{"meta":{"query_hash":"f204647f07d5","filters":{"topic":"Literature, Musicology, and Cultural Analysis"},"cohort_total":1320,"direct_labels_cover":5,"predictions_cover":1320,"exported":1320,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/f204647f07d5","api":"https://metacan.xera.ac/api/v1/cohort?topic=Literature%2C+Musicology%2C+and+Cultural+Analysis"},"results":[{"id":"W1014223224","doi":"10.71781/8921","title":"Le rôle du théâtre engagé dans la construction d'un Québec \"moderne\" : 1965-1976","year":2008,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Art","score_opus":0.019551768893605152,"score_gpt":0.2734360383804566,"score_spread":0.25388426948685144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1014223224","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65260977,0.0008753452,0.00001463828,0.0016837612,0.0010294226,0.00039964917,0.00007010149,0.0000057814,0.34331155],"genre_scores_gemma":[0.72034466,0.00047298602,0.0018962639,0.00024252791,0.0009277464,0.00006498577,0.0012671149,0.00003116271,0.2747526],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970652,0.0008086891,0.00051131955,0.00077111385,0.0004104876,0.00043321148],"domain_scores_gemma":[0.998551,0.00018605453,0.00048226316,0.00026837355,0.00030510165,0.00020718879],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041619365,0.00041401156,0.0006321309,0.00008006506,0.0025556446,0.0006083317,0.0009383865,0.0008293159,0.0051157787],"category_scores_gemma":[0.00011704237,0.00037381408,0.00036420763,0.00064081245,0.0009221117,0.0008029448,0.00009704668,0.00061413215,0.0005899289],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000235988,0.00094362226,0.010353756,0.00007294728,0.0013448232,0.00026059276,0.5138288,0.00011834709,0.0046989904,0.1141581,0.0069912444,0.34699276],"study_design_scores_gemma":[0.00047497064,0.00005792358,0.0014108213,0.00008917133,0.00046290728,0.000063939195,0.15082413,0.00009747536,0.0015592646,0.0005541582,0.84382564,0.00057961413],"about_ca_topic_score_codex":0.13137348,"about_ca_topic_score_gemma":0.5554479,"teacher_disagreement_score":0.8368344,"about_ca_system_score_codex":0.00014981507,"about_ca_system_score_gemma":0.0019956941,"threshold_uncertainty_score":0.9998714},"labels":[],"label_agreement":null},{"id":"W106952351","doi":"","title":"Dieu et l’argent. Columbarium de Steve Kerr, Québec, 2012, 86 minColumbarium de Steve Kerr, Québec, 2012, 86 min","year":2012,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.02391073922571163,"score_gpt":0.2836209884596702,"score_spread":0.2597102492339586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W106952351","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19931771,0.6658659,0.00012927034,0.086669795,0.007126004,0.0011927782,0.00040521284,0.00029303442,0.0390003],"genre_scores_gemma":[0.32615563,0.004757941,0.001107707,0.017684478,0.0056306436,0.0002304514,0.00015609189,0.00011719234,0.64415985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919793,0.0018746111,0.0011023971,0.001063358,0.0009805674,0.0029997553],"domain_scores_gemma":[0.99570453,0.00064455013,0.00067377335,0.00080566754,0.0005492938,0.0016221642],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0022746022,0.0009112348,0.0012597778,0.00019029633,0.0016714539,0.0006499283,0.0012525078,0.0013667021,0.012419688],"category_scores_gemma":[0.00053663395,0.00089605164,0.0009554046,0.0011349544,0.0016174953,0.001768674,0.0004058662,0.0011580914,0.001912347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008088899,0.0011308648,0.038804885,0.00015737169,0.0007545168,0.000048754246,0.03551146,0.000029431438,0.0010049795,0.005626343,0.91415024,0.0027002785],"study_design_scores_gemma":[0.0008422078,0.00018007818,0.032636385,0.00014043435,0.0011296561,0.00004502968,0.014738672,0.000078370234,0.0001692693,0.0005104773,0.94838446,0.0011449733],"about_ca_topic_score_codex":0.5457446,"about_ca_topic_score_gemma":0.8709565,"teacher_disagreement_score":0.66110796,"about_ca_system_score_codex":0.0012974354,"about_ca_system_score_gemma":0.0027780153,"threshold_uncertainty_score":0.9999297},"labels":[],"label_agreement":null},{"id":"W115375909","doi":"","title":"A state of mind (ASM) \"Crown Yard\"","year":2011,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.044147152993323474,"score_gpt":0.28075182033604795,"score_spread":0.23660466734272448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W115375909","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5284532,0.00011790023,0.000011708639,0.0002222678,0.000115269,0.000055811928,0.0000045010956,0.000014761062,0.4710046],"genre_scores_gemma":[0.949112,0.000017005288,0.00065039797,0.0005926525,0.00006537325,0.0000024752178,0.0000019037138,0.0000018490981,0.04955634],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940586,0.00006377392,0.00012418226,0.00010992002,0.00013734218,0.00015891108],"domain_scores_gemma":[0.9996753,0.000016971737,0.000053117274,0.00008029765,0.00010915993,0.000065153894],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018297676,0.000050882787,0.00011518071,0.000029076085,0.00011917231,0.000020974738,0.00014510889,0.000046326673,0.0046275835],"category_scores_gemma":[0.000026725013,0.000033113873,0.00008417176,0.00024267413,0.00019876522,0.00013185343,0.000018034109,0.000044722194,0.000079007135],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020082126,0.0006619445,0.020068273,0.000034746736,0.0005810919,0.000033841072,0.5945085,0.0000021989058,0.00852212,0.1634424,0.06701422,0.1449298],"study_design_scores_gemma":[0.00060645404,0.00027393366,0.032493547,0.0000219179,0.00021785432,0.0000015306508,0.02808147,0.00001883447,0.017753309,0.03641595,0.88355714,0.00055804773],"about_ca_topic_score_codex":0.0026489021,"about_ca_topic_score_gemma":0.007082662,"teacher_disagreement_score":0.8165429,"about_ca_system_score_codex":0.000008605528,"about_ca_system_score_gemma":0.00003536342,"threshold_uncertainty_score":0.99628234},"labels":[],"label_agreement":null},{"id":"W1160319422","doi":"","title":"L’après-Tremblay du théâtre québécois. Le Théâtre québécois 1975-1995, sous la direction de Dominique Lafon, « Archives des lettres canadiennes », 444 p. Le Théâtre québécois 1975-1995, sous la direction de Dominique Lafon, « Archives des lettres canadiennes », 444 p.","year":2002,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science; Humanities","score_opus":0.02036903379821719,"score_gpt":0.23764321081888268,"score_spread":0.21727417702066548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1160319422","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80333257,0.03981476,0.0002130081,0.02794964,0.0022067663,0.0013656626,0.0004772295,0.00088824594,0.12375214],"genre_scores_gemma":[0.83841145,0.01577161,0.002271479,0.005363959,0.005595237,0.00066854706,0.0001413575,0.0002590665,0.13151726],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.985121,0.0037770064,0.0020129827,0.0032155549,0.0013272117,0.0045462595],"domain_scores_gemma":[0.9921899,0.003009595,0.0014148364,0.0011797518,0.0004488532,0.0017570646],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.002466036,0.0021965583,0.0022003457,0.001598028,0.011433446,0.0022207652,0.002701502,0.0010779056,0.00045725066],"category_scores_gemma":[0.0013950649,0.0019261068,0.0015895547,0.0036227126,0.017702991,0.0031951088,0.0004918292,0.0015247833,0.000048417955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007013804,0.0040357304,0.10333167,0.0017047607,0.0023742695,0.002537243,0.2766463,0.00763023,0.026102856,0.20645957,0.21154678,0.15692922],"study_design_scores_gemma":[0.0014148524,0.00078338,0.013728694,0.0010805384,0.0007616569,0.0007677655,0.037896417,0.0018560049,0.0023724977,0.011659967,0.92481637,0.0028618323],"about_ca_topic_score_codex":0.9463924,"about_ca_topic_score_gemma":0.9956377,"teacher_disagreement_score":0.7132696,"about_ca_system_score_codex":0.0008012034,"about_ca_system_score_gemma":0.0031820103,"threshold_uncertainty_score":0.99907744},"labels":[],"label_agreement":null},{"id":"W1164758193","doi":"10.71781/4200","title":"Institutions et création musicale à Montréal de 1966 à 2006 : histoire et orientations artistiques de la Société de musique contemporaine du Québec, des Événements du Neuf, de l'Ensemble contemporain de Montréal et du Nouvel Ensemble moderne","year":2013,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.030291326419436906,"score_gpt":0.3252371638180578,"score_spread":0.2949458373986209,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1164758193","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87907827,0.0030744767,0.01797243,0.01613651,0.00041780347,0.0014866672,0.00042776423,0.00003750491,0.08136859],"genre_scores_gemma":[0.9406567,0.0011526061,0.012104865,0.006394368,0.00045233718,0.00079087075,0.002431892,0.00005872099,0.03595762],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99404,0.0028246702,0.0009501638,0.00081166445,0.00044511943,0.00092838524],"domain_scores_gemma":[0.99664867,0.0007874035,0.0008361966,0.00031516052,0.00084065687,0.0005719172],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002627612,0.00064540165,0.0008319531,0.00017609626,0.0026640494,0.0011794255,0.0007390148,0.00083127007,0.00093415193],"category_scores_gemma":[0.0013357487,0.00063860544,0.00040213217,0.0005127067,0.0009571421,0.0016096205,0.00014400885,0.00077815884,0.000091276124],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004738305,0.0028622635,0.017954206,0.00016238702,0.0010058848,0.00030936353,0.7417753,0.006500807,0.03158708,0.09082163,0.084213145,0.022334099],"study_design_scores_gemma":[0.0055051297,0.00045370415,0.048534796,0.0010265635,0.002295623,0.00018636521,0.19088903,0.031890865,0.0026999412,0.019989865,0.6939117,0.0026164192],"about_ca_topic_score_codex":0.72753286,"about_ca_topic_score_gemma":0.9126959,"teacher_disagreement_score":0.60969853,"about_ca_system_score_codex":0.0028992526,"about_ca_system_score_gemma":0.008506828,"threshold_uncertainty_score":0.99997914},"labels":[],"label_agreement":null},{"id":"W1166430194","doi":"","title":"Si j’aimais le théâtre, j’aimerais le théâtre d’A.P.A. Si ma tante avait deux roues, ce serait une bicyclette, Québec, 27 mai 2006 Si ma tante avait deux roues, ce serait une bicyclette, Québec, 27 mai 2006","year":2007,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.011932454818593008,"score_gpt":0.24998234437921893,"score_spread":0.23804988956062592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1166430194","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26333892,0.0542163,0.0012192609,0.3990284,0.009944492,0.0028423034,0.0025543142,0.0014232233,0.2654328],"genre_scores_gemma":[0.29210672,0.0011305717,0.00093933125,0.05164258,0.0042388234,0.000109604065,0.0005906576,0.00037402782,0.64886767],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98505145,0.0012822435,0.0033267601,0.0034385335,0.002302878,0.0045981463],"domain_scores_gemma":[0.9919579,0.0010853367,0.0017103361,0.0021503738,0.0015013876,0.0015946487],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0020034334,0.0027186375,0.0028791237,0.00090583076,0.0026880014,0.0017953275,0.0034704818,0.0020898173,0.014856142],"category_scores_gemma":[0.0005043694,0.0024723934,0.002297222,0.0050905985,0.0030981544,0.0038782153,0.0010516742,0.0030841532,0.007709872],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005712931,0.0016779643,0.011694439,0.00024697633,0.002161612,0.0011085048,0.012733216,0.000089118694,0.00701199,0.0049431953,0.94823825,0.009523417],"study_design_scores_gemma":[0.002325274,0.00036185613,0.0062385756,0.000648277,0.0011650417,0.0002051666,0.004486708,0.00037755375,0.00197731,0.00148938,0.97772545,0.0029993872],"about_ca_topic_score_codex":0.5075461,"about_ca_topic_score_gemma":0.8250873,"teacher_disagreement_score":0.3834349,"about_ca_system_score_codex":0.0015930136,"about_ca_system_score_gemma":0.002043702,"threshold_uncertainty_score":0.99961483},"labels":[],"label_agreement":null},{"id":"W1181253027","doi":"","title":"L’arbre du théâtre québécois","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.007464248302430457,"score_gpt":0.17652679929980436,"score_spread":0.1690625509973739,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1181253027","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36930022,0.17475793,0.000028991262,0.32925397,0.0012774703,0.0001902664,0.000050920396,0.00014284546,0.12499739],"genre_scores_gemma":[0.17852847,0.032829497,0.00011446641,0.0059220176,0.0013852286,0.0000036107404,0.000037333913,0.000020030655,0.78115934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796265,0.00027628237,0.00018940475,0.00046932854,0.00036398962,0.00073832064],"domain_scores_gemma":[0.9988585,0.00008805647,0.00017368088,0.00029138237,0.00018752723,0.00040083827],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022220725,0.00029097832,0.0003726489,0.00010965777,0.0017817472,0.00006760423,0.0005158784,0.00045565297,0.0026862107],"category_scores_gemma":[0.000036888057,0.0002865854,0.00043054277,0.0013033677,0.00044213803,0.0005314363,0.00018197285,0.00030247722,0.0007577651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008540984,0.00020066314,0.0049073906,0.00002173148,0.0004064768,0.0038355438,0.011184576,0.00006817966,0.00011183887,0.3087051,0.60202414,0.06844895],"study_design_scores_gemma":[0.00043175035,0.000070062815,0.0015216776,0.000033181466,0.00046462208,0.00022070647,0.012261957,0.00020987939,0.000007039342,0.0021604225,0.9822649,0.0003538267],"about_ca_topic_score_codex":0.1945898,"about_ca_topic_score_gemma":0.841637,"teacher_disagreement_score":0.65616196,"about_ca_system_score_codex":0.004452515,"about_ca_system_score_gemma":0.000109086446,"threshold_uncertainty_score":0.99995863},"labels":[],"label_agreement":null},{"id":"W1182882569","doi":"","title":"Festival international de films de Montréal — Courts métrages : humeurs vagabondes","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.00667025897761495,"score_gpt":0.19103551867098698,"score_spread":0.18436525969337203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1182882569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70608175,0.11568602,0.00031894492,0.13037549,0.0016534843,0.00022853374,0.00020750308,0.00018193858,0.04526635],"genre_scores_gemma":[0.53841025,0.00574319,0.001757871,0.002096651,0.0014919203,0.000007839137,0.00012352144,0.000027458153,0.4503413],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975072,0.0003455207,0.00025415036,0.00048310234,0.00050624454,0.000903746],"domain_scores_gemma":[0.9988455,0.00015259639,0.00023717957,0.00020778233,0.00021878058,0.00033814018],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003820977,0.00033534624,0.0003596328,0.00015527652,0.001392306,0.0001407148,0.00063657877,0.00047276015,0.001015783],"category_scores_gemma":[0.000057871504,0.0003510398,0.00048338718,0.00053455646,0.00050319434,0.0005461865,0.00018020616,0.00040339198,0.00012824526],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000122682,0.00035210256,0.011266224,0.000024361443,0.0005542463,0.003117787,0.0055450583,0.0023398218,0.0015132598,0.1741435,0.7820878,0.018933158],"study_design_scores_gemma":[0.000701378,0.00007061058,0.016198976,0.000054182812,0.00053249643,0.00023768668,0.005791061,0.0015771607,0.000119669116,0.010885361,0.9633852,0.0004461892],"about_ca_topic_score_codex":0.10884516,"about_ca_topic_score_gemma":0.3343378,"teacher_disagreement_score":0.40507495,"about_ca_system_score_codex":0.0056015914,"about_ca_system_score_gemma":0.00016033741,"threshold_uncertainty_score":0.99990773},"labels":[],"label_agreement":null},{"id":"W1187852510","doi":"","title":"Le cinéma au Québec, tradition et modernité Sous la direction de Stéphane-Albert Boulais, Montréal : Fides, 2006 349 pages Le cinéma au Québec, tradition et modernité Sous la direction de Stéphane-Albert Boulais, Montréal : Fides, 2006 349 pages","year":2008,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fides; Art; Humanities; Philosophy; Theology","score_opus":0.016434077323071394,"score_gpt":0.2377265697334393,"score_spread":0.2212924924103679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1187852510","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62850034,0.107483156,0.0031473902,0.2183399,0.0018818689,0.0016922824,0.0009058471,0.000981748,0.03706746],"genre_scores_gemma":[0.93920076,0.028828245,0.00062004046,0.0023337977,0.0023871674,0.0005377722,0.0008084087,0.00019505106,0.025088761],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9870402,0.0056740455,0.0017168944,0.0020332925,0.0012257881,0.0023097328],"domain_scores_gemma":[0.994421,0.0019372586,0.0012430078,0.0008379546,0.0005288004,0.0010319732],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0028883717,0.0015159262,0.0017670043,0.0005753861,0.003975157,0.00075321924,0.0009979877,0.0020983876,0.0001567239],"category_scores_gemma":[0.0007878241,0.0015612968,0.001238709,0.0016556379,0.0018176985,0.0028149015,0.0001298261,0.0020590397,0.000074731994],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018684274,0.0074099335,0.04224329,0.0016687707,0.003377876,0.003500223,0.27758607,0.072900325,0.019689491,0.04480335,0.4403922,0.084560014],"study_design_scores_gemma":[0.004570243,0.0012308408,0.14849742,0.0015836152,0.0024960395,0.005162058,0.01936418,0.029667486,0.0031417331,0.012445405,0.76724,0.0046010157],"about_ca_topic_score_codex":0.9278551,"about_ca_topic_score_gemma":0.96926814,"teacher_disagreement_score":0.32684776,"about_ca_system_score_codex":0.002894117,"about_ca_system_score_gemma":0.0064766384,"threshold_uncertainty_score":0.99975896},"labels":[],"label_agreement":null},{"id":"W1189887616","doi":"","title":"Déviances et réfractions. Normand Chaurette, Provincetown Playhouse, juillet 1919, j’avais 19 ans, mise en scène, scénographie et vidéo : Carole Nadeau, production Le Pont Bridge, présenté à la Station C, Montréal. 16 - 27 novembre 2004Normand Chaurette, Provincetown Playhouse, juillet 1919, j’avais 19 ans, mise en scène, scénographie et vidéo : Carole Nadeau, production Le Pont Bridge, présenté à la Station C, Montréal. 16 - 27 novembre 2004","year":2005,"lang":"fr","type":"article","venue":"ETC","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Bridge (graph theory); Humanities; Medicine; Anatomy","score_opus":0.010788096105561657,"score_gpt":0.258522898931142,"score_spread":0.24773480282558033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1189887616","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4822361,0.12150031,0.00052529696,0.33610675,0.011616449,0.015091113,0.0057911603,0.0022914838,0.02484135],"genre_scores_gemma":[0.8465216,0.03408843,0.0012838872,0.016556432,0.008740201,0.001734466,0.0077863797,0.0006035362,0.08268506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9816265,0.0046108984,0.0031202983,0.004177063,0.0034019565,0.0030632927],"domain_scores_gemma":[0.9911826,0.0006684518,0.0028662945,0.0019070364,0.0019177216,0.0014578798],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0054022353,0.0026072934,0.0024068488,0.0020198766,0.003657996,0.0019153522,0.0015047414,0.0021449071,0.00023918289],"category_scores_gemma":[0.0010292815,0.0025345741,0.0012590343,0.0058179023,0.00232077,0.009128383,0.00039050623,0.003547274,0.00018591351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016049199,0.0040803985,0.0069319834,0.0013129133,0.0016838631,0.00015131039,0.04029277,0.013169994,0.0026312412,0.0023842922,0.90786713,0.0178892],"study_design_scores_gemma":[0.0052443957,0.00088216545,0.019119177,0.0010488905,0.0012960962,0.0003965192,0.01132699,0.0009997567,0.0013547558,0.00076862704,0.95438457,0.0031780673],"about_ca_topic_score_codex":0.23662615,"about_ca_topic_score_gemma":0.5861263,"teacher_disagreement_score":0.3642855,"about_ca_system_score_codex":0.0018265046,"about_ca_system_score_gemma":0.0036126184,"threshold_uncertainty_score":0.9991505},"labels":[],"label_agreement":null},{"id":"W1195977557","doi":"","title":"Des oeuvres recréées. Alexandre Castonguay, Méta-poésis . Mathieu Bouchard, Inventions, Pierre-François Ouellette art contemporain, Montréal (présenté dans le cadre du Festival Elektra). 21 mars - 9 mai 2009Alexandre Castonguay, Méta-poésis Mathieu Bouchard, Inventions, Pierre-François Ouellette art contemporain, Montréal (présenté dans le cadre du Festival Elektra). 21 mars - 9 mai 2009","year":2010,"lang":"fr","type":"article","venue":"ETC","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013375903618481535,"score_gpt":0.24422003888374014,"score_spread":0.2308441352652586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1195977557","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6150355,0.1330639,0.0016474979,0.14627598,0.021723518,0.008116545,0.0096510835,0.001818492,0.06266751],"genre_scores_gemma":[0.29288998,0.009155087,0.0019538356,0.011496898,0.008862831,0.0012320367,0.0049680113,0.0008271489,0.66861415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9758022,0.004666406,0.0052115056,0.0048750048,0.0039490233,0.00549587],"domain_scores_gemma":[0.9874877,0.00093944476,0.0031001195,0.003019878,0.0021504378,0.003302428],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0055460576,0.0040593543,0.0048112194,0.0013933631,0.009413482,0.002521025,0.0036131279,0.004056172,0.008459997],"category_scores_gemma":[0.0016088518,0.004110952,0.0044483715,0.0043000784,0.0083603775,0.0039706696,0.0011181462,0.005966015,0.0025476192],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00082407665,0.003093037,0.015836755,0.0005848418,0.0034051798,0.003370646,0.020578014,0.0001405929,0.0064031607,0.006982383,0.93153274,0.0072485963],"study_design_scores_gemma":[0.0074509922,0.000865555,0.011326321,0.001137539,0.0028641985,0.0023626548,0.037961196,0.0007284695,0.001070954,0.0033046645,0.92613626,0.004791219],"about_ca_topic_score_codex":0.1462723,"about_ca_topic_score_gemma":0.32328805,"teacher_disagreement_score":0.60594666,"about_ca_system_score_codex":0.0013049778,"about_ca_system_score_gemma":0.002600266,"threshold_uncertainty_score":0.9985145},"labels":[],"label_agreement":null},{"id":"W1204603789","doi":"","title":"Un nécessaire et fertile désordre. Le Carrefour international de théâtre. Québec, du 14 au 31 mai 2008Le Carrefour international de théâtre. Québec, du 14 au 31 mai 2008","year":2008,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.026271981002167242,"score_gpt":0.27237151807024157,"score_spread":0.24609953706807433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1204603789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56488705,0.005170105,0.00008560633,0.32659405,0.0062129563,0.00038362129,0.0002307826,0.00020532866,0.09623053],"genre_scores_gemma":[0.7686976,0.0008166768,0.00045585542,0.023138635,0.0062876944,0.000117999814,0.00014122899,0.00005177349,0.2002925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925218,0.0006395418,0.0011821375,0.001619194,0.0019458509,0.0020914527],"domain_scores_gemma":[0.99665785,0.00039866765,0.0007775879,0.00055830687,0.0008746773,0.000732899],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0019387404,0.0009220679,0.00089713273,0.0005434447,0.006674051,0.0011407878,0.00317006,0.0005450287,0.0045166435],"category_scores_gemma":[0.00084528665,0.0007780757,0.0008484569,0.0015889324,0.0066417307,0.0028017699,0.00059067394,0.00080227363,0.0002923257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010158062,0.000779306,0.23362394,0.000044915403,0.0004524903,0.00044596844,0.021286588,0.0021228578,0.00050892256,0.018504292,0.7195214,0.0026077593],"study_design_scores_gemma":[0.0009587853,0.00018753449,0.048027404,0.00015655239,0.00016549599,0.00024264534,0.004583573,0.0014670294,0.00028836244,0.0019052572,0.94098604,0.0010313359],"about_ca_topic_score_codex":0.43171707,"about_ca_topic_score_gemma":0.75674796,"teacher_disagreement_score":0.32503086,"about_ca_system_score_codex":0.0021633946,"about_ca_system_score_gemma":0.008624549,"threshold_uncertainty_score":0.9998961},"labels":[],"label_agreement":null},{"id":"W1214544701","doi":"","title":"Reforma educativa en Québec: Opiniones de un grupo de maestras","year":2008,"lang":"es","type":"article","venue":"Revista Electrónica de LEEME","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.01603588721322075,"score_gpt":0.2931245169286291,"score_spread":0.2770886297154084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1214544701","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90735215,0.028391855,0.0000543855,0.041988537,0.00023402098,0.0004642167,0.000027608801,0.0001901078,0.02129709],"genre_scores_gemma":[0.9631535,0.016272644,0.0006030592,0.006291742,0.0020276548,0.000052474265,0.000044635446,0.000035717618,0.011518604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958799,0.0011427767,0.00060910103,0.00057067274,0.0004252325,0.0013723191],"domain_scores_gemma":[0.9982143,0.00028688784,0.0003325466,0.00047451968,0.00020023061,0.0004915213],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009789629,0.0004102271,0.0006490666,0.00010785036,0.0013556151,0.0004019805,0.00093296205,0.00051489327,0.000687672],"category_scores_gemma":[0.00055151567,0.00033613967,0.00049287686,0.0011452426,0.0005125516,0.00038364818,0.00008571755,0.00077099045,0.00020705284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038695283,0.002580199,0.19332302,0.0010363136,0.002475989,0.0004724221,0.13768004,0.000021708698,0.022635994,0.3376466,0.24440248,0.057338275],"study_design_scores_gemma":[0.0003471882,0.00024281556,0.04606415,0.00017468545,0.0003143489,0.00024744676,0.0012471959,0.00004561305,0.0005805292,0.0015091434,0.9485911,0.0006357739],"about_ca_topic_score_codex":0.015157038,"about_ca_topic_score_gemma":0.002560534,"teacher_disagreement_score":0.70418864,"about_ca_system_score_codex":0.0011103402,"about_ca_system_score_gemma":0.0032144298,"threshold_uncertainty_score":0.9999445},"labels":[],"label_agreement":null},{"id":"W122562695","doi":"","title":"La médiation musicale des cultures : l'influence des chanteurs québécois contemporains en France","year":2006,"lang":"fr","type":"dissertation","venue":"Utrecht University Repository (Utrecht University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.00906223377558044,"score_gpt":0.21896268809647904,"score_spread":0.2099004543208986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W122562695","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7092094,0.0017715873,0.00009850487,0.00026091954,0.0010524837,0.0004546287,0.00011208086,0.0002568625,0.28678355],"genre_scores_gemma":[0.43948323,0.0011186919,0.00032703587,0.00014467876,0.00046618667,0.0000010349909,0.00040985525,0.000031645468,0.5580176],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942452,0.0023749073,0.00042521636,0.0013215867,0.0007494306,0.00088366476],"domain_scores_gemma":[0.9965119,0.0005358165,0.00087204366,0.00048330592,0.0011057932,0.0004911357],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.00044667828,0.0008259657,0.0009379869,0.00071943784,0.004232201,0.00023277562,0.001426121,0.0018782915,0.00013511519],"category_scores_gemma":[0.00012821595,0.000926667,0.0008568243,0.0032195086,0.0027695864,0.0019369001,0.00016911012,0.0011664358,0.00005352616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017278561,0.0038412572,0.1324813,0.0022251396,0.005202152,0.0113646975,0.4971795,0.0017769559,0.025597148,0.23178191,0.025650106,0.06117194],"study_design_scores_gemma":[0.0012148632,0.0001899197,0.022731572,0.0007267372,0.0017473496,0.000033579756,0.14373347,0.00007296138,0.0012236434,0.0005392191,0.82647765,0.0013090089],"about_ca_topic_score_codex":0.09407393,"about_ca_topic_score_gemma":0.11211539,"teacher_disagreement_score":0.80082756,"about_ca_system_score_codex":0.0019438522,"about_ca_system_score_gemma":0.0011170397,"threshold_uncertainty_score":0.9999443},"labels":[],"label_agreement":null},{"id":"W1227006579","doi":"","title":"La recherche théâtrale : Bilan et pistes Théâtres québécois et canadiens-français au XXe siècle, sous la direction d’Hélène Beauchamp et Gilbert David, Presses de l’Université du Québec, 436 p. Théâtres québécois et canadiens-français au XXe siècle, sous la direction d’Hélène Beauchamp et Gilbert David, Presses de l’Université du Québec, 436 p.","year":2004,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02778957316991511,"score_gpt":0.25659799344383927,"score_spread":0.22880842027392415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1227006579","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5768827,0.022402914,0.00034559352,0.2455873,0.0016319095,0.0014648235,0.0008046311,0.00087974314,0.15000035],"genre_scores_gemma":[0.9484505,0.01640449,0.0006537453,0.0113601945,0.0011191876,0.00015556139,0.00030514345,0.00018340476,0.021367775],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98580164,0.0055666883,0.0013332332,0.0026609732,0.0016257608,0.0030117312],"domain_scores_gemma":[0.9899077,0.005587156,0.0011661161,0.001090786,0.0008417443,0.0014064946],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.006064651,0.0017823372,0.0017203523,0.0010798549,0.006141473,0.0017285796,0.0024811395,0.0015383576,0.0012238947],"category_scores_gemma":[0.003211637,0.0016161816,0.0011021205,0.0034531537,0.006903586,0.0038543944,0.0006575633,0.002035556,0.00005795477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00057200884,0.002320972,0.15500401,0.0005756629,0.0015998769,0.0012046603,0.61071074,0.022748953,0.0042249803,0.02260427,0.1616533,0.016780581],"study_design_scores_gemma":[0.0015342466,0.0007063967,0.08912221,0.00069259375,0.00092392566,0.00038970675,0.022534307,0.0003837532,0.0008170766,0.0017529068,0.8790299,0.0021129367],"about_ca_topic_score_codex":0.9971513,"about_ca_topic_score_gemma":0.99955785,"teacher_disagreement_score":0.71737665,"about_ca_system_score_codex":0.003926946,"about_ca_system_score_gemma":0.012300742,"threshold_uncertainty_score":0.9998968},"labels":[],"label_agreement":null},{"id":"W122743962","doi":"10.21992/t9c62h","title":"The Unbearable Torment of Translation: Milan Kundera, Impersonation, and The Joke","year":2011,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Joke; Literature; Czech; Reflexive pronoun; History; Philosophy; Art; Linguistics","score_opus":0.10258056022922306,"score_gpt":0.31685497497345894,"score_spread":0.21427441474423586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W122743962","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5831743,0.35028055,0.00010242826,0.055182446,0.00070080446,0.0008110995,0.00001385059,0.00003073973,0.009703775],"genre_scores_gemma":[0.97285867,0.025882747,0.00027201622,0.00027307123,0.0001591825,0.0000075085522,0.0000018741246,0.0000033275223,0.0005415788],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984614,0.0003117344,0.00052841054,0.000119736775,0.00038801727,0.00019070225],"domain_scores_gemma":[0.99878407,0.00020196711,0.0002620026,0.00005049819,0.00062620983,0.00007526776],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00082985405,0.00015675258,0.00035256945,0.000027049919,0.0014395096,0.00010920704,0.00016521844,0.00007348241,0.00003503975],"category_scores_gemma":[0.00003895797,0.00006104125,0.0002577185,0.00024255265,0.0012139125,0.0005542173,0.000004807903,0.00017922361,4.5801886e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00089645886,0.000059780832,0.0009120022,0.00006111426,0.0014648241,0.0000022199963,0.89919674,0.000009407383,0.0011043383,0.029588765,0.000782315,0.06592206],"study_design_scores_gemma":[0.01168355,0.00072020694,0.039932124,0.0002956856,0.0027631784,0.00012543958,0.7724396,0.00014662258,0.00084064744,0.02037308,0.14989662,0.0007832414],"about_ca_topic_score_codex":0.00022802092,"about_ca_topic_score_gemma":0.0031215313,"teacher_disagreement_score":0.3896844,"about_ca_system_score_codex":0.000019362547,"about_ca_system_score_gemma":0.000023357861,"threshold_uncertainty_score":0.99986047},"labels":[],"label_agreement":null},{"id":"W133657130","doi":"10.7202/1064440ar","title":"A l’ombre de quel Tombeau écrire ?","year":2008,"lang":"fr","type":"article","venue":"Sens public","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Computer science","score_opus":0.043565028818250584,"score_gpt":0.27880518078791283,"score_spread":0.23524015196966225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W133657130","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5945779,0.022391045,0.000015817208,0.15771654,0.0025440762,0.00019685096,0.00004909669,0.00018759543,0.22232103],"genre_scores_gemma":[0.7780895,0.00072177016,0.00019821363,0.010724364,0.002385756,0.000008523816,0.000029555984,0.000013176288,0.20782913],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973963,0.0006148117,0.0002662552,0.0003983641,0.00037647702,0.0009477939],"domain_scores_gemma":[0.998769,0.00009860909,0.000116075986,0.0002576189,0.00032250612,0.0004361957],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042589678,0.00022804244,0.00032171863,0.000095253745,0.0013589149,0.0002331855,0.00036936515,0.000439683,0.0019129148],"category_scores_gemma":[0.00028290084,0.00019436801,0.00030272998,0.0014742096,0.0010356961,0.00068824075,0.000069171256,0.00046664375,0.000659373],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011376527,0.0006598642,0.011647943,0.00006129867,0.00043535724,0.00045466053,0.06563529,0.000008345267,0.00043257666,0.31019673,0.574232,0.036224585],"study_design_scores_gemma":[0.00020098912,0.000056082874,0.0036451982,0.000018661995,0.000088326386,0.00010783201,0.0058213416,0.00012218475,0.000022009757,0.003967732,0.98565704,0.00029258145],"about_ca_topic_score_codex":0.0029182045,"about_ca_topic_score_gemma":0.0057108533,"teacher_disagreement_score":0.41142508,"about_ca_system_score_codex":0.00021734717,"about_ca_system_score_gemma":0.00049851416,"threshold_uncertainty_score":0.9999412},"labels":[],"label_agreement":null},{"id":"W138158707","doi":"10.25115/odisea.v0i4.106","title":"\"The Infinite Poem in Progress\": Louis Dudek’s Long Poems","year":2017,"lang":"en","type":"article","venue":"ODISEA Revista de estudios ingleses","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"AGE-WELL","keywords":"Poetry; Literature; Art","score_opus":0.03871812096365002,"score_gpt":0.3296173102975772,"score_spread":0.29089918933392717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W138158707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9282035,0.025952967,0.000010584357,0.015060395,0.0006278962,0.0007348999,0.00001500752,0.00011633612,0.029278403],"genre_scores_gemma":[0.9944414,0.0008410403,0.000061016817,0.00064175343,0.0007247426,0.00008376387,0.000006104043,0.000013061385,0.003187121],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794954,0.00033456975,0.00032982352,0.00034752756,0.00040876973,0.0006297786],"domain_scores_gemma":[0.99857485,0.00021696398,0.0003028955,0.00057205383,0.000153063,0.0001801914],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010621273,0.00019700384,0.00032470317,0.00006279547,0.003586359,0.0026087167,0.0010959369,0.00014313437,0.000041490766],"category_scores_gemma":[0.0018417556,0.00013135234,0.00018671386,0.00032104494,0.0011631843,0.00041054128,0.00020951346,0.00027727988,0.00004592052],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004618954,0.00016347677,0.82762897,0.000047061385,0.00014337095,0.00014920546,0.0077795032,0.000002417966,0.00003114688,0.11942829,0.008543056,0.03603733],"study_design_scores_gemma":[0.00031402614,0.000039713992,0.2913948,0.00016910353,0.00009706342,0.0000031422273,0.002464986,0.00001576899,0.000009950509,0.0011027202,0.70408744,0.00030128343],"about_ca_topic_score_codex":0.00041419975,"about_ca_topic_score_gemma":0.006032431,"teacher_disagreement_score":0.6955444,"about_ca_system_score_codex":0.0001489516,"about_ca_system_score_gemma":0.00018605567,"threshold_uncertainty_score":0.9984267},"labels":[],"label_agreement":null},{"id":"W138863169","doi":"10.7202/902152ar","title":"Requiem pour une fin de siècle","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04743171968837942,"score_gpt":0.30028767453543054,"score_spread":0.25285595484705115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W138863169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34871924,0.0067334017,0.00011782956,0.07677763,0.005476354,0.00040011134,0.00006727014,0.00026030623,0.56144786],"genre_scores_gemma":[0.8222922,0.00015509714,0.00021831114,0.012608067,0.0060565346,0.000040087314,0.000046185833,0.00003465707,0.15854885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694127,0.0005323069,0.0005943122,0.00065506966,0.0003775305,0.00089952553],"domain_scores_gemma":[0.9978365,0.00029966683,0.00034737916,0.00047389918,0.0005909229,0.00045165664],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011112593,0.00042221017,0.00061420613,0.0001173308,0.00084100873,0.00039814712,0.0007076631,0.0007962007,0.0019386447],"category_scores_gemma":[0.0006533155,0.0003849227,0.0004767666,0.0011539747,0.0015583135,0.0007622624,0.000081290746,0.00082686346,0.00032822785],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000142918725,0.00026589903,0.004487486,0.00008733982,0.00020395858,0.00013095152,0.045332592,0.0000011317481,0.019337568,0.84132475,0.05897958,0.02983443],"study_design_scores_gemma":[0.0003805484,0.000065287124,0.002751069,0.000087036766,0.0001469169,0.000024935896,0.0038142218,0.00006365678,0.00044760946,0.2296724,0.762028,0.0005183592],"about_ca_topic_score_codex":0.00909075,"about_ca_topic_score_gemma":0.017317751,"teacher_disagreement_score":0.7030484,"about_ca_system_score_codex":0.00011568659,"about_ca_system_score_gemma":0.00063459884,"threshold_uncertainty_score":0.9998603},"labels":[],"label_agreement":null},{"id":"W1460906127","doi":"","title":"Petites histoires de cinéma. La vie privée du cinéma de Denys Desjardins, Québec, 2011, 240 minutesLa vie privée du cinéma de Denys Desjardins, Québec, 2011, 240 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.017214942367011644,"score_gpt":0.23770931444475304,"score_spread":0.2204943720777414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1460906127","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42007554,0.38860828,0.000994649,0.112758085,0.0035035883,0.0016811128,0.00048059714,0.0009833685,0.07091479],"genre_scores_gemma":[0.6938574,0.035810996,0.018357737,0.012207972,0.007267647,0.0005640179,0.00020081029,0.00038583318,0.2313476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9893194,0.0026699225,0.0016503236,0.0019755668,0.0011742249,0.003210594],"domain_scores_gemma":[0.9933,0.0017015291,0.0011150589,0.0012971101,0.001098167,0.0014880844],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0026693563,0.0016658125,0.0019644767,0.000536585,0.0025781994,0.0009775566,0.0026615474,0.00153609,0.005951113],"category_scores_gemma":[0.0018003101,0.001507929,0.0015992563,0.0011073343,0.003989583,0.002075836,0.0006870711,0.0013281835,0.0017024163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018732788,0.0011397584,0.25401717,0.0003543234,0.0010388263,0.00091059593,0.035980895,0.000013859794,0.009412215,0.002524524,0.6822542,0.012166335],"study_design_scores_gemma":[0.0012849541,0.00033547892,0.070712104,0.0003896328,0.0022035607,0.000483386,0.0037510667,0.0001663421,0.0073892116,0.002032508,0.9092919,0.0019598368],"about_ca_topic_score_codex":0.27652174,"about_ca_topic_score_gemma":0.4417867,"teacher_disagreement_score":0.35279727,"about_ca_system_score_codex":0.0019720574,"about_ca_system_score_gemma":0.004159746,"threshold_uncertainty_score":0.99976015},"labels":[],"label_agreement":null},{"id":"W1479753542","doi":"","title":"Paul Bussières et le théâtre à Québec","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013317946747795469,"score_gpt":0.19637440622304786,"score_spread":0.1830564594752524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1479753542","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1203302,0.23631275,0.000029345347,0.55145264,0.0009592664,0.00015188091,0.00006193067,0.00011874917,0.09058324],"genre_scores_gemma":[0.23618063,0.0034696348,0.00023249496,0.0053397925,0.0005703326,0.000003458685,0.00004280799,0.000017842922,0.754143],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810916,0.00040405814,0.0001641772,0.00038706843,0.00038137106,0.00055419223],"domain_scores_gemma":[0.99875677,0.00008482176,0.00016424939,0.0002518338,0.00023587662,0.00050646625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035898844,0.00024536197,0.00033839635,0.00008483425,0.0009864256,0.00007778436,0.0004525346,0.00035598435,0.0004238025],"category_scores_gemma":[0.00006805811,0.00023061935,0.00028568436,0.0007765959,0.00044956867,0.0006200762,0.00021206756,0.0002890165,0.0004990758],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004825498,0.00012689826,0.00057154516,0.000011163294,0.00019691142,0.00066756096,0.009897171,0.00010565571,0.00004290072,0.250106,0.7247248,0.013501073],"study_design_scores_gemma":[0.0006277456,0.000081987186,0.00048679332,0.000027154834,0.00026435914,0.00005658167,0.020880232,0.00015263367,0.000016284423,0.0038193585,0.9732878,0.00029904273],"about_ca_topic_score_codex":0.50053734,"about_ca_topic_score_gemma":0.94831514,"teacher_disagreement_score":0.66355973,"about_ca_system_score_codex":0.003991682,"about_ca_system_score_gemma":0.0005519631,"threshold_uncertainty_score":0.9998318},"labels":[],"label_agreement":null},{"id":"W1479852383","doi":"10.7202/1023740ar","title":"Les applaudissements comme source de tension : Étude de la réception des 24 Préludes de François Dompierre lors de leur création au Festival de Lanaudière","year":2014,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.07326315551459507,"score_gpt":0.3690495632454007,"score_spread":0.29578640773080567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1479852383","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9100009,0.0019738476,0.0634399,0.004456458,0.00021166091,0.0004380112,0.000024265586,0.00025421986,0.019200748],"genre_scores_gemma":[0.93767506,0.0026171643,0.029981714,0.016490452,0.0017607966,0.00019289393,0.00009859348,0.000113913746,0.011069393],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.976508,0.020095147,0.0005736894,0.00069088937,0.00044406648,0.0016881886],"domain_scores_gemma":[0.9926685,0.0055202963,0.00044231553,0.00035851853,0.00025418928,0.00075615256],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.011505472,0.00064951583,0.0007147223,0.00017803891,0.0016977735,0.0004064902,0.000773978,0.0047594216,0.00015176773],"category_scores_gemma":[0.0046545,0.0006412116,0.00059636397,0.0008916872,0.002449187,0.00042154812,0.00010787826,0.0036978114,0.000018189903],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027084563,0.00066972367,0.110347256,0.00061620213,0.0007817756,0.000101728256,0.56526595,0.0033384578,0.054991845,0.03062929,0.006759126,0.22622778],"study_design_scores_gemma":[0.0032522867,0.00044569423,0.2002324,0.0016779534,0.003125008,0.0004857877,0.18713014,0.016477969,0.0063510356,0.25011978,0.3278266,0.002875331],"about_ca_topic_score_codex":0.11689975,"about_ca_topic_score_gemma":0.08639448,"teacher_disagreement_score":0.37813583,"about_ca_system_score_codex":0.011632696,"about_ca_system_score_gemma":0.0018732997,"threshold_uncertainty_score":0.9996039},"labels":[],"label_agreement":null},{"id":"W148027652","doi":"","title":"Une longue histoire d’amour : le violon et les québécois","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.008943927521266022,"score_gpt":0.18725950544472209,"score_spread":0.17831557792345606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W148027652","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3467622,0.23596536,0.00007914145,0.3419254,0.00088553823,0.0001685533,0.000046087116,0.00012777209,0.07403994],"genre_scores_gemma":[0.43342403,0.01544402,0.00015350098,0.0029691325,0.0004758283,0.000003821482,0.000055389657,0.00002024865,0.54745406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978869,0.000446061,0.00020860476,0.00048709617,0.00031761764,0.00065369724],"domain_scores_gemma":[0.9989156,0.00009521321,0.00021659519,0.00027716387,0.00017896354,0.0003164638],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00027132948,0.0003019497,0.00040832433,0.00011605997,0.0025253412,0.000054685053,0.00047600287,0.0005455754,0.0006391806],"category_scores_gemma":[0.00003829208,0.00030805817,0.00040632085,0.001255646,0.00066346885,0.00050775835,0.00015514487,0.00042243264,0.00021541251],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014221053,0.00044968873,0.0023732781,0.000037600374,0.00042819369,0.0034710919,0.023197109,0.00031006604,0.0005799978,0.46334594,0.33638173,0.1692831],"study_design_scores_gemma":[0.0005086765,0.000095087584,0.0023926315,0.000047240497,0.00032236928,0.00012436742,0.01738409,0.00016273014,0.000012342542,0.0024325924,0.9761437,0.00037417343],"about_ca_topic_score_codex":0.7325692,"about_ca_topic_score_gemma":0.9695601,"teacher_disagreement_score":0.639762,"about_ca_system_score_codex":0.0038733166,"about_ca_system_score_gemma":0.00018080858,"threshold_uncertainty_score":0.99995065},"labels":[],"label_agreement":null},{"id":"W1480660109","doi":"","title":"Un répertoire du cinéma mondial. Henri-Paul Chevrier, Le cinéma de répertoire et ses mises en scène, Québec, L’instant même, 2012, 341 pagesHenri-Paul Chevrier, Le cinéma de répertoire et ses mises en scène, Québec, L’instant même, 2012, 341 pages","year":2013,"lang":"fr","type":"article","venue":"Les cahiers de lecture de l'Action nationale","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Repertoire; Humanities; Literature","score_opus":0.009439396478150367,"score_gpt":0.23677370481465673,"score_spread":0.22733430833650636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1480660109","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25703657,0.15664913,0.0049058357,0.5484854,0.0024235586,0.0026545988,0.000935731,0.001060479,0.025848705],"genre_scores_gemma":[0.79531574,0.031130726,0.004111435,0.035114177,0.0031752784,0.0009073308,0.0010743812,0.00035378707,0.12881711],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98672783,0.0039643603,0.0019160624,0.0022929027,0.0021088559,0.0029899592],"domain_scores_gemma":[0.9912699,0.0030059412,0.0013257721,0.0010721083,0.0017785087,0.0015477883],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0024479264,0.0020187786,0.0019405809,0.0009909963,0.00558912,0.001573444,0.0018872666,0.0034797483,0.0050665643],"category_scores_gemma":[0.0028035757,0.0018590849,0.0014598045,0.0030642739,0.0027665184,0.004467921,0.0003082438,0.0033863492,0.0002249666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00079358,0.0031795478,0.0075140335,0.0008105277,0.0035026846,0.0004554401,0.07696767,0.0041117603,0.037991915,0.028043423,0.7969736,0.039655853],"study_design_scores_gemma":[0.0029512846,0.00035457802,0.012726817,0.00040526912,0.0009947845,0.0005497545,0.021764707,0.002552188,0.0048374087,0.005655436,0.9448449,0.0023628515],"about_ca_topic_score_codex":0.12145418,"about_ca_topic_score_gemma":0.4251694,"teacher_disagreement_score":0.5382792,"about_ca_system_score_codex":0.00466829,"about_ca_system_score_gemma":0.008676907,"threshold_uncertainty_score":0.99994737},"labels":[],"label_agreement":null},{"id":"W1484373718","doi":"10.3138/tric.34.2.158","title":"Message de la Nouvelle Rédactrice en Chef","year":2013,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03473645838210547,"score_gpt":0.33968591529540715,"score_spread":0.30494945691330166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484373718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30826992,0.012834492,6.231674e-7,0.057530835,0.00038331782,0.00034031348,0.000030085344,0.0000121480625,0.62059826],"genre_scores_gemma":[0.96512985,0.0012972683,0.000042442214,0.0013363836,0.00070284825,0.00006427786,0.0000067708775,0.000013170623,0.031406976],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929321,0.004205602,0.0002388998,0.00033480526,0.0009957049,0.0012929244],"domain_scores_gemma":[0.9971128,0.0020358046,0.00004091675,0.00024481092,0.00016902213,0.00039665418],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0030813885,0.00016070339,0.00027410703,0.00012580205,0.00049573864,0.00023304687,0.0006985472,0.0002746658,0.0075958287],"category_scores_gemma":[0.00007359241,0.00013140513,0.0000792279,0.0019353789,0.00065295614,0.00024442477,0.00013451595,0.0011693019,0.0001728578],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017369095,0.00018639505,0.0089849755,0.00014129351,0.00014983244,0.00033492246,0.015384826,0.00007321328,0.0007377177,0.011303095,0.5732002,0.38948613],"study_design_scores_gemma":[0.0002382954,0.000035095716,0.0030073174,0.00007978696,0.00002202394,0.000004881176,0.03295496,0.00039084742,0.000118906406,0.012324911,0.95059866,0.00022431045],"about_ca_topic_score_codex":0.9985654,"about_ca_topic_score_gemma":0.99645686,"teacher_disagreement_score":0.65685993,"about_ca_system_score_codex":0.003445306,"about_ca_system_score_gemma":0.006453074,"threshold_uncertainty_score":0.9991794},"labels":[],"label_agreement":null},{"id":"W1487278637","doi":"10.7202/016777ar","title":"De-Composing Tristan Murail: The Collected Writings, 1980-2000. Review of Models &amp; Artifice: The Collected Writings of Tristan Murail, Contemporary Music Review, Vol. 24, Nos. 2/3, April/June 2005, Joshua Fineberg and Pierre Michel (eds.)","year":2007,"lang":"en","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Art history; Art; Performance art; Humanities; Cartography; History; Literature; Geography","score_opus":0.05249538073515333,"score_gpt":0.2952847190506385,"score_spread":0.2427893383154852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1487278637","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038684987,0.8104459,0.00031353053,0.016842807,0.00064375746,0.004852528,0.00030004082,0.00027142238,0.127645],"genre_scores_gemma":[0.83128625,0.07568466,0.00038019035,0.0372989,0.0013659236,0.00030897305,0.0005351186,0.0001299834,0.053009972],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99269456,0.0018056558,0.0026662017,0.0008610299,0.001003896,0.0009686347],"domain_scores_gemma":[0.99167514,0.0018008063,0.0021897417,0.00085159973,0.0031331421,0.00034959053],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.007530544,0.00067742635,0.0019362179,0.00027574855,0.0014506299,0.0002937781,0.0010864096,0.00042715622,0.00024569032],"category_scores_gemma":[0.0038192857,0.0004591034,0.00068725826,0.0034889171,0.001972551,0.0006060553,0.00013778727,0.0007488361,0.0000039203014],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004117907,0.00058405806,0.0009952605,0.011121084,0.0010242423,0.00007941073,0.05892754,0.000002075926,0.01448256,0.02803711,0.8778316,0.00650331],"study_design_scores_gemma":[0.0016828609,0.00015105798,0.0006221786,0.01777073,0.0009164909,0.000053473967,0.008864808,0.00011388789,0.00067975617,0.00629937,0.96174306,0.001102302],"about_ca_topic_score_codex":0.0034888803,"about_ca_topic_score_gemma":0.008020098,"teacher_disagreement_score":0.7926013,"about_ca_system_score_codex":0.00022620808,"about_ca_system_score_gemma":0.0011805004,"threshold_uncertainty_score":0.9998493},"labels":[],"label_agreement":null},{"id":"W1491738297","doi":"","title":"Musiques Sacrées. Éditions Enbiro. 2012. Ateliers d’ethnomusicologie, Disques VDE-GALLO. Disque audio accompagné d’un livret illustré (55 pages).","year":2014,"lang":"fr","type":"article","venue":"MUSICultures","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Geology","score_opus":0.02409425820370948,"score_gpt":0.2641858084466498,"score_spread":0.24009155024294032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491738297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2952369,0.047662996,0.00044818397,0.14909473,0.0193265,0.0024600192,0.0011248405,0.0019468042,0.48269904],"genre_scores_gemma":[0.8547588,0.005313323,0.00142177,0.029412398,0.01088104,0.00031679744,0.00082565757,0.00010067789,0.096969545],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99205947,0.0019362906,0.0011999264,0.0016607288,0.0010899564,0.0020536527],"domain_scores_gemma":[0.9959031,0.00065457285,0.0007788691,0.0009359455,0.0008282185,0.00089931884],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0010975944,0.0012658234,0.0014998744,0.00022871378,0.0036009527,0.0012987737,0.0016463461,0.0017261971,0.008588786],"category_scores_gemma":[0.0007180324,0.00095289457,0.0012586862,0.0017927504,0.003644066,0.0020772882,0.00047559998,0.0015185801,0.0010984902],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042675263,0.00081966346,0.0005929426,0.00012365602,0.0006958074,0.000059179434,0.032345567,0.00012685492,0.001172385,0.07173961,0.8665158,0.025765821],"study_design_scores_gemma":[0.00066724676,0.00026331612,0.012154238,0.0002227335,0.0009531125,0.000022146904,0.009230185,0.00012142414,0.00035526778,0.020917576,0.9535657,0.001527021],"about_ca_topic_score_codex":0.0026520588,"about_ca_topic_score_gemma":0.018682932,"teacher_disagreement_score":0.5595219,"about_ca_system_score_codex":0.0005195124,"about_ca_system_score_gemma":0.00020678727,"threshold_uncertainty_score":0.999738},"labels":[],"label_agreement":null},{"id":"W1492576777","doi":"10.7202/039639ar","title":"La fondation de Circuit et sa première décennie : un coup d’oeil rétrospectif et autocritique","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.030204155246267652,"score_gpt":0.30215685618198646,"score_spread":0.2719527009357188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492576777","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37554926,0.006006669,0.0010435734,0.033785865,0.0036287166,0.0010775331,0.00024635205,0.00060370367,0.5780583],"genre_scores_gemma":[0.94386315,0.0006208461,0.00022462753,0.014259323,0.0020831635,0.00016638698,0.00027843905,0.000070533606,0.03843354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99469507,0.0019185994,0.00084001,0.0009985226,0.00058692397,0.0009608984],"domain_scores_gemma":[0.9966945,0.00072150555,0.00053541147,0.00059936533,0.0009669119,0.0004823088],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003238445,0.0006390946,0.0008249345,0.00018948827,0.0007656792,0.00094315014,0.00078297534,0.0013150293,0.001617789],"category_scores_gemma":[0.001159925,0.00061857386,0.0005629321,0.0010414794,0.0014407991,0.0016618893,0.000115132425,0.0017300369,0.0000922333],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014390443,0.0003632008,0.0061873733,0.00014282882,0.00025969165,0.000103327344,0.07898138,0.000002084117,0.018575745,0.8701673,0.0108802,0.014322459],"study_design_scores_gemma":[0.0007707907,0.000120943456,0.014840147,0.00023493661,0.00028221123,0.000092273454,0.0060847714,0.00010722764,0.0005943505,0.34616292,0.62980634,0.00090306153],"about_ca_topic_score_codex":0.0040716575,"about_ca_topic_score_gemma":0.011149685,"teacher_disagreement_score":0.61892617,"about_ca_system_score_codex":0.00026719182,"about_ca_system_score_gemma":0.0010996278,"threshold_uncertainty_score":0.99998146},"labels":[],"label_agreement":null},{"id":"W1492965090","doi":"10.3138/tric.25.1_2.214","title":"Legris, Renée. <i>Hubert Aquin et laradio. Une quête d'écriture (1954-1977)</i>","year":2004,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.05488021267880397,"score_gpt":0.3505123836522757,"score_spread":0.2956321709734717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492965090","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054402597,0.07697259,0.0000027256983,0.48916247,0.002317844,0.0006920454,0.00031616405,0.000042138203,0.37609142],"genre_scores_gemma":[0.9633945,0.008122911,0.00015764861,0.010908791,0.0018314256,0.00006571702,0.00010743264,0.0000441627,0.015367363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919481,0.0024080768,0.0005497378,0.0008084205,0.002193404,0.002092217],"domain_scores_gemma":[0.9977029,0.00054253277,0.00009383391,0.00058793457,0.00030825517,0.0007645416],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0029706464,0.00038961807,0.0006453107,0.00023216882,0.00089426583,0.00030052735,0.0010995752,0.00046167057,0.00062732265],"category_scores_gemma":[0.00006130493,0.00032621843,0.00020866713,0.0048079058,0.0011359312,0.0005633786,0.0001908686,0.0023892533,0.000108603854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00020020558,0.0005651366,0.0054109227,0.00036156244,0.00046084073,0.0031236082,0.019514356,0.0016925877,0.00059124094,0.10147815,0.71444637,0.15215501],"study_design_scores_gemma":[0.0007011283,0.00014383654,0.0003167256,0.00038308644,0.000046699624,0.00002533135,0.011619289,0.000026922018,0.00010702993,0.027251301,0.9589677,0.0004109932],"about_ca_topic_score_codex":0.99787647,"about_ca_topic_score_gemma":0.9996924,"teacher_disagreement_score":0.90899193,"about_ca_system_score_codex":0.0042654616,"about_ca_system_score_gemma":0.0111754155,"threshold_uncertainty_score":0.999919},"labels":[],"label_agreement":null},{"id":"W1493886017","doi":"","title":"Répertoire québécois : un passé à composer","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Repertoire; Art; Literature","score_opus":0.012671492377171897,"score_gpt":0.1868598476843857,"score_spread":0.17418835530721383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493886017","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29637998,0.31143865,0.000050169925,0.33075178,0.0020288979,0.00024280824,0.0000813874,0.00016700581,0.058859326],"genre_scores_gemma":[0.43551242,0.012582145,0.0005594717,0.009594037,0.0014085806,0.000006364807,0.00008465605,0.00003507319,0.5402172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977625,0.00040658546,0.00020490594,0.00045015817,0.00047808336,0.00069774],"domain_scores_gemma":[0.99842644,0.00007547698,0.00018045535,0.00030330388,0.00031991466,0.00069438235],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00030247672,0.00029783623,0.00041816142,0.00009693144,0.0012825698,0.00006779043,0.00053703773,0.0004551263,0.0008399256],"category_scores_gemma":[0.00003583463,0.0002862677,0.00034920443,0.0010448728,0.000517786,0.00051124266,0.00017501127,0.0003114105,0.00067977817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011066101,0.00026020792,0.0016246715,0.00002278123,0.0005351599,0.0017840641,0.039230935,0.00011698898,0.00015524976,0.21453655,0.6619218,0.07970092],"study_design_scores_gemma":[0.00069309503,0.000103840524,0.0004951427,0.000029797127,0.00045377124,0.0000767708,0.017828433,0.00031781965,0.000025698857,0.005387634,0.97421205,0.00037596264],"about_ca_topic_score_codex":0.19392453,"about_ca_topic_score_gemma":0.76234686,"teacher_disagreement_score":0.5684223,"about_ca_system_score_codex":0.005301257,"about_ca_system_score_gemma":0.00017696591,"threshold_uncertainty_score":0.99995893},"labels":[],"label_agreement":null},{"id":"W1495638898","doi":"10.25071/1708-6701.2300","title":"Begins With the Oboe: A History of the Toronto Symphony Orchestra","year":2003,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oboe; Symphony; Documentation; Visual arts; History; Art; Art history; Computer science; Flute","score_opus":0.024397270351237975,"score_gpt":0.26335340335844215,"score_spread":0.23895613300720417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495638898","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012386775,0.6980843,0.000014566913,0.016667698,0.00065388426,0.000863643,0.000007871675,0.00003634361,0.27128494],"genre_scores_gemma":[0.5630922,0.13121131,0.00063203136,0.080582336,0.0014148862,0.00039282435,0.000014746618,0.000051540403,0.22260813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985997,0.00058707927,0.00019145723,0.00017986276,0.00020372958,0.00023818933],"domain_scores_gemma":[0.9991079,0.000083971645,0.00019823652,0.00038224141,0.0001517161,0.00007592876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075578596,0.000118840115,0.00029943604,0.0000063863336,0.000211762,0.000022025368,0.00047896776,0.00008078698,0.00042059395],"category_scores_gemma":[0.0003295036,0.000054534674,0.00022808748,0.00028127356,0.00039438868,0.00012743134,0.000020920857,0.00015172682,0.000009915427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012659694,0.00015450518,0.0027258361,0.0018713847,0.00027288313,0.000017033277,0.05601155,0.0000037179282,0.0006096895,0.39952794,0.52673477,0.012058054],"study_design_scores_gemma":[0.000059170925,0.000015379124,0.000658313,0.00045511065,0.00023108076,0.00000931044,0.00091792725,6.9022695e-7,0.000011663312,0.00015248155,0.997398,0.00009083048],"about_ca_topic_score_codex":0.0008187114,"about_ca_topic_score_gemma":0.009510989,"teacher_disagreement_score":0.56687295,"about_ca_system_score_codex":0.00058527826,"about_ca_system_score_gemma":0.0003994033,"threshold_uncertainty_score":0.5307355},"labels":[],"label_agreement":null},{"id":"W1496438062","doi":"10.7202/039638ar","title":"20 ans avant, 20 ans après","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05471545370272741,"score_gpt":0.2843124615212984,"score_spread":0.229597007818571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496438062","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12157281,0.0124795195,0.00009240768,0.031138739,0.011109741,0.00076730526,0.0003686028,0.0003860682,0.8220848],"genre_scores_gemma":[0.66220057,0.00026703055,0.00008942676,0.010561017,0.0061114524,0.000055922177,0.0001904163,0.000044944736,0.3204792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99581563,0.000617625,0.00085700676,0.0010125284,0.0006006807,0.0010965063],"domain_scores_gemma":[0.9970353,0.00028808322,0.0004959738,0.0006861812,0.00089298654,0.0006014554],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010369826,0.0006525045,0.0009434335,0.00019319836,0.0010673326,0.00059875933,0.0009983447,0.0010527371,0.004171575],"category_scores_gemma":[0.00044370355,0.00057189097,0.0007012535,0.0010120102,0.002292398,0.0013316367,0.00011371498,0.0011036015,0.00050639553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034634453,0.0006910584,0.023349145,0.00024271365,0.00069774623,0.00028113366,0.14455977,0.0000015599579,0.028067034,0.5863766,0.18679689,0.028901717],"study_design_scores_gemma":[0.00044971696,0.00011027642,0.001054902,0.000103904786,0.00025062534,0.00002364709,0.0052998704,0.00003984563,0.00025544481,0.059137892,0.9324841,0.0007897768],"about_ca_topic_score_codex":0.0034409596,"about_ca_topic_score_gemma":0.052493826,"teacher_disagreement_score":0.7456872,"about_ca_system_score_codex":0.0000933416,"about_ca_system_score_gemma":0.0004042691,"threshold_uncertainty_score":0.99967325},"labels":[],"label_agreement":null},{"id":"W1498149151","doi":"","title":"Musique et globalisation: musicologie-ethnomusicologie. Jacques Bouet et Makis Solomos (dirs.).","year":2012,"lang":"fr","type":"article","venue":"MUSICultures","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.06077108007409062,"score_gpt":0.33771223425472024,"score_spread":0.27694115418062965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498149151","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2908447,0.117969655,0.00013968191,0.13485257,0.024714056,0.0019383922,0.0005911386,0.0011247688,0.427825],"genre_scores_gemma":[0.76675236,0.0029231138,0.0018465703,0.1864508,0.008097571,0.00024846266,0.0004663808,0.000061746396,0.033152975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915629,0.0030546784,0.0009841878,0.0011135354,0.0010562984,0.0022284177],"domain_scores_gemma":[0.99657977,0.0005526355,0.0007048599,0.00072204956,0.0006904071,0.00075030857],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024225395,0.0010243668,0.0011283503,0.00015452872,0.001490681,0.0009902006,0.0011381486,0.001826449,0.006908572],"category_scores_gemma":[0.0008447218,0.0007827122,0.0008835455,0.0018640821,0.0019266,0.0028269787,0.0005279252,0.0012560077,0.0007677174],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045468478,0.00094804843,0.0029463037,0.00009148138,0.0004675861,0.00004253481,0.06849447,0.000063737454,0.0011700466,0.3192486,0.5968771,0.009604623],"study_design_scores_gemma":[0.00057388,0.00018763839,0.02710817,0.00011017268,0.0006080545,0.000041338568,0.0142589025,0.00001607096,0.00026734796,0.0054803076,0.95022327,0.0011248274],"about_ca_topic_score_codex":0.0043527135,"about_ca_topic_score_gemma":0.015857322,"teacher_disagreement_score":0.47590765,"about_ca_system_score_codex":0.0005690918,"about_ca_system_score_gemma":0.00037554704,"threshold_uncertainty_score":0.99980927},"labels":[],"label_agreement":null},{"id":"W1504358037","doi":"10.7202/1012357ar","title":"Une lecture dialogique de l’improvisation libre et collective en musique actuelle et en contact-improvisation","year":2012,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Improvisation; Art; Philosophy; Visual arts","score_opus":0.04169955344831055,"score_gpt":0.3523207010341348,"score_spread":0.31062114758582426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504358037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5357994,0.005199782,0.03215647,0.067030065,0.0014827744,0.0023445042,0.0001653824,0.0005321048,0.35528952],"genre_scores_gemma":[0.87703764,0.004818822,0.00972495,0.09104763,0.0026791207,0.00042840125,0.00019190725,0.00012070611,0.01395083],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9548997,0.04161573,0.00064774766,0.00073832984,0.00043971068,0.0016587685],"domain_scores_gemma":[0.98502374,0.012910507,0.0005630388,0.00040107354,0.00034413632,0.00075751165],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.016185269,0.0007696358,0.00087990414,0.00020175248,0.00086367154,0.00042098216,0.0006805697,0.008681396,0.00032695776],"category_scores_gemma":[0.00785399,0.0007382167,0.00068827334,0.0016655087,0.0009371831,0.0013931134,0.00011129267,0.0067700506,0.000029282435],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00018433918,0.00043457528,0.0010923293,0.00019199161,0.00059657026,0.00003108803,0.5726915,0.0001741147,0.017213948,0.31451356,0.0034735394,0.08940246],"study_design_scores_gemma":[0.002508611,0.00058544887,0.026926178,0.00033877077,0.0017545501,0.00018377008,0.09711869,0.0010207056,0.009245451,0.3655589,0.49231264,0.0024462729],"about_ca_topic_score_codex":0.05388532,"about_ca_topic_score_gemma":0.0636011,"teacher_disagreement_score":0.48883912,"about_ca_system_score_codex":0.015362901,"about_ca_system_score_gemma":0.007298093,"threshold_uncertainty_score":0.9995069},"labels":[],"label_agreement":null},{"id":"W1507225791","doi":"10.1353/esc.2003.0007","title":"What’s Been Lost","year":2003,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"Prosperity; History; Wish; Sociology; Law; Economic history; Media studies; Political science; Literature; Art","score_opus":0.03100462745968002,"score_gpt":0.2895547491441641,"score_spread":0.2585501216844841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507225791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47744837,0.04522115,2.8233853e-7,0.0034303805,0.02190867,0.000300197,0.000015638447,0.000042797805,0.45163253],"genre_scores_gemma":[0.9845256,0.0016993367,0.000023428263,0.004603141,0.0004924919,0.000013571461,0.000002319649,0.0000040913465,0.008635975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988736,0.00018584526,0.00015667824,0.00018637508,0.0002765532,0.00032093565],"domain_scores_gemma":[0.9993844,0.00017011145,0.00004127828,0.00009944454,0.00023085192,0.0000739313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002973228,0.00009333781,0.00020622098,0.00002700361,0.00032761498,0.00006864373,0.00015295879,0.00004480951,0.00023608078],"category_scores_gemma":[0.001061583,0.00007581189,0.000037836206,0.00045866397,0.00018032896,0.00028821515,0.000026072177,0.00013893037,0.000004080134],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004627506,0.00003321546,0.044375475,0.000023942226,0.00028648207,0.00012523975,0.15934986,0.000043194832,0.0000022437137,0.04582051,0.7476417,0.0022935485],"study_design_scores_gemma":[0.00008572264,0.0000043099267,0.00074639823,0.000015447016,0.000013111955,1.3803604e-7,0.27161896,3.1188566e-7,0.00000813738,0.0007491865,0.72666174,0.00009653192],"about_ca_topic_score_codex":0.78370947,"about_ca_topic_score_gemma":0.99908626,"teacher_disagreement_score":0.5070773,"about_ca_system_score_codex":0.0006862789,"about_ca_system_score_gemma":0.0007009868,"threshold_uncertainty_score":0.30915192},"labels":[],"label_agreement":null},{"id":"W1507493943","doi":"10.7202/018653ar","title":"Sur la trace des companion pieces : ébauche ","year":2008,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.07415373262823183,"score_gpt":0.2847949697756302,"score_spread":0.21064123714739835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507493943","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47812617,0.09100899,0.00012240656,0.0075636627,0.0018315706,0.0004084038,0.000067837675,0.00028203425,0.42058894],"genre_scores_gemma":[0.8427082,0.0028849554,0.000084052,0.002617468,0.0022078343,0.00003539419,0.000057337078,0.00003220466,0.1493726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99607027,0.0013011185,0.0006670192,0.00069559144,0.00051174365,0.000754241],"domain_scores_gemma":[0.99742836,0.0005212116,0.00036876395,0.00034446348,0.000975148,0.00036205558],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00089562807,0.00049468485,0.0007994776,0.00013531679,0.001386566,0.00031271452,0.0006113484,0.0006111203,0.00079565664],"category_scores_gemma":[0.0005230553,0.0004351453,0.0005283398,0.0011543065,0.0035391029,0.0016341945,0.00007001349,0.00046067827,0.00017679867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004440968,0.0011197102,0.032943815,0.00041492571,0.0007682888,0.00066285627,0.33593598,0.000014079555,0.0015599186,0.43992072,0.12698025,0.05963502],"study_design_scores_gemma":[0.000505435,0.000101702506,0.009949486,0.00023108895,0.0001593798,0.00010438759,0.0044830297,0.00005761994,0.00013838583,0.030067753,0.95356673,0.0006350004],"about_ca_topic_score_codex":0.0058318423,"about_ca_topic_score_gemma":0.0052165114,"teacher_disagreement_score":0.8265865,"about_ca_system_score_codex":0.00018413564,"about_ca_system_score_gemma":0.00039292834,"threshold_uncertainty_score":0.9999135},"labels":[],"label_agreement":null},{"id":"W1511033364","doi":"10.3138/tric.23.1_2.145","title":"François-Xavier Simard et André La Rose. Jean Despréz (1906-1965), Une Femme de Tête, de Courage et de Coeur","year":2002,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.07374289253468036,"score_gpt":0.365104313606157,"score_spread":0.29136142107147667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511033364","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38967153,0.03636644,0.000021303851,0.18577665,0.0005755683,0.0006244663,0.00038291383,0.000050563125,0.38653058],"genre_scores_gemma":[0.9561847,0.0067884405,0.00017437973,0.010017753,0.00051358767,0.000049794126,0.000027175636,0.000038734328,0.026205437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98905766,0.0063202693,0.0004147833,0.0005573943,0.0013855511,0.0022643255],"domain_scores_gemma":[0.99586934,0.002463953,0.00008816355,0.0004043274,0.0002318907,0.0009422998],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00609981,0.00032470818,0.0005150264,0.0001853964,0.0007212021,0.00038176886,0.00088530604,0.00041513212,0.0020410402],"category_scores_gemma":[0.00022942106,0.00028744247,0.00017082441,0.002585944,0.0009954225,0.00036140557,0.00015693522,0.0019585434,0.000060645838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014186198,0.00060947484,0.06728103,0.00030378508,0.00039411068,0.0042872867,0.0315869,0.0023323505,0.0010388641,0.012814011,0.69426185,0.18494846],"study_design_scores_gemma":[0.0006004583,0.00009739701,0.0031179711,0.00017841421,0.000052230404,0.00003519396,0.0070515797,0.0025962137,0.000067721245,0.004125852,0.9816963,0.00038065846],"about_ca_topic_score_codex":0.9812657,"about_ca_topic_score_gemma":0.9968812,"teacher_disagreement_score":0.5665132,"about_ca_system_score_codex":0.0032331576,"about_ca_system_score_gemma":0.005960425,"threshold_uncertainty_score":0.9999578},"labels":[],"label_agreement":null},{"id":"W1511047852","doi":"10.7202/1006360ar","title":"Pierre Mercure, Gilles Tremblay, et quelques autres compositeurs canadiens aux Ferienkurse à Darmstadt dans les années 1950 et 1960","year":2011,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.09957763603089272,"score_gpt":0.3093825653490549,"score_spread":0.2098049293181622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511047852","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2822246,0.024275823,0.00012723464,0.015086012,0.0021922863,0.0006423067,0.00061667856,0.00043423212,0.6744008],"genre_scores_gemma":[0.9442854,0.0020091385,0.00024803856,0.013351647,0.00091365207,0.00010581959,0.00038190794,0.00009257951,0.038611818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99390686,0.0019162862,0.0010492295,0.0012152107,0.0006494612,0.0012629379],"domain_scores_gemma":[0.9966636,0.00030538172,0.00066998746,0.00068645313,0.0009274419,0.0007471599],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011023767,0.0009332773,0.0011470797,0.00031683664,0.0016003003,0.00044224822,0.0011289417,0.00080459577,0.0011387375],"category_scores_gemma":[0.00030505625,0.00083833106,0.0007557311,0.0011561564,0.003181139,0.001613825,0.00017990137,0.00075973006,0.000046496225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046344067,0.00035998164,0.010503262,0.00012828686,0.00049671216,0.00028283044,0.41581434,0.0000040562486,0.0005374863,0.5563753,0.011694425,0.0037569706],"study_design_scores_gemma":[0.0007935479,0.0005664556,0.014724601,0.0007047614,0.0008311648,0.000076584496,0.09198945,0.000095602765,0.0006258907,0.045692995,0.8419684,0.0019305081],"about_ca_topic_score_codex":0.21183921,"about_ca_topic_score_gemma":0.5604341,"teacher_disagreement_score":0.830274,"about_ca_system_score_codex":0.0002153005,"about_ca_system_score_gemma":0.0009432296,"threshold_uncertainty_score":0.99977434},"labels":[],"label_agreement":null},{"id":"W1511382870","doi":"10.7202/902034ar","title":"Zukunftsmusik? Avenir de la musique?","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.027432530355214597,"score_gpt":0.2927875908929987,"score_spread":0.2653550605377841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511382870","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24738364,0.0072510927,0.0001033796,0.01334008,0.004730588,0.00045395148,0.00006544805,0.0003162099,0.7263556],"genre_scores_gemma":[0.8527214,0.00034937938,0.00027946103,0.014981149,0.0057433066,0.00007850287,0.000054573895,0.000056121953,0.12573612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953622,0.0015199095,0.0007230761,0.00083079253,0.00049381395,0.0010701736],"domain_scores_gemma":[0.99698853,0.0007335433,0.00042704883,0.00060553645,0.00063137163,0.00061399443],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022934568,0.000589177,0.0007822589,0.00019409556,0.0009028966,0.0006944762,0.00090893137,0.0014349585,0.0036227137],"category_scores_gemma":[0.0009802876,0.0005467686,0.0006700878,0.0011174799,0.0033739763,0.0009165324,0.00012469797,0.0014506108,0.00018446214],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016144255,0.0003231006,0.0037834926,0.00011610572,0.00025817432,0.00021661424,0.06916697,9.310989e-7,0.011122295,0.8586989,0.03213419,0.024163077],"study_design_scores_gemma":[0.0003924637,0.000059239337,0.0018870371,0.00009755687,0.0001826254,0.00006633275,0.0023647249,0.00004093847,0.00030005336,0.19587812,0.79812145,0.0006094659],"about_ca_topic_score_codex":0.005869496,"about_ca_topic_score_gemma":0.009842393,"teacher_disagreement_score":0.7659873,"about_ca_system_score_codex":0.00021887508,"about_ca_system_score_gemma":0.0008141535,"threshold_uncertainty_score":0.99986136},"labels":[],"label_agreement":null},{"id":"W1512827224","doi":"10.3138/tric.24.1.21","title":"La «Traduction» du Théâtre au Cinéma: Quelques Exemples du Répertoire Canadien","year":2003,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04216355050445714,"score_gpt":0.3183281590467783,"score_spread":0.27616460854232117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512827224","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3661783,0.0008783965,4.1512382e-7,0.01849504,0.00032366623,0.0002140074,0.00002494248,0.000023347817,0.61386186],"genre_scores_gemma":[0.99639493,0.00070242793,0.000018863835,0.00050048396,0.0004883468,0.000037915892,0.00001058611,0.000011100859,0.0018353694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957404,0.0019831816,0.0002075612,0.00032992128,0.0008222311,0.0009166808],"domain_scores_gemma":[0.99866384,0.00049890915,0.000033230983,0.00022272299,0.00019937991,0.0003819173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020059734,0.00013892735,0.00023197336,0.00024449732,0.0011591403,0.00012726468,0.0004006983,0.00012576352,0.00043402176],"category_scores_gemma":[0.0001420773,0.0001078849,0.000062266015,0.0016882546,0.00046153172,0.00020566964,0.000034370525,0.00048840925,0.000007265897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006110741,0.00018394183,0.28402427,0.00009325142,0.00023372506,0.0015959773,0.027591422,0.000096901844,0.00016175468,0.25064468,0.36231685,0.07299612],"study_design_scores_gemma":[0.00014499514,0.000021641006,0.0026713938,0.00002937817,0.000009241593,0.000017096834,0.030360032,0.000010265975,0.000044343855,0.0036900844,0.96284544,0.00015605529],"about_ca_topic_score_codex":0.99894994,"about_ca_topic_score_gemma":0.99994516,"teacher_disagreement_score":0.6302166,"about_ca_system_score_codex":0.0025276507,"about_ca_system_score_gemma":0.0080935415,"threshold_uncertainty_score":0.9975296},"labels":[],"label_agreement":null},{"id":"W1513038003","doi":"10.7202/902176ar","title":"Serge Garant, chef d’orchestre, ou l’initiation exigeante","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.05706900222780054,"score_gpt":0.2970828020632222,"score_spread":0.24001379983542165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1513038003","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32803398,0.009983732,0.00008509328,0.019307157,0.008188857,0.0006675366,0.00014518094,0.0003456109,0.63324285],"genre_scores_gemma":[0.8849559,0.00057379727,0.000088172244,0.007226574,0.005499626,0.00006154251,0.00020950737,0.000045084565,0.10133984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962982,0.00061816256,0.00082192087,0.00083732215,0.00054477504,0.00087961927],"domain_scores_gemma":[0.9973229,0.00027561997,0.00055527204,0.0005372796,0.00088595116,0.00042295043],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011853485,0.0005598688,0.0007426138,0.00018312117,0.0008814595,0.00047320488,0.00068986625,0.0009478362,0.0024538503],"category_scores_gemma":[0.0006148281,0.00051281543,0.00056287553,0.0011367647,0.0014146924,0.0013746142,0.00007943216,0.0009695871,0.0003645532],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029609482,0.00041834707,0.007666695,0.0002113396,0.0003619427,0.0001357087,0.05637643,0.0000010511122,0.010476097,0.8814428,0.02144901,0.021430995],"study_design_scores_gemma":[0.00065274176,0.000109590845,0.0047041117,0.00017304975,0.0002835148,0.000026808833,0.0038453024,0.00009982932,0.00069324684,0.107427746,0.8810959,0.00088818977],"about_ca_topic_score_codex":0.0023397296,"about_ca_topic_score_gemma":0.008124717,"teacher_disagreement_score":0.85964686,"about_ca_system_score_codex":0.00008998332,"about_ca_system_score_gemma":0.00035155026,"threshold_uncertainty_score":0.9997323},"labels":[],"label_agreement":null},{"id":"W1513417192","doi":"10.7202/004674ar","title":"Le charme étrange des espaces familiers","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.07243507803101316,"score_gpt":0.2688323430712246,"score_spread":0.19639726504021143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1513417192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11240587,0.13122073,0.000064575564,0.025288694,0.0021470373,0.0004979944,0.000080153535,0.00028844795,0.7280065],"genre_scores_gemma":[0.7940807,0.0036840937,0.000054440687,0.0073011084,0.0018981935,0.000053987427,0.000031136093,0.000035776604,0.1928606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655545,0.00071287603,0.0005827219,0.00074550847,0.00046141128,0.00094201945],"domain_scores_gemma":[0.9981796,0.00018764849,0.00030685027,0.0003710872,0.0005238214,0.0004309586],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00060946087,0.00049952476,0.0007328194,0.00017181387,0.0013350662,0.00044247325,0.0006336836,0.00055208075,0.0020853481],"category_scores_gemma":[0.00024290076,0.00046834294,0.00056197686,0.0012986487,0.0032301296,0.0013204198,0.000060252572,0.00039388056,0.00035457156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012128586,0.00049072976,0.0033811252,0.0002645264,0.0005191457,0.00013518897,0.237059,0.0000020045375,0.0011464109,0.65483123,0.052027028,0.050131492],"study_design_scores_gemma":[0.00057140476,0.00013379089,0.00081075745,0.00021561532,0.00020031494,0.000014104145,0.021289472,0.00010616137,0.000113737224,0.07098104,0.9047939,0.00076966564],"about_ca_topic_score_codex":0.005588956,"about_ca_topic_score_gemma":0.007018636,"teacher_disagreement_score":0.85276693,"about_ca_system_score_codex":0.00013879134,"about_ca_system_score_gemma":0.00014158995,"threshold_uncertainty_score":0.9999651},"labels":[],"label_agreement":null},{"id":"W1516723485","doi":"","title":"Le travail du metteur en scène au cégep dans la pratique théâtrale parascolaire québécoise 1986-2006","year":2008,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.005988487469642656,"score_gpt":0.17870672194453338,"score_spread":0.17271823447489074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1516723485","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8762433,0.009927527,0.00027186025,0.061591197,0.00049928756,0.00045077945,0.00009772773,0.00018005878,0.05073826],"genre_scores_gemma":[0.9563476,0.0030011411,0.00028469626,0.0027624872,0.00098462,0.000019116356,0.00005156537,0.00004980213,0.036498994],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949774,0.0019252254,0.0004943897,0.00090423366,0.0006393768,0.0010593425],"domain_scores_gemma":[0.99752825,0.0007005706,0.00034995007,0.0005437212,0.00022096983,0.00065653864],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0006083031,0.0006132169,0.000810091,0.0002215729,0.0035720395,0.00011751506,0.0011122177,0.0005920056,0.00037669638],"category_scores_gemma":[0.00016693569,0.00060988986,0.0007842968,0.0013347798,0.0027140426,0.0013103049,0.00023096446,0.0008277389,0.00029023405],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013889697,0.00071517046,0.007760598,0.000051892363,0.00061868015,0.0015688131,0.83168226,0.00026611236,0.0006810583,0.11632471,0.030120714,0.010071089],"study_design_scores_gemma":[0.0013082323,0.00026584865,0.053725284,0.00008204149,0.00070702715,0.00033880654,0.2057428,0.0005254634,0.000075163836,0.0012025704,0.735072,0.0009547084],"about_ca_topic_score_codex":0.91366875,"about_ca_topic_score_gemma":0.99199873,"teacher_disagreement_score":0.70495135,"about_ca_system_score_codex":0.00087300467,"about_ca_system_score_gemma":0.0042506335,"threshold_uncertainty_score":1},"labels":[],"label_agreement":null},{"id":"W1520408488","doi":"","title":"L’amnésie collective. Quais-Blues de Richard Lavoie, Québec, 2011, 75 minQuais-Blues de Richard Lavoie, Québec, 2011, 75 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Art; Art history","score_opus":0.0390857327746779,"score_gpt":0.26960232899388786,"score_spread":0.23051659621920995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520408488","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38950065,0.48559994,0.00012441442,0.03638655,0.0036547214,0.0011745241,0.00042569998,0.00055530475,0.0825782],"genre_scores_gemma":[0.2928702,0.016451407,0.0025456639,0.011056033,0.0050495258,0.00033061235,0.000091159476,0.00019780456,0.6714076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99213904,0.0016639415,0.0012284593,0.0015908587,0.0009129602,0.0024647135],"domain_scores_gemma":[0.99532735,0.0009253961,0.0008004691,0.0008834326,0.00092090445,0.0011424287],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015344596,0.0011789062,0.0015959351,0.00042826345,0.0024516033,0.00047608148,0.0017043405,0.001373901,0.01819791],"category_scores_gemma":[0.0006625258,0.001051673,0.001125852,0.0013295496,0.0025265892,0.0008539718,0.0003275292,0.0010601431,0.0040560835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024634757,0.0009122782,0.024941545,0.0001669524,0.0010250838,0.00019431139,0.09193453,0.0000080359605,0.00096590334,0.004840412,0.87237567,0.0023889348],"study_design_scores_gemma":[0.0011127419,0.00047107952,0.025344597,0.00021516105,0.0014833255,0.000059731654,0.026601799,0.00008818335,0.002155412,0.0056224647,0.93513966,0.0017058313],"about_ca_topic_score_codex":0.5382367,"about_ca_topic_score_gemma":0.61698014,"teacher_disagreement_score":0.5888294,"about_ca_system_score_codex":0.0014185957,"about_ca_system_score_gemma":0.0028857393,"threshold_uncertainty_score":0.9999225},"labels":[],"label_agreement":null},{"id":"W1522663642","doi":"10.7202/902310ar","title":"Le courant électrique dans Montréal/Nouvelles Musiques","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02142973714613839,"score_gpt":0.25115140678173503,"score_spread":0.22972166963559665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522663642","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2668037,0.03464118,0.00057619094,0.03989584,0.0060216817,0.0011441377,0.00017864094,0.0006473915,0.65009123],"genre_scores_gemma":[0.9002652,0.0014255462,0.00021188168,0.008038367,0.003799449,0.00011348492,0.00011138841,0.00007334805,0.085961305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951817,0.00092639506,0.0010289204,0.0010853354,0.0006266829,0.001151011],"domain_scores_gemma":[0.9966243,0.00038164406,0.0006074149,0.0007346399,0.0010668236,0.0005851936],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0012976059,0.0007605023,0.0011061416,0.00021355641,0.0015452555,0.0006211505,0.0010284913,0.0012026881,0.00064946734],"category_scores_gemma":[0.0005403392,0.0006877554,0.0007948064,0.0012030592,0.00245593,0.0012072645,0.0001279068,0.0012558638,0.00013111699],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028868108,0.0004646796,0.0013081888,0.00010944858,0.00036980736,0.0001344303,0.101082616,0.0000019816202,0.028320149,0.83786035,0.021973137,0.008346328],"study_design_scores_gemma":[0.0006227827,0.00015011703,0.0010806542,0.00015104053,0.00021633985,0.00005072597,0.015796626,0.00010544166,0.0018448987,0.12970582,0.849247,0.0010285653],"about_ca_topic_score_codex":0.05052014,"about_ca_topic_score_gemma":0.18165237,"teacher_disagreement_score":0.82727385,"about_ca_system_score_codex":0.00013991722,"about_ca_system_score_gemma":0.0012300748,"threshold_uncertainty_score":0.9997546},"labels":[],"label_agreement":null},{"id":"W1524737308","doi":"10.7202/1014225ar","title":"Cartographie de l’apprentie","year":2013,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.03903811061703587,"score_gpt":0.26963453014833516,"score_spread":0.23059641953129928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524737308","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22044928,0.05153715,0.00014059902,0.022581354,0.0035297791,0.00087021,0.000045934594,0.0003075802,0.7005381],"genre_scores_gemma":[0.8362933,0.0006995039,0.00008485103,0.009760013,0.0025421826,0.00015596852,0.000055420333,0.000030495798,0.1503783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996732,0.0007177552,0.00057833525,0.00061058684,0.00038552622,0.0009757967],"domain_scores_gemma":[0.9979444,0.00017509298,0.0002958918,0.00039488182,0.00069510366,0.00049461535],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005849801,0.00042677252,0.0006067716,0.00018561528,0.000671039,0.0006067051,0.00059768395,0.00058405666,0.0038915258],"category_scores_gemma":[0.00019300572,0.0003829037,0.00061164657,0.0013329082,0.0016337038,0.0011711915,0.00007473393,0.00039132492,0.00048821277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065935665,0.00033643364,0.018718299,0.0001948197,0.00059276965,0.000058845628,0.07710598,0.0000015523847,0.0017166678,0.63149166,0.21924514,0.05053127],"study_design_scores_gemma":[0.00029932542,0.00007691498,0.0032570257,0.00013975943,0.00020002217,0.000011787441,0.007801889,0.000048726244,0.00008966322,0.2337523,0.7537607,0.00056189584],"about_ca_topic_score_codex":0.01277299,"about_ca_topic_score_gemma":0.00233957,"teacher_disagreement_score":0.61584395,"about_ca_system_score_codex":0.00013030253,"about_ca_system_score_gemma":0.00022736054,"threshold_uncertainty_score":0.9998623},"labels":[],"label_agreement":null},{"id":"W1526666009","doi":"10.4000/critiquedart.13536","title":"Carlotta Darò, Avant-gardes sonores en architecture","year":2013,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Architecture; Art; Visual arts","score_opus":0.01278062568678293,"score_gpt":0.27821227718274205,"score_spread":0.2654316514959591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526666009","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15293372,0.032168366,0.00021735902,0.28802353,0.006462876,0.0011737188,0.00023438928,0.00034406633,0.518442],"genre_scores_gemma":[0.31058607,0.0010771463,0.0009244034,0.023708738,0.0046272962,0.00014808001,0.00013534125,0.000040810366,0.6587521],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996822,0.00093677535,0.00038904033,0.00060247065,0.00038312265,0.0008665825],"domain_scores_gemma":[0.9985,0.00029176232,0.00010573585,0.00035320641,0.00037100998,0.00037827896],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042007692,0.00037610962,0.00050290517,0.000090311274,0.00067793176,0.00061499025,0.0005946543,0.0006839065,0.014112089],"category_scores_gemma":[0.0003128314,0.00030852173,0.0004042697,0.00032309804,0.0011001284,0.00064505445,0.00011178993,0.0007638852,0.004802702],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067114674,0.00012836042,0.00070379814,0.000109338886,0.00016751852,0.00003492761,0.033064667,0.000014623926,0.00084853306,0.043713193,0.895168,0.026040295],"study_design_scores_gemma":[0.00016289279,0.000081853235,0.0019557509,0.00010581546,0.00017427585,0.000016691674,0.0062283883,0.000039386912,0.00017073995,0.02215959,0.96847403,0.00043058852],"about_ca_topic_score_codex":0.001965819,"about_ca_topic_score_gemma":0.009917459,"teacher_disagreement_score":0.2643148,"about_ca_system_score_codex":0.000102641476,"about_ca_system_score_gemma":0.00014856487,"threshold_uncertainty_score":0.9999367},"labels":[],"label_agreement":null},{"id":"W1527006392","doi":"10.7202/1014227ar","title":"« J’aime quand on explose de joie ! » : entretien avec Ana Sokolović","year":2013,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Psychology","score_opus":0.05604662962290319,"score_gpt":0.27479774628830167,"score_spread":0.21875111666539848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527006392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54229105,0.014799887,0.00005329541,0.047855567,0.002300479,0.0010724742,0.0000644253,0.00029123097,0.39127156],"genre_scores_gemma":[0.8322985,0.0004625996,0.000045974426,0.017367996,0.0024960067,0.00014858425,0.0000688425,0.00004067302,0.14707078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956463,0.0010771415,0.0007358401,0.0008529759,0.00055127137,0.0011364579],"domain_scores_gemma":[0.99741364,0.00037639515,0.00042007837,0.00052319525,0.0006497441,0.00061697414],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00071381463,0.00059157825,0.000820122,0.00019869393,0.00067314884,0.000669409,0.0006916091,0.00069482194,0.0045714667],"category_scores_gemma":[0.00044958183,0.00050393766,0.000553374,0.0008647134,0.0012698901,0.0011830735,0.00008850897,0.0005253431,0.0011200604],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004317917,0.00081315986,0.00776405,0.00020286745,0.0006876838,0.00019925828,0.3372486,0.0000051716065,0.0028146012,0.429568,0.18304397,0.037609484],"study_design_scores_gemma":[0.00095134083,0.0005129867,0.00486012,0.00045681297,0.0003083103,0.000019459967,0.019857854,0.00021293075,0.0005519927,0.2435923,0.72739553,0.0012803172],"about_ca_topic_score_codex":0.006284206,"about_ca_topic_score_gemma":0.0018342837,"teacher_disagreement_score":0.5443516,"about_ca_system_score_codex":0.0003172963,"about_ca_system_score_gemma":0.00032344996,"threshold_uncertainty_score":0.9997412},"labels":[],"label_agreement":null},{"id":"W1528718400","doi":"","title":"Tout ce que tu seras, tu l’es déjà. La Danse de la réalité d’Alejandro Jodorowsky, Chili, 2013, 130 min La Danse de la réalité d’Alejandro Jodorowsky, Chili, 2013, 130 min","year":2014,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008997738279575482,"score_gpt":0.25717533531834463,"score_spread":0.24817759703876915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528718400","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74977624,0.104624696,0.00014904264,0.033530932,0.0018128419,0.0010368708,0.0006344004,0.0004558773,0.107979074],"genre_scores_gemma":[0.80654067,0.023665866,0.0017015444,0.0066283033,0.004548878,0.00015844844,0.0003257042,0.00022051489,0.15621005],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98222184,0.010735383,0.0014764613,0.0019600503,0.001171919,0.0024343291],"domain_scores_gemma":[0.9913395,0.0047792853,0.00078342983,0.0013246414,0.00042404138,0.0013490806],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.006189366,0.0015128232,0.0019157655,0.00036440717,0.0019315396,0.001487789,0.0020981773,0.002610576,0.0020726942],"category_scores_gemma":[0.00134595,0.0013569514,0.00131793,0.0014711855,0.004290045,0.0009961743,0.00047205188,0.0019538864,0.00054606184],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042782616,0.0019550761,0.017127607,0.0006636857,0.0014244842,0.0009204124,0.048192486,0.00032551988,0.006767004,0.12860002,0.77702826,0.016567634],"study_design_scores_gemma":[0.0021513836,0.00024820937,0.014281197,0.000604662,0.0010845535,0.00051609863,0.007747769,0.00034127312,0.0010050782,0.009222967,0.9610339,0.0017629004],"about_ca_topic_score_codex":0.027880173,"about_ca_topic_score_gemma":0.025011895,"teacher_disagreement_score":0.18400566,"about_ca_system_score_codex":0.00045691573,"about_ca_system_score_gemma":0.0010132134,"threshold_uncertainty_score":0.99976206},"labels":[],"label_agreement":null},{"id":"W1528751681","doi":"10.3138/tric.28.1.67","title":"Bibliographie des pièces de Michel Ouellette","year":2007,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.07332551489883742,"score_gpt":0.3679618281156515,"score_spread":0.29463631321681405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528751681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5894653,0.09462325,0.00000585558,0.04767158,0.0008507189,0.0002961231,0.00007534908,0.000019455341,0.26699236],"genre_scores_gemma":[0.9822798,0.0075542657,0.00016904276,0.0033494066,0.0010691177,0.000012796265,0.000007988702,0.000015807631,0.00554179],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946221,0.0012644028,0.00034595517,0.00039693643,0.0012529382,0.0021176627],"domain_scores_gemma":[0.9977594,0.0010515733,0.00005185231,0.00025210888,0.00024539602,0.0006396533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005739898,0.00019184522,0.00029801423,0.00151181,0.000898511,0.00017595549,0.0007093897,0.00022779338,0.0007349761],"category_scores_gemma":[0.000038128026,0.00016299063,0.00013295677,0.017733287,0.0019234404,0.00027865308,0.00010338774,0.0009843733,0.0000324109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084818195,0.00015565431,0.14527968,0.00018062459,0.00020165452,0.0011492207,0.0049627377,0.00003708276,0.0006172705,0.004005273,0.4292776,0.41404837],"study_design_scores_gemma":[0.00023145358,0.000062581195,0.01090503,0.00016708722,0.000031607473,0.000009927017,0.022225883,0.000041742063,0.00024245126,0.019301299,0.94651765,0.00026329816],"about_ca_topic_score_codex":0.9977362,"about_ca_topic_score_gemma":0.9997469,"teacher_disagreement_score":0.51724005,"about_ca_system_score_codex":0.001819914,"about_ca_system_score_gemma":0.0032749537,"threshold_uncertainty_score":0.8520257},"labels":[],"label_agreement":null},{"id":"W152928968","doi":"","title":"Robert Lepage à l’Opéra de Montréal : Le Château de Barbe-Bleue et Erwartung","year":2004,"lang":"fr","type":"article","venue":"VST - Vie sociale et traitements","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021038438616308414,"score_gpt":0.2925934849913447,"score_spread":0.27155504637503625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W152928968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.494896,0.03546017,0.0013510091,0.13242948,0.0035808,0.0012544169,0.0004361181,0.0003481316,0.3302439],"genre_scores_gemma":[0.9321487,0.0025193004,0.0018675202,0.02948855,0.00172744,0.000107453976,0.00016157952,0.000060152375,0.031919338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955771,0.0010075178,0.0006517723,0.00065883354,0.0006918295,0.0014129301],"domain_scores_gemma":[0.9986633,0.000106817395,0.00030967133,0.00024518216,0.00018788833,0.00048712027],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0016377615,0.00048230673,0.00063373864,0.000104396604,0.0015359853,0.00037390593,0.00058923505,0.0006805097,0.0007196754],"category_scores_gemma":[0.000148899,0.00048482025,0.0006301466,0.0010612275,0.00064906577,0.0011668014,0.00012442932,0.0007167449,0.00020731035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009297444,0.0034144574,0.0042275633,0.00026968148,0.002050237,0.00029006787,0.20732991,0.0015726414,0.0053362893,0.6462585,0.038957056,0.09020063],"study_design_scores_gemma":[0.002622551,0.0001718838,0.008282284,0.00023298063,0.00057308655,0.000010909819,0.01174947,0.0000704661,0.00027679213,0.038633853,0.9365114,0.00086433644],"about_ca_topic_score_codex":0.054771226,"about_ca_topic_score_gemma":0.14082995,"teacher_disagreement_score":0.89755434,"about_ca_system_score_codex":0.0010835237,"about_ca_system_score_gemma":0.0017003941,"threshold_uncertainty_score":0.9997639},"labels":[],"label_agreement":null},{"id":"W153166300","doi":"10.7202/902026ar","title":"Prologue pour les écrits d’un compositeur","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.040279869136677374,"score_gpt":0.2781457676024702,"score_spread":0.2378658984657928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W153166300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5541446,0.016203865,0.0000963265,0.0468377,0.0054384274,0.0007882255,0.00012760964,0.0003600899,0.37600312],"genre_scores_gemma":[0.89799005,0.00021694507,0.00028851174,0.008959275,0.005158082,0.00006930198,0.00012891383,0.000042533455,0.08714638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963691,0.0007850039,0.00071151933,0.000828771,0.0004470752,0.0008585249],"domain_scores_gemma":[0.997445,0.00031759244,0.00041382381,0.00048413896,0.0009283604,0.00041109603],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009400258,0.0005525052,0.00078043586,0.0001534373,0.001190945,0.0004400954,0.0008528585,0.0009953539,0.0022004119],"category_scores_gemma":[0.00041515005,0.00048232643,0.0005165057,0.0008378109,0.0018226029,0.0007766935,0.00012062378,0.001080962,0.0002944074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033203218,0.0006452949,0.017827034,0.00020494546,0.0004968278,0.00021137377,0.05553969,8.0229466e-7,0.032511625,0.79215467,0.029646635,0.070727915],"study_design_scores_gemma":[0.0006293679,0.00013405703,0.004082851,0.00013328523,0.00028433648,0.000073583564,0.0041253767,0.000064923996,0.0008502361,0.10129482,0.88749707,0.00083005993],"about_ca_topic_score_codex":0.0027720537,"about_ca_topic_score_gemma":0.0067005577,"teacher_disagreement_score":0.85785043,"about_ca_system_score_codex":0.000056776254,"about_ca_system_score_gemma":0.0002702134,"threshold_uncertainty_score":0.99976283},"labels":[],"label_agreement":null},{"id":"W1539457794","doi":"10.7202/1027609ar","title":"La saturation, métaphore pour la composition ?","year":2014,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03065776522170016,"score_gpt":0.280167104707082,"score_spread":0.24950933948538184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539457794","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099768,0.009934511,0.0012507366,0.027417144,0.0017642386,0.00040782747,0.000050228147,0.00026535246,0.85914195],"genre_scores_gemma":[0.93889284,0.00023999663,0.00014241866,0.0069819717,0.0027515555,0.00003589635,0.00017733792,0.000027733948,0.05075023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953559,0.0027547814,0.00052728207,0.0005458449,0.00037005945,0.00044610535],"domain_scores_gemma":[0.99778664,0.0006781922,0.00034740835,0.00028869254,0.00066141185,0.00023762538],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014255407,0.00037046627,0.00053593295,0.00011833788,0.00062346796,0.0005360614,0.00037766833,0.0006877182,0.0004014466],"category_scores_gemma":[0.00029785113,0.0003309827,0.00036084876,0.0006670445,0.0011193663,0.0007417122,0.000048013746,0.00043029722,0.00016143653],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001406383,0.0001756125,0.0013348088,0.00010049455,0.00016060681,0.000022021377,0.036963947,0.0000028124487,0.0022829787,0.89656955,0.030243492,0.03212961],"study_design_scores_gemma":[0.0004677895,0.00005675957,0.00208106,0.00023026697,0.00017622273,0.000032867036,0.0029187214,0.00019232967,0.0001569082,0.13357101,0.8596443,0.00047178767],"about_ca_topic_score_codex":0.0008974821,"about_ca_topic_score_gemma":0.0009389384,"teacher_disagreement_score":0.83912486,"about_ca_system_score_codex":0.00011405678,"about_ca_system_score_gemma":0.00017027534,"threshold_uncertainty_score":0.9999142},"labels":[],"label_agreement":null},{"id":"W1540477886","doi":"10.7202/1000780ar","title":"Michel Vaïs (dir.) : Dictionnaire des artistes du théâtre québécois, Montréal, Cahiers de théâtre Jeu/Québec Amérique, 2008","year":2009,"lang":"fr","type":"article","venue":"Globe Revue internationale d’études québécoises","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0111200478564157,"score_gpt":0.23924706519211336,"score_spread":0.22812701733569765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540477886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3576657,0.33841738,0.0003386449,0.19092916,0.002362992,0.0007552154,0.00042460737,0.0005153532,0.10859094],"genre_scores_gemma":[0.6935792,0.03018863,0.000732996,0.017970726,0.0036028142,0.00009739971,0.00015570296,0.000057081495,0.25361544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955296,0.00054980686,0.0010089289,0.0009952841,0.0007684052,0.0011479546],"domain_scores_gemma":[0.9968206,0.0005005875,0.00060533965,0.00047419284,0.0010054539,0.0005937993],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005570596,0.0007494784,0.0008031397,0.00027418806,0.0013957882,0.00051070034,0.0011255041,0.00076081156,0.00084332156],"category_scores_gemma":[0.0010554228,0.00071786944,0.0008154922,0.0011372586,0.0014040369,0.0013085799,0.000094462746,0.00075503916,0.00025814198],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018260574,0.0018686097,0.03155359,0.00027885547,0.0016367524,0.0004951975,0.02487878,0.000993024,0.0007357869,0.51464295,0.328286,0.09444784],"study_design_scores_gemma":[0.0004538055,0.00023725511,0.031404566,0.00073225365,0.00049199094,0.00023778924,0.0053987517,0.00037317266,0.000104446364,0.0063127438,0.953446,0.00080726156],"about_ca_topic_score_codex":0.68456763,"about_ca_topic_score_gemma":0.97172934,"teacher_disagreement_score":0.62516,"about_ca_system_score_codex":0.0025001348,"about_ca_system_score_gemma":0.0014296417,"threshold_uncertainty_score":0.9999043},"labels":[],"label_agreement":null},{"id":"W1542986778","doi":"10.21083/csieci.v8i1.1731","title":"Réflexions sur l’improvisation et l’implication sociale de l’éducation musicale. Dialogue avec Jean-Yves Bosseur","year":2012,"lang":"fr","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Improvisation; Art; Philosophy; Visual arts","score_opus":0.12376934840045481,"score_gpt":0.4256863345433422,"score_spread":0.3019169861428874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542986778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5399943,0.026127426,0.0099487975,0.38940075,0.01907361,0.0045229504,0.00047499695,0.0010788698,0.009378266],"genre_scores_gemma":[0.96859026,0.0050874967,0.0021990214,0.0142695615,0.0062311436,0.0010902355,0.0006367054,0.000099242825,0.00179633],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9897888,0.0035676623,0.0018698022,0.0012301983,0.0010787772,0.0024647918],"domain_scores_gemma":[0.9916447,0.0044145132,0.0005924057,0.00059180585,0.0020109708,0.0007456099],"candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.006269612,0.00089126197,0.0010666256,0.00047688623,0.0015234099,0.0006484303,0.0005782792,0.0012659044,0.00027270796],"category_scores_gemma":[0.020951202,0.00093424344,0.0004838268,0.0016516949,0.0026504851,0.006110242,0.000285524,0.0012147052,0.000107452535],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076197124,0.0017393897,0.0023383806,0.0009746242,0.00023684395,0.000005342242,0.15652697,0.000041132735,0.006978727,0.7547103,0.0044160048,0.07195606],"study_design_scores_gemma":[0.004364039,0.0018580335,0.10294565,0.00169615,0.0035741369,0.00007896147,0.21696629,0.008622403,0.007586347,0.36300808,0.2832521,0.0060478183],"about_ca_topic_score_codex":0.004843642,"about_ca_topic_score_gemma":0.009834918,"teacher_disagreement_score":0.42859593,"about_ca_system_score_codex":0.0052264663,"about_ca_system_score_gemma":0.0012446749,"threshold_uncertainty_score":0.9997765},"labels":[],"label_agreement":null},{"id":"W1547002704","doi":"10.7202/041696ar","title":"BALDWIN, Jane, Michel Saint-Denis and the Shaping of the Modern Actor, Westport (CT) et Londres, Praeger, 2003, 240 p.","year":2007,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SAINT; Humanities; Art; Art history","score_opus":0.02683321273513417,"score_gpt":0.27533142572902153,"score_spread":0.24849821299388736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1547002704","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56767493,0.06944381,0.00007902324,0.22328119,0.004226721,0.0031338865,0.0004644889,0.00027173886,0.13142423],"genre_scores_gemma":[0.90035814,0.0048426455,0.00029852297,0.010725966,0.0010272452,0.000051181265,0.000047631263,0.00008729633,0.08256135],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934005,0.0012846692,0.0015557373,0.0011223045,0.0010692205,0.0015675598],"domain_scores_gemma":[0.995626,0.00096119154,0.0011086492,0.0010419246,0.0007647195,0.00049756],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0032796224,0.0009460763,0.0013993182,0.00016732923,0.0013264412,0.00038540422,0.0018078228,0.00062405015,0.00018652639],"category_scores_gemma":[0.0009010215,0.00060088106,0.0010402797,0.0020496878,0.004814946,0.0010773678,0.0003948433,0.0014236654,0.000024258326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005439318,0.0006120447,0.004460997,0.00061212486,0.0010965402,0.00016414652,0.044542212,0.0001463373,0.0014589032,0.8891683,0.04435081,0.01284363],"study_design_scores_gemma":[0.0007806131,0.00014832208,0.008358843,0.00095307396,0.0013693204,0.00023495125,0.0034160607,0.00030566557,0.00036595974,0.005339779,0.97780234,0.00092507515],"about_ca_topic_score_codex":0.016231643,"about_ca_topic_score_gemma":0.29833713,"teacher_disagreement_score":0.93345153,"about_ca_system_score_codex":0.0003470498,"about_ca_system_score_gemma":0.00080772187,"threshold_uncertainty_score":0.9999737},"labels":[],"label_agreement":null},{"id":"W1549143506","doi":"10.7202/902073ar","title":"Du sillon fermé au sillon ouvert : quelques préalables et une discographie","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.027674313297970505,"score_gpt":0.28025900896980355,"score_spread":0.25258469567183306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549143506","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51285547,0.009722875,0.000036035522,0.0722727,0.007768348,0.00086802087,0.00015753559,0.00045284597,0.39586616],"genre_scores_gemma":[0.90802455,0.0014413104,0.000083698906,0.012129596,0.0040647704,0.00010965658,0.00022809266,0.00006879742,0.07384954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949144,0.0010194887,0.0009939399,0.0011615157,0.00072233053,0.0011882882],"domain_scores_gemma":[0.99670655,0.00043288784,0.00062573666,0.0007123339,0.0009319134,0.0005905999],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0015285012,0.00083952484,0.0011326898,0.00032702828,0.0013811263,0.0007874451,0.0009791056,0.0010388702,0.0006830748],"category_scores_gemma":[0.00054673245,0.00069937663,0.0008846911,0.0022395344,0.0026535315,0.0019577395,0.00016724467,0.0010542654,0.00012774544],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037630612,0.0005908565,0.04189511,0.00021911201,0.0005327585,0.00014663309,0.08476033,9.988437e-7,0.008259433,0.81568086,0.03804969,0.009826582],"study_design_scores_gemma":[0.0006251631,0.00020947082,0.010513504,0.0002986296,0.00038175445,0.000028667451,0.009579517,0.000032501528,0.00035213333,0.12959169,0.8471961,0.001190873],"about_ca_topic_score_codex":0.033716515,"about_ca_topic_score_gemma":0.24381223,"teacher_disagreement_score":0.8091464,"about_ca_system_score_codex":0.00016715369,"about_ca_system_score_gemma":0.0006584038,"threshold_uncertainty_score":0.99991894},"labels":[],"label_agreement":null},{"id":"W1549180568","doi":"","title":"Keith Kouna, René Lussier : Schubert dans l’hiver québécois","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.005912634051437465,"score_gpt":0.17431552236119713,"score_spread":0.16840288830975966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549180568","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36259502,0.098852605,0.00035691698,0.17630939,0.002599978,0.00038604616,0.00010923598,0.00025590573,0.3585349],"genre_scores_gemma":[0.25502717,0.005022995,0.00040537585,0.005381675,0.0012219367,0.0000053247136,0.00005252325,0.000030875224,0.7328521],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971486,0.0005568934,0.00025074428,0.0006468039,0.00049875514,0.0008982191],"domain_scores_gemma":[0.9984401,0.000135374,0.0002428299,0.00045304335,0.00021498831,0.0005136893],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004090633,0.00037958028,0.0004992635,0.00013819938,0.002035476,0.00009371074,0.0006866068,0.00054912124,0.0015744366],"category_scores_gemma":[0.000069668415,0.00036043656,0.0004886169,0.0011340198,0.00075916713,0.0006387724,0.0002474054,0.00041746855,0.00085796666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000097010656,0.00021227427,0.003387948,0.000039337145,0.0006130393,0.00054760365,0.030981453,0.00010189447,0.00052598905,0.45787993,0.43113494,0.07447858],"study_design_scores_gemma":[0.0005860809,0.000111961665,0.0036450378,0.000057099856,0.000655133,0.000055440774,0.0072710644,0.0006258407,0.00003477706,0.0034478959,0.9830183,0.00049139996],"about_ca_topic_score_codex":0.20741715,"about_ca_topic_score_gemma":0.83040327,"teacher_disagreement_score":0.62298614,"about_ca_system_score_codex":0.0046673417,"about_ca_system_score_gemma":0.00012775853,"threshold_uncertainty_score":0.99992},"labels":[],"label_agreement":null},{"id":"W1549442034","doi":"10.7202/902180ar","title":"Présence audible : la musique enregistrée de Serge Garant","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.030327092188185294,"score_gpt":0.2896239534525435,"score_spread":0.2592968612643582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549442034","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32122654,0.0076272814,0.00030398607,0.023659915,0.0072958427,0.0007175003,0.00010136953,0.00039384814,0.6386737],"genre_scores_gemma":[0.8469329,0.00047322307,0.00028584662,0.008621261,0.0034387556,0.00008969011,0.00004727299,0.000045859288,0.14006522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956883,0.0010700618,0.0007322705,0.0008946477,0.00049997756,0.0011147036],"domain_scores_gemma":[0.99711215,0.00047546817,0.0004795012,0.0006495157,0.00071029627,0.000573062],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018595902,0.00058236765,0.0007749124,0.00015889278,0.0008401614,0.00055230357,0.00095196854,0.0011190178,0.0016164471],"category_scores_gemma":[0.00081385626,0.000528358,0.00055879744,0.0011205688,0.0023931025,0.00096769,0.00012048607,0.0012103477,0.00015759736],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022646766,0.00035116664,0.0059538167,0.00022675868,0.0002508592,0.0003417972,0.075890414,0.0000023117516,0.018132063,0.85442686,0.035742354,0.008658955],"study_design_scores_gemma":[0.00041663798,0.00008005764,0.0020672064,0.00020467263,0.00017720855,0.00009755053,0.003332394,0.00009608198,0.0006135418,0.122234404,0.8699231,0.0007571198],"about_ca_topic_score_codex":0.0071970625,"about_ca_topic_score_gemma":0.015743466,"teacher_disagreement_score":0.8341808,"about_ca_system_score_codex":0.00013594539,"about_ca_system_score_gemma":0.0008758991,"threshold_uncertainty_score":0.9997168},"labels":[],"label_agreement":null},{"id":"W1550855800","doi":"10.7202/902006ar","title":"Compositeurs québécois : chronique d’une décennie (1980-1990)","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Conservatoire de Musique et d’art Dramatique du Québec","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.0323725589385861,"score_gpt":0.27816529647504523,"score_spread":0.24579273753645914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1550855800","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45249936,0.023589127,0.00011485272,0.052421443,0.010165312,0.001076931,0.00016143262,0.00054398994,0.45942757],"genre_scores_gemma":[0.88524705,0.0005440815,0.00015770638,0.014399325,0.0057603056,0.00009192546,0.00016849379,0.0000666435,0.09356448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99546885,0.00072258315,0.0009662794,0.0010722862,0.00061839004,0.0011516053],"domain_scores_gemma":[0.9967413,0.00035015665,0.0005855321,0.0007571329,0.00090692134,0.0006589885],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010047222,0.00075092877,0.0010684346,0.00021785236,0.0011937994,0.0005976895,0.0010838056,0.001134217,0.0013216926],"category_scores_gemma":[0.00028892935,0.0006858531,0.00076330325,0.001693648,0.0027586895,0.0011738915,0.00013603776,0.0013138024,0.00030822688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000291125,0.00051683414,0.005714487,0.00020407053,0.00047755108,0.00021167005,0.10566884,0.0000013692394,0.017960126,0.80466545,0.045844097,0.018706381],"study_design_scores_gemma":[0.00056419784,0.00015939762,0.003295617,0.00016957222,0.00025059324,0.0000450326,0.0048051467,0.00005823219,0.0004941831,0.049233068,0.9399619,0.0009630655],"about_ca_topic_score_codex":0.0939572,"about_ca_topic_score_gemma":0.19484009,"teacher_disagreement_score":0.8941178,"about_ca_system_score_codex":0.00019244807,"about_ca_system_score_gemma":0.0007876107,"threshold_uncertainty_score":0.99995524},"labels":[],"label_agreement":null},{"id":"W1552616511","doi":"","title":"Le théâtre québécois à l’ère du 2.0","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.0052343473676071985,"score_gpt":0.16022370419022555,"score_spread":0.15498935682261836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552616511","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3276729,0.1264139,0.000023356733,0.42149815,0.0009856501,0.0003019742,0.00003837577,0.00012905402,0.122936636],"genre_scores_gemma":[0.31062722,0.008337366,0.00017526119,0.0052624736,0.0008695657,0.000009453644,0.000031942625,0.000019300714,0.6746674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981266,0.00026768542,0.0001845258,0.0004316984,0.0003099405,0.00067949697],"domain_scores_gemma":[0.9988202,0.00008347941,0.00017113615,0.00027877133,0.00025344812,0.00039296798],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015276906,0.00026665613,0.0003575845,0.00009278841,0.0018825384,0.00010230473,0.0005164845,0.00042469107,0.002893788],"category_scores_gemma":[0.000033740762,0.000263774,0.0003917842,0.0008827976,0.000482218,0.00083620433,0.00020262679,0.00027793902,0.0017332307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001170482,0.00011281302,0.0007535304,0.000016716567,0.00022197033,0.0003040601,0.0068704914,0.00002669333,0.0001773741,0.44559202,0.5213282,0.024584422],"study_design_scores_gemma":[0.00037807447,0.000054016542,0.0017632063,0.00002620494,0.0002571975,0.000051705076,0.018282756,0.00023997715,0.000017740964,0.004117734,0.9744807,0.00033067577],"about_ca_topic_score_codex":0.5525656,"about_ca_topic_score_gemma":0.8366339,"teacher_disagreement_score":0.55173075,"about_ca_system_score_codex":0.0024730102,"about_ca_system_score_gemma":0.00019190025,"threshold_uncertainty_score":0.99998146},"labels":[],"label_agreement":null},{"id":"W1553734747","doi":"10.3138/tric.30.1_2.111","title":"<i>Léo</i> at the Tarragon: Naturalizing the Coup","year":2009,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Multiculturalism; Narrative; Government (linguistics); Humanities; Sociology; Art; Philosophy; Literature; Pedagogy; Linguistics","score_opus":0.06004668659651482,"score_gpt":0.3579891428212036,"score_spread":0.2979424562246888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553734747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20111294,0.014111632,2.1135574e-7,0.29901415,0.00048715822,0.0005431433,0.00001987623,0.000024574552,0.48468632],"genre_scores_gemma":[0.9878749,0.00037760724,0.0000028457973,0.008745392,0.00040080832,0.000014943708,0.000006020195,0.0000039793895,0.0025734701],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966885,0.0010177018,0.00015571235,0.000216608,0.0011756786,0.0007458389],"domain_scores_gemma":[0.99877316,0.0006354976,0.000030463318,0.0003096762,0.000116123425,0.00013508562],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0021807293,0.00009561465,0.00013653413,0.000041356794,0.0018911479,0.00015721977,0.00081150216,0.0000662846,0.0003143221],"category_scores_gemma":[0.00003831311,0.000044410335,0.000060326136,0.0012284801,0.0004154005,0.000106661384,0.00007828972,0.00068904035,0.000016057433],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087106215,0.00004089668,0.003794662,0.000011041326,0.00007026487,0.00018494914,0.012756466,0.00010257279,0.00091821264,0.019911798,0.73364455,0.22847748],"study_design_scores_gemma":[0.00009850895,0.000018626142,0.0009514727,0.000020313273,0.000007023944,0.0000030464166,0.012381142,0.00003638227,0.00009660612,0.006040369,0.9802527,0.00009383363],"about_ca_topic_score_codex":0.97244626,"about_ca_topic_score_gemma":0.9989097,"teacher_disagreement_score":0.786762,"about_ca_system_score_codex":0.0012128204,"about_ca_system_score_gemma":0.0015450706,"threshold_uncertainty_score":0.99940825},"labels":[],"label_agreement":null},{"id":"W1553855522","doi":"10.7202/902177ar","title":"Garant communicateur, ou la parole agissante","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.049709660116942014,"score_gpt":0.30196847127375787,"score_spread":0.25225881115681587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553855522","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14258681,0.028709143,0.000032732012,0.033175927,0.0041862377,0.0005156873,0.00009373984,0.00030765779,0.79039204],"genre_scores_gemma":[0.87676245,0.0011432259,0.00009069271,0.008142789,0.001969348,0.000053644482,0.00008472113,0.00004218281,0.11171096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99599576,0.0013371776,0.00074864406,0.00066001585,0.00045449345,0.00080391567],"domain_scores_gemma":[0.9970795,0.00053390185,0.00044437282,0.0009134449,0.0006142253,0.00041455825],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016601846,0.0005187291,0.0008085324,0.00013129535,0.0009522157,0.0005564252,0.0013100007,0.0008737909,0.0013529601],"category_scores_gemma":[0.00044566655,0.00044930674,0.00058013404,0.0008449519,0.0030991226,0.0008054531,0.00018314103,0.0013162317,0.00029155053],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022712375,0.00043204302,0.0036860846,0.00010487835,0.00035163673,0.00014723235,0.044577304,5.613727e-7,0.0070143384,0.88242066,0.035576317,0.025666246],"study_design_scores_gemma":[0.00045072817,0.00006403942,0.0012165606,0.00012994376,0.00018170134,0.00003245794,0.0031272247,0.00004989095,0.00017912466,0.081241734,0.9127472,0.0005793991],"about_ca_topic_score_codex":0.004297563,"about_ca_topic_score_gemma":0.009229735,"teacher_disagreement_score":0.87717086,"about_ca_system_score_codex":0.00004837486,"about_ca_system_score_gemma":0.00024020295,"threshold_uncertainty_score":0.99979585},"labels":[],"label_agreement":null},{"id":"W1554207794","doi":"10.7202/1018452ar","title":"La Société de musique contemporaine du Québec : histoire à suivre de Réjean Beaucage, Montréal, Éditions du Septentrion, 2011, 464 pages","year":2013,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020151206875923644,"score_gpt":0.24344222420507663,"score_spread":0.223291017329153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554207794","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09435691,0.12036028,0.0007941147,0.35633436,0.0026279322,0.0020387701,0.00033493983,0.0010317212,0.422121],"genre_scores_gemma":[0.8151545,0.004891091,0.00010740175,0.022940824,0.0039612534,0.00051761785,0.00028244965,0.00009916107,0.15204571],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927553,0.0027274115,0.0013080979,0.001126469,0.00059502583,0.0014876891],"domain_scores_gemma":[0.99431694,0.0014004215,0.00090678065,0.0006998815,0.0016875912,0.0009883677],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0019858447,0.0009566049,0.0013349971,0.00027735825,0.0026027593,0.00081991765,0.001032928,0.0013467394,0.005214291],"category_scores_gemma":[0.0013728429,0.00088334864,0.0011270876,0.00077616004,0.003693388,0.001785388,0.00018108344,0.0010323774,0.0005174177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020725001,0.00066600076,0.009274304,0.00018106184,0.0005978654,0.00030476853,0.061724544,0.000005393056,0.00084037345,0.08870788,0.8264881,0.011188997],"study_design_scores_gemma":[0.0010995939,0.00014711806,0.005624982,0.00027824717,0.00045498472,0.00012497041,0.022795122,0.00023567115,0.000036780188,0.03899019,0.9291111,0.0011011915],"about_ca_topic_score_codex":0.3380394,"about_ca_topic_score_gemma":0.13657966,"teacher_disagreement_score":0.7207976,"about_ca_system_score_codex":0.0016784407,"about_ca_system_score_gemma":0.0024017727,"threshold_uncertainty_score":0.9999497},"labels":[],"label_agreement":null},{"id":"W1557255062","doi":"","title":"Marie Uguay et Saint-Denys Garneau, au bord du vide","year":2010,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.16787323166320814,"score_gpt":0.5231388939951628,"score_spread":0.35526566233195467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1557255062","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.826126,0.06219738,0.00005130274,0.019439751,0.010919864,0.0006998557,0.00019940571,0.00007602885,0.08029045],"genre_scores_gemma":[0.9391294,0.021448152,0.00032763087,0.011294154,0.004153812,0.0000517639,0.000050795665,0.00007400262,0.023470266],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933814,0.0016646856,0.0014351743,0.0009224487,0.0013828506,0.0012134587],"domain_scores_gemma":[0.9943903,0.0010921803,0.0016012536,0.0007252128,0.0010378018,0.0011532236],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00462391,0.00069184846,0.0014703252,0.0005726056,0.0017365323,0.0050439183,0.005237526,0.0007638638,0.0820833],"category_scores_gemma":[0.0022211443,0.00057707465,0.0008597545,0.0027528205,0.0016124969,0.0061640595,0.0013427284,0.0020050183,0.00022478908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024525763,0.0011108657,0.43916476,0.00017083922,0.0013634367,0.00026552295,0.009202272,0.00010329685,0.046422694,0.04056241,0.33603278,0.12535587],"study_design_scores_gemma":[0.0004442171,0.000018627148,0.2345486,0.00024611555,0.0004804996,0.000020855465,0.0008609957,0.00005166535,0.0011712159,0.023564493,0.73786145,0.0007312655],"about_ca_topic_score_codex":0.045999713,"about_ca_topic_score_gemma":0.05875973,"teacher_disagreement_score":0.40182868,"about_ca_system_score_codex":0.00037043687,"about_ca_system_score_gemma":0.0009947737,"threshold_uncertainty_score":0.99966806},"labels":[],"label_agreement":null},{"id":"W155922290","doi":"","title":"Werner Jaegerhuber's Messe Sur Les Airs Vodouesques: The Inculturation of Vodou in a Catholic Mass","year":2009,"lang":"fr","type":"article","venue":"Black Music Research Journal","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liturgy; Independence (probability theory); Melody; Art; Order (exchange); Humanities; Sociology; Classics; Law; Literature; Musical; Political science; Theology; Philosophy","score_opus":0.113161497610906,"score_gpt":0.3749074286449311,"score_spread":0.2617459310340251,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W155922290","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8690002,0.02123524,0.000022146454,0.08830349,0.0007098112,0.00048787153,0.000014719092,0.000015689919,0.020210812],"genre_scores_gemma":[0.9744596,0.0040441286,0.00010253776,0.0011211827,0.0026085984,0.000011034776,0.000008187976,0.000013530699,0.017631205],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9911153,0.004489251,0.0009036732,0.00040679047,0.0019647297,0.0011202536],"domain_scores_gemma":[0.99637556,0.0005072718,0.00039018787,0.00032765252,0.0020586632,0.00034065588],"candidate_categories":["research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.008002754,0.00028333798,0.0005195504,0.00040120014,0.0012876627,0.0008048153,0.0010585106,0.00043938504,0.0013234252],"category_scores_gemma":[0.0012641175,0.00017105801,0.0003966597,0.003040009,0.002243239,0.0012155146,0.00008989936,0.0023603607,0.00009560878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004188466,0.0016022151,0.0040789964,0.00019884041,0.00048699774,0.0006013723,0.38744497,0.00091920164,0.013895797,0.16464962,0.28898314,0.13672],"study_design_scores_gemma":[0.0016498754,0.00085157534,0.0374846,0.0010100568,0.00021901574,0.00013444274,0.07264962,0.001148017,0.0005447129,0.057359133,0.8262647,0.0006842815],"about_ca_topic_score_codex":0.0043752794,"about_ca_topic_score_gemma":0.011980196,"teacher_disagreement_score":0.5372815,"about_ca_system_score_codex":0.00047146706,"about_ca_system_score_gemma":0.00064571877,"threshold_uncertainty_score":0.99994123},"labels":[],"label_agreement":null},{"id":"W1560452305","doi":"","title":"Inextricable Hallmarks of the Era: The Breakthrough and Predicament of Liang Xiaosheng's Writing","year":2014,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Period (music); Cultural revolution; History; Aesthetics; Philosophy; Art; China","score_opus":0.012689205668645702,"score_gpt":0.29786459716900665,"score_spread":0.285175391500361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560452305","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81591666,0.15308833,0.0000024735832,0.0051162145,0.00026304755,0.00025786122,0.000019759753,0.00001180706,0.02532386],"genre_scores_gemma":[0.99611026,0.0015430808,0.00008692187,0.0011459759,0.00026725346,0.000010290707,0.00000192633,0.0000027816857,0.00083148933],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99906087,0.00026193622,0.00020983478,0.00014549545,0.00016825485,0.00015360743],"domain_scores_gemma":[0.9993591,0.00027819953,0.00011067337,0.00013501963,0.00009485534,0.000022173544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052869105,0.00008973504,0.00023916265,0.000030312438,0.000298523,0.0000484127,0.00014977157,0.000079316975,0.000009051061],"category_scores_gemma":[0.00035218938,0.00004154978,0.000056557208,0.00044680393,0.00065219647,0.00010658367,0.00012562877,0.00020032909,8.327745e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027439377,0.00007016889,0.017814875,0.00034432564,0.00025921644,0.0000058592545,0.90066886,0.0000033004833,0.0006483455,0.05079748,0.0068901004,0.022470022],"study_design_scores_gemma":[0.0019415003,0.00030167095,0.09252994,0.002713201,0.00052380236,0.000019055078,0.6746049,0.0001310919,0.00050432095,0.014545174,0.21155605,0.0006293043],"about_ca_topic_score_codex":0.00027544986,"about_ca_topic_score_gemma":0.0008508239,"teacher_disagreement_score":0.22606397,"about_ca_system_score_codex":0.000010423091,"about_ca_system_score_gemma":0.000010628422,"threshold_uncertainty_score":0.24030451},"labels":[],"label_agreement":null},{"id":"W1562652006","doi":"","title":"IRL vs AFK. 15e édition du Carrefour international de théâtre, Québec, 22 mai au 12 juin 201415e édition du Carrefour international de théâtre, Québec, 22 mai au 12 juin 2014","year":2014,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.010777647079612311,"score_gpt":0.2500282958927023,"score_spread":0.23925064881309,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562652006","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29343146,0.0008877363,0.00513621,0.413141,0.030162312,0.0009135564,0.0010127291,0.0004678309,0.25484717],"genre_scores_gemma":[0.75684166,0.00034316434,0.0002376389,0.016129911,0.0135464985,0.00016873852,0.00095231464,0.00008204852,0.21169803],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.993509,0.0011803734,0.0012433155,0.0012759564,0.0013023374,0.0014890357],"domain_scores_gemma":[0.99644005,0.00050933054,0.0008465017,0.0006045467,0.00088589854,0.0007136654],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016166881,0.000920503,0.00087824627,0.0004857303,0.0011587713,0.0008361037,0.001765872,0.0008677629,0.02968344],"category_scores_gemma":[0.00068398187,0.00082179316,0.0010620729,0.00037474095,0.0010761747,0.0022433577,0.0004454055,0.0011531404,0.0029098124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030685574,0.00062714476,0.04848755,0.000055053733,0.0009811065,0.00007420215,0.011674415,0.00017770097,0.00063510495,0.0096834,0.91867083,0.008626623],"study_design_scores_gemma":[0.001215316,0.00020467298,0.031135356,0.00027943295,0.00045893108,0.00013461152,0.0020882634,0.0030063975,0.00032820972,0.0034259548,0.9567849,0.00093796087],"about_ca_topic_score_codex":0.21913576,"about_ca_topic_score_gemma":0.6796723,"teacher_disagreement_score":0.4634102,"about_ca_system_score_codex":0.0051724706,"about_ca_system_score_gemma":0.0014420386,"threshold_uncertainty_score":0.99942327},"labels":[],"label_agreement":null},{"id":"W1564491175","doi":"","title":"Étude de cas sur la production de musique de film au Québec : technologies de l'information et production de biens culturels","year":2008,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008873066763390867,"score_gpt":0.19608012145473686,"score_spread":0.187207054691346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564491175","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9112603,0.0041196723,0.0013065224,0.08089727,0.00030971592,0.00040933795,0.000020895619,0.0004164339,0.0012598207],"genre_scores_gemma":[0.9870608,0.004076969,0.0018837566,0.0013867858,0.00048407094,0.000033286182,0.000032829164,0.000022146321,0.005019385],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9969759,0.00081140565,0.00033005347,0.0004919762,0.00034335378,0.0010472913],"domain_scores_gemma":[0.998489,0.00018847134,0.0003406517,0.00037066694,0.00033568294,0.00027549348],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010482463,0.00037862847,0.00037542824,0.00028608867,0.0021228439,0.0001089281,0.0005559641,0.0006082356,0.000052484163],"category_scores_gemma":[0.0011772835,0.00036920264,0.00031734057,0.0011590299,0.001172342,0.0021096796,0.00016459689,0.00082979753,0.000047635316],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014520694,0.00027466062,0.020839259,0.000094183306,0.00025734567,0.00016726114,0.9158034,0.0058433404,0.0026726946,0.0057871114,0.016344167,0.03177139],"study_design_scores_gemma":[0.0010313937,0.00038096373,0.14080392,0.00025693295,0.0010028444,0.00257369,0.5022199,0.0039944034,0.0033739104,0.005263218,0.33775872,0.0013401085],"about_ca_topic_score_codex":0.894321,"about_ca_topic_score_gemma":0.97751784,"teacher_disagreement_score":0.4135835,"about_ca_system_score_codex":0.0045191683,"about_ca_system_score_gemma":0.00518144,"threshold_uncertainty_score":0.99987596},"labels":[],"label_agreement":null},{"id":"W1564851529","doi":"","title":"L’inspiration de l’être humain chez Milan Kundera à travers L’Insoutenable légèreté de l’être","year":2014,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015811331525832355,"score_gpt":0.25087754802753237,"score_spread":0.2350662165017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564851529","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36772063,0.0011550093,0.00015784318,0.031664528,0.0021500257,0.00039344686,0.0001253072,0.00009647736,0.59653676],"genre_scores_gemma":[0.9491678,0.000066665154,0.00021970065,0.02273058,0.0027611898,0.00001899012,0.000026099564,0.000018715507,0.02499026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953448,0.0005922828,0.00034678422,0.00074892025,0.000701104,0.0022660843],"domain_scores_gemma":[0.99741954,0.00008027481,0.00019218877,0.00023260922,0.0003400953,0.0017353002],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0026475205,0.00032409272,0.00038575233,0.00025189217,0.006019718,0.00090966915,0.0011038672,0.0006009729,0.0011911979],"category_scores_gemma":[0.00038057903,0.00033287294,0.00026716304,0.0031416516,0.004299866,0.0009730813,0.000046461068,0.00049050624,0.00015430254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000110274295,0.00010151372,0.019224547,0.00006430164,0.000088897905,0.00008496632,0.13727045,0.000057846508,0.004002121,0.72899324,0.059335068,0.050765995],"study_design_scores_gemma":[0.00038701654,0.00009920663,0.012608436,0.00005050575,0.00017731916,0.000011076738,0.032235693,0.0011633646,0.00020998887,0.011649895,0.9406391,0.000768394],"about_ca_topic_score_codex":0.19137439,"about_ca_topic_score_gemma":0.53727996,"teacher_disagreement_score":0.881304,"about_ca_system_score_codex":0.0033886917,"about_ca_system_score_gemma":0.003990598,"threshold_uncertainty_score":0.9999123},"labels":[],"label_agreement":null},{"id":"W1566025186","doi":"10.7202/902189ar","title":"Circuits-multiples. Circa 1970-1980 : les années « hard core » (faire « respirer » la musique)","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.073166202109079,"score_gpt":0.2974683018886786,"score_spread":0.22430209977959964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566025186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43593407,0.016171359,0.000093399816,0.017156577,0.007405416,0.0013110631,0.0003592446,0.00076557166,0.52080333],"genre_scores_gemma":[0.9075198,0.00068876706,0.00012097907,0.010337293,0.0061384337,0.00018281119,0.00023915917,0.00013065911,0.07464208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926263,0.0013354293,0.0015079272,0.0018150292,0.0010944123,0.0016209172],"domain_scores_gemma":[0.99421734,0.0010299496,0.0009640094,0.0012271715,0.0016595314,0.00090198487],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0023566715,0.0012023537,0.0015931068,0.0004153543,0.0021788348,0.0010355687,0.0016648764,0.0022581224,0.0023535555],"category_scores_gemma":[0.0018462681,0.001110936,0.0012250877,0.0018470081,0.005475462,0.0016753776,0.00025078913,0.0021770478,0.00027813794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034873505,0.0005269023,0.016834097,0.00035286957,0.0005606991,0.00037633782,0.08003618,0.0000017081701,0.01992118,0.75737196,0.031164438,0.09281874],"study_design_scores_gemma":[0.0009679512,0.0001528146,0.009659243,0.00042169372,0.00039907836,0.000078137855,0.008015346,0.00006352388,0.00032744478,0.054233875,0.9241424,0.0015384522],"about_ca_topic_score_codex":0.005466702,"about_ca_topic_score_gemma":0.02041102,"teacher_disagreement_score":0.892978,"about_ca_system_score_codex":0.00020722378,"about_ca_system_score_gemma":0.00089130405,"threshold_uncertainty_score":0.99913406},"labels":[],"label_agreement":null},{"id":"W1566618402","doi":"10.7202/016841ar","title":"Entretien avec Gerardo Gandini : « Dans l’Argentine d’aujourd’hui, la composition est devenue une chose solitaire »","year":2007,"lang":"en","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Composition (language); Art; Politics; Chose; Sociology; Political science; Literature; Law","score_opus":0.025292191974138845,"score_gpt":0.2855516155529942,"score_spread":0.26025942357885534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566618402","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67013985,0.0012205162,0.0006887071,0.005117634,0.0007733111,0.00051900983,0.00005477422,0.00032442954,0.32116175],"genre_scores_gemma":[0.9854172,0.00008092985,0.0000543446,0.002100171,0.0013986119,0.0000243535,0.00023939575,0.000026565294,0.010658444],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974521,0.00039872198,0.000563303,0.000489584,0.00045250196,0.00064381334],"domain_scores_gemma":[0.99846613,0.0002139869,0.0003069178,0.0002762519,0.00041887446,0.00031784482],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012968222,0.00030850942,0.00046086175,0.00017276443,0.00084225717,0.00023313894,0.00041236525,0.00033682838,0.00018186083],"category_scores_gemma":[0.00017103013,0.00027182262,0.00029510277,0.00078979647,0.0006309659,0.0005203357,0.000052944513,0.0002914573,0.00004449209],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011978863,0.00057737133,0.035211492,0.00009977888,0.00042107407,0.00061700004,0.6376927,0.0000025026497,0.01631321,0.28837067,0.011464418,0.009110023],"study_design_scores_gemma":[0.0015349336,0.00014786546,0.03554288,0.00025697937,0.00026739558,0.00005868753,0.037629213,0.00002788315,0.0019654394,0.046845198,0.87450254,0.001220994],"about_ca_topic_score_codex":0.0013725382,"about_ca_topic_score_gemma":0.004647857,"teacher_disagreement_score":0.8630381,"about_ca_system_score_codex":0.00015707679,"about_ca_system_score_gemma":0.00016518294,"threshold_uncertainty_score":0.9999734},"labels":[],"label_agreement":null},{"id":"W1567891865","doi":"10.7202/019935ar","title":"De la musique de geste à la musique du son, de SuperMémé à I8U","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.022846610494297946,"score_gpt":0.2808719778842454,"score_spread":0.25802536738994747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1567891865","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42833987,0.013320927,0.0009848009,0.03260996,0.00082378817,0.00065067294,0.00006956509,0.00048708788,0.5227133],"genre_scores_gemma":[0.91429985,0.0018334165,0.00046727006,0.048878416,0.004104045,0.00008564034,0.00006102307,0.00006460782,0.030205732],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99164915,0.004381499,0.0008974411,0.00096282805,0.00048028157,0.0016287797],"domain_scores_gemma":[0.9965025,0.0010980412,0.00043017534,0.0005628166,0.00058375683,0.0008226779],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0040315227,0.0007853526,0.0010384411,0.00024534017,0.00094184687,0.0010505557,0.0010394278,0.0017367146,0.00061044097],"category_scores_gemma":[0.0013196535,0.0007529286,0.0007954046,0.0011857158,0.0019628836,0.0010728643,0.00009417402,0.0011172729,0.000053287487],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048796534,0.00064770365,0.014630808,0.0001639342,0.0003305571,0.001117574,0.21057148,0.000022849394,0.007185054,0.7129022,0.026795642,0.025583414],"study_design_scores_gemma":[0.00083548634,0.00022546298,0.0205313,0.00041738598,0.000362657,0.000384588,0.0057618986,0.00022408643,0.00045308075,0.25793132,0.7117498,0.0011229661],"about_ca_topic_score_codex":0.005397986,"about_ca_topic_score_gemma":0.0025786841,"teacher_disagreement_score":0.6849541,"about_ca_system_score_codex":0.000761758,"about_ca_system_score_gemma":0.0014384568,"threshold_uncertainty_score":0.99998647},"labels":[],"label_agreement":null},{"id":"W1568773973","doi":"10.7202/902181ar","title":"Complément bibliographique 1980-1996","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.04839907446494652,"score_gpt":0.29458944204423443,"score_spread":0.24619036757928792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1568773973","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3285247,0.019756123,0.000091329464,0.03165376,0.0116899535,0.0009721783,0.00016723016,0.00043057572,0.6067141],"genre_scores_gemma":[0.9210891,0.0010703698,0.0001822279,0.017057342,0.0048533534,0.00009590748,0.00012886121,0.00004395403,0.05547888],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99617136,0.0006266509,0.00079819956,0.00087022386,0.0005992796,0.00093426346],"domain_scores_gemma":[0.9972596,0.00027509383,0.0004506483,0.0006162469,0.0008358905,0.0005625329],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011771889,0.0005758908,0.00080232834,0.0010323243,0.0010304097,0.0006438506,0.0008727755,0.00085444254,0.0021798618],"category_scores_gemma":[0.00022822684,0.00051094114,0.00077359576,0.0053980765,0.0024922255,0.0009975741,0.000117249554,0.0009881076,0.0002332469],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012331124,0.00036582348,0.021491515,0.000101115045,0.00035106862,0.00008054234,0.021662507,4.0822508e-7,0.004054945,0.89916605,0.040534757,0.012178945],"study_design_scores_gemma":[0.00042183703,0.00010704471,0.008301029,0.000110707246,0.00018864556,0.000018970377,0.0021166906,0.000030842268,0.00014655427,0.11874777,0.86911875,0.0006911717],"about_ca_topic_score_codex":0.010671357,"about_ca_topic_score_gemma":0.028585196,"teacher_disagreement_score":0.82858396,"about_ca_system_score_codex":0.00006517575,"about_ca_system_score_gemma":0.0002389888,"threshold_uncertainty_score":0.9997342},"labels":[],"label_agreement":null},{"id":"W1569175568","doi":"10.7202/902395ar","title":"L’imagination au pouvoir","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03561857182148326,"score_gpt":0.2928935510486658,"score_spread":0.25727497922718257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1569175568","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18537213,0.0069056125,0.00009816472,0.04365779,0.009939008,0.00045216994,0.00005683081,0.00023242003,0.7532859],"genre_scores_gemma":[0.8518769,0.00011958787,0.000086195905,0.0075879223,0.005764836,0.000040698244,0.00009054622,0.000026801326,0.1344065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972829,0.00043279363,0.0005327693,0.00061854615,0.00044085845,0.0006921012],"domain_scores_gemma":[0.99784297,0.00019863623,0.00034570275,0.0003989205,0.0008758833,0.00033791593],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010018726,0.0003845381,0.000504413,0.0001559624,0.0008280666,0.00041079996,0.000558507,0.00061233813,0.0016430591],"category_scores_gemma":[0.00054424204,0.00034893517,0.00038081265,0.0009537493,0.0017058062,0.0012722287,0.00006395127,0.00069284707,0.00029063108],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006570851,0.00019160537,0.0058317725,0.00007137337,0.00013687377,0.000038177768,0.053031474,3.3894102e-7,0.0046663713,0.8748084,0.018169736,0.04304734],"study_design_scores_gemma":[0.0002969882,0.000049930863,0.0030613753,0.00005945637,0.00013088295,0.000013456526,0.0029224139,0.000049423463,0.00019886978,0.16151625,0.8312386,0.00046230503],"about_ca_topic_score_codex":0.005117048,"about_ca_topic_score_gemma":0.017018087,"teacher_disagreement_score":0.8130689,"about_ca_system_score_codex":0.0001566776,"about_ca_system_score_gemma":0.00049175235,"threshold_uncertainty_score":0.9998963},"labels":[],"label_agreement":null},{"id":"W1570571688","doi":"10.7202/016835ar","title":"De l’autre Amérique à la nôtre : un regard déboussolant","year":2007,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.032025079160372956,"score_gpt":0.28201890452758205,"score_spread":0.2499938253672091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570571688","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0977241,0.027210778,0.00084059103,0.023091521,0.0019051759,0.00055419863,0.00010689747,0.00038647582,0.84818023],"genre_scores_gemma":[0.8216559,0.0006139596,0.00015998038,0.010527593,0.0030289576,0.00002684817,0.00009270951,0.000046815556,0.16384722],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99558175,0.00108215,0.0008255484,0.000770811,0.00048364865,0.0012561036],"domain_scores_gemma":[0.9972615,0.00064018316,0.00045964727,0.00045689897,0.0005859362,0.0005957961],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.003034828,0.0005562078,0.0007850379,0.00019814014,0.00075427955,0.0005078179,0.0006957301,0.0010515101,0.0006867055],"category_scores_gemma":[0.0004844751,0.0004940348,0.000607488,0.0011786416,0.0013679061,0.0006660415,0.00009694583,0.00072027766,0.000098778386],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005599922,0.00038372428,0.010757878,0.0001800668,0.00049986725,0.0011975828,0.11610863,0.0000019920042,0.0013144044,0.77738464,0.037745092,0.05437013],"study_design_scores_gemma":[0.0004698067,0.000103905695,0.0034195967,0.00026204716,0.00018567914,0.000091987335,0.009670045,0.00002214065,0.00039073091,0.09805575,0.8866579,0.0006704282],"about_ca_topic_score_codex":0.0055088713,"about_ca_topic_score_gemma":0.013742481,"teacher_disagreement_score":0.8489128,"about_ca_system_score_codex":0.00031111462,"about_ca_system_score_gemma":0.00042474215,"threshold_uncertainty_score":0.99975115},"labels":[],"label_agreement":null},{"id":"W1573070017","doi":"10.7202/1008970ar","title":"Michel Longtin : éclaircies à l’aube du xxie siècle","year":2012,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.05079382804721612,"score_gpt":0.28009408692575294,"score_spread":0.22930025887853683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1573070017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17453557,0.16056609,0.00012000471,0.048028562,0.008128727,0.0007576702,0.00011795488,0.0004276625,0.60731775],"genre_scores_gemma":[0.85144943,0.001122848,0.0000732516,0.015262604,0.007743772,0.000064870306,0.00008831191,0.000047820275,0.12414707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99566644,0.0009163345,0.0007984018,0.0006476604,0.0005648835,0.0014062603],"domain_scores_gemma":[0.99738824,0.00035213554,0.0004671216,0.0004805563,0.0006514417,0.0006605292],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00148469,0.00060644955,0.00085932785,0.00016080104,0.0012195166,0.0004272228,0.0007068565,0.00072084385,0.0017418984],"category_scores_gemma":[0.0005352025,0.00054126646,0.00065464206,0.0011830948,0.0020564059,0.002030215,0.0001457663,0.0004819347,0.00058618013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002295316,0.00072854036,0.054796986,0.00025320947,0.00051490625,0.000067345274,0.1168906,0.0000011194581,0.0014628198,0.67536515,0.13390851,0.015987871],"study_design_scores_gemma":[0.00044779503,0.00008590364,0.010108879,0.00021228711,0.0003220899,0.00003480033,0.011771687,0.000021178854,0.00029884995,0.02039572,0.95544636,0.0008544609],"about_ca_topic_score_codex":0.0027295009,"about_ca_topic_score_gemma":0.0014697649,"teacher_disagreement_score":0.82153785,"about_ca_system_score_codex":0.00021734154,"about_ca_system_score_gemma":0.00021740072,"threshold_uncertainty_score":0.9997039},"labels":[],"label_agreement":null},{"id":"W1574064680","doi":"10.7202/1006362ar","title":"Table ronde de 1961 autour d’Incandescence de Pierre Mercure","year":2011,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.062128314327206474,"score_gpt":0.27831733790160923,"score_spread":0.21618902357440276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574064680","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.068904355,0.044468343,0.001286539,0.0067435033,0.0027160177,0.00079600484,0.00013054036,0.0004670875,0.87448764],"genre_scores_gemma":[0.8566124,0.0008040613,0.0007160934,0.009475581,0.0020641838,0.000081907645,0.000037782986,0.00004435739,0.13016362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959874,0.00089986384,0.0006247899,0.0007566162,0.00040939177,0.001321925],"domain_scores_gemma":[0.9978275,0.00013656399,0.00041242084,0.00046003825,0.00054998836,0.0006135153],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001306194,0.0005264891,0.0007290535,0.00013170944,0.00087482616,0.0002979124,0.0009142978,0.00079957535,0.0034608827],"category_scores_gemma":[0.0003854564,0.0004849853,0.00042490382,0.0011342976,0.0013069999,0.001050423,0.00009962739,0.00061623537,0.00013183104],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005160172,0.0005178701,0.026573855,0.00030501597,0.00062233553,0.0004370835,0.34817386,0.0000054633183,0.0026977516,0.5409976,0.060704283,0.018913288],"study_design_scores_gemma":[0.00074414996,0.0002557759,0.013182485,0.0005561877,0.0006228156,0.000073243435,0.021416826,0.00033629336,0.0008063084,0.26641908,0.69419366,0.0013931795],"about_ca_topic_score_codex":0.01889984,"about_ca_topic_score_gemma":0.0070038754,"teacher_disagreement_score":0.78770804,"about_ca_system_score_codex":0.00032621576,"about_ca_system_score_gemma":0.0011191217,"threshold_uncertainty_score":0.9997602},"labels":[],"label_agreement":null},{"id":"W1574713917","doi":"10.7202/1025058ar","title":"Dimitriu-Panaitescu, Corina (2011) : Dicţionar de francofonie canadiană. Iaşi : Editura Universitătii Alexandru Ioan Cuza, 879 p., plus CD-ROM","year":2013,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02623375196296493,"score_gpt":0.23696845320069707,"score_spread":0.21073470123773214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574713917","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62920576,0.3303332,0.00016000694,0.026021685,0.009123324,0.00046123395,0.00013943257,0.00007594364,0.0044794083],"genre_scores_gemma":[0.7125131,0.08928885,0.0024158342,0.007433203,0.0115057705,0.000038524973,0.00006851207,0.0001092193,0.176627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941877,0.0014030206,0.0008232247,0.0006863009,0.0009782378,0.0019214905],"domain_scores_gemma":[0.995897,0.0003039052,0.00058097957,0.00039838697,0.0008091217,0.0020106353],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010574701,0.00070955284,0.001204767,0.0003745862,0.0028242904,0.0010534901,0.0012862938,0.00059139176,0.017977796],"category_scores_gemma":[0.00018417575,0.000573466,0.0013120305,0.0013704406,0.0019462988,0.0026323076,0.00008412422,0.0016049545,0.000759523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001536578,0.00081736234,0.023131857,0.00029160682,0.014508472,0.0025456876,0.034901313,0.00072362163,0.00199316,0.039272398,0.5769783,0.30468255],"study_design_scores_gemma":[0.0009429967,0.00025249622,0.090343304,0.000112080656,0.0049318974,0.0005011973,0.004976352,0.000081853264,0.000028085984,0.017960945,0.87900406,0.00086471287],"about_ca_topic_score_codex":0.061760485,"about_ca_topic_score_gemma":0.0544211,"teacher_disagreement_score":0.30381784,"about_ca_system_score_codex":0.0012594498,"about_ca_system_score_gemma":0.0010452311,"threshold_uncertainty_score":0.9999835},"labels":[],"label_agreement":null},{"id":"W1575026598","doi":"","title":"L’opéra contemporain au Québec : pari impossible à relever ?","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Art; Humanities","score_opus":0.009921362065073559,"score_gpt":0.1873425876250525,"score_spread":0.17742122555997894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575026598","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48547846,0.10436291,0.000025977857,0.332756,0.001043039,0.00044614795,0.000047511552,0.00013088914,0.07570902],"genre_scores_gemma":[0.36290792,0.0017733022,0.00015224218,0.0038294352,0.0005921525,0.000011722202,0.000027571698,0.000018925099,0.6306867],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974914,0.00038634642,0.00028728272,0.00052688475,0.00038216994,0.0009259049],"domain_scores_gemma":[0.9983887,0.00015134852,0.00027308345,0.00035475814,0.00027533068,0.0005567452],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031213247,0.00033844143,0.00047383184,0.00008870088,0.0020638888,0.00012151303,0.0005555655,0.0005194723,0.003636622],"category_scores_gemma":[0.00006265826,0.0003206301,0.00043748328,0.0009302014,0.0006843569,0.0009884142,0.00022049803,0.00037756044,0.001945828],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046546997,0.00018157414,0.0074085384,0.000043994623,0.0004971783,0.00050818996,0.021604352,0.000024915684,0.00044405658,0.09819306,0.8249383,0.04610927],"study_design_scores_gemma":[0.0005860602,0.00009692783,0.0040075057,0.000046636713,0.00029704112,0.000040097875,0.010847421,0.00024615758,0.000022642645,0.0026254756,0.9807591,0.0004249341],"about_ca_topic_score_codex":0.885118,"about_ca_topic_score_gemma":0.9672039,"teacher_disagreement_score":0.5549777,"about_ca_system_score_codex":0.009636014,"about_ca_system_score_gemma":0.00051483186,"threshold_uncertainty_score":0.9999246},"labels":[],"label_agreement":null},{"id":"W1576270128","doi":"10.15210/interfaces.v11i1.7094","title":"TRANSCULTURALITÉ ET TRANSDISCIPLINARITÉ: LE CANADA ET LES AMÉRIQUES","year":2012,"lang":"fr","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interculturality; Humanities; Sociology; Context (archaeology); Multiculturalism; Plural; Reflexivity; Philosophy; Anthropology; Linguistics; Geography","score_opus":0.02928128305115481,"score_gpt":0.27161724487724953,"score_spread":0.2423359618260947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1576270128","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096609436,0.03313486,0.0006449906,0.5206775,0.0050701774,0.00078761124,0.00040747153,0.0003807949,0.34228718],"genre_scores_gemma":[0.98303086,0.001102981,0.0010332405,0.0037802544,0.0020254608,0.00015157186,0.00038206394,0.000052384734,0.008441173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932801,0.0023398947,0.0008978947,0.0007905819,0.0011832032,0.0015083178],"domain_scores_gemma":[0.9970966,0.00039120347,0.00039157967,0.00043768456,0.0006106061,0.0010723302],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0015514407,0.00070405926,0.00076984183,0.00017846502,0.002053542,0.00046116172,0.00081829104,0.0010852095,0.00019553183],"category_scores_gemma":[0.0002715175,0.00061823335,0.00057551084,0.0012426525,0.00013677338,0.0019547273,0.00012143164,0.0013377058,0.000011980631],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071446164,0.0007335898,0.00050831586,0.00012748715,0.0003606334,0.00006255199,0.03575249,0.0000559333,0.0007209031,0.95154727,0.0073185954,0.0027407596],"study_design_scores_gemma":[0.0006864045,0.00005000551,0.007112161,0.00017300309,0.0002672884,0.00032540274,0.009012377,0.000042419277,0.00029577455,0.0009262161,0.9803118,0.0007971529],"about_ca_topic_score_codex":0.009375454,"about_ca_topic_score_gemma":0.6722671,"teacher_disagreement_score":0.9729932,"about_ca_system_score_codex":0.0009686713,"about_ca_system_score_gemma":0.0023530982,"threshold_uncertainty_score":0.9996269},"labels":[],"label_agreement":null},{"id":"W1578556762","doi":"10.7202/038069ar","title":"Jacques Beaudry, La fatigue d’être : Saint-Denys Garneau, Claude Gauvreau, Hubert Aquin, Montréal, Éditions Hurtubise HMH ltée, 2008, 140p. (Constantes.)","year":2009,"lang":"fr","type":"article","venue":"Recherches sociographiques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art","score_opus":0.06900127873446127,"score_gpt":0.3369111046686231,"score_spread":0.26790982593416185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578556762","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15179826,0.51209146,0.0003830882,0.18091881,0.0017589412,0.0016494112,0.0008139579,0.0015952,0.14899087],"genre_scores_gemma":[0.6798391,0.23035891,0.0059615383,0.02134184,0.004160998,0.0002579843,0.00065999094,0.00015289232,0.057266794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902258,0.004374724,0.001266357,0.0014042668,0.00093179854,0.0017970479],"domain_scores_gemma":[0.9950706,0.0015938418,0.00065816403,0.000813461,0.0010088565,0.0008551066],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.002555666,0.001143689,0.0014047814,0.0006538462,0.0020092716,0.0009030645,0.0010852582,0.0029010463,0.0012638187],"category_scores_gemma":[0.00068762107,0.0010539825,0.0021389301,0.0039689085,0.0036571857,0.0015458345,0.00012540708,0.0022701179,0.0001439662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011524114,0.0022337222,0.012992699,0.00018996319,0.001912159,0.00024061026,0.054414164,0.000018085588,0.0017355924,0.16559115,0.6790695,0.08148708],"study_design_scores_gemma":[0.0010222642,0.0007313268,0.0300149,0.0011151239,0.0019703466,0.00006555275,0.013382603,0.000105969586,0.00060277566,0.26652893,0.6820274,0.002432801],"about_ca_topic_score_codex":0.09111527,"about_ca_topic_score_gemma":0.06602313,"teacher_disagreement_score":0.52804077,"about_ca_system_score_codex":0.001946354,"about_ca_system_score_gemma":0.00042862594,"threshold_uncertainty_score":0.99964917},"labels":[],"label_agreement":null},{"id":"W1578949814","doi":"10.7202/1017207ar","title":"Le sahabi de Sonde : évolution d’une source sonore","year":2013,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.030271360913158626,"score_gpt":0.2551624098432073,"score_spread":0.2248910489300487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578949814","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2903039,0.024148175,0.001560156,0.07889108,0.0020524124,0.0010268738,0.000035028865,0.00043979194,0.6015426],"genre_scores_gemma":[0.8171685,0.00020000481,0.00012411486,0.009311469,0.0026378413,0.00012361974,0.000063339496,0.00003545148,0.17033571],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996576,0.0007769213,0.0006179187,0.0006647875,0.00037587853,0.0009884766],"domain_scores_gemma":[0.99791497,0.00019494789,0.0003812264,0.00038068637,0.00069239916,0.00043576094],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006779948,0.0004382405,0.0006348179,0.00013085306,0.0011073587,0.00055716257,0.0005712738,0.0006845291,0.0011702611],"category_scores_gemma":[0.000298638,0.0004163486,0.0005027196,0.001086915,0.001549112,0.0013900404,0.000084818144,0.00044726237,0.0004649686],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011795438,0.00039145796,0.009275351,0.00018734323,0.00038403264,0.00002870524,0.102669984,0.0000175286,0.0035969545,0.7110922,0.10923126,0.06311339],"study_design_scores_gemma":[0.00047963302,0.00009805296,0.0057010874,0.00016694136,0.00015534458,0.000018432598,0.020903472,0.00038912724,0.00011326419,0.19751401,0.7737864,0.00067418686],"about_ca_topic_score_codex":0.08035643,"about_ca_topic_score_gemma":0.015508651,"teacher_disagreement_score":0.6645552,"about_ca_system_score_codex":0.00026775867,"about_ca_system_score_gemma":0.00068670727,"threshold_uncertainty_score":0.9998288},"labels":[],"label_agreement":null},{"id":"W1579463154","doi":"","title":"L'enjeu des communautés en sociomusicologie : Le cas du projet de recherche sur le développement des publics de la musique au Québec","year":2014,"lang":"fr","type":"article","venue":"MUSICultures","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université Laval; Université de Montréal","funders":"","keywords":"Humanities; Musical; Sociology; Context (archaeology); Political science; General partnership; Realm; Library science; Media studies; Art; Visual arts; History; Law","score_opus":0.16806966661014347,"score_gpt":0.3640185060208463,"score_spread":0.19594883941070282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579463154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8466411,0.0052596563,0.00067135744,0.10618936,0.00065778336,0.0004716384,0.000026912614,0.0002504216,0.039831758],"genre_scores_gemma":[0.9475299,0.0012838633,0.014165221,0.020376306,0.0022487016,0.00020875034,0.00006595737,0.000048083053,0.014073218],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9852875,0.011732669,0.00054199283,0.00062363717,0.0004134742,0.0014007255],"domain_scores_gemma":[0.9961092,0.0021094726,0.0002954543,0.00040902,0.00064365426,0.00043322425],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.008822064,0.0005611544,0.00066405593,0.00009712788,0.0032553275,0.00085567124,0.0011246781,0.0017279609,0.00029701547],"category_scores_gemma":[0.00422095,0.00043369096,0.0005058698,0.0011210722,0.00349022,0.0007738364,0.00036031884,0.0013767595,0.000040563285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042587337,0.0014439669,0.042386293,0.0003083413,0.0006544991,0.00004065207,0.6132843,0.00020796062,0.005276146,0.08250179,0.16519004,0.08866345],"study_design_scores_gemma":[0.0008928583,0.00018218724,0.14562763,0.00015604163,0.00037611366,0.00005044012,0.034137204,0.00020642093,0.0013790852,0.068649,0.74750113,0.0008418656],"about_ca_topic_score_codex":0.4434961,"about_ca_topic_score_gemma":0.77677155,"teacher_disagreement_score":0.5823111,"about_ca_system_score_codex":0.0049210456,"about_ca_system_score_gemma":0.005172343,"threshold_uncertainty_score":0.9998115},"labels":[],"label_agreement":null},{"id":"W1580026901","doi":"","title":"On Milan Kundera’s Fascination With Novel Ethics","year":2014,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Style (visual arts); Philosophy; Literature; Aesthetics; Art","score_opus":0.03380589211335508,"score_gpt":0.34845303652085124,"score_spread":0.3146471444074962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1580026901","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.805893,0.03166961,0.00009921026,0.015625231,0.00082704175,0.00042575976,0.000043617067,0.00012799558,0.14528853],"genre_scores_gemma":[0.986533,0.00027436778,0.00020375797,0.009036274,0.00040819164,0.000012451428,0.000021938806,0.0000050226254,0.0035050106],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907273,0.00017696382,0.000104464525,0.00023055944,0.00022069439,0.00019457952],"domain_scores_gemma":[0.99937236,0.00031225395,0.000044737513,0.00010012797,0.00012752948,0.00004295914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005474569,0.000119739074,0.00018901407,0.00007961949,0.00042074698,0.00012845839,0.000084621264,0.00016061755,0.000011859795],"category_scores_gemma":[0.00042399767,0.00007200136,0.000031294563,0.000401844,0.0002678655,0.00014808359,0.000023735593,0.00040045092,0.000001463191],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040095438,0.000056739977,0.00060236215,0.00006623192,0.00008042611,0.000018138328,0.6822126,0.0000052178,0.00015173394,0.31187275,0.002357479,0.0025362321],"study_design_scores_gemma":[0.004374484,0.0012974108,0.016108569,0.0022992182,0.000295291,0.00002403874,0.42043996,0.000106799416,0.00018898492,0.045212846,0.5079974,0.001655038],"about_ca_topic_score_codex":0.00010844766,"about_ca_topic_score_gemma":0.007362989,"teacher_disagreement_score":0.5056399,"about_ca_system_score_codex":0.000029506,"about_ca_system_score_gemma":0.000015924035,"threshold_uncertainty_score":0.41087204},"labels":[],"label_agreement":null},{"id":"W1584143642","doi":"","title":"P.K. Page e Pablo Neruda: um diálogo intertextual e metapoético","year":2009,"lang":"pt","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intertextuality; Praise; Theme (computing); Poetry; Literature; Creativity; Art; Philosophy; Computer science; Political science; Law","score_opus":0.03160538745927976,"score_gpt":0.2945249875902663,"score_spread":0.26291960013098653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1584143642","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21881987,0.011025394,0.00024743009,0.080838405,0.0040348503,0.00084597035,0.00006817041,0.0005448846,0.68357503],"genre_scores_gemma":[0.7492749,0.00020968624,0.00008037078,0.029375352,0.0010671075,0.000006695022,0.000032098553,0.000009877731,0.21994391],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963031,0.0005909541,0.0007103791,0.0007697942,0.00065175036,0.00097406213],"domain_scores_gemma":[0.9984597,0.00016228517,0.00025442042,0.00041677034,0.0002755739,0.00043125296],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006639452,0.00048073978,0.00083398214,0.00013642071,0.00088780903,0.00072863523,0.0008138161,0.0005286248,0.008949811],"category_scores_gemma":[0.00021842355,0.0003152556,0.0007501911,0.0013044595,0.0003809231,0.0006823741,0.000105500985,0.00052436086,0.001126046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116693,0.0012748982,0.0021487225,0.000035264016,0.0011625186,0.00011842027,0.047100835,0.0000061178694,0.0051426757,0.24187537,0.6065932,0.09442527],"study_design_scores_gemma":[0.0012729358,0.0009961642,0.017705495,0.00008180595,0.0016227104,0.000011525183,0.054739695,0.00043326727,0.000531723,0.011235425,0.9095742,0.0017950399],"about_ca_topic_score_codex":0.00079131685,"about_ca_topic_score_gemma":0.005684804,"teacher_disagreement_score":0.53045505,"about_ca_system_score_codex":0.00010582123,"about_ca_system_score_gemma":0.00010449505,"threshold_uncertainty_score":0.99992996},"labels":[],"label_agreement":null},{"id":"W1589946018","doi":"","title":"Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition","year":2017,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Exposition (narrative); Humanities; Literature","score_opus":0.10311561275963635,"score_gpt":0.4717472081913082,"score_spread":0.3686315954316719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589946018","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7907443,0.12665585,0.00027021518,0.03565015,0.0034197061,0.0008327525,0.00044905645,0.00007695681,0.041901007],"genre_scores_gemma":[0.9387125,0.036620397,0.00027757214,0.0026930165,0.0013996531,0.000064396154,0.00008656053,0.00006719691,0.020078707],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9927107,0.0033338987,0.0011388197,0.0007874109,0.0010596401,0.00096950255],"domain_scores_gemma":[0.99502933,0.0005996829,0.0022279622,0.0008365527,0.00061845797,0.0006880205],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0043806816,0.00063400296,0.0013573247,0.00038533626,0.0034567178,0.0076222545,0.0046469737,0.0007614897,0.0059381616],"category_scores_gemma":[0.00095116155,0.0005671573,0.000820857,0.0008687911,0.0013956167,0.0068550794,0.00094951945,0.0012590978,0.000040543317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000930067,0.0020425315,0.25847298,0.00047407908,0.0023665258,0.0010592537,0.042217102,0.00051522785,0.07371408,0.042381138,0.46643788,0.10938915],"study_design_scores_gemma":[0.0012390893,0.000045991685,0.4811824,0.0012385483,0.00064128265,0.000084312334,0.0034806293,0.00019887039,0.0015974889,0.039471243,0.46966177,0.0011583838],"about_ca_topic_score_codex":0.16069354,"about_ca_topic_score_gemma":0.06348021,"teacher_disagreement_score":0.22270942,"about_ca_system_score_codex":0.0013468115,"about_ca_system_score_gemma":0.0005144491,"threshold_uncertainty_score":0.999678},"labels":[],"label_agreement":null},{"id":"W1590812946","doi":"10.7202/019139ar","title":"Dossier enquête : Pulau Dewata : des arrangements raisonnables ?","year":2008,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.09169123042375177,"score_gpt":0.29432466989235057,"score_spread":0.2026334394685988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1590812946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46393642,0.10563765,0.00020896767,0.007186383,0.0033865594,0.00095836975,0.00014789926,0.0003440794,0.41819367],"genre_scores_gemma":[0.78142583,0.0026694827,0.00016101413,0.0057022884,0.0030786071,0.000101561236,0.0001179186,0.00004697584,0.20669635],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955211,0.000848742,0.0008387556,0.0009247633,0.0006707589,0.0011958515],"domain_scores_gemma":[0.9974798,0.00018512506,0.00044145668,0.00055065413,0.0008421266,0.00050085806],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007908864,0.00063693913,0.0009019173,0.0001960722,0.0021636018,0.0004034218,0.0008502956,0.00057674723,0.0025353609],"category_scores_gemma":[0.0004038069,0.000561848,0.0006058671,0.0016934273,0.0038453504,0.0016194539,0.00013493623,0.00040700415,0.00027400494],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009938657,0.0012563064,0.09825336,0.00066165166,0.0019495679,0.0012165327,0.42118275,0.000004958464,0.0029186022,0.25517628,0.1331612,0.0841194],"study_design_scores_gemma":[0.0007402143,0.00012434022,0.009401807,0.00031283093,0.00024978054,0.00005629325,0.0055956994,0.000024263642,0.00015918816,0.05521986,0.9272591,0.0008566626],"about_ca_topic_score_codex":0.005219334,"about_ca_topic_score_gemma":0.0035218152,"teacher_disagreement_score":0.79409784,"about_ca_system_score_codex":0.00026164975,"about_ca_system_score_gemma":0.00035882462,"threshold_uncertainty_score":0.9996833},"labels":[],"label_agreement":null},{"id":"W1591777609","doi":"10.4000/books.pupo.518","title":"Le livre cubique : enjeux métafictionnels et auto-commentaires critiques chez Kundera","year":2007,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Paris Nanterre eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art","score_opus":0.039324546593324815,"score_gpt":0.2928459270595069,"score_spread":0.2535213804661821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1591777609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015922454,0.008985268,0.0021437574,0.02217047,0.0011477392,0.00070216774,0.00026425792,0.00045700936,0.9625371],"genre_scores_gemma":[0.8705526,0.0034749974,0.0004448472,0.0057652975,0.00096873305,0.000015091788,0.00023073444,0.000091287584,0.11845643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956191,0.0006194213,0.0007794214,0.0011428825,0.00068384426,0.0011553258],"domain_scores_gemma":[0.9970153,0.0006114449,0.00065320777,0.0005580011,0.00061388937,0.0005481882],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063268887,0.0009857789,0.0010608822,0.00045593205,0.0021975203,0.000717454,0.0011898946,0.0015690422,0.0015853483],"category_scores_gemma":[0.000078928504,0.0010114632,0.0010232449,0.00016551452,0.0019116146,0.0010671725,0.00055165176,0.0014465158,0.000111109744],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018784952,0.00024280898,0.0009683789,0.0002465255,0.0014714608,0.0004214179,0.018540252,0.00002788208,0.00017046276,0.92813396,0.022172786,0.027416194],"study_design_scores_gemma":[0.0006865844,0.0002264914,0.00029585234,0.0010668973,0.0009847886,0.0000522109,0.013325479,0.00013376161,0.00038672693,0.056349657,0.925239,0.0012525442],"about_ca_topic_score_codex":0.008192715,"about_ca_topic_score_gemma":0.010577676,"teacher_disagreement_score":0.9030662,"about_ca_system_score_codex":0.00058399787,"about_ca_system_score_gemma":0.0008066332,"threshold_uncertainty_score":0.99972713},"labels":[],"label_agreement":null},{"id":"W1592740131","doi":"10.7202/1027611ar","title":"Trajectoire d’une connexion : Romitelli/Montréal","year":2014,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03330804899745719,"score_gpt":0.2575754118204707,"score_spread":0.22426736282301352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592740131","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10178094,0.052578088,0.000724945,0.042210948,0.005093269,0.00076529064,0.00006591307,0.00043010103,0.7963505],"genre_scores_gemma":[0.8678706,0.00062797044,0.000055736567,0.011257895,0.004405881,0.00004844378,0.00010821635,0.000045226305,0.11557998],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99558127,0.0012823702,0.00083353475,0.0008794085,0.000529288,0.00089410704],"domain_scores_gemma":[0.9975184,0.0004500859,0.00047489468,0.00050517614,0.000604417,0.00044703303],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011597958,0.00058906677,0.0009820979,0.00015374628,0.0010274113,0.00042213622,0.00062272116,0.00077704905,0.00092066627],"category_scores_gemma":[0.000426748,0.00052294706,0.0006588224,0.0012633592,0.0014770948,0.0008947446,0.000068948255,0.00050166645,0.00034113807],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003572686,0.00026945284,0.0011958644,0.00014851814,0.00030553812,0.000055901848,0.054930598,0.000006065533,0.00076719944,0.82449853,0.027732825,0.09005377],"study_design_scores_gemma":[0.0006362391,0.00021794089,0.00081015046,0.00020935708,0.00024226715,0.00001697381,0.0058712135,0.00027792738,0.000106955245,0.13594726,0.85496116,0.0007025904],"about_ca_topic_score_codex":0.014667835,"about_ca_topic_score_gemma":0.01594602,"teacher_disagreement_score":0.8272283,"about_ca_system_score_codex":0.00016714846,"about_ca_system_score_gemma":0.00017396775,"threshold_uncertainty_score":0.9999926},"labels":[],"label_agreement":null},{"id":"W159295757","doi":"10.7202/1064472ar","title":"La scène lieu ultime des dépassements en tous genres ? L’exemple de Valère Novarina","year":2008,"lang":"fr","type":"article","venue":"Sens public","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.042437639147765514,"score_gpt":0.2940513922206776,"score_spread":0.2516137530729121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W159295757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9181649,0.0075778267,0.000031462754,0.011642315,0.00078747777,0.0001917455,0.00004994732,0.00012960848,0.06142471],"genre_scores_gemma":[0.9299407,0.0012389831,0.0014803349,0.0025577229,0.0016260173,0.000015980719,0.000059062404,0.000022745558,0.063058436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99663246,0.00097644934,0.00034437125,0.00048670324,0.00047853138,0.0010814767],"domain_scores_gemma":[0.99858636,0.00022922912,0.00014832092,0.00028337695,0.00034585112,0.0004068519],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007658503,0.00030069269,0.00037941243,0.00013673876,0.0014317032,0.00037161948,0.0005062844,0.0005061292,0.0015320748],"category_scores_gemma":[0.00038810488,0.00026262325,0.00028110007,0.001389492,0.001259567,0.000752603,0.0001478614,0.0004299752,0.00048403916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056752473,0.0024817372,0.10023154,0.0002634587,0.0022224362,0.0014421232,0.2311454,0.00005058734,0.004853127,0.082500026,0.3158783,0.2588745],"study_design_scores_gemma":[0.0004351769,0.00013274487,0.03246846,0.000032103235,0.00018440973,0.00018347634,0.0066952794,0.00013970683,0.0001279132,0.0029600502,0.95617944,0.0004612099],"about_ca_topic_score_codex":0.0067336494,"about_ca_topic_score_gemma":0.004860993,"teacher_disagreement_score":0.64030117,"about_ca_system_score_codex":0.00033030662,"about_ca_system_score_gemma":0.00032917227,"threshold_uncertainty_score":0.9999826},"labels":[],"label_agreement":null},{"id":"W1593233001","doi":"10.7202/1000524ar","title":"De l’inanimé à l’Anima. Le fil conducteur entre l’acteur et le spectateur chez Denis Marleau","year":2011,"lang":"fr","type":"article","venue":"Globe Revue internationale d’études québécoises","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04661629093946635,"score_gpt":0.2644696244955962,"score_spread":0.21785333355612985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593233001","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3902667,0.014114056,0.00005455904,0.035954516,0.0021263738,0.00038823546,0.00036137804,0.0001899413,0.55654424],"genre_scores_gemma":[0.8545491,0.0026985402,0.0008030457,0.004896057,0.0014019598,0.000055367767,0.000139541,0.00004736269,0.13540901],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996137,0.0007063423,0.0007346282,0.0008375217,0.00066641025,0.00091806316],"domain_scores_gemma":[0.99761665,0.00028942933,0.0005138366,0.00034874454,0.00084065244,0.00039070597],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008043076,0.00052246515,0.0006173908,0.00017355179,0.00053392997,0.00042086525,0.0012101489,0.00043336034,0.0048573664],"category_scores_gemma":[0.000642727,0.0005264031,0.00060278515,0.00070214475,0.0008034591,0.0012271256,0.00024209442,0.0005505246,0.0006128425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079488476,0.001133149,0.008641661,0.00011563743,0.0007402601,0.00026862757,0.023841012,0.000017027547,0.0015102131,0.9348873,0.021792391,0.006973248],"study_design_scores_gemma":[0.0006926799,0.00014748487,0.013827895,0.00030160794,0.0002674558,0.00019025788,0.014754291,0.00011423634,0.001019706,0.008584057,0.9593598,0.0007405247],"about_ca_topic_score_codex":0.14433461,"about_ca_topic_score_gemma":0.277681,"teacher_disagreement_score":0.9375674,"about_ca_system_score_codex":0.0004985838,"about_ca_system_score_gemma":0.0012319474,"threshold_uncertainty_score":0.9997187},"labels":[],"label_agreement":null},{"id":"W1594020444","doi":"10.3138/tric.25.1_2.184","title":"Self-Portrait of the Artist as Radical Feminist in Experimental Theatre: <i>Joie</i> by Pol Pelletier","year":2004,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02646231869956443,"score_gpt":0.3211566555453748,"score_spread":0.29469433684581037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594020444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49368012,0.034491323,1.3264454e-7,0.07615281,0.0008878048,0.0007829769,0.00017996214,0.000011936455,0.39381292],"genre_scores_gemma":[0.9945535,0.00040525384,0.000029658018,0.0020607233,0.0003057652,0.000032583575,0.000013699404,0.00001757754,0.0025812606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99457943,0.0013908737,0.0005509546,0.00048654882,0.0017778544,0.0012143399],"domain_scores_gemma":[0.9988016,0.00026334173,0.000096620584,0.00038470203,0.000068055066,0.0003857148],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014180088,0.0002451968,0.00044242048,0.000104058796,0.0004848712,0.000085367916,0.0009234069,0.00024928988,0.0010369793],"category_scores_gemma":[0.000015885764,0.00017473893,0.0001692961,0.0024048514,0.0019157949,0.00013482581,0.0001813923,0.0011265463,0.000023352566],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00070957065,0.0069099516,0.06138604,0.0006104182,0.0008296224,0.0023286594,0.09785833,0.00034319772,0.012550797,0.13094896,0.5874062,0.09811823],"study_design_scores_gemma":[0.0011275852,0.00018476299,0.00033732408,0.00023938584,0.00002992607,0.000027404969,0.042630356,0.000023896057,0.005365877,0.0045875083,0.94511926,0.00032674024],"about_ca_topic_score_codex":0.9840495,"about_ca_topic_score_gemma":0.98797286,"teacher_disagreement_score":0.5008733,"about_ca_system_score_codex":0.0034853069,"about_ca_system_score_gemma":0.00821911,"threshold_uncertainty_score":0.9998762},"labels":[],"label_agreement":null},{"id":"W1595063450","doi":"","title":"Cinéma québécois 2012 : Ce qu’il reste de nous","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.0071420500290820515,"score_gpt":0.1777133943867575,"score_spread":0.17057134435767546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595063450","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52164996,0.1862425,0.000046087775,0.22866496,0.0011158942,0.00037779476,0.00006682647,0.00014934073,0.061686616],"genre_scores_gemma":[0.2711335,0.017268648,0.00051573094,0.007113128,0.0011785984,0.000015218979,0.000034343477,0.00003211387,0.7027087],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974414,0.00040602926,0.00023344433,0.0004958689,0.00038145648,0.0010417958],"domain_scores_gemma":[0.99839157,0.00013509778,0.00022773488,0.0003695565,0.0002767729,0.0005992769],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027761312,0.00032551907,0.00042211654,0.00012559124,0.0015743909,0.00011370445,0.0006221592,0.0005530476,0.00367826],"category_scores_gemma":[0.00004994135,0.00032240502,0.000399046,0.0009981847,0.00047015358,0.0010406733,0.00021353137,0.0004005743,0.0018436888],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004446553,0.00020030915,0.0013488017,0.000044099932,0.00040802266,0.0007955244,0.032586534,0.000075714655,0.0010069371,0.08353855,0.81161976,0.06833127],"study_design_scores_gemma":[0.00041391808,0.00010647116,0.0045860196,0.000041618638,0.0004336026,0.000087556415,0.016640972,0.00027604343,0.00002903284,0.0030553974,0.9739182,0.00041117432],"about_ca_topic_score_codex":0.44248852,"about_ca_topic_score_gemma":0.81141937,"teacher_disagreement_score":0.6410221,"about_ca_system_score_codex":0.004616734,"about_ca_system_score_gemma":0.00020132323,"threshold_uncertainty_score":0.9999228},"labels":[],"label_agreement":null},{"id":"W1595772676","doi":"","title":"Brutal comme le soleil dans les yeux. Robert Richard, Vers l’éblouissement. Gilles Tremblay et la musique contemporaine, Montréal, Nota Bene, Coll. Nouveaux essais Spirale, 2013, 193 pagesRobert Richard, Vers l’éblouissement. Gilles Tremblay et la musique contemporaine, Montréal, Nota Bene, Coll. Nouveaux essais Spirale, 2013, 193 pages","year":2014,"lang":"fr","type":"article","venue":"Les cahiers de lecture de l'Action nationale","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.016066675886994817,"score_gpt":0.26463604385586625,"score_spread":0.24856936796887144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595772676","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29599312,0.0806536,0.017613148,0.37632266,0.006682994,0.008594644,0.0058304328,0.001801268,0.20650814],"genre_scores_gemma":[0.8813709,0.032369323,0.0032089974,0.025345327,0.0018076011,0.000912242,0.0035141103,0.00036168972,0.051109817],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.985098,0.005555765,0.0023226442,0.002473916,0.0023136963,0.0022359525],"domain_scores_gemma":[0.99045616,0.0031610024,0.002241424,0.0011658944,0.0017735538,0.0012019345],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0039431793,0.0022070159,0.0023664406,0.0010890813,0.0038157918,0.001055414,0.0016897714,0.0033277846,0.0007515407],"category_scores_gemma":[0.0013133358,0.0021632437,0.0016567615,0.0029745225,0.0023422688,0.0020546922,0.0003234319,0.003037964,0.00008764728],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011375776,0.003074496,0.014364768,0.00055369944,0.0036373264,0.00028614403,0.028696744,0.01813741,0.01188083,0.052813407,0.85752875,0.00788883],"study_design_scores_gemma":[0.006398333,0.00056620454,0.009162728,0.0003910111,0.0011013964,0.00010256454,0.011634803,0.0040598772,0.0011375531,0.002375185,0.96061957,0.0024507518],"about_ca_topic_score_codex":0.09881581,"about_ca_topic_score_gemma":0.43967882,"teacher_disagreement_score":0.58537775,"about_ca_system_score_codex":0.002249731,"about_ca_system_score_gemma":0.0013272504,"threshold_uncertainty_score":0.9999816},"labels":[],"label_agreement":null},{"id":"W1595825791","doi":"10.7202/902396ar","title":"La création pour jeune public : camaïeu de styles musicaux","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.050764910518727065,"score_gpt":0.29539984844771483,"score_spread":0.24463493792898777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595825791","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4497571,0.005765484,0.0002453016,0.049581993,0.0024743893,0.0004382549,0.00006949672,0.000292227,0.49137574],"genre_scores_gemma":[0.906449,0.00021488612,0.00017369531,0.0074254344,0.0043722447,0.000073768584,0.00010349693,0.0000405499,0.08114691],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960484,0.0012432035,0.0006384484,0.00070310663,0.00047371423,0.00089313573],"domain_scores_gemma":[0.9970727,0.0005373194,0.00045434776,0.00046472566,0.0009616037,0.00050929416],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019017567,0.00046274014,0.0006110542,0.00023166767,0.00080949103,0.00085898786,0.0007099719,0.0010275606,0.001899103],"category_scores_gemma":[0.0013948132,0.0004217135,0.00045411865,0.0011765166,0.0016318015,0.0012946549,0.00009070574,0.00095515366,0.0001697095],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007804449,0.00032811315,0.008502761,0.000091068556,0.00022267431,0.00007616831,0.045476757,5.1722833e-7,0.010112645,0.8693811,0.021754155,0.044046227],"study_design_scores_gemma":[0.00047267234,0.000056236004,0.0062634908,0.000085873464,0.00018203892,0.000039969847,0.012277154,0.00014183678,0.0001831314,0.108639926,0.87103665,0.0006210058],"about_ca_topic_score_codex":0.003402981,"about_ca_topic_score_gemma":0.015974438,"teacher_disagreement_score":0.8492825,"about_ca_system_score_codex":0.0001576043,"about_ca_system_score_gemma":0.00083437865,"threshold_uncertainty_score":0.99982345},"labels":[],"label_agreement":null},{"id":"W1595997452","doi":"10.7202/1006357ar","title":"La musique de Pierre Mercure à l’affiche de spectacles de danse","year":2011,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.0687616613639351,"score_gpt":0.28764179215509583,"score_spread":0.21888013079116073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595997452","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34859964,0.026911307,0.00071721687,0.004851417,0.00094970525,0.0004789711,0.00007508404,0.0003586929,0.617058],"genre_scores_gemma":[0.95151275,0.0013548543,0.00071442727,0.010401896,0.0023014655,0.000085293526,0.000039210445,0.000065858374,0.033524223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99448234,0.0024083394,0.00065503654,0.0007654338,0.0003530556,0.0013357704],"domain_scores_gemma":[0.9976338,0.00037195385,0.0003906721,0.00048121033,0.00044323262,0.0006791008],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023148546,0.00059917587,0.00076907285,0.0001718158,0.00068277185,0.00031560793,0.0009180481,0.0012154714,0.0015471978],"category_scores_gemma":[0.00060880365,0.00055686204,0.0006274929,0.00097560603,0.0018484681,0.00075175223,0.0000971025,0.00086800975,0.00007365098],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004596958,0.00046411296,0.0152561795,0.00020089698,0.00047169405,0.00067700463,0.46442568,0.0000021483297,0.002487545,0.4869142,0.014558608,0.014495976],"study_design_scores_gemma":[0.0007369833,0.0002208517,0.014632573,0.00051979936,0.00072802656,0.000265693,0.042980473,0.00013591052,0.0012113656,0.27140164,0.66580236,0.0013643062],"about_ca_topic_score_codex":0.010429462,"about_ca_topic_score_gemma":0.011108124,"teacher_disagreement_score":0.65124375,"about_ca_system_score_codex":0.0005182142,"about_ca_system_score_gemma":0.0010867371,"threshold_uncertainty_score":0.99968827},"labels":[],"label_agreement":null},{"id":"W1596854875","doi":"10.7202/004705ar","title":"L’écriture à haute voix : « Lonely Child » de Claude Vivier","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04537451163569458,"score_gpt":0.2675216730287679,"score_spread":0.2221471613930733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596854875","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034094483,0.12843785,0.00010454504,0.09705269,0.0032124887,0.0006391327,0.00017890471,0.00033961266,0.7359403],"genre_scores_gemma":[0.73475,0.0021595384,0.00006236101,0.0297315,0.0046071038,0.000051167273,0.000058112048,0.000048500977,0.22853173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955736,0.0009266826,0.00076576794,0.0009144963,0.00057146384,0.0012480211],"domain_scores_gemma":[0.99773693,0.00018463228,0.0004086533,0.00054914417,0.00053907745,0.0005815579],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079023954,0.0006518104,0.00092341617,0.00017742935,0.0012207389,0.00057849335,0.0008351559,0.0010282283,0.0052389484],"category_scores_gemma":[0.00036574996,0.0005867462,0.000752741,0.001321509,0.0014331981,0.0011034046,0.000100282174,0.0009013704,0.0005384769],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015877798,0.000817436,0.0057643047,0.00031882324,0.0009008987,0.00047126788,0.19147988,0.00000983942,0.0006363042,0.5021491,0.25499475,0.04244153],"study_design_scores_gemma":[0.0004972294,0.00009600543,0.0020418905,0.00034810763,0.00032566552,0.0000648522,0.0031703606,0.00018785747,0.00007561694,0.031608086,0.9607695,0.0008148719],"about_ca_topic_score_codex":0.002232927,"about_ca_topic_score_gemma":0.0024324444,"teacher_disagreement_score":0.70577466,"about_ca_system_score_codex":0.00024430524,"about_ca_system_score_gemma":0.00012049655,"threshold_uncertainty_score":0.9996584},"labels":[],"label_agreement":null},{"id":"W1596985946","doi":"10.3138/tric.23.1_2.130","title":"Checklist Addendum 2003: Additions to the 2002 Checklist","year":2002,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Addendum; Checklist; Pleasure; Psychology; Library science; Computer science; Philosophy; Cognitive psychology; Linguistics; Psychotherapist","score_opus":0.07651274249326959,"score_gpt":0.33701634864554003,"score_spread":0.2605036061522704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596985946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004029182,0.002007127,5.604235e-7,0.078112274,0.0005050858,0.00048381358,0.00021977759,0.00002260075,0.91461957],"genre_scores_gemma":[0.9160439,0.00029966934,0.000031274547,0.0045535495,0.0014850447,0.00018174427,0.000028508095,0.000012904416,0.077363424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965721,0.0007815536,0.0002114723,0.00030772877,0.0011777773,0.0009493863],"domain_scores_gemma":[0.9986335,0.00025583897,0.000028031383,0.0003670773,0.00032525536,0.00039031825],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012030994,0.000119554206,0.00017827112,0.00010352886,0.0013571801,0.0002009056,0.0008018922,0.00008154349,0.011024028],"category_scores_gemma":[0.00014612748,0.000079498765,0.000051326526,0.0035975794,0.00032560228,0.00014319067,0.00009198191,0.00062073965,0.0003387173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004059619,0.000028912353,0.000292102,0.0000036241827,0.000017256474,0.00003984291,0.0017071862,0.0000139521535,0.000010252526,0.0021281114,0.97390425,0.021850469],"study_design_scores_gemma":[0.00008620357,0.000017170196,0.00053481717,0.000020131487,0.0000067533197,0.0000012535584,0.009389574,0.00007425896,0.000008366514,0.0003087931,0.9894385,0.00011418137],"about_ca_topic_score_codex":0.9781229,"about_ca_topic_score_gemma":0.99935937,"teacher_disagreement_score":0.9120147,"about_ca_system_score_codex":0.001138714,"about_ca_system_score_gemma":0.001352695,"threshold_uncertainty_score":0.9999429},"labels":[],"label_agreement":null},{"id":"W1598001823","doi":"10.7202/018655ar","title":"La 25e édition du FIMAV","year":2008,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Repertoire; Art; Literature","score_opus":0.05317425904220386,"score_gpt":0.2725677636006479,"score_spread":0.21939350455844403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1598001823","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21076559,0.02069237,0.00012042658,0.017378505,0.002711028,0.00040004795,0.000087039916,0.00027611328,0.74756885],"genre_scores_gemma":[0.88165355,0.0016946847,0.000038738428,0.00829674,0.003953727,0.000049532944,0.00013200901,0.000027283511,0.10415372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967514,0.0010985192,0.0005539768,0.00058803294,0.00044038772,0.0005676429],"domain_scores_gemma":[0.9981855,0.00032318436,0.00032261008,0.0003009635,0.000584721,0.00028298167],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000710886,0.00038919915,0.0005895379,0.00012730197,0.001153745,0.0001990871,0.0004283407,0.0006362237,0.0015538804],"category_scores_gemma":[0.0003603661,0.00035327318,0.00047891025,0.0009102704,0.0022456483,0.001050268,0.000058840153,0.000408608,0.0002895654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022786313,0.00046063357,0.008281752,0.00013893098,0.00035568533,0.00077055296,0.1332953,0.000002359981,0.0004617994,0.6506913,0.18687962,0.018639289],"study_design_scores_gemma":[0.00042804226,0.000088474095,0.0044018836,0.00013531133,0.00012895568,0.0001286499,0.0038667824,0.00003287227,0.000053203148,0.050284527,0.9399378,0.0005135255],"about_ca_topic_score_codex":0.0021667613,"about_ca_topic_score_gemma":0.0010440594,"teacher_disagreement_score":0.75305814,"about_ca_system_score_codex":0.00015869175,"about_ca_system_score_gemma":0.00029508304,"threshold_uncertainty_score":0.99989194},"labels":[],"label_agreement":null},{"id":"W1600360642","doi":"10.3138/jcs.46.1.193","title":"Broadening the Political Constituency of Tax Reform: The Visual Rhetoric of <i>Canadian Taxation</i>, 1979-81","year":2012,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Humanities; Political science; Politics; Democracy; Tax reform; Sociology; Law; Art; Philosophy","score_opus":0.048542727408968936,"score_gpt":0.3245780012063609,"score_spread":0.27603527379739196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1600360642","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5692477,0.04797964,0.0000039390966,0.13470526,0.0032698156,0.0003591449,0.00010398234,0.000007640953,0.24432287],"genre_scores_gemma":[0.9953328,0.00057809055,0.000045596862,0.0024292485,0.0010463201,0.0000022803124,7.603421e-7,0.0000036005624,0.0005612993],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983517,0.00022727464,0.00045154628,0.00006144489,0.0003843485,0.00052366656],"domain_scores_gemma":[0.9979445,0.00018612319,0.0005540342,0.000091222035,0.0007255021,0.000498635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009337504,0.00009934666,0.00031742186,0.00055659673,0.0008478452,0.000036391746,0.000313076,0.00008262365,0.000052098858],"category_scores_gemma":[0.0009430711,0.000049101247,0.00018072425,0.0014142524,0.0009393517,0.0002788066,0.000017564695,0.00023974315,0.000002696873],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000087724,0.000023882483,0.018662939,0.000016760365,0.0007251009,0.0000104334085,0.03808645,0.000004751836,0.00009563685,0.90326667,0.03811876,0.0009798284],"study_design_scores_gemma":[0.00021913052,0.00010001915,0.028536547,0.000087825116,0.00045763748,0.000039651422,0.20465839,0.0000016677502,0.00013738705,0.0023849432,0.76321214,0.00016466453],"about_ca_topic_score_codex":0.75505656,"about_ca_topic_score_gemma":0.9625107,"teacher_disagreement_score":0.90088177,"about_ca_system_score_codex":0.0004354531,"about_ca_system_score_gemma":0.0012128644,"threshold_uncertainty_score":0.6521026},"labels":[],"label_agreement":null},{"id":"W1601090101","doi":"10.4000/lisa.613","title":"“I can’t live there no more” :Baldwin and Škvoreckv on Jazz and Exile","year":2022,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Humanities; Art; Art history","score_opus":0.020468049377325596,"score_gpt":0.2671586860868209,"score_spread":0.24669063670949531,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601090101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92906016,0.008072765,0.0000017268472,0.01914904,0.0016392521,0.00024511997,0.000068136986,0.000041328964,0.041722447],"genre_scores_gemma":[0.93192345,0.0023343265,0.00020988703,0.007523851,0.004231994,0.000028793947,0.00001938214,0.000025085128,0.053703252],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981618,0.00046012545,0.00026731152,0.00027938682,0.00040686395,0.00042453245],"domain_scores_gemma":[0.99906045,0.00013196135,0.00021788251,0.0001274549,0.0001403548,0.00032191438],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079654966,0.0001752127,0.00029482218,0.00009464034,0.002359318,0.00052005,0.00030410223,0.00011190884,0.0036987052],"category_scores_gemma":[0.00016725395,0.00013607713,0.00014203394,0.00029201334,0.00024385868,0.0002733894,0.00012185151,0.00079335395,0.000019573814],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000467394,0.00072420435,0.031192984,0.00012604386,0.0010756046,0.0014565277,0.47851318,0.00018502137,0.0013805836,0.029122211,0.39890626,0.05685],"study_design_scores_gemma":[0.0006706049,0.00049019535,0.0041263606,0.0000679784,0.00017929616,0.0005723829,0.04739113,0.00007447975,0.000015884603,0.0031433469,0.9428553,0.00041303734],"about_ca_topic_score_codex":0.0004255976,"about_ca_topic_score_gemma":0.0004880648,"teacher_disagreement_score":0.54394907,"about_ca_system_score_codex":0.00017329796,"about_ca_system_score_gemma":0.00011203498,"threshold_uncertainty_score":0.99893945},"labels":[],"label_agreement":null},{"id":"W1601537797","doi":"10.7202/902400ar","title":"L’opéra pour enfants ou la quête d’identité : commentaire critique sur L’arche, d’Isabelle Panneton et Anne Hébert","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04110666418884391,"score_gpt":0.3241572654625219,"score_spread":0.283050601273678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601537797","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42454952,0.012665243,0.00006403347,0.09893667,0.004775886,0.00095161906,0.00032579125,0.00038261706,0.45734861],"genre_scores_gemma":[0.8013005,0.00080212683,0.00008194285,0.019741043,0.0021438624,0.00009383945,0.00023188228,0.00006836719,0.17553641],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940917,0.001971064,0.0010084298,0.001079604,0.00069176254,0.0011574627],"domain_scores_gemma":[0.9961923,0.0009355419,0.0005346879,0.00071274117,0.0010252936,0.0005994466],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023979042,0.0007680852,0.0010697353,0.00017873057,0.0010057577,0.0008769458,0.0011277358,0.0011416372,0.0019185354],"category_scores_gemma":[0.0009211186,0.00071943615,0.00070241845,0.0009916963,0.0017649462,0.0018523154,0.00024082899,0.0015115052,0.00018987333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004034371,0.0011502386,0.020103551,0.00032869345,0.00064981286,0.00040099048,0.06930517,0.0000012881848,0.012073603,0.7037717,0.16428842,0.027886203],"study_design_scores_gemma":[0.0010100827,0.00011257197,0.004901639,0.0003411878,0.0002521532,0.000065407075,0.006275697,0.00007704259,0.00071604643,0.07829052,0.9069408,0.0010168552],"about_ca_topic_score_codex":0.0160214,"about_ca_topic_score_gemma":0.048124366,"teacher_disagreement_score":0.74265236,"about_ca_system_score_codex":0.00012017599,"about_ca_system_score_gemma":0.0005632103,"threshold_uncertainty_score":0.99952567},"labels":[],"label_agreement":null},{"id":"W1601596918","doi":"10.7202/1006363ar","title":"Aborder la modernité : Triptyque et Lignes et points de Pierre Mercure","year":2011,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.07212938862817414,"score_gpt":0.3107288806955077,"score_spread":0.23859949206733355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601596918","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07910992,0.03605599,0.0007833228,0.019712638,0.0017277831,0.000678148,0.0001283903,0.00036172688,0.8614421],"genre_scores_gemma":[0.8959236,0.0018530731,0.00039454323,0.02954208,0.0009399004,0.00010132538,0.00008136922,0.00006371346,0.07110038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943126,0.0028824694,0.000706221,0.00079431734,0.0004441797,0.0008602185],"domain_scores_gemma":[0.99756545,0.00037500684,0.00044240055,0.0004542205,0.00073380815,0.00042911174],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023438467,0.0006059396,0.00083489093,0.0001835901,0.000501203,0.00038543032,0.00073645764,0.0009462882,0.0017989649],"category_scores_gemma":[0.0005617984,0.0005315232,0.00056040403,0.0008982342,0.0011487049,0.0013348738,0.00010829725,0.000733459,0.00010439778],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037652608,0.00041665218,0.003074133,0.00012221323,0.00041061605,0.00017620798,0.29043502,0.0000014560646,0.00039414165,0.6786619,0.016840383,0.009429649],"study_design_scores_gemma":[0.00071621063,0.00015410749,0.005104413,0.00033018834,0.0003643372,0.00004260296,0.012311503,0.0000808154,0.00017883714,0.36241087,0.6173751,0.00093104993],"about_ca_topic_score_codex":0.008233955,"about_ca_topic_score_gemma":0.008680567,"teacher_disagreement_score":0.8168137,"about_ca_system_score_codex":0.00012656844,"about_ca_system_score_gemma":0.0007002457,"threshold_uncertainty_score":0.99971366},"labels":[],"label_agreement":null},{"id":"W1601633089","doi":"","title":"Cuatro meses en Québec: relato de una experiencia en pedagogía del teatro","year":2003,"lang":"ca","type":"article","venue":"Assaig de teatre: revista de l'Associació d'Investigació i Experimentació Teatral","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Art","score_opus":0.01938420813717087,"score_gpt":0.31529113497648426,"score_spread":0.2959069268393134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601633089","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8539469,0.062147953,0.00050601666,0.013564835,0.0016021315,0.0026050496,0.00038299587,0.0012653087,0.06397881],"genre_scores_gemma":[0.93742335,0.0017492003,0.0075143366,0.010179384,0.002984905,0.0007417272,0.00020162678,0.0003374598,0.038868006],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9777273,0.009268394,0.0024826385,0.002826134,0.0022911269,0.0054043904],"domain_scores_gemma":[0.99172586,0.0014482405,0.0014108394,0.0017272013,0.0005190115,0.0031688244],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0053449497,0.002432152,0.002808272,0.00056785654,0.0035374684,0.0023474444,0.0026392194,0.0028000728,0.0030736837],"category_scores_gemma":[0.0035419455,0.002392692,0.0026164942,0.0026000768,0.002158747,0.0020515341,0.00043179415,0.003080018,0.00056728604],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00032532547,0.0019338009,0.19127977,0.00036866943,0.0036160129,0.0008047458,0.33715373,0.0000669524,0.054242436,0.23267086,0.17546925,0.002068439],"study_design_scores_gemma":[0.0037668145,0.00082130014,0.004935821,0.0007125445,0.0037148828,0.00040188347,0.17391282,0.00019509463,0.019882664,0.0078175515,0.7786932,0.005145429],"about_ca_topic_score_codex":0.018280022,"about_ca_topic_score_gemma":0.0073145595,"teacher_disagreement_score":0.6032239,"about_ca_system_score_codex":0.011197549,"about_ca_system_score_gemma":0.0072885533,"threshold_uncertainty_score":0.9992199},"labels":[],"label_agreement":null},{"id":"W1602161384","doi":"10.3138/tric.35.2.126","title":"Mot de la rédactrice : notre 35e année","year":2014,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art","score_opus":0.04921777704186407,"score_gpt":0.3578362877423357,"score_spread":0.30861851070047164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602161384","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2123077,0.01100098,0.000004163915,0.05606194,0.00066419505,0.00023390881,0.00005143733,0.000017721393,0.71965796],"genre_scores_gemma":[0.9851968,0.0008007744,0.000055586475,0.0016755456,0.0011751374,0.000020564388,0.0000085678785,0.00001412074,0.011052848],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919343,0.004907887,0.00025394253,0.00038894443,0.0011347986,0.0013801395],"domain_scores_gemma":[0.99682766,0.0021277154,0.0000485987,0.00030135043,0.00017166822,0.0005229923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004350034,0.00017491977,0.00031095804,0.00014911087,0.0006107613,0.00019414714,0.0006994653,0.000264168,0.000734027],"category_scores_gemma":[0.000120882956,0.00014721586,0.00009074508,0.0024281978,0.00083885295,0.0002041511,0.00010922096,0.0011687542,0.00005547397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054751148,0.00018359229,0.027913596,0.00017294133,0.00012632752,0.00041019774,0.0068680216,0.00026664886,0.00022271273,0.03547235,0.21361412,0.71469474],"study_design_scores_gemma":[0.00022800145,0.000054139604,0.0021989432,0.000088721536,0.000023009963,0.0000072348275,0.007225795,0.0010790741,0.000041791995,0.013665019,0.9751931,0.00019521204],"about_ca_topic_score_codex":0.99463755,"about_ca_topic_score_gemma":0.9971758,"teacher_disagreement_score":0.77288914,"about_ca_system_score_codex":0.0026615288,"about_ca_system_score_gemma":0.0051520583,"threshold_uncertainty_score":0.91395307},"labels":[],"label_agreement":null},{"id":"W1604297623","doi":"10.7202/019932ar","title":"Micheline Coulombe Saint-Marcoux et Marcelle Deschênes : pionnières dans le sentier de la création électroacoustique","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.021092225341220665,"score_gpt":0.29270660374294255,"score_spread":0.27161437840172187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1604297623","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46784487,0.03686838,0.019301418,0.07133386,0.0016508434,0.0012030774,0.00015251599,0.00061069557,0.40103433],"genre_scores_gemma":[0.9176691,0.0013337471,0.0004995327,0.01709635,0.0015571589,0.000041932908,0.00018259816,0.00003814197,0.061581414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99456656,0.0026663903,0.0007386363,0.00073731766,0.00045969695,0.00083139236],"domain_scores_gemma":[0.9976758,0.0005104095,0.0004149833,0.00037341198,0.00069836417,0.00032703386],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0024088284,0.0005321662,0.0006881502,0.00018694608,0.0009184422,0.00057771546,0.0005250791,0.00077753415,0.00030103582],"category_scores_gemma":[0.0006017299,0.0005017107,0.00047301708,0.00097552256,0.001267874,0.0009481034,0.000055069067,0.0006359087,0.000027160122],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007613662,0.0009266451,0.0042312806,0.00015550638,0.0003427852,0.00014682401,0.085296884,0.000102674836,0.04686449,0.7974462,0.04266228,0.021748321],"study_design_scores_gemma":[0.0012181989,0.0003540206,0.016371341,0.00045378815,0.00047127475,0.00007414833,0.019111427,0.0017324395,0.002162899,0.506839,0.4498266,0.001384869],"about_ca_topic_score_codex":0.00854394,"about_ca_topic_score_gemma":0.0030943332,"teacher_disagreement_score":0.44982424,"about_ca_system_score_codex":0.00044490708,"about_ca_system_score_gemma":0.0007373669,"threshold_uncertainty_score":0.99974346},"labels":[],"label_agreement":null},{"id":"W1605060617","doi":"10.7202/902061ar","title":"Aperçu du genre électroacoustique au Québec","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02678345527170919,"score_gpt":0.26661944213882655,"score_spread":0.23983598686711735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605060617","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45161074,0.01023406,0.0001476739,0.04583767,0.0064290734,0.00060867216,0.00007385189,0.000344363,0.4847139],"genre_scores_gemma":[0.86426073,0.00022395758,0.00006709618,0.011913671,0.008215403,0.00007796371,0.000065188644,0.00004733792,0.11512862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99632436,0.00061768503,0.00071016257,0.00085968646,0.0004682819,0.001019844],"domain_scores_gemma":[0.9972932,0.00034035216,0.0004082883,0.00055526086,0.0008697585,0.0005331577],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010967478,0.0005825233,0.0007883738,0.0001461879,0.0013739942,0.00041030537,0.00083516684,0.0009918365,0.0020062416],"category_scores_gemma":[0.00076643564,0.0005084218,0.00062737527,0.0009530497,0.0019920806,0.0008990098,0.00010076909,0.0010712127,0.0002462697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003236054,0.0005193596,0.028795699,0.00019700555,0.0005916836,0.0001987971,0.16298923,0.0000023942328,0.019270562,0.71693516,0.034782708,0.035685074],"study_design_scores_gemma":[0.00045186744,0.00013260415,0.00562123,0.00008081864,0.0003002954,0.00005959418,0.0055052536,0.000099976365,0.00028317235,0.031602997,0.95495486,0.000907359],"about_ca_topic_score_codex":0.23382425,"about_ca_topic_score_gemma":0.6083621,"teacher_disagreement_score":0.92017215,"about_ca_system_score_codex":0.0004053583,"about_ca_system_score_gemma":0.0022697805,"threshold_uncertainty_score":0.9999261},"labels":[],"label_agreement":null},{"id":"W1605564190","doi":"10.7202/017591ar","title":"La musique dans l’espace urbain: le cas des Symphonies portuaires de Montréal","year":2008,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04020138311356771,"score_gpt":0.2621920551293427,"score_spread":0.22199067201577496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605564190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5290193,0.08437779,0.00045107666,0.009787595,0.0008906175,0.00047430946,0.000075899196,0.0003719569,0.37455148],"genre_scores_gemma":[0.87586737,0.004604145,0.00017744052,0.0053666537,0.0014906178,0.00009406456,0.000051630097,0.000061272294,0.11228683],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950981,0.0016852706,0.0007522284,0.00083121617,0.0005102166,0.0011229322],"domain_scores_gemma":[0.99745244,0.00047497358,0.0004416342,0.0004917501,0.00065430114,0.00048490605],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0010790648,0.000669546,0.0009301141,0.00019007015,0.0020881977,0.00029403824,0.0006953008,0.00089153333,0.00016683896],"category_scores_gemma":[0.00055494456,0.0006215757,0.0006827464,0.0011405858,0.0052728043,0.0011766563,0.0001276482,0.00056677975,0.000048812115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000415445,0.0004101597,0.025194513,0.00019458053,0.0004608972,0.00197817,0.5442876,0.000018998844,0.0011422884,0.39563042,0.023985716,0.0066550737],"study_design_scores_gemma":[0.0010914229,0.0002526629,0.029022124,0.00050540763,0.0003475125,0.0011601455,0.07587636,0.00011414982,0.0006632379,0.11083339,0.7785865,0.0015470575],"about_ca_topic_score_codex":0.09611964,"about_ca_topic_score_gemma":0.09834238,"teacher_disagreement_score":0.7546008,"about_ca_system_score_codex":0.00065912266,"about_ca_system_score_gemma":0.0012578632,"threshold_uncertainty_score":0.99962354},"labels":[],"label_agreement":null},{"id":"W1616298566","doi":"10.7202/1018450ar","title":"Faisceaux imaginaires et cool medias : This Will Not Be Televised de Nicole Lizée","year":2013,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04348659481168565,"score_gpt":0.29418238835098964,"score_spread":0.250695793539304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1616298566","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16289672,0.028384496,0.00012804767,0.28716284,0.0030499771,0.0021008032,0.00022294093,0.00062341045,0.51543075],"genre_scores_gemma":[0.81573945,0.00094968063,0.00015083491,0.06850151,0.0020873207,0.00026307124,0.00011615364,0.000056262084,0.112135746],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99467963,0.0015038564,0.00089922035,0.0009457231,0.00074419176,0.0012273809],"domain_scores_gemma":[0.9962918,0.0006591683,0.0005404037,0.00059621345,0.0012366464,0.00067573844],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012929032,0.0006977988,0.0010321044,0.0001952198,0.00076267624,0.0009953774,0.0009905656,0.0007308425,0.0069084754],"category_scores_gemma":[0.0010442107,0.00060108653,0.0006567832,0.0010465669,0.0021760347,0.0026334617,0.00015985616,0.0007104516,0.00041640337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038936236,0.0004967427,0.00429481,0.00029175673,0.00064899813,0.00013573498,0.16438796,0.000003648373,0.007731553,0.3637835,0.43582574,0.022360608],"study_design_scores_gemma":[0.00082427857,0.00021544653,0.006234114,0.0003266341,0.00032903318,0.000022811422,0.011553122,0.00018106047,0.00047978308,0.046333704,0.9324011,0.0010989073],"about_ca_topic_score_codex":0.025286512,"about_ca_topic_score_gemma":0.005829853,"teacher_disagreement_score":0.6528427,"about_ca_system_score_codex":0.00030607622,"about_ca_system_score_gemma":0.0007656594,"threshold_uncertainty_score":0.99964404},"labels":[],"label_agreement":null},{"id":"W1624114012","doi":"10.3917/mard.delie.2010.01.0251","title":"Musique et évolution","year":2010,"lang":"fr","type":"book-chapter","venue":"Mardaga eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Art","score_opus":0.0355006323821027,"score_gpt":0.27182189246750793,"score_spread":0.23632126008540522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1624114012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030132388,0.00062343525,0.000044392178,0.003609397,0.0033287285,0.0004132593,0.000071751,0.00012570256,0.98877007],"genre_scores_gemma":[0.08643211,0.000118073505,0.00063735625,0.016943224,0.0030157703,0.00003243851,0.000094836425,0.000051387044,0.8926748],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99715036,0.00028760397,0.00053286564,0.0007316611,0.0006916428,0.0006058782],"domain_scores_gemma":[0.99833554,0.00014825109,0.00040607704,0.0004488383,0.0003566954,0.00030462086],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00073534454,0.0005769392,0.0006807309,0.00013794488,0.0009851835,0.00023639076,0.0005305299,0.0018864794,0.0045705955],"category_scores_gemma":[0.000075385375,0.000495682,0.0007338078,0.000063110005,0.0019896678,0.00015985395,0.00016431326,0.0016543107,0.00082600355],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017506645,0.00002068523,0.000034325058,0.000032800825,0.00019154852,0.000035932004,0.0036814967,7.2338725e-7,0.0013455565,0.9639471,0.0012718891,0.02942044],"study_design_scores_gemma":[0.00016367935,0.00006151746,0.0002648222,0.00009511109,0.00034854113,0.000010999158,0.00019586559,0.000006954546,0.00009233865,0.12225972,0.8759431,0.00055735273],"about_ca_topic_score_codex":0.0010116105,"about_ca_topic_score_gemma":0.020101372,"teacher_disagreement_score":0.8746712,"about_ca_system_score_codex":0.00016493497,"about_ca_system_score_gemma":0.00027592652,"threshold_uncertainty_score":0.99995196},"labels":[],"label_agreement":null},{"id":"W1631288783","doi":"10.7202/902148ar","title":"La mécanique des ruptures","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.0418414533470694,"score_gpt":0.29724362051711534,"score_spread":0.25540216717004594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1631288783","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32382706,0.015265739,0.00007012108,0.006355087,0.003437459,0.0003681635,0.000059190894,0.0002549611,0.6503622],"genre_scores_gemma":[0.889364,0.00041509702,0.00022575932,0.007059819,0.0035669864,0.00006037775,0.000043258748,0.000039205937,0.09922546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99665415,0.0009987233,0.0005583027,0.00065661204,0.0003855096,0.0007467041],"domain_scores_gemma":[0.99772036,0.00043405936,0.00030164214,0.00043237794,0.0006864415,0.00042513877],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013199835,0.00047586163,0.0006261672,0.00013948811,0.0008839344,0.0005756451,0.00070015213,0.0010754162,0.0019677887],"category_scores_gemma":[0.0006868746,0.00040810817,0.00049225666,0.0008979979,0.004056538,0.0009315039,0.000087409244,0.0010665809,0.00013560387],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010951631,0.0002077338,0.0050353995,0.0001311239,0.00021912622,0.00012648496,0.06951875,3.242208e-7,0.006614492,0.85697657,0.01606562,0.045093425],"study_design_scores_gemma":[0.00022689509,0.000056955727,0.0028639473,0.00010997875,0.00012899889,0.000041774172,0.0036527903,0.00000842793,0.00030772126,0.24319312,0.7489281,0.00048124365],"about_ca_topic_score_codex":0.00586816,"about_ca_topic_score_gemma":0.025557349,"teacher_disagreement_score":0.73286253,"about_ca_system_score_codex":0.000084217914,"about_ca_system_score_gemma":0.00035775834,"threshold_uncertainty_score":0.9998371},"labels":[],"label_agreement":null},{"id":"W1632801061","doi":"10.7202/004660ar","title":"Brian Cherney et Bruce Mather : la clairvoyance du compositeur solitaire","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05068408966542452,"score_gpt":0.2766368252208348,"score_spread":0.2259527355554103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1632801061","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066616416,0.041764215,0.00010087118,0.05394131,0.0019629688,0.0005099732,0.00009166649,0.00034638363,0.8346662],"genre_scores_gemma":[0.7754239,0.001875646,0.000059158345,0.018926265,0.002123523,0.000042243013,0.000042625903,0.000052194002,0.20145448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955259,0.0016330164,0.00071182,0.00082816713,0.0004997439,0.000801376],"domain_scores_gemma":[0.99782825,0.00034884783,0.00043651604,0.00047357567,0.00052464637,0.00038818133],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000982845,0.00057470903,0.0008224695,0.00011157512,0.0007346686,0.0006483265,0.0007406578,0.0007038042,0.0024546424],"category_scores_gemma":[0.00023166995,0.00052853936,0.00056844024,0.00091206975,0.0015545164,0.0011118527,0.000107247484,0.0005891473,0.00051822583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015328384,0.00058342435,0.0072237286,0.00017723361,0.00041214257,0.0002756733,0.13093314,0.000003593489,0.0005163158,0.75142616,0.087460205,0.020973042],"study_design_scores_gemma":[0.0006102083,0.000093975315,0.002605287,0.00030300787,0.0001755332,0.000057767586,0.0032834413,0.0003251142,0.000027396305,0.037374448,0.9543839,0.00075989123],"about_ca_topic_score_codex":0.0033041572,"about_ca_topic_score_gemma":0.004103633,"teacher_disagreement_score":0.86692375,"about_ca_system_score_codex":0.00017359301,"about_ca_system_score_gemma":0.00010818129,"threshold_uncertainty_score":0.99971664},"labels":[],"label_agreement":null},{"id":"W164362237","doi":"","title":"Partitions scénographiques et textes spectaculaires : Panorama des écritures scéniques québécoises contemporaines","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université Laval","keywords":"Art","score_opus":0.015432124623483225,"score_gpt":0.23630177285923987,"score_spread":0.22086964823575664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W164362237","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5306637,0.3178072,0.00018962137,0.09281041,0.000529263,0.00035729478,0.00013896075,0.00036189682,0.057141647],"genre_scores_gemma":[0.8689738,0.03020943,0.0013302693,0.005601377,0.00083427277,0.0000102308295,0.000096164826,0.000034407207,0.09291006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971162,0.0005560793,0.00038392429,0.0005656166,0.00042448964,0.0009536552],"domain_scores_gemma":[0.9980268,0.00038279616,0.00028222063,0.00029911904,0.00051954953,0.0004895345],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007963605,0.00044354738,0.0005314358,0.00032710785,0.0026893935,0.00020591564,0.0004737274,0.0004508984,0.0005194121],"category_scores_gemma":[0.0001631196,0.00041822952,0.00061353116,0.0014789923,0.0022022594,0.0010558348,0.00017022005,0.0003628333,0.0000750773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001990354,0.00053261814,0.024485031,0.00011997919,0.0009069356,0.0019765669,0.03616988,0.000028382365,0.0011845174,0.6433208,0.2571139,0.033962354],"study_design_scores_gemma":[0.00036226178,0.00017346028,0.016781077,0.00020267576,0.0004952515,0.00007503897,0.021269988,0.000014555579,0.00036867012,0.044407684,0.9153193,0.00052999443],"about_ca_topic_score_codex":0.1498668,"about_ca_topic_score_gemma":0.89653796,"teacher_disagreement_score":0.74667114,"about_ca_system_score_codex":0.0019708958,"about_ca_system_score_gemma":0.00012798505,"threshold_uncertainty_score":0.99982697},"labels":[],"label_agreement":null},{"id":"W1645027860","doi":"","title":"Dom Juan_uncensored, Terre des Hommes, Théâtre La Chapelle, Montréal, du 23 octobre au 10 novembre 2012Dom Juan_uncensored, Terre des Hommes, Théâtre La Chapelle, Montréal, du 23 octobre au 10 novembre 2012","year":2013,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02033368290861213,"score_gpt":0.2502824485436074,"score_spread":0.2299487656349953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1645027860","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20291787,0.26871166,0.00020257679,0.21492845,0.012203891,0.006259063,0.0052715912,0.0018899359,0.28761497],"genre_scores_gemma":[0.51445216,0.02309329,0.00088629784,0.0075556766,0.010018865,0.00080673926,0.0037385721,0.00048527343,0.43896315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9865965,0.0019163932,0.0023289125,0.002990752,0.0018529524,0.00431447],"domain_scores_gemma":[0.9904795,0.0017132713,0.001456086,0.0021798695,0.0018467418,0.0023245264],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0013320594,0.002741417,0.0027721794,0.0006613082,0.0066753686,0.0023275944,0.0028308455,0.0024273803,0.008671545],"category_scores_gemma":[0.0006947879,0.0023097475,0.0019899793,0.0035579163,0.0063654757,0.0055132485,0.0011906927,0.0021585894,0.0060831904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027303759,0.0028477765,0.0041054827,0.0005368186,0.0012949638,0.00033402824,0.023948753,0.00030116155,0.00038465273,0.08204596,0.8715003,0.012427032],"study_design_scores_gemma":[0.0031870105,0.00043963306,0.0153290145,0.0014260008,0.000982198,0.00031377,0.02705,0.0008287442,0.00007405049,0.002983497,0.9446248,0.0027613076],"about_ca_topic_score_codex":0.08262731,"about_ca_topic_score_gemma":0.1264842,"teacher_disagreement_score":0.31153426,"about_ca_system_score_codex":0.0010128036,"about_ca_system_score_gemma":0.001434463,"threshold_uncertainty_score":0.9988677},"labels":[],"label_agreement":null},{"id":"W164917228","doi":"","title":"Recherches sur la pensée musicale de Glenn Gould : l’empreinte de l’héritage schoenbergien","year":2011,"lang":"fr","type":"dissertation","venue":"theses.fr (ABES)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.08423500603807843,"score_gpt":0.3277085573198828,"score_spread":0.24347355128180437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W164917228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6101118,0.0035884578,0.000013275505,0.00089533644,0.0010707914,0.00038196772,0.00006338515,0.00016437985,0.38371062],"genre_scores_gemma":[0.9042973,0.0019884158,0.0006592845,0.001773968,0.0016692013,0.00013640821,0.00031411854,0.00008935121,0.089071974],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934176,0.0026563057,0.0007489292,0.001043762,0.00065989816,0.0014734918],"domain_scores_gemma":[0.99625367,0.0013380274,0.0005430767,0.0006579064,0.0005824588,0.0006248621],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024385438,0.00081878767,0.0010857581,0.00019679421,0.00093979354,0.00047831004,0.0015347087,0.0023495634,0.0029036787],"category_scores_gemma":[0.0017755817,0.00070138567,0.00094158505,0.0011652757,0.0011329801,0.0008186135,0.00014691723,0.0020163555,0.0007439155],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003249076,0.0011420168,0.0069441837,0.00053404504,0.0014129359,0.0002664424,0.59239584,0.000024899286,0.017105065,0.34930566,0.0063470188,0.024196966],"study_design_scores_gemma":[0.0010505087,0.0003526238,0.019917607,0.00133084,0.0029323776,0.000057547084,0.19749106,0.00027195664,0.0077727376,0.057530664,0.7086329,0.0026592098],"about_ca_topic_score_codex":0.068702534,"about_ca_topic_score_gemma":0.04341034,"teacher_disagreement_score":0.7022858,"about_ca_system_score_codex":0.0006001544,"about_ca_system_score_gemma":0.0008150348,"threshold_uncertainty_score":0.9995437},"labels":[],"label_agreement":null},{"id":"W1657865198","doi":"10.15210/interfaces.v2i1.6374","title":"OS DIÁLOGOS BRASIL-CANADÁ FACE À INFLUÊNCIA CULTURAL NORTE-AMERICANA: A TERCEIRA VIA.","year":2012,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.031756082264483475,"score_gpt":0.2761232811536339,"score_spread":0.2443671988891504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1657865198","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5966632,0.01147994,0.001404959,0.077738434,0.010909857,0.0031341978,0.0005915742,0.0015255702,0.2965523],"genre_scores_gemma":[0.98431295,0.00025482435,0.00039137475,0.0034445957,0.004098164,0.00028178078,0.00040278552,0.00008393021,0.0067295665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909697,0.0015384571,0.0014713265,0.0014002728,0.0019200894,0.0027001621],"domain_scores_gemma":[0.9943775,0.00039378685,0.0010815571,0.0009262618,0.0010568595,0.0021640495],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0011927809,0.0011891113,0.0013371109,0.00054013834,0.0031802456,0.0008868028,0.0016207537,0.0014891828,0.00046736255],"category_scores_gemma":[0.0009163641,0.001020976,0.0009346487,0.0028700503,0.00021822329,0.0024789392,0.00045578534,0.0016603309,0.00019301132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005255426,0.003437139,0.03442359,0.000363587,0.002764699,0.0003815523,0.12876444,0.00012324692,0.009997771,0.74694175,0.06243174,0.009844938],"study_design_scores_gemma":[0.00097559113,0.00012379764,0.033568528,0.00013426284,0.0006518553,0.0004631473,0.013488785,0.0001579239,0.00022273666,0.000086605876,0.94876355,0.0013631886],"about_ca_topic_score_codex":0.00011930798,"about_ca_topic_score_gemma":0.008247691,"teacher_disagreement_score":0.88633186,"about_ca_system_score_codex":0.0019508628,"about_ca_system_score_gemma":0.001113785,"threshold_uncertainty_score":0.9998071},"labels":[],"label_agreement":null},{"id":"W1666365654","doi":"10.7202/1029477ar","title":"Perspectives de chefs : points de vue de trois chefs d’orchestre québécois sur la notation musicale aujourd’hui","year":2015,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04788207185978201,"score_gpt":0.2913001735041452,"score_spread":0.24341810164436323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1666365654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.797644,0.019065516,0.00079526834,0.03702184,0.0008676729,0.0005652877,0.00008357282,0.0003201793,0.14363664],"genre_scores_gemma":[0.9467778,0.00042931712,0.00042928674,0.005262247,0.0035483819,0.0000943429,0.0000610192,0.000057681318,0.043339908],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945828,0.0023019353,0.0006424518,0.0008216212,0.0005306796,0.0011205111],"domain_scores_gemma":[0.9963222,0.0006697246,0.0004795558,0.00039516797,0.0012390519,0.00089429395],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0027180915,0.00056135224,0.00080253487,0.0001901611,0.0005033607,0.00051925494,0.0006570098,0.0008574142,0.0003442398],"category_scores_gemma":[0.0030685302,0.00053691556,0.0005603354,0.0010564034,0.0013790085,0.0011521104,0.000086524095,0.00071358995,0.000061244624],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000680637,0.0005188289,0.008140911,0.00011420896,0.00036217336,0.00018978935,0.880943,0.000015538619,0.0015025571,0.0808864,0.018319407,0.00893909],"study_design_scores_gemma":[0.0018649378,0.00034282453,0.012013342,0.00040909977,0.0006260469,0.00014306014,0.38308474,0.0007002224,0.00056921475,0.12146813,0.47741,0.0013684038],"about_ca_topic_score_codex":0.079565406,"about_ca_topic_score_gemma":0.0453465,"teacher_disagreement_score":0.4978583,"about_ca_system_score_codex":0.0011471391,"about_ca_system_score_gemma":0.0027172067,"threshold_uncertainty_score":0.99970824},"labels":[],"label_agreement":null},{"id":"W1667022829","doi":"10.7202/045755ar","title":"Marius Barbeau","year":2011,"lang":"fr","type":"article","venue":"Les Cahiers des dix","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art; Folklore; Literature","score_opus":0.038039375713523046,"score_gpt":0.2546588967879834,"score_spread":0.21661952107446036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1667022829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57166195,0.025521355,0.000104447914,0.0014534132,0.0025611164,0.00015269728,0.000031440133,0.000092153925,0.39842144],"genre_scores_gemma":[0.6178661,0.000849012,0.0016847778,0.004930402,0.0009194017,0.00001378033,0.000018521148,0.000016512395,0.37370148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998211,0.00032334123,0.00024496572,0.00035443093,0.00024434354,0.00062189],"domain_scores_gemma":[0.99920774,0.000061284954,0.00010709155,0.00020935085,0.00013632217,0.00027823797],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002670301,0.00022715308,0.00028414017,0.000059515434,0.0010237016,0.00012721172,0.00040085008,0.0005749013,0.0061944625],"category_scores_gemma":[0.00008461877,0.00019027138,0.000305795,0.00076315284,0.003648866,0.00042749566,0.000046607543,0.00042181392,0.00064550317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029444074,0.00019320303,0.0073998626,0.00006410406,0.0003395882,0.00009251994,0.14564566,0.0000013228953,0.00011092277,0.7405175,0.017131751,0.08847413],"study_design_scores_gemma":[0.00020103087,0.00011135218,0.009058073,0.000045044093,0.00039177632,0.000008869092,0.013048865,0.000020976453,0.00013005809,0.06447341,0.91211236,0.00039816194],"about_ca_topic_score_codex":0.00753993,"about_ca_topic_score_gemma":0.0078895595,"teacher_disagreement_score":0.8949806,"about_ca_system_score_codex":0.00021226922,"about_ca_system_score_gemma":0.000052809773,"threshold_uncertainty_score":0.999069},"labels":[],"label_agreement":null},{"id":"W1667492362","doi":"","title":"Voices United: The Contributions of Eleanor Mews Jerrett to Choral Singing in Newfoundland","year":2013,"lang":"en","type":"article","venue":"The Journal of Macrodynamic Analysis (Memorial University of Newfoundland)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Lakehead University","funders":"","keywords":"Choir; Counterpoint; Singing; Diction; History; Harmony (color); Performance art; Art; Visual arts; Art history; Poetry; Literature; Psychology; Management","score_opus":0.010872529230541822,"score_gpt":0.25530748888998667,"score_spread":0.24443495965944484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1667492362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9893339,0.00022311529,0.0012090659,0.0071233297,0.0003591743,0.00021922696,0.000026164655,0.000007546015,0.0014984668],"genre_scores_gemma":[0.9977106,0.0001832352,0.00010681028,0.0002461903,0.0004348853,1.8278996e-7,0.000015049202,0.0000044707454,0.0012986134],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9975095,0.00088968326,0.0005348745,0.00014746617,0.0005851084,0.00033335894],"domain_scores_gemma":[0.99722487,0.0005627268,0.00085906964,0.00025439987,0.00094987435,0.00014906336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018929549,0.00015835435,0.00066331605,0.0006713485,0.00069389254,0.000092961665,0.0010730168,0.00012855335,0.00038578105],"category_scores_gemma":[0.0002720464,0.000097894685,0.00052593014,0.0035008958,0.0005539779,0.00043271558,0.00010338055,0.00037051536,0.000009593197],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0044631637,0.0014637366,0.5209118,0.00009620419,0.023219634,0.00012635227,0.21576269,0.1527032,0.020261813,0.036846943,0.015012233,0.009132198],"study_design_scores_gemma":[0.0098017305,0.0012926995,0.5309794,0.000379101,0.031718183,0.000050916828,0.24551356,0.030470114,0.000059571314,0.01482338,0.13322823,0.001683147],"about_ca_topic_score_codex":0.12731163,"about_ca_topic_score_gemma":0.32616362,"teacher_disagreement_score":0.198852,"about_ca_system_score_codex":0.00034521724,"about_ca_system_score_gemma":0.00018954127,"threshold_uncertainty_score":0.8784997},"labels":[],"label_agreement":null},{"id":"W168854617","doi":"","title":"Point de repère. COULOMBE, Michel et Marcel JEAN. Nouvelle édition revue et augmentée par Michel Coulombe. Le Dictionnaire du cinéma québécois, Montréal, Éditions du Boréal, 2006, 821 p.COULOMBE, Michel et Marcel JEAN. Nouvelle édition revue et augmentée par Michel Coulombe. Le Dictionnaire du cinéma québécois, Montréal, Éditions du Boréal, 2006, 821 p.","year":2006,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.007628465303527159,"score_gpt":0.22307360642063304,"score_spread":0.2154451411171059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W168854617","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077303484,0.1476944,0.0057002464,0.7319603,0.006329845,0.004252558,0.013250563,0.0017270106,0.011781591],"genre_scores_gemma":[0.49805042,0.29360896,0.0030310776,0.056347337,0.009740954,0.003136241,0.029587792,0.00093072775,0.10556649],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97971606,0.0044861967,0.0047299927,0.004454769,0.002433395,0.004179573],"domain_scores_gemma":[0.9871031,0.0017874271,0.0034797064,0.0026770222,0.003115057,0.001837654],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0050303126,0.0034049607,0.0033630887,0.0013046692,0.0107608335,0.001854995,0.0020871586,0.0031953966,0.002763431],"category_scores_gemma":[0.0014488468,0.003745674,0.002627004,0.003164119,0.0032592113,0.004360229,0.0009118942,0.003545464,0.00083598355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051133474,0.0076780277,0.0051581087,0.0008447111,0.0015895893,0.0005335444,0.014042441,0.0075476286,0.005392583,0.018797347,0.9376129,0.00029177422],"study_design_scores_gemma":[0.007116261,0.0008038944,0.03874508,0.002849659,0.0031283665,0.0006558892,0.052617718,0.0067497054,0.0007568199,0.005584995,0.8765214,0.0044702236],"about_ca_topic_score_codex":0.5722497,"about_ca_topic_score_gemma":0.58646905,"teacher_disagreement_score":0.675613,"about_ca_system_score_codex":0.0023160726,"about_ca_system_score_gemma":0.0049079824,"threshold_uncertainty_score":0.999942},"labels":[],"label_agreement":null},{"id":"W1690615453","doi":"","title":"Le Roman en Tant que Médiation sur l’existence Selon Kundera","year":2015,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Philosophy; Modernity; Relation (database); Meditation; Autonomy; Human being; Literature; Humanities; Psychoanalysis; Art; Theology; Epistemology; Psychology; Law; Humanity; Political science","score_opus":0.031741299301602174,"score_gpt":0.2699050493414714,"score_spread":0.23816375003986923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1690615453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14596295,0.0034245236,0.000024520688,0.056113403,0.0045855055,0.000366111,0.00009986635,0.00007009192,0.789353],"genre_scores_gemma":[0.96614957,0.00004931387,0.00011624497,0.0081545655,0.0019764518,0.000013412554,0.000017791454,0.000010727635,0.023511946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964401,0.00045092008,0.0003090841,0.0006413093,0.0008947965,0.0012637816],"domain_scores_gemma":[0.9971344,0.000064014,0.00017822218,0.00018600182,0.0007522961,0.0016851018],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0019980974,0.00022885579,0.00030691456,0.00019078133,0.0035434703,0.00072348886,0.0010050155,0.00038983452,0.00017877416],"category_scores_gemma":[0.0005760948,0.00023585377,0.0001516036,0.0037192476,0.0031107957,0.0017088101,0.00006718388,0.00033504327,0.00021670146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003257154,0.00003887911,0.0023197718,0.0000094668885,0.000021109341,0.000037304464,0.045376778,0.0000069274647,0.00021339545,0.9186405,0.024124958,0.009207663],"study_design_scores_gemma":[0.00024064,0.00005965225,0.005979777,0.00002588568,0.000060724873,0.0000061639107,0.03936317,0.00025930093,0.000043499796,0.010831535,0.94263077,0.0004988744],"about_ca_topic_score_codex":0.4725698,"about_ca_topic_score_gemma":0.7699967,"teacher_disagreement_score":0.91850585,"about_ca_system_score_codex":0.002587676,"about_ca_system_score_gemma":0.012401297,"threshold_uncertainty_score":0.99960214},"labels":[],"label_agreement":null},{"id":"W1692775292","doi":"10.7202/902055ar","title":"À propos… québécitude, musique et postmodernité","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03846675365737755,"score_gpt":0.29682244854923423,"score_spread":0.25835569489185667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1692775292","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24527818,0.009235887,0.00013671431,0.063198805,0.0084626945,0.00111288,0.00012717079,0.00045093085,0.6719967],"genre_scores_gemma":[0.8295116,0.00036928974,0.00021439031,0.032517985,0.0037538435,0.00010361005,0.0001272807,0.0000650683,0.13333693],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99541783,0.0009916102,0.0008701957,0.0010376138,0.0006693267,0.0010134279],"domain_scores_gemma":[0.9967166,0.0003066214,0.000525357,0.0006995524,0.0011925257,0.0005593291],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001536966,0.00069638557,0.000900349,0.00019821116,0.0008552615,0.00067498145,0.0009730748,0.001135026,0.0025090808],"category_scores_gemma":[0.0006636558,0.0006083985,0.00064453407,0.001044838,0.0020420044,0.0014695653,0.00015596725,0.0014997695,0.00036953282],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022631453,0.00042124177,0.003061927,0.00013682268,0.00030002414,0.00012361202,0.06924371,9.2662646e-7,0.008408481,0.8894459,0.014540603,0.014294104],"study_design_scores_gemma":[0.0004751094,0.00014294739,0.0018294917,0.00013973514,0.00020213013,0.000046796646,0.0027923668,0.000045184926,0.00025025895,0.15454158,0.83866024,0.0008741637],"about_ca_topic_score_codex":0.012811172,"about_ca_topic_score_gemma":0.0725788,"teacher_disagreement_score":0.8241196,"about_ca_system_score_codex":0.00010354361,"about_ca_system_score_gemma":0.0008613242,"threshold_uncertainty_score":0.9996367},"labels":[],"label_agreement":null},{"id":"W1693329586","doi":"","title":"Peut-on étudier un opéra à l'école primaire ?","year":2011,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Opera; Art history","score_opus":0.03243138457112008,"score_gpt":0.25491104315487473,"score_spread":0.22247965858375465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1693329586","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13507992,0.013206133,0.0014885498,0.06192346,0.0012995607,0.00047596914,0.00005606388,0.00022679006,0.78624356],"genre_scores_gemma":[0.72552764,0.0011654726,0.007809992,0.003572201,0.00017590197,0.00004955398,0.0000949682,0.00003463481,0.26156965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99135786,0.006282581,0.000475711,0.0007205132,0.00051221077,0.0006511246],"domain_scores_gemma":[0.99579424,0.0006276386,0.00037306064,0.0010687035,0.0017904832,0.00034588936],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0035143236,0.00034042145,0.00039579166,0.00010960785,0.0015400549,0.00029242394,0.0011038064,0.0003741532,0.003224184],"category_scores_gemma":[0.0006758837,0.00031521305,0.00035870165,0.0012970483,0.0011220332,0.00045631002,0.000297853,0.000493582,0.00060268317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001628643,0.0011143534,0.0027722649,0.000038864924,0.00018030433,0.000012660396,0.0598464,0.0000018265142,0.000289025,0.83489203,0.0068245605,0.09401142],"study_design_scores_gemma":[0.0009996486,0.000004626373,0.02326874,0.001138789,0.00042194844,0.000013087846,0.0041293357,0.00079650065,0.015077838,0.027511118,0.9255982,0.0010401452],"about_ca_topic_score_codex":0.0035323533,"about_ca_topic_score_gemma":0.008070518,"teacher_disagreement_score":0.91877365,"about_ca_system_score_codex":0.00014179463,"about_ca_system_score_gemma":0.00020210569,"threshold_uncertainty_score":0.99993},"labels":[],"label_agreement":null},{"id":"W1709335283","doi":"","title":"Marilù Mallet et Leopoldo Gutierrez, cinéastes de l’exil. Double portrait - Canada [Québec] 2000, 38 minutes . Blue Jay : Notes from Exile - Canada [Québec] 2000, 54 minutes Double portrait - Canada [Québec] 2000, 38 minutes Blue Jay : Notes from Exile - Canada [Québec] 2000, 54 minutes","year":2001,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Mallet; Art; Ancient history; History; Art history; Archaeology","score_opus":0.017424044946727443,"score_gpt":0.232336210908412,"score_spread":0.21491216596168455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1709335283","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4056353,0.23435731,0.00001993643,0.32553786,0.005721278,0.002170402,0.014137234,0.0003076233,0.0121130645],"genre_scores_gemma":[0.47893837,0.0026179887,0.0017989356,0.022703966,0.0065488475,0.00084665726,0.004335962,0.00053158187,0.48167768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97835326,0.0017739777,0.0044640093,0.0046985615,0.003916628,0.006793563],"domain_scores_gemma":[0.9819642,0.0064766733,0.0029065153,0.0026851567,0.0017631807,0.0042043114],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0017137816,0.0040045953,0.0046805986,0.000541295,0.003706034,0.0014650568,0.005254314,0.0021772012,0.024215752],"category_scores_gemma":[0.0015643524,0.0039785393,0.0012669454,0.0039540576,0.0025460245,0.0022703202,0.0007369583,0.0031946204,0.00007905157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00056537415,0.0005053571,0.084400974,0.00038109272,0.002625555,0.00586299,0.01948828,0.0029857254,0.0007244413,0.00033034466,0.87713635,0.0049934844],"study_design_scores_gemma":[0.0029494355,0.00025153317,0.022340678,0.0011146376,0.0020701329,0.00048299338,0.015807098,0.0007291336,0.0026451044,0.000385109,0.9464184,0.0048057297],"about_ca_topic_score_codex":0.99999976,"about_ca_topic_score_gemma":1,"teacher_disagreement_score":0.46956462,"about_ca_system_score_codex":0.021620166,"about_ca_system_score_gemma":0.26235938,"threshold_uncertainty_score":0.9995715},"labels":[],"label_agreement":null},{"id":"W1717550686","doi":"","title":"Quand l’image fait marque. Théâtres au programme, de Gilbert David et Sylvain Schryburt, CÉTUQ et Bibliothèque nationale du Québec, 64 p. Théâtres au programme, de Gilbert David et Sylvain Schryburt, CÉTUQ et Bibliothèque nationale du Québec, 64 p.","year":2002,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Media studies; Sociology","score_opus":0.04806819118915537,"score_gpt":0.2910519148383528,"score_spread":0.24298372364919743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1717550686","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17086822,0.039362263,0.00037838865,0.5886696,0.0016593734,0.0026065162,0.00042630275,0.00075221644,0.19527711],"genre_scores_gemma":[0.5758788,0.010552131,0.010901545,0.07627224,0.006256056,0.001823429,0.00061583763,0.000336398,0.31736356],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98365897,0.0031939493,0.0021046698,0.0028767465,0.0033430057,0.0048226407],"domain_scores_gemma":[0.9909587,0.0033611078,0.0014501086,0.0010507083,0.0015378847,0.0016415073],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.010834725,0.00179097,0.0016427151,0.004645606,0.006879859,0.0076967715,0.0033801787,0.0009979445,0.00694048],"category_scores_gemma":[0.006414327,0.0015155723,0.0012417978,0.01573779,0.008808495,0.009029514,0.000826443,0.0016203546,0.00026840132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009768964,0.0023684383,0.08171766,0.00039286024,0.00054492074,0.00022328924,0.030495102,0.0014225284,0.0010674793,0.28910142,0.5901508,0.002417839],"study_design_scores_gemma":[0.0014832536,0.0007602059,0.010922453,0.0006392459,0.0003471958,0.00017039698,0.003857674,0.0032403022,0.00026261294,0.0112491585,0.96496665,0.0021008516],"about_ca_topic_score_codex":0.33998513,"about_ca_topic_score_gemma":0.8924467,"teacher_disagreement_score":0.5524615,"about_ca_system_score_codex":0.0024184338,"about_ca_system_score_gemma":0.013976762,"threshold_uncertainty_score":0.9994836},"labels":[],"label_agreement":null},{"id":"W1723404166","doi":"10.7202/1029295ar","title":"L’Underground musical des années 1970 au Québec","year":2015,"lang":"fr","type":"article","venue":"Les Cahiers des dix","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.052760357307311816,"score_gpt":0.2831728164640818,"score_spread":0.23041245915677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1723404166","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92262983,0.022604596,0.0001529462,0.007824604,0.0016736784,0.00013685995,0.000023418157,0.00009550857,0.044858526],"genre_scores_gemma":[0.84918475,0.0002748449,0.00072283496,0.003260379,0.0020976353,0.000015555352,0.000025108908,0.000020877309,0.144398],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718213,0.00056183134,0.0003489045,0.0005035585,0.0004898205,0.000913774],"domain_scores_gemma":[0.998336,0.00021522085,0.00014082176,0.00025666202,0.00033223105,0.00071903464],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0005363157,0.00034146282,0.00044740003,0.00008060628,0.0024158752,0.00040404504,0.00048287195,0.00065151573,0.00048147625],"category_scores_gemma":[0.00043927177,0.0002802928,0.00036560447,0.0010312732,0.011146845,0.00084421865,0.00008070244,0.0005251375,0.00038196333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007387219,0.00042474817,0.029090557,0.00013187388,0.00053863693,0.00012306179,0.42926547,0.00005348294,0.00012305744,0.41191438,0.030880652,0.09738023],"study_design_scores_gemma":[0.00042355913,0.0002217242,0.007862342,0.00007704392,0.0004219429,0.000022728633,0.06629874,0.0000664997,0.00002569685,0.058654156,0.8654093,0.00051626505],"about_ca_topic_score_codex":0.2965931,"about_ca_topic_score_gemma":0.7442899,"teacher_disagreement_score":0.8345286,"about_ca_system_score_codex":0.0019476237,"about_ca_system_score_gemma":0.0008900765,"threshold_uncertainty_score":0.99996495},"labels":[],"label_agreement":null},{"id":"W1737556757","doi":"10.7202/902052ar","title":"Le mot, le son, le sens","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03238639243528524,"score_gpt":0.26754584384070623,"score_spread":0.235159451405421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1737556757","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18457188,0.009254933,0.00014835558,0.06653063,0.005194815,0.000525388,0.00008397249,0.0003214483,0.7333686],"genre_scores_gemma":[0.84380597,0.000119729426,0.00011065905,0.00734053,0.0043515475,0.000039058345,0.000080004975,0.000040644594,0.14411189],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967064,0.0005732065,0.00066459924,0.00080260576,0.00040906412,0.00084410864],"domain_scores_gemma":[0.9976986,0.00019231846,0.00039402916,0.0005473109,0.0007559984,0.00041173238],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009712687,0.00046831035,0.00074167905,0.00013403395,0.0014601466,0.0005193183,0.00070014794,0.0008027344,0.0004458739],"category_scores_gemma":[0.00038372047,0.0004524661,0.00053070945,0.00086821645,0.0020484547,0.0011697671,0.00010918933,0.00080249447,0.00017464835],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006092807,0.0003227534,0.0010589499,0.00006335082,0.00019917854,0.00006399981,0.029405233,9.593398e-7,0.011286321,0.9166692,0.03356663,0.0073573496],"study_design_scores_gemma":[0.00053986406,0.000053369196,0.0008357724,0.000058555433,0.000089612025,0.000021462392,0.008587259,0.000041725492,0.00063136074,0.1413818,0.84723824,0.0005210027],"about_ca_topic_score_codex":0.028503105,"about_ca_topic_score_gemma":0.041274518,"teacher_disagreement_score":0.8136716,"about_ca_system_score_codex":0.00004514734,"about_ca_system_score_gemma":0.0014649176,"threshold_uncertainty_score":0.99983984},"labels":[],"label_agreement":null},{"id":"W173842537","doi":"","title":"Le charme discret d’un cinéaste. LA ROCHELLE, Real. Denys Arcand — L’Ange exterminateur, Montréal, Léméac, 2004, 386 p.LA ROCHELLE, Real. Denys Arcand — L’Ange exterminateur, Montréal, Léméac, 2004, 386 p.","year":2005,"lang":"fr","type":"article","venue":"Ciné-Bulles : Le cinéma d’auteur avant tout","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.011830395973091518,"score_gpt":0.2409971591083675,"score_spread":0.22916676313527598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W173842537","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15045883,0.5148151,0.00047626282,0.067678876,0.0047063422,0.0039039352,0.0018528501,0.0012272866,0.25488055],"genre_scores_gemma":[0.34650794,0.1517685,0.0010987946,0.00445694,0.005875266,0.0005972187,0.00080620724,0.00055514544,0.48833397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9816994,0.003534226,0.0034043374,0.0042540873,0.0023808205,0.0047271056],"domain_scores_gemma":[0.99027085,0.0013733866,0.0020644295,0.0026621837,0.0010807078,0.002548419],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0029575129,0.0031707236,0.0038389817,0.00095207035,0.0042153564,0.0019844458,0.0033549794,0.002924215,0.0038495497],"category_scores_gemma":[0.0005479464,0.003011622,0.0021472226,0.0023152435,0.0032070505,0.0028787581,0.0012378381,0.0030531515,0.0018413811],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009071179,0.0034472232,0.0013432237,0.00077290396,0.0016239423,0.0038577623,0.031011395,0.00070615625,0.0046277987,0.01290929,0.80613184,0.13266134],"study_design_scores_gemma":[0.00533357,0.00053293625,0.00537463,0.00092098553,0.00175265,0.00072177534,0.013309445,0.001984257,0.0012255304,0.002063569,0.9630704,0.00371024],"about_ca_topic_score_codex":0.05040141,"about_ca_topic_score_gemma":0.07090321,"teacher_disagreement_score":0.36304656,"about_ca_system_score_codex":0.0008124887,"about_ca_system_score_gemma":0.0015569222,"threshold_uncertainty_score":0.99950564},"labels":[],"label_agreement":null},{"id":"W174414805","doi":"10.71781/4429","title":"Danse, film, théâtre : une exploration de la collaboration créative entre la musique et les arts de nature visuelle","year":2010,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020409037497722764,"score_gpt":0.35471770290071947,"score_spread":0.3343086654029967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W174414805","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71817183,0.00092052,0.000094815485,0.009219497,0.00084655464,0.0009813905,0.00023613479,0.000009595241,0.26951966],"genre_scores_gemma":[0.8010944,0.0005480434,0.0037222304,0.001258678,0.0007331651,0.00020251752,0.0059040417,0.000039003327,0.18649791],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961409,0.002079504,0.0003971902,0.0006290656,0.00037119418,0.000382155],"domain_scores_gemma":[0.997857,0.00052567973,0.00054351566,0.00020778083,0.0006858242,0.00018024615],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012662478,0.000403902,0.0004606289,0.000104282924,0.0011300145,0.0016614017,0.00059537456,0.0027374737,0.0028942265],"category_scores_gemma":[0.00044548558,0.00035577,0.0001706992,0.001298887,0.000364575,0.0015444921,0.00006450572,0.0016487136,0.000100244426],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002570574,0.0005769053,0.00078234036,0.000076480275,0.0003846158,0.00009217879,0.822742,0.00044995564,0.023300096,0.08902092,0.019007819,0.04330964],"study_design_scores_gemma":[0.000407556,0.00007724535,0.0020527188,0.00023459918,0.00041518424,0.0000057337584,0.21403241,0.00033512228,0.007233415,0.0044895345,0.7701889,0.0005275651],"about_ca_topic_score_codex":0.0031540182,"about_ca_topic_score_gemma":0.22283556,"teacher_disagreement_score":0.7511811,"about_ca_system_score_codex":0.00017164176,"about_ca_system_score_gemma":0.001287892,"threshold_uncertainty_score":0.99988943},"labels":[],"label_agreement":null},{"id":"W175083540","doi":"","title":"Le « modèle » québécois du théâtre. Festival de théâtre des Amériques 2003. Jeu : Revue de théâtre, no. 109, 2003","year":2003,"lang":"fr","type":"article","venue":"VST - Vie sociale et traitements","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.03324244689552776,"score_gpt":0.2804005785981713,"score_spread":0.24715813170264356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W175083540","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23994404,0.014451296,0.00053775543,0.032192267,0.005062662,0.001634223,0.00055338617,0.00039253826,0.70523185],"genre_scores_gemma":[0.4333792,0.008745523,0.006658098,0.033333212,0.0050653103,0.00039937766,0.0003393461,0.00020360277,0.51187634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99302065,0.002389341,0.00094062265,0.0010034961,0.00072472234,0.0019211854],"domain_scores_gemma":[0.9967815,0.00017332737,0.00054212444,0.00039537414,0.0014531992,0.0006544289],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018533389,0.00077337556,0.0009820185,0.00016181459,0.0023973556,0.00046302847,0.00079373835,0.0011677442,0.0015317196],"category_scores_gemma":[0.0014318286,0.00077798765,0.0005556291,0.0033280125,0.0015141701,0.0014300486,0.000108680295,0.0009988515,0.0003080977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006886353,0.002355298,0.015084113,0.00034073993,0.0012613703,0.00015383784,0.040455684,0.00009079309,0.00076599244,0.5761432,0.3428981,0.020382013],"study_design_scores_gemma":[0.0010254098,0.00018078943,0.0038587658,0.00030697204,0.00046900456,0.000017219312,0.0097687645,0.000099407735,0.00025083657,0.010055254,0.9730682,0.00089937064],"about_ca_topic_score_codex":0.03180161,"about_ca_topic_score_gemma":0.16775231,"teacher_disagreement_score":0.6301701,"about_ca_system_score_codex":0.00095093594,"about_ca_system_score_gemma":0.0038294406,"threshold_uncertainty_score":0.99946713},"labels":[],"label_agreement":null},{"id":"W175228764","doi":"","title":"2013-10-10 - Palmarès de l'académie « Musique à Flaine »","year":2013,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.021174130917227772,"score_gpt":0.26878291552488753,"score_spread":0.24760878460765975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W175228764","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10981414,0.014025506,0.00010032187,0.16118619,0.0018553871,0.0005347433,0.000021650983,0.0001815799,0.7122805],"genre_scores_gemma":[0.11620613,0.0008015615,0.00084649975,0.022372132,0.0024714333,0.00006110173,0.00003616838,0.00001562514,0.85718936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973577,0.00046857077,0.0003986092,0.0004756785,0.0003495862,0.00094982976],"domain_scores_gemma":[0.9985352,0.00015545866,0.0001433853,0.00027599625,0.00040870716,0.00048122145],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004819221,0.00031233946,0.00040643368,0.00006803992,0.0006407057,0.00037322135,0.00049807946,0.000659915,0.25656998],"category_scores_gemma":[0.00013106826,0.00023153564,0.00035684512,0.0009094317,0.00075033936,0.00087669643,0.000107127504,0.00034803027,0.011544495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058758555,0.00013370371,0.0005270912,0.000025126998,0.00014273015,0.00001183072,0.0046092216,0.000007698326,0.00062465423,0.08271413,0.89696085,0.014237102],"study_design_scores_gemma":[0.0002202793,0.000085690306,0.0022449682,0.000028221906,0.00015223472,0.0000056937606,0.0030287642,0.00043151106,0.0001095407,0.015483353,0.9778236,0.00038614648],"about_ca_topic_score_codex":0.027293827,"about_ca_topic_score_gemma":0.017909393,"teacher_disagreement_score":0.2450255,"about_ca_system_score_codex":0.0001686837,"about_ca_system_score_gemma":0.00016073912,"threshold_uncertainty_score":0.99938613},"labels":[],"label_agreement":null},{"id":"W1754207514","doi":"10.7202/902028ar","title":"Claude Vivier : les oeuvres d’une discographique imposante","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.037380419706307476,"score_gpt":0.28994500045181454,"score_spread":0.2525645807455071,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1754207514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.441471,0.04441499,0.00010640342,0.041649632,0.008807448,0.0008968226,0.00020319302,0.00039262683,0.46205786],"genre_scores_gemma":[0.9147634,0.0010329289,0.000112986825,0.008836458,0.0058316113,0.00010080035,0.000112595444,0.000058614016,0.06915062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99574566,0.000748542,0.00091036374,0.0009958377,0.00056052447,0.0010390737],"domain_scores_gemma":[0.9972257,0.0003491192,0.0005406378,0.0006612972,0.00070703035,0.00051621685],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010422138,0.00070336903,0.00095197425,0.0002735098,0.0013017522,0.0006259038,0.000966706,0.0011344604,0.0029814031],"category_scores_gemma":[0.00038073875,0.0005838835,0.0009277727,0.0018057122,0.0035905475,0.0012045277,0.00012909391,0.0013088271,0.00012333016],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028092503,0.0004100714,0.015248694,0.00016999556,0.0005582417,0.00013921656,0.05868116,3.9221732e-7,0.014092597,0.8296483,0.024002424,0.057020813],"study_design_scores_gemma":[0.00041120578,0.000115114206,0.006454012,0.0001889543,0.00027305936,0.000026490832,0.006137249,0.000019363288,0.00032484854,0.14875226,0.8364331,0.0008643091],"about_ca_topic_score_codex":0.015065632,"about_ca_topic_score_gemma":0.06668406,"teacher_disagreement_score":0.8124307,"about_ca_system_score_codex":0.00005947739,"about_ca_system_score_gemma":0.00025914126,"threshold_uncertainty_score":0.9999984},"labels":[],"label_agreement":null},{"id":"W1755731691","doi":"","title":"Le Dictionnaire du cinéma québécois, Sous la direction de Michel Coulombe et de Marcel Jean, 3e édition revue et augmentée par Michel Coulombe, Montréal, Boréal, 1999, 721 pages Le Dictionnaire du cinéma québécois, Sous la direction de Michel Coulombe et de Marcel Jean, 3e édition revue et augmentée par Michel Coulombe, Montréal, Boréal, 1999, 721 pages","year":2000,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.007919267572540377,"score_gpt":0.2365873854207694,"score_spread":0.22866811784822902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1755731691","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2627763,0.17662977,0.0038547795,0.5234864,0.0037045884,0.0037581818,0.0020641033,0.002339008,0.021386933],"genre_scores_gemma":[0.61972046,0.34157306,0.0016010697,0.017391248,0.003120377,0.0013686409,0.0022542435,0.00040298095,0.012567904],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9776262,0.010270665,0.0031946881,0.0035486505,0.0017185911,0.0036411746],"domain_scores_gemma":[0.990111,0.0027472568,0.0025863938,0.0017124512,0.0010435904,0.0017993338],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.007666393,0.0026832772,0.0027911116,0.00092350726,0.0045699277,0.0019151928,0.001779716,0.0037588116,0.00041061785],"category_scores_gemma":[0.0018868634,0.0029834611,0.0019176016,0.0032541524,0.0026580926,0.0037734827,0.0003699734,0.0039207684,0.00014437726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013074765,0.0049753548,0.021884073,0.0021010286,0.0022938477,0.0014195415,0.0511079,0.0153409215,0.040602047,0.0060864235,0.8416571,0.011224256],"study_design_scores_gemma":[0.0043532257,0.0009808016,0.07948897,0.003775328,0.0028480713,0.0021640453,0.01868132,0.011595305,0.0028098992,0.0030624901,0.86664516,0.0035953983],"about_ca_topic_score_codex":0.5022293,"about_ca_topic_score_gemma":0.528076,"teacher_disagreement_score":0.5060951,"about_ca_system_score_codex":0.0026373337,"about_ca_system_score_gemma":0.005067904,"threshold_uncertainty_score":0.9991209},"labels":[],"label_agreement":null},{"id":"W1759846998","doi":"","title":"Tout ce que tu possèdes : Scénarios et regards croisés : De lumière et d’espoirBernard Émond, Tout ce que tu possèdes : Scénarios et regards croisés, Montréal : Lux Éditeur, 2012, 139 pagesBernard Émond, Tout ce que tu possèdes : Scénarios et regards croisés, Montréal : Lux Éditeur, 2012, 139 pages","year":2013,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.013165310865948292,"score_gpt":0.25661050509270417,"score_spread":0.24344519422675587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1759846998","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38745624,0.17106433,0.00054677716,0.3526168,0.00518366,0.006318068,0.004033891,0.0019852852,0.07079496],"genre_scores_gemma":[0.3893918,0.06098893,0.00466078,0.01597309,0.0044028256,0.0005060399,0.0008628749,0.0006839038,0.5225297],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9663928,0.0130564375,0.004307619,0.0059033944,0.003720728,0.006619012],"domain_scores_gemma":[0.980675,0.0043309997,0.0037150222,0.0040554544,0.0036809302,0.0035425997],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.008331293,0.004607725,0.0052481857,0.0015366036,0.003771777,0.005370093,0.0064212764,0.005264182,0.003428063],"category_scores_gemma":[0.0045599937,0.004440979,0.0035974935,0.0047049792,0.005345302,0.00992006,0.0019371607,0.0072568725,0.0010320581],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018945433,0.0025281585,0.02965079,0.0015849393,0.002967741,0.0061485325,0.06830529,0.005758865,0.011024508,0.039502654,0.81489134,0.015742645],"study_design_scores_gemma":[0.004553211,0.0016724346,0.049835328,0.004075068,0.0023840133,0.0021965748,0.02814099,0.0022973078,0.00087318255,0.008234379,0.88936996,0.0063675516],"about_ca_topic_score_codex":0.47118875,"about_ca_topic_score_gemma":0.64729905,"teacher_disagreement_score":0.45173478,"about_ca_system_score_codex":0.0031807006,"about_ca_system_score_gemma":0.0067590075,"threshold_uncertainty_score":0.9997457},"labels":[],"label_agreement":null},{"id":"W1765924629","doi":"10.7202/037451ar","title":"Considérations en provenance de Sirius","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.038299902649834065,"score_gpt":0.2970712662638187,"score_spread":0.2587713636139846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1765924629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04423742,0.038295917,0.00051893713,0.11275081,0.0018522219,0.000854269,0.00008931029,0.00033143334,0.8010697],"genre_scores_gemma":[0.84173036,0.00043436795,0.00016845275,0.025287094,0.0023647007,0.00003586295,0.000045594927,0.000014712919,0.12991884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971089,0.0008170115,0.00054130965,0.0005336089,0.00030205786,0.00069713296],"domain_scores_gemma":[0.9983104,0.00025410618,0.00029723553,0.00032182326,0.00052427006,0.0002921513],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007769319,0.00034757308,0.0005298256,0.00009567335,0.0006620691,0.0003464311,0.00042646079,0.00050125027,0.0003940603],"category_scores_gemma":[0.00058904383,0.00032121857,0.0003409848,0.000856563,0.00079437613,0.0008186337,0.000026755964,0.00037724353,0.00009663352],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008542203,0.00023125652,0.0007505393,0.000038912553,0.00010916352,0.00008148727,0.064788654,0.0000052210307,0.0014725518,0.87525874,0.030351443,0.026903506],"study_design_scores_gemma":[0.0002981961,0.0001532781,0.0019747,0.00015187799,0.00013948245,0.000022088754,0.003773861,0.000088601795,0.00013822586,0.33498418,0.6578397,0.00043578868],"about_ca_topic_score_codex":0.00084584195,"about_ca_topic_score_gemma":0.0014706788,"teacher_disagreement_score":0.7974929,"about_ca_system_score_codex":0.00022321164,"about_ca_system_score_gemma":0.000638899,"threshold_uncertainty_score":0.999924},"labels":[],"label_agreement":null},{"id":"W1767579636","doi":"10.7202/1023737ar","title":"De quelques fausses idées du contrepoint d’école et de leurs conséquences","year":2014,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.058903695244881746,"score_gpt":0.36633954664431845,"score_spread":0.3074358513994367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1767579636","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33552393,0.009248936,0.005663784,0.0371987,0.00064057787,0.00047519122,0.000044835786,0.0003462556,0.6108578],"genre_scores_gemma":[0.54940015,0.010761837,0.01615303,0.3979838,0.0023438947,0.00022357941,0.00003556034,0.00008794327,0.023010213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.96891075,0.027868902,0.0006553907,0.0007450667,0.00039180712,0.0014280698],"domain_scores_gemma":[0.9857902,0.012288583,0.00046431596,0.0004043825,0.0003505558,0.0007019711],"candidate_categories":["metaresearch","metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.012041232,0.0006351076,0.0009230112,0.00013739154,0.0009321559,0.00069092255,0.0009139604,0.004466598,0.00052520575],"category_scores_gemma":[0.009173333,0.0005899442,0.00076223473,0.0008162223,0.0036943473,0.00056532386,0.00008611814,0.0038287437,0.00003537348],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005799115,0.00022911864,0.0042650267,0.0001655607,0.00047658387,0.00010929987,0.09981252,0.00018795641,0.0037704124,0.84274817,0.00458664,0.043590717],"study_design_scores_gemma":[0.00062365003,0.00015126394,0.0018659814,0.00026948945,0.00064714736,0.00014909587,0.041979745,0.0006306839,0.0015421277,0.6341819,0.31710014,0.0008587531],"about_ca_topic_score_codex":0.079393215,"about_ca_topic_score_gemma":0.061341837,"teacher_disagreement_score":0.5878476,"about_ca_system_score_codex":0.00464726,"about_ca_system_score_gemma":0.003706823,"threshold_uncertainty_score":0.9996552},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"commentary","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"agree"},{"id":"W1772746176","doi":"","title":"Les Rendez-vous du cinéma québécois 2005 — Documentaires : Regards si près, si loin","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.007901826100205447,"score_gpt":0.19826371549104385,"score_spread":0.1903618893908384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1772746176","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29797694,0.23971903,0.000028040027,0.3866773,0.00091739796,0.0003539183,0.000115455565,0.00022051968,0.07399141],"genre_scores_gemma":[0.2764202,0.020944625,0.0005178507,0.0052319514,0.0024428258,0.000009479674,0.000074554424,0.000037406015,0.6943211],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967151,0.0004593768,0.00036629318,0.0007202415,0.0006379386,0.001101028],"domain_scores_gemma":[0.9983382,0.00012747823,0.00034672703,0.0004210976,0.0002243595,0.00054214295],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041670282,0.00047034636,0.00056804885,0.00018274187,0.0023217849,0.00013893389,0.0007325813,0.0006075403,0.0036008945],"category_scores_gemma":[0.0000613205,0.00046380973,0.0005590898,0.0009183521,0.000636428,0.0009975615,0.00028583175,0.00045642693,0.0005133002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013186262,0.00029464162,0.0014717922,0.00003687496,0.0005810077,0.00094674545,0.018386569,0.00021262463,0.00026181282,0.08888699,0.68004334,0.20874575],"study_design_scores_gemma":[0.00080976513,0.00011918713,0.0014180937,0.000062290026,0.0006866153,0.00012010332,0.013446881,0.00034098903,0.00007992155,0.0007729886,0.9815802,0.000562976],"about_ca_topic_score_codex":0.28971076,"about_ca_topic_score_gemma":0.9499912,"teacher_disagreement_score":0.66028047,"about_ca_system_score_codex":0.008843074,"about_ca_system_score_gemma":0.0001952493,"threshold_uncertainty_score":0.99978137},"labels":[],"label_agreement":null},{"id":"W1778720714","doi":"10.4000/books.pum.639","title":"Sigles et abréviations","year":2002,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0182380715535772,"score_gpt":0.20741369139875862,"score_spread":0.18917561984518141,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1778720714","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002040456,0.013924608,0.00012907913,0.004363344,0.0002766236,0.00029932853,0.00019144306,0.00014138271,0.97863376],"genre_scores_gemma":[0.07427329,0.004003368,0.0004392605,0.003615494,0.00050155836,0.000010812566,0.00008404272,0.00004450963,0.91702765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99763525,0.0002953253,0.00033099347,0.00057994906,0.00045663273,0.00070182915],"domain_scores_gemma":[0.9983002,0.00030567986,0.00036462257,0.00035355226,0.00025275722,0.00042321876],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021612305,0.00050878787,0.0005567166,0.00015217075,0.0016003427,0.00019232612,0.000677303,0.00089578895,0.019184222],"category_scores_gemma":[0.000047319983,0.00050758885,0.0006134405,0.00008227799,0.0007223266,0.00024008937,0.00033631583,0.00065089785,0.00049389404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059091763,0.000068519235,0.0005955302,0.00006709906,0.0008501441,0.0003940112,0.033920754,0.00027557637,0.00038316523,0.89866817,0.05072736,0.013990558],"study_design_scores_gemma":[0.00036338044,0.00007358225,0.0014982678,0.000120743876,0.0012298408,0.0000317054,0.0012277781,0.00036560665,0.000057019406,0.029658342,0.9647651,0.0006086355],"about_ca_topic_score_codex":0.006657226,"about_ca_topic_score_gemma":0.031444862,"teacher_disagreement_score":0.91403776,"about_ca_system_score_codex":0.00082918373,"about_ca_system_score_gemma":0.00009368642,"threshold_uncertainty_score":0.9999575},"labels":[],"label_agreement":null},{"id":"W1784629562","doi":"","title":"Les 19e Rendez-vous du cinéma québécois — Documentaire : fragments de mémoire","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Moiré pattern; Computer science; Computer vision","score_opus":0.008323002619469715,"score_gpt":0.20850980853306422,"score_spread":0.2001868059135945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1784629562","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62341976,0.112642944,0.0000697759,0.18245043,0.0009345088,0.00025357195,0.000060881124,0.00015589186,0.080012225],"genre_scores_gemma":[0.4731443,0.023152588,0.00024072416,0.003708961,0.0009156945,0.000007573513,0.000054088,0.000026821806,0.49874926],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973146,0.00041317003,0.00025844434,0.00057540886,0.00047244117,0.0009659909],"domain_scores_gemma":[0.9986883,0.000081954255,0.0002537595,0.00032317158,0.00015981485,0.00049299706],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029759112,0.00037565912,0.00043471728,0.00013334281,0.0026254356,0.000099310964,0.00061393366,0.0005214919,0.0018913947],"category_scores_gemma":[0.00003610452,0.00038312943,0.00044171905,0.0010926073,0.0004535758,0.00069037144,0.00023739855,0.0003745544,0.00024224773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024804473,0.0004995423,0.027872536,0.000061803934,0.0011779773,0.007849046,0.04107647,0.00022323526,0.00044310416,0.14663373,0.4876601,0.2862544],"study_design_scores_gemma":[0.00074113393,0.00011460488,0.0046903254,0.00006628467,0.0006109894,0.00024511345,0.017671924,0.00023106529,0.000021944299,0.0017844122,0.9733866,0.0004356254],"about_ca_topic_score_codex":0.41629055,"about_ca_topic_score_gemma":0.820097,"teacher_disagreement_score":0.48572648,"about_ca_system_score_codex":0.009733229,"about_ca_system_score_gemma":0.00015440499,"threshold_uncertainty_score":0.9998621},"labels":[],"label_agreement":null},{"id":"W1791714636","doi":"","title":"Gabriel Pelletier : Pour un nouveau cinéma populaire québécois","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.00617482210534007,"score_gpt":0.17661124541429932,"score_spread":0.17043642330895925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1791714636","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48620597,0.1251778,0.000014579169,0.28289354,0.00074700516,0.00022266195,0.00008071539,0.00012849743,0.104529224],"genre_scores_gemma":[0.17853063,0.01447335,0.00035202035,0.006579372,0.0009107614,0.0000037377147,0.0000490787,0.000027759357,0.7990733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99738395,0.00037138496,0.00026869308,0.00061267504,0.00045113216,0.00091214414],"domain_scores_gemma":[0.9987269,0.00006997409,0.00016646172,0.00037601913,0.00016437609,0.0004962509],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021620325,0.00038812796,0.00048690793,0.00011017101,0.0020889053,0.000072202056,0.0006020196,0.0005709572,0.019709868],"category_scores_gemma":[0.000022819013,0.00039314726,0.0005595905,0.001149912,0.0004475543,0.00044616955,0.00012027232,0.0004036959,0.00218111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014176677,0.000306857,0.0011031143,0.000032333057,0.00052686513,0.002106567,0.025447033,0.00013755278,0.0001106561,0.070237696,0.48446414,0.41538543],"study_design_scores_gemma":[0.00066471595,0.000083298124,0.0018639541,0.000044968867,0.0005879318,0.00012060534,0.011072189,0.0002039953,0.00001872112,0.0034733936,0.9813738,0.0004924547],"about_ca_topic_score_codex":0.22946678,"about_ca_topic_score_gemma":0.63593054,"teacher_disagreement_score":0.6945441,"about_ca_system_score_codex":0.003736423,"about_ca_system_score_gemma":0.00017068263,"threshold_uncertainty_score":0.99985206},"labels":[],"label_agreement":null},{"id":"W1809937325","doi":"10.7202/1018586ar","title":"Delphine Grivel. 2011. Maurice Denis et la musique. Lyon : Symétrie. Coll. « Perpetuum Mobile », 328 p. ISBN 978-2-914373-53-1 (couverture souple)","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019906882921295666,"score_gpt":0.26526092115791966,"score_spread":0.245354038236624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1809937325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84014124,0.05060561,0.0004454631,0.036293823,0.032550942,0.0007633691,0.00065020664,0.00006464377,0.03848473],"genre_scores_gemma":[0.9493116,0.0009694408,0.00028662413,0.009520748,0.0050965394,0.00003389335,0.00002485305,0.00005156431,0.03470473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957152,0.0011079756,0.00095319684,0.00038713354,0.00055880804,0.0012776741],"domain_scores_gemma":[0.9954369,0.00029729717,0.0007135186,0.00032194678,0.0011121305,0.0021181803],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014558702,0.0005156687,0.00074161886,0.0008315482,0.0013724933,0.0004286873,0.00076961506,0.00076266006,0.016356725],"category_scores_gemma":[0.0002433123,0.00045757476,0.00089999684,0.0015205127,0.00095086434,0.0018833224,0.000059712132,0.0016800932,0.00031495476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006794231,0.00036089862,0.004746266,0.000063514824,0.001146232,0.000361222,0.09934982,0.00026417224,0.00063584035,0.008185467,0.8783382,0.0064803925],"study_design_scores_gemma":[0.0005313906,0.00034054648,0.0040985346,0.00024233323,0.0009073414,0.0010833323,0.03325192,0.000059548467,0.000042528805,0.0005922125,0.95828736,0.00056296296],"about_ca_topic_score_codex":0.13837041,"about_ca_topic_score_gemma":0.7510001,"teacher_disagreement_score":0.6126297,"about_ca_system_score_codex":0.0011983474,"about_ca_system_score_gemma":0.0022698026,"threshold_uncertainty_score":0.9999276},"labels":[],"label_agreement":null},{"id":"W1810083651","doi":"","title":"Dictionnaire du film, André Roy, Montréal, Les Éditions logiques, 1999, 359 pages Dictionnaire du film, André Roy, Montréal, Les Éditions logiques, 1999, 359 pages","year":2000,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013990432778744816,"score_gpt":0.23174962281563277,"score_spread":0.21775919003688796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1810083651","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073650345,0.351919,0.0011316095,0.49453697,0.0037201701,0.0018746057,0.003478653,0.0017712303,0.067917414],"genre_scores_gemma":[0.68669415,0.25322682,0.00076994015,0.0029899278,0.00568488,0.00057646993,0.0011653649,0.0000925877,0.04879987],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9914193,0.0027730262,0.0015240648,0.0017089496,0.00089830166,0.001676328],"domain_scores_gemma":[0.995947,0.00083281874,0.00078231475,0.00088711927,0.0007011141,0.00084963784],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013561555,0.0011981985,0.0013594562,0.0003859486,0.0071557923,0.0011008008,0.0012386547,0.0019383171,0.0073313033],"category_scores_gemma":[0.0006306473,0.0010772701,0.0011663171,0.0022429994,0.003682446,0.0021552825,0.00018301861,0.0017337934,0.00030862246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008091775,0.0010698388,0.012717851,0.00027223164,0.00066729006,0.0006409577,0.009199034,0.0034619635,0.000107456115,0.018788556,0.8767144,0.07627949],"study_design_scores_gemma":[0.0007740965,0.0006117053,0.038474243,0.0012145335,0.000972446,0.00044717125,0.011260635,0.0021659774,0.0000725722,0.0086100865,0.93397045,0.0014261081],"about_ca_topic_score_codex":0.06597501,"about_ca_topic_score_gemma":0.17197238,"teacher_disagreement_score":0.6130438,"about_ca_system_score_codex":0.00061832,"about_ca_system_score_gemma":0.00039553278,"threshold_uncertainty_score":0.99993616},"labels":[],"label_agreement":null},{"id":"W1812408597","doi":"","title":"Tout est mise en scène, Marcel Jean, Montréal, Les 400 coups, 2007 264 pages Tout est mise en scène, Marcel Jean, Montréal, Les 400 coups, 2007 264 pages","year":2008,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020171905682084903,"score_gpt":0.24736286248627096,"score_spread":0.22719095680418605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1812408597","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20829374,0.49383333,0.000088901936,0.22444376,0.0041165533,0.002251183,0.0011312943,0.0006905752,0.06515063],"genre_scores_gemma":[0.30100662,0.34992748,0.0027910923,0.004902757,0.008824916,0.00032653887,0.0005116525,0.00023629969,0.33147264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98812985,0.0026161652,0.0021096028,0.0024342693,0.0017220972,0.002987994],"domain_scores_gemma":[0.99118173,0.0036189707,0.0012451488,0.0014097269,0.0010546143,0.0014898189],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0026587863,0.001833588,0.002347481,0.00048465878,0.0034359861,0.00092363224,0.002705111,0.0024443285,0.004707386],"category_scores_gemma":[0.0019545218,0.0016321437,0.0013720677,0.0021435681,0.0042180424,0.0016165011,0.00049125106,0.00221573,0.0008637592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037983124,0.0012897915,0.027125822,0.00084007793,0.0011200649,0.0033640428,0.025426593,0.0013254323,0.002146977,0.005319524,0.8702197,0.061442163],"study_design_scores_gemma":[0.0015013795,0.00042468033,0.016848562,0.0009899664,0.0011734711,0.00028757274,0.02396795,0.0013367829,0.00025378304,0.0010036794,0.9500354,0.0021767667],"about_ca_topic_score_codex":0.10851296,"about_ca_topic_score_gemma":0.16792688,"teacher_disagreement_score":0.266322,"about_ca_system_score_codex":0.00085018284,"about_ca_system_score_gemma":0.00074138073,"threshold_uncertainty_score":0.99991417},"labels":[],"label_agreement":null},{"id":"W1813868146","doi":"","title":"La Brunante : Crépuscule avant la nuit La Brunante Canada [Québec] 2007, 101 minutes La Brunante Canada [Québec] 2007, 101 minutes","year":2007,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.010864483011823951,"score_gpt":0.2333536798168137,"score_spread":0.22248919680498977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1813868146","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29032105,0.20413664,0.00006115816,0.19786417,0.00815257,0.0014219781,0.0012886182,0.00034410076,0.2964097],"genre_scores_gemma":[0.505103,0.002952187,0.00047524128,0.0062675294,0.0027409387,0.00006989923,0.000107516666,0.00012237005,0.4821613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9891584,0.0027799592,0.0017628301,0.0017870484,0.0015584666,0.0029533238],"domain_scores_gemma":[0.99089676,0.004826519,0.001068018,0.000956116,0.0007972926,0.0014553026],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0037510376,0.0013804263,0.0017816365,0.000279616,0.0016273364,0.00073048315,0.0022182718,0.0014697576,0.0025706748],"category_scores_gemma":[0.0014728933,0.0012118854,0.0007879692,0.0019537762,0.0028650993,0.0009213981,0.00032693928,0.0019261857,0.00011497426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014755854,0.00038858032,0.04488167,0.00061180687,0.0009992917,0.00801064,0.015001641,0.00014246561,0.0007493121,0.005598552,0.9027406,0.020727862],"study_design_scores_gemma":[0.0007768629,0.00011768442,0.031195598,0.0010540358,0.0007389884,0.00064699445,0.00910399,0.00022660443,0.00032226558,0.00043919907,0.95379794,0.0015798156],"about_ca_topic_score_codex":0.9993072,"about_ca_topic_score_gemma":0.9999747,"teacher_disagreement_score":0.21478195,"about_ca_system_score_codex":0.0021771747,"about_ca_system_score_gemma":0.01674402,"threshold_uncertainty_score":0.9998946},"labels":[],"label_agreement":null},{"id":"W1817155085","doi":"10.7202/1021518ar","title":"« Donner le temps » : entretien avec Lorraine Vaillancourt","year":2014,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.025908752113916172,"score_gpt":0.2521960466361796,"score_spread":0.22628729452226345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1817155085","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049333096,0.017039156,0.00058979023,0.0772893,0.005655283,0.0007009935,0.00007727915,0.00040426158,0.84891087],"genre_scores_gemma":[0.77326614,0.00025633344,0.0000650681,0.010431155,0.00541637,0.000047456506,0.00011227409,0.00004523001,0.21035999],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952876,0.0012520421,0.0008575653,0.0009651288,0.00061154296,0.001026138],"domain_scores_gemma":[0.99723244,0.00035747493,0.00051268114,0.0006174498,0.00077432574,0.0005056458],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014251611,0.0006248892,0.0010130147,0.00018164267,0.00086048135,0.0004567137,0.00079245574,0.0006975154,0.0014221532],"category_scores_gemma":[0.00060761307,0.0005422043,0.00063050113,0.0010350216,0.0015841868,0.00082551397,0.0001267975,0.00048041268,0.0003848073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002309211,0.00030130538,0.0024163728,0.00016779231,0.00036852673,0.00005389807,0.14345,0.000007079805,0.00056930317,0.7672693,0.06481276,0.02056055],"study_design_scores_gemma":[0.0006953395,0.00014011185,0.00054165005,0.00017887483,0.00015824242,0.000015168406,0.006411086,0.00023490831,0.00006623103,0.08691642,0.90391254,0.00072943175],"about_ca_topic_score_codex":0.0045226966,"about_ca_topic_score_gemma":0.006332005,"teacher_disagreement_score":0.83909976,"about_ca_system_score_codex":0.00015439083,"about_ca_system_score_gemma":0.00029797634,"threshold_uncertainty_score":0.99970293},"labels":[],"label_agreement":null},{"id":"W1825305362","doi":"10.4000/volume.369","title":"La scène punk montréalaise","year":2008,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Punk; Humanities; Art; Spectacle; Art history; Political science; Law","score_opus":0.021301166765962155,"score_gpt":0.2508356816566567,"score_spread":0.22953451489069454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1825305362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49540183,0.068096586,0.000025140205,0.042796593,0.0034213949,0.00021952011,0.000062133935,0.00014984483,0.38982695],"genre_scores_gemma":[0.55663824,0.0015564354,0.0001662633,0.002653453,0.0013690717,0.000009389942,0.00001476121,0.000009476743,0.43758288],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822795,0.00040789982,0.00023218947,0.00032225874,0.00032538964,0.00048431926],"domain_scores_gemma":[0.99926436,0.000062563566,0.0000959351,0.00019689945,0.00014581678,0.00023443297],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027352333,0.00018131385,0.00028784177,0.00004656409,0.0008683166,0.000097478245,0.00028748877,0.0003835207,0.004093265],"category_scores_gemma":[0.00008983299,0.00015527342,0.00027264358,0.0008666871,0.0012089185,0.00041254068,0.000052321848,0.0003056032,0.0022618668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015637537,0.00032515885,0.013484343,0.000027569191,0.00018814586,0.00035741884,0.028100077,0.000016489772,0.00010971015,0.037113365,0.87594086,0.04432121],"study_design_scores_gemma":[0.00018921353,0.000041867806,0.009611034,0.00002186992,0.00011018508,0.000033354096,0.0013028083,0.00018559748,0.000009642646,0.0013673293,0.98690695,0.00022015518],"about_ca_topic_score_codex":0.0041088765,"about_ca_topic_score_gemma":0.0027917868,"teacher_disagreement_score":0.110966064,"about_ca_system_score_codex":0.0000872507,"about_ca_system_score_gemma":0.00010657942,"threshold_uncertainty_score":0.998515},"labels":[],"label_agreement":null},{"id":"W1825949288","doi":"","title":"Man of Grease. Canada [Québec], 2000, 48 minutesCanada [Québec], 2000, 48 minutes","year":2001,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Grease; Biology","score_opus":0.013795645429638884,"score_gpt":0.2295383494032175,"score_spread":0.21574270397357861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1825949288","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23858544,0.16484073,0.000009424291,0.48242217,0.0036905687,0.0005718959,0.0004668055,0.00008672138,0.109326236],"genre_scores_gemma":[0.40213716,0.0017152075,0.000344072,0.00641334,0.0018482399,0.000046366942,0.00006719036,0.00003792941,0.5873905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99533063,0.00077554164,0.00095095433,0.00083447294,0.00076645124,0.0013419613],"domain_scores_gemma":[0.9970363,0.0005007508,0.0006218866,0.0005626604,0.0005117208,0.00076670654],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066991017,0.00059957936,0.0009789863,0.00015157787,0.00073932786,0.0001525331,0.0012183666,0.00055797806,0.006456306],"category_scores_gemma":[0.00040222603,0.0005520053,0.00044235706,0.0020222743,0.0014364262,0.0005518722,0.00010155434,0.00057529757,0.00009962112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005501138,0.00019929359,0.044914898,0.00026861028,0.0004501786,0.001029808,0.011070429,0.000110842004,0.00033387175,0.003693339,0.9116355,0.026238188],"study_design_scores_gemma":[0.00033503067,0.000077581266,0.008611088,0.00033205817,0.0005016139,0.00017742525,0.00500848,0.00020204893,0.00018335055,0.0007215531,0.98316383,0.00068593194],"about_ca_topic_score_codex":0.99874485,"about_ca_topic_score_gemma":0.9998644,"teacher_disagreement_score":0.47806427,"about_ca_system_score_codex":0.0017615525,"about_ca_system_score_gemma":0.010023598,"threshold_uncertainty_score":0.99969316},"labels":[],"label_agreement":null},{"id":"W1828666252","doi":"10.7202/1015085ar","title":"Ce qui de l’autre nous accompagne : Erice Kiarostami. Correspondencias","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02830017479161819,"score_gpt":0.2987985176489343,"score_spread":0.2704983428573161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1828666252","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4479273,0.03060083,0.002755116,0.027801968,0.003447224,0.0019616305,0.00034264592,0.0023883379,0.48277497],"genre_scores_gemma":[0.7571918,0.0026076098,0.0108425645,0.020195426,0.0012854568,0.00056173117,0.00012439182,0.00015206833,0.20703898],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99266344,0.0020539649,0.0012467309,0.0012474603,0.00082967133,0.0019587409],"domain_scores_gemma":[0.99556506,0.00083666807,0.0006601684,0.00090532587,0.00129003,0.00074273255],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015528593,0.0011050083,0.0012215846,0.0004305848,0.0024227384,0.0015501677,0.0016123587,0.0010365803,0.0040420867],"category_scores_gemma":[0.0008899549,0.0010203507,0.0009188694,0.001539408,0.0071673673,0.003269242,0.0004802495,0.0013012103,0.00029527023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022165907,0.0011249972,0.0042800675,0.00056276546,0.00048706224,0.0005573953,0.07705944,0.000011390073,0.012367849,0.10150877,0.17657396,0.6252447],"study_design_scores_gemma":[0.00035083576,0.00077338476,0.0035359012,0.0013861022,0.0004784025,0.00024577856,0.011455152,0.00007029503,0.004387648,0.07549633,0.9001728,0.0016473188],"about_ca_topic_score_codex":0.024189424,"about_ca_topic_score_gemma":0.018851575,"teacher_disagreement_score":0.7235989,"about_ca_system_score_codex":0.0021914227,"about_ca_system_score_gemma":0.00049128727,"threshold_uncertainty_score":0.9994863},"labels":[],"label_agreement":null},{"id":"W1829458256","doi":"10.7202/041429ar","title":"BEAUCHAMP, Hélène, Le théâtre adolescent. Une pratique artistique d’affirmation, Montréal, Les Éditions Logiques, 1998. (Coll. « Théories et pratiques de l’enseignement ».)","year":2000,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.013719750722222174,"score_gpt":0.257326448720028,"score_spread":0.24360669799780585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1829458256","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14471224,0.019060316,0.00078643044,0.5294249,0.0012436282,0.003862465,0.0018704629,0.0015914654,0.29744807],"genre_scores_gemma":[0.7153265,0.03983534,0.0039097415,0.0143516455,0.0020866224,0.00083513,0.0011539315,0.00018930522,0.22231176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99067664,0.0027961843,0.0019652639,0.0015979913,0.00095376105,0.0020101287],"domain_scores_gemma":[0.9959912,0.0005237931,0.00092070433,0.0010107202,0.00065683795,0.00089676765],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0014289778,0.0014685035,0.0015747539,0.00029407803,0.0030922382,0.0010098623,0.0012491326,0.0016414908,0.0011635115],"category_scores_gemma":[0.00030990053,0.0014107538,0.0010978743,0.0019320279,0.0022393728,0.0025781214,0.000141657,0.0018525389,0.00019100276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018336794,0.0017298743,0.0003633599,0.0006062911,0.00058911444,0.00023190468,0.033870157,0.001531832,0.00032993808,0.6386289,0.31608763,0.00584763],"study_design_scores_gemma":[0.00043788325,0.0005687641,0.0042553954,0.0015551761,0.00070473464,0.00014521544,0.008863106,0.00042057715,0.00038126175,0.009964655,0.9711115,0.001591773],"about_ca_topic_score_codex":0.03826807,"about_ca_topic_score_gemma":0.6367819,"teacher_disagreement_score":0.6550238,"about_ca_system_score_codex":0.001126598,"about_ca_system_score_gemma":0.0029575345,"threshold_uncertainty_score":0.99980646},"labels":[],"label_agreement":null},{"id":"W1843307291","doi":"","title":"Carole Laure : « C’est le cinéma québécois qui m’as le plus colorée. »","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.006435925179632438,"score_gpt":0.17841372189158466,"score_spread":0.17197779671195224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1843307291","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4177378,0.19529384,0.00003765075,0.22999352,0.0013816124,0.00038233708,0.00007924623,0.0001512607,0.15494274],"genre_scores_gemma":[0.5841639,0.0034761813,0.00018092424,0.0032219957,0.00036363624,0.000007875821,0.000036595808,0.00002577643,0.4085231],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99724805,0.00056976476,0.00024798283,0.0006158234,0.00042286929,0.000895509],"domain_scores_gemma":[0.99855155,0.00010941628,0.00023353969,0.00036454116,0.00024515542,0.00049579603],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033407434,0.00037199253,0.00054306875,0.00012446822,0.0031380123,0.00011834503,0.00053150224,0.00062144303,0.0009826947],"category_scores_gemma":[0.000083555715,0.0003954685,0.00047160345,0.0013088158,0.00075170636,0.00058187696,0.00013935717,0.00041520153,0.0005842766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077488476,0.00022302655,0.00045129712,0.000031787888,0.0003987753,0.0011654011,0.032220457,0.00029568674,0.00039980694,0.72148925,0.23930119,0.003945842],"study_design_scores_gemma":[0.0010411727,0.00012600834,0.00021687106,0.000031643136,0.00037436892,0.00011581269,0.06885675,0.00010929402,0.00011842771,0.00433399,0.9242245,0.00045116816],"about_ca_topic_score_codex":0.5209243,"about_ca_topic_score_gemma":0.9484088,"teacher_disagreement_score":0.7171552,"about_ca_system_score_codex":0.004112559,"about_ca_system_score_gemma":0.0011100873,"threshold_uncertainty_score":0.99993056},"labels":[],"label_agreement":null},{"id":"W1854984846","doi":"","title":"La contre-culture et son (anti) théâtre","year":2013,"lang":"fr","type":"article","venue":"Liberté","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011823393755692309,"score_gpt":0.25905435510565095,"score_spread":0.24723096134995864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1854984846","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12266394,0.027259056,0.000007184918,0.13287722,0.0024750007,0.00042773204,0.000046842786,0.00014794154,0.71409506],"genre_scores_gemma":[0.28570372,0.00091469014,0.00016097921,0.01945881,0.0009929235,0.000031574014,0.00004672521,0.000014435233,0.6926762],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978003,0.00071639445,0.00026063214,0.00038486198,0.0002988479,0.0005389631],"domain_scores_gemma":[0.9990702,0.00015337793,0.00013737542,0.00020450572,0.00019470709,0.00023980266],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023887942,0.0002652177,0.00038056987,0.00003251497,0.00039692858,0.0005494794,0.0003579181,0.0006412058,0.007221427],"category_scores_gemma":[0.000071216076,0.00018628521,0.00030613685,0.00059070037,0.00054182473,0.00089206384,0.00006915453,0.0005006749,0.0021896702],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004497129,0.00016758412,0.0010840764,0.000032938548,0.00020061116,0.000021675118,0.03027803,0.000004941853,0.0004341024,0.28448176,0.6572057,0.026084114],"study_design_scores_gemma":[0.00025688665,0.00003677531,0.0045436616,0.00006139767,0.00015982905,0.0000075707217,0.004622247,0.00005834084,0.000036658592,0.010165401,0.9797626,0.00028861768],"about_ca_topic_score_codex":0.0043989373,"about_ca_topic_score_gemma":0.002784791,"teacher_disagreement_score":0.32255694,"about_ca_system_score_codex":0.000044776545,"about_ca_system_score_gemma":0.00006709398,"threshold_uncertainty_score":0.99858725},"labels":[],"label_agreement":null},{"id":"W1860650828","doi":"10.7202/016657ar","title":"Les voix de la marge : Tennessee Williams et Michel Tremblay","year":2007,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art","score_opus":0.055959856694783254,"score_gpt":0.34891012346929023,"score_spread":0.292950266774507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1860650828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9301124,0.0069224536,0.002535027,0.02455644,0.0066428087,0.00033444932,0.000031384363,0.000520587,0.028344417],"genre_scores_gemma":[0.9185128,0.0032000863,0.00065750786,0.0014937687,0.0024156412,0.000023312274,0.000059010257,0.00002904248,0.073608786],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967413,0.0009564044,0.0005117067,0.0006037784,0.00034280424,0.0008439918],"domain_scores_gemma":[0.99868137,0.00034290415,0.00034557527,0.0002563242,0.00016953843,0.00020430081],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0017352749,0.00036609004,0.0003765083,0.00022543067,0.0008432405,0.00022719913,0.00028933174,0.0011066352,0.000692218],"category_scores_gemma":[0.00020738163,0.00032918967,0.0003635323,0.000908029,0.0010576037,0.0010593082,0.00003179491,0.00083975046,0.00014574236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002038976,0.0010621556,0.00967334,0.0001382698,0.00038766392,0.00012580643,0.016592922,0.000080908256,0.04634036,0.040950026,0.027755545,0.8566891],"study_design_scores_gemma":[0.0005438865,0.00019786922,0.10441421,0.00006925658,0.00044854725,0.00024308794,0.010853194,0.000088233,0.008244149,0.0060261665,0.8682724,0.0005989923],"about_ca_topic_score_codex":0.0046128593,"about_ca_topic_score_gemma":0.002801003,"teacher_disagreement_score":0.8560901,"about_ca_system_score_codex":0.00092035404,"about_ca_system_score_gemma":0.0001273494,"threshold_uncertainty_score":0.999916},"labels":[],"label_agreement":null},{"id":"W1863888147","doi":"10.7202/044862ar","title":"Gilles Tremblay pédagogue vu par ses anciens élèves","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04173285320913298,"score_gpt":0.2881748846767027,"score_spread":0.24644203146756974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1863888147","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63314176,0.014859238,0.0000307871,0.01809603,0.007498153,0.00059562054,0.00018846065,0.00036814983,0.3252218],"genre_scores_gemma":[0.90053195,0.00052315276,0.00011919277,0.0085961055,0.0055736806,0.00006548893,0.00011574334,0.00004873376,0.084425926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99549377,0.00068838574,0.00086881325,0.0010493334,0.000617378,0.0012823143],"domain_scores_gemma":[0.9968254,0.00040935038,0.0005276748,0.00067362894,0.0009105955,0.000653326],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012401959,0.0006919192,0.0009979042,0.00020120516,0.0013517885,0.00046509402,0.0009278871,0.000967555,0.0018989055],"category_scores_gemma":[0.000839987,0.0005805258,0.0007321091,0.0012750952,0.002991416,0.001243791,0.00012279859,0.00090067886,0.00022063318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042894422,0.000875025,0.03673471,0.00031129053,0.0008108716,0.00028091023,0.18577558,0.0000026395562,0.025373342,0.6198177,0.08775134,0.04222374],"study_design_scores_gemma":[0.0004345901,0.00011983261,0.0061711855,0.000121948884,0.00024871243,0.000030219508,0.008670099,0.000027122793,0.0007076904,0.040895287,0.9416794,0.0008939078],"about_ca_topic_score_codex":0.00262114,"about_ca_topic_score_gemma":0.028985923,"teacher_disagreement_score":0.8539281,"about_ca_system_score_codex":0.00009704917,"about_ca_system_score_gemma":0.00047872754,"threshold_uncertainty_score":0.9999483},"labels":[],"label_agreement":null},{"id":"W1864400090","doi":"10.29173/md16963","title":"I Don’t Live Here – But I Will Tell the Story (A Cultural Poetic Approach to I Live Here by Mia Kirshner)","year":2012,"lang":"en","type":"article","venue":"Multilingual Discourses","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Poetry; Literature; History; Art","score_opus":0.03110326099763785,"score_gpt":0.31863129184926475,"score_spread":0.2875280308516269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1864400090","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96325564,0.012667685,0.00000753556,0.0022392687,0.0009975657,0.0006018843,0.000105513056,0.00012714443,0.01999776],"genre_scores_gemma":[0.95943695,0.000112188165,0.0002455946,0.002384625,0.0022234297,0.00007524531,0.00008016484,0.000025629124,0.035416197],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99698216,0.0006157795,0.00029454852,0.0005134212,0.00061219226,0.0009818902],"domain_scores_gemma":[0.99857444,0.00021887725,0.00016037049,0.0003353093,0.00025370638,0.00045732397],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005545195,0.00038204037,0.0003996266,0.00005807922,0.0015008623,0.00034382663,0.0007394185,0.00027525416,0.00037119878],"category_scores_gemma":[0.00037171843,0.00022017614,0.00030798433,0.00044508558,0.0008112314,0.00079471944,0.00013504672,0.0005162606,0.0003082157],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011064774,0.0015026437,0.018132716,0.00006805555,0.0004961512,0.000010879611,0.86976117,0.00013139725,0.0033192337,0.0037583183,0.09076252,0.011946285],"study_design_scores_gemma":[0.00030149595,0.000073159885,0.0034264699,0.00004189773,0.00027894907,0.0000056041877,0.7584581,0.00004663651,0.0003441083,0.00005079538,0.23639089,0.0005819291],"about_ca_topic_score_codex":0.002926709,"about_ca_topic_score_gemma":0.0017889113,"teacher_disagreement_score":0.14562838,"about_ca_system_score_codex":0.00015013073,"about_ca_system_score_gemma":0.00010265643,"threshold_uncertainty_score":0.9997991},"labels":[],"label_agreement":null},{"id":"W1864441322","doi":"","title":"Dictionnaire de la censure au Québec : littérature et cinéma Sous la direction de Pierre Hébert, Yves Lever et Kenneth Landry Montréal : Fides, 2006, 717 pages Dictionnaire de la censure au Québec : littérature et cinéma Sous la direction de Pierre Hébert, Yves Lever et Kenneth Landry Montréal : Fides, 2006, 717 pages","year":2007,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009669061109895277,"score_gpt":0.24864803641633135,"score_spread":0.23897897530643608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1864441322","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35614878,0.4055601,0.0014277259,0.17700791,0.0034111976,0.0016617795,0.0015324783,0.0016895074,0.051560506],"genre_scores_gemma":[0.85979897,0.076926455,0.0010621777,0.004858389,0.004126235,0.00023761492,0.0005059666,0.00025629898,0.05222789],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98035014,0.011501232,0.0016284288,0.0022144136,0.0012604477,0.0030453634],"domain_scores_gemma":[0.9912932,0.004229663,0.0013201063,0.001049287,0.0007201354,0.0013876164],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.008906017,0.0019539518,0.0019134231,0.0006183787,0.003135496,0.0014420251,0.0011893541,0.0049947593,0.00016468637],"category_scores_gemma":[0.0024708225,0.0017352094,0.0013889222,0.0028801847,0.0022084913,0.001961139,0.00030318872,0.0057292297,0.00002828916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011842002,0.0018747054,0.3714628,0.0011361112,0.0022248358,0.002605849,0.15073381,0.009643901,0.0024858476,0.005277854,0.38990054,0.06146955],"study_design_scores_gemma":[0.0012711479,0.00029716216,0.43002018,0.0014033122,0.0010404043,0.001702989,0.008483004,0.0006400568,0.00017070788,0.0011875713,0.55237204,0.0014114148],"about_ca_topic_score_codex":0.60554373,"about_ca_topic_score_gemma":0.94395775,"teacher_disagreement_score":0.5036502,"about_ca_system_score_codex":0.0034071014,"about_ca_system_score_gemma":0.005422343,"threshold_uncertainty_score":0.99959457},"labels":[],"label_agreement":null},{"id":"W1864716867","doi":"10.14288/workplace.v0i25.185950","title":"British Columbia Obstructs the Shock Doctrine: Struggle, Solidarity, and Popular Resistance","year":2014,"lang":"en","type":"article","venue":"Open Collections","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Solidarity; Shock (circulatory); Doctrine; Resistance (ecology); Popular education; Political science; Public administration; Media studies; Sociology; Law; Politics","score_opus":0.01541398583975012,"score_gpt":0.2637504898466214,"score_spread":0.2483365040068713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1864716867","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04346793,0.0005448878,0.000013910665,0.0028535242,0.0005856772,0.00068950286,0.00004451832,0.00006029111,0.9517397],"genre_scores_gemma":[0.20808321,0.000111485424,0.00024194874,0.0012356101,0.00029048373,0.00006770832,0.00000937084,0.0000055609853,0.7899546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988655,0.00029106255,0.00015469371,0.00026014898,0.000187796,0.00024083158],"domain_scores_gemma":[0.99940854,0.00008302985,0.000068080095,0.00017441587,0.00016526623,0.00010066395],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038035004,0.00006599534,0.00016876981,0.000011590149,0.009204627,0.010231019,0.0004347679,0.00009323858,0.0015820778],"category_scores_gemma":[0.00025902127,0.000069199414,0.00005547035,0.0011588361,0.0002861548,0.00031043962,0.00014071501,0.00016368822,0.0000031966845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004277851,0.000024625335,0.0011742114,0.0000033973984,0.00003761294,0.0000020850766,0.0007651366,9.591414e-7,0.000008838304,0.004389228,0.99251294,0.0010767005],"study_design_scores_gemma":[0.00021252297,0.000018079614,0.0049294173,0.0000132624355,0.0000546987,0.0000064357364,0.0013916519,0.000013465466,0.000001678735,0.026966043,0.96626973,0.00012301523],"about_ca_topic_score_codex":0.3320642,"about_ca_topic_score_gemma":0.9714781,"teacher_disagreement_score":0.6394139,"about_ca_system_score_codex":0.000049042603,"about_ca_system_score_gemma":0.000087876724,"threshold_uncertainty_score":0.99933064},"labels":[],"label_agreement":null},{"id":"W1865776787","doi":"","title":"18es Rendez-vous du cinéma québécois : Une année de transition","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.005645137454541076,"score_gpt":0.17170845502333484,"score_spread":0.16606331756879378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1865776787","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64461917,0.06568398,0.000050371375,0.24854763,0.00035927678,0.00016321959,0.0000880629,0.00012704797,0.04036126],"genre_scores_gemma":[0.60428965,0.027976766,0.00023008308,0.0054919333,0.0011099208,0.0000058388587,0.00008406174,0.000025054753,0.3607867],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978795,0.0003852171,0.00021276897,0.0004563062,0.0003341824,0.0007319978],"domain_scores_gemma":[0.99907845,0.00007059491,0.00011896837,0.00023340747,0.00012852608,0.00037006868],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025140916,0.00028910287,0.00037562638,0.000101825004,0.0015080157,0.000064516185,0.0003715644,0.00046935762,0.003696583],"category_scores_gemma":[0.000013902404,0.00030215987,0.00041610363,0.00130147,0.00045829528,0.00053866504,0.000034953217,0.00029909195,0.00040352537],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042158942,0.0005303809,0.00063497823,0.00007753577,0.00077465095,0.003979818,0.20416303,0.0011830353,0.0009635923,0.07332851,0.30669507,0.4072478],"study_design_scores_gemma":[0.0006013881,0.00013160499,0.0016298165,0.00004669025,0.0006336824,0.00017286043,0.018177582,0.0007021968,0.00004151689,0.0026137796,0.9748762,0.00037266064],"about_ca_topic_score_codex":0.27043736,"about_ca_topic_score_gemma":0.80109686,"teacher_disagreement_score":0.6681811,"about_ca_system_score_codex":0.0034295772,"about_ca_system_score_gemma":0.00012547479,"threshold_uncertainty_score":0.9999431},"labels":[],"label_agreement":null},{"id":"W1877761769","doi":"10.48550/arxiv.1306.5257","title":"Sum of Cubes is Square of Sum","year":2013,"lang":"en","type":"preprint","venue":"arXiv (Cornell University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Diophantine equation; Square (algebra); Property (philosophy); Mathematics; Combinatorics; Discrete mathematics; Geometry; Epistemology","score_opus":0.07057004731111342,"score_gpt":0.217850565715342,"score_spread":0.14728051840422857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1877761769","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9698332,0.0003481248,0.00008052599,0.00026846587,0.00037731056,0.00022929802,0.00008484167,0.00003985642,0.02873841],"genre_scores_gemma":[0.98422635,0.00037589108,0.000031053347,0.00020604514,0.00013363571,5.994631e-7,0.000028807113,0.0000071468094,0.014990451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986933,0.00020544125,0.00022895097,0.00047650948,0.00013361988,0.00026217202],"domain_scores_gemma":[0.9984659,0.00007388156,0.0003762128,0.00040970295,0.0005531067,0.00012122401],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018993596,0.00019239435,0.00047558302,0.00016167515,0.00017814575,0.000039003433,0.00074757275,0.0004723593,0.0012166491],"category_scores_gemma":[0.00004881945,0.00017981752,0.00043933073,0.0006044569,0.0005752989,0.00020726866,0.00034838266,0.0003025939,0.000042214713],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013010931,0.0007411189,0.15296537,0.0009627938,0.0017908668,0.000081179685,0.04580023,0.0062868963,0.0007701436,0.75125647,0.038182378,0.001032476],"study_design_scores_gemma":[0.0036624998,0.00069211127,0.06712276,0.0018522795,0.006583127,0.0000023926134,0.12836541,0.014712606,0.0060942005,0.5210131,0.24470836,0.0051911753],"about_ca_topic_score_codex":0.008883643,"about_ca_topic_score_gemma":0.00246352,"teacher_disagreement_score":0.23024337,"about_ca_system_score_codex":0.00007363385,"about_ca_system_score_gemma":0.00016896264,"threshold_uncertainty_score":0.9996964},"labels":[],"label_agreement":null},{"id":"W1884443682","doi":"10.7202/902036ar","title":"Éphémérides d’une tournée","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.040971491424375464,"score_gpt":0.28637834856248906,"score_spread":0.2454068571381136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1884443682","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24118367,0.012547979,0.00004360143,0.041960202,0.009869609,0.00048320164,0.000053891807,0.00028634976,0.6935715],"genre_scores_gemma":[0.8058679,0.00026369444,0.00008807039,0.009848733,0.006216798,0.000044578006,0.000057078392,0.000036434994,0.17757672],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966892,0.0004378911,0.00072716636,0.0007620592,0.0005094945,0.0008741606],"domain_scores_gemma":[0.99746525,0.00029040966,0.00041904437,0.00055104005,0.00079155667,0.00048268263],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009535892,0.00051691476,0.00076695957,0.00015739925,0.00096105965,0.0005718399,0.0007953871,0.00083384005,0.0031254108],"category_scores_gemma":[0.000536482,0.00045304743,0.00059164775,0.0013964766,0.0021590812,0.0011351579,0.00009428869,0.00095837266,0.00038233446],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017853727,0.00025801282,0.0034729512,0.00009994339,0.000287575,0.00013648959,0.05322955,6.363865e-7,0.0067483173,0.84996855,0.055038404,0.030741703],"study_design_scores_gemma":[0.00032333398,0.000098020166,0.0013927834,0.000092866234,0.00016391445,0.000027760003,0.005479614,0.00002864296,0.0002809929,0.16473761,0.82677495,0.00059952575],"about_ca_topic_score_codex":0.0066357213,"about_ca_topic_score_gemma":0.026207766,"teacher_disagreement_score":0.7717365,"about_ca_system_score_codex":0.000071081704,"about_ca_system_score_gemma":0.00031768702,"threshold_uncertainty_score":0.9999792},"labels":[],"label_agreement":null},{"id":"W1900335416","doi":"10.1108/09504120410559816","title":"Encyclopedia of Music in Canada","year":2004,"lang":"en","type":"article","venue":"Reference Reviews","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Encyclopedia; Library science; History; Computer science","score_opus":0.05987953854536523,"score_gpt":0.30072963935099933,"score_spread":0.2408501008056341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1900335416","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42224658,0.05429853,0.0000068347254,0.0014117821,0.0004191892,0.00062441884,0.000013116078,0.000016440139,0.52096313],"genre_scores_gemma":[0.9445526,0.05175065,0.00023971283,0.0016050289,0.00013319738,0.000028426595,0.000010443471,0.0000033322256,0.0016766147],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990153,0.00015537921,0.00031479928,0.00014270922,0.00017379617,0.000198044],"domain_scores_gemma":[0.999603,0.000024290279,0.000125062,0.00012574009,0.00005189454,0.000070052614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003129427,0.00007640782,0.00031850155,0.00002937064,0.000066103195,0.000009769794,0.00020972396,0.000049920855,0.00038126032],"category_scores_gemma":[0.00015640754,0.000052136387,0.000056803583,0.00054687186,0.000053431973,0.000101073754,0.000015805737,0.0001116854,0.000026043384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013257851,0.00020874041,0.038237467,0.00043152686,0.000053116248,0.000045623296,0.027405135,0.000044544417,0.00037013146,0.24206236,0.020060798,0.6710673],"study_design_scores_gemma":[0.000077124256,0.000007402776,0.0055460273,0.000111144334,0.000014985724,2.5913087e-7,0.0008022894,2.841303e-7,0.000007870982,0.0014847869,0.9918626,0.00008523275],"about_ca_topic_score_codex":0.9076442,"about_ca_topic_score_gemma":0.997032,"teacher_disagreement_score":0.9718018,"about_ca_system_score_codex":0.00025234855,"about_ca_system_score_gemma":0.0010207748,"threshold_uncertainty_score":0.41745332},"labels":[],"label_agreement":null},{"id":"W1900656881","doi":"","title":"Pascale Ferland : « C'était un être secret qui ne parlait pas facilement de choses intimes. » Adagio pour un gars de bicycle Canada [Québec] 2008, 90 minutes Adagio pour un gars de bicycle Canada [Québec] 2008, 90 minutes","year":2008,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Art","score_opus":0.013313164617718285,"score_gpt":0.21770989686962913,"score_spread":0.20439673225191085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1900656881","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.687599,0.048419047,0.000051537634,0.2579339,0.0007027519,0.0005623611,0.0009009683,0.00010896005,0.0037214803],"genre_scores_gemma":[0.86392516,0.0035767455,0.0021373264,0.011045697,0.0016829064,0.00018617032,0.00021379824,0.00009149665,0.1171407],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909715,0.0017167403,0.0014204325,0.0015445227,0.0011873319,0.0031594941],"domain_scores_gemma":[0.9947713,0.0011436624,0.0008582872,0.0008025155,0.0006557585,0.0017684766],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010656924,0.0012482099,0.0014844427,0.00022624871,0.0022331974,0.000342882,0.0018362429,0.00086810836,0.0042274846],"category_scores_gemma":[0.00057506247,0.0011756828,0.00061278197,0.0018438934,0.0013097427,0.00062257954,0.00025759457,0.0011729223,0.000048427737],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000085654516,0.00033487251,0.3393196,0.00023533186,0.00091785495,0.0024285493,0.014852788,0.0011308521,0.00085460645,0.00037566124,0.63006365,0.009400604],"study_design_scores_gemma":[0.0012227609,0.00018211287,0.14347686,0.00045351143,0.0009579247,0.0007315246,0.017814351,0.0009455722,0.0027165238,0.0015287093,0.8281575,0.0018126742],"about_ca_topic_score_codex":0.9986917,"about_ca_topic_score_gemma":0.99981606,"teacher_disagreement_score":0.24688822,"about_ca_system_score_codex":0.004062806,"about_ca_system_score_gemma":0.020630073,"threshold_uncertainty_score":0.99976045},"labels":[],"label_agreement":null},{"id":"W1905229084","doi":"10.21083/csieci.v1i1.2","title":"Welcome to Critical Studies in Improvisation/Études critiques en improvisation","year":2004,"lang":"fr","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Improvisation; Cognitive science; Humanities; Epistemology; Psychology; Philosophy; Art; Visual arts","score_opus":0.10361077444608496,"score_gpt":0.4412355395268551,"score_spread":0.33762476508077016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1905229084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5077615,0.04461028,0.004701504,0.4023914,0.023969091,0.008721659,0.0006443728,0.0016291272,0.00557106],"genre_scores_gemma":[0.9582584,0.007005946,0.008732026,0.01671547,0.0058813156,0.0021631902,0.00021877192,0.00018746618,0.00083740597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.982815,0.0037443931,0.0041132136,0.003103908,0.0022810642,0.003942379],"domain_scores_gemma":[0.98659164,0.006551879,0.0005360236,0.0010140451,0.004137644,0.0011688006],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.007567227,0.0019075294,0.0027217595,0.0015721334,0.0018585277,0.0011203653,0.0012949887,0.0019017303,0.00021610627],"category_scores_gemma":[0.042597283,0.0019354215,0.0007678927,0.0035125115,0.0059343656,0.0062627685,0.00092108326,0.0022716299,0.00016613049],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032588572,0.001999248,0.0013006389,0.0038663473,0.0005364788,0.00018867957,0.14952141,0.00033635652,0.00551665,0.80105126,0.0018138351,0.033543203],"study_design_scores_gemma":[0.007025769,0.006349526,0.0161239,0.0065090596,0.0022219552,0.00013209788,0.47906452,0.0020213814,0.0073758704,0.41909644,0.046937134,0.00714235],"about_ca_topic_score_codex":0.0077263103,"about_ca_topic_score_gemma":0.029640794,"teacher_disagreement_score":0.4504969,"about_ca_system_score_codex":0.011232481,"about_ca_system_score_gemma":0.0015317376,"threshold_uncertainty_score":0.99991655},"labels":[],"label_agreement":null},{"id":"W1912242662","doi":"10.7202/039918ar","title":"Gilles Corbeil (1920-1986), un ‘passeur’ tranquille","year":2010,"lang":"fr","type":"article","venue":"Les Cahiers des dix","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01734844070856622,"score_gpt":0.260083576507277,"score_spread":0.24273513579871075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1912242662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9276641,0.0119717205,0.000067469075,0.007623518,0.004647427,0.00021948836,0.000082692495,0.00012757817,0.047595993],"genre_scores_gemma":[0.82051325,0.00092858775,0.0012553335,0.0045700716,0.0018053273,0.000023005086,0.000050411032,0.000030963853,0.17082305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99723715,0.00037660616,0.00041702483,0.0005958,0.00045996954,0.0009134602],"domain_scores_gemma":[0.9985221,0.00023245854,0.00018739453,0.00036058042,0.0002473173,0.0004501562],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00045309047,0.00040055666,0.0004992303,0.00009886797,0.0020398202,0.00025874277,0.0006733706,0.0010631387,0.004469081],"category_scores_gemma":[0.00021207242,0.00033483258,0.00052844593,0.0011423487,0.0057397913,0.0005511037,0.000052980733,0.0011950164,0.00046922904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055009587,0.0004834078,0.0075128158,0.0001336608,0.0006671002,0.00012576049,0.082228966,0.000014144557,0.009273669,0.7019427,0.023371119,0.17419165],"study_design_scores_gemma":[0.00046154065,0.00010687993,0.005121847,0.000038747632,0.000424832,0.000021938997,0.009337077,0.00006189738,0.0005863306,0.020478245,0.9627924,0.0005682631],"about_ca_topic_score_codex":0.0025652666,"about_ca_topic_score_gemma":0.020583214,"teacher_disagreement_score":0.9394213,"about_ca_system_score_codex":0.00013964588,"about_ca_system_score_gemma":0.00009839334,"threshold_uncertainty_score":0.99991035},"labels":[],"label_agreement":null},{"id":"W1914649469","doi":"10.7202/1031156ar","title":"Le naturalisme détourné : le Wooster Group face au répertoire classique","year":2015,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Repertoire; Literature","score_opus":0.03532643208001782,"score_gpt":0.26806371667680007,"score_spread":0.23273728459678225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1914649469","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15104787,0.014058131,0.00006288324,0.3934188,0.0063164714,0.00140137,0.00033464617,0.00067122345,0.43268862],"genre_scores_gemma":[0.7344384,0.00074746745,0.00045801522,0.007874205,0.0033350536,0.00011653408,0.00023809895,0.00012795338,0.25266424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99148154,0.0016326149,0.0014497633,0.0017866758,0.0011730428,0.0024763518],"domain_scores_gemma":[0.9952485,0.00036307392,0.0007791058,0.0010711857,0.0008063426,0.0017317964],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0013105635,0.0013798916,0.0017567265,0.00030649215,0.0018393308,0.0008213558,0.0020466165,0.0017802408,0.00024618595],"category_scores_gemma":[0.00044066648,0.0012657392,0.0014824361,0.0019046951,0.0028189286,0.0032318183,0.00036587278,0.0018322726,0.0004987321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025178658,0.0010138998,0.00058458844,0.00036882918,0.0007306828,0.00039306306,0.050008595,0.00022286228,0.0006243017,0.7707726,0.16763774,0.007391086],"study_design_scores_gemma":[0.0007032102,0.00043285915,0.0010055695,0.00067788904,0.00054717826,0.0001615539,0.0144141195,0.00018818484,0.00015378928,0.00460266,0.9754436,0.0016693783],"about_ca_topic_score_codex":0.01876915,"about_ca_topic_score_gemma":0.5054454,"teacher_disagreement_score":0.8078059,"about_ca_system_score_codex":0.001083044,"about_ca_system_score_gemma":0.0037642668,"threshold_uncertainty_score":0.99989516},"labels":[],"label_agreement":null},{"id":"W1919317654","doi":"","title":"Kelly-Marie Murphy","year":2010,"lang":"hu","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015639678625838673,"score_gpt":0.2705209341566775,"score_spread":0.25488125553083885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1919317654","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17715584,0.0008469108,0.0000119576935,0.01386848,0.00513076,0.00022128067,0.000018996372,0.00013491893,0.8026109],"genre_scores_gemma":[0.7535492,0.00008825135,0.00027653453,0.0140353795,0.002575473,0.000006741817,0.00001902471,0.000008986768,0.22944038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820846,0.00014196799,0.00027894008,0.00043651153,0.0003933381,0.00054079486],"domain_scores_gemma":[0.99889743,0.00016084142,0.00011083025,0.00030005572,0.00022942503,0.00030143105],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004083461,0.00022051553,0.00030247658,0.000058371115,0.0009271895,0.00049955084,0.00052520685,0.0005081054,0.0352365],"category_scores_gemma":[0.00021953316,0.00015266167,0.00032732086,0.0007754741,0.00067669485,0.00036540563,0.00009227672,0.00063006056,0.0020688148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002609848,0.0004213659,0.008850259,0.00002364568,0.0003230898,0.000031883523,0.023003832,0.0000018701991,0.01025696,0.5906823,0.3291682,0.037210446],"study_design_scores_gemma":[0.00015441251,0.00003915718,0.0019879618,0.000004660105,0.00014046111,8.825246e-7,0.0028495335,0.000060246093,0.000215441,0.005997292,0.98825586,0.0002941047],"about_ca_topic_score_codex":0.0024250217,"about_ca_topic_score_gemma":0.024195425,"teacher_disagreement_score":0.65908766,"about_ca_system_score_codex":0.000018881332,"about_ca_system_score_gemma":0.0001241574,"threshold_uncertainty_score":0.9987082},"labels":[],"label_agreement":null},{"id":"W1931228967","doi":"","title":"L'imaginaire de l'espace urbain montréalais dans Bienvenue à et Ascension, deux déambulatoires audioguidés d'Olivier Choinière","year":2009,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.006504046634370661,"score_gpt":0.20680091079164628,"score_spread":0.20029686415727563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1931228967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7299289,0.071239844,0.00036350478,0.18968025,0.0005838095,0.0003649637,0.00009090205,0.00019984916,0.0075479774],"genre_scores_gemma":[0.96093684,0.0052234163,0.0011959333,0.011267427,0.000789085,0.00000657865,0.000040020357,0.00004957136,0.020491105],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99520326,0.0011743631,0.0004768481,0.0009995995,0.00072537066,0.0014205652],"domain_scores_gemma":[0.9973449,0.00031735314,0.0003976213,0.000731414,0.0003467552,0.0008619667],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00069047196,0.0007039024,0.00083550473,0.00030198685,0.0022868947,0.0002444488,0.0010823064,0.0005262816,0.0004995088],"category_scores_gemma":[0.00025950943,0.00069947535,0.00081572746,0.0016983004,0.0012293453,0.0011986955,0.00025773534,0.0009069509,0.0003282935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002300389,0.00067693763,0.014903735,0.0000520296,0.00050714024,0.0012914189,0.6528212,0.00081051135,0.0011986012,0.08119077,0.14835028,0.09796733],"study_design_scores_gemma":[0.0014858181,0.00042558296,0.18291454,0.0003074105,0.0010690729,0.0001777861,0.07205978,0.0023483827,0.000062034815,0.011824227,0.726054,0.0012713417],"about_ca_topic_score_codex":0.42527205,"about_ca_topic_score_gemma":0.86126316,"teacher_disagreement_score":0.58076143,"about_ca_system_score_codex":0.0010667394,"about_ca_system_score_gemma":0.0011647288,"threshold_uncertainty_score":0.99954563},"labels":[],"label_agreement":null},{"id":"W1932833163","doi":"","title":"5e