{"meta":{"query_hash":"4f1e41416175","filters":{"topic":"Modern American Literature Studies"},"cohort_total":60,"direct_labels_cover":0,"predictions_cover":60,"exported":60,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/4f1e41416175","api":"https://metacan.xera.ac/api/v1/cohort?topic=Modern+American+Literature+Studies"},"results":[{"id":"W1189396090","doi":"","title":"\"You didnt give me words\" - Religious Subversion and Secular Philosophy in Cormac McCarthy","year":2012,"lang":"en","type":"article","venue":"Library and Archives Canada (Government of Canada)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nothing; Emptiness; Subversion; Philosophy; Perspectivism; Innocence; Art history; Religious studies; Literature; Art; Theology; Epistemology; Psychoanalysis; Law; Politics","score_opus":0.0037962006527473835,"score_gpt":0.13512488815827706,"score_spread":0.13132868750552967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1189396090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1414883,0.0073851114,0.001013849,0.07148663,0.0006533094,0.000053404718,0.000045407844,0.00006059713,0.77781343],"genre_scores_gemma":[0.9169622,0.0014841871,0.00042452107,0.0039626798,0.00008640842,0.000030638377,0.000009822299,0.00004759405,0.07699204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988115,0.00049255666,0.000028886006,0.00012444808,0.00028873133,0.00025380336],"domain_scores_gemma":[0.99866354,0.00061510614,0.00014046657,0.0001029286,0.00028391837,0.00019405676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011100036,0.0002680718,0.0002308036,0.0007591177,0.014318565,0.0054432205,0.00077732856,0.0009947148,0.004797855],"category_scores_gemma":[0.003687103,0.00013249414,0.00010312514,0.0007625463,0.017365327,0.002259371,0.0022762779,0.0040635327,0.00048063498],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000468177,0.000035004425,0.0011617333,0.00011289959,0.0000052559712,0.00089299894,0.24065454,0.00010337805,0.0006521088,0.686903,0.046356194,0.023076136],"study_design_scores_gemma":[0.000017557648,0.00003538209,0.005322933,0.000270044,0.00000946329,0.0005082851,0.09279546,0.00023753877,0.0006693482,0.032086655,0.86801255,0.000034685097],"about_ca_topic_score_codex":0.3240146,"about_ca_topic_score_gemma":0.52945507,"teacher_disagreement_score":0.3240146,"about_ca_system_score_codex":0.024259396,"about_ca_system_score_gemma":0.0075672255,"threshold_uncertainty_score":0.64425725},"labels":[],"label_agreement":null},{"id":"W1508228328","doi":"","title":"Representations of Region in Child of God and The Coming of Winter","year":2012,"lang":"en","type":"article","venue":"Journal of New Brunswick Studies / Revue d’études sur le Nouveau-Brunswick","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Humanities; Politics; Ethnology; Art; Philosophy; History; Political science","score_opus":0.044626502927172004,"score_gpt":0.27109279694106186,"score_spread":0.22646629401388985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508228328","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67973363,0.008769292,0.0010791944,0.014368046,0.00058025826,0.000028605336,0.00007362369,0.000028742694,0.29533863],"genre_scores_gemma":[0.98677063,0.0012630516,0.00014795785,0.0005508237,0.00005816884,0.000013629091,0.000017463206,0.000021624171,0.011156702],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983773,0.0008835415,0.000025636191,0.00015082551,0.00017766928,0.0003849661],"domain_scores_gemma":[0.9988846,0.00047058807,0.00022061603,0.000066204186,0.00009864904,0.00025937695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016158198,0.000341964,0.0003217732,0.0009192335,0.013503815,0.0050442317,0.0007041885,0.0012574111,0.003968913],"category_scores_gemma":[0.0024921964,0.00026588503,0.00018454404,0.00096483156,0.025650144,0.002679186,0.004952096,0.0031501767,0.00021631272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030821375,0.00000940145,0.002159322,0.00003267903,0.0000034368497,0.0008706649,0.8822364,0.000031217183,0.00025122458,0.10901315,0.0026988408,0.0026629188],"study_design_scores_gemma":[0.000009078687,0.00003038099,0.007895486,0.00015000385,0.000007750586,0.00065197574,0.74206614,0.000026402438,0.00015179173,0.0039939294,0.2449965,0.000020577678],"about_ca_topic_score_codex":0.12527865,"about_ca_topic_score_gemma":0.28820875,"teacher_disagreement_score":0.12527865,"about_ca_system_score_codex":0.010224258,"about_ca_system_score_gemma":0.0045339204,"threshold_uncertainty_score":0.2490989},"labels":[],"label_agreement":null},{"id":"W1558311311","doi":"","title":"Challenging Conventional Recreations of the Western Past: Frank Bergon's Shoshone Mike","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; Legend; History; Narrative; Literature; Aesthetics; Art history; Art; Classics","score_opus":0.027579110863094277,"score_gpt":0.2825407433809055,"score_spread":0.25496163251781123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558311311","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14186954,0.030925069,0.0042467453,0.4482503,0.017199885,0.00006613839,0.00011291362,0.00019776198,0.35713163],"genre_scores_gemma":[0.80401105,0.0039825765,0.0012376754,0.039432652,0.0015943649,0.00006673791,0.000025112406,0.00019216642,0.1494577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871814,0.00070057943,0.0000222873,0.00014588496,0.0002044249,0.00020878928],"domain_scores_gemma":[0.9991448,0.0004816437,0.000077076664,0.000039303173,0.00010790478,0.00014928853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017270172,0.0006320149,0.00036613116,0.0007574921,0.011327491,0.0074931025,0.0009704609,0.003082269,0.0024766512],"category_scores_gemma":[0.003364861,0.00029806272,0.00020220962,0.00039078415,0.017245267,0.0053651636,0.0031325568,0.006916705,0.0006828301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116554285,0.00005685388,0.0005612925,0.00013820878,0.0000108152035,0.0022231755,0.3169177,0.00016098164,0.0006273039,0.41877878,0.24837281,0.0120355375],"study_design_scores_gemma":[0.000011753896,0.000033202068,0.00054323685,0.00027059548,0.000006782655,0.0011201253,0.10525164,0.00021234441,0.00043549124,0.02546751,0.8666075,0.00003984795],"about_ca_topic_score_codex":0.012979828,"about_ca_topic_score_gemma":0.034362264,"teacher_disagreement_score":0.012979828,"about_ca_system_score_codex":0.0047558006,"about_ca_system_score_gemma":0.0016909578,"threshold_uncertainty_score":0.034505844},"labels":[],"label_agreement":null},{"id":"W1654865011","doi":"","title":"Cormac McCarthy and the Writing of American Spaces","year":2013,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Astrobiology; Literature; Art; Biology","score_opus":0.011258356586464966,"score_gpt":0.22133321362405986,"score_spread":0.2100748570375949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1654865011","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02351812,0.05138285,0.00063588377,0.31018403,0.0024064675,0.000024461497,0.00005385239,0.000029548239,0.6117648],"genre_scores_gemma":[0.8112922,0.018494181,0.000759192,0.035360206,0.0037518523,0.000087795735,0.000026487867,0.00016210241,0.13006604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939772,0.0039955787,0.00018877738,0.00045213875,0.0008698512,0.00051645417],"domain_scores_gemma":[0.977178,0.016781643,0.0012173154,0.0009066591,0.0028526587,0.0010636435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051872195,0.00047758973,0.00044481692,0.0038934648,0.020526553,0.016630935,0.0012835133,0.0053039095,0.010391098],"category_scores_gemma":[0.019867975,0.0004031161,0.00021388306,0.00403166,0.036699813,0.011640902,0.0048209312,0.008701607,0.0007647335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023625327,0.000021954691,0.00026293183,0.000083939216,0.0000062272557,0.00012406263,0.09306423,0.000046063025,0.000095370466,0.7983685,0.09823893,0.009664068],"study_design_scores_gemma":[0.000018690424,0.00001058459,0.0011615191,0.0004755588,0.000007539043,0.00009652846,0.06705696,0.00005923292,0.00015445238,0.12767647,0.8032549,0.00002752003],"about_ca_topic_score_codex":0.066793375,"about_ca_topic_score_gemma":0.12913917,"teacher_disagreement_score":0.066793375,"about_ca_system_score_codex":0.008981718,"about_ca_system_score_gemma":0.009294347,"threshold_uncertainty_score":0.13280922},"labels":[],"label_agreement":null},{"id":"W1895146425","doi":"","title":"The Lush and the Barren: Nature in William Bartram’s Travels and Cormac McCarthy’s The Road","year":2012,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wilderness; Desert (philosophy); Incantation; History; Archaeology; Art; Art history; Literature; Philosophy; Ecology","score_opus":0.009404745779752366,"score_gpt":0.22980831205936633,"score_spread":0.22040356627961397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1895146425","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024026914,0.057269074,0.00079516653,0.14629818,0.0062431134,0.000033063916,0.000109184475,0.000050176568,0.7651752],"genre_scores_gemma":[0.57215214,0.030220713,0.0006373806,0.021728138,0.0054936865,0.00010644021,0.000103102146,0.00019483644,0.36936352],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989743,0.00048562879,0.00002326829,0.000087732915,0.00026429203,0.0001648977],"domain_scores_gemma":[0.9988728,0.00060137437,0.00009873973,0.00006724545,0.00015353653,0.00020633917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070739386,0.00047527178,0.00031207415,0.0012627172,0.008560661,0.006766623,0.00076782564,0.0022934896,0.007945665],"category_scores_gemma":[0.0027842633,0.00022025644,0.00017438515,0.0014755657,0.012288475,0.0038324017,0.0027246405,0.004104295,0.001064234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026002748,0.000024538205,0.00028588943,0.00012912913,0.0000054907387,0.00058997655,0.13840526,0.00006582753,0.00013396658,0.41606766,0.42019162,0.024074545],"study_design_scores_gemma":[0.00000462092,0.000008333631,0.00070604903,0.00036510814,0.0000023689158,0.00015366438,0.036434364,0.000029230137,0.000037178237,0.007813919,0.9544353,0.000009785295],"about_ca_topic_score_codex":0.07807252,"about_ca_topic_score_gemma":0.172816,"teacher_disagreement_score":0.07807252,"about_ca_system_score_codex":0.0063378643,"about_ca_system_score_gemma":0.00302375,"threshold_uncertainty_score":0.15523618},"labels":[],"label_agreement":null},{"id":"W2013175642","doi":"10.1353/abr.2014.0089","title":"Raison d’etre","year":2014,"lang":"fr","type":"article","venue":"American book review/˜The œAmerican book review","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Novella; Confessional; Power (physics); History; Quarter (Canadian coin); Art history; Psychoanalysis; Literature; Art; Sociology; Psychology; Law; Political science; Politics","score_opus":0.013829718669713413,"score_gpt":0.2711636684826814,"score_spread":0.25733394981296803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013175642","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009355351,0.07591135,0.0008460549,0.65073985,0.08347644,0.000028875464,0.0001028837,0.00016671381,0.18779235],"genre_scores_gemma":[0.035619754,0.043173317,0.00096554303,0.2814641,0.03558372,0.000111168294,0.00014354904,0.00047511054,0.60246366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99520195,0.001651358,0.00011818572,0.00070398854,0.0015829514,0.0007415222],"domain_scores_gemma":[0.996009,0.00092817337,0.000304557,0.00038235867,0.0011469552,0.0012289154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033519843,0.0009478416,0.00058191665,0.0008470184,0.00619407,0.0097072255,0.0017305367,0.0066124136,0.058258347],"category_scores_gemma":[0.01100678,0.00047516805,0.00047202987,0.0004717224,0.007744463,0.010202287,0.0061850683,0.013521027,0.022425106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012631454,0.000011873772,0.00005790676,0.00006954573,0.0000027259975,0.00009124672,0.0012800551,0.000010891384,0.00008341644,0.020066816,0.95975316,0.018559797],"study_design_scores_gemma":[0.0000011085731,0.0000031341808,0.000026331696,0.00006258626,5.3610665e-7,0.000062466046,0.0004996028,0.0000034706086,0.000016325823,0.00076998386,0.9985513,0.0000031795896],"about_ca_topic_score_codex":0.011270573,"about_ca_topic_score_gemma":0.014787901,"teacher_disagreement_score":0.058258347,"about_ca_system_score_codex":0.004071259,"about_ca_system_score_gemma":0.0048607765,"threshold_uncertainty_score":0.1948936},"labels":[],"label_agreement":null},{"id":"W2029543799","doi":"10.1503/cmaj.061431","title":"The limits of hope","year":2007,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shadow (psychology); Computer science; Data science; Philosophy; Psychoanalysis; Psychology","score_opus":0.012143307716632452,"score_gpt":0.229915291750299,"score_spread":0.21777198403366657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029543799","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005360067,0.11754068,0.0059806244,0.3851381,0.004717169,0.00003659171,0.00011037555,0.00012490703,0.4809914],"genre_scores_gemma":[0.6422522,0.12592307,0.0059372303,0.07653719,0.0055604633,0.00024981503,0.00012417925,0.00038957995,0.14302616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99288094,0.0042041237,0.00017629191,0.0005875954,0.00140995,0.0007411408],"domain_scores_gemma":[0.98741895,0.007829088,0.0005601542,0.0011967284,0.0009470595,0.0020479304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008913552,0.00061733887,0.0008383117,0.0009911205,0.0077350438,0.018134147,0.0011491758,0.0038953791,0.022497008],"category_scores_gemma":[0.020572616,0.0005501547,0.00047460516,0.00075984834,0.040618468,0.017585514,0.009869552,0.009668212,0.00481671],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032001095,0.000016629887,0.00021932252,0.00010317379,0.000009833028,0.00009753535,0.0066936337,0.00010284882,0.000050435185,0.82793456,0.124933444,0.039806694],"study_design_scores_gemma":[0.0000096859585,0.000016886022,0.00018785415,0.00055150996,0.0000038960156,0.00018339597,0.0060114306,0.00007594201,0.000045536897,0.50597894,0.4869201,0.000014791268],"about_ca_topic_score_codex":0.003056539,"about_ca_topic_score_gemma":0.0053175064,"teacher_disagreement_score":0.022497008,"about_ca_system_score_codex":0.005502084,"about_ca_system_score_gemma":0.006684852,"threshold_uncertainty_score":0.07525998},"labels":[],"label_agreement":null},{"id":"W2068910675","doi":"10.1353/rpc.2012.0031","title":"(Carrying the Fire on) No Road for Old Horses: Cormac McCarthy's Untold Biblical Stories","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Whirlwind; American exceptionalism; Adversary; Exceptionalism; Curse; Faith; Archetype; Aesthetics; Literature; History; Law; Sociology; Art; Philosophy; Political science; Theology; Politics; Computer