464434,"about_ca_system_score_gemma":0.0047831764,"threshold_uncertainty_score":0.61015964},"labels":[],"label_agreement":null},{"id":"W2944450112","doi":"10.7202/1058061ar","title":"“A Scrap of the Savage”: E. Pauline Johnson’s Canoeing Journalism","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scrap; Journalism; Art; Art history; Philosophy; Media studies; Sociology; Engineering","score_opus":0.019989103275036085,"score_gpt":0.24832712693182366,"score_spread":0.22833802365678757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944450112","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060664588,0.039296754,0.00046022751,0.77106816,0.03489322,0.000034847122,0.00008288968,0.00013639907,0.14796095],"genre_scores_gemma":[0.17470443,0.03351303,0.0011882103,0.3045057,0.026043292,0.00006533848,0.00006711362,0.0004086558,0.45950422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974456,0.0009224585,0.00006657656,0.0003089834,0.0007236297,0.00053271203],"domain_scores_gemma":[0.99422544,0.0020520384,0.0002413578,0.000176412,0.0011982042,0.002106518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002376519,0.0005478969,0.00028460016,0.0012668184,0.022661813,0.013889696,0.0011308726,0.004108776,0.0058814483],"category_scores_gemma":[0.006358582,0.00036416558,0.00020940475,0.0012810078,0.011931414,0.007108022,0.0022632882,0.0068269838,0.0017016919],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013160755,0.000023415043,0.00022285047,0.000054346365,0.000003718993,0.000442428,0.018945849,0.000016294242,0.00022593801,0.02965667,0.9416811,0.0087143015],"study_design_scores_gemma":[0.0000015072449,0.0000033712183,0.00023929491,0.000053246193,0.0000015102521,0.00014533638,0.010296222,0.000013359239,0.000073572235,0.00093071634,0.9882334,0.0000085751935],"about_ca_topic_score_codex":0.15269347,"about_ca_topic_score_gemma":0.3822527,"teacher_disagreement_score":0.84730655,"about_ca_system_score_codex":0.013851855,"about_ca_system_score_gemma":0.011363599,"threshold_uncertainty_score":0.30360937},"labels":[],"label_agreement":null},{"id":"W2947633674","doi":"10.2969/aspm/03210347","title":"The Essentials of Monstrous Moonshine","year":2018,"lang":"en","type":"article","venue":"Advanced studies in pure mathematics","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Computer science","score_opus":0.0464533583722354,"score_gpt":0.32305188146230984,"score_spread":0.27659852309007443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947633674","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04674413,0.007481497,0.009892694,0.052027963,0.0012522305,0.00003191423,0.00011071191,0.00009369645,0.8823652],"genre_scores_gemma":[0.92517585,0.0015147043,0.0017110463,0.0022183664,0.0008906696,0.000038592447,0.000027917016,0.00008987623,0.06833294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99739397,0.0012824517,0.000074661875,0.00032587405,0.00048690147,0.0004360947],"domain_scores_gemma":[0.992141,0.0045372196,0.00029531738,0.0011339246,0.0010036161,0.0008888401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037473997,0.00024971014,0.0005688597,0.0018736351,0.0063787,0.007166696,0.00057772297,0.0020657848,0.013359064],"category_scores_gemma":[0.013241008,0.00029763763,0.00025451698,0.001133372,0.033418886,0.010148981,0.0048965407,0.0041909055,0.0012746748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009432163,0.000004326855,0.00006402961,0.0000066770986,7.47698e-7,0.000012652963,0.0012594216,0.000018359353,0.000020057343,0.9954645,0.0016727649,0.0014670559],"study_design_scores_gemma":[0.000011860684,0.000008251147,0.00030688834,0.000041888758,0.0000024746453,0.000044458502,0.0013578242,0.00011907815,0.000081410275,0.9127342,0.085284375,0.000007215512],"about_ca_topic_score_codex":0.0034056553,"about_ca_topic_score_gemma":0.0044590123,"teacher_disagreement_score":0.013359064,"about_ca_system_score_codex":0.0033194749,"about_ca_system_score_gemma":0.0024974963,"threshold_uncertainty_score":0.04469055},"labels":[],"label_agreement":null},{"id":"W2955668566","doi":"10.4000/contextes.8222","title":"The face of the journal: Photojournalism and l’affaire Lindbergh","year":2019,"lang":"fr","type":"article","venue":"Contextes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Headline; Photojournalism; Front (military); Newspaper; Art; Art history; Face (sociological concept); Front cover; Cover (algebra); Media studies; Visual arts; Photography; Advertising; Geography; Sociology; Engineering","score_opus":0.008959259922706197,"score_gpt":0.2076021023350293,"score_spread":0.1986428424123231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955668566","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04046312,0.048655577,0.00077963335,0.38558105,0.011196728,0.00003113459,0.00016471941,0.00009417923,0.513034],"genre_scores_gemma":[0.64794606,0.026529886,0.0012910871,0.05320108,0.01203705,0.00008958733,0.0001510853,0.00029108612,0.2584631],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99576867,0.0025666957,0.000052268984,0.00032259605,0.00094713276,0.00034268017],"domain_scores_gemma":[0.99258935,0.005183158,0.00043320004,0.00028873447,0.0006705248,0.0008350412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003817958,0.00024571738,0.00021496623,0.0022725523,0.011772094,0.012489923,0.0005280393,0.0022492337,0.020507291],"category_scores_gemma":[0.011370421,0.00022593727,0.00013244398,0.0018951107,0.0123352,0.006349695,0.0026165023,0.002897748,0.002182003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007243949,0.000059144142,0.0026641279,0.0001730587,0.000009667076,0.00044195706,0.054542266,0.000034307555,0.00033010895,0.29281452,0.601752,0.04710651],"study_design_scores_gemma":[0.0000053373137,0.0000072941925,0.002506491,0.00024704018,0.0000024733977,0.0001796952,0.03182007,0.000033396187,0.000082025945,0.008466227,0.9566405,0.00000949063],"about_ca_topic_score_codex":0.026912019,"about_ca_topic_score_gemma":0.0547726,"teacher_disagreement_score":0.026912019,"about_ca_system_score_codex":0.0077597215,"about_ca_system_score_gemma":0.0041214507,"threshold_uncertainty_score":0.068603754},"labels":[],"label_agreement":null},{"id":"W2957137825","doi":"","title":"L'imaginaire de la catastrophe dans le cinéma hollywoodien des années 30, naissance et filiation d'un répertoire formel","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Computer science","score_opus":0.009182086102853626,"score_gpt":0.21563186388109254,"score_spread":0.20644977777823892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2957137825","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28097045,0.010438216,0.0108555285,0.046483167,0.000987543,0.00009785649,0.00029700663,0.000109320266,0.6497609],"genre_scores_gemma":[0.95699906,0.0013706748,0.00086974807,0.00044066305,0.00029708835,0.00005584404,0.000034164394,0.000082237035,0.039850485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99742883,0.001570198,0.00004307885,0.00026172897,0.00035782982,0.00033845543],"domain_scores_gemma":[0.9959525,0.0027700681,0.00026531384,0.00018834519,0.00045544218,0.0003682633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035203493,0.0007049301,0.00031465146,0.002181857,0.008448707,0.011164704,0.0006904842,0.002921306,0.011274745],"category_scores_gemma":[0.0068087825,0.00030380237,0.0003762324,0.0011990909,0.019479444,0.0052218395,0.0029243995,0.0051943604,0.0005431118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006224564,0.000014699073,0.00053352606,0.00010381761,0.00000889957,0.0005143817,0.23769325,0.00015850265,0.0011394455,0.7427044,0.009565067,0.00750168],"study_design_scores_gemma":[0.000034828023,0.00006394123,0.009561877,0.0005056328,0.000018855082,0.0010033502,0.1931115,0.0006243338,0.0013966868,0.08153189,0.7120872,0.000059905156],"about_ca_topic_score_codex":0.015432411,"about_ca_topic_score_gemma":0.020099329,"teacher_disagreement_score":0.015432411,"about_ca_system_score_codex":0.0074568377,"about_ca_system_score_gemma":0.002856238,"threshold_uncertainty_score":0.054103434},"labels":[],"label_agreement":null},{"id":"W2958252220","doi":"","title":"Le cinéma catastrophe américain des années 2000 et la mémoire appareillée du 11-septembre","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Moiré pattern; Art; Computer science; Computer vision","score_opus":0.01095497363235458,"score_gpt":0.20997320509046197,"score_spread":0.19901823145810738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2958252220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58407235,0.030859632,0.0013151763,0.039631702,0.0035849446,0.000104234794,0.005204695,0.00010718193,0.33512017],"genre_scores_gemma":[0.915864,0.0077478536,0.0003764631,0.00059237005,0.0013487276,0.000074051866,0.0010398084,0.000067391185,0.07288935],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99942446,0.0001729126,0.000020370033,0.00008928646,0.00015093316,0.00014204087],"domain_scores_gemma":[0.9984054,0.000779813,0.00021404361,0.000056766232,0.00031912758,0.00022490742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084491324,0.00057181716,0.0002365908,0.0031158007,0.0046502696,0.0056214756,0.0003566638,0.001570671,0.018853415],"category_scores_gemma":[0.0037573802,0.00024894255,0.00024640124,0.0026329083,0.002585434,0.0027172328,0.0017380557,0.003190091,0.00079073425],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00094843627,0.00026692523,0.04117083,0.0017122284,0.00015745554,0.0057524526,0.3556279,0.0010909347,0.0068454486,0.2509671,0.21857218,0.116888046],"study_design_scores_gemma":[0.0000202438,0.000054803004,0.13843721,0.00077328045,0.00002036527,0.00072382856,0.058062613,0.0001671779,0.0010147828,0.0017699985,0.7989251,0.000030633153],"about_ca_topic_score_codex":0.07347414,"about_ca_topic_score_gemma":0.112010285,"teacher_disagreement_score":0.07347414,"about_ca_system_score_codex":0.0057771974,"about_ca_system_score_gemma":0.0019245287,"threshold_uncertainty_score":0.14609295},"labels":[],"label_agreement":null},{"id":"W2964916103","doi":"","title":"Magazines and the Making of Photographic Modernism in Canada / Les magazines et la création de la photographie moderne au Canada","year":2009,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Art; Humanities; Art history","score_opus":0.012164997368786581,"score_gpt":0.22639433198922743,"score_spread":0.21422933462044086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964916103","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4179406,0.013797258,0.00069026084,0.04934418,0.0006164579,0.000060173734,0.00042072407,0.00007456253,0.5170558],"genre_scores_gemma":[0.95901185,0.0039089895,0.0003488775,0.0012179972,0.00012376823,0.000010395087,0.000052462572,0.000037009882,0.035288565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741286,0.00041806372,0.000049767936,0.00016659833,0.0010944803,0.00085821],"domain_scores_gemma":[0.99420834,0.0011845982,0.00050148857,0.0001505917,0.0024337855,0.0015211855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023595584,0.00033160535,0.00024419275,0.005242225,0.021763558,0.018556649,0.0008189607,0.0011899762,0.012876504],"category_scores_gemma":[0.0045008683,0.00034467128,0.00022798656,0.006347439,0.017696418,0.0025663613,0.0031863374,0.0029368585,0.00031739258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018164984,0.00013028315,0.018069098,0.0003204881,0.000031869306,0.00087985466,0.27104676,0.00040123222,0.001734312,0.55384976,0.05532294,0.0980318],"study_design_scores_gemma":[0.000022834272,0.000019440446,0.055673055,0.0004399791,0.000034973087,0.00018311344,0.20103325,0.00020748701,0.0008192961,0.0074395924,0.7340599,0.0000671141],"about_ca_topic_score_codex":0.98176897,"about_ca_topic_score_gemma":0.9912213,"teacher_disagreement_score":0.110482775,"about_ca_system_score_codex":0.110482775,"about_ca_system_score_gemma":0.12955365,"threshold_uncertainty_score":0.8016124},"labels":[],"label_agreement":null},{"id":"W2970489484","doi":"10.15353/kinema.vi.996","title":"The Vanishing and Nightwatch","year":2002,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Plot (graphics); Film director; Art history; Art; Country; History; Sociology; Movie theater; Mathematics; Management","score_opus":0.032603641126271156,"score_gpt":0.24008608608321946,"score_spread":0.20748244495694831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970489484","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015148566,0.010397035,0.001263103,0.03554608,0.011028581,0.000061680694,0.00066686526,0.0005494595,0.92533857],"genre_scores_gemma":[0.095048234,0.003841726,0.000848061,0.010642999,0.0014834639,0.00005068738,0.00056788727,0.0006328281,0.88688415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897456,0.00033972238,0.000024915813,0.00013627017,0.00031075714,0.00021390272],"domain_scores_gemma":[0.99868506,0.00018842264,0.00007429201,0.0001210037,0.0003879718,0.0005432166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008668334,0.00042890152,0.00023030944,0.0010039906,0.008039224,0.007690719,0.00064097764,0.0017789868,0.09948688],"category_scores_gemma":[0.0032608092,0.00028443034,0.00026632726,0.0011465078,0.0029046559,0.004622365,0.0037124853,0.0023547513,0.023099257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042817257,0.000020327308,0.0004680826,0.00004931104,0.000004028645,0.00016157985,0.0077890772,0.000008083609,0.00030229785,0.03385335,0.9282806,0.029020477],"study_design_scores_gemma":[0.0000021568135,0.000007994337,0.00083386153,0.000039777817,0.0000015430743,0.000062231724,0.0063221687,0.00000698513,0.00009325212,0.0007782061,0.99184626,0.000005710151],"about_ca_topic_score_codex":0.027457912,"about_ca_topic_score_gemma":0.07303266,"teacher_disagreement_score":0.09948688,"about_ca_system_score_codex":0.0025293687,"about_ca_system_score_gemma":0.0016944733,"threshold_uncertainty_score":0.33281678},"labels":[],"label_agreement":null},{"id":"W2971266783","doi":"10.15353/kinema.vi.1008","title":"Barry Lyndon and the Limits of Understanding","year":2003,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Art; Shut down; Art history; History; Computer science","score_opus":0.06245278864331545,"score_gpt":0.273773238350184,"score_spread":0.21132044970686858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971266783","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03401792,0.078547254,0.0054758885,0.42638978,0.0017819313,0.00003618085,0.000066560286,0.0000760758,0.45360842],"genre_scores_gemma":[0.8600815,0.020865226,0.0031535716,0.03693727,0.001077912,0.00018202608,0.00003930783,0.00013723262,0.07752597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925275,0.0052732793,0.0001470269,0.00069094746,0.00085216697,0.00050908903],"domain_scores_gemma":[0.993341,0.0043829926,0.00045962728,0.000434917,0.00071227574,0.00066920544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008179886,0.00047584638,0.0007012378,0.001426258,0.016598618,0.01465574,0.001220165,0.0049870876,0.0071552913],"category_scores_gemma":[0.011254798,0.00052546983,0.00026359822,0.0009845903,0.06651675,0.017951366,0.0073482404,0.00943374,0.00080805284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021504573,0.00001193752,0.00020089067,0.0000561299,0.0000026697958,0.00013094141,0.10594144,0.00003929441,0.00007642297,0.8585989,0.029051851,0.0058681015],"study_design_scores_gemma":[0.000015694955,0.000014147792,0.00044934906,0.0008715105,0.0000051123056,0.00018026517,0.07507118,0.00012789495,0.00010345245,0.42409316,0.49903595,0.00003225006],"about_ca_topic_score_codex":0.06302828,"about_ca_topic_score_gemma":0.06430572,"teacher_disagreement_score":0.06302828,"about_ca_system_score_codex":0.01319134,"about_ca_system_score_gemma":0.007106118,"threshold_uncertainty_score":0.12532282},"labels":[],"label_agreement":null},{"id":"W2971277185","doi":"10.15353/kinema.vi.964","title":"Berlinale 2001 Report","year":2001,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Brother; Presentation (obstetrics); Dilemma; Visual arts; Law; Philosophy; Medicine; Political science","score_opus":0.040451156627628757,"score_gpt":0.28774575370112737,"score_spread":0.2472945970734986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971277185","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002404363,0.0047410997,0.0005614744,0.010419464,0.008307838,0.00056266604,0.054770842,0.0008860425,0.9173463],"genre_scores_gemma":[0.005129311,0.002246031,0.00038899775,0.0016900846,0.0005615849,0.0004145862,0.031904966,0.00027247888,0.95739186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861515,0.00010699769,0.0000832357,0.00021590642,0.0007104618,0.0002682265],"domain_scores_gemma":[0.9981805,0.00013289126,0.00011389927,0.0001918784,0.00090190937,0.00047890362],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016623994,0.001024405,0.0004850816,0.0029504618,0.0020578601,0.00729757,0.0022925788,0.002756766,0.46721542],"category_scores_gemma":[0.0038968541,0.0005888624,0.00055774156,0.0025338081,0.00032632315,0.0027765303,0.0032019932,0.0025323732,0.29203802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006834697,0.00004379311,0.00043964302,0.00012091723,0.0000046935834,0.0000925691,0.00005269561,0.00003924825,0.00021812956,0.0040900917,0.97288066,0.021949235],"study_design_scores_gemma":[0.0000041727913,0.0000068162067,0.0010768552,0.000052857322,0.000001499308,0.000027727483,0.000056345685,0.0000103488865,0.00007643861,0.00012761979,0.9985557,0.0000036105407],"about_ca_topic_score_codex":0.02126576,"about_ca_topic_score_gemma":0.02130813,"teacher_disagreement_score":0.46721542,"about_ca_system_score_codex":0.0029882637,"about_ca_system_score_gemma":0.0067662415,"threshold_uncertainty_score":0.75995255},"labels":[],"label_agreement":null},{"id":"W2971809091","doi":"","title":"Two Thousand Miles on an Automobile; Being a Desultory Narrative of a Trip Through New England, New York, Canada, and the West","year":2006,"lang":"en","type":"book","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; History; Performance art; Genealogy; Art; Art history; Literature","score_opus":0.008164891909594484,"score_gpt":0.17832832080494368,"score_spread":0.1701634288953492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971809091","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05949212,0.005791069,0.0019905036,0.047514625,0.0051980317,0.000087983244,0.0015607938,0.00031182088,0.87805307],"genre_scores_gemma":[0.14311709,0.002161424,0.00048204797,0.004135156,0.00019759848,0.000047397723,0.00036948817,0.00019141896,0.84929836],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995683,0.00007992458,0.000009004611,0.000068689544,0.00014265376,0.0001313851],"domain_scores_gemma":[0.99918467,0.00005806577,0.000035072466,0.00002789695,0.0003427166,0.00035164485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026577606,0.00069938216,0.00024783824,0.000615103,0.024581794,0.004892302,0.0006875733,0.0010967426,0.04721496],"category_scores_gemma":[0.0008478065,0.000283432,0.00013382839,0.00078556035,0.0054188706,0.0028308937,0.003156388,0.0029647283,0.0072250604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036931906,0.000028734274,0.0026499876,0.00007597813,0.000007594782,0.0010164686,0.16759463,0.00007263892,0.0008452988,0.033021405,0.77356195,0.021088421],"study_design_scores_gemma":[0.0000010849282,0.000005400726,0.001965417,0.00007635965,0.0000021882654,0.00011099556,0.09601891,0.00002201741,0.00008216097,0.00028776168,0.90141493,0.000012809578],"about_ca_topic_score_codex":0.8460328,"about_ca_topic_score_gemma":0.9657963,"teacher_disagreement_score":0.1539672,"about_ca_system_score_codex":0.015314866,"about_ca_system_score_gemma":0.015639259,"threshold_uncertainty_score":0.30974787},"labels":[],"label_agreement":null},{"id":"W298071686","doi":"","title":"Image Technologies in Canadian Literature: Narrative, Film, and Photography","year":2010,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Photography; History; Image (mathematics); Art; Visual arts; Computer graphics (images); Computer science; Literature; Computer vision","score_opus":0.0100587090608419,"score_gpt":0.21674075073678825,"score_spread":0.20668204167594634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W298071686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3230042,0.08982097,0.0012187645,0.050852697,0.0010581602,0.000110600566,0.0018570776,0.000090664,0.5319869],"genre_scores_gemma":[0.9438972,0.0335524,0.0007623821,0.0012829943,0.0002075818,0.00003636653,0.0002623775,0.00006341692,0.019935343],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974572,0.0004889181,0.00011575538,0.00022529117,0.0011184106,0.0005943726],"domain_scores_gemma":[0.9882875,0.005131541,0.00082283525,0.00032907963,0.004301914,0.0011271139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027097873,0.0005044636,0.0004226946,0.01972347,0.021206476,0.019863978,0.0014109093,0.001769865,0.015270546],"category_scores_gemma":[0.016020937,0.00033969374,0.00025212544,0.033034686,0.017065294,0.004807049,0.0026560577,0.0022256349,0.0005414227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009828027,0.00005272879,0.010545963,0.0013027303,0.000029969267,0.0010726571,0.61208725,0.00018516122,0.0006362062,0.22689798,0.04903527,0.09805583],"study_design_scores_gemma":[0.0000068180593,0.000017897839,0.03418587,0.0015612165,0.000054002532,0.00035826687,0.5768762,0.00015643283,0.00047857902,0.0055283885,0.38070935,0.00006696183],"about_ca_topic_score_codex":0.96987075,"about_ca_topic_score_gemma":0.9818201,"teacher_disagreement_score":0.09839586,"about_ca_system_score_codex":0.09839586,"about_ca_system_score_gemma":0.10109326,"threshold_uncertainty_score":0.7139153},"labels":[],"label_agreement":null},{"id":"W2986152796","doi":"10.4000/ejas.15139","title":"Specular Metamorphoses: Harriet Prescott Spofford’s “The Ray of Displacement”","year":2019,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Invisibility; Sympathy; Adventure; Narrative; Consciousness; Rhetoric; Literature; Power (physics); Shadow (psychology); Philosophy; Art; Art history; Psychoanalysis; Epistemology; Physics; Optics; Psychology","score_opus":0.021491618888834337,"score_gpt":0.24213174980911295,"score_spread":0.22064013092027862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2986152796","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12235245,0.035630997,0.004071164,0.26367244,0.011383521,0.000063984604,0.00013295193,0.00010191135,0.56259066],"genre_scores_gemma":[0.83633024,0.009559468,0.00075091753,0.035526693,0.0028864946,0.00003956946,0.00004681746,0.00014277804,0.11471707],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854845,0.0007590881,0.000019484278,0.00013196761,0.00033514516,0.00020583454],"domain_scores_gemma":[0.99865353,0.0006963129,0.0000924675,0.00006645275,0.00027034216,0.0002207607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011937432,0.0003828676,0.00018231028,0.00087885314,0.011077258,0.0058877603,0.0005087165,0.0022644417,0.0045408024],"category_scores_gemma":[0.0038416295,0.00021686927,0.00012714096,0.00079534366,0.013154798,0.0048797037,0.0027697838,0.0047638053,0.00058958266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000618301,0.000027812614,0.00067267613,0.000095095595,0.0000068027084,0.0011524601,0.2560532,0.000054933906,0.0004334155,0.35866246,0.36191288,0.020866366],"study_design_scores_gemma":[0.0000038366143,0.000017765331,0.0005807447,0.00015931703,0.0000029086139,0.0005075645,0.07246126,0.000043873486,0.00025478585,0.007762183,0.91819376,0.000012020233],"about_ca_topic_score_codex":0.030898998,"about_ca_topic_score_gemma":0.055708837,"teacher_disagreement_score":0.030898998,"about_ca_system_score_codex":0.0047659446,"about_ca_system_score_gemma":0.00207598,"threshold_uncertainty_score":0.061438262},"labels":[],"label_agreement":null},{"id":"W2995352763","doi":"10.1002/9781118635193.ctwl0321","title":"Knut Hamsun: Modernity's Primal Birthing","year":2019,"lang":"en","type":"other","venue":"A Companion to World Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Foregrounding; Modernity; Relation (database); Modernism (music); Romanticism; Civilization; Ecocriticism; Literature; History; Sociology; Aesthetics; Art; Political science; Law; Archaeology","score_opus":0.014522358233709754,"score_gpt":0.22312192429895306,"score_spread":0.2085995660652433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995352763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.121754,0.025593344,0.0012946589,0.015277181,0.0017452951,0.000016307205,0.000100652745,0.000086485554,0.8341321],"genre_scores_gemma":[0.92820406,0.005390497,0.00044432684,0.0008115515,0.00035969337,0.000011755015,0.000025057047,0.00007036382,0.06468268],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903226,0.00041901396,0.000027489685,0.00015037633,0.00018198142,0.00018882962],"domain_scores_gemma":[0.9989176,0.0005414192,0.00011309603,0.000114139795,0.00018423962,0.00012956423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010869039,0.00035755816,0.00030105116,0.0014953968,0.009241675,0.0068623545,0.00043740173,0.0009889101,0.010146539],"category_scores_gemma":[0.0020415336,0.00019559299,0.00011261435,0.0015736686,0.0144225145,0.004556888,0.004240701,0.0021222127,0.0008352435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056200217,0.00001556753,0.000898459,0.000118899174,0.0000043201767,0.00067827554,0.15026411,0.000065789856,0.00032705712,0.7970542,0.027101101,0.023416013],"study_design_scores_gemma":[0.000003760113,0.000034718814,0.0021357927,0.00044961934,0.000008011842,0.0007012621,0.08369785,0.00009755061,0.00061209634,0.042481646,0.8697558,0.000021848633],"about_ca_topic_score_codex":0.0126271015,"about_ca_topic_score_gemma":0.025805205,"teacher_disagreement_score":0.0126271015,"about_ca_system_score_codex":0.0064954874,"about_ca_system_score_gemma":0.002159843,"threshold_uncertainty_score":0.04712832},"labels":[],"label_agreement":null},{"id":"W2998145584","doi":"","title":"Towards inferential journalism","year":2019,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Journalism; Computer science; Psychology; Sociology; Media studies","score_opus":0.015364187054950264,"score_gpt":0.22036179095570244,"score_spread":0.20499760390075217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998145584","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009430827,0.01987687,0.6792816,0.10739144,0.0043748054,0.00044990712,0.0006363268,0.0007014805,0.1778568],"genre_scores_gemma":[0.5001652,0.019422002,0.42238465,0.01937737,0.014369261,0.0014827609,0.00096783135,0.0005375123,0.021293366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.95239884,0.02949141,0.002316453,0.0053117797,0.009475766,0.0010058169],"domain_scores_gemma":[0.8426026,0.12622513,0.004973859,0.013719819,0.010578233,0.0019002152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.06366375,0.001172527,0.0016650542,0.009238707,0.003777525,0.018273305,0.0048811743,0.0069494992,0.006456075],"category_scores_gemma":[0.11259631,0.0010673653,0.002179712,0.00496595,0.033446454,0.026747098,0.008719014,0.01251522,0.0028417716],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009443882,0.000014020241,0.00015055065,0.00012422826,0.000009409971,0.00004793859,0.0013539754,0.00030120942,0.00006435346,0.990185,0.0014952342,0.006244556],"study_design_scores_gemma":[0.000007897543,0.000004861977,0.000043540083,0.00008310298,0.00000293722,0.000030837644,0.00015942258,0.0008819711,0.0000724314,0.9837172,0.014989076,0.0000067353],"about_ca_topic_score_codex":0.001444892,"about_ca_topic_score_gemma":0.00066360657,"teacher_disagreement_score":0.06366375,"about_ca_system_score_codex":0.0066575976,"about_ca_system_score_gemma":0.0061019333,"threshold_uncertainty_score":0.33669013},"labels":[],"label_agreement":null},{"id":"W2998930237","doi":"","title":"John Pilger's \"Youth in Action\" series as literary journalism","year":2012,"lang":"en","type":"book-chapter","venue":"Hope's Institutional Research Archive (Liverpool Hope University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Colonialism; Media studies; Politics; Subject (documents); History; Literature; Political science; Sociology; Art; Law; Library science","score_opus":0.07749955980804901,"score_gpt":0.2670391749023623,"score_spread":0.18953961509431327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998930237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004634968,0.111939624,0.0026363037,0.06494575,0.048201434,0.000097326876,0.00013482635,0.00033573402,0.76707405],"genre_scores_gemma":[0.055605676,0.05796583,0.002529901,0.011396401,0.013146293,0.00018224824,0.00016240939,0.00037784548,0.8586334],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892825,0.0003887853,0.000043608317,0.00008740235,0.0004401626,0.000111867375],"domain_scores_gemma":[0.99836046,0.00083904684,0.000084382664,0.00008891276,0.00019956345,0.00042766088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014349184,0.00055659504,0.00036826337,0.002435422,0.0044257846,0.0088477945,0.0007955267,0.0019146804,0.01473314],"category_scores_gemma":[0.0028663028,0.00020946247,0.00022522407,0.002611255,0.0042855907,0.0055058105,0.002880918,0.0032896681,0.0035261249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019683059,0.00003435056,0.00021512694,0.0002350504,0.0000033185274,0.00018171602,0.010581203,0.00004018125,0.0002189607,0.15320592,0.7499463,0.0853183],"study_design_scores_gemma":[0.0000011344375,0.0000035707642,0.00011093944,0.00013811617,8.2073785e-7,0.00007291868,0.001138698,0.000011886235,0.0000551368,0.0034269453,0.9950375,0.0000023217551],"about_ca_topic_score_codex":0.0024064803,"about_ca_topic_score_gemma":0.007341214,"teacher_disagreement_score":0.01473314,"about_ca_system_score_codex":0.0022252009,"about_ca_system_score_gemma":0.0034361277,"threshold_uncertainty_score":0.04928726},"labels":[],"label_agreement":null},{"id":"W3004980054","doi":"","title":"Days of Disquiet, Nights of Rage: The First Quarter Storm and Related Events by Jose F. Lacaba","year":2019,"lang":"en","type":"article","venue":"Humanities Diliman","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Quarter (Canadian coin); Storm; History; Meteorology; Art; Ancient history; Cartography; Geography; Archaeology; Psychology; Neuroscience","score_opus":0.009156601366525493,"score_gpt":0.1861392837303818,"score_spread":0.1769826823638563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004980054","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12179855,0.07877432,0.00064180203,0.48159707,0.01705048,0.000080177684,0.0012958484,0.00014742503,0.29861432],"genre_scores_gemma":[0.6904144,0.068394445,0.00064545794,0.037562236,0.01877823,0.00009942145,0.0006682411,0.00043561103,0.18300188],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904007,0.0004036457,0.000020727106,0.00010402359,0.00024714074,0.00018441479],"domain_scores_gemma":[0.9958643,0.0020132812,0.000474722,0.00015779994,0.0007425615,0.00074734766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001862133,0.00039018146,0.00029647845,0.002058146,0.011664808,0.0058059497,0.0006250466,0.0019319932,0.006686998],"category_scores_gemma":[0.0070509776,0.00027167087,0.00021176176,0.0027535828,0.004146108,0.0031658239,0.0032535829,0.0041575567,0.00087335316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000964607,0.000061019455,0.0047441716,0.0001807047,0.000018107034,0.00085595506,0.098965146,0.000088412955,0.0001793335,0.021293577,0.8471407,0.026376374],"study_design_scores_gemma":[0.0000063707917,0.000020013758,0.019054981,0.0004588959,0.00001031442,0.00029419907,0.15135993,0.000068439185,0.00013412385,0.0025294865,0.8260423,0.00002103678],"about_ca_topic_score_codex":0.073642954,"about_ca_topic_score_gemma":0.16610682,"teacher_disagreement_score":0.073642954,"about_ca_system_score_codex":0.0044922,"about_ca_system_score_gemma":0.0035835104,"threshold_uncertainty_score":0.14642864},"labels":[],"label_agreement":null},{"id":"W3006416760","doi":"10.33137/mt.v7i2.33673","title":"Making “The Beast”: An Interview with Patrick McCurdy","year":2020,"lang":"en","type":"article","venue":"MediaTropes","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta; University of Ottawa","funders":"","keywords":"Sociology; Aesthetics; Art","score_opus":0.08819074612247589,"score_gpt":0.2479453254745814,"score_spread":0.15975457935210552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006416760","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31902683,0.010628265,0.005065846,0.5342473,0.0027851262,0.00044100895,0.00023094658,0.00026195895,0.12731278],"genre_scores_gemma":[0.8521927,0.00437239,0.0032285084,0.08454289,0.00052067684,0.0005006073,0.00008067396,0.00032760506,0.054234102],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9892976,0.0064404965,0.00019034014,0.0008310295,0.0016399515,0.0016004725],"domain_scores_gemma":[0.9890465,0.005669371,0.0006721529,0.00024177472,0.0015047467,0.0028654167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007323784,0.001004049,0.0010341834,0.0020914047,0.037829686,0.012500208,0.0026385365,0.009583022,0.007619392],"category_scores_gemma":[0.026335109,0.001288561,0.00047302822,0.002888033,0.024405189,0.012719612,0.008450899,0.019255215,0.0013543384],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020468071,0.00003516615,0.0005699172,0.0000695207,0.0000030382682,0.0021856078,0.9334332,0.00004738242,0.0004471962,0.009610577,0.048093207,0.0054848483],"study_design_scores_gemma":[0.0000026559474,0.000022521188,0.0003817349,0.00015717938,0.0000028241905,0.000888891,0.8542788,0.000055480235,0.00012296709,0.0012968594,0.14275634,0.000033774533],"about_ca_topic_score_codex":0.1025918,"about_ca_topic_score_gemma":0.11508429,"teacher_disagreement_score":0.1025918,"about_ca_system_score_codex":0.013078256,"about_ca_system_score_gemma":0.011827964,"threshold_uncertainty_score":0.20398933},"labels":[],"label_agreement":null},{"id":"W3011298392","doi":"","title":"Storytelling forever: The Danish tradition: since Hans Christian Andersen’s time, journalistic storytelling has been doing well in Denmark – at least most of the time.","year":2020,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Storytelling; Danish; Art history; Art; Philosophy; Literature; Narrative; Linguistics","score_opus":0.024984212978288626,"score_gpt":0.19211278438537033,"score_spread":0.1671285714070817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011298392","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20090479,0.21344022,0.012984868,0.082987145,0.005716175,0.000074850606,0.0014700475,0.00025844647,0.48216343],"genre_scores_gemma":[0.9096818,0.034489185,0.004889722,0.0049819737,0.00038250478,0.000029107769,0.00047459165,0.00023323254,0.04483798],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934802,0.0022010263,0.0006296034,0.0013403184,0.0018921447,0.00045670758],"domain_scores_gemma":[0.98363,0.010799784,0.0013600078,0.0012507954,0.0017070101,0.0012523878],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008214622,0.00030587398,0.0003610441,0.002041552,0.00767159,0.014767866,0.0009819191,0.0022566144,0.0064787962],"category_scores_gemma":[0.014059594,0.00046836067,0.00022053737,0.002420307,0.010846606,0.0041687535,0.004071118,0.0035042295,0.0014694589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003941975,0.0001466746,0.007704611,0.0027236294,0.00009317237,0.0013781012,0.3848019,0.00060426124,0.0033155167,0.34723613,0.061499752,0.19010215],"study_design_scores_gemma":[0.000012021642,0.00003110707,0.005022991,0.0011988367,0.000020406836,0.0004134695,0.03963172,0.000101893,0.0012120096,0.005879636,0.9464291,0.000046797773],"about_ca_topic_score_codex":0.02918491,"about_ca_topic_score_gemma":0.04589908,"teacher_disagreement_score":0.02918491,"about_ca_system_score_codex":0.007965834,"about_ca_system_score_gemma":0.008065009,"threshold_uncertainty_score":0.05803007},"labels":[],"label_agreement":null},{"id":"W3011740506","doi":"10.22618/tp.pjcv.20182.2.437014","title":"The Long Walk: Stephen King’s Near-Future Critique of Sport and Contemporary Society","year":2018,"lang":"en","type":"article","venue":"Philosophical Journal of Conflict and Violence","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Sociology; Environmental ethics; Media studies; Philosophy","score_opus":0.02765138728406809,"score_gpt":0.2678099657080117,"score_spread":0.24015857842394359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011740506","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015729109,0.018820439,0.0039681694,0.62584376,0.00943649,0.00001548878,0.00006538213,0.000043887954,0.32607734],"genre_scores_gemma":[0.75204235,0.0064600287,0.0014544452,0.06774995,0.0050208108,0.000050647664,0.000035492598,0.00015684178,0.16702954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969856,0.0019671437,0.00007016121,0.00022913188,0.00036552458,0.0003823976],"domain_scores_gemma":[0.99624026,0.0022291685,0.00018186786,0.0002432134,0.0005342845,0.00057120604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027789357,0.00046380676,0.00043921507,0.0010190707,0.010526205,0.010300088,0.0013938806,0.0075577917,0.006076491],"category_scores_gemma":[0.007679409,0.00024383632,0.00030512369,0.0009389123,0.0343849,0.008690557,0.0041085966,0.008549959,0.0010241029],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015628175,0.0000064523247,0.00007779364,0.000027841454,0.0000024315277,0.000109174325,0.02653764,0.00006155227,0.000028014314,0.9018045,0.069045365,0.0022835785],"study_design_scores_gemma":[0.000008326143,0.0000101541345,0.00023532743,0.0002075225,0.000003768732,0.00015005728,0.03355118,0.00012662062,0.00009135854,0.231577,0.7340181,0.000020707954],"about_ca_topic_score_codex":0.026677402,"about_ca_topic_score_gemma":0.056360926,"teacher_disagreement_score":0.026677402,"about_ca_system_score_codex":0.0062630223,"about_ca_system_score_gemma":0.003964527,"threshold_uncertainty_score":0.05304426},"labels":[],"label_agreement":null},{"id":"W3014651042","doi":"10.32873/uno.dc.jrf.24.01.58","title":"Apocalypse and Eschatology in John Ford's The Grapes of Wrath (1940)","year":2020,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Vision; Eschatology; Interpretation (philosophy); Narrative; Art; Art history; Literature; Philosophy; History; Theology; Linguistics","score_opus":0.01639589411086462,"score_gpt":0.21510164767839163,"score_spread":0.198705753567527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014651042","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46077418,0.009467915,0.0007701061,0.020754823,0.0009823513,0.000029682406,0.00008542547,0.000025916555,0.5071096],"genre_scores_gemma":[0.95963025,0.0012577097,0.00015139703,0.0007369544,0.000121535806,0.000009448329,0.000013219329,0.000020291503,0.03805924],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994191,0.00031310646,0.000009415333,0.00006688169,0.00008585419,0.00010568235],"domain_scores_gemma":[0.9991936,0.00045787086,0.00008701607,0.000041935647,0.00008598394,0.0001334872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075696246,0.00026227534,0.00013775416,0.0008916653,0.010773164,0.0053300457,0.0003724198,0.0012285238,0.0037012906],"category_scores_gemma":[0.0021027874,0.00016543038,0.000066055356,0.00078239094,0.018644942,0.002469775,0.0015457673,0.002302555,0.00023893025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049569637,0.000034367462,0.0017256524,0.00007605089,0.000003828784,0.0012973769,0.7415088,0.00003899461,0.00037230694,0.214631,0.029082434,0.011179573],"study_design_scores_gemma":[0.000013256227,0.00002525556,0.0064927316,0.00021913563,0.0000046800274,0.0008058579,0.3214281,0.000060833663,0.00046015822,0.008352219,0.66211784,0.000019918105],"about_ca_topic_score_codex":0.07221387,"about_ca_topic_score_gemma":0.17307277,"teacher_disagreement_score":0.07221387,"about_ca_system_score_codex":0.008025137,"about_ca_system_score_gemma":0.001825598,"threshold_uncertainty_score":0.14358711},"labels":[],"label_agreement":null},{"id":"W3016156038","doi":"10.1353/vpr.2020.0008","title":"\"From Rosemary VanArsdel\"","year":2020,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tribute; Art; Field (mathematics); History; Art history; Mathematics","score_opus":0.03307105396761954,"score_gpt":0.24158289245715966,"score_spread":0.20851183848954014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016156038","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008274808,0.17792197,0.00062395766,0.69787586,0.08042439,0.000034613706,0.00018077005,0.00007569029,0.042035278],"genre_scores_gemma":[0.01691827,0.13907132,0.0012936157,0.51937944,0.026937697,0.00008889547,0.0002538051,0.00030387074,0.29575312],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958943,0.0013061209,0.00017415524,0.00041260791,0.0019226676,0.00029013157],"domain_scores_gemma":[0.99329054,0.0020999128,0.00043944884,0.00023559651,0.0030096837,0.00092480925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031976374,0.00056965754,0.00051271246,0.002138123,0.0048872232,0.0072540776,0.0011514056,0.0026056392,0.013886027],"category_scores_gemma":[0.016274972,0.00039471255,0.00034869366,0.0028021433,0.003279571,0.007205465,0.0051615546,0.008409518,0.006681522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068170475,0.0000025358022,0.00005611127,0.00017800709,0.0000022176253,0.000049031376,0.0010449528,0.000006180224,0.00004816683,0.008063492,0.9781456,0.012396808],"study_design_scores_gemma":[0.0000010355259,0.0000022684433,0.00018364229,0.0003381207,0.0000017066096,0.000059341233,0.0009182356,0.0000050099666,0.000028525097,0.00073273503,0.99772555,0.000003865614],"about_ca_topic_score_codex":0.057459816,"about_ca_topic_score_gemma":0.14195509,"teacher_disagreement_score":0.057459816,"about_ca_system_score_codex":0.004219467,"about_ca_system_score_gemma":0.009081706,"threshold_uncertainty_score":0.11425078},"labels":[],"label_agreement":null},{"id":"W3024162970","doi":"10.14288/1.0390889","title":"Imaginary Realities : Authenticity, Perspective and Framing Truth(s) in Hollywood North","year":2020,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Hollywood; Framing (construction); Perspective (graphical); Sociology; Aesthetics; Art; Media studies; Political science; Epistemology; Philosophy; History; Art history; Psychology; Psychoanalysis; Visual arts","score_opus":0.011891313259580302,"score_gpt":0.1719706526918462,"score_spread":0.16007933943226588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3024162970","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18671113,0.009013865,0.00527615,0.027991356,0.00054013194,0.0000685568,0.00004438195,0.000041033407,0.7703134],"genre_scores_gemma":[0.9724793,0.0013348928,0.00073167647,0.0006399043,0.000059321177,0.000036330744,0.000015191415,0.000036971738,0.024666414],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99606115,0.0026498537,0.000080408936,0.00033200925,0.00041727984,0.00045935798],"domain_scores_gemma":[0.9946785,0.00384865,0.00037724435,0.00037852713,0.00031174376,0.00040546196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003968853,0.00038816323,0.00040830733,0.0017633338,0.021438941,0.014955196,0.0011645427,0.002010473,0.007048431],"category_scores_gemma":[0.005368032,0.00042520027,0.0001442164,0.0017777,0.07242177,0.009498839,0.0069853608,0.0042605205,0.00043955477],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011298356,0.000011399727,0.0003108419,0.000049169877,0.0000017387107,0.00029965557,0.5594579,0.000035054374,0.000063372325,0.43243018,0.0029527459,0.004376589],"study_design_scores_gemma":[0.00000835236,0.000014367645,0.0016171264,0.00041844428,0.000009517986,0.00030773715,0.69207764,0.00016231477,0.00024078634,0.12705413,0.17807187,0.000017724966],"about_ca_topic_score_codex":0.054629814,"about_ca_topic_score_gemma":0.11704059,"teacher_disagreement_score":0.9453702,"about_ca_system_score_codex":0.014950527,"about_ca_system_score_gemma":0.007428953,"threshold_uncertainty_score":0.108623624},"labels":[],"label_agreement":null},{"id":"W3035640594","doi":"","title":"Guy Maddin : Cowards Bend the Knee","year":2003,"lang":"en","type":"book","venue":"The Power Plant eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Power (physics); Visual arts; Art history; History; Art; Literature; Physics","score_opus":0.018823749894451274,"score_gpt":0.1895335098152426,"score_spread":0.17070975992079135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035640594","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003459671,0.010972742,0.0005189573,0.003981256,0.0013523547,0.000041577503,0.0006544501,0.0005183054,0.97850066],"genre_scores_gemma":[0.018205771,0.002724075,0.0005851272,0.0014511092,0.00012163644,0.000018701397,0.00037421795,0.00030724623,0.9762121],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998229,0.00002380769,0.000006178175,0.00003937402,0.00005561583,0.00005210055],"domain_scores_gemma":[0.99986565,0.000025609896,0.000009543089,0.00001768984,0.00003904153,0.000042458836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019187902,0.000601536,0.00030487188,0.0012364491,0.0038290117,0.004101386,0.000589504,0.0013292618,0.20860718],"category_scores_gemma":[0.0007779125,0.00036229688,0.00017409689,0.001163628,0.0010087275,0.002475518,0.0020316425,0.0013077921,0.05046781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057945203,0.00001552121,0.00026167577,0.00021117795,0.0000026313094,0.00032497337,0.0051859906,0.000036626876,0.00042146767,0.0161506,0.9011627,0.076168716],"study_design_scores_gemma":[8.032358e-7,0.0000025307945,0.00023464067,0.00004624497,6.3314593e-7,0.00010201871,0.0006021923,0.0000056405697,0.000039110953,0.00014508523,0.9988192,0.0000017318766],"about_ca_topic_score_codex":0.0359637,"about_ca_topic_score_gemma":0.11942437,"teacher_disagreement_score":0.20860718,"about_ca_system_score_codex":0.0018885776,"about_ca_system_score_gemma":0.00089375733,"threshold_uncertainty_score":0.69786054},"labels":[],"label_agreement":null},{"id":"W3043149999","doi":"","title":"A Legal Analysis of Stanley Kubrick’s ‘A Clockwork Orange’ and What it Means to Modern America","year":2009,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Clockwork; Dystopia; Law; Political science; Criminal law; Criminal justice; Criminology; Sociology; Art; History","score_opus":0.008731958958251925,"score_gpt":0.22674443455288543,"score_spread":0.2180124755946335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043149999","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04305318,0.013467337,0.0012367751,0.1378804,0.0015364152,0.000023614115,0.00006910978,0.000030418469,0.8027028],"genre_scores_gemma":[0.84446204,0.009297417,0.00092655956,0.027143594,0.0012479897,0.00006204958,0.00006219769,0.00009045474,0.1167077],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932444,0.0002957643,0.000014262434,0.000075113356,0.00012198103,0.00016836912],"domain_scores_gemma":[0.9991184,0.00042726233,0.00009117268,0.000052348623,0.00015182937,0.0001590004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007061784,0.00023898995,0.00015578615,0.0011298368,0.008683116,0.0068692733,0.0006439445,0.002145891,0.0058483332],"category_scores_gemma":[0.0021031126,0.00020267635,0.00012964827,0.0011440912,0.016756406,0.0045806533,0.0022020128,0.0051426454,0.00031505158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000576261,0.000012934218,0.00019491858,0.000022864058,0.0000014244224,0.0001527681,0.02663058,0.000034564346,0.00009705143,0.9136855,0.05531474,0.003846827],"study_design_scores_gemma":[0.000005574038,0.000008936437,0.0018215516,0.0002374159,0.0000029342207,0.00013180818,0.03538163,0.00009686392,0.00012046394,0.077999964,0.88418037,0.000012476807],"about_ca_topic_score_codex":0.068236314,"about_ca_topic_score_gemma":0.09382662,"teacher_disagreement_score":0.068236314,"about_ca_system_score_codex":0.010150783,"about_ca_system_score_gemma":0.0033305585,"threshold_uncertainty_score":0.13567829},"labels":[],"label_agreement":null},{"id":"W305822061","doi":"","title":"A Passion for Literature: An Interview with Jan J. Dominique1","year":2005,"lang":"en","type":"article","venue":"The Journal of Haitian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Sociology; Passion; Media studies; Government (linguistics); Apprenticeship; Law; Psychology; Political science; History","score_opus":0.058648991144380984,"score_gpt":0.29678473216084655,"score_spread":0.23813574101646556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W305822061","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026620664,0.018692605,0.0005021078,0.9193704,0.007955265,0.00027798422,0.000104462626,0.00008029917,0.026396202],"genre_scores_gemma":[0.26851884,0.028133301,0.0020877903,0.57440287,0.004171006,0.0012753481,0.00018233534,0.0004966632,0.1207319],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.97974396,0.012827253,0.0005960512,0.0008917968,0.0037037134,0.0022372822],"domain_scores_gemma":[0.9641372,0.012962615,0.0018402141,0.0005329949,0.0077454555,0.012781544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016451608,0.00093990355,0.0018729182,0.0038951153,0.048564535,0.016055183,0.0034421727,0.0096068885,0.006830221],"category_scores_gemma":[0.042414732,0.0019625337,0.0008087646,0.0035077892,0.015400897,0.014806566,0.012453055,0.025696954,0.0016955328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029892708,0.0001378957,0.0016436374,0.0003648101,0.000016739723,0.0077084787,0.51881117,0.00004867485,0.00085219974,0.0068647615,0.45438004,0.00914184],"study_design_scores_gemma":[0.000007130149,0.000026024154,0.0010883901,0.000442982,0.000003388124,0.0016993185,0.50199586,0.00003361378,0.000060536313,0.000717978,0.49388447,0.000040319414],"about_ca_topic_score_codex":0.062181517,"about_ca_topic_score_gemma":0.10075426,"teacher_disagreement_score":0.062181517,"about_ca_system_score_codex":0.016749877,"about_ca_system_score_gemma":0.025347834,"threshold_uncertainty_score":0.12363917},"labels":[],"label_agreement":null},{"id":"W308954144","doi":"","title":"The Uncrowned King: The Sensational Rise of William Randolph Hearst","year":2009,"lang":"en","type":"article","venue":"Journalism & Mass Communication Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Journalism; Portrait; Publishing; Law; History; Art history; Classics; Media studies; Sociology; Political science","score_opus":0.0173754553918473,"score_gpt":0.23958916416522266,"score_spread":0.22221370877337537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W308954144","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034540475,0.14750545,0.0009075969,0.6451522,0.03702561,0.000018233308,0.000052987645,0.00016557227,0.16571817],"genre_scores_gemma":[0.1262583,0.066195026,0.0012713968,0.22768553,0.027520422,0.00006627993,0.000079738085,0.00042785503,0.5504955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99717003,0.00093245605,0.000061015322,0.0003122336,0.0011602456,0.000364142],"domain_scores_gemma":[0.99643254,0.0013309803,0.00021404769,0.00019127075,0.0008656077,0.0009655115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023123852,0.00036688233,0.00031903596,0.0008485593,0.009198396,0.009797134,0.00093561,0.0035256422,0.014676695],"category_scores_gemma":[0.008678824,0.0005122603,0.00023132442,0.0006876555,0.00961262,0.008230487,0.00472015,0.008266128,0.0044284114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012439792,0.000007097937,0.0001444358,0.000046107478,0.0000021262704,0.00020477551,0.008233979,0.000009640857,0.00009122493,0.025890201,0.95016116,0.015196748],"study_design_scores_gemma":[0.0000018345542,0.0000037926518,0.00014641623,0.00014310908,0.0000012645555,0.00016523204,0.00456837,0.000008965105,0.000031090887,0.002688571,0.9922347,0.0000067174547],"about_ca_topic_score_codex":0.037928313,"about_ca_topic_score_gemma":0.07572726,"teacher_disagreement_score":0.037928313,"about_ca_system_score_codex":0.0049023763,"about_ca_system_score_gemma":0.004136652,"threshold_uncertainty_score":0.075415075},"labels":[],"label_agreement":null},{"id":"W310582504","doi":"","title":"Picturing Dunbar's Lyrics","year":2007,"lang":"en","type":"article","venue":"African American Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Stanza; Lyrics; Photography; Literature; History; Art; Tone (literature); Art history; Visual arts","score_opus":0.017367580932246753,"score_gpt":0.2528237797368135,"score_spread":0.23545619880456678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W310582504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00962657,0.016763192,0.0032445586,0.0059809578,0.0097269565,0.000057070065,0.0005195731,0.0007358376,0.95334524],"genre_scores_gemma":[0.19311778,0.008268099,0.005699093,0.0026122476,0.002274639,0.00011041596,0.0006227766,0.0007749558,0.78651994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996886,0.00010885491,0.000009690971,0.000040999515,0.0001053142,0.000046571524],"domain_scores_gemma":[0.9996427,0.000086726126,0.000024899735,0.000034832352,0.0001472127,0.000063586005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027512695,0.00063231733,0.00022950409,0.0016324251,0.0032318083,0.0032252362,0.0003788363,0.00046822318,0.053102102],"category_scores_gemma":[0.00189336,0.0001795891,0.00011924271,0.0010695037,0.0015911327,0.0016305596,0.0013407213,0.0015362442,0.012070645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007774613,0.000021272497,0.00047308952,0.00016914273,0.0000030311814,0.00049771316,0.009599067,0.00012511654,0.0010971645,0.068171844,0.79419553,0.12556922],"study_design_scores_gemma":[0.000001224521,0.000005790489,0.00026469817,0.000054072396,5.5698354e-7,0.00013507744,0.00071013276,0.000028377188,0.00010506968,0.0006690381,0.9980222,0.0000037575153],"about_ca_topic_score_codex":0.006920643,"about_ca_topic_score_gemma":0.01882342,"teacher_disagreement_score":0.053102102,"about_ca_system_score_codex":0.0016098362,"about_ca_system_score_gemma":0.0006845614,"threshold_uncertainty_score":0.17764425},"labels":[],"label_agreement":null},{"id":"W3118897497","doi":"","title":"The ‘Sickly Boy’ and the ‘Real Man’: Kennedy, Castro, and Competing Masculinities","year":2020,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"History","score_opus":0.01787100046440343,"score_gpt":0.18956579929883435,"score_spread":0.17169479883443092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3118897497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36773407,0.007645352,0.0007462829,0.021415135,0.00023004491,0.000020587424,0.000027621938,0.0000054671805,0.6021754],"genre_scores_gemma":[0.99084306,0.0005492608,0.0001278529,0.0008170604,0.00003110042,0.0000069341418,0.000004360199,0.000009544189,0.007610907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99553984,0.0025128755,0.000087930915,0.00033559403,0.00055746513,0.0009663287],"domain_scores_gemma":[0.9961145,0.0022658024,0.00044258806,0.00020527194,0.0002886484,0.00068317377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004414426,0.0003195583,0.0004890113,0.0019305054,0.0214283,0.010913779,0.001317725,0.0029551801,0.00643348],"category_scores_gemma":[0.0059708133,0.00032810157,0.00014775291,0.0016417103,0.043505184,0.005062426,0.005331017,0.0034563704,0.00027262312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043565487,0.000025061181,0.0012011089,0.00004568189,0.0000034290576,0.00023570872,0.26740342,0.000024298099,0.00012558191,0.7238636,0.0018588933,0.005169651],"study_design_scores_gemma":[0.000013645967,0.00003110199,0.00647493,0.00041107717,0.00001584783,0.00039883543,0.8320611,0.00010749262,0.00025505465,0.061535582,0.0986566,0.000038685055],"about_ca_topic_score_codex":0.053299114,"about_ca_topic_score_gemma":0.16440837,"teacher_disagreement_score":0.053299114,"about_ca_system_score_codex":0.0055778883,"about_ca_system_score_gemma":0.004911571,"threshold_uncertainty_score":0.10597777},"labels":[],"label_agreement":null},{"id":"W3126008912","doi":"10.22215/etd/2016-11679","title":"The Atomic Infinite: Aesthetics of the Sublime in l950s Science Fiction Film","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Sublime; Style (visual arts); Monster; Aesthetics; Art; Object (grammar); Narrative; Argument (complex analysis); Philosophy; Literature; Art history; Chemistry","score_opus":0.010761101693151925,"score_gpt":0.22940996082544968,"score_spread":0.21864885913229776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126008912","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3091819,0.0036880565,0.006909912,0.01749294,0.000754549,0.00004722781,0.00009736223,0.00011793499,0.6617101],"genre_scores_gemma":[0.9847928,0.00047185912,0.00067634473,0.00075700297,0.0001456515,0.000024064111,0.000019614426,0.000051773914,0.01306078],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983146,0.0011602882,0.000030891908,0.00011478481,0.00024836994,0.00013096315],"domain_scores_gemma":[0.99713135,0.0021954437,0.00016839214,0.0001509407,0.00019567373,0.00015820577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020038176,0.00031389765,0.00016936149,0.0016371212,0.006707074,0.009924422,0.0005024071,0.0012331799,0.0037843948],"category_scores_gemma":[0.004574728,0.00019525479,0.00020813558,0.0010669637,0.021013986,0.0055322703,0.0031602145,0.0028647128,0.00030270865],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007195019,0.000026331152,0.0011288379,0.00014468924,0.000007630235,0.00050749496,0.551032,0.0000727351,0.0017730952,0.4248813,0.008803988,0.011549877],"study_design_scores_gemma":[0.00003076369,0.0000972904,0.008425588,0.00042390457,0.000030172205,0.0014991881,0.4462,0.00058410276,0.0028731178,0.06620002,0.47358128,0.000054527995],"about_ca_topic_score_codex":0.0035878227,"about_ca_topic_score_gemma":0.004723215,"teacher_disagreement_score":0.009924422,"about_ca_system_score_codex":0.004669983,"about_ca_system_score_gemma":0.00069350237,"threshold_uncertainty_score":0.033883214},"labels":[],"label_agreement":null},{"id":"W3127164475","doi":"","title":"\"Look WAAAYYYY Up!