Regard sur la relève du cinéma québécois au Saguenay : Un genre qui s’éclate","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.006538752484190387,"score_gpt":0.1740101371973061,"score_spread":0.1674713847131157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1932833163","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7082533,0.072979175,0.000024385914,0.14378816,0.0010231518,0.00021717022,0.00004033684,0.00014591395,0.0735284],"genre_scores_gemma":[0.42143056,0.028695567,0.00011968594,0.0032206501,0.0013102047,0.0000057252023,0.00005090038,0.00003684143,0.5451299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99671644,0.0006858368,0.00032235097,0.0007051194,0.00051312253,0.0010571174],"domain_scores_gemma":[0.9981019,0.0002445657,0.00032122328,0.00044796232,0.0003185915,0.0005657458],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005143391,0.000444112,0.00058813265,0.000166771,0.0020657647,0.00010178417,0.0006966712,0.0007592405,0.0011868022],"category_scores_gemma":[0.00010028101,0.00043526557,0.00062299595,0.0016079568,0.0006161463,0.00074550894,0.00026835845,0.0005088672,0.0005141665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049011584,0.000604742,0.030101385,0.00008711229,0.0018994876,0.015990013,0.10079984,0.00037187408,0.00053348154,0.13564354,0.5541836,0.15929478],"study_design_scores_gemma":[0.00088498084,0.00010833675,0.0077393865,0.000066000146,0.00075650756,0.00034915167,0.016644062,0.00023826363,0.000019993886,0.0016603332,0.9709853,0.0005476724],"about_ca_topic_score_codex":0.44041783,"about_ca_topic_score_gemma":0.9144457,"teacher_disagreement_score":0.4740279,"about_ca_system_score_codex":0.0051905876,"about_ca_system_score_gemma":0.0002530604,"threshold_uncertainty_score":0.9998099},"labels":[],"label_agreement":null},{"id":"W1934120063","doi":"","title":"Canadian Society for Traditional Music / Board of Directors","year":2000,"lang":"en","type":"article","venue":"Canadian Folk Music / Musique folklorique canadienne","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business; Political science","score_opus":0.03645468866185384,"score_gpt":0.22316011574507613,"score_spread":0.1867054270832223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1934120063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8853035,0.00077699457,0.000013522852,0.010667526,0.0022262712,0.0015455027,0.0025896106,0.00012022059,0.09675686],"genre_scores_gemma":[0.96328163,0.000090711146,0.0004926633,0.019302608,0.0022730108,0.00032613,0.0006362168,0.000073726005,0.01352333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99578553,0.00018953442,0.00063731044,0.000820413,0.00032351137,0.0022436727],"domain_scores_gemma":[0.9945743,0.0002217876,0.00017909992,0.00049308647,0.000580258,0.003951435],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074889534,0.00047820472,0.0006936154,0.0005111844,0.0016885179,0.00016596551,0.00082198024,0.00070477085,0.010688551],"category_scores_gemma":[0.00022020911,0.00050836266,0.00096680084,0.0014782908,0.00063657045,0.00046467828,0.000012079152,0.00042583555,0.000035732377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000056172878,0.00009350836,0.0013653571,0.000134198,0.0009473125,0.0001445551,0.07162982,0.00011126543,0.00027927037,0.21208689,0.6669539,0.04619772],"study_design_scores_gemma":[0.00048033995,0.00009017781,0.0018164455,0.000060137132,0.00018758101,0.0000096222575,0.0032797358,0.00007089773,0.0000437019,0.0060538296,0.98721766,0.00068988174],"about_ca_topic_score_codex":0.9899294,"about_ca_topic_score_gemma":0.9999264,"teacher_disagreement_score":0.3202637,"about_ca_system_score_codex":0.0038771352,"about_ca_system_score_gemma":0.008322049,"threshold_uncertainty_score":0.99994683},"labels":[],"label_agreement":null},{"id":"W1936465176","doi":"","title":"Médiation de la musique classique : de la salle à la scène","year":2013,"lang":"fr","type":"article","venue":"Commposite","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Public space; Art history; Sociology","score_opus":0.011584759381162539,"score_gpt":0.28334260479816037,"score_spread":0.2717578454169978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1936465176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5796606,0.005535128,0.0003674602,0.024509978,0.00041874073,0.00026588532,0.000013620852,0.00010422412,0.38912436],"genre_scores_gemma":[0.948309,0.0010569441,0.0011080035,0.0099667795,0.00085822423,0.00006158712,0.000027448426,0.000018000703,0.038594022],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99542516,0.0034420276,0.00023448092,0.0002546015,0.00018213195,0.0004615644],"domain_scores_gemma":[0.9983695,0.0009045669,0.00013633727,0.00020046833,0.00014559297,0.00024353866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010666354,0.00019747966,0.00025055694,0.000058547954,0.0005359088,0.0006004275,0.0003504261,0.00074981916,0.0009016356],"category_scores_gemma":[0.00014114416,0.00017582439,0.00020413792,0.0005120128,0.00094173773,0.0004945021,0.00008629811,0.00057525584,0.00026811275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026240534,0.00072015735,0.056628607,0.00012354342,0.00039901945,0.000078095916,0.065108106,0.00019697596,0.029179523,0.5592163,0.25350603,0.034817368],"study_design_scores_gemma":[0.00031031168,0.00004849136,0.086040735,0.00008295498,0.00016798526,0.000026503363,0.0011587059,0.0008421163,0.00034982886,0.018481363,0.89218986,0.0003011499],"about_ca_topic_score_codex":0.0056510116,"about_ca_topic_score_gemma":0.0016093743,"teacher_disagreement_score":0.63868386,"about_ca_system_score_codex":0.00026270034,"about_ca_system_score_gemma":0.00023013343,"threshold_uncertainty_score":0.98722774},"labels":[],"label_agreement":null},{"id":"W1938953993","doi":"","title":"Dictionnaire des films québécois","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art; Business","score_opus":0.01482091242791636,"score_gpt":0.1940577934962873,"score_spread":0.17923688106837093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1938953993","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46824738,0.36845264,0.000102299826,0.0914033,0.0022079414,0.00020255097,0.000069124035,0.00019342333,0.069121346],"genre_scores_gemma":[0.3275103,0.008718617,0.0006320458,0.0030218556,0.00090292847,0.000005473797,0.0000405335,0.000021428983,0.6591468],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998279,0.0002754871,0.00015938719,0.00035272195,0.00036342492,0.0005700206],"domain_scores_gemma":[0.9987059,0.000046541754,0.0001388117,0.00021811113,0.00030536717,0.000585266],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00027357036,0.00022595939,0.00028497732,0.00009231673,0.0015074965,0.00006054229,0.0003579215,0.00035733235,0.0007068576],"category_scores_gemma":[0.00007109164,0.00022227158,0.00028394905,0.0010467729,0.00075735536,0.0006256798,0.00014730614,0.00022994186,0.000551984],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007577969,0.00018319268,0.0033516118,0.00002966881,0.00035592128,0.00069923984,0.049104363,0.00019434128,0.00007544004,0.12753695,0.748301,0.07009244],"study_design_scores_gemma":[0.00046047728,0.00012417736,0.0012125093,0.000043423617,0.00037240156,0.00007103843,0.033852674,0.00027886088,0.000011941964,0.006135769,0.95716536,0.00027135204],"about_ca_topic_score_codex":0.24089102,"about_ca_topic_score_gemma":0.83907986,"teacher_disagreement_score":0.5981889,"about_ca_system_score_codex":0.0057323296,"about_ca_system_score_gemma":0.00018129789,"threshold_uncertainty_score":0.9997924},"labels":[],"label_agreement":null},{"id":"W1938970717","doi":"","title":"Guide vidéo et DVD 2001Montréal : Fides, avec la collaboration de La Boîte Noire, 2000, 835 pages Guide vidéo et DVD 2001Montréal : Fides, avec la collaboration de La Boîte Noire, 2000, 835 pages","year":2001,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fides; Humanities; Art; Philosophy; Theology","score_opus":0.010835150549092532,"score_gpt":0.28364814189593207,"score_spread":0.27281299134683956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1938970717","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17322667,0.10629997,0.0011695197,0.27272153,0.0029940268,0.0028462987,0.0021344244,0.00094268867,0.4376649],"genre_scores_gemma":[0.5339304,0.09290572,0.014695146,0.016747009,0.0054803984,0.0007496136,0.0012672031,0.0002948765,0.33392963],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98014396,0.011996019,0.0021829084,0.0018963461,0.0014339263,0.0023468276],"domain_scores_gemma":[0.9908186,0.0038686409,0.0015097479,0.0010386752,0.0017097135,0.0010545859],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.010067645,0.0014405028,0.0017526656,0.00050670904,0.0018469703,0.0031132672,0.0015799615,0.0027363927,0.0011054701],"category_scores_gemma":[0.0036844641,0.0013999523,0.0006955556,0.005093381,0.0025424405,0.002984401,0.00027071586,0.0018722116,0.00018499566],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034898505,0.0009052008,0.016208364,0.00036252232,0.0007709101,0.0029454932,0.056904186,0.0051040486,0.005320115,0.03673587,0.85427904,0.02011525],"study_design_scores_gemma":[0.0017049784,0.00031457667,0.023403805,0.00087228435,0.0009774982,0.000696876,0.0103345215,0.0031135157,0.0005855209,0.006981461,0.949487,0.0015280002],"about_ca_topic_score_codex":0.024093838,"about_ca_topic_score_gemma":0.2550798,"teacher_disagreement_score":0.36070374,"about_ca_system_score_codex":0.0020836443,"about_ca_system_score_gemma":0.004585833,"threshold_uncertainty_score":0.9998345},"labels":[],"label_agreement":null},{"id":"W1941050492","doi":"","title":"Paradoxe sur le metteur en scène. Brigitte Haentjens, Un regard qui te fracasse. Propos sur le théâtre et la mise en scène, Montréal, Boréal, 2014, 219 pagesBrigitte Haentjens, Un regard qui te fracasse. Propos sur le théâtre et la mise en scène, Montréal, Boréal, 2014, 219 pages","year":2015,"lang":"fr","type":"article","venue":"Les cahiers de lecture de l'Action nationale","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège Montmorency","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01488470816160799,"score_gpt":0.2545940313447474,"score_spread":0.2397093231831394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1941050492","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3729586,0.11243737,0.0047737523,0.48829287,0.003336006,0.005069976,0.0017346236,0.0014253699,0.009971443],"genre_scores_gemma":[0.6675852,0.053681523,0.010323243,0.02918091,0.004323777,0.0010481356,0.0036350149,0.00069015974,0.22953205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9805255,0.009202163,0.0020145208,0.00270405,0.0031885726,0.0023652103],"domain_scores_gemma":[0.98961306,0.0029278721,0.0019186628,0.0013827919,0.0026724471,0.0014851863],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.005821876,0.0020109506,0.002121544,0.00095182296,0.0024080114,0.002223425,0.0017958663,0.003706848,0.0004333986],"category_scores_gemma":[0.0027368148,0.0018602867,0.0014841688,0.0024955168,0.00171901,0.0041112555,0.00035485925,0.0045917337,0.00034009534],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083463633,0.0021802282,0.0057826624,0.00038121224,0.0021833966,0.0007025958,0.012010657,0.0050014877,0.0019950408,0.014638711,0.9426343,0.01165509],"study_design_scores_gemma":[0.00464306,0.00033504024,0.0033656321,0.00037667243,0.001221202,0.00050315016,0.011843949,0.0022359723,0.0026492286,0.0111308815,0.9594917,0.0022034552],"about_ca_topic_score_codex":0.0460139,"about_ca_topic_score_gemma":0.09791574,"teacher_disagreement_score":0.45911196,"about_ca_system_score_codex":0.0020374241,"about_ca_system_score_gemma":0.0063291034,"threshold_uncertainty_score":0.9993041},"labels":[],"label_agreement":null},{"id":"W1942040314","doi":"","title":"밀란 쿤데라의 문학과 체코문학의 국제성","year":2006,"lang":"ko","type":"article","venue":"외국문학연구","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Czech; Globalism; Communism; Internationalism (politics); Eastern Bloc; Political science; History; Economic history; Politics; Law; Philosophy","score_opus":0.01556809043072999,"score_gpt":0.265688869501555,"score_spread":0.25012077907082503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1942040314","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4253035,0.0053499956,0.000014134393,0.011790045,0.0026309774,0.00036330655,0.0000626364,0.00016760365,0.55431783],"genre_scores_gemma":[0.8402618,0.00011614368,0.00010842426,0.0047224755,0.0035150838,0.000013543468,0.00007022828,0.0000140409675,0.15117826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975501,0.00028243588,0.0004063639,0.000532275,0.0005203924,0.0007084627],"domain_scores_gemma":[0.99903893,0.000089773224,0.00019384286,0.00029917574,0.00019861896,0.00017962525],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038968518,0.00028174603,0.0004185052,0.000075918964,0.0009702483,0.0005112706,0.0005454951,0.00040927838,0.00492628],"category_scores_gemma":[0.00006223264,0.00022138105,0.0003866482,0.0010008812,0.00045134607,0.00040490064,0.000091718524,0.00032347642,0.0020543546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004883557,0.00066533213,0.022459948,0.00006761674,0.0003380273,0.00014281289,0.015788583,0.00004928484,0.0020834107,0.19937229,0.74399203,0.014991825],"study_design_scores_gemma":[0.00039291324,0.000078540725,0.01632322,0.00003674663,0.0003016355,0.000003834385,0.004610383,0.00008234277,0.00015826634,0.01323473,0.9642463,0.0005311048],"about_ca_topic_score_codex":0.006702625,"about_ca_topic_score_gemma":0.016108105,"teacher_disagreement_score":0.41495833,"about_ca_system_score_codex":0.000095530675,"about_ca_system_score_gemma":0.000112622656,"threshold_uncertainty_score":0.99991184},"labels":[],"label_agreement":null},{"id":"W1950007582","doi":"10.3968/j.css.1923669720141001.3037","title":"La Notion de Roman Européen Chez Milan Kundera","year":2014,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Identity (music); Adjective; Literature; Philosophy; Art; Aesthetics; Psychoanalysis; Linguistics; Psychology","score_opus":0.0192201572619661,"score_gpt":0.2635055366391874,"score_spread":0.2442853793772213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1950007582","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14056382,0.0006133025,0.000040288287,0.021991104,0.0016558872,0.00012762341,0.00003171007,0.000042929678,0.83493334],"genre_scores_gemma":[0.96550244,0.000029031715,0.00009013519,0.012964994,0.0023167066,0.000005983956,0.000008578692,0.00001011697,0.019072015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968318,0.00074873905,0.000199258,0.00049517426,0.00049755507,0.0012274974],"domain_scores_gemma":[0.9983065,0.00007727191,0.00010724861,0.0001458508,0.00022382742,0.0011392684],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0022460695,0.00018645742,0.00022770208,0.00015531549,0.0033563187,0.00063966936,0.00082743436,0.00036122356,0.00056058244],"category_scores_gemma":[0.0003341576,0.00018714304,0.00015458108,0.0024311193,0.0045148237,0.00060960255,0.000044254135,0.00035458963,0.00022803614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021828748,0.000032295007,0.00522806,0.000015893036,0.000022262686,0.000025333713,0.042876128,0.000002618157,0.00082113035,0.84378636,0.017659003,0.08952875],"study_design_scores_gemma":[0.00011058078,0.000032155123,0.03143825,0.000019788578,0.00006320423,0.0000050158383,0.0063054366,0.0002013047,0.000026683481,0.005865229,0.9556179,0.0003144471],"about_ca_topic_score_codex":0.12271828,"about_ca_topic_score_gemma":0.41266787,"teacher_disagreement_score":0.9379589,"about_ca_system_score_codex":0.0012905833,"about_ca_system_score_gemma":0.00161908,"threshold_uncertainty_score":0.99819434},"labels":[],"label_agreement":null},{"id":"W1959201668","doi":"10.7202/902171ar","title":"Esquisse d’une rencontre","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03485818281211981,"score_gpt":0.2837248601721057,"score_spread":0.24886667735998588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1959201668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17832762,0.014970148,0.00003185248,0.04394989,0.009443732,0.00055069913,0.000078717225,0.0003012796,0.7523461],"genre_scores_gemma":[0.76074916,0.00018207969,0.000077539225,0.0087557165,0.0053230347,0.000045166184,0.00007027477,0.000032678385,0.22476433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99663836,0.00047202472,0.0007329434,0.0008112167,0.00048044516,0.0008650055],"domain_scores_gemma":[0.9973281,0.00027874263,0.00042807384,0.00060681236,0.00085707055,0.00050122564],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091803813,0.00052150944,0.0007883472,0.0001487527,0.00088087854,0.00048425724,0.00077972317,0.00091471575,0.003193572],"category_scores_gemma":[0.00057827344,0.00045693904,0.00057538244,0.0014148691,0.0020148968,0.0010149064,0.00008656028,0.0009436168,0.00040026553],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017636014,0.00027957992,0.002974534,0.00009446805,0.00027927032,0.00017016436,0.07062168,3.5286817e-7,0.0064228703,0.82992035,0.0552024,0.034016706],"study_design_scores_gemma":[0.0004145397,0.000076734985,0.0010027686,0.00009669404,0.0001862783,0.000022306409,0.005132755,0.000026507805,0.000155617,0.16626681,0.82603216,0.00058683916],"about_ca_topic_score_codex":0.010256025,"about_ca_topic_score_gemma":0.033761736,"teacher_disagreement_score":0.77082974,"about_ca_system_score_codex":0.000069193025,"about_ca_system_score_gemma":0.00033477476,"threshold_uncertainty_score":0.9997882},"labels":[],"label_agreement":null},{"id":"W1963399853","doi":"10.7202/044283ar","title":"Vaïs, Michel (dir.), Dictionnaire des artistes du théâtre québécois, Montréal, Québec Amérique, 2008, 422 p.","year":2009,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.013700191091084392,"score_gpt":0.23958827877374875,"score_spread":0.22588808768266436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963399853","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17052974,0.27898854,0.00008824403,0.36621273,0.0038689275,0.002228703,0.00067252235,0.0017762575,0.17563434],"genre_scores_gemma":[0.65886176,0.027681665,0.00069850846,0.012262316,0.00416907,0.00016124158,0.0002464843,0.00017460795,0.29574436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98989904,0.0012711469,0.002216825,0.0023363559,0.0013034634,0.0029731446],"domain_scores_gemma":[0.9942117,0.0005380022,0.0011316687,0.0014375363,0.0011220382,0.00155911],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0010158721,0.002044866,0.0022877625,0.00048666119,0.0034294666,0.0009425601,0.0020816086,0.001698643,0.0010488045],"category_scores_gemma":[0.0006926983,0.0019058557,0.0020469078,0.0027783902,0.0029267857,0.0030742795,0.00020462165,0.0017752597,0.00053349655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045473702,0.0026286861,0.0053784857,0.0006507597,0.0013089782,0.00082238467,0.037000578,0.00046415575,0.0011887181,0.34068137,0.5540439,0.05537726],"study_design_scores_gemma":[0.0005217584,0.0009318444,0.015415118,0.0013621488,0.0013903724,0.00030568798,0.0050664414,0.00022079168,0.00019433403,0.004086926,0.9683227,0.002181855],"about_ca_topic_score_codex":0.34671843,"about_ca_topic_score_gemma":0.97252417,"teacher_disagreement_score":0.62580574,"about_ca_system_score_codex":0.0015432587,"about_ca_system_score_gemma":0.0020247838,"threshold_uncertainty_score":0.9998644},"labels":[],"label_agreement":null},{"id":"W1967931670","doi":"10.7202/038262ar","title":"Chute/Parachute de Michel Gonneville : pensée sérielle, écriture postmoderne (ou l’inverse)","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03858948524993853,"score_gpt":0.2845743116909087,"score_spread":0.24598482644097017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967931670","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07785576,0.08058364,0.00022830423,0.1675544,0.0030661453,0.0010753935,0.00018563759,0.00048820538,0.66896254],"genre_scores_gemma":[0.7084022,0.0014581048,0.00021876824,0.059813127,0.003626259,0.000029536293,0.00017989986,0.000042563446,0.22622953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949808,0.0009047309,0.0009195856,0.0011276904,0.00062796666,0.0014392234],"domain_scores_gemma":[0.9970519,0.00022260743,0.000525273,0.0006662493,0.0008264989,0.00070748915],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010922282,0.00081054284,0.0011251684,0.00019394113,0.0010767097,0.0005643483,0.0009958472,0.0011859466,0.0009242302],"category_scores_gemma":[0.00039058225,0.00075240084,0.0008638449,0.0012754502,0.0012397729,0.0012716026,0.00008731877,0.0008835003,0.00025751002],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009743083,0.00075226097,0.0012091543,0.00017273618,0.00058070157,0.00047319877,0.109965116,0.000014572409,0.0044308323,0.6226806,0.23256744,0.027055945],"study_design_scores_gemma":[0.0008978368,0.0003021858,0.0019748078,0.00027088478,0.00047015192,0.00007253949,0.007844052,0.00029005692,0.0002446976,0.10775162,0.8787572,0.0011239938],"about_ca_topic_score_codex":0.0020522727,"about_ca_topic_score_gemma":0.0019971924,"teacher_disagreement_score":0.64618975,"about_ca_system_score_codex":0.00030829245,"about_ca_system_score_gemma":0.000498716,"threshold_uncertainty_score":0.99998903},"labels":[],"label_agreement":null},{"id":"W1972458529","doi":"10.7202/037969ar","title":"La valse aux adieux : entre le saint libertinage et le scepticisme enchanté1","year":2009,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.021872833191854825,"score_gpt":0.28115525181989137,"score_spread":0.2592824186280365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972458529","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3280077,0.0526076,0.00003611548,0.28081635,0.0012294177,0.00050654565,0.000080056525,0.00034729193,0.33636895],"genre_scores_gemma":[0.9070679,0.0008440527,0.000384709,0.017964032,0.0012155011,0.000017898545,0.000036413807,0.000021539934,0.07244794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963279,0.0010159205,0.0005328151,0.0006846355,0.0005213192,0.00091740506],"domain_scores_gemma":[0.9985597,0.0002598259,0.0002315875,0.000364807,0.00021814722,0.0003659339],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008364583,0.0004407767,0.0005921172,0.00010828417,0.00088510726,0.0004890777,0.00066009065,0.00053648563,0.0007421205],"category_scores_gemma":[0.0002562771,0.00037539998,0.00054789206,0.00093036634,0.0008989981,0.00079995056,0.00012951868,0.00054527743,0.00019085334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025848092,0.000716687,0.00012305066,0.000041112948,0.00015965868,0.00010304812,0.024379661,0.000029669563,0.0006950952,0.86680484,0.017434664,0.08948668],"study_design_scores_gemma":[0.0005385311,0.00027828675,0.006578187,0.00021470117,0.00023295857,0.0000141243845,0.014984963,0.00013798023,0.00018656821,0.04826193,0.92797875,0.0005930086],"about_ca_topic_score_codex":0.0059063085,"about_ca_topic_score_gemma":0.0135906935,"teacher_disagreement_score":0.9105441,"about_ca_system_score_codex":0.0002046751,"about_ca_system_score_gemma":0.0006139465,"threshold_uncertainty_score":0.99986976},"labels":[],"label_agreement":null},{"id":"W197512550","doi":"","title":"Les unions, qu’ossa donne? La structuration du milieu théâtral québécois depuis vingt-cinq ans","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.007830745068108895,"score_gpt":0.1905890048285628,"score_spread":0.1827582597604539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W197512550","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8371789,0.06164701,0.00011245753,0.079252996,0.0008251095,0.00022295475,0.000081534585,0.00013608467,0.02054296],"genre_scores_gemma":[0.86980116,0.025941316,0.00036551506,0.0016145769,0.0010466446,0.000005035971,0.00012182025,0.000025288864,0.101078615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974498,0.0006276622,0.0002773944,0.00053822447,0.00041298498,0.0006939448],"domain_scores_gemma":[0.9986956,0.0001849883,0.00024365584,0.00029653672,0.0002323098,0.00034687252],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029373236,0.00036370827,0.00040462412,0.00016368662,0.0025484632,0.00012200866,0.0005132414,0.00059333415,0.0010901253],"category_scores_gemma":[0.00006615995,0.00035545425,0.00040311806,0.0012468246,0.0005639447,0.0007683006,0.00014213863,0.0003971735,0.00008390674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025156155,0.00033372935,0.027640313,0.00006583559,0.0008617657,0.0026177655,0.05699621,0.00070424273,0.0012238817,0.5154887,0.16832232,0.22549368],"study_design_scores_gemma":[0.0005210614,0.000089404544,0.0118356,0.000041463216,0.00052168185,0.00022455204,0.025063323,0.0005233971,0.00002887881,0.0018236684,0.958894,0.0004329574],"about_ca_topic_score_codex":0.34189802,"about_ca_topic_score_gemma":0.9227382,"teacher_disagreement_score":0.7905717,"about_ca_system_score_codex":0.0034540095,"about_ca_system_score_gemma":0.00012118407,"threshold_uncertainty_score":0.99988973},"labels":[],"label_agreement":null},{"id":"W1978944556","doi":"10.1353/com.2012.0011","title":"Relation and Identity: Milan Kundera and Dany Laferrière Redefine the World","year":2012,"lang":"en","type":"article","venue":"The Comparatist/Comparatist","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Witness; Identity (music); Subject (documents); History; Literature; Relation (database); Sociology; Aesthetics; Law; Philosophy; Politics; Art; Political science","score_opus":0.04341902605558908,"score_gpt":0.32785842849965907,"score_spread":0.28443940244407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978944556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8246431,0.027255153,0.00072222884,0.016000692,0.0022239983,0.0014304293,0.000077480734,0.00023304716,0.1274139],"genre_scores_gemma":[0.9730415,0.00010037482,0.0003441426,0.002162338,0.0010928217,0.00004890759,0.0000662599,0.000013672513,0.023129998],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728763,0.0007227253,0.0004807858,0.00039911352,0.000528708,0.00058103056],"domain_scores_gemma":[0.99859524,0.00038017548,0.00026412826,0.00040469135,0.000106929736,0.00024886127],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010312593,0.00030681718,0.00047870097,0.000086702385,0.0028599137,0.001033634,0.0004365986,0.00013249944,0.00037135786],"category_scores_gemma":[0.000029253262,0.00018577774,0.000105008825,0.00074748386,0.0009799585,0.0010130074,0.0001329173,0.00044887944,0.00013458208],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000613641,0.00015669073,0.092720434,0.000026350916,0.00025448046,0.000006315294,0.026005872,0.000021986334,0.00028631403,0.6286777,0.25020134,0.0015811201],"study_design_scores_gemma":[0.00050756213,0.0000416968,0.36743957,0.000032242897,0.00030750784,0.000031429598,0.00389675,0.0007844521,0.000015501668,0.0113951685,0.6150846,0.00046353455],"about_ca_topic_score_codex":0.0023281518,"about_ca_topic_score_gemma":0.15119626,"teacher_disagreement_score":0.61728257,"about_ca_system_score_codex":0.000073801864,"about_ca_system_score_gemma":0.000049077447,"threshold_uncertainty_score":0.99843824},"labels":[],"label_agreement":null},{"id":"W1979468187","doi":"10.7202/018110ar","title":"Les ymagiers fin-de-siècle","year":2008,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.040990001398509994,"score_gpt":0.28440589923743914,"score_spread":0.24341589783892914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1979468187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6694214,0.05342628,0.000016480615,0.04335206,0.0023127594,0.0002193352,0.00006991987,0.000205382,0.23097639],"genre_scores_gemma":[0.86337733,0.0019391582,0.0005297193,0.0056248372,0.0029879415,0.000019544414,0.000018773859,0.000020103043,0.1254826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99754316,0.0003985093,0.00034408027,0.00045978086,0.0004375418,0.0008169069],"domain_scores_gemma":[0.9989433,0.00015943477,0.00014064652,0.00026109235,0.00017642255,0.00031908546],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032976893,0.00029364062,0.00039166326,0.000073453004,0.0016653923,0.00013195042,0.0005191266,0.00042273058,0.0020466435],"category_scores_gemma":[0.00017933002,0.00025263577,0.00041055735,0.0008996425,0.0021909743,0.00047120417,0.00008927243,0.00037513545,0.0002543287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035589954,0.00043420526,0.015582161,0.000091685724,0.00042421446,0.00023840596,0.045452356,0.0000660776,0.00038966647,0.6994434,0.1556086,0.082233645],"study_design_scores_gemma":[0.00022525717,0.00009243858,0.033088464,0.00005835021,0.00014799045,0.000032414402,0.0045136204,0.000059581376,0.000091063834,0.0033508216,0.95796615,0.00037386097],"about_ca_topic_score_codex":0.011616247,"about_ca_topic_score_gemma":0.0073140473,"teacher_disagreement_score":0.80235755,"about_ca_system_score_codex":0.00025293746,"about_ca_system_score_gemma":0.00034014476,"threshold_uncertainty_score":0.9999926},"labels":[],"label_agreement":null},{"id":"W1983257156","doi":"10.7202/1014694ar","title":"Olivier Messiaen et le Québec : une présence et une influence déterminante sur la création musicale de l’après-guerre","year":2013,"lang":"fr","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.022459269677408848,"score_gpt":0.25279880938545307,"score_spread":0.23033953970804422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983257156","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12413197,0.1319038,0.000044974135,0.46283132,0.0010053548,0.0015982252,0.00015654216,0.00007644004,0.27825138],"genre_scores_gemma":[0.6111245,0.06336189,0.00019224026,0.091376275,0.00033109135,0.000014961722,0.00009495339,0.000028328886,0.23347573],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694043,0.0012929625,0.00030061728,0.00050338736,0.00026326324,0.00069930713],"domain_scores_gemma":[0.9978495,0.00019486863,0.0002596882,0.0003650745,0.0004585402,0.0008723283],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006827311,0.0002968763,0.000561633,0.00012894142,0.0007510523,0.00017999655,0.0006720694,0.00031070408,0.0019382047],"category_scores_gemma":[0.00028156137,0.00029309667,0.00030294654,0.0021068868,0.000869389,0.0017139188,0.00007961736,0.00046961624,0.00045041024],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005063931,0.00015349967,0.0023738444,0.0017580204,0.0002335134,0.00052655395,0.02593273,0.00005240301,0.000088331755,0.13677612,0.669123,0.16297695],"study_design_scores_gemma":[0.00016952111,0.00002120565,0.021245318,0.002095615,0.00032957975,0.00001780526,0.0019591018,0.000060973565,9.872168e-7,0.0004340142,0.9733044,0.00036147342],"about_ca_topic_score_codex":0.96452636,"about_ca_topic_score_gemma":0.9809473,"teacher_disagreement_score":0.48699254,"about_ca_system_score_codex":0.0007068631,"about_ca_system_score_gemma":0.0051528974,"threshold_uncertainty_score":0.99995214},"labels":[],"label_agreement":null},{"id":"W1983930278","doi":"10.7202/1013212ar","title":"Un cas de « production ratée » : « The Velvet Underground and Nico », mise en scène phonographique et analyse transphonographique","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics; Philosophy","score_opus":0.02671707631825535,"score_gpt":0.26821577060193813,"score_spread":0.24149869428368279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983930278","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91142684,0.021572132,0.00023334443,0.059456497,0.0056685247,0.00019475706,0.000034912606,0.000010485405,0.0014024919],"genre_scores_gemma":[0.9891348,0.0017604914,0.00017994178,0.0050105276,0.0023631311,0.000010896861,0.0000053652716,0.000018075834,0.001516755],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99699587,0.001382499,0.0005237792,0.00021596297,0.00019924887,0.0006826572],"domain_scores_gemma":[0.9979768,0.00017428903,0.0003435097,0.00019219318,0.00036116666,0.00095206016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019108969,0.00025535878,0.0003323525,0.00069726625,0.0011895564,0.00027875483,0.00031400038,0.00030862773,0.00057530834],"category_scores_gemma":[0.00017605946,0.00019471726,0.00049471686,0.001994744,0.0011791543,0.001136429,0.0000114911645,0.0010195201,0.0000063949246],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013763072,0.00049123436,0.10119475,0.000100841185,0.004553921,0.00018335885,0.7686264,0.00046106425,0.0021997213,0.033445116,0.062345702,0.026260298],"study_design_scores_gemma":[0.00093614415,0.000504089,0.1387087,0.00046928567,0.0034210803,0.0046754307,0.25893447,0.00005954023,0.00040746326,0.009544548,0.58143646,0.00090284407],"about_ca_topic_score_codex":0.13576256,"about_ca_topic_score_gemma":0.88079184,"teacher_disagreement_score":0.7450293,"about_ca_system_score_codex":0.00051568437,"about_ca_system_score_gemma":0.00083172764,"threshold_uncertainty_score":0.91492265},"labels":[],"label_agreement":null},{"id":"W1992630419","doi":"10.7202/039644ar","title":"Enquête sur l’avenir de la musique contemporaine","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.028973659985735777,"score_gpt":0.28511925656286635,"score_spread":0.2561455965771306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992630419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2766413,0.010504753,0.00015761761,0.019130342,0.00470208,0.00088436547,0.00015331239,0.00042839904,0.68739784],"genre_scores_gemma":[0.8435613,0.00045929803,0.00019660371,0.013585556,0.005036103,0.00013263177,0.00010555769,0.00007868414,0.13684429],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99389577,0.0021008835,0.0010545098,0.0010547907,0.00060713897,0.0012869003],"domain_scores_gemma":[0.9954792,0.0012142414,0.0006757173,0.0007642365,0.001075029,0.00079153135],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0035221544,0.0007968808,0.0011503091,0.00025002396,0.0009022092,0.00076976116,0.0010772591,0.0016883779,0.0020568802],"category_scores_gemma":[0.0017891824,0.000744591,0.00083830993,0.0012491181,0.003890018,0.0012162952,0.00015038984,0.0017594714,0.0001512279],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004333337,0.00052930054,0.006808878,0.00020109669,0.0004587347,0.0004294316,0.06564972,0.0000012877136,0.018390812,0.8575713,0.03635942,0.013556689],"study_design_scores_gemma":[0.0008803361,0.00010756765,0.0015694869,0.00017397555,0.00020317368,0.00009620306,0.0023265602,0.000076125885,0.0005045244,0.12530082,0.86789024,0.0008709965],"about_ca_topic_score_codex":0.009231942,"about_ca_topic_score_gemma":0.0129886605,"teacher_disagreement_score":0.8315308,"about_ca_system_score_codex":0.00026597152,"about_ca_system_score_gemma":0.0012583442,"threshold_uncertainty_score":0.9996076},"labels":[],"label_agreement":null},{"id":"W1992816717","doi":"10.7202/1014652ar","title":"The Music of Wagner in Toronto before 1914","year":2013,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Repertoire; Popularity; Art; Visual arts; Art history; Musical; Sociology; Aesthetics; Literature; Psychology; Social psychology","score_opus":0.01835888692243216,"score_gpt":0.2305305503645066,"score_spread":0.21217166344207444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992816717","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.080867015,0.1057312,6.7906694e-7,0.020215046,0.0005841802,0.0013868369,0.000030362791,0.00002399605,0.7911607],"genre_scores_gemma":[0.8940569,0.030308323,0.000040979376,0.022003857,0.00029180277,0.000007682508,0.000030762825,0.000009240133,0.053250454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990657,0.00021697294,0.00013809463,0.0001470076,0.00013070913,0.00030153382],"domain_scores_gemma":[0.9992747,0.00003738205,0.00007483907,0.00019508693,0.00016020678,0.0002578027],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003001716,0.00008069928,0.0002165307,0.0000386086,0.00045587283,0.000033737644,0.00042372645,0.00007794529,0.006168459],"category_scores_gemma":[0.00007605711,0.000057073168,0.00012839041,0.0005115894,0.00024526165,0.00030729664,0.000024224377,0.00008939123,0.000073614145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027069145,0.000026452415,0.0038609602,0.0003257319,0.000098641045,0.00004381473,0.015688496,5.182658e-7,0.000011646222,0.18491575,0.60921526,0.18581004],"study_design_scores_gemma":[0.000056757148,0.00000932336,0.008222485,0.00018407892,0.00004685855,3.313192e-7,0.005914989,0.0000017777478,1.2504948e-7,0.0002370733,0.9852516,0.000074572774],"about_ca_topic_score_codex":0.82420194,"about_ca_topic_score_gemma":0.9971348,"teacher_disagreement_score":0.81318986,"about_ca_system_score_codex":0.00062714395,"about_ca_system_score_gemma":0.00040794787,"threshold_uncertainty_score":0.99474},"labels":[],"label_agreement":null},{"id":"W1994906500","doi":"10.7202/041562ar","title":"À La Licorne","year":2004,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.024778111114721387,"score_gpt":0.27054061293103226,"score_spread":0.24576250181631087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994906500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20813814,0.013251531,0.000038524806,0.15506731,0.0037094383,0.0009572358,0.0002868233,0.0006635173,0.6178875],"genre_scores_gemma":[0.82037807,0.0040209405,0.0007380723,0.006177834,0.0030055945,0.000100199104,0.00011539443,0.000112360365,0.16535155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937611,0.0009230325,0.0011555586,0.0014270684,0.0008377265,0.0018954932],"domain_scores_gemma":[0.99679893,0.00040425197,0.0005463813,0.0008668897,0.00041823176,0.00096532475],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009793019,0.0010864688,0.0013310546,0.00026302345,0.0012162359,0.00060793315,0.0015006006,0.0014569705,0.00088599534],"category_scores_gemma":[0.0003235979,0.0010116979,0.0013918049,0.0020377515,0.0027007682,0.0016232101,0.00019525942,0.0014643752,0.00082471885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010428056,0.0010253312,0.0003005578,0.0004141764,0.00061843405,0.0006084042,0.02731564,0.0005394086,0.00045394586,0.93361974,0.021322707,0.013677352],"study_design_scores_gemma":[0.00046661947,0.0003472839,0.001651708,0.0009592189,0.00085831166,0.00019653088,0.002836962,0.000018739125,0.00018047076,0.011897591,0.97933096,0.0012556296],"about_ca_topic_score_codex":0.0050280015,"about_ca_topic_score_gemma":0.1654728,"teacher_disagreement_score":0.9580082,"about_ca_system_score_codex":0.0007270994,"about_ca_system_score_gemma":0.0009950502,"threshold_uncertainty_score":0.99995327},"labels":[],"label_agreement":null},{"id":"W2002426582","doi":"10.1017/s0959269513000069","title":"Linda De Serres and Jacques Laurin, Loft hanté. Montréal: Groupe ECP/Université du Québec à Trois-Rivières, 2010. Trousse pédagogique: two DVDs. 978-2-9810284-8-8","year":2013,"lang":"fr","type":"article","venue":"Journal of French Language Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.012506316201987364,"score_gpt":0.25602365959639556,"score_spread":0.2435173433944082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002426582","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54434896,0.43463135,0.000017236527,0.019253021,0.0007777465,0.0001341561,0.000017387967,0.000025236952,0.0007948842],"genre_scores_gemma":[0.8903688,0.057249572,0.0009548158,0.002648276,0.0037221666,0.000008888826,0.0000046718205,0.000027677583,0.04501513],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99703455,0.00064024684,0.0007372973,0.00034321335,0.0005434316,0.00070125196],"domain_scores_gemma":[0.99724674,0.0004578209,0.0007990375,0.00020302548,0.00089633383,0.00039704263],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00079590816,0.00044247272,0.0010360865,0.00019690659,0.0008098826,0.0003005929,0.00048801812,0.00026389206,0.0008502738],"category_scores_gemma":[0.0005807015,0.00030545698,0.0004685995,0.00046075287,0.0011191479,0.0012515998,0.00020460483,0.00071106845,0.000046275884],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067470864,0.00045513743,0.049826078,0.00016070649,0.0034700541,0.0012276385,0.49826652,0.00005270129,0.0011746935,0.0007880868,0.3827202,0.06179072],"study_design_scores_gemma":[0.0037600263,0.0018485943,0.20559564,0.0009827311,0.003454966,0.000606918,0.49111488,0.00025555273,0.00045536438,0.0031366316,0.2872819,0.0015068044],"about_ca_topic_score_codex":0.38628614,"about_ca_topic_score_gemma":0.61210215,"teacher_disagreement_score":0.37738177,"about_ca_system_score_codex":0.000388351,"about_ca_system_score_gemma":0.0002939705,"threshold_uncertainty_score":0.99993974},"labels":[],"label_agreement":null},{"id":"W2004776587","doi":"10.3138/ctr.143.11","title":"La Ligue Nationale d'Improvisation: Hockey's Contribution to Theatresports","year":2010,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Improvisation; Popularity; Ice hockey; MOZART; Visual arts; Vitality; Art; Humanities; Art history; Political science; Law; Physical medicine and rehabilitation; Medicine; Philosophy; Theology","score_opus":0.013180681248186386,"score_gpt":0.27750794109374766,"score_spread":0.26432725984556127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004776587","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029298823,0.09594039,0.000017803497,0.20980453,0.002048002,0.0026459096,0.00025146097,0.00015766012,0.6598354],"genre_scores_gemma":[0.9399999,0.0055153384,0.00010429806,0.047589526,0.0011878571,0.00012816243,0.00018951089,0.000012675901,0.0052727624],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987983,0.00021255255,0.00020125747,0.00022550364,0.00021483211,0.0003475141],"domain_scores_gemma":[0.9987597,0.00007661238,0.0000610454,0.00020068836,0.00026156972,0.00064040144],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009440174,0.00011405736,0.00022826518,0.00009229094,0.0005053164,0.000107411346,0.00023167879,0.00015936157,0.001540792],"category_scores_gemma":[0.00028495325,0.0000894067,0.00013645123,0.0006120301,0.000101467536,0.0001570421,0.000009879036,0.00021097693,0.0002888672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000050439216,0.000035958576,0.0028028572,0.0001885483,0.00008603942,0.000048140002,0.0026589378,0.0000010802543,0.00019557102,0.35738072,0.18595193,0.45064515],"study_design_scores_gemma":[0.000047952777,0.000008058469,0.001284657,0.0001605829,0.00006433328,0.0000054499965,0.00009546455,7.098585e-7,0.0000066213265,0.0011194157,0.99708074,0.00012601812],"about_ca_topic_score_codex":0.036107138,"about_ca_topic_score_gemma":0.7222728,"teacher_disagreement_score":0.91070104,"about_ca_system_score_codex":0.00016550314,"about_ca_system_score_gemma":0.0008581215,"threshold_uncertainty_score":0.99937195},"labels":[],"label_agreement":null},{"id":"W2007253625","doi":"10.7202/1018578ar","title":"Les chroniques musicales de Léo-Pol Morin — vecteur d’influence pour une réception québécoise de la modernité musicale française","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Morin; Medicine","score_opus":0.020050017492830995,"score_gpt":0.26768736326164544,"score_spread":0.24763734576881444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007253625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.967817,0.0035471253,0.00073542167,0.011235122,0.0015889965,0.0002044685,0.000047697657,0.000032596494,0.014791582],"genre_scores_gemma":[0.9860576,0.00022611213,0.00053004787,0.0038755094,0.0027422553,0.000029831572,0.000004923354,0.000031017844,0.0065027354],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99692136,0.00096676924,0.00065469096,0.00030701782,0.00030251037,0.0008476708],"domain_scores_gemma":[0.99702597,0.0002621948,0.00041453348,0.00021681769,0.00079089723,0.0012895727],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059647183,0.0003301858,0.0004481669,0.00050512695,0.0010220803,0.0004973661,0.00056381535,0.00051425316,0.00879817],"category_scores_gemma":[0.00037171968,0.00030753663,0.0005482854,0.0010054873,0.0014548623,0.0009753139,0.000023891791,0.0011390803,0.00017964606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007831965,0.00083963084,0.020909471,0.00019305163,0.0013957242,0.001083165,0.48669395,0.0065868567,0.027121339,0.041686077,0.24686012,0.1665523],"study_design_scores_gemma":[0.0012858968,0.00073234993,0.10471142,0.0012611952,0.0013166324,0.0018057866,0.073926315,0.0034203816,0.0004243303,0.039429456,0.7703197,0.0013665609],"about_ca_topic_score_codex":0.8393464,"about_ca_topic_score_gemma":0.91737926,"teacher_disagreement_score":0.52345955,"about_ca_system_score_codex":0.0013434496,"about_ca_system_score_gemma":0.002361864,"threshold_uncertainty_score":0.99993765},"labels":[],"label_agreement":null},{"id":"W2009798985","doi":"10.7202/044038ar","title":"Pr gr mm r : l m ch n c t , l s st m t c t , l’ nd t rm n, l s r l t , l’ rt1","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University; Université Laval","funders":"","keywords":"Humanities; Combinatorics; Mathematics; Art","score_opus":0.030343248760999676,"score_gpt":0.3078180045257576,"score_spread":0.2774747557647579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009798985","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21739514,0.018582858,0.000887794,0.027022688,0.007942226,0.0015817914,0.00066912395,0.0023232996,0.7235951],"genre_scores_gemma":[0.7317049,0.0021269876,0.010650031,0.014412486,0.0031117187,0.00043989197,0.00028088287,0.00020702576,0.23706609],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99278843,0.0013442266,0.001433138,0.001561804,0.0009959186,0.0018764662],"domain_scores_gemma":[0.99544996,0.0005966122,0.00071716204,0.0011969988,0.0012756184,0.00076366245],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.0021766035,0.0012581327,0.0013328685,0.00047698733,0.0030881113,0.0014552622,0.0018134322,0.0014850755,0.0026780593],"category_scores_gemma":[0.0010262318,0.0011393287,0.0011442354,0.0014986554,0.011677749,0.0028394985,0.0004983115,0.0023559493,0.00014248776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014208161,0.0008741494,0.002328928,0.00043864027,0.00045629154,0.0003745971,0.025222026,0.0000018405426,0.014277438,0.41555992,0.09451986,0.44580424],"study_design_scores_gemma":[0.0002912721,0.0004945094,0.0007593649,0.0007659825,0.0004375964,0.0001529522,0.0014220962,0.000018434008,0.0060341354,0.0741111,0.9141803,0.0013322924],"about_ca_topic_score_codex":0.0063795173,"about_ca_topic_score_gemma":0.050684627,"teacher_disagreement_score":0.8196604,"about_ca_system_score_codex":0.0009314653,"about_ca_system_score_gemma":0.00038720598,"threshold_uncertainty_score":0.99994564},"labels":[],"label_agreement":null},{"id":"W2018406090","doi":"10.7202/902081ar","title":"Le métier : l’acte musical","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Silence; Aesthetics","score_opus":0.04984020856604346,"score_gpt":0.2779408542174076,"score_spread":0.22810064565136415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018406090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21084972,0.005081526,0.0000674278,0.038742553,0.008497647,0.00045682612,0.00006360331,0.00025821652,0.7359825],"genre_scores_gemma":[0.80845016,0.00009674645,0.00009396817,0.01203548,0.0060510696,0.00004590325,0.000064452055,0.000037353613,0.17312485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996554,0.0005567876,0.0006690223,0.0008292301,0.0005001472,0.0008907778],"domain_scores_gemma":[0.9976033,0.0002511464,0.00034077847,0.00056393223,0.00070895307,0.00053190073],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00094361196,0.00048411547,0.00074540864,0.00014335939,0.0009924487,0.00051016104,0.00075928215,0.0009377282,0.0021975762],"category_scores_gemma":[0.0005334676,0.00044319715,0.00059901364,0.001011808,0.00239821,0.0010969235,0.000115289455,0.001067589,0.00033176562],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010842073,0.0002893703,0.001192542,0.000052835156,0.00019035878,0.00007572204,0.025004907,2.415802e-7,0.0052210256,0.9206096,0.028069584,0.019282984],"study_design_scores_gemma":[0.0003849662,0.00006142525,0.001532986,0.000055138677,0.00013238758,0.000019565754,0.0026203946,0.00002488577,0.00014052112,0.11584726,0.87861776,0.0005626962],"about_ca_topic_score_codex":0.0051841508,"about_ca_topic_score_gemma":0.016747715,"teacher_disagreement_score":0.8505482,"about_ca_system_score_codex":0.000054416636,"about_ca_system_score_gemma":0.0007146916,"threshold_uncertainty_score":0.999802},"labels":[],"label_agreement":null},{"id":"W2018574146","doi":"10.1386/ijfs.13.2.315/3","title":"Sameness and difference in Les Belles-surs: A Canadian spectator's reflections on two Polish productions of Michel Tremblay's play","year":2010,"lang":"en","type":"article","venue":"International Journal of Francophone Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"Consumerism; Power (physics); Housewife; Communism; Poverty; Aesthetics; Literature; Sociology; Gender studies; Humanities; History; Art; Political science; Politics; Law","score_opus":0.036804917097285596,"score_gpt":0.3661332554419671,"score_spread":0.3293283383446815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018574146","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98004043,0.0016396497,0.0000026862028,0.011570994,0.0034826577,0.00006426119,0.000030385736,0.000004620277,0.003164324],"genre_scores_gemma":[0.99699,0.0006781196,0.00015214716,0.00036157566,0.0013996223,0.0000047079548,0.000001632997,0.0000039281244,0.000408238],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9989933,0.00008084511,0.0003216513,0.00013247189,0.00032011745,0.00015165824],"domain_scores_gemma":[0.9986815,0.00012859532,0.00022301998,0.000057544687,0.0008160429,0.00009332039],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028382018,0.000096895936,0.00025169906,0.00037400873,0.0002806581,0.000047097612,0.00022268046,0.000056893005,0.000059551374],"category_scores_gemma":[0.00045275147,0.00007377419,0.00008402329,0.0003898151,0.00037040512,0.00015001802,0.000021511534,0.00032375555,0.0000014365495],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055932294,0.0012253766,0.3907579,0.000047372774,0.00421675,0.00023353424,0.40533978,0.00025908055,0.052114546,0.05315313,0.018499283,0.07359392],"study_design_scores_gemma":[0.0028159274,0.00041435327,0.73912436,0.00050880236,0.0001730457,0.00012949345,0.18073963,0.000017475602,0.0032040507,0.01560766,0.05667659,0.0005886365],"about_ca_topic_score_codex":0.083914034,"about_ca_topic_score_gemma":0.87962663,"teacher_disagreement_score":0.7957126,"about_ca_system_score_codex":0.00014584264,"about_ca_system_score_gemma":0.00023068994,"threshold_uncertainty_score":0.92218626},"labels":[],"label_agreement":null},{"id":"W2019242196","doi":"10.7202/016774ar","title":"Enquête","year":2007,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Geography","score_opus":0.04893257664478724,"score_gpt":0.30112599693129033,"score_spread":0.2521934202865031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2019242196","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06070484,0.04849932,0.0005367534,0.011318193,0.005331965,0.0005100695,0.00003992509,0.0002614311,0.8727975],"genre_scores_gemma":[0.7468431,0.00034644798,0.0000785081,0.01391471,0.00470832,0.000015801026,0.000045352244,0.000028438371,0.23401931],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966619,0.00041805158,0.0007594621,0.0006538435,0.00050668896,0.0010000629],"domain_scores_gemma":[0.9978056,0.00033858776,0.00036959923,0.0003822639,0.0006479225,0.00045602617],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020214177,0.00042818452,0.0006272589,0.0001752646,0.000703474,0.0002905987,0.000562885,0.00064863113,0.0015961853],"category_scores_gemma":[0.00032775084,0.0003889922,0.000505581,0.0013098534,0.0014803474,0.0008042151,0.00007209363,0.0004312973,0.00035758395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024102326,0.00021419485,0.00446056,0.00009989803,0.0002901176,0.00024647225,0.06021932,4.1777054e-7,0.00092744845,0.84371716,0.027383216,0.062417112],"study_design_scores_gemma":[0.00031274877,0.000084722094,0.0018010802,0.0001262214,0.0001442122,0.000015024011,0.006290911,0.00000733988,0.00021377101,0.08417121,0.90631425,0.000518492],"about_ca_topic_score_codex":0.0029495272,"about_ca_topic_score_gemma":0.0061668204,"teacher_disagreement_score":0.87893105,"about_ca_system_score_codex":0.00019124801,"about_ca_system_score_gemma":0.00020251145,"threshold_uncertainty_score":0.9998562},"labels":[],"label_agreement":null},{"id":"W2021598986","doi":"10.7202/041428ar","title":"Études sur le théâtre québécois parues hors du Québec (1968-1998)","year":2000,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.021652718176152802,"score_gpt":0.23722961693875114,"score_spread":0.21557689876259833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021598986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5425723,0.020635433,0.0000047817625,0.16549104,0.0022197324,0.0013286596,0.00041664788,0.001003732,0.26632762],"genre_scores_gemma":[0.6573165,0.008729789,0.0002413396,0.00661949,0.0033772683,0.0001965959,0.00020519183,0.00019641759,0.3231174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9890819,0.0014973563,0.0022431444,0.0025953918,0.0014555738,0.0031266268],"domain_scores_gemma":[0.9944817,0.00089902716,0.00087401277,0.0015909609,0.0006373291,0.0015169716],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0012044392,0.002113491,0.00258847,0.00040399283,0.0027431773,0.00096828124,0.0028224506,0.0017240739,0.004194783],"category_scores_gemma":[0.00039551145,0.0019698935,0.002516327,0.0026470418,0.0037999102,0.0031891682,0.00024699632,0.0017402332,0.0017830582],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000678214,0.0036351967,0.0041163294,0.0009403684,0.0026770406,0.00097672,0.06950647,0.0010489434,0.0004746783,0.6112479,0.22859003,0.0761081],"study_design_scores_gemma":[0.00064043875,0.00052686647,0.0027903698,0.0009082822,0.0013689649,0.00017972085,0.005404963,0.00025640376,0.0001343721,0.0010816968,0.9843218,0.0023861618],"about_ca_topic_score_codex":0.46923065,"about_ca_topic_score_gemma":0.97005934,"teacher_disagreement_score":0.75573176,"about_ca_system_score_codex":0.0011526163,"about_ca_system_score_gemma":0.0056305416,"threshold_uncertainty_score":0.9995719},"labels":[],"label_agreement":null},{"id":"W2022601821","doi":"10.7202/038256ar","title":"Ticket pour la liberté. Entretien avec Otto Joachim","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Franchise","score_opus":0.03036549001560091,"score_gpt":0.2731357562005622,"score_spread":0.24277026618496128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022601821","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076550014,0.021273537,0.0001171061,0.08757622,0.0018317427,0.0005476922,0.000069908354,0.00032258232,0.8117112],"genre_scores_gemma":[0.69216996,0.0005261378,0.000105677376,0.017035818,0.0026208146,0.000018915833,0.0000759382,0.00002606967,0.28742063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956497,0.0013273434,0.0007511291,0.00082281965,0.0005452251,0.00090379984],"domain_scores_gemma":[0.9977245,0.0003706083,0.00041080185,0.0004597502,0.0005615942,0.00047275916],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009445173,0.00057841325,0.00083994935,0.00016956215,0.0005531982,0.0005957753,0.0007375649,0.0007377308,0.0014187206],"category_scores_gemma":[0.000417983,0.0005092972,0.00062978663,0.0009849872,0.00096346566,0.00090581295,0.00006353273,0.00054054393,0.0003514254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028908466,0.0005608584,0.001776937,0.00007228339,0.00030530512,0.0002711493,0.18280913,0.0000014473849,0.000804007,0.659256,0.09188357,0.062230404],"study_design_scores_gemma":[0.0005455117,0.00015033614,0.0028427863,0.0002163424,0.00024952905,0.00003342746,0.0039174417,0.00006854531,0.00009302958,0.18962912,0.80155975,0.0006941955],"about_ca_topic_score_codex":0.0010295932,"about_ca_topic_score_gemma":0.0009269005,"teacher_disagreement_score":0.70967615,"about_ca_system_score_codex":0.00016840386,"about_ca_system_score_gemma":0.0003465792,"threshold_uncertainty_score":0.9997359},"labels":[],"label_agreement":null},{"id":"W2022974862","doi":"10.7202/1005613ar","title":"De la polyphonie hétéromorphe à une esthétique de la divergence","year":2011,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.025204675234301997,"score_gpt":0.2738569090959859,"score_spread":0.24865223386168392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022974862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40640467,0.008008767,0.00009902645,0.019794818,0.0015432765,0.00067370845,0.00024055698,0.00049476384,0.5627404],"genre_scores_gemma":[0.8871034,0.006248329,0.0025156,0.0035580846,0.0013273363,0.00012083704,0.00004526173,0.00010499384,0.098976165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99198526,0.0032022628,0.0009618779,0.0011800941,0.0006128224,0.0020576825],"domain_scores_gemma":[0.9963287,0.0009671835,0.00055314705,0.0007587137,0.00030625222,0.0010860214],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002167909,0.0009895645,0.0011131653,0.00021126891,0.0012315634,0.00051537255,0.0017867527,0.0016646411,0.001789548],"category_scores_gemma":[0.00050808105,0.0009340236,0.0010933186,0.0018044247,0.0046376595,0.0011537452,0.00022994379,0.0015509923,0.00023189442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021165228,0.0013262305,0.008827812,0.00038264735,0.0007404984,0.0014825078,0.088697776,0.00013491159,0.0017339393,0.84589475,0.042205438,0.008361809],"study_design_scores_gemma":[0.00028164065,0.00031847163,0.020864323,0.0006166618,0.0010249094,0.00042961506,0.0040409435,0.00014186266,0.00069214875,0.016462263,0.9538442,0.0012829471],"about_ca_topic_score_codex":0.027455548,"about_ca_topic_score_gemma":0.080702856,"teacher_disagreement_score":0.9116388,"about_ca_system_score_codex":0.0006588991,"about_ca_system_score_gemma":0.001384474,"threshold_uncertainty_score":0.9996314},"labels":[],"label_agreement":null},{"id":"W2024844342","doi":"10.7202/1014396ar","title":"Le labyrinthe visité : Le cactus rieur et la demoiselle qui souffrait d’une soif insatiable de Denys Bouliane","year":2013,"lang":"fr","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014335199943919921,"score_gpt":0.2224772165595246,"score_spread":0.20814201661560466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024844342","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04037573,0.15670252,0.00004182799,0.16467476,0.0007924837,0.0011468017,0.00015138046,0.00007239259,0.6360421],"genre_scores_gemma":[0.47944245,0.073084205,0.00039083377,0.11902776,0.0005744902,0.00001248391,0.0001308895,0.000046868267,0.32729003],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967385,0.001321624,0.0002816436,0.0005047012,0.00023913571,0.0009144289],"domain_scores_gemma":[0.99778754,0.00013280737,0.00020226247,0.0003873284,0.00028290978,0.0012071561],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00071790616,0.00031378528,0.0006386165,0.00014038401,0.0014635387,0.0002146288,0.0007726502,0.00034722424,0.0070295446],"category_scores_gemma":[0.00011934322,0.00033030997,0.00039303774,0.0017622379,0.0006954258,0.0008462127,0.000096815624,0.00051545346,0.0012000931],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002967795,0.00011064146,0.0007193592,0.0009682327,0.00034000634,0.0003160088,0.012525988,0.000024130179,0.000037620623,0.23212162,0.71990526,0.032928165],"study_design_scores_gemma":[0.00025264936,0.000025278228,0.001404636,0.00075490045,0.00039593337,0.000018054037,0.008607132,0.00003639982,0.0000025477173,0.0013856612,0.986721,0.0003958372],"about_ca_topic_score_codex":0.86313665,"about_ca_topic_score_gemma":0.894397,"teacher_disagreement_score":0.4390667,"about_ca_system_score_codex":0.0005187109,"about_ca_system_score_gemma":0.004490301,"threshold_uncertainty_score":0.9999149},"labels":[],"label_agreement":null},{"id":"W2026805177","doi":"10.7202/038257ar","title":"Le laboratoire musical de l’Université Simon Fraser : une entrevue avec Barry Truax1","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Studio; Art; Art history; Visual arts","score_opus":0.017042862437646977,"score_gpt":0.23838689273365748,"score_spread":0.22134403029601052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026805177","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39876768,0.021778477,0.00014860439,0.14617756,0.0016491141,0.000642109,0.0001274782,0.00040037933,0.43030858],"genre_scores_gemma":[0.9276396,0.000695854,0.00004727564,0.021094471,0.0026276556,0.000010428331,0.00010555666,0.000027260641,0.04775191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964181,0.0008259897,0.0005813895,0.00081045,0.0004310255,0.00093303097],"domain_scores_gemma":[0.99783856,0.00018353749,0.00033510957,0.00044099003,0.00063325005,0.00056857994],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045029857,0.000524267,0.0008169714,0.00015827763,0.0010399036,0.000356239,0.0007038863,0.0007985722,0.0009794435],"category_scores_gemma":[0.00024326307,0.0005206421,0.00053943106,0.001963846,0.00082964636,0.00103731,0.000064626816,0.00057386566,0.00009425844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063389,0.000708399,0.003762503,0.000089492634,0.00032555,0.00081461464,0.13098754,0.000009810619,0.0011648834,0.71278006,0.10129962,0.04799413],"study_design_scores_gemma":[0.0010006056,0.00022200853,0.007343586,0.00021826556,0.00028469335,0.000006656276,0.023295607,0.00011642783,0.00023535058,0.09155948,0.8748987,0.0008186305],"about_ca_topic_score_codex":0.0038792205,"about_ca_topic_score_gemma":0.014519007,"teacher_disagreement_score":0.7735991,"about_ca_system_score_codex":0.0002623323,"about_ca_system_score_gemma":0.0007790982,"threshold_uncertainty_score":0.9999338},"labels":[],"label_agreement":null},{"id":"W2027093614","doi":"10.7202/017592ar","title":"Documents","year":2007,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","score_opus":0.046132231230793984,"score_gpt":0.3109371847452299,"score_spread":0.26480495351443595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027093614","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06730241,0.038102176,0.00033391896,0.009067462,0.0054981024,0.0004587209,0.00003093026,0.00020649287,0.87899977],"genre_scores_gemma":[0.7049188,0.00032209285,0.00006399672,0.011898138,0.0033859941,0.000012918538,0.000047441048,0.000023737637,0.2793269],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674916,0.0003872481,0.00073670293,0.0006241627,0.0005407074,0.0009620077],"domain_scores_gemma":[0.998033,0.0002510753,0.0003584134,0.00035355278,0.00056378107,0.00044018019],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018230543,0.00040702138,0.00057466165,0.00016539166,0.00067310064,0.00032910198,0.0005506868,0.0005666415,0.0018049516],"category_scores_gemma":[0.00025125084,0.00036854646,0.0004403151,0.0011968041,0.0011888349,0.0010011246,0.000076447424,0.00037244425,0.00039323245],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026004756,0.00026629184,0.0066392384,0.00009995862,0.0003736692,0.00023598626,0.05650045,3.829239e-7,0.0006339117,0.8306659,0.04099511,0.06356308],"study_design_scores_gemma":[0.00036056092,0.00007869804,0.0018616072,0.00012603204,0.0001398646,0.000010677328,0.0056173736,0.0000039897063,0.00014798917,0.10677172,0.88441116,0.0004703398],"about_ca_topic_score_codex":0.0034050965,"about_ca_topic_score_gemma":0.004390853,"teacher_disagreement_score":0.84341604,"about_ca_system_score_codex":0.00022031255,"about_ca_system_score_gemma":0.0001674786,"threshold_uncertainty_score":0.9998767},"labels":[],"label_agreement":null},{"id":"W2027988141","doi":"10.7202/1014498ar","title":"Le ballet chez Cocteau : vers une manifestation avant-gardiste en compagnie du Groupe des Six et des Ballets suédois","year":2013,"lang":"fr","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.025589612470788097,"score_gpt":0.22802817958790506,"score_spread":0.20243856711711697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027988141","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17322575,0.14886533,0.000081499464,0.1485674,0.0021042423,0.0022635113,0.00053473236,0.00012012311,0.5242374],"genre_scores_gemma":[0.77763015,0.14793411,0.00032691064,0.028168276,0.00039344467,0.000007042146,0.00049059425,0.000027014135,0.045022435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968564,0.0013386759,0.00030375257,0.0004894406,0.00027024586,0.00074149255],"domain_scores_gemma":[0.997857,0.0001450186,0.0001988755,0.00026337756,0.00053720875,0.0009985165],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000614494,0.00032528484,0.00062228745,0.00014471084,0.0015913814,0.00019046692,0.0006157206,0.00026423833,0.007208737],"category_scores_gemma":[0.00014480027,0.0003444923,0.0003886636,0.0010286339,0.0014541966,0.0011708615,0.00006649701,0.00031958875,0.0011426412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000104622695,0.0001422978,0.0025174327,0.0029069586,0.00065820676,0.00064015575,0.05724956,0.000036567824,0.000023941577,0.19361451,0.68491465,0.057285227],"study_design_scores_gemma":[0.00032811105,0.00003824453,0.030977674,0.0012151664,0.000560648,0.000017933125,0.009065976,0.000031844178,2.9979037e-7,0.0008090437,0.95654064,0.00041442993],"about_ca_topic_score_codex":0.7665791,"about_ca_topic_score_gemma":0.9701201,"teacher_disagreement_score":0.60440445,"about_ca_system_score_codex":0.0013680933,"about_ca_system_score_gemma":0.0013780865,"threshold_uncertainty_score":0.9999007},"labels":[],"label_agreement":null},{"id":"W2029548196","doi":"10.7202/1017311ar","title":"Condition de l’auteur dramatique dans l’espace théâtral contemporain : des textes en trop ?","year":2013,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art; Auteur theory; Philosophy; Art history","score_opus":0.016722038305422786,"score_gpt":0.2652318928122624,"score_spread":0.2485098545068396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029548196","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65816593,0.0046573672,0.00034182484,0.10418973,0.0016454102,0.0023365684,0.00061628997,0.0007813921,0.2272655],"genre_scores_gemma":[0.72679764,0.0019251056,0.0018346148,0.0033831329,0.0017793438,0.00043990382,0.0003045185,0.00013927257,0.26339647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9905636,0.002755922,0.0015731168,0.0015709022,0.00086266967,0.0026738078],"domain_scores_gemma":[0.9950563,0.0010464936,0.00087304704,0.0009091625,0.0007874488,0.0013275965],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0014708639,0.0014489962,0.0017070398,0.0003422777,0.0018322142,0.0012001167,0.0017215254,0.0015547595,0.0024040518],"category_scores_gemma":[0.00068783626,0.0013361077,0.0014426839,0.0016795183,0.0037538211,0.0035786263,0.00020013316,0.0015560027,0.0006117513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015412284,0.0011334424,0.004109476,0.0009885618,0.0011343329,0.00030509333,0.12553993,0.00032897468,0.008323882,0.75367355,0.09382294,0.010485676],"study_design_scores_gemma":[0.00048904715,0.00071874534,0.014544183,0.0012050678,0.000907948,0.00021223736,0.01937215,0.00054901023,0.0006392618,0.013584632,0.945986,0.0017917184],"about_ca_topic_score_codex":0.014344176,"about_ca_topic_score_gemma":0.17165296,"teacher_disagreement_score":0.8521631,"about_ca_system_score_codex":0.0011695289,"about_ca_system_score_gemma":0.0010485629,"threshold_uncertainty_score":0.99983674},"labels":[],"label_agreement":null},{"id":"W203290813","doi":"","title":"Quebec también existe: música contemporánea canadiense en Le Domaine Forget","year":2004,"lang":"es","type":"article","venue":"Scherzo: revista de música","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.015329631136116573,"score_gpt":0.27465861449417794,"score_spread":0.25932898335806137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W203290813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8731889,0.01588505,0.00014631338,0.056369312,0.00092683197,0.001379644,0.00037085052,0.00033154542,0.05140153],"genre_scores_gemma":[0.95636433,0.00061717123,0.00083091983,0.0065105795,0.001906072,0.00007963288,0.00015779032,0.000061372746,0.03347214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949944,0.0009569293,0.0008796872,0.0010163494,0.0007059841,0.0014466762],"domain_scores_gemma":[0.9971954,0.00023601527,0.00049734354,0.0007946696,0.00041483002,0.00086171523],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001559249,0.00064523495,0.0011069295,0.00015285474,0.0015621292,0.0013432128,0.0010602591,0.00071279146,0.00022852916],"category_scores_gemma":[0.00075463904,0.0005549738,0.00075298117,0.001414306,0.0011330221,0.0005857054,0.0001806699,0.00084572233,0.00020876939],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014810974,0.00052211183,0.0011063771,0.0002581006,0.00065009546,0.00041482766,0.015860584,0.000022281998,0.0033291047,0.9308174,0.041091833,0.0057791327],"study_design_scores_gemma":[0.0014765663,0.0001837292,0.0027345356,0.00032512384,0.00039823007,0.000019277242,0.004623918,0.00001394817,0.00020933544,0.004543278,0.98466086,0.0008111904],"about_ca_topic_score_codex":0.18365444,"about_ca_topic_score_gemma":0.20906167,"teacher_disagreement_score":0.94356906,"about_ca_system_score_codex":0.0011149559,"about_ca_system_score_gemma":0.0021962035,"threshold_uncertainty_score":0.9997377},"labels":[],"label_agreement":null},{"id":"W2034855869","doi":"10.7202/1014516ar","title":"On Popular Music: Philip Tagg, William Straw / À propos de musique populaire : Philip Tagg, William Straw","year":2013,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal; McGill University; Musée de la Civilisation","funders":"","keywords":"Musicology; Art; Popular music; Sociology; Art history; State (computer science); Media studies; Visual arts","score_opus":0.02380374914065743,"score_gpt":0.23697938327219625,"score_spread":0.21317563413153884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034855869","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5661247,0.045264177,0.000025312587,0.085135266,0.004077096,0.010428918,0.0007396854,0.0006366992,0.28756818],"genre_scores_gemma":[0.84088016,0.010432249,0.00020663488,0.07028445,0.0013600801,0.000036697176,0.00063073495,0.0000678036,0.076101206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962503,0.00075229123,0.00038730825,0.00089078926,0.00053275656,0.0011865532],"domain_scores_gemma":[0.99684495,0.00005480942,0.00026111922,0.0007592366,0.00048454752,0.0015953127],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00067903934,0.00044927117,0.00075097784,0.0003020687,0.002358836,0.00034844922,0.0011408342,0.00043621645,0.013072014],"category_scores_gemma":[0.00028957688,0.00041866815,0.0005183483,0.0015768795,0.0007807252,0.0009098255,0.00006929034,0.00060779526,0.0010289866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010802872,0.00014565156,0.0021944854,0.0008638169,0.00030655437,0.0005149079,0.008413496,0.000007708023,0.000106195206,0.08440143,0.8668259,0.036209103],"study_design_scores_gemma":[0.00022995294,0.000053664673,0.0018389844,0.0009450334,0.0003384499,0.000008788245,0.0017020629,0.000003831428,0.000003218325,0.002392634,0.99192196,0.0005614325],"about_ca_topic_score_codex":0.1865547,"about_ca_topic_score_gemma":0.7797222,"teacher_disagreement_score":0.59316754,"about_ca_system_score_codex":0.0014670743,"about_ca_system_score_gemma":0.0020149094,"threshold_uncertainty_score":0.9998265},"labels":[],"label_agreement":null},{"id":"W2039686736","doi":"10.3917/soc.072.0035","title":"Le sens musical en free-party aujourd'hui : entre idéologie et utopie","year":2001,"lang":"fr","type":"article","venue":"Sociétés","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Musical; Art; Philosophy; Humanities; Literature","score_opus":0.05868113508681467,"score_gpt":0.3612282679693299,"score_spread":0.3025471328825152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039686736","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2604433,0.008887481,0.000048490157,0.38823372,0.0068215746,0.00034785667,0.00011624771,0.00023719232,0.33486414],"genre_scores_gemma":[0.78839636,0.0021752368,0.00034445815,0.019456374,0.004796401,0.000021679303,0.000072011084,0.000024533907,0.18471295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963688,0.0011491518,0.00041366497,0.00060935086,0.0005015989,0.0009574331],"domain_scores_gemma":[0.99847364,0.00040688625,0.00017498346,0.00042430172,0.00019143728,0.00032876144],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007775202,0.00034079587,0.0005539711,0.000049547885,0.0009221849,0.0002572251,0.000694433,0.00084114564,0.011049544],"category_scores_gemma":[0.00045227015,0.00029031571,0.00057675014,0.00078396796,0.0009820723,0.00054852944,0.0002480672,0.0007968823,0.0006080706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003610699,0.0006762591,0.0018958452,0.000036094018,0.0005641634,0.00036471753,0.047188863,0.000032492502,0.00055590755,0.5555218,0.34791082,0.045216914],"study_design_scores_gemma":[0.000590076,0.00007458499,0.0013809657,0.000027690947,0.0002628472,0.0000169268,0.024735482,0.000053818334,0.00004371556,0.053856686,0.91856104,0.00039618998],"about_ca_topic_score_codex":0.0024390402,"about_ca_topic_score_gemma":0.008161466,"teacher_disagreement_score":0.5706502,"about_ca_system_score_codex":0.00017930848,"about_ca_system_score_gemma":0.0004500073,"threshold_uncertainty_score":0.9999549},"labels":[],"label_agreement":null},{"id":"W2041402898","doi":"10.1093/fs/kns056","title":"Alain Robbe-Grillet: balises pour le XXI <sup>e</sup> siècle <i> Alain Robbe-Grillet: balises pour le XXI <sup>e</sup> siècle </i> . Édité par R <scp>oger-</scp> M <scp>ichel</scp> A <scp>llemand</scp> et C <scp>hristian</scp> M <scp>ilat.</scp> Ottawa: Presses de l'Université d'Ottawa; Paris: Presses Sorbonne Nouvelle, 2010. vi + 572 pp., ill. Pb CAD $49.95; €35.50.","year":2012,"lang":"fr","type":"article","venue":"French Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.016480228383089393,"score_gpt":0.24053736661642564,"score_spread":0.22405713823333623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041402898","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33558983,0.53084654,0.0009891597,0.010159051,0.005232461,0.0048437836,0.005335765,0.0020488205,0.10495462],"genre_scores_gemma":[0.54314506,0.16930307,0.0071502966,0.013402692,0.01800576,0.002297254,0.003439766,0.0014372031,0.2418189],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.96702194,0.0063201524,0.0051393914,0.0061047054,0.0045958604,0.010817978],"domain_scores_gemma":[0.958265,0.02583095,0.0043579466,0.0034853274,0.004034121,0.0040266193],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.005914972,0.006163999,0.00748531,0.0013484203,0.011643781,0.0027860312,0.0059574405,0.0044079013,0.0004250423],"category_scores_gemma":[0.024150202,0.005777177,0.0040087486,0.0063365423,0.0065489723,0.0061434456,0.0036970198,0.004574274,0.0018626803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015921747,0.004225309,0.02377856,0.0013864577,0.007972761,0.00045816138,0.09886221,0.011357141,0.003219163,0.0034634117,0.8443501,0.00091079186],"study_design_scores_gemma":[0.004480629,0.000803374,0.014359572,0.0011565059,0.004521309,0.00019127806,0.22368371,0.0017246942,0.0059502474,0.002460304,0.7397804,0.00088796637],"about_ca_topic_score_codex":0.03386737,"about_ca_topic_score_gemma":0.00962768,"teacher_disagreement_score":0.36154342,"about_ca_system_score_codex":0.0014444423,"about_ca_system_score_gemma":0.003158982,"threshold_uncertainty_score":0.9994208},"labels":[],"label_agreement":null},{"id":"W2047187771","doi":"10.7202/1014473ar","title":"Back to the Future: Celebrating Thirty Years of Diversity","year":2013,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Musical; History; Media studies; Sociology; Art; Anthropology; Visual arts","score_opus":0.02628034172204936,"score_gpt":0.22403135937856514,"score_spread":0.1977510176565158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047187771","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3683142,0.050142527,0.000012068859,0.1790826,0.0020905407,0.004017377,0.0002240876,0.00006046417,0.39605612],"genre_scores_gemma":[0.7268836,0.022168277,0.0005173307,0.1941329,0.0020865796,0.000004692739,0.000084013445,0.000011965939,0.054110665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991393,0.0002197161,0.00009051369,0.00015405938,0.00015723426,0.00023918519],"domain_scores_gemma":[0.99919945,0.0000347719,0.00007052989,0.00016253634,0.00018149955,0.00035119127],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025197273,0.00007038778,0.00018813099,0.000044173208,0.00077924324,0.00003235075,0.0005416459,0.00006656891,0.0073143314],"category_scores_gemma":[0.000042391006,0.00005096033,0.00013653048,0.00087098585,0.00010378206,0.0001995557,0.000104101324,0.00010697256,0.0005358653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.62575e-7,0.000007939115,0.0024343315,0.000109892615,0.00006150264,0.00001118982,0.008126743,0.0000012382953,0.000010763319,0.009655465,0.9161628,0.0634172],"study_design_scores_gemma":[0.0000316223,0.0000070667743,0.011227342,0.00010533079,0.000068224566,3.0964824e-7,0.0040730424,0.0000010511087,2.8267615e-7,0.00003581182,0.98436844,0.00008149987],"about_ca_topic_score_codex":0.26127702,"about_ca_topic_score_gemma":0.8059129,"teacher_disagreement_score":0.54463595,"about_ca_system_score_codex":0.00016311016,"about_ca_system_score_gemma":0.0002220178,"threshold_uncertainty_score":0.9935931},"labels":[],"label_agreement":null},{"id":"W2048851351","doi":"10.4000/lhomme.142","title":"Musique, esthétique et société","year":2002,"lang":"fr","type":"article","venue":"L Homme","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Passion; Art; Humanities; Art history; Psychology","score_opus":0.042490608433076504,"score_gpt":0.309491827752694,"score_spread":0.2670012193196175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048851351","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06660631,0.04182123,0.000023755163,0.20443773,0.0034569108,0.00020253922,0.000034684068,0.00012811291,0.6832887],"genre_scores_gemma":[0.5249284,0.0027864957,0.0002872221,0.06675464,0.0018092276,0.000018679848,0.000016810203,0.000015440755,0.4033831],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998055,0.0005251677,0.00025605617,0.00034741135,0.0002782394,0.0005381632],"domain_scores_gemma":[0.99920595,0.00012617394,0.00012154061,0.00021006109,0.00012642384,0.00020985158],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003197753,0.00021665732,0.00031253303,0.00004149542,0.00045502506,0.00020817708,0.00033028878,0.00044936687,0.014280707],"category_scores_gemma":[0.000078206904,0.00018554398,0.00031398056,0.00070357707,0.0005008577,0.00051108643,0.00006126335,0.0004369799,0.0015592834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033863676,0.00029044008,0.00034192795,0.000026209465,0.00012476124,0.00005698125,0.041368067,0.0000063036455,0.00007741641,0.4987677,0.38255575,0.076381065],"study_design_scores_gemma":[0.00020400615,0.00005608092,0.0004430376,0.00003218526,0.000112346024,0.000009129488,0.0029457728,0.0001692609,0.00002209895,0.01972537,0.976003,0.00027773945],"about_ca_topic_score_codex":0.0013048088,"about_ca_topic_score_gemma":0.003943431,"teacher_disagreement_score":0.5934472,"about_ca_system_score_codex":0.000104545565,"about_ca_system_score_gemma":0.00003312653,"threshold_uncertainty_score":0.9992181},"labels":[],"label_agreement":null},{"id":"W2054675248","doi":"10.5539/res.v1n2p64","title":"Milan Kundera’s Slowness – Making It Slow","year":2009,"lang":"en","type":"article","venue":"Review of European Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Slowness; Novella; Rhetoric; Deconstruction (building); Literature; Ideal (ethics); Phenomenon; Aesthetics; History; Philosophy; Art; Epistemology; Theology; Physics","score_opus":0.09612075573912132,"score_gpt":0.3819653602140806,"score_spread":0.2858446044749593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054675248","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093415094,0.5523106,0.0000039220467,0.014815062,0.00020700376,0.00017794486,0.000002946009,0.000044111694,0.43150428],"genre_scores_gemma":[0.3604052,0.571749,0.0003393036,0.054567758,0.000985047,0.000004614136,0.000007389888,0.000011601492,0.0119301425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983281,0.0006395559,0.000356851,0.0002049918,0.00025129665,0.00021921634],"domain_scores_gemma":[0.99924266,0.000063746804,0.00019519495,0.00016700801,0.0002890014,0.000042374002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010788143,0.00013143668,0.0004843485,0.00003131642,0.00039799052,0.00003418142,0.00027018363,0.00002047313,0.00007466197],"category_scores_gemma":[0.00046269933,0.000085050786,0.00021932779,0.0004009154,0.00019334257,0.00013164965,0.0000539036,0.00008844419,0.000065589295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001189685,0.000182069,0.0004928443,0.004239612,0.000744543,0.00009077598,0.029499957,0.0000014121165,0.00016841649,0.06430198,0.6692462,0.23102032],"study_design_scores_gemma":[0.0000698545,0.000041576754,0.0021395902,0.0044832546,0.00021577334,0.0000013527272,0.0035269037,2.5205966e-7,0.0000032897653,0.00045562585,0.9889107,0.00015185008],"about_ca_topic_score_codex":0.000006688377,"about_ca_topic_score_gemma":0.00005773813,"teacher_disagreement_score":0.41957414,"about_ca_system_score_codex":0.000025702746,"about_ca_system_score_gemma":0.000018418114,"threshold_uncertainty_score":0.34682703},"labels":[],"label_agreement":null},{"id":"W2056405845","doi":"10.7202/902264ar","title":"Qu’est-ce concert?","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04476213811314748,"score_gpt":0.29429262053017086,"score_spread":0.24953048241702339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056405845","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12685834,0.021807771,0.00006235911,0.021645585,0.010716029,0.00059534836,0.00010018487,0.00032094415,0.81789345],"genre_scores_gemma":[0.85609263,0.0003893118,0.00007047219,0.013190637,0.005995679,0.000057300353,0.000074339216,0.00003763073,0.124092005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655867,0.0005285884,0.00071141944,0.0008191432,0.00051138876,0.0008708077],"domain_scores_gemma":[0.9973123,0.000327261,0.0004277637,0.00056804187,0.00086305354,0.0005015767],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00092789426,0.00052298774,0.0007733844,0.00012537686,0.00084297167,0.0005240299,0.0008333743,0.0009053205,0.0036736634],"category_scores_gemma":[0.00059904624,0.00046166434,0.0005464032,0.001040075,0.0024890783,0.0010504305,0.00009588366,0.000953792,0.00038601612],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012039582,0.00019093629,0.002497906,0.00007842478,0.0002217551,0.00008530987,0.04331676,4.8288206e-7,0.005000459,0.8802631,0.042777967,0.025554886],"study_design_scores_gemma":[0.00038242247,0.0000907876,0.00066878856,0.00008900531,0.00017221493,0.000023642167,0.0036172923,0.00003064751,0.00017895999,0.12258184,0.87154543,0.00061897497],"about_ca_topic_score_codex":0.0058100624,"about_ca_topic_score_gemma":0.010156836,"teacher_disagreement_score":0.8287675,"about_ca_system_score_codex":0.00008405192,"about_ca_system_score_gemma":0.0005303949,"threshold_uncertainty_score":0.9997835},"labels":[],"label_agreement":null},{"id":"W2056845124","doi":"10.4000/litteratures.195","title":"Scènes de procès","year":2012,"lang":"fr","type":"article","venue":"Littératures","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02277385114012941,"score_gpt":0.28967164022259456,"score_spread":0.26689778908246514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056845124","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14350647,0.5014001,0.0000139047615,0.03349394,0.008082766,0.00032387426,0.00004397359,0.00017343396,0.3129615],"genre_scores_gemma":[0.7011902,0.0009176404,0.0005399047,0.012434412,0.012471248,0.00002818558,0.000022314594,0.000016353257,0.27237976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976633,0.00045010223,0.00022825855,0.00026337765,0.00032537046,0.0010695588],"domain_scores_gemma":[0.99902856,0.00009374869,0.00011558102,0.0002003815,0.0001305734,0.00043115407],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005208619,0.00024448783,0.0002832119,0.000052604384,0.0006439656,0.0002612001,0.0003432751,0.00059318263,0.0012562235],"category_scores_gemma":[0.00016828807,0.0001885062,0.00026228576,0.00096139323,0.0006016711,0.00081866636,0.000060126804,0.00045594358,0.00042186838],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001950142,0.0003279275,0.030375563,0.00009611664,0.0002649561,0.000013062836,0.044686094,0.000003458929,0.0005090117,0.71856445,0.1906098,0.01453005],"study_design_scores_gemma":[0.00010759094,0.000033652475,0.015934946,0.000053025233,0.00026331333,0.00001570734,0.002905773,0.0000070126193,0.00025345763,0.00848665,0.97164845,0.0002904005],"about_ca_topic_score_codex":0.00044809718,"about_ca_topic_score_gemma":0.0007189597,"teacher_disagreement_score":0.7810387,"about_ca_system_score_codex":0.0001307116,"about_ca_system_score_gemma":0.00010734736,"threshold_uncertainty_score":0.99965674},"labels":[],"label_agreement":null},{"id":"W2060397677","doi":"10.7202/1014311ar","title":"La musique de Wagner au Québec au tournant du XXe siècle","year":2013,"lang":"fr","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018223919192650182,"score_gpt":0.2144465397173572,"score_spread":0.19622262052470701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060397677","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15073775,0.12680171,0.00001130148,0.29785788,0.0015333041,0.0009464872,0.00008553517,0.000045462904,0.4219806],"genre_scores_gemma":[0.5556886,0.071179755,0.00012649881,0.11001505,0.0020274592,0.000008205748,0.000046765963,0.00002956543,0.26087806],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972869,0.0010205688,0.00023334514,0.00037516037,0.0001846565,0.00089935714],"domain_scores_gemma":[0.9976722,0.0001142919,0.00015495904,0.00028962424,0.00028534964,0.0014835594],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006071217,0.00025462263,0.0005026508,0.000119292235,0.00143386,0.00010505565,0.00063289446,0.00034821412,0.014299902],"category_scores_gemma":[0.00016968862,0.00023649025,0.00041531492,0.0010891455,0.0008687079,0.0006020291,0.000062888364,0.0003914631,0.001305388],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0000021797928,0.00006325277,0.007292732,0.000937533,0.00025050857,0.0006683164,0.024747847,0.0000038546186,0.000011433253,0.05694848,0.73996794,0.16910592],"study_design_scores_gemma":[0.00012340583,0.000021486858,0.013319461,0.0009995927,0.00046822365,0.000027650807,0.003398607,0.000013389284,3.9337854e-7,0.0001583548,0.9811569,0.00031256667],"about_ca_topic_score_codex":0.9914505,"about_ca_topic_score_gemma":0.9976001,"teacher_disagreement_score":0.4049509,"about_ca_system_score_codex":0.005286372,"about_ca_system_score_gemma":0.010224601,"threshold_uncertainty_score":0.9998661},"labels":[],"label_agreement":null},{"id":"W2065710068","doi":"10.7202/018656ar","title":"Nouveautés en bref. Arditti Quartet : Conlon Nancarrow – Quartets and Studies Wergo, 2007 (WER 6696 2) Quartetski does Prokofiev : Visions fugitives, op. 22, Ambiances Magnétiques, 2007 (AM 171 CD) Gayou, Évelyne (2007), GRM – Le Groupe de Recherches Musicales : Cinquante ans d’histoire, Paris, Fayard, coll. Les chemins de la musique, 520 p.","year":2008,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Art; Humanities; Theology; Philosophy","score_opus":0.05621638564287324,"score_gpt":0.321685957584218,"score_spread":0.26546957194134474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065710068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4403746,0.40662912,0.00046841468,0.021089545,0.004441819,0.0031021156,0.0012680837,0.0011224641,0.12150384],"genre_scores_gemma":[0.85347176,0.069297984,0.0008841223,0.0044253482,0.003911563,0.0005780971,0.00028890494,0.0001779385,0.0669643],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98738873,0.004795364,0.0020782875,0.0023352043,0.0010703001,0.0023320895],"domain_scores_gemma":[0.99114734,0.0036693653,0.0012592664,0.0009202717,0.0018871479,0.0011166268],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0047716657,0.0017487452,0.0028629275,0.00045489526,0.0035663943,0.0005884029,0.001161156,0.0022910878,0.00054353796],"category_scores_gemma":[0.0023374278,0.0014904815,0.0010272844,0.0015230275,0.010387327,0.0018955857,0.00026879332,0.0019280083,0.00004105939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037122457,0.002375054,0.033416737,0.0013341832,0.002444014,0.0013701483,0.26580226,0.0000065707245,0.0052189548,0.044297315,0.6283326,0.01503093],"study_design_scores_gemma":[0.0024280401,0.0009466831,0.026853358,0.0019815683,0.0008763461,0.00032318564,0.10045891,0.00010595419,0.0009968438,0.027381273,0.83496004,0.0026878158],"about_ca_topic_score_codex":0.01819699,"about_ca_topic_score_gemma":0.016808761,"teacher_disagreement_score":0.41309714,"about_ca_system_score_codex":0.0011815387,"about_ca_system_score_gemma":0.0022739226,"threshold_uncertainty_score":0.99952585},"labels":[],"label_agreement":null},{"id":"W2068666668","doi":"10.7202/029902ar","title":"“Pictures in the Fire”: the Dickensian Hearth and the Concept of History","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hearth; Narrative; Representation (politics); Materiality (auditing); Literature; History; The Symbolic; MAGIC (telescope); Aesthetics; Art history; Visual arts; Art; Politics; Archaeology; Law; Psychology","score_opus":0.015381585962789894,"score_gpt":0.24633690464288968,"score_spread":0.23095531868009977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068666668","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8331477,0.014197021,0.0000036524377,0.11912748,0.0010935729,0.0007770169,0.00000991677,0.00002805396,0.03161557],"genre_scores_gemma":[0.97926366,0.00028274045,0.0000036392744,0.019210992,0.00051208865,0.0000058561372,0.0000019440781,0.000002665648,0.00071638747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984657,0.000753698,0.00016997669,0.00015053428,0.000266468,0.00019360158],"domain_scores_gemma":[0.9989654,0.0006538077,0.00009180223,0.00022766898,0.000029551607,0.000031780368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009700775,0.00011467859,0.00019720745,0.000015866503,0.00064525346,0.00008956403,0.00034477943,0.00008721256,0.00006139221],"category_scores_gemma":[0.00010867967,0.000038529277,0.00007355553,0.00015418962,0.0010412824,0.000063388674,0.00002208064,0.00024757447,0.0000018024131],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004354156,0.00003138858,0.00009454229,0.0000018176299,0.000026027166,0.0000034271748,0.15086415,0.0000019728834,0.00006899473,0.83053935,0.017169915,0.0011548972],"study_design_scores_gemma":[0.0010999425,0.00024480172,0.055574078,0.000042176533,0.00019042379,0.000007425814,0.024189308,0.0001140541,0.00005214716,0.07453648,0.8437355,0.0002136303],"about_ca_topic_score_codex":0.00072912086,"about_ca_topic_score_gemma":0.00079905585,"teacher_disagreement_score":0.8265656,"about_ca_system_score_codex":0.000013800613,"about_ca_system_score_gemma":0.000027689723,"threshold_uncertainty_score":0.4962833},"labels":[],"label_agreement":null},{"id":"W2071219097","doi":"10.7202/1015083ar","title":"« Comment m’entendez-vous ? Je parle de si loin. »*","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Pathos; Art history; Literature","score_opus":0.03216984540925316,"score_gpt":0.30144315183047743,"score_spread":0.26927330642122427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2071219097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13007703,0.046419736,0.0061614434,0.1657444,0.004912847,0.0026902684,0.00029271847,0.0024510955,0.64125043],"genre_scores_gemma":[0.74374634,0.0053874776,0.019277962,0.07973586,0.0017957409,0.000754238,0.00015511076,0.0001799424,0.14896731],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99342173,0.0019818533,0.0011945954,0.0009414172,0.0007133387,0.001747088],"domain_scores_gemma":[0.99625677,0.00058943004,0.0005920991,0.00074044004,0.0010927609,0.0007285003],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016274496,0.0009340391,0.0010358831,0.0003093996,0.0025869894,0.0017064068,0.0013218779,0.00080905424,0.0019487586],"category_scores_gemma":[0.00063713425,0.0008246313,0.0009515302,0.00080681243,0.006639189,0.0024878904,0.00040501496,0.001223666,0.0002030756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006617994,0.000847542,0.001864243,0.00030674203,0.0004579539,0.0002918105,0.032444928,0.0000040329483,0.0020570636,0.22374842,0.28570488,0.4522062],"study_design_scores_gemma":[0.00025521236,0.00056456705,0.0004102164,0.0008790787,0.00030756133,0.00018347503,0.0042351265,0.000034931883,0.0020613659,0.11821599,0.8719356,0.0009168382],"about_ca_topic_score_codex":0.011588669,"about_ca_topic_score_gemma":0.007510506,"teacher_disagreement_score":0.61366934,"about_ca_system_score_codex":0.0022846153,"about_ca_system_score_gemma":0.00027919613,"threshold_uncertainty_score":0.99942046},"labels":[],"label_agreement":null},{"id":"W207279932","doi":"10.7202/902202ar","title":"Musiques en Cage","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cage; Mathematics; Combinatorics","score_opus":0.03362238394789087,"score_gpt":0.288604503615938,"score_spread":0.2549821196680471,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W207279932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25437027,0.012073053,0.000057003148,0.022556856,0.009022738,0.0006344495,0.00010756467,0.0004147092,0.70076334],"genre_scores_gemma":[0.79630584,0.00041980823,0.00016678,0.011607749,0.0073431893,0.0000658008,0.00009114072,0.00004852446,0.18395117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958144,0.00097271026,0.00079278403,0.00090378185,0.0005532609,0.0009630862],"domain_scores_gemma":[0.9971718,0.00045306396,0.00042319682,0.0006394412,0.0007944111,0.0005180784],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014609314,0.00061139377,0.00085643283,0.00019629214,0.0008460255,0.0005738739,0.000951304,0.0011551426,0.0035429148],"category_scores_gemma":[0.00075175305,0.0005449323,0.0006347406,0.0010556184,0.001981681,0.001270154,0.00013634803,0.0011977478,0.000357118],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012862363,0.00026252973,0.0032406675,0.00012907015,0.00029029482,0.0001520055,0.1031458,2.9032805e-7,0.007924253,0.82582986,0.030293277,0.028719092],"study_design_scores_gemma":[0.000319386,0.00008763811,0.0016033475,0.000104513936,0.00019157272,0.000024984438,0.004457296,0.000022511123,0.00036601472,0.12751059,0.86460567,0.0007064983],"about_ca_topic_score_codex":0.0069010137,"about_ca_topic_score_gemma":0.021165987,"teacher_disagreement_score":0.8343124,"about_ca_system_score_codex":0.00012124808,"about_ca_system_score_gemma":0.00039879454,"threshold_uncertainty_score":0.9997121},"labels":[],"label_agreement":null},{"id":"W2079048818","doi":"10.7202/029956ar","title":"Wearing Two Hats: Anne Eggleston as Composer and Pedagogue","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Bridge (graph theory); Piano pedagogy; Art; Personality; Music education; Visual arts; Art history; Literature; Sociology; History; Psychology; Psychoanalysis","score_opus":0.030747049488710126,"score_gpt":0.30009409910613133,"score_spread":0.2693470496174212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079048818","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9629576,0.0011898447,0.000033147764,0.006312101,0.0011364073,0.00005861242,0.000004217007,0.000011740818,0.02829633],"genre_scores_gemma":[0.9932086,0.000026423806,0.000080850245,0.00403787,0.0007857613,6.030331e-7,0.0000015316124,0.000004012185,0.0018543418],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915576,0.00010350797,0.00023119492,0.000111738125,0.0001355392,0.0002622804],"domain_scores_gemma":[0.99902433,0.000029704146,0.00012691911,0.00007152501,0.00023751144,0.0005099839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026271943,0.00009082334,0.00017008824,0.00033736278,0.0007866366,0.00023180092,0.00017172574,0.00007417592,0.00057686004],"category_scores_gemma":[0.00007896264,0.00007813481,0.00012362073,0.0003654692,0.00019032673,0.00038932273,0.00000395488,0.00029208686,0.000015951584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015868204,0.00027691014,0.028974362,0.000023956729,0.0009890565,0.0016517973,0.51572233,0.00061566196,0.006567476,0.10646896,0.17347185,0.16507897],"study_design_scores_gemma":[0.0012655023,0.0008969888,0.03893557,0.0002973634,0.00037429028,0.0010351313,0.124237046,0.000069178175,0.00013496156,0.018764898,0.8133692,0.000619857],"about_ca_topic_score_codex":0.07102729,"about_ca_topic_score_gemma":0.6990558,"teacher_disagreement_score":0.63989735,"about_ca_system_score_codex":0.00014691513,"about_ca_system_score_gemma":0.0003789626,"threshold_uncertainty_score":0.93515885},"labels":[],"label_agreement":null},{"id":"W2079852007","doi":"10.7202/1014474ar","title":"Music Studies in the New Millennium: Perspectives from Canada","year":2013,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Sophistication; Witness; Music theory; Sociology; Variety (cybernetics); History; Aesthetics; Social science; Political science; Musical; Literature; Art; Law","score_opus":0.0508296729434309,"score_gpt":0.2545853494902503,"score_spread":0.2037556765468194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079852007","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10057039,0.6505533,4.950914e-7,0.13330609,0.00078246207,0.0012892083,0.00006589696,0.000024311845,0.113407865],"genre_scores_gemma":[0.6743026,0.16388988,0.00007371953,0.13301605,0.001104615,0.000008802788,0.000053845655,0.000011466171,0.027539061],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865973,0.0004096697,0.00011936466,0.00025530957,0.00020920776,0.00034672284],"domain_scores_gemma":[0.99908614,0.00012361944,0.00006159327,0.00021583086,0.00018332616,0.00032948682],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019558327,0.00012512853,0.00029711446,0.00007255299,0.000592777,0.000051905954,0.0005595922,0.000061927036,0.0034700772],"category_scores_gemma":[0.00016024418,0.00009096191,0.00010290056,0.000918911,0.00024087733,0.00024176965,0.000025086256,0.00017959661,0.000070423695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.196179e-7,0.0000040916143,0.00024297365,0.000029901477,0.00006155897,0.00006716197,0.031736765,2.7515617e-7,9.172208e-7,0.0040543834,0.9609138,0.0028877668],"study_design_scores_gemma":[0.00006817958,0.000003910832,0.004427688,0.00020475882,0.000091025024,5.8154023e-7,0.1372343,3.4716476e-7,5.6901296e-8,0.00022833877,0.857624,0.00011682015],"about_ca_topic_score_codex":0.99860305,"about_ca_topic_score_gemma":0.99992895,"teacher_disagreement_score":0.5737322,"about_ca_system_score_codex":0.0010174762,"about_ca_system_score_gemma":0.0024926257,"threshold_uncertainty_score":0.9974409},"labels":[],"label_agreement":null},{"id":"W2081202438","doi":"10.7202/038258ar","title":"Dans le sillage de Nil Parent : SMEUL et GIMEL. Points de repère dans l’histoire de la musique électroacoustique à Québec","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020387373239672813,"score_gpt":0.27676866349252033,"score_spread":0.2563812902528475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081202438","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3997884,0.017723866,0.0055926032,0.052108213,0.00073327875,0.0007406205,0.000113221875,0.0005710652,0.5226287],"genre_scores_gemma":[0.913877,0.00070617604,0.00036540485,0.025983827,0.00117103,0.000086012704,0.00008655458,0.000061303006,0.05766269],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919257,0.0042916886,0.000883839,0.0010160725,0.0004567599,0.0014259174],"domain_scores_gemma":[0.99707997,0.0005621943,0.0005579628,0.0006342843,0.00046833925,0.0006972759],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.003178616,0.0007383702,0.0009611756,0.00017489855,0.001511083,0.0004957589,0.00092585175,0.0011352479,0.00018681778],"category_scores_gemma":[0.0010657781,0.00071439706,0.00074081897,0.0009510386,0.002034138,0.0007362536,0.00008216053,0.0010030508,0.000017303955],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007213692,0.0010431493,0.012203748,0.00017551336,0.00038467092,0.00090853864,0.43365985,0.0000875568,0.049196813,0.46611664,0.022166798,0.013984597],"study_design_scores_gemma":[0.0017085925,0.0007030353,0.031934682,0.0008145012,0.0007571795,0.0005525046,0.04996632,0.0006551849,0.003472003,0.36066654,0.5462639,0.0025056012],"about_ca_topic_score_codex":0.12383803,"about_ca_topic_score_gemma":0.16303146,"teacher_disagreement_score":0.524097,"about_ca_system_score_codex":0.002429058,"about_ca_system_score_gemma":0.004042255,"threshold_uncertainty_score":0.9997888},"labels":[],"label_agreement":null},{"id":"W2081553228","doi":"10.7202/1006377ar","title":"La genèse d’une reconnaissance réfléchie de la musique de film au Québec : le Prix Jutra","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.034231610216918465,"score_gpt":0.2557254553097671,"score_spread":0.22149384509284864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081553228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83631665,0.0042095827,0.00044560188,0.011600601,0.0035240927,0.00010769958,0.000038887483,0.00001715636,0.14373972],"genre_scores_gemma":[0.98438096,0.00009163603,0.0004514942,0.0035841495,0.0015178084,0.000008143152,0.0000015524797,0.00002156764,0.009942703],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997293,0.0011467666,0.00051186536,0.00021786104,0.00013999692,0.0006905358],"domain_scores_gemma":[0.9978385,0.00020385566,0.00037839837,0.00017334326,0.0003138552,0.0010920464],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011864335,0.0002249369,0.0003404264,0.00037850402,0.0010509738,0.00019769542,0.0005112606,0.0004488815,0.0029418257],"category_scores_gemma":[0.00030071096,0.0002172703,0.0004835592,0.0008896108,0.0016515652,0.00066202565,0.000016013819,0.0010689183,0.000039112314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006855287,0.00027428052,0.014097478,0.000054189575,0.0009184812,0.0015831746,0.8083769,0.00016778102,0.00038179118,0.039113805,0.10742522,0.027538344],"study_design_scores_gemma":[0.00051723147,0.00031448988,0.0266626,0.00040455564,0.0004757987,0.0026612026,0.105194144,0.000073584975,0.00013264932,0.008365942,0.8547424,0.00045539677],"about_ca_topic_score_codex":0.93209296,"about_ca_topic_score_gemma":0.99612296,"teacher_disagreement_score":0.7473172,"about_ca_system_score_codex":0.0017816841,"about_ca_system_score_gemma":0.0126051,"threshold_uncertainty_score":0.9979696},"labels":[],"label_agreement":null},{"id":"W2082256999","doi":"10.7202/1001182ar","title":"Parcours québécois et canadiens en cinéphonographie","year":2011,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Collège Montmorency","funders":"","keywords":"Humanities; Art; Art history; Philosophy","score_opus":0.041267474994204155,"score_gpt":0.2720618768663758,"score_spread":0.23079440187217162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082256999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41681287,0.05030021,0.00006444388,0.018977769,0.0046742284,0.0011389243,0.00023963625,0.00070676784,0.50708514],"genre_scores_gemma":[0.94756603,0.021674952,0.0019901632,0.011774476,0.0014966326,0.00016191619,0.00011216824,0.00010984702,0.0151138175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936276,0.001732029,0.001091312,0.0012753458,0.0005339868,0.0017397155],"domain_scores_gemma":[0.99651986,0.00030276694,0.00059032795,0.000905065,0.0006237114,0.0010582377],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015785673,0.0009334087,0.001232199,0.00092774304,0.0009235836,0.00026449282,0.001309452,0.0010741113,0.0016933209],"category_scores_gemma":[0.00017707839,0.00089305145,0.0013513624,0.0044124415,0.002254536,0.0012297468,0.00019317375,0.0010870864,0.00014183662],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046992875,0.00054785336,0.033915948,0.00023650004,0.0010353931,0.00023259873,0.10420559,0.0000035567907,0.00008441656,0.83690965,0.017594613,0.0051869038],"study_design_scores_gemma":[0.00037689897,0.00034740855,0.032681424,0.00048468699,0.00094266364,0.00007882253,0.017237794,0.000019856585,0.00014123965,0.007431783,0.939048,0.0012094114],"about_ca_topic_score_codex":0.21008795,"about_ca_topic_score_gemma":0.7151129,"teacher_disagreement_score":0.9214534,"about_ca_system_score_codex":0.0002133509,"about_ca_system_score_gemma":0.0004853327,"threshold_uncertainty_score":0.99935204},"labels":[],"label_agreement":null},{"id":"W2085219430","doi":"10.7202/011531ar","title":"« L’idée fausse qui m’est nécessaire. »","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.023509934140768057,"score_gpt":0.2811979287634673,"score_spread":0.2576879946226992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085219430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3909451,0.11712831,0.000012239533,0.19779344,0.003447092,0.00045398428,0.00014135038,0.0003818979,0.28969657],"genre_scores_gemma":[0.80322295,0.0012862827,0.0005066611,0.012006423,0.007534361,0.00003544005,0.000041185598,0.00002872063,0.175338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965008,0.0004570979,0.00060289004,0.00072639284,0.0006845821,0.0010282653],"domain_scores_gemma":[0.99844414,0.00018441849,0.00024955045,0.00042605374,0.0002584379,0.000437429],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000546392,0.00045978345,0.00057606265,0.00010250585,0.0013024089,0.00063806516,0.0007939697,0.0005657956,0.0033049756],"category_scores_gemma":[0.00015788864,0.0003814559,0.0005220755,0.0012162318,0.0017089567,0.001203584,0.00015627655,0.00047231768,0.0011844817],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003409832,0.0007041155,0.0024446219,0.00010318722,0.00043438087,0.000052256622,0.020642964,0.00011938788,0.00028576664,0.72628134,0.093188986,0.15570886],"study_design_scores_gemma":[0.00031218296,0.00009685409,0.0030096348,0.00011164234,0.00028759646,0.000010655199,0.0064696018,0.00015492698,0.00010616347,0.0037079076,0.9851948,0.00053801265],"about_ca_topic_score_codex":0.0044340813,"about_ca_topic_score_gemma":0.06391114,"teacher_disagreement_score":0.89200586,"about_ca_system_score_codex":0.0002700993,"about_ca_system_score_gemma":0.00029685357,"threshold_uncertainty_score":0.99999774},"labels":[],"label_agreement":null},{"id":"W2099432873","doi":"10.7202/1014454ar","title":"Violet Archer, Jean Coulthard, and Barbara Pentland Remembered","year":2013,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Tribute; Art; Art history; History; Literature","score_opus":0.029906067517614588,"score_gpt":0.23929622781768417,"score_spread":0.20939016030006957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2099432873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18346885,0.14158365,0.000005555516,0.088423856,0.0006691709,0.0026254961,0.00012906839,0.0001161404,0.5829782],"genre_scores_gemma":[0.5442423,0.19636942,0.00030150803,0.08523469,0.00078760914,0.000011012755,0.0002411563,0.000027300139,0.17278497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989314,0.0002444066,0.00010525409,0.00024420532,0.00013590806,0.00033879504],"domain_scores_gemma":[0.9988729,0.00003570154,0.000058392794,0.00016476758,0.0001690451,0.00069924496],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024337317,0.00011056908,0.00025573402,0.00007775704,0.00060015544,0.000087032946,0.0002579971,0.0000960068,0.006641611],"category_scores_gemma":[0.00010528632,0.000099896126,0.00009602372,0.00043172593,0.00024336955,0.00027919246,0.000028178776,0.00013763325,0.00025048267],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035467403,0.000019286368,0.009403033,0.00049349316,0.00014556471,0.000120088705,0.0041934424,3.729195e-7,0.00003184251,0.02153111,0.92296374,0.041094486],"study_design_scores_gemma":[0.000108153494,0.000008232339,0.006852246,0.00024018245,0.00010924295,0.0000010550405,0.0012456053,0.0000036862416,1.6337574e-7,0.0001714035,0.99111587,0.00014416552],"about_ca_topic_score_codex":0.2921366,"about_ca_topic_score_gemma":0.69386405,"teacher_disagreement_score":0.41019323,"about_ca_system_score_codex":0.00018867796,"about_ca_system_score_gemma":0.00039535025,"threshold_uncertainty_score":0.99426645},"labels":[],"label_agreement":null},{"id":"W2110173216","doi":"10.7202/041685ar","title":"L’acte inconnu ou Tombeau pour Yoryk : dramaturgie de la mémoire et dialogue des morts dans le théâtre de Valère Novarina","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024566668166874715,"score_gpt":0.2808104164456148,"score_spread":0.2562437482787401,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2110173216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6402408,0.0016406262,0.0001287838,0.047257647,0.0018345726,0.00073553296,0.00037560097,0.00055460614,0.30723187],"genre_scores_gemma":[0.85168284,0.0015818821,0.003965245,0.0037439908,0.0024148137,0.00017114343,0.00021311769,0.0001827005,0.13604428],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99091697,0.0024888024,0.0013104543,0.00167395,0.0008203152,0.0027894888],"domain_scores_gemma":[0.9946545,0.0013673923,0.00077176583,0.0012026977,0.00059250544,0.0014111463],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.00295584,0.001466436,0.0016021467,0.00028693464,0.0022387225,0.001201406,0.0021530155,0.0023161464,0.00046666345],"category_scores_gemma":[0.0011129313,0.0013974244,0.0015472253,0.0017206509,0.0048525673,0.0021562835,0.00037045238,0.0032704333,0.00013367723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017437509,0.0015201719,0.010365822,0.0005660165,0.00079988636,0.0010344291,0.041338,0.00045206366,0.013816652,0.90413976,0.01747015,0.008322703],"study_design_scores_gemma":[0.00057818345,0.00023244809,0.03916194,0.0007212049,0.0009331676,0.0006991073,0.004946127,0.0004512755,0.0009408171,0.027970687,0.9215696,0.0017954332],"about_ca_topic_score_codex":0.021904781,"about_ca_topic_score_gemma":0.41587725,"teacher_disagreement_score":0.90409946,"about_ca_system_score_codex":0.00087613694,"about_ca_system_score_gemma":0.003663031,"threshold_uncertainty_score":0.99983543},"labels":[],"label_agreement":null},{"id":"W2114677345","doi":"10.7202/041427ar","title":"Canons croisés ou canons conflictuels?","year":2000,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.02929855527073937,"score_gpt":0.2782462075508314,"score_spread":0.24894765228009202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114677345","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19850726,0.011053476,0.0000047914373,0.12906821,0.0027496775,0.0011222033,0.0009594726,0.00056567055,0.65596926],"genre_scores_gemma":[0.4627452,0.004238853,0.00022931102,0.00817051,0.0024533595,0.00012667917,0.00019499198,0.00010938721,0.52173173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917048,0.0010727062,0.0015573326,0.0018526161,0.0010520875,0.0027604357],"domain_scores_gemma":[0.9957399,0.00047888348,0.00053210865,0.0012209009,0.00054737995,0.0014808555],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0008026286,0.0014299026,0.0017517176,0.0002863798,0.0020784438,0.00079866993,0.0019402534,0.0014050351,0.012797604],"category_scores_gemma":[0.00020427322,0.0013575642,0.0016455693,0.0023216729,0.003072759,0.0018019371,0.00013557242,0.0014891684,0.0016245113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028654386,0.0012634721,0.0009561707,0.00050206546,0.0014715649,0.0007384306,0.04154026,0.00056180183,0.00062683166,0.71140313,0.19258821,0.048061512],"study_design_scores_gemma":[0.00039692444,0.0003454055,0.0021149083,0.00061339844,0.0012717772,0.00015417174,0.0017968686,0.00011167191,0.00012963034,0.0018468517,0.9895372,0.0016812085],"about_ca_topic_score_codex":0.027843868,"about_ca_topic_score_gemma":0.519061,"teacher_disagreement_score":0.79694897,"about_ca_system_score_codex":0.00066482456,"about_ca_system_score_gemma":0.0014397805,"threshold_uncertainty_score":0.99989134},"labels":[],"label_agreement":null},{"id":"W2118801492","doi":"10.7202/902029ar","title":"Montréal : portrait d’une saison hybride (1990-1991)","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.03014038403785452,"score_gpt":0.2677334705143386,"score_spread":0.23759308647648408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2118801492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.376612,0.02761726,0.00005025837,0.03830619,0.009386082,0.0008082675,0.00017734405,0.000440585,0.546602],"genre_scores_gemma":[0.85037583,0.00037998782,0.000116555384,0.009929331,0.006581639,0.00006794999,0.00020866121,0.000056426405,0.13228361],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99561065,0.0004815046,0.0010243428,0.0010468944,0.00070418103,0.0011324163],"domain_scores_gemma":[0.9970286,0.0002800015,0.00061019044,0.0006802145,0.000757913,0.00064307],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011315229,0.0006982094,0.0010313088,0.00019610059,0.0010589873,0.0005371613,0.00085537764,0.0008988148,0.001596594],"category_scores_gemma":[0.0004991773,0.0006276105,0.00080205384,0.0014207636,0.0019513046,0.0012395957,0.00011250354,0.0011726025,0.00041896396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003899845,0.00052077905,0.0049796947,0.00015565302,0.0005312777,0.00048948947,0.056237478,0.0000016947877,0.008448581,0.7578521,0.103117,0.06762726],"study_design_scores_gemma":[0.00051951554,0.000116409225,0.0032780957,0.00010705303,0.00027391093,0.000051190902,0.0046346057,0.000049096434,0.00016600548,0.08182269,0.9081664,0.00081503805],"about_ca_topic_score_codex":0.052653216,"about_ca_topic_score_gemma":0.07711038,"teacher_disagreement_score":0.8050494,"about_ca_system_score_codex":0.00011700477,"about_ca_system_score_gemma":0.00032935033,"threshold_uncertainty_score":0.9996175},"labels":[],"label_agreement":null},{"id":"W2119021233","doi":"10.7202/902179ar","title":"Pour débusquer l’inconnu : chronologie de Serge Garant","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0447469519785433,"score_gpt":0.29352701630627154,"score_spread":0.24878006432772823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119021233","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4306935,0.015005959,0.0002780786,0.041948147,0.0068094875,0.0006083247,0.000095170246,0.00042644524,0.5041349],"genre_scores_gemma":[0.8753093,0.0004933576,0.00033199054,0.011700282,0.0052725757,0.00006719174,0.00005011698,0.000043538254,0.10673165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962532,0.0006810926,0.00069679227,0.00082276657,0.0003720046,0.0011741621],"domain_scores_gemma":[0.99750787,0.00035498594,0.0003987707,0.00057101063,0.00069518236,0.00047217574],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013381458,0.0005543814,0.0007816865,0.00012061521,0.0007834284,0.00038765185,0.0008941643,0.0011444564,0.004775298],"category_scores_gemma":[0.0008255468,0.00048242515,0.0005817932,0.0007793045,0.0019101324,0.0008215104,0.00011840197,0.0010645229,0.000456722],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029671584,0.00049294124,0.012067465,0.00018652082,0.0005269493,0.00031918165,0.04740548,0.0000019149504,0.025314458,0.8094144,0.06355114,0.040689882],"study_design_scores_gemma":[0.0005785114,0.00009328967,0.0040130806,0.0001146659,0.00021935685,0.000042892072,0.0038226172,0.0001279533,0.0007313331,0.19492562,0.7945796,0.00075108156],"about_ca_topic_score_codex":0.0042641247,"about_ca_topic_score_gemma":0.011758679,"teacher_disagreement_score":0.73102844,"about_ca_system_score_codex":0.00026028583,"about_ca_system_score_gemma":0.0010548106,"threshold_uncertainty_score":0.9997627},"labels":[],"label_agreement":null},{"id":"W2119237709","doi":"10.7202/902249ar","title":"Orphée ressuscité? Un panorama de l’opéra contemporain en Europe","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.027673493896174125,"score_gpt":0.27602844970123236,"score_spread":0.24835495580505823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119237709","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32370636,0.015226534,0.00016834674,0.03756693,0.007183909,0.001020198,0.00019255618,0.00053138606,0.6144038],"genre_scores_gemma":[0.80703086,0.00045874898,0.00028548535,0.013733927,0.005700156,0.00007816044,0.00012784998,0.00008541694,0.17249943],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99323547,0.0023169,0.0011227375,0.0012043234,0.0007128857,0.0014076552],"domain_scores_gemma":[0.99547327,0.000743539,0.00071401946,0.0008748677,0.0013720805,0.00082220824],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0031175201,0.00081396906,0.0011322193,0.00024501674,0.0011473129,0.00091065135,0.001461233,0.0012920717,0.0025701453],"category_scores_gemma":[0.001948104,0.000739412,0.0006363093,0.0019672704,0.0024636865,0.0012297728,0.0002205168,0.0016207844,0.0004225181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048682476,0.00043370386,0.009908165,0.00016074376,0.0005228941,0.0005468307,0.06501033,0.0000010643655,0.015439117,0.85635173,0.02947736,0.022099378],"study_design_scores_gemma":[0.0007841277,0.00015307378,0.0026532365,0.00016594543,0.00027991578,0.00005331971,0.0034998727,0.00005567017,0.00050937757,0.06417606,0.92669356,0.0009758621],"about_ca_topic_score_codex":0.0053283754,"about_ca_topic_score_gemma":0.0060071955,"teacher_disagreement_score":0.8972162,"about_ca_system_score_codex":0.00012890768,"about_ca_system_score_gemma":0.0008168412,"threshold_uncertainty_score":0.9995057},"labels":[],"label_agreement":null},{"id":"W2119441726","doi":"10.26522/vp.v6i1.173","title":"LA RÉÉCRITURE D’UNE ESPÈCE EN VOIE DE DISPARITION : « LE DERNIER GODOT »","year":2009,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.012238687435195579,"score_gpt":0.2614549936000628,"score_spread":0.24921630616486723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119441726","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35730484,0.055088963,0.00027450276,0.51877034,0.0012369275,0.0003209632,0.0001589079,0.00017744985,0.06666708],"genre_scores_gemma":[0.88886046,0.002135241,0.0005841828,0.009107229,0.0018524589,0.00001123459,0.000071975235,0.000014841859,0.09736239],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975216,0.0007883309,0.00029531633,0.00043169974,0.0003254082,0.00063766364],"domain_scores_gemma":[0.99905914,0.00024166398,0.00011762736,0.00021068654,0.00012043174,0.0002504778],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005089278,0.00028242523,0.00030438797,0.000063708496,0.000793953,0.00029816022,0.00037223523,0.00075276376,0.00044906506],"category_scores_gemma":[0.00015625104,0.00024681602,0.00030661887,0.0007834358,0.0005346694,0.0004846135,0.000042019925,0.0005497018,0.00017953535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006065562,0.0010772772,0.0017151902,0.000091194015,0.00030035284,0.00021946941,0.1287194,0.00011265656,0.0028973422,0.48783502,0.28825995,0.088711485],"study_design_scores_gemma":[0.00033621935,0.0000811357,0.008992098,0.00010288089,0.000227784,0.000019115503,0.006656039,0.0001330227,0.00032734228,0.029317668,0.9534562,0.0003504736],"about_ca_topic_score_codex":0.004377441,"about_ca_topic_score_gemma":0.0064464235,"teacher_disagreement_score":0.66519624,"about_ca_system_score_codex":0.00010703027,"about_ca_system_score_gemma":0.00020374283,"threshold_uncertainty_score":0.9999984},"labels":[],"label_agreement":null},{"id":"W2121262845","doi":"10.7202/902136ar","title":"L’écriture… plus actuelle que jamais!","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Improvisation; Philosophy; Art; Visual arts","score_opus":0.0371260893503993,"score_gpt":0.2849868192984052,"score_spread":0.2478607299480059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2121262845","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10642492,0.02082836,0.000076062825,0.03204867,0.012366797,0.00073792186,0.000121019446,0.00035350333,0.82704276],"genre_scores_gemma":[0.76864725,0.00037767785,0.00009722911,0.013743638,0.0064932876,0.000061266066,0.000100342,0.000044233268,0.21043505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99611825,0.0006101668,0.00076051615,0.00092108554,0.000577035,0.0010129774],"domain_scores_gemma":[0.997117,0.00033831003,0.00042005538,0.00066596764,0.00088087656,0.0005778127],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010799961,0.00062360824,0.00090993335,0.00017095615,0.0010895369,0.00062204705,0.0009478417,0.0012275317,0.0036382077],"category_scores_gemma":[0.00067188556,0.0005452961,0.0006620222,0.0010983521,0.0021105441,0.001189142,0.00012893876,0.0013125169,0.000456624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024010968,0.0002207057,0.0010779849,0.00013271785,0.00029789092,0.000136562,0.059068438,8.3597007e-7,0.005594896,0.8490079,0.0640201,0.02041798],"study_design_scores_gemma":[0.00055839296,0.00007874592,0.00070225284,0.00010320664,0.0001940296,0.000028206025,0.0050883107,0.000034395216,0.00031135525,0.0954151,0.89677453,0.00071148825],"about_ca_topic_score_codex":0.0051376238,"about_ca_topic_score_gemma":0.01608092,"teacher_disagreement_score":0.83275443,"about_ca_system_score_codex":0.0001440349,"about_ca_system_score_gemma":0.00066229317,"threshold_uncertainty_score":0.99969983},"labels":[],"label_agreement":null},{"id":"W2121508073","doi":"10.7202/037450ar","title":"Influence de Stockhausen chez les compositeurs électroacoustiques québécois","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.029831225899058345,"score_gpt":0.2847438347967388,"score_spread":0.25491260889768047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2121508073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8173036,0.03802544,0.0002676085,0.024777198,0.00038004652,0.0005888948,0.000050930677,0.00045254096,0.11815373],"genre_scores_gemma":[0.9439063,0.0011239077,0.00013517319,0.02167974,0.0017731952,0.000035523444,0.000056467987,0.000032508688,0.031257175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99568903,0.0011338935,0.0007563175,0.00081105396,0.00050485256,0.0011048748],"domain_scores_gemma":[0.99756825,0.00024157269,0.00046758633,0.00044256647,0.00079926074,0.0004807664],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009901612,0.0006168834,0.0008605465,0.00018933696,0.0010108635,0.00049690873,0.00084449374,0.00076272327,0.00020787642],"category_scores_gemma":[0.00032556616,0.00057627156,0.0004887807,0.0011611527,0.0014653413,0.0010558772,0.000053345488,0.0006853869,0.000045239056],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009343422,0.00086722855,0.029603679,0.00021911509,0.0006292973,0.0002991869,0.26782098,0.00023242836,0.035241324,0.60057414,0.02498444,0.039434746],"study_design_scores_gemma":[0.0011652114,0.0011756762,0.070127085,0.0009191053,0.00093117385,0.000114023016,0.015014966,0.00058704347,0.0023998355,0.28630185,0.6186538,0.0026102944],"about_ca_topic_score_codex":0.031491257,"about_ca_topic_score_gemma":0.016478855,"teacher_disagreement_score":0.5936693,"about_ca_system_score_codex":0.00044922403,"about_ca_system_score_gemma":0.00060894166,"threshold_uncertainty_score":0.9996689},"labels":[],"label_agreement":null},{"id":"W2123693311","doi":"10.7202/1023649ar","title":"En orbite de Piano-Soleil : Gougeon pédagogue","year":2014,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.031616822509347636,"score_gpt":0.281615414784646,"score_spread":0.2499985922752984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2123693311","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18817766,0.022023164,0.0011524616,0.039596867,0.004239834,0.0006977043,0.000088749846,0.0004733642,0.7435502],"genre_scores_gemma":[0.79904586,0.0004192134,0.00011367523,0.021440057,0.005541222,0.000056879133,0.00008603337,0.000044269927,0.17325278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99486774,0.0020364686,0.00071852247,0.0008135776,0.00047876718,0.0010849166],"domain_scores_gemma":[0.9974728,0.0005402875,0.00040540428,0.00052205246,0.0005439849,0.0005154648],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020161686,0.0005520269,0.00084562285,0.00016162072,0.0007432159,0.00046951353,0.00081243354,0.00084125635,0.0009900915],"category_scores_gemma":[0.00079130224,0.0005021224,0.000568169,0.0009918996,0.0011402786,0.00085627905,0.0001110148,0.00056538114,0.00034093185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002519998,0.00028402338,0.0068138195,0.0002619932,0.00038010595,0.00007549214,0.11550298,0.000008419823,0.0021055995,0.77978057,0.04006945,0.05469236],"study_design_scores_gemma":[0.00045475079,0.0001467051,0.0020305014,0.00022768935,0.0002180003,0.000018460778,0.0036820709,0.00025414137,0.00013265446,0.100982346,0.89119536,0.0006573107],"about_ca_topic_score_codex":0.0055175438,"about_ca_topic_score_gemma":0.0050103283,"teacher_disagreement_score":0.8511259,"about_ca_system_score_codex":0.00029565635,"about_ca_system_score_gemma":0.00035030817,"threshold_uncertainty_score":0.9999231},"labels":[],"label_agreement":null},{"id":"W2126537754","doi":"10.7202/902071ar","title":"Aujourd’hui = hier + demain","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03754712756041331,"score_gpt":0.28672333196652805,"score_spread":0.24917620440611474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126537754","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27012736,0.0172602,0.00013045773,0.036977638,0.011712238,0.00068474724,0.00009651584,0.00034055623,0.66267025],"genre_scores_gemma":[0.7267654,0.00016349563,0.00012079215,0.011289702,0.005833304,0.000047869005,0.00005835572,0.00003759331,0.25568348],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962634,0.000647708,0.0007588482,0.0008144311,0.0005444182,0.00097121974],"domain_scores_gemma":[0.9973762,0.0002918505,0.0004366179,0.00057617825,0.0007635195,0.0005556307],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013713057,0.0005426581,0.0007891525,0.00017251693,0.00096481753,0.00036384558,0.0008222207,0.0010233308,0.003931303],"category_scores_gemma":[0.0006417824,0.0004749582,0.0006227812,0.0011577124,0.0023383368,0.001059433,0.000103786675,0.001078844,0.0004957114],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011899159,0.00022927167,0.006738283,0.00008281735,0.0002829185,0.000119280005,0.047060233,4.292741e-7,0.003371364,0.893606,0.030982789,0.017514706],"study_design_scores_gemma":[0.00035479674,0.00006675847,0.0017785546,0.00008612082,0.00019353075,0.000026041513,0.0038293202,0.000028400536,0.00015914887,0.18912491,0.8037281,0.00062429934],"about_ca_topic_score_codex":0.003018269,"about_ca_topic_score_gemma":0.012461653,"teacher_disagreement_score":0.7727453,"about_ca_system_score_codex":0.00009940717,"about_ca_system_score_gemma":0.00038279934,"threshold_uncertainty_score":0.9997702},"labels":[],"label_agreement":null},{"id":"W2130035544","doi":"10.7202/902001ar","title":"Qu’est-ce que le postmodernisme musical?","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Musical; Sociology; Visual arts","score_opus":0.036620236019332564,"score_gpt":0.27803164179790996,"score_spread":0.2414114057785774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2130035544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24432188,0.010853554,0.00019542339,0.045798887,0.0078070704,0.0007572275,0.000121853576,0.000411766,0.6897323],"genre_scores_gemma":[0.88568836,0.00026494934,0.00013305293,0.01615729,0.0058630896,0.000071362214,0.00010429562,0.000057612328,0.09166001],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99573183,0.0007167152,0.0008373889,0.001069639,0.00060558686,0.0010388489],"domain_scores_gemma":[0.996874,0.00034604047,0.0004756736,0.0007381517,0.0009471974,0.00061898626],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010981051,0.0006436998,0.0009245464,0.00016167769,0.0011473802,0.00064810435,0.0010140868,0.0011299824,0.00162594],"category_scores_gemma":[0.0006600028,0.0005821288,0.0007035951,0.0009626959,0.0023654697,0.0012957217,0.00014706943,0.0012325209,0.0003208979],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016752554,0.00041797291,0.0008831455,0.00008769841,0.00022624363,0.00011291673,0.048192732,0.0000012185625,0.010816963,0.897558,0.023333045,0.018353365],"study_design_scores_gemma":[0.00052886683,0.000118963326,0.0010250738,0.00009356629,0.00017204817,0.000039080172,0.0037320529,0.00009833799,0.000238419,0.15843374,0.8347026,0.00081724086],"about_ca_topic_score_codex":0.015026941,"about_ca_topic_score_gemma":0.022842318,"teacher_disagreement_score":0.8113696,"about_ca_system_score_codex":0.00008721423,"about_ca_system_score_gemma":0.0010713446,"threshold_uncertainty_score":0.999663},"labels":[],"label_agreement":null},{"id":"W2130210935","doi":"10.7202/013744ar","title":"Jacques Labrecque et la diffusion de la chanson traditionnelle : Quand le répertoire folklorique prend des airs d’opéra","year":2006,"lang":"fr","type":"article","venue":"Ethnologies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.024711412858879147,"score_gpt":0.28543698725151373,"score_spread":0.2607255743926346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2130210935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81029445,0.044533964,0.0003249359,0.028962266,0.00062888477,0.00021485741,0.00006539074,0.0004153028,0.11455995],"genre_scores_gemma":[0.95501715,0.0062490143,0.001153494,0.0008844761,0.0006380748,0.00006933456,0.00005654358,0.000020926405,0.035910983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996528,0.0018798856,0.00030637564,0.00045523988,0.00022576813,0.00060468673],"domain_scores_gemma":[0.9986486,0.00078293623,0.00015634102,0.00020662927,0.00011662809,0.0000889063],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008252139,0.00031787233,0.00039188447,0.000107017426,0.0011511113,0.0003647685,0.0003958774,0.001011665,0.00033079385],"category_scores_gemma":[0.00028602456,0.00025873023,0.00026241015,0.0006679635,0.0029843494,0.0006886106,0.00009438032,0.00057505834,0.00002553532],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005573894,0.001001015,0.0053601484,0.00017912846,0.00020749347,0.00012287477,0.10097874,0.00031039392,0.005309287,0.75694567,0.07445742,0.05507206],"study_design_scores_gemma":[0.00070725306,0.00022157308,0.021578843,0.00029202097,0.00016838839,0.000031954827,0.06946563,0.00020270968,0.0031521022,0.3271121,0.57641906,0.0006483319],"about_ca_topic_score_codex":0.033108037,"about_ca_topic_score_gemma":0.029631365,"teacher_disagreement_score":0.50196165,"about_ca_system_score_codex":0.00015167425,"about_ca_system_score_gemma":0.00017204796,"threshold_uncertainty_score":0.99998647},"labels":[],"label_agreement":null},{"id":"W2131818050","doi":"10.7202/004648ar","title":"Répertoire des analyses d’oeuvres de compositeurs québécois","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Repertoire; Art; Literature","score_opus":0.13696054986649686,"score_gpt":0.3293408311960893,"score_spread":0.19238028132959245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2131818050","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32105434,0.25973812,0.0002075552,0.01655403,0.001862657,0.00045317903,0.000084804815,0.0003729087,0.3996724],"genre_scores_gemma":[0.87517625,0.0038659263,0.00014736547,0.010211055,0.0026496346,0.000047829028,0.00004501698,0.00004466822,0.10781225],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99562776,0.0011897623,0.0007934525,0.00078141503,0.000515872,0.0010917238],"domain_scores_gemma":[0.99751633,0.00036884862,0.00040491816,0.0004695015,0.00068994553,0.00055043906],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0005816324,0.00060401805,0.0009147361,0.00024217696,0.0014638967,0.00048882177,0.00079993636,0.00062242243,0.0024688696],"category_scores_gemma":[0.00039678658,0.0005313359,0.0007444381,0.0016501663,0.0030645512,0.0011310077,0.00008439661,0.00051106286,0.00021329326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032452754,0.00097281416,0.04535663,0.00043825203,0.0016336704,0.00052709144,0.45248598,0.000030794705,0.0071715605,0.29353535,0.12424921,0.07356618],"study_design_scores_gemma":[0.0007146037,0.00028178372,0.005180759,0.0006396309,0.00092581345,0.00007489357,0.025235109,0.0009648207,0.00046382594,0.08392484,0.8801459,0.0014480118],"about_ca_topic_score_codex":0.0401978,"about_ca_topic_score_gemma":0.037491705,"teacher_disagreement_score":0.7558967,"about_ca_system_score_codex":0.00035514944,"about_ca_system_score_gemma":0.0001791205,"threshold_uncertainty_score":0.9998361},"labels":[],"label_agreement":null},{"id":"W2132620441","doi":"10.7202/041658ar","title":"Klondyke : une tentative de créer une dramaturgie nationale","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020648994093786052,"score_gpt":0.2873845220298443,"score_spread":0.26673552793605826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2132620441","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30762738,0.003831589,0.000049588994,0.24361628,0.00545057,0.0011258428,0.0005730271,0.00048411722,0.43724158],"genre_scores_gemma":[0.7620842,0.0013390486,0.0015632075,0.006248086,0.0031199984,0.00015059146,0.00025898754,0.00009808589,0.22513781],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939498,0.00067756453,0.0011358246,0.0013498237,0.0009927873,0.0018942511],"domain_scores_gemma":[0.9960344,0.00071981223,0.0006872987,0.00074866146,0.00086934026,0.0009405078],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.000991449,0.0010288473,0.0011816076,0.00029669993,0.001635157,0.0006121207,0.0014903757,0.0013410355,0.0015827956],"category_scores_gemma":[0.0005333224,0.0009476354,0.0011849501,0.0029272572,0.002928514,0.0017312722,0.0001694257,0.002130899,0.00042174623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013392881,0.00083331706,0.0009248648,0.0002555093,0.0007083387,0.00025999537,0.03717054,0.00014513524,0.0044769114,0.90187293,0.045868248,0.007350299],"study_design_scores_gemma":[0.00036968777,0.00020159679,0.0062473845,0.0003278173,0.0006616198,0.00012459682,0.0046931375,0.00021335551,0.0004201935,0.022035109,0.96352094,0.0011845317],"about_ca_topic_score_codex":0.009291781,"about_ca_topic_score_gemma":0.34366432,"teacher_disagreement_score":0.9176527,"about_ca_system_score_codex":0.00043523958,"about_ca_system_score_gemma":0.0012217887,"threshold_uncertainty_score":0.9999554},"labels":[],"label_agreement":null},{"id":"W2133365193","doi":"10.7202/004692ar","title":"Le meilleur professeur est un éternel étudiant. Bengt Hambraeus, compositeur et pédagogue","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06254669584695527,"score_gpt":0.28534459007094654,"score_spread":0.22279789422399127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2133365193","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.122138016,0.06280047,0.00011993042,0.09109431,0.004231735,0.0012813708,0.00026354712,0.000546546,0.71752405],"genre_scores_gemma":[0.84365755,0.001699785,0.000083750194,0.020468982,0.0020328988,0.0000979702,0.00017955409,0.000074043615,0.13170546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940816,0.0018141109,0.0010821735,0.0011911419,0.0006915783,0.0011393909],"domain_scores_gemma":[0.9969472,0.00038269343,0.00065657625,0.0006802286,0.00079203816,0.000541231],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010057682,0.00080310163,0.0011857459,0.00021998138,0.0013738542,0.0006812962,0.0010525857,0.0008041304,0.0013076001],"category_scores_gemma":[0.0002969154,0.0007544724,0.00070437347,0.0015138634,0.0014563554,0.001668727,0.00020774028,0.00086937274,0.000498059],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001967296,0.0011668482,0.0036963087,0.00025420063,0.00069601636,0.00036215436,0.10520502,0.000005922653,0.0010195882,0.83560187,0.04225506,0.009717322],"study_design_scores_gemma":[0.001801546,0.00026678582,0.003488111,0.0004756785,0.0004201182,0.00007320471,0.014395696,0.00040176552,0.00027310714,0.028369302,0.94836617,0.0016685191],"about_ca_topic_score_codex":0.006334817,"about_ca_topic_score_gemma":0.01062673,"teacher_disagreement_score":0.9061111,"about_ca_system_score_codex":0.00012984955,"about_ca_system_score_gemma":0.00029262836,"threshold_uncertainty_score":0.9999262},"labels":[],"label_agreement":null},{"id":"W2133778452","doi":"10.7202/902178ar","title":"La classe de composition de Serge Garant, ou le sentier de la lucidité","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02351269863373931,"score_gpt":0.2918555810869843,"score_spread":0.268342882453245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2133778452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71963143,0.0046824687,0.00066466926,0.0106712375,0.0014076536,0.00029138318,0.000062317384,0.00020170999,0.26238713],"genre_scores_gemma":[0.96073925,0.00032121496,0.00031738827,0.00595217,0.0023702427,0.000050888935,0.00007884502,0.000037473237,0.03013255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99574983,0.0022283238,0.0004528841,0.00050198607,0.00028052504,0.000786446],"domain_scores_gemma":[0.9981918,0.00047535694,0.0002874524,0.0003099755,0.00033916987,0.0003962532],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0022763824,0.00036932254,0.00050164777,0.000118150325,0.0007429196,0.0005429006,0.00047292677,0.0010743892,0.00032098455],"category_scores_gemma":[0.00025096192,0.0003572522,0.00043724326,0.0005639747,0.0016086184,0.00065705244,0.00005713877,0.0009419984,0.000038374434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044264085,0.0006993782,0.025768729,0.00021904237,0.00041484783,0.0004345397,0.0808203,0.0000066192324,0.12516032,0.7177555,0.03976721,0.008909244],"study_design_scores_gemma":[0.0008478753,0.00006357697,0.012766923,0.00019063597,0.0003213644,0.00021920119,0.005592604,0.00040804764,0.0025734925,0.13565005,0.84062123,0.00074500643],"about_ca_topic_score_codex":0.005017616,"about_ca_topic_score_gemma":0.0037028466,"teacher_disagreement_score":0.800854,"about_ca_system_score_codex":0.00018004938,"about_ca_system_score_gemma":0.0007434227,"threshold_uncertainty_score":0.99988794},"labels":[],"label_agreement":null},{"id":"W2134001407","doi":"10.7202/1014605ar","title":"La représentation des avant-gardes à la Semaine internationale demusique actuelle (Montréal, 1961)","year":2013,"lang":"fr","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art; Humanities","score_opus":0.025851590961087228,"score_gpt":0.242959422088636,"score_spread":0.21710783112754878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134001407","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046474528,0.28975195,0.0000652281,0.04926534,0.0011907425,0.0011652701,0.00014328933,0.000057097663,0.61188656],"genre_scores_gemma":[0.11291057,0.30488688,0.0006284916,0.0279263,0.000638469,0.000011084059,0.00022939246,0.000023796469,0.55274504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997634,0.0011210652,0.00023723877,0.0003758422,0.00021179058,0.00042008233],"domain_scores_gemma":[0.99837285,0.00020077662,0.00017720819,0.00021841715,0.00041682058,0.00061390776],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00050975685,0.00021571195,0.0003800724,0.00015027868,0.0007443995,0.00015125332,0.00040574992,0.00026079066,0.014231564],"category_scores_gemma":[0.00020452579,0.00021313748,0.00028817315,0.0006118563,0.00082431297,0.00077118713,0.00005223099,0.00028613763,0.0010879649],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003111228,0.000056641227,0.00093898317,0.0009140837,0.00029957085,0.00028120656,0.014370657,0.000005536285,0.000025260533,0.040278535,0.7675284,0.175298],"study_design_scores_gemma":[0.00014896701,0.000015169915,0.0037690229,0.0013325007,0.00034499366,0.000024943269,0.0047306335,0.000024354791,0.0000012497443,0.0010476551,0.9883163,0.00024419016],"about_ca_topic_score_codex":0.52496254,"about_ca_topic_score_gemma":0.85917336,"teacher_disagreement_score":0.33421084,"about_ca_system_score_codex":0.0007935821,"about_ca_system_score_gemma":0.0006529224,"threshold_uncertainty_score":0.9996898},"labels":[],"label_agreement":null},{"id":"W2134341614","doi":"10.4013/1087","title":"Kitsh y ambigüedad del partenariado Norte/Sur de comercio justo. El caso de artesanos del mundo en Francia","year":2011,"lang":"es","type":"article","venue":"Otra Economía","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.029513644437951642,"score_gpt":0.26447996625549963,"score_spread":0.23496632181754798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134341614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9291635,0.0018099155,0.00006997894,0.0011091434,0.0010056903,0.0003810818,0.00012612197,0.0001345672,0.06620001],"genre_scores_gemma":[0.9837608,0.00058885035,0.00044844058,0.0074734925,0.0015734857,0.00008380379,0.000049510036,0.000047940004,0.0059737135],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9960539,0.0005650159,0.0007721307,0.00083326973,0.0002529297,0.0015227578],"domain_scores_gemma":[0.9979075,0.00021977143,0.00041468028,0.00055824156,0.00023681848,0.00066294556],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010667123,0.0005484351,0.0008755574,0.00015044786,0.0010628373,0.00040035386,0.00094557094,0.0008520108,0.003001446],"category_scores_gemma":[0.00015856768,0.00050419144,0.0006150929,0.0005195946,0.00055410474,0.0007637298,0.00012514973,0.0006891132,0.0010739061],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022000872,0.0018562955,0.7008712,0.00023974085,0.0020181036,0.00032879921,0.18533301,0.00009656296,0.0016303365,0.042555023,0.03687324,0.027977647],"study_design_scores_gemma":[0.0019645432,0.00040284568,0.6892702,0.00014775032,0.0016800236,0.00005876428,0.011596455,0.0014490557,0.00041113704,0.008442773,0.2827174,0.0018590714],"about_ca_topic_score_codex":0.011453765,"about_ca_topic_score_gemma":0.01696565,"teacher_disagreement_score":0.24584416,"about_ca_system_score_codex":0.00034374933,"about_ca_system_score_gemma":0.0005436661,"threshold_uncertainty_score":0.99974096},"labels":[],"label_agreement":null},{"id":"W213540851","doi":"10.1590/2237-266049296","title":"L'Émergence de Voix Distinctes: pratiques singulières de l'art dramatique à l'école et dans la communauté","year":2015,"lang":"fr","type":"article","venue":"Revista Brasileira de Estudos da Presença","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.03678033240782913,"score_gpt":0.3310220650042211,"score_spread":0.29424173259639197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W213540851","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9035495,0.023419928,0.00435367,0.012415371,0.00069869816,0.0012561723,0.0003187913,0.00042816988,0.053559694],"genre_scores_gemma":[0.9462381,0.0006802084,0.004472385,0.006272577,0.0011039097,0.00019713516,0.00014166,0.00006942609,0.040824592],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9897985,0.0066578,0.0008351186,0.00071050524,0.0007324579,0.0012656094],"domain_scores_gemma":[0.99546015,0.0017545472,0.0005031699,0.00080269546,0.00051306153,0.0009663934],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0037618314,0.0006173892,0.0008662772,0.00010411674,0.0008408943,0.0016694794,0.0014294273,0.00071609387,0.00037255272],"category_scores_gemma":[0.0047636786,0.00055989367,0.0004146142,0.001530445,0.0016598954,0.0010180782,0.00041591108,0.0011341947,0.00017774297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057462883,0.00091429905,0.38576198,0.00039006773,0.00038269738,0.0002573569,0.1790121,0.000617841,0.00072574336,0.3466574,0.08371679,0.0015062834],"study_design_scores_gemma":[0.0008994485,0.0005213227,0.17521942,0.0017237918,0.0011052986,0.00017664155,0.037680954,0.0069946963,0.00024616133,0.008349125,0.76539576,0.0016873559],"about_ca_topic_score_codex":0.008890003,"about_ca_topic_score_gemma":0.013476935,"teacher_disagreement_score":0.681679,"about_ca_system_score_codex":0.00075169007,"about_ca_system_score_gemma":0.0020140007,"threshold_uncertainty_score":0.9996852},"labels":[],"label_agreement":null},{"id":"W2140664872","doi":"","title":"L'impact du climat social et économique sur la musique francophone et anglophone au Québec","year":2014,"lang":"fr","type":"article","venue":"Le dépôt institutionnel (Université du Québec à Trois-Rivières)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; French; Art; Humanities","score_opus":0.014159994183408083,"score_gpt":0.22185654435767735,"score_spread":0.20769655017426927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140664872","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8643327,0.0016343589,0.006849961,0.10579029,0.0020875237,0.00039999263,0.00016870612,0.0002544693,0.018482044],"genre_scores_gemma":[0.9756552,0.0004950935,0.00016034355,0.0078444965,0.0029358487,0.000023823424,0.00011814723,0.000050628325,0.012716405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99521965,0.0017544779,0.00059642916,0.0009553589,0.0004116581,0.0010624481],"domain_scores_gemma":[0.99727035,0.0006478614,0.00054254837,0.0004570112,0.00051873294,0.0005634858],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012367045,0.00074315496,0.0010446848,0.00030801757,0.0034262675,0.00036639787,0.000962345,0.0009400107,0.0015197718],"category_scores_gemma":[0.00042871872,0.00071361434,0.001092385,0.0018078878,0.0024920257,0.0027505262,0.00032301777,0.000980349,0.00068856386],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005436334,0.0020435357,0.08508308,0.00019730131,0.0014203717,0.00030364603,0.3515728,0.009717957,0.0007009485,0.48879814,0.04442555,0.015192992],"study_design_scores_gemma":[0.0052719368,0.00043518696,0.3099262,0.00022367861,0.00061648956,0.00011939061,0.021429911,0.006691367,0.000035809833,0.0016046554,0.6517514,0.0018939748],"about_ca_topic_score_codex":0.97362554,"about_ca_topic_score_gemma":0.9944057,"teacher_disagreement_score":0.60732585,"about_ca_system_score_codex":0.0026897206,"about_ca_system_score_gemma":0.006404109,"threshold_uncertainty_score":0.9995315},"labels":[],"label_agreement":null},{"id":"W2144919748","doi":"10.4000/books.pum.630","title":"21. Lettre à Ulysse Comtois","year":2002,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01602418354177586,"score_gpt":0.19364500353830752,"score_spread":0.17762081999653165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2144919748","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054229614,0.021745145,0.000035479552,0.0037812062,0.00041999825,0.00037339938,0.00018052408,0.00017751066,0.9678638],"genre_scores_gemma":[0.05354263,0.0035498273,0.00028940712,0.0033120215,0.00086729677,0.000009575134,0.00007874656,0.00006328327,0.9382872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967443,0.0003105947,0.00043467592,0.00083684153,0.0006113305,0.0010623105],"domain_scores_gemma":[0.99779505,0.00025828002,0.00046220634,0.0005410015,0.00029034747,0.000653144],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022700311,0.00074404315,0.00086605595,0.00018267438,0.0019342961,0.00021770179,0.0010511292,0.0012917136,0.028531045],"category_scores_gemma":[0.00003859306,0.0007362658,0.0008899519,0.00010766572,0.0011610585,0.00024698777,0.00050894887,0.0009179945,0.00080272474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002777233,0.00015994489,0.0018757936,0.00023174885,0.0022521075,0.0028369806,0.045882422,0.00018542956,0.0010137322,0.63242316,0.25977612,0.053084802],"study_design_scores_gemma":[0.0005680353,0.000108840315,0.0008311036,0.00017229891,0.0016739297,0.000070932205,0.0013307646,0.0002652152,0.00012651905,0.010134434,0.9838676,0.0008503429],"about_ca_topic_score_codex":0.01194418,"about_ca_topic_score_gemma":0.023666946,"teacher_disagreement_score":0.7240915,"about_ca_system_score_codex":0.0011629263,"about_ca_system_score_gemma":0.000087325934,"threshold_uncertainty_score":0.99997526},"labels":[],"label_agreement":null},{"id":"W2146691686","doi":"10.1017/s0008423908080359","title":"French Kiss : le rendez-vous de Stephen Harper avec le Québec","year":2008,"lang":"fr","type":"article","venue":"Canadian Journal of Political Science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; KISS (TNC); Art; Burlesque; Art history","score_opus":0.024497254349224586,"score_gpt":0.2599712139926203,"score_spread":0.2354739596433957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2146691686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8118204,0.0075713545,0.00015868305,0.12580176,0.00219059,0.00009336282,0.00004136375,0.000010679785,0.05231182],"genre_scores_gemma":[0.9600312,0.000029139404,0.0004980967,0.007330521,0.0014877085,0.0000012510287,7.3518316e-7,0.000008360545,0.03061295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959305,0.00030152645,0.0005193899,0.00032373925,0.0006835477,0.0022413107],"domain_scores_gemma":[0.993171,0.00012251755,0.00019226289,0.00019766334,0.0007773943,0.005539158],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013366889,0.00020257148,0.0003881475,0.00026218584,0.0024625997,0.00031196626,0.0012250157,0.00022988932,0.0011194213],"category_scores_gemma":[0.0012917254,0.00017098997,0.00029003096,0.0015256444,0.00913271,0.0010752537,0.000037366437,0.000604114,0.00007900854],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003449134,0.00008126373,0.011395949,0.00001080996,0.00004819167,0.00097160606,0.0196923,0.00002144978,0.00019397178,0.9333195,0.031748597,0.002512883],"study_design_scores_gemma":[0.0006658907,0.00047956756,0.22800168,0.00018244945,0.00021493889,0.0026088713,0.011420905,0.0003518837,0.00033776797,0.03877737,0.7161149,0.0008437706],"about_ca_topic_score_codex":0.9420786,"about_ca_topic_score_gemma":0.9205908,"teacher_disagreement_score":0.89454216,"about_ca_system_score_codex":0.0019069494,"about_ca_system_score_gemma":0.05066326,"threshold_uncertainty_score":0.9997937},"labels":[],"label_agreement":null},{"id":"W2148632273","doi":"10.7202/902401ar","title":"Une saison effervescente pour l’opéra contemporain à Montréal","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03274757467966669,"score_gpt":0.27649512483423677,"score_spread":0.2437475501545701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148632273","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31261164,0.036996953,0.00019974953,0.09594192,0.011898518,0.0015211288,0.0002699743,0.0005983341,0.53996176],"genre_scores_gemma":[0.77540714,0.0003350462,0.0001490459,0.009594046,0.0050798366,0.000082752464,0.00016546983,0.000074832424,0.20911182],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99428135,0.0010996253,0.0012450245,0.0012446435,0.00079915905,0.001330219],"domain_scores_gemma":[0.99602455,0.00047037328,0.00078399974,0.00083996484,0.0010835294,0.0007975739],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001692529,0.00091509114,0.0013521097,0.00023610676,0.0011036467,0.00069298025,0.0010877422,0.0012869879,0.0012403431],"category_scores_gemma":[0.0008096543,0.00082220614,0.0009965556,0.0016581462,0.0021634966,0.0012790451,0.0001490044,0.0015322915,0.0005189675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008824636,0.00087379565,0.009479513,0.00027614407,0.0007036464,0.00037144482,0.042114995,0.0000014644345,0.014861388,0.774245,0.12309625,0.033888094],"study_design_scores_gemma":[0.0013961461,0.00017619775,0.0034494721,0.00026953046,0.0002966398,0.00003975254,0.0048229937,0.00012765542,0.00032609736,0.08174593,0.90623975,0.0011098108],"about_ca_topic_score_codex":0.045351576,"about_ca_topic_score_gemma":0.06256289,"teacher_disagreement_score":0.7831435,"about_ca_system_score_codex":0.00015419064,"about_ca_system_score_gemma":0.00048668575,"threshold_uncertainty_score":0.99967265},"labels":[],"label_agreement":null},{"id":"W2150564213","doi":"10.7202/902005ar","title":"Classiques et classicisme à l’âge postmoderne","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.0451092496071728,"score_gpt":0.3032581991725337,"score_spread":0.25814894956536094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2150564213","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11078346,0.011019105,0.000142814,0.07089079,0.0074245483,0.00064324494,0.00013911491,0.00046289948,0.79849404],"genre_scores_gemma":[0.7928897,0.00060186634,0.000173358,0.029721642,0.0041231248,0.000065345106,0.00014161853,0.00006100154,0.17222236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952989,0.0010227283,0.00091381953,0.0010352636,0.0006702047,0.0010590765],"domain_scores_gemma":[0.9967404,0.0004129539,0.00056735513,0.0006933605,0.0010058475,0.0005800827],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014012638,0.0007048373,0.0009788848,0.00020323136,0.0007526092,0.00079154974,0.0009344921,0.0012615103,0.0019465503],"category_scores_gemma":[0.0005387681,0.0006220481,0.0007148016,0.0010047059,0.002810834,0.0016844873,0.00015019944,0.0015305093,0.00030398843],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020146177,0.00031737407,0.0020947128,0.00008532433,0.00025166874,0.000093393835,0.034242433,4.6769665e-7,0.0056112944,0.90659994,0.034305673,0.016377596],"study_design_scores_gemma":[0.00038539013,0.00012897099,0.0018726808,0.00012479427,0.00018438481,0.000027204398,0.002053996,0.000087171946,0.00023611917,0.21302183,0.7811414,0.00073603657],"about_ca_topic_score_codex":0.004072388,"about_ca_topic_score_gemma":0.033308037,"teacher_disagreement_score":0.74683577,"about_ca_system_score_codex":0.00013220606,"about_ca_system_score_gemma":0.0005956314,"threshold_uncertainty_score":0.99990296},"labels":[],"label_agreement":null},{"id":"W215116938","doi":"","title":"Théâtralisation du réel. Vie et mort du théâtre au Québec : introduction à une théâtritude, de Janusz Przychodzen, L’Harmattan, 431 p. Vie et mort du théâtre au Québec : introduction à une théâtritude, de Janusz Przychodzen, L’Harmattan, 431 p.","year":2002,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.03338047118353781,"score_gpt":0.3074937313228278,"score_spread":0.27411326013929,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W215116938","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37438414,0.006262791,0.00036634738,0.59548426,0.00618497,0.0016225772,0.00015380063,0.0006004701,0.014940621],"genre_scores_gemma":[0.83019185,0.009002728,0.0013025954,0.030852893,0.04157305,0.0005946175,0.00049238204,0.00024491095,0.08574495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98436075,0.0025700126,0.0027765841,0.0035793555,0.0029904179,0.003722895],"domain_scores_gemma":[0.9930778,0.0006766437,0.0020379394,0.0015088754,0.0014866677,0.0012120826],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0066579245,0.0020760905,0.0020696332,0.0010987144,0.008708987,0.0022652734,0.0028623927,0.0010569262,0.0033045046],"category_scores_gemma":[0.0016362641,0.0018182617,0.00132162,0.0072213355,0.0069054714,0.0070236837,0.00056586287,0.0019518725,0.00045807523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019420958,0.002334346,0.07999284,0.00042236815,0.00070351415,0.00019714911,0.037887212,0.0065616234,0.0044599343,0.050050437,0.8084372,0.008759151],"study_design_scores_gemma":[0.0014984462,0.00070938375,0.019573506,0.00028723266,0.0011273569,0.0004124546,0.00789949,0.0029801163,0.00056822086,0.0018234128,0.9609575,0.0021628626],"about_ca_topic_score_codex":0.44657516,"about_ca_topic_score_gemma":0.7740351,"teacher_disagreement_score":0.5646314,"about_ca_system_score_codex":0.0038535204,"about_ca_system_score_gemma":0.0038824417,"threshold_uncertainty_score":0.9999705},"labels":[],"label_agreement":null},{"id":"W2151915668","doi":"10.7202/902236ar","title":"Henri Pousseur : esquisses pour un visage","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.035350722839351416,"score_gpt":0.2849210987873702,"score_spread":0.24957037594801879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2151915668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3963646,0.019481508,0.00010613408,0.038874052,0.008158594,0.0006311544,0.00010636874,0.00043111507,0.5358465],"genre_scores_gemma":[0.83726966,0.00031016272,0.00020133116,0.014177479,0.0058644675,0.000048128393,0.0000715172,0.00005197025,0.1420053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99604404,0.00067968015,0.0007977019,0.00093110465,0.0005488729,0.0009985856],"domain_scores_gemma":[0.9970807,0.00040126094,0.00047532446,0.0006298111,0.00087259244,0.00054032146],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010340079,0.0006334418,0.00085636764,0.00017933508,0.0010112925,0.0006319934,0.00094857294,0.00089164305,0.005231615],"category_scores_gemma":[0.0007575956,0.0005548734,0.0006512269,0.0011691392,0.0015955482,0.0010612283,0.00012783044,0.0009796178,0.0005582999],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002224098,0.0005893974,0.006969096,0.00016322738,0.00050071906,0.00028438348,0.052541085,6.6744064e-7,0.019451784,0.8312045,0.045682013,0.042590898],"study_design_scores_gemma":[0.0005161715,0.00009700798,0.0025414117,0.000111407215,0.0002625042,0.000044836655,0.005470161,0.00003207722,0.0007391751,0.17038268,0.8189568,0.0008457827],"about_ca_topic_score_codex":0.0027877693,"about_ca_topic_score_gemma":0.0055738944,"teacher_disagreement_score":0.7732748,"about_ca_system_score_codex":0.00007920056,"about_ca_system_score_gemma":0.00042596433,"threshold_uncertainty_score":0.9996903},"labels":[],"label_agreement":null},{"id":"W2152095673","doi":"10.7202/902002ar","title":"Le postmodernisme en musique : aventure néo-baroque ou Nouvelle aventure de la modernité?","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018036774123579492,"score_gpt":0.2715670345914165,"score_spread":0.253530260467837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2152095673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2688124,0.012011012,0.0010699669,0.04560292,0.0049664364,0.0011997732,0.0002943936,0.0005203369,0.66552275],"genre_scores_gemma":[0.88484025,0.00054410327,0.00028346933,0.013650182,0.0046645547,0.00011567763,0.00017914173,0.000093691466,0.095628954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939712,0.0021454128,0.0008580526,0.0011400958,0.0006411631,0.0012440626],"domain_scores_gemma":[0.99661124,0.00065403356,0.00054558273,0.00075238105,0.0007421424,0.00069461256],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0018875098,0.0008430123,0.0010282665,0.00021536366,0.0012715366,0.00070821645,0.0012462543,0.0025261338,0.001113972],"category_scores_gemma":[0.0006595677,0.000792899,0.0009041677,0.0007612915,0.0019817736,0.0010385714,0.00020482967,0.0024372826,0.000118078584],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038301667,0.0005974236,0.001668848,0.00019150475,0.00041577767,0.00026167763,0.12646393,0.00002189101,0.013613693,0.83552593,0.012016694,0.009184299],"study_design_scores_gemma":[0.00082036003,0.00010962186,0.0012420086,0.00017921068,0.00026254982,0.00011954487,0.0080959685,0.0004378633,0.00057247555,0.28486022,0.70223916,0.0010610159],"about_ca_topic_score_codex":0.00713611,"about_ca_topic_score_gemma":0.015029777,"teacher_disagreement_score":0.69022244,"about_ca_system_score_codex":0.00018232349,"about_ca_system_score_gemma":0.0016437542,"threshold_uncertainty_score":0.99986416},"labels":[],"label_agreement":null},{"id":"W2155048510","doi":"10.1017/s0040298207000010","title":"ON CLAUDE VIVIER'S ‘LONELY CHILD’","year":2007,"lang":"en","type":"article","venue":"Tempo","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Uncanny; Identity (music); Psychoanalysis; Key (lock); Reputation; Sociology; History; Art; Literature; Art history; Psychology; Aesthetics; Social science","score_opus":0.01845017968067886,"score_gpt":0.2948779513245747,"score_spread":0.27642777164389587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2155048510","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3257479,0.0004624485,0.000019124758,0.0034580291,0.0004623976,0.00010812362,0.0000037768532,0.00010675819,0.6696314],"genre_scores_gemma":[0.97823626,0.000017813007,0.00005300116,0.00896417,0.000783187,0.0000027725491,0.000008689686,0.0000047235744,0.01192937],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908185,0.00006707034,0.00013286977,0.00017825665,0.0002442055,0.00029573595],"domain_scores_gemma":[0.9995854,0.00007493385,0.00005100619,0.00011891978,0.00005054475,0.000119221986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005438451,0.00008299363,0.00012398772,0.00005191581,0.00055125344,0.0000713682,0.0001872318,0.00012298457,0.0007979694],"category_scores_gemma":[0.0000865588,0.000060719853,0.00010216346,0.00034727214,0.00012449217,0.000110348235,0.00001558133,0.00015348336,0.00038160535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009571025,0.00036501672,0.007918797,0.000013596087,0.00017601601,0.000075454525,0.03195719,0.000008424757,0.00070359826,0.7450498,0.18293105,0.030705346],"study_design_scores_gemma":[0.00018692033,0.000060034585,0.017696533,0.000016697137,0.000029631312,0.0000012612062,0.0019323777,0.0000022337292,0.00019445506,0.008846968,0.97084564,0.0001872492],"about_ca_topic_score_codex":0.0005630503,"about_ca_topic_score_gemma":0.0053907093,"teacher_disagreement_score":0.7879146,"about_ca_system_score_codex":0.00004391134,"about_ca_system_score_gemma":0.000021866625,"threshold_uncertainty_score":0.8737205},"labels":[],"label_agreement":null},{"id":"W2156218312","doi":"10.7202/1006361ar","title":"La construction du champ identitaire de la musique actuelle en Amérique du Nord : enquête sur la filiation avec la Semaine internationale de musique actuelle","year":2011,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021754311826409363,"score_gpt":0.25437609817721607,"score_spread":0.23262178635080671,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156218312","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5415517,0.0015381598,0.0031785546,0.003633114,0.0010414723,0.0006638954,0.00010104699,0.00028804562,0.448004],"genre_scores_gemma":[0.97214425,0.0025876826,0.00046063584,0.0026661388,0.0020014115,0.00021508675,0.0001751324,0.00007611187,0.019673537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99131197,0.0057161804,0.00090385956,0.00084637484,0.0004941327,0.0007275005],"domain_scores_gemma":[0.9953112,0.0021633084,0.00078146125,0.00039772503,0.00096268306,0.00038363057],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0041589686,0.0006619548,0.0007865763,0.00032899017,0.0006568579,0.00055819296,0.00075812225,0.0014954292,0.001136825],"category_scores_gemma":[0.0019096371,0.0006554984,0.00059119373,0.00077051553,0.0020049457,0.0017081848,0.00018712628,0.0009353013,0.000044477336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094325726,0.0006679842,0.033813827,0.0003094819,0.0006878863,0.00058982964,0.4313201,0.000010387528,0.0023915542,0.5000873,0.006604078,0.023423249],"study_design_scores_gemma":[0.0020195167,0.00020947811,0.042384494,0.000833738,0.0003729524,0.0010383083,0.035432488,0.00076258264,0.0017333536,0.17238803,0.7411917,0.0016333449],"about_ca_topic_score_codex":0.009477611,"about_ca_topic_score_gemma":0.01912066,"teacher_disagreement_score":0.7345876,"about_ca_system_score_codex":0.00061669154,"about_ca_system_score_gemma":0.0010623023,"threshold_uncertainty_score":0.99980086},"labels":[],"label_agreement":null},{"id":"W2157463217","doi":"10.7202/902056ar","title":"Montréal (1991-1992) : vigueur accrue ou derniers soubresauts d’une civilisation?","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.03898800332995826,"score_gpt":0.2795700243564819,"score_spread":0.24058202102652365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2157463217","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41662663,0.024243552,0.00016112781,0.082610205,0.011721128,0.0013071878,0.00022431988,0.000604275,0.4625016],"genre_scores_gemma":[0.8985053,0.00031196105,0.00009090956,0.0093346415,0.0048626876,0.00010182108,0.00025255408,0.00006110368,0.08647907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995382,0.00068276457,0.0009907724,0.0010826379,0.0007654117,0.001096396],"domain_scores_gemma":[0.99683416,0.0003833302,0.0006289986,0.0007174847,0.00079338776,0.00064266793],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011368482,0.00071350933,0.0009264544,0.0002321591,0.0013552379,0.00066909514,0.0009512916,0.0010971611,0.0011773362],"category_scores_gemma":[0.00070467603,0.000649341,0.0007162983,0.0015549491,0.0019761086,0.0014869885,0.00013265476,0.0011406449,0.00038231743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006530816,0.00071780075,0.012928147,0.00025563122,0.00096087303,0.00029361917,0.17206769,0.000010939845,0.0098816715,0.63034356,0.11967898,0.052795805],"study_design_scores_gemma":[0.0007139337,0.00010457954,0.004150632,0.0001148535,0.00030918565,0.0000280992,0.008293621,0.00012869494,0.00016179544,0.086545534,0.89853126,0.0009178266],"about_ca_topic_score_codex":0.031550158,"about_ca_topic_score_gemma":0.14509107,"teacher_disagreement_score":0.7788523,"about_ca_system_score_codex":0.00013812947,"about_ca_system_score_gemma":0.00034056258,"threshold_uncertainty_score":0.99994487},"labels":[],"label_agreement":null},{"id":"W2160300725","doi":"10.7202/1032937ar","title":"De la musique au son : l’émergence du son dans la musique des xx-xxi siècles, de Makis Solomos, Rennes, Presses Universitaires de Rennes, 2013, 545 pages","year":2015,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03730151518528349,"score_gpt":0.26916297914977855,"score_spread":0.23186146396449506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160300725","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6559159,0.07096751,0.0033125947,0.022527186,0.0016104804,0.0010981803,0.00029699493,0.0008291575,0.24344198],"genre_scores_gemma":[0.9684162,0.014199293,0.00071693177,0.0029438639,0.0024163984,0.0001054028,0.00019094795,0.00010475336,0.010906224],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99031913,0.005111406,0.0008912658,0.0012035741,0.00062365277,0.0018509874],"domain_scores_gemma":[0.9951848,0.0011626952,0.00071863947,0.0007056825,0.0010617205,0.0011664749],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0037502227,0.00096212275,0.0011016371,0.00024214717,0.0013965761,0.00073427253,0.0014861508,0.0015561287,0.0003132598],"category_scores_gemma":[0.0016115202,0.0009310802,0.0006424298,0.0015094659,0.0046712165,0.001854005,0.0003444519,0.0008906224,0.000035903246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018639388,0.00095166697,0.096969604,0.00073883333,0.000988889,0.0017944697,0.4428063,0.00018553282,0.006795495,0.21347581,0.19118944,0.043917563],"study_design_scores_gemma":[0.0011899801,0.00038571123,0.017586578,0.0010205404,0.00088071876,0.0004014596,0.06633496,0.0003498768,0.0012276368,0.27980044,0.62895775,0.0018643584],"about_ca_topic_score_codex":0.08842631,"about_ca_topic_score_gemma":0.091119155,"teacher_disagreement_score":0.4377683,"about_ca_system_score_codex":0.0017892227,"about_ca_system_score_gemma":0.0029458858,"threshold_uncertainty_score":0.99990344},"labels":[],"label_agreement":null},{"id":"W2163509377","doi":"","title":"Le cinéma québécois et ses spectateurs : La poursuite d’une illusion (ou la politique de l’autruche)","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.006291073448325756,"score_gpt":0.19458541543880103,"score_spread":0.1882943419904753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2163509377","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31589267,0.02342106,0.000079397316,0.48117635,0.00028416753,0.00023569426,0.000053241954,0.00013143054,0.178726],"genre_scores_gemma":[0.7222855,0.012538369,0.0003831686,0.0051679476,0.00039218026,0.000008970879,0.00003803269,0.000031687665,0.25915414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970222,0.0010454716,0.00022547806,0.0004936205,0.00034243686,0.0008707928],"domain_scores_gemma":[0.998452,0.00032307865,0.00022841692,0.00027713215,0.00021592985,0.00050344254],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00044020909,0.0003455684,0.00042511494,0.00016084204,0.0012836676,0.00017010086,0.0005275147,0.0005895352,0.0007722325],"category_scores_gemma":[0.00007070359,0.0003475077,0.000399739,0.0009955575,0.0006573022,0.0008291873,0.00026182114,0.00049172045,0.00024094411],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003187525,0.0001775123,0.0006914886,0.000033862998,0.0002359262,0.00085886335,0.03699385,0.00007626925,0.0013702149,0.8483285,0.09631694,0.014884735],"study_design_scores_gemma":[0.00056262326,0.00006938972,0.006620453,0.00006957043,0.00026247033,0.00018390249,0.041035775,0.00025300664,0.00007287671,0.01733452,0.93311644,0.0004189689],"about_ca_topic_score_codex":0.60860693,"about_ca_topic_score_gemma":0.76566166,"teacher_disagreement_score":0.8367995,"about_ca_system_score_codex":0.0021589268,"about_ca_system_score_gemma":0.0003886149,"threshold_uncertainty_score":0.9998977},"labels":[],"label_agreement":null},{"id":"W2165224164","doi":"10.7202/004656ar","title":"Regard sur quatre créateurs","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.07815209331989295,"score_gpt":0.27448072359450076,"score_spread":0.1963286302746078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2165224164","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0645972,0.10766439,0.000026250593,0.038002405,0.004444877,0.0005228504,0.000080225975,0.0002917108,0.78437006],"genre_scores_gemma":[0.64395833,0.0015688235,0.000023721976,0.0096020205,0.0027832224,0.00003506164,0.000057656984,0.00003324079,0.3419379],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99596286,0.00090662023,0.000772449,0.0008492647,0.00057845755,0.0009303725],"domain_scores_gemma":[0.99759436,0.00026834765,0.00043110963,0.00052078994,0.0007448567,0.00044052023],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006669945,0.00054833567,0.00083676423,0.00016266506,0.00075813034,0.00048403355,0.0007007012,0.0006818803,0.007519692],"category_scores_gemma":[0.00045125556,0.00049206626,0.00067146844,0.00132062,0.0013742469,0.0011787262,0.00007671693,0.00049142516,0.00070615095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014566364,0.00052791066,0.0068486766,0.00021004993,0.00052865746,0.0003038669,0.11081452,0.0000027756842,0.0002919339,0.383107,0.43900046,0.058349576],"study_design_scores_gemma":[0.00047529972,0.00011979511,0.0005095232,0.00020316693,0.00022472914,0.00001858033,0.0047021257,0.00015059112,0.000040481027,0.03860936,0.95423937,0.0007069756],"about_ca_topic_score_codex":0.003727182,"about_ca_topic_score_gemma":0.004243655,"teacher_disagreement_score":0.57936114,"about_ca_system_score_codex":0.00016955321,"about_ca_system_score_gemma":0.00010329637,"threshold_uncertainty_score":0.9997531},"labels":[],"label_agreement":null},{"id":"W2166417215","doi":"10.7202/902062ar","title":"De Toronto : la diversité des styles","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.032539692188987494,"score_gpt":0.27781447888805305,"score_spread":0.24527478669906555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2166417215","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27042124,0.021088881,0.000054420918,0.0026984736,0.0014848977,0.00023365238,0.00005252204,0.00016751396,0.7037984],"genre_scores_gemma":[0.8843153,0.00060248235,0.00019547838,0.0036080682,0.0023415878,0.000023843493,0.000027418597,0.000023150786,0.10886265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974795,0.00064556976,0.00036381627,0.0005016675,0.00031123048,0.0006982139],"domain_scores_gemma":[0.99825186,0.00032092197,0.00021684665,0.0003180478,0.0004872572,0.00040504368],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009936651,0.00035665443,0.00047051668,0.00005036839,0.00095658633,0.0005259379,0.00062126014,0.00067640655,0.0028698398],"category_scores_gemma":[0.00038940675,0.0003225629,0.00039688402,0.0003716968,0.0024235935,0.0013035535,0.00010731366,0.00045713276,0.00006516504],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001295793,0.00019268687,0.015410261,0.000091838505,0.0002513769,0.00009423821,0.11860908,2.8609796e-7,0.0041608852,0.80380785,0.012314048,0.045054466],"study_design_scores_gemma":[0.00031789127,0.00007014559,0.00954202,0.00009530092,0.00022052605,0.000025255946,0.019299584,0.00001606263,0.00014160456,0.109504245,0.8602641,0.00050327275],"about_ca_topic_score_codex":0.026108602,"about_ca_topic_score_gemma":0.09419753,"teacher_disagreement_score":0.84795004,"about_ca_system_score_codex":0.00021815517,"about_ca_system_score_gemma":0.00028259322,"threshold_uncertainty_score":0.99992263},"labels":[],"label_agreement":null},{"id":"W2187979015","doi":"","title":"Panorama du court métrage québécois récent","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panorama; Art; Visual arts","score_opus":0.0069873216792253525,"score_gpt":0.18613225278897153,"score_spread":0.17914493110974616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2187979015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51193243,0.20090562,0.00034618736,0.22615203,0.002420632,0.0003220904,0.000073782496,0.00017436346,0.057672843],"genre_scores_gemma":[0.5313933,0.016096888,0.00035525867,0.006042796,0.0020380176,0.0000019640643,0.000052557294,0.00002813806,0.4439911],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975585,0.00021896222,0.00027019167,0.00048841373,0.0004936541,0.0009703307],"domain_scores_gemma":[0.9985458,0.00014938498,0.00022799737,0.00028556812,0.00024579235,0.0005454117],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006563679,0.0003156628,0.00040064353,0.00013830338,0.0018054806,0.00007594537,0.0005179861,0.00050818594,0.0015591965],"category_scores_gemma":[0.00004462289,0.0003174498,0.00045640566,0.001151079,0.00055869145,0.00043170355,0.00017206442,0.00036718193,0.0005632297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018701746,0.00034621794,0.004962588,0.000047820617,0.00065569865,0.005944387,0.029080886,0.00008491092,0.0005223308,0.37501225,0.44720805,0.13594784],"study_design_scores_gemma":[0.0005268747,0.00008770531,0.0036890605,0.00003312932,0.00047221538,0.00008778367,0.016984185,0.00012685165,0.000051156225,0.0013309318,0.9762196,0.00039051942],"about_ca_topic_score_codex":0.15335417,"about_ca_topic_score_gemma":0.8295348,"teacher_disagreement_score":0.67618066,"about_ca_system_score_codex":0.006947972,"about_ca_system_score_gemma":0.00012594217,"threshold_uncertainty_score":0.99992776},"labels":[],"label_agreement":null},{"id":"W2188313876","doi":"","title":"Les choix des critiques : Sur les trace du cinéma québécois","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01270626294496573,"score_gpt":0.19652123649393766,"score_spread":0.18381497354897192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2188313876","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6204956,0.24761717,0.000016493,0.09637485,0.00020389236,0.00012468822,0.00006166915,0.00012379211,0.034981836],"genre_scores_gemma":[0.46347344,0.068460256,0.0003213532,0.0013443484,0.00079447037,0.00000545796,0.000025082218,0.000024723033,0.46555087],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977501,0.00047335945,0.00023229205,0.0004928267,0.00033092633,0.00072047266],"domain_scores_gemma":[0.99884754,0.0001613973,0.00011977973,0.00023546538,0.00029161735,0.00034420175],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026350594,0.00033820124,0.00042972967,0.0000996913,0.0027660476,0.000106181185,0.0005062607,0.00050574803,0.0074184467],"category_scores_gemma":[0.000055893808,0.00033721759,0.00044834518,0.00083894667,0.000944567,0.0007895138,0.00007563711,0.0003340732,0.00023221875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112500275,0.00030054076,0.0034009523,0.0000781846,0.00038628155,0.0011113787,0.046699326,0.000105561514,0.0002466888,0.082317695,0.13340795,0.7318329],"study_design_scores_gemma":[0.00040389714,0.00010404311,0.0079969615,0.00008487494,0.00044060167,0.00008265717,0.015584676,0.0001627625,0.0000461554,0.0019671766,0.97271526,0.0004109584],"about_ca_topic_score_codex":0.6757609,"about_ca_topic_score_gemma":0.9623003,"teacher_disagreement_score":0.8393073,"about_ca_system_score_codex":0.0029092373,"about_ca_system_score_gemma":0.00009382809,"threshold_uncertainty_score":0.999908},"labels":[],"label_agreement":null},{"id":"W2203364849","doi":"","title":"Rendez-vous du cinéma québécois : Un état des lieux bienvenu","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007771963329337934,"score_gpt":0.1731523290183108,"score_spread":0.16538036568897285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2203364849","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.627605,0.20621206,0.000030968156,0.13973267,0.00092161214,0.0002797309,0.000044798417,0.0001350124,0.025038138],"genre_scores_gemma":[0.49693903,0.039886303,0.00068680703,0.0048224167,0.0011799654,0.000017870643,0.000046591114,0.00003866976,0.45638233],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752325,0.00036830487,0.00025222483,0.00054856704,0.0003994512,0.00090819894],"domain_scores_gemma":[0.99841726,0.00012782885,0.00023644703,0.00034745227,0.00033571545,0.00053527055],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022574465,0.00035954404,0.00044593957,0.00014017173,0.002376178,0.00012418254,0.0006275108,0.0004768984,0.0033260856],"category_scores_gemma":[0.00007097795,0.00034574035,0.00044231673,0.00136939,0.00091545173,0.0007726603,0.00025450584,0.00033553137,0.0015602849],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052814816,0.00031450158,0.0037485445,0.000063100575,0.000719006,0.0013253966,0.046905193,0.00006048952,0.00071124174,0.081802,0.38151443,0.4827833],"study_design_scores_gemma":[0.0005065937,0.00013119793,0.005763713,0.000047718833,0.0004823771,0.000115544775,0.01677104,0.00023168829,0.000055441844,0.009533614,0.9659187,0.00044232883],"about_ca_topic_score_codex":0.2613139,"about_ca_topic_score_gemma":0.61746585,"teacher_disagreement_score":0.5844043,"about_ca_system_score_codex":0.0035838662,"about_ca_system_score_gemma":0.000103162965,"threshold_uncertainty_score":0.99989945},"labels":[],"label_agreement":null},{"id":"W220707411","doi":"10.5206/notabene.v7i1.6591","title":"Emmanuel Chabrier de Francis Poulenc","year":2014,"lang":"fr","type":"article","venue":"Nota bene","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01869324201174597,"score_gpt":0.26851022840792116,"score_spread":0.2498169863961752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W220707411","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7482318,0.017800229,0.00030204374,0.050996426,0.0045533385,0.00018991932,0.000050603576,0.00009667414,0.17777893],"genre_scores_gemma":[0.8910761,0.00018765577,0.00049883744,0.01445292,0.0043113357,0.000012288862,0.0000179788,0.000013433883,0.089429446],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980924,0.0003401334,0.00023758544,0.0003622003,0.0003260303,0.0006416241],"domain_scores_gemma":[0.99911886,0.00010722209,0.00011050038,0.00025233172,0.00014516224,0.00026594076],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005563615,0.00019864597,0.00031075146,0.000042986794,0.00055806333,0.00015192383,0.0003654902,0.000410173,0.0036066133],"category_scores_gemma":[0.00018891488,0.00017080092,0.00024110604,0.00060362805,0.00043033104,0.00022457053,0.000055324326,0.00028754323,0.0006905019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002810823,0.00034884937,0.015979439,0.000097963624,0.00029214314,0.00003242639,0.035533104,0.0000592767,0.001994099,0.39830798,0.0775091,0.46981752],"study_design_scores_gemma":[0.00025184057,0.00007582094,0.017502207,0.000032757387,0.0001923553,0.0000040573286,0.00079472625,0.0007055449,0.00016221496,0.016069453,0.96391,0.00029903636],"about_ca_topic_score_codex":0.003365498,"about_ca_topic_score_gemma":0.0033356573,"teacher_disagreement_score":0.8864009,"about_ca_system_score_codex":0.0000926765,"about_ca_system_score_gemma":0.000047613812,"threshold_uncertainty_score":0.9973042},"labels":[],"label_agreement":null},{"id":"W2208106576","doi":"","title":"Les Rendez-vous du cinéma québécois : Documentaires et courts metrages","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.015507422321997198,"score_gpt":0.22039430257320766,"score_spread":0.20488688025121046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2208106576","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33652797,0.23914436,0.000042386746,0.3337964,0.0014991715,0.0002453598,0.00009651591,0.00017741506,0.0884704],"genre_scores_gemma":[0.68798757,0.012673771,0.00029592577,0.003931014,0.0007139914,0.000005654737,0.000058329402,0.00002450768,0.2943092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997406,0.0006180658,0.00023337474,0.00049774494,0.0005851226,0.0006596922],"domain_scores_gemma":[0.99849325,0.00013960896,0.0002467282,0.00028284482,0.0002661631,0.00057139166],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000577542,0.00033746412,0.0004515234,0.00015277945,0.0012084811,0.000119052784,0.0005266674,0.0004199349,0.0007098077],"category_scores_gemma":[0.00009226838,0.00032200752,0.00034927746,0.0007873913,0.00049032766,0.0006653661,0.00023628969,0.00033792516,0.00020043094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010206585,0.00020382441,0.0020644055,0.000024991059,0.0005771682,0.0022239161,0.04457976,0.00013552258,0.000071230934,0.28219897,0.60376984,0.06404834],"study_design_scores_gemma":[0.0006973345,0.00015791753,0.0012440226,0.000037121292,0.000598102,0.00012749973,0.037781104,0.000096593176,0.000036073077,0.004052475,0.95478565,0.00038610495],"about_ca_topic_score_codex":0.44960415,"about_ca_topic_score_gemma":0.8755066,"teacher_disagreement_score":0.42590246,"about_ca_system_score_codex":0.0053221155,"about_ca_system_score_gemma":0.00020469757,"threshold_uncertainty_score":0.99992317},"labels":[],"label_agreement":null},{"id":"W2227672971","doi":"","title":"Making Sense of Religious Dialogue","year":2009,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Citizenship; Foundation (evidence); Sociology; Pedagogy; Mathematics education; Political science; Psychology; Law; Politics","score_opus":0.033477078073580746,"score_gpt":0.3129857298753869,"score_spread":0.2795086518018062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227672971","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32238936,0.0007016435,0.00004812247,0.0062619518,0.00023061495,0.0001015785,0.0000027996366,0.000096065916,0.67016786],"genre_scores_gemma":[0.9901023,0.000049674472,0.00030094036,0.005997927,0.00021705368,5.542059e-7,0.0000025763588,0.0000011212283,0.00332786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994429,0.00006702258,0.00011353396,0.000098505385,0.00013529288,0.0001427557],"domain_scores_gemma":[0.9997368,0.00002930585,0.000046743076,0.00007371576,0.00007825414,0.000035205187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015399735,0.000046151366,0.00011239064,0.00002826248,0.0001410584,0.00003247425,0.00007582634,0.00007258391,0.00013820939],"category_scores_gemma":[0.00006604705,0.0000318981,0.00008207634,0.00026870897,0.00007971489,0.00007480044,0.000007276987,0.00004771334,0.000018519206],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035993176,0.00017208526,0.0023404188,0.0000087056915,0.00008117797,0.000053888954,0.06195527,0.000018321514,0.006202859,0.76930434,0.124763146,0.03506382],"study_design_scores_gemma":[0.0006269972,0.00030963306,0.016197342,0.000057436067,0.0002285338,0.000009742699,0.018482918,0.000071438466,0.0016312165,0.1731965,0.7884997,0.0006885156],"about_ca_topic_score_codex":0.00047376734,"about_ca_topic_score_gemma":0.0015574724,"teacher_disagreement_score":0.6677129,"about_ca_system_score_codex":0.0000123623995,"about_ca_system_score_gemma":0.000021333904,"threshold_uncertainty_score":0.15132959},"labels":[],"label_agreement":null},{"id":"W2229212060","doi":"","title":"Partage du visible : la place du spectateur dans quelques spectacles du FTA 2001 / Marie Brassard, Jimmy, créature de rêve; Gaétan Soucy, Théâtre UBU, Catoblépas; Nadia Ross et Jacob Wren, Recent Experiences. Neuvième édition du Festival de Théâtre des Amériques, Montréal. 24 mai - 10 juin 2001","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009398682383522703,"score_gpt":0.20527555518978063,"score_spread":0.19587687280625793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2229212060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7529041,0.050405182,0.00025293004,0.15027696,0.0011264855,0.000770796,0.0005478569,0.00053041574,0.043185256],"genre_scores_gemma":[0.39372364,0.22812735,0.0013845415,0.006275519,0.003454898,0.00011870374,0.0009143736,0.00020814875,0.3657928],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921271,0.0022071202,0.0006891438,0.0014493706,0.0010460457,0.0024812021],"domain_scores_gemma":[0.99603677,0.0005709276,0.0006716217,0.0006512747,0.0007483639,0.0013210145],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015305631,0.0011125626,0.001088131,0.00033691764,0.003863172,0.0007534867,0.0013106783,0.0012515831,0.0050157243],"category_scores_gemma":[0.0005322247,0.0011135549,0.0006702322,0.002197749,0.0017163164,0.0020926062,0.0004603092,0.0011731442,0.00019789435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062288716,0.00093897444,0.02279966,0.00005449276,0.0005081633,0.011230392,0.0543973,0.0006459909,0.00067898596,0.016416196,0.88768405,0.0040228823],"study_design_scores_gemma":[0.0015560335,0.00029896587,0.009426867,0.00020170432,0.00060314976,0.0012504295,0.064383425,0.0018662297,0.00020233446,0.002910031,0.9160717,0.0012291278],"about_ca_topic_score_codex":0.18561536,"about_ca_topic_score_gemma":0.8678771,"teacher_disagreement_score":0.68226177,"about_ca_system_score_codex":0.010849504,"about_ca_system_score_gemma":0.00080607634,"threshold_uncertainty_score":0.99913144},"labels":[],"label_agreement":null},{"id":"W2232747712","doi":"10.25071/1708-6701.19538","title":"Le signe du lion: musique de Gilles Tremblay (CD Review)","year":2008,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02983742132985296,"score_gpt":0.2783935027236878,"score_spread":0.24855608139383484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2232747712","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021582795,0.8232167,0.0000382473,0.1210447,0.0007670601,0.0007643269,0.000026142088,0.00007117038,0.051913418],"genre_scores_gemma":[0.009276984,0.84513366,0.00051267433,0.09151284,0.0029640503,0.00015230665,0.00006173916,0.000030329158,0.050355423],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99570084,0.0014081394,0.0009436398,0.00069648534,0.00033716293,0.0009137428],"domain_scores_gemma":[0.9976419,0.00020619092,0.0005259727,0.00059052464,0.00051581836,0.0005195922],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015568073,0.0004731738,0.0014809627,0.00005977711,0.0009646456,0.00005163036,0.00080977904,0.00045057273,0.0019542237],"category_scores_gemma":[0.0010699255,0.00040478545,0.0010043427,0.0018918822,0.00080038817,0.00045647236,0.00011325491,0.0005925218,0.00062609365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000857663,0.0003825918,0.0007966198,0.019900328,0.00022023992,0.00065886375,0.003824172,0.0000033183953,0.00023616868,0.09270273,0.8470988,0.034167543],"study_design_scores_gemma":[0.00016651943,0.000093321585,0.0003880579,0.01870525,0.0007032611,0.0005832749,0.00012971449,0.000010008567,0.000028013252,0.00090867997,0.97778726,0.0004966183],"about_ca_topic_score_codex":0.00073988887,"about_ca_topic_score_gemma":0.001420017,"teacher_disagreement_score":0.13068843,"about_ca_system_score_codex":0.00029475725,"about_ca_system_score_gemma":0.0006014242,"threshold_uncertainty_score":0.9998404},"labels":[],"label_agreement":null},{"id":"W2233864509","doi":"10.1522/24133279","title":"Analyses microtextuelles de trois pieces d'Eugene Ionesco /","year":2005,"lang":"fr","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.05309895208523494,"score_gpt":0.33279369171231754,"score_spread":0.2796947396270826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2233864509","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014311654,0.08523003,0.00041834635,0.016940044,0.0016423124,0.00053518714,0.00018960248,0.0002484057,0.8804844],"genre_scores_gemma":[0.025380656,0.0069690845,0.0037169904,0.011487337,0.008726968,0.000033093598,0.00032387738,0.000042190273,0.9433198],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99572265,0.00073201495,0.00081961945,0.0009683795,0.00067256414,0.0010847669],"domain_scores_gemma":[0.9979202,0.00025228606,0.0004990799,0.00043329294,0.00041445892,0.0004806414],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00062310084,0.00075656467,0.0012025367,0.0002570654,0.0013838239,0.00048181394,0.001046843,0.001351502,0.015776254],"category_scores_gemma":[0.000095635034,0.0005689221,0.0013043112,0.0010082632,0.00142806,0.00047130138,0.0001434818,0.00067153294,0.0016986238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059918384,0.00065375946,0.001314013,0.00021876278,0.0037876302,0.00010806408,0.013117494,0.00035879528,0.0076647834,0.20353521,0.6674478,0.10173375],"study_design_scores_gemma":[0.00021562573,0.00007541237,0.00043174077,0.000104742554,0.0015662957,0.000012306135,0.002381543,0.000100986275,0.00049813127,0.0031139024,0.9906894,0.0008099165],"about_ca_topic_score_codex":0.0052752416,"about_ca_topic_score_gemma":0.05602096,"teacher_disagreement_score":0.3232416,"about_ca_system_score_codex":0.0006104215,"about_ca_system_score_gemma":0.0008165856,"threshold_uncertainty_score":0.9999449},"labels":[],"label_agreement":null},{"id":"W223593120","doi":"","title":"Blindness : Le côté sombre de l’âme L’aveuglement — Canada / Brésil / Japon 2008, 118 minutes L’aveuglement — Canada / Brésil / Japon 2008, 118 minutes","year":2008,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Blindness; Humanities; History; Art; Medicine; Optometry","score_opus":0.02018627022566482,"score_gpt":0.23728743617371756,"score_spread":0.21710116594805273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W223593120","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45965126,0.09687815,0.000034810422,0.37708673,0.008828849,0.0016907102,0.0015585338,0.00018934505,0.054081626],"genre_scores_gemma":[0.8516655,0.0037481738,0.0007901285,0.011114573,0.0035230992,0.00024621194,0.00039538546,0.000088382745,0.12842858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9904083,0.0015557486,0.0016070805,0.0016599384,0.0017296958,0.0030392075],"domain_scores_gemma":[0.9950858,0.00079019717,0.00094805,0.0009030576,0.00085490226,0.0014179993],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013964985,0.0011847453,0.0014877502,0.00022602458,0.0031147709,0.0003729318,0.0019462812,0.00082397176,0.0019872878],"category_scores_gemma":[0.00048709405,0.0011479544,0.000573469,0.0022597832,0.0016053235,0.00082214456,0.00028943556,0.0011024812,0.000044538257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093344126,0.0006095912,0.020476636,0.00047519026,0.00084158324,0.0028150843,0.014595131,0.0007645512,0.0010014563,0.010226474,0.9423129,0.005788086],"study_design_scores_gemma":[0.0011519059,0.000254863,0.010952522,0.00053858577,0.00056365324,0.00041655393,0.017176514,0.0006132841,0.0017460728,0.0012893473,0.96364486,0.0016518345],"about_ca_topic_score_codex":0.99440086,"about_ca_topic_score_gemma":0.9994577,"teacher_disagreement_score":0.3920142,"about_ca_system_score_codex":0.003190685,"about_ca_system_score_gemma":0.013842666,"threshold_uncertainty_score":0.99909705},"labels":[],"label_agreement":null},{"id":"W2236508741","doi":"10.25071/1923-9408.25535","title":"Une glace sans tain: the hom(m)eostasis of misogynistic desire","year":2004,"lang":"fr","type":"article","venue":"Tessera","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology; Psychology","score_opus":0.029310339205286723,"score_gpt":0.2848101529994818,"score_spread":0.25549981379419506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236508741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6669225,0.07378812,0.00017129348,0.20706627,0.0020745518,0.0005642755,0.00013289925,0.00010214362,0.04917797],"genre_scores_gemma":[0.9796179,0.0007377251,0.00028480674,0.005870425,0.00066887744,0.000013901625,0.000018187886,0.000012536351,0.012775647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998208,0.00028755274,0.0003468733,0.00030791634,0.00036456116,0.00048512302],"domain_scores_gemma":[0.998838,0.00023668152,0.00021223529,0.00031310972,0.00026840798,0.000131541],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003992563,0.00022414571,0.00037141386,0.00003493301,0.0007773444,0.00011585412,0.0005382683,0.00025327524,0.00081835623],"category_scores_gemma":[0.00018076722,0.00014738561,0.00027298243,0.0016573621,0.0013600299,0.0002252174,0.000051282743,0.00029105527,0.0001268168],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044596894,0.0005548028,0.0012397382,0.00018722782,0.00046063433,0.000057619614,0.059560332,0.0005176196,0.0010769146,0.89379096,0.011732366,0.030777209],"study_design_scores_gemma":[0.0015554042,0.0004674008,0.016518636,0.00042911372,0.0020134014,0.000027285743,0.053936075,0.00010857704,0.0023364422,0.2528845,0.6687062,0.0010169524],"about_ca_topic_score_codex":0.007891244,"about_ca_topic_score_gemma":0.00655752,"teacher_disagreement_score":0.65697384,"about_ca_system_score_codex":0.00012646445,"about_ca_system_score_gemma":0.0002268199,"threshold_uncertainty_score":0.9987153},"labels":[],"label_agreement":null},{"id":"W2237686633","doi":"","title":"Larguer les amarres. Canada [Québec], 1999, 50 minutesCanada [Québec], 1999, 50 minutes","year":2000,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Geography","score_opus":0.012520942033827255,"score_gpt":0.22464146271089053,"score_spread":0.21212052067706327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2237686633","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15217097,0.26545605,0.000004653779,0.4771396,0.0023629926,0.0005242601,0.00049843034,0.00014363023,0.10169943],"genre_scores_gemma":[0.35157755,0.0042509898,0.0005596469,0.013241745,0.0038222016,0.0001023573,0.00013693515,0.00006468993,0.6262439],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942495,0.0010667355,0.0009342957,0.0011350695,0.0008922342,0.0017221316],"domain_scores_gemma":[0.9970156,0.00078653987,0.00038439228,0.00062968046,0.00027895306,0.0009048406],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007805139,0.00076752243,0.0009976629,0.00012616775,0.0016554178,0.00040184672,0.0014835403,0.00078847713,0.015689228],"category_scores_gemma":[0.00030170914,0.0006961055,0.0005175308,0.0014856402,0.0017162072,0.00068362575,0.00009825998,0.00094660354,0.00019133798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045831253,0.00016075489,0.018096514,0.00022207326,0.00044285908,0.0005566892,0.008116841,0.00020102503,0.00018837118,0.0030864817,0.8751707,0.09371183],"study_design_scores_gemma":[0.00033918553,0.00008380676,0.007698016,0.00033421328,0.00044536576,0.00010732777,0.003706836,0.00015225486,0.000089852416,0.00057810615,0.9855415,0.00092350936],"about_ca_topic_score_codex":0.9993858,"about_ca_topic_score_gemma":0.9999252,"teacher_disagreement_score":0.5245445,"about_ca_system_score_codex":0.0013571179,"about_ca_system_score_gemma":0.0053561716,"threshold_uncertainty_score":0.9996443},"labels":[],"label_agreement":null},{"id":"W2238287550","doi":"10.4000/critiquedart.19254","title":"Marc Dachy, Il y a des journalistes partout. De quelques coupures de presse relatives à Tristan Tzara et André Breton","year":2015,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.048916479885401584,"score_gpt":0.350711458836903,"score_spread":0.3017949789515014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2238287550","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48303807,0.17001845,0.0008317364,0.09765713,0.0015041329,0.0006437282,0.00043373212,0.00029594096,0.24557707],"genre_scores_gemma":[0.81831646,0.00927403,0.001949766,0.01256053,0.001755597,0.00008354856,0.00011377029,0.00004779887,0.15589847],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99506205,0.0025508034,0.0005170302,0.00046958472,0.00047395847,0.00092656753],"domain_scores_gemma":[0.99766344,0.00042517955,0.00023279745,0.00025121684,0.0006798226,0.00074756047],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0023515346,0.00037668523,0.00055840786,0.00009296811,0.00073177036,0.00087805546,0.00045480812,0.00055941305,0.00076037477],"category_scores_gemma":[0.0012875539,0.00032512535,0.0003357155,0.00054986204,0.0018625289,0.0014327843,0.00008268935,0.0007364631,0.00008197473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015805122,0.00043766724,0.0117527,0.00020413935,0.0002930731,0.0002669504,0.11538129,0.000041916846,0.0010038214,0.25616544,0.6125358,0.0017591775],"study_design_scores_gemma":[0.0005635886,0.00028690204,0.0034507166,0.00045727135,0.00038229983,0.00010483279,0.021030158,0.0001968138,0.0006216612,0.13535023,0.8370487,0.0005068219],"about_ca_topic_score_codex":0.001760589,"about_ca_topic_score_gemma":0.009327311,"teacher_disagreement_score":0.33527842,"about_ca_system_score_codex":0.0004296723,"about_ca_system_score_gemma":0.00067137246,"threshold_uncertainty_score":0.99992007},"labels":[],"label_agreement":null},{"id":"W2244099313","doi":"10.25071/1708-6701.40209","title":"When Music Sounds: Canadian Cello Music (CD Review)","year":2015,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cello; Art; Psychology; Art history; Piano","score_opus":0.06287703570844484,"score_gpt":0.2952773294219233,"score_spread":0.23240029371347848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2244099313","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010009273,0.7957542,0.000004976238,0.02978056,0.00090694096,0.0009588742,0.000031318417,0.00008568672,0.17147654],"genre_scores_gemma":[0.020298075,0.50668967,0.0008097996,0.39837185,0.0048576957,0.00038596123,0.0003156929,0.000066636254,0.06820464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997084,0.00068342104,0.0005504191,0.000501548,0.00036848194,0.00081208756],"domain_scores_gemma":[0.9973931,0.00006534118,0.00025818244,0.0005778327,0.00055683404,0.0011487156],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020683063,0.00028708874,0.00084095064,0.000090199246,0.00045292825,0.00014829183,0.0008009453,0.00022514301,0.0025353746],"category_scores_gemma":[0.0014703369,0.00023313626,0.00042829287,0.0010151844,0.00021676703,0.00032829703,0.00006224734,0.0003774941,0.0010089868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001165954,0.000019501138,0.00026470213,0.002121189,0.000043382828,0.000059089492,0.004087116,2.5486727e-7,0.000010426311,0.0052719368,0.9766723,0.011448949],"study_design_scores_gemma":[0.00009809295,0.00002342678,0.000087227054,0.004419755,0.0004316633,0.000022101913,0.0004501979,0.0000022890124,0.0000012986598,0.0017846028,0.9923555,0.00032382368],"about_ca_topic_score_codex":0.043248296,"about_ca_topic_score_gemma":0.4167794,"teacher_disagreement_score":0.3735311,"about_ca_system_score_codex":0.0005452219,"about_ca_system_score_gemma":0.00089827355,"threshold_uncertainty_score":0.99976885},"labels":[],"label_agreement":null},{"id":"W2253606861","doi":"10.25071/1708-6701.2973","title":"Opera Viva: The Canadian Opera Company: The First Fifty Years","year":2001,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Documentation; Visual arts; History; Art; Computer science","score_opus":0.03339282593754663,"score_gpt":0.293960621094154,"score_spread":0.2605677951566074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253606861","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04308129,0.28474414,0.0000040835585,0.4797805,0.0010943118,0.0017997903,0.000045422043,0.0000922696,0.18935817],"genre_scores_gemma":[0.6473046,0.09466197,0.0000683078,0.23152237,0.0024525875,0.00020032993,0.000050127852,0.000025815601,0.023713915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984265,0.0003687958,0.00025425275,0.00024655391,0.00020582265,0.00049808476],"domain_scores_gemma":[0.99897623,0.00010687897,0.000085211315,0.00042914777,0.0001594636,0.00024303953],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010939579,0.00014915515,0.00032941857,0.000026351066,0.0016956603,0.00032560332,0.0009838701,0.00012070298,0.0011986714],"category_scores_gemma":[0.0003514795,0.00007924731,0.00024159934,0.0008295104,0.0003142763,0.0001480605,0.000051569754,0.00035601426,0.00033261764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006259102,0.00005916402,0.011551995,0.00037548022,0.0002232426,0.00021492473,0.027742937,0.000026472457,0.00001540656,0.07790004,0.8408007,0.041083395],"study_design_scores_gemma":[0.00004950094,0.000007894387,0.0090421,0.00030229258,0.00012424304,0.000023279572,0.0004453292,0.000014456238,5.3523183e-7,0.00017681006,0.9896809,0.00013269656],"about_ca_topic_score_codex":0.09429408,"about_ca_topic_score_gemma":0.75983495,"teacher_disagreement_score":0.6655409,"about_ca_system_score_codex":0.0002281432,"about_ca_system_score_gemma":0.00026349453,"threshold_uncertainty_score":0.9997144},"labels":[],"label_agreement":null},{"id":"W2254197085","doi":"10.17742/image.onf.6-2.8","title":"Présentation du dossier-artiste dominic gagnon","year":2015,"lang":"fr","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"KISS (TNC); Art; Art history; Humanities; Computer science","score_opus":0.06363262902885768,"score_gpt":0.43826974766029814,"score_spread":0.37463711863144045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254197085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3934238,0.23616461,0.00019149932,0.23532069,0.03137465,0.000505373,0.000108532506,0.000073278745,0.10283758],"genre_scores_gemma":[0.9249923,0.007923992,0.004612719,0.0020365196,0.012558378,0.000021772983,0.00002529846,0.000025494935,0.04780351],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963714,0.0005995011,0.0011812091,0.00031826462,0.0009618687,0.00056779076],"domain_scores_gemma":[0.9651537,0.00026738847,0.0012282482,0.00015729245,0.03284122,0.00035214913],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts","scholarly_communication"],"category_scores_codex":[0.0014768583,0.00038500922,0.0007554758,0.00018966109,0.001421367,0.0037178437,0.00048465363,0.00015920452,0.00021721178],"category_scores_gemma":[0.004818245,0.00026879372,0.00056696765,0.0014427203,0.011093701,0.022879658,0.00012466202,0.0005411954,0.00016183744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017973465,0.00068280735,0.009493728,0.00015453469,0.0023284524,0.00040653336,0.13799316,0.00012144708,0.0020368756,0.10229431,0.71911025,0.025198177],"study_design_scores_gemma":[0.003120005,0.0004279103,0.013339432,0.00027579567,0.0014696774,0.0005266117,0.07961748,0.00008084045,0.00061746826,0.045266688,0.8546113,0.00064683944],"about_ca_topic_score_codex":0.00014254717,"about_ca_topic_score_gemma":0.0003218115,"teacher_disagreement_score":0.5315685,"about_ca_system_score_codex":0.00061922474,"about_ca_system_score_gemma":0.0002950531,"threshold_uncertainty_score":0.9999764},"labels":[],"label_agreement":null},{"id":"W2255428226","doi":"10.25071/0843-4182.29757","title":"Frédéric Boyer, Kids","year":2001,"lang":"fr","type":"article","venue":"LittéRéalité","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Mathematics education; Mathematics","score_opus":0.027227387176570188,"score_gpt":0.28271264202039803,"score_spread":0.25548525484382784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255428226","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21576715,0.17806968,0.00008618033,0.10378018,0.009402674,0.00039688457,0.000090995876,0.00028260716,0.49212366],"genre_scores_gemma":[0.33888945,0.0044667544,0.00032574567,0.01981587,0.00641482,0.00002721867,0.000056900946,0.000024922152,0.6299783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99699324,0.0005509613,0.00045745194,0.0005600161,0.00051396666,0.00092435046],"domain_scores_gemma":[0.9987197,0.00011180934,0.00015881688,0.00038674087,0.00020720686,0.00041572488],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005197858,0.00032297138,0.00044793767,0.000082044884,0.00075209286,0.00026274947,0.0005235154,0.0005391703,0.0066717486],"category_scores_gemma":[0.00011831639,0.0002718413,0.0004404679,0.0021630535,0.00071652426,0.0005933494,0.00008924831,0.00041525273,0.0016581198],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003992426,0.0005468794,0.016391406,0.00007527894,0.00040229154,0.00024275201,0.021716276,0.000013026985,0.00019893158,0.57962024,0.22725613,0.15349686],"study_design_scores_gemma":[0.00025288019,0.00007918858,0.003996449,0.000048236136,0.00021940096,0.000024552794,0.0031280357,0.00006996799,0.000016168477,0.024376446,0.9673942,0.00039450236],"about_ca_topic_score_codex":0.0054869354,"about_ca_topic_score_gemma":0.0024360383,"teacher_disagreement_score":0.74013805,"about_ca_system_score_codex":0.00014928094,"about_ca_system_score_gemma":0.000113921364,"threshold_uncertainty_score":0.99997336},"labels":[],"label_agreement":null},{"id":"W2255805589","doi":"","title":"L’art de sculpter la sensation. Berlinde De Bruyckere, Fondation DHC, Montréal. 30 juin – 13 novembre 2011Berlinde De Bruyckere, Fondation DHC, Montréal. 30 juin – 13 novembre 2011","year":2012,"lang":"fr","type":"article","venue":"ETC","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.017828193244948862,"score_gpt":0.2602114475512937,"score_spread":0.24238325430634486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255805589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71843594,0.08522617,0.010262209,0.06787117,0.0077352384,0.0030363065,0.0006593191,0.00081887416,0.105954796],"genre_scores_gemma":[0.6603013,0.0037215464,0.0043663993,0.021032594,0.0076428475,0.00027274288,0.001327007,0.00018697849,0.30114853],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99250716,0.0016860482,0.0012576602,0.0011156346,0.0011159966,0.0023175012],"domain_scores_gemma":[0.9960404,0.0005196557,0.0009010773,0.0006700075,0.00075471756,0.0011141154],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0025608973,0.0009458428,0.0009713972,0.00029994227,0.0014750443,0.00070569594,0.000680569,0.0019177723,0.009285093],"category_scores_gemma":[0.0004404457,0.0008991242,0.00076228956,0.0010041278,0.0006733508,0.0027095769,0.0002136106,0.0013917886,0.00475784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017388085,0.0013958011,0.023175463,0.0002155612,0.0008980481,0.000043207183,0.030877719,0.0007558896,0.0043880288,0.018419605,0.8665854,0.0530714],"study_design_scores_gemma":[0.0019648033,0.00015233917,0.076806,0.0001984932,0.0011584639,0.000071994895,0.0046469267,0.00460697,0.0009667507,0.0039316304,0.90410113,0.0013945221],"about_ca_topic_score_codex":0.05143652,"about_ca_topic_score_gemma":0.06113608,"teacher_disagreement_score":0.19519374,"about_ca_system_score_codex":0.0012166379,"about_ca_system_score_gemma":0.00083418767,"threshold_uncertainty_score":0.9998249},"labels":[],"label_agreement":null},{"id":"W225968658","doi":"","title":"Un hypocrite des plus véritables. Michel Gauthier, L’hypocrite, théâtre, Sudbury, Prise de parole, 2002, 100 p.Michel Gauthier, L’hypocrite, théâtre, Sudbury, Prise de parole, 2002, 100 p.","year":2003,"lang":"fr","type":"article","venue":"Liaison","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02374141045429099,"score_gpt":0.2772633911224269,"score_spread":0.2535219806681359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W225968658","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18967925,0.71197784,0.0007798809,0.01466386,0.0067171175,0.0029243713,0.000957764,0.0011110255,0.071188904],"genre_scores_gemma":[0.055819467,0.025521416,0.010929686,0.019855388,0.0041665924,0.00058369496,0.0003444854,0.0004918758,0.8822874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9789241,0.004923731,0.0030310093,0.0035413182,0.0024441292,0.007135703],"domain_scores_gemma":[0.9899364,0.0014414997,0.0014351092,0.0023678492,0.0016675933,0.00315156],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0046846927,0.0028787313,0.0032467663,0.00091636594,0.0040892498,0.0020804824,0.0031005496,0.0037137528,0.0073759975],"category_scores_gemma":[0.0028773753,0.002819415,0.002165852,0.006838722,0.0041457387,0.0033140094,0.0005945062,0.0038989296,0.0015949156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005926807,0.003028632,0.012876395,0.0008128425,0.0014894697,0.000892755,0.0107736485,0.00041162962,0.0028568706,0.011594559,0.942165,0.012505505],"study_design_scores_gemma":[0.0042092344,0.0006639128,0.0061006667,0.000893587,0.0028489258,0.00033819885,0.0054723863,0.0017116737,0.0033355071,0.01946237,0.9512358,0.0037277907],"about_ca_topic_score_codex":0.23999543,"about_ca_topic_score_gemma":0.0051619937,"teacher_disagreement_score":0.8110985,"about_ca_system_score_codex":0.0020932194,"about_ca_system_score_gemma":0.0023956206,"threshold_uncertainty_score":0.99918246},"labels":[],"label_agreement":null},{"id":"W2261658953","doi":"","title":"Performance, productivité et expérience dépressive / Marcelo Otero, L’Ombre portée. L’individualité à l’épreuve de la dépression, Montréal, Boréal, 2012, 376 pages","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.0160912187503204,"score_gpt":0.2261004355000604,"score_spread":0.21000921674974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2261658953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67721826,0.268423,0.000034699726,0.02963068,0.0012107521,0.00048846385,0.00015633505,0.00017281751,0.022665016],"genre_scores_gemma":[0.7908556,0.06194297,0.00055462454,0.0025196148,0.0014865766,0.000049852406,0.00010685382,0.00006111188,0.1424228],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99355954,0.002112886,0.00049188884,0.00094201276,0.0009509885,0.0019426632],"domain_scores_gemma":[0.9968131,0.0004462045,0.0006831357,0.00075713074,0.00032518103,0.0009752534],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0020339652,0.00072805234,0.0007890443,0.0002477242,0.002544244,0.00020327495,0.0010503561,0.0012099798,0.00078743976],"category_scores_gemma":[0.00021473772,0.00067868154,0.00047588474,0.0013326434,0.0012147543,0.0036268244,0.0007373736,0.0012782287,0.00022171739],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002166674,0.0009200318,0.027609108,0.00018455349,0.0006779952,0.000701994,0.069087885,0.0002285129,0.0021999476,0.019616982,0.8435973,0.03495903],"study_design_scores_gemma":[0.00080310187,0.000143561,0.043839782,0.00023514924,0.00079932483,0.0003554708,0.01674637,0.00018233997,0.0006033877,0.00045980196,0.9349677,0.0008640267],"about_ca_topic_score_codex":0.011105417,"about_ca_topic_score_gemma":0.017609715,"teacher_disagreement_score":0.20648001,"about_ca_system_score_codex":0.0025294703,"about_ca_system_score_gemma":0.00025802647,"threshold_uncertainty_score":0.99956644},"labels":[],"label_agreement":null},{"id":"W2263588705","doi":"10.7202/1034501ar","title":"La constellation Tzadik : 20 ans/20 disques","year":2016,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.04324424026881575,"score_gpt":0.2825428105658595,"score_spread":0.23929857029704377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263588705","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056071952,0.022274202,0.00029391178,0.033320982,0.0023403433,0.0005510393,0.00023126963,0.0003119561,0.88460433],"genre_scores_gemma":[0.8412192,0.00086010253,0.000029241348,0.0036832797,0.0023066723,0.00002031871,0.00006628931,0.00003051189,0.1517844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961026,0.001359072,0.0007011539,0.0007280561,0.0004416551,0.00066746323],"domain_scores_gemma":[0.99753314,0.0007498938,0.00043005755,0.00038050642,0.00056516804,0.00034125894],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009785744,0.00046280827,0.0006783566,0.0001463044,0.00053953246,0.00034405797,0.00046472417,0.000716599,0.0019511571],"category_scores_gemma":[0.00028479894,0.00031891392,0.0004533785,0.0007332516,0.002408884,0.001326413,0.00007033238,0.00025515532,0.00022150604],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003775964,0.00024875373,0.02002962,0.00015811328,0.0004710326,0.00010011411,0.047719587,0.0000012757102,0.0065645473,0.71308714,0.05526135,0.1563207],"study_design_scores_gemma":[0.00052903313,0.00008813084,0.0006097429,0.00042392555,0.00018046708,0.000016111435,0.0030694397,0.0000159543,0.00022791907,0.10015843,0.8941187,0.00056213397],"about_ca_topic_score_codex":0.0008501239,"about_ca_topic_score_gemma":0.0027908185,"teacher_disagreement_score":0.83885735,"about_ca_system_score_codex":0.00020689883,"about_ca_system_score_gemma":0.00027906237,"threshold_uncertainty_score":0.99992627},"labels":[],"label_agreement":null},{"id":"W2264319492","doi":"","title":"1er Festival de vidéomusique de Montréal","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013043981904995245,"score_gpt":0.19762731223580401,"score_spread":0.18458333033080876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2264319492","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.569395,0.18968894,0.00046206647,0.1843057,0.0014931329,0.00033585983,0.00008771867,0.00022497143,0.054006614],"genre_scores_gemma":[0.39678153,0.0073997797,0.002358789,0.009494176,0.0022083751,0.0000127925,0.000050831328,0.00004861489,0.58164513],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996932,0.00070678175,0.00023534948,0.0005075433,0.00047995412,0.0011383551],"domain_scores_gemma":[0.99797744,0.00012407331,0.00020969771,0.0003129771,0.00031171957,0.0010641116],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007332647,0.00036033118,0.00045716288,0.00012938808,0.0012143218,0.00009945714,0.00059804274,0.0006881334,0.0004564133],"category_scores_gemma":[0.00015150869,0.00036478188,0.00039974807,0.0009788732,0.00052009954,0.0005780019,0.00026543517,0.0005082887,0.00041656464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002508515,0.00029362531,0.004519541,0.00003909,0.00051649456,0.0042072143,0.03756438,0.00081748195,0.00072320784,0.12475373,0.7974964,0.028818008],"study_design_scores_gemma":[0.0008810987,0.00013857252,0.0015289636,0.000045357112,0.0005570788,0.0002853621,0.013335297,0.0010938289,0.00008373304,0.008812989,0.9727778,0.000459962],"about_ca_topic_score_codex":0.1300009,"about_ca_topic_score_gemma":0.44245616,"teacher_disagreement_score":0.5276385,"about_ca_system_score_codex":0.013112795,"about_ca_system_score_gemma":0.0004357272,"threshold_uncertainty_score":0.99988043},"labels":[],"label_agreement":null},{"id":"W2266184316","doi":"10.17742/image.onf.6-2.9","title":"Entretien avec Michèle Garneau et Dolorès Parenteau-Rodriguez","year":2015,"lang":"fr","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.07678997704713932,"score_gpt":0.43370153576085874,"score_spread":0.35691155871371943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2266184316","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26326182,0.264089,0.0001322725,0.33038974,0.01316546,0.00046346692,0.00023000014,0.000091573485,0.12817667],"genre_scores_gemma":[0.88704026,0.007132834,0.004096249,0.0038798302,0.0031294047,0.000017369677,0.000043012376,0.000029452685,0.094631605],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957138,0.0008147861,0.0012106001,0.00040167422,0.0010985308,0.00076064526],"domain_scores_gemma":[0.965796,0.0002694631,0.001160583,0.00021617084,0.032101985,0.0004558225],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0016148009,0.0004994074,0.0009376217,0.00021221038,0.0010772953,0.003943463,0.0007360196,0.00019149893,0.00027347816],"category_scores_gemma":[0.004800858,0.0003414635,0.0007156292,0.0012164254,0.012146823,0.019014386,0.0002237022,0.00083232805,0.00019764803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012741519,0.0007488975,0.0061491956,0.00012191163,0.0026832202,0.0003871485,0.3252858,0.00014334159,0.0013523418,0.13216594,0.52363527,0.0071994965],"study_design_scores_gemma":[0.0016798273,0.00027465372,0.002959836,0.00023384548,0.00090975506,0.00032780098,0.06501136,0.000041184157,0.00034604737,0.039434537,0.88822126,0.00055987906],"about_ca_topic_score_codex":0.00022818253,"about_ca_topic_score_gemma":0.0005874195,"teacher_disagreement_score":0.6237784,"about_ca_system_score_codex":0.0005715681,"about_ca_system_score_gemma":0.00035831626,"threshold_uncertainty_score":0.99990374},"labels":[],"label_agreement":null},{"id":"W2268944036","doi":"","title":"L’huître et le néant. Jean Barbe, Le travail de l’huître, Montréal, Leméac, 2008Jean Barbe, Le travail de l’huître, Montréal, Leméac, 2008","year":2009,"lang":"fr","type":"article","venue":"Contre-jour : Cahiers littéraires","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009316036794139901,"score_gpt":0.23218156344798546,"score_spread":0.22286552665384557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2268944036","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09368716,0.5235802,0.0005598923,0.25970206,0.002558824,0.0019550456,0.0007682644,0.00096260535,0.11622592],"genre_scores_gemma":[0.6278968,0.03389119,0.0009062628,0.024739973,0.0036359914,0.00013299791,0.00030434632,0.00022568011,0.3082668],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.985046,0.0036645986,0.00245124,0.0025636875,0.0016054775,0.00466896],"domain_scores_gemma":[0.9926425,0.00092705176,0.0012793514,0.001589912,0.00092002057,0.002641149],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0032189772,0.0021572514,0.0028820848,0.0006777819,0.0047486876,0.0016775602,0.0024748428,0.0028273116,0.0015728043],"category_scores_gemma":[0.0011798982,0.0020982483,0.0022846428,0.002933692,0.004021761,0.0028866485,0.00020420476,0.0031991,0.00040075238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055422756,0.0024515036,0.0010402208,0.0001390769,0.0014159612,0.00095115684,0.03464463,0.0009380349,0.0017949889,0.08967699,0.7181367,0.14825647],"study_design_scores_gemma":[0.006372755,0.0008257981,0.011417876,0.00043799626,0.0012917741,0.00017382363,0.04311003,0.0017979818,0.00061756134,0.01221239,0.91891116,0.0028308393],"about_ca_topic_score_codex":0.15875599,"about_ca_topic_score_gemma":0.27218387,"teacher_disagreement_score":0.5342096,"about_ca_system_score_codex":0.001144853,"about_ca_system_score_gemma":0.0034230198,"threshold_uncertainty_score":0.9993588},"labels":[],"label_agreement":null},{"id":"W2270900082","doi":"10.7202/902206ar","title":"Improviser ou interpréter Theatre Piece?","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.030043265506984402,"score_gpt":0.2845323011357723,"score_spread":0.25448903562878794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270900082","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15724933,0.00971709,0.00007694536,0.03297825,0.011902866,0.0006699165,0.00010361192,0.00029950408,0.7870025],"genre_scores_gemma":[0.8151876,0.0001268123,0.00007675026,0.012815064,0.0053254445,0.0000611296,0.00006337807,0.0000430006,0.16630088],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967218,0.0004395843,0.0007052796,0.0008381579,0.0004338384,0.00086132606],"domain_scores_gemma":[0.9977494,0.00020918321,0.00035935862,0.00061664084,0.0006264874,0.0004389259],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008188864,0.00055823324,0.00072113273,0.0001559339,0.0006452754,0.00059468456,0.0008544185,0.00087295554,0.003880918],"category_scores_gemma":[0.00020969698,0.00045308765,0.00065916555,0.0007771851,0.0017400676,0.0011233932,0.00013395672,0.0010198754,0.00045771486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041833227,0.00046814565,0.0077272616,0.0001965628,0.00057378877,0.00013789057,0.08607705,2.7268143e-7,0.013699344,0.6633344,0.060074247,0.16766919],"study_design_scores_gemma":[0.000386151,0.00010940971,0.0007713459,0.00011358162,0.00020358578,0.000020651647,0.0035751318,0.000037152528,0.0002752531,0.08285912,0.91099584,0.0006527451],"about_ca_topic_score_codex":0.0031135655,"about_ca_topic_score_gemma":0.010927611,"teacher_disagreement_score":0.85092163,"about_ca_system_score_codex":0.00007759325,"about_ca_system_score_gemma":0.0002732543,"threshold_uncertainty_score":0.9997921},"labels":[],"label_agreement":null},{"id":"W2274998977","doi":"","title":"Brutal comme le soleil dans les yeux. Robert Richard, Vers l’éblouissement. Gilles Tremblay et la musique contemporaine, Montréal, Nota Bene, Coll. Nouveaux essais Spirale, 2013, 193 pages","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.012212587459077297,"score_gpt":0.20666296052391628,"score_spread":0.19445037306483898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274998977","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30731955,0.14250074,0.00061313575,0.35737887,0.001693186,0.0011707792,0.00068769755,0.00041662782,0.1882194],"genre_scores_gemma":[0.75864875,0.043071162,0.0006250541,0.006424661,0.0006990002,0.000034542718,0.00036093945,0.00009013153,0.19004574],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949954,0.0015625205,0.00057481905,0.0010031806,0.0007201088,0.0011439406],"domain_scores_gemma":[0.99720216,0.00050947384,0.0006314028,0.0006365268,0.00038354035,0.00063690846],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000945653,0.0007789035,0.0010552987,0.0002513607,0.0027782083,0.00019631606,0.0010403012,0.00090472476,0.0003214643],"category_scores_gemma":[0.00012260758,0.00078049477,0.00079078384,0.0011481672,0.0010550288,0.0008979326,0.00047415777,0.0006882585,0.00013688332],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024208022,0.0007785318,0.005167183,0.00010234444,0.0010879122,0.00081055367,0.018167187,0.0008706987,0.0020735522,0.13381866,0.8194882,0.017393079],"study_design_scores_gemma":[0.0024131024,0.00026792436,0.00327539,0.00012946608,0.0006737231,0.00005190513,0.017561609,0.0012132792,0.00012394314,0.0009059479,0.97245896,0.0009247331],"about_ca_topic_score_codex":0.28392905,"about_ca_topic_score_gemma":0.8330957,"teacher_disagreement_score":0.5491667,"about_ca_system_score_codex":0.002217247,"about_ca_system_score_gemma":0.00020104085,"threshold_uncertainty_score":0.9994646},"labels":[],"label_agreement":null},{"id":"W2275691832","doi":"","title":"Programme de musique Arts-Études","year":2016,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; The arts; Art history; Musical; Visual arts","score_opus":0.04839701535411618,"score_gpt":0.30307123253347745,"score_spread":0.2546742171793613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275691832","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059765693,0.005882651,0.00054064335,0.2384704,0.0015385663,0.0002983255,0.000011921724,0.00019478667,0.693297],"genre_scores_gemma":[0.42464542,0.0003593251,0.0014513114,0.013958619,0.0016099702,0.00003060179,0.0000019146594,0.00000845431,0.5579344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982447,0.00022283451,0.00020070604,0.00029899884,0.00022084612,0.0008118993],"domain_scores_gemma":[0.9991853,0.00012117198,0.00007235177,0.00014471581,0.00016274197,0.00031368036],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053999905,0.00016234128,0.00020692039,0.000030856103,0.00038699436,0.0001513314,0.00025736797,0.0003021995,0.007153185],"category_scores_gemma":[0.0001487618,0.00008700006,0.00022550681,0.00045773105,0.00069307664,0.00039957446,0.000046176607,0.00010779993,0.00047235916],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005196042,0.00012543285,0.00085711456,0.0000110874735,0.00009186371,0.000012850475,0.0047989464,3.0825134e-7,0.00080241164,0.83232176,0.03392262,0.1270504],"study_design_scores_gemma":[0.00016139759,0.00006721316,0.00060862664,0.0000481348,0.00007857609,0.0000047839826,0.0023865125,0.00000834551,0.00022882601,0.03482363,0.9613823,0.00020163841],"about_ca_topic_score_codex":0.0010764851,"about_ca_topic_score_gemma":0.011877988,"teacher_disagreement_score":0.9274597,"about_ca_system_score_codex":0.00017289864,"about_ca_system_score_gemma":0.00020544222,"threshold_uncertainty_score":0.9937544},"labels":[],"label_agreement":null},{"id":"W2277579402","doi":"","title":"Images fantasmatiques / Bien dans sa peau de Johannes Zits, Pierre-François Ouellette art contemporain, 372, rue Sainte-Catherine Ouest, Local 216, Montréal, du 23 février au 30 mars 2002","year":2002,"lang":"fr","type":"article","venue":"Spirale : Arts &#8226; Lettres &#8226; Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Mars Exploration Program; Art history; Astrobiology; Physics","score_opus":0.022946932747399413,"score_gpt":0.2546900807241119,"score_spread":0.2317431479767125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2277579402","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38980615,0.12792173,0.0013234138,0.18755107,0.0074127945,0.0027177164,0.0010053291,0.0011491319,0.28111264],"genre_scores_gemma":[0.41642785,0.0073843715,0.00254449,0.03828548,0.009441217,0.00037989896,0.00020965817,0.00023428311,0.5250927],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98715234,0.0017494161,0.002191142,0.002714985,0.0023236508,0.0038684513],"domain_scores_gemma":[0.9946275,0.000700983,0.0012918785,0.0012320273,0.00085927354,0.001288358],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0032488413,0.001864528,0.002090584,0.0007542608,0.006442501,0.0020528324,0.0031667007,0.00092738814,0.009564244],"category_scores_gemma":[0.00078245765,0.001530356,0.0013355183,0.0034763587,0.014784207,0.003340322,0.0006338198,0.0011457462,0.002113065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006731813,0.0013188316,0.014844019,0.00023715482,0.00045936948,0.00064995314,0.034072526,0.0012052719,0.001493658,0.0076834504,0.9285694,0.009399086],"study_design_scores_gemma":[0.0012220165,0.001140693,0.0030164868,0.00053320907,0.00051990454,0.00017317562,0.017975384,0.0052839965,0.00053912675,0.0021288616,0.9652168,0.0022503135],"about_ca_topic_score_codex":0.019821234,"about_ca_topic_score_gemma":0.05849279,"teacher_disagreement_score":0.2439801,"about_ca_system_score_codex":0.0007952636,"about_ca_system_score_gemma":0.0004695031,"threshold_uncertainty_score":0.9994099},"labels":[],"label_agreement":null},{"id":"W2280929577","doi":"10.7202/902161ar","title":"La musique contemporaine s’est embrouillée","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03484385613681357,"score_gpt":0.2874071863780768,"score_spread":0.2525633302412632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280929577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2030557,0.010746091,0.0000784591,0.019929748,0.006858721,0.00085732306,0.00016107569,0.00044019264,0.7578727],"genre_scores_gemma":[0.82963854,0.00039349793,0.00013578036,0.012571559,0.0053264457,0.00011879297,0.00016982263,0.000085119005,0.15156043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99393266,0.0016325924,0.0012259921,0.0012589709,0.0007305094,0.0012192634],"domain_scores_gemma":[0.99545765,0.00083521765,0.00075241586,0.0009223774,0.0012287071,0.00080365065],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002503214,0.00091579783,0.0012909494,0.00028668443,0.0010206568,0.0007876586,0.0012080651,0.0018118265,0.002827425],"category_scores_gemma":[0.0012061147,0.0008309292,0.00087923044,0.0015738878,0.004151681,0.001491125,0.00019041757,0.0019645034,0.00040207975],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032814452,0.0004616844,0.0024186333,0.00018651049,0.00040434068,0.00033744323,0.052984383,5.7623885e-7,0.0067022177,0.8819677,0.029036937,0.025466733],"study_design_scores_gemma":[0.00084671396,0.00012841774,0.0012186463,0.00020165787,0.00022328491,0.00009200409,0.005318838,0.000036207,0.0001828814,0.08941251,0.90131706,0.0010217901],"about_ca_topic_score_codex":0.005261199,"about_ca_topic_score_gemma":0.019267203,"teacher_disagreement_score":0.8722801,"about_ca_system_score_codex":0.00013606189,"about_ca_system_score_gemma":0.00074813765,"threshold_uncertainty_score":0.999484},"labels":[],"label_agreement":null},{"id":"W2281011474","doi":"10.3138/jcs.49.1.73","title":"“Poet and Audience Actually Exist”: The Contact Poetry Reading Series and the Rise of Literary Readings in Canada","year":2015,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Scholarship; Literature; Perspective (graphical); American poetry; History; Sociology; Art; Visual arts; Philosophy; Linguistics; Law; Political science","score_opus":0.0363693115421835,"score_gpt":0.2770839096151511,"score_spread":0.2407145980729676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2281011474","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9282842,0.040208917,9.383818e-8,0.024637714,0.0003048575,0.00008119543,0.000011075658,0.000001239337,0.0064706774],"genre_scores_gemma":[0.99472654,0.0031569374,0.000024826588,0.0014918407,0.00014275686,0.0000017071411,1.5750724e-7,0.0000023148734,0.00045294783],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989516,0.00022904236,0.00029009106,0.00007820313,0.0002454604,0.00020556903],"domain_scores_gemma":[0.9987284,0.0004040079,0.000247774,0.00005821784,0.00035839636,0.00020320999],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011848918,0.00008498147,0.00032953458,0.00013271556,0.00036586265,0.00007521545,0.00017935023,0.000032654203,0.0000034651698],"category_scores_gemma":[0.0010540655,0.000041308773,0.000037416652,0.00043910922,0.00063307147,0.00032683797,0.000030047051,0.00017985849,8.5114955e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030898943,0.000008960049,0.10730461,0.00003864977,0.0006655197,0.00021832317,0.7419932,0.000004492984,0.00003479633,0.07574191,0.06813779,0.005542801],"study_design_scores_gemma":[0.0009640528,0.00014075315,0.047085807,0.00021819056,0.00019417466,0.00009548334,0.6891564,0.0000052971236,0.000018507595,0.011765513,0.25016707,0.00018875765],"about_ca_topic_score_codex":0.9385839,"about_ca_topic_score_gemma":0.9986228,"teacher_disagreement_score":0.18202929,"about_ca_system_score_codex":0.00028016782,"about_ca_system_score_gemma":0.0014038653,"threshold_uncertainty_score":0.28139567},"labels":[],"label_agreement":null},{"id":"W2282773764","doi":"","title":"L’intimité du spectacle selon Matteau / Michèle Matteau, Et les regrets aussi…, roman, Les Éditions l’Interligne, Ottawa, 2007, 168 p.","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007355206050281662,"score_gpt":0.20066234250066778,"score_spread":0.1933071364503861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2282773764","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36603153,0.09120683,0.0006040751,0.36759338,0.0026683498,0.00059436104,0.00040674792,0.00041925968,0.17047548],"genre_scores_gemma":[0.3233677,0.009189356,0.0016656148,0.0070854705,0.0020932558,0.000009897163,0.00028119248,0.00007912825,0.65622836],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996316,0.000528168,0.00051500497,0.00080853136,0.00060021534,0.0012320481],"domain_scores_gemma":[0.99787444,0.0002826879,0.00045684326,0.0004760409,0.00034998765,0.00056000997],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00090932054,0.00056236045,0.0006374589,0.000324269,0.0037888568,0.00018219533,0.0007978916,0.00082657277,0.007167472],"category_scores_gemma":[0.000067155335,0.00057212514,0.00065034576,0.0012829887,0.00090130966,0.00088822516,0.00029039034,0.00075419666,0.0011177947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066035325,0.00031313524,0.002356694,0.00004739245,0.0004047918,0.0016077048,0.0055064927,0.000048681075,0.0006321217,0.13618933,0.845325,0.0075026248],"study_design_scores_gemma":[0.00070367544,0.0001320161,0.010591947,0.0001365936,0.0006510566,0.00031038627,0.016687935,0.00015087165,0.00018137423,0.0021402647,0.9676325,0.00068137934],"about_ca_topic_score_codex":0.0418624,"about_ca_topic_score_gemma":0.5120396,"teacher_disagreement_score":0.4857529,"about_ca_system_score_codex":0.0034761112,"about_ca_system_score_gemma":0.000081109705,"threshold_uncertainty_score":0.999673},"labels":[],"label_agreement":null},{"id":"W2288596544","doi":"","title":"Next Floor, Court métrage de Denis Villeneuve, Phi Group, Montréal","year":2008,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, m&#233;dias, culture","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Group (periodic table); Art; Physics","score_opus":0.019674180318780682,"score_gpt":0.23750137166045474,"score_spread":0.21782719134167405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2288596544","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07527087,0.116294004,0.0006678814,0.0076405574,0.007924855,0.0018250052,0.00075303786,0.00072277285,0.78890103],"genre_scores_gemma":[0.15028901,0.026947482,0.007408973,0.11978072,0.010202982,0.00047287522,0.0009457013,0.0002196159,0.6837326],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9922849,0.0010625189,0.0011380778,0.0016794984,0.0012759179,0.0025590763],"domain_scores_gemma":[0.9962173,0.0002141883,0.0005931488,0.00095723884,0.00070992066,0.0013081752],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009686886,0.0012056126,0.0014682665,0.00017651501,0.003590527,0.0007752561,0.0014803866,0.0019723137,0.04678657],"category_scores_gemma":[0.00037862294,0.001041417,0.001083235,0.0025998491,0.001579908,0.0020889742,0.000284549,0.0019211684,0.0015713891],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011352251,0.00096181297,0.00055413874,0.00018252754,0.0007642841,0.00069139444,0.01467484,0.0002507431,0.010760636,0.029883966,0.9400282,0.0011339443],"study_design_scores_gemma":[0.00149459,0.00025063983,0.0005409241,0.00023712953,0.00096671423,0.00034468633,0.008089811,0.0012588361,0.00054926943,0.0036890537,0.98113257,0.0014457911],"about_ca_topic_score_codex":0.010261122,"about_ca_topic_score_gemma":0.002072366,"teacher_disagreement_score":0.112140164,"about_ca_system_score_codex":0.0006618254,"about_ca_system_score_gemma":0.00063972163,"threshold_uncertainty_score":0.9993233},"labels":[],"label_agreement":null},{"id":"W2293679567","doi":"","title":"Le Bonimenteur de vues animées : le cinéma muet entre tradition et modernité, Germain Laçasse, Paris / Québec : Méridiens Klincksieck / Nota Bene, 2000, 229 pages","year":2001,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018922055428452714,"score_gpt":0.2542735261714662,"score_spread":0.2353514707430135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2293679567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7412266,0.040494848,0.00019647472,0.1539729,0.0011901833,0.0008044399,0.0005039193,0.00036546311,0.061245177],"genre_scores_gemma":[0.9306176,0.01364024,0.000895324,0.0052919583,0.0023536184,0.00016726991,0.00032144968,0.00008175158,0.04663084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915098,0.0026046059,0.0013095256,0.0016071062,0.00084990624,0.002119037],"domain_scores_gemma":[0.9962234,0.00083902274,0.00086730905,0.00074848987,0.00044699718,0.0008747718],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019680718,0.0010378134,0.0013417457,0.0003298637,0.001966561,0.0010394031,0.0013441874,0.0012202872,0.0010774761],"category_scores_gemma":[0.0003337934,0.0010166223,0.00094444735,0.0018241763,0.0015216655,0.0020665375,0.00020001117,0.0013506096,0.00019003508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062723825,0.0047683073,0.13061677,0.0018252488,0.0025331161,0.0034031116,0.24076295,0.0027850792,0.0146044195,0.3541449,0.20797028,0.035958588],"study_design_scores_gemma":[0.0022391535,0.00075549836,0.04844452,0.0012910798,0.0013602715,0.00067380286,0.051385693,0.004818226,0.0023485506,0.023320444,0.86055595,0.0028068423],"about_ca_topic_score_codex":0.10483775,"about_ca_topic_score_gemma":0.32327205,"teacher_disagreement_score":0.6525856,"about_ca_system_score_codex":0.0007604645,"about_ca_system_score_gemma":0.002559156,"threshold_uncertainty_score":0.9999976},"labels":[],"label_agreement":null},{"id":"W2296027936","doi":"","title":"Frédéric, un Anti-Héros: L'analyse du Personnage Central de L'Éducation Sentimentale","year":2016,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Stupidity; Nihilism; HERO; Character (mathematics); Mental state; Action (physics); Philosophy; State (computer science); Psychoanalysis; Aesthetics; Sociology; Literature; Epistemology; Art; Psychology","score_opus":0.02084496466791461,"score_gpt":0.27661349767097143,"score_spread":0.2557685330030568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2296027936","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8049162,0.0024089876,0.00006304195,0.073287845,0.005262513,0.00027017706,0.00022620083,0.000052660027,0.113512345],"genre_scores_gemma":[0.9733276,0.00017026813,0.00009336236,0.0066047483,0.002464062,0.000009945966,0.000010195997,0.000010923498,0.017308928],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963698,0.00032874098,0.00026347197,0.0006386586,0.0005950704,0.001804271],"domain_scores_gemma":[0.99789035,0.0000524533,0.00016459692,0.00017785213,0.00027534305,0.0014394127],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010298616,0.0002344543,0.00027601732,0.00020884296,0.0038723722,0.0004927329,0.0008616814,0.00027437508,0.0034721387],"category_scores_gemma":[0.00021470645,0.00018996898,0.00026248887,0.0027598937,0.004126384,0.0012356004,0.000054101096,0.00017005182,0.0003311066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009568081,0.00032149296,0.21460372,0.0000385384,0.0003054581,0.00020173457,0.26329458,0.0000019960255,0.027636401,0.21497005,0.16551386,0.11310257],"study_design_scores_gemma":[0.00059005036,0.00005505799,0.12150509,0.00008893829,0.00047438985,0.000019318926,0.113768786,0.00012793273,0.0013345021,0.0040617166,0.7568717,0.0011025233],"about_ca_topic_score_codex":0.108208954,"about_ca_topic_score_gemma":0.16131392,"teacher_disagreement_score":0.5913578,"about_ca_system_score_codex":0.0048123947,"about_ca_system_score_gemma":0.0030055766,"threshold_uncertainty_score":0.99900794},"labels":[],"label_agreement":null},{"id":"W2298947187","doi":"10.1353/nef.2015.0067","title":"Incendies : Évoquer pour susciter l’imaginaire et montrer plutôt que dire","year":2015,"lang":"fr","type":"article","venue":"Nouvelles études francophones/Nouvelles etudes francophones","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02318344505646994,"score_gpt":0.2757011476682549,"score_spread":0.2525177026117849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298947187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5306687,0.26837677,0.00044071366,0.062870786,0.06291129,0.0027260862,0.00087150605,0.0013723543,0.069761805],"genre_scores_gemma":[0.86425066,0.019597188,0.0039411993,0.015071913,0.0072905887,0.00037061033,0.00024721344,0.00035411984,0.088876486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98498595,0.0032235517,0.0024666025,0.003011147,0.0028760629,0.0034366988],"domain_scores_gemma":[0.9915379,0.0013389928,0.00125459,0.0017117256,0.002179609,0.0019771461],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0029700298,0.0027184316,0.0032002206,0.00075135514,0.0029247322,0.0011772652,0.0027039445,0.0023922506,0.008081881],"category_scores_gemma":[0.0008343825,0.002391331,0.0017970427,0.004865267,0.0040356386,0.0027652578,0.0010115034,0.0030530817,0.0066404953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010754715,0.00362577,0.017732821,0.0011488678,0.002760328,0.000949526,0.36026436,0.0010805494,0.0017479047,0.031319745,0.5527344,0.025560277],"study_design_scores_gemma":[0.0040424494,0.00043261945,0.007993021,0.00085567654,0.0006399282,0.00008251849,0.19385068,0.0004543823,0.0005970053,0.0042038443,0.7836817,0.0031662069],"about_ca_topic_score_codex":0.023748815,"about_ca_topic_score_gemma":0.08408872,"teacher_disagreement_score":0.33358198,"about_ca_system_score_codex":0.0011145055,"about_ca_system_score_gemma":0.004409796,"threshold_uncertainty_score":0.99985963},"labels":[],"label_agreement":null},{"id":"W2299042749","doi":"","title":"Les chats de Will Rafuse","year":2010,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02576139416912479,"score_gpt":0.29617134611423696,"score_spread":0.2704099519451122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299042749","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5923614,0.0037475037,0.0000310032,0.07144579,0.0033988045,0.00010584547,0.000009927401,0.00008491627,0.32881483],"genre_scores_gemma":[0.6145963,0.00016840654,0.00063898414,0.006753682,0.002037421,0.0000051818624,0.000005099573,0.00000534594,0.3757896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885106,0.00014900131,0.00015090618,0.00023049042,0.0001789083,0.00043962078],"domain_scores_gemma":[0.99940026,0.000056576548,0.000058671845,0.00014652837,0.0001203264,0.00021764866],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003268371,0.00013391125,0.00017466366,0.00002951874,0.0005429074,0.00017448397,0.00027559622,0.0004086546,0.015608844],"category_scores_gemma":[0.00009294981,0.00009764196,0.00018322832,0.00042428245,0.00064482586,0.00041748845,0.000037309375,0.00038326514,0.00034642822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004982432,0.00015484032,0.0042762095,0.000014126996,0.00009406734,0.000014527546,0.01930344,0.000001592725,0.003948357,0.81976426,0.05818294,0.09424064],"study_design_scores_gemma":[0.00010457554,0.000023486491,0.0026823527,0.000007230175,0.000091122274,0.000004285341,0.0021938572,0.00007136139,0.00025828843,0.00853843,0.98585564,0.00016938367],"about_ca_topic_score_codex":0.008477686,"about_ca_topic_score_gemma":0.048871625,"teacher_disagreement_score":0.9276727,"about_ca_system_score_codex":0.00003519013,"about_ca_system_score_gemma":0.00007196326,"threshold_uncertainty_score":0.99812496},"labels":[],"label_agreement":null},{"id":"W2299563996","doi":"","title":"Tragique trajet du corps. Le tragique dans le théâtre québécois et canadien-français 1950-1989, de Stéphanie Nutting, The Edwin Mellen Press, 182 p.","year":2002,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.026353660310909594,"score_gpt":0.24716007991922098,"score_spread":0.22080641960831138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299563996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52873695,0.0451848,0.00015068609,0.19567525,0.0021743418,0.0011387432,0.00028889984,0.00025659578,0.22639373],"genre_scores_gemma":[0.89716995,0.0018592112,0.0003159369,0.023100914,0.0024096707,0.00015523874,0.000029373658,0.000047716225,0.074912004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99319166,0.0014920557,0.0009090069,0.0013655424,0.0010512621,0.0019904908],"domain_scores_gemma":[0.9973808,0.00052800134,0.00055004586,0.0006448358,0.00033125366,0.0005650918],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0027472565,0.00077708374,0.0008132995,0.00019225758,0.0071586096,0.0012488324,0.002455184,0.00050722517,0.0014804663],"category_scores_gemma":[0.0004191863,0.0005540248,0.00061629195,0.0019970273,0.0074769757,0.0018010451,0.00017752,0.00081188005,0.00006521376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019750849,0.00081840536,0.0070329206,0.00010340543,0.00026504538,0.0002827759,0.18016481,0.00120524,0.0013272417,0.39404652,0.40768215,0.0070517184],"study_design_scores_gemma":[0.0006405317,0.00037203482,0.003102514,0.00014895026,0.0002487671,0.000100895726,0.02759865,0.001968371,0.00076496124,0.0051167076,0.9589797,0.00095789845],"about_ca_topic_score_codex":0.6085959,"about_ca_topic_score_gemma":0.8951209,"teacher_disagreement_score":0.55129755,"about_ca_system_score_codex":0.00027492893,"about_ca_system_score_gemma":0.0011386541,"threshold_uncertainty_score":0.999788},"labels":[],"label_agreement":null},{"id":"W2299945390","doi":"","title":"No Ordinary Coming-of-age Drama","year":2006,"lang":"en","type":"article","venue":"Eureka street","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Project commissioning; Publishing; Media studies; Art history; Art; Visual arts; Advertising; History; Sociology; Engineering; Literature; Business","score_opus":0.017366789082672637,"score_gpt":0.27031096850703645,"score_spread":0.2529441794243638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299945390","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4391796,0.00084081886,0.000009694362,0.0010299215,0.0005249449,0.0001276098,0.00002641901,0.0000822322,0.5581788],"genre_scores_gemma":[0.96567464,0.000012376782,0.00034695165,0.0006686155,0.0009429693,0.0000044235503,0.000041663385,0.0000055786154,0.032302808],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905413,0.00012921747,0.00018032704,0.00017258021,0.0002293027,0.00023444141],"domain_scores_gemma":[0.9995368,0.000059172668,0.00008926962,0.00013317486,0.0001247326,0.000056816083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018068054,0.0000946947,0.0001836914,0.00004078037,0.00027407022,0.00006234224,0.00023333948,0.00011040757,0.000487479],"category_scores_gemma":[0.000058364956,0.00007431207,0.00012601902,0.00035250856,0.00024037984,0.00013077506,0.00003428936,0.00010638961,0.000065117085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058912043,0.00047895053,0.089674406,0.00004940513,0.00015401776,0.00018673971,0.006073762,0.0000343085,0.004949005,0.19808365,0.6939962,0.0062606405],"study_design_scores_gemma":[0.0002224797,0.000056725006,0.015221971,0.000015997732,0.000053126398,4.9532065e-7,0.0009956353,0.000011250952,0.00014205254,0.004321507,0.97879124,0.00016749518],"about_ca_topic_score_codex":0.0028679762,"about_ca_topic_score_gemma":0.008239199,"teacher_disagreement_score":0.52649504,"about_ca_system_score_codex":0.000020706215,"about_ca_system_score_gemma":0.000035916728,"threshold_uncertainty_score":0.5337553},"labels":[],"label_agreement":null},{"id":"W2300634057","doi":"","title":"Concert of Music Progressive quartet & West Coast Symphony at St. John's School - Vancouver, CA","year":2013,"lang":"en","type":"other","venue":"Goce Delchev University Repository (Goce Delčev University of Štip)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Art; Art history; Opera; Soul; History; Theology; Philosophy","score_opus":0.008867614807498496,"score_gpt":0.20030094388801142,"score_spread":0.19143332908051292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2300634057","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051787067,0.0024899116,0.000068180976,0.00019972105,0.0018824319,0.0012671222,0.0009536909,0.00039486808,0.940957],"genre_scores_gemma":[0.07780221,0.00056008354,0.00041125092,0.0001713521,0.00047751033,5.638401e-7,0.00024515446,0.00010157048,0.9202303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99636143,0.0006136665,0.00038008255,0.0009719629,0.000977706,0.0006951571],"domain_scores_gemma":[0.99600804,0.00013726865,0.0015625216,0.0007324851,0.0009617404,0.00059792143],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021122575,0.0005912163,0.0011917166,0.0005352069,0.001385638,0.000058970236,0.001553438,0.0012209978,0.0066967714],"category_scores_gemma":[0.000050869912,0.0006761928,0.00068862643,0.000980771,0.0023920715,0.00060690055,0.00046583422,0.0005534772,0.00014241693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023287504,0.0002781362,0.002544367,0.00022227112,0.0010182749,0.00065312587,0.0076096696,0.000017374563,0.00043291535,0.0011487886,0.98561233,0.00022988516],"study_design_scores_gemma":[0.0013867738,0.0001908288,0.0004357961,0.00038803957,0.0011203444,0.000014523214,0.057972815,0.000035102603,0.00009959333,0.000015450112,0.93756557,0.00077516417],"about_ca_topic_score_codex":0.04210231,"about_ca_topic_score_gemma":0.073917456,"teacher_disagreement_score":0.050363146,"about_ca_system_score_codex":0.0010789718,"about_ca_system_score_gemma":0.0010845651,"threshold_uncertainty_score":0.9999144},"labels":[],"label_agreement":null},{"id":"W2301805995","doi":"10.7202/1032699ar","title":"Neglected Canadian Orchestral Music","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Repertoire; Musical; Performance art; Visual arts; Art; Literature; History; Art history; Sociology; Aesthetics","score_opus":0.05801569301363827,"score_gpt":0.2724126167610948,"score_spread":0.21439692374745653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301805995","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.873929,0.00065027724,0.000037755504,0.0082493415,0.0070536197,0.00015604582,0.00004017431,0.00002680547,0.10985697],"genre_scores_gemma":[0.9912217,0.000003778947,0.00010501158,0.004002681,0.0016191339,0.000002906024,0.0000072968596,0.000010856065,0.0030266058],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984308,0.00023921962,0.0003454736,0.00014594421,0.0002446385,0.00059393287],"domain_scores_gemma":[0.99603605,0.000035108464,0.00016180184,0.00012995204,0.00090093684,0.002736178],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003597187,0.00013591627,0.00022639235,0.0009047012,0.0007500346,0.00027016504,0.0004060353,0.0001853457,0.0019122988],"category_scores_gemma":[0.0004931566,0.00012122199,0.00021933744,0.001223772,0.00032186386,0.00045692758,0.000006279805,0.00047398813,0.00007568822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029534709,0.00004351894,0.009273773,0.0000057981883,0.00045175775,0.0008743674,0.16306427,0.00021165676,0.0001868983,0.010125456,0.80831635,0.007416596],"study_design_scores_gemma":[0.00040703008,0.00018956067,0.006678561,0.00004847068,0.0001488124,0.0002633754,0.063175306,0.000019777879,0.000012336008,0.0020959873,0.9266909,0.00026988488],"about_ca_topic_score_codex":0.92324764,"about_ca_topic_score_gemma":0.99947846,"teacher_disagreement_score":0.118374534,"about_ca_system_score_codex":0.0012075377,"about_ca_system_score_gemma":0.008205103,"threshold_uncertainty_score":0.9990001},"labels":[],"label_agreement":null},{"id":"W2302972650","doi":"","title":"Balancing the dragon softly: formulating a pragmatic China policy for Canada","year":2013,"lang":"en","type":"article","venue":"Summit (Simon Fraser University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"China; Political science; History; Law","score_opus":0.0087181182970501,"score_gpt":0.22222983866693544,"score_spread":0.21351172036988533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302972650","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91064066,0.00013003436,0.00031426604,0.020763382,0.00039162795,0.0010670578,0.000044091466,0.00011333839,0.06653553],"genre_scores_gemma":[0.98388344,0.000007991986,0.00012751747,0.002165961,0.00035304227,0.0000043839905,0.000022062703,0.000006857465,0.013428748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989289,0.00012650329,0.000121134144,0.00019613992,0.0002191168,0.00040817488],"domain_scores_gemma":[0.9992569,0.00018892085,0.000113303475,0.00015439755,0.00015415753,0.00013232263],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00016705124,0.00012224184,0.00016366989,0.00009424361,0.0014550068,0.000142026,0.0004079076,0.00009096753,0.00016057082],"category_scores_gemma":[0.00022734256,0.00008876392,0.000117049996,0.00086209236,0.000104307386,0.00046936685,0.00005457023,0.00013776228,0.000008769176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054818112,0.00011934889,0.29181662,0.0001536225,0.0005293506,0.000040666222,0.009437789,0.00058579433,0.00007469084,0.24367225,0.4284598,0.025055246],"study_design_scores_gemma":[0.000455148,0.000030239973,0.003992008,0.000027880302,0.000116654184,4.959256e-9,0.11567827,0.0010941899,0.000037802798,0.0039032954,0.8743889,0.00027564386],"about_ca_topic_score_codex":0.7244597,"about_ca_topic_score_gemma":0.99254817,"teacher_disagreement_score":0.44592908,"about_ca_system_score_codex":0.00034143546,"about_ca_system_score_gemma":0.0005534274,"threshold_uncertainty_score":0.99984497},"labels":[],"label_agreement":null},{"id":"W2307448181","doi":"10.25071/1708-6701.2759","title":"A l'aventure! Musique de / music of Denis Gougeon (CD Review)","year":2007,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02971438419309375,"score_gpt":0.31061987333095237,"score_spread":0.2809054891378586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2307448181","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005479645,0.94530016,0.00015680218,0.018741796,0.0012417991,0.0010900543,0.00004251446,0.000044163644,0.02790307],"genre_scores_gemma":[0.01077976,0.8777198,0.0012975312,0.0863013,0.0022737803,0.000076587065,0.00006479836,0.000035767283,0.021450661],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953623,0.0010989562,0.0013631268,0.00063346105,0.00043212002,0.0011100365],"domain_scores_gemma":[0.9969915,0.00028343996,0.00093195034,0.00066970655,0.00060196954,0.00052140007],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0045883963,0.0004669604,0.0015924324,0.000088031484,0.00030002877,0.00004848009,0.0008485992,0.00055587123,0.0030385798],"category_scores_gemma":[0.0015630182,0.0004018204,0.0012560146,0.002356298,0.0005878734,0.00030850878,0.00012410832,0.00072493573,0.00024745136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023488694,0.00044082865,0.0013433959,0.07897972,0.00045031554,0.0004202823,0.006985121,0.0000021903406,0.0011803916,0.08134166,0.5220853,0.3067473],"study_design_scores_gemma":[0.0001497904,0.00008661603,0.00074477476,0.042747926,0.0018159022,0.00014984643,0.00021452601,0.0000053731474,0.00010159372,0.0013994206,0.95214885,0.00043536074],"about_ca_topic_score_codex":0.00066895824,"about_ca_topic_score_gemma":0.004270883,"teacher_disagreement_score":0.43006358,"about_ca_system_score_codex":0.0004816816,"about_ca_system_score_gemma":0.0003106809,"threshold_uncertainty_score":0.99984336},"labels":[],"label_agreement":null},{"id":"W2310443559","doi":"10.7202/902229ar","title":"Nashville ou Darmstadt : le masque mortuaire de la postmodernité","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.027549939669757207,"score_gpt":0.2875162661769564,"score_spread":0.2599663265071992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2310443559","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.330014,0.008436681,0.0001443028,0.01874118,0.0024171113,0.0004209853,0.000083538864,0.00026175578,0.6394805],"genre_scores_gemma":[0.86840045,0.00023723573,0.00015168231,0.008293944,0.0027983265,0.00006331817,0.000071512135,0.00005099033,0.11993252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99617773,0.0011023217,0.000620866,0.0007581904,0.00044517365,0.00089569733],"domain_scores_gemma":[0.9975945,0.00040071082,0.00036074585,0.00053747225,0.000599957,0.0005066494],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015861302,0.0005175004,0.00068881764,0.0001415597,0.0010198761,0.00061342784,0.0008035254,0.0011041297,0.0009513815],"category_scores_gemma":[0.0005962973,0.00047771083,0.00053938234,0.0007372306,0.002385874,0.00094359106,0.00011773345,0.0011294389,0.00010056123],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017672543,0.00036571082,0.0066150473,0.00010391184,0.0002719257,0.00021406684,0.049144365,0.0000020793127,0.011139155,0.89864135,0.016095616,0.017389096],"study_design_scores_gemma":[0.00052934367,0.000074961936,0.0026151387,0.00009835586,0.00016081508,0.000066197616,0.0067621707,0.000092411094,0.00045838658,0.17281206,0.8156385,0.0006916846],"about_ca_topic_score_codex":0.010582086,"about_ca_topic_score_gemma":0.0132710915,"teacher_disagreement_score":0.79954284,"about_ca_system_score_codex":0.00011256441,"about_ca_system_score_gemma":0.00093836465,"threshold_uncertainty_score":0.9999619},"labels":[],"label_agreement":null},{"id":"W2316248396","doi":"10.7202/1018558ar","title":"Le Chemin des savoirs, escale à Saint-Côme. Documentaire québécois de 80 minutes. Réalisation, captation, montage : Pierre-Alexandre Saint-Yves. Médiatrice du patrimoine vivant : Danielle Martineau. Musique : Jean- Simon Blanchet et Pierre-Alexandre Saint-Yves. Coordination, production et distribution : Centre du patrimoine vivant de Lanaudière (Cpvl), Saint-Côme, novembre 2012. Prix Mnemo, décembre 2012","year":2013,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"SAINT; Art; Humanities; Art history","score_opus":0.011289159952794241,"score_gpt":0.2394213208944975,"score_spread":0.22813216094170324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316248396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6347421,0.066359945,0.007399696,0.2824626,0.0015786341,0.00377487,0.0013508286,0.00089030026,0.0014410716],"genre_scores_gemma":[0.92938167,0.0125817945,0.0021236201,0.0035395066,0.0027695869,0.00052495964,0.0056905034,0.00020430639,0.04318406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9894514,0.0024197001,0.0022697248,0.002282516,0.00089497265,0.0026816798],"domain_scores_gemma":[0.9921273,0.0009621245,0.0019230669,0.0013168174,0.0026136572,0.0010570303],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0035141394,0.0016355636,0.0017389795,0.00048562084,0.0020117727,0.00074414385,0.0013484316,0.0022574351,0.0007774873],"category_scores_gemma":[0.0051555885,0.0016260386,0.00095092156,0.0029043534,0.001605985,0.004126999,0.0004827075,0.0022677064,0.0001629281],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005547991,0.0027094607,0.09563984,0.0018381611,0.00087377615,0.00042722875,0.05914775,0.01002833,0.012048355,0.008921497,0.7470278,0.060783006],"study_design_scores_gemma":[0.0043754294,0.000536614,0.05724898,0.0011292826,0.0011875815,0.00029288646,0.04716542,0.0083870115,0.0059630936,0.003836883,0.8667962,0.0030806188],"about_ca_topic_score_codex":0.35776493,"about_ca_topic_score_gemma":0.5950608,"teacher_disagreement_score":0.29463962,"about_ca_system_score_codex":0.005487805,"about_ca_system_score_gemma":0.0026345965,"threshold_uncertainty_score":0.99963915},"labels":[],"label_agreement":null},{"id":"W2316309866","doi":"10.7202/041606ar","title":"PAIEMENT, André, Les partitions d’une époque. Les pièces d’André Paiement et du Théâtre du Nouvel-Ontario (1971-1976), préface de Joël Beddows, Sudbury, Prise de parole, 2004, 2 vol., 279 et 353 p. FOURNIER-THIBAULT, Micheline, André Paiement (1950-1978). Avant tout un homme de son temps, Sudbury, Institut franco-ontarien / Prise de parole, 2004, 201 p.","year":2005,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","score_opus":0.021578499769369337,"score_gpt":0.2620237891118316,"score_spread":0.24044528934246226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316309866","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7776547,0.0419628,0.0043433537,0.14855717,0.0024529113,0.0049705813,0.0020511083,0.001066843,0.016940525],"genre_scores_gemma":[0.8969888,0.028373526,0.0071184915,0.012074176,0.0038388951,0.001411208,0.0012956425,0.0002823547,0.048616905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98353356,0.0033485016,0.003349014,0.0029104513,0.001873165,0.004985281],"domain_scores_gemma":[0.99156356,0.001007017,0.001994956,0.0016599557,0.0012854581,0.002489059],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0053549106,0.002787042,0.0028474403,0.0006411197,0.0038598706,0.0015635495,0.002590754,0.0020501881,0.0021035057],"category_scores_gemma":[0.0009418053,0.0026336496,0.0020755483,0.0015920594,0.0020774857,0.003105824,0.0005768417,0.0032605452,0.0001476921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0015605075,0.008411674,0.26046586,0.0012902629,0.004086056,0.0016692731,0.15078461,0.026605364,0.0011789266,0.026310876,0.49451515,0.02312144],"study_design_scores_gemma":[0.0024808082,0.00096584443,0.025086515,0.0018498338,0.0026388427,0.00034883618,0.008611614,0.0012700198,0.00086619525,0.0012646812,0.9516119,0.00300493],"about_ca_topic_score_codex":0.3206128,"about_ca_topic_score_gemma":0.9398799,"teacher_disagreement_score":0.6192671,"about_ca_system_score_codex":0.0049130307,"about_ca_system_score_gemma":0.0062589,"threshold_uncertainty_score":0.9994729},"labels":[],"label_agreement":null},{"id":"W2320388741","doi":"10.7202/902164ar","title":"Nos dissonances","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03899223121165925,"score_gpt":0.290920669509268,"score_spread":0.25192843829760875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320388741","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24141365,0.021218719,0.000031497606,0.026894785,0.0114343865,0.00048211718,0.00009738072,0.00024664873,0.6981808],"genre_scores_gemma":[0.8105984,0.00035959607,0.000080148435,0.007448856,0.005574216,0.000052537387,0.00005411413,0.000027103608,0.17580503],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99707174,0.00039185185,0.0006040108,0.00071147917,0.00045936796,0.0007615732],"domain_scores_gemma":[0.99793166,0.00026538887,0.0003723505,0.00044759648,0.0005980475,0.00038496192],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007814703,0.0004417756,0.00065334997,0.00010644352,0.00082367583,0.00045519008,0.00072845316,0.00069489627,0.0027177166],"category_scores_gemma":[0.00047254577,0.000375442,0.00049105135,0.0009558545,0.0021670274,0.0010692702,0.000077037774,0.00076415716,0.00033216932],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009439226,0.00021003898,0.0056165457,0.00007916643,0.00017481919,0.00006290969,0.036558725,1.9012504e-7,0.0037444585,0.8852307,0.024658851,0.04365415],"study_design_scores_gemma":[0.00024819793,0.00006107848,0.0028929268,0.00008894957,0.00012742604,0.000011915173,0.0027766242,0.000016511112,0.00018428836,0.118910044,0.8741682,0.00051380636],"about_ca_topic_score_codex":0.0032382275,"about_ca_topic_score_gemma":0.014067338,"teacher_disagreement_score":0.84950936,"about_ca_system_score_codex":0.000052066556,"about_ca_system_score_gemma":0.00028646947,"threshold_uncertainty_score":0.99986976},"labels":[],"label_agreement":null},{"id":"W2322432728","doi":"10.7202/016256ar","title":"Amélie Nadeau, Une passerelle entre le réel et l’imaginaire. L’univers musical dans les Chroniques du Plateau Mont-Royal de Michel Tremblay et L’Oratorio de Noël de Göran Tunström, Montréal, Imaginaire Nord, 2005, 148 p. (Droit au pôle.)","year":2007,"lang":"fr","type":"article","venue":"Recherches sociographiques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.028102311625610568,"score_gpt":0.30062253547781204,"score_spread":0.2725202238522015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322432728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79900956,0.033029288,0.002240102,0.13820557,0.0005059193,0.00060684653,0.0001276108,0.0006184947,0.025656609],"genre_scores_gemma":[0.9335947,0.04060581,0.006253851,0.006121491,0.0016252432,0.00006591856,0.00015751323,0.00014277679,0.011432702],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9914863,0.003125513,0.00086583383,0.0012160684,0.0006809446,0.0026253317],"domain_scores_gemma":[0.99641365,0.00087285164,0.0005195636,0.000524077,0.0005222157,0.0011476284],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.004968703,0.0010288407,0.0011039483,0.00041919603,0.0016031892,0.0005212179,0.0010836925,0.002238132,0.00018991138],"category_scores_gemma":[0.0003180608,0.0010435214,0.0014259085,0.0020304532,0.0029483843,0.0011272498,0.00018191965,0.002551878,0.000028496715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003263592,0.0022857115,0.23329118,0.00033581528,0.0022260179,0.00096127787,0.3956911,0.00016622106,0.009661205,0.03955523,0.3021209,0.013379001],"study_design_scores_gemma":[0.0034387186,0.0007450084,0.27384698,0.0009879874,0.0028922753,0.00018134968,0.15424661,0.0017944633,0.0070316605,0.056009937,0.4947375,0.0040874886],"about_ca_topic_score_codex":0.6372097,"about_ca_topic_score_gemma":0.7864656,"teacher_disagreement_score":0.24144448,"about_ca_system_score_codex":0.007759479,"about_ca_system_score_gemma":0.0027512556,"threshold_uncertainty_score":0.99976504},"labels":[],"label_agreement":null},{"id":"W2325388700","doi":"10.2307/27652792","title":"Irritation als narratives Prinzip: Untersuchungen zur Rezeptionssteuerung in den Romanen Milan Kunderas. By Doris Boden. Westostpassagen: Slawistische Forschungen und Texte. Literatur, Sprache, Kultur, vol. 4. Hildesheim: Georg Olms Verlag, 2006. 353 pp. Notes. Bibliography. Index. Tables. €48.00, paper.","year":2008,"lang":"de","type":"article","venue":"Slavic Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Doris (gastropod); Art; Art history; Index (typography); Humanities","score_opus":0.02333451267414678,"score_gpt":0.30021798170750685,"score_spread":0.2768834690333601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325388700","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010963318,0.9677555,0.000036888665,0.0075544515,0.0018249869,0.0032751856,0.0006811268,0.00017451434,0.007734009],"genre_scores_gemma":[0.07213685,0.90123224,0.0007985035,0.009733475,0.0018274544,0.00065380137,0.003064803,0.00012918394,0.010423658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9884371,0.002961864,0.00268083,0.0022448467,0.0017936138,0.0018817408],"domain_scores_gemma":[0.9946187,0.00049228285,0.0015715206,0.0012461934,0.0012903943,0.00078089966],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0024691175,0.0015318795,0.0025204292,0.00154836,0.0021396352,0.0011190617,0.0016325947,0.001329295,0.0029369674],"category_scores_gemma":[0.0006554212,0.0012742776,0.0013463785,0.017852442,0.0012487173,0.003193974,0.00027282318,0.0014511718,0.0006732881],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013148028,0.0009843324,0.035316985,0.0028348742,0.0031621796,0.0002579626,0.01739411,0.000018117858,0.0015823789,0.0010898138,0.9282678,0.00896001],"study_design_scores_gemma":[0.0012449578,0.0002412364,0.015316345,0.0042962297,0.0020161092,0.000027614846,0.0014572073,0.000027136864,0.000043176773,0.0009345574,0.9727234,0.0016720066],"about_ca_topic_score_codex":0.0050514922,"about_ca_topic_score_gemma":0.00768489,"teacher_disagreement_score":0.06652325,"about_ca_system_score_codex":0.00038244016,"about_ca_system_score_gemma":0.0004371471,"threshold_uncertainty_score":0.9999672},"labels":[],"label_agreement":null},{"id":"W2328483426","doi":"10.7202/902219ar","title":"Héritages","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.04102297709262988,"score_gpt":0.29063732455994656,"score_spread":0.2496143474673167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328483426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1676298,0.018609215,0.000033199194,0.028815592,0.010240948,0.00042882538,0.000075390526,0.00027912046,0.77388793],"genre_scores_gemma":[0.75631076,0.0002524275,0.00009593981,0.00902077,0.0053204778,0.00003758379,0.000050539402,0.000028317281,0.2288832],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99716884,0.00042902795,0.0005653512,0.0006675307,0.0004261759,0.0007430879],"domain_scores_gemma":[0.99792254,0.00024754126,0.00030343488,0.00047804465,0.000647132,0.00040131493],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008761849,0.00042662479,0.0006124099,0.00013094995,0.00077230134,0.00047147073,0.0006874408,0.00077585614,0.003364769],"category_scores_gemma":[0.0004957237,0.00037815972,0.0004834016,0.00090360385,0.00196274,0.0009679371,0.000081592865,0.0008382659,0.00039867774],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067015303,0.00019195411,0.0035270753,0.000079720296,0.0001943434,0.00008214842,0.035565462,1.7759044e-7,0.00524209,0.88662,0.04143022,0.027060114],"study_design_scores_gemma":[0.00025064804,0.000057133504,0.0012822057,0.0000655246,0.00013040847,0.0000161667,0.0033505654,0.000012994936,0.00018575959,0.13204564,0.8621126,0.0004903857],"about_ca_topic_score_codex":0.0027189725,"about_ca_topic_score_gemma":0.009240388,"teacher_disagreement_score":0.82068235,"about_ca_system_score_codex":0.000052675605,"about_ca_system_score_gemma":0.0002502202,"threshold_uncertainty_score":0.999867},"labels":[],"label_agreement":null},{"id":"W2328666149","doi":"10.7202/1015643ar","title":"CUMS Remembered","year":2013,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Affection; Acronym; Art; Sociology; Art history; Psychology; Psychoanalysis; Visual arts; Philosophy; Social psychology; Linguistics","score_opus":0.03156973286402622,"score_gpt":0.23428880359098073,"score_spread":0.2027190707269545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328666149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010424291,0.02724701,0.0000021279106,0.025832701,0.00039108252,0.00071272225,0.000017799677,0.000053731997,0.9353185],"genre_scores_gemma":[0.37560856,0.061830472,0.00031572388,0.16737117,0.0010226658,0.000009250119,0.00014887999,0.000021575232,0.39367172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990708,0.00018952256,0.00009158142,0.00018834711,0.00012945896,0.0003302428],"domain_scores_gemma":[0.99896425,0.000019651996,0.00005118182,0.00017977691,0.00020188578,0.00058323366],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017324601,0.00008553776,0.00020281789,0.00008050225,0.000624383,0.000060786057,0.00034127047,0.00008767489,0.018352235],"category_scores_gemma":[0.00007852736,0.000078920835,0.00013945081,0.0007310795,0.0001599304,0.00033060793,0.00001808021,0.00010693498,0.0013936419],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.7730962e-7,0.0000056881277,0.00047896008,0.00009889039,0.00003946973,0.00003720797,0.0012237515,1.3252146e-7,0.000005531664,0.032031957,0.94533855,0.020739473],"study_design_scores_gemma":[0.000045200944,0.0000042380952,0.0017072945,0.00016289337,0.00007704157,8.3736734e-7,0.001084922,0.0000011946569,1.5671343e-7,0.0002099797,0.996592,0.00011423336],"about_ca_topic_score_codex":0.42462528,"about_ca_topic_score_gemma":0.8029556,"teacher_disagreement_score":0.54164684,"about_ca_system_score_codex":0.0002921217,"about_ca_system_score_gemma":0.00050271756,"threshold_uncertainty_score":0.99938387},"labels":[],"label_agreement":null},{"id":"W2337194297","doi":"","title":"Clin d’oeil à Pierre Ayot / Pierre Ayot, Pierre Ayot hors cadre(s), commissaires : Madeleine Forcier, Jocelyne Lupien, Gaston St-Pierre, coordination Stéphane Aquin; Musée des beaux-arts de Montréal, 29 mars — 17 juin 2001. Épiphonie (oeuvres sonores). Galerie Graff, Montréal, 19 avril - 26 mai 2001","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.01691295561193195,"score_gpt":0.22405325241584864,"score_spread":0.20714029680391668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337194297","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38928202,0.53884006,0.0006353929,0.054854315,0.0025210336,0.0018752925,0.0011325746,0.00080592185,0.010053403],"genre_scores_gemma":[0.19064516,0.20386884,0.002969758,0.0073594614,0.0032712747,0.00022970147,0.0020327696,0.0004712039,0.58915186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9868878,0.0015693017,0.0017864369,0.002617387,0.0021807058,0.004958355],"domain_scores_gemma":[0.9918446,0.00059619546,0.0017055774,0.0016045421,0.0011992828,0.0030498197],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0022019835,0.0022255003,0.002493239,0.0011061797,0.0070874407,0.0006844873,0.0024870858,0.002254003,0.0070913457],"category_scores_gemma":[0.00048807773,0.0023466551,0.0017014808,0.00429579,0.0028199165,0.0028828837,0.0009806053,0.0021384428,0.00039776883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015203872,0.0015012883,0.00924691,0.00022096113,0.0013373444,0.005899139,0.007716571,0.002934435,0.0006724557,0.0018255576,0.8942343,0.07289063],"study_design_scores_gemma":[0.0051044445,0.001129163,0.009827874,0.00045134884,0.0024226685,0.0010122864,0.022544365,0.006848296,0.00010315731,0.0030819257,0.9449459,0.002528605],"about_ca_topic_score_codex":0.2587054,"about_ca_topic_score_gemma":0.8214912,"teacher_disagreement_score":0.5790984,"about_ca_system_score_codex":0.0113214655,"about_ca_system_score_gemma":0.00069107465,"threshold_uncertainty_score":0.99989384},"labels":[],"label_agreement":null},{"id":"W2340237799","doi":"","title":"Dom Juan_uncensored, Terre des Hommes, Théâtre La Chapelle, Montréal, du 23 octobre au 10 novembre 2012","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.00778946281152541,"score_gpt":0.17771514795054133,"score_spread":0.16992568513901593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2340237799","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38584372,0.35602102,0.00004510836,0.12445579,0.0013306957,0.0007622476,0.0002467222,0.00026445967,0.13103023],"genre_scores_gemma":[0.16111854,0.018701969,0.00039387518,0.0033442504,0.001403849,0.000021194865,0.00014691545,0.000052538566,0.8148169],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963324,0.00055429415,0.00037556497,0.0008019317,0.0005684939,0.0013673194],"domain_scores_gemma":[0.99764216,0.00025162444,0.00036045155,0.00051611103,0.00046275827,0.0007668906],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003270747,0.0006288527,0.000719425,0.00019250874,0.0028145823,0.00024056472,0.0008996739,0.000857867,0.005532254],"category_scores_gemma":[0.000068288566,0.00057706726,0.0006777032,0.0013530928,0.0013820067,0.001762073,0.0004259553,0.0005438975,0.003178403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000890627,0.00032091155,0.0016124882,0.00006854672,0.0005108831,0.0007459834,0.010234412,0.0000853868,0.0002857535,0.044134207,0.8844759,0.05743645],"study_design_scores_gemma":[0.0010517171,0.00013311185,0.0055599064,0.00011586463,0.0005930406,0.00016852586,0.015803726,0.00045820288,0.000015412017,0.0024201903,0.9729751,0.00070524804],"about_ca_topic_score_codex":0.21427786,"about_ca_topic_score_gemma":0.55570894,"teacher_disagreement_score":0.68378663,"about_ca_system_score_codex":0.0044702757,"about_ca_system_score_gemma":0.000171384,"threshold_uncertainty_score":0.99966806},"labels":[],"label_agreement":null},{"id":"W2342929361","doi":"","title":"IRL vs AFK. 15e édition du Carrefour international de théâtre, Québec, 22 mai au 12 juin 2014","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Philosophy","score_opus":0.005269948886722703,"score_gpt":0.1774474949373054,"score_spread":0.17217754605058272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2342929361","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29369527,0.014523731,0.0006234728,0.5519504,0.004262756,0.0002659064,0.00017334876,0.00017758123,0.13432756],"genre_scores_gemma":[0.46990195,0.0034245306,0.00024916825,0.0062150066,0.003392463,0.0000083457935,0.00016205432,0.000024572055,0.5166219],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976924,0.00047339726,0.00023029915,0.00047707563,0.0004571509,0.00066964683],"domain_scores_gemma":[0.9987323,0.00014999227,0.00026539143,0.0002488496,0.00022967848,0.0003737416],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048218103,0.00029161034,0.00035331637,0.00015371128,0.0014318858,0.00009771253,0.000639032,0.00042037226,0.003931812],"category_scores_gemma":[0.00009302672,0.00029319612,0.00040020407,0.0003795177,0.00039251288,0.0006286166,0.00019632406,0.00033217503,0.00064241386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010932368,0.00014369255,0.007657145,0.000020898358,0.00035644235,0.00024858516,0.005572343,0.00023633864,0.00019186622,0.116045296,0.848801,0.020617038],"study_design_scores_gemma":[0.0006231617,0.000088404675,0.0073766336,0.00004157342,0.0003815667,0.00007081814,0.0027872617,0.0016353945,0.00002689491,0.0028169272,0.98380345,0.00034788306],"about_ca_topic_score_codex":0.32433423,"about_ca_topic_score_gemma":0.89038956,"teacher_disagreement_score":0.5660553,"about_ca_system_score_codex":0.009585369,"about_ca_system_score_gemma":0.00021453475,"threshold_uncertainty_score":0.999952},"labels":[],"label_agreement":null},{"id":"W2343835674","doi":"","title":"L’oeuvre de Anne Claire Poirier / Coffret Anne Claire Poirier Québec, 1963-2003, 835 minutes","year":2005,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014163666762830578,"score_gpt":0.2543071685967702,"score_spread":0.24014350183393965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2343835674","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1953856,0.14426886,0.000037267964,0.5860626,0.0019201284,0.0005700493,0.0002696981,0.00024076209,0.07124502],"genre_scores_gemma":[0.61273175,0.0019255194,0.0022670908,0.020096675,0.007344716,0.00010151125,0.000113444396,0.00006976277,0.3553495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941096,0.0012846013,0.00094221794,0.001168882,0.00061839767,0.001876321],"domain_scores_gemma":[0.99685717,0.00037503958,0.0005360568,0.0006545112,0.0007023836,0.0008748482],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013152648,0.00077324617,0.0010321942,0.00019291058,0.0014703943,0.00049800985,0.0012772795,0.0013803992,0.0036103805],"category_scores_gemma":[0.0006632839,0.0006939099,0.00063401554,0.002786844,0.0025995655,0.0013696196,0.0001294326,0.001127685,0.0005001407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095148534,0.0004858961,0.025489485,0.00026081954,0.00051870727,0.0004842544,0.052049395,0.00028636502,0.0005278963,0.095342256,0.75953716,0.064922586],"study_design_scores_gemma":[0.00054837734,0.00020354708,0.010718393,0.00046800222,0.0005506107,0.00021805394,0.007632578,0.00076927413,0.00018829874,0.0034350608,0.97430813,0.0009596776],"about_ca_topic_score_codex":0.035645276,"about_ca_topic_score_gemma":0.31615588,"teacher_disagreement_score":0.56596595,"about_ca_system_score_codex":0.0008459914,"about_ca_system_score_gemma":0.0012917045,"threshold_uncertainty_score":0.999916},"labels":[],"label_agreement":null},{"id":"W2397364961","doi":"10.1093/ml/gcl103","title":"L'Ecriture de la critique musicale au temps de Berlioz. By Emmanuel Reibel.","year":2007,"lang":"fr","type":"article","venue":"Music and Letters","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Criticism; Literature; Ideology; Rhetorical question; Philosophy; Silence; Art; Aesthetics","score_opus":0.011407547300952106,"score_gpt":0.2720767390308361,"score_spread":0.260669191729884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2397364961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8719514,0.009817937,0.0011084654,0.094279185,0.001169518,0.00017189825,0.0000385496,0.00006531284,0.021397708],"genre_scores_gemma":[0.7554008,0.00036713222,0.0006234504,0.22314385,0.0041538845,0.000013754096,0.000031922136,0.000022782453,0.016242458],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973866,0.000609074,0.00028784355,0.0004525851,0.00026748778,0.0009964188],"domain_scores_gemma":[0.9988776,0.00036777556,0.000095450916,0.00017069165,0.000057452875,0.00043105116],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001500258,0.00028087874,0.00033342422,0.00007078254,0.00082968606,0.00026219685,0.00026220782,0.00057997747,0.00045780648],"category_scores_gemma":[0.00010663817,0.00025104496,0.00020288203,0.0005237352,0.001651549,0.0003141962,0.0000547079,0.00068467035,0.00002368755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029813571,0.00017970896,0.003855619,0.000097646145,0.00014286325,0.000273794,0.063314416,0.0000043541995,0.016216153,0.031744666,0.8600849,0.024056101],"study_design_scores_gemma":[0.000347828,0.00004310428,0.0045147403,0.00007383948,0.00021992416,0.000045391236,0.005811691,0.00001854336,0.0002697894,0.002654608,0.98562396,0.00037661384],"about_ca_topic_score_codex":0.006207652,"about_ca_topic_score_gemma":0.004697989,"teacher_disagreement_score":0.12886468,"about_ca_system_score_codex":0.00025559086,"about_ca_system_score_gemma":0.00010947005,"threshold_uncertainty_score":0.99999416},"labels":[],"label_agreement":null},{"id":"W2398429035","doi":"","title":"Le malheur des autres / Andrée Dahan, La jeune fille au luth, Laval, Trois, 2003, 262 p., 23 $. / Aki Shimazaki, Wasurenagusa, Montréal/Arles, Leméac/Actes Sud, 2003, 124 p., 17,95 $. / David Homel, L’analyste, traduit par Lori Saint-Martin et Paul Gagné, Montréal/Arles, Leméac/Actes Sud, 2003, 390 p., 29,95 $.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01105269174751861,"score_gpt":0.19641390478175477,"score_spread":0.18536121303423617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2398429035","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33034167,0.63271964,0.00015457005,0.019782921,0.0020785613,0.0017066475,0.002956778,0.0006154702,0.009643776],"genre_scores_gemma":[0.22481687,0.37170094,0.00314435,0.001993442,0.0014403351,0.00018768893,0.0020893177,0.0004856442,0.3941414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9832732,0.0052662063,0.002083186,0.0029437924,0.0020848582,0.0043487772],"domain_scores_gemma":[0.98974556,0.0009125767,0.0024062044,0.0019448849,0.002749752,0.002241032],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0035196533,0.0024902339,0.0033105016,0.0008735356,0.0068872836,0.0012613457,0.0022881262,0.0021913555,0.0016284307],"category_scores_gemma":[0.0026282296,0.0024600886,0.0014154435,0.00924607,0.0026046531,0.0037894035,0.00060272054,0.002398448,0.0006482451],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065614143,0.0017218569,0.022531932,0.00034704313,0.0036867573,0.0027535197,0.012982931,0.0022011525,0.000829562,0.03638072,0.90753067,0.0083777215],"study_design_scores_gemma":[0.0043880725,0.0006160723,0.0050859503,0.00045409697,0.0040569627,0.0004267994,0.030372452,0.0009449155,0.00049443066,0.0020851786,0.9482499,0.0028252068],"about_ca_topic_score_codex":0.38539985,"about_ca_topic_score_gemma":0.86854196,"teacher_disagreement_score":0.4831421,"about_ca_system_score_codex":0.0073791845,"about_ca_system_score_gemma":0.0016629335,"threshold_uncertainty_score":0.9999031},"labels":[],"label_agreement":null},{"id":"W2399945939","doi":"","title":"De la distorsion dans la musique du monde. Congotronics de Konono no 1. Crammed disc, 2004 Konono no 1. En spectacle au Spectrum, dans le cadre du Festival de jazz de Montréal, 7 juillet 2006","year":2006,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Spectacle; Humanities; Political science","score_opus":0.006850588102094295,"score_gpt":0.22910071889921102,"score_spread":0.22225013079711672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2399945939","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8020203,0.0047430834,0.00083622785,0.024987308,0.0011697253,0.0004411241,0.00016341385,0.00019996862,0.16543882],"genre_scores_gemma":[0.936453,0.0005374774,0.0012745623,0.0034117983,0.0063634478,0.00008113926,0.0000691169,0.00006067068,0.051748827],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99313074,0.0016386921,0.00078869594,0.001221489,0.00077512837,0.0024452521],"domain_scores_gemma":[0.9975084,0.0006951678,0.00048513387,0.0004826402,0.00020782568,0.00062082784],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0028601864,0.0007703019,0.0007836368,0.00023797913,0.005008246,0.0012735116,0.0015471621,0.00067772093,0.0005735855],"category_scores_gemma":[0.0005624097,0.00066178606,0.0005997183,0.001271174,0.0077049304,0.0012849342,0.00029686806,0.0007455058,0.00013096853],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011748254,0.0015816739,0.35531294,0.00015044874,0.00019507155,0.00086046295,0.03995632,0.017163469,0.019168891,0.29376957,0.2708176,0.00090603105],"study_design_scores_gemma":[0.0012374767,0.00044876293,0.100291565,0.00021435625,0.0003683316,0.00023730882,0.010369465,0.0067424197,0.0011592989,0.0257012,0.8517278,0.0015020112],"about_ca_topic_score_codex":0.22338928,"about_ca_topic_score_gemma":0.21358618,"teacher_disagreement_score":0.5809102,"about_ca_system_score_codex":0.0025616845,"about_ca_system_score_gemma":0.002162763,"threshold_uncertainty_score":0.99976325},"labels":[],"label_agreement":null},{"id":"W2403008704","doi":"","title":"Ne tirez pas sur le pianiste","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cégep Limoilou","funders":"","keywords":"Political science","score_opus":0.009952000479173308,"score_gpt":0.17748225919237104,"score_spread":0.16753025871319774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2403008704","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5916238,0.049919162,0.000019481782,0.25414944,0.0031384423,0.0002239214,0.000074601405,0.00014151337,0.100709684],"genre_scores_gemma":[0.35684398,0.0023030138,0.00031476526,0.0037198388,0.0010817475,0.0000029174548,0.00003575646,0.000018742143,0.63567924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821544,0.00019134978,0.00017809651,0.00043453858,0.000320678,0.0006598991],"domain_scores_gemma":[0.9988154,0.000083786654,0.00017682152,0.00032391457,0.00020675779,0.00039329132],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002700885,0.0002535935,0.00034279164,0.00008293508,0.0018480486,0.00008929567,0.0005239985,0.0005191307,0.0016017723],"category_scores_gemma":[0.000047658104,0.000258023,0.00036448435,0.00082526164,0.00059616193,0.00054091937,0.00018519112,0.0005319177,0.0005942672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049303548,0.00023040883,0.0008129311,0.000027274658,0.00028177715,0.0010226768,0.006357368,0.000014480305,0.004282884,0.58557147,0.3387305,0.06261893],"study_design_scores_gemma":[0.00054413173,0.00005459011,0.001236132,0.000016241805,0.00028286438,0.000067750945,0.0027266054,0.00020012779,0.000094201176,0.0029042682,0.99154234,0.0003307644],"about_ca_topic_score_codex":0.06117253,"about_ca_topic_score_gemma":0.7350565,"teacher_disagreement_score":0.673884,"about_ca_system_score_codex":0.0013651178,"about_ca_system_score_gemma":0.00015586732,"threshold_uncertainty_score":0.9999872},"labels":[],"label_agreement":null},{"id":"W2403419513","doi":"","title":"Arthur Rimbaud, un Esprit du Voyant: L’analyse de Une Saison en Enfer","year":2016,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01626555824739136,"score_gpt":0.26482082767976406,"score_spread":0.2485552694323727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2403419513","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38956162,0.0040243864,0.00009757027,0.22336544,0.0033649353,0.00033422114,0.0002498863,0.000084889034,0.37891707],"genre_scores_gemma":[0.9622922,0.00031073825,0.000087884575,0.010321838,0.003127122,0.000014422154,0.000004633368,0.000015040887,0.023826154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99555004,0.00053234404,0.0003679154,0.0007858308,0.0007711751,0.001992671],"domain_scores_gemma":[0.9971127,0.00017416217,0.0001799512,0.00025935858,0.0004781519,0.0017956691],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0019980005,0.0003118098,0.00041362355,0.00027163068,0.0038085484,0.0005098511,0.0013409297,0.0005150886,0.0026939346],"category_scores_gemma":[0.0006956043,0.00023971248,0.00033244703,0.004739845,0.00546624,0.0011190401,0.000088388384,0.00031235427,0.000660153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000766375,0.00006279717,0.023399899,0.000010658322,0.000107720785,0.00013185255,0.038369544,9.094435e-7,0.0029554514,0.7337897,0.022645032,0.1785188],"study_design_scores_gemma":[0.00030998126,0.000045488945,0.020756679,0.00005140286,0.00021930812,0.000008607155,0.009365729,0.000033868688,0.00028532077,0.013721,0.95460874,0.0005938895],"about_ca_topic_score_codex":0.1641636,"about_ca_topic_score_gemma":0.6118175,"teacher_disagreement_score":0.9319637,"about_ca_system_score_codex":0.0028073175,"about_ca_system_score_gemma":0.0033469107,"threshold_uncertainty_score":0.99821776},"labels":[],"label_agreement":null},{"id":"W2408391880","doi":"10.71781/9466","title":"Le métier de premier assistant réalisateur au Québec contemporain","year":2015,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Humanities; Art","score_opus":0.05569273848763764,"score_gpt":0.3444573261349781,"score_spread":0.2887645876473405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2408391880","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5378276,0.0018183977,0.0000023294147,0.004127245,0.0009291468,0.00050201186,0.0001075648,0.000002776251,0.4546829],"genre_scores_gemma":[0.4768441,0.00001532727,0.00041500997,0.0006646518,0.0005855191,0.000052905572,0.000854575,0.00002076246,0.52054715],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686116,0.00080720114,0.00056028116,0.0006819723,0.00048664826,0.00060272205],"domain_scores_gemma":[0.998135,0.000099910634,0.00052754144,0.00029026996,0.0005238604,0.00042343265],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015658047,0.00038563233,0.00070003927,0.000065154985,0.0010631722,0.00084502314,0.001127785,0.0007574862,0.0036052105],"category_scores_gemma":[0.00028977214,0.0003246511,0.00028331924,0.00056856655,0.0004001543,0.00070893107,0.00010463075,0.00042944012,0.0007567504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003474618,0.00056406035,0.0064501814,0.000063657244,0.00091419165,0.000106653526,0.8313087,0.000016301177,0.0017835316,0.008044876,0.06626229,0.08413806],"study_design_scores_gemma":[0.00044204298,0.00006848795,0.0013427049,0.0001176745,0.00034781528,0.0000027222416,0.107654884,0.000027111091,0.0002042529,0.00075157674,0.88859093,0.00044979394],"about_ca_topic_score_codex":0.59459746,"about_ca_topic_score_gemma":0.9473401,"teacher_disagreement_score":0.8223286,"about_ca_system_score_codex":0.0010418771,"about_ca_system_score_gemma":0.011471377,"threshold_uncertainty_score":0.99992055},"labels":[],"label_agreement":null},{"id":"W2410456845","doi":"","title":"Bonbons assortis : l’enfance de Michel Tremblay au Théâtre français de Toronto","year":2007,"lang":"fr","type":"article","venue":"Liaison","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Michel foucault; Humanities; Political science; Law; Politics","score_opus":0.015555646858911433,"score_gpt":0.31265023220317156,"score_spread":0.29709458534426014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2410456845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6953307,0.061208747,0.00050986756,0.016702676,0.002753898,0.0002471916,0.000055485896,0.00013867937,0.22305277],"genre_scores_gemma":[0.8271552,0.00076655875,0.0010226382,0.007937095,0.0030468665,0.000014042636,0.00001662432,0.000022493346,0.1600185],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969751,0.000294042,0.00042650572,0.00049321464,0.0003977535,0.001413334],"domain_scores_gemma":[0.99867344,0.00019464486,0.00020250802,0.00029366178,0.00013626463,0.00049948995],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010879664,0.00031575665,0.00043279887,0.00003781143,0.00077694043,0.00016498422,0.0004701206,0.0007170415,0.001734247],"category_scores_gemma":[0.00017172778,0.0002868756,0.00040635274,0.00063164963,0.00042462195,0.0006132533,0.00005543036,0.00038796643,0.00020166342],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001418327,0.0008650538,0.25774452,0.00013423116,0.00059715624,0.000243454,0.27406293,0.000041223782,0.007324541,0.054630447,0.25220826,0.15200636],"study_design_scores_gemma":[0.00029700788,0.000105600484,0.14828497,0.00008288527,0.0003007777,0.000010575118,0.0075502903,0.00013827217,0.00092127244,0.0010276008,0.84086025,0.0004205262],"about_ca_topic_score_codex":0.17960887,"about_ca_topic_score_gemma":0.46607617,"teacher_disagreement_score":0.58865196,"about_ca_system_score_codex":0.001113731,"about_ca_system_score_gemma":0.00028245966,"threshold_uncertainty_score":0.99995834},"labels":[],"label_agreement":null},{"id":"W2416323825","doi":"","title":"Donigan Cumming, Kincora, Cinémathèque québécoise, Montréal, du 18 février au 18 avril 2010","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Mathematics","score_opus":0.008165658081205063,"score_gpt":0.18917558101493892,"score_spread":0.18100992293373386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2416323825","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6278182,0.07014086,0.000072336275,0.16102426,0.008718279,0.00058871385,0.00020165222,0.0003088894,0.13112676],"genre_scores_gemma":[0.2816738,0.008411652,0.0006933263,0.0057777795,0.0037418418,0.000017505045,0.00010276284,0.00007331175,0.699508],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99594045,0.00039030044,0.00047838147,0.0009718441,0.00072610023,0.0014929156],"domain_scores_gemma":[0.9969908,0.00021057412,0.0004946939,0.0007848242,0.0004910423,0.0010280779],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00066528545,0.0006674508,0.0008110137,0.00025926591,0.0036282171,0.0002340555,0.0011441854,0.0011927787,0.00641347],"category_scores_gemma":[0.00016408534,0.000659101,0.0007715228,0.0014361133,0.0012512165,0.0011885195,0.0004320009,0.0012401292,0.001262333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121803314,0.00032622885,0.003779918,0.000047939207,0.0004848743,0.001673273,0.012796159,0.000046436428,0.0021063555,0.13893563,0.82195026,0.017731115],"study_design_scores_gemma":[0.00089896284,0.00012232177,0.0029741586,0.000051569044,0.0007995234,0.00019256078,0.0055657346,0.00044878243,0.000091630034,0.003179574,0.9848608,0.00081440946],"about_ca_topic_score_codex":0.47004753,"about_ca_topic_score_gemma":0.9706232,"teacher_disagreement_score":0.56838125,"about_ca_system_score_codex":0.0041620913,"about_ca_system_score_gemma":0.00045955947,"threshold_uncertainty_score":0.99966073},"labels":[],"label_agreement":null},{"id":"W2416956467","doi":"","title":"Drama Queen Dreams / Eija-Liisa Ahtila, int. stage-day (int. scène-jour), DHC/ART, Montréal, 29 janvier - 9 mai 2010 / Eija-Liisa Ahtila, Where is Wher?, Fonderie Darling, 29 janvier - 9 mai 2010","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Queen (butterfly); Drama; INT; Humanities; Visual arts","score_opus":0.01322057656773769,"score_gpt":0.19905632104744939,"score_spread":0.18583574447971168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2416956467","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19368051,0.43690842,0.0004555078,0.16432653,0.014198681,0.003040569,0.0015895041,0.0004660601,0.18533419],"genre_scores_gemma":[0.022265706,0.060255196,0.0013626377,0.005015049,0.0021943387,0.00006194871,0.00031640072,0.00022099924,0.90830773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98882616,0.0016032385,0.0014871595,0.0026324054,0.0020063987,0.0034446663],"domain_scores_gemma":[0.9928547,0.0003350403,0.0015379095,0.002077211,0.0010703214,0.0021247934],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0018129929,0.0019477328,0.0022366852,0.0006591991,0.004586991,0.0008635069,0.0027930606,0.0028575086,0.085916355],"category_scores_gemma":[0.00018077518,0.0019300837,0.0019945279,0.0026352429,0.002438855,0.004490782,0.0012861508,0.002859858,0.0090077175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039630925,0.0008629943,0.0026476763,0.00012471068,0.001923917,0.0025211498,0.03895163,0.000040350256,0.00033182872,0.011589312,0.88036305,0.060247082],"study_design_scores_gemma":[0.002217131,0.00044718783,0.0017309022,0.00033663586,0.0022388583,0.00012865743,0.036497902,0.00037600368,0.00023371058,0.0031617917,0.9503994,0.0022318359],"about_ca_topic_score_codex":0.14707951,"about_ca_topic_score_gemma":0.55475926,"teacher_disagreement_score":0.7229735,"about_ca_system_score_codex":0.005574025,"about_ca_system_score_gemma":0.0005485308,"threshold_uncertainty_score":0.9994406},"labels":[],"label_agreement":null},{"id":"W2416991853","doi":"","title":"EM15 : Montréal électronique. Festival Elektra / Mutek, Montréal, du 27 mai au 1er juin 2014Festival Elektra / Mutek, Montréal, du 27 mai au 1er juin 2014","year":2014,"lang":"fr","type":"article","venue":"Spirale : arts • lettres • sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01763475591552504,"score_gpt":0.25016565869215107,"score_spread":0.23253090277662603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2416991853","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6617569,0.053527106,0.0005677277,0.17967093,0.016108384,0.0021733826,0.0003091397,0.0008694357,0.08501704],"genre_scores_gemma":[0.71324724,0.004522798,0.0021131784,0.022287592,0.02458019,0.00030766518,0.00022817298,0.00024745925,0.2324657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9844027,0.0020121525,0.0022013094,0.003335614,0.003027076,0.005021141],"domain_scores_gemma":[0.9937962,0.00095628,0.0013724529,0.0013774065,0.0009147933,0.0015828256],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0046654916,0.0020595281,0.0022724734,0.0007445255,0.008465009,0.0021794338,0.0032440508,0.001244686,0.003812544],"category_scores_gemma":[0.001018917,0.0016490843,0.0015239159,0.0030143566,0.009352258,0.0039436207,0.0007308546,0.0016331521,0.001690534],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018625654,0.001022996,0.025423942,0.00014386103,0.00039215438,0.000285893,0.008936505,0.0015713554,0.0024638942,0.049164604,0.90233415,0.008074398],"study_design_scores_gemma":[0.0016552643,0.001600834,0.012328984,0.00030643097,0.0007451076,0.00014112839,0.0037051155,0.0027203623,0.00049715204,0.01065641,0.9631488,0.0024944225],"about_ca_topic_score_codex":0.15538318,"about_ca_topic_score_gemma":0.4005164,"teacher_disagreement_score":0.2451332,"about_ca_system_score_codex":0.0013013553,"about_ca_system_score_gemma":0.0013345461,"threshold_uncertainty_score":0.99921465},"labels":[],"label_agreement":null},{"id":"W2418740548","doi":"10.21083/csieci.v10i2.3350","title":"Nora Sarmoria - Compositrice de l’instant et arrangeuse de talent","year":2016,"lang":"fr","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Improvisation; Folklore; Literature; Visual arts","score_opus":0.07430500883223384,"score_gpt":0.41007431758646107,"score_spread":0.3357693087542272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2418740548","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6544285,0.026171185,0.011479272,0.28822672,0.005518801,0.001956984,0.00040954162,0.00053763867,0.011271367],"genre_scores_gemma":[0.97347826,0.008110352,0.0035803884,0.0116976295,0.0015957676,0.00030898364,0.000036845882,0.00004716788,0.0011445857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9932794,0.0024745218,0.0010950766,0.00089777965,0.000710413,0.0015428022],"domain_scores_gemma":[0.9949998,0.00297036,0.00023250381,0.00034568293,0.0010104743,0.0004411617],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0033672557,0.0005632584,0.00076071644,0.00024789065,0.00076001964,0.00034702435,0.00047238567,0.0006614783,0.00019395763],"category_scores_gemma":[0.006751983,0.00045174276,0.00030493876,0.00086029165,0.0025491857,0.0020334627,0.00022287786,0.00058290357,0.00004391227],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000167177,0.00087337365,0.0033732408,0.0008246725,0.00029900772,0.00008017365,0.05950879,0.000013146164,0.035940792,0.8355395,0.0033261157,0.060053963],"study_design_scores_gemma":[0.009031948,0.0040144385,0.050416317,0.0055357176,0.0034022508,0.00015327871,0.17986986,0.003334284,0.017747672,0.36738425,0.35318586,0.0059241108],"about_ca_topic_score_codex":0.0021425753,"about_ca_topic_score_gemma":0.0040389765,"teacher_disagreement_score":0.4681553,"about_ca_system_score_codex":0.003923563,"about_ca_system_score_gemma":0.0005912652,"threshold_uncertainty_score":0.9999002},"labels":[],"label_agreement":null},{"id":"W2433501535","doi":"","title":"Conservatoire de musique et d'art dramatique du Québec","year":2016,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Art; Drama; Art history; Visual arts; Humanities","score_opus":0.01656739978530079,"score_gpt":0.26251403926553374,"score_spread":0.24594663948023296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2433501535","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1528945,0.0024406398,0.00066446885,0.60200596,0.00072098116,0.00015585324,0.000019947805,0.00011359292,0.24098405],"genre_scores_gemma":[0.4249094,0.0005308951,0.00038071533,0.087375626,0.00060243515,0.00002034181,0.000003932051,0.000009687114,0.48616692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979386,0.0007599505,0.00028626525,0.00031800027,0.00019815573,0.0004990404],"domain_scores_gemma":[0.998783,0.0004331587,0.000113878785,0.00018887513,0.00022075437,0.00026036514],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00065418007,0.00020586222,0.00028937528,0.000031827774,0.0004154043,0.00015355133,0.00031071834,0.00039557216,0.014900115],"category_scores_gemma":[0.00031247333,0.0001188832,0.00024724653,0.00037900268,0.0010244926,0.0005924397,0.000063511565,0.00017415542,0.0015728031],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008205146,0.00009206128,0.011724147,0.000016570653,0.00010486182,0.000022807159,0.014300916,7.135473e-7,0.00092692225,0.5541211,0.4089139,0.009767797],"study_design_scores_gemma":[0.00022758146,0.00004439759,0.0023055733,0.00008416975,0.00007978713,0.000013167317,0.0018431918,0.000028514303,0.0002210956,0.010227538,0.9846786,0.00024638415],"about_ca_topic_score_codex":0.08874651,"about_ca_topic_score_gemma":0.6024687,"teacher_disagreement_score":0.57576466,"about_ca_system_score_codex":0.0002814388,"about_ca_system_score_gemma":0.0012305089,"threshold_uncertainty_score":0.9992046},"labels":[],"label_agreement":null},{"id":"W2460886812","doi":"10.7202/1036120ar","title":"ECM+Génération2014 : pistes de réflexion sur la notion de style chez les compositeurs de la relève canadienne","year":2016,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03527337029577722,"score_gpt":0.32281224806279757,"score_spread":0.28753887776702036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460886812","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8611166,0.0029962363,0.00727199,0.02203485,0.00030714943,0.00037544005,0.000080238206,0.00021414441,0.105603375],"genre_scores_gemma":[0.93599474,0.005179216,0.009675322,0.013611879,0.0013885446,0.0001326189,0.00005229818,0.00008944957,0.03387592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.97314245,0.023997199,0.0005286634,0.0006488414,0.00028807865,0.0013947594],"domain_scores_gemma":[0.9869541,0.011280748,0.00038266944,0.0003508103,0.00028898756,0.0007426903],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.011351338,0.00052137586,0.00061344565,0.00015580944,0.0009495813,0.0003718982,0.00068140926,0.005055509,0.00032057904],"category_scores_gemma":[0.004207282,0.00046000825,0.00053831213,0.00078361836,0.0025755952,0.0005230537,0.00006393031,0.0026830288,0.00002185988],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001980644,0.00041740248,0.008160993,0.00024885806,0.00062327896,0.00019996356,0.27204904,0.00023680588,0.0783884,0.4802295,0.005532043,0.15371566],"study_design_scores_gemma":[0.0022612738,0.00027668505,0.017873596,0.0009023027,0.0014384909,0.0003581064,0.0419041,0.0013912882,0.008402366,0.36520228,0.558029,0.0019605046],"about_ca_topic_score_codex":0.23338348,"about_ca_topic_score_gemma":0.27228898,"teacher_disagreement_score":0.55249697,"about_ca_system_score_codex":0.015512605,"about_ca_system_score_gemma":0.0042536785,"threshold_uncertainty_score":0.9997852},"labels":[],"label_agreement":null},{"id":"W2464142640","doi":"10.7202/1036116ar","title":"De l’ONF à Télé-Québec : le parcours de Pierre F. Brault, compositeur de musique de film et de télévision","year":2016,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Art; Humanities","score_opus":0.04106731596760383,"score_gpt":0.3568832728178199,"score_spread":0.3158159568502161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2464142640","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7577118,0.009321215,0.033475075,0.06976062,0.00044022128,0.00074164674,0.00013705199,0.0004656289,0.12794673],"genre_scores_gemma":[0.7809532,0.012633314,0.033785373,0.11621198,0.0022531422,0.00030813093,0.000059436097,0.00021720785,0.05357819],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9671313,0.027740482,0.000809136,0.0010566668,0.00051553576,0.0027468565],"domain_scores_gemma":[0.98751014,0.0094589535,0.0005318275,0.00067153276,0.00034046455,0.0014870823],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0150739215,0.00091117166,0.0010534396,0.00021396516,0.0013103916,0.00051596505,0.0015525895,0.0067155506,0.00062823744],"category_scores_gemma":[0.004975439,0.000800725,0.0011343182,0.0011358729,0.0025193568,0.0007129886,0.00019755063,0.0050602327,0.00004875056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00042108307,0.0010989644,0.013546313,0.0004156045,0.0012504047,0.00078414776,0.3748893,0.0008679409,0.10345106,0.23341644,0.040535558,0.22932316],"study_design_scores_gemma":[0.00250311,0.00031022646,0.015194614,0.0011111245,0.0013471317,0.0006926821,0.036863673,0.0020836317,0.009510165,0.1941473,0.73393,0.0023063503],"about_ca_topic_score_codex":0.29507694,"about_ca_topic_score_gemma":0.2765879,"teacher_disagreement_score":0.6933944,"about_ca_system_score_codex":0.016863506,"about_ca_system_score_gemma":0.01611583,"threshold_uncertainty_score":0.99998975},"labels":[],"label_agreement":null},{"id":"W2472716561","doi":"10.7202/1036062ar","title":"Alma &amp; Oskar (mélodrame d’outre-tombe) de John Rea : le masque moderne de la postmodernité","year":2016,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; oskar; Art history","score_opus":0.036731434104820895,"score_gpt":0.28789102516567205,"score_spread":0.2511595910608512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2472716561","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37838724,0.020833371,0.0038296091,0.042408884,0.0011848054,0.0007121017,0.0002240376,0.0005122218,0.5519077],"genre_scores_gemma":[0.7574531,0.0010141596,0.0002550462,0.007769763,0.0019222205,0.0000809046,0.00004369059,0.00006419104,0.23139691],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993763,0.0025465516,0.00082537136,0.0009864925,0.0005334922,0.001345039],"domain_scores_gemma":[0.99661267,0.00089986774,0.0005007468,0.0006737051,0.00066461763,0.000648385],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0020988926,0.0006704639,0.0009385829,0.00019123696,0.00075417844,0.0004980804,0.00093050825,0.0011761572,0.0007804099],"category_scores_gemma":[0.0008929325,0.0005119429,0.00068974245,0.0006948463,0.0023187753,0.001189256,0.00015468444,0.00054084696,0.00022426539],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105435174,0.0007497391,0.0153731825,0.00021023498,0.00078919413,0.0003078257,0.10113866,0.000008802514,0.033258352,0.78471035,0.028598309,0.034749944],"study_design_scores_gemma":[0.00091083423,0.00008344194,0.0021539077,0.00039903776,0.0002225192,0.00007985535,0.0017502228,0.000055081342,0.000533579,0.26722735,0.72579527,0.0007889147],"about_ca_topic_score_codex":0.010904757,"about_ca_topic_score_gemma":0.006543712,"teacher_disagreement_score":0.69719696,"about_ca_system_score_codex":0.0005954309,"about_ca_system_score_gemma":0.0011819502,"threshold_uncertainty_score":0.9997332},"labels":[],"label_agreement":null},{"id":"W2487152593","doi":"10.1522/cla.jom.dum","title":"Du mimisme a? la musique chez l'enfant","year":2003,"lang":"fr","type":"book","venue":"classiques des sciences sociales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.1022793316741397,"score_gpt":0.3306525292149767,"score_spread":0.22837319754083696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2487152593","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020030245,0.012814313,0.00005692169,0.0064837,0.0024374174,0.0005445109,0.00008702365,0.00024113867,0.9573047],"genre_scores_gemma":[0.23665781,0.010021519,0.0025083919,0.010822455,0.005059525,0.00009382133,0.000102611666,0.00008692534,0.7346469],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9905204,0.0038975265,0.0010101375,0.0015894725,0.0013565614,0.0016259047],"domain_scores_gemma":[0.9963212,0.0010678452,0.00096446264,0.0003689879,0.0006980111,0.0005794891],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0031109112,0.0010268365,0.0013948783,0.0003091945,0.006191563,0.0013691897,0.0019355117,0.0021028877,0.0022780488],"category_scores_gemma":[0.00042529457,0.00084656256,0.0012513365,0.0021383562,0.13448262,0.0011855193,0.00026454162,0.0011161808,0.00031868633],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000006614273,0.00017448564,0.0029980645,0.000121555284,0.0002316331,0.00006182205,0.012891863,0.0000067261158,0.00010425294,0.8954854,0.080524884,0.0073926933],"study_design_scores_gemma":[0.00017636028,0.00019958048,0.0006386745,0.0002586077,0.0003834853,0.000026501742,0.0047126985,0.000027996104,0.000051020506,0.24516256,0.74739504,0.00096745533],"about_ca_topic_score_codex":0.002978189,"about_ca_topic_score_gemma":0.025177252,"teacher_disagreement_score":0.6668702,"about_ca_system_score_codex":0.0039677727,"about_ca_system_score_gemma":0.0115906475,"threshold_uncertainty_score":0.9998558},"labels":[],"label_agreement":null},{"id":"W2490010589","doi":"10.14361/9783839409091","title":"Zwischen den Kulturen - zwischen den Künsten","year":2008,"lang":"de","type":"book","venue":"Theater","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.026136586106098727,"score_gpt":0.2602400183651614,"score_spread":0.2341034322590627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2490010589","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010537975,0.020394403,0.000005290146,0.0047903936,0.0028168487,0.0011315743,0.00028588084,0.00029889398,0.95973873],"genre_scores_gemma":[0.029686788,0.0015898139,0.00022556173,0.008952273,0.010863769,0.00008869969,0.00121239,0.00010715729,0.94727355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942608,0.0008204951,0.0009275664,0.001331399,0.0012231667,0.0014365859],"domain_scores_gemma":[0.99741685,0.00015692685,0.0005103559,0.0009028089,0.00044395402,0.0005691171],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006275805,0.0010908069,0.0015516533,0.00022510077,0.0016316815,0.0006038772,0.0018320783,0.0020791919,0.005377609],"category_scores_gemma":[0.00006177232,0.0007338405,0.0011582848,0.0005336124,0.0013960587,0.0005817079,0.00039678946,0.001403483,0.0098172035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002083272,0.0002707413,0.001511575,0.00016414693,0.0062138466,0.000419076,0.099513225,0.000010772091,0.0006880445,0.013516257,0.8734924,0.0039915643],"study_design_scores_gemma":[0.00053134916,0.00012315557,0.0004098175,0.00017480509,0.0023261453,0.000029202123,0.0010654,0.000008008021,0.00011202648,0.004121588,0.9899173,0.0011812358],"about_ca_topic_score_codex":0.0011380812,"about_ca_topic_score_gemma":0.0010425702,"teacher_disagreement_score":0.11642484,"about_ca_system_score_codex":0.0003355869,"about_ca_system_score_gemma":0.0005114752,"threshold_uncertainty_score":0.99966806},"labels":[],"label_agreement":null},{"id":"W249477678","doi":"","title":"Y a-t-il de l’espoir? Le Carrefour international de théâtre de Québec, du 16 au 28 mai 2006Le Carrefour international de théâtre de Québec, du 16 au 28 mai 2006","year":2006,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Philosophy","score_opus":0.015987622735413543,"score_gpt":0.2603746901774225,"score_spread":0.24438706744200894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W249477678","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.653952,0.0036565156,0.00041591207,0.23824897,0.0032464934,0.00032042043,0.00034819308,0.00019796072,0.099613555],"genre_scores_gemma":[0.7716184,0.0002557641,0.0007711037,0.018007118,0.011798965,0.0001025897,0.00013335407,0.00005265968,0.19726002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928105,0.0007049074,0.0010289332,0.0013484563,0.0014659873,0.0026412494],"domain_scores_gemma":[0.99715966,0.00040443864,0.00069770985,0.00044848744,0.00060481677,0.0006848632],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0025944116,0.0008239789,0.0007365949,0.00052267255,0.004060951,0.0013891073,0.0028188592,0.000574965,0.0036642381],"category_scores_gemma":[0.0006434726,0.0007145277,0.0007936537,0.0012998902,0.003963039,0.001880061,0.00041685943,0.000693542,0.00014621229],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000088119916,0.00057793705,0.39434627,0.00005265197,0.00027288622,0.00024929832,0.009720121,0.004601054,0.0012707608,0.05813978,0.52823275,0.0024484114],"study_design_scores_gemma":[0.00081983977,0.00017937813,0.029743908,0.00017641626,0.00022923782,0.0001995418,0.007993444,0.0022974869,0.0005087597,0.008728199,0.94816464,0.0009591199],"about_ca_topic_score_codex":0.7903865,"about_ca_topic_score_gemma":0.940327,"teacher_disagreement_score":0.41993195,"about_ca_system_score_codex":0.006668984,"about_ca_system_score_gemma":0.008182375,"threshold_uncertainty_score":0.99964756},"labels":[],"label_agreement":null},{"id":"W2509218570","doi":"","title":"Live Jazz Piano with the Sarah Wentzell Duo | Lunenburg Region, Nova Scotia","year":2016,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Piano; Jazz; Art; Nova (rocket); Art history; Visual arts; Humanities; History; Archaeology; Engineering; Aeronautics","score_opus":0.021688241490076095,"score_gpt":0.25542196370414166,"score_spread":0.23373372221406558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2509218570","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24497156,0.0008132121,0.00028538404,0.15806761,0.00070017576,0.000494303,0.000006217072,0.00020274345,0.5944588],"genre_scores_gemma":[0.83307296,0.000058294332,0.000048035065,0.00786602,0.0005460762,0.0000029592366,0.000002015727,0.000005867409,0.15839776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988006,0.00015926763,0.00012989846,0.0002727262,0.00029636617,0.00034117003],"domain_scores_gemma":[0.999241,0.00011878364,0.00009306752,0.00023062377,0.00020851372,0.00010800146],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024123379,0.00013008306,0.00015683137,0.000029802703,0.0004661602,0.00014641025,0.00037551668,0.00010893209,0.0028225242],"category_scores_gemma":[0.00003964686,0.000046379326,0.0001026782,0.0004443023,0.00059020356,0.000298465,0.000036186128,0.00009160212,0.00066888414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006604748,0.000103328435,0.018743396,0.000005735323,0.0002570435,0.000030848925,0.020686258,0.0000013531499,0.0006238477,0.12754238,0.82435375,0.007586028],"study_design_scores_gemma":[0.00041339188,0.00008458553,0.0045181187,0.000037633206,0.00011838865,0.000006013214,0.009595743,0.0000021721823,0.00018655257,0.0015624426,0.98320264,0.00027229276],"about_ca_topic_score_codex":0.00419684,"about_ca_topic_score_gemma":0.037862156,"teacher_disagreement_score":0.5881014,"about_ca_system_score_codex":0.00004242806,"about_ca_system_score_gemma":0.00007756093,"threshold_uncertainty_score":0.998089},"labels":[],"label_agreement":null},{"id":"W2509741755","doi":"","title":"[DJ Olive : The Audio Janitor : Vinyl Scores // Montréal Brooklyn : Julie Favreau : Patrick Martinez : Mathieu Beauséjour : Steven Brower]","year":2012,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.01937198673131115,"score_gpt":0.2479289061310415,"score_spread":0.22855691939973033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2509741755","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054056887,0.23935333,0.00020839613,0.041535113,0.026617467,0.0064059584,0.0016738462,0.0010187012,0.6291303],"genre_scores_gemma":[0.12835084,0.0047824783,0.00027826166,0.008490959,0.02115238,0.0003474665,0.0004894341,0.00027045215,0.8358377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98642534,0.00259114,0.002401816,0.0022747258,0.0027032637,0.0036036875],"domain_scores_gemma":[0.9917501,0.0013424621,0.002144251,0.0019924596,0.0012056483,0.0015650858],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0025165,0.0023441708,0.002627039,0.0004253526,0.0050951666,0.0013325547,0.0031712286,0.002539534,0.013364647],"category_scores_gemma":[0.00044876157,0.0016827395,0.0026229464,0.0020204813,0.0032597696,0.0017934035,0.0008569831,0.003422302,0.016073063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024887596,0.0009240148,0.0014303891,0.00037864066,0.0023075868,0.00024216922,0.04024746,0.00003864078,0.00024122957,0.04193061,0.7984911,0.11351929],"study_design_scores_gemma":[0.0010623328,0.00042354214,0.012018111,0.00057287107,0.002975059,0.00008661256,0.0057985727,0.00007503652,0.000022408372,0.008475931,0.9663507,0.0021388605],"about_ca_topic_score_codex":0.0069267037,"about_ca_topic_score_gemma":0.023517016,"teacher_disagreement_score":0.23457085,"about_ca_system_score_codex":0.0009375794,"about_ca_system_score_gemma":0.001276887,"threshold_uncertainty_score":0.9997042},"labels":[],"label_agreement":null},{"id":"W2513889129","doi":"10.3138/tric.37.1.79","title":"Les visages du théâtre communautaire francophone à Edmonton entre les années 1970 et 1990: une confusion des genres?