security; Engineering","score_opus":0.02417779945363274,"score_gpt":0.2689818715778876,"score_spread":0.24480407212425487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068910675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118845135,0.019856472,0.0005966329,0.22780378,0.0032186043,0.000037260623,0.00020414323,0.00009210667,0.6293458],"genre_scores_gemma":[0.82914597,0.007925151,0.0003291255,0.020074578,0.0013922979,0.000043411354,0.000054038872,0.00010256283,0.14093281],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998735,0.00055011787,0.000025136209,0.0000785444,0.0003137264,0.00029754278],"domain_scores_gemma":[0.9983766,0.000698991,0.00018629513,0.0000994875,0.00023528092,0.00040334053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012147964,0.0004140851,0.00029417864,0.0011021344,0.018866774,0.0070260866,0.00094438734,0.0022927641,0.0054521905],"category_scores_gemma":[0.0059621423,0.00019663623,0.0001464662,0.0010100737,0.012536689,0.0035759879,0.0026893446,0.005877003,0.0007474369],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042423377,0.00004299096,0.00086101645,0.000105291656,0.000009385923,0.001760437,0.26111922,0.000065685184,0.00023529993,0.17240863,0.5437969,0.019552704],"study_design_scores_gemma":[0.0000048037923,0.000009387877,0.0017614773,0.00023551936,0.000006581479,0.00048261049,0.072722085,0.00004859517,0.00021253429,0.00394959,0.92055154,0.00001533446],"about_ca_topic_score_codex":0.10276774,"about_ca_topic_score_gemma":0.22017045,"teacher_disagreement_score":0.10276774,"about_ca_system_score_codex":0.009226507,"about_ca_system_score_gemma":0.0029501799,"threshold_uncertainty_score":0.20433915},"labels":[],"label_agreement":null},{"id":"W2232874392","doi":"","title":"(Mis)reading Revelations: Apocalyptic Visions and Environmental Crisis & Augury: Elegy","year":2014,"lang":"en","type":"article","venue":"UnderCurrents: Journal of Critical Environmental Studies","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Midnight; Ecocriticism; History; Vision; Symbol (formal); Art; Archaeology; Literature; Sociology","score_opus":0.024051138388943218,"score_gpt":0.27811702183181214,"score_spread":0.2540658834428689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2232874392","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065996274,0.07053156,0.0012644671,0.7519648,0.07051251,0.000014159807,0.000098763136,0.0002236289,0.09879047],"genre_scores_gemma":[0.30840638,0.03660788,0.0017175047,0.36869767,0.084268585,0.00007728775,0.00011179038,0.0006639447,0.1994489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989237,0.00057671213,0.000042824657,0.00012084071,0.00021313455,0.000122658],"domain_scores_gemma":[0.9976386,0.0011402052,0.00023339131,0.00015466055,0.00040758392,0.00042571969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017275837,0.0010156671,0.00045092189,0.0010983422,0.007005809,0.008165369,0.00084144046,0.004594287,0.010136318],"category_scores_gemma":[0.0068752556,0.00034656815,0.00032929363,0.0006051271,0.014303882,0.011252479,0.003473218,0.011568691,0.0026132243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029633256,0.00001320477,0.00030570343,0.00010307632,0.000011498122,0.0004693212,0.025852546,0.00003342029,0.00015076374,0.06923282,0.8899356,0.013862396],"study_design_scores_gemma":[0.000007664931,0.000010914935,0.00054137787,0.00019905898,0.0000060042134,0.001126658,0.018719524,0.000058999278,0.000094581184,0.012526627,0.9666876,0.00002097378],"about_ca_topic_score_codex":0.0065753222,"about_ca_topic_score_gemma":0.013727574,"teacher_disagreement_score":0.010136318,"about_ca_system_score_codex":0.0034416493,"about_ca_system_score_gemma":0.000988734,"threshold_uncertainty_score":0.03390932},"labels":[],"label_agreement":null},{"id":"W2266176049","doi":"10.1353/esc.2015.0033","title":"Finding Common Ground: Purposeful Disarticulation in the Poetry of Erin Mouré","year":2015,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Trilogy; Literature; Sublime; Philosophy; Common ground; Trope (literature); Intertextuality; History; Art; Sociology","score_opus":0.09018138860390545,"score_gpt":0.2882427644572643,"score_spread":0.19806137585335887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2266176049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45199135,0.00976822,0.032266308,0.034167986,0.0016530564,0.0000971968,0.000102323946,0.00028766508,0.46966586],"genre_scores_gemma":[0.9776578,0.00044074276,0.0015081281,0.0010101999,0.00012348924,0.000022973816,0.000017535725,0.00013169477,0.019087275],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978399,0.0013552344,0.000048148442,0.00022831371,0.00034737485,0.0001810114],"domain_scores_gemma":[0.9988611,0.00065534667,0.00014576106,0.000111032125,0.00014106375,0.00008567241],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020134815,0.0005502451,0.00032690854,0.0007643364,0.0058236085,0.004563297,0.00055931765,0.0017119454,0.002079742],"category_scores_gemma":[0.0049026688,0.00022087891,0.00022603145,0.0005804045,0.016704287,0.003894188,0.0035113613,0.002977939,0.00046990617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016308506,0.00002547418,0.0005809835,0.00009383335,0.000015014409,0.0011049673,0.5469798,0.00020750299,0.0031515628,0.41225815,0.013929033,0.021490568],"study_design_scores_gemma":[0.00003334459,0.00010637745,0.003136901,0.0003953461,0.000024484298,0.0027994402,0.27169847,0.00064004096,0.0034409757,0.05246116,0.6651887,0.00007471709],"about_ca_topic_score_codex":0.003294991,"about_ca_topic_score_gemma":0.0063032387,"teacher_disagreement_score":0.0058236085,"about_ca_system_score_codex":0.0020961862,"about_ca_system_score_gemma":0.0007365156,"threshold_uncertainty_score":0.015209019},"labels":[],"label_agreement":null},{"id":"W2320069004","doi":"10.3138/jrpc.20.1.003","title":"The New Apocalyptic: Modern American Apocalyptic Fiction and its Ancient and Modern Cousins","year":2008,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Realm; Popularity; Literature; Early Christianity; Art; History; Philosophy; Classics; Archaeology","score_opus":0.01650164647600811,"score_gpt":0.23313957038752217,"score_spread":0.21663792391151407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320069004","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4706804,0.03939326,0.0024358984,0.021144465,0.0027352956,0.000021520522,0.00007634855,0.00006485787,0.463448],"genre_scores_gemma":[0.9788994,0.0044755936,0.0006405718,0.0009678533,0.00091782043,0.000006478047,0.000030408637,0.000019727735,0.014042178],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996556,0.00013935461,0.00001149614,0.0000349676,0.00010644362,0.000052179894],"domain_scores_gemma":[0.99887675,0.0005418929,0.00013936666,0.00012816879,0.00020114996,0.00011269767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007075506,0.00018070388,0.00017347233,0.0023190668,0.0044499426,0.0038873577,0.00028573442,0.00071692246,0.003190728],"category_scores_gemma":[0.0026135088,0.000085917454,0.000096851836,0.0019041419,0.0072236513,0.003026183,0.0012605902,0.001901131,0.0002337602],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015043556,0.00009603665,0.0046968386,0.00021018607,0.000015357733,0.0008393323,0.15288515,0.00013915788,0.0014401901,0.70482665,0.024067132,0.11063357],"study_design_scores_gemma":[0.000012770393,0.00008370745,0.020237014,0.00041342233,0.00002099833,0.0017090306,0.04930375,0.00047454445,0.0010953776,0.039370622,0.8872523,0.000026392547],"about_ca_topic_score_codex":0.0027424425,"about_ca_topic_score_gemma":0.007820383,"teacher_disagreement_score":0.0044499426,"about_ca_system_score_codex":0.0019329599,"about_ca_system_score_gemma":0.0007937983,"threshold_uncertainty_score":0.014024675},"labels":[],"label_agreement":null},{"id":"W2330996136","doi":"10.17742/image.stealimage.3-1.9","title":"TRAUMA NARRATIVES, MIXED MEDIA, AND THE MEDITATION ON THE INVISIBLE","year":2012,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meditation; Narrative; Psychology; Aesthetics; Psychoanalysis; Art; History; Literature","score_opus":0.0572636041435171,"score_gpt":0.3653424192087197,"score_spread":0.30807881506520257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330996136","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58242184,0.028292488,0.009960028,0.035263285,0.0020304734,0.000048420767,0.00009645446,0.00007433299,0.34181264],"genre_scores_gemma":[0.9851718,0.0047929254,0.0006828189,0.000844106,0.0003340732,0.000026073745,0.00001797323,0.000031437714,0.008098832],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806255,0.0013361564,0.00004723703,0.000119221615,0.00027732863,0.00015749024],"domain_scores_gemma":[0.99579453,0.0030110157,0.0004627159,0.00025108436,0.00015091598,0.0003297692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002290757,0.00058935425,0.00027079394,0.0016703599,0.0071684746,0.00832458,0.000851848,0.0015499775,0.003335978],"category_scores_gemma":[0.006041211,0.0002588945,0.0002588782,0.0011405228,0.027381398,0.009351653,0.008799203,0.0032252318,0.00028786666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006773868,0.000030478102,0.0009038321,0.000238364,0.0000132766045,0.0008848023,0.72238654,0.000071601455,0.00067916303,0.25500348,0.0030373791,0.016683377],"study_design_scores_gemma":[0.000021043372,0.000089246845,0.001891272,0.0010766662,0.00002371679,0.002144838,0.6889278,0.00017859953,0.0017268044,0.06332943,0.24055919,0.000031330113],"about_ca_topic_score_codex":0.00093543396,"about_ca_topic_score_gemma":0.0013701459,"teacher_disagreement_score":0.00832458,"about_ca_system_score_codex":0.0018764863,"about_ca_system_score_gemma":0.00088321796,"threshold_uncertainty_score":0.013614953},"labels":[],"label_agreement":null},{"id":"W2521228832","doi":"10.3138/cras.2016.004","title":"Something to Be Done: <i>The Road</i>, Beckett, and American Autonomy","year":2016,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Autonomy; Narrative; Action (physics); Software deployment; Aesthetics; Isolation (microbiology); Natural (archaeology); Sociology; History; Environmental ethics; Philosophy; Epistemology; Literature; Art; Law; Computer science; Political science; Archaeology","score_opus":0.037742622106377494,"score_gpt":0.28759727097776017,"score_spread":0.24985464887138267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521228832","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1364095,0.29712537,0.0014026808,0.12272255,0.002118218,0.000016229636,0.000029001214,0.000033222226,0.44014323],"genre_scores_gemma":[0.90562505,0.06736739,0.0003727482,0.008368132,0.0009683695,0.000021472497,0.0000145548265,0.00002482702,0.017237356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984097,0.0010661493,0.000028050143,0.0001058349,0.00021165295,0.00017859717],"domain_scores_gemma":[0.9988776,0.00064668857,0.00014221099,0.0000568772,0.00013486562,0.00014178225],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017371526,0.00018532627,0.0002439926,0.0015513661,0.006843956,0.0075207106,0.00064796617,0.0015269332,0.0024877198],"category_scores_gemma":[0.0015528218,0.00017472368,0.00010605696,0.002611604,0.023860676,0.005701072,0.002281753,0.0028088358,0.00028572924],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018994633,0.000041481566,0.0014530782,0.0002742712,0.0000071665754,0.00023600899,0.16615659,0.000027530226,0.000099120116,0.76110464,0.03663837,0.033942692],"study_design_scores_gemma":[0.0000065951967,0.000015895112,0.004364459,0.0012169047,0.000013082573,0.000266375,0.215881,0.000043956257,0.000089364374,0.05259792,0.72548807,0.000016399208],"about_ca_topic_score_codex":0.01924418,"about_ca_topic_score_gemma":0.049575508,"teacher_disagreement_score":0.01924418,"about_ca_system_score_codex":0.0035199262,"about_ca_system_score_gemma":0.0044031492,"threshold_uncertainty_score":0.038264334},"labels":[],"label_agreement":null},{"id":"W2624985279","doi":"","title":"Lost and Delirious : vertiges / Rebelles, Canada 2000,100 minutes","year":2001,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.01190138522025852,"score_gpt":0.21191577782254553,"score_spread":0.200014392602287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624985279","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021469658,0.15830909,0.00055807614,0.3363779,0.09676109,0.00037470745,0.018463265,0.00079332455,0.36689293],"genre_scores_gemma":[0.07881476,0.03714857,0.00055497495,0.028400991,0.015473122,0.00033559452,0.00338391,0.00046367792,0.8354243],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912375,0.00006252021,0.000025344712,0.000104412684,0.00037132035,0.00031256262],"domain_scores_gemma":[0.998276,0.00019981658,0.000071997594,0.00003331188,0.0005709155,0.0008479916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008215913,0.0015817718,0.00060553406,0.0030827585,0.023982558,0.008192848,0.001415903,0.006857154,0.035899248],"category_scores_gemma":[0.0031452705,0.0006713917,0.0004399635,0.0049635232,0.0028270762,0.0024373552,0.0026873578,0.007103723,0.0063409316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025277634,0.000009984801,0.00045864802,0.000097539734,0.0000039360166,0.00015133797,0.004003212,0.000027182663,0.00010017836,0.0016036895,0.98536795,0.008150979],"study_design_scores_gemma":[0.0000054704765,0.000004160275,0.0063996837,0.00029686614,0.000005268236,0.000046814923,0.008348775,0.000017015223,0.000048229824,0.00021145871,0.9846048,0.000011476079],"about_ca_topic_score_codex":0.940232,"about_ca_topic_score_gemma":0.98987705,"teacher_disagreement_score":0.05976802,"about_ca_system_score_codex":0.044655923,"about_ca_system_score_gemma":0.038411047,"threshold_uncertainty_score":0.32400286},"labels":[],"label_agreement":null},{"id":"W27329847","doi":"10.22329/p.v7i1.3339","title":"Absurdity and Revolt in Cormac McCarthy’s &lt;i&gt;The Road&lt;/i&gt;","year":2012,"lang":"en","type":"article","venue":"PhaenEx","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Absurdity; History; Literature; Philosophy; Art","score_opus":0.02366020134018023,"score_gpt":0.23796597297831837,"score_spread":0.21430577163813813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W27329847","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033155058,0.025685798,0.0026181173,0.09256052,0.0013934902,0.00003288281,0.00007523541,0.000039872983,0.84443897],"genre_scores_gemma":[0.88910085,0.0064252624,0.0010832977,0.015290246,0.0008806312,0.00009123682,0.000026025065,0.000083771054,0.087018654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793565,0.00096940977,0.000060489416,0.00033401587,0.0004249041,0.00027558111],"domain_scores_gemma":[0.9981735,0.0010255477,0.00021388433,0.00020080637,0.00021450796,0.00017173882],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021110293,0.0004712815,0.0002951121,0.0009992408,0.011710943,0.007856989,0.00088951027,0.003197373,0.0055838],"category_scores_gemma":[0.005292453,0.00025777848,0.00018832512,0.0013128676,0.045644753,0.006506097,0.003448199,0.0060348865,0.0006265837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010021578,0.000005775405,0.000092996954,0.0000232374,0.0000011891201,0.00013714703,0.039749905,0.000026538048,0.00005149399,0.93842006,0.018252136,0.0032295587],"study_design_scores_gemma":[0.000015103012,0.000014929835,0.0010350622,0.00028148614,0.000004876695,0.00027871557,0.027246187,0.000082384155,0.00026531288,0.15483212,0.815918,0.000025857895],"about_ca_topic_score_codex":0.060004096,"about_ca_topic_score_gemma":0.0830701,"teacher_disagreement_score":0.060004096,"about_ca_system_score_codex":0.009897699,"about_ca_system_score_gemma":0.0048591765,"threshold_uncertainty_score":0.119309664},"labels":[],"label_agreement":null},{"id":"W2748945584","doi":"10.14288/cjur.v2i1.188705","title":"The