\" --- Travels to Mauna Kea","year":2008,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology; Geography; Astrobiology; Physics","score_opus":0.010165257809047742,"score_gpt":0.1714456437222921,"score_spread":0.16128038591324434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127164475","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04425211,0.006959279,0.0005096347,0.113565125,0.018738365,0.000087702836,0.0015402253,0.00036788353,0.81397974],"genre_scores_gemma":[0.0581395,0.0018699626,0.0002799184,0.005698538,0.0006417027,0.00002512528,0.00027042945,0.00021751222,0.9328573],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997936,0.00004151162,0.0000053012277,0.000022722726,0.000038120426,0.00009883678],"domain_scores_gemma":[0.9994041,0.00005622242,0.000025582262,0.000025015066,0.00018548826,0.00030362324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052571733,0.00043173233,0.00023691586,0.0008248024,0.011797812,0.0039827996,0.0003864795,0.0014579237,0.16223149],"category_scores_gemma":[0.0017567237,0.00017755474,0.0002469763,0.0008187344,0.0012025653,0.0031726074,0.0025688915,0.0036783656,0.030364625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014443939,0.000051913445,0.0040145223,0.00016947255,0.000014496037,0.00078852015,0.023959264,0.000031394804,0.00093459006,0.016151594,0.9160382,0.037701543],"study_design_scores_gemma":[0.0000023286211,0.000015014798,0.003447719,0.0000760001,0.00000423892,0.00010265294,0.023870882,0.000008607567,0.00008304435,0.00039953238,0.9719821,0.000007879246],"about_ca_topic_score_codex":0.076519094,"about_ca_topic_score_gemma":0.22457106,"teacher_disagreement_score":0.16223149,"about_ca_system_score_codex":0.002408386,"about_ca_system_score_gemma":0.0022987549,"threshold_uncertainty_score":0.5427184},"labels":[],"label_agreement":null},{"id":"W3149342086","doi":"10.1017/9781108647847.008","title":"African American Periodicals and the Transition to Visual Intercourse","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Visual culture; Articulation (sociology); Print culture; Transition (genetics); Order (exchange); Art; Sociology; Affordance; Art history; History; Media studies; Visual arts; Political science; Law; Psychology","score_opus":0.013929223024597568,"score_gpt":0.197470669198865,"score_spread":0.18354144617426743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3149342086","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18950412,0.008498306,0.000706875,0.02271905,0.00053199654,0.000018561615,0.00003746747,0.000031988267,0.7779517],"genre_scores_gemma":[0.95608485,0.0035306094,0.00028782376,0.0021306071,0.00038388598,0.000028548626,0.000017486513,0.00004025226,0.037495863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978224,0.0012696943,0.00004158709,0.00014300736,0.00037354816,0.000349767],"domain_scores_gemma":[0.99625564,0.002344257,0.00044552176,0.00018808102,0.0003459507,0.00042063853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028159223,0.00028963684,0.00017392915,0.0038434127,0.015307877,0.0138520105,0.0005081088,0.0017053498,0.007700361],"category_scores_gemma":[0.005369343,0.00022421704,0.00013648799,0.002842907,0.028974028,0.006624967,0.0045951805,0.0023967763,0.00052203244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000200369,0.00003743186,0.0011138865,0.000052814117,0.0000025004776,0.00024739688,0.22936355,0.000014545257,0.0002411187,0.74662274,0.0082360655,0.0140478695],"study_design_scores_gemma":[0.000012190489,0.000026914377,0.0059876763,0.00045049528,0.000009527003,0.00028092082,0.24208036,0.00006812842,0.00049706275,0.06786964,0.682697,0.000020161206],"about_ca_topic_score_codex":0.008988767,"about_ca_topic_score_gemma":0.012224514,"teacher_disagreement_score":0.015307877,"about_ca_system_score_codex":0.0053762463,"about_ca_system_score_gemma":0.0029747512,"threshold_uncertainty_score":0.039007604},"labels":[],"label_agreement":null},{"id":"W314966339","doi":"","title":"Editing Mailer: A Conversation with Jan Welt and Lana Jokel","year":2009,"lang":"en","type":"article","venue":"˜The œMailer review/Mailer review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Trilogy; Conversation; Art history; Movie theater; Film director; Studio; Art; Visual arts; Sociology; Law; Media studies","score_opus":0.017349880498863324,"score_gpt":0.23092340836493824,"score_spread":0.21357352786607492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W314966339","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045992527,0.019476593,0.0069269873,0.5144147,0.060948566,0.0003697607,0.0010070779,0.004182313,0.34668157],"genre_scores_gemma":[0.22126953,0.008638572,0.010979209,0.102774456,0.024157334,0.00049684505,0.0008324336,0.005602214,0.62524945],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972512,0.0010768458,0.00012475926,0.00034827154,0.00096147606,0.00023743093],"domain_scores_gemma":[0.9928175,0.0032102573,0.0005409756,0.00030245754,0.0020212827,0.0011074996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043547484,0.0006049094,0.0005333279,0.0012668878,0.007309487,0.0065880087,0.0008989525,0.0020668397,0.030885592],"category_scores_gemma":[0.026245514,0.000381389,0.00019200768,0.00089131435,0.0019608717,0.0040496443,0.0025206194,0.00427002,0.00754588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002452578,0.000022613629,0.0002302937,0.00006674413,0.0000031922777,0.0007647346,0.014190169,0.000021283284,0.00061601354,0.0028922088,0.96028644,0.020881783],"study_design_scores_gemma":[0.0000031308734,0.000009285269,0.0003023229,0.00007098811,0.0000023618022,0.00025992712,0.006877748,0.000038864167,0.00032824196,0.00038916222,0.9917067,0.00001129046],"about_ca_topic_score_codex":0.0049742223,"about_ca_topic_score_gemma":0.018518528,"teacher_disagreement_score":0.030885592,"about_ca_system_score_codex":0.0032063231,"about_ca_system_score_gemma":0.0019876484,"threshold_uncertainty_score":0.103322625},"labels":[],"label_agreement":null},{"id":"W3165958231","doi":"","title":"Eyes of the beholder","year":2019,"lang":"en","type":"article","venue":"Sight & sound/Sight and sound","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jealousy; Portrait; Privilege (computing); Art; Power (physics); Focus (optics); Art history; Visual arts; Psychoanalysis; Aesthetics; Psychology; Law; Political science; Social psychology; Optics","score_opus":0.01603467786279895,"score_gpt":0.20234934483744527,"score_spread":0.18631466697464633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3165958231","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048691478,0.020994294,0.0014236622,0.25857586,0.013526703,0.00003480203,0.00031807518,0.00016621355,0.65626895],"genre_scores_gemma":[0.37715265,0.005658838,0.00065891194,0.057465594,0.0021318025,0.00003164032,0.00009945094,0.00028835775,0.5565127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980749,0.00064340845,0.000032160457,0.00026519754,0.00049167685,0.0004927913],"domain_scores_gemma":[0.9983374,0.0004134955,0.000095735406,0.00013329295,0.00044133049,0.00057883863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018204127,0.0004343764,0.00033636016,0.0014399182,0.01730277,0.01053083,0.0005732734,0.0033429642,0.031300247],"category_scores_gemma":[0.0072200624,0.00026239312,0.00031286268,0.0007971522,0.01114664,0.007316712,0.006304827,0.0077327755,0.00543771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014431399,0.000042278745,0.002451531,0.000083728686,0.000016045457,0.0009632166,0.08840326,0.000032009688,0.0008726344,0.30158597,0.5672396,0.038165446],"study_design_scores_gemma":[0.000006506471,0.000020522519,0.0010881718,0.00012899615,0.000005118402,0.0003164319,0.05550095,0.00001858424,0.0002258206,0.01782879,0.92484045,0.000019632482],"about_ca_topic_score_codex":0.033062015,"about_ca_topic_score_gemma":0.0679734,"teacher_disagreement_score":0.033062015,"about_ca_system_score_codex":0.0039965445,"about_ca_system_score_gemma":0.0033481792,"threshold_uncertainty_score":0.104709744},"labels":[],"label_agreement":null},{"id":"W3176215420","doi":"","title":"Arctic Exposure: Photographs of Canada’s North","year":2013,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Arctic; Geography; The arctic; Physical geography; Oceanography; Geology","score_opus":0.008197380129372097,"score_gpt":0.1559507526120673,"score_spread":0.1477533724826952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176215420","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24713315,0.0030696949,0.00070398557,0.009503542,0.0017170308,0.00007838131,0.006320554,0.00016206018,0.7313116],"genre_scores_gemma":[0.79273015,0.0032647955,0.0013368252,0.0015376906,0.00035170154,0.00003029413,0.00182184,0.00030102485,0.1986255],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996897,0.000032727752,0.000003326418,0.000036411137,0.000103981205,0.00013376136],"domain_scores_gemma":[0.9994541,0.00007685958,0.000021010957,0.000019936264,0.00024261045,0.00018556797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026170383,0.0004893011,0.00022954828,0.0021666938,0.013489872,0.003992515,0.000390743,0.0008436125,0.02360775],"category_scores_gemma":[0.000636986,0.00020704594,0.0002820779,0.0040182834,0.0015801896,0.00058650173,0.0011439981,0.0014765629,0.001480112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007421702,0.00013119937,0.02010018,0.00051750697,0.000091764945,0.0059303786,0.17758301,0.0013390684,0.0073197307,0.024226313,0.6937963,0.06822242],"study_design_scores_gemma":[0.000010772711,0.00002039159,0.07750933,0.0003650861,0.00003291172,0.00053984794,0.15450916,0.00017931145,0.0007281035,0.0005791679,0.7654834,0.000042531105],"about_ca_topic_score_codex":0.96534127,"about_ca_topic_score_gemma":0.9950093,"teacher_disagreement_score":0.03465873,"about_ca_system_score_codex":0.015191702,"about_ca_system_score_gemma":0.016437033,"threshold_uncertainty_score":0.11022407},"labels":[],"label_agreement":null},{"id":"W3198197676","doi":"10.22215/etd/2021-14344","title":"The Reception of The Ladies Paradise in Nineteenth-Century England and the Fight Against Sensual Capitalism","year":2021,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Capitalism; Paradise; Politics; Value (mathematics); Order (exchange); Consumption (sociology); Paradise lost; Value theory; History; Neoclassical economics; Aesthetics; Literature; Art; Art history; Philosophy; Political science; Economics; Law; Epistemology","score_opus":0.0060802153535160315,"score_gpt":0.19752184081687352,"score_spread":0.1914416254633575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3198197676","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7200969,0.0064942935,0.0007215702,0.028077746,0.0009971382,0.000029870404,0.00008591251,0.000025767138,0.24347085],"genre_scores_gemma":[0.9549063,0.00087879895,0.00007487292,0.0006274913,0.00011093099,0.000008689541,0.000009229931,0.00003081744,0.043352865],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99855036,0.0007821414,0.000027614338,0.00009861471,0.00023075669,0.0003104504],"domain_scores_gemma":[0.9985154,0.00086880545,0.0001678647,0.00006187742,0.00014255244,0.00024343572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017883562,0.00022046064,0.00033091597,0.00080197083,0.0130266985,0.006733461,0.00060993247,0.0019250821,0.0047161574],"category_scores_gemma":[0.0035577996,0.0003466648,0.00011109658,0.0007899657,0.020046294,0.0027679787,0.003596262,0.0038918215,0.00042339126],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007730829,0.000016660404,0.00056987384,0.00011520735,0.0000037143525,0.0009415078,0.8960175,0.000054185042,0.0007111681,0.08876405,0.008217665,0.0045110798],"study_design_scores_gemma":[0.000018450713,0.00005304583,0.0061686393,0.00044132938,0.000009376558,0.00046323956,0.47761682,0.00010520609,0.0008713673,0.0064768945,0.5077373,0.00003835486],"about_ca_topic_score_codex":0.08140642,"about_ca_topic_score_gemma":0.20926069,"teacher_disagreement_score":0.08140642,"about_ca_system_score_codex":0.012419112,"about_ca_system_score_gemma":0.0027684134,"threshold_uncertainty_score":0.16186517},"labels":[],"label_agreement":null},{"id":"W324149622","doi":"","title":"Norman Mailer: Supplemental Bibliography through 2006","year":2007,"lang":"en","type":"article","venue":"˜The œMailer review/Mailer review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ephemera; Testimonial; Narrative; History; Poetry; Meaning (existential); Banquet; Literature; Art history; Sociology; Classics; Art; Psychology","score_opus":0.029139985408982653,"score_gpt":0.28227797567569074,"score_spread":0.2531379902667081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W324149622","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014236138,0.008256144,0.004231663,0.008575837,0.020099252,0.0013405358,0.1750271,0.008813968,0.77223194],"genre_scores_gemma":[0.0033637008,0.006275692,0.00961763,0.00291354,0.0024025603,0.0018055731,0.15907961,0.004053878,0.81048775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969302,0.00038934985,0.0005152055,0.00030490814,0.0016510326,0.00020936473],"domain_scores_gemma":[0.97595495,0.002244666,0.0014170446,0.0016136215,0.01731173,0.0014580323],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003433203,0.001312392,0.0015033194,0.01710789,0.0026768134,0.006542131,0.0022960433,0.00145746,0.4976638],"category_scores_gemma":[0.0196507,0.0008206825,0.00058569846,0.016876776,0.00050827157,0.005143887,0.0029373206,0.0015430981,0.48525807],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010357633,0.00000837737,0.00005359429,0.0001799226,5.825132e-7,0.000014805471,0.00006072785,0.000009432612,0.00004336685,0.00043046442,0.976649,0.02253939],"study_design_scores_gemma":[0.000002756875,0.000003885749,0.0003113717,0.0004112106,7.6084154e-7,0.000019396548,0.00006544163,0.0000081480985,0.000026980673,0.00012317579,0.9990219,0.0000048981997],"about_ca_topic_score_codex":0.011648123,"about_ca_topic_score_gemma":0.020522632,"teacher_disagreement_score":0.4976638,"about_ca_system_score_codex":0.0034434195,"about_ca_system_score_gemma":0.007432037,"threshold_uncertainty_score":0.7165216},"labels":[],"label_agreement":null},{"id":"W32787108","doi":"10.1021/acs.jmedchem.0c00665","title":"Fear and Desire: descubriendo la ópera prima de Stanley Kubrick","year":2013,"lang":"en","type":"article","venue":"Dirigido por ...: Revista de cine","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Institute of Infection and Immunity; National Center for Research Resources; National Institute of General Medical Sciences; University of Illinois at Urbana-Champaign; National Institutes of Health","keywords":"Pera; Art; Humanities; Computer science","score_opus":0.012647607884767258,"score_gpt":0.21784106223011632,"score_spread":0.20519345434534905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32787108","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0077106864,0.14300042,0.0029551878,0.6655712,0.03719581,0.000030127452,0.00013878944,0.00014776849,0.14325005],"genre_scores_gemma":[0.15884301,0.12770475,0.004717807,0.20904699,0.024594042,0.0000890854,0.00010488169,0.0006893647,0.47421005],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816656,0.0008074118,0.000055186312,0.00029884154,0.0004900638,0.00018186777],"domain_scores_gemma":[0.9979558,0.0009056206,0.00014190789,0.00014002154,0.0004754809,0.00038115706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020028558,0.0005309289,0.00045234757,0.00086698245,0.0031140654,0.0048456625,0.00069497345,0.0020523563,0.010042015],"category_scores_gemma":[0.0053081303,0.00026800382,0.00030812886,0.00048137573,0.008293049,0.0052784993,0.0023550706,0.0063200006,0.003872662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006947254,0.00004201147,0.0007846461,0.00016211368,0.000015747994,0.00038419032,0.0048447433,0.0000916575,0.0003383815,0.16996789,0.76102424,0.062274948],"study_design_scores_gemma":[0.0000032986504,0.0000099042745,0.0002836537,0.00016968812,0.000004266776,0.00036335405,0.0017315865,0.000053999724,0.00018242175,0.012947142,0.98423624,0.000014439082],"about_ca_topic_score_codex":0.008888519,"about_ca_topic_score_gemma":0.015854286,"teacher_disagreement_score":0.010042015,"about_ca_system_score_codex":0.0031475977,"about_ca_system_score_gemma":0.002553837,"threshold_uncertainty_score":0.033593893},"labels":[],"label_agreement":null},{"id":"W4205676504","doi":"10.1177/014833310805700219","title":"Book Review: Northrop Frye and the Phenomenology of Myth, Categorizing Twentieth-Century Film Using Northrop Frye's Anatomy of Criticism: Relating Literature and Film","year":2008,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Mythology; Criticism; Phenomenology (philosophy); Literature; Art; Psychoanalysis; Philosophy; Art history; Psychology; Epistemology","score_opus":0.012600771384479691,"score_gpt":0.23841542434205684,"score_spread":0.22581465295757716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205676504","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00031735154,0.8343247,0.00027100206,0.11041131,0.04035052,0.000034884528,0.000094366784,0.000029896937,0.014165816],"genre_scores_gemma":[0.00687046,0.69584423,0.0008253654,0.09152688,0.08872566,0.00020820738,0.00027189642,0.00014001355,0.11558722],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860173,0.00035894345,0.0000926403,0.00017469352,0.00069257285,0.00007945844],"domain_scores_gemma":[0.9907286,0.00635898,0.00046356965,0.00014233588,0.0019662236,0.0003403332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021998682,0.0011244881,0.0019862168,0.0064584757,0.002778604,0.0059966706,0.0025275983,0.0052426127,0.018028926],"category_scores_gemma":[0.010455894,0.0005855115,0.0005059188,0.008882149,0.0047386084,0.008892595,0.001990416,0.0053442647,0.0056689163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000064466217,0.000006400627,0.000042598902,0.00062286854,0.0000043635873,0.00004054691,0.00046619904,0.000018775336,0.000034347813,0.0026442744,0.97836363,0.017749595],"study_design_scores_gemma":[0.000005839109,0.0000073846413,0.00028067484,0.001436292,0.0000069118564,0.00021714451,0.00053238956,0.000016830872,0.000027518401,0.0010346121,0.996425,0.000009456583],"about_ca_topic_score_codex":0.023092587,"about_ca_topic_score_gemma":0.06491288,"teacher_disagreement_score":0.023092587,"about_ca_system_score_codex":0.005024143,"about_ca_system_score_gemma":0.0047920644,"threshold_uncertainty_score":0.060312748},"labels":[],"label_agreement":null},{"id":"W4206010519","doi":"10.1353/sfs.2019.0054","title":"James FenwickUnderstanding Kubrick's 2001: A Space Odyssey: Representation and Interpretation","year":2019,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sublime; Art; Interpretation (philosophy); Art history; Musical; Intellect; Representation (politics); Adventure; Visual arts; Literature; History; Philosophy; Theology; Politics","score_opus":0.062059652965756516,"score_gpt":0.3137104269198885,"score_spread":0.251650773954132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206010519","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007943393,0.8757685,0.0010055936,0.072434306,0.0083060125,0.000010008414,0.000071985305,0.000025975058,0.041583214],"genre_scores_gemma":[0.052057296,0.8224162,0.0012674872,0.030045465,0.014178791,0.00007794874,0.0001926604,0.000119018805,0.07964515],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982716,0.0007562831,0.000104820174,0.00015509437,0.00058405596,0.00012813878],"domain_scores_gemma":[0.99798137,0.0011326314,0.00020470488,0.00012984624,0.00044786767,0.00010349768],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002319005,0.00073606824,0.00069312606,0.0017185794,0.0022073984,0.006054141,0.0010881698,0.003110528,0.008648375],"category_scores_gemma":[0.0045759575,0.000367268,0.00043869604,0.002801119,0.0077644587,0.009358684,0.002088952,0.0035026046,0.0024500801],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023736493,0.000008873097,0.00023182738,0.0013485994,0.000014951985,0.0001681322,0.008474978,0.00011376047,0.00024379714,0.13075994,0.7430404,0.11557101],"study_design_scores_gemma":[0.0000015056298,0.000003715756,0.00038440456,0.0014696002,0.0000032841472,0.00015014056,0.0017582137,0.000017938217,0.00007697408,0.007626073,0.98850274,0.000005422271],"about_ca_topic_score_codex":0.015984416,"about_ca_topic_score_gemma":0.02259345,"teacher_disagreement_score":0.015984416,"about_ca_system_score_codex":0.0044462937,"about_ca_system_score_gemma":0.0053670187,"threshold_uncertainty_score":0.0322603},"labels":[],"label_agreement":null},{"id":"W4206516550","doi":"10.5860/choice.50-2253","title":"Sex, lies, and cigarettes: Canadian women, smoking, and visual culture, 1880-2000","year":2012,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Medicine; Psychology; Sociology","score_opus":0.029788890610819303,"score_gpt":0.2767377370413317,"score_spread":0.2469488464305124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206516550","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55354863,0.2716844,0.00023463141,0.025388313,0.00083137385,0.000067468594,0.031138895,0.00005552319,0.11705077],"genre_scores_gemma":[0.8214617,0.1287071,0.00038165442,0.0022352715,0.0003137865,0.000031768443,0.003936027,0.0000437792,0.04288894],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99940515,0.000043838176,0.000027773283,0.000060691247,0.0003227765,0.00013978177],"domain_scores_gemma":[0.99641705,0.00080382347,0.0003869859,0.00006481594,0.0017580744,0.0005691705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010018164,0.00025759643,0.0002360136,0.0052657304,0.0037033889,0.002856101,0.00063399225,0.00062451436,0.005872956],"category_scores_gemma":[0.0044324393,0.00017516388,0.0002305652,0.016041795,0.0019886561,0.000879706,0.0006679447,0.0007875485,0.0003068817],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044371118,0.0001057777,0.27468997,0.004272895,0.00017180783,0.00076863344,0.16636088,0.00035416143,0.00095618574,0.022185517,0.15943229,0.37025815],"study_design_scores_gemma":[0.0000075079397,0.00002577491,0.58818185,0.0013153235,0.00009933677,0.00014155719,0.06626663,0.000074496864,0.0003070692,0.00036177764,0.34316424,0.000054494492],"about_ca_topic_score_codex":0.99548906,"about_ca_topic_score_gemma":0.9982761,"teacher_disagreement_score":0.038518764,"about_ca_system_score_codex":0.038518764,"about_ca_system_score_gemma":0.07122329,"threshold_uncertainty_score":0.2794745},"labels":[],"label_agreement":null},{"id":"W4225927946","doi":"10.22215/etd/2022-14872","title":"\"For Good or Evil\": The Early Atomic Age in Maclean's, Saturday Night, Life and The Saturday Evening Post, 1945-1950","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atomic energy; Evening; Nuclear weapon; Secrecy; Cold war; Faith; Optimism; Skepticism; History; Political science; Law; Psychology; Physics; Sociology; Philosophy; Theology; Social science; Social psychology","score_opus":0.01428880541634044,"score_gpt":0.2399476374495811,"score_spread":0.22565883203324066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225927946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47577208,0.03022917,0.00015965884,0.060295578,0.0020499665,0.00002615138,0.0002635457,0.00003347327,0.4311703],"genre_scores_gemma":[0.9214256,0.010181329,0.000085791005,0.004549934,0.001018653,0.00002193839,0.00008033167,0.0000436,0.06259287],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99877745,0.00046452662,0.000023243414,0.00009126299,0.0002886791,0.00035482558],"domain_scores_gemma":[0.9961337,0.00214933,0.00044509865,0.00007641292,0.0006291085,0.0005663489],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0019365334,0.0002836188,0.00019567263,0.0026271997,0.0151731735,0.009341635,0.000502028,0.0013996196,0.007231004],"category_scores_gemma":[0.005369817,0.00021616492,0.00008668792,0.0027504298,0.010641476,0.0042759525,0.0022587348,0.0023098378,0.00054975104],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006939503,0.00003468549,0.004226962,0.00016295776,0.0000048118545,0.0007420227,0.8296862,0.000016659333,0.00035606013,0.096470416,0.051070567,0.017159289],"study_design_scores_gemma":[0.000005262547,0.00002993459,0.024066314,0.0003662205,0.0000055098294,0.00014808476,0.38464227,0.000013620491,0.0003162448,0.0011431602,0.5892468,0.00001663147],"about_ca_topic_score_codex":0.18944433,"about_ca_topic_score_gemma":0.3140509,"teacher_disagreement_score":0.9848268,"about_ca_system_score_codex":0.014686545,"about_ca_system_score_gemma":0.0056801275,"threshold_uncertainty_score":0.3766833},"labels":[],"label_agreement":null},{"id":"W4231035845","doi":"10.5860/choice.45-4803","title":"The Rise of Western journalism, 1815-1914: essays on the press in Australia, Canada, France, Germany, Great Britain and the United States","year":2008,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; History; Economic history; Political science; Media studies; Sociology; Law","score_opus":0.04921982419920744,"score_gpt":0.2757699140937457,"score_spread":0.22655008989453823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231035845","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6424949,0.067489244,0.00022663121,0.03761879,0.0007691104,0.000040572562,0.00024909424,0.000025566647,0.25108615],"genre_scores_gemma":[0.96708673,0.00818041,0.0000652489,0.0018696407,0.00045120087,0.000017770444,0.000039581086,0.00002866767,0.022260796],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804866,0.00055597274,0.00010482626,0.00022071792,0.00069678697,0.000373018],"domain_scores_gemma":[0.98566794,0.008156186,0.0014184881,0.0003176614,0.0028824972,0.0015571469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004875173,0.00021176015,0.00034614635,0.007891249,0.007547077,0.010114487,0.0005043287,0.0019207478,0.0038421168],"category_scores_gemma":[0.013749846,0.00030045933,0.00014292217,0.008554512,0.012792596,0.0046195467,0.0027024122,0.0027075717,0.0002535322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025458567,0.00007869348,0.01841657,0.00042622918,0.000058720118,0.00095737097,0.7200265,0.000088856126,0.00056916504,0.17596418,0.03525004,0.04790922],"study_design_scores_gemma":[0.000021432686,0.00006006877,0.23144817,0.0013486183,0.000053263626,0.00026420358,0.17408039,0.000115111885,0.00091618445,0.006784212,0.5848572,0.000051085262],"about_ca_topic_score_codex":0.20884952,"about_ca_topic_score_gemma":0.31802616,"teacher_disagreement_score":0.79115045,"about_ca_system_score_codex":0.015462537,"about_ca_system_score_gemma":0.007950707,"threshold_uncertainty_score":0.41526777},"labels":[],"label_agreement":null},{"id":"W4233627628","doi":"10.3366/edinburgh/9780748694174.003.0018","title":"A Gentle Gaze on the Colony: Jette Bang’s Documentary Filming in Greenland 1938–9","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Documentary film; Arctic; Art history; History; Art; Literature; Media studies; Sociology; Oceanography; Geology","score_opus":0.048104340741433896,"score_gpt":0.20652465051327248,"score_spread":0.15842030977183857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233627628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2555278,0.05539668,0.0005422903,0.021984078,0.004597574,0.00006826483,0.0003887186,0.00010144063,0.6613932],"genre_scores_gemma":[0.55373544,0.025092943,0.00084198354,0.003699444,0.00039040355,0.000032999676,0.00020591723,0.00026631792,0.41573462],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996567,0.00007938339,0.000009081284,0.000042451335,0.00011027106,0.00010219767],"domain_scores_gemma":[0.999767,0.00007258608,0.00002149249,0.000012409443,0.000043004027,0.000083518826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000495011,0.0003957802,0.00019717844,0.0009483665,0.007994617,0.003991014,0.00048092255,0.00080560637,0.004940397],"category_scores_gemma":[0.000840213,0.00028836553,0.00013404447,0.0015954988,0.00410058,0.0014394316,0.002309047,0.0017742696,0.00074566825],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009690706,0.000050644492,0.0021266954,0.00053381856,0.0000173297,0.00369238,0.6365816,0.00016363437,0.0026109584,0.07844957,0.21586603,0.059810497],"study_design_scores_gemma":[0.0000022886577,0.000012461131,0.0035283314,0.00027676104,0.000004920233,0.0002610937,0.07007509,0.000011430724,0.0003780482,0.00049967674,0.92493886,0.000010944514],"about_ca_topic_score_codex":0.20125999,"about_ca_topic_score_gemma":0.4800701,"teacher_disagreement_score":0.20125999,"about_ca_system_score_codex":0.008051284,"about_ca_system_score_gemma":0.004559798,"threshold_uncertainty_score":0.400177},"labels":[],"label_agreement":null},{"id":"W4234055105","doi":"10.1093/obo/9780199791286-0086","title":"David Cronenberg","year":2014,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Movie theater; Theme (computing); Art; Politics; Prestige; Art history; Film studies; Object (grammar); Auteur theory; Literature; Philosophy; Law; Political science","score_opus":0.05333329779841419,"score_gpt":0.27066814379653875,"score_spread":0.21733484599812455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234055105","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023085205,0.114546485,0.0016261843,0.12363093,0.038771857,0.00006357437,0.00056431437,0.0003219469,0.71816623],"genre_scores_gemma":[0.018821867,0.038536858,0.0009332791,0.013186259,0.0035024094,0.00003735039,0.0002581925,0.00023351186,0.92449033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853265,0.00021809245,0.000045991554,0.00039353824,0.0006034811,0.00020626419],"domain_scores_gemma":[0.99802196,0.00018309467,0.000097931304,0.000085655156,0.00090621546,0.00070510805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008310398,0.00071841065,0.00040221118,0.0014864539,0.004929883,0.0067421948,0.00090339256,0.0019329239,0.07686672],"category_scores_gemma":[0.0041058697,0.0002802652,0.00020460403,0.0011236854,0.0020841933,0.0034999577,0.0023862023,0.0035277086,0.03365965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011420509,0.000007197174,0.00014549226,0.000051009305,0.0000012818163,0.0000654586,0.00039744942,0.000025653126,0.00007594568,0.017218156,0.9497523,0.032248724],"study_design_scores_gemma":[5.944474e-7,0.0000016212642,0.00008193836,0.000050845636,3.8948988e-7,0.00005446571,0.00014536301,0.000009099122,0.000028861987,0.0005706113,0.9990532,0.00000287746],"about_ca_topic_score_codex":0.07514735,"about_ca_topic_score_gemma":0.12860966,"teacher_disagreement_score":0.07686672,"about_ca_system_score_codex":0.008275256,"about_ca_system_score_gemma":0.007915537,"threshold_uncertainty_score":0.2571448},"labels":[],"label_agreement":null},{"id":"W4235189682","doi":"10.26522/ti.v2i1.759","title":"A Poem","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Artificial intelligence; Computer science; Art; Psychology; Literature","score_opus":0.014960482458388028,"score_gpt":0.1844434038851668,"score_spread":0.1694829214267788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235189682","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005876703,0.0032948235,0.0016282102,0.02611209,0.007082457,0.0000412603,0.00024838123,0.00009425052,0.95562184],"genre_scores_gemma":[0.19743444,0.0017326971,0.0011709778,0.010356264,0.00377337,0.00008578204,0.00015848325,0.00018427435,0.78510374],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948716,0.00022971838,0.000014754303,0.00007758562,0.00011019528,0.00008050827],"domain_scores_gemma":[0.9990633,0.0004533364,0.000048830414,0.000089569614,0.0001652646,0.00017967519],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007879448,0.00045717036,0.00024791362,0.001244388,0.0075235157,0.005234887,0.00057548896,0.0020777332,0.05723137],"category_scores_gemma":[0.0038554294,0.00013798883,0.0002273861,0.00095182256,0.009384589,0.004057622,0.0019656536,0.004133493,0.0074443338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000403652,0.000021434076,0.00011845553,0.000060477574,0.0000031825448,0.00021187664,0.0110827405,0.000022991153,0.00019203335,0.73037463,0.24550234,0.012369552],"study_design_scores_gemma":[0.000008051484,0.000023345228,0.00031446284,0.00012129671,0.0000023318735,0.00028837033,0.0065430184,0.000037359398,0.00011813136,0.046253853,0.9462839,0.0000059094355],"about_ca_topic_score_codex":0.0029258458,"about_ca_topic_score_gemma":0.004739852,"teacher_disagreement_score":0.05723137,"about_ca_system_score_codex":0.0013436038,"about_ca_system_score_gemma":0.0012899259,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4235856214","doi":"10.3366/edinburgh/9780748694174.003.0002","title":"‘Who Were We? and What Happened to Us?’: Inuit Memory and Arctic Futures in Igloolik Isuma Film and Video","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmmaking; Indigenous; Movie theater; Feature film; Futures contract; The arctic; Visual arts; History; Arctic; Documentary film; Art history; Media studies; Art; Geography; Sociology; Oceanography; Geology","score_opus":0.02465055160882631,"score_gpt":0.2012345143165698,"score_spread":0.17658396270774349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235856214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2220677,0.035977382,0.00093479804,0.01599206,0.0011323211,0.000054880646,0.00013243117,0.000057868136,0.72365063],"genre_scores_gemma":[0.9168054,0.011903635,0.0005221057,0.0013338197,0.0001770221,0.000032160093,0.00008516405,0.00008223316,0.069058485],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993631,0.00020103958,0.000013164615,0.00006904806,0.00011126011,0.00024230998],"domain_scores_gemma":[0.99969053,0.00015018755,0.000030363653,0.000010279942,0.000049833183,0.00006885353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006549228,0.0005115767,0.00026601765,0.0012217864,0.015103254,0.00828309,0.0009592592,0.0010637941,0.005764577],"category_scores_gemma":[0.001143425,0.00019220312,0.00019589909,0.0017865765,0.009685947,0.005183102,0.0027345927,0.0024902248,0.00054044207],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032260054,0.000019941539,0.0011196074,0.00017678239,0.000005285862,0.0007946586,0.8586928,0.00004332371,0.00034526695,0.10266176,0.013086665,0.023021571],"study_design_scores_gemma":[0.000002976668,0.000018744282,0.0029257024,0.00070886756,0.000012146804,0.0004768616,0.67882675,0.00007492238,0.0002966011,0.0034633793,0.3131739,0.000019217945],"about_ca_topic_score_codex":0.24851818,"about_ca_topic_score_gemma":0.5056759,"teacher_disagreement_score":0.75148183,"about_ca_system_score_codex":0.012639109,"about_ca_system_score_gemma":0.0061501144,"threshold_uncertainty_score":0.49414325},"labels":[],"label_agreement":null},{"id":"W4236156525","doi":"10.32920/ryerson.14653281.v1","title":"Changing Images of the Democratic Party: an analysis of the aesthetic and philosophical underpinnings of Life's photo-essay \"Happy days in Miami\"","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Journalism; Exhibition; Miami; Convention; Photography; Narrative; Art; Visual arts; Politics; Photo-essay; Aesthetics; Sociology; Art history; Media studies; Law; Literature; Political science; Social science","score_opus":0.02319311143106834,"score_gpt":0.23568722289163466,"score_spread":0.21249411146056632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236156525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65225255,0.0028510785,0.0013327418,0.013625532,0.00040550577,0.00003705999,0.00008419051,0.00002281909,0.32938862],"genre_scores_gemma":[0.990467,0.0004877336,0.00026437902,0.00036795254,0.00016573077,0.000023041443,0.000019597828,0.000029655772,0.00817491],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984097,0.0010161095,0.000020902746,0.0001264369,0.0002476256,0.00017919396],"domain_scores_gemma":[0.9962513,0.002494443,0.00054269424,0.00017950451,0.00028269718,0.00024937067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018829976,0.00023645889,0.00013809164,0.0019974273,0.0077135833,0.007815064,0.00054921315,0.0012623937,0.0045518465],"category_scores_gemma":[0.006076062,0.00021722564,0.0001479956,0.0013500731,0.011942037,0.003152482,0.0022056848,0.0022345826,0.00022429017],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012109237,0.000048526297,0.005043226,0.00013412246,0.000011086365,0.0012920547,0.83088464,0.00009138352,0.0017050001,0.13801417,0.007339239,0.01531556],"study_design_scores_gemma":[0.000013232486,0.000056208864,0.038130734,0.0002150436,0.000014340239,0.0006113649,0.690689,0.0002604584,0.0012678024,0.008546098,0.2601706,0.000025029936],"about_ca_topic_score_codex":0.0062999446,"about_ca_topic_score_gemma":0.02092468,"teacher_disagreement_score":0.007815064,"about_ca_system_score_codex":0.0045110043,"about_ca_system_score_gemma":0.0009514739,"threshold_uncertainty_score":0.032729745},"labels":[],"label_agreement":null},{"id":"W4236632160","doi":"10.3366/edinburgh/9780748694174.003.0006","title":"Cinema of Emancipation and Zacharias Kunuk’s Atanarjuat: The Fast Runner","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Narrative; Intertextuality; Art; Storytelling; Literature; Art history; History","score_opus":0.047869448425758285,"score_gpt":0.206887515850018,"score_spread":0.15901806742425972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236632160","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64799196,0.010644171,0.001673946,0.0032947732,0.00038413907,0.000050049628,0.0000582397,0.00008094731,0.33582178],"genre_scores_gemma":[0.98026675,0.0017073432,0.0005017256,0.00012288756,0.00002221022,0.00001562237,0.000018165094,0.000028908613,0.017316394],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9997179,0.00010553727,0.0000074813975,0.00003306202,0.000045119028,0.00009078146],"domain_scores_gemma":[0.9998691,0.00005523517,0.00002267394,0.000013550686,0.0000138080695,0.000025577814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056107243,0.0003602729,0.00027570172,0.0007416928,0.0066600326,0.003525351,0.000557189,0.00058648805,0.0027395438],"category_scores_gemma":[0.0006575449,0.00022121065,0.00021282687,0.00079395523,0.005397546,0.00211519,0.002792039,0.0019053465,0.0002777035],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014343167,0.000041404157,0.0020279344,0.00034393428,0.00001606085,0.001769324,0.67883694,0.00022456748,0.0037830696,0.27076983,0.008016465,0.034027018],"study_design_scores_gemma":[0.000014997025,0.00009450286,0.014801619,0.0006106061,0.000042021904,0.0021844883,0.3546167,0.00026220424,0.0015639723,0.010556445,0.6152083,0.00004414046],"about_ca_topic_score_codex":0.009320098,"about_ca_topic_score_gemma":0.027757758,"teacher_disagreement_score":0.9906799,"about_ca_system_score_codex":0.0025973704,"about_ca_system_score_gemma":0.0013882925,"threshold_uncertainty_score":0.01884538},"labels":[],"label_agreement":null},{"id":"W4239042467","doi":"10.3366/edinburgh/9780748694174.003.0019","title":"Exercise Musk-Ox: The Challenges of Filming a Military Expedition in Canada’s Arctic","year":2015,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Archivist; Arctic; The arctic; Government (linguistics); History; Engineering; Art history; Archaeology; Oceanography","score_opus":0.04434900305246103,"score_gpt":0.18827041040682976,"score_spread":0.14392140735436873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239042467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06115364,0.07090791,0.0009746928,0.046593577,0.0032704491,0.000071878036,0.00060388,0.000100536134,0.8163234],"genre_scores_gemma":[0.45326686,0.08727736,0.0022304521,0.008065245,0.0012098982,0.00005509072,0.0005253578,0.00026080542,0.44710892],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9993668,0.00010273914,0.000010961098,0.0000633629,0.000274761,0.00018146205],"domain_scores_gemma":[0.9992287,0.00022299684,0.000029528886,0.000022258475,0.0002838375,0.00021261771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006984766,0.0004708172,0.00027161103,0.0018189083,0.01519709,0.0075914217,0.0007988662,0.0010702295,0.008534181],"category_scores_gemma":[0.0016340332,0.0001980973,0.00014973585,0.0037157938,0.0070250416,0.0023051032,0.0013927241,0.0022905455,0.00066910684],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004505491,0.000026778267,0.0024093213,0.00042400617,0.000011300611,0.00059802784,0.20249069,0.0002595769,0.00068030914,0.1563075,0.5260385,0.11070899],"study_design_scores_gemma":[0.0000016082594,0.0000056961817,0.003965353,0.00042085734,0.000005427353,0.00016671483,0.070300005,0.000049616196,0.00016322138,0.0018429152,0.9230651,0.0000135060845],"about_ca_topic_score_codex":0.94353795,"about_ca_topic_score_gemma":0.987463,"teacher_disagreement_score":0.05646205,"about_ca_system_score_codex":0.042974737,"about_ca_system_score_gemma":0.051311426,"threshold_uncertainty_score":0.311805},"labels":[],"label_agreement":null},{"id":"W4239603736","doi":"10.24124/2006/bpgub400","title":"\"And hell's coming with me\": Wyatt Earp encounters the Cold War.","year":2006,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; Library and Archives Canada","funders":"","keywords":"Cold war; Art; Humanities; Art history; Political science; Law; Politics","score_opus":0.006768369327369569,"score_gpt":0.19360347987011203,"score_spread":0.18683511054274246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239603736","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046892684,0.04172127,0.0013148792,0.38676462,0.005744303,0.00007022683,0.00025428104,0.0000984313,0.51713926],"genre_scores_gemma":[0.40427995,0.02630552,0.0010563672,0.06442807,0.0013712244,0.0001637711,0.00012642548,0.00031948258,0.5019492],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985316,0.0007916684,0.00003081881,0.00012967114,0.00018841092,0.00032782415],"domain_scores_gemma":[0.9983192,0.0007644263,0.0001303747,0.00007367141,0.00020334093,0.0005088235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024541765,0.00052108517,0.0002926736,0.0015912001,0.034503624,0.012033042,0.00071556855,0.0048236726,0.018307952],"category_scores_gemma":[0.005554445,0.00054664863,0.00019953135,0.0020574303,0.016200393,0.012596449,0.006876994,0.0112735275,0.0029121714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039703704,0.00003055908,0.0007729258,0.000088356006,0.000004594648,0.0006138347,0.51712686,0.000014896602,0.00016179342,0.09675475,0.35437497,0.030016748],"study_design_scores_gemma":[0.0000049080236,0.0000076865645,0.0015235745,0.00041798627,0.0000046921696,0.00018252197,0.28257158,0.000011794336,0.0001514129,0.007712648,0.7074012,0.000010044722],"about_ca_topic_score_codex":0.08231676,"about_ca_topic_score_gemma":0.31009272,"teacher_disagreement_score":0.08231676,"about_ca_system_score_codex":0.006794928,"about_ca_system_score_gemma":0.0077760722,"threshold_uncertainty_score":0.16367525},"labels":[],"label_agreement":null},{"id":"W4244251724","doi":"10.1139/e11-053","title":"E.R. Ward Neale (1923–2008). Photograph by Penny Colton Photographie par Penny Colton.","year":2012,"lang":"fr","type":"article","venue":"Canadian Journal of Earth Sciences","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Penny; Geology; Art; Geography; Archaeology","score_opus":0.019955308659451155,"score_gpt":0.21965453940978266,"score_spread":0.1996992307503315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244251724","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020228398,0.13133554,0.0008862806,0.028758502,0.017098447,0.0000695087,0.002896711,0.00027100215,0.81666124],"genre_scores_gemma":[0.004524089,0.012391873,0.0002543571,0.0007992611,0.0004925262,0.00000955194,0.00023300263,0.00008756969,0.9812076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985385,0.00002074134,0.000007387742,0.0000403801,0.000058959475,0.000018653618],"domain_scores_gemma":[0.99965966,0.000048632795,0.000019422023,0.00001901941,0.00019590925,0.000057400357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041295044,0.0006047923,0.00026210785,0.0017158786,0.0026599448,0.0016391324,0.0004596394,0.001045102,0.28082383],"category_scores_gemma":[0.0009520031,0.00041344258,0.00021033024,0.0016469746,0.0006801776,0.002567151,0.0011382072,0.001638031,0.10702836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021449563,0.000002844456,0.00009574472,0.00007359746,0.000001638723,0.000086877604,0.00026106034,0.000007487671,0.00010746866,0.002387664,0.9543934,0.04256065],"study_design_scores_gemma":[9.2609673e-7,0.0000021338521,0.00044569085,0.00005370474,8.459907e-7,0.00009169824,0.000170844,0.0000025354238,0.000040881165,0.00014689896,0.9990422,0.0000015849035],"about_ca_topic_score_codex":0.04506382,"about_ca_topic_score_gemma":0.16848402,"teacher_disagreement_score":0.28082383,"about_ca_system_score_codex":0.0017524827,"about_ca_system_score_gemma":0.0011048117,"threshold_uncertainty_score":0.9394493},"labels":[],"label_agreement":null},{"id":"W4244581084","doi":"10.1111/j.0022-3840.2000.3304_153.x","title":"Book Reviews","year":2000,"lang":"en","type":"article","venue":"The Journal of Popular Culture","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmography; Art history; Movie theater; Hollywood; Vision; History; Biography; Popular culture; Journalism; MAGIC (telescope); Politics; Art; Media studies; Sociology; Law; Anthropology","score_opus":0.02011238670696708,"score_gpt":0.23537884975984757,"score_spread":0.2152664630528805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244581084","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004326003,0.0976112,0.000979468,0.0124363275,0.020607451,0.00016884666,0.0024942502,0.00080039643,0.8644695],"genre_scores_gemma":[0.0016032284,0.03712979,0.000643704,0.004525973,0.0036734417,0.0000716778,0.0017111958,0.00032686413,0.9503142],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885714,0.00011153686,0.00006186802,0.00020694033,0.00065643946,0.000106057974],"domain_scores_gemma":[0.99836665,0.00025186138,0.0000819647,0.000145488,0.0008680889,0.00028589673],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005737974,0.0010170082,0.001051065,0.0027795343,0.001670107,0.0069425693,0.001965564,0.0025788846,0.4972926],"category_scores_gemma":[0.0035566604,0.00051454053,0.0007188928,0.0036751775,0.00082815054,0.004078419,0.002672405,0.0025773444,0.43989617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007729302,0.000017264183,0.00005083026,0.00031474046,0.0000024026538,0.000047750476,0.00008985377,0.000030262276,0.00008519793,0.0031725604,0.896564,0.099617265],"study_design_scores_gemma":[0.0000011467516,0.0000028574336,0.00008505972,0.00016661081,0.0000010341746,0.000047672194,0.00004314857,0.000006816738,0.000012345096,0.00046618286,0.9991652,0.000001947447],"about_ca_topic_score_codex":0.007266746,"about_ca_topic_score_gemma":0.012847456,"teacher_disagreement_score":0.50270736,"about_ca_system_score_codex":0.0024733925,"about_ca_system_score_gemma":0.0044040103,"threshold_uncertainty_score":0.717051},"labels":[],"label_agreement":null},{"id":"W4245959647","doi":"10.32920/ryerson.14653281","title":"Changing