<sup>1</sup>","year":2016,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; French","score_opus":0.05683095373237052,"score_gpt":0.3316123642719374,"score_spread":0.2747814105395669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513889129","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78155166,0.037453488,0.0000030891188,0.11013879,0.0004180844,0.00046693475,0.00035535806,0.0000410522,0.069571525],"genre_scores_gemma":[0.9773199,0.013735815,0.000040280203,0.0006164316,0.00086625566,0.0000495188,0.00004747469,0.000035822795,0.0072885193],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9910896,0.004230499,0.0005757934,0.0006923442,0.0016942039,0.0017175847],"domain_scores_gemma":[0.9961875,0.0020865132,0.0001310034,0.0005588545,0.00045744368,0.00057866005],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0023148647,0.0004508272,0.00068785466,0.00024199007,0.0024090763,0.00023144655,0.0011489165,0.00044066773,0.0031605547],"category_scores_gemma":[0.000110736255,0.00029653922,0.00021151171,0.002452857,0.0030074297,0.0005522654,0.0003851606,0.0010853263,0.00006205508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016249738,0.00023242558,0.04847095,0.00022094745,0.00019702072,0.00044427486,0.0180904,0.00015541643,0.0009123709,0.0067091463,0.05659565,0.8678089],"study_design_scores_gemma":[0.0010297725,0.00020850715,0.01482399,0.0015136593,0.00005133946,0.0000168018,0.10954188,0.000282473,0.00025795223,0.0047584986,0.86692166,0.0005934934],"about_ca_topic_score_codex":0.996601,"about_ca_topic_score_gemma":0.9991401,"teacher_disagreement_score":0.8672154,"about_ca_system_score_codex":0.0022269352,"about_ca_system_score_gemma":0.0032262343,"threshold_uncertainty_score":0.9999487},"labels":[],"label_agreement":null},{"id":"W2516152820","doi":"10.7202/1037305ar","title":"In Memoriam Pierre Boulez (1925-2016) : l’état de la recherche","year":2016,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.1667362425511259,"score_gpt":0.3691587105024907,"score_spread":0.20242246795136482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516152820","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07452234,0.053649385,0.00032501115,0.07762765,0.007402241,0.0007358306,0.0000968666,0.00024991736,0.78539073],"genre_scores_gemma":[0.67738765,0.0038929435,0.00026599082,0.0106254425,0.0063182046,0.00010848869,0.000014986731,0.00004967282,0.30133662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913628,0.0057723587,0.0007349374,0.0007745278,0.00038206187,0.0009733199],"domain_scores_gemma":[0.99554425,0.0029184276,0.0003432726,0.00043807927,0.0003808259,0.0003751529],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0056018415,0.00048017004,0.00076372764,0.00020805655,0.0003300982,0.00028980657,0.00072337606,0.0016010582,0.0015764144],"category_scores_gemma":[0.0033774592,0.00034047052,0.00041649534,0.0012784518,0.0018735176,0.0012502811,0.00009591529,0.0007635219,0.00019689866],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068530906,0.00052916247,0.01239571,0.00017628753,0.00035806026,0.00047531002,0.12859133,6.362784e-7,0.0069073946,0.5655472,0.18383765,0.10111268],"study_design_scores_gemma":[0.0006448894,0.000061879095,0.0013461935,0.0004119835,0.000077956916,0.000016954766,0.002819734,0.000005197863,0.00018925704,0.34109554,0.65289485,0.00043554892],"about_ca_topic_score_codex":0.003065937,"about_ca_topic_score_gemma":0.0032011163,"teacher_disagreement_score":0.6028653,"about_ca_system_score_codex":0.00094560656,"about_ca_system_score_gemma":0.0008413127,"threshold_uncertainty_score":0.99990475},"labels":[],"label_agreement":null},{"id":"W2517459674","doi":"","title":"Ramon PELINSKI (dir.) (1995), Tango Nomade. traduction et supervision en langue française par Pierre MONETTE, Montréal, Triptyque","year":2000,"lang":"fr","type":"article","venue":"Communication. Information médias théories pratiques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01587674586008603,"score_gpt":0.27268731715132666,"score_spread":0.25681057129124063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517459674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3576115,0.29592246,0.0005471483,0.14481659,0.0017369058,0.0025237466,0.00047851144,0.0009685556,0.19539459],"genre_scores_gemma":[0.71925765,0.1964762,0.0057247104,0.021996548,0.0012596167,0.0004931136,0.0045069405,0.000059904272,0.050225325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952505,0.0020022395,0.001304222,0.0003052879,0.0006375389,0.00050016894],"domain_scores_gemma":[0.9970117,0.00041776997,0.0005661824,0.0010785817,0.0006840272,0.00024173112],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013981896,0.00047722776,0.0005638871,0.00020092099,0.0016468341,0.000842332,0.0010501829,0.00082551024,0.00628992],"category_scores_gemma":[0.00033679232,0.00043758936,0.00030728753,0.0012539382,0.0007213731,0.009756504,0.00013514436,0.0009721547,0.00068878825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013108985,0.00033563474,0.00038893506,0.00013417538,0.00021844757,0.00000228816,0.2593387,0.0007344915,0.00007822658,0.05159968,0.47886044,0.20817788],"study_design_scores_gemma":[0.0005665253,0.00012820795,0.0050052884,0.00014143935,0.00016942572,0.000011133006,0.020140065,0.0017412109,0.00012811155,0.0024605724,0.9689833,0.0005247517],"about_ca_topic_score_codex":0.011759251,"about_ca_topic_score_gemma":0.008594378,"teacher_disagreement_score":0.49012282,"about_ca_system_score_codex":0.00022540479,"about_ca_system_score_gemma":0.00025744975,"threshold_uncertainty_score":0.9998076},"labels":[],"label_agreement":null},{"id":"W2521103406","doi":"10.7202/1074311ar","title":"L’expérimentation spirite de deux pères","year":2020,"lang":"fr","type":"article","venue":"Frontières","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02461069683268301,"score_gpt":0.28502373944637116,"score_spread":0.26041304261368814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521103406","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52328694,0.11026375,0.0008127111,0.2707267,0.004784841,0.00048640376,0.00012402392,0.00039768335,0.08911693],"genre_scores_gemma":[0.93327844,0.00065135286,0.0022596682,0.038192965,0.0049794335,0.000018494587,0.000051413484,0.000023749659,0.020544505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842006,0.00029854765,0.00024107036,0.00032870434,0.00027217448,0.00043941496],"domain_scores_gemma":[0.99937046,0.00004708765,0.00011438286,0.00009738636,0.000094551004,0.00027611136],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016267116,0.0001755658,0.0002528357,0.000027833545,0.00039590435,0.00022576247,0.00028122106,0.00021567979,0.0012877438],"category_scores_gemma":[0.00010786092,0.0001584207,0.00021096031,0.00049540156,0.00034365422,0.0004958914,0.000050142193,0.00019740219,0.0006358962],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055627745,0.00014508975,0.019295355,0.00009134356,0.00035837878,0.00005517196,0.14332464,0.0001480638,0.0026188893,0.06531921,0.7452124,0.023375863],"study_design_scores_gemma":[0.00025084056,0.00009889457,0.0060173487,0.000027866945,0.00023801776,0.0000013083614,0.006034204,0.00051933416,0.00069206074,0.0034743745,0.98241264,0.00023309224],"about_ca_topic_score_codex":0.002757226,"about_ca_topic_score_gemma":0.0032827489,"teacher_disagreement_score":0.40999147,"about_ca_system_score_codex":0.000086742744,"about_ca_system_score_gemma":0.00008081257,"threshold_uncertainty_score":0.9996252},"labels":[],"label_agreement":null},{"id":"W2522717524","doi":"10.25071/1708-6701.19650","title":"Compositional Crossroads: Music, McGill, Montreal (Book Review)","year":2008,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Media studies; Visual arts; Sociology","score_opus":0.03309911461956477,"score_gpt":0.29709629713415603,"score_spread":0.26399718251459126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2522717524","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007756522,0.91241044,0.0000074942677,0.01668897,0.00026457288,0.0006839367,0.000078748024,0.00009590207,0.06899429],"genre_scores_gemma":[0.0014225937,0.76125604,0.0002468013,0.21329089,0.0010000812,0.00013932404,0.00016572308,0.000014579053,0.022463989],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772877,0.0004599423,0.00053472485,0.00042343794,0.00036127644,0.0004918497],"domain_scores_gemma":[0.9986397,0.0001052947,0.00025451326,0.00034193043,0.0003753011,0.00028323074],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063765474,0.00023734798,0.00075101294,0.000037401005,0.0011229347,0.000038408085,0.00046982904,0.00015394637,0.0029694987],"category_scores_gemma":[0.00036183416,0.00019147982,0.00053161907,0.0006049351,0.00038018706,0.0003412594,0.00006100481,0.0002985635,0.00042521546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004190186,0.00007115025,0.0001271274,0.0019527228,0.000058640886,0.00011430084,0.0005012158,5.4330934e-7,0.00008459374,0.005459214,0.9857445,0.0058818343],"study_design_scores_gemma":[0.00012288908,0.00002277818,0.0009548709,0.0042680665,0.0002588422,0.00012651374,0.000022902987,0.000002693248,0.0000103187085,0.00023361784,0.9937223,0.0002541587],"about_ca_topic_score_codex":0.00035549997,"about_ca_topic_score_gemma":0.00050255586,"teacher_disagreement_score":0.19660193,"about_ca_system_score_codex":0.0001682039,"about_ca_system_score_gemma":0.00011886627,"threshold_uncertainty_score":0.9979419},"labels":[],"label_agreement":null},{"id":"W2524147809","doi":"","title":"Rendez-vous du cinéma québécois : Murmures et égarements","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.008506973544862614,"score_gpt":0.1959760338160896,"score_spread":0.187469060271227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2524147809","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.257458,0.1568874,0.00004659775,0.47017586,0.0013473597,0.00031433516,0.00011275217,0.00018781035,0.11346989],"genre_scores_gemma":[0.58843213,0.017633924,0.0002517314,0.020550009,0.0008869863,0.0000032286928,0.00009203361,0.000019622685,0.37213033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758756,0.00040464304,0.00023906733,0.0005241829,0.00050036656,0.0007441733],"domain_scores_gemma":[0.99880713,0.000070571514,0.00023275417,0.00030851603,0.00020194147,0.00037910164],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033182834,0.00033384777,0.00041511768,0.00013794903,0.0014392606,0.000088123576,0.00054924935,0.00041408782,0.0012244958],"category_scores_gemma":[0.000051573526,0.00033225986,0.00040321262,0.0009593126,0.0002614251,0.0005561997,0.00013108939,0.00033876952,0.00025979636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011349475,0.00037920193,0.0012692059,0.000019550793,0.00043668257,0.0018656134,0.030443335,0.00008780341,0.0005040915,0.27238378,0.59547883,0.09701845],"study_design_scores_gemma":[0.0006299655,0.00021011624,0.007229987,0.000046595964,0.00046346043,0.00006576795,0.008124584,0.00011567599,0.000026557876,0.00417334,0.9785182,0.00039577862],"about_ca_topic_score_codex":0.111540206,"about_ca_topic_score_gemma":0.75786877,"teacher_disagreement_score":0.64632857,"about_ca_system_score_codex":0.0035260245,"about_ca_system_score_gemma":0.00012519055,"threshold_uncertainty_score":0.9999129},"labels":[],"label_agreement":null},{"id":"W2528007697","doi":"","title":"L’Avare au Théâtre français de Toronto : De l’argent bien dépensé","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Canadian Association for Theatre Research","funders":"","keywords":"Political science; Art","score_opus":0.00688003597878828,"score_gpt":0.18534020622110842,"score_spread":0.17846017024232014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528007697","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51689434,0.21619612,0.00014958807,0.10348842,0.0010316832,0.00034901334,0.00029212466,0.00019145299,0.16140726],"genre_scores_gemma":[0.47052032,0.004612071,0.0006122874,0.002530097,0.0016440317,0.0000070665305,0.00009865262,0.000026353493,0.51994914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99719775,0.0003612737,0.00027185478,0.00053477305,0.0004025107,0.0012318405],"domain_scores_gemma":[0.9987234,0.000097001204,0.00021060908,0.00032917882,0.00017136893,0.00046844847],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042673261,0.000347639,0.0004173712,0.000068646164,0.001919648,0.00008251022,0.0005772235,0.0005730523,0.0019707233],"category_scores_gemma":[0.0000345322,0.00035179776,0.00049485604,0.0006300039,0.00036125182,0.00057926803,0.00018669975,0.00027020794,0.0002624277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001571077,0.0003912068,0.011986839,0.00005662781,0.00046673836,0.0019345382,0.02949922,0.00065992353,0.00071965053,0.17723033,0.75096196,0.025935883],"study_design_scores_gemma":[0.0006356038,0.000084326166,0.012891929,0.00004201945,0.0005549741,0.00007185942,0.0102114575,0.00043983187,0.000066167726,0.002220829,0.9723495,0.0004314575],"about_ca_topic_score_codex":0.61803687,"about_ca_topic_score_gemma":0.9475794,"teacher_disagreement_score":0.35854188,"about_ca_system_score_codex":0.01714285,"about_ca_system_score_gemma":0.00025312655,"threshold_uncertainty_score":0.9998934},"labels":[],"label_agreement":null},{"id":"W2528953023","doi":"","title":"Cinéma québécois et identité nationale : de l’enracinement à l’exode","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Humanities; Political science; Sociology; Art","score_opus":0.008480222377475565,"score_gpt":0.20009361245484406,"score_spread":0.1916133900773685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528953023","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32752538,0.07576124,0.00039529297,0.5507023,0.00077169505,0.00023140435,0.00012113376,0.00010225833,0.044389345],"genre_scores_gemma":[0.24668436,0.014705635,0.00036814917,0.00856311,0.00057597115,0.000009567312,0.000027846125,0.000018464065,0.7290469],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793625,0.00034080978,0.00021213511,0.00041301965,0.00046662136,0.00063117186],"domain_scores_gemma":[0.9988249,0.00017077591,0.00020532314,0.0002313523,0.0002449387,0.00032271162],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004463681,0.0002389111,0.00028164516,0.00013409326,0.0010048074,0.000055673125,0.00043236586,0.0002916442,0.0026125144],"category_scores_gemma":[0.000075101496,0.00019635203,0.00032072692,0.0006608931,0.0002949096,0.0006291882,0.00017110065,0.00016393235,0.00049871625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050544866,0.00018305222,0.002248694,0.000024506066,0.00040999067,0.0005503957,0.014429981,0.000036604633,0.002134121,0.63277394,0.31740424,0.029753951],"study_design_scores_gemma":[0.00068037614,0.00006420522,0.00406566,0.000076437835,0.00032338742,0.00005662107,0.004134294,0.00005847013,0.00009885418,0.008215197,0.9819321,0.0002944137],"about_ca_topic_score_codex":0.10032915,"about_ca_topic_score_gemma":0.84451383,"teacher_disagreement_score":0.7441847,"about_ca_system_score_codex":0.0063729053,"about_ca_system_score_gemma":0.00020227216,"threshold_uncertainty_score":0.99829924},"labels":[],"label_agreement":null},{"id":"W2529409500","doi":"","title":"Eija-Liisa Ahtila, Int. scène-jour , DHC/ART et Fonderie Darling, Montréal, du 29 janvier au 9 mai 2010Eija-Liisa Ahtila, Int. scène-jour , DHC/ART et Fonderie Darling, Montréal, du 29 janvier au 9 mai 2010","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"INT; Art; Computer science","score_opus":0.017647305407435403,"score_gpt":0.25605534379981926,"score_spread":0.23840803839238386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529409500","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0426716,0.04353142,0.00093347876,0.026799526,0.031677842,0.004276695,0.0016601407,0.0005689298,0.84788036],"genre_scores_gemma":[0.029963098,0.023350485,0.0071205264,0.09898726,0.016464015,0.0010886746,0.0033940803,0.00067320844,0.81895864],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9795752,0.0028528266,0.0037702918,0.0046257284,0.0034308177,0.0057450915],"domain_scores_gemma":[0.98681396,0.0008568865,0.0027149203,0.0034039097,0.0027363296,0.0034739908],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0072093476,0.003801099,0.0041216197,0.00072661584,0.006160784,0.0047247196,0.004151012,0.006121815,0.21697147],"category_scores_gemma":[0.0026092299,0.0033045784,0.0026951304,0.0039809216,0.0035582783,0.0076425527,0.0016264969,0.009852224,0.009310994],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033528492,0.0020849765,0.0024093613,0.00026371583,0.0017558971,0.0004311814,0.014421066,0.00042836615,0.007625737,0.022102246,0.9450217,0.0031204931],"study_design_scores_gemma":[0.0037538307,0.00052988424,0.00081120693,0.0007044805,0.0024222494,0.00040934279,0.017101722,0.0015451948,0.00079816213,0.0044987737,0.9634828,0.0039423327],"about_ca_topic_score_codex":0.020885177,"about_ca_topic_score_gemma":0.05157798,"teacher_disagreement_score":0.20766048,"about_ca_system_score_codex":0.0014271016,"about_ca_system_score_gemma":0.0039820257,"threshold_uncertainty_score":0.9991535},"labels":[],"label_agreement":null},{"id":"W2529429383","doi":"","title":"Montréal: La ville aux cinémas invisibles par Quentin Papapietro","year":2015,"lang":"fr","type":"article","venue":"Cahiers du cinema","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021184504632301166,"score_gpt":0.25869911063150597,"score_spread":0.2375146059992048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529429383","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54538095,0.10004237,0.000043917666,0.06981894,0.0046577053,0.00039367678,0.000051338724,0.00020751615,0.2794036],"genre_scores_gemma":[0.85037786,0.002065703,0.00045697263,0.011706655,0.0033377935,0.000041306237,0.00005803609,0.00004208915,0.13191362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968032,0.00081540085,0.00047317878,0.0005685959,0.0005705654,0.0007690373],"domain_scores_gemma":[0.9979706,0.00018762573,0.00023917365,0.0003542903,0.0005271556,0.00072119065],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010690008,0.00038486597,0.0005946343,0.00012796947,0.0008472424,0.00032367438,0.00049249904,0.0007711052,0.00054840563],"category_scores_gemma":[0.00071354746,0.00031727762,0.0003849861,0.0014301402,0.0019309703,0.000573781,0.00008959525,0.0005553959,0.00059847796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051094812,0.00024218063,0.0074945916,0.00006388349,0.00037363594,0.00019595583,0.05134002,0.00007622432,0.00028695926,0.23370674,0.7006547,0.0055139987],"study_design_scores_gemma":[0.0008031371,0.00012279098,0.0008800294,0.000064464664,0.0003573156,0.00001793523,0.028502213,0.00012264543,0.00010042417,0.01111783,0.9574771,0.00043409914],"about_ca_topic_score_codex":0.005688941,"about_ca_topic_score_gemma":0.007121258,"teacher_disagreement_score":0.3049969,"about_ca_system_score_codex":0.00023373564,"about_ca_system_score_gemma":0.0003052241,"threshold_uncertainty_score":0.99992794},"labels":[],"label_agreement":null},{"id":"W2529582933","doi":"","title":"Deux Rimbaud. Pierre Vadeboncoeur, Le pas de l’aventurier. À propos de Rimbaud, Montréal, Presses de l’Université de Montréal, 2003. Serge Cantin, Nous voilà rendus au sol. Essais sur le désenchantement du monde, Montréal, Bellarmin. 2003Pierre Vadeboncoeur, Le pas de l’aventurier. À propos de Rimbaud, Montréal, Presses de l’Université de Montréal, 2003Serge Cantin, Nous voilà rendus au sol. Essais sur le désenchantement du monde, Montréal, Bellarmin. 2003","year":2004,"lang":"fr","type":"article","venue":"Contre-jour : Cahiers littéraires","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.009393529503833547,"score_gpt":0.1950606784692175,"score_spread":0.18566714896538397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529582933","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34064338,0.5789043,0.00304207,0.06300488,0.0025435037,0.005595176,0.002276607,0.0010440189,0.0029461123],"genre_scores_gemma":[0.4126997,0.4608147,0.0043692263,0.00496345,0.0039425083,0.0015765597,0.0011876269,0.0010907233,0.10935551],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97038025,0.005155861,0.0042987666,0.0048584775,0.0035423294,0.011764293],"domain_scores_gemma":[0.981375,0.00088774087,0.0042335964,0.0032453807,0.004478789,0.005779503],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0052662087,0.004759885,0.005030789,0.0013233033,0.013779794,0.0014994172,0.004623543,0.0049091927,0.000904268],"category_scores_gemma":[0.0034694225,0.005028469,0.002586619,0.00465297,0.003639991,0.0029883627,0.0019373992,0.004483699,0.0001498739],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.003196155,0.008204181,0.024970572,0.001256884,0.0058766394,0.013716791,0.070313595,0.039635636,0.012953414,0.0017832621,0.8114897,0.0066031585],"study_design_scores_gemma":[0.021213738,0.0019520288,0.00966624,0.0021970854,0.007772258,0.0028214713,0.064413875,0.023506628,0.024550688,0.00201639,0.8327327,0.007156944],"about_ca_topic_score_codex":0.86919963,"about_ca_topic_score_gemma":0.83736557,"teacher_disagreement_score":0.11808955,"about_ca_system_score_codex":0.023303315,"about_ca_system_score_gemma":0.025712501,"threshold_uncertainty_score":0.9995371},"labels":[],"label_agreement":null},{"id":"W2532554174","doi":"","title":"Eastern Promises : Bovins Stroganov sur Tamise Promesses de l’ombre — Canada / Grande-Bretagne 2007, 96 minutes Promesses de l’ombre — Canada / Grande-Bretagne 2007, 96 minutes","year":2007,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.013847436731744562,"score_gpt":0.23383056819777148,"score_spread":0.2199831314660269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532554174","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82976717,0.074755475,0.00005350522,0.07217377,0.0036509153,0.0019361979,0.001160936,0.00022509643,0.016276937],"genre_scores_gemma":[0.8529193,0.0022807547,0.00068955624,0.004392323,0.0032032223,0.00023392543,0.00026945147,0.00011422969,0.13589728],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99015754,0.0011838337,0.0016605146,0.0017366608,0.001559581,0.0037018426],"domain_scores_gemma":[0.9936023,0.0013765467,0.0010929327,0.00086020376,0.0012699515,0.0017981054],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0022966575,0.0014242958,0.001851061,0.00028084492,0.001651123,0.0007647559,0.0018548102,0.0010935852,0.0018478272],"category_scores_gemma":[0.0012598676,0.001280699,0.00059589563,0.0026951837,0.0016428905,0.0012967696,0.00022555972,0.0012919597,0.000021382595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005822689,0.0012603159,0.46182358,0.004141165,0.0020434672,0.007485378,0.02077319,0.00035577387,0.002810106,0.0042335102,0.47200707,0.022484194],"study_design_scores_gemma":[0.0022569406,0.0005331374,0.07384707,0.0016589109,0.0017263347,0.00071635435,0.0186092,0.00034207886,0.0029716748,0.001170483,0.89360607,0.0025617678],"about_ca_topic_score_codex":0.973828,"about_ca_topic_score_gemma":0.99852484,"teacher_disagreement_score":0.421599,"about_ca_system_score_codex":0.002044876,"about_ca_system_score_gemma":0.013685633,"threshold_uncertainty_score":0.9998507},"labels":[],"label_agreement":null},{"id":"W2537841964","doi":"10.71781/4183","title":"Les contraintes sociales agissant sur la critique musicale journalistique à Montréal en contexte de compétition marchande","year":2016,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.0128150864236126,"score_gpt":0.23165742287731755,"score_spread":0.21884233645370496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2537841964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8005957,0.07506517,0.0025473638,0.010889148,0.0024678688,0.00083275774,0.00065867795,0.00024127883,0.10670204],"genre_scores_gemma":[0.90550727,0.0039846697,0.00030213417,0.0008159244,0.001425756,0.000045168003,0.00042470565,0.000035906563,0.08745849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99485505,0.0021321082,0.00065200485,0.0007228757,0.0008136619,0.00082432595],"domain_scores_gemma":[0.9962854,0.0012100409,0.0006576247,0.00023446449,0.0010226208,0.00058984145],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009509126,0.0006219502,0.0008128982,0.00023668543,0.013279401,0.00025217817,0.00062622095,0.0012816703,0.00033346014],"category_scores_gemma":[0.00047291323,0.00057130953,0.0008611396,0.00037832235,0.001989847,0.0007504366,0.00011644548,0.00092995865,0.000041472646],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009180904,0.000489657,0.0042618862,0.0002152264,0.0012670525,0.0027620432,0.18018006,0.00013438278,0.033314504,0.7574681,0.0044076606,0.014581329],"study_design_scores_gemma":[0.004399718,0.0003647371,0.07609446,0.0028439902,0.0026431426,0.0015101974,0.24148877,0.00092175655,0.0049038203,0.04199628,0.62024194,0.0025911902],"about_ca_topic_score_codex":0.30438077,"about_ca_topic_score_gemma":0.28107002,"teacher_disagreement_score":0.7154718,"about_ca_system_score_codex":0.0065931343,"about_ca_system_score_gemma":0.0026581266,"threshold_uncertainty_score":0.99967384},"labels":[],"label_agreement":null},{"id":"W2538195653","doi":"","title":"Nouveaux espaces ludiques : Deuxième partie","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.007209861286015887,"score_gpt":0.18723254657885513,"score_spread":0.18002268529283924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2538195653","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35297075,0.30782095,0.00006215234,0.21125565,0.0012898133,0.00026178293,0.00008817316,0.00023303983,0.1260177],"genre_scores_gemma":[0.41049182,0.008775894,0.0004204123,0.0023010962,0.001440175,0.0000065762456,0.00005885795,0.000022076234,0.5764831],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772316,0.0003393504,0.00023339696,0.00048064513,0.00039249868,0.0008309384],"domain_scores_gemma":[0.99892324,0.000101957405,0.00023444166,0.0002602544,0.00020687746,0.00027324236],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000249086,0.00031621548,0.00041595878,0.00011323893,0.0016879368,0.00010545765,0.0004418848,0.00045474354,0.0011706859],"category_scores_gemma":[0.00002497366,0.0003140649,0.00040353884,0.0010023726,0.00059410336,0.00059839885,0.00017123087,0.0002737178,0.00043454726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046093493,0.00017354419,0.0021110426,0.000027041156,0.00020909164,0.00072477176,0.003758422,0.00014092131,0.000418681,0.40351188,0.57810235,0.010776167],"study_design_scores_gemma":[0.00036044806,0.00007821045,0.0013953524,0.000037985446,0.00045317324,0.000033242235,0.0047082165,0.00019014413,0.00015715443,0.013942725,0.9782436,0.000399742],"about_ca_topic_score_codex":0.08064797,"about_ca_topic_score_gemma":0.66000867,"teacher_disagreement_score":0.5793607,"about_ca_system_score_codex":0.0037638976,"about_ca_system_score_gemma":0.00009295079,"threshold_uncertainty_score":0.99993116},"labels":[],"label_agreement":null},{"id":"W2541016220","doi":"10.7202/1037303ar","title":"(Re-)Performing Early Mixed Music from the 1980s at Ircam: Pierre Boulez’s Dialogue de l’ombre double","year":2016,"lang":"en","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Documentation; Face (sociological concept); Computer science; Constant (computer programming); Order (exchange); Visual arts; Art; Linguistics; Programming language; Philosophy; Business","score_opus":0.05835007765918725,"score_gpt":0.2740693781631176,"score_spread":0.21571930050393034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2541016220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8630374,0.0025822336,0.00008518775,0.007696369,0.0010831784,0.000559343,0.000104349885,0.00028643972,0.12456547],"genre_scores_gemma":[0.9730515,0.00012504928,0.00002320904,0.006687043,0.002656346,0.00011518008,0.00007309372,0.000032230662,0.01723635],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971186,0.0005225957,0.00048434653,0.0006276956,0.000472791,0.0007739633],"domain_scores_gemma":[0.9978568,0.00066336966,0.0003014561,0.0005418193,0.00035050735,0.00028607468],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010500351,0.00035324082,0.000492393,0.0000774685,0.001588913,0.00036921763,0.00090009545,0.00038358232,0.0008158643],"category_scores_gemma":[0.00042272237,0.00019664541,0.0003725318,0.0004877931,0.00083057536,0.0007596072,0.00016032261,0.00024013652,0.0001387412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003601352,0.00027788745,0.21634603,0.000054120992,0.0010022108,0.00017239487,0.40114045,0.0000012321392,0.027634453,0.1774395,0.12567645,0.04989516],"study_design_scores_gemma":[0.0031442894,0.00015437309,0.06892518,0.00042608965,0.00037305654,0.0000068561103,0.018061163,0.000011469435,0.0024093555,0.102394946,0.80266565,0.0014275924],"about_ca_topic_score_codex":0.01470005,"about_ca_topic_score_gemma":0.06131351,"teacher_disagreement_score":0.6769892,"about_ca_system_score_codex":0.00031275267,"about_ca_system_score_gemma":0.000276028,"threshold_uncertainty_score":0.99971086},"labels":[],"label_agreement":null},{"id":"W2541120436","doi":"","title":"Jean-Pierre Gauthier, Orchestre à géométrie variable, Galerie B-312, Montréal, September 5 – October 4, 2014","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014657906615604356,"score_gpt":0.20238299556736777,"score_spread":0.18772508895176343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2541120436","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028908456,0.68398166,0.0002986771,0.07728703,0.0041622804,0.0006532046,0.00033187243,0.00037017974,0.20400666],"genre_scores_gemma":[0.009965248,0.017130919,0.0016620401,0.0043042963,0.0017605252,0.00001700382,0.00021995179,0.000071066504,0.96486896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952536,0.0008176347,0.0004896151,0.0010079996,0.00096290023,0.0014682036],"domain_scores_gemma":[0.9963809,0.00028099868,0.00046496745,0.0007340054,0.0007222185,0.0014168931],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008658206,0.0007002201,0.0008906648,0.00022304279,0.00169653,0.0001935224,0.0009232975,0.0012045526,0.0075479834],"category_scores_gemma":[0.00022976582,0.00069638854,0.000597994,0.002134647,0.00087540544,0.0012026613,0.0004847605,0.0008402139,0.0027991603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015808771,0.00025990958,0.0006990435,0.00004564707,0.0006027766,0.001388725,0.0033842658,0.0007040929,0.000076431665,0.050575387,0.93253416,0.009571452],"study_design_scores_gemma":[0.0014886565,0.00017247236,0.0002157741,0.000087049055,0.00114912,0.00011098943,0.007489469,0.0008878382,0.000019303592,0.005233561,0.9822968,0.0008489639],"about_ca_topic_score_codex":0.077740856,"about_ca_topic_score_gemma":0.20235673,"teacher_disagreement_score":0.7608623,"about_ca_system_score_codex":0.0057677175,"about_ca_system_score_gemma":0.00042762447,"threshold_uncertainty_score":0.99960315},"labels":[],"label_agreement":null},{"id":"W2544942345","doi":"","title":"« Le jazz, c’est une musique à part… ». Le roi du drum de Serge Giguère, Québec, 1991, 54 minutesLe roi du drum de Serge Giguère, Québec, 1991, 54 minutes","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drum; Art; Humanities; Engineering","score_opus":0.01724604023896349,"score_gpt":0.22723715335534458,"score_spread":0.2099911131163811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2544942345","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56550616,0.0802391,0.00014141004,0.25592807,0.004553586,0.0012109296,0.00068741146,0.000734462,0.09099886],"genre_scores_gemma":[0.8186979,0.002873934,0.001211127,0.009567717,0.003864748,0.00021334057,0.00027477686,0.00013445648,0.16316195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99265206,0.0012815264,0.0012364327,0.0015218694,0.00074853277,0.0025595636],"domain_scores_gemma":[0.9961056,0.00051541376,0.0007368548,0.0009440521,0.0006292822,0.0010687937],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013534556,0.0011327891,0.0013691804,0.00026054223,0.0024696272,0.000667433,0.0017125867,0.0010438779,0.002528567],"category_scores_gemma":[0.0005794406,0.0010537042,0.001084316,0.0019354193,0.0023887602,0.0022019122,0.0004287846,0.0009929525,0.00080385996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014611083,0.002196492,0.03908426,0.00024491033,0.0010636479,0.0006297191,0.14389364,0.00004536759,0.0052796365,0.021670295,0.7792611,0.0064848117],"study_design_scores_gemma":[0.0011621194,0.00023576443,0.025593704,0.000202924,0.0007496572,0.000091525646,0.012445431,0.0002172327,0.0041340548,0.0039660325,0.9496761,0.0015254713],"about_ca_topic_score_codex":0.88201594,"about_ca_topic_score_gemma":0.90760845,"teacher_disagreement_score":0.25319177,"about_ca_system_score_codex":0.0006494602,"about_ca_system_score_gemma":0.0027348252,"threshold_uncertainty_score":0.99997413},"labels":[],"label_agreement":null},{"id":"W2548739293","doi":"10.3138/utq.85.3.111","title":"<i>Faire l'amour. Shakespeare, Tolstoï et Kundera</i> by Mylène Bouchard","year":2016,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Literature","score_opus":0.01092043714306294,"score_gpt":0.2241455046348707,"score_spread":0.21322506749180778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548739293","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17601883,0.0861707,0.0023897556,0.14882003,0.0048082573,0.0009054937,0.0019705496,0.00033661796,0.5785798],"genre_scores_gemma":[0.5360347,0.0013014653,0.00025261057,0.001970525,0.00037396527,6.012012e-7,0.000035645524,0.0000149040125,0.46001557],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99786294,0.00047391048,0.00022781071,0.00048278327,0.00042132905,0.0005312017],"domain_scores_gemma":[0.9987653,0.000113588656,0.00025474,0.0002945546,0.00026187417,0.0003099546],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027828527,0.00026242383,0.00045335913,0.000024445797,0.00052338396,0.00007008082,0.00060878834,0.00036945267,0.011230232],"category_scores_gemma":[0.00001260662,0.00022644358,0.0004002515,0.00013891322,0.0009252109,0.0017424803,0.000041383762,0.00013825762,0.00024268012],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014950363,0.00043607896,0.0004999713,0.000058580983,0.00048630746,0.00005107203,0.07764345,4.124751e-7,0.0034649966,0.11180714,0.60468775,0.20071475],"study_design_scores_gemma":[0.0009200333,0.00064969255,0.0008789012,0.00013605187,0.00026267045,0.0000027300357,0.0373799,0.000007111023,0.000032365515,0.00200633,0.95734245,0.00038174432],"about_ca_topic_score_codex":0.06771291,"about_ca_topic_score_gemma":0.17289965,"teacher_disagreement_score":0.36001587,"about_ca_system_score_codex":0.00046443508,"about_ca_system_score_gemma":0.00014542889,"threshold_uncertainty_score":0.9896736},"labels":[],"label_agreement":null},{"id":"W2556259329","doi":"","title":"Léolo (1992): An Insane Family Portrait","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Comedy; Drama; Portrait; Corporation; Performance art; Humanities; Greenwich; Cartography; History; Visual arts; Law; Geography; Political science","score_opus":0.2630528694094501,"score_gpt":0.5405330025865133,"score_spread":0.27748013317706316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2556259329","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9277879,0.011465595,0.0000485055,0.0018291231,0.0009503423,0.00036745306,0.00006863574,0.00008334436,0.057399087],"genre_scores_gemma":[0.9847122,0.006142616,0.000116190626,0.0033661071,0.0008859842,0.000027765609,0.0000136518565,0.000027827646,0.0047076996],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99641883,0.00069366966,0.00077638385,0.00055296835,0.00094312214,0.00061499927],"domain_scores_gemma":[0.9975308,0.00025163012,0.0007357219,0.0004352659,0.00049646513,0.0005500695],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018768697,0.00030669977,0.0007539905,0.00045121863,0.00083126203,0.001723865,0.003278422,0.00026138953,0.017367035],"category_scores_gemma":[0.00038967447,0.00019438064,0.00031767055,0.0013918895,0.00054505205,0.005076776,0.0003978482,0.0003067969,0.00006005189],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024375356,0.00071646535,0.34565264,0.00003653104,0.00064180826,0.00014317334,0.0045408863,0.000010163888,0.26176134,0.008655146,0.23870765,0.13889046],"study_design_scores_gemma":[0.0005702605,0.000026574722,0.57512003,0.00020460201,0.0001853105,0.0000063856583,0.0013363325,0.0000027247415,0.002313921,0.021869674,0.39773574,0.000628471],"about_ca_topic_score_codex":0.005046049,"about_ca_topic_score_gemma":0.0028001314,"teacher_disagreement_score":0.25944743,"about_ca_system_score_codex":0.00012064438,"about_ca_system_score_gemma":0.0002830015,"threshold_uncertainty_score":0.99931246},"labels":[],"label_agreement":null},{"id":"W255855770","doi":"","title":"L’oeil au-dessus du puits. Deux conversations avec Johan van der Keuken Robert Daudelin Éd. Les 400 coups cinéma, Montréal, 2006. 85 pages L’oeil au-dessus du puits. Deux conversations avec Johan van der Keuken Robert Daudelin Éd. Les 400 coups cinéma, Montréal, 2006. 85 pages","year":2007,"lang":"fr","type":"article","venue":"Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.016390310095947505,"score_gpt":0.25193704270588946,"score_spread":0.23554673260994197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W255855770","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17744017,0.40153956,0.013270741,0.32208997,0.011992649,0.0070891976,0.005324454,0.0024479218,0.058805328],"genre_scores_gemma":[0.8288943,0.06559662,0.0023663414,0.007422339,0.0063831615,0.00044506075,0.0022930943,0.00044683428,0.08615221],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98289937,0.0020489306,0.003842643,0.0034813264,0.0029797484,0.004747971],"domain_scores_gemma":[0.9870902,0.002324957,0.002228635,0.0021774755,0.0039314525,0.0022473023],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0040344666,0.0028803623,0.0031900562,0.0011939373,0.007719798,0.0023195555,0.0030708422,0.0027980602,0.0057757646],"category_scores_gemma":[0.0018660446,0.0027769385,0.0019096776,0.0037791962,0.0058320775,0.0039354446,0.00090975134,0.002611527,0.0012029519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039083484,0.0023791296,0.027425598,0.00041771153,0.0040326505,0.0009773866,0.05628659,0.004236932,0.002771284,0.0045705438,0.8564768,0.04003455],"study_design_scores_gemma":[0.0061284816,0.0005908868,0.029295279,0.00073416106,0.0062172865,0.00022820506,0.049722977,0.0069125555,0.002757139,0.0035337636,0.8890196,0.0048596375],"about_ca_topic_score_codex":0.09947225,"about_ca_topic_score_gemma":0.38597155,"teacher_disagreement_score":0.65145415,"about_ca_system_score_codex":0.0024649536,"about_ca_system_score_gemma":0.001956889,"threshold_uncertainty_score":0.99968946},"labels":[],"label_agreement":null},{"id":"W255983571","doi":"10.1093/fs/kns269","title":"La Passion du théâtre: Camus à la scène La Passion du théâtre: Camus à la scène. Sous la direction de S <scp>ophie</scp> B <scp>astien</scp> , G <scp>eraldine</scp> F. M <scp>ontgomery</scp> et M <scp>ark</scp> O <scp>rme</scp> . (Faux titre, 365). Amsterdam: Rodopi, 2011. 236 pp.","year":2012,"lang":"fr","type":"article","venue":"French Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Art; Spectacle; Absurdism; Humanities; Art history; Literature; Law; Psychology; Political science","score_opus":0.020354081828778015,"score_gpt":0.27320651055089323,"score_spread":0.2528524287221152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W255983571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63190645,0.1387015,0.00029900228,0.0040588886,0.014713535,0.0030714062,0.0011881759,0.0020920015,0.20396906],"genre_scores_gemma":[0.52833176,0.12948267,0.0014566198,0.004798208,0.016170796,0.0020617053,0.0012011369,0.000945066,0.31555206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9636236,0.0124814045,0.004517415,0.005451158,0.0051596523,0.008766775],"domain_scores_gemma":[0.9436874,0.042408746,0.0043087453,0.0028142512,0.00318306,0.0035977983],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.009884987,0.0055861794,0.0061600334,0.0019626687,0.0073511186,0.0033571923,0.0039443416,0.00590264,0.00013840974],"category_scores_gemma":[0.031449437,0.004771715,0.0035629242,0.0075518307,0.007192818,0.0053992565,0.0034264543,0.0065315226,0.001760476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013396361,0.0035678344,0.034253117,0.0009891505,0.004098641,0.00089400687,0.07518467,0.0004605647,0.0020079704,0.009283691,0.8632836,0.0059633492],"study_design_scores_gemma":[0.0034566636,0.00096696644,0.05883835,0.0015324837,0.003368176,0.00073064823,0.051708914,0.00040045934,0.0015336404,0.003041387,0.87385845,0.0005638344],"about_ca_topic_score_codex":0.0077956333,"about_ca_topic_score_gemma":0.005914964,"teacher_disagreement_score":0.111583,"about_ca_system_score_codex":0.001817549,"about_ca_system_score_gemma":0.001535581,"threshold_uncertainty_score":0.99901676},"labels":[],"label_agreement":null},{"id":"W2559872983","doi":"10.3138/ctr.168.007","title":"Theatre Criticism in Canada: A Round Table and Its Aftermath","year":2016,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Performance art; Intersection (aeronautics); Round table; Art history; Event (particle physics); Art; Table (database); Visual arts; History; Media studies; Sociology; Literature; Cartography; Geography; Advertising","score_opus":0.019602838003574905,"score_gpt":0.25655564545893383,"score_spread":0.23695280745535893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559872983","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019332286,0.7696767,5.2152546e-7,0.085802935,0.00029251602,0.0006537593,0.00021851332,0.000020271109,0.12400251],"genre_scores_gemma":[0.88812184,0.07702806,0.000008773562,0.030649547,0.00020495776,0.00005221156,0.0000067059436,0.000011033589,0.003916843],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869627,0.0002049988,0.00021221598,0.00023047905,0.00014894773,0.0005070806],"domain_scores_gemma":[0.99915886,0.00007418035,0.00003667239,0.00014306168,0.00006619577,0.00052104064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029467308,0.00012954025,0.0003329054,0.0000567304,0.0002380882,0.000051780735,0.00019810496,0.00006607213,0.0006878572],"category_scores_gemma":[0.000054101023,0.00007865371,0.000051108327,0.00040937256,0.00006640944,0.00022033862,0.0000139012955,0.00008458672,0.000031006948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006743472,0.00003112265,0.012187639,0.0021542304,0.0001506842,0.00068022433,0.002865627,2.3075053e-7,0.00008357938,0.08526644,0.12487031,0.7717032],"study_design_scores_gemma":[0.000071401904,0.000005490372,0.0007744981,0.0013805949,0.00006771126,0.00000794017,0.00035843794,0.0000012026529,0.0000017264529,0.0008994696,0.99626917,0.00016234121],"about_ca_topic_score_codex":0.98730445,"about_ca_topic_score_gemma":0.9999057,"teacher_disagreement_score":0.87139887,"about_ca_system_score_codex":0.0008254319,"about_ca_system_score_gemma":0.0029048102,"threshold_uncertainty_score":0.7531554},"labels":[],"label_agreement":null},{"id":"W2562846297","doi":"","title":"L’art Narratif et les Réflexions Existentielles dans La vie est Ailleurs de Kundera","year":2016,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Narrative; Meaning (existential); Humanities; Art; Philosophy; Art history; Literature","score_opus":0.02890171027119093,"score_gpt":0.2898437713667086,"score_spread":0.26094206109551765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562846297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029929172,0.00176479,0.00007437838,0.13248947,0.0014601077,0.00016447777,0.00016524798,0.000047205904,0.83390516],"genre_scores_gemma":[0.86616004,0.0003259673,0.00010479758,0.009691992,0.0008302496,0.000018540199,0.0000068721047,0.000013373736,0.122848146],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965157,0.000623368,0.00028228422,0.0006097909,0.0005775334,0.0013913476],"domain_scores_gemma":[0.99793285,0.00018305464,0.00013807643,0.00019676883,0.00029291247,0.0012563072],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015251591,0.0002547656,0.00028573198,0.00017249252,0.0047601205,0.0006503534,0.0009879908,0.00043544424,0.0015510359],"category_scores_gemma":[0.00038135328,0.00019736317,0.0002524208,0.0021307818,0.009351244,0.0009659181,0.00006925227,0.00030086713,0.00027063757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023121206,0.00003055835,0.002390685,0.0000064890583,0.000028874396,0.000043075062,0.03186758,8.109296e-7,0.0012221932,0.9107861,0.03448754,0.019133816],"study_design_scores_gemma":[0.00014558046,0.000033415425,0.0030383111,0.00007023358,0.000071074246,0.000012222402,0.0466672,0.000008899934,0.000044148313,0.01260713,0.9369151,0.00038667422],"about_ca_topic_score_codex":0.08203667,"about_ca_topic_score_gemma":0.75722796,"teacher_disagreement_score":0.90242755,"about_ca_system_score_codex":0.0013950749,"about_ca_system_score_gemma":0.00430479,"threshold_uncertainty_score":0.9993617},"labels":[],"label_agreement":null},{"id":"W258288991","doi":"","title":"L'Archange: Oper'installation: A Production by Chants Libres","year":2006,"lang":"en","type":"article","venue":"TheatreForum","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Interpretation (philosophy); Atmosphere (unit); Mysticism; Administration (probate law); Government (linguistics); Opera; Law; Political science; History; Sociology; Art; Literature; Philosophy","score_opus":0.017031040608870278,"score_gpt":0.26694030265135865,"score_spread":0.24990926204248837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W258288991","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5486882,0.0035467662,0.000050812818,0.060712125,0.001419743,0.0006191956,0.00004800262,0.0004066603,0.38450852],"genre_scores_gemma":[0.9186008,0.00004737201,0.00005853847,0.0010295789,0.0017055807,0.000021107579,0.00008100907,0.000007812412,0.078448206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896085,0.00010854926,0.00012997565,0.00022280769,0.00024222539,0.00033558556],"domain_scores_gemma":[0.9996922,0.0000098342125,0.000050928422,0.00012444345,0.00006663791,0.000055962017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022145569,0.00009814013,0.00012391066,0.000046164434,0.0006506494,0.00009655215,0.00014543178,0.00009408437,0.00030507325],"category_scores_gemma":[0.0000126999785,0.00006788882,0.00006898109,0.00039328446,0.0001598578,0.00033972622,0.000030294474,0.00007994567,0.000066080094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014469666,0.00060278986,0.023106162,0.000047306145,0.0001973682,0.000012950378,0.027881084,0.000077353034,0.04701896,0.13601731,0.6845494,0.08034462],"study_design_scores_gemma":[0.0001697759,0.000048236903,0.0025284833,0.000015598254,0.00003957451,0.000002309206,0.0025504201,0.00002064389,0.0012643024,0.011281103,0.98186386,0.00021566782],"about_ca_topic_score_codex":0.003637299,"about_ca_topic_score_gemma":0.011177715,"teacher_disagreement_score":0.36991262,"about_ca_system_score_codex":0.000051987423,"about_ca_system_score_gemma":0.000030583225,"threshold_uncertainty_score":0.6237427},"labels":[],"label_agreement":null},{"id":"W2585511687","doi":"","title":"Le Club musical de Québec : 125 ans","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Art; Visual arts","score_opus":0.007298767371363958,"score_gpt":0.17934186224965565,"score_spread":0.1720430948782917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2585511687","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.375105,0.0543705,0.00028209985,0.52940863,0.0007262659,0.00015538915,0.00007250711,0.00012246957,0.039757162],"genre_scores_gemma":[0.5359599,0.00412361,0.00019198903,0.0039857547,0.00082373276,0.000003521885,0.00000653613,0.000015359845,0.4548896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980177,0.0003395863,0.00016712544,0.0004330789,0.00028163983,0.00076086563],"domain_scores_gemma":[0.9988525,0.00017311801,0.00013356077,0.00026527853,0.00013381723,0.000441721],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020320492,0.00022943059,0.0003232346,0.00008167225,0.001456837,0.00004092842,0.00048065468,0.00041869792,0.0013874292],"category_scores_gemma":[0.00007061228,0.00018567138,0.0003846624,0.00060363585,0.0007316598,0.0004659551,0.00018628174,0.00020378946,0.00052872335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088448294,0.00022881643,0.0020469315,0.000018011848,0.00034274775,0.001029238,0.016196817,0.000011920747,0.0022639357,0.41589147,0.43354172,0.12833996],"study_design_scores_gemma":[0.00063696055,0.00007633292,0.0017035129,0.000044591132,0.00029347462,0.00005690768,0.007025762,0.00005187998,0.00006135676,0.0036307927,0.9861167,0.00030173323],"about_ca_topic_score_codex":0.32212636,"about_ca_topic_score_gemma":0.9470533,"teacher_disagreement_score":0.624927,"about_ca_system_score_codex":0.0057137725,"about_ca_system_score_gemma":0.0005053659,"threshold_uncertainty_score":0.9998431},"labels":[],"label_agreement":null},{"id":"W2593294610","doi":"10.7202/1038320ar","title":"De l’acte de suivre à la critique du suivisme : les déambulations audioguidées d’Olivier Choinière","year":2016,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","score_opus":0.03445175571488155,"score_gpt":0.27847631602755885,"score_spread":0.2440245603126773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593294610","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40741777,0.0065546427,0.0003155183,0.3177804,0.0015962641,0.0009596568,0.0008424169,0.00070947065,0.26382387],"genre_scores_gemma":[0.7825794,0.0060988315,0.0006776922,0.0039353846,0.0031220813,0.0001626312,0.00006160756,0.000118539996,0.20324379],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99229735,0.0021456305,0.0011868036,0.001283902,0.00066439714,0.0024219379],"domain_scores_gemma":[0.9951494,0.0016958913,0.00055030023,0.0007941398,0.0006646766,0.0011456377],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001782101,0.0010637181,0.0012487246,0.00030679035,0.0016993762,0.00065891276,0.0014093049,0.0014929855,0.001718194],"category_scores_gemma":[0.0012598529,0.0008412152,0.0013803752,0.0012234891,0.0025042638,0.0018393131,0.00019216203,0.0009334914,0.0002318773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011651374,0.0007591487,0.018008042,0.00043041955,0.00077226845,0.00039299432,0.021080334,0.00008996454,0.0030095046,0.84302366,0.0878977,0.024419438],"study_design_scores_gemma":[0.00035682094,0.00020795246,0.02675214,0.0014142994,0.00087403244,0.00022926545,0.0015186595,0.000079610036,0.00023338398,0.0071427966,0.9599816,0.0012094184],"about_ca_topic_score_codex":0.005959768,"about_ca_topic_score_gemma":0.2052221,"teacher_disagreement_score":0.8720839,"about_ca_system_score_codex":0.0009054231,"about_ca_system_score_gemma":0.0014500752,"threshold_uncertainty_score":0.9998033},"labels":[],"label_agreement":null},{"id":"W2598148522","doi":"","title":"UNEQ. À la défense de l’écrivain québécois","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.010453170392510156,"score_gpt":0.2054742247036501,"score_spread":0.19502105431113995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598148522","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4464899,0.08336247,0.000040898147,0.2987455,0.0011634511,0.00019562054,0.00008216053,0.00011102258,0.16980895],"genre_scores_gemma":[0.43246493,0.009756295,0.0003239678,0.0050650113,0.00092266814,0.000004245249,0.000014966068,0.000022908536,0.551425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979105,0.0003986469,0.00016705516,0.00043738267,0.0003073304,0.00077906094],"domain_scores_gemma":[0.9984282,0.00012431954,0.00031033333,0.0005842335,0.00014797159,0.00040491577],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000525962,0.00027516313,0.00037480902,0.00008375873,0.00420012,0.00023706142,0.0009897664,0.00054094347,0.00065609696],"category_scores_gemma":[0.00014147148,0.0002801136,0.0004139044,0.00030299174,0.0010084539,0.0006328857,0.0003368937,0.00037898606,0.00033536868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009156151,0.00017116232,0.0045942725,0.000040637566,0.00047878272,0.003956331,0.024184767,0.000035605484,0.0003981518,0.4363335,0.4489363,0.08077892],"study_design_scores_gemma":[0.00051652873,0.000050790717,0.0067193997,0.000050220657,0.00048231878,0.00010031329,0.0076626996,0.00019953301,0.000032792377,0.0064593963,0.9773792,0.00034681722],"about_ca_topic_score_codex":0.27736804,"about_ca_topic_score_gemma":0.8045802,"teacher_disagreement_score":0.52844286,"about_ca_system_score_codex":0.003985692,"about_ca_system_score_gemma":0.00019335102,"threshold_uncertainty_score":0.99996513},"labels":[],"label_agreement":null},{"id":"W2598459302","doi":"","title":"Chants solitaires / Jean-Simon DesRochers, Parle seul (avec sept illustrations d’Andrée-Anne Dupuis Bourret) Montréal, Les Herbes rouges, 2003, 72 p., 14,95 $. / Marcelle Roy, Pattes d’oie, Montréal, le Noroît, 2003, 80 p., 15,95 $. / Danyelle Morin, Cantejondo. Un chant profond, de vous à moi (préface de Bruno Roy), Ottawa, David, 2003, 196 p., 13 $.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.009153802221164516,"score_gpt":0.19394601181510718,"score_spread":0.18479220959394266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598459302","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2132584,0.75471026,0.0009623266,0.021639317,0.0016803021,0.0021823987,0.0010258402,0.0004581551,0.004082983],"genre_scores_gemma":[0.26227084,0.23773311,0.004182012,0.0025405907,0.0014360894,0.00031361717,0.00075481227,0.00035604005,0.4904129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98874885,0.0020470386,0.0013849892,0.002120212,0.0014398083,0.0042591314],"domain_scores_gemma":[0.9929339,0.00041578943,0.0012423159,0.001334075,0.002261956,0.0018119604],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015736361,0.0018048417,0.0019515431,0.00041482973,0.007496341,0.00059056154,0.0016671468,0.0018179411,0.0018876492],"category_scores_gemma":[0.0010445405,0.001886732,0.0008201972,0.005182948,0.0013731493,0.0019046044,0.00057034736,0.0015976896,0.0004044947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029104797,0.0017260594,0.0053978623,0.0003311693,0.001808571,0.0029262959,0.019457916,0.0054358603,0.0012002554,0.011882645,0.9385246,0.011017742],"study_design_scores_gemma":[0.003209302,0.00045187972,0.00088731264,0.00043843334,0.0017584297,0.0003096871,0.060268275,0.016047068,0.0014212602,0.0009957387,0.91188854,0.0023240945],"about_ca_topic_score_codex":0.46614686,"about_ca_topic_score_gemma":0.8096388,"teacher_disagreement_score":0.51697713,"about_ca_system_score_codex":0.006442689,"about_ca_system_score_gemma":0.0017966114,"threshold_uncertainty_score":0.9994779},"labels":[],"label_agreement":null},{"id":"W2598593198","doi":"","title":"Deux Rimbaud / Pierre Vadeboncoeur, Le pas de l’aventurier. À propos de Rimbaud, Montréal, Presses de l’Université de Montréal, 2003 / Serge Cantin, Nous voilà rendus au sol. Essais sur le désenchantement du monde, Montréal, Bellarmin. 2003","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.008297740193474195,"score_gpt":0.17711055138237392,"score_spread":0.1688128111888997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598593198","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3234058,0.5706045,0.0011345721,0.09451006,0.0013915733,0.0016440944,0.0005960715,0.0004331974,0.0062801302],"genre_scores_gemma":[0.2786493,0.41461146,0.004385073,0.005015226,0.0019503019,0.00016840504,0.0005261474,0.00034373417,0.29435036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99047506,0.0013139482,0.0010213888,0.0018222956,0.0013399643,0.0040273177],"domain_scores_gemma":[0.99387324,0.00019380424,0.0011794813,0.0011772729,0.0014794029,0.0020968136],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001345268,0.0014723253,0.0016014116,0.0004722876,0.0068737804,0.00030336223,0.0018270601,0.0017574899,0.00075776974],"category_scores_gemma":[0.00044696504,0.0016177152,0.0009671329,0.0030255956,0.0010457884,0.0013837261,0.0010549246,0.001362418,0.00020584826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008472166,0.0024306201,0.006731369,0.00030837764,0.0023844887,0.012973677,0.03537492,0.017120715,0.0045555183,0.009391189,0.9000906,0.007791306],"study_design_scores_gemma":[0.005411986,0.00051325903,0.0025605883,0.00035910308,0.0027272254,0.001090437,0.022944624,0.0042334665,0.002825021,0.0015493815,0.95388216,0.0019027513],"about_ca_topic_score_codex":0.7434549,"about_ca_topic_score_gemma":0.89874697,"teacher_disagreement_score":0.28807023,"about_ca_system_score_codex":0.028196907,"about_ca_system_score_gemma":0.004149904,"threshold_uncertainty_score":0.9998026},"labels":[],"label_agreement":null},{"id":"W2598942785","doi":"10.5817/cejcs2011-7-11","title":"[Kürtösi, Katalin. \"Világok találkoznak\": a \"másik\" irodalmi ábrázolása Kanadában (\"Worlds meet\": the literary representation of the 'other' in Canada)]","year":2011,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Art; Business; Political science; Law","score_opus":0.0548941831265364,"score_gpt":0.255710361888375,"score_spread":0.20081617876183858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598942785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8331632,0.015281814,0.0000013259389,0.035942405,0.0021026018,0.00044159582,0.00008745769,0.000008601615,0.11297097],"genre_scores_gemma":[0.9936545,0.00053512934,0.00001708386,0.0043389346,0.00047769162,0.0000015885115,9.4494067e-7,0.0000127287285,0.0009614227],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99639636,0.0018365863,0.0006323666,0.00015210899,0.00045301157,0.0005295845],"domain_scores_gemma":[0.9984714,0.00015299636,0.000520355,0.0002934464,0.00032145725,0.00024033859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012942302,0.00016982216,0.00033921053,0.00015912189,0.00074159406,0.00006481501,0.0010749341,0.000026068652,0.00009194883],"category_scores_gemma":[0.00034506872,0.00007809282,0.0002214642,0.0012326894,0.0006731709,0.00021891441,0.00007220359,0.00032715703,0.0000021951746],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021051838,0.0000939967,0.07969788,0.00004552596,0.00214779,0.000609324,0.59584945,0.00015153123,0.00021754632,0.048177842,0.2527618,0.020036764],"study_design_scores_gemma":[0.000713597,0.00009809271,0.45165712,0.0002951991,0.0004807544,0.00005360992,0.14109956,0.000009434123,0.00026688343,0.0040455055,0.40089762,0.00038261412],"about_ca_topic_score_codex":0.93894345,"about_ca_topic_score_gemma":0.9989369,"teacher_disagreement_score":0.4547499,"about_ca_system_score_codex":0.00041239432,"about_ca_system_score_gemma":0.0013373273,"threshold_uncertainty_score":0.5703817},"labels":[],"label_agreement":null},{"id":"W2600791269","doi":"","title":"Raymonde April, Bifurcations, du 19 octobre 2004 au 20 février 2005, Centre culturel Yvonne L. Bombardier, Valcourt (Québec)","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.006304963195098542,"score_gpt":0.18517358211232057,"score_spread":0.17886861891722203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2600791269","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03465455,0.37140936,0.00010760143,0.56853586,0.0014026826,0.00043482124,0.0002911019,0.0001973014,0.022966756],"genre_scores_gemma":[0.044063732,0.02811209,0.0009868031,0.011671841,0.004415751,0.000011025272,0.00028873413,0.000049983122,0.91040003],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960883,0.0004712507,0.0004423948,0.0008611236,0.00068315066,0.001453754],"domain_scores_gemma":[0.9974761,0.00012986739,0.00039722884,0.00054138,0.0004195477,0.0010358792],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004720837,0.0005881529,0.00066499144,0.00020783255,0.0035412721,0.00013543229,0.0008517971,0.0008106383,0.004147952],"category_scores_gemma":[0.000121282974,0.0005689207,0.0007761455,0.0013392604,0.0007235473,0.001080278,0.0002741519,0.000604717,0.0016851249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007715738,0.00034819226,0.0023351295,0.000032519045,0.0006403181,0.0003200503,0.016036583,0.0010668872,0.00014692312,0.024759043,0.940313,0.0139242215],"study_design_scores_gemma":[0.0011512536,0.00004287496,0.00085480633,0.000065723616,0.0011201688,0.00009401423,0.0127867805,0.0005385167,0.0000366629,0.00070242374,0.9819039,0.00070287025],"about_ca_topic_score_codex":0.12701315,"about_ca_topic_score_gemma":0.9034991,"teacher_disagreement_score":0.8874333,"about_ca_system_score_codex":0.01645487,"about_ca_system_score_gemma":0.00070726103,"threshold_uncertainty_score":0.9996762},"labels":[],"label_agreement":null},{"id":"W2606091407","doi":"","title":"« Le chant des sirènes » / Ariane Thézé, Le chant des sirènes. Galerie Éric Devlin, Montréal. 6 décembre 2001 - 15 janvier 2002","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01842415613700429,"score_gpt":0.18224209324376134,"score_spread":0.16381793710675704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606091407","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077588975,0.84010667,0.00017456069,0.036204737,0.0010913182,0.00057044515,0.00015352157,0.00015722826,0.04395255],"genre_scores_gemma":[0.062200703,0.046189293,0.0008101401,0.001963301,0.0012587662,0.000030168445,0.00005507119,0.00007267391,0.8874199],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949238,0.00062901445,0.0005710136,0.0011011178,0.0007164008,0.0020586872],"domain_scores_gemma":[0.99722046,0.0001753384,0.0004899539,0.00062231516,0.0005315724,0.0009603532],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005394665,0.00081264746,0.0010438228,0.00033608792,0.004953952,0.00023300953,0.0009851416,0.00087697234,0.0047878847],"category_scores_gemma":[0.00013015448,0.0008062729,0.00079280057,0.0024829512,0.0019264561,0.001523082,0.00041704465,0.00062356546,0.0015224861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119048775,0.0009479189,0.00030087229,0.00012249152,0.00086526485,0.0025242518,0.009796812,0.00039410507,0.0009887166,0.024366427,0.89866024,0.060913846],"study_design_scores_gemma":[0.0014123992,0.00021954715,0.0013143823,0.00017114141,0.00077230996,0.0002878711,0.016360594,0.0022907676,0.00016964243,0.003413773,0.9725421,0.0010454553],"about_ca_topic_score_codex":0.0641938,"about_ca_topic_score_gemma":0.8297362,"teacher_disagreement_score":0.84346735,"about_ca_system_score_codex":0.0013442312,"about_ca_system_score_gemma":0.0002566996,"threshold_uncertainty_score":0.9994388},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"review","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"agree"},{"id":"W2606831099","doi":"10.71781/22371","title":"Le rôle de Reverdy dans le travail créateur de Saint-Denys Garneau","year":2004,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Philosophy","score_opus":0.0230904297780637,"score_gpt":0.300563280936398,"score_spread":0.2774728511583343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606831099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.785858,0.0019680164,0.000034083896,0.0019045365,0.0005611032,0.0005079681,0.00010657597,0.000005428859,0.20905432],"genre_scores_gemma":[0.55708945,0.00017115547,0.0017680449,0.0006480821,0.0005789532,0.000054300242,0.00083602435,0.00003097745,0.43882304],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970126,0.0006508547,0.00049810595,0.00072409376,0.0003445014,0.0007698243],"domain_scores_gemma":[0.99875075,0.00006629725,0.00037584963,0.00027726614,0.00020291402,0.0003269544],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00092867704,0.0003877939,0.00059953507,0.000068811474,0.0015764221,0.00089480204,0.0013474858,0.0008115746,0.0029306246],"category_scores_gemma":[0.00011857749,0.00036923078,0.00036844588,0.00070820743,0.0004074812,0.00064984855,0.000082969746,0.0005248391,0.0007062965],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026996076,0.0016276395,0.0046632662,0.00019455537,0.0011240182,0.0003322448,0.66768986,0.0005795206,0.04562524,0.06251603,0.010005606,0.20537204],"study_design_scores_gemma":[0.0011069133,0.00016946881,0.011735132,0.00033769922,0.0008216162,0.000024040028,0.24614793,0.00006914478,0.010538522,0.0048618196,0.7231262,0.0010615485],"about_ca_topic_score_codex":0.087482944,"about_ca_topic_score_gemma":0.4672595,"teacher_disagreement_score":0.7131206,"about_ca_system_score_codex":0.00057499245,"about_ca_system_score_gemma":0.0028207405,"threshold_uncertainty_score":0.99987596},"labels":[],"label_agreement":null},{"id":"W2606979986","doi":"","title":"Le documentaire passe au direct / Le Documentaire passe au direct, Guy Gauthier, Philippe Pilard et Simone Suchet, Montréal : VLB, 2003, 210 pages","year":2003,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.012738454624509473,"score_gpt":0.27750381415867437,"score_spread":0.2647653595341649,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606979986","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31012666,0.15149856,0.000066906185,0.17955697,0.008156099,0.0027697359,0.0006711091,0.00088756875,0.3462664],"genre_scores_gemma":[0.8692765,0.01272994,0.0007027168,0.0049820067,0.0024089764,0.0004018474,0.00028865534,0.00014616609,0.10906317],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9850263,0.005494726,0.0019330189,0.0026323248,0.0015141349,0.0033995018],"domain_scores_gemma":[0.994049,0.00094996387,0.0012624507,0.0014202616,0.00085139513,0.0014669439],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0042084167,0.0017264447,0.0023658024,0.00041981094,0.0036995744,0.0014507138,0.0018555913,0.0016801581,0.0012220598],"category_scores_gemma":[0.001429945,0.0016109019,0.0013452992,0.0045805043,0.002886055,0.0038415738,0.00037090588,0.0019047658,0.00035218272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00063759135,0.0050241747,0.105736,0.0025529058,0.0045840666,0.0038204808,0.08856349,0.0007268728,0.006102968,0.3156378,0.41646537,0.050148282],"study_design_scores_gemma":[0.0026485024,0.00066116505,0.008547533,0.0011650833,0.0014951783,0.0002181502,0.03347586,0.00016209594,0.0033120352,0.012245638,0.9331663,0.0029024319],"about_ca_topic_score_codex":0.110162705,"about_ca_topic_score_gemma":0.22807223,"teacher_disagreement_score":0.55914986,"about_ca_system_score_codex":0.0016112059,"about_ca_system_score_gemma":0.0035292162,"threshold_uncertainty_score":0.9998275},"labels":[],"label_agreement":null},{"id":"W2607035881","doi":"","title":"La voix des cinéastes / GIGNAC, Martin. Arrêt sur l’image – 41 portraits de cinéastes québécois, Montréal, Requiem pour un film, 2012, 149 p.","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007288641160126879,"score_gpt":0.17939007853856337,"score_spread":0.1721014373784365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607035881","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6177356,0.2814738,0.00012582797,0.07402874,0.00049631664,0.00053018145,0.00017095472,0.00024303298,0.02519552],"genre_scores_gemma":[0.3589818,0.032192685,0.0037014703,0.0040567163,0.0013086866,0.0000547558,0.00013416875,0.00012399201,0.59944576],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949254,0.0010806608,0.00058778224,0.0009482095,0.0006626216,0.0017953654],"domain_scores_gemma":[0.99666137,0.000508945,0.00057151663,0.0005578496,0.0007197312,0.0009805815],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00077701727,0.00075422775,0.00087332085,0.0002600738,0.0022377882,0.00032026728,0.00096709153,0.00093669514,0.0054829987],"category_scores_gemma":[0.00024497235,0.0007352844,0.0007063709,0.0014401646,0.0012379197,0.0023884606,0.0003834771,0.00075178535,0.001149107],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100950914,0.00053923106,0.0051131374,0.00014415376,0.000915667,0.002073087,0.017976249,0.00014843534,0.0052399775,0.020685295,0.86007994,0.086983874],"study_design_scores_gemma":[0.0013745277,0.00021574328,0.014235134,0.00024384368,0.0010875561,0.00037732822,0.03283845,0.0012108312,0.00031927932,0.012003774,0.9349582,0.0011353433],"about_ca_topic_score_codex":0.32153216,"about_ca_topic_score_gemma":0.6729824,"teacher_disagreement_score":0.5742502,"about_ca_system_score_codex":0.0033407183,"about_ca_system_score_gemma":0.00034768137,"threshold_uncertainty_score":0.9996286},"labels":[],"label_agreement":null},{"id":"W2608275981","doi":"","title":"L’enfant prodige : le génie de la musique / L’enfant prodige — Canada [Québec] 2010, 100 minutes","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.005178782751498097,"score_gpt":0.17947822515529818,"score_spread":0.17429944240380008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608275981","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71454036,0.054015096,0.000011130792,0.18260878,0.002273009,0.0005924113,0.00019451621,0.00013476642,0.04562993],"genre_scores_gemma":[0.44652042,0.0020135615,0.0005492071,0.0034798433,0.00104845,0.000026284815,0.000058299396,0.000042658037,0.5462613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670786,0.0005106477,0.00032822508,0.0007213657,0.0005355389,0.001196371],"domain_scores_gemma":[0.99792856,0.00027047153,0.00032655426,0.00050964206,0.0002859302,0.00067884027],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064125715,0.00046896824,0.0005645866,0.00012874308,0.0022835515,0.00014371975,0.00086857774,0.00070661993,0.0010337867],"category_scores_gemma":[0.00016475108,0.00045401102,0.00034813964,0.00093076663,0.0009615188,0.0005593936,0.0002701294,0.00097453804,0.00007660664],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095563366,0.0003832673,0.006094198,0.00010197141,0.0005058159,0.0030820165,0.018034237,0.00004617171,0.008508473,0.09075723,0.85802597,0.014365061],"study_design_scores_gemma":[0.0005413945,0.00006497945,0.0041482807,0.000049006954,0.0003640717,0.0002387718,0.0048364094,0.00019835663,0.0005187537,0.0014635174,0.9869698,0.0006066207],"about_ca_topic_score_codex":0.99107105,"about_ca_topic_score_gemma":0.9997804,"teacher_disagreement_score":0.50063133,"about_ca_system_score_codex":0.0054023257,"about_ca_system_score_gemma":0.003551143,"threshold_uncertainty_score":0.9998794},"labels":[],"label_agreement":null},{"id":"W2608696649","doi":"","title":"Nicole Gingras (dir.), Des disques et un couteau –Martin Tétreault, Montréal, les Éditions Nicole Gingras","year":2016,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.030412221483297256,"score_gpt":0.29984617032332844,"score_spread":0.2694339488400312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608696649","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07213106,0.090850584,0.0011375659,0.7243686,0.0068840915,0.0014302726,0.002017771,0.0010138414,0.10016622],"genre_scores_gemma":[0.7898652,0.011422618,0.0005923351,0.0050688987,0.0027346793,0.00040392586,0.0005479449,0.0000961572,0.18926826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99524647,0.00092999375,0.0008545309,0.0009873583,0.00064985495,0.0013317697],"domain_scores_gemma":[0.9969007,0.00074573886,0.0004332404,0.000674752,0.0005786931,0.0006668751],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007620961,0.00065397436,0.00075857947,0.00021817727,0.004075679,0.00065442966,0.0007202449,0.0005258506,0.007436813],"category_scores_gemma":[0.0005157648,0.00048031087,0.00065996917,0.001524837,0.002660359,0.0017940978,0.00024555883,0.0005007954,0.00076230575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020431806,0.0009426018,0.0040845005,0.000057996283,0.00038678476,0.000033147,0.007953795,0.000032289263,0.00053176214,0.49778542,0.47655812,0.011613147],"study_design_scores_gemma":[0.00069265754,0.00013883715,0.005570653,0.00069437706,0.0003909728,0.000016072569,0.0056089307,0.0000661407,0.00041409422,0.029514603,0.9561231,0.00076955295],"about_ca_topic_score_codex":0.01226347,"about_ca_topic_score_gemma":0.05093432,"teacher_disagreement_score":0.7192997,"about_ca_system_score_codex":0.0002838563,"about_ca_system_score_gemma":0.00031643562,"threshold_uncertainty_score":0.99976486},"labels":[],"label_agreement":null},{"id":"W2609088184","doi":"","title":"Au centre de la scène : récupérer l’objet dans le discours de Guy Debord / Center Stage: Recuperating the object in Debordian discourse","year":2013,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Object (grammar); Humanities; Center (category theory); Art; Philosophy; Linguistics","score_opus":0.007746313275525786,"score_gpt":0.27654373291459233,"score_spread":0.26879741963906656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609088184","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6726674,0.004454844,0.00011785681,0.28773883,0.0009650394,0.00072897127,0.00009741837,0.00006534054,0.033164296],"genre_scores_gemma":[0.89301074,0.00023981102,0.0005117099,0.0053819753,0.0012500304,0.00006731061,0.000050723633,0.00004087275,0.0994468],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9939907,0.003006805,0.00037894046,0.0006314535,0.00046885418,0.0015232399],"domain_scores_gemma":[0.9984933,0.0002601804,0.00020098449,0.00046597657,0.00014951068,0.00043006384],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013773008,0.00049255067,0.00048117997,0.000088330016,0.0014682403,0.00090664846,0.0007543037,0.0006624741,0.0011016635],"category_scores_gemma":[0.0003575711,0.00031755812,0.00043233854,0.001184222,0.0014922702,0.0009312646,0.00015157583,0.0012809742,0.000105901694],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043870972,0.0006767315,0.2066362,0.000097515745,0.00038594898,0.00014216911,0.6352844,0.0011746993,0.0017895233,0.09442427,0.048354242,0.010990408],"study_design_scores_gemma":[0.0012462421,0.00006612577,0.09485163,0.00046715979,0.00030492927,0.000027431206,0.5761552,0.0012313898,0.00025633557,0.0027933158,0.32159966,0.00100062],"about_ca_topic_score_codex":0.04367588,"about_ca_topic_score_gemma":0.22815683,"teacher_disagreement_score":0.28235686,"about_ca_system_score_codex":0.0006672239,"about_ca_system_score_gemma":0.0007969438,"threshold_uncertainty_score":0.99992764},"labels":[],"label_agreement":null},{"id":"W2609129026","doi":"","title":"Transcrire le comique inaperçu / Playtime de Jacques Tati","year":2016,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02105328653442683,"score_gpt":0.26178235924051474,"score_spread":0.2407290727060879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609129026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4713504,0.15934992,0.00042849316,0.25643972,0.0016975877,0.0003876761,0.00018636788,0.00022034562,0.1099395],"genre_scores_gemma":[0.8072962,0.003695933,0.0004709171,0.007099245,0.0011459555,0.00002701898,0.0000115116945,0.000019203124,0.180234],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980881,0.0004993852,0.00028309383,0.00036250512,0.00019025497,0.0005766464],"domain_scores_gemma":[0.99909294,0.00024313536,0.00010272699,0.00018040842,0.00014452134,0.00023629786],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034984923,0.00023456123,0.00035565224,0.00004869958,0.00060346315,0.00013122337,0.0003769428,0.0003934408,0.0029841505],"category_scores_gemma":[0.0001056708,0.0001540032,0.00028082094,0.00033965346,0.0010199294,0.00036052812,0.000030292256,0.00016632448,0.000352962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006451445,0.00033101783,0.003707893,0.00008748972,0.000375843,0.00006928515,0.025462208,0.000005715312,0.01689714,0.5020116,0.3884263,0.06256096],"study_design_scores_gemma":[0.0005118883,0.00010043196,0.0017768355,0.00020291033,0.00014812792,0.000009093897,0.006093451,0.000013556708,0.0016594316,0.014590809,0.9745522,0.00034126753],"about_ca_topic_score_codex":0.0047782166,"about_ca_topic_score_gemma":0.0067748735,"teacher_disagreement_score":0.5861259,"about_ca_system_score_codex":0.00010413634,"about_ca_system_score_gemma":0.00024720957,"threshold_uncertainty_score":0.99792725},"labels":[],"label_agreement":null},{"id":"W2610167668","doi":"10.7202/1038748ar","title":"Les Chroniques musicales de Gilles Marcotte","year":2017,"lang":"fr","type":"article","venue":"Les Cahiers des dix","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Amateur; History","score_opus":0.03800197366786194,"score_gpt":0.3119546621122415,"score_spread":0.27395268844437953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610167668","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8823929,0.02678784,0.00014690761,0.0103787575,0.00096484594,0.00016982065,0.000060919225,0.00010567088,0.07899234],"genre_scores_gemma":[0.8052905,0.0037664506,0.0021879734,0.0024179518,0.002071179,0.000025396086,0.000021496628,0.00002515855,0.1841939],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758685,0.00047176084,0.00029200976,0.00048029234,0.00031585878,0.0008532591],"domain_scores_gemma":[0.9985567,0.00015279104,0.0002895689,0.0004919354,0.00017751998,0.00033148532],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00046525852,0.00033222543,0.00043253365,0.00006242158,0.0056374306,0.0007211941,0.0009743948,0.0007491012,0.0021281708],"category_scores_gemma":[0.00036927397,0.00027769496,0.00043808736,0.00019286187,0.009357752,0.0006564413,0.00013194804,0.00057308597,0.00014746739],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030894444,0.00018494182,0.027516587,0.00019402942,0.00043790252,0.00011871486,0.053495523,0.0000059907234,0.00066680793,0.61092377,0.017408373,0.28901646],"study_design_scores_gemma":[0.0002524179,0.0000971699,0.034764882,0.00019421449,0.00036357666,0.000010941982,0.0064335,0.00008376099,0.00036426564,0.04355929,0.91336846,0.0005074945],"about_ca_topic_score_codex":0.018452255,"about_ca_topic_score_gemma":0.04023573,"teacher_disagreement_score":0.8959601,"about_ca_system_score_codex":0.0005172369,"about_ca_system_score_gemma":0.00010099974,"threshold_uncertainty_score":0.9999675},"labels":[],"label_agreement":null},{"id":"W2610224678","doi":"10.15210/interfaces.v4i1.6489","title":"Yannik Gasquy-Resh. Gaston Miron: le forcené magnifique.","year":2015,"lang":"es","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intellectual history; History","score_opus":0.032018353708896045,"score_gpt":0.27033944639433966,"score_spread":0.2383210926854436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610224678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14421014,0.005891292,0.00057977845,0.1454083,0.0051422846,0.001621045,0.00021269196,0.0009457353,0.6959887],"genre_scores_gemma":[0.9860087,0.0005050838,0.001180998,0.0019164534,0.0032256192,0.00021293767,0.00031650037,0.000078786245,0.0065548974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923382,0.0015436215,0.0011852228,0.0014360065,0.0018504815,0.0016464666],"domain_scores_gemma":[0.99490905,0.00025377295,0.0007779837,0.0008903531,0.0014938039,0.0016750261],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0017370105,0.0008966936,0.0010411076,0.0005191801,0.002045547,0.0013334284,0.0014426655,0.0013990434,0.00013624896],"category_scores_gemma":[0.0009629925,0.000814189,0.00072509405,0.0018427279,0.00018005903,0.0014169767,0.00043348715,0.0012123925,0.00014059088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037464855,0.0010337593,0.0011300651,0.0001285677,0.00036908055,0.00027196083,0.010611171,0.000069923684,0.0008341735,0.9614237,0.021975433,0.0017775076],"study_design_scores_gemma":[0.0019333501,0.00021095527,0.0021319422,0.00021091207,0.0003271614,0.00036692177,0.0052957917,0.00029549698,0.00029061048,0.001972123,0.98599505,0.0009696556],"about_ca_topic_score_codex":0.0000593774,"about_ca_topic_score_gemma":0.0015228362,"teacher_disagreement_score":0.96401966,"about_ca_system_score_codex":0.0011655982,"about_ca_system_score_gemma":0.0021939175,"threshold_uncertainty_score":0.99989736},"labels":[],"label_agreement":null},{"id":"W2610817623","doi":"","title":"Des oeuvres recréées / Alexandre Castonguay, Méta-poésis / Mathieu Bouchard, Inventions, Pierre-François Ouellette art contemporain, Montréal (présenté dans le cadre du Festival Elektra). 21 mars - 9 mai 2009","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Martian; Art; Mars Exploration Program; Geology; Astrobiology; Physics","score_opus":0.009256458123626975,"score_gpt":0.19806003832672514,"score_spread":0.18880358020309818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610817623","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37882477,0.33384162,0.00036083613,0.23958258,0.0018935712,0.0009802402,0.0006572717,0.00037489404,0.0434842],"genre_scores_gemma":[0.18237685,0.024908872,0.0008190291,0.006140255,0.0015388196,0.000023018325,0.00040256427,0.00007244058,0.78371817],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99475557,0.0010006739,0.0007148161,0.0011286843,0.0008679797,0.0015322764],"domain_scores_gemma":[0.997325,0.0001663768,0.0005840323,0.00061418826,0.00045402793,0.0008563427],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077107514,0.0008331972,0.0010766278,0.00035217954,0.004604039,0.00027504473,0.0009485304,0.00091894285,0.0013240313],"category_scores_gemma":[0.00013901135,0.0008673132,0.0011045646,0.0016604856,0.0014724175,0.0012770713,0.0002330539,0.00080495974,0.00047608677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027352592,0.0005935915,0.0021061492,0.00006194844,0.00079573673,0.0033796835,0.012335532,0.00012317422,0.0009488138,0.027183335,0.91958576,0.03261272],"study_design_scores_gemma":[0.0016640193,0.00037157797,0.005319671,0.00021653422,0.0009864726,0.0005518545,0.023564791,0.00027440628,0.00012897677,0.0052916924,0.9606383,0.000991722],"about_ca_topic_score_codex":0.07954362,"about_ca_topic_score_gemma":0.46994573,"teacher_disagreement_score":0.74023396,"about_ca_system_score_codex":0.0034161494,"about_ca_system_score_gemma":0.00026448627,"threshold_uncertainty_score":0.9995889},"labels":[],"label_agreement":null},{"id":"W2611253292","doi":"","title":"DES ÉLÈVES DU PROGRAMME ART-ÉTUDES MUSIQUE À L'HONNEUR AU CONCOURS DE VICTORIAVILLE","year":2017,"lang":"fr","type":"article","venue":"//www2.cslaval.qc.ca/cureantoinelabelle","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.036815261255884774,"score_gpt":0.29056960224883477,"score_spread":0.25375434099295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611253292","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7973587,0.016680647,0.00008415665,0.025340604,0.009748534,0.0016229979,0.00035926374,0.00047674018,0.14832838],"genre_scores_gemma":[0.91251266,0.0043584853,0.0012222365,0.002951496,0.009068535,0.00021892859,0.00027147698,0.00014780788,0.069248386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9908298,0.0013118727,0.0013324589,0.0018515214,0.001295132,0.0033791645],"domain_scores_gemma":[0.99381894,0.0005549785,0.0012980383,0.0017248015,0.0011499642,0.0014532617],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0024833204,0.0014182759,0.0017479752,0.00023324751,0.0077890446,0.0019800318,0.0026593308,0.0015339924,0.0038661798],"category_scores_gemma":[0.0013516662,0.0012151218,0.0012186395,0.0011231509,0.0049605025,0.0020412032,0.00076652213,0.0013226534,0.0015773458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006180004,0.0062790723,0.16864048,0.0013583077,0.004566496,0.0015132172,0.23004669,0.00021688455,0.007532479,0.24570504,0.28486595,0.04865737],"study_design_scores_gemma":[0.0022403807,0.00065686257,0.014009978,0.0005049044,0.0013777082,0.00010411023,0.012068654,0.0009991807,0.00041918433,0.011895993,0.95388037,0.0018426623],"about_ca_topic_score_codex":0.03122588,"about_ca_topic_score_gemma":0.118510015,"teacher_disagreement_score":0.6690144,"about_ca_system_score_codex":0.0010103415,"about_ca_system_score_gemma":0.0015069736,"threshold_uncertainty_score":0.9998567},"labels":[],"label_agreement":null},{"id":"W2611704342","doi":"","title":"Paradoxe sur le metteur en scène / Brigitte Haentjens, Un regard qui te fracasse. Propos sur le théâtre et la mise en scène, Montréal, Boréal, 2014, 219 pages","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège Montmorency","funders":"","keywords":"Humanities; Philosophy","score_opus":0.012583294303550005,"score_gpt":0.20301438824348741,"score_spread":0.1904310939399374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611704342","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35340086,0.2174744,0.00009325582,0.41543028,0.001115687,0.00085096847,0.0002751972,0.0003291314,0.011030229],"genre_scores_gemma":[0.3887462,0.071850196,0.0017341577,0.0073868656,0.0014089858,0.000043103762,0.00035481725,0.00015527241,0.5283204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930056,0.0026629085,0.0005948322,0.0012362016,0.0011427107,0.0013577928],"domain_scores_gemma":[0.99626786,0.00052604004,0.000624534,0.00081865524,0.00073699193,0.0010259061],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0017207197,0.0008244409,0.0011627395,0.0002885635,0.001513609,0.00037875253,0.0012474055,0.0010740772,0.00022496925],"category_scores_gemma":[0.0003121398,0.0007931902,0.00077964214,0.0013830527,0.000759324,0.0020198685,0.00059622567,0.0010231754,0.00054258987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027690627,0.0007104219,0.0020676702,0.00007498169,0.0009737416,0.0033066971,0.0099741295,0.00032897815,0.00037161034,0.03247072,0.932878,0.016566139],"study_design_scores_gemma":[0.0026191862,0.00021371529,0.0011547062,0.00012921309,0.0009205566,0.00021072537,0.021256967,0.00054028904,0.00023154615,0.0030813979,0.96866685,0.00097486604],"about_ca_topic_score_codex":0.1802948,"about_ca_topic_score_gemma":0.44147933,"teacher_disagreement_score":0.5172902,"about_ca_system_score_codex":0.0026141,"about_ca_system_score_gemma":0.0010152541,"threshold_uncertainty_score":0.99978626},"labels":[],"label_agreement":null},{"id":"W2611931402","doi":"","title":"L’histoire fragmentée de Florence et Laure. Kiev Renaud, Je n’ai jamais embrassé Laure, Montréal, Leméac, 2016, 83 p.","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diphthong; Philosophy; Linguistics","score_opus":0.007202343578104905,"score_gpt":0.19392216236763074,"score_spread":0.18671981878952584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611931402","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035890143,0.4129214,0.0007637151,0.51117915,0.0021595228,0.00047689857,0.00037291093,0.00030859082,0.03592766],"genre_scores_gemma":[0.14359571,0.06575042,0.0008567592,0.016578315,0.0012199549,0.000029737123,0.00010343655,0.00007878742,0.77178687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950425,0.0010179207,0.0005225834,0.0010641749,0.00077655533,0.0015762877],"domain_scores_gemma":[0.9972652,0.00035150247,0.0005212817,0.0007199956,0.0004000757,0.0007419175],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008927423,0.0006693805,0.00083168375,0.00024315064,0.0028521086,0.00015945047,0.0011290997,0.0009800952,0.002890763],"category_scores_gemma":[0.00018767854,0.0005491516,0.0006979164,0.0012676759,0.0011433002,0.0014766935,0.00042670642,0.00062353833,0.0009733424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012702665,0.00022267115,0.00084885856,0.000042359035,0.000451837,0.0010340232,0.0050722915,0.00005558959,0.0018899618,0.07437776,0.8436375,0.0722401],"study_design_scores_gemma":[0.0013775744,0.00016562748,0.0011358864,0.00031272625,0.0006727416,0.0000890387,0.003951971,0.00013274213,0.00015209077,0.0077475123,0.9834481,0.00081399456],"about_ca_topic_score_codex":0.054645766,"about_ca_topic_score_gemma":0.40525964,"teacher_disagreement_score":0.7358592,"about_ca_system_score_codex":0.0075811534,"about_ca_system_score_gemma":0.00035479027,"threshold_uncertainty_score":0.9998045},"labels":[],"label_agreement":null},{"id":"W2612102950","doi":"","title":"L’espace libre nouveau / Parade du temps qui passe d'Alexis Martin et de Jean-Pierre Ronfard, Production du Nouveau Théâtre Expérimental de Montréal, Manège des Fusiliers du Mont-Royal, du 5 au 22 juin 2002; reprise à l’Espace Libre, du 28 août au 1er septembre 2002","year":2002,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Parade; Art; Humanities; Art history","score_opus":0.02031933681902356,"score_gpt":0.2537964781630963,"score_spread":0.23347714134407274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612102950","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79563934,0.024789555,0.00004543329,0.13075906,0.0030922187,0.0012144545,0.00012644443,0.00049006887,0.04384341],"genre_scores_gemma":[0.76618224,0.0075316145,0.0013191905,0.008216292,0.009302094,0.0003404172,0.00006298951,0.00014065062,0.20690453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98908854,0.0016464489,0.0014093897,0.002771297,0.0017557053,0.003328624],"domain_scores_gemma":[0.99564654,0.00042675645,0.0011569862,0.001107566,0.00047331367,0.0011888568],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0030449508,0.0014724197,0.0013310033,0.0005268784,0.008219905,0.0019235578,0.0020852943,0.00080686796,0.005406779],"category_scores_gemma":[0.0011990598,0.0012687094,0.0010131658,0.0031157122,0.0069498196,0.004219303,0.00067441585,0.00093252974,0.00047168272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015714922,0.0012378532,0.15266682,0.00018370691,0.00026773504,0.00043621048,0.05896423,0.011175912,0.0010177013,0.0038825632,0.7677977,0.002212407],"study_design_scores_gemma":[0.0012987828,0.00079249276,0.020130418,0.00046126783,0.00059184723,0.00024956197,0.049469672,0.009314417,0.00068530405,0.00052138587,0.91443753,0.002047288],"about_ca_topic_score_codex":0.031993113,"about_ca_topic_score_gemma":0.13935496,"teacher_disagreement_score":0.16306111,"about_ca_system_score_codex":0.0016138597,"about_ca_system_score_gemma":0.0007683704,"threshold_uncertainty_score":0.99980253},"labels":[],"label_agreement":null},{"id":"W2612139542","doi":"","title":"Dieu et l’argent / Columbarium de Steve Kerr, Québec, 2012, 86 min","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics; Political science","score_opus":0.011487293576540443,"score_gpt":0.20338879710416316,"score_spread":0.19190150352762272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612139542","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25374606,0.51933783,0.00009080071,0.18803652,0.0022522507,0.00035127744,0.00013638768,0.00011887448,0.03592997],"genre_scores_gemma":[0.27288103,0.009776527,0.00040552457,0.007412521,0.0011868062,0.000010415459,0.000054189237,0.000027324164,0.70824564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703366,0.00063267705,0.00023910671,0.00039733504,0.00042661963,0.0012705916],"domain_scores_gemma":[0.99834126,0.00014208369,0.00023865102,0.0003064295,0.00016701974,0.0008045803],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006640758,0.00032743334,0.00043740682,0.00010012807,0.0013887195,0.0000771139,0.00049098127,0.0005169138,0.0031475057],"category_scores_gemma":[0.0000574386,0.00034326283,0.00044286594,0.00075681537,0.00042606756,0.0010606843,0.00026295113,0.00041497927,0.00075085333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006755337,0.0004179008,0.008554931,0.00003714669,0.0005127783,0.000273164,0.026959952,0.00004300354,0.00043666226,0.08270414,0.86917317,0.0108195925],"study_design_scores_gemma":[0.00047753577,0.000073227086,0.0071084807,0.000031073305,0.0006754037,0.00006008099,0.009492849,0.00011250352,0.000034117154,0.00050010363,0.9810037,0.000430907],"about_ca_topic_score_codex":0.27292016,"about_ca_topic_score_gemma":0.89431536,"teacher_disagreement_score":0.67231566,"about_ca_system_score_codex":0.0071258782,"about_ca_system_score_gemma":0.00026359345,"threshold_uncertainty_score":0.9999113},"labels":[],"label_agreement":null},{"id":"W2612831702","doi":"","title":"Si j’aimais le théâtre, j’aimerais le théâtre d’A.P.A. / Si ma tante avait deux roues, ce serait une bicyclette, Québec, 27 mai 2006","year":2007,"lang":"fr","type":"article","venue":"Inter : art actuel","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.012803811132484631,"score_gpt":0.25711980805419143,"score_spread":0.2443159969217068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612831702","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21002473,0.028919922,0.0007609761,0.26264426,0.007097558,0.00092120585,0.00042516185,0.00048014513,0.48872602],"genre_scores_gemma":[0.39267948,0.00031927417,0.00034623782,0.026647108,0.0021372803,0.000022984836,0.00011982026,0.00007707821,0.5776507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943936,0.0004627652,0.0011809588,0.0012661655,0.0008597024,0.0018368127],"domain_scores_gemma":[0.9970881,0.00040611808,0.0005200394,0.00077076175,0.00058985123,0.0006251788],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009786393,0.0008932626,0.001027853,0.00029079051,0.0012517956,0.0006866389,0.0012789618,0.0008482504,0.007681401],"category_scores_gemma":[0.00019080118,0.0007720675,0.0009892494,0.0018865706,0.0015118491,0.0017421012,0.0003524199,0.0011355622,0.004132156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015521323,0.0007653748,0.005130111,0.00007117821,0.0009127105,0.00030887936,0.013305986,0.00001409629,0.002518324,0.014325752,0.9472457,0.01524665],"study_design_scores_gemma":[0.00077003107,0.00013832266,0.0029146562,0.00018371407,0.00037960891,0.00004053352,0.0040893867,0.0000984206,0.0012940274,0.0017439345,0.98736256,0.0009848201],"about_ca_topic_score_codex":0.107729964,"about_ca_topic_score_gemma":0.38452837,"teacher_disagreement_score":0.2767984,"about_ca_system_score_codex":0.00041703894,"about_ca_system_score_gemma":0.00062086084,"threshold_uncertainty_score":0.99947304},"labels":[],"label_agreement":null},{"id":"W2612947495","doi":"","title":"Cinéma Maison / Thomas Bégin, We're looking for you, Galerie B-312, Montréal. 17 février - 18 mars 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Art; Visual arts; Physics; Astrobiology","score_opus":0.00928408966879883,"score_gpt":0.1945219970407435,"score_spread":0.18523790737194468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612947495","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05824244,0.586179,0.0007665904,0.19112723,0.0028692859,0.001296225,0.00086973805,0.00034802468,0.15830147],"genre_scores_gemma":[0.03302936,0.009260619,0.0015223896,0.0028674144,0.0023972502,0.00003614615,0.00030713147,0.000072838324,0.95050687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961365,0.00030715586,0.00048506007,0.00095197395,0.000642695,0.0014766214],"domain_scores_gemma":[0.9979705,0.00020855492,0.00048782644,0.00050804554,0.00039808557,0.00042695823],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046470718,0.00063092896,0.0007931875,0.00023683113,0.0028852846,0.00020444968,0.00073373044,0.0008701508,0.0027317945],"category_scores_gemma":[0.000049188628,0.00064742763,0.0008902553,0.0013159662,0.0006301552,0.0008848872,0.00025017204,0.0004722279,0.00021098311],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000182746,0.00021447224,0.001138457,0.00007761672,0.00034229763,0.0006594697,0.002213959,0.00041944638,0.0003551254,0.07079008,0.90497255,0.018633796],"study_design_scores_gemma":[0.0014048218,0.00016015185,0.0010079098,0.000115899275,0.0010665953,0.00005193292,0.008146543,0.0007937639,0.000073587034,0.009152423,0.97723943,0.0007869361],"about_ca_topic_score_codex":0.054559242,"about_ca_topic_score_gemma":0.47875032,"teacher_disagreement_score":0.7922054,"about_ca_system_score_codex":0.004002291,"about_ca_system_score_gemma":0.0001421082,"threshold_uncertainty_score":0.9998212},"labels":[],"label_agreement":null},{"id":"W2613009723","doi":"","title":"Au détour des errances / Michael A. Robinson, Speed Giants, Flic-Flacs and Fly-Aways, Circa, Montréal. 14 octobre - 11 novembre 2006","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010019071927898306,"score_gpt":0.1961221877163874,"score_spread":0.1861031157884891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613009723","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5666509,0.39267606,0.00020302479,0.023768801,0.0013680975,0.00040220047,0.0002209591,0.00013909445,0.014570846],"genre_scores_gemma":[0.47891042,0.042497385,0.0012039052,0.007770942,0.002713251,0.0000052855175,0.00015775806,0.00008986136,0.46665117],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959296,0.00029347927,0.0005111886,0.0009624347,0.000643629,0.0016596828],"domain_scores_gemma":[0.9976344,0.00019444812,0.00044404232,0.00043300964,0.00044599595,0.0008480702],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00084892835,0.0006603575,0.000838597,0.00029220717,0.0032684626,0.00016293649,0.00070241326,0.0008863613,0.0003582241],"category_scores_gemma":[0.00008297702,0.00066173036,0.00047571745,0.0017729856,0.0014723379,0.0011530467,0.00031152484,0.0005525981,0.00017780217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006911268,0.0008171248,0.024556,0.00038143774,0.0015002594,0.00477512,0.04963232,0.0003534542,0.0046049957,0.06800614,0.70426023,0.14042176],"study_design_scores_gemma":[0.0014327825,0.00015290547,0.017086968,0.00016637372,0.0007400728,0.00022175944,0.02282071,0.00039435772,0.0001756859,0.001452315,0.9545129,0.00084317266],"about_ca_topic_score_codex":0.22509931,"about_ca_topic_score_gemma":0.89282936,"teacher_disagreement_score":0.66773003,"about_ca_system_score_codex":0.00455104,"about_ca_system_score_gemma":0.00017634162,"threshold_uncertainty_score":0.99958336},"labels":[],"label_agreement":null},{"id":"W2613773260","doi":"","title":"Nouvelles avenues / Sous la direction de Marcel GAUMOND. Le Cinéma du XXIe siècle – Des hommes et des femmes à la recherche de leur âme perdue, coll. L’Instant ciné, Québec, L’Instant même, 2016, 336 p.","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.03841930720000264,"score_gpt":0.2402579337317818,"score_spread":0.20183862653177917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613773260","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7148137,0.1399036,0.00029053484,0.116503336,0.00022156657,0.00026903345,0.00018582637,0.00020697128,0.027605439],"genre_scores_gemma":[0.6545754,0.18837361,0.0016898421,0.0010492814,0.00030799047,0.000022399567,0.000017300124,0.000059689035,0.1539045],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99471223,0.0028616681,0.0003301216,0.0006534462,0.00037065256,0.0010718956],"domain_scores_gemma":[0.9970494,0.0015669562,0.00032035497,0.00031934242,0.00027107482,0.00047285616],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0016443002,0.0004855282,0.00058076676,0.00019431596,0.0027717026,0.00018312872,0.00056853326,0.0008846281,0.00023563368],"category_scores_gemma":[0.00064550154,0.00040597003,0.0004788602,0.0009390525,0.0018508645,0.00082943466,0.0002586863,0.00052784116,0.00007012039],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009463747,0.0013445854,0.0312718,0.00025314235,0.0014897626,0.0032795002,0.12203707,0.00015583976,0.061698988,0.06278101,0.40824735,0.30649456],"study_design_scores_gemma":[0.0013238908,0.0001949169,0.015447274,0.0003296193,0.0004883171,0.0003205444,0.031273462,0.00013783979,0.0011235933,0.0062887217,0.9424369,0.00063494913],"about_ca_topic_score_codex":0.18745424,"about_ca_topic_score_gemma":0.7115701,"teacher_disagreement_score":0.5341895,"about_ca_system_score_codex":0.006722441,"about_ca_system_score_gemma":0.0012311201,"threshold_uncertainty_score":0.9998392},"labels":[],"label_agreement":null},{"id":"W2613837186","doi":"","title":"Le ballet mécanique. Que ta joie demeure de Denis Côté, Québec, 2014, 70 min","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.005485931537075594,"score_gpt":0.17381684012297663,"score_spread":0.16833090858590102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613837186","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15191409,0.20454413,0.0010516996,0.5685383,0.0012638876,0.00045150056,0.00011166058,0.00025620565,0.071868524],"genre_scores_gemma":[0.4235214,0.0121912565,0.0013193415,0.013746576,0.0016972785,0.000014789106,0.00007439351,0.00005552419,0.54737943],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968524,0.0008525438,0.0002771454,0.0006272489,0.00040120957,0.0009894811],"domain_scores_gemma":[0.9982788,0.00020058634,0.0002757234,0.00041254068,0.00023793381,0.0005944339],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005853668,0.00038852234,0.00053765223,0.00013134918,0.0020897812,0.000109999826,0.00081259926,0.0007100532,0.0015465416],"category_scores_gemma":[0.00011471917,0.00040682184,0.0005082695,0.0006926498,0.00057832757,0.00050174084,0.00025706677,0.0004833088,0.00057455595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051055296,0.00013128857,0.0016252137,0.000032392618,0.0003047831,0.0003615473,0.005710436,0.00009201434,0.00079920003,0.1950988,0.78152937,0.014263923],"study_design_scores_gemma":[0.00061482866,0.00010943123,0.000866414,0.000048657,0.0005245315,0.00008726146,0.0042201444,0.00059238955,0.00010042545,0.003272971,0.98906034,0.0005026166],"about_ca_topic_score_codex":0.51952547,"about_ca_topic_score_gemma":0.9713551,"teacher_disagreement_score":0.55479175,"about_ca_system_score_codex":0.0041249795,"about_ca_system_score_gemma":0.00058526103,"threshold_uncertainty_score":0.99983835},"labels":[],"label_agreement":null},{"id":"W2614615660","doi":"","title":"L’importance des choses inutiles et périlleuses / Carrefour international de théâtre. Québec, du 26 mai au 13 juin 2009","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.009236007354042418,"score_gpt":0.20407063572146614,"score_spread":0.1948346283674237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614615660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64502317,0.06872988,0.000038049682,0.25883192,0.0007224084,0.00013730259,0.00009717506,0.00014312356,0.026276989],"genre_scores_gemma":[0.7257305,0.025903255,0.0004390045,0.011634474,0.0013127762,0.0000047259405,0.000047801084,0.00002389181,0.23490356],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977832,0.0002967035,0.0002696465,0.00048598784,0.0004215307,0.0007429309],"domain_scores_gemma":[0.99873406,0.00012121602,0.00027601697,0.00024092816,0.00026820914,0.00035956048],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003343282,0.0003409049,0.00039181378,0.00015050531,0.0013905677,0.00012370778,0.00072003575,0.00031882848,0.0010662406],"category_scores_gemma":[0.00014397655,0.000328913,0.0003757568,0.0006821515,0.0005481303,0.00085996056,0.00013324108,0.00032044045,0.000121044584],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001675947,0.0004071963,0.06567067,0.000026165726,0.0006103075,0.001849898,0.029369693,0.0006065589,0.00037220865,0.084923565,0.7612743,0.054721873],"study_design_scores_gemma":[0.00045278078,0.000092393275,0.06648827,0.000078072706,0.00026585348,0.000119306445,0.00733017,0.00020715702,0.00003611571,0.0039414284,0.920611,0.00037741067],"about_ca_topic_score_codex":0.20864902,"about_ca_topic_score_gemma":0.94489944,"teacher_disagreement_score":0.7362504,"about_ca_system_score_codex":0.008145345,"about_ca_system_score_gemma":0.00041302832,"threshold_uncertainty_score":0.9999163},"labels":[],"label_agreement":null},{"id":"W2614753258","doi":"10.7202/1039671ar","title":"D’exil et d’américanitude : un entretien avec Linda Bouchard","year":2017,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05106046013720981,"score_gpt":0.30726431124911097,"score_spread":0.25620385111190114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614753258","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13974139,0.01675558,0.00007935949,0.09517543,0.0056171142,0.00077527785,0.00019648507,0.00026883694,0.7413905],"genre_scores_gemma":[0.8293533,0.0011594822,0.00006874638,0.012999901,0.0030959889,0.00005798127,0.00008622165,0.00004298741,0.15313543],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956891,0.0009216373,0.0007661351,0.00097059394,0.00067129155,0.0009812468],"domain_scores_gemma":[0.99627507,0.00022933514,0.0010234556,0.0011000258,0.00084854814,0.0005235819],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001285072,0.00062189775,0.0009662242,0.00012924755,0.0024024283,0.001832541,0.0016968669,0.0007031486,0.0018029364],"category_scores_gemma":[0.0009716454,0.0005541247,0.00068796944,0.00037000797,0.0024776584,0.00163438,0.00029960452,0.0005195657,0.00032120149],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034865723,0.0004335215,0.011830269,0.00014248316,0.00079609035,0.0003721131,0.25906298,9.370676e-7,0.00048780214,0.6608629,0.025249343,0.040726665],"study_design_scores_gemma":[0.0007172308,0.00014315886,0.009050933,0.0002579767,0.00029599573,0.000016401498,0.0057179024,0.000030335033,0.00014783596,0.098291546,0.88449943,0.00083124335],"about_ca_topic_score_codex":0.0072767856,"about_ca_topic_score_gemma":0.00757284,"teacher_disagreement_score":0.85925007,"about_ca_system_score_codex":0.000184679,"about_ca_system_score_gemma":0.00044930345,"threshold_uncertainty_score":0.999691},"labels":[],"label_agreement":null},{"id":"W2615474096","doi":"10.7202/1039670ar","title":"Les compositeurs face au passé musical : l’attrait pour l’écriture orchestrale dans la trajectoire de quelques compositeurs québécois","year":2017,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0636479383179775,"score_gpt":0.3166985652321986,"score_spread":0.2530506269142211,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615474096","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6417697,0.007239342,0.00035379108,0.045247998,0.0013873054,0.00066631974,0.00028747207,0.00032996896,0.3027181],"genre_scores_gemma":[0.95822775,0.00047359738,0.00022918753,0.0043942803,0.0031431043,0.0000798702,0.00015556507,0.00008967596,0.033206988],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935711,0.0020274217,0.0009381143,0.0012671433,0.0006968908,0.0014993408],"domain_scores_gemma":[0.99597585,0.00062614406,0.00088949694,0.0010557264,0.0006256966,0.00082707434],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0011919173,0.0009930562,0.0013790221,0.00016804444,0.003999706,0.0018106773,0.0021428599,0.0014028159,0.00022840835],"category_scores_gemma":[0.0005074841,0.00091116887,0.0010435777,0.00041682643,0.0052055805,0.001471672,0.00021514963,0.0012483472,0.000046311983],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081527556,0.0009942575,0.101204865,0.00043861207,0.0008885361,0.0008831158,0.30835608,0.00001575131,0.015771715,0.541497,0.011620304,0.018248228],"study_design_scores_gemma":[0.0023552426,0.0005334845,0.25062943,0.001756747,0.001605499,0.00036864745,0.09028626,0.0003859261,0.001496145,0.07411563,0.5731265,0.0033405037],"about_ca_topic_score_codex":0.12815224,"about_ca_topic_score_gemma":0.18104574,"teacher_disagreement_score":0.5615062,"about_ca_system_score_codex":0.0007144652,"about_ca_system_score_gemma":0.0011768868,"threshold_uncertainty_score":0.99989355},"labels":[],"label_agreement":null},{"id":"W2615923147","doi":"10.7202/1039669ar","title":"Serge Arcuri : territoires","year":2017,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06426515879093046,"score_gpt":0.3102041769743685,"score_spread":0.245939018183438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615923147","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0840816,0.028407743,0.000031043845,0.061338525,0.007099862,0.0004990261,0.00012961653,0.00020836612,0.8182042],"genre_scores_gemma":[0.7045483,0.00053609966,0.0000354926,0.0053940383,0.0047127986,0.00003998376,0.000041975134,0.000028342269,0.284663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99673,0.00051710504,0.0006245036,0.000787994,0.00048644515,0.0008539098],"domain_scores_gemma":[0.9970896,0.00014124853,0.0007571807,0.0010611853,0.00054240774,0.00040837616],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007567052,0.0004995573,0.0007745902,0.00010693418,0.0032687294,0.0015473545,0.0015340899,0.00061813137,0.001326136],"category_scores_gemma":[0.00066576386,0.0004420358,0.00059481943,0.00024892073,0.0028443036,0.0018650258,0.00021473342,0.00044426895,0.00022206522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019138963,0.00028706196,0.019674443,0.0002016715,0.00050501805,0.00026188078,0.056191325,4.837638e-7,0.0005842178,0.7757834,0.08850565,0.057985708],"study_design_scores_gemma":[0.00036166288,0.00007179483,0.0074473186,0.0002680868,0.00016961338,0.000010195745,0.0021261463,0.000024222067,0.00009436472,0.13499552,0.8538614,0.00056970783],"about_ca_topic_score_codex":0.014444288,"about_ca_topic_score_gemma":0.01465493,"teacher_disagreement_score":0.7653557,"about_ca_system_score_codex":0.00015374534,"about_ca_system_score_gemma":0.0002963493,"threshold_uncertainty_score":0.9998694},"labels":[],"label_agreement":null},{"id":"W2616852845","doi":"","title":"Matière-temps / Tacita Dean, Merce Cunningham performs STILLNESS (in three movements to John Cage's composition 4'33'' with Trevor Carlson), New York City, 28 avril 2007; Musée d’art contemporain de Montréal, 10 octobre 2009 - 3 janvier 2010","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"John Cage; Art; Humanities; Art history; Performance art","score_opus":0.011035823162238886,"score_gpt":0.1982080383990102,"score_spread":0.1871722152367713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616852845","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88691974,0.029047694,0.00044245727,0.058117323,0.0018045901,0.0014968301,0.00044259426,0.000108677035,0.021620112],"genre_scores_gemma":[0.33360636,0.0013461707,0.0023059445,0.00469614,0.0014050687,0.00004710148,0.0003211492,0.000088783054,0.6561833],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99555665,0.00042653986,0.0006083075,0.0010397652,0.0009402743,0.0014284424],"domain_scores_gemma":[0.99721646,0.00016353298,0.00048813055,0.00066768617,0.00034832006,0.0011158588],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009289916,0.00079209876,0.0010350363,0.00039036307,0.0016861049,0.00027474,0.0010469458,0.0009037352,0.003508996],"category_scores_gemma":[0.00006111178,0.0007181459,0.00041307136,0.0017165308,0.0004638907,0.0012174253,0.00031350154,0.0011255905,0.00061937043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011647238,0.00078250805,0.0227401,0.00011218953,0.0009534511,0.0018260754,0.0315084,0.0008635095,0.002999575,0.010103007,0.8878008,0.03914567],"study_design_scores_gemma":[0.0024050523,0.00037697254,0.014180262,0.0002819716,0.00058331504,0.0001141073,0.008707154,0.00082520547,0.00010497816,0.000715877,0.97064817,0.0010569339],"about_ca_topic_score_codex":0.21777728,"about_ca_topic_score_gemma":0.91960025,"teacher_disagreement_score":0.701823,"about_ca_system_score_codex":0.0037457037,"about_ca_system_score_gemma":0.00031175322,"threshold_uncertainty_score":0.9996136},"labels":[],"label_agreement":null},{"id":"W2617489971","doi":"10.26522/vp.v14i1.1570","title":"Matei, Cristina-Ioana. Problématique de l’identité littéraire. Devenir écrivain français. Andreï Makine, Vassilis Alexakis, Milan Kundera, Amin Maalouf","year":2017,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.020879806323876118,"score_gpt":0.2795680396305088,"score_spread":0.2586882333066327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617489971","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.639413,0.046893544,0.00050604314,0.2226246,0.004939432,0.0015795013,0.00080832845,0.00042850414,0.082807064],"genre_scores_gemma":[0.67823356,0.0030109067,0.0028905424,0.004901583,0.003528832,0.00012253791,0.0001227875,0.00007926994,0.30710995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950005,0.00079630094,0.00090003974,0.001057846,0.00076645735,0.0014788596],"domain_scores_gemma":[0.9968747,0.00024009203,0.0007696867,0.0011457085,0.0004124131,0.00055740145],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011434013,0.0007279495,0.0008589581,0.00016443388,0.003956768,0.0019553697,0.0018746009,0.0010254207,0.001912814],"category_scores_gemma":[0.0006694815,0.0006448398,0.00060655543,0.00055706716,0.0020103254,0.0011793983,0.000406838,0.0007800446,0.0005453118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017794261,0.0014607479,0.06803371,0.0013464888,0.0017552729,0.0012850903,0.13530207,0.000061504456,0.001374225,0.2392339,0.5032176,0.046751466],"study_design_scores_gemma":[0.0007509098,0.00012735829,0.05427668,0.00051056297,0.000572861,0.000055612032,0.004608683,0.0004949476,0.0005194511,0.018036919,0.9190277,0.0010183466],"about_ca_topic_score_codex":0.046829037,"about_ca_topic_score_gemma":0.097279266,"teacher_disagreement_score":0.41581008,"about_ca_system_score_codex":0.00023366444,"about_ca_system_score_gemma":0.0004229571,"threshold_uncertainty_score":0.9996003},"labels":[],"label_agreement":null},{"id":"W2618365287","doi":"","title":"Le ridicule tue / Ouïghours, prisonniers de l’absurde de Patricio Henríquez, Québec, 2014, 98 min","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.004821212714713793,"score_gpt":0.1732857970093862,"score_spread":0.16846458429467243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618365287","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4117461,0.15839608,0.0009168122,0.3723118,0.0011587159,0.00044426747,0.00010273147,0.00026604964,0.054657448],"genre_scores_gemma":[0.5948995,0.00884587,0.0011117343,0.006346268,0.0014377767,0.0000129489235,0.00006260159,0.00004466139,0.38723865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99664235,0.00070565485,0.00029350494,0.0006272265,0.0004376165,0.0012936749],"domain_scores_gemma":[0.9980704,0.00023307925,0.0003296592,0.00040674082,0.00021674266,0.0007433833],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008616165,0.00040366556,0.00058229256,0.00017601445,0.0021549363,0.000105805535,0.0007773804,0.00067387195,0.00068661117],"category_scores_gemma":[0.00016055498,0.0004254043,0.00056871964,0.0008723085,0.00061599305,0.0004859247,0.00021168232,0.000526322,0.0004907854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007795589,0.00022857424,0.0049018343,0.000047058653,0.0004071561,0.00045388596,0.014705549,0.00054416846,0.00061172707,0.07875734,0.8768784,0.022386363],"study_design_scores_gemma":[0.0007921011,0.00014719387,0.0019259957,0.000042059444,0.00064572995,0.0000759812,0.008154126,0.001200721,0.00013848503,0.002901454,0.9834383,0.0005378268],"about_ca_topic_score_codex":0.48953274,"about_ca_topic_score_gemma":0.8332544,"teacher_disagreement_score":0.36596552,"about_ca_system_score_codex":0.0073337117,"about_ca_system_score_gemma":0.0007554047,"threshold_uncertainty_score":0.99981976},"labels":[],"label_agreement":null},{"id":"W2618490711","doi":"","title":"Où tu vas quand tu dors en marchant... 2, Carrefour international de théâtre, rues du quartier Saint-Roch, Québec, du 24 au 26 mai 2012","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"SAINT; Humanities; Art; Art history","score_opus":0.009140400745094755,"score_gpt":0.194527979699887,"score_spread":0.18538757895479224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618490711","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6803302,0.06472254,0.00017348706,0.2372026,0.0040785354,0.00025958504,0.00010619513,0.000139992,0.012986839],"genre_scores_gemma":[0.6766238,0.006817042,0.00028825813,0.002752251,0.004521047,0.000012012055,0.00006327413,0.000039539533,0.3088827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966258,0.0006389378,0.00031769573,0.00048164022,0.0005997127,0.0013362133],"domain_scores_gemma":[0.99817455,0.00024482358,0.00028385702,0.00028232043,0.0002520172,0.00076243124],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00082846894,0.0004168638,0.0004763552,0.00022052441,0.0014677698,0.00010296407,0.00079692766,0.0005164566,0.0027845397],"category_scores_gemma":[0.00011592479,0.000393178,0.00052263605,0.0006056199,0.00052772986,0.0014098659,0.0003528406,0.0004582101,0.00058799016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023475788,0.00047610493,0.15687545,0.000047895515,0.001314064,0.00053100043,0.06337893,0.00010618759,0.00030746477,0.13163507,0.6258292,0.019263878],"study_design_scores_gemma":[0.0006388581,0.0000672198,0.026344614,0.000048784226,0.0005737798,0.00013645699,0.015585797,0.00030890008,0.000035894456,0.0009517812,0.9548288,0.00047911215],"about_ca_topic_score_codex":0.37111858,"about_ca_topic_score_gemma":0.8114099,"teacher_disagreement_score":0.44029135,"about_ca_system_score_codex":0.011810431,"about_ca_system_score_gemma":0.00031042672,"threshold_uncertainty_score":0.999852},"labels":[],"label_agreement":null},{"id":"W2620387797","doi":"","title":"Denys Arcand, l’ange exterminateur Réal La Rochelle, Montréal : Leméac, 2004, 386 pages","year":2005,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01599953071295316,"score_gpt":0.2548081253687686,"score_spread":0.23880859465581547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620387797","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16795135,0.2233019,0.00008601265,0.36177158,0.0018197,0.0005542608,0.00014133302,0.00022096148,0.24415292],"genre_scores_gemma":[0.73547983,0.009693944,0.0010443871,0.0036539163,0.004253967,0.00006756141,0.000033538152,0.000034473574,0.24573839],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99572253,0.0012526957,0.0006229629,0.00080479885,0.00045311704,0.0011438729],"domain_scores_gemma":[0.99810755,0.00045950594,0.00034580947,0.00039176468,0.00021649196,0.00047886863],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011913803,0.0005101676,0.0006824732,0.00014217547,0.00077290676,0.00043693985,0.00086330617,0.00084516435,0.0016275243],"category_scores_gemma":[0.00022339956,0.0004507489,0.000508876,0.0010416108,0.0012487838,0.00091959926,0.0001281441,0.00078599085,0.00052314956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012503199,0.00082512276,0.011501773,0.00044075362,0.00059056265,0.0016992379,0.07263677,0.00073688535,0.0020146742,0.09514449,0.35213482,0.46214986],"study_design_scores_gemma":[0.00043773922,0.00011353274,0.0064330488,0.000253151,0.00037462098,0.00022286653,0.005371477,0.0004965102,0.00023210485,0.0043448876,0.9810786,0.0006414361],"about_ca_topic_score_codex":0.0071150274,"about_ca_topic_score_gemma":0.07065522,"teacher_disagreement_score":0.6289438,"about_ca_system_score_codex":0.00024470972,"about_ca_system_score_gemma":0.00019680578,"threshold_uncertainty_score":0.9997944},"labels":[],"label_agreement":null},{"id":"W2620794068","doi":"","title":"Anne Le Beau et Compagnie Dave St-Pierre inc, Suie, Cinquième Salle, Montréal","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015195517853727762,"score_gpt":0.21895168571413617,"score_spread":0.2037561678604084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620794068","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26371485,0.3399974,0.00006260238,0.31418005,0.0025611615,0.00055473816,0.000667769,0.00019978585,0.07806165],"genre_scores_gemma":[0.5819005,0.023054976,0.00047711958,0.0060602897,0.0013174465,0.000010170395,0.0003398419,0.0000514474,0.38678822],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966726,0.0004846707,0.00034357116,0.0007893021,0.0006154809,0.0010944229],"domain_scores_gemma":[0.9973215,0.00014465314,0.00062639423,0.0008909432,0.00038523448,0.0006312678],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000568045,0.0005058413,0.0007749414,0.00012387606,0.006278331,0.00037614338,0.001448571,0.0006090533,0.0009186661],"category_scores_gemma":[0.00011730888,0.0005186049,0.0005338072,0.00046678138,0.0013218956,0.0014642614,0.0007457134,0.0006537317,0.00035805002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017660818,0.00039048737,0.0020326155,0.000052478892,0.0007739486,0.002133059,0.011202285,0.00018822505,0.00020305511,0.14950451,0.80958277,0.023759933],"study_design_scores_gemma":[0.0014807219,0.00015022459,0.010914181,0.00007280008,0.0005466588,0.000068373636,0.011667713,0.0007227891,0.00002410515,0.003520094,0.97019655,0.0006357818],"about_ca_topic_score_codex":0.22080322,"about_ca_topic_score_gemma":0.7392427,"teacher_disagreement_score":0.5184395,"about_ca_system_score_codex":0.002874025,"about_ca_system_score_gemma":0.0002207251,"threshold_uncertainty_score":0.99999464},"labels":[],"label_agreement":null},{"id":"W2621134022","doi":"","title":"Oeuvre utile / Sous la direction de Marquise LEPAGE. 40 Ans de vues rêvées – L’imaginaire des cinéastes québécoises depuis 1972, Montréal, Réalisatrices Équitables et les Éditions Somme toute, 2014, 252 p.","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.007761774281604131,"score_gpt":0.2020054220153818,"score_spread":0.19424364773377767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621134022","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36847812,0.43990305,0.0014367228,0.14682135,0.00084201136,0.0004898017,0.0005423661,0.00063329126,0.04085327],"genre_scores_gemma":[0.6749351,0.19755186,0.0023075687,0.0032197463,0.0014717176,0.00005981759,0.0002137208,0.00009343986,0.12014704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953786,0.0016078165,0.00040164386,0.0008010658,0.00048427464,0.0013265935],"domain_scores_gemma":[0.99735767,0.00082709716,0.00042834342,0.00043167206,0.0003740295,0.000581176],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009068709,0.00063091476,0.00071519054,0.00034746676,0.0047071907,0.0003793061,0.00069871853,0.00073034485,0.00054300146],"category_scores_gemma":[0.0002764029,0.00063211366,0.0006294105,0.0011743087,0.0014356242,0.001940585,0.00027381536,0.00058321015,0.000100850106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019279748,0.0007316419,0.014320303,0.00028138648,0.0008778711,0.0006495438,0.03199345,0.0016985757,0.0010377128,0.09120071,0.77638245,0.08063357],"study_design_scores_gemma":[0.00069979584,0.00019245475,0.017163102,0.00021799492,0.0014395033,0.00023596478,0.024409879,0.0013037757,0.00009800085,0.010800297,0.9426672,0.00077205815],"about_ca_topic_score_codex":0.37677547,"about_ca_topic_score_gemma":0.80557823,"teacher_disagreement_score":0.42880276,"about_ca_system_score_codex":0.0028928067,"about_ca_system_score_gemma":0.00022595821,"threshold_uncertainty_score":0.999613},"labels":[],"label_agreement":null},{"id":"W2622849513","doi":"","title":"Une fille folle, une bohémienne et une chercheuse de vertige / Marie Savard, La future antérieure (accompagné d’un disque compact), Trois, Laval, 2002, 172 p., 23 $. / Sylvie Filion, Le musée des lèvres, Le Nordir, Hearst, 2002, 69 p., 13 $. / Angéline Neveu, Éclat redoublé, Écrits des Forges, Trois-Rivières, 2002, 68 p., 10 $.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012768874038132264,"score_gpt":0.21124770492782963,"score_spread":0.19847883088969737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622849513","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28370804,0.5295434,0.00037784726,0.16541468,0.0013987307,0.0012548738,0.0012594891,0.0004833713,0.016559558],"genre_scores_gemma":[0.1471887,0.17192578,0.0074281218,0.0043336633,0.0019062286,0.00006315743,0.001164588,0.00034083345,0.66564894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99114424,0.0025937718,0.0010372048,0.0015575116,0.0009541079,0.0027131746],"domain_scores_gemma":[0.9949994,0.00073721167,0.00068512384,0.001193899,0.0008730568,0.0015113062],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015977947,0.0013990789,0.0018761989,0.0004350454,0.004693677,0.00045019758,0.0014357829,0.0015818665,0.0033502625],"category_scores_gemma":[0.00054862985,0.0013885756,0.0011789018,0.00567919,0.0021717302,0.0021796455,0.00038747987,0.0015764206,0.0004410651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072449015,0.0016696771,0.002214607,0.00032265525,0.00111636,0.0014991467,0.012533809,0.0015063128,0.0013385281,0.02001172,0.9508627,0.006199961],"study_design_scores_gemma":[0.0045068003,0.00037523877,0.009857296,0.00039054643,0.000949488,0.00044479963,0.018168297,0.0010638116,0.0002016078,0.0044194027,0.958089,0.0015336921],"about_ca_topic_score_codex":0.31781384,"about_ca_topic_score_gemma":0.8033526,"teacher_disagreement_score":0.6490894,"about_ca_system_score_codex":0.00377244,"about_ca_system_score_gemma":0.00087219983,"threshold_uncertainty_score":0.99987596},"labels":[],"label_agreement":null},{"id":"W2623539611","doi":"","title":"Denys Arcand : L’oeuvre documentaire intégrale (1962-1981) / Coffret Denys Arcand Québec 1962-1981, 789 minutes","year":2005,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.014496036866849612,"score_gpt":0.2755232087564141,"score_spread":0.2610271718895645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623539611","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6313741,0.1367313,0.00007270141,0.15227932,0.0040052566,0.0016747549,0.00056853215,0.00047361405,0.07282042],"genre_scores_gemma":[0.766169,0.004620033,0.0017282714,0.008453489,0.0067461724,0.00026571253,0.00024649443,0.000115249706,0.21165559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9893907,0.0019945349,0.0019539157,0.0023060879,0.0013958154,0.0029589718],"domain_scores_gemma":[0.9943134,0.0011168615,0.0011915739,0.0012214759,0.0006788869,0.0014777613],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0020813842,0.0015585746,0.002009793,0.00048936356,0.00244475,0.0014993029,0.0025467298,0.0016125375,0.0056809187],"category_scores_gemma":[0.0006286305,0.0014134237,0.0013282166,0.0029424254,0.004017365,0.0025647236,0.00044843784,0.0018567655,0.0008273375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006159364,0.0022069525,0.16136259,0.0030963172,0.0032445067,0.0019434277,0.18935944,0.0006602767,0.0040148785,0.08461417,0.394044,0.1548375],"study_design_scores_gemma":[0.0016900478,0.0005244829,0.009766261,0.001346449,0.001460214,0.00040121117,0.010883742,0.00060049427,0.000963327,0.009948004,0.96014154,0.0022742385],"about_ca_topic_score_codex":0.10365984,"about_ca_topic_score_gemma":0.5502469,"teacher_disagreement_score":0.56609756,"about_ca_system_score_codex":0.0025755619,"about_ca_system_score_gemma":0.0033906023,"threshold_uncertainty_score":0.99995065},"labels":[],"label_agreement":null},{"id":"W2624089364","doi":"","title":"Canadian Choral Music Partnerships","year":2004,"lang":"en","type":"article","venue":"TSpace (University of Toronto)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Choir; Visual arts; Music education; Key (lock); Art; Computer science","score_opus":0.04015646503082911,"score_gpt":0.25749329916785074,"score_spread":0.21733683413702162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624089364","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41496435,0.0006853266,0.000016442591,0.018013325,0.00023170227,0.00012566285,0.000011394677,0.000054149703,0.56589764],"genre_scores_gemma":[0.9830459,0.000058331792,0.000279193,0.00051049714,0.00011286287,9.6163994e-8,0.000008621023,0.0000026223531,0.015981883],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999281,0.00006732402,0.000041168085,0.00015596965,0.000166754,0.00028780516],"domain_scores_gemma":[0.9994328,0.000010302692,0.000051744224,0.00011801568,0.00009589032,0.00029122378],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013834407,0.00007204615,0.00014076363,0.00002897408,0.0006379187,0.000025247393,0.00028003246,0.00012179025,0.016077595],"category_scores_gemma":[0.000016860347,0.00007953494,0.00011284825,0.00013190009,0.00021958478,0.00046569973,0.0000229651,0.000073070056,0.000052522555],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007786703,0.00016265445,0.0065254406,0.000028655786,0.00033027865,0.00015476841,0.5655544,0.00006276501,0.00046639386,0.36453256,0.027366664,0.034737587],"study_design_scores_gemma":[0.0009880046,0.00011453427,0.15110327,0.000032727898,0.00021116373,0.0000015449658,0.33803698,0.000011785799,0.000019758709,0.0014001352,0.50761706,0.00046307684],"about_ca_topic_score_codex":0.9852907,"about_ca_topic_score_gemma":0.99933517,"teacher_disagreement_score":0.56808156,"about_ca_system_score_codex":0.0006891868,"about_ca_system_score_gemma":0.00034829846,"threshold_uncertainty_score":0.98482186},"labels":[],"label_agreement":null},{"id":"W2625754858","doi":"","title":"Le Dictionnaire du cinéma québécois, Sous la direction de Michel Coulombe et de Marcel Jean, 3e édition revue et augmentée par Michel Coulombe, Montréal, Boréal, 1999, 721 pages","year":2000,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.008276765162218317,"score_gpt":0.2433434764548039,"score_spread":0.23506671129258558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625754858","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42791778,0.1394112,0.0005709409,0.3378056,0.003066196,0.0016875719,0.000692282,0.0009737375,0.0878747],"genre_scores_gemma":[0.80878514,0.13474691,0.0010621228,0.014880318,0.0031658337,0.0003903241,0.00052530156,0.00013273147,0.036311314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902174,0.0041738157,0.0013536161,0.0016209526,0.0007973616,0.0018368497],"domain_scores_gemma":[0.99601144,0.0010688598,0.0008714707,0.00076803257,0.000440368,0.00083985477],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003185075,0.0010589501,0.0012712,0.00031378755,0.0021869452,0.000956784,0.0010255774,0.0017177201,0.00094521284],"category_scores_gemma":[0.00065727794,0.0010867382,0.0009353965,0.0019917283,0.0016855387,0.0017162067,0.00013465196,0.0016803335,0.00020231889],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006119011,0.0028699362,0.02845343,0.0022513517,0.0017043847,0.0013918502,0.08737204,0.0040999744,0.016035989,0.036873784,0.78004724,0.038288124],"study_design_scores_gemma":[0.0014841931,0.0004225002,0.039724953,0.0016708233,0.0012014172,0.0006620939,0.01194417,0.0028385536,0.00086713326,0.0059777997,0.93157905,0.0016272905],"about_ca_topic_score_codex":0.16837515,"about_ca_topic_score_gemma":0.19870819,"teacher_disagreement_score":0.38086736,"about_ca_system_score_codex":0.0008539729,"about_ca_system_score_gemma":0.0017471176,"threshold_uncertainty_score":0.99996805},"labels":[],"label_agreement":null},{"id":"W2625937007","doi":"","title":"Un film québécois indépendant comique, est-ce possible? : Ma voisine danse le ska de Nathalie Saint-Pierre","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; SAINT; Humanities; Art history","score_opus":0.006026131208905133,"score_gpt":0.1869443563454635,"score_spread":0.18091822513655836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625937007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8097919,0.060058367,0.00007318775,0.10629623,0.0012851029,0.0003016197,0.00019598963,0.00014670739,0.021850899],"genre_scores_gemma":[0.74015296,0.0052036988,0.0016199849,0.005555613,0.0009862876,0.000010134093,0.00012268474,0.000050254785,0.2462984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996923,0.00046637794,0.00034253488,0.0007050739,0.00045292336,0.0011100811],"domain_scores_gemma":[0.99789494,0.00020076579,0.00034663256,0.00053473713,0.0003243572,0.000698578],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000630864,0.0004770213,0.0005940091,0.0001955975,0.002300222,0.00014831197,0.0009703708,0.0008956282,0.0019085422],"category_scores_gemma":[0.00013505673,0.00048076166,0.000516658,0.0013797332,0.0008433368,0.00067953725,0.00033157284,0.0010904825,0.00023851509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030189278,0.0008435235,0.00561066,0.00009984369,0.001017496,0.005542332,0.0330235,0.00019822971,0.0076025203,0.63987815,0.18942688,0.116454944],"study_design_scores_gemma":[0.0010785233,0.00012038042,0.006285138,0.000059012415,0.0005470078,0.0004477432,0.013646735,0.00087573,0.00043096376,0.006056784,0.96980846,0.00064352114],"about_ca_topic_score_codex":0.45740098,"about_ca_topic_score_gemma":0.9216533,"teacher_disagreement_score":0.78038156,"about_ca_system_score_codex":0.003552579,"about_ca_system_score_gemma":0.0006006882,"threshold_uncertainty_score":0.9997644},"labels":[],"label_agreement":null},{"id":"W2625976766","doi":"10.71781/22368","title":"L’excès et la saturation dans la dramaturgie québécoise contemporaine : Faire des enfants d’Éric Noël, Ainsi parlait d’Étienne Lepage et Nous voir nous de Guillaume Corbeil","year":2016,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.024387893626228042,"score_gpt":0.32475900136423236,"score_spread":0.3003711077380043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625976766","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6549102,0.0014513857,0.000039684077,0.0017440044,0.0007174944,0.0009750083,0.0003561144,0.000019756235,0.33978635],"genre_scores_gemma":[0.92598206,0.001203267,0.0007124867,0.0013254805,0.00044002561,0.0001351825,0.002577362,0.00007060136,0.06755354],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99359864,0.0025122063,0.0009873966,0.0012128607,0.000693311,0.0009955851],"domain_scores_gemma":[0.9962562,0.00090351375,0.0010747737,0.0005518571,0.00073919847,0.00047450486],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002240034,0.000875848,0.001182899,0.00019636574,0.0015022104,0.0019641726,0.0014761979,0.0015735724,0.0013311205],"category_scores_gemma":[0.00079492567,0.000668438,0.0005154545,0.0010289085,0.0010319954,0.0018349341,0.00020277605,0.00087315065,0.00042133543],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008801795,0.0011677626,0.0035611212,0.00021961283,0.0012130905,0.00090493227,0.77342224,0.000046671386,0.01903058,0.030228188,0.004344101,0.16498153],"study_design_scores_gemma":[0.003684861,0.0007009103,0.024459993,0.0021133695,0.0014854022,0.00020428668,0.18820092,0.0002635058,0.001805601,0.008127756,0.7658315,0.003121909],"about_ca_topic_score_codex":0.027416302,"about_ca_topic_score_gemma":0.4050065,"teacher_disagreement_score":0.76148736,"about_ca_system_score_codex":0.00051272806,"about_ca_system_score_gemma":0.0018127202,"threshold_uncertainty_score":0.9997977},"labels":[],"label_agreement":null},{"id":"W2626389168","doi":"10.25071/1708-6701.2938","title":"La musique au temps des encyclopédistes","year":2002,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Documentation; Humanities; Encyclopedia; Library science; Art; Computer science","score_opus":0.04206968453777089,"score_gpt":0.2943350205953817,"score_spread":0.2522653360576108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626389168","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009617393,0.6964342,0.00001749567,0.019780552,0.0007292634,0.00036445927,0.00002714922,0.00005536202,0.2729741],"genre_scores_gemma":[0.07027299,0.7356227,0.00070932455,0.02358605,0.0028379036,0.00012809047,0.000031239746,0.0000322188,0.1667795],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964453,0.0014401141,0.0005927297,0.0005076045,0.00023290465,0.0007813486],"domain_scores_gemma":[0.99839085,0.0002976408,0.00029003868,0.000398619,0.00024152269,0.00038135442],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001147231,0.00035413398,0.000803547,0.00004913866,0.00066007697,0.00015246352,0.0005884449,0.0004530606,0.004592863],"category_scores_gemma":[0.00097031833,0.00029382028,0.00064014434,0.0013658621,0.0011411225,0.00045631602,0.00008155439,0.0005278205,0.0010136812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003255711,0.00038143285,0.0050641685,0.013747444,0.0002789135,0.00029394403,0.03881162,0.0000026499133,0.00010727582,0.22141635,0.17913374,0.5407592],"study_design_scores_gemma":[0.00009521136,0.000041443942,0.00079309946,0.0057279165,0.0006118234,0.00011953014,0.0005528722,0.000026230344,0.000007877264,0.0032546998,0.9883904,0.0003789209],"about_ca_topic_score_codex":0.0006877374,"about_ca_topic_score_gemma":0.0034427766,"teacher_disagreement_score":0.8092566,"about_ca_system_score_codex":0.00042430664,"about_ca_system_score_gemma":0.000092647366,"threshold_uncertainty_score":0.9999514},"labels":[],"label_agreement":null},{"id":"W2626637440","doi":"","title":"Dictionnaire du film, André Roy, Montréal, Les Éditions logiques, 1999, 359 pages","year":2000,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014348445219601979,"score_gpt":0.23900222023324172,"score_spread":0.22465377501363973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626637440","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28980806,0.2344315,0.00024127592,0.23195645,0.0047417856,0.0015150025,0.0012794116,0.0010807441,0.23494576],"genre_scores_gemma":[0.7904437,0.07152228,0.0008184571,0.0050449073,0.0060637956,0.00025671147,0.00037762252,0.000070048736,0.12540245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99328744,0.0020286182,0.0011106029,0.0013358789,0.00072643976,0.0015110312],"domain_scores_gemma":[0.99700844,0.00060583395,0.0005195714,0.0006979057,0.0004589019,0.0007093474],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012798519,0.00084990263,0.001072894,0.0002443843,0.0033618973,0.0008744472,0.0011700433,0.0014277182,0.011197507],"category_scores_gemma":[0.00039286338,0.00075502536,0.0009123567,0.0021596267,0.0027049342,0.0014857741,0.00012444274,0.0012855954,0.00067496917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012848087,0.0011880605,0.019987736,0.0008021632,0.00091627555,0.00096898,0.027817462,0.0011329743,0.00033431515,0.0729483,0.71345204,0.1603232],"study_design_scores_gemma":[0.00061923434,0.0004092905,0.019895343,0.0009779857,0.00075403124,0.0002705142,0.008823445,0.00095253036,0.00009936602,0.014225865,0.9517834,0.0011889654],"about_ca_topic_score_codex":0.02417864,"about_ca_topic_score_gemma":0.046354074,"teacher_disagreement_score":0.5006357,"about_ca_system_score_codex":0.00045359283,"about_ca_system_score_gemma":0.0003801036,"threshold_uncertainty_score":0.99986863},"labels":[],"label_agreement":null},{"id":"W2626639228","doi":"","title":"Ho fatto il mio coraggio / J’ai fait mon propre courage — Canada [Québec] 2009, 50 minutes","year":2009,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Political science; Humanities; Philosophy; Theology","score_opus":0.012748965049159568,"score_gpt":0.23764028378770022,"score_spread":0.22489131873854065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626639228","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16420445,0.077692,0.000020350379,0.7137269,0.001998703,0.0006900478,0.00033678516,0.00012399642,0.04120675],"genre_scores_gemma":[0.7553368,0.0011664893,0.00028808916,0.017738428,0.002282168,0.0000532783,0.000059880374,0.00002221863,0.2230526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99592143,0.00069749105,0.0006477783,0.00082675356,0.0006345456,0.0012720188],"domain_scores_gemma":[0.9979372,0.0002195011,0.00040567014,0.00043956985,0.0004062597,0.00059177226],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00060856703,0.0005353182,0.0007938719,0.000092767455,0.0008694467,0.00039849314,0.0010098543,0.0006184439,0.000880151],"category_scores_gemma":[0.0002842566,0.0004618753,0.00035064342,0.0012745173,0.00079000747,0.00068868493,0.000057676494,0.00075936096,0.0000638721],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054680942,0.00024234854,0.009970241,0.00019908803,0.0002539569,0.0008208718,0.013632134,0.0002520768,0.0007507564,0.014585167,0.91032386,0.04891483],"study_design_scores_gemma":[0.00028116422,0.00019099689,0.020861885,0.00029084526,0.00035007834,0.00009016748,0.0044014063,0.00027057924,0.00020191229,0.0033690673,0.96897626,0.0007156613],"about_ca_topic_score_codex":0.8937088,"about_ca_topic_score_gemma":0.98646617,"teacher_disagreement_score":0.6959885,"about_ca_system_score_codex":0.00067438436,"about_ca_system_score_gemma":0.0017575356,"threshold_uncertainty_score":0.9997833},"labels":[],"label_agreement":null},{"id":"W2679890956","doi":"","title":"« Le jazz, c’est une musique à part… » / Le roi du drum de Serge Giguère, Québec, 1991, 54 minutes","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Jazz; Humanities; Art history","score_opus":0.010274459282388364,"score_gpt":0.1635843938781274,"score_spread":0.15330993459573902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2679890956","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4439409,0.12636796,0.000094020805,0.28500324,0.0014728303,0.00041021418,0.00013539563,0.00024847445,0.14232697],"genre_scores_gemma":[0.5917094,0.0065312553,0.0004623388,0.004093073,0.00096667564,0.000013687945,0.00008031531,0.000038626757,0.39610466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730724,0.0004384784,0.00030211874,0.0006181096,0.00031351685,0.0010205111],"domain_scores_gemma":[0.9984329,0.00010972034,0.00029760465,0.00038846824,0.0002223144,0.0005490139],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036524894,0.00040174843,0.00052749284,0.00013428881,0.00232306,0.00007044268,0.0007395491,0.0005768733,0.0009493525],"category_scores_gemma":[0.00005567299,0.00042273034,0.00050952507,0.0012243666,0.00076536095,0.0008100275,0.00026488697,0.00039597874,0.00035909167],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012070009,0.0006041323,0.0035894883,0.00004752107,0.00062577636,0.0017829513,0.07047964,0.000056849818,0.0004411446,0.39224178,0.5198467,0.010163328],"study_design_scores_gemma":[0.0006938898,0.00010543731,0.0030420555,0.000051298604,0.00044144483,0.00008334972,0.019145533,0.00017039063,0.00015252738,0.0047285263,0.9708577,0.00052786415],"about_ca_topic_score_codex":0.83502,"about_ca_topic_score_gemma":0.9814293,"teacher_disagreement_score":0.45101097,"about_ca_system_score_codex":0.0024904383,"about_ca_system_score_gemma":0.0005955223,"threshold_uncertainty_score":0.99996394},"labels":[],"label_agreement":null},{"id":"W2681323247","doi":"","title":"Condensé d’imaginaire(s) / Nouveaux courts métrages québécois 2009","year":2009,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Psychology; Social psychology; Theology; Philosophy","score_opus":0.013567050684794135,"score_gpt":0.2695952621473413,"score_spread":0.2560282114625472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2681323247","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17782868,0.43026337,0.000023282488,0.22664504,0.0039347564,0.00040483003,0.00011150248,0.0002509622,0.16053759],"genre_scores_gemma":[0.7876475,0.007239471,0.00030106638,0.03041191,0.0021837389,0.000010643434,0.000042248983,0.000019918898,0.1721435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725634,0.0003264463,0.0004414362,0.0006169008,0.0004971155,0.0008617661],"domain_scores_gemma":[0.99859565,0.00012277983,0.00021942916,0.00034877352,0.00034868164,0.00036470208],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036572476,0.00041044242,0.0005824584,0.00010115986,0.0009044561,0.0003517791,0.0005432741,0.00045495084,0.0026321844],"category_scores_gemma":[0.00012567795,0.00035195128,0.0004102746,0.0006836021,0.0009810295,0.0004480486,0.000042119536,0.00044365716,0.00082227844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022925755,0.00036419657,0.0005171499,0.000033206896,0.00017479407,0.00016547118,0.014777447,0.000022783906,0.00060343265,0.15730909,0.7867168,0.039292686],"study_design_scores_gemma":[0.00034311262,0.00017737594,0.009193557,0.00010088028,0.00033893104,0.000023706165,0.008529412,0.000038752674,0.00012717102,0.014128535,0.9664749,0.0005236848],"about_ca_topic_score_codex":0.009208853,"about_ca_topic_score_gemma":0.01362668,"teacher_disagreement_score":0.6098188,"about_ca_system_score_codex":0.00011919668,"about_ca_system_score_gemma":0.00030391174,"threshold_uncertainty_score":0.9999557},"labels":[],"label_agreement":null},{"id":"W2690344936","doi":"","title":"Marilù Mallet et Leopoldo Gutierrez, cinéastes de l’exil / Double portrait - Canada [Québec] 2000, 38 minutes / Blue Jay : Notes from Exile - Canada [Québec] 2000, 54 minutes","year":2001,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Humanities; Art; Mallet; History; Art history; Archaeology","score_opus":0.01735211314742811,"score_gpt":0.23867594049066282,"score_spread":0.22132382734323472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2690344936","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52659184,0.16970171,0.000033089273,0.2440619,0.0047072284,0.0012175447,0.002564951,0.0002611958,0.050860528],"genre_scores_gemma":[0.59186697,0.00357221,0.001385321,0.018786827,0.0046544927,0.0002826516,0.00082486495,0.00017508093,0.37845156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9890907,0.001540306,0.0019837366,0.0022553937,0.0016486981,0.0034811895],"domain_scores_gemma":[0.9924892,0.00242583,0.0012348131,0.0012440495,0.0008026004,0.0018034589],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015409822,0.0016900923,0.00213269,0.0002941486,0.0019941472,0.0009667525,0.0025839165,0.0013871378,0.012369969],"category_scores_gemma":[0.000861866,0.0016083054,0.00081844925,0.002621956,0.0018442479,0.0013757822,0.00035527596,0.0017703387,0.00011549236],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00031929923,0.00050270295,0.12306874,0.000588111,0.0016072136,0.0037408625,0.031355374,0.0009309804,0.0007433597,0.0049963216,0.8224271,0.0097199315],"study_design_scores_gemma":[0.0012894862,0.00018610139,0.020623617,0.0007788484,0.0010096212,0.00036490735,0.0142995315,0.000502636,0.00064433116,0.0017753898,0.9563454,0.002180167],"about_ca_topic_score_codex":0.9998064,"about_ca_topic_score_gemma":0.99997914,"teacher_disagreement_score":0.32759103,"about_ca_system_score_codex":0.0048499336,"about_ca_system_score_gemma":0.034709252,"threshold_uncertainty_score":0.9999093},"labels":[],"label_agreement":null},{"id":"W2694624603","doi":"","title":"Tout ce que tu possèdes : Scénarios et regards croisés : De lumière et d’espoir / Bernard Émond, Tout ce que tu possèdes : Scénarios et regards croisés, Montréal : Lux Éditeur, 2012, 139 pages","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.008540315088130348,"score_gpt":0.20913000654687708,"score_spread":0.20058969145874672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2694624603","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4567901,0.16675916,0.00022672977,0.32698405,0.0015636758,0.0017493285,0.00093775324,0.0006697545,0.04431946],"genre_scores_gemma":[0.21626095,0.05244682,0.0015633703,0.010829993,0.0011374581,0.00003890476,0.00028534877,0.00017025525,0.7172669],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98979545,0.0031196566,0.00094708207,0.0020299016,0.0014644766,0.0026434357],"domain_scores_gemma":[0.9938746,0.00091214286,0.0010356371,0.0013699103,0.0012783124,0.0015293891],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0016955623,0.0014841856,0.0017185926,0.00060204294,0.0029877117,0.00096089294,0.002200509,0.0019202518,0.0022585269],"category_scores_gemma":[0.0005382643,0.0015111518,0.001476925,0.0021475041,0.0015737736,0.004063764,0.0010696457,0.0021168152,0.000735691],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005735646,0.00071750855,0.004495962,0.00018762879,0.0013518052,0.0036689546,0.032657743,0.0013878663,0.002716036,0.056359872,0.88000804,0.015875025],"study_design_scores_gemma":[0.0021946677,0.00047189777,0.013709743,0.00045277347,0.001185022,0.00048148073,0.02708493,0.0010773066,0.00014513975,0.0037334082,0.94760853,0.0018550794],"about_ca_topic_score_codex":0.4748246,"about_ca_topic_score_gemma":0.860553,"teacher_disagreement_score":0.6729474,"about_ca_system_score_codex":0.007862008,"about_ca_system_score_gemma":0.001535879,"threshold_uncertainty_score":0.9997907},"labels":[],"label_agreement":null},{"id":"W2707364007","doi":"","title":"L’après-Tremblay du théâtre québécois / Le Théâtre québécois 1975-1995, sous la direction de Dominique Lafon, « Archives des lettres canadiennes », 444 p.","year":2002,"lang":"fr","type":"article","venue":"Spirale : Arts &#8226; Lettres &#8226; Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.02773885444929859,"score_gpt":0.2460202616843324,"score_spread":0.2182814072350338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2707364007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6629219,0.043513983,0.00008238274,0.053911872,0.0033160287,0.0010069853,0.00024498033,0.0006322957,0.23436953],"genre_scores_gemma":[0.7491812,0.0075740204,0.0018914447,0.010896564,0.0068635778,0.00029744327,0.00007172683,0.00015039332,0.22307362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9886413,0.0021925406,0.001580583,0.0025840045,0.0014748765,0.0035266737],"domain_scores_gemma":[0.99489164,0.0014044358,0.0010295556,0.0009888085,0.00044775679,0.0012378254],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0019720062,0.0015824618,0.0016460008,0.0009960646,0.009142802,0.0019387953,0.002502462,0.0008632777,0.0016600676],"category_scores_gemma":[0.0008562207,0.0013349223,0.001281045,0.003776697,0.0137065835,0.002900091,0.0004221502,0.0010812479,0.00018308817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024350897,0.003144259,0.07519826,0.00089526334,0.0014309287,0.0015851782,0.16791536,0.0052032713,0.008884193,0.23233484,0.38316396,0.12000097],"study_design_scores_gemma":[0.0009008479,0.0006044045,0.005919244,0.00054090924,0.0005235124,0.00026656294,0.020737415,0.0015392503,0.0007277778,0.005697909,0.96056956,0.001972634],"about_ca_topic_score_codex":0.5621829,"about_ca_topic_score_gemma":0.9058761,"teacher_disagreement_score":0.5774056,"about_ca_system_score_codex":0.00049567025,"about_ca_system_score_gemma":0.001205132,"threshold_uncertainty_score":0.9996923},"labels":[],"label_agreement":null},{"id":"W270894956","doi":"10.3138/cjfs.14.2.2","title":"Maddin and Melodrama","year":2005,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03835346700791169,"score_gpt":0.2913514815203646,"score_spread":0.2529980145124529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W270894956","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20035823,0.6454665,0.0000012909744,0.13744584,0.0025957474,0.000060267572,0.00004369192,0.0000033830488,0.014025018],"genre_scores_gemma":[0.9085944,0.013897522,0.0005073352,0.009363082,0.0037845476,0.0000015510724,0.0000011768741,0.00000919576,0.06384117],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987575,0.00016011637,0.00035592783,0.00012786764,0.0001684257,0.00043020866],"domain_scores_gemma":[0.9984179,0.00009994711,0.00022517097,0.00006204353,0.00051915826,0.0006757527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044382573,0.00015144021,0.00040852252,0.00014539642,0.000774542,0.00014398665,0.0001860633,0.00013710698,0.00073427096],"category_scores_gemma":[0.0003198762,0.00011734296,0.00016116106,0.00039240898,0.0011582428,0.00044301615,0.000015728976,0.00028384686,0.000035223013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007696145,0.000021659527,0.004875795,0.000042586966,0.0013596971,0.00021905545,0.1021422,0.000039332885,0.000014793821,0.034184206,0.72051394,0.136579],"study_design_scores_gemma":[0.00018223557,0.000083249244,0.0025608195,0.000114611146,0.00025893553,0.000053883334,0.028529061,0.000007732052,0.0000096591,0.0020035875,0.9660509,0.00014532775],"about_ca_topic_score_codex":0.0064549055,"about_ca_topic_score_gemma":0.49900705,"teacher_disagreement_score":0.7082362,"about_ca_system_score_codex":0.0002532037,"about_ca_system_score_gemma":0.0005321507,"threshold_uncertainty_score":0.97579294},"labels":[],"label_agreement":null},{"id":"W2724557144","doi":"","title":"Gilles Groulx, le cinéaste résistant / Gilles Groulx, le cinéaste résistant. Paul Beaucage, Montréal : Lux Éditeurs, 2009, 274 pages","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007073907843394408,"score_gpt":0.18210167141276126,"score_spread":0.17502776356936686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2724557144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37580556,0.37486368,0.00020165417,0.19072749,0.0053308574,0.0010813273,0.0013284662,0.00066277455,0.049998187],"genre_scores_gemma":[0.61917883,0.03989017,0.001069416,0.0029310917,0.0022397172,0.00003458645,0.00037332452,0.00013916606,0.3341437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933873,0.0008027305,0.0008754084,0.0016252587,0.0012043188,0.0021050258],"domain_scores_gemma":[0.9960135,0.00033535194,0.000860177,0.0010333017,0.0006252744,0.0011323912],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0009044657,0.0010812001,0.0014051616,0.00039183663,0.0057179076,0.00033043404,0.0015878323,0.0013813183,0.00085925095],"category_scores_gemma":[0.00014814889,0.0011265548,0.0012365931,0.0021812704,0.0017639647,0.0016075145,0.0006842027,0.0015610217,0.00035310572],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031244176,0.00094218424,0.0010843239,0.000153164,0.0013709394,0.004620151,0.007445098,0.00014690513,0.0067610405,0.20316859,0.741356,0.03263914],"study_design_scores_gemma":[0.0018212572,0.0002255651,0.0033809023,0.00013748663,0.0010053117,0.00031104562,0.029182468,0.00045195775,0.00017994341,0.0038116819,0.95813143,0.0013609605],"about_ca_topic_score_codex":0.14958529,"about_ca_topic_score_gemma":0.8382334,"teacher_disagreement_score":0.6886481,"about_ca_system_score_codex":0.0018866577,"about_ca_system_score_gemma":0.00038910785,"threshold_uncertainty_score":0.9999151},"labels":[],"label_agreement":null},{"id":"W2724581467","doi":"10.7203/leeme.22.9778","title":"Reforma educativa en Québec: opiniones de un grupo de maestras de música","year":2017,"lang":"es","type":"article","venue":"Revista Electrónica de LEEME","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.01612348425390093,"score_gpt":0.32120902602097195,"score_spread":0.30508554176707103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2724581467","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8451254,0.016374886,0.0000738116,0.10011098,0.00034477274,0.0005767043,0.000044990382,0.00017671165,0.037171755],"genre_scores_gemma":[0.97428614,0.0076622274,0.000827849,0.004770441,0.0026043388,0.00006454373,0.000029870209,0.00003993217,0.009714685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957471,0.0010094843,0.00057251955,0.00062936795,0.00040544439,0.0016361134],"domain_scores_gemma":[0.9973144,0.00025834312,0.0006293469,0.0009961575,0.00020446425,0.0005972843],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017599093,0.0004430994,0.00069876853,0.0000851365,0.0026758078,0.001991562,0.0019565288,0.000597724,0.00050163385],"category_scores_gemma":[0.0014525122,0.00036536518,0.00053318206,0.00039412937,0.00063096243,0.0005784528,0.00017973238,0.00087021384,0.00015622661],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003634632,0.0017448275,0.18630847,0.0011152397,0.0023152868,0.00023297321,0.06690039,0.000009458379,0.02859421,0.46083537,0.12164466,0.12993567],"study_design_scores_gemma":[0.0003953566,0.00022188459,0.09292739,0.00031171055,0.0005151885,0.000079172285,0.0010840534,0.000083318686,0.0008292191,0.0048561553,0.89801854,0.0006780084],"about_ca_topic_score_codex":0.026017435,"about_ca_topic_score_gemma":0.0066197664,"teacher_disagreement_score":0.77637386,"about_ca_system_score_codex":0.0013282221,"about_ca_system_score_gemma":0.003450191,"threshold_uncertainty_score":0.99987984},"labels":[],"label_agreement":null},{"id":"W2726371421","doi":"","title":"La justesse du regard / H-Paul Chevrier, Le cinéma de répertoire et ses mises en scène, (L’instant ciné), Montréal : L’instant même, 2012, 344 pages","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Instant; Art; Physics","score_opus":0.008476441706496748,"score_gpt":0.19467296430876915,"score_spread":0.1861965226022724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2726371421","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29974762,0.44329146,0.00008111255,0.184023,0.0009601341,0.00043110122,0.00025723115,0.00024309082,0.07096524],"genre_scores_gemma":[0.7075868,0.10025535,0.0006420644,0.0039420393,0.0011150633,0.000021066267,0.00009568855,0.000072148105,0.18626978],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947432,0.0015726552,0.00047741795,0.00075686735,0.00071649975,0.0017333601],"domain_scores_gemma":[0.99713176,0.0005344197,0.00044566757,0.000561431,0.00031749753,0.0010092198],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0012894869,0.00071396236,0.0008922688,0.00023777674,0.0025794166,0.00019727262,0.00085151696,0.0010330664,0.0006749499],"category_scores_gemma":[0.00022195626,0.0006711148,0.0006799938,0.0012986198,0.00092381664,0.0021697618,0.00046620792,0.0008107545,0.00018850957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037145003,0.0010658473,0.0036655543,0.00017303102,0.0010704434,0.002851935,0.039710373,0.00015295268,0.0019783056,0.2168974,0.7037369,0.02832581],"study_design_scores_gemma":[0.0013982503,0.00012869806,0.0036109008,0.000172267,0.0010137601,0.0004212515,0.043505702,0.00018873074,0.00022055198,0.00068031315,0.9478326,0.00082698616],"about_ca_topic_score_codex":0.03438079,"about_ca_topic_score_gemma":0.31172523,"teacher_disagreement_score":0.40783918,"about_ca_system_score_codex":0.004005381,"about_ca_system_score_gemma":0.00039879043,"threshold_uncertainty_score":0.9998181},"labels":[],"label_agreement":null},{"id":"W272678849","doi":"","title":"L’heure des bilans : Le Théâtre québécois 1975-1995","year":2002,"lang":"fr","type":"article","venue":"VST - Vie sociale et traitements","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.05275885669418599,"score_gpt":0.2938859389740981,"score_spread":0.24112708227991209,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W272678849","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32783818,0.056491584,0.00004928895,0.05938477,0.004702307,0.0009788901,0.0008928165,0.00030852348,0.54935366],"genre_scores_gemma":[0.7088688,0.0047763144,0.0003451559,0.013999648,0.002335341,0.000075837575,0.00013848163,0.000055816407,0.2694046],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960076,0.0008141321,0.0006413952,0.0007029938,0.0007443385,0.0010895244],"domain_scores_gemma":[0.99867964,0.000119441655,0.00031940098,0.0002697277,0.0002594065,0.00035240172],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005997197,0.00048368145,0.00063077,0.00011348942,0.0020330213,0.00032249562,0.0006234009,0.0005988981,0.0055217627],"category_scores_gemma":[0.00011124166,0.00044456543,0.00064776785,0.0017429752,0.0014634535,0.001107042,0.00009704945,0.0005309867,0.0005262192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022786902,0.0028577968,0.008023259,0.00032676503,0.0017139071,0.00009387674,0.1825366,0.000025260368,0.0006254489,0.19165897,0.23974471,0.3723706],"study_design_scores_gemma":[0.00072015653,0.00011084211,0.002782886,0.00012867588,0.00037579783,0.0000029011646,0.013428001,0.00004127496,0.000024734392,0.0050393767,0.9767949,0.0005504281],"about_ca_topic_score_codex":0.026926113,"about_ca_topic_score_gemma":0.20359965,"teacher_disagreement_score":0.73705024,"about_ca_system_score_codex":0.0002703575,"about_ca_system_score_gemma":0.0003209889,"threshold_uncertainty_score":0.9998006},"labels":[],"label_agreement":null},{"id":"W2730912216","doi":"","title":"En bref. Le Petit Vaïs / Dictionnaire des artistes du théâtre québécois. Sous la direction de Michel Vaïs, Cahiers de théâtre Jeu / Québec Amérique, 422 p., ill.","year":2009,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010881686279125403,"score_gpt":0.2507648438252732,"score_spread":0.2398831575461478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730912216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6600608,0.028564848,0.00026241204,0.1997782,0.0015271911,0.0004936866,0.00006291322,0.00052188494,0.10872805],"genre_scores_gemma":[0.82372415,0.0023572939,0.00078232196,0.022689795,0.002939295,0.00006497587,0.000025728265,0.00003776627,0.1473787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949316,0.0009870098,0.00068348757,0.0010993396,0.0007810681,0.0015175403],"domain_scores_gemma":[0.9978729,0.00043571787,0.00043614185,0.00036898706,0.00039752375,0.0004887683],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0017224291,0.0006404582,0.0006539961,0.00032970982,0.00620088,0.0010835431,0.0010101562,0.0006186707,0.00035911123],"category_scores_gemma":[0.0007791693,0.0005413535,0.00056609843,0.0019533045,0.005644011,0.0018691854,0.00008998703,0.000647308,0.00006699885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010180194,0.0014234998,0.07115566,0.0002622603,0.00038550852,0.00032984553,0.11726563,0.0020937482,0.009606849,0.34355325,0.3982878,0.055534136],"study_design_scores_gemma":[0.0003849545,0.00046178105,0.028627438,0.00027901374,0.00024091174,0.00013973263,0.018070979,0.00047691207,0.0005370142,0.014541133,0.93537474,0.0008653909],"about_ca_topic_score_codex":0.23350519,"about_ca_topic_score_gemma":0.62742037,"teacher_disagreement_score":0.5370869,"about_ca_system_score_codex":0.00077137724,"about_ca_system_score_gemma":0.0013304005,"threshold_uncertainty_score":0.99995345},"labels":[],"label_agreement":null},{"id":"W2732253833","doi":"","title":"La Brunante : crépuscule avant la nuit / La Brunante Canada [Québec] 2007, 101 minutes","year":2007,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012078894512037948,"score_gpt":0.2459623367184177,"score_spread":0.23388344220637974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732253833","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28524444,0.1019936,0.000077362565,0.14617065,0.0046083755,0.0006176833,0.000263748,0.0001994982,0.46082467],"genre_scores_gemma":[0.64798844,0.0018345272,0.0004257816,0.003651621,0.0019279679,0.00002462973,0.00003196346,0.000041967713,0.3440731],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944369,0.001662528,0.00083499163,0.000889208,0.00069326133,0.0014831175],"domain_scores_gemma":[0.9959882,0.0020759061,0.0004700334,0.0004581405,0.0003483137,0.00065943325],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0029205426,0.0005968805,0.0008310122,0.00014167097,0.00085010985,0.00040436463,0.0010786935,0.0009340927,0.001613637],"category_scores_gemma":[0.0006566101,0.00050903513,0.0004824359,0.0011798402,0.0018634993,0.00056197844,0.00014467874,0.0010334244,0.0001342576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015640905,0.0006333709,0.0637678,0.000780948,0.0010969595,0.008100691,0.06255666,0.00014294969,0.0018877339,0.07025954,0.70189685,0.0887201],"study_design_scores_gemma":[0.0003573159,0.00007232751,0.02661267,0.0004972652,0.0003578166,0.0002910031,0.008074434,0.000109081695,0.00018948498,0.0012539218,0.9614805,0.0007041708],"about_ca_topic_score_codex":0.9099603,"about_ca_topic_score_gemma":0.9946954,"teacher_disagreement_score":0.36274403,"about_ca_system_score_codex":0.00059687893,"about_ca_system_score_gemma":0.0023593584,"threshold_uncertainty_score":0.99973613},"labels":[],"label_agreement":null},{"id":"W2732350101","doi":"10.25071/1708-6701.39544","title":"Canadian Contemporary Music in the Twenty-First Century: A Review of Four Recordings","year":2014,"lang":"en","type":"review","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.06648367481547877,"score_gpt":0.3204517700975649,"score_spread":0.25396809528208614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732350101","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[5.424002e-7,0.9455781,4.9583736e-7,0.00902884,0.00056467275,0.0029853696,0.000086886605,0.000021753038,0.041733332],"genre_scores_gemma":[0.000012936784,0.95986694,0.000033732595,0.03689727,0.000990803,0.00052427576,0.00031264874,0.000036690264,0.0013246748],"study_design_codex":"systematic_review","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932906,0.0030640578,0.0017610636,0.00067393656,0.0004376981,0.00077261217],"domain_scores_gemma":[0.99631554,0.0005297257,0.0014993479,0.00092110137,0.00032965804,0.00040463684],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0061087473,0.00058885565,0.004321582,0.00024175829,0.00038246354,0.00011593212,0.0019724157,0.0005237633,0.00061673915],"category_scores_gemma":[0.0025465868,0.0003684051,0.0018952586,0.0027060444,0.00022087606,0.00019506265,0.00008284691,0.0009719158,0.00014272884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.81632e-7,0.00002245277,0.000023267896,0.40110913,0.00010206812,0.000062695224,0.00074374117,6.2523955e-9,9.6674455e-9,0.003827073,0.24865934,0.34544963],"study_design_scores_gemma":[0.000037688544,0.000015084,0.0000028979482,0.3386054,0.0010379631,0.000031351163,0.00007147328,9.859392e-8,2.4568847e-9,0.000058315807,0.65986806,0.00027167125],"about_ca_topic_score_codex":0.041877206,"about_ca_topic_score_gemma":0.20082897,"teacher_disagreement_score":0.41120872,"about_ca_system_score_codex":0.00066740985,"about_ca_system_score_gemma":0.0017504705,"threshold_uncertainty_score":0.9998768},"labels":[],"label_agreement":null},{"id":"W2732395183","doi":"","title":"Point de repère / COULOMBE, Michel et Marcel JEAN. Nouvelle édition revue et augmentée par Michel Coulombe. Le Dictionnaire du cinéma québécois, Montréal, Éditions du Boréal, 2006, 821 p.","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.0046758050202322125,"score_gpt":0.18116535832898104,"score_spread":0.17648955330874883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732395183","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14591996,0.124816,0.001196052,0.7090394,0.0013397984,0.0007001528,0.0013048558,0.00036157708,0.015322233],"genre_scores_gemma":[0.44575942,0.11950813,0.00126275,0.019610876,0.0027060772,0.00010137313,0.0027476563,0.00013681113,0.40816692],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99539727,0.0009866988,0.0006731255,0.0010461293,0.00062401337,0.0012727837],"domain_scores_gemma":[0.99729264,0.00027989584,0.0006793794,0.0006149541,0.00059855205,0.00053456915],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009791758,0.00068612746,0.00076382543,0.00028800758,0.004350583,0.00021442014,0.0006117715,0.0008845058,0.0009238393],"category_scores_gemma":[0.00012879481,0.00077441323,0.0007538492,0.0011853066,0.000701761,0.0013545641,0.00029757453,0.0007803499,0.00022767845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012973834,0.000950529,0.0023772717,0.00009817167,0.00040739626,0.0010431489,0.0071238186,0.0020275179,0.0011658277,0.067250594,0.9166706,0.00075538334],"study_design_scores_gemma":[0.0017169432,0.00015999153,0.012268434,0.0002672571,0.00097718,0.0002970721,0.0235674,0.0025391027,0.00009141744,0.0045324946,0.95270604,0.0008766596],"about_ca_topic_score_codex":0.58448786,"about_ca_topic_score_gemma":0.87342846,"teacher_disagreement_score":0.6894285,"about_ca_system_score_codex":0.005389211,"about_ca_system_score_gemma":0.0006125631,"threshold_uncertainty_score":0.99998945},"labels":[],"label_agreement":null},{"id":"W2733490000","doi":"","title":"Late vintage Cohen / Leonard Cohen World Tour 2008-2009. Concert donné à la Salle Wilfrid-Pelletier de la Place des Arts, dans le cadre du Festival international de jazz de Montréal, du 23 au 25 juin 2008","year":2008,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vintage; Humanities; Jazz; Art; Geography; Art history; Archaeology","score_opus":0.02343162692984202,"score_gpt":0.2639855607919099,"score_spread":0.24055393386206786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733490000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8141047,0.009077421,0.00026847632,0.04046996,0.0012671081,0.00036561477,0.000192456,0.00017687387,0.13407741],"genre_scores_gemma":[0.7633519,0.0018146597,0.0020344525,0.0082564065,0.0039617014,0.00007186325,0.00005880301,0.000046533205,0.22040366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944172,0.0011163915,0.00071067206,0.0010258767,0.0010452507,0.0016846161],"domain_scores_gemma":[0.9975197,0.0007626225,0.0004949051,0.0003200065,0.00031143316,0.0005913753],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0022689018,0.0006380912,0.0006838542,0.0003300858,0.0053404616,0.0007771016,0.0015945737,0.00040555408,0.0016383649],"category_scores_gemma":[0.00049230433,0.0005536619,0.00045619192,0.0012725095,0.012002337,0.0014325107,0.00030890797,0.0006201261,0.00012927719],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008246512,0.00043283883,0.29938662,0.000039866078,0.00022386895,0.0009637538,0.038243446,0.005899621,0.00190884,0.026049582,0.62591094,0.0008581742],"study_design_scores_gemma":[0.0009940427,0.00018241226,0.061074674,0.00019906057,0.00015230919,0.0003444527,0.009573404,0.0021751255,0.00030769786,0.0033359805,0.9208108,0.00085003633],"about_ca_topic_score_codex":0.053554635,"about_ca_topic_score_gemma":0.17875385,"teacher_disagreement_score":0.29489988,"about_ca_system_score_codex":0.0008111419,"about_ca_system_score_gemma":0.0015356727,"threshold_uncertainty_score":0.9996915},"labels":[],"label_agreement":null},{"id":"W2734718133","doi":"","title":"Divine lenteur / Claude Beausoleil, Les passions extérieures, Trois-Rivières/Pantin, Écrits des Forges / Le Castor astral, 2002, 200 p., 20 $. / Antonio D’Alfonso, Comment ça se passe, Montréal, le Noroît, 2001, 88 p., 17,95 $. / François Piazza, L’exil chronique, Laval, Trois, 2002, 72 p., 15 $.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passions; Humanities; Art","score_opus":0.018685664473671905,"score_gpt":0.21083014066422118,"score_spread":0.19214447619054928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734718133","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11372027,0.7165263,0.0003825764,0.15959585,0.0010708288,0.0011438163,0.0016267777,0.00043927986,0.0054942835],"genre_scores_gemma":[0.03183922,0.31528148,0.0021131062,0.004060712,0.0016323496,0.000092879796,0.00037253895,0.00021562153,0.6443921],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99072397,0.0013531779,0.0012658935,0.0017838768,0.0013967735,0.0034763392],"domain_scores_gemma":[0.994937,0.00044033205,0.0009856961,0.001216393,0.0007449331,0.0016756667],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0008053496,0.0015705008,0.0018833245,0.00048692405,0.00790146,0.00047565444,0.0017572123,0.0013239442,0.0073356247],"category_scores_gemma":[0.00016146191,0.0015630947,0.0015388944,0.0022627679,0.002014419,0.0023144057,0.0008415899,0.0014924417,0.000670918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018645752,0.0020481774,0.0028439362,0.00020612426,0.0011313632,0.001550456,0.006499227,0.0006252369,0.0019632466,0.003334673,0.96952134,0.010089752],"study_design_scores_gemma":[0.0030042883,0.000611707,0.002517604,0.00051624345,0.0012707833,0.00040179875,0.01114188,0.0024523854,0.00029939745,0.00021496542,0.97588986,0.0016791029],"about_ca_topic_score_codex":0.3666143,"about_ca_topic_score_gemma":0.8716691,"teacher_disagreement_score":0.63889784,"about_ca_system_score_codex":0.0036670314,"about_ca_system_score_gemma":0.00031043487,"threshold_uncertainty_score":0.9999725},"labels":[],"label_agreement":null},{"id":"W2735661582","doi":"","title":"Diable de Ferron ! / Jacques Cardinal, La part du diable. Le Saint-Élias de Jacques Ferron, Montréal, Lévesque éditeur, 2015, 228 pages","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Cegep de Victoriaville","funders":"","keywords":"Art; Humanities","score_opus":0.00933307878187025,"score_gpt":0.1917689458025488,"score_spread":0.18243586702067854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735661582","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37918046,0.40075728,0.00042479337,0.19554663,0.0013099879,0.0005171022,0.00028572374,0.00039305782,0.021584988],"genre_scores_gemma":[0.42632097,0.17808904,0.00078093034,0.003604413,0.0022818604,0.00005507069,0.00008056801,0.00009979801,0.38868734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994411,0.0016780288,0.00046952997,0.0009824366,0.0006038433,0.0018551899],"domain_scores_gemma":[0.9970556,0.00055802264,0.00042620802,0.0006407612,0.00040348616,0.0009159266],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012994052,0.0007011853,0.00095401244,0.00022895924,0.0024319352,0.00026526715,0.00095391966,0.0009786577,0.0011661683],"category_scores_gemma":[0.00025857132,0.0005984004,0.0007577648,0.000934004,0.0010310921,0.001502455,0.00041875214,0.0004851567,0.00033508788],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016122735,0.00032100145,0.009861151,0.000071365095,0.0007482533,0.0016105263,0.005368028,0.00021560564,0.0020510787,0.061655145,0.90240234,0.015534289],"study_design_scores_gemma":[0.0010765332,0.00020002725,0.0028038968,0.0002677194,0.0008239674,0.00014161268,0.0058216597,0.00028266883,0.00052549073,0.0058585345,0.9813445,0.0008533544],"about_ca_topic_score_codex":0.19423012,"about_ca_topic_score_gemma":0.41377738,"teacher_disagreement_score":0.36710235,"about_ca_system_score_codex":0.010980944,"about_ca_system_score_gemma":0.00042622385,"threshold_uncertainty_score":0.9997469},"labels":[],"label_agreement":null},{"id":"W2736273637","doi":"","title":"Il fait soleil chez toi Canada [Québec] 2004, 23 minutes","year":2004,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.013012974128684402,"score_gpt":0.22902965294769867,"score_spread":0.21601667881901426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736273637","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4038061,0.13207908,0.00007119944,0.35377738,0.008378104,0.0012548054,0.000810779,0.000391521,0.09943103],"genre_scores_gemma":[0.7364507,0.002121637,0.0009594661,0.012570367,0.005228804,0.00013796428,0.0001745755,0.00008390895,0.2422726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99270296,0.0010041813,0.0012717847,0.0015672253,0.0011409486,0.0023129156],"domain_scores_gemma":[0.9961668,0.0005018475,0.00074865477,0.00081784837,0.0006655096,0.001099325],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013150994,0.0010379254,0.0013875081,0.000209995,0.0017386794,0.0007080797,0.0018973432,0.0011785487,0.0026975821],"category_scores_gemma":[0.000666255,0.0009448608,0.00079727714,0.002601407,0.0021658149,0.0011203876,0.00021946411,0.0013089201,0.00042646722],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019205076,0.0011855251,0.025150359,0.0025169016,0.0021381301,0.0035469134,0.085469514,0.002099589,0.0038616061,0.1029749,0.7390068,0.031857684],"study_design_scores_gemma":[0.0011030756,0.00027191566,0.005590724,0.0010301797,0.0008454662,0.00023181952,0.014958399,0.00014302938,0.0010056952,0.011506325,0.9615209,0.0017924359],"about_ca_topic_score_codex":0.9193873,"about_ca_topic_score_gemma":0.9883631,"teacher_disagreement_score":0.341207,"about_ca_system_score_codex":0.0021757835,"about_ca_system_score_gemma":0.0061208373,"threshold_uncertainty_score":0.9995609},"labels":[],"label_agreement":null},{"id":"W2736415225","doi":"","title":"Le cinéma au Québec, tradition et modernité Sous la direction de Stéphane-Albert Boulais, Montréal : Fides, 2006 349 pages","year":2008,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fides; Art; Humanities; Philosophy; Theology","score_opus":0.017209479059139384,"score_gpt":0.24177650495041622,"score_spread":0.22456702589127683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736415225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5098965,0.07102879,0.00046223524,0.30852628,0.001332014,0.0004945558,0.00015890284,0.00028595453,0.107814744],"genre_scores_gemma":[0.9391962,0.010792819,0.00039445978,0.0023687007,0.001590366,0.0000898544,0.000094402734,0.000036099183,0.04543708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956202,0.0018438686,0.0005479715,0.0006943942,0.0004112496,0.0008823011],"domain_scores_gemma":[0.9982155,0.0005690554,0.0003496498,0.0002953884,0.00019519308,0.00037520667],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010235419,0.0004367143,0.0006006969,0.00014173359,0.001573007,0.00021239447,0.00044914894,0.00076120853,0.00017375026],"category_scores_gemma":[0.00028371255,0.00042190964,0.00045398733,0.0008607858,0.0011206005,0.0009403597,0.000046315345,0.00069540564,0.00006660133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003126329,0.0021229296,0.04814504,0.00063998176,0.0012146086,0.002230953,0.28682798,0.008095596,0.006339815,0.20864846,0.36655518,0.068866804],"study_design_scores_gemma":[0.0007194729,0.00024082803,0.06310088,0.0003323701,0.0004688338,0.0010512944,0.0076385587,0.0024350681,0.00045515987,0.008472054,0.91414803,0.0009374656],"about_ca_topic_score_codex":0.5355972,"about_ca_topic_score_gemma":0.7309443,"teacher_disagreement_score":0.5475928,"about_ca_system_score_codex":0.00054835423,"about_ca_system_score_gemma":0.0015601958,"threshold_uncertainty_score":0.9998233},"labels":[],"label_agreement":null},{"id":"W2736702892","doi":"","title":"Sébastien Pilote - Stéphane Lafleur / Dust Bowl Ha ! Ha ! de Sébastien Pilote, Québec, 2007 / Le vendeur de Sébastien Pilote, Québec, 2011, 107 minutes","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.017972406178439215,"score_gpt":0.18822843297762204,"score_spread":0.17025602679918284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736702892","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5411398,0.29186738,0.00092265254,0.10062744,0.003934131,0.0014601195,0.0007074942,0.00089223415,0.0584488],"genre_scores_gemma":[0.30165398,0.006767175,0.0024923387,0.005490387,0.0025054943,0.000048715323,0.00015281848,0.00018495714,0.6807041],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992847,0.001053566,0.00081023894,0.0015227662,0.000978941,0.0027874769],"domain_scores_gemma":[0.99550825,0.00042147044,0.00082191906,0.0009588669,0.0006463244,0.0016431892],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010590467,0.0011219922,0.0012555042,0.000493062,0.003260307,0.00020741676,0.0019335718,0.00083277107,0.0045717955],"category_scores_gemma":[0.00030459155,0.0011881337,0.00085850334,0.0015011274,0.0017779625,0.0016080968,0.0007319469,0.0011655226,0.0014396245],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001259586,0.0017499661,0.013300329,0.00017460968,0.0016199483,0.004236648,0.042794447,0.0003199682,0.0014344768,0.011062909,0.90823704,0.0138100665],"study_design_scores_gemma":[0.0021146075,0.0009286692,0.009176933,0.00016565471,0.0015284334,0.00038012644,0.014903749,0.0008596527,0.0002503937,0.001585801,0.9665992,0.0015067267],"about_ca_topic_score_codex":0.8381646,"about_ca_topic_score_gemma":0.92921925,"teacher_disagreement_score":0.6222553,"about_ca_system_score_codex":0.009256519,"about_ca_system_score_gemma":0.0021917725,"threshold_uncertainty_score":0.99933785},"labels":[],"label_agreement":null},{"id":"W2736852129","doi":"","title":"Prix collégial du cinéma québécois : cinéphiles en puissance","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.008444394775516555,"score_gpt":0.19618417092652374,"score_spread":0.18773977615100718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736852129","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40452263,0.07555251,0.000021777885,0.4266827,0.0024210224,0.00032353602,0.00011375169,0.00010403792,0.09025802],"genre_scores_gemma":[0.57604975,0.014204316,0.00017918457,0.0018662545,0.0023310292,0.000007011019,0.000021659542,0.00002192286,0.4053189],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766374,0.00034138974,0.00022790811,0.00057732494,0.0004304317,0.0007592329],"domain_scores_gemma":[0.9981021,0.00014537705,0.00045851673,0.0006376857,0.00024674923,0.00040956974],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039601268,0.00034144765,0.0005012698,0.00009027031,0.005729771,0.00023228535,0.0012732765,0.00055253354,0.0009905471],"category_scores_gemma":[0.00020337291,0.00034433362,0.00043757696,0.00036397908,0.0010069208,0.0009132721,0.00046300024,0.00035776396,0.00035856408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019260273,0.00025656956,0.008231702,0.000064939035,0.0007179451,0.0025786564,0.033379603,0.00005166916,0.00056729093,0.51100487,0.37897807,0.063976094],"study_design_scores_gemma":[0.0007051385,0.00008955145,0.016223837,0.000060770013,0.0004855398,0.000059583188,0.006512226,0.0002149937,0.000044259872,0.0018438665,0.97333556,0.0004246642],"about_ca_topic_score_codex":0.188932,"about_ca_topic_score_gemma":0.8437679,"teacher_disagreement_score":0.6548359,"about_ca_system_score_codex":0.0046119257,"about_ca_system_score_gemma":0.00020171102,"threshold_uncertainty_score":0.9999227},"labels":[],"label_agreement":null},{"id":"W2737302430","doi":"","title":"Les genres cinématographiques : Nouveaux habits du cinéma québécois","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007346374429531559,"score_gpt":0.19238306660691654,"score_spread":0.18503669217738497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737302430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75822014,0.067282155,0.000021364878,0.11989578,0.0016562208,0.00021865885,0.00006737752,0.00018828393,0.05245001],"genre_scores_gemma":[0.82864547,0.01699137,0.00064155104,0.0035219009,0.001712144,0.000010206894,0.00004750389,0.000038221853,0.14839163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975974,0.00030603065,0.00027306756,0.00058932067,0.00042572847,0.0008084639],"domain_scores_gemma":[0.9983252,0.00015249707,0.00026552743,0.0003914153,0.00036159845,0.0005037537],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034080268,0.00040096045,0.00048841623,0.00023899956,0.0024197255,0.00010398907,0.00072376017,0.00076350104,0.0017756078],"category_scores_gemma":[0.0000820747,0.00038922287,0.0005930332,0.0012628654,0.0009597724,0.0005836871,0.00024074486,0.00067438657,0.00021708843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000733534,0.00026276513,0.01902228,0.000055242403,0.00056762795,0.00095700345,0.023767134,0.000013495929,0.0028392968,0.63850796,0.22341204,0.090521805],"study_design_scores_gemma":[0.00039741106,0.00008898499,0.012560081,0.00003422742,0.0004821746,0.000111661735,0.0105696125,0.000109405184,0.00012529883,0.0017557,0.9732852,0.00048023526],"about_ca_topic_score_codex":0.341385,"about_ca_topic_score_gemma":0.9622796,"teacher_disagreement_score":0.74987316,"about_ca_system_score_codex":0.0012026121,"about_ca_system_score_gemma":0.00012193097,"threshold_uncertainty_score":0.999856},"labels":[],"label_agreement":null},{"id":"W2737347188","doi":"10.7202/1040489ar","title":"Hans Bellmer : portrait du premier marionnettiste d’un théâtre énergétique","year":2017,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.020537049637505522,"score_gpt":0.25987302419700803,"score_spread":0.2393359745595025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737347188","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22876704,0.007299286,0.000033970035,0.22085954,0.0068762815,0.0015313459,0.00071424304,0.00051670073,0.5334016],"genre_scores_gemma":[0.65666324,0.0035870404,0.0006950841,0.0042045675,0.004919377,0.0001579938,0.0001960098,0.0001508264,0.3294259],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99056655,0.0009847977,0.0024179176,0.0022326305,0.0011955231,0.002602588],"domain_scores_gemma":[0.99183166,0.00038517022,0.0033089882,0.002324867,0.00083940703,0.0013099117],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0017712491,0.0016794483,0.0022080988,0.0002666919,0.006164706,0.0018984536,0.0037600603,0.0019423886,0.0029175414],"category_scores_gemma":[0.0011798869,0.0015438582,0.0021955543,0.00076005765,0.0037101228,0.0032450096,0.0005954918,0.0018195233,0.00048766466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002335825,0.0011659254,0.0067637824,0.00063159596,0.0016763733,0.001227394,0.023770457,0.00009162116,0.00052727223,0.816187,0.1224937,0.02523125],"study_design_scores_gemma":[0.0005201183,0.00032175516,0.021562995,0.0009772693,0.0015842627,0.00022377084,0.0013678969,0.00013544301,0.00028568206,0.005533396,0.96557,0.0019174098],"about_ca_topic_score_codex":0.011446133,"about_ca_topic_score_gemma":0.32974595,"teacher_disagreement_score":0.8430763,"about_ca_system_score_codex":0.0007422944,"about_ca_system_score_gemma":0.00103803,"threshold_uncertainty_score":0.9995952},"labels":[],"label_agreement":null},{"id":"W2737886752","doi":"","title":"La recherche du sens / Jean Forest, Bible et psychanalyse soeurs ennemies?, Montréal, Triptyque, coll. « Controverses », 1999, 214 p., 18 $. / Antoine Sirois, Lecture mythocritique du roman québécois, Montréal, Triptyque, 1999, 136 p., 17 $.","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0267612027914055,"score_gpt":0.2466193573824635,"score_spread":0.21985815459105798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737886752","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107416995,0.59741,0.00032096342,0.25652176,0.0010096177,0.0014933995,0.00096168043,0.00062033796,0.034245245],"genre_scores_gemma":[0.06880972,0.5955778,0.0018673278,0.017146172,0.002073122,0.000086325665,0.00067449367,0.00020788467,0.31355718],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98798776,0.0053760097,0.001205727,0.0018606576,0.0012676026,0.002302272],"domain_scores_gemma":[0.9933783,0.0025115125,0.0008717762,0.0011888001,0.0006904662,0.0013591355],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0028410892,0.001544144,0.0022009986,0.00089107495,0.0033409682,0.0005181846,0.0014769878,0.002678367,0.006741898],"category_scores_gemma":[0.0009660545,0.001512223,0.0016071284,0.004959454,0.0013499159,0.0016552899,0.00032523103,0.002366279,0.00030685967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012757304,0.0009959416,0.00067049556,0.00013542894,0.0017839449,0.004995915,0.01045038,0.0024871943,0.00074886275,0.016138038,0.92845523,0.031862818],"study_design_scores_gemma":[0.0046098707,0.0005742456,0.00045733078,0.00027260344,0.002428475,0.00073509826,0.012792275,0.0035933922,0.00007403076,0.004392654,0.96843034,0.0016396972],"about_ca_topic_score_codex":0.58929217,"about_ca_topic_score_gemma":0.9544118,"teacher_disagreement_score":0.36511967,"about_ca_system_score_codex":0.007529058,"about_ca_system_score_gemma":0.00069668045,"threshold_uncertainty_score":0.9999353},"labels":[],"label_agreement":null},{"id":"W2737954152","doi":"","title":"Légendes franciscaines à l’OSM / Saint François d’Assise, d’Olivier Messiaen, avec le Choeur et l’Orchestre symphonique de Montréal sous la direction de Kent Nagano","year":2009,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018410719084502463,"score_gpt":0.272914560992489,"score_spread":0.2545038419079865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737954152","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7245226,0.079643466,0.00044840743,0.112449095,0.0022916242,0.0006495609,0.000072810406,0.00039815402,0.079524316],"genre_scores_gemma":[0.94418514,0.0024986018,0.0012561581,0.018847264,0.002878757,0.00007988364,0.00002638536,0.000034593635,0.030193191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938678,0.0013170368,0.0007821831,0.0011065151,0.0010043082,0.0019221569],"domain_scores_gemma":[0.9978522,0.00036830848,0.00047939867,0.0004160456,0.00028058916,0.0006034538],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.002989484,0.0007204356,0.0007930765,0.00034448347,0.0036795281,0.0010983767,0.0009923886,0.000626895,0.0004687776],"category_scores_gemma":[0.00039754633,0.00058749126,0.00067273236,0.0020388593,0.0030131175,0.0017099067,0.00013707938,0.000635228,0.00006458447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013756454,0.0032144587,0.051345516,0.00032303404,0.0005861588,0.0005375788,0.14670117,0.007660488,0.018693559,0.39172068,0.22681573,0.15226407],"study_design_scores_gemma":[0.0006496428,0.0004112943,0.049465396,0.000301439,0.00029956194,0.0001318615,0.0064418963,0.0014488488,0.00121297,0.025104152,0.9133506,0.001182346],"about_ca_topic_score_codex":0.020713706,"about_ca_topic_score_gemma":0.04014685,"teacher_disagreement_score":0.6865349,"about_ca_system_score_codex":0.0005280427,"about_ca_system_score_gemma":0.0006958713,"threshold_uncertainty_score":0.9999386},"labels":[],"label_agreement":null},{"id":"W2737982736","doi":"","title":"Projections imaginaires / Simon Braud (dir.), Les plus grands films que vous ne verrez jamais : les chefs-d’oeuvre inédits des plus illustres réalisateurs, Montréal, Hurtubise, 2013, 256 pages","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège de Maisonneuve","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.013516989060210677,"score_gpt":0.2029691399526331,"score_spread":0.18945215089242243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737982736","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38622966,0.51267016,0.00032585498,0.085087925,0.002000558,0.00086390425,0.00039356534,0.0005511116,0.011877238],"genre_scores_gemma":[0.63000536,0.116526954,0.00079268735,0.0012437606,0.0018940294,0.00006314599,0.000364034,0.00011660037,0.24899343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99482656,0.0010810839,0.0005835117,0.0011947756,0.00078794925,0.0015261511],"domain_scores_gemma":[0.9970797,0.00038097636,0.00055995194,0.00066864316,0.0006180297,0.0006927346],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00055205927,0.0009205497,0.0011034439,0.0004328779,0.005901457,0.0003616099,0.0010559495,0.0010275473,0.000834527],"category_scores_gemma":[0.00025627666,0.00087495963,0.0008120053,0.0019565725,0.0023914569,0.0014580215,0.00046453378,0.0009337048,0.00018908721],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003278265,0.0003060218,0.0024977692,0.00021059913,0.0008306971,0.0006104344,0.020028647,0.0034930406,0.0003675319,0.011439316,0.81354344,0.14634469],"study_design_scores_gemma":[0.0020558357,0.0003497372,0.004889344,0.0002789939,0.0013204871,0.000117234784,0.024397794,0.004447134,0.00013515222,0.002108801,0.9587702,0.0011292734],"about_ca_topic_score_codex":0.44836533,"about_ca_topic_score_gemma":0.87263095,"teacher_disagreement_score":0.42426565,"about_ca_system_score_codex":0.0042785695,"about_ca_system_score_gemma":0.00025777414,"threshold_uncertainty_score":0.99954385},"labels":[],"label_agreement":null},{"id":"W2739107686","doi":"","title":"La belle empoisonneuse : Homère et Roxane / La belle empoisonneuse, Canada [Québec], 2007, 93 minutes","year":2007,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.012669726098537015,"score_gpt":0.25475935003571526,"score_spread":0.24208962393717826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739107686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.726249,0.0763615,0.00004697453,0.09776202,0.004119278,0.0009668482,0.0005544946,0.0003103188,0.093629576],"genre_scores_gemma":[0.8123154,0.0043220916,0.0010348816,0.008652215,0.0034019796,0.00009681374,0.0002105137,0.00012913637,0.16983694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9893047,0.0029624726,0.0017144011,0.0018931505,0.0013784827,0.0027467886],"domain_scores_gemma":[0.9917825,0.0039018793,0.0010233852,0.0011260436,0.00075472833,0.0014114478],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.004160884,0.0013524251,0.0017138869,0.00037382852,0.0037819315,0.0006038985,0.0023210878,0.001854563,0.0027396183],"category_scores_gemma":[0.0013759164,0.0012439715,0.00090379413,0.003212854,0.002356396,0.0013019204,0.0007164053,0.002259454,0.00018070352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033514833,0.0013700542,0.083091825,0.0017857864,0.0016298292,0.006343685,0.15419555,0.00036195674,0.0019889672,0.048128873,0.68361,0.01715833],"study_design_scores_gemma":[0.0009685033,0.00026442084,0.013295612,0.0008303997,0.0006986423,0.0004388206,0.025825704,0.00015054768,0.00050860527,0.0020710912,0.9532252,0.0017224674],"about_ca_topic_score_codex":0.8335903,"about_ca_topic_score_gemma":0.98635346,"teacher_disagreement_score":0.2696152,"about_ca_system_score_codex":0.0011863257,"about_ca_system_score_gemma":0.0035387964,"threshold_uncertainty_score":0.9999227},"labels":[],"label_agreement":null},{"id":"W2739276786","doi":"","title":"Québec Cinéma : si jeunesse voyait...","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.010511480886652947,"score_gpt":0.19924299476513094,"score_spread":0.188731513878478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739276786","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34710503,0.12865625,0.000016386552,0.43060955,0.0017893618,0.0001966401,0.000058115944,0.000093773415,0.09147488],"genre_scores_gemma":[0.3583721,0.0057753306,0.0000946911,0.0021899827,0.00097513816,0.0000035720434,0.000015198624,0.000017484464,0.6325565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979705,0.00021113512,0.00019363771,0.0005117163,0.00036855374,0.0007444291],"domain_scores_gemma":[0.99816144,0.000086209366,0.00039677817,0.000694775,0.00022894047,0.0004318812],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027205533,0.0003062113,0.00043526993,0.00008250208,0.0059913658,0.00022018992,0.001135129,0.0004663132,0.0016675976],"category_scores_gemma":[0.00012170672,0.00030298342,0.00043802778,0.00031187618,0.0009844573,0.0008956081,0.0004169554,0.00033650824,0.00085097953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011949651,0.00025438267,0.006452267,0.00006270506,0.000693771,0.002932534,0.020811817,0.000036777226,0.00045873164,0.2352652,0.56157035,0.17134199],"study_design_scores_gemma":[0.0005365825,0.00006387355,0.0054085976,0.000047211106,0.00053533626,0.000045749595,0.0054807975,0.00018184418,0.000031265194,0.0023808305,0.9848981,0.00038984942],"about_ca_topic_score_codex":0.50990796,"about_ca_topic_score_gemma":0.96463346,"teacher_disagreement_score":0.5410816,"about_ca_system_score_codex":0.0042771967,"about_ca_system_score_gemma":0.00019928544,"threshold_uncertainty_score":0.99994224},"labels":[],"label_agreement":null},{"id":"W2739384389","doi":"","title":"Dictionnaire de la censure au Québec : littérature et cinéma Sous la direction de Pierre Hébert, Yves Lever et Kenneth Landry Montréal : Fides, 2006, 717 pages","year":2007,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010584617739753353,"score_gpt":0.25649561200063903,"score_spread":0.24591099426088567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739384389","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35671785,0.23807052,0.00062381965,0.2589751,0.0024511337,0.0005925315,0.00026192144,0.0005006997,0.14180644],"genre_scores_gemma":[0.9058892,0.01800654,0.0007234399,0.004346879,0.002672801,0.00004221025,0.00007627951,0.000049948216,0.068192676],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939413,0.0030805639,0.0005762411,0.0007583798,0.00043744425,0.0012060532],"domain_scores_gemma":[0.99714106,0.0013592533,0.0003971254,0.00034844218,0.00025029256,0.00050380273],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0039570844,0.0005511667,0.00063510146,0.00017092246,0.0011176044,0.0004496156,0.00050904206,0.0015836691,0.0001703177],"category_scores_gemma":[0.0007549837,0.00047431365,0.0004937943,0.001352764,0.0011108252,0.00072164973,0.000086414904,0.0016007993,0.000025848769],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034913627,0.0009747303,0.30607215,0.0006447675,0.0010794525,0.0017183212,0.2001458,0.0021050344,0.0023961551,0.043969285,0.31848952,0.12205566],"study_design_scores_gemma":[0.00036651894,0.00011852356,0.2807508,0.00044416604,0.00035834507,0.0003836454,0.0068323812,0.00018260848,0.000097933524,0.0022404348,0.70771474,0.00050986966],"about_ca_topic_score_codex":0.2202732,"about_ca_topic_score_gemma":0.74044454,"teacher_disagreement_score":0.5491714,"about_ca_system_score_codex":0.00080568227,"about_ca_system_score_gemma":0.0011334346,"threshold_uncertainty_score":0.9997709},"labels":[],"label_agreement":null},{"id":"W2739407621","doi":"","title":"Cette innommable réalité / GOBERT, Céline et Jean-Marie LANLO. Le Cinéma québécois au féminin, Montréal, coll. L’instant ciné, Québec, Les Éditions de L’instant même, 2017, 130 p.","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Line (geometry); Art; Mathematics","score_opus":0.013142028519150034,"score_gpt":0.21380572403305273,"score_spread":0.2006636955139027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739407621","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10443625,0.18134236,0.00020214514,0.64263785,0.00097306416,0.0006326955,0.001192748,0.00022627422,0.068356596],"genre_scores_gemma":[0.41645622,0.1020178,0.00073525164,0.006952369,0.0011308669,0.000053630676,0.00033549956,0.00009907425,0.4722193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99511033,0.00072725676,0.00067333353,0.0010660364,0.00071811065,0.001704935],"domain_scores_gemma":[0.99546456,0.00069747353,0.0010474824,0.0013281143,0.00058230327,0.0008800503],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009674417,0.000785914,0.0010979687,0.00027429662,0.012001695,0.00046787335,0.0016496672,0.00090947933,0.0010060502],"category_scores_gemma":[0.00066385756,0.00079403596,0.0007506713,0.00086337264,0.0017217877,0.0016349197,0.00072264794,0.0009114265,0.0002755042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034200898,0.00082902197,0.0030964327,0.0001056033,0.0012576224,0.003896859,0.0137464665,0.0008474067,0.0009837929,0.20112473,0.75823724,0.015532798],"study_design_scores_gemma":[0.0019339703,0.00021878713,0.0026476118,0.00019590423,0.00096123514,0.00008239273,0.016348781,0.0011012425,0.00008055723,0.0018619038,0.97362137,0.0009462449],"about_ca_topic_score_codex":0.9480512,"about_ca_topic_score_gemma":0.9966302,"teacher_disagreement_score":0.6356855,"about_ca_system_score_codex":0.007934128,"about_ca_system_score_gemma":0.002031237,"threshold_uncertainty_score":0.99990714},"labels":[],"label_agreement":null},{"id":"W2742215471","doi":"","title":"Le charme discret d’un cinéaste / LA ROCHELLE, Real. Denys Arcand — L’Ange exterminateur, Montréal, Léméac, 2004, 386 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.0065037267469303175,"score_gpt":0.18597426926983673,"score_spread":0.17947054252290642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2742215471","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2001192,0.42764753,0.00008929862,0.20618106,0.00081370166,0.00055016676,0.00025595192,0.00023392792,0.16410917],"genre_scores_gemma":[0.32815897,0.07362202,0.0004764044,0.0027364595,0.0014917756,0.000017933156,0.00010751014,0.00005876268,0.59333014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962394,0.00066042074,0.00041542377,0.0008741206,0.000581086,0.0012295011],"domain_scores_gemma":[0.9979951,0.00016777059,0.00039363763,0.00052127574,0.00022247931,0.00069976924],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005117875,0.00057169615,0.0007269606,0.00020701523,0.0024560057,0.00017263413,0.0008292396,0.0007344116,0.0014925458],"category_scores_gemma":[0.000039411774,0.00058450666,0.0005958021,0.0011380996,0.00077285676,0.001109786,0.0003697176,0.0006035381,0.00058756286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002696457,0.0006766481,0.00062551047,0.00008927092,0.0008231528,0.0033032596,0.018205255,0.00032403704,0.0012693199,0.15045795,0.6146376,0.20931832],"study_design_scores_gemma":[0.0013236079,0.00010947829,0.0013276531,0.000081250095,0.00067945226,0.00020712265,0.0076751043,0.00070386974,0.0001440011,0.0018832148,0.98515314,0.00071208825],"about_ca_topic_score_codex":0.07446283,"about_ca_topic_score_gemma":0.49154443,"teacher_disagreement_score":0.429221,"about_ca_system_score_codex":0.0027090784,"about_ca_system_score_gemma":0.00016932878,"threshold_uncertainty_score":0.9996606},"labels":[],"label_agreement":null},{"id":"W2743378110","doi":"","title":"Le dire, le faire, le voir / GIGNAC, Martin et Jean-Marie LANLO. Le Cinéma québécois par ceux qui le font, coll. L’Instant ciné, Montréal, Les Éditions de L’Instant même, 2016, 154 p.","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007492982741743607,"score_gpt":0.18603991718399088,"score_spread":0.17854693444224726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743378110","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09489845,0.19959779,0.0015026073,0.62341046,0.00079898455,0.00095547416,0.00153516,0.00046657192,0.07683452],"genre_scores_gemma":[0.6938766,0.042964227,0.0005052643,0.0024670819,0.0004760884,0.000061662584,0.00017759613,0.000091771355,0.2593797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99454856,0.001108067,0.00072283694,0.0011949652,0.0007108321,0.0017147284],"domain_scores_gemma":[0.9963507,0.0007978113,0.00067874836,0.00080888113,0.000503383,0.00086045935],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00083160185,0.0007785024,0.001068331,0.0003091111,0.00654062,0.00022967161,0.0010621425,0.0008716485,0.000454456],"category_scores_gemma":[0.000342238,0.0007096399,0.0008833456,0.0014974687,0.001569307,0.0017830862,0.0004980635,0.0005781442,0.00024124503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024866778,0.0010649641,0.0006790983,0.00005667911,0.00073452387,0.0011523562,0.0051032305,0.0002856641,0.004915784,0.45831785,0.5079514,0.019489828],"study_design_scores_gemma":[0.0030609723,0.00022785184,0.00091399933,0.00022908504,0.00043135995,0.000044308388,0.03319899,0.00031176856,0.00055591326,0.008492079,0.9515339,0.0009997537],"about_ca_topic_score_codex":0.7067215,"about_ca_topic_score_gemma":0.9500092,"teacher_disagreement_score":0.62094337,"about_ca_system_score_codex":0.002979063,"about_ca_system_score_gemma":0.0029471405,"threshold_uncertainty_score":0.9995355},"labels":[],"label_agreement":null},{"id":"W2744114439","doi":"","title":"Le cinéma underground québécois","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.010994918357263154,"score_gpt":0.17553263760884708,"score_spread":0.16453771925158392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2744114439","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073701374,0.28725043,0.000050110728,0.4207316,0.0010703609,0.00016614045,0.000044574215,0.000119325254,0.21686606],"genre_scores_gemma":[0.32229683,0.015115255,0.00014108757,0.0043361466,0.0006100962,0.0000025417914,0.000017529237,0.000016919876,0.6574636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998066,0.00028282654,0.00018459583,0.00044250593,0.00034025637,0.0006838278],"domain_scores_gemma":[0.99897337,0.000094165625,0.00016644986,0.00028088913,0.00013185559,0.00035327752],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015646678,0.0002571819,0.0003439876,0.00010559071,0.0020622893,0.00007800209,0.00045186837,0.000416835,0.003129513],"category_scores_gemma":[0.00002652866,0.00027704562,0.0003758119,0.0010869605,0.0005116442,0.0005911799,0.00014905346,0.0002914513,0.0009939935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014716103,0.00017909789,0.00017762503,0.000017459806,0.0002735704,0.0006847048,0.011167765,0.000039883842,0.00009397412,0.5440912,0.41280237,0.03045761],"study_design_scores_gemma":[0.00050241785,0.000069618945,0.00030307664,0.000024823834,0.00033022795,0.00007652936,0.013947956,0.00043609287,0.000010032434,0.0040607103,0.97989553,0.0003430008],"about_ca_topic_score_codex":0.2213524,"about_ca_topic_score_gemma":0.8992886,"teacher_disagreement_score":0.6779362,"about_ca_system_score_codex":0.0035062633,"about_ca_system_score_gemma":0.00008286018,"threshold_uncertainty_score":0.9999682},"labels":[],"label_agreement":null},{"id":"W2745523453","doi":"","title":"Portrait of a Composer: Creation of the David Kaplan Thematic Catalogue","year":2017,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Universities Space Research Association","keywords":"Portrait; Library science; Art history; State (computer science); Art; Sociology; Media studies; Political science; Management; Computer science","score_opus":0.032359892777075495,"score_gpt":0.3077430864907141,"score_spread":0.27538319371363856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745523453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7685639,0.000070230984,0.000011283189,0.0025692384,0.0001350978,0.00014929204,0.000022438355,0.00001022977,0.22846827],"genre_scores_gemma":[0.99405515,0.000007683482,0.000066874454,0.00021926545,0.00005409747,0.0000023658524,0.000013469127,0.0000012875294,0.0055797934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9994709,0.00006151875,0.00014765881,0.000071279945,0.00016959163,0.00007906125],"domain_scores_gemma":[0.9993456,0.00003617745,0.00025039833,0.0002468581,0.000097426186,0.000023554472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022780057,0.000042715095,0.00013555914,0.000012384254,0.00045265246,0.000043753735,0.0003953386,0.00005226595,0.00018317423],"category_scores_gemma":[0.0000988764,0.000021473832,0.00009836278,0.00006862283,0.00039921555,0.0001316037,0.00002671386,0.00003910167,0.0000032201153],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019835892,0.00025421797,0.06808458,0.00009523436,0.00023243808,0.0000014776248,0.06785994,0.000004870962,0.009758762,0.84024423,0.009160956,0.0042834706],"study_design_scores_gemma":[0.0010934053,0.00016652161,0.7976508,0.00029574812,0.00080337626,0.000005473373,0.03358349,0.00016449361,0.017592402,0.085316926,0.06279476,0.0005325663],"about_ca_topic_score_codex":0.0051529338,"about_ca_topic_score_gemma":0.018229255,"teacher_disagreement_score":0.7549273,"about_ca_system_score_codex":0.0000064262063,"about_ca_system_score_gemma":0.000036195397,"threshold_uncertainty_score":0.9996855},"labels":[],"label_agreement":null},{"id":"W2746699613","doi":"","title":"Cohérence esthétique, anémie dramaturgique / Ovo. Écriture, mise en scène et chorégraphie de Deborah Colker; une production du Cirque du Soleil présentée à Montréal dès le 23 avril 2009, à Québec dès le 30 juillet, à Toronto dès le 3 septembre. Durée : 2 h 30 avec entracte de 30 minutes","year":2009,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Cirque; Humanities; Biology","score_opus":0.010676880359225926,"score_gpt":0.2507607909198146,"score_spread":0.2400839105605887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746699613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6327371,0.054815933,0.00014391047,0.2875583,0.0024026642,0.001568722,0.00013950877,0.00042907914,0.0202048],"genre_scores_gemma":[0.9415435,0.004317292,0.0014618996,0.018429196,0.004924936,0.00021145964,0.00012747252,0.000069750975,0.028914448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913186,0.0012936858,0.0013385513,0.0021479232,0.0013853773,0.0025158618],"domain_scores_gemma":[0.9961524,0.00036879146,0.0009225582,0.0007822218,0.00088808953,0.00088592665],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0028986372,0.0011760291,0.0012507093,0.00035854147,0.006007499,0.001935656,0.001809546,0.0008809122,0.000677074],"category_scores_gemma":[0.00087873306,0.0010468453,0.00075481186,0.0023547458,0.0057218424,0.0040583825,0.00022861976,0.00091857626,0.00009931611],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023621645,0.004445697,0.00957064,0.00044138843,0.0005569902,0.00083485205,0.0835698,0.0074461102,0.032770824,0.11807152,0.72965217,0.012403818],"study_design_scores_gemma":[0.0021338114,0.0010204165,0.026151028,0.0008189093,0.0004718548,0.0003770227,0.017672885,0.0012155671,0.0063944967,0.016564526,0.92461514,0.0025643578],"about_ca_topic_score_codex":0.32230106,"about_ca_topic_score_gemma":0.61880386,"teacher_disagreement_score":0.30880645,"about_ca_system_score_codex":0.00083860476,"about_ca_system_score_gemma":0.004933193,"threshold_uncertainty_score":0.9991982},"labels":[],"label_agreement":null},{"id":"W2746791412","doi":"","title":"Les deux pieds sur terre? / Monique Patenaude, Made in Auroville, India, Montréal, Triptyque, 2004, 220 p. / Emmanuelle Brault, Le tigre et le loup, Montréal, Boréal, 2004, 258 p. / Stéphane Dompierre, Un petit pas pour l’homme, Montréal, Québec Amérique, coll. « Littérature d’Amérique », 2003, 232 p.","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geography","score_opus":0.008575142963989939,"score_gpt":0.19199008011821145,"score_spread":0.1834149371542215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746791412","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08313795,0.6909723,0.0003516129,0.2039503,0.001093515,0.002130325,0.00088521,0.0004819567,0.016996775],"genre_scores_gemma":[0.26532865,0.32032695,0.001854006,0.010113756,0.0012754736,0.0002900555,0.0010053056,0.0004184662,0.39938733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9879506,0.0021098335,0.0019641852,0.0028010162,0.0016860202,0.0034883164],"domain_scores_gemma":[0.992935,0.00043484697,0.0016136925,0.0017122112,0.0014898536,0.0018144081],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0014939258,0.0023302822,0.002791627,0.0011809398,0.0034504964,0.0006385536,0.0023973107,0.0033132457,0.00072536484],"category_scores_gemma":[0.00045630653,0.0024296371,0.0014346925,0.0070195305,0.0013171562,0.0027484535,0.0009085139,0.0034425864,0.00034726268],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001356361,0.003520122,0.0035691403,0.00026202164,0.0013965261,0.012120465,0.012101462,0.009964187,0.0007595244,0.023181459,0.9152717,0.016497053],"study_design_scores_gemma":[0.010053102,0.00060163625,0.004409008,0.00066413346,0.00065667834,0.0006501693,0.020256551,0.0006999496,0.0004929018,0.0024759453,0.9563036,0.002736321],"about_ca_topic_score_codex":0.93081874,"about_ca_topic_score_gemma":0.9910428,"teacher_disagreement_score":0.38239056,"about_ca_system_score_codex":0.013155778,"about_ca_system_score_gemma":0.004609112,"threshold_uncertainty_score":0.99894357},"labels":[],"label_agreement":null},{"id":"W2747534968","doi":"","title":"La Dernière Fugue : Fin heureuse / La Dernière Fugue — Canada [Québec] / Luxembourg, 2010, 91 minutes","year":2010,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fugue (hash function); Art; Literature","score_opus":0.011984484053642405,"score_gpt":0.23833052274849717,"score_spread":0.22634603869485476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747534968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7513958,0.043589786,0.000027878647,0.12879501,0.009533633,0.0010357641,0.0008444217,0.0003683575,0.0644093],"genre_scores_gemma":[0.7873199,0.0020967573,0.0010764505,0.005385898,0.0045593665,0.00017218053,0.00019638948,0.00013071364,0.19906238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900797,0.0027968588,0.0014811539,0.0018981746,0.0012847078,0.002459432],"domain_scores_gemma":[0.9927567,0.0026447757,0.0010111225,0.0013342157,0.0008183433,0.0014347967],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.002437265,0.0013665744,0.0016869792,0.00030134112,0.0018864275,0.0011796211,0.002826247,0.0023493965,0.004163428],"category_scores_gemma":[0.0019203109,0.0012328648,0.000940876,0.0021401874,0.002928152,0.0012519705,0.00041978603,0.003389496,0.0003729111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001573901,0.0009243892,0.0810629,0.0021064535,0.0015173767,0.0040710275,0.03956505,0.00019966692,0.0052748383,0.059396517,0.76096386,0.04476055],"study_design_scores_gemma":[0.0007546622,0.00013626894,0.016108792,0.00069019047,0.0007938297,0.0006332888,0.008407919,0.00031957155,0.0005057934,0.0030534137,0.96690035,0.0016958937],"about_ca_topic_score_codex":0.82655954,"about_ca_topic_score_gemma":0.989918,"teacher_disagreement_score":0.20593654,"about_ca_system_score_codex":0.00067997695,"about_ca_system_score_gemma":0.0047634724,"threshold_uncertainty_score":0.9999085},"labels":[],"label_agreement":null},{"id":"W2749687265","doi":"","title":"Un répertoire du cinéma mondial / Henri-Paul Chevrier, Le cinéma de répertoire et ses mises en scène, Québec, L’instant même, 2012, 341 pages","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.005563701725748772,"score_gpt":0.17626371365131663,"score_spread":0.17070001192556786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749687265","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32178593,0.20485106,0.000053347707,0.45147896,0.0008236302,0.0005058244,0.0001163378,0.000212948,0.020171942],"genre_scores_gemma":[0.60070604,0.05757276,0.0005917149,0.008838602,0.0012126892,0.00004350595,0.00011554506,0.00007753262,0.33084163],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955074,0.0009743017,0.00047722578,0.0009351397,0.0006591476,0.00144679],"domain_scores_gemma":[0.9974051,0.0003856438,0.00039070548,0.00055006327,0.00043328342,0.0008352088],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004756448,0.00072054216,0.00087927276,0.00023767083,0.0033510255,0.00027942756,0.0010749171,0.0009267943,0.0032198322],"category_scores_gemma":[0.00017797839,0.00067508896,0.0007132016,0.0012669729,0.0010126065,0.001944099,0.00045812735,0.00068066525,0.00052151404],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015771453,0.00062175974,0.0026382506,0.00009080295,0.0010047057,0.0016592738,0.029608808,0.000118476826,0.003326993,0.044324964,0.86696565,0.049482584],"study_design_scores_gemma":[0.001336392,0.00018886682,0.0053621647,0.00010810195,0.00061968184,0.0001894986,0.024277102,0.00067565154,0.00021250841,0.0015642211,0.9645999,0.0008658814],"about_ca_topic_score_codex":0.3138488,"about_ca_topic_score_gemma":0.7061078,"teacher_disagreement_score":0.44264036,"about_ca_system_score_codex":0.0040257075,"about_ca_system_score_gemma":0.0006982193,"threshold_uncertainty_score":0.99979764},"labels":[],"label_agreement":null},{"id":"W2750708401","doi":"","title":"Au coeur de notre souci / Partita pour Glenn Gould. Musique et forme de vie, de Georges Leroux. Presses de l’Université de Montréal, 336 p.","year":2008,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03733559489455645,"score_gpt":0.26838879578667063,"score_spread":0.23105320089211417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750708401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9003565,0.023755906,0.00014317135,0.0481341,0.00044401284,0.000315989,0.000093692455,0.00016310693,0.026593564],"genre_scores_gemma":[0.8963876,0.0073913666,0.0020371098,0.026811685,0.0019123012,0.00006439966,0.00003474742,0.00003956336,0.06532127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945915,0.0007736163,0.0005273272,0.00092888594,0.00069691904,0.0024817828],"domain_scores_gemma":[0.9977844,0.00043944706,0.0004068893,0.00039201614,0.00025462097,0.000722654],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016765253,0.0005712281,0.0006171068,0.00022318517,0.0066703693,0.00054254447,0.0014092783,0.0004960741,0.0014316709],"category_scores_gemma":[0.00049316545,0.00049639685,0.000494318,0.0012490866,0.004612609,0.0016093485,0.00035010857,0.00047807916,0.00010129346],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000852634,0.0005637177,0.38346174,0.00018974581,0.0002216283,0.000659939,0.08383924,0.0051425463,0.013678342,0.022135066,0.48775065,0.0022720993],"study_design_scores_gemma":[0.00072624494,0.00039044482,0.06327287,0.00026795024,0.0003603869,0.00031936835,0.011197309,0.0014779519,0.0031453634,0.013138943,0.90463316,0.0010700115],"about_ca_topic_score_codex":0.04490702,"about_ca_topic_score_gemma":0.19479014,"teacher_disagreement_score":0.4168825,"about_ca_system_score_codex":0.0010113287,"about_ca_system_score_gemma":0.0019453092,"threshold_uncertainty_score":0.99974877},"labels":[],"label_agreement":null},{"id":"W2752832532","doi":"","title":"Road Runners, VOX, centre de l’image contemporaine, Cinémathèque québécoise, Montréal, du 6 mars au 30 mai 2009","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.005246672521966617,"score_gpt":0.17744824242557863,"score_spread":0.17220156990361202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752832532","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16335753,0.17024355,0.00011794601,0.52283794,0.0010551227,0.0006761964,0.00033275902,0.00030698915,0.14107199],"genre_scores_gemma":[0.3306989,0.0366594,0.0010363889,0.01850903,0.0022085656,0.000007735227,0.0002236722,0.000066939494,0.6105894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958026,0.00063981593,0.00048367423,0.0008557973,0.00060577516,0.0016123353],"domain_scores_gemma":[0.99753416,0.0001179715,0.0004734086,0.000532812,0.00038231476,0.0009593465],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060050405,0.00065903575,0.0008483087,0.00021908803,0.0022367917,0.00019751277,0.0008706049,0.00079594797,0.001916946],"category_scores_gemma":[0.000119473865,0.0006705634,0.00075217313,0.0012975433,0.00059027236,0.0010728472,0.00017370623,0.0005997161,0.00066473376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017590761,0.00040607445,0.00085316267,0.00003540808,0.0003966597,0.0041799974,0.012990608,0.00009380174,0.00065773865,0.08493644,0.86737573,0.027898472],"study_design_scores_gemma":[0.0013970243,0.00018610836,0.0053899838,0.00010698839,0.0006944432,0.0001482354,0.013576625,0.0007539143,0.000034448214,0.0030371111,0.97389704,0.0007780779],"about_ca_topic_score_codex":0.2455293,"about_ca_topic_score_gemma":0.66547364,"teacher_disagreement_score":0.5043289,"about_ca_system_score_codex":0.008803837,"about_ca_system_score_gemma":0.00043298877,"threshold_uncertainty_score":0.99957454},"labels":[],"label_agreement":null},{"id":"W2753130517","doi":"10.7202/1040876ar","title":"L’apport de Maryvonne Kendergi à la smcq","year":2017,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.068128449174764,"score_gpt":0.31595697010862084,"score_spread":0.24782852093385682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2753130517","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05912103,0.014873707,0.00010921964,0.032052875,0.0027154894,0.000369743,0.00007161288,0.00017650468,0.89050984],"genre_scores_gemma":[0.7400986,0.0008133138,0.00007198677,0.0053591593,0.0030233301,0.000041922514,0.000042878833,0.000032344724,0.25051647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99622667,0.0010676923,0.00059546076,0.000733662,0.00043956615,0.0009369709],"domain_scores_gemma":[0.9970993,0.00026102047,0.0007426419,0.0009180159,0.00049241696,0.00048660807],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00230421,0.0004774872,0.00074911444,0.000102504106,0.0022738131,0.0013736442,0.0013421241,0.00078195205,0.001217315],"category_scores_gemma":[0.00089104415,0.00043808698,0.0005804284,0.000268295,0.0025943231,0.001429665,0.00019317673,0.0005191142,0.00015518667],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025323669,0.0003033906,0.026756385,0.00018866765,0.00055032724,0.00066148327,0.048368357,9.127607e-7,0.0004917877,0.8035352,0.0845332,0.034584947],"study_design_scores_gemma":[0.00047583794,0.000065683605,0.013906893,0.0002023245,0.00023114102,0.00004360286,0.0033554332,0.000032549626,0.00006335031,0.15230007,0.8287376,0.0005854962],"about_ca_topic_score_codex":0.0064256606,"about_ca_topic_score_gemma":0.0041002356,"teacher_disagreement_score":0.7442044,"about_ca_system_score_codex":0.00018470529,"about_ca_system_score_gemma":0.0005834125,"threshold_uncertainty_score":0.9998071},"labels":[],"label_agreement":null},{"id":"W2753520924","doi":"","title":"Les films de sa vie / CHEVRIER, H-Paul. Le Cinéma de répertoire et ses mises en scène, Montréal, L’Instant même, 2012, 342 p.","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010530757488081221,"score_gpt":0.20622740427468939,"score_spread":0.19569664678660817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2753520924","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2975946,0.5465286,0.00014011501,0.11187056,0.0007579277,0.0003526433,0.00026185295,0.00019291704,0.042300835],"genre_scores_gemma":[0.6148276,0.07534967,0.0021709183,0.0065158857,0.0011743776,0.000024877003,0.00013248881,0.00007384911,0.29973036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958226,0.0009515629,0.00037083184,0.0005987417,0.0005379074,0.0017183443],"domain_scores_gemma":[0.9977267,0.00032203837,0.0003406593,0.0004435282,0.00023513476,0.00093193556],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008694518,0.0005747946,0.00070847635,0.00018422089,0.0027791495,0.00014518306,0.0007705395,0.00088779663,0.0015970917],"category_scores_gemma":[0.00015699127,0.0005566941,0.0006078405,0.0010624834,0.0006875077,0.0016704627,0.00033821183,0.00064028404,0.00020626829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019232488,0.0007495733,0.0040515647,0.00010790681,0.00083276327,0.0007912602,0.03228619,0.00025958978,0.0033810732,0.114590354,0.8041114,0.038645957],"study_design_scores_gemma":[0.0008808537,0.00010469833,0.0038320734,0.00011793516,0.00074635923,0.00019256982,0.029038807,0.00035159086,0.00034159052,0.00080334605,0.9628989,0.0006912764],"about_ca_topic_score_codex":0.12777396,"about_ca_topic_score_gemma":0.38843912,"teacher_disagreement_score":0.4711789,"about_ca_system_score_codex":0.0041005407,"about_ca_system_score_gemma":0.00035841193,"threshold_uncertainty_score":0.99972254},"labels":[],"label_agreement":null},{"id":"W2753591400","doi":"10.7202/1040878ar","title":"La joie de la matière (les parallèles se touchent…) : Circuits parallèles, de Nicolas Gilbert","year":2017,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06246906685055558,"score_gpt":0.3278024279724756,"score_spread":0.26533336112192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2753591400","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29083535,0.02931665,0.00019337052,0.011441718,0.0012218122,0.000695663,0.0001539494,0.00028292337,0.66585857],"genre_scores_gemma":[0.88970613,0.0020695487,0.00015235366,0.0037257997,0.0027472484,0.00014608681,0.000071185146,0.00007131147,0.10131036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99309427,0.0030583357,0.0008907279,0.0009853336,0.00059334934,0.0013779681],"domain_scores_gemma":[0.99566966,0.0010760506,0.0009821224,0.0010577582,0.00053092296,0.0006835121],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.00278705,0.00078579347,0.0011258643,0.00015682228,0.0026712613,0.0025294248,0.0019013922,0.0015715096,0.00076238735],"category_scores_gemma":[0.0017839047,0.0007297571,0.0007263236,0.00040153493,0.0040768725,0.0015225104,0.00025179022,0.0009941743,0.00009108059],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004024103,0.0007347824,0.08262859,0.00061219383,0.0011541161,0.0008644816,0.120303884,0.00001288257,0.0022128907,0.65128314,0.05897162,0.08118119],"study_design_scores_gemma":[0.00090460683,0.0000930295,0.025943888,0.0006978652,0.0004903032,0.00010397333,0.0066273804,0.0001002031,0.00022506417,0.119992964,0.84376234,0.0010583916],"about_ca_topic_score_codex":0.016599568,"about_ca_topic_score_gemma":0.012103876,"teacher_disagreement_score":0.7847907,"about_ca_system_score_codex":0.0004934532,"about_ca_system_score_gemma":0.0009176065,"threshold_uncertainty_score":0.9997247},"labels":[],"label_agreement":null},{"id":"W2753792414","doi":"","title":"Polars métaphysiques / Jean-Jacques Pelletier, La chair disparue, Québec, Alire, 2000, 656 p., 16,95 $. / Martin Gagnon, Les effets pervers, Montréal, Lanctôt éditeur, 2000, 148 p., 16,95 $. / André Jacques, Les lions rampants, Montréal, Québec Amérique, 2000, 360 p., 24,95 $. / Micheline La France, Le don d’Auguste, Montréal, XYZ éditeur, 2000, 158 p., 19,95 $.","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.007035160395839782,"score_gpt":0.1989364239407055,"score_spread":0.1919012635448657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2753792414","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077982426,0.8230334,0.0003341995,0.0821068,0.0013868586,0.0017988482,0.0015045544,0.0012314499,0.01062149],"genre_scores_gemma":[0.01626446,0.6283441,0.0006273218,0.0036261727,0.0019087546,0.00013936915,0.00090542604,0.00037627047,0.3478081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98354065,0.0042048832,0.0025079688,0.0033629823,0.0022779198,0.004105578],"domain_scores_gemma":[0.9897986,0.0018509856,0.0022250426,0.002334937,0.0012946533,0.0024957575],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0019072181,0.0031641736,0.003711251,0.000850159,0.006325723,0.0010130187,0.0029288766,0.003024573,0.0049943873],"category_scores_gemma":[0.00060962606,0.0031920953,0.0025696342,0.004106216,0.0029672657,0.0034322145,0.0012171118,0.0029467414,0.0009072862],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017155205,0.0023903563,0.006625262,0.00047164268,0.0018949778,0.003237645,0.0077076424,0.0017003986,0.0006803664,0.0025301727,0.9396528,0.031393223],"study_design_scores_gemma":[0.0050312555,0.0006721693,0.0012302169,0.0009854455,0.0016924798,0.0006120797,0.012419628,0.0024163811,0.0001692353,0.00056139036,0.9708344,0.0033753612],"about_ca_topic_score_codex":0.9705553,"about_ca_topic_score_gemma":0.98408633,"teacher_disagreement_score":0.3371866,"about_ca_system_score_codex":0.009695802,"about_ca_system_score_gemma":0.002429623,"threshold_uncertainty_score":0.9998706},"labels":[],"label_agreement":null},{"id":"W2754260060","doi":"","title":"Tout laisser pour ne pas se faire prendre / Claude Jutra, À tout prendre, 16 mm, Canada / 1963, 99 min.","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.010725181261268835,"score_gpt":0.19240474679532385,"score_spread":0.181679565534055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754260060","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55403626,0.21991456,0.000030295801,0.16311209,0.003674702,0.00056107406,0.00046085336,0.00016470789,0.058045495],"genre_scores_gemma":[0.45272756,0.0021876574,0.00017914326,0.005075637,0.0017187827,0.000009282106,0.00012350726,0.000033370932,0.53794503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99616456,0.0004486644,0.00037058914,0.00065619877,0.0007244553,0.0016355197],"domain_scores_gemma":[0.99753964,0.00026828065,0.00035113178,0.00049296085,0.0002810708,0.0010669252],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002831359,0.0005611041,0.0006669738,0.00012610566,0.0018107597,0.00010116956,0.00079878495,0.0006560386,0.0029737994],"category_scores_gemma":[0.000100971454,0.00055452524,0.0004732665,0.001084,0.0002953401,0.0010499118,0.00029389546,0.00056622707,0.00025540125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010243104,0.0002611817,0.00701573,0.00007579248,0.0006402432,0.0006472363,0.0108518,0.000040284915,0.00026039453,0.032318898,0.9107639,0.037022118],"study_design_scores_gemma":[0.00068311306,0.000074374526,0.0022178562,0.000086623906,0.00089767,0.000106274325,0.016629847,0.00006981161,0.00025991263,0.00036670512,0.9779066,0.0007012036],"about_ca_topic_score_codex":0.8044802,"about_ca_topic_score_gemma":0.9965191,"teacher_disagreement_score":0.47989956,"about_ca_system_score_codex":0.010932924,"about_ca_system_score_gemma":0.0006637041,"threshold_uncertainty_score":0.99969065},"labels":[],"label_agreement":null},{"id":"W2754774747","doi":"","title":"Paroles de survivants / Sous la dir. de Christiane Kègle, Les récits de survivance, Modalités génériques et structures d’adaptation au réel, avec la collaboration de Richard Godin et la participation de Claudie Gagné, Karine Fortin et Émilie Martz Kuhn, Presses de l’Université Laval, Québec, 2007, 264 p. ; 30 $","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0102976809193268,"score_gpt":0.23996669377560673,"score_spread":0.2296690128562799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754774747","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9145685,0.030409273,0.004780536,0.042810716,0.00014106034,0.00041345213,0.00031253847,0.00022658471,0.006337378],"genre_scores_gemma":[0.9428515,0.042392287,0.0026116665,0.0015807952,0.00027717033,0.000020935637,0.00028552895,0.00003920738,0.009940903],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931555,0.0041052564,0.00043182488,0.000627216,0.00049370166,0.0011865183],"domain_scores_gemma":[0.99724936,0.0009378039,0.000560754,0.000292056,0.00043420016,0.0005258428],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0021679334,0.0005243459,0.0006245557,0.00021284739,0.0012516727,0.00028563698,0.00049246545,0.0008456794,0.0002858139],"category_scores_gemma":[0.00052499666,0.0005723384,0.00025738453,0.00087726914,0.00037709405,0.00095666863,0.00013296932,0.000618999,0.000009816243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022018591,0.0014708376,0.157132,0.00040811423,0.0015319975,0.002750137,0.26298842,0.12802719,0.010736294,0.13193494,0.22159849,0.07921973],"study_design_scores_gemma":[0.0020605214,0.00043698424,0.39147618,0.00024228221,0.0014615061,0.00018997739,0.022180893,0.016665367,0.0012035802,0.023325784,0.53956485,0.0011921002],"about_ca_topic_score_codex":0.27940467,"about_ca_topic_score_gemma":0.88810474,"teacher_disagreement_score":0.6087001,"about_ca_system_score_codex":0.0056621823,"about_ca_system_score_gemma":0.0015767127,"threshold_uncertainty_score":0.99967283},"labels":[],"label_agreement":null},{"id":"W2756929549","doi":"","title":"Blindness : Le côté sombre de l’âme / L’aveuglement — Canada / Brésil / Japon 2008, 118 minutes","year":2008,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; History; Psychology; Art","score_opus":0.023595085690138323,"score_gpt":0.24683049315633754,"score_spread":0.22323540746619921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756929549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71555656,0.0750237,0.000063985455,0.11920225,0.0068802093,0.0012303567,0.0006350052,0.00027001422,0.0811379],"genre_scores_gemma":[0.86064035,0.004383522,0.0009165849,0.008391174,0.0041457955,0.00017729284,0.00020326489,0.00007821137,0.12106379],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99148667,0.0017373505,0.0013588822,0.0015540881,0.0012455758,0.0026174076],"domain_scores_gemma":[0.99567,0.000743536,0.00081373594,0.0008466061,0.00073945284,0.0011866293],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015897655,0.0010265815,0.0013975728,0.00025661706,0.002863168,0.00047385762,0.0018787183,0.0011049927,0.0019304362],"category_scores_gemma":[0.0005492352,0.0009710746,0.000744783,0.0026052475,0.0022002885,0.0010566927,0.0002648757,0.0012499918,0.00015430295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024002523,0.0017480619,0.060595203,0.0019566682,0.0017153507,0.0054604067,0.07272887,0.00077437545,0.0030491631,0.079927824,0.75320566,0.018598398],"study_design_scores_gemma":[0.0014436735,0.00035731043,0.015960865,0.00088981306,0.0007457278,0.0007225051,0.022664526,0.0007631904,0.0014492804,0.006542409,0.9464239,0.002036827],"about_ca_topic_score_codex":0.6552452,"about_ca_topic_score_gemma":0.8648737,"teacher_disagreement_score":0.20962855,"about_ca_system_score_codex":0.0014661112,"about_ca_system_score_gemma":0.005506963,"threshold_uncertainty_score":0.99927396},"labels":[],"label_agreement":null},{"id":"W275718864","doi":"","title":"Bridges: Notre Musique by Jean-Luc Godard","year":2005,"lang":"fr","type":"article","venue":"Cineaction!","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Movie theater; History; Exhibition; Bridge (graph theory); Humanities; Ancient history","score_opus":0.01975741189926369,"score_gpt":0.27753723836368877,"score_spread":0.2577798264644251,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W275718864","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1728575,0.064858384,0.00056134677,0.5044596,0.010538868,0.0005880755,0.00026145513,0.00040422424,0.24547055],"genre_scores_gemma":[0.43025896,0.0015913016,0.0001800963,0.02066558,0.007973687,0.000017923527,0.000118352706,0.000020504604,0.5391736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815214,0.0002279013,0.00033217098,0.0004464478,0.00032695336,0.0005143835],"domain_scores_gemma":[0.9989792,0.00012981695,0.00017811384,0.00022697066,0.00022885835,0.00025703208],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002496477,0.0002538603,0.0003215276,0.00005535995,0.00072304334,0.0001933969,0.00026179454,0.00040773468,0.006510832],"category_scores_gemma":[0.00011608681,0.00022933137,0.00028828025,0.00074913003,0.00041257762,0.0009218444,0.000033670767,0.00044093025,0.0018983636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014838986,0.0002634294,0.00043415764,0.000023062837,0.00014489007,0.000008688903,0.0055714333,0.00009075162,0.0014330171,0.015126037,0.8817707,0.09511904],"study_design_scores_gemma":[0.00026186183,0.000043123913,0.0005398129,0.000031310927,0.00018824791,0.0000078785015,0.0031048087,0.00030671293,0.00038395965,0.00023215933,0.9946016,0.00029852797],"about_ca_topic_score_codex":0.0031655126,"about_ca_topic_score_gemma":0.007857233,"teacher_disagreement_score":0.483794,"about_ca_system_score_codex":0.00032445276,"about_ca_system_score_gemma":0.00009228017,"threshold_uncertainty_score":0.9988788},"labels":[],"label_agreement":null},{"id":"W2757241694","doi":"","title":"La rumeur des voix / Claude Beausoleil, Unknown, Montréal, Les Herbes rouges, 2000, 96 p., 14,95 $. / Germaine Beaulieu, Trois voix l’écho, Trois-Rivières, Écrits des Forges, 2000, 96 p., 10 $.","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012099165435180572,"score_gpt":0.206416642050844,"score_spread":0.19431747661566343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757241694","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40858543,0.5420062,0.00019329297,0.040823955,0.000735248,0.00057827675,0.00048193,0.00036482755,0.0062308693],"genre_scores_gemma":[0.06818551,0.23013978,0.002051599,0.0018635255,0.0018262366,0.000053293516,0.0003901258,0.0001756119,0.69531435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921377,0.0013150702,0.0009908602,0.0015709191,0.0012125458,0.0027729396],"domain_scores_gemma":[0.9956241,0.0005128681,0.000703452,0.000939804,0.0008849581,0.0013348168],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0010058569,0.001367341,0.0015514665,0.0004439497,0.007262305,0.00044151643,0.0016776017,0.0016179753,0.002694175],"category_scores_gemma":[0.0002457419,0.0013389813,0.0012463869,0.0027048064,0.0027612944,0.002283877,0.0007604417,0.001252591,0.00080518716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084736495,0.0013774358,0.007957925,0.00036612037,0.0019569716,0.0055787754,0.03981812,0.0007432595,0.0016097614,0.014549986,0.7921775,0.13301678],"study_design_scores_gemma":[0.0021883515,0.00043170826,0.0030676725,0.00042165068,0.0016669852,0.0006900001,0.009395433,0.0006067424,0.0001417006,0.00522708,0.9746579,0.0015047977],"about_ca_topic_score_codex":0.19469659,"about_ca_topic_score_gemma":0.85586447,"teacher_disagreement_score":0.68908346,"about_ca_system_score_codex":0.008626268,"about_ca_system_score_gemma":0.00033884062,"threshold_uncertainty_score":0.9999728},"labels":[],"label_agreement":null},{"id":"W2758028557","doi":"","title":"Petit voyage en pays de misère / Andrée Laberge, L’aguayo, Montréal, La courte échelle, 2001, 108 p., 21,95 $. / Patrick Imbert, Transit, Hull, Vents d’Ouest, 2001, 216 p., 22,95 $. / Emmanuel Leroy, Il ne pleut jamais à Lima, Chicoutimi, JCL, 2001, 424 p., 24,95 $.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Art; Geography","score_opus":0.012187882548109997,"score_gpt":0.19445996185809522,"score_spread":0.18227207930998524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2758028557","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20979555,0.67948335,0.00009098732,0.07367066,0.0022072336,0.0012121525,0.0016492044,0.0005189592,0.0313719],"genre_scores_gemma":[0.023508681,0.49978718,0.0011656964,0.0044572847,0.0018705669,0.00006075476,0.00041560334,0.00021788158,0.46851635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9897341,0.00174266,0.0011992959,0.0019176572,0.0016433035,0.003762958],"domain_scores_gemma":[0.9946211,0.0006196676,0.0009379646,0.0012134702,0.0006246345,0.001983164],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0014058794,0.0016112018,0.001981205,0.00034781723,0.0034490863,0.00047209827,0.0019936324,0.0021129309,0.01234774],"category_scores_gemma":[0.00019713136,0.0016732687,0.0015687813,0.0029862379,0.0011190437,0.0016656748,0.0005231505,0.0018640077,0.0017375482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032246465,0.0012526892,0.0015572329,0.00023151549,0.0013995719,0.0060425326,0.009251672,0.00083184557,0.00064037804,0.0023405498,0.96582204,0.010307525],"study_design_scores_gemma":[0.0036794182,0.00039450533,0.0015010978,0.00034156028,0.0025635092,0.00076479284,0.006536008,0.009801578,0.000056025678,0.000728714,0.97174406,0.0018887176],"about_ca_topic_score_codex":0.05896921,"about_ca_topic_score_gemma":0.23678698,"teacher_disagreement_score":0.43714446,"about_ca_system_score_codex":0.0053222873,"about_ca_system_score_gemma":0.00028326706,"threshold_uncertainty_score":0.9996636},"labels":[],"label_agreement":null},{"id":"W2758242689","doi":"","title":"Y a-t-il de l’espoir? / Le Carrefour international de théâtre de Québec, du 16 au 28 mai 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.004666407820167091,"score_gpt":0.17408535151733548,"score_spread":0.1694189436971684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2758242689","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57022023,0.031596225,0.00038676176,0.32768136,0.0009165909,0.00014590543,0.00019038902,0.000115658535,0.06874686],"genre_scores_gemma":[0.4718585,0.0017274225,0.00035061312,0.0034885379,0.001968797,0.00000587233,0.00007888122,0.000021275619,0.5205001],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769247,0.00034692156,0.0002235564,0.0004242909,0.0003635304,0.0009492365],"domain_scores_gemma":[0.9989215,0.00010804153,0.00021491606,0.00020734034,0.00020498996,0.00034318343],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004157166,0.0002906269,0.00031928203,0.00014131398,0.0015081037,0.00010615355,0.0006847242,0.00045285557,0.0010183213],"category_scores_gemma":[0.000052052153,0.0003045554,0.00042182853,0.00058704393,0.00039633797,0.00047753952,0.00017850379,0.00034186558,0.00014387397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011952527,0.00026667814,0.030591724,0.000020014642,0.00037474415,0.0013454147,0.0067648785,0.0010401035,0.00054782233,0.14813767,0.80218756,0.008603884],"study_design_scores_gemma":[0.00065352354,0.000044194083,0.00877741,0.00003345765,0.0003270351,0.00018167781,0.0073123397,0.00085272436,0.00008978959,0.0044599064,0.9769178,0.00035016003],"about_ca_topic_score_codex":0.8074431,"about_ca_topic_score_gemma":0.97038525,"teacher_disagreement_score":0.45175323,"about_ca_system_score_codex":0.022825196,"about_ca_system_score_gemma":0.000985164,"threshold_uncertainty_score":0.99994063},"labels":[],"label_agreement":null},{"id":"W2758368886","doi":"","title":"Bill Vazan. Ombres cosmologiques. Musée du Québec. Du 2 septembre 2001 au 6 janvier 2002","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.012405817191799803,"score_gpt":0.1783048201141022,"score_spread":0.1658990029223024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2758368886","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13282081,0.28239277,0.000033235418,0.38639998,0.0019254193,0.0004544649,0.00015350839,0.00016697973,0.19565281],"genre_scores_gemma":[0.13312447,0.029236842,0.00018244093,0.00701524,0.0016912341,0.000011276346,0.000031865988,0.000033978864,0.82867265],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964691,0.00069620134,0.00035618138,0.0007373427,0.00048159983,0.0012595671],"domain_scores_gemma":[0.9980254,0.0002355429,0.00033431637,0.00042842075,0.00033640227,0.00063991576],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045076982,0.00050195976,0.0006567703,0.0001881224,0.0023456,0.000099204175,0.0007955603,0.0007983062,0.025399935],"category_scores_gemma":[0.0001405337,0.0004239572,0.0006442216,0.0012999092,0.0011039831,0.0007358035,0.00030114676,0.0005010929,0.004202601],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038680337,0.0003286985,0.0037198404,0.00002235024,0.00041735833,0.0017810626,0.008496987,0.00008534932,0.000045970013,0.009644492,0.93053657,0.04488264],"study_design_scores_gemma":[0.0007393901,0.00017262936,0.0016744721,0.00004834314,0.00064975885,0.00019327007,0.0044614607,0.0010899311,0.000013680801,0.0006700718,0.9896837,0.00060328515],"about_ca_topic_score_codex":0.41474494,"about_ca_topic_score_gemma":0.90425557,"teacher_disagreement_score":0.6330198,"about_ca_system_score_codex":0.008039717,"about_ca_system_score_gemma":0.000214126,"threshold_uncertainty_score":0.99982125},"labels":[],"label_agreement":null},{"id":"W2759780509","doi":"","title":"Au plus près de la littérature / Brian T. Fitch, À l’ombre de la littérature. Pour une théorie de la critique littéraire, Montréal, XYZ éditeur, coll. « Théorie et littérature », 2000, 354 p., 27,95 $.","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.00609333716116518,"score_gpt":0.2193923438722232,"score_spread":0.21329900671105803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759780509","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038643852,0.5587491,0.00032005698,0.23226857,0.001470749,0.001051832,0.00085297134,0.00062912784,0.16601378],"genre_scores_gemma":[0.08168247,0.41818938,0.0025954703,0.016149422,0.006932538,0.00009422881,0.0004944959,0.0002708566,0.47359115],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98634535,0.0066313683,0.00087474805,0.0017782757,0.0012010237,0.0031692188],"domain_scores_gemma":[0.9933668,0.0018867764,0.0007820706,0.0011853705,0.0008030458,0.001975941],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0031874813,0.0015750278,0.0016904774,0.0004006238,0.003452945,0.0011934887,0.001969547,0.0053300573,0.00050618104],"category_scores_gemma":[0.0008582587,0.0015811851,0.0014313239,0.006632537,0.0021746918,0.0015416289,0.00060228404,0.0043301363,0.00014187131],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007746261,0.0009409507,0.0027354003,0.00024723922,0.0011011387,0.014442824,0.017247153,0.0009991339,0.0009585574,0.3444862,0.5986713,0.017395437],"study_design_scores_gemma":[0.0029216358,0.00025847566,0.0035984984,0.0005477588,0.0014270396,0.0025061325,0.017337453,0.0007640853,0.00008305556,0.057048928,0.9119045,0.0016024287],"about_ca_topic_score_codex":0.046618454,"about_ca_topic_score_gemma":0.20313197,"teacher_disagreement_score":0.31323317,"about_ca_system_score_codex":0.014814651,"about_ca_system_score_gemma":0.0038896587,"threshold_uncertainty_score":0.99984336},"labels":[],"label_agreement":null},{"id":"W2759840513","doi":"","title":"Parcours lyrique / Hugues Corriveau, Vers l’amante, Montréal, le Noroît, 2002, 90 p., 15,95 $.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.008429192769175463,"score_gpt":0.18365236418870867,"score_spread":0.1752231714195332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759840513","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1305016,0.66194195,0.00017044779,0.083931446,0.0028710875,0.00062367285,0.00020203873,0.00027302693,0.11948474],"genre_scores_gemma":[0.21531707,0.089273065,0.00083675096,0.005239509,0.0007805862,0.000020646123,0.000090921545,0.00007532,0.6883661],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958269,0.00093340105,0.00040242122,0.00085548725,0.00063131837,0.0013504439],"domain_scores_gemma":[0.99778575,0.00019684086,0.00040284992,0.00052939326,0.00037486607,0.00071028154],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005719023,0.0005894584,0.0007604709,0.0001802018,0.002716354,0.0001433267,0.00073959463,0.00076058845,0.001967226],"category_scores_gemma":[0.00013083045,0.00061571016,0.000692554,0.001523753,0.0009380294,0.001015941,0.0001781741,0.00060634885,0.000956022],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093476956,0.0003309503,0.0008022679,0.00004240407,0.0005550865,0.0015026131,0.0063673216,0.0003230849,0.00037552105,0.19101347,0.7901266,0.008467205],"study_design_scores_gemma":[0.0011454304,0.00015066806,0.00043408803,0.0000838136,0.0005979146,0.00013727641,0.023413012,0.0003674645,0.000117769516,0.0029270337,0.9698946,0.0007309634],"about_ca_topic_score_codex":0.11360716,"about_ca_topic_score_gemma":0.5517955,"teacher_disagreement_score":0.57266885,"about_ca_system_score_codex":0.004117922,"about_ca_system_score_gemma":0.00028722206,"threshold_uncertainty_score":0.99982184},"labels":[],"label_agreement":null},{"id":"W2760054379","doi":"","title":"Garder l’oeil ouvert / André Major, L’oeil du hibou. Carnets 2001-2003, Montréal, Les éditions du Boréal, 2017, 234 pages","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013424269052692193,"score_gpt":0.20268096670475932,"score_spread":0.18925669765206712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760054379","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07544385,0.35540184,0.00008365979,0.44776407,0.0038683692,0.00066583947,0.00081394095,0.00026746263,0.11569096],"genre_scores_gemma":[0.21580234,0.23001456,0.00039360079,0.0032453411,0.0027963207,0.00003107688,0.00030470185,0.00007011747,0.54734194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956521,0.0005209871,0.00046620183,0.0010503192,0.00079624366,0.001514156],"domain_scores_gemma":[0.99617714,0.00014511144,0.0007508502,0.0011193451,0.00095315825,0.00085438817],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005496085,0.00073309365,0.0009153602,0.00022496218,0.013328065,0.00057933695,0.0015864171,0.0009949177,0.0043074405],"category_scores_gemma":[0.00031936791,0.00072768185,0.00070525263,0.00074714096,0.0018039724,0.0015174078,0.0006459687,0.0007021629,0.00090325985],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000856598,0.00037542058,0.003010572,0.000041100484,0.00073902344,0.002389238,0.0038509758,0.000077954865,0.00013381227,0.025325136,0.95242494,0.011546141],"study_design_scores_gemma":[0.0015946788,0.00014930833,0.0067724823,0.00010864001,0.0011865954,0.00019312794,0.009433726,0.00053424475,0.0000230125,0.0015718633,0.97754073,0.000891589],"about_ca_topic_score_codex":0.17243625,"about_ca_topic_score_gemma":0.70089257,"teacher_disagreement_score":0.52845633,"about_ca_system_score_codex":0.0033761484,"about_ca_system_score_gemma":0.00030805913,"threshold_uncertainty_score":0.99987465},"labels":[],"label_agreement":null},{"id":"W2760682350","doi":"","title":"Controlled Disturbance, Donigan Cumming, Montréal, Vidéographe, coffret DVD, 2005","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Disturbance (geology); Geology; Geomorphology","score_opus":0.004717284675617922,"score_gpt":0.175515242702574,"score_spread":0.17079795802695608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760682350","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12231286,0.70446134,0.00012183466,0.09788398,0.0020796726,0.00090539054,0.00026543794,0.0002789154,0.0716906],"genre_scores_gemma":[0.22736713,0.020347498,0.00036251295,0.0029746708,0.0019247024,0.00003149155,0.00020040611,0.000049105558,0.7467425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957127,0.0005559984,0.0005694303,0.000867994,0.00075986993,0.0015340279],"domain_scores_gemma":[0.9978121,0.00022350602,0.00057275844,0.0005197257,0.0003198307,0.00055206014],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052786985,0.0006428419,0.0011605273,0.00027890495,0.002823719,0.00019790986,0.0007818328,0.0007364575,0.0012691233],"category_scores_gemma":[0.000047555426,0.00060728943,0.0011690626,0.0017482851,0.0011021898,0.0007453079,0.0002100019,0.0005423871,0.00038195538],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045346876,0.00039400364,0.0029359134,0.00003297728,0.00068845204,0.0011718074,0.001518248,0.00027763113,0.00024842581,0.17344047,0.8133253,0.005513298],"study_design_scores_gemma":[0.0046240943,0.00010937113,0.001955015,0.00006857376,0.001379054,0.00005531713,0.003221928,0.0005957977,0.000029906381,0.0047096536,0.9825105,0.00074075296],"about_ca_topic_score_codex":0.13053279,"about_ca_topic_score_gemma":0.74829584,"teacher_disagreement_score":0.6841138,"about_ca_system_score_codex":0.003909335,"about_ca_system_score_gemma":0.00010655876,"threshold_uncertainty_score":0.99991447},"labels":[],"label_agreement":null},{"id":"W2762720026","doi":"10.1017/s0040298217000572","title":"MY WORLD AS I REMEMBER IT: AN INTERVIEW WITH CHRISTOPHER BUTTERFIELD","year":2017,"lang":"en","type":"article","venue":"Tempo","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Guitar; Composition (language); The arts; Art history; Music education; Czech; Art; Musical composition; Visual arts; History; Library science; Literature; Management","score_opus":0.06196767651157992,"score_gpt":0.3466239765193011,"score_spread":0.2846563000077212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762720026","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21760611,0.00040151222,0.0000048945685,0.0316032,0.00037566616,0.00014673937,0.0000024632034,0.00007014126,0.7497893],"genre_scores_gemma":[0.84696954,0.000022493452,0.00008590994,0.013419779,0.00062962575,0.000012196515,0.000005015752,0.000006348439,0.13884911],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990576,0.00013221567,0.00012612616,0.00024100892,0.00021140704,0.00023164136],"domain_scores_gemma":[0.99920905,0.000019920799,0.00012426928,0.00042490466,0.00009753535,0.00012433782],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035458722,0.000108201544,0.00018043937,0.000028870269,0.0010030769,0.0004368957,0.00052062643,0.0000822279,0.0034872552],"category_scores_gemma":[0.000051271167,0.00006988942,0.00007546702,0.000119196025,0.0002729723,0.00050813775,0.00005305378,0.00015494674,0.00022055695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001594563,0.0004816991,0.054002907,0.0001052631,0.0004943102,0.000246251,0.08643764,0.0000023535065,0.000871088,0.08812542,0.71096694,0.058106683],"study_design_scores_gemma":[0.00015828037,0.00006324624,0.005501248,0.000054954413,0.0000535862,0.000001337138,0.0021605368,0.0000021693259,0.00007152641,0.0013138142,0.990453,0.00016631054],"about_ca_topic_score_codex":0.0038155331,"about_ca_topic_score_gemma":0.07705673,"teacher_disagreement_score":0.6293634,"about_ca_system_score_codex":0.000023914952,"about_ca_system_score_gemma":0.000047051733,"threshold_uncertainty_score":0.9974237},"labels":[],"label_agreement":null},{"id":"W2763691186","doi":"","title":"Le bruit des ailes de l’ange / Pierre Bourgault, Musique à bouche, Galerie Circa, Montréal. 8 janvier - 5 février 2000","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.008749191751635445,"score_gpt":0.18586895360518416,"score_spread":0.17711976185354872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763691186","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32138786,0.40796116,0.000060734208,0.04290548,0.0005024096,0.0004360508,0.00022177129,0.00012843784,0.22639613],"genre_scores_gemma":[0.13705572,0.052591395,0.00061698054,0.005735592,0.0011506156,0.000026239679,0.00010611771,0.0000635144,0.80265385],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99585205,0.0006510476,0.0004192524,0.0008605061,0.0005551073,0.0016620143],"domain_scores_gemma":[0.99790734,0.00013212922,0.00025585797,0.0005365853,0.00026854055,0.00089954847],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049369014,0.00060065516,0.00074204645,0.0001806763,0.0034764076,0.00019658165,0.0008240029,0.0009500623,0.023643939],"category_scores_gemma":[0.00005932569,0.0006491197,0.00073109043,0.0015623345,0.0014633985,0.0011914385,0.00018009337,0.0006703144,0.0011758037],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025005863,0.00053041923,0.0013463456,0.00007503092,0.00083909224,0.0028543787,0.03122103,0.00040046714,0.00048381242,0.053268395,0.51031554,0.39841542],"study_design_scores_gemma":[0.00092610467,0.00011021039,0.003593036,0.0001126689,0.00063980336,0.00020803956,0.008451106,0.00028771628,0.000068831876,0.005193107,0.97962606,0.00078334485],"about_ca_topic_score_codex":0.15256518,"about_ca_topic_score_gemma":0.6331839,"teacher_disagreement_score":0.5762577,"about_ca_system_score_codex":0.0057865446,"about_ca_system_score_gemma":0.00056463736,"threshold_uncertainty_score":0.9996019},"labels":[],"label_agreement":null},{"id":"W2765656506","doi":"","title":"Library: Canadian Women Composers: Home","year":2016,"lang":"en","type":"libguides","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.017294023304024717,"score_gpt":0.24792081141757963,"score_spread":0.23062678811355491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765656506","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011648413,0.0017622592,3.0893e-7,0.028421802,0.0021706522,0.00021007107,0.00055516587,0.000214207,0.9655007],"genre_scores_gemma":[0.0053610443,0.0011516435,0.00007578557,0.040358867,0.0054045827,0.0000404738,0.00042004883,0.000030992112,0.94715655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779326,0.00022649423,0.00025687812,0.00042620368,0.00034790963,0.0009492373],"domain_scores_gemma":[0.9985823,0.00009520436,0.00011594851,0.00026000044,0.00009434348,0.00085222896],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021562955,0.00027167253,0.00048550856,0.0002740914,0.0007628357,0.0006401996,0.00087784446,0.0007645708,0.03791454],"category_scores_gemma":[0.000042168198,0.00016823762,0.00021021596,0.00051155966,0.00036595078,0.00066885084,0.0000662278,0.0002918366,0.0011033445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027978374,0.0000073797064,0.00025293458,0.00001225276,0.00013064545,0.000020376534,0.0047290116,2.714014e-8,0.0000017785155,0.019609163,0.972744,0.0024896574],"study_design_scores_gemma":[0.00008511868,0.000020105603,0.00010804619,0.000047922138,0.000032908185,4.6671786e-7,0.0036928765,1.8897745e-7,0.0000012297786,0.007235874,0.98842967,0.00034560153],"about_ca_topic_score_codex":0.19646694,"about_ca_topic_score_gemma":0.6130878,"teacher_disagreement_score":0.41662082,"about_ca_system_score_codex":0.0003393036,"about_ca_system_score_gemma":0.00154329,"threshold_uncertainty_score":0.99967444},"labels":[],"label_agreement":null},{"id":"W2767421592","doi":"10.4000/books.pum.4022","title":"De l'acteur vedette au théâtre de festival","year":2011,"lang":"fr","type":"book","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015043907858789179,"score_gpt":0.19984754515229705,"score_spread":0.18480363729350788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767421592","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06870785,0.0065287785,0.00017289362,0.0016264794,0.00049452006,0.00040688115,0.00014901265,0.00020632708,0.9217073],"genre_scores_gemma":[0.049708102,0.0008324976,0.00080991467,0.0030762258,0.0015286145,0.000021293836,0.00008449916,0.000069755224,0.9438691],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99552196,0.001002838,0.00039805242,0.0008165065,0.00049467053,0.0017659449],"domain_scores_gemma":[0.9974118,0.0003837509,0.0004952588,0.00049264287,0.00026553345,0.00095101394],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005467126,0.00074311777,0.00082990114,0.00017252154,0.002039651,0.0002339826,0.0014183685,0.0015191942,0.0042861253],"category_scores_gemma":[0.0001284164,0.0007317475,0.00080639374,0.00017013033,0.0011489224,0.00028761485,0.00060517894,0.0011663429,0.00022767783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012168555,0.00042763128,0.027025886,0.0006636489,0.0038170922,0.0056869616,0.24537173,0.00032978668,0.0049970727,0.25611,0.3981536,0.05619972],"study_design_scores_gemma":[0.00060130836,0.00015087234,0.013583992,0.00025592314,0.002307759,0.00014972575,0.002825636,0.0002009131,0.00053435453,0.017447993,0.9610178,0.00092370674],"about_ca_topic_score_codex":0.04305175,"about_ca_topic_score_gemma":0.06057949,"teacher_disagreement_score":0.5628642,"about_ca_system_score_codex":0.00438812,"about_ca_system_score_gemma":0.0014964833,"threshold_uncertainty_score":0.999777},"labels":[],"label_agreement":null},{"id":"W2767558516","doi":"10.4000/books.pum.4030","title":"L’entrée en scène du théâtre québécois (1968-1980)","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012137351460359682,"score_gpt":0.1863114437096967,"score_spread":0.17417409224933703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767558516","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013969314,0.014786699,0.00006918116,0.0036849438,0.00063781533,0.0004957713,0.0001903883,0.00020861672,0.9659573],"genre_scores_gemma":[0.14425583,0.0053971726,0.0003105267,0.0027102518,0.0012663788,0.000015930305,0.00009208839,0.00008435066,0.84586746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99634826,0.00044045618,0.0004994978,0.00095954194,0.0006041084,0.0011481502],"domain_scores_gemma":[0.9974391,0.0003138664,0.0005514002,0.00059284654,0.00036464003,0.0007381325],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036845103,0.00085512444,0.0009554028,0.00021371941,0.0017596558,0.00017988341,0.0013612251,0.0014822236,0.014589584],"category_scores_gemma":[0.0000653963,0.00081732695,0.00096296804,0.000109605506,0.0011339713,0.00031210313,0.00075635687,0.0009242574,0.00063234294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003173686,0.00010227716,0.0015715251,0.00013016726,0.0015365209,0.0013050633,0.074877016,0.000031412597,0.00040569718,0.87506545,0.022594469,0.022063062],"study_design_scores_gemma":[0.00059540366,0.0001511046,0.0025439379,0.00019927337,0.0022212828,0.000093192924,0.0031684074,0.00007062402,0.00018007608,0.028136952,0.9616797,0.00096003286],"about_ca_topic_score_codex":0.11656281,"about_ca_topic_score_gemma":0.23483954,"teacher_disagreement_score":0.93908525,"about_ca_system_score_codex":0.0013165958,"about_ca_system_score_gemma":0.00028342096,"threshold_uncertainty_score":0.99981403},"labels":[],"label_agreement":null},{"id":"W2772817442","doi":"","title":"Le tour du mont Royal / Jean-Claude Marsan et Tex Dawson, Carnets du mont Royal, Éditions Les Heures Bleues, 2017, 127 pages","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.012066661112036412,"score_gpt":0.2025397921104947,"score_spread":0.19047313099845828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772817442","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20241737,0.17439531,0.00008074412,0.44279638,0.0021229894,0.00062829745,0.0007784671,0.00027531272,0.17650515],"genre_scores_gemma":[0.5726326,0.024969755,0.00028028715,0.0016201963,0.0013944533,0.000016950518,0.00016021586,0.000039202652,0.39888635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964895,0.0006203669,0.0003727076,0.000874635,0.0006140566,0.0010287178],"domain_scores_gemma":[0.99733746,0.00021351829,0.00062654266,0.0008447686,0.00038719177,0.00059052766],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005236489,0.00056766806,0.0007163147,0.00015153109,0.009114423,0.0005674044,0.001457125,0.00070673216,0.0016971044],"category_scores_gemma":[0.00023359728,0.0005646307,0.00067545293,0.00027378564,0.0011813868,0.0008694478,0.00062625064,0.0006360254,0.00034725366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007300152,0.00032214343,0.0028060572,0.000032959004,0.00056554744,0.0018913852,0.0043973993,0.0011877194,0.000103435974,0.07663963,0.9017863,0.010194411],"study_design_scores_gemma":[0.0009470165,0.00014030297,0.02259491,0.00009884478,0.0007241898,0.000044456345,0.007857139,0.0015018184,0.00002984937,0.0016118289,0.96375895,0.0006907101],"about_ca_topic_score_codex":0.2432597,"about_ca_topic_score_gemma":0.8402772,"teacher_disagreement_score":0.5970175,"about_ca_system_score_codex":0.0018317031,"about_ca_system_score_gemma":0.00022590242,"threshold_uncertainty_score":0.9996805},"labels":[],"label_agreement":null},{"id":"W2775114456","doi":"","title":"L’art de Lawren Harris, une source d’inspiration pour certains compositeurs canadiens. “Blue Mountain” de Harry Freedman et “Au Nord du lac Supérieur” de Michel Longtin","year":2008,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Freedman; Art history; Geography","score_opus":0.011811073136553905,"score_gpt":0.20272526788121562,"score_spread":0.1909141947446617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775114456","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89458954,0.0037597327,0.001589768,0.09551408,0.00025227753,0.00029547958,0.0001169234,0.00013965757,0.0037425165],"genre_scores_gemma":[0.95542675,0.00082244654,0.000874424,0.01257303,0.00080353493,0.0000098943865,0.00016527523,0.00005516721,0.029269494],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99575514,0.0011767636,0.00041219732,0.0007176227,0.00045675188,0.0014815382],"domain_scores_gemma":[0.997596,0.00038646377,0.00033203728,0.00041693414,0.0002765932,0.0009919271],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00062660157,0.00054212706,0.0006080766,0.00024878915,0.0030429927,0.00016045099,0.00089892687,0.00046780295,0.00029083574],"category_scores_gemma":[0.0001483561,0.00059313246,0.0004971108,0.0010781921,0.0012263374,0.00083115627,0.00021156945,0.00078050187,0.00017789511],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017708272,0.00033564874,0.1092987,0.00004536927,0.0004608067,0.0010363198,0.7818122,0.0048836293,0.0015150151,0.008215178,0.08918559,0.0030344755],"study_design_scores_gemma":[0.0019346334,0.0003210123,0.12265327,0.00011987577,0.000938421,0.00047282985,0.15992728,0.013198343,0.00013090755,0.0008779335,0.6982127,0.001212803],"about_ca_topic_score_codex":0.9696733,"about_ca_topic_score_gemma":0.9954994,"teacher_disagreement_score":0.6218849,"about_ca_system_score_codex":0.002589487,"about_ca_system_score_gemma":0.0026707929,"threshold_uncertainty_score":0.999652},"labels":[],"label_agreement":null},{"id":"W2775165903","doi":"","title":"Eija-Liisa Ahtila, Int. scène-jour , DHC/ART et Fonderie Darling, Montréal, du 29 janvier au 9 mai 2010","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.00811027069179374,"score_gpt":0.19543514463867728,"score_spread":0.18732487394688355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775165903","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4353975,0.08220049,0.00014887365,0.35156178,0.009408851,0.0006526545,0.00020410499,0.00018157421,0.12024416],"genre_scores_gemma":[0.18614341,0.019740354,0.0011716571,0.008379236,0.00324515,0.000018811696,0.0001933237,0.000080721315,0.7810273],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995652,0.0005564838,0.000501495,0.0009971106,0.0008238071,0.0014690973],"domain_scores_gemma":[0.997109,0.00022330602,0.0005069357,0.0007479602,0.00046838296,0.0009444378],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001043009,0.0006852553,0.0008282394,0.00026539955,0.0031341207,0.00031619667,0.0011144787,0.0012413627,0.008955011],"category_scores_gemma":[0.0001965807,0.00067515793,0.00081131444,0.0013232105,0.0011469276,0.0016838897,0.0005445702,0.0017097975,0.0026458655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001228727,0.00035775066,0.0022156604,0.00003553219,0.00056996185,0.0013275192,0.013231793,0.000060321938,0.0015384997,0.08390886,0.8587232,0.03790801],"study_design_scores_gemma":[0.0010329362,0.0001354463,0.0018859648,0.00005991296,0.0008013526,0.00019592833,0.010122385,0.00045366632,0.000070539565,0.0032564066,0.9811812,0.0008042722],"about_ca_topic_score_codex":0.06611052,"about_ca_topic_score_gemma":0.84397864,"teacher_disagreement_score":0.7778681,"about_ca_system_score_codex":0.003113181,"about_ca_system_score_gemma":0.0003798991,"threshold_uncertainty_score":0.99956995},"labels":[],"label_agreement":null},{"id":"W2779585716","doi":"","title":"Guide vidéo et DVD 2001Montréal : Fides, avec la collaboration de La Boîte Noire, 2000, 835 pages","year":2001,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fides; Art; Humanities; Philosophy; Theology","score_opus":0.012635342687601034,"score_gpt":0.28048737498886317,"score_spread":0.26785203230126214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2779585716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13002013,0.05193049,0.00020031576,0.29115853,0.0014954432,0.0005368007,0.00018220706,0.00021384678,0.52426225],"genre_scores_gemma":[0.59133697,0.02477654,0.0032297287,0.009580637,0.0030313605,0.00011028162,0.00012216518,0.000047379475,0.36776495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99404365,0.003278092,0.0006418763,0.0006676285,0.0004490987,0.00091965764],"domain_scores_gemma":[0.99747634,0.0009780945,0.00039249056,0.00034655756,0.0004237176,0.0003827847],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028784566,0.00042477614,0.00058513746,0.00013160708,0.000731607,0.000804472,0.0006368682,0.0009413677,0.0010241315],"category_scores_gemma":[0.0008268167,0.00038915637,0.00030090392,0.0020321065,0.0012141166,0.000995736,0.000077678524,0.00065927097,0.0001353265],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107043736,0.0005006928,0.025631819,0.00022004882,0.0004424469,0.0019175017,0.08017605,0.0012310764,0.0025926807,0.16530545,0.66569704,0.056178126],"study_design_scores_gemma":[0.00039116025,0.00010037958,0.014430949,0.00027262545,0.00030651144,0.00024132416,0.0062972717,0.0006886954,0.00011146365,0.009010598,0.96767557,0.00047343152],"about_ca_topic_score_codex":0.011067145,"about_ca_topic_score_gemma":0.08665193,"teacher_disagreement_score":0.46131682,"about_ca_system_score_codex":0.0004634868,"about_ca_system_score_gemma":0.00083223503,"threshold_uncertainty_score":0.9998891},"labels":[],"label_agreement":null},{"id":"W2783309468","doi":"","title":"De la vitalité du cinéma québécois","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007162324662666095,"score_gpt":0.19738497477411304,"score_spread":0.19022265011144696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783309468","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50734955,0.072823755,0.00003383295,0.21081327,0.0010126393,0.00014892496,0.00006666812,0.000085545726,0.20766583],"genre_scores_gemma":[0.59501606,0.008453033,0.00017617448,0.002689377,0.0010306363,0.0000034370169,0.000012723123,0.000016997596,0.39260158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981088,0.0004305105,0.00014938983,0.000388515,0.0002823443,0.0006404587],"domain_scores_gemma":[0.9985605,0.00014540176,0.00028820435,0.0004912417,0.00013460463,0.00038003264],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00050120015,0.00024656503,0.0003393229,0.000068831,0.0042974376,0.00029728404,0.0009036764,0.0005146015,0.0007717744],"category_scores_gemma":[0.00015024458,0.00024844302,0.00039277942,0.0002465368,0.0010899765,0.0006726453,0.0003078196,0.00030467683,0.00025250713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074225216,0.00019718449,0.010943149,0.000037757054,0.00054096617,0.0032560676,0.029239818,0.000032433458,0.00049814704,0.59759545,0.2760352,0.081549615],"study_design_scores_gemma":[0.0004810066,0.00004993443,0.014219461,0.000037448608,0.00045192495,0.00011546626,0.007423346,0.00017568153,0.00002867189,0.0053087305,0.97140044,0.0003079078],"about_ca_topic_score_codex":0.29334435,"about_ca_topic_score_gemma":0.6678971,"teacher_disagreement_score":0.6953652,"about_ca_system_score_codex":0.003369673,"about_ca_system_score_gemma":0.00014764603,"threshold_uncertainty_score":0.9999968},"labels":[],"label_agreement":null},{"id":"W2784404991","doi":"10.4000/books.pum.9087","title":"Goodbye Broadway, Hello Montreal!","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alley; Art; Humanities; Popular music; Visual arts; History; Archaeology","score_opus":0.016920941294727616,"score_gpt":0.1945465594439944,"score_spread":0.17762561814926678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784404991","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041174656,0.024563724,0.00006696778,0.00086849125,0.00043339553,0.00044000958,0.00018126321,0.00019105834,0.9691376],"genre_scores_gemma":[0.065003105,0.0045670797,0.00026233072,0.0019786956,0.00079693773,0.000013211706,0.000080448386,0.00007491965,0.92722327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965011,0.00032730974,0.00047824642,0.000938428,0.00055479317,0.0012001381],"domain_scores_gemma":[0.99752057,0.00020574976,0.0005497192,0.0006045921,0.000326511,0.00079284597],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028547854,0.0008309832,0.00093435094,0.00019337237,0.0016906916,0.00017634957,0.001220545,0.0014822301,0.01961367],"category_scores_gemma":[0.000035748344,0.0008131829,0.0009560531,0.00009696998,0.0012201002,0.00027445957,0.000657083,0.00087042485,0.00075542676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057678873,0.00017177114,0.0012245115,0.00020747219,0.0024861954,0.0019529177,0.067325786,0.00006437689,0.00095563603,0.73723066,0.07754664,0.11025724],"study_design_scores_gemma":[0.00065724115,0.00017491859,0.0023682038,0.00019411251,0.002221915,0.00007084303,0.0015447845,0.000103363585,0.00027564328,0.05924315,0.9321298,0.0010160434],"about_ca_topic_score_codex":0.07230325,"about_ca_topic_score_gemma":0.13343164,"teacher_disagreement_score":0.85458314,"about_ca_system_score_codex":0.0010102211,"about_ca_system_score_gemma":0.00016667182,"threshold_uncertainty_score":0.99981403},"labels":[],"label_agreement":null},{"id":"W2784446293","doi":"","title":"Objets de consolation : une pratique de détournement humoristique du quotidien en réaction au sentiment de désenchantement","year":2007,"lang":"fr","type":"article","venue":"Archipelago (University of Quebec in Montreal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Consolation; Philosophy; Literature","score_opus":0.01047103924937706,"score_gpt":0.2465696149539899,"score_spread":0.23609857570461285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784446293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9605784,0.0003459592,0.013267612,0.013623725,0.00028937057,0.00040015503,0.000015002939,0.000026868343,0.011452941],"genre_scores_gemma":[0.98351926,0.0005168019,0.0022840947,0.00048459883,0.00029732217,0.0000015486859,0.00004014687,0.000007838607,0.012848392],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99730825,0.0009916498,0.00032814543,0.00034453423,0.00030565704,0.00072173536],"domain_scores_gemma":[0.9988229,0.00026105027,0.00034719292,0.00016421422,0.00013355944,0.00027108294],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0022674985,0.00021176538,0.00033856233,0.00019157822,0.0008286933,0.000055771445,0.00028195407,0.00031116165,0.00013781994],"category_scores_gemma":[0.00006565793,0.00025042618,0.00020392146,0.0005893594,0.00044010373,0.00039511354,0.00009147492,0.00036354014,0.0000144149035],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031213523,0.0009441373,0.042252693,0.00013322286,0.0003656997,0.0004126053,0.8049452,0.0019363838,0.003166792,0.0588559,0.0022677982,0.08440747],"study_design_scores_gemma":[0.0011893273,0.00020515567,0.5949829,0.00024555108,0.00037369964,0.000017287286,0.36320835,0.0069983746,0.00026089879,0.024646131,0.0074776458,0.00039468118],"about_ca_topic_score_codex":0.8701535,"about_ca_topic_score_gemma":0.9928262,"teacher_disagreement_score":0.5527302,"about_ca_system_score_codex":0.002678269,"about_ca_system_score_gemma":0.0007252939,"threshold_uncertainty_score":0.9999948},"labels":[],"label_agreement":null},{"id":"W2784866541","doi":"10.7202/1042835ar","title":"Composer, enseigner et diffuser à la rencontre des musiques du monde : un entretien avec José Evangelista","year":2018,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03297354172991894,"score_gpt":0.2764772074252288,"score_spread":0.24350366569530985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784866541","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37223816,0.035458677,0.0002452134,0.02510289,0.0022289453,0.0008797638,0.00022980527,0.0005366347,0.5630799],"genre_scores_gemma":[0.9011008,0.0022387428,0.00026070597,0.017089723,0.0042161485,0.000072610266,0.00016067592,0.00008114225,0.07477946],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99290407,0.0030215285,0.0010254212,0.0011917404,0.0006892687,0.0011679663],"domain_scores_gemma":[0.9959379,0.0007570515,0.000617873,0.0006122814,0.0015708884,0.00050399813],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017251321,0.00087341614,0.0011460388,0.00024722758,0.001551721,0.000916163,0.0009775824,0.00092628587,0.0021654065],"category_scores_gemma":[0.0005545914,0.0007420909,0.0006939158,0.0011848017,0.006613007,0.0013511329,0.00019957624,0.00059641915,0.00022811697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092668706,0.0007603129,0.0063870777,0.0001877795,0.0008412128,0.00036685902,0.51552445,9.3870244e-7,0.0018859643,0.38721833,0.06723549,0.019498957],"study_design_scores_gemma":[0.0010377446,0.0003943696,0.0032197293,0.00046568207,0.00041189863,0.000059751867,0.007908271,0.00009274462,0.00037935705,0.29457036,0.69044536,0.0010147394],"about_ca_topic_score_codex":0.0054074707,"about_ca_topic_score_gemma":0.010840157,"teacher_disagreement_score":0.6232099,"about_ca_system_score_codex":0.00023401594,"about_ca_system_score_gemma":0.00035521234,"threshold_uncertainty_score":0.9997481},"labels":[],"label_agreement":null},{"id":"W2784983248","doi":"","title":"Noël Arnaud chef d'orchestre de l'Oulipo - Correspondance 1961-1998. Textes réunis et présentés par Marc Lapprand et Christophe Reig, Paris, éditions Honoré Champion, 2018.","year":2018,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Champion; Art; Humanities; Political science","score_opus":0.018005151219119952,"score_gpt":0.27036021214878947,"score_spread":0.25235506092966953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784983248","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31042248,0.020399857,0.024254447,0.3719189,0.004390791,0.002884735,0.0020382036,0.0009318976,0.26275873],"genre_scores_gemma":[0.69449276,0.022060694,0.02806863,0.0068547945,0.00095210085,0.0005876365,0.005143997,0.00015126175,0.2416881],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.97851926,0.016576253,0.0011381765,0.001688774,0.0009296413,0.001147898],"domain_scores_gemma":[0.9905741,0.002636271,0.0014288941,0.002418339,0.0022521291,0.00069023704],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.010584462,0.0008516022,0.0009950821,0.00024212697,0.002750377,0.0013259073,0.0023650667,0.0011462707,0.0015804853],"category_scores_gemma":[0.0025508427,0.0008284741,0.000753422,0.001559725,0.0033748688,0.0006696968,0.001204803,0.001919612,0.00044102434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015982188,0.0032334137,0.014785236,0.0004429946,0.0009423264,0.000040865794,0.19204366,0.00021403219,0.0049394523,0.41901192,0.35086793,0.013318343],"study_design_scores_gemma":[0.0007853178,0.0000048532843,0.019282835,0.0020171884,0.0003964123,0.000026747564,0.0022090224,0.0017797883,0.0029135786,0.022478487,0.9469572,0.0011486091],"about_ca_topic_score_codex":0.011471471,"about_ca_topic_score_gemma":0.024946883,"teacher_disagreement_score":0.59608924,"about_ca_system_score_codex":0.0004319568,"about_ca_system_score_gemma":0.001412527,"threshold_uncertainty_score":0.9997108},"labels":[],"label_agreement":null},{"id":"W2784990216","doi":"10.4000/books.pum.5334","title":"La création musicale au Québec","year":2014,"lang":"fr","type":"book","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; The arts; Visual arts","score_opus":0.009962908467617156,"score_gpt":0.19837573379745338,"score_spread":0.18841282532983622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784990216","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029492328,0.004193298,0.0002588004,0.0021818893,0.00039415242,0.00029042028,0.0000541971,0.000133082,0.96300185],"genre_scores_gemma":[0.14638832,0.00022517808,0.00016643724,0.0020257845,0.0014370393,0.000015473375,0.00009203921,0.00003769546,0.84961206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683005,0.0009782069,0.00032581447,0.0006136101,0.00046167488,0.00079062337],"domain_scores_gemma":[0.99792975,0.00059191743,0.0003993305,0.000368605,0.00023491161,0.0004754638],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044193972,0.0004817039,0.00062029244,0.00012686195,0.001739073,0.00015993361,0.0007796054,0.0011826121,0.00316274],"category_scores_gemma":[0.000105226856,0.00046651403,0.0005657592,0.00012230617,0.0011146449,0.00018791307,0.00036287223,0.00070570165,0.00028609822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039098455,0.00023681563,0.0066555957,0.00050644175,0.0015908428,0.0006896578,0.25037426,0.0004121263,0.0013979689,0.19605297,0.36324894,0.17844339],"study_design_scores_gemma":[0.00045007395,0.000084357365,0.0046236687,0.00013428954,0.0012043937,0.000029427581,0.0022357316,0.0003919164,0.0000872051,0.0049487073,0.98526794,0.00054230663],"about_ca_topic_score_codex":0.24298386,"about_ca_topic_score_gemma":0.6987453,"teacher_disagreement_score":0.622019,"about_ca_system_score_codex":0.0038620902,"about_ca_system_score_gemma":0.0011272575,"threshold_uncertainty_score":0.9999619},"labels":[],"label_agreement":null},{"id":"W2785456325","doi":"10.3138/cjfs.24.2.109","title":"Questions de rencontres: Entrevue avec André Pâquet et Carol Faucher","year":2015,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.061557292267601954,"score_gpt":0.32039084383415656,"score_spread":0.25883355156655463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785456325","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11990727,0.61940265,0.000029213854,0.22018051,0.008148405,0.00020649635,0.00016643462,0.000015361808,0.03194364],"genre_scores_gemma":[0.9217802,0.006310788,0.00034261524,0.0094647445,0.0025913168,0.0000066053435,0.0000057013353,0.000013931288,0.059484083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790645,0.0006626207,0.0004440353,0.00016310664,0.00023691774,0.0005868795],"domain_scores_gemma":[0.9967951,0.000156325,0.00031662924,0.00011289998,0.0013018479,0.0013172084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010326513,0.00020281883,0.00052029453,0.00017636498,0.00053304795,0.00017848282,0.00029937067,0.00020857304,0.00036619068],"category_scores_gemma":[0.0015252924,0.000161951,0.00026689956,0.00052902446,0.0008596365,0.0004489581,0.000018609227,0.00045402235,0.000048921855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010298673,0.00003293821,0.014385617,0.00002555203,0.0010738218,0.00064627285,0.26348457,0.0002590728,0.0000058969117,0.0131276,0.7019613,0.0049870694],"study_design_scores_gemma":[0.00040190353,0.00016697693,0.0028789262,0.00028523538,0.0005067433,0.00011821475,0.07784338,0.000021521328,0.000005245462,0.009101653,0.90844846,0.00022172277],"about_ca_topic_score_codex":0.056535926,"about_ca_topic_score_gemma":0.7949245,"teacher_disagreement_score":0.80187297,"about_ca_system_score_codex":0.00075575017,"about_ca_system_score_gemma":0.0031794205,"threshold_uncertainty_score":0.94974667},"labels":[],"label_agreement":null},{"id":"W2786476107","doi":"10.4000/books.pum.9086","title":"La « beauté libre » de la musique actuelle au Québec","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics; Philosophy","score_opus":0.012219496545958011,"score_gpt":0.19725428142837684,"score_spread":0.1850347848824188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786476107","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027506817,0.008502889,0.00009296409,0.0010546417,0.00018684127,0.0002836232,0.00008327876,0.00016032938,0.96212864],"genre_scores_gemma":[0.37120172,0.0016109429,0.00031750163,0.0017694689,0.00056087144,0.00001364487,0.000031037158,0.00006616396,0.62442863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99691445,0.00081491185,0.0003338249,0.0006630866,0.0003521625,0.00092154235],"domain_scores_gemma":[0.9977299,0.00065141823,0.00039067047,0.000421113,0.00017489906,0.0006320085],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004772039,0.0006401612,0.00068438443,0.00014347368,0.0015927148,0.0001803846,0.0010415006,0.0018038445,0.0070101214],"category_scores_gemma":[0.000068060726,0.0006156091,0.0007192235,0.00007158786,0.0017547316,0.00024973863,0.0005981105,0.0010825613,0.00016948865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004776264,0.00016164103,0.0043221833,0.00024518179,0.0018069693,0.0023141168,0.25841683,0.0000584482,0.0011640613,0.61596954,0.02536524,0.08969815],"study_design_scores_gemma":[0.0005039191,0.00009327822,0.0051461607,0.00018582387,0.0013807106,0.00012648945,0.0028403543,0.00004021169,0.00028574505,0.025944244,0.96272594,0.0007271277],"about_ca_topic_score_codex":0.35838202,"about_ca_topic_score_gemma":0.51258284,"teacher_disagreement_score":0.9373607,"about_ca_system_score_codex":0.002124832,"about_ca_system_score_gemma":0.0010809758,"threshold_uncertainty_score":0.9997071},"labels":[],"label_agreement":null},{"id":"W2786865201","doi":"10.4000/books.pum.8079","title":"Les dispositions pour la musique sont-elles innées ou acquises ?","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Arthritis Patient Alliance","funders":"","keywords":"Humanities; Art","score_opus":0.017375480255367448,"score_gpt":0.21675920138837884,"score_spread":0.1993837211330114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786865201","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0128073525,0.010871179,0.00072839326,0.006046503,0.00023935242,0.0003703324,0.00023898462,0.0001933576,0.96850455],"genre_scores_gemma":[0.4052582,0.0020393098,0.0006314054,0.0016149087,0.0007863505,0.000020095385,0.00008704813,0.000058388683,0.5895043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99702305,0.00056815153,0.0003904329,0.00070827064,0.00042313748,0.0008869484],"domain_scores_gemma":[0.9976725,0.0006458109,0.00043260062,0.00039964533,0.00033486422,0.0005145895],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031709272,0.00067508523,0.00074061396,0.00019023454,0.0022792288,0.00026262246,0.0008812768,0.0012150704,0.005450478],"category_scores_gemma":[0.000067718975,0.00063861645,0.0007582829,0.000076267184,0.0012758345,0.00017343875,0.0004874275,0.0006931946,0.00018066031],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013713154,0.000061468614,0.0010213065,0.00013396972,0.0008459845,0.00036894588,0.017231815,0.00012856149,0.001185811,0.93156695,0.012388076,0.03492998],"study_design_scores_gemma":[0.00050205516,0.00008393858,0.0032478306,0.00036140875,0.0017939612,0.00006785857,0.0024728153,0.00018120022,0.0002611698,0.031944923,0.95823646,0.00084639154],"about_ca_topic_score_codex":0.018592112,"about_ca_topic_score_gemma":0.10169457,"teacher_disagreement_score":0.94584835,"about_ca_system_score_codex":0.00069382176,"about_ca_system_score_gemma":0.000162737,"threshold_uncertainty_score":0.9996065},"labels":[],"label_agreement":null},{"id":"W2787778414","doi":"10.4000/books.pum.9089","title":"La musique contemporaine en l’absence de l’interprète","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015104416926790506,"score_gpt":0.20383594228836585,"score_spread":0.18873152536157534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787778414","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012870266,0.0077210423,0.00039773755,0.0013197556,0.00026544835,0.00038682763,0.0001304318,0.00015185686,0.97675663],"genre_scores_gemma":[0.3911039,0.0021443667,0.00044971838,0.0025360528,0.00045821437,0.000013967397,0.000037175003,0.000053171832,0.6032034],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967802,0.0007572374,0.0004212016,0.0007352851,0.0003734826,0.0009325601],"domain_scores_gemma":[0.99767697,0.0005109773,0.00047894468,0.00044195494,0.00027183362,0.00061929197],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006580934,0.0006635871,0.00077182875,0.00015996666,0.00093824865,0.0001478036,0.00113484,0.0014461412,0.0074085365],"category_scores_gemma":[0.00009567682,0.0006466325,0.0006853095,0.000071467526,0.0013747142,0.0002447557,0.0005907199,0.0010413455,0.00018087108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049844716,0.0000939682,0.0015451604,0.00018251993,0.0013425673,0.0028813097,0.1440278,0.00003257345,0.0020886667,0.8075676,0.015638342,0.024101049],"study_design_scores_gemma":[0.00059236353,0.00014437186,0.0014753346,0.0003824237,0.0009532167,0.00018033218,0.0027572934,0.00012536491,0.0003228674,0.046643984,0.9456002,0.00082223775],"about_ca_topic_score_codex":0.024147127,"about_ca_topic_score_gemma":0.051191635,"teacher_disagreement_score":0.92996186,"about_ca_system_score_codex":0.0012570901,"about_ca_system_score_gemma":0.00026948194,"threshold_uncertainty_score":0.9998502},"labels":[],"label_agreement":null},{"id":"W2789798847","doi":"","title":"Canada or Dickens’s American Dream Come True: a New Reading of American Notes","year":2005,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Reading (process); History; Literature; Art; Art history; Psychology; Political science; Law","score_opus":0.0187214491865259,"score_gpt":0.26612628744921113,"score_spread":0.24740483826268522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2789798847","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6979588,0.0023165003,0.0052161496,0.16027415,0.0009431711,0.0013108694,0.0005536646,0.00046886143,0.13095784],"genre_scores_gemma":[0.95708877,0.00079873845,0.011841633,0.0014745248,0.0001858348,0.00002835557,0.00031347835,0.00003069858,0.028237987],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932408,0.004148795,0.00063761155,0.00070379814,0.0007419377,0.00052709033],"domain_scores_gemma":[0.9936518,0.0018740869,0.0011989385,0.0012249737,0.0016320167,0.00041820228],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0022266721,0.00034614158,0.0008077326,0.0001656272,0.0006170012,0.00033510407,0.0015538932,0.00017705523,0.00032526805],"category_scores_gemma":[0.0028064307,0.00030105445,0.00027962212,0.0012947383,0.001283969,0.00013465268,0.00059984456,0.0006131878,0.0000072452767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013040873,0.0010406424,0.02960529,0.00022500701,0.0010559239,0.00003177489,0.15506715,0.00021463621,0.0017081236,0.10859104,0.060557567,0.64177245],"study_design_scores_gemma":[0.0008645444,0.0000045313877,0.030784115,0.0019331332,0.00059780054,0.000008516738,0.010839636,0.0015692111,0.0071220533,0.0025435837,0.9418704,0.0018624694],"about_ca_topic_score_codex":0.9514622,"about_ca_topic_score_gemma":0.984717,"teacher_disagreement_score":0.88131285,"about_ca_system_score_codex":0.00041546635,"about_ca_system_score_gemma":0.0032373623,"threshold_uncertainty_score":0.99994415},"labels":[],"label_agreement":null},{"id":"W2792430731","doi":"","title":"Festival de Cinéma de la ville de Québec (FCVQ) : des festivités ensoleillées, chaleureuses et populaires","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science; Humanities","score_opus":0.015113164225777203,"score_gpt":0.23332036563163555,"score_spread":0.21820720140585834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792430731","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82543737,0.056549396,0.000078642595,0.09768914,0.00033464882,0.00014248742,0.00006173307,0.000117534386,0.01958905],"genre_scores_gemma":[0.854814,0.009020655,0.0011187608,0.0019307126,0.0006204883,0.00000785932,0.000014654061,0.00003357963,0.13243929],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670094,0.00110529,0.00020310382,0.0005342906,0.00033436026,0.0011219885],"domain_scores_gemma":[0.99797934,0.00037865265,0.00034545592,0.000534139,0.00016492182,0.00059750467],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00087706104,0.00039724863,0.0004856057,0.000114081704,0.0051774643,0.00030522086,0.0010428719,0.00062840024,0.0003320637],"category_scores_gemma":[0.00067496236,0.0003979263,0.00041755204,0.00030471737,0.0018314291,0.0007756391,0.0004175244,0.0005432973,0.00007268263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040965588,0.00087782706,0.2690255,0.000222617,0.0013735716,0.011134813,0.10948595,0.0005431583,0.0054129176,0.18785088,0.24630937,0.16735375],"study_design_scores_gemma":[0.0006684709,0.00011951049,0.13686082,0.00015796139,0.00060164445,0.00041070933,0.008531482,0.00024232257,0.00019652706,0.0054701124,0.84622747,0.0005129802],"about_ca_topic_score_codex":0.6458123,"about_ca_topic_score_gemma":0.94064987,"teacher_disagreement_score":0.5999181,"about_ca_system_score_codex":0.0070437146,"about_ca_system_score_gemma":0.0007097931,"threshold_uncertainty_score":0.99984723},"labels":[],"label_agreement":null},{"id":"W2792744769","doi":"","title":"Literature and Other Arts in Canada: Some Current Practices","year":2008,"lang":"en","type":"article","venue":"Romanica Silesiana (University of Silesia Press)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Current (fluid); Political science; Engineering","score_opus":0.04394695822295932,"score_gpt":0.25207622656063855,"score_spread":0.20812926833767922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792744769","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9680794,0.017791955,0.0000059221793,0.0023467084,0.000147017,0.00027032354,0.000046379533,0.000034947378,0.011277356],"genre_scores_gemma":[0.99661773,0.0019401589,0.0001234378,0.00036104128,0.00011484972,6.4652784e-7,0.000009150149,0.0000061674655,0.0008268297],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865687,0.00020671079,0.00015018466,0.00034018327,0.00034757538,0.0002985064],"domain_scores_gemma":[0.99911976,0.00010364271,0.0003309715,0.0001862049,0.00009157489,0.0001678214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016425645,0.00014354181,0.00031198154,0.00008921097,0.0004896725,0.000035882913,0.00036612985,0.0001305108,0.00014118478],"category_scores_gemma":[0.000057359128,0.0001466989,0.00007958972,0.00035194473,0.00030042202,0.00077624875,0.00007905144,0.00025999625,0.0000033499848],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055203924,0.0012051857,0.20882933,0.0006604994,0.0008046569,0.0027192917,0.26653448,0.00013519553,0.0016575434,0.32261592,0.1780002,0.016285675],"study_design_scores_gemma":[0.0011650173,0.00006304606,0.21291636,0.00029382147,0.00021878994,0.00002833195,0.02336731,0.0003060278,0.00003420782,0.0011769889,0.7597615,0.0006685673],"about_ca_topic_score_codex":0.73254347,"about_ca_topic_score_gemma":0.9269806,"teacher_disagreement_score":0.58176136,"about_ca_system_score_codex":0.00015509005,"about_ca_system_score_gemma":0.0005138412,"threshold_uncertainty_score":0.59822077},"labels":[],"label_agreement":null},{"id":"W2793474247","doi":"10.7202/1043224ar","title":"La création d’Another Brick in the Wall – l’opéra de Julien Bilodeau. Les différents enjeux du crossover entre opéra et rock","year":2018,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Physics","score_opus":0.031093792735301,"score_gpt":0.2898948191515544,"score_spread":0.2588010264162534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793474247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77057546,0.0033864572,0.00019434933,0.04893313,0.0037792556,0.0005286642,0.000059067002,0.00007064132,0.17247297],"genre_scores_gemma":[0.9287365,0.00045179165,0.0001275572,0.015837844,0.0072121313,0.000038300503,0.000034768385,0.000026384325,0.047534715],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99651545,0.0013488828,0.00046431957,0.0005662057,0.0004204948,0.000684664],"domain_scores_gemma":[0.99858534,0.00044005542,0.00025643094,0.00035803864,0.00022204679,0.0001380988],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010546868,0.00031044148,0.00043687897,0.000078054174,0.0006099651,0.0004936347,0.0007022079,0.00056325615,0.0028826268],"category_scores_gemma":[0.0003630365,0.00022134172,0.00033535526,0.0010573298,0.00065691525,0.00044255296,0.00011903099,0.0005361117,0.0005690516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019978662,0.0025846215,0.04887139,0.00033960154,0.00038873608,0.00018787288,0.48410398,0.00017948648,0.0019656713,0.16910647,0.1970515,0.095020875],"study_design_scores_gemma":[0.0005815601,0.00008943839,0.027459307,0.00017140602,0.00015822439,0.000017858723,0.0021692505,0.0009212107,0.000041552936,0.0037756742,0.9642884,0.00032613103],"about_ca_topic_score_codex":0.003493234,"about_ca_topic_score_gemma":0.012739997,"teacher_disagreement_score":0.7672369,"about_ca_system_score_codex":0.00016882739,"about_ca_system_score_gemma":0.00012399351,"threshold_uncertainty_score":0.9980289},"labels":[],"label_agreement":null},{"id":"W2794982921","doi":"","title":"Chan Ka Nin's \"Iron road\" : Chinese elements in a Canadian opera","year":2004,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Art; History; Ancient history; Literature","score_opus":0.011521479678411026,"score_gpt":0.28033892525636506,"score_spread":0.268817445577954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794982921","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8336456,0.00013445565,5.7876997e-7,0.00881626,0.0001766182,0.00014600508,0.000004870009,0.000024722696,0.15705092],"genre_scores_gemma":[0.9818279,0.000020232941,0.000078559846,0.0071529993,0.00023898638,0.000015599622,0.000020958589,0.0000038253997,0.010640902],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989313,0.0000624128,0.0001506715,0.00019959778,0.00017408983,0.0004819605],"domain_scores_gemma":[0.9995346,0.000005228967,0.000025381036,0.00009408945,0.000045705834,0.00029495815],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002666585,0.00009850598,0.00013680197,0.00011261302,0.00034308134,0.00011548164,0.00021854836,0.00010504027,0.0015132105],"category_scores_gemma":[0.000054089513,0.00006767532,0.000058610338,0.00066164363,0.000067125904,0.00023724604,0.000017798304,0.00010642656,0.00010193104],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026919704,0.00043762682,0.60899574,0.000020890771,0.00015092075,0.00022640156,0.18405804,0.0002506886,0.0010554754,0.17263693,0.008291387,0.023849012],"study_design_scores_gemma":[0.0021586176,0.0001383943,0.46303385,0.000041819054,0.000054341293,0.0000029684447,0.020762522,0.00008017321,0.00005719552,0.010410872,0.5023262,0.00093305873],"about_ca_topic_score_codex":0.9261873,"about_ca_topic_score_gemma":0.9974185,"teacher_disagreement_score":0.4940348,"about_ca_system_score_codex":0.000307112,"about_ca_system_score_gemma":0.00029631174,"threshold_uncertainty_score":0.99939954},"labels":[],"label_agreement":null},{"id":"W2795749071","doi":"","title":"S'imaginer dans le monde: Regards sur les pièces créées pour les jeunes spectateurs de 1980 à 1990 au Québec","year":2007,"lang":"fr","type":"article","venue":"Canadian Children's Literature / Littérature canadienne pour la jeunesse","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.007625057554812645,"score_gpt":0.21044705913035977,"score_spread":0.20282200157554714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2795749071","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6276362,0.14268067,0.00004930817,0.2111473,0.0023325512,0.00069967494,0.0023183187,0.00023346415,0.01290252],"genre_scores_gemma":[0.88268816,0.0013890581,0.00057557574,0.0064054485,0.009363871,0.000054126773,0.0012247028,0.00023418217,0.098064885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98900974,0.0014959375,0.0013112671,0.002206449,0.000748056,0.005228543],"domain_scores_gemma":[0.9904936,0.0006079923,0.00066330115,0.0012214753,0.0017389004,0.0052747536],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0023059545,0.0018838077,0.00159369,0.0012363802,0.0038093778,0.0017952725,0.002078194,0.002843512,0.00038261546],"category_scores_gemma":[0.001161162,0.0017348384,0.0011144863,0.0050872825,0.0023861963,0.0015679563,0.00013596054,0.0034046688,0.00006277393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000143699,0.00043871003,0.22057453,0.00039308076,0.0014941312,0.004573001,0.09249024,0.00008842288,0.0010696809,0.58207834,0.07887077,0.017785396],"study_design_scores_gemma":[0.0011674162,0.00009120442,0.13342534,0.00094304763,0.00076053,0.00094159856,0.026670726,0.000039239294,0.00034645805,0.0028863198,0.83046365,0.002264456],"about_ca_topic_score_codex":0.97908455,"about_ca_topic_score_gemma":0.99950194,"teacher_disagreement_score":0.7515929,"about_ca_system_score_codex":0.004584509,"about_ca_system_score_gemma":0.013203103,"threshold_uncertainty_score":0.9993906},"labels":[],"label_agreement":null},{"id":"W2796274583","doi":"10.7202/1043821ar","title":"Quels sont les paradigmes didactiques présents dans les méthodes de guitare destinées aux débutants : expérimentation d’une méthodologie d’analyse","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.15654999910073847,"score_gpt":0.37910336659010996,"score_spread":0.2225533674893715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796274583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9720357,0.007001343,0.0034586214,0.006726141,0.00469754,0.00018208008,0.000098618824,0.000032392636,0.005767557],"genre_scores_gemma":[0.9900885,0.000292948,0.0027445285,0.0011282846,0.0029456622,0.000011365495,0.000012228194,0.00002624752,0.0027501995],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9958563,0.0016716236,0.00085741974,0.0003580532,0.0003432923,0.000913352],"domain_scores_gemma":[0.9967029,0.00033651764,0.0007175512,0.00021292655,0.0010822493,0.00094783376],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012339302,0.00036209784,0.00053607457,0.00061584223,0.002230835,0.00042354126,0.0006093393,0.00041087836,0.0020126353],"category_scores_gemma":[0.0007527084,0.00031802562,0.00053304335,0.0012255578,0.0018711607,0.0010079012,0.000029504658,0.0006297202,0.000032361382],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017251822,0.00037344644,0.27367204,0.000099814875,0.0029506893,0.00083609705,0.54019743,0.0003891603,0.008076394,0.016107872,0.055550635,0.10157391],"study_design_scores_gemma":[0.0009833697,0.0016717822,0.14946856,0.0013458416,0.00279358,0.0012426607,0.76276684,0.00042869092,0.0045955596,0.013338039,0.060176596,0.0011884961],"about_ca_topic_score_codex":0.39394993,"about_ca_topic_score_gemma":0.9508761,"teacher_disagreement_score":0.5569262,"about_ca_system_score_codex":0.0014663715,"about_ca_system_score_gemma":0.002311798,"threshold_uncertainty_score":0.99992716},"labels":[],"label_agreement":null},{"id":"W2796452456","doi":"10.3917/sr.009.0267","title":"Charles Perraton (dir.), Le Corps différé ou la force du regard au cinéma, Montréal, Les Cahiers du Gerse, Université du Québec à Montréal, 1998, 155 p.","year":2000,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014599080734954945,"score_gpt":0.27384138102274047,"score_spread":0.2592423002877855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796452456","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67286074,0.07308563,0.00008168992,0.14707024,0.0021025692,0.00067703804,0.00026451156,0.00028940666,0.103568144],"genre_scores_gemma":[0.658375,0.029746193,0.00014670339,0.0030998355,0.0019345485,0.00006422665,0.00024049965,0.000054208114,0.30633873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99619853,0.0008760753,0.0006227787,0.00087041134,0.0005923488,0.0008398727],"domain_scores_gemma":[0.99795,0.00044740346,0.0003630848,0.00047322002,0.00031951972,0.000446744],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038734352,0.00052826956,0.0006720817,0.00012973708,0.005128186,0.00036469864,0.00055691495,0.00068606134,0.0049320273],"category_scores_gemma":[0.00014180146,0.0005050965,0.000869808,0.0011049763,0.0022833268,0.0010457013,0.00007458068,0.00064084,0.00046443992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014111435,0.00084523374,0.010174692,0.000063447,0.0013383435,0.00034378996,0.27711925,0.0008096484,0.00074678025,0.03653293,0.6109585,0.060926236],"study_design_scores_gemma":[0.0011193515,0.0000762811,0.006415993,0.000049145037,0.00078755163,0.000047420403,0.16288902,0.00041298,0.00003837299,0.0013440016,0.8262304,0.0005894906],"about_ca_topic_score_codex":0.568613,"about_ca_topic_score_gemma":0.50838107,"teacher_disagreement_score":0.21527188,"about_ca_system_score_codex":0.00079019804,"about_ca_system_score_gemma":0.0008759196,"threshold_uncertainty_score":0.99974006},"labels":[],"label_agreement":null},{"id":"W2801424535","doi":"","title":"Imaginaires de la pauvreté : les cas d'Hector de Saint-Denys Garneau et de Jack Kerouac","year":2018,"lang":"fr","type":"article","venue":"Corpus Université Laval (Université Laval)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010633024903867498,"score_gpt":0.23920641639420545,"score_spread":0.22857339149033795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801424535","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8509604,0.009726289,0.0004181054,0.018648934,0.0009909447,0.00029198956,0.00015183593,0.00030054207,0.11851096],"genre_scores_gemma":[0.85709095,0.005342312,0.0010173875,0.002934249,0.0013041039,0.0000019048367,0.000050155133,0.000060108046,0.13219884],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99465585,0.002120145,0.00028050717,0.00087109365,0.0005587036,0.0015137193],"domain_scores_gemma":[0.99717283,0.00052639894,0.00035256197,0.0004846089,0.0005949834,0.00086864235],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010315861,0.0006114218,0.00064323645,0.00034172862,0.0023453955,0.00035425622,0.0013535765,0.0009285259,0.0008009989],"category_scores_gemma":[0.00016670763,0.00066905597,0.00064825517,0.0017260284,0.0027014473,0.0010457394,0.00048161362,0.0009317998,0.00013839848],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000673508,0.0006394762,0.11054094,0.00016975094,0.001351919,0.003663821,0.3738478,0.000114725444,0.030098274,0.33862492,0.0698736,0.070401244],"study_design_scores_gemma":[0.0017039711,0.00050066184,0.057071283,0.00022216418,0.0015887104,0.00027929057,0.042534567,0.00055424724,0.004153868,0.005036361,0.88524055,0.0011143062],"about_ca_topic_score_codex":0.16549224,"about_ca_topic_score_gemma":0.16067092,"teacher_disagreement_score":0.815367,"about_ca_system_score_codex":0.0043372023,"about_ca_system_score_gemma":0.0015767054,"threshold_uncertainty_score":0.9995761},"labels":[],"label_agreement":null},{"id":"W2801444387","doi":"","title":"Une jeune fille à la fenêtre : Le souffle au coeur / Une jeune fille à la fenêtre, Canada [Québec] 2001, 90 minutes","year":2001,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015798947539737977,"score_gpt":0.24288951591075691,"score_spread":0.22709056837101893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801444387","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27684757,0.050664168,0.00003381241,0.3469375,0.0037766478,0.0011133961,0.0008960895,0.00037558435,0.3193552],"genre_scores_gemma":[0.3962971,0.0036136871,0.0005938601,0.004488148,0.0028224087,0.0001484893,0.00031459946,0.00010955987,0.59161216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900743,0.002395023,0.0015311318,0.0018689048,0.0012512322,0.0028794417],"domain_scores_gemma":[0.99396515,0.0019258657,0.0009644125,0.0010752139,0.00074786553,0.0013214952],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0018815098,0.0013167183,0.0018598967,0.00028954018,0.0025161845,0.000652036,0.0020280643,0.0014922527,0.0031991382],"category_scores_gemma":[0.00089983386,0.0012102304,0.00089528604,0.005089747,0.0027677803,0.0010990181,0.00035655574,0.0016349042,0.0003078081],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017226263,0.00094638835,0.029811794,0.0008325712,0.0010449215,0.003148638,0.024765024,0.0005939374,0.0009140697,0.021512803,0.9009784,0.015279181],"study_design_scores_gemma":[0.0012463679,0.00022588084,0.009838294,0.0007014328,0.0006677436,0.0004694732,0.022925755,0.00052833516,0.00023192781,0.003098076,0.95846814,0.0015985856],"about_ca_topic_score_codex":0.96179545,"about_ca_topic_score_gemma":0.9906504,"teacher_disagreement_score":0.34244937,"about_ca_system_score_codex":0.0013463439,"about_ca_system_score_gemma":0.0045034336,"threshold_uncertainty_score":0.9999584},"labels":[],"label_agreement":null},{"id":"W2802137219","doi":"","title":"Un nécessaire et fertile désordre / Le Carrefour international de théâtre. Québec, du 14 au 31 mai 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.007783633911179796,"score_gpt":0.18298795528976403,"score_spread":0.17520432137858422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802137219","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49578372,0.040806774,0.000060259867,0.4126567,0.0011730011,0.0001400562,0.00009696639,0.000098210054,0.049184296],"genre_scores_gemma":[0.53193504,0.0063994583,0.00017019807,0.004738281,0.00071819115,0.000005873094,0.00007371212,0.000018532957,0.45594072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978247,0.00034272866,0.00022838074,0.00047570284,0.0004459385,0.000682514],"domain_scores_gemma":[0.998807,0.000094865565,0.00021331856,0.00024118522,0.00027356067,0.00037002983],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026637228,0.00030295688,0.0003624714,0.00012506398,0.002729583,0.00007116488,0.0007178222,0.00040687245,0.0014993021],"category_scores_gemma":[0.0000668982,0.0003059987,0.0004148284,0.0006578239,0.0006666682,0.0006886413,0.0002459288,0.0003886783,0.0002199164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015926089,0.00034470204,0.018476652,0.00001792507,0.0006561272,0.0029899413,0.024212826,0.0003792136,0.00012879726,0.036502585,0.9029248,0.013207199],"study_design_scores_gemma":[0.0007348542,0.00004673597,0.015480403,0.00003186876,0.00020261625,0.0003196265,0.005601578,0.0004275628,0.000048160422,0.0007601529,0.97598976,0.00035668904],"about_ca_topic_score_codex":0.37497735,"about_ca_topic_score_gemma":0.86343604,"teacher_disagreement_score":0.4884587,"about_ca_system_score_codex":0.0075115943,"about_ca_system_score_gemma":0.0010709258,"threshold_uncertainty_score":0.9999392},"labels":[],"label_agreement":null},{"id":"W2802635645","doi":"10.7202/1044377ar","title":"L’interculturalisme à travers le filtre cognitif : comment Gilles Tremblay recompose le gamelan dans Oralléluiants","year":2018,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.054372552175171084,"score_gpt":0.28526647617182793,"score_spread":0.23089392399665684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802635645","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2912119,0.0072893417,0.00015362144,0.0904589,0.0046742363,0.001090274,0.000480765,0.00039626297,0.6042447],"genre_scores_gemma":[0.8949292,0.0005004988,0.00007946492,0.01815326,0.002896843,0.000061244384,0.00041370845,0.00005531033,0.08291053],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99488556,0.0013997722,0.0010099469,0.0010744534,0.0005373142,0.0010929301],"domain_scores_gemma":[0.9970127,0.00023500132,0.0005739795,0.0004967759,0.0011337061,0.0005478431],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007764989,0.00076397083,0.0010803605,0.00017581566,0.0017109872,0.00047056837,0.0009766059,0.00066552387,0.0013460214],"category_scores_gemma":[0.00020521558,0.00065812375,0.00073162816,0.0010238747,0.0033217755,0.0012670865,0.00014314646,0.0004856243,0.00026322398],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015453668,0.0013924442,0.002771845,0.000258992,0.0016053244,0.00028772393,0.3813801,0.0000014971708,0.011260318,0.25145417,0.3188563,0.0305767],"study_design_scores_gemma":[0.0016209203,0.00047643326,0.0018775889,0.00061375,0.00033642785,0.000046867586,0.082267955,0.000094347284,0.0018400705,0.02284036,0.886732,0.00125331],"about_ca_topic_score_codex":0.023659805,"about_ca_topic_score_gemma":0.031107675,"teacher_disagreement_score":0.60371727,"about_ca_system_score_codex":0.00025865162,"about_ca_system_score_gemma":0.00043551778,"threshold_uncertainty_score":0.99958867},"labels":[],"label_agreement":null},{"id":"W2802877935","doi":"","title":"Répertoire des longs métrages d'adaptation destinés au cinéma au Québec de 1992 à 2010 : les causes d’un phénomène en croissance","year":2013,"lang":"fr","type":"article","venue":"Corpus Université Laval (Université Laval)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.016423855657940675,"score_gpt":0.20780959990752573,"score_spread":0.19138574424958504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802877935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9425833,0.012874267,0.00046643207,0.028646288,0.00095672236,0.0004856894,0.0000743484,0.0002510249,0.013661925],"genre_scores_gemma":[0.82262117,0.0032697895,0.000890982,0.0004990252,0.0006505243,0.000004854871,0.00006258964,0.0000457848,0.1719553],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.995831,0.0008610644,0.0003840133,0.0009243003,0.00060908083,0.0013905388],"domain_scores_gemma":[0.9970831,0.0005180248,0.00045600548,0.00045290397,0.0006792831,0.00081067556],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00039606946,0.0006829947,0.000708175,0.00034141706,0.004535398,0.00022951046,0.0012140188,0.00081873924,0.0008566388],"category_scores_gemma":[0.00015593859,0.0007170211,0.00054920366,0.0017453987,0.0020158638,0.0023696353,0.00033610212,0.00080098154,0.0001715299],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021206353,0.00043715988,0.17304842,0.0002112252,0.0009356938,0.00089686783,0.5219793,0.0006966104,0.023116266,0.022874381,0.0081381425,0.24745391],"study_design_scores_gemma":[0.0026906696,0.0007252083,0.45405468,0.00061903545,0.002962315,0.00020807442,0.26026773,0.0019027414,0.008449449,0.0023016357,0.26340383,0.0024146268],"about_ca_topic_score_codex":0.90710306,"about_ca_topic_score_gemma":0.9123564,"teacher_disagreement_score":0.28100628,"about_ca_system_score_codex":0.003804043,"about_ca_system_score_gemma":0.002221316,"threshold_uncertainty_score":0.9995281},"labels":[],"label_agreement":null},{"id":"W2803159479","doi":"","title":"Les Fleurs à la fenêtre (On veut bien l’amour) — Canada [Québec] 2010, 45 minutes","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Philosophy","score_opus":0.009486092155836158,"score_gpt":0.18416926426384517,"score_spread":0.17468317210800902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803159479","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57721114,0.04817473,0.0000019231215,0.3053018,0.0031317952,0.0001987041,0.00019405148,0.00008817752,0.06569766],"genre_scores_gemma":[0.22087987,0.0010903914,0.0001268111,0.0029274682,0.0008238029,0.0000042325214,0.000042272764,0.000024103187,0.77408105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978707,0.00027702076,0.00019132078,0.00048509153,0.0004676487,0.00070822716],"domain_scores_gemma":[0.998517,0.000280282,0.00020218849,0.00034115126,0.00017873489,0.00048064187],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023726941,0.00033625436,0.00037935187,0.00010682611,0.0017879552,0.00008390314,0.0006496252,0.0005521301,0.0015424599],"category_scores_gemma":[0.000085459156,0.00031740815,0.00027015636,0.00068429933,0.0005515959,0.00029155822,0.000149037,0.0007377437,0.0001629697],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047016118,0.00010092851,0.0032500038,0.000023115634,0.0002390799,0.0011608931,0.0028387548,0.00004365241,0.00071503344,0.047683444,0.9073912,0.036506914],"study_design_scores_gemma":[0.00035920631,0.000055874214,0.004847275,0.000032525837,0.00032049266,0.00006443115,0.0040241187,0.00009650618,0.000093097224,0.00036372492,0.9893544,0.00038836242],"about_ca_topic_score_codex":0.9900519,"about_ca_topic_score_gemma":0.9998782,"teacher_disagreement_score":0.7083834,"about_ca_system_score_codex":0.0034490312,"about_ca_system_score_gemma":0.0005540045,"threshold_uncertainty_score":0.9999278},"labels":[],"label_agreement":null},{"id":"W2803484435","doi":"","title":"La 30e saison de l’Opéra de Montréal : l’atteinte d’une certaine maturité","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.005710329973970387,"score_gpt":0.1899372208130673,"score_spread":0.1842268908390969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803484435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72383827,0.05938206,0.00006696207,0.17349707,0.0010917608,0.0002546121,0.00009832343,0.00018725291,0.04158368],"genre_scores_gemma":[0.6911131,0.0065301717,0.0012703768,0.004060244,0.0013982191,0.000010992295,0.000057041798,0.000046891382,0.29551297],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967702,0.00055899145,0.00029698262,0.00062157953,0.00045326544,0.0012989583],"domain_scores_gemma":[0.998068,0.00025267055,0.0002705735,0.00045847317,0.00022147137,0.000728865],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00070537534,0.0004583886,0.00056322035,0.00017131882,0.0017943592,0.00014820555,0.0008054502,0.0011038602,0.001380212],"category_scores_gemma":[0.00011522566,0.00046197817,0.0005796115,0.0012055722,0.0007545124,0.0005305356,0.00027692187,0.0012761494,0.00031771374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003745548,0.0006324454,0.0036091434,0.00012278388,0.000962198,0.0068313195,0.041701686,0.0002144578,0.019483203,0.32275528,0.48572603,0.11758688],"study_design_scores_gemma":[0.0008360213,0.00009892788,0.003041921,0.00005523498,0.00067053974,0.00046747812,0.010541536,0.0011016803,0.00022869016,0.0052560377,0.97715586,0.00054609205],"about_ca_topic_score_codex":0.17942943,"about_ca_topic_score_gemma":0.7620909,"teacher_disagreement_score":0.58266145,"about_ca_system_score_codex":0.0035732915,"about_ca_system_score_gemma":0.0001732354,"threshold_uncertainty_score":0.9997832},"labels":[],"label_agreement":null},{"id":"W2803790575","doi":"","title":"Littérature et altérité / Elena Botchorichvili, Opéra, Montréal, Les Allusifs, 2001, 72 p., 14,95 $. / Aki Shimazaki, Tsubame, Montréal/Arles, Leméac/Actes Sud, coll. « Un endroit où aller », 2001, 128 p., 18,95 $. / Hédi Bouraoui, La composée, Vanier, L’Interligne, coll. « Vertiges », 2001, 100 p., 14,95 $.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014284462805999484,"score_gpt":0.20765924793651777,"score_spread":0.19337478513051828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803790575","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054221023,0.82733077,0.00010806292,0.08399939,0.0025846837,0.0019738097,0.0016912624,0.00080065225,0.027290383],"genre_scores_gemma":[0.021471301,0.67947,0.0022243804,0.005368881,0.0015015014,0.00010767658,0.0007317776,0.00029246756,0.28883204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9838453,0.0030265576,0.002034098,0.0030687163,0.0025611843,0.005464125],"domain_scores_gemma":[0.9900339,0.001394103,0.0020220205,0.0019800158,0.0017678277,0.0028020933],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0023905032,0.0026642391,0.0032168953,0.00065452507,0.0062969592,0.001279337,0.003330192,0.0033804593,0.009192358],"category_scores_gemma":[0.00064854254,0.002733312,0.0022133489,0.0049292366,0.0018949835,0.0031197467,0.0013758469,0.003121793,0.0012781795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072414917,0.0020788275,0.0013294527,0.00020269115,0.0030259304,0.0040086457,0.0073608537,0.000988488,0.000985991,0.009307281,0.946365,0.023622692],"study_design_scores_gemma":[0.004650151,0.00070725696,0.0010747083,0.0005058596,0.0025464355,0.0006976016,0.01225282,0.004524251,0.00013826434,0.0015019304,0.9684224,0.0029783074],"about_ca_topic_score_codex":0.14434516,"about_ca_topic_score_gemma":0.5683486,"teacher_disagreement_score":0.42400342,"about_ca_system_score_codex":0.0076896544,"about_ca_system_score_gemma":0.00046201408,"threshold_uncertainty_score":0.9997574},"labels":[],"label_agreement":null},{"id":"W2804262838","doi":"","title":"Visites à Monsieur Green, au Théâtre français de Toronto","year":2005,"lang":"fr","type":"article","venue":"Liaison","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.01585326789312481,"score_gpt":0.2772025912848929,"score_spread":0.2613493233917681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804262838","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6057895,0.116585515,0.000038229442,0.06422638,0.0019192618,0.0002410966,0.00005298891,0.00015824304,0.21098882],"genre_scores_gemma":[0.6869795,0.0007158727,0.0006193815,0.009061966,0.0060932008,0.000014253217,0.000016374199,0.000016139109,0.29648334],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785554,0.0003020874,0.0002961925,0.00041195189,0.00033945148,0.0007947971],"domain_scores_gemma":[0.99908715,0.0000978662,0.00011799468,0.00024762374,0.00013054746,0.00031881247],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032509427,0.00026474125,0.00034435737,0.000027321907,0.0006999966,0.00017725519,0.00038998766,0.00046509548,0.0053984877],"category_scores_gemma":[0.000061536855,0.00022665999,0.0003263508,0.00042032494,0.00034307237,0.0009496649,0.0000644933,0.0002561937,0.0008806335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053665517,0.0006345767,0.048964083,0.00010521932,0.00043353377,0.000049408034,0.23655595,0.000100234625,0.0015559468,0.0863605,0.22611359,0.3990733],"study_design_scores_gemma":[0.00020785035,0.0000810916,0.016166769,0.00005008662,0.00022046556,0.0000047788712,0.005273708,0.00056547474,0.0001994457,0.0009161178,0.9759881,0.00032611558],"about_ca_topic_score_codex":0.186576,"about_ca_topic_score_gemma":0.41028148,"teacher_disagreement_score":0.74987453,"about_ca_system_score_codex":0.00046414882,"about_ca_system_score_gemma":0.00012754642,"threshold_uncertainty_score":0.9998973},"labels":[],"label_agreement":null},{"id":"W2804298136","doi":"10.4000/books.pum.11739","title":"Edmund Alleyn","year":2017,"lang":"en","type":"book","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01337271207169265,"score_gpt":0.21617730899066986,"score_spread":0.2028045969189772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804298136","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028731002,0.008888882,0.000010929977,0.00082539575,0.00025556405,0.00025621045,0.000064069915,0.00013999706,0.98927164],"genre_scores_gemma":[0.0015713618,0.0010836547,0.0001036339,0.0011100164,0.00093565404,0.000008898706,0.00008061692,0.000030121219,0.99507606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980952,0.00019077816,0.00018415354,0.00046318368,0.00041791546,0.0006487824],"domain_scores_gemma":[0.9984456,0.00012445363,0.00035229832,0.00052329036,0.00019702877,0.00035738733],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002547093,0.00034263873,0.00048447,0.000107811255,0.0023334892,0.00035452648,0.0012568966,0.0008696299,0.0030582352],"category_scores_gemma":[0.00007507556,0.0003275981,0.00043030112,0.000024971556,0.0005184748,0.00016313669,0.00044023362,0.0005323566,0.0001585422],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009157848,0.000022392123,0.0001292063,0.000053897948,0.00052340375,0.0005243817,0.02291064,0.000007874749,0.00009639769,0.033034667,0.9334754,0.009130172],"study_design_scores_gemma":[0.00028197118,0.000029260704,0.0003487934,0.000078193625,0.00056564366,0.000010603021,0.0006941712,0.000010342835,0.000025580835,0.018974528,0.97859114,0.00038974005],"about_ca_topic_score_codex":0.0078099766,"about_ca_topic_score_gemma":0.06490407,"teacher_disagreement_score":0.057094093,"about_ca_system_score_codex":0.0010591192,"about_ca_system_score_gemma":0.00049760507,"threshold_uncertainty_score":0.9999176},"labels":[],"label_agreement":null},{"id":"W2804802180","doi":"","title":"Les cinémas de Montréal, ferment de la culture québécoise","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.010259319955856506,"score_gpt":0.2158872424479242,"score_spread":0.2056279224920677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804802180","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40107635,0.2404845,0.000074419135,0.1459077,0.00078181515,0.00033767373,0.00011171336,0.00014769685,0.21107812],"genre_scores_gemma":[0.5132116,0.03514295,0.00062058674,0.0022811801,0.00085333624,0.000009941085,0.000024468733,0.00002654366,0.44782937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973801,0.0005918496,0.00020730309,0.00051460066,0.00038258993,0.00092356233],"domain_scores_gemma":[0.9982206,0.000095251096,0.0003761485,0.000575093,0.000172598,0.00056027004],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005329967,0.00037890085,0.00045476595,0.00008044095,0.0057260883,0.00032793044,0.001031928,0.00080615404,0.0005320491],"category_scores_gemma":[0.00012202431,0.00035627699,0.0004990005,0.00027283505,0.0009525333,0.00058794033,0.0003335481,0.0005410109,0.00014134665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015400766,0.00036304528,0.007612495,0.000070087306,0.0007524072,0.003578956,0.03986562,0.0001989157,0.0014940569,0.35815495,0.51822203,0.06953341],"study_design_scores_gemma":[0.000719981,0.000087571585,0.012910166,0.000083083454,0.0007314487,0.00013565009,0.010582338,0.00029277464,0.00007207306,0.004006531,0.9699437,0.0004346941],"about_ca_topic_score_codex":0.43331036,"about_ca_topic_score_gemma":0.79025805,"teacher_disagreement_score":0.45172164,"about_ca_system_score_codex":0.0062463772,"about_ca_system_score_gemma":0.00018201077,"threshold_uncertainty_score":0.9998889},"labels":[],"label_agreement":null},{"id":"W2807608324","doi":"","title":"Quatuor pour un homme seul / Eraritjaritjaka. Musée des phrases, de Heiner Goebbels. Avec André Wilms et le Quatuor Mondriaan d’Amsterdam. Présenté par le Festival de théâtre des Amériques, du 17 au 19 mai 2006, Salle Pierre-Mercure du Centre Pierre-Péladeau de Montréal","year":2006,"lang":"fr","type":"article","venue":"Spirale : arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01798278397630358,"score_gpt":0.25352395462996014,"score_spread":0.23554117065365657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807608324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7952794,0.03978399,0.00055977766,0.13908303,0.0012407532,0.0008324134,0.0003370871,0.00039725716,0.022486325],"genre_scores_gemma":[0.9128342,0.0014085309,0.0075540785,0.014949224,0.0055668773,0.00011833472,0.00026593055,0.00010782366,0.057195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99056065,0.0016409294,0.0012361864,0.001834477,0.0012351839,0.0034925535],"domain_scores_gemma":[0.99654037,0.00053507206,0.00073756004,0.000640181,0.00046611254,0.0010807299],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00243019,0.0012566723,0.0012356396,0.00039835984,0.007625722,0.0018915936,0.0017633182,0.00079929864,0.0006034223],"category_scores_gemma":[0.0005469415,0.0010697949,0.0008517632,0.0021228243,0.0077571906,0.0028655184,0.0004109228,0.0009168694,0.00006138567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017819596,0.00302204,0.24537292,0.0002874287,0.00042792133,0.0012924816,0.042163335,0.0067929747,0.003612976,0.095400944,0.590624,0.010824783],"study_design_scores_gemma":[0.003532357,0.0007456712,0.06767187,0.0007646447,0.000687203,0.0006230479,0.027935674,0.007165064,0.0010540937,0.064057894,0.82278967,0.0029728285],"about_ca_topic_score_codex":0.2469705,"about_ca_topic_score_gemma":0.4267307,"teacher_disagreement_score":0.23216565,"about_ca_system_score_codex":0.000821505,"about_ca_system_score_gemma":0.0025954528,"threshold_uncertainty_score":0.99917525},"labels":[],"label_agreement":null},{"id":"W281053944","doi":"","title":"Très cher critique de théâtre à Montréal","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007444334614125164,"score_gpt":0.1979374544156447,"score_spread":0.19049311980151953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W281053944","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18194468,0.2465225,0.000113698225,0.49307323,0.00067618577,0.00026969437,0.0000683313,0.00018556305,0.07714612],"genre_scores_gemma":[0.235024,0.017193098,0.0005821569,0.023440152,0.0013030223,0.000004676761,0.00003845288,0.000023177825,0.72239125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974675,0.0004196853,0.00023185433,0.0005131807,0.0003722155,0.0009955474],"domain_scores_gemma":[0.9987154,0.00008330294,0.00016506227,0.00030678595,0.00020674514,0.0005227015],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003401459,0.0003538946,0.00045577288,0.00011710975,0.0014765932,0.00009755965,0.0005307853,0.0006806846,0.0011453681],"category_scores_gemma":[0.000055055458,0.00035960443,0.0005043087,0.00097041536,0.0003301232,0.0006019818,0.000095201525,0.0004800113,0.0002897343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102770646,0.00027889846,0.00028868805,0.000022119673,0.00024382655,0.002227259,0.00980588,0.00011063415,0.00072907074,0.2790015,0.64889145,0.058297906],"study_design_scores_gemma":[0.0005738542,0.00015616122,0.0023092336,0.000050625695,0.0004784129,0.00012768035,0.006381003,0.00037696777,0.00008557096,0.009445174,0.97957474,0.00044057693],"about_ca_topic_score_codex":0.043016214,"about_ca_topic_score_gemma":0.23031017,"teacher_disagreement_score":0.64524513,"about_ca_system_score_codex":0.0052273707,"about_ca_system_score_gemma":0.00012228655,"threshold_uncertainty_score":0.9998856},"labels":[],"label_agreement":null},{"id":"W282701445","doi":"","title":"La fausse liberté du théâtre québécois","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.005979160408169101,"score_gpt":0.17428126114854375,"score_spread":0.16830210074037466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W282701445","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32815012,0.19299832,0.000039011997,0.13119295,0.0013745766,0.00024639795,0.000058330832,0.00015555209,0.34578475],"genre_scores_gemma":[0.23804815,0.015078635,0.000260842,0.003750322,0.00042093487,0.0000045501015,0.000020784762,0.000023908322,0.7423919],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975915,0.000788334,0.00018751838,0.00045601476,0.00032691195,0.00064972637],"domain_scores_gemma":[0.99883,0.00018514846,0.00016977382,0.00027864252,0.00015314519,0.00038326593],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036962947,0.00029789234,0.0003721374,0.00010149963,0.0014204046,0.000079486446,0.00039964498,0.0005508515,0.0018354611],"category_scores_gemma":[0.00008977101,0.0002885368,0.00042339132,0.0010984405,0.0005035919,0.00047809287,0.00010259291,0.00036075438,0.00048067982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027670212,0.00016747176,0.0010712005,0.000022310249,0.00029855905,0.0016132533,0.012692621,0.000031442196,0.000083941544,0.7156067,0.24733096,0.021053884],"study_design_scores_gemma":[0.0004646976,0.000056600584,0.0005186139,0.00003243969,0.000465612,0.00017819453,0.013893022,0.000050166378,0.000025811463,0.003819063,0.9801376,0.00035818852],"about_ca_topic_score_codex":0.087195404,"about_ca_topic_score_gemma":0.67716724,"teacher_disagreement_score":0.7328066,"about_ca_system_score_codex":0.003338467,"about_ca_system_score_gemma":0.00016952363,"threshold_uncertainty_score":0.99995667},"labels":[],"label_agreement":null},{"id":"W2883215437","doi":"","title":"Appel de propositions pour la conception, la construction, le financement, l'exploitation et l'entretien de la nouvelle salle de concert acoustique de Montréal : directives aux soumissionnaires [ressource électronique] / [Ministère de la culture, des communications et de la condition féminine]","year":2007,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.013460912351720922,"score_gpt":0.32806566550668265,"score_spread":0.3146047531549617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883215437","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55078816,0.010316178,0.23653533,0.025758848,0.00013028963,0.0009761128,0.00027071143,0.0005182124,0.17470615],"genre_scores_gemma":[0.9257,0.0061469018,0.04901779,0.0023690509,0.00021643887,0.00022880793,0.00025258568,0.00003614304,0.016032258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98997283,0.007986067,0.0005050735,0.00044003117,0.00026720038,0.00082880637],"domain_scores_gemma":[0.9960116,0.0024391296,0.0003785328,0.00028778182,0.0005206363,0.00036233102],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0035778887,0.00037942902,0.00037231715,0.00011801919,0.0022274565,0.0005058866,0.00045228528,0.00091026,0.00021374437],"category_scores_gemma":[0.0008933233,0.00035664972,0.00025314113,0.00062037806,0.0046961145,0.0006196949,0.00010782529,0.0008810163,0.0000067718984],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001364867,0.0013459095,0.027174773,0.000087661196,0.00039756735,0.00003754654,0.30162713,0.0017424545,0.027488146,0.5952173,0.040972877,0.003772184],"study_design_scores_gemma":[0.0027391247,0.00031857303,0.11070587,0.0008100411,0.00094236864,0.00079567113,0.29831585,0.0048811873,0.01023526,0.15447773,0.41454157,0.0012367498],"about_ca_topic_score_codex":0.012759773,"about_ca_topic_score_gemma":0.013122153,"teacher_disagreement_score":0.44073954,"about_ca_system_score_codex":0.0013562168,"about_ca_system_score_gemma":0.0031080467,"threshold_uncertainty_score":0.99988854},"labels":[],"label_agreement":null},{"id":"W288611083","doi":"","title":"Lutte contre les ambushers: deuxième essai non transformé pour Eden Park (Combatting Ambushers: Second Unconverted Try for Eden Park)","year":2012,"lang":"fr","type":"article","venue":"SSRN Electronic Journal","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Garden of Eden; Geography; Art; National park; Archaeology; Art history","score_opus":0.01949369292048687,"score_gpt":0.27253858006895854,"score_spread":0.2530448871484717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W288611083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7345623,0.16969953,0.0034197613,0.05370465,0.006779075,0.0017220709,0.00014115787,0.0001724578,0.029799035],"genre_scores_gemma":[0.90152067,0.0038996977,0.00017535516,0.0025312044,0.008094862,0.00005078471,0.000060310802,0.00007188193,0.08359524],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99030507,0.0008611109,0.0010526091,0.0005999201,0.0006638463,0.0065174536],"domain_scores_gemma":[0.9974515,0.00039169475,0.0007444456,0.0002638219,0.0005021589,0.0006464049],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004573211,0.0007109757,0.0010320336,0.00017184172,0.002294528,0.0006276726,0.0008814247,0.0009023242,0.0028922234],"category_scores_gemma":[0.00016033924,0.0005955795,0.0011439894,0.00082391023,0.00053280615,0.0025166448,0.000045040262,0.0032204264,0.00010971158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012924148,0.0024397818,0.025129963,0.000591683,0.015476119,0.000039135128,0.086215936,0.00008870935,0.005810836,0.2342684,0.06637969,0.5622673],"study_design_scores_gemma":[0.009801076,0.001299014,0.0026793361,0.00051960506,0.004743433,0.00054273586,0.31066588,0.00096983026,0.0006474994,0.12934755,0.5360463,0.0027377137],"about_ca_topic_score_codex":0.0010076115,"about_ca_topic_score_gemma":0.03505826,"teacher_disagreement_score":0.5595296,"about_ca_system_score_codex":0.0022372613,"about_ca_system_score_gemma":0.0023904718,"threshold_uncertainty_score":0.9996496},"labels":[],"label_agreement":null},{"id":"W2890695975","doi":"10.1017/s0040298218000323","title":"I COULDN'T MAKE A PIECE AS BEAUTIFUL AS THAT: A CONVERSATION WITH ALLISON CAMERON","year":2018,"lang":"en","type":"article","venue":"Tempo","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Improvisation; Art history; Art; Visual arts; Musical; Piano; Performing arts; Performance art; Dance; History; Sociology; Communication","score_opus":0.024856153578828012,"score_gpt":0.2987344129692213,"score_spread":0.2738782593903933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890695975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83139944,0.00022612503,0.000019644218,0.0076193935,0.00029055862,0.00025260804,0.0000060979964,0.00012466172,0.16006145],"genre_scores_gemma":[0.97649705,0.000021696711,0.00007814033,0.0054596215,0.00053944456,0.000016272132,0.00002616301,0.000007273634,0.017354308],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988448,0.00012397724,0.000111263995,0.00026130388,0.00038718706,0.0002714646],"domain_scores_gemma":[0.99939424,0.000038309376,0.00010517034,0.0001524484,0.00019619743,0.0001136328],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026102,0.00011835226,0.00016228852,0.000040792984,0.00048203103,0.00015327886,0.00018816553,0.00014560626,0.0013344291],"category_scores_gemma":[0.000054466454,0.00008294639,0.00005923349,0.00035079455,0.0004798468,0.00021945778,0.000020857662,0.00011529287,0.000582536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00088882394,0.00053246063,0.062280003,0.000069473856,0.00095466705,0.00011521768,0.57436246,0.0000056767562,0.0046473346,0.15469953,0.16775353,0.033690795],"study_design_scores_gemma":[0.0005399092,0.000495728,0.0063958075,0.00003597335,0.00015369021,0.000005880776,0.025797548,0.000033085496,0.0009035727,0.002627236,0.9626963,0.00031527958],"about_ca_topic_score_codex":0.010695185,"about_ca_topic_score_gemma":0.021235634,"teacher_disagreement_score":0.79494274,"about_ca_system_score_codex":0.00006687709,"about_ca_system_score_gemma":0.00013534703,"threshold_uncertainty_score":0.9995785},"labels":[],"label_agreement":null},{"id":"W289099655","doi":"10.3138/cjfs.12.2.99","title":"Locating the Artist <i>in Thirty Two Short Films about Glenn Gould</i>","year":2003,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.04096887769497663,"score_gpt":0.3049229271760953,"score_spread":0.26395404948111867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W289099655","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25730073,0.6314317,0.000006429349,0.03970218,0.008375244,0.00026256725,0.00006531598,0.0000073856418,0.06284844],"genre_scores_gemma":[0.97456515,0.0029819442,0.00015381425,0.007190429,0.0008127526,0.000006417696,0.00000143194,0.000011604983,0.014276462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973165,0.0006643467,0.00070123875,0.00021604908,0.00031609347,0.0007857829],"domain_scores_gemma":[0.99812484,0.0002798111,0.00030689564,0.00016460237,0.00062144164,0.0005024138],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0015949289,0.0002498958,0.00056443247,0.00013387945,0.0014706964,0.00021497886,0.0004475048,0.00014940013,0.0004733236],"category_scores_gemma":[0.0010604723,0.00016188803,0.00030792592,0.0011154753,0.001573347,0.00036433552,0.000018184715,0.0007223734,0.000028414715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015389614,0.0001152894,0.11451655,0.00012664493,0.0018850412,0.0013102721,0.2011528,0.0016961959,0.0000661332,0.11139667,0.542957,0.024761995],"study_design_scores_gemma":[0.00035877668,0.00011712547,0.009330993,0.0004537988,0.00045754714,0.00013047284,0.12558608,0.00004505795,0.000044442222,0.004822024,0.8582701,0.00038354457],"about_ca_topic_score_codex":0.022031723,"about_ca_topic_score_gemma":0.7335011,"teacher_disagreement_score":0.7172644,"about_ca_system_score_codex":0.00037964078,"about_ca_system_score_gemma":0.0012073889,"threshold_uncertainty_score":0.99982923},"labels":[],"label_agreement":null},{"id":"W2891827291","doi":"","title":"Commentaires et réflexions : le fragile équilibre du cinéma québécois","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Political science","score_opus":0.008245582825358129,"score_gpt":0.20552977842323378,"score_spread":0.19728419559787566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891827291","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2478807,0.08054971,0.00017931417,0.5891934,0.0009589323,0.00022005395,0.000092190705,0.00014333401,0.080782354],"genre_scores_gemma":[0.7585153,0.0063427365,0.00038633033,0.026337406,0.0008175212,0.0000038395788,0.00010467831,0.00002894471,0.20746323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978528,0.00032489316,0.00025118823,0.0004341227,0.00036200517,0.00077501056],"domain_scores_gemma":[0.99867195,0.0002352152,0.00020236266,0.00029344094,0.00016283512,0.00043420246],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056283874,0.00029113656,0.0003708725,0.00013915078,0.002105415,0.00006980901,0.0005197499,0.0004098347,0.0009786455],"category_scores_gemma":[0.00003946198,0.00030056937,0.00039808053,0.0010526851,0.0005530674,0.0006781651,0.0002750301,0.00037232635,0.00023126497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083683,0.00027704635,0.0019082252,0.000018602728,0.0002906944,0.0009026415,0.024272796,0.000045808472,0.00028138855,0.5348053,0.41575357,0.021360273],"study_design_scores_gemma":[0.0005900636,0.0000872123,0.0031803905,0.000038268183,0.00027992585,0.00006328331,0.03651369,0.000103913415,0.00006897223,0.0047055897,0.95402396,0.0003447068],"about_ca_topic_score_codex":0.3139594,"about_ca_topic_score_gemma":0.909716,"teacher_disagreement_score":0.5957566,"about_ca_system_score_codex":0.002987213,"about_ca_system_score_gemma":0.00018521318,"threshold_uncertainty_score":0.9999446},"labels":[],"label_agreement":null},{"id":"W2893538957","doi":"10.7202/1043870ar","title":"Jean-Christophe Branger et Malou Haine. 