Good and Bad in Humanity","year":2016,"lang":"en","type":"article","venue":"Open Collections","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanity; Morality; Environmental ethics; Sociology; Law; Philosophy; Epistemology; Political science","score_opus":0.02206020597069453,"score_gpt":0.24197294699798663,"score_spread":0.2199127410272921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748945584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047689985,0.042489145,0.0043366635,0.1895152,0.0041486844,0.000023585235,0.000080949525,0.0000735136,0.7116423],"genre_scores_gemma":[0.9375706,0.008629794,0.00094136427,0.0120027205,0.0020995024,0.000036262638,0.000026269483,0.00008031956,0.038613066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9953452,0.00321282,0.000078529345,0.00030016855,0.00068966876,0.00037366824],"domain_scores_gemma":[0.99625313,0.002348534,0.00026871497,0.00042777346,0.00031890065,0.0003828925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028788806,0.00041269718,0.00037349784,0.0013326857,0.008861734,0.0127479425,0.0005408334,0.0021103164,0.0042456794],"category_scores_gemma":[0.0060556764,0.00016294865,0.00014644775,0.0011609619,0.061357316,0.008415368,0.0043798764,0.0061273123,0.00052997505],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014037973,0.000008685069,0.00027909473,0.000054345393,0.0000037482946,0.000080128695,0.040294193,0.000040709147,0.000081934915,0.9325015,0.018078411,0.008563204],"study_design_scores_gemma":[0.0000063560474,0.000016516547,0.0009051108,0.00030424463,0.0000044467847,0.00016453232,0.03531153,0.000058246245,0.00016688665,0.38077363,0.582276,0.0000123778755],"about_ca_topic_score_codex":0.0048865136,"about_ca_topic_score_gemma":0.0059419903,"teacher_disagreement_score":0.0127479425,"about_ca_system_score_codex":0.004670978,"about_ca_system_score_gemma":0.0032684884,"threshold_uncertainty_score":0.033890486},"labels":[],"label_agreement":null},{"id":"W2899438174","doi":"10.18357/scene01201718452","title":"Bright Spirits: Bard in the Valley's Love's Labor's Lost","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.034336531447337885,"score_gpt":0.2726443663770479,"score_spread":0.23830783492971003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899438174","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029782038,0.17778821,0.0004898654,0.21914867,0.011598393,0.000040670817,0.00080843596,0.0001211851,0.5602226],"genre_scores_gemma":[0.4282111,0.06932428,0.0004998986,0.037324786,0.0026806074,0.00006309008,0.00040962474,0.00026959783,0.46121705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908805,0.00018418321,0.000013611983,0.00005709191,0.00034245383,0.00031472658],"domain_scores_gemma":[0.9991393,0.00014241209,0.000053639018,0.000026528181,0.00026468709,0.00037346766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009765336,0.00034700375,0.0003027707,0.0011312163,0.025241144,0.0110467,0.0010127974,0.002333631,0.016987866],"category_scores_gemma":[0.0018777552,0.00021171068,0.00018528757,0.0022769212,0.009157448,0.0034682094,0.0034398066,0.004645965,0.0015241352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023317323,0.000016512176,0.0008479993,0.00018168704,0.0000056203,0.0001584556,0.06705603,0.000029660727,0.00010546533,0.056100205,0.84204364,0.033431396],"study_design_scores_gemma":[0.0000038493904,0.00000478219,0.0034347582,0.000379954,0.0000046318137,0.000063176914,0.07573509,0.000009678879,0.00005887214,0.001105925,0.9191917,0.0000074673067],"about_ca_topic_score_codex":0.7788076,"about_ca_topic_score_gemma":0.95857626,"teacher_disagreement_score":0.7788076,"about_ca_system_score_codex":0.026369795,"about_ca_system_score_gemma":0.03920377,"threshold_uncertainty_score":0.4449901},"labels":[],"label_agreement":null},{"id":"W3014926167","doi":"10.3968/11472","title":"Southern Literary Tradition in M. Mitchell's Gone with the Wind","year":2019,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Context (archaeology); Literature; History; Sociology; Philosophy; Art; Archaeology; Computer science","score_opus":0.012871033107689793,"score_gpt":0.23847524931626332,"score_spread":0.22560421620857352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014926167","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42359903,0.012198013,0.0008357109,0.062483188,0.0013693781,0.0000087497265,0.000017521956,0.000052895528,0.49943557],"genre_scores_gemma":[0.9747347,0.0011034819,0.00017856139,0.0013364062,0.00024266311,0.0000048871652,0.0000031601915,0.000019260735,0.02237682],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935526,0.00035028628,0.000008506735,0.00006407507,0.0001240214,0.00009794446],"domain_scores_gemma":[0.9994413,0.00026560217,0.00010090239,0.000024380963,0.000064272834,0.00010351908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077559386,0.00018307938,0.00016677757,0.00049021374,0.011528498,0.002796453,0.00027040904,0.0010465757,0.0020130696],"category_scores_gemma":[0.0013790794,0.00011666709,0.000083566054,0.0007150546,0.008922623,0.001494843,0.0018125518,0.0019065993,0.00024216542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049879814,0.00002023969,0.0021121772,0.000057623816,0.0000060515986,0.001247247,0.5941718,0.00010858231,0.0006262216,0.36182374,0.027721545,0.012054954],"study_design_scores_gemma":[0.0000084465155,0.000050475595,0.006345941,0.00022223649,0.000006451984,0.00092894677,0.124953285,0.00007047331,0.00026089218,0.024568554,0.8425709,0.000013390374],"about_ca_topic_score_codex":0.009278011,"about_ca_topic_score_gemma":0.0390322,"teacher_disagreement_score":0.011528498,"about_ca_system_score_codex":0.002479065,"about_ca_system_score_gemma":0.0013713673,"threshold_uncertainty_score":0.018447995},"labels":[],"label_agreement":null},{"id":"W3015159492","doi":"10.32873/uno.dc.jrf.24.01.57","title":"Hail, Caesar! A Jesus Film in Search of a Christ Figure","year":2020,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ambrose University","funders":"","keywords":"Interpretation (philosophy); Jesus christ; Christianity; Brother; Art history; Philosophy; Religious studies; Art; Literature; Theology; Sociology; Faith; Anthropology","score_opus":0.0257591624302593,"score_gpt":0.24877431330137809,"score_spread":0.22301515087111878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015159492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1286949,0.022553924,0.0016610562,0.10233118,0.008541331,0.000045999168,0.00019176415,0.0001559793,0.73582375],"genre_scores_gemma":[0.7891174,0.009316118,0.0009328707,0.011168989,0.0010644837,0.000025931828,0.00008072869,0.00014676299,0.18814677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950767,0.00025363316,0.0000067763667,0.0000436262,0.000113513146,0.000074670126],"domain_scores_gemma":[0.9995359,0.00022915217,0.0000303523,0.000023130528,0.00007697679,0.00010446961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044457358,0.00034526375,0.00010750527,0.00061480765,0.009477495,0.0049971626,0.00036276638,0.0010378462,0.0061269756],"category_scores_gemma":[0.0025094633,0.00012064665,0.00008446971,0.00053717324,0.0045330166,0.0029352936,0.0015350693,0.002502876,0.0007151507],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001241556,0.000038658687,0.0014971292,0.00023269746,0.000011059781,0.00091080234,0.15737052,0.00010049021,0.001543353,0.3448358,0.4429583,0.050377093],"study_design_scores_gemma":[0.0000038749936,0.000015812437,0.0021083122,0.00026596856,0.0000046731893,0.00041313737,0.06734658,0.00007680816,0.00079151447,0.0061327973,0.92282736,0.000013138596],"about_ca_topic_score_codex":0.026438644,"about_ca_topic_score_gemma":0.08089923,"teacher_disagreement_score":0.026438644,"about_ca_system_score_codex":0.0032072526,"about_ca_system_score_gemma":0.0012590745,"threshold_uncertainty_score":0.05256951},"labels":[],"label_agreement":null},{"id":"W3043955545","doi":"","title":"Resurgence: Irony and Urban Indian Knowing in Tommy Orange’s There There","year":2020,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irony; Indigenous; Mythology; Orange (colour); History; HERO; Motif (music); Sociology; Gender studies; Aesthetics; Literature; Art; Ecology","score_opus":0.02322514562603404,"score_gpt":0.23735914517077972,"score_spread":0.21413399954474568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043955545","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24548809,0.00439529,0.0008078018,0.05718693,0.0017922241,0.00003041465,0.000055764584,0.000108102264,0.6901353],"genre_scores_gemma":[0.94581485,0.0010520729,0.00023154866,0.0037454509,0.00036710588,0.000017782859,0.000015067451,0.000057042176,0.048699047],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923563,0.00035940038,0.00001067943,0.00007276132,0.00009771089,0.00022387416],"domain_scores_gemma":[0.99928266,0.00039684115,0.000076385346,0.00005224127,0.000079735415,0.000112193884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009663007,0.00038541842,0.00025531757,0.0009204991,0.021532929,0.0077405646,0.00089307537,0.0018118859,0.004511326],"category_scores_gemma":[0.0015401805,0.00020168281,0.00020806673,0.00090793154,0.021596635,0.003413903,0.003211414,0.0047790855,0.00047805818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027074468,0.000036759066,0.0006487878,0.000061278406,0.000004820609,0.0014689543,0.6962341,0.00004989497,0.00028631254,0.25259104,0.04153061,0.007060366],"study_design_scores_gemma":[0.00000689282,0.00001814742,0.0018036205,0.00014229947,0.000011172605,0.0006708741,0.55297583,0.000091732116,0.0003260627,0.011026336,0.4329094,0.00001771963],"about_ca_topic_score_codex":0.035876036,"about_ca_topic_score_gemma":0.08629578,"teacher_disagreement_score":0.035876036,"about_ca_system_score_codex":0.0061988328,"about_ca_system_score_gemma":0.0026648424,"threshold_uncertainty_score":0.07133442},"labels":[],"label_agreement":null},{"id":"W3111478035","doi":"10.1111/criq.12581","title":"Masques of the Red Death","year":2020,"lang":"en","type":"article","venue":"Critical Quarterly","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.041872119668062334,"score_gpt":0.2522594550141067,"score_spread":0.21038733534604434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111478035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011923934,0.05516559,0.0032455716,0.19741637,0.0391673,0.000038198126,0.00010701963,0.00012569196,0.6928104],"genre_scores_gemma":[0.36888793,0.030073654,0.0016598064,0.06801377,0.033840183,0.00010721999,0.0001285921,0.0002836591,0.49700522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99740136,0.0014873279,0.00006292162,0.0003027167,0.00048095098,0.00026481997],"domain_scores_gemma":[0.9984371,0.00067167194,0.00015916694,0.00014103115,0.00032082494,0.00027029956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022805834,0.0005833135,0.00036181038,0.00060421077,0.009157188,0.0068836506,0.00067918166,0.0027694798,0.012673449],"category_scores_gemma":[0.0056479494,0.00019014173,0.0002540452,0.0003881808,0.010729528,0.0065241526,0.0037019183,0.0073617194,0.0041675917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034247965,0.000018650933,0.00016243645,0.00012247369,0.0000040348555,0.00040512663,0.022823174,0.00003477197,0.00010839719,0.5934915,0.35916683,0.023628289],"study_design_scores_gemma":[0.0000024411338,0.000011929032,0.00011521855,0.00011742651,0.0000011191458,0.00022350594,0.004627954,0.000022079532,0.0000644052,0.015430686,0.9793779,0.0000052977384],"about_ca_topic_score_codex":0.0018603145,"about_ca_topic_score_gemma":0.0029514437,"teacher_disagreement_score":0.012673449,"about_ca_system_score_codex":0.0027288068,"about_ca_system_score_gemma":0.0019245984,"threshold_uncertainty_score":0.042396843},"labels":[],"label_agreement":null},{"id":"W3137641138","doi":"10.1386/josc_00045_1","title":"Gun violence, phenomenal reality and parallel worlds: Christina Kallas’s multi-protagonist narratives in The Rainbow Experiment","year":2021,"lang":"en","type":"article","venue":"Journal of Screenwriting","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Plot (graphics); Narrative; Trilogy; Aesthetics; Happiness; Sociology; Rainbow; Faith; Movie theater; Media studies; Literature; Art; Visual arts; Psychology; Social psychology; Philosophy; Epistemology","score_opus":0.05481030822026564,"score_gpt":0.2935145207373462,"score_spread":0.23870421251708054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137641138","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46484214,0.005188682,0.007231367,0.051284317,0.0010580858,0.00009543083,0.00021944892,0.00025235038,0.4698281],"genre_scores_gemma":[0.95849335,0.00092436594,0.0011365168,0.0021159835,0.00008450706,0.000066672445,0.000032910175,0.00011988353,0.037025787],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981207,0.0011955956,0.000033492335,0.000185372,0.00024635938,0.00021839765],"domain_scores_gemma":[0.9986211,0.0008425768,0.00009282861,0.00011460628,0.0000954222,0.00023336287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016648998,0.00049691333,0.00028500092,0.0008505811,0.013748882,0.009676315,0.001249819,0.0019108952,0.006834272],"category_scores_gemma":[0.003796587,0.00036277593,0.00025910934,0.0004882,0.018889768,0.007817464,0.008032721,0.0058211405,0.0006948039],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065657696,0.000033718872,0.00053501874,0.00006792018,0.000011317891,0.0014197563,0.71223205,0.00013325685,0.00081146706,0.25277767,0.025679829,0.006232353],"study_design_scores_gemma":[0.00002417944,0.000048956015,0.0015050888,0.00023637724,0.000015966003,0.0011360984,0.5100904,0.00036348333,0.0009103213,0.021887925,0.46371874,0.00006240859],"about_ca_topic_score_codex":0.014749817,"about_ca_topic_score_gemma":0.031893555,"teacher_disagreement_score":0.014749817,"about_ca_system_score_codex":0.005290139,"about_ca_system_score_gemma":0.0015872945,"threshold_uncertainty_score":0.03838283},"labels":[],"label_agreement":null},{"id":"W3141140817","doi":"10.1163/15685292-02501004","title":"“When You Stop Pretending That You Know”","year":2021,"lang":"en","type":"article","venue":"Religion and the Arts","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Humility; Tragedy (event); Gnosticism; Faith; Philosophy; Psychoanalysis; Literature; Art; Theology; Psychology","score_opus":0.021027927845143485,"score_gpt":0.22952446100240645,"score_spread":0.20849653315726296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3141140817","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007135902,0.0080803195,0.0058640228,0.66583264,0.013883284,0.000053043244,0.00007251113,0.00023778353,0.2988404],"genre_scores_gemma":[0.3191301,0.00562102,0.0054406086,0.32912907,0.007503981,0.00014136304,0.00009746917,0.00044507292,0.3324912],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99438184,0.0031619864,0.00014484554,0.0005148146,0.0011930172,0.0006035212],"domain_scores_gemma":[0.9923982,0.0021332696,0.0006044639,0.0007224902,0.003055619,0.0010860295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004762352,0.000516196,0.00046479463,0.0008695853,0.008830461,0.0077466946,0.0010410179,0.004096802,0.018466085],"category_scores_gemma":[0.01965594,0.00027016754,0.00028846395,0.00054040086,0.021931708,0.01286772,0.0032445367,0.01377716,0.013632326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031485077,0.000043867047,0.0010426316,0.000098345416,0.000015178737,0.0002871481,0.043476786,0.000038373924,0.0004602667,0.25564143,0.6695271,0.029337559],"study_design_scores_gemma":[0.0000039713213,0.00001476023,0.0003117869,0.00017386138,0.000005280941,0.00020976347,0.01857326,0.00006452822,0.00022736842,0.03037459,0.95002365,0.000017225053],"about_ca_topic_score_codex":0.008906803,"about_ca_topic_score_gemma":0.011132927,"teacher_disagreement_score":0.018466085,"about_ca_system_score_codex":0.002740917,"about_ca_system_score_gemma":0.0035645373,"threshold_uncertainty_score":0.061775208},"labels":[],"label_agreement":null},{"id":"W3155315688","doi":"10.2478/stap-2020-0013","title":"Recent (Re)Visions of Canlit: Partial Stock-Taking","year":2020,"lang":"en","type":"article","venue":"Studia Anglica Posnaniensia","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Vision; Sociology; Institution; Newspaper; Colonialism; Media studies; Aesthetics; History; Literature; Law; Social science; Political science; Anthropology; Art","score_opus":0.06620340472534385,"score_gpt":0.2720958095572037,"score_spread":0.20589240483185983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3155315688","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14726226,0.01817982,0.0037957823,0.09772828,0.0022106906,0.00005386314,0.00027906054,0.00019266042,0.7302976],"genre_scores_gemma":[0.9566182,0.0032397558,0.0009722443,0.0053789066,0.0004706488,0.000026669462,0.00013881194,0.00023634969,0.03291836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932173,0.00193305,0.00036027606,0.0009147646,0.0023421491,0.0012324373],"domain_scores_gemma":[0.988003,0.0033870805,0.0008003903,0.002252528,0.00377366,0.0017833423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00957359,0.00048432202,0.00048698782,0.005107629,0.017203713,0.041176464,0.0022601679,0.0043045534,0.013985979],"category_scores_gemma":[0.016442483,0.00033172805,0.00028963515,0.0063189226,0.03749699,0.018128997,0.009187119,0.006976073,0.0019727845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064806016,0.000023958297,0.001525991,0.00017264538,0.000011454925,0.0004745967,0.20690861,0.000097344746,0.00033862563,0.7301474,0.024896791,0.03533775],"study_design_scores_gemma":[0.000008090063,0.000020961625,0.0018700674,0.00078915746,0.000019685504,0.00048832735,0.17748316,0.0002252182,0.00055935606,0.054036558,0.764449,0.000050364953],"about_ca_topic_score_codex":0.06291249,"about_ca_topic_score_gemma":0.09141178,"teacher_disagreement_score":0.93708754,"about_ca_system_score_codex":0.03237196,"about_ca_system_score_gemma":0.018578397,"threshold_uncertainty_score":0.2348761},"labels":[],"label_agreement":null},{"id":"W317657030","doi":"10.7560/tsll55403","title":"True West and Lying Marks:<i>The Englishman's Boy, Blood Meridian</i>, and the Paradox of the Revisionist Western","year":2013,"lang":"en","type":"article","venue":"Texas Studies in Literature & Language","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Lying; Meridian (astronomy); Literature; Ancient history; History; Art; Physics; Astronomy; Medicine","score_opus":0.011298393470327232,"score_gpt":0.2429220280597218,"score_spread":0.23162363458939456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W317657030","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.105566524,0.02478802,0.0025381616,0.13909207,0.0036661238,0.000012291669,0.000064136926,0.00011492217,0.7241578],"genre_scores_gemma":[0.8557861,0.0034679351,0.000639211,0.013004224,0.0018076061,0.000014706653,0.000028078437,0.00017353703,0.12507854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991043,0.00042462835,0.00002338808,0.00011544967,0.00017969405,0.00015250451],"domain_scores_gemma":[0.99885213,0.00045198965,0.000128366,0.00014744037,0.0002237637,0.00019634423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013922713,0.00021638822,0.00017602548,0.0006649453,0.0064864065,0.0086490465,0.00047549678,0.001119166,0.0039204285],"category_scores_gemma":[0.0023697421,0.00016167016,0.00009341982,0.00051537325,0.017544117,0.0061659375,0.0017096269,0.0029495321,0.0008006377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040631377,0.000011148318,0.00088192016,0.00005959766,0.0000039034717,0.00023193103,0.09491999,0.000022398648,0.0003355407,0.805405,0.08190746,0.016180484],"study_design_scores_gemma":[0.000011932736,0.000022265007,0.0027527304,0.00022226281,0.000006981638,0.0002937915,0.058962908,0.0001232471,0.00031211937,0.083380505,0.8538911,0.00002024968],"about_ca_topic_score_codex":0.015041986,"about_ca_topic_score_gemma":0.023401776,"teacher_disagreement_score":0.015041986,"about_ca_system_score_codex":0.0023758374,"about_ca_system_score_gemma":0.0014257719,"threshold_uncertainty_score":0.029908836},"labels":[],"label_agreement":null},{"id":"W4238053795","doi":"10.5325/edgallpoerev.21.1.0165","title":"Abstracts for the Poe Panels at the American Literature Association Conference","year":2020,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Estate; Art; Art history; History; Computer science; Library science; Law; Political science","score_opus":0.062423540187956594,"score_gpt":0.28093699946756995,"score_spread":0.21851345927961335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238053795","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012936281,0.02056834,0.0005276372,0.119763896,0.07527285,0.00024633846,0.0016712599,0.00027734635,0.78037876],"genre_scores_gemma":[0.005025714,0.003968511,0.0001482445,0.0069005247,0.009822839,0.0001780322,0.0005019994,0.00014817735,0.973306],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990651,0.0002133557,0.00004880639,0.00015894885,0.00031950112,0.00019419924],"domain_scores_gemma":[0.9978781,0.00041547426,0.00007894052,0.00018176789,0.0008725732,0.0005731459],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017035301,0.001031,0.0008543192,0.0026355141,0.007437635,0.007153601,0.0011588841,0.004571835,0.49489143],"category_scores_gemma":[0.0054006213,0.00055659155,0.00056303985,0.002385738,0.0012548628,0.007417604,0.00487458,0.0050108167,0.24170484],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000090537205,0.000012434745,0.000045814835,0.000026016576,7.2464405e-7,0.000026636617,0.00008296304,0.0000043336113,0.000030036135,0.0021880658,0.9890969,0.008476846],"study_design_scores_gemma":[0.0000027173794,0.0000034497968,0.00031566733,0.000072197705,7.1708433e-7,0.000012416467,0.00023187671,0.000008745013,0.00001306725,0.00056121737,0.9987753,0.0000025521863],"about_ca_topic_score_codex":0.0037615986,"about_ca_topic_score_gemma":0.01070924,"teacher_disagreement_score":0.49489143,"about_ca_system_score_codex":0.0025003536,"about_ca_system_score_gemma":0.0024190329,"threshold_uncertainty_score":0.72047603},"labels":[],"label_agreement":null},{"id":"W4243005118","doi":"10.3138/jrpc.24.3.339","title":"(Carrying the Fire on) No Road for Old Horses: Cormac McCarthy’s Untold Biblical Stories","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Whirlwind; Exceptionalism; Adversary; Curse; American exceptionalism; Faith; Literature; Archetype; Aesthetics; History; Law; Sociology; Philosophy; Art; Political science; Theology; Politics; Computer security; Geography","score_opus":0.024807746081367047,"score_gpt":0.26961584077480444,"score_spread":0.2448080946934374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243005118","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19334966,0.012217828,0.00066754466,0.25149012,0.0028477735,0.000038864637,0.00017083212,0.00008472245,0.5391326],"genre_scores_gemma":[0.923725,0.0035998658,0.0002430388,0.013632943,0.00095497805,0.000028719413,0.000035092453,0.00008310848,0.057697225],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981357,0.0009013856,0.000040412328,0.00012802289,0.000384717,0.00040977797],"domain_scores_gemma":[0.9972274,0.0013428804,0.00033873483,0.00017535714,0.0003411808,0.0005745554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020937696,0.00042906712,0.0003556725,0.0013874817,0.02250407,0.007492915,0.0011838739,0.002977646,0.005407562],"category_scores_gemma":[0.007669779,0.00023025498,0.00013493757,0.0011235971,0.018979093,0.003876188,0.0032299517,0.0072350306,0.0006542834],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000581588,0.000053108644,0.0010507697,0.00010793283,0.000012426743,0.002526785,0.44375762,0.00008968612,0.00027754082,0.19477732,0.34370965,0.013579032],"study_design_scores_gemma":[0.0000071399068,0.000013480465,0.0019765235,0.00030652477,0.000008485734,0.0006800536,0.13593927,0.00009716587,0.00031844515,0.0056306804,0.85499865,0.000023487873],"about_ca_topic_score_codex":0.09686405,"about_ca_topic_score_gemma":0.20249632,"teacher_disagreement_score":0.09686405,"about_ca_system_score_codex":0.012571186,"about_ca_system_score_gemma":0.0032979692,"threshold_uncertainty_score":0.19260049},"labels":[],"label_agreement":null},{"id":"W4254954195","doi":"10.3138/cras.42.1.49","title":"“Becoming-Woman”: Masculine “Emergency” After 9/11 in Cormac McCarthy","year":2012,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cruelty; Masculinity; Instinct; Psychoanalysis; George (robot); State (computer science); Literature; Philosophy; History; Sociology; Art history; Art; Psychology; Criminology","score_opus":0.03299560194855958,"score_gpt":0.2909478057665291,"score_spread":0.25795220381796957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254954195","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09735678,0.1648655,0.0003411525,0.41537493,0.008936799,0.000071529335,0.00014256727,0.00005562646,0.3128552],"genre_scores_gemma":[0.77062184,0.07320019,0.00029342523,0.080913454,0.003976953,0.00010764616,0.000073902396,0.00011378618,0.07069879],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752575,0.0010065192,0.00007864541,0.00029859328,0.0005664911,0.0005240056],"domain_scores_gemma":[0.9962042,0.0022744348,0.0004310915,0.00014113374,0.00048352117,0.000465639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003220223,0.0003647919,0.000519267,0.0018547305,0.020495526,0.008099697,0.0015081011,0.0043612225,0.007915919],"category_scores_gemma":[0.0070124064,0.00025349477,0.00019330309,0.0032855775,0.028941114,0.00500162,0.0038373766,0.008531947,0.0007942943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051424944,0.00005189084,0.0011448617,0.0005340521,0.000008984853,0.0025462292,0.5196637,0.00004088439,0.00026823906,0.18362164,0.25658664,0.03548144],"study_design_scores_gemma":[0.0000062080862,0.000020270427,0.0036644863,0.0011350112,0.0000054526013,0.00043149735,0.18453895,0.000014403059,0.00013499739,0.00272404,0.8073028,0.00002191526],"about_ca_topic_score_codex":0.32188603,"about_ca_topic_score_gemma":0.45875496,"teacher_disagreement_score":0.32188603,"about_ca_system_score_codex":0.01784929,"about_ca_system_score_gemma":0.01793988,"threshold_uncertainty_score":0.6400249},"labels":[],"label_agreement":null},{"id":"W4289792334","doi":"10.25071/2292-4736/38665","title":"(Mis)reading Revelations: Apocalyptic Visions and Environmental Crisis &amp; Augury: Elegy","year":2014,"lang":"en","type":"article","venue":"UnderCurrents Journal of Critical Environmental Studies","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Midnight; History; Vision; Symbol (formal); Art; Ecocriticism; Literature; Sociology","score_opus":0.035609668479318894,"score_gpt":0.29607276784474584,"score_spread":0.26046309936542694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289792334","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041250563,0.068569675,0.000985109,0.73672247,0.078824244,0.000014604842,0.00010590686,0.00024434438,0.11040858],"genre_scores_gemma":[0.18006492,0.038189027,0.0014660256,0.37132698,0.08693898,0.00007571104,0.00011087318,0.00070130697,0.3211261],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992632,0.00034559405,0.000033464734,0.00008853621,0.00017711525,0.00009208504],"domain_scores_gemma":[0.99827003,0.0007284001,0.00017597277,0.00011521441,0.00033424734,0.00037607973],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013165472,0.000980295,0.00038048727,0.0010315949,0.007073592,0.007651752,0.0007450428,0.0047148615,0.016412213],"category_scores_gemma":[0.0054980046,0.00034524547,0.00030524473,0.00057803997,0.009955008,0.009965709,0.0034418046,0.010543318,0.0041986494],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015796692,0.000008356191,0.00019887689,0.000059412556,0.000005196682,0.0002846385,0.009142812,0.000019261815,0.00008728675,0.02835914,0.95027614,0.011543047],"study_design_scores_gemma":[0.000004426715,0.0000069001926,0.00039898138,0.00013468813,0.0000032970959,0.00076532824,0.009106992,0.000035976744,0.000059399623,0.004969954,0.98450166,0.000012316348],"about_ca_topic_score_codex":0.007078624,"about_ca_topic_score_gemma":0.017106863,"teacher_disagreement_score":0.016412213,"about_ca_system_score_codex":0.00326856,"about_ca_system_score_gemma":0.0009461305,"threshold_uncertainty_score":0.0549044},"labels":[],"label_agreement":null},{"id":"W4315643003","doi":"10.7202/1095240ar","title":"“But How, How to Exist and Not to Belong?”: Hybridity and Trauma in Rawi Hage’s Cockroach","year":2022,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hybridity; Cockroach; Sociology; Communication; Biology; Ecology; Anthropology","score_opus":0.041282421211283366,"score_gpt":0.27336362731533853,"score_spread":0.23208120610405517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315643003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44441238,0.04964695,0.0011791543,0.10649312,0.0013984741,0.0000785142,0.0002771462,0.000032681553,0.39648157],"genre_scores_gemma":[0.95831865,0.007137777,0.00056251197,0.0048348717,0.000059870952,0.000024836641,0.0000561518,0.00002623587,0.028979186],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703705,0.0009795174,0.00008826815,0.0002548355,0.0008406953,0.0007996371],"domain_scores_gemma":[0.9977344,0.00068262784,0.00023340751,0.00012478269,0.00077248446,0.00045228717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027970513,0.00038151935,0.00046189132,0.0019453428,0.036624156,0.0067435685,0.0013402484,0.0024502245,0.006237487],"category_scores_gemma":[0.003625347,0.00032131275,0.00025353368,0.0036313792,0.04289177,0.004669693,0.006151429,0.003849241,0.00064562587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026876789,0.000023570154,0.0055281897,0.00015760268,0.000011580252,0.0006887391,0.8360476,0.000031136795,0.00029998284,0.11345035,0.02457828,0.019156042],"study_design_scores_gemma":[0.0000048167494,0.000013269876,0.0118400995,0.00045553976,0.0000141219125,0.00053495384,0.80135757,0.000020350142,0.00014262978,0.005447934,0.1801215,0.000047233625],"about_ca_topic_score_codex":0.8055119,"about_ca_topic_score_gemma":0.9203035,"teacher_disagreement_score":0.8055119,"about_ca_system_score_codex":0.033468686,"about_ca_system_score_gemma":0.033444803,"threshold_uncertainty_score":0.39126694},"labels":[],"label_agreement":null},{"id":"W4322756162","doi":"10.33137/rr.v45i3.40465","title":"Martin, John