Images of the Democratic Party: an analysis of the aesthetic and philosophical underpinnings of Life's photo-essay \"Happy days in Miami\"","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Journalism; Exhibition; Miami; Photography; Convention; Narrative; Visual arts; Art; Politics; Photo-essay; Aesthetics; Sociology; Art history; Media studies; Literature; Law; Political science; Social science","score_opus":0.02319311143106834,"score_gpt":0.23568722289163466,"score_spread":0.21249411146056632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245959647","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65225255,0.0028510785,0.0013327418,0.013625532,0.00040550577,0.00003705999,0.00008419051,0.00002281909,0.32938862],"genre_scores_gemma":[0.990467,0.0004877336,0.00026437902,0.00036795254,0.00016573077,0.000023041443,0.000019597828,0.000029655772,0.00817491],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984097,0.0010161095,0.000020902746,0.0001264369,0.0002476256,0.00017919396],"domain_scores_gemma":[0.9962513,0.002494443,0.00054269424,0.00017950451,0.00028269718,0.00024937067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018829976,0.00023645889,0.00013809164,0.0019974273,0.0077135833,0.007815064,0.00054921315,0.0012623937,0.0045518465],"category_scores_gemma":[0.006076062,0.00021722564,0.0001479956,0.0013500731,0.011942037,0.003152482,0.0022056848,0.0022345826,0.00022429017],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012109237,0.000048526297,0.005043226,0.00013412246,0.000011086365,0.0012920547,0.83088464,0.00009138352,0.0017050001,0.13801417,0.007339239,0.01531556],"study_design_scores_gemma":[0.000013232486,0.000056208864,0.038130734,0.0002150436,0.000014340239,0.0006113649,0.690689,0.0002604584,0.0012678024,0.008546098,0.2601706,0.000025029936],"about_ca_topic_score_codex":0.0062999446,"about_ca_topic_score_gemma":0.02092468,"teacher_disagreement_score":0.007815064,"about_ca_system_score_codex":0.0045110043,"about_ca_system_score_gemma":0.0009514739,"threshold_uncertainty_score":0.032729745},"labels":[],"label_agreement":null},{"id":"W4247591107","doi":"10.1002/9781405186407.wbiecy001","title":"Yellow Journalism","year":2008,"lang":"en","type":"other","venue":"The International Encyclopedia of Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sensationalism; Newspaper; Journalism; Populism; Politics; Political science; Economic history; Media studies; Taste; Working class; Pejorative; Sociology; Law; History","score_opus":0.01763340878187066,"score_gpt":0.23853009688165303,"score_spread":0.22089668809978236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247591107","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007908224,0.0035558862,0.0016278644,0.010149219,0.001944766,0.00004628385,0.00042539355,0.00018914008,0.9741532],"genre_scores_gemma":[0.24823195,0.008192694,0.0034824705,0.010998179,0.0045760786,0.00021492889,0.00081952946,0.00059440685,0.7228897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99639636,0.0011652411,0.00017507287,0.00052734645,0.001343303,0.00039274438],"domain_scores_gemma":[0.99156684,0.00291274,0.0007197981,0.0015177134,0.0018527466,0.0014302554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044154786,0.00037485047,0.00023132421,0.0033111635,0.0050378577,0.012577983,0.0006018411,0.0015106048,0.041996814],"category_scores_gemma":[0.011578171,0.00021546344,0.0002535721,0.0037620577,0.0046834694,0.0096392585,0.0054129707,0.0020673238,0.00830377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005413764,0.00004383364,0.0015637655,0.000220912,0.0000072622465,0.00013140983,0.009428937,0.00006675295,0.0004266857,0.7083381,0.21551903,0.0641992],"study_design_scores_gemma":[0.000004071587,0.0000068848694,0.0008355681,0.000087487155,0.0000017660169,0.00007215739,0.0013789781,0.000047188394,0.00018038876,0.016238565,0.98114324,0.000003761651],"about_ca_topic_score_codex":0.0021385918,"about_ca_topic_score_gemma":0.0036561603,"teacher_disagreement_score":0.041996814,"about_ca_system_score_codex":0.0036956244,"about_ca_system_score_gemma":0.0036747516,"threshold_uncertainty_score":0.14049333},"labels":[],"label_agreement":null},{"id":"W4251642589","doi":"10.3138/cras.39.1.1","title":"The Role of Violence and the Idea of America in Ralph Ellison's “A Party Down at the Square”","year":2009,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Democracy; Centrality; History; Square (algebra); Key (lock); Sociology; Law; Political science; Religious studies; Literature; Art; Theology; Philosophy; Politics","score_opus":0.009650086908302154,"score_gpt":0.24140884510494623,"score_spread":0.23175875819664407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251642589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17580463,0.1017322,0.0017399357,0.24649978,0.0022930207,0.000030301735,0.00004418065,0.000029231862,0.47182676],"genre_scores_gemma":[0.9404757,0.023101147,0.00032809796,0.014492115,0.0005682974,0.000025386627,0.00000989448,0.000024647179,0.020974683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970419,0.0021912055,0.00003261045,0.00014267722,0.00033152165,0.00026018478],"domain_scores_gemma":[0.99652714,0.002767274,0.00024378885,0.000054358472,0.0001938652,0.00021364093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019994199,0.0003763027,0.00029277377,0.0017890827,0.013821962,0.009521897,0.00085206475,0.003386819,0.0013877348],"category_scores_gemma":[0.0034857027,0.00025882956,0.00017026387,0.0019970625,0.04270978,0.0056378706,0.0027372218,0.0051868577,0.000158931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016927475,0.000013940637,0.000543992,0.00012872163,0.000003675649,0.00044691816,0.37760675,0.00003873884,0.00010363681,0.58830816,0.026398707,0.0063898307],"study_design_scores_gemma":[0.00000752248,0.000019839556,0.0022595923,0.0008852349,0.000011295154,0.0005384448,0.34981984,0.00006556673,0.00020454648,0.049004167,0.59716,0.000023913346],"about_ca_topic_score_codex":0.05537267,"about_ca_topic_score_gemma":0.103158794,"teacher_disagreement_score":0.05537267,"about_ca_system_score_codex":0.008016782,"about_ca_system_score_gemma":0.0047436575,"threshold_uncertainty_score":0.11010069},"labels":[],"label_agreement":null},{"id":"W4253009045","doi":"10.7551/mitpress/9780262036511.003.0004","title":"Reading Technologies","year":2017,"lang":"en","type":"book-chapter","venue":"The MIT Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ionogram; Optimal distinctiveness theory; Reading (process); Geographer; Telecommunications; Radio communications; Broadcasting (networking); History; Geography; Media studies; Meteorology; Computer science; Engineering; Sociology; Political science; Cartography; Electrical engineering","score_opus":0.054759713647104254,"score_gpt":0.2356368316243195,"score_spread":0.18087711797721526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253009045","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00055225764,0.0037455535,0.0068783937,0.00199157,0.0010130253,0.0000562666,0.0011185294,0.002235164,0.98240924],"genre_scores_gemma":[0.006344349,0.0070857713,0.005684866,0.0010050527,0.00049172377,0.00008342671,0.0023959966,0.0013813309,0.9755275],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884903,0.00017324752,0.000093285315,0.00018541672,0.0005845694,0.000114482005],"domain_scores_gemma":[0.9983789,0.0004484188,0.00007483988,0.0003951663,0.0005010557,0.00020163265],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072928815,0.0007756245,0.00053630705,0.0031326595,0.0019492983,0.0097126905,0.0016780412,0.0021036533,0.4021938],"category_scores_gemma":[0.004230505,0.00043543978,0.00045601412,0.003955195,0.0009239607,0.009267637,0.0038738707,0.0016976302,0.30873457],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025547626,0.00003312297,0.00019651906,0.0004422322,0.0000054214693,0.0001970093,0.0015541603,0.000105588944,0.0012213265,0.10192225,0.54437304,0.3499238],"study_design_scores_gemma":[0.0000011455444,0.0000029303262,0.000085734,0.00009805662,0.000001042168,0.00010095684,0.00016727575,0.000024392908,0.0001556675,0.0040771044,0.9952826,0.0000030655538],"about_ca_topic_score_codex":0.0017858887,"about_ca_topic_score_gemma":0.0035462575,"teacher_disagreement_score":0.4021938,"about_ca_system_score_codex":0.0016610649,"about_ca_system_score_gemma":0.0017151012,"threshold_uncertainty_score":0.85269797},"labels":[],"label_agreement":null},{"id":"W4253165789","doi":"10.1017/9781787443921.016","title":"Photo Log: 30 Years of Working in Canadian Criticism in Pictures","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; History; Geography; Computer graphics (images); Art; Computer science; Literature","score_opus":0.03465024733963336,"score_gpt":0.22321013297933082,"score_spread":0.18855988563969744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253165789","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022077795,0.011119048,0.0007384891,0.01827186,0.0034491536,0.00012583724,0.00976466,0.0006797677,0.93377334],"genre_scores_gemma":[0.07142893,0.0047070957,0.0006351029,0.0015959329,0.0005222132,0.000039100487,0.003151163,0.0006578611,0.9172626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999154,0.000067255074,0.000011537236,0.00006810713,0.000485983,0.00021317882],"domain_scores_gemma":[0.9979578,0.00025962014,0.000055164724,0.00009051135,0.0010036188,0.000633216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092004536,0.0007556101,0.0003015366,0.0057444563,0.01362222,0.005133926,0.0010331539,0.001302831,0.23938265],"category_scores_gemma":[0.0027290883,0.00032332458,0.00033102793,0.009712543,0.002605711,0.002439826,0.001829744,0.0017646251,0.023281634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029262892,0.000028713488,0.00095997716,0.00011095641,0.0000036344027,0.00016820342,0.014532402,0.000037642953,0.000295833,0.0050113695,0.9270156,0.0518064],"study_design_scores_gemma":[0.0000019357776,0.0000056749955,0.0062267124,0.0001026668,0.000003191631,0.000071980685,0.012891759,0.000011570202,0.000119146134,0.00026313876,0.9802911,0.000011132219],"about_ca_topic_score_codex":0.8838138,"about_ca_topic_score_gemma":0.97638977,"teacher_disagreement_score":0.23938265,"about_ca_system_score_codex":0.027726255,"about_ca_system_score_gemma":0.018841749,"threshold_uncertainty_score":0.80081475},"labels":[],"label_agreement":null},{"id":"W4256153990","doi":"10.1353/crv.2011.0024","title":"Running Out of Gas: The Energy Crisis in 1970s Suburban Narratives","year":2011,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Energy (signal processing); History; Political science; Literature; Physics; Art; Quantum mechanics","score_opus":0.05185441671074054,"score_gpt":0.26819430109750025,"score_spread":0.21633988438675972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256153990","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6171906,0.082723066,0.00041162202,0.059474442,0.0007889527,0.0000507385,0.00032175638,0.000039465544,0.23899932],"genre_scores_gemma":[0.9520508,0.03233663,0.00012560909,0.0023993135,0.00018644903,0.000041116702,0.00009663112,0.000042201806,0.01272124],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978842,0.0012201992,0.00007681339,0.00011213799,0.0002690905,0.00043756288],"domain_scores_gemma":[0.9973671,0.0015788381,0.00033707265,0.00009270824,0.00027840483,0.00034591483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032355296,0.00045824234,0.000478248,0.0037493492,0.014314226,0.009540284,0.0011636396,0.0020270245,0.004585677],"category_scores_gemma":[0.004401943,0.00047499596,0.00020408265,0.0069636437,0.023028279,0.00945392,0.0050985655,0.003200721,0.00046536495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002427629,0.000015082795,0.0011124194,0.00019668681,0.000006042847,0.0008090619,0.9312927,0.000034015906,0.00010067945,0.045170955,0.0142149115,0.0070231715],"study_design_scores_gemma":[0.0000025389947,0.000003661044,0.0022135952,0.00033095383,0.0000039745983,0.000121970406,0.8396395,0.000015835685,0.000080754864,0.0018866039,0.1556922,0.000008350297],"about_ca_topic_score_codex":0.13772553,"about_ca_topic_score_gemma":0.31615898,"teacher_disagreement_score":0.86227447,"about_ca_system_score_codex":0.020437,"about_ca_system_score_gemma":0.007995831,"threshold_uncertainty_score":0.27384776},"labels":[],"label_agreement":null},{"id":"W4256510325","doi":"10.3828/liverpool/9781911325970.003.0001","title":"First Reel","year":2019,"lang":"en","type":"book-chapter","venue":"Liverpool University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plural; Reel; Art history; Art; Identity (music); Visual arts; Philosophy; Aesthetics; Linguistics","score_opus":0.025341514231817186,"score_gpt":0.16516769548654345,"score_spread":0.13982618125472626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256510325","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005069741,0.0018707818,0.00038411163,0.0018708254,0.001251378,0.00003231459,0.00030861556,0.0001849437,0.99359],"genre_scores_gemma":[0.0022124562,0.0007414244,0.00014546783,0.00055875676,0.00009549962,0.000011581088,0.00011235877,0.00013180972,0.9959907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953735,0.000053950098,0.000015690493,0.000093619565,0.00020051489,0.000098815886],"domain_scores_gemma":[0.99964106,0.00005061259,0.00001437057,0.000051844367,0.00015741172,0.00008458733],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003235398,0.000638504,0.000318935,0.0013926525,0.0042811083,0.0055986764,0.0010234802,0.0013142513,0.44699645],"category_scores_gemma":[0.001291588,0.00032116793,0.00036467196,0.0010275425,0.0009913326,0.0036930267,0.0028239875,0.0021722254,0.19919531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019308955,0.000026921942,0.00017165823,0.00011886517,0.0000024006547,0.00015715662,0.0026393775,0.00003755908,0.0002531772,0.084618255,0.82033455,0.09162083],"study_design_scores_gemma":[5.207907e-7,0.0000015302644,0.000046581095,0.000024257899,3.098865e-7,0.000025479949,0.0001664199,0.000004174405,0.000022070391,0.0003615994,0.99934596,0.0000010751999],"about_ca_topic_score_codex":0.03289081,"about_ca_topic_score_gemma":0.113061234,"teacher_disagreement_score":0.44699645,"about_ca_system_score_codex":0.003805051,"about_ca_system_score_gemma":0.002623954,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4284665512","doi":"10.4000/ejas.18122","title":"On Norman Mailer’s “The White Negro” (1957): More Than Six Decades Later","year":2022,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Athabasca University; York University","funders":"","keywords":"White (mutation); Politics; Sociology; Environmental ethics; History; Anthropology; Social science; Law; Political science; Philosophy","score_opus":0.027793216704838794,"score_gpt":0.2529425091329659,"score_spread":0.2251492924281271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4284665512","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029178578,0.117352106,0.002445275,0.41173443,0.024819737,0.000030951494,0.00011397822,0.000029509374,0.41429538],"genre_scores_gemma":[0.39649597,0.041865665,0.001971218,0.16582449,0.014849786,0.0001493272,0.00008043584,0.00021647991,0.3785466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99663335,0.0020340215,0.000054887925,0.00037691608,0.00071882416,0.00018200956],"domain_scores_gemma":[0.997361,0.0017142755,0.00012712124,0.0000981737,0.00043584412,0.00026354153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004025756,0.00035708127,0.00029427235,0.00092820043,0.007609487,0.005088373,0.00054199225,0.0028284073,0.0038852685],"category_scores_gemma":[0.0076243305,0.00010145622,0.00014640587,0.000906339,0.012866091,0.005967585,0.0023679761,0.003951952,0.001006205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042321062,0.00004066438,0.0010127008,0.00010608904,0.0000057045722,0.00019926405,0.057682823,0.000042798863,0.00016659698,0.5738855,0.3368362,0.029979408],"study_design_scores_gemma":[0.0000021316587,0.000007235853,0.00057293486,0.00035790945,0.0000015565755,0.00005977173,0.008767792,0.000022929711,0.00008676075,0.018172143,0.9719415,0.0000073243173],"about_ca_topic_score_codex":0.014533462,"about_ca_topic_score_gemma":0.02835801,"teacher_disagreement_score":0.014533462,"about_ca_system_score_codex":0.004979627,"about_ca_system_score_gemma":0.0030476986,"threshold_uncertainty_score":0.036129892},"labels":[],"label_agreement":null},{"id":"W4307070922","doi":"10.70064/mt.v5i2.926","title":"Celestial Apparitions: Media-Machine, Broadcasting and Aerial Advertising","year":2022,"lang":"en","type":"article","venue":"Media theory.","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Advertising; Broadcasting (networking); Negotiation; Sky; Political science; Computer science; Geography; Business; Computer security; Law","score_opus":0.013766650464191406,"score_gpt":0.20377604015301481,"score_spread":0.19000938968882342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307070922","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15022725,0.01802485,0.0022224435,0.010728556,0.0005844379,0.00003638994,0.000045408156,0.000027996422,0.81810266],"genre_scores_gemma":[0.9807155,0.004380356,0.0005527689,0.00058140303,0.00053393,0.000023844568,0.000022694892,0.000020126281,0.013169421],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767834,0.0014541515,0.000061066225,0.00017243395,0.00035154092,0.0002825155],"domain_scores_gemma":[0.99635834,0.002848851,0.00029977542,0.0001595313,0.00015777467,0.00017572255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001458368,0.00034221628,0.00029944186,0.0027765937,0.0057086945,0.015056052,0.0006231997,0.0020344306,0.007848322],"category_scores_gemma":[0.0037992334,0.00020198995,0.0001657057,0.0049237506,0.025267886,0.0069491477,0.0026316214,0.00208682,0.00052427815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007626838,0.00004820712,0.002458385,0.00022975246,0.000007987672,0.00081277866,0.13419998,0.000094377305,0.000383872,0.83661216,0.002495787,0.022580374],"study_design_scores_gemma":[0.00003938322,0.00014735149,0.021571985,0.0010930361,0.000032847,0.0015386743,0.3569359,0.0005296007,0.0007891667,0.1468867,0.47039545,0.000039979695],"about_ca_topic_score_codex":0.00709227,"about_ca_topic_score_gemma":0.0071664075,"teacher_disagreement_score":0.015056052,"about_ca_system_score_codex":0.003640275,"about_ca_system_score_gemma":0.0013633507,"threshold_uncertainty_score":0.026412189},"labels":[],"label_agreement":null},{"id":"W4313241339","doi":"10.20431/2347-3134.1010005","title":"To Better Understand Vincent : A Study of The Emotional Tone of Vincent Van Gogh's Letters to His Brother Theo: 1872-1890","year":2022,"lang":"en","type":"article","venue":"International Journal on Studies in English Language and Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Brother; Tone (literature); Art; Psychology; Sociology; Literature; Anthropology","score_opus":0.016116711544444294,"score_gpt":0.2822963474357405,"score_spread":0.26617963589129623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313241339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99136204,0.00041704785,0.000073215655,0.000891297,0.00008270177,0.000011232782,0.00003639782,0.0000029597102,0.007123005],"genre_scores_gemma":[0.9881005,0.0005019569,0.00007738813,0.0007184231,0.000073536605,0.000019911758,0.0000456776,0.000019380419,0.01044319],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987129,0.0005817603,0.000029868632,0.00010348606,0.00032902326,0.00024290981],"domain_scores_gemma":[0.9982047,0.00073844707,0.00039097728,0.000049973212,0.0003285189,0.00028732023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012182089,0.00030079842,0.00033707972,0.00073588797,0.0056854,0.0036228488,0.0005554082,0.001108858,0.0028510983],"category_scores_gemma":[0.0061802836,0.00033881678,0.0001461353,0.0007534663,0.0036660747,0.0015529483,0.0018239417,0.0032945322,0.0008565117],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002648545,0.000037062633,0.0068559605,0.000025909296,0.0000029525231,0.0005598226,0.9860945,0.000007333291,0.0005155793,0.00040362618,0.0017997853,0.003671063],"study_design_scores_gemma":[0.000002484935,0.00006369019,0.03937686,0.00005792082,0.0000029046848,0.00045594462,0.93908703,0.000015300491,0.00018197749,0.000090166344,0.02065254,0.000013224738],"about_ca_topic_score_codex":0.04160351,"about_ca_topic_score_gemma":0.09858064,"teacher_disagreement_score":0.04160351,"about_ca_system_score_codex":0.0034412341,"about_ca_system_score_gemma":0.00094848295,"threshold_uncertainty_score":0.082722664},"labels":[],"label_agreement":null},{"id":"W4321462817","doi":"10.7202/1096056ar","title":"Gathering up the Social","year":2023,"lang":"en","type":"article","venue":"Ethnologies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Nightlife; Newspaper; Metropolitan area; Column (typography); Focus (optics); Period (music); State (computer science); Feature (linguistics); History; Geography; Media studies; Political science; Sociology; Art; Archaeology; Aesthetics","score_opus":0.0661857277442778,"score_gpt":0.28947563039424706,"score_spread":0.22328990264996926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321462817","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051671136,0.0036624707,0.0018467609,0.020170426,0.0025619278,0.000100080404,0.00019766358,0.00007721462,0.91971225],"genre_scores_gemma":[0.6106918,0.0035644271,0.0011046376,0.008459316,0.0016647247,0.00010523717,0.00023224812,0.00022484707,0.37395278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.997729,0.0010668586,0.000043538108,0.0003153556,0.00029608622,0.000549193],"domain_scores_gemma":[0.9983192,0.0003042891,0.00013962548,0.00015581606,0.00025944502,0.0008216723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018209934,0.00070255797,0.00037053405,0.0017519998,0.024618383,0.010321648,0.00062577805,0.0015450588,0.04134827],"category_scores_gemma":[0.002743272,0.00022724087,0.0002621296,0.0015886985,0.013194078,0.005583022,0.010822271,0.0040187277,0.0058421483],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004885184,0.00005873794,0.0033541282,0.00014831834,0.000013203042,0.0006792417,0.34800285,0.000048298494,0.0009729103,0.4705426,0.11350119,0.06262966],"study_design_scores_gemma":[0.0000025018549,0.00001907724,0.0011083877,0.00010006919,0.0000024912883,0.000080528334,0.06553586,0.0000148360605,0.00010672687,0.0063754334,0.9266476,0.000006493577],"about_ca_topic_score_codex":0.009741434,"about_ca_topic_score_gemma":0.022087963,"teacher_disagreement_score":0.04134827,"about_ca_system_score_codex":0.0044553326,"about_ca_system_score_gemma":0.0037337702,"threshold_uncertainty_score":0.13832378},"labels":[],"label_agreement":null},{"id":"W4321515123","doi":"10.4324/9781135000356-rem1965-1","title":"Callaghan, Morely (1903–1990)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject matter; Syntax; Personality; Subject (documents); Literature; Sociology; History; Linguistics; Art; Psychology; Psychoanalysis; Philosophy; Computer science; Pedagogy; Library science","score_opus":0.03237431949111801,"score_gpt":0.21379974001826557,"score_spread":0.18142542052714755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321515123","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056020077,0.13845475,0.0014942605,0.06095962,0.010169517,0.000049899347,0.00095300266,0.00017581397,0.7821411],"genre_scores_gemma":[0.0427689,0.02487387,0.00082888675,0.011165732,0.0010982271,0.000033551365,0.00021407372,0.00018452249,0.9188322],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995066,0.000053845535,0.000010743953,0.00013585742,0.00021046224,0.000082522805],"domain_scores_gemma":[0.999655,0.000072618255,0.000024833638,0.000014652601,0.00015947678,0.00007345674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044262505,0.0007566899,0.00030239078,0.0019094461,0.0073707607,0.0038416437,0.0008018455,0.0016048056,0.019661581],"category_scores_gemma":[0.00143177,0.00028028098,0.00019267433,0.001710725,0.0035916548,0.003002861,0.0011869362,0.002945031,0.0059265867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032667667,0.000011077683,0.0003122885,0.00013027362,0.000004762762,0.00020440106,0.009948284,0.00005127772,0.0002505896,0.145636,0.7866639,0.056754436],"study_design_scores_gemma":[6.770477e-7,0.0000016814641,0.00023038563,0.00005607658,9.593832e-7,0.000046766105,0.0003116104,0.0000050391877,0.000046400797,0.0017424254,0.99755436,0.0000036941217],"about_ca_topic_score_codex":0.40497538,"about_ca_topic_score_gemma":0.7275322,"teacher_disagreement_score":0.40497538,"about_ca_system_score_codex":0.015796581,"about_ca_system_score_gemma":0.010700575,"threshold_uncertainty_score":0.80523634},"labels":[],"label_agreement":null},{"id":"W4322764202","doi":"10.1126/science.adg9997","title":"Science at Sundance 2023 <b>Poacher</b> , <i>Richie Mehta, director</i> , QC Entertainment, 2022, 125 minutes. <b>Deep Rising</b> , <i>Matthieu Rytz, director</i> , Roco Films, 2022, 93 minutes. <b>The Pod Generation</b> , <i>Sophie Barthes, director</i> , MK2, 2022, 109 minutes. <b>The Longest Goodbye</b> , <i>Ido Mizrahy, director</i> , Autlook Filmsales, 2022, 87 minutes. <b>Is There Anybody Out There?</b> , <i>Ella Glendining, director</i> , Hot Property Films Ltd, 2023, 87 minutes. <b>Fantastic Machine</b> , <i>Axel Danielson and Maximilien Van Aertryck, directors</i> , See-Through Films, 2023, 88 minutes. <b>The Eternal Memory</b> , <i>Maite Alberdi, director</i> , Micromundo/Fabula, 2023, 85 minutes.","year":2023,"lang":"en","type":"article","venue":"Science","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Entertainment; Art; Visual arts","score_opus":0.022016320542715507,"score_gpt":0.23627695078537353,"score_spread":0.214260630242658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322764202","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071763375,0.0018113764,0.0005389902,0.0063913832,0.008733541,0.000105225714,0.0013646536,0.0015616679,0.9787756],"genre_scores_gemma":[0.0011959592,0.0004690928,0.0002173484,0.00054316636,0.00043778768,0.000021535907,0.000454037,0.00033385557,0.9963272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994178,0.000065989465,0.000016211994,0.00009882535,0.00028138017,0.000119812925],"domain_scores_gemma":[0.9983621,0.00008815993,0.00005353946,0.0000894692,0.0006078286,0.0007989101],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000663989,0.0009954206,0.0004147002,0.0013148624,0.0037587727,0.004805557,0.0006412795,0.0013516311,0.75364214],"category_scores_gemma":[0.0025048186,0.00050111505,0.00046364922,0.0010777002,0.0004914599,0.0019992362,0.0023525846,0.002173977,0.61065274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011414752,0.000009100781,0.00004317,0.000017424236,7.673641e-7,0.000022325014,0.00004557109,0.000006992186,0.00020052544,0.00045546476,0.98618305,0.013004287],"study_design_scores_gemma":[0.0000023375912,0.000008562385,0.00036230712,0.000021522037,6.8772385e-7,0.000025495998,0.00014282705,0.0000127042895,0.00006733265,0.00011296321,0.99924135,0.0000018185865],"about_ca_topic_score_codex":0.009629273,"about_ca_topic_score_gemma":0.04802043,"teacher_disagreement_score":0.75364214,"about_ca_system_score_codex":0.0017068889,"about_ca_system_score_gemma":0.0015809739,"threshold_uncertainty_score":0.35139954},"labels":[],"label_agreement":null},{"id":"W4323670750","doi":"10.33137/ic.v19i.40146","title":"Did You Come by Photograph or Train?","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Computer graphics (images); Visual arts; Artificial intelligence; Art","score_opus":0.023782180455269204,"score_gpt":0.22137072264333182,"score_spread":0.19758854218806263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323670750","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15159674,0.0056049414,0.00037974148,0.1077096,0.0031986895,0.00018122846,0.008328686,0.00011569103,0.72288465],"genre_scores_gemma":[0.61698836,0.007075404,0.0006073219,0.013039845,0.001329249,0.0001438707,0.0021943124,0.00027120055,0.3583504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989925,0.00014076097,0.000020747757,0.000104350096,0.00031170985,0.00043005665],"domain_scores_gemma":[0.99643874,0.0005845636,0.00032343806,0.00009974092,0.0016829853,0.00087054714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011927123,0.00027639495,0.00028124356,0.002887587,0.0067058546,0.0049715703,0.00056092726,0.0012659444,0.05009878],"category_scores_gemma":[0.008532843,0.00018833806,0.0002191186,0.00539304,0.0025781463,0.002093661,0.00068049564,0.0017572683,0.00815333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000253983,0.00011387516,0.058529545,0.00042139983,0.000028646224,0.0012804854,0.07689863,0.000038296745,0.0006601242,0.038728606,0.75367963,0.06936677],"study_design_scores_gemma":[0.000011803706,0.000027495184,0.124084145,0.0004730885,0.00003901095,0.00048537488,0.18330832,0.000043300075,0.00030689497,0.0009074653,0.6902626,0.00005059666],"about_ca_topic_score_codex":0.83931243,"about_ca_topic_score_gemma":0.92070746,"teacher_disagreement_score":0.83931243,"about_ca_system_score_codex":0.012996515,"about_ca_system_score_gemma":0.010360737,"threshold_uncertainty_score":0.32326776},"labels":[],"label_agreement":null},{"id":"W4323789507","doi":"10.33137/ic.v30i.39462","title":"Premonition / Driving Home from Toronto on the OEW","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transport engineering; Engineering","score_opus":0.015631603826653052,"score_gpt":0.1838392885582147,"score_spread":0.16820768473156164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789507","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034925546,0.0076139965,0.00020640918,0.035596922,0.0057594534,0.00008266267,0.0047480543,0.0002176968,0.9108492],"genre_scores_gemma":[0.094443336,0.0024254215,0.00014846877,0.002489598,0.00044894358,0.000014401351,0.0008878595,0.00020507905,0.89893687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995147,0.000040332307,0.000007537348,0.000060753264,0.00014570754,0.00023099584],"domain_scores_gemma":[0.99939394,0.000049454517,0.00002572203,0.000029093559,0.00021518726,0.00028664898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003603813,0.00046163358,0.0002030034,0.0013860526,0.0152086755,0.0048013697,0.0004349024,0.0013458919,0.1577195],"category_scores_gemma":[0.0011181841,0.00024320016,0.0002556859,0.002197156,0.0019409031,0.001323937,0.0017257533,0.0024033661,0.010696175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007434578,0.000017055165,0.0016723727,0.00011250925,0.000008006175,0.0009815815,0.018684326,0.000048320366,0.0005900438,0.017193515,0.93949634,0.021121576],"study_design_scores_gemma":[0.0000025982622,0.000005864982,0.0053420956,0.000079767364,0.0000036584456,0.00006264166,0.011673614,0.000010595538,0.00017250565,0.00018211282,0.9824561,0.000008496882],"about_ca_topic_score_codex":0.9195774,"about_ca_topic_score_gemma":0.98296964,"teacher_disagreement_score":0.1577195,"about_ca_system_score_codex":0.024134142,"about_ca_system_score_gemma":0.014617957,"threshold_uncertainty_score":0.52762425},"labels":[],"label_agreement":null},{"id":"W4327700149","doi":"10.1177/13678779231159697","title":"The rise and fall of the Synthetic: The mediatization of Canada's oil sands","year":2023,"lang":"en","type":"article","venue":"International Journal of Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Oil sands; Hegemony; Politics; Narrative; Omnipresence; Sociology; Archaeology; Law; History; Political science; Art; Asphalt; Literature; Philosophy","score_opus":0.02067157558020668,"score_gpt":0.2558148230137398,"score_spread":0.23514324743353313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327700149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41507992,0.0038750917,0.0011712112,0.02690238,0.00036756904,0.000043140313,0.0003889481,0.00005699933,0.5521148],"genre_scores_gemma":[0.9802924,0.0013497773,0.00023387877,0.00069432857,0.000056046065,0.000007866685,0.000049313814,0.000023053703,0.017293304],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986499,0.00037671867,0.00002041013,0.00010081518,0.0004472904,0.00040494636],"domain_scores_gemma":[0.9983571,0.0006641279,0.00014939721,0.00009039811,0.00038108823,0.00035785898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011370454,0.0004039345,0.00019955059,0.0023415266,0.020292286,0.014298141,0.000706618,0.0010562002,0.005599422],"category_scores_gemma":[0.0032044293,0.00023727825,0.00014132359,0.0029675725,0.027490778,0.003207512,0.004450587,0.0023396628,0.0001725811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011309653,0.000021984435,0.004188217,0.0001445476,0.00001188308,0.0008116082,0.44975224,0.00026704403,0.0013117556,0.5056004,0.01632754,0.021449758],"study_design_scores_gemma":[0.000011670581,0.00002339187,0.010177688,0.00028847004,0.000020769776,0.00026521672,0.47690326,0.00033711674,0.0013412046,0.013488657,0.49709204,0.00005055541],"about_ca_topic_score_codex":0.8977609,"about_ca_topic_score_gemma":0.95018536,"teacher_disagreement_score":0.10223907,"about_ca_system_score_codex":0.0674764,"about_ca_system_score_gemma":0.04649036,"threshold_uncertainty_score":0.48957783},"labels":[],"label_agreement":null},{"id":"W4362241787","doi":"10.1353/ner.2023.0013","title":"Portrait of the Technocrat as a Stanford Man","year":2023,"lang":"en","type":"article","venue":"New England review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art history; Wife; Romance; Art; Visual arts; Engineering; Law; History; Literature; Political science","score_opus":0.021649397333023238,"score_gpt":0.24365594804450078,"score_spread":0.22200655071147754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362241787","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012015846,0.0045759883,0.0011713781,0.03414198,0.0021821347,0.000017151946,0.00015633396,0.00013179122,0.94560736],"genre_scores_gemma":[0.3616295,0.0040263035,0.0008333407,0.01304476,0.0016736116,0.00004620751,0.00023550262,0.0002625114,0.61824834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989843,0.00031881328,0.000017158818,0.00012228084,0.00035403858,0.00020343155],"domain_scores_gemma":[0.9996668,0.00006257735,0.000025838377,0.000023423776,0.00007188472,0.00014945987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049110333,0.0004105479,0.00020000413,0.0008240784,0.012190917,0.0060553234,0.0005960691,0.0018237229,0.028803788],"category_scores_gemma":[0.000825547,0.00020559535,0.0001785142,0.0011200758,0.0064805923,0.0021952854,0.002505009,0.004837518,0.0048892433],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020896023,0.00003112079,0.0006685628,0.000029572366,0.0000055944047,0.0007811781,0.042928517,0.00023118278,0.00027142809,0.50577915,0.43656412,0.012688695],"study_design_scores_gemma":[0.0000018698157,0.000004239083,0.00049339107,0.000027001191,0.0000011369497,0.00014576076,0.005434787,0.00006171198,0.000033527438,0.0041984743,0.9895936,0.0000044513677],"about_ca_topic_score_codex":0.06826268,"about_ca_topic_score_gemma":0.108303405,"teacher_disagreement_score":0.06826268,"about_ca_system_score_codex":0.007989075,"about_ca_system_score_gemma":0.0037255208,"threshold_uncertainty_score":0.13573074},"labels":[],"label_agreement":null},{"id":"W4367291266","doi":"10.15215/aupress/9781926836102.01","title":"Roy &amp; Me: This Is Not a Memoir","year":2010,"lang":"en","type":"book","venue":"Athabasca University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Art; Philosophy; Art history","score_opus":0.028050403880768297,"score_gpt":0.20190097963863285,"score_spread":0.17385057575786456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367291266","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054881545,0.04131046,0.0034562869,0.20734209,0.037815277,0.00005613072,0.0003541351,0.00050624186,0.7036713],"genre_scores_gemma":[0.06920389,0.015514765,0.0019989805,0.02695294,0.0069435337,0.000121374156,0.00019087334,0.00096607755,0.87810755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909353,0.00036481957,0.000031383646,0.0001168941,0.00031107492,0.00008223978],"domain_scores_gemma":[0.9981989,0.00092831766,0.0000958024,0.00017946462,0.0004194873,0.00017804203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012718812,0.0006793594,0.00040023014,0.0010035621,0.005816732,0.00946674,0.0012024672,0.0018839325,0.020147324],"category_scores_gemma":[0.005411713,0.00031464608,0.00027679105,0.0009588444,0.006736296,0.00764451,0.0021373092,0.0050297333,0.0077657443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014544994,0.0000115557195,0.000120012446,0.00014143324,0.0000042633405,0.00017651543,0.015000486,0.000035544563,0.00038618213,0.11819512,0.845719,0.020195467],"study_design_scores_gemma":[7.6616004e-7,0.0000026507432,0.00008620958,0.00008832581,0.0000011341353,0.00011175932,0.0032535917,0.000014486369,0.00009494628,0.0014651351,0.9948778,0.0000030769106],"about_ca_topic_score_codex":0.008155936,"about_ca_topic_score_gemma":0.018633673,"teacher_disagreement_score":0.020147324,"about_ca_system_score_codex":0.0029252253,"about_ca_system_score_gemma":0.002215481,"threshold_uncertainty_score":0.0673995},"labels":[],"label_agreement":null},{"id":"W4379520669","doi":"10.3138/cjfs-2021-0034","title":"The Two Sides of <i>American Sniper</i>: Reflections on Clint Eastwood’s “Doubleness” Ten Years Later","year":2023,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06318565064132645,"score_gpt":0.3187715450552963,"score_spread":0.25558589441396984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379520669","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16676728,0.0152178835,0.0013651857,0.16583443,0.0058872513,0.000030381425,0.000054461154,0.00005121947,0.64479196],"genre_scores_gemma":[0.80595315,0.004107645,0.00032996235,0.0146189835,0.0009636694,0.000026332506,0.000020297928,0.00011968454,0.17386022],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985746,0.0007688292,0.000016573515,0.00012647505,0.00021556726,0.00029789275],"domain_scores_gemma":[0.99889934,0.00056142255,0.00008075465,0.000050434104,0.00019558745,0.00021245156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016642808,0.00041661522,0.00016828826,0.00058145006,0.012530315,0.009105708,0.00053598615,0.002249529,0.0077031488],"category_scores_gemma":[0.0022494327,0.00018646616,0.00015843697,0.00056145655,0.011290591,0.005317257,0.0027566627,0.0067012566,0.00071316573],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009248834,0.00003909199,0.0011030788,0.00010105632,0.000006946343,0.0006730541,0.43098417,0.00005595526,0.0006194675,0.3802553,0.1654743,0.020595051],"study_design_scores_gemma":[0.000007702131,0.00002338636,0.0013876695,0.00019949011,0.0000052849264,0.00022674909,0.18269166,0.00008020235,0.00043889837,0.0077608977,0.8071585,0.00001955739],"about_ca_topic_score_codex":0.030000249,"about_ca_topic_score_gemma":0.06504034,"teacher_disagreement_score":0.030000249,"about_ca_system_score_codex":0.0057660774,"about_ca_system_score_gemma":0.002208125,"threshold_uncertainty_score":0.059651256},"labels":[],"label_agreement":null},{"id":"W4379740657","doi":"10.18192/rceh.v45i2.6684","title":"Drowned Out: Silence in Junot Díaz’s Short Stories","year":2023,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; CONTEST; Narrative; Masculinity; Aesthetics; Literature; Relation (database); Gesture; Art; Psychoanalysis; Philosophy; Psychology; Linguistics; Computer science; Theology","score_opus":0.029641979750981012,"score_gpt":0.24794157868278213,"score_spread":0.21829959893180112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379740657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8768376,0.0032425744,0.0015493967,0.013065395,0.00038864053,0.00004655845,0.00020041017,0.000028427621,0.10464104],"genre_scores_gemma":[0.98367846,0.001782694,0.00033725522,0.0008457082,0.00010180162,0.000036377463,0.000060461804,0.00005113535,0.013106089],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985341,0.0008624881,0.00003811327,0.00013033127,0.00023151384,0.00020348014],"domain_scores_gemma":[0.9977719,0.0014796379,0.00022148991,0.00009776597,0.00017998315,0.00024917556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018388194,0.0005092922,0.00041953372,0.000946396,0.009853061,0.0044052503,0.000991382,0.0015348734,0.0023503464],"category_scores_gemma":[0.0056961062,0.00024775413,0.0001731889,0.000914632,0.014799369,0.004116555,0.004805664,0.0032202732,0.00031361138],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000427918,0.000015705948,0.00076939166,0.00006037892,0.0000035532412,0.001204719,0.97024596,0.000027657356,0.0005691576,0.02049163,0.0028999466,0.0036689716],"study_design_scores_gemma":[0.0000049042637,0.000021406935,0.0014408263,0.00018178238,0.0000053931576,0.0005621989,0.8783803,0.000043709686,0.0007881404,0.003146628,0.11541282,0.000011958604],"about_ca_topic_score_codex":0.0125644095,"about_ca_topic_score_gemma":0.022808379,"teacher_disagreement_score":0.0125644095,"about_ca_system_score_codex":0.005051699,"about_ca_system_score_gemma":0.0014616513,"threshold_uncertainty_score":0.036652863},"labels":[],"label_agreement":null},{"id":"W4384695191","doi":"10.22215/etd/2023-15526","title":"Las Vegas: Vanishing Illusions of Paradise and Fantasies of Plenitude","year":2023,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Desert (philosophy); Las vegas; Narrative; Paradise; Fantasy; Illusion; Aesthetics; Urbanization; Climate change; Architecture; History; Art; Geography; Archaeology; Political science; Art history; Literature; Psychology; Law; Economics; Geology; Metropolitan area","score_opus":0.021091303245124635,"score_gpt":0.2456289290715936,"score_spread":0.22453762582646897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384695191","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24878384,0.004790366,0.004147381,0.032694582,0.00086311455,0.000025660745,0.0000916392,0.0002156953,0.7083877],"genre_scores_gemma":[0.9626808,0.0008691622,0.0004359626,0.00071068626,0.00007270493,0.000018620458,0.00002599063,0.000068359586,0.035117768],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987534,0.000889834,0.00001330753,0.00009279993,0.00013190295,0.0001186628],"domain_scores_gemma":[0.99914896,0.00043857814,0.000068906586,0.000116419294,0.00008824565,0.00013878767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013547466,0.0004638499,0.00022074227,0.0007666675,0.013470271,0.00800483,0.0007180209,0.0015068414,0.006468391],"category_scores_gemma":[0.0034114737,0.00023553119,0.00018470002,0.00045593153,0.02745372,0.0066286107,0.0042566904,0.003421372,0.00047134215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006416375,0.000031404954,0.0010044479,0.000060718376,0.0000056547115,0.0005642438,0.5286975,0.00019983089,0.00059223187,0.43738258,0.019580932,0.011816355],"study_design_scores_gemma":[0.000010576643,0.00004299453,0.0013275119,0.00023074946,0.000007059155,0.00064203894,0.44543287,0.00030118143,0.00033412498,0.031086365,0.52055156,0.00003291742],"about_ca_topic_score_codex":0.016905418,"about_ca_topic_score_gemma":0.029454868,"teacher_disagreement_score":0.016905418,"about_ca_system_score_codex":0.004419215,"about_ca_system_score_gemma":0.0015037038,"threshold_uncertainty_score":0.03361404},"labels":[],"label_agreement":null},{"id":"W4385265244","doi":"10.1515/9780773568372-fm","title":"Front Matter","year":2000,"lang":"en","type":"paratext","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill-Queen's University Press","funders":"Canada Council for the Arts; Social Sciences and Humanities Research Council of Canada; Queen's University; Government of Canada; McGill University","keywords":"Geology","score_opus":0.01339691010427334,"score_gpt":0.19480793859086365,"score_spread":0.1814110284865903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385265244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021179535,0.0017200779,0.00025292538,0.020894844,0.0026683067,0.000010355372,0.0001650507,0.00010702285,0.9720634],"genre_scores_gemma":[0.021227486,0.0012096139,0.00015801302,0.006003507,0.0011746256,0.00001578512,0.00009850348,0.00009751868,0.970015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994405,0.00010220793,0.000013050427,0.00013421953,0.00020088686,0.00010914116],"domain_scores_gemma":[0.99881905,0.0005773792,0.00004797232,0.00013578766,0.00023074108,0.00018898731],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007431159,0.00048306404,0.00039779325,0.0011358394,0.0031423953,0.006372151,0.0008050984,0.005777386,0.6191483],"category_scores_gemma":[0.0029967614,0.00020451899,0.00024765305,0.0007204781,0.0027717906,0.0029582572,0.0023883258,0.0015520236,0.27083656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120463876,0.00006566651,0.0008614607,0.00023752087,0.0000067502524,0.0004098411,0.0013306311,0.00006381896,0.0005893739,0.12730902,0.69232106,0.17668433],"study_design_scores_gemma":[0.000007337173,0.000012791633,0.00075005036,0.00013282933,0.0000026803464,0.000113112656,0.0011749534,0.000040799507,0.00014831685,0.009260336,0.98835397,0.000002805798],"about_ca_topic_score_codex":0.0033401153,"about_ca_topic_score_gemma":0.007466168,"teacher_disagreement_score":0.3808517,"about_ca_system_score_codex":0.0014492825,"about_ca_system_score_gemma":0.0012387265,"threshold_uncertainty_score":0.5432387},"labels":[],"label_agreement":null},{"id":"W4385281735","doi":"10.1515/9780773569836","title":"Leonard and Reva Brooks","year":2001,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Psychology","score_opus":0.016540254512922018,"score_gpt":0.18888587504749846,"score_spread":0.17234562053457644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385281735","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016754562,0.098758325,0.0013616993,0.2363431,0.015930519,0.000046004145,0.000087984554,0.00021019741,0.6305076],"genre_scores_gemma":[0.102402166,0.022324428,0.0012302172,0.05178579,0.0024771777,0.00007407965,0.00007338235,0.00016148128,0.8194713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882823,0.00030476556,0.000026805292,0.00025832822,0.00039775122,0.00018423104],"domain_scores_gemma":[0.99928904,0.00011272462,0.000051234772,0.000045506393,0.00022706075,0.0002744209],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010399177,0.00049036095,0.00032095457,0.00083142956,0.004933093,0.0038111086,0.0007248545,0.0015284751,0.016045807],"category_scores_gemma":[0.003023767,0.000225261,0.00019405877,0.0002963925,0.0024981424,0.0021950784,0.0034587428,0.0035679739,0.0049835746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025533422,0.000036016896,0.001104309,0.00008196762,0.000005179426,0.0004047384,0.0074425074,0.000040688785,0.00032329935,0.08629703,0.8314846,0.07275416],"study_design_scores_gemma":[0.0000010698456,0.0000046911205,0.00035834027,0.00007039778,9.175422e-7,0.00022429258,0.0009281264,0.000012929804,0.000039562667,0.0011597415,0.99719656,0.000003306655],"about_ca_topic_score_codex":0.02101301,"about_ca_topic_score_gemma":0.04414709,"teacher_disagreement_score":0.02101301,"about_ca_system_score_codex":0.0025947848,"about_ca_system_score_gemma":0.0034382672,"threshold_uncertainty_score":0.053678572},"labels":[],"label_agreement":null},{"id":"W4385282881","doi":"10.1017/9781009038157.023","title":"Wilkie Collins and Sensation Fiction","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Sensation; Construct (python library); Realism; Art; Contrast (vision); Aesthetics; Psychology; Art history; Visual arts; Computer science; Artificial intelligence; Cognitive psychology","score_opus":0.03184166555676369,"score_gpt":0.18237129091513465,"score_spread":0.15052962535837097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385282881","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009813884,0.07624995,0.015586596,0.07404134,0.0042216857,0.00008299364,0.00007861,0.0001110101,0.8198139],"genre_scores_gemma":[0.6343391,0.019357966,0.004457845,0.018285792,0.003146252,0.00019950228,0.000047936835,0.00036449172,0.3198011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970795,0.0016322565,0.00008112431,0.0002793281,0.00064001186,0.00028765728],"domain_scores_gemma":[0.9939493,0.0047342386,0.00015658741,0.00026520452,0.0006924125,0.00020219268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00250502,0.000452268,0.00047925266,0.0030023328,0.0063247965,0.008521429,0.00085504394,0.0041628666,0.0056106113],"category_scores_gemma":[0.009808085,0.0004205201,0.00029090597,0.0021114624,0.0323074,0.009126612,0.0029765873,0.0061820764,0.0009809321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005841833,0.000003467343,0.000021947391,0.000044485685,0.0000011794205,0.0000370614,0.0075294627,0.000046306166,0.000047462323,0.97217035,0.016783264,0.0033091586],"study_design_scores_gemma":[0.000007252721,0.000013228414,0.00020070614,0.00029246745,0.000004671522,0.00019144428,0.0057626795,0.00020079363,0.00036769238,0.34980053,0.6431347,0.000023854307],"about_ca_topic_score_codex":0.022411475,"about_ca_topic_score_gemma":0.026343238,"teacher_disagreement_score":0.022411475,"about_ca_system_score_codex":0.0074388185,"about_ca_system_score_gemma":0.0039613084,"threshold_uncertainty_score":0.05397272},"labels":[],"label_agreement":null},{"id":"W4385536249","doi":"10.1515/9780773588257","title":"The Writing Life","year":2013,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Life writing; History; Genealogy; Visual arts; Art; Literature; Narrative","score_opus":0.016499888786547897,"score_gpt":0.18645565752710125,"score_spread":0.16995576874055335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385536249","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004220616,0.011660321,0.0014907648,0.048204284,0.01857013,0.000093846,0.0013164827,0.0005126132,0.9139309],"genre_scores_gemma":[0.019744998,0.004420735,0.0006348413,0.0052086036,0.0018097203,0.000043815682,0.0006750279,0.0004135741,0.9670487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972947,0.0007019377,0.00012444718,0.0003040334,0.001223107,0.00035168033],"domain_scores_gemma":[0.99378765,0.0005985983,0.00026029546,0.00048176508,0.002999589,0.0018720697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013508268,0.00061128027,0.0004306595,0.0015316082,0.0113096265,0.017200528,0.000684628,0.0011839122,0.09154591],"category_scores_gemma":[0.007524969,0.00037317947,0.0002494365,0.0020868727,0.0038679044,0.004287672,0.0038388094,0.0031418202,0.06396509],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011040498,0.00001233335,0.000247145,0.00005410737,0.0000017859443,0.00015010101,0.0068484615,0.000015239823,0.0002680744,0.02014098,0.927504,0.04474673],"study_design_scores_gemma":[6.513329e-7,0.0000019600711,0.0001334855,0.00003924631,3.4497216e-7,0.00006432004,0.0017000609,0.000005126747,0.00002683448,0.00042692246,0.99759847,0.0000027281312],"about_ca_topic_score_codex":0.043702148,"about_ca_topic_score_gemma":0.071477786,"teacher_disagreement_score":0.09154591,"about_ca_system_score_codex":0.0072680805,"about_ca_system_score_gemma":0.012822517,"threshold_uncertainty_score":0.3062516},"labels":[],"label_agreement":null},{"id":"W4385722719","doi":"10.59962/9780774822145-006","title":"3 “Respectfully Submitted”: Citizens and Public Letter Writing during Montreal’s Influenza Epidemic, 1918–20","year":2012,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Virology; History; Political science; Media