2014. Ernest van Dyck et Jules Massenet : Un interprète au service d’un compositeur. Paris : VRIN, 172 p. Coll. « MusicologieS ». ISBN : 978-2-7116-2547","year":2016,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02539051420544868,"score_gpt":0.2551403052821713,"score_spread":0.2297497910767226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893538957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53567535,0.016032198,0.0009840025,0.40447602,0.020856902,0.0006008187,0.0008012928,0.000097257034,0.02047616],"genre_scores_gemma":[0.95304793,0.0011745899,0.0004568339,0.026319034,0.0020958788,0.000022494722,0.000028164664,0.000063041014,0.016792022],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945053,0.0017137026,0.0012985448,0.00065830286,0.00054542907,0.0012787568],"domain_scores_gemma":[0.99483275,0.0008112059,0.0010586313,0.0005021026,0.0013878905,0.0014074054],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013557243,0.0006737302,0.0009716625,0.000791197,0.0016140236,0.0006474091,0.0012157252,0.00065218436,0.011743575],"category_scores_gemma":[0.00037128993,0.0005163817,0.0008475777,0.0016029638,0.0012204888,0.0014279757,0.00014214743,0.0011803809,0.0005003936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022957125,0.00044778653,0.017516514,0.00011426233,0.0025390445,0.0012850433,0.06710639,0.00052273483,0.0019817008,0.008445235,0.86364913,0.036162574],"study_design_scores_gemma":[0.0011905171,0.00057905435,0.017624598,0.00078549265,0.0008981348,0.0006314424,0.021067262,0.00007240309,0.00011029185,0.0024643592,0.9537612,0.0008152008],"about_ca_topic_score_codex":0.20389064,"about_ca_topic_score_gemma":0.9318796,"teacher_disagreement_score":0.72798896,"about_ca_system_score_codex":0.0015099678,"about_ca_system_score_gemma":0.0020740547,"threshold_uncertainty_score":0.9997288},"labels":[],"label_agreement":null},{"id":"W2895821314","doi":"10.3138/cjfs.23.2.26","title":"Le téléthéâtre québécois des premiers temps : croisements médiatiques (Hubert Aquin, Claude Jutra, Marcel Dubé et Louis-Georges Carrier)","year":2014,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.024261490397499846,"score_gpt":0.2888848711666901,"score_spread":0.26462338076919023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895821314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8805106,0.04053207,0.000017935989,0.023022769,0.0015256623,0.0002827497,0.00011886315,0.0000410837,0.053948227],"genre_scores_gemma":[0.98536205,0.0018242922,0.00021904641,0.0047791284,0.00057197094,0.000009551024,0.0000062838426,0.000016528786,0.0072111497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977997,0.000519554,0.0004901709,0.00022983391,0.00034374173,0.0006170234],"domain_scores_gemma":[0.99769986,0.0001716229,0.000349006,0.00015235518,0.00087800535,0.0007491588],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010579992,0.00023605171,0.0005420606,0.00024006172,0.0015451483,0.00026873412,0.0004565854,0.0001538476,0.00012454546],"category_scores_gemma":[0.0011926986,0.00018650692,0.00027263886,0.00038666866,0.0009491613,0.0005091467,0.000030124053,0.0003380777,0.0000070755636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046211328,0.00008315085,0.12764187,0.00014818521,0.0026835494,0.00018155672,0.34599796,0.00009257474,0.0003476214,0.048559733,0.4616409,0.01257668],"study_design_scores_gemma":[0.00037394706,0.00017990674,0.018649692,0.00016745063,0.00024137463,0.000012160416,0.07665793,0.0000036832134,0.000115257186,0.005074105,0.8981897,0.00033477735],"about_ca_topic_score_codex":0.19422369,"about_ca_topic_score_gemma":0.9393221,"teacher_disagreement_score":0.7450985,"about_ca_system_score_codex":0.00032312574,"about_ca_system_score_gemma":0.0018661454,"threshold_uncertainty_score":0.9997547},"labels":[],"label_agreement":null},{"id":"W2898839854","doi":"10.3138/ctr.176.020","title":"Private Letters, Public Influence: A Review of <i>A Man of Letters</i>","year":2018,"lang":"en","type":"review","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; History; Art; Visual arts; Sociology; Art history","score_opus":0.0354498416502059,"score_gpt":0.30688898847573265,"score_spread":0.2714391468255267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898839854","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000001787481,0.97827446,3.1853787e-7,0.009596055,0.00023384062,0.0018843726,0.00027247777,0.000022819784,0.009713859],"genre_scores_gemma":[0.0000011795992,0.93708044,0.000048574664,0.061757807,0.00045654565,0.00012895846,0.00026689694,0.000034921453,0.00022465202],"study_design_codex":"systematic_review","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947372,0.0015700466,0.0016766017,0.0006077531,0.00060706405,0.0008013357],"domain_scores_gemma":[0.99629694,0.00013199482,0.00143083,0.001000823,0.0004081435,0.0007312852],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021168676,0.00056890683,0.004108731,0.00032024964,0.00029239253,0.00007531698,0.0018027391,0.000335632,0.0012798376],"category_scores_gemma":[0.0004375493,0.00039911128,0.0018211768,0.0026712364,0.0008272099,0.00027285956,0.00006628,0.00043035156,0.0001613269],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.8015527e-7,0.000011007977,0.000006906011,0.41156852,0.0003097136,0.000013903643,0.00008831739,2.925166e-9,5.996105e-7,0.0014729648,0.17832375,0.40820414],"study_design_scores_gemma":[0.000020504383,0.000009590092,8.7053445e-7,0.33065793,0.0020012879,0.000008535056,0.000005475277,4.3646815e-9,6.297377e-8,0.000011840623,0.66702515,0.0002587702],"about_ca_topic_score_codex":0.015918216,"about_ca_topic_score_gemma":0.047056884,"teacher_disagreement_score":0.4887014,"about_ca_system_score_codex":0.00038483972,"about_ca_system_score_gemma":0.001968807,"threshold_uncertainty_score":0.9998461},"labels":[],"label_agreement":null},{"id":"W2901835580","doi":"","title":"Joël Beddows : deux saisons au Théâtre français de Toronto","year":2018,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.00793310968002226,"score_gpt":0.2002375576931374,"score_spread":0.19230444801311514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901835580","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57738936,0.14479584,0.00016211793,0.11406585,0.0025034796,0.00034682744,0.00021014283,0.00019496559,0.16033144],"genre_scores_gemma":[0.4896997,0.005799035,0.00092464674,0.0064083114,0.0031190193,0.00000893328,0.000046449248,0.000028468407,0.49396545],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974378,0.00036496992,0.00022024279,0.00048103157,0.00039314857,0.0011028289],"domain_scores_gemma":[0.99842113,0.00009965821,0.00018758919,0.00038445884,0.00031888092,0.00058826414],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003387351,0.00034020923,0.0004232084,0.000069941576,0.00280016,0.00009643671,0.0006921643,0.00061617966,0.0050546704],"category_scores_gemma":[0.00006190627,0.00034116508,0.00045253968,0.0007061881,0.00092807354,0.0011016153,0.00025654602,0.00027394213,0.001041057],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012237845,0.0001906799,0.0038421976,0.000027797905,0.000591637,0.00061930786,0.10156434,0.000015521266,0.00033967165,0.113096826,0.7124711,0.06711851],"study_design_scores_gemma":[0.00048012534,0.00017753351,0.0038848524,0.000041789863,0.0006140328,0.00007042658,0.023120115,0.00017394758,0.000047307643,0.0013982101,0.96957815,0.00041351214],"about_ca_topic_score_codex":0.44342113,"about_ca_topic_score_gemma":0.9623406,"teacher_disagreement_score":0.5189194,"about_ca_system_score_codex":0.011575904,"about_ca_system_score_gemma":0.00025148445,"threshold_uncertainty_score":0.99990404},"labels":[],"label_agreement":null},{"id":"W2906566808","doi":"","title":"Faire un film… comme un pro!, Michel Gélinas, Québec : Éditions Les 400 Coups, 2010, 450 pages","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Michel foucault; Humanities; Art; Political science; Law","score_opus":0.013522951831592874,"score_gpt":0.1973031387216187,"score_spread":0.18378018689002582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906566808","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3086302,0.10534161,0.000051658048,0.5681739,0.002120683,0.00047202263,0.00050214306,0.00025179048,0.014456044],"genre_scores_gemma":[0.35235307,0.012246833,0.0009922588,0.0050577177,0.0013410103,0.000024793546,0.00031626938,0.000046975863,0.62762105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976086,0.00031058918,0.00029420992,0.0005780813,0.0004079673,0.0008005583],"domain_scores_gemma":[0.9982044,0.00021324931,0.00030936123,0.0004603262,0.00034397317,0.0004687019],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028042676,0.0004150273,0.00049511273,0.00013122072,0.0043329108,0.00012450707,0.0007872076,0.00079341576,0.0042484095],"category_scores_gemma":[0.00007655902,0.0004045521,0.00048243155,0.0009206582,0.001265342,0.0006133041,0.00026225692,0.0009497759,0.00046818185],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004101238,0.0003846109,0.0015345919,0.000046596942,0.000509931,0.0005337398,0.00788366,0.000026424415,0.001689858,0.08044544,0.86084825,0.04605587],"study_design_scores_gemma":[0.0005985385,0.000081072285,0.0044432837,0.000046943234,0.0007510128,0.00009259584,0.00976432,0.0003002108,0.00016715398,0.004495275,0.9787366,0.0005230112],"about_ca_topic_score_codex":0.18947272,"about_ca_topic_score_gemma":0.91494304,"teacher_disagreement_score":0.72547036,"about_ca_system_score_codex":0.0015639629,"about_ca_system_score_gemma":0.00023216761,"threshold_uncertainty_score":0.9998406},"labels":[],"label_agreement":null},{"id":"W2908865060","doi":"10.7202/1054210ar","title":"[ Sans Titre - No Title ]Henri Duparc. Lettres à Jean Cras « le fils de mon âme », présentées et annotées par Stéphane Topakian, avec une préface de Guy Sacre, Lyon, Symétrie – Palazetto Bru Zane, 2009, 181 p. ISBN 978-2-914373-59-3","year":2011,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.04261978387154635,"score_gpt":0.32981325298518693,"score_spread":0.2871934691136406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908865060","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107656285,0.021909494,0.001378636,0.025625914,0.00083558966,0.00094994216,0.00031736156,0.00044556096,0.8408812],"genre_scores_gemma":[0.26891065,0.033233013,0.02865488,0.07537461,0.004217559,0.0003510605,0.00034544585,0.0003338718,0.58857894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98949635,0.0072143683,0.00061772385,0.00079092674,0.0004205976,0.0014600325],"domain_scores_gemma":[0.9959123,0.0022407512,0.00037430663,0.00052782154,0.00029147192,0.0006533421],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0037363747,0.00066896406,0.0008001206,0.0001530079,0.00067733304,0.00027726428,0.000907623,0.0033321816,0.0055375625],"category_scores_gemma":[0.002020959,0.0006477325,0.0006237172,0.00105599,0.0016313045,0.00046482065,0.000106779735,0.0029270689,0.0004028018],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025280722,0.00106893,0.0024914246,0.0005665656,0.001342271,0.00066772173,0.20843464,0.0001086774,0.008476286,0.16460732,0.5647019,0.047281455],"study_design_scores_gemma":[0.0006529467,0.00015046528,0.0019453268,0.00021863649,0.00056703534,0.00006272322,0.01211906,0.00020097457,0.0026833855,0.046382062,0.9340159,0.0010014827],"about_ca_topic_score_codex":0.08624319,"about_ca_topic_score_gemma":0.049454477,"teacher_disagreement_score":0.369314,"about_ca_system_score_codex":0.001827307,"about_ca_system_score_gemma":0.0024665766,"threshold_uncertainty_score":0.9995974},"labels":[],"label_agreement":null},{"id":"W2909548301","doi":"10.7202/1054197ar","title":"Les origines de l’Opéra du Québec (1967-1971). Le rêve avorté d’un opéra d’État","year":2011,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Opera; Art; Art history","score_opus":0.07703356833984674,"score_gpt":0.3375988458651401,"score_spread":0.26056527752529335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909548301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4620805,0.014400531,0.0020465334,0.012158542,0.0008757147,0.0005424114,0.000050827224,0.00038307786,0.50746185],"genre_scores_gemma":[0.7928931,0.010977236,0.02859367,0.043797553,0.0043463083,0.00037320345,0.000063386535,0.00022408247,0.11873146],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98361033,0.012450491,0.0008075625,0.0009800281,0.00046231286,0.0016892875],"domain_scores_gemma":[0.9933697,0.0042748083,0.00049688976,0.0005945255,0.00040554043,0.0008585519],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.00659987,0.00085762964,0.0010380987,0.00018957921,0.0016223916,0.00033025307,0.0013909498,0.006140174,0.0022908796],"category_scores_gemma":[0.002489308,0.0008179963,0.0010930253,0.0013341135,0.003739329,0.0006682697,0.0001423495,0.005047178,0.00012433033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00013222467,0.00062678265,0.003973343,0.00019927672,0.00097177085,0.0003396713,0.24392354,0.000030014342,0.0015469211,0.6056657,0.0062808674,0.13630988],"study_design_scores_gemma":[0.00092412595,0.00013373171,0.0019470328,0.00015723404,0.0010101364,0.00017138114,0.048945487,0.00023285844,0.0017026317,0.1034514,0.8400635,0.0012604856],"about_ca_topic_score_codex":0.61804855,"about_ca_topic_score_gemma":0.38093638,"teacher_disagreement_score":0.8337826,"about_ca_system_score_codex":0.0044054873,"about_ca_system_score_gemma":0.007648314,"threshold_uncertainty_score":0.99967736},"labels":[],"label_agreement":null},{"id":"W2910302128","doi":"10.7202/1054199ar","title":"Entretien avecWalter Boudreau","year":2011,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.07894383811991554,"score_gpt":0.35209228872115933,"score_spread":0.2731484506012438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910302128","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15723017,0.011544518,0.0012293452,0.008179105,0.0012200888,0.00045042488,0.00004101527,0.00023321355,0.81987214],"genre_scores_gemma":[0.5363253,0.016367465,0.028675135,0.12172616,0.0047940686,0.00024917274,0.000073182986,0.00018591915,0.29160362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98200214,0.015022495,0.00054924196,0.0007139281,0.00037395413,0.0013382672],"domain_scores_gemma":[0.9954603,0.0028660598,0.0003033722,0.00045891982,0.00023430689,0.00067708985],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0057667294,0.00056355575,0.0006826619,0.00013596968,0.00067420275,0.00021309871,0.0009284618,0.0060122707,0.004225629],"category_scores_gemma":[0.0017656231,0.00053614576,0.00080881646,0.0010974603,0.0029327706,0.00046433785,0.00009337209,0.004563007,0.0001854522],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006706121,0.00030126347,0.00065623096,0.00010302841,0.0004736572,0.00016326788,0.41726243,0.0000041520148,0.0008113639,0.46462092,0.0072953617,0.108241275],"study_design_scores_gemma":[0.0005279098,0.000105517065,0.0011802219,0.00013177966,0.00072596106,0.00006459939,0.038336158,0.000084726904,0.0010019756,0.2788593,0.67813987,0.00084201363],"about_ca_topic_score_codex":0.03699238,"about_ca_topic_score_gemma":0.012916188,"teacher_disagreement_score":0.6708445,"about_ca_system_score_codex":0.0042484463,"about_ca_system_score_gemma":0.0014518284,"threshold_uncertainty_score":0.99978065},"labels":[],"label_agreement":null},{"id":"W2910735298","doi":"10.7202/1054170ar","title":"Vers une analyse endogénétique du style musical de Claude Vivier : questions et avenues de réponses","year":2008,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Style (visual arts); Musical; Humanities; Art; Philosophy; Literature","score_opus":0.05540367606451884,"score_gpt":0.36005879185622813,"score_spread":0.3046551157917093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910735298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8484168,0.00722343,0.004873284,0.03616574,0.00046988582,0.00046238955,0.00011922281,0.00030581353,0.10196341],"genre_scores_gemma":[0.88236475,0.023770504,0.017344628,0.05786064,0.002068196,0.0002123499,0.00006852719,0.000098006174,0.016212381],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.97138035,0.025367996,0.0006105881,0.0007602364,0.00043443995,0.0014463625],"domain_scores_gemma":[0.9903313,0.0076888036,0.00034140595,0.00047476895,0.00030136073,0.0008623473],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.0061408863,0.0006297467,0.00086233264,0.00021796503,0.0013973662,0.0002478251,0.00081463676,0.004853412,0.00048586255],"category_scores_gemma":[0.0064691696,0.00064258795,0.0010105436,0.0018780206,0.0036127223,0.00052518636,0.00009268392,0.0053912313,0.00004855899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00022002176,0.0009922873,0.0056303693,0.00017619523,0.0014678126,0.0014486782,0.5612073,0.0007888195,0.013574323,0.34930426,0.01924558,0.04594434],"study_design_scores_gemma":[0.0014155153,0.00022557928,0.01987714,0.00035295263,0.0019986024,0.00090683915,0.06452112,0.0012219375,0.0014630711,0.1276094,0.7787069,0.0017009148],"about_ca_topic_score_codex":0.10088154,"about_ca_topic_score_gemma":0.09511846,"teacher_disagreement_score":0.75946134,"about_ca_system_score_codex":0.00814343,"about_ca_system_score_gemma":0.0056898133,"threshold_uncertainty_score":0.999947},"labels":[],"label_agreement":null},{"id":"W2911012195","doi":"10.7202/1054209ar","title":"[ Sans Titre - No Title ]André Villeneuve. Ouvrier d’harmonies, Québec, Presses de l’Université du Québec, 2009, 146 p. ISBN 978-2-7605-2459-0","year":2011,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University; Université de Montréal","funders":"","keywords":"Harmony (Music); Humanities; Art; Literature; Musical","score_opus":0.03900713946804258,"score_gpt":0.2844707195884817,"score_spread":0.24546358012043912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911012195","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01888352,0.04039242,0.00058503053,0.013547709,0.00071516226,0.00033002364,0.00008871663,0.00022516926,0.92523223],"genre_scores_gemma":[0.15702318,0.13510521,0.012481256,0.067320116,0.0052028177,0.00017108305,0.00011475379,0.00027785441,0.6223037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933297,0.0046044346,0.00035580035,0.00054688373,0.00027618327,0.00088702317],"domain_scores_gemma":[0.99689645,0.0017614162,0.00023389206,0.0003774707,0.00026240034,0.00046837868],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.00211537,0.0004650502,0.0005512057,0.000106642525,0.00065822183,0.00013175489,0.0007984242,0.003022631,0.031040762],"category_scores_gemma":[0.0013288315,0.0004453474,0.0005384036,0.00058488245,0.0014504272,0.00033628655,0.00010173273,0.0024141143,0.00069816964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016259096,0.00039212513,0.001570258,0.00018805271,0.0008480185,0.00023845992,0.17956735,0.000014877464,0.0012556231,0.03379126,0.7304059,0.05156546],"study_design_scores_gemma":[0.00036928157,0.000061981504,0.00078631466,0.000079990845,0.00050657266,0.000037043632,0.011093383,0.000075783384,0.00041883477,0.006304816,0.97971976,0.0005462515],"about_ca_topic_score_codex":0.5185318,"about_ca_topic_score_gemma":0.4057423,"teacher_disagreement_score":0.3029285,"about_ca_system_score_codex":0.0036594805,"about_ca_system_score_gemma":0.004182844,"threshold_uncertainty_score":0.99988735},"labels":[],"label_agreement":null},{"id":"W2912885326","doi":"10.7202/1056207ar","title":"Noël Valerrand (1937-1985) et la relance de l’opéra","year":2012,"lang":"fr","type":"article","venue":"Bulletin d histoire politique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019651336419409873,"score_gpt":0.28021393597283617,"score_spread":0.2605625995534263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912885326","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033460565,0.07306799,0.000065061795,0.15841205,0.003079041,0.00024966625,0.000090477195,0.00015521378,0.7314199],"genre_scores_gemma":[0.6354992,0.0018392148,0.0008792957,0.03700946,0.0030898424,0.00005987966,0.000033400378,0.000039593877,0.32155013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953897,0.0019839795,0.00043724733,0.00043184002,0.0003576191,0.0013996116],"domain_scores_gemma":[0.99817723,0.00040944119,0.00025083372,0.0003366052,0.00017157827,0.00065431657],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015967624,0.00037765587,0.0005018916,0.00008065489,0.001068897,0.00015298351,0.00044778243,0.0007911354,0.0046935193],"category_scores_gemma":[0.00035890017,0.00035924534,0.00040072986,0.00039259985,0.0015728174,0.0002626381,0.000091987735,0.00078010414,0.0010980208],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019501953,0.00027167672,0.002405967,0.000078513025,0.00007772611,0.000028422779,0.017546488,0.000003632904,0.00012624194,0.70154685,0.27588996,0.0020050022],"study_design_scores_gemma":[0.00031318908,0.00003937471,0.004676799,0.00012385895,0.00018063105,0.00006928208,0.0015108694,0.0000049164996,0.000045753764,0.004578856,0.9879958,0.00046069414],"about_ca_topic_score_codex":0.010245031,"about_ca_topic_score_gemma":0.0015437787,"teacher_disagreement_score":0.7121058,"about_ca_system_score_codex":0.0005210123,"about_ca_system_score_gemma":0.0002332217,"threshold_uncertainty_score":0.999886},"labels":[],"label_agreement":null},{"id":"W2915208462","doi":"10.3138/utq.87.4.02","title":"The Genesis and First Production of <i>Louis Riel</i>","year":2018,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Centennial; Opera; Context (archaeology); History; Art history; Art; Humanities; Archaeology","score_opus":0.008922100230662592,"score_gpt":0.21119074150509387,"score_spread":0.20226864127443128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915208462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96957,0.0013561121,0.000017480808,0.0025860826,0.00037414825,0.00011351717,0.000004825053,0.000018051054,0.025959807],"genre_scores_gemma":[0.9929768,0.00018622834,0.000110398025,0.000040970062,0.0001783323,8.015012e-8,9.589143e-7,0.0000011684455,0.006505077],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999568,0.0000639963,0.00005923095,0.00010611261,0.000110554494,0.000092097114],"domain_scores_gemma":[0.9995646,0.000029152881,0.0000794434,0.00009775553,0.000194173,0.00003486168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015273668,0.000040470266,0.000084828374,0.0000070927445,0.0007497333,0.00001777005,0.00014134626,0.00004789999,0.00013512866],"category_scores_gemma":[0.000013774638,0.000031279436,0.00004732317,0.000051134903,0.0006670981,0.00022620287,0.000009888403,0.000019458226,0.0000027061958],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023831092,0.00013866354,0.009076887,0.00003873179,0.00029368533,0.0000023051423,0.7838117,4.7595196e-7,0.0027156936,0.031389255,0.06421306,0.10808123],"study_design_scores_gemma":[0.00019598051,0.0004619889,0.023106523,0.000013975007,0.0001262799,5.2458455e-7,0.18449724,0.000010230127,0.00009483928,0.000494096,0.7908909,0.00010744067],"about_ca_topic_score_codex":0.06431819,"about_ca_topic_score_gemma":0.35581318,"teacher_disagreement_score":0.72667783,"about_ca_system_score_codex":0.000033879445,"about_ca_system_score_gemma":0.000021731377,"threshold_uncertainty_score":0.9419126},"labels":[],"label_agreement":null},{"id":"W2916338649","doi":"10.4000/books.pufr.7528","title":"La critique théâtrale québécoise actuelle, quelle polyphonie ?","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses universitaires François-Rabelais eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre intégré universitaire de santé et de services sociaux de la Mauricie-et-du-Centre-du-Québec","funders":"","keywords":"Art","score_opus":0.013150689029206178,"score_gpt":0.22838257548291638,"score_spread":0.2152318864537102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2916338649","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034055007,0.019709425,0.00004725635,0.0035139362,0.0012721665,0.001035501,0.00027550213,0.00037027415,0.9703704],"genre_scores_gemma":[0.30134505,0.0030913723,0.0002060692,0.0021408345,0.0008401864,0.000031580264,0.00012451306,0.00012369103,0.6920967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99451727,0.0007409874,0.0008327364,0.0015233231,0.001009221,0.0013764882],"domain_scores_gemma":[0.9956688,0.0010249609,0.0006778146,0.0009508479,0.0008075406,0.00087002595],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.00028961315,0.0013930643,0.0014633742,0.00044947132,0.0022380087,0.0005489438,0.0018708863,0.0023819688,0.010753412],"category_scores_gemma":[0.00010178795,0.0013288308,0.0013250806,0.00018330093,0.004072406,0.0010727916,0.00053669827,0.0018087649,0.0011732801],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009983474,0.00015491873,0.00007095371,0.0002955627,0.0014335805,0.0004347222,0.009897701,0.000015098743,0.00062059826,0.8935766,0.051075596,0.042324837],"study_design_scores_gemma":[0.0007174083,0.00018588771,0.0001241132,0.0005502181,0.0015951134,0.000029244862,0.0038772095,0.000027574572,0.00027462607,0.026173308,0.9649004,0.0015449122],"about_ca_topic_score_codex":0.043200158,"about_ca_topic_score_gemma":0.03494128,"teacher_disagreement_score":0.9138248,"about_ca_system_score_codex":0.00037570758,"about_ca_system_score_gemma":0.0005833707,"threshold_uncertainty_score":0.999882},"labels":[],"label_agreement":null},{"id":"W2917170071","doi":"","title":"L'imaginaire comique dans le cinéma québécois : 1952-2014 / Robert Aird et Marc-André Robert","year":2016,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.010659597517091451,"score_gpt":0.2515285391984784,"score_spread":0.24086894168138695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917170071","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05980076,0.009811355,0.0019441854,0.54851013,0.0024875323,0.00043706197,0.00007974865,0.00025771608,0.37667146],"genre_scores_gemma":[0.5115841,0.0019009075,0.0003904648,0.02022624,0.0008902517,0.000038039638,0.000023649869,0.0000313201,0.46491504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995974,0.0010960558,0.0005801271,0.0008618054,0.0004727513,0.0010152686],"domain_scores_gemma":[0.99812275,0.00027209235,0.00023813872,0.00053511997,0.00034648244,0.00048538644],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00081576617,0.00050997944,0.00070053537,0.000100896665,0.0009308913,0.00029109692,0.0007863671,0.0005547251,0.0064529884],"category_scores_gemma":[0.00013938555,0.00031724657,0.00060428004,0.0007789676,0.0015651834,0.0012905843,0.00019419866,0.00038066748,0.0013885982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005059039,0.0004665003,0.013279126,0.00005313173,0.00039825265,0.00006307018,0.022275133,0.000010695702,0.0027299577,0.53969884,0.35275045,0.068224244],"study_design_scores_gemma":[0.0009086724,0.00013296193,0.0097722765,0.00014201687,0.00020607395,0.00002628397,0.005784335,0.00005689547,0.00044775143,0.008117421,0.9737199,0.00068540877],"about_ca_topic_score_codex":0.30111864,"about_ca_topic_score_gemma":0.7011594,"teacher_disagreement_score":0.6209695,"about_ca_system_score_codex":0.00027996098,"about_ca_system_score_gemma":0.0006080688,"threshold_uncertainty_score":0.99992794},"labels":[],"label_agreement":null},{"id":"W2920041708","doi":"10.7202/1055855ar","title":"Le modèle, une voie vers la professionnalisation. L'exemple de Yuli Turovsky et de ses étudiants","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.028646041940916248,"score_gpt":0.29405852188509674,"score_spread":0.2654124799441805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2920041708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7763427,0.0044648475,0.00012564204,0.07995612,0.0073206373,0.0005806302,0.000108550616,0.00012550878,0.13097538],"genre_scores_gemma":[0.92481774,0.00043318822,0.0007363831,0.007853664,0.003783908,0.000042227322,0.00006214107,0.000030167725,0.062240556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968365,0.0011889545,0.0003570785,0.00055072346,0.0003099623,0.00075682683],"domain_scores_gemma":[0.998505,0.0004305651,0.00021604351,0.00034104844,0.0001789804,0.00032839383],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00096423214,0.00027749295,0.00048032613,0.000075295975,0.000540372,0.00021306229,0.00043786276,0.0005121313,0.0009325742],"category_scores_gemma":[0.0002753786,0.00025425866,0.00033986958,0.0012324274,0.00048498862,0.00062112854,0.00011781016,0.0005509158,0.0004541343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008420727,0.0012781847,0.029307785,0.00060362055,0.00045651227,0.00012689274,0.0779332,0.00076942414,0.008975834,0.66504085,0.20773327,0.007690225],"study_design_scores_gemma":[0.00068796746,0.00008670159,0.009486036,0.0003521391,0.00021767768,0.000018558432,0.006748744,0.0005398139,0.00018177944,0.01010748,0.9711254,0.00044769607],"about_ca_topic_score_codex":0.007190627,"about_ca_topic_score_gemma":0.00934707,"teacher_disagreement_score":0.76339215,"about_ca_system_score_codex":0.00029281972,"about_ca_system_score_gemma":0.0009770349,"threshold_uncertainty_score":0.99999094},"labels":[],"label_agreement":null},{"id":"W2920114291","doi":"10.7202/1055856ar","title":"Les paramètres de l'insertion professionnelle des musiciens au Québec. L'exemple de l'ensemble Magnitude6","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.037903176701117175,"score_gpt":0.2984528799918348,"score_spread":0.2605497032907176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2920114291","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9418496,0.007991903,0.00014804228,0.011830473,0.0042861835,0.0004783891,0.00002662529,0.000118327145,0.033270445],"genre_scores_gemma":[0.8663523,0.00036146562,0.0010273288,0.003128326,0.005380599,0.00006547738,0.000032576034,0.000037596237,0.12361432],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963422,0.00076713687,0.0004912729,0.00070122565,0.00034597557,0.0013522042],"domain_scores_gemma":[0.99821067,0.0003606808,0.00025466006,0.00043928638,0.00027167433,0.00046302308],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007675328,0.00039026394,0.0005980766,0.00010495167,0.0015472133,0.00020926715,0.0005316386,0.00062954973,0.0041777017],"category_scores_gemma":[0.00029437867,0.00034160787,0.00048726433,0.0010578409,0.0008526501,0.00044404078,0.00016279133,0.0005409607,0.00090347184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020395409,0.0025948766,0.31310186,0.0017927494,0.00052444614,0.00015302753,0.28169224,0.00069398637,0.043797225,0.04532739,0.09489592,0.21522233],"study_design_scores_gemma":[0.00083817577,0.0003711435,0.08105355,0.0009729489,0.0006755712,0.00005122398,0.022342196,0.0017453439,0.0011012205,0.00976669,0.8800469,0.0010350063],"about_ca_topic_score_codex":0.17998976,"about_ca_topic_score_gemma":0.3367427,"teacher_disagreement_score":0.785151,"about_ca_system_score_codex":0.0014145116,"about_ca_system_score_gemma":0.00095014594,"threshold_uncertainty_score":0.9999036},"labels":[],"label_agreement":null},{"id":"W2921507736","doi":"","title":"Récits contemporains : films québécois récents","year":2018,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.011872612837755628,"score_gpt":0.20083173525684825,"score_spread":0.18895912241909263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921507736","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5058616,0.13744792,0.000041327217,0.1474004,0.0037575255,0.00042779936,0.00022718862,0.00019865495,0.20463762],"genre_scores_gemma":[0.39436498,0.0033711747,0.00015805793,0.0065000495,0.001187692,0.0000035641904,0.00004509164,0.000020443202,0.59434897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976445,0.00032551025,0.00024166543,0.00054199627,0.00043418224,0.00081213936],"domain_scores_gemma":[0.9984751,0.00007808224,0.00025164918,0.00033278333,0.00038490666,0.0004775286],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028407603,0.00031892545,0.00042368105,0.00012076262,0.0020343969,0.0000747331,0.0005944572,0.0004867674,0.0026681302],"category_scores_gemma":[0.000062826264,0.00031820065,0.00037979786,0.001141281,0.0010668938,0.00054616225,0.0002309465,0.00027639067,0.0012991158],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106909305,0.00020434055,0.0018129474,0.000026870279,0.00052860694,0.0007960111,0.029599424,0.000004249965,0.00036975468,0.16873676,0.7622353,0.03557884],"study_design_scores_gemma":[0.0006340298,0.00017960534,0.00096192025,0.00005927327,0.00034278585,0.000040328167,0.012665512,0.00023404065,0.00004720347,0.0014929256,0.98295516,0.00038719483],"about_ca_topic_score_codex":0.18779993,"about_ca_topic_score_gemma":0.83990437,"teacher_disagreement_score":0.65210444,"about_ca_system_score_codex":0.0032939222,"about_ca_system_score_gemma":0.0001743924,"threshold_uncertainty_score":0.999927},"labels":[],"label_agreement":null},{"id":"W2923957321","doi":"","title":"La cara oculta de la luna de Robert Lepage: un observatorio poético para Quebec","year":2018,"lang":"es","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01768097786974156,"score_gpt":0.30205091209106544,"score_spread":0.2843699342213239,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2923957321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7660688,0.001402989,0.000071113645,0.005412218,0.00045134098,0.00018717354,0.00001748621,0.00016085268,0.22622798],"genre_scores_gemma":[0.9247092,0.00029538813,0.000898859,0.0074774837,0.0019758414,0.000019441628,0.00001682527,0.000019692732,0.06458728],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99629337,0.0015324355,0.0003610495,0.00053503324,0.00042304344,0.0008550696],"domain_scores_gemma":[0.99835086,0.0004445845,0.00015765145,0.00033749462,0.00031571227,0.00039367864],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001252855,0.00034463726,0.0004533784,0.00005368345,0.0009801269,0.0013426389,0.00068312284,0.00082664995,0.001698125],"category_scores_gemma":[0.00034090123,0.00025269354,0.00034738777,0.0009668218,0.001403267,0.00047213593,0.00013071291,0.00046221563,0.00027317292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009713451,0.00070556166,0.12095645,0.000096474054,0.0010100054,0.00017820444,0.09698136,0.00000855984,0.006548822,0.6554383,0.09378808,0.024191035],"study_design_scores_gemma":[0.0004491023,0.00009338514,0.064566515,0.000051735213,0.00045724472,0.000013156693,0.008397747,0.00017203442,0.0007729439,0.003608939,0.92089814,0.00051903236],"about_ca_topic_score_codex":0.08775776,"about_ca_topic_score_gemma":0.06777176,"teacher_disagreement_score":0.82711005,"about_ca_system_score_codex":0.00029923234,"about_ca_system_score_gemma":0.0005824405,"threshold_uncertainty_score":0.99999255},"labels":[],"label_agreement":null},{"id":"W2924268336","doi":"","title":"Les réseaux des «lyriques» et des «veillées» : une histoire de la chanson au Québec dans l'entre-deux-guerres par la radiodiffusion au poste CKAC de Montréal (1922-1939)","year":2012,"lang":"fr","type":"article","venue":"Corpus Université Laval (Université Laval)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.011047776785184501,"score_gpt":0.21825612218915044,"score_spread":0.20720834540396593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924268336","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8838475,0.030432757,0.00028724447,0.008459095,0.0009323485,0.00029650668,0.00012442247,0.0002738761,0.07534628],"genre_scores_gemma":[0.92834836,0.00835118,0.0006069273,0.00048888405,0.0007338009,0.0000032812197,0.00008639165,0.00006491517,0.061316267],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937487,0.0026715838,0.0003586942,0.00076573837,0.0006352271,0.0018200369],"domain_scores_gemma":[0.9968386,0.000639004,0.00042949014,0.00044964327,0.00042923313,0.0012139777],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0010388212,0.0007655678,0.00081546244,0.00038986898,0.006056484,0.00018872935,0.0010950901,0.0010561392,0.00016708086],"category_scores_gemma":[0.00015546917,0.00079155306,0.0007534511,0.0019304629,0.0039718417,0.0017368079,0.00047433228,0.00087996974,0.000037694008],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041262968,0.00071377435,0.25950152,0.00015468556,0.00055485097,0.00073705293,0.6099989,0.00017488882,0.013000436,0.04224434,0.00370013,0.06880681],"study_design_scores_gemma":[0.0021510404,0.00037082913,0.18403095,0.00041031005,0.0021791593,0.00030306447,0.17405659,0.00035069426,0.0020735154,0.001307002,0.631429,0.0013378507],"about_ca_topic_score_codex":0.91455424,"about_ca_topic_score_gemma":0.9121333,"teacher_disagreement_score":0.6277289,"about_ca_system_score_codex":0.0136543345,"about_ca_system_score_gemma":0.0022608102,"threshold_uncertainty_score":0.99945354},"labels":[],"label_agreement":null},{"id":"W2945510799","doi":"10.4000/studifrancesi.7759","title":"Carla Fratta (dir.), Littérature et cinéma au Québec 1995-2005","year":2009,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014717776051548304,"score_gpt":0.283996501003471,"score_spread":0.26927872495192273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945510799","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06349838,0.5371861,0.00002759927,0.22059885,0.0054522576,0.00048188525,0.000105647996,0.00016548026,0.1724838],"genre_scores_gemma":[0.7125111,0.004759624,0.0001785008,0.03844155,0.0069407704,0.000027258184,0.00003479593,0.000021376873,0.23708503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961408,0.00059601583,0.0005253795,0.00082202227,0.00071839907,0.0011974076],"domain_scores_gemma":[0.9984945,0.00013436173,0.00027137384,0.00042707124,0.00029307196,0.00037958595],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006858217,0.00052416226,0.0008041022,0.000080178004,0.0015567298,0.00027733913,0.0006875717,0.00066594215,0.0008758541],"category_scores_gemma":[0.00012919096,0.0004163121,0.00051437994,0.0018521181,0.00083278737,0.0007275512,0.000068131536,0.00091338943,0.00039784843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000929061,0.0010564874,0.017330423,0.00010945539,0.0009180028,0.00017232687,0.11741877,0.00011301193,0.00036035382,0.10910664,0.5552341,0.19808754],"study_design_scores_gemma":[0.00046395295,0.0002093883,0.03985802,0.00010562789,0.00030894097,0.0000045927923,0.0056860656,0.0000167334,0.000026144702,0.0019098746,0.95086443,0.0005462102],"about_ca_topic_score_codex":0.06554206,"about_ca_topic_score_gemma":0.5986308,"teacher_disagreement_score":0.6490127,"about_ca_system_score_codex":0.0004055127,"about_ca_system_score_gemma":0.0009322108,"threshold_uncertainty_score":0.9998289},"labels":[],"label_agreement":null},{"id":"W2946869027","doi":"10.15122/isbn.978-2-406-09030-4.p.0435","title":"Établir l’abbaye de Saint-Denys Garneau au Canada","year":2019,"lang":"fr","type":"article","venue":"Classiques GARNIER","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.013831081685541183,"score_gpt":0.2581702209585052,"score_spread":0.24433913927296405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946869027","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40123197,0.011732389,0.000025579693,0.031022225,0.005823714,0.00035869918,0.00008066437,0.000097569246,0.5496272],"genre_scores_gemma":[0.5491814,0.00038026762,0.00011521708,0.014058606,0.002236436,0.000015888922,0.000035868165,0.00002426709,0.43395203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962936,0.0007457813,0.0004435422,0.000625191,0.0005695169,0.0013223836],"domain_scores_gemma":[0.9982442,0.00022431891,0.00025080878,0.0004019822,0.00032294498,0.0005557448],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055691786,0.0003904231,0.0005572909,0.00006990799,0.00053032115,0.00025104123,0.00060199667,0.0005948965,0.006181168],"category_scores_gemma":[0.00015939547,0.0003362857,0.0003179902,0.0007754344,0.00074308866,0.0004668847,0.00011192581,0.0006841889,0.0005855629],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045174867,0.00019689203,0.09252533,0.00018505799,0.00048549369,0.000136724,0.011054597,0.00008362568,0.00062930206,0.22601825,0.6388297,0.029809823],"study_design_scores_gemma":[0.00024817075,0.00008208583,0.014336197,0.00009668618,0.00017619549,0.000010924409,0.0026492006,0.000255884,0.0001436109,0.0025664303,0.9789524,0.00048220257],"about_ca_topic_score_codex":0.8482643,"about_ca_topic_score_gemma":0.9809557,"teacher_disagreement_score":0.3401227,"about_ca_system_score_codex":0.0037864223,"about_ca_system_score_gemma":0.004281723,"threshold_uncertainty_score":0.9999089},"labels":[],"label_agreement":null},{"id":"W2950837803","doi":"","title":"L'invasion du cinéma québécois ? Les Invasions barbares de Denys Arcand","year":2007,"lang":"fr","type":"article","venue":"CINECA IRIS Institutial Research Information System (University of Genoa)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.07598921901300423,"score_gpt":0.297410310597175,"score_spread":0.22142109158417075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950837803","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6826699,0.0032799514,0.022535983,0.009001421,0.0014210291,0.0010058479,0.00018554716,0.00012840379,0.27977192],"genre_scores_gemma":[0.99361736,0.000827049,0.00064910867,0.00020985119,0.000580044,0.0000013784447,0.00007208972,0.000006657556,0.0040364577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960857,0.00074627006,0.0005510705,0.00028751366,0.0014248806,0.0009045448],"domain_scores_gemma":[0.9963101,0.0003650654,0.0003685295,0.00035394376,0.001998666,0.00060366717],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.005095274,0.00022608295,0.0004484314,0.00084235275,0.0036981471,0.00018312148,0.00090122275,0.0005894016,0.00050112006],"category_scores_gemma":[0.00070078985,0.00023608674,0.0002917927,0.0023926299,0.002063182,0.0027120926,0.00033309983,0.0006348108,0.00039431945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008267393,0.0002556776,0.0137121985,0.0021084698,0.00057125365,0.00030188067,0.31848532,0.00080394285,0.0014142797,0.47305036,0.07998082,0.10848909],"study_design_scores_gemma":[0.00077431696,0.0001616413,0.011884248,0.00040489214,0.000102748585,0.000029085571,0.2756264,0.0008062523,0.000111572954,0.00008644431,0.70977753,0.00023490137],"about_ca_topic_score_codex":0.101741046,"about_ca_topic_score_gemma":0.09498011,"teacher_disagreement_score":0.6297967,"about_ca_system_score_codex":0.0011567376,"about_ca_system_score_gemma":0.001621774,"threshold_uncertainty_score":0.9975989},"labels":[],"label_agreement":null},{"id":"W2955217238","doi":"10.7202/1059883ar","title":"How I Might Have Become a Composer","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Musical; Reading (process); History; Performance art; Visual arts; Art history; Literature; Media studies; Art; Sociology; Political science; Law","score_opus":0.022786175655373785,"score_gpt":0.24771377051858226,"score_spread":0.22492759486320849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955217238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94235814,0.00062239275,0.00004368049,0.014066548,0.004730527,0.00012709055,0.000017134988,0.0000113952365,0.03802312],"genre_scores_gemma":[0.9779862,0.000007907536,0.0000531989,0.002615023,0.00093006087,0.0000014180202,0.0000024442727,0.0000063948273,0.018397337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990829,0.00013157289,0.00020193028,0.0001117545,0.00017751972,0.00029432552],"domain_scores_gemma":[0.99885195,0.000041312447,0.00016690476,0.00010695135,0.00036943762,0.0004634184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023943765,0.00009349925,0.00020167332,0.00039531835,0.0004270408,0.00033664578,0.00028859224,0.00010628851,0.0024906443],"category_scores_gemma":[0.00005556877,0.00007507034,0.00026251405,0.0003678265,0.0001695322,0.00045758797,0.0000054601383,0.00031440603,0.00006530786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000692039,0.00015070221,0.10061159,0.00003566606,0.0015115092,0.0005527861,0.2490222,0.00014849113,0.002533241,0.03893407,0.5961009,0.010329621],"study_design_scores_gemma":[0.00025139586,0.00011295467,0.0033305383,0.00004433887,0.00007588096,0.000074589014,0.041638672,0.000012963254,0.00002452274,0.00092519727,0.9533617,0.00014726861],"about_ca_topic_score_codex":0.035849392,"about_ca_topic_score_gemma":0.8416317,"teacher_disagreement_score":0.8057823,"about_ca_system_score_codex":0.00022571173,"about_ca_system_score_gemma":0.00046459815,"threshold_uncertainty_score":0.9984212},"labels":[],"label_agreement":null},{"id":"W2958906120","doi":"","title":"Leonard Cohen et son Dieu","year":2018,"lang":"fr","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Ethnology; History","score_opus":0.03611531370430189,"score_gpt":0.30252444954663127,"score_spread":0.2664091358423294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2958906120","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011047601,0.0028209337,0.000027226883,0.013788161,0.0026284396,0.0002649348,0.000064071544,0.000110370886,0.9791911],"genre_scores_gemma":[0.0051982184,0.00064792816,0.00045297376,0.025872491,0.00505656,0.000018135805,0.0002655809,0.00002242799,0.9624657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99699587,0.0006062349,0.00043290135,0.00070086,0.000614963,0.00064915686],"domain_scores_gemma":[0.99847156,0.00022599348,0.00027861842,0.00031360498,0.00042375212,0.00028646205],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006985384,0.00046483407,0.0007110484,0.00007759973,0.00086475466,0.00031378758,0.00067283254,0.0011339785,0.029250953],"category_scores_gemma":[0.000090049965,0.00032842354,0.00063134835,0.0004029323,0.0019302506,0.00038812985,0.0001516861,0.0005501114,0.0047428287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008179727,0.000048691432,0.00015346648,0.000025735328,0.00027238825,0.000010349309,0.004587558,4.8874773e-7,0.00001185572,0.46929726,0.520852,0.0047319788],"study_design_scores_gemma":[0.00013307986,0.00013655037,0.0003696975,0.00007788677,0.0004158058,0.0000025054178,0.0011515205,0.000013598416,0.00000635408,0.024615072,0.9725847,0.00049320085],"about_ca_topic_score_codex":0.0017723212,"about_ca_topic_score_gemma":0.019417698,"teacher_disagreement_score":0.45173267,"about_ca_system_score_codex":0.00023285775,"about_ca_system_score_gemma":0.00046796724,"threshold_uncertainty_score":0.9999168},"labels":[],"label_agreement":null},{"id":"W2960779694","doi":"10.1080/00111619.2019.1642844","title":"Milan Kundera and the Radical Autonomy of Art","year":2019,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"Universitatea \"Lucian Blaga\" din Sibiu","keywords":"Aesthetics; Politics; Laughter; Resistance (ecology); Autonomy; Lightness; Literature; Poetry; Sociology; Art; Law; Political science","score_opus":0.06568332656290479,"score_gpt":0.3529983222726196,"score_spread":0.28731499570971486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2960779694","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45263192,0.042880777,0.00003895912,0.043473635,0.0017877024,0.0011513222,0.000011183209,0.00007839428,0.45794612],"genre_scores_gemma":[0.99412894,0.00078104105,0.00002381057,0.0014307293,0.00015292189,0.000030434254,0.0000051249426,0.0000025984727,0.0034443946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904627,0.0003617727,0.00021671932,0.00015453891,0.00011323864,0.0001074886],"domain_scores_gemma":[0.99941665,0.00030918836,0.00006590584,0.00008494775,0.00010029708,0.000023038236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007320498,0.00007169658,0.00025359148,0.000040184786,0.00020931767,0.00002515186,0.000082404724,0.00007773199,0.000029952542],"category_scores_gemma":[0.00016287861,0.000045547087,0.00006564005,0.00017344797,0.0010345855,0.00020820131,0.00003491764,0.00013679745,0.000003626763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043567008,0.00014810594,0.060346995,0.00024377977,0.0006449613,0.000014334492,0.20458418,0.00000770529,0.00022654637,0.5837479,0.14741875,0.0021810324],"study_design_scores_gemma":[0.0022994613,0.0001255509,0.006162904,0.00018053714,0.00006660926,0.0000030129295,0.124347396,0.000102663835,0.000059409722,0.021734059,0.84468293,0.0002354693],"about_ca_topic_score_codex":0.00027477002,"about_ca_topic_score_gemma":0.00047402523,"teacher_disagreement_score":0.6972642,"about_ca_system_score_codex":0.000043010125,"about_ca_system_score_gemma":0.00007406699,"threshold_uncertainty_score":0.38119736},"labels":[],"label_agreement":null},{"id":"W2962606282","doi":"10.71781/22645","title":"Pour une poétique du silence : transmédialité théâtrale et passage à la plateforme cinématographique dans le Québec contemporain : le cas de Bashir Lazhar","year":2018,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Silence; Humanities","score_opus":0.007579706137882009,"score_gpt":0.20276626708062176,"score_spread":0.19518656094273976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962606282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7768018,0.006043506,0.00044518954,0.009517957,0.0005704869,0.00045028058,0.00018268707,0.0001405368,0.20584752],"genre_scores_gemma":[0.87698174,0.0008315639,0.00035161653,0.0010609841,0.0004232954,0.000053201435,0.0004930648,0.00003437618,0.119770184],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9960958,0.0011433582,0.0005877924,0.00083190826,0.00062540086,0.0007157904],"domain_scores_gemma":[0.99774057,0.00033543236,0.0005649104,0.00032666238,0.0005032167,0.0005291896],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00080773706,0.0006257397,0.00068781944,0.00025464108,0.011069887,0.0002032149,0.0007727757,0.0011322995,0.0000932588],"category_scores_gemma":[0.00011165676,0.0006369918,0.00081457605,0.0009987424,0.0014943111,0.0009985181,0.00007243062,0.0007635307,0.000031490225],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048979156,0.0005278673,0.0250764,0.00016609854,0.00081618066,0.0020304744,0.43769568,0.00030279165,0.018504238,0.5093082,0.0044780327,0.0006042281],"study_design_scores_gemma":[0.002082284,0.00023077511,0.09202466,0.00055344973,0.0008065151,0.0007413421,0.4663642,0.000623817,0.00630471,0.007635379,0.42106616,0.0015666864],"about_ca_topic_score_codex":0.8363077,"about_ca_topic_score_gemma":0.8704453,"teacher_disagreement_score":0.50167286,"about_ca_system_score_codex":0.0032622763,"about_ca_system_score_gemma":0.009653517,"threshold_uncertainty_score":0.99960816},"labels":[],"label_agreement":null},{"id":"W296602817","doi":"10.3138/cjfs.15.1.63","title":"Closet and Confessional : Television and Hybridity in <i>Mambo Italiano</i>","year":2006,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Closet; Art; Humanities; Movie theater; Hybridity; Confessional; Art history; Literature; History; Political science; Politics","score_opus":0.02912889275319261,"score_gpt":0.2835280673985792,"score_spread":0.25439917464538664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W296602817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70517844,0.26881662,4.2975137e-7,0.022285108,0.0012054277,0.000057982154,0.00008612274,0.0000014468247,0.0023684585],"genre_scores_gemma":[0.9860915,0.00545351,0.000073512325,0.0017708204,0.0007348909,0.0000011361283,0.0000041939034,0.000004983324,0.0058654724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862903,0.00022303674,0.0004179192,0.00017032072,0.00018498968,0.00037470344],"domain_scores_gemma":[0.99887824,0.000154915,0.00022529678,0.000049034046,0.00032588377,0.00036662145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005397608,0.00016278331,0.00045655668,0.00016191676,0.0005866801,0.000117351046,0.00010829204,0.0001288986,0.00012330315],"category_scores_gemma":[0.00020626494,0.0001246531,0.00009103409,0.00033758773,0.0012620712,0.0003644521,0.000024790372,0.00029696058,0.0000032785742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003118509,0.000076415854,0.26675478,0.00016765793,0.00045309222,0.0013534761,0.022511395,0.000022492672,0.00008917496,0.030809045,0.64547795,0.032253332],"study_design_scores_gemma":[0.000631001,0.00015124817,0.17078754,0.00056241616,0.00020616375,0.00014981035,0.017410496,0.000016351843,0.000016239115,0.014875751,0.79490674,0.00028625657],"about_ca_topic_score_codex":0.02835746,"about_ca_topic_score_gemma":0.5067393,"teacher_disagreement_score":0.47838187,"about_ca_system_score_codex":0.00014781432,"about_ca_system_score_gemma":0.00044613265,"threshold_uncertainty_score":0.9781128},"labels":[],"label_agreement":null},{"id":"W2966865768","doi":"10.4324/9781315573892-20","title":"Claude Vivier at the end","year":2016,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indian subcontinent; Musical; Style (visual arts); Art history; History; Quarter (Canadian coin); Art; Literature; Ethnology; Archaeology","score_opus":0.021089097204182537,"score_gpt":0.2808789587195106,"score_spread":0.259789861515328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966865768","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14926921,0.00044456212,0.000017938648,0.062849894,0.00031784596,0.0000817417,0.000004305733,0.000049132625,0.78696537],"genre_scores_gemma":[0.5683332,0.000044900542,0.000015442607,0.0067957025,0.0003205665,0.000004755424,7.095515e-7,0.0000013515004,0.42448336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994013,0.000101496546,0.00006396588,0.00010885356,0.00015559758,0.00016882388],"domain_scores_gemma":[0.9996815,0.00009986655,0.000022711656,0.00010255137,0.00004334537,0.00005007085],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021680754,0.000044553202,0.000059260958,0.000008571216,0.0005234306,0.000049312923,0.0001651881,0.00005665834,0.021739097],"category_scores_gemma":[0.000054055454,0.000014716597,0.000075599855,0.00013574041,0.00030916484,0.00010976888,0.000036208803,0.000029797222,0.00079908874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009921798,0.000029210985,0.006523235,0.0000012263084,0.000080825645,0.0000031625023,0.0094556175,1.261534e-7,0.008741597,0.3745824,0.5226231,0.07794956],"study_design_scores_gemma":[0.000053398504,0.0000051686593,0.0020690307,0.0000017492025,0.000014522864,2.9589327e-7,0.00075251784,3.1025758e-7,0.00030055406,0.0038927635,0.99286234,0.00004731912],"about_ca_topic_score_codex":0.00043212317,"about_ca_topic_score_gemma":0.025368925,"teacher_disagreement_score":0.47023925,"about_ca_system_score_codex":0.00003666914,"about_ca_system_score_gemma":0.000018174635,"threshold_uncertainty_score":0.9999789},"labels":[],"label_agreement":null},{"id":"W296743412","doi":"","title":"L’art comme conspiration. Michel de Broin, Machinations, Galerie UQÀM, Montréal, 19 octobre — 24 novembre 2007; Musée national des beaux-arts du Québec, commissaire : Nathalie de Blois, 16 novembre 2006 — 15 avril 2007Michel de Broin, Machinations, Galerie UQÀM, Montréal, 19 octobre — 24 novembre 2007; Musée national des beaux-arts du Québec, commissaire : Nathalie de Blois, 16 novembre 2006 — 15 avril 2007","year":2008,"lang":"fr","type":"article","venue":"ETC","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03456210591592608,"score_gpt":0.2676948826453586,"score_spread":0.23313277672943256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W296743412","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021934481,0.8363558,0.001998132,0.08484737,0.0031311351,0.0026973214,0.009370284,0.0011121396,0.03855335],"genre_scores_gemma":[0.13737531,0.014084511,0.0070713502,0.72318393,0.007919119,0.0011060837,0.008726992,0.00073833496,0.09979439],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9810291,0.002656745,0.004037633,0.0032208748,0.0045573325,0.004498349],"domain_scores_gemma":[0.98373103,0.0028184284,0.0026107964,0.0017017215,0.005908306,0.0032297052],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.004914479,0.0033311686,0.0028881633,0.0013654489,0.010255017,0.001843814,0.003435483,0.0032729185,0.012570465],"category_scores_gemma":[0.0049189976,0.0035968537,0.0021232169,0.0039131218,0.0064025354,0.0041763037,0.00090586324,0.004108992,0.0012939251],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0004488404,0.0047033895,0.03324941,0.00059356773,0.0018523528,0.0005574288,0.009108684,0.0040893233,0.0006713381,0.008938824,0.93432254,0.0014643163],"study_design_scores_gemma":[0.0056206207,0.00041109876,0.008022978,0.0007892909,0.0014897943,0.002429739,0.007168232,0.0039412295,0.00029771213,0.004658048,0.9614093,0.0037619595],"about_ca_topic_score_codex":0.8124208,"about_ca_topic_score_gemma":0.9290741,"teacher_disagreement_score":0.8222713,"about_ca_system_score_codex":0.012023778,"about_ca_system_score_gemma":0.0175445,"threshold_uncertainty_score":0.9994837},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"commentary","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"review","about_ca_system":false,"about_ca_topic":true,"confidence":"low"}],"label_agreement":"agree"},{"id":"W2968040746","doi":"10.3138/ctr.179.010","title":"Home and Abroad in Gold: A Dialogue with Cassils","year":2019,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adornment; Visual arts; Art; Performance art; Aesthetics; Art history","score_opus":0.014588911167360627,"score_gpt":0.2664350165731833,"score_spread":0.2518461054058227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968040746","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1494489,0.5597046,1.6856973e-7,0.015971454,0.0002207419,0.0011239388,0.00004781094,0.000028320745,0.27345407],"genre_scores_gemma":[0.91637444,0.057905216,0.000027694226,0.019647872,0.00017713361,0.000041470972,0.00002722831,0.000010788308,0.0057881665],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990994,0.0001696147,0.00012397204,0.00019948103,0.000096263706,0.00031131232],"domain_scores_gemma":[0.9994423,0.000030589898,0.000036263362,0.00014012537,0.00003508555,0.000315637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029698852,0.00009751334,0.00030766797,0.00007103226,0.0000906821,0.000056888963,0.00013312646,0.00007377915,0.00045624198],"category_scores_gemma":[0.000015810452,0.000063644926,0.000049362145,0.0005409996,0.0000976751,0.0001248699,0.0000067153514,0.00010981547,0.000087475535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015637803,0.000050880586,0.27371454,0.0028721648,0.00023476724,0.00040823824,0.01829715,0.000001931994,0.000027112108,0.039301824,0.06457541,0.60050035],"study_design_scores_gemma":[0.00011703764,0.000023064526,0.0074904934,0.0010197555,0.000048944705,0.0000070245014,0.0005001795,7.729553e-7,1.4885195e-7,0.000275999,0.9903548,0.00016177722],"about_ca_topic_score_codex":0.21860437,"about_ca_topic_score_gemma":0.9146651,"teacher_disagreement_score":0.9257794,"about_ca_system_score_codex":0.00012165644,"about_ca_system_score_gemma":0.00033626368,"threshold_uncertainty_score":0.78659904},"labels":[],"label_agreement":null},{"id":"W2969222441","doi":"10.7202/1060132ar","title":"David Cronenberg et Howard Shore. Bref portrait d’une longue collaboration","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Ethnology; Sociology","score_opus":0.021637140029711285,"score_gpt":0.281778086425094,"score_spread":0.2601409463953827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969222441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58021563,0.0149593325,0.00007153395,0.21309862,0.029904665,0.00119164,0.00032059796,0.00019969157,0.1600383],"genre_scores_gemma":[0.75810874,0.0009115989,0.00044104413,0.01164758,0.011270282,0.00004624404,0.00034562708,0.00004780018,0.2171811],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966329,0.000538118,0.0006157683,0.00088264805,0.0005430807,0.0007875112],"domain_scores_gemma":[0.9980824,0.00017921011,0.00034445757,0.00053797616,0.00048474807,0.00037123283],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006774045,0.00041776247,0.0007587485,0.00010323633,0.00039949943,0.0004737803,0.00050581415,0.0007130715,0.005269976],"category_scores_gemma":[0.00013236013,0.00038689582,0.00044628748,0.00248888,0.00055075926,0.0009230617,0.000119381104,0.00059590983,0.0017484174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013961573,0.0017501208,0.008737031,0.0008986333,0.0008853901,0.00032248147,0.16008665,0.00052194047,0.010639545,0.38400403,0.37418857,0.057826005],"study_design_scores_gemma":[0.00047768574,0.0002074617,0.005251254,0.00022071619,0.00036076343,0.000020020027,0.005863477,0.00025099592,0.00009835351,0.0032897168,0.98334813,0.00061145076],"about_ca_topic_score_codex":0.0015799897,"about_ca_topic_score_gemma":0.0116050765,"teacher_disagreement_score":0.6091595,"about_ca_system_score_codex":0.00026037294,"about_ca_system_score_gemma":0.0003371074,"threshold_uncertainty_score":0.9998583},"labels":[],"label_agreement":null},{"id":"W2969237004","doi":"10.7202/1060125ar","title":"« Panel sur la critique musicale », dans le cadre du colloque international Qu’en est-il du goût musical dans le monde au XXIe siècle ?, 28 février 2013, Faculté de musique, Université de Montréal, salle Serge-Garant","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.009452940645051682,"score_gpt":0.21609658668069956,"score_spread":0.2066436460356479,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969237004","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8846742,0.0014447956,0.00057692133,0.07171474,0.003879788,0.00065854914,0.00067394436,0.00019143552,0.036185615],"genre_scores_gemma":[0.84312737,0.0027500722,0.00060327566,0.004567229,0.006779379,0.00007443116,0.0002486803,0.00010573976,0.14174382],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99420863,0.0014990679,0.0007820985,0.0013229226,0.0007011552,0.0014860932],"domain_scores_gemma":[0.99677247,0.0007757019,0.00035824504,0.0006605527,0.0005319433,0.0009011107],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011164573,0.0007354776,0.0010600113,0.00016135137,0.0016031415,0.0003170761,0.0014457555,0.0012599538,0.0017512994],"category_scores_gemma":[0.00040441338,0.0007430343,0.0009373118,0.00095512316,0.0013416852,0.0009801097,0.0006680388,0.0010818288,0.00035480282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000464234,0.004946851,0.029537553,0.0005004069,0.0016222354,0.0026369977,0.25638247,0.0041882424,0.074499406,0.22060135,0.3994922,0.0051280498],"study_design_scores_gemma":[0.002035423,0.00020245212,0.036323875,0.00024712642,0.00045579157,0.00028944874,0.018355723,0.0062709674,0.00088565453,0.0021234031,0.93164474,0.0011653837],"about_ca_topic_score_codex":0.09696727,"about_ca_topic_score_gemma":0.162663,"teacher_disagreement_score":0.53215253,"about_ca_system_score_codex":0.002614151,"about_ca_system_score_gemma":0.0013671147,"threshold_uncertainty_score":0.9996966},"labels":[],"label_agreement":null},{"id":"W2969689632","doi":"10.7202/1062437ar","title":"Au miroir du Lac des cygnes de Tchaïkovski, de Laurence Le Diagon-Jacquin","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020112155508244106,"score_gpt":0.25253454662829794,"score_spread":0.23242239112005383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969689632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9186572,0.014353066,0.00009911765,0.026503459,0.0056615295,0.00030894784,0.000045224726,0.000090322486,0.034281123],"genre_scores_gemma":[0.86643374,0.0012651648,0.0009462549,0.00506156,0.011285748,0.000046036348,0.000026661597,0.000031092768,0.11490373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99689287,0.0005633778,0.0003926891,0.0006495688,0.00028125208,0.0012202628],"domain_scores_gemma":[0.9983592,0.0003566753,0.0001999878,0.00040774632,0.00020076263,0.00047562766],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00078580185,0.00035121432,0.0005943647,0.00007523944,0.00077826483,0.00024549893,0.0006753165,0.00054562814,0.0023546894],"category_scores_gemma":[0.00031624766,0.0003218261,0.00047459398,0.0010666217,0.0011824567,0.0005202662,0.0001535773,0.00042544355,0.0010815617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010043519,0.0019632594,0.20905605,0.0013870221,0.0005646352,0.0003385976,0.2382818,0.0003163912,0.021175113,0.31845132,0.1266286,0.08173678],"study_design_scores_gemma":[0.00048718153,0.00017208928,0.019542197,0.00042024723,0.00027225405,0.000050512117,0.005636862,0.00059052405,0.0004932789,0.01368943,0.95797133,0.0006740759],"about_ca_topic_score_codex":0.008677797,"about_ca_topic_score_gemma":0.019536382,"teacher_disagreement_score":0.83134276,"about_ca_system_score_codex":0.0005266273,"about_ca_system_score_gemma":0.00043632666,"threshold_uncertainty_score":0.9999234},"labels":[],"label_agreement":null},{"id":"W2969781993","doi":"10.7202/1060138ar","title":"Compte rendu du douzième Forum international des jeunes compositeurs","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.024591429557477465,"score_gpt":0.2639533298961048,"score_spread":0.23936190033862736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969781993","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.754747,0.013626986,0.000055429864,0.08178459,0.040250394,0.00039602237,0.00012371312,0.00012362556,0.108892284],"genre_scores_gemma":[0.82734054,0.0014303143,0.00068979233,0.008193311,0.015697122,0.000021846792,0.00017448814,0.000034084445,0.1464185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976339,0.00027418905,0.00044088232,0.0005815869,0.0003995436,0.0006699346],"domain_scores_gemma":[0.99868083,0.00019279415,0.00023369049,0.00030359506,0.0003238527,0.0002652514],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029350314,0.00030304756,0.0005248952,0.00009703314,0.000539119,0.00033830878,0.0007358594,0.00034119765,0.0043483516],"category_scores_gemma":[0.000073256146,0.0002741992,0.00047566323,0.0007418207,0.00089599326,0.0006072448,0.00021520765,0.00037888854,0.0016203821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013543262,0.0013749681,0.23702715,0.0004219986,0.0011673924,0.0001322163,0.03339793,0.0002186685,0.00717502,0.37259218,0.27766085,0.06869617],"study_design_scores_gemma":[0.00045220347,0.00010641663,0.006200897,0.00025296555,0.00017687233,0.00003146463,0.003012651,0.00075131585,0.000074101044,0.005668111,0.9828707,0.00040231697],"about_ca_topic_score_codex":0.0011314942,"about_ca_topic_score_gemma":0.0026885197,"teacher_disagreement_score":0.70520985,"about_ca_system_score_codex":0.00022527004,"about_ca_system_score_gemma":0.0000492335,"threshold_uncertainty_score":0.99997103},"labels":[],"label_agreement":null},{"id":"W2969891790","doi":"10.7202/1060136ar","title":"Quels liens établir entre la philosophie praxialiste de David Elliott et le programme de formation de niveau primaire du Ministère de l’Éducation au Québec (PFEQ) dans le domaine de la musique ?","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.023322145308519445,"score_gpt":0.27648050023643306,"score_spread":0.2531583549279136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969891790","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84048533,0.0012432901,0.0018285152,0.10843085,0.00093459594,0.0007511344,0.000052489624,0.00014075985,0.046133004],"genre_scores_gemma":[0.9744165,0.00039975223,0.0028107264,0.0047427616,0.005066987,0.00015410258,0.0001534778,0.000050438623,0.012205238],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994957,0.0023270906,0.00053927774,0.00057240686,0.00029107078,0.0013132071],"domain_scores_gemma":[0.9977416,0.0006116573,0.0004455889,0.00040231214,0.0002337667,0.000565099],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0026100762,0.0004010424,0.0005329918,0.00012501191,0.0010284423,0.00043576336,0.00055308343,0.0008104876,0.000111501366],"category_scores_gemma":[0.000608484,0.00040074746,0.0004287736,0.00090569345,0.0008880139,0.0009014744,0.00011244631,0.0006589399,0.00004807153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00010423225,0.0022409505,0.016761422,0.0010314127,0.00024020724,0.0001377394,0.46575096,0.0003596417,0.02126372,0.46893483,0.008992769,0.014182112],"study_design_scores_gemma":[0.0014574836,0.00028054396,0.010421579,0.0006370823,0.0005224827,0.0005094655,0.025542682,0.0019654422,0.0016234445,0.035514258,0.92062205,0.0009034693],"about_ca_topic_score_codex":0.05415058,"about_ca_topic_score_gemma":0.11713151,"teacher_disagreement_score":0.9116293,"about_ca_system_score_codex":0.0041732616,"about_ca_system_score_gemma":0.006920751,"threshold_uncertainty_score":0.99984443},"labels":[],"label_agreement":null},{"id":"W2969932064","doi":"10.7202/1060129ar","title":"Matériaux anciens dans la musique contemporaine actuelle. Postmodernisme et modernisme en questions","year":2019,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.02484570274624366,"score_gpt":0.28293994816043266,"score_spread":0.258094245414189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969932064","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45257705,0.0062391423,0.0020568932,0.09672077,0.0140279345,0.0014247823,0.00057057093,0.0003541002,0.42602876],"genre_scores_gemma":[0.8159751,0.0007564343,0.0009290013,0.011608424,0.005109531,0.000058144,0.00015576299,0.00006100727,0.16534656],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951637,0.0016682354,0.00065609475,0.0009786804,0.00049657177,0.0010367264],"domain_scores_gemma":[0.99738383,0.00070095103,0.00033250995,0.00068613695,0.0003448423,0.0005517022],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001372249,0.00053239794,0.000904216,0.00012503886,0.00051713974,0.0003681372,0.00072084606,0.0009263378,0.002048591],"category_scores_gemma":[0.00031535688,0.0004875742,0.000640469,0.0008047086,0.0009063065,0.0007548747,0.00022326042,0.0009940729,0.0012891977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060083865,0.0010630636,0.0010899625,0.0003495647,0.0004092286,0.0002386712,0.16125952,0.00061637274,0.011798268,0.7952437,0.02043318,0.0074383803],"study_design_scores_gemma":[0.0007215638,0.00021053552,0.0024836569,0.00037978523,0.00034132408,0.00010016818,0.0055398387,0.0039819023,0.000060799117,0.015936943,0.9694343,0.0008091817],"about_ca_topic_score_codex":0.0015894809,"about_ca_topic_score_gemma":0.00522958,"teacher_disagreement_score":0.94900113,"about_ca_system_score_codex":0.00038282154,"about_ca_system_score_gemma":0.00047845833,"threshold_uncertainty_score":0.9997576},"labels":[],"label_agreement":null},{"id":"W2970285416","doi":"10.7202/1062569ar","title":"L’ascendance du maître, ou l’empreinte théorique d’Ivan Wyschnegradsky sur Régime 11, Type A (1978) de Bruce Mather","year":2019,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0307696056103168,"score_gpt":0.2635750212420549,"score_spread":0.2328054156317381,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970285416","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46695712,0.0248954,0.000100345394,0.02169243,0.0039597917,0.0012190853,0.000101812984,0.00040750456,0.4806665],"genre_scores_gemma":[0.69159216,0.0007759959,0.0001026709,0.0067489054,0.0019329671,0.000044398927,0.00005738256,0.00006110022,0.29868445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995056,0.0010151094,0.00087414414,0.0011468966,0.0006018077,0.0013060605],"domain_scores_gemma":[0.9965851,0.00036524548,0.0006365017,0.00079040555,0.0011304795,0.0004922722],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012202428,0.0007796549,0.001123598,0.00018848055,0.00047815207,0.0005348472,0.0010938835,0.0009180354,0.002067804],"category_scores_gemma":[0.00040521132,0.00069310446,0.0006877988,0.001476547,0.0008053719,0.0012710125,0.00015226698,0.00067823526,0.0008022107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117878524,0.00076947414,0.080832936,0.0007236994,0.00063010317,0.00026726397,0.067881964,0.000012598652,0.009834114,0.7614686,0.07163691,0.005824447],"study_design_scores_gemma":[0.00092906656,0.00025400662,0.0036530462,0.0004845151,0.00023695179,0.00004777585,0.004069899,0.00019491841,0.00068174425,0.037957504,0.9503622,0.0011283768],"about_ca_topic_score_codex":0.005936203,"about_ca_topic_score_gemma":0.005379363,"teacher_disagreement_score":0.8787253,"about_ca_system_score_codex":0.00036909903,"about_ca_system_score_gemma":0.00070297933,"threshold_uncertainty_score":0.9999758},"labels":[],"label_agreement":null},{"id":"W2970735182","doi":"10.7202/1062566ar","title":"Beautés et cruautés de l’harmonie naturelle","year":2019,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Conservatoire de Musique et d’art Dramatique du Québec","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.04260190875610746,"score_gpt":0.3042015253248646,"score_spread":0.26159961656875713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970735182","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22324757,0.05496124,0.00007439941,0.03291152,0.004955412,0.00079431006,0.00009101271,0.00028746872,0.6826771],"genre_scores_gemma":[0.731227,0.00082958606,0.000104136874,0.02836926,0.0014844764,0.000038033675,0.00008939811,0.000043211818,0.23781489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958161,0.0011153101,0.00064120605,0.00085679116,0.00055000844,0.0010205896],"domain_scores_gemma":[0.997746,0.00036626923,0.0003919859,0.00052436424,0.00056111085,0.00041025144],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014342931,0.0005445079,0.0008323097,0.0001614521,0.0004832767,0.0004793137,0.0007699212,0.0009768577,0.0031686504],"category_scores_gemma":[0.00029832928,0.0004944428,0.0006469092,0.0010870426,0.0007452476,0.0010323897,0.0001246718,0.0009135376,0.00074884435],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030159423,0.00031528313,0.01048545,0.00024807427,0.00047171942,0.00010529853,0.07040167,0.0000100309735,0.0039567677,0.85454637,0.0522864,0.007142808],"study_design_scores_gemma":[0.0006441886,0.0001498251,0.0024960933,0.00029881406,0.0001930793,0.000020332032,0.0055381986,0.00015260736,0.00022745118,0.11236269,0.8771415,0.00077523483],"about_ca_topic_score_codex":0.0036325708,"about_ca_topic_score_gemma":0.0014910859,"teacher_disagreement_score":0.8248551,"about_ca_system_score_codex":0.00026291795,"about_ca_system_score_gemma":0.00056648033,"threshold_uncertainty_score":0.99975073},"labels":[],"label_agreement":null},{"id":"W2971266005","doi":"","title":"Mélancolies d’Archambault / Gilles Archambault, Combien de temps encore ?, Montréal, Boréal, 2017, 138 p. / Gilles Archambault, À peine un petit air de jazz, Montréal, Boréal, 2017, 113 p.","year":2018,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Art; Humanities; Art history","score_opus":0.011243208482185012,"score_gpt":0.211499208862449,"score_spread":0.20025600038026398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971266005","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38840812,0.41881138,0.00036171766,0.16452152,0.0021297848,0.0015915805,0.0012001211,0.00072180544,0.022253966],"genre_scores_gemma":[0.5046508,0.26302326,0.004730142,0.0097762495,0.005527128,0.00017522223,0.0005618032,0.0003034244,0.21125199],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9879452,0.0019575905,0.0013792804,0.002390696,0.0019548375,0.0043723676],"domain_scores_gemma":[0.992137,0.0008002582,0.0013197871,0.0018510134,0.0015362086,0.00235573],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0018886876,0.0019216796,0.0022639534,0.0008883217,0.0071258917,0.0002575006,0.0027564734,0.0019667947,0.0013999096],"category_scores_gemma":[0.00049404,0.0018997068,0.0015866968,0.002802071,0.0048208246,0.0016423232,0.0016609147,0.0020283684,0.0012773827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012297746,0.0012287111,0.0035623407,0.00028391753,0.0020723483,0.0055518304,0.037637748,0.0005662059,0.0018956052,0.05278625,0.8795631,0.013622191],"study_design_scores_gemma":[0.0030026631,0.001152689,0.0039513856,0.00047142553,0.0013922312,0.0010923187,0.039593007,0.002704722,0.0003865952,0.007020807,0.93709755,0.0021345934],"about_ca_topic_score_codex":0.24116792,"about_ca_topic_score_gemma":0.69006157,"teacher_disagreement_score":0.44889367,"about_ca_system_score_codex":0.00833356,"about_ca_system_score_gemma":0.0011091656,"threshold_uncertainty_score":0.999513},"labels":[],"label_agreement":null},{"id":"W2971548757","doi":"10.12797/moap.25.2019.45.03","title":"Contribution biblio-chronologique à l’étude de la représentation de la littérature canadienne dans la revue polonaise \"Literatura na Świecie\" (1971-2017)","year":2019,"lang":"en","type":"article","venue":"Między Oryginałem a Przekładem","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Humanities; Library science; Art; Computer science","score_opus":0.009812291161422312,"score_gpt":0.28080078114952395,"score_spread":0.27098848998810166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971548757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9564865,0.0028788233,0.00015372217,0.00700605,0.0005784001,0.000592315,0.00009197055,0.00027358395,0.031938624],"genre_scores_gemma":[0.9884484,0.00068720727,0.0005164972,0.0022302268,0.0007416006,0.00009466347,0.00019626397,0.000028177303,0.007057007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945613,0.0029521435,0.00041418333,0.00073902315,0.00029685147,0.0010364607],"domain_scores_gemma":[0.9977349,0.00073896063,0.00030279113,0.00045464095,0.00037369382,0.00039502102],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0031438095,0.00036212814,0.00047976078,0.00045463024,0.0007600786,0.000872189,0.00061410735,0.0013226591,0.00017416892],"category_scores_gemma":[0.0009682272,0.00031727317,0.00027710953,0.003132479,0.00081198156,0.0006472604,0.0000837846,0.0010567877,0.000075034826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039404418,0.00055444735,0.14490359,0.00023942738,0.0005018126,0.0010168274,0.18770002,0.0002924811,0.07193638,0.53826797,0.049147055,0.0050459583],"study_design_scores_gemma":[0.0021303734,0.0003087546,0.20853618,0.0003400844,0.00040454295,0.00054107007,0.031148778,0.0005499367,0.0012768884,0.016277904,0.7372487,0.0012367854],"about_ca_topic_score_codex":0.009946407,"about_ca_topic_score_gemma":0.011949925,"teacher_disagreement_score":0.68810165,"about_ca_system_score_codex":0.0007512391,"about_ca_system_score_gemma":0.00051429396,"threshold_uncertainty_score":0.99997383},"labels":[],"label_agreement":null},{"id":"W2977336030","doi":"10.5860/choice.39sup-0202","title":"Encyclopedia of music in Canada","year":2002,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Encyclopedia; History; Library science; Computer science","score_opus":0.054302100024638054,"score_gpt":0.3043188973767611,"score_spread":0.25001679735212307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2977336030","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48707065,0.3348314,0.0000017285885,0.0062075052,0.0010451814,0.0008952974,0.00008624223,0.000029499584,0.16983253],"genre_scores_gemma":[0.5187456,0.39737812,0.0011758119,0.026436368,0.004075651,0.00008536971,0.00016553179,0.00002934077,0.051908195],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988932,0.0001926199,0.00037678436,0.00015299451,0.00017621335,0.0002082051],"domain_scores_gemma":[0.9994813,0.000084752006,0.00014574257,0.00014316107,0.000062431776,0.0000825781],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002259553,0.00008842217,0.0003650925,0.000034658548,0.00006884746,0.000008779696,0.00022488897,0.00004965745,0.0016857936],"category_scores_gemma":[0.00046497467,0.00006336891,0.0000878035,0.0007117162,0.00005635733,0.00010488005,0.000017339265,0.00012676179,0.000018399018],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028875238,0.000454757,0.07132451,0.00038472418,0.00004975867,0.000023754463,0.009177401,0.000008444469,0.00011530486,0.0016204922,0.20350714,0.7133308],"study_design_scores_gemma":[0.00007689261,0.000005318644,0.006539251,0.00008055783,0.00002477159,2.0507235e-7,0.00040546872,0.00002176069,9.573521e-7,0.000033066786,0.9927319,0.00007982619],"about_ca_topic_score_codex":0.7768365,"about_ca_topic_score_gemma":0.99752885,"teacher_disagreement_score":0.7892248,"about_ca_system_score_codex":0.00014009577,"about_ca_system_score_gemma":0.00015654395,"threshold_uncertainty_score":0.9992268},"labels":[],"label_agreement":null},{"id":"W2984939728","doi":"","title":"Stay Gold: Ottawa University Literary Journal: Anti-Plagiarism Guide for Faculty, Staff and Students: The Ottawa University Plagiarism Tutorial","year":2012,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medical education; Plagiarism detection; Library science; Psychology; Medicine; Computer science","score_opus":0.01827281427747524,"score_gpt":0.2904490789083212,"score_spread":0.272176264630846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2984939728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9166399,0.0011518482,0.00059154065,0.00794013,0.0039943415,0.0009272871,0.00032831426,0.00019490135,0.06823173],"genre_scores_gemma":[0.8041097,0.00046138657,0.0016712674,0.001552357,0.003962586,0.0000012211486,0.00009297134,0.000019783578,0.18812872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997611,0.00062545517,0.00025544973,0.00030143384,0.0005789671,0.0006276801],"domain_scores_gemma":[0.9984962,0.00028948006,0.0002285151,0.00018896518,0.00041407195,0.0003828017],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0017929026,0.00022043292,0.00031530886,0.00011617366,0.0021560488,0.00051321345,0.0008412955,0.00043555486,0.00033135037],"category_scores_gemma":[0.00013691963,0.0001485979,0.000236538,0.00044360064,0.00041514527,0.0016353894,0.00021608447,0.0005464222,0.000016532322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009529266,0.00045463574,0.037750714,0.000016074951,0.0006961892,0.00003709512,0.052021146,0.0000029935256,0.00015183454,0.08504964,0.81997055,0.0037538335],"study_design_scores_gemma":[0.0009286825,0.00006832395,0.008351426,0.0000083817395,0.00027048288,0.0000060838474,0.036806207,0.0000063478547,0.000010239339,0.0006784239,0.9526299,0.00023550069],"about_ca_topic_score_codex":0.0020010064,"about_ca_topic_score_gemma":0.0027808812,"teacher_disagreement_score":0.13265935,"about_ca_system_score_codex":0.00023390571,"about_ca_system_score_gemma":0.00014426495,"threshold_uncertainty_score":0.999143},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":["insufficient_payload"],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"high"}],"label_agreement":"split"},{"id":"W2989042529","doi":"10.4000/transposition.2884","title":"Andrea Cohen, Les Compositeurs et l’art radiophonique","year":2019,"lang":"fr","type":"article","venue":"Transposition","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"AS Composite (Canada); Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.016918534489943352,"score_gpt":0.26735913837264635,"score_spread":0.250440603882703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989042529","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8583448,0.010515065,0.00037158644,0.046102494,0.0020477395,0.00050602417,0.00017454787,0.00011942602,0.081818305],"genre_scores_gemma":[0.93617463,0.0012253282,0.00027801076,0.006096887,0.0004206514,0.000013301064,0.0004393912,0.000015595837,0.055336185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981848,0.0005517907,0.00026538622,0.00034877792,0.00028454268,0.00036472344],"domain_scores_gemma":[0.9994288,0.00007419369,0.00009197564,0.0001495593,0.00011614955,0.00013931048],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029909244,0.00021358934,0.00031586207,0.00005717238,0.0003468513,0.0001377361,0.00018539105,0.0003665107,0.0025695993],"category_scores_gemma":[0.000002407987,0.00019604701,0.0002906295,0.00049853575,0.0003166993,0.00057364354,0.000006069461,0.00032211764,0.00089663797],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006344743,0.0013521313,0.022531794,0.00066744006,0.0009312089,0.000105372405,0.088846244,0.0008978018,0.1542614,0.6659694,0.045597818,0.018204946],"study_design_scores_gemma":[0.0018783376,0.0007115937,0.036418725,0.0005699523,0.0010967278,0.000041570456,0.0027757827,0.00040468603,0.00540144,0.006279,0.9433921,0.0010301064],"about_ca_topic_score_codex":0.0009802255,"about_ca_topic_score_gemma":0.0016053391,"teacher_disagreement_score":0.89779425,"about_ca_system_score_codex":0.00009040942,"about_ca_system_score_gemma":0.00004811174,"threshold_uncertainty_score":0.99988127},"labels":[],"label_agreement":null},{"id":"W2989278088","doi":"10.4000/transposition.2968","title":"Laurent Feneyrou, Le chant de la dissolution. Tragédies lyriques (1945-1985)","year":2019,"lang":"fr","type":"article","venue":"Transposition","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.012239424265646318,"score_gpt":0.26401205803395505,"score_spread":0.2517726337683087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989278088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90450263,0.031674474,0.0008771267,0.03557655,0.0014427851,0.00039927507,0.00014724306,0.00015370159,0.025226228],"genre_scores_gemma":[0.9722853,0.0019258478,0.00024483312,0.001893852,0.00068634184,0.000027109894,0.00013122796,0.0000130763665,0.022792457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801844,0.0006749385,0.0002528647,0.00032492384,0.00026309342,0.0004657086],"domain_scores_gemma":[0.99946046,0.00008539795,0.00008798705,0.00012963892,0.000093608614,0.00014293137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000423176,0.00020975407,0.0002826175,0.00005723554,0.00049786275,0.0001555587,0.00018085432,0.00038408645,0.00073809066],"category_scores_gemma":[0.0000065961985,0.00018675858,0.00031434777,0.00039558107,0.00046719628,0.0005651732,0.0000072941543,0.00026112393,0.00016458762],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002843306,0.0014717489,0.0051891464,0.0005593371,0.0006617868,0.000053845655,0.16598688,0.0006415854,0.046966698,0.7437371,0.0132888155,0.021158727],"study_design_scores_gemma":[0.0028566609,0.0009760037,0.1173229,0.0012161958,0.001869674,0.000054227272,0.020021597,0.0023732195,0.010539145,0.06592089,0.77494097,0.0019085117],"about_ca_topic_score_codex":0.0030963202,"about_ca_topic_score_gemma":0.004263323,"teacher_disagreement_score":0.7616522,"about_ca_system_score_codex":0.0001594671,"about_ca_system_score_gemma":0.00010358266,"threshold_uncertainty_score":0.8081575},"labels":[],"label_agreement":null},{"id":"W2993507508","doi":"10.7202/1062857ar","title":"\"Le Vent\" : Tentative de restitution d’un retable baroque ou un principe de transfigure. Lecture de Le Vent, de Claude Simon","year":2012,"lang":"fr","type":"article","venue":"Sens public","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Restitution; Humanities; Philosophy; Baroque; Art; Art history; Political science; Law","score_opus":0.026693050889521477,"score_gpt":0.27703717168776204,"score_spread":0.2503441207982406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993507508","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8760423,0.024267498,0.004963634,0.06321091,0.001112056,0.00050334074,0.00008227797,0.00017791527,0.029640032],"genre_scores_gemma":[0.98699963,0.0004335937,0.0014142353,0.0042774715,0.0017528,0.000038839786,0.000099670724,0.000025589168,0.004958147],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99576175,0.0014474582,0.00034041918,0.0004196982,0.00034544314,0.0016852109],"domain_scores_gemma":[0.9985701,0.00011349542,0.0001868589,0.0002532244,0.00019958697,0.00067673397],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0015268628,0.00031245095,0.00036654368,0.000114137394,0.0014081409,0.00033411212,0.00038857572,0.0007223913,0.0003562237],"category_scores_gemma":[0.0003494741,0.00029166412,0.00032913196,0.0012393424,0.0005958764,0.0010950675,0.000044605848,0.00075022166,0.000055810873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012437975,0.001855161,0.078292064,0.00019906177,0.0010922009,0.00014215724,0.11243208,0.0010969614,0.025216114,0.74171007,0.013042556,0.0247972],"study_design_scores_gemma":[0.0010257292,0.00015747771,0.034655444,0.00009623272,0.00066795776,0.00009398209,0.012414448,0.0009671104,0.012113317,0.029661736,0.9073777,0.0007688664],"about_ca_topic_score_codex":0.0060337028,"about_ca_topic_score_gemma":0.010075798,"teacher_disagreement_score":0.89433515,"about_ca_system_score_codex":0.00077296887,"about_ca_system_score_gemma":0.0015458165,"threshold_uncertainty_score":0.99995357},"labels":[],"label_agreement":null},{"id":"W2994279838","doi":"","title":"Ian Gailer, directeur général et artistique du Festival de cinéma de la ville de Québec","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.004386814433324648,"score_gpt":0.18981002006089837,"score_spread":0.18542320562757372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994279838","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8282003,0.022425516,0.000114495546,0.100602515,0.00041862673,0.00018781768,0.000048086633,0.0001238667,0.047878806],"genre_scores_gemma":[0.7822882,0.0031635435,0.0006431498,0.0043715243,0.0005073375,0.000006091128,0.000023184755,0.000026527128,0.20897044],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968921,0.0012796107,0.00018756358,0.000457624,0.0002736281,0.0009094776],"domain_scores_gemma":[0.9986093,0.00032522468,0.00018232761,0.00025182447,0.00012518911,0.0005061171],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000753482,0.00029885847,0.00041007873,0.000102020946,0.0009144922,0.00010773736,0.00047897807,0.0005618274,0.0017780879],"category_scores_gemma":[0.000147204,0.0003148221,0.0003666352,0.00063552056,0.00043878873,0.00040334172,0.00018524718,0.0005233391,0.0003748861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036262744,0.0005930005,0.14062503,0.00011843296,0.0008700256,0.004770047,0.090007514,0.0009900592,0.006874369,0.3018678,0.4220363,0.030884791],"study_design_scores_gemma":[0.00070671504,0.000110263754,0.032604568,0.00006867893,0.000347344,0.00028385167,0.008951888,0.0014979943,0.00009803455,0.0021933008,0.95271343,0.00042394508],"about_ca_topic_score_codex":0.3276549,"about_ca_topic_score_gemma":0.8163031,"teacher_disagreement_score":0.53067714,"about_ca_system_score_codex":0.006833126,"about_ca_system_score_gemma":0.0005798971,"threshold_uncertainty_score":0.9999304},"labels":[],"label_agreement":null},{"id":"W2998999430","doi":"10.7202/1066484ar","title":"Le Quatuor selon Molinari : ma vie consacrée au quatuor à cordes","year":2019,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.037305367755946686,"score_gpt":0.2787500855253425,"score_spread":0.2414447177693958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998999430","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35354403,0.027075142,0.00007675872,0.024367185,0.0063071717,0.0013113589,0.0001485247,0.0003304455,0.5868394],"genre_scores_gemma":[0.79932106,0.00041128552,0.0000656969,0.007858286,0.002156557,0.00007184999,0.00015103415,0.00005704654,0.1899072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945384,0.0012130236,0.0010642962,0.0012018876,0.00068925397,0.0012930837],"domain_scores_gemma":[0.9964997,0.0005263309,0.00071596255,0.00073474256,0.0010078247,0.00051542156],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013258728,0.0007517055,0.0013463056,0.00022051868,0.0011482986,0.0005285031,0.0009370715,0.00097045535,0.001707115],"category_scores_gemma":[0.0003760108,0.00070076843,0.000778175,0.0013662224,0.001778804,0.0012795742,0.00014879905,0.0006784567,0.0011306035],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008012843,0.00053201825,0.015054421,0.000427622,0.00065439654,0.00010932501,0.070856996,0.00000603338,0.0025856758,0.87541044,0.020260308,0.01402265],"study_design_scores_gemma":[0.0012562027,0.00037255403,0.0022054606,0.00045527366,0.00031473083,0.000028756107,0.023079513,0.00013016415,0.00025889376,0.06531286,0.9053276,0.0012579696],"about_ca_topic_score_codex":0.021293707,"about_ca_topic_score_gemma":0.021542046,"teacher_disagreement_score":0.8850673,"about_ca_system_score_codex":0.00032972047,"about_ca_system_score_gemma":0.0019021692,"threshold_uncertainty_score":0.99964714},"labels":[],"label_agreement":null},{"id":"W2999849632","doi":"10.7202/1066485ar","title":"La contribution du Quatuor Molinari au rayonnement par le disque de la musique de R. Murray Schafer, Jean Papineau-Couture et Petros Shoujounian","year":2019,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015287591649177746,"score_gpt":0.27687550598710003,"score_spread":0.2615879143379223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2999849632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77911156,0.013253926,0.0023604005,0.056547318,0.0028289151,0.0018013724,0.0002713831,0.00040062104,0.1434245],"genre_scores_gemma":[0.9624223,0.0012058306,0.00011921233,0.0122203855,0.0030269746,0.00017531391,0.00035482025,0.00006909796,0.02040605],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913602,0.0049723904,0.0008729983,0.0009577159,0.00055552326,0.0012811882],"domain_scores_gemma":[0.9964568,0.0010076,0.0006120389,0.0005756346,0.00077926606,0.0005686359],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0047492404,0.00073992606,0.0010739687,0.00019457114,0.0010054506,0.0006990932,0.0007842189,0.0014150677,0.0005525286],"category_scores_gemma":[0.0010944731,0.00067069003,0.0007083775,0.0008409157,0.0014746423,0.0010099532,0.00014758592,0.0011593172,0.00008603387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107315216,0.0007999344,0.040729623,0.00030538422,0.0005900892,0.00023298214,0.12092949,0.000058663485,0.008056581,0.8139959,0.011674129,0.0025198914],"study_design_scores_gemma":[0.0025063045,0.00027444292,0.011518604,0.00062344695,0.00035679332,0.000065189066,0.01623517,0.0005567119,0.0005511463,0.044966266,0.92112714,0.0012188044],"about_ca_topic_score_codex":0.016742809,"about_ca_topic_score_gemma":0.014894755,"teacher_disagreement_score":0.909453,"about_ca_system_score_codex":0.001039489,"about_ca_system_score_gemma":0.0019141076,"threshold_uncertainty_score":0.9998813},"labels":[],"label_agreement":null},{"id":"W3001556533","doi":"","title":"Anne-Marie Fortier, René Char et la métaphore Rimbaud, Les Presses de l’Université de Montréal, 1999","year":2002,"lang":"fr","type":"article","venue":"Persée (Ministère de lEnseignement supérieur et de la Recherche)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.055620260047321055,"score_gpt":0.3141767279049789,"score_spread":0.25855646785765785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001556533","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6310239,0.14734563,0.00037091863,0.052384313,0.00033450726,0.0006667507,0.00031437082,0.00031414305,0.16724548],"genre_scores_gemma":[0.68784523,0.12993746,0.008008428,0.020253206,0.000882477,0.00016976889,0.00027357947,0.0001441137,0.15248574],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9866302,0.009530736,0.00060036004,0.00093969516,0.0006588928,0.0016401015],"domain_scores_gemma":[0.99479926,0.0033094822,0.00038362213,0.00054811867,0.00025304107,0.000706457],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0054690135,0.00071398774,0.00074089755,0.00017330352,0.001387184,0.0005787126,0.00092065753,0.0021827468,0.0061158678],"category_scores_gemma":[0.0018163356,0.0007179697,0.00068718265,0.00092593784,0.0011982055,0.0005637282,0.00030237544,0.0019465219,0.000115214854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019631042,0.0009326558,0.0060273567,0.00023353574,0.00065090216,0.00072011,0.5689475,0.00016940173,0.0029196844,0.009052211,0.39040032,0.019750036],"study_design_scores_gemma":[0.0010308805,0.00028541152,0.002958473,0.00019339682,0.0008423677,0.00013465842,0.045273855,0.0010873595,0.0005577469,0.0036604574,0.94317794,0.00079745846],"about_ca_topic_score_codex":0.03663487,"about_ca_topic_score_gemma":0.034696877,"teacher_disagreement_score":0.55277765,"about_ca_system_score_codex":0.0024815416,"about_ca_system_score_gemma":0.0005876889,"threshold_uncertainty_score":0.99991286},"labels":[],"label_agreement":null},{"id":"W3003132444","doi":"10.7202/1066026ar","title":"Corgeron, Jean-Michel, Laurent Jarry, Lise Beauchemin, Frank Sears et Sébastien Deshaies. Musique traditionnelle québécoise pour accordéon diatonique. 20 thèmes avec variations et ornements. Répertoire sélectionné et interprété par Frank Sears. Partitions et tablatures par Jean- Michel Corgeron. Aulnay-sous-Bois, Éditions Franches Connexions, 2018, 2 vol. (vol. 1, 64 p. ; vol. 2, 66 p.). 2 Dvd audio et vidéo. ISBN 2-9517073-5-5 et 2-9517073-4-7","year":2019,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities; Philosophy","score_opus":0.01978763463864296,"score_gpt":0.26928093865519204,"score_spread":0.24949330401654907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003132444","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09207116,0.07624763,0.022181788,0.74524075,0.01667314,0.008220414,0.017148476,0.0031507572,0.01906588],"genre_scores_gemma":[0.7834999,0.04814314,0.0046533016,0.08981011,0.0021291599,0.0027613167,0.010053515,0.00046452682,0.058485057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9856697,0.004967416,0.002466215,0.0029354629,0.0012924379,0.0026687994],"domain_scores_gemma":[0.98706245,0.005039852,0.0017860628,0.0019667957,0.0029939031,0.0011509393],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0037173964,0.002171799,0.0025013026,0.0009775902,0.002649926,0.0011562575,0.0019746274,0.0034606042,0.0068623456],"category_scores_gemma":[0.007124321,0.002203752,0.0018330596,0.0030033197,0.0022325674,0.003988876,0.0006277348,0.005838473,0.0007614616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003632955,0.0028396817,0.0057741217,0.0004919015,0.0014520767,0.00012544067,0.05454991,0.0061865007,0.002433394,0.020915832,0.9043482,0.00051963155],"study_design_scores_gemma":[0.003594444,0.0009475687,0.0063094636,0.0021961017,0.0014764945,0.000063606225,0.024781184,0.0049878033,0.0023944513,0.011732146,0.9379674,0.0035493183],"about_ca_topic_score_codex":0.03472495,"about_ca_topic_score_gemma":0.28584737,"teacher_disagreement_score":0.6914287,"about_ca_system_score_codex":0.0010725404,"about_ca_system_score_gemma":0.0027596932,"threshold_uncertainty_score":0.9998806},"labels":[],"label_agreement":null},{"id":"W3003311213","doi":"10.1515/9782763715612-008","title":"Le Ministre Hector Perrier et la Création du Conservatoire de Musique de la Province de Québec en 1942","year":2012,"lang":"fr","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013062431800080413,"score_gpt":0.26100337966468135,"score_spread":0.24794094786460094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003311213","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07386822,0.0023251786,0.0002671438,0.026300147,0.00023047031,0.0003741382,0.000077247176,0.00012318151,0.89643425],"genre_scores_gemma":[0.5740298,0.00040365924,0.0011062812,0.012673811,0.0010239985,0.00003615803,0.00006570301,0.00003133731,0.41062924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969373,0.0013889072,0.00036649365,0.00044515246,0.00027810436,0.0005840389],"domain_scores_gemma":[0.99808484,0.00086084096,0.00027614678,0.0002170191,0.00020063484,0.00036052527],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013543705,0.00041663263,0.0004649881,0.000056384364,0.00077518536,0.00029076077,0.00040335688,0.0013706136,0.0025727036],"category_scores_gemma":[0.00027199573,0.00034880536,0.00039416828,0.000102757054,0.0015277633,0.00041528224,0.00009173056,0.00067661365,0.000086027074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023147759,0.00011169751,0.013725961,0.000068866495,0.00020467893,0.00005367022,0.024862036,0.0000049141704,0.00036472542,0.9496087,0.006410438,0.0045611933],"study_design_scores_gemma":[0.00020630067,0.000043257547,0.005329336,0.000090313886,0.00032508318,0.00006638116,0.0027813218,0.000074815965,0.00006698341,0.0057207816,0.9848073,0.00048809],"about_ca_topic_score_codex":0.14409551,"about_ca_topic_score_gemma":0.490229,"teacher_disagreement_score":0.9783969,"about_ca_system_score_codex":0.0005189485,"about_ca_system_score_gemma":0.0052429633,"threshold_uncertainty_score":0.9999258},"labels":[],"label_agreement":null},{"id":"W3007637135","doi":"","title":"La scène du théâtre musical au Canada","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Art; Humanities; Visual arts","score_opus":0.004252088785451279,"score_gpt":0.16120649944551316,"score_spread":0.15695441066006188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007637135","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7430243,0.012901703,0.0000032612993,0.12214473,0.0016361807,0.00014625327,0.0000635015,0.00003780508,0.12004226],"genre_scores_gemma":[0.61849034,0.0009580715,0.000035056142,0.0028995033,0.0007358789,0.0000013100092,0.000026241883,0.000011131421,0.3768425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796236,0.00037322828,0.00015286908,0.00042010436,0.0004357819,0.0006556582],"domain_scores_gemma":[0.9989116,0.00018803585,0.00013411892,0.0002565039,0.00013363511,0.00037608555],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023852685,0.0002414242,0.00036164722,0.000057075027,0.0009516869,0.000044357384,0.0004516642,0.0003825678,0.0024685569],"category_scores_gemma":[0.000035285222,0.00023285647,0.0002477264,0.00074484665,0.00031366115,0.00030547785,0.0001969856,0.00035339335,0.00034487294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057374873,0.00010947815,0.006732878,0.00004576132,0.0003546856,0.0022836481,0.0060978415,0.00012875641,0.00013212168,0.38730416,0.57593435,0.020818913],"study_design_scores_gemma":[0.00043761317,0.00004505472,0.0050391406,0.000037171165,0.00026686353,0.000080145575,0.007298216,0.00023785037,0.0000067055203,0.0003692912,0.98588026,0.00030167436],"about_ca_topic_score_codex":0.9534816,"about_ca_topic_score_gemma":0.99873674,"teacher_disagreement_score":0.4099459,"about_ca_system_score_codex":0.010609808,"about_ca_system_score_gemma":0.00072556187,"threshold_uncertainty_score":0.9984433},"labels":[],"label_agreement":null},{"id":"W3009718252","doi":"","title":"Former l’avenir du théâtre musical au Québec","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Musical; Art; Political science; Literature","score_opus":0.006432892970821038,"score_gpt":0.17533106846523291,"score_spread":0.16889817549441188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3009718252","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71727866,0.020308373,0.000010521039,0.18068342,0.0013445229,0.00021685204,0.00003559469,0.000067727604,0.080054335],"genre_scores_gemma":[0.46236533,0.0010886749,0.000061302475,0.0028992575,0.00083276856,0.0000024507096,0.000022583574,0.000014404942,0.53271323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791515,0.0002193837,0.00019528369,0.0004943954,0.00038771448,0.00078808464],"domain_scores_gemma":[0.9988485,0.00012839411,0.0001741338,0.0003106388,0.0001567866,0.00038151973],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022782365,0.00028978402,0.00042824532,0.00009331334,0.0013316171,0.000053132255,0.00049473636,0.0004624062,0.003643181],"category_scores_gemma":[0.00003228349,0.00026931896,0.0005139002,0.0007614886,0.00040196517,0.0005697125,0.00022966157,0.0003381189,0.002294878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015862173,0.00031161951,0.016099794,0.000071142866,0.00067277544,0.00094059034,0.032771096,0.00009221356,0.0004288458,0.45698708,0.4403712,0.05109502],"study_design_scores_gemma":[0.00057418656,0.00011283572,0.004018551,0.000034809003,0.00039800024,0.00006577689,0.0075558806,0.00032560443,0.000011950819,0.000859842,0.98568213,0.00036045496],"about_ca_topic_score_codex":0.45690367,"about_ca_topic_score_gemma":0.94602233,"teacher_disagreement_score":0.5453109,"about_ca_system_score_codex":0.011138951,"about_ca_system_score_gemma":0.00040149046,"threshold_uncertainty_score":0.9999759},"labels":[],"label_agreement":null},{"id":"W3011224457","doi":"","title":"« Les vivants font pitié et s’en habillent » / José Acquelin, L’inconscient du soleil, Montréal, Les Herbes rouges, 2003, 96 p. / Bertrand Laverdure, Audioguide, Montréal, le Noroît, 2002, 92 p. / Alexandre Trudel, Kabbale instrumentale, Trois-Rivières, Écrits des Forges, 2002, 52 p.","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009887171420630522,"score_gpt":0.20240152768762662,"score_spread":0.1925143562669961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011224457","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28244707,0.6191443,0.0005146863,0.084734954,0.0014276996,0.0013916026,0.0010135863,0.00030489164,0.009021196],"genre_scores_gemma":[0.35615358,0.43166095,0.0047531375,0.004249255,0.0014270302,0.0001259687,0.0004730868,0.00023091341,0.20092607],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99185085,0.0011444286,0.0012095246,0.0018367469,0.0015263857,0.0024320576],"domain_scores_gemma":[0.9956734,0.00028241106,0.0007785852,0.0009361552,0.0010399155,0.0012895057],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011400437,0.0014292691,0.0016565262,0.00049547007,0.0063230027,0.00047801432,0.0015126087,0.0012974867,0.0014708621],"category_scores_gemma":[0.0002734365,0.001386075,0.001077056,0.0024426263,0.002164821,0.0024210198,0.00076393114,0.0010480116,0.00029338477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066829816,0.002731147,0.01034612,0.0003247012,0.0017284846,0.0025929508,0.014795207,0.007817825,0.0011071342,0.026861094,0.8834111,0.04761595],"study_design_scores_gemma":[0.0066190404,0.0006656154,0.009126277,0.000700454,0.0012301633,0.000541788,0.019862184,0.00094748137,0.0003538433,0.0021243996,0.95604646,0.0017822633],"about_ca_topic_score_codex":0.5326534,"about_ca_topic_score_gemma":0.9236192,"teacher_disagreement_score":0.39096582,"about_ca_system_score_codex":0.009151304,"about_ca_system_score_gemma":0.0006579291,"threshold_uncertainty_score":0.99999905},"labels":[],"label_agreement":null},{"id":"W3013753731","doi":"","title":"L'interprétation du réel : Théâtres documentaires au Québec","year":2020,"lang":"fr","type":"book","venue":"Groupe Nota Bene eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02005009695451702,"score_gpt":0.260749228956345,"score_spread":0.240699132001828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013753731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055333596,0.0019210315,0.000053696782,0.032333776,0.0041308696,0.00084512954,0.00017707511,0.00027256113,0.90493226],"genre_scores_gemma":[0.4974308,0.00005399909,0.0001320799,0.009895226,0.006224478,0.00008364191,0.00033105636,0.00005789315,0.48579082],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99591345,0.00050701114,0.0008450531,0.0010699406,0.0008387224,0.0008258164],"domain_scores_gemma":[0.99796826,0.00032610365,0.0005900296,0.00039436255,0.00024317442,0.00047806784],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030257026,0.00078748027,0.0009635192,0.00014590909,0.0016527511,0.00047623698,0.00096557493,0.0008174126,0.0012635378],"category_scores_gemma":[0.00013645798,0.0006725836,0.00086168153,0.00023502517,0.001344219,0.0004245666,0.00028506873,0.0007778748,0.0008190252],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018582668,0.00016675933,0.00675973,0.00033698426,0.0017103475,0.00022721739,0.10663913,0.000020080124,0.00045973342,0.65719897,0.091404736,0.1348905],"study_design_scores_gemma":[0.00046617867,0.00030519857,0.0027976285,0.00025088008,0.0011439645,0.000007910872,0.0038745792,0.000089400564,0.000095282376,0.015476044,0.9745069,0.0009859953],"about_ca_topic_score_codex":0.17723785,"about_ca_topic_score_gemma":0.58814216,"teacher_disagreement_score":0.8831022,"about_ca_system_score_codex":0.0015197825,"about_ca_system_score_gemma":0.0016165099,"threshold_uncertainty_score":0.99995893},"labels":[],"label_agreement":null},{"id":"W3023431265","doi":"10.5937/newso1545139n","title":"Vivier reenacted: Singing beyond masculine","year":2015,"lang":"en","type":"article","venue":"New Sound","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Singing; Opera; Rest (music); Musical; Symbol (formal); Destiny (ISS module); Queer; Art; Dance; Creativity; Aesthetics; Visual arts; History; Literature; Communication; Sociology; Linguistics; Law; Philosophy; Engineering; Acoustics; Gender studies; Political science","score_opus":0.0430293290356166,"score_gpt":0.3056016927588066,"score_spread":0.26257236372319004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023431265","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37269312,0.003722962,0.00038526772,0.018589204,0.001807687,0.0002347845,0.000007255944,0.00024620988,0.6023135],"genre_scores_gemma":[0.88761336,0.000023836728,0.001045533,0.006680618,0.0034120246,0.000003361064,0.000026873056,0.000010580423,0.10118384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898976,0.000095619806,0.00012968142,0.00019004739,0.00031686696,0.00027801862],"domain_scores_gemma":[0.9993637,0.000036724185,0.00005424076,0.00013122414,0.000130244,0.00028384602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003491311,0.000090976995,0.00014906276,0.000041589185,0.0003228471,0.00021288401,0.00018015357,0.000121802004,0.00044949935],"category_scores_gemma":[0.00018655714,0.00006984344,0.00009325512,0.00043298412,0.000116692405,0.0002840015,0.000030559026,0.00012697269,0.00020388766],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059890797,0.00016337445,0.011532696,0.000013106332,0.0003069743,0.000043945063,0.13441816,0.00008225334,0.00081596465,0.12719968,0.6853412,0.04002278],"study_design_scores_gemma":[0.0002576875,0.000021025076,0.00029987126,0.0000051633356,0.00005690584,0.0000015157402,0.00496015,0.000016710574,0.0000133924605,0.03846327,0.9557711,0.00013320394],"about_ca_topic_score_codex":0.0016032197,"about_ca_topic_score_gemma":0.005828734,"teacher_disagreement_score":0.51492023,"about_ca_system_score_codex":0.00007522254,"about_ca_system_score_gemma":0.00014720288,"threshold_uncertainty_score":0.49217024},"labels":[],"label_agreement":null},{"id":"W3032977901","doi":"","title":"Jean-Claude Labrecque : un monument du cinéma québécois","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Geography","score_opus":0.004907550766236826,"score_gpt":0.16910321689533156,"score_spread":0.16419566612909473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032977901","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.532246,0.15410046,0.000029168623,0.25297374,0.0019792968,0.00041818,0.000074306416,0.00012867349,0.058050163],"genre_scores_gemma":[0.3294082,0.017640313,0.00019881398,0.0054036016,0.0007253479,0.0000058444534,0.00004668146,0.000026159278,0.64654505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974974,0.00037806467,0.00025060598,0.0006028049,0.00047157594,0.0007995555],"domain_scores_gemma":[0.99857026,0.00016364486,0.000245752,0.0004010806,0.00021000407,0.00040923487],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003240648,0.0003574731,0.00049263745,0.00012583211,0.0011071409,0.00007561311,0.0006167864,0.0004939163,0.007868165],"category_scores_gemma":[0.00003591909,0.00035271494,0.0004650429,0.0010617059,0.00027120556,0.0005254965,0.00027713846,0.00035774018,0.002384304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019520176,0.0005172052,0.008363466,0.00010724173,0.0013895832,0.0017758313,0.042037077,0.00059455424,0.0012593888,0.44127738,0.37525097,0.1272321],"study_design_scores_gemma":[0.00074346754,0.00013911963,0.0015647582,0.000050278763,0.0004455201,0.00004098875,0.011941487,0.0004975651,0.00008964716,0.0017077309,0.9823309,0.00044851226],"about_ca_topic_score_codex":0.21959119,"about_ca_topic_score_gemma":0.6912824,"teacher_disagreement_score":0.6070799,"about_ca_system_score_codex":0.0049730167,"about_ca_system_score_gemma":0.00012585655,"threshold_uncertainty_score":0.9998925},"labels":[],"label_agreement":null},{"id":"W305371590","doi":"","title":"Secousses d’échelles. Manon Labrecque, Secousses, Le Lieu, Centre en art actuel, Québec, 12 avril-13 mai 2007Manon Labrecque, Secousses, Le Lieu, Centre en art actuel, Québec, 12 avril-13 mai 2007","year":2007,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009360280444612375,"score_gpt":0.2417220054570527,"score_spread":0.23236172501244032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W305371590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13429238,0.050937586,0.0010216911,0.14706035,0.02036446,0.0045331707,0.0021866492,0.0019207378,0.637683],"genre_scores_gemma":[0.23840213,0.004304941,0.00058952207,0.02579435,0.007256534,0.00008447781,0.0012547199,0.0003922109,0.7219211],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9840945,0.0019691277,0.0031404127,0.0034719969,0.0022501673,0.00507377],"domain_scores_gemma":[0.99084866,0.0019268069,0.0016347091,0.002125598,0.0012963684,0.002167835],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0029896083,0.0029386033,0.0029897117,0.00090731576,0.0022827713,0.0018412833,0.0030488402,0.0030806959,0.12468004],"category_scores_gemma":[0.00064831757,0.0026930764,0.0021189814,0.0018343709,0.0020359494,0.0039258865,0.00109499,0.0035450624,0.019955775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060952554,0.00246374,0.0043704654,0.00046481844,0.0019834682,0.00071154966,0.029052632,0.00008570624,0.0017636354,0.0009218267,0.9406535,0.016919103],"study_design_scores_gemma":[0.0023386427,0.00034189047,0.002011672,0.00071483233,0.0009614342,0.00020120025,0.02499626,0.00016449438,0.0028256292,0.0005648332,0.9618498,0.0030292794],"about_ca_topic_score_codex":0.16795006,"about_ca_topic_score_gemma":0.92988986,"teacher_disagreement_score":0.76193976,"about_ca_system_score_codex":0.0033707388,"about_ca_system_score_gemma":0.0046655857,"threshold_uncertainty_score":0.9991949},"labels":[],"label_agreement":null},{"id":"W3083830016","doi":"","title":"Montreal Sound Matter = Montréal matière sonore","year":2006,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sound (geography); Representation (politics); Visual arts; Portrait; Art; Art history; History; Media studies; Sociology; Political science; Politics; Acoustics; Law","score_opus":0.01017980363032617,"score_gpt":0.23752494681576528,"score_spread":0.2273451431854391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3083830016","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00094874896,0.0065497714,0.000034302553,0.0038025673,0.001416571,0.00075733336,0.0002987574,0.0002891509,0.9859028],"genre_scores_gemma":[0.00408938,0.0001442532,0.00012946005,0.0063462243,0.0061954744,0.00009111484,0.0010712344,0.000113551076,0.98181933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948066,0.00039375425,0.00095777103,0.001274259,0.0012038092,0.0013638029],"domain_scores_gemma":[0.9974915,0.00018531794,0.00061915023,0.00084004237,0.00040512442,0.00045890256],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005257941,0.0009764583,0.0013247813,0.00026984155,0.0016529458,0.0009848967,0.0010306642,0.0016072284,0.011485629],"category_scores_gemma":[0.000038831902,0.00083038927,0.0010562795,0.0004184122,0.0008398176,0.0006672836,0.00016703541,0.0011485304,0.011865266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002616333,0.000106691856,0.00018216253,0.00005636582,0.00028506364,0.00009867714,0.0054267393,0.000010710391,0.000005522856,0.010078731,0.97782797,0.0058952123],"study_design_scores_gemma":[0.00046914755,0.000055717966,0.0025739525,0.0001151173,0.00053302175,0.000011722205,0.0007012204,0.00001876734,9.422746e-7,0.063791215,0.93074006,0.0009891021],"about_ca_topic_score_codex":0.010723758,"about_ca_topic_score_gemma":0.115402445,"teacher_disagreement_score":0.10467869,"about_ca_system_score_codex":0.000554402,"about_ca_system_score_gemma":0.0004345883,"threshold_uncertainty_score":0.9996889},"labels":[],"label_agreement":null},{"id":"W308825658","doi":"","title":"Les États-Unis d’Albert : Belle aventure amoureuse au temps du muet Les États-Unis d’Albert Québec / France / Suisse 2005, 87 minutes Les États-Unis d’Albert Québec / France / Suisse 2005, 87 minutes","year":2005,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01411165829680297,"score_gpt":0.24740037048790237,"score_spread":0.2332887121910994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W308825658","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4906482,0.192928,0.000052482203,0.302025,0.0019576033,0.0011982574,0.00051629444,0.00036314796,0.010311015],"genre_scores_gemma":[0.51382375,0.014022285,0.0025577112,0.005342346,0.0074153184,0.0004164042,0.0003059157,0.00026134803,0.45585495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9846987,0.0026680208,0.0028377501,0.0033850938,0.0018915294,0.004518913],"domain_scores_gemma":[0.98873657,0.0037375274,0.0019775776,0.0021125118,0.0014254733,0.002010314],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0025312658,0.002725152,0.0031721503,0.0006727623,0.012792884,0.0011006851,0.0043590707,0.0030155184,0.0072865584],"category_scores_gemma":[0.0022995204,0.0024828555,0.0021201642,0.0032267265,0.009561569,0.0027824193,0.00074371294,0.003004121,0.00073898997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004210016,0.0027085354,0.1630259,0.0014920091,0.0024061012,0.0010014117,0.20879278,0.0017157263,0.0036356125,0.013494043,0.53365815,0.06764871],"study_design_scores_gemma":[0.0015093802,0.00035138827,0.011459747,0.001452423,0.0013026666,0.00031567665,0.0149707375,0.00083733624,0.0012593225,0.0013189545,0.96218437,0.0030379926],"about_ca_topic_score_codex":0.79336286,"about_ca_topic_score_gemma":0.9716973,"teacher_disagreement_score":0.44554392,"about_ca_system_score_codex":0.0018346155,"about_ca_system_score_gemma":0.003114087,"threshold_uncertainty_score":0.9999363},"labels":[],"label_agreement":null},{"id":"W3093929675","doi":"10.1093/oso/9780199391028.003.0063","title":"THIERRY PÉCOU (b. 1965)Mammal Dreams (1996)","year":2020,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Art; Feeling; Musical; Visual arts; Harmony (Music); Literature; Communication; Aesthetics; Art history; Psychology; Social psychology","score_opus":0.02933578740879192,"score_gpt":0.22620099602235721,"score_spread":0.1968652086135653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093929675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011077445,0.00024338497,0.0000131329725,0.0003586173,0.0004448424,0.00031710954,0.00014219063,0.00021546855,0.99815446],"genre_scores_gemma":[0.0019996297,0.00031639772,0.00009553585,0.0013550341,0.0009482503,8.732872e-7,0.000091041875,0.00002739268,0.9951658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811226,0.00010375431,0.00020365726,0.000637122,0.00052760605,0.00041558748],"domain_scores_gemma":[0.9987834,0.0000644654,0.00026222534,0.0003191952,0.00020728566,0.00036341825],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00013476881,0.0003862043,0.0005336266,0.00011349331,0.0009862023,0.00017044548,0.0009118053,0.00084943546,0.00030437144],"category_scores_gemma":[0.000017828137,0.00038223443,0.0005208307,0.00003319974,0.00069560355,0.00020484836,0.0003296798,0.0007503778,0.000012635057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071227434,0.000010014437,0.000012239279,0.000027141723,0.00033028654,0.00022136411,0.003333855,0.0000010845882,0.000010211391,0.9758063,0.015628703,0.0045475764],"study_design_scores_gemma":[0.00025241615,0.000049674203,0.0000084028015,0.000048863516,0.00050112896,0.0000015928167,0.0007817878,0.0000065713807,0.000008236608,0.00286488,0.9950096,0.0004668576],"about_ca_topic_score_codex":0.0008749649,"about_ca_topic_score_gemma":0.001716438,"teacher_disagreement_score":0.9793809,"about_ca_system_score_codex":0.00020373943,"about_ca_system_score_gemma":0.00024330485,"threshold_uncertainty_score":0.99986297},"labels":[],"label_agreement":null},{"id":"W3094902919","doi":"10.7202/1069887ar","title":"La SQRM 1980-2005 : Une première approche historique","year":2020,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.05604021307316428,"score_gpt":0.3364094375802342,"score_spread":0.28036922450706997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094902919","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07430605,0.019935545,0.0044192714,0.12393471,0.00087134464,0.0008359891,0.00007563377,0.00052035984,0.7751011],"genre_scores_gemma":[0.4534638,0.019671608,0.038240418,0.22383276,0.01330658,0.0005609428,0.00018434484,0.00035135457,0.25038818],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.97800153,0.018577673,0.0006580704,0.0009637617,0.00049400365,0.0013049562],"domain_scores_gemma":[0.9924643,0.0054369257,0.00039166035,0.00040263016,0.00023156859,0.0010728894],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.006186467,0.000701474,0.00092595554,0.000093846975,0.000729263,0.00030123597,0.0011199195,0.00819103,0.0005925319],"category_scores_gemma":[0.0039849435,0.0006936375,0.00090181985,0.0018672234,0.002689712,0.00045398876,0.000117009535,0.007852013,0.00008561435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107711705,0.00026033146,0.00016909916,0.00041458386,0.00058242265,0.00021312392,0.4255006,0.00008741864,0.004422434,0.41693217,0.03162559,0.11968451],"study_design_scores_gemma":[0.0005284581,0.000077398305,0.00009480137,0.00011785767,0.00055622857,0.00004627358,0.04845384,0.00032669894,0.00038583836,0.042060513,0.9065847,0.0007674198],"about_ca_topic_score_codex":0.014474477,"about_ca_topic_score_gemma":0.013813659,"teacher_disagreement_score":0.87495905,"about_ca_system_score_codex":0.0077609867,"about_ca_system_score_gemma":0.0026307967,"threshold_uncertainty_score":0.9995515},"labels":[],"label_agreement":null},{"id":"W3094990363","doi":"10.7202/1072421ar","title":"«Tout le monde a le droit de goûter à l’opéra ! ». Portrait du médiateur Pierre Vachon","year":2020,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.025901133984239978,"score_gpt":0.24229846122627688,"score_spread":0.2163973272420369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094990363","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.349027,0.03954275,0.00071137364,0.40460074,0.010421625,0.0009834884,0.00029906584,0.00045759993,0.19395636],"genre_scores_gemma":[0.8470197,0.0010236093,0.00055126584,0.04020194,0.0274027,0.00005946339,0.00010738576,0.00006857351,0.08356538],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99671865,0.0004224611,0.00058318046,0.00089168287,0.0003675757,0.0010164708],"domain_scores_gemma":[0.99824584,0.00013524898,0.00026934934,0.00034176916,0.00017290266,0.00083492027],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041747146,0.0004130383,0.0007488789,0.000059697566,0.00074458506,0.00032797444,0.00070261484,0.00060872704,0.0016290983],"category_scores_gemma":[0.00028890115,0.00041538983,0.0007427763,0.0012953582,0.00058697484,0.00056578213,0.00018043697,0.0007299167,0.00057842594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012667396,0.001666528,0.0041873036,0.0006822988,0.0008139968,0.0010916127,0.09257455,0.0003103916,0.006278881,0.28744322,0.537199,0.0676255],"study_design_scores_gemma":[0.00063938316,0.00015019087,0.0018800464,0.000101473124,0.00034965161,0.00003096232,0.0029539543,0.0018621567,0.00013486468,0.004546051,0.98675567,0.00059559045],"about_ca_topic_score_codex":0.0027941442,"about_ca_topic_score_gemma":0.001684371,"teacher_disagreement_score":0.4979927,"about_ca_system_score_codex":0.00018231504,"about_ca_system_score_gemma":0.00048886257,"threshold_uncertainty_score":0.99982977},"labels":[],"label_agreement":null},{"id":"W3096531756","doi":"10.7202/1069886ar","title":"Mouvance et évolution du champ de la recherche en éducation musicale au Québec","year":2020,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.13400269311801338,"score_gpt":0.39750893920213354,"score_spread":0.26350624608412015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096531756","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50827307,0.005854467,0.0117635215,0.1587504,0.0007755065,0.0006489236,0.00005093005,0.00036473863,0.31351846],"genre_scores_gemma":[0.7921215,0.009857406,0.027416598,0.14045705,0.0063921902,0.00030846312,0.0000923091,0.00013342603,0.023221057],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9303854,0.066778615,0.00057598006,0.0008191857,0.00039206145,0.0010487522],"domain_scores_gemma":[0.9742354,0.024019042,0.00038362472,0.00035630979,0.00026731263,0.0007382975],"candidate_categories":["metaresearch","metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.021010358,0.0005649576,0.0006984214,0.000091846836,0.0007821353,0.00029045416,0.0008554896,0.00799197,0.00041366013],"category_scores_gemma":[0.028028343,0.00057562784,0.00064455415,0.0015358684,0.0021741432,0.0005854851,0.000102341946,0.008138237,0.00007447477],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000085031534,0.00030154662,0.00096651854,0.00019680228,0.0002966707,0.00004613863,0.70155597,0.00020302189,0.0070643052,0.18725829,0.008189235,0.093836494],"study_design_scores_gemma":[0.0007569455,0.00012146078,0.003814846,0.00017270207,0.00051168905,0.000060771603,0.09971404,0.001856452,0.0009052754,0.11557416,0.77553576,0.0009758691],"about_ca_topic_score_codex":0.28773016,"about_ca_topic_score_gemma":0.27304298,"teacher_disagreement_score":0.76734656,"about_ca_system_score_codex":0.028899867,"about_ca_system_score_gemma":0.015181871,"threshold_uncertainty_score":0.9996695},"labels":[],"label_agreement":null},{"id":"W3097250073","doi":"10.7202/1069874ar","title":"Serge Garant à Paris : parcours d’un crucial apprentissage","year":2020,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","score_opus":0.05727543844522198,"score_gpt":0.34236193488429323,"score_spread":0.28508649643907125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097250073","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38264945,0.029157575,0.0079328455,0.103447035,0.0018506908,0.0011259556,0.00020019866,0.0006006318,0.4730356],"genre_scores_gemma":[0.7726902,0.023382016,0.017252881,0.14338036,0.008447573,0.00025257975,0.00012434759,0.00019512916,0.034274954],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.97809035,0.018380335,0.0006821583,0.0009224347,0.00054035615,0.0013843458],"domain_scores_gemma":[0.9947791,0.003236324,0.00037051202,0.0003593066,0.00020164892,0.0010531254],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0054766224,0.000661498,0.0009467031,0.000079733516,0.0010155193,0.00037607964,0.0010309663,0.005852532,0.0024277521],"category_scores_gemma":[0.0023015898,0.0006563733,0.0010382615,0.0015513264,0.0021788282,0.0004396863,0.00012855265,0.005895079,0.00011179673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020837241,0.00046873602,0.0011130488,0.00039716373,0.0013850117,0.0005471819,0.4209553,0.00016988073,0.004828746,0.26932445,0.040821113,0.259781],"study_design_scores_gemma":[0.00095864444,0.00013457294,0.00067075115,0.00013785198,0.0011810525,0.000041103678,0.047489338,0.00084814045,0.0010019249,0.06554646,0.8808824,0.0011077891],"about_ca_topic_score_codex":0.009676567,"about_ca_topic_score_gemma":0.004501995,"teacher_disagreement_score":0.84006125,"about_ca_system_score_codex":0.0022552263,"about_ca_system_score_gemma":0.0014860815,"threshold_uncertainty_score":0.9995887},"labels":[],"label_agreement":null},{"id":"W3097710248","doi":"","title":"Mon cinéma, mes amours / LUSSIER, Marc-André. Mon cinéma – 350 films à voir ou à revoir, Montréal, Éditions La Presse, 2018, 366 p.","year":2019,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014388567234247498,"score_gpt":0.2538829227052118,"score_spread":0.2394943554709643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097710248","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1710878,0.4959722,0.000045209264,0.13506925,0.007825663,0.0016268127,0.0011466178,0.00041095502,0.1868155],"genre_scores_gemma":[0.22870107,0.025011646,0.00066784676,0.0039691343,0.0021803859,0.0001544001,0.00037342645,0.00009118489,0.7388509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99498403,0.0009485939,0.00081448164,0.0011462639,0.00085901585,0.0012476041],"domain_scores_gemma":[0.9971828,0.00049888843,0.0005187467,0.0008464835,0.0003937878,0.0005593335],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006904629,0.0007232029,0.0010468384,0.00021732265,0.0014270602,0.0005811279,0.000950067,0.0010000572,0.006766614],"category_scores_gemma":[0.0002468905,0.00060087186,0.0007898114,0.0012575211,0.001139018,0.00088593876,0.0002432558,0.00085579185,0.0018836462],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006500294,0.0004101369,0.0025257908,0.00016428532,0.00046397618,0.00006271681,0.006603375,0.00031150808,0.0006105085,0.027432226,0.9580784,0.0032721194],"study_design_scores_gemma":[0.0008539252,0.0001944892,0.011135254,0.00038016232,0.0007206418,0.000023964714,0.0136063425,0.0003942338,0.00021769099,0.003948252,0.967645,0.00088005996],"about_ca_topic_score_codex":0.007557586,"about_ca_topic_score_gemma":0.006110037,"teacher_disagreement_score":0.5520354,"about_ca_system_score_codex":0.0001261999,"about_ca_system_score_gemma":0.00020318832,"threshold_uncertainty_score":0.9998729},"labels":[],"label_agreement":null},{"id":"W3101914286","doi":"","title":"La vacance et l’oubli. L’enfance comme dystopie chez Barrie, Golding et Kundera","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.034845808562322465,"score_gpt":0.3041946202324724,"score_spread":0.26934881167014996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3101914286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1212091,0.011233891,0.0063598137,0.17221037,0.0017123567,0.00087517314,0.00036919373,0.00043744137,0.68559265],"genre_scores_gemma":[0.8634647,0.004842204,0.007590114,0.00736186,0.00014396908,0.000257465,0.0010681477,0.00006907823,0.115202464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9658379,0.029950744,0.00090411253,0.0014373861,0.0010322573,0.00083758647],"domain_scores_gemma":[0.99133885,0.0033549906,0.0010723263,0.001934369,0.0018543066,0.0004451369],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.015714845,0.0006578149,0.0008622345,0.00019398851,0.0022234896,0.0014454213,0.0029319704,0.00071852206,0.0034929037],"category_scores_gemma":[0.0017432678,0.0006847751,0.0006534382,0.0017877772,0.0012708507,0.00068814954,0.0022640857,0.002590895,0.00007982038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012902465,0.000470485,0.0021663555,0.0001111493,0.00021692557,0.000013798335,0.07874713,0.00021960794,0.00050346134,0.9027732,0.0049896035,0.009775358],"study_design_scores_gemma":[0.0005808608,0.0000011983116,0.00911393,0.0010340601,0.00019701515,0.000014228822,0.0035553698,0.0018868418,0.0006955967,0.019677084,0.96231854,0.00092530216],"about_ca_topic_score_codex":0.008153014,"about_ca_topic_score_gemma":0.027137468,"teacher_disagreement_score":0.9573289,"about_ca_system_score_codex":0.0006038963,"about_ca_system_score_gemma":0.00086685945,"threshold_uncertainty_score":0.99971014},"labels":[],"label_agreement":null},{"id":"W3108785864","doi":"10.1007/978-3-476-05728-0_10760-1","title":"Kundera, Milan: Kniha smíchu a zapomnění","year":2020,"lang":"cs","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Art; Humanities; Theology","score_opus":0.05147441348304431,"score_gpt":0.2776003093472813,"score_spread":0.22612589586423698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108785864","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004491359,0.0037169263,0.000019024406,0.0050034546,0.002500783,0.0009928718,0.00020155944,0.0002939013,0.98682237],"genre_scores_gemma":[0.060034037,0.00026306606,0.00036175497,0.026773952,0.006226176,0.000071472656,0.00019895758,0.00014353126,0.90592706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935553,0.00041085068,0.0012933541,0.001891749,0.0016218354,0.0012269093],"domain_scores_gemma":[0.99640036,0.00027774376,0.00088798645,0.00087276305,0.00055866846,0.0010024727],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006412845,0.0013777422,0.002041624,0.00029905478,0.0015471326,0.00085358246,0.0014645627,0.0020466512,0.0063116453],"category_scores_gemma":[0.00013000437,0.0011369244,0.0019167067,0.00023460228,0.0013122819,0.00024480565,0.00043237273,0.0019365863,0.002960771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015757755,0.000085369444,0.000050486065,0.00020964521,0.0028484024,0.0004430139,0.027018754,0.000002118971,0.0006322202,0.8905176,0.044463586,0.033571254],"study_design_scores_gemma":[0.0005616189,0.00021376427,0.000037560578,0.00019512893,0.0017337382,0.00001211403,0.0028408775,0.000024941337,0.00008561799,0.04114735,0.95172024,0.0014270338],"about_ca_topic_score_codex":0.00058005605,"about_ca_topic_score_gemma":0.002752179,"teacher_disagreement_score":0.90725666,"about_ca_system_score_codex":0.00026108592,"about_ca_system_score_gemma":0.00044834922,"threshold_uncertainty_score":0.9998973},"labels":[],"label_agreement":null},{"id":"W3108872846","doi":"10.1007/978-3-476-05728-0_8336-1","title":"Davies, Robertson: The Deptford Trilogy","year":2020,"lang":"de","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Humanities; Philosophy; Art; Art history","score_opus":0.0471835599076568,"score_gpt":0.2712156635869902,"score_spread":0.22403210367933338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108872846","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000117961004,0.011505335,0.000017575707,0.011390472,0.0033797936,0.001033774,0.00010795655,0.00016231237,0.9722848],"genre_scores_gemma":[0.02867736,0.00075813686,0.00014371275,0.03896358,0.008887659,0.00010693623,0.00019996904,0.000108902,0.9221538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99500585,0.0005440085,0.0010794123,0.0013093252,0.0011031751,0.0009582111],"domain_scores_gemma":[0.9969881,0.00043525532,0.0008069206,0.0008706965,0.00038350205,0.0005155094],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00078917056,0.0010109941,0.0015462725,0.000149104,0.001939213,0.0006236644,0.0017041849,0.0014175038,0.0062745856],"category_scores_gemma":[0.00014765124,0.0006209096,0.0015310738,0.00020243149,0.0017358239,0.0001491094,0.0004307088,0.0017388138,0.0023055784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009273897,0.000036025795,0.00003546936,0.00006855376,0.0022011274,0.00016770598,0.01868684,0.0000016622143,0.00014077402,0.8879262,0.058795765,0.0318471],"study_design_scores_gemma":[0.00036523596,0.00015834373,0.000027668886,0.000073876974,0.0020120484,0.000009849266,0.0015128187,0.00001290552,0.000035074598,0.040386755,0.9546055,0.0007999182],"about_ca_topic_score_codex":0.00065121066,"about_ca_topic_score_gemma":0.0039095078,"teacher_disagreement_score":0.89580977,"about_ca_system_score_codex":0.00015185153,"about_ca_system_score_gemma":0.00031380015,"threshold_uncertainty_score":0.9998789},"labels":[],"label_agreement":null},{"id":"W3109225067","doi":"10.1007/978-3-476-05728-0_10761-1","title":"Kundera, Milan: Nesnesitelná lehkost bytí","year":2020,"lang":"sv","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Theology","score_opus":0.04664632163704136,"score_gpt":0.2720472180235229,"score_spread":0.22540089638648153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109225067","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010513274,0.0036801973,0.000015432397,0.006808525,0.0027935673,0.0010135905,0.00021123643,0.00030289893,0.98412323],"genre_scores_gemma":[0.10080821,0.00023833026,0.0002502565,0.028904986,0.0065787034,0.00005956595,0.00024769735,0.00015218499,0.86276007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99365515,0.00044893843,0.0012885052,0.0018933916,0.0015148241,0.0011992174],"domain_scores_gemma":[0.9964958,0.00028793834,0.0008478735,0.00084921316,0.0005637731,0.0009554465],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00063475413,0.0013917198,0.002048894,0.00029629318,0.0017702614,0.00086763763,0.0014674289,0.0020014765,0.005565306],"category_scores_gemma":[0.00010689487,0.0011544152,0.0018021252,0.00024523557,0.0013035265,0.0002833851,0.0003810567,0.0017382564,0.0031865116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020431052,0.00010624379,0.00017749335,0.00028087402,0.002898242,0.00057687,0.03385763,0.000003115689,0.0015550449,0.8861304,0.048853572,0.025356222],"study_design_scores_gemma":[0.00054235983,0.00019458588,0.00013456281,0.00017077012,0.0016682813,0.000013282369,0.002695372,0.000017834003,0.00012195544,0.023010334,0.969925,0.0015056663],"about_ca_topic_score_codex":0.00061711704,"about_ca_topic_score_gemma":0.0039649755,"teacher_disagreement_score":0.9210714,"about_ca_system_score_codex":0.00023512986,"about_ca_system_score_gemma":0.00039097678,"threshold_uncertainty_score":0.99988335},"labels":[],"label_agreement":null},{"id":"W3110793448","doi":"10.3138/tric.27.1.v","title":"Word from the Editor","year":2006,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gratitude; Excellence; Editorial board; Management; Editor in chief; Corporate governance; Media studies; Sociology; History; Law; Library science; Political science; Psychology; Computer science","score_opus":0.04210431074693895,"score_gpt":0.33216193666690064,"score_spread":0.2900576259199617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110793448","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.324247,0.0041509783,4.9531815e-7,0.083523504,0.0029637828,0.0003822733,0.00009943854,0.000026142287,0.58460635],"genre_scores_gemma":[0.98694247,0.00004526991,0.000010128423,0.00087244966,0.010885688,0.000018665463,0.000016623884,0.00000393329,0.0012047644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760866,0.00070197915,0.00011871579,0.00017000394,0.0008972085,0.00050343276],"domain_scores_gemma":[0.99880826,0.00082063855,0.000017100792,0.00018029424,0.000085102336,0.00008857992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094146497,0.000059318918,0.00010201821,0.00003284164,0.0005820268,0.00011668462,0.00048205454,0.00005492831,0.00047287944],"category_scores_gemma":[0.000021842545,0.00003462751,0.000032880096,0.0008159249,0.00024381244,0.00007782347,0.000047173296,0.0003748985,0.000018261831],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010658362,0.000015043749,0.017156133,0.0000014915518,0.00001280427,0.000030972227,0.0007346226,0.0000110120845,0.00004049639,0.0018466903,0.95020944,0.02993066],"study_design_scores_gemma":[0.00006955316,0.00000380504,0.004967659,0.000010570794,0.000003283827,8.5160686e-8,0.006728503,0.000010435956,0.000013277085,0.01130472,0.9768333,0.0000548139],"about_ca_topic_score_codex":0.99954605,"about_ca_topic_score_gemma":0.999924,"teacher_disagreement_score":0.66269547,"about_ca_system_score_codex":0.00067101646,"about_ca_system_score_gemma":0.002131473,"threshold_uncertainty_score":0.5177698},"labels":[],"label_agreement":null},{"id":"W3112756149","doi":"10.7202/1073924ar","title":"Les incarnations de Barbara Hannigan, artiste plurielle","year":2020,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.07530606086680622,"score_gpt":0.2983470985062688,"score_spread":0.22304103763946256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112756149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074704364,0.039451417,0.0010919401,0.14912102,0.0014350488,0.0006261682,0.00016292885,0.00040690438,0.7330002],"genre_scores_gemma":[0.8964604,0.00037358297,0.00011391444,0.028599925,0.0033088054,0.000052215528,0.00008201072,0.000033124616,0.070976004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969689,0.0007329639,0.0006158045,0.00062631007,0.00039663466,0.0006593326],"domain_scores_gemma":[0.9980861,0.00021107103,0.0003098369,0.00024680133,0.00056166376,0.0005845353],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004895852,0.0003846074,0.0005808111,0.000082559054,0.0009911674,0.0004152919,0.0005788099,0.0005114875,0.0014746129],"category_scores_gemma":[0.000648265,0.00037164867,0.0004420981,0.0011262733,0.0010450307,0.00069156213,0.000096709635,0.00047727043,0.0001828388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018779194,0.00015495322,0.0058818604,0.00015469285,0.0003747496,0.0001403175,0.20866859,0.000017357499,0.0016936712,0.7194392,0.051521003,0.011934844],"study_design_scores_gemma":[0.0003737916,0.00011797495,0.0010315313,0.0001049485,0.00022748674,0.0000079924675,0.010158891,0.0006291563,0.00021481077,0.03930811,0.9472971,0.0005282168],"about_ca_topic_score_codex":0.0042075627,"about_ca_topic_score_gemma":0.0023454668,"teacher_disagreement_score":0.8957761,"about_ca_system_score_codex":0.0001360991,"about_ca_system_score_gemma":0.00035783995,"threshold_uncertainty_score":0.9998735},"labels":[],"label_agreement":null},{"id":"W3117310948","doi":"10.7202/1069873ar","title":"La formation musicale de Serge Garant à Sherbrooke (1941-1951)","year":2020,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.07374107803468566,"score_gpt":0.35156298020760696,"score_spread":0.2778219021729213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3117310948","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49338654,0.009933215,0.01304574,0.054546166,0.0007018233,0.00074028486,0.00007756844,0.00044102492,0.42712766],"genre_scores_gemma":[0.7405168,0.011282791,0.017789982,0.19702928,0.004860349,0.00022979573,0.00010707542,0.0001418053,0.028042156],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9811981,0.015993854,0.00061211234,0.00062085077,0.00042008093,0.0011550538],"domain_scores_gemma":[0.99457204,0.00381614,0.00029937335,0.00029560077,0.00018646907,0.0008303824],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.00584071,0.00052659435,0.00070358935,0.000083620616,0.0007108659,0.0003582969,0.0007844182,0.0054309424,0.0008571326],"category_scores_gemma":[0.0028493365,0.0005160199,0.00076248107,0.0013030461,0.0015304177,0.0007464087,0.00009163987,0.005027285,0.00009876624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013620323,0.00028063075,0.00025905014,0.0006510016,0.0004628728,0.00024001165,0.5512262,0.00025526635,0.01178188,0.2307925,0.021340974,0.18257341],"study_design_scores_gemma":[0.000773708,0.00011245684,0.00046848448,0.00018709434,0.00061942404,0.000071018054,0.04609584,0.0030141114,0.0014172503,0.058206916,0.8882598,0.00077386084],"about_ca_topic_score_codex":0.0075808587,"about_ca_topic_score_gemma":0.010977198,"teacher_disagreement_score":0.86691886,"about_ca_system_score_codex":0.00474595,"about_ca_system_score_gemma":0.0015151313,"threshold_uncertainty_score":0.99972916},"labels":[],"label_agreement":null},{"id":"W3117472681","doi":"10.7202/1069875ar","title":"Serge Garant, directeur de la Société de musique contemporaine du Québec (1966-1986)","year":2020,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.04976465534095234,"score_gpt":0.33971378525213297,"score_spread":0.2899491299111806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3117472681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4126203,0.018359775,0.0041486486,0.114160664,0.0007478895,0.000992436,0.00015961497,0.0007504932,0.44806015],"genre_scores_gemma":[0.70496315,0.012396452,0.009476206,0.2256699,0.0055734785,0.0003100673,0.00008479441,0.00023279477,0.04129313],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9641693,0.031319145,0.0009555874,0.0011568721,0.00054119865,0.0018578711],"domain_scores_gemma":[0.9844055,0.012672762,0.0005948733,0.00049099646,0.00038040025,0.0014554734],"candidate_categories":["metaresearch","metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0110856155,0.0009959162,0.0014120161,0.00013557816,0.0011898413,0.00050552597,0.0014017732,0.007243847,0.0015101279],"category_scores_gemma":[0.010459049,0.0009942076,0.0014114765,0.0016954157,0.0038311023,0.000557942,0.000173518,0.007209914,0.00009277681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00044598832,0.0007266761,0.0041730166,0.0007077017,0.0019397446,0.0011277772,0.573696,0.00021800175,0.02060223,0.25418985,0.0613164,0.08085661],"study_design_scores_gemma":[0.0015117606,0.00015706281,0.0011444938,0.00020207828,0.0009324722,0.0001490197,0.04056745,0.0013352237,0.001096865,0.03770361,0.9138982,0.0013017057],"about_ca_topic_score_codex":0.21032438,"about_ca_topic_score_gemma":0.1368775,"teacher_disagreement_score":0.85258186,"about_ca_system_score_codex":0.0093776565,"about_ca_system_score_gemma":0.009978368,"threshold_uncertainty_score":0.99940264},"labels":[],"label_agreement":null},{"id":"W3119158581","doi":"10.22833/ref.2018.104..163","title":"L’esthétique de l’entre-deux dans la poésie et la peinture de Saint-Denys Garneau, auteur québécois","year":2018,"lang":"fr","type":"article","venue":"Revue d`Etudes francaises","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01260015021782844,"score_gpt":0.28239280707750214,"score_spread":0.2697926568596737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119158581","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7260158,0.02973866,0.00061852206,0.02621225,0.0020763401,0.00052409514,0.00025368007,0.00037886796,0.21418177],"genre_scores_gemma":[0.92345864,0.005711754,0.001669992,0.008507381,0.004425836,0.000065225024,0.000052721552,0.000073567215,0.056034904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99485517,0.0021216602,0.00057476625,0.00080321357,0.00041909647,0.0012260986],"domain_scores_gemma":[0.9975472,0.0006876744,0.00033316333,0.0004929373,0.00039773012,0.00054130144],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014324047,0.000581491,0.00074643345,0.000121042176,0.0008536787,0.00060411316,0.0009276001,0.0011151717,0.0014049511],"category_scores_gemma":[0.00066786626,0.00052411476,0.00064837764,0.001117858,0.0021623054,0.0006110521,0.00015723052,0.0009212747,0.00031570278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012163952,0.0011015934,0.03726977,0.0006097547,0.0010488352,0.00092129735,0.23677076,0.0002183316,0.0030500272,0.61320895,0.06928739,0.036391627],"study_design_scores_gemma":[0.00041718048,0.00020220746,0.018709216,0.00042859558,0.00053226226,0.00024108059,0.009079238,0.0002827932,0.00016592153,0.0066435873,0.9626284,0.0006694807],"about_ca_topic_score_codex":0.028585553,"about_ca_topic_score_gemma":0.2029923,"teacher_disagreement_score":0.89334106,"about_ca_system_score_codex":0.0005060375,"about_ca_system_score_gemma":0.00082134746,"threshold_uncertainty_score":0.99972105},"labels":[],"label_agreement":null},{"id":"W3119843044","doi":"10.3138/tric.23.1_2.139","title":"Anne Nothof, ed. Les Théâtres Professionnels du Canada Francophone: Entre Mémoire et Rupture Sous la Direction de Hélène Beauchamp et Joël Beddows","year":2002,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.028928760408774613,"score_gpt":0.3118684991599211,"score_spread":0.2829397387511465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119843044","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30652836,0.10839043,0.000005257512,0.33989352,0.0043920376,0.0012068601,0.00079505256,0.00007187951,0.2387166],"genre_scores_gemma":[0.9707867,0.009035418,0.00005424896,0.003141415,0.0014297892,0.00010013674,0.000057880432,0.000037465616,0.01535698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898053,0.0054968577,0.00048498262,0.00068648474,0.0018514295,0.0016749679],"domain_scores_gemma":[0.9969082,0.0015572411,0.00014306228,0.00038113867,0.00034480984,0.0006655617],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023819488,0.00040567748,0.00058125565,0.0001831324,0.00140271,0.00022197777,0.00069768017,0.00049523247,0.0034085163],"category_scores_gemma":[0.00015305882,0.0003301268,0.00014463888,0.0024261512,0.00058741146,0.00037829563,0.00016679314,0.0021543026,0.000015978008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00006554594,0.00026449666,0.008430421,0.00017794232,0.00017042884,0.0014871263,0.018403668,0.00074041,0.00019809745,0.0020927207,0.82485765,0.14311151],"study_design_scores_gemma":[0.00051240023,0.00006965292,0.0017166933,0.0003974486,0.000034021225,0.000055886627,0.047168117,0.0013366342,0.00008757899,0.001396297,0.9467533,0.0004719715],"about_ca_topic_score_codex":0.9996565,"about_ca_topic_score_gemma":0.9999714,"teacher_disagreement_score":0.6642583,"about_ca_system_score_codex":0.0046051466,"about_ca_system_score_gemma":0.011012826,"threshold_uncertainty_score":0.99991506},"labels":[],"label_agreement":null},{"id":"W312642845","doi":"","title":"Le théâtre musical au Québec : quel avenir ? Les Entrées libres de Jeu","year":2007,"lang":"fr","type":"article","venue":"VST - Vie sociale et traitements","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.030245085055855946,"score_gpt":0.30699738726599324,"score_spread":0.2767523022101373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W312642845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77744937,0.0070176567,0.00013950172,0.044468876,0.0021439488,0.00045326402,0.00014557781,0.00015221768,0.16802958],"genre_scores_gemma":[0.9348544,0.00029668948,0.00033786913,0.008488947,0.003193713,0.000027893826,0.000079456346,0.00003717841,0.052683856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959723,0.0007176849,0.00068673125,0.00060520944,0.0006973949,0.0013207004],"domain_scores_gemma":[0.9985329,0.00031013336,0.00032138283,0.00020382549,0.00019399275,0.00043780025],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014490216,0.00042002072,0.00057171984,0.000109627115,0.0020424398,0.0002459561,0.000583102,0.0006583813,0.0011347835],"category_scores_gemma":[0.0001925391,0.0003986278,0.0006236383,0.00092481397,0.0013300711,0.000764257,0.00012929793,0.00056773645,0.00014423711],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000722441,0.0017004376,0.03072325,0.0001924285,0.0011354769,0.00010979293,0.16080613,0.000015255297,0.0016598091,0.5331384,0.033816617,0.23663019],"study_design_scores_gemma":[0.00071503734,0.00009518095,0.035021484,0.00010956198,0.0003288293,0.0000031086902,0.022659445,0.000012267682,0.0001217177,0.003927079,0.9365006,0.0005056734],"about_ca_topic_score_codex":0.31558126,"about_ca_topic_score_gemma":0.85944146,"teacher_disagreement_score":0.902684,"about_ca_system_score_codex":0.00091169024,"about_ca_system_score_gemma":0.0031273377,"threshold_uncertainty_score":0.9998466},"labels":[],"label_agreement":null},{"id":"W3133605607","doi":"10.7202/1075196ar","title":"Antigone à Montréal : Alexis. Una tragedia greca de Motus","year":2021,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Art; Humanities; Political science; Law","score_opus":0.04199836031600572,"score_gpt":0.3021666894816183,"score_spread":0.26016832916561256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133605607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7644775,0.05914833,0.0011732104,0.11044881,0.0053160656,0.00049383205,0.00036010228,0.00028011767,0.058302052],"genre_scores_gemma":[0.9006174,0.009618108,0.0033608049,0.0048852367,0.0028055059,0.000051841187,0.00027529744,0.000036731613,0.07834906],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967452,0.00087849906,0.00049483887,0.00061356946,0.00047476604,0.00079309486],"domain_scores_gemma":[0.99843824,0.00022001982,0.00013663464,0.00038910826,0.00043138443,0.00038463017],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004691177,0.00033710917,0.00046249587,0.00008638743,0.0014545704,0.0004595674,0.00032171316,0.0003363651,0.0027739122],"category_scores_gemma":[0.00043704465,0.00032714693,0.00033778013,0.0012629904,0.00053099333,0.0014382841,0.000096432064,0.00046046945,0.0007205487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005334661,0.0022533082,0.0025589862,0.00017114588,0.0009886542,0.001296359,0.44632357,0.0010920672,0.019626688,0.21519925,0.18141219,0.12902443],"study_design_scores_gemma":[0.0006624532,0.000113009235,0.0068726703,0.0002546656,0.0005928609,0.00009033836,0.064543635,0.0015423431,0.0021164464,0.020953096,0.9013278,0.0009306618],"about_ca_topic_score_codex":0.0011009875,"about_ca_topic_score_gemma":0.01800871,"teacher_disagreement_score":0.7199156,"about_ca_system_score_codex":0.00021806422,"about_ca_system_score_gemma":0.00041276956,"threshold_uncertainty_score":0.99991804},"labels":[],"label_agreement":null},{"id":"W313379100","doi":"","title":"Critical Essays on Milan Kundera","year":2000,"lang":"en","type":"article","venue":"Canadian Slavonic Papers","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Literature; Section (typography); Index (typography); Politics; Kitsch; Émigré; Philosophy; Critical edition; Art; History","score_opus":0.017440765603939406,"score_gpt":0.27254700223729644,"score_spread":0.255106236633357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W313379100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04516897,0.00042010067,8.742282e-8,0.01867003,0.0002781986,0.00008257503,0.000028612101,0.00004612664,0.9353053],"genre_scores_gemma":[0.93488,0.000069924754,0.000017260347,0.03262729,0.0004218793,0.000010248655,0.000017523831,0.0000079923775,0.031947844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985833,0.00014661791,0.00012272528,0.0002803694,0.00021414278,0.0006528272],"domain_scores_gemma":[0.9988728,0.00009664169,0.000012712745,0.00017133396,0.000049001377,0.00079748686],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016750071,0.00012398203,0.0001544753,0.00007613929,0.00096264976,0.00017148748,0.00025335845,0.00018958373,0.018086798],"category_scores_gemma":[0.00014329048,0.00010685235,0.0001265353,0.00034281713,0.0003675804,0.0001225737,0.0000034891802,0.00020635278,0.00071142236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025534444,0.000067137444,0.0009077618,0.000011158556,0.00014801126,0.00030088058,0.016207252,0.000026784044,0.00015045304,0.737665,0.12312782,0.12136224],"study_design_scores_gemma":[0.000110441135,0.000032942236,0.001299519,0.000012024723,0.000034942797,0.0000019513204,0.0020484864,0.000007092159,0.0000043327705,0.0026676282,0.9935887,0.00019195878],"about_ca_topic_score_codex":0.10338555,"about_ca_topic_score_gemma":0.77976453,"teacher_disagreement_score":0.90335745,"about_ca_system_score_codex":0.00033239875,"about_ca_system_score_gemma":0.0005983646,"threshold_uncertainty_score":0.9828108},"labels":[],"label_agreement":null},{"id":"W3134052880","doi":"10.7202/1075197ar","title":"Un regard sur la critique française : écrire sur la trilogie Le voile noir du pasteur de Romeo Castellucci","year":2021,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.031207958649687128,"score_gpt":0.2818290594066905,"score_spread":0.2506211007570034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134052880","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8112613,0.02136819,0.00062047626,0.09507907,0.0026466793,0.0004603758,0.0004105821,0.0002849277,0.06786839],"genre_scores_gemma":[0.8966823,0.005368402,0.0008362862,0.0026281592,0.0015185283,0.00011200352,0.00020336018,0.000050023376,0.0926009],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948016,0.0025404599,0.0006178392,0.00076701806,0.00048172503,0.00079138414],"domain_scores_gemma":[0.9967778,0.0013660232,0.00016418235,0.0004961543,0.0008227587,0.00037311984],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00093013665,0.00043724707,0.0006304247,0.00009276682,0.0014846427,0.0007260094,0.0004667589,0.00060447137,0.0016045545],"category_scores_gemma":[0.0017694596,0.0004218898,0.0004201279,0.0011954886,0.00066819816,0.0021822366,0.00017782974,0.0006080416,0.00035441623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011355278,0.0043598386,0.005988046,0.00037586087,0.0010231333,0.0046237716,0.34524423,0.0011140825,0.0093493285,0.14051126,0.3392957,0.14800121],"study_design_scores_gemma":[0.0007346699,0.00006967834,0.0020275381,0.00017795258,0.00029124564,0.00015119357,0.026413163,0.0006362117,0.0012649792,0.0038306685,0.9637616,0.00064107677],"about_ca_topic_score_codex":0.00178107,"about_ca_topic_score_gemma":0.01855252,"teacher_disagreement_score":0.62446594,"about_ca_system_score_codex":0.00014951278,"about_ca_system_score_gemma":0.0010233672,"threshold_uncertainty_score":0.9998233},"labels":[],"label_agreement":null},{"id":"W3134257913","doi":"","title":"Du baseball à l’étrangeté : les nouvelles voix du court métrage québécois","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science; Humanities","score_opus":0.00597792850829928,"score_gpt":0.16901118000993567,"score_spread":0.1630332515016364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134257913","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64217436,0.099649444,0.00004619854,0.22063017,0.0014423246,0.00033754614,0.000183448,0.00012843435,0.03540805],"genre_scores_gemma":[0.47056124,0.021976547,0.00019313235,0.0031412055,0.0012234412,0.0000039944757,0.00007313965,0.000031888718,0.5027954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741536,0.00038594168,0.0002612275,0.0006270652,0.00049722375,0.00081320084],"domain_scores_gemma":[0.99855065,0.00019872795,0.00023955034,0.00035370525,0.00025693804,0.00040040867],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038644645,0.00040404854,0.0005352746,0.00013988197,0.0016707367,0.0000910339,0.0006937492,0.0005888215,0.0061575794],"category_scores_gemma":[0.000037077793,0.00039450242,0.0005910416,0.00086305686,0.0005124077,0.0005614238,0.0001940844,0.0004079317,0.0011425844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021989831,0.0003965591,0.017704053,0.00014716331,0.001037333,0.0021646195,0.04655539,0.00039958837,0.00089850946,0.23232271,0.6524365,0.04571768],"study_design_scores_gemma":[0.0007727939,0.00012543461,0.0033998822,0.00006143554,0.00055615854,0.00007258811,0.022406153,0.00079639396,0.000027638138,0.00040822767,0.9708691,0.00050418504],"about_ca_topic_score_codex":0.21559474,"about_ca_topic_score_gemma":0.78761035,"teacher_disagreement_score":0.57201564,"about_ca_system_score_codex":0.0033194683,"about_ca_system_score_gemma":0.00018246258,"threshold_uncertainty_score":0.9998507},"labels":[],"label_agreement":null},{"id":"W3136673524","doi":"10.1353/tfr.2012.0257","title":"Le temps malhabile by Olivier Bourque","year":2012,"lang":"en","type":"article","venue":"The French review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Existentialism; Shame; Factory (object-oriented programming); Relocation; The Void; Sociology; Art history; History; Aesthetics; Media studies; Art; Political science; Law; Philosophy; Epistemology; Computer science","score_opus":0.023125953389943277,"score_gpt":0.29273512007267827,"score_spread":0.269609166682735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136673524","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018103903,0.79435325,0.000015577956,0.010520073,0.00047391377,0.0005137143,0.000014766815,0.000057704863,0.19224063],"genre_scores_gemma":[0.86302024,0.036492907,0.000071155526,0.031593997,0.0012802078,0.00016942272,0.00003889336,0.000012891188,0.06732027],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838245,0.0005060953,0.00024283188,0.00016736562,0.00026520563,0.00043606115],"domain_scores_gemma":[0.9992762,0.000080517784,0.000120082834,0.00026721728,0.00008857946,0.00016737037],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011229748,0.00012771485,0.0003010007,0.000013973578,0.0006430735,0.00008265337,0.0004080579,0.00009227487,0.001384146],"category_scores_gemma":[0.00008358918,0.000072629824,0.00022312479,0.0005060368,0.00021704813,0.00028576292,0.0000460517,0.000176851,0.00052805],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.9332585e-7,0.000076024815,0.0011805161,0.00015916914,0.000044781427,4.860535e-7,0.0014412507,4.4217135e-8,0.00004452317,0.015605608,0.9677146,0.013732711],"study_design_scores_gemma":[0.00003784536,0.0000076418055,0.00074614736,0.00016688286,0.00011058042,0.0000018391675,0.00017913354,4.539318e-7,0.0000036983397,0.0004283141,0.99819475,0.00012273522],"about_ca_topic_score_codex":0.0008761999,"about_ca_topic_score_gemma":0.004770089,"teacher_disagreement_score":0.86120987,"about_ca_system_score_codex":0.0000310373,"about_ca_system_score_gemma":0.00008838895,"threshold_uncertainty_score":0.9995287},"labels":[],"label_agreement":null},{"id":"W3136685917","doi":"10.1353/tfr.2013.0323","title":"Guillevic maintenant: colloque de Cerisy 11–18 juillet 2009 ed. by Michael Brophy, Bernard Fournier","year":2013,"lang":"fr","type":"article","venue":"The French review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paragraph; Irony; Literature; Laughter; Philosophy; Comedy; Comics; Swift; Art; History; Art history; Law","score_opus":0.018351076246591626,"score_gpt":0.2706544654998476,"score_spread":0.252303389253256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136685917","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003337575,0.8768845,0.000039705974,0.091086455,0.0017689537,0.0014519787,0.00015864872,0.00005626671,0.025215909],"genre_scores_gemma":[0.024744386,0.5003023,0.0003789481,0.078802995,0.0019428085,0.00038820005,0.000089018446,0.00004923999,0.39330208],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99461025,0.0016012343,0.000966913,0.0007032443,0.0006393349,0.0014790166],"domain_scores_gemma":[0.99725014,0.0002118655,0.00056666613,0.0007796166,0.0006013345,0.0005903887],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014641089,0.00058909255,0.0011654155,0.000048530095,0.0010642192,0.0003898293,0.0014716585,0.00045288124,0.02003602],"category_scores_gemma":[0.00022454526,0.00035677422,0.0009459741,0.0014822813,0.0010527972,0.0004336309,0.00021203849,0.000648226,0.004011674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011595752,0.000110030946,0.00031687107,0.0006428958,0.00021134765,0.000014957676,0.0008930763,0.000001218531,0.00008916502,0.0009945576,0.9701747,0.026550058],"study_design_scores_gemma":[0.0002113728,0.00007956311,0.00060375175,0.0021463449,0.00089604297,0.00005211118,0.00038048503,0.00007763545,0.0000035319492,0.001914543,0.99310416,0.0005304451],"about_ca_topic_score_codex":0.011912073,"about_ca_topic_score_gemma":0.0112108635,"teacher_disagreement_score":0.37658218,"about_ca_system_score_codex":0.00034993648,"about_ca_system_score_gemma":0.00028157112,"threshold_uncertainty_score":0.9998884},"labels":[],"label_agreement":null},{"id":"W3137319386","doi":"10.1353/tfr.2012.0349","title":"Comme un film des frères Coen par Bertrand Gervais","year":2012,"lang":"fr","type":"article","venue":"The French review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.07412901234229055,"score_gpt":0.3146258741327685,"score_spread":0.24049686179047794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137319386","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053893016,0.94068253,0.000016393933,0.021879144,0.0012863446,0.0004957592,0.000049380844,0.000036992507,0.030164165],"genre_scores_gemma":[0.48771876,0.40689933,0.0003028164,0.04719903,0.0026229452,0.0001276575,0.000073040734,0.00002369895,0.055032738],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965875,0.0013458215,0.00053317327,0.00029059278,0.00039087483,0.00085200084],"domain_scores_gemma":[0.9984665,0.0003155335,0.0002587634,0.00042670715,0.00019527112,0.0003372243],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013480717,0.00032711058,0.0007265696,0.00002230323,0.0012436862,0.00015133049,0.0006766426,0.00022639005,0.005993978],"category_scores_gemma":[0.00010650049,0.00019072731,0.0005650007,0.0011016836,0.0013319427,0.0005280103,0.0000929265,0.00038257623,0.0009906081],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000197068,0.0002463251,0.0098562185,0.0016031521,0.00040365805,0.0000057935504,0.010610339,5.322985e-7,0.000009773174,0.0067890156,0.8226802,0.14779305],"study_design_scores_gemma":[0.00011613911,0.00003593131,0.0098748375,0.0014185276,0.0012659885,0.000013816059,0.00022165966,0.0000070965343,0.000005746688,0.0031419517,0.9836115,0.00028676027],"about_ca_topic_score_codex":0.0016915938,"about_ca_topic_score_gemma":0.007851424,"teacher_disagreement_score":0.5337832,"about_ca_system_score_codex":0.00006822755,"about_ca_system_score_gemma":0.000055093158,"threshold_uncertainty_score":0.9997872},"labels":[],"label_agreement":null},{"id":"W3149564233","doi":"","title":"Revival of ‘crooked’ fiddle tunes in the performance of contemporary Quebec traditional music","year":2019,"lang":"en","type":"article","venue":"Aberdeen University Research Archive (Aberdeen University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Visual arts","score_opus":0.08282136908544659,"score_gpt":0.26643639928615875,"score_spread":0.18361503020071218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3149564233","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7525876,0.000086311025,0.000004653388,0.00074253825,0.000048026275,0.00045679015,0.0001001149,0.000014433378,0.24595949],"genre_scores_gemma":[0.9721384,0.00022720385,0.00008781429,0.00009482018,0.000074147996,3.5130236e-7,0.00008569831,0.0000062551853,0.027285285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99597406,0.0019321308,0.00022295454,0.00040588452,0.0009543192,0.00051063293],"domain_scores_gemma":[0.9977669,0.0010946314,0.00017550489,0.00036869562,0.00044491782,0.00014932721],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013507113,0.00016298697,0.0004013806,0.0008556298,0.0006562252,0.000034503522,0.0015084352,0.00014571132,0.0004983614],"category_scores_gemma":[0.000080758466,0.00014515003,0.0002523419,0.0023494367,0.0017785977,0.000833398,0.00027732048,0.00063044584,0.0000470744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019063663,0.0011146982,0.24400379,0.00042665016,0.00055906957,0.00036469105,0.090575255,0.00015875805,0.0051049436,0.6297059,0.024123948,0.0019558996],"study_design_scores_gemma":[0.0034455007,0.0009490144,0.16399105,0.00042034467,0.00013366033,0.000004566792,0.17025729,0.0003072216,0.00032357554,0.002594785,0.65694404,0.00062896963],"about_ca_topic_score_codex":0.0314616,"about_ca_topic_score_gemma":0.044620354,"teacher_disagreement_score":0.63282007,"about_ca_system_score_codex":0.00020427829,"about_ca_system_score_gemma":0.00079477846,"threshold_uncertainty_score":0.974988},"labels":[],"label_agreement":null},{"id":"W3154625101","doi":"10.24908/iqurcp.10446","title":"Prologue to Seuls by Wajdi Mouawad","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prologue; Polyphony; Identity (music); Presentation (obstetrics); Psychology; Aesthetics; Psychoanalysis; Sociology; Literature; Art; Pedagogy","score_opus":0.11158020471829044,"score_gpt":0.4055731441487935,"score_spread":0.29399293943050303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3154625101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43569043,0.00021586084,0.0004278901,0.36092436,0.0008338125,0.0023692732,0.000041403327,0.0006079145,0.19888905],"genre_scores_gemma":[0.96955943,0.00021290986,0.00033304398,0.0031858427,0.0017413499,0.00024146841,0.000021972575,0.000026503349,0.024677506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99478483,0.00032000564,0.00042358143,0.0009888797,0.0017674877,0.0017151858],"domain_scores_gemma":[0.99387556,0.000171687,0.00011959806,0.00023704763,0.0047613536,0.0008347399],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0030701838,0.00030584668,0.00041774768,0.0004027721,0.0020881284,0.0013776898,0.001315136,0.00038779704,0.00035288147],"category_scores_gemma":[0.0014001381,0.00025079143,0.00012297637,0.0025611464,0.0030394208,0.0009952353,0.00038441434,0.00080708665,0.0010151281],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013475944,0.00016343381,0.0021505407,0.000044332257,0.000118096475,0.0000072168923,0.06992377,1.3614961e-7,0.012778111,0.303914,0.6023682,0.008397395],"study_design_scores_gemma":[0.0003685973,0.0007915479,0.00030247465,0.0001099393,0.000034353452,0.0000033381293,0.027981127,0.00007150297,0.0041969474,0.1424809,0.82307315,0.00058615196],"about_ca_topic_score_codex":0.0029577962,"about_ca_topic_score_gemma":0.0013031302,"teacher_disagreement_score":0.53386897,"about_ca_system_score_codex":0.00029653398,"about_ca_system_score_gemma":0.0005980153,"threshold_uncertainty_score":0.99999446},"labels":[],"label_agreement":null},{"id":"W3158385349","doi":"","title":"Chuck Samuels, Scabs, Runny Noses & Wardrobe Malfunctions: An Interview by Chuck Samuels / Chuck Samuel,s Gales, nez qui coulent et défaillances de garde-robe : une entrevue de et par Chuck Samuels","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Art; Philosophy","score_opus":0.033776949960393446,"score_gpt":0.29191888605791116,"score_spread":0.25814193609751773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158385349","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047255024,0.42359573,0.0019384889,0.026619852,0.010634805,0.0038443597,0.006257948,0.0013144558,0.47853932],"genre_scores_gemma":[0.09369076,0.15087953,0.01061365,0.3685347,0.008180627,0.0014559564,0.010928759,0.0005282048,0.35518777],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9847089,0.004842352,0.0022056578,0.003087306,0.0015995915,0.0035561826],"domain_scores_gemma":[0.99276394,0.00057843764,0.0013132194,0.0018076999,0.0015629992,0.0019737186],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0036654419,0.0021046305,0.0028346654,0.00024696297,0.0024486608,0.0023775708,0.002149287,0.00240754,0.062510684],"category_scores_gemma":[0.0009520307,0.0019052281,0.0015499082,0.003351309,0.0015805291,0.0026223424,0.0006298298,0.0024349976,0.00065010623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001596476,0.002350746,0.0039603407,0.0010834676,0.0017849735,0.00026227647,0.013199175,0.0009215503,0.015588439,0.02392494,0.9342881,0.0024763346],"study_design_scores_gemma":[0.0018118449,0.0005057775,0.0018040226,0.0016929699,0.0018778502,0.00031688044,0.02192747,0.00052500743,0.0020780778,0.0070036324,0.95812255,0.0023339249],"about_ca_topic_score_codex":0.004778332,"about_ca_topic_score_gemma":0.0045838985,"teacher_disagreement_score":0.34191486,"about_ca_system_score_codex":0.0012858452,"about_ca_system_score_gemma":0.0025622225,"threshold_uncertainty_score":0.9998664},"labels":[],"label_agreement":null},{"id":"W3161955797","doi":"","title":"Les Annees musicales : 1920-2020. La dimension spatio-musicale devenue multiplicite / Les Annees musicales : 1920-2020. The Space-Music Dimension Becomes Multiplicity","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.027186554891151668,"score_gpt":0.2661492395398809,"score_spread":0.23896268464872922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161955797","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81197435,0.078177966,0.00027602405,0.008115044,0.007636345,0.0022975588,0.001387823,0.00065910653,0.08947581],"genre_scores_gemma":[0.75446993,0.008679323,0.0065308684,0.04757472,0.011609083,0.00063792,0.0024035848,0.00032264108,0.16777192],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98945975,0.0028860993,0.0014845063,0.0025020763,0.0015752319,0.0020923505],"domain_scores_gemma":[0.99308646,0.002022989,0.0009487602,0.0015218316,0.001475378,0.00094459264],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0014824676,0.001631676,0.001964002,0.00014630283,0.004567708,0.0013200933,0.0014437321,0.0021861964,0.023591626],"category_scores_gemma":[0.0017680113,0.0011956511,0.0013667558,0.0036182625,0.0026627686,0.0012555028,0.001080004,0.0024798638,0.00036012195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017689227,0.00242312,0.0060259625,0.00048817554,0.0012573008,0.0005235127,0.023028355,0.001987392,0.055191267,0.031389404,0.86272395,0.014784666],"study_design_scores_gemma":[0.0013693967,0.00019973185,0.0071872845,0.0007810441,0.0013010094,0.000116273775,0.014282032,0.003441654,0.00283015,0.0020082926,0.964806,0.0016771402],"about_ca_topic_score_codex":0.00519727,"about_ca_topic_score_gemma":0.0055084177,"teacher_disagreement_score":0.10208204,"about_ca_system_score_codex":0.00041834824,"about_ca_system_score_gemma":0.0005315261,"threshold_uncertainty_score":0.9998215},"labels":[],"label_agreement":null},{"id":"W3163724617","doi":"10.7202/1076406ar","title":"De l’expression d’un désir gay et du queer dans l’opéra contemporain : le cas d’Elia (2004) de Silvio Palmieri","year":2021,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.032529723949938256,"score_gpt":0.2852275848237243,"score_spread":0.25269786087378604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3163724617","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34354755,0.060575444,0.0034070946,0.06490348,0.0033411607,0.00094368943,0.00034548287,0.0005349458,0.52240115],"genre_scores_gemma":[0.8922727,0.0009698923,0.0003680635,0.020244902,0.0022195883,0.00012863694,0.00029410547,0.00008437348,0.08341774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921039,0.0034451527,0.0011039762,0.0012534568,0.0006711621,0.0014223722],"domain_scores_gemma":[0.9959554,0.00057406945,0.0006462488,0.0007564666,0.0012702324,0.0007975746],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002473171,0.000801685,0.001194742,0.00015471564,0.0013093983,0.00086490967,0.00081754185,0.0011169411,0.0010214848],"category_scores_gemma":[0.0013904521,0.0007614989,0.0008450041,0.0013295745,0.0013403371,0.0012090899,0.00022070578,0.00087258185,0.00006667578],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007030893,0.0009616133,0.045053653,0.00026876337,0.00069381425,0.0030382043,0.31541923,0.00003482921,0.047641184,0.5184624,0.063602224,0.00475374],"study_design_scores_gemma":[0.0015963496,0.00015690859,0.007419608,0.0007054298,0.0003486885,0.00026520446,0.04391119,0.00016474273,0.011600751,0.083621055,0.8487463,0.001463788],"about_ca_topic_score_codex":0.013294429,"about_ca_topic_score_gemma":0.010592294,"teacher_disagreement_score":0.78514403,"about_ca_system_score_codex":0.00063482206,"about_ca_system_score_gemma":0.0028214082,"threshold_uncertainty_score":0.99999076},"labels":[],"label_agreement":null},{"id":"W316527967","doi":"10.3138/jcs.35.3.184","title":"Opera in Canada: A Conversation","year":2000,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Sociology; Distrust; Conversation; Power (physics); Media studies; Postmodernism; Aesthetics; Commodification; Diversity (politics); Racism; Literature; Political science; Art; Gender studies; Law; Anthropology","score_opus":0.03329790542299166,"score_gpt":0.2734706450088984,"score_spread":0.24017273958590674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W316527967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9320655,0.0069295014,4.359261e-8,0.029158195,0.00039738827,0.000050439874,0.000005154701,0.0000014810856,0.031392295],"genre_scores_gemma":[0.99144286,0.0016568091,0.000018379722,0.004819979,0.00025550762,8.6438837e-7,3.8547861e-7,0.0000015452232,0.0018036712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929327,0.00008244626,0.00020057356,0.000049082748,0.0001874967,0.00018715313],"domain_scores_gemma":[0.9994858,0.000036836915,0.00006317906,0.000028490007,0.00021575211,0.00016993965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025220576,0.000047870337,0.00018010706,0.00019620529,0.00017981588,0.000026044367,0.000101755,0.000027876966,0.000511807],"category_scores_gemma":[0.0000950185,0.000035664834,0.000041090378,0.0005377275,0.00006592881,0.00016585333,0.0000023083187,0.00010546516,0.000004173927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006040244,0.00003137042,0.08490486,0.00002039962,0.0010113772,0.0014877663,0.23566623,0.00043589176,0.00002425119,0.007140244,0.57020956,0.09900762],"study_design_scores_gemma":[0.00020917246,0.000019178613,0.029653661,0.000026262249,0.000037436777,0.000007563887,0.073239066,0.000003436957,0.0000029324729,0.00032163886,0.8964003,0.0000794028],"about_ca_topic_score_codex":0.99777365,"about_ca_topic_score_gemma":0.9999905,"teacher_disagreement_score":0.32619065,"about_ca_system_score_codex":0.0010560533,"about_ca_system_score_gemma":0.0029692808,"threshold_uncertainty_score":0.5603928},"labels":[],"label_agreement":null},{"id":"W3173486515","doi":"","title":"An Analysis of Irony in The Unbearable Lightness of Being","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irony; Lightness; Politics; Perspective (graphical); Aesthetics; Value (mathematics); Literature; Balance (ability); Philosophy; Psychology; Sociology; Social psychology; Art; Political science; Law; Mathematics; Computer science; Visual arts; Artificial intelligence","score_opus":0.026845033146013768,"score_gpt":0.35198855975007187,"score_spread":0.3251435266040581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3173486515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9569755,0.03492794,6.2312006e-7,0.0003773058,0.00007292559,0.00007643177,0.000010976001,0.000004839638,0.007553432],"genre_scores_gemma":[0.9987403,0.0003124082,0.00005203132,0.00045341725,0.000095108786,0.0000070035876,0.000017591785,0.000001822637,0.00032030517],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99898475,0.00032954747,0.00020071515,0.00014863549,0.00018985542,0.00014646389],"domain_scores_gemma":[0.99951684,0.000107492764,0.0000733279,0.00014496868,0.00012723388,0.000030156178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008953086,0.000079530335,0.00034216477,0.00020323407,0.00007733405,0.000041286065,0.00017714612,0.000080143436,0.000007792779],"category_scores_gemma":[0.00014851707,0.00004435583,0.00006482814,0.0020768116,0.0002719826,0.0001944306,0.000026375998,0.0001237777,1.2614738e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016725411,0.00006426699,0.023983462,0.000029332206,0.00020669251,0.000024177816,0.95644677,0.000028624932,0.00018657403,0.018394168,0.00021716066,0.00040205472],"study_design_scores_gemma":[0.00042800244,0.000116151896,0.03096417,0.00015331306,0.0005630177,9.935877e-7,0.959836,0.00006620067,0.000109362736,0.0030773354,0.0045059053,0.00017956513],"about_ca_topic_score_codex":0.0008429772,"about_ca_topic_score_gemma":0.012816844,"teacher_disagreement_score":0.041764785,"about_ca_system_score_codex":0.000016993568,"about_ca_system_score_gemma":0.000016019014,"threshold_uncertainty_score":0.71520996},"labels":[],"label_agreement":null},{"id":"W3188338679","doi":"10.5817/cejcs2018-12-13-15","title":"[Olos, Ana. Circumstantial poems, plagiaries and versifications = Versuri de circumstanţă, plagiate şi mici însăilări ; Ştefoi, Elena. Canadian postcards]","year":2018,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Circumstantial evidence; Poetry; Art; Humanities; History; Literature; Archaeology","score_opus":0.04812034633488015,"score_gpt":0.27791403120050157,"score_spread":0.2297936848656214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3188338679","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8465679,0.019562773,0.000009216953,0.054074246,0.0025142683,0.00030692958,0.00033671557,0.000034456483,0.076593466],"genre_scores_gemma":[0.98973686,0.0036615985,0.000053930875,0.0042704376,0.001640246,6.4748303e-7,0.000007182454,0.000018138378,0.0006109389],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714476,0.00089118123,0.00041783348,0.00021391005,0.00032588816,0.0010064082],"domain_scores_gemma":[0.99753153,0.00012730675,0.00026197324,0.000185383,0.00075518695,0.0011386072],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001438541,0.00021262193,0.0003456631,0.00045976,0.0026290729,0.00029744447,0.00058715465,0.000076073055,0.000120713295],"category_scores_gemma":[0.00053639815,0.00015403688,0.00015173122,0.0007852003,0.0016590866,0.0003120104,0.000036182442,0.00039160717,0.000030181418],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003215728,0.00006696977,0.022190878,0.000051252508,0.005081229,0.0018898378,0.40712944,0.000031055475,0.0013545993,0.07828808,0.46759614,0.015998933],"study_design_scores_gemma":[0.0004526433,0.00015778009,0.049421445,0.00006241109,0.00042889913,0.0000742438,0.058052815,0.0000042439797,0.000036131743,0.00047020204,0.8905591,0.00028008668],"about_ca_topic_score_codex":0.38852128,"about_ca_topic_score_gemma":0.9534499,"teacher_disagreement_score":0.5649286,"about_ca_system_score_codex":0.0006380385,"about_ca_system_score_gemma":0.001623701,"threshold_uncertainty_score":0.9986694},"labels":[],"label_agreement":null},{"id":"W3189632475","doi":"10.15122/isbn.978-2-406-10609-8.p.0185","title":"Françou, les prémices d’Aurélia ?","year":2020,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02560302848466135,"score_gpt":0.23944108566449918,"score_spread":0.21383805717983784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3189632475","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052868263,0.010773742,0.0016689457,0.07031625,0.00060955656,0.00045506176,0.00015109115,0.00025916085,0.91047937],"genre_scores_gemma":[0.2801825,0.0033923413,0.008247227,0.0027156624,0.00042567638,0.00003781978,0.000689994,0.0000844594,0.7042243],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992182,0.0045187855,0.00078691717,0.0011298642,0.00080386456,0.00057853566],"domain_scores_gemma":[0.9935905,0.0014730762,0.0008284458,0.0010917811,0.0025240579,0.0004921943],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0029113188,0.0006226515,0.00077646034,0.00014501413,0.0019077221,0.00067248096,0.0017487855,0.00086187373,0.005304838],"category_scores_gemma":[0.00096534524,0.00059266237,0.0007026086,0.0005678161,0.001998969,0.00041435045,0.00048589057,0.001022048,0.0008928555],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009286743,0.00014658397,0.00044035492,0.00008615585,0.00024721608,0.000012955776,0.017776692,0.000003929108,0.0005009772,0.92482364,0.0035934069,0.0523588],"study_design_scores_gemma":[0.00030344227,0.0000010581922,0.00047580487,0.0009953112,0.00033899274,0.0000053750723,0.0008288847,0.0006373964,0.0009496954,0.012963687,0.9817901,0.0007102363],"about_ca_topic_score_codex":0.004255086,"about_ca_topic_score_gemma":0.02215185,"teacher_disagreement_score":0.9781967,"about_ca_system_score_codex":0.00014591333,"about_ca_system_score_gemma":0.00025773974,"threshold_uncertainty_score":0.9998851},"labels":[],"label_agreement":null},{"id":"W3193718011","doi":"","title":"“Adapting the French-Canadian Wonder Tales of Fred Pellerin to the Screen: Luc Picard’s Babine (2008) and Ésimésac (2012).”","year":2016,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Art; Philosophy; History; Art history; Epistemology","score_opus":0.021534852225577966,"score_gpt":0.24858759724275353,"score_spread":0.22705274501717557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193718011","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4378443,0.0046112053,0.00044631114,0.31982988,0.0006718834,0.0009668792,0.0001229863,0.00009238932,0.23541415],"genre_scores_gemma":[0.95808387,0.00007451405,0.00023068333,0.004764491,0.00038101897,0.00001048464,0.000002312298,0.000005178957,0.036447436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987855,0.00019283917,0.00018631721,0.00021813689,0.00024299319,0.00037424688],"domain_scores_gemma":[0.99913293,0.00019311284,0.000062634856,0.00023292357,0.00015279016,0.0002255839],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005938686,0.00011476679,0.00017093151,0.000053768097,0.0007368878,0.000103450126,0.0003870185,0.00009648344,0.0020006984],"category_scores_gemma":[0.00021672767,0.000043740023,0.00008721141,0.00039557408,0.00045397633,0.00017621228,0.00006492093,0.00008486955,0.000050799008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024646999,0.000057694604,0.012541902,0.0000111947165,0.00043414187,0.000008051716,0.042924386,0.000014231531,0.0033181198,0.14991257,0.65661424,0.13413881],"study_design_scores_gemma":[0.00018725437,0.000045768502,0.039469574,0.000022151535,0.000065914544,0.0000016114082,0.011550725,0.000018013894,0.00008726087,0.0015692324,0.94679385,0.00018861554],"about_ca_topic_score_codex":0.1402703,"about_ca_topic_score_gemma":0.83642304,"teacher_disagreement_score":0.69615275,"about_ca_system_score_codex":0.000034411638,"about_ca_system_score_gemma":0.00011202203,"threshold_uncertainty_score":0.9989116},"labels":[],"label_agreement":null},{"id":"W3196609388","doi":"10.7202/1079640ar","title":"Vingt regards sur Harry Halbreich, un éveilleur émerveillé","year":2021,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Portrait; Humanities; Art history","score_opus":0.044190046683779245,"score_gpt":0.271863022797253,"score_spread":0.22767297611347376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196609388","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16683105,0.12564926,0.00007464299,0.04814434,0.011080754,0.0005509985,0.00020329804,0.00044348158,0.6470222],"genre_scores_gemma":[0.5963795,0.0016110904,0.00009602856,0.01638245,0.003771079,0.00004946488,0.0002054427,0.00005820116,0.3814467],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99385875,0.0017255669,0.0011033153,0.0013364473,0.00082429626,0.0011516083],"domain_scores_gemma":[0.9953505,0.0004160142,0.00057369046,0.00083599705,0.002249036,0.0005747562],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011865449,0.0007284865,0.0012254199,0.00015602824,0.0011332956,0.00078331935,0.0008007959,0.00092298025,0.005180811],"category_scores_gemma":[0.0013686359,0.00069269346,0.0010535178,0.0021383755,0.0013556441,0.001263808,0.00023449864,0.00071750034,0.0002724047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046742538,0.0011763482,0.01114818,0.0006327968,0.0020785064,0.0026130264,0.093546785,0.0000049544706,0.005234031,0.64232385,0.18333542,0.057859365],"study_design_scores_gemma":[0.0007507433,0.00009260246,0.0024576893,0.000333822,0.000321547,0.000081222766,0.0064976737,0.000041354695,0.0009451087,0.0547034,0.93278265,0.0009921734],"about_ca_topic_score_codex":0.0032326444,"about_ca_topic_score_gemma":0.0074939625,"teacher_disagreement_score":0.7494472,"about_ca_system_score_codex":0.00025670684,"about_ca_system_score_gemma":0.00090937316,"threshold_uncertainty_score":0.9995524},"labels":[],"label_agreement":null},{"id":"W3197216926","doi":"10.7202/1079641ar","title":"Le tandem Dhomont-Vande Gorne : la connexion acousmatique Québec/Belgique","year":2021,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnology; Geography; Sociology","score_opus":0.03092518020647691,"score_gpt":0.2706504716105996,"score_spread":0.23972529140412266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3197216926","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05972535,0.09011278,0.0010105189,0.06497479,0.0023000166,0.0006273913,0.000089496156,0.00040359743,0.78075606],"genre_scores_gemma":[0.82893705,0.00166588,0.00008705315,0.011191589,0.0018750887,0.00008311534,0.00013864462,0.00005218238,0.15596941],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99422157,0.002562466,0.00092423096,0.0009786708,0.00048735994,0.00082571426],"domain_scores_gemma":[0.9964703,0.00075975823,0.00050494954,0.0005443646,0.0012795322,0.0004411],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013909662,0.0005914667,0.0010617074,0.00011481315,0.001001304,0.0006172994,0.00055635534,0.0010692944,0.001119951],"category_scores_gemma":[0.0009354095,0.0005760929,0.000681325,0.0011644133,0.0013965133,0.0010585481,0.00014171898,0.000747843,0.000109523404],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001724611,0.0004743863,0.0020790426,0.00019030644,0.00051945687,0.00060637743,0.057734415,0.000005560986,0.0028698423,0.90038586,0.02374609,0.011371398],"study_design_scores_gemma":[0.00089387025,0.00009169124,0.0012362406,0.00039316967,0.00024706862,0.00009700818,0.017331183,0.00006592424,0.0009748372,0.113145344,0.86467195,0.00085169874],"about_ca_topic_score_codex":0.040769264,"about_ca_topic_score_gemma":0.22970872,"teacher_disagreement_score":0.8409259,"about_ca_system_score_codex":0.00028706738,"about_ca_system_score_gemma":0.0036841575,"threshold_uncertainty_score":0.9997932},"labels":[],"label_agreement":null},{"id":"W3197320183","doi":"10.7202/1079643ar","title":"Les îles (2011) d’Isabelle Panneton et l’héritage de Philippe Boesmans : généalogie d’une démarche compositionnelle","year":2021,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.08700272145731307,"score_gpt":0.315993630121308,"score_spread":0.2289909086639949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3197320183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1770975,0.098929614,0.0006320124,0.12109841,0.0024294078,0.00070014177,0.0004589826,0.0004708845,0.59818304],"genre_scores_gemma":[0.8800713,0.0027934038,0.00023531346,0.012218067,0.0018835047,0.00007913126,0.0007132048,0.000055831057,0.10195025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99423593,0.0022017756,0.00084387674,0.0010484528,0.00054533826,0.0011246166],"domain_scores_gemma":[0.9968184,0.00068964844,0.00039113514,0.00060501794,0.0010448084,0.00045094444],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010552008,0.00062679866,0.00097383425,0.00014099898,0.0015101418,0.0004975957,0.0006948065,0.0008363402,0.0033025565],"category_scores_gemma":[0.00037689233,0.0006070418,0.00072409195,0.0010549723,0.0016767541,0.000875721,0.00022756739,0.000792982,0.00017151522],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055280387,0.0012614732,0.0045451587,0.00047829148,0.00096141227,0.00095419516,0.15490231,0.00003200119,0.011268169,0.731365,0.054474104,0.03970257],"study_design_scores_gemma":[0.000907691,0.00019510127,0.003974727,0.00041199487,0.00044269935,0.000082156555,0.043844834,0.0001519879,0.0017773809,0.18220091,0.76489407,0.0011164504],"about_ca_topic_score_codex":0.010327888,"about_ca_topic_score_gemma":0.018478893,"teacher_disagreement_score":0.71041995,"about_ca_system_score_codex":0.00035758555,"about_ca_system_score_gemma":0.0007369557,"threshold_uncertainty_score":0.9997898},"labels":[],"label_agreement":null},{"id":"W320586907","doi":"","title":"\"Oui, Let's Scat\": Listening to Multi-Vocality in George Elliott Clarke's Jazz Opera Quebecite","year":2009,"lang":"en","type":"article","venue":"Mosaic (Winnipeg)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Musical; Art; Art history; Performance art; George (robot); Opera; Politics; Active listening; Visual arts; History; Sociology; Literature; Media studies; Humanities; Law","score_opus":0.02573398367431453,"score_gpt":0.3071130741612417,"score_spread":0.28137909048692716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W320586907","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9393228,0.002354582,0.00030365508,0.03009966,0.0008623025,0.0008816472,0.000043857315,0.00029236055,0.025839128],"genre_scores_gemma":[0.9452366,0.000054814005,0.0014530204,0.021191005,0.0007638062,0.000033820426,0.00005819914,0.00001694626,0.031191768],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967503,0.00053833314,0.0005541461,0.0007164566,0.00053867884,0.0009020768],"domain_scores_gemma":[0.998781,0.00009362864,0.00011862564,0.0004049634,0.0002070133,0.00039471494],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012408892,0.000314544,0.00053077453,0.00020910286,0.0007096615,0.00046306563,0.0006775822,0.00038432278,0.00039198188],"category_scores_gemma":[0.00035464283,0.00026545586,0.00025801602,0.0018117292,0.00021128409,0.0005859893,0.00008803516,0.000505461,0.00018919793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005595959,0.003411014,0.10885532,0.0001259859,0.00049826934,0.0007617785,0.31375948,0.00138775,0.040551383,0.055243287,0.17223874,0.30260742],"study_design_scores_gemma":[0.0010090814,0.00013267297,0.09238038,0.00010801098,0.00008281948,0.0000040280856,0.006220152,0.00037228025,0.00035748316,0.0013743694,0.8971027,0.0008560151],"about_ca_topic_score_codex":0.012610462,"about_ca_topic_score_gemma":0.033230204,"teacher_disagreement_score":0.72486395,"about_ca_system_score_codex":0.00028121314,"about_ca_system_score_gemma":0.00014451482,"threshold_uncertainty_score":0.9999798},"labels":[],"label_agreement":null},{"id":"W3208444789","doi":"10.37390/avancacinema.2021.a288","title":"Narcissism and Universality: The Cinema of Xavier Dolan","year":2021,"lang":"en","type":"article","venue":"AVANCA | CINEMA","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narcissism; Film director; Movie theater; Theme (computing); Feature film; Opposition (politics); Psychology; Psychoanalysis; Aesthetics; Social psychology; Art; Literature; Political science; Law","score_opus":0.02185905991396354,"score_gpt":0.2812207181028897,"score_spread":0.25936165818892615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208444789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80251914,0.0077577266,0.000023828039,0.038369853,0.0005451733,0.00020777594,0.000021017988,0.00005127433,0.15050423],"genre_scores_gemma":[0.9688806,0.0003207642,0.00011100007,0.0030922794,0.00031319598,0.0000028987915,0.000010637716,0.0000047119083,0.027263906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904656,0.00021230096,0.00015294217,0.00019421498,0.00020865299,0.00018531941],"domain_scores_gemma":[0.9993299,0.000121258156,0.000075845994,0.00019364624,0.00020331504,0.00007601829],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027907034,0.000086321,0.00020409167,0.000025731686,0.00036534457,0.000056111883,0.00015306607,0.00008618979,0.0006450583],"category_scores_gemma":[0.00014380459,0.000053501557,0.000090001195,0.00045884005,0.00029638066,0.00013176491,0.000055895132,0.00010922556,0.000009075065],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012242277,0.0004679985,0.07203133,0.00023679082,0.0010965174,0.000303483,0.17263845,0.000016535789,0.02394865,0.44035807,0.21814024,0.07063951],"study_design_scores_gemma":[0.00042942417,0.000039731574,0.03057704,0.00004146809,0.0002123389,0.000009040531,0.03202415,0.000013347386,0.00071454287,0.00677026,0.92897856,0.00019009311],"about_ca_topic_score_codex":0.00049459597,"about_ca_topic_score_gemma":0.004358499,"teacher_disagreement_score":0.7108383,"about_ca_system_score_codex":0.000012733978,"about_ca_system_score_gemma":0.000077144156,"threshold_uncertainty_score":0.7062936},"labels":[],"label_agreement":null},{"id":"W3214103130","doi":"10.32725/eer.2017.042","title":"The Quebec novel and its adaptations: distance from the original and ideological dissimulation","year":2017,"lang":"en","type":"article","venue":"Écho des études romanes","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cart; Humanities; Psychology; Philosophy; Geography; Archaeology","score_opus":0.05189415471923335,"score_gpt":0.31884030680083025,"score_spread":0.2669461520815969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214103130","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9854277,0.005881031,0.000058698068,0.006641823,0.00011277165,0.00013335796,0.000013854431,0.00002379877,0.0017070166],"genre_scores_gemma":[0.9961562,0.0004754327,0.00012995154,0.00031744203,0.00028449734,0.00001486151,0.00000712037,0.000002572563,0.0026119302],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9993277,0.00008445673,0.0001060471,0.00017800856,0.00015265589,0.00015113218],"domain_scores_gemma":[0.99915713,0.00046583128,0.00010068872,0.0001455565,0.000079094476,0.000051699673],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00021422366,0.00008480725,0.00009844855,0.0000059485483,0.0045835082,0.00093978597,0.00028059896,0.00006481727,0.000023319166],"category_scores_gemma":[0.0004149004,0.000039512983,0.000033668064,0.00005319025,0.0008982267,0.0004348039,0.000053582753,0.00008215144,0.0000029543035],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039593193,0.000032501197,0.064696595,0.0000047944145,0.00008165856,0.0000032808828,0.011152082,0.00001506009,0.00040306587,0.9111574,0.00026690052,0.012147062],"study_design_scores_gemma":[0.00015465115,0.000016338032,0.8316711,0.00002140739,0.000064123175,9.342671e-7,0.0034418302,0.0007285518,0.000005237574,0.013658259,0.15013266,0.00010491214],"about_ca_topic_score_codex":0.008745057,"about_ca_topic_score_gemma":0.37089357,"teacher_disagreement_score":0.89749914,"about_ca_system_score_codex":0.000020345184,"about_ca_system_score_gemma":0.000024394445,"threshold_uncertainty_score":0.9978558},"labels":[],"label_agreement":null},{"id":"W3215469428","doi":"10.4000/volume.9758","title":"Les disques des parents","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.044990024678722595,"score_gpt":0.30395352948173554,"score_spread":0.25896350480301294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215469428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7056292,0.12508593,0.00004729904,0.013324111,0.003085066,0.0000849539,0.00009057098,0.00008419271,0.15256865],"genre_scores_gemma":[0.64187086,0.0010907381,0.0002921154,0.0013429521,0.0009957253,0.000006037244,0.00004719525,0.0000064690403,0.35434788],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985907,0.00034132256,0.00017833368,0.0002865419,0.00022095893,0.00038212593],"domain_scores_gemma":[0.99936,0.000034343022,0.000060876242,0.0001411355,0.00025493305,0.00014866477],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013331097,0.0001337751,0.00021192261,0.000019044293,0.00073534274,0.00025014122,0.00017981637,0.0002079682,0.0067663467],"category_scores_gemma":[0.00012095539,0.00011590392,0.00021436742,0.00069710345,0.00072392216,0.0003299259,0.00006533441,0.0001556854,0.00055069866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008769963,0.0005177069,0.23177816,0.00014042882,0.00045447072,0.0001891117,0.03896265,0.000009951412,0.00045706044,0.10012771,0.1390541,0.48829988],"study_design_scores_gemma":[0.00008615334,0.0000243679,0.026997028,0.00006346468,0.00016035674,0.000004091114,0.0074429456,0.000055125474,0.00010462663,0.00901626,0.9558594,0.00018616201],"about_ca_topic_score_codex":0.0052495347,"about_ca_topic_score_gemma":0.016540516,"teacher_disagreement_score":0.8168053,"about_ca_system_score_codex":0.00009220064,"about_ca_system_score_gemma":0.0000767547,"threshold_uncertainty_score":0.9941416},"labels":[],"label_agreement":null},{"id":"W324369378","doi":"10.7202/902205ar","title":"En pensant à Cage avec le Québec en tête","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cage; Humanities; John Cage; Art; Art history; Mathematics; Combinatorics","score_opus":0.02697916124485539,"score_gpt":0.2711161657033918,"score_spread":0.24413700445853642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W324369378","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44398668,0.014246621,0.00007096525,0.06264523,0.0061507984,0.00070325064,0.000101785285,0.0003193809,0.4717753],"genre_scores_gemma":[0.77370703,0.00021116457,0.00007127147,0.0061251842,0.004373071,0.000050434926,0.00005667041,0.000038355065,0.21536681],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99614346,0.0010331809,0.0007154407,0.00081169297,0.00047291702,0.0008232899],"domain_scores_gemma":[0.99752647,0.0005369529,0.00038007795,0.00055924046,0.000560397,0.0004368781],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014085191,0.00052951684,0.0008063165,0.00014581357,0.0008775332,0.0004403015,0.0008994804,0.00087985094,0.0020605791],"category_scores_gemma":[0.0007756944,0.0004629136,0.0005850196,0.000721134,0.0015511843,0.00096619345,0.00013411805,0.0010218506,0.0003169586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018948329,0.0003643626,0.0049850647,0.00014309469,0.00041704584,0.00024934107,0.28422895,8.773459e-7,0.0144391935,0.6388027,0.030808143,0.025542278],"study_design_scores_gemma":[0.00043670493,0.000081203594,0.0034813543,0.00008591456,0.00018154098,0.00003534728,0.00771939,0.0000472579,0.0003507828,0.028779762,0.9581083,0.0006924355],"about_ca_topic_score_codex":0.14825693,"about_ca_topic_score_gemma":0.3697714,"teacher_disagreement_score":0.92730016,"about_ca_system_score_codex":0.0001654439,"about_ca_system_score_gemma":0.0013020454,"threshold_uncertainty_score":0.99978226},"labels":[],"label_agreement":null},{"id":"W325056009","doi":"","title":"Monique DESROCHES, Claude DAUPHIN, Marie-Hélène PICHETTE, Gordon E. SMITH eds/dir. : Territoires musicaux mis en scène. Montréal : Les Presses de l’Université de Montréal, 2011","year":2012,"lang":"fr","type":"article","venue":"Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.015326318171490215,"score_gpt":0.2188155011432597,"score_spread":0.2034891829717695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W325056009","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6381407,0.30724612,0.0033662613,0.027761698,0.0024127052,0.0016165122,0.0005734835,0.0007144417,0.018168079],"genre_scores_gemma":[0.79747236,0.112502344,0.016361805,0.028109688,0.0068888343,0.0009009949,0.00086753955,0.00027169107,0.036624745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888692,0.0030935658,0.0012775699,0.001640532,0.0009974872,0.0041216537],"domain_scores_gemma":[0.99386615,0.0016746946,0.0009623047,0.0009878817,0.0005171218,0.00199183],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0030896186,0.0015074841,0.0014497635,0.0005937229,0.005356028,0.0005501932,0.0018202172,0.0033556125,0.0047705434],"category_scores_gemma":[0.0009285597,0.0015030659,0.0011469051,0.0013792387,0.006815143,0.0018669387,0.00031555534,0.0026110925,0.00010804829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042804756,0.0023163608,0.0085965805,0.0004979233,0.0015254929,0.00041260445,0.17060852,0.0007279446,0.012445889,0.015940161,0.74188936,0.04461111],"study_design_scores_gemma":[0.0018689142,0.00075566524,0.03395671,0.00037227437,0.0022368126,0.00013128543,0.07668651,0.00071074767,0.0049959617,0.008071959,0.867869,0.0023441713],"about_ca_topic_score_codex":0.02398403,"about_ca_topic_score_gemma":0.028741619,"teacher_disagreement_score":0.19474378,"about_ca_system_score_codex":0.010393278,"about_ca_system_score_gemma":0.0009506221,"threshold_uncertainty_score":0.9997674},"labels":[],"label_agreement":null},{"id":"W333092406","doi":"","title":"Il fait soleil chez toi Canada [Québec] 2004, 23 minutes Il fait soleil chez toi Canada [Québec] 2004, 23 minutes","year":2004,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.011765004309075573,"score_gpt":0.21761593444317087,"score_spread":0.2058509301340953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W333092406","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1660947,0.12668996,0.000024473728,0.6736416,0.005461323,0.0009459727,0.0013507897,0.00021571948,0.025575457],"genre_scores_gemma":[0.5354108,0.001133396,0.0005352244,0.014945318,0.0042864145,0.00016970163,0.0002898853,0.00010193805,0.44312733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99135953,0.00087693264,0.0015542349,0.0018258023,0.0015318322,0.0028516657],"domain_scores_gemma":[0.99523336,0.0005763637,0.0009285496,0.0009360519,0.00088276487,0.001442915],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011231763,0.0013367973,0.001717382,0.000193506,0.0019933234,0.0006267066,0.0023152477,0.0011125446,0.0025556625],"category_scores_gemma":[0.0008346212,0.0012405461,0.00072525296,0.0024468228,0.0020105236,0.0010584756,0.00025019626,0.0013790191,0.00016695973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000060370534,0.00029973965,0.008235692,0.0005108469,0.00086244784,0.0014168116,0.02011324,0.0017526333,0.0012182859,0.0032503633,0.9555465,0.006733064],"study_design_scores_gemma":[0.0009411361,0.00018448549,0.00393218,0.0006725068,0.0007401706,0.00017629578,0.014293421,0.00015825781,0.0013464387,0.0015141073,0.9742323,0.0018086832],"about_ca_topic_score_codex":0.99968684,"about_ca_topic_score_gemma":0.99998903,"teacher_disagreement_score":0.6586963,"about_ca_system_score_codex":0.0050746435,"about_ca_system_score_gemma":0.028060084,"threshold_uncertainty_score":0.9999383},"labels":[],"label_agreement":null},{"id":"W334517750","doi":"10.3138/cjfs.15.1.28","title":"Eaton’S March Big Sale, The Pepsitaste Patrol, and Other Television Commer Cials of Phillip Borsos","year":2006,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04831460350335372,"score_gpt":0.29195584658235824,"score_spread":0.24364124307900453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W334517750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47518286,0.45744252,0.0000033918786,0.057269216,0.0020967955,0.00020368841,0.0002645196,0.0000030636593,0.007533935],"genre_scores_gemma":[0.9854911,0.0025104096,0.000053937565,0.0037716774,0.0019669866,0.0000026712175,0.0000017568589,0.00001165342,0.00618982],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998064,0.0004760568,0.00058365846,0.00015216916,0.00030112464,0.00042298285],"domain_scores_gemma":[0.9982019,0.000300824,0.000493906,0.0001221114,0.0006169531,0.00026432518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089846866,0.00019881641,0.0005929334,0.00016397037,0.00094382494,0.00010371149,0.00029809368,0.00014184766,0.00026762957],"category_scores_gemma":[0.00018973874,0.000120013145,0.0002615554,0.0005513783,0.0017960657,0.000165294,0.000030320185,0.0003022354,0.0000061254036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052020554,0.00009341461,0.14415148,0.00019514134,0.0024998682,0.00018331865,0.04678502,0.00008094447,0.0002158776,0.025578378,0.7363087,0.043855857],"study_design_scores_gemma":[0.00040152634,0.00021181948,0.03866624,0.00031083595,0.0006588848,0.000041951665,0.028553275,0.000006428284,0.000032769807,0.0043974323,0.9265011,0.00021774131],"about_ca_topic_score_codex":0.04317913,"about_ca_topic_score_gemma":0.37918004,"teacher_disagreement_score":0.5103082,"about_ca_system_score_codex":0.00011214916,"about_ca_system_score_gemma":0.0003834565,"threshold_uncertainty_score":0.9631924},"labels":[],"label_agreement":null},{"id":"W336538986","doi":"","title":"Le théâtre québécois au Mexique : l’échange inégal","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.008961329167149323,"score_gpt":0.19092471472651454,"score_spread":0.18196338555936523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W336538986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5258018,0.11602929,0.00023382842,0.19699362,0.0017737725,0.00033739503,0.00006648766,0.0001717961,0.15859206],"genre_scores_gemma":[0.54207706,0.0035218054,0.00021333969,0.0045007896,0.0014487681,0.0000031163568,0.000041254327,0.000022589484,0.4481713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976501,0.00024814063,0.00023462747,0.00048124013,0.00038873122,0.000997197],"domain_scores_gemma":[0.9986661,0.00012950163,0.00021111403,0.0002815914,0.00022059257,0.000491064],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00061594846,0.00030125742,0.0003943409,0.00017148118,0.0020526955,0.00004778146,0.00050773757,0.00060767704,0.0005014106],"category_scores_gemma":[0.000044869586,0.00031408414,0.00041533442,0.0013034105,0.0005554379,0.00054052105,0.00020415353,0.00039019142,0.0002733015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000111920526,0.00022906378,0.001871393,0.000033356573,0.00038348828,0.0020144323,0.03415933,0.000020015597,0.00042122527,0.8116274,0.10327199,0.045856413],"study_design_scores_gemma":[0.00044999918,0.000086875465,0.002725334,0.00003635387,0.00030318892,0.000072197494,0.023107855,0.000040431598,0.000111390524,0.0029251357,0.96976113,0.000380121],"about_ca_topic_score_codex":0.52495015,"about_ca_topic_score_gemma":0.98664546,"teacher_disagreement_score":0.8664891,"about_ca_system_score_codex":0.006417222,"about_ca_system_score_gemma":0.00038455595,"threshold_uncertainty_score":0.9999311},"labels":[],"label_agreement":null},{"id":"W338744834","doi":"","title":"Simha AROM : La boîte à outils d’un ethnomusicologue. Montréal : Les Presses de l’Université de Montréal, 2007","year":2008,"lang":"fr","type":"article","venue":"Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021416633421430534,"score_gpt":0.22125495701435108,"score_spread":0.19983832359292053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W338744834","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8095277,0.09112699,0.0024022595,0.01810335,0.0023986534,0.0013939267,0.00059627515,0.0007825785,0.07366824],"genre_scores_gemma":[0.8530937,0.07740755,0.006760468,0.028674189,0.0029059495,0.0004450899,0.000538032,0.00016596286,0.030009069],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9889117,0.0033052848,0.0012942461,0.0018482995,0.0010303617,0.0036101486],"domain_scores_gemma":[0.99392444,0.001961431,0.00094860274,0.0009091998,0.00060354127,0.0016527642],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.002866429,0.0014155624,0.0015117389,0.000576034,0.008157181,0.00040973365,0.0017834596,0.0032862974,0.006011644],"category_scores_gemma":[0.00094400224,0.0014549111,0.0013050209,0.0019152786,0.0127543,0.001112776,0.0002963737,0.0028400228,0.0001559429],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043875596,0.0019927234,0.0033949688,0.00023319376,0.0014837254,0.0030547148,0.23685332,0.0022239068,0.0043815495,0.02244205,0.7012679,0.022233216],"study_design_scores_gemma":[0.0027889288,0.0008514216,0.022218203,0.0002325628,0.0017963143,0.000473172,0.100662805,0.0009922901,0.0020037007,0.013249554,0.8524776,0.0022534102],"about_ca_topic_score_codex":0.00937647,"about_ca_topic_score_gemma":0.011092771,"teacher_disagreement_score":0.15120976,"about_ca_system_score_codex":0.008090156,"about_ca_system_score_gemma":0.0011528464,"threshold_uncertainty_score":0.99985945},"labels":[],"label_agreement":null},{"id":"W346152261","doi":"","title":"Petite histoire du théâtre musical au Québec","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Art; Humanities; Visual arts","score_opus":0.006142422227468071,"score_gpt":0.17567220306373907,"score_spread":0.169529780836271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W346152261","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5457643,0.08932338,0.00010232804,0.27423728,0.0021288048,0.00018817553,0.00003800678,0.00013641008,0.08808129],"genre_scores_gemma":[0.3202339,0.0016932542,0.00016728866,0.0037990627,0.0020687932,0.0000015284957,0.00002683784,0.00001926843,0.6719901],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977478,0.00019617949,0.00023920057,0.000495263,0.00042985458,0.00089170353],"domain_scores_gemma":[0.99860936,0.00018607202,0.00019650841,0.00027934235,0.00019469533,0.00053404615],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045155047,0.00030096323,0.00038957907,0.00013228519,0.0031154389,0.000043600176,0.00049104576,0.00048080288,0.0012988737],"category_scores_gemma":[0.000069003916,0.00029688302,0.00047593747,0.0009574277,0.00096043263,0.00040244218,0.00020334219,0.00037917763,0.0004787074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018428688,0.00034431415,0.0066440445,0.000045595287,0.0004084441,0.0051859776,0.02956356,0.00003588256,0.00034770483,0.38180333,0.41076168,0.16467519],"study_design_scores_gemma":[0.0004277389,0.00007910882,0.0066752015,0.000036347174,0.0004334916,0.00011707238,0.008968046,0.00008689037,0.000011172364,0.00042233293,0.98237735,0.00036525156],"about_ca_topic_score_codex":0.5450192,"about_ca_topic_score_gemma":0.9864694,"teacher_disagreement_score":0.5839088,"about_ca_system_score_codex":0.018396858,"about_ca_system_score_gemma":0.0003284872,"threshold_uncertainty_score":0.9999483},"labels":[],"label_agreement":null},{"id":"W349963902","doi":"","title":"Le bruit des ailes de l’ange. Pierre Bourgault, Musique à bouche, Galerie Circa, Montréal. 8 janvier - 5 février 2000Pierre Bourgault, Musique à bouche, Galerie Circa, Montréal. 8 janvier - 5 février 2000","year":2000,"lang":"fr","type":"article","venue":"ETC","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015089844074374402,"score_gpt":0.24580397741990034,"score_spread":0.23071413334552593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W349963902","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1416328,0.34356207,0.00020999042,0.01713553,0.0030274873,0.0020393182,0.0009781318,0.00027634844,0.49113834],"genre_scores_gemma":[0.19596948,0.037449323,0.0014977541,0.025549838,0.007520513,0.0007439119,0.00068972027,0.0004053423,0.7301741],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9852672,0.0023564177,0.0024338549,0.0029492246,0.0019997964,0.0049935034],"domain_scores_gemma":[0.9927523,0.0004948258,0.0009999091,0.0019883534,0.0011224049,0.0026422096],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002298155,0.002299027,0.0026735289,0.0005257168,0.0046421713,0.0016089604,0.0022191938,0.0033245294,0.17337511],"category_scores_gemma":[0.00066616805,0.0022820793,0.002134644,0.004189627,0.005033296,0.0033897373,0.00038677792,0.0030501662,0.004618637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041121143,0.001823486,0.002526666,0.00024393683,0.00171519,0.0011843729,0.04633897,0.00048927526,0.0009501696,0.01002403,0.6044419,0.32985082],"study_design_scores_gemma":[0.0020113455,0.00028954507,0.010290592,0.00057379506,0.0011475198,0.00022029183,0.008714642,0.00039549274,0.00039116506,0.007519298,0.965605,0.0028412885],"about_ca_topic_score_codex":0.08398659,"about_ca_topic_score_gemma":0.13774318,"teacher_disagreement_score":0.36116317,"about_ca_system_score_codex":0.0015371059,"about_ca_system_score_gemma":0.0030908182,"threshold_uncertainty_score":0.99942744},"labels":[],"label_agreement":null},{"id":"W354741905","doi":"","title":"Dramaturgie québécoise. D’une naissance à une autre","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.008950183739261972,"score_gpt":0.20014373199977417,"score_spread":0.1911935482605122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W354741905","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2323924,0.24747579,0.00013050814,0.3051601,0.0023122455,0.00031873983,0.00006620407,0.00024105972,0.21190295],"genre_scores_gemma":[0.4587183,0.009646777,0.0004642089,0.005297614,0.0012641719,0.0000027222713,0.00005098675,0.000030662763,0.52452457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973137,0.0001654597,0.0003081098,0.00059020374,0.0005174586,0.0011050917],"domain_scores_gemma":[0.9983836,0.00015670097,0.00029523054,0.0003733526,0.00024139398,0.0005497234],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00047897422,0.00037716443,0.0004908408,0.00015347115,0.0023436628,0.0000759735,0.0006283449,0.0006386495,0.000828346],"category_scores_gemma":[0.00004065185,0.00038296767,0.00047279632,0.0028027152,0.0008798421,0.0005935667,0.00017500039,0.0004918569,0.00051397434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018667994,0.00023227737,0.0006364603,0.000050557475,0.00043210667,0.003898936,0.017083159,0.000087964,0.0005794177,0.48457417,0.39868075,0.093557514],"study_design_scores_gemma":[0.00056728063,0.000075312724,0.0028645056,0.00006938629,0.00033872866,0.00008860161,0.011555055,0.00010088276,0.000065594264,0.0051106554,0.978699,0.000464953],"about_ca_topic_score_codex":0.22056733,"about_ca_topic_score_gemma":0.8684769,"teacher_disagreement_score":0.6479096,"about_ca_system_score_codex":0.0048500723,"about_ca_system_score_gemma":0.00011794672,"threshold_uncertainty_score":0.99986225},"labels":[],"label_agreement":null},{"id":"W360889392","doi":"","title":"De la distorsion dans la musique du monde. Congotronics de Konono no 1. Crammed disc, 2004. Konono no 1. En spectacle au Spectrum, dans le cadre du Festival de jazz de Montréal, 7 juillet 2006 Congotronics de Konono no 1. Crammed disc, 2004Konono no 1. En spectacle au Spectrum, dans le cadre du Festival de jazz de Montréal, 7 juillet 2006","year":2006,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.005758180262755466,"score_gpt":0.21998493044332887,"score_spread":0.2142267501805734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W360889392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84937507,0.0066397027,0.0041807108,0.032673106,0.002147981,0.0016558856,0.0010104332,0.0006210574,0.10169606],"genre_scores_gemma":[0.91590667,0.0021782909,0.004126646,0.003671978,0.013094979,0.0003844216,0.00037636698,0.00034093563,0.059919737],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9810777,0.0043015345,0.002301173,0.0032000707,0.0017010882,0.007418455],"domain_scores_gemma":[0.9922414,0.0019054812,0.0015077026,0.0015361593,0.0005752956,0.0022339777],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0062959557,0.0024649727,0.0024126915,0.00066803413,0.009280842,0.002647826,0.0040638526,0.0018883517,0.0010096043],"category_scores_gemma":[0.0019161334,0.0023234445,0.0016342556,0.0023049721,0.010512837,0.0026467196,0.00098689,0.00250843,0.00042011423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0007283039,0.0039841966,0.5243092,0.00037183793,0.0007555326,0.002537526,0.042961847,0.05247534,0.0285851,0.084001236,0.25863636,0.000653494],"study_design_scores_gemma":[0.0059846393,0.0016113281,0.23496063,0.0006824348,0.0014926647,0.0014906052,0.020834802,0.039419845,0.0042256634,0.016247293,0.6676425,0.0054076263],"about_ca_topic_score_codex":0.53474545,"about_ca_topic_score_gemma":0.5069168,"teacher_disagreement_score":0.40900612,"about_ca_system_score_codex":0.014773913,"about_ca_system_score_gemma":0.010630218,"threshold_uncertainty_score":0.9999036},"labels":[],"label_agreement":null},{"id":"W370834057","doi":"","title":"La justesse du regard. H-Paul Chevrier, Le cinéma de répertoire et ses mises en scène, (L’instant ciné), Montréal : L’instant même, 2012, 344 pagesH-Paul Chevrier, Le cinéma de répertoire et ses mises en scène, (L’instant ciné), Montréal : L’instant même, 2012, 344 pages","year":2012,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Instant; Art; Physics","score_opus":0.012740853547419611,"score_gpt":0.24589014211240737,"score_spread":0.23314928856498776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W370834057","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28572804,0.35161486,0.00033919653,0.24581547,0.0026939798,0.0027310126,0.00220101,0.001111685,0.107764736],"genre_scores_gemma":[0.81483686,0.12507951,0.0030675477,0.0084977625,0.0032129758,0.00065074203,0.000499521,0.000460917,0.043694142],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97468233,0.008955759,0.0036804061,0.003585569,0.002645611,0.0064503103],"domain_scores_gemma":[0.98642325,0.003906021,0.0024262618,0.00248866,0.0014306128,0.003325218],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.008743834,0.0035788086,0.0043179416,0.0010069516,0.0047195805,0.00199366,0.0038144488,0.003968488,0.0012896038],"category_scores_gemma":[0.0030605125,0.0031682695,0.0023419294,0.0043022907,0.0046707806,0.007233072,0.0012042461,0.0041331304,0.00021546968],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002673558,0.008972358,0.020624822,0.003735517,0.005236091,0.009290546,0.14618282,0.0018816615,0.037538517,0.20472689,0.52182037,0.037316862],"study_design_scores_gemma":[0.0043553547,0.00077454833,0.0131392535,0.0027709936,0.0022620955,0.0021380435,0.07191415,0.00092324155,0.00352662,0.002060189,0.89207894,0.004056559],"about_ca_topic_score_codex":0.04258579,"about_ca_topic_score_gemma":0.12186155,"teacher_disagreement_score":0.5291088,"about_ca_system_score_codex":0.0019143904,"about_ca_system_score_gemma":0.004623088,"threshold_uncertainty_score":0.99962336},"labels":[],"label_agreement":null},{"id":"W371138863","doi":"","title":"La mise en scène au Québec depuis 1980 : Oscillation entre création et répertoire","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oscillation (cell signaling); Physics; Chemistry","score_opus":0.006359794036877292,"score_gpt":0.19252570363754434,"score_spread":0.18616590960066706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W371138863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58612007,0.04657866,0.00009084862,0.31906742,0.00043683275,0.00022493175,0.000047099944,0.00011041363,0.04732373],"genre_scores_gemma":[0.7412216,0.0034110064,0.00031746668,0.0023815334,0.00080977543,0.0000033876056,0.00007320983,0.000014778003,0.25176722],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978088,0.0007412076,0.00020844732,0.00039999018,0.00036615776,0.00047540385],"domain_scores_gemma":[0.9989477,0.0002277623,0.00020138608,0.00019682369,0.00016358773,0.00026275218],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004132758,0.0002496398,0.00028137775,0.0001256842,0.0014138434,0.00007319561,0.00028206647,0.00048270402,0.0007742165],"category_scores_gemma":[0.00008097444,0.00025027135,0.00028489003,0.0007141541,0.00028395874,0.0007993194,0.00010792172,0.00028511585,0.00034047238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001386743,0.0003196471,0.008775184,0.000053645676,0.0004445901,0.00038480756,0.14454314,0.0016149346,0.0008096959,0.1796096,0.11216212,0.55114394],"study_design_scores_gemma":[0.0005182443,0.00004273012,0.0054649734,0.000044999477,0.0003753348,0.00003958779,0.010635597,0.0017577632,0.000026211032,0.00042638142,0.98037136,0.0002967952],"about_ca_topic_score_codex":0.31730348,"about_ca_topic_score_gemma":0.96739924,"teacher_disagreement_score":0.86820924,"about_ca_system_score_codex":0.0122750625,"about_ca_system_score_gemma":0.00036259263,"threshold_uncertainty_score":0.99999493},"labels":[],"label_agreement":null},{"id":"W37149122","doi":"10.7202/902239ar","title":"La Seconde Apothéose de Rameau","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03245451914454171,"score_gpt":0.2895507670854376,"score_spread":0.25709624794089586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W37149122","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3463153,0.006905617,0.000060227125,0.008538209,0.003452182,0.00031788007,0.00005768875,0.00020675651,0.63414615],"genre_scores_gemma":[0.8509908,0.00021183668,0.0001523837,0.011174571,0.0035547582,0.000050777744,0.000043177573,0.000036366702,0.13378535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99666053,0.00097104104,0.0005480234,0.00063979067,0.0003455809,0.0008350349],"domain_scores_gemma":[0.99780273,0.00047612042,0.00032210545,0.00045688573,0.0004558637,0.00048628234],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016497825,0.00043356844,0.0006168358,0.00013241885,0.00060461747,0.0005462009,0.00068800896,0.0011106376,0.0031062555],"category_scores_gemma":[0.0006740136,0.000395317,0.0004957333,0.0007624731,0.0020717436,0.0008007795,0.00008093775,0.0011689657,0.00021221016],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001488067,0.00028193783,0.0041282466,0.00013492003,0.00028691543,0.00019155342,0.09219972,6.616812e-7,0.012943847,0.8152919,0.027466964,0.047058485],"study_design_scores_gemma":[0.00037735215,0.00004852435,0.0013057656,0.00007615392,0.00014657454,0.000051678155,0.005465871,0.000037358386,0.00028523293,0.16426453,0.827438,0.000502941],"about_ca_topic_score_codex":0.0029443305,"about_ca_topic_score_gemma":0.0096094785,"teacher_disagreement_score":0.79997104,"about_ca_system_score_codex":0.00011139933,"about_ca_system_score_gemma":0.000543604,"threshold_uncertainty_score":0.99984986},"labels":[],"label_agreement":null},{"id":"W376711184","doi":"10.7202/902192ar","title":"Postmodernité « que me veux-tu »","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.03802163952760309,"score_gpt":0.2830985841831697,"score_spread":0.2450769446555666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W376711184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27659506,0.014645504,0.00007606923,0.02929531,0.009202446,0.0006315572,0.00011960827,0.00033444818,0.6691],"genre_scores_gemma":[0.7923,0.00024527955,0.0000980182,0.012772498,0.0053472347,0.00005502199,0.00009381952,0.00004424482,0.1890439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99624306,0.0006238522,0.00075190864,0.0008766618,0.0005673823,0.0009371246],"domain_scores_gemma":[0.9971922,0.00028848782,0.00043232093,0.0006340453,0.0009293471,0.0005235662],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010385027,0.00057566573,0.0008151465,0.00016064917,0.0009101808,0.00055980094,0.00090738345,0.0010442154,0.0032202376],"category_scores_gemma":[0.00057132164,0.00051232503,0.000615921,0.00093687366,0.0018422899,0.0011123393,0.000116110285,0.0010987362,0.00069130206],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002091602,0.00031631664,0.0044292035,0.00011388456,0.0003435928,0.00012140742,0.052062057,7.27782e-7,0.013433564,0.88263565,0.030040713,0.01648195],"study_design_scores_gemma":[0.00040731975,0.00009719169,0.0014888778,0.0000982528,0.00021481293,0.00003092124,0.003267521,0.000059310903,0.00030258836,0.17991346,0.81337935,0.00074038556],"about_ca_topic_score_codex":0.0052989316,"about_ca_topic_score_gemma":0.014010142,"teacher_disagreement_score":0.78333867,"about_ca_system_score_codex":0.00009185101,"about_ca_system_score_gemma":0.0004369594,"threshold_uncertainty_score":0.99973285},"labels":[],"label_agreement":null},{"id":"W392733897","doi":"","title":"La Face cachée de la lune (extrait). La Face cachée de la lune, Québec, L’instant même, collection « L’instant scène », 2007, 76 p., p. 60-61 La Face cachée de la lune, Québec, L’instant même, collection « L’instant scène », 2007, 76 p., p. 60-61","year":2008,"lang":"fr","type":"article","venue":"Québec français/Québec-français","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Instant; Art; Face (sociological concept); Humanities; Philosophy; Biology","score_opus":0.01044121371990169,"score_gpt":0.251059944059002,"score_spread":0.2406187303391003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W392733897","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38185263,0.28881696,0.0038053195,0.056611497,0.0037479054,0.0062819696,0.0024011082,0.0031116381,0.25337097],"genre_scores_gemma":[0.87710094,0.025723008,0.0011951058,0.0048021176,0.0017094507,0.0011817522,0.0002682562,0.0008589196,0.08716044],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9655818,0.012637261,0.0053968537,0.005101944,0.004407795,0.0068743443],"domain_scores_gemma":[0.9798706,0.008557526,0.0030320962,0.0028476533,0.0018796083,0.003812527],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.009616522,0.004916017,0.0055578924,0.0020140728,0.014853566,0.003418579,0.0040131332,0.0069725025,0.007938492],"category_scores_gemma":[0.0036976284,0.004801871,0.003343757,0.009876331,0.017655354,0.003308571,0.000918656,0.007892063,0.0013148087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0040666447,0.009224745,0.035721887,0.0019148974,0.005154689,0.0067980066,0.3514636,0.008302508,0.013310139,0.011994902,0.5418826,0.010165433],"study_design_scores_gemma":[0.009232668,0.0009801888,0.051147778,0.0012283758,0.0028242725,0.003163187,0.019374335,0.005483985,0.0013326684,0.0001890232,0.89989567,0.0051478534],"about_ca_topic_score_codex":0.98457557,"about_ca_topic_score_gemma":0.982441,"teacher_disagreement_score":0.49524832,"about_ca_system_score_codex":0.013421736,"about_ca_system_score_gemma":0.047176287,"threshold_uncertainty_score":0.9994628},"labels":[],"label_agreement":null},{"id":"W393318715","doi":"","title":"Le théâtre québécois contemporain : édition et représentation","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Political science","score_opus":0.009792579670187101,"score_gpt":0.21662489978076302,"score_spread":0.20683232011057592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W393318715","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41840526,0.054564793,0.0008891979,0.35722032,0.001565763,0.00039250258,0.00011815689,0.00016970721,0.16667429],"genre_scores_gemma":[0.57811064,0.0025887408,0.00028046322,0.0062104804,0.0005762875,0.0000026448092,0.00019455078,0.000015552168,0.41202065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982298,0.00034975918,0.00023383848,0.00039525767,0.00032409243,0.00046726933],"domain_scores_gemma":[0.99895614,0.00013907386,0.00026624423,0.0002000433,0.0001978926,0.00024058617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079313165,0.00019822446,0.00026276504,0.00012603067,0.0012544878,0.00005294077,0.00022029413,0.00034933418,0.0003136571],"category_scores_gemma":[0.00005089286,0.00021578776,0.00027922704,0.0008364058,0.0003242071,0.0007083727,0.00007366406,0.0002455116,0.00012060262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010351086,0.00015181415,0.0005424663,0.000020284988,0.0001927474,0.00081652106,0.0187612,0.000035152545,0.00084496744,0.7437045,0.20767996,0.02714687],"study_design_scores_gemma":[0.0005440634,0.00006579753,0.0019848773,0.000035386118,0.00018902525,0.00004652071,0.04047529,0.00006070818,0.000101376114,0.0053269067,0.95091987,0.00025019076],"about_ca_topic_score_codex":0.36204386,"about_ca_topic_score_gemma":0.9308124,"teacher_disagreement_score":0.7432399,"about_ca_system_score_codex":0.0026445885,"about_ca_system_score_gemma":0.00018217163,"threshold_uncertainty_score":0.9648633},"labels":[],"label_agreement":null},{"id":"W395053933","doi":"","title":"Dépoussiérer les classiques : La saison 2011-2012 de l’Opéra de Montréal","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.011007848343728092,"score_gpt":0.20286708561517938,"score_spread":0.1918592372714513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W395053933","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31851554,0.50905895,0.0003185925,0.08558742,0.00094719784,0.00025679058,0.00008521802,0.000227292,0.08500302],"genre_scores_gemma":[0.41362438,0.03648021,0.0015215421,0.0031665883,0.002422529,0.000013193957,0.000042494823,0.000050581126,0.5426785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996304,0.001029279,0.00026802378,0.00043342882,0.0004131912,0.001552115],"domain_scores_gemma":[0.99813414,0.00025403945,0.00027242568,0.0003259207,0.00015991605,0.0008535341],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008120807,0.00042754156,0.00050659064,0.00015557988,0.0017929514,0.00010869379,0.00056255603,0.00097088236,0.0020981326],"category_scores_gemma":[0.000056466117,0.00041166678,0.0005213375,0.0005338531,0.00073440134,0.0012642569,0.00024843763,0.00061914435,0.00054512866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012482083,0.00043737548,0.017811166,0.000060192433,0.00051712425,0.0005405396,0.022442445,0.000053342712,0.0008790272,0.16824004,0.7174613,0.07143264],"study_design_scores_gemma":[0.00047720454,0.000073755764,0.012563039,0.00005035955,0.00076001446,0.0001792622,0.008837294,0.00024363303,0.00010998053,0.0020851833,0.9741072,0.00051305885],"about_ca_topic_score_codex":0.11417988,"about_ca_topic_score_gemma":0.33169073,"teacher_disagreement_score":0.47257873,"about_ca_system_score_codex":0.0072733657,"about_ca_system_score_gemma":0.00015542275,"threshold_uncertainty_score":0.9998335},"labels":[],"label_agreement":null},{"id":"W39516692","doi":"10.7202/902344ar","title":"Portrait de Mario Bertoncini","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Humanities; Art; Art history; Philosophy","score_opus":0.03447697143017057,"score_gpt":0.28358311236122924,"score_spread":0.24910614093105868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W39516692","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2392081,0.00695737,0.00004441431,0.022420442,0.005584162,0.00042403597,0.00010158227,0.00023645752,0.72502345],"genre_scores_gemma":[0.7702062,0.00016208629,0.0001941728,0.014718313,0.004593383,0.000043092954,0.00009198085,0.000035429875,0.20995533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674636,0.0004667338,0.0006722928,0.00070206233,0.000437798,0.00097473385],"domain_scores_gemma":[0.9977176,0.00024804956,0.00038335525,0.00048147532,0.00060454925,0.0005649769],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012983461,0.00046826177,0.00067643845,0.00013354149,0.0007249781,0.0004407409,0.0007133661,0.00095942605,0.0046807635],"category_scores_gemma":[0.0005276996,0.00042840466,0.00056360266,0.000866544,0.0016819153,0.000814727,0.00008313743,0.0009952186,0.00016971123],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013211667,0.00024891534,0.01139429,0.000090213856,0.00027821594,0.00019423838,0.0477529,3.9788418e-7,0.0053476314,0.8538644,0.044243596,0.03657202],"study_design_scores_gemma":[0.0002478655,0.00006964956,0.005171417,0.00006769119,0.00020149586,0.0000481337,0.0024601573,0.000022197513,0.00018547227,0.12342616,0.8675474,0.000552365],"about_ca_topic_score_codex":0.009895351,"about_ca_topic_score_gemma":0.038036387,"teacher_disagreement_score":0.8233038,"about_ca_system_score_codex":0.00013081383,"about_ca_system_score_gemma":0.00083981187,"threshold_uncertainty_score":0.9998168},"labels":[],"label_agreement":null},{"id":"W397160372","doi":"","title":"Théâtre de la fragilité. Les théâtres professionnels du Canada francophone : entre mémoire et rupture, sous la direction d’Hélène Beauchamp et Joël Beddows, Le Nordir, « Roger-Bernard », 302 p. Les théâtres professionnels du Canada francophone : entre mémoire et rupture, sous la direction d’Hélène Beauchamp et Joël Beddows, Le Nordir, « Roger-Bernard », 302 p.","year":2002,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.012916104987369026,"score_gpt":0.24873007492653915,"score_spread":0.23581396993917011,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W397160372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71294427,0.05806935,0.00014259525,0.15992625,0.01122055,0.0024398488,0.0015910792,0.0008036476,0.052862395],"genre_scores_gemma":[0.92376226,0.00932629,0.00056518597,0.009397489,0.004008699,0.0005519443,0.00047027238,0.00022943557,0.051688444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9798759,0.0070979856,0.0023711552,0.0034301013,0.0038693144,0.0033555303],"domain_scores_gemma":[0.9910797,0.003025469,0.0021349045,0.0012850328,0.0011336644,0.001341228],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.004231749,0.0025373988,0.002655565,0.00072944805,0.010662732,0.0019028888,0.0025205468,0.001996116,0.0021002637],"category_scores_gemma":[0.0013344303,0.0021167682,0.0012154154,0.0047003403,0.0047767493,0.0031502543,0.0009062844,0.0033372543,0.00004159103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033243687,0.0035476165,0.040414218,0.00074705994,0.0013081318,0.002401784,0.059241153,0.010803999,0.0046963636,0.03503662,0.81974524,0.021725398],"study_design_scores_gemma":[0.0025867613,0.00039740955,0.008819031,0.0016297445,0.0003796605,0.0005116504,0.056561146,0.0016740264,0.0012166565,0.004106781,0.91902256,0.0030945789],"about_ca_topic_score_codex":0.90433234,"about_ca_topic_score_gemma":0.9805966,"teacher_disagreement_score":0.21081795,"about_ca_system_score_codex":0.0014303091,"about_ca_system_score_gemma":0.007035134,"threshold_uncertainty_score":0.9992995},"labels":[],"label_agreement":null},{"id":"W405466831","doi":"","title":"Cinéma Québec : « Relancer l’idée d’un cinéma en train de naître »","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Physics","score_opus":0.0056830569966449425,"score_gpt":0.18446526861823948,"score_spread":0.17878221162159452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W405466831","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33990112,0.13180356,0.000058490336,0.46761656,0.00051907956,0.00022174734,0.000056304125,0.00015027367,0.059672873],"genre_scores_gemma":[0.43460628,0.00916031,0.0005162895,0.010538512,0.0012027159,0.0000043017894,0.000033907294,0.000022305323,0.5439154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972709,0.0005332294,0.00025978577,0.000565125,0.00039516028,0.00097582315],"domain_scores_gemma":[0.9986711,0.00015356748,0.0002168815,0.000330242,0.00014139144,0.00048682178],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042691262,0.0003707919,0.0005005641,0.00013343345,0.0016276446,0.00006662417,0.00063944526,0.0006754992,0.0019444363],"category_scores_gemma":[0.00006945262,0.00037067314,0.00050288765,0.0011073886,0.0003303404,0.0004896001,0.00009637636,0.00054157915,0.00028989604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019083207,0.00035917558,0.0019299948,0.000032779473,0.0005703285,0.0029755465,0.0671343,0.00018335413,0.0015650915,0.13180612,0.46001628,0.3332362],"study_design_scores_gemma":[0.0007870152,0.00018349408,0.010549413,0.00005534362,0.0005586764,0.00013707402,0.014725416,0.00031030347,0.00005442186,0.0039901105,0.96818197,0.00046675335],"about_ca_topic_score_codex":0.121214524,"about_ca_topic_score_gemma":0.74249756,"teacher_disagreement_score":0.621283,"about_ca_system_score_codex":0.0066396864,"about_ca_system_score_gemma":0.0002513672,"threshold_uncertainty_score":0.99987453},"labels":[],"label_agreement":null},{"id":"W406781639","doi":"","title":"De l'acteur vedette au théâtre de festival. Histoire des pratiques scéniques montréalaises 1940–1980 by Sylvain Schryburt (review)","year":2013,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.008249895018534145,"score_gpt":0.22045590394106693,"score_spread":0.21220600892253277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W406781639","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4317414,0.4826747,0.00042701748,0.027116034,0.0005631268,0.00095324626,0.00016024394,0.00022696616,0.056137264],"genre_scores_gemma":[0.460514,0.069524415,0.008213382,0.0063437154,0.0008642716,0.000013042357,0.00014590674,0.000056819987,0.45432445],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99713224,0.0010734573,0.00030694503,0.0004376834,0.00032646727,0.0007231982],"domain_scores_gemma":[0.9983242,0.00013915732,0.00036155913,0.00028486704,0.00046891146,0.00042129532],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044637598,0.00034009267,0.00060904573,0.00003186901,0.001241731,0.00009849845,0.000656801,0.00038326444,0.002973869],"category_scores_gemma":[0.000069902926,0.00034314906,0.00040115844,0.00016632411,0.001649199,0.002039862,0.000043488228,0.00023850438,0.00006800925],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034329812,0.00041416325,0.0030044408,0.0006603033,0.00039813714,0.000051269,0.1034179,0.0000014148767,0.0017853859,0.0080143055,0.6866261,0.19559227],"study_design_scores_gemma":[0.00042099765,0.0009127314,0.014210805,0.0015808195,0.00091484515,0.00001229766,0.063189164,0.00014682046,0.00008362421,0.001612942,0.9162262,0.0006887277],"about_ca_topic_score_codex":0.56743336,"about_ca_topic_score_gemma":0.3156036,"teacher_disagreement_score":0.41315028,"about_ca_system_score_codex":0.0019388382,"about_ca_system_score_gemma":0.00046266755,"threshold_uncertainty_score":0.99990207},"labels":[],"label_agreement":null},{"id":"W41339474","doi":"10.25071/1708-6701.2946","title":"French Canada as an Inspiration to Composers","year":2001,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Documentation; Visual arts; History; Library science; Art; Literature; Computer science","score_opus":0.027569535547731755,"score_gpt":0.30674449883895827,"score_spread":0.2791749632912265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41339474","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6778555,0.06820259,0.000073715215,0.0796215,0.0012796255,0.0016333684,0.000031357944,0.00015209852,0.17115025],"genre_scores_gemma":[0.6864736,0.020768514,0.0008273507,0.2648427,0.0024004437,0.000156261,0.0002278715,0.000023372577,0.024279907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987842,0.0002466982,0.00023287318,0.00024006134,0.0002063207,0.0002898791],"domain_scores_gemma":[0.9991811,0.000029308443,0.00008655742,0.00020955762,0.00019208081,0.00030138894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039525525,0.00011124484,0.0002759813,0.000027094013,0.00033490744,0.000084806416,0.0003093179,0.00007597234,0.00061187975],"category_scores_gemma":[0.00031144096,0.000093155126,0.00008195413,0.0007037148,0.00004122374,0.00021102466,0.000020543326,0.00012293507,0.000071726805],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018368351,0.00022561877,0.03557756,0.0014168211,0.00016994194,0.00040606793,0.01953611,0.00007119562,0.0009692084,0.07858497,0.7030798,0.15994431],"study_design_scores_gemma":[0.00004189322,0.00003316676,0.0028043084,0.0002541934,0.00006314524,0.000009035156,0.00020839297,0.000008803967,0.0000070714364,0.0002819611,0.99614334,0.00014468528],"about_ca_topic_score_codex":0.48249164,"about_ca_topic_score_gemma":0.9341067,"teacher_disagreement_score":0.4516151,"about_ca_system_score_codex":0.0002434884,"about_ca_system_score_gemma":0.00034603666,"threshold_uncertainty_score":0.66996545},"labels":[],"label_agreement":null},{"id":"W42051146","doi":"10.7202/902230ar","title":"La musique aujourd’hui dans tous ses éclats","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03382094688637197,"score_gpt":0.28458316684724755,"score_spread":0.25076221996087555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W42051146","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45267034,0.0051802495,0.0000901555,0.011708462,0.005256311,0.00052121223,0.00009852216,0.00032996736,0.52414477],"genre_scores_gemma":[0.8604918,0.000308522,0.00011778982,0.008044469,0.0048536095,0.000073940755,0.00007966848,0.000060706116,0.1259695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995254,0.0012404862,0.00087752135,0.0009919743,0.0006031831,0.001032855],"domain_scores_gemma":[0.9967657,0.0005989412,0.00052853825,0.00069057755,0.00081207394,0.0006041853],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014855966,0.0007059608,0.00095221616,0.00020310961,0.0010400501,0.0007069342,0.0010177804,0.0014611785,0.001837844],"category_scores_gemma":[0.0007354927,0.00062505197,0.00070985715,0.0012157519,0.002876157,0.0011991697,0.00014853921,0.0014757012,0.00022952571],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022532671,0.00044976218,0.0056422614,0.00017713316,0.00044690174,0.00048195323,0.21994828,0.0000017290869,0.013037315,0.70087284,0.024927305,0.033991963],"study_design_scores_gemma":[0.00047470644,0.0001104223,0.0021529207,0.00017200883,0.0002729989,0.00011166643,0.012970726,0.000033576714,0.0004371863,0.09827014,0.88408136,0.0009122788],"about_ca_topic_score_codex":0.0059116157,"about_ca_topic_score_gemma":0.03057915,"teacher_disagreement_score":0.85915405,"about_ca_system_score_codex":0.0001472754,"about_ca_system_score_gemma":0.0005754837,"threshold_uncertainty_score":0.99983746},"labels":[],"label_agreement":null},{"id":"W4205758134","doi":"10.4000/books.pum.22116","title":"Remerciements","year":2000,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.01537904067530814,"score_gpt":0.20451215054845281,"score_spread":0.1891331098731447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205758134","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007552899,0.013310968,0.000015651447,0.0013793445,0.00031798775,0.00033634194,0.00012120132,0.0001167616,0.97684884],"genre_scores_gemma":[0.04446257,0.005134475,0.00028528756,0.0032334828,0.0006477568,0.000008513582,0.00008416422,0.00004927674,0.94609445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99722797,0.00023724034,0.00037087023,0.0006961071,0.0005606105,0.0009071925],"domain_scores_gemma":[0.9984587,0.00011769625,0.0003136133,0.00041450904,0.00017736164,0.0005181383],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022253017,0.00057559717,0.0006261286,0.00014012669,0.0016266053,0.00014993157,0.0008707851,0.00095096877,0.0410355],"category_scores_gemma":[0.000017584745,0.00057689514,0.00063831755,0.00007782642,0.00081539724,0.00019692768,0.00033979697,0.0006174821,0.0007390019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064391794,0.0001530094,0.0014746588,0.00017372223,0.0025450808,0.0018026041,0.04446994,0.00021957874,0.0013361874,0.66694003,0.10166952,0.17857172],"study_design_scores_gemma":[0.00047269554,0.00008845421,0.0010460638,0.0001522926,0.0013188166,0.000029860801,0.00078467163,0.00007746859,0.0001187631,0.028833313,0.966446,0.00063164043],"about_ca_topic_score_codex":0.010474384,"about_ca_topic_score_gemma":0.02262645,"teacher_disagreement_score":0.86477643,"about_ca_system_score_codex":0.0010534567,"about_ca_system_score_gemma":0.00012059778,"threshold_uncertainty_score":0.9996731},"labels":[],"label_agreement":null},{"id":"W4206238340","doi":"10.1108/978-1-80117-652-120221023","title":"Michel Léonard, Principal Librarian, Orchestre Symphonique de Montréal","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022141283134042285,"score_gpt":0.2472027346260549,"score_spread":0.22506145149201262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206238340","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013208046,0.0050988887,0.000005943351,0.005619233,0.00040475768,0.00026504564,0.000064438376,0.0001996612,0.98820996],"genre_scores_gemma":[0.0014460966,0.0008382517,0.00048268025,0.01046993,0.0016070869,0.00004526477,0.00019056829,0.00003836228,0.98488176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980542,0.00015953372,0.0003133525,0.0004429448,0.00049164094,0.00053833186],"domain_scores_gemma":[0.9990387,0.00010217999,0.00018379847,0.00027247905,0.00008379698,0.00031904908],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041003697,0.00033455924,0.00043322344,0.00010185872,0.00080129056,0.00018849657,0.00054772483,0.0007162764,0.026392497],"category_scores_gemma":[0.000038193182,0.00027525774,0.00045644163,0.00010936017,0.00023839514,0.0003016784,0.00022546707,0.00070114585,0.00019212847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015017018,0.000028387609,0.00012875519,0.00001228256,0.00020929711,0.000055088054,0.004819746,0.0000032494765,0.0000123340005,0.9083473,0.084536016,0.0018325405],"study_design_scores_gemma":[0.000099048135,0.000027221731,0.000057284542,0.000013441333,0.00018662233,0.000005463891,0.00093382155,0.0000033819042,0.0000062281515,0.025621375,0.9726737,0.00037241718],"about_ca_topic_score_codex":0.005038199,"about_ca_topic_score_gemma":0.010103271,"teacher_disagreement_score":0.8881377,"about_ca_system_score_codex":0.00039195517,"about_ca_system_score_gemma":0.00058200804,"threshold_uncertainty_score":0.99996996},"labels":[],"label_agreement":null},{"id":"W4206471899","doi":"10.4000/books.pur.34041","title":"Remerciements","year":2001,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Rennes eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.029159727268035045,"score_gpt":0.2454692675023759,"score_spread":0.21630954023434087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206471899","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029467857,0.005380396,0.00004608706,0.0024001016,0.0008053318,0.00035834068,0.000079299716,0.00015229215,0.98783135],"genre_scores_gemma":[0.32227173,0.0035542431,0.00022208833,0.0012998409,0.0011885841,0.0000061980495,0.000118712946,0.000053751337,0.67128485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99716777,0.00023278076,0.00040006905,0.00077078416,0.00056487985,0.0008636961],"domain_scores_gemma":[0.9981559,0.00018136801,0.00041440598,0.00044844078,0.00037424258,0.0004256413],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021733396,0.0006226226,0.0006663201,0.00023675409,0.0013090632,0.00019403457,0.0009802158,0.000893889,0.004719297],"category_scores_gemma":[0.000037737176,0.0006094108,0.000663325,0.0001274553,0.0014837105,0.0003603659,0.0003482988,0.00057946757,0.00029163377],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075782846,0.00005574179,0.0005083998,0.00012204269,0.0011373628,0.0005039056,0.0030078574,0.00002356285,0.00022112948,0.888406,0.021492809,0.084445424],"study_design_scores_gemma":[0.00033101338,0.000103625964,0.00009608276,0.00033351462,0.0013879463,0.000020534912,0.0014247247,0.000027890104,0.000047998998,0.07257348,0.9229457,0.0007075144],"about_ca_topic_score_codex":0.0012307384,"about_ca_topic_score_gemma":0.0047832537,"teacher_disagreement_score":0.90145284,"about_ca_system_score_codex":0.00042183345,"about_ca_system_score_gemma":0.00020003344,"threshold_uncertainty_score":0.9999911},"labels":[],"label_agreement":null},{"id":"W4206568096","doi":"10.4000/books.pum.20293","title":"Remerciements","year":2004,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.01612826377756967,"score_gpt":0.20704749860768457,"score_spread":0.1909192348301149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206568096","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061566867,0.011969498,0.000045301884,0.0019247152,0.00044695946,0.00037359446,0.000103485356,0.00012263154,0.9788571],"genre_scores_gemma":[0.09642907,0.0025647837,0.0005175599,0.0031523043,0.0006545129,0.000009008862,0.000077902434,0.000052828378,0.896542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972671,0.00018068343,0.00036734057,0.0006944146,0.00058468065,0.0009057308],"domain_scores_gemma":[0.99833935,0.00009943997,0.00038184848,0.0004034761,0.00024916572,0.0005267108],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024076902,0.0005801812,0.0006217465,0.00013937226,0.0016252808,0.00014710629,0.0008641226,0.0009660155,0.019520996],"category_scores_gemma":[0.000028856539,0.00058090215,0.0006468932,0.000079382495,0.0008729419,0.00020092503,0.0004789062,0.00063597166,0.00046857412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022707423,0.0000894577,0.0009035315,0.000157336,0.0014140296,0.0011292468,0.028180707,0.00023945316,0.0011774362,0.91590667,0.02242667,0.028148362],"study_design_scores_gemma":[0.00074224855,0.0001143202,0.0013869185,0.00026202615,0.0015392731,0.000030047291,0.0012669587,0.0000407173,0.00024250404,0.06548678,0.9281557,0.0007325029],"about_ca_topic_score_codex":0.014010831,"about_ca_topic_score_gemma":0.02541513,"teacher_disagreement_score":0.90572906,"about_ca_system_score_codex":0.0020265242,"about_ca_system_score_gemma":0.00020881306,"threshold_uncertainty_score":0.99967444},"labels":[],"label_agreement":null},{"id":"W4206676960","doi":"10.4000/books.septentrion.2240","title":"Remerciements","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses universitaires du Septentrion eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.023236405438048606,"score_gpt":0.22586635135480074,"score_spread":0.20262994591675212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206676960","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030290913,0.004604596,0.000039809656,0.0038434034,0.001698804,0.00080397853,0.0000886909,0.00017505093,0.9857166],"genre_scores_gemma":[0.2496587,0.0017966286,0.00015009171,0.0020415569,0.0011251302,0.000010553211,0.00018901948,0.000052091982,0.7449762],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99653745,0.00029512544,0.0005456629,0.0009312476,0.00088347064,0.00080705556],"domain_scores_gemma":[0.9974003,0.00019373286,0.0006170259,0.00049311173,0.00080263516,0.00049322355],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022450663,0.0007399101,0.0007893596,0.00027789501,0.0016793994,0.00031777096,0.0010527957,0.0010025054,0.028602246],"category_scores_gemma":[0.000050873092,0.0006818937,0.0008440289,0.00012347654,0.0015766685,0.00066942023,0.00046487412,0.00066764024,0.0027077757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053651413,0.000083415616,0.00021645756,0.00009557131,0.0012652288,0.00017375087,0.003127214,0.00001693675,0.00016454674,0.87761676,0.057004955,0.060181536],"study_design_scores_gemma":[0.00054089236,0.00013119925,0.000118391654,0.00023554283,0.0015206829,0.00000727127,0.0015719224,0.000053790434,0.000047657464,0.013950629,0.98105067,0.0007713532],"about_ca_topic_score_codex":0.000987344,"about_ca_topic_score_gemma":0.00057973724,"teacher_disagreement_score":0.92404574,"about_ca_system_score_codex":0.00037924794,"about_ca_system_score_gemma":0.00016472617,"threshold_uncertainty_score":0.99962026},"labels":[],"label_agreement":null},{"id":"W42148843","doi":"","title":"Culture et rénovation urbaine : les complexes des arts de la scène à New York et à Montréal dans les années 1950 et 1960.","year":2012,"lang":"fr","type":"article","venue":"EspaceINRS Institutional Digital Repository (Institut National de la Recherche Scientifique)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sociology; Humanities","score_opus":0.13101905321953988,"score_gpt":0.35238484471098086,"score_spread":0.22136579149144098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W42148843","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1507373,0.020784425,0.029693568,0.017726013,0.0021675322,0.00055446354,0.000451759,0.0002854479,0.7775995],"genre_scores_gemma":[0.898492,0.0005183526,0.01991797,0.002311889,0.0015162303,0.0000639782,0.00059069257,0.000029102186,0.07655982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99327016,0.003173509,0.0006217323,0.00068762584,0.0014447474,0.0008022202],"domain_scores_gemma":[0.99600244,0.0018563595,0.00036837172,0.00022447358,0.0009296724,0.0006186712],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.006622173,0.0005066903,0.0003764615,0.00027263918,0.0024563395,0.002187844,0.00053138746,0.00129121,0.00007588994],"category_scores_gemma":[0.0058861943,0.0004699107,0.00044135776,0.0017982712,0.0053743287,0.0041422984,0.0001634048,0.0014786787,0.00004637271],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064357606,0.0006901341,0.0051221675,0.000091453156,0.00021705139,0.000032781943,0.04590656,0.0072884955,0.009645296,0.8967686,0.031136539,0.0030365374],"study_design_scores_gemma":[0.00056087173,0.00004766395,0.025177326,0.0005794909,0.00015055637,0.0004085571,0.0028211235,0.00059115933,0.0022814535,0.051862843,0.9148533,0.0006656843],"about_ca_topic_score_codex":0.004542751,"about_ca_topic_score_gemma":0.004683873,"teacher_disagreement_score":0.8837167,"about_ca_system_score_codex":0.0023217483,"about_ca_system_score_gemma":0.0046700593,"threshold_uncertainty_score":0.99977523},"labels":[],"label_agreement":null},{"id":"W4226081571","doi":"10.17077/etd.006099","title":"Jean Coulthard’s Lyric sonatina for bassoon and piano","year":2021,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Art; Psychology; Communication; Visual arts; Art history","score_opus":0.021581646259523097,"score_gpt":0.3150430405604609,"score_spread":0.2934613943009378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226081571","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12542243,0.015137033,0.000040173996,0.009723578,0.0043114647,0.0015789974,0.00018669904,0.0002481113,0.8433515],"genre_scores_gemma":[0.052491948,0.0008671623,0.0006761322,0.002468236,0.0010329325,0.000118323675,0.0033773743,0.000019373161,0.9389485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988436,0.00008822718,0.00019058835,0.00036070222,0.00025631592,0.00026053542],"domain_scores_gemma":[0.9990974,0.00016478232,0.00013012286,0.00008848511,0.00041507327,0.000104127015],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024607114,0.00016810192,0.00031305512,0.00005877213,0.0006052525,0.00028631074,0.00014216111,0.00040621875,0.0012246607],"category_scores_gemma":[0.0002758448,0.00012936883,0.0001836472,0.0002802331,0.000052226045,0.00013275917,0.000010033001,0.00014660961,0.000010115722],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013893149,0.00026574134,0.00086174393,0.0007895223,0.00087655516,0.000023434566,0.08126258,0.00000198178,0.0014181529,0.39634356,0.39773393,0.12028388],"study_design_scores_gemma":[0.00030994485,0.00005188258,0.0019587728,0.00006893515,0.00038397516,4.2180307e-7,0.06657836,0.000030141679,0.00015204903,0.0042479155,0.92578,0.00043760956],"about_ca_topic_score_codex":0.0011102345,"about_ca_topic_score_gemma":0.079937175,"teacher_disagreement_score":0.5280461,"about_ca_system_score_codex":0.000042039734,"about_ca_system_score_gemma":0.00020622651,"threshold_uncertainty_score":0.9996883},"labels":[],"label_agreement":null},{"id":"W4229636720","doi":"10.1515/iupac.88.1138","title":"Omentum","year":2017,"lang":"en","type":"dataset","venue":"IUPAC Standards Online","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canada Research Chairs; University of Toronto","funders":"","keywords":"Glossary; Terminology; Relation (database); Computer science; Linguistics; Data mining; Philosophy","score_opus":0.025520503142741624,"score_gpt":0.4393274299090258,"score_spread":0.41380692676628417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229636720","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006299988,0.0018830511,0.0000014359117,0.0027829679,0.001925119,0.00020641173,0.990903,0.00005619322,0.002178772],"genre_scores_gemma":[0.000038120485,0.0012225902,0.000013416669,0.0020917684,0.0037771654,0.000013000605,0.98091185,0.000011868482,0.011920202],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99717385,0.00020961258,0.00031458604,0.0004790004,0.0012910406,0.00053194165],"domain_scores_gemma":[0.997935,0.000049557777,0.00039206125,0.00073717145,0.00063623994,0.0002499477],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00084516814,0.00032020593,0.00061382336,0.00012383386,0.0014781151,0.00059792155,0.0010950792,0.0006272776,0.0059033213],"category_scores_gemma":[0.00083915266,0.00024527538,0.00032066094,0.00019795667,0.00059116783,0.00022715561,0.00015211852,0.0005858281,0.000012013333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002205975,0.00010746413,0.000009193802,0.00002923227,0.00015129101,0.00004863108,0.00026458496,1.6415439e-7,7.800434e-7,0.00015804377,0.9978609,0.0013476668],"study_design_scores_gemma":[0.00023867576,0.000056824025,0.000029222312,0.00007987417,0.00027832846,0.0000011410158,0.00042362168,4.588722e-7,5.0713055e-7,0.00063407386,0.9979277,0.0003295591],"about_ca_topic_score_codex":0.002822732,"about_ca_topic_score_gemma":0.055273995,"teacher_disagreement_score":0.052451264,"about_ca_system_score_codex":0.00032382685,"about_ca_system_score_gemma":0.0009592532,"threshold_uncertainty_score":0.99999994},"labels":[],"label_agreement":null},{"id":"W4229996736","doi":"10.4000/transposition.1461","title":"Michel Duchesneau, Valérie Dufour et Marie-Hélène Benoit-Otis (dirs.), Écrits de compositeurs. Une autorité en questions (XIXe et XXe siècles)","year":2016,"lang":"fr","type":"article","venue":"Transposition","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015087986683825137,"score_gpt":0.2852915977352653,"score_spread":0.27020361105144014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229996736","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37869006,0.016448896,0.013286179,0.58024096,0.0028220469,0.00080450886,0.0016822177,0.00047578505,0.005549336],"genre_scores_gemma":[0.9577096,0.0038293167,0.0026836072,0.01116077,0.0012285786,0.000061343526,0.0004817426,0.000050175946,0.02279488],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955775,0.0017344187,0.0005969308,0.00069748063,0.00054357137,0.00085008686],"domain_scores_gemma":[0.99799216,0.0007248044,0.00019613105,0.0003163329,0.00034740215,0.00042317717],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009766474,0.00046803954,0.0005414346,0.00013288239,0.00090083864,0.00026846712,0.00043982055,0.0007572457,0.00074432977],"category_scores_gemma":[0.00010148614,0.00038575058,0.0004838964,0.0010666181,0.0007008376,0.0012092594,0.00002944593,0.0005430554,0.0003135408],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038105797,0.0019495991,0.0063930354,0.00038554604,0.0010349595,0.00024846586,0.08431876,0.0005314259,0.23658969,0.607384,0.015822629,0.044960815],"study_design_scores_gemma":[0.004741492,0.0012087672,0.23348866,0.0028269398,0.0047586733,0.00008494879,0.003411641,0.0006396827,0.0070852526,0.07541785,0.6634416,0.002894483],"about_ca_topic_score_codex":0.008788936,"about_ca_topic_score_gemma":0.015513316,"teacher_disagreement_score":0.64761895,"about_ca_system_score_codex":0.00041074608,"about_ca_system_score_gemma":0.0002501889,"threshold_uncertainty_score":0.99985945},"labels":[],"label_agreement":null},{"id":"W4230282483","doi":"10.4000/transposition.1206","title":"Esteban Buch, Nicolas Donin, Laurent Feneyrou (dir.), Du politique en analyse musicale","year":2015,"lang":"fr","type":"article","venue":"Transposition","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02370799954450068,"score_gpt":0.27559411745485,"score_spread":0.2518861179103493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230282483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84094095,0.024432238,0.0006989741,0.112839416,0.0029437414,0.0005912576,0.00024549483,0.0002233572,0.017084563],"genre_scores_gemma":[0.97600573,0.000768826,0.0003154583,0.007355621,0.0036873328,0.000042556298,0.00042934227,0.00002336499,0.011371737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966784,0.0010462315,0.000490316,0.00053915376,0.0005733218,0.00067254546],"domain_scores_gemma":[0.99847484,0.0000940954,0.00015259265,0.00025428997,0.0003965101,0.0006276909],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006061418,0.00034363993,0.00047781953,0.000121436075,0.00047762878,0.00022244525,0.00035471763,0.0005925177,0.0010466075],"category_scores_gemma":[0.00003519676,0.0003064405,0.00048107782,0.0011208318,0.00050087,0.00078246766,0.0000173062,0.00042547804,0.00027474898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007544391,0.004224632,0.019252254,0.00043761026,0.002041037,0.0004899534,0.3474276,0.0016857015,0.010228331,0.4409183,0.1417172,0.030822925],"study_design_scores_gemma":[0.0036605413,0.0013601657,0.025505772,0.00049151265,0.0048631267,0.0000703145,0.021234421,0.0014396842,0.0033810607,0.0416971,0.89427793,0.0020183504],"about_ca_topic_score_codex":0.009103742,"about_ca_topic_score_gemma":0.027278056,"teacher_disagreement_score":0.75256073,"about_ca_system_score_codex":0.0004353313,"about_ca_system_score_gemma":0.00021501016,"threshold_uncertainty_score":0.9999388},"labels":[],"label_agreement":null},{"id":"W4230303591","doi":"10.1353/utq.0.0193","title":"Théâtre","year":2008,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013572231674408429,"score_gpt":0.2194388658440503,"score_spread":0.20586663416964188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230303591","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59206533,0.0007332376,0.00005522232,0.0009145685,0.00019232102,0.000086886816,0.000010080363,0.00006634921,0.405876],"genre_scores_gemma":[0.9448407,0.00008126385,0.0002566267,0.00015528244,0.00009940784,3.9997513e-8,0.000004756539,0.0000015407384,0.054560326],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994894,0.00007252493,0.000050937906,0.00010991001,0.00014696944,0.00013020358],"domain_scores_gemma":[0.9996736,0.000017472916,0.000049095528,0.00009017532,0.000096844415,0.00007279215],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000058000853,0.0000492474,0.00011226253,0.000010565934,0.0005001732,0.0000075211783,0.00020347418,0.00007241485,0.002030296],"category_scores_gemma":[0.0000041508542,0.000048987018,0.00010618289,0.000047862173,0.0002633986,0.00037206704,0.0000068715744,0.0000361466,0.000032493706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009675722,0.00026607065,0.0076498403,0.000014190667,0.00023001333,0.00013416917,0.7448904,0.000001760934,0.0007615916,0.080185175,0.1360364,0.029733643],"study_design_scores_gemma":[0.000302606,0.00019275746,0.017919669,0.00000630815,0.000051791194,0.0000018279148,0.10019954,0.000008227665,0.0000061055857,0.0002916854,0.88087785,0.00014159775],"about_ca_topic_score_codex":0.07702734,"about_ca_topic_score_gemma":0.1641497,"teacher_disagreement_score":0.74484146,"about_ca_system_score_codex":0.00007367935,"about_ca_system_score_gemma":0.00005022359,"threshold_uncertainty_score":0.998882},"labels":[],"label_agreement":null},{"id":"W4230854471","doi":"10.4324/9781135000356-rem607-1","title":"Vivier, Claude (1948–1983)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Immortality; Soul; The arts; Art history; Art; Opera; Piano; Performance art; George (robot); Chamber music; Musical; MOZART; Humanities; Visual arts; Literature; Philosophy; Theology","score_opus":0.03205269635779009,"score_gpt":0.2845865616910352,"score_spread":0.2525338653332451,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230854471","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035550776,0.0015982293,0.000007602657,0.0018113119,0.001068186,0.00017224926,0.000020715172,0.00013943153,0.99514675],"genre_scores_gemma":[0.0008434315,0.00042695878,0.00014700547,0.008387952,0.0039455644,0.0000061494798,0.000062607,0.0000215399,0.9861588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837023,0.00005116606,0.00027942308,0.0004576584,0.00047404462,0.0003674643],"domain_scores_gemma":[0.9989798,0.000051406525,0.00017093528,0.00028777277,0.0003155478,0.00019450873],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028965867,0.00028635925,0.00042517987,0.00009533957,0.00060489,0.00021878057,0.00046845444,0.00084248953,0.06790016],"category_scores_gemma":[0.00004013732,0.00020331563,0.00038924432,0.00008453367,0.00067027454,0.00016295933,0.00007883849,0.0003332784,0.0040079127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035998205,0.000008060257,0.000005099445,0.0000045669854,0.0001242509,0.000007530368,0.0020202051,2.998968e-8,0.000006631822,0.621697,0.37310264,0.0030203818],"study_design_scores_gemma":[0.000057719313,0.00003100445,0.000006940361,0.00002726786,0.00014326454,8.21787e-7,0.0003180485,7.397406e-7,0.0000035514236,0.08906955,0.9100459,0.00029517364],"about_ca_topic_score_codex":0.00041640637,"about_ca_topic_score_gemma":0.013012245,"teacher_disagreement_score":0.53694326,"about_ca_system_score_codex":0.00008559994,"about_ca_system_score_gemma":0.00013236137,"threshold_uncertainty_score":0.9967676},"labels":[],"label_agreement":null},{"id":"W4230874433","doi":"10.1093/gmo/9781561592630.article.o904110","title":"Quebec (opera)","year":2002,"lang":"en","type":"book","venue":"Oxford Music Online","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Art; Art history","score_opus":0.03525396767829666,"score_gpt":0.2826252249079837,"score_spread":0.24737125722968703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230874433","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00070736697,0.0033146008,0.0000034793047,0.0032397108,0.0014932129,0.00032784132,0.00023727665,0.00020093864,0.9904756],"genre_scores_gemma":[0.00024292515,0.0010548672,0.00025331686,0.0120834485,0.0077967565,0.0000140579505,0.0014116926,0.00004029498,0.97710264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769056,0.00013205066,0.0004186117,0.0005786959,0.00061119936,0.0005688714],"domain_scores_gemma":[0.99873614,0.00007882604,0.00024949142,0.00040756573,0.00027764964,0.0002503141],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021701743,0.00040483172,0.0006575481,0.0001526152,0.0006088407,0.00023721982,0.00063792884,0.00089192507,0.011520967],"category_scores_gemma":[0.00008326732,0.0003233729,0.0004726439,0.00032705732,0.0004428094,0.00023912631,0.00009615332,0.00070085947,0.0002626634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066537687,0.00014104362,0.000012858722,0.00003238978,0.00017391065,0.00004887429,0.003519869,0.0000014356065,0.0000059886215,0.047329694,0.887327,0.061400276],"study_design_scores_gemma":[0.00018290861,0.00003465917,0.00006912154,0.00007811126,0.00025147846,0.00000177019,0.00043833838,0.0000123948585,3.6042098e-7,0.0023850352,0.9961101,0.00043576988],"about_ca_topic_score_codex":0.0041012513,"about_ca_topic_score_gemma":0.36259297,"teacher_disagreement_score":0.35849172,"about_ca_system_score_codex":0.00038884548,"about_ca_system_score_gemma":0.0006305257,"threshold_uncertainty_score":0.99992186},"labels":[],"label_agreement":null},{"id":"W4231212965","doi":"10.15353/kinema.vi.1185","title":"Montreal 2008","year":2008,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Instinct; Imitation; Mainstream; Plot (graphics); Media studies; History; Aesthetics; Literature; Sociology; Art; Art history; Psychology; Political science; Law; Social psychology","score_opus":0.034004044996752095,"score_gpt":0.3094280546990348,"score_spread":0.2754240097022827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231212965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9648072,0.009024352,0.00019154996,0.0063976473,0.0029911886,0.00031979228,0.00005979687,0.000075975084,0.01613246],"genre_scores_gemma":[0.97580904,0.0024105492,0.00056566764,0.0022459973,0.0049206344,0.000017757922,0.00002173968,0.000013287291,0.013995352],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879605,0.0000945828,0.00024160794,0.00017334416,0.0003109064,0.00038351503],"domain_scores_gemma":[0.999058,0.00019187591,0.00012602271,0.000059491445,0.00021487742,0.00034974824],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00034115484,0.0001308157,0.00026923924,0.00008280302,0.0015577538,0.0001105863,0.00015509478,0.00013629156,0.00032106144],"category_scores_gemma":[0.00044963014,0.00009107539,0.0001977447,0.00022848777,0.00031018452,0.00027167273,0.000019764595,0.00020315156,0.000013745353],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024249434,0.00027253004,0.0070458474,0.000033291544,0.00035546988,0.00045591738,0.080185145,0.0000136948875,0.00080162834,0.008766738,0.8631423,0.03868496],"study_design_scores_gemma":[0.0019129833,0.00033575384,0.029999992,0.000051128925,0.00022126561,0.0006516119,0.007364789,0.0001136464,0.000086819324,0.007242604,0.95155025,0.00046917907],"about_ca_topic_score_codex":0.00019929533,"about_ca_topic_score_gemma":0.0012920029,"teacher_disagreement_score":0.08840794,"about_ca_system_score_codex":0.00002288554,"about_ca_system_score_gemma":0.00010966985,"threshold_uncertainty_score":0.9997421},"labels":[],"label_agreement":null},{"id":"W4231473259","doi":"10.4000/communication.1948","title":"Gene SCULATTI et Gilles VERLANT (2007), Les 100 albums les plus vendus des années 60, traduction française d’Aude Cirier / Hamish CHAMP et Gilles VERLANT (2007), Les 100 albums les plus vendus des années 70, traduction française de Nathalie Rouveyre","year":2011,"lang":"fr","type":"article","venue":"Communication","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.09105959354135815,"score_gpt":0.2959249379483763,"score_spread":0.20486534440701817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231473259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7333043,0.2559257,0.00037794825,0.0040697223,0.0015681336,0.00079731864,0.00027935524,0.00036073886,0.0033167603],"genre_scores_gemma":[0.89371336,0.09843247,0.0026279504,0.0004576587,0.0012744903,0.00024165591,0.0010779988,0.00012968367,0.0020447401],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912404,0.003527332,0.0014384233,0.0012991974,0.0010099586,0.0014846993],"domain_scores_gemma":[0.99524236,0.00052753295,0.0010265292,0.0016853189,0.00094104494,0.00057722814],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0025446613,0.0011632806,0.0013091001,0.00046698278,0.0077056927,0.00042982286,0.0018990563,0.0016991924,0.0011961624],"category_scores_gemma":[0.0005514077,0.0010983397,0.0008376331,0.001417716,0.005849742,0.0022758183,0.00033685475,0.0017323273,0.00008478253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013015268,0.0032487707,0.02145992,0.0009140032,0.0023677065,0.0001505354,0.55436623,0.0039411555,0.0090196,0.026900364,0.0309147,0.34541547],"study_design_scores_gemma":[0.0034610922,0.0008499582,0.12287287,0.0021188946,0.0019166883,0.00038476594,0.11169423,0.0024445546,0.005678909,0.009776264,0.73527634,0.0035254012],"about_ca_topic_score_codex":0.08737052,"about_ca_topic_score_gemma":0.077978574,"teacher_disagreement_score":0.7043617,"about_ca_system_score_codex":0.0010382889,"about_ca_system_score_gemma":0.00069700053,"threshold_uncertainty_score":0.9997169},"labels":[],"label_agreement":null},{"id":"W4232009898","doi":"10.4000/books.pum.5340","title":"Introduction","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.01005363180566271,"score_gpt":0.1885682705098065,"score_spread":0.1785146387041438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232009898","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038417454,0.007543827,0.00028976245,0.007820058,0.00087541615,0.00027820963,0.00004666583,0.00014354444,0.9791608],"genre_scores_gemma":[0.03892882,0.0012372987,0.00033561818,0.0019499708,0.0043035075,0.000006831444,0.00008031759,0.00004202309,0.9531156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976071,0.00028817626,0.0003107138,0.0006867064,0.00041238533,0.00069492456],"domain_scores_gemma":[0.9984198,0.00013723849,0.0003733416,0.00040563647,0.00026767247,0.00039626335],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031778036,0.0004862038,0.00058432785,0.0001354122,0.0014053751,0.00014233716,0.000608585,0.00092701387,0.0163151],"category_scores_gemma":[0.00005181811,0.00048065902,0.0005237524,0.00006472272,0.0008264034,0.00014278953,0.00031366988,0.00062034716,0.0005940859],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017748433,0.000028208942,0.00023803885,0.00009675451,0.00068803254,0.00015549202,0.012335735,0.00016438974,0.0011242845,0.79160696,0.14227732,0.051107287],"study_design_scores_gemma":[0.00031388953,0.000095626616,0.00050599367,0.00006235241,0.001150864,0.000046031095,0.0007130085,0.00016604371,0.00020380648,0.017955646,0.97826463,0.00052210194],"about_ca_topic_score_codex":0.0051448145,"about_ca_topic_score_gemma":0.016306896,"teacher_disagreement_score":0.8359873,"about_ca_system_score_codex":0.0009835464,"about_ca_system_score_gemma":0.00007929401,"threshold_uncertainty_score":0.9998947},"labels":[],"label_agreement":null},{"id":"W4237015110","doi":"10.4000/afas.1443","title":"Bulletin n°24","year":2003,"lang":"fr","type":"paratext","venue":"Bulletin de l’AFAS","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02502065915835852,"score_gpt":0.26942928667618615,"score_spread":0.24440862751782763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237015110","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016623973,0.034785666,0.000047009784,0.10426073,0.007739832,0.0005782211,0.00016223584,0.00008394751,0.85068],"genre_scores_gemma":[0.0022432266,0.0035575146,0.0016560471,0.04635959,0.004990321,0.00014387674,0.00030120098,0.00008625267,0.94066197],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99258006,0.0020982237,0.0010070527,0.0014319253,0.0009019915,0.0019807604],"domain_scores_gemma":[0.99701655,0.00041157298,0.000633231,0.00069532415,0.00048535632,0.0007579805],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001184795,0.0010430429,0.0013892952,0.0001746979,0.0015788326,0.0008230279,0.0013500861,0.0023544675,0.4441954],"category_scores_gemma":[0.00035288397,0.0009311902,0.0011687455,0.0010899188,0.0015058242,0.00005906308,0.00016271655,0.0017753049,0.20451598],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037245834,0.00025546696,0.00007607543,0.00014098834,0.0003884357,0.00008787365,0.0030470148,0.000050891984,0.000041319418,0.034533735,0.9595214,0.0018195559],"study_design_scores_gemma":[0.00050291914,0.00013292168,0.00005751363,0.00021293541,0.0006328456,0.00004306113,0.0021546031,0.0000060385673,0.000049009053,0.0010007429,0.9940341,0.0011732687],"about_ca_topic_score_codex":0.0022656724,"about_ca_topic_score_gemma":0.00039447084,"teacher_disagreement_score":0.23967943,"about_ca_system_score_codex":0.00048398742,"about_ca_system_score_gemma":0.00041323408,"threshold_uncertainty_score":0.999721},"labels":[],"label_agreement":null},{"id":"W4238632378","doi":"10.4000/books.pum.204","title":"Profession musicologue","year":2007,"lang":"fr","type":"book","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities; Visual arts","score_opus":0.015622027047968643,"score_gpt":0.2254023816363005,"score_spread":0.20978035458833186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238632378","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02121965,0.012620521,0.000111992886,0.001976359,0.001077884,0.0006724235,0.00010327988,0.00020215624,0.96201575],"genre_scores_gemma":[0.029090106,0.00093539193,0.0005216213,0.0053998632,0.001500398,0.000020455218,0.00019401102,0.000055756584,0.9622824],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99587744,0.0007615588,0.00047401458,0.0008328127,0.00066241383,0.0013917708],"domain_scores_gemma":[0.9974956,0.00043999168,0.0005609229,0.00045907847,0.00036647313,0.00067796564],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000650922,0.0006774422,0.0008189283,0.00023953794,0.002341929,0.00015092814,0.0011052592,0.002025681,0.0068728286],"category_scores_gemma":[0.000080092126,0.00063305674,0.0006819812,0.0002384214,0.0012841265,0.00023889609,0.00073538924,0.001209277,0.00035763413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007513468,0.0003095212,0.0025790925,0.00048786603,0.0014013296,0.0026151335,0.085713856,0.00012187689,0.0026912105,0.17432038,0.65482265,0.074185744],"study_design_scores_gemma":[0.0006681301,0.00015108754,0.002932028,0.0003011898,0.0013217508,0.00004759371,0.0047381283,0.000117568125,0.00034378757,0.010185246,0.97841984,0.0007736327],"about_ca_topic_score_codex":0.0077024424,"about_ca_topic_score_gemma":0.04723422,"teacher_disagreement_score":0.32359722,"about_ca_system_score_codex":0.002863084,"about_ca_system_score_gemma":0.0005314047,"threshold_uncertainty_score":0.9996121},"labels":[],"label_agreement":null},{"id":"W4238706064","doi":"10.7202/1014234ar","title":"Créé dans LeVivier","year":2012,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0679968304519637,"score_gpt":0.2995368831229718,"score_spread":0.23154005267100808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238706064","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074782394,0.102086574,0.00016378619,0.010564548,0.0070828227,0.00047856182,0.000071837814,0.00020937594,0.8045601],"genre_scores_gemma":[0.7455269,0.00045024164,0.00005404055,0.008888545,0.0066113593,0.000046697536,0.00005652528,0.0000320116,0.23833364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99629444,0.0008987928,0.0006346351,0.0005133177,0.00048196092,0.0011768398],"domain_scores_gemma":[0.99797785,0.00020600138,0.0003463681,0.0004319899,0.00043636243,0.0006014413],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012053549,0.0004761756,0.00069740415,0.00011506369,0.0007842315,0.0002751493,0.0005552985,0.00059759547,0.0023282384],"category_scores_gemma":[0.00029467331,0.0004118916,0.0005587159,0.0010321687,0.0014494138,0.0018110145,0.00009115849,0.0004068025,0.0006008749],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000083495215,0.00039674618,0.02916681,0.00012282204,0.0003573253,0.000027203676,0.15753438,4.2151575e-7,0.00087928155,0.7354035,0.0581209,0.017982304],"study_design_scores_gemma":[0.00024601142,0.000052422096,0.005013796,0.00012914737,0.00027035095,0.000016259424,0.010691842,0.000007712746,0.00012336679,0.022276662,0.96057504,0.0005974135],"about_ca_topic_score_codex":0.002324086,"about_ca_topic_score_gemma":0.0014404635,"teacher_disagreement_score":0.90245414,"about_ca_system_score_codex":0.00020979469,"about_ca_system_score_gemma":0.0001696257,"threshold_uncertainty_score":0.9998333},"labels":[],"label_agreement":null},{"id":"W4239893237","doi":"10.17118/11143/7697","title":"Les Cahiers Anne Hébert. 14, Sexualité(s) dans l'oeuvre d'Anne Hébert","year":2015,"lang":"fr","type":"paratext","venue":"Les Cahiers Anne Hébert","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.030256664213324447,"score_gpt":0.29011296158000727,"score_spread":0.2598562973666828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239893237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20051335,0.11078028,0.00032369012,0.014375445,0.018756563,0.0023788083,0.0025797086,0.0005961749,0.649696],"genre_scores_gemma":[0.07787505,0.0025398906,0.0006327452,0.011586384,0.008206754,0.00028750356,0.004373253,0.00031628527,0.89418215],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9840116,0.0029652528,0.0026169312,0.0036420603,0.0027750833,0.0039890776],"domain_scores_gemma":[0.9908224,0.00080960174,0.001827825,0.001954897,0.0020919167,0.002493401],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0023161364,0.0030134239,0.004011045,0.00075839926,0.00569008,0.001338079,0.0034401324,0.0075508584,0.008072847],"category_scores_gemma":[0.00089322904,0.0026073095,0.0022018903,0.0044789067,0.009674342,0.001554495,0.0003624494,0.0054292604,0.005192743],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028849053,0.00078235625,0.00083508855,0.0005329226,0.002676789,0.00039608584,0.12670787,0.00045205903,0.000549653,0.05573611,0.78554845,0.02549414],"study_design_scores_gemma":[0.0014797435,0.00059094693,0.0005403247,0.00044230517,0.0018358841,0.00009158473,0.046041165,0.00018167043,0.00015606062,0.0029351364,0.9423684,0.0033367593],"about_ca_topic_score_codex":0.04508051,"about_ca_topic_score_gemma":0.036111966,"teacher_disagreement_score":0.24448615,"about_ca_system_score_codex":0.0034191832,"about_ca_system_score_gemma":0.0011844947,"threshold_uncertainty_score":0.99969864},"labels":[],"label_agreement":null},{"id":"W4240563972","doi":"10.4000/alsace.1158","title":"Benoit-Otis (Marie-Hélène), éd., Charles Koechlin, compositeur et humaniste","year":2011,"lang":"fr","type":"article","venue":"Revue d’Alsace","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.05879574020945434,"score_gpt":0.2838442271788066,"score_spread":0.22504848696935226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240563972","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27891603,0.28198338,0.00036883366,0.047851034,0.010811972,0.0014759861,0.0005561121,0.00052907155,0.3775076],"genre_scores_gemma":[0.6998294,0.010568865,0.0018427381,0.012369003,0.0033421146,0.00005053508,0.0001682789,0.000074664305,0.27175438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99642026,0.0008181779,0.00064899697,0.0008133552,0.00041700716,0.0008822148],"domain_scores_gemma":[0.99808466,0.00020029258,0.0004433242,0.00053692405,0.00035007295,0.00038470124],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008056252,0.00048486397,0.00080024364,0.00010471282,0.0010919507,0.00034610566,0.00085890625,0.00063743757,0.003956118],"category_scores_gemma":[0.00012445789,0.00045415104,0.0005578933,0.0009319603,0.0008762126,0.0007478448,0.00020384262,0.00066445064,0.0014370533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009658531,0.001115121,0.0046258816,0.00051899464,0.00091727375,0.000318763,0.12567037,0.000023505963,0.0027345284,0.76702654,0.05604076,0.040911656],"study_design_scores_gemma":[0.00037595409,0.00023044574,0.005222371,0.0003426264,0.0006663351,0.00002705354,0.003343046,0.00010114799,0.00044517405,0.008369135,0.98008823,0.00078848895],"about_ca_topic_score_codex":0.0046920264,"about_ca_topic_score_gemma":0.0074314196,"teacher_disagreement_score":0.92404747,"about_ca_system_score_codex":0.000157373,"about_ca_system_score_gemma":0.00010879464,"threshold_uncertainty_score":0.999791},"labels":[],"label_agreement":null},{"id":"W4242477999","doi":"10.4324/9781135000356-rem579-1","title":"Mather, Bruce (1939--)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Piano; Art; Composition (language); Style (visual arts); Art history; Performance art; Wife; Visual arts; Humanities; Cartography; History; Literature; Geography; Theology; Philosophy","score_opus":0.034362529764957524,"score_gpt":0.2813158359496085,"score_spread":0.246953306184651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242477999","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000047363672,0.0009964007,0.000005730324,0.0009585101,0.00066338363,0.00012917668,0.000017771585,0.000108048196,0.9970736],"genre_scores_gemma":[0.00029292828,0.0001776647,0.00016609943,0.008769472,0.0028027885,0.0000036945314,0.000030182173,0.000018885625,0.9877383],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987914,0.000032650747,0.00020527269,0.00034647124,0.00035542666,0.000268805],"domain_scores_gemma":[0.9992375,0.000038929116,0.00013084261,0.00022712423,0.00023221564,0.00013341528],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021610824,0.00021826752,0.00031142877,0.000061003775,0.00044310887,0.0001783657,0.00037492428,0.0006222278,0.06904076],"category_scores_gemma":[0.000023564566,0.00015309356,0.00028737812,0.000053350985,0.000505134,0.000119813456,0.00005573473,0.00022097185,0.004264146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002351656,0.000006214238,0.0000033767833,0.000004324054,0.00009322273,0.000005646047,0.002623176,1.3186882e-8,0.0000044591725,0.68647313,0.30862093,0.0021631564],"study_design_scores_gemma":[0.000041356816,0.000020060263,0.000003910922,0.000019110172,0.000091994465,7.5875454e-7,0.0003339007,4.9011106e-7,0.0000020777695,0.10777787,0.89151114,0.00019731701],"about_ca_topic_score_codex":0.00039857192,"about_ca_topic_score_gemma":0.006944982,"teacher_disagreement_score":0.5828902,"about_ca_system_score_codex":0.000058181213,"about_ca_system_score_gemma":0.00009070338,"threshold_uncertainty_score":0.99651116},"labels":[],"label_agreement":null},{"id":"W4242518482","doi":"10.7202/902316ar","title":"Programme détaillé de Montréal/Nouvelles Musiques 2003","year":2004,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03973229797188314,"score_gpt":0.27083878840875825,"score_spread":0.2311064904368751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242518482","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20038041,0.24183507,0.0009931437,0.064751014,0.005044385,0.002499856,0.00017773214,0.001216318,0.48310208],"genre_scores_gemma":[0.8555184,0.0035084616,0.0012766623,0.01861944,0.004005786,0.00025677859,0.00015557997,0.000093480514,0.116565436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948522,0.00084906025,0.0009705208,0.0010149493,0.0006328876,0.0016803932],"domain_scores_gemma":[0.9964875,0.00013713264,0.00054077845,0.0005645544,0.0015149469,0.00075506285],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012983225,0.0007726001,0.0010170161,0.00021099827,0.0011184654,0.00067771546,0.0008298627,0.0009830077,0.0004866994],"category_scores_gemma":[0.00080450455,0.00069104467,0.0006112648,0.0022388797,0.0018947972,0.0011058355,0.00012236685,0.000640364,0.00019563339],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003859223,0.0008593249,0.0023533625,0.00027402464,0.00056387234,0.0005469922,0.1449363,0.00001909183,0.0006238114,0.7682364,0.020011626,0.061536644],"study_design_scores_gemma":[0.0009382903,0.0002619464,0.00052246556,0.00033264063,0.00031748845,0.00005638091,0.018600605,0.000027624885,0.00029660724,0.21368377,0.7640044,0.0009577996],"about_ca_topic_score_codex":0.043819744,"about_ca_topic_score_gemma":0.033835243,"teacher_disagreement_score":0.74399275,"about_ca_system_score_codex":0.000824362,"about_ca_system_score_gemma":0.0014518684,"threshold_uncertainty_score":0.9995541},"labels":[],"label_agreement":null},{"id":"W4242806728","doi":"10.7202/annuaire","title":"L’Annuaire théâtral: Revue québécoise d’études théâtrales","year":2012,"lang":"fr","type":"paratext","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03624042015164225,"score_gpt":0.2818015459527294,"score_spread":0.24556112580108713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242806728","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030529477,0.024208685,0.000037737813,0.07736236,0.01726332,0.0057342257,0.0044039013,0.0020228038,0.8384375],"genre_scores_gemma":[0.3546407,0.017600354,0.0009801527,0.008177561,0.016542178,0.0012088427,0.0035655051,0.0010024738,0.59628224],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9690242,0.004277489,0.0066388445,0.0069525093,0.0037524023,0.009354562],"domain_scores_gemma":[0.98014534,0.002350748,0.004979769,0.0049724393,0.0026582065,0.0048934924],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003406616,0.0074934578,0.008873708,0.0018873988,0.005635117,0.0025759158,0.008812978,0.008145238,0.010475661],"category_scores_gemma":[0.0011661745,0.0071319165,0.00779055,0.0062033725,0.0071255215,0.006169304,0.0013628617,0.0077763298,0.010554412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083215546,0.003329909,0.0009755139,0.0048063975,0.004609013,0.00088375335,0.031994846,0.00067831244,0.0010303197,0.4974588,0.4468078,0.0065931706],"study_design_scores_gemma":[0.0008686114,0.0010815313,0.0017819186,0.0056569558,0.006395707,0.0006474845,0.0044367732,0.00014348689,0.000276117,0.0012831024,0.96930766,0.008120645],"about_ca_topic_score_codex":0.010055766,"about_ca_topic_score_gemma":0.38923603,"teacher_disagreement_score":0.52249986,"about_ca_system_score_codex":0.003056215,"about_ca_system_score_gemma":0.004370071,"threshold_uncertainty_score":0.9984595},"labels":[],"label_agreement":null},{"id":"W4243301602","doi":"10.4000/leportique.2789","title":"Portfolio (2)","year":2014,"lang":"fr","type":"article","venue":"Le Portique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut national de psychiatrie légale Philippe-Pinel","funders":"","keywords":"Computer science","score_opus":0.016251913120141123,"score_gpt":0.27344967852419483,"score_spread":0.2571977654040537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243301602","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1212297,0.0107057,0.00059636455,0.079662256,0.0035525665,0.00019265564,0.000011373128,0.00013058264,0.7839188],"genre_scores_gemma":[0.72266483,0.00026193983,0.0002489298,0.016583236,0.0021310553,0.000011771832,0.000020793677,0.00001075711,0.25806668],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982839,0.00035460648,0.0003326203,0.00032481356,0.00023164209,0.00047241035],"domain_scores_gemma":[0.9991539,0.000054057273,0.00020013523,0.0002196659,0.00014427467,0.00022794967],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006023842,0.0001706153,0.00029252455,0.000041503255,0.00039422954,0.000115829,0.00025906105,0.00035854147,0.0024059517],"category_scores_gemma":[0.00013165377,0.00014901326,0.00024399225,0.00055566843,0.00043412024,0.00034184408,0.000040933395,0.00027028535,0.00044487556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037853242,0.00011225899,0.0026266589,0.000020417485,0.000072804076,0.000020780082,0.0032208571,0.000010757433,0.00015485402,0.8718005,0.084934965,0.037021354],"study_design_scores_gemma":[0.00011797368,0.000040987696,0.0037101714,0.000022505228,0.000079980855,0.000006902599,0.00078333187,0.00010380329,0.00014655785,0.037817024,0.95695335,0.0002174042],"about_ca_topic_score_codex":0.0053171692,"about_ca_topic_score_gemma":0.004103604,"teacher_disagreement_score":0.8720184,"about_ca_system_score_codex":0.000040742998,"about_ca_system_score_gemma":0.00014908533,"threshold_uncertainty_score":0.998506},"labels":[],"label_agreement":null},{"id":"W4244083594","doi":"10.22215/etd/2011-07410","title":"Musical performance in the Canadian military : a preliminary analysis of an institution","year":2011,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Institution; Humanities; Political science; Art; Literature; Law","score_opus":0.023455630759092336,"score_gpt":0.2817176059805014,"score_spread":0.25826197522140903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244083594","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8366097,0.00031091573,1.5107858e-7,0.00010313639,0.00017529873,0.00017866313,0.000014630595,0.000009096455,0.16259839],"genre_scores_gemma":[0.9933235,0.00007608855,0.000036294892,0.00073337933,0.000108651075,0.00003216224,0.0014956547,0.0000032635528,0.0041910284],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99862355,0.0002702167,0.0002787804,0.00025822286,0.0003216047,0.00024764554],"domain_scores_gemma":[0.9993758,0.000027715236,0.00008604938,0.00022084048,0.00017980063,0.00010978735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005661632,0.00013576164,0.00031514154,0.0005856674,0.00050635234,0.000032079926,0.00046090395,0.00040974046,0.0005345758],"category_scores_gemma":[0.00005209589,0.00008591487,0.0002102299,0.0020472708,0.0001749252,0.00030983987,0.000005356294,0.0002714525,0.0000058280466],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040559558,0.0006985433,0.02953882,0.00017277346,0.0019767906,0.00005954103,0.8359306,0.00030369963,0.000027313888,0.09029754,0.0016992226,0.03888957],"study_design_scores_gemma":[0.0000759695,0.00013396765,0.94053864,0.000028492661,0.0018665054,3.3610806e-7,0.04586147,0.00072741293,0.000006695792,0.00027918626,0.010255175,0.00022615657],"about_ca_topic_score_codex":0.8102181,"about_ca_topic_score_gemma":0.9990308,"teacher_disagreement_score":0.91099983,"about_ca_system_score_codex":0.00009905814,"about_ca_system_score_gemma":0.00060781237,"threshold_uncertainty_score":0.585323},"labels":[],"label_agreement":null},{"id":"W4244199683","doi":"10.1353/ctr.2012.0007","title":"The Boychoir of Lesbos: Between the Folds/From Throat to Shining Throat","year":2012,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Throat; Choir; Art; Visual arts; Medicine; Anatomy","score_opus":0.04890023542613959,"score_gpt":0.31560933848366113,"score_spread":0.26670910305752155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244199683","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013227508,0.78377694,0.0000047335566,0.08986943,0.0007265448,0.0009485862,0.00013089436,0.000031130377,0.11128425],"genre_scores_gemma":[0.9386756,0.034701332,0.000042231808,0.023312487,0.0019914731,0.00005161685,0.00002869711,0.000015898862,0.0011806808],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821246,0.0004884454,0.0002927209,0.00017201083,0.00024897442,0.00058539753],"domain_scores_gemma":[0.99852526,0.00035221732,0.00011668768,0.000408318,0.000086914806,0.00051061856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001203474,0.00014567711,0.00037133225,0.000026526941,0.0011596294,0.00010241021,0.0007142859,0.00009182906,0.0003413599],"category_scores_gemma":[0.00015812617,0.000070069356,0.0002405489,0.00064989785,0.00024358428,0.0001852102,0.000035835124,0.00017385316,0.00012396928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024345543,0.000015909794,0.059863344,0.00014726193,0.0004358886,0.000002210304,0.023288708,5.0345477e-7,0.00001477018,0.031464256,0.23014794,0.6546168],"study_design_scores_gemma":[0.00002361027,0.000008517965,0.0070440657,0.000397816,0.00025974977,3.6186537e-7,0.0019393563,1.0654234e-7,0.000004489932,0.00062778796,0.9895846,0.00010952659],"about_ca_topic_score_codex":0.15734266,"about_ca_topic_score_gemma":0.51585066,"teacher_disagreement_score":0.92544806,"about_ca_system_score_codex":0.00013985984,"about_ca_system_score_gemma":0.00025636872,"threshold_uncertainty_score":0.8919049},"labels":[],"label_agreement":null},{"id":"W4244524505","doi":"10.4000/books.pum.8859","title":"Introduction","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.012469549623573987,"score_gpt":0.1935252332806985,"score_spread":0.18105568365712452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244524505","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004831849,0.030278532,0.0000672205,0.005832131,0.0009966728,0.00029526895,0.000065439825,0.00013498784,0.9574979],"genre_scores_gemma":[0.049412284,0.0030357435,0.00035217538,0.001363904,0.0056907893,0.00000791866,0.000090748894,0.000045205008,0.94000125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976481,0.00024188015,0.00029537032,0.00056767656,0.00040741437,0.0008395584],"domain_scores_gemma":[0.9984415,0.00010978924,0.00035278717,0.00037272403,0.00023658748,0.00048657533],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030226732,0.0004837525,0.00053212966,0.00013074846,0.0013817971,0.00011644579,0.00054535386,0.00094591617,0.026972443],"category_scores_gemma":[0.00003485879,0.00047750783,0.0005081104,0.00006826196,0.00077980355,0.00029319988,0.00033657218,0.0006435227,0.0007152584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021836239,0.00006774788,0.00068556285,0.000109861714,0.0009990593,0.0001690051,0.02681601,0.000073938674,0.0019642776,0.76988983,0.114268154,0.08473821],"study_design_scores_gemma":[0.00026732826,0.00006035927,0.0010553539,0.00004927986,0.0014881436,0.00005641117,0.0011340481,0.000041750805,0.00027244884,0.011643535,0.9834054,0.0005259393],"about_ca_topic_score_codex":0.0051141065,"about_ca_topic_score_gemma":0.011604902,"teacher_disagreement_score":0.8691372,"about_ca_system_score_codex":0.0011611786,"about_ca_system_score_gemma":0.000078576486,"threshold_uncertainty_score":0.9999183},"labels":[],"label_agreement":null},{"id":"W4246608918","doi":"10.4324/9781135000356-rem590-1","title":"Patriquin, Donald (1938--)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Choir; Violin; Cello; Piano; Art; Flute; Repertoire; Visual arts; Vernacular; Musical; Literature; Performance art; Style (visual arts); Percussion; Art history; History; Humanities; Acoustics","score_opus":0.030899750648567762,"score_gpt":0.275901106723985,"score_spread":0.24500135607541723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246608918","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041454256,0.0012414686,0.0000050382155,0.002989408,0.00072913885,0.00015429329,0.000025459804,0.00012922953,0.9946845],"genre_scores_gemma":[0.00091325864,0.00035628703,0.00012299903,0.010294311,0.0041909805,0.000005013772,0.000068151996,0.000018628349,0.98403037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985028,0.000042296684,0.00025764472,0.0004124415,0.00046807277,0.00031674595],"domain_scores_gemma":[0.9990168,0.000056533616,0.00015659598,0.00023831296,0.00035591432,0.00017584804],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026766295,0.00025513972,0.00036593084,0.000088458466,0.000510553,0.0001881237,0.0004038571,0.00075060414,0.06735703],"category_scores_gemma":[0.000035335124,0.00017952989,0.00038165093,0.0000715044,0.0005671667,0.00014065277,0.00007019537,0.00029063612,0.0029121782],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046225105,0.0000062858594,0.000005868719,0.0000047685535,0.000106844884,0.00000855202,0.0018330782,2.1707152e-8,0.0000039335423,0.47689545,0.51900625,0.002124326],"study_design_scores_gemma":[0.000053212287,0.000033487435,0.0000051106213,0.00002090531,0.00012118744,7.456067e-7,0.00030319882,4.2140235e-7,0.0000026772498,0.0871678,0.912026,0.00026527763],"about_ca_topic_score_codex":0.0004747864,"about_ca_topic_score_gemma":0.012461305,"teacher_disagreement_score":0.3930197,"about_ca_system_score_codex":0.00007339587,"about_ca_system_score_gemma":0.00011842776,"threshold_uncertainty_score":0.9978642},"labels":[],"label_agreement":null},{"id":"W4247491074","doi":"10.17118/11143/16184","title":"Les Cahiers Anne Hébert. 