Jeffries. A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World","year":2023,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; History; Literature","score_opus":0.016665074790384298,"score_gpt":0.23449529508164005,"score_spread":0.21783022029125576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322756162","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040768306,0.5219949,0.0010829339,0.38343206,0.006999092,0.00002537779,0.00020938776,0.000053264976,0.082126066],"genre_scores_gemma":[0.25515094,0.4361582,0.0027398604,0.08756602,0.014044935,0.00016191097,0.00020081096,0.00027244602,0.20370479],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995515,0.00017939649,0.000020407955,0.00003764739,0.00015708436,0.000054036336],"domain_scores_gemma":[0.99770194,0.0012533236,0.00019702529,0.00006754291,0.00059930485,0.0001807697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009357085,0.00065345294,0.00034363777,0.0015743348,0.005858386,0.0031321666,0.00096465787,0.0041272934,0.008228631],"category_scores_gemma":[0.0035752996,0.0004452284,0.00024750907,0.0015873875,0.00453796,0.008339572,0.0016072487,0.00443334,0.0016784894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038940605,0.000026566255,0.00045522422,0.00035957427,0.000008685716,0.00018316648,0.012653002,0.000034348417,0.00020422612,0.09391616,0.86603796,0.026082281],"study_design_scores_gemma":[0.000029647572,0.000027621376,0.0048516174,0.0012970007,0.000019668343,0.0003028159,0.015987026,0.00005128947,0.0004040224,0.04148603,0.93552226,0.000021055901],"about_ca_topic_score_codex":0.041198175,"about_ca_topic_score_gemma":0.1262268,"teacher_disagreement_score":0.041198175,"about_ca_system_score_codex":0.0023986788,"about_ca_system_score_gemma":0.0020861987,"threshold_uncertainty_score":0.08191675},"labels":[],"label_agreement":null},{"id":"W4381251316","doi":"10.22455/2541-7894-2023-14-51-74","title":"The American Sentence","year":2023,"lang":"en","type":"article","venue":"Literature of the Americas","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Victoria General Hospital; University of British Columbia","funders":"","keywords":"Style (visual arts); Literature; History; Sentence; Conservatism; Philosophy; Art; Linguistics; Politics; Law","score_opus":0.015193239077564119,"score_gpt":0.25054588329493177,"score_spread":0.23535264421736765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381251316","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015480158,0.0027388188,0.0014012525,0.01268842,0.005475358,0.000024201821,0.00063361926,0.00018650592,0.96137154],"genre_scores_gemma":[0.5534532,0.0033014852,0.001717199,0.008331361,0.0036317464,0.00008241859,0.0010635271,0.00032100888,0.42809802],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999571,0.00013704323,0.000017751421,0.00008055895,0.00012586484,0.00006780019],"domain_scores_gemma":[0.999524,0.000098408585,0.0000374988,0.000039890478,0.00023808485,0.000062062965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036245113,0.00029935397,0.00013950764,0.0006756342,0.003704091,0.0031555477,0.00033592564,0.00057815784,0.023118624],"category_scores_gemma":[0.0013193281,0.00008874094,0.00012774943,0.0006865076,0.0020274182,0.0020427783,0.0012360858,0.0015927327,0.0063631274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006389483,0.000017727612,0.000808956,0.000114952694,0.000005390276,0.0003370653,0.0169804,0.000048010257,0.0016678968,0.4390216,0.47609034,0.06484378],"study_design_scores_gemma":[0.0000012484155,0.0000071294653,0.0007129822,0.00003376985,0.000001868989,0.000119212615,0.001695435,0.000041470576,0.000198051,0.0029989677,0.99418455,0.00000536543],"about_ca_topic_score_codex":0.0073692673,"about_ca_topic_score_gemma":0.009916211,"teacher_disagreement_score":0.023118624,"about_ca_system_score_codex":0.0019421792,"about_ca_system_score_gemma":0.0015648631,"threshold_uncertainty_score":0.07733947},"labels":[],"label_agreement":null},{"id":"W4387608862","doi":"10.3138/cras-2023-013","title":"“The American Sentence”","year":2023,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Sentence; Literature; Style (visual arts); American literature; Focus (optics); History; Writing style; Art; Philosophy; Linguistics","score_opus":0.04082580407523838,"score_gpt":0.3042433356256466,"score_spread":0.2634175315504082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387608862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05397981,0.02616975,0.0014413882,0.03656069,0.006636826,0.000019637782,0.00015214193,0.00006102238,0.8749786],"genre_scores_gemma":[0.8767302,0.012244107,0.00076095393,0.009506595,0.002556033,0.00004577209,0.000109155146,0.000066092645,0.097981215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992106,0.00045738876,0.00002009969,0.00007270901,0.00014218489,0.000096949734],"domain_scores_gemma":[0.9992824,0.00028273018,0.00008532979,0.00005058507,0.00022139642,0.00007749046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071211543,0.00022182654,0.0001101966,0.0008674019,0.0042503267,0.0029760895,0.000325353,0.00061477424,0.0041255434],"category_scores_gemma":[0.0019415073,0.00007741229,0.00008566998,0.0010004973,0.007049976,0.0026475037,0.0010866874,0.0017824204,0.00075833575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025464233,0.000011964054,0.0010363243,0.00014891941,0.000004557629,0.00026643986,0.08136535,0.000027756732,0.00050682965,0.6893301,0.17338781,0.053888578],"study_design_scores_gemma":[0.0000012297035,0.000008305627,0.0016460299,0.00011575993,0.000002842635,0.00018269486,0.015660252,0.000027066279,0.00013534598,0.0071137687,0.9751016,0.000005175838],"about_ca_topic_score_codex":0.010612052,"about_ca_topic_score_gemma":0.018947065,"teacher_disagreement_score":0.010612052,"about_ca_system_score_codex":0.0017127523,"about_ca_system_score_gemma":0.0021413625,"threshold_uncertainty_score":0.021100521},"labels":[],"label_agreement":null},{"id":"W4390998098","doi":"10.51644/9781771125161-005","title":"Telling Harm: Time, Redress, and Canadian Literature","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Redress; Harm; Political science; Psychology; Law","score_opus":0.01728725617831925,"score_gpt":0.19306548514699579,"score_spread":0.17577822896867654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390998098","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012915691,0.06247434,0.0007359051,0.08884053,0.0019883874,0.000033687065,0.00017477495,0.00005114243,0.8327856],"genre_scores_gemma":[0.56746674,0.086622104,0.0012732621,0.031218266,0.00091344985,0.000073403986,0.00018361771,0.00020328042,0.3120459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99394387,0.0009696221,0.00011731797,0.00036855214,0.0027705913,0.001830013],"domain_scores_gemma":[0.99392694,0.002286245,0.00031799407,0.0002501915,0.0022911725,0.00092752103],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004270813,0.0006998096,0.00064118905,0.0039444175,0.050008416,0.018788263,0.0036240434,0.0066561946,0.012329235],"category_scores_gemma":[0.010039707,0.0004113931,0.00043001075,0.008817062,0.045261357,0.006969486,0.0045918734,0.008891587,0.0009867097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012962599,0.000009807291,0.0001505053,0.000083524465,0.0000034293557,0.000110025634,0.044091713,0.000097043034,0.00004495,0.86005557,0.082353435,0.012987006],"study_design_scores_gemma":[0.000006998319,0.0000058099777,0.00078457635,0.00069221854,0.000013691111,0.00011374868,0.04458673,0.00010484128,0.00009890606,0.041318096,0.9122288,0.000045621673],"about_ca_topic_score_codex":0.9860693,"about_ca_topic_score_gemma":0.99217826,"teacher_disagreement_score":0.19635534,"about_ca_system_score_codex":0.19635534,"about_ca_system_score_gemma":0.21175042,"threshold_uncertainty_score":0.9321139},"labels":[],"label_agreement":null},{"id":"W4391278200","doi":"10.1353/crc.2023.a918300","title":"From Major to Minor: Swedish Working-Class Fiction in the UK and the US","year":2023,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Minor (academic); Class (philosophy); Working class; History; Art; Political science; Philosophy; Law; Humanities; Epistemology","score_opus":0.02956142123833447,"score_gpt":0.26908976544341723,"score_spread":0.23952834420508276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391278200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3181075,0.28115872,0.00019130172,0.07562909,0.005798216,0.000044983462,0.0020785776,0.0000333695,0.31695816],"genre_scores_gemma":[0.90127367,0.056373574,0.00012704771,0.0066999476,0.000725852,0.000030196856,0.00081170216,0.000060055627,0.03389802],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971317,0.00082624715,0.00016607871,0.00026328603,0.00075983204,0.0008528702],"domain_scores_gemma":[0.99213856,0.0039147697,0.0007001821,0.0002155298,0.0019521118,0.0010789036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030040573,0.0004237605,0.00068796723,0.00853154,0.010539304,0.011067573,0.0011910734,0.0024901868,0.016313631],"category_scores_gemma":[0.015499886,0.0002646647,0.00025632346,0.014782456,0.010116694,0.0033633169,0.0041958713,0.002722756,0.0012943305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044429387,0.00008061704,0.011473548,0.0028792454,0.00007147303,0.0017404276,0.41057178,0.00009529196,0.0002756815,0.106070906,0.31190273,0.15439405],"study_design_scores_gemma":[0.00001555324,0.000032837466,0.059316225,0.0052509317,0.000043074884,0.00048423628,0.364882,0.000020072373,0.00016823165,0.0030591323,0.56668305,0.000044625616],"about_ca_topic_score_codex":0.635918,"about_ca_topic_score_gemma":0.8133404,"teacher_disagreement_score":0.635918,"about_ca_system_score_codex":0.026153823,"about_ca_system_score_gemma":0.01972785,"threshold_uncertainty_score":0.7324523},"labels":[],"label_agreement":null},{"id":"W4404922291","doi":"10.22501/jss.1475487","title":"A Community Attuned to the Outside. Reverberations of the Montreal Balcony Drone","year":2021,"lang":"en","type":"article","venue":"Journal of sonic studies","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drone; Aeronautics; History; Media studies; Sociology; Engineering","score_opus":0.07386193380630911,"score_gpt":0.29610977264288807,"score_spread":0.22224783883657895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404922291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41386846,0.008953835,0.0029640805,0.039299153,0.0014640763,0.00008596578,0.00011329058,0.00015845733,0.5330926],"genre_scores_gemma":[0.94421935,0.0009184991,0.00026662846,0.0013562185,0.00013965559,0.000015604232,0.00001374016,0.000047459034,0.05302283],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986413,0.00068363093,0.000009043562,0.00012806941,0.0002550966,0.0002827828],"domain_scores_gemma":[0.99890435,0.00029170647,0.00009698234,0.00008558058,0.00018755443,0.00043383217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010733125,0.0004384475,0.00024076061,0.00081950094,0.024744675,0.007822348,0.0007612598,0.0012450372,0.009227156],"category_scores_gemma":[0.0034315828,0.00018763563,0.00012998322,0.0009921612,0.019068154,0.0025076247,0.004494702,0.0020868776,0.00051001215],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005099836,0.000028001028,0.001992932,0.000057390094,0.000008275226,0.0013012503,0.80338275,0.0001293603,0.0010398185,0.121012025,0.038768493,0.032228723],"study_design_scores_gemma":[0.000007770474,0.000030705254,0.0044798353,0.0001507203,0.0000060166353,0.00028491212,0.4828607,0.00010101084,0.00025274043,0.0039203395,0.50787574,0.00002944156],"about_ca_topic_score_codex":0.54286534,"about_ca_topic_score_gemma":0.7447474,"teacher_disagreement_score":0.45713466,"about_ca_system_score_codex":0.011953042,"about_ca_system_score_gemma":0.009141272,"threshold_uncertainty_score":0.91965365},"labels":[],"label_agreement":null},{"id":"W4405958612","doi":"10.21608/cse.2024.317111.1182","title":"Settler Alienation in the American West: Alienation, Loneliness, and Colonial Masculinity in Ang Lee's Brokeback Mountain and Cormac McCarthy's Blood Meridian","year":2024,"lang":"en","type":"article","venue":"Cairo Studies in English","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Alienation; Loneliness; Masculinity; Meridian (astronomy); Colonialism; Sociology; Gender studies; Psychoanalysis; Psychology; History; Social psychology; Political science; Law; Archaeology","score_opus":0.024943039321725823,"score_gpt":0.28707646870720027,"score_spread":0.26213342938547446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405958612","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8660189,0.010539975,0.00025543093,0.02699402,0.00047738355,0.00003010158,0.000026630554,0.000010633997,0.09564698],"genre_scores_gemma":[0.98491526,0.004105815,0.00007374703,0.0028503253,0.00017510819,0.000020661604,0.000009710478,0.000011283769,0.0078381],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984884,0.00076988246,0.000023741813,0.00009323608,0.00023555449,0.00038921647],"domain_scores_gemma":[0.99880147,0.0005052094,0.00019889619,0.000032602453,0.000107700056,0.00035407403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014621266,0.00044085266,0.0004904449,0.0011918702,0.025216097,0.008290543,0.0009438009,0.0017170298,0.0032179137],"category_scores_gemma":[0.001585528,0.0003057757,0.00016308468,0.0012939089,0.021646768,0.004000337,0.0055679944,0.004860207,0.00016917071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008132197,0.000046067376,0.0023278883,0.00002518016,0.0000035834616,0.00055196567,0.97899264,0.0000061990936,0.000096812684,0.011453936,0.0036172809,0.0028702752],"study_design_scores_gemma":[0.000003333072,0.000017576313,0.0057830205,0.00007979989,0.0000043759496,0.00027875887,0.9506725,0.000016082362,0.000030115001,0.0010730597,0.042030375,0.000010985411],"about_ca_topic_score_codex":0.12450967,"about_ca_topic_score_gemma":0.37264937,"teacher_disagreement_score":0.12450967,"about_ca_system_score_codex":0.0058601913,"about_ca_system_score_gemma":0.0033566377,"threshold_uncertainty_score":0.24756986},"labels":[],"label_agreement":null},{"id":"W4409059728","doi":"10.1080/01956051.2025.2480532","title":"Writing Gender, Writing Violence: Will Seefried on <i>Lilies Not for Me</i>","year":2024,"lang":"en","type":"article","venue":"Journal of Popular Film