studies; Medicine; Sociology","score_opus":0.023714711626085704,"score_gpt":0.17558583621326737,"score_spread":0.15187112458718166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385722719","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1334652,0.00953703,0.00095400686,0.21836849,0.005898467,0.00015655614,0.0014824903,0.00020392147,0.62993383],"genre_scores_gemma":[0.71561944,0.0018456855,0.00040240676,0.016604932,0.0015639598,0.00008454893,0.00024761714,0.00014402735,0.26348728],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99688596,0.0010716284,0.000058471134,0.00023757086,0.0006341624,0.0011122995],"domain_scores_gemma":[0.994609,0.0018788587,0.0005704582,0.00020205326,0.0014837928,0.0012558606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002974467,0.0005978474,0.0002116358,0.0016494439,0.027033268,0.009613596,0.002284386,0.0045815194,0.022902552],"category_scores_gemma":[0.012810909,0.00043269296,0.00021406137,0.002612916,0.011010641,0.0028542394,0.003227656,0.003403866,0.0015398961],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008643508,0.000053501248,0.007595331,0.00017005483,0.000010964586,0.0012278723,0.38166294,0.00014201556,0.00056993647,0.07165376,0.49985263,0.036974534],"study_design_scores_gemma":[0.000010020685,0.000023584582,0.019873101,0.00022754312,0.0000073778197,0.00012326105,0.15173629,0.00006805967,0.00030271825,0.001348095,0.8262362,0.00004371528],"about_ca_topic_score_codex":0.91663086,"about_ca_topic_score_gemma":0.9621508,"teacher_disagreement_score":0.083369136,"about_ca_system_score_codex":0.042999268,"about_ca_system_score_gemma":0.04589675,"threshold_uncertainty_score":0.311983},"labels":[],"label_agreement":null},{"id":"W4387300729","doi":"10.1007/978-3-031-41348-3_8","title":"My Journey as a Writer","year":2023,"lang":"en","type":"book-chapter","venue":"IMISCOE research series","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Professional Engineers Ontario","funders":"","keywords":"Journalism; Storytelling; Media studies; Event (particle physics); Identity (music); Sociology; History; Literature; Art; Visual arts; Narrative; Aesthetics","score_opus":0.18022552624160468,"score_gpt":0.35901571638074325,"score_spread":0.17879019013913858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387300729","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04789651,0.023335798,0.0056438106,0.19668388,0.01766872,0.00010765553,0.00024970612,0.0004255176,0.7079885],"genre_scores_gemma":[0.34423414,0.015289087,0.003660687,0.025328284,0.003717551,0.00016445552,0.00016352902,0.00056490226,0.6068774],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99465126,0.0031171695,0.00014071606,0.0005235243,0.0011044565,0.00046278207],"domain_scores_gemma":[0.9946985,0.0012463843,0.00036265247,0.0003145471,0.0009226407,0.0024552841],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003207448,0.0005521357,0.0005120314,0.0011053492,0.014776145,0.017192647,0.0010014112,0.0025179524,0.020154536],"category_scores_gemma":[0.008700718,0.00041727858,0.0003236055,0.000798405,0.009791293,0.00945384,0.00698257,0.010487834,0.012278918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045102584,0.00011785459,0.0014524324,0.00021649105,0.000011872952,0.0023296622,0.47128388,0.00005760385,0.0011089195,0.15946727,0.307392,0.056516923],"study_design_scores_gemma":[0.000004356657,0.00002995019,0.00021807553,0.00032567352,0.000003009267,0.0014307036,0.094908826,0.000029042207,0.0001685178,0.0064322776,0.8964368,0.000012672292],"about_ca_topic_score_codex":0.001622213,"about_ca_topic_score_gemma":0.0020509278,"teacher_disagreement_score":0.020154536,"about_ca_system_score_codex":0.0022400313,"about_ca_system_score_gemma":0.004029547,"threshold_uncertainty_score":0.06742364},"labels":[],"label_agreement":null},{"id":"W4388149159","doi":"10.18574/nyu/9781479819331.003.0121","title":"113 Indigenous and Jewish: The Photography of Kali Spitzer. British Columbia, 2016, 2019","year":2023,"lang":"en","type":"book-chapter","venue":"New York University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Kali; Judaism; Indigenous; Photography; History; Art; Visual arts; Art history; Geography; Archaeology; Geology","score_opus":0.023416926384494788,"score_gpt":0.16935291474944666,"score_spread":0.14593598836495186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388149159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17718954,0.08720825,0.00031766403,0.039198395,0.0034114537,0.000099482015,0.0026573015,0.00011131909,0.68980664],"genre_scores_gemma":[0.4298011,0.017715545,0.0004417758,0.0029087663,0.00030105383,0.000029755369,0.0004718492,0.00014297674,0.5481872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998018,0.000035872163,0.0000060792363,0.000024670924,0.000067747314,0.000063901985],"domain_scores_gemma":[0.99977535,0.00003448231,0.000017923134,0.000012932494,0.00010514891,0.000054274886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030354905,0.00039961992,0.00019768557,0.0017096944,0.017206518,0.0035109243,0.00055024493,0.00085696724,0.017014746],"category_scores_gemma":[0.00072699797,0.00027440628,0.000107427186,0.0031021705,0.0027376085,0.0010144357,0.0012762789,0.001786164,0.0018689167],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015225705,0.000025027322,0.0054363217,0.00069760124,0.000015802834,0.0024335352,0.33507353,0.00006317078,0.0023449706,0.020509314,0.5218685,0.11137999],"study_design_scores_gemma":[0.0000044642698,0.000008477094,0.040470168,0.000596673,0.000015297117,0.0006353466,0.18676983,0.000026984115,0.00033242206,0.0005397462,0.77058,0.000020649502],"about_ca_topic_score_codex":0.8981173,"about_ca_topic_score_gemma":0.98622686,"teacher_disagreement_score":0.101882696,"about_ca_system_score_codex":0.013246628,"about_ca_system_score_gemma":0.009866584,"threshold_uncertainty_score":0.20496535},"labels":[],"label_agreement":null},{"id":"W4388454489","doi":"10.5325/edgallpoerev.24.2.0262","title":"Poe’s “Origin Story”? Reflections on <i>The Pale Blue Eye</i>","year":2023,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; Blue light; Optometry; Optics; Physics; Medicine","score_opus":0.10023494148379045,"score_gpt":0.3287757597131937,"score_spread":0.22854081822940328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388454489","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14672685,0.026491484,0.0030677242,0.34609222,0.010765926,0.00012453916,0.0005796767,0.00020398656,0.46594757],"genre_scores_gemma":[0.79965794,0.012428637,0.00096861034,0.033954397,0.0027097105,0.00013353744,0.00024709373,0.00055125344,0.14934872],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779105,0.0014099644,0.000033567016,0.00018960366,0.00024527038,0.00033053843],"domain_scores_gemma":[0.99819404,0.00088114745,0.0001477923,0.00007124135,0.00023304649,0.00047283075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026163915,0.00076072855,0.00039333815,0.0011606816,0.014166477,0.012538548,0.0009866317,0.003632858,0.009907208],"category_scores_gemma":[0.00673936,0.0005436158,0.00032255828,0.000937061,0.014182143,0.012298584,0.004772669,0.008956715,0.0017691996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005003705,0.000029616243,0.0009257703,0.00015359762,0.000007194387,0.0020855367,0.750939,0.000021202059,0.00039045193,0.0774835,0.16069476,0.007219333],"study_design_scores_gemma":[0.0000044470703,0.000011882378,0.00090001535,0.00036630908,0.0000037368884,0.00072683615,0.3917848,0.000029529623,0.00027052578,0.002565713,0.6033197,0.000016574573],"about_ca_topic_score_codex":0.016211394,"about_ca_topic_score_gemma":0.03182418,"teacher_disagreement_score":0.016211394,"about_ca_system_score_codex":0.0050722156,"about_ca_system_score_gemma":0.0017909681,"threshold_uncertainty_score":0.036801696},"labels":[],"label_agreement":null},{"id":"W4388554151","doi":"","title":"Latin American geo-political struggles in Canadian documentaries production","year":2010,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Latin Americans; Politics; Production (economics); Political science; Media studies; Sociology; Economics; Law","score_opus":0.12981639100849052,"score_gpt":0.47839303109532344,"score_spread":0.3485766400868329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388554151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6658104,0.0025069038,0.00037381335,0.006850942,0.00017587276,0.0000626027,0.00078791764,0.000045721517,0.32338578],"genre_scores_gemma":[0.97574776,0.0012470431,0.00026361848,0.00030862298,0.000027618984,0.000018576473,0.00022281344,0.000034351604,0.022129709],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99800366,0.00026311146,0.00003595016,0.00016575916,0.00079768465,0.00073386705],"domain_scores_gemma":[0.9972349,0.0006841645,0.00029699784,0.00013820351,0.001146295,0.0004996155],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013679308,0.00040466757,0.0002471518,0.004330597,0.023653753,0.008525402,0.00096463854,0.0009990223,0.008182819],"category_scores_gemma":[0.005270628,0.00030024885,0.00016263945,0.0089589255,0.006825736,0.0014725626,0.0030932878,0.0016732074,0.0003438288],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017084982,0.00004602186,0.015644204,0.00020645029,0.000020037089,0.0020134954,0.8025538,0.0002846605,0.0020560967,0.09935297,0.031804502,0.04584697],"study_design_scores_gemma":[0.000010409512,0.000018770728,0.04006647,0.00021728383,0.000025412053,0.00032423149,0.5613458,0.00017543652,0.00081475504,0.0012489384,0.39570296,0.0000494831],"about_ca_topic_score_codex":0.9766233,"about_ca_topic_score_gemma":0.99069935,"teacher_disagreement_score":0.071359314,"about_ca_system_score_codex":0.071359314,"about_ca_system_score_gemma":0.04032115,"threshold_uncertainty_score":0.5177505},"labels":[],"label_agreement":null},{"id":"W4391192015","doi":"10.51644/9781771123662","title":"This Is Not a Hoax","year":2019,"lang":"en","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hoax; Medicine","score_opus":0.025104571836735097,"score_gpt":0.20818151094795234,"score_spread":0.18307693911121725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391192015","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010709332,0.015710842,0.0019005206,0.13081472,0.00995926,0.000046044315,0.00025379017,0.00047460795,0.8301308],"genre_scores_gemma":[0.17822579,0.008765977,0.0015928133,0.02807688,0.0015126473,0.000045141438,0.00017058862,0.0005416185,0.78106844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965509,0.0004242482,0.00006211503,0.00050938287,0.0017528851,0.00070038176],"domain_scores_gemma":[0.9962239,0.0007872594,0.0001443605,0.0006798118,0.0015980066,0.0005665277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019576552,0.0008371454,0.00070765417,0.0012527962,0.018407647,0.015960695,0.0016080836,0.0029172325,0.018964574],"category_scores_gemma":[0.0063202106,0.0004206819,0.00041574598,0.0015715961,0.03243797,0.009785927,0.0046041934,0.0064956504,0.0051647113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005084327,0.000021976695,0.0008575598,0.00019153823,0.000022816108,0.00028070662,0.026830442,0.00008759756,0.0006064764,0.4351679,0.49209774,0.043784343],"study_design_scores_gemma":[0.0000028471354,0.0000078908015,0.0005704188,0.00015549044,0.0000068908207,0.000121538855,0.009399824,0.000036046113,0.00012090959,0.009539731,0.98002476,0.000013559472],"about_ca_topic_score_codex":0.44800368,"about_ca_topic_score_gemma":0.6506269,"teacher_disagreement_score":0.44800368,"about_ca_system_score_codex":0.016980741,"about_ca_system_score_gemma":0.019086987,"threshold_uncertainty_score":0.890792},"labels":[],"label_agreement":null},{"id":"W4391372149","doi":"10.51644/9781554589913-006","title":"Arrivals by Boat in the Canadian Press","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.0677499238249925,"score_gpt":0.2274383023830922,"score_spread":0.1596883785580997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391372149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026490536,0.03238998,0.0003443298,0.030275336,0.0028138417,0.000046811456,0.0027709585,0.00012203611,0.90474623],"genre_scores_gemma":[0.26618478,0.038689215,0.0005223153,0.0037309316,0.0010857887,0.000030816766,0.0014122601,0.00034007628,0.6880038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981207,0.0001445551,0.00003971249,0.00017161595,0.0008131481,0.0007101382],"domain_scores_gemma":[0.99720484,0.0003983941,0.00010796429,0.000099937526,0.0015172854,0.0006715503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010804819,0.0007577419,0.00055388856,0.0057149287,0.018203314,0.016885063,0.0013559602,0.0016257857,0.06319768],"category_scores_gemma":[0.00494076,0.0004932059,0.00029564943,0.016531192,0.006334835,0.003820068,0.0021242474,0.0033894193,0.00438257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009282702,0.000032094722,0.004068157,0.00026432885,0.000017801602,0.00028487877,0.043151844,0.0001982216,0.00017912492,0.27936852,0.6044358,0.067906335],"study_design_scores_gemma":[0.00000446901,0.0000035868882,0.007968104,0.0002569097,0.000012150892,0.000042317854,0.027783487,0.000048456855,0.00006099056,0.0026705044,0.96112645,0.000022657101],"about_ca_topic_score_codex":0.99234575,"about_ca_topic_score_gemma":0.99729306,"teacher_disagreement_score":0.09669641,"about_ca_system_score_codex":0.09669641,"about_ca_system_score_gemma":0.118309096,"threshold_uncertainty_score":0.7015848},"labels":[],"label_agreement":null},{"id":"W4391961221","doi":"10.51644/9781554583218-008","title":"The First Canadian Serialist","year":2011,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02686081864027915,"score_gpt":0.17458943270351499,"score_spread":0.14772861406323584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391961221","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010932467,0.00888006,0.0001961772,0.011580192,0.004422326,0.000018600584,0.0003465396,0.0000831567,0.9733796],"genre_scores_gemma":[0.0073454953,0.002280202,0.00017737641,0.0010169831,0.00029642615,0.000006941369,0.000097894925,0.000059265898,0.9887194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987865,0.00009772828,0.000023674345,0.00018389545,0.00061522407,0.00029297674],"domain_scores_gemma":[0.99901044,0.00007835132,0.000021479893,0.00008108081,0.00057543186,0.0002332135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007478608,0.0007801262,0.00049672177,0.0033043188,0.01175548,0.013195065,0.0011229385,0.0022110709,0.11175984],"category_scores_gemma":[0.002339223,0.0005204118,0.00039887853,0.0041784504,0.0048030904,0.0030507268,0.0020277866,0.0038319903,0.016358616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018054994,0.000010423224,0.00018645212,0.000050942504,0.000003351091,0.00008248874,0.0009500075,0.000047522783,0.00007972531,0.12839855,0.8330986,0.037073966],"study_design_scores_gemma":[9.565557e-7,0.0000012193892,0.00015310344,0.00003130238,0.0000011715126,0.000011691371,0.0003104278,0.000010272729,0.000027946764,0.0012991298,0.9981501,0.0000026171822],"about_ca_topic_score_codex":0.7811888,"about_ca_topic_score_gemma":0.9181731,"teacher_disagreement_score":0.21881121,"about_ca_system_score_codex":0.033147886,"about_ca_system_score_gemma":0.042498864,"threshold_uncertainty_score":0.4401996},"labels":[],"label_agreement":null},{"id":"W4392067239","doi":"10.51644/9780889208179-015","title":"The Photographic Image in Canadian Avant-Garde Film","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Avant garde; Art; Art history; Image (mathematics); Visual arts; Computer science; Computer vision","score_opus":0.010089832710342639,"score_gpt":0.18611243156123483,"score_spread":0.1760225988508922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392067239","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20384821,0.0031122586,0.00035655688,0.0067297816,0.00025261228,0.000028365246,0.0004533987,0.000030870946,0.78518796],"genre_scores_gemma":[0.944326,0.0020880112,0.00039860274,0.00039782954,0.00006849025,0.000007862086,0.00013107214,0.000053047606,0.052529257],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99946254,0.000088311994,0.000008743905,0.000047411002,0.00025560966,0.00013746489],"domain_scores_gemma":[0.9989881,0.00033953428,0.000063918276,0.00003964584,0.00040574197,0.00016308442],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000516991,0.00025820304,0.00014245359,0.0034557334,0.009999909,0.0099487025,0.00066826213,0.0008883093,0.011602086],"category_scores_gemma":[0.0035292916,0.00016961215,0.00015200795,0.0050451774,0.0066905753,0.001716756,0.00091200176,0.0014987441,0.0005541373],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024094828,0.0000754301,0.008393722,0.0003241906,0.000019284238,0.0021286176,0.43115985,0.0003729687,0.0033130427,0.36570776,0.08832083,0.09994342],"study_design_scores_gemma":[0.000012345933,0.000034392873,0.09149145,0.00060385873,0.000048739596,0.0008372427,0.44957417,0.0005005349,0.0018169582,0.008117327,0.44689828,0.00006462381],"about_ca_topic_score_codex":0.8964561,"about_ca_topic_score_gemma":0.9552026,"teacher_disagreement_score":0.10354388,"about_ca_system_score_codex":0.03186395,"about_ca_system_score_gemma":0.015534537,"threshold_uncertainty_score":0.2311902},"labels":[],"label_agreement":null},{"id":"W4392067401","doi":"10.51644/9780889208179-017","title":"Idealism, Photography and the Canadian Avant-garde Cinema","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Avant garde; Idealism; Photography; Art; Art history; Visual arts; Philosophy; Epistemology","score_opus":0.012171198825296126,"score_gpt":0.1791662725191163,"score_spread":0.16699507369382016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392067401","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06485194,0.007824686,0.001011844,0.016251443,0.00028058595,0.000029506411,0.000110383495,0.000030564235,0.9096091],"genre_scores_gemma":[0.9270238,0.004563312,0.0010829652,0.0008080587,0.00010217041,0.000014698674,0.00004334943,0.000039461564,0.06632217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9987715,0.00028764544,0.000019096198,0.00010706202,0.00045494348,0.00035980786],"domain_scores_gemma":[0.9980894,0.0008979077,0.00010624482,0.00008024945,0.0004602538,0.00036599537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014372926,0.00030737097,0.00018720762,0.003114092,0.016049452,0.01225164,0.0008250964,0.0013907744,0.009639487],"category_scores_gemma":[0.0033117349,0.00019504751,0.00017150448,0.0026895197,0.022227133,0.0023610822,0.00147228,0.0023536014,0.0003434514],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039569288,0.000015967797,0.00089958165,0.00007000496,0.0000031642617,0.00016601593,0.049831606,0.00010407307,0.0003194056,0.9122771,0.018699626,0.017573845],"study_design_scores_gemma":[0.000011826931,0.00001933141,0.01589274,0.00039508595,0.000022412427,0.00034006286,0.13759445,0.00048532302,0.0007821292,0.089471444,0.75493,0.00005521057],"about_ca_topic_score_codex":0.8853969,"about_ca_topic_score_gemma":0.9442776,"teacher_disagreement_score":0.1146031,"about_ca_system_score_codex":0.043425668,"about_ca_system_score_gemma":0.032025862,"threshold_uncertainty_score":0.3150767},"labels":[],"label_agreement":null},{"id":"W4392077957","doi":"10.1515/9781787443921-016","title":"Photo Log: 30 Years of Working in Canadian Criticism in Pictures","year":2018,"lang":"en","type":"book-chapter","venue":"Boydell and Brewer eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; History; Computer science; Art; Literature","score_opus":0.030677011974372274,"score_gpt":0.2108730932306914,"score_spread":0.1801960812563191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392077957","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013969689,0.008093726,0.0004946843,0.013415046,0.0027518168,0.00011489207,0.010043534,0.0006412456,0.9504754],"genre_scores_gemma":[0.03489245,0.00277162,0.0003499979,0.0010015251,0.00026498875,0.000030327108,0.0023750665,0.0004314902,0.95788246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992219,0.00004921229,0.000009984096,0.000058615304,0.00044768475,0.00021264893],"domain_scores_gemma":[0.9983448,0.00015718421,0.000040011644,0.0000714645,0.00082893367,0.00055761467],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00075455196,0.000788593,0.00032789612,0.0046266075,0.012819525,0.00449797,0.001030407,0.0013024651,0.3486161],"category_scores_gemma":[0.0021458133,0.00034482902,0.0003371718,0.008375133,0.0020889572,0.002476835,0.001894245,0.0017566216,0.044834208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021438389,0.000023012539,0.00064003695,0.00007854816,0.0000021771623,0.00011567113,0.0073720654,0.000023378168,0.00018198941,0.002767801,0.9492861,0.039487693],"study_design_scores_gemma":[0.00000180217,0.000005045729,0.0048825843,0.000074159805,0.0000022562792,0.00006006927,0.008206367,0.000008199169,0.00007915204,0.00018287546,0.9864885,0.000008893564],"about_ca_topic_score_codex":0.8721635,"about_ca_topic_score_gemma":0.9756619,"teacher_disagreement_score":0.3486161,"about_ca_system_score_codex":0.022240631,"about_ca_system_score_gemma":0.0164897,"threshold_uncertainty_score":0.92912006},"labels":[],"label_agreement":null},{"id":"W4392088359","doi":"10.33137/pbsc.v61i1.41451","title":"Participatory Readership","year":2024,"lang":"en","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Politics; Publishing; Audience measurement; Reading (process); Scholarship; Media studies; State (computer science); Sociology; History of the book; History; Law; Political science; Classics; Computer science","score_opus":0.028065890633250514,"score_gpt":0.21533137823056908,"score_spread":0.18726548759731856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392088359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04824182,0.001983116,0.018987983,0.018938838,0.0011723187,0.00024025759,0.00015118676,0.00025643865,0.9100282],"genre_scores_gemma":[0.7302326,0.0009907832,0.005247953,0.0034350709,0.0008250324,0.00033841623,0.00012090319,0.0002988795,0.25851038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98114634,0.01105408,0.0005270369,0.003234045,0.0026340275,0.0014045634],"domain_scores_gemma":[0.972477,0.014736943,0.0016280339,0.0055081826,0.002958305,0.002691608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014941211,0.000628365,0.00057524844,0.0028600076,0.012920314,0.016376251,0.0021848755,0.0034098397,0.03571985],"category_scores_gemma":[0.031475373,0.00042886674,0.0005553905,0.0020770926,0.020895496,0.013121518,0.015733507,0.0042827083,0.006641682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003964823,0.00006438532,0.0023869763,0.00017640124,0.000012926231,0.0006640836,0.30013922,0.000081968814,0.00091763394,0.6162164,0.020201582,0.059098955],"study_design_scores_gemma":[0.000011972482,0.000050769937,0.0008994391,0.0002543569,0.000011849599,0.0004130207,0.061746668,0.00014403835,0.00066921837,0.10290348,0.8328737,0.000021534135],"about_ca_topic_score_codex":0.0011293865,"about_ca_topic_score_gemma":0.0018029783,"teacher_disagreement_score":0.9988706,"about_ca_system_score_codex":0.0040049925,"about_ca_system_score_gemma":0.004540524,"threshold_uncertainty_score":0.119494796},"labels":[],"label_agreement":null},{"id":"W4392141226","doi":"","title":"« Le travail burlesque du motif apocalyptique chez Vonnegut et Chevillard : une critique sérieuse de l’anthropocentrisme »","year":2019,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Burlesque; Motif (music); Art; Philosophy; Art history","score_opus":0.007366182982311026,"score_gpt":0.21309264364995362,"score_spread":0.20572646066764258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392141226","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26673338,0.033503477,0.011746015,0.12305787,0.0024473544,0.00005900383,0.0001421662,0.000055258908,0.56225556],"genre_scores_gemma":[0.958581,0.0026301984,0.0010727792,0.002072521,0.00044317034,0.000042421143,0.000017494383,0.00007354272,0.035066925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829346,0.0010823151,0.00002643953,0.00017968267,0.00021136127,0.00020672279],"domain_scores_gemma":[0.99822503,0.0013017214,0.00014466952,0.000095900345,0.0001551543,0.00007752697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026902028,0.0005263095,0.00043748933,0.0013797376,0.009315164,0.0068920036,0.0008050626,0.003565733,0.0050497823],"category_scores_gemma":[0.0043019853,0.0002878568,0.0002014562,0.0012668445,0.022854706,0.0050478564,0.0027236636,0.006223247,0.00028335743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021244829,0.0000041314834,0.00020241733,0.000023191453,0.0000021611233,0.000066085835,0.0647666,0.00002798496,0.00016515733,0.9283513,0.0026951323,0.0036746755],"study_design_scores_gemma":[0.000058028312,0.00003486412,0.005115814,0.00040547244,0.000023866176,0.00052821153,0.09099561,0.00054582965,0.0013260974,0.16720282,0.7337252,0.00003822161],"about_ca_topic_score_codex":0.06913347,"about_ca_topic_score_gemma":0.09320671,"teacher_disagreement_score":0.06913347,"about_ca_system_score_codex":0.008734861,"about_ca_system_score_gemma":0.005357965,"threshold_uncertainty_score":0.13746214},"labels":[],"label_agreement":null},{"id":"W4392879674","doi":"10.37478/lantern.v8i2.3960","title":"COURAGE IN HARPER LEE’S NOVEL TO KILL A MOCKINGBIRD","year":2022,"lang":"en","type":"article","venue":"Lantern Journal of Language and Literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Scholarship; Drama; Criticism; Literary criticism; Virtue; Sociology; Art history; Art; Philosophy; Literature; Theology; Law; Political science","score_opus":0.008484389051001151,"score_gpt":0.21779241992058274,"score_spread":0.20930803086958158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392879674","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12759726,0.03083559,0.007917947,0.2017297,0.042266108,0.00012337575,0.00032373486,0.00045978974,0.5887465],"genre_scores_gemma":[0.643832,0.0047413604,0.0030876196,0.031777065,0.0029482988,0.00007008118,0.00012351431,0.0004986158,0.31292143],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988337,0.0006841416,0.000025210744,0.000155541,0.00017751213,0.00012378042],"domain_scores_gemma":[0.9991574,0.0003428477,0.000061079765,0.000041202737,0.00012707493,0.00027034964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085747,0.0007742001,0.00038448663,0.00067765586,0.013344598,0.0047786883,0.0008315587,0.0027365764,0.007917173],"category_scores_gemma":[0.0030106797,0.00029965804,0.00045699129,0.0002736966,0.008157186,0.0027253714,0.0028819016,0.006334232,0.002328182],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017014077,0.00008788795,0.0012617151,0.0001971129,0.000044104334,0.0070627364,0.32553324,0.0003020202,0.0014931827,0.119961396,0.51261127,0.031275123],"study_design_scores_gemma":[0.0000056252966,0.00005407848,0.0010717398,0.0003082,0.0000075164817,0.002012578,0.088074975,0.000119626784,0.0005052922,0.0062460667,0.90156394,0.000030315585],"about_ca_topic_score_codex":0.007008051,"about_ca_topic_score_gemma":0.03565058,"teacher_disagreement_score":0.013344598,"about_ca_system_score_codex":0.0025054596,"about_ca_system_score_gemma":0.0010018527,"threshold_uncertainty_score":0.026485562},"labels":[],"label_agreement":null},{"id":"W4392949676","doi":"10.32920/23979072.v2","title":"“Chinatown Forever Changing†: Jim Wong-Chu’s Pender East","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chinatown; Art history; Art; History; Archaeology","score_opus":0.03458922012377671,"score_gpt":0.23578552362103816,"score_spread":0.20119630349726145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392949676","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031081907,0.006106172,0.00069022656,0.024063718,0.0032121802,0.000084133804,0.0029251028,0.0005911282,0.93124545],"genre_scores_gemma":[0.03747014,0.0021747577,0.00038998696,0.0010711196,0.00010507028,0.000011895507,0.00048577893,0.00024029044,0.95805097],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99966383,0.000018303743,0.000004329435,0.0000431564,0.00016551018,0.00010492582],"domain_scores_gemma":[0.99955493,0.000028094802,0.000018702432,0.000018337441,0.00022495775,0.00015489056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032932972,0.00039285378,0.00020718675,0.0010331849,0.00824407,0.0045947903,0.0003770262,0.00047715197,0.23222688],"category_scores_gemma":[0.00089885783,0.00017594208,0.00016802226,0.0021616605,0.0014738819,0.0012092637,0.0011342695,0.000968486,0.042561814],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005061707,0.000018501813,0.0033191908,0.0001040142,0.0000048396496,0.00027577206,0.0064341435,0.000053803127,0.0009520634,0.012646263,0.90000933,0.07613138],"study_design_scores_gemma":[8.141064e-7,0.0000024561457,0.0036252884,0.000036358084,0.0000022359368,0.00004498346,0.0039799963,0.000018617986,0.0002431843,0.00014654546,0.9918932,0.000006305333],"about_ca_topic_score_codex":0.82762676,"about_ca_topic_score_gemma":0.9343405,"teacher_disagreement_score":0.23222688,"about_ca_system_score_codex":0.012928351,"about_ca_system_score_gemma":0.010989425,"threshold_uncertainty_score":0.77687633},"labels":[],"label_agreement":null},{"id":"W4393865862","doi":"10.1177/03400352241236730","title":"An oral history of the rise and fall of a newspaper library: The <i>Vancouver Sun</i> and <i>Vancouver Province</i> newspaper library, 1968–2012","year":2024,"lang":"en","type":"article","venue":"IFLA Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Langara College","funders":"","keywords":"Newspaper; History; Media studies; Library science; Advertising; Sociology; Business; Computer science","score_opus":0.008334112702257208,"score_gpt":0.1826845041770584,"score_spread":0.1743503914748012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393865862","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76640975,0.008021337,0.0006740601,0.0077129668,0.00052303885,0.00010063547,0.00081342994,0.00004998064,0.21569477],"genre_scores_gemma":[0.9410163,0.004037222,0.0003360401,0.0006026786,0.00010836588,0.000030183517,0.0002481712,0.00007398344,0.053547047],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99860376,0.0003376055,0.00003880244,0.00015776932,0.0004579806,0.0004040659],"domain_scores_gemma":[0.99699557,0.0009011987,0.0002769878,0.0001454733,0.00088297436,0.0007977549],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0014620417,0.0003563766,0.0003345145,0.0034249166,0.02928065,0.01047337,0.0009988262,0.0010306328,0.00772329],"category_scores_gemma":[0.004116512,0.0004228776,0.00013592742,0.00791356,0.013229231,0.002461796,0.0033526963,0.0026039975,0.0006736423],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037464404,0.000016109643,0.006607489,0.00012263515,0.0000054374427,0.001566201,0.9536648,0.000042613763,0.00034952382,0.00783532,0.010723613,0.019028762],"study_design_scores_gemma":[0.0000023940122,0.000011166436,0.017985191,0.00028059585,0.000010808007,0.0005338405,0.7732542,0.000025449846,0.00037612524,0.00027081984,0.20722938,0.00002008305],"about_ca_topic_score_codex":0.8474262,"about_ca_topic_score_gemma":0.96304,"teacher_disagreement_score":0.9895266,"about_ca_system_score_codex":0.036599666,"about_ca_system_score_gemma":0.024505634,"threshold_uncertainty_score":0.30694467},"labels":[],"label_agreement":null},{"id":"W4400040802","doi":"10.1080/01439685.2024.2369367","title":"Broadcasting a Legend: The Canadian TV Miniseries <i>The Arrow</i> (1997)","year":2024,"lang":"en","type":"article","venue":"Historical Journal Of Film Radio and Television","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Arrow; Meaning (existential); Phenomenon; History; Broadcasting (networking); Media studies; Political science; Law; Sociology; Epistemology; Philosophy","score_opus":0.019420337138307008,"score_gpt":0.2111522537723869,"score_spread":0.19173191663407987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400040802","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0491632,0.01641613,0.0009300493,0.062220592,0.010118014,0.00006255461,0.0038854508,0.0003356496,0.8568683],"genre_scores_gemma":[0.44431588,0.016035276,0.0012457239,0.009182358,0.0019441136,0.000053107386,0.0018343981,0.00047281288,0.5249163],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956304,0.000037606274,0.0000069581333,0.000039979557,0.00021777394,0.00013466785],"domain_scores_gemma":[0.99916446,0.00011218681,0.00003911418,0.000036324738,0.0004900852,0.00015784871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050979777,0.00043164138,0.00012547096,0.0013915634,0.011692966,0.005589811,0.00069577835,0.0010955939,0.029884882],"category_scores_gemma":[0.0021199933,0.00019457255,0.00013523808,0.0032032568,0.0030764048,0.0013072679,0.0010344938,0.0019293571,0.0024957068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060560677,0.000009608977,0.0016896718,0.00013817786,0.0000061249975,0.0003436663,0.0292785,0.000056339257,0.0007617618,0.043994047,0.8897287,0.03393277],"study_design_scores_gemma":[0.0000026352363,0.0000057595644,0.0073158545,0.00011401801,0.0000062543277,0.000101824495,0.01723648,0.000025527987,0.00025967273,0.00042836549,0.9744874,0.000016104952],"about_ca_topic_score_codex":0.94431895,"about_ca_topic_score_gemma":0.9780582,"teacher_disagreement_score":0.05568105,"about_ca_system_score_codex":0.025733694,"about_ca_system_score_gemma":0.021304868,"threshold_uncertainty_score":0.1867119},"labels":[],"label_agreement":null},{"id":"W4401269400","doi":"10.5040/9798216189848.0017","title":"Canadian Comedy","year":2005,"lang":"en","type":"other","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comedy; Art; Visual arts","score_opus":0.009966071466829953,"score_gpt":0.19322479587475996,"score_spread":0.18325872440793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401269400","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008396678,0.0009913689,0.0001775984,0.0016721138,0.00038344428,0.000028675775,0.0038335451,0.00019946341,0.99187416],"genre_scores_gemma":[0.0029045613,0.00045676754,0.00018536797,0.00023984168,0.000023432742,0.000009689966,0.00076405285,0.000079614765,0.9953367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994199,0.000028305929,0.000009984189,0.0001130458,0.00029510027,0.00013367299],"domain_scores_gemma":[0.99870753,0.000077327946,0.000021957401,0.00009257715,0.00077368267,0.0003268601],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039141683,0.0007773053,0.00045089226,0.0030978126,0.011137437,0.006140239,0.0011889006,0.0015568971,0.57472724],"category_scores_gemma":[0.0016169009,0.00039715556,0.00037237065,0.004109557,0.0009770854,0.0017094007,0.0018007907,0.0015741535,0.16240126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024281735,0.000013962656,0.00036831477,0.000057062058,0.000002204953,0.00009204919,0.00023481139,0.00004346458,0.00010251696,0.012404098,0.93151134,0.05514581],"study_design_scores_gemma":[0.0000021734345,0.0000019318209,0.000829217,0.000026696542,0.0000016813926,0.000024057921,0.0003299245,0.000021431359,0.00006974647,0.000367238,0.99832183,0.000004094192],"about_ca_topic_score_codex":0.8042117,"about_ca_topic_score_gemma":0.9616535,"teacher_disagreement_score":0.57472724,"about_ca_system_score_codex":0.013750654,"about_ca_system_score_gemma":0.022777053,"threshold_uncertainty_score":0.6065999},"labels":[],"label_agreement":null},{"id":"W4402168448","doi":"10.32920/26871412.v1","title":"Looking With The Indigenous Gaze: An Exploration Of Indigenous-Made Films","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Indigenous; Gaze; Geography; Computer science; Artificial intelligence; Ecology; Biology","score_opus":0.03671228903770119,"score_gpt":0.2499197232858589,"score_spread":0.21320743424815772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402168448","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8854602,0.0071686367,0.0034950837,0.007967078,0.00051884924,0.00025990317,0.00018404919,0.00005513299,0.094891146],"genre_scores_gemma":[0.9740069,0.0071343356,0.00230295,0.0009810951,0.00026352535,0.00016503598,0.00008636186,0.00010380189,0.014956007],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99638677,0.0024866632,0.000068719106,0.00022971079,0.00043006826,0.0003979891],"domain_scores_gemma":[0.9967043,0.0024268685,0.0002315436,0.00011810727,0.00024392475,0.0002752411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004381307,0.0008830922,0.00047914946,0.0028532383,0.015492741,0.008116992,0.0012990073,0.002230489,0.0030545362],"category_scores_gemma":[0.008052289,0.0005268646,0.0006188785,0.0023296424,0.01299804,0.0061982805,0.00858933,0.0038421534,0.00031580552],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070998976,0.000008578589,0.00039669676,0.00008742477,0.0000035251978,0.00041455738,0.9943621,0.000008363713,0.000454533,0.0020209176,0.00038756992,0.0018486542],"study_design_scores_gemma":[0.0000024455107,0.000022379854,0.0020208836,0.00034258212,0.000012214558,0.00053332327,0.96317434,0.000043151467,0.0003461848,0.0006826642,0.032807868,0.000011970348],"about_ca_topic_score_codex":0.018478079,"about_ca_topic_score_gemma":0.04387307,"teacher_disagreement_score":0.018478079,"about_ca_system_score_codex":0.004446931,"about_ca_system_score_gemma":0.002532348,"threshold_uncertainty_score":0.03674102},"labels":[],"label_agreement":null},{"id":"W4402196580","doi":"10.32920/26871412","title":"Looking With The Indigenous Gaze: An Exploration Of Indigenous-Made Films","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Indigenous; Gaze; Geography; Computer vision; Computer science; Ecology; Biology","score_opus":0.03671228903770119,"score_gpt":0.2499197232858589,"score_spread":0.21320743424815772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402196580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8854602,0.0071686367,0.0034950837,0.007967078,0.00051884924,0.00025990317,0.00018404919,0.00005513299,0.094891146],"genre_scores_gemma":[0.9740069,0.0071343356,0.00230295,0.0009810951,0.00026352535,0.00016503598,0.00008636186,0.00010380189,0.014956007],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99638677,0.0024866632,0.000068719106,0.00022971079,0.00043006826,0.0003979891],"domain_scores_gemma":[0.9967043,0.0024268685,0.0002315436,0.00011810727,0.00024392475,0.0002752411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004381307,0.0008830922,0.00047914946,0.0028532383,0.015492741,0.008116992,0.0012990073,0.002230489,0.0030545362],"category_scores_gemma":[0.008052289,0.0005268646,0.0006188785,0.0023296424,0.01299804,0.0061982805,0.00858933,0.0038421534,0.00031580552],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070998976,0.000008578589,0.00039669676,0.00008742477,0.0000035251978,0.00041455738,0.9943621,0.000008363713,0.000454533,0.0020209176,0.00038756992,0.0018486542],"study_design_scores_gemma":[0.0000024455107,0.000022379854,0.0020208836,0.00034258212,0.000012214558,0.00053332327,0.96317434,0.000043151467,0.0003461848,0.0006826642,0.032807868,0.000011970348],"about_ca_topic_score_codex":0.018478079,"about_ca_topic_score_gemma":0.04387307,"teacher_disagreement_score":0.018478079,"about_ca_system_score_codex":0.004446931,"about_ca_system_score_gemma":0.002532348,"threshold_uncertainty_score":0.03674102},"labels":[],"label_agreement":null},{"id":"W4403290454","doi":"10.2478/abcsj-2024-0005","title":"“The wrong side of the desk”: Material and Discursive Struggle in Bud Osborn’s Downtown Eastside","year":2024,"lang":"en","type":"article","venue":"American, British and Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Downtown; Desk; History; Political science; Archaeology; Law","score_opus":0.008074847763435079,"score_gpt":0.21269225612780937,"score_spread":0.20461740836437428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403290454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7840095,0.0027327908,0.00061883207,0.010784757,0.00050521275,0.000036211746,0.00011892889,0.000040648818,0.20115303],"genre_scores_gemma":[0.9787643,0.00070179574,0.00018112992,0.00046068119,0.000032642132,0.000008986094,0.000030511505,0.000059283462,0.019760707],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980773,0.0007105699,0.000039171682,0.00021239498,0.00043670446,0.00052398955],"domain_scores_gemma":[0.9971522,0.001252181,0.00016881598,0.00013723492,0.0005356204,0.00075391366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019715042,0.0005004203,0.00046396954,0.0023098171,0.03508992,0.012461672,0.0011979743,0.0016334723,0.0049435506],"category_scores_gemma":[0.003643618,0.0003808814,0.00015956526,0.0020899554,0.03553616,0.002345626,0.0045791105,0.005273359,0.00047816505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036234156,0.000012562822,0.0011124621,0.00005299304,0.0000037417149,0.0010702015,0.962682,0.000026995409,0.0005951245,0.024536401,0.005289418,0.004581829],"study_design_scores_gemma":[0.00000296785,0.000009466158,0.0033478949,0.00017687501,0.000006157386,0.00036603663,0.8784294,0.0000396007,0.00042326443,0.00097144366,0.116209306,0.00001764431],"about_ca_topic_score_codex":0.555665,"about_ca_topic_score_gemma":0.795207,"teacher_disagreement_score":0.44433498,"about_ca_system_score_codex":0.0305706,"about_ca_system_score_gemma":0.011779386,"threshold_uncertainty_score":0.8939035},"labels":[],"label_agreement":null},{"id":"W4403924100","doi":"10.1093/ccc/tcae042","title":"Controlled connection: Substack and writers of color","year":2024,"lang":"en","type":"article","venue":"Communication Culture and Critique","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Association for Education in Journalism and Mass Communication","keywords":"Connection (principal bundle); Mathematics; Geometry","score_opus":0.017098711965388147,"score_gpt":0.2651598373152988,"score_spread":0.24806112534991065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403924100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96051115,0.00019053227,0.00033918952,0.0026154341,0.00015487253,0.00003367764,0.000043321248,0.000023192926,0.036088463],"genre_scores_gemma":[0.9930328,0.00009745075,0.000120790355,0.0005433731,0.000054786,0.000024449482,0.000015832858,0.00001887127,0.006091622],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.995297,0.0030190768,0.00009469306,0.00044454457,0.00054013665,0.0006046284],"domain_scores_gemma":[0.9706932,0.017152805,0.004744126,0.0018646764,0.0022748872,0.0032703406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004430384,0.00028853162,0.0002903036,0.0014083988,0.009791613,0.0091635855,0.0007832831,0.0012930218,0.011511025],"category_scores_gemma":[0.022429142,0.00024201052,0.00013689621,0.0008923937,0.005353872,0.0036529396,0.0045018555,0.002011884,0.00086693995],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027064196,0.0002818875,0.040689208,0.000074270116,0.000011537971,0.0012094937,0.9231607,0.000022593591,0.000903622,0.006411296,0.0052109077,0.021753848],"study_design_scores_gemma":[0.000037358503,0.00014081871,0.01874132,0.00010111441,0.0000147313995,0.0004549702,0.9322226,0.000118302145,0.00038636854,0.0016794308,0.046077017,0.00002596422],"about_ca_topic_score_codex":0.005013475,"about_ca_topic_score_gemma":0.0068478235,"teacher_disagreement_score":0.011511025,"about_ca_system_score_codex":0.0018841191,"about_ca_system_score_gemma":0.0016731014,"threshold_uncertainty_score":0.038508236},"labels":[],"label_agreement":null},{"id":"W4403929208","doi":"10.4324/9781032614144-7","title":"Postcards from the Edge","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Enhanced Data Rates for GSM Evolution; Computer science; Artificial intelligence","score_opus":0.023866352880725368,"score_gpt":0.20477720935897512,"score_spread":0.18091085647824975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403929208","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024136975,0.0005407679,0.00046582887,0.0043257494,0.0072827395,0.00007518319,0.00074143376,0.00048421999,0.98367035],"genre_scores_gemma":[0.0062574125,0.00029548528,0.00029941718,0.0007357156,0.0010092192,0.000027676577,0.00031271728,0.00025186487,0.9908105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927694,0.00007927532,0.000031416777,0.00009144221,0.00039330122,0.0001275092],"domain_scores_gemma":[0.99808514,0.0003100035,0.00007082749,0.00019126157,0.0008831313,0.0004597294],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006025904,0.0004582561,0.00034255217,0.001667495,0.002889026,0.0051320996,0.0006108915,0.0009059634,0.50953126],"category_scores_gemma":[0.0039406987,0.00021279704,0.00018368349,0.00186708,0.00061865,0.0029107055,0.0019721151,0.0016341141,0.20166458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030408413,0.000012398955,0.00010410369,0.000039735725,5.6167596e-7,0.000059823687,0.0002379149,0.000009255832,0.00025624636,0.014648527,0.93132323,0.05327781],"study_design_scores_gemma":[0.0000016879072,0.0000074080112,0.00027543862,0.0000137122215,3.4217402e-7,0.000022283,0.000117543554,0.000013628315,0.000080656246,0.00045232213,0.9990132,0.000001807768],"about_ca_topic_score_codex":0.002634127,"about_ca_topic_score_gemma":0.006106153,"teacher_disagreement_score":0.50953126,"about_ca_system_score_codex":0.0017159611,"about_ca_system_score_gemma":0.0011973948,"threshold_uncertainty_score":0.69959414},"labels":[],"label_agreement":null},{"id":"W4405949758","doi":"10.1007/978-3-030-01537-4_419-1","title":"Collins, An","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Redeemer University","funders":"","keywords":"Psychology","score_opus":0.0307203401440536,"score_gpt":0.22185093839412506,"score_spread":0.19113059825007145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405949758","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012063803,0.009080402,0.001487928,0.011979617,0.0014368548,0.00003383777,0.00025900378,0.00016046551,0.9743556],"genre_scores_gemma":[0.00820748,0.002387766,0.0007061977,0.00158327,0.00009370528,0.000019418323,0.000086195294,0.00010201076,0.9868139],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990658,0.00019518044,0.000038558497,0.00026160758,0.00031173986,0.00012701676],"domain_scores_gemma":[0.9986947,0.000317435,0.00005297202,0.000119667915,0.00061433186,0.0002008689],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00095674815,0.00059564516,0.00041877152,0.0025440038,0.0072608455,0.007497806,0.0007058239,0.0021052083,0.15185122],"category_scores_gemma":[0.0029901566,0.0005182178,0.00025032493,0.00198435,0.0020283957,0.005113972,0.0023818791,0.002966801,0.041088644],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031764404,0.00003160977,0.00038302928,0.00009117207,0.000003152137,0.00020043773,0.0023557344,0.00008619355,0.00026627592,0.24395238,0.6430996,0.10949864],"study_design_scores_gemma":[0.0000016741968,0.0000037994903,0.0001832337,0.000079166246,0.0000016478448,0.00007702235,0.0006869295,0.000037221853,0.00011345201,0.0052412525,0.99356985,0.0000046472796],"about_ca_topic_score_codex":0.030542312,"about_ca_topic_score_gemma":0.12711751,"teacher_disagreement_score":0.84814876,"about_ca_system_score_codex":0.003852885,"about_ca_system_score_gemma":0.0053166994,"threshold_uncertainty_score":0.507993},"labels":[],"label_agreement":null},{"id":"W4408122415","doi":"10.33137/wij.v20i2.45044","title":"Franklin, Ruth. The Many Lives of Anne Frank. Yale University Press, 2025.","year":2025,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gerontology; Art history; Psychoanalysis; Psychology; History; Medicine","score_opus":0.012287766571356084,"score_gpt":0.2297894411813321,"score_spread":0.21750167460997602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408122415","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005259937,0.7939487,0.00042228762,0.11507176,0.010546475,0.00002299555,0.0011184404,0.00016449348,0.07817893],"genre_scores_gemma":[0.018260725,0.42063174,0.0018161384,0.028681966,0.0058458815,0.00012514001,0.0008276158,0.0004532487,0.5233575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994043,0.00012898589,0.000045814435,0.00007108361,0.0002840707,0.000065670596],"domain_scores_gemma":[0.99779993,0.0006229166,0.00016150234,0.00008107236,0.0010415313,0.00029305296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001185005,0.0010768782,0.00053133187,0.0023781972,0.0047940225,0.0035509497,0.0009748107,0.0037924661,0.06476809],"category_scores_gemma":[0.0041967,0.0010884295,0.00032549293,0.0029424867,0.0017892997,0.007180348,0.0017035024,0.0044361274,0.03563651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013036637,0.000005479876,0.00010809974,0.00008006566,0.0000019454146,0.000038407394,0.00044709395,0.000012799515,0.000036304795,0.0035714172,0.9639647,0.03172055],"study_design_scores_gemma":[0.0000028803518,0.0000027931335,0.00073460746,0.00037689455,0.0000032018822,0.000060182192,0.00075670145,0.000008351833,0.00003216191,0.0012982027,0.99671894,0.0000049091896],"about_ca_topic_score_codex":0.053946227,"about_ca_topic_score_gemma":0.17852846,"teacher_disagreement_score":0.06476809,"about_ca_system_score_codex":0.0020823544,"about_ca_system_score_gemma":0.0039894464,"threshold_uncertainty_score":0.21667087},"labels":[],"label_agreement":null},{"id":"W4408406230","doi":"10.22230/cjc.2017v43n1a3290","title":"Fuelling the Nation: Imaginaries of Western Oil in Canadian Nontheatrical Film","year":2018,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"Concordia University","keywords":"Political science","score_opus":0.02545293536075265,"score_gpt":0.23122370726252212,"score_spread":0.20577077190176946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408406230","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43684834,0.0052261925,0.0011749942,0.016276032,0.00041751878,0.0000590156,0.000283754,0.00006507281,0.5396491],"genre_scores_gemma":[0.97918266,0.0020719748,0.0003318286,0.00074299437,0.000039126546,0.000014633886,0.00006358587,0.00003969081,0.017513633],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985751,0.0004574053,0.000024774892,0.00012945154,0.00037737467,0.0004359816],"domain_scores_gemma":[0.99809855,0.00090618565,0.000110079454,0.000078577934,0.00045953834,0.0003470925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016939201,0.0007516795,0.00028086815,0.0030392015,0.02208822,0.0125679,0.0010293577,0.0013669729,0.006355649],"category_scores_gemma":[0.003336471,0.00025314477,0.00020913657,0.0036783218,0.021007309,0.0035455162,0.003379873,0.0025929615,0.00027322522],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004319211,0.000015205834,0.0018606626,0.00009451882,0.000005865816,0.00053000316,0.9295891,0.00006471376,0.00071684254,0.048213243,0.009190701,0.009676074],"study_design_scores_gemma":[0.0000032189143,0.0000080654145,0.0040709795,0.00020026934,0.000012964816,0.00019317973,0.84247553,0.00013986629,0.00036606423,0.0018739619,0.15063463,0.000021360147],"about_ca_topic_score_codex":0.91672516,"about_ca_topic_score_gemma":0.9540488,"teacher_disagreement_score":0.08327484,"about_ca_system_score_codex":0.04470903,"about_ca_system_score_gemma":0.023434564,"threshold_uncertainty_score":0.3243882},"labels":[],"label_agreement":null},{"id":"W4408441176","doi":"10.5194/egusphere-egu25-3818","title":"The unprecedented Pacific Northwest heatwave of 1941: Digitized newspapers to understand far-reaching physical and social impacts","year":2025,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Newspaper; Geography; History; Advertising; Business","score_opus":0.024402253506047075,"score_gpt":0.25830401787951934,"score_spread":0.23390176437347227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408441176","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27996987,0.03944545,0.00257932,0.01858596,0.0029972615,0.0003990666,0.33246756,0.0008108778,0.32274464],"genre_scores_gemma":[0.54188037,0.08353501,0.02057394,0.008739856,0.008597097,0.0013415855,0.26186347,0.0010754693,0.07239319],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99921656,0.00013098751,0.00009720176,0.0001232944,0.00033983027,0.00009210332],"domain_scores_gemma":[0.9861692,0.007023865,0.002786697,0.0005106129,0.0029014465,0.0006082907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012174828,0.0005087752,0.00023619052,0.01652269,0.0011555309,0.004175406,0.0003790086,0.0004998389,0.014717699],"category_scores_gemma":[0.008193837,0.00027562183,0.00018743321,0.029168013,0.0007062582,0.0046925046,0.0016209795,0.0010231985,0.0051306877],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001499145,0.00013717404,0.08272657,0.0048782523,0.00008858217,0.0012008387,0.02460798,0.00031715113,0.0019496817,0.0047143395,0.59657705,0.28265253],"study_design_scores_gemma":[0.000015083102,0.000029527733,0.23882513,0.002435396,0.0001057108,0.00046289948,0.025450287,0.0004351791,0.0010545984,0.001427126,0.7296973,0.00006185865],"about_ca_topic_score_codex":0.018431775,"about_ca_topic_score_gemma":0.045847528,"teacher_disagreement_score":0.018431775,"about_ca_system_score_codex":0.0012257496,"about_ca_system_score_gemma":0.0013756814,"threshold_uncertainty_score":0.049235582},"labels":[],"label_agreement":null},{"id":"W4409873552","doi":"10.3138/jcs-2025-0213","title":"“[L]ike