16, Archives et écritures de femmes : Louise Dupré et Hélène Monette","year":2019,"lang":"fr","type":"paratext","venue":"Les Cahiers Anne Hébert","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.023349218413005635,"score_gpt":0.2932698324307813,"score_spread":0.2699206140177757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247491074","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29178736,0.1511846,0.00060096296,0.048508234,0.007629444,0.0018468505,0.0016640641,0.00032830573,0.4964502],"genre_scores_gemma":[0.22213846,0.0115697095,0.0008995152,0.035018545,0.0025969995,0.00015104195,0.0023044636,0.00017894099,0.7251423],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9894459,0.003096302,0.0013666227,0.0022477559,0.0011824962,0.002660926],"domain_scores_gemma":[0.99496657,0.0014187227,0.0010588041,0.0010958491,0.00039013193,0.0010699217],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0011223996,0.0019050215,0.0024893214,0.00061001774,0.002719923,0.0011383863,0.0020240545,0.0035363908,0.0034597376],"category_scores_gemma":[0.00047871505,0.0016089875,0.0018521474,0.0016179931,0.0061881375,0.0009087561,0.0002596071,0.0045966264,0.001593319],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045848795,0.00067529466,0.0021974235,0.0007505043,0.0025785847,0.00023681569,0.13308194,0.0017132368,0.0015953102,0.12242031,0.70484334,0.029448768],"study_design_scores_gemma":[0.0010757365,0.00036758778,0.0037824214,0.000598856,0.001012417,0.000046427176,0.02024234,0.00020134199,0.00027484685,0.006925837,0.9632328,0.0022393877],"about_ca_topic_score_codex":0.026496856,"about_ca_topic_score_gemma":0.02212128,"teacher_disagreement_score":0.25838947,"about_ca_system_score_codex":0.00090436684,"about_ca_system_score_gemma":0.00076949864,"threshold_uncertainty_score":0.99989855},"labels":[],"label_agreement":null},{"id":"W4247567445","doi":"10.4000/books.pum.11431","title":"Remerciements","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.021177766147697515,"score_gpt":0.22112264548050012,"score_spread":0.1999448793328026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247567445","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003770293,0.011313605,0.000026669819,0.0018341232,0.00056921114,0.00033565357,0.000118454744,0.00009189447,0.9819401],"genre_scores_gemma":[0.051267043,0.0026506826,0.00027344428,0.0017072193,0.0007270284,0.000007711315,0.000059666232,0.000042606014,0.9432646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973696,0.00019438425,0.0003230444,0.00069150154,0.00054992986,0.00087153044],"domain_scores_gemma":[0.9978563,0.00011015476,0.00058580254,0.00065903936,0.00027146618,0.00051722117],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030309183,0.0005602155,0.0006552771,0.00011566779,0.0031490375,0.00027401178,0.0013390103,0.0009675568,0.0119019905],"category_scores_gemma":[0.000054205582,0.0005529673,0.00064878166,0.000025229236,0.0011357969,0.0002619679,0.00068033667,0.0006191971,0.0004768889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041750408,0.000113665985,0.0030234102,0.00023930744,0.0027615859,0.002012504,0.039598282,0.0000564847,0.0018455933,0.715315,0.120105654,0.114511],"study_design_scores_gemma":[0.0004912795,0.00007934344,0.002135528,0.00019971433,0.0014179498,0.000025440746,0.00071032974,0.00006634884,0.00014315148,0.022998998,0.97110915,0.00062275055],"about_ca_topic_score_codex":0.012846015,"about_ca_topic_score_gemma":0.04034877,"teacher_disagreement_score":0.8510035,"about_ca_system_score_codex":0.0009991673,"about_ca_system_score_gemma":0.00013965993,"threshold_uncertainty_score":0.9996922},"labels":[],"label_agreement":null},{"id":"W4248452046","doi":"10.4000/transposition.2381","title":"Aude Ameille, Pascal Lécroart, Timothée Picard &amp; Emmanuel Reibel (eds), Opéra et cinéma","year":2018,"lang":"fr","type":"article","venue":"Transposition","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy; Humanities","score_opus":0.025965710214904795,"score_gpt":0.296235134440382,"score_spread":0.27026942422547723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248452046","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7612938,0.014313009,0.0025645306,0.11667001,0.0048541985,0.00073765515,0.0004901635,0.0003371476,0.09873942],"genre_scores_gemma":[0.88166827,0.0019478597,0.0018807986,0.019873396,0.004889316,0.000044628396,0.0006408043,0.00004093463,0.089014],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996982,0.00071566895,0.0004701158,0.00061039254,0.00052424346,0.0006976089],"domain_scores_gemma":[0.9988373,0.00008018088,0.000157236,0.00031796464,0.00031292607,0.00029437096],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005185394,0.00034696763,0.0004428577,0.00009685298,0.0009423021,0.0002357209,0.00035325257,0.00058471574,0.0027072814],"category_scores_gemma":[0.000020123643,0.00031539513,0.00047105353,0.00092419784,0.001273075,0.00078589126,0.000019741,0.00045696794,0.0015332093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012313998,0.0023624143,0.0028249344,0.0004799439,0.0017417667,0.00015019914,0.2774494,0.00014281934,0.03653105,0.3293968,0.19123776,0.15645151],"study_design_scores_gemma":[0.0008747498,0.000414499,0.018056087,0.00020432958,0.00079438864,0.000017754306,0.00077165745,0.00010424401,0.0005322957,0.0073671876,0.970265,0.00059782155],"about_ca_topic_score_codex":0.0012375421,"about_ca_topic_score_gemma":0.015333274,"teacher_disagreement_score":0.7790272,"about_ca_system_score_codex":0.00011668192,"about_ca_system_score_gemma":0.00008558021,"threshold_uncertainty_score":0.9999298},"labels":[],"label_agreement":null},{"id":"W4248513982","doi":"10.4324/9781135000356-rem589-1","title":"Papineau-Couture, Jean (1916–2000)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Concerto; Musical; Art; Art history; Style (visual arts); League; Visual arts; Contemporary classical music; Performance art; Humanities; Piano","score_opus":0.03033025605007209,"score_gpt":0.27440337423839806,"score_spread":0.24407311818832597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248513982","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026944428,0.0020112814,0.000007927557,0.0023621724,0.0012138978,0.00022157459,0.000038426217,0.000194592,0.9939232],"genre_scores_gemma":[0.00059043535,0.00046449737,0.00016634581,0.009445963,0.0062754485,0.000006949908,0.00012340386,0.000030038093,0.9828969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980485,0.000052871383,0.0003398659,0.00055138,0.0005681308,0.00043925262],"domain_scores_gemma":[0.99872726,0.00007461181,0.00020770857,0.00035500646,0.00039579353,0.00023963022],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003019201,0.00037332234,0.00050113566,0.00011289209,0.0006797303,0.00027079487,0.0005424307,0.0009817801,0.07357902],"category_scores_gemma":[0.00006277325,0.00026124195,0.0004610958,0.000106958134,0.0006876954,0.00018781621,0.00007976463,0.00040721183,0.003559579],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065012155,0.000011421168,0.0000060744655,0.00000872124,0.00018458941,0.000013617887,0.003744616,1.1671842e-7,0.0000056738495,0.58066374,0.41171366,0.0036412694],"study_design_scores_gemma":[0.00008449007,0.000039368057,0.000006657132,0.00003080368,0.00018085002,7.9586084e-7,0.00044788988,0.0000015756805,0.0000036891456,0.060627103,0.9381869,0.0003899022],"about_ca_topic_score_codex":0.00072166574,"about_ca_topic_score_gemma":0.01394495,"teacher_disagreement_score":0.5264732,"about_ca_system_score_codex":0.00012278053,"about_ca_system_score_gemma":0.0002098686,"threshold_uncertainty_score":0.99998397},"labels":[],"label_agreement":null},{"id":"W4250416856","doi":"10.4324/9781135000356-rem546-1","title":"Anhalt, Istvan (1919–2012)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Queen (butterfly); Dozen; Emigration; Composition (language); Opera; History; Musicology; Art; Art history; Literature; Archaeology","score_opus":0.03470560324872585,"score_gpt":0.28576534109373447,"score_spread":0.2510597378450086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250416856","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000047983627,0.0012845908,0.000006471333,0.0015303295,0.00088529877,0.00015138023,0.000022532191,0.000135287,0.99593616],"genre_scores_gemma":[0.00083778653,0.00026299627,0.00014960289,0.0070202425,0.0039034477,0.0000042125666,0.00006187829,0.000019135423,0.9877407],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984673,0.000043124113,0.00025192066,0.00042902425,0.00045416394,0.0003544463],"domain_scores_gemma":[0.9989989,0.000043998047,0.00016064057,0.00027588857,0.0003175278,0.00020305417],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027790244,0.00026489157,0.00037820364,0.000087823435,0.0006222518,0.00020224616,0.00043621333,0.00068276207,0.0659135],"category_scores_gemma":[0.000029334959,0.00018879611,0.00033487886,0.000069873975,0.0006921187,0.00023057568,0.00006935613,0.0002772695,0.003155418],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030395197,0.000007141052,0.0000045544134,0.0000049662103,0.00008582993,0.000007184109,0.0017800542,1.4137286e-8,0.0000028786756,0.47327095,0.52156574,0.0032676542],"study_design_scores_gemma":[0.000050495346,0.000033313547,0.000010825328,0.000021260206,0.0001161203,9.819904e-7,0.00033628166,4.782274e-7,0.0000018869996,0.059730276,0.93941534,0.00028276123],"about_ca_topic_score_codex":0.0005035875,"about_ca_topic_score_gemma":0.014295467,"teacher_disagreement_score":0.41784957,"about_ca_system_score_codex":0.000076598124,"about_ca_system_score_gemma":0.00012448034,"threshold_uncertainty_score":0.99762076},"labels":[],"label_agreement":null},{"id":"W4250578584","doi":"10.1093/gmo/9781561592630.article.49664","title":"Canadian Broadcasting Corporation Symphony Orchestra","year":2001,"lang":"en","type":"reference-entry","venue":"Oxford Music Online","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Corporation; Broadcasting (networking); Telecommunications; Advertising; Art; Business; Computer science; Art history; Finance; Computer security","score_opus":0.05368725506948799,"score_gpt":0.2965675726366921,"score_spread":0.2428803175672041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250578584","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017767519,0.0045257914,0.00001807152,0.00369317,0.0046805884,0.00055934937,0.0011468956,0.00019054583,0.9674181],"genre_scores_gemma":[0.022513436,0.0408507,0.0012650454,0.011084605,0.023154972,0.0000540541,0.022696624,0.00009627505,0.8782843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971263,0.00023575398,0.00051534927,0.0006338565,0.00059323304,0.0008955155],"domain_scores_gemma":[0.99810976,0.000088648645,0.0004185599,0.0003270237,0.00042730707,0.00062868366],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003418776,0.0004291067,0.0006236767,0.00033669054,0.0010416475,0.00042088598,0.0005688953,0.0011022558,0.0024510555],"category_scores_gemma":[0.00024408124,0.00036987502,0.0002847705,0.0011841893,0.00021828152,0.000320514,0.000052313488,0.0008408797,0.000055502023],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001418123,0.00014719204,0.0009237732,0.00010226498,0.00022300344,0.00017093762,0.003961678,0.0000089833175,0.0000025100305,0.0050353063,0.5568777,0.4325325],"study_design_scores_gemma":[0.00018111605,0.00003415304,0.0004062957,0.00021920764,0.00023701735,0.000007927354,0.0017412177,0.000049882146,3.4790816e-7,0.001082656,0.99558663,0.00045354347],"about_ca_topic_score_codex":0.32864448,"about_ca_topic_score_gemma":0.94958323,"teacher_disagreement_score":0.6209388,"about_ca_system_score_codex":0.0009670875,"about_ca_system_score_gemma":0.0033490583,"threshold_uncertainty_score":0.9998753},"labels":[],"label_agreement":null},{"id":"W4250889654","doi":"10.1093/gmo/9781561592630.article.49665","title":"Canadian Opera Company","year":2001,"lang":"en","type":"reference-entry","venue":"Oxford Music Online","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Business; Management; Art; Art history; Economics","score_opus":0.042154870837940596,"score_gpt":0.30269909559702723,"score_spread":0.2605442247590866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250889654","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060512857,0.00804691,0.0000022582503,0.007546914,0.004071268,0.0004063384,0.0014909665,0.00012618586,0.97225785],"genre_scores_gemma":[0.0049643647,0.056780186,0.00035268362,0.02138365,0.013298902,0.000030657164,0.009182241,0.000053764008,0.89395356],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703383,0.0002331914,0.00045135818,0.0006364125,0.0005899423,0.0010552452],"domain_scores_gemma":[0.99811697,0.000062006184,0.00020101242,0.00042266594,0.00036847068,0.0008288991],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002541774,0.0004520554,0.0008051007,0.00033052554,0.0010568731,0.00035935763,0.00091609557,0.0010472464,0.009676233],"category_scores_gemma":[0.0001088642,0.00036077198,0.00037479986,0.0010315477,0.00027069697,0.00020677221,0.00007955463,0.0009812664,0.00012891466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059015815,0.00011368423,0.00034634682,0.00003847845,0.00018370672,0.00009484143,0.0020311396,0.0000019602105,2.7765435e-7,0.0032591259,0.8667836,0.12714095],"study_design_scores_gemma":[0.00019494933,0.000032210635,0.00040732027,0.00015783933,0.00023958652,0.0000048914017,0.0018653595,0.000013386334,9.576261e-8,0.00056674605,0.9960309,0.00048667516],"about_ca_topic_score_codex":0.4459915,"about_ca_topic_score_gemma":0.9809255,"teacher_disagreement_score":0.53493404,"about_ca_system_score_codex":0.0007345346,"about_ca_system_score_gemma":0.0025363776,"threshold_uncertainty_score":0.9998844},"labels":[],"label_agreement":null},{"id":"W4252072571","doi":"10.4000/transposition.1193","title":"Myriam Chimènes et Alexandra Laederich (dir.), Regards sur Debussy","year":2015,"lang":"fr","type":"article","venue":"Transposition","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.04010818842171036,"score_gpt":0.2905702843325445,"score_spread":0.2504620959108341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252072571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68378884,0.097531445,0.00074177835,0.106478766,0.006274327,0.00063561095,0.00029735125,0.00034103025,0.10391084],"genre_scores_gemma":[0.91367227,0.0012664972,0.00042886173,0.008682812,0.0016426791,0.000028233495,0.00038320347,0.000022365122,0.07387305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765146,0.0006457567,0.0003341851,0.00039041872,0.00050933764,0.00046884583],"domain_scores_gemma":[0.9989872,0.00006275616,0.00011139314,0.00017660225,0.0003623143,0.0002997153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006131004,0.00025937066,0.00035898603,0.00006428275,0.00039874227,0.00022114716,0.00023262553,0.00040169503,0.00083312934],"category_scores_gemma":[0.000031079897,0.00022348724,0.00028540037,0.0008033443,0.00039309968,0.0010007995,0.000010523627,0.0002835611,0.0002333086],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001172855,0.0025328188,0.009245048,0.000570069,0.0016066994,0.00028868942,0.255245,0.0011685205,0.0069170673,0.29429936,0.36052504,0.06642883],"study_design_scores_gemma":[0.0018058869,0.00047593124,0.014455364,0.00025465182,0.0011436127,0.000029003553,0.004169568,0.00032180815,0.00069821643,0.011420821,0.964408,0.00081717613],"about_ca_topic_score_codex":0.0033428895,"about_ca_topic_score_gemma":0.014547707,"teacher_disagreement_score":0.6038829,"about_ca_system_score_codex":0.000120560646,"about_ca_system_score_gemma":0.00016454147,"threshold_uncertainty_score":0.91221815},"labels":[],"label_agreement":null},{"id":"W4252159903","doi":"10.4324/9781135000356-rem581-1","title":"Mercure, Pierre (1927–1966)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Musical; Kaleidoscope; Art history; Dance; Humanities; Poetry; The arts; Visual arts; Literature","score_opus":0.03571885171687511,"score_gpt":0.2870229809448423,"score_spread":0.2513041292279672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252159903","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00002601738,0.0020605933,0.000005385771,0.0012837396,0.0010132149,0.00017959232,0.000024611702,0.00014896308,0.99525785],"genre_scores_gemma":[0.00065774104,0.00044571498,0.00013082354,0.0069333697,0.0037913702,0.000006177304,0.00008816687,0.000023423012,0.9879232],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831915,0.00004771347,0.00027701468,0.0004833785,0.00050501764,0.00036771077],"domain_scores_gemma":[0.9989306,0.000047829624,0.00016981813,0.00029569175,0.00035048203,0.00020558703],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002740314,0.00030540064,0.00043799027,0.00009845433,0.0006351249,0.00021157552,0.00047991594,0.00087886903,0.07063076],"category_scores_gemma":[0.000041128555,0.00021585071,0.0004020289,0.000091083195,0.00067464553,0.00017465462,0.000071442584,0.00035406166,0.0033094187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032931084,0.000007016825,0.000005173656,0.0000052392134,0.00013468656,0.000007989022,0.002225542,2.640109e-8,0.0000027527879,0.5890592,0.40562096,0.002928154],"study_design_scores_gemma":[0.00005596784,0.000030053146,0.000008543394,0.00002750755,0.00018343634,0.0000010869883,0.00045066787,7.4349873e-7,0.0000022989088,0.07972981,0.91919434,0.00031552644],"about_ca_topic_score_codex":0.0004350608,"about_ca_topic_score_gemma":0.010221919,"teacher_disagreement_score":0.5135734,"about_ca_system_score_codex":0.000075652315,"about_ca_system_score_gemma":0.00014096966,"threshold_uncertainty_score":0.9974666},"labels":[],"label_agreement":null},{"id":"W4252909089","doi":"10.4000/books.pum.11776","title":"Remerciements","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.021177766147697515,"score_gpt":0.22112264548050012,"score_spread":0.1999448793328026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252909089","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003770293,0.011313605,0.000026669819,0.0018341232,0.00056921114,0.00033565357,0.000118454744,0.00009189447,0.9819401],"genre_scores_gemma":[0.051267043,0.0026506826,0.00027344428,0.0017072193,0.0007270284,0.000007711315,0.000059666232,0.000042606014,0.9432646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973696,0.00019438425,0.0003230444,0.00069150154,0.00054992986,0.00087153044],"domain_scores_gemma":[0.9978563,0.00011015476,0.00058580254,0.00065903936,0.00027146618,0.00051722117],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030309183,0.0005602155,0.0006552771,0.00011566779,0.0031490375,0.00027401178,0.0013390103,0.0009675568,0.0119019905],"category_scores_gemma":[0.000054205582,0.0005529673,0.00064878166,0.000025229236,0.0011357969,0.0002619679,0.00068033667,0.0006191971,0.0004768889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041750408,0.000113665985,0.0030234102,0.00023930744,0.0027615859,0.002012504,0.039598282,0.0000564847,0.0018455933,0.715315,0.120105654,0.114511],"study_design_scores_gemma":[0.0004912795,0.00007934344,0.002135528,0.00019971433,0.0014179498,0.000025440746,0.00071032974,0.00006634884,0.00014315148,0.022998998,0.97110915,0.00062275055],"about_ca_topic_score_codex":0.012846015,"about_ca_topic_score_gemma":0.04034877,"teacher_disagreement_score":0.8510035,"about_ca_system_score_codex":0.0009991673,"about_ca_system_score_gemma":0.00013965993,"threshold_uncertainty_score":0.9996922},"labels":[],"label_agreement":null},{"id":"W4253029177","doi":"10.4000/critiquedart.67778","title":"Jeremy Shaw","year":2020,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.03604487036309634,"score_gpt":0.30679389862821904,"score_spread":0.2707490282651227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253029177","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007769928,0.022147465,0.00009873129,0.5081998,0.0020343168,0.0002135234,0.00008770633,0.00014722142,0.4593013],"genre_scores_gemma":[0.3008084,0.0015097723,0.00046904525,0.254294,0.00809395,0.00003647778,0.00013663433,0.000032238822,0.4346195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808776,0.00037625394,0.00028608658,0.0004482816,0.00028616807,0.00051543856],"domain_scores_gemma":[0.9990569,0.000089286244,0.00006897724,0.0001440278,0.00019908414,0.00044174152],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022360163,0.00021765608,0.00034541762,0.00002422824,0.00043090404,0.00025695705,0.00037020506,0.0003682781,0.011769624],"category_scores_gemma":[0.00024365586,0.00020156382,0.0003068706,0.0007699156,0.0006265685,0.00052501453,0.000067413675,0.00041923116,0.005938255],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008284419,0.00005670789,0.00020831155,0.00006401177,0.000061306055,0.00005618785,0.013510835,0.0000014475953,0.00025651374,0.21309443,0.7671122,0.0055697537],"study_design_scores_gemma":[0.00014893936,0.00007775374,0.00014455238,0.00005028096,0.00014385303,0.0000036218928,0.0031052898,0.00010303281,0.00011637022,0.008423113,0.9874122,0.00027095934],"about_ca_topic_score_codex":0.00010433473,"about_ca_topic_score_gemma":0.00066882983,"teacher_disagreement_score":0.29303846,"about_ca_system_score_codex":0.000051912644,"about_ca_system_score_gemma":0.00009917204,"threshold_uncertainty_score":0.99483573},"labels":[],"label_agreement":null},{"id":"W4253069509","doi":"10.4324/9781135000356-rem1080-1","title":"Serge Garant (1929--1986)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indeterminacy (philosophy); Intuition; Art; Style (visual arts); Maturity (psychological); Aesthetics; Literature; Philosophy; Psychology; Epistemology","score_opus":0.03333106232394433,"score_gpt":0.2784905373985901,"score_spread":0.24515947507464575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253069509","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011525904,0.0009247516,0.000004978728,0.0013564648,0.0009175191,0.00016520049,0.00002377971,0.00013525622,0.9963568],"genre_scores_gemma":[0.0013642447,0.0003114398,0.00008819263,0.0067944117,0.0032045243,0.000005214257,0.000058242116,0.000019661074,0.98815405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984685,0.000044310535,0.0002642632,0.00042780238,0.00044568907,0.00034940036],"domain_scores_gemma":[0.9991321,0.0000392334,0.00009939032,0.0002600792,0.0002915245,0.00017768788],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027042165,0.0002699469,0.00040034018,0.0000822722,0.0005617225,0.00016657141,0.00040568793,0.00070562086,0.062492736],"category_scores_gemma":[0.000027778424,0.00018685323,0.00037236186,0.000070526745,0.0005136923,0.00014034263,0.0000642997,0.00027347598,0.0034275157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055899054,0.000009061496,0.000007025105,0.0000075206685,0.00014390697,0.000012860159,0.0030041921,4.4632756e-8,0.000012464759,0.68249667,0.31335753,0.0009431528],"study_design_scores_gemma":[0.00006312316,0.00003052344,0.000009364223,0.00002785314,0.0001408858,9.306803e-7,0.00037732234,0.0000011447186,0.000006675516,0.047974296,0.9510729,0.00029500306],"about_ca_topic_score_codex":0.00046632983,"about_ca_topic_score_gemma":0.011237805,"teacher_disagreement_score":0.63771534,"about_ca_system_score_codex":0.0000712356,"about_ca_system_score_gemma":0.00011680416,"threshold_uncertainty_score":0.9973484},"labels":[],"label_agreement":null},{"id":"W4253180891","doi":"10.7202/902116ar","title":"Silences, silence","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Humanities; Art; Aesthetics","score_opus":0.038720432882176505,"score_gpt":0.2861424117667405,"score_spread":0.247421978884564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253180891","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25479728,0.025366856,0.00005368731,0.016946424,0.012238584,0.00054286426,0.000095197895,0.00030250323,0.6896566],"genre_scores_gemma":[0.84046525,0.00049029395,0.00012347254,0.008727774,0.005155843,0.000054590953,0.000046252488,0.000028048911,0.14490847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965604,0.00048570862,0.00067626964,0.0008382712,0.00056792545,0.00087145885],"domain_scores_gemma":[0.99748266,0.00032418146,0.0004099989,0.00055178726,0.0007580033,0.00047335913],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010165182,0.0004884668,0.00066484505,0.00013451051,0.0008818296,0.00048359245,0.0009647564,0.0008115195,0.004320623],"category_scores_gemma":[0.0006216183,0.000431995,0.0004700064,0.001204341,0.0027044292,0.0012283009,0.000097525095,0.0009543645,0.00044717322],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009556356,0.00023892942,0.0051725907,0.000117805976,0.00016846051,0.00009594369,0.05193531,5.767116e-7,0.0067663505,0.86084485,0.02675514,0.047894493],"study_design_scores_gemma":[0.00025702335,0.00008565631,0.0013400662,0.00014486174,0.00014511272,0.000022224303,0.0066101765,0.00004201839,0.00027192294,0.1325245,0.85789126,0.0006651912],"about_ca_topic_score_codex":0.0042491592,"about_ca_topic_score_gemma":0.0063475664,"teacher_disagreement_score":0.8311361,"about_ca_system_score_codex":0.00006222761,"about_ca_system_score_gemma":0.00039069663,"threshold_uncertainty_score":0.9998132},"labels":[],"label_agreement":null},{"id":"W4253231838","doi":"10.7202/circuit","title":"Circuit: Musiques contemporaines","year":2012,"lang":"fr","type":"paratext","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0800034667629966,"score_gpt":0.30581452439025775,"score_spread":0.22581105762726114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253231838","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009393212,0.09988005,0.00020856768,0.0052935258,0.015829092,0.00262136,0.0010188286,0.0007134788,0.8650419],"genre_scores_gemma":[0.48483998,0.0023322483,0.000048265327,0.01319607,0.016933264,0.00047646745,0.0020922413,0.00024224402,0.47983924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98433346,0.0037706266,0.0034596736,0.0030133903,0.0019796703,0.003443193],"domain_scores_gemma":[0.9884752,0.0012479594,0.0031550096,0.0019356041,0.0033529964,0.0018332193],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0030892002,0.0030691624,0.004677806,0.0009203385,0.0026174665,0.0016399643,0.003052758,0.004186787,0.017147157],"category_scores_gemma":[0.0010718065,0.0027526082,0.0027945936,0.003012944,0.004966069,0.0030401319,0.00050937996,0.0024872387,0.0079539465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009619933,0.0010848837,0.003026992,0.0014118099,0.0027501683,0.00026211413,0.15080564,0.0000025435756,0.0011492863,0.49807763,0.32671425,0.014618481],"study_design_scores_gemma":[0.001090982,0.00028207476,0.0005961472,0.0011618944,0.0010834571,0.000065023785,0.009037604,0.000016105956,0.00014531564,0.06565914,0.9175985,0.0032637613],"about_ca_topic_score_codex":0.008512627,"about_ca_topic_score_gemma":0.00359796,"teacher_disagreement_score":0.59088427,"about_ca_system_score_codex":0.00095639244,"about_ca_system_score_gemma":0.001651177,"threshold_uncertainty_score":0.9998141},"labels":[],"label_agreement":null},{"id":"W4253653850","doi":"10.7202/1071140ar","title":"Afterword","year":2019,"lang":"fr","type":"article","venue":"Les ateliers de l éthique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Sociology; Political science","score_opus":0.01629497943617905,"score_gpt":0.26478601993510265,"score_spread":0.2484910404989236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253653850","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6049084,0.025662543,0.0000676443,0.031720467,0.0033546707,0.0003297592,0.000023884715,0.00010410336,0.33382854],"genre_scores_gemma":[0.7767145,0.001349566,0.0006019541,0.028330673,0.0011863975,0.000016046797,0.000016734088,0.000018668301,0.19176546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99786234,0.0005597811,0.0002539488,0.0003908492,0.0002477242,0.00068536936],"domain_scores_gemma":[0.99915344,0.00010860789,0.00011927854,0.00024062194,0.00014003749,0.00023801821],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005214202,0.0002277303,0.00032559488,0.00005309977,0.0003141146,0.0001927515,0.00038318807,0.0008445607,0.0051459386],"category_scores_gemma":[0.00006121483,0.00019978038,0.0003051232,0.0005996531,0.0004607571,0.0003275538,0.00006416016,0.00065703236,0.0018914903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007497156,0.00019660598,0.032778952,0.00023311577,0.0004491504,0.00011292468,0.04683784,0.00017754972,0.0018569703,0.8132991,0.04487417,0.059108634],"study_design_scores_gemma":[0.00022426946,0.00008850483,0.002465457,0.000102088896,0.0001261457,0.000010721503,0.00602618,0.00017693354,0.0001612488,0.02770828,0.9625392,0.00037095914],"about_ca_topic_score_codex":0.0029412191,"about_ca_topic_score_gemma":0.0024504818,"teacher_disagreement_score":0.91766506,"about_ca_system_score_codex":0.0002561052,"about_ca_system_score_gemma":0.00012106772,"threshold_uncertainty_score":0.99888563},"labels":[],"label_agreement":null},{"id":"W4254007226","doi":"10.1093/ww/9780199540884.013.u241739","title":"Perrin, Harry Crane, (19 Aug. 1865–6 Nov. 1953), Dean Emeritus of Faculty of Music, McGill University, since 1930","year":2007,"lang":"en","type":"reference-entry","venue":"Who Was Who","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts; Engineering","score_opus":0.048524696287384234,"score_gpt":0.2948748039048341,"score_spread":0.24635010761744988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254007226","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031563994,0.009753444,0.00002049153,0.0015260635,0.0023226002,0.00079867215,0.0075796484,0.0001654069,0.9462697],"genre_scores_gemma":[0.060723945,0.036832068,0.0004592279,0.0022582086,0.0024649831,0.000006076018,0.0019629928,0.00007319975,0.8952193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962911,0.00035937654,0.0006741967,0.0007790082,0.0011388054,0.0007575174],"domain_scores_gemma":[0.9973173,0.00016932606,0.00082311704,0.00048773698,0.0008259706,0.00037653133],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005204256,0.0005115532,0.0013699958,0.00039238474,0.0008173096,0.00005231576,0.0012630547,0.0011564019,0.0010022555],"category_scores_gemma":[0.00016811295,0.00044760047,0.0007367195,0.0014061664,0.0009358967,0.0003382294,0.00029517652,0.00077724096,0.000035327026],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016279599,0.00045220018,0.0017783289,0.0010242613,0.001113268,0.00016899344,0.015629208,0.000013392011,0.000077147124,0.022150457,0.9239792,0.03345072],"study_design_scores_gemma":[0.00042335072,0.00008259985,0.0013487684,0.00044098965,0.0005055211,0.0000029481002,0.0057575856,0.000005001007,0.000044541226,0.00027591916,0.9905899,0.00052285986],"about_ca_topic_score_codex":0.018617395,"about_ca_topic_score_gemma":0.03665468,"teacher_disagreement_score":0.06661069,"about_ca_system_score_codex":0.0003844977,"about_ca_system_score_gemma":0.00051943265,"threshold_uncertainty_score":0.99991095},"labels":[],"label_agreement":null},{"id":"W4254147651","doi":"10.7202/004659ar","title":"Perceptions","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.07550519645365383,"score_gpt":0.2877399640618462,"score_spread":0.21223476760819238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254147651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03621162,0.049264755,0.000072130904,0.033432662,0.0029477559,0.00035974232,0.00007120524,0.0002485564,0.8773916],"genre_scores_gemma":[0.6008613,0.0011314861,0.000036626254,0.009107488,0.00261463,0.000033578384,0.000030013698,0.000019167222,0.38616568],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972432,0.0006021965,0.00052615075,0.000580695,0.00038183056,0.0006659275],"domain_scores_gemma":[0.9984503,0.0001452977,0.00022267978,0.0003680644,0.0004741715,0.0003394804],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039609286,0.00036661455,0.0005216669,0.00013037318,0.0009427329,0.00034854907,0.0004717431,0.0004976597,0.01856326],"category_scores_gemma":[0.0002005238,0.00033685725,0.0005081008,0.0010687076,0.0014306182,0.00089022535,0.000053840566,0.00037472454,0.001609961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031218626,0.00041946693,0.0024276166,0.00008254973,0.0002645648,0.000075788674,0.14666568,0.0000013735936,0.0005003201,0.61278754,0.18479806,0.05197392],"study_design_scores_gemma":[0.00025108494,0.000077972865,0.00082054303,0.00010582151,0.00017805507,0.000015781878,0.008694716,0.00013551743,0.000008944327,0.045200553,0.9440215,0.0004894789],"about_ca_topic_score_codex":0.0013643668,"about_ca_topic_score_gemma":0.0016571599,"teacher_disagreement_score":0.75922346,"about_ca_system_score_codex":0.00014810803,"about_ca_system_score_gemma":0.000054660697,"threshold_uncertainty_score":0.9999083},"labels":[],"label_agreement":null},{"id":"W4254292602","doi":"10.4000/communication.4829","title":"Martial ROBERT (1999), Pierre Schaeffer : des transmissions à Orphée","year":2003,"lang":"fr","type":"article","venue":"Communication","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Martial arts; Art; Humanities; Psychology; Visual arts","score_opus":0.039162827295557645,"score_gpt":0.30459438881721346,"score_spread":0.2654315615216558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254292602","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10897597,0.6050355,0.0010722743,0.054777928,0.001647452,0.0006113547,0.000027044107,0.00016502227,0.22768748],"genre_scores_gemma":[0.9083631,0.015704652,0.0033026447,0.002149641,0.00022005872,0.000043165386,0.00008377019,0.000017282982,0.07011567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972526,0.0016001606,0.00031000638,0.0002365258,0.00021849095,0.00038222337],"domain_scores_gemma":[0.998648,0.00016868576,0.0001167254,0.0006428632,0.00021787292,0.00020588511],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006101801,0.00018273103,0.00023392876,0.000050258048,0.0018081162,0.00015519504,0.0005958558,0.00033070063,0.004740064],"category_scores_gemma":[0.00019280746,0.00015822817,0.00021403591,0.00087732833,0.0010922148,0.0005455779,0.000053836786,0.00039859585,0.00027499738],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038184546,0.0010230578,0.0044670887,0.00009999707,0.0003457257,0.000005625103,0.07092435,0.0000860095,0.0021849936,0.5167615,0.14054385,0.26351964],"study_design_scores_gemma":[0.00024101808,0.000035840563,0.0024025582,0.00011987978,0.00021158726,0.0000038044166,0.0026462183,0.00014262124,0.00017507773,0.025554113,0.968237,0.0002302819],"about_ca_topic_score_codex":0.0012021795,"about_ca_topic_score_gemma":0.004170147,"teacher_disagreement_score":0.82769316,"about_ca_system_score_codex":0.00011936861,"about_ca_system_score_gemma":0.000115197,"threshold_uncertainty_score":0.9994914},"labels":[],"label_agreement":null},{"id":"W4254458227","doi":"10.4000/books.pum.11777","title":"Introduction","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.013656701884402536,"score_gpt":0.20351730843241528,"score_spread":0.18986060654801273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254458227","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029214707,0.0100351935,0.00004545938,0.008071397,0.0009907045,0.00027743718,0.00007353908,0.00010893806,0.9774759],"genre_scores_gemma":[0.029522516,0.0021062668,0.00023990883,0.0009114292,0.0039302576,0.0000065677827,0.00007107349,0.00003746337,0.9631745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977469,0.00019165239,0.00027350907,0.0006918153,0.0004041255,0.00069199473],"domain_scores_gemma":[0.9981097,0.00009167117,0.0005251898,0.00060411723,0.00028003886,0.00038925937],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028070013,0.0004830521,0.000575509,0.000118372314,0.0028175025,0.00026461543,0.0009030867,0.0009495916,0.0141974995],"category_scores_gemma":[0.00006994498,0.00047863976,0.00054450775,0.000025302945,0.0011475119,0.00029232094,0.00042548147,0.00065178215,0.00049428444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028732812,0.000052376952,0.00046717026,0.00012243056,0.0012013371,0.0005747858,0.021610841,0.00009134281,0.0014905767,0.71969175,0.17564566,0.07876439],"study_design_scores_gemma":[0.00032078725,0.000074698204,0.0009983681,0.00007826791,0.0012130339,0.000052717623,0.0007087516,0.00007218898,0.00020265327,0.02380293,0.9719591,0.0005164758],"about_ca_topic_score_codex":0.008603717,"about_ca_topic_score_gemma":0.02901834,"teacher_disagreement_score":0.79631346,"about_ca_system_score_codex":0.0009908576,"about_ca_system_score_gemma":0.00011482888,"threshold_uncertainty_score":0.9997665},"labels":[],"label_agreement":null},{"id":"W4254641592","doi":"10.4000/temoigner.1880","title":"L’Arc ensemble de Toronto, sous le signe de la mémoire","year":2015,"lang":"fr","type":"article","venue":"Témoigner. Entre Histoire et Mémoire","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01838476275821182,"score_gpt":0.273293311959444,"score_spread":0.2549085492012322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254641592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022867905,0.128431,0.0006938898,0.035572372,0.0037299967,0.00048452505,0.000094416784,0.00046408773,0.8076618],"genre_scores_gemma":[0.57655257,0.000688522,0.0018798888,0.005711426,0.0019359508,0.000057714882,0.00009135663,0.00007942254,0.41300315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929153,0.0025728762,0.00073858845,0.0010207922,0.0009515998,0.0018008875],"domain_scores_gemma":[0.99656016,0.00045299804,0.0004580067,0.0006473583,0.00049938675,0.001382091],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020711464,0.0007761802,0.0009614243,0.000095256815,0.0019616825,0.00048769062,0.0010038326,0.0012697331,0.0015774535],"category_scores_gemma":[0.0004662919,0.0007544545,0.0006294311,0.0008225618,0.002698775,0.0012578614,0.00022635378,0.00081066915,0.00035025948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013305806,0.0012973655,0.0006487409,0.00011554484,0.0003329047,0.00058587536,0.070965104,0.0004038183,0.0029936656,0.335726,0.5404413,0.04635664],"study_design_scores_gemma":[0.0013598923,0.0003025863,0.00029652793,0.00016698503,0.00044369427,0.00014830749,0.026205266,0.00054226903,0.0001865346,0.016994212,0.95238,0.00097374344],"about_ca_topic_score_codex":0.032413166,"about_ca_topic_score_gemma":0.037677687,"teacher_disagreement_score":0.55368465,"about_ca_system_score_codex":0.006128952,"about_ca_system_score_gemma":0.003468265,"threshold_uncertainty_score":0.9994906},"labels":[],"label_agreement":null},{"id":"W4254799627","doi":"10.4324/9781135000356-rem1083-1","title":"Tremblay, Gilles (1932--)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Counterpoint; MOZART; Musical; Studio; Art; Polyphony; Piano; Art history; Humanities; Musicology; Performance art; Chamber music; Visual arts; Literature; Sociology; Pedagogy","score_opus":0.03833294421546419,"score_gpt":0.28427094751118426,"score_spread":0.24593800329572008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254799627","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000059870308,0.0009429222,0.0000027740286,0.0016114216,0.0006473012,0.00013356599,0.000017872255,0.00013371833,0.99645054],"genre_scores_gemma":[0.0012948753,0.00037197504,0.000114236514,0.0040068785,0.0031649459,0.000004202525,0.000048093058,0.000018540648,0.9909763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986538,0.000039060287,0.0002316323,0.00039076156,0.0003901219,0.0002946235],"domain_scores_gemma":[0.9991724,0.000049460574,0.000137452,0.0002290238,0.0002560976,0.00015559763],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019517074,0.0002502435,0.00036788936,0.00008760904,0.0005647556,0.00012235147,0.00037686716,0.00067161047,0.052150853],"category_scores_gemma":[0.000030666622,0.0001724393,0.00035533126,0.000060614166,0.00061938347,0.00012738846,0.000060548395,0.00022119594,0.002505243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035628311,0.000006443844,0.000004140599,0.000004054299,0.000110804925,0.0000068649274,0.0020267058,2.4130193e-8,0.0000055648834,0.6847048,0.31058875,0.0025382915],"study_design_scores_gemma":[0.000051421455,0.00002861281,0.0000054226307,0.000021708072,0.00012468922,7.591252e-7,0.0005424154,5.8682923e-7,0.0000039216443,0.06449148,0.9344676,0.0002613442],"about_ca_topic_score_codex":0.0004812923,"about_ca_topic_score_gemma":0.017273048,"teacher_disagreement_score":0.6238789,"about_ca_system_score_codex":0.00006452051,"about_ca_system_score_gemma":0.00009783764,"threshold_uncertainty_score":0.9982714},"labels":[],"label_agreement":null},{"id":"W4255146604","doi":"10.4000/books.pum.6355","title":"Remerciements","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.022550628639656182,"score_gpt":0.20529790220136476,"score_spread":0.18274727356170858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255146604","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045438115,0.012043431,0.00005268258,0.0007576964,0.00046916373,0.0003332471,0.000091170245,0.00011228768,0.9815965],"genre_scores_gemma":[0.05456589,0.002882476,0.0003720722,0.002349952,0.0005367352,0.000008910795,0.000055194912,0.000048803897,0.93917996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973718,0.0002282355,0.00036095138,0.00067621557,0.0004815923,0.00088120723],"domain_scores_gemma":[0.998268,0.00009918907,0.00040799045,0.00043279046,0.00026308603,0.0005289078],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026623745,0.0005665112,0.00061490916,0.00013746056,0.001465079,0.00010738483,0.0009352837,0.00096454564,0.026964067],"category_scores_gemma":[0.000026770906,0.0005574651,0.00062216143,0.000066146924,0.0008807606,0.00020244865,0.00054744794,0.00059815217,0.0006217691],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003385029,0.00010277935,0.0018168385,0.00014523261,0.0018270982,0.0009610465,0.046775375,0.00001953454,0.0010769948,0.82815987,0.060757287,0.058019444],"study_design_scores_gemma":[0.00042983837,0.000106493266,0.0016828396,0.00014887056,0.0015366011,0.000025973239,0.00093524985,0.000029493769,0.00022830647,0.040119532,0.954108,0.00064882025],"about_ca_topic_score_codex":0.014835855,"about_ca_topic_score_gemma":0.027260566,"teacher_disagreement_score":0.8933507,"about_ca_system_score_codex":0.0009230512,"about_ca_system_score_gemma":0.00011469376,"threshold_uncertainty_score":0.9998349},"labels":[],"label_agreement":null},{"id":"W4255664808","doi":"10.1503/cmaj.171031","title":"Parentheses","year":2018,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Lightness; Computer science; Art history; Art; Artificial intelligence","score_opus":0.01635682173899909,"score_gpt":0.27770089232019324,"score_spread":0.26134407058119413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255664808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17004092,0.00077930297,0.000037443453,0.26131147,0.006201594,0.00012693089,0.000023660388,0.000068013054,0.56141067],"genre_scores_gemma":[0.9181666,0.00009633878,0.0000412382,0.05998856,0.012920299,0.0000021873848,0.0000036006638,0.0000045959064,0.008776592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979628,0.00030122214,0.00019182653,0.00009358895,0.00101515,0.00043546746],"domain_scores_gemma":[0.99771756,0.00009712893,0.00011122759,0.000043918,0.0006419287,0.0013882555],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015814872,0.000058396818,0.00011280532,0.000082992556,0.0013221472,0.00025369108,0.00025420712,0.00030958743,0.022187656],"category_scores_gemma":[0.0028710011,0.0000457834,0.00008788721,0.00033635137,0.00016509567,0.000174662,0.000006851564,0.00038346997,0.0005418439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002122496,0.000014839602,0.037110142,7.5764046e-7,0.00010375489,0.000072285,0.0070239645,8.572473e-8,0.0000035733135,0.0117426235,0.8961088,0.047817044],"study_design_scores_gemma":[0.000094737894,0.000016212707,0.0051737293,0.000009913677,0.00001564284,0.000010375419,0.0026631195,0.0000072103435,0.0000024681515,0.0012223658,0.99071693,0.00006726425],"about_ca_topic_score_codex":0.012497798,"about_ca_topic_score_gemma":0.57479215,"teacher_disagreement_score":0.7481257,"about_ca_system_score_codex":0.00051567255,"about_ca_system_score_gemma":0.002051489,"threshold_uncertainty_score":0.999978},"labels":[],"label_agreement":null},{"id":"W4255795380","doi":"10.7202/004686ar","title":"Panorama","year":2002,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Panorama; Art; Philosophy","score_opus":0.07098671146630656,"score_gpt":0.2777383446909336,"score_spread":0.20675163322462706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255795380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02720081,0.095616534,0.000043403787,0.032146152,0.0037623087,0.0004049386,0.000050238665,0.0002630824,0.8405125],"genre_scores_gemma":[0.6129905,0.0010045946,0.000031211126,0.01198436,0.0029162958,0.00003095682,0.000026080043,0.00002407119,0.37099192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670297,0.0007031571,0.00062800036,0.0006846736,0.00046974976,0.00081145565],"domain_scores_gemma":[0.9981293,0.00019675076,0.00032368835,0.0004273221,0.0005400007,0.00038290344],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00050776673,0.00044506553,0.0006671832,0.00013005838,0.0007452384,0.00047323658,0.000589427,0.0006016852,0.010146961],"category_scores_gemma":[0.00028639243,0.00040165527,0.00052393886,0.0012372378,0.001403971,0.0009483363,0.000068767564,0.0004057915,0.0013683395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055176993,0.0003666238,0.0022948864,0.00011152668,0.00032439132,0.00015668725,0.08071264,9.2705983e-7,0.00025584802,0.68010086,0.16561848,0.07005159],"study_design_scores_gemma":[0.00032688907,0.00009141791,0.0003151565,0.00012611109,0.00016397801,0.000012533405,0.003684286,0.000118422606,0.00003079287,0.06273949,0.931845,0.000545941],"about_ca_topic_score_codex":0.0016505086,"about_ca_topic_score_gemma":0.0010122912,"teacher_disagreement_score":0.76622653,"about_ca_system_score_codex":0.00014553824,"about_ca_system_score_gemma":0.000066797365,"threshold_uncertainty_score":0.99984354},"labels":[],"label_agreement":null},{"id":"W426549630","doi":"","title":"Dictionnaire de la censure au Québec : littérature et cinéma","year":2006,"lang":"fr","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011211692035813197,"score_gpt":0.2589413078605618,"score_spread":0.2477296158247486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W426549630","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002418789,0.008284086,0.000042069747,0.029039733,0.0011956774,0.00023869147,0.000108618,0.00019683671,0.9584755],"genre_scores_gemma":[0.058910057,0.00036456657,0.00019752876,0.011696145,0.0052868873,0.000025595116,0.0003551745,0.000036921578,0.9231271],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99595433,0.001433541,0.0004940576,0.0007249052,0.00058222533,0.0008109123],"domain_scores_gemma":[0.998271,0.00039569518,0.00031660107,0.00033463823,0.00033958943,0.00034250226],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008474391,0.00061189965,0.00071188196,0.00011127222,0.0015793623,0.0004059912,0.0005527553,0.002562103,0.0016844646],"category_scores_gemma":[0.00013405655,0.0004544699,0.000830566,0.0008613824,0.0017918008,0.00034687194,0.00008977005,0.0015593705,0.00024085699],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011568666,0.00016356017,0.00684523,0.000080225334,0.00031864844,0.000049773647,0.010384413,0.000036025238,0.000019795138,0.4464172,0.5297466,0.0059269336],"study_design_scores_gemma":[0.00020673129,0.00006934309,0.019962497,0.00016751223,0.00057462516,0.000020071664,0.0013082062,0.000019707166,0.000002723555,0.005557306,0.97154266,0.0005686363],"about_ca_topic_score_codex":0.22843415,"about_ca_topic_score_gemma":0.78004056,"teacher_disagreement_score":0.5516064,"about_ca_system_score_codex":0.0016761497,"about_ca_system_score_gemma":0.0045792176,"threshold_uncertainty_score":0.9997907},"labels":[],"label_agreement":null},{"id":"W426670741","doi":"","title":"Bruckner sonnant et trébuchant","year":2008,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy; Art","score_opus":0.04524725299181422,"score_gpt":0.2930509373569004,"score_spread":0.24780368436508618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W426670741","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26508123,0.03700954,0.00025824815,0.16336843,0.0055853464,0.00029285485,0.000033440625,0.00017343566,0.52819747],"genre_scores_gemma":[0.40202233,0.0020013205,0.00044934588,0.028062565,0.0011312532,0.0000072713688,0.00001136925,0.0000075937196,0.56630695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981823,0.00034208928,0.0002576134,0.0003381136,0.00035069065,0.0005291919],"domain_scores_gemma":[0.99931806,0.000063693486,0.00008325231,0.00015964755,0.00015107093,0.00022427732],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003283325,0.00019048921,0.0002953691,0.000041742383,0.0010058035,0.0001201533,0.00024187662,0.0002797219,0.008112735],"category_scores_gemma":[0.000037425983,0.0001287045,0.0003009957,0.00070030143,0.001370366,0.00043664916,0.000052086496,0.00023834317,0.0013084713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008904669,0.0002500193,0.0008964826,0.0000125476845,0.00014981162,0.000112316804,0.05009592,0.000008044593,0.00026654763,0.6025761,0.33671123,0.0089120725],"study_design_scores_gemma":[0.000190139,0.000056739096,0.001417918,0.000017911012,0.00008869319,0.000031655516,0.0037630731,0.00009885502,0.00008897833,0.0052939025,0.9886929,0.00025926923],"about_ca_topic_score_codex":0.0036489146,"about_ca_topic_score_gemma":0.0071912813,"teacher_disagreement_score":0.65198165,"about_ca_system_score_codex":0.000058559785,"about_ca_system_score_gemma":0.00019380944,"threshold_uncertainty_score":0.9994691},"labels":[],"label_agreement":null},{"id":"W427629628","doi":"10.7202/902194ar","title":"Faux et usage de faux, réponse aux mélodistes indépendants","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.056139315714309745,"score_gpt":0.32683147195041035,"score_spread":0.2706921562361006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W427629628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5704968,0.009390215,0.00013855066,0.03320404,0.0051715644,0.00073155726,0.00032379865,0.00034589,0.38019758],"genre_scores_gemma":[0.8822901,0.00030876958,0.00018054897,0.020653263,0.0023819215,0.00007527902,0.00013612528,0.00005087065,0.093923114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951689,0.0013681622,0.0008190644,0.0009132943,0.0005787205,0.0011518449],"domain_scores_gemma":[0.9968935,0.0006001926,0.0005073291,0.0006244005,0.00075225084,0.0006222871],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002324774,0.00064092694,0.0008774223,0.00020851342,0.0010496051,0.000816936,0.0010171438,0.0010072712,0.0022274994],"category_scores_gemma":[0.0014396666,0.00057408836,0.00061406626,0.0010957466,0.0021891152,0.0013622983,0.0001636774,0.0012465123,0.000241478],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041013373,0.00045410916,0.014719596,0.00015997913,0.00039118013,0.0002743888,0.098979056,9.893586e-7,0.01883634,0.81833106,0.030583031,0.017229246],"study_design_scores_gemma":[0.00064784894,0.00012781579,0.008067818,0.0001829966,0.00025357289,0.000060690185,0.0068702647,0.000071406736,0.0005919731,0.1354324,0.846735,0.0009581847],"about_ca_topic_score_codex":0.006654694,"about_ca_topic_score_gemma":0.022977598,"teacher_disagreement_score":0.816152,"about_ca_system_score_codex":0.00014717554,"about_ca_system_score_gemma":0.0011369246,"threshold_uncertainty_score":0.99996006},"labels":[],"label_agreement":null},{"id":"W4285712265","doi":"10.7202/1087788ar","title":"Éditorial (et note de la direction de la revue)","year":2020,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.047463392734476376,"score_gpt":0.3659372992334339,"score_spread":0.3184739064989575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285712265","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24326557,0.007860087,0.008565704,0.07679715,0.0047365115,0.0007135846,0.00009551887,0.0006442427,0.65732163],"genre_scores_gemma":[0.7193357,0.020380981,0.03823753,0.13367322,0.04987201,0.0002987116,0.000100306395,0.0002336497,0.037867934],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9610508,0.036556426,0.00046037041,0.0006591643,0.00032819205,0.0009450422],"domain_scores_gemma":[0.98709023,0.0114933895,0.00029661736,0.00025648015,0.00016709942,0.0006961596],"candidate_categories":["metaresearch","metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.01091054,0.00048085515,0.00065212295,0.000079090656,0.0007093286,0.0005098901,0.00064887095,0.0070730373,0.0003428419],"category_scores_gemma":[0.008919243,0.0004976544,0.0007288055,0.0012102525,0.0020144721,0.00040358191,0.000080762344,0.0062271613,0.00003441014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002866339,0.00034780172,0.00086035376,0.00036385836,0.0006575687,0.00034323405,0.5062835,0.00042464316,0.02621693,0.2898415,0.04936093,0.12501301],"study_design_scores_gemma":[0.0006880451,0.00008957338,0.00090655254,0.00013264627,0.0006361517,0.00007008481,0.012494244,0.00064774003,0.00096124806,0.095020786,0.88772434,0.00062861445],"about_ca_topic_score_codex":0.024148969,"about_ca_topic_score_gemma":0.0073097656,"teacher_disagreement_score":0.8383634,"about_ca_system_score_codex":0.0057909423,"about_ca_system_score_gemma":0.0026796828,"threshold_uncertainty_score":0.9997475},"labels":[],"label_agreement":null},{"id":"W4293243428","doi":"","title":"« Les naissances de « l’auteur-personnage » dans le théâtre québécois des années 2000 : écouter les « voix de la création »","year":2014,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021348946520444854,"score_gpt":0.25459999035791336,"score_spread":0.2332510438374685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293243428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71415615,0.009178171,0.046287727,0.02623323,0.00031551384,0.00040099368,0.0001395973,0.00029389685,0.20299473],"genre_scores_gemma":[0.8844483,0.0023573202,0.016452719,0.0004748965,0.00022176988,0.000101943726,0.00032827706,0.000046857378,0.09556795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9789912,0.018043108,0.0006474516,0.000986646,0.00053788384,0.0007936908],"domain_scores_gemma":[0.99424875,0.001996077,0.0007039721,0.0011027142,0.0015883076,0.00036018304],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.007985584,0.00055566244,0.0006092856,0.00017013657,0.003606267,0.0011779122,0.0017594196,0.0008991964,0.00044432853],"category_scores_gemma":[0.0014292347,0.00052739144,0.0005582633,0.0007911353,0.003531361,0.0005044794,0.0004736953,0.0009431535,0.000046118952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001956829,0.0006892678,0.027112933,0.0002472834,0.0002907853,0.000010587606,0.31405905,0.0003950087,0.0037141393,0.5431585,0.0027990653,0.10750381],"study_design_scores_gemma":[0.0006201716,0.0000026228581,0.07485923,0.0022449282,0.00048544505,0.000026768097,0.02624123,0.0103488015,0.0074851788,0.024084521,0.8523258,0.0012753117],"about_ca_topic_score_codex":0.2698057,"about_ca_topic_score_gemma":0.3093341,"teacher_disagreement_score":0.8495267,"about_ca_system_score_codex":0.0005845349,"about_ca_system_score_gemma":0.0009863338,"threshold_uncertainty_score":0.999859},"labels":[],"label_agreement":null},{"id":"W4294310008","doi":"","title":"La Nouvelle Vague et le cinéma direct québécois, allers et retours","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.018029825691096915,"score_gpt":0.24925027194343877,"score_spread":0.23122044625234184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294310008","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11364783,0.006846007,0.0013506981,0.2007865,0.00094396755,0.0007669362,0.00013376695,0.00033849865,0.6751858],"genre_scores_gemma":[0.7929326,0.0061470345,0.0077187973,0.0034013086,0.00013774722,0.0001778615,0.0009809704,0.00007583475,0.18842784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9700526,0.025973117,0.00088035845,0.0014245925,0.0008348023,0.0008344999],"domain_scores_gemma":[0.9908167,0.0029021814,0.00097238965,0.0019424056,0.0028365913,0.0005297043],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0108559895,0.00071392884,0.00092543376,0.00020478223,0.0014016699,0.0012484334,0.002295799,0.0011134583,0.0014092595],"category_scores_gemma":[0.001858975,0.00068004715,0.00078910927,0.0011702803,0.0014860074,0.0006409354,0.0012665025,0.0016422214,0.00036671586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013763497,0.0010362883,0.00084093155,0.00010660125,0.00045915676,0.000011684945,0.16355094,0.00015131217,0.00085106003,0.7821526,0.026460534,0.02436514],"study_design_scores_gemma":[0.00064561976,0.0000013810937,0.0075405487,0.0012638146,0.0002453505,0.000010155908,0.01128196,0.0016383162,0.0013572341,0.006296491,0.96866924,0.0010498855],"about_ca_topic_score_codex":0.15837981,"about_ca_topic_score_gemma":0.30294025,"teacher_disagreement_score":0.9422087,"about_ca_system_score_codex":0.00026245293,"about_ca_system_score_gemma":0.0013734226,"threshold_uncertainty_score":0.9998984},"labels":[],"label_agreement":null},{"id":"W4298165190","doi":"","title":"Le Québec, Canada – S’adresser au spectateur actuel : Trois auteurs québécois dans la trentaine","year":2015,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.1390723017855396,"score_gpt":0.46231531166590556,"score_spread":0.323243009880366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298165190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.767272,0.10538258,0.000021191423,0.02359123,0.0050925734,0.00049287244,0.0002488517,0.000051283463,0.097847424],"genre_scores_gemma":[0.9492692,0.006284817,0.000040846793,0.0034285,0.0014226158,0.000035161665,0.000045313696,0.000064025546,0.03940952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937185,0.0016932044,0.0012007197,0.0007892803,0.0015335304,0.0010647832],"domain_scores_gemma":[0.99552435,0.0005334254,0.0012554785,0.0005533369,0.00083023694,0.0013031978],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001741293,0.0006491414,0.0013999405,0.0003900962,0.0011149131,0.002077113,0.0041624825,0.00033669555,0.0067741596],"category_scores_gemma":[0.0006345725,0.0005515913,0.000510804,0.002589661,0.001126857,0.0037990788,0.00072571496,0.0008266584,0.000029120385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002406888,0.0007826636,0.20732784,0.00009631097,0.0012632916,0.0004947473,0.02618664,0.00041499038,0.0028797323,0.0068204766,0.74179465,0.011697986],"study_design_scores_gemma":[0.0008173312,0.00002300934,0.16040295,0.00023458207,0.0005403234,0.000034736455,0.020583786,0.000041493586,0.00095682155,0.0038685177,0.8117113,0.00078512833],"about_ca_topic_score_codex":0.99737424,"about_ca_topic_score_gemma":0.9988805,"teacher_disagreement_score":0.18199721,"about_ca_system_score_codex":0.0016350757,"about_ca_system_score_gemma":0.013280337,"threshold_uncertainty_score":0.9996936},"labels":[],"label_agreement":null},{"id":"W4300032162","doi":"","title":"Vertentes atuais da literatura canadense de língua inglesa e francesa = Current perspectives on canadian literature in english and french","year":2015,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.17118177076971222,"score_gpt":0.48719197965335326,"score_spread":0.31601020888364106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300032162","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6600024,0.33051506,8.9051844e-7,0.0009277055,0.002098622,0.0004861063,0.0003586245,0.000024021705,0.005586527],"genre_scores_gemma":[0.97192436,0.023499018,0.00002329348,0.0014482135,0.001424454,0.000042428845,0.000071353374,0.00004071586,0.0015261415],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99424475,0.0013114961,0.0010003081,0.0010948125,0.0011102039,0.0012384519],"domain_scores_gemma":[0.9945385,0.00034086473,0.0007498307,0.00048792144,0.0019961249,0.0018867768],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020295319,0.00072559144,0.0013245163,0.0017232008,0.00095206796,0.011125549,0.002648596,0.000552272,0.0015398415],"category_scores_gemma":[0.001888125,0.0006079539,0.00032215702,0.004385644,0.00054948556,0.003855286,0.0004174076,0.0019162152,0.0000075242515],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020810247,0.00050583173,0.47160515,0.00016819686,0.00045055192,0.00041610346,0.32463494,0.00008193111,0.0003331398,0.0014858503,0.19024445,0.009865766],"study_design_scores_gemma":[0.0021639105,0.0001128732,0.48045024,0.005336278,0.00046749262,0.000031531712,0.0662399,0.00021251252,0.00015609612,0.0053520943,0.43739206,0.002085006],"about_ca_topic_score_codex":0.29704064,"about_ca_topic_score_gemma":0.47891822,"teacher_disagreement_score":0.31192195,"about_ca_system_score_codex":0.0010472896,"about_ca_system_score_gemma":0.0016137016,"threshold_uncertainty_score":0.9996372},"labels":[],"label_agreement":null},{"id":"W4301738486","doi":"","title":"Reforma educativa en Québec: opiniones de un grupo de maestras de música","year":2008,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Physics","score_opus":0.1889845222372714,"score_gpt":0.5303724804618785,"score_spread":0.34138795822460705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301738486","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95740443,0.0132887885,0.000035722445,0.004389353,0.0004806229,0.0002448564,0.000018712346,0.000053823685,0.02408366],"genre_scores_gemma":[0.9775318,0.013746002,0.00062749523,0.0028784873,0.0011116337,0.000044807068,0.0000125344695,0.000025398793,0.0040218737],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9969043,0.0008607048,0.00059564185,0.0003490222,0.00056789664,0.0007224376],"domain_scores_gemma":[0.9979865,0.0003180021,0.00053896935,0.00029469398,0.00032275045,0.0005390777],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016232464,0.00026972225,0.00059124274,0.00031590348,0.0014041282,0.00084986136,0.0026359179,0.00024614137,0.008150525],"category_scores_gemma":[0.000618016,0.00021257429,0.00030903277,0.0011274946,0.00046140866,0.0021693946,0.00030872185,0.00051880174,0.000027339898],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011189179,0.00052580296,0.7698263,0.00004575081,0.0004257177,0.00009760701,0.03384272,0.000054440494,0.012829697,0.0017750511,0.16492541,0.015539638],"study_design_scores_gemma":[0.00028873165,0.000013018987,0.7478057,0.00013559852,0.00012953758,0.00008015058,0.0030752039,0.000011404888,0.0036194173,0.009915635,0.23448458,0.00044101774],"about_ca_topic_score_codex":0.064268835,"about_ca_topic_score_gemma":0.007887788,"teacher_disagreement_score":0.069559164,"about_ca_system_score_codex":0.0005068595,"about_ca_system_score_gemma":0.0018203194,"threshold_uncertainty_score":0.99989593},"labels":[],"label_agreement":null},{"id":"W4301959129","doi":"10.25071/1708-6701.40430","title":"\"The Mother of Us All\"","year":2022,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Newspaper; Formative assessment; Identity (music); Musical; Visual arts; Media studies; Art history; Library science; History; Sociology; Art; Pedagogy; Computer science; Aesthetics","score_opus":0.028381474580528636,"score_gpt":0.3079987296907648,"score_spread":0.27961725511023616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301959129","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028913358,0.77160877,0.000010269876,0.05925325,0.0009838771,0.0009576466,0.00004185603,0.00006990623,0.13816106],"genre_scores_gemma":[0.3609444,0.2705018,0.00049386243,0.16715656,0.0024720572,0.00085446134,0.00008421705,0.00005788837,0.19743477],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872774,0.00048273534,0.00022945594,0.00014131212,0.00019702458,0.00022174451],"domain_scores_gemma":[0.9993827,0.000092373266,0.00016104673,0.00021631367,0.000084389256,0.00006321018],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010602119,0.00007185831,0.00023970503,0.0000148283725,0.0005570124,0.00003210776,0.00045344484,0.000035302677,0.0010852616],"category_scores_gemma":[0.00026523156,0.000047606314,0.00021881278,0.0004542035,0.00012932546,0.000053643245,0.00006844797,0.0001647416,0.000025343377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019017605,0.00015871426,0.0040352647,0.0013605126,0.00033809667,0.000041242798,0.013226904,0.000018896191,0.0008314318,0.29467627,0.5775973,0.10769634],"study_design_scores_gemma":[0.000035157616,0.000016953236,0.0002504692,0.000082388244,0.00009909069,0.000004764199,0.0003688818,0.0000044008984,0.000006185404,0.0009778425,0.9980884,0.000065425964],"about_ca_topic_score_codex":0.00023611439,"about_ca_topic_score_gemma":0.0004687917,"teacher_disagreement_score":0.501107,"about_ca_system_score_codex":0.00007351745,"about_ca_system_score_gemma":0.00005811727,"threshold_uncertainty_score":0.99982786},"labels":[],"label_agreement":null},{"id":"W4316077947","doi":"10.58282/acta.4843","title":"Cinéma québécois, littérature et adaptation : retour sur une décennie faste.","year":2009,"lang":"fr","type":"article","venue":"Acta Fabula","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.022798812864440375,"score_gpt":0.2680816312747278,"score_spread":0.2452828184102874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316077947","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28480366,0.06484432,0.000060121936,0.55805606,0.0036034074,0.0005638846,0.00010365369,0.00023419387,0.08773072],"genre_scores_gemma":[0.88722414,0.003222219,0.00027683692,0.025611848,0.0017786273,0.0000044676103,0.00016906246,0.000016782784,0.08169603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99711937,0.0005958614,0.00044224158,0.00058601797,0.0005466194,0.000709872],"domain_scores_gemma":[0.9985446,0.00012832628,0.00028464186,0.00035045034,0.0003997254,0.00029227923],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00048631124,0.00037461618,0.00047317878,0.00008287871,0.0005572299,0.00034855944,0.00045291628,0.00071202,0.00046044693],"category_scores_gemma":[0.00019911569,0.0003161019,0.00034521503,0.0020836669,0.00026756313,0.0009997436,0.000036291825,0.00065962464,0.0001460815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001356353,0.00086201314,0.0005653457,0.00007678827,0.00042783117,0.00017109576,0.20296507,0.0002309689,0.0041402974,0.2464626,0.32189107,0.22207129],"study_design_scores_gemma":[0.00043153152,0.00022202743,0.012316467,0.00012680578,0.0002871968,0.000011909103,0.019632071,0.0003814943,0.000052333402,0.005840148,0.96020234,0.00049569836],"about_ca_topic_score_codex":0.012603331,"about_ca_topic_score_gemma":0.068342485,"teacher_disagreement_score":0.63831127,"about_ca_system_score_codex":0.00013791591,"about_ca_system_score_gemma":0.00035457546,"threshold_uncertainty_score":0.99992913},"labels":[],"label_agreement":null},{"id":"W4319451229","doi":"10.4000/communiquer.9550","title":"La musique live en contexte numérique. Captation, diffusion, valorisation, usages","year":2022,"lang":"fr","type":"paratext","venue":"Communiquer Revue de communication sociale et publique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Environmental science","score_opus":0.03868725588790594,"score_gpt":0.32608001101140244,"score_spread":0.2873927551234965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319451229","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0435245,0.043524116,0.0032470569,0.22835249,0.0030201003,0.0037828707,0.00093242753,0.00070917886,0.67290723],"genre_scores_gemma":[0.5257793,0.0978372,0.0036462452,0.039792784,0.0016617732,0.0034322143,0.013065618,0.00027058023,0.31451428],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9433617,0.05214853,0.0018025499,0.0008969125,0.0007896544,0.0010006828],"domain_scores_gemma":[0.98404443,0.0073689334,0.0023264333,0.0029615178,0.0028230017,0.00047567187],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.010265566,0.0010356217,0.0016066867,0.00048135445,0.005922717,0.0013711447,0.005621203,0.0026470118,0.01636432],"category_scores_gemma":[0.0027764542,0.0011657863,0.0010182863,0.0024116323,0.0025608714,0.0019591914,0.0024878476,0.006772699,0.000658071],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042510954,0.00072534947,0.0009041861,0.00021633352,0.00053596636,0.000010197919,0.3674699,0.00018332028,0.0000822333,0.42635518,0.19630249,0.007172309],"study_design_scores_gemma":[0.00059004704,0.00008795826,0.0030254126,0.00041499277,0.00022114404,0.000033713328,0.06815824,0.00022096213,0.000010184431,0.026400734,0.89971846,0.0011181267],"about_ca_topic_score_codex":0.025444353,"about_ca_topic_score_gemma":0.054536954,"teacher_disagreement_score":0.703416,"about_ca_system_score_codex":0.0027442218,"about_ca_system_score_gemma":0.0032914649,"threshold_uncertainty_score":0.99975884},"labels":[],"label_agreement":null},{"id":"W4320164545","doi":"10.7202/1095431ar","title":"Ariane Couture, La création musicale à Montréal de 1966 à 2006 vue par ses institutions, Québec, Presses de l’Université Laval, 2019, 257 p. ISBN 9 782 763 746 562","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03834573420670475,"score_gpt":0.3159975852499414,"score_spread":0.2776518510432367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320164545","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5240661,0.0846875,0.006038545,0.13272707,0.00185252,0.0015837218,0.0007264243,0.001406847,0.24691129],"genre_scores_gemma":[0.3197628,0.29454574,0.0137263,0.059534654,0.008422704,0.00052618125,0.0010862258,0.0003011041,0.30209428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9869881,0.009921306,0.0005523663,0.0007528997,0.0004741206,0.001311202],"domain_scores_gemma":[0.99339604,0.0048519396,0.00036132493,0.00044304846,0.0003181659,0.0006294517],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0049513928,0.00059838535,0.0007432096,0.00023184123,0.0015266014,0.0004116411,0.00086740294,0.0047324505,0.00067968166],"category_scores_gemma":[0.00324125,0.00060413504,0.00065532385,0.001915595,0.0019772016,0.0006666765,0.00013732663,0.0035630704,0.00011058073],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017037385,0.0005509388,0.0022536933,0.0003193904,0.000992333,0.00057423045,0.22125754,0.0033544474,0.0071388055,0.098221384,0.6136045,0.051562406],"study_design_scores_gemma":[0.0007376762,0.00006479474,0.0043372153,0.00018548989,0.00095412583,0.000081419465,0.026878953,0.00081480714,0.0007013943,0.027430536,0.9370633,0.0007502931],"about_ca_topic_score_codex":0.50276077,"about_ca_topic_score_gemma":0.440606,"teacher_disagreement_score":0.32345882,"about_ca_system_score_codex":0.0055779973,"about_ca_system_score_gemma":0.005634745,"threshold_uncertainty_score":0.99977326},"labels":[],"label_agreement":null},{"id":"W4320164547","doi":"10.7202/1095426ar","title":"Les ressources pédagogiques pour l’enseignement des musiques traditionnelles d’ici et d’ailleurs dans les écoles primaires du Québec","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.08992345535639469,"score_gpt":0.36226868733231443,"score_spread":0.27234523197591975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320164547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72804993,0.011239285,0.0018034186,0.034528606,0.00030394082,0.00056821445,0.0001294292,0.000868152,0.222509],"genre_scores_gemma":[0.88963556,0.03866308,0.009598092,0.019898223,0.0022828253,0.0005123909,0.00016917883,0.00019924763,0.039041426],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9756299,0.02023509,0.0009250716,0.0010595056,0.00065402745,0.0014963759],"domain_scores_gemma":[0.9886991,0.009273853,0.0005342441,0.00048459118,0.0004285398,0.000579688],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.0077914973,0.00094722473,0.0010262234,0.0003550064,0.0031104828,0.00062933785,0.001161227,0.0043744543,0.00071017834],"category_scores_gemma":[0.0037000477,0.00088073866,0.001072252,0.0016363607,0.006652333,0.00062477135,0.00013603634,0.0037673274,0.000054909935],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009172644,0.00042864055,0.0028881605,0.0004016211,0.00079654524,0.00027673252,0.604678,0.0004647342,0.0038789476,0.2546394,0.014762448,0.11669306],"study_design_scores_gemma":[0.00072358677,0.00022287811,0.015043876,0.0006815748,0.0008599969,0.000092756505,0.4789453,0.00048446568,0.00203338,0.17788124,0.3216638,0.001367153],"about_ca_topic_score_codex":0.39110607,"about_ca_topic_score_gemma":0.6410026,"teacher_disagreement_score":0.30690134,"about_ca_system_score_codex":0.007892896,"about_ca_system_score_gemma":0.0032001408,"threshold_uncertainty_score":0.9993643},"labels":[],"label_agreement":null},{"id":"W4320803635","doi":"10.1017/9781580468411.015","title":"Selected Discography","year":2014,"lang":"en","type":"other","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Discography; Art; Art history","score_opus":0.010163411293677071,"score_gpt":0.26127863229824216,"score_spread":0.25111522100456507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320803635","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000104306555,0.00077772647,0.00003366664,0.0006108776,0.00035346858,0.00010494717,0.0000070892934,0.0003272157,0.9977746],"genre_scores_gemma":[0.0012452747,0.000102324804,0.00015478322,0.0023680842,0.0016476179,0.000009515205,0.000064192136,0.000056006942,0.9943522],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913764,0.0001374335,0.00008506997,0.0002192577,0.00019414336,0.00022643566],"domain_scores_gemma":[0.99963963,0.00001753843,0.00007826944,0.0001238877,0.000054507254,0.00008618757],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008803814,0.0001298602,0.0002194319,0.00013288589,0.00016132073,0.00010322805,0.000223755,0.00035629366,0.025873357],"category_scores_gemma":[0.000031630367,0.00008338357,0.00014352094,0.00076035276,0.00018994999,0.000028190238,0.000014436052,0.00011959739,0.00042896558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.95805e-7,0.000010870598,0.00019166415,0.000004515992,0.00008556875,5.697584e-7,0.0003490511,9.070602e-9,0.0000039269103,0.027841315,0.97072804,0.0007839684],"study_design_scores_gemma":[0.000041641284,0.0000073428137,0.00010059813,0.000012971265,0.00006463526,7.7820836e-8,0.00020992575,4.3829044e-7,8.239549e-7,0.00043182058,0.9989792,0.00015050433],"about_ca_topic_score_codex":0.0034901372,"about_ca_topic_score_gemma":0.055204622,"teacher_disagreement_score":0.051714487,"about_ca_system_score_codex":0.000008595013,"about_ca_system_score_gemma":0.000036987247,"threshold_uncertainty_score":0.97501713},"labels":[],"label_agreement":null},{"id":"W4320803638","doi":"10.1017/9781580468411","title":"Claude Vivier","year":2014,"lang":"en","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; History","score_opus":0.019834824187177656,"score_gpt":0.2773723807448149,"score_spread":0.25753755655763727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320803638","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000066600246,0.00097612647,0.000013751092,0.0013989229,0.0005959977,0.00010865591,0.0000058131736,0.00009112353,0.9968029],"genre_scores_gemma":[0.00018385841,0.00008270643,0.00007219015,0.013188712,0.0033170572,0.0000072452017,0.00007827574,0.000010768776,0.98305917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988172,0.00011470633,0.00017248507,0.00028338362,0.00034032672,0.00027187626],"domain_scores_gemma":[0.9993681,0.0000684627,0.000104555744,0.00018505719,0.00014202645,0.00013179958],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028445348,0.00016924877,0.00032617638,0.000055121967,0.0003824802,0.00015816985,0.00034843318,0.0006298151,0.010719078],"category_scores_gemma":[0.000042812942,0.00011501256,0.00028043805,0.00009845693,0.0002632837,0.000087095665,0.00003835867,0.00028507854,0.0015895703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.646562e-7,0.0000044778735,0.0000057700463,0.000005229683,0.00004496205,0.0000016116293,0.0007570215,7.2536636e-8,0.0000012285681,0.2965829,0.69974154,0.0028543964],"study_design_scores_gemma":[0.000038316506,0.000010478168,0.000011163595,0.000015483218,0.00009823025,2.4368862e-7,0.00011978017,9.611249e-7,7.3403186e-7,0.03472754,0.9647887,0.00018837972],"about_ca_topic_score_codex":0.00023030509,"about_ca_topic_score_gemma":0.011401675,"teacher_disagreement_score":0.26504713,"about_ca_system_score_codex":0.00009836601,"about_ca_system_score_gemma":0.00024210346,"threshold_uncertainty_score":0.9991878},"labels":[],"label_agreement":null},{"id":"W4320803640","doi":"10.1017/9781580468411.006","title":"“Something different is coming, something more precise, more clear” (1974–76)","year":2014,"lang":"en","type":"other","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.029424668576542187,"score_gpt":0.3169446825943666,"score_spread":0.2875200140178244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320803640","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014705602,0.0028141767,0.00029415332,0.0064432523,0.0015355946,0.0005400192,0.000044925415,0.0006373214,0.98622],"genre_scores_gemma":[0.004807019,0.00038689913,0.0009965625,0.015095806,0.0031485052,0.000034591463,0.00007299417,0.00021388064,0.97524375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655443,0.0004627898,0.00044490423,0.0008267053,0.0009683363,0.0007428554],"domain_scores_gemma":[0.9983413,0.00023163056,0.00044791182,0.00052240747,0.00013510168,0.00032162626],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064107735,0.00055199454,0.0009910342,0.00037624917,0.00078893296,0.00057074334,0.0009399995,0.0013928028,0.01902915],"category_scores_gemma":[0.0002420404,0.00037749123,0.0005570973,0.000568142,0.0005898364,0.00018352307,0.0001490802,0.0009695909,0.00034857498],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009153621,0.0000803384,0.00036992627,0.00010698819,0.00045602824,0.0000069364755,0.029327154,9.050835e-7,0.000046205358,0.020243926,0.94163704,0.007715375],"study_design_scores_gemma":[0.00021552974,0.000029000304,0.0001691813,0.00021192868,0.00028415504,8.0242216e-7,0.0056795804,0.000043988184,0.000032221895,0.0012206798,0.99151796,0.0005949494],"about_ca_topic_score_codex":0.0046038264,"about_ca_topic_score_gemma":0.0068023955,"teacher_disagreement_score":0.04988092,"about_ca_system_score_codex":0.00015203257,"about_ca_system_score_gemma":0.00007519039,"threshold_uncertainty_score":0.9999036},"labels":[],"label_agreement":null},{"id":"W4320803664","doi":"10.1017/9781580468411.003","title":"“I want art to be a sacred act, the revelation of forces” (1967–71)","year":2014,"lang":"en","type":"other","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Newspaper; Revelation; State (computer science); Government (linguistics); Art history; Period (music); Art; Institution; Dream; Humanities; History; Visual arts; Political science; Law; Literature; Aesthetics; Philosophy; Psychology","score_opus":0.024394397606902953,"score_gpt":0.28626026378726993,"score_spread":0.261865866180367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320803664","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001096933,0.0002235119,0.00013668634,0.0075138025,0.0003082324,0.0003355707,0.000017117023,0.00006028269,0.9912951],"genre_scores_gemma":[0.0071379244,0.00006646888,0.00023365523,0.0074803066,0.0007924164,0.000018466688,0.00004141497,0.000032135675,0.9841972],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889916,0.00018119013,0.00018935275,0.00021331778,0.00032106743,0.00019591064],"domain_scores_gemma":[0.9993668,0.00006292888,0.00019322937,0.00021944112,0.000084850355,0.000072742776],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037230822,0.00013537653,0.00028683522,0.000077954384,0.00017345414,0.00006371497,0.00032740136,0.00028760138,0.008414898],"category_scores_gemma":[0.00010722756,0.00007008848,0.00016277685,0.00036139312,0.00013923555,0.00004413641,0.00003423746,0.0001103913,0.0002409795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037209538,0.000009219244,0.000031711363,0.0000083854975,0.00007073152,2.0466227e-7,0.0037813478,6.117129e-7,0.000048268026,0.023626447,0.9713861,0.0010332853],"study_design_scores_gemma":[0.000054513424,0.000021811846,0.000079037476,0.000034768535,0.00008254152,1.3155622e-7,0.0011334022,0.0000047868734,0.000009997517,0.0006788528,0.99778366,0.00011651477],"about_ca_topic_score_codex":0.0017175785,"about_ca_topic_score_gemma":0.043283995,"teacher_disagreement_score":0.041566417,"about_ca_system_score_codex":0.000024858798,"about_ca_system_score_gemma":0.000054617558,"threshold_uncertainty_score":0.99249154},"labels":[],"label_agreement":null},{"id":"W4320902911","doi":"10.21608/aakj.2023.283869","title":"Humor as a Weapon in Contemporary Canadian Theatre: A Study of Selected Plays by Tomson Highway","year":2023,"lang":"ar","type":"article","venue":"Al-Mağallah Al-ʿilmiyyaẗ Li Kulliyyaẗ Al-Adāb - Ǧāmiʿaẗ Asyūṭ/Al-Mağallah Al-ʿilmiyyaẗ Li Kulliyyaẗ Al-Adāb - Ǧāmiʿaẗ Asyūṭ ","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.025345592323651182,"score_gpt":0.28600167436568424,"score_spread":0.26065608204203305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320902911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7173184,0.039365686,0.00010750349,0.10920265,0.022349654,0.029925587,0.013809273,0.0076743085,0.0602469],"genre_scores_gemma":[0.83105606,0.015772706,0.001053312,0.08127937,0.00511937,0.005791663,0.014138207,0.0040897145,0.04169959],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.89670897,0.015531215,0.021251004,0.022915395,0.019360373,0.02423307],"domain_scores_gemma":[0.93883526,0.007614233,0.012698867,0.015718115,0.009687553,0.015445986],"candidate_categories":["metaepi_narrow","metaepi_broad","bibliometrics","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","bibliometrics","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.019111918,0.018397896,0.021852879,0.013759839,0.012342186,0.009002254,0.021229872,0.009666849,0.011466794],"category_scores_gemma":[0.0058902632,0.018808039,0.009249897,0.046367854,0.009466836,0.0110536665,0.006949458,0.01844038,0.013908332],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0071005463,0.013462557,0.028319078,0.0014518809,0.012989567,0.009261957,0.039643724,0.0016367004,0.028553614,0.002541027,0.84856206,0.0064772796],"study_design_scores_gemma":[0.027110852,0.010775228,0.0135244345,0.004274475,0.0055730166,0.0007933574,0.05288528,0.0058060465,0.003702518,0.0014712292,0.85342866,0.02065493],"about_ca_topic_score_codex":0.34705973,"about_ca_topic_score_gemma":0.38054946,"teacher_disagreement_score":0.113737635,"about_ca_system_score_codex":0.011159734,"about_ca_system_score_gemma":0.021303836,"threshold_uncertainty_score":0.99741834},"labels":[],"label_agreement":null},{"id":"W4321360331","doi":"10.1353/crc.2022.0025","title":"The Question of Translation in Fleur Jaeggy: Perspectives from Huston and Kundera","year":2022,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lingua franca; German; Allusion; Italian language; Art; Homeland; Sensibility; Humanities; Art history; Literature; Philosophy; Linguistics; Politics; Law","score_opus":0.030395005669127183,"score_gpt":0.33108283723336907,"score_spread":0.3006878315642419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321360331","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12992808,0.8503182,0.0000020130597,0.008613924,0.00013804424,0.00048722388,0.0002329848,0.0000058251035,0.010273727],"genre_scores_gemma":[0.98384255,0.014199153,0.00006036051,0.0012361181,0.00007306646,0.00003399376,0.000107352585,0.0000028361471,0.0004445719],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826914,0.00096571806,0.0002537878,0.0001712962,0.00019418253,0.00014585284],"domain_scores_gemma":[0.9992897,0.00017115827,0.00014036645,0.000108625776,0.00020084198,0.00008933274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005150106,0.00009325581,0.00031005294,0.00008482536,0.00045384446,0.000054816417,0.00016881929,0.000051027306,0.0001358734],"category_scores_gemma":[0.000053056818,0.000066543806,0.00008327861,0.000744143,0.00022182136,0.00016085934,0.000010164927,0.0002631186,4.082301e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006240551,0.0000602321,0.0043215463,0.00054967985,0.00016275284,0.000011658088,0.53285855,0.000023643603,0.00033658513,0.43585268,0.01154747,0.01421281],"study_design_scores_gemma":[0.0003069659,0.00009646142,0.016445523,0.0020303882,0.00010979058,0.0000021213239,0.05769784,0.00007508806,0.000025383191,0.009533726,0.9134337,0.00024306547],"about_ca_topic_score_codex":0.02044485,"about_ca_topic_score_gemma":0.29202905,"teacher_disagreement_score":0.90188617,"about_ca_system_score_codex":0.000123527,"about_ca_system_score_gemma":0.00022093463,"threshold_uncertainty_score":0.9860781},"labels":[],"label_agreement":null},{"id":"W4323787451","doi":"10.33137/ic.v22i.39926","title":"Il teatro italo-canadese, custode e artefice di storia","year":2022,"lang":"it","type":"article","venue":"Italian Canadiana","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Theology; Philosophy","score_opus":0.01823571824328079,"score_gpt":0.2475974638506515,"score_spread":0.22936174560737072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323787451","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19799376,0.01561104,0.0000060068287,0.0805442,0.032278758,0.001946198,0.0116340695,0.00037609655,0.65960985],"genre_scores_gemma":[0.8163485,0.00004186222,0.000015855894,0.010243042,0.0025025427,0.00009092777,0.00025642794,0.000044924054,0.17045592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950121,0.0007146968,0.0005539426,0.0009641482,0.0011719435,0.0015831545],"domain_scores_gemma":[0.99728364,0.0001271971,0.00029194594,0.0006252742,0.00022039565,0.001451526],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006620007,0.0004922112,0.0006303995,0.00033238428,0.0037899062,0.00055221573,0.001269036,0.00029771152,0.012378745],"category_scores_gemma":[0.0001476269,0.0005134047,0.0005057427,0.0025683884,0.00049516466,0.0005078066,0.00017193644,0.0009472626,0.00044262287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024171379,0.00011366077,0.001544221,0.000025009229,0.0004831466,0.00046494853,0.021680428,0.00019585787,0.00008186273,0.034487844,0.9377529,0.0031459436],"study_design_scores_gemma":[0.00030029347,0.00014276609,0.0015069478,0.000013936095,0.0003659256,0.00001639298,0.031357504,0.00008719849,0.0000039787187,0.00077894883,0.96472114,0.00070497976],"about_ca_topic_score_codex":0.48533675,"about_ca_topic_score_gemma":0.77765757,"teacher_disagreement_score":0.61835474,"about_ca_system_score_codex":0.0026600335,"about_ca_system_score_gemma":0.0018960537,"threshold_uncertainty_score":0.9997318},"labels":[],"label_agreement":null},{"id":"W434509045","doi":"10.7202/902190ar","title":"Transmigration, du son vers la forme","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.02456475840893111,"score_gpt":0.2634234858392795,"score_spread":0.2388587274303484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W434509045","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2674678,0.0056521306,0.00026327858,0.037842374,0.006535435,0.0005637351,0.000079696234,0.00026498464,0.68133056],"genre_scores_gemma":[0.9306166,0.00036807708,0.00007512962,0.005867246,0.003408671,0.000049670292,0.000093854134,0.00002763639,0.059493124],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975174,0.00047898354,0.0005309643,0.0005346423,0.0003798108,0.00055821496],"domain_scores_gemma":[0.99829966,0.0002496432,0.00025927677,0.00030108265,0.0005895389,0.00030077816],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008068492,0.00037523222,0.0005016091,0.00011596058,0.00075126236,0.0004520604,0.00048558024,0.0007333513,0.0014449479],"category_scores_gemma":[0.00031237738,0.00032804027,0.0004690771,0.00075551425,0.0014400696,0.0012020022,0.00002527524,0.0006048433,0.000121259734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016014099,0.00018981574,0.0035490934,0.00008155166,0.00019237323,0.000047507772,0.09568635,5.63315e-7,0.0045572994,0.8386052,0.030590165,0.026484018],"study_design_scores_gemma":[0.00042682796,0.00006820769,0.0020580825,0.000059210197,0.0001655968,0.000018001676,0.0037290943,0.000049217182,0.00015654058,0.06808158,0.9247506,0.00043704352],"about_ca_topic_score_codex":0.0035172305,"about_ca_topic_score_gemma":0.0218272,"teacher_disagreement_score":0.89416045,"about_ca_system_score_codex":0.000066238754,"about_ca_system_score_gemma":0.00031782163,"threshold_uncertainty_score":0.99991715},"labels":[],"label_agreement":null},{"id":"W4360891498","doi":"10.3828/jrs.2023.8","title":"Close encounters with the ‘Other’","year":2023,"lang":"en","type":"article","venue":"Journal of Romance Studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.033484406968832335,"score_gpt":0.3299575035070172,"score_spread":0.2964730965381849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360891498","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9311111,0.008148274,0.000003487339,0.051864516,0.0006273947,0.000071144306,0.0000019196088,0.000026608086,0.008145543],"genre_scores_gemma":[0.9883939,0.0017890395,0.000046967245,0.0027648057,0.0010225015,0.0000038103062,1.3028497e-7,0.000004022073,0.0059748003],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992054,0.00009731169,0.00013907997,0.00006661608,0.00032831007,0.0001632549],"domain_scores_gemma":[0.999275,0.00012871835,0.00020446953,0.00005908959,0.00030193766,0.000030746134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062043936,0.00006577145,0.00018464864,0.00004313227,0.0005747081,0.000055302655,0.00021213901,0.000024630563,0.000015948564],"category_scores_gemma":[0.00009563623,0.000027931797,0.0000961778,0.0005275701,0.0003700651,0.00019543844,0.000022080796,0.00012488558,0.000014726445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014578136,0.000060015016,0.0116159795,0.000030997708,0.0023386362,0.00016940811,0.28447443,0.0001266557,0.00040627253,0.017005626,0.6766433,0.006982869],"study_design_scores_gemma":[0.0002685537,0.00018857072,0.009915655,0.000081764694,0.00016729027,0.000008599854,0.19883811,0.0000028200568,0.000030963045,0.0028078612,0.78758323,0.00010656454],"about_ca_topic_score_codex":0.000040711617,"about_ca_topic_score_gemma":0.002079413,"teacher_disagreement_score":0.11093993,"about_ca_system_score_codex":0.000033118446,"about_ca_system_score_gemma":0.00003966831,"threshold_uncertainty_score":0.44202483},"labels":[],"label_agreement":null},{"id":"W4365393720","doi":"10.7202/1097854ar","title":"Chronologie de plus de cent ans de présence féminine dans la création d’oeuvres musicales au Québec : un premier survol","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.06104311458521838,"score_gpt":0.3596886437549475,"score_spread":0.29864552916972914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365393720","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9128388,0.0025405476,0.0058243657,0.019419547,0.00056024827,0.0005393483,0.000072441435,0.0004925697,0.057712127],"genre_scores_gemma":[0.93654233,0.0074790693,0.010070429,0.012336656,0.002560213,0.000379217,0.00011084011,0.00011315698,0.030408114],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.97948486,0.016751109,0.00061647285,0.0008363327,0.0004271967,0.0018840273],"domain_scores_gemma":[0.9898077,0.008480922,0.00034760605,0.00046835013,0.00022341871,0.00067198946],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.009026557,0.0006107194,0.0007345428,0.00018101126,0.0011135777,0.00027146432,0.0010417674,0.0050398675,0.00030974534],"category_scores_gemma":[0.0071383207,0.00058972905,0.00061742286,0.0018093571,0.003361136,0.00038625646,0.00015487199,0.0036754173,0.000051677976],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0001528545,0.00040895434,0.018211178,0.00035990676,0.0007471721,0.00043980073,0.7756426,0.001712433,0.015091505,0.092752695,0.005456332,0.08902462],"study_design_scores_gemma":[0.0022528498,0.00031833703,0.105582975,0.0007461575,0.0020256236,0.00026499166,0.3389039,0.013532559,0.006802208,0.12448844,0.40239838,0.0026835487],"about_ca_topic_score_codex":0.36878973,"about_ca_topic_score_gemma":0.54326576,"teacher_disagreement_score":0.43673864,"about_ca_system_score_codex":0.029533183,"about_ca_system_score_gemma":0.014076121,"threshold_uncertainty_score":0.9996554},"labels":[],"label_agreement":null},{"id":"W4366855352","doi":"10.5281/zenodo.7860196","title":"\"An Object That's Not An Object\": A Conversation On Literature And Belonging With Madeleine Thien","year":2023,"lang":"en","type":"report","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Horizon 2020 Framework Programme; European Commission","keywords":"Conversation; Object (grammar); Psychology; Computer science; Communication; Psychoanalysis; Sociology; Cognitive science; Artificial intelligence","score_opus":0.07370864756094007,"score_gpt":0.31270160081858167,"score_spread":0.23899295325764158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366855352","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17117585,0.0016444796,0.00028722757,0.012075341,0.001957411,0.0044517545,0.0028670817,0.0075654993,0.79797536],"genre_scores_gemma":[0.9616009,0.0016903356,0.00010725107,0.0010852589,0.0018836205,4.363674e-7,0.015242448,0.0015734037,0.016816339],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961229,0.00091447396,0.00026900845,0.00085892336,0.0013166352,0.00051803706],"domain_scores_gemma":[0.99726427,0.00004819483,0.00027788768,0.0004842941,0.0015904797,0.00033486556],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017683979,0.00030896376,0.00036421817,0.000507469,0.003939059,0.003514542,0.0008246131,0.00038252058,0.0019684911],"category_scores_gemma":[0.0006215739,0.00025080072,0.000085711246,0.001447732,0.00037139506,0.0008197101,0.00027786038,0.0007810488,0.0005000068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010080523,0.00077583693,0.00015776939,0.0010018602,0.0013748114,0.000747902,0.30242303,0.00018124274,0.0021918162,0.021932103,0.41602257,0.25218302],"study_design_scores_gemma":[0.00037131095,0.00073966425,0.0018742932,0.0002569001,0.00013915285,0.000071134455,0.006397427,0.000106414234,0.000050499482,0.00019030608,0.98935115,0.00045171872],"about_ca_topic_score_codex":0.0005047653,"about_ca_topic_score_gemma":0.00013632869,"teacher_disagreement_score":0.79042506,"about_ca_system_score_codex":0.00032202914,"about_ca_system_score_gemma":0.00005253598,"threshold_uncertainty_score":0.9999944},"labels":[],"label_agreement":null},{"id":"W4375932188","doi":"10.7202/1099165ar","title":"Iannis Xenakis interrogé par Maryvonne Kendergi (Montréal, juillet 1977)","year":2023,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.051797261048449776,"score_gpt":0.2849019723528019,"score_spread":0.23310471130435212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4375932188","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12395129,0.08946524,0.000078729136,0.1514346,0.011337941,0.0014037582,0.00049982267,0.0016539232,0.6201747],"genre_scores_gemma":[0.7395997,0.0030787284,0.000033568707,0.011976172,0.0035626995,0.00013599606,0.00041232712,0.00007196529,0.24112882],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942814,0.0011584348,0.0011349383,0.0012245068,0.00075666455,0.00144406],"domain_scores_gemma":[0.99698347,0.00043208513,0.00055951317,0.00073620473,0.00069454603,0.00059417845],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014163639,0.0007857538,0.0011947532,0.00040552765,0.001274304,0.00063158787,0.0010534048,0.00085549994,0.0023005423],"category_scores_gemma":[0.0005822033,0.00070580613,0.0009728811,0.0031651675,0.0017051618,0.0011607675,0.00028654136,0.00065843813,0.0016830618],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041938543,0.00028720108,0.0028202836,0.0002917886,0.0009262242,0.00072991033,0.08470996,0.0000078935545,0.000599131,0.12123489,0.7566104,0.031740393],"study_design_scores_gemma":[0.00059239217,0.00017588616,0.001759089,0.00032075113,0.00026937126,0.000022890737,0.016912535,0.00013917954,0.000071331524,0.053541962,0.92529243,0.0009021528],"about_ca_topic_score_codex":0.011602708,"about_ca_topic_score_gemma":0.015323338,"teacher_disagreement_score":0.61564845,"about_ca_system_score_codex":0.00024892844,"about_ca_system_score_gemma":0.00028236298,"threshold_uncertainty_score":0.9995393},"labels":[],"label_agreement":null},{"id":"W4375932190","doi":"10.7202/1099170ar","title":"Le Centre de musique canadienne au Québec : un demi-siècle au service de la musique (1973 – …)","year":2023,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics","score_opus":0.03809829390540341,"score_gpt":0.269806451909712,"score_spread":0.23170815800430855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4375932190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67834276,0.0019425071,0.000081833496,0.11719998,0.0012180682,0.00053101795,0.00014210549,0.00045287068,0.20008887],"genre_scores_gemma":[0.913645,0.0001918938,0.00008286468,0.026811132,0.0026910927,0.000103499464,0.00018222274,0.00008968315,0.056202564],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919812,0.003298899,0.00089520006,0.0010922059,0.00041952007,0.0023129617],"domain_scores_gemma":[0.9955315,0.0011586532,0.0005462588,0.0006751314,0.0009135356,0.0011749244],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00395835,0.00072600914,0.0010280074,0.00029735992,0.0020543041,0.0003973772,0.0011513047,0.0012061592,0.0004917415],"category_scores_gemma":[0.0012696824,0.0007272497,0.0006144286,0.0031309486,0.0014885099,0.00077194534,0.00021619123,0.0008268692,0.00023778011],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029778314,0.00029463333,0.045851067,0.0004061424,0.0006342096,0.00075438665,0.46657547,0.000064844615,0.0022119528,0.43480328,0.030859891,0.017514344],"study_design_scores_gemma":[0.00093438564,0.000069514506,0.033928413,0.0004058773,0.00034669193,0.00008191135,0.046887867,0.00054548885,0.000459127,0.06996571,0.84510744,0.0012675954],"about_ca_topic_score_codex":0.92786604,"about_ca_topic_score_gemma":0.98091644,"teacher_disagreement_score":0.81424755,"about_ca_system_score_codex":0.0025249785,"about_ca_system_score_gemma":0.012365792,"threshold_uncertainty_score":0.99951786},"labels":[],"label_agreement":null},{"id":"W4375932206","doi":"10.7202/1099169ar","title":"Iannis Xenakis 1922-2001, textes, essais et musiques réunis par Benny Sluchin","year":2023,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.06608034456137353,"score_gpt":0.3185127690534709,"score_spread":0.2524324244920974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4375932206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12088715,0.044540778,0.00012922683,0.07975438,0.009876583,0.001756572,0.00093194697,0.0021906653,0.7399327],"genre_scores_gemma":[0.74649537,0.005142117,0.00014758707,0.027506994,0.0056137806,0.00024630368,0.00090373575,0.00013594265,0.2138082],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99175125,0.0022793796,0.00141636,0.0015997599,0.0010264269,0.0019268041],"domain_scores_gemma":[0.99557686,0.0007847133,0.00078407326,0.00096123974,0.0010755277,0.0008175793],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0030256398,0.0010725041,0.0015470864,0.00056152476,0.0016642682,0.0010892806,0.001360245,0.0011780966,0.0023770197],"category_scores_gemma":[0.0010260761,0.0009797465,0.0011006236,0.004282424,0.0023011398,0.0018980779,0.00032962282,0.0009826248,0.00095838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033144443,0.00041012844,0.006086167,0.0003254917,0.00084453466,0.00049545005,0.124460444,0.000009456819,0.000900863,0.41590852,0.4262552,0.024270628],"study_design_scores_gemma":[0.0005465357,0.00017970342,0.0039932006,0.0003978675,0.00032362615,0.0000169506,0.008766056,0.00013580816,0.00011495626,0.1570916,0.82727206,0.0011616332],"about_ca_topic_score_codex":0.011868551,"about_ca_topic_score_gemma":0.013640813,"teacher_disagreement_score":0.6256082,"about_ca_system_score_codex":0.0003086135,"about_ca_system_score_gemma":0.000707829,"threshold_uncertainty_score":0.99994767},"labels":[],"label_agreement":null},{"id":"W4375932207","doi":"10.7202/1099167ar","title":"Micheline Coulombe Saint-Marcoux, pionnière de l’écriture pour percussion : autour de Trakadie (1970)","year":2023,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"McGill University","keywords":"Humanities; Art; Percussion; Art history; Physics","score_opus":0.04688770867650432,"score_gpt":0.3062829207020739,"score_spread":0.2593952120255696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4375932207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60235244,0.03737869,0.00036387588,0.24980335,0.004993897,0.0012942392,0.0005119282,0.0016390646,0.10166249],"genre_scores_gemma":[0.78843945,0.0017214468,0.00018147836,0.018441405,0.005430758,0.00008783289,0.00035198557,0.00007652471,0.18526915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943733,0.0014402237,0.0008900458,0.0010017809,0.0006402541,0.0016543466],"domain_scores_gemma":[0.99706054,0.00050193805,0.00037830227,0.00050540804,0.0008125167,0.0007412992],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002398709,0.0007090016,0.00097214006,0.00032164328,0.0011755676,0.0004683727,0.00088272826,0.0012353449,0.001325904],"category_scores_gemma":[0.0011082666,0.00060922705,0.0007981721,0.002091581,0.00097438466,0.00074881833,0.00014054323,0.00094671093,0.0004895625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008535743,0.0006451443,0.015328234,0.00077979156,0.0007773499,0.0012557626,0.22507457,0.00005623174,0.026193243,0.25934967,0.4267596,0.043695018],"study_design_scores_gemma":[0.00085259025,0.00015121746,0.0073949234,0.0006570664,0.00042828964,0.00006948905,0.03109724,0.0016194861,0.00021686143,0.12824343,0.828241,0.0010284153],"about_ca_topic_score_codex":0.0050807237,"about_ca_topic_score_gemma":0.0032006209,"teacher_disagreement_score":0.4014814,"about_ca_system_score_codex":0.0007384354,"about_ca_system_score_gemma":0.0010620538,"threshold_uncertainty_score":0.99963593},"labels":[],"label_agreement":null},{"id":"W4377239574","doi":"10.1515/9780228009702","title":"And Harmony Abound","year":2022,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Harmony (color); Art; Visual arts","score_opus":0.019249305297506857,"score_gpt":0.22911424721730367,"score_spread":0.20986494191979682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377239574","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035020472,0.000027087792,0.0000012453689,0.00051773083,0.0003650507,0.00034601122,0.00050111517,0.0001604395,0.9980463],"genre_scores_gemma":[0.00039193922,0.00033061157,0.00003724236,0.0013870962,0.0002850684,0.0000030154265,0.00012329248,0.000022889846,0.9974188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978482,0.0003756147,0.00017627729,0.0006349939,0.00052767055,0.0004372055],"domain_scores_gemma":[0.998915,0.00011590928,0.00023544543,0.00030049396,0.00016973517,0.0002634157],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00021801415,0.00033062175,0.00047815547,0.00018188258,0.002823872,0.00016098954,0.000625469,0.00049376214,0.00050902495],"category_scores_gemma":[0.000020575544,0.00034458237,0.0002703848,0.000061207444,0.00064802746,0.00020685948,0.0005313545,0.0007129206,0.000007810939],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004083299,0.00001810285,0.0000051144825,0.00004101319,0.000279504,0.00019229669,0.00221974,0.0000012846644,0.0000026552848,0.84166473,0.15452366,0.0010110594],"study_design_scores_gemma":[0.0002990445,0.000040348685,0.000013142916,0.000026594818,0.00044826366,0.0000010817797,0.0011100135,0.0000010522626,0.0000047051226,0.0016737405,0.9959578,0.0004242171],"about_ca_topic_score_codex":0.0046421234,"about_ca_topic_score_gemma":0.000036663685,"teacher_disagreement_score":0.8414341,"about_ca_system_score_codex":0.0005164302,"about_ca_system_score_gemma":0.00020213745,"threshold_uncertainty_score":0.99990064},"labels":[],"label_agreement":null},{"id":"W4378445010","doi":"10.1515/9780773570993-021","title":"Finding Godot? Bringing Popular Culture into Canadian Political Economy","year":2003,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Political science; Popular culture; Political economy; Economy; Sociology; Media studies; Economics; Law","score_opus":0.018525205495527608,"score_gpt":0.22698488275719272,"score_spread":0.20845967726166512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378445010","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011294586,0.000014779965,0.0000042703723,0.0013443384,0.0003177056,0.00031934676,0.00019192543,0.00011273499,0.9976836],"genre_scores_gemma":[0.00718394,0.000033478016,0.00015055513,0.0040847748,0.0003651796,0.0000013573398,0.0001069055,0.000036976722,0.9880368],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974593,0.00016215263,0.00025739797,0.00071990676,0.00029913848,0.0011020951],"domain_scores_gemma":[0.9980441,0.000032548964,0.00019392718,0.0003477002,0.0002623145,0.0011194107],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00021652777,0.00047189964,0.00057695317,0.0003537161,0.0024541584,0.00021280593,0.0006587438,0.0010769628,0.0002033923],"category_scores_gemma":[0.000032995024,0.0005007595,0.0004555603,0.000043241642,0.0004323607,0.00028190162,0.00015337492,0.0008290774,0.00002766258],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068333766,0.0000049988967,0.000012948005,0.000030582472,0.00023151778,0.00024423152,0.0014622826,0.0000014954124,0.0000010829589,0.9871201,0.010681432,0.0002025302],"study_design_scores_gemma":[0.0001971274,0.000019457693,0.0000025703064,0.00009405337,0.00036503447,0.0000023933126,0.0012192753,0.0000019092263,0.000012030988,0.011245463,0.986223,0.00061767665],"about_ca_topic_score_codex":0.1827771,"about_ca_topic_score_gemma":0.007717462,"teacher_disagreement_score":0.9758746,"about_ca_system_score_codex":0.0018870586,"about_ca_system_score_gemma":0.00025847342,"threshold_uncertainty_score":0.9997444},"labels":[],"label_agreement":null},{"id":"W437866264","doi":"","title":"Le freak show du Théâtre d’Aujourd’hui : venise-en-Québec","year":2006,"lang":"fr","type":"article","venue":"VST - Vie sociale et traitements","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"FREAK; Art; Humanities; Computer science","score_opus":0.017020786355018865,"score_gpt":0.27052277805136055,"score_spread":0.2535019916963417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W437866264","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3635148,0.013331654,0.00006810841,0.13888903,0.005025144,0.0008133255,0.00048493428,0.00024157033,0.47763142],"genre_scores_gemma":[0.85245985,0.0004456543,0.00017362607,0.007403863,0.0049705575,0.00006510939,0.00024239197,0.000048275862,0.13419068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956913,0.0009768088,0.0007501221,0.0007090565,0.0008354511,0.0010372412],"domain_scores_gemma":[0.99860287,0.00018357606,0.00040796606,0.00025855668,0.00028996586,0.0002570622],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00086907594,0.0005005485,0.0006938922,0.00010993458,0.0019350952,0.00039813385,0.00067239197,0.0006508726,0.0023209122],"category_scores_gemma":[0.00010351979,0.00048790782,0.00071778765,0.0011758596,0.00094925956,0.0010358953,0.00012501421,0.000566965,0.00044470085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000413044,0.0025420764,0.011627759,0.00016413725,0.0010581902,0.00011264631,0.04154499,0.00007071614,0.00079114316,0.5420491,0.32493734,0.075060576],"study_design_scores_gemma":[0.0009363188,0.00008088147,0.0100448355,0.000085620086,0.00041769113,0.0000032002688,0.007849918,0.000022550415,0.000039383034,0.008095803,0.9718544,0.00056943175],"about_ca_topic_score_codex":0.10588926,"about_ca_topic_score_gemma":0.39858767,"teacher_disagreement_score":0.64691705,"about_ca_system_score_codex":0.00048521184,"about_ca_system_score_gemma":0.0015513479,"threshold_uncertainty_score":0.99975723},"labels":[],"label_agreement":null},{"id":"W4379207345","doi":"10.25071/1708-6701.40458","title":"Yourcenar - Une île de la passion : La création d'un opéra par Hélène Dorion et Marie-Claire Blais (Book)","year":2023,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Passion; Documentation; Humanities; Art; Library science; Psychology; Computer science","score_opus":0.02074750693256502,"score_gpt":0.3086410689083773,"score_spread":0.2878935619758123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379207345","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036509052,0.65870976,0.00015785378,0.24308732,0.0017879389,0.0011974074,0.00010573222,0.0003834262,0.058061525],"genre_scores_gemma":[0.04636974,0.81295866,0.0006406688,0.033617634,0.0024455728,0.00023478139,0.00057379255,0.00006632643,0.10309283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946094,0.0030328874,0.00064084586,0.00059761945,0.00037672062,0.00074251863],"domain_scores_gemma":[0.9979746,0.00059582206,0.00041944557,0.00041268455,0.00023974865,0.00035774638],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0033151426,0.00037370206,0.00076657516,0.00009338106,0.00075853994,0.00028118156,0.00048635772,0.00067728147,0.0010187525],"category_scores_gemma":[0.0011562536,0.00031594944,0.00057540426,0.0026282305,0.00050664356,0.000553116,0.00014570536,0.00070399547,0.0006092517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025722104,0.00025125206,0.0022193103,0.0056190626,0.0002522747,0.00040017624,0.015371349,0.000055351396,0.0011951091,0.088063195,0.5460577,0.3404895],"study_design_scores_gemma":[0.00020996307,0.000058048794,0.0041320254,0.0043623317,0.0005961161,0.000040923478,0.00043621016,0.0002538559,0.00007287095,0.00470969,0.9847404,0.0003876125],"about_ca_topic_score_codex":0.0006837063,"about_ca_topic_score_gemma":0.000363847,"teacher_disagreement_score":0.43868265,"about_ca_system_score_codex":0.00024251788,"about_ca_system_score_gemma":0.00021036966,"threshold_uncertainty_score":0.99992925},"labels":[],"label_agreement":null},{"id":"W4379617542","doi":"10.1353/mlr.2006.0091","title":"Tremblay: ‘Les Belles-sœurs’ and A toi, pour toujours, ta Marie-Lou’ by Michael Cardy (review)","year":2006,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Criticism; Poetry; Theme (computing); Argument (complex analysis); Literature; Art; History; Philosophy; Art history; Computer science","score_opus":0.016383086004242903,"score_gpt":0.27976775212691507,"score_spread":0.2633846661226722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617542","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029402885,0.8995873,0.000044002987,0.08646454,0.00023439199,0.0008145584,0.00021456367,0.000047227742,0.00965317],"genre_scores_gemma":[0.006134228,0.8627751,0.000087550434,0.02356132,0.0009552815,0.0000584149,0.00018363693,0.000028627132,0.10621586],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964953,0.0012392263,0.0006111874,0.0005485174,0.0004617532,0.0006439972],"domain_scores_gemma":[0.99859643,0.00021652316,0.00035740403,0.0005198068,0.00013413082,0.00017570694],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001157116,0.00046004757,0.0011180538,0.000025931777,0.000652242,0.000110598165,0.0006161209,0.00022708306,0.0015431077],"category_scores_gemma":[0.00013894132,0.0002788396,0.00054570514,0.0006141586,0.0005688189,0.00019935713,0.00015810036,0.0004211823,0.00015020983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040765217,0.000111932415,0.000057498204,0.0038493825,0.00019145146,0.00004629237,0.0031494778,7.7047207e-7,0.00015146068,0.0030683982,0.42227155,0.5670977],"study_design_scores_gemma":[0.00020169576,0.000032304364,0.00006620864,0.008256707,0.0023218426,0.00005213345,0.00096468034,0.00013180629,0.000010211299,0.0017915217,0.9856896,0.0004813044],"about_ca_topic_score_codex":0.010390455,"about_ca_topic_score_gemma":0.005776489,"teacher_disagreement_score":0.5666164,"about_ca_system_score_codex":0.000115917435,"about_ca_system_score_gemma":0.0000840482,"threshold_uncertainty_score":0.9999664},"labels":[],"label_agreement":null},{"id":"W4379622150","doi":"10.1353/mlr.2005.a826922","title":"A Short History of French Literature by Sarah Kay , Terence Cave , Malcolm Bowie (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Criticism; Order (exchange); Art; Art history; Philosophy; Psychoanalysis; Literature; Psychology","score_opus":0.02273225249837647,"score_gpt":0.2968126260514254,"score_spread":0.27408037355304893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622150","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093953736,0.9689082,0.000018830397,0.003965654,0.00011871361,0.00056571513,0.000043447242,0.000041042356,0.025398863],"genre_scores_gemma":[0.06090048,0.83858865,0.00015469006,0.03771447,0.00049750734,0.00008270227,0.00011650905,0.000016520336,0.06192844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979796,0.0005220943,0.0004378398,0.0003059005,0.0004283711,0.00032621523],"domain_scores_gemma":[0.99896514,0.00006946228,0.00019316284,0.0004985514,0.00016530945,0.0001083875],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009273695,0.00021839766,0.0006269978,0.000026372374,0.0001239765,0.000027031569,0.0006832399,0.00011990184,0.0010833725],"category_scores_gemma":[0.00015130933,0.00012409502,0.00035888882,0.00039376505,0.00024671885,0.0002108971,0.000060473256,0.0003011671,0.000061268336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002608494,0.00008698795,0.000030671978,0.0029408347,0.00011109317,0.000015678068,0.02496322,5.437044e-7,0.00078629656,0.00051704055,0.6716181,0.29892695],"study_design_scores_gemma":[0.000057194906,0.000015718631,0.000060834245,0.0062202956,0.00043822912,0.000009007913,0.00012136163,0.000020644238,0.0000156428,0.00012319858,0.99269557,0.00022229216],"about_ca_topic_score_codex":0.00033161358,"about_ca_topic_score_gemma":0.00044704275,"teacher_disagreement_score":0.3210775,"about_ca_system_score_codex":0.00020240576,"about_ca_system_score_gemma":0.00009712608,"threshold_uncertainty_score":0.99982977},"labels":[],"label_agreement":null},{"id":"W4380874074","doi":"10.3138/ctr.101.005","title":"Dramatic Discourse at Talonbooks: Narratives on the Publisher-Author Relationship","year":2000,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Publishing; Tribute; Audience measurement; Poetry; Narrative; Value (mathematics); History; Swift; Media studies; Literature; Sociology; Performance art; Art; Art history; Law; Political science","score_opus":0.04514221729111758,"score_gpt":0.30855178265785865,"score_spread":0.2634095653667411,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874074","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013980792,0.0811384,1.567488e-7,0.21971013,0.00018558057,0.0006744995,0.000025940717,0.000036242844,0.68424827],"genre_scores_gemma":[0.61886936,0.009886907,0.000035938996,0.085619986,0.0007672787,0.00023633697,0.00012391631,0.000029121416,0.28443113],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981814,0.0007656163,0.0002291941,0.00022382915,0.0002284765,0.00037145658],"domain_scores_gemma":[0.9989695,0.0001899928,0.00006863907,0.00031976664,0.000056840905,0.00039528246],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007162933,0.00014585246,0.0002534272,0.00004965287,0.0015991973,0.00024082634,0.0003906434,0.00009789913,0.012439083],"category_scores_gemma":[0.00019090295,0.00008057968,0.00020022638,0.00063709856,0.00033420927,0.00026257455,0.0000075687076,0.00021518543,0.00087136374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030641893,0.000023086046,0.0010561452,0.00016517617,0.00009085339,0.000017282327,0.023342023,0.000001646724,8.633686e-7,0.13473882,0.75340056,0.087160505],"study_design_scores_gemma":[0.000029072951,0.000011796236,0.0005553589,0.0006236858,0.000082883584,0.0000021624594,0.0026634953,8.583284e-7,1.309817e-7,0.0052865627,0.9906149,0.00012911808],"about_ca_topic_score_codex":0.015359954,"about_ca_topic_score_gemma":0.4818937,"teacher_disagreement_score":0.6048886,"about_ca_system_score_codex":0.0002941251,"about_ca_system_score_gemma":0.00034666498,"threshold_uncertainty_score":0.9999066},"labels":[],"label_agreement":null},{"id":"W4380874102","doi":"10.3138/ctr.105.003","title":"Lepage’s <i>Polygraphe</i> in Italy","year":2001,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Ticket; History; Subtitle; Art; Media studies; Visual arts; Sociology","score_opus":0.02248424741891992,"score_gpt":0.2765742414540401,"score_spread":0.25408999403512017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023369845,0.4395638,4.434461e-7,0.024261255,0.0001891523,0.00031368155,0.00001181242,0.00002712114,0.53329575],"genre_scores_gemma":[0.46502057,0.40598676,0.000043656735,0.11549332,0.000659336,0.000073814066,0.000052681768,0.000019499887,0.012650378],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877167,0.0002193262,0.00020562888,0.0002078976,0.00013510884,0.00046036352],"domain_scores_gemma":[0.99925864,0.000028267326,0.000040769555,0.00019005351,0.000048401962,0.00043387536],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004275997,0.0001129726,0.00029098222,0.00010621846,0.0002606324,0.000060057504,0.00028209054,0.00009542055,0.0015767369],"category_scores_gemma":[0.000052954612,0.00008845742,0.00017198917,0.0013178971,0.000115143324,0.00015953582,0.00000794207,0.00014021277,0.00020520501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036117797,0.000049097012,0.029642738,0.00041524504,0.00009499553,0.0004966773,0.0034088166,0.0000012588812,0.000015481985,0.043418135,0.27665085,0.6458031],"study_design_scores_gemma":[0.00004664808,0.000005827808,0.0005806166,0.00044043968,0.000043574295,0.000005475155,0.00031308163,4.9804686e-7,3.033325e-7,0.0008170746,0.99762046,0.00012601732],"about_ca_topic_score_codex":0.25096762,"about_ca_topic_score_gemma":0.94755685,"teacher_disagreement_score":0.7209696,"about_ca_system_score_codex":0.00016225221,"about_ca_system_score_gemma":0.00035947532,"threshold_uncertainty_score":0.99933594},"labels":[],"label_agreement":null},{"id":"W4380874153","doi":"10.3138/ctr.110.006","title":"Theatre in Québec: A Test Of Perseverance","year":2002,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"League; Servant; Test (biology); Performance art; Art history; Art; Civil servant; History; Political science; Engineering; Law; Politics","score_opus":0.023530325540097086,"score_gpt":0.2566644426315104,"score_spread":0.2331341170914133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874153","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019050731,0.575922,6.874693e-8,0.024621936,0.00007468811,0.00030029778,0.00003109441,0.0000134969505,0.39713132],"genre_scores_gemma":[0.8686617,0.10945173,0.000023144756,0.01588818,0.00018656654,0.00002854331,0.00000610689,0.000009214613,0.0057447813],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990163,0.00015198252,0.00022517965,0.00017210998,0.00012614018,0.00030830933],"domain_scores_gemma":[0.99937975,0.000073631054,0.00005960869,0.00018158072,0.00005846141,0.0002469903],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002470156,0.000101493664,0.00033468296,0.00007388099,0.00015632821,0.000020057174,0.00025126297,0.00007688615,0.002264689],"category_scores_gemma":[0.000091809336,0.00007633872,0.00015150996,0.0007611564,0.00015156849,0.00010515083,0.0000060474554,0.00011736648,0.00013181516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018921007,0.00012671815,0.05738321,0.0013705542,0.0000852665,0.00009702818,0.018619407,0.0000024687035,0.000027733986,0.0063834162,0.162434,0.75346833],"study_design_scores_gemma":[0.000059182654,0.000011616472,0.0006765815,0.00088175427,0.000051554915,0.000002303191,0.00053759414,0.000005916319,7.1604023e-7,0.000091445,0.99757284,0.000108484724],"about_ca_topic_score_codex":0.64630467,"about_ca_topic_score_gemma":0.98280245,"teacher_disagreement_score":0.8667567,"about_ca_system_score_codex":0.00019933369,"about_ca_system_score_gemma":0.00032597315,"threshold_uncertainty_score":0.9986474},"labels":[],"label_agreement":null},{"id":"W4380874205","doi":"10.3138/ctr.108.006","title":"Inventing <i>Kopernikus:</i> A Retrospective Journal","year":2001,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Art history; Visual arts; Performance art; Art; Performing arts; The arts; History","score_opus":0.027246308805928952,"score_gpt":0.28386362787691455,"score_spread":0.2566173190709856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874205","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023346834,0.36999616,0.0000022427637,0.028108202,0.0004660432,0.00029110734,0.000010033729,0.000033386652,0.59875816],"genre_scores_gemma":[0.31455475,0.49952772,0.0001444818,0.15536748,0.0043423004,0.000038121794,0.000030156782,0.00003655881,0.02595844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859494,0.0002978094,0.00023255567,0.00018055653,0.0002131324,0.00048100032],"domain_scores_gemma":[0.9988873,0.000018770388,0.00010365545,0.0001419148,0.00019548257,0.0006528811],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008214825,0.00011552457,0.0003051961,0.000075057134,0.0010370024,0.00018646642,0.00030102432,0.00008525345,0.0025042938],"category_scores_gemma":[0.00016006274,0.00008542874,0.00024508085,0.0008086293,0.00011700074,0.00022913281,0.000011007572,0.000280813,0.00018622559],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038164176,0.000036145346,0.045868773,0.0002796729,0.00029289187,0.0006244108,0.005911906,6.503147e-7,0.000020377802,0.031471573,0.5238332,0.39165655],"study_design_scores_gemma":[0.00004791256,0.000009913685,0.00050925516,0.0006646965,0.00011556448,0.00006117499,0.0004862324,5.97097e-7,3.1657652e-7,0.0013518503,0.9966298,0.00012270249],"about_ca_topic_score_codex":0.049992293,"about_ca_topic_score_gemma":0.56971437,"teacher_disagreement_score":0.57279974,"about_ca_system_score_codex":0.00041626501,"about_ca_system_score_gemma":0.0005735664,"threshold_uncertainty_score":0.99840754},"labels":[],"label_agreement":null},{"id":"W4380874240","doi":"10.3138/ctr.123.003","title":"Implementing Agreements","year":2005,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Storytelling; Theatre director; Visual arts; Theatre studies; Diversity (politics); Postmodern theatre; Art; Sociology; Aesthetics; Literature; Narrative; Postmodernism","score_opus":0.030412967057825778,"score_gpt":0.31305655854138315,"score_spread":0.2826435914835574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874240","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008736789,0.29546314,0.0000011157782,0.037485532,0.00015065318,0.0003811054,0.00002402167,0.000033374585,0.66558737],"genre_scores_gemma":[0.44886205,0.17328314,0.00063325133,0.3280076,0.0044987346,0.00012181956,0.0002012325,0.000036043108,0.04435611],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882036,0.00013573775,0.00018823415,0.00016008352,0.00014427556,0.00055131863],"domain_scores_gemma":[0.9993375,0.0000141174405,0.000053693726,0.00014210203,0.0000621946,0.00039037922],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055778644,0.00008780864,0.00018870393,0.000046660698,0.00066187483,0.00006731065,0.00022800476,0.00004713018,0.0052863164],"category_scores_gemma":[0.00003144343,0.000068249064,0.0001316529,0.0003789739,0.000051189807,0.00015279138,0.000014830718,0.00007839799,0.00043119103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.8450456e-7,0.0000060322636,0.0010915351,0.000106236876,0.000049360067,0.0000060316465,0.00096173445,1.2217242e-7,0.0000041303038,0.010389081,0.13918938,0.8481962],"study_design_scores_gemma":[0.00003355674,0.0000031280565,0.00011782914,0.00024147518,0.00008334417,9.0743924e-7,0.00028084958,8.035414e-7,0.000001077944,0.00013129701,0.9990126,0.00009313496],"about_ca_topic_score_codex":0.07912394,"about_ca_topic_score_gemma":0.8885121,"teacher_disagreement_score":0.8598232,"about_ca_system_score_codex":0.00019647382,"about_ca_system_score_gemma":0.00026758696,"threshold_uncertainty_score":0.995623},"labels":[],"label_agreement":null},{"id":"W4380874300","doi":"10.3138/ctr.105.004","title":"A Passage to Belgium: George F. Walker’s “Problem Child” in Brussels","year":2001,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Witness; Performance art; History; Art; Art history; Law; Political science","score_opus":0.018107415083814863,"score_gpt":0.2735812605092976,"score_spread":0.25547384542548274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023105536,0.224856,0.0000012068662,0.112269394,0.00020706434,0.0010434372,0.00003634448,0.00004799803,0.65922797],"genre_scores_gemma":[0.37606642,0.25646505,0.00028285471,0.32355458,0.0017910805,0.00036283015,0.00014290484,0.00006383106,0.041270465],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981693,0.00029707517,0.00030900238,0.00033720708,0.00019124629,0.0006961674],"domain_scores_gemma":[0.9987628,0.000031451356,0.00005395629,0.00026158025,0.00006796914,0.00082223106],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006800649,0.00017297275,0.00043246255,0.00015594931,0.00050812936,0.00012015316,0.00039941646,0.0001303186,0.0019996504],"category_scores_gemma":[0.00005782298,0.00013579168,0.000178604,0.0017420646,0.00008459646,0.00015657733,0.000020062082,0.0002063097,0.00048622803],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063451857,0.000079026155,0.009896979,0.0006392809,0.00011763081,0.00047362104,0.009758052,0.000004288648,0.000011854908,0.04966866,0.31504512,0.6142991],"study_design_scores_gemma":[0.00006427055,0.000012245897,0.0009672957,0.0010521607,0.000061012175,0.000009020138,0.00025513757,4.4843523e-7,4.3107008e-7,0.00093907164,0.9964413,0.0001976085],"about_ca_topic_score_codex":0.33871317,"about_ca_topic_score_gemma":0.9565768,"teacher_disagreement_score":0.6813962,"about_ca_system_score_codex":0.00033107665,"about_ca_system_score_gemma":0.00043258394,"threshold_uncertainty_score":0.99891263},"labels":[],"label_agreement":null},{"id":"W4380874412","doi":"10.3138/ctr.117.001","title":"The Théâtre Parminou: Thirty Years of History","year":2004,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Mandate; Foundation (evidence); Identity (music); Performance art; History; Visual arts; Art; Art history; Media studies; Sociology; Aesthetics; Political science; Law; Archaeology","score_opus":0.024568309249467932,"score_gpt":0.2601171542011342,"score_spread":0.23554884495166625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874412","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021372638,0.79613703,2.6484562e-7,0.017261691,0.00042204722,0.000306338,0.000015274773,0.000018329554,0.18370172],"genre_scores_gemma":[0.3558722,0.5562761,0.000085818996,0.058056414,0.0009803764,0.00007150052,0.00003690827,0.000028882061,0.028591776],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991183,0.00015353372,0.00017722706,0.00012595228,0.00015412593,0.00027081836],"domain_scores_gemma":[0.9993307,0.000047404024,0.000079766665,0.0002201335,0.000073993324,0.0002480171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004382307,0.00007461074,0.00021283746,0.000028068864,0.00028220407,0.000018341227,0.00033162604,0.00006905387,0.0003495763],"category_scores_gemma":[0.000076100936,0.00004750142,0.00018217812,0.000266156,0.00030556574,0.000067037014,0.000008462024,0.00010876518,0.00006514518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025186057,0.000024662455,0.0005425257,0.00039581547,0.00016014541,0.00005186535,0.00680267,0.0000019169763,0.000016014525,0.23395815,0.23770101,0.5203427],"study_design_scores_gemma":[0.000033648143,0.0000070473898,0.0004391464,0.00030402216,0.00008179416,0.0000014039308,0.00031287625,4.3789832e-8,8.031769e-7,0.0011628139,0.99758935,0.000067047135],"about_ca_topic_score_codex":0.14452605,"about_ca_topic_score_gemma":0.701277,"teacher_disagreement_score":0.75988835,"about_ca_system_score_codex":0.00048388657,"about_ca_system_score_gemma":0.0012889606,"threshold_uncertainty_score":0.86117065},"labels":[],"label_agreement":null},{"id":"W4380874422","doi":"10.3138/ctr.113.002","title":"Messages from Urjo","year":2003,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Generosity; Friendship; Gossip; Feeling; The arts; Art; Visual arts; Kindness; Aesthetics; Sociology; Psychology; Art history; Philosophy; Social psychology; Theology","score_opus":0.024792188604773138,"score_gpt":0.2789358133021153,"score_spread":0.2541436246973422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874422","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00049599615,0.5002895,6.986996e-7,0.008640273,0.0002183373,0.00017940249,0.000033062784,0.000021804977,0.49012092],"genre_scores_gemma":[0.38513726,0.39182922,0.00033872816,0.18985978,0.001289702,0.000100415935,0.00017142853,0.000037889688,0.031235559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988243,0.00038163993,0.0001467399,0.00019359455,0.00012728939,0.0003264574],"domain_scores_gemma":[0.9991907,0.000045872406,0.000041582694,0.00019302605,0.00005908826,0.00046976277],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033296726,0.000101940575,0.0002632591,0.000035094876,0.00039751965,0.000069919035,0.00016932424,0.00008911041,0.006103171],"category_scores_gemma":[0.00011896187,0.00007508541,0.00015192232,0.00043446055,0.00009730902,0.0001038257,0.0000039607958,0.00010321673,0.0003340687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.4546747e-7,0.000023152044,0.003997818,0.00025762498,0.0002402982,0.000116702875,0.0033230383,2.893636e-7,0.000013962464,0.1852253,0.5983431,0.2084579],"study_design_scores_gemma":[0.000029139022,0.0000029781243,0.00017443995,0.00028631676,0.00012483088,0.0000010916325,0.00031863005,8.76173e-8,0.0000023566877,0.002524812,0.99642414,0.0001111624],"about_ca_topic_score_codex":0.17429209,"about_ca_topic_score_gemma":0.7299103,"teacher_disagreement_score":0.5556182,"about_ca_system_score_codex":0.00011835508,"about_ca_system_score_gemma":0.0004530089,"threshold_uncertainty_score":0.9948054},"labels":[],"label_agreement":null},{"id":"W4380874457","doi":"10.3138/ctr.136.001","title":"John Murrell at the Banff Centre","year":2008,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Parade; The arts; Memoir; Art; Residence; Portrait; Visual arts; Art history; History; Media studies; Sociology","score_opus":0.02613498447967969,"score_gpt":0.25999873479036695,"score_spread":0.23386375031068726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874457","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019303915,0.5458636,1.161246e-7,0.055166483,0.00029302752,0.00037013728,0.000033146283,0.000026051253,0.396317],"genre_scores_gemma":[0.15170446,0.5171819,0.000023088845,0.16913949,0.0016030526,0.00004393509,0.00012248996,0.00002802774,0.16015358],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870783,0.0003179494,0.0001673596,0.0001995635,0.00018107129,0.00042619987],"domain_scores_gemma":[0.99909824,0.00005356261,0.000054767796,0.00026517888,0.00007990196,0.00044831814],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029783841,0.00011921189,0.00024374283,0.00002918419,0.0014260545,0.0000347234,0.00034343192,0.00008279346,0.0056540384],"category_scores_gemma":[0.00005668869,0.00006774491,0.00022830816,0.00054129947,0.00029829328,0.00007890463,0.00001845179,0.00013508971,0.00097484933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.944264e-7,0.0000070925184,0.001435215,0.00009671903,0.000058872705,0.000060126866,0.002905975,3.099173e-7,0.0000020026926,0.00407456,0.94642264,0.04493569],"study_design_scores_gemma":[0.000032311946,0.0000031648508,0.0002744044,0.000194008,0.000109414694,0.000012389136,0.00022887938,4.3802848e-7,0.0000010079397,0.0000965019,0.9989431,0.000104409984],"about_ca_topic_score_codex":0.10108756,"about_ca_topic_score_gemma":0.8298844,"teacher_disagreement_score":0.72879684,"about_ca_system_score_codex":0.00026122146,"about_ca_system_score_gemma":0.00044021851,"threshold_uncertainty_score":0.99987394},"labels":[],"label_agreement":null},{"id":"W4380874458","doi":"10.3138/ctr.128.007","title":"Keileydography: The Symphonic Theatre of Jillian Keiley","year":2006,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Symphony; Singing; Art history; Performance art; Visual arts; Management","score_opus":0.01366526915503125,"score_gpt":0.2516646931112962,"score_spread":0.23799942395626494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874458","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021153465,0.5679703,6.926748e-7,0.021265194,0.0002791387,0.0006139449,0.000078706486,0.000036658304,0.40764007],"genre_scores_gemma":[0.8761249,0.09676158,0.000034911503,0.02186419,0.0010172578,0.0000778221,0.00009001522,0.000025286134,0.0040040263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982926,0.0003861196,0.00033572805,0.0002366921,0.0002555828,0.00049327506],"domain_scores_gemma":[0.9989847,0.00007904694,0.00012970112,0.00040943173,0.00012896738,0.000268136],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005959745,0.00017096454,0.00040621002,0.000090229194,0.0006217674,0.000064279695,0.00056301476,0.000118114454,0.0010179335],"category_scores_gemma":[0.000021700947,0.00009936086,0.0004505126,0.0012248014,0.000418284,0.0001032448,0.000014242376,0.0001569962,0.000071260794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058528058,0.00008013463,0.012277352,0.0011893706,0.0003869352,0.0000474843,0.002445243,0.000008469746,0.000049712675,0.15107824,0.4536763,0.37875488],"study_design_scores_gemma":[0.000051032686,0.000013761319,0.00091821764,0.00058388384,0.00022904038,0.0000033820197,0.00039476217,8.516929e-7,0.000003709687,0.0025308223,0.9951295,0.00014103451],"about_ca_topic_score_codex":0.37222317,"about_ca_topic_score_gemma":0.79591125,"teacher_disagreement_score":0.87400955,"about_ca_system_score_codex":0.00012378034,"about_ca_system_score_gemma":0.000581589,"threshold_uncertainty_score":0.9998953},"labels":[],"label_agreement":null},{"id":"W4380874478","doi":"10.3138/ctr.112.004","title":"« Dis, Blaise …» :The poème <i>simultané</i> according to Cartier","year":2002,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Art; Dance; Musical; Visual arts; Music; Improvisation; Jazz dance; Concert dance; Literature; Music education","score_opus":0.029181380349435997,"score_gpt":0.27429225722505274,"score_spread":0.24511087687561675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874478","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018194574,0.4764035,0.0000024414967,0.17443618,0.00057633064,0.0009970645,0.000060194623,0.000066214,0.3456386],"genre_scores_gemma":[0.6770999,0.06678361,0.000050649305,0.23650171,0.0015354315,0.0001198514,0.000018983459,0.000028226352,0.017861653],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853367,0.00025303214,0.00021559883,0.00024877407,0.00020264408,0.00054626714],"domain_scores_gemma":[0.9987614,0.0000698724,0.000049790335,0.00030564872,0.000097636235,0.0007156562],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038768508,0.0001470125,0.00030302722,0.000052646283,0.00090784585,0.00014769967,0.0004734833,0.0000796231,0.0019045764],"category_scores_gemma":[0.0001570602,0.000091133596,0.0002092907,0.001066051,0.00011777477,0.00014496206,0.000020927704,0.00015525923,0.00075066957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011046357,0.00001673481,0.0015241277,0.00018339528,0.00008847297,0.00004299271,0.0056897057,0.0000057420434,0.000012287103,0.008291244,0.5976036,0.38654056],"study_design_scores_gemma":[0.000029245322,0.000007408966,0.00003820139,0.00033683513,0.00013137476,0.000002254661,0.0008092977,0.0000054112907,9.349552e-7,0.000105769475,0.99838495,0.00014832482],"about_ca_topic_score_codex":0.060856916,"about_ca_topic_score_gemma":0.5421446,"teacher_disagreement_score":0.67528045,"about_ca_system_score_codex":0.00020364711,"about_ca_system_score_gemma":0.00012440344,"threshold_uncertainty_score":0.9990078},"labels":[],"label_agreement":null},{"id":"W4380880801","doi":"10.3138/ctr.113.fm","title":"Editorial","year":2003,"lang":"en","type":"editorial","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Performing arts; Theatre director; Enthusiasm; Performance art; Craft; Art; Criticism; Opera; Visual arts; Dramaturgy; The arts; Art history; History; Aesthetics; Literature; Psychology","score_opus":0.013388526975469309,"score_gpt":0.28281381872395506,"score_spread":0.26942529174848573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380880801","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.4545939e-8,0.23546772,4.894506e-8,0.0014367948,0.6001284,0.00028392303,0.00020236686,0.000023162465,0.16245756],"genre_scores_gemma":[3.9242764e-7,0.17603602,0.000007906255,0.0046904148,0.80253977,0.000049242295,0.000506975,0.000023916726,0.016145363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967008,0.00072410726,0.00039942496,0.00050746865,0.0008847292,0.00078344834],"domain_scores_gemma":[0.9975635,0.00023268825,0.00019328289,0.00043610163,0.0005650936,0.0010093639],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011468614,0.00035583222,0.00090763293,0.000120103585,0.00075600273,0.00022884733,0.00073288236,0.0015495806,0.0026312745],"category_scores_gemma":[0.0012085657,0.00028285471,0.0005245966,0.0007310901,0.000213023,0.00013781036,0.000015743486,0.0009867648,0.00063025637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[6.111479e-7,0.000004304568,9.329458e-7,0.0004219131,0.00007119605,0.000010116112,0.00012648499,1.2850509e-8,4.5073865e-8,0.00066184305,0.9919767,0.0067258556],"study_design_scores_gemma":[0.00006258392,0.000012115404,8.715868e-8,0.001552088,0.00053051376,3.3427443e-7,0.000049959974,1.1227598e-8,2.688553e-8,0.00032499907,0.9971133,0.00035396838],"about_ca_topic_score_codex":0.20571762,"about_ca_topic_score_gemma":0.7695686,"teacher_disagreement_score":0.563851,"about_ca_system_score_codex":0.0007680696,"about_ca_system_score_gemma":0.0064784274,"threshold_uncertainty_score":0.9999624},"labels":[],"label_agreement":null},{"id":"W4380881015","doi":"10.3138/ctr.122.019","title":"Views &amp; Reviews","year":2005,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Section (typography); Order (exchange); Process (computing); Art; Art history; Visual arts; Aesthetics; Sociology; Computer science","score_opus":0.06160521914483041,"score_gpt":0.32668374799825994,"score_spread":0.26507852885342953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380881015","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000036028174,0.66172874,0.0000013151796,0.031088566,0.00013198929,0.00044446118,0.000010089704,0.000022770633,0.30653605],"genre_scores_gemma":[0.0015163233,0.78787863,0.0004477222,0.17126502,0.0016452514,0.00009438312,0.000061453946,0.000013389115,0.037077826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982612,0.00049305643,0.00036505872,0.00025292538,0.00015171876,0.00047604562],"domain_scores_gemma":[0.99877626,0.000026368061,0.00010177992,0.0003407371,0.000076681354,0.00067819003],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010542552,0.00015851817,0.00051415956,0.00006296879,0.00049648265,0.0000761971,0.0003759681,0.000104249724,0.0070358743],"category_scores_gemma":[0.00013912976,0.00011031473,0.00033876102,0.0006855402,0.00011394449,0.00019378452,0.000010795313,0.00016056302,0.0040905355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.6418454e-7,0.000004868558,0.00005576806,0.00016118234,0.000012814137,0.0000018243285,0.00055656297,6.481982e-8,0.0000019382649,0.003615697,0.5138427,0.48174644],"study_design_scores_gemma":[0.000026542153,0.0000031703537,0.000025409672,0.0008472789,0.00012574333,0.0000029728726,0.000038644135,1.9307865e-7,2.6544328e-7,0.00016150305,0.9986124,0.00015586369],"about_ca_topic_score_codex":0.03841943,"about_ca_topic_score_gemma":0.9176783,"teacher_disagreement_score":0.8792589,"about_ca_system_score_codex":0.00025569074,"about_ca_system_score_gemma":0.000357933,"threshold_uncertainty_score":0.9966849},"labels":[],"label_agreement":null},{"id":"W4380881016","doi":"10.3138/ctr.117.016","title":"Where We Are Now: Festival de théâtre des Amériques, 2003","year":2004,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Spectacle; Falcon; History; Visual arts; Media studies; Sociology; Political science; Law; Computer science","score_opus":0.024714623558350798,"score_gpt":0.28120302939003505,"score_spread":0.25648840583168425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380881016","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010520988,0.7927185,0.0000043443497,0.09930317,0.00017581978,0.00039400187,0.000049637532,0.000063898035,0.10623851],"genre_scores_gemma":[0.017294882,0.9193048,0.00044036593,0.041836847,0.00086318015,0.00006740505,0.0000345635,0.00002826615,0.020129688],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856806,0.00026060498,0.00018972965,0.00024625615,0.0001516184,0.0005837291],"domain_scores_gemma":[0.99874073,0.000019605017,0.000077730314,0.00020668934,0.000207791,0.00074747956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003502436,0.00016813034,0.0003481562,0.00005439498,0.0006435318,0.00011015484,0.00032368617,0.00015130885,0.00081767497],"category_scores_gemma":[0.00011564269,0.00012645534,0.00016646767,0.00096090644,0.0002531793,0.00017964827,0.0000113674505,0.00019302373,0.00022611501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033455126,0.00005793029,0.008875651,0.002589852,0.00018691602,0.00040642577,0.0055624,0.000008236384,0.000012650411,0.034891173,0.7405908,0.20681459],"study_design_scores_gemma":[0.00006326191,0.000010940782,0.0004237485,0.0038798207,0.00011114069,0.000012350319,0.00082965323,2.48612e-7,0.0000022547551,0.002292679,0.9921952,0.00017870268],"about_ca_topic_score_codex":0.13128765,"about_ca_topic_score_gemma":0.967624,"teacher_disagreement_score":0.8363364,"about_ca_system_score_codex":0.0006916209,"about_ca_system_score_gemma":0.0015312395,"threshold_uncertainty_score":0.89529675},"labels":[],"label_agreement":null},{"id":"W4380926026","doi":"10.3138/ctr.125.023","title":"Awkward Silences, Cathartic Tears and Cautious Laughter: Canadian Playwrights Push the Boundaries","year":2006,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Laughter; Hollywood; Comedy; Romance; Comics; Plot (graphics); Order (exchange); Literature; Aesthetics; Art; Character (mathematics); Sociology; Art history","score_opus":0.010767073026934264,"score_gpt":0.23938699864773952,"score_spread":0.22861992562080524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380926026","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023962026,0.6787453,3.8702612e-7,0.108445995,0.00066427275,0.0009936166,0.00024893408,0.000059318525,0.18688011],"genre_scores_gemma":[0.95137256,0.018610854,0.000015688398,0.022997763,0.00062141777,0.000056902987,0.00005823758,0.000013601044,0.006252984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982637,0.00030086443,0.0002464188,0.00028590733,0.00020283696,0.00070024555],"domain_scores_gemma":[0.9988058,0.00005459003,0.00006684214,0.00025125954,0.000095651696,0.00072584796],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00047780338,0.00018167584,0.00031950313,0.000091261056,0.002801767,0.00058740034,0.00034830705,0.00012738019,0.00063843385],"category_scores_gemma":[0.00004633065,0.00011126352,0.00012430374,0.00057233375,0.00089595135,0.00018202909,0.000011387291,0.00019452635,0.00010115619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023189577,0.00001874335,0.010254882,0.00045311986,0.00017273055,0.00020038555,0.008752812,0.000001927149,0.0000052050727,0.13536939,0.77674955,0.06801894],"study_design_scores_gemma":[0.000040389168,0.000008118342,0.0021923552,0.00025547654,0.0001721787,0.000016616612,0.00041323554,0.0000018065542,7.4302e-7,0.0028116244,0.9939114,0.00017609772],"about_ca_topic_score_codex":0.98416924,"about_ca_topic_score_gemma":0.9997238,"teacher_disagreement_score":0.92741054,"about_ca_system_score_codex":0.0003633741,"about_ca_system_score_gemma":0.0024580979,"threshold_uncertainty_score":0.9984965},"labels":[],"label_agreement":null},{"id":"W4380926294","doi":"10.3138/ctr.123.005","title":"Boards of Directors and Artistic Directors: Who’s in Charge?","year":2005,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Theatre director; The arts; Visual arts; Performance art; Art; Editorial board; Management; Media studies; History; Art history; Sociology; Library science","score_opus":0.01792746456341041,"score_gpt":0.275475091805185,"score_spread":0.25754762724177455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380926294","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03278891,0.8469542,1.8698077e-7,0.010731977,0.00014179578,0.0004022785,0.000054503886,0.000021283982,0.10890482],"genre_scores_gemma":[0.775917,0.21202654,0.000042172007,0.0085267145,0.00045237466,0.000032852608,0.000018736564,0.000012191526,0.002971421],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989943,0.00019896358,0.00022900678,0.00017422703,0.00011500093,0.0002885136],"domain_scores_gemma":[0.9994092,0.000046677782,0.000059790455,0.00012079689,0.000048823018,0.00031469073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039246338,0.000101049205,0.00038069964,0.00007391122,0.00012187203,0.000026496069,0.00013079029,0.000073607225,0.0008275168],"category_scores_gemma":[0.00011240558,0.00007739099,0.00008661344,0.00052691187,0.00014154155,0.0001090617,0.0000077808845,0.00009061215,0.000025593014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025176084,0.00003383444,0.023747321,0.0010543083,0.00008009261,0.000021022219,0.004506272,4.372033e-7,0.00003330705,0.011677937,0.0633446,0.89549834],"study_design_scores_gemma":[0.000043789292,0.0000069670496,0.0036301094,0.0008382724,0.000067572655,9.780966e-7,0.0000806455,0.0000032161092,0.0000046436367,0.00007791776,0.9951415,0.0001044072],"about_ca_topic_score_codex":0.13504761,"about_ca_topic_score_gemma":0.7764678,"teacher_disagreement_score":0.9317969,"about_ca_system_score_codex":0.00014600238,"about_ca_system_score_gemma":0.0002268636,"threshold_uncertainty_score":0.90607285},"labels":[],"label_agreement":null},{"id":"W4380928721","doi":"10.3138/ctr.102.006","title":"Taking a Walker on the French Side","year":2000,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Factory (object-oriented programming); History; Art history; Art; Performance art; Visual arts; Computer science","score_opus":0.03098832901134974,"score_gpt":0.27960310151448153,"score_spread":0.2486147725031318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928721","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002122904,0.12231012,6.237229e-8,0.05125944,0.00009357842,0.00028114978,0.000011712088,0.000019951885,0.82390106],"genre_scores_gemma":[0.588972,0.07852386,0.000017972117,0.28767085,0.001048555,0.0000782002,0.000023640045,0.000016999064,0.043647967],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988743,0.00030361078,0.00014257024,0.00017431649,0.00015437242,0.00035080625],"domain_scores_gemma":[0.99933803,0.00007716554,0.00004498816,0.00022963667,0.000038510803,0.00027164308],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041908526,0.000103868144,0.00019712537,0.000028022096,0.00070249435,0.00008805521,0.0003129059,0.00006787835,0.024015896],"category_scores_gemma":[0.00006806881,0.000056827845,0.0001658092,0.000516756,0.00011657224,0.00006335493,0.0000039710644,0.00015586069,0.0009396015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.1351043e-7,0.000006416754,0.00009873462,0.00005333179,0.000040017592,0.000020598745,0.0014914339,7.378532e-7,0.0000011076471,0.015055834,0.16188045,0.82135093],"study_design_scores_gemma":[0.000016638438,0.000006385281,0.00036724948,0.0005150448,0.00006732868,0.0000016906945,0.00012829364,0.0000010445505,5.1173595e-7,0.0007218252,0.99808383,0.000090136404],"about_ca_topic_score_codex":0.20886627,"about_ca_topic_score_gemma":0.7319917,"teacher_disagreement_score":0.8362034,"about_ca_system_score_codex":0.00012259532,"about_ca_system_score_gemma":0.00025863442,"threshold_uncertainty_score":0.9998383},"labels":[],"label_agreement":null},{"id":"W4380928755","doi":"10.3138/ctr.109.014","title":"Visualizing the Music","year":2002,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Drama; Musical; Art; Visual arts; Art history; Performance art; George (robot); Presentation (obstetrics); Performing arts; History; Literature","score_opus":0.05597026088667222,"score_gpt":0.2996692024929286,"score_spread":0.24369894160625638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928755","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002683836,0.5247945,3.529091e-7,0.040274892,0.00022059206,0.00026519486,0.0000069710472,0.000026380787,0.43414268],"genre_scores_gemma":[0.3660032,0.26436186,0.000030154324,0.33997732,0.0020585028,0.00008941846,0.000020858242,0.000024670197,0.027434018],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892163,0.00029016574,0.00014412672,0.00015050622,0.0001421954,0.00035138772],"domain_scores_gemma":[0.9993465,0.00004774923,0.00004370255,0.00020418939,0.000055099437,0.0003027688],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003979254,0.0000911889,0.00019007087,0.00003374685,0.00086247607,0.00009620701,0.0003246675,0.000060047198,0.0070177955],"category_scores_gemma":[0.00006653431,0.00005224722,0.00016313513,0.0006550477,0.00014775906,0.00009844465,0.0000090319445,0.00012245907,0.00055475923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.4175464e-7,0.0000075623516,0.00016835939,0.00013292332,0.000049812592,0.000018819981,0.004365358,1.4095762e-7,0.0000024975925,0.03291838,0.60400844,0.35832754],"study_design_scores_gemma":[0.00001790707,0.0000037318034,0.0000444691,0.00026890944,0.00009402723,0.0000027628093,0.00046948754,0.0000036113051,2.1976034e-7,0.0002848534,0.9987254,0.000084608844],"about_ca_topic_score_codex":0.06901044,"about_ca_topic_score_gemma":0.64519894,"teacher_disagreement_score":0.5761885,"about_ca_system_score_codex":0.0001078615,"about_ca_system_score_gemma":0.00009702013,"threshold_uncertainty_score":0.9938899},"labels":[],"label_agreement":null},{"id":"W4380928786","doi":"10.3138/ctr.120.013","title":"Views &amp; Reviews","year":2004,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nice; Kitsch; Art; Tears; Aesthetics; Art history; Visual arts; Computer science; Medicine; Surgery","score_opus":0.06125256642386056,"score_gpt":0.32269628915666676,"score_spread":0.2614437227328062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928786","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006786723,0.7313935,0.0000038094388,0.024392944,0.00022691659,0.00058150076,0.000012005036,0.000027294163,0.24329413],"genre_scores_gemma":[0.0024825742,0.84092844,0.00040984145,0.14274377,0.00087780575,0.000112611146,0.00007732455,0.000015902033,0.0123517355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984402,0.00033995803,0.00033895057,0.00025784117,0.00015387159,0.00046917616],"domain_scores_gemma":[0.99879074,0.000017023483,0.00009823723,0.00033701592,0.000077543176,0.00067946635],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008871227,0.00015997732,0.0005179251,0.000062534724,0.00053101644,0.00007584361,0.0003674804,0.00010624987,0.0025324475],"category_scores_gemma":[0.00015255362,0.00011112231,0.00034632778,0.0008196416,0.00013541644,0.00015534677,0.000010497028,0.0001611242,0.002496278],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.0634115e-7,0.000022538792,0.00015133955,0.00094734307,0.000057012163,0.000024585408,0.0028003196,6.431325e-7,0.0000108348095,0.04745074,0.4789233,0.46961066],"study_design_scores_gemma":[0.00004515842,0.0000050386325,0.000028575132,0.0014942333,0.00012753217,0.0000041249777,0.00005551788,1.3267117e-8,3.7659836e-7,0.0016922386,0.9963907,0.00015649822],"about_ca_topic_score_codex":0.11239101,"about_ca_topic_score_gemma":0.90994257,"teacher_disagreement_score":0.7975516,"about_ca_system_score_codex":0.0003371475,"about_ca_system_score_gemma":0.00062983844,"threshold_uncertainty_score":0.99837935},"labels":[],"label_agreement":null},{"id":"W4380928952","doi":"10.3138/ctr.113.003","title":"“It’s My Birthday Forever Now”: Urjo Kareda and Me","year":2003,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jealousy; Intellect; Regret; Art; Psychoanalysis; Art history; Aesthetics; Visual arts; Psychology; Philosophy; Theology; Social psychology","score_opus":0.022404822215790432,"score_gpt":0.27101786917269294,"score_spread":0.2486130469569025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928952","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007323327,0.485081,0.0000015647221,0.028931478,0.00029026574,0.0004615331,0.00003539773,0.000027822889,0.48443863],"genre_scores_gemma":[0.16215654,0.5686387,0.00032619762,0.23037031,0.0007964169,0.00012268088,0.00006904043,0.000045031866,0.03747507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868196,0.00030951534,0.00019322832,0.0002489734,0.0001413639,0.0004249512],"domain_scores_gemma":[0.99901897,0.00004149614,0.000052564566,0.00019030723,0.00008245589,0.0006142317],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005182293,0.00014149152,0.00033063776,0.000058116708,0.00048468274,0.00009452693,0.00017714089,0.000110176545,0.0022512258],"category_scores_gemma":[0.00011043517,0.00010243688,0.0001421923,0.0005253606,0.00016588539,0.00015688725,0.000007929261,0.0001216632,0.00015898587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015842851,0.000023793273,0.006679458,0.0009314571,0.00021998918,0.00007826914,0.0056424397,2.8449824e-7,0.000008402812,0.15224528,0.6783578,0.15581124],"study_design_scores_gemma":[0.000052304447,0.00000838134,0.00020742053,0.000353205,0.000131519,0.0000068138393,0.00044938267,3.5329828e-7,9.57157e-7,0.0015044941,0.9971317,0.00015343816],"about_ca_topic_score_codex":0.025836581,"about_ca_topic_score_gemma":0.6820216,"teacher_disagreement_score":0.65618503,"about_ca_system_score_codex":0.00012840884,"about_ca_system_score_gemma":0.00046591795,"threshold_uncertainty_score":0.99866086},"labels":[],"label_agreement":null},{"id":"W4384152107","doi":"10.1515/9780228004752-030","title":"Canadian Writers: From Neglect to Special Treatment","year":2020,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Neglect; Psychology; History; Psychiatry","score_opus":0.02319505724946471,"score_gpt":0.22093622522681738,"score_spread":0.19774116797735267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384152107","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000246607,0.000005568218,0.0000016588683,0.002873072,0.0005374933,0.0005486293,0.0023756616,0.00011544268,0.9935178],"genre_scores_gemma":[0.0016500978,0.00008889755,0.000098161974,0.0033749104,0.0027031729,0.0000022487866,0.00026637551,0.00003245521,0.9917837],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979301,0.00014173513,0.00020562959,0.0007945952,0.00039536913,0.0005325353],"domain_scores_gemma":[0.99818355,0.00006755507,0.00014461236,0.0003377767,0.00018283872,0.0010836655],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00004411402,0.00046767763,0.0006168677,0.00025121248,0.0013175223,0.0001727399,0.0006478183,0.000547229,0.0008620508],"category_scores_gemma":[0.000015451571,0.00046628597,0.00046007766,0.000050097507,0.00019127983,0.00013788648,0.00014867145,0.0003584123,0.00015114146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010792621,0.000014949868,0.000006833913,0.0000075030075,0.00073731795,0.0008203634,0.005980534,0.000003424102,0.0000060400707,0.9324392,0.054630976,0.0052449238],"study_design_scores_gemma":[0.00032041714,0.0001036565,0.000011037338,0.0000511728,0.0005553161,2.4001434e-7,0.00065450807,7.6862545e-7,0.000020395812,0.0011309856,0.9966293,0.00052221137],"about_ca_topic_score_codex":0.63349956,"about_ca_topic_score_gemma":0.10660958,"teacher_disagreement_score":0.9419983,"about_ca_system_score_codex":0.00198007,"about_ca_system_score_gemma":0.00034873467,"threshold_uncertainty_score":0.99998266},"labels":[],"label_agreement":null},{"id":"W4384165882","doi":"10.1515/9780773575042-001","title":"From the Dean","year":2008,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.024002108176155147,"score_gpt":0.22168666891007163,"score_spread":0.1976845607339165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384165882","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029087962,0.000021529853,0.0000027581937,0.0009938213,0.00036138415,0.00030482534,0.0005906303,0.00015815563,0.9975378],"genre_scores_gemma":[0.0019345676,0.00053151563,0.000047278838,0.0018250396,0.0008654137,9.2969503e-7,0.000104849896,0.00002474599,0.9946657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981281,0.00021446058,0.00019099636,0.0005570636,0.0005245979,0.00038477688],"domain_scores_gemma":[0.99861205,0.0002076288,0.00025657524,0.00048022688,0.00024202115,0.00020149518],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00009939172,0.00035996924,0.00043355278,0.00007397179,0.002407641,0.00009270878,0.0010151046,0.000683116,0.0002934208],"category_scores_gemma":[0.000021252401,0.00027986435,0.000474166,0.000027572814,0.0008192957,0.00015133868,0.00030392403,0.0006501188,0.000050451225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035253055,0.000010099741,0.0000040352984,0.000004785042,0.0003930805,0.00018396173,0.004010134,0.0000014725146,0.0000021667427,0.9001214,0.093777925,0.0014556934],"study_design_scores_gemma":[0.00021524682,0.000017633145,0.000017089014,0.000048323356,0.000417222,6.2100236e-7,0.0007957297,7.6249626e-7,0.000010694914,0.00196322,0.9961391,0.0003743187],"about_ca_topic_score_codex":0.020655803,"about_ca_topic_score_gemma":0.0001335823,"teacher_disagreement_score":0.9023612,"about_ca_system_score_codex":0.00021402806,"about_ca_system_score_gemma":0.00008525474,"threshold_uncertainty_score":0.99996537},"labels":[],"label_agreement":null},{"id":"W4385530646","doi":"10.1515/9780773590588-026","title":"1974: Small West Coast Press Talonbooks Makes a Bold Move and Publishes Four Quebec Plays in Translation","year":2014,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Translation (biology); History; Geography; Biology","score_opus":0.02856595195487072,"score_gpt":0.21240534931425795,"score_spread":0.18383939735938723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385530646","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038502205,0.000031480715,0.000024969193,0.0006330131,0.00022008498,0.0007041474,0.000427055,0.00015328097,0.99742097],"genre_scores_gemma":[0.028043332,0.00016675748,0.00010750713,0.00055916404,0.00030347405,0.0000057264756,0.00013254354,0.000040672945,0.97064084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748266,0.00029661518,0.00037099846,0.0008326667,0.0004752469,0.0005418307],"domain_scores_gemma":[0.9985112,0.00020294318,0.0003768184,0.0003460708,0.0002665957,0.00029637513],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00032571304,0.0005324622,0.0007406811,0.00030731846,0.0008551113,0.00038468975,0.0006045947,0.0010530566,0.000052349853],"category_scores_gemma":[0.000028190037,0.0005342691,0.0003024432,0.00003807054,0.0006252272,0.00042546348,0.00020190596,0.00073578133,0.0000039265783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001485443,0.000027137592,0.000052920597,0.000120685574,0.00026148435,0.00014485371,0.005451846,0.000019237179,0.000011898514,0.98350185,0.0026808106,0.0075787567],"study_design_scores_gemma":[0.00078046997,0.000048904676,0.00016728321,0.00018315285,0.00037623185,0.0000018183217,0.000706693,0.000023383664,0.000020081434,0.0010318543,0.99601644,0.0006437051],"about_ca_topic_score_codex":0.11175502,"about_ca_topic_score_gemma":0.043493807,"teacher_disagreement_score":0.9933356,"about_ca_system_score_codex":0.0002619254,"about_ca_system_score_gemma":0.00009690064,"threshold_uncertainty_score":0.99971086},"labels":[],"label_agreement":null},{"id":"W4385656493","doi":"10.7202/1101799ar","title":"La violence en musique, dirigé par Muriel Joubert et Denis Le Touzé, Lyon, Presses universitaires de Lyon, 2022, 457 pages","year":2023,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01625970466757851,"score_gpt":0.2628419283043892,"score_spread":0.24658222363681068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385656493","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7164274,0.03819413,0.0001419704,0.15352143,0.0076334346,0.0007766139,0.000296928,0.00069184764,0.08231623],"genre_scores_gemma":[0.9048691,0.030851973,0.00036580156,0.007696419,0.0066173323,0.00007154864,0.00017380196,0.000064146545,0.0492899],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99555385,0.0016445542,0.00045465172,0.00086096337,0.00045177713,0.0010342257],"domain_scores_gemma":[0.99742264,0.0010896276,0.00023819065,0.00048598275,0.00032195865,0.00044163215],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010493828,0.0004436332,0.000649289,0.00017422179,0.0009753443,0.00034187752,0.0009356876,0.00076376443,0.00094447593],"category_scores_gemma":[0.00061832275,0.00042176028,0.0005143861,0.0022423393,0.0011248016,0.00079735,0.00041555372,0.0007397114,0.0003679186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006553583,0.0007561207,0.007919439,0.00058820157,0.0006642108,0.0013088537,0.05250235,0.00026432925,0.004893878,0.087774195,0.70859736,0.13466552],"study_design_scores_gemma":[0.0004358363,0.000106178864,0.012294814,0.0007934318,0.0004591141,0.000034442575,0.009696041,0.00022607122,0.00052693364,0.017127182,0.9576005,0.00069946353],"about_ca_topic_score_codex":0.0031151704,"about_ca_topic_score_gemma":0.007214664,"teacher_disagreement_score":0.24900313,"about_ca_system_score_codex":0.00021669532,"about_ca_system_score_gemma":0.00043551397,"threshold_uncertainty_score":0.99996877},"labels":[],"label_agreement":null},{"id":"W4386386741","doi":"","title":"Identité et reconnaissance dans Le Neveu de Rameau","year":2022,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Psychology; Philosophy","score_opus":0.024538893097808257,"score_gpt":0.27024688844011896,"score_spread":0.2457079953423107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386386741","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21090531,0.010306058,0.022651851,0.12524593,0.0018998007,0.00078685844,0.00021860906,0.0003716682,0.6276139],"genre_scores_gemma":[0.5887328,0.003162808,0.016873257,0.0036236623,0.00017653452,0.00024470134,0.0008821349,0.0000635336,0.3862406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9738262,0.022727106,0.0007632507,0.0011842614,0.00072644936,0.00077269116],"domain_scores_gemma":[0.9939658,0.0014146128,0.0008569395,0.0017292122,0.0016462435,0.00038716148],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.011896781,0.00047931497,0.00063802575,0.00014893129,0.0025904386,0.0010229632,0.0026178774,0.00051967934,0.0030335602],"category_scores_gemma":[0.0017644509,0.00052121986,0.00065820664,0.0013649544,0.0012765272,0.0005428767,0.0015796279,0.0015044985,0.00013108748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011459587,0.0006577534,0.004329483,0.000080339014,0.00022205892,0.00001821897,0.09507374,0.00023234429,0.0018839603,0.8782463,0.007997307,0.011247024],"study_design_scores_gemma":[0.00059589976,0.0000011212849,0.012726055,0.0008461628,0.00026505938,0.000024060715,0.00911635,0.0025796106,0.0035084472,0.044630744,0.9247038,0.0010027292],"about_ca_topic_score_codex":0.036337193,"about_ca_topic_score_gemma":0.06919082,"teacher_disagreement_score":0.91670644,"about_ca_system_score_codex":0.0005486304,"about_ca_system_score_gemma":0.0009495888,"threshold_uncertainty_score":0.9997239},"labels":[],"label_agreement":null},{"id":"W4386940201","doi":"10.7202/1105866ar","title":"La musique instrumentale produite au Québec durant la décennie 2010 : établissement d’un corpus et analyse du phénomène","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0214277477401575,"score_gpt":0.25751761572485493,"score_spread":0.23608986798469744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94174504,0.0017353438,0.000021179632,0.039709285,0.007940025,0.00019786206,0.00012526626,0.000029560766,0.00849645],"genre_scores_gemma":[0.98286206,0.00032823835,0.000052504933,0.0035403422,0.001532437,0.000016549244,0.000025506548,0.000028044957,0.011614346],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966278,0.0011234517,0.00079422153,0.00034534515,0.00036745495,0.00074170006],"domain_scores_gemma":[0.997509,0.00023143244,0.0005413286,0.00023621415,0.00046321863,0.0010188059],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016618797,0.00032080157,0.0004924712,0.001070771,0.0012445966,0.00042659589,0.00052907394,0.00033291863,0.002578809],"category_scores_gemma":[0.0002762191,0.00028586137,0.0006193746,0.0025278456,0.0009854223,0.00084616774,0.000052133244,0.0010317735,0.0001490583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011264908,0.0006110223,0.09597253,0.00012558799,0.0040231002,0.005925597,0.4910301,0.0008972054,0.0020703839,0.00891548,0.2970385,0.09327786],"study_design_scores_gemma":[0.0008548657,0.00032568708,0.074881025,0.00040411187,0.0008656535,0.0017115631,0.102551796,0.00013573817,0.00012277362,0.00061949855,0.8170071,0.0005201752],"about_ca_topic_score_codex":0.8048824,"about_ca_topic_score_gemma":0.9931004,"teacher_disagreement_score":0.5199686,"about_ca_system_score_codex":0.0017689213,"about_ca_system_score_gemma":0.0052282843,"threshold_uncertainty_score":0.99995935},"labels":[],"label_agreement":null},{"id":"W4387435273","doi":"10.1080/23268263.2023.2257987","title":"Origins of Theatre Performance and Voice Training in Canada: Consciously Bringing Trauma-Informed Voice into View","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Scholarship; Discipline; Performance studies; Sociology; Pedagogy; Psychology; Political science; Social science","score_opus":0.03496852813755669,"score_gpt":0.2986557051712235,"score_spread":0.2636871770336668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387435273","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8924828,0.09439511,5.1376185e-7,0.0034302892,0.00015172902,0.00040307964,0.0000098210785,0.000037465354,0.009089202],"genre_scores_gemma":[0.8069687,0.18923259,0.000092959686,0.0032096354,0.00010417958,0.000018758747,0.000011272641,0.0000073554233,0.0003545636],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859387,0.00011685546,0.00041192124,0.00024502166,0.00027296908,0.00035936653],"domain_scores_gemma":[0.99929464,0.00024354349,0.00013669964,0.00011629123,0.00008085622,0.00012794271],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085441023,0.00015481225,0.0005451701,0.000083302926,0.00029209594,0.000046858724,0.00017716033,0.000065171014,0.00003377729],"category_scores_gemma":[0.00016574688,0.00011674881,0.00006265685,0.0012111793,0.00014739679,0.00029606395,0.00004005644,0.0001816817,0.000012447671],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066725515,0.000011680521,0.017038496,0.005118276,0.00007259825,0.000033344182,0.021091098,0.0000019563693,0.00006173596,0.001911003,0.002285596,0.95236754],"study_design_scores_gemma":[0.00021771339,0.000032123797,0.014474998,0.004303179,0.00015685183,0.0000123443915,0.009143671,0.00013632906,0.000021423417,0.00011172553,0.9711108,0.00027883408],"about_ca_topic_score_codex":0.5493472,"about_ca_topic_score_gemma":0.953224,"teacher_disagreement_score":0.9688252,"about_ca_system_score_codex":0.0002229597,"about_ca_system_score_gemma":0.0007478082,"threshold_uncertainty_score":0.4760878},"labels":[],"label_agreement":null},{"id":"W4389040723","doi":"10.7202/1107694ar","title":"Les rythmes du silence","year":2023,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Silence","score_opus":0.07745121418523869,"score_gpt":0.3060968418211461,"score_spread":0.2286456276359074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389040723","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27417538,0.033577442,0.00005383477,0.040308114,0.0054060877,0.0005852038,0.00013395274,0.0009973746,0.64476264],"genre_scores_gemma":[0.801384,0.0018251633,0.000017430952,0.0046240315,0.0035661585,0.00006435859,0.00010503079,0.000031344858,0.18838252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99661,0.0007007085,0.00060414703,0.000734892,0.00051030086,0.00083993684],"domain_scores_gemma":[0.99798465,0.00043261258,0.00030669244,0.00037433734,0.00059755554,0.00030417167],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009944586,0.0004380457,0.0006460428,0.00021376017,0.0011049104,0.00040259544,0.0006653968,0.0005436401,0.0015574989],"category_scores_gemma":[0.0005786452,0.00038918888,0.0004931995,0.002373267,0.0015448852,0.00083380775,0.00012951238,0.00035731215,0.00085702015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000108621,0.00012822544,0.011040576,0.00019829864,0.00028553756,0.0002850708,0.10561206,0.000005985906,0.0005305283,0.71302634,0.10039718,0.06847935],"study_design_scores_gemma":[0.00027517247,0.00008236931,0.005574972,0.00024044892,0.00014311082,0.000012671261,0.020275613,0.00013784769,0.00006552094,0.0912721,0.88131064,0.00060954585],"about_ca_topic_score_codex":0.0062805326,"about_ca_topic_score_gemma":0.0019554675,"teacher_disagreement_score":0.7809135,"about_ca_system_score_codex":0.00012855587,"about_ca_system_score_gemma":0.00019235813,"threshold_uncertainty_score":0.9999209},"labels":[],"label_agreement":null},{"id":"W4389213678","doi":"","title":"Cultura y Diplomacia: La Diplomacia Cultural de Québec a 50 años de la Doctrina Gérin-Lajoie","year":2015,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.18202256525282262,"score_gpt":0.546863053135365,"score_spread":0.36484048788254236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389213678","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7897868,0.06931891,0.000034504996,0.0022223154,0.00089280814,0.00076504744,0.00017222913,0.00016002328,0.13664733],"genre_scores_gemma":[0.97390866,0.016484901,0.00034668262,0.0018405579,0.0019182924,0.00007854309,0.00005313598,0.00007085705,0.005298384],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9905435,0.0037866598,0.001437298,0.0011298545,0.001726903,0.0013757738],"domain_scores_gemma":[0.99371976,0.0010352246,0.0016446101,0.0009031847,0.001237721,0.0014595123],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0053847586,0.00088260806,0.0017486615,0.00054243184,0.0014289422,0.010433329,0.00784428,0.0008608042,0.0031275689],"category_scores_gemma":[0.0021565885,0.00065645686,0.0007417248,0.0027088444,0.0016551318,0.006167818,0.0015503884,0.0015684458,0.00009831057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007118644,0.0016249291,0.579941,0.00025036323,0.0024996004,0.0005903049,0.036918785,0.00018205307,0.029988265,0.005623553,0.3228464,0.018822916],"study_design_scores_gemma":[0.001688795,0.00004654046,0.3022905,0.00065022265,0.0013167493,0.00014474172,0.009536992,0.000111599584,0.0012181741,0.009058075,0.67253613,0.0014014817],"about_ca_topic_score_codex":0.056142867,"about_ca_topic_score_gemma":0.007157608,"teacher_disagreement_score":0.34968972,"about_ca_system_score_codex":0.00089214713,"about_ca_system_score_gemma":0.002008346,"threshold_uncertainty_score":0.9998711},"labels":[],"label_agreement":null},{"id":"W4390857392","doi":"","title":"Questa sera si recita a soggetto : le théâtre des Italiens de Montréal","year":2006,"lang":"it","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014835888027303883,"score_gpt":0.22323468573091787,"score_spread":0.208398797703614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390857392","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0149373915,0.006271315,0.002219696,0.027933646,0.000299155,0.0006133542,0.00024298303,0.00032379798,0.94715863],"genre_scores_gemma":[0.15858959,0.0027986967,0.0059711905,0.001073817,0.00025084722,0.00004785622,0.00084636424,0.00009101717,0.8303306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99097985,0.0050068297,0.00092677906,0.00122634,0.00085196627,0.0010082147],"domain_scores_gemma":[0.9924434,0.0012258763,0.0008388394,0.001614444,0.0033715884,0.000505841],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0050356714,0.0007407615,0.000855649,0.00024866633,0.0028217633,0.0012450847,0.0017261864,0.0009677648,0.00081279513],"category_scores_gemma":[0.0009304623,0.00071159477,0.00080981845,0.000614359,0.001713526,0.0005769801,0.000542807,0.0009305546,0.00020403136],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023714176,0.00052366883,0.0009043039,0.000092005386,0.00032813745,0.00004447465,0.031579424,0.000024731073,0.00088323693,0.9280941,0.01921156,0.018290667],"study_design_scores_gemma":[0.00061884,0.0000023323541,0.0014339907,0.0015151864,0.0004080164,0.000026506905,0.002390858,0.00089692534,0.0010561108,0.03468045,0.9558057,0.0011650759],"about_ca_topic_score_codex":0.045156628,"about_ca_topic_score_gemma":0.09635486,"teacher_disagreement_score":0.9365941,"about_ca_system_score_codex":0.00044487507,"about_ca_system_score_gemma":0.00059488683,"threshold_uncertainty_score":0.99979174},"labels":[],"label_agreement":null},{"id":"W4390899792","doi":"10.4000/131so","title":"Musique et enregistrement","year":2014,"lang":"fr","type":"book","venue":"Presses universitaires de Rennes eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022523892233445298,"score_gpt":0.24651290645521676,"score_spread":0.22398901422177145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390899792","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023788668,0.0031003326,0.00027550786,0.0055501545,0.0008265746,0.00044333155,0.0000913148,0.00018147072,0.98715246],"genre_scores_gemma":[0.33253852,0.0008724247,0.00039921084,0.004291089,0.0014994636,0.000017983342,0.00028340964,0.000052947096,0.66004497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962412,0.0010845431,0.0004109042,0.00082846923,0.0005541336,0.000880759],"domain_scores_gemma":[0.997647,0.00047072832,0.00052853505,0.0005323102,0.00038762565,0.00043379446],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047570496,0.00065489917,0.0007747969,0.00021332018,0.0010013469,0.00026617592,0.0011344278,0.0009719279,0.0009890236],"category_scores_gemma":[0.00008383111,0.00062304485,0.00069752353,0.00015681032,0.0015679833,0.0003063836,0.00040559136,0.0007368459,0.00013899583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005851967,0.00008546862,0.00021179547,0.00035236147,0.000946379,0.00019166342,0.00814426,0.00007971478,0.00022144307,0.78868943,0.16886893,0.03215006],"study_design_scores_gemma":[0.00035737903,0.0001378793,0.00010391085,0.00045056286,0.0011391371,0.000013720106,0.0016889898,0.00006127894,0.00007541877,0.043827865,0.9514083,0.0007355056],"about_ca_topic_score_codex":0.0015206194,"about_ca_topic_score_gemma":0.014970026,"teacher_disagreement_score":0.7825394,"about_ca_system_score_codex":0.0007296712,"about_ca_system_score_gemma":0.0008014241,"threshold_uncertainty_score":0.9999242},"labels":[],"label_agreement":null},{"id":"W4391136035","doi":"10.7202/1107870ar","title":"Martin Gignac et Jean-Marie Lanlo, Le Cinéma québécois par ceux qui le font, Québec, Les éditions de L’instant même, coll. « L’instant ciné », 2016","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Instant; Font; Art; Philosophy; Physics; Visual arts","score_opus":0.014799142622190356,"score_gpt":0.2426113612973697,"score_spread":0.22781221867517937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391136035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46883687,0.08948675,0.0004994606,0.3704566,0.0022478837,0.0016589052,0.0015416279,0.001571345,0.06370055],"genre_scores_gemma":[0.59135616,0.036331493,0.0006758796,0.0038751482,0.0017060706,0.0005791323,0.00096060976,0.00026822154,0.3642473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98931825,0.003351098,0.0022252256,0.0018837579,0.0010002198,0.0022214223],"domain_scores_gemma":[0.9912572,0.003849895,0.0014794951,0.0012106497,0.0013818962,0.0008208833],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0023047717,0.0015606541,0.002068951,0.0005586595,0.008803131,0.0007063974,0.0015818184,0.001606162,0.0011394477],"category_scores_gemma":[0.003571544,0.0014927227,0.0012697732,0.0024448512,0.0052018138,0.001914433,0.00058632804,0.0017467325,0.00023234841],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043232323,0.001429722,0.0132373655,0.0011579193,0.0011167359,0.0007230951,0.34269702,0.0007725419,0.0021681294,0.2436463,0.3698027,0.022816144],"study_design_scores_gemma":[0.0010202989,0.00047810155,0.0026722325,0.0009246437,0.0005108894,0.00003502987,0.102187105,0.00050186337,0.00032469642,0.0011394619,0.8885592,0.0016464337],"about_ca_topic_score_codex":0.8985119,"about_ca_topic_score_gemma":0.99685264,"teacher_disagreement_score":0.5187565,"about_ca_system_score_codex":0.0032015499,"about_ca_system_score_gemma":0.027322106,"threshold_uncertainty_score":0.9997736},"labels":[],"label_agreement":null},{"id":"W4391154251","doi":"10.7202/1108069ar","title":"Le devenir-québécois dans la dilogie Vamos (Où êtes-vous donc ? et Jusqu’au coeur). Rock, cinéma et contre-culture","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015707808491501,"score_gpt":0.2525492032953062,"score_spread":0.23684139480380523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391154251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61915195,0.043431573,0.00048454455,0.1603479,0.004058954,0.0016499403,0.0011644481,0.0017742781,0.16793643],"genre_scores_gemma":[0.6407473,0.009190955,0.00030548908,0.0050105257,0.0015642071,0.00026490216,0.00091498706,0.00017511449,0.34182653],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98853254,0.0047848974,0.0017745288,0.0018799334,0.001014005,0.0020140698],"domain_scores_gemma":[0.9931103,0.0025397027,0.0012630458,0.0010335414,0.0013583691,0.0006950332],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0023559174,0.0015822022,0.002096423,0.00034628212,0.0044717235,0.00073703483,0.0016841547,0.0019812786,0.00031531396],"category_scores_gemma":[0.002548705,0.0014282113,0.0011995838,0.0021956118,0.0032217838,0.0018629093,0.0006387369,0.0020961885,0.00022663936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002061664,0.0005710996,0.0072606667,0.00070885126,0.0006962505,0.00058035715,0.6142621,0.0004884497,0.00078446395,0.29815418,0.0636367,0.01265069],"study_design_scores_gemma":[0.0009415165,0.000528859,0.0049567823,0.0006347028,0.00060541905,0.000120376106,0.10684774,0.00018661926,0.00020262512,0.0013563202,0.8820383,0.0015807321],"about_ca_topic_score_codex":0.4871739,"about_ca_topic_score_gemma":0.98689693,"teacher_disagreement_score":0.81840163,"about_ca_system_score_codex":0.002504474,"about_ca_system_score_gemma":0.015528317,"threshold_uncertainty_score":0.9996926},"labels":[],"label_agreement":null},{"id":"W4391602395","doi":"","title":"Leçons de cinéma de Godard à Montréal","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01784296068062762,"score_gpt":0.2506309497559806,"score_spread":0.23278798907535297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391602395","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30847484,0.015981432,0.005057722,0.36956054,0.00094138185,0.00035969348,0.000120066994,0.0005796319,0.29892468],"genre_scores_gemma":[0.56681794,0.0038986015,0.0055809715,0.002158072,0.0002241525,0.000047453246,0.00019309184,0.00003343055,0.4210463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99031323,0.007533797,0.00037498647,0.00050867704,0.0004151434,0.00085418584],"domain_scores_gemma":[0.9962473,0.0012361503,0.00022549735,0.0007512037,0.0011355465,0.00040429496],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.006370679,0.00024439653,0.00031167016,0.00013580076,0.0013109375,0.0004702492,0.00091049034,0.0003596456,0.00076519337],"category_scores_gemma":[0.0015793379,0.00024689894,0.000329908,0.0021748012,0.0007483363,0.0003269631,0.0002878654,0.00043776835,0.0006181702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010996278,0.0004436483,0.005501473,0.000064760956,0.00019579424,0.000040361283,0.11579506,0.00007557584,0.0032468403,0.6755182,0.11076117,0.088346116],"study_design_scores_gemma":[0.0004144038,8.1089865e-7,0.011517196,0.00043491003,0.00017245511,0.000014340992,0.0046011438,0.0078009,0.0031913721,0.015294636,0.95613575,0.00042207143],"about_ca_topic_score_codex":0.018291892,"about_ca_topic_score_gemma":0.047734663,"teacher_disagreement_score":0.8453746,"about_ca_system_score_codex":0.00025187468,"about_ca_system_score_gemma":0.00037026027,"threshold_uncertainty_score":0.99999833},"labels":[],"label_agreement":null},{"id":"W4391772286","doi":"10.7202/1109069ar","title":"Mot de la rédaction","year":2024,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Redaction; Philosophy; Theology","score_opus":0.01513737273381797,"score_gpt":0.2611795221445892,"score_spread":0.24604214941077127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391772286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70146626,0.038363934,0.00006712959,0.050440498,0.009555909,0.00022534624,0.00012658727,0.00019367418,0.19956066],"genre_scores_gemma":[0.56837666,0.000754866,0.00009189817,0.0019917602,0.0033184928,0.000014172054,0.000037866346,0.000016418955,0.42539787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982793,0.00039818446,0.00020290859,0.00036151163,0.000101585516,0.0006565427],"domain_scores_gemma":[0.99915355,0.0001882433,0.000046847766,0.00014771507,0.00006907537,0.00039458237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00073121727,0.00016712572,0.00021898097,0.00009503062,0.00041195366,0.00032437005,0.00017947206,0.00033695105,0.0019205884],"category_scores_gemma":[0.00011706935,0.00015989145,0.00024153756,0.0009003373,0.00038654107,0.0003856094,0.000023268336,0.00043332492,0.0007448562],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000563025,0.00004466325,0.00024285173,0.00018868115,0.00024270754,0.0005140304,0.029501302,0.00007973047,0.00059254275,0.67365664,0.1513869,0.1435443],"study_design_scores_gemma":[0.00005152477,0.000034310793,0.0004143269,0.00016682474,0.00024630813,0.000093150134,0.0018858854,0.0012798985,0.000021215828,0.008247237,0.98736215,0.00019716276],"about_ca_topic_score_codex":0.021473154,"about_ca_topic_score_gemma":0.16142474,"teacher_disagreement_score":0.8359752,"about_ca_system_score_codex":0.00093699095,"about_ca_system_score_gemma":0.00022829807,"threshold_uncertainty_score":0.9989918},"labels":[],"label_agreement":null},{"id":"W4391871471","doi":"","title":"Éloge des bâtards (Verticales 2019) : lecture musicale d’extraits en compagnie de Bastien Lallemant (compositeur et interprète)","year":2019,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Computer science; Humanities","score_opus":0.011982129472035238,"score_gpt":0.24686869855517116,"score_spread":0.23488656908313593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391871471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78858715,0.012647168,0.013237294,0.07248275,0.00092936,0.0005643678,0.00016210809,0.0002163532,0.11117346],"genre_scores_gemma":[0.92904913,0.0010328993,0.009874831,0.002909655,0.00013276076,0.000020312908,0.00023273323,0.000035152323,0.056712493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98605555,0.011271909,0.0005455916,0.0007675604,0.00053198816,0.0008273886],"domain_scores_gemma":[0.9947775,0.0022169522,0.00027079636,0.0008647993,0.0014351266,0.0004348346],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004753212,0.00040520512,0.00055640464,0.00012419578,0.0007556526,0.0005718266,0.0012636094,0.00046334908,0.0019715729],"category_scores_gemma":[0.0009870761,0.0003653801,0.0004260246,0.0009736181,0.0012228262,0.00053119037,0.00047764374,0.0007667772,0.00037995994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008412059,0.0025406315,0.023583272,0.0003454665,0.0005955488,0.000031323478,0.2758928,0.00024521764,0.023458892,0.55091184,0.02924911,0.09306177],"study_design_scores_gemma":[0.0018741487,0.000012240822,0.063447446,0.0033005844,0.00062860915,0.00007077457,0.004015503,0.018468294,0.01454747,0.027157778,0.8647745,0.0017026522],"about_ca_topic_score_codex":0.0052059647,"about_ca_topic_score_gemma":0.028017988,"teacher_disagreement_score":0.8355254,"about_ca_system_score_codex":0.0002774352,"about_ca_system_score_gemma":0.00030164784,"threshold_uncertainty_score":0.99987984},"labels":[],"label_agreement":null},{"id":"W4391962496","doi":"10.51644/9781554583980","title":"Unheard Of","year":2012,"lang":"gl","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.035820785697445005,"score_gpt":0.28975897797697747,"score_spread":0.25393819227953246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391962496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005532119,0.006021243,0.000003923934,0.0009120752,0.0013062712,0.00019873092,0.000042507472,0.000033523254,0.99092853],"genre_scores_gemma":[0.03590456,0.00051244436,0.00011332519,0.0023968099,0.0026204584,0.000005751748,0.00008709768,0.000012655437,0.9583469],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978275,0.00023441395,0.00049805193,0.00034199597,0.00057913316,0.00051892333],"domain_scores_gemma":[0.99860644,0.00012665131,0.00038032728,0.0002786899,0.00035838873,0.0002494714],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048703354,0.00030298883,0.0007652675,0.00009752843,0.00032357834,0.00007433911,0.0004996397,0.0009168774,0.021292415],"category_scores_gemma":[0.00005191458,0.00020621464,0.00064659695,0.00039548997,0.0008124173,0.00023998033,0.00009717983,0.0003815184,0.0010237762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015371212,0.0001542078,0.00056021265,0.00012725,0.00062689796,0.0000032052267,0.012282556,4.7746306e-7,0.0001175502,0.58692265,0.39278355,0.0064060404],"study_design_scores_gemma":[0.00009734368,0.000048923775,0.00033666834,0.00005349826,0.0005537254,7.563565e-7,0.0018924616,0.0000012877647,0.000030161156,0.004781541,0.9919092,0.00029444255],"about_ca_topic_score_codex":0.00094650174,"about_ca_topic_score_gemma":0.0012699655,"teacher_disagreement_score":0.5991256,"about_ca_system_score_codex":0.00008855783,"about_ca_system_score_gemma":0.00030713773,"threshold_uncertainty_score":0.9997541},"labels":[],"label_agreement":null},{"id":"W4391968299","doi":"10.51644/9781554583218","title":"Weinzweig","year":2011,"lang":"de","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.033613401644892196,"score_gpt":0.26463992647735024,"score_spread":0.23102652483245806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391968299","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007025203,0.0060854126,0.000008213143,0.0009897337,0.0030081088,0.00027786265,0.000034436453,0.00012741974,0.98939854],"genre_scores_gemma":[0.0018472531,0.0013247172,0.00015685371,0.011485497,0.005644253,0.000017645516,0.00022785054,0.00002505703,0.9792709],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971383,0.00028182697,0.0005169874,0.00076450343,0.000585279,0.0007130791],"domain_scores_gemma":[0.9984373,0.000095228505,0.00032699798,0.0004204114,0.0003566183,0.0003634313],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041237718,0.00050963723,0.0007837773,0.00013009833,0.00091253023,0.00029732447,0.0009298203,0.0013769935,0.068545364],"category_scores_gemma":[0.000056565485,0.00035305962,0.0008096675,0.0004283427,0.00089987944,0.00026263722,0.00015078211,0.0006882332,0.018434899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010301179,0.000069651236,0.000064500615,0.000027351445,0.0005245635,0.00002573076,0.0076672537,6.5061315e-8,0.000007725148,0.45040327,0.53728306,0.0039164945],"study_design_scores_gemma":[0.00011767056,0.00006801437,0.00006441449,0.00004600194,0.00072911306,0.0000010833187,0.0012173625,0.00000236781,0.000008203728,0.03072324,0.9664706,0.0005519204],"about_ca_topic_score_codex":0.0014687432,"about_ca_topic_score_gemma":0.003969101,"teacher_disagreement_score":0.4291875,"about_ca_system_score_codex":0.00014834634,"about_ca_system_score_gemma":0.00048820124,"threshold_uncertainty_score":0.9999194},"labels":[],"label_agreement":null},{"id":"W4392177685","doi":"10.7202/1109613ar","title":"Discussion entre père et fils : portrait intime du compositeur et artiste multimédia Miodrag Lazarov Pashu","year":2024,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.029934015051841758,"score_gpt":0.2935847110049382,"score_spread":0.2636506959530965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392177685","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.080652736,0.075609446,0.0005631882,0.27219534,0.010474204,0.0018938966,0.0011622397,0.0013795441,0.55606943],"genre_scores_gemma":[0.80435574,0.00077906233,0.0001129585,0.014528678,0.0020540168,0.000069347785,0.00069329294,0.00006533356,0.17734157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99450237,0.0016751382,0.0010551263,0.0012133957,0.00066647195,0.00088748],"domain_scores_gemma":[0.9977293,0.00049761304,0.0003599284,0.0004586537,0.00045611252,0.0004983699],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013979621,0.0007571075,0.0009966353,0.0002496607,0.0006410319,0.0014787347,0.00062151573,0.0006981609,0.0022454613],"category_scores_gemma":[0.00028192278,0.0005221607,0.0009149338,0.0013185733,0.0010652724,0.0018168911,0.00018796537,0.0008545838,0.0004320775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040259525,0.00054265244,0.00432781,0.0006735445,0.00086249324,0.0011736352,0.16083305,0.00001299154,0.003262733,0.56538475,0.22880287,0.03408323],"study_design_scores_gemma":[0.00046805548,0.00014953878,0.0026037772,0.0013415015,0.0004134673,0.000058622976,0.005163779,0.0007201333,0.00010179068,0.027854225,0.96021086,0.00091427553],"about_ca_topic_score_codex":0.002299428,"about_ca_topic_score_gemma":0.004327352,"teacher_disagreement_score":0.73140794,"about_ca_system_score_codex":0.00020317931,"about_ca_system_score_gemma":0.00048093873,"threshold_uncertainty_score":0.999723},"labels":[],"label_agreement":null},{"id":"W4392177686","doi":"10.7202/1109614ar","title":"Habiter la frontière entre le militantisme musical latino-américain et l’art subventionné canadien","year":2024,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.027583764831925463,"score_gpt":0.276327033385449,"score_spread":0.24874326855352355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392177686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06719004,0.04166498,0.0003265692,0.08162649,0.005322954,0.00072175986,0.00039797096,0.00049780175,0.80225146],"genre_scores_gemma":[0.69124854,0.00023221501,0.00007580821,0.004653641,0.0017742676,0.00005526833,0.00023750101,0.000044632787,0.30167815],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950947,0.001639621,0.0007952236,0.0010601162,0.0005336072,0.00087671354],"domain_scores_gemma":[0.9980062,0.0005736748,0.00017954326,0.0003993017,0.00038519193,0.00045609204],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014061781,0.0005553408,0.000778746,0.00024080602,0.00057167857,0.000985178,0.00052891177,0.0007045882,0.0016624888],"category_scores_gemma":[0.0003230301,0.0004993247,0.0008229444,0.0012784692,0.0012751842,0.0013186393,0.00010789021,0.0007131569,0.0003721618],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009350549,0.00018728376,0.0015628872,0.0002602781,0.00042309603,0.0005626422,0.06831776,0.0000015455795,0.0001827576,0.7176558,0.19933315,0.011503451],"study_design_scores_gemma":[0.0003216247,0.00008160984,0.0016737073,0.0005690442,0.00023858849,0.000037974027,0.0061522136,0.00027438908,0.000014258871,0.06644547,0.92359173,0.0005994034],"about_ca_topic_score_codex":0.013711125,"about_ca_topic_score_gemma":0.06819465,"teacher_disagreement_score":0.72425854,"about_ca_system_score_codex":0.00030078818,"about_ca_system_score_gemma":0.0008250046,"threshold_uncertainty_score":0.99974585},"labels":[],"label_agreement":null},{"id":"W4392412360","doi":"10.62212/revuepossibles.v47i1.716","title":"L’anémochorie des samares","year":2023,"lang":"fr","type":"article","venue":"Revue Possibles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.06271117784259897,"score_gpt":0.3144930320182695,"score_spread":0.25178185417567056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392412360","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5965889,0.14879835,0.000014953281,0.050719317,0.006941011,0.00036703586,0.00028832184,0.0005967928,0.19568534],"genre_scores_gemma":[0.43027234,0.02010994,0.00047772113,0.002119778,0.0062689506,0.00004821238,0.00017706466,0.000028957807,0.540497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980298,0.00031012666,0.0002972428,0.00039842853,0.0002476204,0.0007167441],"domain_scores_gemma":[0.9990242,0.00022232882,0.000111184214,0.00021745778,0.00018648253,0.0002383099],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045470588,0.00021862813,0.00034285194,0.00013415501,0.0010670943,0.00032647027,0.00037530172,0.00031294898,0.0012042788],"category_scores_gemma":[0.00025687687,0.00018988423,0.00031415882,0.003035762,0.0010371066,0.00047633643,0.0000898951,0.00022050417,0.0013278429],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024732255,0.00016489899,0.010976841,0.0006950232,0.0004524858,0.0002138106,0.04842252,0.00011282484,0.00085790845,0.2869777,0.3584373,0.29266396],"study_design_scores_gemma":[0.00017202689,0.000071913346,0.008199348,0.0003576885,0.00025829131,0.000009841987,0.0076671317,0.00010148914,0.00011672486,0.056447838,0.92620116,0.0003965156],"about_ca_topic_score_codex":0.001087547,"about_ca_topic_score_gemma":0.004083185,"teacher_disagreement_score":0.56776386,"about_ca_system_score_codex":0.00010401686,"about_ca_system_score_gemma":0.00008432806,"threshold_uncertainty_score":0.9997088},"labels":[],"label_agreement":null},{"id":"W4392423816","doi":"10.62212/revuepossibles.v45i2.665","title":"Trait d’union","year":2021,"lang":"fr","type":"article","venue":"Revue Possibles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trait; Political science; Psychology; Computer science; Programming language","score_opus":0.03454777052865068,"score_gpt":0.2843190695186698,"score_spread":0.24977129899001912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392423816","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17603286,0.28149098,0.0000587153,0.16185215,0.0071772006,0.00019906537,0.0002452768,0.0001264791,0.37281725],"genre_scores_gemma":[0.3465415,0.0076655047,0.000972784,0.006159627,0.005118546,0.000014506679,0.00018900722,0.00001663086,0.6333219],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982179,0.00053074147,0.0002621247,0.00037061272,0.00019405448,0.00042455952],"domain_scores_gemma":[0.9991878,0.000092711896,0.000102094236,0.00019686978,0.00023872734,0.00018175747],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029062046,0.00016689686,0.0003121365,0.00004147699,0.00052481686,0.00026039916,0.00020994007,0.00031099495,0.004450467],"category_scores_gemma":[0.00011009796,0.00015420979,0.00033351808,0.0012401134,0.00033830816,0.00035008273,0.000049571616,0.00022929204,0.0003741185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009116113,0.0004599739,0.0023798912,0.00045774897,0.00041340454,0.00042600013,0.033621814,0.000041033334,0.0029680424,0.57749885,0.10488507,0.27683908],"study_design_scores_gemma":[0.00014298818,0.00002994277,0.0023848405,0.0002173096,0.00024691157,0.000040028386,0.005094241,0.000044112825,0.00034237184,0.013332447,0.97786885,0.00025595812],"about_ca_topic_score_codex":0.00048194663,"about_ca_topic_score_gemma":0.004377978,"teacher_disagreement_score":0.87298375,"about_ca_system_score_codex":0.00007600989,"about_ca_system_score_gemma":0.00017693087,"threshold_uncertainty_score":0.9964596},"labels":[],"label_agreement":null},{"id":"W4392493792","doi":"","title":"From loan to imprint (Réjean Ducharme s dramas)","year":2013,"lang":"fr","type":"preprint","venue":"theses.fr (ABES)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Loan; Art; Art history; Visual arts; Business; Finance","score_opus":0.034701628849053756,"score_gpt":0.29088732611779017,"score_spread":0.2561856972687364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392493792","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7631255,0.0027119752,0.00010456547,0.023631878,0.006406791,0.0014101546,0.00039433443,0.0003009257,0.20191392],"genre_scores_gemma":[0.9589931,0.00057421724,0.0012350125,0.010842512,0.00816296,0.00027824205,0.0002651367,0.00007845552,0.019570403],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931653,0.0010972879,0.0010820841,0.0019426721,0.0011366828,0.0015759806],"domain_scores_gemma":[0.9956497,0.00045399897,0.0005954313,0.0014919721,0.00061441923,0.0011945105],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00093436043,0.0010851693,0.0015609224,0.0001954249,0.00093570264,0.0011678429,0.0026032669,0.0012156044,0.022621352],"category_scores_gemma":[0.00037387302,0.0008756448,0.0010814234,0.0010345643,0.0009406713,0.0005279945,0.0016745614,0.0016499503,0.016351826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008376966,0.0009240989,0.0022908628,0.000150675,0.0023791355,0.00009772691,0.30510497,0.00037925722,0.007952425,0.59212035,0.01868042,0.06983633],"study_design_scores_gemma":[0.00036884306,0.00011025814,0.0045648403,0.00033348307,0.00077388814,0.0000035098838,0.03234332,0.00017803704,0.00082501426,0.07766743,0.8813322,0.0014991683],"about_ca_topic_score_codex":0.1628301,"about_ca_topic_score_gemma":0.01167342,"teacher_disagreement_score":0.86265177,"about_ca_system_score_codex":0.00054873177,"about_ca_system_score_gemma":0.00026427166,"threshold_uncertainty_score":0.99986905},"labels":[],"label_agreement":null},{"id":"W4392744290","doi":"10.59876/a-4w46-6b0h","title":"Le grand tournant est là! / We've reached the turning point! / El momento ha llegado","year":2001,"lang":"en","type":"article","venue":"Management international","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01961069617185842,"score_gpt":0.28132600588973816,"score_spread":0.26171530971787976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392744290","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02425748,0.00027284477,0.0003559398,0.094413154,0.0011183608,0.00025149607,0.0000058581604,0.00006897148,0.8792559],"genre_scores_gemma":[0.9005934,0.0003598331,0.000120914476,0.0057023154,0.00073773426,0.0000412387,0.000044179775,0.0000074170907,0.09239299],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986723,0.00009103292,0.0002152248,0.00023772361,0.00052972627,0.0002540093],"domain_scores_gemma":[0.9995381,0.000042917112,0.00011289883,0.00013967499,0.00010440705,0.0000619491],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004949432,0.000115655916,0.00011359492,0.000081315135,0.00073696603,0.00046008042,0.0005820187,0.000042723077,0.00074059254],"category_scores_gemma":[0.000027989383,0.00007751147,0.00013632324,0.0002550429,0.00014488626,0.00036852158,0.00013338172,0.00013943846,0.00008523328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031088504,0.00012458919,0.0011033806,0.000004361666,0.00040773413,0.00006132752,0.007716598,0.00006217099,0.000055513337,0.91090184,0.07503487,0.0044965185],"study_design_scores_gemma":[0.000385381,0.000012614476,0.0013955176,0.00002142358,0.000057194833,0.000003802694,0.012595049,0.00014464167,0.00001120965,0.016363004,0.9688878,0.00012232638],"about_ca_topic_score_codex":0.0011839406,"about_ca_topic_score_gemma":0.004305285,"teacher_disagreement_score":0.8945388,"about_ca_system_score_codex":0.00008902628,"about_ca_system_score_gemma":0.000017280478,"threshold_uncertainty_score":0.81089693},"labels":[],"label_agreement":null},{"id":"W4392748438","doi":"10.32920/25399942","title":"Sister Writes","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sister; Visual arts; Art; Sociology; Political science; Law","score_opus":0.03880876815369654,"score_gpt":0.32148971428721757,"score_spread":0.282680946133521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392748438","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016635818,0.0050521316,0.000005760977,0.015654065,0.0022637923,0.00016797343,0.000021006863,0.00028701132,0.9599124],"genre_scores_gemma":[0.5279362,0.00015695232,0.00026355055,0.008480191,0.002574241,0.0000380753,0.00005911382,0.000010834026,0.46048084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885374,0.00011047974,0.00016995613,0.00038480142,0.0002528393,0.00022817632],"domain_scores_gemma":[0.9995223,0.00004386045,0.000043660682,0.00018598953,0.000113577524,0.00009060364],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025264092,0.00014856002,0.00022566205,0.00006586334,0.00021204248,0.00070157583,0.00033530474,0.00042491144,0.003587043],"category_scores_gemma":[0.000046099147,0.00009808879,0.00032443003,0.00021327249,0.00016938655,0.00004580582,0.00050850643,0.0005212907,0.000771684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003914482,0.000036848844,0.00032940914,0.00016915993,0.00041081876,0.000031100517,0.028201649,0.0000066737452,0.00006441131,0.5313998,0.4322273,0.007118928],"study_design_scores_gemma":[0.000021376667,0.000005142028,0.0000844167,0.00004935663,0.00018283886,2.9263472e-7,0.0031153003,0.000022847536,0.000016222975,0.16443998,0.83184576,0.00021647669],"about_ca_topic_score_codex":0.0014869596,"about_ca_topic_score_gemma":0.0064473506,"teacher_disagreement_score":0.5113004,"about_ca_system_score_codex":0.000051967745,"about_ca_system_score_gemma":0.00012796604,"threshold_uncertainty_score":0.9973238},"labels":[],"label_agreement":null},{"id":"W4392748439","doi":"10.32920/25399942.v1","title":"Sister Writes","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sister; Visual arts; Art; Sociology; Political science; Law","score_opus":0.03880876815369654,"score_gpt":0.32148971428721757,"score_spread":0.282680946133521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392748439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016635818,0.0050521316,0.000005760977,0.015654065,0.0022637923,0.00016797343,0.000021006863,0.00028701132,0.9599124],"genre_scores_gemma":[0.5279362,0.00015695232,0.00026355055,0.008480191,0.002574241,0.0000380753,0.00005911382,0.000010834026,0.46048084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885374,0.00011047974,0.00016995613,0.00038480142,0.0002528393,0.00022817632],"domain_scores_gemma":[0.9995223,0.00004386045,0.000043660682,0.00018598953,0.000113577524,0.00009060364],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025264092,0.00014856002,0.00022566205,0.00006586334,0.00021204248,0.00070157583,0.00033530474,0.00042491144,0.003587043],"category_scores_gemma":[0.000046099147,0.00009808879,0.00032443003,0.00021327249,0.00016938655,0.00004580582,0.00050850643,0.0005212907,0.000771684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003914482,0.000036848844,0.00032940914,0.00016915993,0.00041081876,0.000031100517,0.028201649,0.0000066737452,0.00006441131,0.5313998,0.4322273,0.007118928],"study_design_scores_gemma":[0.000021376667,0.000005142028,0.0000844167,0.00004935663,0.00018283886,2.9263472e-7,0.0031153003,0.000022847536,0.000016222975,0.16443998,0.83184576,0.00021647669],"about_ca_topic_score_codex":0.0014869596,"about_ca_topic_score_gemma":0.0064473506,"teacher_disagreement_score":0.5113004,"about_ca_system_score_codex":0.000051967745,"about_ca_system_score_gemma":0.00012796604,"threshold_uncertainty_score":0.9973238},"labels":[],"label_agreement":null},{"id":"W4393019250","doi":"10.7202/1103501ar","title":"À propos de l’enregistrement Montréal Postmoderne : vers un équilibre entre la production et la réception de l’oeuvre musicale","year":2023,"lang":"fr","type":"article","venue":"Petite revue de philosophie","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dawson College; Cegep Edouard Montpetit; Cegep de Trois-Rivieres; Cegep de Thetford","funders":"","keywords":"Humanities; Art","score_opus":0.024031152478449815,"score_gpt":0.2687185953200414,"score_spread":0.24468744284159158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393019250","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42835575,0.003536196,0.000042264823,0.5233157,0.0012877848,0.0006086374,0.000096126365,0.00031653934,0.042440977],"genre_scores_gemma":[0.9574423,0.0050047725,0.00052404206,0.0021135109,0.010755317,0.00010658996,0.00022781293,0.000047011992,0.02377868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966341,0.0011616384,0.0003635283,0.00066497346,0.00039908875,0.000776647],"domain_scores_gemma":[0.9988235,0.0001446436,0.00022533415,0.0003243601,0.00017024654,0.00031186786],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012274652,0.00032734947,0.00035939517,0.00014043863,0.0004946964,0.00021595282,0.00033210864,0.0004739025,0.00037320665],"category_scores_gemma":[0.0003093419,0.0003211249,0.00034261058,0.0012396239,0.00055335136,0.0004464112,0.00010999187,0.00057569327,0.00028917636],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037383818,0.0018749592,0.006607602,0.0013830961,0.0009695568,0.0011613789,0.1380715,0.005612108,0.016157914,0.7215364,0.035767604,0.07048401],"study_design_scores_gemma":[0.0008467279,0.00023659611,0.0074944478,0.00070259086,0.0009374763,0.00026213648,0.004400612,0.0029698727,0.00027432566,0.21206106,0.7689659,0.00084827835],"about_ca_topic_score_codex":0.0011475362,"about_ca_topic_score_gemma":0.0013442055,"teacher_disagreement_score":0.7331983,"about_ca_system_score_codex":0.00051819475,"about_ca_system_score_gemma":0.00025578172,"threshold_uncertainty_score":0.99992406},"labels":[],"label_agreement":null},{"id":"W4393974279","doi":"10.3138/ctr.196.005","title":"Reflections on Canadian Soundings: Plumbing the Depths of Voice in Canadian Theatre/Profondeurs de la Voix du Théâtre Canadien","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Geography; History","score_opus":0.024231559920032276,"score_gpt":0.32240910081660484,"score_spread":0.29817754089657256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393974279","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012404358,0.10496113,4.1235248e-7,0.0983031,0.0008822068,0.0010457435,0.00040542797,0.000057497076,0.7819401],"genre_scores_gemma":[0.9640097,0.01273982,0.000014014216,0.019367544,0.00048532587,0.00010136281,0.00004210834,0.000035935936,0.0032041809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678326,0.00085733394,0.0003800921,0.0004258901,0.0002310921,0.0013223555],"domain_scores_gemma":[0.99723953,0.0003294648,0.000065098604,0.00036813747,0.000102672726,0.0018951256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019739992,0.00026136346,0.00042356426,0.0006637677,0.0012511542,0.00029343096,0.0006638293,0.00027410436,0.00044548578],"category_scores_gemma":[0.00027431693,0.00019447943,0.00026767768,0.002453162,0.000364548,0.0001820499,0.000011657483,0.0006353314,0.00007479981],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000007199618,0.000044119774,0.026445137,0.0017497286,0.00072758173,0.0018515219,0.0634511,0.00009257628,0.000028935958,0.493815,0.2862907,0.12549639],"study_design_scores_gemma":[0.000043937784,0.00002030548,0.0010680946,0.0016887059,0.00019573327,0.000040470182,0.003067072,0.000018959367,0.0000011245374,0.0013283328,0.99229443,0.00023284827],"about_ca_topic_score_codex":0.99980944,"about_ca_topic_score_gemma":0.9999982,"teacher_disagreement_score":0.9516053,"about_ca_system_score_codex":0.0048357984,"about_ca_system_score_gemma":0.01384203,"threshold_uncertainty_score":0.99898446},"labels":[],"label_agreement":null},{"id":"W4394703115","doi":"10.25071/71bq3t19","title":"Taking care of business: Chrétien and the Americans","year":2004,"lang":"en","type":"article","venue":"Canada Watch","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.01346554447245711,"score_gpt":0.2415893754854455,"score_spread":0.22812383101298842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394703115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8369194,0.0047324244,0.000019387155,0.10909561,0.00047460682,0.0002289782,0.000025077865,0.000020015459,0.04848446],"genre_scores_gemma":[0.9969934,0.000051069972,0.00003304925,0.0022784318,0.00012668034,0.0000041501594,0.0000040670875,0.0000020359955,0.0005070935],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994875,0.000042506697,0.00008016343,0.00008779396,0.00017226074,0.000129734],"domain_scores_gemma":[0.99961835,0.000029952382,0.0000695819,0.00007070595,0.00016858964,0.000042806263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006800594,0.00004800357,0.00012234914,0.000006844921,0.0002901934,0.000027622424,0.00012516463,0.000028117161,0.00003618961],"category_scores_gemma":[0.00007969632,0.000027366035,0.000024478048,0.00036306103,0.00038911583,0.000046717156,0.000015878466,0.000050595434,2.2394757e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001251544,0.000062999105,0.03141212,0.00021357095,0.00052343955,0.00008355014,0.61163485,0.0011456376,0.0009264909,0.15378115,0.13202645,0.068064615],"study_design_scores_gemma":[0.0009693267,0.000015679687,0.02752282,0.000041308296,0.00013976987,0.0000021288427,0.13491495,0.00000398984,0.00016999328,0.0025050172,0.8334893,0.00022570638],"about_ca_topic_score_codex":0.95193505,"about_ca_topic_score_gemma":0.9780875,"teacher_disagreement_score":0.70146286,"about_ca_system_score_codex":0.00008625252,"about_ca_system_score_gemma":0.00043918163,"threshold_uncertainty_score":0.22319622},"labels":[],"label_agreement":null},{"id":"W4394715757","doi":"10.62212/revuepossibles.v43i1.117","title":"Mon ange","year":2019,"lang":"fr","type":"article","venue":"Revue Possibles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.028775515691254864,"score_gpt":0.2790561103085748,"score_spread":0.25028059461731994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394715757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6140317,0.10258223,0.0000023503846,0.02229108,0.0044946047,0.0002733002,0.00006968529,0.00006908749,0.25618595],"genre_scores_gemma":[0.561915,0.00265818,0.00018554193,0.0028445064,0.0021923212,0.000009318926,0.00003660427,0.000010584194,0.43014795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985834,0.00020842835,0.0002267953,0.00034610837,0.00019048862,0.00044477868],"domain_scores_gemma":[0.9993089,0.00007816488,0.00012245901,0.00022747654,0.00011169858,0.00015134031],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023715901,0.00017276341,0.00032063574,0.00005774859,0.0002648499,0.0001815568,0.00029096616,0.00030125544,0.0043702745],"category_scores_gemma":[0.000034600096,0.00014653263,0.00026592193,0.00081335334,0.00024726885,0.00043236028,0.00004926658,0.00020644652,0.0038461953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041219442,0.0004547322,0.07437604,0.0009967916,0.00053861435,0.000079893725,0.048804257,0.00008118267,0.0027263404,0.5839911,0.145192,0.14271784],"study_design_scores_gemma":[0.00017216276,0.00008124375,0.0051085055,0.00021751787,0.00017073507,0.0000074583063,0.00303704,0.00011615429,0.000084532854,0.006570545,0.98413074,0.0003033916],"about_ca_topic_score_codex":0.0009821043,"about_ca_topic_score_gemma":0.0014829412,"teacher_disagreement_score":0.8389387,"about_ca_system_score_codex":0.00007918246,"about_ca_system_score_gemma":0.000059916965,"threshold_uncertainty_score":0.9969294},"labels":[],"label_agreement":null},{"id":"W4394857455","doi":"10.33871/vortex.2024.12.8348","title":"Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II","year":2024,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Fundação para a Ciência e a Tecnologia","keywords":"Symphony; Musical; Perspective (graphical); Narrative; Sociology; Violin; Visual arts; Art; Art history; Literature","score_opus":0.05838162606990162,"score_gpt":0.3227652867570601,"score_spread":0.2643836606871585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394857455","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8637273,0.037313405,0.0001399091,0.015792038,0.0011215037,0.00085643586,0.000098559794,0.0009278037,0.08002309],"genre_scores_gemma":[0.9589389,0.00040555772,0.00022209212,0.001133026,0.0015119032,0.000026147236,0.00007376848,0.000022185779,0.03766643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829674,0.00021490883,0.0002486666,0.00045394705,0.0003459251,0.00043982343],"domain_scores_gemma":[0.9992144,0.00018906283,0.00008207025,0.00021948456,0.00012067116,0.00017427227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047561023,0.00020725436,0.00033415528,0.000084997795,0.00089743076,0.00074214605,0.0002970007,0.00013880413,0.0005875495],"category_scores_gemma":[0.00019462784,0.00013715129,0.00019737944,0.0008437556,0.00035347283,0.0005074971,0.0000558454,0.00030633024,0.00016026634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013154707,0.00038624645,0.00719903,0.0010376942,0.0016901243,0.00091006496,0.22134152,0.00003148401,0.007183693,0.49130744,0.15607816,0.11270298],"study_design_scores_gemma":[0.00013245283,0.000108718436,0.00022882159,0.00020542678,0.00022281401,0.000008370051,0.005088604,0.000042493382,0.000032392527,0.0004271196,0.99322206,0.00028075057],"about_ca_topic_score_codex":0.0010871999,"about_ca_topic_score_gemma":0.0022556512,"teacher_disagreement_score":0.8371439,"about_ca_system_score_codex":0.000086262844,"about_ca_system_score_gemma":0.00022610048,"threshold_uncertainty_score":0.7156532},"labels":[],"label_agreement":null},{"id":"W4395450728","doi":"10.7202/1110504ar","title":"La partition en arts vivants : regard(s) sur l’utilisation du mot « partition » chez des artistes québécois·es","year":2021,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Partition (number theory); The arts; Art; Humanities; Mathematics; Combinatorics; Visual arts","score_opus":0.05359104075232357,"score_gpt":0.28951555789481737,"score_spread":0.2359245171424938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395450728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9593654,0.004654139,0.0008999032,0.019166378,0.0021544518,0.00044665643,0.0002000711,0.00024317481,0.0128697865],"genre_scores_gemma":[0.9808321,0.004030251,0.00073391944,0.0012855089,0.0019427896,0.00020536421,0.00080289005,0.0000440801,0.010123105],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99451184,0.002200274,0.00087104755,0.00089037,0.0007326054,0.0007938665],"domain_scores_gemma":[0.9972405,0.0006779574,0.00032994724,0.00047979483,0.00091888645,0.00035292286],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011287637,0.0004980926,0.0005909472,0.00014925929,0.001927412,0.00082873274,0.00029767354,0.0005578704,0.002437066],"category_scores_gemma":[0.0015111516,0.00049315277,0.00038161565,0.0012179073,0.0010187259,0.0037446073,0.000119272125,0.00044883497,0.0006527523],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011462674,0.0028787747,0.017883684,0.00038764853,0.00077118236,0.00033137298,0.5429736,0.0014217534,0.021578368,0.24408898,0.030154077,0.13741598],"study_design_scores_gemma":[0.0014793411,0.00029984466,0.07376841,0.0011314581,0.0014188858,0.00013376388,0.21370663,0.0042693494,0.016602,0.07181981,0.61336553,0.002004992],"about_ca_topic_score_codex":0.0014090074,"about_ca_topic_score_gemma":0.07111762,"teacher_disagreement_score":0.5832114,"about_ca_system_score_codex":0.00041217048,"about_ca_system_score_gemma":0.00042340826,"threshold_uncertainty_score":0.999752},"labels":[],"label_agreement":null},{"id":"W4395460149","doi":"10.1515/9782760642539","title":"Le théâtre contemporain au Québec, 1945-2015","year":2020,"lang":"fr","type":"book","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013776982801118925,"score_gpt":0.20437920087830191,"score_spread":0.190602218077183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395460149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069314707,0.01879273,0.00011054465,0.02592099,0.00038262986,0.00056766113,0.00043968123,0.00024193562,0.94661236],"genre_scores_gemma":[0.21911815,0.0005257321,0.00023185245,0.005049396,0.001412092,0.00002010359,0.00038508262,0.00007127676,0.7731863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99616474,0.0008586469,0.00047924637,0.0008979418,0.0005694127,0.0010300124],"domain_scores_gemma":[0.9975587,0.00036534466,0.00056640763,0.00044306778,0.00026717834,0.0007992878],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00027954252,0.0007254967,0.0010190582,0.00012372226,0.0026715002,0.00021623063,0.0013321283,0.0012721304,0.00088384],"category_scores_gemma":[0.00010460462,0.000725726,0.000874559,0.00018373285,0.0014528496,0.00025501504,0.0006596917,0.0010280004,0.00024603787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055750983,0.00015449926,0.002713861,0.00039997086,0.0021184199,0.0022811696,0.09244482,0.00015683113,0.00087110803,0.1484933,0.7176849,0.032123584],"study_design_scores_gemma":[0.0007854261,0.00014235175,0.00048843276,0.00017484237,0.0010077432,0.00003295779,0.008686362,0.00013311928,0.000099030345,0.0026952655,0.9849739,0.00078057224],"about_ca_topic_score_codex":0.6821408,"about_ca_topic_score_gemma":0.9244351,"teacher_disagreement_score":0.26728898,"about_ca_system_score_codex":0.0033191252,"about_ca_system_score_gemma":0.004355935,"threshold_uncertainty_score":0.9995194},"labels":[],"label_agreement":null},{"id":"W4395460488","doi":"10.1515/9782763727011-010","title":"L’enseignement de la musique, la ry thmique Jaques-Dalcroze et le programme de formation de l’école québécoise : une cohérence à découvrir","year":2016,"lang":"fr","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.023822627922506192,"score_gpt":0.2733722861155506,"score_spread":0.2495496581930444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395460488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00325475,0.0011181615,0.006249596,0.017405607,0.00020856706,0.0008196173,0.00005827665,0.00023466503,0.97065073],"genre_scores_gemma":[0.39831492,0.002951252,0.007756601,0.033304587,0.0011694648,0.00042117128,0.00012599515,0.00008579109,0.55587023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99578476,0.0011635193,0.00070102204,0.00062888477,0.0005097915,0.0012120067],"domain_scores_gemma":[0.997595,0.00059287983,0.0005338031,0.00035400008,0.00039950464,0.0005248219],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025265329,0.00063370855,0.00064872555,0.0001634768,0.0009770894,0.00050920487,0.00060689944,0.001431241,0.0010878874],"category_scores_gemma":[0.00016410007,0.00046779407,0.0005635534,0.0003110918,0.0015017178,0.0007921225,0.00014655432,0.000739703,0.000094290954],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003788988,0.00019012805,0.00011483685,0.000103615974,0.0002124146,0.00006552229,0.014962992,0.000024406017,0.00068958785,0.9547975,0.005141806,0.023659298],"study_design_scores_gemma":[0.00055589224,0.00017612992,0.0006418981,0.00042894587,0.0002894553,0.00006859308,0.0032877347,0.000296554,0.00025931542,0.19407071,0.7991623,0.0007624721],"about_ca_topic_score_codex":0.021473391,"about_ca_topic_score_gemma":0.10360121,"teacher_disagreement_score":0.7940205,"about_ca_system_score_codex":0.0010012501,"about_ca_system_score_gemma":0.0021569482,"threshold_uncertainty_score":0.9998651},"labels":[],"label_agreement":null},{"id":"W4396595486","doi":"10.7202/1110924ar","title":"Professionnalisation, discours et représentations des compositrices de musique contemporaine au Québec : étude de la portée","year":2022,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Art; Political science; Humanities","score_opus":0.06365617878919556,"score_gpt":0.41414177329331636,"score_spread":0.3504855945041208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396595486","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8158534,0.0048589045,0.0035823255,0.06456746,0.0004231529,0.000690455,0.000116019415,0.00019296193,0.10971527],"genre_scores_gemma":[0.9227999,0.0016998737,0.009193995,0.047761656,0.0008899921,0.0006258037,0.00016098192,0.00007875433,0.016789084],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9520662,0.045020305,0.00069793983,0.0006740172,0.00050288707,0.001038642],"domain_scores_gemma":[0.98954666,0.008617999,0.0006064946,0.00038424856,0.0002837201,0.0005608983],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.014592356,0.00050226453,0.0006499728,0.00019876174,0.0029860192,0.00031143852,0.0008476869,0.0020809006,0.0006950262],"category_scores_gemma":[0.0031075003,0.00049820077,0.00062270416,0.0015834402,0.0030570326,0.0005500633,0.00017441236,0.004940037,0.0000062385443],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00011247572,0.00063096854,0.01322046,0.00015940683,0.0005635792,0.00020286324,0.6487808,0.0007966812,0.0050709173,0.31507802,0.004566048,0.010817734],"study_design_scores_gemma":[0.0013153014,0.0001656604,0.022436285,0.00023898439,0.0010411632,0.0003087451,0.54243183,0.0005542725,0.0005165531,0.24166302,0.18822026,0.0011078994],"about_ca_topic_score_codex":0.43510824,"about_ca_topic_score_gemma":0.36972326,"teacher_disagreement_score":0.18365422,"about_ca_system_score_codex":0.015017344,"about_ca_system_score_gemma":0.012600536,"threshold_uncertainty_score":0.999747},"labels":[],"label_agreement":null},{"id":"W4399160921","doi":"10.1515/9782760635227-021","title":"La Place des Arts et la Maison Symphonique de Montréal","year":2016,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.012571728200985436,"score_gpt":0.21257354877463333,"score_spread":0.2000018205736479,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399160921","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041466706,0.019156422,0.00073083455,0.0018029651,0.00015299003,0.000365005,0.00025796032,0.00021789157,0.93584925],"genre_scores_gemma":[0.49413776,0.009585426,0.0015806628,0.0022421794,0.00059201516,0.00003055955,0.00005323621,0.00011608049,0.49166209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99616855,0.0011421797,0.00039320556,0.00076737726,0.00046718112,0.0010615321],"domain_scores_gemma":[0.9973681,0.0009473608,0.00042926925,0.00042831435,0.00022844863,0.00059853203],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006931137,0.00075379317,0.0007619324,0.00016869273,0.0015637055,0.0002852883,0.0008815789,0.0018341965,0.0012974286],"category_scores_gemma":[0.000078586854,0.00065452995,0.00069490547,0.000071528884,0.0017280396,0.0003119414,0.000519,0.00091572816,0.00013992032],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005938112,0.00010151905,0.001865745,0.00021911276,0.0011769289,0.0030085295,0.04235767,0.00019119986,0.0022862474,0.7193975,0.010553955,0.21824779],"study_design_scores_gemma":[0.0008487437,0.0001240204,0.001525601,0.0006278449,0.0009789354,0.00032201983,0.0027167876,0.00009712241,0.00034003632,0.03325017,0.95831573,0.0008530114],"about_ca_topic_score_codex":0.04511809,"about_ca_topic_score_gemma":0.22942948,"teacher_disagreement_score":0.9477618,"about_ca_system_score_codex":0.0018597426,"about_ca_system_score_gemma":0.00034589716,"threshold_uncertainty_score":0.99973613},"labels":[],"label_agreement":null},{"id":"W4399190713","doi":"10.1515/9782763735924-009","title":"Éducation, jeunes et musiques émergentes à Montréal.","year":2017,"lang":"fr","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.053063744038262105,"score_gpt":0.31243483855803295,"score_spread":0.25937109451977086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399190713","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00083583914,0.01922831,0.000017899318,0.039551307,0.0029626845,0.00026995697,0.000047147052,0.00010356258,0.9369833],"genre_scores_gemma":[0.030283445,0.011047857,0.00045640938,0.010054535,0.0022683258,0.000025241734,0.00018176627,0.000030267245,0.9456521],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976882,0.00019670883,0.00051318674,0.0006778686,0.00046917677,0.0004548907],"domain_scores_gemma":[0.9977252,0.00013050895,0.0005814613,0.00057127373,0.00072739716,0.00026414412],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049568247,0.000524893,0.0006659284,0.00010351622,0.0017127264,0.00049566216,0.00074366736,0.0007606491,0.015016299],"category_scores_gemma":[0.00018474773,0.00038922534,0.0006355639,0.00006184246,0.0012236438,0.00065250095,0.00013364371,0.00042509122,0.0012937225],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004571011,0.000052316296,0.0003701107,0.000025113892,0.00033916644,0.000008064251,0.008008505,0.0000012768302,0.000022644632,0.9100318,0.07317015,0.007966267],"study_design_scores_gemma":[0.0000757849,0.000040391635,0.0005529083,0.00009756138,0.00036328114,0.0000027351884,0.0021443877,0.0000074105187,0.0000141877035,0.11004606,0.88617337,0.00048190504],"about_ca_topic_score_codex":0.034033846,"about_ca_topic_score_gemma":0.16993861,"teacher_disagreement_score":0.81300324,"about_ca_system_score_codex":0.00012854258,"about_ca_system_score_gemma":0.00023390348,"threshold_uncertainty_score":0.99985594},"labels":[],"label_agreement":null},{"id":"W4399410523","doi":"10.1515/9782760643079-010","title":"Orchestrer le Québec","year":2020,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.01699776392602476,"score_gpt":0.1952019494730181,"score_spread":0.17820418554699335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399410523","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00603975,0.02262236,0.000090710855,0.011232716,0.0002013247,0.00029487035,0.00013782745,0.00017594539,0.9592045],"genre_scores_gemma":[0.3860404,0.001279471,0.0005862244,0.005119726,0.0010559781,0.000010254767,0.00010273577,0.00007561486,0.6057296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975604,0.0002627691,0.00034208235,0.0007257054,0.00041584438,0.0006932346],"domain_scores_gemma":[0.99831545,0.00021304442,0.00035018,0.00034889596,0.00018764495,0.0005847755],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013208235,0.0005868612,0.0006913784,0.000091686416,0.0017211173,0.00016504504,0.00093019597,0.0010333165,0.0032666994],"category_scores_gemma":[0.000048182865,0.000581394,0.0007046755,0.00007827795,0.0011570394,0.00017848394,0.0005299211,0.000845914,0.00038120887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040969794,0.00008739444,0.0016380547,0.00023973451,0.0019177733,0.0021725702,0.042214815,0.0001994852,0.0020531334,0.71143186,0.064921,0.17271449],"study_design_scores_gemma":[0.00044801872,0.00010198725,0.00043566205,0.00011145628,0.0010019334,0.00003209437,0.0031462938,0.00012459946,0.00022094417,0.0074220635,0.98631305,0.0006419263],"about_ca_topic_score_codex":0.392463,"about_ca_topic_score_gemma":0.61529255,"teacher_disagreement_score":0.921392,"about_ca_system_score_codex":0.0011838197,"about_ca_system_score_gemma":0.00066176755,"threshold_uncertainty_score":0.9996638},"labels":[],"label_agreement":null},{"id":"W4399497882","doi":"10.7202/1111590ar","title":"« En hommage à Serge Provost » : dialogues croisés entre les oeuvres musicales de Michel Gonneville, Jimmie LeBlanc et Hans Martin","year":2024,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.04168297441345471,"score_gpt":0.2931013757170945,"score_spread":0.2514184013036398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399497882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28970098,0.19281642,0.0005081355,0.104347326,0.00704356,0.0016140962,0.0010310546,0.0012975433,0.40164086],"genre_scores_gemma":[0.8172,0.0020738991,0.00018658525,0.008255756,0.006008211,0.00017183887,0.0004137777,0.000091362264,0.16559857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937767,0.0021200655,0.0009999041,0.0012792015,0.00056180794,0.0012623589],"domain_scores_gemma":[0.9973141,0.00095777656,0.00030544252,0.00050105015,0.00044827716,0.00047333137],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017679904,0.0008439775,0.0010720162,0.00028262965,0.0007848329,0.0014532071,0.0008755221,0.00095877005,0.0017033368],"category_scores_gemma":[0.0008029456,0.00071556075,0.0008968942,0.0012698603,0.0016438771,0.0013493785,0.00021028623,0.00096087647,0.0002893878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004604756,0.0004838258,0.0073966715,0.0010612686,0.0009893752,0.0007768648,0.26417953,0.0000044147305,0.0066164797,0.4509227,0.24320783,0.024314998],"study_design_scores_gemma":[0.0003510256,0.00014981473,0.0023193746,0.0010090844,0.00045300557,0.000032087846,0.015516472,0.00017752298,0.00039089788,0.057527483,0.92107654,0.0009967159],"about_ca_topic_score_codex":0.008038127,"about_ca_topic_score_gemma":0.029642245,"teacher_disagreement_score":0.67786866,"about_ca_system_score_codex":0.00034090434,"about_ca_system_score_gemma":0.00065620453,"threshold_uncertainty_score":0.99958336},"labels":[],"label_agreement":null},{"id":"W4399497905","doi":"10.7202/1111588ar","title":"Au coeur du son : regards sur l’oeuvre pour piano de Serge Provost","year":2024,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04009830900199762,"score_gpt":0.27991027880494823,"score_spread":0.2398119698029506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399497905","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24980205,0.07224231,0.0002782661,0.08421288,0.008662772,0.0010668276,0.0002819428,0.0008877653,0.5825652],"genre_scores_gemma":[0.67713857,0.0006354941,0.000032321987,0.005716866,0.0065386747,0.00007864684,0.00009021802,0.000055469405,0.30971372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99548346,0.0010039735,0.00076326285,0.0010247026,0.0005538713,0.0011707173],"domain_scores_gemma":[0.99771667,0.00037349932,0.00024748538,0.00042781394,0.00074275554,0.00049180514],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001658039,0.0006242117,0.00080730685,0.00021370157,0.00080284086,0.0010096818,0.0006932009,0.0007846666,0.0014508588],"category_scores_gemma":[0.00060320616,0.0005398993,0.0007335528,0.0014675605,0.00093169895,0.0012726749,0.00011300626,0.0006512431,0.00036043875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003198029,0.00034254702,0.010760443,0.001053927,0.00080185843,0.0009615496,0.16201611,0.000003478131,0.0017221053,0.5843963,0.19258985,0.045319837],"study_design_scores_gemma":[0.0003442475,0.00012874015,0.0020501597,0.00080453133,0.00036202607,0.00006511505,0.0046635903,0.00047443947,0.00015437603,0.041103914,0.9491103,0.0007385389],"about_ca_topic_score_codex":0.013192885,"about_ca_topic_score_gemma":0.013923942,"teacher_disagreement_score":0.75652045,"about_ca_system_score_codex":0.00068143633,"about_ca_system_score_gemma":0.0019576915,"threshold_uncertainty_score":0.99970526},"labels":[],"label_agreement":null},{"id":"W4399820517","doi":"10.1515/9782760541962-004","title":"Les spectacles sur scène à Montréal, avant la Place des Arts","year":2015,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.030329110505484997,"score_gpt":0.21841607649025033,"score_spread":0.18808696598476532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399820517","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0624306,0.038305502,0.00007713742,0.0017567357,0.000329114,0.00034437547,0.000108700144,0.00020820877,0.8964396],"genre_scores_gemma":[0.43540183,0.002297715,0.00031692794,0.0004993205,0.00095219066,0.000008217828,0.00004262871,0.00007014234,0.56041104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99722373,0.00034443452,0.00039547714,0.0007356781,0.0005879924,0.0007126621],"domain_scores_gemma":[0.9973756,0.0005624534,0.00043141012,0.00039884888,0.00067685934,0.0005548355],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039957272,0.0006880211,0.00081036554,0.0001703169,0.0014116254,0.00030614116,0.00090629066,0.00083370873,0.009186125],"category_scores_gemma":[0.00014138635,0.0006254891,0.00055777445,0.00006543571,0.0025859724,0.00038068232,0.00039842672,0.0006962737,0.00075511687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065514044,0.0003145444,0.006760693,0.00051224604,0.0030602,0.0023286808,0.18191265,0.00033798008,0.0008875224,0.40143186,0.15006334,0.25173515],"study_design_scores_gemma":[0.00052701606,0.000113622424,0.0006345564,0.0003021064,0.001178695,0.00006357749,0.004636358,0.00007882483,0.00006938341,0.0051324693,0.98651826,0.0007451248],"about_ca_topic_score_codex":0.26327455,"about_ca_topic_score_gemma":0.74395984,"teacher_disagreement_score":0.8364549,"about_ca_system_score_codex":0.0009309879,"about_ca_system_score_gemma":0.00086542225,"threshold_uncertainty_score":0.9998884},"labels":[],"label_agreement":null},{"id":"W4399840857","doi":"10.1515/9782760534711-016","title":"L’enseignement des Arts et Les Dispositifs Multimodaux dans les Pratiques Culturelles des Jeunes","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Political science; Sociology","score_opus":0.023359556608543854,"score_gpt":0.23174812738923717,"score_spread":0.2083885707806933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399840857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31978098,0.06233372,0.0012238489,0.0016111889,0.00028164385,0.0008194157,0.00021731446,0.0003521025,0.6133798],"genre_scores_gemma":[0.82586086,0.006688012,0.0024415147,0.0008057596,0.0008273789,0.00003839128,0.00014363306,0.00008732427,0.1631071],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966463,0.0005409947,0.00053342065,0.00078779925,0.00054449367,0.00094699085],"domain_scores_gemma":[0.9974924,0.0004185048,0.0005537867,0.0003970432,0.00062486244,0.00051345426],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00035026614,0.000936741,0.00081955804,0.00015465682,0.0034991794,0.0003758621,0.00088797294,0.0010604219,0.0057930197],"category_scores_gemma":[0.00008358588,0.0007910051,0.0007391596,0.00008195333,0.0041936263,0.00064061565,0.00042355212,0.00078271586,0.00016596346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018873654,0.00034561937,0.030278403,0.00060556043,0.002199186,0.00022343843,0.57219607,0.00011264415,0.0050187595,0.26231715,0.0076458114,0.1188686],"study_design_scores_gemma":[0.00051337923,0.00021574779,0.010300606,0.00080548384,0.0027317551,0.00005818429,0.050439455,0.000057543097,0.0017457965,0.004937338,0.9267928,0.0014019243],"about_ca_topic_score_codex":0.14110695,"about_ca_topic_score_gemma":0.6832846,"teacher_disagreement_score":0.91914696,"about_ca_system_score_codex":0.00083697366,"about_ca_system_score_gemma":0.0004636838,"threshold_uncertainty_score":0.9994541},"labels":[],"label_agreement":null},{"id":"W4400794509","doi":"10.1515/9782763718019-009","title":"Québec, Centre de Production Théâtrale","year":2013,"lang":"fr","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.023718242011445168,"score_gpt":0.23960364808481274,"score_spread":0.21588540607336756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400794509","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00475084,0.0031548557,0.000005716981,0.06726782,0.0016071686,0.00035869074,0.000009305331,0.000099471275,0.9227461],"genre_scores_gemma":[0.023637239,0.0008941648,0.00035555134,0.0039597065,0.0033759465,0.000010105339,0.000041800853,0.000020264084,0.96770525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981549,0.00012185268,0.00032448667,0.0005659481,0.00032543222,0.0005074121],"domain_scores_gemma":[0.9989317,0.000053099066,0.00020694059,0.00024374989,0.00032249137,0.00024198538],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002024207,0.00035009987,0.00039584396,0.00005712356,0.00067132694,0.00016613615,0.00029527218,0.0006637309,0.07901547],"category_scores_gemma":[0.00006948341,0.00025706977,0.0004055596,0.00012735695,0.0007990641,0.00037584343,0.000046045752,0.00041017923,0.006116129],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004431855,0.000048388214,0.00026170508,0.000028206903,0.00023217291,0.0000056287795,0.006369228,0.000005638672,0.00014780722,0.7586572,0.21209088,0.0221487],"study_design_scores_gemma":[0.000051330055,0.000023666209,0.00014210341,0.00006129442,0.0003191248,0.0000051962343,0.0015926684,0.000012369368,0.00006352419,0.009225853,0.98813397,0.00036889536],"about_ca_topic_score_codex":0.062712,"about_ca_topic_score_gemma":0.23538913,"teacher_disagreement_score":0.7760431,"about_ca_system_score_codex":0.00030047793,"about_ca_system_score_gemma":0.00025382487,"threshold_uncertainty_score":0.99998814},"labels":[],"label_agreement":null},{"id":"W4401628600","doi":"10.21083/nrsc.v2023i17.7201","title":"Alain Thomas et le Salon du Livre de Toronto : Entretien avec Valéry Vlad","year":2023,"lang":"fr","type":"article","venue":"Nouvelle Revue Synergies Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Humanities; Art","score_opus":0.010314771553519597,"score_gpt":0.22772490177883065,"score_spread":0.21741013022531105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401628600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39785713,0.061750267,0.0000147367355,0.29649737,0.013041064,0.0006946691,0.00049782696,0.00042084712,0.22922607],"genre_scores_gemma":[0.6384276,0.0065070135,0.00014912341,0.004706017,0.0021227042,0.000048135353,0.0001558309,0.000043171072,0.34784037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996558,0.0006854758,0.000436671,0.00059777295,0.00064057397,0.0010814866],"domain_scores_gemma":[0.99841815,0.0003577854,0.00019732672,0.00037044624,0.00024418495,0.00041209086],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007701346,0.00036996556,0.00053903554,0.000048865822,0.0011125464,0.0002495434,0.000619662,0.0004005901,0.0014528299],"category_scores_gemma":[0.00032357173,0.00035619506,0.00030117633,0.0009999383,0.0003907244,0.00044764747,0.00019031383,0.00032089688,0.00006411145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015646323,0.000082519386,0.0006396219,0.00017173255,0.000276737,0.00039528427,0.08855581,0.00060206983,0.00017724613,0.0559376,0.8459829,0.0071628466],"study_design_scores_gemma":[0.00021446863,0.00004942809,0.0013390748,0.00012360608,0.00013718118,0.00001476573,0.080730565,0.00061677134,0.000055689467,0.00058952975,0.9156858,0.00044312346],"about_ca_topic_score_codex":0.9568288,"about_ca_topic_score_gemma":0.99641997,"teacher_disagreement_score":0.29179138,"about_ca_system_score_codex":0.0017023872,"about_ca_system_score_gemma":0.004428623,"threshold_uncertainty_score":0.999889},"labels":[],"label_agreement":null},{"id":"W4403197683","doi":"10.3828/liverpool/9781802074765.003.0012","title":"From Film School to the Big Screen: The “Quebec Label” in the 21st Century","year":2024,"lang":"en","type":"book-chapter","venue":"Liverpool University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art","score_opus":0.028780489099480187,"score_gpt":0.2271011409722135,"score_spread":0.19832065187273332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403197683","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002706916,0.001705255,0.000002374988,0.0038879272,0.00069107715,0.0008357502,0.000528065,0.00007466167,0.9920042],"genre_scores_gemma":[0.005227928,0.00052329915,0.000011934734,0.0050521,0.0017569907,0.0000048828697,0.00006559157,0.00001796937,0.9873393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978456,0.00043155215,0.00018943124,0.0005439195,0.000608435,0.00038107022],"domain_scores_gemma":[0.9985538,0.00040085035,0.00013511081,0.0006332558,0.00013068288,0.00014629564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044452658,0.00033270652,0.00031437192,0.00010968269,0.0011845131,0.00054776826,0.0022157356,0.00045576802,0.00030813858],"category_scores_gemma":[0.000035311612,0.00017648457,0.00031653442,0.00009368856,0.00058527547,0.00011792191,0.00052334624,0.0011597255,0.00020089315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005259242,0.000015110329,0.000004250317,0.000009556565,0.0003578013,0.00013975083,0.037840806,0.0000057999237,0.0000047147855,0.8985912,0.055074554,0.00790385],"study_design_scores_gemma":[0.00013868665,0.000019085905,0.00005274104,0.00011631493,0.0004929193,7.3241205e-7,0.023445446,0.000009074096,0.0000013650897,0.0023995102,0.9730654,0.00025872476],"about_ca_topic_score_codex":0.10973799,"about_ca_topic_score_gemma":0.2130011,"teacher_disagreement_score":0.91799086,"about_ca_system_score_codex":0.0002295995,"about_ca_system_score_gemma":0.00021775055,"threshold_uncertainty_score":0.9110437},"labels":[],"label_agreement":null},{"id":"W4403254813","doi":"10.14428/lpl.v15i37.85453","title":"partition des Rythmes sur tabla","year":2024,"lang":"fr","type":"article","venue":"Les Pages du laa","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"L'Alliance Boviteq","funders":"","keywords":"Humanities; Art","score_opus":0.03823951904037837,"score_gpt":0.2764089734740045,"score_spread":0.23816945443362614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403254813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5492957,0.31241366,0.00010638677,0.049888067,0.0050206394,0.00018942163,0.00010020694,0.00033487138,0.08265099],"genre_scores_gemma":[0.8622342,0.008653401,0.000116209725,0.0015645105,0.0028765793,0.000018315843,0.00004590667,0.000013087642,0.12447782],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984966,0.00031148852,0.00021007025,0.00033594362,0.0002308525,0.00041507932],"domain_scores_gemma":[0.9994219,0.00017654044,0.00004442391,0.00011451998,0.00012136468,0.000121274476],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003302871,0.00018068081,0.00021586154,0.000049532377,0.000627204,0.0006055495,0.00016937671,0.00026208875,0.0031544697],"category_scores_gemma":[0.00009416995,0.00014023845,0.00025260137,0.00077640364,0.00082270755,0.00069396844,0.000043609853,0.00023358192,0.0007125612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008921368,0.0001588759,0.004947232,0.00040811987,0.00038598484,0.00024038606,0.030085208,0.000036114423,0.00073782,0.44561908,0.25302914,0.2643431],"study_design_scores_gemma":[0.00006495546,0.000046600402,0.003360795,0.00020061267,0.0002475465,0.000009972464,0.0028018786,0.00029517894,0.00014378226,0.020242995,0.97236764,0.00021805736],"about_ca_topic_score_codex":0.0015851238,"about_ca_topic_score_gemma":0.008152828,"teacher_disagreement_score":0.7193385,"about_ca_system_score_codex":0.00009460869,"about_ca_system_score_gemma":0.00005835761,"threshold_uncertainty_score":0.9977568},"labels":[],"label_agreement":null},{"id":"W4403307695","doi":"10.7202/1113313ar","title":"L’influence de Debussy dans la musique de film fantastique sombre","year":2024,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.012578583246515672,"score_gpt":0.2729193827588562,"score_spread":0.2603407995123405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403307695","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81768847,0.031050257,0.001144066,0.030911826,0.005224632,0.00041558262,0.00021237336,0.00042829182,0.11292449],"genre_scores_gemma":[0.88691515,0.0023776153,0.0009265732,0.0101993345,0.011610451,0.000093238334,0.00003976173,0.00005665561,0.087781236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966968,0.00081967737,0.00042729863,0.00075053587,0.0002711252,0.001034504],"domain_scores_gemma":[0.99833,0.0005882556,0.00009762616,0.00034460923,0.00014197701,0.0004975354],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008626678,0.0003825618,0.0004833781,0.00010313288,0.0005365032,0.0005793887,0.0006169748,0.00081071845,0.0009071941],"category_scores_gemma":[0.00032849502,0.00034610252,0.0005111706,0.0015021923,0.0011475362,0.00054659013,0.00013467338,0.00096471375,0.00041108907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026918244,0.00047830233,0.0018559383,0.0014767206,0.0005241974,0.0028359264,0.19327538,0.0019702655,0.019690907,0.6398651,0.10425581,0.033744555],"study_design_scores_gemma":[0.00013748597,0.000073919095,0.0024580641,0.0010341356,0.00048318098,0.00031916492,0.0031738186,0.0040358338,0.00047797,0.018958269,0.9682844,0.0005637447],"about_ca_topic_score_codex":0.0023250466,"about_ca_topic_score_gemma":0.005849805,"teacher_disagreement_score":0.86402863,"about_ca_system_score_codex":0.00057809235,"about_ca_system_score_gemma":0.0006886913,"threshold_uncertainty_score":0.9998991},"labels":[],"label_agreement":null},{"id":"W4403367410","doi":"10.1515/9780228023128","title":"Between Composers","year":2024,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02309877574419218,"score_gpt":0.24413218138964332,"score_spread":0.22103340564545115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403367410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001553094,0.000014875544,0.0000030818483,0.00067183876,0.00058544416,0.00040796612,0.0008711121,0.0003983519,0.9970318],"genre_scores_gemma":[0.0009963869,0.00008509791,0.000051187275,0.0006238754,0.0009212098,0.0000015524603,0.00026665998,0.000037438276,0.9970166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974822,0.00032998898,0.00025239447,0.00075057836,0.0006180722,0.00056679],"domain_scores_gemma":[0.9986476,0.00015925893,0.00021335605,0.00038373034,0.0002515159,0.00034458053],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00022672165,0.00044211012,0.0006783174,0.0002696075,0.0013573895,0.00020341242,0.0009560384,0.0009820715,0.00011370293],"category_scores_gemma":[0.000016147318,0.0004319366,0.0005887637,0.00009356455,0.00066233735,0.00019793122,0.0004236837,0.0009545544,0.00011079727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018894747,0.000010965003,0.0000074080804,0.00009674312,0.00066703686,0.0002211814,0.0016447117,0.0000016425613,0.0000017268109,0.7759048,0.22051668,0.0009082072],"study_design_scores_gemma":[0.00019904197,0.000034250665,0.000009098082,0.00014228371,0.0011607672,3.4841847e-7,0.0005944151,9.643729e-7,0.000013501456,0.0027104984,0.99460804,0.000526772],"about_ca_topic_score_codex":0.0037237257,"about_ca_topic_score_gemma":0.000028300394,"teacher_disagreement_score":0.77409136,"about_ca_system_score_codex":0.0007042015,"about_ca_system_score_gemma":0.00026207734,"threshold_uncertainty_score":0.9999427},"labels":[],"label_agreement":null},{"id":"W4404073786","doi":"10.7202/1114337ar","title":"Journée d’étude : 75 ans de musique concrète. Compte-rendu","year":2024,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04915626170420059,"score_gpt":0.3009945064329838,"score_spread":0.25183824472878324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404073786","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1303255,0.21771263,0.00097345497,0.05072408,0.010379633,0.0009970135,0.00034870964,0.0011110142,0.587428],"genre_scores_gemma":[0.87818456,0.002147978,0.00009590905,0.01595832,0.006141749,0.00008335726,0.00012626544,0.00007601715,0.09718585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946535,0.0013619161,0.001006847,0.00107933,0.00061854284,0.0012798405],"domain_scores_gemma":[0.99729836,0.0006212241,0.00029549887,0.00048700726,0.0006336553,0.0006642537],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016821654,0.0007333117,0.001029147,0.00031062358,0.0008800808,0.0013531451,0.00089011557,0.00097141106,0.0025882113],"category_scores_gemma":[0.0003401843,0.00065317104,0.0009214615,0.0018034781,0.0018351557,0.0013104463,0.00013383424,0.0011169284,0.00036705003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017091468,0.00019813534,0.0020606336,0.0005437345,0.0009263508,0.00090608466,0.14770313,0.000006759701,0.0019605712,0.73680824,0.085442945,0.023426333],"study_design_scores_gemma":[0.00037801368,0.00015350818,0.00094117236,0.0010068363,0.0004937632,0.00010708964,0.009843558,0.0004600821,0.00016560391,0.10158817,0.8839446,0.0009176093],"about_ca_topic_score_codex":0.0057200342,"about_ca_topic_score_gemma":0.007025514,"teacher_disagreement_score":0.7985017,"about_ca_system_score_codex":0.0004909613,"about_ca_system_score_gemma":0.0008275083,"threshold_uncertainty_score":0.99968356},"labels":[],"label_agreement":null},{"id":"W4404073870","doi":"10.7202/1114336ar","title":"Louise Campbell, Frédérique Drolet et Pierre Vachon : animer la création musicale participative à Montréal","year":2024,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.044327723916800545,"score_gpt":0.3133281126426946,"score_spread":0.26900038872589405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404073870","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14156322,0.23026143,0.0018616715,0.054143727,0.007398577,0.001714534,0.00041030603,0.0009183532,0.5617282],"genre_scores_gemma":[0.89862597,0.0014755343,0.000043714044,0.007293435,0.0028056311,0.00021080929,0.00019357796,0.00006132561,0.08929],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99476314,0.0020834699,0.0007949164,0.0010183561,0.00056387356,0.000776276],"domain_scores_gemma":[0.9976291,0.00075192377,0.00027677766,0.00037997376,0.000561362,0.00040086368],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014408577,0.0005965652,0.0007627,0.0002046677,0.00053885323,0.0009612856,0.00040111423,0.0007735853,0.0011108508],"category_scores_gemma":[0.0004458589,0.0005127461,0.0005752808,0.0014164777,0.0010833106,0.0015411753,0.00010145396,0.00082170207,0.00030431375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041075375,0.00042044546,0.0005412017,0.00031887976,0.00072980503,0.00046012513,0.30861038,0.00002749891,0.0015596577,0.55208606,0.10445421,0.030750675],"study_design_scores_gemma":[0.00034694505,0.00018231891,0.0008372689,0.00056021806,0.00042065218,0.000017537825,0.007844448,0.0015546331,0.00015488331,0.07905687,0.9083129,0.0007113118],"about_ca_topic_score_codex":0.008417028,"about_ca_topic_score_gemma":0.009244294,"teacher_disagreement_score":0.8038587,"about_ca_system_score_codex":0.0002268968,"about_ca_system_score_gemma":0.0004435584,"threshold_uncertainty_score":0.9998023},"labels":[],"label_agreement":null},{"id":"W4404697198","doi":"10.7202/1114306ar","title":"(Pro)créer sur la scène contemporaine","year":2023,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.07676127573099083,"score_gpt":0.32639461189571645,"score_spread":0.2496333361647256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404697198","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49262413,0.009352944,0.00022457077,0.24811755,0.009079312,0.001294176,0.00056151656,0.001093107,0.23765267],"genre_scores_gemma":[0.71805227,0.0022768935,0.00023636353,0.0025230702,0.0019390604,0.0001349093,0.0003538275,0.000035975878,0.27444762],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969458,0.00078500266,0.0005099311,0.00056148064,0.0005383514,0.0006594252],"domain_scores_gemma":[0.9982951,0.00052645017,0.00015275185,0.0003557459,0.00039864026,0.00027128545],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010196186,0.00032188615,0.0004459265,0.00017497496,0.0012310713,0.00045272792,0.0003943865,0.00035793168,0.0019025735],"category_scores_gemma":[0.00063942914,0.00028469297,0.00027667914,0.0021104454,0.00074418815,0.0018750106,0.00012677618,0.0003564545,0.00413612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028779425,0.00053688226,0.0010408068,0.00008245941,0.00040096955,0.00017520043,0.16344064,0.00021552257,0.0021929783,0.17989166,0.6203022,0.031691886],"study_design_scores_gemma":[0.0003695958,0.00006103839,0.0016542748,0.0000994653,0.00014597143,0.000005908776,0.018772474,0.00079424435,0.00008719796,0.007023947,0.97058016,0.00040570126],"about_ca_topic_score_codex":0.00048777193,"about_ca_topic_score_gemma":0.0034762067,"teacher_disagreement_score":0.35027796,"about_ca_system_score_codex":0.00010294098,"about_ca_system_score_gemma":0.0001974908,"threshold_uncertainty_score":0.99996054},"labels":[],"label_agreement":null},{"id":"W4404697741","doi":"10.7202/1114315ar","title":"N’être feu : Bond, Mayenburg, Hilling, Gaillard","year":2023,"lang":"fr","type":"article","venue":"Percées Explorations en arts vivants","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Physics","score_opus":0.06106304010003378,"score_gpt":0.32040994998786326,"score_spread":0.2593469098878295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404697741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64383286,0.017537095,0.00029213278,0.18843569,0.015933715,0.0012525648,0.0006348634,0.0014192521,0.13066186],"genre_scores_gemma":[0.6664192,0.009411598,0.0009639635,0.00552472,0.005113628,0.00018903823,0.0007327601,0.00007590108,0.31156915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99667966,0.000437916,0.00057732215,0.0007060544,0.00067395705,0.00092510844],"domain_scores_gemma":[0.9983934,0.0002621236,0.00017829574,0.00046398214,0.00034948913,0.00035271634],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00068264175,0.0003989873,0.0004917285,0.00022284982,0.0020183157,0.00052166503,0.00050328294,0.0004371598,0.0026526474],"category_scores_gemma":[0.00034365448,0.0003649205,0.0003883007,0.0025456718,0.0006296332,0.0015460443,0.00015929904,0.00041274398,0.007847049],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019809091,0.00033688685,0.0015017195,0.00007933375,0.0003860616,0.00017020183,0.17507644,0.00066267035,0.0011203304,0.09950257,0.6737822,0.047361724],"study_design_scores_gemma":[0.0002442135,0.00006550743,0.001240021,0.00010733115,0.00024354132,0.000007208379,0.038668767,0.0009746449,0.00014128641,0.011279052,0.9464923,0.00053613295],"about_ca_topic_score_codex":0.00037435518,"about_ca_topic_score_gemma":0.0034745997,"teacher_disagreement_score":0.27271006,"about_ca_system_score_codex":0.0001731315,"about_ca_system_score_gemma":0.00016733941,"threshold_uncertainty_score":0.99988025},"labels":[],"label_agreement":null},{"id":"W4405136197","doi":"10.2307/jj.22797377.9","title":"Métis Music at Manitoba’s Old-Time Fiddle Competitions","year":2024,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Visual arts","score_opus":0.023607219446401057,"score_gpt":0.21754188365119415,"score_spread":0.19393466420479308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405136197","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004696301,0.000023231241,0.000001399059,0.0006840171,0.0006185789,0.0004460958,0.0015102257,0.00040707106,0.99626243],"genre_scores_gemma":[0.0010893325,0.00015971407,0.000054481436,0.0009197939,0.00054448814,0.0000031099764,0.0002979986,0.000047945963,0.99688315],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757826,0.00014060717,0.0002747038,0.00083262124,0.0005880729,0.0005857138],"domain_scores_gemma":[0.99855685,0.00011675282,0.00022655442,0.0004742937,0.00030157925,0.00032398143],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015760625,0.00050252135,0.0006213591,0.0002912486,0.0023399256,0.00018404778,0.00073418446,0.0008226236,0.0019550254],"category_scores_gemma":[0.0000109137945,0.0005073392,0.0006846902,0.000060778922,0.0007015205,0.00020247685,0.00070077623,0.00067735015,0.00079118833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024923102,0.000017216695,0.0000013485961,0.000053352385,0.00046040275,0.0003591142,0.0010055695,0.0000029079686,0.000013268209,0.9534091,0.044430416,0.00022239167],"study_design_scores_gemma":[0.00024200053,0.00003820349,0.0000052736264,0.00019011476,0.0010179253,0.000003048418,0.0005860762,0.000004551553,0.000017973302,0.0056746337,0.9916176,0.0006026047],"about_ca_topic_score_codex":0.006653137,"about_ca_topic_score_gemma":0.0006878226,"teacher_disagreement_score":0.9477345,"about_ca_system_score_codex":0.00081903,"about_ca_system_score_gemma":0.000071919916,"threshold_uncertainty_score":0.9999868},"labels":[],"label_agreement":null},{"id":"W4405178697","doi":"10.4000/12vkm","title":"David Hesmondhalgh : l’indie anglophone et le destin de l’alternative musicale, lettre française","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Indie film; Art; Humanities; Literature","score_opus":0.02245571305455521,"score_gpt":0.28061883826833656,"score_spread":0.2581631252137814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405178697","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58381945,0.14664635,0.00043264002,0.1521981,0.008524744,0.00047433775,0.0004095511,0.00042580676,0.107069],"genre_scores_gemma":[0.7937034,0.00069235376,0.0006817916,0.007045263,0.0030645581,0.000041645777,0.00006935772,0.00003350591,0.19466816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972652,0.0005310921,0.00033260646,0.00066206214,0.00042071706,0.0007882976],"domain_scores_gemma":[0.99898577,0.00020851327,0.00009428573,0.00023959708,0.00014719469,0.00032462282],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006266028,0.00032448,0.00039843723,0.00011316445,0.00063824485,0.00052600016,0.00046716564,0.00040508175,0.0032057213],"category_scores_gemma":[0.0001582032,0.00028485744,0.0003907668,0.0019152138,0.000905501,0.000711388,0.00012363959,0.0007085069,0.0013633436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030385747,0.0005605921,0.0028494785,0.00021667121,0.0006833121,0.0013763912,0.122186,0.000120105404,0.0015773221,0.1319163,0.6448614,0.09362203],"study_design_scores_gemma":[0.0002390275,0.00008590677,0.0025515428,0.00021364159,0.00026796752,0.00002267719,0.0028871924,0.0020682677,0.00014591598,0.0082040215,0.9829131,0.00040078096],"about_ca_topic_score_codex":0.015436215,"about_ca_topic_score_gemma":0.0067975065,"teacher_disagreement_score":0.33805165,"about_ca_system_score_codex":0.00017687531,"about_ca_system_score_gemma":0.00044546014,"threshold_uncertainty_score":0.99996036},"labels":[],"label_agreement":null},{"id":"W4406320794","doi":"10.22201/cisan.24487228e.2025.1.698","title":"Las paradojas de la política cultural canadiense en la industria editorial en lengua inglesa. Entre el proteccionismo y el libre comercio","year":2025,"lang":"es","type":"article","venue":"Norteamérica","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.009190284936929714,"score_gpt":0.3041991911368924,"score_spread":0.29500890619996273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406320794","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7133749,0.0016820247,0.000012030646,0.04082534,0.02900958,0.001836717,0.00032994212,0.00044746007,0.21248202],"genre_scores_gemma":[0.9523969,0.00046313944,0.000085014675,0.0014518952,0.032795068,0.000113617556,0.000086499495,0.00002710137,0.012580748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942046,0.0025751486,0.0006277021,0.0007777229,0.0007324549,0.0010823726],"domain_scores_gemma":[0.9973903,0.0010985706,0.00028569702,0.00040014164,0.00034189134,0.00048341416],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0011603088,0.0005505135,0.0007591213,0.00020997482,0.0013031684,0.0010927374,0.0009696535,0.001923735,0.00027265976],"category_scores_gemma":[0.0012592118,0.00043859973,0.0004224319,0.0017225292,0.0007885269,0.0004866458,0.00024719207,0.0018754854,0.00009706329],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028727858,0.0008251805,0.015820915,0.000147848,0.0011822588,0.00019178122,0.0744518,0.000040097588,0.000915988,0.11316557,0.7744537,0.018517569],"study_design_scores_gemma":[0.0010993227,0.00011505546,0.008949589,0.00017010281,0.000566694,0.000008846201,0.013743319,0.00004513894,0.00009285427,0.0021610064,0.97250706,0.0005409955],"about_ca_topic_score_codex":0.018616585,"about_ca_topic_score_gemma":0.006219353,"teacher_disagreement_score":0.23902203,"about_ca_system_score_codex":0.0007189484,"about_ca_system_score_gemma":0.0017649082,"threshold_uncertainty_score":0.999997},"labels":[],"label_agreement":null},{"id":"W4408197213","doi":"10.1515/9782763721644","title":"Denys Arcand","year":2014,"lang":"lv","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.022604266808983038,"score_gpt":0.26903049899469894,"score_spread":0.2464262321857159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408197213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037255243,0.0017148034,0.00003114668,0.0024350467,0.0015939921,0.00025055214,0.00002385016,0.00008938242,0.99348867],"genre_scores_gemma":[0.011911337,0.00025987552,0.000097461874,0.015325973,0.005530757,0.000014778299,0.00016011216,0.000020965083,0.96667874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704957,0.00037133234,0.00048369518,0.0007379187,0.00068132626,0.00067615975],"domain_scores_gemma":[0.99841243,0.00020981052,0.00031548296,0.0003726663,0.0003275726,0.0003620535],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00056367955,0.00047248046,0.00082835,0.00011393901,0.0010189895,0.0004950431,0.0007798028,0.0011373957,0.01571255],"category_scores_gemma":[0.00008825336,0.00032382357,0.00066887675,0.00036765003,0.0008476283,0.00019692419,0.00011946157,0.0006048998,0.0032015112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009159446,0.000042046096,0.00017890363,0.000049951053,0.0003455271,0.00001258003,0.0036134694,0.0000010703242,0.000017898083,0.32100302,0.6688382,0.0058881515],"study_design_scores_gemma":[0.0001662135,0.00006727533,0.0001345793,0.000059240447,0.00046670434,0.0000021284686,0.0009135588,0.000016160568,0.000005435964,0.018068258,0.9795811,0.00051933463],"about_ca_topic_score_codex":0.001045564,"about_ca_topic_score_gemma":0.015134911,"teacher_disagreement_score":0.31074288,"about_ca_system_score_codex":0.00016291364,"about_ca_system_score_gemma":0.00039893473,"threshold_uncertainty_score":0.9999214},"labels":[],"label_agreement":null},{"id":"W4409284102","doi":"10.5206/mf.v10i2.22850","title":"La diversité culturelle et la Weltliteratur chez Milan Kundera","year":2025,"lang":"fr","type":"article","venue":"Mouvances Francophones","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009156096097208296,"score_gpt":0.2700414932750312,"score_spread":0.2608853971778229,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409284102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060763173,0.42631882,0.00035157378,0.031359497,0.025352402,0.00054514414,0.00024385327,0.00029726326,0.45476827],"genre_scores_gemma":[0.6873604,0.008964086,0.00038541353,0.010078551,0.0010601192,0.000035003468,0.00004925298,0.000017014758,0.29205012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965695,0.0013080853,0.00039420134,0.00068556285,0.00041909647,0.000623568],"domain_scores_gemma":[0.9983484,0.00077113934,0.0001837063,0.00029451057,0.00022617455,0.00017604828],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007409702,0.00045115803,0.0006109805,0.00013059165,0.0013384742,0.0006199402,0.00062874146,0.0007756109,0.0017666687],"category_scores_gemma":[0.0001084194,0.00036887833,0.0004582721,0.002142407,0.0009816692,0.0007555007,0.0001677521,0.00089160906,0.0003496187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020062817,0.00080110587,0.011784281,0.000609605,0.0015414746,0.0002513545,0.12195413,0.00036720117,0.0011415159,0.2629384,0.51777685,0.08063343],"study_design_scores_gemma":[0.00068470155,0.000035661462,0.0057850494,0.00028614159,0.00028354675,0.000005435977,0.015497347,0.00009455266,0.00015769235,0.009735416,0.9670003,0.00043415793],"about_ca_topic_score_codex":0.002363275,"about_ca_topic_score_gemma":0.005716916,"teacher_disagreement_score":0.6265973,"about_ca_system_score_codex":0.00009982607,"about_ca_system_score_gemma":0.0001659339,"threshold_uncertainty_score":0.9999617},"labels":[],"label_agreement":null},{"id":"W4409515501","doi":"10.1515/9782763714639","title":"Rodolphe Duguay. Pour une mystique du paysage","year":2025,"lang":"fr","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0222117860602555,"score_gpt":0.27800430691761524,"score_spread":0.25579252085735976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409515501","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009759375,0.0032747148,0.00020915034,0.05149833,0.0027176356,0.0004309629,0.0000917678,0.00018686244,0.94061464],"genre_scores_gemma":[0.009608216,0.001037145,0.00049865426,0.025978452,0.004315294,0.000039213963,0.00025634113,0.00002401495,0.95824265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961486,0.00076447,0.0007243648,0.0009680431,0.0005886806,0.0008058435],"domain_scores_gemma":[0.9977468,0.00057063135,0.00035643906,0.00045138333,0.0005544242,0.0003203069],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006887906,0.0006856153,0.0010688487,0.00015711474,0.0011648156,0.00032955082,0.0009986405,0.0015737998,0.0146529],"category_scores_gemma":[0.00029338937,0.00049988297,0.0009648928,0.0013779281,0.0010826235,0.00034663474,0.00023014401,0.00093823386,0.0014557003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000096333515,0.00009374862,0.00023283322,0.00009750274,0.00041284037,0.000063070234,0.002065531,0.000008179193,0.00004373027,0.62625587,0.3588131,0.011903962],"study_design_scores_gemma":[0.00024461353,0.000047587677,0.00073244795,0.0002228825,0.00076362997,0.000004796422,0.002172941,0.000065819724,0.0000181074,0.040146578,0.954941,0.0006395923],"about_ca_topic_score_codex":0.008502169,"about_ca_topic_score_gemma":0.02722523,"teacher_disagreement_score":0.5961279,"about_ca_system_score_codex":0.00042728143,"about_ca_system_score_gemma":0.0013246835,"threshold_uncertainty_score":0.9997453},"labels":[],"label_agreement":null},{"id":"W4410110509","doi":"10.7202/1117687ar","title":"The Canadian Electronic Ensemble in the 1970s and 1980s","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.018625077081938314,"score_gpt":0.2510630414120384,"score_spread":0.23243796433010008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85984474,0.0071614003,0.000007682986,0.06557108,0.0019074664,0.00013108182,0.000009800241,0.0000043169166,0.06536242],"genre_scores_gemma":[0.9927484,0.00009815829,0.0000068783984,0.005209131,0.00039180974,0.0000031929467,0.0000013203052,0.0000033532697,0.0015377552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882203,0.00032685243,0.0001932815,0.0000888985,0.00013840414,0.00043054103],"domain_scores_gemma":[0.9991472,0.000116853626,0.00007156984,0.00010024463,0.00023735382,0.00032680217],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00073972257,0.000067387125,0.00010246549,0.00019764515,0.0018801296,0.00045476144,0.00026249373,0.000076370576,0.00020384208],"category_scores_gemma":[0.0002433384,0.000041242787,0.000099692355,0.00073186925,0.0002519363,0.00014968851,0.0000047656504,0.0004769587,0.0000054928646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022924627,0.000048647813,0.020654442,0.000008342547,0.00055272743,0.0014845486,0.32224068,0.0000753792,0.00024360754,0.4182687,0.19801396,0.038386013],"study_design_scores_gemma":[0.00011436416,0.000040670453,0.0073658414,0.00001888074,0.00004651389,0.00029823347,0.07692145,0.000006523989,0.000007087879,0.0056492547,0.9094528,0.0000784026],"about_ca_topic_score_codex":0.82705504,"about_ca_topic_score_gemma":0.9999612,"teacher_disagreement_score":0.71143883,"about_ca_system_score_codex":0.00047556034,"about_ca_system_score_gemma":0.004194394,"threshold_uncertainty_score":0.9994193},"labels":[],"label_agreement":null},{"id":"W4410111081","doi":"10.7202/1117694ar","title":"Le portfolio de produit musical (PPM) comme outil de professionnalisation en musique","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.043046409816460546,"score_gpt":0.29273956745225904,"score_spread":0.2496931576357985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410111081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8471883,0.00402374,0.0010533573,0.10816434,0.010772646,0.00020905015,0.000064239895,0.000020931666,0.028503412],"genre_scores_gemma":[0.9626449,0.000072172654,0.0005013673,0.014880639,0.0037495603,0.000009373596,0.000015794592,0.000019782075,0.018106425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99658215,0.0015314138,0.0006392132,0.00026411784,0.00027338383,0.0007097249],"domain_scores_gemma":[0.99723405,0.00013092645,0.00039291,0.00020416292,0.00097251276,0.0010654387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012666077,0.00021198875,0.00038593306,0.0003745578,0.0010606378,0.00026403627,0.00037348058,0.0004389415,0.0034371773],"category_scores_gemma":[0.0007211343,0.00020878043,0.0004913508,0.0012665519,0.0005199485,0.00059218693,0.00003088397,0.0011100898,0.00002984984],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005690225,0.00061337615,0.012917007,0.00011877185,0.0012470884,0.0032182701,0.3776222,0.00046702803,0.0027958227,0.15251744,0.42164388,0.02678221],"study_design_scores_gemma":[0.0006610895,0.00020428428,0.014648915,0.00066792703,0.0006144101,0.0025711549,0.13901791,0.00017744751,0.00033629217,0.016021227,0.82461935,0.0004599883],"about_ca_topic_score_codex":0.1022516,"about_ca_topic_score_gemma":0.82166034,"teacher_disagreement_score":0.71940875,"about_ca_system_score_codex":0.0012295226,"about_ca_system_score_gemma":0.011690968,"threshold_uncertainty_score":0.99747384},"labels":[],"label_agreement":null},{"id":"W4410562605","doi":"10.7202/1117962ar","title":"Adaptation, flexibilité et transformation dans la musique orchestrale de Cris Derksen","year":2025,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adaptation (eye); Psychology","score_opus":0.04811175619445095,"score_gpt":0.3157164432585096,"score_spread":0.26760468706405866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410562605","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056759566,0.008185952,0.0155765945,0.028303994,0.000954066,0.0006065061,0.00007115752,0.00033328932,0.88920885],"genre_scores_gemma":[0.9297236,0.00036231714,0.00024537754,0.011475273,0.0003609295,0.00010449731,0.00014998135,0.000016957776,0.057561018],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747604,0.0010335173,0.00050592184,0.00037776504,0.0002195819,0.00038718255],"domain_scores_gemma":[0.99876696,0.00030871274,0.00015865057,0.00022904841,0.00040913158,0.00012748498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011032468,0.00026290343,0.00036743173,0.00015065321,0.00036261437,0.00024879337,0.00031644083,0.00046816072,0.00013024131],"category_scores_gemma":[0.00029104218,0.00024504177,0.00027939447,0.00087730464,0.0006384089,0.00085754326,0.000020272275,0.00032831452,0.000014005284],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009528284,0.00008611008,0.0005072209,0.00012306144,0.0001291374,0.000013326606,0.17678553,0.000027764594,0.00033227564,0.8010813,0.007322895,0.013581871],"study_design_scores_gemma":[0.00030967785,0.000035347744,0.0013107706,0.00019287359,0.00017691102,0.000008422808,0.021913975,0.00030160695,0.0002409593,0.35777128,0.6174279,0.00031028746],"about_ca_topic_score_codex":0.0037959972,"about_ca_topic_score_gemma":0.013498159,"teacher_disagreement_score":0.8729641,"about_ca_system_score_codex":0.0002076866,"about_ca_system_score_gemma":0.00069189776,"threshold_uncertainty_score":0.9992513},"labels":[],"label_agreement":null},{"id":"W4412909295","doi":"10.3917/lobs.064.0040","title":"Découvrabilité de la musique au Québec : qui sont les nouveaux gatekeepers  ?","year":2025,"lang":"fr","type":"article","venue":"L Observatoire","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.017660302459338348,"score_gpt":0.2814172245305187,"score_spread":0.26375692207118034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412909295","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85276425,0.021961207,0.00005318702,0.06575627,0.0017790681,0.00024984818,0.00002781791,0.00012902346,0.0572793],"genre_scores_gemma":[0.87926847,0.0005431104,0.00056445133,0.01963375,0.000867126,0.00006898708,0.000018330631,0.0000209271,0.099014856],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965584,0.0011188323,0.0004634605,0.0006016289,0.00029716082,0.00096051424],"domain_scores_gemma":[0.9983765,0.0005398424,0.00015175538,0.00039167548,0.00024890088,0.00029131648],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009569703,0.00036686522,0.00053160696,0.000066036744,0.0016570422,0.00024641395,0.00065830984,0.0008381717,0.0006204131],"category_scores_gemma":[0.00043138085,0.00032093356,0.000514449,0.0013060546,0.0018689418,0.00040627635,0.00014004884,0.0006205136,0.00006514393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047667894,0.0004906898,0.45209166,0.00035854595,0.000546902,0.000076402415,0.07855148,0.00015675239,0.0005240538,0.31866527,0.041699305,0.10679128],"study_design_scores_gemma":[0.00031975386,0.00004550703,0.03640867,0.00024259367,0.00034186288,0.0000024617323,0.05121954,0.00041261528,0.000092002396,0.009189354,0.90132356,0.00040209663],"about_ca_topic_score_codex":0.49093023,"about_ca_topic_score_gemma":0.7841154,"teacher_disagreement_score":0.8596242,"about_ca_system_score_codex":0.0015582958,"about_ca_system_score_gemma":0.00347232,"threshold_uncertainty_score":0.9999243},"labels":[],"label_agreement":null},{"id":"W4413268752","doi":"10.3138/tric-2025-0002","title":"Exposer nos fragilités : Entrevue avec Esther Duquette et Cory Haas","year":2025,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Réseau Technoscience; British Columbia Institute of Technology; University of Regina; University of Saskatchewan","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.05539580964860179,"score_gpt":0.35979616923528934,"score_spread":0.30440035958668754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413268752","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16585605,0.030323647,0.0000026830671,0.26506937,0.001852777,0.0006719154,0.00008861278,0.000024452767,0.53611046],"genre_scores_gemma":[0.9036152,0.0012185351,0.000027808372,0.010906912,0.00048432502,0.00006885662,0.000026994341,0.000016218306,0.083635196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933259,0.0031730095,0.0004331553,0.00059753173,0.0011192517,0.0013511754],"domain_scores_gemma":[0.99781394,0.0010232608,0.000057071615,0.0004705666,0.0002812283,0.0003539078],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024365245,0.00025419693,0.00045094395,0.00024388304,0.0005538057,0.00018780935,0.000801934,0.00029412517,0.003080556],"category_scores_gemma":[0.00006622818,0.0002164645,0.00014615564,0.002844461,0.0008053657,0.0002713056,0.00020472468,0.0014652578,0.000091388276],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012453808,0.0003132007,0.037204944,0.00032319516,0.0003919256,0.0011170653,0.013824679,0.00019412892,0.00014360904,0.07465736,0.5314229,0.34028244],"study_design_scores_gemma":[0.00032848155,0.00004142923,0.0030465245,0.0002882111,0.00003650448,0.0000029351822,0.01130397,0.00024540996,0.00005999444,0.0134865735,0.9709239,0.00023605357],"about_ca_topic_score_codex":0.98835146,"about_ca_topic_score_gemma":0.9987938,"teacher_disagreement_score":0.7377591,"about_ca_system_score_codex":0.0025316614,"about_ca_system_score_gemma":0.008867625,"threshold_uncertainty_score":0.99783075},"labels":[],"label_agreement":null},{"id":"W4413553464","doi":"10.64628/aap.fw34e6aex","title":"Voilà comment j'ai décrypté « Déroule le rebord » et gagné (presque) à chaque fois","year":2020,"lang":"fr","type":"preprint","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Philosophy","score_opus":0.045746023268519245,"score_gpt":0.3162752652776234,"score_spread":0.27052924200910416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413553464","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00519806,0.0035094079,0.0011951493,0.6671616,0.0025989925,0.00091486704,0.00016177836,0.00029973246,0.3189604],"genre_scores_gemma":[0.47776106,0.002558683,0.0025403574,0.36755472,0.0034631826,0.00030139732,0.000789201,0.00007207504,0.1449593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99371094,0.0018791085,0.0009738357,0.0015476217,0.00087591703,0.0010125662],"domain_scores_gemma":[0.9973393,0.00027194165,0.0004949805,0.0007674969,0.00042590624,0.0007003372],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011080251,0.0008226655,0.001281571,0.00009809304,0.001151499,0.00080966816,0.0014983823,0.0012828448,0.0054266043],"category_scores_gemma":[0.00019464179,0.0006758761,0.0011067224,0.0009868125,0.00075324165,0.00052460935,0.0013136232,0.0020664867,0.0009759066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031846794,0.00031936594,0.00029407215,0.000108564665,0.0005540693,0.00003226421,0.018358711,0.00008810107,0.00022102956,0.63031596,0.3456209,0.004055142],"study_design_scores_gemma":[0.00043840823,0.00012892338,0.00082997547,0.00014217489,0.00037902317,0.0000034556194,0.0062927897,0.0005645152,0.00027673936,0.054467022,0.9356026,0.0008743477],"about_ca_topic_score_codex":0.04134996,"about_ca_topic_score_gemma":0.02450201,"teacher_disagreement_score":0.58998173,"about_ca_system_score_codex":0.00037266844,"about_ca_system_score_gemma":0.00071989995,"threshold_uncertainty_score":0.99980193},"labels":[],"label_agreement":null},{"id":"W4413781745","doi":"10.7202/1119027ar","title":"Les partitions sonores. Un outil collaboratif entre l’interprétation et la composition","year":2025,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Composition (language); Humanities; Art; Philosophy; Linguistics","score_opus":0.01885879709320784,"score_gpt":0.30669055434093423,"score_spread":0.28783175724772636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413781745","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17817421,0.019316403,0.0026155822,0.22348353,0.015662905,0.00090436335,0.00059582165,0.00026542228,0.5589818],"genre_scores_gemma":[0.925634,0.0007354053,0.00071985286,0.0063491934,0.002238102,0.00007105976,0.0003335855,0.000012715033,0.06390606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978826,0.00081620406,0.00037855786,0.00040290912,0.00018001394,0.00033969327],"domain_scores_gemma":[0.9987994,0.00038922668,0.00015774011,0.00019774413,0.00032829508,0.00012762452],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032240557,0.00021263499,0.00034339863,0.000096768905,0.0007498625,0.00037242804,0.00021851926,0.00036686825,0.001650888],"category_scores_gemma":[0.000116704156,0.00020625157,0.00024684618,0.001438387,0.000551158,0.00031063598,0.000059759073,0.00033626537,0.00015546523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003205069,0.00073953526,0.0013332574,0.00019595277,0.00030901725,0.00003257124,0.019027742,0.0002385064,0.0012864147,0.78507435,0.10155028,0.090180345],"study_design_scores_gemma":[0.00039364962,0.00005067199,0.002442499,0.00048084592,0.00053776894,0.000003148801,0.0036879897,0.0007107487,0.00020673698,0.021865012,0.96933943,0.00028150112],"about_ca_topic_score_codex":0.0008331275,"about_ca_topic_score_gemma":0.0063482416,"teacher_disagreement_score":0.86778915,"about_ca_system_score_codex":0.00018497773,"about_ca_system_score_gemma":0.00014102268,"threshold_uncertainty_score":0.99926174},"labels":[],"label_agreement":null},{"id":"W4414856682","doi":"10.7202/1120344ar","title":"La création sonore dans le cinéma québécois : trois territoires sonores pour une politique de l’écoute","year":2025,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Bricolage; Context (archaeology); Postmodernism; The arts; Musicology","score_opus":0.010678515278232924,"score_gpt":0.2480866068273889,"score_spread":0.23740809154915596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414856682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61583376,0.031331535,0.0017471043,0.24410428,0.0013370482,0.0006809098,0.00027225172,0.0004728499,0.10422025],"genre_scores_gemma":[0.6093077,0.004885653,0.0011549935,0.0037124965,0.001584394,0.0002244693,0.00023836276,0.00009659153,0.37879533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920786,0.003273411,0.0014714565,0.0013113938,0.0004982616,0.0013668921],"domain_scores_gemma":[0.99517006,0.0017503995,0.0009010459,0.0007825961,0.0009862428,0.00040963836],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0012338446,0.0011149938,0.001416273,0.00041991347,0.0041485233,0.00060865114,0.0012247481,0.001606107,0.00021173792],"category_scores_gemma":[0.0014697241,0.0010891561,0.0009286639,0.001429078,0.003892437,0.0013716425,0.00030879705,0.0013570504,0.000022233278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00014988228,0.00057876465,0.033254925,0.000913511,0.00056449557,0.00012601058,0.41654116,0.00012845449,0.0011003109,0.4676009,0.03659972,0.042441852],"study_design_scores_gemma":[0.0006911571,0.00022418637,0.021200983,0.0010896453,0.00061675487,0.000056037567,0.13649559,0.00041959216,0.0007599466,0.007086749,0.8302631,0.0010963111],"about_ca_topic_score_codex":0.8625534,"about_ca_topic_score_gemma":0.9913984,"teacher_disagreement_score":0.7936633,"about_ca_system_score_codex":0.004221064,"about_ca_system_score_gemma":0.016215708,"threshold_uncertainty_score":0.99969},"labels":[],"label_agreement":null},{"id":"W4414896977","doi":"10.60527/3c8h-cw28","title":"Traplines in Vancouver (VO anglais sous-titré en français)","year":2003,"lang":"fr","type":"other","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lien; Term (time); Line (geometry); Presentation (obstetrics)","score_opus":0.009772563410454472,"score_gpt":0.2275941509039205,"score_spread":0.21782158749346603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414896977","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013580684,0.010648865,0.0015939156,0.009450411,0.0012541013,0.0005197842,0.00006264363,0.00013826521,0.9627513],"genre_scores_gemma":[0.100394346,0.0020369636,0.0055878926,0.0014611582,0.00022136817,0.00006794369,0.0001614038,0.000105884115,0.88996303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98785967,0.009285219,0.0006796249,0.00092539197,0.0005579595,0.0006921388],"domain_scores_gemma":[0.9958824,0.0011830375,0.00047339534,0.0010539608,0.0011365651,0.00027066557],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003934726,0.0005177561,0.0007144978,0.00030229508,0.0006293663,0.0003409866,0.0012608791,0.00088870956,0.015355718],"category_scores_gemma":[0.0011470615,0.00048139272,0.00044631955,0.0018661072,0.000844136,0.00029441694,0.00018002828,0.0007289026,0.00055657566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027352211,0.0025229584,0.01772089,0.00029761044,0.000552033,0.000050670318,0.18386295,0.00005087966,0.0012342519,0.4276192,0.20369409,0.16236712],"study_design_scores_gemma":[0.00057344383,6.291397e-7,0.002588809,0.0007718997,0.00012493768,0.000002543932,0.0014349904,0.0004123008,0.00062138273,0.002326499,0.99054915,0.00059339224],"about_ca_topic_score_codex":0.011456792,"about_ca_topic_score_gemma":0.38816226,"teacher_disagreement_score":0.7868551,"about_ca_system_score_codex":0.00020332403,"about_ca_system_score_gemma":0.0002569638,"threshold_uncertainty_score":0.9997638},"labels":[],"label_agreement":null},{"id":"W4416013833","doi":"10.2307/jj.35615707.73","title":"La Troupe du Jour, théâtre professionnel francophone de Saskatoon","year":2025,"lang":"","type":"book-chapter","venue":"Presses de l'Université Laval eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Perspective (graphical); Ethnography; Context (archaeology); Identity (music); Narrative; Subject (documents); Ethnic group","score_opus":0.011665423366847484,"score_gpt":0.21845200902599252,"score_spread":0.20678658565914504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416013833","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03000972,0.0055465708,0.00015481884,0.0023198582,0.0015465782,0.0008741451,0.00018393341,0.00025341247,0.959111],"genre_scores_gemma":[0.35762545,0.0041065505,0.00032259824,0.0026102583,0.0015691477,0.00002287417,0.00007470054,0.000067550565,0.6336009],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99537206,0.0008933409,0.0006377723,0.0011380564,0.0008046466,0.0011541492],"domain_scores_gemma":[0.9970324,0.00050285406,0.0006711914,0.00060772785,0.000568957,0.0006168373],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007034821,0.00095841644,0.001216372,0.00036588506,0.002448246,0.00048315586,0.0016564474,0.0022115547,0.0047280886],"category_scores_gemma":[0.00010608422,0.0008713331,0.0011450134,0.00024291252,0.0010544636,0.00038755726,0.0007766595,0.0019806675,0.000119081415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024942646,0.0007587318,0.008541821,0.001956018,0.0067531895,0.003485939,0.29228953,0.0001059548,0.007191143,0.27443394,0.21883899,0.18315049],"study_design_scores_gemma":[0.00158036,0.00020675077,0.0010754582,0.0014889223,0.002182986,0.000043087544,0.044797,0.00013960298,0.00058060314,0.013031994,0.93354124,0.0013319884],"about_ca_topic_score_codex":0.0035582897,"about_ca_topic_score_gemma":0.010888409,"teacher_disagreement_score":0.71470225,"about_ca_system_score_codex":0.0005673304,"about_ca_system_score_gemma":0.0013150653,"threshold_uncertainty_score":0.99937373},"labels":[],"label_agreement":null},{"id":"W4416275036","doi":"","title":"De la roue de l’acoustique vers un monde dessiné de l’acoustique","year":2025,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Agency (philosophy); Context (archaeology); Field (mathematics); Work (physics)","score_opus":0.010353559204679183,"score_gpt":0.25636787877483397,"score_spread":0.2460143195701548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416275036","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2530041,0.022533055,0.18248723,0.11653527,0.0007369946,0.0005498609,0.00008969865,0.00040777196,0.423656],"genre_scores_gemma":[0.83594596,0.003015384,0.023019042,0.004157869,0.0001089594,0.000067745124,0.00007379914,0.000029933208,0.13358133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9818406,0.015745163,0.0004872765,0.0006408065,0.00034328352,0.00094285683],"domain_scores_gemma":[0.9944168,0.0026845217,0.00030923888,0.00085008214,0.0013240156,0.0004153931],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.009098033,0.00035931234,0.00041543407,0.00018013356,0.0014383746,0.0008998208,0.0012638846,0.00081016886,0.0005377365],"category_scores_gemma":[0.0025741183,0.00037576343,0.00035337737,0.0017125251,0.0014342204,0.00040312952,0.0002941425,0.000891165,0.000038555067],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026146221,0.0008847907,0.006949543,0.00014297446,0.00030903713,0.000042279764,0.052172747,0.0004893322,0.012867968,0.83710265,0.015689496,0.07332305],"study_design_scores_gemma":[0.0014393297,0.0000028839731,0.021104693,0.0027961147,0.0010576802,0.00006106837,0.010627992,0.037651174,0.05309892,0.14134035,0.7294596,0.001360196],"about_ca_topic_score_codex":0.010414762,"about_ca_topic_score_gemma":0.005660515,"teacher_disagreement_score":0.7137701,"about_ca_system_score_codex":0.000842148,"about_ca_system_score_gemma":0.0014943662,"threshold_uncertainty_score":0.9998694},"labels":[],"label_agreement":null},{"id":"W4416359687","doi":"10.7202/1121523ar","title":"Robert, Marc-André. L’Office du film du Québec. Le cinéma au service de l’État et de ses citoyens, 1961-1976. Québec, Septentrion, 2024, 450 p.","year":2024,"lang":"fr","type":"article","venue":"Revue d histoire de l Amérique française","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Service (business); Field (mathematics); Subject (documents)","score_opus":0.011190935179116323,"score_gpt":0.23172014347483366,"score_spread":0.22052920829571734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416359687","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04801193,0.32012793,0.00058976427,0.58527374,0.0048876153,0.00065297796,0.0003043552,0.00049382716,0.03965784],"genre_scores_gemma":[0.5198217,0.0076666684,0.0005669552,0.02811718,0.005769392,0.00024109022,0.00021083913,0.0001624984,0.43744364],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99451363,0.001442873,0.000830055,0.0011849845,0.00047093973,0.001557524],"domain_scores_gemma":[0.9967185,0.00094926654,0.00032149677,0.0006065514,0.0005472151,0.00085693604],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013290944,0.0007922692,0.0010071736,0.00026162708,0.0021575033,0.00058343564,0.0009936739,0.0010994065,0.0022745759],"category_scores_gemma":[0.00062198995,0.0007868705,0.0009544661,0.0020383121,0.0008953028,0.00090747426,0.0002015002,0.001414828,0.00078910665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011608285,0.00043085878,0.0066977697,0.0013974771,0.00041600448,0.0013790786,0.15098456,0.0014591821,0.0006825186,0.008000102,0.8215992,0.0068372027],"study_design_scores_gemma":[0.0004938529,0.000101720885,0.0011347432,0.0008980967,0.0006528202,0.00047999457,0.003830047,0.007992836,0.00004883401,0.0003031925,0.9831479,0.00091594027],"about_ca_topic_score_codex":0.8503096,"about_ca_topic_score_gemma":0.9808305,"teacher_disagreement_score":0.55715656,"about_ca_system_score_codex":0.0034048988,"about_ca_system_score_gemma":0.008351158,"threshold_uncertainty_score":0.9999889},"labels":[],"label_agreement":null},{"id":"W4416365806","doi":"","title":"Le Montréal postnational dans Nikolski de Nicolas Dickner","year":2014,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Field (mathematics); Context (archaeology); Reflection (computer programming)","score_opus":0.012717603123954901,"score_gpt":0.21956715042373484,"score_spread":0.20684954729977995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416365806","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070597306,0.0035112828,0.012669315,0.051629163,0.00045839723,0.00038678185,0.00013826878,0.00016490207,0.92398214],"genre_scores_gemma":[0.38418782,0.00086909265,0.0052809496,0.0021996757,0.00028025825,0.000039865754,0.0007015572,0.00005803069,0.6063827],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99193996,0.004911769,0.00072755426,0.00090428273,0.00084234733,0.0006740845],"domain_scores_gemma":[0.99333274,0.0015875214,0.0007132915,0.0010829079,0.0028235677,0.00045999305],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004735012,0.0005234476,0.0006148806,0.00017727433,0.002081209,0.00055082684,0.0014225579,0.0008031605,0.0015052992],"category_scores_gemma":[0.0010341598,0.00052292825,0.0006305557,0.0004052651,0.001736394,0.00032419013,0.0003887012,0.00078381517,0.00042018632],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008937266,0.00021021422,0.0006742551,0.000029933568,0.00019473975,0.0000073554993,0.011655614,0.000019418823,0.0008071414,0.9681336,0.004132096,0.014126656],"study_design_scores_gemma":[0.0005284791,0.0000013326577,0.002590156,0.00062828173,0.00025968524,0.000021201304,0.0006237549,0.0017705184,0.00072686124,0.031223793,0.96090853,0.0007174217],"about_ca_topic_score_codex":0.0130775375,"about_ca_topic_score_gemma":0.075087935,"teacher_disagreement_score":0.95677644,"about_ca_system_score_codex":0.00032287036,"about_ca_system_score_gemma":0.0006905053,"threshold_uncertainty_score":0.99972224},"labels":[],"label_agreement":null},{"id":"W4416405663","doi":"10.4000/155xw","title":"Organistes versus ménétriers","year":2025,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Rennes eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Context (archaeology); Limiting","score_opus":0.02071717556887317,"score_gpt":0.2389671590999842,"score_spread":0.21824998353111102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416405663","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001482518,0.006835947,0.00003642702,0.0024080765,0.0018750028,0.0003571685,0.00016570587,0.00020747099,0.9866317],"genre_scores_gemma":[0.32277858,0.001927677,0.00033439827,0.00082694634,0.0009342902,0.0000059768745,0.00014708568,0.00004690032,0.67299813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972755,0.00024617734,0.00038809035,0.00082589604,0.00046233626,0.00080200675],"domain_scores_gemma":[0.9975996,0.0007160675,0.00036947033,0.0004728603,0.00045998266,0.00038202363],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000183363,0.00067276566,0.0007576608,0.00030162677,0.0015457628,0.00025922176,0.0010974709,0.0010860336,0.0023011388],"category_scores_gemma":[0.00013852684,0.00067256065,0.0006943455,0.00019461107,0.0019534843,0.00030496318,0.0004382631,0.0006788591,0.00016274993],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002547654,0.000029936049,0.00008456341,0.00018771739,0.0016428723,0.0002174733,0.0025239403,0.000010296334,0.0001859358,0.939286,0.02640241,0.029174093],"study_design_scores_gemma":[0.0008551385,0.00018276485,0.00004049451,0.00043423614,0.0029834702,0.0000060981793,0.0036699083,0.00003057702,0.00021965706,0.043256488,0.9474555,0.00086566916],"about_ca_topic_score_codex":0.0010894546,"about_ca_topic_score_gemma":0.0045316713,"teacher_disagreement_score":0.9210531,"about_ca_system_score_codex":0.0005847371,"about_ca_system_score_gemma":0.0005864194,"threshold_uncertainty_score":0.9997541},"labels":[],"label_agreement":null},{"id":"W4416456084","doi":"","title":"Cartographie du bruit dans des école primaires de Montréal : Inscription d’un projet étudiant dans le cadre d’une demande des services publiques","year":2025,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"École de Technologie Supérieure; McGill University","funders":"","keywords":"Subject (documents); Noise (video); Sound (geography)","score_opus":0.008891391515173585,"score_gpt":0.21774761088826905,"score_spread":0.20885621937309545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416456084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8416474,0.024210991,0.007894702,0.05681698,0.0003122707,0.000513959,0.0000648322,0.00025918896,0.06827967],"genre_scores_gemma":[0.94960314,0.0049531036,0.006917943,0.0013267123,0.00009110176,0.0001265799,0.00020207067,0.000025767053,0.036753554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99077326,0.0068050693,0.0005776896,0.00069878553,0.0004006836,0.00074453227],"domain_scores_gemma":[0.99579954,0.00046751281,0.00035306189,0.00075662823,0.0023357174,0.00028753697],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0039028702,0.00037808414,0.0004425805,0.00025231353,0.0034815506,0.0010004356,0.0011439719,0.00039628264,0.00009010221],"category_scores_gemma":[0.00047918706,0.00036052216,0.00036490007,0.0030017516,0.0022468178,0.0011791342,0.0003682864,0.00039226052,0.0000135305045],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002795346,0.0013418408,0.19422652,0.00041178503,0.00042008233,0.000019228335,0.268326,0.00003682098,0.008682536,0.45761153,0.0022299634,0.066665724],"study_design_scores_gemma":[0.0016410045,0.000007480105,0.5519161,0.0035793206,0.0009162783,0.000040676332,0.081804045,0.005960963,0.03144902,0.10163542,0.21980213,0.0012475586],"about_ca_topic_score_codex":0.21022213,"about_ca_topic_score_gemma":0.67569935,"teacher_disagreement_score":0.46547723,"about_ca_system_score_codex":0.00041234252,"about_ca_system_score_gemma":0.0005206183,"threshold_uncertainty_score":0.99988467},"labels":[],"label_agreement":null},{"id":"W4416693800","doi":"10.3917/dss.012.0329u","title":"Jean Rohou, Avez-vous lu Racine ? Mise au point polémique, Paris, Montréal, L’Harmattan, 2000. Un vol. 21,5 cm × 14 cm de 408 p.","year":2001,"lang":"fr","type":"article","venue":"Dix-septième siècle","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Point (geometry); Noise (video); Order (exchange)","score_opus":0.014341356729831979,"score_gpt":0.2587993335047096,"score_spread":0.24445797677487766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416693800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4716284,0.21786442,0.0004103193,0.1571768,0.0068718507,0.0017330762,0.00044572627,0.0008235615,0.14304586],"genre_scores_gemma":[0.6051284,0.027171802,0.0011074599,0.025697468,0.0071989377,0.00012893157,0.0002825172,0.00016330939,0.33312118],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935032,0.0009177702,0.0011087857,0.0011756608,0.00091082865,0.002383725],"domain_scores_gemma":[0.99636704,0.00031911666,0.00056531176,0.00080938224,0.00073424133,0.0012048825],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012670158,0.00087138254,0.0011306069,0.00020249785,0.0021361867,0.0005303156,0.0010265872,0.00093293085,0.0131474985],"category_scores_gemma":[0.00059364166,0.00078305777,0.0009217784,0.0021765395,0.0012358932,0.0010911406,0.00026114986,0.0010231024,0.0021767155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033842056,0.0019502189,0.011856846,0.00014394315,0.001067401,0.00093088276,0.028184474,0.00046000213,0.0023872613,0.012690836,0.83272386,0.10726587],"study_design_scores_gemma":[0.0016295649,0.00025469533,0.006407155,0.00015927103,0.00079173886,0.00006123947,0.007495037,0.0012930146,0.0006391672,0.0052802423,0.97481287,0.001176005],"about_ca_topic_score_codex":0.053696487,"about_ca_topic_score_gemma":0.027019294,"teacher_disagreement_score":0.19069262,"about_ca_system_score_codex":0.0010857238,"about_ca_system_score_gemma":0.0004926311,"threshold_uncertainty_score":0.999462},"labels":[],"label_agreement":null},{"id":"W4416954620","doi":"10.3917/dss.092.0369b","title":"Louis Van Delft, Les Spectateurs de la vie. Généalogie du regard moraliste, Sainte-Foy (Québec), Les Presses de l’Université Laval, « Les Collections de la République des Lettres », série « Études », 2005. Un vol. 23 × 15 cm de 318 p.","year":2009,"lang":"fr","type":"article","venue":"Dix-septième siècle","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Context (archaeology); Representation (politics); Theme (computing)","score_opus":0.015309170737111487,"score_gpt":0.2516586088283451,"score_spread":0.23634943809123363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416954620","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67951745,0.062902346,0.0007695399,0.03142364,0.00042356123,0.00058227306,0.0002636052,0.0007109246,0.22340666],"genre_scores_gemma":[0.90272766,0.022546958,0.0025717276,0.0021920186,0.0012376783,0.000046610596,0.000079105346,0.00007331467,0.068524905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939441,0.002703658,0.0005332225,0.000783958,0.0004504951,0.0015845328],"domain_scores_gemma":[0.99708,0.0010137035,0.00034033443,0.000398863,0.0005266659,0.0006404103],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012932086,0.0006436716,0.00071004074,0.00029693943,0.0040296894,0.0012829913,0.0010613262,0.0009448618,0.0030352303],"category_scores_gemma":[0.0016490126,0.00062101707,0.00066330924,0.001583619,0.0029952433,0.00075563736,0.00017509963,0.00087950035,0.000044119402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001774623,0.0012350745,0.106488355,0.000121291436,0.000778135,0.00044375705,0.01495296,0.0017898283,0.0056125587,0.044187102,0.80814517,0.01606832],"study_design_scores_gemma":[0.00085470447,0.00033272713,0.08076171,0.00023034317,0.00093376415,0.00011915211,0.019044006,0.00037741996,0.0027571823,0.030206088,0.8633918,0.0009911007],"about_ca_topic_score_codex":0.1872846,"about_ca_topic_score_gemma":0.30145368,"teacher_disagreement_score":0.22321023,"about_ca_system_score_codex":0.0018475155,"about_ca_system_score_gemma":0.0013501797,"threshold_uncertainty_score":0.9997538},"labels":[],"label_agreement":null},{"id":"W4416960000","doi":"10.7202/1121763ar","title":"<i>Centre Mnémo</i>","year":2025,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.021155255206273087,"score_gpt":0.2782595045595946,"score_spread":0.2571042493533215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416960000","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0168464,0.10668311,0.00035088838,0.5036562,0.005796831,0.0006093824,0.00011105425,0.0005261906,0.36541992],"genre_scores_gemma":[0.252788,0.0050934255,0.00086079974,0.018720606,0.0012927222,0.0000663944,0.0000561635,0.000031011805,0.72109085],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99578506,0.00091868616,0.00067275134,0.00093594345,0.00026952167,0.0014180639],"domain_scores_gemma":[0.9978193,0.00048504843,0.0002629969,0.000724967,0.00040614427,0.0003015125],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008777556,0.00053984585,0.0008311015,0.000246497,0.00086294475,0.0002320952,0.0011362933,0.0017823935,0.0010470378],"category_scores_gemma":[0.0009627986,0.0005190404,0.00069581677,0.0027864862,0.0015187914,0.00048211956,0.00025684506,0.00147291,0.00063458155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086163716,0.00050370104,0.0102067785,0.00052401575,0.00046012303,0.00036691077,0.021901539,0.00018248659,0.00050386926,0.19601524,0.6935168,0.075732395],"study_design_scores_gemma":[0.0005510371,0.00006590223,0.00062266673,0.0005481706,0.00032330796,0.000009816443,0.01102287,0.0003505845,0.0005309674,0.010571347,0.97486156,0.0005417793],"about_ca_topic_score_codex":0.0055303117,"about_ca_topic_score_gemma":0.06572291,"teacher_disagreement_score":0.4849356,"about_ca_system_score_codex":0.0003883656,"about_ca_system_score_gemma":0.00048038896,"threshold_uncertainty_score":0.9998661},"labels":[],"label_agreement":null},{"id":"W4416992605","doi":"10.1515/9782766305728-071","title":"La Troupe du Jour, théâtre professionnel francophone de Saskatoon","year":2025,"lang":"","type":"book-chapter","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Perspective (graphical); Ethnography; Context (archaeology); Identity (music); Narrative; Subject (documents); Ethnic group","score_opus":0.01804886578340277,"score_gpt":0.2620827578580987,"score_spread":0.24403389207469595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992605","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034512158,0.0036813538,0.00010127856,0.010051947,0.003658092,0.000701458,0.000061608545,0.00016939073,0.97812366],"genre_scores_gemma":[0.11269712,0.0025365385,0.00037203828,0.011037128,0.0029847175,0.00004745697,0.00006714859,0.000037976835,0.8702199],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995072,0.0007538951,0.0010355279,0.001206158,0.0009066975,0.0010257398],"domain_scores_gemma":[0.99726903,0.0004580088,0.0005930557,0.00055983494,0.0006089752,0.00051109504],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012496333,0.0009538487,0.0014094441,0.0003029594,0.0024853807,0.00057829043,0.0011273003,0.002900847,0.02685873],"category_scores_gemma":[0.00015766596,0.00067300495,0.0013699926,0.00070892856,0.0011875402,0.0004900329,0.00034543313,0.0019558216,0.0005133312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015893245,0.00033982645,0.0007218375,0.00025133046,0.0012673315,0.0001865265,0.03034566,0.0000039689726,0.00018395671,0.7332277,0.19652969,0.03678323],"study_design_scores_gemma":[0.0007017196,0.00012890133,0.000599672,0.00081030617,0.0007108232,0.000012103125,0.025822666,0.00008134529,0.000023986595,0.024351021,0.9457696,0.0009878271],"about_ca_topic_score_codex":0.0012737912,"about_ca_topic_score_gemma":0.011364342,"teacher_disagreement_score":0.7492399,"about_ca_system_score_codex":0.0002718701,"about_ca_system_score_gemma":0.0010312592,"threshold_uncertainty_score":0.9995721},"labels":[],"label_agreement":null},{"id":"W4417194257","doi":"10.7202/1119230ar","title":"L'album multicolore (extrait), Montréal, Héliotrope, 2014, 11-17","year":2017,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Identification (biology); Process (computing); Product (mathematics)","score_opus":0.08371892607345865,"score_gpt":0.3963597849231258,"score_spread":0.31264085884966714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417194257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11429892,0.10997388,0.00023692043,0.101590596,0.02080327,0.0023368408,0.00030428017,0.0008094847,0.6496458],"genre_scores_gemma":[0.9754421,0.004704229,0.00058726134,0.006725166,0.004916738,0.000080722915,0.000023582945,0.000025905918,0.0074942745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963563,0.00044333047,0.00052768795,0.0007582077,0.0007591252,0.0011553584],"domain_scores_gemma":[0.99796605,0.00037916997,0.00019028017,0.0003541826,0.0008479852,0.00026235692],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0006216086,0.00042299897,0.0008023331,0.000056594232,0.007662157,0.00067275873,0.0009784222,0.00057455734,0.00017123448],"category_scores_gemma":[0.004480754,0.00032238095,0.0003375836,0.00030919645,0.0030979775,0.00072895654,0.000406007,0.0006734799,0.00011253941],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047636113,0.0002994501,0.0040616216,0.00021938758,0.00036219347,0.00036126497,0.082613446,0.0000033278343,0.00019944424,0.23628826,0.6742977,0.0012462704],"study_design_scores_gemma":[0.00093584036,0.000061137056,0.028374316,0.00008193493,0.0014940279,0.0000096234135,0.13321361,0.000023425378,0.000014153979,0.006568789,0.828405,0.0008181122],"about_ca_topic_score_codex":0.003093623,"about_ca_topic_score_gemma":0.028446404,"teacher_disagreement_score":0.86114323,"about_ca_system_score_codex":0.00021543771,"about_ca_system_score_gemma":0.00007951759,"threshold_uncertainty_score":0.9999228},"labels":[],"label_agreement":null},{"id":"W50114530","doi":"","title":"Performance, productivité et expérience dépressive. Marcelo Otero, L’Ombre portée. L’individualité à l’épreuve de la dépression, Montréal, Boréal, 2012, 376 pagesMarcelo Otero, L’Ombre portée. L’individualité à l’épreuve de la dépression, Montréal, Boréal, 2012, 376 pages","year":2012,"lang":"fr","type":"article","venue":"Les cahiers de lecture de l'Action nationale","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Port (circuit theory); Humanities; Art; Engineering","score_opus":0.02658603400071432,"score_gpt":0.29403179695929405,"score_spread":0.26744576295857975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W50114530","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7705155,0.17096435,0.0035180587,0.028399391,0.003343534,0.0021418317,0.0010883836,0.0007635172,0.019265434],"genre_scores_gemma":[0.9048165,0.028897565,0.003316411,0.00976347,0.0046042907,0.0007931412,0.0011623425,0.0002488355,0.046397436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9809173,0.009168813,0.0017790084,0.0020450347,0.002708904,0.0033809808],"domain_scores_gemma":[0.9907933,0.003114851,0.002021137,0.0012855321,0.0010865247,0.0016986543],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0087570315,0.0017468242,0.0015215146,0.00086457917,0.004074827,0.0013063591,0.0017681159,0.005565131,0.0018776424],"category_scores_gemma":[0.0023403566,0.0015918287,0.0009644199,0.002529178,0.0028197789,0.0056618545,0.0004741214,0.006411051,0.00010904983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051349436,0.0025206057,0.055184394,0.0006687815,0.0015998054,0.00020590052,0.08500481,0.003438632,0.011980116,0.006518979,0.8093277,0.02303677],"study_design_scores_gemma":[0.001912651,0.00023136545,0.15965277,0.00064848934,0.0013180434,0.0007886192,0.0116069345,0.00087617896,0.004575366,0.003787043,0.8126028,0.0019997251],"about_ca_topic_score_codex":0.00401056,"about_ca_topic_score_gemma":0.002746137,"teacher_disagreement_score":0.14206678,"about_ca_system_score_codex":0.0019974774,"about_ca_system_score_gemma":0.001759476,"threshold_uncertainty_score":0.99989396},"labels":[],"label_agreement":null},{"id":"W51329373","doi":"","title":"Artaud at Rodez (1986)","year":2011,"lang":"en","type":"other","venue":"York University Digital Library (York University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Cartography; Art history; Humanities; Visual arts; History; Geography","score_opus":0.01653635669134679,"score_gpt":0.1745704910628585,"score_spread":0.1580341343715117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W51329373","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004917846,0.0005631835,0.0000107424985,0.00031475784,0.00048197297,0.00029275555,0.0011995086,0.0010773732,0.9955679],"genre_scores_gemma":[0.0040451875,0.0004064989,0.00014114141,0.00048053626,0.0005521818,9.319338e-8,0.0009186899,0.00013598053,0.9933197],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976956,0.00022721053,0.0001480932,0.00083938014,0.00039689662,0.0006927923],"domain_scores_gemma":[0.9984976,0.000070176065,0.00033619715,0.0004886749,0.000041985986,0.0005653601],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000034845296,0.0004955854,0.0005813174,0.0009144586,0.0009787737,0.00035199735,0.001673166,0.00095375604,0.017350225],"category_scores_gemma":[0.000013310309,0.00054599246,0.00058718305,0.0020595163,0.0009640017,0.0020326357,0.00071155705,0.0004179232,0.0021107106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109292785,0.00011434501,0.0021068207,0.000023319937,0.00034697272,0.00046431084,0.0012574513,5.9582993e-7,0.0000011134366,0.07106467,0.9238273,0.0006838078],"study_design_scores_gemma":[0.00040908466,0.000047552483,0.000083452,0.00009089007,0.0002472035,0.000002226579,0.007069563,5.0101187e-7,0.0000034270333,0.00024953144,0.99110776,0.00068878586],"about_ca_topic_score_codex":0.00088766846,"about_ca_topic_score_gemma":0.0027406255,"teacher_disagreement_score":0.070815146,"about_ca_system_score_codex":0.00025740504,"about_ca_system_score_gemma":0.00034097067,"threshold_uncertainty_score":0.9996992},"labels":[],"label_agreement":null},{"id":"W566385360","doi":"10.71781/12447","title":"Les \"musiques émergentes\" à Montréal : devenir-ensemble et singularité","year":2008,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics; Statistics; Art","score_opus":0.012793992112020985,"score_gpt":0.21447512569386448,"score_spread":0.2016811335818435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W566385360","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6790573,0.12203684,0.00014460037,0.0018582568,0.00251287,0.00046219732,0.00009830166,0.0002181439,0.1936115],"genre_scores_gemma":[0.74627924,0.006222266,0.0012131683,0.0011691231,0.00069501856,0.000035140605,0.00094685995,0.000045047218,0.24339412],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957168,0.00068378967,0.00066340744,0.0009864022,0.001125755,0.00082380924],"domain_scores_gemma":[0.9973939,0.00015417076,0.0006631325,0.00038296133,0.00085088704,0.0005549178],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00029284472,0.0007432774,0.0007843931,0.00030914939,0.018972537,0.00017027493,0.00068516936,0.0012046002,0.00021868738],"category_scores_gemma":[0.00012043472,0.0007760545,0.0009441767,0.0009946652,0.0008674997,0.00081017445,0.00016923515,0.0008838099,0.00012634501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011365253,0.0012418777,0.0222066,0.0003012802,0.0027310953,0.006691121,0.4813026,0.0024090202,0.026855461,0.4209792,0.012690907,0.021454317],"study_design_scores_gemma":[0.001201785,0.00022735009,0.035927355,0.00048489834,0.0016440974,0.00065384584,0.1398958,0.0006741295,0.004192923,0.0024789067,0.8107864,0.0018324697],"about_ca_topic_score_codex":0.46380946,"about_ca_topic_score_gemma":0.3446071,"teacher_disagreement_score":0.7980955,"about_ca_system_score_codex":0.004798591,"about_ca_system_score_gemma":0.0020594215,"threshold_uncertainty_score":0.99946904},"labels":[],"label_agreement":null},{"id":"W571193062","doi":"","title":"Orgues du Québec : Instruments et oeuvres d’art","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.008097171439914558,"score_gpt":0.18709474623468444,"score_spread":0.17899757479476988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W571193062","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5123608,0.05451778,0.000015629501,0.3203,0.0010642376,0.00015064808,0.000035058336,0.000105013074,0.11145083],"genre_scores_gemma":[0.32998425,0.018411832,0.00012228527,0.0074293064,0.00067122513,0.000003654575,0.000042807522,0.000016216634,0.6433184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981247,0.00032909767,0.00018994961,0.0004052468,0.00035428666,0.00059670856],"domain_scores_gemma":[0.99906,0.00007994918,0.00017038839,0.0002300636,0.00014356904,0.0003160724],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023286161,0.0002656585,0.0003344481,0.00010456712,0.0013833555,0.00008245799,0.00045552442,0.00032241104,0.004008658],"category_scores_gemma":[0.00004644206,0.00025851323,0.00030146525,0.0008441312,0.00046777117,0.00068326056,0.00021293235,0.0002656199,0.0013811714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000920742,0.00023067862,0.018997021,0.000016155964,0.00044246708,0.0010603716,0.012936855,0.000034683497,0.00010870275,0.086949326,0.81584144,0.0632902],"study_design_scores_gemma":[0.00049918616,0.000084017745,0.0034753561,0.000035437028,0.00030304087,0.00009570003,0.006087597,0.000113431866,0.000010754644,0.0011898773,0.98779994,0.00030563574],"about_ca_topic_score_codex":0.30265924,"about_ca_topic_score_gemma":0.94773144,"teacher_disagreement_score":0.6450722,"about_ca_system_score_codex":0.004456405,"about_ca_system_score_gemma":0.00019271941,"threshold_uncertainty_score":0.9999867},"labels":[],"label_agreement":null},{"id":"W572846616","doi":"","title":"Musique, enjeux sociaux et défis méthodologiques : perspectives comparées Québec, France, Cuba","year":2006,"lang":"fr","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.06927329665217416,"score_gpt":0.34467858025104003,"score_spread":0.27540528359886585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W572846616","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019336926,0.040409967,0.00046031433,0.03893332,0.0011229254,0.0006266438,0.00015914175,0.00048062624,0.91587335],"genre_scores_gemma":[0.018586038,0.003673036,0.00539605,0.021385586,0.004281973,0.000089581445,0.00033228027,0.000065382934,0.94619006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913495,0.0040919404,0.0009906272,0.001489172,0.0009090791,0.0011696647],"domain_scores_gemma":[0.9953222,0.0017720821,0.000799008,0.000496458,0.0012875044,0.00032271646],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0018215156,0.0011135006,0.0019277277,0.00024693416,0.001737071,0.00051797775,0.0011821392,0.0020754526,0.0110738175],"category_scores_gemma":[0.00043921807,0.00086754444,0.0015271696,0.0008700728,0.0044638766,0.00078237365,0.00023742918,0.0016724188,0.0005703038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013372666,0.00023849423,0.0013542603,0.00006576614,0.00046238172,0.00002094227,0.02206991,0.000010538437,0.000017319117,0.57487077,0.39902747,0.001848775],"study_design_scores_gemma":[0.00026413632,0.00015479278,0.0053508417,0.000150948,0.0005653642,0.000005289585,0.015424075,0.000024629126,0.000011764137,0.0662248,0.9106801,0.0011432477],"about_ca_topic_score_codex":0.15001458,"about_ca_topic_score_gemma":0.45176047,"teacher_disagreement_score":0.51165265,"about_ca_system_score_codex":0.0011080442,"about_ca_system_score_gemma":0.0023716667,"threshold_uncertainty_score":0.99956256},"labels":[],"label_agreement":null},{"id":"W581557913","doi":"10.7202/902160ar","title":"L’éloge de la différence","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.028816664334751173,"score_gpt":0.2952853014957166,"score_spread":0.2664686371609654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W581557913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35624158,0.007915011,0.000070174705,0.0091886455,0.0032485612,0.0002602536,0.00004660613,0.00018758063,0.6228416],"genre_scores_gemma":[0.8858032,0.0003015617,0.00015434825,0.008245038,0.003367716,0.00004482728,0.000028496384,0.000025488127,0.10202929],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694633,0.000960115,0.00044942292,0.00057204417,0.00033446678,0.0007376279],"domain_scores_gemma":[0.9979748,0.00057538063,0.00027303747,0.00039952583,0.00037963802,0.00039761947],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014535811,0.00037338253,0.00051559904,0.00010220872,0.000658532,0.00049201224,0.0007019866,0.00088876835,0.0016633399],"category_scores_gemma":[0.00075327436,0.00033090913,0.0003845916,0.0007610017,0.0030020725,0.00063968176,0.00007957182,0.00093691645,0.00013445088],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007676562,0.00022339716,0.010795397,0.0000693223,0.00013910247,0.0001213563,0.045684315,5.31579e-7,0.01286359,0.8942764,0.015429965,0.020388983],"study_design_scores_gemma":[0.00026368783,0.000046939535,0.0044651567,0.00007228919,0.00012191161,0.000037105434,0.0021087646,0.00003888573,0.00023081391,0.19106995,0.8010976,0.00044694278],"about_ca_topic_score_codex":0.0029141742,"about_ca_topic_score_gemma":0.0037694,"teacher_disagreement_score":0.7856676,"about_ca_system_score_codex":0.00007410231,"about_ca_system_score_gemma":0.0003784251,"threshold_uncertainty_score":0.9999143},"labels":[],"label_agreement":null},{"id":"W582561913","doi":"","title":"Canada — Courts métrages : À la poursuite des courts","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.006779660652040091,"score_gpt":0.1783894516796824,"score_spread":0.17160979102764232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W582561913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5664771,0.1742793,0.00006877456,0.22124974,0.0011906975,0.00021915877,0.00021923064,0.00009180588,0.036204163],"genre_scores_gemma":[0.6775794,0.01035108,0.0003761782,0.004849659,0.0005598367,0.0000033148872,0.000038579274,0.000023346463,0.30621862],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978028,0.00027614363,0.00018240312,0.00041556562,0.0005088441,0.0008142687],"domain_scores_gemma":[0.9987562,0.00012920497,0.00017284842,0.00022332222,0.00021655437,0.0005018916],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00027779862,0.00030275964,0.000366292,0.00007775904,0.0019214442,0.00008393842,0.00046185657,0.00035295307,0.00061206776],"category_scores_gemma":[0.00004475784,0.0003081325,0.00023993138,0.0005969796,0.00073308614,0.0004376065,0.0001281863,0.0003317601,0.0000522035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006687735,0.00023556645,0.0013961676,0.00006839737,0.0007115731,0.009475525,0.012370344,0.001952117,0.0003208372,0.33016476,0.5937341,0.04950377],"study_design_scores_gemma":[0.00063346635,0.000050033454,0.0035404088,0.00008611751,0.0004465799,0.00018546415,0.0044797887,0.000029372008,0.000051202038,0.010985463,0.97912836,0.00038372065],"about_ca_topic_score_codex":0.9442868,"about_ca_topic_score_gemma":0.99788094,"teacher_disagreement_score":0.3853943,"about_ca_system_score_codex":0.011919585,"about_ca_system_score_gemma":0.00091251015,"threshold_uncertainty_score":0.99993706},"labels":[],"label_agreement":null},{"id":"W583439329","doi":"10.7202/902146ar","title":"Lettre (inédite) à Lise Bissonnette, directrice du Devoir","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.028042787685905006,"score_gpt":0.2643167295855022,"score_spread":0.23627394189959716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W583439329","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26146418,0.034339227,0.00006151258,0.07141974,0.012050618,0.0008271383,0.00017548096,0.0005545639,0.61910754],"genre_scores_gemma":[0.78617346,0.0005001486,0.000104915336,0.015787613,0.010317733,0.00007318107,0.00010563725,0.00005350929,0.18688382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957284,0.000744663,0.0008245155,0.0010210841,0.000614517,0.0010668387],"domain_scores_gemma":[0.99667656,0.00051555835,0.0005395778,0.00064167695,0.0010304757,0.0005961506],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012086506,0.0006734979,0.0009102684,0.0002517541,0.0012242408,0.0006753304,0.0009955398,0.0010209474,0.002574139],"category_scores_gemma":[0.0011594282,0.0005948349,0.00066987897,0.0020152298,0.0016678985,0.0013313987,0.00012321942,0.0010938558,0.00036051808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034680124,0.00066376413,0.0117901,0.00024666078,0.0007578839,0.00032221692,0.072926,0.0000019510205,0.010071673,0.5629314,0.28413057,0.056123074],"study_design_scores_gemma":[0.00044163622,0.00007794815,0.0019472222,0.000105836836,0.00035633062,0.00003523255,0.0017511231,0.00009041654,0.00022097671,0.02597085,0.9681881,0.00081434],"about_ca_topic_score_codex":0.007760367,"about_ca_topic_score_gemma":0.012131934,"teacher_disagreement_score":0.68405753,"about_ca_system_score_codex":0.00009357817,"about_ca_system_score_gemma":0.0003539843,"threshold_uncertainty_score":0.9996503},"labels":[],"label_agreement":null},{"id":"W587747854","doi":"","title":"L’Amérique du théâtre québécois : Un parcours en trois mouvements","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.0054453762795615215,"score_gpt":0.17928022148704048,"score_spread":0.17383484520747897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W587747854","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45038098,0.08906251,0.0000656214,0.42891455,0.0007735396,0.00032290997,0.00014141384,0.00014618658,0.030192297],"genre_scores_gemma":[0.43431213,0.021062084,0.0006198023,0.007243803,0.001922443,0.000010639787,0.00008121976,0.000031499883,0.53471637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735254,0.00056161487,0.0002608639,0.000541605,0.0004545078,0.000828845],"domain_scores_gemma":[0.9987174,0.00011641553,0.00023233311,0.0003106779,0.00017892888,0.00044420196],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004190282,0.00036076672,0.00043309535,0.00013244704,0.0015294219,0.00006941402,0.0006464709,0.0004960758,0.001978575],"category_scores_gemma":[0.00003758791,0.0003587331,0.0004595878,0.000881852,0.0003387721,0.00069592334,0.00022323306,0.00037299897,0.00048803486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011365083,0.0005461302,0.0043878774,0.000035149184,0.0010596272,0.001160428,0.050318383,0.00046976,0.00032447078,0.21189749,0.5403813,0.18930572],"study_design_scores_gemma":[0.0006865142,0.00008278506,0.0013338297,0.000033003525,0.0004897151,0.000049695835,0.018428808,0.00042666818,0.00007535476,0.0012654898,0.9767148,0.00041334028],"about_ca_topic_score_codex":0.13954277,"about_ca_topic_score_gemma":0.8931358,"teacher_disagreement_score":0.753593,"about_ca_system_score_codex":0.0066814497,"about_ca_system_score_gemma":0.000127415,"threshold_uncertainty_score":0.99988645},"labels":[],"label_agreement":null},{"id":"W591183710","doi":"","title":"Méditation et vision de l'essai. Roland Barthes, Milan Kundera et Jacques Brault by Pascal Riendeau (review)","year":2014,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Pascal (unit); Humanities; Physics","score_opus":0.008552487962475708,"score_gpt":0.25351254834484943,"score_spread":0.24496006038237372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W591183710","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28692967,0.3262217,0.007369835,0.1174653,0.00222809,0.0011872969,0.00056927797,0.00022307652,0.25780576],"genre_scores_gemma":[0.9229158,0.023519034,0.0017000294,0.012035003,0.00042497794,0.0000011116991,0.00045602725,0.000019848469,0.038928125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972145,0.001553068,0.00021449535,0.000347303,0.00033643015,0.00033421812],"domain_scores_gemma":[0.9989538,0.00020067264,0.00023302909,0.00018958858,0.00020753397,0.0002153853],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00082931644,0.00020017702,0.00040255388,0.000019606481,0.00037275875,0.000063280255,0.0003320441,0.0002803129,0.0024570632],"category_scores_gemma":[0.00003526722,0.00019835452,0.00025882013,0.000098308585,0.00037101042,0.0011984531,0.000022192044,0.00017043247,0.000044749653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001224444,0.00063864776,0.0011730081,0.00044515874,0.00031081255,0.000012496106,0.12784383,0.000008802006,0.00069672544,0.062916696,0.6383682,0.16746318],"study_design_scores_gemma":[0.0007006672,0.0009737551,0.007680534,0.00039464174,0.00036737235,0.0000028495713,0.02022651,0.00036790798,0.000006179698,0.0018714077,0.9670871,0.00032108367],"about_ca_topic_score_codex":0.07701994,"about_ca_topic_score_gemma":0.296349,"teacher_disagreement_score":0.6359862,"about_ca_system_score_codex":0.00025030013,"about_ca_system_score_gemma":0.00008336196,"threshold_uncertainty_score":0.9984548},"labels":[],"label_agreement":null},{"id":"W603115344","doi":"","title":"Rendez-vous du cinéma québécois : accommodements et couacs","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.012773640524671382,"score_gpt":0.1949990478674247,"score_spread":0.1822254073427533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W603115344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5238823,0.12511797,0.000067092464,0.27071205,0.0014384894,0.0002930541,0.00013064349,0.00017277201,0.07818561],"genre_scores_gemma":[0.5353054,0.04282943,0.00028282608,0.01330771,0.00072783,0.0000067604637,0.00008515641,0.000029163868,0.40742573],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750525,0.00044874297,0.0002547513,0.0005130869,0.0005370292,0.00074112765],"domain_scores_gemma":[0.99863684,0.0001438641,0.00025338726,0.00034189632,0.00022916937,0.00039483415],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030285763,0.0003368073,0.00045941293,0.00012255859,0.0024060335,0.000044609034,0.0006107265,0.00044396365,0.0010972437],"category_scores_gemma":[0.000059260397,0.00034292936,0.0004031808,0.0010055526,0.0005543786,0.00065478636,0.00028222436,0.00038487816,0.0004025117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107200656,0.00037704775,0.005534907,0.000026112066,0.0006645486,0.0035249842,0.04655253,0.00015816437,0.00013950218,0.11526452,0.8072677,0.020382771],"study_design_scores_gemma":[0.000738188,0.00010155555,0.0045181783,0.000030441863,0.00040825698,0.0002386475,0.0073506036,0.0002612392,0.000015893425,0.0010200336,0.9849152,0.00040175958],"about_ca_topic_score_codex":0.1619588,"about_ca_topic_score_gemma":0.736076,"teacher_disagreement_score":0.5741172,"about_ca_system_score_codex":0.0039318847,"about_ca_system_score_gemma":0.00019922659,"threshold_uncertainty_score":0.99990225},"labels":[],"label_agreement":null},{"id":"W607375245","doi":"10.7202/902166ar","title":"Montréal (1994-1995) : l’accessibilité comme nouveau critère esthétique","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.054356309238408146,"score_gpt":0.30257060209126835,"score_spread":0.2482142928528602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W607375245","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48314843,0.036688566,0.00010371438,0.062092572,0.011133877,0.0012689225,0.00022798711,0.0005982686,0.40473765],"genre_scores_gemma":[0.8785329,0.00057558995,0.00020256554,0.016326258,0.005271315,0.00012309033,0.00014671829,0.000068566886,0.09875298],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99467814,0.00093995355,0.0011857441,0.0012286113,0.0007091118,0.0012584424],"domain_scores_gemma":[0.99629927,0.00051948684,0.00061384274,0.0009778993,0.00084093155,0.0007485576],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015195236,0.0008127023,0.0011928404,0.00021538672,0.0013012044,0.00084348436,0.0013279513,0.0014006947,0.0014149585],"category_scores_gemma":[0.00070953305,0.0007174554,0.00082761503,0.0013666286,0.0023555695,0.0017558464,0.0002088521,0.0016125329,0.00024148019],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043655997,0.0007537582,0.011801118,0.00026790198,0.00041540273,0.0003152116,0.08263244,0.0000017562115,0.0043246327,0.8011953,0.059239447,0.039009325],"study_design_scores_gemma":[0.00064283446,0.00014399928,0.0017768026,0.00016575561,0.00025561207,0.00004755401,0.0069127893,0.00010229769,0.00021362136,0.15644301,0.8322926,0.0010030846],"about_ca_topic_score_codex":0.030733746,"about_ca_topic_score_gemma":0.10494923,"teacher_disagreement_score":0.77305317,"about_ca_system_score_codex":0.00016415922,"about_ca_system_score_gemma":0.0005288013,"threshold_uncertainty_score":0.999999},"labels":[],"label_agreement":null},{"id":"W607902796","doi":"","title":"Colloque international : regards coréens sur le Québec : littérature, théâtre, cinéma","year":2008,"lang":"fr","type":"book","venue":"Université Laval eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.01562907962372973,"score_gpt":0.20586627554176185,"score_spread":0.19023719591803212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W607902796","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006424231,0.002971889,0.000007334987,0.0067452816,0.0025114242,0.00040082107,0.00032034027,0.00016309189,0.9804556],"genre_scores_gemma":[0.015478078,0.0014534111,0.00009611207,0.002758171,0.002191664,0.0000054993284,0.0003265867,0.00004708999,0.9776434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996447,0.00041225928,0.0005046781,0.00094042433,0.0009636456,0.0007319789],"domain_scores_gemma":[0.99732625,0.00021069782,0.0005415366,0.0004423355,0.0010334913,0.00044568567],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00022623877,0.00069835153,0.00087550073,0.00030652728,0.0018144035,0.00019152969,0.0014038995,0.0013344025,0.00068002485],"category_scores_gemma":[0.00008209908,0.0006700751,0.000991978,0.00036598838,0.0017213819,0.0003376383,0.0003497291,0.0011682605,0.0001701147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019147425,0.00018983307,0.0006094628,0.000046278532,0.0015303846,0.0010177954,0.018560112,0.000020556545,0.00019979905,0.61361194,0.35630244,0.007719949],"study_design_scores_gemma":[0.0009515724,0.00012628641,0.00040295222,0.00016677166,0.00048213938,0.000055926837,0.0023951852,0.000033577315,0.00010711136,0.0008290284,0.99368906,0.0007603599],"about_ca_topic_score_codex":0.107937604,"about_ca_topic_score_gemma":0.40619653,"teacher_disagreement_score":0.6373867,"about_ca_system_score_codex":0.001916414,"about_ca_system_score_gemma":0.00645238,"threshold_uncertainty_score":0.9999621},"labels":[],"label_agreement":null},{"id":"W618005799","doi":"10.71781/7771","title":"Verbaliser l’indicible : une étude de l’expérience de la «vibe» dans la scène underground-house de Montréal","year":2014,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013935924354361813,"score_gpt":0.3004900150240617,"score_spread":0.2865540906696999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W618005799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7941621,0.0010407293,0.00015141173,0.0008658988,0.00036042364,0.0003518423,0.000030400914,0.000013692625,0.20302352],"genre_scores_gemma":[0.9582542,0.00047288428,0.0025082913,0.0011109527,0.00052286795,0.00008505669,0.00020942777,0.00005576242,0.036780547],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99566716,0.0015920356,0.00049394026,0.0007862339,0.0005134031,0.00094724406],"domain_scores_gemma":[0.99805593,0.0004936969,0.00044569263,0.0003696293,0.00017982439,0.00045522803],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001981841,0.0004771635,0.00065261225,0.00009032213,0.0014252573,0.001520728,0.0016326493,0.0011244871,0.0013199956],"category_scores_gemma":[0.00023698874,0.0004274558,0.00030839653,0.0011538329,0.0008899646,0.000719377,0.00014510055,0.00071781507,0.0004100542],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034603654,0.0010697527,0.020018047,0.00012381036,0.0009001077,0.00060355465,0.876031,0.0013642736,0.013046549,0.052679427,0.007829328,0.025988141],"study_design_scores_gemma":[0.0018508772,0.0003246255,0.07489062,0.0006497946,0.0022773675,0.00011984541,0.23140465,0.0011619359,0.003788092,0.011474057,0.6701624,0.0018957468],"about_ca_topic_score_codex":0.07574963,"about_ca_topic_score_gemma":0.22260886,"teacher_disagreement_score":0.6623331,"about_ca_system_score_codex":0.00066115905,"about_ca_system_score_gemma":0.0010093341,"threshold_uncertainty_score":0.9998748},"labels":[],"label_agreement":null},{"id":"W622579485","doi":"","title":"Saint-Denis-Garneau. Le poète en sursis by André Brochu (review)","year":2001,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SAINT; Art; Humanities; Art history","score_opus":0.009322194913152995,"score_gpt":0.22334685697994616,"score_spread":0.21402466206679316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W622579485","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12296808,0.68625927,0.0002694859,0.03860468,0.001530184,0.00057575933,0.00027870364,0.00010142246,0.14941242],"genre_scores_gemma":[0.33794627,0.10177842,0.0005042847,0.0036711916,0.0007464899,8.7914924e-7,0.00018863744,0.000023476045,0.5551404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785745,0.0006127295,0.0002479577,0.00042295284,0.0003659964,0.00049288536],"domain_scores_gemma":[0.99885064,0.000088983,0.00025411267,0.00027187873,0.00025487583,0.00027949593],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034270104,0.00024592504,0.0005532736,0.000023723005,0.0005510348,0.000039408147,0.00064312783,0.00031969993,0.00768392],"category_scores_gemma":[0.000016582455,0.00026776493,0.0004750745,0.0002194622,0.0006078625,0.0010959145,0.00003469767,0.00017115379,0.00016096063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007465186,0.00048402406,0.0008447583,0.00020207325,0.00050757034,0.00008751473,0.052032918,0.0000013011206,0.0004326716,0.010203554,0.6920743,0.24305463],"study_design_scores_gemma":[0.0005063458,0.00042052616,0.0010946706,0.000250845,0.00046584025,0.000008070479,0.036453366,0.000023749402,0.0000053737267,0.00015725367,0.9602912,0.0003227372],"about_ca_topic_score_codex":0.29447538,"about_ca_topic_score_gemma":0.22258388,"teacher_disagreement_score":0.5844808,"about_ca_system_score_codex":0.00052484265,"about_ca_system_score_gemma":0.00011861956,"threshold_uncertainty_score":0.99997747},"labels":[],"label_agreement":null},{"id":"W627462289","doi":"10.20381/ruor-6256","title":"L'affirmation