and Television","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Psychology; Report writing; Computer science; Library science","score_opus":0.02849755277579788,"score_gpt":0.27584909964689686,"score_spread":0.24735154687109898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409059728","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047907155,0.042608976,0.0012392952,0.50002706,0.017593859,0.000060915605,0.000115834664,0.00015257066,0.39029434],"genre_scores_gemma":[0.47589242,0.016960844,0.0012684768,0.093510814,0.004022032,0.000098271,0.00007587808,0.00028343563,0.40788782],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990959,0.00044104247,0.00001927359,0.00008873151,0.0002050764,0.0001499643],"domain_scores_gemma":[0.9986117,0.00061733346,0.00016695708,0.00003279917,0.0002154125,0.0003558439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010947405,0.00037546168,0.00021813638,0.00049482746,0.0083217975,0.0051423986,0.00042614026,0.0017794153,0.010215205],"category_scores_gemma":[0.004267513,0.00017880226,0.00011578634,0.0004056683,0.005346483,0.0042131427,0.0016924524,0.0035462405,0.0021406675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012930159,0.000023014105,0.00063255726,0.00008358938,0.000004048378,0.00048661983,0.15380125,0.000012497073,0.00032371553,0.04481315,0.77820694,0.021599669],"study_design_scores_gemma":[0.000003813649,0.000012447494,0.00068656355,0.00021598842,0.0000024626293,0.00029874328,0.097818896,0.000020415979,0.00018099316,0.0024431632,0.8983085,0.0000079462125],"about_ca_topic_score_codex":0.019329106,"about_ca_topic_score_gemma":0.048310917,"teacher_disagreement_score":0.019329106,"about_ca_system_score_codex":0.003558077,"about_ca_system_score_gemma":0.0023617449,"threshold_uncertainty_score":0.038433194},"labels":[],"label_agreement":null},{"id":"W4410876482","doi":"10.20360/langandlit29757","title":"Beyond Plot, Character, and Theme:","year":2025,"lang":"en","type":"article","venue":"Language and Literacy","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Plot (graphics); Character (mathematics); Theme (computing); Sociology; Linguistics; History; Geography; Computer science; Philosophy; Mathematics; World Wide Web; Statistics","score_opus":0.00591560231652447,"score_gpt":0.24110492711576537,"score_spread":0.2351893247992409,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410876482","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3295001,0.01284242,0.087053716,0.0257457,0.001721972,0.000081996215,0.00006576653,0.00017497697,0.5428134],"genre_scores_gemma":[0.9874551,0.0012441977,0.0029509086,0.00046048776,0.00018934172,0.000029834386,0.00001655957,0.00007769405,0.007575926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953113,0.003610281,0.00007294153,0.00023354182,0.0005386351,0.00023324646],"domain_scores_gemma":[0.99533916,0.002974353,0.00046862088,0.00034932673,0.00045695947,0.0004116522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037120413,0.0004444511,0.00036871686,0.0016898907,0.0052283206,0.010034576,0.00080498937,0.0013690249,0.0027731603],"category_scores_gemma":[0.006848894,0.00017247401,0.00032539145,0.0012487968,0.029648332,0.0145469345,0.0046048574,0.0036049094,0.0004650191],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006693016,0.000023220133,0.002900097,0.00016052404,0.0000098662595,0.0003650739,0.36566374,0.00009952119,0.0007566578,0.60095114,0.0018498629,0.027153496],"study_design_scores_gemma":[0.0000327868,0.00016820568,0.003330198,0.0009774753,0.00003056576,0.0020405285,0.31137982,0.0011263255,0.0018739597,0.4047557,0.27424523,0.00003932139],"about_ca_topic_score_codex":0.0016122651,"about_ca_topic_score_gemma":0.002434697,"teacher_disagreement_score":0.010034576,"about_ca_system_score_codex":0.002194383,"about_ca_system_score_gemma":0.0017841452,"threshold_uncertainty_score":0.019631386},"labels":[],"label_agreement":null},{"id":"W4411686876","doi":"10.7202/1118423ar","title":"In the Shadow of Violent Men: Emancipation and Moral Autonomy in The Last of Us and The Last of Us Part II","year":2025,"lang":"en","type":"article","venue":"Loading","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Emancipation; Autonomy; Shadow (psychology); Sociology; Psychology; Social psychology; Political science; Criminology; Psychoanalysis; Law; Politics","score_opus":0.014946773477525512,"score_gpt":0.23637535475244328,"score_spread":0.22142858127491777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411686876","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6320842,0.004531851,0.0049712877,0.045485303,0.00055218674,0.000033751618,0.000030229286,0.000044344597,0.31226695],"genre_scores_gemma":[0.9918011,0.00026189373,0.0001447348,0.00090265967,0.000033880402,0.000008232404,0.000003805077,0.000013353848,0.0068304148],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944536,0.003628494,0.0000741633,0.00025236217,0.00041282226,0.0011785727],"domain_scores_gemma":[0.99741805,0.001272585,0.00039209568,0.0002068143,0.0001871154,0.00052321644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030647058,0.00034514,0.0004148234,0.0009189011,0.013053966,0.007404289,0.00082771387,0.0025556278,0.0023064504],"category_scores_gemma":[0.0043168827,0.00025641976,0.00031048025,0.0005865697,0.04697191,0.006019041,0.008349396,0.005908094,0.0002775005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023810326,0.000014180408,0.0009285064,0.000020833852,0.000004596435,0.00028121468,0.5751063,0.00006432229,0.0002189912,0.4152417,0.0025771952,0.0055183563],"study_design_scores_gemma":[0.00001168975,0.000055614233,0.0025083548,0.0002669697,0.000012132439,0.0006482524,0.6132287,0.00031347858,0.00095753575,0.10410589,0.27784368,0.000047814574],"about_ca_topic_score_codex":0.0113276625,"about_ca_topic_score_gemma":0.011679616,"teacher_disagreement_score":0.013053966,"about_ca_system_score_codex":0.0045253485,"about_ca_system_score_gemma":0.0028861922,"threshold_uncertainty_score":0.032833874},"labels":[],"label_agreement":null},{"id":"W4412579297","doi":"10.21608/qarts.2025.364920.2176","title":"Staged Representation of Indian Residential School’s Trauma in both Harrison’s Stolen and Loring’s Where the Blood Mixes","year":2025,"lang":"ar","type":"article","venue":"مجلة کلية الآداب بقنا","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Sociology; History; Law; Political science","score_opus":0.013740807882979045,"score_gpt":0.25975462748899736,"score_spread":0.2460138196060183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412579297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90670836,0.0011159866,0.0012752664,0.0066104103,0.00032841676,0.000054754688,0.000082585386,0.000080113845,0.083744235],"genre_scores_gemma":[0.99257576,0.00047369458,0.00027384312,0.00033755886,0.00003369347,0.00001613581,0.0000144319965,0.000026568461,0.006248364],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99737275,0.001254404,0.000048133246,0.00013933184,0.0004566176,0.0007288306],"domain_scores_gemma":[0.9980946,0.0005643231,0.00031905106,0.00017192321,0.00025341785,0.0005966044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015860022,0.00054582657,0.00042968354,0.0017158638,0.01869167,0.008083974,0.0015653766,0.0018287776,0.0059882496],"category_scores_gemma":[0.0036262241,0.00047396068,0.00046898838,0.0017733333,0.021809114,0.0031542836,0.010813393,0.00518735,0.0005400435],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021890017,0.00001892996,0.0018953701,0.00004726526,0.0000049361793,0.0013191365,0.9789548,0.00006733565,0.0005561817,0.011894305,0.0019252609,0.003294577],"study_design_scores_gemma":[0.000001527397,0.00001772808,0.004073929,0.000078073506,0.000005601369,0.0006520064,0.9711071,0.00004922987,0.00020388914,0.00076420745,0.023026772,0.00001988636],"about_ca_topic_score_codex":0.091940194,"about_ca_topic_score_gemma":0.20243247,"teacher_disagreement_score":0.90805984,"about_ca_system_score_codex":0.011350204,"about_ca_system_score_gemma":0.008087478,"threshold_uncertainty_score":0.18281007},"labels":[],"label_agreement":null},{"id":"W4416380642","doi":"10.1017/9781108641784.004","title":"Law’s Flawed Theory and Its McCarthy Era Origins","year":2025,"lang":"","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Skepticism; Harm; Variety (cybernetics); Key (lock); Jurisprudence","score_opus":0.0169228898867859,"score_gpt":0.1968508049002304,"score_spread":0.17992791501344452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416380642","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010616849,0.036762506,0.03169375,0.2506093,0.002889626,0.00004793099,0.00014428864,0.00017850878,0.66705716],"genre_scores_gemma":[0.81287897,0.03000043,0.0152533185,0.04266965,0.005590134,0.0002949339,0.000108796165,0.00038455008,0.09281921],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956534,0.0016943975,0.00014455258,0.00053408026,0.0016304778,0.00034308273],"domain_scores_gemma":[0.9904179,0.0067679314,0.0003798198,0.001024944,0.0011318905,0.00027749254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0064026015,0.00062636787,0.00070624705,0.0033694664,0.004259333,0.009778153,0.0023650527,0.0049033924,0.005738408],"category_scores_gemma":[0.011685413,0.00045036516,0.0005260913,0.0025309862,0.06300095,0.0134298345,0.0032601368,0.010390687,0.0011598875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010824004,0.0000033132226,0.000019435116,0.000013485556,9.718642e-7,0.0000115195935,0.00055176107,0.00003386769,0.000008237332,0.9944013,0.0032879643,0.0016671343],"study_design_scores_gemma":[0.00000415808,0.0000044763447,0.000092940936,0.0001059569,0.0000021013207,0.000036731606,0.00043084242,0.00014727967,0.000037461432,0.9262524,0.07287981,0.0000056872223],"about_ca_topic_score_codex":0.013112975,"about_ca_topic_score_gemma":0.011155685,"teacher_disagreement_score":0.013112975,"about_ca_system_score_codex":0.01044307,"about_ca_system_score_gemma":0.0062605925,"threshold_uncertainty_score":0.0757702},"labels":[],"label_agreement":null},{"id":"W6893698309","doi":"10.5281/zenodo.4033359","title":"{{Telecharger}} After – Chapitre 2 [2020] Film Complet en ligne Streaming VF Gratuit","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HERO; Suite; Ligne; Patron saint","score_opus":0.0248572444458849,"score_gpt":0.22207320241672204,"score_spread":0.19721595797083713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893698309","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00063321623,0.0003892785,0.0007760074,0.0016008307,0.002513243,0.00012202298,0.0029804637,0.0015149663,0.98947],"genre_scores_gemma":[0.0038835274,0.000421439,0.0006640784,0.0006504566,0.0003903173,0.00006194811,0.0019643211,0.0020981203,0.98986584],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960405,0.00004120418,0.000013237618,0.000058537145,0.00020599004,0.0000769755],"domain_scores_gemma":[0.99902046,0.000096985474,0.000033098877,0.00014935667,0.00048606267,0.00021401704],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031775224,0.00053956604,0.00028915674,0.0008934163,0.0027909544,0.0039108,0.0007366156,0.001237645,0.7651799],"category_scores_gemma":[0.0019001205,0.0003879167,0.00034579786,0.0009904654,0.000589561,0.0041880566,0.0020138198,0.0022137149,0.48293844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015473042,0.0000071338372,0.000067147696,0.00007531792,0.0000014193628,0.000056648096,0.0002031721,0.000022270451,0.000651917,0.004267321,0.9798338,0.014798392],"study_design_scores_gemma":[0.0000016788592,0.0000027304632,0.0002338034,0.00003921832,5.5391206e-7,0.00002183526,0.00010934938,0.000013538582,0.000192113,0.00018849155,0.99919325,0.0000034059224],"about_ca_topic_score_codex":0.02279845,"about_ca_topic_score_gemma":0.07048594,"teacher_disagreement_score":0.23482013,"about_ca_system_score_codex":0.001978017,"about_ca_system_score_gemma":0.0013317474,"threshold_uncertainty_score":0.3349424},"labels":[],"label_agreement":null},{"id":"W6912639371","doi":"10.5281/zenodo.4147151","title":"RegardeR*]] Antrum (2020) — Film Complet Streaming VF xue","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Cineradiography; Keratocyst; Antrum","score_opus":0.03947374694680296,"score_gpt":0.23188341992765624,"score_spread":0.19240967298085326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912639371","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005564044,0.00026425545,0.001064854,0.0008134604,0.0016396254,0.00016976062,0.006902117,0.008984865,0.9796046],"genre_scores_gemma":[0.0027379121,0.00030292314,0.0009974652,0.00046509894,0.0003127447,0.00008704507,0.00494965,0.006106481,0.9840406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997508,0.000017138069,0.000008605415,0.000040921164,0.00011743856,0.00006514609],"domain_scores_gemma":[0.9990004,0.000079679,0.00002836943,0.00011050196,0.00042516764,0.00035593065],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030199953,0.0009870563,0.00041022312,0.000981862,0.0014620494,0.0040524765,0.0010782429,0.001254518,0.9098238],"category_scores_gemma":[0.0019090916,0.00051210605,0.00057157606,0.0008467158,0.00025221246,0.0036493212,0.0022746518,0.0013261474,0.8235819],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022944065,0.000007636291,0.000040483796,0.00005768726,9.338515e-7,0.000024346295,0.0000483972,0.000010393985,0.00025767507,0.00046848578,0.9829401,0.016121035],"study_design_scores_gemma":[0.000009755466,0.000009707717,0.00033201434,0.000042202315,0.0000017274768,0.000053817672,0.00008375254,0.0000418246,0.00028838782,0.00016423914,0.9989656,0.0000069829234],"about_ca_topic_score_codex":0.0065000127,"about_ca_topic_score_gemma":0.018291011,"teacher_disagreement_score":0.090176225,"about_ca_system_score_codex":0.0007022463,"about_ca_system_score_gemma":0.00049687707,"threshold_uncertainty_score":0.12862533},"labels":[],"label_agreement":null},{"id":"W6923318789","doi":"10.1371/journal.pone.0072510.g006","title":"Ice coverage on Lake Erie, winter 2008.","year":2015,"lang":"en","type":"other","venue":"Figshare","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sea ice; Cryosphere; Clearance; Iceberg; Arctic ice pack; Antarctic sea ice; Ice