a page from history”? A Half-Century of Death Notices in <i>The Globe and Mail</i>","year":2025,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"The King's University; Western University","funders":"","keywords":"Globe; History; Psychology","score_opus":0.03168303046422597,"score_gpt":0.23176421624991142,"score_spread":0.20008118578568546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409873552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26344985,0.07152559,0.010178984,0.2609609,0.021808587,0.00013244743,0.0009668812,0.00073756394,0.37023917],"genre_scores_gemma":[0.8220776,0.018196264,0.0024382696,0.028608752,0.01189659,0.000091337184,0.0005453548,0.0006139863,0.11553185],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99792755,0.0013177874,0.000072973795,0.00017102108,0.0003112137,0.0001994944],"domain_scores_gemma":[0.99618894,0.0016322986,0.00074102974,0.00049210363,0.0005409367,0.00040477878],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002311973,0.00041820682,0.00025078646,0.0018601514,0.0077086175,0.008207391,0.0007337682,0.001840778,0.0065093404],"category_scores_gemma":[0.008394263,0.00025528108,0.00022348925,0.0019058806,0.012418193,0.009948594,0.0030265644,0.0037359898,0.001570321],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018066893,0.000052484473,0.005095688,0.00044949993,0.000015135175,0.0011907138,0.35658166,0.00007659232,0.0010601397,0.2052329,0.31047744,0.11958706],"study_design_scores_gemma":[0.0000033167973,0.000046105266,0.004311523,0.00049696956,0.0000054309144,0.00067074486,0.078962885,0.00003537617,0.000355264,0.003411899,0.9116734,0.000026981465],"about_ca_topic_score_codex":0.00513483,"about_ca_topic_score_gemma":0.008002657,"teacher_disagreement_score":0.9948652,"about_ca_system_score_codex":0.0030079558,"about_ca_system_score_gemma":0.0014181256,"threshold_uncertainty_score":0.02182442},"labels":[],"label_agreement":null},{"id":"W4409990849","doi":"10.26443/tbj.v19i.470","title":"Three Burneys in the Crewe White Album","year":2024,"lang":"en","type":"article","venue":"The Burney Journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"White (mutation); Art; Biology; Genetics","score_opus":0.029397554335631997,"score_gpt":0.24005493302667402,"score_spread":0.21065737869104204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409990849","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28933328,0.013210458,0.0013757133,0.05498287,0.007092444,0.00021692965,0.00038094533,0.00027299367,0.6331343],"genre_scores_gemma":[0.35298285,0.003383019,0.0011679427,0.0063387556,0.0006575858,0.00010622202,0.00017116305,0.00036942982,0.634823],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994103,0.0001278938,0.000016725662,0.000087187225,0.0001615245,0.00019647625],"domain_scores_gemma":[0.99908483,0.00020594391,0.00006284045,0.00005559354,0.00023996481,0.00035071085],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076367386,0.0004592284,0.00022652291,0.0013960147,0.015496524,0.005726724,0.00060354883,0.0014597032,0.023152076],"category_scores_gemma":[0.0030940322,0.00035845017,0.0002176961,0.0011213303,0.0048757647,0.0031631603,0.0035362123,0.0034869204,0.002204816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032518743,0.00013181387,0.002138196,0.00031570304,0.000019423644,0.005293961,0.35749516,0.000095424155,0.004998119,0.14305434,0.41940397,0.06672872],"study_design_scores_gemma":[0.0000062103777,0.00002416765,0.0024333622,0.0002543339,0.000005759095,0.00044050522,0.05248812,0.000036224,0.0010062545,0.001374655,0.9419047,0.000025769521],"about_ca_topic_score_codex":0.049354,"about_ca_topic_score_gemma":0.15075494,"teacher_disagreement_score":0.049354,"about_ca_system_score_codex":0.0043373173,"about_ca_system_score_gemma":0.0026391628,"threshold_uncertainty_score":0.098133445},"labels":[],"label_agreement":null},{"id":"W4410795375","doi":"10.1080/14791420.2025.2506797","title":"Carnival rhetoric: resisting absurdity qua absurdist performance","year":2025,"lang":"en","type":"article","venue":"Communication and Critical/Cultural Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Absurdity; Rhetoric; Absurdism; Literature; Philosophy; Art; Linguistics","score_opus":0.06797960290883832,"score_gpt":0.3446962658237356,"score_spread":0.27671666291489727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410795375","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43963063,0.003424016,0.01358326,0.029409684,0.001198126,0.000088460656,0.00005782997,0.00025780004,0.51235014],"genre_scores_gemma":[0.9864444,0.00027208665,0.00071117823,0.00078818994,0.00020330303,0.000020344587,0.000011617462,0.00006149437,0.011487378],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958805,0.0026790032,0.00007526409,0.0003050691,0.00066179206,0.00039843074],"domain_scores_gemma":[0.99370474,0.004121005,0.00052115927,0.0006901394,0.0005549407,0.00040806917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063842568,0.00074454927,0.00034291323,0.0024483218,0.012337994,0.009287978,0.0010595719,0.0020978656,0.0050028353],"category_scores_gemma":[0.010240368,0.00024502116,0.00023243029,0.0012779229,0.03658311,0.005594449,0.008246429,0.0033176818,0.00054149656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001030115,0.00003301299,0.0017524051,0.00027646133,0.000020503727,0.00077908515,0.48197743,0.00020501294,0.002671152,0.4845572,0.006739916,0.020884832],"study_design_scores_gemma":[0.00004747184,0.00021530603,0.0040796916,0.0006822792,0.00007028781,0.0006029821,0.34410167,0.0011297886,0.0059612747,0.083366826,0.55965817,0.000084222556],"about_ca_topic_score_codex":0.0050608558,"about_ca_topic_score_gemma":0.008878532,"teacher_disagreement_score":0.012337994,"about_ca_system_score_codex":0.0045408797,"about_ca_system_score_gemma":0.0028188063,"threshold_uncertainty_score":0.033763587},"labels":[],"label_agreement":null},{"id":"W4411149706","doi":"10.3138/cras-2025-003","title":"Tainted Love: Tracing Connie’s Trauma Through Music in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”","year":2025,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tracing; Literature; Art; Philosophy; Computer science; Programming language","score_opus":0.029244438588147643,"score_gpt":0.28461092404318855,"score_spread":0.2553664854550409,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411149706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60444075,0.049646575,0.0015178191,0.10623156,0.0021748205,0.000100384255,0.00024228496,0.00004952236,0.2355963],"genre_scores_gemma":[0.937426,0.026947055,0.0005131619,0.008542049,0.00053054874,0.00008502269,0.000053497843,0.000069665555,0.025833009],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969658,0.0016895523,0.00008522669,0.00019459547,0.0005660036,0.0004988352],"domain_scores_gemma":[0.99502724,0.0030699174,0.00050432247,0.00020398997,0.00060050347,0.00059389294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025991313,0.0005217603,0.00058438303,0.002706009,0.024016777,0.010357481,0.0010828793,0.0028653964,0.0046772696],"category_scores_gemma":[0.0081792055,0.00042991544,0.00025760158,0.0026659362,0.021889841,0.0066838767,0.0068416097,0.0056163226,0.00041544446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030064237,0.00002107945,0.0018504421,0.00019718817,0.000009154169,0.0018087673,0.9448003,0.000022603175,0.00028254444,0.027612714,0.014110749,0.009254368],"study_design_scores_gemma":[0.0000024251153,0.00001581238,0.0026615805,0.00047538138,0.000009966012,0.0010627733,0.8455599,0.000015314576,0.00023300186,0.001252622,0.14869723,0.000014089518],"about_ca_topic_score_codex":0.11098807,"about_ca_topic_score_gemma":0.2949489,"teacher_disagreement_score":0.11098807,"about_ca_system_score_codex":0.011155543,"about_ca_system_score_gemma":0.0066201924,"threshold_uncertainty_score":0.22068411},"labels":[],"label_agreement":null},{"id":"W4411151347","doi":"10.3138/cras-2025-001","title":"How to Read a Drawer: Print Culture and Humour Practice in <i>Harper’s New Monthly Magazine</i>","year":2025,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Trent University","funders":"","keywords":"Print culture; Art history; Art; Literature; History","score_opus":0.01645602480192696,"score_gpt":0.28478321523615774,"score_spread":0.26832719043423076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411151347","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5229438,0.016078357,0.0054442924,0.04146356,0.001570006,0.000052471616,0.0000840034,0.0001350908,0.41222835],"genre_scores_gemma":[0.9684355,0.0025963516,0.0006600261,0.002513266,0.0003320564,0.0000128090405,0.000014063766,0.00008030801,0.025355615],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9971834,0.0017407477,0.000039325125,0.00017724844,0.000648367,0.00021090143],"domain_scores_gemma":[0.99470806,0.0037260626,0.00039593832,0.00020665384,0.0005856669,0.00037756708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023215548,0.00041665218,0.00016772373,0.0018638576,0.012104947,0.009120766,0.000534324,0.0013441517,0.0029340002],"category_scores_gemma":[0.0072579524,0.00023216517,0.00010129903,0.0015189912,0.021705346,0.005915772,0.002335207,0.0025826306,0.00040070197],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020297342,0.000015708565,0.001210904,0.00007947231,0.000005758442,0.00065478176,0.926609,0.000031831045,0.00047708358,0.036397032,0.014786228,0.019711979],"study_design_scores_gemma":[0.000004332013,0.000028278868,0.0036320726,0.00019604336,0.000011711739,0.0008427781,0.5942236,0.00008038747,0.0010687351,0.0042259158,0.3956552,0.000030789066],"about_ca_topic_score_codex":0.03763165,"about_ca_topic_score_gemma":0.102317385,"teacher_disagreement_score":0.03763165,"about_ca_system_score_codex":0.004483487,"about_ca_system_score_gemma":0.0023914739,"threshold_uncertainty_score":0.07482523},"labels":[],"label_agreement":null},{"id":"W4411922606","doi":"10.1080/17524032.2025.2521327","title":"The Anti-Extractivist Documentary in Latin America: The Aesthetics and Affordances of <i>When Two Worlds Collide</i> and <i>Surire</i>","year":2025,"lang":"en","type":"article","venue":"Environmental Communication","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Connaught Fund; University of Toronto","keywords":"Affordance; Aesthetics; Latin Americans; Art; Sociology; Visual arts; Psychology; Philosophy; Linguistics; Cognitive psychology","score_opus":0.006266578239789788,"score_gpt":0.2123212549988583,"score_spread":0.2060546767590685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411922606","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36398497,0.0019091729,0.015842913,0.016043305,0.00043219727,0.0000732849,0.00015445867,0.0001756919,0.601384],"genre_scores_gemma":[0.9835602,0.0004512158,0.0028997497,0.00036150057,0.00008783107,0.000050312137,0.000040519884,0.00014184255,0.012406838],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972989,0.0018611153,0.00007136037,0.00023031015,0.00032909305,0.00020933014],"domain_scores_gemma":[0.99370545,0.0043094847,0.0005299122,0.0008802926,0.00034883816,0.00022608701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003903538,0.00050666876,0.00028788066,0.0015058819,0.008170526,0.011753166,0.0007588942,0.0012436681,0.00489544],"category_scores_gemma":[0.007819114,0.00028955867,0.00031077105,0.0016876446,0.023736956,0.0071978485,0.007158094,0.003288033,0.00038464027],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007286685,0.000023042867,0.001943407,0.00017858928,0.000008289208,0.0006809283,0.72053117,0.000107675434,0.0032048763,0.2553708,0.0024375913,0.015440758],"study_design_scores_gemma":[0.000024553232,0.00006219137,0.0051219915,0.000460198,0.000026770887,0.0011396583,0.6472792,0.00037462157,0.0028352356,0.03273513,0.3098995,0.000041023046],"about_ca_topic_score_codex":0.005282381,"about_ca_topic_score_gemma":0.0100758085,"teacher_disagreement_score":0.011753166,"about_ca_system_score_codex":0.0027161401,"about_ca_system_score_gemma":0.0015925165,"threshold_uncertainty_score":0.020644128},"labels":[],"label_agreement":null},{"id":"W4412302721","doi":"","title":"The World between Fiction and Reality:ACLA Vancouver, April, 2011","year":2011,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.0534444962596986,"score_gpt":0.230378782118522,"score_spread":0.1769342858588234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412302721","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056308202,0.08388938,0.0008597866,0.08538835,0.008433688,0.00015780127,0.0068911193,0.00026661556,0.757805],"genre_scores_gemma":[0.19684933,0.03497655,0.0012410523,0.002882747,0.001664233,0.00010868431,0.0035076248,0.00030997104,0.75845975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999154,0.00015063296,0.000035589183,0.0000932614,0.00043471972,0.00013177778],"domain_scores_gemma":[0.9977234,0.00057335256,0.00008908274,0.00012985838,0.0009979826,0.0004862429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010154413,0.00048270848,0.00030867395,0.0039912695,0.01672639,0.014046263,0.0008342091,0.0016394649,0.03167681],"category_scores_gemma":[0.0041994774,0.0003897006,0.0001769949,0.008533399,0.0028227887,0.0019477505,0.0022439396,0.0031724956,0.004030898],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006944849,0.00003699242,0.0020321312,0.00037185065,0.000015857511,0.00034133173,0.024114741,0.00012187311,0.00041799684,0.011781482,0.89829516,0.0624012],"study_design_scores_gemma":[0.0000032082737,0.0000061416044,0.0071695447,0.00038890817,0.000008779087,0.00008849154,0.022356018,0.000031831383,0.00020030087,0.0008280203,0.9689088,0.000009956627],"about_ca_topic_score_codex":0.5737387,"about_ca_topic_score_gemma":0.9275316,"teacher_disagreement_score":0.5737387,"about_ca_system_score_codex":0.015441079,"about_ca_system_score_gemma":0.015141092,"threshold_uncertainty_score":0.8575433},"labels":[],"label_agreement":null},{"id":"W4413267318","doi":"10.32920/29660594.v1","title":"Stargate","year":2025,"lang":"en","type":"preprint","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Space (punctuation); Afterlife; Literature; Philosophy; Linguistics","score_opus":0.026944888131213148,"score_gpt":0.24177561656444,"score_spread":0.21483072843322684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413267318","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035508483,0.00083058927,0.0017967019,0.004238646,0.0024059273,0.00004840383,0.0033562472,0.0026346366,0.9843337],"genre_scores_gemma":[0.0021509812,0.00042168985,0.00048067528,0.0008599921,0.00018221806,0.000022175913,0.0013046646,0.0014306408,0.99314696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884915,0.00013940933,0.00005824901,0.00028605727,0.0005297196,0.00013733676],"domain_scores_gemma":[0.99798965,0.00022578644,0.000078207915,0.0004986527,0.00070706627,0.0005006803],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010153456,0.00075316255,0.00060056127,0.0017889343,0.002754291,0.0087987,0.0013837195,0.0028926863,0.801338],"category_scores_gemma":[0.0044145016,0.00056556833,0.00051585294,0.0019937702,0.0010893247,0.005464046,0.0036562611,0.0023577935,0.6636708],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031433385,0.000011249113,0.000081412494,0.000066478635,0.0000020812797,0.00005566222,0.00014643591,0.000031922602,0.00021540803,0.020242149,0.93559587,0.043519866],"study_design_scores_gemma":[0.0000022196118,0.0000021526987,0.00006919637,0.000016583057,4.440358e-7,0.000024439621,0.000049546925,0.00001684054,0.00007148747,0.0010260068,0.99871886,0.0000023016325],"about_ca_topic_score_codex":0.009021264,"about_ca_topic_score_gemma":0.019800209,"teacher_disagreement_score":0.19866198,"about_ca_system_score_codex":0.0024053473,"about_ca_system_score_gemma":0.0025003776,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4413339101","doi":"10.5817/cejcs2024-19-9","title":"[Beattie, Steven W. (ed). Best Canadian stories 2025]","year":2024,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.05076583760350368,"score_gpt":0.24182772737022418,"score_spread":0.1910618897667205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413339101","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005888842,0.59566057,0.0005333463,0.08738677,0.011153945,0.00004701872,0.0025782727,0.00022283087,0.30182832],"genre_scores_gemma":[0.017188342,0.57977754,0.001525576,0.01441381,0.0034981382,0.00008638824,0.0017724185,0.00028082673,0.38145697],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990778,0.00010760848,0.000038517064,0.00005780519,0.0005346736,0.00018369067],"domain_scores_gemma":[0.99854845,0.00026324228,0.00006469309,0.00004964351,0.0007877895,0.00028627238],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011871888,0.0013757704,0.0005966076,0.00545428,0.009731766,0.009423079,0.0024710651,0.0041204216,0.06807907],"category_scores_gemma":[0.0039911726,0.00082717463,0.0005806075,0.010740648,0.0036771896,0.006809911,0.002489005,0.0034078052,0.022391913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005885379,0.0000022260967,0.00010320472,0.000113788374,0.0000018359407,0.00004350183,0.0010092817,0.000020406424,0.000013448929,0.005309207,0.9527463,0.040631022],"study_design_scores_gemma":[0.0000014340748,8.8948923e-7,0.0005698712,0.00029250022,0.000003700713,0.000036596175,0.0014256287,0.00000767404,0.000013556335,0.00084569765,0.9967968,0.000005803817],"about_ca_topic_score_codex":0.89974326,"about_ca_topic_score_gemma":0.9669745,"teacher_disagreement_score":0.10025674,"about_ca_system_score_codex":0.017179318,"about_ca_system_score_gemma":0.036558103,"threshold_uncertainty_score":0.2277472},"labels":[],"label_agreement":null},{"id":"W4413992359","doi":"10.1353/vpr.2025.a969183","title":"“A Certain Amount of Scientific Education”: Science, Sensation, and the Everyman Narrator in the Serialised War of the Worlds (1897)","year":2025,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sensation; Aesthetics; Literature; Psychology; History; Philosophy; Epistemology; Art; Cognitive psychology","score_opus":0.00824142305793284,"score_gpt":0.253136516594202,"score_spread":0.24489509353626915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413992359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3046865,0.1395976,0.0021262574,0.1450961,0.007335854,0.000044288245,0.00010345863,0.000050972198,0.400959],"genre_scores_gemma":[0.93727106,0.023073087,0.0002979743,0.007684819,0.0021819556,0.000028864011,0.000036167905,0.000054055756,0.029371906],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99599034,0.0029339835,0.0000917095,0.00017809203,0.0005291009,0.00027691812],"domain_scores_gemma":[0.98986477,0.008091604,0.0007497819,0.000290138,0.00062855624,0.0003750642],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0064391056,0.0003121429,0.00043169633,0.0016831404,0.0060939942,0.008112651,0.0006317487,0.002440007,0.0033193189],"category_scores_gemma":[0.01045515,0.00031748516,0.00016827302,0.0018459792,0.027290037,0.0056650285,0.0038253667,0.0049453266,0.00050130853],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006105879,0.000022834438,0.00065604644,0.00047055655,0.000010162421,0.00092040835,0.78778344,0.000033897064,0.00042271824,0.16663972,0.028126186,0.014852901],"study_design_scores_gemma":[0.000012515883,0.00005116041,0.0022248665,0.0016515327,0.000014419492,0.0007204705,0.32321322,0.00003721254,0.0006141442,0.012670918,0.65877044,0.000019205145],"about_ca_topic_score_codex":0.006585378,"about_ca_topic_score_gemma":0.0127821285,"teacher_disagreement_score":0.008112651,"about_ca_system_score_codex":0.005231995,"about_ca_system_score_gemma":0.003826626,"threshold_uncertainty_score":0.037960947},"labels":[],"label_agreement":null},{"id":"W4414105364","doi":"10.1017/9781009604987.027","title":"On Our Allotted Daemon","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Daemon; Information access; Key (lock); Access to information; Information system; Data access","score_opus":0.022106107672012675,"score_gpt":0.1915420520361547,"score_spread":0.16943594436414203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414105364","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006386999,0.009609608,0.0029922766,0.030000193,0.073526785,0.00024249507,0.0034096548,0.0027847614,0.8767955],"genre_scores_gemma":[0.0008260454,0.0014877014,0.00036199135,0.002433622,0.0029578607,0.000038979953,0.0007018055,0.00047286585,0.99071926],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991934,0.00010015248,0.000035895806,0.00009448918,0.00046453573,0.00011165243],"domain_scores_gemma":[0.9985789,0.00017280586,0.000035731482,0.00017259801,0.0007343433,0.00030566097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008864715,0.0008509244,0.0006697655,0.0019651046,0.0024080286,0.006857673,0.0012619848,0.0020448412,0.59658116],"category_scores_gemma":[0.0038617637,0.00039522973,0.00059408066,0.0017153012,0.0007048683,0.0045681386,0.0029262684,0.0029085516,0.4976257],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069520097,0.000007713675,0.000015453448,0.0000224105,4.4764505e-7,0.000018829054,0.00002833177,0.00001524579,0.00005777857,0.0022649062,0.9738645,0.023697488],"study_design_scores_gemma":[9.929091e-7,0.0000030884214,0.000036684327,0.0000259354,3.4656415e-7,0.0000124168055,0.000019727677,0.000009221317,0.000020987449,0.0003898862,0.999479,0.0000016762735],"about_ca_topic_score_codex":0.004626377,"about_ca_topic_score_gemma":0.008309505,"teacher_disagreement_score":0.59658116,"about_ca_system_score_codex":0.0018162177,"about_ca_system_score_gemma":0.0015402245,"threshold_uncertainty_score":0.575428},"labels":[],"label_agreement":null},{"id":"W4414794952","doi":"10.1353/vcr.2024.a970813","title":"\"Undone by the Blood\": Bloodborne (2015) and the Human Cost of Medical Progress","year":2024,"lang":"en","type":"article","venue":"Victorian review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Human health; Precondition; Order (exchange); Medical practice; Human life; Medical costs","score_opus":0.015570799103099551,"score_gpt":0.2851211626031353,"score_spread":0.26955036350003575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414794952","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020442097,0.8068677,0.00041307302,0.0808405,0.001405675,0.000016172939,0.00006182045,0.00000771449,0.08994535],"genre_scores_gemma":[0.40808386,0.5521197,0.00047125435,0.020061767,0.0013511691,0.000036698504,0.000049433846,0.000026738124,0.017799415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99666154,0.002121361,0.00010263628,0.00017874343,0.0006566739,0.00027900602],"domain_scores_gemma":[0.99383223,0.0046610455,0.0005879347,0.00015751594,0.0005445379,0.00021669705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046211234,0.00027456853,0.0004988363,0.0021070242,0.0031403422,0.0111438045,0.00085652684,0.003381666,0.0069037825],"category_scores_gemma":[0.008452754,0.00024888464,0.00023484231,0.0030827438,0.014067792,0.0046298127,0.0023828945,0.0034254752,0.0006856063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012977433,0.000048654518,0.0010362307,0.008007023,0.00007412322,0.0005326032,0.095021516,0.00012326431,0.00044886058,0.6753582,0.07308483,0.14613497],"study_design_scores_gemma":[0.000016989141,0.000046217225,0.0050820555,0.020882968,0.00008220276,0.0005328748,0.069153965,0.00006755182,0.00041848727,0.043821886,0.85986394,0.000030938772],"about_ca_topic_score_codex":0.042861197,"about_ca_topic_score_gemma":0.08333426,"teacher_disagreement_score":0.042861197,"about_ca_system_score_codex":0.010013911,"about_ca_system_score_gemma":0.0093683265,"threshold_uncertainty_score":0.08522344},"labels":[],"label_agreement":null},{"id":"W4416695915","doi":"10.1177/09564748251398650e","title":"No prams, please M.A.L. The Journalism and Writing of Madeline Alberta Linford, compiled by HerbertMichael (Lulu.com, pp540, £26.99)","year":2025,"lang":"en","type":"article","venue":"British Journalism Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism","score_opus":0.013189321438560643,"score_gpt":0.25014418383692805,"score_spread":0.2369548623983674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416695915","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009458728,0.13301222,0.0008846425,0.08421907,0.07695356,0.00012267803,0.0033830025,0.0017364139,0.69874257],"genre_scores_gemma":[0.0022607855,0.011746578,0.00033434317,0.0048679668,0.0027293789,0.000025801099,0.00056009943,0.00030771265,0.9771673],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912304,0.00016545916,0.000037701233,0.000102285536,0.0004827286,0.00008872351],"domain_scores_gemma":[0.9962997,0.0007454466,0.0002778052,0.00017886948,0.0014694633,0.0010287036],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014811045,0.000606067,0.0006439639,0.0019338081,0.0023435892,0.0055194907,0.0008388379,0.0012921393,0.4575485],"category_scores_gemma":[0.007839465,0.0005393701,0.00029889937,0.0019135061,0.0008069398,0.003088664,0.0016854088,0.0022446509,0.3420351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008755348,0.0000017779768,0.000028593144,0.00007181189,7.264834e-7,0.000011918089,0.000044368233,0.000003616765,0.000043489414,0.00056825276,0.9830888,0.016127858],"study_design_scores_gemma":[0.0000010383359,0.0000023116818,0.00019084994,0.000080407284,6.540851e-7,0.00002230914,0.00010249215,0.0000043972723,0.000015722928,0.00011409699,0.9994642,0.0000015395082],"about_ca_topic_score_codex":0.016750585,"about_ca_topic_score_gemma":0.06470833,"teacher_disagreement_score":0.4575485,"about_ca_system_score_codex":0.0018903086,"about_ca_system_score_gemma":0.0024408519,"threshold_uncertainty_score":0.77374125},"labels":[],"label_agreement":null},{"id":"W586355242","doi":"","title":"Figures du journalisme : Brésil, Bretagne, France, La Réunion, Mexique, Québec","year":2008,"lang":"fr","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.00924254070639703,"score_gpt":0.19938832195085843,"score_spread":0.1901457812444614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W586355242","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041850433,0.15450679,0.0012421926,0.028246285,0.0027855614,0.0001552065,0.020322548,0.0009893994,0.74990153],"genre_scores_gemma":[0.10820579,0.015624377,0.00077818905,0.0004680241,0.00023570364,0.0000483386,0.002130237,0.00024753975,0.8722618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995745,0.00004349709,0.00001605923,0.0000912484,0.00014410267,0.0001306769],"domain_scores_gemma":[0.99929965,0.000115033145,0.000062422005,0.000018098643,0.00029801694,0.00020678437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046298938,0.0009629297,0.0005027525,0.004090769,0.0070853666,0.0059510325,0.0008327501,0.0013289883,0.121949084],"category_scores_gemma":[0.0013913163,0.0005311425,0.0002576947,0.011024842,0.001672266,0.0023185494,0.00093258935,0.0018780875,0.0081060855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012415143,0.000037591173,0.0066339653,0.00035278147,0.000025413276,0.00049788697,0.006769203,0.00043856612,0.0007825858,0.0449014,0.81243354,0.1270028],"study_design_scores_gemma":[0.000012132522,0.000007064625,0.035095695,0.00016588086,0.0000075561634,0.00015255058,0.0031838345,0.00008335257,0.00015098225,0.00052557397,0.9606,0.000015509935],"about_ca_topic_score_codex":0.93037117,"about_ca_topic_score_gemma":0.9784016,"teacher_disagreement_score":0.121949084,"about_ca_system_score_codex":0.03185859,"about_ca_system_score_gemma":0.023166012,"threshold_uncertainty_score":0.4079603},"labels":[],"label_agreement":null},{"id":"W61477333","doi":"","title":"Photoblur (Original writing, Novel).","year":2003,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Computer science","score_opus":0.025368303155284253,"score_gpt":0.20759166569788876,"score_spread":0.18222336254260452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W61477333","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034692,0.0068906974,0.0014451975,0.011216041,0.031995296,0.00017511005,0.0034506347,0.0007685175,0.9405893],"genre_scores_gemma":[0.02035993,0.0013430929,0.0005809952,0.0021106715,0.001920974,0.000103012244,0.00086659635,0.00030996875,0.9724047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997985,0.000041024163,0.000006391277,0.00005274378,0.00007683249,0.000024517565],"domain_scores_gemma":[0.9997702,0.00004619018,0.000021101392,0.000025877105,0.00008747436,0.000049171067],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025306997,0.0007901919,0.0002213269,0.00090810715,0.0029520332,0.002820603,0.00076930213,0.0011733884,0.3223941],"category_scores_gemma":[0.0012638741,0.00030326238,0.00033272448,0.00064893026,0.00078691426,0.0018682416,0.0018162082,0.0019164499,0.12298477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000890492,0.000021107251,0.000050702183,0.00015850349,0.0000016787126,0.00038386413,0.0010151007,0.000035642737,0.00078748364,0.007308405,0.9511486,0.038999826],"study_design_scores_gemma":[0.000005317931,0.000012372228,0.00029946936,0.00006496942,8.74737e-7,0.00027955172,0.00057305687,0.000025323972,0.00015461048,0.00073893135,0.9978416,0.000003835158],"about_ca_topic_score_codex":0.0039530313,"about_ca_topic_score_gemma":0.009736605,"teacher_disagreement_score":0.3223941,"about_ca_system_score_codex":0.0015473753,"about_ca_system_score_gemma":0.0005047185,"threshold_uncertainty_score":0.9665226},"labels":[],"label_agreement":null},{"id":"W621999073","doi":"","title":"'IT'S GOING TO BE SPECTACULAR': ROBERT MILTON LOOKS FORWARD TO TURNING AIR CANADA AND CANADIAN AIRLINES INTO A GLOBAL POWERHOUSE.","year":2000,"lang":"en","type":"article","venue":"Air transport world","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aviation; Aeronautics; Economic history; Political science; Advertising; Management; History; Meteorology; Business; Engineering; Economics; Geography; Aerospace engineering","score_opus":0.006501199856130303,"score_gpt":0.19793318889203873,"score_spread":0.19143198903590844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W621999073","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013478015,0.023985375,0.00016384467,0.9548732,0.007395567,0.000007114156,0.000037531125,0.000016742943,0.0121728955],"genre_scores_gemma":[0.06490508,0.06122848,0.0011853913,0.72630864,0.012922622,0.00006608978,0.00009948197,0.0001667432,0.13311742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977756,0.00087454036,0.00005055959,0.0001760343,0.0007639743,0.00035925963],"domain_scores_gemma":[0.99299276,0.0032750152,0.00032598927,0.00011967592,0.0018709308,0.0014156459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047139935,0.000617574,0.00050049304,0.002667113,0.018313566,0.012172601,0.0017252367,0.009076143,0.009805047],"category_scores_gemma":[0.014050423,0.00035335435,0.00032892684,0.0035839635,0.010983808,0.010366214,0.0025085374,0.010911525,0.0017567364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012503732,0.000011320306,0.00040953085,0.000079091245,0.000005379327,0.00014115966,0.008960295,0.0000135204045,0.000066343055,0.015395418,0.96519387,0.009711639],"study_design_scores_gemma":[0.0000064576034,0.000009959813,0.0020945475,0.0005214574,0.000012953625,0.00011670311,0.047620136,0.00003780342,0.00014998142,0.008449004,0.9409538,0.0000271483],"about_ca_topic_score_codex":0.21797687,"about_ca_topic_score_gemma":0.5073871,"teacher_disagreement_score":0.78202313,"about_ca_system_score_codex":0.009724962,"about_ca_system_score_gemma":0.011343347,"threshold_uncertainty_score":0.4334162},"labels":[],"label_agreement":null},{"id":"W628217481","doi":"","title":"Guy Maddin : interviews","year":2010,"lang":"en","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Film director; Movie theater; Art history; Style (visual arts); Performance art; Narrative; Visual arts; Literature; History","score_opus":0.026158351566242535,"score_gpt":0.22074889582274662,"score_spread":0.19459054425650407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W628217481","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35569295,0.020062393,0.004137115,0.19794065,0.0035047708,0.00593405,0.016865848,0.0010819556,0.39478025],"genre_scores_gemma":[0.6394475,0.007508243,0.0046570683,0.08012031,0.00059446064,0.0067859986,0.0028719464,0.00034191116,0.25767252],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958832,0.0017107318,0.00012665392,0.00045529736,0.0005463566,0.0012777036],"domain_scores_gemma":[0.99181354,0.0024259372,0.0004489386,0.00021443813,0.0016778099,0.0034193129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037535285,0.0006379207,0.0006581804,0.0020934977,0.014607054,0.0038908825,0.0013351135,0.0036379858,0.041364234],"category_scores_gemma":[0.008589362,0.0006952238,0.00014867309,0.003395139,0.0044805952,0.002015721,0.004851173,0.005988692,0.008959822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013542791,0.00014818515,0.0021182287,0.00039804037,0.0000030460556,0.0027468926,0.61428165,0.00009754404,0.002039355,0.007224892,0.35446978,0.01633708],"study_design_scores_gemma":[0.000009533708,0.000029128081,0.0026758455,0.00037311707,0.0000017224809,0.0003618194,0.4847878,0.00006299404,0.00018764519,0.0006141496,0.5108649,0.000031355426],"about_ca_topic_score_codex":0.16833325,"about_ca_topic_score_gemma":0.30825245,"teacher_disagreement_score":0.16833325,"about_ca_system_score_codex":0.014773145,"about_ca_system_score_gemma":0.012981484,"threshold_uncertainty_score":0.33470684},"labels":[],"label_agreement":null},{"id":"W64584152","doi":"","title":"Phyllis Lambert: così difendo Montreal e racconto il Seagram Building","year":2013,"lang":"it","type":"article","venue":"PORTO Publications Open Repository TOrino (Politecnico di Torino)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022567808178942647,"score_gpt":0.26182464283515156,"score_spread":0.2392568346562089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W64584152","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0062271194,0.04348343,0.0050313747,0.24870838,0.01417404,0.00009154552,0.0013993152,0.0013186225,0.67956614],"genre_scores_gemma":[0.032928545,0.009121443,0.0021555221,0.0074093184,0.0011098238,0.000056456047,0.00026654027,0.00077518506,0.94617724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887055,0.00031800574,0.000026785447,0.00021857402,0.00040817563,0.00015783843],"domain_scores_gemma":[0.9978423,0.0005978231,0.00011920781,0.00014576383,0.0007747807,0.000520183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015089967,0.00074720045,0.00038147424,0.0027176049,0.005349986,0.005078386,0.0011036962,0.0019500729,0.1683716],"category_scores_gemma":[0.0054639755,0.0003685278,0.00018002457,0.0025205188,0.002028834,0.0042241598,0.0023224035,0.0024261256,0.04487001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001704785,0.0000185727,0.0003678975,0.00006373985,0.0000026766543,0.00007504196,0.0020115518,0.000031456137,0.00019643032,0.030273769,0.9092541,0.05768783],"study_design_scores_gemma":[0.0000014289686,0.000002525417,0.0004349184,0.0000706024,0.0000014082066,0.00005373166,0.0012672615,0.000024660774,0.0001207742,0.0014200163,0.99659795,0.0000047269186],"about_ca_topic_score_codex":0.04884301,"about_ca_topic_score_gemma":0.1020179,"teacher_disagreement_score":0.951157,"about_ca_system_score_codex":0.004150554,"about_ca_system_score_gemma":0.0036038477,"threshold_uncertainty_score":0.5632591},"labels":[],"label_agreement":null},{"id":"W648943382","doi":"","title":"Image technologies in Canadian literature : narrative, film, and photography","year":2009,"lang":"en","type":"book","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Poetics; Narrative; Reading (process); Ledger; Visual arts; Art history; Order (exchange); Poetry; Literature; Philosophy; Linguistics","score_opus":0.006228679977537662,"score_gpt":0.193803349090917,"score_spread":0.18757466911337936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W648943382","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009543648,0.09568984,0.00063770113,0.023442455,0.0012040565,0.00004936151,0.00047991864,0.000109313594,0.8688436],"genre_scores_gemma":[0.30161953,0.13557622,0.0019457376,0.0033117183,0.00091977697,0.000086687156,0.0006625963,0.00022357561,0.5556541],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989152,0.0001239773,0.000027340477,0.0000847642,0.0005915625,0.0002570494],"domain_scores_gemma":[0.99845755,0.00036270783,0.00009066736,0.0000712192,0.0007577294,0.00026011156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007494261,0.000763806,0.0003105442,0.00679432,0.016642706,0.013331839,0.0013875583,0.0014899026,0.026069384],"category_scores_gemma":[0.0036712007,0.00034098592,0.00021870533,0.013406491,0.011798278,0.004257517,0.0021906537,0.001506759,0.0021007343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002217448,0.000021546504,0.00087533565,0.0005542278,0.000006832745,0.00044707456,0.086969204,0.00015348195,0.00031314854,0.43781257,0.3600429,0.112781405],"study_design_scores_gemma":[0.0000018262456,0.0000030274741,0.0019230334,0.00048227073,0.0000060566376,0.00012540295,0.027676117,0.0000398362,0.00011733091,0.004483798,0.96512777,0.000013579033],"about_ca_topic_score_codex":0.95247704,"about_ca_topic_score_gemma":0.9774449,"teacher_disagreement_score":0.090350024,"about_ca_system_score_codex":0.090350024,"about_ca_system_score_gemma":0.0673783,"threshold_uncertainty_score":0.6555384},"labels":[],"label_agreement":null},{"id":"W659300151","doi":"","title":"Canadian literary humorists","year":2011,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Linguistics; Philosophy","score_opus":0.03296846962169084,"score_gpt":0.1840708638225634,"score_spread":0.15110239420087257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W659300151","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008879795,0.017873907,0.0006188635,0.034097224,0.0087397015,0.00007888835,0.002782406,0.0003778719,0.9265513],"genre_scores_gemma":[0.06364335,0.007015562,0.0010914041,0.0023185448,0.0014175832,0.00004138096,0.00087934337,0.00022118066,0.92337173],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99536264,0.0004933775,0.00012651687,0.00053675065,0.0027408542,0.00073989487],"domain_scores_gemma":[0.99191403,0.0009748723,0.00017582654,0.0004639473,0.005272946,0.0011984378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019341247,0.0009302465,0.000664478,0.010300757,0.023317404,0.01174527,0.0016221559,0.002091122,0.11905576],"category_scores_gemma":[0.009575965,0.00042014342,0.00047511916,0.008253112,0.0045682727,0.0016372334,0.0022831114,0.002432523,0.0127143795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006726756,0.000017476348,0.00062079984,0.00016019856,0.000008771382,0.00020061653,0.0044637783,0.00010752454,0.0003833377,0.08614869,0.8478785,0.059943024],"study_design_scores_gemma":[0.0000025109077,0.000001850912,0.0006657192,0.000047030728,0.000003335838,0.000032689895,0.0011726909,0.000025177622,0.0001411006,0.00070829666,0.9971934,0.00000627841],"about_ca_topic_score_codex":0.90541154,"about_ca_topic_score_gemma":0.95481074,"teacher_disagreement_score":0.11905576,"about_ca_system_score_codex":0.056322224,"about_ca_system_score_gemma":0.05353988,"threshold_uncertainty_score":0.40864825},"labels":[],"label_agreement":null},{"id":"W6904774691","doi":"10.14288/1.0422239","title":"Old Mole","year":2022,"lang":"en","type":"article","venue":"Open Collections","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Journalism","score_opus":0.02436795189932174,"score_gpt":0.2313859580686934,"score_spread":0.20701800616937166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6904774691","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008137751,0.0018311077,0.00057422306,0.0034026068,0.0036202623,0.000033132263,0.0008639515,0.00034879343,0.98851216],"genre_scores_gemma":[0.003951758,0.0010523323,0.0003884984,0.00089804677,0.0003474693,0.000019985942,0.00037624547,0.00022711094,0.99273854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995977,0.00006609192,0.000023451907,0.00008970748,0.00017196353,0.00005107207],"domain_scores_gemma":[0.9993881,0.00009820283,0.00003453838,0.00012006489,0.00021327149,0.00014584755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048234875,0.0005276823,0.00035173676,0.001252474,0.0029970848,0.00526056,0.0007699241,0.0013249625,0.5753804],"category_scores_gemma":[0.0024087834,0.00024980635,0.00026853327,0.00079198764,0.0008258762,0.003458322,0.0027761806,0.0015976233,0.36534765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003388659,0.000020771708,0.00022223254,0.00008859937,0.0000026198754,0.00017557773,0.000779518,0.000024567846,0.00024738503,0.045340862,0.8326302,0.12043368],"study_design_scores_gemma":[7.1871864e-7,0.000001764947,0.00006803485,0.00002588083,3.8662594e-7,0.000045094075,0.00011459611,0.0000052862615,0.000028078377,0.00058512803,0.999124,0.0000011081759],"about_ca_topic_score_codex":0.0034041863,"about_ca_topic_score_gemma":0.00861969,"teacher_disagreement_score":0.5753804,"about_ca_system_score_codex":0.0011030576,"about_ca_system_score_gemma":0.0010495731,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W6906685877","doi":"10.17613/jetk-7f85","title":"The Awfulization of News: When the Real World of Technology Meets the Real World of Journalism","year":2022,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Indigenous; Criticism; Reciprocity (cultural anthropology); News media; Digital media; Action (physics); Technical Journalism","score_opus":0.025496843624169995,"score_gpt":0.2256354656253255,"score_spread":0.2001386220011555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6906685877","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14763959,0.023613423,0.0130375875,0.38638368,0.0050383327,0.00009640815,0.0001809217,0.00026872166,0.42374128],"genre_scores_gemma":[0.9578194,0.00552481,0.0010985327,0.014291841,0.0013952565,0.000045546443,0.000055666518,0.00015144562,0.019617392],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98441446,0.009232473,0.0002707523,0.0008173953,0.0033636251,0.0019013195],"domain_scores_gemma":[0.9740382,0.018277772,0.0013390998,0.0016038907,0.0026187277,0.0021221926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00956663,0.0005810233,0.00044637092,0.0025089453,0.024489675,0.04597222,0.001531673,0.0057713143,0.0047786455],"category_scores_gemma":[0.028379919,0.00064875156,0.00043543108,0.0025428713,0.078277305,0.03276871,0.008620934,0.010300092,0.00079280767],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009499603,0.00002257744,0.0019438299,0.00017719503,0.000015431786,0.00091867935,0.60347354,0.00010123602,0.00073894137,0.34793904,0.02735617,0.017218316],"study_design_scores_gemma":[0.0000147690025,0.000028970182,0.001710932,0.00041518852,0.000020630065,0.0005202059,0.42865884,0.00019800152,0.0010179563,0.077337295,0.4899971,0.00008008908],"about_ca_topic_score_codex":0.10604315,"about_ca_topic_score_gemma":0.10383454,"teacher_disagreement_score":0.10604315,"about_ca_system_score_codex":0.020783868,"about_ca_system_score_gemma":0.011793432,"threshold_uncertainty_score":0.21085185},"labels":[],"label_agreement":null},{"id":"W6910525813","doi":"10.48336/6exn-pg57","title":"Intimate encounters with violence: media and trauma in the work of Phyllis Webb and Daphne Marlatt","year":2022,"lang":"en","type":"article","venue":"Memorial University Research Repository (Memorial University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Colonialism; Relation (database); Perception; Work (physics); New media; Emerging technologies; Movie theater; Digital media; World War II; Spanish Civil War","score_opus":0.020850402561196593,"score_gpt":0.2165931424331996,"score_spread":0.19574273987200302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6910525813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55483145,0.059809774,0.0023065484,0.18888722,0.0016593882,0.00013769818,0.0002432652,0.00010170593,0.1920229],"genre_scores_gemma":[0.93018454,0.028861148,0.0009166506,0.012210205,0.00029907288,0.00011949807,0.00004454399,0.00010185734,0.027262501],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99566877,0.0023418742,0.00007493157,0.0003086422,0.0009317837,0.00067405746],"domain_scores_gemma":[0.9934284,0.0044863173,0.00044365664,0.00016438466,0.00049394433,0.0009832877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00429608,0.0006530993,0.000784055,0.0036609594,0.04529076,0.01762208,0.0017295897,0.004496309,0.0033016438],"category_scores_gemma":[0.00827204,0.00081820524,0.00022354379,0.005027164,0.04968804,0.009001953,0.00734209,0.007648685,0.00044842224],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010173724,0.000016012706,0.00078668504,0.00007252036,0.00000329494,0.00065169984,0.96214163,0.000024338347,0.00012581942,0.02077426,0.008332026,0.0070615443],"study_design_scores_gemma":[0.0000032943444,0.0000127308,0.0015535033,0.00041654584,0.0000048508264,0.00050778175,0.87483305,0.000022317057,0.00010814279,0.0023201862,0.12019608,0.000021446165],"about_ca_topic_score_codex":0.43347266,"about_ca_topic_score_gemma":0.5817526,"teacher_disagreement_score":0.43347266,"about_ca_system_score_codex":0.026607515,"about_ca_system_score_gemma":0.022542829,"threshold_uncertainty_score":0.86189914},"labels":[],"label_agreement":null},{"id":"W6936519410","doi":"10.58066/3zcj-5x21","title":"Paracelsus notebook","year":2024,"lang":"en","type":"article","venue":"UVic’s Research and Learning Repository (University of Victoria)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art","score_opus":0.030518413962119975,"score_gpt":0.25664538903906914,"score_spread":0.22612697507694918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936519410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010794286,0.0063520633,0.0021148962,0.0044698524,0.0060623717,0.00019617972,0.009516217,0.0011095455,0.9593846],"genre_scores_gemma":[0.027317008,0.002850984,0.0016487836,0.0007408185,0.00044572318,0.00006467813,0.004006823,0.0004930039,0.9624322],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997682,0.00002148805,0.0000095946825,0.00003186315,0.00014722023,0.00002156931],"domain_scores_gemma":[0.99919766,0.00022541326,0.00003318146,0.00007871129,0.00035883996,0.00010614048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003629001,0.00030571653,0.00024050775,0.0018079198,0.0020681089,0.0015790617,0.00043288397,0.00031576547,0.14411916],"category_scores_gemma":[0.001697261,0.00017307581,0.00008153433,0.001742374,0.000767823,0.0010843333,0.000803812,0.0010788199,0.03394628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033206747,0.000014176306,0.00021901244,0.00013934799,9.482175e-7,0.00009582208,0.0020340756,0.000033766366,0.0005352744,0.016728176,0.8753872,0.10477893],"study_design_scores_gemma":[7.8950126e-7,0.0000033523015,0.000461336,0.000023885628,2.895107e-7,0.00003830609,0.00021170244,0.0000067323817,0.00007229451,0.0003738613,0.998806,0.0000014535046],"about_ca_topic_score_codex":0.03538752,"about_ca_topic_score_gemma":0.10776623,"teacher_disagreement_score":0.14411916,"about_ca_system_score_codex":0.0017795872,"about_ca_system_score_gemma":0.002434044,"threshold_uncertainty_score":0.4821266},"labels":[],"label_agreement":null},{"id":"W6944128644","doi":"10.17613/s23bz-cge55","title":"The WALLPAPER Volume 3, Number 12","year":2022,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wallpaper; Quarter (Canadian coin); Section (typography); Minor (academic); Series (stratigraphy); Displacement (psychology)","score_opus":0.02279037673628685,"score_gpt":0.20893070004864353,"score_spread":0.1861403233123567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6944128644","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003125566,0.018606354,0.00021594437,0.01126908,0.017070303,0.00006467213,0.0017254456,0.00017594971,0.94774675],"genre_scores_gemma":[0.01099851,0.0055795363,0.00007276681,0.0019489737,0.0020156757,0.000051816267,0.00067457044,0.00013814826,0.97852],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959975,0.000041855823,0.00001435936,0.000082368286,0.00019204074,0.000069475514],"domain_scores_gemma":[0.99944097,0.00014015961,0.00006038166,0.000050981733,0.00017042129,0.00013705337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004242688,0.0004810388,0.00026767465,0.001458034,0.0033661968,0.0072500478,0.00054097135,0.001447892,0.21608032],"category_scores_gemma":[0.0020438996,0.00025920448,0.00020609326,0.0029782704,0.0017567581,0.0021703886,0.0011971154,0.0019096297,0.06793038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000241316,0.000014044607,0.0004503207,0.00008722188,0.0000015635599,0.000030275918,0.0002789195,0.000011806314,0.00017494266,0.0063620755,0.9680815,0.024483144],"study_design_scores_gemma":[0.000002663559,0.000009031084,0.0029261971,0.00021526593,0.0000011589017,0.000025365649,0.00044394008,0.000007193358,0.000076585064,0.00043578775,0.995854,0.0000027736992],"about_ca_topic_score_codex":0.019559776,"about_ca_topic_score_gemma":0.04138119,"teacher_disagreement_score":0.21608032,"about_ca_system_score_codex":0.0039427206,"about_ca_system_score_gemma":0.0018236996,"threshold_uncertainty_score":0.7228607},"labels":[],"label_agreement":null},{"id":"W6950260124","doi":"10.5284/1064579","title":"The Capon Tree, Brampton, and its Memories.","year":2008,"lang":"en","type":"article","venue":"Archaeology Data Service","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Capon; Control theory (sociology); Noise (video); Signal processing","score_opus":0.0595060316048885,"score_gpt":0.24395214425936337,"score_spread":0.18444611265447486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950260124","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011172736,0.09158961,0.0035896571,0.59684956,0.013489576,0.000039278268,0.00067173684,0.00020538323,0.28239238],"genre_scores_gemma":[0.29783142,0.05389982,0.0063571837,0.13873993,0.006641378,0.00016227337,0.00050280086,0.0009578353,0.49490732],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979857,0.001128501,0.00006316308,0.00020902233,0.00045036795,0.0001631232],"domain_scores_gemma":[0.9929121,0.004231054,0.00031297473,0.000729899,0.0011231359,0.0006907757],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033027914,0.00038617052,0.00029124063,0.0019165557,0.012307057,0.009744503,0.0010863137,0.0036260602,0.01725752],"category_scores_gemma":[0.016290255,0.0005323934,0.00011045782,0.003609518,0.013606154,0.014598195,0.0036038735,0.0066540036,0.0029221699],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004863859,0.000011135624,0.00046348642,0.000065837514,0.000003473318,0.00021030988,0.037033625,0.000021767444,0.00006239301,0.11792033,0.7942825,0.04987659],"study_design_scores_gemma":[0.0000021014723,0.0000037420943,0.00042463097,0.0002842587,0.0000025474296,0.000107592095,0.02476044,0.000024611743,0.00007843333,0.010368629,0.9639355,0.000007533977],"about_ca_topic_score_codex":0.03302736,"about_ca_topic_score_gemma":0.12722912,"teacher_disagreement_score":0.96697265,"about_ca_system_score_codex":0.0029999274,"about_ca_system_score_gemma":0.0037438,"threshold_uncertainty_score":0.06567019},"labels":[],"label_agreement":null},{"id":"W6955262914","doi":"10.57935/agr.26065783","title":"Exploring trajectories in dietary adequacy of the B vitamins folate, riboflavin, vitamins B<sub>6 </sub>and B<sub>12</sub>, with advancing older age: a systematic review","year":2024,"lang":"en","type":"article","venue":"AgResearch","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Micronutrient; Riboflavin; B vitamins; Dietary Reference Intake; Nutrient; Vitamin