culturelle québécoise dans le mouvement du Jeune Théâtre : Grand Cirque Ordinaire et Théâtre du Même Nom (1969-1971)","year":2012,"lang":"fr","type":"dissertation","venue":"uO Research (University of Ottawa)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.032697433746953934,"score_gpt":0.2921379592490631,"score_spread":0.25944052550210916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W627462289","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8006598,0.0009920347,0.00012280524,0.028611705,0.00085799576,0.0011217064,0.0002598231,0.000076403245,0.16729774],"genre_scores_gemma":[0.7243111,0.0012663308,0.00016451241,0.00015495239,0.00045333852,0.000007086251,0.0020123832,0.00002696832,0.27160332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99406403,0.0019611793,0.00041812359,0.000785697,0.0017445926,0.001026382],"domain_scores_gemma":[0.9963205,0.00027497066,0.00053147407,0.0004513331,0.001881252,0.0005405011],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021220427,0.00047637877,0.0007773253,0.00051562977,0.0042774067,0.00019114173,0.0013502027,0.0009314639,0.0015503726],"category_scores_gemma":[0.00020203691,0.00047656635,0.0006381076,0.0022020137,0.0013196666,0.0016314826,0.0002420112,0.0011686286,0.00024876185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001314743,0.0019922967,0.05335907,0.00093098934,0.0011798908,0.00015769944,0.32101676,0.00017028241,0.0052467794,0.4829219,0.12833439,0.0045584813],"study_design_scores_gemma":[0.0010524866,0.0002348356,0.0725053,0.0002305096,0.00040569543,0.00000458598,0.2737476,0.00028054998,0.00020089472,0.00091684976,0.64983046,0.00059024955],"about_ca_topic_score_codex":0.08011621,"about_ca_topic_score_gemma":0.5292527,"teacher_disagreement_score":0.52149606,"about_ca_system_score_codex":0.0006288633,"about_ca_system_score_gemma":0.0008063511,"threshold_uncertainty_score":0.9997686},"labels":[],"label_agreement":null},{"id":"W627666147","doi":"","title":"Condensé d’imaginaire(s). Nouveaux courts métrages québécois 2009 Nouveaux courts métrages québécois 2009","year":2009,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Psychology","score_opus":0.01272291439767508,"score_gpt":0.2658183338338252,"score_spread":0.2530954194361501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W627666147","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27890804,0.4573177,0.000064845786,0.17740798,0.006503186,0.0012418632,0.00068694795,0.00068378635,0.07718566],"genre_scores_gemma":[0.8208822,0.023220222,0.0006275097,0.033854734,0.004079404,0.000056443918,0.00019980475,0.00009754948,0.116982125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920972,0.000895169,0.0013890312,0.0017758553,0.0014699469,0.0023728095],"domain_scores_gemma":[0.9955623,0.00043306235,0.0008061555,0.0010368566,0.0010774799,0.0010841326],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001037335,0.0013589949,0.0017696456,0.0003801036,0.002201829,0.0009706084,0.0015437168,0.0012866079,0.0037398478],"category_scores_gemma":[0.00037065384,0.0012153154,0.0011296357,0.001449845,0.0022628838,0.0011936872,0.00014378536,0.0013359188,0.001186735],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010579528,0.001266681,0.0011719118,0.0001418503,0.0006613434,0.0007084748,0.030877125,0.00014835865,0.0014092857,0.0678379,0.8610891,0.034582134],"study_design_scores_gemma":[0.0011047459,0.0005746437,0.017314283,0.00038199272,0.0011745099,0.00011798044,0.021535872,0.00012200328,0.00040277938,0.01078371,0.9446915,0.0017959834],"about_ca_topic_score_codex":0.08490864,"about_ca_topic_score_gemma":0.13748246,"teacher_disagreement_score":0.5419742,"about_ca_system_score_codex":0.0004436618,"about_ca_system_score_gemma":0.001513081,"threshold_uncertainty_score":0.9999161},"labels":[],"label_agreement":null},{"id":"W629337834","doi":"","title":"Légendes franciscaines à l’OSM. Saint François d’Assise, d’Olivier Messiaen, avec le Choeur et l’Orchestre symphonique de Montréal sous la direction de Kent Nagano Saint François d’Assise, d’Olivier Messiaen, avec le Choeur et l’Orchestre symphonique de Montréal sous la direction de Kent Nagano","year":2009,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"SAINT; Art; Humanities; Art history","score_opus":0.013538737063251541,"score_gpt":0.2597733091978884,"score_spread":0.24623457213463684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W629337834","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81968546,0.082396604,0.002004225,0.065895736,0.0021958183,0.0015173209,0.00020373664,0.00087331247,0.025227778],"genre_scores_gemma":[0.95295113,0.010207865,0.0027423757,0.011972345,0.0031496175,0.0004966844,0.000103957296,0.00015922394,0.018216802],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98442835,0.0052631637,0.0018778535,0.0023504943,0.0019432077,0.004136947],"domain_scores_gemma":[0.9944077,0.001064987,0.0013234753,0.000985632,0.0006149953,0.0016031907],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0075996513,0.0018723389,0.0019150086,0.00086786906,0.005424567,0.00210399,0.0017506158,0.0017902463,0.00035850782],"category_scores_gemma":[0.00096659706,0.0016426228,0.0016062798,0.0032331357,0.0035575891,0.0028230795,0.00039718577,0.001887069,0.00006606555],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00076143176,0.010796713,0.1191749,0.0011698505,0.002320714,0.0018330306,0.3121965,0.043842163,0.044481453,0.09926646,0.15049164,0.21366516],"study_design_scores_gemma":[0.0024075785,0.00080931414,0.16154167,0.0011746703,0.0011268738,0.0010087929,0.012725585,0.007927143,0.0060838014,0.0132577205,0.78847444,0.0034623898],"about_ca_topic_score_codex":0.11076642,"about_ca_topic_score_gemma":0.117059804,"teacher_disagreement_score":0.63798285,"about_ca_system_score_codex":0.0030466365,"about_ca_system_score_gemma":0.002690768,"threshold_uncertainty_score":0.99950564},"labels":[],"label_agreement":null},{"id":"W630492749","doi":"10.1522/030181275","title":"Origine des instruments de musique","year":2011,"lang":"fr","type":"book","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":28,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Oxford","keywords":"Art","score_opus":0.046067779913276395,"score_gpt":0.2809225378386931,"score_spread":0.23485475792541669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W630492749","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02839427,0.0012166642,0.00004545895,0.00051744457,0.0011204564,0.0002157931,0.000023543635,0.000085608786,0.96838075],"genre_scores_gemma":[0.034583736,0.001052678,0.0021505966,0.009294345,0.0017892343,0.000024497233,0.000086620144,0.000021647338,0.95099664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977557,0.00032578927,0.00038273298,0.0004931738,0.00031044477,0.00073215325],"domain_scores_gemma":[0.99887687,0.000056742352,0.00021487511,0.00023046356,0.00025623586,0.00036479358],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037214637,0.00041263457,0.0005281603,0.00009214632,0.000817634,0.00014608997,0.00060132117,0.0009500157,0.020841114],"category_scores_gemma":[0.00005218611,0.00030496082,0.00041522342,0.0004403754,0.0018698325,0.00041164484,0.000104305676,0.00049184915,0.0010703673],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012435452,0.00013574879,0.0028183768,0.00007933491,0.00047410428,0.000025085006,0.01053259,6.0104765e-7,0.000050172886,0.89448273,0.02888377,0.06250508],"study_design_scores_gemma":[0.00011456034,0.00007818677,0.00056795066,0.00009633629,0.00034956334,0.0000071174436,0.00062818057,0.000008398704,0.0000620598,0.09728888,0.9003941,0.00040471007],"about_ca_topic_score_codex":0.007315262,"about_ca_topic_score_gemma":0.01844669,"teacher_disagreement_score":0.87151027,"about_ca_system_score_codex":0.00057385076,"about_ca_system_score_gemma":0.00067221676,"threshold_uncertainty_score":0.9999403},"labels":[],"label_agreement":null},{"id":"W631510284","doi":"","title":"La comédie dans le cinéma québécois : De Gros Bill aux Grandes Chaleurs","year":2009,"lang":"fr","type":"article","venue":"Cin&#233;-Bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02526778627337765,"score_gpt":0.27735764684135483,"score_spread":0.25208986056797716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W631510284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6371879,0.08634484,0.00009129281,0.16096978,0.0016043561,0.00045381818,0.00010562374,0.00028857437,0.11295381],"genre_scores_gemma":[0.91011053,0.004640904,0.00018653247,0.008120229,0.0014884017,0.000024203973,0.00004732675,0.000028882589,0.07535296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962283,0.00093220576,0.0005383546,0.0007273111,0.00048010447,0.0010937729],"domain_scores_gemma":[0.9983089,0.00027451618,0.0002524598,0.00041949135,0.0002690872,0.00047554888],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000759483,0.00051276706,0.00073008763,0.00014675072,0.0016276152,0.0003595876,0.000770802,0.00071373687,0.0006145897],"category_scores_gemma":[0.00021150407,0.00038168955,0.0005956837,0.0011728553,0.0016349226,0.00044494917,0.000076321434,0.00058851996,0.0001925252],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015640393,0.0017811845,0.012743889,0.00023799462,0.0007407402,0.00038915983,0.16949037,0.0000914591,0.006527102,0.405209,0.2686477,0.133985],"study_design_scores_gemma":[0.00085627404,0.00035764283,0.023120511,0.00018666379,0.00043662023,0.000052040137,0.04135708,0.00009878354,0.00046449734,0.017527482,0.9148024,0.0007400263],"about_ca_topic_score_codex":0.06304801,"about_ca_topic_score_gemma":0.11378966,"teacher_disagreement_score":0.64615464,"about_ca_system_score_codex":0.0001884136,"about_ca_system_score_gemma":0.0005547979,"threshold_uncertainty_score":0.9998635},"labels":[],"label_agreement":null},{"id":"W637076194","doi":"10.71781/9201","title":"Vulgaire! Pervers! Dégradant! : le film d'exploitation et le cinéma québécois","year":2009,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03546565675481428,"score_gpt":0.31801487384976507,"score_spread":0.2825492170949508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W637076194","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56278616,0.0035106004,0.000012686614,0.020623565,0.0012884954,0.0008840911,0.00010233137,0.000009805601,0.41078225],"genre_scores_gemma":[0.66141695,0.00038156664,0.0016280578,0.0022918154,0.0005053905,0.000058971997,0.0035266168,0.000032162803,0.33015847],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99682796,0.00064681034,0.0005853759,0.00084881886,0.0005205134,0.0005705369],"domain_scores_gemma":[0.9983871,0.00012614674,0.0005451258,0.0002953715,0.0004229523,0.00022331455],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007527491,0.00045267743,0.0006745744,0.00012545181,0.0015404654,0.0010025685,0.0010251245,0.00068818644,0.0030225299],"category_scores_gemma":[0.00014994497,0.00041980098,0.00041938678,0.0009932163,0.0002176249,0.0015841471,0.00007439161,0.00048397502,0.00072435406],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001997411,0.0008578092,0.00029763865,0.000071674986,0.0006101952,0.00007157002,0.43947354,0.00014695332,0.0025177193,0.055846006,0.021919865,0.4779873],"study_design_scores_gemma":[0.00072747166,0.00020989568,0.00705833,0.00021733664,0.0004242999,0.0000034974319,0.28806052,0.00015789484,0.00096297485,0.0013453155,0.70007175,0.0007607112],"about_ca_topic_score_codex":0.12426345,"about_ca_topic_score_gemma":0.6760264,"teacher_disagreement_score":0.6781519,"about_ca_system_score_codex":0.00011847127,"about_ca_system_score_gemma":0.0015679386,"threshold_uncertainty_score":0.99982536},"labels":[],"label_agreement":null},{"id":"W640488102","doi":"10.7202/902199ar","title":"« Cage par lui-même »","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0384699287651097,"score_gpt":0.28226978181013873,"score_spread":0.24379985304502905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W640488102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27593982,0.013009903,0.00004441587,0.022875309,0.010181055,0.0005677134,0.000108838656,0.000309796,0.67696315],"genre_scores_gemma":[0.819746,0.00023707637,0.000091007736,0.01039497,0.005689156,0.00005272275,0.000079489735,0.000037277925,0.16367228],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99654055,0.0005502472,0.00070100074,0.00080587144,0.00049682386,0.0009055235],"domain_scores_gemma":[0.997596,0.00024642659,0.00039171847,0.00058996864,0.0006723076,0.0005035549],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010347016,0.0005200723,0.0007589889,0.00014288955,0.00096765073,0.0005053704,0.0008013178,0.00090461806,0.0033694066],"category_scores_gemma":[0.00049805857,0.00045755043,0.00057729887,0.0010335848,0.0021435723,0.0010260385,0.00009752352,0.0009546886,0.00044491256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013857919,0.00030851274,0.007461516,0.0001290552,0.00033567214,0.00017946502,0.05674402,3.5985698e-7,0.011444309,0.83244526,0.07048349,0.02045445],"study_design_scores_gemma":[0.0003414688,0.00007027137,0.0023541935,0.000077371595,0.00018555058,0.000019826819,0.0026538032,0.000020829088,0.0003185979,0.08223416,0.9110895,0.00063442567],"about_ca_topic_score_codex":0.004552265,"about_ca_topic_score_gemma":0.014383096,"teacher_disagreement_score":0.84060603,"about_ca_system_score_codex":0.0000748376,"about_ca_system_score_gemma":0.0003225029,"threshold_uncertainty_score":0.9997876},"labels":[],"label_agreement":null},{"id":"W645351200","doi":"10.7202/902185ar","title":"Avant-dire. De l’utopie à la débrouille : parcours d’une génération","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.030281809071729518,"score_gpt":0.2854247948657065,"score_spread":0.255142985793977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W645351200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.292387,0.0054488895,0.00017248665,0.02837827,0.0053873295,0.00050175964,0.000057975805,0.00029691253,0.66736937],"genre_scores_gemma":[0.84227514,0.0003429983,0.00017190631,0.005274674,0.0035312506,0.00006428717,0.00008570047,0.000034559285,0.14821947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966438,0.0008703342,0.0006056082,0.00065356604,0.00043174188,0.00079494144],"domain_scores_gemma":[0.9978354,0.00037418495,0.00038698388,0.00044207132,0.0005656967,0.0003956524],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015335173,0.00042942434,0.0006023509,0.00013231678,0.0008167148,0.0005308074,0.0005899626,0.0008916406,0.0014661709],"category_scores_gemma":[0.0005341948,0.00039905016,0.00042988674,0.00072142197,0.0015885223,0.0009556961,0.00006878718,0.00081739895,0.00018701541],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017255956,0.00032936418,0.0055916714,0.000109682325,0.00024822692,0.000116811425,0.08258903,0.000002469955,0.022019422,0.82355064,0.031745046,0.033680387],"study_design_scores_gemma":[0.00042591346,0.00007418553,0.004277305,0.00010470331,0.00019819538,0.000037044843,0.0043609287,0.00013836501,0.00036246926,0.15651262,0.83292806,0.00058018],"about_ca_topic_score_codex":0.005235217,"about_ca_topic_score_gemma":0.021979438,"teacher_disagreement_score":0.80118304,"about_ca_system_score_codex":0.000102847785,"about_ca_system_score_gemma":0.00047133208,"threshold_uncertainty_score":0.99984616},"labels":[],"label_agreement":null},{"id":"W650607039","doi":"10.71781/9267","title":"La représentation de la chanson québécoise dans le cinéma québécois","year":2008,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02444998698950684,"score_gpt":0.32836454779974655,"score_spread":0.3039145608102397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W650607039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61109304,0.0008764595,0.000011654623,0.0010293995,0.00048443,0.00035824438,0.000036091962,0.000004436017,0.38610625],"genre_scores_gemma":[0.7357581,0.00093751977,0.0010570445,0.0006493042,0.0007490962,0.00010491979,0.0014172667,0.000037097067,0.25928965],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962397,0.0016598771,0.00049137935,0.0007556706,0.00039699365,0.0004563719],"domain_scores_gemma":[0.99850804,0.00028463587,0.00047994437,0.00028790487,0.00021436437,0.00022509664],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009115692,0.00038008954,0.00054435816,0.00010727856,0.0013244512,0.00063262053,0.00085143046,0.0010061089,0.001712818],"category_scores_gemma":[0.00017487082,0.0003530679,0.00032914346,0.0008455562,0.000600293,0.0007020089,0.00006137505,0.0005309947,0.00037473685],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011859934,0.00044225936,0.0025168948,0.000043855114,0.00030843323,0.00018897427,0.8796365,0.000046561338,0.0054426,0.010587092,0.0022815512,0.098386645],"study_design_scores_gemma":[0.0005044392,0.00007372713,0.012894005,0.00016403174,0.00045487247,0.000038755265,0.31858003,0.00008533684,0.0026415547,0.0005046245,0.66349155,0.00056711095],"about_ca_topic_score_codex":0.50656474,"about_ca_topic_score_gemma":0.74567014,"teacher_disagreement_score":0.66121,"about_ca_system_score_codex":0.00022917172,"about_ca_system_score_gemma":0.0016212887,"threshold_uncertainty_score":0.9999757},"labels":[],"label_agreement":null},{"id":"W651606763","doi":"","title":"The Canadian journal of music, 1914-1919","year":2005,"lang":"de","type":"book","venue":"NISC eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Psychology","score_opus":0.026232112709453227,"score_gpt":0.2554737005498921,"score_spread":0.22924158784043888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W651606763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008454666,0.009521742,0.0000011746804,0.0026548686,0.004864739,0.00031833182,0.000071199975,0.00001440124,0.98170805],"genre_scores_gemma":[0.043599837,0.00018528372,0.000050945117,0.006130059,0.015000074,0.000009400444,0.000029856332,0.00003327241,0.93496126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99632126,0.0004953081,0.00092851993,0.00037461473,0.000915482,0.00096479594],"domain_scores_gemma":[0.9965315,0.00027016838,0.0010509079,0.00041191038,0.00090899447,0.0008265291],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001406606,0.00046114426,0.0007466495,0.00021441178,0.004864112,0.00125399,0.0015670183,0.0010693916,0.0013087055],"category_scores_gemma":[0.00016971362,0.0002792059,0.00092610257,0.00016241011,0.0022314114,0.00012807522,0.00005997473,0.0015713543,0.0003733826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037728427,0.000029155892,0.00018273982,0.000037330017,0.0015546905,0.00022742158,0.06168381,0.0000066901093,0.000039623003,0.1950247,0.65372276,0.08745335],"study_design_scores_gemma":[0.00021044772,0.00008868567,0.00008600292,0.00010587361,0.00068313134,0.00001768592,0.0020278783,0.0000027585706,0.000010296669,0.0075753843,0.98883855,0.00035332434],"about_ca_topic_score_codex":0.03660317,"about_ca_topic_score_gemma":0.91865873,"teacher_disagreement_score":0.8820556,"about_ca_system_score_codex":0.00057174667,"about_ca_system_score_gemma":0.007224716,"threshold_uncertainty_score":0.999966},"labels":[],"label_agreement":null},{"id":"W653095447","doi":"10.7202/902064ar","title":"De Paris : notes critiques","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04184589126980378,"score_gpt":0.3050466920017218,"score_spread":0.26320080073191804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W653095447","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2562711,0.028742567,0.00027876796,0.059411243,0.0061810785,0.0005534257,0.00011781683,0.0004816109,0.6479624],"genre_scores_gemma":[0.9114314,0.000736862,0.000334892,0.017043881,0.0054670037,0.00006604073,0.000056076664,0.000039418555,0.06482443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674314,0.000672739,0.00060953025,0.0006668782,0.00038052746,0.00092715723],"domain_scores_gemma":[0.99741584,0.0005648575,0.00029328483,0.00045128417,0.0007943873,0.0004803726],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012351845,0.00045814263,0.0006626768,0.00013199661,0.00080002326,0.00071650546,0.000639315,0.00092872325,0.0027028031],"category_scores_gemma":[0.0010881019,0.00042106153,0.00050913915,0.0007479985,0.001916916,0.0009794444,0.00008244178,0.0009246711,0.00014411155],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011427451,0.00025336942,0.013018496,0.0001248241,0.0002247515,0.00010623368,0.06499348,3.6769643e-7,0.009939486,0.84848267,0.026043553,0.03680133],"study_design_scores_gemma":[0.00019979039,0.000071404625,0.0018582508,0.00009768877,0.00016839466,0.000021799231,0.0026211024,0.000036247427,0.000846805,0.21541345,0.77813077,0.0005343023],"about_ca_topic_score_codex":0.010345006,"about_ca_topic_score_gemma":0.013236882,"teacher_disagreement_score":0.75208724,"about_ca_system_score_codex":0.00009586134,"about_ca_system_score_gemma":0.00042737272,"threshold_uncertainty_score":0.9998241},"labels":[],"label_agreement":null},{"id":"W656349099","doi":"10.7202/902186ar","title":"Jeu de raclures","year":2010,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.037866016340332674,"score_gpt":0.2948407039616031,"score_spread":0.25697468762127046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W656349099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2574974,0.016304744,0.0000935315,0.029129528,0.0066542216,0.00043768223,0.000060303144,0.00027937788,0.68954325],"genre_scores_gemma":[0.8164827,0.00023291289,0.00017244021,0.013332497,0.005590348,0.00004519463,0.000041370404,0.000029861312,0.16407265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99708307,0.00056269555,0.00052775524,0.0005985506,0.0003779874,0.000849964],"domain_scores_gemma":[0.99796164,0.00028584513,0.00030706887,0.0004336394,0.00055944826,0.00045234407],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011631235,0.00040460782,0.00057332695,0.00012498084,0.0007694376,0.00045868126,0.0006924204,0.0008104844,0.0026297858],"category_scores_gemma":[0.00068395014,0.00036015426,0.0004746421,0.00080206676,0.0017146866,0.0007821927,0.00007679714,0.0008464195,0.00022335527],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011647626,0.00020288993,0.007365185,0.000087116794,0.00022108616,0.00010504591,0.056538325,6.228733e-7,0.007930732,0.8591536,0.04509638,0.023287343],"study_design_scores_gemma":[0.00026577475,0.000051890314,0.00207029,0.000065245724,0.00014512884,0.000024384331,0.0029571138,0.000027082033,0.00028700972,0.15999287,0.83366406,0.0004491301],"about_ca_topic_score_codex":0.0045824656,"about_ca_topic_score_gemma":0.011778394,"teacher_disagreement_score":0.7885677,"about_ca_system_score_codex":0.000087139815,"about_ca_system_score_gemma":0.0004255508,"threshold_uncertainty_score":0.999885},"labels":[],"label_agreement":null},{"id":"W658979029","doi":"","title":"En bref. Le Petit Vaïs. Dictionnaire des artistes du théâtre québécois. Sous la direction de Michel Vaïs, Cahiers de théâtre Jeu / Québec Amérique, 422 p., ill. Dictionnaire des artistes du théâtre québécois. Sous la direction de Michel Vaïs, Cahiers de théâtre Jeu / Québec Amérique, 422 p., ill.","year":2009,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008302207802844852,"score_gpt":0.23841667787344095,"score_spread":0.2301144700705961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W658979029","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78459877,0.04128013,0.0013236708,0.12649868,0.0019043267,0.0013016132,0.00022566358,0.0017400956,0.041127063],"genre_scores_gemma":[0.8387591,0.012320886,0.0014462598,0.017576626,0.0036425414,0.00041831846,0.000110849745,0.00020398901,0.12552139],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9872823,0.0032233752,0.0018382552,0.0025965206,0.0015825845,0.0034769685],"domain_scores_gemma":[0.99359876,0.00146642,0.0013842941,0.0009569521,0.0012137373,0.001379844],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00370439,0.0019034819,0.0017162616,0.0009976622,0.012224499,0.0022423554,0.0019190034,0.0019773645,0.00029009162],"category_scores_gemma":[0.0029004926,0.0017347226,0.0014803432,0.0037208912,0.011300682,0.0036291664,0.00022825421,0.002067776,0.000075213866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056517194,0.0035148514,0.24017078,0.0010853886,0.0015457686,0.0009623522,0.22075625,0.0077689956,0.0185113,0.07651626,0.36692405,0.061678827],"study_design_scores_gemma":[0.0011971084,0.0009944371,0.076031655,0.0011803568,0.0010086517,0.001141409,0.050657686,0.0017743752,0.0020502817,0.008979285,0.85237324,0.0026114972],"about_ca_topic_score_codex":0.76687753,"about_ca_topic_score_gemma":0.9571589,"teacher_disagreement_score":0.4854492,"about_ca_system_score_codex":0.0048181643,"about_ca_system_score_gemma":0.0053240424,"threshold_uncertainty_score":0.99937093},"labels":[],"label_agreement":null},{"id":"W6890039381","doi":"10.34616/ajmp.2023.20.2","title":"Le texte théâtral et l’autotraduction dans le contexte minoritaire de l’Ouest du Canada","year":2023,"lang":"fr","type":"article","venue":"Uniwersytet Wrocławski","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Government (linguistics); Subject (documents); Focus (optics)","score_opus":0.0121015651457992,"score_gpt":0.24215593731420956,"score_spread":0.23005437216841035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6890039381","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61004645,0.0065371515,0.00011683048,0.20404479,0.011327746,0.0005440592,0.00033561408,0.00046834984,0.16657901],"genre_scores_gemma":[0.8272364,0.0010918225,0.00007018061,0.005346795,0.0019349441,0.000024515057,0.00020836762,0.00003236,0.16405462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99652517,0.00075605063,0.00043370653,0.00062056666,0.00054955966,0.0011149478],"domain_scores_gemma":[0.99862367,0.00019692352,0.00019911134,0.00029591328,0.0002496268,0.00043478425],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000765218,0.00038426474,0.00046571007,0.00017406473,0.0020978407,0.00024110006,0.0005503029,0.00039869212,0.00024160366],"category_scores_gemma":[0.00013933233,0.0003875607,0.00030336517,0.00261912,0.0010002293,0.00077179633,0.000090543865,0.00052266644,0.0001196603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024047455,0.00016935194,0.0015990349,0.000061439976,0.00028798528,0.00028304607,0.019561484,0.0006070403,0.0012516159,0.41915712,0.5538093,0.003188556],"study_design_scores_gemma":[0.00049847644,0.0000728468,0.0049789124,0.000058536483,0.0001851372,0.000044295943,0.03975597,0.0006378389,0.0003177437,0.0034109433,0.94950104,0.00053823227],"about_ca_topic_score_codex":0.82626754,"about_ca_topic_score_gemma":0.9588492,"teacher_disagreement_score":0.41574618,"about_ca_system_score_codex":0.00042175764,"about_ca_system_score_gemma":0.0030833476,"threshold_uncertainty_score":0.9998576},"labels":[],"label_agreement":null},{"id":"W6892836807","doi":"10.5281/zenodo.12535284","title":"Download Pdf Tous les hommes n'habitent pas le monde de la même façon","year":2024,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exoticism; Context (archaeology); Rite of passage","score_opus":0.03281711031250768,"score_gpt":0.2665912744509227,"score_spread":0.233774164138415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6892836807","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06405443,0.045340523,0.00080937473,0.052083462,0.0012891898,0.00068882434,0.0006920203,0.0017213961,0.8333208],"genre_scores_gemma":[0.8609684,0.003642779,0.00016404214,0.0018765382,0.0015307496,2.009137e-7,0.0012225951,0.00070178515,0.12989293],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650335,0.0016044478,0.00028687902,0.00053782214,0.00044691976,0.0006205491],"domain_scores_gemma":[0.99890286,0.00009941625,0.00007680969,0.00026292747,0.00036732023,0.0002906914],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011738727,0.00021736976,0.00022098047,0.0001839983,0.00368234,0.0030827315,0.00088383036,0.00026689784,0.03437466],"category_scores_gemma":[0.00043457924,0.00020230172,0.00020173889,0.0013376132,0.0009593397,0.00052650075,0.0005759923,0.0005942011,0.020157592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020859576,0.00019165725,0.0000081055305,0.00012986283,0.0001841653,0.000100849684,0.013212352,0.000049100498,0.002283514,0.08333327,0.6657044,0.23478185],"study_design_scores_gemma":[0.00019023306,0.00013811332,0.0002284005,0.00009061188,0.000096560725,0.00007986318,0.004525074,0.0003471964,0.00013948938,0.0022782276,0.9916382,0.00024804266],"about_ca_topic_score_codex":0.00063073874,"about_ca_topic_score_gemma":0.0000148450745,"teacher_disagreement_score":0.7969139,"about_ca_system_score_codex":0.00030699745,"about_ca_system_score_gemma":0.000025103938,"threshold_uncertainty_score":0.99795216},"labels":[],"label_agreement":null},{"id":"W6893758035","doi":"10.5281/zenodo.4260743","title":"Regarder ]]\"S.O.S Fantômes : L'héritage (2021))\" FRANÇAIS FILM-STREAMING VF iee","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Nucleofection; Relation (database); Filter (signal processing)","score_opus":0.03784883244358834,"score_gpt":0.25356728753971064,"score_spread":0.2157184550961223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893758035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030793838,0.013332008,0.0012955709,0.09231238,0.0014103326,0.0010077818,0.0012246757,0.00131165,0.8573118],"genre_scores_gemma":[0.9016303,0.0017441456,0.00044053505,0.009216936,0.0038514296,1.4037579e-7,0.0021625448,0.0015216568,0.07943236],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996265,0.0010542129,0.0004270936,0.00079056283,0.0006794477,0.00078366644],"domain_scores_gemma":[0.9979714,0.0000557384,0.00018796304,0.00037036682,0.00083632657,0.0005781975],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006086733,0.00029798664,0.00036799695,0.00012299014,0.0051116706,0.0018304085,0.0014039646,0.00027026856,0.10784435],"category_scores_gemma":[0.0011386556,0.00029526587,0.00023468341,0.001917197,0.0008072488,0.0007471399,0.00095288496,0.00064929615,0.02237274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053789354,0.00017391953,0.000018134388,0.00013506056,0.00023267766,0.000081124104,0.051500138,0.00004367482,0.0018514417,0.016232453,0.7634518,0.16622579],"study_design_scores_gemma":[0.00039232877,0.00023161955,0.00025269552,0.000061474435,0.00011730583,0.000018527078,0.008055514,0.00058905425,0.00010463266,0.0002622728,0.9895623,0.00035228298],"about_ca_topic_score_codex":0.00030944878,"about_ca_topic_score_gemma":0.000015937667,"teacher_disagreement_score":0.87083644,"about_ca_system_score_codex":0.00013499592,"about_ca_system_score_gemma":0.000012782097,"threshold_uncertainty_score":0.99994993},"labels":[],"label_agreement":null},{"id":"W6899131755","doi":"10.58079/n6h9","title":"La maison de François Baby","year":2018,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feature (linguistics); Perspective (graphical)","score_opus":0.020218429029317316,"score_gpt":0.2795218100349815,"score_spread":0.2593033810056642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899131755","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061693788,0.008513229,0.0010422998,0.2817078,0.013027758,0.00076640234,0.00073964463,0.00027289012,0.6322362],"genre_scores_gemma":[0.7147522,0.00095602154,0.0013254347,0.15002713,0.012561499,0.00020408975,0.0007581796,0.000046002184,0.11936943],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957424,0.0012966687,0.0005740331,0.0007311064,0.0007412441,0.0009145726],"domain_scores_gemma":[0.9977945,0.00028088226,0.0003312969,0.0003918144,0.0006871765,0.0005143435],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013637389,0.0004119983,0.00047850318,0.00014720846,0.0018943342,0.0007615109,0.00069186854,0.00083965855,0.053300127],"category_scores_gemma":[0.00024980708,0.00040228167,0.00037327176,0.001353175,0.0021052435,0.011093411,0.00014087457,0.0005472117,0.008160846],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006699965,0.00039448275,0.00029279833,0.000055317625,0.00020804742,0.00007404115,0.004356293,0.0000071814366,0.00047257473,0.5638264,0.40917033,0.02107556],"study_design_scores_gemma":[0.00063696894,0.0002829417,0.0076469034,0.00019423777,0.00032188915,0.00004665546,0.0026197757,0.00008142862,0.0011419414,0.016796496,0.96967256,0.0005582136],"about_ca_topic_score_codex":0.0013271581,"about_ca_topic_score_gemma":0.020216526,"teacher_disagreement_score":0.6530584,"about_ca_system_score_codex":0.00032997105,"about_ca_system_score_gemma":0.00032270545,"threshold_uncertainty_score":0.9998429},"labels":[],"label_agreement":null},{"id":"W6899154370","doi":"10.58079/v06c","title":"Conférence de Pierre Chabard : \"Meanwhile, in Paris/Pendant ce temps à Paris\" - Théâtre Paul-Desmarais (Montréal) - 04 avril 2019","year":2019,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Context (archaeology); Subject (documents); Work (physics)","score_opus":0.013844933655311777,"score_gpt":0.24695679833196496,"score_spread":0.23311186467665318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899154370","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15411627,0.08571801,0.00053111784,0.3833526,0.026499245,0.0058833826,0.0052807564,0.00056300213,0.3380556],"genre_scores_gemma":[0.63992304,0.013331634,0.0008146603,0.08861505,0.0036784487,0.00054517644,0.0041253073,0.00009623833,0.24887043],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99265814,0.0015885022,0.0013306637,0.0015165617,0.0012722973,0.0016338492],"domain_scores_gemma":[0.99644053,0.0005524883,0.00082723785,0.0008093661,0.00065865717,0.00071173167],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020390009,0.0008533859,0.001254752,0.00029022215,0.0012194932,0.0008661073,0.0011431788,0.0011040157,0.024449898],"category_scores_gemma":[0.00022142068,0.000805297,0.0005579971,0.0019128877,0.0008817277,0.013028906,0.00030820744,0.0012287087,0.0075496873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003437143,0.0014647779,0.011822895,0.0003054501,0.00052354776,0.0004151435,0.0066082175,0.00076441595,0.0009169691,0.3571607,0.6080459,0.0116283],"study_design_scores_gemma":[0.0018516842,0.0003743002,0.04053597,0.0007572454,0.00035191618,0.00006992497,0.006091584,0.0005099514,0.00030388377,0.004050469,0.9437932,0.0013098668],"about_ca_topic_score_codex":0.013389272,"about_ca_topic_score_gemma":0.04773527,"teacher_disagreement_score":0.4858068,"about_ca_system_score_codex":0.00062811695,"about_ca_system_score_gemma":0.00070707337,"threshold_uncertainty_score":0.9994398},"labels":[],"label_agreement":null},{"id":"W6899302770","doi":"10.58079/12d55","title":"Atelier franco-américain du 17 juin 2023","year":2023,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Chapel; Eiffel; Carpentry","score_opus":0.03924258799796827,"score_gpt":0.26824545138862743,"score_spread":0.22900286339065917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899302770","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26835328,0.0043873247,0.000035589273,0.35643137,0.0066335616,0.000872678,0.00069124915,0.00083372067,0.3617612],"genre_scores_gemma":[0.17725766,0.0010214454,0.000095921896,0.0060228696,0.0037451475,0.000025766758,0.0004462665,0.00004869531,0.8113362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950216,0.0009768795,0.00051068136,0.000974014,0.0008735405,0.0016432983],"domain_scores_gemma":[0.99749213,0.00042076086,0.00038481693,0.00045338745,0.00046885936,0.0007800592],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009828751,0.0006096231,0.00077668816,0.0004143435,0.0018542269,0.00054500916,0.0011971873,0.0019278908,0.008716893],"category_scores_gemma":[0.000516138,0.0005780805,0.0007299968,0.008636442,0.0011929489,0.0014037144,0.0002960666,0.0014513736,0.0048173233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043041247,0.00012981753,0.00086470967,0.000025560534,0.00048520573,0.00063251803,0.018416109,0.00023846836,0.0007039984,0.022402145,0.944483,0.011575429],"study_design_scores_gemma":[0.0011491729,0.00011059799,0.029532034,0.00013195588,0.0004291216,0.000028571878,0.041650973,0.00042217976,0.00007221881,0.00079846586,0.9248878,0.00078690535],"about_ca_topic_score_codex":0.0076107956,"about_ca_topic_score_gemma":0.005662321,"teacher_disagreement_score":0.449575,"about_ca_system_score_codex":0.0006537269,"about_ca_system_score_gemma":0.0003995833,"threshold_uncertainty_score":0.99966705},"labels":[],"label_agreement":null},{"id":"W6899325565","doi":"10.58079/qk64","title":"Nancy Huston – Elfriede Jelinek : L’auteur(e) pris(e) au piège","year":2013,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Invisibility; Action (physics); Relation (database); Object (grammar); Feature (linguistics)","score_opus":0.02227687618131501,"score_gpt":0.2640026282362917,"score_spread":0.2417257520549767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899325565","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056296945,0.012230079,0.000910268,0.58437246,0.025000006,0.0031360665,0.0010497244,0.00046343336,0.31654102],"genre_scores_gemma":[0.48504627,0.0018571556,0.0019774043,0.15462716,0.012772167,0.0011106496,0.0035037992,0.00009721896,0.33900818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99380845,0.000993116,0.0012052066,0.0012273431,0.0012609254,0.0015049826],"domain_scores_gemma":[0.9962071,0.00027459554,0.00070295605,0.000667398,0.0012804044,0.0008675356],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication","insufficient_payload"],"category_scores_codex":[0.0009539842,0.0007584899,0.0008774249,0.00022928989,0.002627284,0.0012462094,0.0010480287,0.0009069295,0.051616695],"category_scores_gemma":[0.0002938402,0.0006988949,0.0006263475,0.0018233247,0.0012662451,0.020755706,0.000251459,0.0008101556,0.016851947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044814366,0.0008935722,0.00046314546,0.00015297926,0.0003332992,0.00007036242,0.0035215013,0.00007212074,0.00055228925,0.5464064,0.39461654,0.052872963],"study_design_scores_gemma":[0.0009499449,0.00025149607,0.018370459,0.0003003396,0.00041811445,0.000031536405,0.0034473725,0.00018433682,0.00035902092,0.014355323,0.9603017,0.0010303357],"about_ca_topic_score_codex":0.0064629153,"about_ca_topic_score_gemma":0.021941762,"teacher_disagreement_score":0.56568515,"about_ca_system_score_codex":0.00068357046,"about_ca_system_score_gemma":0.00062199484,"threshold_uncertainty_score":0.9997906},"labels":[],"label_agreement":null},{"id":"W6911850025","doi":"10.5281/zenodo.13731232","title":"[Pdf/ePub] J'ai dû rêver trop fort by Michel Bussi download ebook","year":2024,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ligne; Linea; Passion; Western europe","score_opus":0.024599586927680425,"score_gpt":0.26635088182757627,"score_spread":0.24175129489989583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6911850025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010177983,0.03309967,0.0008605325,0.066221505,0.0029140387,0.001146296,0.0021272362,0.0019716672,0.88148105],"genre_scores_gemma":[0.21877222,0.0025289392,0.000133724,0.01027791,0.0028774212,3.907588e-7,0.0063730264,0.0015563113,0.7574801],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99631524,0.00085924775,0.00043828817,0.00082378095,0.0007038481,0.0008596038],"domain_scores_gemma":[0.99834275,0.0000481015,0.0001072011,0.0003892432,0.0006785867,0.00043409987],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00090245117,0.00031458947,0.0003152583,0.00021214236,0.003795856,0.0035876026,0.0012486188,0.00031383822,0.11363139],"category_scores_gemma":[0.00029476715,0.0002858398,0.00026728265,0.0017324989,0.0009302531,0.0009984149,0.00069208705,0.0007588426,0.07622309],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024530624,0.00013101075,0.0000018919419,0.00011593393,0.00022246639,0.00004139018,0.0055982773,0.0000054621346,0.0022649153,0.024716109,0.8573171,0.10956093],"study_design_scores_gemma":[0.0002680099,0.00022470471,0.000029919349,0.000093112765,0.00017169795,0.0000481221,0.0013791666,0.00025825124,0.00017482537,0.0009520566,0.99603724,0.00036286833],"about_ca_topic_score_codex":0.00022378423,"about_ca_topic_score_gemma":0.000010745187,"teacher_disagreement_score":0.20859423,"about_ca_system_score_codex":0.00041816453,"about_ca_system_score_gemma":0.000023055856,"threshold_uncertainty_score":0.99995935},"labels":[],"label_agreement":null},{"id":"W6912448913","doi":"10.5281/zenodo.4254411","title":"Regarder ]]\"Passe ton bac d'abord (1978))\" FRANÇAIS FILM-STREAMING VF brj","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ton; Glide plane; Open air","score_opus":0.042011474473477625,"score_gpt":0.26133420432955984,"score_spread":0.2193227298560822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912448913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037368335,0.0074603152,0.0006962311,0.091232635,0.0012636578,0.0008985101,0.00082844513,0.0014023943,0.85884947],"genre_scores_gemma":[0.9055106,0.0014600796,0.00042880862,0.013560852,0.0039013545,1.6894177e-7,0.002498754,0.0014508154,0.07118857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99614435,0.0011074193,0.00044573753,0.0008034203,0.00070943584,0.000789651],"domain_scores_gemma":[0.9977589,0.00005455565,0.00020496295,0.0003795931,0.0009783916,0.00062354695],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006377797,0.00030579808,0.00036838412,0.00012242731,0.004637056,0.001729976,0.0013810324,0.00028977566,0.07787987],"category_scores_gemma":[0.0008531446,0.00030256144,0.0002233453,0.0021789123,0.0007154392,0.00077299576,0.000912225,0.00066259183,0.020462949],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007523111,0.0002009883,0.000024198062,0.00014098322,0.00022509198,0.00006333197,0.041204907,0.00006725809,0.0017776767,0.024235168,0.7886843,0.14330085],"study_design_scores_gemma":[0.00043237384,0.00026407154,0.0004663508,0.00005911835,0.00012225061,0.000018244864,0.0050669056,0.00046216435,0.00016505572,0.00017472888,0.9924076,0.00036112827],"about_ca_topic_score_codex":0.0003876108,"about_ca_topic_score_gemma":0.000022723594,"teacher_disagreement_score":0.86814225,"about_ca_system_score_codex":0.00016602475,"about_ca_system_score_gemma":0.000014458206,"threshold_uncertainty_score":0.99994266},"labels":[],"label_agreement":null},{"id":"W6912609588","doi":"10.5281/zenodo.4127631","title":"ReGaRder Oka: 30 ans après (2020) Streaming VF Film Complet Gratuit en Vostfr dat","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Glide plane; Video recording; Aerial photos","score_opus":0.05771101416316413,"score_gpt":0.2644498413202765,"score_spread":0.20673882715711236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912609588","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035902373,0.009077613,0.0014686031,0.15178223,0.0017089914,0.0016667247,0.0033247476,0.0021288581,0.79293984],"genre_scores_gemma":[0.89413095,0.0024932954,0.000637958,0.015651027,0.0058318656,2.1160368e-7,0.008073458,0.0020357457,0.07114552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99573773,0.0015403773,0.00043482063,0.0008146804,0.00069409166,0.0007782932],"domain_scores_gemma":[0.99794006,0.00006963196,0.00020300208,0.00039154754,0.00081930356,0.0005764216],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006900089,0.0003048124,0.00038078267,0.000092526054,0.0044310535,0.0017808292,0.0015884734,0.0002488601,0.090711795],"category_scores_gemma":[0.0009735314,0.00029931852,0.00018649189,0.0018381118,0.00074205495,0.00067390245,0.0012410202,0.0007084214,0.018828062],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004234423,0.00016601942,0.00001791307,0.00012281214,0.00022551409,0.0000808825,0.032580372,0.000089010275,0.001225231,0.02734894,0.883837,0.054264005],"study_design_scores_gemma":[0.00041031512,0.00025847624,0.00032680584,0.000048703205,0.00013010236,0.000027354961,0.008826597,0.0009453698,0.000040612733,0.00027916973,0.9883574,0.00034904038],"about_ca_topic_score_codex":0.00023166335,"about_ca_topic_score_gemma":0.000023367185,"teacher_disagreement_score":0.85822856,"about_ca_system_score_codex":0.00021742024,"about_ca_system_score_gemma":0.000015604099,"threshold_uncertainty_score":0.9999459},"labels":[],"label_agreement":null},{"id":"W6917723639","doi":"10.58079/rfl2","title":"Bienvenue à Anna Chodorowska","year":2013,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Subject (documents); Perspective (graphical); Work (physics); Natural (archaeology)","score_opus":0.02658107248700222,"score_gpt":0.26820349148107864,"score_spread":0.2416224189940764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6917723639","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045730136,0.016784165,0.00020712262,0.62320536,0.018289285,0.0018722537,0.0008239927,0.00027503175,0.29281265],"genre_scores_gemma":[0.49091125,0.0016214751,0.00089737953,0.26480505,0.010221984,0.0008519389,0.0018806277,0.00006263741,0.22874768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99564683,0.00081298075,0.00074948685,0.00086753146,0.00090383354,0.001019319],"domain_scores_gemma":[0.9973075,0.00019145821,0.00045418832,0.0004966895,0.0009015379,0.0006486192],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication","insufficient_payload"],"category_scores_codex":[0.00066936,0.00050546404,0.0006118438,0.00017952555,0.0017719979,0.0011661268,0.00079285866,0.00066882465,0.069339655],"category_scores_gemma":[0.00022098128,0.00047676143,0.00045635013,0.0015879578,0.0011755027,0.025601145,0.00016838162,0.0005705304,0.02736307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017966393,0.0004102877,0.00019282383,0.00006677135,0.00019694338,0.000034902492,0.0017953234,0.000035282246,0.0003755075,0.40918097,0.5600316,0.02766164],"study_design_scores_gemma":[0.00060208957,0.00017693923,0.015231445,0.00018345422,0.00023995951,0.000022946597,0.0023700849,0.000106131854,0.0002817277,0.019483346,0.96061194,0.0006899305],"about_ca_topic_score_codex":0.0026441854,"about_ca_topic_score_gemma":0.005129581,"teacher_disagreement_score":0.4451811,"about_ca_system_score_codex":0.00027369583,"about_ca_system_score_gemma":0.0002037166,"threshold_uncertainty_score":0.9998708},"labels":[],"label_agreement":null},{"id":"W6917812577","doi":"10.58079/r2nb","title":"Appel à contributions : la scène punk à Laval (1976-2016) (SCOMAM, Laval)","year":2022,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Work (physics); Natural (archaeology); Set (abstract data type); Context (archaeology)","score_opus":0.02562456113898981,"score_gpt":0.2640372909167203,"score_spread":0.23841272977773048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6917812577","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21270931,0.015274709,0.00009465479,0.5017773,0.00678304,0.0016768227,0.00577501,0.0006777896,0.25523138],"genre_scores_gemma":[0.5835127,0.0004407884,0.00010511023,0.0041637593,0.0018703985,0.00006376882,0.000753307,0.000043336775,0.4090468],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929709,0.0028819013,0.00055396516,0.0009541477,0.0010966025,0.0015425221],"domain_scores_gemma":[0.9971768,0.00047780832,0.0005299074,0.00048522736,0.0005389751,0.000791257],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013763334,0.0006098226,0.00082342525,0.0003173879,0.0045548147,0.0005698977,0.0014296897,0.0011744213,0.0069565345],"category_scores_gemma":[0.00043569683,0.000615647,0.00081724225,0.004252584,0.0015368804,0.0012348518,0.00061997527,0.0026475831,0.00031982362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012739893,0.00061988994,0.0005996873,0.000025093674,0.00086770876,0.0005644008,0.016267838,0.00038895023,0.0029125668,0.22823434,0.74210835,0.0072837975],"study_design_scores_gemma":[0.0020201355,0.00022150844,0.0062061707,0.00007857148,0.00086389604,0.00016190113,0.04858544,0.00017677153,0.0002019901,0.0014248593,0.9392428,0.0008159607],"about_ca_topic_score_codex":0.01336317,"about_ca_topic_score_gemma":0.0028819975,"teacher_disagreement_score":0.49761352,"about_ca_system_score_codex":0.0016137448,"about_ca_system_score_gemma":0.0012705333,"threshold_uncertainty_score":0.99965334},"labels":[],"label_agreement":null},{"id":"W6922740817","doi":"10.13140/rg.2.2.19211.80167","title":"Le mélèze hybride du Québec : performant et racé","year":2011,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.029181865343363374,"score_gpt":0.2464433535107978,"score_spread":0.21726148816743443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6922740817","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3160511,0.0035388477,0.000032073953,0.028325245,0.0010991308,0.00010884076,0.000005869618,0.00006369542,0.6507752],"genre_scores_gemma":[0.75474274,0.0002661162,0.00020194618,0.0114112515,0.0005392143,0.000008687788,0.000006403311,0.0000072198904,0.23281644],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848354,0.0002712483,0.00027563813,0.00029581,0.00022609987,0.00044766153],"domain_scores_gemma":[0.99928594,0.000056292753,0.000108951135,0.00017660983,0.00015845522,0.00021374442],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005027112,0.00017740013,0.0002743465,0.000038508188,0.00066861324,0.00011615131,0.0003416277,0.00017981915,0.014137819],"category_scores_gemma":[0.000059723956,0.00013621777,0.00026996626,0.00037007593,0.0008419424,0.00088424445,0.00008320526,0.00024847867,0.0013014458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021588465,0.00037815468,0.020422772,0.000022576825,0.00023028668,0.00003636479,0.08577646,0.0000029282319,0.000038854334,0.761793,0.115556404,0.015720597],"study_design_scores_gemma":[0.00021460494,0.00008364638,0.025647836,0.000018259128,0.00016622947,0.000009538741,0.0128749525,0.0001798984,0.00016670184,0.0024773537,0.95785487,0.0003060903],"about_ca_topic_score_codex":0.48404646,"about_ca_topic_score_gemma":0.59754324,"teacher_disagreement_score":0.8422985,"about_ca_system_score_codex":0.00006897722,"about_ca_system_score_gemma":0.0006848221,"threshold_uncertainty_score":0.99947613},"labels":[],"label_agreement":null},{"id":"W6923437372","doi":"10.14288/cl.v0i118.194246","title":"Théâtre des femmes au Québec, 1975-1985","year":2021,"lang":"fr","type":"article","venue":"Open Collections","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Government (linguistics); Work (physics); Perspective (graphical)","score_opus":0.05981258678386645,"score_gpt":0.3204459182981507,"score_spread":0.26063333151428425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923437372","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006534587,0.012373684,0.000019090747,0.037141874,0.0025154292,0.00028303373,0.00009237291,0.00004034268,0.94099957],"genre_scores_gemma":[0.010798703,0.00069406093,0.0005443815,0.0029694675,0.00096559507,0.00008240288,0.00002864034,0.000011588905,0.98390514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981079,0.00050420855,0.00026155054,0.00043455957,0.00020579148,0.0004860093],"domain_scores_gemma":[0.99884826,0.00014358279,0.00009541537,0.000236522,0.00045083612,0.00022538807],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002349059,0.00018673808,0.00032912815,0.000036215784,0.012907164,0.0029876558,0.00045245507,0.00023486967,0.016539225],"category_scores_gemma":[0.00021859999,0.00017052643,0.00027411524,0.0045066816,0.0006911618,0.00071233173,0.00023265873,0.00026132877,0.0001942439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009676374,0.00034863822,0.0011214395,0.000016823247,0.0003404361,0.000037760023,0.010458363,0.000021437336,0.00004190923,0.013778706,0.96821296,0.0056118285],"study_design_scores_gemma":[0.00022408176,0.00004835571,0.0008883738,0.000051865947,0.00031481567,0.00002575073,0.014809226,0.000030610456,0.00011045553,0.0049273195,0.97832865,0.00024052324],"about_ca_topic_score_codex":0.8354022,"about_ca_topic_score_gemma":0.9854103,"teacher_disagreement_score":0.15000807,"about_ca_system_score_codex":0.000573788,"about_ca_system_score_gemma":0.0031419233,"threshold_uncertainty_score":0.99804735},"labels":[],"label_agreement":null},{"id":"W6923773060","doi":"10.15122/isbn.978-2-406-11504-5.p.0363","title":"Entretien avec Gabriel Marcoux-Chabot","year":2021,"lang":"fr","type":"article","venue":"Classiques GARNIER","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Power (physics); Context (archaeology); Work (physics)","score_opus":0.0200946146787293,"score_gpt":0.2774794922615981,"score_spread":0.2573848775828688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923773060","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040684234,0.06719939,0.00008664294,0.15033072,0.0063666035,0.0002374127,0.000079050435,0.00017338841,0.73484254],"genre_scores_gemma":[0.09646884,0.0045541567,0.00043822743,0.018059736,0.0030237013,0.000021282032,0.00010590146,0.000027015707,0.87730116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99662477,0.00090569863,0.00043825727,0.00069751777,0.0005006382,0.000833099],"domain_scores_gemma":[0.99826384,0.00015152365,0.00018230698,0.00038615707,0.00061924173,0.00039696094],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031778595,0.00034202597,0.0005012762,0.000057945133,0.0005007601,0.00040558985,0.00035889595,0.00062494277,0.018723596],"category_scores_gemma":[0.00022510224,0.00030647116,0.0005010828,0.0009581176,0.0013968012,0.0004825832,0.00016636598,0.00058897876,0.00095845497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026739493,0.00044272095,0.0030212037,0.000106027284,0.00043812668,0.0006219321,0.04977327,0.0000055709256,0.00082803075,0.21202694,0.68262607,0.050083388],"study_design_scores_gemma":[0.0002255338,0.0000544755,0.0018417306,0.00010059453,0.0002777562,0.00002501972,0.004290536,0.000099776764,0.0004535929,0.0120267365,0.98019165,0.00041257762],"about_ca_topic_score_codex":0.00046642704,"about_ca_topic_score_gemma":0.0035502622,"teacher_disagreement_score":0.2975656,"about_ca_system_score_codex":0.0002740696,"about_ca_system_score_gemma":0.00045769257,"threshold_uncertainty_score":0.9999387},"labels":[],"label_agreement":null},{"id":"W6936556185","doi":"10.58079/rfwl","title":"Projection-débat. \"Arriver - s'ancrer - tisser\" de Violaine Jolivet.","year":2018,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Work (physics); Product (mathematics)","score_opus":0.02065457986922465,"score_gpt":0.28248797776619977,"score_spread":0.26183339789697513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936556185","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1673065,0.008475404,0.0019454911,0.30874786,0.031926446,0.0028132973,0.0013936308,0.0006136781,0.4767777],"genre_scores_gemma":[0.6626946,0.0012889842,0.0022733242,0.14078908,0.024689233,0.00046666918,0.0014028745,0.000075486125,0.16631979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99524283,0.00096533576,0.0007582871,0.0009942638,0.0008683723,0.0011709009],"domain_scores_gemma":[0.9968755,0.00017949766,0.00048574965,0.0004756942,0.001384334,0.00059922965],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011033525,0.00056000426,0.00062825135,0.00023489504,0.0028936889,0.0007928787,0.0007218804,0.00076742744,0.050224677],"category_scores_gemma":[0.000296228,0.0005304664,0.00041828043,0.0019245356,0.0018790828,0.014867834,0.00017186684,0.0005983958,0.008048692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018723965,0.0007096676,0.00073192857,0.00010032253,0.00049294636,0.00009393032,0.0067300815,0.0000179825,0.0016328392,0.55188596,0.42311442,0.014302703],"study_design_scores_gemma":[0.00094285974,0.0005950738,0.018715223,0.00029547495,0.00053155614,0.000083810926,0.002841764,0.00025083014,0.001272152,0.013247513,0.9603646,0.0008591413],"about_ca_topic_score_codex":0.0023346269,"about_ca_topic_score_gemma":0.02048306,"teacher_disagreement_score":0.5386384,"about_ca_system_score_codex":0.00059538096,"about_ca_system_score_gemma":0.000492739,"threshold_uncertainty_score":0.9997147},"labels":[],"label_agreement":null},{"id":"W6936728729","doi":"10.58079/m6vn","title":"Théâtre: Cancellation(s), Éclats de textes québécois des années 2000","year":2016,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Subject (documents); Set (abstract data type); Focus (optics)","score_opus":0.022545804368840093,"score_gpt":0.2640020649306405,"score_spread":0.2414562605618004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936728729","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1599545,0.040443182,0.0015792913,0.59198695,0.009488832,0.001385357,0.0019802658,0.0004230506,0.19275858],"genre_scores_gemma":[0.695496,0.0051225973,0.0008543905,0.05066406,0.0054676183,0.00026324802,0.00040037296,0.000047257417,0.24168444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99572575,0.0009101313,0.00072305894,0.0008296868,0.00074246427,0.0010689357],"domain_scores_gemma":[0.99721557,0.0005496915,0.0004475211,0.0004136025,0.000802472,0.00057113153],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009823365,0.00050593476,0.0005605365,0.00017015387,0.0025696286,0.0005626558,0.00063755765,0.0005760134,0.027084885],"category_scores_gemma":[0.00037671233,0.00038293266,0.0003910402,0.0012712305,0.0022126008,0.015526143,0.000109339664,0.00028351852,0.0030232288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009158669,0.00042289068,0.0021937296,0.00009279971,0.00032096295,0.00006033924,0.0058886157,0.000083206694,0.0015211276,0.7402585,0.12630956,0.12275669],"study_design_scores_gemma":[0.00076639524,0.00017219449,0.024278155,0.00053565623,0.00034376045,0.00003129835,0.0024569905,0.000037829737,0.0012978701,0.043875784,0.9254544,0.00074967317],"about_ca_topic_score_codex":0.0128509905,"about_ca_topic_score_gemma":0.24868312,"teacher_disagreement_score":0.79914486,"about_ca_system_score_codex":0.0010469208,"about_ca_system_score_gemma":0.0011036653,"threshold_uncertainty_score":0.99986225},"labels":[],"label_agreement":null},{"id":"W6936816345","doi":"10.58079/vlwm","title":"Virginia Pésémapeo-Bordeleau (Eeyou)","year":2024,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Commons; Period (music); Object (grammar)","score_opus":0.03016148997741526,"score_gpt":0.27712243722725693,"score_spread":0.2469609472498417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936816345","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1112983,0.06535061,0.00012101745,0.354653,0.012270502,0.000845384,0.00072673213,0.0010318282,0.45370263],"genre_scores_gemma":[0.3802563,0.0011563287,0.00022791386,0.004103981,0.0048394483,0.00001672583,0.00019942623,0.000059016173,0.6091409],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99535817,0.0008107995,0.00049552857,0.0011023486,0.00079043786,0.0014426894],"domain_scores_gemma":[0.99790484,0.00034937868,0.00020286917,0.00041549592,0.0003656294,0.0007618193],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006814036,0.00065863726,0.0006928947,0.00036560657,0.0012531605,0.0013571716,0.0010644734,0.0019295046,0.009046538],"category_scores_gemma":[0.00022373545,0.0006078657,0.00080937054,0.0050103157,0.0013113883,0.0022011534,0.00020202779,0.002003542,0.0024324374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004122741,0.00015131122,0.00013844781,0.000101213285,0.0009663927,0.0009504012,0.021239614,0.00007996903,0.0013750202,0.31321022,0.6078677,0.05387849],"study_design_scores_gemma":[0.00057656225,0.00014050886,0.0029852414,0.00040483926,0.0009726843,0.00008564539,0.021765957,0.0007033786,0.0001236294,0.0017500451,0.9696549,0.0008365936],"about_ca_topic_score_codex":0.0056783645,"about_ca_topic_score_gemma":0.0028375206,"teacher_disagreement_score":0.36178723,"about_ca_system_score_codex":0.001006698,"about_ca_system_score_gemma":0.0007998755,"threshold_uncertainty_score":0.9996795},"labels":[],"label_agreement":null},{"id":"W6936847951","doi":"10.58079/r2sw","title":"Parution : Études françaises, vol. 58, n°1, \"Sur les traces du récit sentimental québécois (1920-1965)\" (dir. Marie-Pier Luneau et Jean-Philippe Warren)","year":2022,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Relation (database); Quality (philosophy); Identity (music); Context (archaeology)","score_opus":0.02861002124214326,"score_gpt":0.24648099728140208,"score_spread":0.2178709760392588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936847951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6725994,0.055361733,0.00004760319,0.21454154,0.00813804,0.0015980534,0.0022419645,0.00056469743,0.04490702],"genre_scores_gemma":[0.73531604,0.00092379196,0.0000851247,0.0040869964,0.001792376,0.00006986776,0.0010027884,0.00005463075,0.25666836],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932294,0.0018308533,0.00072506437,0.0013092163,0.0014751453,0.0014303119],"domain_scores_gemma":[0.9969178,0.0005721309,0.0007176911,0.00047701088,0.00065910997,0.00065629306],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011375376,0.00086024875,0.00095196755,0.00037975103,0.0049501816,0.0006599805,0.0014138395,0.0011720943,0.0282414],"category_scores_gemma":[0.0005823202,0.00086540496,0.00096303603,0.003446013,0.0014610236,0.0024042395,0.00058884325,0.0022518921,0.00021908894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006414889,0.0024462298,0.007275898,0.00014668527,0.0031750568,0.0009984479,0.0737281,0.0025683546,0.0049124663,0.14403704,0.6664191,0.09365113],"study_design_scores_gemma":[0.0018303794,0.00027842744,0.008839687,0.00009718277,0.001068864,0.00005199899,0.086498685,0.00074472884,0.00014526909,0.0002595177,0.8991032,0.0010820203],"about_ca_topic_score_codex":0.10515527,"about_ca_topic_score_gemma":0.07032133,"teacher_disagreement_score":0.23268412,"about_ca_system_score_codex":0.0013978274,"about_ca_system_score_gemma":0.00079416693,"threshold_uncertainty_score":0.9993797},"labels":[],"label_agreement":null},{"id":"W6950178622","doi":"10.5281/zenodo.6523728","title":"Oliver Twist","year":2022,"lang":"es","type":"book","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Asian Studies Association","funders":"","keywords":"Plot (graphics); Subject (documents); Interpretation (philosophy)","score_opus":0.038910357507848756,"score_gpt":0.2666843558157736,"score_spread":0.22777399830792483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950178622","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005330044,0.00065668987,0.000023306691,0.002027784,0.00059371087,0.000602171,0.0010456538,0.0006874519,0.9938302],"genre_scores_gemma":[0.030625109,0.0024900036,0.000064867985,0.004090892,0.0032606914,2.0612521e-7,0.021643074,0.0033290887,0.93449605],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949301,0.0016047155,0.0005256042,0.0009477676,0.0012358124,0.0007559859],"domain_scores_gemma":[0.9972908,0.000061013063,0.00041940398,0.00063228514,0.0012158781,0.00038065005],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013429221,0.00038595268,0.00047283244,0.00036139396,0.013122442,0.0028674898,0.0027413107,0.0003265518,0.25690246],"category_scores_gemma":[0.0006813997,0.0003819066,0.00030308586,0.0013682707,0.0009852775,0.00041812874,0.0025988847,0.0011574468,0.022822002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053925287,0.00018294355,0.000001196411,0.000094892726,0.00027047732,0.00005100977,0.007999265,0.000011839577,0.00013445948,0.07237119,0.8784911,0.040337685],"study_design_scores_gemma":[0.0003495611,0.0002691531,0.00007538586,0.00004508636,0.00017646012,0.000034306962,0.0025009688,0.000021400889,0.0000051639354,0.00093167275,0.99513155,0.0004593082],"about_ca_topic_score_codex":0.00015412812,"about_ca_topic_score_gemma":0.000005367072,"teacher_disagreement_score":0.23408046,"about_ca_system_score_codex":0.00074656465,"about_ca_system_score_gemma":0.000032685333,"threshold_uncertainty_score":0.99986327},"labels":[],"label_agreement":null},{"id":"W6955525870","doi":"10.58079/snsk","title":"Berceuse sous les étoiles : un soir d'été avec les Cowboys Fringants","year":2023,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Line (geometry); Pyrometer","score_opus":0.0488106272300074,"score_gpt":0.2705561193717591,"score_spread":0.2217454921417517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955525870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8483839,0.0041460283,0.000020913585,0.10470197,0.0021992167,0.0005510653,0.00053317205,0.00075449696,0.0387092],"genre_scores_gemma":[0.7268489,0.0015006505,0.00016362434,0.0013397424,0.002289212,0.000021879569,0.00037291963,0.00006368579,0.2673994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948835,0.000886276,0.00056508725,0.0010664741,0.0008977876,0.001700896],"domain_scores_gemma":[0.99729085,0.00047977842,0.00047409718,0.0004993299,0.00050433166,0.00075163244],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00078315847,0.0007346038,0.0008553584,0.0004419698,0.0033724378,0.0007050107,0.0014021456,0.0022197482,0.0037934065],"category_scores_gemma":[0.00057468476,0.0006950032,0.0007324004,0.005142752,0.0016770798,0.0013046378,0.00040520102,0.0017430736,0.0012059264],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014489355,0.00053030375,0.007419705,0.00013970469,0.0021797928,0.0019174379,0.09675183,0.0014439361,0.0045371014,0.0976892,0.6405314,0.14671469],"study_design_scores_gemma":[0.002048231,0.0002033859,0.08679552,0.00040709108,0.0011976755,0.00007406442,0.15067168,0.00093555934,0.00077541894,0.002654932,0.75262207,0.0016143641],"about_ca_topic_score_codex":0.009890852,"about_ca_topic_score_gemma":0.0071083046,"teacher_disagreement_score":0.22869019,"about_ca_system_score_codex":0.00061783596,"about_ca_system_score_gemma":0.00045787776,"threshold_uncertainty_score":0.99957174},"labels":[],"label_agreement":null},{"id":"W6963484298","doi":"10.20381/ruor-12717","title":"Les maniféstations du mythe orphique dans l'oeuvre romanesque de Gabrielle Poulin","year":2003,"lang":"fr","type":"article","venue":"uO Research (University of Ottawa)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Subject (documents); Filter (signal processing)","score_opus":0.0613514268252574,"score_gpt":0.313625786571234,"score_spread":0.2522743597459766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6963484298","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41697973,0.00093575846,0.0009474936,0.036260575,0.00024310511,0.0003589939,0.00009910033,0.000043545057,0.5441317],"genre_scores_gemma":[0.7431955,0.0009121949,0.0016802395,0.00022506797,0.00018510774,0.0000011204102,0.000028791237,0.000011196536,0.25376078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99577326,0.0023086998,0.00015874369,0.00038958094,0.00064809906,0.00072159915],"domain_scores_gemma":[0.99820596,0.00039211218,0.00010936507,0.00026251128,0.00069747935,0.00033256834],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019217252,0.00015419684,0.00027050532,0.0002453462,0.0024287705,0.00008809806,0.0007012615,0.000390206,0.0063651972],"category_scores_gemma":[0.0003533288,0.00016931025,0.00025189997,0.0017233852,0.0020172202,0.00047411642,0.00010441425,0.00064389413,0.00022958616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004979133,0.00027384242,0.019385464,0.000059841746,0.00014677763,0.00020616765,0.038753822,0.000059080136,0.00056960416,0.89708704,0.041971732,0.0014816554],"study_design_scores_gemma":[0.00035374134,0.000134927,0.016342185,0.000042302127,0.000093900046,0.000015015514,0.10355397,0.00024495527,0.000095627125,0.009673694,0.86924976,0.00019990865],"about_ca_topic_score_codex":0.021115579,"about_ca_topic_score_gemma":0.09122568,"teacher_disagreement_score":0.8874133,"about_ca_system_score_codex":0.00043195518,"about_ca_system_score_gemma":0.00048853434,"threshold_uncertainty_score":0.99886996},"labels":[],"label_agreement":null},{"id":"W6968590127","doi":"10.5281/zenodo.4127685","title":"RegardeR*]] Oka: 30 ans après (2020) — Film Complet Streaming VF eqg","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Glide plane; Video recording; Aerial photos","score_opus":0.06549917975299953,"score_gpt":0.26402287817967035,"score_spread":0.19852369842667084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968590127","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03203128,0.008687457,0.0013800645,0.13989104,0.0013328865,0.0012963271,0.0019633886,0.0020053918,0.81141216],"genre_scores_gemma":[0.925677,0.001864332,0.00052443694,0.014373082,0.004629602,1.411504e-7,0.004188681,0.0017333196,0.047009405],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961834,0.0011939902,0.00042700034,0.0007631947,0.0006632707,0.000769152],"domain_scores_gemma":[0.9979518,0.000051775045,0.00021218993,0.0003500677,0.00084154436,0.000592631],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005874246,0.00028340073,0.0003677231,0.00008070005,0.0050408654,0.0016612997,0.0014150961,0.00021931053,0.09899355],"category_scores_gemma":[0.0009088415,0.00028376156,0.00019799914,0.0017753093,0.00080843363,0.0005601531,0.0010258021,0.0006172703,0.021285085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045002464,0.00018171163,0.000013074152,0.00013516864,0.00021938422,0.00008341894,0.027263679,0.00011298214,0.0009868133,0.031072652,0.8673052,0.07258087],"study_design_scores_gemma":[0.00041064466,0.00028671155,0.0002677556,0.000047819074,0.0001155012,0.000025694688,0.008506692,0.001198321,0.000037808506,0.0003363109,0.98843855,0.0003281997],"about_ca_topic_score_codex":0.00021964348,"about_ca_topic_score_gemma":0.00001585268,"teacher_disagreement_score":0.8936457,"about_ca_system_score_codex":0.00019667094,"about_ca_system_score_gemma":0.000013796514,"threshold_uncertainty_score":0.99996144},"labels":[],"label_agreement":null},{"id":"W6974074637","doi":"10.58079/pac2","title":"Société Radio-Canada. Spécial Opéra Bastille. (Forum des Images)","year":2017,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Work (physics); Process (computing)","score_opus":0.026748874360977684,"score_gpt":0.2830824236566287,"score_spread":0.25633354929565105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974074637","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016913384,0.009811518,0.00036127618,0.4732249,0.036326848,0.0012727272,0.0030531557,0.00016148188,0.45887467],"genre_scores_gemma":[0.6696583,0.0018822477,0.0010118869,0.09987381,0.016613102,0.00027374015,0.0014656947,0.000073440446,0.20914778],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99485165,0.00061659614,0.0008340079,0.0010223645,0.0013089706,0.0013663943],"domain_scores_gemma":[0.99623567,0.00023885965,0.0009427496,0.00086941046,0.00095293444,0.00076037424],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","scholarly_communication","insufficient_payload"],"category_scores_codex":[0.0008573136,0.00065151806,0.0008479862,0.0001102219,0.009792492,0.0024218264,0.0017568996,0.000620145,0.032007564],"category_scores_gemma":[0.0007161561,0.00062995293,0.00052120694,0.00051510474,0.0030801161,0.023575788,0.00039343932,0.0006709818,0.001396206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000847407,0.00030494138,0.00071688415,0.00008278842,0.0003551814,0.00016784726,0.00061317766,0.00003096052,0.00015295141,0.33109647,0.62330586,0.04308819],"study_design_scores_gemma":[0.0012401477,0.000132779,0.03883867,0.00024596514,0.0004607687,0.000033903718,0.0037231755,0.00006922245,0.0004091841,0.014898277,0.93902117,0.00092675193],"about_ca_topic_score_codex":0.11609548,"about_ca_topic_score_gemma":0.8009193,"teacher_disagreement_score":0.6848238,"about_ca_system_score_codex":0.0008875761,"about_ca_system_score_gemma":0.0013558784,"threshold_uncertainty_score":0.99963295},"labels":[],"label_agreement":null},{"id":"W6974229338","doi":"10.58079/snu3","title":"Une année au cœur de la créativité : mon voyage avec le Grand Théâtre de Québec","year":2023,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Point (geometry); Porch; Work (physics)","score_opus":0.029149592446908252,"score_gpt":0.26309576506023724,"score_spread":0.23394617261332898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974229338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7493708,0.0014564656,0.000048263566,0.16402686,0.00063206593,0.00035329527,0.00020501985,0.0003527734,0.08355446],"genre_scores_gemma":[0.6218722,0.00026083057,0.00007624046,0.0012657646,0.001103293,0.000016038708,0.000119577526,0.00003352247,0.37525254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99501675,0.0017589642,0.00037457037,0.00074764213,0.0005524672,0.0015496322],"domain_scores_gemma":[0.9976657,0.00067194394,0.0003239178,0.00035051192,0.00025501815,0.0007329274],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0012414736,0.0005340659,0.00066274876,0.00028569996,0.002077172,0.0005608486,0.000922252,0.0017592922,0.0006110613],"category_scores_gemma":[0.00053802016,0.00051487697,0.00059140526,0.005066918,0.0016877033,0.001195656,0.00019952522,0.0014420241,0.00027580553],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017163466,0.00051717984,0.01618726,0.00011277864,0.0011537282,0.0021168084,0.19361174,0.0010470902,0.0070114606,0.08354402,0.6677734,0.026752884],"study_design_scores_gemma":[0.0019300346,0.00013915473,0.13100798,0.00021294144,0.00067482295,0.00009089551,0.094269186,0.00086052885,0.0005690287,0.0025550912,0.7667879,0.00090244674],"about_ca_topic_score_codex":0.31801814,"about_ca_topic_score_gemma":0.19803841,"teacher_disagreement_score":0.2916981,"about_ca_system_score_codex":0.001503584,"about_ca_system_score_gemma":0.002579035,"threshold_uncertainty_score":0.9997303},"labels":[],"label_agreement":null},{"id":"W6979949272","doi":"","title":"Ania Wroblewski, La Vie des autres. Sophie Calle et Annie Ernaux, artistes hors-la-loi, Montréal, Presses de l’université de Montréal, 2016","year":2018,"lang":"fr","type":"article","venue":"Digital Access to Libraries (Université catholique de Louvain (UCL), l'Université de Namur (UNamur) and the Université Saint-Louis (USL-B))","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Perspective (graphical); Relation (database); Order (exchange); Painting","score_opus":0.01036392366063878,"score_gpt":0.21331621177992227,"score_spread":0.20295228811928348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6979949272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49969512,0.033083938,0.0016563591,0.042580012,0.0003711111,0.0012733332,0.0013208066,0.0006148127,0.4194045],"genre_scores_gemma":[0.7296621,0.03668965,0.0014751834,0.0064127645,0.00066220923,0.000015725744,0.00041904434,0.0002132458,0.22445007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99228436,0.0020030779,0.0006116797,0.0016728383,0.0008850677,0.002542957],"domain_scores_gemma":[0.99406004,0.0015074406,0.00079001003,0.0010160279,0.00067814434,0.0019483636],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00118596,0.0013717662,0.0014258713,0.00097369024,0.0063737193,0.0028024903,0.0035769192,0.0014631952,0.00194727],"category_scores_gemma":[0.0003164324,0.0013577024,0.0009875392,0.003144297,0.006673907,0.0037774215,0.0045287167,0.0012211491,0.00018618493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0066288523,0.0008221773,0.014532558,0.0003624179,0.0024046323,0.0060156686,0.33223122,0.0008579408,0.0006786973,0.42133465,0.19645469,0.017676467],"study_design_scores_gemma":[0.004107073,0.0005132885,0.012072593,0.00046716185,0.0014931371,0.0005756999,0.01994828,0.00095628103,0.00036542153,0.014429174,0.943404,0.0016678999],"about_ca_topic_score_codex":0.028414363,"about_ca_topic_score_gemma":0.016025225,"teacher_disagreement_score":0.7469493,"about_ca_system_score_codex":0.0044001485,"about_ca_system_score_gemma":0.0012218716,"threshold_uncertainty_score":0.9999033},"labels":[],"label_agreement":null},{"id":"W6979964075","doi":"","title":"Anticorps, nouvel espace performatif à Montréal. \\n Entrevue avec Gabriel Doucet Donida","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ESPACE; Context (archaeology); Field (mathematics)","score_opus":0.008699623445752858,"score_gpt":0.16954155740785068,"score_spread":0.1608419339620978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6979964075","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3335614,0.3973825,0.000109071996,0.22331627,0.002275694,0.00056017464,0.00017096059,0.00024853952,0.04237542],"genre_scores_gemma":[0.24966826,0.049643304,0.0005054424,0.0038585158,0.0010595139,0.000008293829,0.000057291356,0.000037635196,0.69516176],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655277,0.0004020448,0.0004091254,0.0007004215,0.0006496681,0.0012860006],"domain_scores_gemma":[0.99794346,0.0001474142,0.00040362583,0.0005448264,0.00028242116,0.00067826686],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030019277,0.000556049,0.00072204275,0.00020630307,0.00247938,0.00019612644,0.00078307895,0.00068067916,0.005759354],"category_scores_gemma":[0.00006119497,0.0005586596,0.00063936936,0.0014953281,0.0006039456,0.0011158305,0.0003145596,0.00063635147,0.0021825412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090301946,0.00043977686,0.0015053939,0.00009988075,0.0005865782,0.0018162144,0.05664833,0.00027545687,0.00024407312,0.04117593,0.8507199,0.046398133],"study_design_scores_gemma":[0.0010403662,0.00013038945,0.0009182311,0.00011234649,0.0007522161,0.00023652922,0.01324323,0.007441452,0.000055620327,0.0003882021,0.97498584,0.00069559726],"about_ca_topic_score_codex":0.035477906,"about_ca_topic_score_gemma":0.2557418,"teacher_disagreement_score":0.6527863,"about_ca_system_score_codex":0.004457283,"about_ca_system_score_gemma":0.000055912526,"threshold_uncertainty_score":0.9996865},"labels":[],"label_agreement":null},{"id":"W6980417489","doi":"","title":"Ce corps qui me danse. \\n Les Saisons Sullivan, réalisé par Mario Côté et Françoise Sullivan. Vidéo HD, 48 min 30 s, v.o.fr., production : Mario Côté, Canada, 2007","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Product (mathematics); Production (economics)","score_opus":0.008291822034484446,"score_gpt":0.18865825891269483,"score_spread":0.18036643687821038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980417489","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6337604,0.17089564,0.00021899542,0.16102712,0.006731477,0.0011346736,0.00069437816,0.0002605061,0.025276825],"genre_scores_gemma":[0.31301472,0.017536009,0.0011308434,0.006678484,0.0031460843,0.000016103757,0.0006385049,0.00011132878,0.6577279],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942889,0.0007509918,0.0006943531,0.001285169,0.0012163203,0.0017642418],"domain_scores_gemma":[0.99670833,0.0003171806,0.0006512039,0.00073351135,0.00065714424,0.0009326301],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014323344,0.0007841075,0.0009222537,0.00027958484,0.0031764475,0.00015436545,0.0009710186,0.00093796937,0.003352578],"category_scores_gemma":[0.00022766314,0.00082187884,0.00052767416,0.0018515382,0.00093255984,0.00086845306,0.00033512944,0.0010299897,0.00026613055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035582366,0.0003693419,0.0102593,0.00009827534,0.00069524837,0.002661759,0.012581157,0.00022481983,0.0008867291,0.023542993,0.9297941,0.018530494],"study_design_scores_gemma":[0.0007519948,0.000111854584,0.011388265,0.000105959225,0.00096578425,0.00016732224,0.019595597,0.00010611232,0.00022570706,0.0008201012,0.96479577,0.0009655334],"about_ca_topic_score_codex":0.94119,"about_ca_topic_score_gemma":0.9991259,"teacher_disagreement_score":0.6324511,"about_ca_system_score_codex":0.010371847,"about_ca_system_score_gemma":0.0008529714,"threshold_uncertainty_score":0.9994232},"labels":[],"label_agreement":null},{"id":"W6980533945","doi":"","title":"Chasse au Godard d'Abbittibbi","year":2019,"lang":"fr","type":"other","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Context (archaeology); Human health","score_opus":0.02056586440237553,"score_gpt":0.2730628045029515,"score_spread":0.252496940100576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980533945","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014069494,0.0032309056,0.000028693028,0.010764199,0.004924394,0.00038512002,0.00002936543,0.00010163687,0.9791287],"genre_scores_gemma":[0.011886653,0.00027406178,0.00020204026,0.010880221,0.005399425,0.000016645678,0.000046583784,0.00007228324,0.9712221],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99740493,0.00033325545,0.00034959655,0.0006861735,0.0004748205,0.0007511927],"domain_scores_gemma":[0.9988109,0.00010177408,0.00026395445,0.00040506874,0.0001515344,0.00026679048],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003281073,0.0004541455,0.00073994504,0.0001104067,0.00041705024,0.00021999516,0.0006451642,0.0011221725,0.1294734],"category_scores_gemma":[0.000062997184,0.0003157159,0.00058257004,0.00074900617,0.0006347888,0.0001946817,0.000100431585,0.00042849072,0.026040874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007286877,0.00012868151,0.0017827498,0.000075244796,0.00052796013,0.000011729984,0.009082852,0.0000023685973,0.00006826135,0.554621,0.41104087,0.022651011],"study_design_scores_gemma":[0.00019494923,0.00006069066,0.0007337205,0.00007440103,0.0003050534,0.0000016043955,0.002867579,0.00001809394,0.00000869748,0.0012258639,0.99400854,0.00050079887],"about_ca_topic_score_codex":0.008353929,"about_ca_topic_score_gemma":0.02907172,"teacher_disagreement_score":0.5829677,"about_ca_system_score_codex":0.00027567174,"about_ca_system_score_gemma":0.00036952252,"threshold_uncertainty_score":0.9999295},"labels":[],"label_agreement":null},{"id":"W6980551205","doi":"","title":"Cinéma québécois – vents contraires","year":2015,"lang":"lt","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Identification (biology); Perspective (graphical); Relation (database); Term (time)","score_opus":0.013466788931394904,"score_gpt":0.19818852457631272,"score_spread":0.1847217356449178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980551205","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6420263,0.14265193,0.000027457827,0.1214667,0.002145082,0.00053786096,0.00012295302,0.00025949994,0.09076219],"genre_scores_gemma":[0.8189507,0.0028773055,0.00006472768,0.0038761378,0.00085671153,0.0000051043885,0.00005482068,0.00002321779,0.17329127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747014,0.0003569173,0.00024727857,0.0005234884,0.00063245255,0.00076973235],"domain_scores_gemma":[0.9981851,0.00008115771,0.00026337104,0.0003348347,0.00036128986,0.0007742452],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00039060888,0.00032689265,0.00050434243,0.00014109522,0.0012607002,0.00010179181,0.00065701443,0.0004454352,0.0003891402],"category_scores_gemma":[0.000116552146,0.0003105467,0.0003915356,0.0008696083,0.0003613803,0.0004460562,0.00023628543,0.00029905862,0.0005780188],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003898641,0.00033336622,0.0033699605,0.000033516826,0.0009810855,0.0034623656,0.07099502,0.000097605036,0.00030393322,0.06849122,0.82103395,0.030508103],"study_design_scores_gemma":[0.0011937659,0.00015066324,0.0014757958,0.000034760993,0.000517593,0.000050197377,0.032283552,0.00016579084,0.00002672573,0.0016830759,0.96202195,0.00039613116],"about_ca_topic_score_codex":0.17673309,"about_ca_topic_score_gemma":0.7865764,"teacher_disagreement_score":0.6098433,"about_ca_system_score_codex":0.0047375155,"about_ca_system_score_gemma":0.00028846052,"threshold_uncertainty_score":0.9999347},"labels":[],"label_agreement":null},{"id":"W6980592165","doi":"","title":"Claude Vivier: A Composer's Life","year":2021,"lang":"fr","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paraphernalia; Pretext; Circumstantial evidence; Nucleofection; Gloom; Hyporeflexia","score_opus":0.026526499501956315,"score_gpt":0.24740994859947002,"score_spread":0.2208834490975137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980592165","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047009088,0.00085004687,0.00009997911,0.012423329,0.002456084,0.0003875393,0.00014613863,0.00019686142,0.93643093],"genre_scores_gemma":[0.2718404,0.6803689,0.0013234692,0.014424563,0.0028768422,0.000004589565,0.00023747899,0.000060672013,0.028863093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996377,0.001155622,0.000298127,0.0008204605,0.0004895373,0.0008592421],"domain_scores_gemma":[0.9981514,0.00016777148,0.00022345774,0.0004451966,0.0005889634,0.00042320418],"candidate_categories":["metaepi_narrow","bibliometrics","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025968504,0.00039872393,0.0006032498,0.002753546,0.0010455485,0.00028432274,0.00069341663,0.0005530029,0.0016160416],"category_scores_gemma":[0.00013092726,0.00042285753,0.0006182784,0.021796692,0.0007085663,0.0010122232,0.00026676717,0.0006069962,0.00034569783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003793745,0.0035563568,0.003646508,0.0005832385,0.0040851426,0.0071445676,0.19209073,0.0001117964,0.00017721347,0.56967396,0.06832952,0.15022157],"study_design_scores_gemma":[0.00076528476,0.00009213682,0.00013239769,0.0001026862,0.0007386759,0.000016822101,0.010457519,0.0001225449,0.00009641331,0.00002368331,0.9869147,0.00053714914],"about_ca_topic_score_codex":0.08724217,"about_ca_topic_score_gemma":0.1845014,"teacher_disagreement_score":0.9185852,"about_ca_system_score_codex":0.0003859923,"about_ca_system_score_gemma":0.0016756011,"threshold_uncertainty_score":0.9998223},"labels":[],"label_agreement":null},{"id":"W6982924358","doi":"","title":"La parlure comme mode de résistance. \\n Petit manifeste à l’usage du conteur contemporain. Le renouveau du conte au Québec, de Jean-Marc Massie, Planète rebelle, 91 p.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Mode (computer interface); Context (archaeology); Ridiculous; The Imaginary","score_opus":0.010814943385792666,"score_gpt":0.19253549634345407,"score_spread":0.1817205529576614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982924358","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21989046,0.12917672,0.0012236704,0.4143539,0.0011808067,0.00090386986,0.0005562288,0.00032673276,0.23238762],"genre_scores_gemma":[0.6515868,0.012509671,0.00033081163,0.005138022,0.00048649102,0.000018934037,0.00006896417,0.00005331377,0.32980698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944403,0.0023228747,0.0005029135,0.0008017295,0.00050467154,0.0014274784],"domain_scores_gemma":[0.9968297,0.0009653765,0.0005517217,0.0005279652,0.00031552033,0.0008097311],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0014715889,0.0006267967,0.0009184298,0.00015390916,0.0030651425,0.00017305741,0.00085296924,0.0008349405,0.0005870679],"category_scores_gemma":[0.00042735448,0.0006570932,0.00063252065,0.0007938164,0.0010552065,0.0006799805,0.00019267028,0.0008192168,0.000120756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004948306,0.00052521995,0.021393226,0.00014582145,0.0011120805,0.009065875,0.040605742,0.0004411943,0.0006503512,0.33078358,0.5926068,0.002175307],"study_design_scores_gemma":[0.00229587,0.00013154042,0.0011184835,0.00017594323,0.00057382253,0.00037384857,0.026099693,0.0008466024,0.0000458558,0.003285319,0.96430933,0.0007437122],"about_ca_topic_score_codex":0.50258917,"about_ca_topic_score_gemma":0.9561922,"teacher_disagreement_score":0.45360306,"about_ca_system_score_codex":0.00910547,"about_ca_system_score_gemma":0.0012608207,"threshold_uncertainty_score":0.999588},"labels":[],"label_agreement":null},{"id":"W6982950625","doi":"","title":"La diplomacia cultural de Québec en los organismos internacionales","year":2010,"lang":"es","type":"dissertation","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diplomacy; Context (archaeology); Field (mathematics); Foreign policy; Identity (music)","score_opus":0.015845450654745654,"score_gpt":0.2773289759561311,"score_spread":0.26148352530138547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982950625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.684125,0.0024319848,0.00018312826,0.024998767,0.0046337293,0.0013806749,0.00042026382,0.00088193465,0.28094453],"genre_scores_gemma":[0.98278713,0.0008732868,0.0010337931,0.0009886766,0.00352718,0.00038197168,0.0020747564,0.00013194655,0.008201238],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991335,0.0021689085,0.0014616962,0.0016687601,0.001827053,0.0015386016],"domain_scores_gemma":[0.9943417,0.00088920566,0.0012710785,0.0007869603,0.0015953324,0.0011157347],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0014250933,0.0013390465,0.0013520512,0.0006294989,0.0026939628,0.0015286489,0.0021868348,0.0037926063,0.00048037607],"category_scores_gemma":[0.0019786395,0.0011536062,0.0010954279,0.0014202828,0.00020046532,0.0011506247,0.00027429787,0.0035280602,0.00011355551],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046382606,0.001186489,0.0019724888,0.00038243228,0.0011807914,0.00043696925,0.069956794,0.000015112447,0.021830445,0.89481133,0.003502379,0.0042609083],"study_design_scores_gemma":[0.0010558002,0.000101626254,0.011313423,0.00047365983,0.00079393195,0.0006921769,0.018326849,0.00008874616,0.0013615572,0.00077305594,0.9636199,0.001399301],"about_ca_topic_score_codex":0.00035029498,"about_ca_topic_score_gemma":0.07017274,"teacher_disagreement_score":0.9601175,"about_ca_system_score_codex":0.0018492958,"about_ca_system_score_gemma":0.0035006313,"threshold_uncertainty_score":0.99993604},"labels":[],"label_agreement":null},{"id":"W6983017140","doi":"","title":"Le fantôme de l’opératrice, un film de Caroline Martel, couleurs + N&amp;B, 66 min., Québec, 2004","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Fusible alloy","score_opus":0.006787655312810281,"score_gpt":0.18015512670456504,"score_spread":0.17336747139175476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983017140","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49995506,0.20518656,0.00039852358,0.26295456,0.0008056253,0.000473812,0.00015745197,0.00018320265,0.0298852],"genre_scores_gemma":[0.33930537,0.010841499,0.0017335622,0.009087836,0.001253664,0.00003314073,0.00010751033,0.00004991207,0.6375875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969674,0.00049089483,0.00030526612,0.0005748026,0.00039632554,0.001265342],"domain_scores_gemma":[0.99810946,0.00015564222,0.0002789859,0.00039112897,0.00033956533,0.00072520797],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035713325,0.00040275863,0.00054088223,0.00017255788,0.001903086,0.00012673803,0.0007226869,0.00066404796,0.002958658],"category_scores_gemma":[0.00007972145,0.0004199639,0.00047813117,0.0013040353,0.0005205847,0.0006843716,0.00019772505,0.0004938881,0.0010313253],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006459154,0.00029700977,0.0035636507,0.000045250865,0.00054125034,0.000690189,0.009114027,0.0005149845,0.0010910853,0.039521143,0.92986995,0.014686878],"study_design_scores_gemma":[0.00083281245,0.00008157229,0.0026782262,0.000029866958,0.00065226946,0.00016628247,0.008851342,0.00091507536,0.000049931983,0.0033241601,0.9819015,0.00051695714],"about_ca_topic_score_codex":0.5510287,"about_ca_topic_score_gemma":0.8559234,"teacher_disagreement_score":0.6077023,"about_ca_system_score_codex":0.0049498184,"about_ca_system_score_gemma":0.00071397494,"threshold_uncertainty_score":0.99982524},"labels":[],"label_agreement":null},{"id":"W6983019906","doi":"","title":"Le Piège américain : \\n The French Connection\\n . \\n Le Piège américain Canada [Québec] 2008, 101 minutes","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Context (archaeology); Period (music); Subject (documents)","score_opus":0.009302464226350182,"score_gpt":0.16725956929515928,"score_spread":0.1579571050688091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983019906","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12566392,0.16502932,0.00008827371,0.6620395,0.0015180974,0.00043620134,0.00018924115,0.00012479749,0.044910636],"genre_scores_gemma":[0.4849328,0.0045013446,0.00010509345,0.005409506,0.0007006057,0.000012332254,0.000048377322,0.00002342937,0.5042665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967581,0.00065270154,0.00034523846,0.0006398124,0.00062727835,0.0009768395],"domain_scores_gemma":[0.9979157,0.00047854407,0.00033681456,0.00047452206,0.00033934915,0.00045505527],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00035329547,0.00041342052,0.00054229336,0.00010833067,0.0061191167,0.00007029815,0.00089897495,0.00038104155,0.00057403714],"category_scores_gemma":[0.00013893901,0.00036461253,0.0004109784,0.001828619,0.0010816489,0.0004884602,0.00023606511,0.00054551626,0.00011182922],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023105318,0.00016012034,0.0011072626,0.0000135349665,0.00035765016,0.0010453577,0.0069943494,0.00022403432,0.00009420321,0.0334513,0.9521338,0.0043953317],"study_design_scores_gemma":[0.00062707264,0.00007171566,0.0030176104,0.000021135107,0.00024688544,0.00021722291,0.016973544,0.00038906967,0.000046178327,0.0008447551,0.9770622,0.00048259698],"about_ca_topic_score_codex":0.9964972,"about_ca_topic_score_gemma":0.99984235,"teacher_disagreement_score":0.65663004,"about_ca_system_score_codex":0.005566371,"about_ca_system_score_gemma":0.0025747241,"threshold_uncertainty_score":0.9998806},"labels":[],"label_agreement":null},{"id":"W6983022665","doi":"","title":"Les contours de l'oubli : Amélie Brisson-Darveau, Pavitra Wickramasinghe, École Lucien-Pagé : projet d'engagement public : Résidence PHI Montréal","year":2023,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Set (abstract data type); Government (linguistics); Identification (biology)","score_opus":0.06446392078599351,"score_gpt":0.30343085497066724,"score_spread":0.23896693418467374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983022665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07666689,0.05136623,0.0010909563,0.104574926,0.016980713,0.00848268,0.0015020636,0.003170856,0.7361647],"genre_scores_gemma":[0.1629169,0.0026520274,0.0007855895,0.007611691,0.0054099937,0.00061871455,0.0007552251,0.00028549944,0.81896436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98443484,0.0033860228,0.0022006154,0.0031105196,0.0028410857,0.004026908],"domain_scores_gemma":[0.9922542,0.0012433591,0.0017035983,0.0016173316,0.0014540161,0.0017274752],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0054856827,0.002070206,0.002511466,0.0007740652,0.0055642826,0.0030801774,0.0029079295,0.0023252973,0.0064862403],"category_scores_gemma":[0.0012180262,0.0019338287,0.0019603309,0.0034497797,0.003809457,0.0024065212,0.00073427416,0.0033728215,0.0050399536],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014631647,0.001289037,0.0025032088,0.0005521839,0.002257898,0.0009317793,0.024964534,0.00014030217,0.00060060323,0.26728868,0.52723306,0.17209241],"study_design_scores_gemma":[0.0012786525,0.00044324048,0.015728861,0.0008265395,0.00138498,0.000047236164,0.00826437,0.0006566357,0.000026328593,0.019132072,0.9498741,0.0023369575],"about_ca_topic_score_codex":0.012630756,"about_ca_topic_score_gemma":0.06472667,"teacher_disagreement_score":0.4226411,"about_ca_system_score_codex":0.0023246196,"about_ca_system_score_gemma":0.0030341153,"threshold_uncertainty_score":0.999204},"labels":[],"label_agreement":null},{"id":"W6983050653","doi":"","title":"Le lecteur impuni 1. Pars sans te retourner. François Moreau, La bohème, Montréal, Triptyque, 2009, 189 p. François Moreau, Les taupes, pièce publiée dans Écrits du Canada français, no 6, 1960.","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.003948134832665414,"score_gpt":0.16414400743611987,"score_spread":0.16019587260345447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983050653","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21708284,0.4712847,0.00015494085,0.23543802,0.0021133446,0.0009781916,0.0012932918,0.00044858555,0.0712061],"genre_scores_gemma":[0.5858637,0.06974024,0.0005502572,0.014088918,0.002120946,0.000030009207,0.00061558164,0.0001332454,0.3268571],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99269354,0.0013464802,0.00089373207,0.0014788406,0.0014268303,0.0021605608],"domain_scores_gemma":[0.99572235,0.0003627579,0.0006590435,0.0009487337,0.00095934514,0.0013477539],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008385517,0.001147338,0.0014600366,0.00037362403,0.005103708,0.00037470117,0.0017758657,0.0013530556,0.0010701573],"category_scores_gemma":[0.00032582178,0.0011874397,0.0009317795,0.0033499629,0.00093087915,0.0015264428,0.00028878642,0.0014601882,0.00012381325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002097998,0.00047171168,0.0016922394,0.00005195495,0.000687689,0.0040236195,0.012709223,0.0002811964,0.00066499936,0.039443765,0.9105381,0.029225718],"study_design_scores_gemma":[0.0019640317,0.00026088697,0.008006892,0.0001284289,0.0009921051,0.00033462566,0.0128916865,0.0008222774,0.00010318593,0.0012312242,0.97190505,0.0013596135],"about_ca_topic_score_codex":0.9844108,"about_ca_topic_score_gemma":0.9979909,"teacher_disagreement_score":0.40154445,"about_ca_system_score_codex":0.0049077654,"about_ca_system_score_gemma":0.0015849787,"threshold_uncertainty_score":0.9999434},"labels":[],"label_agreement":null},{"id":"W6983058265","doi":"","title":"Les doyennes du théâtre franco-canadien","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Context (archaeology); Identification (biology); Work (physics)","score_opus":0.009569921622304793,"score_gpt":0.17271827999889777,"score_spread":0.16314835837659297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983058265","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7307563,0.110397175,0.000016092017,0.085222416,0.0011220585,0.00015267743,0.00007452952,0.00009490014,0.07216386],"genre_scores_gemma":[0.4813913,0.01596155,0.00015702833,0.0015621687,0.0010376315,0.0000032645148,0.000028978053,0.00001621558,0.49984184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812925,0.00024502922,0.0001787918,0.00042726618,0.0003249656,0.00069469225],"domain_scores_gemma":[0.9989096,0.00009703574,0.00016012926,0.00023749452,0.00019089812,0.00040482037],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014819509,0.00027772825,0.00038020522,0.00011396037,0.0032863966,0.000031137773,0.00047449805,0.00043339186,0.0018162759],"category_scores_gemma":[0.000035205234,0.0002712652,0.00038433057,0.00094711955,0.0007407032,0.00043967672,0.00013417122,0.00028705556,0.00034364904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068879635,0.00017786653,0.01344914,0.000033959874,0.00051503826,0.00674127,0.031556472,0.000102807804,0.00010405245,0.2863261,0.6135033,0.0474211],"study_design_scores_gemma":[0.00040503006,0.00007369731,0.0055177375,0.000026647238,0.0002739851,0.00033804178,0.007352,0.00012757079,0.000015126781,0.00095039915,0.98457503,0.00034470716],"about_ca_topic_score_codex":0.21944876,"about_ca_topic_score_gemma":0.80464643,"teacher_disagreement_score":0.5851977,"about_ca_system_score_codex":0.003939933,"about_ca_system_score_gemma":0.00008141137,"threshold_uncertainty_score":0.99997395},"labels":[],"label_agreement":null},{"id":"W6983061751","doi":"","title":"Le Processus Créatif de Robert Lepage","year":2017,"lang":"fr","type":"article","venue":"Chapman University Digital Commons (Chapman University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Collectable; Context (archaeology); Sculpture","score_opus":0.021553870458042624,"score_gpt":0.22110479697738428,"score_spread":0.19955092651934164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983061751","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17542465,0.0007006615,0.00019685812,0.010711619,0.00065150065,0.00032845433,0.00037010259,0.00021327799,0.81140286],"genre_scores_gemma":[0.6391734,0.0002190746,0.00005677834,0.00026449756,0.00026074634,5.9326823e-8,0.000063707004,0.000020629155,0.35994115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99698704,0.00028502996,0.00023234259,0.0008951257,0.0004448255,0.0011556338],"domain_scores_gemma":[0.997093,0.00012445936,0.0005382276,0.000986248,0.00044396828,0.00081409514],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00019310288,0.000534715,0.0006628869,0.0004887254,0.007422452,0.0011770946,0.0031535062,0.0006478641,0.00027766576],"category_scores_gemma":[0.000116816715,0.00068051775,0.00066387205,0.0010692752,0.0036901697,0.005738191,0.0012178968,0.0007231211,0.00028662296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018559617,0.00068610685,0.006614177,0.00011402072,0.0005744773,0.0018944175,0.009193825,0.000043311706,0.000035194917,0.9598038,0.0107535,0.010101551],"study_design_scores_gemma":[0.0013279264,0.00016104244,0.003018694,0.00014554926,0.00045222518,0.000020324793,0.030187318,0.00016436311,0.000023156284,0.0037592906,0.9598568,0.0008833063],"about_ca_topic_score_codex":0.007241365,"about_ca_topic_score_gemma":0.027075134,"teacher_disagreement_score":0.95604455,"about_ca_system_score_codex":0.00074271526,"about_ca_system_score_gemma":0.00076116045,"threshold_uncertainty_score":0.99985975},"labels":[],"label_agreement":null},{"id":"W6983100309","doi":"","title":"L’Imposture au théâtre québécois contemporain","year":2014,"lang":"es","type":"article","venue":"Digitum: Institutional Repository of the University of Murcia (University of Murcia)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Context (archaeology); Meaning (existential); Identity (music); Subject (documents); Relation (database); Focus (optics); Power (physics)","score_opus":0.011082942879363662,"score_gpt":0.19732292560137654,"score_spread":0.1862399827220129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983100309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8430591,0.0003088895,0.00015153583,0.0034186302,0.0008061347,0.0003150209,0.00020167706,0.00003770004,0.15170127],"genre_scores_gemma":[0.98338544,0.000117516254,0.00017517533,0.00015798927,0.00021459284,4.5079748e-8,0.00003566417,0.000007833676,0.015905723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997089,0.0005825281,0.0003508308,0.0005323158,0.0010646689,0.00038063314],"domain_scores_gemma":[0.99694157,0.00021768862,0.0011647088,0.00059715746,0.0008442915,0.00023456992],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00053273985,0.00032115655,0.0008379317,0.00022562048,0.0030180109,0.000039973944,0.0018715841,0.00050980196,0.00008770694],"category_scores_gemma":[0.00015320767,0.00032556755,0.0010456886,0.0008307237,0.0058868076,0.0008155846,0.0005004975,0.00038125875,0.0000146811335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026998823,0.003144601,0.19026819,0.0015980441,0.0042786463,0.00026544248,0.13721152,0.002284143,0.014660377,0.5983456,0.035973057,0.009270516],"study_design_scores_gemma":[0.0022045167,0.00030514944,0.21036668,0.0008664116,0.0011825915,0.000018442744,0.04490036,0.0003053813,0.0005134005,0.0010139594,0.73769134,0.0006317732],"about_ca_topic_score_codex":0.04584025,"about_ca_topic_score_gemma":0.014510316,"teacher_disagreement_score":0.7017183,"about_ca_system_score_codex":0.0004105401,"about_ca_system_score_gemma":0.0014503477,"threshold_uncertainty_score":0.99991965},"labels":[],"label_agreement":null},{"id":"W6983211167","doi":"","title":"[Lucidité = Lucidity : Le mois de la photo à Montréal // Cao Fei : Whose Utopia = L'utopie de qui]","year":2011,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Utopia; Order (exchange); Style (visual arts); Subject (documents)","score_opus":0.01792224035953958,"score_gpt":0.2539870961087139,"score_spread":0.23606485574917432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983211167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13147424,0.03195715,0.00068564137,0.0041725584,0.0052270084,0.0017073818,0.0005144692,0.000651868,0.8236097],"genre_scores_gemma":[0.15598892,0.0032510415,0.0011769901,0.0074615087,0.0056341235,0.0002506913,0.00030619325,0.00017287249,0.8257577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9897263,0.0028058211,0.0015165006,0.0020286809,0.0012020953,0.0027205783],"domain_scores_gemma":[0.99474335,0.00074598024,0.0010876211,0.0013936706,0.0005838569,0.0014455141],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0026255532,0.001599558,0.0020665238,0.00030597998,0.0032698011,0.0008231414,0.0020090817,0.003164152,0.009740272],"category_scores_gemma":[0.00045575306,0.0015073947,0.0018705135,0.0010642847,0.0028783265,0.0011510216,0.0004288469,0.0025352216,0.0032897533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026530144,0.0018089401,0.0020723317,0.00044205785,0.0021109858,0.0011735926,0.07275042,0.000058741633,0.0033028848,0.3819443,0.45751995,0.07655048],"study_design_scores_gemma":[0.0010448061,0.0002455807,0.007204364,0.0003270086,0.001148482,0.00009900797,0.0023939235,0.00017803164,0.00039564207,0.053864088,0.93137,0.0017290419],"about_ca_topic_score_codex":0.066913314,"about_ca_topic_score_gemma":0.064819254,"teacher_disagreement_score":0.47385007,"about_ca_system_score_codex":0.0014500426,"about_ca_system_score_gemma":0.002474515,"threshold_uncertainty_score":0.99983525},"labels":[],"label_agreement":null},{"id":"W6983560979","doi":"","title":"Mozart et Don Giovanni, de retour à Québec","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Face (sociological concept); Interpretation (philosophy); Sequence (biology)","score_opus":0.01185897085270216,"score_gpt":0.20495406218076317,"score_spread":0.19309509132806102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983560979","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39154154,0.08337285,0.000028142551,0.4946127,0.0010402487,0.00019065745,0.000076160584,0.00032086845,0.028816812],"genre_scores_gemma":[0.177957,0.017564828,0.00017712095,0.0073723113,0.0008066262,0.000006590654,0.000081413215,0.000027417007,0.7960067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977174,0.00043974764,0.00018811795,0.00044241492,0.00036884108,0.00084347435],"domain_scores_gemma":[0.9989151,0.00014774183,0.00015001348,0.00025827464,0.0001512245,0.00037769557],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00058867934,0.00025472476,0.00034534113,0.00015780715,0.0014148648,0.00007406797,0.00047437535,0.00043388273,0.0010987831],"category_scores_gemma":[0.000085184314,0.00025946402,0.0004120029,0.0018477202,0.00035607038,0.0004689858,0.00022963627,0.00036539393,0.0011489845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004590852,0.000060276117,0.0017783528,0.000026408181,0.00027411457,0.0017007178,0.017880801,0.0002621593,0.00043580105,0.06898629,0.89255106,0.01599813],"study_design_scores_gemma":[0.0003610359,0.00006270766,0.0022862502,0.000037251215,0.00033755918,0.00004250044,0.015149752,0.00069442013,0.000026751899,0.0033820544,0.97730523,0.0003144894],"about_ca_topic_score_codex":0.33070195,"about_ca_topic_score_gemma":0.88057166,"teacher_disagreement_score":0.76718986,"about_ca_system_score_codex":0.005594898,"about_ca_system_score_gemma":0.0002886008,"threshold_uncertainty_score":0.99998575},"labels":[],"label_agreement":null},{"id":"W6983624116","doi":"","title":"The Musical Years: 1920–2020, VOX, centre de l’image contemporaine, Montréal","year":2021,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Musical instrument; Feature (linguistics); Agency (philosophy)","score_opus":0.006031157271291853,"score_gpt":0.1874726274235774,"score_spread":0.18144147015228554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983624116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5278022,0.05882017,0.00009188781,0.3317366,0.0008541479,0.0004302952,0.00010354501,0.00031986216,0.07984126],"genre_scores_gemma":[0.6641786,0.010362236,0.0007811157,0.0072842566,0.0014604621,0.000008875188,0.00011583953,0.00003647011,0.31577215],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981854,0.00037554005,0.00015488306,0.00034053752,0.00036558587,0.00057804066],"domain_scores_gemma":[0.99890107,0.00018957147,0.00010728272,0.0002838972,0.00022681472,0.00029138676],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00035161374,0.00016072945,0.00023685678,0.000034248787,0.0017057256,0.00016046365,0.00039801578,0.00020692009,0.00035047386],"category_scores_gemma":[0.00019330076,0.0001328007,0.00029024712,0.0005983683,0.00029361068,0.00022482553,0.00019030478,0.000270929,0.00013480546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081416605,0.00010445408,0.0007295495,0.00000761072,0.0002637615,0.0052075908,0.012814886,0.000010192075,0.00155954,0.06540994,0.9025174,0.011293659],"study_design_scores_gemma":[0.00044556154,0.000016253292,0.0020266415,0.000010068092,0.00011660236,0.000042413063,0.020641653,0.000095707524,0.000052140465,0.001398016,0.97497594,0.00017899755],"about_ca_topic_score_codex":0.012950844,"about_ca_topic_score_gemma":0.40165162,"teacher_disagreement_score":0.38870078,"about_ca_system_score_codex":0.0015956265,"about_ca_system_score_gemma":0.00016057196,"threshold_uncertainty_score":0.9995939},"labels":[],"label_agreement":null},{"id":"W6983636504","doi":"","title":"Musical abstractions : composing experience through auditory memories = Abstractions musicales : composer l'expérience à travers la mémoire auditive","year":2021,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Composition (language); Active listening","score_opus":0.011857092276313567,"score_gpt":0.23075754187957723,"score_spread":0.21890044960326366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983636504","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.865705,0.007818101,0.00025082263,0.001273286,0.007400525,0.00040101525,0.00020187351,0.0001838417,0.11676551],"genre_scores_gemma":[0.92378396,0.0010874554,0.0011082379,0.00052785827,0.0016527426,0.00007383208,0.0008346926,0.00003400251,0.070897214],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99518365,0.0006508154,0.0007505832,0.0012870743,0.0012952569,0.0008326099],"domain_scores_gemma":[0.99651855,0.00072818424,0.00080777594,0.00044508572,0.0009494476,0.0005509507],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00021595266,0.0007538927,0.000818265,0.00019225174,0.024856182,0.00039924186,0.0007065238,0.001088274,0.00076753006],"category_scores_gemma":[0.00012151814,0.00082314404,0.00090184447,0.0009892447,0.0034528687,0.001983663,0.00013525806,0.0013723688,0.0001283977],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036658053,0.0012553725,0.0012269979,0.00017391291,0.0012118516,0.0044573657,0.8340661,0.0045591057,0.047899075,0.096652366,0.004219367,0.0039119045],"study_design_scores_gemma":[0.00048669928,0.00006524418,0.05173105,0.0003454296,0.0008789639,0.00051070383,0.59108454,0.00026501858,0.00301018,0.00053960556,0.3501813,0.00090127514],"about_ca_topic_score_codex":0.04733042,"about_ca_topic_score_gemma":0.068098366,"teacher_disagreement_score":0.34596193,"about_ca_system_score_codex":0.005000564,"about_ca_system_score_gemma":0.002634647,"threshold_uncertainty_score":0.99942195},"labels":[],"label_agreement":null},{"id":"W6983637625","doi":"","title":"\\n Bonbons assortis\\n : L’enfance de Michel Tremblay au Théâtre français de Toronto","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.006623677054792843,"score_gpt":0.21712248100278717,"score_spread":0.21049880394799433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983637625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64234436,0.19965047,0.00061925943,0.053556558,0.0010510668,0.00026943127,0.00009440225,0.00016292887,0.10225156],"genre_scores_gemma":[0.58460724,0.007029976,0.0011822478,0.0051194476,0.0012861688,0.000004997783,0.000030540934,0.000032996377,0.40070638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674684,0.0003126529,0.0003118847,0.00057890726,0.00044501957,0.0016046932],"domain_scores_gemma":[0.9982165,0.00020279325,0.00026898162,0.00036914187,0.00018129777,0.0007612539],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008851257,0.00038925256,0.0004988786,0.00008338366,0.0018925405,0.00007118701,0.0006632779,0.0007731069,0.0011023841],"category_scores_gemma":[0.0000809841,0.00041080397,0.00054162234,0.00081547746,0.00046682204,0.00070399937,0.00016830677,0.00041535657,0.00016784898],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003446741,0.00059825653,0.045852043,0.00008866082,0.0011573252,0.0043108435,0.10817348,0.00016633476,0.0053950874,0.114813834,0.6040827,0.11501677],"study_design_scores_gemma":[0.0005962254,0.00009467961,0.04139698,0.000058979072,0.00063916255,0.00010658572,0.0143606905,0.00023613112,0.00022466108,0.0009814134,0.94080657,0.00049790996],"about_ca_topic_score_codex":0.38442686,"about_ca_topic_score_gemma":0.95515704,"teacher_disagreement_score":0.57073015,"about_ca_system_score_codex":0.019292936,"about_ca_system_score_gemma":0.0002859808,"threshold_uncertainty_score":0.99983436},"labels":[],"label_agreement":null},{"id":"W6983705444","doi":"","title":"ND Met to hold auditions Saturday, Nov. 15 at UND","year":2014,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Ceremony; Symphony; The arts; Metropolitan area; Performing arts; State (computer science); Wonder; Competition (biology); MOZART","score_opus":0.02825773662799848,"score_gpt":0.25546906648173545,"score_spread":0.22721132985373696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983705444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9368994,0.0002689708,0.00023258434,0.0060786908,0.00022518053,0.00019471672,0.00018202473,0.000083329716,0.0558351],"genre_scores_gemma":[0.9806818,0.000024862342,0.0011717107,0.0014653954,0.00014825199,6.1905325e-7,0.00012172716,0.000007879726,0.016377788],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825233,0.00039336245,0.00014867651,0.00036213975,0.00046697655,0.00037653287],"domain_scores_gemma":[0.9984563,0.00017482572,0.00015323648,0.00041905776,0.00039946882,0.00039713283],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00045224882,0.00016331766,0.0003297173,0.0002546982,0.0024482768,0.0002530503,0.0008422834,0.00017677186,0.00071994617],"category_scores_gemma":[0.00019131637,0.00017515665,0.00024404669,0.0013070302,0.0004305129,0.0014487035,0.0002889334,0.0003897177,0.0003478265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020262743,0.00069876935,0.5097957,0.00004828298,0.0014473201,0.00007892575,0.03348599,0.00019395759,0.0010904524,0.1437935,0.29080233,0.018362092],"study_design_scores_gemma":[0.00030228708,0.00009880246,0.33799148,0.000014708936,0.0003022805,7.9332705e-7,0.0013333173,0.000012708159,0.0000056813956,0.00075993175,0.65895456,0.00022345746],"about_ca_topic_score_codex":0.0035687198,"about_ca_topic_score_gemma":0.2766247,"teacher_disagreement_score":0.3681522,"about_ca_system_score_codex":0.00016540241,"about_ca_system_score_gemma":0.00008195766,"threshold_uncertainty_score":0.9988504},"labels":[],"label_agreement":null},{"id":"W6983790007","doi":"","title":"\\n Rejoue-moi ce vieux mélodrame, Canada (Québec) 2001, 9 minutes","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.010775495313139635,"score_gpt":0.17281933177151093,"score_spread":0.16204383645837128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983790007","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06549442,0.4801592,0.0000043131713,0.34948272,0.0014871767,0.00026713542,0.00015245716,0.00008806103,0.10286452],"genre_scores_gemma":[0.066093944,0.018730836,0.0001521135,0.0083802445,0.000765585,0.0000070175256,0.00002591336,0.00002296907,0.9058214],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971991,0.0003096805,0.00028685445,0.0005726625,0.0005719736,0.001059715],"domain_scores_gemma":[0.99830896,0.0001835946,0.00026192423,0.0003763603,0.0002451315,0.0006240513],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015607032,0.00037625534,0.0004914938,0.0000962252,0.0019286198,0.00007849552,0.0006868925,0.0004099228,0.0069009913],"category_scores_gemma":[0.00008824801,0.0003842197,0.00034107023,0.0012535505,0.00045940655,0.0004899477,0.0001878033,0.00041002384,0.00035435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017787033,0.000098660465,0.0008110626,0.0000241129,0.00028181457,0.0015606459,0.0028624446,0.00005972305,0.000048777656,0.007863425,0.9511263,0.0352453],"study_design_scores_gemma":[0.00040562317,0.000052126336,0.00081347115,0.00003842397,0.00047258107,0.00008996915,0.004504381,0.0005351219,0.000019457366,0.00036499705,0.9922214,0.00048240647],"about_ca_topic_score_codex":0.9859495,"about_ca_topic_score_gemma":0.9997848,"teacher_disagreement_score":0.8029569,"about_ca_system_score_codex":0.011361229,"about_ca_system_score_gemma":0.00034883103,"threshold_uncertainty_score":0.99986094},"labels":[],"label_agreement":null},{"id":"W6986102230","doi":"","title":"Ontario Centres of Excellence","year":2008,"lang":"ca","type":"article","venue":"RACO (Revistes Catalanes amb Accés Obert) (Consorci de Serveis Universitaris de Catalunya)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Excellence; Work (physics)","score_opus":0.020442446735513608,"score_gpt":0.2347082737276793,"score_spread":0.2142658269921657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986102230","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9505096,0.01972,0.000022752927,0.0018956771,0.00064084056,0.00073815684,0.0005083877,0.00014266741,0.02582192],"genre_scores_gemma":[0.91266704,0.0055120033,0.0003186295,0.001263169,0.00044751167,0.000009377448,0.00093531574,0.000053242486,0.078793734],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942161,0.00073757116,0.0010423755,0.0013045314,0.0009418667,0.0017575999],"domain_scores_gemma":[0.99553883,0.0005926132,0.0009914987,0.0011485217,0.0007922907,0.0009362195],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00068491366,0.0009201569,0.0015016093,0.00042821726,0.001744522,0.00021104109,0.0021831722,0.0009610173,0.003642606],"category_scores_gemma":[0.0002521423,0.0009306539,0.0011241402,0.0017775386,0.0019255115,0.0014277156,0.0005721854,0.001021128,0.00031645337],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007388707,0.0015014282,0.66047305,0.0013362317,0.0026767508,0.0025424536,0.2105263,0.00036822198,0.0033759233,0.00906262,0.10435686,0.0030412627],"study_design_scores_gemma":[0.003126721,0.00063386105,0.18456115,0.0010178811,0.0038816254,0.0006605985,0.0668807,0.0004008552,0.0024094146,0.0005554958,0.73264784,0.0032238683],"about_ca_topic_score_codex":0.26513913,"about_ca_topic_score_gemma":0.19297427,"teacher_disagreement_score":0.62829095,"about_ca_system_score_codex":0.0018505327,"about_ca_system_score_gemma":0.0021285769,"threshold_uncertainty_score":0.99955505},"labels":[],"label_agreement":null},{"id":"W6986189057","doi":"","title":"Off courts : 17e rencontre France - Québec autour du court métrage = France - Québec meeting around short film","year":2016,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Legislation; Context (archaeology); Government (linguistics); Legislature","score_opus":0.011184283471722808,"score_gpt":0.2402400767570589,"score_spread":0.2290557932853361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986189057","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05435493,0.14058807,0.0004265022,0.07801753,0.0135788275,0.0030377707,0.0013280144,0.0011308074,0.70753753],"genre_scores_gemma":[0.15028995,0.0031130095,0.00018952198,0.009100763,0.0126060145,0.00018108852,0.00021635978,0.0002109134,0.8240924],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9876687,0.0014514953,0.0024919447,0.0031039293,0.0023639996,0.0029199505],"domain_scores_gemma":[0.9924369,0.0016160865,0.0016462,0.0017048449,0.0013172359,0.0012787611],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0022875331,0.0022785834,0.003178829,0.00032188254,0.004420734,0.0009596785,0.002650163,0.0025557838,0.015444201],"category_scores_gemma":[0.0006570989,0.0018704397,0.0021357152,0.0010271055,0.0042031133,0.0019527423,0.00034924367,0.002394864,0.0063264193],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016307231,0.00072326895,0.010678109,0.00047768728,0.002671269,0.0009266273,0.031658046,0.00022905946,0.00061263866,0.01929191,0.70301574,0.22955257],"study_design_scores_gemma":[0.0010636537,0.00025373625,0.0050267493,0.0017966266,0.0011899573,0.00005881187,0.0014446154,0.00064890494,0.000021671214,0.003577612,0.98243046,0.0024872115],"about_ca_topic_score_codex":0.114346415,"about_ca_topic_score_gemma":0.47354305,"teacher_disagreement_score":0.35919663,"about_ca_system_score_codex":0.0016061025,"about_ca_system_score_gemma":0.00546553,"threshold_uncertainty_score":0.99990666},"labels":[],"label_agreement":null},{"id":"W6986447834","doi":"","title":"Portrait fragmenté. COULOMBE, Michel. Le Québec au cinéma — Ce que nos films disent de nous, Montréal, Saint-Jean Éditeur, 2022, 364 p.","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Object (grammar); Field (mathematics)","score_opus":0.0068266736680215245,"score_gpt":0.19065276052273084,"score_spread":0.1838260868547093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986447834","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45230478,0.21559568,0.00010378596,0.31503808,0.002012314,0.0007524135,0.00053283776,0.00048380587,0.013176284],"genre_scores_gemma":[0.117214344,0.031336498,0.0002760772,0.006559807,0.0012863721,0.000038038037,0.00043779862,0.000089209665,0.8427619],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99531305,0.00054578774,0.0005121746,0.0009857878,0.00077987846,0.0018633439],"domain_scores_gemma":[0.9974366,0.00033046797,0.0004431179,0.00058824045,0.0002695735,0.00093201204],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00075125275,0.00062053214,0.0007812671,0.00028302384,0.0030901693,0.00013902338,0.00092418864,0.00073243055,0.0018923944],"category_scores_gemma":[0.00014953731,0.0006528244,0.0008134045,0.002269287,0.00068794563,0.00060199964,0.0004976647,0.0007013721,0.0008758139],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012165562,0.00042184425,0.003404592,0.00009497411,0.0007645678,0.0033417633,0.013599161,0.0012986097,0.0012845465,0.034225207,0.92717224,0.014270856],"study_design_scores_gemma":[0.0010392173,0.0001521204,0.0049661114,0.000104529056,0.00070891867,0.00006765246,0.025777098,0.0024974486,0.00008529386,0.0007775715,0.96306777,0.0007562728],"about_ca_topic_score_codex":0.8591464,"about_ca_topic_score_gemma":0.9658081,"teacher_disagreement_score":0.82958555,"about_ca_system_score_codex":0.009110691,"about_ca_system_score_gemma":0.0012089225,"threshold_uncertainty_score":0.9999021},"labels":[],"label_agreement":null},{"id":"W6986524521","doi":"","title":"Pomme, suivi de, Le double divinisant chez Gary","year":2001,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"EPIC; Echo (communications protocol); Context (archaeology); Period (music); Criticism","score_opus":0.024932865144228423,"score_gpt":0.2802641813217551,"score_spread":0.2553313161775267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986524521","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50168127,0.0008579848,3.7554873e-8,0.00016564211,0.0011631465,0.00042239268,0.0002001669,0.0002656931,0.49524367],"genre_scores_gemma":[0.75684494,0.00085545675,0.0001209171,0.0028411867,0.00047532865,0.00016640226,0.0016171065,0.00011565808,0.23696299],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99429405,0.00083921716,0.0008555485,0.0012299098,0.0011311766,0.0016500897],"domain_scores_gemma":[0.9971064,0.00020684514,0.0006311971,0.0006274873,0.0006584564,0.00076964445],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001962059,0.00079388905,0.0009819852,0.00034844494,0.0044664945,0.00046980334,0.0013243734,0.001724637,0.0017135637],"category_scores_gemma":[0.00047000265,0.0007525148,0.00083981815,0.0014818136,0.00024870055,0.0012068838,0.000118637436,0.0018288288,0.00043098314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00071479223,0.0011323093,0.0006077491,0.00031961018,0.0011911232,0.0003991531,0.0013934261,0.000015867472,0.017110575,0.9058617,0.0010535019,0.07020022],"study_design_scores_gemma":[0.0010969706,0.00010781058,0.0013455881,0.00020857302,0.0005074713,0.000014078656,0.0061092074,0.0000027142878,0.0074657584,0.03498226,0.9467831,0.0013764569],"about_ca_topic_score_codex":0.01301084,"about_ca_topic_score_gemma":0.07936841,"teacher_disagreement_score":0.9457296,"about_ca_system_score_codex":0.0008052714,"about_ca_system_score_gemma":0.00041206594,"threshold_uncertainty_score":0.9995713},"labels":[],"label_agreement":null},{"id":"W6986664666","doi":"","title":"Québec Arts Directory","year":2001,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Directory; The arts; Mandate; Section (typography); Cultural heritage; Graphic arts; Documentation","score_opus":0.024722362802877228,"score_gpt":0.2790647907017981,"score_spread":0.2543424278989209,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986664666","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000541375,0.014581447,0.000011721874,0.0030862247,0.0023897032,0.00055090495,0.00006784933,0.0004490787,0.9783217],"genre_scores_gemma":[0.0022530558,0.0011321078,0.000053862062,0.007404367,0.006056479,0.00007060028,0.0002751877,0.0000901158,0.9826642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952733,0.0004088553,0.00076609524,0.0012120279,0.001153788,0.001185923],"domain_scores_gemma":[0.99729663,0.00030303854,0.00052827026,0.0008214119,0.00043350444,0.00061716983],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007602307,0.00081133615,0.0011851166,0.00028701898,0.0016558773,0.0005013788,0.0010145223,0.0012834803,0.02105561],"category_scores_gemma":[0.00019337748,0.0007070135,0.0009832465,0.0005628394,0.0010596277,0.00053966715,0.00013458695,0.0011419827,0.006948685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002094676,0.000109352775,0.0000545064,0.000036777365,0.00031795137,0.00013734716,0.008968341,0.000001780384,0.000035001445,0.017488396,0.9437448,0.029084807],"study_design_scores_gemma":[0.00027786184,0.00006095838,0.00035202393,0.0001476933,0.00040158266,0.000009499181,0.00057733076,0.0000036756717,0.000004463615,0.009120428,0.9881338,0.0009107164],"about_ca_topic_score_codex":0.010278498,"about_ca_topic_score_gemma":0.20087563,"teacher_disagreement_score":0.19059713,"about_ca_system_score_codex":0.00080729544,"about_ca_system_score_gemma":0.002004618,"threshold_uncertainty_score":0.9996438},"labels":[],"label_agreement":null},{"id":"W6986736310","doi":"","title":"Quand l’image fait marque. \\n Théâtres au programme, de Gilbert David et Sylvain Schryburt, CÉTUQ et Bibliothèque nationale du Québec, 64 p.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.015502719961047242,"score_gpt":0.20179816676127607,"score_spread":0.18629544680022883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986736310","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08555917,0.12610708,0.00017881185,0.64924407,0.00046183748,0.0004883688,0.00012926193,0.00019153008,0.13763991],"genre_scores_gemma":[0.15238993,0.030176139,0.0018210659,0.009767214,0.00078395277,0.000033612436,0.00010871406,0.000052339426,0.804867],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964092,0.00084816624,0.0003144524,0.0006377977,0.0006003071,0.0011900894],"domain_scores_gemma":[0.99803674,0.0004067652,0.00029542568,0.0003204062,0.00034381208,0.0005968482],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009348069,0.00042318957,0.0004750435,0.00054667925,0.00189261,0.00036408613,0.00067036954,0.00050049124,0.0046445318],"category_scores_gemma":[0.00031577746,0.00041832458,0.00046739302,0.0029147863,0.0006992393,0.0015277929,0.0002508589,0.00052528764,0.00032019333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056167737,0.0004506846,0.0039929603,0.000058679303,0.00043057624,0.00077137176,0.019057442,0.000102869286,0.0002479414,0.20129713,0.76582617,0.007708035],"study_design_scores_gemma":[0.0007724141,0.000120610006,0.0023146495,0.000076081276,0.00034831208,0.00012276259,0.0041141696,0.0015254756,0.000027820475,0.002723467,0.9873422,0.0005120865],"about_ca_topic_score_codex":0.28402805,"about_ca_topic_score_gemma":0.9340531,"teacher_disagreement_score":0.66722715,"about_ca_system_score_codex":0.007720018,"about_ca_system_score_gemma":0.0006512002,"threshold_uncertainty_score":0.99982685},"labels":[],"label_agreement":null},{"id":"W6986987351","doi":"","title":"Revalorisation des rituels ancestraux amérindiens du Canada dans la musique de Murray Schafer / Revalorization of Canadian Amerindian Rituals in Murray Schafer's Music","year":2018,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Key (lock); Musical form; Traditional music","score_opus":0.16573303014335458,"score_gpt":0.47226429799175157,"score_spread":0.306531267848397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986987351","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97023,0.0015540695,0.00004314763,0.00049016444,0.00079485757,0.00048296293,0.00009890499,0.000019073093,0.026286809],"genre_scores_gemma":[0.99391013,0.0037727852,0.00019867619,0.0009876768,0.00078195654,0.000036451413,0.00003544027,0.000027274376,0.000249588],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9960203,0.0011312858,0.0009014061,0.00047767512,0.00073691166,0.00073243375],"domain_scores_gemma":[0.99707377,0.00024729344,0.0007930726,0.00033384722,0.0009613657,0.0005906562],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002573073,0.0003060938,0.0007227034,0.0013303781,0.0009411525,0.0007060425,0.0017412815,0.00026864122,0.0026544246],"category_scores_gemma":[0.0010463172,0.00028568672,0.00015403863,0.003854291,0.00094659976,0.0023146612,0.00014173178,0.00040979523,0.000004753873],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009522617,0.00019856765,0.91018105,0.00013109259,0.00025677826,0.00011551418,0.039539255,0.00027377758,0.022242293,0.004291469,0.016838646,0.0058363145],"study_design_scores_gemma":[0.00053997297,0.000023217133,0.92939204,0.0005117974,0.00013025993,0.000012261033,0.007301185,0.00003517838,0.004534973,0.0064489204,0.050517682,0.00055253657],"about_ca_topic_score_codex":0.9659261,"about_ca_topic_score_gemma":0.99750435,"teacher_disagreement_score":0.03367904,"about_ca_system_score_codex":0.00091250567,"about_ca_system_score_gemma":0.002815406,"threshold_uncertainty_score":0.9999595},"labels":[],"label_agreement":null},{"id":"W6987202287","doi":"","title":"Simha AROM : La boîte à outils d’un ethnomusicologue","year":2011,"lang":"fr","type":"review","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Animal life; Relation (database); Order (exchange)","score_opus":0.05858892300517781,"score_gpt":0.30437591042608414,"score_spread":0.24578698742090632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987202287","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020291147,0.5977573,0.00012031221,0.024194874,0.011409856,0.0025670175,0.0019916883,0.00031528634,0.3614408],"genre_scores_gemma":[0.0049410774,0.8066559,0.0009919676,0.09537397,0.009416669,0.001912096,0.010441168,0.00016957057,0.07009758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888576,0.0039894446,0.002176756,0.002085393,0.0012490465,0.001641753],"domain_scores_gemma":[0.9938786,0.0010409497,0.0019075925,0.0011101818,0.001058393,0.0010042649],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0024970376,0.001605262,0.0031244433,0.00043103952,0.0029903683,0.0012150006,0.002282041,0.0029056384,0.06578868],"category_scores_gemma":[0.0004809863,0.0013808975,0.0021034626,0.002609084,0.002347596,0.012852734,0.0005429091,0.002082716,0.017186254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004125154,0.00087392516,0.000015684296,0.0012970803,0.0011446627,0.00020649652,0.0021139358,0.000005066269,0.000007810598,0.57652223,0.07562185,0.34215003],"study_design_scores_gemma":[0.0006664794,0.0002594659,0.00067270175,0.002602635,0.0031753464,0.00008737485,0.0010578464,0.0000073462534,0.000017128505,0.008797939,0.9809778,0.001677975],"about_ca_topic_score_codex":0.00073573587,"about_ca_topic_score_gemma":0.0062830597,"teacher_disagreement_score":0.90535593,"about_ca_system_score_codex":0.0006172459,"about_ca_system_score_gemma":0.00093417364,"threshold_uncertainty_score":0.99982184},"labels":[],"label_agreement":null},{"id":"W6987471118","doi":"","title":"Sylvie Tourangeau: Quel performatif générons-nous ?","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Presentation (obstetrics); National library; Selection (genetic algorithm); Exposition (narrative)","score_opus":0.024237855806542388,"score_gpt":0.27382662023715393,"score_spread":0.24958876443061154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987471118","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009913302,0.016283503,0.000013238513,0.0027714176,0.003112669,0.00095946266,0.0001976769,0.00046029952,0.9752104],"genre_scores_gemma":[0.007842516,0.0009894697,0.00017370553,0.00566473,0.00538049,0.00010481889,0.0006960217,0.00010832939,0.9790399],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939698,0.0006022775,0.0010460521,0.0011284628,0.001773206,0.001480189],"domain_scores_gemma":[0.99607056,0.00023479786,0.00072235486,0.0010181093,0.0010070226,0.00094715913],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016628621,0.0009795398,0.0015179077,0.00033718086,0.0018003195,0.0008180891,0.0014792038,0.0016639463,0.008995054],"category_scores_gemma":[0.0003020832,0.00083310506,0.0009403696,0.0006227023,0.0010499402,0.0010927242,0.00022261079,0.0015579319,0.009880463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032984273,0.000115040784,0.000019117413,0.000099325094,0.000331881,0.00008420521,0.021977838,0.0000049175296,0.000013064618,0.022776373,0.9269191,0.027626129],"study_design_scores_gemma":[0.00054198917,0.00015636734,0.000110849636,0.00022652831,0.00056138186,0.000023715887,0.0029311418,0.000032931453,0.0000027367983,0.023669502,0.9706286,0.0011142279],"about_ca_topic_score_codex":0.00065504666,"about_ca_topic_score_gemma":0.00671258,"teacher_disagreement_score":0.043709505,"about_ca_system_score_codex":0.00088309945,"about_ca_system_score_gemma":0.0019762814,"threshold_uncertainty_score":0.9996321},"labels":[],"label_agreement":null},{"id":"W6987563083","doi":"","title":"Théâtralisation du réel. \\n Vie et mort du théâtre au Québec : introduction à une théâtritude, de Janusz Przychodzen, L’Harmattan, 431 p.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Subject (documents); Interpretation (philosophy); Relation (database); Perspective (graphical)","score_opus":0.010446787778853968,"score_gpt":0.2006543758580384,"score_spread":0.19020758807918442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987563083","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25936824,0.025965933,0.00017911286,0.69903874,0.0014678654,0.00036498986,0.000054531905,0.00017703866,0.013383538],"genre_scores_gemma":[0.52969146,0.036358416,0.00037810957,0.0071643656,0.00578936,0.000023331344,0.00016035717,0.000056021036,0.4203786],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965441,0.00077256357,0.00040768206,0.0007444437,0.00058608403,0.00094513025],"domain_scores_gemma":[0.99823254,0.00013722295,0.00041029367,0.00040841004,0.00035869933,0.0004528034],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006970996,0.00047136607,0.0005397704,0.00020323113,0.0023691207,0.00014198554,0.00058107136,0.000535721,0.0021400198],"category_scores_gemma":[0.00012673985,0.00047921334,0.00048663936,0.001741571,0.0005499953,0.0013353447,0.00016731358,0.0005628173,0.00041131594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088642635,0.0004723833,0.007140794,0.000058256224,0.00051184825,0.00052552467,0.026808582,0.0007746265,0.00052232604,0.07531776,0.8658761,0.021903196],"study_design_scores_gemma":[0.00075422594,0.00011674768,0.005353448,0.000042326843,0.00085033756,0.00025378022,0.0061631096,0.001971491,0.000046368015,0.0007602717,0.9831551,0.0005328338],"about_ca_topic_score_codex":0.38625407,"about_ca_topic_score_gemma":0.8852744,"teacher_disagreement_score":0.6918744,"about_ca_system_score_codex":0.011923865,"about_ca_system_score_gemma":0.0002554334,"threshold_uncertainty_score":0.99976593},"labels":[],"label_agreement":null},{"id":"W6987602083","doi":"","title":"Of theater to anti-theater (analyzes dramatic Normand Chaurette, Carole Frechette and Larry Tremblay)","year":2013,"lang":"fr","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Taste; Context (archaeology); Tragedy (event); Power (physics)","score_opus":0.01613621968566098,"score_gpt":0.26463264244153367,"score_spread":0.2484964227558727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987602083","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09183,0.0007335591,0.018077083,0.015804952,0.0018134096,0.013468145,0.0003523015,0.00032744926,0.8575931],"genre_scores_gemma":[0.3135416,0.0008509696,0.020480663,0.025773084,0.0007044264,0.0029783854,0.0006563092,0.00017134038,0.63484323],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99621606,0.00056356104,0.0011098892,0.0005733485,0.0007813583,0.00075578503],"domain_scores_gemma":[0.9974679,0.000088248074,0.0007245217,0.0006599543,0.0006420741,0.00041734998],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026733587,0.0006155405,0.00097272365,0.0008689391,0.0006327419,0.001217977,0.00094842067,0.00092944445,0.0047817836],"category_scores_gemma":[0.00019794669,0.00047589384,0.00031155557,0.0015286475,0.00095166644,0.0032900774,0.00029033105,0.00059396616,0.0006087815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009003773,0.00045245778,0.0047590598,0.004204719,0.0011725245,0.000032623648,0.14153545,0.00048780086,0.031241322,0.16984594,0.5104457,0.13573237],"study_design_scores_gemma":[0.0003347497,0.000060692757,0.001056461,0.0010420751,0.0002454617,0.000014961833,0.00094110286,0.00050047983,0.010555796,0.0007458472,0.9837616,0.0007407436],"about_ca_topic_score_codex":0.0020220843,"about_ca_topic_score_gemma":0.0026371386,"teacher_disagreement_score":0.47331592,"about_ca_system_score_codex":0.00022113655,"about_ca_system_score_gemma":0.00031623768,"threshold_uncertainty_score":0.99981886},"labels":[],"label_agreement":null},{"id":"W6987800587","doi":"","title":"Tôt ou tard. Hector de Saint-Denys Garneau, Recueil de poésies, inédit de 1928, présentation de Giselle Huot, Québec/Montréal, Nota bene / de l’Outarde, 2002, 192 p., 23,95 $. Sylvain Campeau, Les Exotiques (anthologie de poèmes de Guy Delahaye, de Paul Morin, de René Chopin et de Marcel Dugas), Montréal, Les Herbes rouges, coll. « Five O'clock », 2002, 232 p., 16,95 $. Gatien Lapointe, Tard dans la nuit, avec six fusains de Célyne Fortin, Trois-Rivières, Écrits des Forges, coll. « Enclume », 2002, 64 p., 10 $.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Class (philosophy); Feature (linguistics)","score_opus":0.012442372670185303,"score_gpt":0.22464596909719486,"score_spread":0.21220359642700956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987800587","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6867512,0.28161865,0.0067049623,0.019389236,0.00027754976,0.0015640414,0.0013434401,0.00057879445,0.0017721349],"genre_scores_gemma":[0.34894043,0.41393802,0.08490028,0.007844853,0.0019221808,0.0008433375,0.0008632756,0.00067687425,0.14007075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9823578,0.0069740387,0.0017181978,0.001948219,0.0011594929,0.0058422606],"domain_scores_gemma":[0.9917165,0.002171149,0.0015461316,0.0011520959,0.00094752427,0.002466574],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0044801845,0.001988184,0.0021511537,0.00061942876,0.0044261143,0.0007346132,0.0022058797,0.0024762878,0.00082502497],"category_scores_gemma":[0.004019951,0.0021812734,0.0013678536,0.0020921275,0.0018684823,0.0014990048,0.0006587702,0.002074752,0.000066976165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014478815,0.0016104396,0.08968502,0.00065986346,0.0018131846,0.005698058,0.062425975,0.0148352645,0.013881501,0.0032706184,0.7982771,0.0063951295],"study_design_scores_gemma":[0.006439388,0.0015393944,0.05556365,0.0017722377,0.0040191785,0.0056661014,0.09720311,0.01762312,0.007709655,0.010466738,0.78777045,0.0042269984],"about_ca_topic_score_codex":0.7858133,"about_ca_topic_score_gemma":0.97046924,"teacher_disagreement_score":0.33781078,"about_ca_system_score_codex":0.04221168,"about_ca_system_score_gemma":0.0055615418,"threshold_uncertainty_score":0.9992861},"labels":[],"label_agreement":null},{"id":"W6987805367","doi":"","title":"\"Une chose pour le théâtre\": Ines Pérée et Inat Tendu de Réjean Ducharme","year":2024,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Treasure; Chose; Style (visual arts); Criticism","score_opus":0.0852711254592226,"score_gpt":0.3431569044683249,"score_spread":0.2578857790091023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987805367","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9793395,0.0009779462,0.00009098133,0.013104991,0.0005453357,0.00020604531,0.00003391104,0.00042600904,0.0052752905],"genre_scores_gemma":[0.89872694,0.00027158155,0.000038227547,0.0026995633,0.0004883165,0.000002241265,0.000041293897,0.000030895808,0.097700946],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99728525,0.0007045848,0.0002309491,0.00066113804,0.0004297449,0.0006883114],"domain_scores_gemma":[0.9988292,0.00015744813,0.00010559236,0.00032358587,0.00020950584,0.0003747091],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007422572,0.00032272577,0.00034711018,0.00044700757,0.0007539767,0.00091018854,0.0009045637,0.00036227683,0.00010565108],"category_scores_gemma":[0.00009448304,0.00030462083,0.00030887604,0.0015714457,0.0003121377,0.002735367,0.0002424596,0.00079406064,0.00034013693],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011337104,0.0003960777,0.9153911,0.00018156493,0.00059735094,0.0023414819,0.02996484,0.000033941466,0.005221657,0.04233392,0.0005254545,0.002899237],"study_design_scores_gemma":[0.00094998954,0.00011798563,0.58308417,0.00042227953,0.00043213175,0.000047772137,0.013429796,0.0000021725023,0.0010488116,0.0057699303,0.39366832,0.0010266273],"about_ca_topic_score_codex":0.00044235427,"about_ca_topic_score_gemma":0.0277199,"teacher_disagreement_score":0.39314288,"about_ca_system_score_codex":0.00028641606,"about_ca_system_score_gemma":0.0005443712,"threshold_uncertainty_score":0.9999406},"labels":[],"label_agreement":null},{"id":"W6987863862","doi":"","title":"Un voyage à Reims - 18 juin 2015","year":2018,"lang":"fr","type":"article","venue":"DSpace (Centre National De La Recherche Scientifique)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Context (archaeology); Quarter (Canadian coin)","score_opus":0.15286736050129215,"score_gpt":0.3937399503793159,"score_spread":0.24087258987802376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987863862","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026542481,0.011652,0.0007908695,0.2061,0.005435652,0.0006041068,0.0002570002,0.00022129733,0.7483966],"genre_scores_gemma":[0.060085513,0.0006186676,0.014732413,0.008774184,0.0035495872,0.000018727222,0.00014379673,0.00003747206,0.91203964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9895547,0.0068586767,0.00040682903,0.0008802825,0.001349786,0.0009497102],"domain_scores_gemma":[0.99464566,0.0019485889,0.00028413214,0.00029329734,0.0023276932,0.0005006134],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0131777655,0.0003496792,0.0003428194,0.00021829143,0.0010728985,0.0008070719,0.0007726023,0.0015210636,0.012892844],"category_scores_gemma":[0.005948441,0.00032081796,0.00035747356,0.0034340727,0.002878821,0.0007317007,0.00015853194,0.0011953487,0.0018116839],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025793373,0.00031167766,0.00050147955,0.00003351799,0.00016252043,0.000015168954,0.016712693,0.000012570512,0.0022371996,0.20614918,0.76283777,0.011000415],"study_design_scores_gemma":[0.00038467743,0.000025043693,0.0012707593,0.00011542191,0.00013124742,0.000010995461,0.0017725398,0.0009878445,0.0017539477,0.09680436,0.8963505,0.00039265433],"about_ca_topic_score_codex":0.0011268564,"about_ca_topic_score_gemma":0.0035612902,"teacher_disagreement_score":0.19732583,"about_ca_system_score_codex":0.0016399113,"about_ca_system_score_gemma":0.0013242732,"threshold_uncertainty_score":0.99992436},"labels":[],"label_agreement":null},{"id":"W6987899965","doi":"","title":"Truffe : Un authentique film-culte. \\n Truffe, Canada [Québec] 2007, 75 minutes","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Subject (documents); Context (archaeology); Government (linguistics); Set (abstract data type)","score_opus":0.0072855213523742865,"score_gpt":0.16611815805964747,"score_spread":0.15883263670727318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987899965","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.518617,0.25834748,0.000022014077,0.19256423,0.0022900812,0.00036143558,0.0002725404,0.00012338714,0.02740187],"genre_scores_gemma":[0.16541615,0.008668174,0.00022241686,0.004893119,0.00085116987,0.000008040081,0.00008375012,0.00002756557,0.81982964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969419,0.0004365332,0.00033061285,0.0006427039,0.00062450656,0.0010237264],"domain_scores_gemma":[0.9981803,0.0002109681,0.00029586125,0.00037809808,0.0002884155,0.00064631604],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020845108,0.00045442622,0.000600782,0.00011229083,0.0030294214,0.00004611217,0.00072289014,0.0005022677,0.003997571],"category_scores_gemma":[0.00008611469,0.00044975293,0.0004501218,0.0011527827,0.0006915356,0.0004620559,0.00019072316,0.00046146204,0.00019707537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053982298,0.00013372042,0.002131707,0.000027695267,0.00049410464,0.00357262,0.0112707205,0.00007799122,0.00008112579,0.009552353,0.96538335,0.007220629],"study_design_scores_gemma":[0.00066006236,0.00007459817,0.0036327068,0.000038983224,0.0004893199,0.0002620744,0.0067305104,0.00030774227,0.000094481984,0.0005616477,0.986586,0.000561905],"about_ca_topic_score_codex":0.98213917,"about_ca_topic_score_gemma":0.99891746,"teacher_disagreement_score":0.7924277,"about_ca_system_score_codex":0.008747665,"about_ca_system_score_gemma":0.0009870878,"threshold_uncertainty_score":0.99979544},"labels":[],"label_agreement":null},{"id":"W6987922586","doi":"","title":"Vincent Meessen, Blues Klair, Galerie Leonard &amp; Bina Ellen, Montréal","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Painting; White (mutation); Shadow (psychology)","score_opus":0.00855609618006834,"score_gpt":0.1892720935194054,"score_spread":0.18071599733933708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987922586","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5714209,0.28376397,0.000034199787,0.10469696,0.0025743146,0.0005045385,0.00013186735,0.00019004259,0.036683176],"genre_scores_gemma":[0.2888867,0.046257816,0.00034325925,0.00324501,0.0009775482,0.000008950526,0.000111688954,0.000046393143,0.66012263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963421,0.00047206826,0.00040416198,0.00086552737,0.00074947893,0.0011666403],"domain_scores_gemma":[0.99797004,0.00015036689,0.00038420645,0.0006049308,0.00033163803,0.0005588099],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040720458,0.0005316887,0.0007413202,0.0001816521,0.0015528675,0.000117453616,0.0007847573,0.0006810019,0.0057019475],"category_scores_gemma":[0.00004233878,0.0005250318,0.00068736967,0.0012428515,0.0005757184,0.0007660438,0.00039720396,0.00051518116,0.0041879388],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034884064,0.00052756415,0.0042302,0.00017217585,0.0010987415,0.0011400926,0.013477928,0.00058225973,0.0026055789,0.18750364,0.76252955,0.025783436],"study_design_scores_gemma":[0.0008437672,0.0001488431,0.0010848932,0.00008582301,0.0005601829,0.00006315848,0.008706035,0.0003108142,0.00008296613,0.0016345206,0.98581105,0.0006679546],"about_ca_topic_score_codex":0.045800935,"about_ca_topic_score_gemma":0.28316426,"teacher_disagreement_score":0.6234395,"about_ca_system_score_codex":0.0075960443,"about_ca_system_score_gemma":0.00014036626,"threshold_uncertainty_score":0.999747},"labels":[],"label_agreement":null},{"id":"W6988104236","doi":"","title":"Vu par… Dominique Noguez : Le lieu géométrique du cinéma québécois","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.00594273251638387,"score_gpt":0.1768997364154108,"score_spread":0.17095700389902693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988104236","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30587325,0.11604912,0.00016285552,0.5150233,0.00088167324,0.0003704725,0.00008006138,0.00018466363,0.061374612],"genre_scores_gemma":[0.5929567,0.022010885,0.0010134202,0.0102262255,0.0027085226,0.000014677601,0.000056937926,0.00003774962,0.37097484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997276,0.00050938234,0.00032757188,0.00062646775,0.0003793492,0.0008811997],"domain_scores_gemma":[0.99837863,0.00017144608,0.00029078865,0.00037720462,0.0002613337,0.0005205941],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044648227,0.0004013479,0.0005593249,0.00016502515,0.0019975884,0.00009068735,0.00066777214,0.000698809,0.0011258572],"category_scores_gemma":[0.00006631055,0.00041118535,0.0005647679,0.0011722931,0.00059587264,0.00082304474,0.00023753458,0.00047336557,0.0006383731],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017211623,0.00049025804,0.0010720053,0.000043204327,0.00059895945,0.0012743733,0.0386837,0.00029355055,0.0008207935,0.28411618,0.5555741,0.116860755],"study_design_scores_gemma":[0.0008907478,0.0000993362,0.0010919315,0.000045160035,0.00035927785,0.000112657595,0.008766302,0.00040957303,0.00022991061,0.0014728949,0.9860113,0.00051088026],"about_ca_topic_score_codex":0.18555683,"about_ca_topic_score_gemma":0.90520424,"teacher_disagreement_score":0.7196474,"about_ca_system_score_codex":0.0041861557,"about_ca_system_score_gemma":0.00031171527,"threshold_uncertainty_score":0.999834},"labels":[],"label_agreement":null},{"id":"W6988173821","doi":"","title":"Voyages secrets. Rachel Leclerc, L’ourse, avec des lithographies de Daniel Sylvestre, Montréal, La courte échelle, coll. « Poésie », 2002, 40 p., 9,95 $. Élise Turcotte, Voyages autour de mon lit, avec des eaux-fortes d’Elmyna Bouchard, Montréal, La courte échelle, coll. « Poésie », 2002, 36 p., 9,95 $. Louise Dupré, Les mots secrets, avec des eaux-fortes de Jean-Benoît Pouliot, Montréal, La courte échelle, coll. « Poésie », 2002, 40 p., 9,95 $.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Range (aeronautics); Relation (database)","score_opus":0.011529016272267394,"score_gpt":0.20426004000585873,"score_spread":0.19273102373359133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988173821","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30361736,0.64986825,0.0007092952,0.019545082,0.000812835,0.0030164542,0.0031333412,0.0015244822,0.017772915],"genre_scores_gemma":[0.08590515,0.6636148,0.0077673704,0.0017092373,0.0015208238,0.00039586105,0.00044078892,0.0007707478,0.23787521],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9745286,0.005691136,0.0035513926,0.004517595,0.0035888643,0.00812238],"domain_scores_gemma":[0.98109716,0.0047794543,0.0034541755,0.0029364913,0.0028543386,0.004878379],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0044212323,0.0051175137,0.0054563642,0.0018902773,0.0114888055,0.0030743163,0.0046880716,0.005592709,0.003912868],"category_scores_gemma":[0.002050397,0.0053779725,0.0035126344,0.008610819,0.010098932,0.0047291457,0.0017796127,0.0045928955,0.0006469764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023113152,0.0039039592,0.0072064633,0.0013807091,0.0062384224,0.015774772,0.039792027,0.008597082,0.003340854,0.0034610897,0.88948494,0.018508354],"study_design_scores_gemma":[0.01133967,0.0014961134,0.022791063,0.0031891183,0.010454139,0.0048129163,0.06536833,0.051090647,0.0008447971,0.01126992,0.8094083,0.007934958],"about_ca_topic_score_codex":0.18028969,"about_ca_topic_score_gemma":0.29953262,"teacher_disagreement_score":0.22010228,"about_ca_system_score_codex":0.009107818,"about_ca_system_score_gemma":0.0016068299,"threshold_uncertainty_score":0.99796057},"labels":[],"label_agreement":null},{"id":"W6989220455","doi":"","title":"American myths on screen and in literature : an artistic and anthropological dynamic for Quebec ?","year":2016,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Narrative; The Imaginary; Depiction","score_opus":0.01694873060987022,"score_gpt":0.318875758842833,"score_spread":0.30192702823296275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989220455","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9117335,0.009507883,0.00039548066,0.074443534,0.00037813993,0.00043096772,0.00023136228,0.000046983103,0.002832151],"genre_scores_gemma":[0.959851,0.0014025843,0.00075673714,0.0042020255,0.00026571713,0.000018063967,0.000022204695,0.000007278688,0.033474363],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99843323,0.00029897745,0.00020880268,0.0005084316,0.00012501598,0.00042556453],"domain_scores_gemma":[0.9991946,0.00031211154,0.000080584934,0.00011855062,0.00007560159,0.00021853024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023315352,0.00020066249,0.0003535158,0.00007256155,0.0002998988,0.00020502697,0.000115541996,0.0002280387,0.00027669608],"category_scores_gemma":[0.00013816354,0.00010806845,0.00006507965,0.0004566602,0.0026470076,0.00038132237,0.000033962475,0.00013858447,0.000007921373],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034254833,0.0003485557,0.0051499926,0.000041590494,0.000078035184,0.00004358228,0.007733921,0.000001001977,0.0007161144,0.32882637,0.003263519,0.6534548],"study_design_scores_gemma":[0.004596107,0.0076428684,0.43810472,0.0012444991,0.00059838773,0.00005709461,0.049448095,0.003367876,0.00008637397,0.07596253,0.41629842,0.0025930223],"about_ca_topic_score_codex":0.007573249,"about_ca_topic_score_gemma":0.21964923,"teacher_disagreement_score":0.65086174,"about_ca_system_score_codex":0.0000834443,"about_ca_system_score_gemma":0.000034299046,"threshold_uncertainty_score":0.9990354},"labels":[],"label_agreement":null},{"id":"W6989267952","doi":"","title":"André Belleau et le cinéma","year":2024,"lang":"fr","type":"article","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Université de Rouen; Université du Québec à Montréal","keywords":"Identity (music); Subject (documents); Context (archaeology)","score_opus":0.009154907570484594,"score_gpt":0.19936733942737705,"score_spread":0.19021243185689246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989267952","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08406389,0.37245053,0.0001328965,0.060162727,0.0044801924,0.00020878596,0.00010028435,0.00027374335,0.47812694],"genre_scores_gemma":[0.6022849,0.0024679368,0.00016312642,0.0014999263,0.000652523,0.0000059187473,0.000048229438,0.000012800965,0.3928646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979187,0.00031956192,0.00025067735,0.0005492863,0.00048427578,0.0004774943],"domain_scores_gemma":[0.9991085,0.00012640317,0.00009121908,0.00020435046,0.0001283789,0.00034116174],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00025615364,0.00027261925,0.0002791114,0.00015938278,0.007822475,0.00028566312,0.00035196895,0.00038558623,0.00044001362],"category_scores_gemma":[0.000026455677,0.00026905784,0.0004250403,0.0009817457,0.00090028334,0.0011742661,0.00019388423,0.00042681626,0.0003233442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065412234,0.00016401379,0.0009810075,0.00008290163,0.0004831126,0.0027106078,0.061927117,0.00042643267,0.0013063784,0.87751406,0.042751327,0.011587632],"study_design_scores_gemma":[0.00030581607,0.000055322165,0.0014473685,0.00016629625,0.00031266842,0.00030933306,0.025918087,0.0007289631,0.00044293635,0.0025378403,0.9674454,0.00032998997],"about_ca_topic_score_codex":0.04266187,"about_ca_topic_score_gemma":0.018079782,"teacher_disagreement_score":0.92469406,"about_ca_system_score_codex":0.001562382,"about_ca_system_score_gemma":0.0018132686,"threshold_uncertainty_score":0.99997616},"labels":[],"label_agreement":null},{"id":"W6989308136","doi":"","title":"Au coeur rouge de la poésie. Clément Marchand, Les soirs rouges, présentation de Claude Beausoleil, Montréal, Les Herbes rouges, coll. « Five O'clock », 2000, 214 p., 16,95 $. Fernand Ouellette, Choix de poèmes (1955-1997), présentation de Georges Leroux, Montréal, Éditions Fides, coll. « du Nénuphar », 2000, 320 p., 34,95 $. Roger Des Roches, Le coeur complet (poésie et prose 1974-1982), Montréal, Les Herbes rouges, coll. « Enthousiasme », 2000, 350 p., 24,95 $","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gloom; White (mutation); Context (archaeology)","score_opus":0.01343288185248492,"score_gpt":0.22924611540106332,"score_spread":0.2158132335485784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989308136","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40538272,0.5038408,0.0021001326,0.07970284,0.0008696887,0.0029356463,0.0031426116,0.000641008,0.0013845472],"genre_scores_gemma":[0.13948068,0.70689875,0.008420126,0.0047699567,0.0032894267,0.00094196794,0.0042456426,0.0005030849,0.13145038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98464406,0.0049526384,0.001975824,0.0023607207,0.0019693621,0.0040974007],"domain_scores_gemma":[0.9922348,0.0017828495,0.0019414442,0.0011036926,0.0010823009,0.0018548965],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0023782032,0.0022787713,0.0023785883,0.0006168036,0.010033683,0.0013173904,0.0018118201,0.0021477847,0.0007339414],"category_scores_gemma":[0.00055299955,0.0024918856,0.0013482023,0.0028345466,0.0026277886,0.0028446324,0.0007602841,0.0018839855,0.0001359465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017199228,0.0030606554,0.021528244,0.00056794164,0.0022753726,0.0024186515,0.02937944,0.022683846,0.0033687956,0.008907236,0.8938077,0.010282196],"study_design_scores_gemma":[0.0064321375,0.0006030494,0.014520244,0.0011481846,0.0023830312,0.0014825005,0.044302035,0.0062239408,0.00085757324,0.0033337695,0.9161335,0.0025800134],"about_ca_topic_score_codex":0.725221,"about_ca_topic_score_gemma":0.74593663,"teacher_disagreement_score":0.26590207,"about_ca_system_score_codex":0.029819213,"about_ca_system_score_gemma":0.0033768162,"threshold_uncertainty_score":0.9997193},"labels":[],"label_agreement":null},{"id":"W6989739942","doi":"","title":"Chutes extraordinaires et royaumes mortels : 7 courts québécois. God, Weeds and Revolution, Meryam Joobeur, 2012, 20 min. Quelqu’un d’extraordinaire, Monia Chokri, 2013, 28 min. La tête en bas, Maxime Giroux, 2013, 29 min. Nan Lakou Kanaval, Kaveh Nabatian, 2014, 09 min. Un royaume déménage, Raphaël J. Dostie et Terence Chotard, 2014, 19 min. Mynarski chute mortelle, Matthew Rankin, 2014, 08 min. Feu de Bengale, Olivier Godin, 2014, 11 min.","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ruderal species; Alien; Natural (archaeology)","score_opus":0.008034704626484614,"score_gpt":0.20826409793507916,"score_spread":0.20022939330859454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989739942","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26289,0.60873044,0.00036796625,0.11467903,0.0032332644,0.0027832515,0.0023097955,0.000521584,0.0044846446],"genre_scores_gemma":[0.088564165,0.36679098,0.0077238833,0.006872943,0.00279617,0.00042837724,0.0020727674,0.0006432012,0.5241075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98008764,0.0053830976,0.0026554188,0.0042312886,0.0028980542,0.0047444734],"domain_scores_gemma":[0.9871561,0.0015931003,0.0027042963,0.0026961945,0.0018792216,0.0039711096],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.005724748,0.0035867936,0.0039616316,0.001645249,0.0037393984,0.0010843356,0.0037103535,0.0032848034,0.0039138147],"category_scores_gemma":[0.00048209075,0.0036358214,0.002140053,0.002484972,0.0038349545,0.0051021036,0.0015075501,0.0026997486,0.001658048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007824954,0.0014428332,0.013426905,0.0004882934,0.0026416886,0.0024708721,0.01670399,0.00046439425,0.0007337232,0.0022518362,0.9451096,0.013483387],"study_design_scores_gemma":[0.005648665,0.00084701186,0.020126984,0.0009060503,0.0045975223,0.001935144,0.0089171445,0.0011668671,0.00019781855,0.0035933007,0.9479121,0.004151367],"about_ca_topic_score_codex":0.21687855,"about_ca_topic_score_gemma":0.43945014,"teacher_disagreement_score":0.51962286,"about_ca_system_score_codex":0.00435894,"about_ca_system_score_gemma":0.0016912072,"threshold_uncertainty_score":0.9999526},"labels":[],"label_agreement":null},{"id":"W6989784650","doi":"","title":"Canadian music since 1940 : a question of nationalism","year":2014,"lang":"en","type":"dissertation","venue":"CSUN ScholarWorks (California State University, Northridge)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nationalism; Friendship; Relation (database); Cultural nationalism","score_opus":0.01081241270548193,"score_gpt":0.2399594642645033,"score_spread":0.22914705155902138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989784650","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85622114,0.0018461705,0.00019151298,0.0022851177,0.0028331152,0.0010546551,0.0027985512,0.00023328837,0.13253647],"genre_scores_gemma":[0.92609745,0.00053793954,0.0001905706,0.00097418245,0.00048727437,0.0000039128386,0.0077676033,0.000040634513,0.06390041],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967975,0.0006813316,0.00043687498,0.0006297801,0.0008168463,0.00063764054],"domain_scores_gemma":[0.99678993,0.0001286404,0.00058948,0.00032718465,0.0015562088,0.00060853345],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008941879,0.00039067844,0.00057971757,0.0010009302,0.0017657533,0.0002532679,0.00081918977,0.0008211639,0.0005697049],"category_scores_gemma":[0.00027935344,0.00041959103,0.00036877207,0.0017525309,0.0002886888,0.0006173452,0.00005111189,0.0009487032,0.0001786113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017986839,0.0011770023,0.10181048,0.0016677623,0.00345451,0.0009540205,0.108067974,0.002580957,0.0005185831,0.5400953,0.10937574,0.12849896],"study_design_scores_gemma":[0.0005960212,0.00005224422,0.01485218,0.0003340004,0.00046969458,0.0000016552628,0.0065642777,0.000075461714,0.000025669855,0.0024476238,0.9737596,0.0008216093],"about_ca_topic_score_codex":0.19605789,"about_ca_topic_score_gemma":0.9354393,"teacher_disagreement_score":0.8643838,"about_ca_system_score_codex":0.0008580346,"about_ca_system_score_gemma":0.0016388473,"threshold_uncertainty_score":0.9998256},"labels":[],"label_agreement":null},{"id":"W6989819566","doi":"","title":"Catherine Dorion, Les têtes brûlées. Carnets d’espoir punk, Montréal, Lux, 2023","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Work (physics); Relation (database)","score_opus":0.008697858337073117,"score_gpt":0.1942324314044969,"score_spread":0.18553457306742377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989819566","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14026798,0.7154206,0.00003112161,0.12165648,0.002436757,0.00027242568,0.00016517164,0.00027975533,0.019469716],"genre_scores_gemma":[0.16131851,0.090328224,0.00018838166,0.0014345382,0.001964659,0.000015104799,0.00013557913,0.0000543204,0.74456066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968928,0.0003644829,0.00034501072,0.00084858795,0.00056535384,0.0009837645],"domain_scores_gemma":[0.9984944,0.00021510957,0.00016299986,0.0004015011,0.00024381655,0.00048218746],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040749335,0.0005094838,0.0005849624,0.00024330114,0.0018167027,0.00025850092,0.00064337155,0.00066760555,0.0024942956],"category_scores_gemma":[0.000053385385,0.00048003905,0.00065883546,0.0020259924,0.0006423476,0.0007330959,0.0003059062,0.0006054224,0.0011236795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000672381,0.00014653934,0.000461536,0.00014779426,0.0009056148,0.0035520685,0.013832322,0.00021141674,0.0005915578,0.118683,0.7431344,0.11826651],"study_design_scores_gemma":[0.00034507553,0.00011577565,0.0005972845,0.00015679117,0.0008420948,0.0001283671,0.008825124,0.0009395764,0.000042175503,0.0029301206,0.98450905,0.0005685929],"about_ca_topic_score_codex":0.17423134,"about_ca_topic_score_gemma":0.5757319,"teacher_disagreement_score":0.725091,"about_ca_system_score_codex":0.0048641674,"about_ca_system_score_gemma":0.00015359995,"threshold_uncertainty_score":0.99976516},"labels":[],"label_agreement":null},{"id":"W6989961229","doi":"","title":"Comme une odeur de menthe. \\n Comme une odeur de menthe, Canada [Québec] 2002, 47 minutes","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Tourism; Qualitative research; Perception; Ethnography; Participant observation","score_opus":0.015911891654953395,"score_gpt":0.1941185630170384,"score_spread":0.178206671362085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989961229","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17472309,0.22233656,0.00010787757,0.5312213,0.0018959446,0.0005730436,0.00038525055,0.00014996965,0.06860697],"genre_scores_gemma":[0.22546013,0.00711744,0.0006649506,0.018149175,0.0005578126,0.000014761037,0.00007778967,0.00005334267,0.7479046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99607646,0.0009253541,0.0003616861,0.00059389515,0.0005987528,0.0014438472],"domain_scores_gemma":[0.99784535,0.0003293056,0.00033644942,0.00046206437,0.00023743755,0.00078938715],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055868,0.0005081928,0.000658039,0.00011244874,0.0024320805,0.00009939217,0.00083082664,0.00043912174,0.0014732501],"category_scores_gemma":[0.0001032904,0.00051964575,0.0003678019,0.001726001,0.00051353686,0.00040343398,0.00017002092,0.00052579935,0.00010778787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006130277,0.00025608754,0.0031718388,0.000038869523,0.0006846759,0.0012861685,0.012734071,0.0002921271,0.00028812667,0.052689902,0.92455053,0.0039463085],"study_design_scores_gemma":[0.00093671045,0.00008883263,0.00075806683,0.000057759025,0.00081363984,0.000106821,0.017077653,0.00041949548,0.0001719889,0.0029171654,0.97606003,0.0005918526],"about_ca_topic_score_codex":0.9854287,"about_ca_topic_score_gemma":0.9992012,"teacher_disagreement_score":0.6792976,"about_ca_system_score_codex":0.014783921,"about_ca_system_score_gemma":0.0011037012,"threshold_uncertainty_score":0.9997255},"labels":[],"label_agreement":null},{"id":"W6989973360","doi":"","title":"Colloque international : Pionniers-innovation création-média // Concert Bourses d'excellence Sennheiser Canada en création sonore et nouveaux médias","year":2012,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Natural (archaeology); Medieval history","score_opus":0.026726880252658985,"score_gpt":0.2940310445834454,"score_spread":0.2673041643307864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989973360","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050625373,0.009357458,0.0013549377,0.061689597,0.03658653,0.0030790332,0.0018419804,0.00041996987,0.8350451],"genre_scores_gemma":[0.3238092,0.001148075,0.0004574162,0.01744318,0.006643873,0.0001896943,0.0039794184,0.00010465387,0.6462245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923394,0.001228192,0.0016644461,0.001400409,0.0020109322,0.0013566761],"domain_scores_gemma":[0.9938826,0.00086655404,0.0016610399,0.0006636955,0.0023841034,0.0005420319],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016351277,0.0011281398,0.0011547899,0.0004583857,0.0018281791,0.0006846142,0.0012886977,0.0013980857,0.013455108],"category_scores_gemma":[0.00064607343,0.0011162382,0.00049931835,0.0018622469,0.0011176796,0.0022900568,0.0002176322,0.0013820932,0.0009181153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008698925,0.00034074846,0.0026386704,0.00013575215,0.0010327525,0.000050800387,0.018747156,0.00033310862,0.0003954572,0.31076664,0.6437918,0.021680161],"study_design_scores_gemma":[0.00073016144,0.00009053649,0.010654972,0.00034777302,0.0005618065,0.000018337256,0.005161764,0.0006165744,0.000057335477,0.004193252,0.97624624,0.0013212541],"about_ca_topic_score_codex":0.14089355,"about_ca_topic_score_gemma":0.4408422,"teacher_disagreement_score":0.33245447,"about_ca_system_score_codex":0.0027996423,"about_ca_system_score_gemma":0.006517126,"threshold_uncertainty_score":0.9998983},"labels":[],"label_agreement":null},{"id":"W6990287089","doi":"","title":"Dernière minute. \\n Lucie Jolicoeur Côté, Introspection gravures, Atelier/Galerie Alain Piroir, Du 26 septembre au 1er novembre 2008 \\n La rencontre - y Cyfarford - the Meeting, Maison Hamel-Bruneau, Commissaire: Lise Létourneau, Du 10 septembre au 21 décembre 2008 \\n Diagonale 01 - le statut de la fibre en art actuel, Diagonale, Centre des arts et des fibres du Québec, 40 pages, 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Introspection; Relation (database); Field (mathematics); Object (grammar)","score_opus":0.009691006729025639,"score_gpt":0.19464692964923716,"score_spread":0.1849559229202115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990287089","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61818296,0.19302386,0.00014802517,0.13527068,0.00087081705,0.0013102973,0.00090662524,0.0005869243,0.049699783],"genre_scores_gemma":[0.4645693,0.092448376,0.00063365884,0.003940031,0.0029874283,0.00008675057,0.00073626544,0.00026201212,0.4343362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9904811,0.0034886396,0.0009719342,0.0015091362,0.0011416645,0.0024075375],"domain_scores_gemma":[0.99406856,0.0019658026,0.0010344378,0.0009221286,0.00074937555,0.0012596883],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0016929324,0.00144288,0.0014244083,0.00032687245,0.0087253535,0.0005185605,0.0015140031,0.0014467587,0.001900674],"category_scores_gemma":[0.0007081404,0.0012919289,0.0012922444,0.0017478998,0.004599092,0.0019441417,0.00073731877,0.0015563109,0.00033547412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00071525626,0.000884784,0.030753456,0.00021610889,0.0011608726,0.004616122,0.044996236,0.001299396,0.00030476457,0.0017181116,0.90612674,0.007208174],"study_design_scores_gemma":[0.002493675,0.00023673919,0.051370833,0.00046968748,0.0010031953,0.0019595742,0.015546332,0.0006845532,0.00013588111,0.000638061,0.9241309,0.0013305445],"about_ca_topic_score_codex":0.3249002,"about_ca_topic_score_gemma":0.88631296,"teacher_disagreement_score":0.56141275,"about_ca_system_score_codex":0.007560998,"about_ca_system_score_gemma":0.0042015477,"threshold_uncertainty_score":0.99984956},"labels":[],"label_agreement":null},{"id":"W6990521764","doi":"","title":"Eastern Promises : Bovins Stroganov sur Tamise. \\n Promesses de l’ombre — Canada / Grande-Bretagne 2007, 96 minutes","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Settlement (finance); Context (archaeology); Population","score_opus":0.00828210653108279,"score_gpt":0.17962296019389118,"score_spread":0.17134085366280838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990521764","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7896733,0.14433898,0.000055171917,0.04790725,0.0013654819,0.00051790953,0.00025601365,0.00011257392,0.015773268],"genre_scores_gemma":[0.46099666,0.003168393,0.00022174203,0.0023371526,0.0009982374,0.000007184983,0.00008444259,0.000034025496,0.5321522],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966028,0.00025336642,0.00036578983,0.0006397034,0.0006862685,0.0014521135],"domain_scores_gemma":[0.9978931,0.00022660737,0.00033963902,0.0003404697,0.00041964726,0.0007805676],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005183773,0.00047612246,0.0005959317,0.00014046079,0.0015917289,0.000115003866,0.000612529,0.00046730132,0.0011593897],"category_scores_gemma":[0.00010459796,0.00047149847,0.00033799346,0.0011874717,0.00048149383,0.0006216458,0.00019679424,0.0004118549,0.00005433175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045658174,0.0005882056,0.05116541,0.00032304425,0.0013216272,0.0096633015,0.011491821,0.00011469857,0.0011217074,0.0156246675,0.8529179,0.055211026],"study_design_scores_gemma":[0.0010522946,0.0001361854,0.009157094,0.00010125267,0.0006961416,0.00013483982,0.010695333,0.00014248317,0.00025360667,0.00032738675,0.9767285,0.0005748742],"about_ca_topic_score_codex":0.8428907,"about_ca_topic_score_gemma":0.9972066,"teacher_disagreement_score":0.5163789,"about_ca_system_score_codex":0.0072769187,"about_ca_system_score_gemma":0.0010827444,"threshold_uncertainty_score":0.9997737},"labels":[],"label_agreement":null},{"id":"W6990909747","doi":"","title":"Être ou ne pas être l’autre. \\n Figures de l’autre dans le roman québécois de Janet M. Paterson, Nota bene, « Littérature(s) », 238 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Period (music); Subject (documents); Gloom","score_opus":0.007759686632346346,"score_gpt":0.18395234547889716,"score_spread":0.1761926588465508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990909747","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4591183,0.19288504,0.000045677538,0.32060748,0.0005554702,0.00036667933,0.0004186661,0.00025107077,0.025751587],"genre_scores_gemma":[0.4663503,0.017304756,0.0011125198,0.008529396,0.0023560605,0.00001775567,0.00033483285,0.000071621376,0.50392276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956032,0.0006968773,0.0004247731,0.00095618225,0.0005773208,0.0017416681],"domain_scores_gemma":[0.9977467,0.00013432036,0.0004059809,0.0006060873,0.00019657529,0.0009103312],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00042259757,0.00070010807,0.0007509003,0.00021591641,0.0026909336,0.00022138619,0.0011143469,0.0011412932,0.00087155524],"category_scores_gemma":[0.00005482664,0.00070665375,0.0007411514,0.0015563994,0.00055638916,0.0009248806,0.0002741729,0.0008150463,0.00028656065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022940764,0.00072404323,0.0077242493,0.0001269385,0.0010922106,0.0039362633,0.0516109,0.0015025979,0.002984469,0.103789635,0.7617301,0.06454921],"study_design_scores_gemma":[0.0010367075,0.0001518494,0.0068382034,0.00012960624,0.0008864912,0.00022137337,0.024381151,0.0008923855,0.00036280832,0.001239529,0.9630268,0.0008330763],"about_ca_topic_score_codex":0.24577329,"about_ca_topic_score_gemma":0.9156517,"teacher_disagreement_score":0.66987836,"about_ca_system_score_codex":0.0065997248,"about_ca_system_score_gemma":0.0003911516,"threshold_uncertainty_score":0.9995385},"labels":[],"label_agreement":null},{"id":"W6991183198","doi":"","title":"France 3. Bilan pour la Cité de la Musique.","year":2019,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Quarter (Canadian coin); Period (music); Archipelago","score_opus":0.012132511192247508,"score_gpt":0.25888194222561095,"score_spread":0.24674943103336344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991183198","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016480077,0.0028862036,0.000377278,0.047704056,0.003614051,0.00086248276,0.0005464321,0.00016968623,0.9421918],"genre_scores_gemma":[0.032446705,0.0013223514,0.0011653668,0.089607276,0.006502942,0.0003370624,0.0010667623,0.0001540505,0.8673975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994095,0.002322922,0.0006941411,0.0011239232,0.00086692034,0.00089706405],"domain_scores_gemma":[0.99697596,0.00079478126,0.0007349839,0.000596217,0.00044527065,0.0004527655],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013093963,0.0007662547,0.0009686366,0.00027525777,0.00090318895,0.0009120613,0.0010879913,0.0018452334,0.084107734],"category_scores_gemma":[0.0002996121,0.00069170404,0.00061325234,0.0010887242,0.0012509977,0.004641133,0.00017155796,0.0010438982,0.013997053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029362835,0.00039006266,0.0005010251,0.00014717758,0.00034667525,0.00010465544,0.0014964686,0.00005017313,0.00038265248,0.66952026,0.316428,0.010603447],"study_design_scores_gemma":[0.0008713179,0.00008487288,0.0098847635,0.00054929545,0.00037931174,0.000044906927,0.0008229803,0.000055881977,0.00009812641,0.009588685,0.9767028,0.00091705867],"about_ca_topic_score_codex":0.0008655984,"about_ca_topic_score_gemma":0.0052137263,"teacher_disagreement_score":0.6602748,"about_ca_system_score_codex":0.00034932376,"about_ca_system_score_gemma":0.0006520709,"threshold_uncertainty_score":0.9995534},"labels":[],"label_agreement":null},{"id":"W6991291926","doi":"","title":"Germain Lacasse, Le Bonimenteur de vues animées. Le cinéma “muet” entre tradition et modernité (Québec-Paris: Nota Bene/Méridiens Klincksieck, 2000)","year":2003,"lang":"fr","type":"article","venue":"Riviste UNIMI (Università degli studi di Milano)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Perspective (graphical); Order (exchange); Relation (database)","score_opus":0.01927969027522547,"score_gpt":0.23485164412941897,"score_spread":0.2155719538541935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991291926","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76710826,0.029951504,0.0005619124,0.038509704,0.0011319699,0.00076350296,0.0004201601,0.00025596068,0.16129705],"genre_scores_gemma":[0.9007628,0.0027481515,0.00041707343,0.0030716998,0.00034194047,0.000013080951,0.00016701019,0.000046209538,0.092432015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99450856,0.0018337407,0.0005257489,0.0010700157,0.00070000766,0.001361929],"domain_scores_gemma":[0.9977591,0.00031312995,0.00044800484,0.00049437577,0.00037722185,0.0006081451],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008409008,0.00070447143,0.0008877254,0.00028715096,0.0026501282,0.00033344416,0.0007295404,0.0005852653,0.0005111598],"category_scores_gemma":[0.000100676945,0.0007611672,0.0006583772,0.0015275021,0.00094358635,0.001485466,0.00018860903,0.0007756296,0.00014800641],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002383291,0.0036159183,0.026836943,0.0002465059,0.0031271663,0.0011902908,0.18017958,0.001578785,0.0023055477,0.6183515,0.15845129,0.0038781364],"study_design_scores_gemma":[0.0028916106,0.0003836908,0.016286002,0.00021930957,0.0015859694,0.00005884451,0.12007148,0.0019589975,0.00036703024,0.0027082344,0.85194147,0.0015273588],"about_ca_topic_score_codex":0.03155856,"about_ca_topic_score_gemma":0.09949064,"teacher_disagreement_score":0.6934902,"about_ca_system_score_codex":0.001129546,"about_ca_system_score_gemma":0.0018083355,"threshold_uncertainty_score":0.99948394},"labels":[],"label_agreement":null},{"id":"W6991355194","doi":"","title":"Gabor Szilasi : le monde de l’art à Montréal, 1960-1980","year":2020,"lang":"fr","type":"other","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Identification (biology); Meaning (existential); Perspective (graphical); Set (abstract data type)","score_opus":0.025506538414949854,"score_gpt":0.24082188491648493,"score_spread":0.21531534650153508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991355194","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038185609,0.006798927,0.000079075435,0.1595117,0.0012332163,0.00083570543,0.00045099357,0.00040424275,0.8268676],"genre_scores_gemma":[0.019290185,0.0010182918,0.0006137025,0.010335441,0.0037306268,0.000034706758,0.00045248473,0.00018326196,0.9643413],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943904,0.0011204705,0.0005927046,0.0013596921,0.00085612066,0.0016805911],"domain_scores_gemma":[0.99680793,0.00023300239,0.00077250134,0.0005495605,0.00030610984,0.0013309031],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.00040993842,0.0010542448,0.0013428852,0.00033220413,0.0014896949,0.000651344,0.0017097468,0.0033904645,0.016424892],"category_scores_gemma":[0.00044979702,0.0010035502,0.0010358987,0.0032240103,0.0012080527,0.0008338991,0.00030141103,0.002344133,0.0025045539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079369885,0.0002184162,0.00027028954,0.00005334091,0.0010728086,0.0005403411,0.013379196,0.00008460406,0.0022404974,0.08214696,0.893551,0.0063632084],"study_design_scores_gemma":[0.001466627,0.00015831433,0.004154942,0.00023663609,0.0010397295,0.000041411993,0.024177283,0.00020737361,0.0001648676,0.00044725018,0.96669525,0.0012102899],"about_ca_topic_score_codex":0.016175035,"about_ca_topic_score_gemma":0.015879007,"teacher_disagreement_score":0.14917627,"about_ca_system_score_codex":0.0011202852,"about_ca_system_score_gemma":0.0013855124,"threshold_uncertainty_score":0.9999575},"labels":[],"label_agreement":null},{"id":"W6991659470","doi":"","title":"Identity through Art, Thought and the Imaginary in the Canadian Space : nations, ethnicities, groups, individuals : Masaryk University, Brno, 25-27 October 2007 : proceedings = Art, pensée et imaginaire identitaire de l'espace canadien : nations, ethnies, groupes, individus : Université Masaryk, Brno, 25-27 octobre 2007 : actes du colloque /","year":2008,"lang":"fr","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Identity (music); Space (punctuation); Perspective (graphical); Ethnography","score_opus":0.02782968832191206,"score_gpt":0.28357711632017646,"score_spread":0.2557474279982644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991659470","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29982185,0.04985266,0.000007638522,0.37151855,0.0012363439,0.0036707963,0.0015424606,0.0002067105,0.27214298],"genre_scores_gemma":[0.6855133,0.048076175,0.00048466187,0.010240463,0.0011005637,0.00011540663,0.0010359864,0.0001340961,0.25329933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9853,0.0063097994,0.000998964,0.0016911214,0.0025189198,0.0031812168],"domain_scores_gemma":[0.9931275,0.0035082884,0.0005519182,0.00079616706,0.0009748672,0.0010412051],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts","scholarly_communication"],"category_scores_codex":[0.0070181047,0.0010346335,0.0011718929,0.0026607672,0.0062988615,0.0019326849,0.003983987,0.001220145,0.0017992537],"category_scores_gemma":[0.0019386318,0.0008823014,0.00043630556,0.01327042,0.009170197,0.015408553,0.0016178244,0.0044260197,0.0001997419],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009961995,0.00025864207,0.15348412,0.00011399414,0.00023509769,0.0016296699,0.078323975,0.000011561008,0.000004039946,0.3408727,0.42482543,0.00014114685],"study_design_scores_gemma":[0.002163395,0.00017276155,0.18261902,0.0004071516,0.00022427346,0.00042946285,0.08139021,0.00009628287,0.000008092134,0.014763481,0.71679634,0.0009295684],"about_ca_topic_score_codex":0.43662757,"about_ca_topic_score_gemma":0.9160425,"teacher_disagreement_score":0.47941497,"about_ca_system_score_codex":0.002856991,"about_ca_system_score_gemma":0.005993806,"threshold_uncertainty_score":0.9996413},"labels":[],"label_agreement":null},{"id":"W6992120676","doi":"","title":"Jean DUVAL : Porteurs de pays à l’air libre : jeu et enjeux des pièces asymétriques dans la musique traditionnelle du Québec","year":2014,"lang":"fr","type":"review","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Reel; Context (archaeology); Linguistic analysis","score_opus":0.039304731786020064,"score_gpt":0.29058464344256213,"score_spread":0.25127991165654207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992120676","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024904879,0.5412075,0.0037606023,0.18574716,0.005798975,0.0035234855,0.002999894,0.0009424951,0.25352943],"genre_scores_gemma":[0.05305913,0.83141255,0.0014383233,0.06852908,0.009041161,0.0012655735,0.010294185,0.00021709662,0.024742877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98819155,0.005708099,0.001907588,0.001650421,0.0011923683,0.0013499636],"domain_scores_gemma":[0.99354213,0.0020605538,0.0016132045,0.0007500761,0.0010252941,0.001008766],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0031762652,0.0014318497,0.002500727,0.00038181117,0.0031050798,0.0012197912,0.0017445569,0.0016338247,0.0141548095],"category_scores_gemma":[0.0011217326,0.0012339788,0.0018517558,0.0017726782,0.0029810579,0.012927362,0.00027624975,0.0014606455,0.0018064757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064153486,0.0012512148,0.00015185704,0.003931316,0.0009451026,0.00036591475,0.011096267,0.00016748667,0.00003610507,0.73771983,0.12333711,0.12093365],"study_design_scores_gemma":[0.000607976,0.00035813276,0.0017436096,0.0044711865,0.0018080416,0.00028200564,0.0036376421,0.000056936027,0.00003804344,0.016126096,0.96935976,0.0015105852],"about_ca_topic_score_codex":0.013812486,"about_ca_topic_score_gemma":0.28427216,"teacher_disagreement_score":0.8460226,"about_ca_system_score_codex":0.0013357397,"about_ca_system_score_gemma":0.0027904687,"threshold_uncertainty_score":0.9998431},"labels":[],"label_agreement":null},{"id":"W6992177787","doi":"","title":"La Beauté du geste : 50 ans de dons au Musée d’art contemporain de Montréal","year":2014,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Subject (documents); Product (mathematics)","score_opus":0.011741457372734278,"score_gpt":0.23692151712765483,"score_spread":0.22518005975492056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992177787","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030020226,0.00181457,0.0017507108,0.12081617,0.0032896637,0.0009944768,0.0009045812,0.00020698563,0.8672208],"genre_scores_gemma":[0.12923643,0.001318554,0.0011712888,0.11272066,0.012207519,0.0007601208,0.0036298004,0.0002158325,0.7387398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931019,0.002683288,0.00092594005,0.0011225678,0.00089678855,0.0012695125],"domain_scores_gemma":[0.99659735,0.00062231603,0.0008910922,0.0005964996,0.00043589913,0.0008568201],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0022545746,0.00087507773,0.0011577742,0.00029321486,0.0018352051,0.00080522225,0.0010645351,0.0017379652,0.0399947],"category_scores_gemma":[0.00045946086,0.0008092909,0.00074964564,0.0008240524,0.0014718561,0.0044099092,0.00018447307,0.0009821511,0.0061665582],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073338306,0.0004598795,0.0009277056,0.00012603591,0.00050172786,0.00016543256,0.0047982265,0.00008144696,0.00019147736,0.4330413,0.554931,0.004702433],"study_design_scores_gemma":[0.0010957712,0.00020300879,0.012495177,0.0004982325,0.0006311772,0.00008894415,0.002553498,0.00011221262,0.000034878296,0.0044583436,0.97683084,0.0009978875],"about_ca_topic_score_codex":0.008483627,"about_ca_topic_score_gemma":0.29464036,"teacher_disagreement_score":0.42858297,"about_ca_system_score_codex":0.001163477,"about_ca_system_score_gemma":0.00091322215,"threshold_uncertainty_score":0.999558},"labels":[],"label_agreement":null},{"id":"W6992306143","doi":"","title":"Le battement des mots. \\n Tout comme elle de Louise Dupré. Mise en scène de Brigitte Haentjens, création de Sibyllines en coproduction avec l’Usine C, du 17 au 28 janvier 2006. Reprise au Carrefour international de théâtre de Québec, Théâtre de la Bordée, les 16 et 17 mai 2006 \\n Tout comme elle. Texte pour le théâtre de Louise Dupré, suivi d’une conversation avec Brigitte Haentjens, QuébecAmérique, « Mains libres », 110 p. \\n Britannicus de Jean Racine. Mise en scène de Martin Faucher, Théâtre Denise-Pelletier, du 31 janvier au 18 février 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Theme (computing); Sign (mathematics)","score_opus":0.009192547672340451,"score_gpt":0.21489222898097796,"score_spread":0.2056996813086375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992306143","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72482103,0.014368037,0.008094737,0.2440074,0.00038265833,0.0010888417,0.0005916192,0.00020136245,0.006444297],"genre_scores_gemma":[0.4849952,0.012530682,0.0046898667,0.0041830926,0.0031851777,0.0001185233,0.0011954542,0.00024007396,0.48886195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98883235,0.003925514,0.0013927843,0.001664474,0.0010159272,0.0031689163],"domain_scores_gemma":[0.99405533,0.0013124688,0.0013328574,0.0010148248,0.0009278616,0.0013566391],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0041476847,0.001387439,0.0013345049,0.0006018063,0.0030737796,0.0006393235,0.0015086846,0.0014715923,0.0012874751],"category_scores_gemma":[0.0011804973,0.0015755851,0.0010405786,0.0011700083,0.0013506077,0.0015205108,0.00057600637,0.001422624,0.00010139947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0012721826,0.0018260287,0.21268086,0.00023359258,0.0011379367,0.0021181009,0.03660642,0.029829908,0.0051367325,0.0017568663,0.6952819,0.012119445],"study_design_scores_gemma":[0.0048711854,0.00016739045,0.061277024,0.0006767482,0.0016593888,0.0012494187,0.016325425,0.020742802,0.00244991,0.0025583704,0.8863113,0.0017110395],"about_ca_topic_score_codex":0.7554436,"about_ca_topic_score_gemma":0.90047294,"teacher_disagreement_score":0.48241764,"about_ca_system_score_codex":0.035432726,"about_ca_system_score_gemma":0.007867514,"threshold_uncertainty_score":0.9998876},"labels":[],"label_agreement":null},{"id":"W6992315056","doi":"","title":"Laurent-Michel Vacher (1944-2005) : Testament critique. \\n Pamphlet sur la situation des arts au Québec de Laurent-Michel Vacher, Éd. de l’Aurore, 137 p. \\n Une petite fin du monde. Carnet devant la mort de Laurent-Michel Vacher, Liber, 197 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Object (grammar); Theme (computing); Representation (politics)","score_opus":0.01092884554202064,"score_gpt":0.22913494669477497,"score_spread":0.21820610115275432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992315056","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6290297,0.20926856,0.0009439503,0.15468511,0.00053443335,0.0008346203,0.00029968374,0.0004374615,0.0039665303],"genre_scores_gemma":[0.50438654,0.05424947,0.0062005,0.013725545,0.0032286514,0.00017217624,0.0008591523,0.00032027648,0.41685766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99173605,0.002009516,0.0009233601,0.0014659351,0.0010787538,0.0027864024],"domain_scores_gemma":[0.9957088,0.00084043195,0.00062409986,0.0007910866,0.0005965267,0.0014390135],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021558567,0.0012351385,0.0011943608,0.00039695483,0.0019925812,0.00044516163,0.0013047394,0.0016342843,0.0010240625],"category_scores_gemma":[0.0004551044,0.0013116914,0.0010021037,0.0015736568,0.0010172559,0.0015276256,0.00047592592,0.001469968,0.00021695795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037997673,0.0025029073,0.048515804,0.00029842684,0.0017911702,0.0017954069,0.07689254,0.002713455,0.00780671,0.0052086646,0.8109369,0.041157983],"study_design_scores_gemma":[0.002561238,0.00018238706,0.016857984,0.00032523155,0.002236162,0.00033864332,0.010921316,0.005542542,0.00058183353,0.0016248312,0.9573549,0.0014729309],"about_ca_topic_score_codex":0.42123517,"about_ca_topic_score_gemma":0.94755024,"teacher_disagreement_score":0.52631503,"about_ca_system_score_codex":0.020083662,"about_ca_system_score_gemma":0.0022144897,"threshold_uncertainty_score":0.99988914},"labels":[],"label_agreement":null},{"id":"W6992395243","doi":"","title":"La poésie en langue des signes et ses usages à Montréal (1960-2017)","year":2018,"lang":"fr","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"McGill University","keywords":"Context (archaeology); Pretext; Subject (documents)","score_opus":0.025652669567545583,"score_gpt":0.28415941835356445,"score_spread":0.25850674878601887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992395243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7266829,0.005015278,2.0872282e-7,0.0002556413,0.0018445221,0.00047237307,0.0011662961,0.00025248277,0.2643103],"genre_scores_gemma":[0.8968397,0.002385045,0.00111968,0.002143008,0.00070220226,0.00015008921,0.0012550342,0.0001392236,0.09526606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99099654,0.0037163538,0.0010635288,0.0015917977,0.0012444459,0.0013873406],"domain_scores_gemma":[0.9955869,0.001136327,0.0008422597,0.0006586847,0.0011034288,0.0006724474],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0024356453,0.0012273602,0.0013027288,0.0003468283,0.0046991366,0.00060999196,0.0014329235,0.002424605,0.0017596483],"category_scores_gemma":[0.0018961956,0.0010729766,0.0009958595,0.0016436528,0.0011757154,0.0022551676,0.0002398682,0.0019647125,0.0015095343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004006837,0.0012787498,0.0008420744,0.00097488286,0.0025749276,0.0006554274,0.009170471,0.000058122754,0.05026245,0.694804,0.0012459515,0.23773225],"study_design_scores_gemma":[0.0008265409,0.00040766946,0.0069813216,0.0007959878,0.0015525928,0.00006406347,0.026539601,0.000017066453,0.007947901,0.045369912,0.9073806,0.0021167474],"about_ca_topic_score_codex":0.023497956,"about_ca_topic_score_gemma":0.14592627,"teacher_disagreement_score":0.90613467,"about_ca_system_score_codex":0.0006746998,"about_ca_system_score_gemma":0.00014235146,"threshold_uncertainty_score":0.9992679},"labels":[],"label_agreement":null},{"id":"W6992462946","doi":"","title":"L’obsession de la perfection. L’enfant-matière, un spectacle du Théâtre Blanc, texte de Larry Tremblay, mis en scène par Christian Lapointe, présenté à la Caserne Dalhousie du 10 au 28 avril 2012","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.004574351453433802,"score_gpt":0.19847021454238953,"score_spread":0.19389586308895573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992462946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8591006,0.04815513,0.00012486689,0.0316866,0.0011276313,0.00033451605,0.00014920083,0.00020171302,0.05911977],"genre_scores_gemma":[0.81449085,0.00752351,0.0004551687,0.00091283506,0.0035310262,0.00001150732,0.00009366675,0.000054593114,0.17292683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953149,0.0019166039,0.0003356609,0.00057095394,0.00047508368,0.0013868122],"domain_scores_gemma":[0.9976553,0.0005734965,0.00035010133,0.0003837662,0.0001831333,0.0008542444],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013133853,0.0005230729,0.00062101916,0.00019182239,0.002530853,0.00014996661,0.0005478961,0.0008495611,0.0039980696],"category_scores_gemma":[0.00020760461,0.0004921687,0.00053900236,0.0010402717,0.0006544978,0.0011861885,0.00025797656,0.0006302523,0.0004037589],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049715885,0.0019607614,0.08053629,0.0002447666,0.0014014723,0.0047299797,0.09773767,0.00028612436,0.0035240122,0.044684727,0.72994125,0.034455795],"study_design_scores_gemma":[0.0010879989,0.00012520711,0.03561267,0.00013522325,0.001018584,0.0010967788,0.011587623,0.0006820682,0.00025316022,0.00046309194,0.94733614,0.00060147914],"about_ca_topic_score_codex":0.06960568,"about_ca_topic_score_gemma":0.17428586,"teacher_disagreement_score":0.21739487,"about_ca_system_score_codex":0.0052188816,"about_ca_system_score_gemma":0.00026538296,"threshold_uncertainty_score":0.999753},"labels":[],"label_agreement":null},{"id":"W6992473128","doi":"","title":"Le silence assourdissant de l’âme. \\n Le pendu de Trempes d’Andrée A. Michaud, Québec Amérique, 234 p. \\n Dames de choeur récit de Marc Delouze, Le bruit des autres, 112 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Noise (video); Feature (linguistics); Representation (politics)","score_opus":0.007854282195195456,"score_gpt":0.1932340380790909,"score_spread":0.18537975588389544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992473128","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.674119,0.18092549,0.0006533611,0.124309376,0.00017245329,0.00029627612,0.00011831752,0.00021409693,0.019191638],"genre_scores_gemma":[0.73379123,0.016411452,0.002850468,0.0033209773,0.00082870986,0.000021377975,0.00004302378,0.000056206565,0.24267657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99541074,0.0009001587,0.0004219347,0.0008303037,0.0004777697,0.0019590713],"domain_scores_gemma":[0.9976722,0.0003152879,0.00038738915,0.0004554448,0.0002374933,0.00093215605],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00090983784,0.00058223907,0.00071292423,0.00021907735,0.0034860957,0.00024304268,0.0012057953,0.00074498553,0.0007017247],"category_scores_gemma":[0.00019383973,0.00063608406,0.00066734833,0.0010327699,0.0011183345,0.0011661908,0.00034244385,0.0007174576,0.0001222482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051876105,0.0016056123,0.040913664,0.00024119925,0.0016001579,0.0033058538,0.12357101,0.004968408,0.017806629,0.12892734,0.55675244,0.11978894],"study_design_scores_gemma":[0.0012498944,0.00011632019,0.009866969,0.00014618748,0.00052037986,0.00039307403,0.034096718,0.0026181643,0.00150577,0.004475535,0.94418335,0.0008276182],"about_ca_topic_score_codex":0.7053277,"about_ca_topic_score_gemma":0.9744586,"teacher_disagreement_score":0.38743094,"about_ca_system_score_codex":0.008873092,"about_ca_system_score_gemma":0.0023982788,"threshold_uncertainty_score":0.99960905},"labels":[],"label_agreement":null},{"id":"W6992483905","doi":"","title":"Léopold L. Foulem : singularités = singularities : [exposition, Musée national des beaux-arts du Québec, du 16 mai 2013 au 5 janvier 2014]","year":2013,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Order (exchange); Context (archaeology); Set (abstract data type); Limit (mathematics)","score_opus":0.02124837608481966,"score_gpt":0.2504273571231643,"score_spread":0.2291789810383446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992483905","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22585522,0.05445471,0.00094615604,0.39895347,0.005826009,0.0011472778,0.0001373079,0.00022665363,0.31245318],"genre_scores_gemma":[0.7478422,0.00078160374,0.0017943971,0.024310162,0.0060835383,0.00012444996,0.00024376344,0.00004155551,0.21877837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959927,0.00052040245,0.0007364311,0.000711916,0.0009869023,0.0010516314],"domain_scores_gemma":[0.9966946,0.00030959956,0.00026356458,0.00026456287,0.0019868172,0.00048084144],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0007593332,0.0005235457,0.00056356157,0.00018069528,0.0028389774,0.0011239186,0.0005298215,0.00064360944,0.06720801],"category_scores_gemma":[0.00027026402,0.00043830014,0.000551131,0.00072752923,0.0029289615,0.0025019941,0.00016301568,0.0004025021,0.003984716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014219895,0.0005364274,0.007104316,0.000064921594,0.00045035832,0.0000142673825,0.019103704,0.000035883888,0.00023387733,0.24794854,0.7124483,0.012045213],"study_design_scores_gemma":[0.00045661317,0.00014599338,0.007412241,0.00010961721,0.00037771894,0.00004138528,0.0108725885,0.00032831772,0.000109685876,0.08700289,0.8923293,0.0008136583],"about_ca_topic_score_codex":0.39128223,"about_ca_topic_score_gemma":0.56763136,"teacher_disagreement_score":0.52198696,"about_ca_system_score_codex":0.001146906,"about_ca_system_score_gemma":0.0008860432,"threshold_uncertainty_score":0.99991304},"labels":[],"label_agreement":null},{"id":"W6992526755","doi":"","title":"Louise Dupré, L’album multicolore, Montréal, Héliotrope, 2014, 270 p.","year":2016,"lang":"fr","type":"review","venue":"Repositori ObertUDL (University of Lleida)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Natural (archaeology); Face (sociological concept); Perspective (graphical)","score_opus":0.019953385715706224,"score_gpt":0.2471558338646151,"score_spread":0.22720244814890886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992526755","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014189015,0.9439944,0.00008532985,0.0028910188,0.0052227816,0.0009699419,0.00013649362,0.00011901344,0.045162123],"genre_scores_gemma":[0.0016456225,0.82220334,0.00053847843,0.00017173763,0.0022948761,0.000003727675,0.00006583427,0.000046843907,0.17302957],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941958,0.0012995495,0.0008528719,0.0013452369,0.0012300459,0.0010764658],"domain_scores_gemma":[0.99496233,0.0005711795,0.0016895172,0.0009680371,0.0010914297,0.0007174904],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005863252,0.0009086266,0.0027627184,0.00033648434,0.002162992,0.00018858539,0.00178772,0.0017189797,0.0023522084],"category_scores_gemma":[0.00016465296,0.00077253435,0.0022208812,0.0016491967,0.0016247374,0.00091313705,0.00057093246,0.0008352584,0.001690262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030915,0.0018389492,0.001614843,0.0065547694,0.0065369443,0.0016602853,0.012006979,0.000015532823,0.00040268278,0.028744137,0.62013745,0.32017824],"study_design_scores_gemma":[0.0006929386,0.00022924122,0.00031888072,0.0033977742,0.0030519452,0.00003686023,0.002145196,0.00002428289,0.0000060852753,0.00012531712,0.9890282,0.00094325625],"about_ca_topic_score_codex":0.01084744,"about_ca_topic_score_gemma":0.0026991693,"teacher_disagreement_score":0.36889073,"about_ca_system_score_codex":0.00074208307,"about_ca_system_score_gemma":0.0005830574,"threshold_uncertainty_score":0.999577},"labels":[],"label_agreement":null},{"id":"W6992538504","doi":"","title":"Les questions de Jean Désy. Jean Désy, Nous sommes poésie, Montréal, XYZ, 2022, 276 pages","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.011308918189705034,"score_gpt":0.20279852335064005,"score_spread":0.19148960516093502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992538504","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12644447,0.5380012,0.00011250084,0.30506048,0.0017092187,0.0005164115,0.0006361742,0.000347562,0.02717203],"genre_scores_gemma":[0.2593108,0.10739992,0.00063856377,0.0052276687,0.0012716383,0.000058814545,0.0002937807,0.00007275271,0.62572604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957184,0.0010823451,0.00038220946,0.00080493104,0.0007551712,0.0012569528],"domain_scores_gemma":[0.99788475,0.00041494408,0.0003827216,0.0005129627,0.0002205603,0.0005840449],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006386252,0.00050837646,0.000633539,0.00028175703,0.0073989737,0.00016097356,0.00103695,0.0004379439,0.00520105],"category_scores_gemma":[0.00015193147,0.00055784604,0.00069404615,0.0017987178,0.00062495295,0.0005814045,0.00075978256,0.0009915412,0.00019407934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011580741,0.0006176441,0.001363132,0.000046559777,0.00076187286,0.002818224,0.019987827,0.0030893811,0.00072903547,0.10465339,0.76992977,0.09588738],"study_design_scores_gemma":[0.00069232873,0.000245618,0.0006185868,0.000035187393,0.0008982754,0.00013338361,0.053570304,0.0011061807,0.000026374997,0.0034957582,0.93853605,0.0006419387],"about_ca_topic_score_codex":0.18201971,"about_ca_topic_score_gemma":0.57755214,"teacher_disagreement_score":0.598554,"about_ca_system_score_codex":0.0076470957,"about_ca_system_score_gemma":0.00020555119,"threshold_uncertainty_score":0.9996873},"labels":[],"label_agreement":null},{"id":"W6992594077","doi":"","title":"L’Index Séquences — Ceux et celles qui ont fait le cinéma québécois des années 90 : Volet II — Le cinéma documentaire (deuxième partie)","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Feature (linguistics)","score_opus":0.011502379534460858,"score_gpt":0.20130195864499734,"score_spread":0.18979957911053646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992594077","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5137036,0.13602665,0.000029660727,0.319057,0.0005336783,0.00028172813,0.00008690006,0.00015425838,0.030126568],"genre_scores_gemma":[0.8022581,0.01593025,0.00017777375,0.0027742533,0.00041407262,0.000013717244,0.000041051455,0.00003033966,0.17836049],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961092,0.0006254282,0.00044996745,0.00089119474,0.00067351985,0.0012507048],"domain_scores_gemma":[0.99812955,0.00012526303,0.000412512,0.00046706852,0.00028618268,0.0005794293],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004038776,0.0005912902,0.00073836057,0.00019916859,0.0060992623,0.000206065,0.0009390866,0.00058244646,0.0021003194],"category_scores_gemma":[0.000050626833,0.0005835037,0.00063719705,0.0013588034,0.0017274878,0.0017811109,0.00044857763,0.0004894958,0.00024612914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013692687,0.0011686465,0.0065413686,0.000120916346,0.0009882274,0.0014533726,0.14481257,0.0006211889,0.0010399809,0.26747474,0.522117,0.05352506],"study_design_scores_gemma":[0.00094205525,0.00028600136,0.0018666547,0.00011074265,0.00037638168,0.00005281225,0.114446275,0.0007052336,0.00018487126,0.005209881,0.8751284,0.00069072266],"about_ca_topic_score_codex":0.44750756,"about_ca_topic_score_gemma":0.9404191,"teacher_disagreement_score":0.49291152,"about_ca_system_score_codex":0.0023468062,"about_ca_system_score_gemma":0.00024051314,"threshold_uncertainty_score":0.9996616},"labels":[],"label_agreement":null},{"id":"W6992971855","doi":"","title":"\\n Après la nuit rouge ou la difficulté de rencontrer l’autre. Après la nuit rouge, Montréal, Boréal, 2006,167 [1] p. (« Boréal compact », n°182). [Première édition : Boréal, 2005.]","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frame (networking); Process (computing); Work (physics); Control system; Control (management)","score_opus":0.010826038702184036,"score_gpt":0.19752512963194505,"score_spread":0.186699090929761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992971855","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15824278,0.532934,0.00041684983,0.14932048,0.0017834385,0.001556212,0.0026959942,0.0010474722,0.15200278],"genre_scores_gemma":[0.52494895,0.046429064,0.00075961614,0.0027553046,0.003595778,0.000058590373,0.0012969975,0.0002101723,0.41994554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99065554,0.0023755631,0.0010661678,0.0017100243,0.0014485851,0.0027441187],"domain_scores_gemma":[0.99520326,0.0009533588,0.0010342707,0.0009849796,0.00063150574,0.0011926485],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001376374,0.001429927,0.0016417818,0.00048356378,0.0032671264,0.0007795371,0.0014892609,0.0022400192,0.0015001637],"category_scores_gemma":[0.00017892224,0.0014304674,0.0013440647,0.0023575774,0.0015243518,0.0020507397,0.00039675133,0.0016959884,0.00057226775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032139322,0.0012922687,0.0024486475,0.000100814505,0.00078809663,0.0034588708,0.0028498904,0.0019398003,0.0009189556,0.08392226,0.89539653,0.0065624653],"study_design_scores_gemma":[0.0029937187,0.00019912898,0.008655692,0.00030513233,0.0018865587,0.0005176905,0.006486309,0.0018402046,0.00011079503,0.004765733,0.9705812,0.0016578807],"about_ca_topic_score_codex":0.19285154,"about_ca_topic_score_gemma":0.5742928,"teacher_disagreement_score":0.4865049,"about_ca_system_score_codex":0.007524702,"about_ca_system_score_gemma":0.0007276118,"threshold_uncertainty_score":0.9998451},"labels":[],"label_agreement":null},{"id":"W6992972633","doi":"","title":"\\n Le Bonimenteur de vues animées : le cinéma muet entre tradition et modernité, Germain Laçasse, Paris / Québec : Méridiens Klincksieck / Nota Bene, 2000, 229 pages","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Relation (database); Field (mathematics); Order (exchange); Context (archaeology); Object (grammar)","score_opus":0.010122850486033699,"score_gpt":0.1901561599588167,"score_spread":0.180033309472783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992972633","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63676006,0.08800554,0.00014453485,0.25023153,0.00034354118,0.00028586073,0.00022968237,0.0001670186,0.023832206],"genre_scores_gemma":[0.8073385,0.02845037,0.00028477254,0.0032114768,0.00054662634,0.00001227743,0.00018506302,0.00003265752,0.15993828],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99667424,0.0007255652,0.0003579105,0.00071686006,0.000471378,0.0010540391],"domain_scores_gemma":[0.99842054,0.00019138525,0.00033874137,0.00035066582,0.00019321917,0.00050543225],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004392661,0.00046881536,0.00057831634,0.00018269873,0.0022429863,0.0001854313,0.00055994146,0.00054466265,0.0005397655],"category_scores_gemma":[0.00003879848,0.00050926063,0.00051576644,0.0008834294,0.00045004883,0.0011668098,0.00018098223,0.00050305616,0.00012252375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039579137,0.0016521359,0.012229622,0.00009480324,0.0013117406,0.0039204443,0.07345385,0.00187377,0.0035393587,0.24902761,0.6233848,0.029116068],"study_design_scores_gemma":[0.0010919361,0.00016304503,0.006322337,0.00007094961,0.0005344804,0.00015938713,0.026598686,0.0020227903,0.00022550985,0.0028916667,0.95930153,0.00061766885],"about_ca_topic_score_codex":0.31283227,"about_ca_topic_score_gemma":0.9118073,"teacher_disagreement_score":0.59897506,"about_ca_system_score_codex":0.003813649,"about_ca_system_score_gemma":0.00079441105,"threshold_uncertainty_score":0.9997359},"labels":[],"label_agreement":null},{"id":"W6992999747","doi":"","title":"\\n Dans le ventre du Moulin\\n : Un documentaire mineur pour une oeuvre multimédia majeure. \\n Dans le ventre du Moulin, Canada [Québec] 2009, 52 minutes","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Perspective (graphical); Context (archaeology)","score_opus":0.004309161412690964,"score_gpt":0.1719715541273073,"score_spread":0.16766239271461633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992999747","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4415074,0.0793426,0.00005303323,0.47102338,0.00085429725,0.00038801256,0.00037261588,0.000112349866,0.0063463147],"genre_scores_gemma":[0.5737355,0.0036939115,0.00028285582,0.005527682,0.001091327,0.000006861169,0.0002804457,0.000042402342,0.41533902],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962716,0.00047634714,0.0004743634,0.00090926344,0.0006769007,0.0011915273],"domain_scores_gemma":[0.9978961,0.00013908003,0.00043680044,0.00049575896,0.00030334143,0.0007289572],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00021679126,0.0006635624,0.0007351749,0.00012395381,0.0032081872,0.00012444299,0.001024153,0.0005125247,0.0005780796],"category_scores_gemma":[0.000069241985,0.0006985563,0.00057055557,0.00140299,0.0004637369,0.00076534,0.0002017588,0.0005163384,0.00009683335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015587761,0.000801018,0.009924761,0.000045793688,0.0006795219,0.007868309,0.017589144,0.0013778071,0.0015445102,0.016683,0.91996574,0.023364494],"study_design_scores_gemma":[0.0019144182,0.00013295888,0.008207391,0.00007623022,0.0008227349,0.00019663853,0.038371824,0.0020081487,0.00049061846,0.0010969419,0.9458627,0.0008193672],"about_ca_topic_score_codex":0.9776572,"about_ca_topic_score_gemma":0.99780124,"teacher_disagreement_score":0.4654957,"about_ca_system_score_codex":0.006928333,"about_ca_system_score_gemma":0.001228228,"threshold_uncertainty_score":0.9995466},"labels":[],"label_agreement":null},{"id":"W6993075479","doi":"","title":"\\n Moments donnés - Robert Morin : entrevue(s), Jean-Pierre Boyer, Fabrice Montal et Georges Privet Montréal : Vidéographe Éditions, 2002, 171 pages","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Demotion; Triacetin","score_opus":0.010636892401946296,"score_gpt":0.19110526649451956,"score_spread":0.18046837409257327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993075479","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09618432,0.64254564,0.00008350933,0.23103975,0.0018856777,0.00078073057,0.0006913912,0.00032586363,0.026463104],"genre_scores_gemma":[0.103727244,0.23423322,0.0005658556,0.0036058878,0.0009341916,0.00004423808,0.0002726615,0.00006590888,0.6565508],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952528,0.00079031335,0.0005332363,0.0010689775,0.00090735435,0.0014473095],"domain_scores_gemma":[0.99757403,0.00028123718,0.0004935186,0.00060812966,0.0002731879,0.0007698991],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038625053,0.00074971106,0.0008237492,0.00036861282,0.0028325026,0.00022497869,0.00093322695,0.0007038377,0.00750723],"category_scores_gemma":[0.00009627983,0.00076970964,0.00089595834,0.002101619,0.0006915154,0.0015486742,0.00044140941,0.00076225057,0.0009567885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075220654,0.0008767241,0.0014322739,0.00006196669,0.0010282233,0.0020000595,0.010395567,0.00051932986,0.0002708798,0.020381425,0.918632,0.044326376],"study_design_scores_gemma":[0.0012870781,0.0001941159,0.002691488,0.00012226916,0.0010641555,0.00012564304,0.010561007,0.0017752028,0.000031447835,0.0011705525,0.980088,0.0008890313],"about_ca_topic_score_codex":0.05072553,"about_ca_topic_score_gemma":0.3169286,"teacher_disagreement_score":0.6300877,"about_ca_system_score_codex":0.0032638873,"about_ca_system_score_gemma":0.00003764631,"threshold_uncertainty_score":0.99982107},"labels":[],"label_agreement":null},{"id":"W6993083119","doi":"","title":"Nicole Gingras (dir.), Des disques et un couteau –\\nMartin Tétreault, Montréal, les Éditions Nicole Gingras","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Field (mathematics); Context (archaeology); Reflection (computer programming); Work (physics)","score_opus":0.010344157827591623,"score_gpt":0.20557967930011514,"score_spread":0.19523552147252352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993083119","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31062862,0.32564858,0.0007480584,0.31497622,0.0012042992,0.0006835792,0.0008718766,0.00054452254,0.044694267],"genre_scores_gemma":[0.30714428,0.04140803,0.00077538984,0.002962093,0.0007740894,0.000038749746,0.000116785915,0.00006116497,0.6467194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99610174,0.0008142912,0.00044321408,0.0008341229,0.00058722176,0.0012194326],"domain_scores_gemma":[0.99759513,0.00043138675,0.00040859892,0.0005069061,0.00042234885,0.00063564593],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005602887,0.0005678969,0.0006638254,0.00023561918,0.0042067207,0.0001861024,0.00072775234,0.00059277785,0.0042758095],"category_scores_gemma":[0.00017182184,0.00046384303,0.00069184246,0.0013565789,0.0016730528,0.0012564411,0.0003455322,0.0004008176,0.00050172437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009413873,0.00048786358,0.004557708,0.000043977838,0.0006676213,0.00059389375,0.007238267,0.00007214566,0.001417654,0.12486251,0.7538688,0.106095426],"study_design_scores_gemma":[0.0010421812,0.00016108778,0.0038790903,0.00026829945,0.00082897564,0.00006656076,0.007502413,0.00011779798,0.0002335284,0.014333818,0.97086954,0.00069668784],"about_ca_topic_score_codex":0.10057119,"about_ca_topic_score_gemma":0.64822626,"teacher_disagreement_score":0.60202515,"about_ca_system_score_codex":0.004766041,"about_ca_system_score_gemma":0.00014593292,"threshold_uncertainty_score":0.9997813},"labels":[],"label_agreement":null},{"id":"W6993115490","doi":"","title":"\\n Le Dictionnaire du cinéma québécois, Sous la direction de Michel Coulombe et de Marcel Jean, 3e édition revue et augmentée par Michel Coulombe, Montréal, Boréal, 1999, 721 pages","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.0052383519391253144,"score_gpt":0.1917309163465564,"score_spread":0.1864925644074311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993115490","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27409738,0.24463838,0.00043295437,0.4444464,0.0009493289,0.0006474338,0.00033031518,0.00048329198,0.03397449],"genre_scores_gemma":[0.49046114,0.35599455,0.0005143749,0.0133203305,0.0011259066,0.00005295753,0.00044930616,0.00008470409,0.13799672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99557465,0.0015258844,0.00046158125,0.00085953856,0.0005109053,0.0010674505],"domain_scores_gemma":[0.998045,0.00032890198,0.0004055837,0.00043130622,0.00022231472,0.00056687434],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00094664237,0.00057631964,0.0006529549,0.00020519659,0.002635599,0.00022234728,0.0005067866,0.00093809876,0.0005761672],"category_scores_gemma":[0.000111238776,0.00065479445,0.00059915194,0.001126278,0.00061538356,0.0010966001,0.0001332672,0.0007803537,0.00015530006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032359394,0.0008315354,0.0019764155,0.0001251401,0.0007157851,0.0011605086,0.020241534,0.0024326832,0.003386841,0.015546336,0.92927897,0.023980655],"study_design_scores_gemma":[0.0013412023,0.00017869369,0.010132925,0.00021973363,0.00091186055,0.00031903223,0.009472484,0.0022453011,0.00016575158,0.0013130868,0.9729935,0.0007064202],"about_ca_topic_score_codex":0.40727046,"about_ca_topic_score_gemma":0.7678182,"teacher_disagreement_score":0.4311261,"about_ca_system_score_codex":0.0038968963,"about_ca_system_score_gemma":0.0006221688,"threshold_uncertainty_score":0.999927},"labels":[],"label_agreement":null},{"id":"W6993146058","doi":"","title":"\\n Le Petit Jean-Pierre, le grand Perreault Canada [Québec] 2004. 53 minutes","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Context (archaeology); Period (music)","score_opus":0.005863888214047806,"score_gpt":0.1669092956001356,"score_spread":0.16104540738608777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993146058","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03721848,0.43611512,0.000015526433,0.47694758,0.0007293682,0.00018100288,0.00011917928,0.00006540393,0.048608348],"genre_scores_gemma":[0.14619105,0.0054639643,0.00021702974,0.0041359756,0.0010078303,0.0000048288744,0.00006146744,0.000022451904,0.8428954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99763775,0.0002330406,0.00025426818,0.000539324,0.00048844767,0.00084718113],"domain_scores_gemma":[0.9986159,0.0001546786,0.00020358083,0.00030581548,0.0002283796,0.0004916309],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019074538,0.00034833324,0.0004605784,0.00009381417,0.002534514,0.00008078908,0.0005981147,0.00033451553,0.0014387162],"category_scores_gemma":[0.00006438643,0.00036766237,0.00033558786,0.0008240575,0.0004792924,0.0006254904,0.00014796383,0.00035069164,0.00015721656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045507164,0.00014057988,0.00036285585,0.000020918533,0.00029862937,0.00058361393,0.0033453736,0.00054559327,0.00010148031,0.029473677,0.933333,0.031748764],"study_design_scores_gemma":[0.0008189639,0.0000409492,0.00037566095,0.000034385394,0.0003391556,0.000056716257,0.0069529344,0.00040614835,0.0000611425,0.0003185179,0.9901298,0.00046560296],"about_ca_topic_score_codex":0.9950109,"about_ca_topic_score_gemma":0.99995846,"teacher_disagreement_score":0.7942871,"about_ca_system_score_codex":0.0056268033,"about_ca_system_score_gemma":0.0017698972,"threshold_uncertainty_score":0.9998775},"labels":[],"label_agreement":null},{"id":"W6993162748","doi":"","title":"\\n La fille de Montréal de Jeanne Crépeau","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Face (sociological concept); Quality (philosophy); Perspective (graphical)","score_opus":0.005500853512230297,"score_gpt":0.18290389215842093,"score_spread":0.17740303864619064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993162748","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71508,0.08202554,0.00010003892,0.12145145,0.0013244242,0.00021556283,0.00011296285,0.00017119088,0.07951877],"genre_scores_gemma":[0.46945128,0.007899354,0.0016640314,0.0038160265,0.0014126665,0.000008462966,0.000043424003,0.000035251785,0.5156695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974299,0.0005067815,0.00021085762,0.0004733528,0.00034459334,0.0010345252],"domain_scores_gemma":[0.9984175,0.00023628543,0.00019271187,0.000349233,0.0001715923,0.00063270086],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006646012,0.00032532864,0.00039961957,0.00011823973,0.0017495332,0.00010474356,0.00063025916,0.00086590886,0.0023602932],"category_scores_gemma":[0.0001365804,0.00033007804,0.00045229396,0.0008179026,0.00066282094,0.00045039968,0.00022661046,0.0008847652,0.00043814187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012672738,0.0003338634,0.002651408,0.0000451731,0.0004875054,0.0034538417,0.0246482,0.00019928368,0.0048533445,0.22056204,0.6653323,0.07730632],"study_design_scores_gemma":[0.00060451636,0.000068868896,0.0027957913,0.000028613416,0.00046573687,0.00027066533,0.008297685,0.0009626619,0.00010495106,0.0045723408,0.9814234,0.00040481603],"about_ca_topic_score_codex":0.104032,"about_ca_topic_score_gemma":0.7036065,"teacher_disagreement_score":0.5995745,"about_ca_system_score_codex":0.0034968753,"about_ca_system_score_gemma":0.00017641766,"threshold_uncertainty_score":0.9999151},"labels":[],"label_agreement":null},{"id":"W6993183816","doi":"","title":"\\n Raoul Léger ou la vérité morcelée, Canada [Québec) 2002, 70 minutes","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Subject (documents); Relation (database); Government (linguistics)","score_opus":0.0091996797427249,"score_gpt":0.16781343588783815,"score_spread":0.15861375614511325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993183816","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060616426,0.47131297,0.000009685996,0.34865275,0.0012002628,0.00022012572,0.00014306944,0.00008888326,0.11775584],"genre_scores_gemma":[0.068281695,0.010114473,0.00013751001,0.005255905,0.00071241235,0.0000051700345,0.000021115187,0.000023974917,0.9154477],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973058,0.0003996369,0.00026439253,0.00055755035,0.0005681771,0.0009044476],"domain_scores_gemma":[0.9984372,0.0002458528,0.00021986775,0.00034548764,0.00021076018,0.00054083474],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020303199,0.00038648426,0.00048806734,0.000102908154,0.0015648241,0.00008829727,0.00062864495,0.0004667835,0.008479908],"category_scores_gemma":[0.0000661164,0.0003884651,0.00035254046,0.0011008036,0.0005038702,0.0004487938,0.00017694118,0.00043028308,0.00038382228],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019382136,0.00011322131,0.00052676967,0.000024251112,0.00034416764,0.0020926304,0.0035719625,0.000081188206,0.00010878934,0.013700408,0.9577346,0.021682654],"study_design_scores_gemma":[0.0005854481,0.00004518412,0.00047616925,0.000038920552,0.00048832555,0.000101639496,0.003954118,0.00080642867,0.0000290721,0.00020536942,0.99278116,0.00048816236],"about_ca_topic_score_codex":0.9769471,"about_ca_topic_score_gemma":0.99929893,"teacher_disagreement_score":0.7976919,"about_ca_system_score_codex":0.0070187584,"about_ca_system_score_gemma":0.0002790456,"threshold_uncertainty_score":0.9998567},"labels":[],"label_agreement":null},{"id":"W6993604621","doi":"","title":"Rédemption : roman","year":2014,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prison; Order (exchange); Period (music)","score_opus":0.021322470569980937,"score_gpt":0.27522459147586015,"score_spread":0.2539021209058792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993604621","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08908494,0.0035210713,0.00031444352,0.052540675,0.0028461376,0.00008554416,0.000002635462,0.000082740844,0.8515218],"genre_scores_gemma":[0.5841154,0.00009101715,0.00025057403,0.010112037,0.0018807156,0.0000031214654,0.000008899673,0.0000034008651,0.40353483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998836,0.0003153189,0.00015271678,0.00021586596,0.00018899833,0.00029114817],"domain_scores_gemma":[0.99956566,0.000051586056,0.000057634825,0.00011374332,0.000081543585,0.00012982765],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036524297,0.000105208135,0.00015687844,0.000025585987,0.00040191266,0.00012642304,0.00016072717,0.00021948134,0.008376404],"category_scores_gemma":[0.000051387895,0.00007885008,0.00015117292,0.0004191043,0.0003118536,0.0003189998,0.000024250854,0.00011973748,0.0016357321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017735092,0.00005011176,0.00070348335,0.000008463772,0.000036655012,7.38032e-7,0.0032459137,0.000004005495,0.00011433879,0.8469111,0.09504461,0.05387885],"study_design_scores_gemma":[0.00008704386,0.00004739558,0.0028644393,0.000010557488,0.000089261266,8.751998e-7,0.0010541894,0.00043427365,0.00002170624,0.024429355,0.9708263,0.00013458758],"about_ca_topic_score_codex":0.0017154919,"about_ca_topic_score_gemma":0.005782487,"teacher_disagreement_score":0.8757817,"about_ca_system_score_codex":0.00004052707,"about_ca_system_score_gemma":0.000017622082,"threshold_uncertainty_score":0.99914163},"labels":[],"label_agreement":null},{"id":"W6994254401","doi":"","title":"Music in Quebec","year":2008,"lang":"en","type":"article","venue":"The W&M Digital Archive (The College of William & Mary)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Narrative; Government (linguistics); Work (physics)","score_opus":0.018643550748074198,"score_gpt":0.23337047190367022,"score_spread":0.21472692115559602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994254401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71667814,0.00042543345,0.000010421744,0.007084949,0.00024504808,0.0005158588,0.00020760908,0.000042866595,0.2747897],"genre_scores_gemma":[0.94825554,0.000083440806,0.000028492506,0.0013592117,0.0002860924,0.000024394762,0.000020648966,0.00000928875,0.04993287],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844843,0.0002478543,0.00030640126,0.00023114402,0.000392312,0.00037383064],"domain_scores_gemma":[0.9989681,0.00044827655,0.0001311022,0.00030033538,0.00006836163,0.00008379622],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002568511,0.00016271802,0.0002847781,0.00008219589,0.0006768742,0.000056205274,0.00078300934,0.00005911031,0.00014908523],"category_scores_gemma":[0.00016411312,0.000085693384,0.00023975807,0.0008782415,0.0020487611,0.00039927431,0.0001558394,0.00022338449,0.0000669931],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050432194,0.0011179412,0.02264808,0.000058954254,0.0005606193,0.00032329888,0.20782703,0.00015618291,0.0005618963,0.26800397,0.45041555,0.047822166],"study_design_scores_gemma":[0.00052102347,0.000101164216,0.05334476,0.00005510933,0.00005771871,0.000012885131,0.0101136835,0.000049254904,0.000046863704,0.042366654,0.8929953,0.00033556353],"about_ca_topic_score_codex":0.006621275,"about_ca_topic_score_gemma":0.06497889,"teacher_disagreement_score":0.44257978,"about_ca_system_score_codex":0.00005181675,"about_ca_system_score_gemma":0.0001809836,"threshold_uncertainty_score":0.99999374},"labels":[],"label_agreement":null},{"id":"W6995429593","doi":"","title":"Ouebe Musique 14 novembre 2010","year":2009,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Reflection (computer programming); Context (archaeology)","score_opus":0.00797351825647351,"score_gpt":0.20089406519760722,"score_spread":0.1929205469411337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995429593","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020617571,0.0019762877,2.7970052e-7,0.0040892805,0.0014847479,0.000505655,0.00013463372,0.00011260332,0.99149036],"genre_scores_gemma":[0.0012159657,0.0005503034,0.0005495757,0.011323239,0.0011800017,0.00001422213,0.00022963157,0.00004529848,0.9848918],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969512,0.000302524,0.0010219176,0.0003804504,0.0006987067,0.0006451841],"domain_scores_gemma":[0.99759305,0.00015788087,0.0009680536,0.0004077405,0.0005769633,0.00029630784],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041950418,0.0005824782,0.0008168011,0.00008845006,0.00038464877,0.00019928347,0.00070405926,0.0013400976,0.7539536],"category_scores_gemma":[0.00021691623,0.0005132398,0.0005695696,0.000044191445,0.0006477787,9.642332e-7,0.00006939258,0.00067292975,0.037730787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049334532,0.0001183268,0.0000031176035,0.00021380685,0.0001648232,0.000023496412,0.002856556,0.0001632432,0.000001285845,0.0022833345,0.9795356,0.014587121],"study_design_scores_gemma":[0.0004185701,0.00018770996,0.00005718353,0.00023166146,0.00025357612,0.000032744476,0.00091043883,0.000015301479,0.00000450702,0.0001500717,0.9971453,0.00059293694],"about_ca_topic_score_codex":0.014477867,"about_ca_topic_score_gemma":0.03268912,"teacher_disagreement_score":0.7162228,"about_ca_system_score_codex":0.00013635575,"about_ca_system_score_gemma":0.00010605123,"threshold_uncertainty_score":0.99995637},"labels":[],"label_agreement":null},{"id":"W6995710263","doi":"","title":"Pauline Bonanni, Gaël Della, Hughes Sarra-Bournet, barre russe : Moi et les autres","year":2016,"lang":"fr","type":"other","venue":"Gallica (Bibliothèque nationale de France)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Statistical analysis; Qualitative analysis","score_opus":0.016163819992845177,"score_gpt":0.28643637377427816,"score_spread":0.270272553781433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995710263","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055840267,0.106696345,0.0007763203,0.056932252,0.0017310401,0.00083752826,0.00089768734,0.00029891205,0.8262459],"genre_scores_gemma":[0.0187952,0.018004626,0.0017299093,0.010562976,0.0063421363,0.00018158722,0.00031318303,0.00017354492,0.94389683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994368,0.00099858,0.0009014482,0.0011772292,0.0014115317,0.0011431739],"domain_scores_gemma":[0.99616665,0.0010670938,0.0007787764,0.000493753,0.0009603666,0.00053338875],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011023799,0.0008614609,0.001018948,0.001714288,0.0009585074,0.0007660565,0.0012702651,0.001824316,0.14012106],"category_scores_gemma":[0.00069833716,0.0006776326,0.0007866926,0.004056094,0.0010879216,0.0008606326,0.00013291143,0.0010406482,0.001985802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004499307,0.00036829128,0.015667979,0.00018208672,0.0006962934,0.000043173175,0.0029715376,0.00013184267,0.00041145342,0.2756667,0.69084966,0.012965975],"study_design_scores_gemma":[0.0007275722,0.000057502737,0.017916989,0.00045658057,0.00021535715,0.000014534346,0.0002173802,0.000106333224,0.00005444461,0.011739259,0.9675954,0.0008986388],"about_ca_topic_score_codex":0.0011889748,"about_ca_topic_score_gemma":0.01537408,"teacher_disagreement_score":0.27674577,"about_ca_system_score_codex":0.00040303217,"about_ca_system_score_gemma":0.001228474,"threshold_uncertainty_score":0.9995675},"labels":[],"label_agreement":null},{"id":"W6995763864","doi":"","title":"Pour une diaspora théâtrale. \\n Les théâtres professionnels du Canada francophone. Entre mémoire et rupture, sous la direction d’Hélène Beauchamp et de Joël Beddows, Ottawa, Le Nordir, coll. Roger-Bernard, 2001, 302 p.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.007584379768663102,"score_gpt":0.19134805918809733,"score_spread":0.18376367941943422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995763864","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49114627,0.10951553,0.000064961794,0.3595407,0.0020867563,0.0005880266,0.0004878913,0.00019639988,0.03637345],"genre_scores_gemma":[0.6518445,0.031353552,0.00028876693,0.00368011,0.00089789194,0.00002451812,0.0001258244,0.000052504078,0.31173232],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955027,0.0014045958,0.0004212715,0.0007778844,0.0007318948,0.0011616541],"domain_scores_gemma":[0.99764436,0.00050008134,0.0005094902,0.0003715377,0.0003358129,0.0006387181],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005808063,0.0006054419,0.00074665196,0.00016312857,0.0027179224,0.00013164821,0.0006256598,0.0008199156,0.0016754644],"category_scores_gemma":[0.00014127907,0.00059241237,0.00047839596,0.0017522761,0.00041266938,0.00068875856,0.00019899302,0.0008512102,0.00006865508],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074440395,0.00051220716,0.003946952,0.00005667436,0.0005255599,0.0031321028,0.020280818,0.0010914013,0.00040792895,0.023518292,0.93536055,0.011093054],"study_design_scores_gemma":[0.0011809139,0.00007182122,0.0043473444,0.00015984297,0.0003435391,0.00026575298,0.0511072,0.0010153202,0.00009788437,0.0010853317,0.9396157,0.00070931035],"about_ca_topic_score_codex":0.92378014,"about_ca_topic_score_gemma":0.99446213,"teacher_disagreement_score":0.3558606,"about_ca_system_score_codex":0.0060173115,"about_ca_system_score_gemma":0.0010489448,"threshold_uncertainty_score":0.99965274},"labels":[],"label_agreement":null},{"id":"W6995888501","doi":"","title":"Portrait de l’artiste en jeune femme : \\n Marie-Claude McDonald, musicienne de Winnipeg","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.0068661366605293934,"score_gpt":0.18308892126437318,"score_spread":0.17622278460384377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995888501","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6172084,0.15158027,0.00021519816,0.17486987,0.0008323375,0.00032480276,0.00018913067,0.00019865319,0.05458133],"genre_scores_gemma":[0.3415585,0.0021640088,0.0012560722,0.0062177405,0.0017012198,0.000008848905,0.00012802116,0.000037881273,0.6469277],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99639976,0.0005445943,0.00035965518,0.0006535652,0.00050575443,0.0015366485],"domain_scores_gemma":[0.9983642,0.00023749041,0.0003103721,0.0003494291,0.00019297027,0.0005455169],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007365769,0.00042907285,0.00053854275,0.00016680999,0.001732838,0.00012540778,0.0006914819,0.00070563896,0.0017053114],"category_scores_gemma":[0.00007255748,0.0004593423,0.00055963383,0.0013709457,0.00067710975,0.0005378359,0.00024425413,0.00052355253,0.00028034436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018311445,0.0004991712,0.007903094,0.00007429988,0.00047829194,0.0051477095,0.007680879,0.00086379773,0.0056768972,0.31235975,0.62956804,0.02956496],"study_design_scores_gemma":[0.00071065745,0.00011330583,0.012506709,0.000050713657,0.0007447581,0.00022248107,0.0033789172,0.00076509104,0.00012544003,0.010560017,0.97027093,0.0005509661],"about_ca_topic_score_codex":0.091590516,"about_ca_topic_score_gemma":0.53414804,"teacher_disagreement_score":0.5923464,"about_ca_system_score_codex":0.00813328,"about_ca_system_score_gemma":0.00026131023,"threshold_uncertainty_score":0.99978584},"labels":[],"label_agreement":null},{"id":"W6996147553","doi":"","title":"recensione a : AA.VV., Saint-Denys Garneau : La clef de lumiere, Montreal, editions du Noroit, 2004","year":2004,"lang":"fr","type":"article","venue":"CINECA IRIS Institutional Research Information System (University of Bari Aldo Moro)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Clef; Feature (linguistics); Identification (biology)","score_opus":0.03696329230108184,"score_gpt":0.27941909488780675,"score_spread":0.24245580258672492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996147553","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23672083,0.0047685634,0.02207473,0.0692586,0.0022266929,0.0019672206,0.00214583,0.00033073674,0.6605068],"genre_scores_gemma":[0.9901672,0.0010421328,0.0012878138,0.00041674444,0.00069994514,0.0000072560583,0.00044647147,0.000008327972,0.0059241257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99562854,0.0008780094,0.0005934665,0.00034457722,0.0017463275,0.0008090726],"domain_scores_gemma":[0.9953015,0.0003081624,0.00039628995,0.0003603843,0.0030296615,0.0006040322],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0029983518,0.00026592318,0.0004929375,0.0006960185,0.003677246,0.00023289394,0.00075686636,0.0006232052,0.00073633454],"category_scores_gemma":[0.00062676816,0.00028888258,0.00035642914,0.0023988013,0.002984667,0.004225009,0.00021646718,0.00081753684,0.00091051694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019452295,0.00027716448,0.00045806885,0.00050003437,0.00031817824,0.00014578734,0.022991266,0.0086245425,0.00009160443,0.81821686,0.14319654,0.0049854373],"study_design_scores_gemma":[0.0029998021,0.00020513672,0.024283368,0.0010720891,0.00021780614,0.00021037288,0.10135244,0.0040460383,0.000022178301,0.0029900467,0.8621302,0.00047051613],"about_ca_topic_score_codex":0.06409165,"about_ca_topic_score_gemma":0.007937295,"teacher_disagreement_score":0.8152268,"about_ca_system_score_codex":0.0035157362,"about_ca_system_score_gemma":0.002715722,"threshold_uncertainty_score":0.9999563},"labels":[],"label_agreement":null},{"id":"W6996407484","doi":"","title":"« Rien ne sauve le monde sinon le poème ». Anne-Marie Alonzo, … et la nuit, Laval, TROIS, coll. « Opale », 2001, 98 p., 18$. Jean Charlebois (textes) et Marc-Antoine Nadeau (images), Près des yeux, près du coeur, Montréal, Lanctôt éditeur, 2001, 132 p., 34,95 $. Philippe Haeck, L’oreille rouge, Montréal, VLB éditeur, coll. « Poésie », 2001, 216 p., 21,95 $. Victor-Lévy Beaulieu, Vingt-sept petits poèmes pour jouer dans l’eau des mots, Trois-Pistoles, Éditions Trois-Pistoles, coll. « Inédits », 2001, 80 p., 14,95 $.","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Theme (computing); Identity (music); Object (grammar); Subject (documents)","score_opus":0.013734950205004648,"score_gpt":0.20976639467121266,"score_spread":0.19603144446620802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996407484","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082805775,0.72453827,0.00050916284,0.14732946,0.0018343618,0.0040094135,0.010881136,0.0014027596,0.026689684],"genre_scores_gemma":[0.027805744,0.5468809,0.0042819255,0.00509326,0.0019592552,0.00041134525,0.0030811988,0.00064554496,0.40984082],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.979733,0.0045558154,0.0028505821,0.0037925441,0.0030349717,0.0060331165],"domain_scores_gemma":[0.9869379,0.0020705927,0.002726704,0.0023943286,0.002392868,0.0034776044],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0028330816,0.0035183083,0.0043033566,0.0011485142,0.012574795,0.0015024951,0.0035445339,0.0023223658,0.0044816737],"category_scores_gemma":[0.001658459,0.0037973812,0.002304929,0.005553139,0.0050013745,0.0051707816,0.0017246518,0.0028399043,0.0008775298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085886574,0.0050487635,0.0025087625,0.00047160263,0.0021189405,0.0053460374,0.0079994025,0.0034101147,0.004280799,0.0047005056,0.95879406,0.004462131],"study_design_scores_gemma":[0.008964458,0.0009824969,0.005567651,0.0009838215,0.002411888,0.0014660434,0.012672164,0.0074110804,0.00030071955,0.0027866482,0.9525315,0.0039215167],"about_ca_topic_score_codex":0.31787392,"about_ca_topic_score_gemma":0.7150839,"teacher_disagreement_score":0.39720997,"about_ca_system_score_codex":0.00849282,"about_ca_system_score_gemma":0.0016501292,"threshold_uncertainty_score":0.9999004},"labels":[],"label_agreement":null},{"id":"W6996793807","doi":"","title":"Sunshine : La fin des dogmes. \\n Sunshine, Canada / Hongrie / Autriche / Allemagne, 1999, 180 minutes","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fin","score_opus":0.007369452312296455,"score_gpt":0.17503188474463227,"score_spread":0.1676624324323358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996793807","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18470156,0.61890864,0.0000057946977,0.14249247,0.0005256466,0.00030055663,0.0004471255,0.00012604771,0.052492153],"genre_scores_gemma":[0.071848966,0.032496393,0.00042171436,0.003992811,0.00059336005,0.000016489605,0.00013249506,0.00003386091,0.8904639],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965519,0.00065079634,0.00035031894,0.00068735506,0.0006566413,0.0011030182],"domain_scores_gemma":[0.99805444,0.00045400395,0.0002084743,0.00039197833,0.00023354642,0.00065757835],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004384773,0.00055820605,0.0008979195,0.00011177287,0.0021749192,0.00015102339,0.00082463847,0.00054136786,0.020754384],"category_scores_gemma":[0.00007900542,0.00049204583,0.0007842016,0.0018073994,0.0008758316,0.00062700437,0.0001535756,0.0005201192,0.00012135799],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008203844,0.00018003947,0.0006273388,0.000065977394,0.0043520383,0.0031026073,0.004455768,0.00035102284,0.000027694403,0.012390928,0.9278157,0.046548847],"study_design_scores_gemma":[0.00059008185,0.00007510386,0.0016521618,0.00002259874,0.0069605443,0.00010307413,0.0020068518,0.00014584047,0.000019683954,0.001974909,0.9858627,0.0005864712],"about_ca_topic_score_codex":0.9574299,"about_ca_topic_score_gemma":0.9991424,"teacher_disagreement_score":0.83797175,"about_ca_system_score_codex":0.004526774,"about_ca_system_score_gemma":0.0005233062,"threshold_uncertainty_score":0.9997531},"labels":[],"label_agreement":null},{"id":"W6996930359","doi":"","title":"Théâtres québécois et canadiens-français au XXe siècle : Trajectoires et territoires","year":2003,"lang":"fr","type":"book","venue":"BiblioBoard Library Catalog (Open Research Library)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Subject (documents); State (computer science)","score_opus":0.06773058891706578,"score_gpt":0.3329190728870897,"score_spread":0.2651884839700239,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996930359","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008498144,0.016548103,0.0000021138678,0.121634334,0.0015888134,0.0029528793,0.0038658462,0.00047020605,0.84443957],"genre_scores_gemma":[0.02128961,0.015052578,0.0012720888,0.036378838,0.0025291622,0.0007007527,0.010748078,0.0005147073,0.91151416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9755477,0.011000218,0.0020055282,0.0034727857,0.003370324,0.004603459],"domain_scores_gemma":[0.99016386,0.0031823337,0.00077418366,0.0024442228,0.0003997872,0.0030355975],"candidate_categories":["metaepi_narrow","bibliometrics","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"category_scores_codex":[0.0031317282,0.001955424,0.0026750346,0.008705162,0.0050471835,0.011681011,0.010432906,0.0024660479,0.020900216],"category_scores_gemma":[0.000638309,0.0016630976,0.0014654782,0.024325361,0.007925005,0.032310717,0.0045892247,0.0049342015,0.0016414314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018981443,0.0004259087,0.005659501,0.00027794455,0.00063561264,0.00068068405,0.0056516468,0.000008088151,0.00002646626,0.32856044,0.65292054,0.0049633663],"study_design_scores_gemma":[0.00099111,0.00073134276,0.010966358,0.00080568244,0.00022512267,0.000036477133,0.0020554,0.0000144582355,0.00029138525,0.040200748,0.9417229,0.0019589753],"about_ca_topic_score_codex":0.43029347,"about_ca_topic_score_gemma":0.37291512,"teacher_disagreement_score":0.28880242,"about_ca_system_score_codex":0.0005557563,"about_ca_system_score_gemma":0.030205965,"threshold_uncertainty_score":0.9993189},"labels":[],"label_agreement":null},{"id":"W6996934322","doi":"","title":"Système de classification des activités de la culture et des communications du Québec 2004","year":2003,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Context (archaeology); Identity (music); Process (computing); Focus (optics)","score_opus":0.04736858590933813,"score_gpt":0.3181139758520001,"score_spread":0.27074538994266195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996934322","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021022253,0.058717296,0.0022313425,0.014477066,0.0007375087,0.0011321899,0.0002531613,0.00039575258,0.9010334],"genre_scores_gemma":[0.44522944,0.010981623,0.0046478473,0.005990567,0.0010602911,0.00030998857,0.00048283645,0.00011306022,0.5311843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99082667,0.0055938317,0.0008380312,0.0009270991,0.00060403557,0.0012103422],"domain_scores_gemma":[0.9953155,0.0011612196,0.00077478075,0.0013202959,0.0007971659,0.00063105737],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0025173454,0.00086530973,0.0009858451,0.00018368717,0.00409146,0.00086213596,0.0017355325,0.0018544135,0.0019521607],"category_scores_gemma":[0.0008328322,0.00077575154,0.00083047297,0.0011281983,0.0074043754,0.0011651014,0.00018081203,0.0018170022,0.00118452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056519493,0.0013748866,0.005505729,0.00040718904,0.0012568895,0.00004497655,0.12487528,0.00010681678,0.0029742378,0.5570572,0.2676432,0.03869708],"study_design_scores_gemma":[0.00043929607,0.00010857308,0.016698832,0.0005333816,0.0010311618,0.00009837895,0.0056920093,0.00031244673,0.000025929874,0.056332756,0.9178141,0.0009131636],"about_ca_topic_score_codex":0.0165395,"about_ca_topic_score_gemma":0.13808325,"teacher_disagreement_score":0.65017086,"about_ca_system_score_codex":0.0040953765,"about_ca_system_score_gemma":0.004939551,"threshold_uncertainty_score":0.9997277},"labels":[],"label_agreement":null},{"id":"W6997245818","doi":"","title":"À voir, à entendre et à lire. \\n Prenez soin de vous. Installation de Sophie Calle. Galerie DHC/Art, Montréal, juillet-octobre 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.012380567070745392,"score_gpt":0.19504703673187251,"score_spread":0.18266646966112712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997245818","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5130589,0.24940577,0.00044438126,0.16612117,0.0011538127,0.0007175363,0.00028451902,0.0003681577,0.06844574],"genre_scores_gemma":[0.35526723,0.09730952,0.00131091,0.009760269,0.0012690836,0.000023683304,0.00031971006,0.00007917172,0.53466046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959947,0.00077836524,0.000436031,0.00077476556,0.0006575367,0.0013586435],"domain_scores_gemma":[0.99788654,0.00015473337,0.00040646677,0.0004555142,0.00034139893,0.00075532164],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046065976,0.000561544,0.0006711884,0.00023264598,0.0027067563,0.00009950064,0.0006412737,0.0008898713,0.0015218273],"category_scores_gemma":[0.000117799565,0.00059751584,0.0006381987,0.0012180869,0.0008179476,0.0009583274,0.00029634446,0.00069682254,0.00042073516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002189688,0.00040687117,0.004180169,0.00006356121,0.00058288954,0.0040764143,0.020147778,0.0019544915,0.0006908263,0.020908585,0.9358541,0.010915388],"study_design_scores_gemma":[0.0011536907,0.0001840213,0.0063021034,0.00009166753,0.00048565603,0.0005704003,0.0053016506,0.0018216488,0.000050579103,0.0017060143,0.9816508,0.00068173144],"about_ca_topic_score_codex":0.05329142,"about_ca_topic_score_gemma":0.48964164,"teacher_disagreement_score":0.4662147,"about_ca_system_score_codex":0.0060572685,"about_ca_system_score_gemma":0.00049530296,"threshold_uncertainty_score":0.9996476},"labels":[],"label_agreement":null},{"id":"W6997279087","doi":"","title":"Un hiver à rebours. Snow &amp; Ashes de Charles-Olivier Michaud, Québec, 2010, 110 min","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.015895225296009195,"score_gpt":0.18523078948220315,"score_spread":0.16933556418619394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997279087","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5145285,0.3282582,0.00012494113,0.110935494,0.002222652,0.00042772864,0.00017710276,0.00019243926,0.04313297],"genre_scores_gemma":[0.084915236,0.02145697,0.0017652399,0.004498055,0.0009971857,0.000010520879,0.00006403279,0.000046239864,0.8862465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970798,0.00051057484,0.0002813346,0.0006316514,0.0003890748,0.0011075665],"domain_scores_gemma":[0.99825203,0.00013038973,0.00032256485,0.00046244246,0.00022931745,0.0006032366],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045021094,0.0004322436,0.0005505057,0.0001690562,0.0016140536,0.00006773764,0.00080589775,0.0006474196,0.0080213],"category_scores_gemma":[0.00008415741,0.0004277671,0.0005762749,0.00081480126,0.0007896572,0.00063213846,0.00026422183,0.00047859462,0.0017366402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016535608,0.0003874222,0.006413154,0.000046553083,0.00088367064,0.0010412515,0.07389076,0.000008644292,0.00059222366,0.03516909,0.822005,0.05939691],"study_design_scores_gemma":[0.0005337888,0.0000675808,0.0062001864,0.000078972065,0.0008979647,0.00010254559,0.006027339,0.000049624046,0.00014533165,0.0028109855,0.9825352,0.00055049214],"about_ca_topic_score_codex":0.34839422,"about_ca_topic_score_gemma":0.8894446,"teacher_disagreement_score":0.84311354,"about_ca_system_score_codex":0.0041989773,"about_ca_system_score_gemma":0.00022971167,"threshold_uncertainty_score":0.99981743},"labels":[],"label_agreement":null},{"id":"W6997447959","doi":"","title":"Zones de turbulences. La danse de mort, de August Strindberg, Traduit du suédois par Michel Vittoz, mise en scène de Gregory Hlady, production du Groupe de la Veillée, Théâtre Prospero, du 20 novembre au 15 décembre 2012 La robe blanche, Texte, mise en scène et jeu de Pol Pelletier, production autogérée à l’église Sainte-Brigide-de-Kildare (Montréal), du 21 au 30 novembre 2012 Pour un oui ou pour un non, de Nathalie Sarraute, production du Théâtre Galiléo, Théâtre Prospero, du 15 janvier au 9 février 2013","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); White (mutation); Power (physics); Object (grammar)","score_opus":0.004744536043908629,"score_gpt":0.19012190896024914,"score_spread":0.18537737291634052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997447959","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79245853,0.020656196,0.0005685735,0.17914021,0.0012833136,0.0030322105,0.00036493497,0.00041747917,0.002078548],"genre_scores_gemma":[0.72887397,0.022838226,0.00462658,0.0023960636,0.009880294,0.0006416667,0.00052875275,0.000405854,0.22980857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98568493,0.0047422843,0.001382524,0.002875149,0.0013357142,0.003979371],"domain_scores_gemma":[0.9928978,0.0006158571,0.0015163674,0.001434744,0.0015206005,0.0020146116],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0060112365,0.0021064093,0.0017940195,0.000703189,0.0038549823,0.0006898638,0.0018695508,0.0026772046,0.0009933189],"category_scores_gemma":[0.0017579437,0.002096354,0.0012003032,0.0023353067,0.0018034138,0.0041954247,0.00059408654,0.0024839393,0.00015854329],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0013541378,0.004228009,0.14065544,0.00087655586,0.0020194668,0.0023453117,0.06589178,0.01022755,0.023793297,0.0023800312,0.73160785,0.014620595],"study_design_scores_gemma":[0.0054316577,0.0005528683,0.17632793,0.001302896,0.0043909587,0.011419196,0.033392295,0.007892315,0.004914377,0.0033586537,0.7470803,0.003936531],"about_ca_topic_score_codex":0.16834919,"about_ca_topic_score_gemma":0.18196811,"teacher_disagreement_score":0.22773002,"about_ca_system_score_codex":0.01867439,"about_ca_system_score_gemma":0.005891424,"threshold_uncertainty_score":0.9999199},"labels":[],"label_agreement":null},{"id":"W6998547984","doi":"","title":"50 ans de théâtre noir à Montréal","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.009906683081868255,"score_gpt":0.1807402554478056,"score_spread":0.17083357236593733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998547984","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13719593,0.19064075,0.00021140378,0.64205366,0.00060924975,0.00024310348,0.0001602086,0.00018765268,0.028698046],"genre_scores_gemma":[0.31219324,0.02890268,0.0014955123,0.05737037,0.0035660276,0.0000107948945,0.00011808784,0.000065660264,0.5962776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99754435,0.00036118523,0.00022446424,0.00056476967,0.0004049359,0.00090029364],"domain_scores_gemma":[0.9985285,0.000093465605,0.00019059038,0.0002383737,0.00014616226,0.00080289843],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019166687,0.00034148488,0.00046555986,0.00007061382,0.0015273975,0.00008311894,0.00061399565,0.0005158621,0.0013296003],"category_scores_gemma":[0.000060297752,0.00034772494,0.00050358596,0.0011714429,0.00041357803,0.0005024119,0.00025003933,0.0004660192,0.00063441286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016913765,0.00015488747,0.0016788497,0.000070885646,0.00053945923,0.0019885325,0.030233063,0.00042662208,0.0011704215,0.09877297,0.8451778,0.019617362],"study_design_scores_gemma":[0.0005600147,0.00013894099,0.00072810304,0.000031299194,0.00060652156,0.0000535418,0.014502061,0.0011384989,0.000048817277,0.0010219894,0.98076016,0.00041005286],"about_ca_topic_score_codex":0.04601463,"about_ca_topic_score_gemma":0.24821189,"teacher_disagreement_score":0.5846833,"about_ca_system_score_codex":0.003537083,"about_ca_system_score_gemma":0.00012842962,"threshold_uncertainty_score":0.9998975},"labels":[],"label_agreement":null},{"id":"W6998827545","doi":"","title":"Aurore : Onde de choc. \\n Aurore Québec 2005, 108 minutes","year":2005,"lang":"gl","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Work (physics); Field (mathematics)","score_opus":0.007794564721653131,"score_gpt":0.18563135165336206,"score_spread":0.17783678693170893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998827545","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49672583,0.16744237,0.000032315602,0.2867804,0.0005785182,0.0004813601,0.00017415786,0.0003165538,0.04746853],"genre_scores_gemma":[0.33057573,0.00681869,0.00072688656,0.0080526145,0.0020597382,0.000009843161,0.00008239436,0.000045071385,0.65162903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965903,0.00035352595,0.00034036327,0.0007543763,0.00057538087,0.0013860582],"domain_scores_gemma":[0.99806476,0.0001575268,0.00032621625,0.0004709501,0.0002146662,0.00076590606],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040532835,0.00049348705,0.00060233806,0.00021427887,0.0024820934,0.00015204735,0.0009775409,0.0006561869,0.0035179113],"category_scores_gemma":[0.00009121724,0.0004787583,0.00063219713,0.0009516624,0.00051971537,0.0006595466,0.00030032656,0.00055216183,0.0008727821],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013892031,0.00027167686,0.0027773252,0.000032358883,0.0005714228,0.0007279088,0.023389312,0.0002717147,0.00088703114,0.009259223,0.92469144,0.036981646],"study_design_scores_gemma":[0.00077576307,0.00008311155,0.0027550198,0.000045412977,0.00072415755,0.000067656416,0.010951982,0.0005288818,0.00013295867,0.0003872458,0.98295814,0.0005896677],"about_ca_topic_score_codex":0.14588387,"about_ca_topic_score_gemma":0.95995814,"teacher_disagreement_score":0.8140743,"about_ca_system_score_codex":0.010593627,"about_ca_system_score_gemma":0.0005526518,"threshold_uncertainty_score":0.99990517},"labels":[],"label_agreement":null},{"id":"W6998938457","doi":"","title":"Bref portrait de la médiation théâtrale au Québec","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Context (archaeology); Feature (linguistics); Subject (documents)","score_opus":0.006358744262415489,"score_gpt":0.19892509775403763,"score_spread":0.19256635349162216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998938457","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4824475,0.24207488,0.00011060309,0.17373504,0.001240437,0.00016903122,0.00008786602,0.00022902632,0.0999056],"genre_scores_gemma":[0.5005996,0.004003267,0.00012945532,0.0013804286,0.00088224787,0.0000035391447,0.000031808548,0.000015572208,0.49295405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834394,0.000355939,0.00015232201,0.00035933036,0.000256765,0.0005317198],"domain_scores_gemma":[0.99922204,0.00021846588,0.00008065668,0.0001470545,0.00006876893,0.00026302945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004312851,0.00019885406,0.00022595188,0.000112574715,0.0010490806,0.00013028893,0.00026877664,0.000420289,0.0010416401],"category_scores_gemma":[0.000038713402,0.00019793386,0.00034854727,0.00086930924,0.00040618778,0.00050339603,0.00007553822,0.00032625417,0.00031965942],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030214553,0.00011054709,0.0020982716,0.00009211912,0.00049190014,0.0022605064,0.03218739,0.00016113499,0.0005654494,0.4614469,0.40081763,0.09973791],"study_design_scores_gemma":[0.00016172121,0.000043444667,0.0034628932,0.0000586539,0.0005328161,0.000118051685,0.0049060993,0.00072950503,0.000026063564,0.0028749774,0.98684436,0.00024141809],"about_ca_topic_score_codex":0.4586318,"about_ca_topic_score_gemma":0.8894805,"teacher_disagreement_score":0.5860267,"about_ca_system_score_codex":0.011559513,"about_ca_system_score_gemma":0.0009875913,"threshold_uncertainty_score":0.99987155},"labels":[],"label_agreement":null},{"id":"W6998970172","doi":"","title":"Aux sources du cinéma québécois. \\n La Trilogie de l’île-aux-Coudres\\n","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.012370972957658972,"score_gpt":0.20929304294357556,"score_spread":0.1969220699859166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998970172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63701373,0.16135919,0.0002076353,0.12135987,0.0009314123,0.00023385587,0.000049757768,0.00019737422,0.07864715],"genre_scores_gemma":[0.55792224,0.015787343,0.00039261498,0.0066350107,0.0018356405,0.000004240408,0.000035271154,0.000037857208,0.41734982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969329,0.00045425165,0.00031828354,0.00057428266,0.00049813744,0.0012220948],"domain_scores_gemma":[0.99805063,0.00047126913,0.00028117676,0.0003245905,0.00027722295,0.0005951268],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0011435577,0.0003926253,0.0005211704,0.00021483026,0.002247792,0.00011792615,0.00076810643,0.0007812236,0.0007904693],"category_scores_gemma":[0.00018093493,0.00038676133,0.0005513787,0.001421653,0.0009154904,0.0004966822,0.00025136003,0.0005155812,0.00025297442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003833737,0.00046367742,0.010635119,0.00007059066,0.0008788719,0.006525401,0.053927917,0.00019662314,0.00083663064,0.43578297,0.38229787,0.10800095],"study_design_scores_gemma":[0.00078366813,0.00011418589,0.0055809957,0.000041299496,0.0006005879,0.00015549232,0.025893932,0.00017728982,0.0000917014,0.003407768,0.96268576,0.00046730135],"about_ca_topic_score_codex":0.1923418,"about_ca_topic_score_gemma":0.8064907,"teacher_disagreement_score":0.6141489,"about_ca_system_score_codex":0.004185456,"about_ca_system_score_gemma":0.00038124714,"threshold_uncertainty_score":0.99985844},"labels":[],"label_agreement":null},{"id":"W6999064944","doi":"","title":"Cégep Garneau. 50 ans de vie pédagogique et de passion pour l'excellence","year":2019,"lang":"fr","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Domestic work; Gender relations","score_opus":0.02071086425595306,"score_gpt":0.2603981432377423,"score_spread":0.23968727898178924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999064944","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24328181,0.00012877652,0.000547387,0.012165451,0.0008973873,0.0005744396,0.00006419006,0.00017187082,0.74216866],"genre_scores_gemma":[0.7040872,0.2601972,0.0016864822,0.0077695292,0.0007804657,0.000004844261,0.000047391623,0.000040455627,0.025386415],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958663,0.0017088405,0.0002450397,0.00074151973,0.0003823518,0.0010559604],"domain_scores_gemma":[0.9984644,0.00028753857,0.0002530227,0.00039909862,0.000271273,0.0003246562],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007916444,0.0004011952,0.00046367905,0.0023492638,0.00061704573,0.00018829302,0.00086112245,0.0006982263,0.0009658798],"category_scores_gemma":[0.00012385487,0.00038825205,0.00045657388,0.007670712,0.00039150234,0.0010297977,0.00025514746,0.00076686393,0.0003537972],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081818743,0.0031534662,0.047607362,0.0009704226,0.0014901231,0.0015765305,0.5171976,0.00066883676,0.0017917642,0.282013,0.036511578,0.10620113],"study_design_scores_gemma":[0.0006143432,0.00019611948,0.000650323,0.0002044213,0.0002741107,0.0000148839,0.014045237,0.00042330223,0.00023306125,0.00005722302,0.9827655,0.0005214967],"about_ca_topic_score_codex":0.12993401,"about_ca_topic_score_gemma":0.079668865,"teacher_disagreement_score":0.9462539,"about_ca_system_score_codex":0.0008216961,"about_ca_system_score_gemma":0.0023229048,"threshold_uncertainty_score":0.99994737},"labels":[],"label_agreement":null},{"id":"W6999175467","doi":"","title":"Camping sauvage : Le charme indiscret de la plaisanterie. \\n Camping sauvage Canada [Québec] 2004, 100 minutes","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sound (geography); Taste; Poison control","score_opus":0.006389533003831566,"score_gpt":0.1833112513063876,"score_spread":0.176921718302556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999175467","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6337655,0.20316036,0.00020433571,0.13348319,0.0010353182,0.0003645496,0.0003338497,0.00014009191,0.027512794],"genre_scores_gemma":[0.82438815,0.0031488535,0.00044296193,0.0051964764,0.0007785737,0.000009900101,0.00009571292,0.0000440457,0.16589536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968778,0.00047714324,0.00032490052,0.0006244201,0.0004942359,0.0012015398],"domain_scores_gemma":[0.9984446,0.00020362434,0.00031930223,0.00031577778,0.00013182084,0.0005848816],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004372981,0.00045263753,0.00056636153,0.00015175989,0.0027292273,0.00015223214,0.00070115994,0.00051786285,0.0005625511],"category_scores_gemma":[0.00009472461,0.00048462185,0.0003260964,0.001017703,0.00069706066,0.0006545846,0.00025065395,0.0005930126,0.00004994273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029277147,0.0005461222,0.0062917015,0.00036960296,0.0018760349,0.019631937,0.09146793,0.0027013759,0.009564378,0.12082999,0.7232086,0.023219533],"study_design_scores_gemma":[0.0010358178,0.000059699112,0.0010891916,0.00018019599,0.0003808819,0.00022942637,0.028356409,0.00009621598,0.00040913018,0.00093781267,0.9665918,0.00063345325],"about_ca_topic_score_codex":0.9924772,"about_ca_topic_score_gemma":0.99924946,"teacher_disagreement_score":0.24338314,"about_ca_system_score_codex":0.020801065,"about_ca_system_score_gemma":0.002581884,"threshold_uncertainty_score":0.99976057},"labels":[],"label_agreement":null},{"id":"W6999258237","doi":"","title":"Ce qui ne va pas avec le cinéma québécois","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.008029858284750441,"score_gpt":0.17595528055721854,"score_spread":0.1679254222724681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999258237","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4063485,0.15416004,0.000030570645,0.37149194,0.0020275887,0.00029262874,0.00019268629,0.00015301157,0.06530304],"genre_scores_gemma":[0.48187566,0.0033998361,0.00012185394,0.008125739,0.00066359056,0.00001342161,0.00008049348,0.000024154124,0.5056952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972853,0.000628159,0.00022230728,0.0005534835,0.0005549315,0.00075581635],"domain_scores_gemma":[0.99884117,0.00010130919,0.00023928739,0.00033786625,0.00013298122,0.00034736155],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036155974,0.00028428566,0.00041347847,0.00014048812,0.004273927,0.0000593903,0.00072497234,0.00023495874,0.004750391],"category_scores_gemma":[0.000027141266,0.00031731676,0.00047065155,0.0016200433,0.00037954774,0.00042033955,0.00057194964,0.000521197,0.00019790923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012334275,0.00037958188,0.0006670135,0.00003098678,0.0005430474,0.0024391762,0.08765531,0.00057152734,0.00042207795,0.3767725,0.48391652,0.0464789],"study_design_scores_gemma":[0.0005418014,0.00013763578,0.0005305129,0.000009946167,0.00034865164,0.00010463255,0.09839228,0.0003150583,0.000017108972,0.0020168386,0.8972263,0.00035925116],"about_ca_topic_score_codex":0.34723586,"about_ca_topic_score_gemma":0.8337932,"teacher_disagreement_score":0.48655733,"about_ca_system_score_codex":0.005486731,"about_ca_system_score_gemma":0.00028508148,"threshold_uncertainty_score":0.9999279},"labels":[],"label_agreement":null},{"id":"W6999285375","doi":"","title":"Comme elle scintille !. Montréal fantasmagorique. Ou la part d’ombre des animations lumineuses urbaines de Josianne Poirier","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intersection (aeronautics); Reflexivity; Vulnerability (computing); Action (physics); Order (exchange)","score_opus":0.017128080823715308,"score_gpt":0.22042369224431996,"score_spread":0.20329561142060465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999285375","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14972392,0.54377794,0.00040059746,0.2536747,0.0016314083,0.00040084257,0.00047454427,0.00045549189,0.049460527],"genre_scores_gemma":[0.36809042,0.036090683,0.001436959,0.0029618447,0.0016785387,0.000027429836,0.00012482308,0.00006890318,0.5895204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973406,0.00052679505,0.0003058298,0.00057218777,0.00036465208,0.0008899174],"domain_scores_gemma":[0.9985384,0.00031913765,0.0001311113,0.000306083,0.00024674847,0.00045853204],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004728592,0.000400187,0.00045627521,0.00022147535,0.0023336117,0.00031694022,0.0005022947,0.00049155485,0.0009739064],"category_scores_gemma":[0.00009751441,0.00038644046,0.0005015192,0.0016832856,0.0010311999,0.0009585554,0.00024752988,0.0004672935,0.0003373321],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042879023,0.00017308611,0.00061110995,0.00013896609,0.0005208165,0.0016227528,0.017948166,0.00020877284,0.00037339245,0.25830308,0.69891,0.021146985],"study_design_scores_gemma":[0.00034445708,0.000093555216,0.00059260894,0.00023933825,0.0007816003,0.0002599153,0.012661867,0.0030985004,0.00006392481,0.011923319,0.96949136,0.00044953564],"about_ca_topic_score_codex":0.030926563,"about_ca_topic_score_gemma":0.3289087,"teacher_disagreement_score":0.54005986,"about_ca_system_score_codex":0.00310899,"about_ca_system_score_gemma":0.00019316784,"threshold_uncertainty_score":0.9999393},"labels":[],"label_agreement":null},{"id":"W6999640258","doi":"","title":"« De ma cabane au Canada aux pays des bergers poètes » comprenant « Casse en friche », « Les bois flottés rectifiés de Panagiotis Papadopoulos », « La passion selon Normand Lamour » ; « Du neuf à Rothéneuf » ; « Brissettologie » ; « Leçon de la Lalologique »","year":2011,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Context (archaeology); Power (physics); Field (mathematics)","score_opus":0.019885606242444346,"score_gpt":0.24228378137884185,"score_spread":0.2223981751363975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999640258","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9332995,0.0042267945,0.0020452035,0.022626508,0.0003421714,0.00038939124,0.00010769236,0.00021140266,0.03675133],"genre_scores_gemma":[0.97071207,0.0059089563,0.007848377,0.0008480358,0.00016971337,0.00008176225,0.00014151465,0.00005147957,0.014238095],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9730304,0.023665512,0.000661887,0.00080242124,0.0005325257,0.0013072671],"domain_scores_gemma":[0.9915287,0.005234711,0.0005314903,0.00084203016,0.0012133815,0.00064971606],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.008602125,0.00055466103,0.0006295116,0.0001559813,0.0022582659,0.0004376227,0.001497296,0.0009529637,0.00037644818],"category_scores_gemma":[0.004128369,0.00049725553,0.00032500396,0.0010713101,0.0015960183,0.0004646124,0.00041200235,0.0010886579,0.0000147568435],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010361341,0.001851927,0.6402364,0.00035566802,0.0006429508,0.0004498343,0.16313118,0.0001278192,0.010105132,0.08768161,0.03046327,0.06485064],"study_design_scores_gemma":[0.0012626011,0.000016193912,0.58590525,0.0022799964,0.00082408934,0.00032678113,0.019208534,0.0038125894,0.07105797,0.007487011,0.30590904,0.0019099509],"about_ca_topic_score_codex":0.87335944,"about_ca_topic_score_gemma":0.91995466,"teacher_disagreement_score":0.27544576,"about_ca_system_score_codex":0.0013864476,"about_ca_system_score_gemma":0.0023537949,"threshold_uncertainty_score":0.99974793},"labels":[],"label_agreement":null},{"id":"W6999725257","doi":"","title":"Das Theater im frankophonen Kanada (Québec, Acadie, Ontario) seit 1980","year":2002,"lang":"de","type":"other","venue":"Qucosa (Saxon State and University Library Dresden)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Francophone University Association","funders":"","keywords":"Context (archaeology); Theme (computing); Doors; Politics","score_opus":0.011819677678038343,"score_gpt":0.20234122899647064,"score_spread":0.1905215513184323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999725257","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07686142,0.011303478,0.0000063576103,0.008978697,0.0013955802,0.00079284987,0.0009488647,0.0002304044,0.89948237],"genre_scores_gemma":[0.010726909,0.0069724955,0.00010356147,0.004549701,0.00080255046,0.0000018281842,0.0003958594,0.00009725835,0.97634983],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99615264,0.0005596056,0.00042134515,0.0012275793,0.0006195054,0.0010193025],"domain_scores_gemma":[0.9981754,0.00012032464,0.00041020307,0.0005125831,0.00007017807,0.00071132305],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012807659,0.000818619,0.0010642195,0.00043803768,0.0016574478,0.00057299883,0.0010408747,0.0009732367,0.06432746],"category_scores_gemma":[0.000006879969,0.00072123524,0.0005014074,0.00090116565,0.0009626892,0.0021249568,0.0004705018,0.0011396108,0.0021165893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002724388,0.0002037337,0.008076713,0.00010092737,0.0013672037,0.0009796575,0.04793682,0.0000045031525,0.000012908275,0.0022560284,0.9337522,0.0050368723],"study_design_scores_gemma":[0.00093795446,0.0001325582,0.0025897457,0.00013605352,0.0006532846,0.0000044107633,0.0054560825,0.00001340761,0.000012261751,0.0003485432,0.9887571,0.0009586211],"about_ca_topic_score_codex":0.3947108,"about_ca_topic_score_gemma":0.7424392,"teacher_disagreement_score":0.34772837,"about_ca_system_score_codex":0.00027269183,"about_ca_system_score_gemma":0.0007559722,"threshold_uncertainty_score":0.99964225},"labels":[],"label_agreement":null},{"id":"W6999734677","doi":"","title":"Délivrez-moi : Annie au purgatoire. \\n Délivrez-moi, Canada [Québec] 2006, 93 minutes","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Subject (documents); Perspective (graphical); Work (physics); Identification (biology)","score_opus":0.0059222454675949086,"score_gpt":0.16782723141486938,"score_spread":0.16190498594727448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999734677","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2993222,0.34101564,0.000025867032,0.28026018,0.0028335915,0.00045793547,0.00050537946,0.00017551071,0.07540371],"genre_scores_gemma":[0.22021626,0.0021711607,0.00018437729,0.00411716,0.002057817,0.000010858918,0.0001731174,0.000043356034,0.7710259],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99578243,0.0004024637,0.00047791496,0.00088472094,0.000859957,0.0015924858],"domain_scores_gemma":[0.99776405,0.00023135552,0.00042594387,0.00052472827,0.00038170637,0.00067223806],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028552115,0.00062561594,0.0007585932,0.0001739777,0.0033224092,0.00013853073,0.0009373182,0.0006253807,0.0017471241],"category_scores_gemma":[0.00006282339,0.0006414215,0.00053151156,0.0017362532,0.0008140373,0.00068969786,0.00027668208,0.0005170974,0.0002467343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005764171,0.00022665702,0.0063954303,0.000045870987,0.00036182522,0.0021005773,0.0019194264,0.0002467204,0.0001718742,0.020676302,0.95392746,0.013870226],"study_design_scores_gemma":[0.00068342476,0.0000918964,0.0036131025,0.000068764464,0.00068359094,0.00009695838,0.0065732654,0.0002455921,0.00007290963,0.0014800759,0.9856021,0.0007883515],"about_ca_topic_score_codex":0.99746805,"about_ca_topic_score_gemma":0.9999301,"teacher_disagreement_score":0.6956222,"about_ca_system_score_codex":0.018769562,"about_ca_system_score_gemma":0.0019180245,"threshold_uncertainty_score":0.9996037},"labels":[],"label_agreement":null},{"id":"W6999913196","doi":"","title":"Électrochoc 2:fugue; qui sent le temps?","year":2022,"lang":"en","type":"other","venue":"Huddersfield Research Portal (University of Huddersfield)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Series (stratigraphy); Context (archaeology); Key (lock); Component (thermodynamics)","score_opus":0.050999623744205455,"score_gpt":0.31774970136219244,"score_spread":0.26675007761798697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999913196","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023326125,0.0025784564,0.00005662834,0.0054458184,0.00042986727,0.0005963308,0.000053295505,0.0001919168,0.99062437],"genre_scores_gemma":[0.11818701,0.0021753514,0.00023813965,0.0007090799,0.0006835677,0.000005599615,0.00017941224,0.00011129031,0.8777105],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9953504,0.0009562004,0.0002462,0.00078315346,0.0016661334,0.0009978805],"domain_scores_gemma":[0.99815744,0.00025867712,0.0003019636,0.0006315109,0.00027967006,0.00037073166],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011170661,0.0003147997,0.00064243673,0.0008223857,0.0018753135,0.00009871563,0.0014032506,0.0009297414,0.8796207],"category_scores_gemma":[0.0001832549,0.00035066096,0.0005538641,0.0012176713,0.0012939055,0.00023773068,0.00048608604,0.0017557058,0.00013592964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044053944,0.00017463612,0.00007937703,0.000078132885,0.0003859584,0.000291802,0.007467652,0.0000014799446,0.000048952425,0.01683448,0.97376513,0.000828334],"study_design_scores_gemma":[0.0003114612,0.00010919719,9.817946e-7,0.000038180828,0.000065777094,0.0000027206572,0.64529943,0.0000029010957,0.000006592722,0.0006112241,0.3532948,0.0002567469],"about_ca_topic_score_codex":0.041334335,"about_ca_topic_score_gemma":0.08928532,"teacher_disagreement_score":0.8794847,"about_ca_system_score_codex":0.0000013889796,"about_ca_system_score_gemma":0.0009229554,"threshold_uncertainty_score":0.99989456},"labels":[],"label_agreement":null},{"id":"W7000293734","doi":"","title":"Entracte : films d’un futur héroïque, CCA, Montréal, du 25 novembre 2009 au 28 février 2010","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.004849834103359278,"score_gpt":0.17107696174854742,"score_spread":0.16622712764518813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000293734","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64697146,0.108175814,0.000034943867,0.20348711,0.008917857,0.00052700314,0.0004680744,0.00022248122,0.031195221],"genre_scores_gemma":[0.2678338,0.017374262,0.001039591,0.008911405,0.0048503047,0.000016911164,0.00022820738,0.00007409684,0.6996714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99601656,0.00034210167,0.00045288823,0.0009256367,0.0007164286,0.0015464029],"domain_scores_gemma":[0.9972325,0.0001921904,0.0004851535,0.0006975749,0.00045261945,0.0009399632],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005622772,0.0006573065,0.00074699515,0.00021567366,0.0034263814,0.00019473584,0.0010649272,0.0013414022,0.007910924],"category_scores_gemma":[0.00011229833,0.00063953066,0.00078199257,0.0013189111,0.0008690908,0.001194421,0.00037356926,0.0014038392,0.001281614],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010801753,0.00048640594,0.0020224578,0.000037284826,0.0006281008,0.0018675288,0.009907226,0.000042039792,0.0035792373,0.06759377,0.86734265,0.04638528],"study_design_scores_gemma":[0.0010804031,0.00010925657,0.0074982718,0.000037960777,0.000843208,0.0002097909,0.006404935,0.00044703402,0.00019226714,0.0014502527,0.98093814,0.0007885028],"about_ca_topic_score_codex":0.12674381,"about_ca_topic_score_gemma":0.69414514,"teacher_disagreement_score":0.66847616,"about_ca_system_score_codex":0.0022477843,"about_ca_system_score_gemma":0.00027757688,"threshold_uncertainty_score":0.99995506},"labels":[],"label_agreement":null},{"id":"W7000300149","doi":"","title":"« Et on doit prendre parti »: Le ﬁlm-essai chez Gilles Groulx, en mots et en images","year":2018,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Key (lock); Theme (computing); Subject (documents)","score_opus":0.011422323900027731,"score_gpt":0.2756515443456889,"score_spread":0.26422922044566116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000300149","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6058308,0.0001535547,0.000056945966,0.010691578,0.00027272422,0.0001809044,0.00005502806,0.0001618618,0.38259664],"genre_scores_gemma":[0.9808909,0.0001560108,0.00031262575,0.0036299506,0.00066966325,0.000008018805,0.000055025797,0.000015210271,0.0142625645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705714,0.0016271358,0.00013693213,0.0003974965,0.00033273775,0.00044854294],"domain_scores_gemma":[0.99891824,0.00042211628,0.0001162245,0.00023113597,0.00012247021,0.0001898168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011003185,0.00019836226,0.00026890688,0.00013191065,0.00066266896,0.00018527918,0.0004796819,0.00035160602,0.0006289213],"category_scores_gemma":[0.00019285647,0.0001793139,0.0001848663,0.0005195084,0.0006424944,0.0006287791,0.000105685576,0.00032883752,0.00015288623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014124459,0.00039655887,0.0065225814,0.000022754206,0.00033329314,0.00014165691,0.154957,0.000036516765,0.0035339145,0.7396925,0.08708866,0.007133334],"study_design_scores_gemma":[0.0011844925,0.00024332937,0.09851663,0.000054403765,0.00018676778,0.000005909718,0.029753592,0.000057258865,0.0011070572,0.0126273865,0.8556468,0.0006163573],"about_ca_topic_score_codex":0.0032442706,"about_ca_topic_score_gemma":0.008117242,"teacher_disagreement_score":0.76855814,"about_ca_system_score_codex":0.00012211995,"about_ca_system_score_gemma":0.0001978373,"threshold_uncertainty_score":0.73122084},"labels":[],"label_agreement":null},{"id":"W7000561754","doi":"","title":"Gabor Szilasi. Le monde de l’art à Montréal, 1960-1980","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Meaning (existential); Identification (biology); Subject (documents); Context (archaeology)","score_opus":0.010414621326848776,"score_gpt":0.18376778156979517,"score_spread":0.1733531602429464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000561754","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08513729,0.26023602,0.00021854161,0.6080599,0.0007236632,0.00034825783,0.00016437254,0.00025132176,0.04486063],"genre_scores_gemma":[0.24328628,0.03449366,0.0014122179,0.036702402,0.0024080556,0.000017073431,0.00012737409,0.00007652613,0.6814764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99691564,0.00044740658,0.00030965818,0.000717481,0.0004984023,0.0011113954],"domain_scores_gemma":[0.99810153,0.00011441431,0.0002605412,0.00032273796,0.00020008409,0.0010006973],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027664364,0.0004285341,0.0005993513,0.00009933715,0.0018705511,0.00012312594,0.0007532568,0.00059481163,0.0009556534],"category_scores_gemma":[0.00009955336,0.00045643104,0.00058742036,0.001557153,0.0005160604,0.0006781786,0.0003052333,0.00054392946,0.0012651414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014056198,0.00017062642,0.000599617,0.00005011829,0.00043570652,0.0016868871,0.015401227,0.00034879197,0.0015625479,0.115890965,0.85163736,0.012075591],"study_design_scores_gemma":[0.000875182,0.00015486851,0.0005565603,0.00003615884,0.0005849532,0.000055880162,0.011062427,0.0019508348,0.00014637235,0.00173118,0.9823231,0.00052248576],"about_ca_topic_score_codex":0.03755943,"about_ca_topic_score_gemma":0.21112132,"teacher_disagreement_score":0.63661575,"about_ca_system_score_codex":0.0033485177,"about_ca_system_score_gemma":0.00026199332,"threshold_uncertainty_score":0.9999576},"labels":[],"label_agreement":null},{"id":"W7001169497","doi":"","title":"Immense et modeste parole de Bouchard. Serge Bouchard, La prière de l’épinette noire, Montréal, Les éditions du Boréal, Collection Papiers collés, 2022, 224 pages","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Swift; Context (archaeology)","score_opus":0.009016537811090344,"score_gpt":0.20105065222187524,"score_spread":0.19203411441078488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001169497","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5465831,0.09464552,0.00023559804,0.3431648,0.0011530844,0.0007646387,0.000911388,0.0006167911,0.011925063],"genre_scores_gemma":[0.2944462,0.28683668,0.0005658912,0.0063215615,0.0012428608,0.00015050346,0.0007151535,0.0001108022,0.40961033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99550647,0.0013235279,0.00039806668,0.00079077116,0.00060621544,0.0013749588],"domain_scores_gemma":[0.99792254,0.00036437105,0.00036169862,0.00039882073,0.00031625267,0.0006362884],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010797426,0.00054553483,0.00064321555,0.00038308933,0.0047250604,0.00024634547,0.00053803955,0.00088016567,0.0005142431],"category_scores_gemma":[0.00014857332,0.0005999188,0.0006153565,0.0031848704,0.0006479015,0.00080662075,0.00029137445,0.0007277705,0.00023112955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016601736,0.00024215285,0.00225493,0.00006961786,0.0007092487,0.0016699492,0.008837866,0.00269866,0.0018560807,0.026059825,0.95280105,0.0026346166],"study_design_scores_gemma":[0.0012039698,0.00016475061,0.004262068,0.000120697245,0.0009225107,0.00016262164,0.017579371,0.009014019,0.00011263793,0.003825048,0.9619485,0.00068381685],"about_ca_topic_score_codex":0.052579727,"about_ca_topic_score_gemma":0.30009618,"teacher_disagreement_score":0.39768526,"about_ca_system_score_codex":0.005818699,"about_ca_system_score_gemma":0.00046932264,"threshold_uncertainty_score":0.99964523},"labels":[],"label_agreement":null},{"id":"W7001230305","doi":"","title":"Instinct de survie : \\n Carrefour international de théâtre de Québec 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Instinct; Ridiculous; Order (exchange); Criticism","score_opus":0.0064274568562462196,"score_gpt":0.18412014464442827,"score_spread":0.17769268778818206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001230305","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7132797,0.054194365,0.0001953317,0.16891229,0.00090172805,0.00013562606,0.00016498429,0.00010759599,0.06210837],"genre_scores_gemma":[0.45324716,0.002027319,0.0004980069,0.0033808306,0.001650341,0.000005304503,0.00008636616,0.000020281463,0.5390844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978929,0.00037760564,0.00020819668,0.00037303584,0.00034118298,0.0008070399],"domain_scores_gemma":[0.9989982,0.000119960176,0.00019578938,0.00018708096,0.0002027841,0.00029613552],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043758642,0.00025997477,0.0002941539,0.00012032378,0.001102398,0.000090522146,0.0006125682,0.00040706428,0.0010340873],"category_scores_gemma":[0.00006373392,0.0002682105,0.00035294748,0.00061943213,0.0003406271,0.0003854861,0.00016149395,0.00033951012,0.00013651855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010355873,0.0003127841,0.06712076,0.000031837233,0.0005116876,0.0027245623,0.007768569,0.0016783371,0.0006288849,0.11266891,0.7692222,0.037227903],"study_design_scores_gemma":[0.00046369917,0.000032360676,0.018114943,0.000035005447,0.0003216223,0.00015655634,0.003463253,0.0010369138,0.00004191795,0.0025809605,0.9734455,0.00030728136],"about_ca_topic_score_codex":0.77190715,"about_ca_topic_score_gemma":0.9758492,"teacher_disagreement_score":0.476976,"about_ca_system_score_codex":0.014245287,"about_ca_system_score_gemma":0.0005860699,"threshold_uncertainty_score":0.999977},"labels":[],"label_agreement":null},{"id":"W7001305178","doi":"","title":"Joëlle Papillon, Désir et insoumission chez Arcan, Millet et Ernaux, Québec, PUL (“Littérature et imaginaire contemporain”), 2018, 199 pp.","year":2020,"lang":"fr","type":"article","venue":"Institutional Research Information System (University of Udine)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identification (biology); Set (abstract data type); Quality (philosophy)","score_opus":0.07163404004171489,"score_gpt":0.30806860672685776,"score_spread":0.23643456668514287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001305178","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025954211,0.010156754,0.0026606277,0.62778836,0.0011008774,0.0014782299,0.0015267275,0.00020940455,0.32912478],"genre_scores_gemma":[0.9802932,0.001940483,0.00049203023,0.0066311867,0.00033227616,0.0000047648396,0.0008045489,0.000009463988,0.009492019],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948588,0.0015791748,0.0005870588,0.00038214785,0.0020262308,0.0005665744],"domain_scores_gemma":[0.9961201,0.00022200063,0.00051937863,0.00025935043,0.0022361523,0.00064303976],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032333445,0.00029387718,0.0005454458,0.0002965025,0.0018337604,0.00029222592,0.0008317917,0.0004691151,0.00069738645],"category_scores_gemma":[0.0007311393,0.00028322937,0.00035418803,0.002243337,0.0019014764,0.005336117,0.0003833707,0.0011178901,0.0008329964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035634186,0.00009961956,0.00076779566,0.00089135894,0.0002255012,0.00007194787,0.065163694,0.00041807062,0.00017164082,0.53383976,0.39592946,0.0020647899],"study_design_scores_gemma":[0.0011009921,0.0001417072,0.0018119616,0.0005436137,0.000044444885,0.000019258068,0.059951033,0.0020995792,0.000014006706,0.0001685992,0.9338269,0.00027786967],"about_ca_topic_score_codex":0.041354153,"about_ca_topic_score_gemma":0.009680478,"teacher_disagreement_score":0.954339,"about_ca_system_score_codex":0.0009354133,"about_ca_system_score_gemma":0.0035059433,"threshold_uncertainty_score":0.999962},"labels":[],"label_agreement":null},{"id":"W7001492393","doi":"","title":"La magie des signes : Oeuvres sur papier de la Collection Borduas du Musée d'art contemporain de Montréal","year":2004,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Context (archaeology); Exhibition; Identity (music)","score_opus":0.013668579974828569,"score_gpt":0.24712786547974339,"score_spread":0.23345928550491482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001492393","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07667004,0.0315957,0.00072998233,0.009683314,0.00243659,0.0014402342,0.00024671276,0.00050213654,0.8766953],"genre_scores_gemma":[0.24999328,0.003419489,0.00070988823,0.0040197596,0.0031617337,0.00019916431,0.00025599246,0.00013311874,0.73810756],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99083424,0.0040721,0.0011274283,0.0013394485,0.0009554851,0.0016713267],"domain_scores_gemma":[0.9956095,0.0016227597,0.00074644224,0.00056888233,0.00065368204,0.0007987178],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.003258525,0.0011974655,0.0014867585,0.00033190794,0.0028721974,0.0010800124,0.00087575824,0.0023730656,0.0038844727],"category_scores_gemma":[0.0007763498,0.0010954512,0.001218896,0.0013140804,0.0046650204,0.0010480946,0.00015675918,0.0015918559,0.0009492156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040588767,0.0014790603,0.0038670276,0.00047761117,0.0019326564,0.0013792819,0.09922843,0.00044773766,0.0011341757,0.10025704,0.7466355,0.042755615],"study_design_scores_gemma":[0.0014867579,0.00032043556,0.008846653,0.00051688665,0.0008664228,0.00015653254,0.003787443,0.00018039341,0.000050822113,0.05173313,0.93082213,0.001232371],"about_ca_topic_score_codex":0.013910214,"about_ca_topic_score_gemma":0.073169395,"teacher_disagreement_score":0.18418668,"about_ca_system_score_codex":0.002822395,"about_ca_system_score_gemma":0.0036137367,"threshold_uncertainty_score":0.99995697},"labels":[],"label_agreement":null},{"id":"W7001603730","doi":"","title":"Le groupe Nouvelle Aire en mémoires, 1968-1982: Les coulisses de la nouvelle danse au Québec","year":2013,"lang":"fr","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Class (philosophy); Identity (music); Power (physics)","score_opus":0.012882371877966328,"score_gpt":0.22703685810983745,"score_spread":0.2141544862318711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001603730","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3450765,0.00020170772,0.00011569016,0.008322183,0.00055587123,0.0005958983,0.00007774,0.00020096681,0.6448535],"genre_scores_gemma":[0.9308698,0.042122845,0.0006211817,0.0012479767,0.00093554426,0.000012970543,0.00005884135,0.00004532188,0.024085494],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99587315,0.001607306,0.00031765745,0.00075879303,0.0004149612,0.001028121],"domain_scores_gemma":[0.9980654,0.00057765323,0.0002448679,0.0004032889,0.00034181264,0.00036694043],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004605155,0.00049614866,0.0005627979,0.0022400757,0.0022788697,0.00032297906,0.0010550106,0.00081126706,0.00090815715],"category_scores_gemma":[0.00018803115,0.000491536,0.00048281054,0.007669306,0.0016005733,0.0014286126,0.000333648,0.0006752539,0.00022644392],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020752593,0.0023452803,0.013032377,0.00039056494,0.0013713046,0.0007169952,0.7057896,0.00014690564,0.00032020165,0.109570496,0.034535415,0.13157329],"study_design_scores_gemma":[0.00070957706,0.00016357869,0.0011264111,0.000087578526,0.00038286913,0.000015612533,0.068663046,0.00020358879,0.00012064599,0.000012736692,0.9279145,0.0005998593],"about_ca_topic_score_codex":0.9875931,"about_ca_topic_score_gemma":0.9394668,"teacher_disagreement_score":0.8933791,"about_ca_system_score_codex":0.0014644869,"about_ca_system_score_gemma":0.006588846,"threshold_uncertainty_score":0.99975365},"labels":[],"label_agreement":null},{"id":"W7001605742","doi":"","title":"[…] le cul et l’amour, ce sont deux choses bien différentes.\\n . Nadine Bismuth, Les gens fidèles ne font pas les nouvelles, Montréal, Boréal, 1999, 236 p., 22,50 $. Gaëtan Brulotte, Épreuves, Montréal, Leméac, 1999, 104 p., 7,95 $. Stanley Péan, Noirs désirs, Montréal, Leméac, 112 p., 7,95 $.","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Sequence (biology); Gens; Identity (music)","score_opus":0.011863788417210096,"score_gpt":0.1984040231730507,"score_spread":0.1865402347558406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001605742","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20249718,0.68887985,0.00015629019,0.09597448,0.0011391665,0.0016023122,0.0019751794,0.00081833306,0.006957226],"genre_scores_gemma":[0.12020967,0.72557425,0.0023554477,0.0071480605,0.0021620363,0.00017648686,0.0015427569,0.0004842334,0.14034703],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98464704,0.0020304986,0.002378494,0.0033900226,0.0026159612,0.0049379608],"domain_scores_gemma":[0.9914217,0.0008438676,0.0017337527,0.0022918717,0.00095475436,0.00275404],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0015996116,0.002944153,0.0033478802,0.00077516935,0.0089166025,0.0010645445,0.003242649,0.0025465672,0.0038610583],"category_scores_gemma":[0.00026739927,0.0029681427,0.0024157714,0.0032595322,0.0021973422,0.0030231448,0.0011890202,0.0024625633,0.00078123616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009582053,0.0021928686,0.0017064167,0.0003189496,0.0024332276,0.0027394001,0.010448556,0.002919198,0.0014852465,0.027609024,0.90200436,0.045184523],"study_design_scores_gemma":[0.0044232034,0.0007412023,0.0018931958,0.0006293231,0.0022518865,0.00045586625,0.036617354,0.0021220257,0.00019434122,0.0010619569,0.9464272,0.0031824019],"about_ca_topic_score_codex":0.7713882,"about_ca_topic_score_gemma":0.95015395,"teacher_disagreement_score":0.17876577,"about_ca_system_score_codex":0.0073689623,"about_ca_system_score_gemma":0.0012481409,"threshold_uncertainty_score":0.9999968},"labels":[],"label_agreement":null},{"id":"W7001649128","doi":"","title":"Lanaudière, Festival international 2001 [concert program]","year":2001,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Concerto; Suite; Performance art","score_opus":0.040273119519383185,"score_gpt":0.346462242374363,"score_spread":0.30618912285497984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001649128","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049451154,0.000110904315,0.000026176229,0.01859401,0.0007163819,0.00014726506,0.0000027403194,0.0002152257,0.9307361],"genre_scores_gemma":[0.70986325,0.00016805006,0.0013233353,0.0070230793,0.0019060831,0.000037965314,0.000045308778,0.0000055213372,0.27962744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913836,0.00006080397,0.00011244538,0.00016920564,0.00025693723,0.00026226786],"domain_scores_gemma":[0.9996116,0.000028430853,0.000037072128,0.000069775895,0.00014326345,0.00010983696],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001742822,0.0000718831,0.00009507382,0.00003630496,0.0002582573,0.00016664834,0.00025404952,0.000084637395,0.006047242],"category_scores_gemma":[0.00008369797,0.00005033502,0.00008471571,0.0003327491,0.00014756892,0.00023871729,0.000027483398,0.00008730865,0.00020592786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003473392,0.00036577255,0.0947465,0.0000025449306,0.00021811189,0.00007035432,0.004247087,0.000005752562,0.00012563053,0.14467457,0.5538728,0.20163612],"study_design_scores_gemma":[0.0001162342,0.000019421246,0.0058116,0.0000027599824,0.0000148697445,0.000002777541,0.0013737496,0.000041819214,0.000006509203,0.0014434496,0.99107724,0.0000895628],"about_ca_topic_score_codex":0.0019269416,"about_ca_topic_score_gemma":0.008570759,"teacher_disagreement_score":0.6604121,"about_ca_system_score_codex":0.000048344857,"about_ca_system_score_gemma":0.00004905731,"threshold_uncertainty_score":0.99486136},"labels":[],"label_agreement":null},{"id":"W7001653274","doi":"","title":"La Nascita di un Teatro Nazionale: Gélinas Gratien padre del teatro quebecchese. Analisi delle opere Tit-Coq e Bousille et les Justes.","year":2016,"lang":"it","type":"article","venue":"Electronic Theses and Dissertations Repository (University of Pisa)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"State (computer science); Context (archaeology); Power (physics); Period (music)","score_opus":0.009817931134402633,"score_gpt":0.23456013368969358,"score_spread":0.22474220255529095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001653274","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9702568,0.005505685,0.00017190454,0.0033220837,0.000114464776,0.00024636928,0.00005714681,0.000055697226,0.02026984],"genre_scores_gemma":[0.9444543,0.001093155,0.0000974431,0.000076174896,0.00008905612,0.0000025788088,0.000041417075,0.000014940418,0.054130927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99771124,0.0006129401,0.00026266975,0.0005448851,0.0003408588,0.0005274071],"domain_scores_gemma":[0.99845594,0.0004582029,0.00028724506,0.00028526757,0.0002963482,0.00021699312],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00032162105,0.0002829906,0.000420591,0.000118460914,0.002312645,0.00015830198,0.0004792582,0.00034168258,0.00031438412],"category_scores_gemma":[0.00007467114,0.00022902865,0.00033433188,0.0005510301,0.0007584866,0.0007330269,0.00009678126,0.00030629802,0.000010670554],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007541805,0.0013228045,0.05996436,0.00019585731,0.0026467715,0.00011982559,0.12636662,0.00011518962,0.023664946,0.75816655,0.0058824783,0.0208004],"study_design_scores_gemma":[0.0035701052,0.0015881686,0.20509595,0.00071012235,0.0034705612,0.00010683299,0.61987466,0.0005102369,0.002070443,0.008265656,0.15251006,0.0022272107],"about_ca_topic_score_codex":0.010726588,"about_ca_topic_score_gemma":0.04774276,"teacher_disagreement_score":0.74990094,"about_ca_system_score_codex":0.00017136976,"about_ca_system_score_gemma":0.000526195,"threshold_uncertainty_score":0.9989862},"labels":[],"label_agreement":null},{"id":"W7001693961","doi":"","title":"Le motif du mirror dans l'œuvre de Milan Kundera /","year":2007,"lang":"fr","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Intellectual property; Staring; Motif (music)","score_opus":0.02033385331963655,"score_gpt":0.2707290010107242,"score_spread":0.25039514769108767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001693961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.735451,0.0010291049,7.665231e-7,0.0004962943,0.0028306225,0.0005887437,0.0006858639,0.00024240982,0.25867522],"genre_scores_gemma":[0.91942203,0.0005292655,0.001395944,0.004928014,0.0004595927,0.00011301206,0.0017197367,0.00016704472,0.071265385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9916454,0.0015735874,0.0014271712,0.001839332,0.001413921,0.0021005908],"domain_scores_gemma":[0.9956187,0.00045485076,0.000985347,0.00077607424,0.0010250296,0.0011399874],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0022209967,0.0012887277,0.0013623099,0.00045077963,0.007749857,0.00045342982,0.0017406306,0.002720501,0.0011820508],"category_scores_gemma":[0.0008554513,0.0013009867,0.0013943113,0.0024694162,0.00073896995,0.0015694364,0.00016459804,0.002108689,0.00090150855],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002016551,0.0010086042,0.0011991417,0.00036663166,0.0010539129,0.0003428185,0.0022105398,0.000031462467,0.063909575,0.89331615,0.000082527346,0.036276985],"study_design_scores_gemma":[0.0019539637,0.00040565996,0.018424092,0.000716491,0.0022428227,0.00010859695,0.051304523,0.0001234583,0.02540908,0.07271476,0.822735,0.0038615088],"about_ca_topic_score_codex":0.025691906,"about_ca_topic_score_gemma":0.20459208,"teacher_disagreement_score":0.8226525,"about_ca_system_score_codex":0.0017800907,"about_ca_system_score_gemma":0.0004400987,"threshold_uncertainty_score":0.99998647},"labels":[],"label_agreement":null},{"id":"W7001786942","doi":"","title":"L'évolution de la classification des genres musicaux : la programmation de l'orchestre symphonique de Montréal des années 1960 à nos jours","year":2021,"lang":"fr","type":"other","venue":"Archipelago (Université du Québec à Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Popular music; Folk music; Public work","score_opus":0.013285378846581259,"score_gpt":0.21545440190967347,"score_spread":0.2021690230630922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001786942","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9084344,0.03477414,0.003514611,0.002899512,0.00015527892,0.000472745,0.000032689764,0.00019089399,0.049525715],"genre_scores_gemma":[0.96626335,0.0075473464,0.0082950005,0.00038663344,0.0010778479,0.000063253625,0.00016415777,0.0001039169,0.01609849],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9943995,0.0030615549,0.00036934705,0.00064524816,0.00040438407,0.0011200005],"domain_scores_gemma":[0.9974873,0.00077453844,0.00047809893,0.00036183963,0.00028387384,0.0006143374],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0010628108,0.00055278465,0.00056188816,0.00029586145,0.0022615183,0.00033334427,0.0006144257,0.0010166304,0.00081569643],"category_scores_gemma":[0.00043950495,0.00055666815,0.0005748073,0.0010383566,0.003356778,0.0005100284,0.0001488633,0.0007235066,0.000051285806],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010985559,0.0006418616,0.03654493,0.0002749608,0.0007325852,0.00024211527,0.47576243,0.00031152478,0.0033931138,0.14383334,0.0023223679,0.3358309],"study_design_scores_gemma":[0.00096398796,0.0001733435,0.46933585,0.0006800897,0.0018179809,0.00029527288,0.25002018,0.004757479,0.00009134045,0.016676065,0.25400937,0.0011790053],"about_ca_topic_score_codex":0.6771023,"about_ca_topic_score_gemma":0.9128002,"teacher_disagreement_score":0.43279094,"about_ca_system_score_codex":0.0036970784,"about_ca_system_score_gemma":0.003002021,"threshold_uncertainty_score":0.9996885},"labels":[],"label_agreement":null},{"id":"W7001910945","doi":"","title":"Les jeunesses musicales du Canada ont eu 70 ans","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.0121284141735628,"score_gpt":0.17582925307087513,"score_spread":0.16370083889731232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001910945","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32029274,0.09164196,0.000030198431,0.5641755,0.0009450677,0.00017136245,0.00018510342,0.00008807046,0.02247002],"genre_scores_gemma":[0.89520437,0.006966343,0.00011488806,0.018680332,0.0017524315,0.000003517333,0.000062106665,0.00002054856,0.077195495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998051,0.0002601259,0.00019343196,0.00046802306,0.00043037502,0.00059707055],"domain_scores_gemma":[0.9987548,0.0001422019,0.00016188103,0.00016969128,0.00019365028,0.00057780434],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009638659,0.00028187278,0.00041491163,0.0000390231,0.0016580075,0.00005998422,0.0005182777,0.0002752982,0.0015181495],"category_scores_gemma":[0.00008074276,0.0002748267,0.00025619575,0.0009299099,0.00038437304,0.0003028505,0.00019648358,0.00029708317,0.000073978204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006646078,0.00009498315,0.0021954821,0.000070273876,0.00041301321,0.0032612733,0.018415822,0.00021486073,0.00023645726,0.14892124,0.79895884,0.027151307],"study_design_scores_gemma":[0.0003050595,0.000062278654,0.0010936401,0.000023742636,0.00040842916,0.00002673006,0.023210589,0.0003235597,0.00003362662,0.00021893406,0.97395056,0.00034283043],"about_ca_topic_score_codex":0.93168384,"about_ca_topic_score_gemma":0.99843633,"teacher_disagreement_score":0.5749116,"about_ca_system_score_codex":0.0041581085,"about_ca_system_score_gemma":0.00033627165,"threshold_uncertainty_score":0.9999704},"labels":[],"label_agreement":null},{"id":"W7002211362","doi":"","title":"Montréal la fugace. \\n La Mémoire des anges de Luc Bourdon","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Fusible alloy","score_opus":0.009970090423133359,"score_gpt":0.18965944837603682,"score_spread":0.17968935795290347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002211362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67396873,0.23463012,0.00008818926,0.02930787,0.00045003073,0.0001478714,0.000055861477,0.0001442209,0.061207104],"genre_scores_gemma":[0.5598216,0.05276487,0.0014800362,0.0017617607,0.0009342636,0.000006077919,0.000026625086,0.000037106693,0.38316765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971484,0.00072622247,0.00021855797,0.00048466984,0.0004370389,0.0009850913],"domain_scores_gemma":[0.99836516,0.0004431341,0.00019584365,0.00026339263,0.0001980704,0.0005344249],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00056923536,0.00035929432,0.0004479334,0.00016171522,0.0028626558,0.00007917968,0.000499834,0.00075085124,0.00035022173],"category_scores_gemma":[0.0001174142,0.00036216315,0.0004528325,0.0011121277,0.0016824228,0.0005926189,0.00020150523,0.00048789446,0.00019501164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033686458,0.0006104847,0.016642595,0.00012382814,0.0010262207,0.019035552,0.06892223,0.00030583906,0.00171541,0.20842543,0.57369286,0.1091627],"study_design_scores_gemma":[0.00063130114,0.00009252589,0.015124071,0.000063967054,0.0004292086,0.0007861415,0.010948301,0.00017810229,0.000076842305,0.0029334584,0.9682995,0.00043656825],"about_ca_topic_score_codex":0.057514384,"about_ca_topic_score_gemma":0.37547675,"teacher_disagreement_score":0.39460668,"about_ca_system_score_codex":0.0050403504,"about_ca_system_score_gemma":0.00017250616,"threshold_uncertainty_score":0.99988306},"labels":[],"label_agreement":null},{"id":"W7002275872","doi":"","title":"\\n C’est arrivé un jour!\\n Quand l’anodin fait la nouvel-. Jean-Claude Castex, C’est arrivé un jour!, nouvelles, Les Éditions de L’Interligne, Ottawa, 2007, 90 pages","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Relation (database); Perspective (graphical); Identity (music)","score_opus":0.013042029791485506,"score_gpt":0.1924976020884286,"score_spread":0.1794555722969431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002275872","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6377402,0.15413556,0.0007985656,0.1403909,0.0021394882,0.0007511789,0.0010991041,0.00035643097,0.06258858],"genre_scores_gemma":[0.6263043,0.03703683,0.0014488592,0.002166389,0.0019978818,0.000021656422,0.0002237533,0.00008649017,0.3307138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944938,0.0011973098,0.0007037061,0.0010574546,0.00083849934,0.0017092291],"domain_scores_gemma":[0.99650407,0.0005782294,0.00068166706,0.0006127943,0.0005025551,0.0011207147],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006946352,0.0008566581,0.001011344,0.00040446225,0.0066958563,0.00025615282,0.0012328282,0.0011764097,0.005710278],"category_scores_gemma":[0.00018402017,0.00087095314,0.0009487141,0.0017261222,0.0018940469,0.0009911677,0.00034105757,0.0011631707,0.0006890954],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000114620816,0.00077148987,0.0022777047,0.00006998144,0.0012171586,0.008199809,0.02536282,0.000587823,0.0008943567,0.051864244,0.8883452,0.02029481],"study_design_scores_gemma":[0.0014615696,0.0002404355,0.0020408095,0.00018009661,0.0011007001,0.0011273903,0.04806157,0.00045067593,0.0002778616,0.001528306,0.94247603,0.0010545675],"about_ca_topic_score_codex":0.024093853,"about_ca_topic_score_gemma":0.55218726,"teacher_disagreement_score":0.5280934,"about_ca_system_score_codex":0.0040473463,"about_ca_system_score_gemma":0.00049062923,"threshold_uncertainty_score":0.99977595},"labels":[],"label_agreement":null},{"id":"W7002315360","doi":"","title":"\\n Camera lucida : Entretien avec Hugo Latulippe, Thierry Ducharme, Montréal : La Peuplade, 2009, 135 pages","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Line drawings; Relation (database); Photography; Context (archaeology)","score_opus":0.005514484318719113,"score_gpt":0.18269010216881615,"score_spread":0.17717561785009703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002315360","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5184239,0.17171893,0.000019962437,0.23362292,0.0039978004,0.0005266051,0.0003560774,0.0002811847,0.07105259],"genre_scores_gemma":[0.3392647,0.03394563,0.0005276975,0.0041921944,0.0021817654,0.000014781747,0.0001259109,0.00006031816,0.619687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960144,0.0005746916,0.00040657658,0.0009207173,0.0007465731,0.0013369957],"domain_scores_gemma":[0.99753726,0.00030523812,0.00041186326,0.0005858252,0.00035481935,0.0008050201],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005451014,0.0006193418,0.0007283273,0.00024042773,0.0021289964,0.00020707567,0.00095157855,0.0012106615,0.0033971183],"category_scores_gemma":[0.0001307851,0.00061129074,0.0006747498,0.0014009275,0.001177335,0.0008797723,0.00041277873,0.0015291251,0.00079576595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017467934,0.00040886184,0.0018756036,0.00007325594,0.00078305905,0.0036216306,0.04265693,0.000046516037,0.0036164066,0.09079998,0.79886526,0.057077844],"study_design_scores_gemma":[0.00089809013,0.00010533625,0.0037443803,0.000053171992,0.00078919984,0.00025385933,0.009590264,0.0003174976,0.00012273868,0.0021333897,0.98125345,0.00073864654],"about_ca_topic_score_codex":0.039372485,"about_ca_topic_score_gemma":0.46491683,"teacher_disagreement_score":0.5486344,"about_ca_system_score_codex":0.0017470545,"about_ca_system_score_gemma":0.00018998323,"threshold_uncertainty_score":0.99998224},"labels":[],"label_agreement":null},{"id":"W7002330752","doi":"","title":"\\n Alain, artiste démolisseur, Canada [Québec] 2002, 26 minutes","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.009326447908842524,"score_gpt":0.16698695122926197,"score_spread":0.15766050332041945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002330752","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044072896,0.5609461,0.0000062348677,0.33825007,0.0012901917,0.00019194337,0.00011239065,0.00010480215,0.055025343],"genre_scores_gemma":[0.048382826,0.009532819,0.00011731601,0.0074483403,0.00072354724,0.000004368702,0.000014261513,0.000026861388,0.9337497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974846,0.00029331213,0.00026127443,0.00051880203,0.0005143758,0.0009276098],"domain_scores_gemma":[0.99849826,0.0001479355,0.0002263171,0.00033114472,0.00022590757,0.00057040935],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015168401,0.000348542,0.00044401048,0.0000859721,0.0018059162,0.000071668954,0.00055606756,0.00033496972,0.008382917],"category_scores_gemma":[0.000068099274,0.0003594646,0.00029810815,0.0010532845,0.00042706617,0.00042387316,0.00015321228,0.00033284802,0.0007157634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014967643,0.000088502245,0.0005943181,0.000022569007,0.00026019858,0.0019910496,0.0030528167,0.000057392255,0.00007216304,0.010042176,0.9631606,0.020643292],"study_design_scores_gemma":[0.00039286123,0.000051601746,0.0005396727,0.00003839421,0.00042736583,0.000105787134,0.0036164287,0.00070448813,0.000028523347,0.00023088836,0.99342185,0.00044214787],"about_ca_topic_score_codex":0.9832427,"about_ca_topic_score_gemma":0.99978584,"teacher_disagreement_score":0.87872434,"about_ca_system_score_codex":0.008506022,"about_ca_system_score_gemma":0.00026033577,"threshold_uncertainty_score":0.99988574},"labels":[],"label_agreement":null},{"id":"W7002389515","doi":"","title":"Mitchell, Riopelle : nothing in moderation = un couple dans la démesure : [exposition, Musée national des beaux-arts du Québec (MNBAQ), Québec, du 12 octobre 2017 au 7 janvier 2018 ; Musée des beaux-arts de l'Ontario (AGO), Toronto, du 17 février au 12 mai 2018 ; Fonds Hélène &amp; Edouard Leclerc, Landernau, du 9 décembre 2018 au 10 mars 2019]","year":2017,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Context (archaeology); Relation (database); Subject (documents)","score_opus":0.03239005780831518,"score_gpt":0.26863517605828774,"score_spread":0.23624511824997257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002389515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76642305,0.01091645,0.0034320683,0.05135148,0.0035099334,0.0013349093,0.00031054846,0.00016494885,0.16255662],"genre_scores_gemma":[0.7367181,0.0016209332,0.0022168485,0.0051371786,0.005136011,0.00017805309,0.0007181804,0.000116667055,0.24815802],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99241644,0.00086022646,0.0015363396,0.0016473862,0.0014756653,0.0020639459],"domain_scores_gemma":[0.9951069,0.0005682009,0.0010740827,0.0010596798,0.0012536093,0.0009375597],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0027054867,0.0012627213,0.0013269658,0.00022121498,0.009287296,0.002092891,0.0016156696,0.0015105971,0.012366644],"category_scores_gemma":[0.0006966182,0.0011539053,0.0008577568,0.00032353422,0.0036229861,0.0062999083,0.0005230957,0.00088391604,0.000699568],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0004538789,0.0014542339,0.22311538,0.00012360154,0.0010019514,0.000119229124,0.27339983,0.0015298404,0.0011529273,0.0042548953,0.48764747,0.005746753],"study_design_scores_gemma":[0.002530271,0.00024069099,0.23441432,0.00034787922,0.00074000703,0.00016016714,0.006210565,0.00221887,0.00011400999,0.0030656797,0.7483435,0.0016139827],"about_ca_topic_score_codex":0.98040944,"about_ca_topic_score_gemma":0.9996169,"teacher_disagreement_score":0.26718926,"about_ca_system_score_codex":0.01115644,"about_ca_system_score_gemma":0.01180282,"threshold_uncertainty_score":0.99978566},"labels":[],"label_agreement":null},{"id":"W7002414254","doi":"","title":"\\n L’oeil au-dessus du puits. Deux conversations avec Johan van der Keuken Robert Daudelin Éd. Les 400 coups cinéma, Montréal, 2006. 85 pages","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Demotion","score_opus":0.009541862195004282,"score_gpt":0.1960219604460663,"score_spread":0.18648009825106202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002414254","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23707373,0.39684653,0.0021100936,0.29365546,0.0029112052,0.0009877133,0.00038956886,0.00042220144,0.06560351],"genre_scores_gemma":[0.5597696,0.052492525,0.00083172176,0.004865977,0.0021986729,0.000014562833,0.0003188051,0.00008008153,0.3794281],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99570477,0.00042963919,0.0006012754,0.0009115597,0.00081086264,0.0015418681],"domain_scores_gemma":[0.9970498,0.00038079254,0.0005067149,0.00055286824,0.0006700338,0.0008397874],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009852628,0.000638571,0.00077685626,0.0003336382,0.003942642,0.0001746005,0.0009069749,0.000977772,0.0020329366],"category_scores_gemma":[0.00014396675,0.0006636976,0.0006548088,0.0017090573,0.0011493872,0.0009559985,0.00033901498,0.0006728832,0.0005253613],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021559512,0.0005013172,0.0061547807,0.00007007996,0.0013576343,0.0024107234,0.030237935,0.0009692477,0.0005141102,0.057207875,0.83270174,0.06765897],"study_design_scores_gemma":[0.0013383955,0.0001308688,0.004709116,0.0000816814,0.0013989365,0.00010741834,0.024667263,0.0011333468,0.000111046036,0.0018692643,0.9636449,0.0008077414],"about_ca_topic_score_codex":0.113906324,"about_ca_topic_score_gemma":0.84190434,"teacher_disagreement_score":0.727998,"about_ca_system_score_codex":0.007048118,"about_ca_system_score_gemma":0.000268763,"threshold_uncertainty_score":0.9995814},"labels":[],"label_agreement":null},{"id":"W7002471912","doi":"","title":"\\n Hubert Reeves, conteur d’étoiles\\n . \\n Hubert Reeves, conteur d’étoiles, Canada [Québec]. 