sheet","score_opus":0.04236625441015328,"score_gpt":0.24221070874352812,"score_spread":0.19984445433337483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923318789","genre_codex":"dataset","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0072759488,0.003587473,0.00026011482,0.001242466,0.0006707672,0.000073153635,0.66634476,0.0008832302,0.3196621],"genre_scores_gemma":[0.03899022,0.0047819265,0.0017092113,0.00052681816,0.00015148753,0.00020810812,0.3973636,0.0009654544,0.55530316],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998734,0.000008599802,0.000007966421,0.00002596774,0.000043208653,0.000040780043],"domain_scores_gemma":[0.9996506,0.000016460392,0.000026175083,0.000019634861,0.00024364112,0.00004334759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022697,0.0005031991,0.00032462305,0.0018352475,0.0010949486,0.0010255137,0.00046531484,0.0002611502,0.14959054],"category_scores_gemma":[0.0007282142,0.00025596688,0.00016704063,0.0038190973,0.00018937927,0.0005955098,0.0007470157,0.00034748175,0.043506604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004331233,0.0000031704378,0.0011176321,0.00022071463,0.000004771684,0.000040884675,0.00025853617,0.000052095038,0.00015084365,0.00045372668,0.9832319,0.014422419],"study_design_scores_gemma":[0.0000058587884,0.0000027398276,0.024776855,0.00013409604,0.0000039716942,0.0000228808,0.00050234894,0.000017728882,0.000084239895,0.00005609393,0.9743878,0.0000052853275],"about_ca_topic_score_codex":0.5480945,"about_ca_topic_score_gemma":0.83106387,"teacher_disagreement_score":0.4519055,"about_ca_system_score_codex":0.0022045276,"about_ca_system_score_gemma":0.0032731115,"threshold_uncertainty_score":0.9091337},"labels":[],"label_agreement":null},{"id":"W6923401028","doi":"10.14288/1.0431198","title":"A humanities-based pedagogy of death : apocalyptic prose as public reimbursement collapse competency","year":2023,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Grief; Relation (database); Reimbursement; Process (computing); Work (physics); Poetry","score_opus":0.02768655816785749,"score_gpt":0.21597569820725285,"score_spread":0.18828914003939537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923401028","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045004245,0.0122729605,0.05085277,0.22292416,0.0046005817,0.00014376927,0.0000751088,0.00023250599,0.66389394],"genre_scores_gemma":[0.9234811,0.003976252,0.0062664514,0.015309339,0.0011329263,0.00019968924,0.00002968328,0.00015049189,0.04945408],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9923964,0.005996813,0.00010130935,0.00035034106,0.0006742974,0.00048076248],"domain_scores_gemma":[0.99089277,0.006945047,0.0005056852,0.0006184367,0.00043823986,0.00059983664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008908983,0.000797954,0.0005324822,0.0016178279,0.012470218,0.011904417,0.0015141561,0.0044590966,0.0068074963],"category_scores_gemma":[0.014233582,0.00026416607,0.00045989736,0.000931442,0.079703145,0.01231996,0.007876629,0.011929042,0.0012289335],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000662862,0.000016405587,0.0000570257,0.000029327564,0.0000010852405,0.000073314615,0.032846507,0.000098024524,0.00004330532,0.9589079,0.004755948,0.003164447],"study_design_scores_gemma":[0.000019030247,0.000046066445,0.00015755242,0.00030706977,0.0000038533826,0.00028434314,0.043123115,0.00061096664,0.0003818771,0.5845519,0.37049425,0.00002013592],"about_ca_topic_score_codex":0.0024542194,"about_ca_topic_score_gemma":0.0025094396,"teacher_disagreement_score":0.012470218,"about_ca_system_score_codex":0.008362711,"about_ca_system_score_gemma":0.006594106,"threshold_uncertainty_score":0.06067598},"labels":[],"label_agreement":null},{"id":"W6949674046","doi":"10.5281/zenodo.4156208","title":"[!REGARDER!]~VF Antrum (2020) Film Complet Streaming VF En Francais dra","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cineradiography; Indignation; Filter (signal processing)","score_opus":0.028916349855121013,"score_gpt":0.228467017271526,"score_spread":0.19955066741640498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949674046","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014711506,0.00060984126,0.00077170855,0.001703367,0.002102087,0.00019518092,0.01129445,0.004207656,0.97764444],"genre_scores_gemma":[0.0048642764,0.0005776884,0.0008439666,0.0004818511,0.00023301686,0.000058893085,0.005379854,0.002055789,0.9855047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997558,0.000018126859,0.000008512985,0.0000392122,0.00011183274,0.00006665272],"domain_scores_gemma":[0.9989851,0.00005114183,0.000025357538,0.000080220794,0.0005186569,0.00033952287],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032873653,0.00070330757,0.00024488778,0.00095570553,0.0020271258,0.0036317706,0.0007450294,0.0009159654,0.80905503],"category_scores_gemma":[0.0014048156,0.0003716702,0.00033552153,0.0010461292,0.00025679066,0.0029299746,0.0014996299,0.001251076,0.59478134],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020513029,0.000008468293,0.000102905906,0.00005511299,0.0000011459484,0.0000404195,0.00010574062,0.000010441859,0.00040084083,0.00065512117,0.97829926,0.02030003],"study_design_scores_gemma":[0.000004447394,0.0000061866076,0.00064290717,0.00004553506,0.0000012375883,0.000051576484,0.00018019603,0.000022956176,0.00017406816,0.00005832299,0.9988072,0.0000053375397],"about_ca_topic_score_codex":0.047060348,"about_ca_topic_score_gemma":0.11692099,"teacher_disagreement_score":0.19094497,"about_ca_system_score_codex":0.0013351255,"about_ca_system_score_gemma":0.00094566186,"threshold_uncertainty_score":0.27235985},"labels":[],"label_agreement":null},{"id":"W6968764312","doi":"10.5281/zenodo.4171051","title":"[KINO..!] Monster Hunter (2020) Ganzer FILM Deutsch (online Kostenlos) yrp","year":2020,"lang":"de","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Volunteer work; Pejorative","score_opus":0.042180216507840526,"score_gpt":0.23587053711971803,"score_spread":0.19369032061187752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968764312","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00055094395,0.00073267205,0.0004457943,0.0013985685,0.0018546956,0.000091103975,0.002815887,0.00193818,0.9901721],"genre_scores_gemma":[0.0018591312,0.00049484486,0.00030277716,0.00038398267,0.00016362648,0.00002958264,0.0011424408,0.0007592829,0.9948643],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998399,0.000013192315,0.0000053016706,0.00003191598,0.00007075241,0.000038935967],"domain_scores_gemma":[0.99956924,0.000028397713,0.00001880511,0.000042086576,0.0001743399,0.00016711654],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023117934,0.00066893373,0.00032862122,0.00086381566,0.0016820304,0.004274704,0.00071029324,0.00090126,0.8742026],"category_scores_gemma":[0.0011829191,0.00044187103,0.00030166685,0.00085041375,0.00028132694,0.0036298404,0.0024082346,0.00119611,0.74267775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013679203,0.000005280134,0.000038034916,0.000041353298,9.4023994e-7,0.000028585866,0.00007754854,0.000005431413,0.000114985254,0.0007823398,0.97775286,0.021139018],"study_design_scores_gemma":[0.0000027023775,0.0000028910113,0.00020526613,0.000030508107,7.217602e-7,0.000036610985,0.0001006868,0.000009800603,0.000047197296,0.00008132857,0.9994796,0.0000027104406],"about_ca_topic_score_codex":0.008040582,"about_ca_topic_score_gemma":0.020735962,"teacher_disagreement_score":0.12579739,"about_ca_system_score_codex":0.0007124039,"about_ca_system_score_gemma":0.0004535286,"threshold_uncertainty_score":0.17943466},"labels":[],"label_agreement":null},{"id":"W6968823968","doi":"10.5281/zenodo.4148598","title":"Regarder] Antrum (2020) Streaming Vf En Film Complet Vostfr cxk","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Keratocyst; Cineradiography; Video recording","score_opus":0.03317031907910865,"score_gpt":0.23094534085860804,"score_spread":0.1977750217794994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968823968","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010021013,0.0003629478,0.00084795,0.0013185192,0.0016859985,0.00018953993,0.006872674,0.0045704795,0.9831498],"genre_scores_gemma":[0.0059633628,0.0004681119,0.0011947119,0.0005939179,0.00042044657,0.0000944789,0.005250042,0.0037873301,0.9822276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979883,0.000018677192,0.000006463892,0.00002948676,0.00008787436,0.000058750586],"domain_scores_gemma":[0.9994642,0.000044241915,0.000017641285,0.000060570743,0.00022183554,0.00019145626],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028027108,0.0006292045,0.0002487193,0.00075370504,0.0016896961,0.003344512,0.0007967223,0.0010848101,0.78422827],"category_scores_gemma":[0.0013447419,0.00039673081,0.00035457627,0.0007343587,0.0002465293,0.0028555903,0.0020588092,0.0014168405,0.56461364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027233069,0.0000074511304,0.00005839545,0.00005687487,8.0773526e-7,0.00005541248,0.00015671116,0.00000888012,0.00046858407,0.0009702137,0.978733,0.019456316],"study_design_scores_gemma":[0.000005708237,0.0000067775227,0.00049037696,0.00004060894,8.383434e-7,0.00006327285,0.00014848412,0.000022594606,0.00020318145,0.00011665127,0.9988967,0.0000048301104],"about_ca_topic_score_codex":0.010734018,"about_ca_topic_score_gemma":0.037139725,"teacher_disagreement_score":0.21577173,"about_ca_system_score_codex":0.0007995489,"about_ca_system_score_gemma":0.0005554826,"threshold_uncertainty_score":0.30777216},"labels":[],"label_agreement":null},{"id":"W6968839921","doi":"10.5281/zenodo.4165286","title":"[!REGARDER!]~VF Antrum (2020) Film Complet Streaming VF En Francais fzg","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cineradiography; Video recording; Entertainment; Keratocyst","score_opus":0.0301854708946221,"score_gpt":0.2292009961674567,"score_spread":0.19901552527283461,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968839921","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014244358,0.00060023455,0.00055609934,0.0020274266,0.0021706158,0.00014455743,0.007617217,0.0030173904,0.98244196],"genre_scores_gemma":[0.00465262,0.0005404864,0.00059739675,0.00046642948,0.00022515254,0.000037215545,0.0034132765,0.0015086893,0.98855877],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975926,0.000016724229,0.000007104246,0.000034924364,0.00011377607,0.000068138645],"domain_scores_gemma":[0.99916923,0.00003890417,0.000021989057,0.000065404114,0.00042670968,0.00027780014],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033327242,0.0006341841,0.00021046505,0.00087402907,0.0019504823,0.0035749462,0.0006580123,0.00089057756,0.7759362],"category_scores_gemma":[0.0012317934,0.0003355777,0.00031961195,0.0010121284,0.00026095434,0.0027555618,0.0014045661,0.0012926734,0.54629153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016465556,0.0000071394825,0.00009456433,0.00004436979,9.722543e-7,0.000038371873,0.000103572056,0.000008853308,0.00041043863,0.0008141242,0.9793204,0.01914076],"study_design_scores_gemma":[0.000003520319,0.000005291463,0.0005869852,0.000034845147,9.59568e-7,0.00004354796,0.00017136945,0.00001631607,0.0001562445,0.000053287327,0.99892324,0.0000044021535],"about_ca_topic_score_codex":0.051276352,"about_ca_topic_score_gemma":0.12401761,"teacher_disagreement_score":0.22406381,"about_ca_system_score_codex":0.0013706452,"about_ca_system_score_gemma":0.00097648194,"threshold_uncertainty_score":0.3195998},"labels":[],"label_agreement":null},{"id":"W6968897336","doi":"10.5281/zenodo.4135333","title":"!Regarder~4kHD Antrum (2020) Film-complet ligena mp4 grauits [1080p] mkh","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Cineradiography; Keratocyst; Antrum","score_opus":0.04334016546517518,"score_gpt":0.2315970282611008,"score_spread":0.1882568627959256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968897336","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012280137,0.000541074,0.0028232126,0.0013311898,0.0019616773,0.000327751,0.011565286,0.017214067,0.9630077],"genre_scores_gemma":[0.004696081,0.00052349013,0.0020691608,0.0005073178,0.00032007054,0.00014146039,0.0072170603,0.006835283,0.97769004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999788,0.000016248869,0.0000067517512,0.000034838176,0.000102141814,0.00005206307],"domain_scores_gemma":[0.99926895,0.000059673497,0.00002142503,0.00008575481,0.00028811165,0.00027599273],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030692265,0.0008795358,0.0003489725,0.00094039715,0.0013855881,0.0034571965,0.0009566338,0.001061673,0.85484374],"category_scores_gemma":[0.0014500908,0.0005450472,0.00042789447,0.00074621313,0.00025176464,0.003497612,0.0020795066,0.0013195995,0.71654546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038162638,0.000010576512,0.00006394502,0.000089573696,0.0000017310791,0.00004393976,0.00007403638,0.000017534794,0.0007338412,0.00081268215,0.97535783,0.02275602],"study_design_scores_gemma":[0.000010545507,0.000011262242,0.000418581,0.000048292295,0.0000026849336,0.000075461816,0.00009494334,0.00007981151,0.0005017918,0.00016368466,0.99858546,0.0000075524063],"about_ca_topic_score_codex":0.006834078,"about_ca_topic_score_gemma":0.019336697,"teacher_disagreement_score":0.14515626,"about_ca_system_score_codex":0.00069117977,"about_ca_system_score_gemma":0.00048071996,"threshold_uncertainty_score":0.2070477},"labels":[],"label_agreement":null},{"id":"W7017843322","doi":"","title":"The Changing Seasons: Drought, Fire, Plague, and a Penguin","year":2002,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ectotherm; Government (linguistics); Work (physics); Context (archaeology)","score_opus":0.02026493199708526,"score_gpt":0.16568185289698678,"score_spread":0.14541692089990152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017843322","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038380306,0.3615962,0.0008070147,0.26065663,0.24365546,0.00008718119,0.0012991925,0.00031650564,0.09320154],"genre_scores_gemma":[0.2975645,0.2500691,0.0016108397,0.079994544,0.2345695,0.00008643609,0.00087438495,0.00024501144,0.13498567],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996737,0.0001397668,0.00004113747,0.00003818436,0.0000593454,0.000047860587],"domain_scores_gemma":[0.99917895,0.0003088413,0.000107173335,0.000030831645,0.00013280743,0.00024137447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070348725,0.00059238914,0.00025980666,0.0015602792,0.001741249,0.002685504,0.00041149746,0.0012746922,0.0075331004],"category_scores_gemma":[0.0018756114,0.00027498454,0.00024853676,0.0015083884,0.0010653381,0.002103481,0.0014083526,0.002090039,0.0009185913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014614107,0.000051725085,0.0156272,0.001160758,0.000051411913,0.0018412147,0.013444934,0.00010459063,0.00060491986,0.0038228065,0.80585724,0.15728708],"study_design_scores_gemma":[0.000008423172,0.00006809694,0.031281777,0.0005520586,0.000029547104,0.00076859706,0.016214535,0.000043485015,0.00007533074,0.0008283798,0.9501065,0.00002325584],"about_ca_topic_score_codex":0.023150455,"about_ca_topic_score_gemma":0.097414985,"teacher_disagreement_score":0.023150455,"about_ca_system_score_codex":0.00095687946,"about_ca_system_score_gemma":0.00079384935,"threshold_uncertainty_score":0.046031415},"labels":[],"label_agreement":null},{"id":"W7029507464","doi":"","title":"Jezmund and the Family Berzerkers Live at Brian Boru on 2011-11-25","year":2011,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Torture; Face (sociological concept); Hook; Quarter (Canadian coin); Shot (pellet); Sky","score_opus":0.008382016736212248,"score_gpt":0.1680734295720709,"score_spread":0.15969141283585864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029507464","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015125854,0.017376134,0.00019402875,0.038033783,0.005160285,0.000042646978,0.0012000109,0.00031729788,0.9225499],"genre_scores_gemma":[0.00996772,0.0013619886,0.00006200958,0.000848147,0.00006637498,0.000007935538,0.00010034546,0.000047662747,0.98753786],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999783,0.000037985275,0.0000042945594,0.000026764874,0.000062505045,0.000085494175],"domain_scores_gemma":[0.99974924,0.000029191964,0.000016661084,0.0000139523045,0.00008483117,0.000106119805],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040320487,0.0003843408,0.0002832564,0.00055348774,0.008261141,0.0024282443,0.00040375974,0.0011418223,0.32212037],"category_scores_gemma":[0.001061357,0.00021480846,0.00009573271,0.0006160849,0.00066074845,0.0014883562,0.0025568802,0.0013528372,0.087677136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003226091,0.000013098999,0.00057586725,0.0000499189,0.0000018575603,0.00034153255,0.0021251042,0.000011619234,0.00013919969,0.0038981372,0.95852125,0.034290176],"study_design_scores_gemma":[6.789489e-7,0.00000368747,0.00059333426,0.000035441448,4.617783e-7,0.00004958072,0.0025575084,0.0000022693982,0.00003907128,0.000116316034,0.9966,0.0000018201073],"about_ca_topic_score_codex":0.013138955,"about_ca_topic_score_gemma":0.09003913,"teacher_disagreement_score":0.67787963,"about_ca_system_score_codex":0.0012207429,"about_ca_system_score_gemma":0.001114316,"threshold_uncertainty_score":0.96691304},"labels":[],"label_agreement":null},{"id":"W7034608259","doi":"","title":"User guide for MOTAN (Gedap Version)","year":2000,"lang":"en","type":"report","venue":"NPARC","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.0354065407502166,"score_gpt":0.27944079542686234,"score_spread":0.24403425467664575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034608259","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016112408,0.0002824599,0.020849345,0.0020346162,0.0017341273,0.001971022,0.291918,0.06822612,0.611373],"genre_scores_gemma":[0.005340388,0.00044606594,0.04073842,0.0006610262,0.00032695298,0.003281821,0.16043706,0.025265103,0.76350313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979019,0.00049860723,0.00018214862,0.00017433566,0.0010236147,0.00021933235],"domain_scores_gemma":[0.9819349,0.0037179105,0.00030084045,0.002701642,0.010544508,0.00080026896],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003488468,0.0012848122,0.0013950067,0.006705575,0.0015868336,0.0034220777,0.0027283914,0.0010448985,0.8220089],"category_scores_gemma":[0.021284133,0.0012858326,0.0010809185,0.0064371936,0.0004317027,0.0040375562,0.0030104292,0.0015363963,0.7739121],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026287913,0.000016873353,0.000082705534,0.0001440608,0.0000027262688,0.000009948559,0.000046079782,0.000050692546,0.00009115404,0.00046845782,0.9645966,0.034464315],"study_design_scores_gemma":[0.00005868483,0.000018836283,0.0013293836,0.00021548389,0.000010434256,0.00005540368,0.00018234625,0.00043906114,0.00050923385,0.0025398505,0.99460804,0.000033187272],"about_ca_topic_score_codex":0.0075564575,"about_ca_topic_score_gemma":0.02219501,"teacher_disagreement_score":0.8220089,"about_ca_system_score_codex":0.0011991754,"about_ca_system_score_gemma":0.0038961489,"threshold_uncertainty_score":0.2538827},"labels":[],"label_agreement":null},{"id":"W7040416202","doi":"","title":"La bête lumineuse","year":2013,"lang":"fr","type":"other","venue":"","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Donkey; Alcohol intake; Poison control","score_opus":0.00876226221421217,"score_gpt":0.20342728036981542,"score_spread":0.19466501815560325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040416202","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041035235,0.0041258787,0.00046549947,0.0045455773,0.00040746387,0.000016454009,0.00010389817,0.00003904573,0.9492609],"genre_scores_gemma":[0.38357258,0.0038314168,0.00042305115,0.0016326392,0.00014553635,0.000021623795,0.000081161386,0.000052452528,0.6102395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994266,0.00011432872,0.000009869545,0.0000798702,0.0001678883,0.00020152458],"domain_scores_gemma":[0.99972814,0.000047997033,0.000041500825,0.00003923408,0.000068604095,0.00007454742],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005020665,0.00038776858,0.00020644866,0.0009562739,0.012546113,0.005044962,0.0003702982,0.0011166092,0.027430782],"category_scores_gemma":[0.0012280652,0.0001850051,0.00016126139,0.0011679122,0.0087835165,0.0019058354,0.003577898,0.0023447268,0.0033857585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006103164,0.000032424512,0.0033478863,0.00016204636,0.000010990143,0.0007850658,0.17915238,0.00007701236,0.0016309705,0.6517836,0.07319419,0.08976238],"study_design_scores_gemma":[0.0000029204432,0.00000922741,0.0034373582,0.00013468886,0.0000029867358,0.00019819612,0.01637587,0.00001226628,0.0002037902,0.003692098,0.9759237,0.0000068515483],"about_ca_topic_score_codex":0.16954981,"about_ca_topic_score_gemma":0.42887297,"teacher_disagreement_score":0.9725692,"about_ca_system_score_codex":0.0052930377,"about_ca_system_score_gemma":0.006559528,"threshold_uncertainty_score":0.33712584},"labels":[],"label_agreement":null},{"id":"W7041949747","doi":"","title":"EcoGothic","year":2013,"lang":"en","type":"book","venue":"ResearchSPAce (Bath Spa University)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecocriticism; Natural (archaeology); Object (grammar)","score_opus":0.029327009529436086,"score_gpt":0.19066961131555962,"score_spread":0.16134260178612353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041949747","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013193734,0.0035346872,0.00035298243,0.0012348859,0.0009668911,0.000019378353,0.000053612,0.00006283498,0.99245524],"genre_scores_gemma":[0.01663692,0.0034945172,0.0004606722,0.0013364876,0.00027942113,0.000033250835,0.00008479586,0.00011612879,0.97755766],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996941,0.000050924034,0.00000797327,0.000043572756,0.00014468207,0.00005881607],"domain_scores_gemma":[0.9998628,0.000025822379,0.000007820588,0.000029398849,0.000047333382,0.000026783227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001869955,0.00043936833,0.00020444802,0.0015362354,0.003161248,0.004851633,0.000568739,0.0012522993,0.079691425],"category_scores_gemma":[0.0005760907,0.00017938868,0.00023723369,0.0013447489,0.0025690577,0.0021330784,0.0027005814,0.0019504888,0.018354893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027162081,0.00003904207,0.00039202216,0.00028927426,0.0000042128004,0.00047737677,0.0073246304,0.000121200756,0.0012938763,0.52763605,0.33868235,0.12371274],"study_design_scores_gemma":[7.1812605e-7,0.0000032015132,0.00015994284,0.00007197984,5.75135e-7,0.00010243529,0.00041719366,0.000009520055,0.000061715175,0.002129939,0.9970414,0.0000013864013],"about_ca_topic_score_codex":0.0040867324,"about_ca_topic_score_gemma":0.01458212,"teacher_disagreement_score":0.079691425,"about_ca_system_score_codex":0.001947999,"about_ca_system_score_gemma":0.0012626234,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7113908610","doi":"10.7202/1119229ar","title":"Épilogue : désaffecté","year":2017,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frith; Order (exchange); Mythology","score_opus":0.14751896331918452,"score_gpt":0.4008913594705477,"score_spread":0.2533723961513632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113908610","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022416236,0.0077426783,0.0032362833,0.027534628,0.08216007,0.00035178367,0.0054764575,0.0012369738,0.8700195],"genre_scores_gemma":[0.025593271,0.0051512574,0.0015594955,0.014068365,0.018089738,0.00044889248,0.002873071,0.001756211,0.93045974],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931955,0.0002734032,0.00003461604,0.0000896213,0.00020827801,0.00007456116],"domain_scores_gemma":[0.9982426,0.00081979576,0.00006931512,0.00014723746,0.00057317707,0.00014782416],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00068492454,0.0008909523,0.0004289747,0.0020305957,0.0026958496,0.004093904,0.00068569387,0.0016964233,0.32718763],"category_scores_gemma":[0.0065458203,0.00025793214,0.00030118955,0.0015353675,0.0015515073,0.004477884,0.0026142732,0.0028445362,0.10145692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005950651,0.000012366465,0.00008887854,0.00025400575,0.0000013104554,0.00024302851,0.0020191914,0.000024223958,0.000334925,0.016169924,0.9481234,0.032669354],"study_design_scores_gemma":[0.0000013908614,0.0000037622083,0.00008346565,0.000055668454,4.3128932e-7,0.00008939379,0.00024374115,0.0000068316,0.000052850133,0.0004601756,0.999,0.0000022826023],"about_ca_topic_score_codex":0.003913667,"about_ca_topic_score_gemma":0.0055406424,"teacher_disagreement_score":0.32718763,"about_ca_system_score_codex":0.0018026979,"about_ca_system_score_gemma":0.0013211482,"threshold_uncertainty_score":0.9596852},"labels":[],"label_agreement":null},{"id":"W7116051422","doi":"10.5287/ora-2rr7v6q90","title":"Rebuilding fictions: Violence and the aesthetic in Cormac McCarthy, Michael Ondaatje, Toni Morrison, and Philip Roth","year":2015,"lang":"","type":"dissertation","venue":"Oxford University Research Archive (ORA) (University of Oxford)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Criticism; Period (music); Literary criticism; Spanish Civil War; Metafiction","score_opus":0.02478051870095789,"score_gpt":0.26231118519895136,"score_spread":0.23753066649799348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116051422","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08317035,0.05038212,0.0065231277,0.24640377,0.008289976,0.00006423867,0.00008364291,0.00033952322,0.60474324],"genre_scores_gemma":[0.8847412,0.006432661,0.00215473,0.014290827,0.0016434389,0.00007323954,0.00003849072,0.00036413924,0.090261295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99610907,0.0024589724,0.000051501556,0.00031408726,0.00069036166,0.0003760043],"domain_scores_gemma":[0.99363375,0.0044021993,0.00044138142,0.00048272402,0.0005983914,0.00044155552],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003479512,0.0009924982,0.0005599302,0.0018705985,0.018703336,0.012015527,0.00195588,0.004596363,0.004813657],"category_scores_gemma":[0.010749391,0.00039596966,0.0003639294,0.0013285966,0.056657422,0.0070508076,0.0047794594,0.0077901906,0.0006666289],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003563306,0.000015000984,0.00023071271,0.00012064641,0.000007283331,0.0012161412,0.24483347,0.00021169885,0.00021300101,0.61680377,0.12349652,0.012816145],"study_design_scores_gemma":[0.000010969335,0.000021634214,0.00043957608,0.00032530865,0.000008286875,0.0012491953,0.070824325,0.0002576867,0.00043741867,0.03954109,0.8868473,0.000037086524],"about_ca_topic_score_codex":0.03119255,"about_ca_topic_score_gemma":0.05301375,"teacher_disagreement_score":0.03119255,"about_ca_system_score_codex":0.013384536,"about_ca_system_score_gemma":0.0033065358,"threshold_uncertainty_score":0.09711206},"labels":[],"label_agreement":null},{"id":"W7133031146","doi":"","title":"The Persistence of Property-owning Personhood in Nineteenth-century U.S. Literature (1845-1913)","year":2020,"lang":"","type":"dissertation","venue":"TSpace","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Johns Hopkins University","keywords":"Opposition (politics); Capitalism; Personhood; Politics; Transcendental number; Property (philosophy); Autonomy; Political philosophy","score_opus":0.025920477018288642,"score_gpt":0.26954599769183124,"score_spread":0.2436255206735426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133031146","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49856147,0.061778743,0.002133536,0.047674175,0.0015850693,0.000029651199,0.00017407468,0.000048648024,0.38801464],"genre_scores_gemma":[0.98335576,0.00607351,0.00019759635,0.0022803657,0.0002154382,0.000014574491,0.000024862316,0.000019437648,0.007818376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9985997,0.0007098701,0.000045378918,0.00018194913,0.00016410745,0.00029896354],"domain_scores_gemma":[0.99905306,0.00055502565,0.000105741026,0.00005339819,0.00012791577,0.000104809435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024084558,0.00035534985,0.0003805342,0.0019905213,0.0166323,0.0052435677,0.00056058145,0.0019661495,0.0034490267],"category_scores_gemma":[0.0016474741,0.000247083,0.00018355253,0.0028993108,0.03191147,0.006628231,0.0030668965,0.0046610483,0.00030808244],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003587986,0.000019490397,0.0009479803,0.000047293714,0.0000035892404,0.0002218252,0.34700096,0.000060820345,0.00009659611,0.6328986,0.0070056687,0.011661297],"study_design_scores_gemma":[0.000018344223,0.00008567631,0.008133426,0.00081812544,0.000012872808,0.0005036168,0.17007746,0.00020443695,0.00046494612,0.08491079,0.7347221,0.0000483263],"about_ca_topic_score_codex":0.049846806,"about_ca_topic_score_gemma":0.06396995,"teacher_disagreement_score":0.049846806,"about_ca_system_score_codex":0.013662388,"about_ca_system_score_gemma":0.003493647,"threshold_uncertainty_score":0.09912807},"labels":[],"label_agreement":null},{"id":"W7135645116","doi":"","title":"McCarthyism - phenomenon of American history. Contribution to history of Cold war","year":2008,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Cold war; Phenomenon; Spanish Civil War; American history","score_opus":0.010247988265228066,"score_gpt":0.2159879009138512,"score_spread":0.20573991264862312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135645116","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0476258,0.21968682,0.00040478603,0.08891534,0.001831673,0.000018432453,0.000113224094,0.000025424295,0.64137846],"genre_scores_gemma":[0.88975674,0.056021225,0.00025099766,0.007827159,0.0022900067,0.00003832862,0.000048638627,0.000028936953,0.043737967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998928,0.0005499697,0.000029473556,0.0001299051,0.00015228243,0.00021021288],"domain_scores_gemma":[0.9986304,0.0007342485,0.0002266349,0.00010489386,0.00012882848,0.0001750419],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010177032,0.00042609777,0.00021829244,0.0030410618,0.009287868,0.0063006254,0.0005943793,0.0020513097,0.007014731],"category_scores_gemma":[0.0028710696,0.0002121534,0.00013426309,0.004753636,0.02229303,0.005117151,0.003211953,0.0028866,0.0005083479],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028817356,0.000025944018,0.0025689113,0.00017635658,0.0000070987226,0.00039839032,0.089940615,0.00007258438,0.00012199914,0.79934716,0.07207547,0.03523676],"study_design_scores_gemma":[0.000005433447,0.000010421383,0.0081069805,0.0005826031,0.0000054367897,0.0003251677,0.030332832,0.00006348088,0.00008341557,0.073999554,0.8864685,0.00001616491],"about_ca_topic_score_codex":0.0634548,"about_ca_topic_score_gemma":0.0958905,"teacher_disagreement_score":0.0634548,"about_ca_system_score_codex":0.008551669,"about_ca_system_score_gemma":0.004002646,"threshold_uncertainty_score":0.12617093},"labels":[],"label_agreement":null}]}