B12; Population","score_opus":0.05244435057090663,"score_gpt":0.26411125722564205,"score_spread":0.21166690665473542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955262914","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036319096,0.9948037,0.0001956406,0.00016060146,0.000053464202,0.0003442951,0.0006430556,0.000007721797,0.00015962527],"genre_scores_gemma":[0.045992468,0.95073307,0.0010318755,0.0004169792,0.00004760095,0.0010436118,0.00055058475,0.0000073734896,0.00017643915],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.9948395,0.0015453874,0.0021440536,0.00059625384,0.0007233649,0.00015136423],"domain_scores_gemma":[0.98095196,0.012694781,0.0041378364,0.00031240357,0.0017102271,0.00019275611],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007192116,0.0013371093,0.007573015,0.006931617,0.0005718965,0.0023603397,0.0014055436,0.0015830994,0.0031682248],"category_scores_gemma":[0.03195778,0.001216972,0.011704968,0.009275758,0.0005888546,0.001959853,0.0015082296,0.0009419759,0.0002293527],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003531468,0.000027859041,0.004285011,0.92842686,0.03736475,0.00009182475,0.00029949806,0.00014425107,0.00013343181,0.00013796338,0.0007747418,0.027960695],"study_design_scores_gemma":[0.00041315163,0.00037671626,0.019366765,0.6483534,0.31957138,0.0004115978,0.0005282073,0.00023955933,0.00024748244,0.0003731332,0.010044805,0.00007386484],"about_ca_topic_score_codex":0.01463139,"about_ca_topic_score_gemma":0.040642604,"teacher_disagreement_score":0.01463139,"about_ca_system_score_codex":0.0027828803,"about_ca_system_score_gemma":0.009204425,"threshold_uncertainty_score":0.03803605},"labels":[],"label_agreement":null},{"id":"W6977303651","doi":"10.6084/m9.figshare.13141556.v1","title":"Additional file 7 of A strategic initiative to facilitate knowledge translation research in rehabilitation","year":2020,"lang":"en","type":"article","venue":"Figshare","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières; McMaster University; McGill University; Université Laval; Université de Montréal; Centre for Interdisciplinary Research in Rehabilitation","funders":"","keywords":"Agency (philosophy); Knowledge translation; Rehabilitation; Funding Agency; Context (archaeology)","score_opus":0.5410090212753496,"score_gpt":0.3457670174746581,"score_spread":0.19524200380069145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977303651","genre_codex":"dataset","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012144155,0.000013608533,0.00019514577,0.00021647026,0.000022999964,0.00035976453,0.996482,0.00015330904,0.0024352255],"genre_scores_gemma":[0.006634584,0.00024432992,0.006647587,0.00093482586,0.00013195073,0.015256553,0.94677454,0.0007201337,0.022655468],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760264,0.00068915955,0.00062122924,0.0002545393,0.0005477502,0.0002847113],"domain_scores_gemma":[0.89255124,0.08376414,0.004958981,0.0031293386,0.013542053,0.0020543283],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005878482,0.0007204971,0.0011139202,0.0053485045,0.0014347307,0.0026831834,0.0020691266,0.0015607108,0.9205922],"category_scores_gemma":[0.080352895,0.00058635505,0.0007539467,0.009654698,0.0003818006,0.0031785863,0.002278293,0.0011449766,0.21471581],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021426707,0.00006474326,0.000674713,0.0026055095,0.0000140997845,0.000026681037,0.000115760944,0.00008520354,0.000022614659,0.0006414855,0.9883786,0.00715655],"study_design_scores_gemma":[0.004141564,0.00020610061,0.021815054,0.0083440505,0.0001300164,0.0001626171,0.0017078365,0.00057751435,0.00033726645,0.008028544,0.9544318,0.000117653304],"about_ca_topic_score_codex":0.013353327,"about_ca_topic_score_gemma":0.02778173,"teacher_disagreement_score":0.9205922,"about_ca_system_score_codex":0.0023784575,"about_ca_system_score_gemma":0.0057128775,"threshold_uncertainty_score":0.113265514},"labels":[],"label_agreement":null},{"id":"W6980863934","doi":"","title":"Czech - Live at Freakin Oct 28 2000","year":2000,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Czech; Ovoid; EYE FOREIGN BODY","score_opus":0.01318835868520789,"score_gpt":0.21774008306442705,"score_spread":0.20455172437921915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980863934","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017158905,0.00068299833,0.00023607821,0.0007795564,0.0010746168,0.00009695303,0.007955047,0.0004462111,0.9870127],"genre_scores_gemma":[0.003775679,0.00021173691,0.000118344215,0.00008444374,0.000042344716,0.00003279875,0.0029069271,0.0003552652,0.9924725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999508,0.000027829172,0.000013155502,0.00008463658,0.00018507516,0.0001813024],"domain_scores_gemma":[0.9993542,0.00002626002,0.000024643046,0.000058240676,0.0002663539,0.00027022653],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005858059,0.00077007955,0.00041615675,0.0014032418,0.0037173368,0.003950419,0.00094504666,0.0012318962,0.73702115],"category_scores_gemma":[0.0012733715,0.00034489643,0.00029416068,0.0015340202,0.00039326295,0.0023093226,0.0028945298,0.0013283569,0.4786106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015199707,0.000032449905,0.00041976647,0.00008006476,0.0000034365132,0.00012389325,0.00013387561,0.000045913876,0.0004721533,0.0043354705,0.9657747,0.028426286],"study_design_scores_gemma":[0.0000097833345,0.000008635442,0.0022405854,0.000045126766,0.0000011717423,0.00003954519,0.00021477672,0.000020350666,0.00013931103,0.00022335588,0.9970517,0.00000569633],"about_ca_topic_score_codex":0.053674836,"about_ca_topic_score_gemma":0.23723763,"teacher_disagreement_score":0.26297885,"about_ca_system_score_codex":0.0029281224,"about_ca_system_score_gemma":0.0029344677,"threshold_uncertainty_score":0.3751074},"labels":[],"label_agreement":null},{"id":"W6981364961","doi":"","title":"EFFECTS OF GUAYAKI YERBA MATE CONSUMPTION ON COGNITIVE PERFORMANCE IN COLLEGE STUDENTS MUSCLE FATIGUE REDUCES ACTIVE STIFFNESS","year":2023,"lang":"en","type":"article","venue":"TopSCHOLAR (Western Kentucky University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Isometric exercise; Stiffness; Muscle stiffness; Muscle fatigue; Vastus lateralis muscle; Muscle biopsy; Compliance (psychology); Muscle fibre","score_opus":0.029655944639048488,"score_gpt":0.2539792545957663,"score_spread":0.22432330995671781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981364961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99890053,0.0005388016,0.000023056886,0.00008979149,0.000016525066,0.000009050457,0.000038766695,0.000009870138,0.00037358425],"genre_scores_gemma":[0.997675,0.00052234525,0.00009730183,0.000069093796,0.000011478432,0.000013826722,0.0000442903,0.00000355252,0.0015630217],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99993134,0.000018237211,0.0000040958253,0.000013121396,0.000011311599,0.000021977661],"domain_scores_gemma":[0.9997812,0.000027174128,0.000039564376,0.000013633018,0.00002347378,0.000115000366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012897367,0.00039630005,0.00053785514,0.00023943745,0.00034822628,0.00032134433,0.00023313162,0.00040320432,0.0026260056],"category_scores_gemma":[0.00044537464,0.00015427274,0.00024792686,0.000116276366,0.00015073418,0.00017359114,0.00027628458,0.0005357425,0.00037022648],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.15057968,0.12573354,0.22688553,0.0013150914,0.0017374859,0.0010045292,0.002897365,0.00044425353,0.14085913,0.0003603983,0.004018023,0.34416503],"study_design_scores_gemma":[0.0016761034,0.06099841,0.92352283,0.000073900344,0.0006579433,0.00015781111,0.0010159631,0.00077635574,0.008207689,0.00013758898,0.0027368593,0.000038599286],"about_ca_topic_score_codex":0.0038885155,"about_ca_topic_score_gemma":0.005641834,"teacher_disagreement_score":0.0038885155,"about_ca_system_score_codex":0.00017035723,"about_ca_system_score_gemma":0.00024091374,"threshold_uncertainty_score":0.008784831},"labels":[],"label_agreement":null},{"id":"W6981635173","doi":"","title":"Étude de certaines implications pédagogiques de l'organisation des cours des sessions intensives d'été dans deux collèges d'enseignement général et professionnel : essai présenté à l'école des gradués de l'Université Laval pour l'obtention de la maîtrise en sciences de l'éducation /","year":2015,"lang":"fr","type":"other","venue":"Bibliothèque et Archives nationales du Québec (Québec government)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work schedule; Work (physics); Derogation","score_opus":0.026452031221376026,"score_gpt":0.2887544205262161,"score_spread":0.26230238930484007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981635173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9106996,0.0018188985,0.0019913123,0.01248676,0.00012813768,0.00033001142,0.00045378844,0.00009848023,0.07199305],"genre_scores_gemma":[0.96749574,0.00054406887,0.00096405187,0.00045689358,0.000044481094,0.00016416694,0.00009899442,0.00002626623,0.030205261],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9958658,0.0015386357,0.00011236204,0.0003195172,0.000964524,0.0011992007],"domain_scores_gemma":[0.9806637,0.00732149,0.0015472147,0.00064322504,0.0052765603,0.004547818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006591992,0.00026408548,0.00024743073,0.001948966,0.007917173,0.0066122822,0.0016763174,0.0013677431,0.011186161],"category_scores_gemma":[0.016461657,0.0002831414,0.00024664498,0.0021767572,0.003232618,0.0016605383,0.002593202,0.0018048468,0.00067397015],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005902561,0.0010366385,0.22305252,0.0006698814,0.000058961847,0.0009999868,0.50106084,0.000695449,0.009537304,0.01975584,0.01266049,0.2298818],"study_design_scores_gemma":[0.000038032624,0.00018135147,0.73739856,0.00028719116,0.00004087943,0.00006763051,0.21311423,0.0003753487,0.0014171072,0.0010207824,0.046023436,0.000035435263],"about_ca_topic_score_codex":0.64035505,"about_ca_topic_score_gemma":0.8226576,"teacher_disagreement_score":0.64035505,"about_ca_system_score_codex":0.033107884,"about_ca_system_score_gemma":0.04253963,"threshold_uncertainty_score":0.72352594},"labels":[],"label_agreement":null},{"id":"W6981639113","doi":"","title":"Evaluating climate change risk at Ireland’s Tentative World Heritage Sites","year":2024,"lang":"en","type":"article","venue":"Research Portal (Queen's University Belfast)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast; Royal Irish Academy; United Nations Educational, Scientific and Cultural Organization","keywords":"Climate change; Nomination; World heritage; Cultural heritage; Global warming; Global change; Value (mathematics)","score_opus":0.08595655070435537,"score_gpt":0.3373556553514435,"score_spread":0.25139910464708815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981639113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96921104,0.00006597239,0.008874885,0.00013167583,0.000029844956,0.00045365258,0.0026730276,0.000095762414,0.01846414],"genre_scores_gemma":[0.97756314,0.000093774375,0.015328385,0.000020813874,0.0000069603348,0.00022630779,0.0035623047,0.00003377478,0.003164504],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99713254,0.0006453058,0.00012392954,0.00018667104,0.0014474194,0.000464027],"domain_scores_gemma":[0.99112356,0.0021572118,0.0015372025,0.0009601411,0.0035211788,0.0007008737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036573107,0.0005916472,0.00040365694,0.0037439247,0.001322795,0.002577228,0.001357521,0.0006101147,0.0021672929],"category_scores_gemma":[0.008693137,0.00044377422,0.0010583022,0.00349069,0.0009917472,0.0013977934,0.00247776,0.0010044201,0.00062255823],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008607144,0.00049954694,0.8225377,0.00015384563,0.00021965904,0.0009545102,0.002577426,0.08481627,0.0030184716,0.0027159834,0.0031728256,0.07847299],"study_design_scores_gemma":[0.00006259548,0.0009040018,0.89337337,0.00010927648,0.000111112975,0.00032244588,0.014277316,0.07066965,0.007367824,0.002660861,0.009983916,0.00015767205],"about_ca_topic_score_codex":0.080481455,"about_ca_topic_score_gemma":0.17114094,"teacher_disagreement_score":0.080481455,"about_ca_system_score_codex":0.005018985,"about_ca_system_score_gemma":0.0027465627,"threshold_uncertainty_score":0.16002601},"labels":[],"label_agreement":null},{"id":"W6981850270","doi":"","title":"Finländska innebandyspelares erfarenheter av språkpolicyn och språkpraktiker i svenska innebandylag","year":2023,"lang":"fi","type":"dissertation","venue":"Jyväskylä University Digital Archive (University of Jyväskylä)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Work (physics); Quarter (Canadian coin)","score_opus":0.013853201054334654,"score_gpt":0.19186273103668333,"score_spread":0.17800952998234867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981850270","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060401924,0.044746473,0.007719245,0.123045444,0.00821056,0.0004864993,0.0042664944,0.0017636699,0.74935967],"genre_scores_gemma":[0.16696997,0.02512715,0.005773448,0.009505707,0.0011440567,0.00030774882,0.0020423615,0.0006854625,0.78844404],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99482036,0.0010223766,0.00030493012,0.0007790269,0.001827875,0.0012454141],"domain_scores_gemma":[0.9939032,0.0015552344,0.00048439356,0.00043376765,0.0012588248,0.0023645018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054231538,0.00089531404,0.00070192554,0.0016530487,0.0055293753,0.014536337,0.0013140555,0.004721749,0.13924062],"category_scores_gemma":[0.009363127,0.0005308462,0.0008036275,0.001956991,0.0015506624,0.0060367114,0.007142468,0.004153815,0.058129612],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006163108,0.00054487283,0.019519377,0.0015626972,0.00008195478,0.0024769665,0.016863385,0.001250222,0.0058698184,0.08643107,0.43505695,0.42972642],"study_design_scores_gemma":[0.00001357268,0.00003978313,0.003898309,0.0004241216,0.000010814781,0.00015072415,0.0034158,0.00017024759,0.000607452,0.0024079648,0.98883355,0.00002766773],"about_ca_topic_score_codex":0.020951878,"about_ca_topic_score_gemma":0.026256386,"teacher_disagreement_score":0.13924062,"about_ca_system_score_codex":0.0058697667,"about_ca_system_score_gemma":0.022521533,"threshold_uncertainty_score":0.4658063},"labels":[],"label_agreement":null},{"id":"W6981948703","doi":"","title":"Fortieth annual report of the Toronto Mechanics' Institute.","year":2014,"lang":"en","type":"article","venue":"QSpace (Queen's University Library)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Annual report; Annual cycle; Preliminary report; Altitude (triangle)","score_opus":0.006481576994733232,"score_gpt":0.16904963909162204,"score_spread":0.16256806209688882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981948703","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051763062,0.061094284,0.00095018354,0.050474625,0.023270022,0.0003918474,0.16764992,0.0011932671,0.68979955],"genre_scores_gemma":[0.005361436,0.008011453,0.00039252828,0.00063054054,0.0006818677,0.00006223236,0.013198259,0.00014285235,0.9715189],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886143,0.000053106116,0.00004797335,0.00009103638,0.00075964717,0.00018681145],"domain_scores_gemma":[0.99778265,0.00010292572,0.00008771321,0.000112382004,0.0013913523,0.0005231543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008770169,0.0010831909,0.0005039967,0.0025661378,0.0017038276,0.0031811937,0.0009160649,0.0013856865,0.17931558],"category_scores_gemma":[0.0020929598,0.00067353866,0.00029895693,0.003560169,0.00054241833,0.0013053927,0.0015823668,0.0014731284,0.06187893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022327278,0.00000792161,0.0003930924,0.000051347426,0.00000172643,0.000016248041,0.000045728182,0.000028265778,0.00004704559,0.00088192907,0.98748595,0.011018575],"study_design_scores_gemma":[0.0000038328553,0.000004406947,0.004939218,0.000050389124,0.0000022765078,0.000011935114,0.00014496347,0.000024854855,0.00004833952,0.00008784315,0.994678,0.0000039139313],"about_ca_topic_score_codex":0.5215428,"about_ca_topic_score_gemma":0.75201416,"teacher_disagreement_score":0.5215428,"about_ca_system_score_codex":0.0070184586,"about_ca_system_score_gemma":0.019327797,"threshold_uncertainty_score":0.96254987},"labels":[],"label_agreement":null},{"id":"W6982003084","doi":"","title":"\"A Gesture of Solidarity Through Music\": Local and International Community in Canadian Benefit Concerts for Ukraine","year":2022,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Solidarity; Beneficiary; Context (archaeology); Feeling; Gesture; International community; Resistance (ecology)","score_opus":0.12180964062524091,"score_gpt":0.2996738699663661,"score_spread":0.17786422934112517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982003084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6917059,0.0014518161,0.000502775,0.011733832,0.0004907441,0.000091569644,0.00022958843,0.00008165862,0.29371208],"genre_scores_gemma":[0.9814881,0.00044910665,0.0001891494,0.00069857726,0.000036252524,0.000020181766,0.000047094145,0.000033005283,0.017038494],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981834,0.0004561188,0.000021165573,0.00017854954,0.00030437947,0.0008563466],"domain_scores_gemma":[0.9981198,0.00035650638,0.00011038203,0.000081790466,0.00030492892,0.0010265444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016370626,0.000480778,0.00039800833,0.001827448,0.04553419,0.012412656,0.0016892754,0.002188441,0.010860844],"category_scores_gemma":[0.0031393047,0.0002928472,0.00025095555,0.0026319132,0.016148183,0.002161061,0.0069159223,0.0040527284,0.00047929905],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009487796,0.000056549496,0.005454812,0.00009953163,0.000013421235,0.0015989334,0.9173816,0.00009898326,0.0007876003,0.039107364,0.021968454,0.013337902],"study_design_scores_gemma":[0.000007868251,0.000014218947,0.0067042815,0.00007494778,0.000008709542,0.0001018869,0.8719073,0.000050580253,0.00014778566,0.0004453164,0.120516114,0.000020952488],"about_ca_topic_score_codex":0.90831393,"about_ca_topic_score_gemma":0.9721552,"teacher_disagreement_score":0.09168607,"about_ca_system_score_codex":0.043576803,"about_ca_system_score_gemma":0.03822726,"threshold_uncertainty_score":0.31617332},"labels":[],"label_agreement":null},{"id":"W6982014297","doi":"","title":"Gas transport properties of tetramethyl polysulfones and other polymers containing bulky side group substituents","year":2002,"lang":"en","type":"article","venue":"NPARC","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Korea Institute of Science and Technology","keywords":"Polymer; Group (periodic table); Side chain; Pendant group; Monomer","score_opus":0.033936321225820826,"score_gpt":0.20283262572035007,"score_spread":0.16889630449452925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982014297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99744797,0.00070728525,0.00021938316,0.00003802638,0.000015102658,0.0000046562354,0.00014615255,0.000011832886,0.0014096745],"genre_scores_gemma":[0.99613214,0.0004995978,0.00031015972,0.000017646642,0.000010704576,0.0000058866663,0.00026945112,0.000010133246,0.002744271],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99994266,0.000010252944,0.0000026209725,0.000010766933,0.000013849125,0.000019880341],"domain_scores_gemma":[0.99983406,0.000079995625,0.00002996671,0.000007740546,0.000031931264,0.000016283002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014819569,0.00019785945,0.00009941896,0.00019651851,0.00012913265,0.000118848584,0.00016440054,0.0002003303,0.0032479141],"category_scores_gemma":[0.00023368775,0.00006545996,0.00010748908,0.000178879,0.00014138749,0.00034422157,0.00007793692,0.00016433613,0.00040679701],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012387623,0.000032692267,0.00058700435,0.00012808674,0.00000767536,0.000121952144,0.00009464442,0.00061678846,0.9919219,0.00034342182,0.00036848529,0.004538593],"study_design_scores_gemma":[0.000010872074,0.0007496246,0.002417539,0.000007988145,0.000013221178,0.000058798603,0.000058714773,0.0027066735,0.9925754,0.00004205651,0.001351696,0.0000073694946],"about_ca_topic_score_codex":0.0014027428,"about_ca_topic_score_gemma":0.0011033047,"teacher_disagreement_score":0.0032479141,"about_ca_system_score_codex":0.00014723901,"about_ca_system_score_gemma":0.00012618679,"threshold_uncertainty_score":0.01086539},"labels":[],"label_agreement":null},{"id":"W6982020196","doi":"","title":"A globally convergent observer for estimating sphere structures with inertial measurements","year":2025,"lang":"en","type":"other","venue":"PolyPublie (École Polytechnique de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Polytechnique Montréal","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.020839763751096654,"score_gpt":0.2327514497885133,"score_spread":0.21191168603741667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982020196","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036571445,0.00006154214,0.99482924,0.000036558573,0.000033276996,0.000014709302,0.000018446292,0.00013295219,0.0012161509],"genre_scores_gemma":[0.35590872,0.00042074214,0.6244359,0.00010712959,0.00015980707,0.00020741289,0.0003650524,0.00018940441,0.018205862],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9993088,0.00015222211,0.000028483228,0.00017550375,0.00029462093,0.000040420255],"domain_scores_gemma":[0.9985316,0.0004916619,0.000113024835,0.00018669562,0.0005966459,0.000080424696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013028291,0.0009911427,0.0010548488,0.0005608059,0.0003769186,0.0010996698,0.00097162975,0.0013813659,0.0020657089],"category_scores_gemma":[0.004314606,0.00052283716,0.00052024546,0.00042636532,0.0011349088,0.0014626908,0.0023035072,0.0016283612,0.0010096813],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004472677,0.00009050181,0.0018718911,0.00023862433,0.000115120245,0.00032185588,0.0005078801,0.4114713,0.05576747,0.099548586,0.006595573,0.42302385],"study_design_scores_gemma":[0.000011395707,0.00007356292,0.00027572535,0.00001196865,0.000007856077,0.000037448743,0.000020799618,0.989301,0.0031406502,0.005375095,0.0017297942,0.000014639035],"about_ca_topic_score_codex":0.007443316,"about_ca_topic_score_gemma":0.0065033208,"teacher_disagreement_score":0.007443316,"about_ca_system_score_codex":0.0007307892,"about_ca_system_score_gemma":0.0011351347,"threshold_uncertainty_score":0.0147999525},"labels":[],"label_agreement":null},{"id":"W6982048166","doi":"","title":"Goldman Sachs to pay $5 billion in mortgage settlement","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Settlement (finance); Earnings; Quarter (Canadian coin); Investment (military); Investment banking; Financial crisis","score_opus":0.014736425593130185,"score_gpt":0.23945074337933023,"score_spread":0.22471431778620005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982048166","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008812003,0.0012602267,0.0002158452,0.0117952395,0.0019504257,0.00010670235,0.0046889815,0.0005263461,0.9706443],"genre_scores_gemma":[0.014339707,0.00055183494,0.0002372946,0.0019712057,0.00016477818,0.000033586533,0.0013135927,0.000108921595,0.981279],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993006,0.00005006993,0.000023451912,0.000080218284,0.0003885758,0.0001571017],"domain_scores_gemma":[0.99933475,0.000057370973,0.00003530201,0.00005798616,0.00024942905,0.00026516232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059254956,0.0006238448,0.00017053666,0.0018982945,0.002408466,0.0027691834,0.00040269975,0.0013041085,0.25764275],"category_scores_gemma":[0.0021556315,0.00021139703,0.00024053459,0.0010116927,0.00040336198,0.0013784058,0.0016389824,0.0015410967,0.08491427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001441781,0.000030011952,0.0006104184,0.000019903126,0.0000017583106,0.000043819902,0.00006427063,0.00001752165,0.000095032396,0.00706554,0.96496934,0.027067946],"study_design_scores_gemma":[0.00000810592,0.000014942362,0.0038010005,0.000036614987,0.000002202181,0.000057420923,0.00025054085,0.0000468433,0.00018949423,0.0007886983,0.9947996,0.00000437847],"about_ca_topic_score_codex":0.049517494,"about_ca_topic_score_gemma":0.13318762,"teacher_disagreement_score":0.25764275,"about_ca_system_score_codex":0.001961205,"about_ca_system_score_gemma":0.0028124216,"threshold_uncertainty_score":0.86190087},"labels":[],"label_agreement":null},{"id":"W6982180217","doi":"","title":"HIGH RESOLUTION RADARGRAMMETRY WITH COSMO-SKYMED, TERRASAR-X AND RADARSAT-2 IMAGERY: DEVELOPMENT AND IMPLEMENTATIONOF AN IMAGE ORIENTATION MODEL FOR DIGITAL SURFACE MODEL GENERATION","year":2013,"lang":"en","type":"dissertation","venue":"Pubblicazioni Aperte Digitali Interateneo Sapienza","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Synthetic aperture radar; Orientation (vector space); Satellite; Digital elevation model; Terrain; Matching (statistics); Interferometric synthetic aperture radar; Photogrammetry; Doppler effect; Radar imaging","score_opus":0.030814427775441702,"score_gpt":0.2546177551257248,"score_spread":0.22380332735028313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982180217","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020692695,0.00016874204,0.99195886,0.000055352317,0.000034200257,0.00007675825,0.00044087452,0.0033087276,0.0018872997],"genre_scores_gemma":[0.07682996,0.0007648074,0.91350293,0.00008840548,0.000038817605,0.00029503505,0.0039381753,0.00058731996,0.003954424],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99938536,0.00009062033,0.000038550792,0.00010483539,0.00034893464,0.00003164271],"domain_scores_gemma":[0.9996865,0.000042861688,0.00003799686,0.000074300435,0.00014414397,0.000014185395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071707484,0.0006485574,0.0005216795,0.0012064334,0.000187125,0.001179069,0.0009798408,0.00062860065,0.0024451143],"category_scores_gemma":[0.0008817919,0.00045970536,0.0007921144,0.0012950592,0.0003218404,0.0010520197,0.00074458966,0.0007224232,0.003780875],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095890995,0.00012805412,0.0030050476,0.0004312353,0.00011710531,0.00018281136,0.00021541529,0.19637367,0.042388313,0.03309554,0.02077083,0.7031961],"study_design_scores_gemma":[0.000040215586,0.00009859432,0.0051124827,0.00011752364,0.00004272684,0.00030253717,0.00008822948,0.8422475,0.031461217,0.011929442,0.108477116,0.000082470055],"about_ca_topic_score_codex":0.002585782,"about_ca_topic_score_gemma":0.0021108484,"teacher_disagreement_score":0.002585782,"about_ca_system_score_codex":0.00048756262,"about_ca_system_score_gemma":0.00072600617,"threshold_uncertainty_score":0.008179665},"labels":[],"label_agreement":null},{"id":"W6982208631","doi":"","title":"Histoire de la gastronomie québécoise : l’émergence d’une identité culinaire","year":2020,"lang":"fr","type":"other","venue":"Constellation (Université du Québec à Chicoutimi)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; The Renaissance; Cultural environment; Post colonialism","score_opus":0.005926623667489855,"score_gpt":0.16995291242692906,"score_spread":0.1640262887594392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982208631","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2802351,0.058855936,0.006400901,0.09436874,0.0034755804,0.0001450558,0.0013437397,0.00011007032,0.5550648],"genre_scores_gemma":[0.79186004,0.013312718,0.0014346411,0.00411391,0.00027042595,0.00004468738,0.00024305665,0.00006735146,0.18865311],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945873,0.00012188288,0.000013063989,0.000096752854,0.00012693979,0.00018261539],"domain_scores_gemma":[0.9991357,0.00016091454,0.000060657174,0.000033100012,0.00041553064,0.00019418182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008553931,0.00052901485,0.0002528722,0.0016571301,0.010343415,0.0049751806,0.0008010016,0.001131123,0.0085349],"category_scores_gemma":[0.0012043942,0.00017213442,0.00020754423,0.002177589,0.011807934,0.0016416393,0.0012346891,0.0021234287,0.00054345204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011034763,0.000040232226,0.024725465,0.0006650868,0.000049196762,0.0035480952,0.43538523,0.00044481023,0.004412519,0.29312938,0.14376535,0.09372433],"study_design_scores_gemma":[0.00000411381,0.000015466423,0.042379677,0.0005012538,0.000015235904,0.00041624176,0.10777598,0.00018437127,0.0005127548,0.0036833782,0.8444684,0.000043051983],"about_ca_topic_score_codex":0.9566351,"about_ca_topic_score_gemma":0.9797829,"teacher_disagreement_score":0.043364882,"about_ca_system_score_codex":0.036657207,"about_ca_system_score_gemma":0.024106774,"threshold_uncertainty_score":0.2659679},"labels":[],"label_agreement":null},{"id":"W6982238524","doi":"","title":"'Historic moment': 8 women elected to Edmonton city council","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Legislation; Legislature","score_opus":0.012922881894605436,"score_gpt":0.17313363764197282,"score_spread":0.16021075574736737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982238524","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18721026,0.0040829005,0.00027054598,0.17210172,0.011508135,0.0003866289,0.0010768105,0.00023657242,0.62312645],"genre_scores_gemma":[0.057537723,0.0006387178,0.00008428739,0.013283571,0.00061573746,0.000098100965,0.000115338466,0.00008020585,0.92754626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992187,0.00009586964,0.000009431821,0.000053895263,0.000095884,0.0005262757],"domain_scores_gemma":[0.9992557,0.00010092628,0.000028303435,0.000014112882,0.00006507044,0.0005358128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077429676,0.00052641483,0.0003131635,0.0007247478,0.02970166,0.004397035,0.0013102669,0.005513095,0.11220273],"category_scores_gemma":[0.001481769,0.0006748912,0.00019337167,0.0010198915,0.0020823593,0.002013177,0.004655364,0.0069483635,0.0074534183],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017193226,0.00018917817,0.0029822066,0.0001301536,0.000005361374,0.005203938,0.066328265,0.00006945711,0.0008117707,0.013586527,0.87190896,0.038612206],"study_design_scores_gemma":[0.000009448511,0.00004548119,0.006814474,0.000108107844,0.0000039238375,0.00020790969,0.08972017,0.000017852011,0.00013498397,0.00032546624,0.9025965,0.00001564942],"about_ca_topic_score_codex":0.16419138,"about_ca_topic_score_gemma":0.54570174,"teacher_disagreement_score":0.83580863,"about_ca_system_score_codex":0.005784658,"about_ca_system_score_gemma":0.006749201,"threshold_uncertainty_score":0.37535554},"labels":[],"label_agreement":null},{"id":"W6982308953","doi":"","title":"II. TRANSMIGRATIONS . Sitzungsberichte der philosophisch-historischen Klasse|Cultural Circulation: Dialogues between Canada and the American South Sitzungsberichte der phil.-hist. Klasse 843|","year":2013,"lang":"de","type":"book","venue":"Oesterreichisches Musiklexikon online (Institut für kunst- und musikhistorische Forschungen der  Österreichischen Akademie der Wissenschaften)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Field (mathematics); Agency (philosophy); Subject (documents)","score_opus":0.032141615989814964,"score_gpt":0.25718628737376886,"score_spread":0.2250446713839539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982308953","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026208904,0.040739354,0.0010360343,0.0446447,0.0013157029,0.00007254778,0.00040148434,0.00007623343,0.885505],"genre_scores_gemma":[0.4115895,0.020025609,0.00051277154,0.005082433,0.0003696586,0.000091935406,0.0002637739,0.00019439714,0.5618699],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892944,0.00013642095,0.000020461961,0.00011303127,0.00039278387,0.00040782185],"domain_scores_gemma":[0.9995197,0.00009219832,0.000038644765,0.000029773268,0.00019913792,0.00012061981],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000767518,0.00047773472,0.00035452354,0.0020715946,0.021337818,0.011177452,0.0010798023,0.0016332904,0.020927267],"category_scores_gemma":[0.0016085017,0.00028093028,0.00023789461,0.006235864,0.020879932,0.0041754954,0.0033181156,0.0045875884,0.0020904199],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024952322,0.000015067785,0.0010696487,0.0001146798,0.000003968778,0.00018447015,0.08360031,0.00009298211,0.00034587062,0.7798514,0.094544284,0.04015236],"study_design_scores_gemma":[0.000004811515,0.0000058289893,0.0054716505,0.00033724005,0.0000044163094,0.00010567753,0.06891984,0.00004912147,0.00014592569,0.017782027,0.9071603,0.000013211738],"about_ca_topic_score_codex":0.9123423,"about_ca_topic_score_gemma":0.9524515,"teacher_disagreement_score":0.08765769,"about_ca_system_score_codex":0.05432867,"about_ca_system_score_gemma":0.051086772,"threshold_uncertainty_score":0.39418387},"labels":[],"label_agreement":null},{"id":"W6982341063","doi":"","title":"Imaging identity : a study of Aljazeera's online news and its representation of Arabness with particular attention to &amp;quot;Arabs in diaspora&amp;quot;","year":2005,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Framing (construction); Representation (politics); Identity (music); Meaning (existential); News media; Identity formation; Reciprocal; Cultural identity","score_opus":0.009351698617203917,"score_gpt":0.1935001612574943,"score_spread":0.1841484626402904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982341063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9783255,0.00027714155,0.0003420274,0.0012401689,0.000053110634,0.000027841641,0.00001685574,0.0000059577455,0.019711412],"genre_scores_gemma":[0.9921955,0.00043402865,0.0003043083,0.00032805503,0.00003935637,0.000034631168,0.000017708646,0.000013320484,0.006632955],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99799097,0.0012246948,0.00005249481,0.00015332155,0.0002895172,0.0002889713],"domain_scores_gemma":[0.9968142,0.0019280026,0.00048490506,0.000135557,0.0003391578,0.00029813228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031722952,0.00037034563,0.00038910427,0.0019555087,0.012556751,0.008716838,0.0010005034,0.0013042613,0.0033537818],"category_scores_gemma":[0.006021084,0.00037982425,0.00019306548,0.0017222065,0.0073081446,0.0046387357,0.0031206254,0.0028667962,0.00046280425],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000094732395,0.000054165233,0.0020482277,0.000022939968,0.0000010067965,0.000239198,0.99263614,0.0000037175864,0.00031856602,0.0017441701,0.00026885959,0.0026535185],"study_design_scores_gemma":[0.0000016160968,0.000021753423,0.0029492874,0.000026270709,0.0000017110195,0.00013563695,0.98891944,0.000019516217,0.00018822239,0.0001572591,0.0075755347,0.0000036946215],"about_ca_topic_score_codex":0.011506359,"about_ca_topic_score_gemma":0.019378422,"teacher_disagreement_score":0.012556751,"about_ca_system_score_codex":0.0027736628,"about_ca_system_score_gemma":0.0018749831,"threshold_uncertainty_score":0.022878766},"labels":[],"label_agreement":null},{"id":"W6982383961","doi":"","title":"Impacts of matric suction equalization on small strain shear modulus of soils during air drying","year":2021,"lang":"en","type":"article","venue":"UTS ePRESS (University of Technology Sydney)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Suction; Soil water; Water content; Shear modulus; Airflow; Water potential; Water flow; Shear (geology)","score_opus":0.014586733460210312,"score_gpt":0.19401904855075533,"score_spread":0.17943231509054502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982383961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99661726,0.00034645028,0.0024530776,0.000016733953,0.000009416826,0.000017163475,0.000069443566,0.000029976081,0.0004405308],"genre_scores_gemma":[0.9967694,0.00017999568,0.002424361,0.000021015798,0.0000046291143,0.000013703205,0.00006568386,0.0000126190125,0.0005085421],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9996594,0.00005466794,0.000019700852,0.00007214916,0.00014738359,0.00004668649],"domain_scores_gemma":[0.9994524,0.00023586195,0.000115269824,0.000038029542,0.000120207704,0.000038323313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049357326,0.00026206637,0.00025849885,0.00026202315,0.00024214532,0.0003534337,0.00018881042,0.00022579322,0.001135927],"category_scores_gemma":[0.0008215792,0.00017761554,0.00012854811,0.00024914462,0.00044959734,0.0005016945,0.00028704203,0.00036459806,0.00015099384],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015415742,0.00001859904,0.0018660343,0.00004228141,0.000004284985,0.000034367953,0.00007895885,0.00008903392,0.9928362,0.00002370404,0.000013647909,0.0048388606],"study_design_scores_gemma":[0.0000049843175,0.00029723803,0.0418336,0.000006050802,0.000011355104,0.000049113103,0.00013958687,0.0009251377,0.95612156,0.000036070724,0.0005655804,0.000009684823],"about_ca_topic_score_codex":0.00094152143,"about_ca_topic_score_gemma":0.0026401242,"teacher_disagreement_score":0.001135927,"about_ca_system_score_codex":0.0002054613,"about_ca_system_score_gemma":0.00018845807,"threshold_uncertainty_score":0.0038000345},"labels":[],"label_agreement":null},{"id":"W6982411555","doi":"","title":"Impaired Sensitivity to Thyroid Hormones is Associated with Mild Cognitive Impairment in Euthyroid Patients with Type 2 Diabetes","year":2023,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Euthyroid; Type 2 diabetes; Thyroid; Hormone; Montreal Cognitive Assessment; Triiodothyronine; Thyroid function; Cognition","score_opus":0.1119972431170249,"score_gpt":0.4166861115842362,"score_spread":0.30468886846721127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982411555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9990011,0.00039921145,0.000037906913,0.0000391805,0.0000122625925,0.0000085486845,0.00012018861,0.0000032665105,0.00037830893],"genre_scores_gemma":[0.99960643,0.00009112148,0.00003235478,0.000022627226,0.000012781373,0.000004398452,0.00011314197,7.789344e-7,0.000116424846],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99977,0.000038078284,0.00004169895,0.000059545684,0.00005123778,0.00003944782],"domain_scores_gemma":[0.99937445,0.000079585174,0.00028890095,0.000040458275,0.00006996906,0.00014675106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034553208,0.00047316012,0.00057483715,0.0011309416,0.0006697879,0.0006704419,0.00041546882,0.00054314494,0.001471563],"category_scores_gemma":[0.0010357295,0.00040862043,0.0006185,0.0012882622,0.00028197654,0.00037396513,0.00039307406,0.0006577248,0.00019392282],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022202586,0.000045936016,0.99839646,0.00000823739,0.00006268155,0.0001776427,0.00004034378,0.000016158554,0.00024063127,0.000007224189,0.00005645535,0.000726177],"study_design_scores_gemma":[0.000011867215,0.00006475441,0.99924797,0.000003975595,0.000044299803,0.0003397342,0.00008308114,0.000110078385,0.000030942676,0.000018161887,0.00004167038,0.0000034719867],"about_ca_topic_score_codex":0.008172663,"about_ca_topic_score_gemma":0.009508975,"teacher_disagreement_score":0.008172663,"about_ca_system_score_codex":0.00031833717,"about_ca_system_score_gemma":0.0002415808,"threshold_uncertainty_score":0.016250193},"labels":[],"label_agreement":null},{"id":"W6983192215","doi":"","title":"Linking university and teacher communities, a think tank model of collaborative professional development","year":2001,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Professional development; Continuing professional development; Professional studies; Work (physics); Qualitative research; Higher education","score_opus":0.006903072959153969,"score_gpt":0.14392731145393264,"score_spread":0.13702423849477868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983192215","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07879953,0.00066267495,0.57468307,0.012111216,0.00020643168,0.0014594632,0.00040502596,0.0019818516,0.32969075],"genre_scores_gemma":[0.58640045,0.00042573723,0.35959372,0.000570769,0.00003310319,0.0010679674,0.00024570216,0.00029380937,0.051368702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99488163,0.0034112944,0.00012590039,0.0004953762,0.000811416,0.00027430785],"domain_scores_gemma":[0.98378074,0.011175551,0.00067923917,0.0013650967,0.0013626578,0.0016367377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0065633757,0.0005598758,0.00035181924,0.0018020287,0.006690632,0.0077186143,0.0028041438,0.002987876,0.015895857],"category_scores_gemma":[0.016771276,0.00069758884,0.00045909622,0.0017717901,0.0065288926,0.006801828,0.0051399157,0.0020647508,0.0021792266],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004260838,0.0015280411,0.0034687014,0.00061139924,0.00006656456,0.00074242865,0.0963255,0.02041069,0.0022480164,0.6141579,0.022094363,0.23792027],"study_design_scores_gemma":[0.00060271326,0.00028743476,0.002153399,0.0005014099,0.00015091481,0.00044294653,0.042895816,0.07970744,0.0036030675,0.6770061,0.19252455,0.00012417774],"about_ca_topic_score_codex":0.06393344,"about_ca_topic_score_gemma":0.10240701,"teacher_disagreement_score":0.06393344,"about_ca_system_score_codex":0.00824211,"about_ca_system_score_gemma":0.022195932,"threshold_uncertainty_score":0.12712258},"labels":[],"label_agreement":null},{"id":"W6987642627","doi":"","title":"Temaintro:Retorik og journalistik","year":2011,"lang":"no","type":"article","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Set (abstract data type); Work (physics); Context (archaeology); Identification (biology)","score_opus":0.05571793879822562,"score_gpt":0.2330931631700467,"score_spread":0.17737522437182107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987642627","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07740309,0.13651243,0.006485206,0.025409387,0.014660456,0.0002375258,0.041493565,0.0057176915,0.6920807],"genre_scores_gemma":[0.39391753,0.063325234,0.014825779,0.0026642042,0.005231298,0.00037117064,0.026035529,0.006396959,0.48723233],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958223,0.0010768641,0.0005140465,0.0007382671,0.0013494503,0.00049901626],"domain_scores_gemma":[0.9957436,0.0016566658,0.0004743554,0.00055620796,0.0007901118,0.0007791701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004429806,0.0013096387,0.0017376959,0.006703263,0.0039074747,0.023546353,0.0011446119,0.0032949818,0.1457793],"category_scores_gemma":[0.007313325,0.0011253924,0.0005809047,0.007985339,0.002696324,0.010472999,0.005288403,0.004512598,0.058630243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011188074,0.00040859633,0.004331799,0.004976778,0.00014133308,0.0015689274,0.023938162,0.0004015353,0.0056173853,0.0783598,0.48018894,0.3989479],"study_design_scores_gemma":[0.000044304412,0.000034903547,0.002903521,0.000500208,0.000028070644,0.0004712644,0.00495191,0.00008318968,0.000774844,0.004268657,0.9859013,0.00003780832],"about_ca_topic_score_codex":0.007038599,"about_ca_topic_score_gemma":0.0062659993,"teacher_disagreement_score":0.1457793,"about_ca_system_score_codex":0.00258745,"about_ca_system_score_gemma":0.0044444324,"threshold_uncertainty_score":0.48768032},"labels":[],"label_agreement":null},{"id":"W6987983960","doi":"","title":"W96-1215.50. Holmes, Madeline (1904-1999). Papers, 1924-1993. 3.50 linear ft.","year":2014,"lang":"en","type":"article","venue":"Hope College Digital Commons (Hope College)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Hyporeflexia; Demotion; Triacetin; Fusible alloy","score_opus":0.016289179690235234,"score_gpt":0.21781981272805226,"score_spread":0.20153063303781701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987983960","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009914032,0.026078407,0.00036411354,0.01100027,0.008102207,0.00014770041,0.02253919,0.00034445972,0.93043226],"genre_scores_gemma":[0.0023901332,0.0023815427,0.00010468784,0.0006189836,0.0002738001,0.000047419057,0.0015465163,0.00010712486,0.9925297],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972886,0.0000297678,0.000023080825,0.0000683327,0.000098449396,0.00005140737],"domain_scores_gemma":[0.99943477,0.00007123208,0.00005072622,0.00003388537,0.0003185494,0.00009073576],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043086318,0.001131358,0.00036866064,0.0020356537,0.0024994477,0.0030489406,0.0010286934,0.0021331536,0.5868481],"category_scores_gemma":[0.0015288237,0.00045708823,0.00036488232,0.004750159,0.0004964867,0.00350575,0.0011874208,0.002273506,0.36922356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032267435,0.000017425844,0.0003278228,0.00007712701,0.000002820145,0.000052940617,0.000110248846,0.000009124914,0.00009233307,0.0019647856,0.958684,0.038629126],"study_design_scores_gemma":[0.00000338091,0.0000057514176,0.0020892299,0.00010909793,0.0000013375935,0.000021725133,0.0001643297,0.0000049295354,0.000037014317,0.00020260896,0.99735874,0.0000019044135],"about_ca_topic_score_codex":0.088870294,"about_ca_topic_score_gemma":0.24295042,"teacher_disagreement_score":0.5868481,"about_ca_system_score_codex":0.0024549083,"about_ca_system_score_gemma":0.0013531768,"threshold_uncertainty_score":0.58931106},"labels":[],"label_agreement":null},{"id":"W6988134235","doi":"","title":"When the Going Was Good an editor's adventures during the last golden age of magazines","year":2025,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Adventure; Publishing; Form of the Good; Penny; Queen (butterfly); Taste","score_opus":0.008675684525619133,"score_gpt":0.21720265928102306,"score_spread":0.20852697475540394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988134235","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015883137,0.040733065,0.0011578575,0.37591588,0.2329275,0.00008048522,0.0002742985,0.0009907894,0.33203703],"genre_scores_gemma":[0.12269803,0.015908308,0.0024426272,0.11782387,0.09017745,0.00007278626,0.0003080962,0.0010026648,0.6495662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701214,0.0007010892,0.000104873296,0.0003316996,0.0013123904,0.0005378181],"domain_scores_gemma":[0.991264,0.0014139963,0.00073824497,0.00038348147,0.0027014546,0.003498897],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026100844,0.000698684,0.00029860542,0.001604898,0.010740456,0.01852818,0.00076915405,0.0025166234,0.018988417],"category_scores_gemma":[0.012408723,0.00036106302,0.00031106363,0.0011077409,0.002625777,0.008419014,0.0035599251,0.0051227645,0.0066086436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002150634,0.000014152221,0.0003474832,0.00008347371,0.000004026826,0.00040906254,0.0057335338,0.000004593765,0.0003765533,0.0051685874,0.9669114,0.02092569],"study_design_scores_gemma":[0.0000012903935,0.000007694625,0.000392515,0.000080475154,0.000002387201,0.00021992934,0.0027280601,0.000005747399,0.00010111536,0.00024382016,0.9962114,0.0000056000467],"about_ca_topic_score_codex":0.0051427037,"about_ca_topic_score_gemma":0.023782784,"teacher_disagreement_score":0.018988417,"about_ca_system_score_codex":0.0028318134,"about_ca_system_score_gemma":0.004016536,"threshold_uncertainty_score":0.06352264},"labels":[],"label_agreement":null},{"id":"W6992856845","doi":"","title":"Mockingbird at Bonaventure Island, Quebec","year":2024,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Clothing; Narrative; Identity (music)","score_opus":0.014485454074590558,"score_gpt":0.17011337143118027,"score_spread":0.1556279173565897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992856845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65006685,0.0025046729,0.0009031564,0.006497544,0.00079914974,0.00013625027,0.0042534913,0.00023228931,0.33460656],"genre_scores_gemma":[0.53207946,0.0005871518,0.000976703,0.0007317403,0.000047535807,0.000029065342,0.00083129277,0.000073818934,0.46464336],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99983,0.000024238607,0.0000018335974,0.000035117213,0.000040731942,0.00006804722],"domain_scores_gemma":[0.99941874,0.00007112288,0.000019638359,0.000021085305,0.00029792226,0.00017142862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002156369,0.00019295985,0.00020552515,0.00061014586,0.012253492,0.001659068,0.00060491834,0.0009660039,0.042894978],"category_scores_gemma":[0.00070656784,0.00013126765,0.00014908207,0.00053784356,0.0010392576,0.00052916136,0.0005599737,0.0008548012,0.002479342],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010460546,0.00040569398,0.17083874,0.00039175083,0.00011019374,0.013567046,0.07071264,0.0017756076,0.014721648,0.021836232,0.46910438,0.23549],"study_design_scores_gemma":[0.000021616901,0.000089424655,0.28030774,0.00020012846,0.000015440022,0.0005999592,0.05058163,0.0005460441,0.00096203753,0.00038871128,0.6662471,0.000040242707],"about_ca_topic_score_codex":0.9619361,"about_ca_topic_score_gemma":0.995631,"teacher_disagreement_score":0.042894978,"about_ca_system_score_codex":0.013394538,"about_ca_system_score_gemma":0.011542509,"threshold_uncertainty_score":0.14349806},"labels":[],"label_agreement":null},{"id":"W6996477387","doi":"","title":"The rise of Western journalism 1815 - 1914 ; essays on the press in Australia, Canada, France, Germany, Great Britain and the United States","year":2007,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Principal (computer security); Work (physics); Period (music)","score_opus":0.017555570156141235,"score_gpt":0.23021387817132066,"score_spread":0.21265830801517943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996477387","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32211387,0.055683702,0.00062145933,0.030404003,0.0012806334,0.000053763513,0.0002500511,0.000067179084,0.58952534],"genre_scores_gemma":[0.93358296,0.007612168,0.0001589778,0.0020891686,0.00059502653,0.000024848136,0.000039654078,0.000036455454,0.05586072],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910337,0.0003201533,0.000036193192,0.00011385919,0.00027148705,0.0001550066],"domain_scores_gemma":[0.9967173,0.0013261068,0.00050756126,0.00011895866,0.00077123963,0.00055881153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021784387,0.000196358,0.00013990383,0.004176881,0.007876982,0.0076369317,0.0002786979,0.0010147227,0.003024759],"category_scores_gemma":[0.0053770263,0.00019928666,0.00007138865,0.0036941357,0.012468081,0.00345893,0.0017924297,0.0017474922,0.00039134556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014380223,0.00004529523,0.010310318,0.00029923776,0.00002603121,0.0013563685,0.5031804,0.00008361203,0.00079556013,0.3414691,0.08696266,0.05532759],"study_design_scores_gemma":[0.000008681056,0.000024120003,0.08000761,0.00048169002,0.0000140316215,0.00031954833,0.043418575,0.0000732102,0.0007509211,0.0064776274,0.8684043,0.000019611349],"about_ca_topic_score_codex":0.109763145,"about_ca_topic_score_gemma":0.20320047,"teacher_disagreement_score":0.89023685,"about_ca_system_score_codex":0.010261912,"about_ca_system_score_gemma":0.0062962207,"threshold_uncertainty_score":0.21824849},"labels":[],"label_agreement":null},{"id":"W7003417792","doi":"","title":"Old Mole","year":2022,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Journalism","score_opus":0.00886573233448247,"score_gpt":0.15078976867326485,"score_spread":0.14192403633878237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003417792","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000854496,0.0019837022,0.0005492189,0.0035724402,0.0035765972,0.000030954936,0.0008239447,0.00032090038,0.98828787],"genre_scores_gemma":[0.0039399154,0.0010607131,0.00034969568,0.00086288917,0.00031850327,0.000017344564,0.00032663054,0.00020276004,0.99292153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996332,0.00005982696,0.000021332753,0.000081422964,0.00015749894,0.00004668593],"domain_scores_gemma":[0.9994043,0.00009957395,0.0000337154,0.00011284799,0.00021057502,0.00013907994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004546887,0.000495827,0.00032756993,0.0012253772,0.0029795947,0.005048187,0.000711668,0.001284376,0.5526626],"category_scores_gemma":[0.002307145,0.00024302355,0.00024967585,0.0007619859,0.0008136786,0.0032409392,0.0025721022,0.0015576822,0.33863282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032039203,0.00001962906,0.00022033678,0.00008344781,0.000002467118,0.00016786813,0.0007889544,0.000023603825,0.00024977408,0.045692585,0.8367622,0.115957156],"study_design_scores_gemma":[6.863535e-7,0.0000016471564,0.000069630354,0.000025761094,3.715953e-7,0.000044075714,0.00011837498,0.0000053580784,0.000029237923,0.0005688239,0.99913496,0.0000010626892],"about_ca_topic_score_codex":0.0037579976,"about_ca_topic_score_gemma":0.009570208,"teacher_disagreement_score":0.5526626,"about_ca_system_score_codex":0.0010898919,"about_ca_system_score_gemma":0.001032657,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7009401371","doi":"","title":"Dramatikk i Arktis – eller? En komparativ analyse av fremstillingen av Børge Ousland og Mike Horns polekspedisjon i nyhetsmediene.","year":2022,"lang":"en","type":"dissertation","venue":"Duo Research Archive (University of Oslo)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Norwegian; Period (music); Subject (documents); French