2002, 52 minutes","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Context (archaeology); Perspective (graphical)","score_opus":0.008148570312553002,"score_gpt":0.17081999738862794,"score_spread":0.16267142707607493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002471912","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0969147,0.62607646,0.000025899813,0.157258,0.003967186,0.00086912664,0.00073324924,0.00024085098,0.11391453],"genre_scores_gemma":[0.08710026,0.01087849,0.00032043463,0.01016367,0.00078994175,0.000020689957,0.00016080227,0.00007539178,0.8904903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99362785,0.0013050579,0.0007648626,0.001303252,0.0011064712,0.0018924811],"domain_scores_gemma":[0.9961399,0.00051778485,0.00064199284,0.0008556111,0.00067675556,0.0011679915],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00069389783,0.00092655764,0.0012513802,0.0002047915,0.0029341811,0.00018091456,0.001206912,0.0009429694,0.003547706],"category_scores_gemma":[0.00043136266,0.00094825734,0.0006716372,0.0017764266,0.0009926197,0.0009036626,0.0002703958,0.0009622728,0.00032430846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011661966,0.00022343665,0.0018103117,0.00005902609,0.0007520812,0.0026785918,0.0028545544,0.0000351947,0.00037255394,0.057221025,0.9226968,0.0111797815],"study_design_scores_gemma":[0.0015080104,0.00015549402,0.00080818794,0.00014865611,0.0008933562,0.00029984722,0.009731938,0.000078638834,0.00019622252,0.00072462385,0.98430854,0.0011464678],"about_ca_topic_score_codex":0.9799371,"about_ca_topic_score_gemma":0.9995342,"teacher_disagreement_score":0.7765758,"about_ca_system_score_codex":0.012501817,"about_ca_system_score_gemma":0.0020925617,"threshold_uncertainty_score":0.9992968},"labels":[],"label_agreement":null},{"id":"W7002500656","doi":"","title":"\\n Le cinéma au Québec, tradition et modernité Sous la direction de Stéphane-Albert Boulais, Montréal : Fides, 2006 349 pages","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Demotion","score_opus":0.009922542734117329,"score_gpt":0.18575894933165166,"score_spread":0.17583640659753433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002500656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5478778,0.20956887,0.0004924602,0.19905487,0.0007311099,0.0003576419,0.00017338568,0.0002628919,0.041480966],"genre_scores_gemma":[0.7948655,0.03618912,0.0001985728,0.0018835843,0.00062483543,0.0000146077045,0.00012872298,0.000035647055,0.16605943],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99698955,0.0008667459,0.000290438,0.00058580306,0.0004567184,0.00081075315],"domain_scores_gemma":[0.9986097,0.0002426358,0.00027442526,0.00027764705,0.00017138451,0.0004241917],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00039974158,0.00039734604,0.00049693877,0.00017318575,0.0032246332,0.00007453826,0.000359328,0.0006279986,0.00016945906],"category_scores_gemma":[0.00006589248,0.0004307257,0.0004791254,0.0007648994,0.0005924208,0.0008839733,0.00009728823,0.00049823953,0.00010730597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003254822,0.00090822263,0.0038050998,0.00007650383,0.0008734481,0.0034571937,0.05942376,0.0034701033,0.001491496,0.08557371,0.8004611,0.040133893],"study_design_scores_gemma":[0.0009323954,0.00012982257,0.009979776,0.00005450633,0.00048256927,0.000641954,0.0064660343,0.0017273106,0.000108369735,0.0017288119,0.9772092,0.0005392685],"about_ca_topic_score_codex":0.80142725,"about_ca_topic_score_gemma":0.976247,"teacher_disagreement_score":0.24698767,"about_ca_system_score_codex":0.0063816644,"about_ca_system_score_gemma":0.00087517116,"threshold_uncertainty_score":0.99981445},"labels":[],"label_agreement":null},{"id":"W7002576939","doi":"","title":"\\n Sang et lumière : La communauté du sacré dans le cinéma québécois Étienne Beaulieu (Collection « Ciné ») Québec : L’instant même, 2007, 180 pages","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feature (linguistics); Perspective (graphical); Subject (documents)","score_opus":0.007921571581184129,"score_gpt":0.17605547508908131,"score_spread":0.1681339035078972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002576939","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59478956,0.12395759,0.000121016106,0.16970947,0.000883568,0.0003810404,0.00010683339,0.000235243,0.109815665],"genre_scores_gemma":[0.70905113,0.049987968,0.00019552477,0.0029158697,0.00044610136,0.000013041408,0.000083588864,0.000040514045,0.23726627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966606,0.0010508451,0.00036317445,0.0006070276,0.00047865184,0.0008397293],"domain_scores_gemma":[0.9981775,0.0003511464,0.0003488492,0.00044678772,0.00026119838,0.000414481],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004989225,0.0004630475,0.0006290938,0.000216646,0.007066302,0.000067459376,0.0006542024,0.00059930136,0.0005751205],"category_scores_gemma":[0.00009607025,0.00047563398,0.00054527045,0.0016892303,0.0010807568,0.00079181686,0.00035362344,0.00063462456,0.00011832126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024318251,0.0008521738,0.00750092,0.000054954053,0.00088755885,0.0032416089,0.17935568,0.0003480514,0.0008269553,0.07544895,0.71854067,0.012699305],"study_design_scores_gemma":[0.0010623098,0.00018486737,0.016695723,0.00007327383,0.00042637537,0.00038557124,0.050779507,0.00035005106,0.000043437547,0.00029657973,0.9291622,0.000540085],"about_ca_topic_score_codex":0.8059023,"about_ca_topic_score_gemma":0.99216914,"teacher_disagreement_score":0.21062157,"about_ca_system_score_codex":0.005188806,"about_ca_system_score_gemma":0.0006420585,"threshold_uncertainty_score":0.9997695},"labels":[],"label_agreement":null},{"id":"W7002584056","doi":"","title":"Hétérophonie","year":2019,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ligne; Electronic mail; Virtual world","score_opus":0.019139588173186266,"score_gpt":0.2490298219902475,"score_spread":0.22989023381706125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002584056","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14100112,0.014076183,0.0076048016,0.08735351,0.0031759562,0.0009271986,0.00015759892,0.00032388256,0.74537975],"genre_scores_gemma":[0.5946962,0.0024772033,0.008378589,0.0017087378,0.00024904226,0.00006167448,0.00058570644,0.000046816167,0.39179602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9840347,0.012326271,0.0007646819,0.0012724219,0.00080745306,0.00079447316],"domain_scores_gemma":[0.9916155,0.0016109962,0.00080312486,0.0021018616,0.0034662278,0.00040228816],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.006324574,0.0005603682,0.00076527457,0.00015367026,0.0012164725,0.000915079,0.0022316866,0.00091203855,0.0028541584],"category_scores_gemma":[0.0012845979,0.00053772243,0.000735759,0.0012148066,0.0011749242,0.00035850148,0.0012128014,0.0011895143,0.00160823],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014090034,0.0008066183,0.0031452598,0.00017800934,0.00037856135,0.000010507709,0.057296317,0.0001273494,0.0013591103,0.87027675,0.0165532,0.04985423],"study_design_scores_gemma":[0.0005476117,6.741714e-7,0.005089444,0.0014958658,0.0003223773,0.0000074493496,0.0018513997,0.0032880055,0.0032521936,0.016956247,0.96621716,0.000971557],"about_ca_topic_score_codex":0.008596123,"about_ca_topic_score_gemma":0.013325218,"teacher_disagreement_score":0.949664,"about_ca_system_score_codex":0.00030744125,"about_ca_system_score_gemma":0.0005732104,"threshold_uncertainty_score":0.99970746},"labels":[],"label_agreement":null},{"id":"W7003599407","doi":"","title":"Re-Tailles","year":2015,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Patience; Fructification; Base (topology)","score_opus":0.03045145732607015,"score_gpt":0.2964023140256778,"score_spread":0.26595085669960766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003599407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40271458,0.001574709,4.351148e-9,0.000118493124,0.0024495805,0.00042616064,0.00045679093,0.00030428162,0.5919554],"genre_scores_gemma":[0.81817645,0.000481446,0.00016402632,0.0021044933,0.000563187,0.0001309321,0.0020962676,0.000111767054,0.17617145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945116,0.00094049843,0.0008085599,0.001162089,0.0015599013,0.0010173576],"domain_scores_gemma":[0.9964018,0.00019417312,0.000656489,0.00062734296,0.0014161335,0.00070408796],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016717451,0.0007301033,0.00095592916,0.00034558575,0.0032667355,0.00037473263,0.0011991482,0.0017351089,0.0015368569],"category_scores_gemma":[0.0016879251,0.00065102096,0.00067127496,0.0013062699,0.00021751184,0.0010920446,0.0000993861,0.0015822281,0.0009980564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039504276,0.00055631425,0.00014055696,0.0003262155,0.0012801471,0.000237854,0.0014059837,0.000011594858,0.0057233386,0.7133612,0.0045456267,0.27201614],"study_design_scores_gemma":[0.00040770668,0.000082455495,0.00022618324,0.00016094839,0.0004713759,0.000002013907,0.014853226,0.0000010927763,0.001022504,0.07456032,0.9071981,0.0010141141],"about_ca_topic_score_codex":0.003099168,"about_ca_topic_score_gemma":0.11750106,"teacher_disagreement_score":0.90265244,"about_ca_system_score_codex":0.0007940025,"about_ca_system_score_gemma":0.0002159417,"threshold_uncertainty_score":0.99977976},"labels":[],"label_agreement":null},{"id":"W7006303099","doi":"","title":"Théâtre marocain et québécois : Tayeb Saddiki / Michel Tremblay (thèse)","year":2001,"lang":"fr","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Government (linguistics); Context (archaeology); Term (time); Action (physics)","score_opus":0.018874265987800388,"score_gpt":0.28144568515123736,"score_spread":0.26257141916343696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006303099","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00084443786,0.0009607841,0.037776686,0.015501848,0.0024773527,0.007906351,0.000431435,0.00067702297,0.93342406],"genre_scores_gemma":[0.0050148214,0.0020343356,0.013776929,0.037679274,0.0006958334,0.0018426174,0.0016273942,0.00013064698,0.93719816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932628,0.0013644621,0.00156701,0.0010267445,0.001409413,0.0013695562],"domain_scores_gemma":[0.9956876,0.00021082858,0.0014046336,0.0010759814,0.0009717759,0.00064917415],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00563141,0.0010653621,0.0011264953,0.0010799716,0.0014353216,0.0025274823,0.0020794214,0.0019071816,0.021273196],"category_scores_gemma":[0.00081277825,0.00093645614,0.0007816084,0.003569142,0.0013724985,0.005813738,0.00040106234,0.0015474696,0.0028933452],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040625007,0.0002651905,0.00026654344,0.0004806308,0.00025993565,0.00005767998,0.026635868,0.00017716341,0.0011423236,0.22096905,0.618267,0.13143799],"study_design_scores_gemma":[0.0004638743,0.000053556207,0.0001801769,0.0010773778,0.0002190591,0.000048817,0.0026563925,0.00030301273,0.0010622996,0.0015440267,0.9911851,0.0012062781],"about_ca_topic_score_codex":0.026507497,"about_ca_topic_score_gemma":0.13465668,"teacher_disagreement_score":0.37291813,"about_ca_system_score_codex":0.001126743,"about_ca_system_score_gemma":0.0023054236,"threshold_uncertainty_score":0.9998647},"labels":[],"label_agreement":null},{"id":"W7006397238","doi":"","title":"Une génération flottante : Le cinéma québécois des années 1990","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.011999019556897651,"score_gpt":0.19436878573184915,"score_spread":0.18236976617495151,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006397238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67419755,0.06530684,0.000053537973,0.23353703,0.00091816194,0.00020777424,0.0000820717,0.0002921746,0.025404826],"genre_scores_gemma":[0.59486026,0.017541965,0.00017457826,0.001517517,0.00073413836,0.0000073266165,0.00013446633,0.000025898426,0.38500386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980578,0.00028174653,0.00020778556,0.0004331554,0.00034424575,0.0006752884],"domain_scores_gemma":[0.9990374,0.00010074924,0.00016107359,0.00023115381,0.00020390193,0.00026573509],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00031980648,0.0002448735,0.0003319713,0.00017815795,0.0031254583,0.00007909762,0.000368301,0.00033776395,0.00023715453],"category_scores_gemma":[0.00005323298,0.0002572093,0.00031580596,0.0032376964,0.00072872423,0.00069547776,0.00015242065,0.00021435237,0.0007115315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010373708,0.00017887754,0.0016135816,0.00009542854,0.00056434574,0.0016181518,0.075519815,0.0006311416,0.0028203055,0.45662472,0.3415206,0.11870929],"study_design_scores_gemma":[0.00040747723,0.00008427835,0.0047828467,0.00005279808,0.000291591,0.000029077497,0.04028771,0.0011295138,0.000086532804,0.008521279,0.9440113,0.00031560086],"about_ca_topic_score_codex":0.393047,"about_ca_topic_score_gemma":0.95026857,"teacher_disagreement_score":0.60249066,"about_ca_system_score_codex":0.0021307822,"about_ca_system_score_gemma":0.00016592644,"threshold_uncertainty_score":0.999988},"labels":[],"label_agreement":null},{"id":"W7006600402","doi":"","title":"Vitrine de l’État québécois. Marc-André Robert, L’Office du film du Québec. Le cinéma au service de l’État et de ses citoyens 1961-1976, Québec, Éditions du Septentrion, 2024, 444 pages","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Service (business); Subject (documents); Work (physics); Order (exchange)","score_opus":0.008444931589520713,"score_gpt":0.19679356150970959,"score_spread":0.18834862992018886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006600402","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17306088,0.09872595,0.0004270897,0.7140555,0.001032637,0.00037365,0.00043764588,0.0003418663,0.011544788],"genre_scores_gemma":[0.52398026,0.07143037,0.00073444966,0.025769651,0.0035415895,0.00007249428,0.00043059044,0.00013315529,0.37390742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955142,0.0010247556,0.00044863034,0.00096120726,0.0005448309,0.0015063768],"domain_scores_gemma":[0.9968962,0.0010130117,0.00027720974,0.00045801833,0.00047713393,0.00087840477],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000798893,0.00067919755,0.00074137544,0.00033129763,0.0034110164,0.0003625124,0.00090184365,0.00069499336,0.0023770367],"category_scores_gemma":[0.00026191265,0.0006879383,0.0008051798,0.0023221185,0.00060231215,0.0010607106,0.0004174014,0.00088631414,0.00051854027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015615228,0.0004208767,0.0046396903,0.0002489319,0.0011623816,0.004168661,0.039168645,0.0022601467,0.0006599876,0.027070502,0.91596645,0.00407755],"study_design_scores_gemma":[0.00084559846,0.00012780899,0.0044377847,0.00021472797,0.0016631145,0.00084493717,0.014847604,0.0058248965,0.00006699411,0.0010048157,0.9693518,0.0007698608],"about_ca_topic_score_codex":0.9436793,"about_ca_topic_score_gemma":0.9974865,"teacher_disagreement_score":0.6882858,"about_ca_system_score_codex":0.012406241,"about_ca_system_score_gemma":0.0049643596,"threshold_uncertainty_score":0.9995572},"labels":[],"label_agreement":null},{"id":"W7006773101","doi":"","title":"Вплив комерційного радіомовлення на квебекську пісенну поезію","year":2012,"lang":"uk","type":"article","venue":"The scientific electronic library of periodicals of the National Academy of Sciences of Ukraine (National Academy of Sciences of Ukraine)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Function (biology); Dimension (graph theory); Composition (language); Work (physics); Period (music); Tourism; Component (thermodynamics)","score_opus":0.04936171030055258,"score_gpt":0.32714101060513257,"score_spread":0.27777930030458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006773101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8522693,0.030146798,0.000008903936,0.087525114,0.00064586964,0.0015476146,0.0013899931,0.000049479553,0.026416909],"genre_scores_gemma":[0.9921964,0.0011049765,0.0010489331,0.0019193463,0.0007289657,0.000022519545,0.000015939802,0.000023108983,0.0029398552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.980063,0.0014669839,0.003705556,0.0013372592,0.011651425,0.0017757474],"domain_scores_gemma":[0.9891882,0.0031236582,0.005971154,0.00019642225,0.0011125881,0.00040797627],"candidate_categories":["metaepi_narrow","sts","open_science","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.025055548,0.00071580434,0.0017209045,0.0014415424,0.0025792692,0.00021296012,0.010110417,0.0008113142,0.0014515462],"category_scores_gemma":[0.003146318,0.00044741205,0.0014783593,0.010537939,0.05819619,0.004919314,0.0013676514,0.0013508827,0.00001332928],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016514267,0.0012223539,0.0026073575,0.0004222246,0.00048772525,6.369008e-8,0.010120729,0.001823119,0.121193826,0.8485362,0.012091623,0.0013296494],"study_design_scores_gemma":[0.0029363104,0.0016917553,0.064537056,0.002015482,0.0010833077,0.00005921176,0.008597133,0.0082395,0.34384367,0.4871815,0.07762405,0.0021910311],"about_ca_topic_score_codex":0.00016846928,"about_ca_topic_score_gemma":0.000006437488,"teacher_disagreement_score":0.36135468,"about_ca_system_score_codex":0.00016229687,"about_ca_system_score_gemma":0.0033520893,"threshold_uncertainty_score":0.99979776},"labels":[],"label_agreement":null},{"id":"W7006831410","doi":"","title":"Your Daily Highlights Of Toronto Today","year":2023,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Service (business); Politics; Special Interest Group; Service provider","score_opus":0.010223246239139509,"score_gpt":0.22290214763289443,"score_spread":0.21267890139375492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006831410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026317233,0.0012801711,3.4976622e-8,0.00041082044,0.0006282797,0.0002574612,0.00012134984,0.00025314098,0.99702245],"genre_scores_gemma":[0.0005204236,0.0013005595,0.00015015625,0.0003593151,0.0004809738,0.000010602087,0.00008347369,0.00007777118,0.9970167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830365,0.0001233308,0.0005536868,0.00018070741,0.0005462036,0.00029242632],"domain_scores_gemma":[0.998679,0.0000902892,0.00061885145,0.00025424734,0.00023892749,0.00011868941],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028099658,0.00023731837,0.00047904678,0.000038188096,0.00013461715,0.00005551967,0.00041541836,0.00054474454,0.40754613],"category_scores_gemma":[0.00014069371,0.0001964858,0.0002576459,0.000014817488,0.00023671013,5.9056214e-7,0.000058339116,0.00013640488,0.004357296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019566982,0.00002646703,0.0000020404761,0.00012207578,0.000118928,0.0000056754106,0.002345753,0.000007368234,3.7775573e-7,0.0011989059,0.99514216,0.0010106748],"study_design_scores_gemma":[0.00018922004,0.00005619052,0.000015246486,0.00013601729,0.00010124698,0.0000018417909,0.0012984267,9.740991e-7,0.0000031595746,0.000024896286,0.99794894,0.00022385127],"about_ca_topic_score_codex":0.14896989,"about_ca_topic_score_gemma":0.27984208,"teacher_disagreement_score":0.40318882,"about_ca_system_score_codex":0.000080174694,"about_ca_system_score_gemma":0.0000489453,"threshold_uncertainty_score":0.99641794},"labels":[],"label_agreement":null},{"id":"W7006992797","doi":"","title":"Vues du Québec, festival de cinéma de Florac : Un festival à échelle humaine","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Context (archaeology); Perspective (graphical); Subject (documents)","score_opus":0.009435784604817692,"score_gpt":0.19333013115618103,"score_spread":0.18389434655136333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006992797","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67925715,0.03749444,0.00006541591,0.27197975,0.0007509241,0.0001807315,0.000060214596,0.00032559756,0.0098857805],"genre_scores_gemma":[0.46128017,0.008109463,0.0004709297,0.0029285536,0.00197652,0.000010580915,0.0000796268,0.00004439295,0.52509975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703795,0.00057307235,0.00024369641,0.00055215746,0.0004092673,0.0011838365],"domain_scores_gemma":[0.99843395,0.0003260346,0.00019547375,0.00028533392,0.00019399954,0.0005652295],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00064894615,0.00036767498,0.00047268101,0.00018939553,0.0026550442,0.0000879442,0.0006324419,0.00049243233,0.0015511408],"category_scores_gemma":[0.00021992806,0.00037618142,0.00043913024,0.0019171956,0.0006285851,0.00041989077,0.00035843428,0.00045348558,0.0008928088],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018283872,0.00025787283,0.009341138,0.0000689887,0.00076560944,0.0060666534,0.044017807,0.00072613946,0.0021570157,0.04810968,0.8235007,0.06480555],"study_design_scores_gemma":[0.0006855815,0.00012180995,0.010403882,0.000062130064,0.0006185563,0.0001403924,0.013544855,0.002155062,0.0001651969,0.0030724036,0.9685587,0.00047137443],"about_ca_topic_score_codex":0.18349898,"about_ca_topic_score_gemma":0.6284284,"teacher_disagreement_score":0.51521397,"about_ca_system_score_codex":0.0064760563,"about_ca_system_score_gemma":0.00047535083,"threshold_uncertainty_score":0.9998851},"labels":[],"label_agreement":null},{"id":"W7008225839","doi":"","title":"Between \"Letting Go\" and \"Leaving Behind\": Screening (Quebecois) Motherhood and Selfishness in Xavier Dolan's film 'Matthias & Maxime' (2019)","year":2023,"lang":"en","type":"other","venue":"Durham Research Online (Durham University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Selfishness; Ridiculous; Government (linguistics); Subject (documents)","score_opus":0.0634458529539332,"score_gpt":0.3411366353539497,"score_spread":0.27769078240001654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008225839","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16516171,0.007623677,0.00008185348,0.02011913,0.000736677,0.003522256,0.0021413264,0.0020485583,0.7985648],"genre_scores_gemma":[0.013308291,0.0033833203,0.00067303795,0.00028098846,0.0016797502,0.0000054884563,0.00030957654,0.00038134353,0.9799782],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99514866,0.0012285062,0.00034190898,0.0010800242,0.0009774131,0.0012234593],"domain_scores_gemma":[0.9979405,0.00071907864,0.00023483293,0.0003770152,0.00025926201,0.00046933003],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0018797271,0.00043727475,0.0008091982,0.0021581836,0.0010586958,0.00040341358,0.0008249066,0.0009694646,0.00065088354],"category_scores_gemma":[0.00050026196,0.0004330438,0.00015789112,0.002324962,0.00095604593,0.0005099433,0.0007161438,0.0017402841,0.0000469727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031969885,0.0009129578,0.2999919,0.0013881391,0.003016157,0.0047964216,0.062378,0.000026856556,0.00019218207,0.015345866,0.40230885,0.20932294],"study_design_scores_gemma":[0.00087008334,0.00006350487,0.016545836,0.0007726978,0.0001309616,0.0000034884972,0.019413007,0.00005570599,0.0000024833087,0.0002436214,0.9612659,0.0006326932],"about_ca_topic_score_codex":0.033990502,"about_ca_topic_score_gemma":0.20918116,"teacher_disagreement_score":0.55895704,"about_ca_system_score_codex":0.0002663473,"about_ca_system_score_gemma":0.00030254206,"threshold_uncertainty_score":0.9998121},"labels":[],"label_agreement":null},{"id":"W7008529511","doi":"","title":"C’est arrivé près de chez vous. L’art actuel à Québec : Du catalogue à l’exposition. Regards critiques","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Object (grammar); Identity (music); Interpretation (philosophy); Order (exchange)","score_opus":0.006665222570010245,"score_gpt":0.19028116910482842,"score_spread":0.1836159465348182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008529511","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24135906,0.13327493,0.00015875939,0.5638202,0.00075817003,0.00040279762,0.00028668265,0.00033216408,0.059607267],"genre_scores_gemma":[0.72801095,0.0125045795,0.0005656132,0.013538598,0.001744381,0.0000086767905,0.00032110672,0.000026718764,0.24327937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974038,0.00042393347,0.00027661846,0.0005722799,0.00040113015,0.0009222095],"domain_scores_gemma":[0.9984462,0.000118680124,0.00021981669,0.00034396868,0.00032265222,0.0005486355],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00036332282,0.00039065417,0.00048325714,0.00014323444,0.0019523613,0.00014564134,0.00060565677,0.00058372394,0.0007734339],"category_scores_gemma":[0.00011326235,0.00040440544,0.00047767797,0.00080634985,0.000594276,0.0008756527,0.00011349458,0.00043233068,0.000346509],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109309876,0.00037884107,0.00093255134,0.000039786242,0.00030426093,0.0021335115,0.030005554,0.000054560882,0.0009030351,0.10988979,0.8359952,0.019253576],"study_design_scores_gemma":[0.00050291,0.00024648267,0.0037078543,0.000088226574,0.0005998795,0.00021860229,0.0055112457,0.00014329371,0.0002361154,0.0038674134,0.98437583,0.00050214434],"about_ca_topic_score_codex":0.22246255,"about_ca_topic_score_gemma":0.89686525,"teacher_disagreement_score":0.6744027,"about_ca_system_score_codex":0.009736756,"about_ca_system_score_gemma":0.000536707,"threshold_uncertainty_score":0.9998408},"labels":[],"label_agreement":null},{"id":"W7008604493","doi":"","title":"Compte rendu: Roseline TREMBLAY, L’écrivain imaginaire. Essai sur le roman québécois 1960-1995, Montréal, Editions Hurtubise HMH, 2004, « Cahiers du Québec: Littérature », 600 p.","year":2004,"lang":"fr","type":"article","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Context (archaeology); Relation (database)","score_opus":0.010175145829342869,"score_gpt":0.20876503947122727,"score_spread":0.1985898936418844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008604493","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26819223,0.086917266,0.0012985894,0.40176874,0.006306607,0.0017250716,0.003617813,0.00081829506,0.2293554],"genre_scores_gemma":[0.6393391,0.012483519,0.0012067328,0.007049238,0.0029516984,0.000059242488,0.0014176517,0.00012323058,0.3353696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993388,0.0009891976,0.0009157338,0.001719379,0.0010943479,0.0018933716],"domain_scores_gemma":[0.9966646,0.00032338043,0.0005811651,0.00085961306,0.000708817,0.0008624267],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00057501625,0.0011688488,0.0013842566,0.00050107914,0.0044865264,0.00035695708,0.0015242335,0.00072700373,0.0006761257],"category_scores_gemma":[0.00011444349,0.0011397616,0.0009982444,0.0021244527,0.0042753886,0.0015429151,0.00057477714,0.0014012542,0.0005593709],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003700858,0.0024947037,0.0031889738,0.00020027897,0.001937846,0.0023085037,0.027713632,0.0039021873,0.000777396,0.48336494,0.47236466,0.0013767963],"study_design_scores_gemma":[0.003585796,0.0003266298,0.0108045535,0.00028629138,0.0015559468,0.00018612368,0.013400195,0.00022387388,0.00008389509,0.004686909,0.96327764,0.0015821325],"about_ca_topic_score_codex":0.18955246,"about_ca_topic_score_gemma":0.46085742,"teacher_disagreement_score":0.490913,"about_ca_system_score_codex":0.0017587503,"about_ca_system_score_gemma":0.0023285649,"threshold_uncertainty_score":0.9991052},"labels":[],"label_agreement":null},{"id":"W7008716677","doi":"","title":"Chroniques des arts de la scène à Montréal durant l’entre-deux guerres. Danse, théâtre, musique","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Resilience (materials science); Game studies","score_opus":0.010924996625301346,"score_gpt":0.20051182701940853,"score_spread":0.18958683039410718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008716677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4489661,0.26522386,0.00053877756,0.20382671,0.00059915596,0.0005244796,0.00018023077,0.00041915575,0.07972153],"genre_scores_gemma":[0.7781846,0.068587944,0.002097587,0.01474649,0.0022095772,0.000022193724,0.00010885324,0.00008455972,0.13395819],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99648917,0.0008686041,0.00034315666,0.0007237264,0.00047913563,0.0010962058],"domain_scores_gemma":[0.99808955,0.00023255507,0.0002772126,0.0002987347,0.00022226779,0.0008796551],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041912872,0.0004978496,0.0006426623,0.00011186543,0.0018795847,0.00017514157,0.0006846654,0.0006794867,0.0011579668],"category_scores_gemma":[0.00013549937,0.00049115036,0.0005745159,0.0012263079,0.0013193756,0.0007337664,0.000323261,0.0006207267,0.00021476069],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041894335,0.00047438755,0.002856589,0.0002339435,0.0011358839,0.0098223835,0.081002496,0.0006746659,0.003760272,0.20563118,0.6381495,0.055839747],"study_design_scores_gemma":[0.00086907,0.00017989089,0.0022222446,0.00012035742,0.00069003814,0.00018885543,0.010911811,0.0012949307,0.00034329217,0.004511107,0.9780777,0.0005907099],"about_ca_topic_score_codex":0.065725,"about_ca_topic_score_gemma":0.36146423,"teacher_disagreement_score":0.33992818,"about_ca_system_score_codex":0.0048487782,"about_ca_system_score_gemma":0.00021497656,"threshold_uncertainty_score":0.9997551},"labels":[],"label_agreement":null},{"id":"W7008729609","doi":"","title":"Chronologie musicale du Québec 1535 - 2004 ; musique de concert et musique religieuse","year":2009,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical analysis; Feature (linguistics); Verisimilitude","score_opus":0.025052095074091393,"score_gpt":0.2940413659167391,"score_spread":0.2689892708426477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008729609","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17791943,0.027335593,0.0005994354,0.4938071,0.0021268458,0.00052826985,0.00003113444,0.00048409455,0.29716808],"genre_scores_gemma":[0.7194591,0.003099163,0.0009148827,0.184064,0.0025021476,0.000024567144,0.000025121477,0.00001816469,0.08989283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964592,0.0007895091,0.00055274414,0.0007485686,0.000352732,0.0010972719],"domain_scores_gemma":[0.9982244,0.0003116422,0.00021713364,0.00045587128,0.00032830716,0.00046266202],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074822066,0.0004537752,0.00062493456,0.000087175555,0.00065776316,0.00030433584,0.0007574933,0.00091101194,0.006726647],"category_scores_gemma":[0.0005544855,0.00035950597,0.0004928993,0.000998235,0.0014555596,0.0007440793,0.00010495813,0.00073090504,0.00076295494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043290755,0.000614842,0.0011025097,0.000024565887,0.00018404503,0.0001677976,0.03129364,0.000121941295,0.001253802,0.22744757,0.70422,0.033526007],"study_design_scores_gemma":[0.00047200744,0.00033445423,0.0035139201,0.00006246046,0.00020328898,0.000019172547,0.0029513363,0.00021144518,0.00027411504,0.01324851,0.9781226,0.0005867132],"about_ca_topic_score_codex":0.20798846,"about_ca_topic_score_gemma":0.37910873,"teacher_disagreement_score":0.54153967,"about_ca_system_score_codex":0.0010819436,"about_ca_system_score_gemma":0.002895895,"threshold_uncertainty_score":0.9998857},"labels":[],"label_agreement":null},{"id":"W7009106289","doi":"","title":"Daniel Canty, Longuay. Cinémathèque québécoise, Montréal. Du 29 août au 29 octobre 2017","year":2018,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.008985927202677465,"score_gpt":0.1935511510296021,"score_spread":0.18456522382692464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009106289","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30826908,0.18267229,0.00012204978,0.17552218,0.004801067,0.00066952826,0.0003349089,0.0003072674,0.32730162],"genre_scores_gemma":[0.31834576,0.01616277,0.00028990037,0.0068087317,0.005000252,0.000011788499,0.000095311225,0.000056479403,0.653229],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99598897,0.00048073655,0.00043165058,0.0009671049,0.0006809421,0.0014506115],"domain_scores_gemma":[0.99717015,0.00016172655,0.0004730568,0.00072622823,0.0006339935,0.00083487015],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005012483,0.0006290702,0.0007896736,0.00022026677,0.0040059243,0.00018350198,0.0011666218,0.0008553948,0.0017491434],"category_scores_gemma":[0.000118276774,0.0006158639,0.000643333,0.0014227433,0.0014776685,0.0010623934,0.0005111988,0.000577711,0.0011302591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014866312,0.00025263368,0.0017309535,0.00004984749,0.0006074184,0.0022985905,0.02281459,0.000034155248,0.0003453454,0.11018632,0.8459058,0.015625719],"study_design_scores_gemma":[0.0008662039,0.0002487248,0.0028997455,0.00010027011,0.00088083505,0.00026334258,0.009798961,0.00052975345,0.00006152395,0.0020309333,0.98156184,0.0007578481],"about_ca_topic_score_codex":0.6303264,"about_ca_topic_score_gemma":0.9847225,"teacher_disagreement_score":0.35439608,"about_ca_system_score_codex":0.008393311,"about_ca_system_score_gemma":0.0005300116,"threshold_uncertainty_score":0.9996475},"labels":[],"label_agreement":null},{"id":"W7009674364","doi":"","title":"Entre la violence et la folie. \\n Un simple soldat. Texte de Marcel Dubé, mise en scène de Jacques Rossi, au Théâtre de la Bordée du 11 septembre au 6 octobre 2007 \\n Frank, le garçon boucher. Texte de Patrick McCabe, traduction de Séverine Magois, mise en scène de Michel Delaunoy. Collaboration entre L’envers du théâtre (Bruxelles) et le Théâtre Blanc (Québec). Présenté au Théâtre Périscope du 11 septembre au 6 octobre 2007 et par le Théâtre Blanc, au Théâtre Périscope du 4 au 22 novembre 2003","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Simple (philosophy)","score_opus":0.0037358745187492533,"score_gpt":0.20491064369223336,"score_spread":0.2011747691734841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009674364","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8983753,0.020055229,0.0013263947,0.05703204,0.00090691174,0.0021524034,0.0021729784,0.0007067883,0.01727196],"genre_scores_gemma":[0.82215554,0.03955572,0.002831616,0.006286294,0.0035072456,0.00019941466,0.0020333303,0.0004906775,0.12294014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98094314,0.0078770295,0.0017452528,0.0028947212,0.001650611,0.004889233],"domain_scores_gemma":[0.99109995,0.0016560749,0.0018625979,0.0015910218,0.0012497137,0.0025406417],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.004207183,0.0026592363,0.0024756088,0.00076671253,0.006471281,0.00080677494,0.002593443,0.0032708137,0.0008909263],"category_scores_gemma":[0.00088472705,0.0028164494,0.0015800803,0.0039310423,0.0023380558,0.003292441,0.0009908312,0.0024917123,0.0001473279],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0021532385,0.0036776888,0.22911076,0.00092448585,0.002315318,0.008847246,0.05778185,0.013137746,0.005861989,0.015540303,0.6553562,0.005293124],"study_design_scores_gemma":[0.0078012925,0.00044184795,0.058564443,0.0010128147,0.002413206,0.0029026018,0.043259747,0.0048460276,0.00202086,0.00059352576,0.8732264,0.0029172588],"about_ca_topic_score_codex":0.5848458,"about_ca_topic_score_gemma":0.7953399,"teacher_disagreement_score":0.21787012,"about_ca_system_score_codex":0.021488266,"about_ca_system_score_gemma":0.03086693,"threshold_uncertainty_score":0.99980956},"labels":[],"label_agreement":null},{"id":"W7009801212","doi":"","title":"Ensemble: 2006-02-14 – Symphonic Band and University of Saskatchewan Wind Orchestra","year":2006,"lang":"en","type":"other","venue":"University of North Texas Digital Library (University of North Texas)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Gloom; Tower","score_opus":0.008084077426542737,"score_gpt":0.17200053364148282,"score_spread":0.16391645621494008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009801212","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5852599,0.000748521,0.000059701524,0.00036853392,0.00013763396,0.0005723941,0.00572453,0.00023582196,0.40689296],"genre_scores_gemma":[0.44775048,0.0005597711,0.00031055618,0.00004567735,0.000086844906,4.769001e-9,0.0011262153,0.00005613166,0.5500643],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976849,0.00019212946,0.0002334248,0.0007587729,0.0006044689,0.00052629877],"domain_scores_gemma":[0.9979632,0.000114745635,0.0008818248,0.00047589108,0.0001874186,0.00037692403],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008589664,0.00047278294,0.0010484345,0.0006063096,0.0005043382,0.00006658045,0.0013469604,0.0005826255,0.001519931],"category_scores_gemma":[0.000013028478,0.0006090842,0.0005338415,0.0012288231,0.0025902507,0.0017814172,0.00048983115,0.00039857088,0.00005323],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019811251,0.00032122293,0.83864254,0.00026558447,0.0006236436,0.00024792593,0.001349538,0.000020776877,3.8530106e-7,0.0002486711,0.15243357,0.0056480574],"study_design_scores_gemma":[0.0009115621,0.00013844178,0.41850293,0.00014584127,0.00045197678,0.0000029183252,0.001958802,0.000003371407,0.0000015858611,0.000081410566,0.57728815,0.0005130052],"about_ca_topic_score_codex":0.017518662,"about_ca_topic_score_gemma":0.15500924,"teacher_disagreement_score":0.42485458,"about_ca_system_score_codex":0.000088516725,"about_ca_system_score_gemma":0.00072511716,"threshold_uncertainty_score":0.99963605},"labels":[],"label_agreement":null},{"id":"W7009807419","doi":"","title":"Full Blast : Vagues à l’âme. \\n Full Blast, Canada [Québec), 1999, 92 minutes","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Duration (music); Public health; Population","score_opus":0.0058174581502830605,"score_gpt":0.16242328671910677,"score_spread":0.1566058285688237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009807419","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4647871,0.2697389,0.0000068739214,0.21298043,0.0012890892,0.00030026922,0.00034166363,0.00013658204,0.050419096],"genre_scores_gemma":[0.10517421,0.010051663,0.00017958533,0.0047842236,0.0014577028,0.0000075200287,0.00010060194,0.000035327776,0.8782092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966911,0.00035491222,0.00035068617,0.00073157414,0.0006825595,0.0011891348],"domain_scores_gemma":[0.9982503,0.00018875863,0.00022971483,0.00040938647,0.00021701746,0.00070478773],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020900233,0.0005052428,0.0006127759,0.000112058704,0.0021898232,0.000106151965,0.00081273686,0.00046808488,0.011406841],"category_scores_gemma":[0.000035625882,0.00050935,0.0004287645,0.001272245,0.00064476806,0.0005620964,0.00016132147,0.00045881624,0.0006070048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021561724,0.00014325639,0.00037600423,0.000037157755,0.00051381637,0.001629535,0.0056105987,0.00027944695,0.00028056226,0.0034936345,0.92596805,0.061452303],"study_design_scores_gemma":[0.00056513655,0.00020063884,0.00049674313,0.000063974054,0.00063278823,0.00012989102,0.0068498696,0.00044380227,0.000041668995,0.00040954034,0.98954684,0.00061909424],"about_ca_topic_score_codex":0.9843075,"about_ca_topic_score_gemma":0.99985635,"teacher_disagreement_score":0.8277901,"about_ca_system_score_codex":0.00798609,"about_ca_system_score_gemma":0.0008285302,"threshold_uncertainty_score":0.99973583},"labels":[],"label_agreement":null},{"id":"W7009956206","doi":"","title":"France. Une anthologie des musiques traditionnelles","year":2011,"lang":"fr","type":"review","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meiji period; Quarter (Canadian coin); Statistical analysis","score_opus":0.08366535314548425,"score_gpt":0.31593946236877785,"score_spread":0.2322741092232936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009956206","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00047035175,0.8172343,0.00035990155,0.01657425,0.007152133,0.0018254048,0.001761679,0.00036185022,0.15426017],"genre_scores_gemma":[0.003332483,0.9202967,0.001653428,0.033188663,0.006073603,0.0012395794,0.00644811,0.00010115809,0.027666233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99184835,0.0021588705,0.0018789008,0.0017538294,0.00095599814,0.0014040733],"domain_scores_gemma":[0.99530107,0.00055390625,0.0014575858,0.00082621473,0.0011462666,0.0007149636],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0013229337,0.0013899974,0.0026148537,0.00040608936,0.0037444606,0.0008360361,0.0017029449,0.0017658605,0.042947628],"category_scores_gemma":[0.00036359968,0.0011685924,0.0017354072,0.003117123,0.0043379194,0.016444175,0.00022730992,0.0012430338,0.007829052],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003457363,0.0009259691,0.000037621765,0.0025405816,0.0007747731,0.000214714,0.0028871128,0.000006724947,0.00001014903,0.6167696,0.048110563,0.32768762],"study_design_scores_gemma":[0.0004576709,0.00032646055,0.0017415243,0.0044053285,0.001841619,0.00010885827,0.0016156782,0.000004535122,0.000026907928,0.05143936,0.93659306,0.0014389973],"about_ca_topic_score_codex":0.0012299342,"about_ca_topic_score_gemma":0.009069141,"teacher_disagreement_score":0.8884825,"about_ca_system_score_codex":0.00052006077,"about_ca_system_score_gemma":0.00057475397,"threshold_uncertainty_score":0.999885},"labels":[],"label_agreement":null},{"id":"W7010518484","doi":"","title":"Auto portrait","year":2001,"lang":"en","type":"other","venue":"University of North Texas Digital Library (University of North Texas)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Work (physics); Subject (documents); Style (visual arts)","score_opus":0.011527071234302435,"score_gpt":0.1865322840481319,"score_spread":0.17500521281382947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010518484","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048351534,0.00047944023,0.000078701356,0.00062309415,0.00022313232,0.00045976584,0.0033956342,0.00051643315,0.94587225],"genre_scores_gemma":[0.0482757,0.00088426075,0.00046530168,0.00021190633,0.00022842332,1.8133717e-8,0.0018542901,0.00009288327,0.9479872],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769765,0.00013590869,0.00023346418,0.0007076516,0.0006629566,0.00056236907],"domain_scores_gemma":[0.9980744,0.000073247815,0.0007821437,0.0004988509,0.00013991803,0.00043144161],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000060400733,0.00044471896,0.0009086762,0.0006728542,0.00046981,0.00009487995,0.0018198966,0.0004994808,0.016419265],"category_scores_gemma":[0.000019115358,0.00054897106,0.00073985255,0.0015063694,0.0016209374,0.0021277717,0.00052572007,0.00041141018,0.00044726214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051502786,0.00020040703,0.6265084,0.000072460825,0.00040248747,0.00028486774,0.00023352793,0.0000051162983,1.2050061e-8,0.00091221137,0.3643481,0.0069809007],"study_design_scores_gemma":[0.00036172508,0.000070784605,0.31950983,0.00007696379,0.00022005448,0.0000020593475,0.00034089255,0.0000030782717,1.1013083e-7,0.000057788227,0.67895967,0.00039701367],"about_ca_topic_score_codex":0.0066522607,"about_ca_topic_score_gemma":0.05457553,"teacher_disagreement_score":0.31461158,"about_ca_system_score_codex":0.00006991276,"about_ca_system_score_gemma":0.00046660355,"threshold_uncertainty_score":0.9999625},"labels":[],"label_agreement":null},{"id":"W7010904183","doi":"","title":"Laurent Vaillancourt : À la confluence de l'art conceptuel et d'un nouvel Ontario","year":2020,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Demotion","score_opus":0.020718933569188816,"score_gpt":0.2643745178427707,"score_spread":0.24365558427358192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010904183","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009987316,0.009390993,0.00036053924,0.02194504,0.004561687,0.001340868,0.000444136,0.00040724667,0.95156217],"genre_scores_gemma":[0.05170538,0.0011124447,0.0010803802,0.047228854,0.0028634446,0.00013895147,0.000698207,0.00012796243,0.8950444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912187,0.0019869267,0.0013774914,0.002008983,0.0015365455,0.0018713475],"domain_scores_gemma":[0.99541306,0.0007437096,0.0009853814,0.00086235587,0.00064776005,0.001347717],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0015446525,0.0014675717,0.0020546478,0.00015700543,0.0015510912,0.00088264304,0.0017275711,0.0019708066,0.027767962],"category_scores_gemma":[0.00025881833,0.0013476858,0.0014107767,0.0008590635,0.0031275945,0.00081208826,0.00035645624,0.0030127014,0.00932895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010591761,0.00040366105,0.0014111674,0.00016512217,0.00129618,0.0005564538,0.09325614,0.00007034252,0.00035386946,0.24874686,0.64360136,0.010032938],"study_design_scores_gemma":[0.001061884,0.00030905745,0.0058549717,0.00040793113,0.0010298011,0.000060592247,0.0025103241,0.000078807,0.00002595756,0.009678642,0.9774064,0.0015756325],"about_ca_topic_score_codex":0.010034491,"about_ca_topic_score_gemma":0.20838387,"teacher_disagreement_score":0.33380505,"about_ca_system_score_codex":0.0014522693,"about_ca_system_score_gemma":0.0043194783,"threshold_uncertainty_score":0.99980736},"labels":[],"label_agreement":null},{"id":"W7011016410","doi":"","title":"Le temps des framboises de Philippe Falardeau, Florence Longpré et Suzie Bouchard (Québec)","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Field (mathematics); Identity (music); Meaning (existential)","score_opus":0.010977483588499889,"score_gpt":0.19566955909892952,"score_spread":0.18469207551042963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011016410","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5280305,0.2645113,0.00012507883,0.17325781,0.0010076427,0.00031763368,0.000284339,0.00019887085,0.032266792],"genre_scores_gemma":[0.7949034,0.011749173,0.00040499624,0.0070198136,0.0004711114,0.000027800555,0.000080742764,0.000032858174,0.18531011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968023,0.00085166516,0.0002410932,0.0005992364,0.00056176266,0.0009439618],"domain_scores_gemma":[0.9986551,0.00017929386,0.00022764417,0.0003418031,0.00017692412,0.0004192657],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060435303,0.0003309164,0.0004482639,0.00015109396,0.0052018645,0.00010588093,0.0008803119,0.00025979866,0.0037906158],"category_scores_gemma":[0.00009055814,0.00037322482,0.0004627756,0.0012892741,0.00095504714,0.0006098709,0.0006481173,0.00065501727,0.00013640839],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021886596,0.000646453,0.0077075036,0.000098995886,0.0008673599,0.0027764896,0.059650637,0.0023011488,0.0010105637,0.44897062,0.40461323,0.071138136],"study_design_scores_gemma":[0.0004926757,0.000164334,0.0019641842,0.000029374367,0.00037866618,0.00013203858,0.025976531,0.0002715346,0.000050388564,0.0068089403,0.963284,0.00044733193],"about_ca_topic_score_codex":0.35324326,"about_ca_topic_score_gemma":0.8581706,"teacher_disagreement_score":0.55867076,"about_ca_system_score_codex":0.0065521295,"about_ca_system_score_gemma":0.0007750729,"threshold_uncertainty_score":0.99987197},"labels":[],"label_agreement":null},{"id":"W7011044614","doi":"","title":"Légendes franciscaines à l’OSM. \\n Saint François d’Assise, d’Olivier Messiaen, avec le Choeur et l’Orchestre symphonique de Montréal sous la direction de Kent Nagano","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Power (physics); Field (mathematics)","score_opus":0.005758147849782826,"score_gpt":0.1926884137030532,"score_spread":0.18693026585327038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011044614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.551267,0.2591176,0.00095686567,0.16354977,0.00084803154,0.00047135074,0.00009565251,0.00033455633,0.023359125],"genre_scores_gemma":[0.8360728,0.032949533,0.000991087,0.005071964,0.0009904379,0.000020526999,0.00005893205,0.00004548789,0.12379922],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956943,0.0014029028,0.0003831424,0.00068407605,0.0005179228,0.0013176549],"domain_scores_gemma":[0.9981059,0.00023168608,0.00035155241,0.00037918548,0.00023451039,0.00069719314],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001004324,0.00056472054,0.00068023667,0.00021952299,0.0018899614,0.0001717962,0.0005385277,0.0009459714,0.0002723143],"category_scores_gemma":[0.00011144519,0.000563535,0.0007123132,0.0012049184,0.00040180312,0.00075257686,0.00014572286,0.00069599674,0.000079414254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050837215,0.0021836993,0.008786143,0.00017434872,0.0016567728,0.0040123067,0.12980515,0.0038707058,0.0068966914,0.16134265,0.31678236,0.3639808],"study_design_scores_gemma":[0.00093241263,0.00014522689,0.028534653,0.00012220036,0.00068812724,0.00039355358,0.0077879196,0.0014283147,0.0003708349,0.005109961,0.9537797,0.0007071069],"about_ca_topic_score_codex":0.09516174,"about_ca_topic_score_gemma":0.34384003,"teacher_disagreement_score":0.63699734,"about_ca_system_score_codex":0.008341455,"about_ca_system_score_gemma":0.00035474426,"threshold_uncertainty_score":0.9996816},"labels":[],"label_agreement":null},{"id":"W7011078770","doi":"","title":"La révolution de Michel Tremblay: La métaphore du travesti.","year":2017,"lang":"fr","type":"dissertation","venue":"Communities in ADDI (University of the Basque Country)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social power; Subjectivity; Post colonialism","score_opus":0.017650742433084267,"score_gpt":0.2455328484062357,"score_spread":0.22788210597315145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011078770","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74831414,0.0048485314,0.000022972486,0.002091703,0.00095670123,0.00030332006,0.0002669812,0.00003391414,0.24316171],"genre_scores_gemma":[0.91997385,0.0033164974,0.00010726608,0.00037198004,0.00013745547,0.0000018889775,0.0004826844,0.000016472191,0.07559191],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99610174,0.002796784,0.00020998635,0.0002011942,0.00032707205,0.00036320993],"domain_scores_gemma":[0.9976793,0.00065938727,0.0005763877,0.0007028945,0.0002918596,0.000090159454],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0010413403,0.00029410355,0.0005162642,0.0001569302,0.0026811166,0.00013547244,0.0025219729,0.0009184698,0.00065565243],"category_scores_gemma":[0.00019855838,0.00028875185,0.00036407335,0.00046069248,0.0032543314,0.0004653113,0.00021390611,0.0011236806,0.000011000118],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035651476,0.0006154842,0.020093793,0.0006811838,0.0007163465,0.00008481161,0.76304066,0.0003485202,0.00020578557,0.13905257,0.06193419,0.012870152],"study_design_scores_gemma":[0.00056811643,0.000035332974,0.063232996,0.0010568955,0.00057242677,0.000009452539,0.37898463,0.0011392905,0.000010480716,0.0025912554,0.5514186,0.00038051588],"about_ca_topic_score_codex":0.08094895,"about_ca_topic_score_gemma":0.36619338,"teacher_disagreement_score":0.48948443,"about_ca_system_score_codex":0.0004564529,"about_ca_system_score_gemma":0.00052599417,"threshold_uncertainty_score":0.9999565},"labels":[],"label_agreement":null},{"id":"W7011223628","doi":"","title":"L’ethnomusicologie : structuralisme ou culturalisme ?","year":2012,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Perspective (graphical); Context (archaeology); Proposition","score_opus":0.05247256916268337,"score_gpt":0.3037371326646265,"score_spread":0.2512645635019431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011223628","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.089271784,0.035781603,0.00012171615,0.6082267,0.051776316,0.0019698064,0.0016889299,0.0005545416,0.21060857],"genre_scores_gemma":[0.72999924,0.0011321731,0.0010266204,0.16135943,0.013844744,0.00028933582,0.002401746,0.00004969857,0.089897014],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99368066,0.0012253778,0.0010387937,0.00093041814,0.0012086957,0.0019160566],"domain_scores_gemma":[0.996457,0.0003211813,0.00069678377,0.00059274933,0.00088523026,0.001047094],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011756029,0.00080885703,0.0009042378,0.00019435034,0.0024082444,0.0009242534,0.0010574397,0.0010939365,0.03724361],"category_scores_gemma":[0.00035241872,0.00068776,0.00068295526,0.001831562,0.0016181101,0.03595534,0.0003083488,0.00089671277,0.0057451283],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004491856,0.0003934684,0.00038646473,0.00007477655,0.00029819194,0.000029888235,0.005338481,0.000032104017,0.00044457105,0.77016455,0.21021317,0.012579432],"study_design_scores_gemma":[0.0008180495,0.0001703456,0.021783503,0.0001372286,0.0006750875,0.000065201224,0.0065700104,0.000029189969,0.00049002335,0.009571408,0.9585601,0.0011298325],"about_ca_topic_score_codex":0.0008444904,"about_ca_topic_score_gemma":0.004578597,"teacher_disagreement_score":0.7605931,"about_ca_system_score_codex":0.0006352119,"about_ca_system_score_gemma":0.00020587698,"threshold_uncertainty_score":0.9995574},"labels":[],"label_agreement":null},{"id":"W7011254388","doi":"","title":"Le sourd dans la ville, 97 min., 1987, Canada, Couleur, Version originale française","year":2018,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Product (mathematics); Perspective (graphical); Set (abstract data type); Process (computing)","score_opus":0.004811348495268167,"score_gpt":0.1721555445547365,"score_spread":0.16734419605946832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011254388","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6330458,0.06785513,0.00006496436,0.087747306,0.0023061363,0.00025801008,0.0002616761,0.000099134704,0.20836185],"genre_scores_gemma":[0.43903044,0.0024569437,0.0001825081,0.002513234,0.0009888675,0.000002801573,0.000060007118,0.000022984963,0.5547422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766695,0.00034643232,0.00019516396,0.0005127893,0.0005420277,0.00073660974],"domain_scores_gemma":[0.9986024,0.00012039473,0.0001935568,0.00031366234,0.00030142718,0.0004685954],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025192343,0.00030387993,0.00038061143,0.00009364321,0.002835965,0.00005848891,0.0005871975,0.0004113611,0.0013961561],"category_scores_gemma":[0.000032349013,0.00031810012,0.00025862738,0.0010241295,0.0010382219,0.0004175096,0.00018573274,0.00030922962,0.00045818914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013236128,0.00014278572,0.0012710162,0.000029504996,0.0003072319,0.0018196682,0.012682893,0.000041438467,0.00048173458,0.11378222,0.86034244,0.008966681],"study_design_scores_gemma":[0.0007066949,0.0001031332,0.00062318717,0.000043896882,0.00038028084,0.00006841767,0.016787512,0.00029950595,0.000116461604,0.0003784509,0.9801004,0.00039205077],"about_ca_topic_score_codex":0.9534072,"about_ca_topic_score_gemma":0.99855185,"teacher_disagreement_score":0.34638038,"about_ca_system_score_codex":0.00431632,"about_ca_system_score_gemma":0.000870443,"threshold_uncertainty_score":0.9999271},"labels":[],"label_agreement":null},{"id":"W7011483710","doi":"","title":"Monique DESROCHES, Sophie STÉVANCE et Serge LACASSE, dir. : Quand la musique prend corps","year":2017,"lang":"fr","type":"review","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Point (geometry); Order (exchange); Suite; Context (archaeology)","score_opus":0.08940637920339674,"score_gpt":0.3509915562235707,"score_spread":0.261585177020174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011483710","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002688627,0.77935785,0.00028292256,0.042921297,0.006758475,0.0030013206,0.002806373,0.00025953306,0.16434339],"genre_scores_gemma":[0.007332129,0.8681286,0.00085183914,0.033045962,0.005047837,0.0018767004,0.007638956,0.00013056723,0.07594739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9897649,0.003907147,0.0017603615,0.0019346628,0.0013549345,0.0012779436],"domain_scores_gemma":[0.99305195,0.0010169835,0.0026330487,0.0013320928,0.0011235301,0.00084238854],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"category_scores_codex":[0.0028016402,0.001459931,0.0029220337,0.000311533,0.0035333436,0.0023402001,0.002250268,0.0021886397,0.008605725],"category_scores_gemma":[0.0008548956,0.0012760323,0.0014584832,0.0011799923,0.0019089499,0.018163318,0.0004984018,0.001986933,0.0025337005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009050562,0.0009639685,0.00007888886,0.004067847,0.0011518131,0.0004642396,0.0014823661,0.000031273095,0.000022166612,0.6770318,0.12508583,0.1895293],"study_design_scores_gemma":[0.00064764166,0.00018880008,0.001156258,0.0057527255,0.0014872522,0.00011699671,0.0002937383,0.000013766777,0.000028232967,0.009478012,0.97929674,0.0015398517],"about_ca_topic_score_codex":0.0010258664,"about_ca_topic_score_gemma":0.037097525,"teacher_disagreement_score":0.8542109,"about_ca_system_score_codex":0.0006202146,"about_ca_system_score_gemma":0.0014235165,"threshold_uncertainty_score":0.99981505},"labels":[],"label_agreement":null},{"id":"W7012027371","doi":"","title":"\\n Les Nouveaux Cinémas : photos de Jacques Dufresne, Introduction de Daniel Langlois, préface de Wim Wenders, Montréal : Festival international du nouveau Cinéma et des nouveaux Médias / Les 400 Coups, 2001, 109 pages","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Photography; Tourism; Feature (linguistics)","score_opus":0.020102374613533393,"score_gpt":0.2197058438115748,"score_spread":0.1996034691980414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7012027371","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5416876,0.14848912,0.0015295534,0.26585478,0.001904301,0.0006603545,0.00034882227,0.00048726218,0.039038174],"genre_scores_gemma":[0.60095316,0.15275152,0.005578087,0.0039467094,0.004757659,0.000046249377,0.0002792491,0.00011418068,0.2315732],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956437,0.0008934472,0.00044750192,0.00090260623,0.0006936794,0.0014191176],"domain_scores_gemma":[0.9977743,0.0002938345,0.00044256574,0.0003955302,0.00046721703,0.0006265777],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008153916,0.0006423371,0.00063645013,0.00029154698,0.0023592284,0.00025657183,0.00093769137,0.0008125952,0.0023856435],"category_scores_gemma":[0.00036070263,0.00067401346,0.00048577998,0.0009321918,0.00094821316,0.0011072366,0.00032440104,0.00081139954,0.00009660852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026459852,0.0007334277,0.017045863,0.000087374036,0.0010413222,0.0013183049,0.039242905,0.0025146932,0.0030432385,0.033753168,0.86936814,0.03158696],"study_design_scores_gemma":[0.0011919496,0.0002113734,0.0088299485,0.00011570106,0.00069987815,0.0005069045,0.03372307,0.0056047435,0.0004178407,0.0012275164,0.94671345,0.00075762166],"about_ca_topic_score_codex":0.11601525,"about_ca_topic_score_gemma":0.48078865,"teacher_disagreement_score":0.3647734,"about_ca_system_score_codex":0.009403089,"about_ca_system_score_gemma":0.00024380023,"threshold_uncertainty_score":0.9995711},"labels":[],"label_agreement":null},{"id":"W7012783672","doi":"","title":"Neume quitte pas","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Windsor; Local society","score_opus":0.013759721923628128,"score_gpt":0.18338781992966416,"score_spread":0.16962809800603604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7012783672","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51949096,0.19873954,0.00003298123,0.20662922,0.0016628366,0.00020054248,0.000058249574,0.00014667634,0.07303903],"genre_scores_gemma":[0.24952112,0.022841025,0.00023053889,0.007308014,0.0010428599,0.0000031773877,0.00003072825,0.000017659026,0.71900487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980042,0.0002827183,0.00018301523,0.00042769877,0.00038408366,0.0007182946],"domain_scores_gemma":[0.9989467,0.00007613241,0.00016433954,0.000267872,0.00015745428,0.00038746322],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001697037,0.0002579816,0.00036277628,0.000099092016,0.002461479,0.000032710777,0.00045758396,0.00040689122,0.0015614748],"category_scores_gemma":[0.000028169336,0.0002607003,0.00040512928,0.0010502457,0.0007304131,0.00049368804,0.00018085254,0.00031053237,0.0008955888],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058003738,0.00016605553,0.0021495107,0.00002264359,0.00036403275,0.004385423,0.016749555,0.000068656045,0.0003251817,0.2302083,0.7191819,0.026320774],"study_design_scores_gemma":[0.00039974463,0.00007320914,0.0020060348,0.000021168855,0.00030420627,0.00025331642,0.0035471257,0.00013991889,0.000023841385,0.0016395523,0.9912635,0.00032835235],"about_ca_topic_score_codex":0.025964059,"about_ca_topic_score_gemma":0.20844415,"teacher_disagreement_score":0.6459658,"about_ca_system_score_codex":0.0034742577,"about_ca_system_score_gemma":0.00009264768,"threshold_uncertainty_score":0.9999845},"labels":[],"label_agreement":null},{"id":"W7014259252","doi":"","title":"Parutions. Laurence BERTRAND DORLÉAC, Après la guerre, Paris, Éd. Gallimard, coll. Art et artistes, 2010, 167 p. Ill. n/b. Hervé FISCHER. L’avenir de l’art, Coll. Les champs de la culture, Montréal, VLB éditeur, 2010, 220 p.","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.018090877161559413,"score_gpt":0.20799988024409552,"score_spread":0.1899090030825361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014259252","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020041436,0.6226632,0.0006735873,0.096696295,0.002325255,0.0014640744,0.0013477219,0.0005705263,0.2542179],"genre_scores_gemma":[0.020370552,0.28932554,0.0037709805,0.0040370803,0.0006345802,0.00008770324,0.00041330428,0.00008971007,0.68127054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934854,0.0023595628,0.0006655719,0.0010837321,0.0007403294,0.0016654253],"domain_scores_gemma":[0.9965746,0.00053957105,0.0006445334,0.00070122175,0.00051439804,0.0010256653],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016697273,0.00086624385,0.00104255,0.00021811323,0.0027410267,0.0003422767,0.0010282797,0.0016311586,0.0024296946],"category_scores_gemma":[0.00022589271,0.0008510508,0.0008127237,0.0014580545,0.0017299806,0.0010814351,0.0003409428,0.0013069828,0.0006040756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027256398,0.0006785559,0.0029223904,0.00009000104,0.000717862,0.001548632,0.009802589,0.00009507052,0.0004326676,0.03578834,0.9428567,0.0047945725],"study_design_scores_gemma":[0.0015874599,0.00020040362,0.00552954,0.00020661947,0.0010749333,0.00046735635,0.005780228,0.0003667453,0.00013481095,0.004472136,0.9791668,0.0010129767],"about_ca_topic_score_codex":0.0718247,"about_ca_topic_score_gemma":0.36970043,"teacher_disagreement_score":0.42705268,"about_ca_system_score_codex":0.0030525983,"about_ca_system_score_gemma":0.00041543963,"threshold_uncertainty_score":0.99966496},"labels":[],"label_agreement":null},{"id":"W7014325103","doi":"","title":"Pascale Ferland : « C'était un être secret qui ne parlait pas facilement de choses intimes. ». \\n Adagio pour un gars de bicycle Canada [Québec] 2008, 90 minutes","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Order (exchange)","score_opus":0.007945048290880856,"score_gpt":0.1683035327779399,"score_spread":0.16035848448705906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014325103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74162143,0.094073795,0.000055508153,0.15932974,0.00035978956,0.000259641,0.00037841045,0.00007598202,0.0038456784],"genre_scores_gemma":[0.61715925,0.009718577,0.00057574676,0.0055474015,0.00059062697,0.000015012385,0.00013216301,0.00003162139,0.3662296],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99643415,0.00049414445,0.00037300336,0.00068003405,0.0006240856,0.0013945906],"domain_scores_gemma":[0.9980015,0.00020288146,0.0003080559,0.0003730658,0.00026857466,0.0008459331],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002766696,0.00051688525,0.0006245157,0.00012557459,0.0025686922,0.000071122246,0.0007251394,0.00045002962,0.003278008],"category_scores_gemma":[0.00006193789,0.000518925,0.00039491875,0.000966308,0.0005211034,0.00039069916,0.00024898062,0.0004549973,0.00008323352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100130295,0.0002382515,0.062159248,0.000049609716,0.0008188225,0.0041099917,0.0143784825,0.00042585982,0.0002930838,0.0016241652,0.8976502,0.018152198],"study_design_scores_gemma":[0.0010010822,0.000094287636,0.024792798,0.000053080763,0.0006565451,0.0002561994,0.013905711,0.00041994447,0.00030772662,0.0007048936,0.9571616,0.00064614974],"about_ca_topic_score_codex":0.9693713,"about_ca_topic_score_gemma":0.99786776,"teacher_disagreement_score":0.36238393,"about_ca_system_score_codex":0.009942782,"about_ca_system_score_gemma":0.0016322522,"threshold_uncertainty_score":0.99972624},"labels":[],"label_agreement":null},{"id":"W7014369117","doi":"","title":"Perdues dans le temps et l’espace. \\n Lost. Cérémonie contemporaine. Création, interprétation et mise en scène de Marie Dumais, Production de la Compagnie Marie Dumais présentée à Québec du 8 au 24 mai 2003 à la Salle Jean-Jacqui Boutet du Théâtre de la Bordée. \\n Vous êtes ici, de Daniel MacIvor. Traduction de Maryse Warda, mise en scène de Marcia Babineau et Anne-Marie White, Production du Carrefour international de théâtre de Québec, présentée à Québec le 25 mai 2003 à l’Auditorium Joseph-Lavergne de la Bibliothèque Gabrielle-Roy.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Theme (computing); Product (mathematics)","score_opus":0.0047370249443984035,"score_gpt":0.20790003844658664,"score_spread":0.20316301350218824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014369117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60477096,0.01378889,0.013337038,0.3482934,0.0026448655,0.001801604,0.0004193524,0.0005204804,0.014423415],"genre_scores_gemma":[0.7624095,0.020758694,0.006933303,0.0026251501,0.0034199036,0.00022155922,0.00085884397,0.00024575146,0.20252725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98551005,0.009388054,0.00093050784,0.0014655984,0.0008766911,0.0018290723],"domain_scores_gemma":[0.99430025,0.0018179151,0.0010014083,0.000664235,0.0012464498,0.00096973835],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.006457166,0.0010948125,0.00096625055,0.0010045436,0.0023665957,0.00085617584,0.0009849308,0.0013709938,0.00054356764],"category_scores_gemma":[0.0070501976,0.0012259927,0.00056101213,0.0027116684,0.0016871744,0.0023069608,0.00027489892,0.0015679097,0.000021151012],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.001363018,0.0019956096,0.1790419,0.00032763186,0.0012704243,0.0012785881,0.09001257,0.020467514,0.009402743,0.018988993,0.67484355,0.0010074527],"study_design_scores_gemma":[0.002800104,0.00025612355,0.041735813,0.00040093102,0.0011478752,0.0020125774,0.036105745,0.0068601766,0.0018930453,0.0019684397,0.9034989,0.0013202961],"about_ca_topic_score_codex":0.73299104,"about_ca_topic_score_gemma":0.92388725,"teacher_disagreement_score":0.34566823,"about_ca_system_score_codex":0.025087938,"about_ca_system_score_gemma":0.016559426,"threshold_uncertainty_score":0.99992543},"labels":[],"label_agreement":null},{"id":"W7014385301","doi":"","title":"Orchestral Music of the Canadian Centennial","year":2020,"lang":"en","type":"article","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Centennial; Style (visual arts); Musical; Commission; Corporation","score_opus":0.017964738112988238,"score_gpt":0.21089681768832033,"score_spread":0.1929320795753321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014385301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013467173,0.00019070358,0.000009876639,0.021968283,0.0006699705,0.00028018048,0.00008165941,0.000057715148,0.9632744],"genre_scores_gemma":[0.9485058,0.00012081571,0.000078366305,0.049724787,0.0010241001,0.0000043439277,0.00014720397,0.0000040599684,0.00039050827],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896365,0.00013811541,0.0002992725,0.00009871089,0.0001722057,0.00032804094],"domain_scores_gemma":[0.99939585,0.000023594466,0.00014548074,0.00009512747,0.000036175687,0.0003037552],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009655387,0.000108092994,0.00015020791,0.00003549681,0.0006500957,0.00023324593,0.00029199763,0.0001447819,0.00069358107],"category_scores_gemma":[0.000021815751,0.00007319922,0.000110939865,0.0005677379,0.00020448506,0.004111236,0.000072295676,0.0002170282,0.00001370752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030904805,0.000009014651,0.004668187,0.000024670933,0.000037303347,7.3262333e-7,0.009255734,0.0000996934,0.0000026175646,0.92233306,0.06043161,0.0031064956],"study_design_scores_gemma":[0.00022829176,0.000020801132,0.009788009,0.000025149558,0.000017990076,8.468964e-7,0.00017433485,0.00039707276,0.000010272752,0.00054584746,0.988689,0.00010240088],"about_ca_topic_score_codex":0.000080497484,"about_ca_topic_score_gemma":0.0062758797,"teacher_disagreement_score":0.96288395,"about_ca_system_score_codex":0.000011633572,"about_ca_system_score_gemma":0.00019697683,"threshold_uncertainty_score":0.75942266},"labels":[],"label_agreement":null},{"id":"W7014443455","doi":"","title":"Posture et éthos dans les chansons d'Alaclair Ensemble","year":2021,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Meaning (existential); Identity (music)","score_opus":0.009939065612811297,"score_gpt":0.20717853152520668,"score_spread":0.19723946591239538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014443455","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70756173,0.059595484,0.00012625408,0.0046723033,0.0028185435,0.00038977724,0.00017414418,0.00014031991,0.22452141],"genre_scores_gemma":[0.62844104,0.0018115389,0.0003975166,0.0012890772,0.00063588424,0.000029884086,0.0017428244,0.000028414572,0.36562383],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99624234,0.00072340877,0.00045341116,0.0009440578,0.00094581494,0.0006909547],"domain_scores_gemma":[0.99775606,0.00015834036,0.00048312123,0.0003772926,0.0007543215,0.0004708488],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00027153795,0.00061522983,0.00066125893,0.0002095461,0.016497552,0.00021459161,0.0006267718,0.0012588956,0.00029620744],"category_scores_gemma":[0.000096011034,0.0006326026,0.0008454259,0.0011028639,0.0006602605,0.00063161016,0.0001598017,0.0009303538,0.000077891935],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002957421,0.000499627,0.013494582,0.00020178872,0.0013080342,0.0034965859,0.60447025,0.0008360484,0.05808597,0.30916974,0.004020619,0.0041209925],"study_design_scores_gemma":[0.0006146155,0.00010587029,0.038752917,0.00038897365,0.0013239247,0.0003506096,0.51464796,0.0002666955,0.00419539,0.0005812366,0.4378272,0.00094459864],"about_ca_topic_score_codex":0.12675557,"about_ca_topic_score_gemma":0.3528871,"teacher_disagreement_score":0.4338066,"about_ca_system_score_codex":0.0039944765,"about_ca_system_score_gemma":0.0025060284,"threshold_uncertainty_score":0.999829},"labels":[],"label_agreement":null},{"id":"W7014496354","doi":"","title":"Québec, ville-théâtre","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.009679082852713593,"score_gpt":0.19017567701711352,"score_spread":0.18049659416439992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014496354","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2746301,0.16277109,0.000009152784,0.493,0.0017676867,0.00022141155,0.00009476696,0.00040015957,0.06710564],"genre_scores_gemma":[0.062156446,0.01508998,0.00005475049,0.0030046105,0.0007823436,0.0000047311273,0.000059869868,0.000020292335,0.918827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980235,0.00024690764,0.00017259858,0.00043609404,0.0003675122,0.0007533777],"domain_scores_gemma":[0.99898124,0.00012929493,0.00013696197,0.0002644493,0.00013880129,0.00034923002],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025332387,0.00024664256,0.00033630044,0.00016469824,0.0018082423,0.000055114644,0.0004664672,0.00038351896,0.0023518826],"category_scores_gemma":[0.00004804135,0.00024733358,0.00040056318,0.0022231247,0.00041491858,0.0003652159,0.00024800238,0.00027309303,0.003661288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030307052,0.000055521814,0.0006757077,0.000025115945,0.0002769781,0.001519907,0.008992388,0.000100127276,0.00016318393,0.102758594,0.84846455,0.036937594],"study_design_scores_gemma":[0.00033054035,0.000048094254,0.0009475069,0.00003124733,0.00032782296,0.000032699667,0.010730864,0.00040692708,0.00001375359,0.0015678176,0.9852566,0.00030614212],"about_ca_topic_score_codex":0.26506427,"about_ca_topic_score_gemma":0.89970577,"teacher_disagreement_score":0.85172135,"about_ca_system_score_codex":0.004680709,"about_ca_system_score_gemma":0.00015071024,"threshold_uncertainty_score":0.9999979},"labels":[],"label_agreement":null},{"id":"W7014627567","doi":"","title":"Québécois Flute Repertoire: Unearthing Three Little-Known Gems","year":2020,"lang":"en","type":"article","venue":"Arizona State University Library Digital Repository (Arizona State University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flute; Piano; Graduation (instrument); State (computer science); Work (physics)","score_opus":0.010977194827291406,"score_gpt":0.17317468706727726,"score_spread":0.16219749223998586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014627567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53229254,0.00035698563,0.0007044606,0.0070798835,0.0006968442,0.00064378395,0.0006091565,0.0015235364,0.4560928],"genre_scores_gemma":[0.7468212,0.00043351855,0.0004681922,0.002100155,0.00043655775,4.191143e-7,0.00029786475,0.000071560964,0.24937052],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99631995,0.00036897272,0.00040716538,0.0011978076,0.0007351877,0.0009709075],"domain_scores_gemma":[0.99753195,0.00025613085,0.00037017575,0.00047603337,0.00024774604,0.0011179777],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00009096037,0.0005377768,0.00061417517,0.00041433144,0.002408348,0.001130793,0.0014603031,0.00029986916,0.00019664092],"category_scores_gemma":[0.00007358755,0.00059362047,0.00057741854,0.0025175856,0.0010870423,0.010156096,0.00077864755,0.0006958567,0.00013630373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008368594,0.0021398086,0.16554333,0.00055564195,0.0064088833,0.04585351,0.21905108,0.00173064,0.0049061817,0.26989415,0.15427971,0.12126848],"study_design_scores_gemma":[0.0009894307,0.00031956236,0.001816637,0.000048143742,0.00018111902,0.000010049849,0.014256937,0.00020950484,0.00019777166,0.0014797002,0.9796014,0.0008897385],"about_ca_topic_score_codex":0.0045370464,"about_ca_topic_score_gemma":0.0031281484,"teacher_disagreement_score":0.8253217,"about_ca_system_score_codex":0.00031156646,"about_ca_system_score_gemma":0.0010083836,"threshold_uncertainty_score":0.9999061},"labels":[],"label_agreement":null},{"id":"W7014975694","doi":"","title":"Rendez-vous – Fête nationale du Québec à Laval 2023 – Entrez dans la danse – Mots dansant sur les cordes à poèmes","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); White (mutation); Population; Power (physics)","score_opus":0.009802133082479438,"score_gpt":0.182331629366771,"score_spread":0.17252949628429157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014975694","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7526401,0.061007585,0.000028291663,0.16259947,0.0010823229,0.00024553508,0.0004569742,0.00030572215,0.021633988],"genre_scores_gemma":[0.32885197,0.018959327,0.000069758265,0.00062076084,0.00064369314,0.000009865097,0.00022594383,0.00003146118,0.65058726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971936,0.00055303064,0.000274605,0.0005897679,0.00063926494,0.00074973813],"domain_scores_gemma":[0.99837697,0.0004793035,0.00023703619,0.0002675819,0.00031403967,0.0003250472],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048008122,0.00035812941,0.00043780822,0.00021585349,0.0021034835,0.00011024515,0.0006038768,0.0004274596,0.00095830834],"category_scores_gemma":[0.00018253348,0.0003574675,0.00044050027,0.0017603557,0.0008275189,0.00050488306,0.0002634991,0.00031186413,0.0005676491],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013302185,0.00031198695,0.009116945,0.000075820004,0.00091826724,0.0046913675,0.046075623,0.0008305947,0.0020366497,0.13978885,0.7666265,0.029394383],"study_design_scores_gemma":[0.00057828845,0.00006793394,0.010832233,0.000057044672,0.0004364021,0.000101836034,0.025005372,0.0012916134,0.000051137366,0.0011754455,0.9599815,0.00042117757],"about_ca_topic_score_codex":0.43484512,"about_ca_topic_score_gemma":0.9544323,"teacher_disagreement_score":0.6289532,"about_ca_system_score_codex":0.0036860714,"about_ca_system_score_gemma":0.00040974884,"threshold_uncertainty_score":0.99995494},"labels":[],"label_agreement":null},{"id":"W7015122488","doi":"","title":"Séries en transition : métamorphoses de l’art télévisuel au Québec","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Field (mathematics); Context (archaeology); Line (geometry)","score_opus":0.007065612680783776,"score_gpt":0.19677565079935083,"score_spread":0.18971003811856704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015122488","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.322919,0.2673687,0.0003402593,0.38503912,0.0013980918,0.00020008677,0.00013780888,0.00026596346,0.02233094],"genre_scores_gemma":[0.46627373,0.007999514,0.0001893378,0.0025891392,0.001214799,0.000007124068,0.00006547369,0.000023797822,0.5216371],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980617,0.00036593663,0.00017823828,0.00043374018,0.0002994575,0.00066089275],"domain_scores_gemma":[0.99918896,0.00019443706,0.000063495805,0.00016715143,0.0000906922,0.0002952927],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034579806,0.00026641937,0.00030944977,0.00014100267,0.0013686462,0.00013814963,0.00030804475,0.00041139938,0.0013758823],"category_scores_gemma":[0.000030344801,0.00026390745,0.00043633918,0.00093847216,0.00046675347,0.0007084846,0.00007274866,0.00034086528,0.0007466658],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089629764,0.00014111908,0.00042631477,0.00020818994,0.00076151884,0.0029535184,0.12997259,0.00019530515,0.0011774466,0.17702703,0.6171348,0.06991251],"study_design_scores_gemma":[0.00020173335,0.00008559283,0.00064365007,0.00012939125,0.0008203349,0.00013711258,0.017775614,0.0008506399,0.00007862028,0.0024164086,0.97654057,0.0003203641],"about_ca_topic_score_codex":0.3530786,"about_ca_topic_score_gemma":0.9306344,"teacher_disagreement_score":0.5775558,"about_ca_system_score_codex":0.011924914,"about_ca_system_score_gemma":0.0005986787,"threshold_uncertainty_score":0.9999813},"labels":[],"label_agreement":null},{"id":"W7015321532","doi":"","title":"Robert Morin: Papa à la Chasse aux Lagopèdes, ou Filmer L'absence","year":2011,"lang":"en","type":"article","venue":"The Cupola: Scholarship at Gettysburg College (Gettysburg College)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dysfunctional family; Perception; Character (mathematics); Interpretation (philosophy)","score_opus":0.05034122547717129,"score_gpt":0.2965288724416358,"score_spread":0.2461876469644645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015321532","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6269504,0.0124685615,0.000048467187,0.022472631,0.004909837,0.0041290727,0.0008482022,0.0013594609,0.32681337],"genre_scores_gemma":[0.83210325,0.00059879076,0.00048083838,0.007536559,0.0017902326,0.0004529951,0.000057843317,0.00014085355,0.15683861],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98883873,0.003077055,0.0014345548,0.0017987385,0.0022915653,0.0025593487],"domain_scores_gemma":[0.99374956,0.001178873,0.00077192433,0.002042205,0.0010440641,0.0012133545],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00505771,0.0012643159,0.0014209899,0.00048017173,0.0064214882,0.00061599823,0.003664404,0.0012845136,0.0054006097],"category_scores_gemma":[0.0012725691,0.00094384415,0.0010912885,0.003965102,0.0022828507,0.0022070971,0.00094412605,0.0022050801,0.0011270639],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016826281,0.0016398206,0.028347844,0.00016034092,0.0018397629,0.0015613843,0.041657988,0.000036879548,0.007872955,0.693364,0.2188192,0.0030171482],"study_design_scores_gemma":[0.0017797692,0.00022743961,0.019659448,0.00017778421,0.0006283348,0.00013835743,0.006885924,0.000059230762,0.0023641856,0.020775942,0.9454347,0.0018689145],"about_ca_topic_score_codex":0.0028148212,"about_ca_topic_score_gemma":0.0063096606,"teacher_disagreement_score":0.7266155,"about_ca_system_score_codex":0.0007749337,"about_ca_system_score_gemma":0.0010372731,"threshold_uncertainty_score":0.99965066},"labels":[],"label_agreement":null},{"id":"W7015606590","doi":"","title":"Transition à l’Opéra de Montréal : \\n Le Nozze di Figaro et Thaïs\\n","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Demotion","score_opus":0.007454975083870137,"score_gpt":0.1825507996958013,"score_spread":0.17509582461193116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015606590","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40399963,0.13253291,0.0018200416,0.43524593,0.000790045,0.00036563125,0.0001954726,0.00021340635,0.024836948],"genre_scores_gemma":[0.85967416,0.015032352,0.0011100895,0.010331853,0.00082117436,0.000012321026,0.00015931998,0.000040828116,0.11281792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975622,0.00039176823,0.00023978019,0.0005242415,0.0004185443,0.00086344266],"domain_scores_gemma":[0.99886817,0.00007750932,0.00018039093,0.000274963,0.00015920433,0.00043975856],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00037796862,0.00034837663,0.0004285055,0.00012260195,0.0017946009,0.00009687039,0.00043335432,0.0005689841,0.00031789416],"category_scores_gemma":[0.000028366985,0.00036649115,0.0005316414,0.00094838254,0.00041338723,0.0008382855,0.000099715435,0.0004654682,0.00020460655],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034576622,0.0010091374,0.00031115516,0.000102306694,0.0009463329,0.0041961176,0.1025803,0.0141963605,0.0030246389,0.68987846,0.13759302,0.045816403],"study_design_scores_gemma":[0.0017242266,0.00017186406,0.0016314604,0.000094853895,0.00060660386,0.00020129148,0.01624393,0.0005478137,0.00020569799,0.016024578,0.96199596,0.0005517324],"about_ca_topic_score_codex":0.17915168,"about_ca_topic_score_gemma":0.6272296,"teacher_disagreement_score":0.8244029,"about_ca_system_score_codex":0.0054629445,"about_ca_system_score_gemma":0.00025488783,"threshold_uncertainty_score":0.9998787},"labels":[],"label_agreement":null},{"id":"W7015691687","doi":"","title":"Symphonic Winds Begin Winnipeg Tour 2013","year":2013,"lang":"en","type":"article","venue":"Digital Well (University of Minnesota Morris)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; The arts; Exhibition; Newspaper","score_opus":0.010262701091185258,"score_gpt":0.19792096488393865,"score_spread":0.18765826379275338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015691687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7872588,0.00033846035,0.00002798664,0.004164817,0.00019665303,0.00020546594,0.00003464665,0.00007003158,0.20770313],"genre_scores_gemma":[0.92459345,0.00009080271,0.00008484163,0.00034731734,0.00013629388,5.4424453e-7,0.00004893818,0.0000071181353,0.0746907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987708,0.00006054961,0.00013492495,0.000310534,0.00034111843,0.00038208102],"domain_scores_gemma":[0.99909,0.000057494693,0.00014148411,0.0002371371,0.00025775918,0.00021609188],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011257471,0.00015639064,0.00027968056,0.0001147499,0.0004796684,0.0001876489,0.00057766074,0.00018814762,0.0039199376],"category_scores_gemma":[0.000030366444,0.00015825474,0.0002569414,0.0005646966,0.0005218337,0.0020505304,0.00012384482,0.00013267377,0.0013661381],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005923982,0.00055707543,0.029009035,0.000054009215,0.00043300603,0.00009446722,0.03139892,0.00004227539,0.00070887775,0.016603,0.8819717,0.03906836],"study_design_scores_gemma":[0.0006635578,0.0001065743,0.022461735,0.000032958353,0.00012566184,0.0000039792376,0.05382537,0.00018590786,0.000027208614,0.002433581,0.9196372,0.00049624144],"about_ca_topic_score_codex":0.0071046464,"about_ca_topic_score_gemma":0.0032439325,"teacher_disagreement_score":0.13733463,"about_ca_system_score_codex":0.000067786,"about_ca_system_score_gemma":0.00007778744,"threshold_uncertainty_score":0.9995071},"labels":[],"label_agreement":null},{"id":"W7017423285","doi":"","title":"Art contemporain du Québec : guide de collection","year":2016,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Data collection; Focus (optics); Photography; Subject (documents); Context (archaeology)","score_opus":0.0167189105248577,"score_gpt":0.25823886497323806,"score_spread":0.24151995444838037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017423285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026129354,0.0073479144,0.00046260498,0.04368611,0.0045764777,0.0010732393,0.00018407631,0.00031701633,0.93973964],"genre_scores_gemma":[0.018050639,0.0010264252,0.00019438061,0.011015558,0.006939368,0.00016988888,0.00020245601,0.00010335302,0.9622979],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926921,0.0016717294,0.0014572347,0.0015184659,0.0010506737,0.0016097756],"domain_scores_gemma":[0.9955859,0.0008359553,0.001057808,0.0007974381,0.00086916046,0.00085371936],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0021269105,0.0011227088,0.0015708223,0.0003089123,0.0027112886,0.00052786845,0.0010858952,0.0017380858,0.023875812],"category_scores_gemma":[0.00067004166,0.0008997401,0.0013550493,0.0010475762,0.002638243,0.00092144747,0.00017584403,0.0010088597,0.016082501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007696868,0.00019973861,0.0005104434,0.0000653264,0.0006205376,0.00010203316,0.00792175,0.000004126406,0.00033498867,0.05082036,0.92397696,0.015366757],"study_design_scores_gemma":[0.000997318,0.0002903565,0.0009028306,0.00044884282,0.0006588385,0.000057157788,0.0010323906,0.000087108914,0.000025700594,0.00877032,0.98553836,0.0011907744],"about_ca_topic_score_codex":0.023848502,"about_ca_topic_score_gemma":0.24904011,"teacher_disagreement_score":0.22519161,"about_ca_system_score_codex":0.0028171511,"about_ca_system_score_gemma":0.0054039843,"threshold_uncertainty_score":0.99955785},"labels":[],"label_agreement":null},{"id":"W7017682777","doi":"","title":"Blindness : Le côté sombre de l’âme. \\n L’aveuglement — Canada / Brésil / Japon 2008, 118 minutes","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.01137260216599582,"score_gpt":0.1770614263196213,"score_spread":0.16568882415362549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017682777","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54908395,0.21530676,0.00003695571,0.20393462,0.002071482,0.00037429683,0.00025677605,0.00009939928,0.028835777],"genre_scores_gemma":[0.4388369,0.009938935,0.00028781232,0.0056125494,0.00096935575,0.000010174945,0.00010803086,0.000029637165,0.5442066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694127,0.0003748357,0.0002991581,0.0005819206,0.0006374765,0.0011653482],"domain_scores_gemma":[0.9983458,0.0001346909,0.0002616953,0.00034284964,0.00028649575,0.0006284612],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026685206,0.00039248253,0.0005092702,0.000115284776,0.0034648632,0.000052442607,0.00067885313,0.0004114533,0.00094054383],"category_scores_gemma":[0.000050286748,0.0004152824,0.00033821742,0.0011278847,0.00057738496,0.00045770287,0.00022399036,0.0003818543,0.00008236052],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068099944,0.00026100417,0.0022558887,0.000040042247,0.0004246036,0.0039337873,0.00878386,0.00024024532,0.0002789904,0.023355424,0.9521672,0.008190822],"study_design_scores_gemma":[0.0008697194,0.000081916856,0.0021417423,0.000047554473,0.00034706073,0.00023152218,0.013474529,0.0003354945,0.00018694291,0.0007653719,0.98100066,0.0005174713],"about_ca_topic_score_codex":0.9429712,"about_ca_topic_score_gemma":0.99713886,"teacher_disagreement_score":0.51537085,"about_ca_system_score_codex":0.009508984,"about_ca_system_score_gemma":0.0015910136,"threshold_uncertainty_score":0.99997276},"labels":[],"label_agreement":null},{"id":"W7017941778","doi":"","title":"[Carl Bouchard &amp; Martin Dufrasne : Il est trop tard maintenant // Paul P. : An Important Age // Éric Simon]","year":2004,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Face (sociological concept); Context (archaeology); State (computer science)","score_opus":0.023667729568486947,"score_gpt":0.2696561817070786,"score_spread":0.24598845213859166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017941778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37616906,0.063302554,0.0006007409,0.041323625,0.026041903,0.0085117845,0.004818177,0.0025691323,0.47666302],"genre_scores_gemma":[0.1553112,0.0030953945,0.0008260978,0.008672381,0.007940791,0.000250618,0.003506933,0.00032859872,0.820068],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9846344,0.0017817705,0.003265772,0.0034961088,0.0024848343,0.0043371106],"domain_scores_gemma":[0.99163634,0.00034899957,0.0021981737,0.0022596694,0.0009867523,0.0025700952],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0027500477,0.0026036033,0.003464322,0.00055715826,0.0031221847,0.0014300422,0.0025683376,0.0027929433,0.019775085],"category_scores_gemma":[0.0004995752,0.0021063357,0.0026718539,0.0021847729,0.003943152,0.0016813176,0.000468014,0.0030780446,0.0071803927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009279075,0.0054759146,0.002381099,0.0012594046,0.0055578104,0.011057918,0.083793454,0.0006599357,0.003597744,0.1717224,0.61903787,0.09452853],"study_design_scores_gemma":[0.0014361318,0.00093114877,0.0023061119,0.00063739816,0.0018496964,0.000086766086,0.003270665,0.00015431724,0.000027260088,0.028036855,0.95840883,0.0028548413],"about_ca_topic_score_codex":0.004875578,"about_ca_topic_score_gemma":0.12162333,"teacher_disagreement_score":0.34340495,"about_ca_system_score_codex":0.002746402,"about_ca_system_score_gemma":0.0034440649,"threshold_uncertainty_score":0.99960655},"labels":[],"label_agreement":null},{"id":"W7018211384","doi":"","title":"Composition avec la modalité multicyclique","year":2019,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Order (exchange)","score_opus":0.006731380781870938,"score_gpt":0.20201355983452893,"score_spread":0.195282179052658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018211384","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88854957,0.013107642,0.00011232415,0.0012242601,0.0021180217,0.00049521297,0.0000856684,0.000119563214,0.094187744],"genre_scores_gemma":[0.8941335,0.00037515422,0.00038515916,0.0006778695,0.0003878273,0.000026916323,0.00091165164,0.000023133769,0.10307875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9965498,0.0007691095,0.000493498,0.0008070915,0.00080565043,0.0005748852],"domain_scores_gemma":[0.9979344,0.00022997301,0.0005505254,0.0003493409,0.0005411665,0.00039462253],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00030452685,0.00054228463,0.000608143,0.00024240921,0.009574896,0.00020925855,0.0005858906,0.0011995641,0.00016293499],"category_scores_gemma":[0.000045360473,0.0005709417,0.0007039329,0.0006114522,0.0007241237,0.00068083074,0.00015207585,0.0007773481,0.0002323842],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009204032,0.000764949,0.01970137,0.0003839863,0.0013905575,0.0018366209,0.41975987,0.008517135,0.043409575,0.4979532,0.0005381062,0.004824244],"study_design_scores_gemma":[0.005591705,0.0005147013,0.19428971,0.002043055,0.005988654,0.0011795745,0.4476122,0.035025403,0.01763495,0.008414286,0.27664298,0.0050628018],"about_ca_topic_score_codex":0.05760317,"about_ca_topic_score_gemma":0.016895749,"teacher_disagreement_score":0.4895389,"about_ca_system_score_codex":0.0043006293,"about_ca_system_score_gemma":0.0014432244,"threshold_uncertainty_score":0.9996742},"labels":[],"label_agreement":null},{"id":"W7018289047","doi":"","title":"Des lieux (non) communs. \\n Braconnages identitaires. Un Québec palimpseste de Simon Harel. VLB Éditeur, « Le soi et l’autre », 129 p.","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Term (time); Context (archaeology); Data collection; Subject (documents)","score_opus":0.007877119023481132,"score_gpt":0.1963379357067661,"score_spread":0.188460816683285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018289047","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52392757,0.30173844,0.00013982096,0.14994523,0.0005091403,0.00027765174,0.00012492787,0.00020139027,0.02313584],"genre_scores_gemma":[0.62866825,0.015891295,0.00043950076,0.0037648028,0.00054005976,0.000009600356,0.00013261655,0.00004381283,0.35051006],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967399,0.0008152167,0.0003661152,0.0005756752,0.00044025976,0.0010628211],"domain_scores_gemma":[0.998269,0.0002731475,0.0003613037,0.00047128223,0.00025638877,0.00036884495],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00055238063,0.0004697915,0.0005753414,0.00017338857,0.0033929155,0.0002775955,0.00092097704,0.00057434454,0.0006406522],"category_scores_gemma":[0.00006373845,0.0004960098,0.00058963354,0.0011008815,0.001112466,0.0013227158,0.0004084098,0.00056873035,0.00026676143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012959681,0.00079600204,0.019455535,0.00016739864,0.00083171343,0.002939715,0.01474187,0.0011738557,0.0012750261,0.12014526,0.762884,0.075460024],"study_design_scores_gemma":[0.0009582142,0.00011062935,0.016207047,0.00013608327,0.0007193525,0.00006619273,0.014755273,0.00042397817,0.0001932852,0.011890004,0.953913,0.00062696275],"about_ca_topic_score_codex":0.72084165,"about_ca_topic_score_gemma":0.9724338,"teacher_disagreement_score":0.32737422,"about_ca_system_score_codex":0.0035841095,"about_ca_system_score_gemma":0.0003864517,"threshold_uncertainty_score":0.9997492},"labels":[],"label_agreement":null},{"id":"W7018372557","doi":"","title":"Diviser, embrasser, puis disparaître. David Miller, Make a mess then clean it up - The kiss, à Souffles, 7044, rue Saint-Urbain, Montréal. 6 octobre - 5 novembre 2005","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Clean technology; Exposition (narrative); Exhibition; Identification (biology)","score_opus":0.008399697617598107,"score_gpt":0.1914751344204629,"score_spread":0.1830754368028648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018372557","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12252942,0.554742,0.000071188595,0.2950761,0.003262969,0.001086014,0.00079831394,0.0002940359,0.022139976],"genre_scores_gemma":[0.1735232,0.023505388,0.00012984563,0.011301496,0.0022340477,0.000039833903,0.00045910082,0.00009843346,0.7887086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99383736,0.000955042,0.000722426,0.0012751402,0.0011411381,0.0020688977],"domain_scores_gemma":[0.9967595,0.0003813432,0.0006936513,0.0011109379,0.0003849751,0.0006696235],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008524961,0.00097286305,0.0010682205,0.00021785755,0.0045016846,0.0003980097,0.0019589064,0.00095903076,0.0012710347],"category_scores_gemma":[0.00007413129,0.00077762845,0.0011410881,0.0018283444,0.0012311976,0.000792537,0.0007426247,0.0009947201,0.0004960165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019080914,0.00046293417,0.001138149,0.000060406175,0.000784358,0.0007900125,0.0069098603,0.00054800045,0.0001565155,0.1225017,0.8481851,0.018272135],"study_design_scores_gemma":[0.00144045,0.00010203673,0.004461608,0.0001317582,0.0013631239,0.0000940794,0.02279477,0.0008454378,0.00003538534,0.004449535,0.96328557,0.0009962608],"about_ca_topic_score_codex":0.30211338,"about_ca_topic_score_gemma":0.8944245,"teacher_disagreement_score":0.76656866,"about_ca_system_score_codex":0.005513625,"about_ca_system_score_gemma":0.00021053254,"threshold_uncertainty_score":0.99964195},"labels":[],"label_agreement":null},{"id":"W7018709442","doi":"","title":"Espace mental et espace-monde. \\n Ce qui meurt en dernier. Texte de Normand Chaurette, mise en scène de Denis Marleau, au Théâtre Espace GO (Montréal), du 15 janvier au 9 février 2008 \\n Homme sans but. Texte d’Arne Lygre (traduit du norvégien par Terje Sinding), mise en scène de Claude Régy, à l’Usine C (Montréal), du 7 au 16 février 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ESPACE; Perspective (graphical); Space (punctuation); Power (physics); Theme (computing)","score_opus":0.006119865772845304,"score_gpt":0.19189290210802043,"score_spread":0.1857730363351751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018709442","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70340604,0.059360582,0.00046696884,0.22521819,0.0010622178,0.0014412645,0.000889346,0.00022539981,0.007929984],"genre_scores_gemma":[0.59883374,0.06368337,0.0022684024,0.0069839526,0.0038108246,0.00010228253,0.0006879032,0.00033043796,0.32329908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98600787,0.0033127228,0.0012774339,0.0024997501,0.0019712108,0.0049310257],"domain_scores_gemma":[0.9924369,0.0010535426,0.001335266,0.0015023734,0.00065498735,0.0030169585],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0025887035,0.0023429228,0.0024123678,0.0008158608,0.0073702,0.0004454617,0.002541747,0.0024951792,0.0025044132],"category_scores_gemma":[0.0005847634,0.002373965,0.001740601,0.002974673,0.0024353662,0.002650363,0.0013235227,0.0022682634,0.0007126779],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0028049352,0.0017507456,0.1048129,0.00021583332,0.003063441,0.014777798,0.20976545,0.001450983,0.0049300157,0.0025342684,0.6449081,0.008985564],"study_design_scores_gemma":[0.005571054,0.000519241,0.035601012,0.0004191596,0.0028328376,0.0046906713,0.035253976,0.0022158567,0.00054547336,0.00025008695,0.9093995,0.002701097],"about_ca_topic_score_codex":0.22131926,"about_ca_topic_score_gemma":0.81497675,"teacher_disagreement_score":0.5936575,"about_ca_system_score_codex":0.033863466,"about_ca_system_score_gemma":0.0023830058,"threshold_uncertainty_score":0.99893093},"labels":[],"label_agreement":null},{"id":"W7019143289","doi":"","title":"Festival international du court métrage \\nau Saguenay : 20 ans de films et de passion","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Diplomacy; Context (archaeology); Interpretation (philosophy)","score_opus":0.007475965645481956,"score_gpt":0.20310731222086476,"score_spread":0.1956313465753828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019143289","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39637503,0.009685746,0.0012887614,0.5576894,0.0015290707,0.0001531582,0.00020124069,0.00010910207,0.032968473],"genre_scores_gemma":[0.57052577,0.00988802,0.0006736132,0.0053426297,0.0011915927,0.000004787311,0.000052138777,0.000020230584,0.4123012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794495,0.00045595414,0.00017310162,0.00039240587,0.00038135276,0.000652225],"domain_scores_gemma":[0.9988433,0.00022106923,0.00017985835,0.00017697614,0.00018542464,0.00039337893],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004933148,0.00023620366,0.00025415956,0.00010153195,0.00084641005,0.000065812565,0.00054482574,0.00038192197,0.0021785046],"category_scores_gemma":[0.00012000039,0.00018561837,0.00031513424,0.00039243244,0.00036025478,0.000611111,0.00018683032,0.00024808585,0.00018225478],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017229415,0.00020302561,0.021693237,0.000015991673,0.00045197346,0.0017859004,0.0110140545,0.00015208292,0.0065788073,0.11680841,0.79708153,0.04404271],"study_design_scores_gemma":[0.0007226845,0.00007027061,0.010872492,0.00011670112,0.00020739925,0.000117682415,0.003267124,0.0005078239,0.00014404248,0.00311904,0.9805579,0.00029682711],"about_ca_topic_score_codex":0.010791408,"about_ca_topic_score_gemma":0.13235015,"teacher_disagreement_score":0.55234677,"about_ca_system_score_codex":0.0041821324,"about_ca_system_score_gemma":0.00019432527,"threshold_uncertainty_score":0.99964064},"labels":[],"label_agreement":null},{"id":"W7019255308","doi":"","title":"États de mères. Emmanuelle Cornu, Trois tours de cordon, Montréal, Druide, 2022, 165 p.","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Population; Interpretation (philosophy); Feature (linguistics)","score_opus":0.00880909744105581,"score_gpt":0.19114930584037834,"score_spread":0.18234020839932252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019255308","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51545924,0.32168105,0.000111320805,0.14827468,0.0018207591,0.00048504892,0.0004333443,0.00020097263,0.0115335835],"genre_scores_gemma":[0.24285297,0.02039308,0.00054553984,0.011898804,0.001121661,0.000057787627,0.00019248626,0.00007244852,0.7228652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954469,0.0011006774,0.00037147233,0.0007748758,0.00079931854,0.001506758],"domain_scores_gemma":[0.99799216,0.00019773857,0.0004009307,0.00048012944,0.00020295651,0.0007260636],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00082910265,0.00046586085,0.0006422134,0.00023658459,0.005536731,0.000118842116,0.0010894592,0.0003974421,0.0048838714],"category_scores_gemma":[0.000080398706,0.0004898599,0.00067887217,0.0019070158,0.00057139527,0.0004808148,0.00071486214,0.0009173734,0.00020878449],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028021622,0.00036581332,0.002897396,0.000036918278,0.0005285406,0.0038620387,0.01742394,0.0024210117,0.0007549043,0.01947594,0.92626417,0.025689138],"study_design_scores_gemma":[0.0010568048,0.00026207062,0.0015629071,0.000024363357,0.00079919863,0.00028405376,0.037706573,0.0021735586,0.000039526927,0.004656068,0.9508318,0.00060313445],"about_ca_topic_score_codex":0.15355971,"about_ca_topic_score_gemma":0.3876181,"teacher_disagreement_score":0.71133167,"about_ca_system_score_codex":0.013663409,"about_ca_system_score_gemma":0.00036251792,"threshold_uncertainty_score":0.9997553},"labels":[],"label_agreement":null},{"id":"W7019303146","doi":"","title":"Festival des films du monde de Montréal : Morceaux choisis","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.008709814049710524,"score_gpt":0.18328988332479185,"score_spread":0.17458006927508132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019303146","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7530486,0.1532593,0.00017349735,0.038650755,0.0013417813,0.0002917596,0.00009250752,0.00017525269,0.052966572],"genre_scores_gemma":[0.5490287,0.020486485,0.0031725145,0.002754493,0.00076332863,0.00001337772,0.000039208622,0.00005063972,0.42369127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967603,0.000633378,0.0002845963,0.0006328719,0.00047672476,0.0012121489],"domain_scores_gemma":[0.99822384,0.00018600331,0.00023174434,0.00037124916,0.0002644477,0.0007226926],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052366353,0.00045197894,0.00052803656,0.0001559198,0.0027757064,0.00012317186,0.00057237706,0.00057456165,0.0022574111],"category_scores_gemma":[0.00023338656,0.00045777316,0.00057285046,0.0013800655,0.00090413116,0.0006604343,0.00015975852,0.0005008534,0.00033033587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012766158,0.00045803742,0.013945289,0.00006416543,0.00091876584,0.0032961722,0.021010099,0.0011873617,0.0020425876,0.34701747,0.5777879,0.0321445],"study_design_scores_gemma":[0.0008132046,0.000108368266,0.0044797403,0.000045439625,0.00076654024,0.00032443582,0.013671362,0.00090466364,0.0001550578,0.009161892,0.9689856,0.0005836798],"about_ca_topic_score_codex":0.0788678,"about_ca_topic_score_gemma":0.3745854,"teacher_disagreement_score":0.3911977,"about_ca_system_score_codex":0.0047980333,"about_ca_system_score_gemma":0.00018741001,"threshold_uncertainty_score":0.9997874},"labels":[],"label_agreement":null},{"id":"W7019342890","doi":"","title":"Fouilles relationnelles. Massimo Guerrera, Porus (et quelques espaces-temps partageables), Galerie Joyce Yahouda, Montréal, 7 février - 27 mars 2004","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Verisimilitude; Mars Exploration Program; Exhibition; Photography; Painting","score_opus":0.009450512563815832,"score_gpt":0.19866982169763056,"score_spread":0.18921930913381474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019342890","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12021371,0.5217426,0.0005203962,0.2897117,0.0028330241,0.0008342055,0.00039073,0.0003993149,0.06335434],"genre_scores_gemma":[0.26011145,0.058718484,0.0024402791,0.0079747755,0.0010991781,0.00002553579,0.0003646273,0.000105295556,0.66916037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99545866,0.0006968636,0.00053907704,0.0010597968,0.000868381,0.0013772303],"domain_scores_gemma":[0.9973505,0.00020610557,0.0006185372,0.00066539284,0.0003936369,0.0007658247],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00066279597,0.0007512789,0.0008754064,0.00028622587,0.0026323283,0.00026173855,0.000775575,0.0009857168,0.0025686705],"category_scores_gemma":[0.0001310974,0.0007584197,0.000754271,0.0017806884,0.0009559421,0.0016477931,0.00031431075,0.0007726708,0.00084762607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020719084,0.0003134617,0.0020524324,0.00007695313,0.0007705288,0.0024231079,0.011616264,0.007364236,0.00016935474,0.27777267,0.6902168,0.0070170616],"study_design_scores_gemma":[0.001604555,0.00016562962,0.0010972215,0.0001793476,0.00078665325,0.00009411846,0.014419061,0.00019134194,0.00006391514,0.015835123,0.96464616,0.0009168936],"about_ca_topic_score_codex":0.114631645,"about_ca_topic_score_gemma":0.56224746,"teacher_disagreement_score":0.60580605,"about_ca_system_score_codex":0.00666249,"about_ca_system_score_gemma":0.00035499383,"threshold_uncertainty_score":0.9999303},"labels":[],"label_agreement":null},{"id":"W7019978016","doi":"","title":"Intersections : revue canadienne de musique Intersections: a Canadian music journal","year":2015,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Section (typography); Focus (optics); Period (music)","score_opus":0.025382080138570948,"score_gpt":0.24576817358859615,"score_spread":0.2203860934500252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019978016","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0063791135,0.0019776903,0.000364592,0.096887164,0.026589558,0.0011499998,0.0017496226,0.00015069505,0.8647516],"genre_scores_gemma":[0.14596903,0.0006046713,0.0005911349,0.110924914,0.018609937,0.00047359464,0.0024152403,0.00020426627,0.7202072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945235,0.001229369,0.0010177208,0.0009747242,0.0004574987,0.0017971544],"domain_scores_gemma":[0.9938526,0.00013951478,0.0008188761,0.0005279963,0.0016449144,0.003016066],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016906973,0.00078757934,0.00091364776,0.0012161849,0.0029573606,0.0010953792,0.0010996565,0.0013167452,0.1488325],"category_scores_gemma":[0.00074759807,0.00079610443,0.00061477907,0.0022056864,0.00092416524,0.0068223407,0.00012097091,0.0018236131,0.0032746375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003829482,0.00022124125,0.000100905534,0.00007481168,0.0007711812,0.00045226855,0.018784165,0.00014829665,0.000045623976,0.12969297,0.84474933,0.0049209073],"study_design_scores_gemma":[0.0005876707,0.00026757183,0.0011890214,0.00081638055,0.0006612215,0.0008983402,0.021117331,0.00008342298,0.0000059433346,0.0076771216,0.96577847,0.00091748056],"about_ca_topic_score_codex":0.4646545,"about_ca_topic_score_gemma":0.9988162,"teacher_disagreement_score":0.5341617,"about_ca_system_score_codex":0.006696639,"about_ca_system_score_gemma":0.0038800263,"threshold_uncertainty_score":0.99997973},"labels":[],"label_agreement":null},{"id":"W7020109738","doi":"","title":"Joël Hubaut : Les Mille-pelles. \\n Joël Hubaut, Le Lieu, centre en art actuel, Québec, janvier 2008","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Set (abstract data type); Relation (database); Subject (documents)","score_opus":0.006177842116388767,"score_gpt":0.17742342493148988,"score_spread":0.1712455828151011,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020109738","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14293388,0.29778066,0.00003251898,0.45073795,0.0008537352,0.00042561608,0.00011607973,0.00012129546,0.10699825],"genre_scores_gemma":[0.16612697,0.024788445,0.00037694865,0.0038339654,0.0011447617,0.0000029324503,0.000109933964,0.00003241651,0.8035836],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99627554,0.00064087525,0.0004101322,0.0008373448,0.000613716,0.0012224105],"domain_scores_gemma":[0.99808514,0.0001773065,0.00033855287,0.00048094316,0.00026547388,0.00065257796],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036019867,0.00058789365,0.0007608124,0.0002080699,0.002701177,0.00013549719,0.0008587489,0.0008471721,0.0050194473],"category_scores_gemma":[0.00006338541,0.0005793551,0.00077932817,0.0012188981,0.0006397226,0.000759327,0.00020048843,0.0006644901,0.0019177565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009294146,0.0003600269,0.00029511366,0.000018865278,0.00038596903,0.001349617,0.023502188,0.00015552924,0.00040023137,0.023228392,0.77956,0.17065111],"study_design_scores_gemma":[0.0008595368,0.00012271525,0.0010268961,0.00007749814,0.0005832629,0.000101414014,0.024094693,0.00022380536,0.00007369418,0.0013162451,0.9708369,0.00068334374],"about_ca_topic_score_codex":0.09517802,"about_ca_topic_score_gemma":0.7433013,"teacher_disagreement_score":0.69658536,"about_ca_system_score_codex":0.004804239,"about_ca_system_score_gemma":0.0004031744,"threshold_uncertainty_score":0.9996658},"labels":[],"label_agreement":null},{"id":"W7020184556","doi":"","title":"John Heward: Un parcours / une collection\\n . Musée national des beaux-arts du Québec, www.mnba.qc.ca, March 13 - August 24, 2008, Galerie de l’Université du Québec à Montréal, October 24 - November 24, 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.011344713979204142,"score_gpt":0.182471293283197,"score_spread":0.17112657930399286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020184556","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6465381,0.15868723,0.00014087172,0.1627182,0.0017924632,0.0006477577,0.00043157712,0.0002720512,0.02877176],"genre_scores_gemma":[0.39575464,0.043273862,0.0007151876,0.006768369,0.002151059,0.000037761893,0.0002413105,0.00011110849,0.5509467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99477047,0.0006559463,0.0005444137,0.0011183029,0.0013518461,0.0015590353],"domain_scores_gemma":[0.9963278,0.00045590656,0.00052472856,0.00046950195,0.0012113728,0.0010106567],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005433213,0.00083326985,0.0009368872,0.0005045128,0.007563916,0.0001487027,0.0009804929,0.0008201281,0.012716706],"category_scores_gemma":[0.00018202902,0.0008984641,0.0009368702,0.0032429346,0.002460189,0.00136184,0.00044602243,0.0008743635,0.00093644194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000383957,0.00072839786,0.028544972,0.000037178997,0.0010956775,0.0026927148,0.021925459,0.0015804551,0.00014828768,0.0030083868,0.93831444,0.0015400934],"study_design_scores_gemma":[0.0019258811,0.00020658463,0.024246274,0.000067663976,0.0009057347,0.00093093084,0.010345043,0.0016635238,0.000036022524,0.00091179804,0.95776,0.0010005743],"about_ca_topic_score_codex":0.9020865,"about_ca_topic_score_gemma":0.99068147,"teacher_disagreement_score":0.52217495,"about_ca_system_score_codex":0.017582612,"about_ca_system_score_gemma":0.0027892855,"threshold_uncertainty_score":0.99984145},"labels":[],"label_agreement":null},{"id":"W7020229171","doi":"","title":"La belle empoisonneuse : Homère et Roxane. \\n La belle empoisonneuse, Canada [Québec], 2007, 93 minutes","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Noise (video); Work (physics)","score_opus":0.006449023199598888,"score_gpt":0.18750922450269963,"score_spread":0.18106020130310074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020229171","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6047776,0.1952726,0.000030188186,0.15212154,0.0013419513,0.0003279449,0.0002385793,0.00013274653,0.045756865],"genre_scores_gemma":[0.41269934,0.0076908036,0.00031873537,0.0058400924,0.0007914165,0.0000057583834,0.00010548662,0.00005320918,0.57249516],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99593866,0.00079731055,0.00043389498,0.0007810035,0.0007528517,0.0012962633],"domain_scores_gemma":[0.99696296,0.0010698623,0.0003678015,0.00049896404,0.00030652413,0.00079387653],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009763903,0.00057381456,0.0006741661,0.00018775072,0.004706112,0.00008506517,0.0009306407,0.00080932374,0.0014358185],"category_scores_gemma":[0.00016540565,0.00058249966,0.00044997403,0.0014548951,0.000672288,0.00062613393,0.0007294314,0.00082355447,0.00010406135],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012917932,0.00026023996,0.0050599165,0.000057379806,0.0005340781,0.0057258713,0.031792264,0.0001271352,0.00021404258,0.01976463,0.9261604,0.010174879],"study_design_scores_gemma":[0.0008031927,0.00008855067,0.0031261013,0.00007999701,0.0004990017,0.00019904488,0.024759278,0.00008005794,0.000078443314,0.0003821659,0.9692121,0.0006920769],"about_ca_topic_score_codex":0.9764232,"about_ca_topic_score_gemma":0.9997611,"teacher_disagreement_score":0.5267383,"about_ca_system_score_codex":0.0066420007,"about_ca_system_score_gemma":0.0010448811,"threshold_uncertainty_score":0.99966264},"labels":[],"label_agreement":null},{"id":"W7020278736","doi":"","title":"La chanson au Québec","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Context (archaeology); Interpretation (philosophy); Relation (database)","score_opus":0.008206568324113903,"score_gpt":0.19373297993029817,"score_spread":0.18552641160618427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020278736","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19825147,0.46058398,0.000042221196,0.261451,0.0018885578,0.0001275875,0.00005853981,0.00019447332,0.077402174],"genre_scores_gemma":[0.39757115,0.0072993776,0.00005398678,0.0013303655,0.0010327424,0.0000032465814,0.00001730295,0.000016261798,0.59267557],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983659,0.00030954232,0.00012871379,0.0003976856,0.0002648607,0.0005333234],"domain_scores_gemma":[0.9992823,0.00016128381,0.000055967997,0.00016835133,0.00006687581,0.00026523968],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029808475,0.00021347961,0.00025123905,0.0001176875,0.0011206783,0.00010434993,0.00031542397,0.0004137928,0.0012076136],"category_scores_gemma":[0.0000225007,0.00020281873,0.00036082725,0.0010279643,0.00044321897,0.00042084316,0.00012606608,0.00035226476,0.0009517803],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026640086,0.00006985013,0.00034491124,0.000099727615,0.00046067458,0.003279423,0.04367199,0.000026270043,0.00017561369,0.40967172,0.31276035,0.22941281],"study_design_scores_gemma":[0.00014411454,0.00004836884,0.00033874923,0.00009797676,0.00049280556,0.00010037786,0.008367244,0.00047542504,0.000015715608,0.0014909528,0.9881773,0.00025098072],"about_ca_topic_score_codex":0.5968593,"about_ca_topic_score_gemma":0.9671796,"teacher_disagreement_score":0.67541695,"about_ca_system_score_codex":0.0117771365,"about_ca_system_score_gemma":0.000409082,"threshold_uncertainty_score":0.9998261},"labels":[],"label_agreement":null},{"id":"W7020280165","doi":"","title":"La caverne illuminée. Les ombres jubilatoires de Dale Chihuly. Chihuly, Musée des beaux-arts de Montréal, 8 juin – 20 octobre 2013","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Field (mathematics)","score_opus":0.009671762368603202,"score_gpt":0.18748305460358167,"score_spread":0.17781129223497846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020280165","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6793138,0.2556836,0.00007100934,0.051541287,0.00040257777,0.00040840165,0.00013707948,0.00017986287,0.012262386],"genre_scores_gemma":[0.592796,0.06150945,0.0022585054,0.0042168587,0.0013077143,0.00005970741,0.00012682058,0.000100876445,0.33762404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99553955,0.0008764659,0.00044460347,0.0008632092,0.00060248404,0.0016737169],"domain_scores_gemma":[0.99744487,0.00032948056,0.00039642432,0.0005504738,0.00032694964,0.00095178897],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005453743,0.0006879486,0.0007960922,0.00024213894,0.0033836947,0.0003101699,0.001012309,0.0010305505,0.00223818],"category_scores_gemma":[0.000108787666,0.0006672111,0.0006904616,0.0010950126,0.0019575336,0.0013160029,0.0004492788,0.00074616796,0.00057581393],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000970138,0.00053245865,0.0066345455,0.00016395673,0.00092902785,0.0014873892,0.030847864,0.00064726477,0.003921911,0.029959308,0.8215147,0.103264526],"study_design_scores_gemma":[0.00086142746,0.00014918626,0.016656121,0.00016688679,0.0007485023,0.00030238272,0.02089056,0.0012106373,0.0002684828,0.006772271,0.95112914,0.00084437523],"about_ca_topic_score_codex":0.43763623,"about_ca_topic_score_gemma":0.7759134,"teacher_disagreement_score":0.33827716,"about_ca_system_score_codex":0.005369251,"about_ca_system_score_gemma":0.00022274205,"threshold_uncertainty_score":0.99957794},"labels":[],"label_agreement":null},{"id":"W7020281807","doi":"","title":"Kazik Radwanski : Un nouveau cinéma canadien sous le signe de la vérité et de l’intimité","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Subject (documents); Identity (music); Identification (biology)","score_opus":0.004375006761215131,"score_gpt":0.1888064734595102,"score_spread":0.18443146669829508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020281807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.414611,0.20434998,0.00043384632,0.24529877,0.0013253874,0.00032054767,0.0002252998,0.0003423331,0.13309284],"genre_scores_gemma":[0.69686157,0.008905551,0.00071268674,0.0040368787,0.00070029404,0.000008866485,0.000048120895,0.000043153148,0.2886829],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99712497,0.0007194415,0.00021566394,0.00058027,0.00031736348,0.0010422658],"domain_scores_gemma":[0.9985622,0.00035485355,0.00010246602,0.0002688299,0.00012308249,0.0005885627],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007511786,0.00034583188,0.00041055112,0.00018874973,0.0014753421,0.00023335077,0.00057747285,0.0006280867,0.00069303694],"category_scores_gemma":[0.000060199116,0.00036093514,0.00041674502,0.0013339103,0.0006177864,0.00046985212,0.00018586285,0.0006262685,0.00015398343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057655947,0.00020271407,0.00055644626,0.00009512391,0.00084673596,0.010172377,0.050553113,0.0005483431,0.0011142199,0.5844362,0.3203261,0.031090979],"study_design_scores_gemma":[0.00044615174,0.00012419601,0.0006790994,0.00009770118,0.00060748484,0.00045114537,0.012061933,0.0014329593,0.0001223907,0.012572587,0.9709644,0.00044000708],"about_ca_topic_score_codex":0.2849835,"about_ca_topic_score_gemma":0.7042895,"teacher_disagreement_score":0.6506383,"about_ca_system_score_codex":0.0070603243,"about_ca_system_score_gemma":0.00082308496,"threshold_uncertainty_score":0.99988425},"labels":[],"label_agreement":null},{"id":"W7020282767","doi":"","title":"La nuit où Laurier Gaudreault s’est réveillé, Xavier Dolan (Québec)","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Theme (computing); Feature (linguistics); Work (physics); Power (physics)","score_opus":0.00903039731201759,"score_gpt":0.19938942882264707,"score_spread":0.19035903151062947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020282767","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45135483,0.16304426,0.000012676835,0.20686787,0.0018013432,0.00039306554,0.00023336317,0.00048970414,0.17580287],"genre_scores_gemma":[0.16258323,0.014011383,0.00006994295,0.0027443205,0.000960948,0.000009788092,0.00012201034,0.000037187983,0.81946117],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970203,0.0005429004,0.00025304055,0.0006036728,0.000516865,0.0010632249],"domain_scores_gemma":[0.99843645,0.00026031528,0.00019432182,0.00037762217,0.00019422876,0.00053709047],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00054696976,0.0003688282,0.00047809343,0.00020604875,0.0017876629,0.00011645806,0.0006351601,0.0006775856,0.0028026227],"category_scores_gemma":[0.00009209644,0.00035889068,0.0005045948,0.0023502174,0.0006926092,0.0005165746,0.00031215505,0.00051295914,0.0034408523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005696116,0.00012542385,0.0023900387,0.000048406644,0.00046579796,0.0029187421,0.021387989,0.00007282756,0.00020279444,0.079115644,0.82565695,0.067558415],"study_design_scores_gemma":[0.00054402166,0.000060932194,0.0047019133,0.00006358354,0.00045238258,0.00007833599,0.0101737045,0.00019391412,0.0000131417855,0.0018881945,0.98137176,0.000458114],"about_ca_topic_score_codex":0.14009075,"about_ca_topic_score_gemma":0.84772086,"teacher_disagreement_score":0.7076301,"about_ca_system_score_codex":0.004507082,"about_ca_system_score_gemma":0.00024761303,"threshold_uncertainty_score":0.99988633},"labels":[],"label_agreement":null},{"id":"W7020329377","doi":"","title":"À la recherche d’une voie française de la culture. Claude Corbo, Malraux au Québec, Propos et discours, 1963, Montréal, vlb éditeur, 2022, 175 pages","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Perspective (graphical); Context (archaeology); Relation (database); Feature (linguistics)","score_opus":0.027797093967799554,"score_gpt":0.24960828200464824,"score_spread":0.22181118803684868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020329377","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10269249,0.52607626,0.000089251895,0.33606267,0.00094386603,0.00063931267,0.00043894546,0.00024037504,0.03281684],"genre_scores_gemma":[0.1966491,0.08617471,0.0011132353,0.0067679817,0.0009883803,0.00010232217,0.00031150333,0.00010281806,0.70778996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9903085,0.006365815,0.0003891411,0.0008912604,0.0008822271,0.0011630402],"domain_scores_gemma":[0.9972367,0.0010086736,0.00044088683,0.000534991,0.00018517768,0.0005935554],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00252796,0.00060264184,0.0007190033,0.00019421191,0.004149726,0.00018259417,0.0011529069,0.0010422951,0.0020653603],"category_scores_gemma":[0.00030687716,0.0005767645,0.0007080022,0.0021315154,0.0011339433,0.00066175574,0.0007437673,0.0025794285,0.00013138696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029398702,0.0008094285,0.0020201006,0.00007840554,0.00072555314,0.004023815,0.087116115,0.00054148317,0.0019498848,0.046033304,0.82468104,0.031726904],"study_design_scores_gemma":[0.0010682727,0.00023286096,0.0015408383,0.000057393,0.0009159824,0.0003198337,0.06598932,0.00033787315,0.00004079372,0.0034127557,0.92539376,0.0006903402],"about_ca_topic_score_codex":0.57427907,"about_ca_topic_score_gemma":0.924539,"teacher_disagreement_score":0.6749731,"about_ca_system_score_codex":0.013810072,"about_ca_system_score_gemma":0.001248344,"threshold_uncertainty_score":0.99972165},"labels":[],"label_agreement":null},{"id":"W7020343651","doi":"","title":"Le Théâtre d’Essai de Montréal","year":2021,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Set (abstract data type); Identification (biology)","score_opus":0.00662002746975879,"score_gpt":0.17661814044553845,"score_spread":0.16999811297577966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020343651","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19417278,0.3797749,0.00012253391,0.32240793,0.001120362,0.00015835889,0.00010941849,0.00013571353,0.101997994],"genre_scores_gemma":[0.14239307,0.01846738,0.00070770294,0.0057123257,0.0008716977,0.000005097127,0.00008079885,0.000025996367,0.8317359],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99733436,0.00063268334,0.00021715151,0.00055705657,0.00038659005,0.00087216834],"domain_scores_gemma":[0.9986009,0.00010873448,0.00017338266,0.00035918015,0.0002957964,0.00046203355],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003179273,0.00029528944,0.0004431327,0.000078881094,0.0021301943,0.00010806882,0.00044550892,0.00053854537,0.0012126298],"category_scores_gemma":[0.00006321642,0.000324692,0.0005103454,0.0012368459,0.0003957249,0.0004983437,0.00029178066,0.00041473197,0.00032152477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052291627,0.00030883928,0.000837763,0.000043921456,0.00049729366,0.005988532,0.0069454573,0.00021141297,0.00090569915,0.5470911,0.41550332,0.021614337],"study_design_scores_gemma":[0.000682105,0.000042229574,0.00091769826,0.000043968084,0.0004983733,0.0002321947,0.017730076,0.00031896963,0.0002203496,0.0062976014,0.9726335,0.0003829731],"about_ca_topic_score_codex":0.09533696,"about_ca_topic_score_gemma":0.68525815,"teacher_disagreement_score":0.72973794,"about_ca_system_score_codex":0.004198907,"about_ca_system_score_gemma":0.00043307894,"threshold_uncertainty_score":0.9999205},"labels":[],"label_agreement":null},{"id":"W7020364508","doi":"","title":"La vie et la carrière artistique du frère Jérôme : Confessions de formes et de couleurs. \\n La vie et la carrière artistique du frère Jérôme Confessions de formes et de couleurs Du 15 septembre au 13 octobre 2004 Gesù - Centre de créativité Montréal","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); White (mutation); Meaning (existential); Context (archaeology)","score_opus":0.0068900391190704026,"score_gpt":0.23704659853333765,"score_spread":0.23015655941426724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020364508","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72403604,0.028745227,0.0040770317,0.1613589,0.0006602661,0.001319982,0.0036064403,0.0006369608,0.0755592],"genre_scores_gemma":[0.9428153,0.026871221,0.0019206142,0.012002761,0.00059156155,0.00009584595,0.0005840185,0.0001591157,0.014959534],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98835474,0.0060661137,0.0008248267,0.0012809661,0.00087136286,0.0026020047],"domain_scores_gemma":[0.99366474,0.0022465358,0.0008464014,0.00069423026,0.000675089,0.0018730221],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0030441014,0.0012933263,0.0014976744,0.0003451119,0.003007821,0.00052968203,0.0012169619,0.0025598449,0.0004684216],"category_scores_gemma":[0.0008199012,0.0012589217,0.0010835084,0.0011219698,0.0014866461,0.0015507196,0.0006100121,0.0026146495,0.00007446917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00045596092,0.0013977598,0.07696777,0.0003964777,0.0014252937,0.014066516,0.098236665,0.010398133,0.0023834174,0.5773763,0.2125541,0.0043416377],"study_design_scores_gemma":[0.004156324,0.0002465914,0.043212287,0.0013573844,0.0018356907,0.0027082285,0.05640712,0.0018301908,0.0003305028,0.015426432,0.87073964,0.0017496375],"about_ca_topic_score_codex":0.101884484,"about_ca_topic_score_gemma":0.6502127,"teacher_disagreement_score":0.65818554,"about_ca_system_score_codex":0.008530581,"about_ca_system_score_gemma":0.0061881016,"threshold_uncertainty_score":0.9999818},"labels":[],"label_agreement":null},{"id":"W7020367860","doi":"","title":"Le documentaire passe au direct. \\n Le Documentaire passe au direct, Guy Gauthier, Philippe Pilard et Simone Suchet, Montréal : VLB, 2003, 210 pages","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feature (linguistics); Period (music)","score_opus":0.007665160606090657,"score_gpt":0.21532734156725267,"score_spread":0.207662180961162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020367860","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20658635,0.31749058,0.000060194005,0.27508897,0.0035624544,0.001393424,0.00041066267,0.0005454311,0.19486193],"genre_scores_gemma":[0.64447355,0.02550133,0.00028832373,0.0033524423,0.0007045565,0.000046238605,0.00021617822,0.000083927494,0.32533342],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9924019,0.0019964308,0.0007236299,0.0015497636,0.0011136687,0.0022146194],"domain_scores_gemma":[0.9964964,0.00028065388,0.0006637319,0.000904744,0.0005254237,0.0011290524],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0012566275,0.0010437832,0.0013433123,0.00030963178,0.005168161,0.00034656443,0.0010095158,0.000989003,0.0007707988],"category_scores_gemma":[0.00026402058,0.0010829488,0.0009118565,0.0029817612,0.001165303,0.0027644224,0.00044449302,0.00094060745,0.00031998983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034526514,0.0016188431,0.007249657,0.00014144667,0.0021247582,0.0033950158,0.019753668,0.0003693832,0.0011899906,0.1903429,0.743681,0.02978806],"study_design_scores_gemma":[0.002502564,0.0002643177,0.0015834073,0.00013475471,0.0011161995,0.000089675144,0.029336622,0.0000930625,0.0006466075,0.0027649873,0.9601867,0.0012810765],"about_ca_topic_score_codex":0.31344846,"about_ca_topic_score_gemma":0.8321657,"teacher_disagreement_score":0.5187172,"about_ca_system_score_codex":0.009100958,"about_ca_system_score_gemma":0.0014330702,"threshold_uncertainty_score":0.9991621},"labels":[],"label_agreement":null},{"id":"W7020376701","doi":"","title":"L'épidémie de VHS ; suivi de Le malaise existentiel dans la (tech)nostalgie","year":2018,"lang":"fr","type":"other","venue":"Archipelago (University of Quebec in Montreal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ornaments; Iconicity; Gender relations","score_opus":0.011060788181767393,"score_gpt":0.21831234572387734,"score_spread":0.20725155754210994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020376701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4353072,0.0006418738,0.00031797035,0.0011524217,0.00017711172,0.00024173831,0.000068515525,0.00004794889,0.5620452],"genre_scores_gemma":[0.3019023,0.0004559888,0.0014594364,0.00026783213,0.00024938156,0.0000012743271,0.00006208111,0.00004262773,0.6955591],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966848,0.0011296299,0.00026851095,0.0006158729,0.00035761663,0.0009435837],"domain_scores_gemma":[0.998465,0.00027037703,0.00037881118,0.0004162463,0.000113199036,0.00035634547],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007219302,0.00039256254,0.000723524,0.00034410288,0.0005869043,0.000065348766,0.0011058197,0.00084204634,0.0039554415],"category_scores_gemma":[0.000086181855,0.00044391336,0.0005414097,0.0007787877,0.002860931,0.00030521248,0.0002619217,0.00048933586,0.00024432925],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032905172,0.0012710468,0.021965839,0.00036049885,0.00094716303,0.0013537019,0.538667,0.00007924423,0.0010551106,0.24895093,0.051548224,0.13347217],"study_design_scores_gemma":[0.0023209453,0.00025513998,0.20245072,0.0007888494,0.0010091714,0.000031640273,0.3265638,0.00065687863,0.000045966484,0.09190703,0.37260097,0.0013688774],"about_ca_topic_score_codex":0.8332127,"about_ca_topic_score_gemma":0.9919309,"teacher_disagreement_score":0.32105276,"about_ca_system_score_codex":0.0005093247,"about_ca_system_score_gemma":0.0008768798,"threshold_uncertainty_score":0.9998527},"labels":[],"label_agreement":null},{"id":"W7020383298","doi":"","title":"Le choeur de Woyzeck\\n . \\n Woyzeck de Georg Büchner. Adaptation de Brigitte Haentjens avec la collaboration de Louis Bouchard, Fanny Britt, Stéphane Lépine et Marie-Élisabeth Morf, mise en scène de Brigitte Haentjens, production de Sibyllines, Usine C, du 17 mars au 8 avril 2009","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"White (mutation); Context (archaeology); Theme (computing); Identity (music)","score_opus":0.0070111278637542615,"score_gpt":0.2045060188851711,"score_spread":0.19749489102141682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020383298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.732752,0.024302285,0.006025685,0.23178166,0.0005952268,0.00092043047,0.00039416234,0.0003281455,0.002900353],"genre_scores_gemma":[0.70949924,0.030216143,0.013392651,0.01540499,0.003925499,0.000051206414,0.001286882,0.00014619005,0.2260772],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935955,0.0018362725,0.0006604855,0.0011152216,0.00075124594,0.0020412812],"domain_scores_gemma":[0.99673265,0.00022432704,0.00073075725,0.0005442701,0.0007957044,0.00097229535],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0023183578,0.0007496884,0.00084248866,0.0003776283,0.0020684672,0.00051535515,0.0007093123,0.0010423587,0.00018001763],"category_scores_gemma":[0.000639302,0.00089955423,0.00046394026,0.0023423398,0.000609182,0.0015542626,0.00015619516,0.0008524153,0.000042420717],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020229577,0.0023405657,0.016329186,0.00034142824,0.0012160921,0.004438119,0.08249329,0.06115477,0.042544343,0.025060946,0.6752674,0.08679089],"study_design_scores_gemma":[0.0023753708,0.00028615881,0.02254051,0.00024446158,0.0012954683,0.0008120592,0.0070693754,0.018684475,0.0012945767,0.0046230503,0.9397001,0.0010743673],"about_ca_topic_score_codex":0.06787143,"about_ca_topic_score_gemma":0.36385927,"teacher_disagreement_score":0.2959878,"about_ca_system_score_codex":0.013709175,"about_ca_system_score_gemma":0.0025390454,"threshold_uncertainty_score":0.9993455},"labels":[],"label_agreement":null},{"id":"W7020419716","doi":"","title":"Le cinéma de la cruauté. \\n Petit Pow! Pow! Noël de Robert Morin. Québec, 2005, 91 min.","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Demotion","score_opus":0.003533750266365881,"score_gpt":0.17418370305161798,"score_spread":0.1706499527852521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020419716","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3532228,0.17365904,0.00017046736,0.2592098,0.0007086188,0.00028734448,0.00009708905,0.00020608494,0.21243875],"genre_scores_gemma":[0.27383733,0.0047799516,0.0007770832,0.0027752146,0.00130552,0.0000087096805,0.000051361556,0.000039128325,0.7164257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967397,0.0006576644,0.00029439226,0.00060296507,0.0004237938,0.0012814858],"domain_scores_gemma":[0.99848056,0.00024181986,0.00025371916,0.00035868603,0.00016637314,0.0004988569],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053806615,0.00041090333,0.00051296974,0.00016975368,0.0019241523,0.00015183582,0.00070154475,0.0007080057,0.0019138552],"category_scores_gemma":[0.000059621896,0.00044581277,0.00055661594,0.00092170894,0.00076750544,0.00054548983,0.0002126553,0.0005059335,0.00032784103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009926574,0.00047842463,0.0050213966,0.000046133315,0.00037635592,0.0023861197,0.008506029,0.0009444683,0.0018590599,0.21277212,0.76275027,0.004760353],"study_design_scores_gemma":[0.0008041779,0.000058107675,0.006243737,0.000050225655,0.00043920867,0.00021360657,0.0053731506,0.00049637683,0.00013387641,0.0033402676,0.98231506,0.0005322103],"about_ca_topic_score_codex":0.63197577,"about_ca_topic_score_gemma":0.93248194,"teacher_disagreement_score":0.50398695,"about_ca_system_score_codex":0.0065577426,"about_ca_system_score_gemma":0.0006746578,"threshold_uncertainty_score":0.9997994},"labels":[],"label_agreement":null},{"id":"W7020422660","doi":"","title":"Le rire et le Coplol, ou, Les zygomatiques de Québec Inc.","year":2006,"lang":"fr","type":"article","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Noise (video); Identity (music)","score_opus":0.007496727591651584,"score_gpt":0.1899043136022978,"score_spread":0.1824075860106462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020422660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51111907,0.10843679,0.00031494303,0.039752662,0.0007623122,0.00023809538,0.000079972204,0.00021578542,0.3390804],"genre_scores_gemma":[0.8501443,0.00043470398,0.00048039577,0.0012492038,0.0004978874,0.000010812513,0.00006951932,0.000013048226,0.14710009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776137,0.000510732,0.00031574143,0.00044002,0.00044712116,0.00052500097],"domain_scores_gemma":[0.9988769,0.00012093259,0.00025069996,0.00021309241,0.00028245462,0.00025588204],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003019392,0.00029080332,0.00033484885,0.000116097886,0.010970191,0.0001587099,0.0004106017,0.00045193813,0.00009536991],"category_scores_gemma":[0.000041006675,0.00030868506,0.0003236611,0.00047760372,0.001272675,0.00091091444,0.0001519196,0.0003534323,0.00006187901],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007712639,0.00041540634,0.012711,0.000043701555,0.00023307693,0.00071003946,0.026617358,0.0010165328,0.0027050327,0.9305739,0.021577127,0.0033197226],"study_design_scores_gemma":[0.0007003934,0.000062942985,0.024012849,0.00009636507,0.00026996026,0.00023102715,0.041412603,0.0004860574,0.0010234845,0.0059692627,0.92525375,0.00048130096],"about_ca_topic_score_codex":0.9149156,"about_ca_topic_score_gemma":0.79385066,"teacher_disagreement_score":0.9246046,"about_ca_system_score_codex":0.002955724,"about_ca_system_score_gemma":0.0048628706,"threshold_uncertainty_score":0.9999365},"labels":[],"label_agreement":null},{"id":"W7020423043","doi":"","title":"Les 25 ans de Kino Montréal : Entrevue avec Rémi Fréchette","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deposition (geology); Deformation (meteorology); Joint (building)","score_opus":0.008987372784785258,"score_gpt":0.19264909225862578,"score_spread":0.18366171947384052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020423043","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2545031,0.46733943,0.00019013415,0.2442177,0.0017785791,0.0002596222,0.00016487547,0.0003040309,0.031242535],"genre_scores_gemma":[0.39843926,0.019413881,0.0003445225,0.0026143796,0.0017111427,0.000008046864,0.000063620224,0.000038239345,0.5773669],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720204,0.0004181328,0.00025979863,0.00069269026,0.00042361647,0.0010037076],"domain_scores_gemma":[0.9987605,0.00018242381,0.00011906179,0.00031987898,0.00013494138,0.00048315802],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036168727,0.00039508726,0.00044984138,0.00019619851,0.0014858338,0.00021369488,0.0006534642,0.0006500883,0.0022424513],"category_scores_gemma":[0.00004287939,0.00039334103,0.0006502898,0.0013252731,0.00047514,0.0005659625,0.0002698528,0.0006276,0.00074053725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005960288,0.0001667622,0.0015560597,0.0001704741,0.000991077,0.0075392313,0.05125457,0.00022721449,0.0007483074,0.28045335,0.5120381,0.14479521],"study_design_scores_gemma":[0.00030633732,0.000074597876,0.0017089723,0.000158033,0.0009528266,0.00018550959,0.008909145,0.0024839204,0.000051224102,0.0042961994,0.98041135,0.00046188445],"about_ca_topic_score_codex":0.110204116,"about_ca_topic_score_gemma":0.5018607,"teacher_disagreement_score":0.5461244,"about_ca_system_score_codex":0.006659567,"about_ca_system_score_gemma":0.00014529885,"threshold_uncertainty_score":0.9998518},"labels":[],"label_agreement":null},{"id":"W7020460762","doi":"","title":"La recherche théâtrale : Bilan et pistes. \\n Théâtres québécois et canadiens-français au XXe siècle, sous la direction d’Hélène Beauchamp et Gilbert David, Presses de l’Université du Québec, 436 p.","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.01881400770969393,"score_gpt":0.2157267323879084,"score_spread":0.19691272467821447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020460762","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34399766,0.07488586,0.00046746034,0.4372217,0.00061144907,0.0005392859,0.0002913372,0.00037415713,0.14161105],"genre_scores_gemma":[0.80089825,0.058260217,0.0006769015,0.0055268877,0.00036078307,0.000015589105,0.00016655643,0.000074941425,0.13401987],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949476,0.002604612,0.0002939436,0.0007562098,0.00042744924,0.0009701915],"domain_scores_gemma":[0.9970131,0.0013886174,0.0003155315,0.00041183084,0.0002590039,0.0006119101],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0015196342,0.0005286679,0.0005920638,0.00024228316,0.0016600334,0.0001643718,0.00069701596,0.0010848051,0.000532215],"category_scores_gemma":[0.00044829297,0.00053620053,0.0005115656,0.0012939604,0.0008095553,0.00089781854,0.00025514723,0.0010760443,0.000060809973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005872733,0.0012803746,0.015700124,0.00020567929,0.0021105206,0.0051183696,0.5207215,0.008373697,0.0015629327,0.10454564,0.27700377,0.06279011],"study_design_scores_gemma":[0.0010515879,0.00015122678,0.014729416,0.00014080654,0.00072131475,0.00032038023,0.016629355,0.00014197135,0.00010604692,0.001687734,0.963684,0.00063610903],"about_ca_topic_score_codex":0.98374397,"about_ca_topic_score_gemma":0.99889183,"teacher_disagreement_score":0.6866803,"about_ca_system_score_codex":0.016053304,"about_ca_system_score_gemma":0.002046132,"threshold_uncertainty_score":0.99970895},"labels":[],"label_agreement":null},{"id":"W7020474289","doi":"","title":"Le conte en grand : \\n Festival interculturel du conte du Québec 2003","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Durvalumab","score_opus":0.005268478429690435,"score_gpt":0.16804444067549518,"score_spread":0.16277596224580473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020474289","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2910189,0.18358795,0.00027373806,0.4842059,0.0019774402,0.0004578798,0.00011355369,0.0001706774,0.038193963],"genre_scores_gemma":[0.7673605,0.0065429634,0.00015503689,0.0050373846,0.0009890179,0.0000070773817,0.00003976839,0.000023487493,0.21984476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785024,0.0003791729,0.00026254536,0.0005168065,0.00032771178,0.00066354906],"domain_scores_gemma":[0.99857986,0.00010002191,0.00022168129,0.00022732517,0.00045855294,0.00041253414],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00029175228,0.0003644108,0.00052964216,0.00008926706,0.0018951698,0.00009948234,0.00055333955,0.00047222353,0.00039313358],"category_scores_gemma":[0.00017595192,0.00034190473,0.00040664687,0.00093136256,0.0008549672,0.0006653764,0.00019451395,0.00042742578,0.00037150012],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031124533,0.00045100556,0.0016018524,0.000040388055,0.0011218623,0.002737295,0.05545031,0.00030153454,0.00073365774,0.50634205,0.41197568,0.018933102],"study_design_scores_gemma":[0.0022348927,0.00013824516,0.0009428608,0.000083107094,0.0004881883,0.0001979707,0.011753318,0.000051150826,0.000063842366,0.0018205427,0.98179007,0.0004358082],"about_ca_topic_score_codex":0.5126027,"about_ca_topic_score_gemma":0.94601274,"teacher_disagreement_score":0.5698144,"about_ca_system_score_codex":0.005558992,"about_ca_system_score_gemma":0.0006410934,"threshold_uncertainty_score":0.9999033},"labels":[],"label_agreement":null},{"id":"W7020488408","doi":"","title":"La Representation De La Femme Et De La Jeune Fille Dans La Literature Quebecoise: Mutations Historiques, Sociales Et Psychologiques","year":2011,"lang":"fr","type":"article","venue":"Scholar Commons (University of South Carolina)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Mythology; Subject (documents)","score_opus":0.04138614529694956,"score_gpt":0.30670627973263614,"score_spread":0.2653201344356866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020488408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73606044,0.003725888,0.0005664009,0.0058501787,0.00024597143,0.00018233202,0.00045091962,0.00013633545,0.25278157],"genre_scores_gemma":[0.9772589,0.0009395642,0.006610866,0.00055142556,0.00012565227,0.000002444723,0.00017007808,0.000018370556,0.014322673],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98777217,0.011007011,0.00018495526,0.00040558577,0.0002711461,0.0003591508],"domain_scores_gemma":[0.9980806,0.0007403124,0.0003298505,0.00030331154,0.0003273421,0.00021855375],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.003111376,0.00024118947,0.00038547267,0.00020204435,0.0011096573,0.00020062992,0.000609004,0.0010238752,0.0001500084],"category_scores_gemma":[0.00040291762,0.00027859988,0.00041583373,0.00096945884,0.002652848,0.0011219177,0.00014534942,0.0015629829,0.000016698317],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008316303,0.00038359946,0.046282344,0.000057352005,0.00026887582,0.00030328045,0.7272011,0.000020256699,0.00037070116,0.21059416,0.013258935,0.0011762464],"study_design_scores_gemma":[0.0011788941,0.00015234073,0.35354754,0.00031658282,0.00081247254,0.000095730575,0.22386223,0.000042579835,0.000064212094,0.05214897,0.36712027,0.0006581917],"about_ca_topic_score_codex":0.010289028,"about_ca_topic_score_gemma":0.01654165,"teacher_disagreement_score":0.5033389,"about_ca_system_score_codex":0.00045891065,"about_ca_system_score_gemma":0.0005103948,"threshold_uncertainty_score":0.9999666},"labels":[],"label_agreement":null},{"id":"W7020507483","doi":"","title":"Le Grain de sable : Émission 19 Mars 2016","year":2015,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Grain size; Mars Exploration Program; Texture (cosmology); Liquation","score_opus":0.00832845874840328,"score_gpt":0.20705674918891828,"score_spread":0.198728290440515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020507483","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013800425,0.0028742456,3.9308645e-7,0.0031920364,0.0006987556,0.0003574828,0.0001307804,0.00008379219,0.9925245],"genre_scores_gemma":[0.0008589779,0.00056546007,0.00070589385,0.0028539405,0.00061767024,0.00001362981,0.00027232346,0.000040944382,0.9940712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732727,0.00043272917,0.0007410603,0.0002888051,0.00060596294,0.00060417247],"domain_scores_gemma":[0.9979696,0.00012180205,0.00068580394,0.00030034358,0.0004503424,0.00047206896],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008201084,0.00040317143,0.0005929339,0.00006962425,0.0004080246,0.00014979113,0.0005481786,0.0008902053,0.56937265],"category_scores_gemma":[0.00038230716,0.0003503186,0.00032018343,0.00003993344,0.0005691997,0.0000010200936,0.00010857014,0.00039389209,0.02043152],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007124206,0.000088210465,0.0000049334376,0.00022299627,0.0001186446,0.000016899698,0.0030455652,0.00022120292,0.0000016209327,0.0020318958,0.98994845,0.0042283577],"study_design_scores_gemma":[0.0004963276,0.00012282832,0.000008465332,0.00023627473,0.00015615107,0.000030497908,0.0020730714,0.000030778127,0.000003228894,0.00044635573,0.9959656,0.00043039396],"about_ca_topic_score_codex":0.033354748,"about_ca_topic_score_gemma":0.015367321,"teacher_disagreement_score":0.54894114,"about_ca_system_score_codex":0.00020163946,"about_ca_system_score_gemma":0.00049127184,"threshold_uncertainty_score":0.99989486},"labels":[],"label_agreement":null},{"id":"W7020549625","doi":"","title":"Le théâtre de Marcel Dubé: une transformation dramaturgique","year":2017,"lang":"","type":"dissertation","venue":"TSpace","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Nous; Limiting","score_opus":0.015359899001447744,"score_gpt":0.34001071864143934,"score_spread":0.3246508196399916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020549625","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3185252,0.0015541108,0.0000691008,0.018822914,0.0015221433,0.00078451924,0.000032730426,0.00010535452,0.65858394],"genre_scores_gemma":[0.7182438,0.0012377773,0.00006141334,0.00084377103,0.00070338085,0.000062722946,0.0012490111,0.000027965001,0.2775702],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969136,0.00049051543,0.0005303677,0.0006177702,0.00062898075,0.00081875996],"domain_scores_gemma":[0.9979146,0.00009265258,0.00081438804,0.0004960586,0.00035788535,0.000324394],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0006106319,0.00054827164,0.00075075234,0.00016151404,0.0037102287,0.0011329014,0.000958147,0.0015195728,0.0007793598],"category_scores_gemma":[0.00014621583,0.00049388944,0.0006716725,0.00063466595,0.00039911922,0.00090366637,0.000019190073,0.0009557574,0.00014053848],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027860378,0.00026688995,0.00007422614,0.0005520692,0.00050974544,0.000033064927,0.85053,0.000061392646,0.010249116,0.11612384,0.007915786,0.013405223],"study_design_scores_gemma":[0.00090419117,0.0001333998,0.0046772338,0.00052879256,0.0009902933,0.0000090741805,0.42952135,0.00030412583,0.0038542885,0.005739033,0.5520162,0.0013220424],"about_ca_topic_score_codex":0.019272784,"about_ca_topic_score_gemma":0.037052386,"teacher_disagreement_score":0.5441004,"about_ca_system_score_codex":0.00010952628,"about_ca_system_score_gemma":0.0012040123,"threshold_uncertainty_score":0.99990404},"labels":[],"label_agreement":null},{"id":"W7020550722","doi":"","title":"Le répertoire des publications en art contemporain canadien : N° 18-19 = The Directory of Publications on Canadian Contemporary Art : N° 18-19","year":2002,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Directory; Documentation; Poetry; Contemporary art; National library; Publishing","score_opus":0.055065827589279415,"score_gpt":0.280982409181985,"score_spread":0.2259165815927056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020550722","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026397323,0.0051988326,0.000008380485,0.042451244,0.00064410846,0.0014241934,0.0010598595,0.00022796368,0.94872147],"genre_scores_gemma":[0.081391364,0.00033556868,0.000028674162,0.008426308,0.0009141144,0.00039749494,0.001886065,0.00007691752,0.9065435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99457896,0.0011252263,0.0011212715,0.0011032044,0.0009383859,0.0011329803],"domain_scores_gemma":[0.9942335,0.00090587256,0.0008204267,0.0014421864,0.0010440768,0.0015539323],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016343718,0.00070151273,0.0010381214,0.0009066217,0.003619152,0.00058217294,0.0018723749,0.0009578115,0.0066333506],"category_scores_gemma":[0.0012592728,0.0005815403,0.00069884845,0.0014940817,0.0023733303,0.0008877752,0.000095182,0.0012173747,0.0010724294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072205657,0.0000938542,0.00027619142,0.000026066795,0.00029758905,0.000011476559,0.009120257,0.0000025959187,0.000007732531,0.157334,0.8311362,0.0016867699],"study_design_scores_gemma":[0.0003212667,0.00007057368,0.002536146,0.00012620987,0.00016266413,0.000008064139,0.0028768692,0.000013860221,0.0000016361404,0.0072793053,0.9859547,0.0006486738],"about_ca_topic_score_codex":0.23749359,"about_ca_topic_score_gemma":0.9048943,"teacher_disagreement_score":0.6674007,"about_ca_system_score_codex":0.0015433508,"about_ca_system_score_gemma":0.012128613,"threshold_uncertainty_score":0.9997054},"labels":[],"label_agreement":null},{"id":"W7020558240","doi":"","title":"Le manque en partage. Configurations du politique chez Michel Beaulieu et Gilbert Langevin","year":2011,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Allegiance; Politics; Assemblage (archaeology); First person; Event (particle physics)","score_opus":0.01878899992105254,"score_gpt":0.27181864654175186,"score_spread":0.2530296466206993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020558240","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23568003,0.0005367577,1.2598818e-7,0.0010731618,0.0011794986,0.0007235668,0.0009766163,0.00030024032,0.75953],"genre_scores_gemma":[0.8556203,0.0008484565,0.0001833576,0.008620309,0.0004433823,0.00032405238,0.0045652185,0.00011999872,0.12927492],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948214,0.0017125168,0.0008216272,0.0010432013,0.0006851656,0.00091607025],"domain_scores_gemma":[0.9971753,0.0004181963,0.0006085282,0.00055339123,0.0007383584,0.0005062288],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014066919,0.00070724083,0.00086696993,0.00030014358,0.003840796,0.00028059987,0.0010186399,0.0016436616,0.0014155323],"category_scores_gemma":[0.0012689974,0.00068693364,0.00063493935,0.0007133259,0.0002176592,0.0011976749,0.000106468324,0.0016415576,0.00045531365],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004982375,0.00023240571,0.00005011808,0.00008813688,0.00035121918,0.000042912852,0.0014343178,0.0000014370333,0.006681636,0.988117,0.0005655197,0.0023854885],"study_design_scores_gemma":[0.00043018901,0.000062989646,0.0021018165,0.00015442619,0.00041094757,0.0000070711235,0.00618065,0.0000011944283,0.0058328607,0.03606309,0.9477311,0.0010237044],"about_ca_topic_score_codex":0.023139287,"about_ca_topic_score_gemma":0.2191824,"teacher_disagreement_score":0.9520539,"about_ca_system_score_codex":0.00031874244,"about_ca_system_score_gemma":0.00037159785,"threshold_uncertainty_score":0.9996524},"labels":[],"label_agreement":null},{"id":"W7020568453","doi":"","title":"L'identité culturelle dans «Montréal», d'Ariane Moffatt : une analyse musicale sémiologique","year":2008,"lang":"fr","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Natural (archaeology); Identification (biology)","score_opus":0.017750073486792924,"score_gpt":0.25139625649389535,"score_spread":0.23364618300710244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020568453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8328001,0.007609546,8.9491476e-7,0.00049506326,0.004565337,0.0010398678,0.0012944142,0.0003846927,0.15181008],"genre_scores_gemma":[0.8394093,0.0065028765,0.0006330701,0.0034170593,0.00091481366,0.00026262173,0.003496633,0.00016963869,0.14519401],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98819745,0.002956491,0.0022092029,0.002745115,0.00179028,0.0021014542],"domain_scores_gemma":[0.9936891,0.0005663004,0.0016795077,0.0012602565,0.0015699402,0.0012348857],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0014762112,0.0018559094,0.0024583857,0.00052392815,0.008680358,0.00039761982,0.0021859028,0.0038584217,0.0016827477],"category_scores_gemma":[0.001579032,0.0016314714,0.00236775,0.005249848,0.0011800329,0.0020187334,0.00032402703,0.0038570384,0.0018104063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000773286,0.004184357,0.002743023,0.00077989686,0.007069269,0.0031522259,0.0075224238,0.0012458174,0.15459786,0.73192143,0.002347978,0.083662435],"study_design_scores_gemma":[0.0024951755,0.000797384,0.010662831,0.0007435384,0.0052404124,0.0002310558,0.04292094,0.0001692888,0.015230562,0.047769587,0.86850286,0.0052363477],"about_ca_topic_score_codex":0.062253006,"about_ca_topic_score_gemma":0.3067813,"teacher_disagreement_score":0.8661549,"about_ca_system_score_codex":0.0014913683,"about_ca_system_score_gemma":0.000208031,"threshold_uncertainty_score":0.99941856},"labels":[],"label_agreement":null},{"id":"W7020615809","doi":"","title":"Le papier dans tes oreilles. \\n Pop sac-à-vie d’André Marceau. Réserve phonique et Tremplin d’actualisation de poésie, Québec, 65 min.","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Focus (optics); Face (sociological concept)","score_opus":0.008638082326301097,"score_gpt":0.1984133942911805,"score_spread":0.1897753119648794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020615809","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4097535,0.095955335,0.00041673385,0.38421312,0.0005512576,0.0005221711,0.00021199079,0.00021685843,0.10815903],"genre_scores_gemma":[0.6923602,0.0100598475,0.00097592187,0.013026611,0.0006267334,0.000008581336,0.0002492487,0.000034008495,0.28265885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970708,0.00065570057,0.00034768973,0.00062563695,0.0004271407,0.00087302976],"domain_scores_gemma":[0.99844444,0.00019434906,0.00032324917,0.00036070365,0.00022850334,0.00044874832],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052703393,0.00042642094,0.0005435696,0.00016033236,0.0016851244,0.0001333711,0.00057609804,0.0006332808,0.0009925269],"category_scores_gemma":[0.000099552075,0.00043012545,0.00052161893,0.0010427211,0.00044109666,0.0007847528,0.000110533416,0.00045450107,0.00012678998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029585016,0.00075330405,0.0024894308,0.00005706732,0.00066865055,0.0011984131,0.08858506,0.0005335099,0.005665378,0.3210534,0.5004266,0.07827336],"study_design_scores_gemma":[0.0009167197,0.00018391173,0.0068288133,0.000071285875,0.00045812989,0.000089318724,0.018966496,0.0003590984,0.00032643904,0.007894916,0.96331894,0.00058593263],"about_ca_topic_score_codex":0.34069878,"about_ca_topic_score_gemma":0.9128069,"teacher_disagreement_score":0.57210815,"about_ca_system_score_codex":0.0051395954,"about_ca_system_score_gemma":0.0006380434,"threshold_uncertainty_score":0.9999207},"labels":[],"label_agreement":null},{"id":"W7020633691","doi":"","title":"L'identitÃ© culturelle dans &amp;quot;Montreal&amp;quot;, d'Ariane Moffatt : une analyse musicale sÃ©miologique","year":2008,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lyrics; Musical; Context (archaeology); Transcription (linguistics); National identity; Popular music","score_opus":0.007462198988293656,"score_gpt":0.18670826956515438,"score_spread":0.17924607057686073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020633691","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041290373,0.002752816,0.00003686935,0.004227582,0.0006051818,0.00034934297,0.0007665255,0.00006713552,0.9870655],"genre_scores_gemma":[0.025797565,0.0029619331,0.00080493407,0.004169833,0.0008960776,0.000024575911,0.00023882609,0.000105524945,0.96500075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956682,0.00043349597,0.00051667617,0.0006955026,0.0019959996,0.0006901449],"domain_scores_gemma":[0.99818337,0.00022831379,0.0005251012,0.00046010542,0.000003542554,0.00059958437],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000035797584,0.0005228353,0.00088170386,0.000084311076,0.0007212245,0.000091192145,0.0007204785,0.0003237326,0.0012687367],"category_scores_gemma":[0.0000253649,0.00042415984,0.00020299085,0.00047736635,0.0006210527,0.00029357197,0.0001895873,0.0004705152,1.6139903e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013085104,0.00011669185,0.00809942,0.00014242463,0.0008737686,0.00022183839,0.003537087,0.000027937145,0.0015403392,0.035318855,0.9483424,0.001648377],"study_design_scores_gemma":[0.0002734052,0.00003101077,0.0046238196,0.00012374032,0.00020256294,0.0000070714013,0.0068047354,0.000012425255,0.00022243342,0.001011355,0.986122,0.00056540885],"about_ca_topic_score_codex":0.27890056,"about_ca_topic_score_gemma":0.9706085,"teacher_disagreement_score":0.69170785,"about_ca_system_score_codex":0.00003359022,"about_ca_system_score_gemma":0.0017794506,"threshold_uncertainty_score":0.999821},"labels":[],"label_agreement":null},{"id":"W7020676124","doi":"","title":"Les personnages-spectateurs des Fantômes de Sophie Calle, ou la restauration de l’aura par l’intersubjectivité","year":2018,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Context (archaeology); Exposition (narrative); Relation (database); Order (exchange)","score_opus":0.02713730889405399,"score_gpt":0.27071488625597634,"score_spread":0.24357757736192234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020676124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.707561,0.0073163663,0.011558837,0.05011011,0.00042042148,0.00027345298,0.00004361457,0.00021461448,0.22250158],"genre_scores_gemma":[0.9497077,0.0018334496,0.0074938745,0.0005209316,0.00025506903,0.000029045079,0.00005780419,0.0000297018,0.040072415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.987611,0.010288738,0.00038637433,0.00061061815,0.00037385372,0.0007294439],"domain_scores_gemma":[0.9957756,0.0012427437,0.0003204377,0.00062806386,0.0017235089,0.0003096842],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0050049573,0.00031162807,0.00032347973,0.00014073413,0.0021058063,0.0007630199,0.00081878627,0.0003822742,0.0005456352],"category_scores_gemma":[0.0017043385,0.00030047208,0.00029249323,0.001105751,0.0029028868,0.00058797817,0.00018106066,0.00045593316,0.00007807393],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054394193,0.000770489,0.019109992,0.00010356947,0.00026786866,0.000032558903,0.29899272,0.000009750007,0.011636249,0.5000388,0.008121523,0.16086209],"study_design_scores_gemma":[0.002761138,0.000027540511,0.18577844,0.0042181583,0.0011308413,0.00021423565,0.07222168,0.013997453,0.09016481,0.077793494,0.5487812,0.0029109945],"about_ca_topic_score_codex":0.015706519,"about_ca_topic_score_gemma":0.08567832,"teacher_disagreement_score":0.54065967,"about_ca_system_score_codex":0.000352329,"about_ca_system_score_gemma":0.00026671006,"threshold_uncertainty_score":0.99994475},"labels":[],"label_agreement":null},{"id":"W7020695340","doi":"","title":"Les implications polystylistiques de la narrativité dans ma démarche compositionnelle","year":2003,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wildness; Gambit; Spiritualism","score_opus":0.011365282914010778,"score_gpt":0.23035777866911766,"score_spread":0.21899249575510688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020695340","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.628382,0.023539867,0.00054524664,0.0015680853,0.00057474204,0.0003679309,0.00017336063,0.00013133445,0.3447174],"genre_scores_gemma":[0.8408089,0.0009532899,0.0008734739,0.0004723233,0.00026564937,0.000045021345,0.0009017563,0.000024825975,0.15565476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9962505,0.0016197087,0.0004343359,0.0006022266,0.00051514024,0.0005780575],"domain_scores_gemma":[0.9979505,0.0003680823,0.00044986233,0.00032252463,0.0004694239,0.00043960547],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00041262992,0.00048538126,0.00047058275,0.00021549308,0.019840417,0.00016616752,0.000572904,0.0009776613,0.00023536001],"category_scores_gemma":[0.00008262277,0.00051730085,0.00047307357,0.0008296048,0.0013551582,0.0004758092,0.000077233955,0.00068099337,0.000039760613],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025665626,0.0005600531,0.021684695,0.0001205994,0.0007545257,0.00032887596,0.31429845,0.0009738489,0.07359423,0.5819699,0.0032948724,0.0021632633],"study_design_scores_gemma":[0.0010508613,0.00018655501,0.17008996,0.00037485917,0.0022294454,0.00095414004,0.51825523,0.0005522049,0.008808124,0.0068009202,0.28912702,0.0015706617],"about_ca_topic_score_codex":0.14993468,"about_ca_topic_score_gemma":0.08344759,"teacher_disagreement_score":0.575169,"about_ca_system_score_codex":0.0064762365,"about_ca_system_score_gemma":0.0017574995,"threshold_uncertainty_score":0.99972785},"labels":[],"label_agreement":null},{"id":"W7020819081","doi":"","title":"\\n Coffret Michel Brault, Canada [Québec] 1958-1974, 817 minutes","year":2006,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.005149345907658601,"score_gpt":0.16872088245305533,"score_spread":0.16357153654539675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020819081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6133812,0.069499396,0.000023304961,0.23199296,0.00063755375,0.0003526498,0.00016679055,0.00023773308,0.0837084],"genre_scores_gemma":[0.5191298,0.0002958852,0.00016587593,0.0049582473,0.00058494933,0.0000043966347,0.00009524685,0.0000138626065,0.4747517],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985784,0.000114760805,0.00014385041,0.00030376756,0.00036194953,0.0004972371],"domain_scores_gemma":[0.9992666,0.00007575466,0.000119188684,0.0001914087,0.000148149,0.00019887045],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00012359467,0.00016568792,0.00023954127,0.00006735169,0.0013951345,0.00005133505,0.00039593037,0.0001635767,0.00031485435],"category_scores_gemma":[0.00003659955,0.00016703752,0.00014863879,0.00050793117,0.00016917489,0.0002003002,0.00008058847,0.00015366964,0.000040157345],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020623107,0.000032025637,0.0025457167,0.0000053096956,0.00007513903,0.00042104677,0.00096208503,0.000039827115,0.0005022188,0.009203325,0.98415726,0.0020354346],"study_design_scores_gemma":[0.00029420631,0.000014180846,0.0037099153,0.000006944895,0.00011645883,0.000014447792,0.0022162427,0.000046971996,0.000076614946,0.00047149308,0.9927989,0.00023360114],"about_ca_topic_score_codex":0.99645406,"about_ca_topic_score_gemma":0.99995404,"teacher_disagreement_score":0.3910433,"about_ca_system_score_codex":0.004909623,"about_ca_system_score_gemma":0.00049056805,"threshold_uncertainty_score":0.99990493},"labels":[],"label_agreement":null},{"id":"W7020914125","doi":"","title":"\\n L’Erreur boréale, Québec, 1999, 65 minutes","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Process (computing); Identification (biology)","score_opus":0.008286274989178869,"score_gpt":0.18426436640740576,"score_spread":0.1759780914182269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020914125","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08655728,0.50896794,0.000016679483,0.3611677,0.00078982656,0.0001820456,0.00006631816,0.00012729877,0.042124923],"genre_scores_gemma":[0.094233096,0.018910462,0.0006386802,0.008126749,0.0021736275,0.000005934658,0.000046296544,0.000026683469,0.87583846],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759036,0.00028601824,0.00026473968,0.0005507555,0.00044154408,0.0008665691],"domain_scores_gemma":[0.9986336,0.00013429076,0.0002266786,0.00034320416,0.00018005483,0.0004821273],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002559518,0.00035499665,0.0004448818,0.00013778405,0.0017654466,0.00008395071,0.00063972763,0.00048575748,0.0029462765],"category_scores_gemma":[0.000051809224,0.00035735234,0.0004869357,0.0010504214,0.00058550946,0.0007419793,0.00021944358,0.00037782275,0.0014501871],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004512111,0.0001826631,0.00086251623,0.000021842437,0.00031344715,0.0005132915,0.008639821,0.0001015351,0.00019470238,0.04053167,0.84941345,0.09917995],"study_design_scores_gemma":[0.0005149622,0.000070391965,0.0007316781,0.000038259503,0.00052843237,0.00007540131,0.004137254,0.00040452735,0.000053185253,0.00059126376,0.9924092,0.00044541675],"about_ca_topic_score_codex":0.28457186,"about_ca_topic_score_gemma":0.9514201,"teacher_disagreement_score":0.83371353,"about_ca_system_score_codex":0.006165401,"about_ca_system_score_gemma":0.00020444662,"threshold_uncertainty_score":0.9998878},"labels":[],"label_agreement":null},{"id":"W7021135701","doi":"","title":"Ne dis rien : Magie et mutisme. \\n Ne dis rien, Canada [Québec] 2001, 82 minutes","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Perspective (graphical); Context (archaeology); Subject (documents); Work (physics)","score_opus":0.009162842965599249,"score_gpt":0.18650440159469814,"score_spread":0.1773415586290989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021135701","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37046593,0.14239058,0.00002961999,0.46051663,0.0014665897,0.00029884916,0.00032870765,0.00010029035,0.024402764],"genre_scores_gemma":[0.27263987,0.014221803,0.00023164878,0.008040329,0.0009087533,0.000009940926,0.00018498316,0.000036883066,0.70372576],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659467,0.00039779738,0.00032833355,0.00072621636,0.00066883344,0.0012841657],"domain_scores_gemma":[0.9980143,0.00020714606,0.00029582472,0.00044810443,0.00025573405,0.00077890855],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002930896,0.00047412876,0.00060469273,0.000117055075,0.001984599,0.00012347352,0.0007951799,0.00039979225,0.0028829623],"category_scores_gemma":[0.00009962834,0.0004639372,0.00038048494,0.0016753318,0.00047397063,0.00068380765,0.00031560607,0.00046463183,0.00014971501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000910797,0.00017973279,0.004834114,0.000026309152,0.0004844066,0.004031537,0.010753564,0.00016441851,0.00011299732,0.018759739,0.9197791,0.040783007],"study_design_scores_gemma":[0.00063552865,0.00008135878,0.0048957565,0.00004638626,0.00063938356,0.00011733143,0.012668628,0.00037580132,0.000016203376,0.0010482017,0.9788864,0.00058901083],"about_ca_topic_score_codex":0.9888423,"about_ca_topic_score_gemma":0.9998428,"teacher_disagreement_score":0.679323,"about_ca_system_score_codex":0.009772915,"about_ca_system_score_gemma":0.0008582158,"threshold_uncertainty_score":0.99978125},"labels":[],"label_agreement":null},{"id":"W7021176602","doi":"","title":"\\n Visites à Monsieur Green, au Théâtre français de Toronto","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Government (linguistics); Work (physics)","score_opus":0.0064003567223914854,"score_gpt":0.18936243016067514,"score_spread":0.18296207343828366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021176602","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46047565,0.30567038,0.000055937468,0.1581841,0.0006068753,0.0002238816,0.00008817441,0.00015753118,0.07453747],"genre_scores_gemma":[0.36369982,0.00874914,0.0008068206,0.005657602,0.002205316,0.0000052374944,0.000031849013,0.000026222739,0.618818],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751735,0.0003313848,0.00023132323,0.00051234296,0.00039899556,0.0010085915],"domain_scores_gemma":[0.9986488,0.000115991745,0.00017686244,0.0003327327,0.0001810656,0.0005445369],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003123937,0.0003476767,0.00042455434,0.00006827559,0.0018607315,0.00007241946,0.000582686,0.00054808246,0.0031266175],"category_scores_gemma":[0.000033594504,0.00035276922,0.00047414427,0.0006046727,0.000397639,0.0010356806,0.00021018548,0.0002930151,0.0006080148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013023525,0.00037561075,0.008176281,0.00006035906,0.0007951869,0.0010868754,0.07816218,0.00030706212,0.0011471382,0.13347486,0.5224631,0.2538211],"study_design_scores_gemma":[0.00047439433,0.00007976754,0.0052794823,0.00003963275,0.00054513314,0.00007031521,0.010728401,0.00083994144,0.000063808846,0.0008484219,0.9806023,0.00042840678],"about_ca_topic_score_codex":0.44852063,"about_ca_topic_score_gemma":0.95920634,"teacher_disagreement_score":0.5442805,"about_ca_system_score_codex":0.012003935,"about_ca_system_score_gemma":0.0001457343,"threshold_uncertainty_score":0.9998924},"labels":[],"label_agreement":null},{"id":"W7021291660","doi":"","title":"\\n « Through the Looking Glass », et ce qu’André y trouva. \\n Aux pays des merveilles. Essai sur les mythes politiques québécois d’André Pratte. VLB éditeur, 155 p.","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Context (archaeology); Power (physics); Perspective (graphical)","score_opus":0.017068905296611144,"score_gpt":0.21924210650832027,"score_spread":0.20217320121170912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021291660","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3222063,0.4540272,0.00025033078,0.18427272,0.0006822646,0.00043418678,0.00021485033,0.00024099337,0.03767117],"genre_scores_gemma":[0.7670721,0.055487216,0.0003916626,0.0064388616,0.0015968264,0.000023038914,0.00013741989,0.00006873402,0.16878414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99533075,0.0014117522,0.0004949657,0.000801438,0.00069711165,0.0012639827],"domain_scores_gemma":[0.99763334,0.0005497296,0.00051559357,0.00048471533,0.00059504405,0.0002215668],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00069091225,0.0006397924,0.00075000734,0.00012387622,0.004249366,0.00033400103,0.0009595051,0.0006396012,0.00053348794],"category_scores_gemma":[0.00012458867,0.00049689005,0.0007550558,0.0012628267,0.0018076547,0.0014623073,0.00032253188,0.0006640119,0.000077811324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010082892,0.00038941656,0.0033653625,0.00010870444,0.0006634261,0.0007355605,0.03550909,0.00037356117,0.00033705085,0.68195987,0.25286293,0.02359422],"study_design_scores_gemma":[0.0007150751,0.00011954816,0.0028923762,0.00014010434,0.0006154027,0.00011548251,0.039194833,0.00013866577,0.00011827903,0.02504021,0.9302795,0.00063051877],"about_ca_topic_score_codex":0.67184186,"about_ca_topic_score_gemma":0.9471317,"teacher_disagreement_score":0.67741656,"about_ca_system_score_codex":0.0031564552,"about_ca_system_score_gemma":0.00029751196,"threshold_uncertainty_score":0.9997483},"labels":[],"label_agreement":null},{"id":"W7021324760","doi":"","title":"\\n Pierre Falardeau persiste et filme! Entretiens, Mireille La France, Montréal, Éditions de l’Hexagone, 1999, 274 pages","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.0061491239272193085,"score_gpt":0.1867573502458691,"score_spread":0.18060822631864978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021324760","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18378119,0.47565874,0.000031746047,0.137383,0.00071387267,0.00037856295,0.0007395043,0.0002469057,0.20106648],"genre_scores_gemma":[0.075155646,0.16689305,0.00048244328,0.005451887,0.00052606716,0.00001752289,0.00023210428,0.00003873995,0.7512025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99648905,0.00081692066,0.00031869308,0.0007173775,0.0005404467,0.0011175023],"domain_scores_gemma":[0.9983563,0.00022312923,0.00021430866,0.00041138896,0.0001859651,0.0006089286],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040032712,0.00046032615,0.0005808948,0.00014345697,0.003009534,0.00021148806,0.0006233357,0.0007359889,0.009924303],"category_scores_gemma":[0.00004478519,0.0005122507,0.0007576802,0.0011999827,0.00090385485,0.0006888223,0.00013466261,0.0006526611,0.0007042763],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007185339,0.00037890015,0.00086567743,0.000046501715,0.0005810287,0.0018533851,0.013683469,0.0006879445,0.0000937393,0.020475762,0.9062765,0.054985195],"study_design_scores_gemma":[0.00086554006,0.000081124796,0.003978006,0.00012181793,0.0007232016,0.00022636147,0.009773579,0.0005221146,0.000007862835,0.0010504561,0.98205507,0.0005948788],"about_ca_topic_score_codex":0.06029837,"about_ca_topic_score_gemma":0.21171468,"teacher_disagreement_score":0.550136,"about_ca_system_score_codex":0.0020185823,"about_ca_system_score_gemma":0.00016106048,"threshold_uncertainty_score":0.9997329},"labels":[],"label_agreement":null},{"id":"W7021333767","doi":"","title":"Nicoletta et Chocolat (Nicolette Hazewinkel et Rodrigue Tremblay) : Tambour-Contorsion","year":2005,"lang":"fr","type":"other","venue":"Gallica (Bibliothèque nationale de France)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Harrow; Epigraphy","score_opus":0.01561843792995083,"score_gpt":0.28707796372204114,"score_spread":0.2714595257920903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021333767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011314543,0.030914111,0.00062180846,0.109892696,0.0021469393,0.0019044349,0.0003935071,0.0003668898,0.8424451],"genre_scores_gemma":[0.016513066,0.007078161,0.0020999964,0.08071939,0.007885241,0.00042751426,0.00047304278,0.00023449036,0.8845691],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99277806,0.0015166432,0.001074207,0.0014974482,0.001796925,0.0013367112],"domain_scores_gemma":[0.996118,0.0007747265,0.0009746475,0.0006714208,0.00084991474,0.0006113031],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018359068,0.0010108064,0.001229218,0.0021445185,0.0009715654,0.0012191164,0.0014822228,0.0022496795,0.07318014],"category_scores_gemma":[0.0005839894,0.0009585363,0.0010075889,0.0067697605,0.0006956718,0.0016263375,0.00016827432,0.0018401588,0.0016440008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058499874,0.0008163749,0.0077730194,0.0001564713,0.00070465414,0.000032463366,0.004489097,0.0009936577,0.0009297017,0.27459723,0.70064497,0.008803858],"study_design_scores_gemma":[0.0014575559,0.00008096973,0.028318705,0.00042419013,0.00028531352,0.000012282663,0.00012618797,0.0005785064,0.00004779243,0.001773033,0.9658045,0.0010909336],"about_ca_topic_score_codex":0.0017360103,"about_ca_topic_score_gemma":0.026953258,"teacher_disagreement_score":0.2728242,"about_ca_system_score_codex":0.0010818846,"about_ca_system_score_gemma":0.001809244,"threshold_uncertainty_score":0.9998177},"labels":[],"label_agreement":null},{"id":"W7023592532","doi":"","title":"Ouebe Musique 11 avril 2010","year":2008,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Set (abstract data type); Identity (music); Event (particle physics)","score_opus":0.009300485159334664,"score_gpt":0.1989938105347157,"score_spread":0.18969332537538106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023592532","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006093254,0.0018802928,2.231087e-7,0.0024224361,0.0018344226,0.00048492587,0.00014650369,0.00011337183,0.9925085],"genre_scores_gemma":[0.0014831347,0.0013612886,0.00050316454,0.0056294925,0.0012335307,0.000022322822,0.00022508256,0.000056324745,0.9894857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683905,0.00035535963,0.0010418317,0.00037956738,0.0007333429,0.00065083563],"domain_scores_gemma":[0.99757606,0.00019164158,0.00096908637,0.000408656,0.00054549397,0.00030906286],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003356164,0.00057742215,0.00082581764,0.00009076597,0.0005117313,0.00013458755,0.0006899904,0.0012714056,0.79688364],"category_scores_gemma":[0.00022268013,0.0005109285,0.0005982304,0.000042771495,0.0010429397,9.3615876e-7,0.000091505615,0.00057289074,0.044637073],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036615107,0.00010304858,0.000017075403,0.00022573011,0.00017090226,0.000041838357,0.0047570644,0.0001450307,6.389815e-7,0.0015349744,0.98912716,0.0038399508],"study_design_scores_gemma":[0.00039289094,0.00011539081,0.00006235425,0.00017734178,0.00020671253,0.00007581026,0.0011874051,0.00001503403,0.000003989896,0.000051284092,0.9971217,0.00059010333],"about_ca_topic_score_codex":0.032640874,"about_ca_topic_score_gemma":0.063717104,"teacher_disagreement_score":0.75224656,"about_ca_system_score_codex":0.00014173097,"about_ca_system_score_gemma":0.000121326615,"threshold_uncertainty_score":0.9997342},"labels":[],"label_agreement":null},{"id":"W7024272921","doi":"","title":"Regarder les nuages dans le reflet d’un autre. Simon Nadeau, L’art de rater sa vie, Montréal, Boréal, 2018, 274 pages","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Fusible alloy","score_opus":0.007905028052278414,"score_gpt":0.18852357950883947,"score_spread":0.18061855145656106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024272921","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4109898,0.28880078,0.00011570285,0.22669698,0.0013903618,0.00061136513,0.00019582004,0.00025792175,0.07094127],"genre_scores_gemma":[0.23094925,0.04909193,0.0005364906,0.0035839851,0.00069256744,0.00001350491,0.0001385634,0.000063012514,0.7149307],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956411,0.00096901925,0.00043174787,0.00097642274,0.0006188091,0.0013628721],"domain_scores_gemma":[0.99794924,0.000175755,0.0004094727,0.00066734245,0.00025128396,0.0005468952],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007180117,0.0005973045,0.00081631506,0.00017850405,0.002601592,0.00026813793,0.0009109442,0.0009628039,0.0026739382],"category_scores_gemma":[0.000057581565,0.00060321356,0.0006576038,0.0009916237,0.00070619857,0.0009730967,0.00035838634,0.0006809866,0.0013145523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013824398,0.00028724407,0.003512793,0.00007642735,0.00070497644,0.0013335338,0.008253341,0.0002968046,0.002709694,0.016038952,0.9484194,0.018228568],"study_design_scores_gemma":[0.0010331814,0.00017220053,0.0030557653,0.00011612871,0.0006227082,0.00008055665,0.026489135,0.0004134759,0.0003697528,0.0015471763,0.9653412,0.00075870194],"about_ca_topic_score_codex":0.09284194,"about_ca_topic_score_gemma":0.6348287,"teacher_disagreement_score":0.64398944,"about_ca_system_score_codex":0.0035647072,"about_ca_system_score_gemma":0.00020888213,"threshold_uncertainty_score":0.9996419},"labels":[],"label_agreement":null},{"id":"W7024273782","doi":"","title":"Résurgence et espoir de renouveau. Apprivoiser la modernité théâtrale. La pièce en un acte de la Belle Époque à la Crise, Anthologie de textes dramatiques choisis et présentés par Lucie Robert, Nota Bene, 263 p. Écrits sur le théâtre canadien-français. Études suivies d’une anthologie (1900-1950), Sous la direction de Gilbert David, Département des littératures de langue française de l’Université de Montréal, « Paragraphes », 518 p. L’Éveil culturel. Théâtre et presse à Montréal, 1898-1914, de Hervé Guay, Presses de l’Université de Montréal, « Nouvelles études québécoises », 354 p. National Performance: Representing Quebec from Expo 67 to Céline Dion, de Erin Hurley, University of Toronto Press, « Cultural Spaces », 244 p. Le diable en ville. Alexandre Silvio et la naissance de la modernité populaire au Québec, de Germain Lacasse, Johanne Massé et Bethsabée Poirier, Presses de l’Université de Montréal, 306 p. De l’acteur vedette au théâtre de festival. Histoire des pratiques scéniques montréalaises 1940-1980, de Sylvain Schryburt, Presses de l’Université de Montréal, « Socius », 395 p. ","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); White (mutation); Power (physics)","score_opus":0.010007250306398348,"score_gpt":0.212573428137185,"score_spread":0.20256617783078665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024273782","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8004262,0.17271517,0.002628497,0.019468214,0.000050220715,0.001142966,0.0009662923,0.00073181256,0.0018706269],"genre_scores_gemma":[0.6347804,0.3375868,0.01795772,0.00081149646,0.000168377,0.00016209505,0.00031551576,0.00022423628,0.007993375],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9794946,0.01202482,0.0010562872,0.0020061028,0.001091161,0.004327037],"domain_scores_gemma":[0.988327,0.0060216766,0.001414088,0.0010934761,0.0009459393,0.002197808],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.004952744,0.0020582026,0.0019790516,0.0004763613,0.0073694754,0.00077165745,0.002657996,0.0026460257,0.0001706987],"category_scores_gemma":[0.002416967,0.002241497,0.0010433685,0.0009482067,0.0024095208,0.0036708831,0.0020140642,0.0020226636,0.0000030990466],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0024701918,0.0019818246,0.34138498,0.0009893748,0.0021961657,0.0044832374,0.21958128,0.14287418,0.05625165,0.0015086033,0.22461677,0.0016617454],"study_design_scores_gemma":[0.0039176983,0.00045757036,0.57867366,0.0025858777,0.0034866347,0.0025009909,0.09112848,0.020897614,0.02764985,0.0019177333,0.26346022,0.0033236544],"about_ca_topic_score_codex":0.98016,"about_ca_topic_score_gemma":0.9900729,"teacher_disagreement_score":0.23728871,"about_ca_system_score_codex":0.027331246,"about_ca_system_score_gemma":0.008137717,"threshold_uncertainty_score":0.99921596},"labels":[],"label_agreement":null},{"id":"W7024583811","doi":"","title":"Simha Arom : La boîte à outils d’un ethnomusicologue. Textes réunis et présentés par Nathalie Fernando. Montréal, Presses de l’Université de Montréal www. pum. umontreal. ca, 2007","year":2008,"lang":"fr","type":"other","venue":"Persée (Ministère de lEnseignement supérieur et de la Recherche)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Context (archaeology); Theme (computing); Relation (database); Interpretation (philosophy)","score_opus":0.03701216769965011,"score_gpt":0.3000864184083798,"score_spread":0.2630742507087297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024583811","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28190908,0.061225187,0.00023426961,0.026476266,0.0006222343,0.0016620427,0.00088757236,0.00046038983,0.62652296],"genre_scores_gemma":[0.15636726,0.120749764,0.007541929,0.02925541,0.001962054,0.00045822086,0.0010548406,0.0005699176,0.6820406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9806191,0.012649537,0.0010839396,0.0018203779,0.0011547322,0.00267233],"domain_scores_gemma":[0.99093556,0.0054680235,0.0009943644,0.000989217,0.00040762968,0.0012052171],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.005830372,0.0016792156,0.0018556006,0.0003736961,0.0020393922,0.000689095,0.0016945635,0.0049048453,0.016740084],"category_scores_gemma":[0.0020569796,0.0015995599,0.0013035946,0.0009769597,0.0020872534,0.0004469866,0.00058717286,0.0035404628,0.00049504807],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000466295,0.0014760877,0.004858127,0.00023065897,0.001960465,0.0031699394,0.38201955,0.000218182,0.0024602716,0.0024084563,0.5943527,0.0063792593],"study_design_scores_gemma":[0.0022663574,0.00036586786,0.009137232,0.00037068376,0.0018791021,0.00040594325,0.031154921,0.0003490806,0.00039274973,0.0020954267,0.9499462,0.0016363888],"about_ca_topic_score_codex":0.14859855,"about_ca_topic_score_gemma":0.1743823,"teacher_disagreement_score":0.35559353,"about_ca_system_score_codex":0.004569199,"about_ca_system_score_gemma":0.0023890692,"threshold_uncertainty_score":0.99959546},"labels":[],"label_agreement":null},{"id":"W7024604595","doi":"","title":"Société Radio-Canada. Spécial Opéra Bastille.","year":2017,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Time line; Middle Ages","score_opus":0.022321860532885787,"score_gpt":0.2700496362443155,"score_spread":0.2477277757114297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024604595","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021656124,0.0039503924,0.0000984902,0.07840662,0.022961278,0.0010734996,0.0018524567,0.000117117605,0.89132357],"genre_scores_gemma":[0.015185002,0.0011851974,0.00033585323,0.07424088,0.026056012,0.00033608568,0.0035566015,0.00016197405,0.8789424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99360424,0.00086215563,0.0009255655,0.0015056379,0.0017950325,0.0013073593],"domain_scores_gemma":[0.9955305,0.00030355275,0.0015642525,0.0009977169,0.00076804444,0.00083596644],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007500105,0.001085041,0.0014975625,0.0002259858,0.004283271,0.0013287897,0.0020819074,0.0014573474,0.24482246],"category_scores_gemma":[0.00051434257,0.001016269,0.000747243,0.0006592772,0.0016761041,0.008294216,0.00030796626,0.0010349808,0.0046164272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004315773,0.00017775704,0.000036495763,0.000076634155,0.0004783322,0.00013242805,0.00029007648,0.000013943426,0.000027802167,0.2445396,0.73110265,0.023081126],"study_design_scores_gemma":[0.0010759749,0.00010856575,0.0029242507,0.00048411003,0.0007308082,0.000024963118,0.0008630345,0.000034281053,0.00004628146,0.0026285774,0.9897666,0.0013125642],"about_ca_topic_score_codex":0.10697864,"about_ca_topic_score_gemma":0.92189085,"teacher_disagreement_score":0.81491226,"about_ca_system_score_codex":0.0011877442,"about_ca_system_score_gemma":0.0025658146,"threshold_uncertainty_score":0.99983895},"labels":[],"label_agreement":null},{"id":"W7026442666","doi":"","title":"Alfred Jarry et les arts : actes du colloque international, Laval, Vieux Château, 30-31 mars 2007","year":2008,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Verisimilitude; Mars Exploration Program; Photography; Object (grammar); The arts","score_opus":0.036905382130943284,"score_gpt":0.29067124988033927,"score_spread":0.25376586774939597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026442666","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33350295,0.014042898,0.00003756124,0.14433572,0.0059876796,0.00042979326,0.00015781162,0.00017549716,0.5013301],"genre_scores_gemma":[0.40691552,0.014665664,0.0005774712,0.021378446,0.0027318432,0.000050265517,0.00015643296,0.000021169439,0.5535032],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99749136,0.00036553462,0.00047365754,0.00052511174,0.00059502816,0.00054930156],"domain_scores_gemma":[0.998441,0.00023351604,0.0002232187,0.00021787772,0.0006197475,0.00026463228],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053529383,0.00032873102,0.00043259555,0.00011285789,0.0010032153,0.00033468194,0.00063359854,0.00049473817,0.016470209],"category_scores_gemma":[0.000316423,0.00026578378,0.00040068245,0.0006791563,0.0010026318,0.0009893131,0.00014329932,0.00038971522,0.00075781357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020047997,0.00034073932,0.011048563,0.000013797786,0.00039507126,0.00009849241,0.008378363,0.000020451722,0.00020789077,0.057640877,0.9168657,0.004970011],"study_design_scores_gemma":[0.00033668676,0.00004834517,0.018593634,0.000038721082,0.000115747986,0.000028629887,0.0030052194,0.00009017149,0.00011233462,0.0011918969,0.9760671,0.0003714958],"about_ca_topic_score_codex":0.011521547,"about_ca_topic_score_gemma":0.010563883,"teacher_disagreement_score":0.122957274,"about_ca_system_score_codex":0.0001391045,"about_ca_system_score_gemma":0.00021062049,"threshold_uncertainty_score":0.99997944},"labels":[],"label_agreement":null},{"id":"W7027231729","doi":"","title":"Claudel et Rodin : la rencontre de deux destins : [exposition, Québec, Musée national des beaux-arts du Québec, 26 mai-11 septembre 2005, Detroit, Detroit institute of arts, 2 octobre 2005-5 février 2006, Martigny, Fondation Pierre Gianadda, 3 mars-15 juin 2006]","year":2005,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Power (physics); Field (mathematics)","score_opus":0.01954119783602576,"score_gpt":0.26694344065052333,"score_spread":0.24740224281449757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027231729","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4128648,0.08794719,0.008786957,0.2752413,0.0024456065,0.0024028188,0.0021924165,0.0008273372,0.20729159],"genre_scores_gemma":[0.6482434,0.0017610216,0.014688538,0.030957842,0.0031069708,0.00020300107,0.0008823854,0.00012643718,0.3000304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.993669,0.0008348707,0.0015538421,0.0011015272,0.0012897641,0.001551012],"domain_scores_gemma":[0.99590296,0.0004278247,0.000825974,0.00046833255,0.0015753934,0.00079954875],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018735141,0.00083721866,0.0009429016,0.00045533906,0.0014998522,0.00049812463,0.0008033661,0.0008749343,0.012097303],"category_scores_gemma":[0.0007169205,0.0007927794,0.0006848378,0.0014477822,0.0020697403,0.0033425128,0.00017393894,0.0007285238,0.0004964105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010722941,0.0009135467,0.018420465,0.000110495086,0.00042820573,0.00005436636,0.005666951,0.0024665112,0.0012333909,0.028782165,0.9313288,0.010487908],"study_design_scores_gemma":[0.0012711909,0.0001129232,0.017584426,0.00026396153,0.00064591586,0.00012847233,0.0018771957,0.0017329186,0.0005445099,0.0025493638,0.97233313,0.0009559631],"about_ca_topic_score_codex":0.28985235,"about_ca_topic_score_gemma":0.9882237,"teacher_disagreement_score":0.69837135,"about_ca_system_score_codex":0.0022265946,"about_ca_system_score_gemma":0.0052869525,"threshold_uncertainty_score":0.9998001},"labels":[],"label_agreement":null},{"id":"W7027705044","doi":"","title":"Devenir comédien dans une société plurielle. Martin David-Peters, Clark ou la peau de l’ours, Montréal, Leméac Éditeur, 2021, 120 pages","year":2021,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Subject (documents)","score_opus":0.009597027477350676,"score_gpt":0.20762517521242785,"score_spread":0.19802814773507718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027705044","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14056696,0.3599763,0.00030386273,0.42449042,0.0017276003,0.0004343463,0.0004158878,0.00020536502,0.07187926],"genre_scores_gemma":[0.110790655,0.10645316,0.0013979819,0.006684939,0.0017829832,0.000022822695,0.0004947925,0.00009383442,0.77227885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994815,0.0015376059,0.00049546006,0.0010105814,0.0006774304,0.0014639086],"domain_scores_gemma":[0.997363,0.00043231467,0.00043947512,0.00061920856,0.00038828768,0.0007577618],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007276065,0.0006301048,0.00084869453,0.0001482818,0.002687077,0.00025313604,0.000871006,0.00094780355,0.0015855633],"category_scores_gemma":[0.00016223427,0.00067807315,0.00087667425,0.0019719403,0.00081586675,0.0007101914,0.0005610719,0.0008846182,0.00029000096],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014187295,0.00046127886,0.002449188,0.000069974754,0.001157318,0.009618863,0.030126015,0.00031885647,0.0013562931,0.053713575,0.85666615,0.043920644],"study_design_scores_gemma":[0.0011711246,0.000101670645,0.0017726762,0.000111151065,0.0010215844,0.0002689507,0.051002156,0.00046395377,0.00021621145,0.0038602517,0.93925196,0.0007583106],"about_ca_topic_score_codex":0.036110815,"about_ca_topic_score_gemma":0.54568285,"teacher_disagreement_score":0.7003996,"about_ca_system_score_codex":0.0047852453,"about_ca_system_score_gemma":0.00042730581,"threshold_uncertainty_score":0.99956703},"labels":[],"label_agreement":null},{"id":"W7027783653","doi":"","title":"Difficult Access to the CBC Archives (Toronto)","year":2020,"lang":"en","type":"article","venue":"Érudit documents and data repository (Érudit Consortium, University of Montreal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Diafiltration; Dysgeusia; Liquation; Proteogenomics; Demotion; Emperipolesis","score_opus":0.024890876702867035,"score_gpt":0.26268945061120946,"score_spread":0.23779857390834241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027783653","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65043956,0.011026827,0.0004278753,0.12334441,0.0016255857,0.0023800782,0.0015504285,0.00031146183,0.20889379],"genre_scores_gemma":[0.9879855,0.0018949915,0.00013514666,0.002292067,0.0005316518,0.0000014960709,0.00014797901,0.000008224671,0.007002939],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982799,0.00026749866,0.00022316938,0.0005842953,0.00035507354,0.00029005593],"domain_scores_gemma":[0.99860275,0.00016404859,0.00022400996,0.000539586,0.000110381116,0.00035921187],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00012490203,0.00017548005,0.00031165723,0.000028521683,0.0013246172,0.00023914059,0.00160383,0.00008999134,0.00016139206],"category_scores_gemma":[0.00012408603,0.00013285482,0.00008817961,0.00023854246,0.00047782765,0.0008776398,0.00084165187,0.00013194725,0.000010657543],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000931306,0.0004501302,0.033552803,0.00013315937,0.0017086733,0.00052869867,0.035873987,0.00007553115,0.0028886213,0.010157744,0.8482958,0.065403506],"study_design_scores_gemma":[0.0004958762,0.000075617434,0.016486937,0.000028905537,0.0003179391,0.0000046074865,0.012339147,0.00007522973,0.000041973675,0.00007793708,0.9698248,0.00023103273],"about_ca_topic_score_codex":0.047909014,"about_ca_topic_score_gemma":0.17021503,"teacher_disagreement_score":0.33754596,"about_ca_system_score_codex":0.000077605495,"about_ca_system_score_gemma":0.00008549487,"threshold_uncertainty_score":0.9999755},"labels":[],"label_agreement":null},{"id":"W7028274338","doi":"","title":"Flourishing of Canadian harp music in the 20th century","year":2010,"lang":"en","type":"article","venue":"Cardinal Scholar (Ball State University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HARP; Flourishing; Music theory; Music history; Music; Degree (music)","score_opus":0.017809357069722222,"score_gpt":0.21670186599131097,"score_spread":0.19889250892158875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028274338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85317016,0.000112658054,0.0000014723576,0.0010123446,0.00033264695,0.00011289749,0.000033212298,0.000012259627,0.14521234],"genre_scores_gemma":[0.9970648,0.00014665049,0.00008043746,0.00068886677,0.00014655417,3.096734e-7,0.000012935724,0.0000035534413,0.0018558643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987508,0.00035533638,0.00010108898,0.00019047904,0.0002523281,0.00034997493],"domain_scores_gemma":[0.9993599,0.000047216396,0.00006247212,0.0001606143,0.00017042198,0.00019937204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007942227,0.00009283974,0.00015727441,0.0004382459,0.0007379474,0.00015473398,0.00059493264,0.00012387289,0.00015467788],"category_scores_gemma":[0.00011888398,0.000074107586,0.00014482286,0.0018946042,0.00019748007,0.0006102568,0.000037914255,0.0007172865,0.00001114393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020803553,0.0003271593,0.20753141,0.00007282875,0.0007406009,0.0031209076,0.29992515,0.00021984435,0.010091528,0.3865261,0.05306101,0.03817541],"study_design_scores_gemma":[0.00016786621,0.000012480588,0.028481854,0.0000075507883,0.000049414688,0.0000014942632,0.017456723,0.0000025888755,0.00001593622,0.00020858725,0.95348704,0.00010848992],"about_ca_topic_score_codex":0.22145255,"about_ca_topic_score_gemma":0.802626,"teacher_disagreement_score":0.90042603,"about_ca_system_score_codex":0.00011403873,"about_ca_system_score_gemma":0.00024054774,"threshold_uncertainty_score":0.7837319},"labels":[],"label_agreement":null},{"id":"W7028405359","doi":"","title":"Fiona Tan, Rise and Fall, Galerie de l’UQAM, Montréal, Du 25 février au 2 avril 2011","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.010897552776076729,"score_gpt":0.1729492008167653,"score_spread":0.16205164804068856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028405359","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5669245,0.31338155,0.000092739865,0.05022237,0.0011814043,0.00035850244,0.0001553085,0.00014487728,0.067538716],"genre_scores_gemma":[0.39149332,0.06046963,0.0012923941,0.0043513114,0.001434333,0.000017822871,0.000044409266,0.0000571832,0.5408396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972531,0.00042349883,0.00028137997,0.0006431103,0.00037780122,0.0010211148],"domain_scores_gemma":[0.99828327,0.000103882594,0.0002690907,0.0003620383,0.00024505504,0.0007366814],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044639487,0.0004259126,0.00051892037,0.00014363261,0.0021040193,0.00007278423,0.0005396619,0.0006454847,0.0038475553],"category_scores_gemma":[0.000059742724,0.00042080745,0.00035926283,0.0005818042,0.0010008425,0.00083447876,0.00033485304,0.00040175853,0.0004463752],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025652553,0.0003578583,0.020393837,0.00005869615,0.00069703616,0.002300367,0.038799677,0.0000125761935,0.0002191941,0.11571424,0.79391307,0.027276924],"study_design_scores_gemma":[0.0007817882,0.00014960609,0.015794028,0.000041130414,0.0007543574,0.00013777622,0.009077384,0.00028819425,0.00002547159,0.005418896,0.9670039,0.00052751374],"about_ca_topic_score_codex":0.21986188,"about_ca_topic_score_gemma":0.6076513,"teacher_disagreement_score":0.47330087,"about_ca_system_score_codex":0.0034144493,"about_ca_system_score_gemma":0.00018859927,"threshold_uncertainty_score":0.99982435},"labels":[],"label_agreement":null},{"id":"W7028797333","doi":"","title":"The francophone scene in France and Quebec. Two export realities","year":2023,"lang":"en","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Nous; Identity (music); Clientelism","score_opus":0.012549490756070302,"score_gpt":0.2642024612462085,"score_spread":0.2516529704901382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028797333","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7505302,0.017580168,0.00006853823,0.017832639,0.0017839301,0.0007625072,0.000050631563,0.00033148777,0.21105991],"genre_scores_gemma":[0.3511522,0.0059711095,0.0004244099,0.00032054354,0.00014745514,0.0001479655,0.0009788276,0.000038549326,0.6408189],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99509,0.0031630264,0.0004325067,0.0004755666,0.0004546637,0.00038420066],"domain_scores_gemma":[0.9965118,0.0013296969,0.00033066858,0.00060017465,0.0011101053,0.000117534735],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0043653096,0.00022239126,0.0003214669,0.00012859708,0.0013584883,0.0005775555,0.00067416584,0.00027424088,0.00009460445],"category_scores_gemma":[0.0012671405,0.00017984626,0.00013019292,0.0010662436,0.00042593502,0.00019056447,0.00007898204,0.00042072113,0.000032769585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004256649,0.00029226413,0.011464117,0.00020073914,0.00020269283,0.000022420785,0.46320307,0.0000041329595,0.0010829831,0.25445443,0.017190631,0.25183994],"study_design_scores_gemma":[0.0013887204,0.000001038272,0.23781836,0.003013648,0.00013350227,0.000002719077,0.108181745,0.0004985719,0.0034619058,0.024222573,0.6199251,0.0013521507],"about_ca_topic_score_codex":0.10241873,"about_ca_topic_score_gemma":0.8299284,"teacher_disagreement_score":0.7275097,"about_ca_system_score_codex":0.00007418108,"about_ca_system_score_gemma":0.00031816974,"threshold_uncertainty_score":0.9999416},"labels":[],"label_agreement":null},{"id":"W7028982493","doi":"","title":"Histoire et sémiologie narrative des albums concepts : les exemples des corpus québécois et français de 1968 à 1987","year":2025,"lang":"en","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Popular music; Narrativity; Narrative; French; Perspective (graphical); Plot (graphics)","score_opus":0.027205526859913735,"score_gpt":0.2999625586558987,"score_spread":0.272757031795985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028982493","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53891987,0.025500497,0.001691382,0.0078116395,0.00056041783,0.00063013635,0.00015994236,0.0004210184,0.4243051],"genre_scores_gemma":[0.80988085,0.004448792,0.0060985973,0.0010722491,0.000050133192,0.00016134989,0.002707208,0.00003463473,0.17554617],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9879792,0.009812828,0.00052284513,0.0007120036,0.00041845915,0.00055466447],"domain_scores_gemma":[0.99339354,0.0022365777,0.0005321302,0.00066436856,0.002962104,0.00021126347],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.004039807,0.00041785275,0.00059291156,0.00020293129,0.0031180545,0.0005222669,0.0011371081,0.00064053485,0.00039777858],"category_scores_gemma":[0.0045966036,0.00037899477,0.00038856588,0.0008852369,0.0013889744,0.00036175846,0.00013183062,0.0006666059,0.000015667378],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035181307,0.00028221405,0.0035061454,0.00014675975,0.00020250147,0.000006527046,0.7037792,0.000008345235,0.0017376024,0.20199104,0.00398227,0.08432222],"study_design_scores_gemma":[0.0012680206,0.000006548229,0.06424113,0.0056388094,0.0006982696,0.0000072871217,0.27732807,0.00022097176,0.013958221,0.04972724,0.5848214,0.00208403],"about_ca_topic_score_codex":0.17571957,"about_ca_topic_score_gemma":0.84837127,"teacher_disagreement_score":0.67265165,"about_ca_system_score_codex":0.00035990556,"about_ca_system_score_gemma":0.0012619955,"threshold_uncertainty_score":0.9998662},"labels":[],"label_agreement":null},{"id":"W7029483167","doi":"","title":"Jeu de piste à Venise","year":2012,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Nova scotia; Time line","score_opus":0.0339200036920784,"score_gpt":0.2976882628857391,"score_spread":0.26376825919366065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029483167","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14566125,0.04580729,0.000057268506,0.029170113,0.0036234597,0.00010006185,0.000009876158,0.000064989596,0.7755057],"genre_scores_gemma":[0.5895611,0.00020799498,0.00040295516,0.010234664,0.002550793,0.0000044558187,0.00000395289,0.000004079803,0.39703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871236,0.0002357671,0.00013650834,0.00012952655,0.0001628941,0.0006229719],"domain_scores_gemma":[0.9994266,0.000050979797,0.00005108828,0.000105241015,0.00005780389,0.0003082735],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004121393,0.00010861695,0.00015317641,0.00001971651,0.0003694014,0.00008945228,0.00016474302,0.00021414725,0.007953087],"category_scores_gemma":[0.000046149853,0.00008223433,0.00017360225,0.00042024424,0.00033742364,0.00047445853,0.000031505642,0.00013988931,0.0013069652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055574133,0.00022590172,0.0169099,0.000022178185,0.0001127306,0.0000049095547,0.032084737,0.0000018641332,0.00028922266,0.763028,0.1675413,0.019773703],"study_design_scores_gemma":[0.000074776464,0.00001720923,0.0044090496,0.000009619902,0.00013927158,0.0000036235679,0.0034923826,0.00001858877,0.000079882135,0.0033356673,0.9882769,0.00014305137],"about_ca_topic_score_codex":0.0020651557,"about_ca_topic_score_gemma":0.0015184027,"teacher_disagreement_score":0.8207356,"about_ca_system_score_codex":0.000096815005,"about_ca_system_score_gemma":0.000052663352,"threshold_uncertainty_score":0.99947065},"labels":[],"label_agreement":null},{"id":"W7029544711","doi":"","title":"Le style dans les chansons enregistrées de Félix Leclerc : une analyse des relations texte-guitare","year":2007,"lang":"fr","type":"other","venue":"Corpus Université Laval (Université Laval)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History of literature; Style (visual arts); Romanticism; Literary criticism; Poetry","score_opus":0.015492651521063107,"score_gpt":0.22097397130213206,"score_spread":0.20548131978106896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029544711","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16858354,0.010228186,0.0013272044,0.0051381947,0.00055063964,0.00053910597,0.00040596424,0.00038494435,0.81284225],"genre_scores_gemma":[0.25306535,0.0032308544,0.00082868966,0.00031609178,0.0005355067,0.0000022076445,0.00032804374,0.00012630557,0.74156696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954793,0.00071757287,0.0004370426,0.0012265596,0.000743139,0.0013963917],"domain_scores_gemma":[0.9967986,0.0003080749,0.00069713825,0.00071990537,0.0006254112,0.00085088465],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042111057,0.0009002723,0.001032912,0.0011484248,0.004841629,0.0001975608,0.0016586797,0.0015495215,0.0032866234],"category_scores_gemma":[0.00009104006,0.0010025209,0.0011293276,0.005027002,0.00233569,0.0007779276,0.00040518568,0.0010773794,0.00026386973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027898222,0.00089399336,0.05716712,0.00020980737,0.0034343628,0.0019990802,0.39887857,0.00059268245,0.015208181,0.42405593,0.025860094,0.07142118],"study_design_scores_gemma":[0.0012876209,0.00021382446,0.025453856,0.00033887374,0.0029927944,0.000044179582,0.18303685,0.0001334616,0.0005452691,0.000997104,0.7836333,0.0013228878],"about_ca_topic_score_codex":0.22104904,"about_ca_topic_score_gemma":0.71917224,"teacher_disagreement_score":0.75777316,"about_ca_system_score_codex":0.0029909476,"about_ca_system_score_gemma":0.0015477007,"threshold_uncertainty_score":0.9997467},"labels":[],"label_agreement":null},{"id":"W7029650179","doi":"","title":"Le Mal d'origine. Québec, Éditions de L'Instant même.: Temps et identité dans l'œuvre romanesque d'Anne Hébert","year":2005,"lang":"fr","type":"book","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Subject (documents); Relation (database); Period (music)","score_opus":0.012158961254571094,"score_gpt":0.23867877936355889,"score_spread":0.2265198181089878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029650179","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018308908,0.004886247,0.0054082847,0.08837443,0.0005191593,0.00064855936,0.00037799476,0.00032907113,0.8811473],"genre_scores_gemma":[0.17144157,0.0027854075,0.008351559,0.0029560472,0.00044626254,0.0001486039,0.00238338,0.0000976017,0.81138957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98711616,0.0087591065,0.001038615,0.0011921746,0.00088118564,0.001012784],"domain_scores_gemma":[0.9930469,0.0015052465,0.00089053076,0.0016154465,0.0023417058,0.0006002031],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0048037465,0.00072730286,0.0008520898,0.00028607016,0.003094414,0.0009623143,0.0021419628,0.0009028265,0.002098559],"category_scores_gemma":[0.0007373292,0.0007431945,0.0008158425,0.0012154509,0.0020213535,0.0009373327,0.00043983254,0.0010304818,0.00044372992],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009655493,0.0008110229,0.0006777729,0.00008321078,0.0002830507,0.00002961214,0.025499225,0.000053584386,0.0011143555,0.9374591,0.030276682,0.0037027409],"study_design_scores_gemma":[0.00043889976,0.000001657179,0.0015807716,0.0010707825,0.00037587274,0.00005187695,0.00181611,0.0007257182,0.0008764207,0.005140391,0.98707736,0.00084411626],"about_ca_topic_score_codex":0.09900515,"about_ca_topic_score_gemma":0.7050786,"teacher_disagreement_score":0.9568007,"about_ca_system_score_codex":0.0011744497,"about_ca_system_score_gemma":0.004186584,"threshold_uncertainty_score":0.9995019},"labels":[],"label_agreement":null},{"id":"W7029675651","doi":"","title":"La posture Ã©nigmatique de Wajdi Mouawad","year":2013,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Subject (documents); Public figure","score_opus":0.002947024972136252,"score_gpt":0.16492888530805444,"score_spread":0.1619818603359182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029675651","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00083497976,0.0015756538,0.0000057315824,0.005652692,0.00018007468,0.00016988201,0.00019359942,0.000024290008,0.9913631],"genre_scores_gemma":[0.05059785,0.00073619967,0.0004169162,0.0065828413,0.00036468433,0.000013678521,0.000021913314,0.00006419494,0.94120175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978803,0.00025897424,0.00017860731,0.00023764276,0.0011020642,0.0003424115],"domain_scores_gemma":[0.9991901,0.00015475026,0.00019491989,0.0001532,6.531697e-7,0.0003063561],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000016847667,0.00021907434,0.00032482028,0.000027544085,0.00021828561,0.00006897443,0.00032996485,0.00017546829,0.0010350343],"category_scores_gemma":[0.0000060400403,0.00017827141,0.000053399417,0.00009611093,0.00020544304,0.00017139509,0.000078418314,0.0002568541,1.5494548e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026678332,0.000020720354,0.002098151,0.000152402,0.00022374532,0.00006819501,0.0010082115,0.000001961934,0.0005767916,0.36154795,0.63015646,0.0041187047],"study_design_scores_gemma":[0.00009428014,0.000012583907,0.0021998703,0.00011745285,0.000043750966,0.0000019159186,0.0052873115,0.000024034143,0.00022936943,0.0012069868,0.99054646,0.00023599032],"about_ca_topic_score_codex":0.07340011,"about_ca_topic_score_gemma":0.5247711,"teacher_disagreement_score":0.451371,"about_ca_system_score_codex":0.00001089976,"about_ca_system_score_gemma":0.0019483555,"threshold_uncertainty_score":0.99987817},"labels":[],"label_agreement":null},{"id":"W7029781037","doi":"","title":"Le documentaire québécois des années 90 : Bonnes nouvelles malgré tout…","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Margin (machine learning); Feature (linguistics); Class (philosophy)","score_opus":0.00963041953486757,"score_gpt":0.18716359762606732,"score_spread":0.17753317809119976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029781037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5011606,0.31366804,0.000013273093,0.13905403,0.0006065572,0.0001854431,0.00005968956,0.00012335852,0.045128953],"genre_scores_gemma":[0.6191275,0.025406431,0.00029525,0.0021003112,0.0005352217,0.0000055675937,0.000019631349,0.000020361202,0.3524897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778295,0.00027344137,0.00023941937,0.0005227447,0.00036519198,0.00081627147],"domain_scores_gemma":[0.9988684,0.00010136562,0.0001936113,0.00028592127,0.00017317977,0.00037750992],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016264316,0.0003449521,0.00042921983,0.00012781331,0.0038042408,0.000121734374,0.00054624124,0.00040240076,0.0023235334],"category_scores_gemma":[0.00003606802,0.00034814476,0.00044523558,0.0010063201,0.0011841507,0.0009866963,0.00021814216,0.00025388814,0.00050306093],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005696534,0.0004342771,0.0024455863,0.000081116654,0.00061756786,0.0013778146,0.07472425,0.000068918445,0.0003356751,0.34906593,0.43546554,0.13532634],"study_design_scores_gemma":[0.00049897924,0.00010697153,0.0006756053,0.0000598996,0.00037366437,0.00007070145,0.072364874,0.00020295643,0.000064001004,0.003318436,0.9218383,0.00042561322],"about_ca_topic_score_codex":0.25190812,"about_ca_topic_score_gemma":0.887498,"teacher_disagreement_score":0.6355899,"about_ca_system_score_codex":0.0030506717,"about_ca_system_score_gemma":0.00011383715,"threshold_uncertainty_score":0.99989706},"labels":[],"label_agreement":null},{"id":"W7029849708","doi":"","title":"Le mobile et l’invisible. Le mobile. Concept, scénographie et performance de Carole Nadeau. Assistance à la mise en scène et régie de Steeve Dumais; coproduction Le Pont Bridge et les Productions Recto- Verso; présenté au Studio d’Essai de Méduse dans le cadre du Mois Multi, 9 et 10 février 2010 L’invisible. Texte, mise en scène et interprétation : Marie Brassard. Coproduction Festival TransAmériques, La Bâtie-Festival de Genève, PuSh International Performing Arts Festival (Vancouver), Wiener Festwochen, Théâtre français du Centre national des arts (Ottawa) et Harbourfront Centre (Toronto); présenté à la salle Multi de Méduse dans le cadre du Mois Multi, du 10 au 12 février 2010","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Context (archaeology); Product (mathematics); Coproduction","score_opus":0.00881242868593143,"score_gpt":0.22555085515055256,"score_spread":0.21673842646462113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029849708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9259864,0.0020698663,0.008381231,0.05538455,0.0021451048,0.0017470818,0.0012098455,0.00035986907,0.0027160656],"genre_scores_gemma":[0.9332153,0.004149414,0.013141673,0.0006457317,0.0010843405,0.00024748774,0.0011920114,0.00018592326,0.04613809],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9903348,0.004214715,0.00090680714,0.0018389436,0.0011317721,0.0015729385],"domain_scores_gemma":[0.99556005,0.00074848684,0.00086767395,0.0006524895,0.0013809223,0.0007903625],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0052289558,0.0011262511,0.0009342811,0.0004435832,0.0034416742,0.0004931443,0.0009237957,0.0011886383,0.0001853139],"category_scores_gemma":[0.0011874732,0.0012569805,0.0006183786,0.0008665452,0.0018919718,0.00485635,0.00035322394,0.002194139,0.000010766116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023495138,0.0090843355,0.2285853,0.00043886315,0.0026484441,0.00084114703,0.3785416,0.14534752,0.034975927,0.014047396,0.17305945,0.010080529],"study_design_scores_gemma":[0.008123707,0.00032480888,0.35106066,0.000601358,0.0007398624,0.0009342249,0.0658064,0.016556606,0.004380287,0.00014923244,0.5494474,0.0018754378],"about_ca_topic_score_codex":0.27464148,"about_ca_topic_score_gemma":0.85975736,"teacher_disagreement_score":0.58511585,"about_ca_system_score_codex":0.0067031565,"about_ca_system_score_gemma":0.00561831,"threshold_uncertainty_score":0.998988},"labels":[],"label_agreement":null},{"id":"W7029862346","doi":"","title":"Ma généalogie du théâtre québécois","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Identification (biology); Context (archaeology); Work (physics)","score_opus":0.0123805705927817,"score_gpt":0.18013242827706352,"score_spread":0.16775185768428183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029862346","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10578379,0.1277395,0.00006282984,0.716252,0.0012285406,0.0002068368,0.00010292675,0.0001898572,0.048433676],"genre_scores_gemma":[0.37176886,0.024722803,0.00036480816,0.038867958,0.003019073,0.00000594956,0.00008373308,0.00003894449,0.56112784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979486,0.0002985552,0.00019839463,0.0005320155,0.0003611775,0.00066125067],"domain_scores_gemma":[0.9987886,0.000078462115,0.00017635229,0.00021657388,0.00016400215,0.0005760258],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015208774,0.0002935019,0.00041892045,0.000058641046,0.0013481489,0.000069419795,0.00061181403,0.000424705,0.0019455878],"category_scores_gemma":[0.00008569736,0.0002921507,0.000450788,0.0012091249,0.00044191955,0.00046199266,0.00027931394,0.00034579358,0.00096938],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008538828,0.000091273214,0.0012428082,0.000042020532,0.0003687086,0.0022929322,0.020142613,0.000071080176,0.00022177682,0.2171995,0.7239502,0.034291673],"study_design_scores_gemma":[0.00042742744,0.00012092002,0.0005689661,0.000021171352,0.0004869627,0.000038689792,0.014511519,0.0004586663,0.000021704383,0.0013499442,0.9816397,0.0003543465],"about_ca_topic_score_codex":0.08657351,"about_ca_topic_score_gemma":0.512711,"teacher_disagreement_score":0.6773841,"about_ca_system_score_codex":0.0029772685,"about_ca_system_score_gemma":0.00013829215,"threshold_uncertainty_score":0.9999531},"labels":[],"label_agreement":null},{"id":"W7029870393","doi":"","title":"Le Grain De Sable Dattac Quebec 2013 02 16","year":2012,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Settlement (finance); Context (archaeology); Power (physics)","score_opus":0.007728790501692463,"score_gpt":0.20284466575320442,"score_spread":0.19511587525151197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029870393","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024661806,0.0037404937,8.367696e-7,0.0038333319,0.0009435533,0.00039722497,0.00011848109,0.000085349115,0.9906341],"genre_scores_gemma":[0.004152731,0.0006213367,0.0005475134,0.0033111593,0.0011058457,0.000024006898,0.0003226781,0.00004894238,0.9898658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971524,0.00042509043,0.0008082413,0.0002822949,0.000516678,0.0008153133],"domain_scores_gemma":[0.9980357,0.00015811426,0.0007785662,0.00036144184,0.00031407177,0.00035205184],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006368333,0.00046217308,0.00065867073,0.0000690529,0.00047462387,0.00020426825,0.00063711073,0.00095300924,0.7699893],"category_scores_gemma":[0.0001508755,0.0004223462,0.00042442768,0.000036452606,0.000731693,0.0000019275699,0.00011511517,0.00046449303,0.037639435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032474494,0.00012320849,0.000015231489,0.00026205592,0.0001914968,0.0000060645402,0.0030314259,0.00012500092,0.0000010798542,0.009031434,0.98032194,0.0068585575],"study_design_scores_gemma":[0.00035409143,0.00006521513,0.000028266537,0.0001490889,0.00023870732,0.000024099625,0.0021640416,0.000013941262,0.000006133655,0.00014063397,0.99631256,0.00050319335],"about_ca_topic_score_codex":0.3124188,"about_ca_topic_score_gemma":0.39371407,"teacher_disagreement_score":0.7323499,"about_ca_system_score_codex":0.00024535335,"about_ca_system_score_gemma":0.00022347242,"threshold_uncertainty_score":0.99982285},"labels":[],"label_agreement":null},{"id":"W7029954781","doi":"","title":"L’Index Séquences — Ceux et celles qui ont fait le cinéma québécois des années 90 : Volet 1 (première partie) — La fiction d’auteur","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Order (exchange); Relation (database)","score_opus":0.009920819010183145,"score_gpt":0.19535042135820793,"score_spread":0.18542960234802477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029954781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.744218,0.08454754,0.00014727951,0.12456869,0.000649893,0.00023370051,0.00008166745,0.0001737384,0.045379505],"genre_scores_gemma":[0.84654427,0.02402922,0.00018565764,0.0012539065,0.00045121444,0.000010003661,0.00005749782,0.000023297907,0.12744495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996976,0.00073635206,0.00031616417,0.00065227534,0.0004853565,0.0008338243],"domain_scores_gemma":[0.9985951,0.00014845455,0.00029622554,0.0003138054,0.0002631837,0.0003832186],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00047634993,0.00041474059,0.00049335253,0.00016094702,0.003272029,0.00021475003,0.0005686757,0.0005866834,0.00079959206],"category_scores_gemma":[0.000056764395,0.00040567908,0.00045161485,0.0012086602,0.0012906012,0.001070639,0.00018997297,0.00043326587,0.000114194365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003971674,0.000951627,0.040723376,0.00013814932,0.000990593,0.0027565726,0.12536412,0.0022249997,0.0012383619,0.22943576,0.4570926,0.13868664],"study_design_scores_gemma":[0.000511364,0.00012493672,0.0060808845,0.000091983464,0.00032397898,0.00009904773,0.093519114,0.00081641274,0.000040094066,0.002593255,0.8953502,0.00044873403],"about_ca_topic_score_codex":0.36885983,"about_ca_topic_score_gemma":0.92318046,"teacher_disagreement_score":0.55432063,"about_ca_system_score_codex":0.0019379396,"about_ca_system_score_gemma":0.00030022088,"threshold_uncertainty_score":0.9998395},"labels":[],"label_agreement":null},{"id":"W7030121284","doi":"","title":"Mise en scène de l’absence. \\n Les aveugles, fantasmagorie technologique de Denis Marleau, À partir du texte de Maurice Maeterlinck. Les aveugles, une création d'UBU en coproduction avec le Musée d’art contemporain de Montréal et le Festival d’Avignon, Musée d’art contemporain de Montréal, du 28 février au 24 mars 2002.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.007596625963004224,"score_gpt":0.1875398779887676,"score_spread":0.17994325202576336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030121284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65507406,0.052105803,0.012762468,0.2613219,0.00087267224,0.0018140465,0.00046382498,0.0006951531,0.014890104],"genre_scores_gemma":[0.8288539,0.024879988,0.009890633,0.0025443165,0.0010491536,0.00017724089,0.0003971523,0.00016356804,0.13204402],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9895088,0.0046311906,0.0010544279,0.0015944956,0.0008289332,0.0023821627],"domain_scores_gemma":[0.995752,0.0007561849,0.0010304371,0.000843506,0.000606313,0.0010115755],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00482461,0.0011570789,0.0012815539,0.0004902422,0.0036274528,0.00034985502,0.0011461852,0.0021256423,0.00030120707],"category_scores_gemma":[0.0013455659,0.0012601747,0.0007722781,0.0019760295,0.0016136038,0.0014617387,0.0003353849,0.0016433749,0.00012951359],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014423602,0.0019492037,0.029646426,0.00029782986,0.0015742612,0.007612925,0.04834695,0.0037125365,0.016698737,0.15060405,0.70327085,0.034843836],"study_design_scores_gemma":[0.0029421283,0.0003858152,0.0039769723,0.0002726537,0.00084367587,0.0014502844,0.046527516,0.0039008174,0.001724355,0.0069403634,0.92961264,0.0014227814],"about_ca_topic_score_codex":0.2425515,"about_ca_topic_score_gemma":0.6696646,"teacher_disagreement_score":0.4271131,"about_ca_system_score_codex":0.012808506,"about_ca_system_score_gemma":0.002075218,"threshold_uncertainty_score":0.9991698},"labels":[],"label_agreement":null},{"id":"W7030138128","doi":"","title":"Mon cinéma, mes amours. LUSSIER, Marc-André. Mon cinéma –  350 films à voir ou à revoir, Montréal, Éditions La Presse, 2018, 366 p.","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Derogation; Identification (biology)","score_opus":0.007735341996674178,"score_gpt":0.19581240591857813,"score_spread":0.18807706392190396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030138128","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2023929,0.41719574,0.00010159556,0.25156966,0.0038159713,0.0014451431,0.0012669924,0.00043678586,0.12177521],"genre_scores_gemma":[0.12979959,0.043782353,0.00059418014,0.0022554502,0.0008894494,0.000034353354,0.0003421988,0.00007983968,0.8222226],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99493754,0.0009095253,0.00056084595,0.0011988173,0.00094165106,0.0014516398],"domain_scores_gemma":[0.99692726,0.00036741825,0.0006100697,0.0009223608,0.00038743124,0.000785484],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005805188,0.0007668667,0.0010495702,0.00033765286,0.0025027413,0.0002473465,0.0011295339,0.0011299306,0.003983187],"category_scores_gemma":[0.000101238445,0.0007473248,0.0009340199,0.0017758663,0.0008059898,0.0014529472,0.00048789167,0.0009245468,0.0015034651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022344849,0.00039237388,0.0013398031,0.00011840045,0.0007807239,0.00085045886,0.006518572,0.00073366007,0.00069871306,0.048686344,0.93068343,0.008974092],"study_design_scores_gemma":[0.0014461969,0.00021698038,0.0061331852,0.00022497169,0.0012175994,0.0001187291,0.011788025,0.0014478375,0.000090208676,0.0030120038,0.97336316,0.00094112323],"about_ca_topic_score_codex":0.039463416,"about_ca_topic_score_gemma":0.15235628,"teacher_disagreement_score":0.7004474,"about_ca_system_score_codex":0.0024528853,"about_ca_system_score_gemma":0.0001671916,"threshold_uncertainty_score":0.9994978},"labels":[],"label_agreement":null},{"id":"W7030195090","doi":"","title":"\\n Le Bourgeois gentilhomme au théâtre français de Toronto","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bourgeoisie; Subject (documents); Context (archaeology); Gloom","score_opus":0.006324470235535354,"score_gpt":0.18441902762430123,"score_spread":0.1780945573887659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030195090","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3610775,0.27260914,0.00011570944,0.22976293,0.00097075396,0.00023328007,0.000090642694,0.0001475537,0.13499251],"genre_scores_gemma":[0.48121506,0.00759963,0.00053116225,0.004720071,0.0015768822,0.0000048297843,0.00003036022,0.000021368029,0.50430065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761003,0.00029338544,0.00022201778,0.00047393754,0.00035891918,0.0010417048],"domain_scores_gemma":[0.998751,0.000069200556,0.00017374985,0.0003159921,0.00014627662,0.0005437824],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033911393,0.00030206196,0.00039940624,0.000058400372,0.002331642,0.00008092342,0.00056405505,0.0005179515,0.0030314142],"category_scores_gemma":[0.00002670829,0.00032593473,0.0005172267,0.00050540426,0.00038769317,0.0009880858,0.00020051215,0.00026520668,0.00048814845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000743588,0.0003579784,0.0024305943,0.00003256164,0.0005704617,0.00057088456,0.044407904,0.00020232631,0.00040619358,0.30576408,0.5384904,0.10669223],"study_design_scores_gemma":[0.00054282584,0.000050360235,0.0028435395,0.000028990346,0.00042666038,0.00005783527,0.012506391,0.00040635286,0.00006132673,0.00081678363,0.9818702,0.0003887523],"about_ca_topic_score_codex":0.49194026,"about_ca_topic_score_gemma":0.9649134,"teacher_disagreement_score":0.47297317,"about_ca_system_score_codex":0.011310103,"about_ca_system_score_gemma":0.00032235958,"threshold_uncertainty_score":0.9999193},"labels":[],"label_agreement":null},{"id":"W7030304131","doi":"","title":"New Voices: A Context For And Sampling Of Song Cycles By Vancouver Composers Since 2005","year":2014,"lang":"en","type":"dissertation","venue":"UA Campus Repository (The University of Arizona)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Excellence; Musical; Event (particle physics); Composition (language); Contemporary classical music; Selection (genetic algorithm); Performance art","score_opus":0.009616888646699774,"score_gpt":0.23501247346965623,"score_spread":0.22539558482295646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030304131","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9287357,0.007991516,0.0023722993,0.0009894065,0.0040734042,0.0017907018,0.0001734598,0.00012220621,0.053751305],"genre_scores_gemma":[0.86816514,0.00017770633,0.0016237239,0.00020789592,0.0004289063,0.0000011961321,0.00027874147,0.000020401149,0.1290963],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989134,0.000128692,0.00019488478,0.0002906588,0.00026666603,0.00020569924],"domain_scores_gemma":[0.9985719,0.00029262368,0.0005827002,0.00015767681,0.00028429035,0.00011081893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019493182,0.00016724307,0.0004135544,0.00006440476,0.0009914594,0.000043515563,0.0003889608,0.0003127751,0.000023061253],"category_scores_gemma":[0.000039095023,0.00014669709,0.00023577757,0.00011578027,0.00039872312,0.00016740653,0.000026560343,0.00016923647,9.378362e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003082428,0.00039866287,0.0056474498,0.0017182683,0.003672594,0.00001834032,0.3017358,0.0001944427,0.041613944,0.027120136,0.5494674,0.06533059],"study_design_scores_gemma":[0.000880487,0.00017320002,0.0014956412,0.0002902453,0.0010984364,0.0000010908345,0.11885056,0.00008302169,0.0010549348,0.00085644395,0.8747673,0.00044864888],"about_ca_topic_score_codex":0.008286332,"about_ca_topic_score_gemma":0.06150546,"teacher_disagreement_score":0.32529992,"about_ca_system_score_codex":0.00006939832,"about_ca_system_score_gemma":0.00022660145,"threshold_uncertainty_score":0.9983176},"labels":[],"label_agreement":null},{"id":"W7030330108","doi":"","title":"[Manon Labrecque : Plaintes // Justin Stephens : Update on Hippies // a-dontigny : patriotique (en 10 mouvements) // Bernard Falaise &amp; Martin Tétreault : Des gestes défaits (&amp;records 01)]","year":2005,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ridiculous; Sculpture; Solitude; Genius","score_opus":0.024905212834401034,"score_gpt":0.2784663658656099,"score_spread":0.25356115303120885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030330108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4640704,0.023473466,0.0002798521,0.026133241,0.008197478,0.005093204,0.003371145,0.0016017715,0.46777943],"genre_scores_gemma":[0.030657824,0.0067047416,0.003025112,0.0064655542,0.007342465,0.00036009392,0.0027614792,0.00034428536,0.94233847],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9842816,0.003501843,0.0029242141,0.0034040979,0.00233998,0.0035482645],"domain_scores_gemma":[0.9913499,0.0017349792,0.002092222,0.0018629798,0.0014434159,0.0015165445],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0027375908,0.0030445894,0.0032044305,0.0008377691,0.0036207838,0.0015005359,0.0026192758,0.0029296097,0.058659732],"category_scores_gemma":[0.0011024768,0.0027380215,0.002165572,0.0018689437,0.0032256178,0.0018111907,0.00069316704,0.0025753,0.020428896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064910046,0.001744891,0.003609235,0.0007005756,0.0023962564,0.0001972286,0.03544176,0.00043163216,0.0006126216,0.020460898,0.7867037,0.1470521],"study_design_scores_gemma":[0.0015424573,0.0005802355,0.0043022535,0.0016686657,0.0019601511,0.000041645762,0.003402141,0.00007851912,0.00010603469,0.007825121,0.97550553,0.002987254],"about_ca_topic_score_codex":0.0046350555,"about_ca_topic_score_gemma":0.21830033,"teacher_disagreement_score":0.474559,"about_ca_system_score_codex":0.002274364,"about_ca_system_score_gemma":0.001124431,"threshold_uncertainty_score":0.9997258},"labels":[],"label_agreement":null},{"id":"W7030359877","doi":"","title":"Monique DESROCHES, Claude DAUPHIN, Marie-Hélène PICHETTE, Gordon E. SMITH eds/dir. : Territoires musicaux mis en scène","year":2013,"lang":"fr","type":"review","venue":"OpenEdition (OpenEdition)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panorama; Sculpture; Statue","score_opus":0.02859315730747229,"score_gpt":0.28267065660461416,"score_spread":0.25407749929714185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030359877","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004107698,0.8588939,0.0002867915,0.080773555,0.0077578067,0.004340649,0.0017486198,0.00038873559,0.045399185],"genre_scores_gemma":[0.0010593479,0.78992194,0.0030755543,0.06376208,0.014722118,0.0037962585,0.01215075,0.00022173022,0.1112902],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.986783,0.0036850988,0.0027405603,0.002671785,0.0020838133,0.0020357028],"domain_scores_gemma":[0.9921993,0.0013000524,0.0021739865,0.0014829014,0.0015315,0.0013122495],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"category_scores_codex":[0.0019171741,0.002137747,0.0036492802,0.00058176287,0.0033060834,0.002380662,0.0028280648,0.0029089183,0.040735744],"category_scores_gemma":[0.00086759625,0.0018144757,0.0020427364,0.00296225,0.0019916925,0.016986938,0.00061360316,0.0024415685,0.007782771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055084318,0.0011145727,0.000057008416,0.0037587504,0.0015498346,0.00018258012,0.0011738703,0.000020783682,0.00013614068,0.08113056,0.4248078,0.48601303],"study_design_scores_gemma":[0.0007532445,0.0003295126,0.00112437,0.0053505753,0.0025730648,0.00007900711,0.0007610972,0.00004629509,0.000089915346,0.0036653173,0.9830096,0.0022179962],"about_ca_topic_score_codex":0.0047190385,"about_ca_topic_score_gemma":0.02044852,"teacher_disagreement_score":0.5582018,"about_ca_system_score_codex":0.0015206937,"about_ca_system_score_gemma":0.0014852881,"threshold_uncertainty_score":0.9998598},"labels":[],"label_agreement":null},{"id":"W7030393121","doi":"","title":"\\n Le Film sur l’art, Gilles Marsolais, Montréal : Triptyque, 2005, 202 pages","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Relation (database); Order (exchange); Subject (documents)","score_opus":0.007613011154325293,"score_gpt":0.17463653795216239,"score_spread":0.16702352679783708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030393121","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026788559,0.44738796,0.000042603613,0.3804477,0.0010082563,0.00034244292,0.00021805591,0.00018678328,0.14357764],"genre_scores_gemma":[0.050309982,0.0841637,0.00052915246,0.004290838,0.0014358035,0.0000090705535,0.00011182146,0.000036072008,0.8591136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965411,0.0005025557,0.00038719238,0.00073365425,0.0005643439,0.0012711794],"domain_scores_gemma":[0.99822307,0.00017482418,0.00031940461,0.0004292018,0.00023782188,0.00061567395],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045140128,0.0004882159,0.000656488,0.000193367,0.002312984,0.000104697574,0.00068806374,0.0006675949,0.004282381],"category_scores_gemma":[0.00006942895,0.00050536636,0.00066270644,0.0009904793,0.0005723545,0.0011005986,0.0002814493,0.0005111807,0.0014118929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010229748,0.00026636166,0.0001788544,0.00002783839,0.00036815932,0.00091419125,0.0022390515,0.00042246445,0.0001808823,0.068076216,0.8851697,0.042054016],"study_design_scores_gemma":[0.0011807547,0.00007650753,0.000750138,0.000050695344,0.0005353051,0.00011169689,0.0048095332,0.00093934825,0.000069086804,0.0006864112,0.99017596,0.0006145813],"about_ca_topic_score_codex":0.03888195,"about_ca_topic_score_gemma":0.8618276,"teacher_disagreement_score":0.82294565,"about_ca_system_score_codex":0.0034079694,"about_ca_system_score_gemma":0.00022575025,"threshold_uncertainty_score":0.99973977},"labels":[],"label_agreement":null},{"id":"W7030439867","doi":"","title":"\\n Borderline ou le matriarcat étouffant de l’enfance . \\n Borderline, Montréal, Boréal, 2003,159[1 ] p. (« Boréal compact », n° 143) [1ière édition : 2000]","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Focus (optics); Object (grammar); Set (abstract data type); Frame (networking)","score_opus":0.008158547003162833,"score_gpt":0.22244093531766057,"score_spread":0.21428238831449775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030439867","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099753395,0.5042678,0.00064551353,0.3737784,0.001642264,0.0009469965,0.00056435255,0.00044112775,0.017960113],"genre_scores_gemma":[0.6102635,0.13347512,0.0026479778,0.013620737,0.003978359,0.000020741949,0.0010410048,0.00012796046,0.2348246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942031,0.00082250254,0.0007700286,0.0011874058,0.00094774854,0.0020692057],"domain_scores_gemma":[0.99644685,0.0001717798,0.0007200602,0.0007705219,0.0008673942,0.0010233672],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00078828516,0.00092013774,0.0012296353,0.00033248524,0.0033679323,0.00031795623,0.0010649615,0.0010657413,0.0008980644],"category_scores_gemma":[0.0002140608,0.0009652072,0.0007842388,0.0032181318,0.0006940393,0.0017529726,0.00015561268,0.0010440581,0.00036287736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005026095,0.0009673899,0.0005198944,0.00006249856,0.0005132058,0.0014460336,0.0043984707,0.001626717,0.00083000615,0.07738233,0.86910474,0.042646118],"study_design_scores_gemma":[0.0023696981,0.00045111633,0.004414366,0.00016317361,0.0008663688,0.00023930693,0.0059862775,0.006319612,0.000121376404,0.0040066284,0.9739114,0.001150693],"about_ca_topic_score_codex":0.11597982,"about_ca_topic_score_gemma":0.35170966,"teacher_disagreement_score":0.5105101,"about_ca_system_score_codex":0.0066966875,"about_ca_system_score_gemma":0.0011626319,"threshold_uncertainty_score":0.99927986},"labels":[],"label_agreement":null},{"id":"W7030510041","doi":"","title":"\\n Le spectateur, dans la jungle des villes…. \\n Le testament du couturier de Michel Ouellette, Mise en scène de Joël Beddows (une production du Théâtre de la Catapulte en collaboration avec le Centre national des Arts), Espace Libre, du 4 au 22 octobre 2005 (création 2003, Ottawa) \\n Bienvenue à (une ville dont vous êtes le touriste),Texte, conception et mise en oreille d’Olivier Choinière, (Production ARGGL!), départ du Théâtre de La Licorne, du 30 août au 15 octobre 2005 (création 2004, Shawinigan)","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Jungle; White (mutation); Theme (computing)","score_opus":0.0035089885430646317,"score_gpt":0.1900001727384182,"score_spread":0.18649118419535357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030510041","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86929053,0.0073299613,0.0018552473,0.109682046,0.00060966174,0.0011544039,0.0003708399,0.0002413546,0.009465935],"genre_scores_gemma":[0.8906538,0.006846754,0.0024792086,0.0006990881,0.0040095584,0.00009395597,0.0013797366,0.000120212295,0.09371772],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99294907,0.003138732,0.00068722345,0.0011800027,0.00080091937,0.0012440612],"domain_scores_gemma":[0.99658376,0.00044391645,0.00085634575,0.000402629,0.0012272745,0.00048608208],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002671806,0.0007440919,0.0006703037,0.0003678081,0.00345633,0.00043283132,0.0005048767,0.0009150198,0.00011017828],"category_scores_gemma":[0.00091594056,0.0008455289,0.00033381255,0.0021969464,0.0012619322,0.0021731008,0.00016105514,0.0006339864,0.000041575473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005542426,0.0028689897,0.033378277,0.00024160776,0.00062697905,0.00054782827,0.14865294,0.10751545,0.024153199,0.0417283,0.63631094,0.0034212517],"study_design_scores_gemma":[0.0028832166,0.00014129675,0.05365325,0.00026404148,0.0006363056,0.000691036,0.057359926,0.010513379,0.0027196347,0.0023729303,0.8676785,0.0010864685],"about_ca_topic_score_codex":0.105277404,"about_ca_topic_score_gemma":0.53095174,"teacher_disagreement_score":0.42567435,"about_ca_system_score_codex":0.010444635,"about_ca_system_score_gemma":0.0032226553,"threshold_uncertainty_score":0.99939954},"labels":[],"label_agreement":null},{"id":"W7031102602","doi":"","title":"Totems : pop up","year":2016,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deportation; Face (sociological concept); Patron saint","score_opus":0.030736280991736108,"score_gpt":0.28556971727261393,"score_spread":0.25483343628087785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7031102602","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05879385,0.011254257,0.00015016831,0.23314261,0.009390638,0.0001339738,0.000023277322,0.000102100734,0.6870091],"genre_scores_gemma":[0.31657997,0.00035491053,0.00005578521,0.006063347,0.001467791,0.0000034895259,0.0000014430126,0.0000035458231,0.6754697],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987389,0.0001856656,0.0001807228,0.0002607777,0.00022358219,0.00041037565],"domain_scores_gemma":[0.99940115,0.00009256564,0.000059084246,0.00014226213,0.00012697857,0.00017794165],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023019343,0.00012645319,0.00018391655,0.00002549056,0.0003251344,0.00009891434,0.00023067943,0.00023877596,0.022484032],"category_scores_gemma":[0.00006642259,0.0000641081,0.00019408215,0.00045841452,0.00051346933,0.0004429433,0.000038115402,0.00007573918,0.0028767108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004548698,0.000041705785,0.0007468496,0.000004886995,0.000078316065,0.0000049218556,0.0036386733,9.605339e-8,0.00087238627,0.55882645,0.27288914,0.16289206],"study_design_scores_gemma":[0.00015854383,0.000034339737,0.0005992306,0.000025901534,0.000063755484,0.0000015666172,0.0017452867,0.0000036768163,0.00015251685,0.013038702,0.98401463,0.00016182319],"about_ca_topic_score_codex":0.0020946038,"about_ca_topic_score_gemma":0.00426601,"teacher_disagreement_score":0.7111255,"about_ca_system_score_codex":0.00006964008,"about_ca_system_score_gemma":0.000051981904,"threshold_uncertainty_score":0.99789965},"labels":[],"label_agreement":null},{"id":"W7033539608","doi":"","title":"The Railway Children","year":2013,"lang":"en","type":"other","venue":"DMU Open Research Archive (De Montfort University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.043052520961573304,"score_gpt":0.31843906219002766,"score_spread":0.27538654122845435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033539608","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017063503,0.0005537906,0.000023930706,0.0016750179,0.00011285946,0.0015532768,0.00012431985,0.00007259381,0.9957136],"genre_scores_gemma":[0.0004284655,0.0023710188,0.00026005236,0.00026227237,0.000597768,0.000016204362,0.00013831422,0.00007716229,0.9958487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957679,0.0015790942,0.0001325567,0.00056158303,0.0007604911,0.0011984098],"domain_scores_gemma":[0.9982833,0.00035434752,0.00013130518,0.0005681543,0.00018210516,0.00048075404],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014956017,0.00022522314,0.00033123523,0.00052185985,0.003149485,0.0010744884,0.00421983,0.00029735392,0.003248591],"category_scores_gemma":[0.00020219864,0.00015831045,0.00021586374,0.0011272242,0.0017782282,0.0002981359,0.0013832168,0.0009960396,0.00058033026],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029354387,0.000035561367,0.0008184586,0.000004073828,0.0002743766,0.000043316202,0.0013087558,3.1342663e-7,0.000007792766,0.17930485,0.8151181,0.0030550687],"study_design_scores_gemma":[0.00025739893,0.00004576951,0.0012015783,0.000046139718,0.00003987061,8.803999e-7,0.0037042135,0.000008920463,0.0000011481451,0.0031773439,0.99129754,0.00021921878],"about_ca_topic_score_codex":0.09697617,"about_ca_topic_score_gemma":0.14334548,"teacher_disagreement_score":0.17617945,"about_ca_system_score_codex":0.0002458972,"about_ca_system_score_gemma":0.0007407403,"threshold_uncertainty_score":0.9999625},"labels":[],"label_agreement":null},{"id":"W7034498063","doi":"","title":"Tranches radicales dans l’année d’art 2002 au Québec","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Context (archaeology); Focus (optics); Process (computing)","score_opus":0.009814852842299755,"score_gpt":0.18090639818722334,"score_spread":0.1710915453449236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034498063","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31848666,0.2436509,0.00015476793,0.15734766,0.0014130439,0.00028924155,0.00008649007,0.00014212295,0.2784291],"genre_scores_gemma":[0.18931235,0.0054258606,0.00025557817,0.0018292748,0.00049969036,0.000005138552,0.00001917094,0.000021138538,0.8026318],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975297,0.0005209216,0.00023250945,0.00049177976,0.00038160355,0.00084348867],"domain_scores_gemma":[0.9988059,0.0001362624,0.0001609131,0.00027899168,0.000109358996,0.0005085735],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033285512,0.00031946372,0.00043589954,0.00009725889,0.0021936132,0.0000537101,0.00043421815,0.00046876128,0.0033522565],"category_scores_gemma":[0.00007755002,0.0003132585,0.0004877568,0.00095969887,0.0010254072,0.00043505649,0.000054309065,0.0003323963,0.0010107559],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005288725,0.00033418302,0.006145979,0.00004802867,0.0005914174,0.00110914,0.039057076,0.000089890666,0.0005499032,0.28222388,0.64609945,0.023698155],"study_design_scores_gemma":[0.00049575645,0.000073648545,0.0013067779,0.00003367586,0.000544789,0.00008758447,0.015730929,0.000060401813,0.00008596871,0.0010193067,0.9801723,0.0003888682],"about_ca_topic_score_codex":0.15171237,"about_ca_topic_score_gemma":0.9594859,"teacher_disagreement_score":0.80777353,"about_ca_system_score_codex":0.008277887,"about_ca_system_score_gemma":0.0004219884,"threshold_uncertainty_score":0.99993193},"labels":[],"label_agreement":null},{"id":"W7036599074","doi":"","title":"Centre d’expérimentation musicale:Portrait d’un ami singulier et pluriel","year":2023,"lang":"fr","type":"other","venue":"Huddersfield Research Portal (University of Huddersfield)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Agency (philosophy); Work (physics)","score_opus":0.04896407682980484,"score_gpt":0.31845358660310497,"score_spread":0.2694895097733001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036599074","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00060568436,0.0014691607,0.00014305802,0.018337691,0.0013152902,0.000780333,0.00008691648,0.00021429273,0.97704756],"genre_scores_gemma":[0.32700548,0.002400355,0.00075727876,0.0015629657,0.00094034465,0.0000031402358,0.00017688076,0.00016642454,0.6669871],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99399287,0.0011889605,0.000505065,0.0011544747,0.0018334354,0.0013251737],"domain_scores_gemma":[0.9967351,0.00083228404,0.0005083202,0.00061505,0.0007313472,0.0005779166],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013915912,0.0005344476,0.00089370663,0.00068833976,0.0014408109,0.000164246,0.0011377127,0.00166782,0.8235803],"category_scores_gemma":[0.00036382506,0.00058389804,0.00083676644,0.0020009566,0.0023855476,0.0006282767,0.00040374967,0.0019819583,0.0010183373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069442096,0.00034935444,0.0001689276,0.00013283778,0.00083486387,0.0007667066,0.0433994,0.000010281356,0.00019045807,0.05030993,0.89031994,0.013447833],"study_design_scores_gemma":[0.0007942779,0.00021408853,0.000040875915,0.00030903518,0.00034710258,0.0000061430683,0.91197616,0.000064769105,0.000064356354,0.0026883755,0.0829143,0.0005805178],"about_ca_topic_score_codex":0.012035682,"about_ca_topic_score_gemma":0.071550556,"teacher_disagreement_score":0.86857677,"about_ca_system_score_codex":0.0000021677288,"about_ca_system_score_gemma":0.0005859342,"threshold_uncertainty_score":0.99985915},"labels":[],"label_agreement":null},{"id":"W7038263498","doi":"","title":"70 - 007 - Halloween, Cussonet, Math, JS, Toto, Andy, JPDM, 2014 10 27","year":2014,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passer; Ain't; Subject (documents); Circumstantial evidence","score_opus":0.006957383426277582,"score_gpt":0.20008740040115858,"score_spread":0.193130016974881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038263498","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040166997,0.0024754715,0.0000011585137,0.002179742,0.0016913456,0.00061670324,0.00016839025,0.00013914827,0.9923264],"genre_scores_gemma":[0.0019831958,0.0009248781,0.00042371836,0.0036432967,0.0015033885,0.000025436688,0.00043491248,0.00007108281,0.9909901],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995918,0.0004789967,0.0013115775,0.0005111869,0.000946105,0.00083415845],"domain_scores_gemma":[0.99692106,0.00028187287,0.0012742602,0.0005483812,0.00058038457,0.000394044],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007916366,0.0007385122,0.0011063343,0.00010707665,0.00049310306,0.00029727354,0.0008890593,0.0013856036,0.8209638],"category_scores_gemma":[0.0002647049,0.00062563736,0.0006660868,0.00004363576,0.0008941632,0.0000017083108,0.00016550497,0.0006005594,0.11186399],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009770448,0.00011216598,0.000013174822,0.0003645343,0.00028338932,0.000020261063,0.0017124123,0.00015866537,0.0000011243842,0.0029845086,0.9891624,0.0050897035],"study_design_scores_gemma":[0.000625371,0.00025919577,0.000036880698,0.00026348044,0.00039169847,0.00003748632,0.000640316,0.00007659408,0.0000045507973,0.000102625614,0.9968175,0.0007442851],"about_ca_topic_score_codex":0.013829367,"about_ca_topic_score_gemma":0.017194888,"teacher_disagreement_score":0.70909977,"about_ca_system_score_codex":0.0001519779,"about_ca_system_score_gemma":0.00009555731,"threshold_uncertainty_score":0.99991083},"labels":[],"label_agreement":null},{"id":"W7038362850","doi":"","title":"Humanisme et archives. \\n Ceci est mon corps de Jean-François Beauchemin. Québec Amérique, 193 p.","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Fusible alloy","score_opus":0.010266348252835551,"score_gpt":0.19053132714044438,"score_spread":0.18026497888760884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038362850","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49974823,0.22121985,0.00016631762,0.16167983,0.00070615095,0.000437387,0.00016206998,0.00026956943,0.115610585],"genre_scores_gemma":[0.29705134,0.03543727,0.00063003256,0.005295859,0.0006894797,0.000010521029,0.00009942082,0.000040180832,0.6607459],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972414,0.00037427698,0.00030790264,0.0006424708,0.0004443412,0.0009896139],"domain_scores_gemma":[0.9982523,0.00035313712,0.00030494257,0.00040113388,0.000115441355,0.00057305914],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024396676,0.0004423119,0.00056862546,0.00016203926,0.0024949447,0.000063579326,0.0007511726,0.00048823707,0.0010953901],"category_scores_gemma":[0.00007965261,0.0004621625,0.0005841656,0.00078161154,0.0012011499,0.00048167963,0.0002675788,0.0006269942,0.00030448256],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024871845,0.00063744833,0.005296957,0.00008955813,0.00083027314,0.0068326513,0.13267252,0.000406041,0.004479961,0.11970221,0.69873524,0.030068398],"study_design_scores_gemma":[0.0007127191,0.0001342558,0.0025277024,0.000056961228,0.0003606288,0.00026183037,0.0069827703,0.00041031296,0.00028260695,0.0021791754,0.98553187,0.00055917486],"about_ca_topic_score_codex":0.4110458,"about_ca_topic_score_gemma":0.9443668,"teacher_disagreement_score":0.5451353,"about_ca_system_score_codex":0.004374861,"about_ca_system_score_gemma":0.00046466032,"threshold_uncertainty_score":0.9998177},"labels":[],"label_agreement":null},{"id":"W7038838215","doi":"","title":"Le métier de chanteur lyrique au Québec (2000-2020) : médiation de la musique et nouvelles modalités du concert","year":2020,"lang":"fr","type":"other","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Verisimilitude; Obligation","score_opus":0.022496417176743038,"score_gpt":0.3010830698208335,"score_spread":0.27858665264409044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038838215","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048991133,0.00198309,0.00020096642,0.044459227,0.00045266707,0.00078216934,0.00014252767,0.00001099184,0.9029772],"genre_scores_gemma":[0.24876206,0.0009249102,0.0020344302,0.013510741,0.0027138253,0.00011458352,0.00016179263,0.00009234687,0.7316853],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960729,0.0021289112,0.00036551294,0.00066122203,0.00024009401,0.00053136377],"domain_scores_gemma":[0.9987314,0.00029285793,0.00034808207,0.00020920405,0.000104640196,0.00031386828],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011098004,0.00038352053,0.00060362037,0.00005507105,0.00064732,0.000602389,0.00092567597,0.00094086904,0.024447009],"category_scores_gemma":[0.0003058264,0.00033825554,0.0002590931,0.00052973605,0.0005626048,0.00032211834,0.00022485555,0.00058612064,0.0006253762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001425081,0.0005473306,0.0072686183,0.000121091965,0.0011606244,0.00030291895,0.7173285,0.00023452574,0.001982015,0.0700965,0.09223566,0.1085797],"study_design_scores_gemma":[0.0003769113,0.000055786302,0.0010987225,0.00010904166,0.00019765442,0.0000134651145,0.010373673,0.00033218454,0.0001546438,0.0003721688,0.9864694,0.0004463588],"about_ca_topic_score_codex":0.39947972,"about_ca_topic_score_gemma":0.70601165,"teacher_disagreement_score":0.8942337,"about_ca_system_score_codex":0.00069481594,"about_ca_system_score_gemma":0.0119835315,"threshold_uncertainty_score":0.99990696},"labels":[],"label_agreement":null},{"id":"W7038881580","doi":"","title":"Jocelyn Robert, Coïncidences. Galerie Michel Guimont, Québec.\\nDu 29 avril au 27 mai 2018","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Field (mathematics); Power (physics); Exhibition; Exposition (narrative)","score_opus":0.008447838777504879,"score_gpt":0.18856274002353515,"score_spread":0.18011490124603027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038881580","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40256476,0.25361866,0.000047281083,0.19410974,0.006216931,0.0006804961,0.0001436381,0.00020466954,0.14241381],"genre_scores_gemma":[0.13520727,0.00595572,0.00022705355,0.008440801,0.0014556245,0.0000061015317,0.00006109732,0.000038222603,0.84860814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964458,0.00034973462,0.00039616032,0.0008743644,0.0006843056,0.0012496526],"domain_scores_gemma":[0.9980074,0.00017627631,0.00042029767,0.0005880932,0.0002686968,0.0005391981],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047421266,0.0005268099,0.00073989225,0.00017470974,0.0015274755,0.000134621,0.0010556591,0.00076790876,0.0093018515],"category_scores_gemma":[0.00006424475,0.0005228788,0.00066989457,0.0012870054,0.0008143626,0.0010907191,0.00036034416,0.0005478004,0.0036293876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011868405,0.00018176166,0.0126516605,0.00007186479,0.0005019388,0.00065740425,0.008151529,0.00011570719,0.000908395,0.034445163,0.9347842,0.00741172],"study_design_scores_gemma":[0.00079616415,0.00013191976,0.0029976354,0.000097746604,0.0006363864,0.00007644775,0.007976359,0.00046957025,0.000040080973,0.0013074194,0.9847844,0.00068585604],"about_ca_topic_score_codex":0.6284524,"about_ca_topic_score_gemma":0.9521941,"teacher_disagreement_score":0.7061943,"about_ca_system_score_codex":0.009644843,"about_ca_system_score_gemma":0.0006227761,"threshold_uncertainty_score":0.9997724},"labels":[],"label_agreement":null},{"id":"W7039026723","doi":"","title":"Le Cinéma de Jan Svankmajer : un surréalisme animé. \\n Le Cinéma de Jan Svankmajer : un surréalisme animé, Charles Jodoin-Keaton, Laval (Québec) : Les 400 Coups, 2002, 144 pages","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Context (archaeology); Natural (archaeology); Perspective (graphical)","score_opus":0.008555670402919453,"score_gpt":0.1805549902671407,"score_spread":0.17199931986422123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039026723","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5640565,0.22186784,0.0002221203,0.18027627,0.0010764807,0.00069640763,0.00035923775,0.00037752136,0.031067602],"genre_scores_gemma":[0.7426516,0.029865561,0.00089590624,0.0030595853,0.0009793973,0.000026578358,0.000117454074,0.00014197086,0.22226194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99207556,0.002116365,0.00079458585,0.001501189,0.0009937688,0.0025185358],"domain_scores_gemma":[0.99608237,0.00047282333,0.0006456499,0.0008752547,0.0006724832,0.001251433],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015441873,0.0011343459,0.0013930387,0.00037740625,0.004853647,0.00035293715,0.0013866568,0.001395369,0.0035059904],"category_scores_gemma":[0.00027484036,0.0011985833,0.0010991993,0.002161672,0.0014251852,0.0012746425,0.00038722836,0.0011397053,0.0003042312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037455693,0.0014635028,0.02140515,0.00018534469,0.0022949255,0.00434185,0.045072578,0.00049142906,0.0051070666,0.34921697,0.5408866,0.029160047],"study_design_scores_gemma":[0.0022753447,0.00025105863,0.008827368,0.00012330356,0.0012151075,0.000388507,0.028747099,0.0002933728,0.0012457534,0.0029887434,0.9521964,0.0014479025],"about_ca_topic_score_codex":0.26168653,"about_ca_topic_score_gemma":0.81260407,"teacher_disagreement_score":0.5509175,"about_ca_system_score_codex":0.004177179,"about_ca_system_score_gemma":0.00169787,"threshold_uncertainty_score":0.99990106},"labels":[],"label_agreement":null},{"id":"W7039063190","doi":"","title":"Le freak show du Théâtre d’Aujourd’hui : \\n Venise-en-Québec\\n","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"FREAK; Perspective (graphical); Context (archaeology); Subject (documents)","score_opus":0.004348352332089225,"score_gpt":0.16312895784468032,"score_spread":0.1587806055125911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039063190","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32747072,0.1210481,0.0000636123,0.43415764,0.0011953771,0.0002528931,0.00011022415,0.00018550799,0.11551593],"genre_scores_gemma":[0.4287283,0.0027091654,0.0001582837,0.001793328,0.0016909345,0.0000045445154,0.00006225207,0.00002491229,0.5648283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99753517,0.00041230232,0.0002586125,0.0005491047,0.00043089414,0.0008139434],"domain_scores_gemma":[0.99876416,0.00015259307,0.00023761236,0.00032385797,0.0002088902,0.00031290654],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028147193,0.000358474,0.000473448,0.00012968891,0.0024266185,0.00011296327,0.00062665937,0.0005486918,0.0011574111],"category_scores_gemma":[0.000037264326,0.0003714903,0.0005417863,0.0009886788,0.0005547173,0.00063183083,0.00022221287,0.00040308814,0.00047601043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004805496,0.00025435098,0.0019433696,0.000022979075,0.00023517958,0.001331695,0.004644017,0.00023487976,0.00029874087,0.3984038,0.5818177,0.010765265],"study_design_scores_gemma":[0.0006441029,0.000069063535,0.002413527,0.000037045083,0.0004934619,0.00010002818,0.008236812,0.00025121105,0.000042231743,0.0043074526,0.98295736,0.00044771162],"about_ca_topic_score_codex":0.49155334,"about_ca_topic_score_gemma":0.92869335,"teacher_disagreement_score":0.44931233,"about_ca_system_score_codex":0.0044384343,"about_ca_system_score_gemma":0.0003782266,"threshold_uncertainty_score":0.9998737},"labels":[],"label_agreement":null},{"id":"W7039144028","doi":"","title":"Les États-Unis d’Albert : Belle aventure amoureuse au temps du muet. \\n Les États-Unis d’Albert Québec / France / Suisse 2005, 87 minutes","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Feature (linguistics)","score_opus":0.00843093159559916,"score_gpt":0.19382110347307693,"score_spread":0.18539017187747778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039144028","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5086356,0.23112626,0.00003334158,0.24737719,0.000845411,0.00040218176,0.00017093819,0.00016155315,0.01124757],"genre_scores_gemma":[0.32389128,0.01615973,0.00070499256,0.0031363312,0.002533784,0.00001954244,0.00012053012,0.00007142905,0.6533624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948639,0.0006679894,0.0006105029,0.0011906648,0.000877169,0.0017897619],"domain_scores_gemma":[0.9966756,0.0005233839,0.00058381143,0.00078050693,0.00049271324,0.0009439677],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005378716,0.0009120783,0.0010406972,0.00029293066,0.01237269,0.00016858293,0.001475729,0.0012085638,0.0042342665],"category_scores_gemma":[0.00020109407,0.0008914876,0.0009894752,0.0015100719,0.0020981447,0.0012184174,0.0006214689,0.0009740433,0.0006185802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021222243,0.00084049074,0.0130941635,0.00012640451,0.0012225637,0.0011017119,0.08666774,0.0007006333,0.0006731173,0.028408553,0.7895884,0.07736398],"study_design_scores_gemma":[0.0011635813,0.00013699749,0.0023696832,0.00015034276,0.0009912897,0.00012252081,0.014498317,0.0005495166,0.00015476652,0.0006057831,0.9782031,0.0010540818],"about_ca_topic_score_codex":0.65539086,"about_ca_topic_score_gemma":0.9848725,"teacher_disagreement_score":0.6421148,"about_ca_system_score_codex":0.007941943,"about_ca_system_score_gemma":0.0005068475,"threshold_uncertainty_score":0.9993536},"labels":[],"label_agreement":null},{"id":"W7039190082","doi":"","title":"L’Index Séquences — Ceux et celles qui ont fait le cinéma québécois des années 90 : Volet I — La fiction d’auteur (deuxième partie suite et fin)","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Product (mathematics); Suite","score_opus":0.011598266892335011,"score_gpt":0.2039222049441303,"score_spread":0.1923239380517953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039190082","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7178182,0.068043485,0.000151001,0.17840996,0.0006060935,0.00024893528,0.0001201784,0.00017640418,0.03442576],"genre_scores_gemma":[0.84777033,0.030864993,0.00019939142,0.0027551139,0.00036296557,0.000011608824,0.00008873794,0.000026966072,0.11791986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965369,0.0009841735,0.00034706376,0.0006966183,0.0005320373,0.0009032033],"domain_scores_gemma":[0.99843705,0.0002183967,0.0003371774,0.00033543896,0.00027735863,0.0003945521],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006701046,0.00045442526,0.00054240186,0.00018922969,0.0025461463,0.000226389,0.00060184335,0.00058158365,0.00073259335],"category_scores_gemma":[0.00007883447,0.00044648122,0.00048794993,0.001299727,0.001088103,0.0013309161,0.00021924917,0.00049153436,0.00012593555],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004132613,0.0010323259,0.026362361,0.00013296888,0.000986804,0.0029726424,0.12920327,0.00272646,0.0011250764,0.41859233,0.34336784,0.07308462],"study_design_scores_gemma":[0.00061785313,0.00015801334,0.010396958,0.00009304425,0.00032386155,0.00009447976,0.058954515,0.0007816234,0.00003464063,0.004615188,0.9234175,0.0005122892],"about_ca_topic_score_codex":0.3855933,"about_ca_topic_score_gemma":0.93961406,"teacher_disagreement_score":0.5800497,"about_ca_system_score_codex":0.001760617,"about_ca_system_score_gemma":0.0003570981,"threshold_uncertainty_score":0.9997987},"labels":[],"label_agreement":null},{"id":"W7039191313","doi":"","title":"L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon","year":2006,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Object (grammar); Perspective (graphical); Relation (database); Focus (optics); Subject (documents)","score_opus":0.018149082649370468,"score_gpt":0.3029817869601248,"score_spread":0.2848327043107543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039191313","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5253272,0.0039888206,0.0000052017167,0.011363521,0.0016937425,0.0010582897,0.00028355577,0.000008952898,0.4562707],"genre_scores_gemma":[0.26195627,0.0003750702,0.0008573496,0.004365025,0.0017265255,0.000112441245,0.009314992,0.0000668285,0.7212255],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952324,0.0011677229,0.00079079025,0.0012425119,0.00075408985,0.00081250473],"domain_scores_gemma":[0.99768776,0.00023132106,0.0007683382,0.00045999128,0.00052916503,0.00032344155],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013168645,0.0007680198,0.0011129163,0.000132932,0.0010722114,0.0021294886,0.0012982193,0.0015728077,0.014325978],"category_scores_gemma":[0.00022060743,0.00062485575,0.0005934367,0.00096126297,0.0003061524,0.0010946839,0.00019563205,0.0011484378,0.0011645944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013210705,0.0026570947,0.029551322,0.0004176657,0.0032971732,0.0008706568,0.3630772,0.0013576312,0.009162825,0.060270347,0.3746394,0.15337765],"study_design_scores_gemma":[0.00081404136,0.00018301062,0.016566817,0.00030817502,0.0009132619,0.000018379173,0.014022333,0.00011467925,0.000397283,0.00091113435,0.9647689,0.0009819726],"about_ca_topic_score_codex":0.035514537,"about_ca_topic_score_gemma":0.4736235,"teacher_disagreement_score":0.59012955,"about_ca_system_score_codex":0.00030337728,"about_ca_system_score_gemma":0.0005948174,"threshold_uncertainty_score":0.9997234},"labels":[],"label_agreement":null},{"id":"W7039193238","doi":"","title":"Le grand ciel ferronien. \\n Le livre des fondations. Incarnations et enquébécquoisement dans Le ciel de Québec de Jacques Ferron de Jacques Cardinal. XYZ éditeur, « Documents », 202 p.","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Context (archaeology); Focus (optics); Theme (computing)","score_opus":0.00862857779867759,"score_gpt":0.21541234640849008,"score_spread":0.20678376860981248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039193238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62995094,0.10760418,0.0022849515,0.14201547,0.00034803565,0.0005939614,0.00015048328,0.00022598951,0.11682601],"genre_scores_gemma":[0.8088487,0.021764694,0.0019642448,0.00433445,0.00034487242,0.0000323474,0.00014740441,0.000029657454,0.16253364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968248,0.00081082736,0.00033849216,0.00058493036,0.00044080755,0.001000127],"domain_scores_gemma":[0.9984736,0.00012525578,0.00026996518,0.00033965067,0.0002988678,0.00049269793],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006974991,0.00039943832,0.00046094615,0.00021891412,0.004140983,0.000263912,0.0006670353,0.00040051786,0.00028969508],"category_scores_gemma":[0.00009356509,0.00044573666,0.0004835517,0.0009453513,0.0005942802,0.0013133426,0.0001746972,0.00040001934,0.00003226664],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019986583,0.0019308623,0.01047609,0.00009857737,0.0013212776,0.00073602935,0.11682662,0.0039115315,0.007144004,0.41168153,0.4021353,0.043538287],"study_design_scores_gemma":[0.001174823,0.00021296377,0.011110555,0.0000968251,0.00063082605,0.0000777525,0.031787694,0.000783515,0.0005024403,0.01142531,0.9416437,0.0005536087],"about_ca_topic_score_codex":0.6595413,"about_ca_topic_score_gemma":0.9113083,"teacher_disagreement_score":0.5395084,"about_ca_system_score_codex":0.008066314,"about_ca_system_score_gemma":0.0017265239,"threshold_uncertainty_score":0.99979943},"labels":[],"label_agreement":null},{"id":"W7039312149","doi":"","title":"Le court métrage au Québec","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.007500677263587506,"score_gpt":0.17817950057801094,"score_spread":0.17067882331442344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039312149","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.285304,0.12606007,0.000030112673,0.49762806,0.0016479734,0.00022036946,0.00016287918,0.00011416206,0.08883236],"genre_scores_gemma":[0.47781146,0.0008860523,0.00005181024,0.0035682481,0.0004072541,0.0000077281875,0.000035805228,0.000013101565,0.51721853],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788874,0.00047696047,0.00016150188,0.00039793982,0.00044070825,0.0006341319],"domain_scores_gemma":[0.99914336,0.00008305422,0.00016771816,0.0002379225,0.00008372631,0.00028420237],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034388533,0.00020394451,0.00030276648,0.0000975313,0.005784732,0.000037469603,0.00057812297,0.00016472531,0.0029241177],"category_scores_gemma":[0.000019181864,0.00023530459,0.0003687734,0.0009979674,0.0004064247,0.00031414142,0.00040534433,0.00042874078,0.00018675583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007241053,0.00027409015,0.001206344,0.00001847026,0.00036325864,0.0016558468,0.02688908,0.0006021132,0.00020583587,0.38901156,0.5573641,0.022336867],"study_design_scores_gemma":[0.00044317442,0.00009699656,0.00070266955,0.0000065365716,0.00029116086,0.0000915922,0.030219117,0.00021722417,0.000008779078,0.0012532285,0.96638346,0.00028604546],"about_ca_topic_score_codex":0.75845677,"about_ca_topic_score_gemma":0.9745106,"teacher_disagreement_score":0.4940598,"about_ca_system_score_codex":0.0146158,"about_ca_system_score_gemma":0.0009433623,"threshold_uncertainty_score":0.99798733},"labels":[],"label_agreement":null},{"id":"W7039472160","doi":"","title":"Mark Lewis, Above and below : [exposition, Paris, Le Bal, 05.02-03.05.2015]","year":2015,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Transposition (logic); Adoration; Painting","score_opus":0.023327517289446462,"score_gpt":0.27361023135486373,"score_spread":0.25028271406541724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039472160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09915275,0.14549945,0.00021717136,0.25550604,0.006990819,0.0007041232,0.00015792414,0.00025298956,0.4915187],"genre_scores_gemma":[0.5844922,0.0026246007,0.001508459,0.02026256,0.0027388795,0.000031357504,0.00013630668,0.000025346251,0.3881803],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741817,0.0004872014,0.00040422878,0.00056527124,0.00047794232,0.00064716506],"domain_scores_gemma":[0.9984017,0.00009536483,0.0001628584,0.00024603316,0.0004780733,0.00061594596],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072628504,0.0003137007,0.00045620513,0.00006359664,0.0008080518,0.0005188962,0.0002949915,0.0004866274,0.0019500757],"category_scores_gemma":[0.00009062689,0.00024890728,0.00018804698,0.00082071574,0.0009509042,0.0010230727,0.00012361853,0.00030291238,0.00051685044],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022213293,0.00020800346,0.0021707937,0.000021509339,0.00017711865,0.00002210878,0.009595188,0.000003966887,0.00010497222,0.09907757,0.87932175,0.009274798],"study_design_scores_gemma":[0.00061149884,0.00020794744,0.0018883691,0.00003648997,0.00027404257,0.000020140451,0.014027557,0.00015953105,0.00012299983,0.014949335,0.96726024,0.00044187618],"about_ca_topic_score_codex":0.010157396,"about_ca_topic_score_gemma":0.008690661,"teacher_disagreement_score":0.48533943,"about_ca_system_score_codex":0.00012837638,"about_ca_system_score_gemma":0.00028960046,"threshold_uncertainty_score":0.9999963},"labels":[],"label_agreement":null},{"id":"W7039819866","doi":"","title":"\\n La neuvaine\\n : Faire le bien. \\n La neuvaine, Canada [Québec] 2005, 97 minutes","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Context (archaeology); Work (physics); Subject (documents)","score_opus":0.006080112342799753,"score_gpt":0.1701884212663349,"score_spread":0.16410830892353515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039819866","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087662816,0.26285157,0.0000149658035,0.56782407,0.0006588997,0.00023613023,0.00015201754,0.00011996139,0.08047958],"genre_scores_gemma":[0.16951321,0.005129723,0.000250391,0.006040197,0.0010268079,0.000006554199,0.000051323743,0.000030231426,0.81795156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969675,0.000636605,0.00028890182,0.00059283123,0.00050823396,0.001005953],"domain_scores_gemma":[0.9982809,0.00034261832,0.0002407502,0.00034489814,0.00018970328,0.0006011415],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003764616,0.0004195801,0.0005026422,0.00012554428,0.001784303,0.00010702827,0.0007005719,0.000529547,0.0011129185],"category_scores_gemma":[0.000076115604,0.0004256212,0.00035797933,0.0010167139,0.0006513513,0.00064143416,0.0002239901,0.00052202964,0.00017287055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003847438,0.00014103377,0.00055007637,0.000027852444,0.00027700237,0.0014806135,0.0042541,0.0003844266,0.00011446267,0.036860682,0.8642998,0.09157152],"study_design_scores_gemma":[0.00065437454,0.000034027693,0.0007247338,0.000043071235,0.00035649195,0.00012767149,0.008610827,0.00067323743,0.000030943687,0.00027357222,0.9879694,0.00050166895],"about_ca_topic_score_codex":0.9772304,"about_ca_topic_score_gemma":0.9997696,"teacher_disagreement_score":0.737472,"about_ca_system_score_codex":0.0071527604,"about_ca_system_score_gemma":0.0014873485,"threshold_uncertainty_score":0.9998196},"labels":[],"label_agreement":null},{"id":"W7039820218","doi":"","title":"\\n La petite fille qui aimait trop les allumettes ou la métaphore du Québec","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Perspective (graphical); Quality (philosophy); Face (sociological concept); Class (philosophy); Action (physics)","score_opus":0.007290711560332122,"score_gpt":0.18474912913363842,"score_spread":0.1774584175733063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039820218","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5379892,0.13336678,0.000046874,0.244809,0.00040202908,0.0001671847,0.0000658471,0.0001419635,0.083011135],"genre_scores_gemma":[0.45905182,0.030729752,0.0002829467,0.0022781799,0.0009885386,0.00000743995,0.00005010545,0.00003246922,0.50657874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974779,0.00072021293,0.00022532516,0.00051191205,0.0003860732,0.0006785963],"domain_scores_gemma":[0.9985886,0.00039780044,0.00020581798,0.0002732985,0.00018892213,0.00034555534],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003716184,0.00035019527,0.00044566471,0.00014014255,0.0017696366,0.0001202547,0.0005811659,0.00056588673,0.0032669248],"category_scores_gemma":[0.00010157993,0.00033566347,0.000515925,0.0010073625,0.0009858814,0.00048327082,0.00021904183,0.0004473545,0.0004319651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016232613,0.000360082,0.017235639,0.00004638645,0.00078272936,0.0049442356,0.01663708,0.00014287097,0.00032735348,0.15655062,0.64851457,0.15429613],"study_design_scores_gemma":[0.0005901791,0.00009541956,0.0032998682,0.00005235694,0.00051278557,0.0002594073,0.017244007,0.00023939108,0.000009172826,0.00070919277,0.9765787,0.00040951528],"about_ca_topic_score_codex":0.24823849,"about_ca_topic_score_gemma":0.89347315,"teacher_disagreement_score":0.64523464,"about_ca_system_score_codex":0.0029810024,"about_ca_system_score_gemma":0.00016386753,"threshold_uncertainty_score":0.9999095},"labels":[],"label_agreement":null},{"id":"W7039872669","doi":"","title":"\\n Les Chats du Père-Lachaise ou écrire pour soi. Jean-Claude Masson, Les Chats du Père-Lachaise, Toronto, Éditions du Gref, coll. « Le beau mentir », no 6, 2004, 179 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Subject (documents); Identification (biology); Relation (database)","score_opus":0.009774927545888993,"score_gpt":0.19851866909225535,"score_spread":0.18874374154636636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039872669","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10374717,0.25070375,0.00033959278,0.56694824,0.0026849157,0.0011232266,0.0009043816,0.0005277148,0.073021024],"genre_scores_gemma":[0.4799946,0.047151115,0.0006153086,0.0026426658,0.004069293,0.000053354976,0.0003680783,0.00008643204,0.46501917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947359,0.00072131766,0.00067051995,0.0012434773,0.0009691161,0.0016596492],"domain_scores_gemma":[0.99658656,0.00027951325,0.00069507456,0.00064613356,0.0008773138,0.00091541436],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00064844906,0.00092103344,0.0010435116,0.00023809863,0.006923531,0.0002897056,0.0012098263,0.0010606186,0.0062591387],"category_scores_gemma":[0.00016442225,0.0009599876,0.001029591,0.0010408815,0.00097211916,0.0021231396,0.00047529754,0.00061719003,0.0009489778],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018594618,0.0010916494,0.0020346881,0.00008442417,0.0010258204,0.00085198245,0.0122926375,0.00063052576,0.0005400005,0.08847463,0.8581673,0.03462043],"study_design_scores_gemma":[0.0020216352,0.00019872806,0.0016374883,0.00014681167,0.0010418046,0.0000877676,0.015936527,0.0024966386,0.00007823192,0.0010257235,0.97424597,0.0010826706],"about_ca_topic_score_codex":0.15260665,"about_ca_topic_score_gemma":0.783941,"teacher_disagreement_score":0.63133436,"about_ca_system_score_codex":0.009111938,"about_ca_system_score_gemma":0.000300337,"threshold_uncertainty_score":0.9998289},"labels":[],"label_agreement":null},{"id":"W7039910046","doi":"","title":"\\n Le roi des pissenlits, roman de Daniel Paradis : broussailleux !. Daniel Paradis, Le roi des pissenlits. Éditions Le Nordir, Ottawa, 2003, 127 p.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Perspective (graphical)","score_opus":0.009722081186232637,"score_gpt":0.1914995282857326,"score_spread":0.18177744709949997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039910046","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26626316,0.37686688,0.002180728,0.06597969,0.0013110543,0.0010375365,0.00062394474,0.00050763536,0.28522938],"genre_scores_gemma":[0.32414186,0.01512405,0.0069474173,0.0020864299,0.0006347733,0.00004207781,0.00029463603,0.000105221035,0.6506235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99473274,0.0012063873,0.0005722906,0.0010921966,0.0005531057,0.0018433068],"domain_scores_gemma":[0.9971208,0.00021981332,0.00041917554,0.0007106503,0.00050634553,0.001023215],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00067594653,0.00073337316,0.00088154105,0.00025944566,0.0077352016,0.0002860544,0.00096210587,0.00077937683,0.00060003775],"category_scores_gemma":[0.00028202846,0.0008159792,0.0006873416,0.002999151,0.0020481378,0.0015594052,0.0001820567,0.0006657125,0.00020516674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039049086,0.0007014647,0.001457461,0.000073367395,0.0005708512,0.0008048857,0.008849904,0.00035430052,0.0006160667,0.557756,0.42358112,0.005195493],"study_design_scores_gemma":[0.0013320809,0.00015904353,0.0032698058,0.00011676529,0.00070182414,0.0004110689,0.029170904,0.00043458806,0.00022858293,0.025212044,0.93798363,0.0009796522],"about_ca_topic_score_codex":0.14109576,"about_ca_topic_score_gemma":0.6132681,"teacher_disagreement_score":0.532544,"about_ca_system_score_codex":0.0039697345,"about_ca_system_score_gemma":0.001099244,"threshold_uncertainty_score":0.99985385},"labels":[],"label_agreement":null},{"id":"W7039955803","doi":"","title":"\"No one's free who isn't free to love\": love and history across Canadian boundaries in George Elliot Clarke's Â«Beatrice ChancyÂ» and Â«QuÃ©bÃ©citÃ©: A Jazz Fantasia in Three CantosÂ»","year":2008,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Utopia; Ignorance; Opera; Jazz","score_opus":0.006005905995402452,"score_gpt":0.17231060242744226,"score_spread":0.1663046964320398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039955803","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012835184,0.015950685,0.0000017711644,0.009187411,0.00053207664,0.0005965305,0.0022317201,0.00001303833,0.9586516],"genre_scores_gemma":[0.07599184,0.004873108,0.00037978645,0.012410345,0.00066652463,0.000022084172,0.000048392474,0.00016299533,0.9054449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99635035,0.00017698371,0.00042746053,0.0006847546,0.0014206822,0.0009397829],"domain_scores_gemma":[0.9983187,0.00015448584,0.00024116458,0.00039840012,0.0000037145255,0.00088358356],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000059459097,0.00046177185,0.0008016868,0.00020680907,0.00033880273,0.00015871861,0.00064684177,0.00027354664,0.0005880578],"category_scores_gemma":[0.000037025544,0.00046085077,0.000048183003,0.00034439212,0.00079570897,0.00038494176,0.00028982467,0.00046685894,8.045658e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004415427,0.00007153973,0.088071965,0.0005174046,0.00037309635,0.0009985461,0.017029718,0.0000039730835,0.0001985095,0.0519613,0.83755475,0.002777666],"study_design_scores_gemma":[0.00053829316,0.00006218026,0.04112676,0.00029729522,0.000037820297,0.0000048661386,0.004543954,0.000020004865,0.000025075127,0.00077285385,0.95200247,0.00056843087],"about_ca_topic_score_codex":0.92461556,"about_ca_topic_score_gemma":0.99956006,"teacher_disagreement_score":0.11444773,"about_ca_system_score_codex":0.00021010097,"about_ca_system_score_gemma":0.0060418122,"threshold_uncertainty_score":0.99978435},"labels":[],"label_agreement":null},{"id":"W7039963059","doi":"","title":"Pink Floyd Animals","year":2025,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Wish; Wright; Cannibalism","score_opus":0.023353622511656114,"score_gpt":0.3062279315351693,"score_spread":0.2828743090235132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039963059","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009446512,0.045901977,0.0000675816,0.067092605,0.0030352517,0.0001156182,0.000008367822,0.00006959554,0.8742625],"genre_scores_gemma":[0.23199137,0.0006283653,0.0003391007,0.027062045,0.00068377494,0.000006441546,0.000004203019,0.0000027378615,0.73928195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987243,0.00022207992,0.00022067821,0.0002870973,0.00016733019,0.00037855303],"domain_scores_gemma":[0.99945205,0.000065568325,0.000046687364,0.00014623607,0.00015536626,0.00013406388],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026772835,0.000138309,0.00024186664,0.00005529794,0.00050772337,0.0001985773,0.00028018866,0.0002767061,0.010864994],"category_scores_gemma":[0.00011451281,0.000105352425,0.00022113335,0.0013656279,0.00045353425,0.0002100632,0.00006603688,0.00016574787,0.00067647814],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037307839,0.0000439394,0.00045146127,0.000017376393,0.00011181907,0.000003649597,0.0022509694,9.787091e-7,0.00020044479,0.6997563,0.2807916,0.01636768],"study_design_scores_gemma":[0.000108047796,0.00003352964,0.0009472446,0.000034174842,0.00016813647,4.4400912e-7,0.0031022113,0.000057160225,0.000104896666,0.0370619,0.9582477,0.00013451543],"about_ca_topic_score_codex":0.0017593668,"about_ca_topic_score_gemma":0.0036907657,"teacher_disagreement_score":0.67745614,"about_ca_system_score_codex":0.00006976754,"about_ca_system_score_gemma":0.00015056346,"threshold_uncertainty_score":0.9900392},"labels":[],"label_agreement":null},{"id":"W7039985149","doi":"","title":"\\n Ludovic : un vent de magie, Canada [Québec] 2001, 12 minutes Canada [Québec] 2001, 12 minutes","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Context (archaeology)","score_opus":0.01043283059165043,"score_gpt":0.1657405895413281,"score_spread":0.15530775894967766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039985149","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12932613,0.41676208,0.0000062558665,0.42750296,0.001685025,0.00036572717,0.00040449458,0.00008257235,0.023864744],"genre_scores_gemma":[0.077309795,0.008841641,0.00026760338,0.011463305,0.000979749,0.000013778179,0.00007318415,0.000045002704,0.9010059],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955133,0.0004222013,0.00044028758,0.0007889079,0.0008905564,0.0019447078],"domain_scores_gemma":[0.9973145,0.00031988148,0.0003833844,0.0005063848,0.0002756535,0.0012001735],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027313892,0.0006186559,0.0007258595,0.00012833062,0.002325622,0.000097512966,0.001038537,0.00043152575,0.008785057],"category_scores_gemma":[0.00013380707,0.00064628513,0.00037178988,0.001026039,0.00046646228,0.00045576273,0.00024741926,0.00054895703,0.00010765565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032362663,0.00014267501,0.0068086986,0.000047394427,0.0005612578,0.0036437314,0.0031386842,0.0002194401,0.000087756925,0.0007433867,0.9696781,0.01489653],"study_design_scores_gemma":[0.0006389597,0.00007220582,0.0029230558,0.00006625481,0.0008174452,0.00016156098,0.006069449,0.001266215,0.000057245437,0.0001591059,0.9869986,0.00076986564],"about_ca_topic_score_codex":0.9999578,"about_ca_topic_score_gemma":0.99999976,"teacher_disagreement_score":0.8771412,"about_ca_system_score_codex":0.03364653,"about_ca_system_score_gemma":0.004184516,"threshold_uncertainty_score":0.99959886},"labels":[],"label_agreement":null},{"id":"W7042307417","doi":"","title":"Oh les beaux jours. \\n Les beaux dimanches. Société Radio-Canada, 11 septembre 1966 – 8 août 2004","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Object (grammar); Period (music)","score_opus":0.00916753679745788,"score_gpt":0.19378087098034583,"score_spread":0.18461333418288794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042307417","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2347617,0.44941026,0.0000680777,0.26281402,0.0017848408,0.0004638808,0.0004002979,0.00018639684,0.05011053],"genre_scores_gemma":[0.5004979,0.009979263,0.00036379226,0.007899425,0.0019993682,0.000005423073,0.00020001722,0.00003956947,0.47901526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963505,0.00042065667,0.00039583424,0.0007736141,0.00080609805,0.0012532566],"domain_scores_gemma":[0.9980228,0.00015177866,0.00041637378,0.00042629687,0.0003231687,0.00065956573],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034035198,0.0005807764,0.000795105,0.00015042593,0.0037739554,0.0001423425,0.0009255064,0.0007556974,0.0016958289],"category_scores_gemma":[0.000055601897,0.0005883841,0.00068533374,0.0012194131,0.0006642656,0.00066753314,0.00015001466,0.0006554035,0.00009341066],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004927328,0.00021020998,0.0013684601,0.000043353473,0.00051684247,0.0013954879,0.0051506236,0.00030461236,0.00025200506,0.07578195,0.7533347,0.16159245],"study_design_scores_gemma":[0.000833849,0.000115949464,0.0067448886,0.0000843822,0.0008803327,0.000079496276,0.012910921,0.00015914909,0.00005105987,0.00242948,0.97499347,0.0007170188],"about_ca_topic_score_codex":0.7623755,"about_ca_topic_score_gemma":0.98974454,"teacher_disagreement_score":0.43943098,"about_ca_system_score_codex":0.009897517,"about_ca_system_score_gemma":0.00057005044,"threshold_uncertainty_score":0.99965674},"labels":[],"label_agreement":null},{"id":"W7042441807","doi":"","title":"Performing North in Canadian music for solo voice composed between 1950 and 2000.","year":2011,"lang":"en","type":"dissertation","venue":"oURspace (University of Regina)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of the Arctic","keywords":"S Voice; Agency (philosophy); Active listening","score_opus":0.023392450002420174,"score_gpt":0.23451887760610055,"score_spread":0.21112642760368036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042441807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93816155,0.00034057238,0.0000031430131,0.05418671,0.00017160134,0.00031522173,0.000070671,0.000014713485,0.006735808],"genre_scores_gemma":[0.62313807,0.00027509863,0.000616502,0.00016461473,0.0002713696,0.0000015604812,0.0011480199,0.000018744367,0.37436602],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991231,0.00006795875,0.000019452438,0.0002730311,0.00014185417,0.0003746033],"domain_scores_gemma":[0.999222,0.0000522538,0.00018950799,0.00010506925,0.00019863123,0.00023257476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020836272,0.00014230916,0.00035979488,0.00030346066,0.0006965382,0.000029225674,0.00028291417,0.00034406985,0.000017541932],"category_scores_gemma":[0.000029849192,0.00016629034,0.00011811842,0.00037626704,0.00016779594,0.00025489446,0.000013377439,0.00020908941,0.0000050342887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025898145,0.000054305438,0.29564428,0.00068031385,0.0006019145,0.00008708518,0.33966246,0.000006136341,0.00006673508,0.008190645,0.318319,0.03642813],"study_design_scores_gemma":[0.00028488046,0.00004597243,0.0685047,0.00007146119,0.00024044981,2.0588834e-7,0.067951284,0.000013891324,0.0000017375334,0.000029136794,0.86264396,0.00021234437],"about_ca_topic_score_codex":0.22331591,"about_ca_topic_score_gemma":0.99618196,"teacher_disagreement_score":0.7728661,"about_ca_system_score_codex":0.00018038215,"about_ca_system_score_gemma":0.0006162815,"threshold_uncertainty_score":0.7818561},"labels":[],"label_agreement":null},{"id":"W7042510186","doi":"","title":"Ouebe Musique 10 octobre 2010","year":2009,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Verisimilitude; Period (music)","score_opus":0.008221066885308397,"score_gpt":0.20266009267016355,"score_spread":0.19443902578485514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042510186","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019838834,0.00195993,1.6061257e-7,0.0033413847,0.0011482171,0.00048798983,0.0001291663,0.00011620174,0.99261856],"genre_scores_gemma":[0.0009079366,0.0005458668,0.00047428935,0.007418024,0.0011666745,0.000014491721,0.00026189547,0.000044251145,0.98916656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969312,0.00034281967,0.0010162051,0.00037917992,0.0006864169,0.0006441822],"domain_scores_gemma":[0.9976017,0.0001603473,0.0009533767,0.00040956636,0.00057208067,0.00030293668],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041154106,0.0005829608,0.00081301754,0.00008928719,0.00039176436,0.00020160798,0.0007101773,0.0013270125,0.89159256],"category_scores_gemma":[0.00022499223,0.0005121683,0.0005769981,0.00004348592,0.00066662475,9.55413e-7,0.00006875682,0.0006041518,0.06225947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005958469,0.000110199566,0.0000026527791,0.0001954004,0.00016258491,0.000024670291,0.0026985356,0.00012948811,8.2099757e-7,0.0016851454,0.97819203,0.016738871],"study_design_scores_gemma":[0.0003805766,0.00021084138,0.0000553154,0.00021577963,0.0002619208,0.00003082748,0.0009761235,0.00001423089,0.0000036564932,0.0001386654,0.99712276,0.00058930414],"about_ca_topic_score_codex":0.01232437,"about_ca_topic_score_gemma":0.026403142,"teacher_disagreement_score":0.82933307,"about_ca_system_score_codex":0.0001376364,"about_ca_system_score_gemma":0.00009927068,"threshold_uncertainty_score":0.9999695},"labels":[],"label_agreement":null},{"id":"W7042626323","doi":"","title":"Québécois, malgré nous : Naissance et évolution d’une identité québécoise dans trois romans de Réjean Ducharme","year":2020,"lang":"fr","type":"article","venue":"Digital Commons - Colby (Colby College)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Context (archaeology); Theme (computing); Arbitrariness; Narrative; Social life; Subject (documents)","score_opus":0.024219068314592872,"score_gpt":0.255891470618935,"score_spread":0.23167240230434216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042626323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6488845,0.008443093,0.00037894325,0.07808126,0.0021241973,0.0016636137,0.0038098844,0.00054109807,0.25607342],"genre_scores_gemma":[0.95792097,0.00033558786,0.0001412115,0.012231379,0.0013693747,0.00017576561,0.0003142925,0.000096063544,0.027415382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99384576,0.0008294808,0.0011950613,0.0013287044,0.0010905056,0.0017104864],"domain_scores_gemma":[0.99643856,0.00044726045,0.00059962465,0.000687189,0.0005152628,0.0013121027],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000517498,0.0009294452,0.0012476307,0.0001813271,0.0020838724,0.0013899405,0.0015797487,0.00074091763,0.00049187226],"category_scores_gemma":[0.0004587974,0.0009720432,0.0010310186,0.004560581,0.0018996769,0.0028125895,0.00040433602,0.0010916879,0.0006778972],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006913968,0.0027656895,0.024612173,0.0004363307,0.0015871549,0.001603999,0.11793542,0.0004746877,0.0018648246,0.601526,0.24069001,0.0058122934],"study_design_scores_gemma":[0.0016305693,0.00095706404,0.015915772,0.00024651186,0.0007845877,0.00008421805,0.034101244,0.0024627084,0.00012045506,0.003971844,0.9380026,0.0017224319],"about_ca_topic_score_codex":0.1562129,"about_ca_topic_score_gemma":0.6881953,"teacher_disagreement_score":0.6973126,"about_ca_system_score_codex":0.001110036,"about_ca_system_score_gemma":0.0014605672,"threshold_uncertainty_score":0.9996467},"labels":[],"label_agreement":null},{"id":"W7042777501","doi":"","title":"Québec social : \\n Au pied de la pente douce de Roger Lemelin","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Demotion","score_opus":0.010246818765011637,"score_gpt":0.19963701781530016,"score_spread":0.18939019905028853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042777501","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83295697,0.03946148,0.00009460484,0.10103073,0.00037309816,0.00013968736,0.000044556447,0.000096198564,0.02580268],"genre_scores_gemma":[0.71536887,0.0033682836,0.00025060374,0.0030873814,0.0012045717,0.000004866912,0.000020889805,0.000020131853,0.27667442],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737936,0.00073680026,0.00020052974,0.0004002155,0.0003495391,0.0009335472],"domain_scores_gemma":[0.99893534,0.00017803564,0.00019160035,0.00017003567,0.0001436815,0.00038132918],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004749012,0.0002786735,0.00038618458,0.000095541676,0.0035429085,0.000061287086,0.000491239,0.00056889985,0.0010095519],"category_scores_gemma":[0.00006232856,0.00029397217,0.0004965679,0.0007569851,0.001047601,0.00035209957,0.00016756312,0.00045274745,0.0002346008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026688603,0.0004715649,0.01723262,0.000048128983,0.0008851784,0.0051147453,0.15646595,0.00014221144,0.0016617622,0.18376666,0.60568684,0.028257431],"study_design_scores_gemma":[0.000731546,0.000045715387,0.0071161278,0.000018078266,0.00044659636,0.00022844588,0.007454196,0.00019112261,0.000053740114,0.0013959265,0.9819656,0.000352905],"about_ca_topic_score_codex":0.4534054,"about_ca_topic_score_gemma":0.82357067,"teacher_disagreement_score":0.37627873,"about_ca_system_score_codex":0.012224186,"about_ca_system_score_gemma":0.0008907822,"threshold_uncertainty_score":0.99995124},"labels":[],"label_agreement":null},{"id":"W7042929684","doi":"","title":"Récits d’artistes : Regards sur les débuts de six artistes canadiens","year":2004,"lang":"fr","type":"article","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Focus (optics); Context (archaeology); Perspective (graphical); Identity (music); Relation (database); Natural (archaeology); Class (philosophy)","score_opus":0.02025018011700373,"score_gpt":0.2558544977491914,"score_spread":0.23560431763218767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042929684","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7866121,0.047340337,0.00014507312,0.0552502,0.0046965405,0.0007494789,0.00035762953,0.0003628378,0.1044858],"genre_scores_gemma":[0.76722044,0.0009350281,0.00046369396,0.0062017944,0.0023205876,0.00005827223,0.000075787524,0.00006379289,0.2226606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99372095,0.0007744082,0.00097651046,0.0012388256,0.00091481296,0.0023745236],"domain_scores_gemma":[0.9966145,0.00031936617,0.0004548595,0.00070997106,0.0006992889,0.0012019916],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010821725,0.000818074,0.0010114451,0.00020126901,0.0022665772,0.0007184203,0.0009083048,0.0009133328,0.0050746184],"category_scores_gemma":[0.00059530005,0.00076852995,0.0007636399,0.0017833398,0.0017748731,0.001172457,0.00014488924,0.0008836095,0.0018151321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013821982,0.0015725094,0.015932862,0.00042897777,0.0014153814,0.0013180042,0.10100908,0.000767857,0.004671218,0.5056087,0.22662987,0.14050733],"study_design_scores_gemma":[0.0011758246,0.00034595013,0.028504228,0.00044567016,0.00064772344,0.00010137846,0.004964111,0.00012568699,0.00056663004,0.023482205,0.93840796,0.001232641],"about_ca_topic_score_codex":0.06302018,"about_ca_topic_score_gemma":0.45696056,"teacher_disagreement_score":0.7117781,"about_ca_system_score_codex":0.0009728288,"about_ca_system_score_gemma":0.00097074325,"threshold_uncertainty_score":0.99947655},"labels":[],"label_agreement":null},{"id":"W7043008954","doi":"","title":"Se fondre, Simon Lavoie (Québec)","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Identity (music); Meaning (existential); Identification (biology); Perspective (graphical)","score_opus":0.010532915938901651,"score_gpt":0.20104699979510818,"score_spread":0.19051408385620652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043008954","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10790555,0.58370405,0.000038614533,0.24479395,0.002254348,0.00018081695,0.00008482458,0.0002587648,0.06077906],"genre_scores_gemma":[0.19893174,0.013617208,0.00009330164,0.002975931,0.0011776472,0.000004124981,0.00003853671,0.00002534561,0.7831362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799705,0.0002436018,0.00018974034,0.00053981657,0.0003603409,0.00066944584],"domain_scores_gemma":[0.9990304,0.00017135625,0.00008148958,0.00024892265,0.0001163916,0.00035142186],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024898688,0.0002863808,0.00033571295,0.00014823221,0.0012340643,0.00015858909,0.0004257937,0.00044414087,0.0026502975],"category_scores_gemma":[0.000033418248,0.00027776638,0.00048359166,0.0014068568,0.00043125512,0.0006321894,0.00019310386,0.0004270369,0.0017251396],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003609693,0.00007547617,0.00020185015,0.00008489693,0.00046669666,0.0031010653,0.009513227,0.000060195733,0.00018520198,0.19813539,0.71422964,0.07391025],"study_design_scores_gemma":[0.00020368306,0.00008764901,0.00014460238,0.000098442564,0.0006993228,0.000046007972,0.005162311,0.00094256114,0.00003184839,0.0039519654,0.9882847,0.00034690832],"about_ca_topic_score_codex":0.19566087,"about_ca_topic_score_gemma":0.87860805,"teacher_disagreement_score":0.7223571,"about_ca_system_score_codex":0.0066263373,"about_ca_system_score_gemma":0.0002477378,"threshold_uncertainty_score":0.99996746},"labels":[],"label_agreement":null},{"id":"W7043113495","doi":"","title":"Si j’aimais le théâtre, j’aimerais le théâtre d’A.P.A.. \\n Si ma tante avait deux roues, ce serait une bicyclette, Québec, 27 mai 2006","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feature (linguistics); Set (abstract data type)","score_opus":0.006210198465634447,"score_gpt":0.18469032953994283,"score_spread":0.17848013107430838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043113495","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25401068,0.23330265,0.00028547863,0.35915938,0.0018059969,0.0006411357,0.0003994556,0.0003902899,0.15000495],"genre_scores_gemma":[0.13036731,0.0071887304,0.0007031362,0.009610052,0.0013759254,0.00000718713,0.000167337,0.00008829713,0.85049206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949243,0.0004653231,0.0006558055,0.0011857289,0.00088917994,0.0018796473],"domain_scores_gemma":[0.9970903,0.00033572072,0.00058132235,0.0007094536,0.00047066418,0.0008125739],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007799273,0.0007987629,0.0009605823,0.00035449525,0.0033065202,0.00021235946,0.0012294486,0.0009645818,0.0019408031],"category_scores_gemma":[0.000084743595,0.0008296061,0.00089832675,0.0031289298,0.0010744799,0.0013354307,0.00043934325,0.000870206,0.0009431415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025214534,0.0005363463,0.002902509,0.00006854622,0.0010033158,0.0032124165,0.007133085,0.00014912014,0.0016519355,0.10360684,0.8543759,0.025107848],"study_design_scores_gemma":[0.0012995685,0.00013173601,0.0029924165,0.00009489138,0.0007705352,0.0001326885,0.0096691605,0.00022793702,0.00026539995,0.0015148703,0.98190284,0.0009979692],"about_ca_topic_score_codex":0.68293995,"about_ca_topic_score_gemma":0.9448093,"teacher_disagreement_score":0.7004871,"about_ca_system_score_codex":0.0044800746,"about_ca_system_score_gemma":0.00058444985,"threshold_uncertainty_score":0.9998347},"labels":[],"label_agreement":null},{"id":"W7043124362","doi":"","title":"René Audet et Pascal Riendeau (dir.), “Les essais québécois contemporains au confluent des discours”, Voix et Images, vol. 39, n. 3 (117), printemps-été 2014","year":2016,"lang":"fr","type":"article","venue":"Institutional Research Information System (University of Udine)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Object (grammar); Focus (optics)","score_opus":0.06661458815256634,"score_gpt":0.3235238093293653,"score_spread":0.256909221176799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043124362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39553866,0.007666921,0.051001,0.23651643,0.0040927366,0.0032529843,0.010391674,0.00039289956,0.2911467],"genre_scores_gemma":[0.97391754,0.00067398563,0.00031774913,0.00026945316,0.0002695774,0.000007929999,0.00020520609,0.000007041554,0.024331484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946586,0.0015707596,0.00065635034,0.00038564677,0.0019797022,0.00074898096],"domain_scores_gemma":[0.9938898,0.0004919576,0.0005443803,0.00034767462,0.00422687,0.000499292],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.004934132,0.00029230388,0.00052519696,0.0005352457,0.0024076796,0.00023920886,0.00084007636,0.00041636184,0.0007315759],"category_scores_gemma":[0.0010409362,0.00023472556,0.00037268692,0.0010150193,0.005793736,0.0062943227,0.00038379012,0.00051186816,0.00078439876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002866031,0.00015375589,0.0030032063,0.0005793364,0.00039374252,0.000033937227,0.037223913,0.00010197113,0.00020512995,0.8747489,0.0701663,0.013103238],"study_design_scores_gemma":[0.0015065436,0.00015793143,0.01340726,0.0012335608,0.00007514805,0.000021318254,0.08105874,0.00023858438,0.000041440202,0.0012403968,0.9006804,0.0003386255],"about_ca_topic_score_codex":0.14054255,"about_ca_topic_score_gemma":0.0721992,"teacher_disagreement_score":0.87350845,"about_ca_system_score_codex":0.0021568106,"about_ca_system_score_gemma":0.0030243497,"threshold_uncertainty_score":0.9999936},"labels":[],"label_agreement":null},{"id":"W7043163289","doi":"","title":"Si c’est ça, le Québec moderne…. \\n Je me souviens d’André Forcier","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.008707281298458495,"score_gpt":0.1851571793920637,"score_spread":0.1764498980936052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043163289","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3072196,0.23458536,0.0003258659,0.3570682,0.00095476,0.00040408652,0.000094050585,0.00021052819,0.09913754],"genre_scores_gemma":[0.49357644,0.0036274514,0.0003304515,0.005509748,0.0006268145,0.0000027443893,0.000033847853,0.000016634633,0.49627587],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975723,0.00022995629,0.00025466346,0.0005880094,0.00043696997,0.0009180865],"domain_scores_gemma":[0.9986477,0.000089532004,0.00022102796,0.00035331445,0.00021355896,0.00047488115],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0002444209,0.0003622024,0.00050270493,0.00012170223,0.0022107584,0.00010058933,0.00059983996,0.0005012045,0.00077490753],"category_scores_gemma":[0.00004381464,0.00036004637,0.0005487754,0.0009310727,0.00047172076,0.0007431728,0.00013007215,0.00037382357,0.00046077464],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014474771,0.00049439055,0.0004518344,0.000028953209,0.0004766064,0.0011865825,0.027604967,0.00087212893,0.001293422,0.48639116,0.35752243,0.12353278],"study_design_scores_gemma":[0.0006916427,0.00015277983,0.00047969836,0.000033417,0.00042647385,0.00006039067,0.0078100306,0.0017795044,0.000054657197,0.008844838,0.9791945,0.00047204003],"about_ca_topic_score_codex":0.18940803,"about_ca_topic_score_gemma":0.8062173,"teacher_disagreement_score":0.6216721,"about_ca_system_score_codex":0.0039564306,"about_ca_system_score_gemma":0.00032225554,"threshold_uncertainty_score":0.99988514},"labels":[],"label_agreement":null},{"id":"W7043539175","doi":"","title":"Un cauchemar bien québécois. \\n Hochelaga de Michel Jetté","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.005879845992997713,"score_gpt":0.17823304708958126,"score_spread":0.17235320109658356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043539175","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55923903,0.23794587,0.000014644188,0.14635593,0.0004375957,0.00021227071,0.00008837823,0.00013602142,0.055570245],"genre_scores_gemma":[0.1425321,0.030137466,0.00074179657,0.014989819,0.0010978709,0.000007889393,0.000058541653,0.00003720566,0.8103973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974191,0.00038135768,0.00024141834,0.0005653875,0.00038146786,0.0010112241],"domain_scores_gemma":[0.9987067,0.00010257727,0.00015976113,0.00035284596,0.00013971508,0.0005383758],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033623725,0.00035986732,0.00045280196,0.00010701439,0.0015835103,0.0000731084,0.0006399251,0.0006436887,0.006433271],"category_scores_gemma":[0.000032943128,0.00037251975,0.00048499086,0.0012746595,0.0005491618,0.00046036427,0.000115983225,0.00042201317,0.0010156882],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018066664,0.00039540522,0.0010902912,0.000058274876,0.0009088505,0.0024943168,0.03652322,0.00018263553,0.0013650833,0.055535004,0.5744583,0.32680792],"study_design_scores_gemma":[0.0006059784,0.000066133,0.0013345468,0.00004537257,0.0006738823,0.00012234222,0.00621645,0.0002071072,0.00019100751,0.0024939768,0.9875754,0.0004678019],"about_ca_topic_score_codex":0.18612699,"about_ca_topic_score_gemma":0.45750687,"teacher_disagreement_score":0.7548271,"about_ca_system_score_codex":0.005637674,"about_ca_system_score_gemma":0.00019836615,"threshold_uncertainty_score":0.9998727},"labels":[],"label_agreement":null},{"id":"W7043595811","doi":"","title":"\"touch the sounds\". The experimental manipulation of electronics sounds, learning and transmission, in the contemporary improvised practices - investigation with improvisers in Montreal (2013-2016)","year":2017,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Happening; Electronic music; Nous; Reel","score_opus":0.03723111318199657,"score_gpt":0.30327094227577117,"score_spread":0.2660398290937746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043595811","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93290627,0.019842986,0.000016429556,0.037228573,0.00010540396,0.00076167943,0.0000013886053,0.000009944979,0.009127296],"genre_scores_gemma":[0.9940733,0.00065587077,0.00004116979,0.000711786,0.00014412262,0.000048533777,0.000013417805,0.000008023114,0.004303814],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976448,0.0010244345,0.00036005653,0.0003005833,0.00036445603,0.0003056631],"domain_scores_gemma":[0.99834985,0.00035649186,0.0009087713,0.00023888101,0.00009249213,0.000053518757],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0013915437,0.00019449714,0.0002299852,0.000041925727,0.0015328999,0.00059424946,0.00046322052,0.00017776985,0.000047706948],"category_scores_gemma":[0.00012608379,0.00008338,0.000069576825,0.00027964104,0.0012676356,0.0013137576,0.00003593373,0.0005286091,0.0000016113854],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011585731,0.00073532097,0.2225219,0.0001708187,0.00045966997,0.000021465903,0.654107,0.00031382914,0.019608725,0.047551475,0.0047933366,0.04855791],"study_design_scores_gemma":[0.0048528686,0.0019415476,0.20553522,0.00033721759,0.00059127057,0.000026911372,0.66128933,0.022246657,0.0020405382,0.016862292,0.08335443,0.0009217034],"about_ca_topic_score_codex":0.06235652,"about_ca_topic_score_gemma":0.07537667,"teacher_disagreement_score":0.07856109,"about_ca_system_score_codex":0.000067260386,"about_ca_system_score_gemma":0.00026467137,"threshold_uncertainty_score":0.99976695},"labels":[],"label_agreement":null},{"id":"W7043776144","doi":"","title":"Trois nouvelles québécoises","year":2008,"lang":"is","type":"dissertation","venue":"Skemman","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Sandpaper; Identity (music)","score_opus":0.02173062298074851,"score_gpt":0.2822486533668564,"score_spread":0.2605180303861079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043776144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8206536,0.008609229,0.0000019252532,0.0016602151,0.0033732096,0.0005092641,0.00012899475,0.00016973676,0.1648938],"genre_scores_gemma":[0.7502472,0.0054715737,0.00007823618,0.0026321888,0.0030104415,0.000070237,0.0024195237,0.000050344926,0.23602027],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966992,0.00032718974,0.00062151917,0.00083776953,0.0007798452,0.0007344383],"domain_scores_gemma":[0.99826837,0.00012316952,0.0004981126,0.00036439436,0.00045066426,0.00029528706],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018921541,0.00058471283,0.00082720263,0.00021550627,0.0020834617,0.00029142376,0.0007587878,0.0009766195,0.0020651373],"category_scores_gemma":[0.00014271644,0.0004752761,0.0008330279,0.001065713,0.00046303068,0.00033080776,0.00003897665,0.0005787169,0.00084503985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027664946,0.00096545345,0.006834508,0.0004614597,0.0021912644,0.00030178062,0.6253936,0.000022606655,0.001863648,0.02485162,0.30508086,0.031756528],"study_design_scores_gemma":[0.00042957166,0.00018724543,0.017450904,0.00019869785,0.0009156997,0.000007759997,0.109971926,0.000021993925,0.00034929282,0.000994549,0.8682105,0.0012618424],"about_ca_topic_score_codex":0.043544002,"about_ca_topic_score_gemma":0.24472421,"teacher_disagreement_score":0.56312966,"about_ca_system_score_codex":0.00013824632,"about_ca_system_score_gemma":0.0006367011,"threshold_uncertainty_score":0.99993294},"labels":[],"label_agreement":null},{"id":"W7043785829","doi":"","title":"Théâtre, revendication et identité(s) au Québec: La Duchesse de Langeais et Hosanna de Michel Tremblay","year":2013,"lang":"es","type":"article","venue":"Repository of Digital Objects for Teaching Research and Culture (University of Valencia)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Context (archaeology); Order (exchange); Subject (documents); Derogation; Ideal (ethics)","score_opus":0.024002998407881556,"score_gpt":0.3179858857492298,"score_spread":0.29398288734134825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043785829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95023125,0.001256327,0.00006526306,0.0035066092,0.000042362964,0.00035390627,0.00006460843,0.00002837525,0.0444513],"genre_scores_gemma":[0.9601606,0.00030290618,0.00032958834,0.00006512167,0.00012161034,0.0000025081638,0.000034952376,0.000009584888,0.03897311],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99781084,0.00070637616,0.00017857956,0.00035040884,0.0005206012,0.0004331665],"domain_scores_gemma":[0.9984273,0.00039788694,0.00025050945,0.00018833175,0.00048425086,0.00025176886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013454389,0.00016185305,0.0003237394,0.00016126907,0.001066569,0.00034754662,0.00043991447,0.00030349943,0.0000083625955],"category_scores_gemma":[0.0005050245,0.00015097795,0.00025980175,0.0002905387,0.0008768529,0.0014261432,0.0001269982,0.00053273665,0.000004594575],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035925925,0.002074452,0.08839836,0.002144378,0.0012191741,0.00007569538,0.65708256,0.000008294485,0.12582815,0.027796905,0.08105788,0.0139548825],"study_design_scores_gemma":[0.0027956695,0.003055587,0.27205274,0.0021276746,0.00094545435,0.00010721265,0.5339389,0.00025609243,0.004887022,0.014950171,0.16355848,0.0013250037],"about_ca_topic_score_codex":0.05746608,"about_ca_topic_score_gemma":0.012433521,"teacher_disagreement_score":0.18365437,"about_ca_system_score_codex":0.0002598774,"about_ca_system_score_gemma":0.0007730621,"threshold_uncertainty_score":0.94881034},"labels":[],"label_agreement":null},{"id":"W7043846942","doi":"","title":"Un train en cache un autre, suivi de, RÃªves et rÃ©cit onirique chez Milan Kundera /","year":2000,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Narrative; Beauty; Subject (documents); Context (archaeology)","score_opus":0.004276248998942636,"score_gpt":0.1741607795274274,"score_spread":0.16988453052848476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043846942","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020305207,0.0019413334,0.0000067968213,0.015305311,0.00016681652,0.00022028992,0.00077696086,0.00004018108,0.9795118],"genre_scores_gemma":[0.11487474,0.0017485893,0.00063503924,0.014545138,0.00049269275,0.000018279801,0.00011087396,0.00010485363,0.8674698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99682003,0.0005520964,0.00028344875,0.00040836047,0.0013358927,0.00060013944],"domain_scores_gemma":[0.9988629,0.00024618278,0.00021741836,0.00020397067,6.654148e-7,0.00046882188],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000482647,0.0003503126,0.0004877792,0.000051223706,0.00034291635,0.00009306731,0.00047589274,0.00020957927,0.002231585],"category_scores_gemma":[0.0000064815686,0.00030298845,0.000101320045,0.00017858612,0.00026766735,0.0002064689,0.00007028934,0.00036351994,1.7133642e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030284096,0.00019642561,0.0074283993,0.00040536988,0.0017314183,0.0005497704,0.012475315,0.000024175428,0.0018950627,0.3767789,0.56365335,0.03455898],"study_design_scores_gemma":[0.00023729423,0.0000319693,0.0050524888,0.00012460294,0.00008962597,0.0000034392688,0.004179568,0.000020754474,0.0008389659,0.002372657,0.9866304,0.00041826532],"about_ca_topic_score_codex":0.069566846,"about_ca_topic_score_gemma":0.69948816,"teacher_disagreement_score":0.6299213,"about_ca_system_score_codex":0.000022990558,"about_ca_system_score_gemma":0.0030280468,"threshold_uncertainty_score":0.99994224},"labels":[],"label_agreement":null},{"id":"W7043862542","doi":"","title":"Sur les traces de l’album québécois, une anthologie","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Feature (linguistics); Ridiculous","score_opus":0.015042923966609374,"score_gpt":0.2081227113756853,"score_spread":0.19307978740907594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043862542","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29083925,0.48838735,0.000048040914,0.20466124,0.0010443063,0.0001108432,0.000077384284,0.0002046453,0.014626961],"genre_scores_gemma":[0.5560086,0.047920734,0.00023395201,0.0016095266,0.0009124851,0.0000049760165,0.000035282024,0.000024755935,0.3932497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784714,0.00035759425,0.00019469346,0.00052164175,0.000296542,0.0007823818],"domain_scores_gemma":[0.9990345,0.00023776795,0.00009272547,0.00021130203,0.00013927736,0.00028439163],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003984105,0.0002908825,0.00036524303,0.00014442198,0.0013110869,0.00016634507,0.00047697662,0.000541813,0.00076569],"category_scores_gemma":[0.00006907733,0.0002703747,0.00043403462,0.0014918816,0.00073428836,0.0006314118,0.00013860124,0.00044110153,0.00028359558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054496486,0.00016042293,0.001184384,0.00017118159,0.0006096293,0.006654018,0.026470922,0.00013106763,0.0013204253,0.35220504,0.39538312,0.2156553],"study_design_scores_gemma":[0.00018660167,0.00007996305,0.0014847476,0.00011209472,0.00061493187,0.00013381342,0.01769472,0.0005815348,0.00006370189,0.005221561,0.97348696,0.00033935896],"about_ca_topic_score_codex":0.28651723,"about_ca_topic_score_gemma":0.8539041,"teacher_disagreement_score":0.57810384,"about_ca_system_score_codex":0.0040167705,"about_ca_system_score_gemma":0.00023467765,"threshold_uncertainty_score":0.9999891},"labels":[],"label_agreement":null},{"id":"W7044215858","doi":"","title":"Un monde réconcilié. \\n La tache aveugle de Lyne Lapointe, exposition solo, Musée d’art contemporain de Montréal, jusqu’au 13 octobre 2002","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Qualitative analysis; Natural (archaeology)","score_opus":0.01112646942301652,"score_gpt":0.18342583432421067,"score_spread":0.17229936490119416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044215858","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32261193,0.26475456,0.000596441,0.18658166,0.0011067735,0.0008380981,0.0003899118,0.00041624557,0.2227044],"genre_scores_gemma":[0.36496386,0.016186602,0.0007281255,0.0073087392,0.0009433475,0.000028370438,0.0001109411,0.00005919961,0.6096708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99521726,0.0013598877,0.0004922023,0.0008367201,0.00059307745,0.0015008614],"domain_scores_gemma":[0.9975629,0.0003350582,0.0004489791,0.00051089976,0.00030684992,0.00083532115],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00093292876,0.0006160943,0.0007657156,0.00022028647,0.0022214842,0.00017618708,0.0007479928,0.0010660429,0.004021134],"category_scores_gemma":[0.0001526093,0.00064921426,0.0007295632,0.0012414515,0.0008265095,0.0009396676,0.00025244063,0.0007809546,0.0010247894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015850281,0.00061084697,0.0010958181,0.00006818436,0.000720826,0.003608783,0.030755622,0.00029555173,0.0020647212,0.024226757,0.9131582,0.023236189],"study_design_scores_gemma":[0.0016875977,0.00024407335,0.0008642419,0.00012158884,0.0007148133,0.00040038896,0.015233779,0.0050525116,0.0002118586,0.0020484026,0.97267276,0.000748013],"about_ca_topic_score_codex":0.06434215,"about_ca_topic_score_gemma":0.4280006,"teacher_disagreement_score":0.3869664,"about_ca_system_score_codex":0.009215776,"about_ca_system_score_gemma":0.00016810771,"threshold_uncertainty_score":0.99975306},"labels":[],"label_agreement":null},{"id":"W7044222344","doi":"","title":"Valérie Blass [cette publication accompagne l'exposition 'Valérie Blass' présentée au] Musée d'art contemporain de Montréal du 2 février au 22 avril 2012","year":2012,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Focus (optics); Documentation; Presentation (obstetrics); Subject (documents)","score_opus":0.019120981827510108,"score_gpt":0.26029324726639574,"score_spread":0.24117226543888565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044222344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19551866,0.011475917,0.0022669856,0.33344558,0.008639306,0.0015225188,0.00026036616,0.00044086907,0.44642982],"genre_scores_gemma":[0.7121594,0.0002345416,0.0005131003,0.018929109,0.008215488,0.00014246162,0.0008670198,0.000042392552,0.2588965],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937858,0.0015306488,0.0009960398,0.000763763,0.0009525803,0.001971181],"domain_scores_gemma":[0.9965334,0.00030912325,0.00063145836,0.00055974384,0.0008274834,0.0011388105],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0027854398,0.0006294954,0.00075830077,0.00020605979,0.0016886716,0.0006893549,0.0006546686,0.0009094436,0.009312322],"category_scores_gemma":[0.00037722816,0.00053256645,0.0006415929,0.0015096947,0.0009882766,0.005036587,0.00017960054,0.0006070248,0.0018921903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006964476,0.000942929,0.022215854,0.000048878454,0.00043506312,0.000008888634,0.02341746,0.000012627118,0.00086977833,0.112299144,0.8347958,0.0048839734],"study_design_scores_gemma":[0.0008685225,0.00013703381,0.02004893,0.000049055634,0.0006138951,0.000025960364,0.0072066225,0.00077266176,0.0003174047,0.0019171631,0.9672822,0.0007605476],"about_ca_topic_score_codex":0.019913338,"about_ca_topic_score_gemma":0.052557014,"teacher_disagreement_score":0.5166407,"about_ca_system_score_codex":0.0014730397,"about_ca_system_score_gemma":0.00060546043,"threshold_uncertainty_score":0.9997126},"labels":[],"label_agreement":null},{"id":"W7045298967","doi":"","title":"Anne-Marie Ninacs\\t : À propos de Lucidité. Vues de l’intérieur, Mois de la Photo à Montréal 2011","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Noise (video); Point (geometry); Deformation (meteorology); Feature (linguistics)","score_opus":0.009798936874697382,"score_gpt":0.1892436408319096,"score_spread":0.1794447039572122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7045298967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64687717,0.22203192,0.0006544684,0.029843548,0.0012773636,0.00073291676,0.00019365201,0.00037992155,0.098009065],"genre_scores_gemma":[0.5026997,0.031211795,0.005485874,0.005133219,0.0013671189,0.00005055123,0.000058529018,0.00009627773,0.45389694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99569374,0.0011724426,0.0003422435,0.0007325453,0.0004477908,0.0016112161],"domain_scores_gemma":[0.9977591,0.00024434604,0.00034422195,0.00047659152,0.00028111265,0.0008946362],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009940072,0.00053555274,0.00062179356,0.00019386144,0.0019889155,0.00012829428,0.0009449128,0.0010202102,0.0036252018],"category_scores_gemma":[0.00017233519,0.000540919,0.00059135916,0.0008224001,0.0011799114,0.00077231,0.00033331942,0.0007326187,0.00045409854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064353074,0.0008913983,0.015407931,0.00012802168,0.0012299406,0.007717033,0.090668835,0.00011473492,0.0030576533,0.11902051,0.72384435,0.037276063],"study_design_scores_gemma":[0.00087691605,0.00027978254,0.0061963145,0.00007333636,0.0010505038,0.00028955258,0.018599989,0.0009301014,0.0010497076,0.013024105,0.95689034,0.0007393626],"about_ca_topic_score_codex":0.33140326,"about_ca_topic_score_gemma":0.35317376,"teacher_disagreement_score":0.3558879,"about_ca_system_score_codex":0.008373547,"about_ca_system_score_gemma":0.0004117709,"threshold_uncertainty_score":0.99970424},"labels":[],"label_agreement":null},{"id":"W7046172073","doi":"","title":"Crooked ol' maids - all in de family: traduction de Les Belles Soeurs de Michel Tremblay - Les rapprochements entre le &lt;&lt; joual &gt;&gt; du Quebec et l'anglais dialectal de Terre Neuve dialectal de Terre Neuve","year":2013,"lang":"fr","type":"dissertation","venue":"Memorial University Research Repository (Memorial University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernization theory; Context (archaeology); Lexico; Cultural background","score_opus":0.03099570927358215,"score_gpt":0.27445095216494025,"score_spread":0.24345524289135811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7046172073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96505785,0.0004740406,0.00017990763,0.0012332486,0.004483971,0.0012302913,0.00012109511,0.00016449821,0.0270551],"genre_scores_gemma":[0.90387136,0.0008871194,0.0003572122,0.000102899554,0.008311227,0.000009895864,0.0008443274,0.00008268667,0.085533276],"study_design_codex":"bench_or_experimental","study_design_gemma":"qualitative","domain_scores_codex":[0.98561436,0.008010981,0.00065993425,0.0016484562,0.0015030558,0.0025632395],"domain_scores_gemma":[0.9959857,0.000772102,0.0006054568,0.0004957692,0.000943514,0.0011974478],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.002122385,0.0009718615,0.00118136,0.0017580644,0.004604148,0.00083908765,0.0022899082,0.0024386041,0.00017479215],"category_scores_gemma":[0.0005571621,0.0011687825,0.0010453103,0.0028576166,0.0019782826,0.0019318102,0.00047235048,0.002677027,0.000021006972],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.012464248,0.0033712373,0.03610086,0.0006531735,0.0029518069,0.007776648,0.25285643,0.00095312216,0.60320044,0.021262456,0.05161048,0.0067991116],"study_design_scores_gemma":[0.018158311,0.0021312095,0.032960694,0.0009775503,0.0037306752,0.00017122741,0.5489428,0.0036609576,0.043964464,0.0012408696,0.33971998,0.0043412596],"about_ca_topic_score_codex":0.34068963,"about_ca_topic_score_gemma":0.329569,"teacher_disagreement_score":0.55923593,"about_ca_system_score_codex":0.011865367,"about_ca_system_score_gemma":0.008188119,"threshold_uncertainty_score":0.99962384},"labels":[],"label_agreement":null},{"id":"W7066005120","doi":"","title":"Gaz Bar Blues : Audacieusement drôle et tendre. \\n Gaz Bar Blues, Québec 2003, 115 minutes","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bar (unit); Blues; Work (physics); Gas turbines","score_opus":0.010011336348248828,"score_gpt":0.1966681841647949,"score_spread":0.18665684781654607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066005120","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26973084,0.49233246,0.00008617258,0.15595822,0.0025469258,0.0008202584,0.00030119155,0.000293611,0.07793033],"genre_scores_gemma":[0.092224665,0.027982097,0.0015994901,0.01118878,0.0007374488,0.000022940847,0.00012127639,0.00006350287,0.8660598],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99590707,0.00087331486,0.00041419387,0.0008668426,0.00071434473,0.0012242438],"domain_scores_gemma":[0.9978102,0.00015750923,0.00033441125,0.00052979006,0.0005121426,0.0006559767],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00067058875,0.00057079963,0.0006914882,0.00018061932,0.0020877346,0.00016439389,0.0007288362,0.00056372094,0.005419162],"category_scores_gemma":[0.00017701705,0.00055701385,0.00051154586,0.0015982119,0.00071546144,0.0008129488,0.00018411504,0.0004950163,0.0010670143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052644904,0.00040484098,0.0024058088,0.00005183433,0.0007073015,0.00090907404,0.019184554,0.000111466834,0.00055044726,0.14662738,0.82288396,0.006110654],"study_design_scores_gemma":[0.0008317575,0.00017774854,0.00093058887,0.000076028016,0.00085331005,0.00006871244,0.017506061,0.00013289336,0.00019375233,0.0012319242,0.9773067,0.000690488],"about_ca_topic_score_codex":0.1435919,"about_ca_topic_score_gemma":0.7832146,"teacher_disagreement_score":0.78812945,"about_ca_system_score_codex":0.005438002,"about_ca_system_score_gemma":0.00054057257,"threshold_uncertainty_score":0.9997108},"labels":[],"label_agreement":null},{"id":"W7066099035","doi":"","title":"FTA 2013 : entre ironie et mélancolie. Un ennemi du peuple, Adaptation de la pièce d’Henrik Ibsen et dramaturgie par Florian Borchmeyer, mise en scène de Thomas Ostermeier, production de la Schaubühne am Lehniner Platz (Berlin), Festival TransAmériques, au Théâtre Jean-Duceppe, du 22 au 24 mai 2013 Trieste, Texte, mise en scène et interprétation de Marie Brassard, production de la compagnie Infrarouge (Montréal), Festival TransAmériques, à l’Usine C, du 25 au 27 mai 2013 L’homme atlantique (et la Maladie de la mort), Textes de Marguerite Duras, mise en scène de Christian Lapointe, production du Théâtre Péril (Québec), Festival TransAmériques, à la Cinquième salle de la Place des Arts, du 31 mai au 2 juin 2013 La jeune-fille et la mort, Texte et mise en scène de Laurence Brunelle-Côté et Simon Drouin, production du Bureau de l’APA (Québec), Festival TransAmériques, à l’Espace Libre, du 2 au 4 juin 2013 La grande et fabuleuse histoire du commerce, Création de Joël Pommerat, coproduction de la Compagnie Louis Brouillard et autres (France), Festival TransAmériques, à la Maison-Théâtre, les 7 et 8 juin 2013","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Humanity; Feud","score_opus":0.0063079289959710825,"score_gpt":0.2264247069714987,"score_spread":0.22011677797552762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066099035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6921901,0.008666682,0.020542854,0.26887184,0.00071442896,0.0039770366,0.00085619115,0.0013843443,0.0027965389],"genre_scores_gemma":[0.8046843,0.14163972,0.021120837,0.0014115965,0.002468825,0.0010086484,0.0031870094,0.0007585418,0.023720564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9413979,0.047627002,0.0023207928,0.003409051,0.001556579,0.0036886528],"domain_scores_gemma":[0.98361325,0.009555748,0.002019659,0.001452752,0.0012601576,0.002098434],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.022377886,0.0033072443,0.0028559873,0.0013326592,0.0030613516,0.0019119451,0.0018564195,0.0040603094,0.00022360198],"category_scores_gemma":[0.004090607,0.0035572925,0.0012203205,0.0020620113,0.0048668305,0.0057938895,0.00033380592,0.006205908,0.000018147386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.011549019,0.007124777,0.056530915,0.0023278468,0.0019880617,0.003916316,0.21949694,0.19634764,0.030273201,0.00729976,0.45510572,0.008039797],"study_design_scores_gemma":[0.011570743,0.0010570587,0.14665836,0.004499359,0.002445781,0.01708183,0.018108018,0.022746941,0.0038129962,0.0024328271,0.76528794,0.004298135],"about_ca_topic_score_codex":0.5957788,"about_ca_topic_score_gemma":0.7571506,"teacher_disagreement_score":0.3101822,"about_ca_system_score_codex":0.014447101,"about_ca_system_score_gemma":0.010983383,"threshold_uncertainty_score":0.99912417},"labels":[],"label_agreement":null},{"id":"W7066487917","doi":"","title":"Jean-Jacques Nattiez : Profession musicologue. Les Presses de l’Université de Montréal www. pum. umontreal. ca, 2007","year":2007,"lang":"fr","type":"other","venue":"Persée (Ministère de lEnseignement supérieur et de la Recherche)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Perspective (graphical); Government (linguistics)","score_opus":0.04403082622449317,"score_gpt":0.3202213546441464,"score_spread":0.27619052841965325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066487917","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16869809,0.045904607,0.00051125,0.016650587,0.00079741975,0.0014672613,0.0003026118,0.00043097304,0.7652372],"genre_scores_gemma":[0.048236195,0.029522613,0.007777439,0.014622195,0.002241378,0.00020150565,0.00061097,0.00032463006,0.8964631],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9842198,0.010193254,0.0008578839,0.0014044527,0.0009481696,0.002376457],"domain_scores_gemma":[0.9928178,0.004363014,0.00078792975,0.0006886019,0.00042368085,0.00091897877],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.007300046,0.0012309126,0.001272069,0.00047686885,0.0018512481,0.0004180509,0.0013342242,0.005089949,0.054658063],"category_scores_gemma":[0.002032529,0.0011403242,0.00087172445,0.0010174228,0.0015316956,0.000334919,0.00046701625,0.0029901993,0.00049909926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004940316,0.0011005681,0.0052525923,0.0004632144,0.0010159278,0.0012552948,0.3476511,0.000071520284,0.0033852125,0.004984828,0.60913503,0.025190677],"study_design_scores_gemma":[0.0011305839,0.00033214252,0.0042930623,0.00055725157,0.0012533964,0.0000850021,0.0601856,0.0002893686,0.0004223796,0.0014398849,0.92883205,0.0011792644],"about_ca_topic_score_codex":0.10042995,"about_ca_topic_score_gemma":0.22015636,"teacher_disagreement_score":0.31969702,"about_ca_system_score_codex":0.0072987746,"about_ca_system_score_gemma":0.001861371,"threshold_uncertainty_score":0.9994482},"labels":[],"label_agreement":null},{"id":"W7066538210","doi":"","title":"I &lt;3 Sorel ; suivi de Monologue et échec de la communication dans Billy [les jours de hurlement] de Fabien Cloutier","year":2021,"lang":"fr","type":"other","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Order (exchange)","score_opus":0.043992151740490856,"score_gpt":0.34788839695758705,"score_spread":0.3038962452170962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066538210","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.336915,0.0058527985,0.0002277207,0.0067437226,0.00015597085,0.00041745164,0.00011880123,0.0000068107047,0.6495617],"genre_scores_gemma":[0.26080704,0.003838932,0.035594177,0.0040971804,0.0006103056,0.00013896431,0.0007095669,0.00010618017,0.69409764],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99417365,0.003882983,0.00037681355,0.00049170095,0.00023581357,0.0008390581],"domain_scores_gemma":[0.9983104,0.00036042466,0.00037776367,0.0005272669,0.00013226389,0.0002918673],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0029966247,0.00034312523,0.0005152332,0.00008355029,0.00088654784,0.00092755875,0.0018675082,0.0010695541,0.025493277],"category_scores_gemma":[0.00032205784,0.0002958295,0.00027361955,0.00051612523,0.001063551,0.00020218745,0.00046688315,0.00074547157,0.00012552028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007407308,0.0012557432,0.078794055,0.00008435318,0.0023242894,0.00015967073,0.53032035,0.00029650738,0.012680879,0.06315596,0.05855798,0.25229615],"study_design_scores_gemma":[0.0003787216,0.00004087558,0.010310434,0.0002510956,0.00051988487,0.000020722598,0.031001154,0.00013236866,0.00054590096,0.004194615,0.9521587,0.00044556073],"about_ca_topic_score_codex":0.018788327,"about_ca_topic_score_gemma":0.15750945,"teacher_disagreement_score":0.8936007,"about_ca_system_score_codex":0.0007935296,"about_ca_system_score_gemma":0.0014657292,"threshold_uncertainty_score":0.9999494},"labels":[],"label_agreement":null},{"id":"W7067104692","doi":"","title":"La chevêche aux grands yeux d’enfant. \\n Moments fragiles, Montréal, Le Noroît/Le Dé bleu, 1997,\\n p.89","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Moment (physics); Noise (video); Context (archaeology)","score_opus":0.008743990207890249,"score_gpt":0.1983171322057625,"score_spread":0.18957314199787226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067104692","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38591012,0.31415784,0.00008863407,0.21797612,0.0010085874,0.00048572745,0.00031963375,0.00026670124,0.07978662],"genre_scores_gemma":[0.43489602,0.027203873,0.0006199829,0.0041453326,0.0013099476,0.000019494299,0.00020429636,0.000056678316,0.5315444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99622005,0.00059017015,0.00043130014,0.00084261666,0.0007136346,0.0012022046],"domain_scores_gemma":[0.99805474,0.00016179605,0.00035653872,0.000516266,0.00025875,0.0006518773],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005673109,0.00057142205,0.0007431552,0.00021477854,0.0029719155,0.00017524775,0.00092507945,0.00091884536,0.0009798919],"category_scores_gemma":[0.000049919076,0.0005860902,0.00069223135,0.0014657269,0.00082778645,0.0011442608,0.00038419376,0.00071826304,0.00061493303],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017622582,0.00085964927,0.0007669277,0.00006196029,0.0010436497,0.0011031727,0.018828101,0.00052908907,0.0007882091,0.11089658,0.78616095,0.07878551],"study_design_scores_gemma":[0.0019664643,0.000097308424,0.0007136996,0.00006971826,0.00060500944,0.000086705295,0.010939907,0.0009185659,0.00012562379,0.0018642321,0.9819226,0.000690121],"about_ca_topic_score_codex":0.10295125,"about_ca_topic_score_gemma":0.44714355,"teacher_disagreement_score":0.45175776,"about_ca_system_score_codex":0.003718304,"about_ca_system_score_gemma":0.00033629377,"threshold_uncertainty_score":0.99993336},"labels":[],"label_agreement":null},{"id":"W7067187849","doi":"","title":"Les pratiques théâtrales de Félix-Gabriel Marchand (1832-1900)","year":2022,"lang":"fr","type":"article","venue":"Scholarship@Western (Western University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social impact; Risk society; Private life","score_opus":0.10377891483634293,"score_gpt":0.3351218504250845,"score_spread":0.23134293558874158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067187849","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9796253,0.0049016858,0.00009256825,0.007924499,0.0012275358,0.00043597643,0.00025526245,0.00020368285,0.00533348],"genre_scores_gemma":[0.7356347,0.00060069363,0.00006016333,0.003061811,0.00058035494,0.0000074969867,0.00008288295,0.00003980636,0.25993213],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932979,0.0032156098,0.00042446674,0.0009571371,0.00088663143,0.0012183002],"domain_scores_gemma":[0.99797374,0.00025815796,0.00041194115,0.00050314184,0.00027340645,0.0005795883],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011894836,0.0005427773,0.00062028674,0.00045156846,0.0035096183,0.0007317086,0.0016919227,0.00051374745,0.0016525752],"category_scores_gemma":[0.0000764035,0.00061378797,0.00052456313,0.0017715858,0.0010784796,0.0024804352,0.000932072,0.0017969552,0.00012968652],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002052323,0.00051672466,0.94232035,0.00014392202,0.0005242581,0.0011521031,0.02533633,0.00011058901,0.0005506449,0.02435124,0.00015812634,0.0046304683],"study_design_scores_gemma":[0.00082637015,0.00043698458,0.34004462,0.00014881472,0.0006738019,0.00008522864,0.018751843,0.000001635997,0.00027116248,0.0017636926,0.63604575,0.000950116],"about_ca_topic_score_codex":0.000449987,"about_ca_topic_score_gemma":0.038538482,"teacher_disagreement_score":0.6358876,"about_ca_system_score_codex":0.0011320702,"about_ca_system_score_gemma":0.00053557154,"threshold_uncertainty_score":0.99963135},"labels":[],"label_agreement":null},{"id":"W7067316346","doi":"","title":"LumiÃ¨re de nuit ; et, La ligne de fissure : la construction des personnages dans Les faux-monnayeurs d'AndrÃ© Gide","year":2005,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Happening; Jazz; Atmosphere (unit); Character (mathematics); State (computer science)","score_opus":0.004783526929544356,"score_gpt":0.1870249886332511,"score_spread":0.18224146170370673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067316346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070135887,0.002270387,0.000035725723,0.0032694617,0.000106558735,0.000118652264,0.00034053376,0.000035842026,0.98680925],"genre_scores_gemma":[0.33376163,0.0024319731,0.0018266612,0.0025018526,0.0005051731,0.000013399269,0.00002960215,0.000081870116,0.6588478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978375,0.00044774733,0.00018083134,0.00025104376,0.000900421,0.0003824854],"domain_scores_gemma":[0.99917513,0.00021617964,0.0001958682,0.00012464573,0.0000012253493,0.00028697788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000042876247,0.00025106862,0.00031843316,0.00004036318,0.00040960318,0.00010059659,0.0002815326,0.00017551724,0.0005371317],"category_scores_gemma":[0.00001190096,0.00022325109,0.00007770816,0.00011966387,0.00061045686,0.0002135132,0.00005784954,0.00026271158,6.3190178e-9],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026434718,0.0001376138,0.14343147,0.0007966272,0.0013393937,0.00049891835,0.03555022,0.000078181416,0.005092449,0.4290136,0.29033163,0.09346555],"study_design_scores_gemma":[0.0001829353,0.000022753076,0.012030366,0.0002358938,0.00012389568,0.000013475914,0.051356766,0.000027965592,0.0006573081,0.0007925165,0.9342361,0.00032001993],"about_ca_topic_score_codex":0.06969954,"about_ca_topic_score_gemma":0.78928936,"teacher_disagreement_score":0.7195898,"about_ca_system_score_codex":0.000025429834,"about_ca_system_score_gemma":0.0017194614,"threshold_uncertainty_score":0.9364954},"labels":[],"label_agreement":null},{"id":"W7067435760","doi":"","title":"\\n Coffret Jutra Québec 1971, 110 minutes","year":2004,"lang":"lt","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Process (computing); Identification (biology)","score_opus":0.009622051224000774,"score_gpt":0.1861991577278721,"score_spread":0.17657710650387132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067435760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6012579,0.13837403,0.000036216992,0.21493846,0.0010999589,0.00048595452,0.00018223727,0.0002759572,0.043349247],"genre_scores_gemma":[0.6521781,0.0060456176,0.00034832372,0.0057620727,0.0010798567,0.000007447106,0.00008996925,0.000035548586,0.33445308],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743146,0.00019659512,0.00028542485,0.000654624,0.00054040394,0.00089150853],"domain_scores_gemma":[0.9984767,0.00010652473,0.00027389772,0.0003951282,0.00023728964,0.00051049964],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025406867,0.0004070566,0.00054759707,0.00016843752,0.0023898163,0.00013655688,0.00078283256,0.0005189877,0.0011111387],"category_scores_gemma":[0.000063357336,0.0003891671,0.000561677,0.0011634193,0.0005952659,0.0005112677,0.00023507627,0.00041540046,0.00076820084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030989776,0.00069036084,0.0023364264,0.00009728961,0.0015408456,0.005807195,0.070326716,0.0005025291,0.0022346382,0.15021145,0.7383983,0.02754433],"study_design_scores_gemma":[0.0011328139,0.0001423235,0.0010107547,0.00005744417,0.0006721657,0.00007444653,0.015122973,0.00003213391,0.00013805933,0.0027110863,0.9783732,0.0005325916],"about_ca_topic_score_codex":0.41593435,"about_ca_topic_score_gemma":0.9523399,"teacher_disagreement_score":0.5364055,"about_ca_system_score_codex":0.007971977,"about_ca_system_score_gemma":0.00043765618,"threshold_uncertainty_score":0.999856},"labels":[],"label_agreement":null},{"id":"W7067444777","doi":"","title":"Le théâtre musical au Québec : quel avenir ? Les Entrées libres de Jeu\\n","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.007997266233367746,"score_gpt":0.18939187183420916,"score_spread":0.18139460560084142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067444777","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73965716,0.062420655,0.00014119694,0.1609688,0.00057823537,0.00016345325,0.000038572358,0.0001316936,0.035900217],"genre_scores_gemma":[0.6743171,0.0016204847,0.00032092576,0.0021078316,0.0011514128,0.0000022483575,0.000022429133,0.000020961128,0.32043657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744606,0.00032101385,0.00025772175,0.0004989742,0.00038454612,0.0010917075],"domain_scores_gemma":[0.99854153,0.00027706524,0.00020191749,0.00026958293,0.0001495128,0.000560383],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00049976475,0.00032212838,0.0004176829,0.00013912642,0.0026525306,0.000076855955,0.00057739083,0.00058255496,0.0005914537],"category_scores_gemma":[0.00007726652,0.00032387613,0.0005001319,0.00082773546,0.0008466792,0.00049817795,0.00023966444,0.0004315944,0.00015854952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001732358,0.00036612016,0.011805647,0.000058615286,0.0005395049,0.0024800508,0.041912008,0.00010182419,0.0012689425,0.69310075,0.16858108,0.07961221],"study_design_scores_gemma":[0.00048329242,0.000080009566,0.0092419805,0.00004770127,0.00037741198,0.000085889944,0.023787104,0.0001247079,0.0001205234,0.0019036373,0.9633579,0.00038982692],"about_ca_topic_score_codex":0.8152943,"about_ca_topic_score_gemma":0.9927418,"teacher_disagreement_score":0.7947768,"about_ca_system_score_codex":0.008523267,"about_ca_system_score_gemma":0.000908647,"threshold_uncertainty_score":0.9999213},"labels":[],"label_agreement":null},{"id":"W7067595357","doi":"","title":"\\n La vie après l’amour\\n : Mâle d’amour. Canada [Québec], 2000,104 minutes","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Data collection; Perspective (graphical); Context (archaeology)","score_opus":0.007972515573785723,"score_gpt":0.16773715213405282,"score_spread":0.1597646365602671,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067595357","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21461955,0.34212312,0.0000032592304,0.20267245,0.0007559085,0.00026370157,0.000244652,0.0001064506,0.23921092],"genre_scores_gemma":[0.123434,0.009086765,0.000118343916,0.0051517338,0.0007356248,0.000006071499,0.000055476237,0.00002717078,0.8613848],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969957,0.00051834347,0.00028896576,0.0006011305,0.0005822312,0.0010136606],"domain_scores_gemma":[0.9984316,0.00022803823,0.0001872462,0.00036235573,0.00017473006,0.0006160287],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029258765,0.0004190831,0.0005321401,0.00008817037,0.0019597406,0.0000957408,0.00071845506,0.00051144103,0.011770808],"category_scores_gemma":[0.0000406143,0.00042285534,0.00037488213,0.0011548792,0.00057512114,0.0004975135,0.00012494408,0.00049973506,0.00048135675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006146137,0.000119867545,0.0007462873,0.00002740644,0.00033971548,0.0020716332,0.0047395057,0.0001876936,0.000054920507,0.00848755,0.84985465,0.13330929],"study_design_scores_gemma":[0.00054302067,0.000054603755,0.00093036774,0.000049806386,0.00054985087,0.0001196783,0.00547548,0.00019862154,0.000026240856,0.0004605347,0.9910685,0.0005232895],"about_ca_topic_score_codex":0.9910558,"about_ca_topic_score_gemma":0.9998117,"teacher_disagreement_score":0.6221739,"about_ca_system_score_codex":0.011602977,"about_ca_system_score_gemma":0.0013554503,"threshold_uncertainty_score":0.9998223},"labels":[],"label_agreement":null},{"id":"W7068518541","doi":"","title":"Goos Meeuwsen","year":2008,"lang":"fr","type":"other","venue":"Gallica (Bibliothèque nationale de France)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Sculpture; Poison control","score_opus":0.017601147112895843,"score_gpt":0.26644715665991775,"score_spread":0.2488460095470219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7068518541","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021239126,0.032680225,0.00020270707,0.008191763,0.0014595401,0.00050692825,0.00018295275,0.00023883613,0.9544131],"genre_scores_gemma":[0.009822748,0.008743995,0.001916661,0.009470002,0.0070936834,0.00014872881,0.0002086419,0.00013208996,0.96246344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959234,0.00049223285,0.0005934445,0.00087534357,0.0012275694,0.00088801293],"domain_scores_gemma":[0.99759775,0.00042126238,0.00049686345,0.0003824839,0.0006966806,0.0004049669],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004719178,0.0005741055,0.00074854254,0.0014976026,0.0009569039,0.0003774098,0.0009878527,0.0013863472,0.061230805],"category_scores_gemma":[0.0003522041,0.0005413328,0.000640286,0.006865266,0.0010091838,0.0005782183,0.000077432276,0.0008222366,0.0028388603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000135184655,0.00023689008,0.00626404,0.00011204189,0.00047234434,0.000056615703,0.0032879633,0.00008470837,0.00010707254,0.36372602,0.62147534,0.004163465],"study_design_scores_gemma":[0.0004498242,0.000033546847,0.011132548,0.00014470171,0.00015632132,0.00003108318,0.00025964272,0.00020449446,0.00002194571,0.0017710252,0.9851631,0.00063178764],"about_ca_topic_score_codex":0.0013899213,"about_ca_topic_score_gemma":0.0040979986,"teacher_disagreement_score":0.36368775,"about_ca_system_score_codex":0.0007003755,"about_ca_system_score_gemma":0.0012143373,"threshold_uncertainty_score":0.99991006},"labels":[],"label_agreement":null},{"id":"W7070240855","doi":"","title":"Political, Legal and Economic Vulnerabilities of BC’s PPE Supply Chain","year":2022,"lang":"en","type":"other","venue":"UVic’s Research and Learning Repository (University of Victoria)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; TSG101; Pretext; Diafiltration; Hyporeflexia; Gestational period; Articular cartilage damage","score_opus":0.01980935281314514,"score_gpt":0.27539115873749653,"score_spread":0.25558180592435137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070240855","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113034025,0.0027478433,0.0000011169841,0.0008818689,0.00043712015,0.00025686406,0.000047429552,0.00006377896,0.88253],"genre_scores_gemma":[0.317335,0.0003660539,0.000047648937,0.000013228464,0.00060519815,0.0000010855975,0.00002760738,0.000029799905,0.68157434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973764,0.0011930867,0.00013623506,0.00038893195,0.00047715838,0.0004281844],"domain_scores_gemma":[0.99893326,0.0003534185,0.00015707726,0.00017368977,0.00013800719,0.00024455044],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00090001256,0.00013562756,0.000406681,0.00032228822,0.001401403,0.00009939019,0.0003185553,0.00028046945,0.003919121],"category_scores_gemma":[0.00012474624,0.00014874394,0.00010484987,0.00020923698,0.0017872624,0.00014297616,0.00024252961,0.0008526299,0.0000062318913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046607893,0.00034186506,0.07565077,0.0011126817,0.0013200747,0.00021317003,0.060753837,0.00001713993,0.0009771402,0.43105692,0.42638966,0.0017006695],"study_design_scores_gemma":[0.00023238169,0.0003013417,0.0010744394,0.000048534566,0.00004280032,0.0000026927657,0.058938794,0.000015435284,0.0000057504512,0.00036412774,0.9388263,0.00014738333],"about_ca_topic_score_codex":0.059352797,"about_ca_topic_score_gemma":0.007123747,"teacher_disagreement_score":0.5124367,"about_ca_system_score_codex":0.00019272987,"about_ca_system_score_gemma":0.00034779913,"threshold_uncertainty_score":0.9998986},"labels":[],"label_agreement":null},{"id":"W7070594622","doi":"","title":"Quels chemins frayer, de la littérature au cinéma québécois ?","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Context (archaeology); Set (abstract data type); Subject (documents); Identification (biology); Field (mathematics); Work (physics); Focus (optics)","score_opus":0.005472657608127128,"score_gpt":0.19656573271063596,"score_spread":0.19109307510250884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070594622","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11784283,0.60149914,0.00005564751,0.14943215,0.0014570606,0.00017449672,0.00012829408,0.0002517598,0.12915862],"genre_scores_gemma":[0.29372606,0.037498925,0.0003219827,0.0037139028,0.0024397292,0.000008635745,0.00005831428,0.000040326704,0.6621921],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762523,0.00039259912,0.00019522324,0.0005783034,0.00035930038,0.000849326],"domain_scores_gemma":[0.99877137,0.0002643763,0.00009739009,0.00028162805,0.000118041615,0.0004671706],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00049290754,0.00034775102,0.00038868384,0.00014340332,0.0011921205,0.00020585272,0.00051114365,0.0009566639,0.0008920437],"category_scores_gemma":[0.00006416335,0.00033389564,0.0005369423,0.0018493928,0.00064561656,0.0004957125,0.00017593811,0.0007575409,0.00033144333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040315255,0.00013465024,0.0004953128,0.00016856512,0.0006907393,0.0040713786,0.05081191,0.000042764714,0.0018212582,0.42639738,0.4228764,0.09244933],"study_design_scores_gemma":[0.00023443688,0.000055781573,0.0006643927,0.00017383856,0.00069321896,0.00019339917,0.011474947,0.00035245295,0.00016018722,0.0050695385,0.9805321,0.00039567705],"about_ca_topic_score_codex":0.11968959,"about_ca_topic_score_gemma":0.5837101,"teacher_disagreement_score":0.5640002,"about_ca_system_score_codex":0.008570899,"about_ca_system_score_gemma":0.00055053906,"threshold_uncertainty_score":0.9999113},"labels":[],"label_agreement":null},{"id":"W7070756315","doi":"","title":"Performing Québécois nationalism: the reception and revival of André Mathieu","year":2018,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Concordia University; Bibliothèque et Archives nationales du Québec; Social Sciences and Humanities Research Council of Canada; McGill University","keywords":"Musical; Reputation; Poverty; World War II; Reactionary; Style (visual arts)","score_opus":0.020836793130846378,"score_gpt":0.2745321586822177,"score_spread":0.25369536555137134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070756315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88797015,0.0015685647,2.9090204e-8,0.0001696547,0.0010131074,0.00040664867,0.00021276131,0.0000620039,0.10859711],"genre_scores_gemma":[0.9727852,0.0013999492,0.0002139214,0.00089486025,0.00041032492,0.000067460314,0.0006699393,0.00004287997,0.023515474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969876,0.0005518981,0.00061790604,0.0005747403,0.0008772637,0.0003905852],"domain_scores_gemma":[0.9976735,0.00022105289,0.00066172745,0.00030001666,0.0009899952,0.0001537237],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0017479548,0.00035502715,0.00051015057,0.00018201274,0.0029448813,0.00015210742,0.0005076647,0.0007092836,0.0005782377],"category_scores_gemma":[0.0010064624,0.0002596359,0.00029197562,0.0007106973,0.00033161484,0.0007550194,0.00005978734,0.0007254634,0.00004955417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002294929,0.00016522895,0.00013713764,0.0004979649,0.00057586806,0.000008792023,0.0032873165,0.0000019226547,0.014269558,0.6662455,0.00034957528,0.31423163],"study_design_scores_gemma":[0.0003859634,0.00013081898,0.0021706417,0.00046287855,0.0005967284,0.000009349852,0.0137872,0.000008321943,0.0041711945,0.031040702,0.9465356,0.00070062204],"about_ca_topic_score_codex":0.0045202468,"about_ca_topic_score_gemma":0.05027828,"teacher_disagreement_score":0.946186,"about_ca_system_score_codex":0.0002171332,"about_ca_system_score_gemma":0.00010451673,"threshold_uncertainty_score":0.9999856},"labels":[],"label_agreement":null},{"id":"W7070765660","doi":"","title":"Quebec National Cinema. \\n Quebec National Cinema, Bill Marshall, Montréal, Kingston : McGill-Queens University Press, 2001, 371 pages","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Legislation; Presentation (obstetrics)","score_opus":0.014767161394492205,"score_gpt":0.19788308943425773,"score_spread":0.1831159280397655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070765660","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08667036,0.14511552,0.0001579796,0.37287185,0.003540267,0.0017412673,0.0027533513,0.0006580619,0.38649136],"genre_scores_gemma":[0.063201346,0.016970243,0.0006533149,0.0033689956,0.0006327371,0.000005355393,0.0002666745,0.000041786614,0.91485953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953121,0.00085484487,0.0003928399,0.0009654003,0.0013928248,0.0010819781],"domain_scores_gemma":[0.9968986,0.00033559013,0.0005099803,0.00030827103,0.0013694617,0.0005780846],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00075497146,0.00058550935,0.0006462174,0.0003419331,0.0029924188,0.000109710614,0.0007190094,0.0007864969,0.0017896028],"category_scores_gemma":[0.00027919264,0.0005776315,0.00060078705,0.0016176109,0.0007039314,0.0014176852,0.0002584396,0.0005819263,0.00019753847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083677776,0.00026204655,0.00027779027,0.000034008943,0.00046553134,0.00052122376,0.0008734163,0.00069902843,0.00019223009,0.40683654,0.58762574,0.002128762],"study_design_scores_gemma":[0.001257304,0.00006944644,0.002332661,0.000075372925,0.0005358578,0.00007759466,0.0046882783,0.0004348648,0.000049627604,0.0021629801,0.9875916,0.00072436524],"about_ca_topic_score_codex":0.60294706,"about_ca_topic_score_gemma":0.95063174,"teacher_disagreement_score":0.5283682,"about_ca_system_score_codex":0.013919376,"about_ca_system_score_gemma":0.0006433444,"threshold_uncertainty_score":0.9996675},"labels":[],"label_agreement":null},{"id":"W7070902793","doi":"","title":"Reste à penser. Robert Hébert, Dépouilles, Montréal, Liber, 1997 \\n L’homme habite aussi les franges, Montréal, Liber, 2003","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Interpretation (philosophy); Identification (biology)","score_opus":0.010095115776840686,"score_gpt":0.19049293168382053,"score_spread":0.18039781590697984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070902793","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07162569,0.7173961,0.00006890063,0.18702382,0.0019242261,0.000798653,0.00036812713,0.00037311643,0.020421425],"genre_scores_gemma":[0.038545117,0.22853005,0.002687729,0.011062927,0.002389379,0.000056409128,0.0005164828,0.00020571321,0.7160062],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99327224,0.0007884407,0.00084937445,0.0016081543,0.0012222137,0.0022595504],"domain_scores_gemma":[0.99579686,0.00023837251,0.00074807496,0.00115318,0.00074553344,0.0013179767],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00062154344,0.0011989027,0.0014340027,0.00039403906,0.0045748176,0.0003416502,0.0014726153,0.0016442047,0.001239864],"category_scores_gemma":[0.00019053172,0.0011836538,0.0010214193,0.003472647,0.0012715914,0.0015936552,0.00066852785,0.0013214486,0.0011586979],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037451636,0.0008217632,0.000521671,0.00010740354,0.0012635142,0.004735294,0.010077655,0.0011315423,0.00035397583,0.09186182,0.84675366,0.041997205],"study_design_scores_gemma":[0.0030437359,0.00033053302,0.0010511088,0.00031943017,0.0015562689,0.00033164473,0.0048211464,0.00022198822,0.00008374023,0.004709217,0.9821008,0.0014304189],"about_ca_topic_score_codex":0.3994131,"about_ca_topic_score_gemma":0.8071458,"teacher_disagreement_score":0.6955848,"about_ca_system_score_codex":0.007907713,"about_ca_system_score_gemma":0.00037807357,"threshold_uncertainty_score":0.9996731},"labels":[],"label_agreement":null},{"id":"W7071143560","doi":"","title":"SENEZ, Sabica, Nulle part ailleurs, L'instant même, Québec, 2004","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Relation (database); Class (philosophy)","score_opus":0.006557543301625412,"score_gpt":0.17408800192769505,"score_spread":0.16753045862606963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071143560","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12802938,0.4802831,0.000037064612,0.2370398,0.0015889532,0.00034050667,0.00022427562,0.0002044618,0.15225244],"genre_scores_gemma":[0.09158474,0.009830732,0.00023366734,0.0034825732,0.0015946785,0.0000069847397,0.00011641275,0.00003249887,0.8931177],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972267,0.00032670543,0.0003314671,0.0006287849,0.00051174907,0.00097459956],"domain_scores_gemma":[0.9986567,0.00010366512,0.000273973,0.00037879462,0.0002112635,0.0003755956],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002625268,0.00039281524,0.00051554356,0.00011980392,0.0021088312,0.0000894802,0.0005184556,0.0005081142,0.003458029],"category_scores_gemma":[0.000029468094,0.00038893407,0.000522717,0.0011570252,0.0006943796,0.00048032968,0.00018169187,0.00036002006,0.00094147015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057963705,0.00022323018,0.0013482475,0.000021269589,0.00021508611,0.0010445516,0.0017572283,0.0002551985,0.00019608204,0.13674147,0.8474585,0.010681192],"study_design_scores_gemma":[0.0006485245,0.00007746631,0.00081583246,0.00004823896,0.000510515,0.00006849265,0.0042206733,0.0001484865,0.000038772752,0.00230279,0.9906211,0.0004991405],"about_ca_topic_score_codex":0.4683437,"about_ca_topic_score_gemma":0.9450364,"teacher_disagreement_score":0.7408653,"about_ca_system_score_codex":0.007320668,"about_ca_system_score_gemma":0.00024492995,"threshold_uncertainty_score":0.99985623},"labels":[],"label_agreement":null},{"id":"W7071535077","doi":"","title":"Secousses d’échelles. Manon Labrecque, Secousses, Le Lieu, Centre en art actuel, Québec, 12 avril-13 mai 2007","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Demotion","score_opus":0.00527899650071527,"score_gpt":0.18231823492817445,"score_spread":0.17703923842745917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071535077","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20308428,0.2733048,0.0002566799,0.1951145,0.003517687,0.00075279287,0.00029384278,0.00041462062,0.3232608],"genre_scores_gemma":[0.08146121,0.015733905,0.0004121923,0.0062301904,0.0018572686,0.0000029767918,0.00015801053,0.000055592445,0.8940886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99613786,0.00041948928,0.00044880662,0.0008419842,0.00064460986,0.0015072761],"domain_scores_gemma":[0.99772406,0.00038003034,0.0003868424,0.00047683387,0.00029754796,0.00073469663],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008106807,0.0005891169,0.00068920833,0.00024717834,0.0019831937,0.00013922305,0.0007964137,0.0009556574,0.013960974],"category_scores_gemma":[0.000072223294,0.0006044371,0.0005826495,0.0010921168,0.00058509875,0.0008625242,0.000311223,0.0006972092,0.002000316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001707059,0.0003894653,0.0013615948,0.00007999199,0.00059060875,0.002076273,0.0116171995,0.00009171176,0.0004546939,0.016253954,0.93508685,0.03182698],"study_design_scores_gemma":[0.00083460356,0.00008618938,0.0014277752,0.0000742885,0.00047794633,0.00011849685,0.026624199,0.000084738254,0.00018251233,0.0006217522,0.96876293,0.0007045709],"about_ca_topic_score_codex":0.27580473,"about_ca_topic_score_gemma":0.97739446,"teacher_disagreement_score":0.70158976,"about_ca_system_score_codex":0.007725231,"about_ca_system_score_gemma":0.00053783634,"threshold_uncertainty_score":0.9996407},"labels":[],"label_agreement":null},{"id":"W7071762708","doi":"","title":"Sylvette Babin : Capsules vidéos : Une bibliographie commentée en temps réel 2019 = Videoclips: An Annotated Bibliography in Real Time 2019","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Latin Americans; George (robot); Timeline; Editorial board","score_opus":0.013325273350295787,"score_gpt":0.27619349682599265,"score_spread":0.2628682234756969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071762708","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05734288,0.016795103,0.000014922327,0.014616449,0.0051141176,0.006702859,0.0038298003,0.0017732612,0.89381063],"genre_scores_gemma":[0.009892806,0.0400944,0.00025442074,0.008678495,0.0034237865,0.00024143334,0.0076657226,0.00034731344,0.92940164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.989303,0.0022325763,0.0018783752,0.002405363,0.00196881,0.0022118753],"domain_scores_gemma":[0.99457806,0.0007461786,0.0012017597,0.0017750594,0.0007756199,0.0009233353],"candidate_categories":["metaepi_narrow","bibliometrics","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","bibliometrics","insufficient_payload"],"category_scores_codex":[0.0027902655,0.0016283744,0.0024759704,0.030422285,0.0012261043,0.001351646,0.0024508012,0.002484073,0.003279428],"category_scores_gemma":[0.00007704286,0.0014675534,0.0016609548,0.04246464,0.0015123402,0.0023719154,0.00033086783,0.0021096019,0.004494531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013396225,0.00047601174,0.0015128664,0.000094415416,0.00075018813,0.00011139947,0.0063418862,0.000024779587,0.00065580546,0.0033020552,0.98353505,0.003061584],"study_design_scores_gemma":[0.0018500348,0.00051651296,0.013559192,0.0006007392,0.0007671539,0.000008991487,0.0013617701,0.00006760747,0.000010358932,0.010990238,0.96801263,0.0022547906],"about_ca_topic_score_codex":0.019149028,"about_ca_topic_score_gemma":0.03206784,"teacher_disagreement_score":0.047450073,"about_ca_system_score_codex":0.0002543425,"about_ca_system_score_gemma":0.00066574936,"threshold_uncertainty_score":0.99968505},"labels":[],"label_agreement":null},{"id":"W7071873911","doi":"","title":"The Use of Popular Theatre in Community Organizations:&#13;\\nA Case Study of L'équipe d'intervention théâtrale participative Mise au jeu","year":2011,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Hyporeflexia; Dysgeusia; Articular cartilage damage","score_opus":0.08071181648705492,"score_gpt":0.3407121006935484,"score_spread":0.26000028420649346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071873911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98638564,0.0001204479,9.923746e-7,0.000054213862,0.0003025236,0.00083345774,0.0000147511,0.000019906674,0.012268036],"genre_scores_gemma":[0.97352284,0.00006899456,0.0000022934616,0.000002767176,0.00006870321,0.0000076323095,0.000061255356,0.000014610211,0.026250914],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99190474,0.0062900367,0.00046380569,0.0003067681,0.000577904,0.00045676675],"domain_scores_gemma":[0.9972654,0.0005213478,0.00044162385,0.00054958655,0.0010746159,0.00014743459],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012403139,0.0001910318,0.00042195353,0.00058008847,0.0024917673,0.00012176215,0.0007500481,0.00028139452,0.00004489799],"category_scores_gemma":[0.00042503877,0.00015820024,0.00020499105,0.002672452,0.0006511905,0.0004498615,0.00013370285,0.0010387835,0.000002047387],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010813784,0.0035655873,0.5397464,0.00023131998,0.0009876373,0.0019837548,0.4448261,0.00003609633,0.0007248422,0.005099117,0.00038084143,0.001336953],"study_design_scores_gemma":[0.0007374222,0.0009805278,0.09144118,0.00018386352,0.00037183572,0.000008487826,0.9012398,0.000018650311,0.0012553883,0.00043003366,0.0030805436,0.00025227878],"about_ca_topic_score_codex":0.7106525,"about_ca_topic_score_gemma":0.9584911,"teacher_disagreement_score":0.45641372,"about_ca_system_score_codex":0.0004141143,"about_ca_system_score_gemma":0.000633523,"threshold_uncertainty_score":0.99880683},"labels":[],"label_agreement":null},{"id":"W7072003990","doi":"","title":"Vincent Meessen, Blues Klair. Galerie Leonard &amp; Bina Ellen, Montréal. Du 17 novembre 2018 au 23 février 2019","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Relation (database); Painting; Context (archaeology)","score_opus":0.007582875690908403,"score_gpt":0.18488476797453485,"score_spread":0.17730189228362644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072003990","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5014613,0.25396883,0.000056069555,0.18894786,0.00484032,0.0008737049,0.00040259454,0.00024933091,0.049199987],"genre_scores_gemma":[0.091624014,0.037015706,0.0002419641,0.005522194,0.0017245002,0.000011007275,0.000264987,0.00006393366,0.8635317],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954435,0.0004781351,0.0005324427,0.0011263306,0.0009065548,0.001513013],"domain_scores_gemma":[0.9970778,0.0001953238,0.00055754185,0.00084420317,0.0004748207,0.0008502968],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00056167535,0.0007240622,0.00096781494,0.00022804787,0.0021324372,0.0001560812,0.0010470739,0.00090736744,0.0058925385],"category_scores_gemma":[0.00007380716,0.00070202496,0.0008507805,0.0013935127,0.0008172358,0.001105083,0.0005607057,0.00060863973,0.0057240175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023507205,0.000352654,0.0036382158,0.00008100425,0.00074442057,0.00049802894,0.007730154,0.00046675577,0.0011001345,0.036734022,0.94211197,0.006307577],"study_design_scores_gemma":[0.0011692619,0.00019335038,0.002208209,0.00012246433,0.0007332259,0.00007530102,0.006665161,0.00032283392,0.000056633333,0.0009273209,0.986625,0.00090123113],"about_ca_topic_score_codex":0.09645748,"about_ca_topic_score_gemma":0.4885349,"teacher_disagreement_score":0.8143317,"about_ca_system_score_codex":0.010904167,"about_ca_system_score_gemma":0.00038432697,"threshold_uncertainty_score":0.9995431},"labels":[],"label_agreement":null},{"id":"W7072136912","doi":"","title":"Thirteen Morissettes","year":2024,"lang":"en","type":"book","venue":"Goldsmiths (University of London)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lyrics; Poetry; Period (music)","score_opus":0.013478220891787076,"score_gpt":0.224150405506383,"score_spread":0.21067218461459591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072136912","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000684827,0.0048536845,0.000008547449,0.0036087274,0.00063128694,0.00021259244,0.00016842039,0.00016397834,0.98966795],"genre_scores_gemma":[0.0019679759,0.0007019099,0.00018482724,0.0005527405,0.00062387064,2.5199643e-7,0.0001058661,0.000017416214,0.99584514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984614,0.00011136987,0.00015114466,0.0004473597,0.0005101747,0.00031855368],"domain_scores_gemma":[0.99900675,0.00010346948,0.0002118673,0.00027122823,0.000246472,0.0001602222],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026611774,0.00023906135,0.0005378001,0.00024209495,0.00047637694,0.0000817318,0.0007509044,0.00064899493,0.002243866],"category_scores_gemma":[0.000025029514,0.0002445806,0.0005496261,0.00039046237,0.0007309398,0.00029268258,0.00017382197,0.00051050587,0.00081175275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017170129,0.0000230308,0.00006109589,0.000107009844,0.00042190144,0.00016164959,0.010623818,0.0000012786629,0.000006879555,0.10714485,0.8784513,0.0029800567],"study_design_scores_gemma":[0.00013711184,0.00003661397,0.000119857286,0.00014418739,0.0006239925,0.0000015552627,0.0040949676,0.000007565614,0.0000012903538,0.018522747,0.97602606,0.0002840823],"about_ca_topic_score_codex":0.0015515429,"about_ca_topic_score_gemma":0.0068755015,"teacher_disagreement_score":0.09757476,"about_ca_system_score_codex":0.00022530503,"about_ca_system_score_gemma":0.000570366,"threshold_uncertainty_score":0.9999662},"labels":[],"label_agreement":null},{"id":"W7072157183","doi":"","title":"Up &amp; Coming! (répondeur)","year":2000,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Closed captioning; The Internet","score_opus":0.02775089039507958,"score_gpt":0.28786861810408604,"score_spread":0.26011772770900643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072157183","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009210819,0.006594426,0.000014993831,0.002394838,0.0030856116,0.00069239753,0.00017247382,0.00042316943,0.985701],"genre_scores_gemma":[0.0018694976,0.0010523751,0.00012778623,0.009289326,0.004808237,0.000061621584,0.00077431684,0.000101399986,0.9819154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944283,0.0006021215,0.0009350011,0.0013570515,0.0013207733,0.0013567952],"domain_scores_gemma":[0.99707586,0.0003082767,0.0005409704,0.0010308077,0.0003906352,0.00065345597],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009045939,0.00092470576,0.0013605362,0.00032646445,0.0019351105,0.000768736,0.0013838344,0.0016766652,0.04229188],"category_scores_gemma":[0.0001450278,0.00082111795,0.0010989575,0.0006598975,0.0011345882,0.0005868642,0.00014353354,0.0014812475,0.017884078],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043464064,0.0000868953,0.000014514018,0.00004039241,0.0003007065,0.00004548255,0.011347584,0.0000028050697,0.00003057369,0.028748471,0.9426671,0.01667199],"study_design_scores_gemma":[0.00045145117,0.00005937053,0.000121476114,0.00016390705,0.00044920557,0.0000112109965,0.00044708818,0.0000039651272,0.0000028640106,0.02629526,0.97097176,0.0010224618],"about_ca_topic_score_codex":0.00046698315,"about_ca_topic_score_gemma":0.0065304474,"teacher_disagreement_score":0.028304618,"about_ca_system_score_codex":0.00043580218,"about_ca_system_score_gemma":0.0009750569,"threshold_uncertainty_score":0.99961936},"labels":[],"label_agreement":null},{"id":"W7072421328","doi":"","title":"Valérie Blass, La poudre aux yeux: Of Smoke in Mirrors, Catriona Jeffries, Vancouver","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Smoke; Snus; Population; Public health","score_opus":0.0180177294551018,"score_gpt":0.20932450190094357,"score_spread":0.19130677244584177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072421328","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5709807,0.15392429,0.000032196127,0.22947231,0.0014594599,0.0004719497,0.0003577021,0.0001122175,0.04318914],"genre_scores_gemma":[0.84953547,0.007898325,0.00026758047,0.004050745,0.00038355775,0.0000040726695,0.000062627354,0.000025843026,0.13777179],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785554,0.00040693613,0.00030860296,0.00046326767,0.0004279291,0.0005376908],"domain_scores_gemma":[0.9988075,0.00017738559,0.00026004887,0.00020787062,0.00019720904,0.0003499841],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002519445,0.0002766814,0.00053888257,0.00010965967,0.00048167133,0.000027931339,0.00051785115,0.0004967926,0.0011098445],"category_scores_gemma":[0.000108332715,0.00028467926,0.00035933842,0.0016931149,0.0005845253,0.00042142824,0.00023275672,0.0004121896,0.000057176032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023233402,0.0002726594,0.012235768,0.0001347012,0.00054538087,0.0020442244,0.036608323,0.00019236105,0.00031948765,0.12380559,0.8101088,0.013500382],"study_design_scores_gemma":[0.00079762185,0.000099331264,0.00256732,0.000052961892,0.00039292357,0.00000991907,0.013042455,0.00025737143,0.000054213226,0.0016020742,0.98081154,0.00031226885],"about_ca_topic_score_codex":0.053186193,"about_ca_topic_score_gemma":0.6613515,"teacher_disagreement_score":0.6081653,"about_ca_system_score_codex":0.0019529853,"about_ca_system_score_gemma":0.0002514125,"threshold_uncertainty_score":0.99996054},"labels":[],"label_agreement":null},{"id":"W7087418268","doi":"10.7202/1118975ar","title":"André Belleau et le cinéma","year":2024,"lang":"fr","type":"article","venue":"Sens public","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Subject (documents); Context (archaeology)","score_opus":0.032851262465257394,"score_gpt":0.290186572787311,"score_spread":0.25733531032205365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7087418268","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018525353,0.06964614,0.00001604758,0.5395181,0.004376513,0.00010672244,0.00005613275,0.00022137402,0.3675336],"genre_scores_gemma":[0.6762916,0.0009922717,0.00006493732,0.008189972,0.0020539775,0.000004971491,0.000057923065,0.00001497947,0.31232935],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981463,0.00038490948,0.00021456969,0.00042050213,0.00028571763,0.0005480173],"domain_scores_gemma":[0.9993211,0.000121224824,0.00004283739,0.00017730183,0.00010939771,0.0002281071],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044055973,0.0001816622,0.00022879355,0.00011920865,0.00053392025,0.0012815044,0.0002448213,0.000300561,0.003407715],"category_scores_gemma":[0.000077534714,0.00014538672,0.00025337632,0.0017877695,0.00047469,0.0010810113,0.00008663245,0.0003824261,0.0012697258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011457709,0.00006265319,0.00010060747,0.000033787714,0.00014326304,0.000051207786,0.0071255425,0.0000018214411,0.00006211041,0.65074784,0.31044915,0.031220857],"study_design_scores_gemma":[0.00009237095,0.000033751792,0.00020434162,0.000040542112,0.00008054213,0.00001325144,0.004519976,0.00022141749,0.000021914084,0.008074992,0.9864953,0.00020156303],"about_ca_topic_score_codex":0.0008612298,"about_ca_topic_score_gemma":0.0046838103,"teacher_disagreement_score":0.6760462,"about_ca_system_score_codex":0.000049194245,"about_ca_system_score_gemma":0.00039610473,"threshold_uncertainty_score":0.99975526},"labels":[],"label_agreement":null},{"id":"W7093902890","doi":"","title":"Le Mal d'origine. Québec, Éditions de L'Instant même.","year":2005,"lang":"fr","type":"book","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identification (biology); Set (abstract data type); Relation (database)","score_opus":0.014551553790384522,"score_gpt":0.23805032779708316,"score_spread":0.22349877400669863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093902890","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004325233,0.006845099,0.004059135,0.1158483,0.00039381,0.0004083726,0.00023597981,0.00023477715,0.8676493],"genre_scores_gemma":[0.09018037,0.002846174,0.010092602,0.0025574025,0.0005180801,0.00008813144,0.0011144218,0.00006276304,0.89254004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898074,0.006925549,0.0007779148,0.0009247244,0.00068502955,0.00087937224],"domain_scores_gemma":[0.99367946,0.0014926457,0.00067678053,0.0012716564,0.002352157,0.0005273239],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0038606338,0.00054615026,0.0006634348,0.00020995524,0.002930575,0.00065130147,0.001635264,0.00075682753,0.003165656],"category_scores_gemma":[0.00068612956,0.0005560095,0.000685776,0.0009738965,0.0021186497,0.000549405,0.0003311738,0.0009784782,0.00052499986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007158587,0.000565543,0.00031112393,0.000050124636,0.0001984497,0.000011907891,0.01250671,0.000020257015,0.00035168952,0.9215014,0.045392178,0.019083431],"study_design_scores_gemma":[0.0003229731,7.772468e-7,0.0005880585,0.0006937297,0.0002589919,0.000016316948,0.00076444796,0.0005563567,0.0006315644,0.005692877,0.98986566,0.00060822046],"about_ca_topic_score_codex":0.03855871,"about_ca_topic_score_gemma":0.3487217,"teacher_disagreement_score":0.9444735,"about_ca_system_score_codex":0.00083739293,"about_ca_system_score_gemma":0.0039877794,"threshold_uncertainty_score":0.99968916},"labels":[],"label_agreement":null},{"id":"W7095115058","doi":"","title":"PAR LOVASOA NIRINA RAMBOARISATA","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Context (archaeology)","score_opus":0.02174921484533742,"score_gpt":0.2800937051478874,"score_spread":0.25834449030254997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095115058","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08287543,0.00013648313,0.00019601236,0.00730935,0.00041264782,0.00008287229,0.0000012882613,0.00013564868,0.90885025],"genre_scores_gemma":[0.94335854,0.000015996398,0.00037409554,0.008334684,0.0007051079,0.0000042812244,0.0000065089853,0.0000031185039,0.047197673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915093,0.00014724111,0.00010423429,0.00017609923,0.00018547413,0.00023602486],"domain_scores_gemma":[0.9995798,0.000058252794,0.000032974745,0.00014818468,0.0000748744,0.00010594015],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037490693,0.00007003941,0.0001260246,0.000023784134,0.000410878,0.00013354798,0.00022669497,0.000102252096,0.0020018148],"category_scores_gemma":[0.00012486876,0.000046948186,0.0000901488,0.0002583073,0.00018134604,0.0001618043,0.000030388754,0.00008507244,0.00045563828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007789295,0.00007578626,0.01154856,0.0000063646467,0.0000766733,0.0000027250248,0.0076160696,0.000003124651,0.00035772708,0.69937605,0.25058356,0.030345533],"study_design_scores_gemma":[0.000094944524,0.00001851444,0.0039120256,0.0000020833966,0.000028674396,3.0009994e-7,0.0012756241,0.00003386927,0.00007796501,0.008400057,0.9860467,0.00010929293],"about_ca_topic_score_codex":0.0014997292,"about_ca_topic_score_gemma":0.0046122414,"teacher_disagreement_score":0.8616526,"about_ca_system_score_codex":0.000015943173,"about_ca_system_score_gemma":0.00002315791,"threshold_uncertainty_score":0.9989105},"labels":[],"label_agreement":null},{"id":"W7095794192","doi":"","title":"PAR","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Theodolite; Unsaid","score_opus":0.01870337412728578,"score_gpt":0.2771766964542867,"score_spread":0.25847332232700093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095794192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044485528,0.000044129676,0.00007808768,0.0047819596,0.00016920126,0.000025120626,2.2005675e-7,0.000060753828,0.950355],"genre_scores_gemma":[0.9464554,0.0000047827684,0.00018087859,0.008516082,0.00043402592,0.0000019394058,0.0000015042283,9.815648e-7,0.044404395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961627,0.00007057878,0.000044109453,0.000072762756,0.000086206936,0.00011005987],"domain_scores_gemma":[0.9998262,0.000024669642,0.000012276709,0.000050817038,0.000035997695,0.000050060684],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017401662,0.000027575521,0.00005176822,0.000010065909,0.00025711476,0.000054996934,0.000086715896,0.000042426458,0.0021101823],"category_scores_gemma":[0.000059238446,0.000017381824,0.000040893243,0.00012701839,0.00007580241,0.00007509391,0.000007761298,0.000030485338,0.0002318802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012197794,0.000016657334,0.0037285346,0.0000010824809,0.000014133031,3.8976867e-7,0.004150806,6.475622e-7,0.00020641935,0.901211,0.07275514,0.017913938],"study_design_scores_gemma":[0.000031722677,0.0000067154197,0.0018603846,5.88285e-7,0.000007855943,5.870621e-8,0.0006933329,0.000013222714,0.00004422091,0.009353189,0.9879471,0.000041588184],"about_ca_topic_score_codex":0.00047589248,"about_ca_topic_score_gemma":0.0029039984,"teacher_disagreement_score":0.915192,"about_ca_system_score_codex":0.000005345807,"about_ca_system_score_gemma":0.000008307773,"threshold_uncertainty_score":0.998802},"labels":[],"label_agreement":null},{"id":"W7095952949","doi":"","title":"PAR","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Theodolite; Actuary","score_opus":0.01870337412728578,"score_gpt":0.2771766964542867,"score_spread":0.25847332232700093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095952949","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044485528,0.000044129676,0.00007808768,0.0047819596,0.00016920126,0.000025120626,2.2005675e-7,0.000060753828,0.950355],"genre_scores_gemma":[0.9464554,0.0000047827684,0.00018087859,0.008516082,0.00043402592,0.0000019394058,0.0000015042283,9.815648e-7,0.044404395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961627,0.00007057878,0.000044109453,0.000072762756,0.000086206936,0.00011005987],"domain_scores_gemma":[0.9998262,0.000024669642,0.000012276709,0.000050817038,0.000035997695,0.000050060684],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017401662,0.000027575521,0.00005176822,0.000010065909,0.00025711476,0.000054996934,0.000086715896,0.000042426458,0.0021101823],"category_scores_gemma":[0.000059238446,0.000017381824,0.000040893243,0.00012701839,0.00007580241,0.00007509391,0.000007761298,0.000030485338,0.0002318802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012197794,0.000016657334,0.0037285346,0.0000010824809,0.000014133031,3.8976867e-7,0.004150806,6.475622e-7,0.00020641935,0.901211,0.07275514,0.017913938],"study_design_scores_gemma":[0.000031722677,0.0000067154197,0.0018603846,5.88285e-7,0.000007855943,5.870621e-8,0.0006933329,0.000013222714,0.00004422091,0.009353189,0.9879471,0.000041588184],"about_ca_topic_score_codex":0.00047589248,"about_ca_topic_score_gemma":0.0029039984,"teacher_disagreement_score":0.915192,"about_ca_system_score_codex":0.000005345807,"about_ca_system_score_gemma":0.000008307773,"threshold_uncertainty_score":0.998802},"labels":[],"label_agreement":null},{"id":"W7096395551","doi":"","title":"PAR BILJANA MUSIC","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Kaleidoscope; Sensationalism","score_opus":0.02614277059622032,"score_gpt":0.27056846957281183,"score_spread":0.2444256989765915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096395551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12794544,0.0000971602,0.00008994135,0.0048265615,0.0003609806,0.00006099422,6.658232e-7,0.00011069897,0.86650753],"genre_scores_gemma":[0.95663154,0.000007248866,0.00019117321,0.0112500535,0.00067857985,0.0000036906283,0.000003284563,0.000002212957,0.031232225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993363,0.00011807799,0.00008054024,0.00013441224,0.00014374779,0.00018689061],"domain_scores_gemma":[0.99969125,0.000042936885,0.000024906534,0.00009573649,0.000059900936,0.00008527792],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002682579,0.000052902957,0.00009412086,0.00002441392,0.00038782158,0.00008830839,0.00014872286,0.000071750204,0.0027952546],"category_scores_gemma":[0.00008949647,0.00003377828,0.000074740004,0.00027925937,0.00013195872,0.000121941026,0.000015606794,0.000054557775,0.00030174284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003414717,0.000051570645,0.0049677375,0.0000040043933,0.00004588716,0.0000016295553,0.010271177,0.0000023154594,0.00056873774,0.74394286,0.20850168,0.031638976],"study_design_scores_gemma":[0.00006477742,0.000014283675,0.0025754224,0.0000015194698,0.000020992582,1.4822055e-7,0.0013619344,0.000030341838,0.00005381005,0.009639353,0.9861509,0.00008652624],"about_ca_topic_score_codex":0.0010861777,"about_ca_topic_score_gemma":0.009519262,"teacher_disagreement_score":0.83527535,"about_ca_system_score_codex":0.000010907967,"about_ca_system_score_gemma":0.000017294142,"threshold_uncertainty_score":0.9981163},"labels":[],"label_agreement":null},{"id":"W7096418543","doi":"","title":"COMME EXIGENCE PARTIELLE DU DOCTORAT EN PSYCHOLOGIE PAR","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Work (physics); Kaleidoscope","score_opus":0.07559826424066728,"score_gpt":0.3473816742580815,"score_spread":0.2717834100174142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096418543","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24363396,0.00024805331,0.0005853642,0.029651808,0.0010973457,0.00016610484,0.0000028608717,0.00026103551,0.7243535],"genre_scores_gemma":[0.97500163,0.00006685837,0.00028323082,0.014173321,0.0007297713,0.0000124065655,0.0000057335424,0.000003212066,0.009723838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987722,0.00037890172,0.00014986334,0.00022054097,0.00018131653,0.0002971722],"domain_scores_gemma":[0.99941283,0.00014652686,0.000048177175,0.00018498776,0.000084273284,0.00012317247],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005854065,0.0000935251,0.00015198358,0.00002260929,0.00053838576,0.00013145576,0.0003560348,0.00013684355,0.0024576709],"category_scores_gemma":[0.00020008499,0.00006186594,0.00009299037,0.00029512472,0.00022707804,0.00020032181,0.000040110743,0.00011093404,0.00038950896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002206846,0.0002192836,0.058710765,0.000007331972,0.000077335855,0.0000068490795,0.027722903,0.00001488802,0.0009221933,0.46163794,0.42536822,0.025290225],"study_design_scores_gemma":[0.00011845349,0.000047058933,0.005518992,0.000002961639,0.000022232904,5.093481e-7,0.0026457761,0.000056076617,0.00015259166,0.012747786,0.9785277,0.00015982993],"about_ca_topic_score_codex":0.00063828856,"about_ca_topic_score_gemma":0.002364809,"teacher_disagreement_score":0.73136765,"about_ca_system_score_codex":0.000020233816,"about_ca_system_score_gemma":0.000019661833,"threshold_uncertainty_score":0.9984542},"labels":[],"label_agreement":null},{"id":"W7096724068","doi":"","title":"PAR ALPHA BOUBACAR DIALLO","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Dermatoscopy; Eschatology","score_opus":0.017563803376354256,"score_gpt":0.27490038086158064,"score_spread":0.25733657748522637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096724068","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10602656,0.00017037841,0.00009190828,0.009553324,0.0004896716,0.000083693114,0.000001301146,0.0001396289,0.88344353],"genre_scores_gemma":[0.9513579,0.00001985771,0.00019483347,0.013497066,0.0009225829,0.000005714306,0.000005127431,0.0000028322656,0.033994082],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992303,0.00013952403,0.00009277467,0.00014914945,0.00016953581,0.00021870651],"domain_scores_gemma":[0.9996563,0.000048855407,0.000028616802,0.0000973126,0.000064959495,0.000103908314],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030166243,0.00006235773,0.00011331241,0.000019512092,0.00041606932,0.00011046399,0.00017527949,0.00009031685,0.0015542224],"category_scores_gemma":[0.000104679726,0.000041322677,0.00009312213,0.00020776625,0.00014640616,0.00020837734,0.000019389166,0.000064007596,0.00027955326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004844569,0.000049396906,0.0057249726,0.0000036776837,0.00005275227,0.0000017194442,0.0069878693,0.0000016385904,0.0006526185,0.8420649,0.12403999,0.020415608],"study_design_scores_gemma":[0.00007721656,0.000016187892,0.0029217082,0.0000014773376,0.000022792246,1.2695506e-7,0.000802183,0.00001856721,0.000089604706,0.0074155643,0.98854405,0.00009051897],"about_ca_topic_score_codex":0.0010023898,"about_ca_topic_score_gemma":0.003958342,"teacher_disagreement_score":0.86450404,"about_ca_system_score_codex":0.000013190467,"about_ca_system_score_gemma":0.000020454643,"threshold_uncertainty_score":0.9993585},"labels":[],"label_agreement":null},{"id":"W7096798183","doi":"","title":"PAR","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Actuary; Ridiculous; Work (physics)","score_opus":0.01870337412728578,"score_gpt":0.2771766964542867,"score_spread":0.25847332232700093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096798183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044485528,0.000044129676,0.00007808768,0.0047819596,0.00016920126,0.000025120626,2.2005675e-7,0.000060753828,0.950355],"genre_scores_gemma":[0.9464554,0.0000047827684,0.00018087859,0.008516082,0.00043402592,0.0000019394058,0.0000015042283,9.815648e-7,0.044404395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961627,0.00007057878,0.000044109453,0.000072762756,0.000086206936,0.00011005987],"domain_scores_gemma":[0.9998262,0.000024669642,0.000012276709,0.000050817038,0.000035997695,0.000050060684],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017401662,0.000027575521,0.00005176822,0.000010065909,0.00025711476,0.000054996934,0.000086715896,0.000042426458,0.0021101823],"category_scores_gemma":[0.000059238446,0.000017381824,0.000040893243,0.00012701839,0.00007580241,0.00007509391,0.000007761298,0.000030485338,0.0002318802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012197794,0.000016657334,0.0037285346,0.0000010824809,0.000014133031,3.8976867e-7,0.004150806,6.475622e-7,0.00020641935,0.901211,0.07275514,0.017913938],"study_design_scores_gemma":[0.000031722677,0.0000067154197,0.0018603846,5.88285e-7,0.000007855943,5.870621e-8,0.0006933329,0.000013222714,0.00004422091,0.009353189,0.9879471,0.000041588184],"about_ca_topic_score_codex":0.00047589248,"about_ca_topic_score_gemma":0.0029039984,"teacher_disagreement_score":0.915192,"about_ca_system_score_codex":0.000005345807,"about_ca_system_score_gemma":0.000008307773,"threshold_uncertainty_score":0.998802},"labels":[],"label_agreement":null},{"id":"W7096817334","doi":"","title":"IN PSYCHOLOGY FARZAD ZARÉ-BAWANI","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Unsaid; Extant taxon; Subject (documents)","score_opus":0.025459457980941357,"score_gpt":0.3399102908725191,"score_spread":0.31445083289157777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096817334","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07931439,0.00016090818,0.0001005317,0.020977153,0.00058069685,0.00007148289,6.284917e-7,0.000054434975,0.89873976],"genre_scores_gemma":[0.93032527,0.000031862204,0.00024275499,0.044568546,0.00047894032,0.000007119756,0.0000026802038,0.000002797239,0.02434002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915755,0.00019809027,0.00012093638,0.00018274965,0.00010862928,0.00023203416],"domain_scores_gemma":[0.9997202,0.000043151667,0.00002780841,0.00010560484,0.00004157949,0.00006163186],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036727494,0.000059642563,0.00012620809,0.000052472165,0.00014919096,0.000045398854,0.00018718923,0.00012881658,0.0022362797],"category_scores_gemma":[0.000085018866,0.000042141502,0.000056329915,0.00037189445,0.00013872326,0.00014420986,0.000014835066,0.00009960655,0.00028985954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012246136,0.00011702409,0.010039178,0.0000032662945,0.000023405872,0.0000063001407,0.00921885,0.0000017065867,0.001036702,0.79582435,0.15354916,0.030167816],"study_design_scores_gemma":[0.00015796431,0.000022800376,0.0056389445,0.0000014905875,0.0000064956776,5.007056e-7,0.0007769818,0.000011630458,0.00001931658,0.025698751,0.9675806,0.000084485764],"about_ca_topic_score_codex":0.0014206459,"about_ca_topic_score_gemma":0.018926084,"teacher_disagreement_score":0.8743998,"about_ca_system_score_codex":0.000014161854,"about_ca_system_score_gemma":0.000014661527,"threshold_uncertainty_score":0.99897593},"labels":[],"label_agreement":null},{"id":"W7096825782","doi":"","title":"Our fi&amp;amp; Notre rehlrence","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reproduction; Order (exchange); Work (physics); Government (linguistics); Legislation","score_opus":0.0495611678219133,"score_gpt":0.3247362163544766,"score_spread":0.2751750485325633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096825782","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10105354,0.00018049662,0.0006588345,0.025876528,0.0007997426,0.00012931904,0.000004488802,0.00022881648,0.87106824],"genre_scores_gemma":[0.7371857,0.000017987482,0.0013973159,0.008225382,0.00091796793,0.0000062304553,0.000013873542,0.0000033481128,0.25223216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901956,0.00015720188,0.00012289238,0.00021077719,0.00022852153,0.00026107195],"domain_scores_gemma":[0.9994944,0.0000461084,0.00004742385,0.00017534538,0.000119083765,0.00011766198],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033375117,0.00008529714,0.00013895768,0.000027024598,0.00045038384,0.00015343832,0.00026281568,0.00011855633,0.0014440978],"category_scores_gemma":[0.00024646288,0.00005708137,0.000103075785,0.0003398065,0.000078168334,0.00018885493,0.00003175664,0.00010515146,0.0016407174],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007926963,0.00006934493,0.005274916,0.000008373474,0.000047030288,0.0000011651867,0.015387488,0.0000068766453,0.0010969798,0.1737525,0.78926927,0.015078117],"study_design_scores_gemma":[0.00006180959,0.000006728444,0.0010206668,0.000004009023,0.000019418801,3.4806425e-7,0.001560317,0.00000839634,0.000017980254,0.0045687044,0.9926168,0.00011482372],"about_ca_topic_score_codex":0.0018673945,"about_ca_topic_score_gemma":0.03503505,"teacher_disagreement_score":0.6361322,"about_ca_system_score_codex":0.00001932725,"about_ca_system_score_gemma":0.000028461709,"threshold_uncertainty_score":0.99946874},"labels":[],"label_agreement":null},{"id":"W7096833554","doi":"","title":"Mozart’s “Crudel! perchè finora ” on an 1844","year":2015,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Promotion (chess); Work (physics); Order (exchange)","score_opus":0.08119503051245161,"score_gpt":0.33737246188336034,"score_spread":0.25617743137090876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096833554","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39964676,0.00011904291,0.00001120615,0.0063035903,0.00041565282,0.000097677745,0.0000038626995,0.00013591937,0.5932663],"genre_scores_gemma":[0.92185277,0.00000856571,0.00021702505,0.012079418,0.0007260287,0.0000071107693,0.000016923568,0.0000043060004,0.06508785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989106,0.00019486353,0.000107354324,0.00021523249,0.0003216007,0.00025031643],"domain_scores_gemma":[0.9993334,0.000027452112,0.000028111685,0.00015555263,0.0001687673,0.0002867459],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003859939,0.00008850982,0.0001274247,0.00003890128,0.00031290005,0.00018190086,0.00023534537,0.00012106392,0.0011231396],"category_scores_gemma":[0.00009930609,0.00005831824,0.000073567695,0.0002817925,0.00013597633,0.0003317076,0.00002048639,0.00011108096,0.00049626513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056277273,0.00038713374,0.004424405,0.000003955108,0.000069388465,0.000023835206,0.07840402,0.00007363503,0.00024748777,0.45646098,0.44337004,0.016478831],"study_design_scores_gemma":[0.00022827547,0.00019344977,0.0012817153,0.0000036960846,0.000030158884,7.611818e-7,0.022609467,0.00012938693,0.000055148434,0.00834834,0.96690714,0.00021243864],"about_ca_topic_score_codex":0.0025619273,"about_ca_topic_score_gemma":0.010688223,"teacher_disagreement_score":0.52817845,"about_ca_system_score_codex":0.000054331133,"about_ca_system_score_gemma":0.000087855755,"threshold_uncertainty_score":0.99978995},"labels":[],"label_agreement":null},{"id":"W7097047058","doi":"","title":"Our Ne Notre reldrmce","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reproduction; Order (exchange); Government (linguistics); Legislation; Work (physics)","score_opus":0.02563277901774585,"score_gpt":0.296681051150366,"score_spread":0.27104827213262017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097047058","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043338805,0.000096906406,0.0001221136,0.027487967,0.0004513108,0.00006212838,9.191639e-7,0.00013083027,0.928309],"genre_scores_gemma":[0.85597384,0.000009062155,0.00026543654,0.009728354,0.0007634975,0.000002674493,0.0000033263957,0.0000021576225,0.13325167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993619,0.00010558594,0.00007877345,0.0001317582,0.00014471254,0.00017731571],"domain_scores_gemma":[0.99970514,0.000024124942,0.000026799276,0.000093522474,0.00006869005,0.000081730796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022818116,0.00005289205,0.00009386266,0.000017270411,0.00032444028,0.00008998881,0.00015129795,0.0000854351,0.00049003796],"category_scores_gemma":[0.00011037263,0.000034469016,0.000072288036,0.0002244907,0.00003929414,0.00012926219,0.000017340295,0.00006915535,0.00031453063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057956645,0.000049246784,0.0034569174,0.0000042362717,0.00003930224,0.0000022411093,0.008037394,0.000004009884,0.0004953174,0.59249705,0.37018174,0.025226735],"study_design_scores_gemma":[0.00007436081,0.000015565289,0.0013530762,0.0000021911892,0.00001909421,2.4052272e-7,0.0041580037,0.000031087533,0.000047131376,0.0047731157,0.98944,0.00008611868],"about_ca_topic_score_codex":0.0010876878,"about_ca_topic_score_gemma":0.005487131,"teacher_disagreement_score":0.812635,"about_ca_system_score_codex":0.000012330369,"about_ca_system_score_gemma":0.000016307884,"threshold_uncertainty_score":0.5365572},"labels":[],"label_agreement":null},{"id":"W7097370715","doi":"","title":"bachel1ère es arts","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); The arts; Order (exchange); Object (grammar); Subject (documents)","score_opus":0.025250694491570247,"score_gpt":0.28588079388503074,"score_spread":0.2606300993934605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097370715","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07330325,0.00011824087,0.000088277186,0.0073582027,0.00024474753,0.000044075707,5.5573787e-7,0.00009290002,0.91874975],"genre_scores_gemma":[0.9352491,0.000007813157,0.00026733827,0.007707555,0.0005982238,0.0000032035723,0.0000035636265,0.0000018637458,0.05616132],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994622,0.00007086519,0.00006704465,0.000114043985,0.00012822002,0.00015765305],"domain_scores_gemma":[0.9997369,0.000040834995,0.000020347808,0.00007456988,0.00005450331,0.00007285562],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021686865,0.000047014048,0.00008202392,0.000017177434,0.0003080893,0.00009575323,0.00011642112,0.00006870378,0.0019601183],"category_scores_gemma":[0.00008382824,0.000030317206,0.00006383486,0.00016503039,0.00009896285,0.0001259524,0.000013611725,0.00004932837,0.00027289614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014083134,0.000018945055,0.00191097,0.000001735228,0.00001702388,5.8817676e-7,0.003997882,8.577555e-7,0.00019091577,0.9167565,0.061915852,0.0151873045],"study_design_scores_gemma":[0.000046162648,0.000010209665,0.0017698781,0.0000015664606,0.000014078431,1.6355519e-7,0.001779364,0.00001955435,0.00006604393,0.00741686,0.98880726,0.00006886282],"about_ca_topic_score_codex":0.00041510118,"about_ca_topic_score_gemma":0.004471815,"teacher_disagreement_score":0.9268914,"about_ca_system_score_codex":0.000008942526,"about_ca_system_score_gemma":0.000012257108,"threshold_uncertainty_score":0.9989522},"labels":[],"label_agreement":null},{"id":"W7097501983","doi":"","title":"National Library of Canada to","year":2015,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"National library; The arts; MEDLINE","score_opus":0.0300076490714845,"score_gpt":0.2674494485039729,"score_spread":0.2374417994324884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097501983","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043738626,0.000054662276,0.00000251647,0.01582524,0.00016007258,0.000031724652,0.00000697211,0.0000129911905,0.9401672],"genre_scores_gemma":[0.8794384,4.951186e-7,0.00033887604,0.013744221,0.00020931264,0.0000017293038,0.0000054897673,0.0000010274596,0.10626047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953413,0.00002772865,0.00005508253,0.000049218896,0.00026103927,0.00007280205],"domain_scores_gemma":[0.99971217,0.000017227494,0.000013587394,0.00002267287,0.00011908059,0.00011523946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008555407,0.000021161011,0.000046224897,0.000014715734,0.000056985264,0.000018843746,0.00008915931,0.00002042071,0.0007337846],"category_scores_gemma":[0.0000852675,0.000014637059,0.000015139225,0.00024353387,0.000022850838,0.00012775844,0.00001441971,0.000017093893,0.0000068961917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001966766,0.0000053937756,0.0012183232,4.3809638e-7,0.0000070720416,4.5677035e-7,0.0017834742,0.000010658442,0.00000914333,0.14193335,0.8548724,0.00015732134],"study_design_scores_gemma":[0.000034474233,0.0000072033295,0.0012924735,9.456921e-7,0.0000026238522,6.9591756e-8,0.0031327803,0.0000061151236,0.00009210626,0.004991276,0.9904044,0.000035512534],"about_ca_topic_score_codex":0.31162438,"about_ca_topic_score_gemma":0.85906917,"teacher_disagreement_score":0.83569974,"about_ca_system_score_codex":0.000027070311,"about_ca_system_score_gemma":0.0010812193,"threshold_uncertainty_score":0.80344266},"labels":[],"label_agreement":null},{"id":"W7097565745","doi":"","title":"DU DOCTORAT EN PSYCHOLOGIE PAR","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Nobel laureate; Theodolite","score_opus":0.029162991062724932,"score_gpt":0.32124833881329184,"score_spread":0.29208534775056694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097565745","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17948368,0.00008569387,0.00013786998,0.018422227,0.00068805146,0.00007167875,0.0000010505477,0.00015913908,0.8009506],"genre_scores_gemma":[0.9695953,0.00003178027,0.00028092132,0.011834523,0.0010338352,0.0000056491194,0.000004115914,0.0000022190015,0.017211637],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918294,0.00023542906,0.00009250149,0.00016036352,0.00013325068,0.0001955117],"domain_scores_gemma":[0.9996343,0.000081790466,0.00002826232,0.00011163646,0.00006399638,0.000079962694],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040840043,0.00006289347,0.00010509403,0.000020772653,0.0003220816,0.00011035208,0.00022396122,0.000112877526,0.0022953288],"category_scores_gemma":[0.0001794254,0.000039151255,0.0000754042,0.0002193781,0.00013480206,0.00014884831,0.000020015816,0.000073527306,0.0003582195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000977877,0.00009249572,0.026236545,0.0000034317206,0.000055337958,0.0000037473044,0.010755737,0.000002699809,0.00075364346,0.62137496,0.31160992,0.029101688],"study_design_scores_gemma":[0.00008819708,0.000023876579,0.007701854,0.0000012084959,0.000015805459,3.041557e-7,0.0011686443,0.0000109467255,0.000041911942,0.008090168,0.98276615,0.000090935035],"about_ca_topic_score_codex":0.00038733208,"about_ca_topic_score_gemma":0.0018277842,"teacher_disagreement_score":0.79011166,"about_ca_system_score_codex":0.000015937607,"about_ca_system_score_gemma":0.000013583995,"threshold_uncertainty_score":0.9986167},"labels":[],"label_agreement":null},{"id":"W7097827075","doi":"","title":"Your hk, Votre ref8rcniar Our fi&amp;amp; Notre relérence","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Order (exchange); Reproduction; Legislation; Point (geometry); Work (physics)","score_opus":0.053432518796649245,"score_gpt":0.3283077198648407,"score_spread":0.27487520106819147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097827075","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16071528,0.00044140778,0.0004596772,0.05210456,0.00124243,0.0002615956,0.000016705222,0.00045847247,0.78429985],"genre_scores_gemma":[0.5750346,0.000044591452,0.0017209512,0.007353443,0.0011724125,0.000011025669,0.000032240943,0.000008269926,0.41462246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824905,0.00028242008,0.00023337342,0.0003941265,0.00039110638,0.0004498948],"domain_scores_gemma":[0.99907315,0.00006164947,0.00009855527,0.00033680495,0.0002145127,0.0002153251],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005099602,0.00017007926,0.00025700888,0.00005380979,0.00070709194,0.00023774027,0.00047200196,0.00024111879,0.0014399947],"category_scores_gemma":[0.0003894175,0.000117177915,0.00018770446,0.0005628409,0.00012310868,0.00031903636,0.000065370084,0.00022486935,0.0021545207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021035346,0.000121849676,0.0073545314,0.00001743995,0.000092513954,0.000004334342,0.016878828,0.000013256783,0.0013756963,0.10155125,0.85811424,0.014455034],"study_design_scores_gemma":[0.00013017036,0.000014540713,0.0015773152,0.000011007786,0.000046915462,0.0000011753992,0.00267801,0.00001586915,0.000026533404,0.0036875568,0.991581,0.0002298979],"about_ca_topic_score_codex":0.0025754457,"about_ca_topic_score_gemma":0.036005232,"teacher_disagreement_score":0.4143193,"about_ca_system_score_codex":0.000044619028,"about_ca_system_score_gemma":0.000057123805,"threshold_uncertainty_score":0.9994728},"labels":[],"label_agreement":null},{"id":"W7097957444","doi":"","title":"ET JACKENDOFF: «A GENERATIVE THEORY OF TONAL MUSIC»","year":2016,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Promotion (chess); Generative grammar; Field (mathematics); Order (exchange)","score_opus":0.03871310671828248,"score_gpt":0.29930557693074117,"score_spread":0.2605924702124587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097957444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23780203,0.00036959353,0.0011554778,0.012968127,0.0004084576,0.00014978545,0.000033197677,0.00006645223,0.7470469],"genre_scores_gemma":[0.9354735,0.00003423045,0.0004180605,0.0061777546,0.0002853827,0.0000062081617,0.0000032629616,0.0000026385917,0.05759897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990767,0.00032673316,0.00012233663,0.00013878949,0.00018212352,0.00015326665],"domain_scores_gemma":[0.99946654,0.00018876992,0.000055549765,0.000082456434,0.00014843771,0.000058225585],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045533752,0.00006445272,0.00012761053,0.000027654753,0.00014731065,0.000025275005,0.00014387992,0.000069410075,0.00641396],"category_scores_gemma":[0.000118783995,0.000030447349,0.000102087295,0.00017029722,0.00032274646,0.00020109655,0.000026362757,0.000038627215,0.000053309173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010665948,0.000026519736,0.00039977944,9.1562794e-7,0.000047432935,9.5074876e-7,0.0070781074,1.9279659e-7,0.0071702586,0.96345496,0.013335166,0.008475071],"study_design_scores_gemma":[0.00078706315,0.0001322853,0.0063360767,0.00003229366,0.000114477494,0.0000013915331,0.016363546,0.000003920419,0.014026402,0.31693596,0.6448605,0.00040608656],"about_ca_topic_score_codex":0.00016033168,"about_ca_topic_score_gemma":0.0026105358,"teacher_disagreement_score":0.6976715,"about_ca_system_score_codex":0.000017834906,"about_ca_system_score_gemma":0.00006790855,"threshold_uncertainty_score":0.9944943},"labels":[],"label_agreement":null},{"id":"W7099212254","doi":"","title":"Your fib Votre idkifdnct? Our lSie Notre telorence","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Legislation; Reproduction; Order (exchange); Government (linguistics)","score_opus":0.03086247450011946,"score_gpt":0.3028081111832499,"score_spread":0.27194563668313043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099212254","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1553018,0.00026447792,0.00018932317,0.035788126,0.0011338043,0.00021552923,0.000009467473,0.00034728786,0.8067502],"genre_scores_gemma":[0.8746689,0.000019014064,0.0004967094,0.0065400396,0.0011065126,0.000008038229,0.000008942193,0.000005117198,0.11714671],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871,0.00016580743,0.00016520749,0.00028671278,0.00030244744,0.00036984443],"domain_scores_gemma":[0.9993839,0.00005104562,0.000067001514,0.00017898677,0.00014998228,0.00016908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003236769,0.00012928576,0.00019730306,0.000040694453,0.0005665482,0.00019931779,0.00035726323,0.0001657194,0.00078084064],"category_scores_gemma":[0.00023609263,0.00008610526,0.00014574178,0.00044034666,0.00009958733,0.0002789472,0.000045350735,0.00014459576,0.00047743585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026378744,0.00020338767,0.024172278,0.0000223364,0.00016703519,0.000017435184,0.03161809,0.000024093135,0.0014463043,0.29361278,0.5374607,0.11122921],"study_design_scores_gemma":[0.00022240663,0.000051859213,0.00831363,0.000013617473,0.00006582953,0.0000012697575,0.014812001,0.00012848423,0.00015284652,0.00724711,0.9686609,0.00033006095],"about_ca_topic_score_codex":0.0014190446,"about_ca_topic_score_gemma":0.006174503,"teacher_disagreement_score":0.71936715,"about_ca_system_score_codex":0.000028790177,"about_ca_system_score_gemma":0.0000472282,"threshold_uncertainty_score":0.85496575},"labels":[],"label_agreement":null},{"id":"W7100178906","doi":"","title":"(Theatre)","year":2008,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Openness to experience; Key (lock); Scope (computer science)","score_opus":0.02995105835642171,"score_gpt":0.27936854098627845,"score_spread":0.24941748262985675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100178906","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120418265,0.00016993657,0.000012125287,0.0025708077,0.00012315981,0.000032021384,3.9352037e-7,0.00006916158,0.87660414],"genre_scores_gemma":[0.9005487,0.000051172592,0.00015543381,0.004889466,0.00034186686,0.0000022821139,0.0000019098,0.0000012960573,0.0940079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995748,0.00004422416,0.00005274626,0.00008286396,0.00011670921,0.00012869023],"domain_scores_gemma":[0.99982125,0.000016775242,0.000011757511,0.00005387571,0.000039022583,0.0000573213],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000066729175,0.00003421339,0.00006106079,0.00001545079,0.000498398,0.000020447715,0.000090023925,0.00004689471,0.001956989],"category_scores_gemma":[0.000012343547,0.00002213328,0.00006060012,0.00021022819,0.00014815612,0.000105314044,0.000007962372,0.000038591836,0.00036328213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000998347,0.00014459524,0.029780868,0.000002931738,0.000095720476,0.000051034312,0.05677326,0.0000032969047,0.00068645546,0.5034241,0.38869554,0.020332236],"study_design_scores_gemma":[0.000050115967,0.0000075111684,0.002161039,6.169345e-7,0.000008410299,0.000001580429,0.0017837737,0.000003274719,0.000048621572,0.0018369993,0.9940377,0.000060392438],"about_ca_topic_score_codex":0.000989323,"about_ca_topic_score_gemma":0.0018421373,"teacher_disagreement_score":0.78259623,"about_ca_system_score_codex":0.000010999503,"about_ca_system_score_gemma":0.000027772185,"threshold_uncertainty_score":0.99895537},"labels":[],"label_agreement":null},{"id":"W7100262553","doi":"","title":"Your Ne Voire réferen- Our fik, Notre réUrence","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Legislation; Order (exchange); Government (linguistics); Reproduction","score_opus":0.032742232419220405,"score_gpt":0.3020439610080499,"score_spread":0.2693017285888295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100262553","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1568751,0.00037556986,0.00040384452,0.060369793,0.0012948008,0.00022178456,0.00001023699,0.0003690145,0.78007984],"genre_scores_gemma":[0.89203703,0.000017182256,0.00028599508,0.0066194967,0.000929371,0.000006348718,0.00001035896,0.000004080329,0.10009014],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988654,0.00015933829,0.000143409,0.00025162543,0.000261639,0.00031855569],"domain_scores_gemma":[0.9994591,0.00002962525,0.000056910765,0.00016399573,0.00013995227,0.00015042891],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002673947,0.00011443452,0.0001803001,0.00003222759,0.00054366776,0.00018613203,0.00032396056,0.00015445282,0.00062838686],"category_scores_gemma":[0.0001676862,0.00007577896,0.00012197292,0.00036288227,0.00006619734,0.00023923568,0.000039576662,0.00014058595,0.00036481427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002149019,0.00018774749,0.014699388,0.00002113789,0.00014215308,0.000009865538,0.02658471,0.00002064722,0.0012988799,0.45136526,0.43188936,0.07375936],"study_design_scores_gemma":[0.00023333826,0.000055585668,0.006556166,0.0000137012275,0.000072433606,0.0000010884247,0.01863618,0.00021286603,0.000113436734,0.009740525,0.96403843,0.00032624972],"about_ca_topic_score_codex":0.0017331511,"about_ca_topic_score_gemma":0.0104736015,"teacher_disagreement_score":0.7351619,"about_ca_system_score_codex":0.000024651441,"about_ca_system_score_gemma":0.000044513974,"threshold_uncertainty_score":0.68803954},"labels":[],"label_agreement":null},{"id":"W7100544606","doi":"","title":"PAR","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Theodolite; Work (physics)","score_opus":0.01870337412728578,"score_gpt":0.2771766964542867,"score_spread":0.25847332232700093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100544606","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044485528,0.000044129676,0.00007808768,0.0047819596,0.00016920126,0.000025120626,2.2005675e-7,0.000060753828,0.950355],"genre_scores_gemma":[0.9464554,0.0000047827684,0.00018087859,0.008516082,0.00043402592,0.0000019394058,0.0000015042283,9.815648e-7,0.044404395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961627,0.00007057878,0.000044109453,0.000072762756,0.000086206936,0.00011005987],"domain_scores_gemma":[0.9998262,0.000024669642,0.000012276709,0.000050817038,0.000035997695,0.000050060684],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017401662,0.000027575521,0.00005176822,0.000010065909,0.00025711476,0.000054996934,0.000086715896,0.000042426458,0.0021101823],"category_scores_gemma":[0.000059238446,0.000017381824,0.000040893243,0.00012701839,0.00007580241,0.00007509391,0.000007761298,0.000030485338,0.0002318802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012197794,0.000016657334,0.0037285346,0.0000010824809,0.000014133031,3.8976867e-7,0.004150806,6.475622e-7,0.00020641935,0.901211,0.07275514,0.017913938],"study_design_scores_gemma":[0.000031722677,0.0000067154197,0.0018603846,5.88285e-7,0.000007855943,5.870621e-8,0.0006933329,0.000013222714,0.00004422091,0.009353189,0.9879471,0.000041588184],"about_ca_topic_score_codex":0.00047589248,"about_ca_topic_score_gemma":0.0029039984,"teacher_disagreement_score":0.915192,"about_ca_system_score_codex":0.000005345807,"about_ca_system_score_gemma":0.000008307773,"threshold_uncertainty_score":0.998802},"labels":[],"label_agreement":null},{"id":"W7100607725","doi":"","title":"KHALILKANE","year":2014,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diffuser (optics); Work (physics); Actuary","score_opus":0.019720302943469485,"score_gpt":0.2830980471002184,"score_spread":0.2633777441567489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100607725","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031930044,0.00006438525,0.00010151496,0.005406372,0.00020369349,0.000030148562,3.2389994e-7,0.00007525474,0.96218824],"genre_scores_gemma":[0.9050874,0.000006221365,0.00020711786,0.008982995,0.00052775437,0.000002191897,0.0000025082945,0.0000013422618,0.085182436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995315,0.00008650557,0.000054176217,0.000087020024,0.00011035302,0.00013045061],"domain_scores_gemma":[0.999785,0.00003144761,0.000015248028,0.00006169304,0.00004607868,0.000060535072],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021704688,0.000034008164,0.00006299392,0.000014022818,0.00024670502,0.00006412849,0.00010358125,0.000051038427,0.002208347],"category_scores_gemma":[0.00007205106,0.00002204194,0.00004719232,0.00015950944,0.00008173621,0.00008665686,0.00000970732,0.000036916434,0.00026763263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010854966,0.000014538772,0.0010960674,0.0000010704388,0.000011562821,4.564138e-7,0.0029215051,6.302017e-7,0.0002010738,0.93761414,0.047334395,0.010803466],"study_design_scores_gemma":[0.000041337502,0.000008576155,0.0007986349,8.13261e-7,0.000009803254,1.2935271e-7,0.0009435653,0.00001646146,0.000041947187,0.009006358,0.9890817,0.000050689192],"about_ca_topic_score_codex":0.00078133814,"about_ca_topic_score_gemma":0.0037976187,"teacher_disagreement_score":0.9417473,"about_ca_system_score_codex":0.000007853117,"about_ca_system_score_gemma":0.000009831931,"threshold_uncertainty_score":0.9987038},"labels":[],"label_agreement":null},{"id":"W7100829972","doi":"","title":"MUSICO-POETIC FORM IN SATIE&amp;apos;S &amp;quot;HUMORISTIC &amp;quot; PIANO SUITES (1913-14)","year":2016,"lang":"en","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Promotion (chess); Exhibition; Work (physics)","score_opus":0.09655307169203216,"score_gpt":0.34610136782865153,"score_spread":0.24954829613661939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100829972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8064203,0.0010858225,0.0004264846,0.010064881,0.0016704411,0.0007340106,0.00007929473,0.00042580816,0.17909293],"genre_scores_gemma":[0.76137483,0.00020110127,0.0010492923,0.0042243865,0.0009951441,0.000061471335,0.00008223253,0.00003025566,0.23198126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99626935,0.0003546184,0.00070288824,0.0007643208,0.0007553997,0.0011534313],"domain_scores_gemma":[0.99769443,0.00076722295,0.00023042609,0.0005774085,0.0003366148,0.00039390306],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00088646205,0.00042329775,0.00063511776,0.00028480688,0.0007626991,0.00038482642,0.0007480594,0.00043229052,0.010383828],"category_scores_gemma":[0.0014436396,0.00025891446,0.00033564007,0.001274918,0.0006695823,0.00071189675,0.00014355608,0.00030519615,0.0025056228],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024022898,0.0012211567,0.105304636,0.00017072634,0.00055150414,0.000050463528,0.12986772,0.000007907017,0.020247756,0.24475005,0.4403687,0.05721915],"study_design_scores_gemma":[0.0007283515,0.000053320673,0.0067736246,0.000080522375,0.000112519716,0.0000053024487,0.002079203,0.0000014532488,0.000063084226,0.011610143,0.9778568,0.0006356414],"about_ca_topic_score_codex":0.004211538,"about_ca_topic_score_gemma":0.21203093,"teacher_disagreement_score":0.5374881,"about_ca_system_score_codex":0.0003446633,"about_ca_system_score_gemma":0.00021315087,"threshold_uncertainty_score":0.9999863},"labels":[],"label_agreement":null},{"id":"W7104261583","doi":"10.71781/4170","title":"Une image et sa musique : analyse de leur relation et de leur processus d’association","year":2022,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Magdalenian; Relation (database); Simulacrum","score_opus":0.007336896830787681,"score_gpt":0.22057010410878108,"score_spread":0.21323320727799341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104261583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8854276,0.008135748,0.00021556707,0.006589181,0.001204064,0.0004798158,0.00014476388,0.00017453574,0.097628735],"genre_scores_gemma":[0.8001294,0.0010217663,0.0007600266,0.0025134722,0.00042087882,0.0000753219,0.0022249809,0.00003499823,0.19281916],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99516004,0.0015825909,0.00056893553,0.00080458756,0.0011493823,0.00073449],"domain_scores_gemma":[0.99718034,0.00030091405,0.0011222764,0.00026692156,0.00075003516,0.0003794903],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0012330255,0.0005061613,0.00056473975,0.00035481044,0.010741562,0.00025882383,0.0005667292,0.0009092811,0.00029572065],"category_scores_gemma":[0.00040843175,0.000576695,0.00064070383,0.0018987512,0.00026997193,0.0013445707,0.00014002984,0.0012107715,0.00004122649],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00080327975,0.000712213,0.12009923,0.00028885156,0.0018769547,0.0022164534,0.6381238,0.014915141,0.026619973,0.18809459,0.00453459,0.0017149352],"study_design_scores_gemma":[0.0018015163,0.00024755643,0.33200637,0.00027048113,0.00378082,0.00026130362,0.29346865,0.0041575935,0.0011215466,0.0069319457,0.3542912,0.0016609852],"about_ca_topic_score_codex":0.2600008,"about_ca_topic_score_gemma":0.273834,"teacher_disagreement_score":0.34975663,"about_ca_system_score_codex":0.019584268,"about_ca_system_score_gemma":0.005192616,"threshold_uncertainty_score":0.9996684},"labels":[],"label_agreement":null},{"id":"W7104263796","doi":"10.71781/4381","title":"Influence de quelques notions de dramaturgie d’Aristote dans mes compositions musicales","year":2017,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Italian studies; Choir; Classicism","score_opus":0.008115990163824324,"score_gpt":0.21870306220591876,"score_spread":0.21058707204209443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104263796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8423204,0.01576374,0.00019255438,0.0021714724,0.0008814101,0.00034658235,0.000236855,0.00017409795,0.13791288],"genre_scores_gemma":[0.8852028,0.0012998701,0.0009269105,0.00091593905,0.0006781843,0.000050582385,0.0007556596,0.000025055158,0.110145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966559,0.00054986327,0.0004855548,0.0007592327,0.0007127895,0.0008366853],"domain_scores_gemma":[0.9972122,0.00022349424,0.00071527774,0.0005263105,0.00067855144,0.0006441727],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00032337353,0.0005619804,0.0006092221,0.00024868676,0.033066794,0.00044315055,0.0010988822,0.001042027,0.00011037671],"category_scores_gemma":[0.0001962423,0.0006016478,0.00072377804,0.0004919257,0.0020459795,0.0011460069,0.00013497485,0.0008717759,0.00008352474],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034838036,0.0007277515,0.02904172,0.00021348301,0.0013811131,0.0023740486,0.41375342,0.011226537,0.059041884,0.4763673,0.0037365374,0.0017878128],"study_design_scores_gemma":[0.0012626314,0.00021023456,0.36358368,0.0013382114,0.0035395576,0.0007825201,0.19179761,0.0026516672,0.0068747597,0.013039415,0.4126529,0.0022667823],"about_ca_topic_score_codex":0.191344,"about_ca_topic_score_gemma":0.1784853,"teacher_disagreement_score":0.46332788,"about_ca_system_score_codex":0.0072702505,"about_ca_system_score_gemma":0.003304387,"threshold_uncertainty_score":0.9996435},"labels":[],"label_agreement":null},{"id":"W7104269718","doi":"10.71781/4236","title":"Le métier de chanteur lyrique au Québec (2000-2020) : médiation de la musique et nouvelles modalités du concert","year":2020,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Verisimilitude; Qualitative analysis","score_opus":0.006173794923426341,"score_gpt":0.2013060285541928,"score_spread":0.19513223363076646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104269718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86230016,0.016393175,0.0005907958,0.014528594,0.0011502778,0.0005073821,0.00010713532,0.00017246562,0.10425],"genre_scores_gemma":[0.94207186,0.0019731477,0.0003814223,0.003424138,0.00097014644,0.000055541204,0.0005698441,0.000031436408,0.05052248],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960303,0.0015675352,0.00045554707,0.000734041,0.0005815151,0.0006310809],"domain_scores_gemma":[0.99793273,0.0003539151,0.0005149791,0.00021692057,0.0004333501,0.0005481296],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00061142567,0.0005046625,0.0005566233,0.0001533094,0.010241613,0.00018173587,0.000566493,0.0010844157,0.00009153919],"category_scores_gemma":[0.0002736118,0.000551947,0.0005586516,0.00073265063,0.0007794234,0.00064745825,0.0001182854,0.00084664236,0.000043839296],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00044809357,0.00028194746,0.018630272,0.00016553304,0.0006831161,0.0013663834,0.62093794,0.0031459637,0.009882112,0.34095672,0.0019672993,0.0015346283],"study_design_scores_gemma":[0.0011814523,0.00013682249,0.045681924,0.00026420527,0.0008769563,0.00038699902,0.25899056,0.005245899,0.002397345,0.0012209918,0.6825474,0.0010694524],"about_ca_topic_score_codex":0.7972387,"about_ca_topic_score_gemma":0.7054401,"teacher_disagreement_score":0.6805801,"about_ca_system_score_codex":0.010494512,"about_ca_system_score_gemma":0.032192443,"threshold_uncertainty_score":0.9996932},"labels":[],"label_agreement":null},{"id":"W7104271380","doi":"10.71781/4320","title":"Les implications polystylistiques de la narrativité dans ma démarche compositionnelle","year":2023,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wildness; Gambit; Spiritualism","score_opus":0.014010833884912246,"score_gpt":0.23930971664219425,"score_spread":0.225298882757282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104271380","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8031711,0.013818861,0.00030301776,0.0024968423,0.00079461216,0.00040458344,0.00025240774,0.00030841178,0.17845015],"genre_scores_gemma":[0.83827645,0.0009937932,0.00041493593,0.00027726858,0.00040814513,0.000054218974,0.0013342191,0.000030834464,0.15821011],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9965985,0.0012413948,0.00042864244,0.0006043071,0.0005449339,0.00058222143],"domain_scores_gemma":[0.9978827,0.00053372973,0.0004171334,0.00031495502,0.00043817147,0.0004132781],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004325545,0.00045762982,0.00045775945,0.00026168147,0.01982577,0.00017031352,0.0006404605,0.0009334177,0.00013388734],"category_scores_gemma":[0.00009624775,0.00048892223,0.00047799727,0.0010825854,0.0012834175,0.00042668206,0.00012745992,0.00066785974,0.00008879243],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029507987,0.00041947505,0.022157598,0.00015548838,0.00089601125,0.00052142516,0.50612944,0.0014342394,0.0678793,0.392276,0.00445874,0.0033771852],"study_design_scores_gemma":[0.0006840094,0.0001320797,0.32504585,0.00036866908,0.0015821217,0.0004088285,0.55780333,0.0008391853,0.0036749826,0.0061042616,0.10224622,0.0011104653],"about_ca_topic_score_codex":0.25075427,"about_ca_topic_score_gemma":0.15682647,"teacher_disagreement_score":0.38617173,"about_ca_system_score_codex":0.0059570116,"about_ca_system_score_gemma":0.001581135,"threshold_uncertainty_score":0.9997562},"labels":[],"label_agreement":null},{"id":"W7104277161","doi":"10.71781/4218","title":"Composition avec la modalité multicyclique","year":2019,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Order (exchange)","score_opus":0.006731380781870938,"score_gpt":0.20201355983452893,"score_spread":0.195282179052658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104277161","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88854957,0.013107642,0.00011232415,0.0012242601,0.0021180217,0.00049521297,0.0000856684,0.000119563214,0.094187744],"genre_scores_gemma":[0.8941335,0.00037515422,0.00038515916,0.0006778695,0.0003878273,0.000026916323,0.00091165164,0.000023133769,0.10307875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9965498,0.0007691095,0.000493498,0.0008070915,0.00080565043,0.0005748852],"domain_scores_gemma":[0.9979344,0.00022997301,0.0005505254,0.0003493409,0.0005411665,0.00039462253],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00030452685,0.00054228463,0.000608143,0.00024240921,0.009574896,0.00020925855,0.0005858906,0.0011995641,0.00016293499],"category_scores_gemma":[0.000045360473,0.0005709417,0.0007039329,0.0006114522,0.0007241237,0.00068083074,0.00015207585,0.0007773481,0.0002323842],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009204032,0.000764949,0.01970137,0.0003839863,0.0013905575,0.0018366209,0.41975987,0.008517135,0.043409575,0.4979532,0.0005381062,0.004824244],"study_design_scores_gemma":[0.005591705,0.0005147013,0.19428971,0.002043055,0.005988654,0.0011795745,0.4476122,0.035025403,0.01763495,0.008414286,0.27664298,0.0050628018],"about_ca_topic_score_codex":0.05760317,"about_ca_topic_score_gemma":0.016895749,"teacher_disagreement_score":0.4895389,"about_ca_system_score_codex":0.0043006293,"about_ca_system_score_gemma":0.0014432244,"threshold_uncertainty_score":0.9996742},"labels":[],"label_agreement":null},{"id":"W7104278252","doi":"10.71781/4260","title":"Narrativity and Identity in the Creative Process","year":2017,"lang":"en","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrativity; Identity (music); Narrative; Perspective (graphical)","score_opus":0.010095517044807654,"score_gpt":0.2496702700925108,"score_spread":0.23957475304770315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104278252","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7330169,0.0076582655,0.0000014708493,0.0005190573,0.00045580004,0.00025762632,0.000015902733,0.000022557171,0.25805238],"genre_scores_gemma":[0.9004485,0.00033321956,0.000009564957,0.00017729725,0.00018802621,0.000024905863,0.00012590157,0.000004646572,0.09868791],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99845827,0.0002881759,0.00015298062,0.0003424119,0.00052989,0.0002282514],"domain_scores_gemma":[0.99914247,0.00006203216,0.00028147877,0.00018760926,0.00023007093,0.00009631509],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003856095,0.00018779878,0.00025048686,0.00010914879,0.013067954,0.00027342624,0.0005093022,0.0003308907,0.000035943685],"category_scores_gemma":[0.00015607358,0.00014848165,0.00012956039,0.000254833,0.0004447175,0.00090227,0.000030367017,0.00036321435,0.000005614867],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000270261,0.00015709283,0.015700085,0.00009229836,0.00021061956,0.00076817535,0.90978765,0.000019248195,0.0003674357,0.06790875,0.0010897695,0.0036285976],"study_design_scores_gemma":[0.00045867433,0.00004090048,0.24181092,0.00016857915,0.00031708807,0.000045381756,0.69139963,0.00002448368,0.00015647817,0.007052991,0.058107115,0.00041774657],"about_ca_topic_score_codex":0.0806491,"about_ca_topic_score_gemma":0.51062137,"teacher_disagreement_score":0.42997226,"about_ca_system_score_codex":0.0008444077,"about_ca_system_score_gemma":0.0008404407,"threshold_uncertainty_score":0.9882169},"labels":[],"label_agreement":null},{"id":"W7104434660","doi":"10.71781/22092","title":"La réception critique du théâtre au Québec : le succès de la Locandiera au TNM","year":2000,"lang":"","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Focus (optics); Context (archaeology); Perspective (graphical); Term (time)","score_opus":0.0039387394735351565,"score_gpt":0.20164631186822132,"score_spread":0.19770757239468617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104434660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7905941,0.007652615,0.000056667403,0.0015515315,0.0007864996,0.00033986906,0.00005866365,0.00012016397,0.19883987],"genre_scores_gemma":[0.86805123,0.001256555,0.000059576043,0.000512489,0.0010118503,0.000043298067,0.00051923736,0.000030429446,0.12851536],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.994951,0.0016414856,0.0006100459,0.0009955352,0.0008959438,0.00090598554],"domain_scores_gemma":[0.9975306,0.00039841802,0.00052214426,0.00036226073,0.0005201267,0.0006664704],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00071450876,0.0007071156,0.00072104216,0.00036622572,0.021617597,0.00037812386,0.0007805566,0.0017393006,0.00034291076],"category_scores_gemma":[0.00013926983,0.00074900745,0.00089184375,0.00085986254,0.0017361497,0.00101374,0.000101475314,0.001078401,0.00007326864],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0023442502,0.0011241047,0.0377224,0.00028138704,0.0015181334,0.0040771854,0.8203546,0.002346703,0.005915341,0.10263864,0.005214485,0.0164628],"study_design_scores_gemma":[0.0013660479,0.00014698225,0.101403795,0.0003961572,0.0013218373,0.0006116677,0.32728782,0.00040843035,0.000861734,0.0008634369,0.5640881,0.0012439657],"about_ca_topic_score_codex":0.89166385,"about_ca_topic_score_gemma":0.8324606,"teacher_disagreement_score":0.55887365,"about_ca_system_score_codex":0.016696837,"about_ca_system_score_gemma":0.022390164,"threshold_uncertainty_score":0.99955666},"labels":[],"label_agreement":null},{"id":"W7104456887","doi":"10.71781/22274","title":"Le théâtre et l'absurde au Québec dans les années 1950 et 1960","year":2022,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Post colonialism; Sinology","score_opus":0.008896866348064348,"score_gpt":0.2065937511302439,"score_spread":0.19769688478217953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104456887","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6663147,0.014228158,0.00002989802,0.008796057,0.0015516747,0.00022708191,0.00016833031,0.00010780466,0.3085763],"genre_scores_gemma":[0.7957975,0.0005621057,0.00011726906,0.0012029497,0.0003172072,0.00004125316,0.0012412841,0.000024278257,0.2006961],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659806,0.00079705584,0.00041271292,0.0007478411,0.0008981551,0.0005461951],"domain_scores_gemma":[0.99836993,0.00019832449,0.00050514756,0.00030474312,0.0002888744,0.00033294936],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003820436,0.0004667127,0.000474727,0.00021000848,0.02618379,0.00015189356,0.00072485633,0.00055632065,0.0003927846],"category_scores_gemma":[0.000083915475,0.00051169697,0.0006881479,0.0007640958,0.0008712926,0.0007179298,0.00021799121,0.0008039345,0.000045093355],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00022449486,0.00027467258,0.0088676885,0.00007113229,0.0005263119,0.0007233712,0.50315756,0.0037954005,0.0023998693,0.47710237,0.0016867376,0.0011703736],"study_design_scores_gemma":[0.0003806021,0.000083308885,0.022066591,0.000079602454,0.0005001664,0.00009920851,0.39176717,0.00020627184,0.00036299363,0.00032503944,0.58361274,0.0005162679],"about_ca_topic_score_codex":0.9380414,"about_ca_topic_score_gemma":0.9766741,"teacher_disagreement_score":0.58192605,"about_ca_system_score_codex":0.0058494327,"about_ca_system_score_gemma":0.01313195,"threshold_uncertainty_score":0.99973345},"labels":[],"label_agreement":null},{"id":"W7104460394","doi":"10.71781/22060","title":"Poésie directe : la représentation de l’ordinaire dans la poésie d’Erika Soucy","year":2018,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panache; Historical heritage; Calendering","score_opus":0.006023773019825933,"score_gpt":0.2089943812447017,"score_spread":0.20297060822487578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104460394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5802235,0.0068170233,0.000106035106,0.0007604312,0.0016486365,0.00027168746,0.000053589094,0.00014983318,0.40996924],"genre_scores_gemma":[0.6474782,0.00081008516,0.0006985923,0.00038723444,0.0010122028,0.000037165122,0.00073976466,0.000034334207,0.3488024],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958329,0.0010987982,0.0005235775,0.0009572043,0.00085997407,0.00072753633],"domain_scores_gemma":[0.99756044,0.00025920567,0.00064938894,0.00038143017,0.00064675836,0.00050275977],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005865312,0.00058880344,0.0005812227,0.0002353263,0.012600861,0.00027233048,0.0006460822,0.001216194,0.0002065169],"category_scores_gemma":[0.00019928439,0.000619946,0.0007104954,0.0010294893,0.0014995077,0.0008225853,0.00013133955,0.0006391145,0.00012422304],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007636255,0.0005828214,0.032508034,0.00023730751,0.0014569906,0.00405266,0.72774017,0.00043780357,0.02048113,0.19242601,0.007223087,0.01209036],"study_design_scores_gemma":[0.0011938987,0.00016495866,0.13128152,0.0005351547,0.0021905128,0.0010069598,0.4011385,0.00069504906,0.0039449963,0.0035845337,0.45288298,0.0013809061],"about_ca_topic_score_codex":0.11060911,"about_ca_topic_score_gemma":0.06758803,"teacher_disagreement_score":0.4456599,"about_ca_system_score_codex":0.0044216933,"about_ca_system_score_gemma":0.0022561047,"threshold_uncertainty_score":0.9996252},"labels":[],"label_agreement":null},{"id":"W7104461351","doi":"10.71781/22903","title":"I &lt;3 Sorel ; suivi de Monologue et échec de la communication dans Billy [les jours de hurlement] de Fabien Cloutier","year":2021,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Order (exchange)","score_opus":0.008751377565828094,"score_gpt":0.22016845283529132,"score_spread":0.21141707526946324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104461351","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91796714,0.025732262,0.00058781623,0.0023178514,0.00041792783,0.0002603678,0.00010458621,0.00009969853,0.05251235],"genre_scores_gemma":[0.9480131,0.0046657273,0.003258069,0.0011306732,0.00027532503,0.000053512387,0.0013011782,0.000031259715,0.041271143],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99481744,0.002564732,0.00047865752,0.000610089,0.00058981637,0.0009392892],"domain_scores_gemma":[0.99752796,0.00042248346,0.0005611026,0.00045307484,0.0005040919,0.0005313165],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0013980841,0.00047979146,0.000512317,0.00022255628,0.011491388,0.0002922359,0.0009852272,0.0012721104,0.00012424972],"category_scores_gemma":[0.00030237585,0.00051535416,0.0005953579,0.00074770744,0.0012843182,0.0005298767,0.00021192557,0.001040901,0.0000159914],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00028267383,0.00058766524,0.096575774,0.00012157066,0.0012584025,0.0009849413,0.55918574,0.0047501624,0.040436033,0.2892858,0.0021948507,0.0043363855],"study_design_scores_gemma":[0.001344191,0.000120438104,0.23572175,0.00056227425,0.0022419784,0.0006156054,0.58472824,0.0026728404,0.006807424,0.0094954325,0.15445442,0.0012353898],"about_ca_topic_score_codex":0.18030506,"about_ca_topic_score_gemma":0.23084046,"teacher_disagreement_score":0.27979037,"about_ca_system_score_codex":0.010538015,"about_ca_system_score_gemma":0.005778252,"threshold_uncertainty_score":0.9998581},"labels":[],"label_agreement":null},{"id":"W7104463843","doi":"10.71781/21658","title":"Préserver « l’esprit indé » du Québec : portrait de la scène musicale indé francophone de Montréal","year":2025,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Intentionality; Ligne; Third person","score_opus":0.013304595599717988,"score_gpt":0.2823363942390849,"score_spread":0.26903179863936694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104463843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8192714,0.0053455024,0.000008486633,0.0055069895,0.0013046077,0.00058061304,0.00010015513,0.00000659698,0.16787566],"genre_scores_gemma":[0.7211563,0.0004010928,0.0013253702,0.0023242864,0.0016463276,0.00014366413,0.00067261653,0.00003092429,0.27229944],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99661654,0.0007961872,0.00063364755,0.0007978155,0.00044830563,0.0007074819],"domain_scores_gemma":[0.99824417,0.00034900673,0.00042586875,0.0003155731,0.0003234886,0.00034191122],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011438688,0.00047584908,0.0008118532,0.00012840504,0.0011122262,0.0007889383,0.0013131907,0.0013336971,0.016660852],"category_scores_gemma":[0.00038914828,0.00042961052,0.0004373473,0.0014529211,0.00043908515,0.0005442124,0.00019263358,0.00090447225,0.0005476131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004752737,0.0017245999,0.02426811,0.00022813844,0.0015474004,0.0005617286,0.3640044,0.0001410748,0.0036522641,0.0032917217,0.07457318,0.52553207],"study_design_scores_gemma":[0.00077181135,0.00007653268,0.04871381,0.00032964844,0.0006401958,0.000009666253,0.03217143,0.00013064164,0.00064421503,0.0007239342,0.91515857,0.00062956725],"about_ca_topic_score_codex":0.4294516,"about_ca_topic_score_gemma":0.82414913,"teacher_disagreement_score":0.84058535,"about_ca_system_score_codex":0.00051648694,"about_ca_system_score_gemma":0.004037383,"threshold_uncertainty_score":0.9999628},"labels":[],"label_agreement":null},{"id":"W7104466564","doi":"10.71781/21931","title":"La Fin du monde mise en scène par Julien Daoust : histoire retrouvée d'une innovation théâtro-cinématographique montréalaise présentée en 1907","year":2023,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Spectacle; French revolution; Context (archaeology)","score_opus":0.006315402813909887,"score_gpt":0.19619973801303509,"score_spread":0.1898843351991252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104466564","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9127015,0.014663299,0.00004902837,0.0066970084,0.003570641,0.00089735846,0.0001749206,0.00043983705,0.06080639],"genre_scores_gemma":[0.79898834,0.0027543076,0.0003100269,0.00061471335,0.0011938614,0.00011270978,0.0024987513,0.00007272627,0.19345456],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99437934,0.0011771944,0.0010077002,0.0012408776,0.0013162068,0.00087867735],"domain_scores_gemma":[0.99653417,0.0004385846,0.0010369875,0.00053692644,0.0010175372,0.00043581674],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00085206376,0.0008635754,0.00093096204,0.00096900476,0.014800486,0.00023182778,0.00096790376,0.0017928404,0.00009366836],"category_scores_gemma":[0.0003528589,0.00090191304,0.0007683537,0.0047050654,0.0012083135,0.0009513735,0.00023161118,0.0012556853,0.00014761965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017700339,0.001230546,0.04869012,0.0006601017,0.0026864547,0.0069758226,0.50166255,0.0029056072,0.021502936,0.337482,0.06159714,0.012836674],"study_design_scores_gemma":[0.0019081997,0.00022114687,0.12680402,0.0007257492,0.0019561113,0.00034022037,0.20601627,0.0012591244,0.0012538923,0.003393626,0.6542988,0.0018228404],"about_ca_topic_score_codex":0.1203639,"about_ca_topic_score_gemma":0.10048324,"teacher_disagreement_score":0.5927017,"about_ca_system_score_codex":0.005847847,"about_ca_system_score_gemma":0.0017562691,"threshold_uncertainty_score":0.999503},"labels":[],"label_agreement":null},{"id":"W7104468188","doi":"10.71781/12427","title":"Télévision et culture canadienne : une analyse documentaire des activités du CRTC entre 1993 et 1998","year":2000,"lang":"","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Government (linguistics); Focus (optics); Scope (computer science); Subject (documents)","score_opus":0.006024553370804557,"score_gpt":0.22288419059942655,"score_spread":0.21685963722862198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104468188","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9173208,0.01468069,0.000012323863,0.0021627874,0.0011679718,0.00057788077,0.00019190359,0.00013651386,0.06374917],"genre_scores_gemma":[0.9118129,0.005503379,0.0001365835,0.0013342757,0.00044304994,0.00003324683,0.0027425245,0.000037174694,0.077956885],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99423546,0.0010565293,0.0007860617,0.001492529,0.0012335797,0.0011958206],"domain_scores_gemma":[0.99681264,0.00016161856,0.00086896407,0.0005172466,0.0005721859,0.0010673284],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005587664,0.001040486,0.0010321754,0.0005045579,0.02197062,0.00062713894,0.0009806112,0.00128673,0.0005741027],"category_scores_gemma":[0.000088829205,0.0009766676,0.0011788635,0.0022589187,0.0010378312,0.0030217457,0.00017977275,0.0011846654,0.00010563592],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002887361,0.0010820992,0.0153023265,0.00022583113,0.003258434,0.0044944854,0.9056325,0.0032079748,0.011015539,0.025710458,0.0065229232,0.020660084],"study_design_scores_gemma":[0.0016614477,0.0003043285,0.046735752,0.00063060585,0.0029244006,0.0003441727,0.5829399,0.0004327744,0.0011033937,0.0013750659,0.35986862,0.001679527],"about_ca_topic_score_codex":0.6136411,"about_ca_topic_score_gemma":0.82751656,"teacher_disagreement_score":0.3533457,"about_ca_system_score_codex":0.008568956,"about_ca_system_score_gemma":0.003605917,"threshold_uncertainty_score":0.99926835},"labels":[],"label_agreement":null},{"id":"W7104485732","doi":"10.71781/22825","title":"Les phénomènes d'hypermnésie amnésiante dans le solo 887 de Robert Lepage","year":2020,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); ESPACE; Decorum","score_opus":0.008872514484272185,"score_gpt":0.19600068691667263,"score_spread":0.18712817243240046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104485732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6838328,0.040327895,0.00029547515,0.0043509686,0.0020208806,0.00044976434,0.00012838577,0.00022873431,0.26836506],"genre_scores_gemma":[0.8025164,0.0009600577,0.0005156124,0.00084017275,0.0008327341,0.000028660665,0.0007153708,0.000034633737,0.19355635],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99635935,0.0005678021,0.0005300253,0.0009571606,0.00077362877,0.00081204076],"domain_scores_gemma":[0.9979785,0.00013336462,0.0005316018,0.00031577484,0.000388961,0.00065179786],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00024915565,0.00064738624,0.0007331215,0.00019507339,0.018759038,0.00021584511,0.0008966297,0.0010207134,0.00019397015],"category_scores_gemma":[0.00010239699,0.00068111334,0.0008659248,0.00095163356,0.0011077622,0.0007364613,0.00017143469,0.00079361076,0.00010256532],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077643496,0.0006200589,0.021625837,0.00034718728,0.0019492542,0.005670739,0.4981413,0.0016971813,0.09045996,0.3645544,0.004380043,0.009777616],"study_design_scores_gemma":[0.0011935453,0.00018812205,0.042707477,0.0003435498,0.001903813,0.00048471498,0.37406304,0.00234091,0.0062263315,0.0013672054,0.5676666,0.0015147065],"about_ca_topic_score_codex":0.24160947,"about_ca_topic_score_gemma":0.16431157,"teacher_disagreement_score":0.56328654,"about_ca_system_score_codex":0.004644871,"about_ca_system_score_gemma":0.0025526907,"threshold_uncertainty_score":0.999564},"labels":[],"label_agreement":null},{"id":"W7104487258","doi":"10.71781/14591","title":"L'intertextualité et ses manifestations : regard littéraire sur la note de programme contemporaine","year":2024,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Public life; Centennial","score_opus":0.05056424947542396,"score_gpt":0.3639602294310684,"score_spread":0.31339597995564444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104487258","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38956815,0.0054210937,0.000019144396,0.031138854,0.001874215,0.0018295305,0.0005206628,0.000027131746,0.56960124],"genre_scores_gemma":[0.35268694,0.00017756161,0.0013812461,0.0012317335,0.00054408936,0.00017821706,0.00295633,0.000039326704,0.6408045],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656683,0.000985051,0.00064162543,0.00080762734,0.00040312365,0.0005957387],"domain_scores_gemma":[0.998181,0.00043571144,0.0003686766,0.0002616874,0.0004713043,0.00028165375],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013640346,0.0004484624,0.00061084813,0.00011135205,0.0005672949,0.002460181,0.0008805731,0.0007032745,0.002804839],"category_scores_gemma":[0.00042233142,0.000371027,0.00042517515,0.0008658584,0.00035523417,0.0007862564,0.00013079125,0.00069487933,0.0009936388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013549298,0.00055162236,0.0003911325,0.00030273042,0.000956758,0.0006924198,0.5120108,0.000009163267,0.0004350698,0.03833939,0.028646652,0.41752872],"study_design_scores_gemma":[0.0003191728,0.00012225092,0.00049733993,0.000784281,0.0007734384,0.000030239562,0.06461183,0.00018459879,0.00009318791,0.0026522619,0.9294229,0.00050847064],"about_ca_topic_score_codex":0.011909354,"about_ca_topic_score_gemma":0.22784707,"teacher_disagreement_score":0.90077627,"about_ca_system_score_codex":0.00020380001,"about_ca_system_score_gemma":0.001259746,"threshold_uncertainty_score":0.9998742},"labels":[],"label_agreement":null},{"id":"W7112053757","doi":"","title":"La naissance de l’improvisation libre au Québec. Mon pays, c’est la musique. L’amorce de l’improvisation libre au Québec de John Gilmore","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Line (geometry); Order (exchange)","score_opus":0.007099982310214938,"score_gpt":0.20143294292250005,"score_spread":0.1943329606122851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112053757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79033697,0.024857255,0.0007650054,0.14735217,0.00049152324,0.0004771005,0.00007066374,0.00027116534,0.035378136],"genre_scores_gemma":[0.8758988,0.002714255,0.00044405222,0.0042015607,0.00073244644,0.000030440759,0.00008063321,0.00004012604,0.1158577],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959609,0.0011733809,0.0004007061,0.0007599221,0.00040376812,0.001301305],"domain_scores_gemma":[0.99786496,0.00047920406,0.0004326118,0.00043772292,0.00024513973,0.00054038444],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00095175084,0.00050572056,0.00054248946,0.00023796763,0.002704601,0.00022391029,0.00078219996,0.0010881567,0.00015770503],"category_scores_gemma":[0.00030710263,0.0005361991,0.00045745904,0.0014518007,0.0008927889,0.0011644231,0.00028476215,0.000760207,0.00005584423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0005751809,0.00066258764,0.04796642,0.000639323,0.0009667354,0.0013825451,0.14980268,0.0017341324,0.007398777,0.14335252,0.19134934,0.45416972],"study_design_scores_gemma":[0.00093511207,0.00012060327,0.028798932,0.00022055837,0.00084178394,0.00008560685,0.015972009,0.0048569497,0.00030244535,0.0019710367,0.9453087,0.0005863045],"about_ca_topic_score_codex":0.90246034,"about_ca_topic_score_gemma":0.98702395,"teacher_disagreement_score":0.7539593,"about_ca_system_score_codex":0.033377968,"about_ca_system_score_gemma":0.0061678467,"threshold_uncertainty_score":0.99970895},"labels":[],"label_agreement":null},{"id":"W7112126898","doi":"","title":"Organistes versus ménétriers","year":2025,"lang":"fr","type":"book-chapter","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Limiting; Context (archaeology)","score_opus":0.04306821612657278,"score_gpt":0.26546321997025435,"score_spread":0.22239500384368158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112126898","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029874889,0.002256721,0.000017474826,0.03064128,0.0042027296,0.0006714241,0.000597475,0.000285237,0.95834017],"genre_scores_gemma":[0.048028287,0.00072530267,0.00025554857,0.003219417,0.0021985052,0.000009980481,0.00065169233,0.000061001596,0.94485027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952218,0.0004705858,0.0006798139,0.0013526729,0.00095873885,0.0013163794],"domain_scores_gemma":[0.9962037,0.0007390713,0.0007545533,0.00064504024,0.0008489364,0.0008086588],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.0004771372,0.0011157423,0.0012945329,0.00048168437,0.0024056553,0.0005897836,0.0016725148,0.0040296954,0.012356384],"category_scores_gemma":[0.000591093,0.0010915255,0.0011348339,0.0017176842,0.0024576555,0.0009495247,0.00038341535,0.0025429535,0.0010490794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022292718,0.000067961555,0.00006112336,0.00004923314,0.0018100817,0.00028761718,0.003155108,0.000014662221,0.00034047925,0.81546557,0.1695795,0.00894574],"study_design_scores_gemma":[0.0022721922,0.00023840928,0.0009740697,0.0004007548,0.0025796513,0.0000160853,0.013115406,0.000026647263,0.00012294,0.0020171597,0.97691643,0.0013202227],"about_ca_topic_score_codex":0.0032273943,"about_ca_topic_score_gemma":0.0033554535,"teacher_disagreement_score":0.81344837,"about_ca_system_score_codex":0.0017922464,"about_ca_system_score_gemma":0.0012411501,"threshold_uncertainty_score":0.99975824},"labels":[],"label_agreement":null},{"id":"W7112351001","doi":"","title":"Un réel sous tension. Marie-Ève Nadeau, Un écureuil dans le piano, Montréal, Mains libres, 2024, 204 p.","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mains electricity; Noise (video); Power (physics); Context (archaeology); Position (finance)","score_opus":0.004875820174151011,"score_gpt":0.17108276002773315,"score_spread":0.16620693985358215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112351001","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061784197,0.4975135,0.0006808142,0.36764926,0.0034675521,0.00066155626,0.00035886993,0.0002941553,0.06759009],"genre_scores_gemma":[0.07949516,0.037221782,0.00081698404,0.0091560995,0.0006752133,0.000016381613,0.00014323875,0.000047920323,0.8724272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959284,0.0006690534,0.0004721933,0.0010280688,0.0006090305,0.0012932367],"domain_scores_gemma":[0.9977582,0.00027339745,0.00033540415,0.00069965015,0.0003577318,0.00057560956],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041395563,0.0006286742,0.00081376755,0.0003049342,0.004353819,0.00019873962,0.0010860139,0.001016121,0.0013947858],"category_scores_gemma":[0.00012677521,0.00062994944,0.0007437246,0.0027552412,0.0009973582,0.00072331756,0.0007213678,0.0008299776,0.00036011662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014339903,0.00036488395,0.0006854653,0.000057092366,0.0010420561,0.0025000107,0.0048472374,0.00033131076,0.0007508081,0.23752367,0.7099045,0.041849565],"study_design_scores_gemma":[0.0013377594,0.00010563385,0.0022040037,0.000114327246,0.0012454679,0.00007216398,0.013703474,0.0010493471,0.00008287437,0.015403674,0.9640145,0.00066679344],"about_ca_topic_score_codex":0.20255782,"about_ca_topic_score_gemma":0.5139131,"teacher_disagreement_score":0.8048371,"about_ca_system_score_codex":0.004475084,"about_ca_system_score_gemma":0.00041392882,"threshold_uncertainty_score":0.9996152},"labels":[],"label_agreement":null},{"id":"W7112630294","doi":"","title":"La littérature est partout – Au parc des Saules pour la Fête nationale du Québec à Laval 2025 – Hommage à Gilles Vigneault et à sa chanson « Gens du pays »","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Radio program; Context (archaeology)","score_opus":0.007011059772198223,"score_gpt":0.19559525637552322,"score_spread":0.18858419660332498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112630294","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37341493,0.19312443,0.00014864873,0.32494152,0.0006800466,0.00033384483,0.00040237218,0.00017448104,0.106779724],"genre_scores_gemma":[0.5198015,0.043354247,0.0005671936,0.0034162,0.0008777921,0.000020270121,0.0001771255,0.000027905924,0.43175775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968802,0.0011056175,0.00027305668,0.0006120661,0.00043264125,0.0006964249],"domain_scores_gemma":[0.99811596,0.0006874207,0.00022130119,0.0002697222,0.00041577386,0.00028980023],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006406053,0.00042563718,0.00050895516,0.0001939795,0.0022785654,0.00015069396,0.0005814235,0.0007250242,0.00037767104],"category_scores_gemma":[0.00024135632,0.00039980124,0.0004956354,0.0012757155,0.0009841928,0.00052731176,0.00028784294,0.0005456541,0.00014458351],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013505525,0.0004233655,0.01212577,0.00014147112,0.0008971674,0.0014274395,0.034245353,0.00024969416,0.00078270753,0.55783015,0.3563349,0.035406936],"study_design_scores_gemma":[0.0007429087,0.00004267902,0.010745914,0.00016811096,0.0006172384,0.0000635947,0.014244606,0.00040085887,0.00006877828,0.0045369086,0.9679544,0.00041402967],"about_ca_topic_score_codex":0.17130345,"about_ca_topic_score_gemma":0.9462742,"teacher_disagreement_score":0.7749708,"about_ca_system_score_codex":0.004323163,"about_ca_system_score_gemma":0.0008083956,"threshold_uncertainty_score":0.9998454},"labels":[],"label_agreement":null},{"id":"W7113706960","doi":"","title":"Mutations culturelles et transcendance à l'aube du XXIe siècle [actes du symposium du Conseil Pontifical de la Culture ; Québec, 11 - 14 mars 1999]","year":2000,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cultural studies; Theme (computing); Identity (music); Context (archaeology)","score_opus":0.008629114229581313,"score_gpt":0.25135207594119463,"score_spread":0.2427229617116133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113706960","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2534245,0.023075385,0.0001116867,0.48079696,0.0013316602,0.0006301544,0.0004393469,0.0004011475,0.23978917],"genre_scores_gemma":[0.73853964,0.008838646,0.0006458343,0.015317331,0.0012146576,0.000056986897,0.00020197126,0.000031506555,0.2351534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99587137,0.0014898942,0.00058825995,0.0007476035,0.0004750592,0.0008277942],"domain_scores_gemma":[0.99825114,0.00048519231,0.00014955724,0.0002533995,0.00039729508,0.0004633906],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00068536674,0.0005156205,0.00058621063,0.00005507004,0.0019972383,0.0009641997,0.0005967435,0.0008412601,0.009308201],"category_scores_gemma":[0.00019736098,0.0003835404,0.00065376924,0.0009986458,0.0026335183,0.0009653469,0.00002957896,0.00063938,0.00045159293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092857554,0.001347456,0.007739635,0.00008301961,0.00050081447,0.00018388631,0.117204025,0.00055983156,0.003826592,0.1385816,0.725252,0.004628306],"study_design_scores_gemma":[0.0006732743,0.00007275112,0.0045007877,0.00007102441,0.000545102,0.000095554664,0.008993824,0.0003922043,0.00023762329,0.001204618,0.9826219,0.00059134286],"about_ca_topic_score_codex":0.06209803,"about_ca_topic_score_gemma":0.12085786,"teacher_disagreement_score":0.48511517,"about_ca_system_score_codex":0.00021220908,"about_ca_system_score_gemma":0.0007217018,"threshold_uncertainty_score":0.99986166},"labels":[],"label_agreement":null},{"id":"W7114048032","doi":"","title":"L'angle noir de la joie suivi de, D'où surgit parfois un bras d'horizon","year":2022,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Taste; Identity (music); Newspaper; Order (exchange)","score_opus":0.016367912067581782,"score_gpt":0.2709474030495997,"score_spread":0.25457949098201793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7114048032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67113525,0.0117034465,0.000059098882,0.02173575,0.0018166397,0.00019779964,0.00008377857,0.00014611159,0.29312214],"genre_scores_gemma":[0.7244601,0.00036818726,0.00034242656,0.007521599,0.0010487061,0.000052466876,0.00004223447,0.000017092718,0.26614717],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99549305,0.002051358,0.0003230025,0.0004598927,0.00051206996,0.0011606037],"domain_scores_gemma":[0.99865884,0.00045763748,0.0001397633,0.00023057661,0.000104378545,0.00040879354],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021498182,0.0002499683,0.00036781983,0.00007756308,0.0018116619,0.00032554084,0.00056175474,0.00030157494,0.033066563],"category_scores_gemma":[0.0001555331,0.00022167024,0.00041450534,0.0015799409,0.0006240255,0.00032233464,0.00023620234,0.000605951,0.00016709688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004975945,0.0009090023,0.043212358,0.000046785754,0.0005464414,0.000323894,0.033718094,0.00023395562,0.0010144071,0.4512537,0.4251085,0.043583114],"study_design_scores_gemma":[0.00029638616,0.00018384279,0.0038607214,0.000007705922,0.00024655054,0.000030938667,0.010084613,0.00015932531,0.0002771589,0.015628505,0.9688705,0.0003537594],"about_ca_topic_score_codex":0.013522151,"about_ca_topic_score_gemma":0.008040725,"teacher_disagreement_score":0.543762,"about_ca_system_score_codex":0.00060917623,"about_ca_system_score_gemma":0.00049611763,"threshold_uncertainty_score":0.9994878},"labels":[],"label_agreement":null},{"id":"W7114322470","doi":"","title":"Être, aimer, tuer poèmes","year":2001,"lang":"fr","type":"article","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Identity (music); Subject (documents); Etymology","score_opus":0.026116355646033446,"score_gpt":0.2893972183977797,"score_spread":0.2632808627517463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7114322470","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.080434516,0.0328755,0.000023614157,0.059888445,0.0026944154,0.00011071787,0.000008136122,0.0000901694,0.8238745],"genre_scores_gemma":[0.24885789,0.0013698261,0.00020131102,0.014807533,0.0018959006,0.000005427868,0.000011114273,0.000006773441,0.73284423],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983493,0.0002250999,0.0002367387,0.0003378278,0.0003018587,0.0005491419],"domain_scores_gemma":[0.9993157,0.00006841197,0.00007328647,0.00016892779,0.00015688632,0.00021678311],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002356438,0.00018710461,0.00026800355,0.000046219368,0.0005473516,0.00018950905,0.00028263225,0.0002996918,0.034821514],"category_scores_gemma":[0.00004231948,0.00013649512,0.0002809962,0.001138567,0.0005598378,0.0005044319,0.00004711649,0.00019328632,0.0023946145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011900334,0.00025618987,0.0067515126,0.000011111463,0.00024822808,0.00010019068,0.006938438,0.0000055798846,0.00010883196,0.4423258,0.47069886,0.07254334],"study_design_scores_gemma":[0.00014844692,0.000038779184,0.0019768993,0.000013261499,0.00016332012,0.000012591662,0.004036181,0.000046327,0.000025921627,0.009440693,0.9838647,0.00023284013],"about_ca_topic_score_codex":0.0048224083,"about_ca_topic_score_gemma":0.0066673746,"teacher_disagreement_score":0.5131659,"about_ca_system_score_codex":0.00005896854,"about_ca_system_score_gemma":0.000058991867,"threshold_uncertainty_score":0.99838215},"labels":[],"label_agreement":null},{"id":"W7114773003","doi":"10.1515/9782760654211","title":"Les vertiges du personnage contemporain","year":2025,"lang":"","type":"book","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Trilogy; Identity (music); Emancipation","score_opus":0.013031759492188008,"score_gpt":0.20928293157467723,"score_spread":0.1962511720824892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7114773003","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011057743,0.031232148,0.00014799887,0.00270287,0.0004797849,0.00082589744,0.00041703958,0.00026080746,0.95287573],"genre_scores_gemma":[0.28261754,0.0030417182,0.00015629706,0.0027176065,0.0009252244,0.000032225515,0.00022853464,0.00005470556,0.7102262],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947131,0.001177215,0.0006618374,0.0012935852,0.00078364817,0.0013705927],"domain_scores_gemma":[0.99688584,0.0006361469,0.00068515324,0.00066234876,0.0005084298,0.0006220794],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055707165,0.0010623812,0.0013632795,0.00037423434,0.0046737455,0.00057212054,0.001972059,0.0020788335,0.002858626],"category_scores_gemma":[0.00019733346,0.001034291,0.0013555865,0.0002610381,0.001462585,0.00029217516,0.0010090955,0.0013409657,0.00007175257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015224816,0.00030030395,0.005497196,0.001061251,0.0048169806,0.0031961482,0.18349692,0.00014435657,0.001649696,0.07195565,0.5745652,0.15179384],"study_design_scores_gemma":[0.001172261,0.00016162617,0.0010883537,0.0005545505,0.0020621538,0.00002547312,0.02515421,0.00019844573,0.00019298091,0.0028151898,0.9654918,0.001082986],"about_ca_topic_score_codex":0.08381237,"about_ca_topic_score_gemma":0.14353634,"teacher_disagreement_score":0.3909266,"about_ca_system_score_codex":0.0027555872,"about_ca_system_score_gemma":0.00089608814,"threshold_uncertainty_score":0.9992167},"labels":[],"label_agreement":null},{"id":"W7115097656","doi":"","title":"Théâtre musical à Toronto : nouvelles voix, nouvelles histoires","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Musical instrument; Feature (linguistics); Agency (philosophy)","score_opus":0.005926848402712576,"score_gpt":0.19058882152982376,"score_spread":0.1846619731271112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115097656","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17582509,0.47424626,0.000073953175,0.23961088,0.0031853183,0.0003361803,0.00013222209,0.00018622892,0.10640386],"genre_scores_gemma":[0.08674852,0.018292207,0.00033720673,0.0046276446,0.00070716935,0.000007583306,0.00004226265,0.000017451008,0.88921994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974928,0.00034843883,0.00029017843,0.00066671043,0.00039972665,0.0008021425],"domain_scores_gemma":[0.9986626,0.00019402473,0.00018199085,0.0003879527,0.0002463861,0.00032707796],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022558993,0.00039530685,0.0005400823,0.00010746215,0.0024337145,0.00009533999,0.00072693516,0.00063635205,0.0022482218],"category_scores_gemma":[0.00006897989,0.0003860948,0.0005600536,0.00086338946,0.0007798764,0.00056722015,0.00039174975,0.00031717517,0.00018970654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008274553,0.00020512159,0.00019382844,0.000045522444,0.00041551262,0.00040252754,0.012021965,0.000027053702,0.00026550776,0.29608524,0.642672,0.047583003],"study_design_scores_gemma":[0.0005027166,0.000069425776,0.00066297816,0.000099085344,0.0007087791,0.000015555197,0.02904432,0.00025083477,0.000031675212,0.0018780382,0.9663351,0.0004014444],"about_ca_topic_score_codex":0.13474974,"about_ca_topic_score_gemma":0.84339017,"teacher_disagreement_score":0.7828161,"about_ca_system_score_codex":0.011140348,"about_ca_system_score_gemma":0.00032682501,"threshold_uncertainty_score":0.9998591},"labels":[],"label_agreement":null},{"id":"W7117746112","doi":"10.3917/nrt.272.0307zk","title":"Latteur Emm., O.S.B., « Les minutes étoilées de Maurice Zundel ». L’éveil à la présence, Québec, Sigier, 2001, 22x13, 497 p. ISBN 2-89129-398-3","year":2005,"lang":"","type":"article","venue":"Nouvelle revue théologique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Subject (documents); Theme (computing); Context (archaeology); Order (exchange)","score_opus":0.023841824118245297,"score_gpt":0.26553684851783405,"score_spread":0.24169502439958876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117746112","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49121547,0.069945484,0.00060970534,0.15192933,0.0024250913,0.0022404913,0.00029331184,0.0010481328,0.280293],"genre_scores_gemma":[0.7032018,0.042757526,0.003625341,0.011364665,0.005846879,0.00022933102,0.00007360019,0.00011096113,0.23278995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9904048,0.0029975215,0.0015397036,0.0018192336,0.00075223413,0.0024865197],"domain_scores_gemma":[0.99442405,0.0020906795,0.0009770395,0.0009886464,0.0006692022,0.0008503981],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0027949107,0.0012051448,0.0016531835,0.00036412603,0.0022712313,0.0007177232,0.0022192507,0.002688842,0.0049146432],"category_scores_gemma":[0.0012706084,0.0010363089,0.0011174134,0.0021036027,0.0020575745,0.0010714742,0.0004898818,0.0021380149,0.00083135883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039656585,0.002789314,0.02139256,0.0006833144,0.0013739535,0.00045287822,0.095814936,0.001760792,0.0046949913,0.01510898,0.78127605,0.07425566],"study_design_scores_gemma":[0.0008275793,0.00038847706,0.0019492358,0.00028035813,0.00067767553,0.0001387457,0.021044107,0.0015413542,0.0008991028,0.0016540472,0.9689497,0.0016496511],"about_ca_topic_score_codex":0.024101764,"about_ca_topic_score_gemma":0.13648298,"teacher_disagreement_score":0.21198629,"about_ca_system_score_codex":0.00079592224,"about_ca_system_score_gemma":0.0028333308,"threshold_uncertainty_score":0.9999466},"labels":[],"label_agreement":null},{"id":"W7120337289","doi":"","title":"BOUCHARD, Gérard. La pensée impuissante: échecs et mythes nationaux canadiens-français (1850-1960). Montréal: Boréal, 2004.","year":2005,"lang":"fr","type":"article","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Natural (archaeology); Politics","score_opus":0.05078463247017172,"score_gpt":0.36437903823100753,"score_spread":0.3135944057608358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120337289","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24062929,0.3190992,0.00024994096,0.25976768,0.0024097583,0.0051252022,0.0033801561,0.00080011506,0.16853869],"genre_scores_gemma":[0.91743815,0.01276424,0.001988984,0.0012849242,0.00084495934,0.0006543345,0.00024626366,0.000050696293,0.06472745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917744,0.00043274547,0.0008273271,0.0015955197,0.0029905909,0.0023794211],"domain_scores_gemma":[0.9933336,0.0009858584,0.0003215871,0.00039901174,0.004376074,0.00058388204],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.011382514,0.00050527276,0.0006002855,0.003106642,0.0047201766,0.0006913862,0.001607996,0.00092892395,0.0002179989],"category_scores_gemma":[0.0052858638,0.00045172698,0.00023148295,0.010060496,0.0105346525,0.0020661724,0.00041085304,0.0013425801,0.000076823446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064957574,0.0005554243,0.0016602667,0.00009635874,0.00023146869,0.000038435217,0.0067836572,0.000010448608,0.002720413,0.62624943,0.2538671,0.10772208],"study_design_scores_gemma":[0.0007234533,0.000517448,0.0011247711,0.00011322608,0.00006523856,0.000097126234,0.0037038052,0.0016619214,0.0007069569,0.055954855,0.9346941,0.0006371084],"about_ca_topic_score_codex":0.008986231,"about_ca_topic_score_gemma":0.018504044,"teacher_disagreement_score":0.680827,"about_ca_system_score_codex":0.0010771257,"about_ca_system_score_gemma":0.0051393793,"threshold_uncertainty_score":0.99979347},"labels":[],"label_agreement":null},{"id":"W7120547497","doi":"","title":"Jacques Brault Au fond du jardin, accopagnements Commented Translations","year":2015,"lang":"pt","type":"dissertation","venue":"Digital Library of Theses and Dissertations  (Universidade de São Paulo)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Natural (archaeology); Representation (politics)","score_opus":0.020589227953822686,"score_gpt":0.2716593723388593,"score_spread":0.2510701443850366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120547497","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8843396,0.0012460698,0.00002744538,0.0028016604,0.00028551728,0.00055470475,0.002377928,0.000111956375,0.108255155],"genre_scores_gemma":[0.9622349,0.00029655825,0.000101262296,0.00039594737,0.00012514464,0.00002022293,0.01291232,0.0000433078,0.023870293],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997595,0.00020759077,0.00057680847,0.0005631536,0.00051985687,0.0005376013],"domain_scores_gemma":[0.9980608,0.00030050954,0.0005348337,0.00027125017,0.0003422936,0.0004902877],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00012875452,0.0005119782,0.00069167936,0.0004769438,0.0012171317,0.00091667334,0.0006421232,0.0004667032,0.0007129497],"category_scores_gemma":[0.00011809626,0.00048734673,0.0004975022,0.0013618768,0.0003008174,0.0049588056,0.00007287063,0.00029114482,0.000030383124],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017213622,0.003427396,0.111454286,0.0010325939,0.004352298,0.00010806462,0.7018801,0.00015934808,0.0008835599,0.096241646,0.03887717,0.039862167],"study_design_scores_gemma":[0.0014755378,0.0004583916,0.055785216,0.00047031554,0.0013370438,0.000006238481,0.8975975,0.00047762948,0.00022518217,0.014225429,0.026863594,0.0010779232],"about_ca_topic_score_codex":0.00078742544,"about_ca_topic_score_gemma":0.004089155,"teacher_disagreement_score":0.19571738,"about_ca_system_score_codex":0.000072110226,"about_ca_system_score_gemma":0.0005422438,"threshold_uncertainty_score":0.9997578},"labels":[],"label_agreement":null},{"id":"W7124426752","doi":"10.4000/15inp","title":"Israël et l’Amérique française. Sur deux tropismes des romans de Réjean Ducharme","year":2024,"lang":"fr","type":"article","venue":"Oltreoceano","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Francophone University Association","funders":"","keywords":"Panache; French; Cultural environment","score_opus":0.021717802989663408,"score_gpt":0.2787436058011643,"score_spread":0.2570258028115009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124426752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6140911,0.14093882,0.00021792097,0.06840591,0.0037980597,0.00031935386,0.00019487338,0.00046750618,0.17156644],"genre_scores_gemma":[0.7757241,0.004029271,0.0004238496,0.0060140747,0.001949363,0.00001563872,0.00005291512,0.000043514243,0.21174729],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967903,0.0006746213,0.0004034113,0.00070577604,0.00041378578,0.0010121132],"domain_scores_gemma":[0.99870116,0.00036906873,0.000087404675,0.00027828824,0.00018356103,0.0003805254],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00069525675,0.0004295215,0.00048034184,0.00014093012,0.00064590917,0.0007601256,0.0004954799,0.00049418537,0.0033839836],"category_scores_gemma":[0.00016775381,0.000356861,0.00059749343,0.0013763839,0.0009904846,0.0010501842,0.000087124645,0.00062663254,0.0009094603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000296156,0.00038003427,0.011362779,0.0005637113,0.00076874334,0.0005642512,0.12910694,0.00006459981,0.0019278399,0.41859356,0.414361,0.022276932],"study_design_scores_gemma":[0.00021289235,0.00010981485,0.003716076,0.0003643656,0.00038047036,0.000041381452,0.0047795167,0.00049034454,0.00036135156,0.017563278,0.9714576,0.00052287825],"about_ca_topic_score_codex":0.005700327,"about_ca_topic_score_gemma":0.040624503,"teacher_disagreement_score":0.5570966,"about_ca_system_score_codex":0.00023432061,"about_ca_system_score_gemma":0.00046199872,"threshold_uncertainty_score":0.99988836},"labels":[],"label_agreement":null},{"id":"W7124692066","doi":"10.3917/lige.141.0242d","title":"L’Annuaire théâtral, Jeanne Bovet et Yves Jubinville éditeurs Université de Montréal, Québec, 2015","year":2015,"lang":"","type":"article","venue":"Ligeia","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Context (archaeology); Exposition (narrative); Identity (music); Subject (documents)","score_opus":0.020063856662354804,"score_gpt":0.2562951035039039,"score_spread":0.2362312468415491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124692066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26664266,0.10047571,0.000016282107,0.2218409,0.0029165922,0.0007207181,0.00031301109,0.00037215572,0.40670195],"genre_scores_gemma":[0.5715862,0.0048966156,0.00012740535,0.013763212,0.0012800966,0.000014032172,0.00009991499,0.000043769407,0.40818876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960981,0.00078220735,0.0004814291,0.00076557667,0.00078104116,0.0010916531],"domain_scores_gemma":[0.99742764,0.00014669615,0.0003554294,0.0004955659,0.0004773986,0.0010972436],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008806942,0.00050910236,0.0006682606,0.00015895715,0.0016974421,0.00047956497,0.0008877965,0.00061310775,0.0012667802],"category_scores_gemma":[0.00025700845,0.00043246246,0.0004982652,0.001368732,0.00071454473,0.0009643286,0.0003459206,0.0005255063,0.00058423803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013056307,0.00022624113,0.0018722852,0.000016587092,0.00029082168,0.0001301263,0.070885055,0.00013520112,0.00016589994,0.0061662407,0.9189613,0.0010196643],"study_design_scores_gemma":[0.00058433815,0.00025348627,0.0009294846,0.000045997138,0.00041310408,0.000013445564,0.035444543,0.0001309924,0.00013852867,0.0011886944,0.96027046,0.00058694504],"about_ca_topic_score_codex":0.11047881,"about_ca_topic_score_gemma":0.42778563,"teacher_disagreement_score":0.31730682,"about_ca_system_score_codex":0.0009219558,"about_ca_system_score_gemma":0.0010594045,"threshold_uncertainty_score":0.9998127},"labels":[],"label_agreement":null},{"id":"W7124989752","doi":"10.3917/rphi.012.0231e","title":"Gilles Boudinet, Des arts et des idées au XXe siècle. Musique, peinture, philosophie et sciences humaines : fragments croisés, Paris/Montréal, L’Harmattan, 1998, 21,5×13,5 cm, 192 p.","year":2001,"lang":"","type":"article","venue":"Revue philosophique de la France et de l étranger","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Object (grammar); Relation (database)","score_opus":0.05268565267876074,"score_gpt":0.3341152346486272,"score_spread":0.28142958196986645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124989752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5976885,0.07290432,0.00042324438,0.13131645,0.0011416492,0.0015569596,0.00031654912,0.0005138598,0.1941385],"genre_scores_gemma":[0.83786374,0.102089845,0.0018381577,0.05205253,0.0046229307,0.0003204877,0.000085815656,0.00014481276,0.0009816928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9879694,0.0041716653,0.0016683388,0.0021299645,0.001305826,0.0027548152],"domain_scores_gemma":[0.99478847,0.0016375149,0.0010451528,0.00086579804,0.0007043978,0.0009586754],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0059265653,0.0016128737,0.0018735535,0.00060609024,0.004790366,0.001297157,0.0019323308,0.0015066176,0.0004998459],"category_scores_gemma":[0.0009218814,0.0014512524,0.001259244,0.0031988586,0.009347469,0.0032508927,0.00031815592,0.002280041,0.00012754905],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007761159,0.0042541334,0.11140191,0.0022802486,0.0022504963,0.00214404,0.1447903,0.004635115,0.007906022,0.6934363,0.021744369,0.004380947],"study_design_scores_gemma":[0.0017772738,0.00051972124,0.043028317,0.0022391893,0.0008377268,0.00039875557,0.001765431,0.00033947855,0.00034045277,0.61992526,0.32639623,0.0024321864],"about_ca_topic_score_codex":0.0065197074,"about_ca_topic_score_gemma":0.014947189,"teacher_disagreement_score":0.30465186,"about_ca_system_score_codex":0.0006515863,"about_ca_system_score_gemma":0.0008250123,"threshold_uncertainty_score":0.99978966},"labels":[],"label_agreement":null},{"id":"W7127152884","doi":"10.7202/1122532ar","title":"Jean-Marc Piotte, Sur Lénine, Montréal : M Éditeur, 2024, 272 pages","year":2025,"lang":"fr","type":"article","venue":"Philosophiques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Set (abstract data type); Relation (database); Natural (archaeology); Context (archaeology)","score_opus":0.08133993968132794,"score_gpt":0.3221180473234173,"score_spread":0.24077810764208937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127152884","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004290206,0.28441665,0.000020452451,0.5146696,0.0041147317,0.00031558948,0.00009162485,0.00019389432,0.1918873],"genre_scores_gemma":[0.37023926,0.054183956,0.00036388016,0.08117949,0.013349454,0.000091873706,0.00010507286,0.000042693366,0.4804443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996577,0.00072581955,0.0006217711,0.000776174,0.00050388847,0.00079532625],"domain_scores_gemma":[0.99795073,0.0005839668,0.00022213832,0.00044091028,0.000536746,0.00026552292],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055485114,0.0004976603,0.0007214987,0.00022726035,0.000854525,0.0003595801,0.00067895197,0.0008047657,0.002052478],"category_scores_gemma":[0.00057231425,0.00042639178,0.0005469327,0.001390117,0.0009945125,0.0008238269,0.00021185965,0.0009081988,0.0003499965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037103884,0.0002995152,0.0011785468,0.00012829024,0.00044348792,0.000071040755,0.0017522348,0.00001745029,0.00017033781,0.2772569,0.6986916,0.0199535],"study_design_scores_gemma":[0.00025808212,0.000085450265,0.00094187056,0.00020153768,0.0003854481,0.0000013938113,0.00044258017,0.00012720903,0.00011098299,0.20560075,0.79144543,0.00039928113],"about_ca_topic_score_codex":0.007259898,"about_ca_topic_score_gemma":0.011041119,"teacher_disagreement_score":0.43349007,"about_ca_system_score_codex":0.0001938712,"about_ca_system_score_gemma":0.00017891193,"threshold_uncertainty_score":0.9998188},"labels":[],"label_agreement":null},{"id":"W7127383879","doi":"10.4000/15ly8","title":"Du trivial au labyrinthe : la place d’Arvo Valton dans la littérature estonienne","year":2025,"lang":"","type":"article","venue":"Études finno-ougriennes","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Eston College","funders":"","keywords":"Perfection; Structuralism (philosophy of science); Identity (music)","score_opus":0.008400048214750556,"score_gpt":0.25037598629377705,"score_spread":0.2419759380790265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127383879","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5680179,0.004938642,0.00006704556,0.01392195,0.004113734,0.000835487,0.00019808784,0.00033293827,0.40757424],"genre_scores_gemma":[0.9380162,0.0016939638,0.0001814222,0.0027314601,0.0028110747,0.00011111814,0.00009038453,0.00004828719,0.054316133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925752,0.0021336908,0.0011302552,0.0016139995,0.0008615478,0.0016852816],"domain_scores_gemma":[0.99601924,0.0014821535,0.00053070165,0.0008522479,0.0006554143,0.00046023008],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.002341021,0.0010242263,0.0012966576,0.0003691336,0.0026271986,0.0013609644,0.0018576974,0.0016917295,0.0006876783],"category_scores_gemma":[0.0010964794,0.00081011286,0.0009463734,0.0052421833,0.0025271957,0.0009491407,0.00061080244,0.0015443511,0.00015550824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003421844,0.0010193398,0.005154281,0.00023061855,0.000936226,0.00017018427,0.083707415,0.00008323987,0.0016712217,0.8820315,0.012796614,0.011857183],"study_design_scores_gemma":[0.0013714655,0.00023507155,0.007816529,0.0003650538,0.0010320304,0.000027675029,0.04981486,0.00023858399,0.00045801312,0.00432542,0.9332374,0.0010779036],"about_ca_topic_score_codex":0.002050134,"about_ca_topic_score_gemma":0.028867155,"teacher_disagreement_score":0.9204408,"about_ca_system_score_codex":0.0005928944,"about_ca_system_score_gemma":0.0015327871,"threshold_uncertainty_score":0.9996757},"labels":[],"label_agreement":null},{"id":"W7127409435","doi":"10.3917/rhlf.034.0951d","title":"Challe et/en son temps , Actes du colloque de l’Université d’Ottawa 24-26 septembre 1998, Textes présentés par MARIE-LAURE GIROU - SWIDERSKI avec la collaboration de PIERRE BERTHIAUME. Paris, Honoré Champion, 2002. Un vol. de 518 p.","year":2003,"lang":"fr","type":"article","venue":"Revue d histoire littéraire de la France","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Relation (database); Theme (computing); Subject (documents)","score_opus":0.004459100675023774,"score_gpt":0.2122061405757197,"score_spread":0.20774703990069593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127409435","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23927112,0.5355677,0.0021341117,0.113891,0.006623686,0.0026214384,0.0007507619,0.0010332179,0.09810698],"genre_scores_gemma":[0.6599966,0.025694164,0.0046751676,0.009576837,0.0035279703,0.00024193237,0.00023324459,0.00019432274,0.29585975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99229777,0.003981801,0.00073297805,0.0010404228,0.00046819798,0.0014788553],"domain_scores_gemma":[0.99646527,0.0009942566,0.00069486967,0.00055402494,0.00066041376,0.0006311616],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0022247639,0.0007436157,0.00096254103,0.0001658844,0.0029000056,0.0005322561,0.0007397393,0.0018404071,0.00076324126],"category_scores_gemma":[0.0014188,0.00079724344,0.00052497076,0.0020572797,0.0012721086,0.0011081833,0.000094343464,0.0012775728,0.00010016836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014437037,0.0014211173,0.13670203,0.0010210753,0.0007768631,0.00077173195,0.24605131,0.001044508,0.0011051053,0.088987835,0.49946976,0.02250431],"study_design_scores_gemma":[0.001037026,0.000114486495,0.015588361,0.0005482172,0.00046028532,0.00013493389,0.010587723,0.0009930203,0.00017736074,0.0027100607,0.966769,0.00087955676],"about_ca_topic_score_codex":0.0031231828,"about_ca_topic_score_gemma":0.029373758,"teacher_disagreement_score":0.5098735,"about_ca_system_score_codex":0.0016503307,"about_ca_system_score_gemma":0.001585811,"threshold_uncertainty_score":0.9994554},"labels":[],"label_agreement":null},{"id":"W7127581867","doi":"10.3917/rhlf.084.0955p","title":"PASCAL BRISSETTE, La Malédiction littéraire. Du poète crotté au poète malheureux . Montréal, Les Presses de l’Université de Montréal, collection « Socius », 2005. Un vol. 13,5 × 22,5 de 412 p.","year":2008,"lang":"fr","type":"article","venue":"Revue d histoire littéraire de la France","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Derogation","score_opus":0.005931267472292237,"score_gpt":0.18902301783535896,"score_spread":0.18309175036306674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127581867","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47265664,0.4497528,0.0011389465,0.043587096,0.0022092748,0.00075660995,0.00022128574,0.0006905004,0.028986827],"genre_scores_gemma":[0.45083636,0.11799554,0.0019704571,0.0042052623,0.0084740445,0.00022513312,0.00012420584,0.00020697092,0.415962],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934868,0.0023196822,0.0007521751,0.001063705,0.000582741,0.0017948668],"domain_scores_gemma":[0.9969795,0.0005719496,0.00064572616,0.000540195,0.0004894765,0.00077317876],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011648481,0.0007518284,0.0009465482,0.0002097089,0.0068636397,0.00022766434,0.00077299506,0.0017514144,0.0010297403],"category_scores_gemma":[0.0005490797,0.00083732523,0.0008702203,0.0015135951,0.0025095202,0.0008069448,0.0001660947,0.0012431921,0.00009794646],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041169545,0.0008864659,0.12820944,0.00044310468,0.0005760651,0.0018952714,0.035558116,0.0019228441,0.0014374331,0.0019201488,0.7632961,0.063443296],"study_design_scores_gemma":[0.0010232297,0.00012932437,0.14225627,0.0003698579,0.0005980921,0.001349631,0.0018158667,0.0028171798,0.00015110539,0.0009181598,0.8477861,0.0007851566],"about_ca_topic_score_codex":0.12695381,"about_ca_topic_score_gemma":0.08453983,"teacher_disagreement_score":0.3869752,"about_ca_system_score_codex":0.004893277,"about_ca_system_score_gemma":0.000823906,"threshold_uncertainty_score":0.9998835},"labels":[],"label_agreement":null},{"id":"W7127620268","doi":"10.3917/rhlf.091.0211i","title":"PASCAL BRISSETTE, La Malédiction littéraire. Du poète crotté au poète malheureux . Montréal, Les Presses de l’Université de Montréal, collection « Socius », 2005. Un vol. 13,5 × 22,5 de 412 p.","year":2009,"lang":"fr","type":"article","venue":"Revue d histoire littéraire de la France","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Derogation","score_opus":0.004576631771099992,"score_gpt":0.1926723206262454,"score_spread":0.1880956888551454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127620268","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3265151,0.52973145,0.0014941499,0.09661865,0.0022747698,0.0009198385,0.00022396614,0.00084560295,0.041376445],"genre_scores_gemma":[0.5372047,0.08005831,0.0022500053,0.007861076,0.009542275,0.00015474562,0.00013536763,0.00017619497,0.36261734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936705,0.0021832916,0.0007424725,0.001052362,0.00054840825,0.0018029271],"domain_scores_gemma":[0.9971479,0.00047160222,0.0006380994,0.00053389894,0.00045119933,0.00075726706],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0013398321,0.0007499553,0.0009246066,0.00020827256,0.0050497837,0.00035947553,0.00078047795,0.0017490166,0.0008641009],"category_scores_gemma":[0.00051794923,0.0008318773,0.00084267394,0.0015000262,0.00151696,0.00081584766,0.00011328384,0.0012228012,0.00007620027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004651082,0.0010288119,0.04864533,0.0003568212,0.0004647766,0.0011096473,0.02587204,0.0020466947,0.0022715267,0.00411198,0.7106767,0.20295054],"study_design_scores_gemma":[0.0009944532,0.00019191486,0.1421117,0.000447466,0.0007011255,0.00057262677,0.0017638486,0.003094153,0.00015610256,0.0025917492,0.8465833,0.00079154765],"about_ca_topic_score_codex":0.07608747,"about_ca_topic_score_gemma":0.06575409,"teacher_disagreement_score":0.44967315,"about_ca_system_score_codex":0.004832751,"about_ca_system_score_gemma":0.00063228875,"threshold_uncertainty_score":0.99954695},"labels":[],"label_agreement":null},{"id":"W7128173023","doi":"10.3917/rphi.122.0241t","title":"Jacques Beaudry, Le Tombeau de Carlo Michelstaedter , Montréal, Liber, 2010, 149 p., 18 $","year":2012,"lang":"fr","type":"article","venue":"Revue philosophique de la France et de l étranger","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Calculus (dental); Noise (video); Context (archaeology)","score_opus":0.034178340425570865,"score_gpt":0.3043240766065267,"score_spread":0.27014573618095583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128173023","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15242195,0.4845471,0.000717853,0.21334496,0.003544681,0.0007636712,0.00021572702,0.00032126872,0.14412278],"genre_scores_gemma":[0.8472775,0.021280326,0.0036860856,0.055666253,0.012779496,0.00022640495,0.000046240548,0.000120627534,0.058917023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99441737,0.0024643985,0.00056013494,0.0005794915,0.0003549592,0.0016236397],"domain_scores_gemma":[0.99775714,0.00050670106,0.00029020608,0.0005022661,0.00022943558,0.00071427325],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0024853067,0.00056049705,0.0007852319,0.00012513605,0.0005038968,0.00030838558,0.00064945134,0.0012447113,0.0007549684],"category_scores_gemma":[0.00019267964,0.00055502314,0.00066146237,0.00068996043,0.0008996834,0.001401594,0.0000808183,0.0012067194,0.00019508837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011499034,0.0018424736,0.029780872,0.0009992559,0.0010138197,0.00031822297,0.11510407,0.00033671563,0.00907577,0.5159773,0.3173572,0.008079278],"study_design_scores_gemma":[0.00059165555,0.00006117165,0.010755368,0.00041297913,0.000457957,0.00015640238,0.00041207843,0.00018482223,0.0006589345,0.068443,0.91700643,0.0008592213],"about_ca_topic_score_codex":0.010583349,"about_ca_topic_score_gemma":0.0016017245,"teacher_disagreement_score":0.6948556,"about_ca_system_score_codex":0.00038473256,"about_ca_system_score_gemma":0.00030932372,"threshold_uncertainty_score":0.9996901},"labels":[],"label_agreement":null},{"id":"W7128594666","doi":"10.7202/1122851ar","title":"Introduction : rassembler, incarner et repenser les transmissions orales dans les musiques d’aujourd’hui","year":2025,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identification (biology); Key (lock); Power (physics); Subject (documents); Field (mathematics)","score_opus":0.04704602187779721,"score_gpt":0.31140269944991195,"score_spread":0.26435667757211473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128594666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19973165,0.042287964,0.0026876838,0.24870561,0.0048159533,0.0011564378,0.00011750839,0.0006965174,0.49980068],"genre_scores_gemma":[0.73580045,0.0029293126,0.00019534415,0.0067128213,0.0032459334,0.00011546103,0.00021611596,0.00004907412,0.2507355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936139,0.0024132007,0.001216455,0.0013232399,0.00055701856,0.0008761943],"domain_scores_gemma":[0.99684787,0.00038260102,0.0005231,0.00071051973,0.0011983607,0.00033753944],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016725648,0.00078863907,0.0011277678,0.00042038856,0.0018498678,0.0006559122,0.00080176804,0.0010906777,0.0013616692],"category_scores_gemma":[0.0007544973,0.0006711772,0.00080791936,0.0020274662,0.0018044767,0.001385111,0.00013224003,0.0009595398,0.00003981923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008589566,0.0005500579,0.004308874,0.00040420372,0.0008063746,0.00007470432,0.11811696,0.000018742896,0.00843618,0.6596419,0.124695964,0.0828601],"study_design_scores_gemma":[0.0005225945,0.00010750458,0.002518674,0.0006182597,0.00057138526,0.000015690366,0.026925726,0.000063416526,0.0014344045,0.07335885,0.8930862,0.00077729014],"about_ca_topic_score_codex":0.0150406,"about_ca_topic_score_gemma":0.02514708,"teacher_disagreement_score":0.76839024,"about_ca_system_score_codex":0.0003411292,"about_ca_system_score_gemma":0.00076678593,"threshold_uncertainty_score":0.99957395},"labels":[],"label_agreement":null},{"id":"W7128596322","doi":"10.7202/1122854ar","title":"« Vers une nouvelle écoute » : fragments d’une histoire orale et médiatique de la composition à Montréal (1960-1980)","year":2025,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Magdalenian; Orality; ESPACE","score_opus":0.017742344579050523,"score_gpt":0.2723725266145715,"score_spread":0.254630182035521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128596322","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15764615,0.04249522,0.0012327995,0.067858316,0.0033054352,0.00089133857,0.00018565965,0.00033391386,0.72605115],"genre_scores_gemma":[0.85196775,0.00096046523,0.00015130255,0.01828945,0.00049089384,0.00008934689,0.00022357861,0.000027835193,0.12779938],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99597335,0.0016135538,0.00068919116,0.00068602955,0.00038258018,0.000655291],"domain_scores_gemma":[0.99811494,0.0004325061,0.00039384677,0.0003623323,0.000444782,0.0002515697],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009782155,0.00048917823,0.00075164664,0.00020728805,0.0013070932,0.00038253175,0.0005089821,0.00077451416,0.00016185078],"category_scores_gemma":[0.0001510791,0.0004796872,0.00045862148,0.0016247187,0.0015801081,0.00073849765,0.00009756747,0.00057759805,0.000040521936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009109384,0.00076789653,0.004729959,0.00031279412,0.00080837356,0.00022454717,0.12121847,0.00007265822,0.0044396594,0.743281,0.103349864,0.020703662],"study_design_scores_gemma":[0.0014301536,0.00012784087,0.005365024,0.0006400181,0.00048117407,0.0000104644605,0.014314321,0.00040328692,0.00023090033,0.08039712,0.895842,0.00075764867],"about_ca_topic_score_codex":0.059656642,"about_ca_topic_score_gemma":0.014007398,"teacher_disagreement_score":0.79249215,"about_ca_system_score_codex":0.0008591809,"about_ca_system_score_gemma":0.0008094824,"threshold_uncertainty_score":0.9999931},"labels":[],"label_agreement":null},{"id":"W7128599534","doi":"10.7202/1122857ar","title":"Chanter hors piste / Singing off the Grid de Kathy KennedyAvant-Garde on Record: Musical Responses to Stereos de Jonathan Goldman","year":2025,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Singing; Musical; Key (lock); Lyrics","score_opus":0.0385987458957482,"score_gpt":0.3025069430717417,"score_spread":0.2639081971759935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128599534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7743814,0.0074780327,0.00029122422,0.09215527,0.004933329,0.001075867,0.00013593804,0.00024238505,0.11930658],"genre_scores_gemma":[0.7792549,0.0003096375,0.00007844245,0.066899955,0.0029531666,0.00013048678,0.000022884156,0.000040511866,0.15030997],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941593,0.0023008494,0.0008043942,0.0009785707,0.00047445428,0.0012824507],"domain_scores_gemma":[0.99705464,0.0010669389,0.00032554672,0.00068126176,0.00045051827,0.0004210688],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0023839194,0.0006218106,0.00082615885,0.00039663626,0.0013126842,0.0007382467,0.0011122078,0.0005445008,0.00020000694],"category_scores_gemma":[0.0013581354,0.0004707381,0.00064278004,0.0010652607,0.00097267446,0.0003786462,0.00020985081,0.00073213666,0.00008528187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00097692,0.0008974484,0.020399392,0.00040549823,0.0013904213,0.00059681095,0.36713842,0.000017932034,0.0046049417,0.24327867,0.21468434,0.14560921],"study_design_scores_gemma":[0.0005075641,0.000435848,0.007779881,0.0011743355,0.00031752774,0.000022155233,0.011096494,0.00015164846,0.00027009982,0.024142144,0.9533816,0.00072070904],"about_ca_topic_score_codex":0.0034584678,"about_ca_topic_score_gemma":0.010894359,"teacher_disagreement_score":0.73869723,"about_ca_system_score_codex":0.000607955,"about_ca_system_score_gemma":0.0005973647,"threshold_uncertainty_score":0.9999875},"labels":[],"label_agreement":null},{"id":"W7131749940","doi":"","title":"Chef d’orchestre, Stéphane Lafleur (Québec)","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.008333128624633755,"score_gpt":0.197222414498512,"score_spread":0.18888928587387824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131749940","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16536976,0.35844636,0.00005455295,0.31160188,0.0015276839,0.0002455398,0.00006199704,0.00015345914,0.16253875],"genre_scores_gemma":[0.108885154,0.010861754,0.00017538141,0.0060691703,0.00046376904,0.000005268749,0.000033588152,0.000012836557,0.8734931],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997952,0.00032134165,0.00021996562,0.00050493376,0.0002951756,0.00070660625],"domain_scores_gemma":[0.9988764,0.00015621904,0.00015716431,0.00032360462,0.00019475669,0.00029188624],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002605635,0.00029690552,0.00041705594,0.00016676539,0.0014881463,0.00007139272,0.0005919484,0.00048060325,0.0015576351],"category_scores_gemma":[0.0000752457,0.00030467287,0.00039715282,0.0016390772,0.0005524521,0.00037586284,0.00027043078,0.00038640285,0.0004855361],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078164114,0.00019264301,0.0017899399,0.00005770458,0.0006856607,0.0007947517,0.0047913943,0.00005694232,0.0002727272,0.2487509,0.6663521,0.07617709],"study_design_scores_gemma":[0.00055632635,0.0000535442,0.0016003972,0.00006199623,0.0007052562,0.000019960522,0.005377874,0.00014384818,0.000079896396,0.0032707618,0.9878278,0.0003023588],"about_ca_topic_score_codex":0.21043217,"about_ca_topic_score_gemma":0.8231699,"teacher_disagreement_score":0.7109543,"about_ca_system_score_codex":0.006898543,"about_ca_system_score_gemma":0.00035435357,"threshold_uncertainty_score":0.9999405},"labels":[],"label_agreement":null},{"id":"W7131758161","doi":"","title":"Bedrock, Kinga Michalska (Québec)","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.0069891771585494835,"score_gpt":0.1920400874786224,"score_spread":0.1850509103200729,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131758161","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13088359,0.3535374,0.000075260294,0.39779842,0.0017234118,0.0002116734,0.0000433034,0.00012565947,0.11560127],"genre_scores_gemma":[0.18462516,0.0074289585,0.00015011699,0.0078003695,0.00043276494,0.000004465037,0.000020476424,0.000011387317,0.7995263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811524,0.0002812962,0.00020991047,0.00047306766,0.00026623448,0.0006542399],"domain_scores_gemma":[0.99899477,0.00014310493,0.00015384902,0.00028580744,0.00018543088,0.00023701257],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022493304,0.00026986536,0.0003934822,0.00017314327,0.0019313359,0.00006561581,0.00055175356,0.00045389854,0.0011599635],"category_scores_gemma":[0.000056981306,0.00027989782,0.00041091346,0.0014429282,0.00044418703,0.00033305874,0.00027039996,0.0003424473,0.00039050833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053730768,0.00013351649,0.0015056621,0.00005009287,0.00054317253,0.00051897566,0.0065604895,0.000050569946,0.00032903478,0.30280685,0.6341543,0.053293567],"study_design_scores_gemma":[0.0004203993,0.00004054129,0.00091179967,0.00007981189,0.00065644766,0.000019367433,0.00576382,0.00016127368,0.000057952195,0.0060100644,0.98559606,0.00028248882],"about_ca_topic_score_codex":0.20421337,"about_ca_topic_score_gemma":0.865662,"teacher_disagreement_score":0.68392503,"about_ca_system_score_codex":0.006770692,"about_ca_system_score_gemma":0.00025738435,"threshold_uncertainty_score":0.9999653},"labels":[],"label_agreement":null},{"id":"W7131761036","doi":"","title":"Folichonneries, Éric K. Boulianne (Québec)","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.006357400387184742,"score_gpt":0.18836139634958313,"score_spread":0.18200399596239838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131761036","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051351126,0.45715177,0.000065381544,0.36220175,0.0018457675,0.00020654147,0.000052527423,0.00013023241,0.12699491],"genre_scores_gemma":[0.07150259,0.012026198,0.00015573936,0.009008187,0.0005304604,0.0000065849017,0.000029451532,0.000012758539,0.906728],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980452,0.0002733842,0.00021870247,0.0004775127,0.00026506896,0.0007200962],"domain_scores_gemma":[0.9989319,0.000118638745,0.00015063638,0.00032252196,0.00019546645,0.00028087574],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021131372,0.00028599452,0.00041556085,0.0001760443,0.0020395091,0.00008042964,0.00056326075,0.0004542742,0.0015239656],"category_scores_gemma":[0.000071875285,0.0002931651,0.0003944232,0.0020811635,0.0005611066,0.00042876706,0.00025710414,0.0003319321,0.00041388415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050065795,0.00009652363,0.00061515823,0.000036508016,0.00039108144,0.00040354257,0.0038054886,0.000039126644,0.000104289546,0.24743891,0.70383745,0.04318185],"study_design_scores_gemma":[0.00047151445,0.00005130105,0.00092228217,0.00006274988,0.00063487765,0.000020310228,0.0054161795,0.00016793123,0.000031228934,0.00481423,0.9871065,0.00030089493],"about_ca_topic_score_codex":0.28273317,"about_ca_topic_score_gemma":0.9011658,"teacher_disagreement_score":0.7797331,"about_ca_system_score_codex":0.0076421066,"about_ca_system_score_gemma":0.00033597878,"threshold_uncertainty_score":0.9999521},"labels":[],"label_agreement":null},{"id":"W7131767797","doi":"","title":"J’ai perdu de vue le paysage, Sophie Bédard Marcotte (Québec)","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feature (linguistics); Perspective (graphical); Order (exchange)","score_opus":0.00580048619934108,"score_gpt":0.19317006757799282,"score_spread":0.18736958137865173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131767797","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07231135,0.1632208,0.00020994838,0.67663324,0.0010347663,0.00023885517,0.000065467386,0.00014732713,0.08613823],"genre_scores_gemma":[0.1821219,0.0076327925,0.00025545576,0.020884888,0.0005870725,0.000008172216,0.000029651754,0.000019497753,0.78846055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976141,0.00044127935,0.00023428153,0.00054411136,0.00030358284,0.0008626461],"domain_scores_gemma":[0.9987711,0.00014893168,0.00014922128,0.00034605764,0.00025221042,0.00033250073],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036752553,0.0003212853,0.00045735884,0.000191286,0.0025444874,0.0001125492,0.00066794275,0.000528957,0.0011081985],"category_scores_gemma":[0.00007668378,0.0003347553,0.00046281912,0.0015671211,0.00067655114,0.00047649912,0.00031894527,0.0005102198,0.0002665859],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007361193,0.00014948563,0.001587701,0.0000574376,0.0004915079,0.0008476329,0.007823557,0.00008973571,0.0003274354,0.26713148,0.68831486,0.03310557],"study_design_scores_gemma":[0.0006389303,0.0000510353,0.0017748753,0.00007569671,0.00062721537,0.00003171722,0.008626417,0.00030904723,0.00006592965,0.012040859,0.9754098,0.0003484628],"about_ca_topic_score_codex":0.20138706,"about_ca_topic_score_gemma":0.83010256,"teacher_disagreement_score":0.7023223,"about_ca_system_score_codex":0.0069862134,"about_ca_system_score_gemma":0.0007774127,"threshold_uncertainty_score":0.9999105},"labels":[],"label_agreement":null},{"id":"W7132576679","doi":"","title":"Упражненията на Катерине Викерс в контекста наклавирната музика на Иван Спасов","year":2017,"lang":"","type":"article","venue":"Bulgarian Portal for Open Science","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Compendium; Performing arts; Context (archaeology); Style (visual arts); Process (computing); Elaboration","score_opus":0.05703073050765212,"score_gpt":0.36859250195067284,"score_spread":0.3115617714430207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132576679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10204515,0.002041476,0.00024920996,0.033342224,0.018018829,0.0070856507,0.00083547557,0.00019105566,0.83619094],"genre_scores_gemma":[0.8967048,0.00016984879,0.0014257343,0.0053997454,0.0022361143,0.00025959272,0.00006652802,0.000054848348,0.0936828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9889826,0.00026709645,0.0016139534,0.0034082942,0.002587054,0.0031409953],"domain_scores_gemma":[0.9906405,0.00024091506,0.0022456837,0.0032739644,0.0017774383,0.0018214651],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.008106317,0.001021017,0.0016115904,0.0003546799,0.025470601,0.022504492,0.021679597,0.0007722706,0.00439068],"category_scores_gemma":[0.0033264188,0.00085060927,0.0009806253,0.002124889,0.011019586,0.010282735,0.0040696296,0.0007864989,0.0006515125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048473265,0.0012733245,0.010985859,0.00016096435,0.0006224301,0.00037485847,0.029466724,0.00002721841,0.004633859,0.7654191,0.1233404,0.06321049],"study_design_scores_gemma":[0.0028464864,0.00089538674,0.028509254,0.0003302879,0.0009098023,0.00006899189,0.014679204,0.001160361,0.0012093643,0.034754973,0.91168976,0.0029461267],"about_ca_topic_score_codex":0.01083325,"about_ca_topic_score_gemma":0.017837845,"teacher_disagreement_score":0.7946596,"about_ca_system_score_codex":0.000337707,"about_ca_system_score_gemma":0.00378019,"threshold_uncertainty_score":0.9993945},"labels":[],"label_agreement":null},{"id":"W7132905866","doi":"","title":"L&apos;oubli dans la création littéraire, l&apos;exemple de Marguerite Duras, Christoph Hein, Milan Kundera et Christa Wolf","year":2001,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gloom; Subject (documents); Identity (music); Relation (database)","score_opus":0.0362741833875568,"score_gpt":0.3815516795319832,"score_spread":0.34527749614442643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132905866","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40698686,0.0053754086,0.000078699835,0.0061995275,0.0012611288,0.00071541383,0.000070646245,0.00043256974,0.5788798],"genre_scores_gemma":[0.3283935,0.0028868874,0.00038544612,0.0031729804,0.00217503,0.00015610956,0.006053216,0.000101136204,0.6566757],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963386,0.0008115722,0.00050578587,0.0007724888,0.00075653085,0.0008150342],"domain_scores_gemma":[0.9981174,0.00018906328,0.0004918922,0.00043756558,0.00043167872,0.00033242817],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009176755,0.000532235,0.000647097,0.000237053,0.0011603704,0.000772631,0.00063041964,0.0011075359,0.0010711759],"category_scores_gemma":[0.0003027646,0.0004946616,0.0004250396,0.0011353001,0.00024749155,0.00043130602,0.000040383675,0.00081193773,0.00009378194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040005884,0.0006230417,0.0022305986,0.00045043198,0.00068789325,0.0002521822,0.69766456,0.000039049664,0.007057815,0.068542674,0.21261463,0.009437076],"study_design_scores_gemma":[0.0005167026,0.00009179645,0.013799699,0.00020664142,0.0003908722,0.000013980735,0.12842952,0.000023750124,0.00035918938,0.0047154566,0.8505072,0.0009451925],"about_ca_topic_score_codex":0.02380805,"about_ca_topic_score_gemma":0.1416079,"teacher_disagreement_score":0.6378926,"about_ca_system_score_codex":0.00041679997,"about_ca_system_score_gemma":0.0006964548,"threshold_uncertainty_score":0.999842},"labels":[],"label_agreement":null},{"id":"W7132965795","doi":"","title":"Musical Networks and Cultural Policy in Canada from 1945 to 1982","year":2022,"lang":"","type":"dissertation","venue":"TSpace","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Cultural policy; Musical; Gatekeeping; The arts; Highbrow; Popular music; Music education; Jury; Performing arts; Music history","score_opus":0.014509860970556367,"score_gpt":0.326880028903281,"score_spread":0.31237016793272465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132965795","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9784931,0.0029426937,8.1966925e-7,0.0072270553,0.001871679,0.00045555155,0.0000812075,0.00001882729,0.008909085],"genre_scores_gemma":[0.9593214,0.0005043288,0.000024880746,0.008996936,0.0020722623,0.0000863345,0.0014865356,0.000021747388,0.027485598],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9964311,0.00051691674,0.0004928,0.0009491794,0.0007506162,0.00085936836],"domain_scores_gemma":[0.99858767,0.00020662327,0.00026393295,0.00024937556,0.00013909492,0.000553317],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021417203,0.00049664336,0.00080996973,0.00016495059,0.0010474689,0.00033911818,0.0005594059,0.00039900155,0.0034339963],"category_scores_gemma":[0.00021419927,0.0004321046,0.00017503173,0.002405748,0.00012491945,0.0001809846,0.00016256497,0.0010406778,0.000010213794],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042106767,0.00015903614,0.009926,0.00006365737,0.0005123679,0.00022442729,0.900479,0.0041534672,0.0003795997,0.004285316,0.06130815,0.018087871],"study_design_scores_gemma":[0.0004492423,0.000086256645,0.071098275,0.00009746591,0.000255678,0.0000016706664,0.6465651,0.00087199267,0.000007816187,0.0002458274,0.27931243,0.0010082232],"about_ca_topic_score_codex":0.9989258,"about_ca_topic_score_gemma":0.99970007,"teacher_disagreement_score":0.25391394,"about_ca_system_score_codex":0.0013266079,"about_ca_system_score_gemma":0.002165536,"threshold_uncertainty_score":0.9998131},"labels":[],"label_agreement":null},{"id":"W7133403380","doi":"","title":"PhD Queen of Comedy","year":2019,"lang":"fr","type":"article","venue":"ORBi UMONS","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.023843418624498222,"score_gpt":0.27729736799113486,"score_spread":0.2534539493666366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133403380","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6204349,0.0061002374,0.0000044260046,0.034395777,0.0031541046,0.00024654967,0.00008009685,0.000034780343,0.33554918],"genre_scores_gemma":[0.7549762,0.00039160717,0.00008051427,0.0015148926,0.000395034,0.0000035932255,0.000014629651,0.0000060412976,0.24261747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987705,0.00020034306,0.00022890362,0.00022132184,0.00025445363,0.0003244951],"domain_scores_gemma":[0.99933356,0.00009484822,0.00013475795,0.00020721545,0.000111993126,0.00011765316],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021311277,0.00012554061,0.00032036527,0.000041888336,0.00015295799,0.000045226752,0.0002845936,0.00021503954,0.005764362],"category_scores_gemma":[0.000032444794,0.00010115684,0.00023169808,0.0006833663,0.00045320508,0.00022744217,0.00004932338,0.00018302933,0.0010659038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024939169,0.00054503704,0.06519303,0.00017813186,0.0005331933,0.000018488272,0.032203093,0.000031283573,0.003005564,0.688846,0.19183715,0.017584108],"study_design_scores_gemma":[0.00020584659,0.00009354449,0.009520719,0.000059574428,0.00017721126,0.0000011676656,0.0039090174,0.000033696153,0.0001624493,0.0036221596,0.9820306,0.00018403523],"about_ca_topic_score_codex":0.004346696,"about_ca_topic_score_gemma":0.0014019512,"teacher_disagreement_score":0.79019344,"about_ca_system_score_codex":0.000044793458,"about_ca_system_score_gemma":0.00007930662,"threshold_uncertainty_score":0.9997119},"labels":[],"label_agreement":null},{"id":"W7133443509","doi":"","title":"Erreurs culturelles dans le sous-titrage du film canadien 'Bon cop Bad cop'","year":2019,"lang":"fr","type":"book-chapter","venue":"ORBi UMONS","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Context (archaeology); Identity (music)","score_opus":0.016790850852086942,"score_gpt":0.2345628031803473,"score_spread":0.21777195232826035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133443509","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01567649,0.004704708,0.000015969763,0.012815772,0.003414488,0.0006331949,0.00084602693,0.00012246743,0.9617709],"genre_scores_gemma":[0.22495139,0.002603044,0.00009200076,0.0028784033,0.001771668,0.000024027328,0.00053669093,0.0000726624,0.7670701],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963173,0.00027614308,0.0006263267,0.0010628104,0.00067085767,0.0010465296],"domain_scores_gemma":[0.9978204,0.00019023153,0.00047614006,0.00059954496,0.0003325796,0.0005811224],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003545862,0.0008180862,0.0010709461,0.00013967314,0.0019277089,0.0003116357,0.0010310803,0.001366566,0.004005118],"category_scores_gemma":[0.00009442538,0.0006767113,0.0008965936,0.0003582127,0.0017479814,0.00036308123,0.00016063357,0.0010817178,0.0016517206],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019873196,0.00010493915,0.001416795,0.00006069142,0.0006460795,0.00026319624,0.01718023,0.00012052467,0.00035263324,0.80681664,0.17200278,0.0010155953],"study_design_scores_gemma":[0.00034536826,0.00013695825,0.0010634442,0.00018209913,0.00073224714,0.000035613517,0.005604489,0.00009210754,0.00003165682,0.0031877854,0.987612,0.0009762203],"about_ca_topic_score_codex":0.075057425,"about_ca_topic_score_gemma":0.46257892,"teacher_disagreement_score":0.8156092,"about_ca_system_score_codex":0.0005233726,"about_ca_system_score_gemma":0.0007660064,"threshold_uncertainty_score":0.99992985},"labels":[],"label_agreement":null},{"id":"W7133454483","doi":"","title":"Les échanges culturels entre Québec et Europe : le cas du théâtre et de l'humour","year":2019,"lang":"fr","type":"article","venue":"ORBi UMONS","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Context (archaeology); Government (linguistics); Public space","score_opus":0.02118737373612462,"score_gpt":0.2852784115318609,"score_spread":0.2640910377957363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133454483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40329018,0.009931687,0.000009340241,0.2950867,0.0010938128,0.0002520873,0.00010355369,0.000104251085,0.29012838],"genre_scores_gemma":[0.59537256,0.0023934247,0.00010837773,0.008914993,0.0007314042,0.000012269887,0.000042071028,0.000021253365,0.39240363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99753845,0.000877211,0.00023435791,0.0004576262,0.00029137463,0.00060097926],"domain_scores_gemma":[0.9989675,0.00017057116,0.00016415265,0.00024313523,0.0002212386,0.000233398],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004488325,0.00029708917,0.0003755835,0.000051438994,0.0005934652,0.0003099079,0.0004332449,0.0003324132,0.0028059403],"category_scores_gemma":[0.00014522925,0.0002276735,0.00029181398,0.0006720378,0.00032768474,0.0004545415,0.00012305709,0.00047350518,0.0010434322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018901286,0.00041448494,0.032758664,0.00007338741,0.0003177714,0.00013047343,0.1593833,0.00009956288,0.002578134,0.5566222,0.24251175,0.005091349],"study_design_scores_gemma":[0.00022787847,0.00007018878,0.013738261,0.00007213466,0.00019188161,0.000022220618,0.011595861,0.00003629691,0.00011141614,0.0006084279,0.97299665,0.00032880332],"about_ca_topic_score_codex":0.2336621,"about_ca_topic_score_gemma":0.54792905,"teacher_disagreement_score":0.7304849,"about_ca_system_score_codex":0.00019601967,"about_ca_system_score_gemma":0.00064724026,"threshold_uncertainty_score":0.99973434},"labels":[],"label_agreement":null},{"id":"W7134615787","doi":"","title":"En passant par le Québec et la Hongrie : Contributions de Jean-Louis Comolli à l’émission Cinéastes de notre temps (1967-1971)","year":2024,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Work (physics); Order (exchange)","score_opus":0.016905941287309736,"score_gpt":0.26332922738737874,"score_spread":0.246423286100069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134615787","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011779219,0.017705102,0.005155918,0.19089152,0.0005724513,0.0007171111,0.0007559885,0.0004401413,0.77198255],"genre_scores_gemma":[0.48006463,0.0043196855,0.0023367617,0.0012205594,0.00019605245,0.000067394234,0.00072085636,0.00006898479,0.5110051],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9886136,0.0081983525,0.00079614844,0.0009604668,0.00062166643,0.00080977986],"domain_scores_gemma":[0.99049646,0.005289414,0.00056880567,0.001076201,0.0019767657,0.0005923461],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.007139777,0.0006228009,0.0007516288,0.00020332896,0.0019502566,0.001055995,0.0013002811,0.0010245028,0.0011328143],"category_scores_gemma":[0.0024214436,0.0005665416,0.00071617786,0.0006281216,0.0016120956,0.00034388417,0.00054814457,0.0013851235,0.00030270763],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012549739,0.00034811976,0.0009790033,0.0000968928,0.00032882884,0.000040004063,0.022892483,0.000027814847,0.0018668321,0.9576533,0.0053922967,0.010361871],"study_design_scores_gemma":[0.00043214107,0.0000022391587,0.0007211811,0.0022609357,0.0004961385,0.000023365836,0.001445764,0.0015074505,0.0024026535,0.023955518,0.9660816,0.0006710045],"about_ca_topic_score_codex":0.049133766,"about_ca_topic_score_gemma":0.15778866,"teacher_disagreement_score":0.9606893,"about_ca_system_score_codex":0.0005761676,"about_ca_system_score_gemma":0.0017533132,"threshold_uncertainty_score":0.999981},"labels":[],"label_agreement":null},{"id":"W7135434714","doi":"","title":"Life and Work of Czech Composer Milan Kymlička","year":2013,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Czech; Bachelor; Theme (computing); Wife; Biography; Politics; Work (physics)","score_opus":0.011735939505727778,"score_gpt":0.25370491590625405,"score_spread":0.24196897640052628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135434714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8336818,0.022360172,0.0000034305124,0.00021625297,0.0036831154,0.00089379,0.00029198828,0.0000785466,0.1387909],"genre_scores_gemma":[0.90842354,0.00018645017,0.000117568066,0.00038376253,0.0016062978,0.000058976246,0.0016472791,0.000058751553,0.08751734],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9929504,0.00044721787,0.0022212446,0.0012358841,0.0025419064,0.0006033845],"domain_scores_gemma":[0.9899312,0.0006338737,0.0024116822,0.00051360205,0.005769683,0.00073992426],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00034913557,0.00091250276,0.0014844505,0.0005248597,0.0010587408,0.0020986558,0.0008417007,0.001503909,0.000038609283],"category_scores_gemma":[0.00080799795,0.00079924613,0.0009146827,0.0015272615,0.0011408175,0.002331317,0.00010670655,0.0009061812,0.00001529335],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056051435,0.0072862306,0.31617716,0.010304211,0.014947074,0.0005608864,0.23434572,0.00025894892,0.152628,0.12547888,0.1236493,0.008758448],"study_design_scores_gemma":[0.007570156,0.0037984778,0.5053129,0.021396412,0.005389011,0.00072497095,0.03455408,0.00050146965,0.06433236,0.021014117,0.323113,0.01229306],"about_ca_topic_score_codex":0.00015202143,"about_ca_topic_score_gemma":0.000021742126,"teacher_disagreement_score":0.19979164,"about_ca_system_score_codex":0.00017241054,"about_ca_system_score_gemma":0.00095915375,"threshold_uncertainty_score":0.99979234},"labels":[],"label_agreement":null},{"id":"W7135519491","doi":"","title":"Narative and visual specifics in the work of Robert Lepage","year":2011,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Popularity; Narrative; Interpretation (philosophy); Context (archaeology); Field (mathematics); Identity (music); Politics","score_opus":0.01554773110737394,"score_gpt":0.2730396973677443,"score_spread":0.25749196626037035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135519491","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67635643,0.012902153,0.0000030685494,0.00007301891,0.0020364912,0.0007471806,0.00012860789,0.00002502603,0.30772802],"genre_scores_gemma":[0.95108813,0.00013669998,0.00004421392,0.00016033955,0.0010304293,0.000050288487,0.00078851666,0.0000326928,0.046668682],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99409354,0.0007038084,0.0017610645,0.0009510215,0.0020309913,0.0004595753],"domain_scores_gemma":[0.9942208,0.00073948095,0.0017803616,0.00032715604,0.0027557462,0.00017648541],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005990672,0.00069416576,0.0010191847,0.00046221612,0.0007711364,0.0012864294,0.0007738065,0.0010303222,0.000014440291],"category_scores_gemma":[0.0004208486,0.00051388383,0.00064057624,0.0018787341,0.0010900162,0.0017896313,0.00008165624,0.0009662675,0.000003992161],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004718109,0.006018946,0.13030732,0.0022032438,0.003255472,0.0010464666,0.68946606,0.000056231343,0.015375916,0.13332261,0.006655325,0.0075743245],"study_design_scores_gemma":[0.0037540246,0.0033407612,0.70842975,0.011795973,0.00222286,0.00065148383,0.12091057,0.0001891918,0.021134265,0.01666136,0.10519202,0.005717718],"about_ca_topic_score_codex":0.0001778459,"about_ca_topic_score_gemma":0.000144922,"teacher_disagreement_score":0.57812244,"about_ca_system_score_codex":0.000154246,"about_ca_system_score_gemma":0.0005461823,"threshold_uncertainty_score":0.9997503},"labels":[],"label_agreement":null},{"id":"W7139717281","doi":"","title":"Research on Glenn Gould’s musicological thought : the mark of the schoenbergian legacy","year":2011,"lang":"fr","type":"article","venue":"theses.fr (ABES)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Omniscience; Identity (music); Subject (documents)","score_opus":0.17243670167977299,"score_gpt":0.36224904600566155,"score_spread":0.18981234432588856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139717281","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41549024,0.0038070611,0.0000011691375,0.021749338,0.0020795804,0.00058076665,0.00002989586,0.00003896742,0.556223],"genre_scores_gemma":[0.9624521,0.0005697079,0.000060016766,0.0054747593,0.0017011372,0.00005988297,0.0000033948804,0.000023392067,0.02965562],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912707,0.0049571544,0.00055425754,0.00064884534,0.0013834757,0.001185569],"domain_scores_gemma":[0.99657947,0.0012609632,0.00028673542,0.0010739488,0.00055465614,0.0002442527],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.003989665,0.0003692976,0.00054029527,0.00010660307,0.0020776691,0.00029197487,0.0025814157,0.0006496691,0.0071430136],"category_scores_gemma":[0.0007702886,0.00017223066,0.0006312905,0.0028545845,0.005308413,0.00051792286,0.00056980044,0.0017907113,0.00080755155],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012920215,0.0007439193,0.0015628852,0.000034055436,0.00026227895,0.000021137597,0.05196226,0.00001195574,0.0003824702,0.9162262,0.018061373,0.010602262],"study_design_scores_gemma":[0.000331534,0.0004046932,0.02509275,0.00020667363,0.0002884692,0.000008046733,0.068804204,0.000039785347,0.00088242604,0.026357662,0.8772267,0.00035703738],"about_ca_topic_score_codex":0.0130671915,"about_ca_topic_score_gemma":0.008390678,"teacher_disagreement_score":0.88986856,"about_ca_system_score_codex":0.00019580766,"about_ca_system_score_gemma":0.00022717353,"threshold_uncertainty_score":0.99997044},"labels":[],"label_agreement":null},{"id":"W7140113370","doi":"10.7202/1124067ar","title":"France Daigle et la scénographie du chiac","year":2025,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Waterloo","funders":"","keywords":"Context (archaeology); Ambivalence; Subject (documents)","score_opus":0.01586848772497272,"score_gpt":0.30503013849108146,"score_spread":0.2891616507661087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140113370","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11075466,0.14070684,0.00020473081,0.058998723,0.0052468376,0.0006000244,0.00040315706,0.00023653428,0.6828485],"genre_scores_gemma":[0.82288027,0.013416414,0.0006288684,0.058600735,0.0024939333,0.00013267911,0.00021453622,0.00006816909,0.1015644],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933423,0.0022935574,0.0009759181,0.0013138377,0.0004517703,0.0016226473],"domain_scores_gemma":[0.99636626,0.000852692,0.00049116556,0.0009425161,0.0005905573,0.0007568131],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014993697,0.0008816953,0.0013394383,0.0007922712,0.0012392618,0.0007374321,0.0013101941,0.0012211386,0.00050911633],"category_scores_gemma":[0.0005991337,0.0008219927,0.0014391113,0.0073210797,0.0016392989,0.0010157235,0.00016507343,0.0015830888,0.00007502843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072436356,0.00043004515,0.010481322,0.00043307146,0.0017975572,0.0003908664,0.013874595,0.00080683193,0.00036498968,0.89220786,0.06252237,0.016618047],"study_design_scores_gemma":[0.00056846085,0.00008778218,0.017365081,0.000661911,0.0013841413,0.000036851983,0.003061559,0.00044305754,0.000052473064,0.015391642,0.9600953,0.00085177936],"about_ca_topic_score_codex":0.15551718,"about_ca_topic_score_gemma":0.87195975,"teacher_disagreement_score":0.8975729,"about_ca_system_score_codex":0.00023567634,"about_ca_system_score_gemma":0.00094010815,"threshold_uncertainty_score":0.9994231},"labels":[],"label_agreement":null},{"id":"W7143343216","doi":"10.70675/e3d5ac4eza2aaz400fz82b5z5b6e44235b68","title":"Recherches sur la pensée musicale de Glenn Gould : l’empreinte de l’héritage schoenbergien","year":2011,"lang":"","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Disenchantment; Identity (music)","score_opus":0.07450892150955912,"score_gpt":0.33916690141854106,"score_spread":0.26465797990898193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7143343216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5355681,0.0018389762,0.000029377145,0.0008668921,0.0011378933,0.00051179377,0.000028266088,0.0001883647,0.45983034],"genre_scores_gemma":[0.53936684,0.0017189806,0.00084502826,0.002865462,0.0012445684,0.000121724726,0.00033789309,0.000061400075,0.4534381],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99262667,0.0026108418,0.0009895221,0.0013893774,0.0007377401,0.0016458269],"domain_scores_gemma":[0.9959321,0.0010081911,0.0006202826,0.0006347495,0.0009726827,0.0008319866],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.002891671,0.00092393346,0.0011881047,0.00026053993,0.0013292144,0.0009289271,0.0016282164,0.0034668362,0.0070855482],"category_scores_gemma":[0.0017285423,0.00076179235,0.0012778441,0.0014724989,0.00093656185,0.0010152445,0.00014741316,0.0023541339,0.00040272163],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009087094,0.0023673174,0.008757416,0.0008241592,0.0031124274,0.0003824295,0.70200217,0.000019204994,0.030389339,0.11926574,0.09264285,0.039328214],"study_design_scores_gemma":[0.0019233456,0.0007048156,0.02961229,0.0011196133,0.0049529844,0.00005777112,0.28496054,0.0005541187,0.009989068,0.058140196,0.6028336,0.005151644],"about_ca_topic_score_codex":0.03507751,"about_ca_topic_score_gemma":0.05758353,"teacher_disagreement_score":0.5101908,"about_ca_system_score_codex":0.00048347306,"about_ca_system_score_gemma":0.0016389563,"threshold_uncertainty_score":0.9999709},"labels":[],"label_agreement":null},{"id":"W7144258088","doi":"10.70675/ae6e4f7dz3afbz4b2bz94dez8774d08cd6d9","title":"Langue, identité et oralité dans la poésie du québec (1970-2010). Des nuits de la poésie au slam : parcours d’un engagement pour une culture québécoise.","year":2013,"lang":"","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lien; Ven; Subjectivity","score_opus":0.01680436433491073,"score_gpt":0.29777866337416886,"score_spread":0.28097429903925814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7144258088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5504184,0.0017988977,0.000065731336,0.0038122705,0.0009651134,0.0008417441,0.000076836295,0.00022749868,0.44179353],"genre_scores_gemma":[0.64728826,0.0015396154,0.00047395346,0.0031830797,0.0010907139,0.00026750955,0.0010001694,0.000080829326,0.3450759],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9896242,0.004610553,0.0012809724,0.0014858256,0.0013797624,0.0016187022],"domain_scores_gemma":[0.9955092,0.0007778246,0.0010214149,0.0006472902,0.0012321335,0.0008121204],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0029457563,0.0013579095,0.0013766079,0.00026702983,0.0032748927,0.00205834,0.0017299267,0.0020342285,0.008171178],"category_scores_gemma":[0.0008452223,0.0010086441,0.0012461809,0.001807252,0.0014147689,0.0013100174,0.000200152,0.0018318727,0.00068906945],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009882374,0.0013263568,0.018140972,0.00039960694,0.0022969008,0.000282944,0.6735317,0.00007210421,0.0069266674,0.19440152,0.09530192,0.00722048],"study_design_scores_gemma":[0.0014486248,0.00023786946,0.13381422,0.00049485127,0.00331824,0.00006889123,0.5841426,0.00010056426,0.0007912071,0.012813032,0.26029894,0.0024709343],"about_ca_topic_score_codex":0.8787458,"about_ca_topic_score_gemma":0.9418735,"teacher_disagreement_score":0.18158849,"about_ca_system_score_codex":0.0008656433,"about_ca_system_score_gemma":0.0038658113,"threshold_uncertainty_score":0.99991715},"labels":[],"label_agreement":null},{"id":"W7147333706","doi":"10.70675/e0e9c902z7b0fz448eza531z05b713d05548","title":"Les mythes américains au cinéma et en littérature : une dynamique artistique et anthropologique pour le Québec ?","year":2016,"lang":"","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; The Imaginary; Exoticism; Identity (music); Prehistory","score_opus":0.01536688457494666,"score_gpt":0.3278151984575787,"score_spread":0.31244831388263206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7147333706","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099801116,0.003996415,0.003773244,0.24110408,0.0018629333,0.0014944783,0.00032660665,0.0005016428,0.6471395],"genre_scores_gemma":[0.73513615,0.0043645473,0.0005348209,0.006625811,0.0010386405,0.0001667897,0.0008362435,0.00006686357,0.25123015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99081916,0.004360359,0.0012274313,0.0016575194,0.0006773334,0.0012581822],"domain_scores_gemma":[0.9952563,0.0014518283,0.0010716185,0.00062295893,0.0010944948,0.000502806],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017997687,0.0012363291,0.0015603453,0.0003188379,0.0029645353,0.00065558346,0.0012364333,0.0037080206,0.0019310163],"category_scores_gemma":[0.0012278671,0.0007945849,0.0010826364,0.0016586827,0.0014108942,0.0008419192,0.00013129329,0.0020412162,0.00018738692],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021794566,0.0007941234,0.0022272929,0.00021945259,0.001005775,0.00008894885,0.17898247,0.000022191945,0.006242879,0.78236586,0.009398231,0.0184348],"study_design_scores_gemma":[0.0015040676,0.0009503042,0.08205845,0.001258902,0.0011268924,0.000036976086,0.56190276,0.00021168652,0.002474416,0.03346139,0.31082872,0.0041854205],"about_ca_topic_score_codex":0.61670506,"about_ca_topic_score_gemma":0.97353053,"teacher_disagreement_score":0.7489045,"about_ca_system_score_codex":0.0007985857,"about_ca_system_score_gemma":0.00842899,"threshold_uncertainty_score":0.9994505},"labels":[],"label_agreement":null},{"id":"W7147392212","doi":"10.70675/96b5746bzcb08z4c06z8a83zb5c23df88c08","title":"L'univers d'Atom Egoyan : une esthétique d'aporie","year":2011,"lang":"","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Capital (architecture); Ligne; Human being","score_opus":0.018616990312804355,"score_gpt":0.2816954846687913,"score_spread":0.26307849435598696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7147392212","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18015806,0.0012322458,0.000046298952,0.001237537,0.003761269,0.000704869,0.000028198205,0.00020273785,0.8126288],"genre_scores_gemma":[0.44561136,0.0017862506,0.00029242874,0.0028428887,0.0011107357,0.0000456341,0.0014834267,0.000049995488,0.5467773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955593,0.0005047558,0.00086253014,0.0012522757,0.0008076671,0.001013486],"domain_scores_gemma":[0.9969854,0.00010576059,0.0007883787,0.00050658727,0.0010056563,0.0006082164],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004550911,0.0008456403,0.0010714778,0.0003055646,0.0019079947,0.0004493409,0.0012212608,0.0019567425,0.022871323],"category_scores_gemma":[0.00006387985,0.0006850809,0.0010153183,0.0027086358,0.00064945297,0.0008354236,0.000065042215,0.0009924584,0.0008863753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029963139,0.0006847621,0.0019297731,0.00020079358,0.0017823095,0.00016265367,0.2721311,0.0000054806283,0.000562313,0.6376587,0.032420885,0.052161597],"study_design_scores_gemma":[0.0005746302,0.00025895843,0.0035825758,0.00015149651,0.0016738342,0.000003499274,0.24996665,0.000024191648,0.00055815274,0.025880383,0.7155345,0.0017910884],"about_ca_topic_score_codex":0.03833527,"about_ca_topic_score_gemma":0.16974755,"teacher_disagreement_score":0.68311363,"about_ca_system_score_codex":0.00013718105,"about_ca_system_score_gemma":0.0008177177,"threshold_uncertainty_score":0.9998916},"labels":[],"label_agreement":null},{"id":"W7148307098","doi":"10.70675/509ace0fzdf33z4ae6z8f81z9e2f6ce25264","title":"« Toucher les sons » : la manipulation experimentale des sons electroniques, de l'apprentissage a la transmission dans les pratiques improvisees contemporaines - enquete de terrain a montreal aupres de musiciens improvisateurs (2013-2016)","year":2017,"lang":"","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Musical form; Popular music; Reel","score_opus":0.021009845959413836,"score_gpt":0.32001405898613966,"score_spread":0.2990042130267258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7148307098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92325956,0.0066212756,0.006856205,0.000637321,0.00018092126,0.0019899437,0.0001200396,0.0004353371,0.059899427],"genre_scores_gemma":[0.92302436,0.0023602864,0.0025447514,0.00016388616,0.00048636054,0.00075634103,0.0009589652,0.000113562324,0.06959152],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9920202,0.0029907245,0.0010959222,0.001423089,0.000660794,0.0018092837],"domain_scores_gemma":[0.99685454,0.0003246217,0.0011654986,0.0005618873,0.000423123,0.00067034794],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0017619312,0.0012509896,0.001157574,0.0003039993,0.0044062,0.0022589113,0.0011868259,0.0022059341,0.0005982543],"category_scores_gemma":[0.00024214198,0.0010218036,0.0009306388,0.00032246392,0.0013427458,0.0014265679,0.000078743746,0.0010809387,0.000004241843],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003237359,0.00062433694,0.0021738482,0.00028041957,0.00051290594,0.00005297632,0.48674586,0.000015822623,0.4351282,0.00146365,0.0029747656,0.069703445],"study_design_scores_gemma":[0.0021978938,0.0011499044,0.025253078,0.001423384,0.002312866,0.000083244995,0.78762686,0.005820077,0.122650445,0.008167581,0.040140666,0.003174016],"about_ca_topic_score_codex":0.15245362,"about_ca_topic_score_gemma":0.24786377,"teacher_disagreement_score":0.31247777,"about_ca_system_score_codex":0.000732421,"about_ca_system_score_gemma":0.0020689077,"threshold_uncertainty_score":0.99922323},"labels":[],"label_agreement":null},{"id":"W7151278633","doi":"10.70675/7b1ad018zd160z4a71zb1adzb47ffa62e4ae","title":"Une scène à soi. Colette et le théâtre","year":2023,"lang":"","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ESPACE; Metis; Mythology; Biography","score_opus":0.022147332758042922,"score_gpt":0.31976982096653384,"score_spread":0.2976224882084909,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7151278633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19959533,0.0012934356,0.000012125762,0.07134801,0.006521351,0.0010803087,0.00008227105,0.0005453902,0.71952176],"genre_scores_gemma":[0.21020745,0.00064405985,0.00005300006,0.013249576,0.0011008835,0.00009116625,0.0026278335,0.000047125275,0.7719789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957498,0.0005543095,0.00078532856,0.0010706197,0.000980608,0.00085933873],"domain_scores_gemma":[0.9979176,0.0002355124,0.0005174881,0.00036177074,0.0006671307,0.00030048852],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000774786,0.00062177907,0.00093419314,0.00022162094,0.002074564,0.0008921324,0.0008040212,0.001223708,0.0025257466],"category_scores_gemma":[0.00017111191,0.00049038307,0.00086495094,0.0039777146,0.00039061968,0.00052969967,0.000076124,0.00085106713,0.0017253264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012326788,0.0005151203,0.00029375404,0.0002583432,0.0016014553,0.00009156045,0.092438444,0.00007480327,0.0021535056,0.4545414,0.43917537,0.008732973],"study_design_scores_gemma":[0.000719264,0.00015217555,0.008797365,0.00024218317,0.0010393703,0.0000014391057,0.30423757,0.00017650767,0.00027482974,0.009475774,0.6733801,0.001503425],"about_ca_topic_score_codex":0.036633328,"about_ca_topic_score_gemma":0.23730996,"teacher_disagreement_score":0.44506562,"about_ca_system_score_codex":0.00006925639,"about_ca_system_score_gemma":0.00072487554,"threshold_uncertainty_score":0.9997548},"labels":[],"label_agreement":null},{"id":"W7151910612","doi":"10.70675/822bd9f2za833z44cezaf68z6ee84fee132e","title":"Histoire et sémiologie narrative des albums concepts : les exemples des corpus québécois et français de 1968 à 1987","year":2025,"lang":"","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; French; Perspective (graphical); Verisimilitude; Context (archaeology)","score_opus":0.043315282966431765,"score_gpt":0.3484966800348505,"score_spread":0.30518139706841874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7151910612","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76255643,0.048931453,0.0002893896,0.0022776444,0.0018843975,0.0010045796,0.00021352047,0.00032404176,0.18251856],"genre_scores_gemma":[0.82480246,0.0074855145,0.0013463523,0.006637925,0.0002980115,0.00027756393,0.0017249013,0.000038570743,0.15738869],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9921557,0.0028954695,0.0012727744,0.0015717628,0.0007131576,0.0013911804],"domain_scores_gemma":[0.9949966,0.0015711416,0.000883853,0.00044825097,0.0016634754,0.0004366469],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013382349,0.0012263173,0.0018173171,0.0003387333,0.006839545,0.00073420105,0.0012920868,0.0020010942,0.0031506533],"category_scores_gemma":[0.0018844323,0.0009281839,0.0012252307,0.001863806,0.00435444,0.0009168288,0.00014480173,0.0013026884,0.00004565525],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002341976,0.00033733217,0.009080716,0.00036345818,0.001081775,0.000033429456,0.85965717,0.00006917068,0.0018217306,0.063521095,0.008638015,0.055161938],"study_design_scores_gemma":[0.000683063,0.00042092797,0.032174394,0.00086071965,0.0011652193,0.000005179327,0.8348558,0.000057359764,0.0008748407,0.021559812,0.10571735,0.0016253173],"about_ca_topic_score_codex":0.43429035,"about_ca_topic_score_gemma":0.9064752,"teacher_disagreement_score":0.47218487,"about_ca_system_score_codex":0.00069832365,"about_ca_system_score_gemma":0.0027312916,"threshold_uncertainty_score":0.9993169},"labels":[],"label_agreement":null},{"id":"W7153295546","doi":"10.3917/rsc.1503.0785a","title":"Claude Aubin, Le lansquenet solitaire Montréal, Éditions Textes et Contextes, 2014, 339 pages","year":2015,"lang":"fr","type":"article","venue":"Revue de science criminelle et de droit pénal comparé","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Subject (documents); Feature (linguistics)","score_opus":0.05831300482657709,"score_gpt":0.3243250923590503,"score_spread":0.26601208753247324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7153295546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48890945,0.09824207,0.002344206,0.18758601,0.003774182,0.0009243558,0.0004953909,0.00041590724,0.21730842],"genre_scores_gemma":[0.9467749,0.002123475,0.0019803846,0.01179301,0.001178766,0.000056492405,0.00010139672,0.000029758648,0.035961814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99497414,0.0009959396,0.00065758754,0.0009633468,0.00086194836,0.0015470688],"domain_scores_gemma":[0.996426,0.00046189106,0.00035225626,0.00056349055,0.0009595283,0.001236861],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0042182035,0.00045179034,0.00075033057,0.00025919548,0.0017490544,0.000971216,0.0014598756,0.000343407,0.00029343058],"category_scores_gemma":[0.0010182641,0.00044851514,0.0003815074,0.0017192428,0.0038032904,0.0017310827,0.0002405196,0.00081214303,0.0004224987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032489832,0.0004937116,0.0015923094,0.000083512656,0.00007876586,0.00013812156,0.021442479,0.0029858898,0.002086063,0.60500365,0.36431795,0.0017450824],"study_design_scores_gemma":[0.0014806141,0.00043183827,0.011373564,0.0005891171,0.0006496664,0.0005094476,0.049473006,0.014601566,0.00076334336,0.1959113,0.72253966,0.0016768982],"about_ca_topic_score_codex":0.013580467,"about_ca_topic_score_gemma":0.013430245,"teacher_disagreement_score":0.45786545,"about_ca_system_score_codex":0.00081306923,"about_ca_system_score_gemma":0.0027519464,"threshold_uncertainty_score":0.9997967},"labels":[],"label_agreement":null},{"id":"W7154233000","doi":"10.3917/ving.119.0159zz","title":"Bouchard Vincent , Pour un cinéma léger et synchrone ! Invention d’un dispositif à l’Office national du film à Montréal , préf. de Michel Marie, Presses universitaires du Septentrion, Villeneuve-d’Ascq, 2012, 284 p., 24,70 €","year":2013,"lang":"fr","type":"article","venue":"Vingtième Siècle Revue d histoire","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Agency (philosophy); Government (linguistics); Reading (process)","score_opus":0.007919712730429894,"score_gpt":0.20199904327354576,"score_spread":0.19407933054311585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7154233000","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37815246,0.20340459,0.00094154495,0.38182363,0.0061240634,0.0019098269,0.0006142324,0.0005361423,0.026493529],"genre_scores_gemma":[0.9328914,0.0060873325,0.00060630584,0.003702456,0.0019266742,0.00009635365,0.0005332338,0.00007193237,0.05408431],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956409,0.0009875618,0.0007245192,0.00089895347,0.0007806534,0.00096743414],"domain_scores_gemma":[0.99687266,0.0004055403,0.0006697908,0.0003526133,0.0012066229,0.0004927707],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006655119,0.0005764,0.0006886753,0.00022247483,0.003014186,0.00043476382,0.0007032484,0.00070173776,0.0053328667],"category_scores_gemma":[0.0005083366,0.0005887604,0.000633739,0.0009267725,0.0009482236,0.002133673,0.00030463468,0.0005968829,0.0007152965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016850687,0.0020430272,0.005699384,0.0005692813,0.0011648289,0.00015740292,0.010470585,0.0017382655,0.0052785664,0.060639102,0.82923084,0.08284019],"study_design_scores_gemma":[0.0011886854,0.0001640912,0.026178455,0.0005152988,0.00084718666,0.0000684581,0.003162456,0.009106565,0.00015833657,0.0030270256,0.95460355,0.0009798687],"about_ca_topic_score_codex":0.01511935,"about_ca_topic_score_gemma":0.0056956196,"teacher_disagreement_score":0.55473894,"about_ca_system_score_codex":0.0023962306,"about_ca_system_score_gemma":0.00045010808,"threshold_uncertainty_score":0.9996564},"labels":[],"label_agreement":null},{"id":"W7155054410","doi":"10.5817/cejcs2025-20-3","title":"Le Vieux Monde abandonné : le conflit identitaire dans Aaron d'Yves Thériault","year":2025,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eschatology; Mythology; Historiography; Judaism","score_opus":0.02672320598542841,"score_gpt":0.2690640952482054,"score_spread":0.242340889262777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155054410","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32107714,0.04976543,0.000028884708,0.1387053,0.0025468385,0.00031096538,0.000028841816,0.000034842407,0.48750177],"genre_scores_gemma":[0.980403,0.00310938,0.000018007464,0.0031913335,0.0005399204,0.000001228726,0.000001291705,0.000008008096,0.012727804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979748,0.0007909726,0.00039287534,0.00013139473,0.00023804614,0.00047186986],"domain_scores_gemma":[0.9989607,0.00007653715,0.00021224379,0.00013056879,0.00035938973,0.00026055714],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009876542,0.00013684058,0.0003051261,0.00021295283,0.0015871354,0.00020667333,0.000599238,0.000029473114,0.00001720232],"category_scores_gemma":[0.00028890377,0.00008724164,0.00023960303,0.0006562896,0.0006259173,0.0002666063,0.00004859081,0.00024464392,0.000009055957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009076952,0.00008228135,0.0036683495,0.0000404554,0.0037009579,0.0006914285,0.16319472,0.00014989087,0.0005513535,0.42046317,0.3895767,0.017789904],"study_design_scores_gemma":[0.00052233675,0.000036496527,0.032794848,0.00009267712,0.00030444545,0.000010292211,0.12677242,0.0000013935128,0.00006129122,0.0017743504,0.8374779,0.00015151745],"about_ca_topic_score_codex":0.039484657,"about_ca_topic_score_gemma":0.5312085,"teacher_disagreement_score":0.6593259,"about_ca_system_score_codex":0.00012632927,"about_ca_system_score_gemma":0.0007481179,"threshold_uncertainty_score":0.99971265},"labels":[],"label_agreement":null},{"id":"W7155172204","doi":"10.7202/1124300ar","title":"Binômes interartistiques. L’impact du théâtre et de la danse sur les méthodes de création musicale de Georges Aperghis et Thierry De Mey","year":2025,"lang":"en","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metanarrative; Context (archaeology); Identity (music)","score_opus":0.02509822951971956,"score_gpt":0.3555842679687674,"score_spread":0.33048603844904784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155172204","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94163156,0.0012027619,0.0048546433,0.021618227,0.00052152394,0.00023121656,0.000047139405,0.00024562803,0.029647285],"genre_scores_gemma":[0.97581875,0.00096131716,0.002914757,0.008895046,0.001529058,0.00006666399,0.000044256056,0.00002203586,0.009748085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961252,0.0023518868,0.00030969523,0.00040630813,0.00019197621,0.00061492756],"domain_scores_gemma":[0.99783957,0.0013936129,0.00012897959,0.00025027213,0.00017012874,0.00021746289],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024432791,0.00025235978,0.00040015098,0.0001462235,0.0005379941,0.00045406082,0.00041999388,0.0004307601,0.00034405952],"category_scores_gemma":[0.0024554622,0.0002093938,0.0003485389,0.00063142733,0.00043556973,0.00035792307,0.00010437816,0.00051619957,0.000008887194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019451034,0.0011522402,0.12990563,0.00033131635,0.00057875115,0.0002284015,0.15889737,0.0005474212,0.04906335,0.45628685,0.17519581,0.027618347],"study_design_scores_gemma":[0.00087034074,0.00016442632,0.14537768,0.0007337169,0.00063532795,0.00006428655,0.007158227,0.004304976,0.002371723,0.07183381,0.76552635,0.0009591491],"about_ca_topic_score_codex":0.006257838,"about_ca_topic_score_gemma":0.010320665,"teacher_disagreement_score":0.59033054,"about_ca_system_score_codex":0.0005589312,"about_ca_system_score_gemma":0.0006017422,"threshold_uncertainty_score":0.9460021},"labels":[],"label_agreement":null},{"id":"W7155198662","doi":"10.7202/1124302ar","title":"Une synthèse réussie pour un grand public : Les musiciens et le pouvoir en France. De Lully à Boulez par Maryvonne de Saint Pulgent, Paris, Gallimard, 2025, 534 pages","year":2025,"lang":"en","type":"article","venue":"Revue musicale OICRM","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SAINT; Power (physics); Pretext; Context (archaeology)","score_opus":0.019052845820308823,"score_gpt":0.2691882013525674,"score_spread":0.2501353555322586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155198662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46865848,0.017934395,0.0032030777,0.42553034,0.002905294,0.0010432036,0.00016002072,0.00052876875,0.08003643],"genre_scores_gemma":[0.9651776,0.0025536232,0.0014756952,0.011626714,0.0025538267,0.0001343913,0.00008626603,0.000033262208,0.016358625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961972,0.0010151219,0.00052461127,0.0007567328,0.00035560224,0.0011507374],"domain_scores_gemma":[0.99809676,0.0005378009,0.00020911182,0.00048667882,0.00026714336,0.00040247708],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0016459165,0.00037700153,0.0006632656,0.00019405445,0.0014437372,0.00055677677,0.0007771824,0.0005038722,0.0005165631],"category_scores_gemma":[0.00090187835,0.0003258791,0.0004948035,0.0016112634,0.0005419012,0.00039328774,0.0002063265,0.0006540504,0.000047982016],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117071504,0.002229599,0.047340777,0.00047995345,0.0011261355,0.00033789207,0.02459344,0.00015033458,0.017657697,0.49664262,0.316141,0.09318346],"study_design_scores_gemma":[0.0007374356,0.00005003456,0.03257024,0.00017024355,0.0002699964,0.00000842343,0.0030317595,0.00016017955,0.00047116002,0.019676281,0.9423335,0.0005207467],"about_ca_topic_score_codex":0.0032347913,"about_ca_topic_score_gemma":0.011187038,"teacher_disagreement_score":0.6261925,"about_ca_system_score_codex":0.00037116997,"about_ca_system_score_gemma":0.00068989844,"threshold_uncertainty_score":0.99991935},"labels":[],"label_agreement":null},{"id":"W7159977943","doi":"10.7202/1124864ar","title":"METEGHAN EN MODÈLE : ARTHUR COMEAU ET LE QUÉBEC","year":2025,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Plan (archaeology); Context (archaeology); Order (exchange)","score_opus":0.023144660939579058,"score_gpt":0.29936362648482057,"score_spread":0.2762189655452415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7159977943","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03826903,0.047394827,0.0003945737,0.693578,0.0022272856,0.00029020404,0.00039339566,0.00015951035,0.21729316],"genre_scores_gemma":[0.473852,0.00082928664,0.00047934882,0.016671762,0.00030792443,0.000023953626,0.00002889896,0.000010427397,0.5077964],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997604,0.0009824083,0.00029264402,0.00041084585,0.00025496542,0.00045512],"domain_scores_gemma":[0.9989354,0.0003903842,0.00010736586,0.00025518655,0.00018802198,0.00012364543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007573936,0.00024343777,0.00039126168,0.00011258652,0.0005461096,0.00037333017,0.0004270117,0.00026290113,0.00069336174],"category_scores_gemma":[0.00026017262,0.00020356404,0.00030915687,0.0010148936,0.0006387344,0.00067987235,0.00014217345,0.0004156002,0.00028457216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016186099,0.00037127623,0.0012810364,0.00008549267,0.0004826243,0.00002463506,0.019361341,0.000067208864,0.0021971886,0.56653494,0.3804613,0.02911676],"study_design_scores_gemma":[0.0003043759,0.000041112715,0.0037833112,0.00007091634,0.00023312034,0.0000016914647,0.0057787015,0.0000946866,0.00069107546,0.015352412,0.9733895,0.0002590659],"about_ca_topic_score_codex":0.09675265,"about_ca_topic_score_gemma":0.19558625,"teacher_disagreement_score":0.6769062,"about_ca_system_score_codex":0.00011354226,"about_ca_system_score_gemma":0.0007123905,"threshold_uncertainty_score":0.9092621},"labels":[],"label_agreement":null},{"id":"W7159982472","doi":"10.7202/1124862ar","title":"RÉMANENCES ET FILIATIONS DU CANADA FRANÇAIS DANS LA DRAMATURGIE QUÉBÉCOISE CONTEMPORAINE","year":2025,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Waterloo","funders":"","keywords":"Dominion; Identity (music); Western europe; Context (archaeology)","score_opus":0.008979042564037785,"score_gpt":0.2653412274692299,"score_spread":0.2563621849051921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7159982472","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06982321,0.023061236,0.0001409959,0.4905082,0.0032135684,0.00035641243,0.0017500779,0.00011315269,0.41103315],"genre_scores_gemma":[0.7579563,0.0015433077,0.00014428084,0.018439692,0.00027805517,0.00003340466,0.00010861321,0.000009073778,0.22148724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756664,0.00085922785,0.00037636218,0.00041009707,0.00037459467,0.00041310576],"domain_scores_gemma":[0.9982795,0.00085410086,0.00016456105,0.00023535555,0.00031509256,0.00015136013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061087956,0.00027262437,0.00038375243,0.00008388346,0.00076637184,0.00042096054,0.00045729754,0.00023778103,0.00056392536],"category_scores_gemma":[0.0005556136,0.00022597406,0.0002007907,0.0011538285,0.0008649508,0.00059554406,0.00008295107,0.00039126727,0.000030436402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012223369,0.00016749382,0.0048244917,0.00007438806,0.00033274357,0.00012481147,0.041093,0.000091143535,0.00031624234,0.3312571,0.6194759,0.0022304922],"study_design_scores_gemma":[0.0002342336,0.000019351897,0.017099246,0.00010421869,0.00017025198,0.000004206917,0.013085511,0.0000951222,0.000088824425,0.003380187,0.9654576,0.00026124297],"about_ca_topic_score_codex":0.94586104,"about_ca_topic_score_gemma":0.98965055,"teacher_disagreement_score":0.6881331,"about_ca_system_score_codex":0.00015768256,"about_ca_system_score_gemma":0.0021036107,"threshold_uncertainty_score":0.9214955},"labels":[],"label_agreement":null},{"id":"W7161232497","doi":"10.7202/1125321ar","title":"Ce qu’il faut pour vivre : réflexions sur <i>Les Glaneurs et la Glaneuse</i> (2000) d’Agnès Varda","year":2025,"lang":"fr","type":"article","venue":"Filigrane Écoutes psychothérapiques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Power (physics); Order (exchange)","score_opus":0.019365438171811154,"score_gpt":0.3041780241991969,"score_spread":0.28481258602738574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161232497","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08061178,0.08726337,0.00022936186,0.22399975,0.0066024717,0.001081628,0.0016607746,0.001024747,0.59752613],"genre_scores_gemma":[0.25003424,0.037684295,0.0018135314,0.045648187,0.0022010293,0.00022873761,0.00056436483,0.00011104608,0.66171455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936881,0.00199347,0.0009851272,0.0013415362,0.00070051686,0.0012912503],"domain_scores_gemma":[0.9964643,0.0011308994,0.00039038504,0.00085172476,0.0007313933,0.00043127156],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011258719,0.0008976498,0.0010841725,0.00034916188,0.0011712555,0.00079238927,0.0012848384,0.0011619257,0.002233495],"category_scores_gemma":[0.0003216076,0.00080320536,0.000905522,0.002378131,0.0012459584,0.00081726327,0.00010813935,0.0011703135,0.00029520472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017095837,0.0011465005,0.0018231225,0.00033943908,0.0008445044,0.000110817455,0.024953958,0.000036540343,0.0012172495,0.24926896,0.6875771,0.03251079],"study_design_scores_gemma":[0.00089163805,0.0001824061,0.0022835347,0.00064592774,0.0005684121,0.000020698173,0.0037338727,0.000112794594,0.00020575378,0.031335235,0.9591675,0.00085221906],"about_ca_topic_score_codex":0.014324504,"about_ca_topic_score_gemma":0.02597604,"teacher_disagreement_score":0.27159035,"about_ca_system_score_codex":0.00015734886,"about_ca_system_score_gemma":0.00077988574,"threshold_uncertainty_score":0.99944186},"labels":[],"label_agreement":null},{"id":"W7161752068","doi":"10.82308/31037","title":"L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon","year":2006,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Poetry; Subject (documents); Literal and figurative language; Reflexive pronoun; Aesthetic experience; Art criticism","score_opus":0.009222781936164623,"score_gpt":0.2642500809888551,"score_spread":0.2550272990526905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161752068","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33923152,0.008938583,0.00004365438,0.02846466,0.0033253718,0.00089131313,0.00017909132,0.00022239998,0.6187034],"genre_scores_gemma":[0.29803437,0.00078032375,0.00031463834,0.016019994,0.0023045451,0.00009439838,0.006849108,0.000069577654,0.67553306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99455357,0.0012364938,0.0009173792,0.0012495047,0.0010229569,0.0010200775],"domain_scores_gemma":[0.99738353,0.00031263984,0.0006914094,0.000453633,0.00077224843,0.00038656036],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010354138,0.00096602266,0.0012059413,0.00020002518,0.0011376961,0.00096313807,0.0007163329,0.0021580919,0.0065361345],"category_scores_gemma":[0.00025443314,0.00073160336,0.001020703,0.001262742,0.00037043492,0.00080709025,0.00008317932,0.0014101592,0.0005089201],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028888957,0.00090941036,0.018880565,0.0003894862,0.0013183776,0.00018906988,0.0702671,0.00066495273,0.0027903023,0.50552267,0.3930881,0.005691054],"study_design_scores_gemma":[0.0008942893,0.0002503435,0.043693233,0.00026599207,0.0012415182,0.000023512479,0.018550228,0.0003533881,0.00026146893,0.005067657,0.9278801,0.0015182853],"about_ca_topic_score_codex":0.063536264,"about_ca_topic_score_gemma":0.55604994,"teacher_disagreement_score":0.534792,"about_ca_system_score_codex":0.00037467078,"about_ca_system_score_gemma":0.00044452416,"threshold_uncertainty_score":0.9995135},"labels":[],"label_agreement":null},{"id":"W7161786613","doi":"10.82308/53251","title":"Actio et généricité dans les Angoysses douloureuses qui procedent d'amours d'Hélisenne de Crenne, suivi de \"Sans Rosie\"","year":2023,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Masculinity; Rhetoric; Ethos; Daughter; Ideal (ethics); Cicero; Identity (music); Power (physics)","score_opus":0.031683604841149696,"score_gpt":0.3242414255473029,"score_spread":0.2925578207061532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161786613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93455756,0.002379102,0.00015157838,0.007367012,0.0017996554,0.0005926348,0.00016174639,0.00054145214,0.05244924],"genre_scores_gemma":[0.7537907,0.004144203,0.00044676228,0.004004187,0.0016334844,0.0002831673,0.0014453762,0.00010274469,0.23414938],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9949386,0.0007809961,0.00074142654,0.001029463,0.0008063988,0.0017031196],"domain_scores_gemma":[0.9972808,0.0005491418,0.0005735812,0.00034938435,0.00062619935,0.00062090694],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009883216,0.0008021356,0.0008907888,0.00029860492,0.001854368,0.00089324027,0.0009971198,0.0014009592,0.0011466878],"category_scores_gemma":[0.00070716446,0.00066782214,0.0008077156,0.0023008212,0.00046828695,0.00065926654,0.00008602502,0.00093333964,0.00017941043],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021369319,0.00124563,0.10260611,0.00094351056,0.001889549,0.00014800939,0.6683995,0.001205242,0.039772835,0.098312244,0.07897855,0.0062850984],"study_design_scores_gemma":[0.0005451199,0.00027722772,0.1895891,0.00047619702,0.0021364992,0.000022124286,0.73778033,0.00033895895,0.0061490773,0.0042485767,0.056708824,0.0017279682],"about_ca_topic_score_codex":0.07083634,"about_ca_topic_score_gemma":0.7517755,"teacher_disagreement_score":0.68093914,"about_ca_system_score_codex":0.0007318481,"about_ca_system_score_gemma":0.0012007825,"threshold_uncertainty_score":0.99989545},"labels":[],"label_agreement":null},{"id":"W7161795088","doi":"10.82308/6791","title":"Folk music and the construction of community: Southern Ontario in the 1970s","year":2015,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Folk music; Musical; Ethnomusicology; Folk song; Folk culture; Folk religion","score_opus":0.038066590756643405,"score_gpt":0.29149984455232364,"score_spread":0.2534332537956802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161795088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8223996,0.00036543384,1.4993213e-7,0.0006543522,0.00023852533,0.0002098779,0.000004667839,0.0000070119227,0.17612037],"genre_scores_gemma":[0.9631624,0.000031500236,0.00002266688,0.001144171,0.0001282732,0.000023267796,0.00021208616,0.0000041437925,0.035271488],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99834,0.001009289,0.0001966573,0.000076986245,0.0002690583,0.00010800716],"domain_scores_gemma":[0.99927604,0.00019590651,0.00017240232,0.00015809387,0.00017553578,0.00002199492],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014377091,0.000100127174,0.0002399812,0.00004377444,0.0004985879,0.00010536567,0.00030997864,0.00020906104,0.00024027748],"category_scores_gemma":[0.00009063583,0.000044839293,0.000089179484,0.00025506303,0.0004999509,0.00006965779,0.000014132316,0.0005120592,0.0000041333124],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005763696,0.00002433604,0.0008188672,0.000011140089,0.000056496734,2.8596017e-7,0.9466849,2.432942e-7,0.000004492925,0.045582913,0.0018767577,0.0048819445],"study_design_scores_gemma":[0.00034664036,0.000015627515,0.002608743,0.000017468703,0.00015550517,8.195948e-7,0.93395203,0.0000010376631,0.0000014239121,0.04305585,0.019769464,0.00007540114],"about_ca_topic_score_codex":0.57740813,"about_ca_topic_score_gemma":0.99045783,"teacher_disagreement_score":0.4130497,"about_ca_system_score_codex":0.00004173755,"about_ca_system_score_gemma":0.00018941487,"threshold_uncertainty_score":0.42540595},"labels":[],"label_agreement":null},{"id":"W7161797734","doi":"10.82308/34681","title":"Poésie et ironie chez Jean-Aubert Loranger, Saint-Denys Garneau, Roland Giguère et Jacques Brault","year":2014,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Poetry; Lyricism; Skepticism; Romance; Subject (documents); Absurdity; Romanticism; Denotation (semiotics)","score_opus":0.016790038854199652,"score_gpt":0.2964360241910298,"score_spread":0.27964598533683016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161797734","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2554178,0.022018557,0.00010321309,0.020804394,0.00457607,0.0010495513,0.00017656054,0.00034860286,0.69550526],"genre_scores_gemma":[0.38363358,0.0036396666,0.00040318808,0.023964318,0.0022017967,0.000099704586,0.0051185456,0.00008866543,0.58085054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99396497,0.0016273073,0.0009594905,0.0012915039,0.0010322653,0.0011244636],"domain_scores_gemma":[0.99678254,0.0007682127,0.00070138474,0.0005056467,0.00072652026,0.000515676],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001426413,0.0009987768,0.0013337055,0.00020094536,0.0010615928,0.0010869681,0.00095207646,0.0018813207,0.012799887],"category_scores_gemma":[0.0005519862,0.0007587516,0.0009860808,0.0010114576,0.0005645895,0.0009606889,0.00008423071,0.0011993656,0.0012063306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003505215,0.0010334264,0.008470024,0.00077953894,0.001998615,0.00007526079,0.11685978,0.00020483103,0.0038109827,0.65860176,0.1776715,0.03014378],"study_design_scores_gemma":[0.00076826155,0.000258701,0.008055353,0.00024739432,0.0010525733,0.0000055907244,0.0142894685,0.00030700816,0.0003284429,0.0034288832,0.96985406,0.0014042428],"about_ca_topic_score_codex":0.039156217,"about_ca_topic_score_gemma":0.41225907,"teacher_disagreement_score":0.79218256,"about_ca_system_score_codex":0.00027852794,"about_ca_system_score_gemma":0.00034798463,"threshold_uncertainty_score":0.99995},"labels":[],"label_agreement":null},{"id":"W7161860063","doi":"10.82308/38386","title":"Performing Québécois nationalism: the reception and revival of André Mathieu","year":2018,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Reputation; Poverty; World War II; Period (music); First world war","score_opus":0.01969668439122283,"score_gpt":0.3031429488454011,"score_spread":0.28344626445417825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161860063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7574005,0.003123334,0.0000030244942,0.0016624458,0.0008412366,0.0002859336,0.000011061995,0.000031940286,0.23664051],"genre_scores_gemma":[0.7562519,0.0021782082,0.000371048,0.0017253701,0.002020452,0.000039485083,0.00086057343,0.000015616633,0.2365374],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906814,0.0001077842,0.00021231196,0.00017240968,0.00032429254,0.000115087845],"domain_scores_gemma":[0.99918175,0.00006507705,0.00020576124,0.00008432625,0.00042884736,0.000034217945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005108633,0.0001031234,0.0001837413,0.000053324136,0.0005909242,0.00008636997,0.0001504866,0.00024326662,0.0010151309],"category_scores_gemma":[0.00015211699,0.000059232505,0.00009440252,0.00024969396,0.00017663345,0.00016984413,0.000009752686,0.00013008769,0.000011074964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013501753,0.00009763227,0.00104208,0.00043219302,0.00045822165,0.0000014227725,0.38670027,6.4814134e-7,0.0019575667,0.38077942,0.101159506,0.12723604],"study_design_scores_gemma":[0.00015242994,0.00006532806,0.0062430594,0.00017213245,0.00033345795,0.0000016520198,0.11864607,0.000025421587,0.00036979187,0.006150728,0.8675386,0.00030137927],"about_ca_topic_score_codex":0.006113973,"about_ca_topic_score_gemma":0.08592644,"teacher_disagreement_score":0.76637906,"about_ca_system_score_codex":0.00002473481,"about_ca_system_score_gemma":0.00012497115,"threshold_uncertainty_score":0.9998981},"labels":[],"label_agreement":null},{"id":"W7161895879","doi":"10.82308/19415","title":"","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Period (music); Kaleidoscope","score_opus":0.018727759778283438,"score_gpt":0.3219377143340377,"score_spread":0.3032099545557542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161895879","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.373897,0.0030594629,4.1663594e-7,0.0026916752,0.0036358822,0.0005233288,0.00002301251,0.0003164117,0.61585283],"genre_scores_gemma":[0.21998367,0.00037054814,0.00005817613,0.01013448,0.0012421996,0.0003620429,0.0062366016,0.000023775938,0.7615885],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996274,0.0007034839,0.00045439124,0.0006993967,0.0012242165,0.00064454455],"domain_scores_gemma":[0.9986528,0.00013066106,0.00034801534,0.0002653364,0.00036268428,0.00024047674],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007204479,0.00034244798,0.00057126523,0.00021117317,0.0046679717,0.0005133576,0.00093820976,0.00060381944,0.019170629],"category_scores_gemma":[0.00023854223,0.00027907986,0.0006158161,0.001408822,0.00011861457,0.00045240452,0.00004013569,0.0008217164,0.000015208941],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020809134,0.00027010802,0.0009576718,0.00007298879,0.0006481064,0.000062191066,0.47306132,0.00001017807,0.00037514904,0.45717135,0.050887644,0.016275194],"study_design_scores_gemma":[0.00012222207,0.000039737446,0.001954787,0.0000075787984,0.00025682754,2.7759882e-7,0.39765543,8.933842e-7,0.000024783094,0.0046522254,0.5948935,0.00039173887],"about_ca_topic_score_codex":0.025333622,"about_ca_topic_score_gemma":0.50904363,"teacher_disagreement_score":0.5440059,"about_ca_system_score_codex":0.00022268479,"about_ca_system_score_gemma":0.0004816184,"threshold_uncertainty_score":0.99996614},"labels":[],"label_agreement":null},{"id":"W7161936430","doi":"10.82308/51197","title":"Ana Sokolović et les manipulations rythmiques asymétriques : Rencontre entre folklore et musique contemporaine dans Svadba, opéra pour six voix de femmes","year":2025,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Folklore; Orality; ESPACE; Disenchantment; The Imaginary","score_opus":0.04390860037837662,"score_gpt":0.330903259057315,"score_spread":0.28699465867893836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161936430","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26584527,0.012678236,0.0023501872,0.11240452,0.0015414773,0.0020180135,0.0009715449,0.0007431754,0.6014476],"genre_scores_gemma":[0.5892569,0.0014076851,0.0017186317,0.0074434034,0.00061441964,0.00014209727,0.0047161346,0.000038936574,0.39466184],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9937181,0.0024301847,0.0011965997,0.0011755447,0.0005755042,0.00090407213],"domain_scores_gemma":[0.99615675,0.0009759526,0.0008020616,0.0004480705,0.0012593548,0.00035782444],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010377375,0.0009612975,0.001260361,0.00041455615,0.0013724902,0.00075923535,0.00081265724,0.0019007316,0.0016559954],"category_scores_gemma":[0.0007533261,0.0008024402,0.0010256435,0.0013313687,0.00037775602,0.00095197523,0.00010931383,0.0012020601,0.000046996418],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105054954,0.00046541094,0.014857286,0.00029817794,0.0011642303,0.0000957647,0.17099275,0.00015056296,0.0009886614,0.7544215,0.050827004,0.005633628],"study_design_scores_gemma":[0.0018049367,0.00036428805,0.055404708,0.0019894396,0.0026403153,0.000020676609,0.51916057,0.002480482,0.0015550669,0.08346245,0.32816482,0.0029522758],"about_ca_topic_score_codex":0.07961228,"about_ca_topic_score_gemma":0.7360694,"teacher_disagreement_score":0.670959,"about_ca_system_score_codex":0.0003992188,"about_ca_system_score_gemma":0.0015657487,"threshold_uncertainty_score":0.9999276},"labels":[],"label_agreement":null},{"id":"W7161952500","doi":"10.82308/40081","title":"Le violon enchanté dans les contes littéraires québécois du XIXe siècle /","year":2006,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Violin; MAGIC (telescope); Ethnography; Polyphony; Power (physics); Close reading","score_opus":0.011885339060343102,"score_gpt":0.248051782295611,"score_spread":0.2361664432352679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161952500","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6781858,0.0084575,0.000048242116,0.0065432014,0.0014633773,0.00032969008,0.000067891706,0.00015405523,0.3047502],"genre_scores_gemma":[0.8010036,0.00048676002,0.00009179343,0.0014922883,0.0016618407,0.000058617625,0.0013492721,0.000024955081,0.19383089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970445,0.0004506314,0.00064204726,0.00073909573,0.00047827477,0.00064542354],"domain_scores_gemma":[0.9984305,0.0002401274,0.00041602715,0.00022919722,0.0004989606,0.00018520434],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0002825511,0.00052594667,0.00072808214,0.00011698332,0.002300541,0.0002946006,0.0005773379,0.0013493061,0.000756501],"category_scores_gemma":[0.00014651027,0.0004155109,0.0006685638,0.00082432805,0.00078903383,0.000420101,0.000038251426,0.0005472115,0.00015637206],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006673667,0.0006769352,0.02442897,0.00018712044,0.00056106725,0.00004008582,0.13754758,0.00005624111,0.010725034,0.78107643,0.021598501,0.023035292],"study_design_scores_gemma":[0.0006553822,0.00029281474,0.111751206,0.00029885236,0.0009362259,0.0000065074746,0.28897685,0.00036279284,0.0044572987,0.0077801216,0.58283603,0.0016459128],"about_ca_topic_score_codex":0.697207,"about_ca_topic_score_gemma":0.93682384,"teacher_disagreement_score":0.7732963,"about_ca_system_score_codex":0.00013269352,"about_ca_system_score_gemma":0.0005158095,"threshold_uncertainty_score":0.99994713},"labels":[],"label_agreement":null},{"id":"W7161959296","doi":"10.82308/9979","title":"L'identité culturelle dans «Montréal», d'Ariane Moffatt : une analyse musicale sémiologique","year":2008,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musicology; Musical; Cultural exchange; Exoticism","score_opus":0.015781021849148712,"score_gpt":0.2695556755035803,"score_spread":0.2537746536544316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161959296","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6427464,0.022849785,0.00020838666,0.0057912967,0.005507429,0.00092767447,0.00011313299,0.00032497186,0.32153094],"genre_scores_gemma":[0.37656042,0.00748487,0.0007295147,0.0044754697,0.0026423354,0.00011475176,0.0033007471,0.000047527465,0.60464436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99449515,0.0010207773,0.0011723953,0.0013684765,0.0008687884,0.0010744137],"domain_scores_gemma":[0.99707407,0.00024032865,0.00073656917,0.00058324495,0.00083015644,0.0005356372],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046157473,0.0009170961,0.0014659575,0.00022638055,0.0025328049,0.00031410658,0.0010619946,0.0022499426,0.0039104447],"category_scores_gemma":[0.000314096,0.0006712901,0.0014482314,0.0033967807,0.0009734081,0.00063299155,0.000094735595,0.0012159857,0.0011057316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027719475,0.0025399793,0.018459944,0.00032931447,0.0047751786,0.0011295547,0.37970656,0.0009987192,0.017683603,0.1822733,0.3822482,0.009578453],"study_design_scores_gemma":[0.001354812,0.00054383674,0.035800856,0.00026847114,0.0044135884,0.00008377658,0.34795666,0.00085997063,0.0017294355,0.008934811,0.5947847,0.0032691201],"about_ca_topic_score_codex":0.14280845,"about_ca_topic_score_gemma":0.57254493,"teacher_disagreement_score":0.4297365,"about_ca_system_score_codex":0.0003091431,"about_ca_system_score_gemma":0.00031871142,"threshold_uncertainty_score":0.999672},"labels":[],"label_agreement":null},{"id":"W7161962525","doi":"10.82308/50144","title":"Le personnage de la mere dans trois pieces quebecoises des annees 1980 /","year":2001,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Monster; Dramaturgy; Mythology; Principal (computer security); Third person","score_opus":0.01394379821381417,"score_gpt":0.28219577893783454,"score_spread":0.26825198072402034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161962525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55189604,0.0093452595,0.000050059458,0.0010561766,0.0004881726,0.00015602319,0.000037989517,0.00009921909,0.43687108],"genre_scores_gemma":[0.6134499,0.0020334336,0.0005172218,0.0009881236,0.0008604771,0.000044473407,0.00044898837,0.00002339931,0.381634],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970072,0.00085693056,0.00041095723,0.00061052176,0.0003978362,0.0007165538],"domain_scores_gemma":[0.9987483,0.00025235358,0.0002659602,0.00018671624,0.00027170716,0.00027497753],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047348137,0.000473432,0.00061589363,0.00013445527,0.0022116653,0.000646605,0.00060086476,0.00088550086,0.002043402],"category_scores_gemma":[0.00018293259,0.0003788898,0.0006177917,0.0011023341,0.0012090757,0.000720241,0.000026553753,0.00042619574,0.00014144623],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005466347,0.00053295965,0.017687298,0.00026053627,0.0007788213,0.00008566456,0.4866061,0.0000666376,0.0022812288,0.46520725,0.011239051,0.015199793],"study_design_scores_gemma":[0.00027392368,0.000096483076,0.019187273,0.00016336227,0.0007544601,0.000013350612,0.6648511,0.00012901104,0.00057189405,0.007225522,0.30597118,0.0007624131],"about_ca_topic_score_codex":0.18865114,"about_ca_topic_score_gemma":0.76539546,"teacher_disagreement_score":0.5767443,"about_ca_system_score_codex":0.00018697443,"about_ca_system_score_gemma":0.00047814212,"threshold_uncertainty_score":0.9998663},"labels":[],"label_agreement":null},{"id":"W7161968877","doi":"10.82308/16616","title":"\"No one's free who isn't free to love\": love and history across Canadian boundaries in George Elliot Clarke's «Beatrice Chancy» and «Québécité: A Jazz Fantasia in Three Cantos»","year":2008,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Jazz; Criticism; Popular culture; Memoir","score_opus":0.015013270609528093,"score_gpt":0.25707120709602044,"score_spread":0.24205793648649235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161968877","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6379369,0.029491467,0.0000016420527,0.0038286895,0.0014205402,0.0011466024,0.00051856216,0.000040260384,0.32561538],"genre_scores_gemma":[0.36007464,0.0064473664,0.0003669975,0.012144459,0.0016886588,0.00010405723,0.0009535242,0.00012548058,0.6180948],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965782,0.00018832719,0.0005762127,0.0009507633,0.0005707624,0.0011357343],"domain_scores_gemma":[0.9982301,0.000112216534,0.00021336917,0.000457909,0.0003379955,0.00064838555],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005240901,0.0005239231,0.00091983366,0.00067570293,0.00062843354,0.00058569363,0.0007522665,0.0011141617,0.0010883594],"category_scores_gemma":[0.00045211145,0.00049706764,0.00013834878,0.0010959978,0.0006234972,0.0005227003,0.00009743274,0.0007863796,0.00006755992],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045377156,0.00019120412,0.05139771,0.0003833185,0.00034061846,0.00047555086,0.6245044,0.0000031688537,0.00017855591,0.019760102,0.29880363,0.0035079604],"study_design_scores_gemma":[0.00092899206,0.00011803259,0.1437679,0.0002247674,0.00011954513,0.0000061010014,0.034660865,0.000016665635,0.000012584821,0.0021540686,0.816894,0.0010965264],"about_ca_topic_score_codex":0.9457963,"about_ca_topic_score_gemma":0.9998131,"teacher_disagreement_score":0.5898436,"about_ca_system_score_codex":0.001516472,"about_ca_system_score_gemma":0.0023002361,"threshold_uncertainty_score":0.99982476},"labels":[],"label_agreement":null},{"id":"W7161977388","doi":"10.82308/45598","title":"La question identitaire dans l'art moderne québécois /","year":2000,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deconstruction (building); Subjectivism; Identity (music); Hegemony; Context (archaeology); Subject (documents); Normative; Modern art","score_opus":0.011278921559638704,"score_gpt":0.2854517539927666,"score_spread":0.2741728324331279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161977388","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4432865,0.003187466,0.00006214653,0.001275565,0.0012118091,0.00022586892,0.000023591463,0.00012946523,0.5505976],"genre_scores_gemma":[0.4468083,0.0009240014,0.00009489161,0.0010104293,0.0005890998,0.000037425634,0.0013279911,0.000019137558,0.54918873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99706924,0.00079533254,0.00049077155,0.0006173115,0.0005744655,0.00045290255],"domain_scores_gemma":[0.9990014,0.00008144286,0.00023182452,0.00021857864,0.0002601828,0.00020658984],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040326352,0.00041095313,0.0004908805,0.00011756802,0.0009057045,0.00038490788,0.00042689499,0.0011304275,0.006478951],"category_scores_gemma":[0.00004988521,0.00034184207,0.0004900781,0.0008242095,0.0003905622,0.00074274867,0.000016246291,0.0004955666,0.001709472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014843652,0.00046737256,0.002165899,0.00016292771,0.00071259146,0.000060535873,0.19680782,0.00016392324,0.0009332371,0.72294587,0.026043132,0.049388263],"study_design_scores_gemma":[0.00043238775,0.00018120938,0.019122569,0.0004242035,0.0022615877,0.00001541919,0.19312377,0.0012049061,0.00020410294,0.021874683,0.75966513,0.0014900307],"about_ca_topic_score_codex":0.095951214,"about_ca_topic_score_gemma":0.7449868,"teacher_disagreement_score":0.733622,"about_ca_system_score_codex":0.00025011486,"about_ca_system_score_gemma":0.00033240882,"threshold_uncertainty_score":0.9999034},"labels":[],"label_agreement":null},{"id":"W7161983807","doi":"10.82308/34958","title":"Bicéphale","year":2020,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Composition (language); Painting; Process (computing); Field (mathematics); Garcia; Musical","score_opus":0.02539751830337167,"score_gpt":0.29800559910614344,"score_spread":0.27260808080277177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161983807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02160001,0.006533512,0.000017968641,0.011489376,0.004986796,0.00021565708,0.000016723608,0.00010596585,0.955034],"genre_scores_gemma":[0.1642169,0.00053345755,0.00051001384,0.017154183,0.003317183,0.000026120986,0.0011682505,0.000018376508,0.8130555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983685,0.00018819142,0.0002998128,0.0004459636,0.00036311822,0.00033444015],"domain_scores_gemma":[0.9992046,0.000059743343,0.00016823567,0.000109306086,0.00021651128,0.00024160104],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000101050275,0.00026169294,0.0004006373,0.000041368214,0.00063066825,0.00018939486,0.00035687175,0.0005584543,0.018743653],"category_scores_gemma":[0.000078412035,0.00020196397,0.00039908683,0.0009194736,0.00019260068,0.00023682081,0.000020169411,0.00034164774,0.00343743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029637551,0.00009783892,0.00060151645,0.0001485396,0.00045600132,0.00003334681,0.087948255,0.0000037432308,0.0008819427,0.7353828,0.15342252,0.020993873],"study_design_scores_gemma":[0.000094375086,0.000049749542,0.0006229878,0.000030084335,0.00035079024,4.900416e-7,0.03690655,0.00008266436,0.00018516458,0.0032295731,0.95812315,0.0003244193],"about_ca_topic_score_codex":0.0022882277,"about_ca_topic_score_gemma":0.010176635,"teacher_disagreement_score":0.8047006,"about_ca_system_score_codex":0.000051969164,"about_ca_system_score_gemma":0.0001451305,"threshold_uncertainty_score":0.99733853},"labels":[],"label_agreement":null},{"id":"W7161984176","doi":"10.82308/3318","title":"Check ça-icite","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Musical instrument; Composition (language); Work (physics); Conjunction (astronomy)","score_opus":0.017149379218550004,"score_gpt":0.3063815983111246,"score_spread":0.28923221909257457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161984176","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032919336,0.0005502871,0.0000036951467,0.0006161302,0.0013574447,0.00012215381,0.0000034403245,0.00009836325,0.9643291],"genre_scores_gemma":[0.15837012,0.00008901528,0.000067195884,0.003472245,0.0014604764,0.000018262486,0.00080342166,0.000010497972,0.8357088],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988749,0.00011015723,0.00018313827,0.0002684606,0.00031273373,0.00025062988],"domain_scores_gemma":[0.9994005,0.000035367797,0.00012562115,0.0001282792,0.00020950135,0.0001007454],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022132914,0.00015452562,0.00026741033,0.0000650994,0.0004506329,0.00020872412,0.0002754051,0.0004978622,0.0036045301],"category_scores_gemma":[0.000090096095,0.00011070321,0.00021758513,0.0002992894,0.000058036672,0.00011513048,0.0000068521003,0.00021174623,0.0004382589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041624964,0.00009467007,0.00059281633,0.0001149333,0.00037631788,0.0000073511587,0.05516829,0.000001453621,0.00055119937,0.47123978,0.44220906,0.02960249],"study_design_scores_gemma":[0.0000652453,0.000013075761,0.0016470914,0.000022235086,0.00012940192,8.5696676e-8,0.011232022,0.000003664073,0.000071888375,0.003352698,0.9832216,0.00024100007],"about_ca_topic_score_codex":0.0021368,"about_ca_topic_score_gemma":0.06422699,"teacher_disagreement_score":0.5410125,"about_ca_system_score_codex":0.00003223462,"about_ca_system_score_gemma":0.00009266659,"threshold_uncertainty_score":0.9973063},"labels":[],"label_agreement":null},{"id":"W7162003210","doi":"10.82308/7485","title":"Entre formalisme et intimisme: «Elle était belle comme une idée» de Normand de Bellefeuille","year":2013,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Formalism (music); Chose; Compromise; Poetry","score_opus":0.020049540228403034,"score_gpt":0.2911410421977452,"score_spread":0.2710915019693422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162003210","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.512817,0.004511985,0.00019656602,0.022437217,0.0015393218,0.00078344723,0.000080359605,0.00015824687,0.45747584],"genre_scores_gemma":[0.3993159,0.0018696624,0.0010424807,0.016832864,0.0007866905,0.00010620468,0.0022157251,0.000045912242,0.5777846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962146,0.00062983425,0.0007331176,0.0006224619,0.00056474016,0.001235195],"domain_scores_gemma":[0.99789697,0.00024466138,0.00046480822,0.00033221708,0.0005222176,0.00053915486],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007076168,0.0006395773,0.00080841174,0.00015677541,0.0031493942,0.00038278298,0.000846021,0.0012977585,0.014549097],"category_scores_gemma":[0.00008895057,0.00051983946,0.000621556,0.0011617085,0.00040109942,0.0008651914,0.0001976204,0.0009010317,0.00081147644],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008004833,0.0006104357,0.0042119133,0.00035246025,0.00084911817,0.00002961557,0.43406752,0.00035867916,0.001105019,0.18378058,0.36803916,0.0065154564],"study_design_scores_gemma":[0.0009426695,0.00017903159,0.0029830497,0.00019192902,0.00094604143,0.000014365417,0.12850277,0.0034164398,0.0009602781,0.010595842,0.85001147,0.0012561019],"about_ca_topic_score_codex":0.051099256,"about_ca_topic_score_gemma":0.11454942,"teacher_disagreement_score":0.4819723,"about_ca_system_score_codex":0.00031458127,"about_ca_system_score_gemma":0.0004698464,"threshold_uncertainty_score":0.99999875},"labels":[],"label_agreement":null},{"id":"W7162009075","doi":"10.82308/27322","title":"Temporal asymmetries in the fiddle music of Oliver Schroer","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Video recording; Space (punctuation)","score_opus":0.03077056031312703,"score_gpt":0.30767511950376086,"score_spread":0.27690455919063384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162009075","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4223129,0.0020619244,2.3400513e-7,0.00050115236,0.0007853564,0.0003130359,0.000024760468,0.0000225437,0.5739781],"genre_scores_gemma":[0.8699816,0.000070633745,0.000028056193,0.0017013889,0.0002266562,0.00004684719,0.0008371848,0.0000063484986,0.1271013],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984836,0.00034346382,0.00027251622,0.00019722719,0.0005169206,0.00018627699],"domain_scores_gemma":[0.9993882,0.00011761556,0.00018868744,0.00013794262,0.0001427674,0.000024769493],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005784469,0.00012188022,0.00025694212,0.00016510526,0.00039755885,0.00008669698,0.0004679863,0.000189834,0.010686962],"category_scores_gemma":[0.00015328852,0.00007288587,0.0001655996,0.0014704949,0.00011775183,0.00014438026,0.00001947122,0.000317209,0.000010798782],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009843297,0.00037376562,0.009700079,0.00014574136,0.0002647418,0.000027774164,0.3985331,0.0000053246304,0.00007195525,0.3692425,0.21493977,0.0065968134],"study_design_scores_gemma":[0.00016056784,0.000055254724,0.016055027,0.000022466806,0.00013076872,2.858067e-7,0.4080938,0.0000027927206,0.000047045865,0.003401402,0.5718081,0.0002224441],"about_ca_topic_score_codex":0.018408937,"about_ca_topic_score_gemma":0.24452785,"teacher_disagreement_score":0.4476687,"about_ca_system_score_codex":0.00004147652,"about_ca_system_score_gemma":0.00018720134,"threshold_uncertainty_score":0.9902174},"labels":[],"label_agreement":null},{"id":"W7162009772","doi":"10.82308/36674","title":"La pansonorité d'Ivan Wyschnegradsky et son héritage","year":2020,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Musical form; Musical instrument","score_opus":0.021308777182498802,"score_gpt":0.2978665023203279,"score_spread":0.2765577251378291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162009772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14041667,0.0056191385,0.000045801615,0.021974843,0.0027650446,0.00057081325,0.00008412793,0.0002900436,0.82823354],"genre_scores_gemma":[0.65117747,0.0012809789,0.0010702802,0.0150936665,0.0016526995,0.00007564115,0.002568459,0.000049622253,0.3270312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99649423,0.0009776081,0.0005368228,0.00081426365,0.000609809,0.0005672631],"domain_scores_gemma":[0.9985663,0.0002595408,0.00031651722,0.00021613544,0.00026957568,0.00037188528],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044639094,0.000535787,0.00073833036,0.00008984428,0.0007504093,0.0005672688,0.0006241508,0.001255614,0.0038619272],"category_scores_gemma":[0.00019330866,0.00042488615,0.00067526195,0.0012494362,0.00031683876,0.00053531147,0.0000470479,0.0010953582,0.0006684648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050934897,0.0002355633,0.0012094745,0.00025410394,0.00040460943,0.000073426374,0.12711208,0.000004086393,0.0013675032,0.821009,0.027039548,0.021239677],"study_design_scores_gemma":[0.00024994396,0.00011590322,0.0027063354,0.00010400115,0.0005477716,0.0000024809945,0.086324655,0.00010317704,0.00022995863,0.004173567,0.90476406,0.0006781679],"about_ca_topic_score_codex":0.0041524726,"about_ca_topic_score_gemma":0.04164823,"teacher_disagreement_score":0.87772447,"about_ca_system_score_codex":0.00009542962,"about_ca_system_score_gemma":0.0002859928,"threshold_uncertainty_score":0.9998203},"labels":[],"label_agreement":null},{"id":"W7162019328","doi":"10.82308/45397","title":"Écrire sous le signe de la perte : expérience du maternel chez Anne-Marie Desmeules, Vanessa Courville et Éloïse Demers Pinard","year":2023,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Confession (law); Poetry; Praise; Femininity; Subjectivity; Friendship; Ambivalence; Performative utterance","score_opus":0.013783428720278119,"score_gpt":0.282869594914006,"score_spread":0.2690861661937279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162019328","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92697257,0.0034330047,0.00021811012,0.0048473417,0.0023878762,0.0005152973,0.000092609924,0.00042585772,0.061107364],"genre_scores_gemma":[0.82532275,0.0015820258,0.00024920917,0.0028473125,0.00050123956,0.00014781655,0.0009415928,0.00005969354,0.16834834],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9954969,0.0011455134,0.00063836324,0.0010050901,0.0006984868,0.0010156103],"domain_scores_gemma":[0.99775183,0.0005810042,0.0004131286,0.00031216737,0.00053159846,0.0004102521],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013787571,0.0006686587,0.00082228903,0.00014064574,0.0017853652,0.0006656169,0.00091832725,0.0012141344,0.0014921442],"category_scores_gemma":[0.00035285804,0.0005568403,0.00048867415,0.0013663627,0.0011615969,0.0006636004,0.000106619504,0.0006602665,0.00034794444],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044983835,0.0013170085,0.023094077,0.0009658941,0.001670434,0.0010858907,0.5787407,0.0022301597,0.008855451,0.2943225,0.076942556,0.010325454],"study_design_scores_gemma":[0.0013886053,0.0004712267,0.040437475,0.0005425555,0.0013302625,0.000050189472,0.76799715,0.005251193,0.0012321969,0.010488417,0.1678188,0.0029919115],"about_ca_topic_score_codex":0.038846854,"about_ca_topic_score_gemma":0.04010687,"teacher_disagreement_score":0.2838341,"about_ca_system_score_codex":0.000216099,"about_ca_system_score_gemma":0.00080605806,"threshold_uncertainty_score":0.9996883},"labels":[],"label_agreement":null},{"id":"W7162021184","doi":"10.82308/32008","title":"La fonction de l'essai dans la demarche poetique de Fernand Ouellette /","year":2001,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Romanticism; Relation (database); Rhetorical question; Humanism; Poetry; Period (music); Revelation; Rhetoric","score_opus":0.01651225487812104,"score_gpt":0.30053650691361605,"score_spread":0.28402425203549503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162021184","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4352493,0.0013559981,0.0012829589,0.0037492677,0.0005478805,0.0002151282,0.00001741184,0.000085966785,0.5574961],"genre_scores_gemma":[0.3840815,0.0016671906,0.0007168187,0.004327464,0.0011835528,0.00008277456,0.00057002064,0.00003317036,0.6073375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959304,0.0021058132,0.0003961652,0.0005223272,0.00038097985,0.0006643702],"domain_scores_gemma":[0.99865603,0.00039069628,0.00026929777,0.00017530748,0.00023305081,0.00027563272],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013056935,0.00038606243,0.00044304796,0.00009775509,0.00086914847,0.00035176665,0.00041229866,0.001632887,0.0015182088],"category_scores_gemma":[0.00020044498,0.00031504856,0.00053740345,0.0008368984,0.00044181678,0.00030312958,0.00002671977,0.0008768397,0.00009191657],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021769891,0.0008673646,0.052855685,0.0003838335,0.0014141892,0.00037317918,0.3067287,0.00023758005,0.012493525,0.5506844,0.034596704,0.039147146],"study_design_scores_gemma":[0.00075174373,0.000120764395,0.058781072,0.00026950607,0.0016454867,0.00010609658,0.115274355,0.0005665483,0.0011887082,0.045761235,0.7743841,0.001150377],"about_ca_topic_score_codex":0.008965286,"about_ca_topic_score_gemma":0.075568974,"teacher_disagreement_score":0.7397874,"about_ca_system_score_codex":0.0006134593,"about_ca_system_score_gemma":0.00067700475,"threshold_uncertainty_score":0.99993014},"labels":[],"label_agreement":null},{"id":"W7162032917","doi":"10.82308/53645","title":"Amortisseur harmonique","year":2025,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Composition (language); Conjunction (astronomy); Identity (music)","score_opus":0.02343548436280192,"score_gpt":0.32505363429929474,"score_spread":0.30161814993649283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162032917","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013358727,0.0011715408,0.000004545264,0.001081536,0.0013506155,0.00018695493,0.000007069018,0.0001312636,0.98270774],"genre_scores_gemma":[0.03598996,0.000286895,0.00010149433,0.0028962481,0.0004280671,0.00004041893,0.0007310533,0.0000057820403,0.9595201],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989674,0.00011107519,0.00019444033,0.00027306002,0.00023114213,0.00022288835],"domain_scores_gemma":[0.99942124,0.000037619935,0.00009718241,0.000120654346,0.00024802203,0.00007528946],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111228954,0.00014771671,0.0002449157,0.00009329456,0.00046599391,0.00019720248,0.00027638345,0.00047280005,0.0027055186],"category_scores_gemma":[0.0001045951,0.00011348124,0.00020638447,0.00045376222,0.000034373257,0.00011161263,0.000009054671,0.00024800017,0.000084447616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003366129,0.000086699416,0.00026554515,0.0001220647,0.00033087944,0.00002100658,0.022564638,8.6117024e-7,0.000517448,0.44431478,0.49664074,0.035101667],"study_design_scores_gemma":[0.000066794884,0.0000115238245,0.0020703098,0.00006213639,0.0002212915,1.0856334e-7,0.014669172,0.0000025915895,0.00038966557,0.0065298607,0.97568977,0.00028676118],"about_ca_topic_score_codex":0.0033856,"about_ca_topic_score_gemma":0.098418124,"teacher_disagreement_score":0.47904903,"about_ca_system_score_codex":0.000044085245,"about_ca_system_score_gemma":0.00028601915,"threshold_uncertainty_score":0.99820614},"labels":[],"label_agreement":null},{"id":"W7162037620","doi":"10.82308/10960","title":"From harvest to harvest: five tableaux for voices and instruments","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Musical; Musical instrument","score_opus":0.018449722621347992,"score_gpt":0.3116543277728545,"score_spread":0.29320460515150654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162037620","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91598624,0.0008650222,0.0000037581083,0.0015851839,0.0022548467,0.00091327727,0.000698974,0.00007868971,0.07761401],"genre_scores_gemma":[0.08866179,0.00014219484,0.0008178416,0.0053273286,0.0012124706,0.000500063,0.008269521,0.000025647136,0.89504313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985929,0.00009463998,0.0002261861,0.00048681023,0.0003156639,0.00028380885],"domain_scores_gemma":[0.99931276,0.00010429416,0.00014742686,0.0001176214,0.00014894229,0.00016895344],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017133504,0.00020005318,0.00033107522,0.000094846866,0.0010405602,0.00056439743,0.00031212525,0.00024427802,0.0028994784],"category_scores_gemma":[0.00014250384,0.00016394102,0.0001283667,0.0003234363,0.00004780201,0.00040271418,0.000040459923,0.00017188517,0.000023829316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005566527,0.0003497916,0.0045040697,0.00025656656,0.0017133974,0.000010883116,0.39510036,0.0000104015735,0.0013436499,0.08625624,0.42390454,0.08599344],"study_design_scores_gemma":[0.00022508016,0.0000812911,0.0064163776,0.000026518324,0.00023168112,7.612654e-8,0.10517285,0.0000075986827,0.00007517952,0.0039171483,0.883525,0.00032115882],"about_ca_topic_score_codex":0.034909245,"about_ca_topic_score_gemma":0.24405564,"teacher_disagreement_score":0.82732445,"about_ca_system_score_codex":0.00006969305,"about_ca_system_score_gemma":0.0001293559,"threshold_uncertainty_score":0.998012},"labels":[],"label_agreement":null},{"id":"W7162069678","doi":"10.82308/38712","title":"Talking through the glosa: an examination of the conversational networks implicit to the glosa form","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Perspective (graphical); Intentionality; Conversation analysis","score_opus":0.016782154371033833,"score_gpt":0.2929385548159272,"score_spread":0.27615640044489337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162069678","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5069943,0.00076068373,0.0010307909,0.019872759,0.0053647296,0.0026521182,0.000057180117,0.000120605255,0.46314684],"genre_scores_gemma":[0.9785552,0.000028683655,0.000034418616,0.0052886885,0.0013157612,0.000057870104,0.00043909546,0.000009784173,0.014270513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981318,0.00043635682,0.00030873343,0.0002682978,0.00060227065,0.0002525138],"domain_scores_gemma":[0.9985972,0.00023539168,0.00035590705,0.0003166057,0.00045246875,0.00004242525],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00080300524,0.00018091708,0.00022098185,0.0000252892,0.0013973749,0.00022330228,0.00085131265,0.00031781956,0.00031613506],"category_scores_gemma":[0.00014194692,0.0000753452,0.00022807157,0.00065101107,0.00016529295,0.00028083508,0.000040301828,0.00027775433,0.000008571498],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038243314,0.000066670174,0.00041862624,0.000032111842,0.0002866917,2.7002093e-7,0.20720613,0.00044951742,0.00010742932,0.73900187,0.019610718,0.03278173],"study_design_scores_gemma":[0.00042776225,0.00016415094,0.25915068,0.00016432421,0.0010144303,0.000002041965,0.301303,0.0022930023,0.00023583016,0.028766833,0.4056566,0.00082134746],"about_ca_topic_score_codex":0.00274036,"about_ca_topic_score_gemma":0.082339555,"teacher_disagreement_score":0.710235,"about_ca_system_score_codex":0.000075695694,"about_ca_system_score_gemma":0.000098349235,"threshold_uncertainty_score":0.99990267},"labels":[],"label_agreement":null},{"id":"W7162083911","doi":"10.82308/44997","title":"En quête d'une tradition : l'inscription du passé dans l'oeuvre de Pierre Vadeboncoeur","year":2010,"lang":"fr","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Greatness; Dialectic; Ambivalence; Order (exchange); Modernity; Interpretation (philosophy); Space (punctuation)","score_opus":0.013564354359049412,"score_gpt":0.263219202334394,"score_spread":0.2496548479753446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162083911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8158757,0.0009848066,0.00042447867,0.010468467,0.006987608,0.000557805,0.00009468275,0.00022014845,0.16438627],"genre_scores_gemma":[0.84302425,0.0009151066,0.000614228,0.0025136408,0.004761715,0.00013825337,0.003913989,0.00004543325,0.14407338],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99641436,0.0007537295,0.0006715281,0.00079695333,0.00065514183,0.00070826575],"domain_scores_gemma":[0.9983386,0.00014247584,0.0004820085,0.0002872734,0.0003803375,0.00036929513],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064402155,0.0005900848,0.0006517627,0.00016891505,0.0015328005,0.00039358734,0.0005987134,0.0020999908,0.0032917543],"category_scores_gemma":[0.0001615081,0.0004928086,0.00069981656,0.0012277032,0.0003676356,0.000864724,0.000020555282,0.0012915075,0.00030974208],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012099997,0.0007367028,0.00622994,0.0002590274,0.0005820263,0.000062351486,0.4821839,0.000035973953,0.07364069,0.3686148,0.025688022,0.041845586],"study_design_scores_gemma":[0.00089547265,0.00033210687,0.19489826,0.00026985243,0.0023846624,0.000036827278,0.2178585,0.0018998458,0.0017440546,0.022319742,0.5555277,0.0018330046],"about_ca_topic_score_codex":0.025632063,"about_ca_topic_score_gemma":0.27492493,"teacher_disagreement_score":0.52983963,"about_ca_system_score_codex":0.00039312756,"about_ca_system_score_gemma":0.000335774,"threshold_uncertainty_score":0.99976707},"labels":[],"label_agreement":null},{"id":"W7162100420","doi":"10.82308/45870","title":"«La marque du maître»: Messiaen's influence on Québécois composers Serge Garant, Clermont Pépin and André Prévost","year":2011,"lang":"en","type":"dissertation","venue":"","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Premise; Contrast (vision); Musical; Musical analysis; Period (music); Composition (language)","score_opus":0.011310207916373615,"score_gpt":0.2619397452719735,"score_spread":0.2506295373555999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162100420","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77048177,0.0008452979,8.3032455e-7,0.00038073424,0.00034108464,0.00033243943,0.000025860116,0.00009612109,0.22749586],"genre_scores_gemma":[0.9607006,0.00091188477,0.000051415886,0.00208984,0.00020234953,0.000050197068,0.0002744264,0.000024494673,0.0356948],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9977305,0.0005104214,0.00036075353,0.00059076824,0.00040509406,0.00040248514],"domain_scores_gemma":[0.99883735,0.00015773688,0.00028583538,0.00023312248,0.00025706904,0.00022889428],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00044936474,0.00039198136,0.00051298697,0.00015332714,0.0006836003,0.00028315213,0.00041291854,0.0007823833,0.0005838306],"category_scores_gemma":[0.00007451497,0.00029119034,0.00019704159,0.00036846026,0.0002511361,0.0003299602,0.000022345024,0.0004628841,0.00005435178],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005004524,0.0019265411,0.043420564,0.0013919353,0.0018314463,0.00059288176,0.61988556,0.000048627633,0.013933618,0.19455066,0.078348264,0.03906535],"study_design_scores_gemma":[0.0015457891,0.00053302845,0.46509472,0.00061052915,0.0008256403,0.000009522677,0.11130066,0.00003505347,0.0012321505,0.0023461382,0.4140673,0.002399481],"about_ca_topic_score_codex":0.030909356,"about_ca_topic_score_gemma":0.17280102,"teacher_disagreement_score":0.5085849,"about_ca_system_score_codex":0.00007556132,"about_ca_system_score_gemma":0.0002498498,"threshold_uncertainty_score":0.99995404},"labels":[],"label_agreement":null},{"id":"W7163864497","doi":"10.7202/1125771ar","title":"Le regard critique de Claude Gingras sur la création musicale contemporaine (1953‑2015)","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Modernism (music); Musical; Context (archaeology); Romanticism","score_opus":0.057504073815047095,"score_gpt":0.3723322023963066,"score_spread":0.3148281285812595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163864497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28521165,0.0064445864,0.0041247876,0.09402664,0.0010440891,0.00082142063,0.00011001749,0.00084893405,0.6073679],"genre_scores_gemma":[0.6697438,0.012711423,0.006700851,0.066837765,0.0039762715,0.00041561754,0.00025818415,0.00019022617,0.23916586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.97592854,0.02080161,0.00066433556,0.0007982266,0.00046319413,0.0013440622],"domain_scores_gemma":[0.988115,0.010045515,0.0003441208,0.00044110348,0.00042484194,0.0006293871],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.013062609,0.000561511,0.0008144518,0.00023449598,0.0009556771,0.0004529465,0.00077412365,0.005838239,0.00030186836],"category_scores_gemma":[0.008190442,0.0005920815,0.00079253654,0.0021696398,0.0023386034,0.00061307696,0.00010451691,0.004677811,0.00007692116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009374165,0.00034549113,0.00045983313,0.00031358088,0.00050959346,0.00038712798,0.15334718,0.0001385508,0.0068647373,0.6367773,0.13479267,0.06597023],"study_design_scores_gemma":[0.000762119,0.00006516618,0.0006958204,0.00021696735,0.00030031486,0.00005101103,0.027350599,0.00074192474,0.00064356055,0.21463007,0.7538724,0.0006700508],"about_ca_topic_score_codex":0.05034184,"about_ca_topic_score_gemma":0.042226274,"teacher_disagreement_score":0.6190797,"about_ca_system_score_codex":0.0032218243,"about_ca_system_score_gemma":0.004163277,"threshold_uncertainty_score":0.99965304},"labels":[],"label_agreement":null},{"id":"W7163864930","doi":"10.7202/1125758ar","title":"Éditorial","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Cartoonist; Resilience (materials science); Cover (algebra)","score_opus":0.0678541438281335,"score_gpt":0.37788926291711916,"score_spread":0.3100351190889857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163864930","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2556076,0.007073657,0.0005825488,0.038649406,0.012674578,0.0006250638,0.000100874815,0.00087855186,0.68380773],"genre_scores_gemma":[0.2240707,0.028123178,0.010343148,0.09454274,0.072228886,0.0004825328,0.00026149832,0.0002821872,0.56966513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98048955,0.016566925,0.00048145384,0.00065400405,0.00048688403,0.0013211849],"domain_scores_gemma":[0.9904249,0.008214652,0.00022709834,0.00037177032,0.00021432302,0.0005472682],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.009740947,0.00047371615,0.00062989705,0.00016868656,0.0009631652,0.0003368386,0.0008272815,0.0072366484,0.00093795673],"category_scores_gemma":[0.004720892,0.00046878261,0.00077448454,0.0026372229,0.002167203,0.00037653267,0.00009518934,0.005006289,0.00039144684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006507024,0.00015539318,0.00021378801,0.00015127409,0.00054498896,0.00024001782,0.15557966,0.000092183465,0.0028619247,0.541013,0.13860857,0.16047414],"study_design_scores_gemma":[0.00041728056,0.000047885856,0.000309841,0.00007528935,0.0003392401,0.000017044158,0.024800537,0.00018324079,0.00023807924,0.19665895,0.7764125,0.00050013233],"about_ca_topic_score_codex":0.016638653,"about_ca_topic_score_gemma":0.009192705,"teacher_disagreement_score":0.6378039,"about_ca_system_score_codex":0.0046129604,"about_ca_system_score_gemma":0.0019770928,"threshold_uncertainty_score":0.9999753},"labels":[],"label_agreement":null},{"id":"W7163866247","doi":"10.7202/1125761ar","title":"Pour « entendre chanter l’âme des choses » : l’archive musicologique comme laboratoire d’expérimentation","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Context (archaeology); Criticism; Order (exchange)","score_opus":0.09589981155405557,"score_gpt":0.38528054428728337,"score_spread":0.2893807327332278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163866247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7412531,0.008014928,0.0018746768,0.03650339,0.0012055347,0.0010260291,0.00033989546,0.0007439536,0.20903854],"genre_scores_gemma":[0.70508033,0.027062103,0.0134858955,0.14373195,0.0045547355,0.00084605685,0.0006211049,0.00023509526,0.10438271],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9781877,0.018663144,0.0005885308,0.00076151005,0.00038874065,0.0014103821],"domain_scores_gemma":[0.99083936,0.0075832475,0.0003583928,0.00034399916,0.0003644242,0.0005105577],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.006176698,0.000615733,0.0007309466,0.00026221678,0.0012841943,0.00035282967,0.00082030747,0.0041030413,0.0007752855],"category_scores_gemma":[0.0032456946,0.00059555884,0.00064131635,0.002477884,0.0025147581,0.000590665,0.00014825679,0.004030183,0.00019353357],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013094084,0.0005048942,0.0013860945,0.00037402535,0.000973897,0.00043552942,0.40454328,0.000105486695,0.018205062,0.39313298,0.05370636,0.12650146],"study_design_scores_gemma":[0.0011675457,0.00020262177,0.004060329,0.0004239603,0.0006426933,0.000068988535,0.17362735,0.0008398484,0.0024636758,0.47372237,0.34166116,0.00111946],"about_ca_topic_score_codex":0.012392281,"about_ca_topic_score_gemma":0.026780516,"teacher_disagreement_score":0.2879548,"about_ca_system_score_codex":0.00448918,"about_ca_system_score_gemma":0.0017614082,"threshold_uncertainty_score":0.9996496},"labels":[],"label_agreement":null},{"id":"W7163875209","doi":"10.7202/1125759ar","title":"De quelle couleur sont les yeux de Marie-Thérèse Lefebvre ? Hommage en forme de témoignage","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); The Imaginary; Visibility","score_opus":0.05490447144382469,"score_gpt":0.3581311809254645,"score_spread":0.30322670948163977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163875209","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.694427,0.011021833,0.0066567045,0.026337653,0.0007333404,0.0009133667,0.00019751777,0.00083930435,0.25887325],"genre_scores_gemma":[0.5001899,0.035151925,0.029973274,0.07320989,0.005099154,0.0007052311,0.0002933713,0.0003690424,0.3550082],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9777365,0.017399687,0.00071188156,0.00091527536,0.00053292984,0.0027037517],"domain_scores_gemma":[0.98881435,0.008957981,0.00038095546,0.00057638274,0.00023976689,0.0010305414],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.015407306,0.00078844326,0.00096342986,0.00024654475,0.0015288152,0.000619792,0.0013907655,0.0070689796,0.00090518396],"category_scores_gemma":[0.005920659,0.0007906394,0.0010913713,0.0019289257,0.0020720167,0.00056124956,0.00022915358,0.0060458207,0.00013850977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017350049,0.0004403698,0.0045356,0.00067248667,0.0011121014,0.0011621257,0.40526977,0.00064730906,0.0136080915,0.3257643,0.046207543,0.20040679],"study_design_scores_gemma":[0.00093130424,0.00012594165,0.0034109305,0.00025878052,0.0008706655,0.00011274123,0.10461414,0.0026127337,0.0009640003,0.2272021,0.65768725,0.0012094349],"about_ca_topic_score_codex":0.058687292,"about_ca_topic_score_gemma":0.060689736,"teacher_disagreement_score":0.6114797,"about_ca_system_score_codex":0.010924945,"about_ca_system_score_gemma":0.004441398,"threshold_uncertainty_score":0.99977106},"labels":[],"label_agreement":null},{"id":"W7163882318","doi":"10.7202/1125773ar","title":"Laetitia Corbière, Du concert au show business. Les imprésarios au coeur des échanges internationaux 1850-1930, Lyon, Symétrie, 2023, 434 p., ISBN 978-2-36485-118-4","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Work stress; Resilience (materials science); Work (physics)","score_opus":0.07468525422129442,"score_gpt":0.3531264070283882,"score_spread":0.2784411528070938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163882318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7262613,0.017461272,0.0023552328,0.05396485,0.004887779,0.0012573642,0.0005426465,0.0009359543,0.19233358],"genre_scores_gemma":[0.62506837,0.054345492,0.0037042487,0.0340965,0.010081342,0.0006201596,0.0007176109,0.00029242397,0.27107385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.986491,0.0088424245,0.0008942779,0.00112582,0.0007629913,0.0018834677],"domain_scores_gemma":[0.9900378,0.007036142,0.0005695208,0.0005211628,0.0011179122,0.0007174335],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.0070594023,0.0009248853,0.0011381106,0.00039151125,0.002018142,0.00065047015,0.0014441998,0.0053349086,0.0011117872],"category_scores_gemma":[0.006524769,0.00090781535,0.0008278579,0.0039075273,0.005167045,0.0008594537,0.0002855101,0.0036999686,0.00026123878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023386719,0.0005510994,0.014317416,0.0011097909,0.0020349778,0.0007318303,0.31564742,0.00037582993,0.0043086642,0.3645377,0.08794633,0.20820509],"study_design_scores_gemma":[0.0013337375,0.00014364392,0.01667703,0.0006680114,0.0010150202,0.00011458299,0.06302751,0.0010527276,0.0004910496,0.08596091,0.8278921,0.001623654],"about_ca_topic_score_codex":0.20319743,"about_ca_topic_score_gemma":0.23512077,"teacher_disagreement_score":0.73994577,"about_ca_system_score_codex":0.010011785,"about_ca_system_score_gemma":0.0046450626,"threshold_uncertainty_score":0.99980134},"labels":[],"label_agreement":null},{"id":"W7163897489","doi":"10.7202/1125765ar","title":"« Des tuiles !! Comme il en a tombé sur mon chemin ! » : des archives de l’intime à la vie musicale racontée. Albertine Caron-Legris (1894-1972)","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"National library; Social hierarchy; Promotion (chess); Orality","score_opus":0.06649132822467972,"score_gpt":0.3502800783342158,"score_spread":0.2837887501095361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163897489","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8122902,0.00790122,0.0005007028,0.008742178,0.0003229531,0.00050844764,0.000117983014,0.00041789602,0.16919842],"genre_scores_gemma":[0.842129,0.0279124,0.013257281,0.018211203,0.0031146342,0.00053997495,0.00019500563,0.00023442603,0.09440606],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.97928196,0.01650341,0.0007969566,0.0009625283,0.00045976,0.0019953912],"domain_scores_gemma":[0.97701484,0.021022737,0.00035627533,0.00053937687,0.00020902333,0.0008577386],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.007816942,0.0008414408,0.0011670749,0.00025459763,0.0013001455,0.0004336065,0.0012383001,0.0044184066,0.0005729874],"category_scores_gemma":[0.0071294736,0.0008069369,0.0011159922,0.0021329238,0.005924209,0.00044178552,0.00026602377,0.0047284705,0.00007415096],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015997741,0.00056593947,0.0032251338,0.0006324079,0.0011756645,0.00035081623,0.5682284,0.00023995484,0.040183295,0.036143675,0.0131063685,0.33598837],"study_design_scores_gemma":[0.0018421821,0.0002372423,0.011274623,0.0009583077,0.0016384077,0.0001779141,0.097674936,0.00258556,0.009014599,0.28207493,0.5904212,0.0021000842],"about_ca_topic_score_codex":0.05025397,"about_ca_topic_score_gemma":0.05495183,"teacher_disagreement_score":0.57731485,"about_ca_system_score_codex":0.003333988,"about_ca_system_score_gemma":0.0017419525,"threshold_uncertainty_score":0.9999799},"labels":[],"label_agreement":null},{"id":"W7163904834","doi":"10.7202/1125762ar","title":"De la modernité à l’avant-garde : quelques moments clés de la création musicale dans le Québec de l’après-guerre, occasions d’une transformation du rôle de la presse musicale","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Memoir; Historical heritage; Period (music)","score_opus":0.05207539103922969,"score_gpt":0.33980503682064384,"score_spread":0.28772964578141413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163904834","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7824862,0.0012220044,0.015624527,0.009619869,0.00026133636,0.000624229,0.00011459778,0.0004996049,0.18954761],"genre_scores_gemma":[0.9527988,0.006658755,0.004904676,0.008980941,0.0013016872,0.0005272623,0.0001754201,0.00013278903,0.024519667],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9713004,0.025152642,0.00074961357,0.0007270588,0.0005275679,0.001542717],"domain_scores_gemma":[0.9886936,0.009531321,0.0003548411,0.00043191752,0.0002183036,0.00077003863],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.01133773,0.00065335195,0.00075321813,0.000249443,0.0016031631,0.0006320756,0.0008759634,0.0050681094,0.00022995239],"category_scores_gemma":[0.003363248,0.0006679503,0.00077441713,0.00095598836,0.002814383,0.0008156394,0.00010457594,0.0040611257,0.00003290699],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013581067,0.0008714887,0.0018561224,0.00032499342,0.0005502677,0.000233982,0.7983105,0.0034832996,0.04129632,0.10003639,0.006763664,0.04613715],"study_design_scores_gemma":[0.0025233314,0.0001685282,0.016897079,0.00048562375,0.0016971794,0.00029314103,0.20613982,0.03229729,0.007036374,0.29819733,0.43247476,0.0017895177],"about_ca_topic_score_codex":0.232087,"about_ca_topic_score_gemma":0.162209,"teacher_disagreement_score":0.59217066,"about_ca_system_score_codex":0.0063629677,"about_ca_system_score_gemma":0.004842713,"threshold_uncertainty_score":0.9998994},"labels":[],"label_agreement":null},{"id":"W7163913051","doi":"10.7202/1125763ar","title":"La dernière des Soirées-Mathieu du 17 mars 1952 : un succès pour André Mathieu sur fond de romantisme moderne","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Modern dance; Modernism (music); Simulacrum","score_opus":0.05580216648037771,"score_gpt":0.3371708287071628,"score_spread":0.2813686622267851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163913051","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8921577,0.010751947,0.0023262012,0.014685116,0.000445094,0.0005006477,0.00011998018,0.00059210445,0.07842123],"genre_scores_gemma":[0.90474015,0.018881045,0.009417456,0.0154686365,0.00159128,0.00021008054,0.00011590069,0.00018537295,0.04939005],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9794442,0.016198557,0.0007466117,0.0010147017,0.00059362774,0.0020022802],"domain_scores_gemma":[0.9893701,0.008572876,0.00039976952,0.0005313355,0.00033119693,0.00079471915],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.011178163,0.0008455362,0.0010578457,0.00027642006,0.0015082968,0.0006390148,0.0012210496,0.0066508376,0.00072682655],"category_scores_gemma":[0.0035542022,0.00083811925,0.001060729,0.002194166,0.0030444108,0.0006792749,0.00021367981,0.005137288,0.00015945711],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012131701,0.00045915102,0.0035352998,0.0005510443,0.0013156787,0.0015957151,0.16612148,0.0006305849,0.0039688554,0.13495956,0.02508279,0.6616585],"study_design_scores_gemma":[0.0015760282,0.00010248627,0.008128131,0.00042659158,0.0011650741,0.00044689042,0.033762056,0.0047445106,0.0007416441,0.18609677,0.76136243,0.0014473995],"about_ca_topic_score_codex":0.02482304,"about_ca_topic_score_gemma":0.018753277,"teacher_disagreement_score":0.7362796,"about_ca_system_score_codex":0.0034573171,"about_ca_system_score_gemma":0.0026368378,"threshold_uncertainty_score":0.9997916},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"design_other","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W7163917527","doi":"10.7202/1125768ar","title":"Le concert comme reflet de l’histoire de la musique selon Serge Garant","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Musical; Painting; Filmmaking; Sculpture; Romanticism","score_opus":0.07761679336634718,"score_gpt":0.3765943632702889,"score_spread":0.2989775699039417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163917527","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32550836,0.007882786,0.0011954097,0.05195004,0.00081278797,0.00063533784,0.00012391493,0.0007663296,0.61112505],"genre_scores_gemma":[0.67575616,0.01854005,0.009691789,0.13927202,0.002703365,0.00043954322,0.00019172594,0.0002426084,0.15316276],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9669555,0.029278286,0.0006715617,0.0008353831,0.00044051185,0.0018188042],"domain_scores_gemma":[0.98947906,0.008660031,0.00036781194,0.00047345195,0.00024224438,0.0007773739],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.01377876,0.0006847164,0.0009541008,0.00020328724,0.0019534696,0.00035853474,0.0011198609,0.0073856222,0.00039281565],"category_scores_gemma":[0.0031677727,0.00071135006,0.0009002331,0.0022107533,0.004092275,0.0004006047,0.00014817662,0.0061446195,0.00008155693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012875338,0.00033288135,0.00056463,0.00034416857,0.0006850779,0.00074432854,0.256148,0.0003038912,0.017528385,0.6261775,0.04976219,0.04728021],"study_design_scores_gemma":[0.00084299967,0.000077101686,0.00095487916,0.0002330189,0.00045471068,0.0001385843,0.043230094,0.0007078242,0.00090033346,0.18727605,0.76430583,0.0008785701],"about_ca_topic_score_codex":0.06326838,"about_ca_topic_score_gemma":0.036516447,"teacher_disagreement_score":0.71454364,"about_ca_system_score_codex":0.008432826,"about_ca_system_score_gemma":0.00513972,"threshold_uncertainty_score":0.9995338},"labels":[],"label_agreement":null},{"id":"W7163927603","doi":"10.7202/1125770ar","title":"La percussion classique occidentale au Québec : genèse de la discipline et interprètes et ensembles marquants","year":2023,"lang":"fr","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Percussion; ESPACE; Context (archaeology); Domain (mathematical analysis)","score_opus":0.059205168654545295,"score_gpt":0.40393031222751735,"score_spread":0.34472514357297207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163927603","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8317708,0.0029982317,0.0011227968,0.03219767,0.0004657346,0.0003895848,0.000087219116,0.00039085303,0.13057715],"genre_scores_gemma":[0.9073655,0.01127895,0.0034742393,0.026663577,0.00097435404,0.00014850404,0.00013028459,0.00012591566,0.049838647],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.95869803,0.03813231,0.0006403625,0.0008134129,0.0004421901,0.0012736967],"domain_scores_gemma":[0.9822374,0.016231494,0.00032801548,0.00042498554,0.00014937045,0.0006287439],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.015742717,0.00067066634,0.00079456496,0.00025073564,0.0009668782,0.00059481384,0.0009144369,0.005672897,0.00038553055],"category_scores_gemma":[0.0048102518,0.0005846649,0.0008431574,0.0015499579,0.003090244,0.0006615643,0.00023808656,0.00570268,0.00009439921],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00016363201,0.00047159076,0.008066534,0.00032376553,0.00061606005,0.0006070529,0.64963394,0.00019766488,0.02083559,0.20688444,0.011766434,0.10043327],"study_design_scores_gemma":[0.0013574164,0.0001941128,0.0326635,0.001100496,0.0009712466,0.00036913375,0.30191922,0.0015823897,0.0016896245,0.1852428,0.47107628,0.0018337985],"about_ca_topic_score_codex":0.2075182,"about_ca_topic_score_gemma":0.5304323,"teacher_disagreement_score":0.45930985,"about_ca_system_score_codex":0.009161086,"about_ca_system_score_gemma":0.0065854928,"threshold_uncertainty_score":0.9996605},"labels":[],"label_agreement":null},{"id":"W7164449247","doi":"","title":"Edouardo Manet : une conscience planétaire","year":2024,"lang":"fr","type":"article","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Conservatoire de Musique et d’art Dramatique du Québec","funders":"","keywords":"Conscience; Field (mathematics)","score_opus":0.047221723260692045,"score_gpt":0.3416966403666354,"score_spread":0.2944749171059433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164449247","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13139154,0.03413831,0.0000065869913,0.06909129,0.0048125857,0.0004109588,0.00015261373,0.000009002207,0.7599871],"genre_scores_gemma":[0.42585275,0.00025026654,0.00046115587,0.0016312057,0.000978405,0.000010825545,0.000041057,0.0000076024953,0.57076675],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981797,0.00019452997,0.00024455995,0.00059059716,0.00032015072,0.00047051342],"domain_scores_gemma":[0.99936295,0.000117317,0.000056316712,0.00019144508,0.00006960082,0.00020236662],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006024034,0.00017962021,0.00026206876,0.000047986137,0.00062255864,0.0020517528,0.0008905425,0.00022723507,0.025768468],"category_scores_gemma":[0.00003717507,0.00014058631,0.00013368778,0.0016088259,0.0011309795,0.0009778587,0.00020268944,0.00027144127,0.006736531],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012351131,0.00009672387,0.00021817941,0.00003586289,0.00017182916,0.00041445298,0.035063494,0.000015586424,0.0002748538,0.049747925,0.22308849,0.6908603],"study_design_scores_gemma":[0.00008401631,0.000053811546,0.0001496151,0.00015499376,0.000168838,0.000021029298,0.007062618,0.00028359776,0.00011138956,0.002249297,0.989431,0.00022975508],"about_ca_topic_score_codex":0.0033948824,"about_ca_topic_score_gemma":0.011470109,"teacher_disagreement_score":0.7663425,"about_ca_system_score_codex":0.000081502105,"about_ca_system_score_gemma":0.0003477899,"threshold_uncertainty_score":0.9989842},"labels":[],"label_agreement":null},{"id":"W7164450510","doi":"","title":"L’autre Rideau-Vert","year":2024,"lang":"fr","type":"article","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Distribution (mathematics); Qualitative research; Identification (biology); Perspective (graphical); Order (exchange)","score_opus":0.05258373561557486,"score_gpt":0.34249588764054034,"score_spread":0.28991215202496545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164450510","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05124824,0.05500323,0.0000051662755,0.07667626,0.0057878364,0.00030028605,0.00010540532,0.0000066824527,0.8108669],"genre_scores_gemma":[0.16913946,0.00037748527,0.0005471727,0.0016634456,0.0017560647,0.000010281649,0.000037004025,0.000009698813,0.8264594],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998512,0.00019417606,0.00021765823,0.00046378138,0.00022857891,0.00038380298],"domain_scores_gemma":[0.9994723,0.00008559333,0.00004106897,0.00016600988,0.00006852259,0.0001664612],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045191028,0.00016305475,0.00024334273,0.000040064493,0.00040745156,0.0017628124,0.00063078245,0.0002484169,0.06061275],"category_scores_gemma":[0.000034415072,0.00012609705,0.00019650397,0.00094712904,0.0003696591,0.0009143985,0.00018191502,0.00026175473,0.012036439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007491975,0.00007791297,0.00009131039,0.000023694916,0.00025248923,0.00018592202,0.022180539,0.000003977002,0.00016143484,0.032819122,0.23341414,0.710782],"study_design_scores_gemma":[0.00007512364,0.000035204896,0.00007308048,0.00013287469,0.00025240373,0.0000070147694,0.0034089573,0.00019797159,0.000106533626,0.003140944,0.9923684,0.00020149763],"about_ca_topic_score_codex":0.0019022576,"about_ca_topic_score_gemma":0.005579812,"teacher_disagreement_score":0.7589542,"about_ca_system_score_codex":0.0000870395,"about_ca_system_score_gemma":0.00020414696,"threshold_uncertainty_score":0.9992735},"labels":[],"label_agreement":null},{"id":"W7164455780","doi":"","title":"L’auteur des ''Nonnes'' se sent un peu québécois","year":2024,"lang":"fr","type":"article","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Health services","score_opus":0.06649385564857073,"score_gpt":0.3395181635276113,"score_spread":0.2730243078790406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164455780","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6506057,0.08181535,0.000019902329,0.030767664,0.0042515937,0.00045264137,0.00017255892,0.000012778271,0.23190184],"genre_scores_gemma":[0.35659277,0.0010094151,0.001968885,0.0017465337,0.0018806598,0.000023749555,0.00005668793,0.000020192321,0.6367011],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795496,0.00035639576,0.0002981999,0.00058312656,0.00028888774,0.00051840505],"domain_scores_gemma":[0.9992481,0.000115795825,0.000063858475,0.0002112616,0.00011689083,0.00024409498],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006249687,0.0002377445,0.0003151034,0.00005480591,0.0007211274,0.0017604413,0.0006800498,0.0002632149,0.035774548],"category_scores_gemma":[0.000049319107,0.00018385165,0.00025989188,0.0011992812,0.0006670172,0.0009599522,0.00023772613,0.00028682087,0.0051849517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000130195085,0.00016857727,0.00029091755,0.000052637242,0.00041508113,0.00031898118,0.11993225,0.000010992379,0.0002583595,0.013031633,0.024783872,0.8407237],"study_design_scores_gemma":[0.000113326496,0.00005674219,0.0002792064,0.00016037181,0.00040444604,0.000018832026,0.01571908,0.00022246399,0.00019629604,0.0032817086,0.97926366,0.00028384555],"about_ca_topic_score_codex":0.03350252,"about_ca_topic_score_gemma":0.110448726,"teacher_disagreement_score":0.9544798,"about_ca_system_score_codex":0.00015017045,"about_ca_system_score_gemma":0.0003998307,"threshold_uncertainty_score":0.9992758},"labels":[],"label_agreement":null},{"id":"W7164462970","doi":"","title":"[Théâtre du Rideau vert – Les Nonnes d’Eduardo Manet]","year":2024,"lang":"fr","type":"article","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Health services; Public health; Context (archaeology); Chine","score_opus":0.0420704021225967,"score_gpt":0.32002009392946523,"score_spread":0.2779496918068685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164462970","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29523617,0.06589912,0.00000734932,0.081276804,0.007124706,0.0004841102,0.00017588618,0.000014107951,0.54978174],"genre_scores_gemma":[0.29121345,0.0008080351,0.000513069,0.0009790299,0.0030120697,0.000017749886,0.00007169906,0.000016209393,0.7033687],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981148,0.00026258198,0.00028743685,0.00058513135,0.00029127309,0.00045872817],"domain_scores_gemma":[0.9993107,0.00013976831,0.0000628597,0.00020060687,0.00010362565,0.0001824376],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048777385,0.00024166716,0.00033908463,0.000057588655,0.0007061929,0.0018907592,0.00077086006,0.00032699472,0.040701848],"category_scores_gemma":[0.000050679017,0.0001872939,0.00024967408,0.00083433674,0.0005296592,0.0008756956,0.00023386574,0.0002897597,0.006391009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020934138,0.00014735163,0.0007153471,0.000060190247,0.00046897857,0.0004256092,0.028871367,0.00001631283,0.00020349886,0.02717715,0.30002013,0.6418731],"study_design_scores_gemma":[0.00011100743,0.00005499632,0.0002627906,0.00018031937,0.00037097838,0.000018738887,0.007298255,0.0002469243,0.00011957407,0.0012432392,0.989802,0.0002911698],"about_ca_topic_score_codex":0.004827789,"about_ca_topic_score_gemma":0.013568817,"teacher_disagreement_score":0.68978184,"about_ca_system_score_codex":0.000093990144,"about_ca_system_score_gemma":0.00018233355,"threshold_uncertainty_score":0.9991454},"labels":[],"label_agreement":null},{"id":"W74316573","doi":"","title":"Quebecus Horribilis: Theatricality, the «Moment of Horror» and Quebec’s «Satanist» Cinema.","year":2008,"lang":"en","type":"article","venue":"Carleton University's Institutional Repository (MacOdrum Library, Carleton University)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Realism; Art; Drama; Literature; Narrative; Auteur theory; Parallels; Art history; Aesthetics","score_opus":0.013291900224157407,"score_gpt":0.1976824543499817,"score_spread":0.18439055412582428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W74316573","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6289522,0.0011372601,0.00026696437,0.0040193307,0.00087659823,0.0005423567,0.00012823698,0.00023387326,0.36384314],"genre_scores_gemma":[0.9093573,0.00061339955,0.0001120437,0.0006170631,0.00037087186,5.396046e-7,0.000054276534,0.000012694918,0.0888618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99711,0.0007242211,0.0003115745,0.00066419237,0.0007199681,0.00047002384],"domain_scores_gemma":[0.9983632,0.00022045303,0.00028980323,0.00044321487,0.00028324395,0.00040007354],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0001987225,0.0003276278,0.00046356246,0.00044216652,0.0036553727,0.0001151761,0.000994356,0.00034384438,0.00014810302],"category_scores_gemma":[0.00004011473,0.0002869784,0.0003972631,0.0016432981,0.0034796097,0.0018035036,0.00045746405,0.00042481217,0.0000071139634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037205254,0.00023895736,0.021245511,0.000054707878,0.00039756575,0.0018705673,0.0052275346,0.00021654545,0.0013965614,0.9543078,0.014119559,0.0005526651],"study_design_scores_gemma":[0.00092928164,0.00010234775,0.010573821,0.000053006574,0.0003749859,0.00007801122,0.015394168,0.000031859305,0.00069577945,0.0002484554,0.9710594,0.0004589141],"about_ca_topic_score_codex":0.014433556,"about_ca_topic_score_gemma":0.0037010158,"teacher_disagreement_score":0.9569398,"about_ca_system_score_codex":0.000553627,"about_ca_system_score_gemma":0.0015811112,"threshold_uncertainty_score":0.9999582},"labels":[],"label_agreement":null},{"id":"W775794474","doi":"","title":"\"In the Sun It All Looks So Nice\": A Note on Paul Almond's Isabel","year":2001,"lang":"en","type":"article","venue":"Cineaction!","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Criticism; Plot (graphics); Point (geometry); Art; Literature; Art history; Philosophy; History; Mathematics","score_opus":0.03938251781559571,"score_gpt":0.3294803078572001,"score_spread":0.2900977900416044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W775794474","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35691068,0.0007359718,0.000026983695,0.19557266,0.0016095707,0.0005536367,0.000009088099,0.00011223705,0.44446918],"genre_scores_gemma":[0.90551656,0.00015334766,0.000016820155,0.05459251,0.0013047451,0.00003556436,0.000016328519,0.00000610466,0.038358036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988847,0.00018706066,0.00015312551,0.00021552986,0.00028033703,0.00027929],"domain_scores_gemma":[0.9994913,0.00013523655,0.000067528876,0.00017945889,0.000065654436,0.00006083154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040293988,0.000105970066,0.00013274682,0.000054247586,0.00050649705,0.00017284205,0.00025290455,0.00012819291,0.0008167532],"category_scores_gemma":[0.00008904112,0.00006567662,0.000112649046,0.00045001,0.00013042883,0.00027468655,0.000011891815,0.00026838825,0.00030860634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015246998,0.0008282423,0.0020395797,0.000013668092,0.00015707934,0.00024025176,0.09360275,0.00007368579,0.002419671,0.043037154,0.8321554,0.02528006],"study_design_scores_gemma":[0.00018659401,0.000034138284,0.0018317312,0.0000068629497,0.000038729657,0.000006750173,0.005723556,0.00003240534,0.00002473837,0.0015020712,0.9905097,0.000102716454],"about_ca_topic_score_codex":0.0021089928,"about_ca_topic_score_gemma":0.014065419,"teacher_disagreement_score":0.54860586,"about_ca_system_score_codex":0.00007749345,"about_ca_system_score_gemma":0.000041852694,"threshold_uncertainty_score":0.89428747},"labels":[],"label_agreement":null},{"id":"W80139741","doi":"","title":"La letra menuda de la comedia humana","year":2010,"lang":"es","type":"article","venue":"Revista de libros","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.011106491823038219,"score_gpt":0.2956605021315662,"score_spread":0.28455401030852795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W80139741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8267395,0.0049681277,0.000011090676,0.0026290952,0.0010833151,0.00028288437,0.00005227096,0.0001539724,0.16407974],"genre_scores_gemma":[0.9855183,0.0009790559,0.00029961605,0.0025241491,0.004055951,0.000019433674,0.000027269502,0.00002232604,0.0065539447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975586,0.0009392171,0.00028681263,0.000338098,0.00034036857,0.00053688575],"domain_scores_gemma":[0.9986755,0.0004732873,0.00016702148,0.00029698102,0.000079846635,0.00030735735],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0012379877,0.00022945444,0.00038604758,0.00006486529,0.0005292805,0.0017337737,0.00057603244,0.00067185366,0.0007418394],"category_scores_gemma":[0.00031629516,0.00018530709,0.0002921438,0.00055277464,0.00095225946,0.0002889334,0.00008053317,0.0010036164,0.00012775525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027164922,0.00030885378,0.024268312,0.00030912706,0.0002719422,0.0000936709,0.019448746,9.733229e-7,0.025152966,0.7623197,0.14988129,0.017917251],"study_design_scores_gemma":[0.00021240681,0.00003136812,0.012104093,0.000069790425,0.00018713105,0.00001028323,0.00080847,0.000019008365,0.00007716496,0.0018109251,0.98441386,0.00025547712],"about_ca_topic_score_codex":0.00025554473,"about_ca_topic_score_gemma":0.0002332522,"teacher_disagreement_score":0.8345326,"about_ca_system_score_codex":0.000062160565,"about_ca_system_score_gemma":0.00022043183,"threshold_uncertainty_score":0.9993025},"labels":[],"label_agreement":null},{"id":"W81507024","doi":"10.71781/4297","title":"Émiliano Renaud (1875-1932) : premier pianiste-virtuose du Québec : interprète-pédagogue-compositeur","year":2011,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.031509074920886955,"score_gpt":0.29959717751757653,"score_spread":0.2680881025966896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W81507024","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.476407,0.003900576,0.000008420242,0.0013406526,0.0032065925,0.0011320245,0.0001389559,0.000012085959,0.5138537],"genre_scores_gemma":[0.47155616,0.00018348699,0.00085469015,0.0010714411,0.0008764928,0.00010455656,0.0010417467,0.000056176134,0.5242553],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950688,0.00096954184,0.0010532344,0.0014417515,0.00059627555,0.00087040453],"domain_scores_gemma":[0.99714804,0.00021728592,0.00089310016,0.0006735135,0.00055903464,0.0005090153],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00081444037,0.0008462366,0.0011810068,0.00016547587,0.0015200211,0.0012279795,0.002519752,0.0011304269,0.044723496],"category_scores_gemma":[0.00029559564,0.000713397,0.0006982082,0.00094758754,0.00066521164,0.0011889708,0.00029103796,0.00087578676,0.0067243776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008614525,0.0015276305,0.008574635,0.0001799745,0.0019377439,0.0002586754,0.7162596,0.000009320756,0.005372683,0.0066486774,0.029365513,0.22900411],"study_design_scores_gemma":[0.0005092476,0.00025391375,0.0017440208,0.0004319947,0.0011989834,0.000012879906,0.02704605,0.000037304722,0.0017884574,0.0003523058,0.96559817,0.0010266791],"about_ca_topic_score_codex":0.1258303,"about_ca_topic_score_gemma":0.67713773,"teacher_disagreement_score":0.9362326,"about_ca_system_score_codex":0.00048498932,"about_ca_system_score_gemma":0.0016831253,"threshold_uncertainty_score":0.99980885},"labels":[],"label_agreement":null},{"id":"W85886858","doi":"","title":"L’art du dialogue. LAX, Eric. Entretiens avec Woody Allen, Paris, Plon, 2008, 430 p.LAX, Eric. Entretiens avec Woody Allen, Paris, Plon, 2008, 430 p.","year":2008,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020041537226821827,"score_gpt":0.23371497559910082,"score_spread":0.21367343837227898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W85886858","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23893602,0.5488399,0.00011742945,0.122535996,0.015683008,0.0034715338,0.0020506887,0.0014407923,0.06692463],"genre_scores_gemma":[0.27085242,0.2861761,0.0012959685,0.016575243,0.01318452,0.00037411271,0.0031753585,0.0003758213,0.40799046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.986613,0.0019624447,0.0024232762,0.0028177267,0.0022380035,0.0039455635],"domain_scores_gemma":[0.9930071,0.0008114466,0.0013851606,0.001581069,0.0013342836,0.0018809128],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0011778375,0.0020340055,0.0026814695,0.0004408333,0.0035631412,0.00071143854,0.0021050333,0.002174932,0.016948506],"category_scores_gemma":[0.000660346,0.0018304748,0.0017341673,0.0019838368,0.0040810206,0.0011231004,0.0006902614,0.0019401372,0.005975609],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001859917,0.0017499904,0.008346962,0.00011933088,0.0013083505,0.00091901084,0.07223982,0.0000959654,0.00015886754,0.0029150802,0.9109242,0.001036424],"study_design_scores_gemma":[0.0018908109,0.00059444725,0.006097092,0.00029010812,0.0012344426,0.00021642676,0.008595443,0.00020180784,0.00019596101,0.0012066198,0.97717685,0.0023000103],"about_ca_topic_score_codex":0.005041996,"about_ca_topic_score_gemma":0.012149021,"teacher_disagreement_score":0.34106582,"about_ca_system_score_codex":0.0005782794,"about_ca_system_score_gemma":0.00086081645,"threshold_uncertainty_score":0.9992402},"labels":[],"label_agreement":null},{"id":"W904801411","doi":"","title":"Littérature et cinéma québécois en France","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art","score_opus":0.004079520969283878,"score_gpt":0.17614984367596642,"score_spread":0.17207032270668254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W904801411","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.129583,0.42491007,0.00005044946,0.36010256,0.0011133845,0.00021027775,0.0001245672,0.00013485464,0.083770834],"genre_scores_gemma":[0.14887515,0.013184721,0.00040033838,0.0075068194,0.0016649778,0.000004968616,0.00009092761,0.00002394447,0.82824814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776196,0.00046031876,0.0002088235,0.0004996874,0.00038984098,0.0006793722],"domain_scores_gemma":[0.9989882,0.00012298564,0.00019565881,0.00028809602,0.00017797985,0.00022709761],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00028903456,0.0003152069,0.0003963415,0.00009999859,0.0011397825,0.0000806724,0.00048706052,0.000663239,0.00067420385],"category_scores_gemma":[0.000027210011,0.0003106761,0.00040245612,0.0014286796,0.0003542629,0.0005288535,0.00014257987,0.000501067,0.00032557096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035983092,0.000160571,0.001471077,0.000033276494,0.00018671922,0.00093508913,0.009873253,0.00020025116,0.00044315244,0.58284724,0.38498294,0.018830461],"study_design_scores_gemma":[0.000439495,0.000057298403,0.0056630266,0.00004818717,0.0003039508,0.000052677635,0.0045433072,0.000103826955,0.000031140906,0.004711803,0.98366755,0.00037772543],"about_ca_topic_score_codex":0.212071,"about_ca_topic_score_gemma":0.8439895,"teacher_disagreement_score":0.74447733,"about_ca_system_score_codex":0.002567346,"about_ca_system_score_gemma":0.000118263175,"threshold_uncertainty_score":0.99993455},"labels":[],"label_agreement":null},{"id":"W914568220","doi":"","title":"Archives et Centres De Documentation Musicaux","year":2012,"lang":"fr","type":"article","venue":"Fontes artis musicae","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02343990329287653,"score_gpt":0.3032120167269528,"score_spread":0.27977211343407626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W914568220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74060476,0.048303965,0.0003262909,0.058703527,0.0052125943,0.00046760056,0.00008613415,0.00016990726,0.14612521],"genre_scores_gemma":[0.93392,0.0008830826,0.0012115997,0.016327139,0.0035570425,0.000037500675,0.0000634028,0.000019688456,0.043980498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99716717,0.00080979266,0.00033939333,0.00032804062,0.00032588473,0.0010297295],"domain_scores_gemma":[0.99878323,0.0002982695,0.00019486166,0.0002144864,0.000060569637,0.00044855467],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040701125,0.0002620275,0.0003029616,0.000075658,0.00056138594,0.00031091156,0.00027241017,0.00017601684,0.004327175],"category_scores_gemma":[0.00015529999,0.00022769622,0.00031806953,0.00053024193,0.00066843664,0.00144552,0.000093361945,0.00028147368,0.00061878574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040114035,0.00075097854,0.03582323,0.000056751396,0.00029920344,0.000013394571,0.22150336,0.00002166269,0.0041664774,0.54333884,0.107823275,0.08616269],"study_design_scores_gemma":[0.00033539225,0.00007845939,0.047826912,0.000088966066,0.00030820505,0.000009549469,0.0114130005,0.00020305371,0.0004158734,0.010514832,0.9284274,0.00037834494],"about_ca_topic_score_codex":0.0027684716,"about_ca_topic_score_gemma":0.005869567,"teacher_disagreement_score":0.82060415,"about_ca_system_score_codex":0.000100298465,"about_ca_system_score_gemma":0.00009227056,"threshold_uncertainty_score":0.996583},"labels":[],"label_agreement":null},{"id":"W922208064","doi":"","title":"Les jours heureux, scénario de court métrage, suivi de Petite histoire du court métrage au Québec. Des origines à l'an 2000, essai","year":2015,"lang":"fr","type":"article","venue":"Knowledge UdeS (Institutional Deposit of the University of Sherbrooke)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.025640396058507015,"score_gpt":0.2417719608490025,"score_spread":0.21613156479049547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W922208064","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8626105,0.070954725,0.005558179,0.0049027926,0.0015589984,0.00028454183,0.000055942928,0.00007036527,0.05400394],"genre_scores_gemma":[0.91952467,0.0011323171,0.0027187553,0.00014277904,0.00070054433,7.922036e-7,0.000020397978,0.000016054213,0.07574372],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972237,0.00072476565,0.00036445947,0.00042286277,0.0005816005,0.0006826255],"domain_scores_gemma":[0.99793506,0.0001122723,0.000238083,0.00032663258,0.00081166776,0.00057627494],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0009857619,0.00036276013,0.0005615183,0.00014206687,0.0028213467,0.00007650892,0.0013224776,0.00043377018,0.00017992053],"category_scores_gemma":[0.00019238576,0.00032545824,0.00055967935,0.0006959824,0.0059987805,0.00086804456,0.00021090396,0.00044167886,0.00003660543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053804717,0.0030616703,0.33531988,0.0023635193,0.0016005273,0.0002365516,0.29412526,0.062530294,0.005351805,0.2213097,0.06022935,0.0133334],"study_design_scores_gemma":[0.001588394,0.0002593389,0.09413551,0.0025952396,0.0017538145,0.00015999617,0.008116106,0.007105304,0.0010416106,0.0013721789,0.8811514,0.00072111376],"about_ca_topic_score_codex":0.3586548,"about_ca_topic_score_gemma":0.8422356,"teacher_disagreement_score":0.820922,"about_ca_system_score_codex":0.008071676,"about_ca_system_score_gemma":0.004856595,"threshold_uncertainty_score":0.9999198},"labels":[],"label_agreement":null},{"id":"W953622848","doi":"","title":"Michel Tremblay, du cinéphile au scénariste. Michel Tremblay, du cinéphile au scénariste, Louise Carrière, Montréal : Les 400 coups, 2003, 248 pages Michel Tremblay, du cinéphile au scénariste, Louise Carrière, Montréal : Les 400 coups, 2003, 248 pages","year":2004,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Michel foucault; Art; Humanities; Political science; Law","score_opus":0.0157022002100524,"score_gpt":0.23457872839705837,"score_spread":0.21887652818700598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W953622848","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4826531,0.27852032,0.0003316327,0.17182063,0.009673895,0.0047127977,0.004002275,0.0013905462,0.046894804],"genre_scores_gemma":[0.87609553,0.044998486,0.0011174463,0.005863018,0.015176916,0.00070397794,0.0015393352,0.0005974469,0.05390786],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97548306,0.0038302592,0.0051170858,0.005598602,0.0032500029,0.006720995],"domain_scores_gemma":[0.98373926,0.0015979946,0.0037129945,0.0030938804,0.004370298,0.0034855946],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.004801725,0.0045667514,0.005643433,0.0013147489,0.007658968,0.0020242983,0.005000178,0.005170664,0.0012179716],"category_scores_gemma":[0.0028717897,0.004381937,0.002919168,0.008814646,0.0071462938,0.0030330317,0.0011754514,0.0043356484,0.0005884855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0015654805,0.0049585924,0.13350455,0.0023838638,0.0039231465,0.005522899,0.07687146,0.0077096485,0.006519098,0.0065862034,0.72472155,0.025733527],"study_design_scores_gemma":[0.010336352,0.002053258,0.053239305,0.0034903435,0.0047373394,0.002099277,0.07899814,0.004700656,0.0016993664,0.0022109894,0.8283941,0.008040877],"about_ca_topic_score_codex":0.5510205,"about_ca_topic_score_gemma":0.5732968,"teacher_disagreement_score":0.3934424,"about_ca_system_score_codex":0.00511787,"about_ca_system_score_gemma":0.005944909,"threshold_uncertainty_score":0.99969506},"labels":[],"label_agreement":null},{"id":"W971540513","doi":"","title":"Comment les compagnies franco-canadiennes « parlent théâtre »","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Philosophy","score_opus":0.01203537567592454,"score_gpt":0.1882702197864229,"score_spread":0.17623484411049833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W971540513","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38311765,0.17649621,0.00003890169,0.4016097,0.0012236787,0.00022984197,0.00008853867,0.00009529928,0.037100192],"genre_scores_gemma":[0.5547074,0.03938056,0.00024458408,0.011035336,0.0010158245,0.000009943568,0.00008324268,0.000025637408,0.39349747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997851,0.00034009834,0.00022402842,0.00042409668,0.00034857084,0.0008121986],"domain_scores_gemma":[0.9988127,0.00012509055,0.00018990743,0.00026748312,0.0001702761,0.00043458046],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022389281,0.0003171988,0.00043980498,0.00011248322,0.0023554813,0.00007084471,0.0004877894,0.00033844268,0.0021765896],"category_scores_gemma":[0.00001876544,0.0003068662,0.00036644907,0.0008381432,0.00059008726,0.00035848297,0.00017428798,0.0002978544,0.00023879472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076917786,0.00024996945,0.006291644,0.000033572982,0.00048614095,0.0014379437,0.013678713,0.0001307353,0.000039181185,0.26722708,0.6313949,0.07895319],"study_design_scores_gemma":[0.00048186825,0.00009616087,0.0019183218,0.00005948556,0.00039849538,0.000071273746,0.029455114,0.00025185602,0.000010091947,0.0018638534,0.96502525,0.00036825088],"about_ca_topic_score_codex":0.13842231,"about_ca_topic_score_gemma":0.87630856,"teacher_disagreement_score":0.73788625,"about_ca_system_score_codex":0.0041099447,"about_ca_system_score_gemma":0.000045035205,"threshold_uncertainty_score":0.99993837},"labels":[],"label_agreement":null},{"id":"W973519836","doi":"","title":"Quelques réflexions sur l' adaptation cinématographique du roman de Monique Proulx, Le Sexe des étoiles.","year":2002,"lang":"fr","type":"article","venue":"Essays on Canadian writing","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.035390386309770545,"score_gpt":0.24672786053235438,"score_spread":0.21133747422258384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W973519836","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4073494,0.019459696,0.00014569082,0.088257745,0.00070282596,0.0006859806,0.00020515875,0.0002601418,0.48293334],"genre_scores_gemma":[0.9749471,0.0009981848,0.00078208913,0.013345255,0.0012063211,0.0000739183,0.000044698903,0.00003522897,0.008567225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99693906,0.0007594512,0.00042963438,0.00049174356,0.00027602946,0.0011040672],"domain_scores_gemma":[0.9982659,0.00015836714,0.00018140697,0.00020403675,0.00031550118,0.00087475084],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007375133,0.0003156032,0.00034490362,0.00032645577,0.002542814,0.00049591874,0.00033352562,0.00048079446,0.00083531596],"category_scores_gemma":[0.00025845482,0.0003384341,0.0002611261,0.0013161328,0.0006833881,0.0007699911,0.00001948044,0.00051396486,0.000072731134],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005001816,0.00016680834,0.009748871,0.000102291895,0.00015385567,0.00022097593,0.03408566,0.0003411685,0.00008959001,0.8896025,0.0234825,0.042000797],"study_design_scores_gemma":[0.0012647376,0.00050303276,0.021399146,0.0023458994,0.00053349376,0.0001615345,0.082691036,0.032101665,0.00044798196,0.13131982,0.7243516,0.0028800438],"about_ca_topic_score_codex":0.7377928,"about_ca_topic_score_gemma":0.9458747,"teacher_disagreement_score":0.75828266,"about_ca_system_score_codex":0.00071760244,"about_ca_system_score_gemma":0.0006056252,"threshold_uncertainty_score":0.9999068},"labels":[],"label_agreement":null},{"id":"W990339089","doi":"","title":"Fellini ou la satire libératrice. Fellini ou La satire libératrice, Paul Warren, Montréal : VLB éditeur, 2003, 248 pages Fellini ou La satire libératrice, Paul Warren, Montréal : VLB éditeur, 2003, 248 pages","year":2003,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Computer graphics (images); Art history; Computer science","score_opus":0.019528223582364744,"score_gpt":0.2531748021418019,"score_spread":0.23364657855943713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W990339089","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03907932,0.6769217,0.00043877691,0.15252759,0.013025724,0.0043949643,0.0024771409,0.0016126363,0.109522134],"genre_scores_gemma":[0.4126298,0.33354178,0.006646689,0.006645692,0.012986041,0.0007938501,0.0014041458,0.0006705143,0.22468148],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97130686,0.01201432,0.0045542815,0.0044976617,0.0029468779,0.0046799993],"domain_scores_gemma":[0.9828579,0.005942417,0.003620446,0.0023672709,0.0025970705,0.002614908],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.00692688,0.0036006302,0.004242872,0.0012189194,0.0037596696,0.0030991477,0.003664247,0.005238375,0.001211419],"category_scores_gemma":[0.005231837,0.0032226522,0.0022623907,0.015461556,0.0033837229,0.0023275828,0.0005595003,0.005424653,0.0011671593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041416194,0.0024040295,0.019306635,0.0016576949,0.0021792108,0.0062332572,0.020242756,0.0015102129,0.00035939214,0.048350878,0.68192315,0.2154186],"study_design_scores_gemma":[0.0028131104,0.0009284338,0.0050875302,0.001040127,0.0029263827,0.0006302633,0.012167891,0.0018256323,0.0002446793,0.0072525707,0.96101683,0.0040665753],"about_ca_topic_score_codex":0.0075263036,"about_ca_topic_score_gemma":0.023939122,"teacher_disagreement_score":0.37355047,"about_ca_system_score_codex":0.0005206251,"about_ca_system_score_gemma":0.0021019317,"threshold_uncertainty_score":0.9997016},"labels":[],"label_agreement":null}]}