horn","score_opus":0.03471516513533737,"score_gpt":0.281665020909695,"score_spread":0.2469498557743576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009401371","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29209462,0.035346948,0.0018760666,0.047480173,0.004338839,0.0001394953,0.0021009266,0.00012534042,0.61649764],"genre_scores_gemma":[0.8398452,0.017799772,0.001285333,0.0034192605,0.00064010755,0.0001016927,0.0012519103,0.00022560393,0.13543105],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99646866,0.0014983213,0.00014977649,0.00040709315,0.00092338264,0.0005528109],"domain_scores_gemma":[0.9975635,0.0012516992,0.00027452764,0.00008993748,0.0003343776,0.00048586598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028292092,0.00062670466,0.0004005498,0.0014794433,0.0072272946,0.010884304,0.0009322672,0.001426592,0.024067223],"category_scores_gemma":[0.006652605,0.00029340948,0.00035599628,0.0018420157,0.0070104776,0.0050040744,0.0049847807,0.002855472,0.0039614574],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010870124,0.00010174558,0.012476312,0.0008574994,0.00003561433,0.0024142982,0.69417703,0.00035386832,0.000663381,0.096376695,0.13051243,0.061922405],"study_design_scores_gemma":[0.0000055285973,0.000016367028,0.00759664,0.0007916798,0.000009671617,0.0002844117,0.37244457,0.00007757903,0.00022001457,0.0026637013,0.6158678,0.000022116414],"about_ca_topic_score_codex":0.09030408,"about_ca_topic_score_gemma":0.14893308,"teacher_disagreement_score":0.09030408,"about_ca_system_score_codex":0.011379645,"about_ca_system_score_gemma":0.008765058,"threshold_uncertainty_score":0.1795569},"labels":[],"label_agreement":null},{"id":"W7009748326","doi":"","title":"Géraldine Chouard, Eudora Welty et la photographie : naissance d'une vision, Paris : Michel Houdiard éditeur, 2012","year":2013,"lang":"fr","type":"other","venue":"Persée (Ministère de lEnseignement supérieur et de la Recherche)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eudora; Literary criticism; Work (physics); Subject (documents)","score_opus":0.03403721489657568,"score_gpt":0.3201442571877821,"score_spread":0.2861070422912064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009748326","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008269396,0.6858269,0.0009874408,0.09053639,0.012598776,0.000022569258,0.0005151069,0.00019233681,0.20849356],"genre_scores_gemma":[0.036540166,0.32746002,0.001991934,0.011023346,0.009302506,0.00006577389,0.0003879542,0.0006810991,0.6125472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822766,0.0005304034,0.00007549402,0.00024544186,0.00077998947,0.00014106197],"domain_scores_gemma":[0.9977895,0.0009045669,0.00016224443,0.00013078621,0.0007328369,0.00028002993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017101159,0.0013388526,0.0005529528,0.0037733247,0.0043876474,0.007924626,0.0011752857,0.00312751,0.048747856],"category_scores_gemma":[0.004266368,0.00049699884,0.00029076872,0.0034038855,0.004565091,0.0068494612,0.002086549,0.0035187053,0.013185327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013049112,0.0000054473103,0.000086215856,0.00019857529,0.0000030651906,0.00006507926,0.0028815323,0.000029746907,0.00007198234,0.02666534,0.93376046,0.036219485],"study_design_scores_gemma":[0.0000010994631,0.0000013575485,0.00032290717,0.00018102917,9.833227e-7,0.000065225024,0.0010188487,0.0000060486923,0.00004962357,0.0010209978,0.99732804,0.0000037430175],"about_ca_topic_score_codex":0.13268499,"about_ca_topic_score_gemma":0.22593118,"teacher_disagreement_score":0.13268499,"about_ca_system_score_codex":0.009111334,"about_ca_system_score_gemma":0.006547098,"threshold_uncertainty_score":0.26382536},"labels":[],"label_agreement":null},{"id":"W7009945389","doi":"","title":"Fracking the Streets of London : The Canadian National Newspaper","year":2013,"lang":"en","type":"other","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Government (linguistics); Work (physics)","score_opus":0.01879228015305278,"score_gpt":0.2119407826388534,"score_spread":0.19314850248580062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009945389","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018920727,0.046049662,0.00030815802,0.02643049,0.0014212886,0.00007509738,0.030188808,0.00024369494,0.8763621],"genre_scores_gemma":[0.11267713,0.030814724,0.0009842617,0.0033634165,0.00042873318,0.000051543797,0.007958046,0.0005580068,0.8431642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990054,0.000059649457,0.00003135452,0.000087544584,0.00052516133,0.00029089057],"domain_scores_gemma":[0.99771947,0.00029087765,0.00014682555,0.00008077027,0.001240662,0.0005214421],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056539907,0.00072349457,0.00042010678,0.008934619,0.015540468,0.011709084,0.0010444645,0.0014473213,0.10572428],"category_scores_gemma":[0.0030280077,0.00050449366,0.00027845515,0.026947748,0.003184549,0.0034375503,0.0013304049,0.0014582798,0.010453133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040180308,0.000010748313,0.0020588129,0.0004018631,0.000011590816,0.00025866972,0.010864843,0.000080571386,0.00021266211,0.019978568,0.9135911,0.05249038],"study_design_scores_gemma":[0.0000020854118,0.0000016734126,0.010289712,0.00025872313,0.000010473901,0.000056974106,0.014516321,0.000018138126,0.00011169743,0.00052644167,0.9741905,0.000017335802],"about_ca_topic_score_codex":0.98618,"about_ca_topic_score_gemma":0.9975775,"teacher_disagreement_score":0.10572428,"about_ca_system_score_codex":0.057537306,"about_ca_system_score_gemma":0.08460501,"threshold_uncertainty_score":0.41746432},"labels":[],"label_agreement":null},{"id":"W7014021062","doi":"","title":"Mother Alberta","year":2016,"lang":"en","type":"article","venue":"Seton Hall University eRepository (Seton Hall University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Photography; Line drawings","score_opus":0.00934506932838553,"score_gpt":0.14319744869603998,"score_spread":0.13385237936765446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014021062","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028231635,0.0048093842,0.00044836474,0.018880839,0.0073823896,0.00006108944,0.0014198208,0.00027417816,0.9639009],"genre_scores_gemma":[0.0044810874,0.0015168795,0.00015086749,0.001974342,0.0001377073,0.000011864859,0.00017086286,0.00004885695,0.99150753],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995894,0.00003415642,0.000009424645,0.0000897253,0.00016664261,0.000110751374],"domain_scores_gemma":[0.99926883,0.000041501546,0.000018697563,0.000029593815,0.00033290725,0.00030848107],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040499176,0.0006170739,0.00045142765,0.00064488914,0.004893665,0.002458607,0.00082438515,0.0010864654,0.4751534],"category_scores_gemma":[0.0014211391,0.00025459076,0.00018108853,0.0006600227,0.00046971493,0.0009795149,0.0016192594,0.0018169752,0.17324851],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025467596,0.000025614228,0.00065042963,0.00004439828,0.0000015499373,0.00071975135,0.0006886341,0.000017586564,0.00022088017,0.0073833563,0.93894595,0.05127634],"study_design_scores_gemma":[0.0000018297881,0.000004603879,0.0004413793,0.000037798723,9.0146915e-7,0.00019689204,0.0005058248,0.0000079108495,0.000050544164,0.0003265181,0.998423,0.0000028170577],"about_ca_topic_score_codex":0.11325515,"about_ca_topic_score_gemma":0.27060807,"teacher_disagreement_score":0.4751534,"about_ca_system_score_codex":0.003025478,"about_ca_system_score_gemma":0.005412506,"threshold_uncertainty_score":0.74863},"labels":[],"label_agreement":null},{"id":"W7014520244","doi":"","title":"9781800103665 (1).pdf","year":2021,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Promotion (chess); Government (linguistics); Welfare; Work (physics); Health promotion; Public health","score_opus":0.022176867410859696,"score_gpt":0.23641235692721257,"score_spread":0.21423548951635288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014520244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001663795,0.00045284795,0.00019321279,0.000580688,0.00059309363,0.000021152558,0.0015387809,0.00030564598,0.99614835],"genre_scores_gemma":[0.001172461,0.0006764433,0.00023835056,0.00032639987,0.00012154231,0.000031905216,0.0011909218,0.00033017114,0.9959117],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995426,0.000073319214,0.000014417968,0.00004473352,0.00025950946,0.00006549429],"domain_scores_gemma":[0.99898916,0.00028605864,0.000059718383,0.000107701904,0.00033973722,0.00021764102],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000586255,0.0005816086,0.00032790363,0.0018473265,0.0024244655,0.008888436,0.0008847408,0.0017003672,0.81654704],"category_scores_gemma":[0.0025420515,0.00037012558,0.00036075714,0.0034127515,0.0007386021,0.00400454,0.0031526994,0.0018559155,0.71918863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000117733925,0.000014495407,0.00010921633,0.000091842376,9.817613e-7,0.00003288517,0.00021890386,0.000021832875,0.00010258017,0.006596517,0.90529984,0.08749915],"study_design_scores_gemma":[0.0000011311283,0.0000022871875,0.00013613352,0.000056254026,3.243476e-7,0.000025137657,0.00011798734,0.000009130149,0.000029893217,0.00026632458,0.9993538,0.0000015719804],"about_ca_topic_score_codex":0.0070665646,"about_ca_topic_score_gemma":0.0125851035,"teacher_disagreement_score":0.18345296,"about_ca_system_score_codex":0.0014810453,"about_ca_system_score_gemma":0.0010682864,"threshold_uncertainty_score":0.26167333},"labels":[],"label_agreement":null},{"id":"W7014610675","doi":"","title":"Photograph of Bell Family Relative [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Liquation; Diafiltration; Dysgeusia; Hyporeflexia; Emperipolesis; Fusible alloy","score_opus":0.018107584958072347,"score_gpt":0.16278789757197,"score_spread":0.14468031261389766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014610675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010408764,0.0013316745,0.0002808682,0.0045549124,0.0013808268,0.00010083724,0.007986246,0.00018765916,0.97376823],"genre_scores_gemma":[0.07127652,0.00095543166,0.00066526636,0.0017290257,0.00018522718,0.000056839115,0.005292181,0.00014317043,0.9196964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999522,0.0000046099804,0.0000013764821,0.0000135113305,0.000014060162,0.000014190642],"domain_scores_gemma":[0.99988544,0.000008036829,0.000005183941,0.000008679026,0.000066762586,0.00002599112],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000114943345,0.00032280068,0.00021341455,0.0005044124,0.0038118607,0.00064277614,0.00044453185,0.00050390634,0.336072],"category_scores_gemma":[0.00032726777,0.00020842016,0.000105014784,0.0005522233,0.0002470929,0.00064402464,0.00055981736,0.0011264912,0.0675484],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008080637,0.000025903959,0.0006737208,0.000040609488,0.00000216696,0.00061949395,0.0006656311,0.00003800369,0.0010395796,0.0012319803,0.9772549,0.018327067],"study_design_scores_gemma":[0.000006400872,0.000019925152,0.011375439,0.000041266543,0.000002853301,0.00033797591,0.0012628201,0.000032457086,0.00023262994,0.00010388199,0.986578,0.0000064466285],"about_ca_topic_score_codex":0.12369986,"about_ca_topic_score_gemma":0.32112983,"teacher_disagreement_score":0.66392803,"about_ca_system_score_codex":0.0009460715,"about_ca_system_score_gemma":0.0006058334,"threshold_uncertainty_score":0.9470127},"labels":[],"label_agreement":null},{"id":"W7017385305","doi":"","title":"Ansley Clark READ Poster","year":2009,"lang":"en","type":"article","venue":"DigitalCommons - Linfield (Linfield College)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Staring; Exposition (narrative); Focus (optics)","score_opus":0.021846853294850685,"score_gpt":0.22982250043509372,"score_spread":0.20797564714024303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017385305","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008354888,0.015377334,0.0008005458,0.06380339,0.067962274,0.00010660063,0.0006966571,0.0007153648,0.8497024],"genre_scores_gemma":[0.0022333134,0.002542278,0.0001817873,0.0033001336,0.0020998681,0.000014697237,0.0001424612,0.0001365589,0.9893489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993536,0.00006253841,0.000015487405,0.00013213498,0.00036726153,0.0000689916],"domain_scores_gemma":[0.9983708,0.00012647624,0.00004276268,0.000057406556,0.0009956452,0.00040687568],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007163218,0.00084150094,0.00039907213,0.0016626314,0.0034005225,0.0035879472,0.0006919262,0.0016383422,0.46288615],"category_scores_gemma":[0.0025367287,0.0003591815,0.00026362913,0.00090470834,0.00061704894,0.002890672,0.0018523671,0.0025257212,0.23347092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003737414,0.0000038938565,0.000024136256,0.00001234656,2.8739427e-7,0.000013540827,0.000033973658,0.0000031441764,0.00006343133,0.0006885679,0.99024373,0.008909256],"study_design_scores_gemma":[0.0000012916802,0.0000034561783,0.000120563294,0.00003927406,6.5694496e-7,0.00003172192,0.00015453226,0.000006810803,0.00006071138,0.00037906005,0.99920005,0.0000019876825],"about_ca_topic_score_codex":0.008296077,"about_ca_topic_score_gemma":0.030993514,"teacher_disagreement_score":0.46288615,"about_ca_system_score_codex":0.0017546444,"about_ca_system_score_gemma":0.0020539614,"threshold_uncertainty_score":0.7661277},"labels":[],"label_agreement":null},{"id":"W7017657834","doi":"","title":"BBS Documentary Interview Collection: MIlky and Liz (Part 2)","year":2005,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Milky Way; Pride; Puppy; Meaning (existential)","score_opus":0.008533972486931853,"score_gpt":0.1811916639468275,"score_spread":0.17265769145989565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017657834","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5478555,0.00642661,0.0064527076,0.032861445,0.001749185,0.012171775,0.056978844,0.00067879114,0.33482516],"genre_scores_gemma":[0.57213265,0.0043701613,0.008045603,0.009224518,0.00041960247,0.02006216,0.009976289,0.00039499986,0.37537408],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987326,0.000562415,0.00006629495,0.0001576886,0.00020959749,0.00027135678],"domain_scores_gemma":[0.9963626,0.0013270006,0.0003488101,0.00013070546,0.0010698093,0.0007609908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027381487,0.00036595666,0.00041185494,0.002446947,0.0076993476,0.0022994943,0.000511925,0.0013992917,0.038532984],"category_scores_gemma":[0.008148326,0.0005789348,0.00011762238,0.0035488096,0.0012640444,0.0010055084,0.002262598,0.0016725599,0.00766656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001356026,0.00006632459,0.00405077,0.00035759562,0.0000022352292,0.0012117306,0.6076764,0.00005200641,0.005210789,0.00151862,0.35891244,0.020805383],"study_design_scores_gemma":[0.000016100754,0.00005655107,0.034017276,0.00036466168,0.000003408512,0.00021869509,0.35887823,0.000072234245,0.00067457464,0.00015682259,0.60551846,0.00002290774],"about_ca_topic_score_codex":0.16133848,"about_ca_topic_score_gemma":0.30318102,"teacher_disagreement_score":0.16133848,"about_ca_system_score_codex":0.009844217,"about_ca_system_score_gemma":0.0064828987,"threshold_uncertainty_score":0.32079875},"labels":[],"label_agreement":null},{"id":"W7020530626","doi":"","title":"Les Cahiers du journalisme. Nouvelle série Les Cahiers du journalisme journal. New series","year":2017,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ridiculous; Interpretation (philosophy); Series (stratigraphy)","score_opus":0.015044260175109786,"score_gpt":0.21967414306703728,"score_spread":0.2046298828919275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020530626","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014450124,0.12371613,0.0023791867,0.11076005,0.013680322,0.000057338395,0.00032161426,0.00031618815,0.7343191],"genre_scores_gemma":[0.23331842,0.0487084,0.0025005732,0.010940225,0.017760202,0.00012919879,0.00030164712,0.0004752115,0.6858662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99512637,0.0016032411,0.00020752674,0.000731498,0.0017993537,0.0005320254],"domain_scores_gemma":[0.9842179,0.008413391,0.0015371928,0.0013787851,0.0021991443,0.002253568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004942205,0.00046520375,0.00032548083,0.0040666056,0.0066548362,0.020319108,0.0008370413,0.0030343554,0.032445803],"category_scores_gemma":[0.0154498955,0.00037805448,0.00030385566,0.0045118164,0.010883442,0.010867166,0.0045892913,0.004525112,0.005975122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058731235,0.00004325938,0.0015847986,0.00036529292,0.0000129354585,0.00022938654,0.020580338,0.000056536195,0.0007955143,0.5866279,0.279963,0.10968227],"study_design_scores_gemma":[0.000005584574,0.000009273357,0.002032945,0.0001965027,0.000003869853,0.00011614753,0.003393783,0.000032018863,0.00027522325,0.01448387,0.97944194,0.000008726364],"about_ca_topic_score_codex":0.006887423,"about_ca_topic_score_gemma":0.011419685,"teacher_disagreement_score":0.032445803,"about_ca_system_score_codex":0.0054950225,"about_ca_system_score_gemma":0.007772696,"threshold_uncertainty_score":0.108542085},"labels":[],"label_agreement":null},{"id":"W7023929976","doi":"","title":"Photograph of Mildred Sloman [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Snapshot (computer storage); White (mutation); Confusion","score_opus":0.015850368587900548,"score_gpt":0.16052110139017112,"score_spread":0.14467073280227058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023929976","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006928977,0.0060802447,0.00029558825,0.009121062,0.0029037697,0.000084009014,0.0020737073,0.00016872397,0.972344],"genre_scores_gemma":[0.03872649,0.0031665838,0.00042451822,0.0015319625,0.00038209534,0.000027849863,0.0011073739,0.00009572958,0.9545374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99991286,0.000011120772,0.0000023343107,0.00001588814,0.000038926442,0.000018774834],"domain_scores_gemma":[0.9997702,0.00001427917,0.000010936562,0.00001108059,0.00014687443,0.000046672565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020101931,0.00026258032,0.00018358456,0.0011406053,0.0045071794,0.0010494286,0.00031592266,0.00035843512,0.21283135],"category_scores_gemma":[0.00053011,0.00021531536,0.00012470508,0.00096521596,0.00038528396,0.0006899093,0.0006148237,0.0009391047,0.040633876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002287215,0.0000066762072,0.0002482087,0.000038858336,0.0000010919166,0.00015295895,0.00059158413,0.000016897047,0.0003272111,0.0010863307,0.98330414,0.01420318],"study_design_scores_gemma":[0.000001280591,0.0000047081908,0.0029958724,0.00004241516,0.0000013330106,0.00011362734,0.0008010771,0.00001152687,0.00006860946,0.000057016154,0.9959,0.000002467145],"about_ca_topic_score_codex":0.17854789,"about_ca_topic_score_gemma":0.4712284,"teacher_disagreement_score":0.21283135,"about_ca_system_score_codex":0.0015231248,"about_ca_system_score_gemma":0.0013327098,"threshold_uncertainty_score":0.7119918},"labels":[],"label_agreement":null},{"id":"W7025368728","doi":"","title":"World summit on the information society","year":2003,"lang":"en","type":"article","venue":"Research Portal (Queen's University Belfast)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.02830134009395229,"score_gpt":0.24538661684372828,"score_spread":0.21708527674977598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025368728","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008190583,0.06240575,0.0022441598,0.4869896,0.053958476,0.00013256395,0.0026692129,0.00026901937,0.38314056],"genre_scores_gemma":[0.0938324,0.069053955,0.0037019025,0.042847086,0.019336741,0.00029564594,0.005518299,0.0005630979,0.76485085],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959312,0.000967703,0.00011716841,0.00019909968,0.0016881233,0.0010967258],"domain_scores_gemma":[0.9855342,0.004154319,0.00052044156,0.001022323,0.0031737774,0.005594917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0076762517,0.00090419425,0.0008497103,0.0040324703,0.003511303,0.011497409,0.0012061208,0.0061567137,0.068424806],"category_scores_gemma":[0.007889338,0.0003938599,0.00067505817,0.005444532,0.0035054518,0.008265979,0.0056120665,0.006642308,0.015850523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005594148,0.000026463873,0.00054437824,0.000112004716,0.000008545864,0.0000483259,0.00035165687,0.00003922776,0.000107765256,0.013972167,0.9640488,0.020684715],"study_design_scores_gemma":[0.0000035209075,0.000010026766,0.001766388,0.00013520975,0.0000045392653,0.000014503322,0.0008943755,0.000025202431,0.000061459425,0.0017972313,0.9952825,0.000005027639],"about_ca_topic_score_codex":0.031409744,"about_ca_topic_score_gemma":0.08211606,"teacher_disagreement_score":0.068424806,"about_ca_system_score_codex":0.005931735,"about_ca_system_score_gemma":0.009588785,"threshold_uncertainty_score":0.22890377},"labels":[],"label_agreement":null},{"id":"W7025547780","doi":"","title":"Zika virus in the Americas: Early epidemiological and genetic findings","year":2018,"lang":"pt","type":"article","venue":"Americanae (AECID Library)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Christian ministry; Humanity; Human immunodeficiency virus (HIV); STELLA (programming language)","score_opus":0.022993911961178365,"score_gpt":0.2439551730067937,"score_spread":0.22096126104561534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025547780","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9463598,0.028499056,0.0013533649,0.006121277,0.00021502092,0.000083326915,0.0013147376,0.00004868061,0.01600478],"genre_scores_gemma":[0.9822051,0.013970967,0.0012977241,0.00061985094,0.00017111948,0.000023276696,0.000589768,0.000009333264,0.0011129399],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996369,0.000097951975,0.000029942432,0.000072600866,0.000094749994,0.0000679321],"domain_scores_gemma":[0.9988814,0.000327813,0.0002603647,0.00006030833,0.00031064134,0.00015936082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006520784,0.00024889605,0.00024436603,0.0014314321,0.00061500043,0.0011549944,0.00032876414,0.00057324796,0.0015914381],"category_scores_gemma":[0.0025597077,0.00023981874,0.000174458,0.0010745979,0.0006524231,0.0007099978,0.0005698954,0.0009033099,0.0002280918],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027298424,0.00013505286,0.8476659,0.00046694683,0.00010166209,0.0020831001,0.009290147,0.00013744179,0.011015906,0.0030376536,0.004062524,0.12173079],"study_design_scores_gemma":[0.000011500182,0.00008994154,0.97148603,0.0004573096,0.000047820966,0.0037567627,0.0043074866,0.00014538722,0.0008388324,0.0006386261,0.01819486,0.000025546993],"about_ca_topic_score_codex":0.021648979,"about_ca_topic_score_gemma":0.021623684,"teacher_disagreement_score":0.021648979,"about_ca_system_score_codex":0.00067695125,"about_ca_system_score_gemma":0.00082009693,"threshold_uncertainty_score":0.043045938},"labels":[],"label_agreement":null},{"id":"W7025551687","doi":"","title":"Volume I (ofII) HOCKEY CAPITAL: COMMERCE, CULTURE, AND THE NATIONAL HOCKEY LEAGUE, 1917-1967","year":2008,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"League; Ice hockey; Amateur; Position (finance); Argument (complex analysis); Institution; Value (mathematics); Product (mathematics)","score_opus":0.08673123645068112,"score_gpt":0.272987481371453,"score_spread":0.1862562449207719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025551687","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11667406,0.10448468,0.00034173895,0.01950006,0.004511627,0.000062688414,0.0014762185,0.000021751819,0.7529272],"genre_scores_gemma":[0.42879337,0.099502236,0.00036045915,0.001823306,0.0039723064,0.00010773906,0.0017398737,0.000049360042,0.46365145],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998178,0.000036712303,0.000007633319,0.000024184188,0.000058094083,0.000055719494],"domain_scores_gemma":[0.99966383,0.00013847265,0.000049152848,0.00001253734,0.000058312646,0.00007784096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022088755,0.00034893028,0.00017049619,0.0015676783,0.0026285718,0.004286968,0.00044048912,0.0007033813,0.021709213],"category_scores_gemma":[0.0007726446,0.00013044363,0.00012379717,0.0038430202,0.0019314694,0.002022694,0.0011133787,0.00083116064,0.0018111236],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013053893,0.00031726153,0.053672597,0.000894684,0.000027913542,0.00080317975,0.0602334,0.0003841441,0.00039867885,0.270291,0.48574594,0.12710074],"study_design_scores_gemma":[0.000005829713,0.000030202486,0.04808701,0.0010554848,0.0000096593085,0.00015040161,0.023503263,0.00004325861,0.00015747227,0.0031262182,0.92382175,0.00000948433],"about_ca_topic_score_codex":0.043580342,"about_ca_topic_score_gemma":0.11785031,"teacher_disagreement_score":0.95641965,"about_ca_system_score_codex":0.0049704756,"about_ca_system_score_gemma":0.0025861682,"threshold_uncertainty_score":0.08665335},"labels":[],"label_agreement":null},{"id":"W7026937167","doi":"","title":"The Canadian standards for field permeability tests and other tests","year":2009,"lang":"en","type":"other","venue":"PolyPublie (École Polytechnique de Montréal)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Permeability (electromagnetism); Field (mathematics); Materials testing; Test method","score_opus":0.011201919967397042,"score_gpt":0.2380432033464557,"score_spread":0.22684128337905868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026937167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008908949,0.0013350367,0.030866591,0.0029312703,0.0010638426,0.0035615496,0.021637267,0.0025081427,0.92718726],"genre_scores_gemma":[0.101632535,0.0032994223,0.11759909,0.0032528855,0.0002421415,0.005840811,0.029961392,0.0028266546,0.73534507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9534272,0.0028182752,0.001992422,0.0012616807,0.037547797,0.002952554],"domain_scores_gemma":[0.9027369,0.0036259945,0.0013598348,0.004652203,0.085404664,0.0022204102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012874694,0.0017507244,0.0011865727,0.013024247,0.010925187,0.0073587834,0.008241202,0.0027644983,0.064910114],"category_scores_gemma":[0.04320809,0.0011437306,0.0019062789,0.012812749,0.004110948,0.0035827188,0.0035581142,0.0032001643,0.017562281],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020814559,0.00047622283,0.006487946,0.0007826878,0.0000351377,0.00026456645,0.0014332783,0.0012846036,0.0043773344,0.095058545,0.69249827,0.19709332],"study_design_scores_gemma":[0.00005427232,0.000091330076,0.035484254,0.0005461234,0.000048383303,0.00023617262,0.0019301086,0.0009963885,0.006620436,0.0070988038,0.9467113,0.00018249151],"about_ca_topic_score_codex":0.9025128,"about_ca_topic_score_gemma":0.95694995,"teacher_disagreement_score":0.09748721,"about_ca_system_score_codex":0.036533237,"about_ca_system_score_gemma":0.11607353,"threshold_uncertainty_score":0.2650684},"labels":[],"label_agreement":null},{"id":"W7029515186","doi":"","title":"Jeff Wall, pintor de la vida posmoderna","year":2016,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gesture; Narrative; Space (punctuation); Relation (database); Performance art","score_opus":0.01906685292524829,"score_gpt":0.23406363035554675,"score_spread":0.21499677743029846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029515186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03221543,0.19427744,0.0011728854,0.06417651,0.0072258855,0.000054605258,0.0005075469,0.00016099891,0.7002087],"genre_scores_gemma":[0.1837358,0.052986693,0.000919211,0.0046761865,0.0005778944,0.0000422594,0.00018269724,0.00013231055,0.75674695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963987,0.00007587124,0.000006412668,0.00006545489,0.0001399584,0.0000725101],"domain_scores_gemma":[0.9997316,0.00004974088,0.000014415606,0.0000071308746,0.00012266464,0.00007447867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045407194,0.0004437006,0.00024807843,0.0012058165,0.012040471,0.0037533715,0.00050831493,0.00079480314,0.012662796],"category_scores_gemma":[0.0011020572,0.00018678488,0.00007491399,0.0012886879,0.002662771,0.0011126492,0.0010843488,0.0017956637,0.002301786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059418933,0.000024993495,0.0023574417,0.00031294054,0.000009507981,0.00084317784,0.044602174,0.00011196545,0.0005827586,0.13075052,0.67198855,0.14835647],"study_design_scores_gemma":[9.571426e-7,0.0000030502433,0.0012883852,0.00011964385,0.0000016783947,0.000105669445,0.006734131,0.00001142272,0.00009943743,0.0009851753,0.9906452,0.0000053025374],"about_ca_topic_score_codex":0.6193634,"about_ca_topic_score_gemma":0.8550167,"teacher_disagreement_score":0.6193634,"about_ca_system_score_codex":0.009582144,"about_ca_system_score_gemma":0.008909304,"threshold_uncertainty_score":0.7657564},"labels":[],"label_agreement":null},{"id":"W7036826180","doi":"","title":"Cultural Models of Work in a Canadian Worker Co-operative","year":2011,"lang":"en","type":"other","venue":"Jagiellonian University Repository (Jagiellonian University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Key (lock); Order (exchange); Government (linguistics)","score_opus":0.017432257564560336,"score_gpt":0.1863831233542067,"score_spread":0.16895086578964635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036826180","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4861326,0.0014595225,0.0015153876,0.010199234,0.00012084235,0.0000833811,0.00014269403,0.000027508757,0.5003189],"genre_scores_gemma":[0.9670593,0.00053365726,0.00046265635,0.00028512228,0.0000073190436,0.000022159595,0.000032039472,0.000017620592,0.031580254],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9969438,0.0009950919,0.000045138837,0.00021516901,0.0007009148,0.0010998287],"domain_scores_gemma":[0.9977608,0.0004774514,0.00013337996,0.00010191313,0.00059500476,0.0009315561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017899045,0.0004591816,0.00022152832,0.0024609996,0.037103202,0.0139419045,0.001875065,0.0017109547,0.009066807],"category_scores_gemma":[0.0032313538,0.0002740439,0.00031202595,0.0042771846,0.018313577,0.0023484866,0.004453958,0.0024921242,0.00043777924],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009198518,0.00015235928,0.014178422,0.000047690348,0.000018168179,0.0009675171,0.4951414,0.0013456082,0.00039934332,0.4494137,0.012866532,0.025377365],"study_design_scores_gemma":[0.000016309397,0.000025975964,0.017634438,0.00017586471,0.000017850738,0.00015495662,0.83559215,0.0010008946,0.0001367099,0.015163568,0.13003094,0.000050389306],"about_ca_topic_score_codex":0.9757317,"about_ca_topic_score_gemma":0.99111265,"teacher_disagreement_score":0.11832452,"about_ca_system_score_codex":0.11832452,"about_ca_system_score_gemma":0.11760845,"threshold_uncertainty_score":0.85850847},"labels":[],"label_agreement":null},{"id":"W7037484368","doi":"","title":"English Literacy Curricula in a Sino-Canadian Transnational Education Program: Teachers’ Implemented Curriculum","year":2023,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Curriculum; Transformative learning; Critical literacy; Literacy; Australian Curriculum; Literacy education; Accreditation; Politics","score_opus":0.05373060476339697,"score_gpt":0.31826643586140135,"score_spread":0.2645358310980044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037484368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97669595,0.00014647545,0.00035666354,0.0015488038,0.000044735498,0.00021868321,0.000047125537,0.000030279052,0.020911295],"genre_scores_gemma":[0.98096186,0.00028872598,0.0014314341,0.0005156447,0.000005845455,0.00011748817,0.00007448329,0.000019798033,0.016584748],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99798846,0.00036235666,0.000033005643,0.00017393244,0.00032328223,0.0011191088],"domain_scores_gemma":[0.99699926,0.00018943586,0.00009217858,0.00007634101,0.0007685165,0.0018742189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016588862,0.0003358904,0.00025910465,0.00073555077,0.01787534,0.0025684824,0.0015537079,0.0008707125,0.003569086],"category_scores_gemma":[0.0027381722,0.0004115826,0.00020330171,0.0010803965,0.003013647,0.0008520924,0.0036749612,0.0022766201,0.00028213626],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023401206,0.0024018728,0.07366748,0.00027734681,0.000016694901,0.0041075787,0.7419997,0.000551193,0.007259093,0.00798616,0.009473454,0.1520254],"study_design_scores_gemma":[0.00004192496,0.000429656,0.095148824,0.00024312682,0.000025619245,0.00039024805,0.80205935,0.0005073501,0.0020787204,0.00036369724,0.09864893,0.0000626173],"about_ca_topic_score_codex":0.940638,"about_ca_topic_score_gemma":0.9875257,"teacher_disagreement_score":0.059361994,"about_ca_system_score_codex":0.05571349,"about_ca_system_score_gemma":0.11527341,"threshold_uncertainty_score":0.40423155},"labels":[],"label_agreement":null},{"id":"W7038299832","doi":"","title":"'Growing Pains' star and TV host Alan Thicke dies at 69","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Theme (computing); Order (exchange); Statement (logic); Romance; George (robot)","score_opus":0.012707983930436052,"score_gpt":0.21844369600618568,"score_spread":0.20573571207574964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038299832","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010928248,0.014483266,0.00053858524,0.23846705,0.047577374,0.000048173515,0.00035472022,0.00065054407,0.68695205],"genre_scores_gemma":[0.014560079,0.002234718,0.00016661116,0.017293226,0.0017054636,0.000014495245,0.00009906457,0.0001577405,0.9637687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993187,0.00010691369,0.00001366432,0.00006818453,0.00021228695,0.00028019765],"domain_scores_gemma":[0.99856645,0.00008600859,0.000034636763,0.000040377363,0.00034308876,0.00092945015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090295664,0.0004980554,0.00026839148,0.00046414995,0.0073841135,0.004630586,0.00047643567,0.0020312306,0.14674969],"category_scores_gemma":[0.0028183146,0.00029002284,0.00020478536,0.00026884733,0.0009816329,0.0025052642,0.0033298589,0.005611234,0.055698413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000085780775,0.000009219326,0.000122039404,0.000007936785,5.2772276e-7,0.00013030063,0.0005819665,0.0000038295257,0.00007769158,0.0014062473,0.98910505,0.008546522],"study_design_scores_gemma":[0.0000010812984,0.000010864238,0.00028097478,0.000035798537,6.1685665e-7,0.000110461326,0.0017292626,0.0000057536004,0.00003505394,0.00008942557,0.9976973,0.0000034651941],"about_ca_topic_score_codex":0.0136350775,"about_ca_topic_score_gemma":0.03533609,"teacher_disagreement_score":0.14674969,"about_ca_system_score_codex":0.0009874174,"about_ca_system_score_gemma":0.0015691492,"threshold_uncertainty_score":0.49092662},"labels":[],"label_agreement":null},{"id":"W7038753373","doi":"","title":"INTERVIEW WITH THE NORWEGIAN WRITER NILS-ØIVIND HAAGENSEN","year":2023,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Norwegian; Poetry; Publishing; Quarter (Canadian coin)","score_opus":0.28958346015408565,"score_gpt":0.4933715270319679,"score_spread":0.20378806687788226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038753373","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3184227,0.06886032,0.0010676961,0.31401905,0.039254796,0.0004692228,0.0018701205,0.00018179712,0.25585434],"genre_scores_gemma":[0.6462096,0.02776924,0.00090861943,0.082404144,0.005520051,0.0004897681,0.000706533,0.00055987656,0.23543213],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99422497,0.0024781926,0.00023579791,0.0005995188,0.0014212367,0.0010403296],"domain_scores_gemma":[0.9913761,0.0037070457,0.00079728337,0.000104570056,0.0016036032,0.0024114903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006177684,0.0008864648,0.0014408372,0.0017390877,0.022131393,0.009999262,0.0015187104,0.004092708,0.01283625],"category_scores_gemma":[0.0109907575,0.0010880755,0.00046972185,0.0020114789,0.0070129675,0.0061403117,0.0042491946,0.008785817,0.0048196227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013286754,0.00012205106,0.0027561677,0.00046090194,0.000009859983,0.0071255406,0.75413966,0.00007879503,0.00070032605,0.006165097,0.22190005,0.006408655],"study_design_scores_gemma":[0.000010095304,0.00003853055,0.0010877883,0.0005376586,0.000004232312,0.0008261334,0.6176957,0.000030087373,0.00009688437,0.00021696475,0.37941992,0.000035979218],"about_ca_topic_score_codex":0.067909904,"about_ca_topic_score_gemma":0.099674806,"teacher_disagreement_score":0.067909904,"about_ca_system_score_codex":0.00995176,"about_ca_system_score_gemma":0.009324934,"threshold_uncertainty_score":0.13502926},"labels":[],"label_agreement":null},{"id":"W7039173368","doi":"","title":"L'éducation au loisir : un test des modèles direct et indirect de prédiction des intérêts de loisir","year":2003,"lang":"fr","type":"dissertation","venue":"Le dépôt institutionnel (Université du Québec à Trois-Rivières)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université du Québec à Trois-Rivières; Université du Québec à Montréal","keywords":"Test (biology); Work (physics); Affect (linguistics); Order (exchange); Population","score_opus":0.015988372802845967,"score_gpt":0.21168958300678484,"score_spread":0.19570121020393888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039173368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9872788,0.0005365146,0.0024877067,0.0025235265,0.000089757224,0.000097912394,0.0020439136,0.00012452087,0.004817319],"genre_scores_gemma":[0.9881604,0.00033280285,0.0014145881,0.00018437511,0.0000647688,0.00015766529,0.00223604,0.00003296813,0.0074163415],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9972607,0.0017669213,0.00009034984,0.00041775746,0.0002377615,0.00022652964],"domain_scores_gemma":[0.9159972,0.07179897,0.0039824992,0.0021312584,0.0029323914,0.003157676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010109499,0.0013857682,0.001155181,0.0016255884,0.0014133111,0.0034841641,0.0035758552,0.0030501483,0.014303968],"category_scores_gemma":[0.042724267,0.00070796855,0.0012280465,0.0016326219,0.0013931241,0.002747656,0.0017410327,0.0044448064,0.0024641776],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029779596,0.001916416,0.93148136,0.00018600943,0.0013754005,0.00018929504,0.0018808472,0.016171185,0.0002326371,0.0019471826,0.009218929,0.032422815],"study_design_scores_gemma":[0.0009298179,0.0010532535,0.78456587,0.00027583967,0.0014582293,0.00009189786,0.003919648,0.19973332,0.0005861615,0.002894824,0.004400341,0.00009086742],"about_ca_topic_score_codex":0.51838255,"about_ca_topic_score_gemma":0.4172375,"teacher_disagreement_score":0.51838255,"about_ca_system_score_codex":0.0054112994,"about_ca_system_score_gemma":0.0057165353,"threshold_uncertainty_score":0.9689076},"labels":[],"label_agreement":null},{"id":"W7066543879","doi":"","title":"Introducing: Life Jolt","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prison; Life imprisonment; Institution; Sentence; Indigenous; Economic Justice; Circumstantial evidence","score_opus":0.008305168314079488,"score_gpt":0.17797941763794706,"score_spread":0.16967424932386757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066543879","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054416205,0.006341177,0.0020671333,0.07984136,0.029878095,0.0003316173,0.0014519992,0.0035229297,0.8711241],"genre_scores_gemma":[0.009899772,0.0014995628,0.0006027169,0.016244492,0.001885308,0.000077697936,0.00025234872,0.0005830186,0.96895504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997141,0.00006423087,0.000006279741,0.000035091784,0.000080793005,0.00009943056],"domain_scores_gemma":[0.99886656,0.00010749948,0.0000252152,0.00003666398,0.00020907498,0.0007550132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005286555,0.0004623342,0.0001939722,0.00056061696,0.0064455033,0.003717872,0.00057643204,0.0018961962,0.2803877],"category_scores_gemma":[0.0015525365,0.00027593656,0.00029044398,0.00036506515,0.001171308,0.0026056874,0.0029211685,0.003353769,0.092605166],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004747498,0.000011908957,0.00009048653,0.00002491797,2.664092e-7,0.00007905679,0.0012295329,0.0000027596554,0.00007188742,0.0006219585,0.9847227,0.013139823],"study_design_scores_gemma":[0.0000021477335,0.000007512014,0.00025047248,0.000035854224,4.6722778e-7,0.000091766065,0.002560908,0.0000052356454,0.000038145186,0.00013490886,0.99686974,0.0000027790293],"about_ca_topic_score_codex":0.019063365,"about_ca_topic_score_gemma":0.10997094,"teacher_disagreement_score":0.2803877,"about_ca_system_score_codex":0.0017851569,"about_ca_system_score_gemma":0.002097603,"threshold_uncertainty_score":0.9379903},"labels":[],"label_agreement":null},{"id":"W7094616125","doi":"","title":"9781800103672.epub","year":2022,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"U.S. National Library of Medicine; National Cancer Institute; National Institutes of Health; Association of American Medical Colleges; University of Rochester; Federal Security Agency; Rockefeller University; Andrew W. Mellon Foundation; Centers for Disease Control and Prevention; American Association for Cancer Research","keywords":"Promotion (chess); Government (linguistics); Welfare; Work (physics); Health promotion; Public health","score_opus":0.017920984359015082,"score_gpt":0.2233875246234079,"score_spread":0.20546654026439282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094616125","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012926038,0.0007487416,0.00020492934,0.0005310396,0.0012275773,0.000042941967,0.001802052,0.0005000234,0.99481344],"genre_scores_gemma":[0.00035356186,0.00043098378,0.00011859494,0.00031747427,0.00011398019,0.000026417929,0.0008717647,0.00020557192,0.9975617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996476,0.000048895377,0.000018465502,0.000048379174,0.00018258266,0.000054088297],"domain_scores_gemma":[0.9991248,0.00023787019,0.000052722622,0.000089097004,0.00029395914,0.00020147755],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042262208,0.0011903023,0.00064790284,0.0019271501,0.0018735005,0.0061349166,0.0013631346,0.0018685466,0.92116404],"category_scores_gemma":[0.0018645053,0.00049444864,0.00058863487,0.0025736147,0.00083030533,0.003482029,0.0029244341,0.0017938354,0.89291006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003458115,0.00001995777,0.00007120599,0.00019636223,0.0000025683694,0.00005928458,0.00007463633,0.00003416442,0.0001518247,0.002988953,0.88022226,0.11614413],"study_design_scores_gemma":[0.0000042024576,0.0000056054973,0.0001978929,0.00010112115,6.850791e-7,0.000037975187,0.000051928106,0.000012319124,0.000029602645,0.00038943556,0.9991667,0.0000025614738],"about_ca_topic_score_codex":0.005477786,"about_ca_topic_score_gemma":0.011201884,"teacher_disagreement_score":0.078835964,"about_ca_system_score_codex":0.0010500796,"about_ca_system_score_gemma":0.00088584,"threshold_uncertainty_score":0.112449884},"labels":[],"label_agreement":null},{"id":"W7099522012","doi":"","title":"A practical guide to swap curv construction","year":2000,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Swap (finance); Measure (data warehouse); Field (mathematics); Key (lock)","score_opus":0.023048637423834513,"score_gpt":0.28524662315145505,"score_spread":0.26219798572762054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099522012","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00096246373,0.0022878295,0.8066781,0.0024675343,0.0012395206,0.00031086922,0.0025577869,0.010005616,0.17349038],"genre_scores_gemma":[0.02707055,0.004447729,0.74309707,0.0012477908,0.000505537,0.00095093367,0.0042775534,0.009048083,0.20935479],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828017,0.0005753872,0.00016179055,0.00023465924,0.00059442414,0.00015358202],"domain_scores_gemma":[0.9981932,0.00053818413,0.000054043252,0.00059724523,0.0005248009,0.00009264135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022341243,0.001638743,0.0012693465,0.0028523307,0.0028470966,0.004423961,0.0035321214,0.0021969446,0.20328832],"category_scores_gemma":[0.008728098,0.0014736279,0.0018339307,0.0039400007,0.0023413617,0.0068978714,0.005218509,0.0046844273,0.09986665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034151777,0.00004551827,0.00025785252,0.00029796758,0.000015390639,0.00022707981,0.0005364954,0.0033886964,0.0007821279,0.4922704,0.2610147,0.24112953],"study_design_scores_gemma":[0.000009777776,0.000013463854,0.00009810173,0.00013361571,0.000005351054,0.00027566703,0.00023152163,0.004803963,0.0005816907,0.22307238,0.7707493,0.000025098609],"about_ca_topic_score_codex":0.006409482,"about_ca_topic_score_gemma":0.010145849,"teacher_disagreement_score":0.20328832,"about_ca_system_score_codex":0.00183557,"about_ca_system_score_gemma":0.0030884217,"threshold_uncertainty_score":0.6800672},"labels":[],"label_agreement":null},{"id":"W7100922068","doi":"","title":"The Nation-State After Globalism","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globalism; Ideology; Democracy; Nationalism; Exhibition; Disinformation","score_opus":0.00833947533342746,"score_gpt":0.18773773269667057,"score_spread":0.1793982573632431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100922068","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03209492,0.018627826,0.003835265,0.14870757,0.004257311,0.00002185694,0.00008307173,0.000052706608,0.7923195],"genre_scores_gemma":[0.8901715,0.006222428,0.0012122903,0.02168707,0.0015255972,0.0000485208,0.000054333825,0.00011840015,0.07895979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99761426,0.0014479004,0.00003699027,0.00028522912,0.0002391281,0.00037653797],"domain_scores_gemma":[0.9986848,0.00067643274,0.0000756704,0.00024359663,0.0001578324,0.00016156326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002156371,0.00040709143,0.0004256248,0.0008984991,0.007619915,0.010199735,0.00047206762,0.0024602518,0.0061519803],"category_scores_gemma":[0.002794693,0.00009289641,0.00029577065,0.0011461459,0.035052475,0.007856424,0.0041163242,0.0063935714,0.0005018696],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063941898,0.0000025455079,0.00010860792,0.000016911252,0.0000016847596,0.000047687987,0.01146962,0.00003061263,0.000033924152,0.98073536,0.0049875546,0.0025590558],"study_design_scores_gemma":[0.0000062028403,0.000024005813,0.00086935755,0.00023146337,0.0000067380915,0.00009439383,0.023300244,0.000060739367,0.00021347762,0.38820812,0.58697456,0.000010727753],"about_ca_topic_score_codex":0.0127482,"about_ca_topic_score_gemma":0.018214213,"teacher_disagreement_score":0.0127482,"about_ca_system_score_codex":0.005794994,"about_ca_system_score_gemma":0.0029873915,"threshold_uncertainty_score":0.042045772},"labels":[],"label_agreement":null},{"id":"W7101028039","doi":"","title":"Study of Regional Nutrient Balances in Four Municipalities in Manitoba Presented to:","year":2002,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nutrient; Hydrology (agriculture); Production (economics); Productivity","score_opus":0.09526023930871388,"score_gpt":0.25795020964635645,"score_spread":0.16268997033764257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101028039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9973908,0.000091401846,0.000036962978,0.00012069992,0.0000032434352,0.000014028495,0.00023694453,0.000003995174,0.002102007],"genre_scores_gemma":[0.9966528,0.0002215508,0.0002400633,0.00004499975,0.0000033633817,0.000016058963,0.00019231107,0.000004835216,0.002624169],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99984264,0.000037885296,0.000012424024,0.00003085115,0.00002480561,0.000051449613],"domain_scores_gemma":[0.99940455,0.00013545947,0.00008497979,0.000020076193,0.0002626559,0.00009231844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037007337,0.0002112719,0.0002460979,0.0019016005,0.0035085664,0.0014242213,0.00077976723,0.0004766685,0.001983754],"category_scores_gemma":[0.00096414797,0.00024425052,0.00018652307,0.0042049666,0.0009920511,0.00040467217,0.0009509329,0.00035636438,0.00018484784],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005913499,0.00019966932,0.9104848,0.00023348763,0.00015303807,0.0048185335,0.051761497,0.0011975018,0.007871607,0.0015309493,0.001467478,0.019690191],"study_design_scores_gemma":[0.0000125085235,0.00007825347,0.8576844,0.000043247994,0.000101747275,0.00025231735,0.13380349,0.0006738801,0.0016064182,0.00016116338,0.0055659437,0.000016654229],"about_ca_topic_score_codex":0.7307067,"about_ca_topic_score_gemma":0.8714726,"teacher_disagreement_score":0.2692933,"about_ca_system_score_codex":0.006859953,"about_ca_system_score_gemma":0.0059983083,"threshold_uncertainty_score":0.5417584},"labels":[],"label_agreement":null},{"id":"W7101069902","doi":"","title":"War, Art and the Internet1 A Canadian Case Study","year":2016,"lang":"en","type":"article","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Exemplification; Newspaper; Mainstream; Aside; Context (archaeology); Subject (documents); The Internet","score_opus":0.01580854543851418,"score_gpt":0.20893990537517448,"score_spread":0.1931313599366603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101069902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6287417,0.003717076,0.00051844993,0.009096382,0.00015709976,0.00020867129,0.0005119446,0.0000308366,0.3570179],"genre_scores_gemma":[0.9608822,0.0044605797,0.0006068839,0.00093029486,0.000042828015,0.000046285568,0.00013739854,0.000032661916,0.032860864],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978083,0.0004228482,0.000049528717,0.00012744403,0.00055361376,0.0010383471],"domain_scores_gemma":[0.9982495,0.0006954062,0.00013375605,0.000096517804,0.0003799013,0.00044502257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013257741,0.0007828727,0.0004873038,0.004173178,0.040729247,0.008237667,0.002328684,0.0033072836,0.013706073],"category_scores_gemma":[0.0032604872,0.0004220651,0.00043969558,0.012515131,0.011479754,0.0020569672,0.0040925783,0.0032139367,0.0007698063],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024053502,0.0004956985,0.021302927,0.0006855346,0.000049516857,0.08472264,0.5841717,0.0017723336,0.0014888763,0.1808604,0.05565687,0.068553],"study_design_scores_gemma":[0.000027336431,0.000042054457,0.013095691,0.0005035989,0.000037244754,0.0054506324,0.6366109,0.00046405345,0.00045898923,0.002252282,0.3409917,0.00006547171],"about_ca_topic_score_codex":0.9701691,"about_ca_topic_score_gemma":0.9862141,"teacher_disagreement_score":0.08041895,"about_ca_system_score_codex":0.08041895,"about_ca_system_score_gemma":0.05779655,"threshold_uncertainty_score":0.5834831},"labels":[],"label_agreement":null},{"id":"W7111643024","doi":"","title":"The American Daughters: A Novel","year":2024,"lang":"","type":"article","venue":"Civil War Book Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Daughter; Quarter (Canadian coin); Free world","score_opus":0.020035714613674708,"score_gpt":0.268163875802336,"score_spread":0.24812816118866132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111643024","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049023543,0.08010241,0.0003679705,0.09665072,0.011353828,0.000054268254,0.00019801871,0.0000534533,0.76219577],"genre_scores_gemma":[0.4274361,0.10647051,0.00075668754,0.028216423,0.008605753,0.00025579202,0.0003209477,0.000113657865,0.42782405],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992207,0.00042390497,0.000022552156,0.00006551917,0.00016117368,0.000106182415],"domain_scores_gemma":[0.99927527,0.00032722967,0.00006138064,0.000036134163,0.00012568681,0.00017437857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011254144,0.00045464712,0.00027066463,0.0010435211,0.0073015545,0.007594634,0.00068253314,0.0013807814,0.007942051],"category_scores_gemma":[0.0020758496,0.00023245688,0.00016486348,0.0011890257,0.004454628,0.0033934645,0.0024061026,0.004074638,0.0016142873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051221232,0.00020282285,0.0009292772,0.00032866563,0.000010975587,0.0018567331,0.09960514,0.000036026337,0.0003039231,0.20764068,0.6373468,0.051687736],"study_design_scores_gemma":[0.0000036550016,0.000008981153,0.00039980887,0.00015297378,0.000003118484,0.00029870286,0.025893807,0.0000080498085,0.00006228837,0.0013148318,0.9718508,0.0000030200258],"about_ca_topic_score_codex":0.0075733336,"about_ca_topic_score_gemma":0.019476252,"teacher_disagreement_score":0.007942051,"about_ca_system_score_codex":0.0038862983,"about_ca_system_score_gemma":0.002892791,"threshold_uncertainty_score":0.02819717},"labels":[],"label_agreement":null},{"id":"W7113899428","doi":"10.7202/1120905ar","title":"Drones, Clones and Alpha Babes: Retrofitting Star Trek’s Humanism, Post-9/11","year":2009,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Star (game theory); Retrofitting; Alpha (finance); clone (Java method)","score_opus":0.06472831006336734,"score_gpt":0.33668194470006574,"score_spread":0.2719536346366984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113899428","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36739427,0.0037798586,0.0011381641,0.049816884,0.0015708753,0.000033123233,0.00007692156,0.00004482009,0.5761451],"genre_scores_gemma":[0.9369279,0.00060579577,0.00022614363,0.0027246359,0.0001930288,0.000012400024,0.000014086248,0.000046808582,0.0592491],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982607,0.00095336785,0.0000382373,0.0001747143,0.00020669274,0.00036631347],"domain_scores_gemma":[0.9986625,0.0005409231,0.000116123825,0.00016224226,0.00024653567,0.00027176138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030150411,0.00027550463,0.00018963114,0.00088622235,0.015117105,0.008823924,0.000539017,0.0029491168,0.008110024],"category_scores_gemma":[0.004834445,0.00024388377,0.00014713782,0.0007268757,0.019157358,0.004290546,0.003096295,0.00619213,0.0007544678],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084999185,0.000034922643,0.001726758,0.00003285485,0.0000045195084,0.00065005623,0.37337106,0.000041682604,0.00039227697,0.5902841,0.020899633,0.012477069],"study_design_scores_gemma":[0.000017234015,0.00007916186,0.0065712132,0.0001547787,0.000008923605,0.00052584347,0.2740754,0.0000829254,0.0011839989,0.03161287,0.6856628,0.000024871832],"about_ca_topic_score_codex":0.03296976,"about_ca_topic_score_gemma":0.08498616,"teacher_disagreement_score":0.03296976,"about_ca_system_score_codex":0.0047350023,"about_ca_system_score_gemma":0.0027131797,"threshold_uncertainty_score":0.06555575},"labels":[],"label_agreement":null},{"id":"W7117887355","doi":"10.58898/sij.v4i2.98-103","title":"Journalism in the Transition from the Old to the New Age","year":2025,"lang":"","type":"article","venue":"Social informatics journal","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Journalism; Publication; Focus (optics); The Internet; Transition (genetics); Statement (logic); Function (biology)","score_opus":0.01942036986238542,"score_gpt":0.2574609652035636,"score_spread":0.23804059534117816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117887355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48930576,0.04019831,0.0020331787,0.08522649,0.0021884565,0.00009017492,0.0001249176,0.000059566075,0.38077316],"genre_scores_gemma":[0.9814445,0.006468875,0.00030765182,0.0023064008,0.0012908354,0.000023482082,0.000017474582,0.000028322042,0.008112456],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945523,0.0032208636,0.00023058405,0.0004501064,0.00084216346,0.00070406066],"domain_scores_gemma":[0.9817894,0.010414051,0.0016883011,0.0006241582,0.0013572816,0.0041267555],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0085430015,0.00015339177,0.0003166675,0.0044660345,0.009384851,0.020341579,0.00069851323,0.002008789,0.003630589],"category_scores_gemma":[0.015437809,0.00029045175,0.0001909462,0.0031907416,0.02852689,0.016558727,0.0060377903,0.00314348,0.00040257213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109268054,0.00009066263,0.0064677293,0.00015543117,0.000008929224,0.0008315637,0.5143278,0.00004513975,0.00036250564,0.43411684,0.00937992,0.03410408],"study_design_scores_gemma":[0.000026667745,0.000108638975,0.023331875,0.0005328529,0.000011074413,0.0010201079,0.30753276,0.00015156408,0.00038293833,0.074825086,0.5920298,0.000046540437],"about_ca_topic_score_codex":0.003867888,"about_ca_topic_score_gemma":0.0041707987,"teacher_disagreement_score":0.020341579,"about_ca_system_score_codex":0.006043943,"about_ca_system_score_gemma":0.004120717,"threshold_uncertainty_score":0.04518026},"labels":[],"label_agreement":null},{"id":"W7118163021","doi":"10.15691/textoshibridos.v9i2.172","title":"La crónica corridística de Fred Carrasco: Protesta social y narcotráfico en la frontera mexico-texana","year":2022,"lang":"","type":"article","venue":"Textos híbridos Revista de estudios sobre crónica y periodismo narrativo","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literacy; Quarter (Canadian coin); Social Education","score_opus":0.016198120725544482,"score_gpt":0.25932995594051794,"score_spread":0.24313183521497345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118163021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8647844,0.0037290654,0.0013810063,0.015383043,0.00029253334,0.000047680194,0.00036789695,0.00004816289,0.11396605],"genre_scores_gemma":[0.9664552,0.0016454251,0.00053872284,0.00048440736,0.000047627484,0.00004220205,0.00012999965,0.000015547017,0.030640854],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998246,0.00005145256,0.0000025657748,0.000030532177,0.000018332492,0.000072495764],"domain_scores_gemma":[0.99976355,0.00006603666,0.000061562394,0.00000984831,0.000032845834,0.00006610314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041302916,0.00019626666,0.00011813901,0.0006146916,0.00640181,0.0019494774,0.0003598011,0.00064817676,0.005703673],"category_scores_gemma":[0.00071272376,0.000109041976,0.000092739654,0.0009446987,0.0025145437,0.0011758473,0.0014461275,0.0009064992,0.00017900972],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038554156,0.00009939559,0.0923333,0.00036418508,0.00002633957,0.005679801,0.620397,0.00049718557,0.0033014265,0.13328479,0.045713123,0.097917974],"study_design_scores_gemma":[0.000009914588,0.0000563063,0.11480602,0.00033581955,0.00001758032,0.00061039557,0.32545727,0.000206999,0.00042102573,0.002025562,0.55602473,0.000028316745],"about_ca_topic_score_codex":0.2822169,"about_ca_topic_score_gemma":0.53967273,"teacher_disagreement_score":0.2822169,"about_ca_system_score_codex":0.0069906455,"about_ca_system_score_gemma":0.0037713929,"threshold_uncertainty_score":0.5611484},"labels":[],"label_agreement":null},{"id":"W7120745785","doi":"","title":"Um século de obra crítica anglófona escrita por mulheres, o esforço de Michelle Dean em Afiadas.","year":2021,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Government (linguistics); Face (sociological concept); Order (exchange); Power (physics)","score_opus":0.02273337485091596,"score_gpt":0.24030273295177884,"score_spread":0.2175693581008629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120745785","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01269076,0.36811644,0.0012152083,0.5255955,0.015398587,0.000029560455,0.00025446995,0.00007991026,0.07661961],"genre_scores_gemma":[0.286783,0.3549321,0.0023355617,0.28298143,0.016984958,0.00011250902,0.00024366476,0.00037855172,0.05524827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9904924,0.00444035,0.0003558232,0.0010179221,0.0027863455,0.00090703036],"domain_scores_gemma":[0.97702676,0.011672915,0.0019920424,0.0010625867,0.0072100637,0.0010356196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009176562,0.0006918052,0.0008664659,0.003776983,0.010660313,0.008312865,0.0015942809,0.0046572955,0.008949705],"category_scores_gemma":[0.03321549,0.00042928476,0.0006328995,0.0053480533,0.015685426,0.0072742733,0.0048269443,0.0076536606,0.0013361903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005852644,0.0000310389,0.0052237576,0.0023640506,0.000078452176,0.0007463095,0.12691832,0.00007120103,0.0003803394,0.23146068,0.5215438,0.11112351],"study_design_scores_gemma":[0.000003723429,0.000011918825,0.0032447104,0.0036823987,0.000028715975,0.0003718339,0.025956199,0.000023056995,0.00016223002,0.00421517,0.9622764,0.00002361909],"about_ca_topic_score_codex":0.17817019,"about_ca_topic_score_gemma":0.34286562,"teacher_disagreement_score":0.17817019,"about_ca_system_score_codex":0.013831612,"about_ca_system_score_gemma":0.021395829,"threshold_uncertainty_score":0.3542663},"labels":[],"label_agreement":null},{"id":"W7124136798","doi":"10.5325/edgallpoerev.26.2.0169","title":"Mr. Poe and Dr. Moran: A Medical Biography of Edgar Allan Poe","year":2025,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Biography; Depiction; Narrative; Reputation","score_opus":0.014461546633702046,"score_gpt":0.26417844773630456,"score_spread":0.2497169011026025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124136798","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02051522,0.3266046,0.001057246,0.46205792,0.034527358,0.00008446815,0.00016793988,0.00011524922,0.15486994],"genre_scores_gemma":[0.22163609,0.186541,0.001997454,0.14712022,0.042196006,0.00024933208,0.00015016134,0.0001676403,0.399942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956423,0.00018008186,0.000016948508,0.000078006124,0.000113207345,0.00004752189],"domain_scores_gemma":[0.9994622,0.00024019055,0.000043659846,0.000016784505,0.000101166675,0.00013613647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064089394,0.00044801764,0.00040156275,0.0013204274,0.0034001768,0.0020847546,0.00041880083,0.0022242067,0.004622367],"category_scores_gemma":[0.001886171,0.00023266,0.00013225191,0.0007302145,0.0036977788,0.0024930253,0.0012383277,0.005724349,0.0018074096],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020960704,0.0000606525,0.0005335505,0.00019930708,0.000005452685,0.0009352357,0.027762918,0.000058747417,0.0005093398,0.028299775,0.8949118,0.046702288],"study_design_scores_gemma":[0.0000022943047,0.00002483804,0.001086431,0.00034819444,0.0000027294434,0.0019046504,0.003949236,0.000032227865,0.00009261903,0.002257695,0.9902895,0.000009598336],"about_ca_topic_score_codex":0.004749377,"about_ca_topic_score_gemma":0.0067148902,"teacher_disagreement_score":0.004749377,"about_ca_system_score_codex":0.0024522755,"about_ca_system_score_gemma":0.0019384901,"threshold_uncertainty_score":0.017792523},"labels":[],"label_agreement":null},{"id":"W7126130941","doi":"","title":"Lauren Oyler: 48th Annual ODU Literary Festival","year":2025,"lang":"","type":"article","venue":"ODU Digital Commons (Old Dominion University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dominion; White (mutation); Criticism; Literary criticism; Canadian literature","score_opus":0.008295243922129865,"score_gpt":0.19319082298519036,"score_spread":0.1848955790630605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126130941","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048237413,0.042382576,0.0007571794,0.13787937,0.15537749,0.0003815021,0.0061880397,0.0006033785,0.60819304],"genre_scores_gemma":[0.072583176,0.007297522,0.00057258504,0.009389871,0.012120377,0.0002868911,0.0015929079,0.00068730133,0.8954693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988187,0.000239286,0.000032969532,0.0001374855,0.00040594907,0.0003656674],"domain_scores_gemma":[0.99783,0.0001644072,0.000071477945,0.00008209943,0.0005241824,0.0013278602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025855545,0.0008574226,0.00068436796,0.0018195907,0.01457507,0.006298551,0.00082864356,0.0014159874,0.05635303],"category_scores_gemma":[0.003702803,0.00028392044,0.00033076928,0.0014247348,0.0015072892,0.0017802819,0.005702843,0.0026137475,0.015352793],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004675586,0.000030064199,0.00044086177,0.000055706365,0.0000032910996,0.00009149144,0.0022236905,0.000014441395,0.00017211985,0.0016864609,0.9839537,0.011281379],"study_design_scores_gemma":[0.0000019283182,0.0000066843527,0.0012752975,0.00007642806,9.732825e-7,0.000019348143,0.0024461776,0.000007097869,0.000057403737,0.00013514557,0.9959692,0.0000043914674],"about_ca_topic_score_codex":0.02305833,"about_ca_topic_score_gemma":0.10869693,"teacher_disagreement_score":0.05635303,"about_ca_system_score_codex":0.0055789147,"about_ca_system_score_gemma":0.004003973,"threshold_uncertainty_score":0.18851966},"labels":[],"label_agreement":null},{"id":"W7133075767","doi":"","title":"&quot;I saw what I saw&quot;: the media creates a miracle cure for anorexia","year":2002,"lang":"","type":"dissertation","venue":"TSpace","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Miracle; Charisma; Newspaper; CONTEST; Ideology; Mainstream","score_opus":0.03440783332871524,"score_gpt":0.2973616563866517,"score_spread":0.26295382305793646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133075767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41232687,0.010452143,0.003372941,0.22018416,0.004523649,0.00019839761,0.00013136801,0.000113915274,0.34869653],"genre_scores_gemma":[0.94280684,0.0036769062,0.0010502948,0.013392595,0.0006000836,0.00010253471,0.000028006738,0.00006694777,0.038275734],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99702317,0.001939543,0.000044203993,0.00018087807,0.00039302293,0.0004191819],"domain_scores_gemma":[0.99673873,0.0020986141,0.0003203687,0.00011095608,0.00031516672,0.00041626414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028462315,0.00045796786,0.00027258933,0.0010512222,0.016224055,0.008884798,0.0007659876,0.0033488143,0.0053223083],"category_scores_gemma":[0.006966728,0.00025697827,0.0003250941,0.00065261126,0.019164696,0.007935591,0.0043882094,0.0055685462,0.00069287873],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006816567,0.00006612176,0.0024111245,0.0002678225,0.000007686995,0.0037358883,0.82191366,0.00005761239,0.0008149339,0.12789819,0.023857474,0.01890128],"study_design_scores_gemma":[0.000014282279,0.000062805244,0.0013890725,0.0005831305,0.000012745964,0.0020798873,0.66673934,0.000075290496,0.00072487793,0.005130081,0.32315964,0.00002878726],"about_ca_topic_score_codex":0.011844879,"about_ca_topic_score_gemma":0.019949978,"teacher_disagreement_score":0.016224055,"about_ca_system_score_codex":0.006710951,"about_ca_system_score_gemma":0.0038785492,"threshold_uncertainty_score":0.04869157},"labels":[],"label_agreement":null},{"id":"W7134372591","doi":"","title":"Canadian women of the cinematography world in the first half of the 20th century","year":2016,"lang":"pl","type":"book-chapter","venue":"Jagiellonian University Repository (Jagiellonian University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cinematography; Period (music); Narrative; Government (linguistics)","score_opus":0.005595532402331234,"score_gpt":0.140973426704369,"score_spread":0.13537789430203775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134372591","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0709719,0.026720025,0.00030525928,0.03750941,0.0010310984,0.000036392612,0.00040597384,0.000052187315,0.8629677],"genre_scores_gemma":[0.62415993,0.016342986,0.0003600671,0.0028000341,0.00031980927,0.00002598037,0.00015955573,0.000099598445,0.35573202],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985234,0.0002314341,0.000020648378,0.00015574884,0.00046071378,0.0006081306],"domain_scores_gemma":[0.9987196,0.00020937182,0.00008963782,0.000034064593,0.0004613229,0.0004859742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010658045,0.00049167173,0.00025571443,0.0027472277,0.020519659,0.009702321,0.00082658604,0.0015565337,0.027796282],"category_scores_gemma":[0.002794608,0.00028472173,0.00015189392,0.0046457625,0.008586842,0.0025536583,0.0023824049,0.002230007,0.0011732426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008779818,0.000024992289,0.0026249832,0.00022012254,0.000010186083,0.0004474625,0.39612943,0.000047541325,0.0005850224,0.3433551,0.19028796,0.066179395],"study_design_scores_gemma":[0.0000026665648,0.0000039079887,0.0038079268,0.00013121756,0.0000042412485,0.000074281954,0.06855144,0.0000146329685,0.00009853315,0.0010440104,0.92625695,0.0000102230215],"about_ca_topic_score_codex":0.94873804,"about_ca_topic_score_gemma":0.9834501,"teacher_disagreement_score":0.06286985,"about_ca_system_score_codex":0.06286985,"about_ca_system_score_gemma":0.049108226,"threshold_uncertainty_score":0.45615482},"labels":[],"label_agreement":null},{"id":"W7134481811","doi":"","title":"Old Mole","year":2019,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Journalism","score_opus":0.0068098332748613676,"score_gpt":0.14807053962749028,"score_spread":0.1412607063526289,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134481811","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008252381,0.0018517434,0.0005960981,0.0034486467,0.003626715,0.00003312485,0.00087309023,0.0003667305,0.98837864],"genre_scores_gemma":[0.0038179064,0.0010301498,0.00037278573,0.00085771014,0.0003208238,0.000018173132,0.00035065977,0.00022236172,0.99300957],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995987,0.000063556705,0.000023884664,0.000087163746,0.00017480538,0.00005193129],"domain_scores_gemma":[0.99933124,0.00010899683,0.000037107897,0.00013159154,0.00023727104,0.00015382997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004865338,0.00051262765,0.00034087538,0.0012919687,0.0030171762,0.0053798812,0.0007565417,0.0013618816,0.58199507],"category_scores_gemma":[0.0025188855,0.00026155912,0.0002653312,0.0007888261,0.0008169327,0.0034064713,0.002708987,0.0015958871,0.36790037],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032928117,0.000020484507,0.0002317632,0.000086533575,0.000002651819,0.00017568136,0.00076836,0.000023524743,0.00025223364,0.044828154,0.8310149,0.12256288],"study_design_scores_gemma":[7.4483285e-7,0.0000016815093,0.00006822883,0.000026843125,4.0157886e-7,0.000046862053,0.00011323344,0.000005508238,0.000030209017,0.0006034787,0.99910164,0.000001137955],"about_ca_topic_score_codex":0.003605655,"about_ca_topic_score_gemma":0.00901759,"teacher_disagreement_score":0.58199507,"about_ca_system_score_codex":0.0010897373,"about_ca_system_score_gemma":0.0010862009,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7135747061","doi":"","title":"Fear and Loathing Worldwide [Paperback]:Gonzo Journalism Beyond Hunter S. Thompson","year":2020,"lang":"en","type":"book","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Journalism; Rhetoric; Citizen journalism; Consciousness; Convention","score_opus":0.03519251552145878,"score_gpt":0.23243007761612122,"score_spread":0.19723756209466245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135747061","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05927793,0.050020095,0.0011435227,0.48688513,0.04072158,0.00004454829,0.000060717262,0.00021586116,0.36163068],"genre_scores_gemma":[0.6342603,0.030064272,0.0006093565,0.09147537,0.027715543,0.000115054136,0.00006428693,0.0003926445,0.21530326],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994159,0.0002140701,0.000021310143,0.00008220373,0.00015727364,0.00010932316],"domain_scores_gemma":[0.99769527,0.0015531136,0.00015055985,0.00008567253,0.000209045,0.0003063218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011327028,0.0004500049,0.00032523795,0.0009413083,0.011083209,0.012170199,0.00057620957,0.0023775252,0.0048936005],"category_scores_gemma":[0.0037734753,0.00024196923,0.00023699246,0.0009668345,0.009154286,0.0053774454,0.0031352767,0.004599399,0.00089439313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006144105,0.00005696448,0.0009264153,0.00024437942,0.000013322085,0.0012388686,0.14155996,0.00006183949,0.000888916,0.23651347,0.573513,0.04492157],"study_design_scores_gemma":[0.0000074990867,0.000026633012,0.00186433,0.00034940374,0.000010097729,0.00034899416,0.06759173,0.00006447221,0.00021709026,0.014967104,0.9145314,0.000021170097],"about_ca_topic_score_codex":0.0057696486,"about_ca_topic_score_gemma":0.010444303,"teacher_disagreement_score":0.012170199,"about_ca_system_score_codex":0.0023969188,"about_ca_system_score_gemma":0.0018571411,"threshold_uncertainty_score":0.017391026},"labels":[],"label_agreement":null},{"id":"W7139222187","doi":"","title":"Mother Alberta","year":2016,"lang":"","type":"article","venue":"Seton Hall University eRepository (Seton Hall University)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Photography; Line drawings","score_opus":0.008702531389837787,"score_gpt":0.14930700235328462,"score_spread":0.14060447096344683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139222187","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002912854,0.004783825,0.00044810266,0.018697027,0.0073019024,0.000060827024,0.0014457897,0.00027046233,0.96407926],"genre_scores_gemma":[0.004635157,0.0015807564,0.00015561377,0.0020184235,0.00014218866,0.0000121947405,0.0001803706,0.000050584327,0.9912247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995803,0.00003485543,0.000009535791,0.00009108696,0.00017223791,0.00011201056],"domain_scores_gemma":[0.99924797,0.000043601394,0.000019164143,0.00003063809,0.00034539617,0.00031312392],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004180163,0.0006112622,0.00045126586,0.00064620055,0.0048999223,0.0025228134,0.00081782957,0.0010539553,0.46623197],"category_scores_gemma":[0.001467481,0.00025290524,0.00017750582,0.0006752184,0.00047893228,0.00099059,0.001609148,0.001810641,0.17082223],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002469113,0.000025013174,0.0006682461,0.000043833763,0.0000015336942,0.0006971248,0.00071126764,0.000016992395,0.00021474798,0.0074489904,0.9400741,0.05007352],"study_design_scores_gemma":[0.0000017677853,0.000004502031,0.0004619841,0.000037746486,8.995556e-7,0.00019682683,0.00053556537,0.0000077606055,0.00005045545,0.00032441606,0.9983752,0.0000028438071],"about_ca_topic_score_codex":0.11643835,"about_ca_topic_score_gemma":0.27725345,"teacher_disagreement_score":0.8835617,"about_ca_system_score_codex":0.0030869641,"about_ca_system_score_gemma":0.0054915245,"threshold_uncertainty_score":0.7613553},"labels":[],"label_agreement":null},{"id":"W7139328492","doi":"","title":"\"Afterglow\"","year":2014,"lang":"","type":"article","venue":"USF Scholarship Repository (University of San Francisco)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Work (physics); Narrative; Subject (documents)","score_opus":0.011293737762562017,"score_gpt":0.1811129968220404,"score_spread":0.1698192590594784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139328492","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025804127,0.0709273,0.0024627647,0.25373387,0.12533695,0.00008425912,0.0006182291,0.00057815085,0.54367816],"genre_scores_gemma":[0.02458459,0.02189187,0.0011940436,0.114006445,0.017454473,0.00008405152,0.00042097102,0.00043604526,0.8199275],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863726,0.00040465442,0.000043011427,0.00020004873,0.0004944378,0.00022060222],"domain_scores_gemma":[0.9980731,0.00029949,0.00011723455,0.00023749632,0.0007553572,0.00051730796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015450632,0.0005844741,0.0003873729,0.0012136463,0.0037006508,0.006956242,0.0008830278,0.0019846645,0.08065206],"category_scores_gemma":[0.0049337815,0.0002310141,0.00054124364,0.0010684762,0.0029863932,0.0068989815,0.0039179656,0.0039230343,0.039393548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015340542,0.00000447512,0.0001001697,0.00013056734,0.0000034120717,0.000055121323,0.00078533206,0.000005459999,0.0001097458,0.026866771,0.93776,0.034163732],"study_design_scores_gemma":[0.000001098306,0.000004725898,0.0001010859,0.000074373245,0.0000017607816,0.00004575527,0.0004195726,0.0000043234727,0.0000423625,0.0012681339,0.9980348,0.0000019039858],"about_ca_topic_score_codex":0.0041091526,"about_ca_topic_score_gemma":0.012889864,"teacher_disagreement_score":0.08065206,"about_ca_system_score_codex":0.0022891685,"about_ca_system_score_gemma":0.0026409936,"threshold_uncertainty_score":0.269808},"labels":[],"label_agreement":null},{"id":"W7139496861","doi":"","title":"Ditte Menneskebarn","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04119729668144123,"score_gpt":0.22722817913035134,"score_spread":0.1860308824489101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139496861","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004140098,0.009740154,0.0031620534,0.0054649822,0.006361244,0.000054345724,0.0014576712,0.000386068,0.96923333],"genre_scores_gemma":[0.015598852,0.0041169855,0.0016444605,0.0006506117,0.00036894812,0.000038567523,0.0006508776,0.00045479092,0.97647583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993236,0.00010997287,0.00003217742,0.00012880363,0.0003109757,0.00009454531],"domain_scores_gemma":[0.99963,0.00007632763,0.000023011993,0.000039813523,0.00016198428,0.00006891859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065502024,0.00078711816,0.00047461982,0.0012795085,0.002954798,0.0073176506,0.0006743155,0.001546904,0.20513342],"category_scores_gemma":[0.0017328358,0.00041889708,0.0004342541,0.0011340692,0.0015269411,0.003280394,0.003074041,0.0031977014,0.08598293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017266271,0.000085816966,0.0006824314,0.0005055382,0.000017150875,0.0004275869,0.008136549,0.0004032055,0.002214979,0.15133475,0.6384289,0.1975904],"study_design_scores_gemma":[0.0000020764114,0.0000048689203,0.0001588373,0.00012283646,0.000001583444,0.00007273136,0.0006381803,0.00003421275,0.00023199862,0.0014585542,0.9972697,0.0000044082735],"about_ca_topic_score_codex":0.0070648217,"about_ca_topic_score_gemma":0.016878637,"teacher_disagreement_score":0.20513342,"about_ca_system_score_codex":0.0025338263,"about_ca_system_score_gemma":0.0024115627,"threshold_uncertainty_score":0.68623966},"labels":[],"label_agreement":null},{"id":"W7139542611","doi":"","title":"Ditte Menneskebarn","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04119729668144123,"score_gpt":0.22722817913035134,"score_spread":0.1860308824489101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139542611","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004140098,0.009740154,0.0031620534,0.0054649822,0.006361244,0.000054345724,0.0014576712,0.000386068,0.96923333],"genre_scores_gemma":[0.015598852,0.0041169855,0.0016444605,0.0006506117,0.00036894812,0.000038567523,0.0006508776,0.00045479092,0.97647583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993236,0.00010997287,0.00003217742,0.00012880363,0.0003109757,0.00009454531],"domain_scores_gemma":[0.99963,0.00007632763,0.000023011993,0.000039813523,0.00016198428,0.00006891859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065502024,0.00078711816,0.00047461982,0.0012795085,0.002954798,0.0073176506,0.0006743155,0.001546904,0.20513342],"category_scores_gemma":[0.0017328358,0.00041889708,0.0004342541,0.0011340692,0.0015269411,0.003280394,0.003074041,0.0031977014,0.08598293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017266271,0.000085816966,0.0006824314,0.0005055382,0.000017150875,0.0004275869,0.008136549,0.0004032055,0.002214979,0.15133475,0.6384289,0.1975904],"study_design_scores_gemma":[0.0000020764114,0.0000048689203,0.0001588373,0.00012283646,0.000001583444,0.00007273136,0.0006381803,0.00003421275,0.00023199862,0.0014585542,0.9972697,0.0000044082735],"about_ca_topic_score_codex":0.0070648217,"about_ca_topic_score_gemma":0.016878637,"teacher_disagreement_score":0.20513342,"about_ca_system_score_codex":0.0025338263,"about_ca_system_score_gemma":0.0024115627,"threshold_uncertainty_score":0.68623966},"labels":[],"label_agreement":null},{"id":"W7139582438","doi":"","title":"Den lille havfrue","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.041672339390013996,"score_gpt":0.22883339887053905,"score_spread":0.18716105948052505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139582438","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039346386,0.024974221,0.0040941406,0.016285654,0.008523478,0.00006791278,0.0018083593,0.00092087104,0.9393907],"genre_scores_gemma":[0.014020951,0.004815804,0.0017074345,0.001525192,0.0004137238,0.000033151875,0.00052859035,0.00071422645,0.9762408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898666,0.00018370493,0.000036622117,0.00022752867,0.00043005781,0.00013542478],"domain_scores_gemma":[0.99930656,0.0001740418,0.00003621727,0.000065449916,0.0002925222,0.00012509892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096294214,0.0010346791,0.0006544661,0.0015819051,0.003900371,0.0076534827,0.000843352,0.0023247688,0.19337597],"category_scores_gemma":[0.0027559262,0.0005510172,0.00048344632,0.00092460227,0.0017127964,0.0039209644,0.0032268723,0.0040681898,0.09898039],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012629369,0.000052043317,0.0005507036,0.00029726521,0.000013810715,0.00030956036,0.003822037,0.00026839392,0.001071157,0.09198807,0.768624,0.13287671],"study_design_scores_gemma":[0.0000018158978,0.0000041507287,0.00010506524,0.000103983504,0.0000012342152,0.000058195496,0.0003371423,0.00003168866,0.00015623176,0.001335239,0.99786013,0.0000052237565],"about_ca_topic_score_codex":0.016745355,"about_ca_topic_score_gemma":0.033827916,"teacher_disagreement_score":0.19337597,"about_ca_system_score_codex":0.0031944455,"about_ca_system_score_gemma":0.002679325,"threshold_uncertainty_score":0.6469071},"labels":[],"label_agreement":null},{"id":"W7139626915","doi":"","title":"Kaptajn Klo","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.045531425715872036,"score_gpt":0.22996871642779057,"score_spread":0.18443729071191853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139626915","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048847483,0.021522569,0.005849962,0.011340144,0.0106647145,0.00011449633,0.0037159007,0.00084932783,0.9410582],"genre_scores_gemma":[0.030026153,0.01801936,0.0053859474,0.0028658025,0.001981454,0.00017097,0.0032755283,0.0017757284,0.93649906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998111,0.00032007787,0.00013190375,0.00037386792,0.0008666053,0.0001965122],"domain_scores_gemma":[0.9987709,0.00030666817,0.000092615344,0.0001445504,0.00052963605,0.00015569698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012228651,0.0012272923,0.00082244596,0.0019145027,0.0032714505,0.013987321,0.0011321197,0.0020013438,0.23318878],"category_scores_gemma":[0.004339979,0.0006328781,0.0006415625,0.0021855587,0.002197205,0.006334676,0.0045300853,0.004830872,0.12452622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019596337,0.0001354308,0.0007890962,0.0012145955,0.000038680322,0.0005153602,0.004827535,0.0005123101,0.0022188951,0.17871274,0.6024719,0.20836747],"study_design_scores_gemma":[0.0000046748364,0.000006698189,0.00019510361,0.00023897299,0.0000047859708,0.00013936062,0.00059339416,0.000049206672,0.00021922201,0.0035093206,0.9950295,0.000009660996],"about_ca_topic_score_codex":0.0062044607,"about_ca_topic_score_gemma":0.009556154,"teacher_disagreement_score":0.23318878,"about_ca_system_score_codex":0.003079586,"about_ca_system_score_gemma":0.0040484946,"threshold_uncertainty_score":0.78009415},"labels":[],"label_agreement":null},{"id":"W7139847701","doi":"","title":"Kaptajn Klo","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.045531425715872036,"score_gpt":0.22996871642779057,"score_spread":0.18443729071191853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139847701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048847483,0.021522569,0.005849962,0.011340144,0.0106647145,0.00011449633,0.0037159007,0.00084932783,0.9410582],"genre_scores_gemma":[0.030026153,0.01801936,0.0053859474,0.0028658025,0.001981454,0.00017097,0.0032755283,0.0017757284,0.93649906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998111,0.00032007787,0.00013190375,0.00037386792,0.0008666053,0.0001965122],"domain_scores_gemma":[0.9987709,0.00030666817,0.000092615344,0.0001445504,0.00052963605,0.00015569698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012228651,0.0012272923,0.00082244596,0.0019145027,0.0032714505,0.013987321,0.0011321197,0.0020013438,0.23318878],"category_scores_gemma":[0.004339979,0.0006328781,0.0006415625,0.0021855587,0.002197205,0.006334676,0.0045300853,0.004830872,0.12452622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019596337,0.0001354308,0.0007890962,0.0012145955,0.000038680322,0.0005153602,0.004827535,0.0005123101,0.0022188951,0.17871274,0.6024719,0.20836747],"study_design_scores_gemma":[0.0000046748364,0.000006698189,0.00019510361,0.00023897299,0.0000047859708,0.00013936062,0.00059339416,0.000049206672,0.00021922201,0.0035093206,0.9950295,0.000009660996],"about_ca_topic_score_codex":0.0062044607,"about_ca_topic_score_gemma":0.009556154,"teacher_disagreement_score":0.23318878,"about_ca_system_score_codex":0.003079586,"about_ca_system_score_gemma":0.0040484946,"threshold_uncertainty_score":0.78009415},"labels":[],"label_agreement":null},{"id":"W7139852847","doi":"","title":"Den lille havfrue","year":2012,"lang":"da","type":"book-chapter","venue":"University of Southern Denmark Research Portal (University of Southern Denmark)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.041672339390013996,"score_gpt":0.22883339887053905,"score_spread":0.18716105948052505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139852847","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039346386,0.024974221,0.0040941406,0.016285654,0.008523478,0.00006791278,0.0018083593,0.00092087104,0.9393907],"genre_scores_gemma":[0.014020951,0.004815804,0.0017074345,0.001525192,0.0004137238,0.000033151875,0.00052859035,0.00071422645,0.9762408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898666,0.00018370493,0.000036622117,0.00022752867,0.00043005781,0.00013542478],"domain_scores_gemma":[0.99930656,0.0001740418,0.00003621727,0.000065449916,0.0002925222,0.00012509892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096294214,0.0010346791,0.0006544661,0.0015819051,0.003900371,0.0076534827,0.000843352,0.0023247688,0.19337597],"category_scores_gemma":[0.0027559262,0.0005510172,0.00048344632,0.00092460227,0.0017127964,0.0039209644,0.0032268723,0.0040681898,0.09898039],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012629369,0.000052043317,0.0005507036,0.00029726521,0.000013810715,0.00030956036,0.003822037,0.00026839392,0.001071157,0.09198807,0.768624,0.13287671],"study_design_scores_gemma":[0.0000018158978,0.0000041507287,0.00010506524,0.000103983504,0.0000012342152,0.000058195496,0.0003371423,0.00003168866,0.00015623176,0.001335239,0.99786013,0.0000052237565],"about_ca_topic_score_codex":0.016745355,"about_ca_topic_score_gemma":0.033827916,"teacher_disagreement_score":0.19337597,"about_ca_system_score_codex":0.0031944455,"about_ca_system_score_gemma":0.002679325,"threshold_uncertainty_score":0.6469071},"labels":[],"label_agreement":null},{"id":"W7153684629","doi":"","title":"Chuck-will's-widow and Mockingbird Iu Ontario","year":2024,"lang":"","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01587707692809398,"score_gpt":0.16862012925317227,"score_spread":0.1527430523250783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7153684629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13414988,0.0018676874,0.00024599445,0.011449027,0.00036915427,0.000060167284,0.00031433822,0.00004468985,0.851499],"genre_scores_gemma":[0.48773748,0.0012454991,0.0002721058,0.00089324056,0.000025231591,0.00002174193,0.000064131236,0.000042527037,0.5096981],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995066,0.00006863711,0.000010462611,0.000061994746,0.00012434718,0.00022792123],"domain_scores_gemma":[0.99879265,0.0002572761,0.00006447421,0.000073236886,0.00035949962,0.00045286835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050526723,0.00017790758,0.00020127649,0.0009682223,0.028852211,0.005799697,0.00055132294,0.0011773905,0.051105775],"category_scores_gemma":[0.002691114,0.00022314365,0.00014907881,0.0011900216,0.0053578145,0.0018469662,0.0024239742,0.0012529584,0.0019498662],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017637543,0.00004821735,0.027236108,0.0002210044,0.000011910513,0.0022041001,0.3620327,0.00013188033,0.0013293616,0.30904102,0.22015385,0.07741341],"study_design_scores_gemma":[0.0000054829957,0.000012518379,0.022289777,0.00015209055,0.0000073230917,0.00014719446,0.16609572,0.000044522378,0.0003032,0.0024082072,0.80851614,0.000017808465],"about_ca_topic_score_codex":0.9068781,"about_ca_topic_score_gemma":0.98777497,"teacher_disagreement_score":0.093121886,"about_ca_system_score_codex":0.026305942,"about_ca_system_score_gemma":0.025985662,"threshold_uncertainty_score":0.19086385},"labels":[],"label_agreement":null},{"id":"W7155551656","doi":"10.59236/emro.v27i8a257","title":"Shaking it Up","year":2025,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Politics; Oath; Performance art; Key (lock)","score_opus":0.062264091655898496,"score_gpt":0.35381099336224003,"score_spread":0.29154690170634157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155551656","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002316381,0.006083651,0.002136422,0.05606546,0.08354562,0.0003672846,0.0013092258,0.0026652408,0.8455107],"genre_scores_gemma":[0.0039787213,0.0013692098,0.00054306147,0.0063732797,0.0053273016,0.00009863209,0.00037221285,0.0008660855,0.9810714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988908,0.00021849906,0.00002764025,0.00021289557,0.00042419645,0.00022605497],"domain_scores_gemma":[0.99783534,0.00017381969,0.000074389376,0.00016322466,0.00059099146,0.0011623503],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009864353,0.0012841559,0.00054318097,0.001027292,0.0060525113,0.008326324,0.0010401778,0.0025934451,0.5606536],"category_scores_gemma":[0.004918679,0.0005326376,0.00053482974,0.00066429755,0.0012784993,0.007299505,0.007941536,0.005589989,0.323391],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016185219,0.000010221363,0.000038563285,0.000030820836,0.0000012186482,0.000042500356,0.00034811295,0.000008044153,0.00019607843,0.0011245558,0.98294765,0.015236077],"study_design_scores_gemma":[0.000002891358,0.0000079717465,0.00013076108,0.000047022968,9.1714304e-7,0.00003108509,0.0005822221,0.000010784734,0.00004212817,0.00019473163,0.9989458,0.0000036898],"about_ca_topic_score_codex":0.0051258975,"about_ca_topic_score_gemma":0.014007907,"teacher_disagreement_score":0.5606536,"about_ca_system_score_codex":0.0018342722,"about_ca_system_score_gemma":0.0020255165,"threshold_uncertainty_score":0.6266743},"labels":[],"label_agreement":null},{"id":"W7162006289","doi":"10.82308/27128","title":"Turning the inverted pyramid inside-out: Professional ideology, professionalization, and education of journalists reconsidered","year":2012,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Professionalization; Objectivity (philosophy); Technical Journalism; Ideology; CONTEST; Institutionalisation; Narrative; Politics","score_opus":0.025678505897231838,"score_gpt":0.285573979465993,"score_spread":0.25989547356876114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162006289","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23737231,0.03829126,0.012649466,0.28888682,0.003704227,0.00005793875,0.000063260544,0.00010122772,0.41887346],"genre_scores_gemma":[0.9813075,0.0053090877,0.0012151921,0.0045171664,0.0010150305,0.000024300041,0.000010236042,0.0000722801,0.0065293023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.98594254,0.009059233,0.0003096805,0.0011595518,0.0018883394,0.0016406848],"domain_scores_gemma":[0.9726282,0.019956557,0.0018290745,0.0011576434,0.0022043425,0.002224115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018243527,0.0002910161,0.00050491,0.004633145,0.017041268,0.037597988,0.0014246351,0.0047172876,0.0025736159],"category_scores_gemma":[0.024214132,0.00054440653,0.00030403968,0.003632454,0.08414358,0.022742415,0.00735496,0.009336129,0.00053648604],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024852576,0.000027688826,0.0011459294,0.00006440663,0.00000398682,0.00012437695,0.2926832,0.000044226326,0.000120933706,0.6890478,0.0034408206,0.013271824],"study_design_scores_gemma":[0.000022574459,0.00008043482,0.004054971,0.00080161507,0.000014146067,0.00030797668,0.34612802,0.00044214475,0.0005721039,0.39660093,0.250927,0.00004805415],"about_ca_topic_score_codex":0.009408851,"about_ca_topic_score_gemma":0.011376271,"teacher_disagreement_score":0.037597988,"about_ca_system_score_codex":0.011702463,"about_ca_system_score_gemma":0.012571375,"threshold_uncertainty_score":0.0964821},"labels":[],"label_agreement":null},{"id":"W78435854","doi":"","title":"Another Good Neibhbor?: Hollywood's (Re)embracing of Brazil in \"Rio\" (2011) and \"Fast Five\" (2011)","year":2012,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; History; Art; Political science; Art history","score_opus":0.014339822956023714,"score_gpt":0.22194647030179548,"score_spread":0.20760664734577178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W78435854","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11681846,0.047933754,0.003695936,0.44901478,0.0042137406,0.00010536607,0.00023480701,0.000067644774,0.37791553],"genre_scores_gemma":[0.86806196,0.01110359,0.0015674178,0.030679584,0.00060597475,0.00010800133,0.0000519227,0.00019970513,0.087621786],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99835473,0.000992352,0.000029718833,0.00015446501,0.00019431153,0.0002742786],"domain_scores_gemma":[0.9972729,0.0017873313,0.00018870646,0.0001336015,0.00032126417,0.00029629483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003700083,0.00049892877,0.00032242082,0.002199549,0.01791633,0.010086268,0.0014634355,0.003939232,0.0063880906],"category_scores_gemma":[0.0078040278,0.000308913,0.00031191204,0.0022111614,0.020472465,0.012288898,0.0054931496,0.007294842,0.00038102828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029980238,0.000020806865,0.0010532221,0.00010115686,0.000006056922,0.0003447686,0.46320197,0.000026222597,0.00017565006,0.4594932,0.05510687,0.02044014],"study_design_scores_gemma":[0.00000910095,0.000012784982,0.0029974205,0.000854057,0.000021659562,0.0002318741,0.49244294,0.000056403635,0.000397497,0.034867685,0.46808314,0.000025430965],"about_ca_topic_score_codex":0.15763795,"about_ca_topic_score_gemma":0.39597535,"teacher_disagreement_score":0.15763795,"about_ca_system_score_codex":0.0077745495,"about_ca_system_score_gemma":0.007832391,"threshold_uncertainty_score":0.3134408},"labels":[],"label_agreement":null},{"id":"W81125689","doi":"","title":"Seeing-Eye Gods: CCTV and Surveillance in Tati's and Kubrick's 1960s Space Odysseys","year":2013,"lang":"en","type":"article","venue":"Cineaction!","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Craft; Comedy; Art history; Visual arts; Dance; History","score_opus":0.008280527489840504,"score_gpt":0.19832912057246968,"score_spread":0.19004859308262917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W81125689","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26707345,0.0415765,0.005259111,0.121105194,0.004332352,0.00012932041,0.00074643,0.00049177895,0.5592858],"genre_scores_gemma":[0.92911637,0.009619889,0.002059288,0.0069511384,0.001305173,0.00004211256,0.00020564,0.00028326001,0.05041709],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989472,0.000275065,0.000031411684,0.0001370429,0.0003298986,0.00027942038],"domain_scores_gemma":[0.9980925,0.00087930175,0.00015548442,0.00013807803,0.00033764576,0.00039693134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011741589,0.00027792813,0.00015327217,0.0012104736,0.0060771164,0.008051736,0.0005052728,0.0021352973,0.003246255],"category_scores_gemma":[0.0038616832,0.0004308363,0.00015222348,0.0013416895,0.0048204414,0.003727473,0.002530997,0.003801297,0.00041603658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022801213,0.00006232743,0.008171192,0.00029235327,0.000023163095,0.0023135543,0.3830775,0.000413494,0.0032306628,0.18479636,0.28271103,0.1346804],"study_design_scores_gemma":[0.000015738964,0.000032660693,0.012036163,0.0005694299,0.00002093644,0.00059144263,0.071392715,0.00047949544,0.0013977669,0.0049122674,0.90848243,0.00006893424],"about_ca_topic_score_codex":0.1598299,"about_ca_topic_score_gemma":0.24145672,"teacher_disagreement_score":0.1598299,"about_ca_system_score_codex":0.007831901,"about_ca_system_score_gemma":0.0026280244,"threshold_uncertainty_score":0.3177992},"labels":[],"label_agreement":null},{"id":"W93872557","doi":"","title":"The Toronto Globe and Mail (Poem)","year":2004,"lang":"en","type":"article","venue":"TLS, the Times literary supplement/Times literary supplement on CD-ROM/TLS. Times literary supplement","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globe; Poetry; Postal service; Media studies; Advertising; Telecommunications; History; Sociology; Art; Business; Engineering; Psychology; Political science; Literature; Public administration","score_opus":0.011775226935618121,"score_gpt":0.23060602357590368,"score_spread":0.21883079664028557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W93872557","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002444773,0.017358394,0.00020485396,0.017300477,0.006362921,0.000026625952,0.0022471219,0.0002079149,0.9538469],"genre_scores_gemma":[0.019945512,0.003972984,0.00014339248,0.0012787724,0.00053548685,0.000012978104,0.000512506,0.00009647475,0.973502],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998023,0.000024844261,0.000005756334,0.000028847318,0.00007791562,0.000060393297],"domain_scores_gemma":[0.99972016,0.000029374087,0.000013986883,0.000024866658,0.00011482764,0.00009677603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020980446,0.0005816663,0.00022737264,0.0013040644,0.007019386,0.0062517016,0.0003702385,0.0012422084,0.20214772],"category_scores_gemma":[0.0008103819,0.0002480077,0.0001518127,0.002571417,0.001649121,0.0018556347,0.0014658455,0.0012990402,0.04127274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014135788,0.000003169224,0.00018703059,0.000032672306,6.907729e-7,0.000087888584,0.0013594411,0.000016439077,0.00006648606,0.020646274,0.96196467,0.015621017],"study_design_scores_gemma":[0.0000015897284,0.0000015271132,0.00060094026,0.00003011306,6.29443e-7,0.000021652919,0.00090006215,0.0000049527853,0.00002507264,0.0003529457,0.99805886,0.0000016477393],"about_ca_topic_score_codex":0.4640136,"about_ca_topic_score_gemma":0.77566916,"teacher_disagreement_score":0.5359864,"about_ca_system_score_codex":0.0086827595,"about_ca_system_score_gemma":0.006203564,"threshold_uncertainty_score":0.9226255},"labels":[],"label_agreement":null},{"id":"W945495408","doi":"","title":"High Anxiety in the Bush Garden: Some Common Prejudicies in Mainstream Canadian Criticism.","year":2000,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Criticism; Anxiety; Art; Gender studies; Sociology; Demography; Literature; Psychology; Political science; Law; Psychiatry","score_opus":0.011052445998114264,"score_gpt":0.2050594222871824,"score_spread":0.19400697628906816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W945495408","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56027216,0.009537805,0.0007262781,0.16701229,0.0013984084,0.000096380005,0.00029581855,0.00010854479,0.2605523],"genre_scores_gemma":[0.9783573,0.0013101114,0.0001624933,0.00785194,0.00012897169,0.000019424277,0.000033865592,0.00005919662,0.0120765595],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9886303,0.0020172468,0.00025234238,0.0006721018,0.0053059105,0.003122188],"domain_scores_gemma":[0.96931374,0.011053842,0.0022875299,0.00088507636,0.012453654,0.004006108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007736248,0.00057724054,0.000603148,0.0069046095,0.059602346,0.01699532,0.0026435885,0.0054323687,0.0066981693],"category_scores_gemma":[0.03843459,0.00047479747,0.00036906573,0.011053984,0.03741775,0.0040290114,0.005637133,0.0067190933,0.00042285683],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050575833,0.000025387653,0.011485331,0.00012017632,0.000024523695,0.00059238897,0.86386263,0.000038326354,0.00040296104,0.053986765,0.04710565,0.022305371],"study_design_scores_gemma":[0.000012846315,0.00001253005,0.04060329,0.00037209873,0.00003903287,0.0001980065,0.8311472,0.00006921484,0.00025534077,0.0043463083,0.12286931,0.000074849224],"about_ca_topic_score_codex":0.97786,"about_ca_topic_score_gemma":0.9886968,"teacher_disagreement_score":0.09489476,"about_ca_system_score_codex":0.09489476,"about_ca_system_score_gemma":0.08399027,"threshold_uncertainty_score":0.6885129},"labels":[],"label_agreement":null},{"id":"W960403672","doi":"","title":"W.O.: The Life of W.O. Mitchell. Beginnings to 'Who Has Seen the Wind' by Barbara Mitchell, Ormond Mitchell (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; History","score_opus":0.008827926950177253,"score_gpt":0.18213394019118076,"score_spread":0.1733060132410035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W960403672","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005440804,0.9254662,0.00004924299,0.06682141,0.005645457,0.0000044736926,0.000021707361,0.00000527593,0.001931797],"genre_scores_gemma":[0.001940397,0.93854034,0.00019669635,0.037522987,0.0060627544,0.000028876571,0.000049047678,0.000017151246,0.015641747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988952,0.00041053115,0.000071327784,0.00012312435,0.00039282322,0.000106944346],"domain_scores_gemma":[0.996012,0.0013540768,0.0005346072,0.000089382025,0.001173464,0.0008365109],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023098665,0.0009050274,0.0009792607,0.00255907,0.0023747436,0.0042322665,0.0011585437,0.0045042923,0.010274647],"category_scores_gemma":[0.011264247,0.0006226829,0.00049081974,0.005355462,0.0027188226,0.0071091265,0.0019827397,0.00515165,0.0070358836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014770626,0.000006708247,0.00013721852,0.00094037777,0.000009912142,0.000050703457,0.000522328,0.000013710309,0.00003207913,0.0018045906,0.9288684,0.06759913],"study_design_scores_gemma":[0.0000047053245,0.000007686672,0.000706105,0.0028364863,0.000010539091,0.00013927139,0.00081702834,0.000006531487,0.000019961168,0.0009598505,0.9944834,0.000008409021],"about_ca_topic_score_codex":0.044147994,"about_ca_topic_score_gemma":0.0978998,"teacher_disagreement_score":0.044147994,"about_ca_system_score_codex":0.0025146334,"about_ca_system_score_gemma":0.006088189,"threshold_uncertainty_score":0.087782085},"labels":[],"label_agreement":null},{"id":"W976395","doi":"10.1007/bf00238277","title":"Stanley Kubrick Drama and Shadows: Photographs 1945-1950","year":2006,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Drama; Context (archaeology); Photojournalism; Art; Entertainment; Art history; Visual arts; Studio; Comics; Photography; Literature; History","score_opus":0.01974676814770627,"score_gpt":0.21628337099202846,"score_spread":0.1965366028443222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W976395","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08554836,0.06686509,0.00069510273,0.014705764,0.0059495075,0.00006532349,0.001174622,0.0001317168,0.82486445],"genre_scores_gemma":[0.41435266,0.029441379,0.0008491352,0.0017537733,0.0022814434,0.000021834761,0.0005358979,0.00016017223,0.55060375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998865,0.000028495126,0.000005150153,0.000016825743,0.00004386414,0.00001911307],"domain_scores_gemma":[0.9998215,0.000083918356,0.000014302472,0.000016222719,0.000036906597,0.00002713418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018843883,0.00027285088,0.00008983845,0.0016274049,0.002255262,0.0015671194,0.00018452803,0.00040871758,0.02925036],"category_scores_gemma":[0.0011020693,0.00012160785,0.00008258453,0.0012090501,0.0016011557,0.0012008025,0.0006780418,0.0006671472,0.002548464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022324066,0.000033442302,0.0059760115,0.0005566272,0.000027102915,0.0015904388,0.064596035,0.0001611905,0.0030719757,0.073018484,0.6787064,0.17203902],"study_design_scores_gemma":[0.0000025627958,0.000013054032,0.006511688,0.000117215124,0.0000057820394,0.00041289462,0.0049111918,0.000024303723,0.00035085768,0.0009868349,0.98665905,0.0000045306256],"about_ca_topic_score_codex":0.026796563,"about_ca_topic_score_gemma":0.096556656,"teacher_disagreement_score":0.02925036,"about_ca_system_score_codex":0.002437333,"about_ca_system_score_gemma":0.00039243253,"threshold_uncertainty_score":0.09785217},"labels":[],"label_agreement":null}]}